diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 14118-0.txt | 815 | ||||
| -rw-r--r-- | 14118-h/14118-h.htm | 824 | ||||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/14118-8.txt | 1205 | ||||
| -rw-r--r-- | old/14118-8.zip | bin | 0 -> 24298 bytes | |||
| -rw-r--r-- | old/14118-h.zip | bin | 0 -> 26265 bytes | |||
| -rw-r--r-- | old/14118-h/14118-h.htm | 1227 | ||||
| -rw-r--r-- | old/14118.txt | 1205 | ||||
| -rw-r--r-- | old/14118.zip | bin | 0 -> 24295 bytes |
11 files changed, 5292 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/14118-0.txt b/14118-0.txt new file mode 100644 index 0000000..097b329 --- /dev/null +++ b/14118-0.txt @@ -0,0 +1,815 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 14118 *** + +LEGEND OF MOULIN HUET + +by + +LIZZIE A. FREETH + +Author Of _The Adventures of Carl Skinflint among the Fairies_ + +Guernsey: Le Lievre, Printer, Star-Office, +10, Bordage Street. + +1872 + + + + + + + + DEDICATED TO + "THE CONWAY BOYS." + + + + + +DEDICATION. + + +Though the story contained in the following pages has no connection with +them, yet it is my wish to dedicate this little work to "The Conway +Boys," and all those connected with that most invaluable institution, +"H.M.S. Conway," lying at Rockferry, Birkenhead. + +I have particular reason to speak well of the "Conway," as any "Boy" may +know who may have been on board for the last five or six years, from the +fact that two of my brothers, after passing a successful career under +the careful teaching of the Rev. Henry O'Brien; L.L.D., Cork, continued +to build on the good foundation laid, and left the "Conway" with credit +both to their teachers and themselves. I shall always have pleasure in +meeting with any "Conway Boy," and hearing of the good old ship to which +I wish a long continuance of her success in preparing Boys creditably +for one of the great sources of our national strength and wealth--"Our +Merchant Navy." + +I must just add a word of thanks to my friends in Guernsey and +elsewhere, who so kindly encouraged and supported me when publishing on +a former occasion, and whom I see, by reference to the subscription +list, coming forward again--among some new friends--with a repetition of +their kindness. + +Montpelier, Guernsey, 1872. + + + + +CHAPTER I. + + +In the year 165-, when Cromwell had gained ascendancy in England and +over the greater portion of the Channel Islands, there lived in +Guernsey, at the Bay of Moulin Huêt, a miller of the name of Pierre +Moullin. Unlike his class generally, he was a very morose man, hard in +his dealings with the poor around him, and exceedingly unsympathizing in +all his domestic relations, as will appear as our story unwinds itself. +Before speaking of the family surroundings of Pierre Moullin we will +glance at the circumstance which forms the basis of the present tale. +Visitors to the Bay of Moulin Huêt, as well as to other parts of this +and the surrounding Islands, may have observed a crimson appearance on +the rocks, suggesting very sanguinary ideas, but for which, geologists +doubtless, would be able to account in a very satisfactory manner. +Looking at a portion of the original gully through which the water runs +after passing through the mill wheel, we find that this crimson +appearance is very visible, and as our purpose is not to raise +scientific enquiries, we will take one of the fanciful reasons (of which +there are two or three in existence), for this coloring on by the hand +of Nature, which has so abundantly bedecked Guernsey in general, and +Moulin Huêt in particular. Dipping into the Fairy lore of that part of +the island, we find that many believe that some mischievous Fairies who +annoyed the miller much with their nightly pranks were ground to pieces +by the mill wheel becoming unfastened, and that their blood remains +there to this day, as a warning to all others among the "good people" +who might wish to vent their superfluous mischief in a like manner. + +So much for the Fairy lore in the Moulin Huêt Chronicles; but we must +turn our attention elsewhere to find out whose blood it was that thus +dyed the watercourse of the Moulin Huêt Mill. + +At the time of which we are speaking, (the opening of the year 165-) +Pierre Moullin and his two children, a son and a daughter, lived in a +house adjoining the mill, in fact, the same roof covered both mill and +house, which were built facing the sea. The stream of water which turned +the wheel was far more powerful than the present, as the old marks +(still partially visible) denote. Pierre Moullin, like many of his +fellow-islanders, was a strong adherent of Cromwell; his son Hirzel was +also,--though perhaps he did not go quite as far as his father in his +hatred of the Royalist party. He had nevertheless acquaintances among +the Royalist soldiers who were quartered in the strong fortress at +Jerbourg. One in particular he had made a great friend of--Charlie +Heyward. Old Pierre often used to say he knew harm would come of this +friendship, and felt his words were being proved true when he +discovered that an attachment was springing up between his daughter +Marguerite and the young soldier. On becoming aware of this his rage was +unbounded, and he repeatedly said he would be the death of Charlie if he +could manage it. He tried in every way to bring his son to his way of +thinking, but though Hirzel did not much like the idea of his sister +marrying a Royalist soldier, and besides which another friend and +fellow-countryman of his Jacques Gaultier, was also much attached to the +fair Marguerite, and had long persecuted her with his unwelcome +attentions, still Hirzel would have done anything rather than have +injured his friend Charlie, whom he liked well, though he did not like +his principles. In Jacques Gaultier the old miller saw a ready tool +towards gaining his wicked end of destroying Charlie. The latter did not +think Pierre's hatred reached the extent it did, at the same time he was +still aware there was no chance of his ever gaining the old man's +consent to his marrying Marguerite. + +One night Pierre sent his son to bring Jacques Gaultier saying, he +wished to speak to him about taking some flour into the town next day. +Jacques was only too delighted to get any excuse for going to the mill, +and immediately said he would accompany Hirzel if he "would wait until +he got something which he had been making for Marguerite." + +"All right, Jacques, my boy, but look sharp, as the old man seems +impatient to-night." + +"Thy tone and way of speaking savour far more of the style of that base +soldiery which our island is burdened with, than the tone of thy +father's son should be," replied Jacques. + +"Very well," said Hirzel, "I will promise to mend my ways, but do be +quick, as I promised to walk with my sister at seven, and now it is nigh +on half-past; and she says she needs my counsel much on a matter." + +"Ah! thou art an impatient lad, but it would be worse with me were I in +thy case; long till she'd ask me to walk with her, not I warrant were I +dying for a look at her sweet face." + +"Don't be down-hearted, Jacques, how know'st thou but that my sister +may change her mind and look kindly on thee yet; wait till the Redcoats +have gone down to the Castle, and then perhaps thy fishers' garb may +find favour in her sight, but what hast thou got there? Some woman's +trifles, which thou seem'st to understand better than I have yet +learned." + +"I made these sore against my will, for I would rather see thy sister +reading some edifying book than passing her time on such vanities as +these are used for, they are bobbins, lad." + +"Ha, Ha," laughed Hirzel, "were I to go into the market to-morrow and +say that stern Jacques Gaultier spent his hours carving out lace +bobbins, who would believe me?" + +"Don't laugh at me, Hirzel, perhaps one of these fine days thou wilt do +something more foolish: when thy nineteen summers shall have ripened +like mine to thirty thou wilt have different thoughts." + +"Time enough to speak when it comes. Now I love my boat better than +anything else! But how we are wasting this fine evening. My Father will +think we are lost or gone to be soldiers, eh Jacques? Come along, and we +will see what Marguerite thinks of those little sticks of thine." + + + + +CHAPTER II. + + +On the same evening of which we have been speaking Marguerite was +sitting just outside the door, employed as she generally was in her +leisure time at lace work, of the style which had been so fashionable +during the reign of the late murdered King. How Marguerite had first +learnt this "unedifying work," we know not but as she used to work for +the family of one of the King's officers, and had seen the ladies do it, +she soon with very little instruction learnt to do it well. Very pretty +Marguerite looked bending over her "lace pillow," weaving sweet +thoughts into her work, if we may judge from the expression of her face +which was one of those that "made one feel good to look at," as Charlie +often said, and indeed it was a good thing for him to take the +remembrance of such a face through his Barrack life, which at least was +a rough one. + +Marguerite had not long been enjoying the quiet of her own society when +she heard her Father call her. She immediately obeyed his summons with +that strange feeling at her heart--that strange foreshadowing of +evil--to which we have all been subject at some time in our lives. +"Again at that silly work, girl; better for thee to get something to do +about the house than waste thy time over that useless finery; I'll +warrant me when thou art Jacques Gaultier's wife he will find thee other +work--mending his nets, mayhap!" + +"My dear Father, I will never be Jacques Gaultier'a wife. I have told +him so oft: I doubt if he will ever speak to me on the subject again; he +will not risk hearing rude words from me, I fancy." + +"I tell thee thou _shalt_ be Jacques Gaultier's wife, and that before +long; he is coming here to-night, and I will tell him he can have thee +with my full consent. Spite of thy love for red coats, thou wilt settle +down here as a fisher's wife." + +"Father, I have promised to marry Charlie and no other, and I will do +so; you used to like him ere 'my Lord Protector Cromwell' turned the +heads, if not gained the hearts, of nearly all but the loyal soldiery! +And now I will never marry any one but Charlie. You have made me speak +thus to you Father; I don't think you ought to try to make me marry one +whom in my heart I despise; and who you know well is not a good man." + +"Ah! that is thy spirit, is it? Well, we'll see; I doubt if thou wilt +find that fine soldier of thine alive much longer; it would be a good +and commendable deed to sweep all such from the face of the earth." + +"Yes, surely, commendable, but only in the eyes of those who murdered +our poor King, Father; but we will speak no more of these things. You +are tired with your day's work, and are not like yourself to-night. I +hear Hirzel's voice, so I will go and meet him; we are to have a walk +this evening, and you can talk quietly with Jacques, but not a word +about me; you know what my thoughts are now, Father." + +Having thus spoken, Marguerite left the house, and after going through +the garden gate, she entered a pretty lane which was abundantly blessed +by Nature with a quantity of ferns and wild flowers. It was just +beginning to grow dusk, and she saw not far off Jacques Gaultier and her +brother. The latter was singing in his native _patois_ a gay song, much +to the horror of Jacques, who thought it was dreadful to do such a +thing. Dropping his usual air of hypocritical stiffness (adopted by so +many to fall in with the custom of the times), he hastened forward to +meet Marguerite, and with a show of politeness, wonderful for the rough +Jacques, raised his hat and said, "Good evening, Marguerite; it is my +fault that thy brother is late; I kept him while I was getting ready +some bobbins which I have made in the hope that thou wilt take them from +me." + +"I thank thee, Jacques Gaultier, but I do not want thy bobbins; keep +them for some other girl: I am teaching many this same work, and no +doubt you will find some one glad to get them. I am going to-night where +I shall get a set made by some one whom I like better than Jacques +Gaultier. My father is waiting, so go to him; come Hirzel, don't delay +me longer." + +Jacques moved off muttering to himself, and with a most murderous look +on his dark face. Poor Charlie would have fared badly had he been in +this man's power just now! + + + + +CHAPTER III. + + +We will follow Gaultier into the mill, leaving Marguerite and her +brother to pursue their intention of having a walk, and hear what old +Pierre has to say. On Jacques entering the room he found the old man in +a state of great disquietude--in fact, in a very great rage. He had by +no means recovered his daughter's assertion that she would never marry +anyone but Charles Heyward. + +"Good evening, Jacques, I sent for thee on a matter of great importance +to thyself. I know thou did'st love my girl Marguerite, and that thou +had'st a desire to marry her. Art thou still of that mind?" Jacques was +somewhat surprised both at the old man's manner and at this opening +address, but replied, "Truly I am, but I fear she will never consent to +take me for her husband; she hates me, and loves that soldier with red +cheeks and bold forward air. I wish he were far from here; but perhaps +she would still think of him and never look on me. Even to-night she had +not a civil word for me, though I stayed at home to make these things +for her and lost my place at market." + +"And serve thee right. What business hast thou to encourage the girl in +her vanities? But thou said'st just now thou would'st like to have that +fellow out of this. So would I, and the whole lot of those lawless +soldiers. Can'st thou not think of some means to catch him"? + +"Well, Father Pierre, I wouldn't like--- + +"Wouldn't like _what_!" shouted the old man, "perhaps thou art afraid of +the popinjay in his red coat--eh, thou chicken-hearted fellow? Thou art +not the man I took thee for. I wonder not at Marguerite speaking as she +does." + +"Those are hard words and I like them not," replied Jacques sulkily. He +felt the hit contained in Pierre's words all the more as he was not +quite innocent of fear of the red coat. "I was going to say," he +continued, "I wouldn't like Marguerite to know I was watching for her +soldier, as she might warn him and put him on his guard. Ah! the +hateful fellow, I wish I had my hands at his throat now." + +"Gently, gently, my good Jacques," replied the elder hypocrite, "such +language becomes not a follower of our Lord Protector Cromwell. But let +us understand one another. Charlie Heyward--(the name hath but an ill +savour to me)--must be put out of the way, and Marguerite, like her sex, +will doubtless forget that he ever existed, and marry thee. I wonder +where they meet? It must be somewhere near here, but I cannot find out. +Now that he knows he is unwelcome to me, he comes not in here." + +"I will try and find out, Father Pierre, and then we must devise means +for putting him out of the way, as thou seem'st to desire it, and, +mind, my reward is Marguerite, whether she be willing or not." + +"Yea, my son, and here is my hand on it." + +After shaking hands over this black bargain, Jacques arose and said he +must go, and wishing old Pierre "Good night," he left the mill. Turning +round when he had gone a few steps from the door, he clenched his hand +and said, "Thou tempt'st me to commit murder, but I'll take care that +thou doest the deed thyself; bad as I am I could not take Marguerite's +hand in mine after such a foul deed." + +It was now getting rather late, but as Jacques had no business of his +own on hand, but rather wished, like so many others to be about +business that was _not_ his, instead of going home he thought he would +go up the cliffs by a path which swept round the side of the hill till +it came to fields that led to the Jerbourg fortress. On coming to a +corner where the path turned up the hill, he paused to look at the scene +before him, which was a lovely one: the moon was very brilliant, and the +light of it made a broad pathway across the bay--such a pathway as +always makes one wish to walk along in the calm to find a place of rest. + +Perhaps the dark rocks which rose with a sort of sullen majesty straight +up from the water side, were more to Jacques' fancy than the moon path +on the water, for he was gazing intently across the hay at them, while +apparently the rest of the beautiful scene was lost on him. So intent +was his gaze at the rocks--on the summit of which was the Jerbourg +fortress--that he did not observe the presence of two persons who were +coming slowly towards him. Evidently they had not remarked him either, +which was not so much to be wondered at as they were no other than +Marguerite and Charlie! + +Suddenly Jacques' attention was drawn to them by a merry laugh from +Marguerite. On looking round and seeing who were there he ground his +teeth in jealous rage and muttered to himself. "Ha! now I may discover +something," and going a few steps round the corner, he turned himself +into some bushes that overhung the path and bent down his head, prepared +to listen to the conversation of the pair coming along. Ah! Marguerite; +Ah, Charlie! how careful you would be did you know of the presence of +that dark-faced Jacques with his evil designs. + +Unconsciously Jacques had placed himself in an excellent position to +hear and see all that was going on, as immediately beneath the bushes in +which he had hidden himself there was a large block of granite on which +the lovers sat down to await Hirzel, who was coming up from the bay. +Little they knew what power they were putting in the hands of one who +would not scruple to use it to the utmost. + +"So your father is still against me, Marguerite?" + +"Yes, Charlie; and that dreadful Jacques is persecuting me as much as +ever with his impertinent attentions. Only this evening he brought me +some bobbins which I told him he might take elsewhere." + +"That reminds me I have brought with me those I have been making; +perhaps, though, you prefer those made by our dark friend, eh! +Marguerite?" + +"Don't jest about him, Charlie; it frightens me even to think of him. I +am sure he would work you a mischief if he could." + +"Ah! Marguerite, don't alarm yourself. The worst mischief he can work is +to bring a shade on your sweet face. All this evening I have noticed a +troubled look in those grey eyes of yours, which must be banished ere I +see you again. You surely do not think I am frightened at what such a +fellow as that can do! But what have I done with the bobbins? I hope I +have not dropped them. Ah! well! I suppose I did not bring them with me +after all, but I promise you shall have them two nights hence." + +"No, Charlie, you must not come near here again for some time, as I am +certain there is danger, and I would far rather wait to see you until +you can come with safety. I feel there is something wrong going on +between my father and Jacques." + +"Nonsense, Marguerite; you really must not have these idle fancies. I +shall come over in the evening after dark. You come up this path, and +show the light of a lantern three times if all is well. Then I will +start from our barracks, and come as quickly round the cliffs as I can. +You return to the mill, and go to the granary; I will climb up the mill +wheel. If I remember rightly, the granary window is just over the wheel. +Then I shall be able to speak to you for a few minutes, and bring the +precious little bobbins." + +"Halloo! Charlie, where are you, and what have you done with my sister?" + +"Oh! there is Hirzel. How he frightened me," exclaimed Marguerite, who +evidently feared everything to-night. + +"She is all right, old fellow. Come along, you are just in time to take +her home; I must be off, or black hole for me." + +Hirzel now appeared from the midst of the ferns and gorse, and came up +on the path and joined his sister and Charlie. + +"The fish won't bite to-night, somehow; _they_ are not so easily caught +by a dazzling bait as some other things I could mention. Ha! Marguerite, +you seem to take it to yourself. Well, perhaps I mean you, and perhaps I +don't; but come along, Father will think you are lost." + +Hirzel said "Good night" to Charlie, and moved off discreetly, leaving +his sister to follow. + +"Don't forget Wednesday night, Marguerite; I shall look for your signal +about eight, and if all's well, I'll be round by nine. I will get leave +to stay out later than usual that night." + +"Well, Charlie, I won't prevent your coming this once, but my heart +sadly misgives me. I hope nothing will happen to you." + +"Don't be foolish, Marguerite, but run away after your brother; he is +looking impatient, and you know this is nicer for me than for him! He is +a brave good lad, worthy of having such a sister as he has. Good bye +till Wednesday. Mind, don't forget the signal. Good night, Hirzel." + +"Well! time you said it old fellow," shouted Hirzel, "I have knocked +about all the stones in the neighbourhood with my stick, so was +beginning to be at a loss for employment. Come quickly. Marguerite." + +On the way home Marguerite told her brother how Charlie was to come and +see her on Wednesday, and they arranged that Hirzel should stop about +the house so fearful of some violence occurring was Marguerite. + + + + +CHAPTER IV. + + +When Hirzel and his sister were out of sight, Jacques got down from his +hiding place and walked after them with the intention of telling old +Pierre what he had heard, and also to reveal to him a plan which had +suggested itself to his evil mind for destroying the young soldier when +he came to visit Marguerite on the following Wednesday evening. Jacques +changed his mind about going in when he came near the mill. He saw +through the open door Pierre talking with his children; he thought he +should not be able to see the old man alone that night, and besides, he +had a feeling which kept him back from entering Marguerite's presence +when he was plotting against her happiness in such a deadly manner. So +Gaultier turned his steps homeward, revolving in his mind the plan he +had laid out which was briefly this. The mill wheel was secured by a +rope which passed round the corner of the house and into a room behind +the granary, where it was fastened to a rafter. Now Gaultier thought +that when Charlie was standing on the wheel, if he could get old Pierre +to unfasten the rope, the sudden starting round of the wheel would +precipiate Charlie into the stream below, where he must inevitably be +dashed to pieces. Well thought of, Jacques Gaultier; but it is a pity +thy ingenuity had not been turned to better account! + +Jacques spent a most restless night, for the awfulness of the crime +which he was meditating presented itself unceasingly to his mind; but, +on the other hand, he pictured to himself Marguerite Charlie's wife, +therefore lost to him. Not only did he hate Charlie on this score, but +political feeling, as well as the frank pleasant manner of the young +soldier, assisted in making Jacques look hardly on him. He could'nt but +remark the different manner in which he was treated. People rather +avoided than courted the society of "Dark Jacques Gaultier," as he was +called by the boys round his neighbourhood, with the disagreeable +honesty of "small boy" youth. + +Jacques was one of those unhappy beings who live with their blinds down +and windows shut, morally speaking; and yet who wonder that they don't +get the bright light and pure air into their minds, which cause some of +their brethren to be such refreshing bits in the way through life. One +of these was Charlie: he went happily through life, carrying sunshine +with him wherever he went: he felt sorry for Jacques, and would +willingly have been friends with him, but in their relative positions +this was impossible. All his overtures were received with decided +rudeness on the part of Jacques, when they received any notice at all, +so Charlie gave up, and took the situation as inevitable. When morning +came Jacques rose very early and went down to the mill. He judged the +early morning to be the best time to see the old man by himself. In this +he was correct, for when he got there he found Pierre was the only one +down. He was standing in the little garden in the front of the house. +After they had exchanged the customary greetings of the place, the old +miller asked Jacques "what had brought him out so early." + +The latter told him all he had overheard the preceding evening, and then +he unfolded his plan, for Charlie's destruction, but tried to impress on +the old man that he had better loosen the rope himself. + +This Pierre would not listen to; said his courage might fail him; then +pleaded his age, failing strength, and many other things; finally, he +said, he would not do it, adding, "One would think I wanted the girl for +my wife; no, do thy own business unless thou art very anxious to give +Marguerite to this fine soldier. I warrant me that will be the end of +it." + +"Father Pierre, thou well know'st I would sooner die a thousand times +than _he_ should have her, so I will do the thing myself; but how shall +I give reason for my presence here? Marguerite, for days, even weeks +past, has been looking at me with suspicion in her eyes, as though she +divined my thoughts towards that lover of hers?" + +"Leave all to me. Can I not have whom I like in my own house? I see +that though thou may'st not dread other things, thou art well +frightened at a woman's looks. Well, well, there's something in that, +too." + +"Yes, Father Pierre, there is; much sometimes." + +"But leave looks to mind themselves now, and I will show you what to do, +and where to go. You can well be in the room behind the granary, as one +or two of the rafters need mending. Let Marguerite see you leave your +work and start for home; then when she goes to show her light say 'All +is well,' thou can'st come back and be ready for the bird with his +bright plumage. Ha! he would go elsewhere and pipe his song, did he know +the manner in which we are preparing his perch!" + +"That is all well; the popinjay can't escape us now." + +"Come in, Jacques, and have some breakfast with us; I think I hear +Marguerite busy at it now." + +"Marguerite will not have a welcome for me, I know; but as she is to be +my wife, she may as well get used to my presence now." + +When they entered Marguerite turned round wondering who could be with +her Father at such an early hour. On seeing who it was, her face +clouded, and she immediately experienced that same feeling of fear come +over her as she always had of late when she saw her Father and Jacques +Gaultier together. She said "good morning" to them, and then resumed the +preparation for the morning meal. Jacques' dark eyes followed her all +about the room; doubtless he was thinking of the time when she would be +performing the same duties under his roof, while she--Well, we will not +penetrate into her thoughts; no doubt she would prefer keeping them to +herself, so we will let her, in the certainty that the train of thought +was very different to that of Jacques Gaultier. + +Hirzel now appeared, announcing that he was ready to eat up all, his +sister included. Breakfast being ready, they all drew their chairs near +the table, Marguerite begging Hirzel to come and sit near her, as she +wanted to speak to him. The boy saw that she wished to keep Gaultier +off, and with his usual teasing way, he made signs behind that worthy's +back to the effect that his sister ought to ask him to sit by her. +However, when Hirzel saw that his sister looked really troubled, he came +immediately like a good brother and did what his sister wished. All this +was not lost on that wretched Jacques, who between present +circumstances, and his own thoughts of what must come before he gained +Marguerite, had by no means an enviable position. + +During the repast Pierre informed Hirzel that on the afternoon of the +following day he had a particular message to send him on, as