diff options
Diffstat (limited to 'old/1389.txt')
| -rw-r--r-- | old/1389.txt | 2925 |
1 files changed, 2925 insertions, 0 deletions
diff --git a/old/1389.txt b/old/1389.txt new file mode 100644 index 0000000..a490bbf --- /dev/null +++ b/old/1389.txt @@ -0,0 +1,2925 @@ +The Project Gutenberg EBook of Gobseck, by Honore de Balzac + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Gobseck + +Author: Honore de Balzac + +Translator: Ellen Marriage + +Release Date: July, 1997 [Etext #1389] +Posting Date: February 24, 2010 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK GOBSECK *** + + + + +Produced by Dagny, and Bonnie Sala + + + + + +GOBSECK + + +By Honore De Balzac + + +Translated By Ellen Marriage + + + + + DEDICATION + + To M. le Baron Barchou de Penhoen. + + Among all the pupils of the Oratorian school at Vendome, we are, I + think, the only two who have afterwards met in mid-career of a + life of letters--we who once were cultivating Philosophy when by + rights we should have been minding our De viris. When we met, you + were engaged upon your noble works on German philosophy, and I + upon this study. So neither of us has missed his vocation; and + you, when you see your name here, will feel, no doubt, as much + pleasure as he who inscribes his work to you.--Your old + schoolfellow, + + 1840 De Balzac. + + + + + +GOBSECK + + +It was one o'clock in the morning, during the winter of 1829-30, but in +the Vicomtesse de Grandlieu's salon two persons stayed on who did not +belong to her family circle. A young and good-looking man heard the +clock strike, and took his leave. When the courtyard echoed with the +sound of a departing carriage, the Vicomtesse looked up, saw that no one +was present save her brother and a friend of the family finishing their +game of piquet, and went across to her daughter. The girl, standing by +the chimney-piece, apparently examining a transparent fire-screen, +was listening to the sounds from the courtyard in a way that justified +certain maternal fears. + +"Camille," said the Vicomtesse, "if you continue to behave to young +Comte de Restaud as you have done this evening, you will oblige me to +see no more of him here. Listen, child, and if you have any confidence +in my love, let me guide you in life. At seventeen one cannot judge of +past or future, nor of certain social considerations. I have only one +thing to say to you. M. de Restaud has a mother, a mother who would +waste millions of francs; a woman of no birth, a Mlle. Goriot; people +talked a good deal about her at one time. She behaved so badly to her +own father, that she certainly does not deserve to have so good a son. +The young Count adores her, and maintains her in her position with +dutifulness worthy of all praise, and he is extremely good to his +brother and sister.--But however admirable _his_ behavior may be," the +Vicomtesse added with a shrewd expression, "so long as his mother lives, +any family would take alarm at the idea of intrusting a daughter's +fortune and future to young Restaud." + +"I overheard a word now and again in your talk with Mlle. de Grandlieu," +cried the friend of the family, "and it made me anxious to put in a word +of my own.--I have won, M. le Comte," he added, turning to his opponent. +"I shall throw you over and go to your niece's assistance." + +"See what it is to have an attorney's ears!" exclaimed the Vicomtesse. +"My dear Derville, how could you know what I was saying to Camille in a +whisper?" + +"I knew it from your looks," answered Derville, seating himself in a low +chair by the fire. + +Camille's uncle went to her side, and Mme. de Grandlieu took up her +position on a hearth stool between her daughter and Derville. + +"The time has come for telling a story, which should modify your +judgment as to Ernest de Restaud's prospects." + +"A story?" cried Camille. "Do begin at once, monsieur." + +The glance that Derville gave the Vicomtesse told her that this tale was +meant for her. The Vicomtesse de Grandlieu, be it said, was one of the +greatest ladies in the Faubourg Saint-Germain, by reason of her fortune +and her ancient name; and though it may seem improbable that a Paris +attorney should speak so familiarly to her, or be so much at home in her +house, the fact is nevertheless easily explained. + +When Mme. de Grandlieu returned to France with the Royal family, she +came to Paris, and at first lived entirely on the pension allowed her +out of the Civil List by Louis XVIII.--an intolerable position. The +Hotel de Grandlieu had been sold by the Republic. It came to Derville's +knowledge that there were flaws in the title, and he thought that it +ought to return to the Vicomtesse. He instituted proceedings for nullity +of contract, and gained the day. Encouraged by this success, he used +legal quibbles to such purpose that he compelled some institution or +other to disgorge the Forest of Liceney. Then he won certain lawsuits +against the Canal d'Orleans, and recovered a tolerably large amount +of property, with which the Emperor had endowed various public +institutions. So it fell out that, thanks to the young attorney's +skilful management, Mme. de Grandlieu's income reached the sum of some +sixty thousand francs, to say nothing of the vast sums returned to her +by the law of indemnity. And Derville, a man of high character, well +informed, modest, and pleasant in company, became the house-friend of +the family. + +By his conduct of Mme. de Grandlieu's affairs he had fairly earned the +esteem of the Faubourg Saint-Germain, and numbered the best families +among his clients; but he did not take advantage of his popularity, as +an ambitious man might have done. The Vicomtesse would have had him sell +his practice and enter the magistracy, in which career advancement would +have been swift and certain with such influence at his disposal; but he +persistently refused all offers. He only went into society to keep up +his connections, but he occasionally spent an evening at the Hotel de +Grandlieu. It was a very lucky thing for him that his talents had been +brought into the light by his devotion to Mme. de Grandlieu, for his +practice otherwise might have gone to pieces. Derville had not an +attorney's soul. Since Ernest de Restaud had appeared at the Hotel de +Grandlieu, and he had noticed that Camille felt attracted to the young +man, Derville had been as assiduous in his visits as any dandy of the +Chausee-d'Antin newly admitted to the noble Faubourg. At a ball only +a few days before, when he happened to stand near Camille, and said, +indicating the Count: + +"It is a pity that yonder youngster has not two or three million francs, +is it not?" + +"Is it a pity? I do not think so," the girl answered. "M. de Restaud +has plenty of ability; he is well educated, and the Minister, his +chief, thinks well of him. He will be a remarkable man, I have no doubt. +'Yonder youngster' will have as much money as he wishes when he comes +into power." + +"Yes, but suppose that he were rich already?" + +"Rich already?" repeated Camille, flushing red. "Why all the girls +in the room would be quarreling for him," she said, glancing at the +quadrilles. + +"And then," retorted the attorney, "Mlle. de Grandlieu might not be the +one towards whom his eyes are always turned? That is what that red color +means! You like him, do you not? Come, speak out." + +Camille suddenly rose to go. + +"She loves him," Derville thought. + +Since that evening, Camille had been unwontedly attentive to the +attorney, who approved of her liking for Ernest de Restaud. Hitherto, +although she knew well that her family lay under great obligations to +Derville, she had felt respect rather than real friendship for him, +their relation was more a matter of politeness than of warmth of +feeling; and by her manner, and by the tones of her voice, she had +always made him sensible of the distance which socially lay between +them. Gratitude is a charge upon the inheritance which the second +generation is apt to repudiate. + + + +"This adventure," Derville began after a pause, "brings the one romantic +event in my life to my mind. You are laughing already," he went on; +"it seems so ridiculous, doesn't it, that an attorney should speak of +a romance in his life? But once I was five-and-twenty, like everybody +else, and even then I had seen some queer things. I ought to begin at +the beginning by telling you about some one whom it is impossible that +you should have known. The man in question was a usurer. + +"Can you grasp a clear notion of that sallow, wan face of his? I wish +the _Academie_ would give me leave to dub such faces the _lunar_ +type. It was like silver-gilt, with the gilt rubbed off. His hair was +iron-gray, sleek, and carefully combed; his features might have been +cast in bronze; Talleyrand himself was not more impassive than this +money-lender. A pair of little eyes, yellow as a ferret's, and with +scarce an eyelash to them, peered out from under the sheltering peak of +a shabby old cap, as if they feared the light. He had the thin lips that +you see in Rembrandt's or Metsu's portraits of alchemists and shrunken +old men, and a nose so sharp at the tip that it put you in mind of a +gimlet. His voice was so low; he always spoke suavely; he never flew +into a passion. His age was a problem; it was hard to say whether he had +grown old before his time, or whether by economy of youth he had saved +enough to last him his life. + +"His room, and everything in it, from the green baize of the bureau +to the strip of carpet by the bed, was as clean and threadbare as the +chilly sanctuary of some elderly spinster who spends her days in rubbing +her furniture. In winter time, the live brands of the fire smouldered +all day in a bank of ashes; there was never any flame in his grate. He +went through his day, from his uprising to his evening coughing-fit, +with the regularity of a pendulum, and in some sort was a clockwork man, +wound up by a night's slumber. Touch a wood-louse on an excursion across +your sheet of paper, and the creature shams death; and in something the +same way my acquaintance would stop short in the middle of a sentence, +while a cart went by, to save the strain to his voice. Following the +example of Fontenelle, he was thrifty of pulse-strokes, and concentrated +all human sensibility in the innermost sanctuary of Self. + +"His life flowed soundless as the sands of an hour-glass. His victims +sometimes flew into a rage and made a great deal of noise, followed by a +great silence; so is it in a kitchen after a fowl's neck has been wrung. + +"Toward evening this bill of exchange incarnate would assume ordinary +human shape, and his metals were metamorphosed into a human heart. When +he was satisfied with his day's business, he would rub his hands; his +inward glee would escape like smoke through every rift and wrinkle of +his face;--in no other way is it possible to give an idea of the mute +play of muscle which expressed sensations similar to the soundless +laughter of _Leather Stocking_. Indeed, even in transports of joy, +his conversation was confined to monosyllables; he wore the same +non-committal countenance. + +"This was the neighbor Chance found for me in the house in the Rue +de Gres, where I used to live when as yet I was only a second clerk +finishing my third year's studies. The house is damp and dark, and +boasts no courtyard. All the windows look on the street; the whole +dwelling, in claustral fashion, is divided into rooms or cells of equal +size, all opening upon a long corridor dimly lit with borrowed lights. +The place must have been part of an old convent once. So gloomy was it, +that the gaiety of eldest sons forsook them on the stairs before they +reached my neighbor's door. He and his house were much alike; even so +does the oyster resemble his native rock. + +"I was the one creature with whom he had any communication, socially +speaking; he would come in to ask for a light, to borrow a book or a +newspaper, and of an evening he would allow me to go into his cell, +and when he was in the humor we would chat together. These marks of +confidence were the results of four years of neighborhood and my own +sober conduct. From sheer lack of pence, I was bound to live pretty much +as he did. Had he any relations or friends? Was he rich or poor? Nobody +could give an answer to these questions. I myself never saw money in his +room. Doubtless his capital was safely stowed in the strong rooms of the +Bank. He used to collect his bills himself as they fell due, running +all over Paris on a pair of shanks as skinny as a stag's. On occasion he +would be a martyr to prudence. One day, when he happened to have gold in +his pockets, a double napoleon worked its way, somehow or other, out of +his fob and fell, and another lodger following him up the stairs picked +up the coin and returned it to its owner. + +"'That isn't mine!' said he, with a start of surprise. 'Mine indeed! If +I were rich, should I live as I do!' + +"He made his cup of coffee himself every morning on the cast-iron +chafing dish which stood all day in the black angle of the grate; his +dinner came in from a cookshop; and our old porter's wife went up at the +prescribed hour to set his room in order. Finally, a whimsical chance, +in which Sterne would have seen predestination, had named the man +Gobseck. When I did business for him later, I came to know that he was +about seventy-six years old at the time when we became acquainted. He +was born about 1740, in some outlying suburb of Antwerp, of a Dutch +father and a Jewish mother, and his name was Jean-Esther Van Gobseck. +You remember how all Paris took an interest in that murder case, a +woman named _La belle Hollandaise_? I happened to mention it to my old +neighbor, and he answered without the slightest symptom of interest or +surprise, 'She is my grandniece.' + +"That was the only remark drawn from him by the death of his sole +surviving next of kin, his sister's granddaughter. From reports of the +case I found that _La belle Hollandaise_ was in fact named Sara Van +Gobseck. When I asked by what curious chance his grandniece came to bear +his surname, he smiled: + +"'The women never marry in our family.' + +"Singular creature, he had never cared to find out a single relative +among four generations counted on the female side. The thought of his +heirs was abhorrent to him; and the idea that his wealth could pass into +other hands after his death simply inconceivable. + +"He was a child, ten years old, when his mother shipped him off as a +cabin boy on a voyage to the Dutch Straits Settlements, and there he +knocked about for twenty years. The inscrutable lines on that sallow +forehead kept the secret of horrible adventures, sudden panic, +unhoped-for luck, romantic cross events, joys that knew no limit, +hunger endured and love trampled under foot, fortunes risked, lost, and +recovered, life endangered time and time again, and saved, it may be, by +one of the rapid, ruthless decisions absolved by necessity. He had known +Admiral Simeuse, M. de Lally, M. de Kergarouet, M. d'Estaing, _le Bailli +de Suffren_, M. de Portenduere, Lord Cornwallis, Lord Hastings, Tippoo +Sahib's father, Tippoo Sahib himself. The bully who served Mahadaji +Sindhia, King of Delhi, and did so much to found the power of the +Mahrattas, had had dealings with Gobseck. Long residence at St. Thomas +brought him in contact with Victor Hughes and other notorious pirates. +In his quest of fortune he had left no stone unturned; witness an +attempt to discover the treasure of that tribe of savages so famous in +Buenos Ayres and its neighborhood. He had a personal knowledge of the +events of the American War of Independence. But if he spoke of the +Indies or of America, as he did very rarely with me, and never with +anyone else, he seemed to regard it as an indiscretion and to repent of +it afterwards. If humanity and sociability are in some sort a religion, +Gobseck might be ranked as an infidel; but though I set myself