summaryrefslogtreecommitdiff
path: root/old/14074.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/14074.txt')
-rw-r--r--old/14074.txt1619
1 files changed, 1619 insertions, 0 deletions
diff --git a/old/14074.txt b/old/14074.txt
new file mode 100644
index 0000000..9f0c14f
--- /dev/null
+++ b/old/14074.txt
@@ -0,0 +1,1619 @@
+The Project Gutenberg EBook of Punch, Or The London Charivari, Vol. 101,
+November 14th, 1891, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, Or The London Charivari, Vol. 101, November 14th, 1891
+
+Author: Various
+
+Release Date: November 17, 2004 [EBook #14074]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+
+
+
+Produced by Malcolm Farmer, and the PG Online Distributed Proofreading
+Team.
+
+
+
+
+
+
+PUNCH, OR THE LONDON CHARIVARI.
+
+VOL. 101.
+
+
+
+November 14th, 1891.
+
+
+
+
+LETTERS TO ABSTRACTIONS.
+
+No. VI.--TO VANITY.
+
+
+DEAR VANITY,
+
+I think I can see you smirking and posturing before the abstract mirror,
+which is your constant companion. It pleases you, no doubt, to think that
+anybody should pay you the compliment of making you the object and the
+subject of a whole letter. Perhaps when you have read it to the end you
+will alter your mood, since it cannot please you to listen to the truth
+about yourself. None of those whom you infect here below ever did like it.
+Sometimes, to be sure, it had to be endured with many grimaces, but it was
+extraordinary to note how the clouds caused by the aggravated truth-teller
+passed away as soon as his departure had enabled the object of these
+reproaches to recover his or her false self again. What boots it, after
+all, to tell the truth? For those whom you protect are clad in armour,
+which is proof against the sharpest lance, and they can thus bid defiance
+to all the clumsy attacks of the merely honest and downright--for a time;
+but in the end their punishment comes, not always in the manner that their
+friends predict, but none the less inevitable in one manner or another. For
+they all fashion a ridiculous monster out of affectations, strivings and
+falsehoods, and label it "Myself;" and in the end the monster takes breath,
+and lives and crushes his despised maker, and immediately vanishes into
+space.
+
+Permit me to proceed in my usual way, and to offer you an example or two.
+And I begin with HERMIONE MAYBLOOM. HERMIONE was one of a large family of
+delightful daughters. Their father was the well-known Dr. MAYBLOOM, who was
+Dean of Archester Cathedral. His massive and convincing volumes on _The
+Fauna and Flora of the Mosaic Books in their Relation to Modern Botanical
+Investigation_, must be within your recollection. It was followed, you
+remember, by _The Dean's Duty_, which, being published at a time when there
+was, so to speak, a boom in religious novels, was ordered by many readers
+under the impression that it was likely to upset their mature religious
+convictions by its assaults on orthodoxy. Their disappointment when two
+stout tomes, dealing historically with the _status_ and duties of Deans,
+were delivered to them, was the theme of cheerful comment amongst the
+light-hearted members of the Dean's own family.
+
+[Illustration]
+
+Was there ever in this world so delightful a family circle as that of the
+Deanery? The daughters were all pretty, but that was their smallest merit.
+They were all clever, and well-read, without a tinge of the bluestocking,
+and most of them were musical to the tips of their slender fingers. How
+merrily their laughter used to ring across the ancient close, and how
+playfully and gently they used to rally the dear learned old Dean who had
+watched over them and cared for them since Mrs. MAYBLOOM'S death, many
+years before, with all the tender care of the most devoted mother. And of
+this fair and smiling throng, "my only rosary," as the Dean used to call
+them, HERMIONE was, I think, the prettiest, as she was certainly the most
+accomplished. Every kind of gift had been showered upon her by Nature. When
+she played her violin, accompanied by her elder sister on the piano, tears
+trickled unbidden down the aquiline nose of the militant Bishop of
+Archester, the chapter stood hushed to a man, and the surrounding curates
+were only prevented by a salutary fear of ruining their chances of
+preferment from laying themselves, their pittances, and their garnered
+store of slippers at her pretty feet. Then in a fit of charming petulance,
+she would break off in the middle of the piece, lay down her violin, and,
+with a pretty imperiousness, command a younger sister to fetch her zither,
+on which to complete the subjugation of her adorers. And then her
+caricatures--summer-lightning flashes of pencilled wit, as I heard the
+Reverend SIMEON COPE describe them in a moment of enthusiasm after she had
+shown us her sketch of his rival, the Reverend STEPHEN HANKINSON.
+
+But even in those days, while she still had about her all the fascinations
+of peerless beauty and fresh and glowing youth, I mistrusted her. Alone of
+all the sisters she seemed to me to be wanting in heart. I heard her
+several times attempt to snub her father, and once I noted how she spent a
+whole evening in moody silence, and refused to play a note, for no other
+reason that I could see except that Captain ARBLAST, of the 30th Lancers,
+the dashing first-born of the Bishop, who happened to be spending a few
+days of his long leave in Archester, devoted himself with all the assiduity
+of his military nature to twirling his heavy moustache in the immediate
+neighbourhood of SOPHY MAYBLOOM, and not in that of HERMIONE. Indeed, I
+have reason to know that, after the guests had departed, poor SOPHY had to
+endure from her sister a dreadful scene, the harsh details of which have
+not yet faded from her memory. And then I remembered, too, how it was a
+matter of family chaff against HERMIONE that once, not very long after she
+had entered upon her teens, she had sobbed convulsively through a whole
+night, because she had discovered that her juvenile arms were thin and
+mottled, and she imagined that she would never be able to wear a low dress,
+or shine in Society.
+
+Such, then, was the beautiful HERMIONE, who for some years rode rough-shod
+over the hearts of all the males in Archester. Space fails me to enumerate
+all her engagements. She broke them one after another without a thought,
+and cast her admirers away as if they had been dresses of last year's
+fashion. Most of them, it must be said, recovered quickly enough, but the
+miserable COPE became a hopeless hypochondriac, and never smiled again. He
+died the other day, and HERMIONE's sketch of HANKINSON was found, frayed
+and soiled, in an ancient pocket-book which he always carried about with
+him. HANKINSON'S fate seemed at first to be worse. He took to poetry,
+morbid, passionate, yearning, unhealthy poetry, of the skimmed SWINBURNE
+variety, and for a time was gloomy enough. Having, however, engaged in a
+paper conflict with one of his critics, he forgot his sorrows, and though
+he still declares an overwhelming desire for death and oblivion about six
+times a year, in various magazines, he seemed, when I last saw him, fairly
+comfortable and happy. But, of course, he has never secured a vicarage.