it was one +some way off, he might take the cart or ride if he preferred it. + +"Very well, Father, I'll go for you; riding is best if I have nothing +to carry." + +"And thou, Jacques," said old Pierre, "will come after thy fishing is +past and mend the rafters I told thee of in the room behind the +granary." "But Father," said Hirzel, "why not let me do that work for +you? I would like to, and ride for this message the day after." + +Hirzel said this, because he remembered his sister's arrangement with +Charlie, and he knew that she particularly wished him to be at home, +especially now that there was some chance of Jacques being about. + +"Thou would'st like to work indoors? Why what has come to thee Hirzel?" + +"You had better do what Father wishes Hirzel," said Marguerite. She saw +her brother was troubled as to what was best to be done; also, she was +very much afraid lest he should say something to betray matters. So she +thought she would settle it quietly, especially when she remembered that +Charlie would not come until she had shown the light, which she firmly +resolved should not be shown until Jacques was well out of the place. + +Breakfast being over, Jacques took his leave, and the others dispersed +to their various occupations--each of the four with very different +thoughts and hopes as to what the morrow might bring forth, but at +present, like all the rest of mankind, their first business was to get +through "to-day" as well as they could. + + + + +CHAPTER V. + + +The morning following the events recorded in the last chapter was +ushered in with bright sunshine, and everything pleasant, so far as +outward appearances went, in and out of the mill, though some hearts +were restless or uneasy as to how it would be when the sun rose to run +his accustomed course the next morning. Charlie was perhaps the happiest +of all those whose fortunes we are now following. He had but slight +clouds to dim his horizon; at least his horizon as seen by his own +eyes. He went cheerfully and gladly through his duties that morning, and +never did he more fully merit the name of "Happy Charlie" bestowed on +him by his comrades in the gallant 22nd than he did on the morning in +question. The truth was he was beginning to tire of old Pierre Moullin's +determined refusal to have anything to say to him in the character of +son-in-law. He had made up his mind (and being of a hopeful nature, +considered more than half the battle was fought in consequence), that +come what might, he would prevail on Marguerite to marry him at once, +and trust to gain her Father's forgiveness when the deed was done beyond +recall. And so our friend Charlie whistled and sang through this day, +building all sorts of pleasant castles about his future life, little +thinking what a train was being laid, to which, if the match were +applied, he and his castles would be blown up in a more sanguinary, if +not more decisive manner, than these airy fabrications generally have to +yield to! + +Hirzel had been detained on various pretexts by his Father; in +consequence he was rather late in starting for this important business +on which he was to be despatched. From the time he managed to get off, +it was not at all likely that he could be back before 10 o'clock. +Marguerite's heart quite misgave her when she heard this, but as time +moved on, and it came to half-past 7, she was re-assured to find that +Jacques Gaultier was putting away his tools, and finally left the house, +saying that he had "work for himself at home, but would return the +following morning to finish repairing those rafters that had so suddenly +got out of repair." + +Matters seemed better still when her Father said he did not feel at all +himself that night, and that he thought he would go off to bed. +Marguerite wished him "Good night;" and at 8 o'clock found herself alone +and mistress of her own actions. She might now have brought Charlie into +the house, but that she remembered her Father's prohibition of such a +thing; and at least she thought it best and fittest to leave him master +in his own house, at the same time reserving to herself liberty to +control her own actions. This was fair enough. + +At about 8 o'clock, as agreed on, Marguerite took her little lantern, +and going round the path to where they had been standing two evenings +before, she flashed the light three times trusting that Charlie would be +able to see it. Meanwhile Jacques had come out from one of the mill +sheds, where he had been concealed, and went quickly up to the room +behind the granary, only pausing on his way to tell old Pierre that he +was there. + +We will leave him waiting for his prey, with a dark sardonic smile on +his ill-favoured countenance, and return to Marguerite, who is waiting +in the granary for her lover, confident that "all is well," and having +no thoughts but pleasant ones concerning the coming meeting. Even the +remembrance of Hirzel's absence brings no disquietude with it. Her +thoughts shape themselves into a blessing when her brother's bright +manly face comes before her, and then she bends all her attention to +listen for Charlie's approach. + +She had been waiting for rather more than an hour, when she heard her +name called softly; then up Charlie scrambled, and when standing on the +wheel his head comes just half way up the window. + +"Well, here I am, Marguerite; I hope you were not alarmed at the time I +have taken, but I was on duty when I saw your signal, and it was some +little time before I could get away." + +"I was getting a little anxious, Charlie, but 'all is well' now that you +have come." + +"Ah, that is right! but how are you to-night, little woman--all the +fancies fled?" + +"Almost Charlie, but still not quite; you will think me very foolish, I +know, but everything was so beautifully arranged for my seeing you +easily to-night that I can't help thinking that some one else has been +arranging too for some purpose of his own." + +"Come, come, you little croaker, try and put such thoughts out of your +pretty head, and remember I 'deserve the fair' after having been so +'brave' as to mount this rickety wheel, but I wish you would take this +parcel from me; the bobbins are in it, which I have perilled my life to +bring! I hope you see my devotion clearly, eh?" + +"I do, indeed, Charlie, and now I shall work all the better and be more +in earnest; I don't mean you to have all the work on your shoulders when +we marry; I know I shall be able to get sale for my lace amongst the +beautiful ladies you tell me of in England." + +"Ah, Marguerite, that is just what I wanted to speak to you about; I +suppose your Father still wishes you to marry that rascal Gaultier? By +the way, I believe he or some one very like him was sneaking round the +cliffs on Monday night. After I left you, I fancied I saw him; it might +be _only_ fancy. Did you see anything of him? + +"I wish--." + + * * * * * + +Alas! poor Charlie! Will you speak again to finish that sentence and +tell what you wish? For suddenly the mill wheel has turned round with a +tremendous crash, and the brave young soldier has been hurled down! And +Marguerite, what of her? With one agonized cry she rushed to the door +intending to run outside to see if anything could be done for Charlie, +when she came face to face with Jacques Gaultier! In an instant it all +flashed on her that he must have wrought this terrible work, and, +overcome by grief and horror, she sank down in a deadly faint. Bad man +as he was, Jacques was really overcome at the consequences of his act, +for he thought he had also killed Marguerite. He called loudly to her +Father, who came up hurriedly. He was also seriously alarmed when his +gaze rested on his child lying like one dead on the floor. Between them +they carried her downstairs and laid her on her bed. They applied such +restoratives as suggested themselves, but as everything was for sometime +quite unavailing, a more miserable pair it would have been difficult to +discover. + +Hirzel now came in. He was running upstairs to the granary when his +Father called him in to see if he could do anything for his poor sister. + +"A pretty night's work this," he said, when he came into the room and +saw his sister lying there. + +At this moment she opened her eyes, and he went close to her and raised +her in his arms. With an expression of deep thankfulness, Marguerite's +first words were to send that murderer, Jacques Gaultier, away out of +her sight. Hirzel ordered him to leave the room, with more fierceness in +his tone than anyone had heard there before. + +"Oh! Hirzel, what shall I do without Charlie? Stay with me, only you, +and I will tell you all." + +Hearing this her Father left the room, and Hirzel bent down and +whispered to her--- + +"Charlie is alive and well. He told me to tell you this himself." + +"Oh! Hirzel, you are deceiving me. How could he be alive after such a +dreadful fall? It was terrible." + +Here Marguerite's fortitude gave way, and she indulged in a flood of +tears, while Hirzel looked at her with the masculine helplessness usual +on such occasions, and indeed it seemed to cost the fine tender-hearted +fellow an effort to keep from joining in them too. At last he said, +"Well Marguerite, if you don't stop, I'll go off, and tell Charlie you +only cried after you heard he was alive and well." + +"Ah! Hirzel, is that not the way with our sex. Sometimes, to cry over +the best and happiest times while the worst is bravely borne?" + +Hirzel then told Marguerite how he had met Charlie just outside at the +foot of the lane, considerably bruised and knocked about, though without +any internal injuries. How he escaped was nothing short of a miracle, +one of those things which occasionally happen, perhaps, to show what +can be done when there is the will to do it. + +There was an iron loop which projected about a foot from the walls, this +Charlie made a spring at after the manner of a gymnast; he caught it, +and although it came away in his grasp, yet it broke his fall, and what +was of more importance, changed the direction of his course to the +brickwork alongside the wheel, instead of the water under it. Once on +the brickwork he jumped down into the garden, and went out into the +lane, where he met Hirzel. + +Charlie did not for a moment suspect that there was anything but pure +accident in what had happened, and as he met Hirzel just at that moment +he judged it wisest not to return near the house in case he should get +Marguerite into trouble; but after telling Hirzel to assure his sister +that he was safe, he set off to the fortress, little thinking he was +supposed to be lying dead at the foot of the Moulin Huêt cliffs, carried +there by the mill stream. + +Marguerite now told to her brother, her suspicions of how all had +happened. He wished to go immediately and tax Jacques with the crime; +but, in deference to his sister's wishes, remained where he was. The +noise of the mill wheel turning round suddenly ceased, and on Hirzel's +going up to ascertain the cause, he found his Father tying up the rope +in the room behind the granary. This rope passed out of a small round +hole in the wall of this room, and round the corner of the house where +it was attached to the wheel. The window through which Charlie and +Marguerite had been talking was rather a large one, but had some iron +bars across which had prevented Marguerite leaning out to see what had +become of Charlie. This perhaps was as well, for at best his descent +would have been extremely trying to look at. + +The next morning did not bring Jacques to finish his work, but in the +evening he appeared, after vainly trying to induce Marguerite to speak +to him, which naturally she was very loath to do, went and commenced his +work, which he went steadily on with, though he was very much fatigued +by having no rest the preceding night, and now had been out fishing all +day. He sat down to rest for a few minutes when he fell asleep. After +dark old Pierre came round to lock all the doors, as was his nightly +custom. Looking in and not seeing Jacques he supposed he had gone and +locked that door also. Pierre then went to rest himself, and all were +buried in slumber, with the exception of Hirzel, who had gone over to +Jerbourg to acquaint Charlie with all that had happened. About 9 +o'clock, as Charlie and Hirzel were coming out of the barracks, they saw +flames rising in the direction of the mill. It was but the work of a +moment for Charlie to run back and get leave for some of his comrades to +come with him, and off they set for the mill. On arriving there they +found their surmises correct: both house and mill were enveloped in +flames. Marguerite and her Father were safely out, but the latter was in +a dreadful state of misery at seeing all his property go like this. +Charlie went up to him after he had spoken to Marguerite, and said he +would try and save the wheel for future murders. Seeing Charlie, whom he +fully thought to be dead, and hearing these words, the old man shrank +back with horror. He fell on his knees and begged Charlie to forgive +him, adding that it was not he who had done it, but Jacques. Charlie +raised the old man, saying all should be forgiven and forgotten on one +condition. That condition we need hardly state was permission to marry +Marguerite without further trouble. Until Pierre had said so Charlie, +had no idea that he knew any thing of his intended destruction. It +saddened him very much and made him very sorry for the old man; however, +he had other things to think of, so he set all the other soldiers to +hand up water from the mill stream, which was now running for some +little time. Suddenly a shout from one of the soldiers called Charlie's +attention, and on going to see what it was, he found him dragging a body +out of the mill stream. With some difficulty he recognized Jacques +Gaultier, as it was rather dark just there. Jacques revived a little, +and told Charlie how on waking he had found the room full of smoke, and +finding the door locked he broke it down, but the door of the granary +resisted all his efforts, so he put all his strength towards tearing the +bars from the window. He succeeded in this and got out on the wheel, but +directly he tried to get down the rope--which doubtless had been much +charred by the flames--gave way, and down he went. He had seen from the +window, Charlie and his comrades coming, and this endued him with +further strength, but all to no purpose. He implored Charlie's +forgiveness, and turning over with a groan he died. + +Little now remains to be told. Owing to the exertions of the soldiers +some of the machinery was saved, but the old man never made any use of +it; he had too great a horror of anything like a mill after his past +experiences. Charlie and Marguerite were soon married. They lived at +Castle Cornet for some time, and after the restoration went with the +Regiment to England, where Marguerite could display her loyalty +undisturbed. Hirzel remained heart-whole to the last we hear of him, and +after his Father's death went and lived with his sister in England, to +see for himself some of the wonders which Charlie had described to him +in his own little Island home. + +*** END OF THE PROJECT GUTENBERG EBOOK 14118 *** diff --git a/14118-h/14118-h.htm b/14118-h/14118-h.htm new file mode 100644 index 0000000..fcd62cc --- /dev/null +++ b/14118-h/14118-h.htm @@ -0,0 +1,824 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" /> +<title>The Project Gutenberg eBook of Legend of Moulin Huet, by Lizzie A. Freeth</title> +<style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + P { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + H1,H2,H3,H4,H5,H6 { + text-align: center; /* all headings centered */ + } + HR { width: 33%; + margin-top: 1em; + margin-bottom: 1em; + } + BODY{margin-left: 10%; + margin-right: 10%; + } + .linenum {position: absolute; top: auto; left: 4%;} /* poetry number */ + .note {margin-left: 2em; margin-right: 2em; margin-bottom: 1em;} /* footnote */ + .blkquot {margin-left: 4em; margin-right: 4em;} /* block indent */ + .pagenum {position: absolute; left: 92%; font-size: smaller; text-align: right;} /* page numbers */ + .sidenote {width: 20%; margin-bottom: 1em; margin-top: 1em; padding-left: 1em; font-size: smaller; float: right; clear: right;} + + .poem {margin-left:10%; margin-right:10%; text-align: left;} + .poem br {display: none;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem span {display: block; margin: 0; padding-left: 3em; text-indent: -3em;} + .poem span.i2 {display: block; margin-left: 2em;} + .poem span.i4 {display: block; margin-left: 4em;} + .poem .caesura {vertical-align: -200%;} + hr.full { width: 100%; } + a:link {color:blue; + text-decoration:none} + link {color:blue; + text-decoration:none} + a:visited {color:blue; + text-decoration:none} + a:hover {color:red} + pre {font-size: 8pt;} + // --> + /* XML end ]]>*/ +</style> +</head> +<body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 14118 ***</div> +<h1>The Project Gutenberg eBook, Legend of Moulin Huet, by Lizzie A. Freeth</h1> +<hr class="full" /> +<p> </p> +<p> </p> +<p> </p> +<p> </p> +<h1>LEGEND OF MOULIN HUET</h1> +<center>BY</center> +<h2>LIZZIE A. FREETH</h2> +<center>AUTHOR OF <i>THE ADVENTURES OF CARL SKINFLINT AMONG THE +FAIRIES</i></center> +<p> </p> +<p> </p> +<center>DEDICATED TO<br /> +"THE CONWAY BOYS."</center> +<p> </p> +<p> </p> +<h6><i>Guernsey:</i><br /> +Le Lievre, Printer, Star-Office,<br /> +10, Bordage Street.</h6> + +<h4>1872.</h4> +<p> </p> +<hr style='width: 65%;' /> +<h2>CONTENTS</h2> +<a href='#DEDICATION'><b>DEDICATION.</b></a><br /> +<a href='#CHAPTER_I'><b>CHAPTER I.</b></a><br /> +<a href='#CHAPTER_II'><b>CHAPTER II.</b></a><br /> +<a href='#CHAPTER_III'><b>CHAPTER III.</b></a><br /> +<a href='#CHAPTER_IV'><b>CHAPTER IV.</b></a><br /> +<a href='#CHAPTER_V'><b>CHAPTER V.</b></a><br /> +<hr style='width: 65%;' /> +<a name='DEDICATION' id="DEDICATION"></a> +<h2>DEDICATION.</h2> +<br /> +<p>Though the story contained in the following pages has no +connection with them, yet it is my wish to dedicate this little +work to "The Conway Boys," and all those connected with that most +invaluable institution, "H.M.S. Conway," lying at Rockferry, +Birkenhead.</p> +<p>I have particular reason to speak well of the "Conway," as any +"Boy" may know who may have been on board for the last five or six +years, from the fact that two of my brothers, after passing a +successful career under the careful teaching of the Rev. Henry +O'Brien; L.L.D., Cork, continued to build on the good foundation +laid, and left the "Conway" with credit both to their teachers and +themselves. I shall always have pleasure in meeting with any +"Conway Boy," and hearing of the good old ship to which I wish a +long continuance of her success in preparing Boys creditably for +one of the great sources of our national strength and +wealth—"Our Merchant Navy."</p> +<p>I must just add a word of thanks to my friends in Guernsey and +elsewhere, who so kindly encouraged and supported me when +publishing on a former occasion, and whom I see, by reference to +the subscription list, coming forward again—among some new +friends—with a repetition of their kindness.</p> +<p><i>Montpelier, Guernsey, 1872.</i></p> +<hr style='width: 65%;' /> +<a name='CHAPTER_I' id="CHAPTER_I"></a> +<h2>CHAPTER I.</h2> +<br /> +<p>In the year 165–, when Cromwell had gained ascendancy in +England and over the greater portion of the Channel Islands, there +lived in Guernsey, at the Bay of Moulin Huêt, a miller of the +name of Pierre Moullin. Unlike his class generally, he was a very +morose man, hard in his dealings with the poor around him, and +exceedingly unsympathizing in all his domestic relations, as will +appear as our story unwinds itself. Before speaking of the family +surroundings of Pierre Moullin we will glance at the circumstance +which forms the basis of the present tale. Visitors to the Bay of +Moulin Huêt, as well as to other parts of this and the +surrounding Islands, may have observed a crimson appearance on the +rocks, suggesting very sanguinary ideas, but for which, geologists +doubtless, would be able to account in a very satisfactory manner. +Looking at a portion of the original gully through which the water +runs after passing through the mill wheel, we find that this +crimson appearance is very visible, and as our purpose is not to +raise scientific enquiries, we will take one of the fanciful +reasons (of which there are two or three in existence), for this +coloring on by the hand of Nature, which has so abundantly bedecked +Guernsey in general, and Moulin Huêt in particular. Dipping +into the Fairy lore of that part of the island, we find that many +believe that some mischievous Fairies who annoyed the miller much +with their nightly pranks were ground to pieces by the mill wheel +becoming unfastened, and that their blood remains there to this +day, as a warning to all others among the "good people" who might +wish to vent their superfluous mischief in a like manner.</p> +<p>So much for the Fairy lore in the Moulin Huêt Chronicles; +but we must turn our attention elsewhere to find out whose blood it +was that thus dyed the watercourse of the Moulin Huêt +Mill.</p> +<p>At the time of which we are speaking, (the opening of the year +165–) Pierre Moullin and his two children, a son and a +daughter, lived in a house adjoining the mill, in fact, the same +roof covered both mill and house, which were built facing the sea. +The stream of water which turned the wheel was far more powerful +than the present, as the old marks (still partially visible) +denote. Pierre Moullin, like many of his fellow-islanders, was a +strong adherent of Cromwell; his son Hirzel was also,—though +perhaps he did not go quite as far as his father in his hatred of +the Royalist party. He had nevertheless acquaintances among the +Royalist soldiers who were quartered in the strong fortress at +Jerbourg. One in particular he had made a great friend +of—Charlie Heyward. Old Pierre often used to say he knew harm +would come of this friendship, and felt his words were being proved +true when he discovered that an attachment was springing up between +his daughter Marguerite and the young soldier. On becoming aware of +this his rage was unbounded, and he repeatedly said he would be the +death of Charlie if he could manage it. He tried in every way to +bring his son to his way of thinking, but though Hirzel did not +much like the idea of his sister marrying a Royalist soldier, and +besides which another friend and fellow-countryman of his Jacques +Gaultier, was also much attached to the fair Marguerite, and had +long persecuted her with his unwelcome attentions, still Hirzel +would have done anything rather than have injured his friend +Charlie, whom he liked well, though he did not like his principles. +In Jacques Gaultier the old miller saw a ready tool towards gaining +his wicked end of destroying Charlie. The latter did not think +Pierre's hatred reached the extent it did, at the same time he was +still aware there was no chance of his ever gaining the old man's +consent to his marrying Marguerite.</p> +<p>One night Pierre sent his son to bring Jacques Gaultier saying, +he wished to speak to him about taking some flour into the town +next day. Jacques was only too delighted to get any excuse for +going to the mill, and immediately said he would accompany Hirzel +if he "would wait until he got something which he had been making +for Marguerite."</p> +<p>"All right, Jacques, my boy, but look sharp, as the old man +seems impatient to-night."</p> +<p>"Thy tone and way of speaking savour far more of the style of +that base soldiery which our island is burdened with, than the tone +of thy father's son should be," replied Jacques.</p> +<p>"Very well," said Hirzel, "I will promise to mend my ways, but +do be quick, as I promised to walk with my sister at seven, and now +it is nigh on half-past; and she says she needs my counsel much on +a matter."</p> +<p>"Ah! thou art an impatient lad, but it would be worse with me +were I in thy case; long till she'd ask me to walk with her, not I +warrant were I dying for a look at her sweet face."</p> +<p>"Don't be down-hearted, Jacques, how know'st thou but that my +sister may change her mind and look kindly on thee yet; wait till +the Redcoats have gone down to the Castle, and then perhaps thy +fishers' garb may find favour in her sight, but what hast thou got +there? Some woman's trifles, which thou seem'st to understand +better than I have yet learned."</p> +<p>"I made these sore against my will, for I would rather see thy +sister reading some edifying book than passing her time on such +vanities as these are used for, they are bobbins, lad."</p> +<p>"Ha, Ha," laughed Hirzel, "were I to go into the market +to-morrow and say that stern Jacques Gaultier spent his hours +carving out lace bobbins, who would believe me?"</p> +<p>"Don't laugh at me, Hirzel, perhaps one of these fine days thou +wilt do something more foolish: when thy nineteen summers shall +have ripened like mine to thirty thou wilt have different +thoughts."</p> +<p>"Time enough to speak when it comes. Now I love my boat better +than anything else! But how we are wasting this fine evening. My +Father will think we are lost or gone to be soldiers, eh Jacques? +Come along, and we will see what Marguerite thinks of those little +sticks of thine."</p> +<hr style='width: 65%;' /> +<a name='CHAPTER_II' id="CHAPTER_II"></a> +<h2>CHAPTER II.</h2> +<br /> +<p>On the same evening of which we have been speaking Marguerite +was sitting just outside the door, employed as she generally was in +her leisure time at lace work, of the style which had been so +fashionable during the reign of the late murdered King. How +Marguerite had first learnt this "unedifying work," we know not but +as she used to work for the family of one of the King's officers, +and had seen the ladies do it, she soon with very little +instruction learnt to do it well. Very pretty Marguerite looked +bending over her "lace pillow," weaving sweet thoughts into her +work, if we may judge from the expression of her face which was one +of those that "made one feel good to look at," as Charlie often +said, and indeed it was a good thing for him to take the +remembrance of such a face through his Barrack life, which at least +was a rough one.</p> +<p>Marguerite had not long been enjoying the quiet of her own +society when she heard her Father call her. She immediately obeyed +his summons with that strange feeling at her heart—that +strange foreshadowing of evil—to which we have all been +subject at some time in our lives. "Again at that silly work, girl; +better for thee to get something to do about the house than waste +thy time over that useless finery; I'll warrant me when thou art +Jacques Gaultier's wife he will find thee other work—mending +his nets, mayhap!"</p> +<p>"My dear Father, I will never be Jacques Gaultier'a wife. I have +told him so oft: I doubt if he will ever speak to me on the subject +again; he will not risk hearing rude words from me, I fancy."</p> +<p>"I tell thee thou <i>shalt</i> be Jacques Gaultier's wife, and +that before long; he is coming here to-night, and I will tell him +he can have thee with my full consent. Spite of thy love for red +coats, thou wilt settle down here as a fisher's wife."</p> +<p>"Father, I have promised to marry Charlie and no other, and I +will do so; you used to like him ere 'my Lord Protector Cromwell' +turned the heads, if not gained the hearts, of nearly all but the +loyal soldiery! And now I will never marry any one but Charlie. You +have made me speak thus to you Father; I don't think you ought to +try to make me marry one whom in my heart I despise; and who you +know well is not a good man."</p> +<p>"Ah! that is thy spirit, is it? Well, we'll see; I doubt if thou +wilt find that fine soldier of thine alive much longer; it would be +a good and commendable deed to sweep all such from the face of the +earth."