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+*** START OF THE PROJECT GUTENBERG EBOOK 13885 ***
+
+The Writings in Prose and Verse of Eugene Field
+
+ECHOES FROM THE SABINE FARM
+
+by
+
+ROSWELL MARTIN FIELD AND EUGENE FIELD
+
+1899
+
+
+
+
+
+
+
+[Illustration]
+
+
+
+
+INTRODUCTION
+
+One Sunday evening in the winter of 1890 Eugene Field and the writer
+were walking in Lake View, Chicago, on their way to visit the library of
+a common friend, when the subject of publishing a book for Field came up
+for discussion.
+
+The Little Book of Western Verse and The Little Book of Profitable Tales
+had been privately printed the year before at Chicago, and Field had
+been frequently reminded that the writer was ready and willing to stand
+sponsor for any new volume he, Field, might desire to bring out.
+
+"The only thing I have on hand that might make a book," said Field, "are
+some few paraphrases of the Odes of Horace which my brother, 'Rose,' and
+I have been fooling over, and which, truth to tell, are certainly freely
+rendered. There are not enough of them, but we'll do some more, and I'll
+add a brief Life of Horace as a preface or introduction."
+
+It is to be regretted that Field never carried out his intention with
+respect to this last, for he had given much thought and study to the
+great Roman satirist, and what Eugene Field could have said upon the
+subject must have been of interest. It is my belief that as he thought
+upon the matter it grew too great for him to handle within the space he
+had at first determined, and that tucked away within the recesses of his
+literary intentions was the determination, nullified by his early death,
+to write, _con amore_, a life of Quintus Horatius Flaccus.
+
+This determination to write separately an extended account of Horace
+greatly reduced the bulk of the material intended for the Sabine Echoes,
+and it was with respect to this that Field apologetically and, as was
+his wont, humorously wrote:
+
+"The volume may be rather thin _in corpore_, but think how hefty it will
+be intellectually."
+
+When it came to the discussion of how many copies should be printed it
+was suggested that the edition be an exceedingly limited one, in order
+to cause as much scrambling and heartburning as possible among our
+bibliophilic brethren. And never shall I forget the seriousness of the
+man's face, nor the roars of laughter that followed, when he suggested
+that fifty copies only should be made, and that we should reserve one
+each and burn the other forty-eight!
+
+It was a biting cold night and we had been loitering by the way,
+stopping to debate each point as it arose--but now we plunged on with
+excess of motion to keep ourselves warm, breaking out with occasional
+peals of laughter as we thought of our plan to make the publication what
+the booksellers call "excessively rare."
+
+Field, elsewhere, has said he did not know why the original intention as
+to the destruction of the forty-eight copies was not carried out, but
+the answer is not far away. As the time for publication approached it
+was found impossible that such and such a friend should be forgotten in
+the matter of a copy, and so it went on until it was deemed prudent to
+add fifty to the number originally intended to be issued, and that
+decision, in the light of what followed, proved to be an eminently wise
+one. More than once some to me unknown friend of Field would write a
+pleasant lie as a reason to gain possession of the book, and up in a
+corner of the letter would be found an endorsement of the request after
+this fashion:
+
+ What's writ below
+ I'd have you know
+ Nor falsehood nor romance is;
+ It's solemn truth,
+ So grant the youth
+ The boon he seeks, dear Francis.
+
+ EUGENE FIELD.
+
+It is perhaps unnecessary to add that, however flimsy the pretext upon
+which the request for a copy was made, it never failed of its object if
+it brought with it Field's endorsement. Among many pleasant utterances
+on this subject Field has said that but for the writer the Horatian
+verses would not have been given to the world--and this has been taken
+to mean more than was intended, and much unearned praise has been
+bestowed. But, in allusion to the original issue of the Odes, Field
+added, "in this charming guise," which places quite another construction
+upon the matter.
+
+It may be that the enthusiasm displayed not only pleased Field, and
+incited him and his brother Roswell to perform that which, otherwise,
+might have been indefinitely deferred, but there is no question but that
+they intended to publish the Horatian odes at some time or another.