to study +him, I must confess, to my shame, that his real nature was impenetrable +up to the very last. I even felt doubts at times as to his sex. If all +usurers are like this one, I maintain that they belong to the neuter +gender. + +"Did he adhere to his mother's religion? Did he look on Gentiles as +his legitimate prey? Had he turned Roman Catholic, Lutheran, Mahometan, +Brahmin, or what not? I never knew anything whatsoever about his +religious opinions, and so far as I could see, he was indifferent rather +than incredulous. + +"One evening I went in to see this man who had turned himself to gold; +the usurer, whom his victims (his clients, as he styled them) were +wont to call Daddy Gobseck, perhaps ironically, perhaps by way of +antiphrasis. He was sitting in his armchair, motionless as a statue, +staring fixedly at the mantel-shelf, where he seemed to read the figures +of his statements. A lamp, with a pedestal that had once been green, was +burning in the room; but so far from taking color from its smoky light, +his face seemed to stand out positively paler against the background. He +pointed to a chair set for me, but not a word did he say. + +"'What thoughts can this being have in his mind?' said I to myself. +'Does he know that a God exists; does he know there are such things +as feeling, woman, happiness?' I pitied him as I might have pitied a +diseased creature. But, at the same time, I knew quite well that while +he had millions of francs at his command, he possessed the world no +less in idea--that world which he had explored, ransacked, weighed, +appraised, and exploited. + +"'Good day, Daddy Gobseck,' I began. + +"He turned his face towards me with a slight contraction of his bushy, +black eyebrows; this characteristic shade of expression in him meant as +much as the most jubilant smile on a Southern face. + +"'You look just as gloomy as you did that day when the news came of the +failure of that bookseller whose sharpness you admired so much, though +you were one of his victims.' + +"'One of his victims?' he repeated, with a look of astonishment. + +"'Yes. Did you not refuse to accept composition at the meeting of +creditors until he undertook privately to pay you your debt in full; and +did he not give you bills accepted by the insolvent firm; and then, when +he set up in business again, did he not pay you the dividend upon those +bills of yours, signed as they were by the bankrupt firm?' + +"'He was a sharp one, but I had it out of him.' + +"'Then have you some bills to protest? To-day is the 30th, I believe.' + +"It was the first time I had spoken to him of money. He looked +ironically up at me; then in those bland accents, not unlike the husky +tones which the tyro draws from a flute, he answered, 'I am amusing +myself.' + +"'So you amuse yourself now and again?' + +"'Do you imagine that the only poets in the world are those who print +their verses?' he asked, with a pitying look and shrug of the shoulders. + +"'Poetry in that head!' thought I, for as yet I knew nothing of his +life. + +"'What life could be as glorious as mine?' he continued, and his eyes +lighted up. 'You are young, your mental visions are colored by youthful +blood, you see women's faces in the fire, while I see nothing but coals +in mine. You have all sorts of beliefs, while I have no beliefs at +all. Keep your illusions--if you can. Now I will show you life with +the discount taken off. Go wherever you like, or stay at home by the +fireside with your wife, there always comes a time when you settle down +in a certain groove, the groove is your preference; and then happiness +consists in the exercise of your faculties by applying them to +realities. Anything more in the way of precept is false. My principles +have been various, among various men; I had to change them with every +change of latitude. Things that we admire in Europe are punishable in +Asia, and a vice in Paris becomes a necessity when you have passed the +Azores. There are no such things as hard-and-fast rules; there are only +conventions adapted to the climate. Fling a man headlong into one social +melting pot after another, and convictions and forms and moral systems +become so many meaningless words to him. The one thing that always +remains, the one sure instinct that nature has implanted in us, is the +instinct of self-interest. If you had lived as long as I have, you would +know that there is but one concrete reality invariable enough to be +worth caring about, and that is--GOLD. Gold represents every form of +human power. I have traveled. I found out that there were either hills +or plains everywhere: the plains are monotonous, the hills a weariness; +consequently, place may be left out of the question. As to manners; man +is man all the world over. The same battle between the poor and the rich +is going on everywhere; it is inevitable everywhere; consequently, it is +better to exploit than to be exploited. Everywhere you find the man of +thews and sinews who toils, and the lymphatic man who torments himself; +and pleasures are everywhere the same, for when all sensations are +exhausted, all that survives is Vanity--Vanity is the abiding substance +of us, the _I_ in us. Vanity is only to be satisfied by gold in floods. +Our dreams need time and physical means and painstaking thought before +they can be realized. Well, gold contains all things in embryo; gold +realizes all things for us. + +"'None but fools and invalids can find pleasure in shuffling cards all +evening long to find out whether they shall win a few pence at the end. +None but driveling idiots could spend time in inquiring into all that +is happening around them, whether Madame Such-an-One slept single on +her couch or in company, whether she has more blood than lymph, more +temperament than virtue. None but the dupes, who fondly imagine that +they are useful to their like, can interest themselves in laying down +rules for political guidance amid events which neither they nor any one +else foresees, nor ever will foresee. None but simpletons can delight +in talking about stage players and repeating their sayings; making the +daily promenade of a caged animal over a rather larger area; dressing +for others, eating for others, priding themselves on a horse or a +carriage such as no neighbor can have until three days later. What is +all this but Parisian life summed up in a few phrases? Let us find a +higher outlook on life than theirs. Happiness consists either in strong +emotions which drain our vitality, or in methodical occupation which +makes existence like a bit of English machinery, working with the +regularity of clockwork. A higher happiness than either consists in a +curiosity, styled noble, a wish to learn Nature's secrets, or to attempt +by artificial means to imitate Nature to some extent. What is this in +two words but Science and Art, or passion or calm?--Ah! well, every +human passion wrought up to its highest pitch in the struggle for +existence comes to parade itself before me--as I live in calm. As for +your scientific curiosity, a kind of wrestling bout in which man is +never uppermost, I replace it by an insight into all the springs of +action in man and woman. To sum up, the world is mine without effort of +mine, and the world has not the slightest hold on me. Listen to this,' +he went on, 'I will tell you the history of my morning, and you will +divine my pleasures.' + +"He got up, pushed the bolt of the door, drew a tapestry curtain across +it with a sharp grating sound of the rings on the rod, then he sat down +again. + +"'This morning,' he said, 'I had only two amounts to collect; the rest +of the bills that were due I gave away instead of cash to my customers +yesterday. So much saved, you see, for when I discount a bill I always +deduct two francs for a hired brougham--expenses of collection. A pretty +thing it would be, would it not, if my clients were to set _me_ trudging +all over Paris for half-a-dozen francs of discount, when no man is my +master, and I only pay seven francs in the shape of taxes? + +"'The first bill for a thousand francs was presented by a young fellow, +a smart buck with a spangled waistcoat, and an eyeglass, and a tilbury +and an English horse, and all the rest of it. The bill bore the +signature of one of the prettiest women in Paris, married to a Count, a +great landowner. Now, how came that Countess to put her name to a +bill of exchange, legally not worth the paper it was written upon, but +practically very good business; for these women, poor things, are afraid +of the scandal that a protested bill makes in a family, and would give +themselves away in payment sooner than fail? I wanted to find out what +that bill of exchange really represented. Was it stupidity, imprudence, +love or charity? + +"'The second bill, bearing the signature "Fanny Malvaut," came to me +from a linen-draper on the highway to bankruptcy. Now, no creature who +has any credit with a bank comes to _me_. The first step to my door +means that a man is desperately hard up; that the news of his failure +will soon come out: and, most of all, it means that he has been +everywhere else first. The stag is always at bay when I see him, and a +pack of creditors are hard upon his track. The Countess lived in the Rue +du Helder, and my Fanny in the Rue Montmartre. How many conjectures I +made as I set out this morning! If these two women were not able to pay, +they would show me more respect than they would show their own fathers. +What tricks and grimaces would not the Countess try for a thousand +francs! She would be so nice to me, she would talk to me in that +ingratiating tone peculiar to endorsers of bills, she would pour out +a torrent of coaxing words, perhaps she would beg and pray, and I...' +(here the old man turned his pale eyes upon me)--'and I not to be moved, +inexorable!' he continued. 'I am there as the avenger, the apparition of +Remorse. So much for hypotheses. I reached the house. + +"'"Madame la Comtesse is asleep," says the maid. + +"'"When can I see her?" + +"'"At twelve o'clock." + +"'"Is Madame la Comtesse ill?" + +"'"No, sir, but she only came home at three o'clock this morning from a +ball." + +"'"My name is Gobseck, tell her that I shall call again at twelve +o'clock," and I went out, leaving traces of my muddy boots on the carpet +which covered the paved staircase. I like to leave mud on a rich man's +carpet; it is not petty spite; I like to make them feel a touch of the +claws of Necessity. In the Rue Montmartre I thrust open the old gateway +of a poor-looking house, and looked into a dark courtyard where the +sunlight never shines. The porter's lodge was grimy, the window looked +like the sleeve of some shabby wadded gown--greasy, dirty, and full of +holes. + +"'"Mlle. Fanny Malvaut?" + +"'"She has gone out; but if you have come about a bill, the money is +waiting for you." + +"'"I will look in again," said I. + +"'As soon as I knew that the porter had the money for me, I wanted to +know what the girl was like; I pictured her as pretty. The rest of the +morning I spent in looking at the prints in the shop windows along the +boulevard; then, just as it struck twelve, I went through the Countess' +ante-chamber. + +"'"Madame has just this minute rung for me," said the maid; "I don't +think she can see you yet." + +"'"I will wait," said I, and sat down in an easy-chair. + +"'Venetian shutters were opened, and presently the maid came hurrying +back. + +"'"Come in, sir." + +"'From the sweet tone of the girl's voice, I knew that the mistress +could not be ready to pay. What a handsome woman it was that I saw in +another moment! She had flung an Indian shawl hastily over her bare +shoulders, covering herself with it completely, while it revealed the +bare outlines of the form beneath. She wore a loose gown trimmed with +snowy ruffles, which told plainly that her laundress' bills amounted +to something like two thousand francs in the course of a year. Her +dark curls escaped from beneath a bright Indian handkerchief, knotted +carelessly about her head after the fashion of Creole women. The bed lay +in disorder that told of broken slumber. A painter would have paid money +to stay a while to see the scene that I saw. Under the luxurious hanging +draperies, the pillow, crushed into the depths of an eider-down quilt, +its lace border standing out in contrast against the background of blue +silk, bore a vague impress that kindled the imagination. A pair of +satin slippers gleamed from the great bear-skin rug spread by the carved +mahogany lions at the bed-foot, where she had flung them off in her +weariness after the ball. A crumpled gown hung over a chair, the sleeves +touching the floor; stockings which a breath would have blown away were +twisted about the leg of an easy-chair; while ribbon garters straggled +over a settee. A fan of price, half unfolded, glittered on the +chimney-piece. Drawers stood open; flowers, diamonds, gloves, a bouquet, +a girdle, were littered about. The room was full of vague sweet perfume. +And--beneath all the luxury and disorder, beauty and incongruity, I saw +Misery crouching in wait for her or for her adorer, Misery rearing its +head, for the Countess had begun to feel the edge of those fangs. +Her tired face was an epitome of the room strewn with relics of past +festival. The scattered gewgaws, pitiable this morning, when gathered +together and coherent, had turned heads the night before. + +"'What efforts to drink of the Tantalus cup of bliss I could read +in these traces of love stricken by the thunderbolt remorse--in this +visible presentment of a life of luxury, extravagance, and riot. There +were faint red marks on her young face, signs of the fineness of the +skin; but her features were coarsened, as it were, and the circles about +her eyes were unwontedly dark. Nature nevertheless was so vigorous in +her, that these traces of past folly did not spoil her beauty. Her eyes +glittered. She looked like some _Herodias_ of da Vinci's (I have dealt +in pictures), so magnificently full of life and energy was she; there +was nothing starved nor stinted in feature or outline; she awakened +desire; it seemed to me that there was some passion in her yet stronger +than love. I was taken with her. It was a long while since my heart +had throbbed; so I was paid then and there--for I would give a thousand +francs for a sensation that should bring me back memories of youth. + +"'"Monsieur," she said, finding a chair for me, "will you be so good as +to wait?" + +"'"Until this time to-morrow, madame," I said, folding up the bill +again. "I cannot legally protest this bill any sooner." And within +myself I said--"Pay the price of your luxury, pay for your name, pay for +your ease, pay for the monopoly which you enjoy! The rich have invented +judges and courts of law to secure their goods, and the guillotine--that +candle in which so many lie in silk, under silken coverlets, there is +remorse, and grinding of teeth beneath a smile, and those fantastical +lions' jaws are gaping to set their fangs in your heart." + +"'"Protest the bill! Can you mean it?" she cried, with her eyes upon me; +"could you have so little consideration for me?" + +"'"If the King himself owed money to me, madame, and did not pay it, I +should summons him even sooner than any other debtor." + +"'While we were speaking, somebody tapped gently at the door. + +"'"I cannot see any one," she cried imperiously. + +"'"But, Anastasie, I particularly wish to speak to you." + +"'"Not just now, dear," she answered in a milder tone, but with no sign +of relenting. + +"'"What nonsense! You are talking to some one," said the voice, and in +came a man who could only be the Count. + +"'The Countess gave me a glance. I saw how it was. She was thoroughly +in my power. There was a time, when I was young, and might perhaps have +been stupid enough not to protest the bill. At Pondicherry, in 1763, I +let a woman off, and nicely she paid me out afterwards. I deserved it; +what call was there