+
+To return to HERMIONE. She at last married a certain Mr. PARDOE, a
+barrister practising on the Archester Circuit, and established herself in
+town. Shortly afterwards she became the rage. Her beauty, her wit, her
+music, her dinners, her diamonds, were spoken of with enthusiasm. All the
+elderly _roues_, whose leathery hearts had been offered up at hundreds of
+shrines, became her temporary slaves. She coaxed them, cajoled them, and
+fooled them, did this innocent daughter of a simple-minded Dean, to the top
+of their various bents. She schemed successfully against countless rivals,
+in order to maintain her pre-eminence in the admiration of her circle. Her
+ambition knew no bounds. She changed her so-called friends every week; she
+cultivated grand passions for actors, authors, musicians, and even for
+professors. Sometimes she played to select audiences with all her old
+ravishing skill, but this happened more and more rarely, until at last she
+utterly declined, and even went so far as to flout H.S.H. the Duke of
+KALBSKOPF, who had been specially invited to meet her.
+
+Then suddenly came the crash. She left her husband, in company with CHARLIE
+FITZHUBERT, the heir presumptive to the wealthy earldom of Battersea. On
+the following day Mr. PARDOE blew out his brains, leaving ten thousand
+pounds of debt and three young children. Six months afterwards the
+venerable Dean died, and sentimental people spoke of a broken heart. Then
+the Earl of BATTERSEA, in a fit of indignation, married, and was blessed
+with a son, the present Earl. CHARLIE FITZHUBERT married HERMIONE, but they
+are as poor as curates, and he hates her. I saw her two days ago in a
+shabby hired carriage. She is getting prematurely old, and grey, and
+wrinkled, and everybody avoids her, except her sister SOPHY, who still
+visits her, and suffers her ill-humour.
+
+Charming story, isn't it? I shall write again soon.
+
+Yours, in the meantime,
+DIOGENES ROBINSON.
+
+ * * * * *
+
+NIGHT-MAILING.--"Night Mail between London and Paris" has been recently
+announced in all the papers as now ready and willing to take night-mailers
+from Victoria, L.C. & D., to the French Capital. It is to be a Third-class
+Night Mail, though a Knight of the First Class can, of course, travel by it
+should he be so disposed. Thirty shillings through fare for "a single;" but
+as the tariff doesn't explicitly inform us whether the passenger will be
+asked the question, "Married or single?" and so be charged accordingly, we
+may presume that a margin is left for a little surprise. The train of Night
+Mails--a kind of gay bachelor train, no females being of the party--is to
+start at 8:15 P.M., and to be in Paris at 5:50 A.M.
+
+ * * * * *
+
+DRAWING THE BADGER.
+
+(_A Natural History Note_.)
+
+[Illustration]
+
+The Badger (_Meles-Taxus_) is at once one of the most inoffensive and (in
+one sense) offensive of our few remaining British Carnivora. He is
+described by NAPIER of Merchiston, in his _Book of Nature and of Man_, as a
+"quiet nocturnal beast, but if much 'badgered' becoming obstinate, and
+fighting to the last, in which it is a type of a large class of Britons,
+who like to be let alone, but when ill used can fight."
+
+That great new authority on Natural History, Mr. G.A. HENTY (author of
+_Those Other Animals_), should be able to tell us much about the Badger.
+Therewith he would be able, in his own favourite fashion, to "point a
+moral" (against the Demogorgon Democracy), and "adorn a tale" (of laboured
+waggery). He might find the subject as suggestive of sardonic chaff as
+American women and Republican institutions.
+
+What says the popular WOOD? He describes the Badger as "slow and clumsy in
+its actions," and as "rolling along so awkwardly that it may easily be
+mistaken for a young pig in the dusk of the evening." Woe, however, to
+whomsoever _does_ take the creature for "a young pig." "Being naturally as
+harmless an animal as can be imagined, it is a terrible antagonist when
+provoked to use the means of defence with which it is so well provided."
+
+ We tax the patience of poor _Meles-Taxus_,
+ Until he turns with tooth and claws and whacks us.
+ The natural home of _Taxus_--the Exchequer--
+ Harbours a creature that keeps up its pecker.
+
+"For the purpose of so-called 'sport,' the Badger used to be captured and
+put into a cage ready to be tormented; at the cruel will of every ruffian
+who might chose to risk his dog against the sharp teeth of the captive
+animal."
+
+This particular sort of "sport" is a little out of date. But "drawing a
+Badger" is not unknown even in these humanitarian days. Dogs will sometimes
+voluntarily rush in to risk their hides and muzzles against the aforesaid
+sharp teeth, &c. Look at those in the picture!
+
+The two small, if aggressive, terriers seem unequally matched against the
+"clumsy" but strong-jawed and terribly-toothed Badger. They have drawn him,
+indeed, out of his hole, and one of them, at least, seems rather sorry for
+it, if you may judge by the way in which he turns tail and makes for his
+protector, the big Bull-Terrier. The ventripotent broken-haired tyke looks
+more valorous--for the moment. Yap! yap! yap! _Meles-Taxus_ takes little
+notice of him, however. His eyes are on that sturdy specimen of _Canis
+familiaris_ there, whose bold eyes in turn are on _him_. Both, perhaps,
+experience--
+
+ That stern joy which warriors feel
+ In foemen worthy of their steel."
+
+"Drawn by those two tiny yelpers? Not a bit of it! But _you_, my complacent
+canine Colossus--come on if you dare!" And he _does_ dare, evidently.
+Whether he'll regret his daring remains to be seen.
+
+ * * * * *
+
+The Memory of Milton.
+
+ MILTON forgotten? Nay, my BESANT, nay;
+ Not wholly, even in this petty day,
+ When learning snips, when criticism snaps,
+ And the great bulk of readers feed on scraps.
+ Still, still he finds his "audience fit, though few,"
+ The rest _forget_ not since they never knew.
+
+ * * * * *
+
+The Off-Portsmouth Phrase-Book.
+
+Have you caught a fish?
+
+No, but I have bagged a cannon-ball.
+
+Is the sea too rough for your boat?
+
+No, the sea is not too rough, but the Torpedoes are decidedly embarrassing.
+
+Is that a pretty shell that you are going to carry home to your children?
+
+No, it is a live one, that, if it bursts a yard nearer, will blow us into
+smithereens.
+
+Do you propose returning to your lodging to-night?
+
+That is a matter that will be decided by the Commander of the nearest
+practising gun-boat.
+
+ * * * * *
+
+[Illustration: THE RESULT OF TOO MUCH GREEK.
+
+_First Classic_. "BY THE WAY, HADN'T DANTE GOT ANOTHER NAME?"
+
+_Second Classic_. "YES; ALFIERI, I THINK--OR ELSE ALIGHIERI."
+
+_First Classic_. "AH, PERHAPS YOU'RE RIGHT. I HAD A NOTION IT WAS GABRIEL
+ROSSETTI, OR SOMETHING!"]
+
+ * * * * *
+
+CUTTING REMARKS.
+
+[Illustration: Tied to Time.]