+Field was greatly delighted with the reception of this work, and I once
+heard him say it would outlive all his other books. He came naturally by
+his love of the classics. His father was a splendid scholar who obliged
+his sons to correspond with him in Latin. Field's favorite ode was the
+Bandusian Spring, the paraphrasing of which in the styles of the various
+writers of different periods gave him genuine joy and is perhaps the
+choice bit of the collection. The Echoes from the Sabine Farm was the
+most ambitious work Field had attempted up to the time of its issue. He
+was not at all sure that the public for whom he wrote, what following he
+then felt was his own, would accept his efforts in this direction with
+any sort of acclaim. Unquestionably, Field, at all times, believed in
+himself and in his power ultimately to make a name, as every man must
+who achieves success, but he was as far from believing that the public
+would accept him as an interpreter of Horatian odes as was Edward
+Fitzgerald with respect to Omar Khayyám. In short, he looked upon his
+work in the original publication of Echoes from the Sabine Farm as a
+labor of love--an effort from which some reputation might come, but
+certainly no monetary remuneration. It was because he so regarded it
+that he permitted the work to be first issued under the bolstering
+influence of a patron. It was, so he thought, an excellent opportunity
+to show his friends and acquaintances that his Pegasus was capable of
+soaring to classic heights, and he little dreamed that the paraphrasing
+of the Odes of Horace over which "Rose and I have been fooling" would be
+required for a _popular_ edition. With the announcement of the Scribner
+edition of The Sabine Echoes came also the intelligence of Field's
+death.
+
+I have found people who were somewhat puzzled as to the exact intentions
+of the Fields with respect to these translations and paraphrases.
+However, there can be no chance for mistake even to the veriest
+embryonic reader of Horace, if he will but remember that, while some of
+these transcriptions are indeed very faithful reproductions or
+adaptations of the original, others again are to be accepted as the very
+riot of burlesque verse-making.
+
+The last stanza in the epilogue of this book reads:
+
+ Or if we part to meet no more
+This side the misty Stygian river,
+ Be sure of this: On yonder shore
+Sweet cheer awaiteth such as we--
+ A Sabine pagan's heaven, O friend--
+And fellowship that knows no end.
+
+FRANCIS WILSON.
+
+January 22, 1896.
+
+
+
+
+TO M.L. GRAY.
+
+Come, dear old friend, and with us twain
+ To calm Digentian groves repair;
+The turtle coos his sweet refrain
+ And posies are a-blooming there;
+And there the romping Sabine girls
+Bind myrtle in their lustrous curls.
+
+I know a certain ilex-tree
+ Whence leaps a fountain cool and clear.
+Its voices summon you and me;
+ Come, let us haste to share its cheer!
+Methinks the rapturous song it sings
+Should woo our thoughts from mortal things.
+
+But, good old friend, I charge thee well,
+ Watch thou my brother all the while,
+Lest some fair Lydia cast her spell
+ Round him unschooled in female guile.
+Those damsels have no charms for me;
+Guard thou that brother,--I'll guard thee!
+
+And, lo, sweet friend! behold this cup,
+ Round which the garlands intertwine;
+With Massic it is foaming up,
+ And we would drink to thee and thine.
+And of the draught thou shalt partake,
+Who lov'st us for our father's sake.
+
+Hark you! from yonder Sabine farm
+ Echo the songs of long ago,
+With power to soothe and grace to charm
+ What ills humanity may know;
+With that sweet music in the air,
+'T is Love and Summer everywhere.
+
+So, though no grief consumes our lot
+ (Since all our lives have been discreet),
+Come, in this consecrated spot,
+ Let's see if pagan cheer be sweet.
+Now, then, the songs; but, first, more wine.
+The gods be with you, friends of mine!
+
+E.F.
+
+
+
+
+The Contents of this Book
+
+WRITTEN IN COLLABORATION WITH ROSWELL MARTIN FIELD
+
+TO M.L. GRAY E.F.
+AN INVITATION TO MÆCENAS. Odes, III. 29 E.F.
+CHLORIS PROPERLY REBUKED. Odes, III. 15 R.M.F.
+TO THE FOUNTAIN OF BANDUSIA. Odes, III. 13 E.F.