for me to trust her? + +"'"What does this gentleman want?" asked the Count. + +"'I could see that the Countess was trembling from head to foot; the +white satin skin of her throat was rough, "turned to goose flesh," to +use the familiar expression. As for me, I laughed in myself without +moving a muscle. + +"'"This gentleman is one of my tradesmen," she said. + +"'The Count turned his back on me; I drew the bill half out of my +pocket. After that inexorable movement, she came over to me and put a +diamond into my hands. "Take it," she said, "and be gone." + +"'We exchanged values, and I made my bow and went. The diamond was quite +worth twelve hundred francs to me. Out in the courtyard I saw a swarm of +flunkeys, brushing out their liveries, waxing their boots, and cleaning +sumptuous equipages. + +"'"This is what brings these people to me!" said I to myself. "It is +to keep up this kind of thing that they steal millions with all due +formalities, and betray their country. The great lord, and the little +man who apes the great lord, bathes in mud once for all to save himself +a splash or two when he goes afoot through the streets." + +"'Just then the great gates were opened to admit a cabriolet. It was the +same young fellow who had brought the bill to me. + +"'"Sir," I said, as he alighted, "here are two hundred francs, which I +beg you to return to Mme. la Comtesse, and have the goodness to tell her +that I hold the pledge which she deposited with me this morning at her +disposition for a week." + +"'He took the two hundred francs, and an ironical smile stole over his +face; it was as if he had said, "Aha! so she has paid it, has she? ... +Faith, so much the better!" I read the Countess' future in his face. +That good-looking, fair-haired young gentleman is a heartless gambler; +he will ruin himself, ruin her, ruin her husband, ruin the children, eat +up their portions, and work more havoc in Parisian salons than a whole +battery of howitzers in a regiment. + +"'I went back to see Mlle. Fanny in the Rue Montmartre, climbed a very +steep, narrow staircase, and reached a two-roomed dwelling on the fifth +floor. Everything was as neat as a new ducat. I did not see a speck of +dust on the furniture in the first room, where Mlle. Fanny was sitting. +Mlle. Fanny herself was a young Parisian girl, quietly dressed, with a +delicate fresh face, and a winning look. The arrangement of her neatly +brushed chestnut hair in a double curve on her forehead lent a refined +expression to blue eyes, clear as crystal. The broad daylight streaming +in through the short curtains against the window pane fell with softened +light on her girlish face. A pile of shaped pieces of linen told me that +she was a sempstress. She looked like a spirit of solitude. When I held +out the bill, I remarked that she had not been at home when I called in +the morning. + +"'"But the money was left with the porter's wife," said she. + +"'I pretended not to understand. + +"'"You go out early, mademoiselle, it seems." + +"'"I very seldom leave my room; but when you work all night, you are +obliged to take a bath sometimes." + +"'I looked at her. A glance told me all about her life. Here was a girl +condemned by misfortune to toil, a girl who came of honest farmer folk, +for she had still a freckle or two that told of country birth. There +was an indefinable atmosphere of goodness about her; I felt as if I were +breathing sincerity and frank innocence. It was refreshing to my lungs. +Poor innocent child, she had faith in something; there was a crucifix +and a sprig or two of green box above her poor little painted wooden +bedstead; I felt touched, or somewhat inclined that way. I felt ready +to offer to charge no more than twelve per cent, and so give something +towards establishing her in a good way of business. + +"'"But maybe she has a little youngster of a cousin," I said to myself, +"who would raise money on her signature and sponge on the poor girl." + +"'So I went away, keeping my generous impulses well under control; for +I have frequently had occasion to observe that when benevolence does no +harm to him who gives it, it is the ruin of him who takes. When you came +in I was thinking that Fanny Malvaut would make a nice little wife; I +was thinking of the contrast between her pure, lonely life and the life +of the Countess--she has sunk as low as a bill of exchange already, she +will sink to the lowest depths of degradation before she has done!'--I +scrutinized him during the deep silence that followed, but in a moment +he spoke again. 'Well,' he said, 'do you think that it is nothing to +have this power of insight into the deepest recesses of the human heart, +to embrace so many lives, to see the naked truth underlying it all? +There are no two dramas alike: there are hideous sores, deadly chagrins, +love scenes, misery that soon will lie under the ripples of the Seine, +young men's joys that lead to the scaffold, the laughter of despair, +and sumptuous banquets. Yesterday it was a tragedy. A worthy soul of +a father drowned himself because he could not support his family. +To-morrow is a comedy; some youngster will try to rehearse the scene +of M. Dimanche, brought up to date. You have heard the people extol the +eloquence of our latter day preachers; now and again I have wasted my +time by going to hear them; they produced a change in my opinions, but +in my conduct (as somebody said, I can't recollect his name), in my +conduct--never!--Well, well; these good priests and your Mirabeaus and +Vergniauds and the rest of them, are mere stammering beginners compared +with these orators of mine. + +"'Often it is some girl in love, some gray-headed merchant on the verge +of bankruptcy, some mother with a son's wrong-doing to conceal, some +starving artist, some great man whose influence is on the wane, and, for +lack of money, is like to lose the fruit of all his labors--the power +of their pleading has made me shudder. Sublime actors such as these play +for me, for an audience of one, and they cannot deceive me. I can look +into their inmost thoughts, and read them as God reads them. Nothing is +hidden from me. Nothing is refused to the holder of the purse-strings to +loose and to bind. I am rich enough to buy the consciences of those +who control the action of ministers, from their office boys to their +mistresses. Is not that power?--I can possess the fairest women, receive +their softest caresses; is not that Pleasure? And is not your whole +social economy summed up in terms of Power and Pleasure? + +"'There are ten of us in Paris, silent, unknown kings, the arbiters of +your destinies. What is life but a machine set in motion by money? Know +this for certain--methods are always confounded with results; you +will never succeed in separating the soul from the senses, spirit from +matter. Gold is the spiritual basis of existing society.--The ten of us +are bound by the ties of common interest; we meet on certain days of the +week at the Cafe Themis near the Pont Neuf, and there, in conclave, we +reveal the mysteries of finance. No fortune can deceive us; we are in +possession of family secrets in all directions. We keep a kind of Black +Book, in which we note the most important bills issued, drafts on public +credit, or on banks, or given and taken in the course of business. We +are the Casuists of the Paris Bourse, a kind of Inquisition weighing and +analyzing the most insignificant actions of every man of any fortune, +and our forecasts are infallible. One of us looks out over the judicial +world, one over the financial, another surveys the administrative, and +yet another the business world. I myself keep an eye on eldest +sons, artists, people in the great world, and gamblers--on the most +sensational side of Paris. Every one who comes to us lets us into his +neighbor's secrets. Thwarted passion and mortified vanity are great +babblers. Vice and disappointment and vindictiveness are the best of +all detectives. My colleagues, like myself, have enjoyed all things, are +sated with all things, and have reached the point when power and money +are loved for their own sake. + +"'Here,' he said, indicating his bare, chilly room, 'here the most +high-mettled gallant, who chafes at a word and draws swords for a +syllable elsewhere will entreat with clasped hands. There is no city +merchant so proud, no woman so vain of her beauty, no soldier of so bold +a spirit, but that they entreat me here, one and all, with tears of rage +or anguish in their eyes. Here they kneel--the famous artist, and the +man of letters, whose name will go down to posterity. Here, in short' +(he lifted his hand to his forehead), 'all the inheritances and all the +concerns of all Paris are weighed in the balance. Are you still of the +opinion that there are no delights behind the blank mask which so often +has amazed you by its impassiveness?' he asked, stretching out that +livid face which reeked of money. + +"I went back to my room, feeling stupefied. The little, wizened old man +had grown great. He had been metamorphosed under my eyes into a strange +visionary symbol; he had come to be the power of gold personified. I +shrank, shuddering, from life and my kind. + +"'Is it really so?' I thought; 'must everything be resolved into gold?' + +"I remember that it was long before I slept that night. I saw heaps +of gold all about me. My thoughts were full of the lovely Countess; I +confess, to my shame, that the vision completely eclipsed another quiet, +innocent figure, the figure of the woman who had entered upon a life of +toil and obscurity; but on the morrow, through the clouds of slumber, +Fanny's sweet face rose before me in all its beauty, and I thought of +nothing else." + + + +"Will you take a glass of _eau sucree_?" asked the Vicomtesse, +interrupting Derville. + +"I should be glad of it." + +"But I can see nothing in this that can touch our concerns," said Mme. +de Grandlieu, as she rang the bell. + +"Sardanapalus!" cried Derville, flinging out his favorite invocation. +"Mademoiselle Camille will be wide awake in a moment if I say that her +happiness depended not so long ago upon Daddy Gobseck; but as the old +gentleman died at the age of ninety, M. de Restaud will soon be in +possession of a handsome fortune. This requires some explanation. As for +poor Fanny Malvaut, you know her; she is my wife." + +"Poor fellow, he would admit that, with his usual frankness, with a +score of people to hear him!" said the Vicomtesse. + +"I would proclaim it to the universe," said the attorney. + +"Go on, drink your glass, my poor Derville. You will never be anything +but the happiest and the best of men." + +"I left you in the Rue du Helder," remarked the uncle, raising his face +after a gentle doze. "You had gone to see a Countess; what have you done +with her?" + + + +"A few days after my conversation with the old Dutchman," Derville +continued, "I sent in my thesis, and became first a licentiate in +law, and afterwards an advocate. The old miser's opinion of me went up +considerably. He consulted me (gratuitously) on all the ticklish bits +of business which he undertook when he had made quite sure how he stood, +business which would have seemed unsafe to any ordinary practitioner. +This man, over whom no one appeared to have the slightest influence, +listened to my advice with something like respect. It is true that he +always found that it turned out very well. + +"At length I became head-clerk in the office where I had worked for +three years and then I left the Rue des Gres for rooms in my employer's +house. I had my board and lodging and a hundred and fifty francs per +month. It was a great day for me! + +"When I went to bid the usurer good-bye, he showed no sign of feeling, +he was neither cordial nor sorry to lose me, he did not ask me to come +to see him, and only gave me one of those glances which seemed in some +sort to reveal a power of second-sight. + +"By the end of a week my old neighbor came to see me with a tolerably +thorny bit of business, an expropriation, and he continued to ask for my +advice with as much freedom as if he paid for it. + +"My principal was a man of pleasure and expensive tastes; before the +second year (1818-1819) was out he had got himself into difficulties, +and was obliged to sell his practice. A professional connection in those +days did not fetch the present exorbitant prices, and my principal asked +a hundred and fifty thousand francs. Now an active man, of competent +knowledge and intelligence, might hope to pay off the capital in ten +years, paying interest and living respectably in the meantime--if +he could command confidence. But I as the seventh child of a small +tradesman at Noyon, I had not a sou to my name, nor personal knowledge +of any capitalist but Daddy Gobseck. An ambitious idea, and an +indefinable glimmer of hope, put heart into me. To Gobseck I betook +myself, and slowly one evening I made my way to the Rue des Gres. My +heart thumped heavily as I knocked at his door in the gloomy house. I +recollected all the things that he used to tell me, at a time when I +myself was very far from suspecting the violence of the anguish awaiting +those who crossed his threshold. Now it was I who was about to beg and +pray like so many others. + +"'Well, no, not _that_,' I said to myself; 'an honest man must keep his +self-respect wherever he goes. Success is not worth cringing for; let us +show him a front as decided as his own.' + +"Daddy Gobseck had taken my room since I left the house, so as to have +no neighbor; he had made a little grated window too in his door since +then, and did not open until he had taken a look at me and saw who I +was. + +"'Well,' said he, in his thin, flute notes, 'so your principal is +selling his practice?' + +"'How did you know that?' said I; 'he has not spoken of it as yet except +to me.' + +"The old man's lips were drawn in puckers, like a curtain, to either +corner of his mouth, as a soundless smile bore a hard glance company. + +"'Nothing else would have brought you here,' he said drily, after a +pause, which I spent in confusion. + +"'Listen to me, M. Gobseck,' I began, with such serenity as I could +assume before the old man, who gazed at me with steady eyes. There was a +clear light burning in them that disconcerted me. + +"He made a gesture as if to bid me 'Go on.' 'I know that it is not +easy to work on your feelings, so I will not waste my eloquence on the +attempt to put my position before you--I am a penniless clerk, with no +one to look to but you, and no heart in the world but yours can form +a clear idea of my probable future. Let us leave hearts out of the +question. Business is business, and business is not carried on with +sentimentality like romances. Now to the facts. My principal's practice +is worth in his hands about twenty thousand francs per annum; in my +hands, I think it would bring in forty thousand. He is willing to +sell it for a hundred and fifty thousand francs. And _here_,' I +said, striking my forehead, 'I feel that if you would lend me the +purchase-money, I could clear it off in ten years' time.' + +"'Come, that is plain speaking,' said Daddy Gobseck, and he held out his +hand and grasped mine. 'Nobody since I have been in business has stated +the motives of his visit more clearly. Guarantees?' asked he, scanning +me from head to foot. 'None to give,' he added after a pause, 'How old +are you?' + +"'Twenty-five in ten days' time,' said I, 'or I could not open the +matter.' + +"'Precisely.' + +"'Well?' + +"'It is possible.' + +"'My word, we must be quick about it, or I shall have some one buying +over my head.' + +"'Bring your certificate of birth round to-morrow morning, and we will +talk. I will think it over.' + +"'Next morning, at eight o'clock, I stood in the old man's room. He took +the document, put on his spectacles, coughed, spat, wrapped himself +up in his black greatcoat, and read the whole certificate through from +beginning to end. Then he turned it over and over, looked at me, coughed +again, fidgeted about in his chair, and said, 'We will try to arrange +this bit of business.' + +"I trembled. + +"'I make fifty per cent on my capital,' he continued, 'sometimes I make +a hundred, two hundred, five hundred per cent.' + +"I turned pale at the words. + +"'But as we are acquaintances, I shall be satisfied to take twelve and +a half per cent per--(he hesitated)--'well, yes, from you I would be +content to take thirteen per cent per annum. Will that suit you?' + +"'Yes,' I answered. + +"'But if it is too much, stick up for yourself, Grotius!' (a name he +jokingly gave me). 