+
+Mr. HENRY AUTHOR JONES has taken a theatre wherein to play his own plays to
+his own taste. On the first night of _The Crusaders_ this taste was not
+exactly the taste of the audience. Mr. HENRY AUTHOR JONES seemed to object
+to be tied to time, and the result was the prompt appearance of that
+terrible conqueror of things terrestrial, General Boredom. Since the
+initial performance, it is reported that matters have gone on more
+smoothly. According to the "usual sources of information" the dramatist has
+been cheered on leaving his theatre, and heartily congratulated. On one
+occasion he actually supplemented his piece with a speech! Apparently he
+was under the impression that there could not be too much of a good
+thing--JONES for choice! It may be that since the first performance, there
+has been some curtailment made in the play. To judge from appearances it
+was a question of cutting--either the author the play, or the public the
+theatre!
+
+ * * * * *
+
+QUITE A NEW SPEC.--We have just received a prospectus of a Company entitled
+"_The Monarch Insurance Society_." Of course, all the Crowned Heads of
+Europe will be in it. We haven't yet read it, the title being sufficient
+for the present. _Ca donne a penser_. Will it provide New Monarchs for old
+ones? Will it give good sovereigns in exchange for bad ones? If so--where
+will the profit come in?
+
+ * * * * *
+
+FRENCH AS SHE IS "WRIT."
+
+The _Standard's_ own Vienna Correspondent, when reporting the unpleasant
+incident in the life of the Duc d'ORLEANS, told us how the Prince, on
+unwittingly "accepting service," said to the astute lawyer's clerk, "Mais,
+Monsieur, ce n'est pas le moment." To which the clerk replied, "also in
+French," says the _Standard_, "One time is as good as another." But why was
+not the lawyer's clerk's French as she is spoke given as well as that of M.
+le Duc? And how much more telling it would have been had M. le Duc been
+served well and faithfully by a clerk like _Perker's Mr. Lowten_, fresh,
+very fresh, from a carouse at the "Magpie and Stump," or even by one of
+_Messrs. Dodson and Fog's_ young men who enjoyed themselves so much when "a
+twigging" of the virtuous _Mr. Pickwick_.
+
+"Mais, Monsieur, ce n'est pas le moment," says the Duke, to which our _Mr.
+Lowten_ would have replied in Magpie-and-Stumping French, "Eggskewsy moy,
+Mossoo, le Dook, ung Tom is aussy bong qu'ung autre. Mossoo ler Dook ar
+maintenong peruse ler documong; voici le copy et voila two. Bonsoir, il
+faut que je l'accroche."
+
+Whereupon he would have "hooked it," as it appears this particular lawyer's
+clerk did, and was not seen again. No doubt he joined a circle of admiring
+friends in the legal neighbourhood (some Magpies-and-Stumps still exist),
+where, over a glass and a cigar, he recounted the merry tale of how he had
+served a Duke.
+
+ * * * * *
+
+The relation of Hypnotiser to the Hypnotised at the Aquarium may be simply
+described as "GERMANE to the subject.'
+
+ * * * * *
+
+SONG AND CHORUS FOR THE COUNTY COUNCIL ON NEXT DEBATE ON THE WATER
+SUPPLY--"Young BENN he was a nice young man."
+
+ * * * * *
+
+THE TRAVELLING COMPANIONS
+
+No. XIV.
+
+SCENE--_Gardens belonging to the Hotel du Parc, Lugano. Time, afternoon;
+the orchestra is tuning up in a kiosk._ CULCHARD _is seated on a bench in
+the shade, keeping an anxious eye upon the opposite door._
+
+_Culch._ (_to himself_). She said she had a headache, and made her father
+and VAN BOODELER go out on the lake without her. But she certainly gave me
+to understand that she might come out when the band played, if she felt
+better. The question is, whether she _means_ to feel better or not. She is
+the most tantalising girl! _I_ don't know what to make of her. Not a single
+reference, as yet, to that last talk we had at Bingen. I must see if I
+can't recall it to her memory--if she comes. I'll wait here, on the chance
+of it--we are not likely to be dis--. Confound it all--PODBURY! (_with
+suppressed irritation as_ PODBURY _comes up_). Well, do you _want_ anything
+in particular?
+
+_Podb._ (_cheerfully, as he sits down_). Only the pleasure of your society,
+old chap. How nicely you do put things!
+
+_Culch._ The--er--fact is, I can't promise to be a particularly lively
+companion just now.
+
+_Podb._ Not by way of a change? Ah, well, it's a pity--but I must put up
+with you as you are, I suppose. You see--(_with a grin_)--I've got that vow
+to work out.
+
+_Culch._ Possibly--but _I_ haven't. As I've already told you--I retire.
+
+_Podb._ Wobbled back to Miss TROTTER again, eh? Matter of taste, of course,
+but, for my part, I think your _first_ impression of her was nearer the
+truth--she's not what I call a highly cultivated sort of girl, y' know.
+
+_Culch._ You are naturally exacting on that point, but have the goodness to
+leave my first impressions alone, and--er--frankly, PODBURY, I see no
+necessity (_now_, at all events) to take that ridiculous--hum--penance
+_too_ literally. We are _travelling_ together, and I imagine that is enough
+for Miss PRENDERGAST.
+
+_Podb._ It's enough for _me_--especially when you make yourself so doosid
+amiable as this. You needn't alarm yourself--you won't have any more of my
+company than I can help; only I _must_ say, for two fellows who came out to
+do a tour _together_, it's-- [_Walks away, grumbling._
+
+_Later. The band has finished playing;_ Miss TROTTER _is on the bench with_
+CULCHARD.
+
+_Miss T._ And you mean to tell me you've never met anybody since you even
+cared to converse with?
+
+_Culch._ (_diplomatically_). Does that strike you as so very incredible?
+
+_Miss T._ Well, it strikes me as just a _little_ too thin. I judged you'd
+go away, and forget I ever existed.
+
+[Illustration: "Ah, how little you know me!"]
+
+_Culch._ (_with tender reproach_). How little you know me! I may not be
+an--er--demonstrative man, my--er--feelings are not easily roused, but,
+once roused, well--(_wounded_)--I think I may claim to possess an ordinary
+degree of constancy!
+
+_Miss T._ Well, I'm sure I _ought_ to feel it a vurry high compliment to
+have you going round grieving all this time on _my_ account.
+
+_Culch._ Grieving! Ah, if I could only _tell_ you what I went through!
+(_Decides, on reflection, that the less he says about this the better._)
+But all that is past. And now may I not expect a more definite answer to
+the question I asked at Bingen? Your reply then was--well, a little
+ambiguous.
+
+_Miss T._ I guess it's got to be just about as ambiguous now--there don't
+seem anything I _can_ say. There's times when I feel as if it might be sort
+of elevating and improving to have you shining around; and there's other
+times when I suspect that, if it went on for any considerable period,
+likely I'd weaken. I'm not just sure. And I can't ever make myself believe
+but what you're disapproving of me, inside of you, most all the time!
+
+_Culch._ Pray dismiss such--er--morbid misgivings, dear Miss TROTTER. Show
+that you do so by accepting me as your guide and companion through life!