+TO THE FOUNTAIN OF BANDUSIA. R.M.F.
+THE PREFERENCE DECLARED. Odes, I. 38 E.F.
+A TARDY APOLOGY. I. Epode XIV R.M.F.
+A TARDY APOLOGY. II. E.F.
+TO THE SHIP OF STATE. Odes, I. 14 R.M.F.
+QUITTING AGAIN. Odes, III. 26 E.F.
+SAILOR AND SHADE. Odes, I. 28 E.F.
+LET US HAVE PEACE. Odes, I. 27 E.F.
+TO QUINTUS DELLIUS. Odes, II. 3 E.F.
+POKING FUN AT XANTHIAS. Odes, II. 4 R.M.F.
+TO ARISTIUS FUSCUS. Odes, I. 22 E.F.
+TO ALBIUS TIBULLUS. I. Odes, I. 33 E.F.
+TO ALBIUS TIBULLUS. II. R.M.F.
+To MÆCENAS. Odes, I. 1 R.M.F.
+TO HIS BOOK. Epistle XX R.M.F.
+FAME _vs._ RICHES. Ars Poetica, line 323 E.F.
+THE LYRIC MUSE. Ars Poetica, line 301 E.F.
+A COUNTERBLAST AGAINST GARLIC. Epode III. R.M.F.
+AN EXCUSE FOR LALAGE. Odes, II. 5 R.M.F.
+AN APPEAL TO LYCE. Odes, IV. 13 R.M.F.
+A ROMAN WINTER-PIECE I. Odes, I. 9 E.F.
+A ROMAN WINTER-PIECE II. R.M.F.
+TO DIANA. Odes, III. 22 R.M.F.
+TO HIS LUTE. Odes, I. 32 E.F.
+TO LEUCONÖE I. Odes, I. 11 R.M.F.
+TO LEUCONÖE II. E.F.
+TO LIGURINUS I. Odes, IV. 10 R.M.F.
+TO LIGURINUS II. E.F.
+THE HAPPY ISLES. Epode XIV. line 41 E.F.
+CONSISTENCY. Ars Poetica E.F.
+TO POSTUMUS. Odes, II. 14 R.M.F.
+TO MISTRESS PYRRHA I. Odes, I. 5 E.F.
+TO MISTRESS PYRRHA II. R.M.F.
+TO MELPOMENE. Odes, III. 30 E.F.
+TO PHYLLIS I. Odes, IV. 11. E.F.
+TO PHYLLIS II. R.M.F.
+TO CHLOE I. Odes, I. 23 R.M.F.
+TO CHLOE II. E.F.
+ A PARAPHRASE. E.F.
+ ANOTHER PARAPHRASE. E.F.
+ A THIRD PARAPHRASE. E.F.
+ A FOURTH PARAPHRASE. E.F.
+TO MÆCENAS. Odes, I. 20 E.F.
+TO BARINE. Odes, II. 8 R.M.F.
+THE RECONCILIATION. I. Odes, III. 9 E.F.
+THE RECONCILIATION. II. R.M.F.
+THE ROASTING OF LYDIA. Odes, I. 25 R.M.F.
+TO GLYCERA. Odes, I. 19 R.M.F.
+TO LYDIA. I. Odes, I. 13 E.F.
+TO LYDIA. II. R.M.F.
+TO QUINTIUS HIRPINUS. Odes, II. 11 E.F.
+WINE, WOMEN, AND SONG. Odes, I. 18 E.F.
+AN ODE TO FORTUNE. Odes, I. 35 E.F.
+TO A JAR OF WINE. Odes, III. 21 E.F.
+TO POMPEIUS VARUS. Odes, II. 1 E.F.
+THE POET'S METAMORPHOSIS. Odes, II. 20 E.F.
+TO VENUS. Odes, I. 30 E.F.
+IN THE SPRINGTIME. I. Odes, I. 4 E.F.
+IN THE SPRINGTIME. II. R.M.F.
+TO A BULLY. Epode VI. E.F.
+TO MOTHER VENUS.
+TO LYDIA. Odes, I. 8 E.F.
+TO NEOBULE. Odes, III. 12 R.M.F.