'When I ask you for thirteen per cent, it is all in +the way of business; look into it, see if you can pay it; I don't like a +man to agree too easily. Is it too much?' + +"'No,' said I, 'I will make up for it by working a little harder.' + +"'Gad! your clients will pay for it!' said he, looking at me wickedly +out of the corner of his eyes. + +"'No, by all the devils in hell!' cried I, 'it shall be I who will pay. +I would sooner cut my hand off than flay people.' + +"'Good-night,' said Daddy Gobseck. + +"'Why, fees are all according to scale,' I added. + +"'Not for compromises and settlements out of Court, and cases where +litigants come to terms,' said he. 'You can send in a bill for thousands +of francs, six thousand even at a swoop (it depends on the importance of +the case), for conferences with So-and-so, and expenses, and drafts, and +memorials, and your jargon. A man must learn to look out for business of +this kind. I will recommend you as a most competent, clever attorney. I +will send you such a lot of work of this sort that your colleagues will +be fit to burst with envy. Werbrust, Palma, and Gigonnet, my cronies, +shall hand over their expropriations to you; they have plenty of them, +the Lord knows! So you will have two practices--the one you are buying, +and the other I will build up for you. You ought almost to pay me +fifteen per cent on my loan.' + +"'So be it, but no more,' said I, with the firmness which means that a +man is determined not to concede another point. + +"Daddy Gobseck's face relaxed; he looked pleased with me. + +"'I shall pay the money over to your principal myself,' said he, 'so as +to establish a lien on the purchase and caution-money.' + +"'Oh, anything you like in the way of guarantees.' + +"'And besides that, you will give me bills for the amount made payable +to a third party (name left blank), fifteen bills of ten thousand francs +each.' + +"'Well, so long as it is acknowledged in writing that this is a +double----' + +"'No!' Gobseck broke in upon me. 'No! Why should I trust you any more +than you trust me?' + +"I kept silence. + +"'And furthermore,' he continued, with a sort of good humor, 'you will +give me your advice without charging fees as long as I live, will you +not?' + +"'So be it; so long as there is no outlay.' + +"'Precisely,' said he. "Ah, by the by, you will allow me to go to see +you?' (Plainly the old man found it not so easy to assume the air of +good-humor.) + +"'I shall always be glad.' + +"'Ah! yes, but it would be very difficult to arrange of a morning. You +will have your affairs to attend to, and I have mine.' + +"'Then come in the evening.' + +"'Oh, no!' he answered briskly, 'you ought to go into society and see +your clients, and I myself have my friends at my cafe.' + +"'His friends!' thought I to myself.--'Very well,' said I, 'why not come +at dinner-time?' + +"'That is the time,' said Gobseck, 'after 'Change, at five o'clock. +Good, you will see me Wednesdays and Saturdays. We will talk over +business like a pair of friends. Aha! I am gay sometimes. Just give me +the wing of a partridge and a glass of champagne, and we will have our +chat together. I know a great many things that can be told now at +this distance of time; I will teach you to know men, and what is +more--women!' + +"'Oh! a partridge and a glass of champagne if you like.' + +"'Don't do anything foolish, or I shall lose my faith in you. And don't +set up housekeeping in a grand way. Just one old general servant. I will +come and see that you keep your health. I have capital invested in your +head, he! he! so I am bound to look after you. There, come round in the +evening and bring your principal with you!' + +"'Would you mind telling me, if there is no harm in asking, what was the +good of my birth certificate in this business?' I asked, when the little +old man and I stood on the doorstep. + +"Jean-Esther Van Gobseck shrugged his shoulders, smiled maliciously, and +said, 'What blockheads youngsters are! Learn, master attorney (for learn +you must if you don't mean to be taken in), that integrity and brains +in a man under thirty are commodities which can be mortgaged. After that +age there is no counting on a man.' + +"And with that he shut the door. + + +"Three months later I was an attorney. Before very long, madame, it was +my good fortune to undertake the suit for the recovery of your estates. +I won the day, and my name became known. In spite of the exorbitant rate +of interest, I paid off Gobseck in less than five years. I married Fanny +Malvaut, whom I loved with all my heart. There was a parallel between +her life and mine, between our hard work and our luck, which increased +the strength of feeling on either side. One of her uncles, a well-to-do +farmer, died and left her seventy thousand francs, which helped to clear +off the loan. From that day my life has been nothing but happiness and +prosperity. Nothing is more utterly uninteresting than a happy man, +so let us say no more on that head, and return to the rest of the +characters. + +"About a year after the purchase of the practice, I was dragged into a +bachelor breakfast-party given by one of our number who had lost a +bet to a young man greatly in vogue in the fashionable world. M. de +Trailles, the flower of the dandyism of that day, enjoyed a prodigious +reputation." + +"But he is still enjoying it," put in the Comte de Born. "No one wears +his clothes with a finer air, nor drives a tandem with a better grace. +It is Maxime's gift; he can gamble, eat, and drink more gracefully than +any man in the world. He is a judge of horses, hats, and pictures. All +the women lose their heads over him. He always spends something like a +hundred thousand francs a year, and no creature can discover that he has +an acre of land or a single dividend warrant. The typical knight errant +of our salons, our boudoirs, our boulevards, an amphibian half-way +between a man and a woman--Maxime de Trailles is a singular being, fit +for anything, and good for nothing, quite as capable of perpetrating a +benefit as of planning a crime; sometimes base, sometimes noble, more +often bespattered with mire than besprinkled with blood, knowing more of +anxiety than of remorse, more concerned with his digestion than with any +mental process, shamming passion, feeling nothing. Maxime de Trailles is +a brilliant link between the hulks and the best society; he belongs to +the eminently intelligent class from which a Mirabeau, or a Pitt, or a +Richelieu springs at times, though it is more wont to produce Counts of +Horn, Fouquier-Tinvilles, and Coignards." + +"Well," pursued Derville, when he had heard the Vicomtesse's brother to +the end, "I had heard a good deal about this individual from poor old +Goriot, a client of mine; and I had already been at some pains to avoid +the dangerous honor of his acquaintance, for I came across him sometimes +in society. Still, my chum was so pressing about this breakfast-party of +his that I could not well get out of it, unless I wished to earn a name +for squeamishness. Madame, you could hardly imagine what a bachelor's +breakfast-party is like. It means superb display and a studied +refinement seldom seen; the luxury of a miser when vanity leads him to +be sumptuous for a day. + +"You are surprised as you enter the room at the neatness of the table, +dazzling by reason of its silver and crystal and linen damask. Life is +here in full bloom; the young fellows are graceful to behold; they smile +and talk in low, demure voices like so many brides; everything about +them looks girlish. Two hours later you might take the room for a +battlefield after the fight. Broken glasses, serviettes crumpled and +torn to rags lie strewn about among the nauseous-looking remnants of +food on the dishes. There is an uproar that stuns you, jesting toasts, a +fire of witticisms and bad jokes; faces are empurpled, eyes inflamed +and expressionless, unintentional confidences tell you the whole truth. +Bottles are smashed, and songs trolled out in the height of a diabolical +racket; men call each other out, hang on each other's necks, or fall +to fisticuffs; the room is full of a horrid, close scent made up of a +hundred odors, and noise enough for a hundred voices. No one has any +notion of what he is eating or drinking or saying. Some are depressed, +others babble, one will turn monomaniac, repeating the same word over +and over again like a bell set jangling; another tries to keep the +tumult within bounds; the steadiest will propose an orgy. If any one in +possession of his faculties should come in, he would think that he had +interrupted a Bacchanalian rite. + +"It was in the thick of such a chaos that M. de Trailles tried to +insinuate himself into my good graces. My head was fairly clear, I was +upon my guard. As for him, though he pretended to be decently drunk, +he was perfectly cool, and knew very well what he was about. How it was +done I do not know, but the upshot of it was that when we left Grignon's +rooms about nine o'clock in the evening, M. de Trailles had thoroughly +bewitched me. I had given him my promise that I would introduce him the +next day to our Papa Gobseck. The words 'honor,' 'virtue,' 'countess,' +'honest woman,' and 'ill-luck' were mingled in his discourse with +magical potency, thanks to that golden tongue of his. + +"When I awoke next morning, and tried to recollect what I had done the +day before, it was with great difficulty that I could make a connected +tale from my impressions. At last, it seemed to me that the daughter of +one of my clients was in danger of losing her reputation, together +with her husband's love and esteem, if she could not get fifty thousand +francs together in the course of the morning. There had been gaming +debts, and carriage-builders' accounts, money lost to Heaven knows whom. +My magician of a boon companion had impressed it upon me that she was +rich enough to make good these reverses by a few years of economy. But +only now did I begin to guess the reasons of his urgency. I confess, to +my shame, that I had not the shadow of a doubt but that it was a matter +of importance that Daddy Gobseck should make it up with this dandy. I +was dressing when the young gentleman appeared. + +"'M. le Comte,' said I, after the usual greetings, 'I fail to see why +you should need me to effect an introduction to Van Gobseck, the most +civil and smooth-spoken of capitalists. Money will be forthcoming if he +has any, or rather, if you can give him adequate security.' + +"'Monsieur,' said he, 'it does not enter into my thoughts to force you +to do me a service, even though you have passed your word.' + +"'Sardanapalus!' said I to myself, 'am I going to let that fellow +imagine that I will not keep my word with him?' + +"'I had the honor of telling you yesterday,' said he, 'that I had fallen +out with Daddy Gobseck most inopportunely; and as there is scarcely +another man in Paris who can come down on the nail with a hundred +thousand francs, at the end of the month, I begged of you to make my +peace with him. But let us say no more about it----' + +"M. de Trailles looked at me with civil insult in his expression, and +made as if he would take his leave. + +"'I am ready to go with you,' said I. + +"When we reached the Rue de Gres, my dandy looked about him with a +circumspection and uneasiness that set me wondering. His face grew +livid, flushed, and yellow, turn and turn about, and by the time that +Gobseck's door came in sight the perspiration stood in drops on his +forehead. We were just getting out of the cabriolet, when a hackney cab +turned into the street. My companion's hawk eye detected a woman in the +depths of the vehicle. His face lighted up with a gleam of almost savage +joy; he called to a little boy who was passing, and gave him his horse +to hold. Then we went up to the old bill discounter. + +"'M. Gobseck,' said I, 'I have brought one of my most intimate friends +to see you (whom I trust as I would trust the Devil,' I added for the +old man's private ear). 'To oblige me you will do your best for him (at +the ordinary rate), and pull him out of his difficulty (if it suits your +convenience).' + +"M. de Trailles made his bow to Gobseck, took a seat, and listened to us +with a courtier-like attitude; its charming humility would have touched +your heart to see, but my Gobseck sits in his chair by the fireside +without moving a muscle, or changing a feature. He looked very like the +statue of Voltaire under the peristyle of the Theatre-Francais, as you +see it of an evening; he had partly risen as if to bow, and the skull +cap that covered the top of his head, and the narrow strip of sallow +forehead exhibited, completed his likeness to the man of marble. + +"'I have no money to spare except for my own clients,' said he. + +"'So you are cross because I may have tried in other quarters to ruin +myself?' laughed the Count. + +"'Ruin yourself!' repeated Gobseck ironically. + +"'Were you about to remark that it is impossible to ruin a man who has +nothing?' inquired the dandy. 'Why, I defy you to find a better _stock_ +in Paris!' he cried, swinging round on his heels. + +"This half-earnest buffoonery produced not the slightest effect upon +Gobseck. + +"'Am I not on intimate terms with the Ronquerolles, the Marsays, the +Franchessinis, the two Vandenesses, the Ajuda-Pintos,--all the most +fashionable young men in Paris, in short? A prince and an ambassador +(you know them both) are my partners at play. I draw my revenues from +London and Carlsbad and Baden and Bath. Is not this the most brilliant +of all industries!' + +"'True.' + +"'You make a sponge of me, begad! you do. You encourage me to go and +swell myself out in society, so that you can squeeze me when I am hard +up; but you yourselves are sponges, just as I am, and death will give +you a squeeze some day.' + +"'That is possible.' + +"'If there were no spendthrifts, what would become of you? The pair of +us are like soul and body.' + +"'Precisely so.' + +"'Come, now, give us your hand, Grandaddy Gobseck, and be magnanimous if +this is "true" and "possible" and "precisely so."' + +"'You come to me,' the usurer answered coldly, 'because Girard, Palma, +Werbrust, and Gigonnet are full up of your paper; they are offering it +at a loss of fifty per cent; and as it is likely they only gave you half +the figure on the face of the bills, they are not worth five-and-twenty +per cent of their supposed value. I am your most obedient! Can I in +common decency lend a stiver to a man who owes thirty thousand francs, +and has not one farthing?' Gobseck continued. 'The day before yesterday +you lost ten thousand francs at a ball at the Baron de Nucingen's.' + +"'Sir,' said the Count, with rare impudence, 'my affairs are no concern +of yours,' and he looked the old man up and down. 'A man has no debts +till payment is due.' + +"'True.' + +"'My bills will be duly met.' + +"'That is possible.' + +"'And at this moment the question between you and me is simply whether +the security I am going to offer is sufficient for the sum I have come +to borrow.' + +"'Precisely.' + +"A cab stopped at the door, and the sound of wheels filled the room. + +"'I will bring something directly which perhaps will satisfy you,' cried +the young man, and he left the room. + +"'Oh! my son,' exclaimed Gobseck, rising to his feet, and stretching +out his arms to me, 'if he has good security, you have saved my life. It +would be the death of me. Werbrust and Gigonnet imagined that they were +going to play off a trick on me; and now, thanks to you, I shall have a +good laugh at their expense to-night.' + +"There was something frightful about the old man's ecstasy. It was the +one occasion when he opened his heart to me; and that flash of joy, +swift though it was, will never be effaced from my memory. + +"'Favor me so far as to stay here,' he added. 