</p> +<p>"Yes, surely, commendable, but only in the eyes of those who +murdered our poor King, Father; but we will speak no more of these +things. You are tired with your day's work, and are not like +yourself to-night. I hear Hirzel's voice, so I will go and meet +him; we are to have a walk this evening, and you can talk quietly +with Jacques, but not a word about me; you know what my thoughts +are now, Father."</p> +<p>Having thus spoken, Marguerite left the house, and after going +through the garden gate, she entered a pretty lane which was +abundantly blessed by Nature with a quantity of ferns and wild +flowers. It was just beginning to grow dusk, and she saw not far +off Jacques Gaultier and her brother. The latter was singing in his +native <i>patois</i> a gay song, much to the horror of Jacques, who +thought it was dreadful to do such a thing. Dropping his usual air +of hypocritical stiffness (adopted by so many to fall in with the +custom of the times), he hastened forward to meet Marguerite, and +with a show of politeness, wonderful for the rough Jacques, raised +his hat and said, "Good evening, Marguerite; it is my fault that +thy brother is late; I kept him while I was getting ready some +bobbins which I have made in the hope that thou wilt take them from +me."</p> +<p>"I thank thee, Jacques Gaultier, but I do not want thy bobbins; +keep them for some other girl: I am teaching many this same work, +and no doubt you will find some one glad to get them. I am going +to-night where I shall get a set made by some one whom I like +better than Jacques Gaultier. My father is waiting, so go to him; +come Hirzel, don't delay me longer."</p> +<p>Jacques moved off muttering to himself, and with a most +murderous look on his dark face. Poor Charlie would have fared +badly had he been in this man's power just now!</p> +<hr style='width: 65%;' /> +<a name='CHAPTER_III' id="CHAPTER_III"></a> +<h2>CHAPTER III.</h2> +<br /> +<p>We will follow Gaultier into the mill, leaving Marguerite and +her brother to pursue their intention of having a walk, and hear +what old Pierre has to say. On Jacques entering the room he found +the old man in a state of great disquietude—in fact, in a +very great rage. He had by no means recovered his daughter's +assertion that she would never marry anyone but Charles +Heyward.</p> +<p>"Good evening, Jacques, I sent for thee on a matter of great +importance to thyself. I know thou did'st love my girl Marguerite, +and that thou had'st a desire to marry her. Art thou still of that +mind?" Jacques was somewhat surprised both at the old man's manner +and at this opening address, but replied, "Truly I am, but I fear +she will never consent to take me for her husband; she hates me, +and loves that soldier with red cheeks and bold forward air. I wish +he were far from here; but perhaps she would still think of him and +never look on me. Even to-night she had not a civil word for me, +though I stayed at home to make these things for her and lost my +place at market."</p> +<p>"And serve thee right. What business hast thou to encourage the +girl in her vanities? But thou said'st just now thou would'st like +to have that fellow out of this. So would I, and the whole lot of +those lawless soldiers. Can'st thou not think of some means to +catch him"?</p> +<p>"Well, Father Pierre, I wouldn't like—-</p> +<p>"Wouldn't like <i>what</i>!" shouted the old man, "perhaps thou +art afraid of the popinjay in his red coat—eh, thou +chicken-hearted fellow? Thou art not the man I took thee for. I +wonder not at Marguerite speaking as she does."</p> +<p>"Those are hard words and I like them not," replied Jacques +sulkily. He felt the hit contained in Pierre's words all the more +as he was not quite innocent of fear of the red coat. "I was going +to say," he continued, "I wouldn't like Marguerite to know I was +watching for her soldier, as she might warn him and put him on his +guard. Ah! the hateful fellow, I wish I had my hands at his throat +now."</p> +<p>"Gently, gently, my good Jacques," replied the elder hypocrite, +"such language becomes not a follower of our Lord Protector +Cromwell. But let us understand one another. Charlie +Heyward—(the name hath but an ill savour to me)—must be +put out of the way, and Marguerite, like her sex, will doubtless +forget that he ever existed, and marry thee. I wonder where they +meet? It must be somewhere near here, but I cannot find out. Now +that he knows he is unwelcome to me, he comes not in here."</p> +<p>"I will try and find out, Father Pierre, and then we must devise +means for putting him out of the way, as thou seem'st to desire it, +and, mind, my reward is Marguerite, whether she be willing or +not."</p> +<p>"Yea, my son, and here is my hand on it."</p> +<p>After shaking hands over this black bargain, Jacques arose and +said he must go, and wishing old Pierre "Good night," he left the +mill. Turning round when he had gone a few steps from the door, he +clenched his hand and said, "Thou tempt'st me to commit murder, but +I'll take care that thou doest the deed thyself; bad as I am I +could not take Marguerite's hand in mine after such a foul +deed."</p> +<p>It was now getting rather late, but as Jacques had no business +of his own on hand, but rather wished, like so many others to be +about business that was <i>not</i> his, instead of going home he +thought he would go up the cliffs by a path which swept round the +side of the hill till it came to fields that led to the Jerbourg +fortress. On coming to a corner where the path turned up the hill, +he paused to look at the scene before him, which was a lovely one: +the moon was very brilliant, and the light of it made a broad +pathway across the bay—such a pathway as always makes one +wish to walk along in the calm to find a place of rest.</p> +<p>Perhaps the dark rocks which rose with a sort of sullen majesty +straight up from the water side, were more to Jacques' fancy than +the moon path on the water, for he was gazing intently across the +hay at them, while apparently the rest of the beautiful scene was +lost on him. So intent was his gaze at the rocks—on the +summit of which was the Jerbourg fortress—that he did not +observe the presence of two persons who were coming slowly towards +him. Evidently they had not remarked him either, which was not so +much to be wondered at as they were no other than Marguerite and +Charlie!</p> +<p>Suddenly Jacques' attention was drawn to them by a merry laugh +from Marguerite. On looking round and seeing who were there he +ground his teeth in jealous rage and muttered to himself. "Ha! now +I may discover something," and going a few steps round the corner, +he turned himself into some bushes that overhung the path and bent +down his head, prepared to listen to the conversation of the pair +coming along. Ah! Marguerite; Ah, Charlie! how careful you would be +did you know of the presence of that dark-faced Jacques with his +evil designs.</p> +<p>Unconsciously Jacques had placed himself in an excellent +position to hear and see all that was going on, as immediately +beneath the bushes in which he had hidden himself there was a large +block of granite on which the lovers sat down to await Hirzel, who +was coming up from the bay. Little they knew what power they were +putting in the hands of one who would not scruple to use it to the +utmost.</p> +<p>"So your father is still against me, Marguerite?"</p> +<p>"Yes, Charlie; and that dreadful Jacques is persecuting me as +much as ever with his impertinent attentions. Only this evening he +brought me some bobbins which I told him he might take +elsewhere."</p> +<p>"That reminds me I have brought with me those I have been +making; perhaps, though, you prefer those made by our dark friend, +eh! Marguerite?"</p> +<p>"Don't jest about him, Charlie; it frightens me even to think of +him. I am sure he would work you a mischief if he could."</p> +<p>"Ah! Marguerite, don't alarm yourself. The worst mischief he can +work is to bring a shade on your sweet face. All this evening I +have noticed a troubled look in those grey eyes of yours, which +must be banished ere I see you again. You surely do not think I am +frightened at what such a fellow as that can do! But what have I +done with the bobbins? I hope I have not dropped them. Ah! well! I +suppose I did not bring them with me after all, but I promise you +shall have them two nights hence."</p> +<p>"No, Charlie, you must not come near here again for some time, +as I am certain there is danger, and I would far rather wait to see +you until you can come with safety. I feel there is something wrong +going on between my father and Jacques."</p> +<p>"Nonsense, Marguerite; you really must not have these idle +fancies. I shall come over in the evening after dark. You come up +this path, and show the light of a lantern three times if all is +well. Then I will start from our barracks, and come as quickly +round the cliffs as I can. You return to the mill, and go to the +granary; I will climb up the mill wheel. If I remember rightly, the +granary window is just over the wheel. Then I shall be able to +speak to you for a few minutes, and bring the precious little +bobbins."</p> +<p>"Halloo! Charlie, where are you, and what have you done with my +sister?"</p> +<p>"Oh! there is Hirzel. How he frightened me," exclaimed +Marguerite, who evidently feared everything to-night.</p> +<p>"She is all right, old fellow. Come along, you are just in time +to take her home; I must be off, or black hole for me."</p> +<p>Hirzel now appeared from the midst of the ferns and gorse, and +came up on the path and joined his sister and Charlie.</p> +<p>"The fish won't bite to-night, somehow; <i>they</i> are not so +easily caught by a dazzling bait as some other things I could +mention. Ha! Marguerite, you seem to take it to yourself. Well, +perhaps I mean you, and perhaps I don't; but come along, Father +will think you are lost."</p> +<p>Hirzel said "Good night" to Charlie, and moved off discreetly, +leaving his sister to follow.</p> +<p>"Don't forget Wednesday night, Marguerite; I shall look for your +signal about eight, and if all's well, I'll be round by nine. I +will get leave to stay out later than usual that night."</p> +<p>"Well, Charlie, I won't prevent your coming this once, but my +heart sadly misgives me. I hope nothing will happen to you."</p> +<p>"Don't be foolish, Marguerite, but run away after your brother; +he is looking impatient, and you know this is nicer for me than for +him! He is a brave good lad, worthy of having such a sister as he +has. Good bye till Wednesday. Mind, don't forget the signal. Good +night, Hirzel."</p> +<p>"Well! time you said it old fellow," shouted Hirzel, "I have +knocked about all the stones in the neighbourhood with my stick, so +was beginning to be at a loss for employment. Come quickly. +Marguerite."</p> +<p>On the way home Marguerite told her brother how Charlie was to +come and see her on Wednesday, and they arranged that Hirzel should +stop about the house so fearful of some violence occurring was +Marguerite.</p> +<hr style='width: 65%;' /> +<a name='CHAPTER_IV' id="CHAPTER_IV"></a> +<h2>CHAPTER IV.</h2> +<br /> +<p>When Hirzel and his sister were out of sight, Jacques got down +from his hiding place and walked after them with the intention of +telling old Pierre what he had heard, and also to reveal to him a +plan which had suggested itself to his evil mind for destroying the +young soldier when he came to visit Marguerite on the following +Wednesday evening. Jacques changed his mind about going in when he +came near the mill. He saw through the open door Pierre talking +with his children; he thought he should not be able to see the old +man alone that night, and besides, he had a feeling which kept him +back from entering Marguerite's presence when he was plotting +against her happiness in such a deadly manner. So Gaultier turned +his steps homeward, revolving in his mind the plan he had laid out +which was briefly this. The mill wheel was secured by a rope which +passed round the corner of the house and into a room behind the +granary, where it was fastened to a rafter. Now Gaultier thought +that when Charlie was standing on the wheel, if he could get old +Pierre to unfasten the rope, the sudden starting round of the wheel +would precipiate Charlie into the stream below, where he must +inevitably be dashed to pieces. Well thought of, Jacques Gaultier; +but it is a pity thy ingenuity had not been turned to better +account!</p> +<p>Jacques spent a most restless night, for the awfulness of the +crime which he was meditating presented itself unceasingly to his +mind; but, on the other hand, he pictured to himself Marguerite +Charlie's wife, therefore lost to him. Not only did he hate Charlie +on this score, but political feeling, as well as the frank pleasant +manner of the young soldier, assisted in making Jacques look hardly +on him. He could'nt but remark the different manner in which he was +treated. People rather avoided than courted the society of "Dark +Jacques Gaultier," as he was called by the boys round his +neighbourhood, with the disagreeable honesty of "small boy" +youth.</p> +<p>Jacques was one of those unhappy beings who live with their +blinds down and windows shut, morally speaking; and yet who wonder +that they don't get the bright light and pure air into their minds, +which cause some of their brethren to be such refreshing bits in +the way through life. One of these was Charlie: he went happily +through life, carrying sunshine with him wherever he went: he felt +sorry for Jacques, and would willingly have been friends with him, +but in their relative positions this was impossible. All his +overtures were received with decided rudeness on the part of +Jacques, when they received any notice at all, so Charlie gave up, +and took the situation as inevitable. When morning came Jacques +rose very early and went down to the mill. He judged the early +morning to be the best time to see the old man by himself. In this +he was correct, for when he got there he found Pierre was the only +one down. He was standing in the little garden in the front of the +house. After they had exchanged the customary greetings of the +place, the old miller asked Jacques "what had brought him out so +early."</p> +<p>The latter told him all he had overheard the preceding evening, +and then he unfolded his plan, for Charlie's destruction, but tried +to impress on the old man that he had better loosen the rope +himself.</p> +<p>This Pierre would not listen to; said his courage might fail +him; then pleaded his age, failing strength, and many other things; +finally, he said, he would not do it, adding, "One would think I +wanted the girl for my wife; no, do thy own business unless thou +art very anxious to give Marguerite to this fine soldier. I warrant +me that will be the end of it."</p> +<p>"Father Pierre, thou well know'st I would sooner die a thousand +times than <i>he</i> should have her, so I will do the thing +myself; but how shall I give reason for my presence here? +Marguerite, for days, even weeks past, has been looking at me with +suspicion in her eyes, as though she divined my thoughts towards +that lover of hers?"</p> +<p>"Leave all to me. Can I not have whom I like in my own house? I +see that though thou may'st not dread other things, thou art well +frightened at a woman's looks. Well, well, there's something in +that, too."</p> +<p>"Yes, Father Pierre, there is; much sometimes."</p> +<p>"But leave looks to mind themselves now, and I will show you +what to do, and where to go. You can well be in the room behind the +granary, as one or two of the rafters need mending. Let Marguerite +see you leave your work and start for home; then when she goes to +show her light say 'All is well,' thou can'st come back and be +ready for the bird with his bright plumage. Ha! he would go +elsewhere and pipe his song, did he know the manner in which we are +preparing his perch!"</p> +<p>"That is all well; the popinjay can't escape us now."</p> +<p>"Come in, Jacques, and have some breakfast with us; I think I +hear Marguerite busy at it now."</p> +<p>"Marguerite will not have a welcome for me, I know; but as she +is to be my wife, she may as well get used to my presence now."</p> +<p>When they entered Marguerite turned round wondering who could be +with her Father at such an early hour. On seeing who it was, her +face clouded, and she immediately experienced that same feeling of +fear come over her as she always had of late when she saw her +Father and Jacques Gaultier together. She said "good morning" to +them, and then resumed the preparation for the morning meal. +Jacques' dark eyes followed her all about the room; doubtless he +was thinking of the time when she would be performing the same +duties under his roof, while she—Well, we will not penetrate +into her thoughts; no doubt she would prefer keeping them to +herself, so we will let her, in the certainty that the train of +thought was very different to that of Jacques Gaultier.</p> +<p>Hirzel now appeared, announcing that he was ready to eat up all, +his sister included. Breakfast being ready, they all drew their +chairs near the table, Marguerite begging Hirzel to come and sit +near her, as she wanted to speak to him. The boy saw that she +wished to keep Gaultier off, and with his usual teasing way, he +made signs behind that worthy's back to the effect that his sister +ought to ask him to sit by her. However, when Hirzel saw that his +sister looked really troubled, he came immediately like a good +brother and did what his sister wished. All this was not lost on +that wretched Jacques, who between present circumstances, and his +own thoughts of what must come before he gained Marguerite, had by +no means an enviable position.</p> +<p>During the repast Pierre informed Hirzel that on the afternoon +of the following day he had a particular message to send him on, as +it was one some way off, he might take the cart or ride if he +preferred it.</p> +<p>"Very well, Father, I'll go for you; riding is best if I have +nothing to carry."</p> +<p>"And thou, Jacques," said old Pierre, "will come after thy +fishing is past and mend the rafters I told thee of in the room +behind the granary." "But Father," said Hirzel, "why not let me do +that work for you? I would like to, and ride for this message the +day after."</p> +<p>Hirzel said this, because he remembered his sister's arrangement +with Charlie, and he knew that she particularly wished him to be at +home, especially now that there was some chance of Jacques being +about.</p> +<p>"Thou would'st like to work indoors? Why what has come to thee +Hirzel?"</p> +<p>"You had better do what Father wishes Hirzel," said Marguerite. +She saw her brother was troubled as to what was best to be done; +also, she was very much afraid lest he should say something to +betray matters. So she thought she would settle it quietly, +especially when she remembered that Charlie would not come until +she had shown the light, which she firmly resolved should not be +shown until Jacques was well out of the place.</p> +<p>Breakfast being over, Jacques took his leave, and the others +dispersed to their various occupations—each of the four with +very different thoughts and hopes as to what the morrow might bring +forth, but at present, like all the rest of mankind, their first +business was to get through "to-day" as well as they could.</p> +<hr style='width: 65%;' /> +<a name='CHAPTER_V' id="CHAPTER_V"></a> +<h2>CHAPTER V.</h2> +<br /> +<p>The morning following the events recorded in the last chapter +was ushered in with bright sunshine, and everything pleasant, so +far as outward appearances went, in and out of the mill, though +some hearts were restless or uneasy as to how it would be when the +sun rose to run his accustomed course the next morning. Charlie was +perhaps the happiest of all those whose fortunes we are now +following. He had but slight clouds to dim his horizon; at least +his horizon as seen by his own eyes. He went cheerfully and gladly +through his duties that morning, and never did he more fully merit +the name of "Happy Charlie" bestowed on him by his comrades in the +gallant 22nd than he did on the morning in question. The truth was +he was beginning to tire of old Pierre Moullin's determined refusal +to have anything to say to him in the character of son-in-law. He +had made up his mind (and being of a hopeful nature, considered +more than half the battle was fought in consequence), that come +what might, he would prevail on Marguerite to marry him at once, +and trust to gain her Father's forgiveness when the deed was done +beyond recall. And so our friend Charlie whistled and sang through +this day, building all sorts of pleasant castles about his future +life, little thinking what a train was being laid, to which, if the +match were applied, he and his castles would be blown up in a more +sanguinary, if not more decisive manner, than these airy +fabrications generally have to yield to!</p> +<p>Hirzel had been detained on various pretexts by his Father; in +consequence he was rather late in starting for this important +business on which he was to be despatched. From the time he managed +to get off, it was not at all likely that he could be back before +10 o'clock. Marguerite's heart quite misgave her when she heard +this, but as time moved on, and it came to half-past 7, she was +re-assured to find that Jacques Gaultier was putting away his +tools, and finally left the house, saying that he had "work for +himself at home, but would return the following morning to finish +repairing those rafters that had so suddenly got out of +repair."</p> +<p>Matters seemed better still when her Father said he did not feel +at all himself that night, and that he thought he would go off to +bed. Marguerite wished him "Good night;" and at 8 o'clock found +herself alone and mistress of her own actions. She might now have +brought Charlie into the house, but that she remembered her +Father's prohibition of such a thing; and at least she thought it +best and fittest to leave him master in his own house, at the same +time reserving to herself liberty to control her own actions. This +was fair enough.</p> +<p>At about 8 o'clock, as agreed on, Marguerite took her little +lantern, and going round the path to where they had been standing +two evenings before, she flashed the light three times trusting +that Charlie would be able to see it. Meanwhile Jacques had come +out from one of the mill sheds, where he had been concealed, and +went quickly up to the room behind the granary, only pausing on his +way to tell old Pierre that he was there.</p> +<p>We will leave him waiting for his prey, with a dark sardonic +smile on his ill-favoured countenance, and return to Marguerite, +who is waiting in the granary for her lover, confident that "all is +well," and having no thoughts but pleasant ones concerning the +coming meeting. Even the remembrance of Hirzel's absence brings no +disquietude with it. Her thoughts shape themselves into a blessing +when her brother's bright manly face comes before her, and then she +bends all her attention to listen for Charlie's approach.</p> +<p>She had been waiting for rather more than an hour, when she +heard her name called softly; then up Charlie scrambled, and when +standing on the wheel his head comes just half way up the +window.</p> +<p>"Well, here I am, Marguerite; I hope you were not alarmed at the +time I have taken, but I was on duty when I saw your signal, and it +was some little time before I could get away."</p> +<p>"I was getting a little anxious, Charlie, but 'all is well' now +that you have come."</p> +<p>"Ah, that is right! but how are you to-night, little +woman—all the fancies fled?"</p> +<p>"Almost Charlie, but still not quite; you will think me very +foolish, I know, but everything was so beautifully arranged for my +seeing you easily to-night that I can't help thinking that some one +else has been arranging too for some purpose of his own."</p> +<p>"Come, come, you little croaker, try and put such thoughts out +of your pretty head, and remember I 'deserve the fair' after having +been so 'brave' as to mount this rickety wheel, but I wish you +would take this parcel from me; the bobbins are in it, which I have +perilled my life to bring! I hope you see my devotion clearly, +eh?"</p> +<p>"I do, indeed, Charlie, and now I shall work all the better and +be more in earnest; I don't mean you to have all the work on your +shoulders when we marry; I know I shall be able to get sale for my +lace amongst the beautiful ladies you tell me of in England."</p> +<p>"Ah, Marguerite, that is just what I wanted to speak to you +about; I suppose your Father still wishes you to marry that rascal +Gaultier? By the way, I believe he or some one very like him was +sneaking round the cliffs on Monday night. After I left you, I +fancied I saw him; it might be <i>only</i> fancy. Did you see +anything of him?</p> +<p>"I wish—."</p> +<hr /> +<p>Alas! poor Charlie! Will you speak again to finish that sentence +and tell what you wish? For suddenly the mill wheel has turned +round with a tremendous crash, and the brave young soldier has been +hurled down! And Marguerite, what of her? With one agonized cry she +rushed to the door intending to run outside to see if anything +could be done for Charlie, when she came face to face with Jacques +Gaultier! In an instant it all flashed on her that he must have +wrought this terrible work, and, overcome by grief and horror, she +sank down in a deadly faint. Bad man as he was, Jacques was really +overcome at the consequences of his act, for he thought he had also +killed Marguerite. He called loudly to her Father, who came up +hurriedly. He was also seriously alarmed when his gaze rested on +his child lying like one dead on the floor. Between them they +carried her downstairs and laid her on her bed. They applied such +restoratives as suggested themselves, but as everything was for +sometime quite unavailing, a more miserable pair it would have been +difficult to discover.</p> +<p>Hirzel now came in. He was running upstairs to the granary when +his Father called him in to see if he could do anything for his +poor sister.</p> +<p>"A pretty night's work this," he said, when he came into the +room and saw his sister lying there.</p> +<p>At this moment she opened her eyes, and he went close to her and +raised her in his arms. With an expression of deep thankfulness, +Marguerite's first words were to send that murderer, Jacques +Gaultier, away out of her sight. Hirzel ordered him to leave the +room, with more fierceness in his tone than anyone had heard there +before.</p> +<p>"Oh! Hirzel, what shall I do without Charlie? Stay with me, only +you, and I will tell you all."</p> +<p>Hearing this her Father left the room, and Hirzel bent down and +whispered to her—-</p> +<p>"Charlie is alive and well. He told me to tell you this +himself."</p> +<p>"Oh! Hirzel, you are deceiving me. How could he be alive after +such a dreadful fall? It was terrible."</p> +<p>Here Marguerite's fortitude gave way, and she indulged in a +flood of tears, while Hirzel looked at her with the masculine +helplessness usual on such occasions, and indeed it seemed to cost +the fine tender-hearted fellow an effort to keep from joining in +them too. At last he said, "Well Marguerite, if you don't stop, +I'll go off, and tell Charlie you only cried after you heard he was +alive and well."</p> +<p>"Ah! Hirzel, is that not the way with our sex. Sometimes, to cry +over the best and happiest times while the worst is bravely +borne?"</p> +<p>Hirzel then told Marguerite how he had met Charlie just outside +at the foot of the lane, considerably bruised and knocked about, +though without any internal injuries. How he escaped was nothing +short of a miracle, one of those things which occasionally happen, +perhaps, to show what can be done when there is the will to do +it.</p> +<p>There was an iron loop which projected about a foot from the +walls, this Charlie made a spring at after the manner of a gymnast; +he caught it, and although it came away in his grasp, yet it broke +his fall, and what was of more importance, changed the direction of +his course to the brickwork alongside the wheel, instead of the +water under it. Once on the brickwork he jumped down into the +garden, and went out into the lane, where he met Hirzel.