+
+_Miss T._ My! but that sounds like a proposal?
+
+_Culch._ I intended it to bear that--er--construction. It _is_ a
+proposal--made after the fullest reflection.
+
+_Miss T._ I'm ever so obliged. But we don't fix things quite that way in my
+country. We want to feel pretty sure, first, we shann't get left. And it
+don't seem to me as if I'd had opportunities enough of studying your
+leading characteristics. I'll have to study them some more before I know
+whereabouts I am; and I want you to understand that I'm not going to commit
+myself to anything at present. That mayn't be sentiment, but I guess it's
+common-sense, anyway. And all _you_'ve got to do is, just to keep around,
+and kind of impress me with a conviction that you're the vurry brightest
+and best man in the entire universe, and I don't believe you'll find much
+difficulty about _that_. And now I guess we'll go into _table d'hote_--I'm
+just as _ravenous_!
+
+_Culch._ (_to himself, as he follows her_). Really, this is not much better
+than RUSKIN, after all. But I don't despair. That last remark was
+distinctly encouraging!
+
+SCENE--_A large Salle a Manger, decorated in the Pompeian style. Table
+d'hote has begun._ CULCHARD _is seated between_ Miss TROTTER _and a large
+and conversational stranger. Opposite are three empty chairs._
+
+_Culchard's Neighbour_. Then you're going on to Venice? Well, you take _my_
+advice. When you get there, you ask for tunny. Don't forget--_tunny_!
+
+_Culch._ (_who wants to talk to_ Miss T.) Tunny? Thank you. I--er--will
+certainly remember his name, if I require a guide.
+
+_His N._ A guide? No, no--tunny's a _fish_, Sir, a coarse red fish, with
+flesh like a raw beefsteak.
+
+_Culch._ Is that so? Then I will make a point of asking for it--if I want
+raw beefsteak. [_Attempts to turn to_ Miss T.
+
+_His N._ That's what _I_ did when I was at Venice. I sent for the Manager.
+He came. I said to him. "Look here, I'm an Englishman. My name's BELLERBY.
+(CULCHARD _bows in patient boredom._) I've heard of your Venetian tunny. I
+wish to taste it. _Bring_ me some!"
+
+_Culch._ (_crushingly_). A most excellent method of obtaining it, no doubt.
+(_To_ Waiter.) _Numero vingt-sept, demi bouteille de Chianti, et siphon!_
+
+_His N._ You don't wait till I've _done_, Sir! I _didn't_ obtain it--not at
+first. The man made excuses. I was prepared for _that_. I told him plainly,
+"I know what _you_'re thinking--it's a cheap fish, and you fancy I'm
+ordering it out of economy!"
+
+_Culch._ (_raising his eyebrows for_ Miss T.'s _benefit_). Of course, he
+naturally _would_ think so. And _that_ is how you got your tunny? I see.
+[Mr. BELLERBY _stares at him suspiciously, and decides to suppress the
+remainder of his tunny._
+
+_Miss T._ This hotel seems to be thinning some. We've three ghosts right in
+front of us this evening.
+
+_Culch._ (_turning with effusion_). So we have! My friend is one, and he'll
+be here presently, but I much prefer myself to see every seat occupied.
+There is something so depressing about a vacant chair, don't you think?
+
+_Miss T._ It's calculated to put one in mind of _Macbeth's_ little
+dinner-party, certainly. But you can cheer up, Mr. CULCHARD, here comes a
+couple of belated _Banquos._ My gracious; I _do_ like that girl's face--she
+has such a perfectly lovely expression, and looks real superior too!
+
+_Culch._ (_who has just dropped his glasses into his soup_). I--ah--which
+lady are you referring too? (_He cleans and adjusts his glasses--to
+discover that he is face to face with_ Miss HYPATIA PRENDERGAST.) Oh ...
+I--I see--precisely, quite so! (_He turns to_ BELLERBY _to cover his
+confusion and avoid meeting_ Miss PRENDERGAST'S _eye_.) I _beg_ your
+pardon, you were describing how you caught a tunny? Pray continue.
+
+_Mr. Bellerby_ (_stiffly_). Excuse me, I don't seem fortunate enough to
+have secured your undivided attention.
+
+_Culch._ (_with intense interest_). Quite the contrary, I assure you! You
+were saying you always ordered it out of economy?
+
+_Mr. B._ Pardon _me_--I was saying nothing of the sort. I was saying that I
+told the Manager I knew that was why he _thought_ I ordered it--a rather
+different thing! "You're quite wrong," I said. "You may pay
+twopence-halfpenny a pound for it, and charge me half-a-crown, if you like,
+but I mean to _taste_ that tunny!" I was determined not to be done out of
+my tunny, Sir!
+
+_Culch._ (_breathlessly_). And what did the tunny--I mean the Manager--say
+to _that_?
+
+_Mr. B._ Oh, made more difficulties--it wasn't to be got, and so on. At
+last I said to him (very quietly, but he saw I was in earnest), "Now I tell
+you what it _is_--I'm going to _have_ that tunny, and, if you refuse to
+give it me,--well, I shall just send my courier _out_ for it, that's all!"
+So, with, _that_, they brought me some--and anything more delicious I never
+tasted in all my life!
+
+_Culch._ (_to himself_). If I can only keep him on at this tunny!
+(_Aloud._) And--er--what _does_ it taste like exactly, now?
+
+_Mr. B._ (_pregnantly_), You _order_ it, Sir--_insist_ on having it. Then
+you'll _know_ what it tastes like! [_He devotes himself to his soup._
+
+_Culch._ (_with his eyes lowered--to himself_). I _must_ look up in another
+minute--and then! [_He shivers._
+
+ * * * * *
+
+"TYPICAL DEVELOPMENTS."
+
+One of our very occasional contributors, whose valuable time is mainly
+occupied by the composition of successful novels, sends us the following,
+written by his type-writer. From this specimen it will be gathered what a
+real economy in correcting letter-press a type-writer must be.
+
+[Illustration]
+
+ Dear Editor
+
+ I send you my new book to reed and if you likit pleaase give me a
+ legup. The story of my other book was anti-turkish but has not yet been
+ probited in Constanple though it has reachd its tetenth edition, at
+ least the ninth is neraly all shrubshcribed bedfore it isrereaddy. If
+ my pullisher is not sasfide oughtbe. Never use pen now only typwritr so
+ much quickerin tellgible convenent an leshble
+
+ Yours
+ S SMUGGYNS
+
+It strikes us that either the machine stammers, or that it was, at the time
+of writing, somewhat the worse for liquor, or that it is a very truthfully
+phonetic-writing but somewhat indiscreet amanuensis. At the same time
+herewith and hereby every success to our friend SMUGGYNS'S new book.
+
+ * * * * *
+
+HARD LINES FOR HIM.--When the first stone of a new theatre in Cranbourne
+Street was laid the other day by some Magnates of the Theatrical
+Profession--beg pardon, "_the_ Profession," we should have said--Mrs.