'I am armed, and a sure +shot. I have gone tiger-hunting, and fought on the deck when there +was nothing for it but to win or die; but I don't care to trust yonder +elegant scoundrel.' + +"He sat down again in his armchair before his bureau, and his face grew +pale and impassive as before. + +"'Ah!' he continued, turning to me, 'you will see that lovely creature +I once told you about; I can hear a fine lady's step in the corridor; it +is she, no doubt;' and, as a matter of fact, the young man came in with +a woman on his arm. I recognized the Countess, whose levee Gobseck had +described for me, one of old Goriot's two daughters. + +"The Countess did not see me at first; I stayed where I was in the +window bay, with my face against the pane; but I saw her give Maxime a +suspicious glance as she came into the money-lender's damp, dark room. +So beautiful she was, that in spite of her faults I felt sorry for her. +There was a terrible storm of anguish in her heart; her haughty, proud +features were drawn and distorted with pain which she strove in vain +to disguise. The young man had come to be her evil genius. I admired +Gobseck, whose perspicacity had foreseen their future four years ago at +the first bill which she endorsed. + +"'Probably,' said I to myself, 'this monster with the angel face +controls every possible spring of action in her: rules her through +vanity, jealousy, pleasure, and the current of life in the world.'" + +The Vicomtesse de Grandlieu broke in on the story. + +"Why, the woman's very virtues have been turned against her," she +exclaimed. "He has made her shed tears of devotion, and then abused her +kindness and made her pay very dearly for unhallowed bliss." + +Derville did not understand the signs which Mme. de Grandlieu made to +him. + +"I confess," he said, "that I had no inclination to shed tears over the +lot of this unhappy creature, so brilliant in society, so repulsive to +eyes that could read her heart; I shuddered rather at the sight of her +murderer, a young angel with such a clear brow, such red lips and white +teeth, such a winning smile. There they stood before their judge, he +scrutinizing them much as some fifteenth-century Dominican inquisitor +might have peered into the dungeons of the Holy Office while the torture +was administered to two Moors. + +"The Countess spoke tremulously. 'Sir,' she said, 'is there any way +of obtaining the value of these diamonds, and of keeping the right of +repurchase?' She held out a jewel-case. + +"'Yes, madame,' I put in, and came forwards. + +"She looked at me, and a shudder ran through her as she recognized me, +and gave me the glance which means, 'Say nothing of this,' all the world +over. + +"'This,' said I, 'constitutes a sale with faculty of redemption, as it +is called, a formal agreement to transfer and deliver over a piece of +property, either real estate or personalty, for a given time, on the +expiry of which the previous owner recovers his title to the property in +question, upon payment of a stipulated sum.' + +"She breathed more freely. The Count looked black; he had grave doubts +whether Gobseck would lend very much on the diamonds after such a fall +in their value. Gobseck, impassive as ever, had taken up his magnifying +glass, and was quietly scrutinizing the jewels. If I were to live for +a hundred years, I should never forget the sight of his face at that +moment. There was a flush in his pale cheeks; his eyes seemed to have +caught the sparkle of the stones, for there was an unnatural glitter in +them. He rose and went to the light, holding the diamonds close to his +toothless mouth, as if he meant to devour them; mumbling vague words +over them, holding up bracelets, sprays, necklaces, and tiaras one after +another, to judge their water, whiteness, and cutting; taking them out +of the jewel-case and putting them in again, letting the play of the +light bring out all their fires. He was more like a child than an old +man; or, rather, childhood and dotage seemed to meet in him. + +"'Fine stones! The set would have fetched three hundred thousand +francs before the Revolution. What water! Genuine Asiatic diamonds from +Golconda or Visapur. Do you know what they are worth? No, no; no one in +Paris but Gobseck can appreciate them. In the time of the Empire such a +set would have cost another two hundred thousand francs!' + +"He gave a disgusted shrug, and added: + +"'But now diamonds are going down in value every day. The Brazilians +have swamped the market with them since the Peace; but the Indian stones +are a better color. Others wear them now besides court ladies. Does +madame go to court?' + +"While he flung out these terrible words, he examined one stone after +another with delight which no words can describe. + +"'Flawless!' he said. 'Here is a speck!... here is a flaw!... A fine +stone that!' + +"His haggard face was so lighted up by the sparkling jewels, that it put +me in mind of a dingy old mirror, such as you see in country inns. The +glass receives every luminous image without reflecting the light, and +a traveler bold enough to look for his face in it beholds a man in an +apoplectic fit. + +"'Well?' asked the Count, clapping Gobseck on the shoulder. + +"The old boy trembled. He put down his playthings on his bureau, took +his seat, and was a money-lender once more--hard, cold, and polished as +a marble column. + +"'How much do you want?' + +"'One hundred thousand francs for three years,' said the Count. + +"'That is possible,' said Gobseck, and then from a mahogany box +(Gobseck's jewel-case) he drew out a faultlessly adjusted pair of +scales! + +"He weighed the diamonds, calculating the value of stones and setting +at sight (Heaven knows how!), delight and severity struggling in the +expression of his face the meanwhile. The Countess had plunged in a kind +of stupor; to me, watching her, it seemed that she was fathoming the +depths of the abyss into which she had fallen. There was remorse still +left in that woman's soul. Perhaps a hand held out in human charity +might save her. I would try. + +"'Are the diamonds your personal property, madame?' I asked in a clear +voice. + +"'Yes, monsieur,' she said, looking at me with proud eyes. + +"'Make out the deed of purchase with power of redemption, chatterbox,' +said Gobseck to me, resigning his chair at the bureau in my favor. + +"'Madame is without doubt a married woman?' I tried again. + +"She nodded abruptly. + +"'Then I will not draw up the deed,' said I. + +"'And why not?' asked Gobseck. + +"'Why not?' echoed I, as I drew the old man into the bay window so as +to speak aside with him. 'Why not? This woman is under her husband's +control; the agreement would be void in law; you could not possibly +assert your ignorance of a fact recorded on the very face of the +document itself. You would be compelled at once to produce the diamonds +deposited with you, according to the weight, value, and cutting therein +described.' + +"Gobseck cut me short with a nod, and turned towards the guilty couple. + +"'He is right!' he said. 'That puts the whole thing in a different +light. Eighty thousand francs down, and you leave the diamonds with +me,' he added, in the husky, flute-like voice. 'In the way of property, +possession is as good as a title.' + +"'But----' objected the young man. + +"'You can take it or leave it,' continued Gobseck, returning the +jewel-case to the lady as he spoke. + +"'I have too many risks to run.' + +"'It would be better to throw yourself at your husband's feet,' I bent +to whisper in her ear. + +"The usurer doubtless knew what I was saying from the movement of +my lips. He gave me a cool glance. The Count's face grew livid. The +Countess was visibly wavering. Maxime stepped up to her, and, low as he +spoke, I could catch the words: + +"'Adieu, dear Anastasie, may you be happy! As for me, by to-morrow my +troubles will be over.' + +"'Sir!' cried the lady, turning to Gobseck. 'I accept your offer.' + +"'Come, now,' returned Gobseck. 'You have been a long time in coming to +it, my fair lady.' + +"He wrote out a cheque for fifty thousand francs on the Bank of France, +and handed it to the Countess. + +"'Now,' continued he with a smile, such a smile as you will see in +portraits of M. Voltaire, 'now I will give you the rest of the amount in +bills, thirty thousand francs' worth of paper as good as bullion. This +gentleman here has just said, "My bills will be met when they are due,"' +added he, producing certain drafts bearing the Count's signature, all +protested the day before at the request of some of the confraternity, +who had probably made them over to him (Gobseck) at a considerably +reduced figure. + +"The young man growled out something, in which the words 'Old +scoundrel!' were audible. Daddy Gobseck did not move an eyebrow. He drew +a pair of pistols out of a pigeon-hole, remarking coolly: + +"'As the insulted man, I fire first.' + +"'Maxime, you owe this gentleman an explanation,' cried the trembling +Countess in a low voice. + +"'I had no intention of giving offence,' stammered Maxime. + +"'I am quite sure of that,' Gobseck answered calmly; 'you had no +intention of meeting your bills, that was all.' + +"The Countess rose, bowed, and vanished, with a great dread gnawing her, +I doubt not. M. de Trailles was bound to follow, but before he went he +managed to say: + +"'If either of you gentlemen should forget himself, I will have his +blood, or he will have mine.' + +"'Amen!' called Daddy Gobseck as he put his pistols back in their place; +'but a man must have blood in his veins though before he can risk it, my +son, and you have nothing but mud in yours.' + +"When the door was closed, and the two vehicles had gone, Gobseck rose +to his feet and began to prance about. + +"'I have the diamonds! I have the diamonds!' he cried again and again, +'the beautiful diamonds! such diamonds! and tolerably cheaply. Aha! aha! +Werbrust and Gigonnet, you thought you had old Papa Gobseck! _Ego +sum papa_! I am master of the lot of you! Paid! paid, principal and +interest! How silly they will look to-night when I shall come out with +this story between two games of dominoes!' + +"The dark glee, the savage ferocity aroused by the possession of a few +water-white pebbles, set me shuddering. I was dumb with amazement. + +"'Aha! There you are, my boy!' said he. 'We will dine together. We will +have some fun at your place, for I haven't a home of my own, and these +restaurants, with their broths, and sauces, and wines, would poison the +Devil himself.' + +"Something in my face suddenly brought back the usual cold, impassive +expression to his. + +"'You don't understand it,' he said, and sitting down by the hearth, +he put a tin saucepan full of milk on the brazier.--'Will you breakfast +with me?' continued he. 'Perhaps there will be enough here for two.' + +"'Thanks,' said I, 'I do not breakfast till noon.' + +"I had scarcely spoken before hurried footsteps sounded from the +passage. The stranger stopped at Gobseck's door and rapped; there was +that in the knock which suggested a man transported with rage. Gobseck +reconnoitred him through the grating; then he opened the door, and in +came a man of thirty-five or so, judged harmless apparently in spite of +his anger. The newcomer, who was quite plainly dressed, bore a strong +resemblance to the late Duc de Richelieu. You must often have met him, +he was the Countess' husband, a man with the aristocratic figure (permit +the expression to pass) peculiar to statesmen of your faubourg. + +"'Sir,' said this person, addressing himself to Gobseck, who had quite +recovered his tranquillity, 'did my wife go out of this house just now?' + +"'That is possible.' + +"'Well, sir? do you not take my meaning?' + +"'I have not the honor of the acquaintance of my lady your wife,' +returned Gobseck. 'I have had a good many visitors this morning, women +and men, and mannish young ladies, and young gentlemen who look like +young ladies. I should find it very hard to say----' + +"'A truce to jesting, sir! I mean the woman who has this moment gone out +from you.' + +"'How can I know whether she is your wife or not? I never had the +pleasure of seeing you before.' + +"'You are mistaken, M. Gobseck,' said the Count, with profound irony in +his voice. 'We have met before, one morning in my wife's bedroom. You +had come to demand payment for a bill--no bill of hers.' + +"'It was no business of mine to inquire what value she had received for +it,' said Gobseck, with a malignant look at the Count. 'I had come by +the bill in the way of business. At the same time, monsieur,' continued +Gobseck, quietly pouring coffee into his bowl of milk, without a trace +of excitement or hurry in his voice, 'you will permit me to observe that +your right to enter my house and expostulate with me is far from proven +to my mind. I came of age in the sixty-first year of the preceding +century.' + +"'Sir,' said the Count, 'you have just bought family diamonds, which do +not belong to my wife, for a mere trifle.' + +"'Without feeling it incumbent upon me to tell you my private affairs, I +will tell you this much M. le Comte--if Mme. la Comtesse has taken your +diamonds, you should have sent a circular around to all the jewelers, +giving them notice not to buy them; she might have sold them +separately.' + +"'You know my wife, sir!' roared the Count. + +"'True.' + +"'She is in her husband's power.' + +"'That is possible.' + +"'She had no right to dispose of those diamonds----' + +"'Precisely.' + +"'Very well, sir?' + +"'Very well, sir. I knew your wife, and she is in her husband's power; +I am quite willing, she is in the power of a good many people; +but--I--do--_not_--know--your diamonds. If Mme. la Comtesse can put her +name to a bill, she can go into business, of course, and buy and sell +diamonds on her own account. The thing is plain on the face of it!' + +"'Good-day, sir!' cried the Count, now white with rage. 