</p> +<p>Charlie did not for a moment suspect that there was anything but +pure accident in what had happened, and as he met Hirzel just at +that moment he judged it wisest not to return near the house in +case he should get Marguerite into trouble; but after telling +Hirzel to assure his sister that he was safe, he set off to the +fortress, little thinking he was supposed to be lying dead at the +foot of the Moulin Huêt cliffs, carried there by the mill +stream.</p> +<p>Marguerite now told to her brother, her suspicions of how all +had happened. He wished to go immediately and tax Jacques with the +crime; but, in deference to his sister's wishes, remained where he +was. The noise of the mill wheel turning round suddenly ceased, and +on Hirzel's going up to ascertain the cause, he found his Father +tying up the rope in the room behind the granary. This rope passed +out of a small round hole in the wall of this room, and round the +corner of the house where it was attached to the wheel. The window +through which Charlie and Marguerite had been talking was rather a +large one, but had some iron bars across which had prevented +Marguerite leaning out to see what had become of Charlie. This +perhaps was as well, for at best his descent would have been +extremely trying to look at.</p> +<p>The next morning did not bring Jacques to finish his work, but +in the evening he appeared, after vainly trying to induce +Marguerite to speak to him, which naturally she was very loath to +do, went and commenced his work, which he went steadily on with, +though he was very much fatigued by having no rest the preceding +night, and now had been out fishing all day. He sat down to rest +for a few minutes when he fell asleep. After dark old Pierre came +round to lock all the doors, as was his nightly custom. Looking in +and not seeing Jacques he supposed he had gone and locked that door +also. Pierre then went to rest himself, and all were buried in +slumber, with the exception of Hirzel, who had gone over to +Jerbourg to acquaint Charlie with all that had happened. About 9 +o'clock, as Charlie and Hirzel were coming out of the barracks, +they saw flames rising in the direction of the mill. It was but the +work of a moment for Charlie to run back and get leave for some of +his comrades to come with him, and off they set for the mill. On +arriving there they found their surmises correct: both house and +mill were enveloped in flames. Marguerite and her Father were +safely out, but the latter was in a dreadful state of misery at +seeing all his property go like this. Charlie went up to him after +he had spoken to Marguerite, and said he would try and save the +wheel for future murders. Seeing Charlie, whom he fully thought to +be dead, and hearing these words, the old man shrank back with +horror. He fell on his knees and begged Charlie to forgive him, +adding that it was not he who had done it, but Jacques. Charlie +raised the old man, saying all should be forgiven and forgotten on +one condition. That condition we need hardly state was permission +to marry Marguerite without further trouble. Until Pierre had said +so Charlie, had no idea that he knew any thing of his intended +destruction. It saddened him very much and made him very sorry for +the old man; however, he had other things to think of, so he set +all the other soldiers to hand up water from the mill stream, which +was now running for some little time. Suddenly a shout from one of +the soldiers called Charlie's attention, and on going to see what +it was, he found him dragging a body out of the mill stream. With +some difficulty he recognized Jacques Gaultier, as it was rather +dark just there. Jacques revived a little, and told Charlie how on +waking he had found the room full of smoke, and finding the door +locked he broke it down, but the door of the granary resisted all +his efforts, so he put all his strength towards tearing the bars +from the window. He succeeded in this and got out on the wheel, but +directly he tried to get down the rope—which doubtless had +been much charred by the flames—gave way, and down he went. +He had seen from the window, Charlie and his comrades coming, and +this endued him with further strength, but all to no purpose. He +implored Charlie's forgiveness, and turning over with a groan he +died.</p> +<p>Little now remains to be told. Owing to the exertions of the +soldiers some of the machinery was saved, but the old man never +made any use of it; he had too great a horror of anything like a +mill after his past experiences. Charlie and Marguerite were soon +married. They lived at Castle Cornet for some time, and after the +restoration went with the Regiment to England, where Marguerite +could display her loyalty undisturbed. Hirzel remained heart-whole +to the last we hear of him, and after his Father's death went and +lived with his sister in England, to see for himself some of the +wonders which Charlie had described to him in his own little Island +home.</p> + +<p> </p> +<div>*** END OF THE PROJECT GUTENBERG EBOOK 14118 ***</div> +</body> +</html> diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..1c2e4c1 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #14118 (https://www.gutenberg.org/ebooks/14118) diff --git a/old/14118-8.txt b/old/14118-8.txt new file mode 100644 index 0000000..1bb31b9 --- /dev/null +++ b/old/14118-8.txt @@ -0,0 +1,1205 @@ +The Project Gutenberg eBook, Legend of Moulin Huet, by Lizzie A. Freeth + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Legend of Moulin Huet + +Author: Lizzie A. Freeth + +Release Date: November 22, 2004 [eBook #14118] + +Language: English + +Character set encoding: ISO-8859-1 + + +***START OF THE PROJECT GUTENBERG EBOOK LEGEND OF MOULIN HUET*** + + +E-text prepared by Steven Gibbs and the Project Gutenberg Online +Distributed Proofreading Team + + + +LEGEND OF MOULIN HUET + +by + +LIZZIE A. FREETH + +Author Of _The Adventures of Carl Skinflint among the Fairies_ + +Guernsey: Le Lievre, Printer, Star-Office, +10, Bordage Street. + +1872 + + + + + + + + DEDICATED TO + "THE CONWAY BOYS." + + + + + +DEDICATION. + + +Though the story contained in the following pages has no connection with +them, yet it is my wish to dedicate this little work to "The Conway +Boys," and all those connected with that most invaluable institution, +"H.M.S. Conway," lying at Rockferry, Birkenhead. + +I have particular reason to speak well of the "Conway," as any "Boy" may +know who may have been on board for the last five or six years, from the +fact that two of my brothers, after passing a successful career under +the careful teaching of the Rev. Henry O'Brien; L.L.D., Cork, continued +to build on the good foundation laid, and left the "Conway" with credit +both to their teachers and themselves. I shall always have pleasure in +meeting with any "Conway Boy," and hearing of the good old ship to which +I wish a long continuance of her success in preparing Boys creditably +for one of the great sources of our national strength and wealth--"Our +Merchant Navy." + +I must just add a word of thanks to my friends in Guernsey and +elsewhere, who so kindly encouraged and supported me when publishing on +a former occasion, and whom I see, by reference to the subscription +list, coming forward again--among some new friends--with a repetition of +their kindness. + +Montpelier, Guernsey, 1872. + + + + +CHAPTER I. + + +In the year 165-, when Cromwell had gained ascendancy in England and +over the greater portion of the Channel Islands, there lived in +Guernsey, at the Bay of Moulin Huêt, a miller of the name of Pierre +Moullin. Unlike his class generally, he was a very morose man, hard in +his dealings with the poor around him, and exceedingly unsympathizing in +all his domestic relations, as will appear as our story unwinds itself. +Before speaking of the family surroundings of Pierre Moullin we will +glance at the circumstance which forms the basis of the present tale. +Visitors to the Bay of Moulin Huêt, as well as to other parts of this +and the surrounding Islands, may have observed a crimson appearance on +the rocks, suggesting very sanguinary ideas, but for which, geologists +doubtless, would be able to account in a very satisfactory manner. +Looking at a portion of the original gully through which the water runs +after passing through the mill wheel, we find that this crimson +appearance is very visible, and as our purpose is not to raise +scientific enquiries, we will take one of the fanciful reasons (of which +there are two or three in existence), for this coloring on by the hand +of Nature, which has so abundantly bedecked Guernsey in general, and +Moulin Huêt in particular. Dipping into the Fairy lore of that part of +the island, we find that many believe that some mischievous Fairies who +annoyed the miller much with their nightly pranks were ground to pieces +by the mill wheel becoming unfastened, and that their blood remains +there to this day, as a warning to all others among the "good people" +who might wish to vent their superfluous mischief in a like manner. + +So much for the Fairy lore in the Moulin Huêt Chronicles; but we must +turn our attention elsewhere to find out whose blood it was that thus +dyed the watercourse of the Moulin Huêt Mill. + +At the time of which we are speaking, (the opening of the year 165-) +Pierre Moullin and his two children, a son and a daughter, lived in a +house adjoining the mill, in fact, the same roof covered both mill and +house, which were built facing the sea. The stream of water which turned +the wheel was far more powerful than the present, as the old marks +(still partially visible) denote. Pierre Moullin, like many of his +fellow-islanders, was a strong adherent of Cromwell; his son Hirzel was +also,--though perhaps he did not go quite as far as his father in his +hatred of the Royalist party. He had nevertheless acquaintances among +the Royalist soldiers who were quartered in the strong fortress at +Jerbourg. One in particular he had made a great friend of--Charlie +Heyward. Old Pierre often used to say he knew harm would come of this +friendship, and felt his words were being proved true when he +discovered that an attachment was springing up between his daughter +Marguerite and the young soldier. On becoming aware of this his rage was +unbounded, and he repeatedly said he would be the death of Charlie if he +could manage it. He tried in every way to bring his son to his way of +thinking, but though Hirzel did not much like the idea of his sister +marrying a Royalist soldier, and besides which another friend and +fellow-countryman of his Jacques Gaultier, was also much attached to the +fair Marguerite, and had long persecuted her with his unwelcome +attentions, still Hirzel would have done anything rather than have +injured his friend Charlie, whom he liked well, though he did not like +his principles. In Jacques Gaultier the old miller saw a ready tool +towards gaining his wicked end of destroying Charlie. The latter did not +think Pierre's hatred reached the extent it did, at the same time he was +still aware there was no chance of his ever gaining the old man's +consent to his marrying Marguerite. + +One night Pierre sent his son to bring Jacques Gaultier saying, he +wished to speak to him about taking some flour into the town next day. +Jacques was only too delighted to get any excuse for going to the mill, +and immediately said he would accompany Hirzel if he "would wait until +he got something which he had been making for Marguerite." + +"All right, Jacques, my boy, but look sharp, as the old man seems +impatient to-night." + +"Thy tone and way of speaking savour far more of the style of that base +soldiery which our island is burdened with, than the tone of thy +father's son should be," replied Jacques. + +"Very well," said Hirzel, "I will promise to mend my ways, but do be +quick, as I promised to walk with my sister at seven, and now it is nigh +on half-past; and she says she needs my counsel much on a matter." + +"Ah! thou art an impatient lad, but it would be worse with me were I in +thy case; long till she'd ask me to walk with her, not I warrant were I +dying for a look at her sweet face." + +"Don't be down-hearted, Jacques, how know'st thou but that my sister +may change her mind and look kindly on thee yet; wait till the Redcoats +have gone down to the Castle, and then perhaps thy fishers' garb may +find favour in her sight, but what hast thou got there? Some woman's +trifles, which thou seem'st to understand better than I have yet +learned." + +"I made these sore against my will, for I would rather see thy sister +reading some edifying book than passing her time on such vanities as +these are used for, they are bobbins, lad." + +"Ha, Ha," laughed Hirzel, "were I to go into the market to-morrow and +say that stern Jacques Gaultier spent his hours carving out lace +bobbins, who would believe me?" + +"Don't laugh at me, Hirzel, perhaps one of these fine days thou wilt do +something more foolish: when thy nineteen summers shall have ripened +like mine to thirty thou wilt have different thoughts." + +"Time enough to speak when it comes. Now I love my boat better than +anything else! But how we are wasting this fine evening. My Father will +think we are lost or gone to be soldiers, eh Jacques? Come along, and we +will see what Marguerite thinks of those little sticks of thine." + + + + +CHAPTER II. + + +On the same evening of which we have been speaking Marguerite was +sitting just outside the door, employed as she generally was in her +leisure time at lace work, of the style which had been so fashionable +during the reign of the late murdered King. How Marguerite had first +learnt this "unedifying work," we know not but as she used to work for +the family of one of the King's officers, and had seen the ladies do it, +she soon with very little instruction learnt to do it well. Very pretty +Marguerite looked bending over her "lace pillow," weaving sweet +thoughts into her work, if we may judge from the expression of her face +which was one of those that "made one feel good to look at," as Charlie +often said, and indeed it was a good thing for him to take the +remembrance of such a face through his Barrack life, which at least was +a rough one. + +Marguerite had not long been enjoying the quiet of her own society when +she heard her Father call her. She immediately obeyed his summons with +that strange feeling at her heart--that strange foreshadowing of +evil--to which we have all been subject at some time in our lives. +"Again at that silly work, girl; better for thee to get something to do +about the house than waste thy time over that useless finery; I'll +warrant me when thou art Jacques Gaultier's wife he will find thee other +work--mending his nets, mayhap!" + +"My dear Father, I will never be Jacques Gaultier'a wife. I have told +him so oft: I doubt if he will ever speak to me on the subject again; he +will not risk hearing rude words from me, I fancy." + +"I tell thee thou _shalt_ be Jacques Gaultier's wife, and that before +long; he is coming here to-night, and I will tell him he can have thee +with my full consent. Spite of thy love for red coats, thou wilt settle +down here as a fisher's wife." + +"Father, I have promised to marry Charlie and no other, and I will do +so; you used to like him ere 'my Lord Protector Cromwell' turned the +heads, if not gained the hearts, of nearly all but the loyal soldiery! +And now I will never marry any one but Charlie. You have made me speak +thus to you Father; I don't think you ought to try to make me marry one +whom in my heart I despise; and who you know well is not a good man." + +"Ah! that is thy spirit, is it? Well, we'll see; I doubt if thou wilt +find that fine soldier of thine alive much longer; it would be a good +and commendable deed to sweep all such from the face of the earth." + +"Yes, surely, commendable, but only in the eyes of those who murdered +our poor King, Father; but we will speak no more of these things. You +are tired with your day's work, and are not like yourself to-night. I +hear Hirzel's voice, so I will go and meet him; we are to have a walk +this evening, and you can talk quietly with Jacques, but not a word +about me; you know what my thoughts are now, Father." + +Having thus spoken, Marguerite left the house, and after going through +the garden gate, she entered a pretty lane which was abundantly blessed +by Nature with a quantity of ferns and wild flowers. It was just +beginning to grow dusk, and she saw not far off Jacques Gaultier and her +brother. The latter was singing in his native _patois_ a gay song, much +to the horror of Jacques, who thought it was dreadful to do such a +thing. Dropping his usual air of hypocritical stiffness (adopted by so +many to fall in with the custom of the times), he hastened forward to +meet Marguerite, and with a show of politeness, wonderful for the rough +Jacques, raised his hat and said, "Good evening, Marguerite; it is my +fault that thy brother is late; I kept him while I was getting ready +some bobbins which I have made in the hope that thou wilt take them from +me." + +"I thank thee, Jacques Gaultier, but I do not want thy bobbins; keep +them for some other girl: I am teaching many this same work, and no +doubt you will find some one glad to get them. I am going to-night where +I shall get a set made by some one whom I like better than Jacques +Gaultier. My father is waiting, so go to him; come Hirzel, don't delay +me longer." + +Jacques moved off muttering to himself, and with a most murderous look +on his dark face. Poor Charlie would have fared badly had he been in +this man's power just now! + + + + +CHAPTER III. + + +We will follow Gaultier into the mill, leaving Marguerite and her +brother to pursue their intention of having a walk, and hear what old +Pierre has to say. On Jacques entering the room he found the old man in +a state of great disquietude--in fact, in a very great rage. He had by +no means recovered his daughter's assertion that she would never marry +anyone but Charles Heyward. + +"Good evening, Jacques, I sent for thee on a matter of great importance +to thyself. I know thou did'st love my girl Marguerite, and that thou +had'st a desire to marry her. Art thou still of that mind?" Jacques was +somewhat surprised both at the old man's manner and at this opening +address, but replied, "Truly I am, but I fear she will never consent to +take me for her husband; she hates me, and loves that soldier with red +cheeks and bold forward air. I wish he were far from here; but perhaps +she would still think of him and never look on me. Even to-night she had +not a civil word for me, though I stayed at home to make these things +for her and lost my place at market." + +"And serve thee right. What business hast thou to encourage the girl in +her vanities? But thou said'st just now thou would'st like to have that +fellow out of this. So would I, and the whole lot of those lawless +soldiers. Can'st thou not think of some means to catch him"? + +"Well, Father Pierre, I wouldn't like--- + +"Wouldn't like _what_!" shouted the old man, "perhaps thou art afraid of +the popinjay in his red coat--eh, thou chicken-hearted fellow? Thou art +not the man I took thee for. I wonder not at Marguerite speaking as she +does." + +"Those are hard words and I like them not," replied Jacques sulkily. He +felt the hit contained in Pierre's words all the more as he was not +quite innocent of fear of the red coat. "I was going to say," he +continued, "I wouldn't like Marguerite to know I was watching for her +soldier, as she might warn him and put him on his guard. Ah! the +hateful fellow, I wish I had my hands at his throat now." + +"Gently, gently, my good Jacques," replied the elder hypocrite, "such +language becomes not a follower of our Lord Protector Cromwell. But let +us understand one another. Charlie Heyward--(the name hath but an ill +savour to me)--must be put out of the way, and Marguerite, like her sex, +will doubtless forget that he ever existed, and marry thee. I wonder +where they meet? It must be somewhere near here, but I cannot find out. +Now that he knows he is unwelcome to me, he comes not in here." + +"I will try and find out, Father Pierre, and then we must devise means +for putting him out of the way, as thou seem'st to desire it, and, +mind, my reward is Marguerite, whether she be willing or not." + +"Yea, my son, and here is my hand on it." + +After shaking hands over this black bargain, Jacques arose and said he +must go, and wishing old Pierre "Good night," he left the mill. Turning +round when he had gone a few steps from the door, he clenched his hand +and said, "Thou tempt'st me to commit murder, but I'll take care that +thou doest the deed thyself; bad as I am I could not take Marguerite's +hand in mine after such a foul deed." + +It was now getting rather late, but as Jacques had no business of his +own on hand, but rather wished, like so many others to be about +business that was _not_ his, instead of going home he thought he would +go up the cliffs by a path which swept round the side of the hill till +it came to fields that led to the Jerbourg fortress. On coming to a +corner where the path turned up the hill, he paused to look at the scene +before him, which was a lovely one: the moon was very brilliant, and the +light of it made a broad pathway across the bay--such a pathway as +always makes one wish to walk along in the calm to find a place of rest. + +Perhaps the dark rocks which rose with a sort of sullen majesty straight +up from the water side, were more to Jacques' fancy than the moon path +on the water, for he was gazing intently across the hay at them, while +apparently the rest of the beautiful scene was lost on him. So intent +was his gaze at the rocks--on the summit of which was the Jerbourg +fortress--that he did not observe the presence of two persons who were +coming slowly towards him. Evidently they had not remarked him either, +which was not so much to be wondered at as they were no other than +Marguerite and Charlie! + +Suddenly Jacques' attention was drawn to them by a merry laugh from +Marguerite. On looking round and seeing who were there he ground his +teeth in jealous rage and muttered to himself. "Ha! now I may discover +something," and going a few steps round the corner, he turned himself +into some bushes that overhung the path and bent down his head, prepared +to listen to the conversation of the pair coming along. Ah! Marguerite; +Ah, Charlie! how careful you would be did you know of the presence of +that dark-faced Jacques with his evil designs. + +Unconsciously Jacques had placed himself in an excellent position to +hear and see all that was going on, as immediately beneath the bushes in +which he had hidden himself there was a large block of granite on which +the lovers sat down to await Hirzel, who was coming up from the bay. +Little they knew what power they were putting in the hands of one who +would not scruple to use it to the utmost. + +"So your father is still against me, Marguerite?" + +"Yes, Charlie; and that dreadful Jacques is persecuting me as much as +ever with his impertinent attentions. Only this evening he brought me +some bobbins which I told him he might take elsewhere." + +"That reminds me I have brought with me those I have been making; +perhaps, though, you prefer those made by our dark friend, eh! +Marguerite?" + +"Don't jest about him, Charlie; it frightens me even to think of him. I +am sure he would work you a mischief if he could." + +"Ah! Marguerite, don't alarm yourself. The worst mischief he can work is +to bring a shade on your sweet face. All this evening I have noticed a +troubled look in those grey eyes of yours, which must be banished ere I +see you again. You surely do not think I am frightened at what such a +fellow as that can do! But what have I done with the bobbins? I hope I +have not dropped them. Ah! well! I suppose I did not bring them with me +after all, but I promise you shall have them two nights hence." + +"No, Charlie, you must not come near here again for some time, as I am +certain there is danger, and I would far rather wait to see you until +you can come with safety. I feel there is something wrong going on +between my father and Jacques." + +"Nonsense, Marguerite; you really must not have these idle fancies. I +shall come over in the evening after dark. You come up this path, and +show the light of a lantern three times if all is well. Then I will +start from our barracks, and come as quickly round the cliffs as I can. +You return to the mill, and go to the granary; I will climb up the mill +wheel. If I remember rightly, the granary window is just over the wheel. +Then I shall be able to speak to you for a few minutes, and bring the +precious little bobbins." + +"Halloo! Charlie, where are you, and what have you done with my sister?" + +"Oh! there is Hirzel. How he frightened me," exclaimed Marguerite, who +evidently feared everything to-night. + +"She is all right, old fellow. Come along, you are just in time to take +her home; I must be off, or black hole for me." + +Hirzel now appeared from the midst of the ferns and gorse, and came up +on the path and joined his sister and Charlie. + +"The fish won't bite to-night, somehow; _they_ are not so easily caught +by a dazzling bait as some other things I could mention. Ha! Marguerite, +you seem to take it to yourself. Well, perhaps I mean you, and perhaps I +don't; but come along, Father will think you are lost." + +Hirzel said "Good night" to Charlie, and moved off discreetly, leaving +his sister to follow. + +"Don't forget Wednesday night, Marguerite; I shall look for your signal +about eight, and if all's well, I'll be round by nine. I will get leave +to stay out later than usual that night." + +"Well, Charlie, I won't prevent your coming this once, but my heart +sadly misgives me. I hope nothing will happen to you." + +"Don't be foolish, Marguerite, but run away after your brother; he is +looking impatient, and you know this is nicer for me than for him! He is +a brave good lad, worthy of having such a sister as he has. Good bye +till Wednesday. Mind, don't forget the signal. Good night, Hirzel." + +"Well! time you said it old fellow," shouted Hirzel, "I have knocked +about all the stones in the neighbourhood with my stick, so was +beginning to be at a loss for employment. Come quickly. Marguerite." + +On the way home Marguerite told her brother how Charlie was to come and +see her on Wednesday, and they arranged that Hirzel should stop about +the house so fearful of some violence occurring was Marguerite. + + + + +CHAPTER IV. + + +When Hirzel and his sister were out of sight, Jacques got down from his +hiding place and walked after them with the intention of telling old +Pierre what he had heard, and also to reveal to him a plan which had +suggested itself to his evil mind for destroying the young soldier when +he came to visit Marguerite on the following Wednesday evening. Jacques +changed his mind about going in when he came near the mill. He saw +through the open door Pierre talking with his children; he thought he +should not be able to see the old man alone that night, and besides, he +had a feeling which kept him back from entering Marguerite's presence +when he was plotting against her happiness in such a deadly manner. So +Gaultier turned his steps homeward, revolving in his mind the plan he +had laid out which was briefly this. The mill wheel was secured by a +rope which passed round the corner of the house and into a room behind +the granary, where it was fastened to a rafter. Now Gaultier thought +that when Charlie was standing on the wheel, if he could get old Pierre +to unfasten the rope, the sudden starting round of the wheel would +precipiate Charlie into the stream below, where he must inevitably be +dashed to pieces. Well thought of, Jacques Gaultier; but it is a pity +thy ingenuity had not been turned to better account! + +Jacques spent a most restless night, for the awfulness of the crime +which he was meditating presented itself unceasingly to his mind; but, +on the other hand, he pictured to himself Marguerite Charlie's wife, +therefore lost to him. Not only did he hate Charlie on