+BANCROFT made a telling impromptu speech, and then Mr. YARDLEY, ancient
+Cricketer and Modern Dramatist, was hit on the head--accidentally, of
+course--by the bottle which is in use on these occasions. "Very YARDLEY
+treated," observed Sir DRURIOLANUS, in his happiest vein. Not the first
+literary gent who, according to the ancient slang of the Tom-and-Jerry
+period, has been "cut" by ill-use of the bottle. But the unfortunate
+author's sorrows did not end with this sad blow, as, very soon afterwards,
+his dear friends the Critics, with profuse apologies for being compelled to
+handle him so severely, were down upon him for his new version of a French
+piece, entitled _The Planter_. So the logical sequence of events was, that
+first a blow was planted, and then appeared _The Planter_.
+
+ * * * * *
+
+ECCLESIASTICAL LAYMAN.--At a meeting in Rome, the "Duke di SERMONETA" took
+the chair. If ever there were a staunch Churchman, this by his name,
+rendered in English as "Sermon-devourer," should be he.
+
+ * * * * *
+
+OUR OWN FINANCIAL COLUMN.
+
+_Telegraphic Address_--"_Croesus, E.C._"
+
+[Illustration]
+
+Sir,--Let me first express my financial acknowledgments to the teeming
+millions who have honoured me, and benefited themselves by seeking my
+advice since my first letter appeared last week. Communications containing
+cheques, postal orders, and stamps, have poured in upon me in one unceasing
+torrent. The consignors have, in every case, been good enough to say that
+they handed all they possessed over to me, in the full confidence that I
+would invest the proceeds to the best advantage in some of the countless
+undertakings in which I wield a paramount influence. Their trust is fully
+deserved.
+
+Investors will remember that, in the course of the last German Expedition
+to Central Africa, a tract of country, rich in every mineral deposit, and
+admirably fitted for the operations of husbandry, was discovered in lat.
+42 deg., long. 65 deg.. The Germans at that time had not a single handkerchief
+left, and were unable, therefore to hoist the German flag over the palace
+of the native king, GUL-GULL. Private information of this was conveyed to
+me. I at once fitted out an Expedition _at my own expense_, placed myself
+at the head of it, and after terrible hardships, in the course of which no
+less than two hundred of my comrades either succumbed outright to the bite
+of the poisonous _contango_ fly, or had to be mercifully dispatched by the
+hammer (a painless native form of death), in order to end their tortures, I
+succeeded in reaching the capital, where I was hospitably received by the
+king. After a negotiation of three weeks, His Majesty agreed, in the
+kindest and most affable manner, to concede to me his whole country
+together with all its revenues, minerals, royalties, timber, water-power,
+lakes, farm-houses, stock and manor-houses, the whole beautifully situated
+in the heart of a first-class sporting country, within easy reach of ten
+packs of hounds; the old residential palace replete with every modern
+comfort, and admirably adapted for the purposes of a gentleman desiring to
+set up in the business of kingship. It matters not what I had to pay for
+this. The secret is my own, and shall go to Westminster Abbey with me. The
+point is, that with the funds entrusted to me, I have formed the
+Cent-per-Central African Exploration and Investment Syndicate, and have
+allotted shares to all those whose contributions have come to hand. As to
+profit, I have calculated it on the strictest actuarial principles, and
+find it cannot be less than L100 for every L100 invested. This may seem
+small, but in these matters moderation is the soul of business. I shall
+have more to say on this subject next week.
+
+_Answers to Correspondents_.
+
+DISMAL JEMMY.--Why do you suggest that the motto of my new company should
+be, "_Stealer et fraudax_"? Is it a Latin joke? If so, don't write to me
+any more. Those who deal with _me_ must be British to the backbone.
+
+ANXIOUS.--You can't do better than send me those L50,000. I guarantee
+secrecy and quick returns. The Eyeoyu Land Trust is best for your purposes
+(Pref. deb. 492; stk. 18. 2. 3). Send money at once to CROESUS, E.C. Delay
+might be fatal.
+
+CAPITALIST.--No doubt, as you say, Consols are Consols; but take my advice
+and don't give GOSCHEN your money. Why not try the _United Bladder Mortgage
+Company_? Bladders are bound to go up. They were floated at 10 and are now
+at 96. _Verb. sap._ No; L20,000 would not be too much.
+
+"POTTER."--Something good may he done in Land Rails, if you can get near
+enough. Have a shot at them by all means.
+
+"PRACTICAL JOKER."--Quite right. Sell them.
+
+"ANXIOUS INQUIRER" wishes to be informed what is the difference between
+Preferred and Deferred. If he will tell us how much he expects to receive
+in each case, the mere calculation of the difference will be an easy
+matter; but to receive it is quite another affair. If he wishes to know the
+"distinction" between these two classes of "securities," it may be summed
+up in the answer to the question, "Will you have it now, or wait till you
+get it?"
+
+"A PUZZLED ONE."--Sell everything.
+
+"MEET ME BY MIDNIGHT."--Yes. A Loan.
+
+"LAMBKIN."--Part with No. 2, &c., but take care of No. 1.
+
+"INSIDER."--Get out.
+
+"TOTTIE TOTTS."--Here for private consultation from 5 to 7 P.M.
+
+"RICHARD."--_Buy_ Bizzy B's, _Sell_ Early P's, and Spoiled Fives. _Buy_
+Jingoes.
+
+"BRUNO."--"Bear" your burdens.
+
+"ADA WITH THE GOLDENHAIR."--Send photo at once. Cannot advise until we know
+your figure.
+
+ "CROESUS,
+ E.C."
+
+ * * * * *
+
+[Illustration: CONSCIENTIOUSNESS.
+
+_Miss Fitzogre_. "WELL, GOOD-BYE, PERCIVAL, AND BE A GOOD BOY!"
+
+_Percival (a very good boy, who has just been specially warned not to make
+personal remarks about People in their presence_). "GOOD-BYE. I'LL NOT TELL
+NURSE WHAT I THINK OF YOUR NOSE TILL YOU'RE GONE!"]
+
+ * * * * *
+
+A JUBILEE GREETING!
+
+(_Set to a Song from Sir Walter Scott._)
+
+NOVEMBER 9, 1891.
+
+_Mr. Punch (for self and everybody) loquitur_:--
+
+ My Prince, 'tis for our coming King
+ We all lift glass in hand;
+ For him that loud hurrahs do ring
+ To-day all round the land,
+ My Prince,
+ All round a loyal land!
+
+ Let sycophantish slave kotoo;
+ You love not such display;
+ Let courtiers cringe and creatures "boo."
+ 'Tis not our English way,
+ My Prince,
+ 'Tis not our English way.
+
+ As FLORA to Prince CHARLIE bent
+ It is no shame to bow;
+ And you're a man to be content
+ With man's respect, I trow,
+ My Prince,
+ With man's respect, I trow.
+
+ For Fifty Years we've known you, Sir,
+ And liked you. Love is free!