'There are +courts of justice.' + +"'Quite so.' + +"'This gentleman here,' he added, indicating me, 'was a witness of the +sale.' + +"'That is possible.' + +"The Count turned to go. Feeling the gravity of the affair, I suddenly +put in between the two belligerents. + +"'M. le Comte,' said I, 'you are right, and M. Gobseck is by no means in +the wrong. You could not prosecute the purchaser without bringing your +wife into court, and the whole of the odium would not fall on her. I am +an attorney, and I owe it to myself, and still more to my professional +position, to declare that the diamonds of which you speak were purchased +by M. Gobseck in my presence; but, in my opinion, it would be unwise +to dispute the legality of the sale, especially as the goods are not +readily recognizable. In equity our contention would lie, in law it +would collapse. M. Gobseck is too honest a man to deny that the sale was +a profitable transaction, more especially as my conscience, no less than +my duty, compels me to make the admission. But once bring the case into +a court of law, M. le Comte, the issue would be doubtful. My advice to +you is to come to terms with M. Gobseck, who can plead that he bought +the diamonds in all good faith; you would be bound in any case to return +the purchase money. Consent to an arrangement, with power to redeem +at the end of seven or eight months, or a year even, or any convenient +lapse of time, for the repayment of the sum borrowed by Mme. la +Comtesse, unless you would prefer to repurchase them outright and give +security for repayment.' + +"Gobseck dipped his bread into the bowl of coffee, and ate with perfect +indifference; but at the words 'come to terms,' he looked at me as +who should say, 'A fine fellow that! he has learned something from +my lessons!' And I, for my part, riposted with a glance, which he +understood uncommonly well. The business was dubious and shady; there +was pressing need of coming to terms. Gobseck could not deny all +knowledge of it, for I should appear as a witness. The Count thanked me +with a smile of good-will. + +"In the debate which followed, Gobseck showed greed enough and skill +enough to baffle a whole congress of diplomatists; but in the end I +drew up an instrument, in which the Count acknowledged the receipt of +eighty-five thousand francs, interest included, in consideration of +which Gobseck undertook to return the diamonds to the Count. + +"'What waste!' exclaimed he as he put his signature to the agreement. +'How is it possible to bridge such a gulf?' + +"'Have you many children, sir?' Gobseck asked gravely. + +"The Count winced at the question; it was as if the old money-lender, +like an experienced physician, had put his finger at once on the sore +spot. The Comtesse's husband did not reply. + +"'Well,' said Gobseck, taking the pained silence for answer, 'I know +your story by heart. The woman is a fiend, but perhaps you love her +still; I can well believe it; she made an impression on me. Perhaps, +too, you would rather save your fortune, and keep it for one or two of +your children? Well, fling yourself into the whirlpool of society, lose +that fortune at play, come to Gobseck pretty often. The world will say +that I am a Jew, a Tartar, a usurer, a pirate, will say that I have +ruined you! I snap my fingers at them! If anybody insults me, I lay my +man out; nobody is a surer shot nor handles a rapier better than your +servant. And every one knows it. Then, have a friend--if you can find +one--and make over your property to him by a fictitious sale. You call +that a _fidei commissum_, don't you?' he asked, turning to me. + +"The Count seemed to be entirely absorbed in his own thoughts. + +"'You shall have your money to-morrow,' he said, 'have the diamonds in +readiness,' and he went. + +"'There goes one who looks to me to be as stupid as an honest man,' +Gobseck said coolly when the Count had gone. + +"'Say rather stupid as a man of passionate nature.' + +"'The Count owes you your fee for drawing up the agreement!' Gobseck +called after me as I took my leave." + + +"One morning, a few days after the scene which initiated me into the +terrible depths beneath the surface of the life of a woman of fashion, +the Count came into my private office. + +"'I have come to consult you on a matter of grave moment,' he said, 'and +I begin by telling you that I have perfect confidence in you, as I +hope to prove to you. Your behavior to Mme. de Grandlieu is above all +praise,' the Count went on. (You see, madame, that you have paid me a +thousand times over for a very simple matter.) + +"I bowed respectfully, and replied that I had done nothing but the duty +of an honest man. + +"'Well,' the Count went on, 'I have made a great many inquiries about +the singular personage to whom you owe your position. And from all that +I can learn, Gobseck is a philosopher of the Cynic school. What do you +think of his probity?' + +"'M. le Comte,' said I, 'Gobseck is my benefactor--at fifteen per cent,' +I added, laughing. 'But his avarice does not authorize me to paint him +to the life for a stranger's benefit.' + +"'Speak out, sir. Your frankness cannot injure Gobseck or yourself. I do +not expect to find an angel in a pawnbroker.' + +"'Daddy Gobseck,' I began, 'is intimately convinced of the truth of the +principle which he takes for a rule of life. In his opinion, money is a +commodity which you may sell cheap or dear, according to circumstances, +with a clear conscience. A capitalist, by charging a high rate of +interest, becomes in his eyes a secured partner by anticipation. Apart +from the peculiar philosophical views of human nature and financial +principles, which enable him to behave like a usurer, I am fully +persuaded that, out of his business, he is the most loyal and upright +soul in Paris. There are two men in him; he is petty and great--a miser +and a philosopher. If I were to die and leave a family behind me, he +would be the guardian whom I should appoint. This was how I came to see +Gobseck in this light, monsieur. I know nothing of his past life. He +may have been a pirate, may, for anything I know, have been all over the +world, trafficking in diamonds, or men, or women, or State secrets; but +this I affirm of him--never has human soul been more thoroughly +tempered and tried. When I paid off my loan, I asked him, with a little +circumlocution of course, how it was that he had made me pay such an +exorbitant rate of interest; and why, seeing that I was a friend, and +he meant to do me a kindness, he should not have yielded to the wish and +made it complete.--"My son," he said, "I released you from all need to +feel any gratitude by giving you ground for the belief that you owed +me nothing."--So we are the best friends in the world. That answer, +monsieur, gives you the man better than any amount of description.' + +"'I have made up my mind once and for all,' said the Count. 'Draw up the +necessary papers; I am going to transfer my property to Gobseck. I have +no one but you to trust to in the draft of the counter-deed, which will +declare that this transfer is a simulated sale, and that Gobseck as +trustee will administer my estate (as he knows how to administer), and +undertakes to make over my fortune to my eldest son when he comes of +age. Now, sir, this I must tell you: I should be afraid to have that +precious document in my own keeping. My boy is so fond of his mother, +that I cannot trust him with it. So dare I beg of you to keep it for me? +In case of death, Gobseck would make you legatee of my property. Every +contingency is provided for.' + +"The Count paused for a moment. He seemed greatly agitated. + +"'A thousand pardons,' he said at length; 'I am in great pain, and have +very grave misgivings as to my health. Recent troubles have disturbed me +very painfully, and forced me to take this great step.' + +"'Allow me first to thank you, monsieur,' said I, 'for the trust you +place me in. But I am bound to deserve it by pointing out to you that +you are disinheriting your--other children. They bear your name. Merely +as the children of a once-loved wife, now fallen from her position, they +have a claim to an assured existence. I tell you plainly that I cannot +accept the trust with which you propose to honor me unless their future +is secured.' + +"The Count trembled violently at the words, and tears came into his eyes +as he grasped my hand, saying, 'I did not know my man thoroughly. +You have made me both glad and sorry. We will make provision for the +children in the counter-deed.' + +"I went with him to the door; it seemed to me that there was a glow of +satisfaction in his face at the thought of this act of justice. + +"Now, Camille, this is how a young wife takes the first step to the +brink of a precipice. A quadrille, a ballad, a picnic party is +sometimes cause sufficient of frightful evils. You are hurried on by +the presumptuous voice of vanity and pride, on the faith of a smile, +or through giddiness and folly! Shame and misery and remorse are three +Furies awaiting every woman the moment she oversteps the limits----" + +"Poor Camille can hardly keep awake," the Vicomtesse hastily broke +in.--"Go to bed, child; you have no need of appalling pictures to keep +you pure in heart and conduct." + +Camille de Grandlieu took the hint and went. + +"You were going rather too far, dear M. Derville," said the Vicomtesse, +"an attorney is not a mother of daughters nor yet a preacher." + +"But any newspaper is a thousand times----" + +"Poor Derville!" exclaimed the Vicomtesse, "what has come over you? +Do you really imagine that I allow a daughter of mine to read the +newspapers?--Go on," she added after a pause. + +"Three months after everything was signed and sealed between the Count +and Gobseck----" + +"You can call him the Comte de Restaud, now that Camille is not here," +said the Vicomtesse. + +"So be it! Well, time went by, and I saw nothing of the counter-deed, +which by rights should have been in my hands. An attorney in Paris lives +in such a whirl of business that with certain exceptions which we make +for ourselves, we have not the time to give each individual client the +amount of interest which he himself takes in his affairs. Still, one day +when Gobseck came to dine with me, I asked him as we left the table if +he knew how it was that I had heard no more of M. de Restaud. + +"'There are excellent reasons for that,' he said; 'the noble Count is at +death's door. He is one of the soft stamp that cannot learn how to put +an end to chagrin, and allow it to wear them out instead. Life is a +craft, a profession; every man must take the trouble to learn +that business. When he has learned what life is by dint of painful +experiences, the fibre of him is toughened, and acquires a certain +elasticity, so that he has his sensibilities under his own control; he +disciplines himself till his nerves are like steel springs, which +always bend, but never break; given a sound digestion, and a man in +such training ought to live as long as the cedars of Lebanon, and famous +trees they are.' + +"'Then is the Count actually dying?' I asked. + +"'That is possible,' said Gobseck; 'the winding up of his estate will be +a juicy bit of business for you.' + +"I looked at my man, and said, by way of sounding him: + +"'Just explain to me how it is that we, the Count and I, are the only +men in whom you take an interest?' + +"'Because you are the only two who have trusted me without finessing,' +he said. + +"Although this answer warranted my belief that Gobseck would act fairly +even if the counter-deed were lost, I resolved to go to see the Count. I +pleaded a business engagement, and we separated. + +"I went straight to the Rue du Helder, and was shown into a room where +the Countess sat playing with her children. When she heard my name, she +sprang up and came to meet me, then she sat down and pointed without a +word to a chair by the fire. Her face wore the inscrutable mask beneath +which women of the world conceal their most vehement emotions. Trouble +had withered that face already. Nothing of its beauty now remained, save +the marvelous outlines in which its principal charm had lain. + +"'It is essential, madame, that I should speak to M. le Comte----" + +"'If so, you would be more favored than I am,' she said, interrupting +me. 'M. de Restaud will see no one. He will hardly allow his doctor to +come, and will not be nursed even by me. When people are ill, they have +such strange fancies! They are like children, they do not know what they +want.' + +"'Perhaps, like children, they know very well what they want.' + +"The Countess reddened. I almost repented a thrust worthy of Gobseck. +So, by way of changing the conversation, I added, 'But M. de Restaud +cannot possibly lie there alone all day, madame.' + +"'His oldest boy is with him,' she said. + +"It was useless to gaze at the Countess; she did not blush this time, +and it looked to me as if she were resolved more firmly than ever that I +should not penetrate into her secrets. + +"'You must understand, madame, that my proceeding is no way indiscreet. +It is strongly to his interest--' I bit my lips, feeling that I had gone +the wrong way to work. The Countess immediately took advantage of my +slip. + +"'My interests are in no way separate from my husband's, sir,' said she. +'There is nothing to prevent your addressing yourself to me----' + +"'The business which brings me here concerns no one but M. le Comte,' I +said firmly. + +"'I will let him know of your wish to see him.' + +"The civil tone and expression assumed for the occasion did not impose +upon me; I divined that she would never allow me to see her husband. I +chatted on about indifferent matters for a little while, so as to study +her; but, like all women who have once begun to plot for themselves, she +could dissimulate with the rare perfection which, in your sex, means the +last degree of perfidy. If I may dare to say it, I looked for anything +from her, even a crime. She produced this feeling in me, because it was +so evident from her manner and in all that she did or said, down to +the very inflections of her voice, that she had an eye to the future. I +went. + +"Now, I will pass on to the final scenes of this adventure, throwing in +a few circumstances brought to light by time, and some details guessed +by Gobseck's perspicacity or by my own. + +"When the Comte de Restaud apparently plunged into the vortex of +dissipation, something passed between the husband and wife, something +which remains an impenetrable secret, but the wife sank even lower in +the husband's eyes. As soon as he became so ill that he was obliged to +take to his bed, he manifested his aversion for the Countess and the two +youngest children. He forbade them to enter his room, and any attempt +to disobey his wishes brought on such dangerous attacks that the doctor +implored the Countess to submit to her husband's wish. + +"Mme. de Restaud had seen the family estates and property, nay, the very +mansion in which she lived, pass into the hands of Gobseck, who appeared +to play the fantastic ogre so far as their wealth was concerned. +She partially understood what her husband was doing, no doubt. M. de +Trailles was traveling in England (his creditors had been a little too +pressing of late), and no one else was in a position to enlighten the +lady, and explain that her husband was taking precautions against her +at Gobseck's suggestion. It is said that she held out for a long while +before she gave the signature required by French law for the sale of +the property; nevertheless the Count gained his point. The Countess was +convinced that her husband was realizing his fortune, and that somewhere +or other there would be a little bunch of notes representing the amount; +they had been deposited with a notary, or perhaps at the bank, or in +some safe hiding-place. Following out her train of thought, it was +evident that M. de Restaud must of necessity have some kind of document +in his possession by which any remaining property could be recovered and +handed over to his son. + +"So she made up her mind to keep the strictest possible watch over the +sick-room. She ruled despotically in the house, and everything in it +was submitted to this feminine espionage. All day she sat in the salon +adjoining her husband's room, so that she could hear every syllable that +he uttered, every least movement that he made. She had a bed put there +for her of a night, but she did not sleep very much. The doctor was +entirely in her interests. Such wifely devotion seemed praiseworthy +enough. With the natural subtlety of perfidy, she took care to disguise +M. de Restaud's repugnance for her, and feigned distress so perfectly +that she gained a sort of celebrity. Strait-laced women were even found +to say that she had expiated her sins. Always before her eyes she +beheld a vision of the destitution to follow on the Count's death if her +presence of mind should fail her; and in these ways the wife, repulsed +from the bed of pain on which her husband lay and groaned, had drawn +a charmed circle round about it. So near, yet kept at a distance; +all-powerful, but in disgrace, the apparently devoted wife was lying +in wait for death and opportunity; crouching like the ant-lion at the +bottom of his spiral pit, ever on the watch for the prey that cannot +escape, listening to the fall of every grain of sand. + +"The strictest censor could not but recognize that the Countess pushed +maternal sentiment to the last degree. Her father's death had been a +lesson to her, people said. She worshiped