this score, but +political feeling, as well as the frank pleasant manner of the young +soldier, assisted in making Jacques look hardly on him. He could'nt but +remark the different manner in which he was treated. People rather +avoided than courted the society of "Dark Jacques Gaultier," as he was +called by the boys round his neighbourhood, with the disagreeable +honesty of "small boy" youth. + +Jacques was one of those unhappy beings who live with their blinds down +and windows shut, morally speaking; and yet who wonder that they don't +get the bright light and pure air into their minds, which cause some of +their brethren to be such refreshing bits in the way through life. One +of these was Charlie: he went happily through life, carrying sunshine +with him wherever he went: he felt sorry for Jacques, and would +willingly have been friends with him, but in their relative positions +this was impossible. All his overtures were received with decided +rudeness on the part of Jacques, when they received any notice at all, +so Charlie gave up, and took the situation as inevitable. When morning +came Jacques rose very early and went down to the mill. He judged the +early morning to be the best time to see the old man by himself. In this +he was correct, for when he got there he found Pierre was the only one +down. He was standing in the little garden in the front of the house. +After they had exchanged the customary greetings of the place, the old +miller asked Jacques "what had brought him out so early." + +The latter told him all he had overheard the preceding evening, and then +he unfolded his plan, for Charlie's destruction, but tried to impress on +the old man that he had better loosen the rope himself. + +This Pierre would not listen to; said his courage might fail him; then +pleaded his age, failing strength, and many other things; finally, he +said, he would not do it, adding, "One would think I wanted the girl for +my wife; no, do thy own business unless thou art very anxious to give +Marguerite to this fine soldier. I warrant me that will be the end of +it." + +"Father Pierre, thou well know'st I would sooner die a thousand times +than _he_ should have her, so I will do the thing myself; but how shall +I give reason for my presence here? Marguerite, for days, even weeks +past, has been looking at me with suspicion in her eyes, as though she +divined my thoughts towards that lover of hers?" + +"Leave all to me. Can I not have whom I like in my own house? I see +that though thou may'st not dread other things, thou art well +frightened at a woman's looks. Well, well, there's something in that, +too." + +"Yes, Father Pierre, there is; much sometimes." + +"But leave looks to mind themselves now, and I will show you what to do, +and where to go. You can well be in the room behind the granary, as one +or two of the rafters need mending. Let Marguerite see you leave your +work and start for home; then when she goes to show her light say 'All +is well,' thou can'st come back and be ready for the bird with his +bright plumage. Ha! he would go elsewhere and pipe his song, did he know +the manner in which we are preparing his perch!" + +"That is all well; the popinjay can't escape us now." + +"Come in, Jacques, and have some breakfast with us; I think I hear +Marguerite busy at it now." + +"Marguerite will not have a welcome for me, I know; but as she is to be +my wife, she may as well get used to my presence now." + +When they entered Marguerite turned round wondering who could be with +her Father at such an early hour. On seeing who it was, her face +clouded, and she immediately experienced that same feeling of fear come +over her as she always had of late when she saw her Father and Jacques +Gaultier together. She said "good morning" to them, and then resumed the +preparation for the morning meal. Jacques' dark eyes followed her all +about the room; doubtless he was thinking of the time when she would be +performing the same duties under his roof, while she--Well, we will not +penetrate into her thoughts; no doubt she would prefer keeping them to +herself, so we will let her, in the certainty that the train of thought +was very different to that of Jacques Gaultier. + +Hirzel now appeared, announcing that he was ready to eat up all, his +sister included. Breakfast being ready, they all drew their chairs near +the table, Marguerite begging Hirzel to come and sit near her, as she +wanted to speak to him. The boy saw that she wished to keep Gaultier +off, and with his usual teasing way, he made signs behind that worthy's +back to the effect that his sister ought to ask him to sit by her. +However, when Hirzel saw that his sister looked really troubled, he came +immediately like a good brother and did what his sister wished. All this +was not lost on that wretched Jacques, who between present +circumstances, and his own thoughts of what must come before he gained +Marguerite, had by no means an enviable position. + +During the repast Pierre informed Hirzel that on the afternoon of the +following day he had a particular message to send him on, as it was one +some way off, he might take the cart or ride if he preferred it. + +"Very well, Father, I'll go for you; riding is best if I have nothing +to carry." + +"And thou, Jacques," said old Pierre, "will come after thy fishing is +past and mend the rafters I told thee of in the room behind the +granary." "But Father," said Hirzel, "why not let me do that work for +you? I would like to, and ride for this message the day after." + +Hirzel said this, because he remembered his sister's arrangement with +Charlie, and he knew that she particularly wished him to be at home, +especially now that there was some chance of Jacques being about. + +"Thou would'st like to work indoors? Why what has come to thee Hirzel?" + +"You had better do what Father wishes Hirzel," said Marguerite. She saw +her brother was troubled as to what was best to be done; also, she was +very much afraid lest he should say something to betray matters. So she +thought she would settle it quietly, especially when she remembered that +Charlie would not come until she had shown the light, which she firmly +resolved should not be shown until Jacques was well out of the place. + +Breakfast being over, Jacques took his leave, and the others dispersed +to their various occupations--each of the four with very different +thoughts and hopes as to what the morrow might bring forth, but at +present, like all the rest of mankind, their first business was to get +through "to-day" as well as they could. + + + + +CHAPTER V. + + +The morning following the events recorded in the last chapter was +ushered in with bright sunshine, and everything pleasant, so far as +outward appearances went, in and out of the mill, though some hearts +were restless or uneasy as to how it would be when the sun rose to run +his accustomed course the next morning. Charlie was perhaps the happiest +of all those whose fortunes we are now following. He had but slight +clouds to dim his horizon; at least his horizon as seen by his own +eyes. He went cheerfully and gladly through his duties that morning, and +never did he more fully merit the name of "Happy Charlie" bestowed on +him by his comrades in the gallant 22nd than he did on the morning in +question. The truth was he was beginning to tire of old Pierre Moullin's +determined refusal to have anything to say to him in the character of +son-in-law. He had made up his mind (and being of a hopeful nature, +considered more than half the battle was fought in consequence), that +come what might, he would prevail on Marguerite to marry him at once, +and trust to gain her Father's forgiveness when the deed was done beyond +recall. And so our friend Charlie whistled and sang through this day, +building all sorts of pleasant castles about his future life, little +thinking what a train was being laid, to which, if the match were +applied, he and his castles would be blown up in a more sanguinary, if +not more decisive manner, than these airy fabrications generally have to +yield to! + +Hirzel had been detained on various pretexts by his Father; in +consequence he was rather late in starting for this important business +on which he was to be despatched. From the time he managed to get off, +it was not at all likely that he could be back before 10 o'clock. +Marguerite's heart quite misgave her when she heard this, but as time +moved on, and it came to half-past 7, she was re-assured to find that +Jacques Gaultier was putting away his tools, and finally left the house, +saying that he had "work for himself at home, but would return the +following morning to finish repairing those rafters that had so suddenly +got out of repair." + +Matters seemed better still when her Father said he did not feel at all +himself that night, and that he thought he would go off to bed. +Marguerite wished him "Good night;" and at 8 o'clock found herself alone +and mistress of her own actions. She might now have brought Charlie into +the house, but that she remembered her Father's prohibition of such a +thing; and at least she thought it best and fittest to leave him master +in his own house, at the same time reserving to herself liberty to +control her own actions. This was fair enough. + +At about 8 o'clock, as agreed on, Marguerite took her little lantern, +and going round the path to where they had been standing two evenings +before, she flashed the light three times trusting that Charlie would be +able to see it. Meanwhile Jacques had come out from one of the mill +sheds, where he had been concealed, and went quickly up to the room +behind the granary, only pausing on his way to tell old Pierre that he +was there. + +We will leave him waiting for his prey, with a dark sardonic smile on +his ill-favoured countenance, and return to Marguerite, who is waiting +in the granary for her lover, confident that "all is well," and having +no thoughts but pleasant ones concerning the coming meeting. Even the +remembrance of Hirzel's absence brings no disquietude with it. Her +thoughts shape themselves into a blessing when her brother's bright +manly face comes before her, and then she bends all her attention to +listen for Charlie's approach. + +She had been waiting for rather more than an hour, when she heard her +name called softly; then up Charlie scrambled, and when standing on the +wheel his head comes just half way up the window. + +"Well, here I am, Marguerite; I hope you were not alarmed at the time I +have taken, but I was on duty when I saw your signal, and it was some +little time before I could get away." + +"I was getting a little anxious, Charlie, but 'all is well' now that you +have come." + +"Ah, that is right! but how are you to-night, little woman--all the +fancies fled?" + +"Almost Charlie, but still not quite; you will think me very foolish, I +know, but everything was so beautifully arranged for my seeing you +easily to-night that I can't help thinking that some one else has been +arranging too for some purpose of his own." + +"Come, come, you little croaker, try and put such thoughts out of your +pretty head, and remember I 'deserve the fair' after having been so +'brave' as to mount this rickety wheel, but I wish you would take this +parcel from me; the bobbins are in it, which I have perilled my life to +bring! I hope you see my devotion clearly, eh?" + +"I do, indeed, Charlie, and now I shall work all the better and be more +in earnest; I don't mean you to have all the work on your shoulders when +we marry; I know I shall be able to get sale for my lace amongst the +beautiful ladies you tell me of in England." + +"Ah, Marguerite, that is just what I wanted to speak to you about; I +suppose your Father still wishes you to marry that rascal Gaultier? By +the way, I believe he or some one very like him was sneaking round the +cliffs on Monday night. After I left you, I fancied I saw him; it might +be _only_ fancy. Did you see anything of him? + +"I wish--." + + * * * * * + +Alas! poor Charlie! Will you speak again to finish that sentence and +tell what you wish? For suddenly the mill wheel has turned round with a +tremendous crash, and the brave young soldier has been hurled down! And +Marguerite, what of her? With one agonized cry she rushed to the door +intending to run outside to see if anything could be done for Charlie, +when she came face to face with Jacques Gaultier! In an instant it all +flashed on her that he must have wrought this terrible work, and, +overcome by grief and horror, she sank down in a deadly faint. Bad man +as he was, Jacques was really overcome at the consequences of his act, +for he thought he had also killed Marguerite. He called loudly to her +Father, who came up hurriedly. He was also seriously alarmed when his +gaze rested on his child lying like one dead on the floor. Between them +they carried her downstairs and laid her on her bed. They applied such +restoratives as suggested themselves, but as everything was for sometime +quite unavailing, a more miserable pair it would have been difficult to +discover. + +Hirzel now came in. He was running upstairs to the granary when his +Father called him in to see if he could do anything for his poor sister. + +"A pretty night's work this," he said, when he came into the room and +saw his sister lying there. + +At this moment she opened her eyes, and he went close to her and raised +her in his arms. With an expression of deep thankfulness, Marguerite's +first words were to send that murderer, Jacques Gaultier, away out of +her sight. Hirzel ordered him to leave the room, with more fierceness in +his tone than anyone had heard there before. + +"Oh! Hirzel, what shall I do without Charlie? Stay with me, only you, +and I will tell you all." + +Hearing this her Father left the room, and Hirzel bent down and +whispered to her--- + +"Charlie is alive and well. He told me to tell you this himself." + +"Oh! Hirzel, you are deceiving me. How could he be alive after such a +dreadful fall? It was terrible." + +Here Marguerite's fortitude gave way, and she indulged in a flood of +tears, while Hirzel looked at her with the masculine helplessness usual +on such occasions, and indeed it seemed to cost the fine tender-hearted +fellow an effort to keep from joining in them too. At last he said, +"Well Marguerite, if you don't stop, I'll go off, and tell Charlie you +only cried after you heard he was alive and well." + +"Ah! Hirzel, is that not the way with our sex. Sometimes, to cry over +the best and happiest times while the worst is bravely borne?" + +Hirzel then told Marguerite how he had met Charlie just outside at the +foot of the lane, considerably bruised and knocked about, though without +any internal injuries. How he escaped was nothing short of a miracle, +one of those things which occasionally happen, perhaps, to show what +can be done when there is the will to do it. + +There was an iron loop which projected about a foot from the walls, this +Charlie made a spring at after the manner of a gymnast; he caught it, +and although it came away in his grasp, yet it broke his fall, and what +was of more importance, changed the direction of his course to the +brickwork alongside the wheel, instead of the water under it. Once on +the brickwork he jumped down into the garden, and went out into the +lane, where he met Hirzel. + +Charlie did not for a moment suspect that there was anything but pure +accident in what had happened, and as he met Hirzel just at that moment +he judged it wisest not to return near the house in case he should get +Marguerite into trouble; but after telling Hirzel to assure his sister +that he was safe, he set off to the fortress, little thinking he was +supposed to be lying dead at the foot of the Moulin Huêt cliffs, carried +there by the mill stream. + +Marguerite now told to her brother, her suspicions of how all had +happened. He wished to go immediately and tax Jacques with the crime; +but, in deference to his sister's wishes, remained where he was. The +noise of the mill wheel turning round suddenly ceased, and on Hirzel's +going up to ascertain the cause, he found his Father tying up the rope +in the room behind the granary. This rope passed out of a small round +hole in the wall of this room, and round the corner of the house where +it was attached to the wheel. The window through which Charlie and +Marguerite had been talking was rather a large one, but had some iron +bars across which had prevented Marguerite leaning out to see what had +become of Charlie. This perhaps was as well, for at best his descent +would have been extremely trying to look at. + +The next morning did not bring Jacques to finish his work, but in the +evening he appeared, after vainly trying to induce Marguerite to speak +to him, which naturally she was very loath to do, went and commenced his +work, which he went steadily on with, though he was very much fatigued +by having no rest the preceding night, and now had been out fishing all +day. He sat down to rest for a few minutes when he fell asleep. After +dark old Pierre came round to lock all the doors, as was his nightly +custom. Looking in and not seeing Jacques he supposed he had gone and +locked that door also. Pierre then went to rest himself, and all were +buried in slumber, with the exception of Hirzel, who had gone over to +Jerbourg to acquaint Charlie with all that had happened. About 9 +o'clock, as Charlie and Hirzel were coming out of the barracks, they saw +flames rising in the direction of the mill. It was but the work of a +moment for Charlie to run back and get leave for some of his comrades to +come with him, and off they set for the mill. On arriving there they +found their surmises correct: both house and mill were enveloped in +flames. Marguerite and her Father were safely out, but the latter was in +a dreadful state of misery at seeing all his property go like this. +Charlie went up to him after he had spoken to Marguerite, and said he +would try and save the wheel for future murders. Seeing Charlie, whom he +fully thought to be dead, and hearing these words, the old man shrank +back with horror. He fell on his knees and begged Charlie to forgive +him, adding that it was not he who had done it, but Jacques. Charlie +raised the old man, saying all should be forgiven and forgotten on one +condition. That condition we need hardly state was permission to marry +Marguerite without further trouble. Until Pierre had said so Charlie, +had no idea that he knew any thing of his intended destruction. It +saddened him very much and made him very sorry for the old man; however, +he had other things to think of, so he set all the other soldiers to +hand up water from the mill stream, which was now running for some +little time. Suddenly a shout from one of the soldiers called Charlie's +attention, and on going to see what it was, he found him dragging a body +out of the mill stream. With some difficulty he recognized Jacques +Gaultier, as it was rather dark just there. Jacques revived a little, +and told Charlie how on waking he had found the room full of smoke, and +finding the door locked he broke it down, but the door of the granary +resisted all his efforts, so he put all his strength towards tearing the +bars from the window. He succeeded in this and got out on the wheel, but +directly he tried to get down the rope--which doubtless had been much +charred by the flames--gave way, and down he went. He had seen from the +window, Charlie and his comrades coming, and this endued him with +further strength, but all to no purpose. He implored Charlie's +forgiveness, and turning over with a groan he died. + +Little now remains to be told. Owing to the exertions of the soldiers +some of the machinery was saved, but the old man never made any use of +it; he had too great a horror of anything like a mill after his past +experiences. Charlie and Marguerite were soon married. They lived at +Castle Cornet for some time, and after the restoration went with the +Regiment to England, where Marguerite could display her loyalty +undisturbed. Hirzel remained heart-whole to the last we hear of him, and +after his Father's death went and lived with his sister in England, to +see for himself some of the wonders which Charlie had described to him +in his own little Island home. + + + +***END OF THE PROJECT GUTENBERG EBOOK LEGEND OF MOULIN HUET*** + + +******* This file should be named 14118-8.txt or 14118-8.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/dirs/1/4/1/1/14118 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: +https://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + diff --git a/old/14118-8.zip b/old/14118-8.zip Binary files differnew file mode 100644 index 0000000..85af5ec --- /dev/null +++ b/old/14118-8.zip diff --git a/old/14118-h.zip b/old/14118-h.zip Binary files differnew file mode 100644 index 0000000..99ffd95 --- /dev/null +++ b/old/14118-h.zip diff --git a/old/14118-h/14118-h.htm b/old/14118-h/14118-h.htm new file mode 100644 index 0000000..e7bddd7 --- /dev/null +++ b/old/14118-h/14118-h.htm @@ -0,0 +1,1227 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html> +<head> +<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" /> +<title>The Project Gutenberg eBook of Legend of Moulin Huet, by Lizzie A. Freeth</title> +<style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + P { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + H1,H2,H3,H4,H5,H6 { + text-align: center; /* all headings centered */ + } + HR { width: 33%; + margin-top: 1em; + margin-bottom: 1em; + } + BODY{margin-left: 10%; + margin-right: 10%; + } + .linenum {position: absolute; top: auto; left: 4%;} /* poetry number */ + .note {margin-left: 2em; margin-right: 2em; margin-bottom: 1em;} /* footnote */ + .blkquot {margin-left: 4em; margin-right: 4em;} /* block indent */ + .pagenum {position: absolute; left: 92%; font-size: smaller; text-align: right;} /* page numbers */ + .sidenote {width: 20%; margin-bottom: 1em; margin-top: 1em; padding-left: 1em; font-size: smaller; float: right; clear: right;} + + .poem {margin-left:10%; margin-right:10%; text-align: left;} + .poem br {display: none;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem span {display: block; margin: 0; padding-left: 3em; text-indent: -3em;} + .poem span.i2 {display: block; margin-left: 2em;} + .poem span.i4 {display: block; margin-left: 4em;} + .poem .caesura {vertical-align: -200%;} + hr.full { width: 100%; } + a:link {color:blue; + text-decoration:none} + link {color:blue; + text-decoration:none} + a:visited {color:blue; + text-decoration:none} + a:hover {color:red} + pre {font-size: 8pt;} + // --> + /* XML end ]]>*/ +</style> +</head> +<body> +<h1>The Project Gutenberg eBook, Legend of Moulin Huet, by Lizzie A. Freeth</h1> +<pre> +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "https://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: Legend of Moulin Huet</p> +<p>Author: Lizzie A. Freeth</p> +<p>Release Date: November 22, 2004 [eBook #14118]</p> +<p>Language: English</p> +<p>Character set encoding: ISO-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK LEGEND OF MOULIN HUET***</p> +<br /><br /><h3>E-text prepared by Steven Gibbs<br /> + and the Project Gutenberg Online Distributed Proofreading Team</h3><br /><br /> +<hr class="full" /> +<p> </p> +<p> </p> +<p> </p> +<p> </p> +<h1>LEGEND OF MOULIN HUET</h1> +<center>BY</center> +<h2>LIZZIE A. FREETH</h2> +<center>AUTHOR OF <i>THE ADVENTURES OF CARL SKINFLINT AMONG THE +FAIRIES</i></center> +<p> </p> +<p> </p> +<center>DEDICATED TO<br /> +"THE CONWAY BOYS."</center> +<p> </p> +<p> </p> +<h6><i>Guernsey:</i><br /> +Le Lievre, Printer, Star-Office,<br /> +10, Bordage Street.</h6> + +<h4>1872.</h4> +<p> </p> +<hr style='width: 65%;' /> +<h2>CONTENTS</h2> +<a href='#DEDICATION'><b>DEDICATION.</b></a><br /> +<a href='#CHAPTER_I'><b>CHAPTER I.</b></a><br /> +<a href='#CHAPTER_II'><b>CHAPTER II.</b></a><br /> +<a href='#CHAPTER_III'><b>CHAPTER III.</b></a><br /> +<a href='#CHAPTER_IV'><b>CHAPTER IV.</b></a><br /> +<a href='#CHAPTER_V'><b>CHAPTER V.</b></a><br /> +<hr style='width: 65%;' /> +<a name='DEDICATION' id="DEDICATION"></a> +<h2>DEDICATION.</h2> +<br /> +<p>Though the story contained in the following pages has no +connection with them, yet it is my wish to dedicate this little +work to "The Conway Boys," and all those connected with that most +invaluable institution, "H.M.S. Conway," lying at Rockferry, +Birkenhead.</p> +<p>I have particular reason to speak well of the "Conway," as any +"Boy" may know who may have been on board for the last five or six +years, from the fact that two of my brothers, after passing a +successful career under the careful teaching of the Rev. Henry +O'Brien; L.L.D., Cork, continued to build on the good foundation +laid, and left the "Conway" with credit both to their teachers and +themselves. I shall always have pleasure in meeting with any +"Conway Boy," and hearing of the good old ship to which I wish a +long continuance of her success in preparing Boys creditably for +one of the great sources of our national strength and +wealth—"Our Merchant Navy."</p> +<p>I must just add a word of thanks to my friends in Guernsey and +elsewhere, who so kindly encouraged and supported me when +publishing on a former occasion, and whom I see, by reference to +the subscription list, coming forward again—among some new +friends—with a repetition of their kindness.</p> +<p><i>Montpelier, Guernsey, 1872.</i></p> +<hr style='width: 65%;' /> +<a name='CHAPTER_I' id="CHAPTER_I"></a> +<h2>CHAPTER I.</h2> +<br /> +<p>In the year 165–, when Cromwell had gained ascendancy in +England and over the greater portion of the Channel Islands, there +lived in Guernsey, at the Bay of Moulin Huêt, a miller of the +name of Pierre Moullin. Unlike his class generally, he was a very +morose man, hard in his dealings with the poor around him, and +exceedingly unsympathizing in all his domestic relations, as will +appear as our story unwinds itself. Before speaking of the family +surroundings of Pierre Moullin we will glance at the circumstance +which forms the basis of the present tale. Visitors to the Bay of +Moulin Huêt, as well as to other parts of this and the +surrounding Islands, may have observed a crimson appearance on the +rocks, suggesting very sanguinary ideas, but for which, geologists +doubtless, would be able to account in a very satisfactory manner. +Looking at a portion of the original gully through which the water +runs after passing through the mill wheel, we find that this +crimson appearance is very visible, and as our purpose is not to +raise scientific enquiries, we will take one of the fanciful +reasons (of which there are two or three in existence), for this +coloring on by the hand of Nature, which has so abundantly bedecked +Guernsey in general, and Moulin Huêt in particular. Dipping +into the Fairy lore of that part of the island, we find that many +believe that some mischievous Fairies who annoyed the miller much +with their nightly pranks were ground to pieces by the mill wheel +becoming unfastened, and that their blood remains there to this +day, as a warning to all others among the "good people" who might +wish to vent their superfluous mischief in a like manner.</p> +<p>So much for the Fairy lore in the Moulin Huêt Chronicles; +but we must turn our attention elsewhere to find out whose blood it +was that thus dyed the watercourse of the Moulin Huêt +Mill.