+ That's why the land is all astir,
+ To hail your Jubilee,
+ My Prince,
+ To hail your Jubilee.
+
+ In Forty-Six _Punch_ pictured you,
+ "A Sailor every inch,"[A]
+ Toasting "Mamma!" in a stiff brew
+ Without a sign of flinch,
+ My Prince,
+ Without one sign of flinch.
+
+ In Seventy-One he stood beside
+ Your door in sad "Suspense."[B]
+ We saw the turn in that dark tide
+ With thankfulness intense,
+ My Prince,
+ With gratitude intense.
+
+ From stage to stage your course he's marked
+ Abroad as eke at home;
+ Where'er you've travelled, toiled, skylarked;
+ And now mid-age has come,
+ My Prince,
+ And now mid-age has come.
+
+ Come as it comes to all. Most true!
+ But, "let the galled jade wince,"
+ Still _Punch's_ pencil pictures you
+ As every inch a Prince,
+ My Prince,
+ Yes, every inch a Prince!
+
+ And now your Jubilee we greet,
+ With hearty English joy,
+ Who, as those Fifty Years did fleet,
+ Have watched you, man and boy,
+ My Prince,
+ Have watched you, man and boy.
+
+ When all is done that Prince can do,
+ All is _not_ done in vain.
+ That's why we drink Good Health to you
+ Again and eke again,
+ My Prince,
+ Again and eke again!
+
+ _Punch_ turns him round and right about,
+ And leads the British roar
+ Which rises in one loyal shout,
+ "Health to the Prince once more!
+ My Prince,
+ Health to him evermore!"
+
+ And health to her, the unfading flower
+ From Denmark, o'er the foam.
+ _Ad multos annos_, grace, and power,
+ Love, and a Happy Home,
+ My Prince,
+ Love, and a Happy Home!
+
+ Now youth has gone, and manhood come,
+ Your Jubilee we keep,
+ Good-will shall strike detraction dumb,
+ And sound from deep to deep,
+ My Prince,
+ From white-cliff'd deep to deep!
+
+[Footnote A: See Cartoon, "Every Inch a Sailor," p. 129, Vol. XI., Sept.
+26, 1846.]
+
+[Footnote B: See Cartoon. "Suspense," p. 263, Vol. LXI., Dec. 23, 1871.]
+
+ * * * * *
+
+AN APPARENTLY HARD CASE.--Miss Print is responsible for a great deal. The
+other day a tender-hearted person read in a daily paper, that a stranger
+"arriving in Paris, did not even know where to go and die." How sad! But
+the compositor had only omitted the "n" from the last word of the sentence.
+So it wasn't so bad after all, though for the stranger bad enough.
+
+ * * * * *
+
+"Music's the Food."--At the Savoy Hotel the band of Herr WURMS is
+advertised to perform during dinner. The name of the dinner might follow
+suit, and be entitled "The Diet of Wurms, for Gentle and Simple." Of course
+the band of Herr WURMS is an attraction; "Wurms for bait," eh?
+
+ * * * * *
+
+[Illustration: A JUBILEE GREETING!
+
+MR. PUNCH (_for self and everybody_). "HEARTY CONGRATULATIONS, SIR!--KNOWN
+YOU FIFTY YEARS, AND LIKE YOU BETTER THAN EVER!!"]
+
+
+ * * * * *
+
+[Illustration: A KINDLY VIEW OF IT.
+
+_First Rustic_ (_to Second Ditto_). "OH, I SAY! AIN'T HE FOND OF HIS
+HORSE!"]
+
+ * * * * *
+
+IO TRIUMPHE!
+
+OR, GREEK FOR HEIFER!
+
+(_By an Old Boy._)
+
+[Illustration]
+
+ Thee, Camus, reverend renown
+ Thy grateful votaries seek,
+ Foil'd are the Vandals who'd "send down"
+ The Genius of Greek.
+
+ For Culture's jewell'd master-key
+ They cupboard pick-locks tend,
+ And in the cult of Mammon see
+ Learning's true aim and end;
+
+ Pit shallow youth's impatient fuss
+ Against the grit of CATO,
+ Set IBSEN up for AESCHYLUS,
+ And OLLENDORFF for PLATO;
+
+ For songs august of heroes sung,
+ And epic hosts embattled,
+ Enforce some pidgin-Latin tongue
+ By every waiter prattled;
+
+ For nymphs, where o'er the fragrant pines
+ A sea-bright sun uprises,
+ Their fancy plays round primmest lines
+ Of prigs receiving prizes.
+
+ From Sir JOHN CHEKE to Dr. JEBB,
+ From CALVERLEY to MILTON,
+ Clear spirits burst the Sophist-web,
+ And rent the rook they built on.
+
+ WELLDON is falsely named in this,
+ For sure, in slighting Greek, he
+ Will Learning's final blessing miss,
+ Her [Greek: kalos pepoieke].
+
+ What though the urchin deem it "rot"
+ (Such hasty views we stoop'd to,
+ Not seeing how on earth they got
+ _Tetummenos_ from _Tupto_)
+
+ Still let us learn, not beastly facts,
+ The field of any booby,
+ But how thought acts and interacts,
+ And contraries can true be.
+
+ Though on oblivion's barren shores
+ He give it quick sepulture,
+ Still through reluctant passman's pores
+ Instil the dew of culture.
+
+ Still give us of the rills divine
+ That flow from haunted Helicon,
+ Nor rend thyself to feed the swine,
+ Like a perverted Pelican.
+
+ Keep far the time when every bee
+ That booms in every bonnet,
+ Shall find a chair of Apiary,
+ And drone long lectures on it.
+
+ Still the large light and sweetness seek
+ Of KEATS'S raptured vision,
+ (Or KEATE'S)--till Greek at last meets Greek
+ In brotherhood Elysian.
+
+ * * * * *
+
+A NEW TREASURE FOR. THE TREASURER OF BARTHOLOMEW'S.--_Mr. Punch_, G.P.E.,
+General President of Everything, begs to congratulate Professor HUBERT
+HERKOMER, R.A.M.A., on his admirable portrait of Sir SYDNEY HEDLEY, and
+now, not only HEDLEY, but Full-Lengthly WATERLOW, Bart., of "Bart's," which
+H.R.H. correctly described as "a very fine work of Art, painted by one of
+our most eminent artists." Such approbation of Sir HUBERT HERKOMER is
+praise indeed! _Mr. Punch_, G.P.E., prefixes the "Sir" prophetically. For
+the present it may be taken as the last syllable, detached, of "Profes-sir"
+
+ * * * * *
+
+"WELLS, I NEVER!"--"Mr. WELLS," says the _Times_ Correspondent, "has made
+250,000 francs" (up to now), and "last year he made L20,000." Talk of the
+waters at various drinking or health-resorts abroad, why, their fame is as
+nothing compared with the unprecedented success of the WELLS of Monte
+Carlo. How the other chaps who lose must be like LEECH'S old gent "a
+cussin' and a swearin' like hanythink." So the two extremes at Monte Carlo
+may be expressed by the name of a well-known shopkeeping London firm,
+i.e., SWEARS AND WELLS.