her children. They were so +young that she could hide the disorders of her life from their eyes, +and could win their love; she had given them the best and most brilliant +education. I confess that I cannot help admiring her and feeling sorry +for her. Gobseck used to joke me about it. Just about that time she had +discovered Maxime's baseness, and was expiating the sins of the past in +tears of blood. I was sure of it. Hateful as were the measures which +she took for regaining control of her husband's money, were they not +the result of a mother's love, and a desire to repair the wrongs she +had done her children? And again, it may be, like many a woman who has +experienced the storm of lawless love, she felt a longing to lead a +virtuous life again. Perhaps she only learned the worth of that life +when she came to reap the woeful harvest sown by her errors. + +"Every time that little Ernest came out of his father's room, she put +him through a searching examination as to all that his father had done +or said. The boy willingly complied with his mother's wishes, and told +her even more than she asked in her anxious affection, as he thought. + +"My visit was a ray of light for the Countess. She was determined to +see in me the instrument of the Count's vengeance, and resolved that +I should not be allowed to go near the dying man. I augured ill of all +this, and earnestly wished for an interview, for I was not easy in my +mind about the fate of the counter-deed. If it should fall into the +Countess' hands, she might turn it to her own account, and that would +be the beginning of a series of interminable lawsuits between her and +Gobseck. I knew the usurer well enough to feel convinced that he would +never give up the property to her; there was room for plenty of legal +quibbling over a series of transfers, and I alone knew all the ins and +outs of the matter. I was minded to prevent such a tissue of misfortune, +so I went to the Countess a second time. + +"I have noticed, madame," said Derville, turning to the Vicomtesse, and +speaking in a confidential tone, "certain moral phenomena to which we +do not pay enough attention. I am naturally an observer of human nature, +and instinctively I bring a spirit of analysis to the business that I +transact in the interest of others, when human passions are called into +lively play. Now, I have often noticed, and always with new wonder, that +two antagonists almost always divine each other's inmost thoughts and +ideas. Two enemies sometimes possess a power of clear insight into +mental processes, and read each other's minds as two lovers read in +either soul. So when we came together, the Countess and I, I understood +at once the reason of her antipathy for me, disguised though it was by +the most gracious forms of politeness and civility. I had been forced to +be her confidant, and a woman cannot but hate the man before whom she +is compelled to blush. And she on her side knew that if I was the man in +whom her husband placed confidence, that husband had not as yet given up +his fortune. + +"I will spare you the conversation, but it abides in my memory as one of +the most dangerous encounters in my career. Nature had bestowed on her +all the qualities which, combined, are irresistibly fascinating; she +could be pliant and proud by turns, and confiding and coaxing in +her manner; she even went so far as to try to subjugate me. It was a +failure. As I took my leave of her, I caught a gleam of hate and rage +in her eyes that made me shudder. We parted enemies. She would fain have +crushed me out of existence; and for my own part, I felt pity for her, +and for some natures pity is the deadliest of insults. This feeling +pervaded the last representations I put before her; and when I left her, +I left, I think, dread in the depths of her soul, by declaring that, +turn which way she would, ruin lay inevitably before her. + +"'If I were to see M. le Comte, your children's property at any rate +would----' + +"'I should be at your mercy,' she said, breaking in upon me, disgust in +her gesture. + +"Now that we had spoken frankly, I made up my mind to save the family +from impending destitution. I resolved to strain the law at need to gain +my ends, and this was what I did. I sued the Comte de Restaud for a sum +of money, ostensibly due to Gobseck, and gained judgment. The Countess, +of course, did not allow him to know of this, but I had gained on my +point, I had a right to affix seals to everything on the death of the +Count. I bribed one of the servants in the house--the man undertook to +let me know at any hour of the day or night if his master should be +at the point of death, so that I could intervene at once, scare +the Countess with a threat of affixing seals, and so secure the +counter-deed. + +"I learned later on that the woman was studying the Code, with her +husband's dying moans in her ears. If we could picture the thoughts of +those who stand about a deathbed, what fearful sights should we not see? +Money is always the motive-spring of the schemes elaborated, of all the +plans that are made and the plots that are woven about it! Let us leave +these details, nauseating in the nature of them; but perhaps they may +have given you some insight into all that this husband and wife endured; +perhaps too they may unveil much that is passing in secret in other +houses. + +"For two months the Comte de Restaud lay on his bed, alone, and resigned +to his fate. Mortal disease was slowly sapping the strength of mind and +body. Unaccountable and grotesque sick fancies preyed upon him; he would +not suffer them to set his room in order, no one could nurse him, he +would not even allow them to make his bed. All his surroundings bore the +marks of this last degree of apathy, the furniture was out of place, the +daintiest trifles were covered with dust and cobwebs. In health he had +been a man of refined and expensive tastes, now he positively delighted +in the comfortless look of the room. A host of objects required in +illness--rows of medicine bottles, empty and full, most of them dirty, +crumpled linen, and broken plates, littered the writing-table, chairs, +and chimney-piece. An open warming-pan lay on the floor before the +grate; a bath, still full of mineral water had not been taken away. The +sense of coming dissolution pervaded all the details of an unsightly +chaos. Signs of death appeared in things inanimate before the Destroyer +came to the body on the bed. The Comte de Restaud could not bear the +daylight, the Venetian shutters were closed, darkness deepened the gloom +in the dismal chamber. The sick man himself had wasted greatly. All the +life in him seemed to have taken refuge in the still brilliant eyes. The +livid whiteness of his face was something horrible to see, enhanced as +it was by the long dank locks of hair that straggled along his cheeks, +for he would never suffer them to cut it. He looked like some religious +fanatic in the desert. Mental suffering was extinguishing all human +instincts in this man of scarce fifty years of age, whom all Paris had +known as so brilliant and so successful. + +"One morning at the beginning of December 1824, he looked up at Ernest, +who sat at the foot of his bed gazing at his father with wistful eyes. + +"'Are you in pain?' the little Vicomte asked. + +"'No,' said the Count, with a ghastly smile, 'it all lies _here and +about my heart_!' + +"He pointed to his forehead, and then laid his wasted fingers on his +hollow chest. Ernest began to cry at the sight. + +"'How is it that M. Derville does not come to me?' the Count asked his +servant (he thought that Maurice was really attached to him, but the man +was entirely in the Countess' interest)--'What! Maurice!' and the dying +man suddenly sat upright in his bed, and seemed to recover all his +presence of mind, 'I have sent for my attorney seven or eight times +during the last fortnight, and he does not come!' he cried. 'Do you +imagine that I am to be trifled with? Go for him, at once, this very +instant, and bring him back with you. If you do not carry out my orders, +I shall get up and go myself.' + +"'Madame,' said the man as he came into the salon, 'you heard M. le +Comte; what ought I to do?' + +"'Pretend to go to the attorney, and when you come back tell your +master that his man of business is forty leagues away from Paris on +an important lawsuit. Say that he is expected back at the end of the +week.--Sick people never know how ill they are,' thought the Countess; +'he will wait till the man comes home.' + +"The doctor had said on the previous evening that the Count could +scarcely live through the day. When the servant came back two hours +later to give that hopeless answer, the dying man seemed to be greatly +agitated. + +"'Oh God!' he cried again and again, 'I put my trust in none but Thee.' + +"For a long while he lay and gazed at his son, and spoke in a feeble +voice at last. + +"'Ernest, my boy, you are very young; but you have a good heart; you can +understand, no doubt, that a promise given to a dying man is sacred; +a promise to a father... Do you feel that you can be trusted with a +secret, and keep it so well and so closely that even your mother herself +shall not know that you have a secret to keep? There is no one else in +this house whom I can trust to-day. You will not betray my trust, will +you?' + +"'No, father.' + +"'Very well, then, Ernest, in a minute or two I will give you a sealed +packet that belongs to M. Derville; you must take such care of it that +no one can know that you have it; then you must slip out of the house +and put the letter into the post-box at the corner.' + +"'Yes, father.' + +"'Can I depend upon you?' + +"'Yes, father.' + +"'Come and kiss me. You have made death less bitter to me, dear boy. +In six or seven years' time you will understand the importance of +this secret, and you will be well rewarded then for your quickness and +obedience, you will know then how much I love you. Leave me alone for a +minute, and let no one--no matter whom--come in meanwhile.' + +"Ernest went out and saw his mother standing in the next room. + +"'Ernest,' said she, 'come here.' + +"She sat down, drew her son to her knees, and clasped him in her arms, +and held him tightly to her heart. + +"'Ernest, your father said something to you just now.' + +"'Yes, mamma.' + +"'What did he say?' + +"'I cannot repeat it, mamma.' + +"'Oh, my dear child!' cried the Countess, kissing him in rapture. 'You +have kept your secret; how glad that makes me! Never tell a lie; never +fail to keep your word--those are two principles which should never be +forgotten.' + +"'Oh! mamma, how beautiful you are! _You_ have never told a lie, I am +quite sure.' + +"'Once or twice, Ernest dear, I have lied. Yes, and I have not kept my +word under circumstances which speak louder than all precepts. Listen, +my Ernest, you are big enough and intelligent enough to see that your +father drives me away, and will not allow me to nurse him, and this is +not natural, for you know how much I love him.' + +"'Yes, mamma.' + +"The Countess began to cry. 'Poor child!' she said, 'this misfortune +is the result of treacherous insinuations. Wicked people have tried to +separate me from your father to satisfy their greed. They mean to take +all our money from us and to keep it for themselves. If your father were +well, the division between us would soon be over; he would listen to +me; he is loving and kind; he would see his mistake. But now his mind is +affected, and his prejudices against me have become a fixed idea, a +sort of mania with him. It is one result of his illness. Your father's +fondness for you is another proof that his mind is deranged. Until +he fell ill you never noticed that he loved you more than Pauline and +Georges. It is all caprice with him now. In his affection for you he +might take it into his head to tell you to do things for him. If you do +not want to ruin us all, my darling, and to see your mother begging her +bread like a pauper woman, you must tell her everything----' + +"'Ah!' cried the Count. He had opened the door and stood there, a +sudden, half-naked apparition, almost as thin and fleshless as a +skeleton. + +"His smothered cry produced a terrible effect upon the Countess; she +sat motionless, as if a sudden stupor had seized her. Her husband was as +white and wasted as if he had risen out of his grave. + +"'You have filled my life to the full with trouble, and now you are +trying to vex my deathbed, to warp my boy's mind, and make a depraved +man of him!' he cried, hoarsely. + +"The Countess flung herself at his feet. His face, working with the last +emotions of life, was almost hideous to see. + +"'Mercy! mercy!' she cried aloud, shedding a torrent of tears. + +"'Have you shown me any pity?' he asked. 'I allowed you to squander your +own money, and now do you mean to squander my fortune, too, and ruin my +son?' + +"'Ah! well, yes, have no pity for me, be merciless to me!' she cried. +'But the children? Condemn your widow to live in a convent; I will obey +you; I will do anything, anything that you bid me, to expiate the wrong +I have done you, if that so the children may be happy! The children! Oh, +the children!' + +"'I have only one child,' said the Count, stretching out a wasted arm, +in his despair, towards his son. + +"'Pardon a penitent woman, a penitent woman!...' wailed the Countess, +her arms about her husband's damp feet. She could not speak for sobbing; +vague, incoherent sounds broke from her parched throat. + +"'You dare to talk of penitence after all that you said to Ernest!' +exclaimed the dying man, shaking off the Countess, who lay groveling +over his feet.--'You turn me to ice!' he added, and there was something +appalling in the indifference with which he uttered the words. 'You +have been a bad daughter; you have been a bad wife; you will be a bad +mother.' + +"The wretched woman fainted away. The dying man reached his bed and lay +down again, and a few hours later sank into unconsciousness. The priests +came and administered the sacraments. + +"At midnight he died; the scene that morning had exhausted his remaining +strength, and on the stroke of midnight I arrived with Daddy Gobseck. +The house was in confusion, and under cover of it we walked up into the +little salon adjoining the death-chamber. The three children were there +in tears, with two priests, who had come to watch with the dead. Ernest +came over to me, and said that his mother desired to be alone in the +Count's room. + +"'Do not go in,' he said; and I admired the child for his tone and +gesture; 'she is praying there.' + +"Gobseck began to laugh that soundless laugh of his, but I felt too much +touched by the feeling in Ernest's little face to join in the miser's +sardonic amusement. When Ernest saw that we moved towards the door, +he planted himself in front of it, crying out, 'Mamma, here are some +gentlemen in black who want to see you!' + +"Gobseck lifted Ernest out of the way as if the child had been a +feather, and opened the door. + +"What a scene it was that met our eyes! The room was in frightful +disorder; clothes and papers and rags lay tossed about in a confusion +horrible to see in the presence of Death; and there, in the midst, stood +the Countess in disheveled despair, unable to utter a word, her eyes +glittering. The Count had scarcely breathed his last before his wife +came in and forced open the drawers and the desk; the carpet was strewn +with litter, some of the furniture and boxes were broken, the signs of +violence could be seen everywhere. But if her search had at first proved +fruitless, there was that in her excitement and attitude which led me to +believe that she had found the mysterious documents at last. I glanced +at the bed, and professional instinct told me all that had happened. The +mattress had been flung contemptuously down by the bedside, and across +it, face downwards, lay the body of the Count, like one of the paper +envelopes that strewed the carpet--he too was nothing now but an +envelope. There was something grotesquely horrible in the attitude of +the stiffening rigid limbs. + +"The dying man must have hidden the counter-deed under his pillow to +keep it safe so long as life should last; and his wife must have guessed +his thought; indeed, it might be read plainly in his last dying gesture, +in the convulsive clutch of his claw-like hands. The pillow had been +flung to the floor at the foot of the bed; I could see the print of +her heel upon it. At her feet lay a paper with the Count's arms on the +seals; I snatched it up, and saw that it was addressed to me. I looked +steadily at the Countess with the pitiless clear-sightedness of an +examining magistrate confronting a guilty creature. The contents were +blazing in the grate; she had flung them on the fire at the sound of our +approach, imagining, from a first hasty glance at the provisions which +I had suggested for her children, that she was destroying a will which +disinherited them. A tormented conscience and involuntary horror of the +deed which she had done had taken away all power of reflection. She had +been caught in the act, and possibly the scaffold was rising before her +eyes, and she already felt the felon's branding iron. + +"There she stood gasping for breath, waiting for us to speak, staring at +us with haggard eyes. + +"I went across to the grate and pulled out an unburned fragment. 