+AT THE BALL GAME. Odes, V. 17. R.M.F.
+EPILOGUE. E.F.
+
+
+
+
+
+AN INVITATION TO MÆCENAS
+
+Dear, noble friend! a virgin cask
+ Of wine solicits your attention;
+And roses fair, to deck your hair,
+ And things too numerous to mention.
+So tear yourself awhile away
+ From urban turmoil, pride, and splendor,
+And deign to share what humble fare
+ And sumptuous fellowship I tender.
+The sweet content retirement brings
+Smoothes out the ruffled front of kings.
+
+The evil planets have combined
+ To make the weather hot and hotter;
+By parboiled streams the shepherd dreams
+ Vainly of ice-cream soda-water.
+And meanwhile you, defying heat,
+ With patriotic ardor ponder
+On what old Rome essays at home,
+ And what her heathen do out yonder.
+Mæcenas, no such vain alarm
+Disturbs the quiet of this farm!
+
+God in His providence obscures
+ The goal beyond this vale of sorrow,
+And smiles at men in pity when
+ They seek to penetrate the morrow.
+With faith that all is for the best,
+ Let's bear what burdens are presented,
+That we shall say, let come what may,
+ "We die, as we have lived, contented!
+Ours is to-day; God's is the rest,--
+He doth ordain who knoweth best."
+
+Dame Fortune plays me many a prank.
+ When she is kind, oh, how I go it!
+But if again she's harsh,--why, then
+ I am a very proper poet!
+When favoring gales bring in my ships,
+ I hie to Rome and live in clover;
+Elsewise I steer my skiff out here,
+ And anchor till the storm blows over.
+Compulsory virtue is the charm
+Of life upon the Sabine farm!
+
+
+
+
+CHLORIS PROPERLY REBUKED
+
+Chloris, my friend, I pray you your misconduct to forswear;
+The wife of poor old Ibycus should have more _savoir faire_.
+A woman at your time of life, and drawing near death's door,
+Should not play with the girly girls, and think she's _en rapport_.
+
+What's good enough for Pholoe you cannot well essay;
+Your daughter very properly courts _the jeunesse dorée_,--
+A Thyiad, who, when timbrel beats, cannot her joy restrain,
+But plays the kid, and laughs and giggles _à l'Américaine_.
+
+'T is more becoming, Madame, in a creature old and poor,
+To sit and spin than to engage in an _affaire d'amour_.
+The lutes, the roses, and the wine drained deep are not for you;
+Remember what the poet says: _Ce monde est plein de fous!_
+
+
+
+
+TO THE FOUNTAIN OF BANDUSIA
+
+O fountain of Bandusia!
+ Whence crystal waters flow,
+With garlands gay and wine I'll pay
+ The sacrifice I owe;
+A sportive kid with budding horns
+ I have, whose crimson blood
+Anon shall dye and sanctify
+ Thy cool and babbling flood.
+
+O fountain of Bandusia!
+ The Dog-star's hateful spell
+No evil brings into the springs
+ That from thy bosom well;
+Here oxen, wearied by the plow,
+ The roving cattle here
+Hasten in quest of certain rest,
+ And quaff thy gracious cheer.
+
+O fountain of Bandusia!
+ Ennobled shalt thou be,
+For I shall sing the joys that spring
+ Beneath yon ilex-tree.
+Yes, fountain of Bandusia,
+ Posterity shall know
+The cooling brooks that from thy nooks
+ Singing and dancing go.
+
+
+
+
+TO THE FOUNTAIN OF BANDUSIA
+
+O fountain of Bandusia! more glittering than glass,
+And worthy of the pleasant wine and toasts that freely pass;
+More worthy of the flowers with which thou modestly art hid,
+To-morrow willing hands shall sacrifice to thee a kid.
+
+In vain the glory of the brow where proudly swell above
+The growing horns, significant of battle and of love;
+For in thy honor he shall die,--the offspring of the herd,--
+And with his crimson life-blood thy cold waters shall be stirred.
+
+The Dog-star's cruel season, with its fierce and blazing heat,
+Has never sent its scorching rays into thy glad retreat;
+The oxen, wearied with the plow, the herd which wanders near,
+Have found a grateful respite and delicious coolness here.