+
+ * * * * *
+
+[Illustration: ON TOUR. MR. PUNCH AT THE POTTERIES.]
+
+ * * * * *
+
+NOTHING LIKE LABOR.
+
+(_A Pleasant Prospect suggested by the evidence taken before the Royal
+Commission_.)
+
+And so the Un-employed rose from the ditch in which he had passed the
+night, and made for the town. It was early morning, and he thought he could
+possibly get something to do at the baker's.
+
+"Want to work?" cried the foreman. "Why, my good fellow, it is all over for
+the next two days. The trade only allows four hours, so we begin at eight
+on one night, and carry it on until four on the following morning. People
+get their loaves a little stale, but old bread is said to be good for the
+digestion!"
+
+So the Unemployed went on until he came to a half-built house. The workmen
+had left, but there was still a watchman on the premises.
+
+"Want to work! Why _what_ are you thinking about! Why, our trade only
+allows two hours a day, so we build a house by laying foundation-stones. It
+is rather slow, but very sure."
+
+So the starving man continued his journey. He was unsuccessful at every
+trade centre. One industry allowed its members to work only for three hours
+a day, another two, a third four, and so on. There was only one exception
+to the rule, and this (so the doctor thinks) was caused by necessity. The
+undertakers were fully employed twelve hours out of the twenty-four. Even
+the public-houses were closed at noon. The workhouses and casual wards were
+never empty.
+
+But being of a sanguine temperament, the Unemployed cheered his drooping
+spirits by murmuring, "Better luck to-morrow!" Then he retired to his
+rather damp quarters in the country ditch!
+
+ * * * * *
+
+Literary Intelligence.
+
+_Airy opening of article by_ Mr. GINLEY SCORCHSAM, _a rising young author_.
+"Asked by Editor of _Magazin des Louvres_ to let him have a paper on Art as
+Applied to Drapery----"
+
+_Note by the Agonised Editor_ (_who has been struggling with MS. for
+several hours_). "And he _did_ let me have it, with a vengeance!"
+
+ * * * * *
+
+[Illustration: A SCENE AT THE "LUCULLUS."
+
+_Mrs. Blunderby_. "Now, MY DEAR MONTY, LET ME ORDER THE LUNCHEON
+AR-LA-FRAINGSY. GASSONG! I WISH TO BEGIN--AS WE ALWAYS DO IN PARIS, MY
+DEARS--WITH SOME _CHEF-D'OEUVRES_--YOU UNDERSTAND--SOME _CHEF-D'OEUVRES."_
+
+[_Emile, the Waiter, is in despair. It occurs to him however, presently that
+the Lady probably means "Hors d'oeuvres," and acts accordingly_.]
+
+ * * * * *
+
+LIGHT CONDUCT IN HEAVENLY BODIES.
+
+[Illustration]
+
+DEAR MR. EDITOR,
+
+What on earth, or rather what in the starry Heavens' name is the meaning of
+this heading to a paragraph in the _Times_ of Tuesday, Nov. 3:--
+
+ "APPARENT DUPLICITY OF JUPITER'S SATELLITE No. 1."
+
+Except that the stars are given to wink, I have never before heard of the
+Heavenly Bodies being accused, of immorality. It is true that the duplicity
+is said to be only "apparent" or alleged, but this is doubtless due to the
+precaution of the scientist to escape an action for libel. Flatterers have
+often been accused of this vice, and Satellites are not much better. A
+"Star" on the stage might perhaps thus acknowledge the presence of a friend
+and admirer in the Stalls or in the charmed Circle. But for a Heavenly Body
+to be guilty of duplicity, and above all for a "Number One" Heavenly Body,
+is too much. No more will the simple lines
+
+ "Twinkle, twinkle, little Star!"
+
+be true. No; if "Jupiter's Satellite No. 1" takes to such light conduct,
+then shall we, have to read
+
+ "Wink, O wink, you little Star!"
+
+Henceforth let astronomers be very careful what observations they make. To
+what a state of things are we coming, when at night all the sublunary world
+is nodding, and the Stars above are winking. If there's duplicity in a
+Satellite of Jupiter, how about Jupiter itself? Can we henceforth put any
+trust in the Planets? Are they in league with deceitful soothsayers,
+astrologers, and fortune-tellers? I cannot further pursue the painful
+subject. We owe a debt of gratitude to the _Times_ for exposing duplicity
+in the highest places. Imagine treachery in Aurora Borealis! What an awful
+flirt she would be!! How she'd "wink the other eye!"
+
+Yours,
+AN ASTRONOMER LOYAL.
+
+ * * * * *
+
+FROM MASHONALAND.--Inspired by the success of ARTHUR B., of DE GORSTIBUS
+NON DISPUTANDUM, and of Sir KETTLE-DRUMMOND WOLFF, our GRANDOLPH meditates
+a surprise return to his own native land and to Parliamentary life. He
+announces his intention of changing his name, and will call himself "Lord
+NIL DESPERANDUM CHURCHILL." Hail to the modern Coeur-de-Lion!"
+
+ * * * * *
+
+FINAL.--The _Daily Chronicle_ says it does not regard Mr. GOSCHEN as one of
+the Puritans of finance. Well, no, perhaps, GEORGE JOACHIM'S finance--like
+his manner--is rather _Cavalier_!
+
+ * * * * *
+
+ONLY FANCY!
+
+[Illustration: Farmer Atkinson.]
+
+MR. FARMER-ATKINSON, M.P., attending the American Methodist Conference, has
+been supplying the United States with interesting illustrations of House of
+Commons manners. Incidentally he observed that Primitive Methodists,
+members of which body were largely represented in his audience, are
+"impostors." This led to some misunderstanding, and Mr. FARMER-ATKINSON,
+M.P., found it necessary to explain that he had used the term "simply in a
+Parliamentary sense." We learn by special Zadkiel telegram that, on
+emerging from the Hall after the meeting, the Rev. HERCULES EBENEZER
+(Omaha), bringing down his clenched fist on the crown of the hat of Mr.
+FARMER-ATKINSON, M.P., altered its situation in a direction that
+temporarily obscured the vision of the Hon. Member.
+
+"What do you mean?" inquired Mr. FARMER-ATKINSON, M.P., struggling out of
+the wreck of his hat.
+
+"I mean it in a purely Pickwickian sense," said the Rev. HERCULES EBENEZER
+(Omaha), with a seraphic smile that disarmed controversy.
+
+ * * * * *
+
+The GERMAN EMPEROR has lately rearranged his scheme of work for weekdays.