'Ah, +madame!' I exclaimed, 'you have ruined your children! Those papers were +their titles to their property.' + +"Her mouth twitched, she looked as if she were threatened by a paralytic +seizure. + +"'Eh! eh!' cried Gobseck; the harsh, shrill tone grated upon our ears +like the sound of a brass candlestick scratching a marble surface. + +"There was a pause, then the old man turned to me and said quietly: + +"'Do you intend Mme. la Comtesse to suppose that I am not the rightful +owner of the property sold to me by her late husband? This house belongs +to me now.' + +"A sudden blow on the head from a bludgeon would have given me less pain +and astonishment. The Countess saw the look of hesitation in my face. + +"'Monsieur,' she cried, 'Monsieur!' She could find no other words. + +"'You are a trustee, are you not?' I asked. + +"'That is possible.' + +"'Then do you mean to take advantage of this crime of hers?' + +"'Precisely.' + +"I went at that, leaving the Countess sitting by her husband's bedside, +shedding hot tears. Gobseck followed me. Outside in the street I +separated from him, but he came after me, flung me one of those +searching glances with which he probed men's minds, and said in the +husky flute-tones, pitched in a shriller key: + +"'Do you take it upon yourself to judge me?'" + + +"From that time forward we saw little of each other. Gobseck let the +Count's mansion on lease; he spent the summers on the country estates. +He was a lord of the manor in earnest, putting up farm buildings, +repairing mills and roadways, and planting timber. I came across him one +day in a walk in the Jardin des Tuileries. + +"'The Countess is behaving like a heroine,' said I; 'she gives herself +up entirely to the children's education; she is giving them a perfect +bringing up. The oldest boy is a charming young fellow----' + +"'That is possible.' + +"'But ought you not to help Ernest?' I suggested. + +"'Help him!' cried Gobseck. 'Not I. Adversity is the greatest of all +teachers; adversity teaches us to know the value of money and the worth +of men and women. Let him set sail on the seas of Paris; when he is a +qualified pilot, we will give him a ship to steer.' + +"I left him without seeking to explain the meaning of his words. + +"M. de Restaud's mother has prejudiced him against me, and he is very +far from taking me as his legal adviser; still, I went to see Gobseck +last week to tell him about Ernest's love for Mlle. Camille, and pressed +him to carry out his contract, since that young Restaud is just of age. + +"I found the old bill-discounter had been kept to his bed for a long +time by the complaint of which he was to die. He put me off, saying that +he would give the matter his attention when he could get up again and +see after his business; his idea being no doubt that he would not give +up any of his possessions so long as the breath was in him; no other +reason could be found for his shuffling answer. He seemed to me to be +much worse than he at all suspected. I stayed with him long enough to +discern the progress of a passion which age had converted into a sort of +craze. He wanted to be alone in the house, and had taken the rooms one +by one as they fell vacant. In his own room he had changed nothing; +the furniture which I knew so well sixteen years ago looked the same as +ever; it might have been kept under a glass case. Gobseck's faithful old +portress, with her husband, a pensioner, who sat in the entry while +she was upstairs, was still his housekeeper and charwoman, and now in +addition his sick-nurse. In spite of his feebleness, Gobseck saw his +clients himself as heretofore, and received sums of money; his affairs +had been so simplified, that he only needed to send his pensioner out +now and again on an errand, and could carry on business in his bed. + +"After the treaty, by which France recognized the Haytian Republic, +Gobseck was one of the members of the commission appointed to liquidate +claims and assess repayments due by Hayti; his special knowledge of old +fortunes in San Domingo, and the planters and their heirs and assigns +to whom the indemnities were due, had led to his nomination. Gobseck's +peculiar genius had then devised an agency for discounting the planters' +claims on the government. The business was carried on under the names +of Werbrust and Gigonnet, with whom he shared the spoil without +disbursements, for his knowledge was accepted instead of capital. The +agency was a sort of distillery, in which money was extracted from +doubtful claims, and the claims of those who knew no better, or had no +confidence in the government. As a liquidator, Gobseck could make terms +with the large landed proprietors; and these, either to gain a higher +percentage of their claims, or to ensure prompt settlements, would send +him presents in proportion to their means. In this way presents came to +be a kind of percentage upon sums too large to pass through his control, +while the agency bought up cheaply the small and dubious claims, or the +claims of those persons who preferred a little ready money to a deferred +and somewhat hazy repayment by the Republic. Gobseck was the insatiable +boa constrictor of the great business. Every morning he received his +tribute, eyeing it like a Nabob's prime minister, as he considers +whether he will sign a pardon. Gobseck would take anything, from the +present of game sent him by some poor devil or the pound's weight of wax +candles from devout folk, to the rich man's plate and the speculator's +gold snuff-box. Nobody knew what became of the presents sent to the old +money-lender. Everything went in, but nothing came out. + +"'On the word of an honest woman,' said the portress, an old +acquaintance of mine, 'I believe he swallows it all and is none the +fatter for it; he is as thin and dried up as the cuckoo in the clock.' + +"At length, last Monday, Gobseck sent his pensioner for me. The man came +up to my private office. + +"'Be quick and come, M. Derville,' said he, 'the governor is just +going to hand in his checks; he has grown as yellow as a lemon; he is +fidgeting to speak with you; death has fair hold of him; the rattle is +working in his throat.' + +"When I entered Gobseck's room, I found the dying man kneeling before +the grate. If there was no fire on the hearth, there was at any rate +a monstrous heap of ashes. He had dragged himself out of bed, but his +strength had failed him, and he could neither go back nor find the voice +to complain. + +"'You felt cold, old friend,' I said, as I helped him back to his bed; +'how can you do without a fire?' + +"'I am not cold at all,' he said. 'No fire here! no fire! I am going, I +know not where, lad,' he went on, glancing at me with blank, lightless +eyes, 'but I am going away from this.--I have _carpology_,' said he +(the use of the technical term showing how clear and accurate his mental +processes were even now). 'I thought the room was full of live gold, and +I got up to catch some of it.--To whom will all mine go, I wonder? +Not to the crown; I have left a will, look for it, Grotius. _La belle +Hollandaise_ had a daughter; I once saw the girl somewhere or other, in +the Rue Vivienne, one evening. They call her "_La Torpille_," I believe; +she is as pretty as pretty can be; look her up, Grotius. You are my +executor; take what you like; help yourself. There are Strasburg pies, +there, and bags of coffee, and sugar, and gold spoons. Give the Odiot +service to your wife. But who is to have the diamonds? Are you going +to take them, lad? There is snuff too--sell it at Hamburg, tobaccos are +worth half as much again at Hamburg. All sorts of things I have in fact, +and now I must go and leave them all.--Come, Papa Gobseck, no weakness, +be yourself!' + +"He raised himself in bed, the lines of his face standing out as +sharply against the pillow as if the profile had been cast in bronze; he +stretched out a lean arm and bony hand along the coverlet and clutched +it, as if so he would fain keep his hold on life, then he gazed hard at +the grate, cold as his own metallic eyes, and died in full consciousness +of death. To us--the portress, the old pensioner, and myself--he looked +like one of the old Romans standing behind the Consuls in Lethiere's +picture of the _Death of the Sons of Brutus_. + +"'He was a good-plucked one, the old Lascar!' said the pensioner in his +soldierly fashion. + +"But as for me, the dying man's fantastical enumeration of his riches +still sounding in my ears, and my eyes, following the direction of his, +rested on that heap of ashes. It struck me that it was very large. I +took the tongs, and as soon as I stirred the cinders, I felt the metal +underneath, a mass of gold and silver coins, receipts taken during his +illness, doubtless, after he grew too feeble to lock the money up, and +could trust no one to take it to the bank for him. + +"'Run for the justice of the peace,' said I, turning to the old +pensioner, 'so that everything can be sealed here at once.' + +"Gobseck's last words and the old portress' remarks had struck me. +I took the keys of the rooms on the first and second floor to make a +visitation. The first door that I opened revealed the meaning of the +phrases which I took for mad ravings; and I saw the length to which +covetousness goes when it survives only as an illogical instinct, the +last stage of greed of which you find so many examples among misers in +country towns. + +"In the room next to the one in which Gobseck had died, a quantity of +eatables of all kinds were stored--putrid pies, mouldy fish, nay, even +shell-fish, the stench almost choked me. Maggots and insects swarmed. +These comparatively recent presents were put down, pell-mell, among +chests of tea, bags of coffee, and packing-cases of every shape. A +silver soup tureen on the chimney-piece was full of advices of the +arrival of goods consigned to his order at Havre, bales of cotton, +hogsheads of sugar, barrels of rum, coffees, indigo, tobaccos, a perfect +bazaar of colonial produce. The room itself was crammed with furniture, +and silver-plate, and lamps, and vases, and pictures; there were books, +and curiosities, and fine engravings lying rolled up, unframed. Perhaps +these were not all presents, and some part of this vast quantity of +stuff had been deposited with him in the shape of pledges, and had been +left on his hands in default of payment. I noticed jewel-cases, with +ciphers and armorial bearings stamped upon them, and sets of fine +table-linen, and weapons of price; but none of the things were docketed. +I opened a book which seemed to be misplaced, and found a thousand-franc +note in it. I promised myself that I would go through everything +thoroughly; I would try the ceilings, and floors, and walls, and +cornices to discover all the gold, hoarded with such passionate greed +by a Dutch miser worthy of a Rembrandt's brush. In all the course of +my professional career I have never seen such impressive signs of the +eccentricity of avarice. + +"I went back to his room, and found an explanation of this chaos +and accumulation of riches in a pile of letters lying under the +paper-weights on his desk--Gobseck's correspondence with the various +dealers to whom doubtless he usually sold his presents. These persons +had, perhaps, fallen victims to Gobseck's cleverness, or Gobseck may +have wanted fancy prices for his goods; at any rate, every bargain hung +in suspense. He had not disposed of the eatables to Chevet, because +Chevet would only take them of him at a loss of thirty per cent. Gobseck +haggled for a few francs between the prices, and while they wrangled the +goods became unsalable. Again, Gobseck had refused free delivery of +his silver-plate, and declined to guarantee the weights of his coffees. +There had been a dispute over each article, the first indication in +Gobseck of the childishness and incomprehensible obstinacy of age, a +condition of mind reached at last by all men in whom a strong passion +survives the intellect. + +"I said to myself, as he had said, 'To whom will all these riches go?' +... And then I think of the grotesque information he gave me as to the +present address of his heiress, I foresee that it will be my duty +to search all the houses of ill-fame in Paris to pour out an immense +fortune on some worthless jade. But, in the first place, know this--that +in a few days time Ernest de Restaud will come into a fortune to which +his title is unquestionable, a fortune which will put him in a position +to marry Mlle. Camille, even after adequate provision has been made for +his mother the Comtesse de Restaud and his sister and brother." + + + + +ADDENDUM + +The following personages appear in other stories of the Human Comedy. + + Bidault (known as Gigonnet) + The Government Clerks + The Vendetta + Cesar Birotteau + The Firm of Nucingen + A Daughter of Eve + + Derville + A Start in Life + The Gondreville Mystery + Father Goriot + Colonel Chabert + Scenes from a Courtesan's Life + + Derville, Madame + Cesar Birotteau + + Gobseck, Jean-Esther Van + Father Goriot + Cesar Birotteau + The Government Clerks + The Unconscious Humorists + + Gobseck, Sarah Van + Cesar Birotteau + The Maranas + Scenes from a Courtesan's Life + The Member for Arcis + + Gobseck, Esther Van + The Firm of Nucingen + A Bachelor's Establishment + Scenes from a Courtesan's Life + + Grandlieu, Vicomtesse de + Scenes from a Courtesan's Life + Colonel Chabert + + Grandlieu, Vicomte Juste de + Scenes from a Courtesan's Life + + Grandlieu, Vicomtesse Juste de + Scenes from a Courtesan's Life + A Daughter of Eve + + Maurice (de Restaud's valet) + Father Goriot + + Palma (banker) + The Firm of Nucingen + Cesar Birotteau + Lost Illusions + A Distinguished Provincial at Paris + The Ball at Sceaux + + Restaud, Comte de + Father Goriot + + Restaud, Comtesse Anastasie de + Father Goriot + + Restaud, Ernest de + The Member for Arcis + + Restaud, Madame Ernest de + The Member for Arcis + + Restaud, Felix-Georges de + The Member for Arcis + + Trailles, Comte Maxime de + Cesar Birotteau + Father Goriot + Ursule Mirouet + A Man of Business + The Member for Arcis + The Secrets of a Princess + Cousin Betty + The Member for Arcis + Beatrix + The Unconscious Humorists + + + + + + +End of the Project Gutenberg EBook of Gobseck, by Honore de Balzac + +*** END OF THIS PROJECT GUTENBERG EBOOK GOBSECK *** + +***** This file should be named 1389.txt or 1389.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/3/8/1389/ + +Produced by Dagny, and Bonnie Sala + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. |