</p> +<p>At the time of which we are speaking, (the opening of the year +165–) Pierre Moullin and his two children, a son and a +daughter, lived in a house adjoining the mill, in fact, the same +roof covered both mill and house, which were built facing the sea. +The stream of water which turned the wheel was far more powerful +than the present, as the old marks (still partially visible) +denote. Pierre Moullin, like many of his fellow-islanders, was a +strong adherent of Cromwell; his son Hirzel was also,—though +perhaps he did not go quite as far as his father in his hatred of +the Royalist party. He had nevertheless acquaintances among the +Royalist soldiers who were quartered in the strong fortress at +Jerbourg. One in particular he had made a great friend +of—Charlie Heyward. Old Pierre often used to say he knew harm +would come of this friendship, and felt his words were being proved +true when he discovered that an attachment was springing up between +his daughter Marguerite and the young soldier. On becoming aware of +this his rage was unbounded, and he repeatedly said he would be the +death of Charlie if he could manage it. He tried in every way to +bring his son to his way of thinking, but though Hirzel did not +much like the idea of his sister marrying a Royalist soldier, and +besides which another friend and fellow-countryman of his Jacques +Gaultier, was also much attached to the fair Marguerite, and had +long persecuted her with his unwelcome attentions, still Hirzel +would have done anything rather than have injured his friend +Charlie, whom he liked well, though he did not like his principles. +In Jacques Gaultier the old miller saw a ready tool towards gaining +his wicked end of destroying Charlie. The latter did not think +Pierre's hatred reached the extent it did, at the same time he was +still aware there was no chance of his ever gaining the old man's +consent to his marrying Marguerite.</p> +<p>One night Pierre sent his son to bring Jacques Gaultier saying, +he wished to speak to him about taking some flour into the town +next day. Jacques was only too delighted to get any excuse for +going to the mill, and immediately said he would accompany Hirzel +if he "would wait until he got something which he had been making +for Marguerite."</p> +<p>"All right, Jacques, my boy, but look sharp, as the old man +seems impatient to-night."</p> +<p>"Thy tone and way of speaking savour far more of the style of +that base soldiery which our island is burdened with, than the tone +of thy father's son should be," replied Jacques.</p> +<p>"Very well," said Hirzel, "I will promise to mend my ways, but +do be quick, as I promised to walk with my sister at seven, and now +it is nigh on half-past; and she says she needs my counsel much on +a matter."</p> +<p>"Ah! thou art an impatient lad, but it would be worse with me +were I in thy case; long till she'd ask me to walk with her, not I +warrant were I dying for a look at her sweet face."</p> +<p>"Don't be down-hearted, Jacques, how know'st thou but that my +sister may change her mind and look kindly on thee yet; wait till +the Redcoats have gone down to the Castle, and then perhaps thy +fishers' garb may find favour in her sight, but what hast thou got +there? Some woman's trifles, which thou seem'st to understand +better than I have yet learned."</p> +<p>"I made these sore against my will, for I would rather see thy +sister reading some edifying book than passing her time on such +vanities as these are used for, they are bobbins, lad."</p> +<p>"Ha, Ha," laughed Hirzel, "were I to go into the market +to-morrow and say that stern Jacques Gaultier spent his hours +carving out lace bobbins, who would believe me?"</p> +<p>"Don't laugh at me, Hirzel, perhaps one of these fine days thou +wilt do something more foolish: when thy nineteen summers shall +have ripened like mine to thirty thou wilt have different +thoughts."</p> +<p>"Time enough to speak when it comes. Now I love my boat better +than anything else! But how we are wasting this fine evening. My +Father will think we are lost or gone to be soldiers, eh Jacques? +Come along, and we will see what Marguerite thinks of those little +sticks of thine."</p> +<hr style='width: 65%;' /> +<a name='CHAPTER_II' id="CHAPTER_II"></a> +<h2>CHAPTER II.</h2> +<br /> +<p>On the same evening of which we have been speaking Marguerite +was sitting just outside the door, employed as she generally was in +her leisure time at lace work, of the style which had been so +fashionable during the reign of the late murdered King. How +Marguerite had first learnt this "unedifying work," we know not but +as she used to work for the family of one of the King's officers, +and had seen the ladies do it, she soon with very little +instruction learnt to do it well. Very pretty Marguerite looked +bending over her "lace pillow," weaving sweet thoughts into her +work, if we may judge from the expression of her face which was one +of those that "made one feel good to look at," as Charlie often +said, and indeed it was a good thing for him to take the +remembrance of such a face through his Barrack life, which at least +was a rough one.</p> +<p>Marguerite had not long been enjoying the quiet of her own +society when she heard her Father call her. She immediately obeyed +his summons with that strange feeling at her heart—that +strange foreshadowing of evil—to which we have all been +subject at some time in our lives. "Again at that silly work, girl; +better for thee to get something to do about the house than waste +thy time over that useless finery; I'll warrant me when thou art +Jacques Gaultier's wife he will find thee other work—mending +his nets, mayhap!"</p> +<p>"My dear Father, I will never be Jacques Gaultier'a wife. I have +told him so oft: I doubt if he will ever speak to me on the subject +again; he will not risk hearing rude words from me, I fancy."</p> +<p>"I tell thee thou <i>shalt</i> be Jacques Gaultier's wife, and +that before long; he is coming here to-night, and I will tell him +he can have thee with my full consent. Spite of thy love for red +coats, thou wilt settle down here as a fisher's wife."</p> +<p>"Father, I have promised to marry Charlie and no other, and I +will do so; you used to like him ere 'my Lord Protector Cromwell' +turned the heads, if not gained the hearts, of nearly all but the +loyal soldiery! And now I will never marry any one but Charlie. You +have made me speak thus to you Father; I don't think you ought to +try to make me marry one whom in my heart I despise; and who you +know well is not a good man."</p> +<p>"Ah! that is thy spirit, is it? Well, we'll see; I doubt if thou +wilt find that fine soldier of thine alive much longer; it would be +a good and commendable deed to sweep all such from the face of the +earth."</p> +<p>"Yes, surely, commendable, but only in the eyes of those who +murdered our poor King, Father; but we will speak no more of these +things. You are tired with your day's work, and are not like +yourself to-night. I hear Hirzel's voice, so I will go and meet +him; we are to have a walk this evening, and you can talk quietly +with Jacques, but not a word about me; you know what my thoughts +are now, Father."</p> +<p>Having thus spoken, Marguerite left the house, and after going +through the garden gate, she entered a pretty lane which was +abundantly blessed by Nature with a quantity of ferns and wild +flowers. It was just beginning to grow dusk, and she saw not far +off Jacques Gaultier and her brother. The latter was singing in his +native <i>patois</i> a gay song, much to the horror of Jacques, who +thought it was dreadful to do such a thing. Dropping his usual air +of hypocritical stiffness (adopted by so many to fall in with the +custom of the times), he hastened forward to meet Marguerite, and +with a show of politeness, wonderful for the rough Jacques, raised +his hat and said, "Good evening, Marguerite; it is my fault that +thy brother is late; I kept him while I was getting ready some +bobbins which I have made in the hope that thou wilt take them from +me."</p> +<p>"I thank thee, Jacques Gaultier, but I do not want thy bobbins; +keep them for some other girl: I am teaching many this same work, +and no doubt you will find some one glad to get them. I am going +to-night where I shall get a set made by some one whom I like +better than Jacques Gaultier. My father is waiting, so go to him; +come Hirzel, don't delay me longer."</p> +<p>Jacques moved off muttering to himself, and with a most +murderous look on his dark face. Poor Charlie would have fared +badly had he been in this man's power just now!</p> +<hr style='width: 65%;' /> +<a name='CHAPTER_III' id="CHAPTER_III"></a> +<h2>CHAPTER III.</h2> +<br /> +<p>We will follow Gaultier into the mill, leaving Marguerite and +her brother to pursue their intention of having a walk, and hear +what old Pierre has to say. On Jacques entering the room he found +the old man in a state of great disquietude—in fact, in a +very great rage. He had by no means recovered his daughter's +assertion that she would never marry anyone but Charles +Heyward.</p> +<p>"Good evening, Jacques, I sent for thee on a matter of great +importance to thyself. I know thou did'st love my girl Marguerite, +and that thou had'st a desire to marry her. Art thou still of that +mind?" Jacques was somewhat surprised both at the old man's manner +and at this opening address, but replied, "Truly I am, but I fear +she will never consent to take me for her husband; she hates me, +and loves that soldier with red cheeks and bold forward air. I wish +he were far from here; but perhaps she would still think of him and +never look on me. Even to-night she had not a civil word for me, +though I stayed at home to make these things for her and lost my +place at market."</p> +<p>"And serve thee right. What business hast thou to encourage the +girl in her vanities? But thou said'st just now thou would'st like +to have that fellow out of this. So would I, and the whole lot of +those lawless soldiers. Can'st thou not think of some means to +catch him"?</p> +<p>"Well, Father Pierre, I wouldn't like—-</p> +<p>"Wouldn't like <i>what</i>!" shouted the old man, "perhaps thou +art afraid of the popinjay in his red coat—eh, thou +chicken-hearted fellow? Thou art not the man I took thee for. I +wonder not at Marguerite speaking as she does."</p> +<p>"Those are hard words and I like them not," replied Jacques +sulkily. He felt the hit contained in Pierre's words all the more +as he was not quite innocent of fear of the red coat. "I was going +to say," he continued, "I wouldn't like Marguerite to know I was +watching for her soldier, as she might warn him and put him on his +guard. Ah! the hateful fellow, I wish I had my hands at his throat +now."</p> +<p>"Gently, gently, my good Jacques," replied the elder hypocrite, +"such language becomes not a follower of our Lord Protector +Cromwell. But let us understand one another. Charlie +Heyward—(the name hath but an ill savour to me)—must be +put out of the way, and Marguerite, like her sex, will doubtless +forget that he ever existed, and marry thee. I wonder where they +meet? It must be somewhere near here, but I cannot find out. Now +that he knows he is unwelcome to me, he comes not in here."</p> +<p>"I will try and find out, Father Pierre, and then we must devise +means for putting him out of the way, as thou seem'st to desire it, +and, mind, my reward is Marguerite, whether she be willing or +not."</p> +<p>"Yea, my son, and here is my hand on it."</p> +<p>After shaking hands over this black bargain, Jacques arose and +said he must go, and wishing old Pierre "Good night," he left the +mill. Turning round when he had gone a few steps from the door, he +clenched his hand and said, "Thou tempt'st me to commit murder, but +I'll take care that thou doest the deed thyself; bad as I am I +could not take Marguerite's hand in mine after such a foul +deed."</p> +<p>It was now getting rather late, but as Jacques had no business +of his own on hand, but rather wished, like so many others to be +about business that was <i>not</i> his, instead of going home he +thought he would go up the cliffs by a path which swept round the +side of the hill till it came to fields that led to the Jerbourg +fortress. On coming to a corner where the path turned up the hill, +he paused to look at the scene before him, which was a lovely one: +the moon was very brilliant, and the light of it made a broad +pathway across the bay—such a pathway as always makes one +wish to walk along in the calm to find a place of rest.</p> +<p>Perhaps the dark rocks which rose with a sort of sullen majesty +straight up from the water side, were more to Jacques' fancy than +the moon path on the water, for he was gazing intently across the +hay at them, while apparently the rest of the beautiful scene was +lost on him. So intent was his gaze at the rocks—on the +summit of which was the Jerbourg fortress—that he did not +observe the presence of two persons who were coming slowly towards +him. Evidently they had not remarked him either, which was not so +much to be wondered at as they were no other than Marguerite and +Charlie!</p> +<p>Suddenly Jacques' attention was drawn to them by a merry laugh +from Marguerite. On looking round and seeing who were there he +ground his teeth in jealous rage and muttered to himself. "Ha! now +I may discover something," and going a few steps round the corner, +he turned himself into some bushes that overhung the path and bent +down his head, prepared to listen to the conversation of the pair +coming along. Ah! Marguerite; Ah, Charlie! how careful you would be +did you know of the presence of that dark-faced Jacques with his +evil designs.</p> +<p>Unconsciously Jacques had placed himself in an excellent +position to hear and see all that was going on, as immediately +beneath the bushes in which he had hidden himself there was a large +block of granite on which the lovers sat down to await Hirzel, who +was coming up from the bay. Little they knew what power they were +putting in the hands of one who would not scruple to use it to the +utmost.</p> +<p>"So your father is still against me, Marguerite?"</p> +<p>"Yes, Charlie; and that dreadful Jacques is persecuting me as +much as ever with his impertinent attentions. Only this evening he +brought me some bobbins which I told him he might take +elsewhere."</p> +<p>"That reminds me I have brought with me those I have been +making; perhaps, though, you prefer those made by our dark friend, +eh! Marguerite?"</p> +<p>"Don't jest about him, Charlie; it frightens me even to think of +him. I am sure he would work you a mischief if he could."</p> +<p>"Ah! Marguerite, don't alarm yourself. The worst mischief he can +work is to bring a shade on your sweet face. All this evening I +have noticed a troubled look in those grey eyes of yours, which +must be banished ere I see you again. You surely do not think I am +frightened at what such a fellow as that can do! But what have I +done with the bobbins? I hope I have not dropped them. Ah! well! I +suppose I did not bring them with me after all, but I promise you +shall have them two nights hence."</p> +<p>"No, Charlie, you must not come near here again for some time, +as I am certain there is danger, and I would far rather wait to see +you until you can come with safety. I feel there is something wrong +going on between my father and Jacques."</p> +<p>"Nonsense, Marguerite; you really must not have these idle +fancies. I shall come over in the evening after dark. You come up +this path, and show the light of a lantern three times if all is +well. Then I will start from our barracks, and come as quickly +round the cliffs as I can. You return to the mill, and go to the +granary; I will climb up the mill wheel. If I remember rightly, the +granary window is just over the wheel. Then I shall be able to +speak to you for a few minutes, and bring the precious little +bobbins."</p> +<p>"Halloo! Charlie, where are you, and what have you done with my +sister?"</p> +<p>"Oh! there is Hirzel. How he frightened me," exclaimed +Marguerite, who evidently feared everything to-night.</p> +<p>"She is all right, old fellow. Come along, you are just in time +to take her home; I must be off, or black hole for me."</p> +<p>Hirzel now appeared from the midst of the ferns and gorse, and +came up on the path and joined his sister and Charlie.</p> +<p>"The fish won't bite to-night, somehow; <i>they</i> are not so +easily caught by a dazzling bait as some other things I could +mention. Ha! Marguerite, you seem to take it to yourself. Well, +perhaps I mean you, and perhaps I don't; but come along, Father +will think you are lost."</p> +<p>Hirzel said "Good night" to Charlie, and moved off discreetly, +leaving his sister to follow.</p> +<p>"Don't forget Wednesday night, Marguerite; I shall look for your +signal about eight, and if all's well, I'll be round by nine. I +will get leave to stay out later than usual that night."</p> +<p>"Well, Charlie, I won't prevent your coming this once, but my +heart sadly misgives me. I hope nothing will happen to you."</p> +<p>"Don't be foolish, Marguerite, but run away after your brother; +he is looking impatient, and you know this is nicer for me than for +him! He is a brave good lad, worthy of having such a sister as he +has. Good bye till Wednesday. Mind, don't forget the signal. Good +night, Hirzel."</p> +<p>"Well! time you said it old fellow," shouted Hirzel, "I have +knocked about all the stones in the neighbourhood with my stick, so +was beginning to be at a loss for employment. Come quickly. +Marguerite."</p> +<p>On the way home Marguerite told her brother how Charlie was to +come and see her on Wednesday, and they arranged that Hirzel should +stop about the house so fearful of some violence occurring was +Marguerite.</p> +<hr style='width: 65%;' /> +<a name='CHAPTER_IV' id="CHAPTER_IV"></a> +<h2>CHAPTER IV.</h2> +<br /> +<p>When Hirzel and his sister were out of sight, Jacques got down +from his hiding place and walked after them with the intention of +telling old Pierre what he had heard, and also to reveal to him a +plan which had suggested itself to his evil mind for destroying the +young soldier when he came to visit Marguerite on the following +Wednesday evening. Jacques changed his mind about going in when he +came near the mill. He saw through the open door Pierre talking +with his children; he thought he should not be able to see the old +man alone that night, and besides, he had a feeling which kept him +back from entering Marguerite's presence when he was plotting +against her happiness in such a deadly manner. So Gaultier turned +his steps homeward, revolving in his mind the plan he had laid out +which was briefly this. The mill wheel was secured by a rope which +passed round the corner of the house and into a room behind the +granary, where it was fastened to a rafter. Now Gaultier thought +that when Charlie was standing on the wheel, if he could get old +Pierre to unfasten the rope, the sudden starting round of the wheel +would precipiate Charlie into the stream below, where he must +inevitably be dashed to pieces. Well thought of, Jacques Gaultier; +but it is a pity thy ingenuity had not been turned to better +account!</p> +<p>Jacques spent a most restless night, for the awfulness of the +crime which he was meditating presented itself unceasingly to his +mind; but, on the other hand, he pictured to himself Marguerite +Charlie's wife, therefore lost to him. Not only did he hate Charlie +on this score, but political feeling, as well as the frank pleasant +manner of the young soldier, assisted in making Jacques look hardly +on him. He could'nt but remark the different manner in which he was +treated. People rather avoided than courted the society of "Dark +Jacques Gaultier," as he was called by the boys round his +neighbourhood, with the disagreeable honesty of "small boy" +youth.</p> +<p>Jacques was one of those unhappy beings who live with their +blinds down and windows shut, morally speaking; and yet who wonder +that they don't get the bright light and pure air into their minds, +which cause some of their brethren to be such refreshing bits in +the way through life. One of these was Charlie: he went happily +through life, carrying sunshine with him wherever he went: he felt +sorry for Jacques, and would willingly have been friends with him, +but in their relative positions this was impossible. All his +overtures were received with decided rudeness on the part of +Jacques, when they received any notice at all, so Charlie gave up, +and took the situation as inevitable. When morning came Jacques +rose very early and went down to the mill. He judged the early +morning to be the best time to see the old man by himself. In this +he was correct, for when he got there he found Pierre was the only +one down. He was standing in the little garden in the front of the +house. After they had exchanged the customary greetings of the +place, the old miller asked Jacques "what had brought him out so +early."</p> +<p>The latter told him all he had overheard the preceding evening, +and then he unfolded his plan, for Charlie's destruction, but tried +to impress on the old man that he had better loosen the rope +himself.</p> +<p>This Pierre would not listen to; said his courage might fail +him; then pleaded his age, failing strength, and many other things; +finally, he said, he would not do it, adding, "One would think I +wanted the girl for my wife; no, do thy own business unless thou +art very anxious to give Marguerite to this fine soldier. I warrant +me that will be the end of it."</p> +<p>"Father Pierre, thou well know'st I would sooner die a thousand +times than <i>he</i> should have her, so I will do the thing +myself; but how shall I give reason for my presence here? +Marguerite, for days, even weeks past, has been looking at me with +suspicion in her eyes, as though she divined my thoughts towards +that lover of hers?"</p> +<p>"Leave all to me. Can I not have whom I like in my own house? I +see that though thou may'st not dread other things, thou art well +frightened at a woman's looks. Well, well, there's something in +that, too."</p> +<p>"Yes, Father Pierre, there is; much sometimes."</p> +<p>"But leave looks to mind themselves now, and I will show you +what to do, and where to go. You can well be in the room behind the +granary, as one or two of the rafters need mending. Let Marguerite +see you leave your work and start for home; then when she goes to +show her light say 'All is well,' thou can'st come back and be +ready for the bird with his bright plumage. Ha! he would go +elsewhere and pipe his song, did he know the manner in which we are +preparing his perch!"</p> +<p>"That is all well; the popinjay can't escape us now."</p> +<p>"Come in, Jacques, and have some breakfast with us; I think I +hear Marguerite busy at it now."</p> +<p>"Marguerite will not have a welcome for me, I know; but as she +is to be my wife, she may as well get used to my presence now."</p> +<p>When they entered Marguerite turned round wondering who could be +with her Father at such an early hour. On seeing who it was, her +face clouded, and she immediately experienced that same feeling of +fear come over her as she always had of late when she saw her +Father and Jacques Gaultier together. She said "good morning" to +them, and then resumed the preparation for the morning meal. +Jacques' dark eyes followed her all about the room; doubtless he +was thinking of the time when she would be performing the same +duties under his roof, while she—Well, we will not penetrate +into her thoughts; no doubt she would prefer keeping them to +herself, so we will let her, in the certainty that the train of +thought was very different to that of Jacques Gaultier.</p> +<p>Hirzel now appeared, announcing that he was ready to eat up all, +his sister included. Breakfast being ready, they all drew their +chairs near the table, Marguerite begging Hirzel to come and sit +near her, as she wanted to speak to him. The boy saw that she +wished to keep Gaultier off, and with his usual teasing way, he +made signs behind that worthy's back to the effect that his sister +ought to ask him to sit by her. However, when Hirzel saw that his +sister looked really troubled, he came immediately like a good +brother and did what his sister wished. All this was not lost on +that wretched Jacques, who between present circumstances, and his +own thoughts of what must come before he gained Marguerite, had by +no means an enviable position.</p> +<p>During the repast Pierre informed Hirzel that on the afternoon +of the following day he had a particular message to send him on, as +it was one some way off, he might take the cart or ride if he +preferred it.</p> +<p>"Very well, Father, I'll go for you; riding is best if I have +nothing to carry."</p> +<p>"And thou, Jacques," said old Pierre, "will come after thy +fishing is past and mend the rafters I told thee of in the room +behind the granary." "But Father," said Hirzel, "why not let me do +that work for you? I would like to, and ride for this message the +day after."</p> +<p>Hirzel said this, because he remembered his sister's arrangement +with Charlie, and he knew that she particularly wished him to be at +home, especially now that there was some chance of Jacques being +about.</p> +<p>"Thou would'st like to work indoors? Why what has come to thee +Hirzel?"</p> +<p>"You had better do what Father wishes Hirzel," said Marguerite. +She saw her brother was troubled as to what was best to be done; +also, she was very much afraid lest he should say something to +betray matters. So she thought she would settle it quietly, +especially when she remembered that Charlie would not come until +she had shown the light, which she firmly resolved should not be +shown until Jacques was well out of the place.</p> +<p>Breakfast being over, Jacques took his leave, and the others +dispersed to their various occupations—each of the four with +very different thoughts and hopes as to what the morrow might bring +forth, but at present, like all the rest of mankind, their first +business was to get through "to-day" as well as they could.</p> +<hr style='width: 65%;' /> +<a name='CHAPTER_V' id="CHAPTER_V"></a> +<h2>CHAPTER V.</h2> +<br /> +<p>The morning following the events recorded in the last chapter +was ushered in with bright sunshine, and everything pleasant, so +far as outward appearances went, in and out of the mill, though +some hearts were restless or uneasy as to how it would be when the +sun rose to run his accustomed course the next morning. Charlie was +perhaps the happiest of all those whose fortunes we are now +following. He had but slight clouds to dim his horizon; at least +his horizon as seen by his own eyes. He went cheerfully and gladly +through his duties that morning, and never did he more fully merit +the name of "Happy Charlie" bestowed on him by his comrades in the +gallant 22nd than he did on the morning in question. The truth was +he was beginning to tire of old Pierre Moullin's determined refusal +to have anything to say to him in the character of son-in-law. He +had made up his mind (and being of a hopeful nature, considered +more than half the battle was fought in consequence), that come +what might, he would prevail on Marguerite to marry him at once, +and trust to gain her Father's forgiveness when the deed was done +beyond recall. And so our friend Charlie whistled and sang through +this day, building all sorts of pleasant castles about his future +life, little thinking what a train was being laid, to which, if the +match were applied, he and his castles would be blown up in a more +sanguinary, if not more decisive manner, than these airy +fabrications generally have to yield to!</p> +<p>Hirzel had been detained on various pretexts by his Father; in +consequence he was rather late in starting for this important +business on which he was to be despatched. From the time he managed +to get off, it was not at all likely that he could be back before +10 o'clock. Marguerite's heart quite misgave her when she heard +this, but as time moved on, and it came to half-past 7, she was +re-assured to find that Jacques Gaultier was putting away his +tools, and finally left the house, saying that he had "work for +himself at home, but would return the following morning to finish +repairing those rafters that had so suddenly got out of +repair."</p> +<p>Matters seemed better still when her Father said he did not feel +at all himself that night, and that he thought he would go off to +bed. Marguerite wished him "Good night;" and at 8 o'clock found +herself alone and mistress of her own actions. She might now have +brought Charlie into the house, but that she remembered her +Father's prohibition of such a thing; and at least she thought it +best and fittest to leave him master in his own house, at the same +time reserving to herself liberty to control her own actions. This +was fair enough.