+From six A.M. to eight A.M. he gives lectures on Strategy and Tactics to
+Generals over forty years old. From eight to ten he instructs the chief
+actors, musicians and painters of Berlin in the principles of their
+respective arts. The hours from ten to twelve he devotes to the compilation
+of his Memoirs in fifty-four volumes. A limited edition of large-paper
+copies is to be issued. From twelve to four P.M. he reviews regiments,
+cashiers colonels, captures fortresses, carries his own dispatches to
+himself, and makes speeches of varying length to all who will listen to
+him. Any professional reporter found taking accurate notes of His Majesty's
+words is immediately blown from a Krupp gun with the new smokeless powder.
+From four to eight he tries on uniforms, dismisses Ministers and officials,
+dictates state-papers to General CAPRIVI, and composes his history of "How
+I pricked the Bismarck Bubble." From eight to eleven P.M. His Majesty
+teaches schoolmasters how to teach, wives how to attend to their families,
+bankers how to carry on their business, and cooks how to prepare dinners.
+The rest of the day he devotes to himself. On Thursday next His Majesty
+leaves Berlin on his tenth visit to the European Courts.
+
+ * * * * *
+
+There is no truth in the report that the Lord CHANCELLOR is arranging a
+Christmas party, to which shall be invited all the members and connections
+of his family for whom he has found places during his term of office. It is
+well known that the accommodation at Lord HALSBURY's town residence is
+comparatively limited.
+
+ * * * * *
+
+We regret to hear that Mr. JOHN O'CONNOR, M.P. (known in the House of
+Commons as "Long JOHN"), has decided to retire from political life. His
+personal experience during the Cork Election has convinced him that no man
+over 5 ft. 8 in. can safely take part in active politics.
+
+"Bricks, dead cats, sections of chimney-pots, which flew harmless over the
+heads of the crowd, invariably struck me," said Mr. O'CONNOR, toying with
+the bandage over his left eyebrow.
+
+ * * * * *
+
+It is quite true, as reported in the newspapers, that Dr. GUTTERIDGE was
+not present when the final result of the polling in the Strand was made
+known, and that it was explained to the reporter he had been "called out to
+see a patient." The suggestion that the undertaking of this hopeless
+contest was designed solely to lead up to this incident, is one worthy only
+of the diseased imagination of a professional rival, who has no patients to
+call him out--even from Church.
+
+ * * * * *
+
+It is stated (and has been denied) that Herr VON DER BLOWITZOWN-TROMP is
+about to retire from his supervision of universal affairs exercised through
+the Special Paris Wire of a contemporary. We are glad to learn that this
+intention does not in any case imply absolute disappearance from the
+European Stage. It is no secret in diplomatic circles that the Herr has
+been approached on the question of his ascending the throne of Bulgaria.
+His keen insight into European politics has convinced him that this
+arrangement would afford a settlement of an ever-ruffled question. He has,
+we understand, stipulated that the Principality shall be raised to the
+status of a Kingdom. "I have," he said to the Emissary of the Powers who
+approached him on the subject, "been so long accustomed to associate with
+Crowned Heads, that in a Principality I should feel like a fish out of
+water."
+
+With his usual considerateness, Herr VON DER BLOWITZOWN-TROMP has
+recognised the inconvenience that would be imposed on his subjects, if, in
+daily use, they were obliged to refer to him by his full title. He will,
+therefore, deign to be known on coins, postage-stamps, and in semi-official
+communications, as TROMP THE FIRST.
+
+ * * * * *
+
+There is no truth in the report that, on behalf of Mr. JOHN MORLEY, Sir
+WILLIAM HARCOURT waited upon Mr. CHAMBERLAIN, and asked him to name a
+friend; that the Right Hon. Gentleman "mentioned" Mr. JESSE COLLINGS; and
+that the two seconds have arranged a meeting at Boulogne. The idle rumour
+doubtless arose out of the fact that an acrimonious correspondence between
+the two former friends has been carried on in the columns of the _Times_.
+
+ * * * * *
+
+According to the newspaper reports, during the ceremony of acceptance by
+the Prince of WALES, as President of Bartholomew's Hospital, of "the
+portrait of Sir SYDNEY WATERLOW, the Treasurer," the portrait "occupied a
+prominent position on the platform, and the Hon. Baronet sat immediately in
+front of it." We learn that this arrangement led to some misunderstanding,
+people, on entering, not at first knowing which was the portrait, and which
+was Sir SYDNEY.
+
+ * * * * *
+
+ECHOES FROM THE LABOUR COMMISSION.
+
+_First Voice._ I hear that you wish to give your evidence before this
+Commission?
+
+_Second Voice._ Certainly, that is my desire. I am here to speak in the
+name of my fellow-labourers, and----
+
+_First V._ Yes, thank you, that will do. You are in favour of Trade Unions?
+
+_Second V._ I am. I feel that when rich and poor meet in mighty conflict,
+there is only--
+
+_First V._ Yes, thank you, that will do. And you believe that strikes are
+beneficial?
+
+_Second V._ I do consider them beneficial, most beneficial. I feel that
+labour must have its rights, and that the white dove of liberty has only
+to--
+
+_First V._ Yes, thank you, that will do. And you are in favour of
+arbitration?
+
+_Second V._ No, I am not. For when DIVES meets the beggars, then the cry of
+labour rises on the stilly night, and--
+
+_First V._ Yes, thank you, that will do. And may I ask to what trade you
+belong?
+
+_Second V._ I belong to none. Every thinking and right-minded man should
+care for his fellows as himself. Like an eagle on a snow-capped mountain,
+he should--
+
+_First V._ Yes, thank you, that will do. Then may we ask, if you belong to
+no trade, what is your occupation?
+
+_Second V._ My occupation is to talk to--
+
+_First V._ Yes, thank you, that will do!
+
+ * * * * *
+
+[Illustration: Paddy Rewski, the Pianist, makes his bow, and escapes to
+America from an enthusiastic audience, who might have torn him into musical
+pieces at St. James's Hall.]
+
+ * * * * *
+
+NOTICE TO PROBABLE IRISH OBJECTORS ON BOTH SIDES.--The Novel that _Mr.
+Punch_ so recently praised, entitled _Tim_, is neither Irish nor political.
+Both sides can buy and enjoy it. A Parnellite author is thinking of
+adapting DICKENS, and bringing out a new version of an old_ Christmas book,
+to be entitled _Tiny Tim._
+
+ * * * * *
+
+OLD TIMES REVIVED.--The New Lord Mayor. Gracious EVANS!! "And," asks a
+middle-aged Correspondent, "during this Mayoralty will the Munching House
+be known as EVANS'S?"
+
+ * * * * *
+
+--> NOTICE.--Rejected Communications or Contributions, whether MS., Printed
+Matter, Drawings, or Pictures of any description, will in no case be
+returned, not even when accompanied by a Stamped and Addressed Envelope,
+Cover, or Wrapper. To this rule there will be no exception.
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, Or The London Charivari, Vol.
+101, November 14th, 1891, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+***** This file should be named 14074.txt or 14074.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/4/0/7/14074/
+
+Produced by Malcolm Farmer, and the PG Online Distributed Proofreading
+Team.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.