</p> +<p>At about 8 o'clock, as agreed on, Marguerite took her little +lantern, and going round the path to where they had been standing +two evenings before, she flashed the light three times trusting +that Charlie would be able to see it. Meanwhile Jacques had come +out from one of the mill sheds, where he had been concealed, and +went quickly up to the room behind the granary, only pausing on his +way to tell old Pierre that he was there.</p> +<p>We will leave him waiting for his prey, with a dark sardonic +smile on his ill-favoured countenance, and return to Marguerite, +who is waiting in the granary for her lover, confident that "all is +well," and having no thoughts but pleasant ones concerning the +coming meeting. Even the remembrance of Hirzel's absence brings no +disquietude with it. Her thoughts shape themselves into a blessing +when her brother's bright manly face comes before her, and then she +bends all her attention to listen for Charlie's approach.</p> +<p>She had been waiting for rather more than an hour, when she +heard her name called softly; then up Charlie scrambled, and when +standing on the wheel his head comes just half way up the +window.</p> +<p>"Well, here I am, Marguerite; I hope you were not alarmed at the +time I have taken, but I was on duty when I saw your signal, and it +was some little time before I could get away."</p> +<p>"I was getting a little anxious, Charlie, but 'all is well' now +that you have come."</p> +<p>"Ah, that is right! but how are you to-night, little +woman—all the fancies fled?"</p> +<p>"Almost Charlie, but still not quite; you will think me very +foolish, I know, but everything was so beautifully arranged for my +seeing you easily to-night that I can't help thinking that some one +else has been arranging too for some purpose of his own."</p> +<p>"Come, come, you little croaker, try and put such thoughts out +of your pretty head, and remember I 'deserve the fair' after having +been so 'brave' as to mount this rickety wheel, but I wish you +would take this parcel from me; the bobbins are in it, which I have +perilled my life to bring! I hope you see my devotion clearly, +eh?"</p> +<p>"I do, indeed, Charlie, and now I shall work all the better and +be more in earnest; I don't mean you to have all the work on your +shoulders when we marry; I know I shall be able to get sale for my +lace amongst the beautiful ladies you tell me of in England."</p> +<p>"Ah, Marguerite, that is just what I wanted to speak to you +about; I suppose your Father still wishes you to marry that rascal +Gaultier? By the way, I believe he or some one very like him was +sneaking round the cliffs on Monday night. After I left you, I +fancied I saw him; it might be <i>only</i> fancy. Did you see +anything of him?</p> +<p>"I wish—."</p> +<hr /> +<p>Alas! poor Charlie! Will you speak again to finish that sentence +and tell what you wish? For suddenly the mill wheel has turned +round with a tremendous crash, and the brave young soldier has been +hurled down! And Marguerite, what of her? With one agonized cry she +rushed to the door intending to run outside to see if anything +could be done for Charlie, when she came face to face with Jacques +Gaultier! In an instant it all flashed on her that he must have +wrought this terrible work, and, overcome by grief and horror, she +sank down in a deadly faint. Bad man as he was, Jacques was really +overcome at the consequences of his act, for he thought he had also +killed Marguerite. He called loudly to her Father, who came up +hurriedly. He was also seriously alarmed when his gaze rested on +his child lying like one dead on the floor. Between them they +carried her downstairs and laid her on her bed. They applied such +restoratives as suggested themselves, but as everything was for +sometime quite unavailing, a more miserable pair it would have been +difficult to discover.</p> +<p>Hirzel now came in. He was running upstairs to the granary when +his Father called him in to see if he could do anything for his +poor sister.</p> +<p>"A pretty night's work this," he said, when he came into the +room and saw his sister lying there.</p> +<p>At this moment she opened her eyes, and he went close to her and +raised her in his arms. With an expression of deep thankfulness, +Marguerite's first words were to send that murderer, Jacques +Gaultier, away out of her sight. Hirzel ordered him to leave the +room, with more fierceness in his tone than anyone had heard there +before.</p> +<p>"Oh! Hirzel, what shall I do without Charlie? Stay with me, only +you, and I will tell you all."</p> +<p>Hearing this her Father left the room, and Hirzel bent down and +whispered to her—-</p> +<p>"Charlie is alive and well. He told me to tell you this +himself."</p> +<p>"Oh! Hirzel, you are deceiving me. How could he be alive after +such a dreadful fall? It was terrible."</p> +<p>Here Marguerite's fortitude gave way, and she indulged in a +flood of tears, while Hirzel looked at her with the masculine +helplessness usual on such occasions, and indeed it seemed to cost +the fine tender-hearted fellow an effort to keep from joining in +them too. At last he said, "Well Marguerite, if you don't stop, +I'll go off, and tell Charlie you only cried after you heard he was +alive and well."</p> +<p>"Ah! Hirzel, is that not the way with our sex. Sometimes, to cry +over the best and happiest times while the worst is bravely +borne?"</p> +<p>Hirzel then told Marguerite how he had met Charlie just outside +at the foot of the lane, considerably bruised and knocked about, +though without any internal injuries. How he escaped was nothing +short of a miracle, one of those things which occasionally happen, +perhaps, to show what can be done when there is the will to do +it.</p> +<p>There was an iron loop which projected about a foot from the +walls, this Charlie made a spring at after the manner of a gymnast; +he caught it, and although it came away in his grasp, yet it broke +his fall, and what was of more importance, changed the direction of +his course to the brickwork alongside the wheel, instead of the +water under it. Once on the brickwork he jumped down into the +garden, and went out into the lane, where he met Hirzel.</p> +<p>Charlie did not for a moment suspect that there was anything but +pure accident in what had happened, and as he met Hirzel just at +that moment he judged it wisest not to return near the house in +case he should get Marguerite into trouble; but after telling +Hirzel to assure his sister that he was safe, he set off to the +fortress, little thinking he was supposed to be lying dead at the +foot of the Moulin Huêt cliffs, carried there by the mill +stream.</p> +<p>Marguerite now told to her brother, her suspicions of how all +had happened. He wished to go immediately and tax Jacques with the +crime; but, in deference to his sister's wishes, remained where he +was. The noise of the mill wheel turning round suddenly ceased, and +on Hirzel's going up to ascertain the cause, he found his Father +tying up the rope in the room behind the granary. This rope passed +out of a small round hole in the wall of this room, and round the +corner of the house where it was attached to the wheel. The window +through which Charlie and Marguerite had been talking was rather a +large one, but had some iron bars across which had prevented +Marguerite leaning out to see what had become of Charlie. This +perhaps was as well, for at best his descent would have been +extremely trying to look at.</p> +<p>The next morning did not bring Jacques to finish his work, but +in the evening he appeared, after vainly trying to induce +Marguerite to speak to him, which naturally she was very loath to +do, went and commenced his work, which he went steadily on with, +though he was very much fatigued by having no rest the preceding +night, and now had been out fishing all day. He sat down to rest +for a few minutes when he fell asleep. After dark old Pierre came +round to lock all the doors, as was his nightly custom. Looking in +and not seeing Jacques he supposed he had gone and locked that door +also. Pierre then went to rest himself, and all were buried in +slumber, with the exception of Hirzel, who had gone over to +Jerbourg to acquaint Charlie with all that had happened. About 9 +o'clock, as Charlie and Hirzel were coming out of the barracks, +they saw flames rising in the direction of the mill. It was but the +work of a moment for Charlie to run back and get leave for some of +his comrades to come with him, and off they set for the mill. On +arriving there they found their surmises correct: both house and +mill were enveloped in flames. Marguerite and her Father were +safely out, but the latter was in a dreadful state of misery at +seeing all his property go like this. Charlie went up to him after +he had spoken to Marguerite, and said he would try and save the +wheel for future murders. Seeing Charlie, whom he fully thought to +be dead, and hearing these words, the old man shrank back with +horror. He fell on his knees and begged Charlie to forgive him, +adding that it was not he who had done it, but Jacques. Charlie +raised the old man, saying all should be forgiven and forgotten on +one condition. That condition we need hardly state was permission +to marry Marguerite without further trouble. Until Pierre had said +so Charlie, had no idea that he knew any thing of his intended +destruction. It saddened him very much and made him very sorry for +the old man; however, he had other things to think of, so he set +all the other soldiers to hand up water from the mill stream, which +was now running for some little time. Suddenly a shout from one of +the soldiers called Charlie's attention, and on going to see what +it was, he found him dragging a body out of the mill stream. With +some difficulty he recognized Jacques Gaultier, as it was rather +dark just there. Jacques revived a little, and told Charlie how on +waking he had found the room full of smoke, and finding the door +locked he broke it down, but the door of the granary resisted all +his efforts, so he put all his strength towards tearing the bars +from the window. He succeeded in this and got out on the wheel, but +directly he tried to get down the rope—which doubtless had +been much charred by the flames—gave way, and down he went. +He had seen from the window, Charlie and his comrades coming, and +this endued him with further strength, but all to no purpose. He +implored Charlie's forgiveness, and turning over with a groan he +died.</p> +<p>Little now remains to be told. Owing to the exertions of the +soldiers some of the machinery was saved, but the old man never +made any use of it; he had too great a horror of anything like a +mill after his past experiences. Charlie and Marguerite were soon +married. They lived at Castle Cornet for some time, and after the +restoration went with the Regiment to England, where Marguerite +could display her loyalty undisturbed. Hirzel remained heart-whole +to the last we hear of him, and after his Father's death went and +lived with his sister in England, to see for himself some of the +wonders which Charlie had described to him in his own little Island +home.</p> + +<p> </p> +<hr class="full" /> +<p>***END OF THE PROJECT GUTENBERG EBOOK LEGEND OF MOULIN HUET***</p> +<p>******* This file should be named 14118-h.txt or 14118-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="https://www.gutenberg.org/dirs/1/4/1/1/14118">https://www.gutenberg.org/1/4/1/1/14118</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution.</p> + + + +<pre> +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +<a href="https://gutenberg.org/license">https://gutenberg.org/license)</a>. + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://www.gutenberg.org/fundraising/pglaf + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: +https://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + +<a href="https://www.gutenberg.org">https://www.gutenberg.org</a> + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + +<a href="https://www.gutenberg.org/dirs/etext06/">https://www.gutenberg.org/dirs/etext06/</a> + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + +https://www.gutenberg.org/dirs/1/0/2/3/10234 + +or filename 24689 would be found at: +https://www.gutenberg.org/dirs/2/4/6/8/24689 + +An alternative method of locating eBooks: +<a href="https://www.gutenberg.org/dirs/GUTINDEX.ALL">https://www.gutenberg.org/dirs/GUTINDEX.ALL</a> + +*** END: FULL LICENSE *** +</pre> +</body> +</html> diff --git a/old/14118.txt b/old/14118.txt new file mode 100644 index 0000000..3d27f76 --- /dev/null +++ b/old/14118.txt @@ -0,0 +1,1205 @@ +The Project Gutenberg eBook, Legend of Moulin Huet, by Lizzie A. Freeth + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Legend of Moulin Huet + +Author: Lizzie A. Freeth + +Release Date: November 22, 2004 [eBook #14118] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK LEGEND OF MOULIN HUET*** + + +E-text prepared by Steven Gibbs and the Project Gutenberg Online +Distributed Proofreading Team + + + +LEGEND OF MOULIN HUET + +by + +LIZZIE A. FREETH + +Author Of _The Adventures of Carl Skinflint among the Fairies_ + +Guernsey: Le Lievre, Printer, Star-Office, +10, Bordage Street. + +1872 + + + + + + + + DEDICATED TO + "THE CONWAY BOYS." + + + + + +DEDICATION. + + +Though the story contained in the following pages has no connection with +them, yet it is my wish to dedicate this little work to "The Conway +Boys," and all those connected with that most invaluable institution, +"H.M.S. Conway," lying at Rockferry, Birkenhead. + +I have particular reason to speak well of the "Conway," as any "Boy" may +know who may have been on board for the last five or six years, from the +fact that two of my brothers, after passing a successful career under +the careful teaching of the Rev. Henry O'Brien; L.L.D., Cork, continued +to build on the good foundation laid, and left the "Conway" with credit +both to their teachers and themselves. I shall always have pleasure in +meeting with any "Conway Boy," and hearing of the good old ship to which +I wish a long continuance of her success in preparing Boys creditably +for one of the great sources of our national strength and wealth--"Our +Merchant Navy." + +I must just add a word of thanks to my friends in Guernsey and +elsewhere, who so kindly encouraged and supported me when publishing on +a former occasion, and whom I see, by reference to the subscription +list, coming forward again--among some new friends--with a repetition of +their kindness. + +Montpelier, Guernsey, 1872. + + + + +CHAPTER I. + + +In the year 165-, when Cromwell had gained ascendancy in England and +over the greater portion of the Channel Islands, there lived in +Guernsey, at the Bay of Moulin Huet, a miller of the name of Pierre +Moullin. Unlike his class generally, he was a very morose man, hard in +his dealings with the poor around him, and exceedingly unsympathizing in +all his domestic relations, as will appear as our story unwinds itself. +Before speaking of the family surroundings of Pierre Moullin we will +glance at the circumstance which forms the basis of the present tale. +Visitors to the Bay of Moulin Huet, as well as to other parts of this +and the surrounding Islands, may have observed a crimson appearance on +the rocks, suggesting very sanguinary ideas, but for which, geologists +doubtless, would be able to account in a very satisfactory manner. +Looking at a portion of the original gully through which the water runs +after passing through the mill wheel, we find that this crimson +appearance is very visible, and as our purpose is not to raise +scientific enquiries, we will take one of the fanciful reasons (of which +there are two or three in existence), for this coloring on by the hand +of Nature, which has so abundantly bedecked Guernsey in general, and +Moulin Huet in particular. Dipping into the Fairy lore of that part of +the island, we find that many believe that some mischievous Fairies who +annoyed the miller much with their nightly pranks were ground to pieces +by the mill wheel becoming unfastened, and that their blood remains +there to this day, as a warning to all others among the "good people" +who might wish to vent their superfluous mischief in a like manner. + +So much for the Fairy lore in the Moulin Huet Chronicles; but we must +turn our attention elsewhere to find out whose blood it was that thus +dyed the watercourse of the Moulin Huet Mill. + +At the time of which we are speaking, (the opening of the year 165-) +Pierre Moullin and his two children, a son and a daughter, lived in a +house adjoining the mill, in fact, the same roof covered both mill and +house, which were built facing the sea. The stream of water which turned +the wheel was far more powerful than the present, as the old marks +(still partially visible) denote. Pierre Moullin, like many of his +fellow-islanders, was a strong adherent of Cromwell; his son Hirzel was +also,--though perhaps he did not go quite as far as his father in his +hatred of the Royalist party. He had nevertheless acquaintances among +the Royalist soldiers who were quartered in the strong fortress at +Jerbourg. One in particular he had made a great friend of--Charlie +Heyward. Old Pierre often used to say he knew harm would come of this +friendship, and felt his words were being proved true when he +discovered that an attachment was springing up between his daughter +Marguerite and the young soldier. On becoming aware of this his rage was +unbounded, and he repeatedly said he would be the death of Charlie if he +could manage it. He tried in every way to bring his son to his way of +thinking, but though Hirzel did not much like the idea of his sister +marrying a Royalist soldier, and besides which another friend and +fellow-countryman of his Jacques Gaultier, was also much attached to the +fair Marguerite, and had long persecuted her with his unwelcome +attentions, still Hirzel would have done anything rather than have +injured his friend Charlie, whom he liked well, though he did not like +his principles. In Jacques Gaultier the old miller saw a ready tool +towards gaining his wicked end of destroying Charlie. The latter did not +think Pierre's hatred reached the extent it did, at the same time he was +still aware there was no chance of his ever gaining the old man's +consent to his marrying Marguerite. + +One night Pierre sent his son to bring Jacques Gaultier saying, he +wished to speak to him about taking some flour into the town next day. +Jacques was only too delighted to get any excuse for going to the mill, +and immediately said he would accompany Hirzel if he "would wait until +he got something which he had been making for Marguerite." + +"All right, Jacques, my boy, but look sharp, as the old man seems +impatient to-night." + +"Thy tone and way of speaking savour far more of the style of that base +soldiery which our island is burdened with, than the tone of thy +father's son should be," replied Jacques. + +"Very well," said Hirzel, "I will promise to mend my ways, but do be +quick, as I promised to walk with my sister at seven, and now it is nigh +on half-past; and she says she needs my counsel much on a matter." + +"Ah! thou art an impatient lad, but it would be worse with me were I in +thy case; long till she'd ask me to walk with her, not I warrant were I +dying for a look at her sweet face." + +"Don't be down-hearted, Jacques, how know'st thou but that my sister +may change her mind and look kindly on thee yet; wait till the Redcoats +have gone down to the Castle, and then perhaps thy fishers' garb may +find favour in her sight, but what hast thou got there? Some woman's +trifles, which thou seem'st to understand better than I have yet +learned." + +"I made these sore against my will, for I would rather see thy sister +reading some edifying book than passing her time on such vanities as +these are used for, they are bobbins, lad." + +"Ha, Ha," laughed Hirzel, "were I to go into the market to-morrow and +say that stern Jacques Gaultier spent his hours carving out lace +bobbins, who would believe me?" + +"Don't laugh at me, Hirzel, perhaps one of these fine days thou wilt do +something more foolish: when thy nineteen summers shall have ripened +like mine to thirty thou wilt have different thoughts." + +"Time enough to speak when it comes. Now I love my boat better than +anything else! But how we are wasting this fine evening. My Father will +think we are lost or gone to be soldiers, eh Jacques? Come along, and we +will see what Marguerite thinks of those little sticks of thine." + + + + +CHAPTER II. + + +On the same evening of which we have been speaking Marguerite was +sitting just outside the door, employed as she generally was in her +leisure time at lace work, of the style which had been so fashionable +during the reign of the late murdered King. How Marguerite had first +learnt this "unedifying work," we know not but as she used to work for +the family of one of the King's officers, and had seen the ladies do it, +she soon with very little instruction learnt to do it well. Very pretty +Marguerite looked bending over her "lace pillow," weaving sweet +thoughts into her work, if we may judge from the expression of her face +which was one of those that "made one feel good to look at," as Charlie +often said, and indeed it was a good thing for him to take the +remembrance of such a face through his Barrack life, which at least was +a rough one. + +Marguerite had not long been enjoying the quiet of her own society when +she heard her Father call her. She immediately obeyed his summons with +that strange feeling at her heart--that strange foreshadowing of +evil--to which we have all been subject at some time in our lives. +"Again at that silly work, girl; better for thee to get something to do +about the house than waste thy time over that useless finery; I'll +warrant me when thou art Jacques Gaultier's wife he will find thee other +work--mending his nets, mayhap!" + +"My dear Father, I will never be Jacques Gaultier'a wife. I have told +him so oft: I doubt if he will ever speak to me on the subject again; he +will not risk hearing rude words from me, I fancy." + +"I tell thee thou _shalt_ be Jacques Gaultier's wife, and that before +long; he is coming here to-night, and I will tell him he can have thee +with my full consent. Spite of thy love for red coats, thou wilt settle +down here as a fisher's wife." + +"Father, I have promised to marry Charlie and no other, and I will do +so; you used to like him ere 'my Lord Protector Cromwell' turned the +heads, if not gained the hearts, of nearly all but the loyal soldiery! +And now I will never marry any one but Charlie. You have made me speak +thus to you Father; I don't think you ought to try to make me marry one +whom in my heart I despise; and who you know well is not a good man." + +"Ah! that is thy spirit, is it? Well, we'll see; I doubt if thou wilt +find that fine soldier of thine alive much longer; it would be a good +and commendable deed to sweep all such from the face of the earth." + +"Yes, surely, commendable, but only in the eyes of those who murdered +our poor King, Father; but we will speak no more of these things. You +are tired with your day's work, and are not like yourself to-night. I +hear Hirzel's voice, so I will go and meet him; we are to have a walk +this evening, and you can talk quietly with Jacques, but not a word +about me; you know what my thoughts are now, Father." + +Having thus spoken, Marguerite left the house, and after going through +the garden gate, she entered a pretty lane which was abundantly blessed +by Nature with a quantity of ferns and wild flowers. It was just +beginning to grow dusk, and she saw not far off Jacques Gaultier and her +brother. The latter was singing in his native _patois_ a gay song, much +to the horror of Jacques, who thought it was dreadful to do such a +thing. Dropping his usual air of hypocritical stiffness (adopted by so +many to fall in with the custom of the times), he hastened forward to +meet Marguerite, and with a show of politeness, wonderful for the rough +Jacques, raised his hat and said, "Good evening, Marguerite; it is my +fault that thy brother is late; I kept him while I was getting ready +some bobbins which I have made in the hope that thou wilt take them from +me." + +"I thank thee, Jacques Gaultier, but I do not want thy bobbins; keep +them for some other girl: I am teaching many this same work, and no +doubt you will find some one glad to get them. I am going to-night where +I shall get a set made by some one whom I like better than Jacques +Gaultier. My father is waiting, so go to him; come Hirzel, don't delay +me longer." + +Jacques moved off muttering to himself, and with a most murderous look +on his dark face. Poor Charlie would have fared badly had he been in +this man's power just now! + + + + +CHAPTER III. + + +We will follow Gaultier into the mill, leaving Marguerite and her +brother to pursue their intention of having a walk, and hear what old +Pierre has to say. On Jacques entering the room he found the old man in +a state of great disquietude--in fact, in a very great rage. He had by +no means recovered his daughter's assertion that she would never marry +anyone but Charles Heyward. + +"Good evening, Jacques, I sent for thee on a matter of great importance +to thyself. I know thou did'st love my girl Marguerite, and that thou +had'st a desire to marry her. Art thou still of that mind?" Jacques was +somewhat surprised both at the old man's manner and at this opening +address, but replied, "Truly I am, but I fear she will never consent to +take me for her husband; she hates me, and loves that soldier with red +cheeks and bold forward air. I wish he were far from here; but perhaps +she would still think of him and never look on me. Even to-night she had +not a civil word for me, though I stayed at home to make these things +for her and lost my place at market." + +"And serve thee right. What business hast thou to encourage the girl in +her vanities? But thou said'st just now thou would'st like to have that +fellow out of this. So would I, and the whole lot of those lawless +soldiers. Can'st thou not think of some means to catch him"? + +"Well, Father Pierre, I wouldn't like--- + +"Wouldn't like _what_!" shouted the old man, "perhaps thou art afraid of +the popinjay in his red coat--eh, thou chicken-hearted fellow? Thou art +not the man I took thee for. I wonder not at Marguerite speaking as she +does." + +"Those are hard words and I like them not," replied Jacques sulkily. He +felt the hit contained in Pierre's words all the more as he was not +quite innocent of fear of the red coat. "I was going to say," he +continued, "I wouldn't like Marguerite to know I was watching for her +soldier, as she might warn him and put him on his guard. Ah! the +hateful fellow, I wish I had my hands at his throat now." + +"Gently, gently, my good Jacques," replied the elder hypocrite, "such +language becomes not a follower of our Lord Protector Cromwell. But let +us understand one another. Charlie Heyward--(the name hath but an ill +savour to me)--must be put out of the way, and Marguerite, like her sex, +will doubtless forget that he ever existed, and marry thee. I wonder +where they meet? It must be somewhere near here, but I cannot find out. +Now that he knows he is unwelcome to me, he comes not in here." + +"I will try and find out, Father Pierre, and then we must devise means +for putting him out of the way, as thou seem'st to desire it, and, +mind, my reward is Marguerite, whether she be willing or not." + +"Yea, my son, and here is my hand on it." + +After shaking hands over this black bargain, Jacques arose and said he +must go, and wishing old Pierre "Good night," he left the mill. Turning +round when he had gone a few steps from the door, he clenched his hand +and said, "Thou tempt'st me to commit murder, but I'll take care that +thou doest the deed thyself; bad as I am I could not take Marguerite's +hand in mine after such a foul deed." + +It was now getting rather late, but as Jacques had no business of his +own on hand, but rather wished, like so many others to be about +business that was _not_ his, instead of going home he thought he would +go up the cliffs by a path which swept round the side of the hill till +it came to fields that led to the Jerbourg fortress. On coming to a +corner where the path turned up the hill, he paused to look at the scene +before him, which was a lovely one: the moon was very brilliant, and the +light of it made a broad pathway across the bay--such a pathway as +always makes one wish to walk along in the calm to find a place of rest. + +Perhaps the dark rocks which rose with a sort of sullen majesty straight +up from the water side, were more to Jacques' fancy than the moon path +on the water, for he was gazing intently across the hay at them, while +apparently the rest of the beautiful scene was lost on him. So intent +was his gaze at the rocks--on the summit of which was the Jerbourg +fortress--that he did not observe the presence of two persons who were +coming slowly towards him. Evidently they had not remarked him either, +which was not so much to be wondered at as they were no other than +Marguerite and Charlie! + +Suddenly Jacques' attention was drawn to them by a merry laugh from +Marguerite. On looking round and seeing who were there he ground his +teeth in jealous rage and muttered to himself. "Ha! now I may discover +something," and going a few steps round the corner, he turned himself +into some bushes that overhung the path and bent down his head, prepared +to listen to the conversation of the pair coming along. Ah! Marguerite; +Ah, Charlie! how careful you would be did you know of the presence of +that dark-faced Jacques with his evil designs. + +Unconsciously Jacques had placed himself in an excellent position to +hear and see all that was going on, as immediately beneath the bushes in +which he had hidden himself there was a large block of granite on which +the lovers sat down to await Hirzel, who was coming up from the bay. +Little they knew what power they were putting in the hands of one who +would not scruple to use it to the utmost. + +"So your father is still against me, Marguerite?" + +"Yes, Charlie; and that dreadful Jacques is persecuting me as much as +ever with his impertinent attentions. Only this evening he brought me +some bobbins which I told him he might take elsewhere." + +"That reminds me I have brought with me those I have been making; +perhaps, though, you prefer those made by our dark friend, eh! +Marguerite?" + +"Don't jest about him, Charlie; it frightens me even to think of him. I +am sure he would work you a mischief if he could." + +"Ah! Marguerite, don't alarm yourself. The worst mischief he can work is +to bring a shade on your sweet face. All this evening I have noticed a +troubled look in those grey eyes of yours, which must be banished ere I +see you again. You surely do not think I am frightened at what such a +fellow as that can do! But what have I done with the bobbins? I hope I +have not dropped them. Ah! well! I suppose I did not bring them with me +after all, but I promise you shall have them two nights hence." + +"No, Charlie, you must not come near here again for some time, as I am +certain there is danger, and I would far rather wait to see you until +you can come with safety. I feel there is something wrong going on +between my father and Jacques." + +"Nonsense, Marguerite; you really must not have these idle fancies. I +shall come over in the evening after dark. You come up this path, and +show the light of a lantern three times if all is well. Then I will +start from our barracks, and come as quickly round the cliffs as I can. +You return to the mill, and go to the granary; I will climb up the mill +wheel. If I remember rightly, the granary window is just over the wheel. +Then I shall be able to speak to you for a few minutes, and bring the +precious little bobbins." + +"Halloo! Charlie, where are you, and what have you done with my sister?" + +"Oh! there is Hirzel. How he frightened me," exclaimed Marguerite, who +evidently feared everything to-night. + +"She is all right, old fellow. Come along, you are just in time to take +her home; I must be off, or black hole for me." + +Hirzel now appeared from the midst of the ferns and gorse, and came up +on the path and joined his sister and Charlie. + +"The fish won't bite to-night, somehow; _they_ are not so easily caught +by a dazzling bait as some other things I could mention. Ha! Marguerite, +you seem to take it to yourself. Well, perhaps I mean you, and perhaps I +don't; but come along, Father will think you are lost." + +Hirzel said "Good night" to Charlie, and moved off discreetly, leaving +his sister to follow. + +"Don't forget Wednesday night, Marguerite; I shall look for your signal +about eight, and if all's well, I'll be round by nine. I will get leave +to stay out later than usual that night." + +"Well, Charlie, I won't prevent your coming this once, but my heart +sadly misgives me. I hope nothing will happen to you." + +"Don't be foolish, Marguerite, but run away after your brother; he is +looking impatient, and you know this is nicer for me than for him! He is +a brave good lad, worthy of having such a sister as he has. Good bye +till Wednesday. Mind, don't forget the signal. Good night, Hirzel." + +"Well! time you said it old fellow," shouted Hirzel, "I have knocked +about all the stones in the neighbourhood with my stick, so was +beginning to be at a loss for employment. Come quickly. Marguerite." + +On the way home Marguerite told her brother how Charlie was to come and +see her on Wednesday, and they arranged that Hirzel should stop about +the house so fearful of some violence occurring was Marguerite. + + + + +CHAPTER IV. + + +When Hirzel and his sister were out of sight, Jacques got down from his +hiding place and walked after them with the intention of telling old +Pierre what he had heard, and also to reveal to him a plan which had +suggested itself to his evil mind for destroying the young soldier when +he came to visit Marguerite on the following Wednesday evening. Jacques +changed his mind about going in when he came near the mill. He saw +through the open door Pierre talking with his children; he thought he +should not be able to see the old man alone that night, and besides, he +had a feeling which kept him back from entering Marguerite's presence +when he was plotting against her happiness in such a deadly manner. So +Gaultier turned his steps homeward, revolving in his mind the plan he +had laid out which was briefly this. The mill wheel was secured by a +rope which passed round the corner of the house and into a room behind +the granary, where it was fastened to a rafter. Now Gaultier thought +that when Charlie was standing on the wheel, if he could get old Pierre +to unfasten the rope, the sudden starting round of the wheel would +precipiate Charlie into the stream below, where he must inevitably be +dashed to pieces. Well thought of, Jacques Gaultier; but it is a pity +thy ingenuity had not been turned to better account! + +Jacques spent a most restless night, for the awfulness of the crime +which he was meditating presented itself unceasingly to his mind; but, +on the other hand, he pictured to himself Marguerite Charlie's wife, +therefore lost to him. Not only did he hate Charlie on this score, but +political feeling, as well as the frank pleasant manner of the young +soldier, assisted in making Jacques look hardly on him. He could'nt but +remark the different manner in which he was treated. People rather +avoided than courted the society of "Dark Jacques Gaultier," as he was +called by the boys round his neighbourhood, with the disagreeable +honesty of "small boy" youth. + +Jacques was one of those unhappy beings who live with their blinds down +and windows shut, morally speaking; and yet who wonder that they don't +get the bright light and pure air into their minds, which cause some of +their brethren to be such refreshing bits in the way through life. One +of these was Charlie: he went happily through life, carrying sunshine +with him wherever he went: he felt sorry for Jacques, and would +willingly have been friends with him, but in their relative positions +this was impossible. All his overtures were received with decided +rudeness on the part of Jacques, when they received any notice at all, +so Charlie gave up, and took the situation as inevitable. When morning +came Jacques rose very early and went down to the mill. He judged the +early morning to be the best time to see the old man by himself. In this +he was correct, for when he got there he found Pierre was the only one +down. He was standing in the little garden in the front of the house. +After they had exchanged the customary greetings of the place, the old +miller asked Jacques "what had brought him out so early." + +The latter told him all he had overheard the preceding evening, and then +he unfolded his plan, for Charlie's destruction, but tried to impress on +the old man that he had better loosen the rope himself. + +This Pierre would not listen to; said his courage might fail him; then +pleaded his age, failing strength, and many other things; finally, he +said, he would not do it, adding, "One would think I wanted the girl for +my wife; no, do thy own business unless thou art very anxious to give +Marguerite to this fine soldier. I warrant me that will be the end of +it." + +"Father Pierre, thou well know'st I would sooner die a thousand times +than _he_ should have her, so I will do the thing myself; but how shall +I give reason for my presence here? Marguerite, for days, even weeks +past, has been looking at me with suspicion in her eyes, as though she +divined my thoughts towards that lover of hers?" + +"Leave all to me. Can I not have whom I like in my own house? I see +that though thou may'st not dread other things, thou art well +frightened at a woman's looks. Well, well, there's something in that, +too." + +"Yes, Father Pierre, there is; much sometimes." + +"But leave looks to mind themselves now, and I will show you what to do, +and where to go. You can well be in the room behind the granary, as one +or two of the rafters need mending. Let Marguerite see you leave your +work and start for home; then when she goes to show her light say 'All +is well,' thou can'st come back and be ready for the bird with his +bright plumage. Ha! he would go elsewhere and pipe his song, did he know +the manner in which we are preparing his perch!" + +"That is all well; the popinjay can't escape us now." + +"Come in, Jacques, and have some breakfast with us; I think I hear +Marguerite busy at it now." + +"Marguerite will not have a welcome for me, I know; but as she is to be +my wife, she may as well get used to my presence now." + +When they entered Marguerite turned round wondering who could be with +her Father at such an early hour. On seeing who it was, her face +clouded, and she immediately experienced that same feeling of fear come +over her as she always had of late when she saw her Father and Jacques +Gaultier together. She said "good morning" to them, and then resumed the +preparation for the morning meal. Jacques' dark eyes followed her all +about the room; doubtless he was thinking of the time when she would be +performing the same duties under his roof, while she--Well, we will not +penetrate into her thoughts; no doubt she would prefer keeping them to +herself, so we will let her, in the certainty that the train of thought +was very different to that of Jacques Gaultier. + +Hirzel now appeared, announcing that he was ready to eat up all, his +sister included. Breakfast being ready, they all drew their chairs near +the table, Marguerite begging Hirzel to come and sit near her, as she +wanted to speak to him. The boy saw that she wished to keep Gaultier +off, and with his usual teasing way, he made signs behind that worthy's +back to the effect that his sister ought to ask him to sit by her. +However, when Hirzel saw that his sister looked really troubled, he came +immediately like a good brother and did what his sister wished. All this +was not lost on that wretched Jacques, who between present +circumstances, and his own thoughts of what must come before he gained +Marguerite, had by no means an enviable position. + +During the repast Pierre informed Hirzel that on the afternoon of the +following day he had a particular message to send him on, as it was one +some way off, he might take the cart or ride if he preferred it. + +"Very well, Father, I'll go for you; riding is best if I have nothing +to carry." + +"And thou, Jacques," said old Pierre, "will come after thy fishing is +past and mend the rafters I told thee of in the room behind the +granary." "But Father," said Hirzel, "why not let me do that work for +you? I would like to, and ride for this message the day after." + +Hirzel said this, because he remembered his sister's arrangement with +Charlie, and he knew that she particularly wished him to be at home, +especially now that there was some chance of Jacques being about. + +"Thou would'st like to work indoors? Why what has come to thee Hirzel?" + +"You had better do what Father wishes Hirzel," said Marguerite. She saw +her brother was troubled as to what was best to be done; also, she was +very much afraid lest he should say something to betray matters. So she +thought she would settle it quietly, especially when she remembered that +Charlie would not come until she had shown the light, which she firmly +resolved should not be shown until Jacques was well out of the place. + +Breakfast being over, Jacques took his leave, and the others dispersed +to their various occupations--each of the four with very different +thoughts and hopes as to what the morrow might bring forth, but at +present, like all the rest of mankind, their first business was to get +through "to-day" as well as they could. + + + + +CHAPTER V. + + +The morning following the events recorded in the last chapter was +ushered in with bright sunshine, and everything pleasant, so far as +outward appearances went, in and out of the mill, though some hearts +were restless or uneasy as to how it would be when the sun rose to run +his accustomed course the next morning. Charlie was perhaps the happiest +of all those whose fortunes we are now following. He had but slight +clouds to dim his horizon; at least his horizon as seen by his own +eyes. He went cheerfully and gladly through his duties that morning, and +never did he more fully merit the name of "Happy Charlie" bestowed on +him by his comrades in the gallant 22nd than he did on the morning in +question. The truth was he was beginning to tire of old Pierre Moullin's +determined refusal to have anything to say to him in the character of +son-in-law. He had made up his mind (and being of a hopeful nature, +considered more than half the battle was fought in consequence), that +come what might, he would prevail on Marguerite to marry him at once, +and trust to gain her Father's forgiveness when the deed was done beyond +recall. And so our friend Charlie whistled and sang through this day, +building all sorts of pleasant castles about his future life, little +thinking what a train was being laid, to which, if the match were +applied, he and his castles would be blown up in a more sanguinary, if +not more decisive manner, than these airy fabrications generally have to +yield to! + +Hirzel had been detained on various pretexts by his Father; in +consequence he was rather late in starting for this important business +on which he was to be despatched. From the time he managed to get off, +it was not at all likely that he could be back before 10 o'clock. +Marguerite's heart quite misgave her when she heard this, but as time +moved on, and it came to half-past 7, she was re-assured to find that +Jacques Gaultier was putting away his tools, and finally left the house, +saying that he had "work for himself at home, but would return the +following morning to finish repairing those rafters that had so suddenly +got out of repair." + +Matters seemed better still when her Father said he did not feel at all +himself that night, and that he thought he would go off to bed. +Marguerite wished him "Good night;" and at 8 o'clock found herself alone +and mistress of her own actions. She might now have brought Charlie into +the house, but that she remembered her Father's prohibition of such a +thing; and at least she thought it best and fittest to leave him master +in his own house, at the same time reserving to herself liberty to +control her own actions. This was fair enough. + +At about 8 o'clock, as agreed on, Marguerite took her little lantern, +and going round the path to where they had been standing two evenings +before, she flashed the light three times trusting that Charlie would be +able to see it. Meanwhile Jacques had come out from one of the mill +sheds, where he had been concealed, and went quickly up to the room +behind the granary, only pausing on his way to tell old Pierre that he +was there. + +We will leave him waiting for his prey, with a dark sardonic smile on +his ill-favoured countenance, and return to Marguerite, who is waiting +in the granary for her lover, confident that "all is well," and having +no thoughts but pleasant ones concerning the coming meeting. Even the +remembrance of Hirzel's absence brings no disquietude with it. Her +thoughts shape themselves into a blessing when her brother's bright +manly face comes before her, and then she bends all her attention to +listen for Charlie's approach. + +She had been waiting for rather more than an hour, when she heard her +name called softly; then up Charlie scrambled, and when standing on the +wheel his head comes just half way up the window. + +"Well, here I am, Marguerite; I hope you were not alarmed at the time I +have taken, but I was on duty when I saw your signal, and it was some +little time before I could get away." + +"I was getting a little anxious, Charlie, but 'all is well' now that you +have come." + +"Ah, that is right! but how are you to-night, little woman--all the +fancies fled?" + +"Almost Charlie, but still not quite; you will think me very foolish, I +know, but everything was so beautifully arranged for my seeing you +easily to-night that I can't help thinking that some one else has been +arranging too for some purpose of his own." + +"Come, come, you little croaker, try and put such thoughts out of your +pretty head, and remember I 'deserve the fair' after having been so +'brave' as to mount this rickety wheel, but I wish you would take this +parcel from me; the bobbins are in it, which I have perilled my life to +bring! I hope you see my devotion clearly, eh?" + +"I do, indeed, Charlie, and now I shall work all the better and be more +in earnest; I don't mean you to have all the work on your shoulders when +we marry; I know I shall be able to get sale for my lace amongst the +beautiful ladies you tell me of in England." + +"Ah, Marguerite, that is just what I wanted to speak to you about; I +suppose your Father still wishes you to marry that rascal Gaultier? By +the way, I believe he or some one very like him was sneaking round the +cliffs on Monday night. After I left you, I fancied I saw him; it might +be _only_ fancy. Did you see anything of him? + +"I wish--." + + * * * * * + +Alas! poor Charlie! Will you speak again to finish that sentence and +tell what you wish? For suddenly the mill wheel has turned round with a +tremendous crash, and the brave young soldier has been hurled down! And +Marguerite, what of her? With one agonized cry she rushed to the door +intending to run outside to see if anything could be done for Charlie, +when she came face to face with Jacques Gaultier! In an instant it all +flashed on her that he must have wrought this terrible work, and, +overcome by grief and horror, she sank down in a deadly faint. Bad man +as he was, Jacques was really overcome at the consequences of his act, +for he thought he had also killed Marguerite. He called loudly to her +Father, who came up hurriedly. He was also seriously alarmed when his +gaze rested on his child lying like one dead on the floor. Between them +they carried her downstairs and laid her on her bed. They applied such +restoratives as suggested themselves, but as everything was for sometime +quite unavailing, a more miserable pair it would have been difficult to +discover. + +Hirzel now came in. He was running upstairs to the granary when his +Father called him in to see if he could do anything for his poor sister. + +"A pretty night's work this," he said, when he came into the room and +saw his sister lying there. + +At this moment she opened her eyes, and he went close to her and raised +her in his arms. With an expression of deep thankfulness, Marguerite's +first words were to send that murderer, Jacques Gaultier, away out of +her sight. Hirzel ordered him to leave the room, with more fierceness in +his tone than anyone had heard there before. + +"Oh! Hirzel, what shall I do without Charlie? Stay with me, only you, +and I will tell you all." + +Hearing this her Father left the room, and Hirzel bent down and +whispered to her--- + +"Charlie is alive and well. He told me to tell you this himself." + +"Oh! Hirzel, you are deceiving me. How could he be alive after such a +dreadful fall? It was terrible." + +Here Marguerite's fortitude gave way, and she indulged in a flood of +tears, while Hirzel looked at her with the masculine helplessness usual +on such occasions, and indeed it seemed to cost the fine tender-hearted +fellow an effort to keep from joining in them too. At last he said, +"Well Marguerite, if you don't stop, I'll go off, and tell Charlie you +only cried after you heard he was alive and well." + +"Ah! Hirzel, is that not the way with our sex. Sometimes, to cry over +the best and happiest times while the worst is bravely borne?" + +Hirzel then told Marguerite how he had met Charlie just outside at the +foot of the lane, considerably bruised and knocked about, though without +any internal injuries. How he escaped was nothing short of a miracle, +one of those things which occasionally happen, perhaps, to show what +can be done when there is the will to do it. + +There was an iron loop which projected about a foot from the walls, this +Charlie made a spring at after the manner of a gymnast; he caught it, +and although it came away in his grasp, yet it broke his fall, and what +was of more importance, changed the direction of his course to the +brickwork alongside the wheel, instead of the water under it. Once on +the brickwork he jumped down into the garden, and went out into the +lane, where he met Hirzel. + +Charlie did not for a moment suspect that there was anything but pure +accident in what had happened, and as he met Hirzel just at that moment +he judged it wisest not to return near the house in case he should get +Marguerite into trouble; but after telling Hirzel to assure his sister +that he was safe, he set off to the fortress, little thinking he was +supposed to be lying dead at the foot of the Moulin Huet cliffs, carried +there by the mill stream. + +Marguerite now told to her brother, her suspicions of how all had +happened. He wished to go immediately and tax Jacques with the crime; +but, in deference to his sister's wishes, remained where he was. The +noise of the mill wheel turning round suddenly ceased, and on Hirzel's +going up to ascertain the cause, he found his Father tying up the rope +in the room behind the granary. This rope passed out of a small round +hole in the wall of this room, and round the corner of the house where +it was attached to the wheel. The window through which Charlie and +Marguerite had been talking was rather a large one, but had some iron +bars across which had prevented Marguerite leaning out to see what had +become of Charlie. This perhaps was as well, for at best his descent +would have been extremely trying to look at. + +The next morning did not bring Jacques to finish his work, but in the +evening he appeared, after vainly trying to induce Marguerite to speak +to him, which naturally she was very loath to do, went and commenced his +work, which he went steadily on with, though he was very much fatigued +by having no rest the preceding night, and now had been out fishing all +day. He sat down to rest for a few minutes when he fell asleep. After +dark old Pierre came round to lock all the doors, as was his nightly +custom. Looking in and not seeing Jacques he supposed he had gone and +locked that door also. Pierre then went to rest himself, and all were +buried in slumber, with the exception of Hirzel, who had gone over to +Jerbourg to acquaint Charlie with all that had happened. About 9 +o'clock, as Charlie and Hirzel were coming out of the barracks, they saw +flames rising in the direction of the mill. It was but the work of a +moment for Charlie to run back and get leave for some of his comrades to +come with him, and off they set for the mill. On arriving there they +found their surmises correct: both house and mill were enveloped in +flames. Marguerite and her Father were safely out, but the latter was in +a dreadful state of misery at seeing all his property go like this. +Charlie went up to him after he had spoken to Marguerite, and said he +would try and save the wheel for future murders. Seeing Charlie, whom he +fully thought to be dead, and hearing these words, the old man shrank +back with horror. He fell on his knees and begged Charlie to forgive +him, adding that it was not he who had done it, but Jacques. Charlie +raised the old man, saying all should be forgiven and forgotten on one +condition. That condition we need hardly state was permission to marry +Marguerite without further trouble. Until Pierre had said so Charlie, +had no idea that he knew any thing of his intended destruction. It +saddened him very much and made him very sorry for the old man; however, +he had other things to think of, so he set all the other soldiers to +hand up water from the mill stream, which was now running for some +little time. Suddenly a shout from one of the soldiers called Charlie's +attention, and on going to see what it was, he found him dragging a body +out of the mill stream. With some difficulty he recognized Jacques +Gaultier, as it was rather dark just there. Jacques revived a little, +and told Charlie how on waking he had found the room full of smoke, and +finding the door locked he broke it down, but the door of the granary +resisted all his efforts, so he put all his strength towards tearing the +bars from the window. He succeeded in this and got out on the wheel, but +directly he tried to get down the rope--which doubtless had been much +charred by the flames--gave way, and down he went. He had seen from the +window, Charlie and his comrades coming, and this endued him with +further strength, but all to no purpose. He implored Charlie's +forgiveness, and turning over with a groan he died. + +Little now remains to be told. Owing to the exertions of the soldiers +some of the machinery was saved, but the old man never made any use of +it; he had too great a horror of anything like a mill after his past +experiences. Charlie and Marguerite were soon married. They lived at +Castle Cornet for some time, and after the restoration went with the +Regiment to England, where Marguerite could display her loyalty +undisturbed. Hirzel remained heart-whole to the last we hear of him, and +after his Father's death went and lived with his sister in England, to +see for himself some of the wonders which Charlie had described to him +in his own little Island home. + + + +***END OF THE PROJECT GUTENBERG EBOOK LEGEND OF MOULIN HUET*** + + +******* This file should be named 14118.txt or 14118.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/dirs/1/4/1/1/14118 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.gutenberg.org/fundraising/pglaf. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://www.gutenberg.org/about/contact + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://www.gutenberg.org/fundraising/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: +https://www.gutenberg.org/fundraising/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + diff --git a/old/14118.zip b/old/14118.zip Binary files differnew file mode 100644 index 0000000..46ad042 --- /dev/null +++ b/old/14118.zip |