+
+When of the graceful ilex on the hollow rocks I sing,
+Thou shalt become illustrious, O sweet Bandusian spring!
+Among the noble fountains which have been enshrined in fame,
+Thy dancing, babbling waters shall in song our homage claim.
+
+
+
+
+THE PREFERENCE DECLARED
+
+Boy, I detest the Persian pomp;
+ I hate those linden-bark devices;
+And as for roses, holy Moses!
+ They can't be got at living prices!
+Myrtle is good enough for us,--
+ For _you_, as bearer of my flagon;
+For _me_, supine beneath this vine,
+ Doing my best to get a jag on!
+
+
+
+
+A TARDY APOLOGY
+
+I
+
+Mæcenas, you will be my death,--though friendly you profess yourself,--
+If to me in a strain like this so often you address yourself:
+"Come, Holly, why this laziness? Why indolently shock you us?
+Why with Lethean cups fall into desuetude innocuous?"
+
+A god, Mæcenas! yea, a god hath proved the very curse of me!
+If my iambics are not done, pray, do not think the worse of me;
+Anacreon for young Bathyllus burned without apology,
+And wept his simple measures on a sample of conchology.
+
+Now, you yourself, Mæcenas, are enjoying this beatitude;
+If by no brighter beauty Ilium fell, you've cause for gratitude.
+A certain Phryne keeps me on the rack with lovers numerous;
+This is the artful hussy's neat conception of the humorous!
+
+
+
+
+A TARDY APOLOGY
+
+II
+
+ You ask me, friend,
+ Why I don't send
+The long since due-and-paid-for numbers;
+ Why, songless, I
+ As drunken lie
+Abandoned to Lethean slumbers.
+
+ Long time ago
+ (As well you know)
+I started in upon that carmen;
+ My work was vain,--
+ But why complain?
+When gods forbid, how helpless are men!
+
+ Some ages back,
+ The sage Anack
+Courted a frisky Samian body,
+ Singing her praise
+ In metered phrase
+As flowing as his bowls of toddy.
+
+ Till I was hoarse
+ Might I discourse
+Upon the cruelties of Venus;
+ 'T were waste of time
+ As well of rhyme,
+For you've been there yourself, Mæcenas!
+
+ Perfect your bliss
+ If some fair miss
+Love you yourself and _not_ your minæ;
+ I, fortune's sport,
+ All vainly court
+The beauteous, polyandrous Phryne!
+
+
+
+
+TO THE SHIP OF STATE
+
+ O ship of state
+Shall new winds bear you back upon the sea?
+What are you doing? Seek the harbor's lee
+ Ere 't is too late!
+
+ Do you bemoan
+Your side was stripped of oarage in the blast?
+Swift Africus has weakened, too, your mast;
+ The sailyards groan.
+
+ Of cables bare,
+Your keel can scarce endure the lordly wave.
+Your sails are rent; you have no gods to save,
+ Or answer pray'r.
+
+ Though Pontic pine,
+The noble daughter of a far-famed wood,
+You boast your lineage and title good,--
+ A useless line!
+
+ The sailor there
+In painted sterns no reassurance finds;
+Unless you owe derision to the winds,
+ Beware--beware!
+
+ My grief erewhile,
+But now my care--my longing! shun the seas
+That flow between the gleaming Cyclades,
+ Each shining isle.
+
+
+
+
+QUITTING AGAIN
+
+ The hero of
+ Affairs of love
+By far too numerous to be mentioned,
+ And scarred as I'm,
+ It seemeth time
+That I were mustered out and pensioned.
+
+ So on this wall
+ My lute and all
+I hang, and dedicate to Venus;
+ And I implore
+ But one thing more
+Ere all is at an end between us.
+
+ O goddess fair
+ Who reignest where
+The weather's seldom bleak and snowy,
+ This boon I urge:
+ In anger scourge
+My old cantankerous sweetheart, Chloe!
+
+
+
+
+SAILOR AND SHADE
+
+SAILOR
+
+You, who have compassed land and sea,
+ Now all unburied lie;
+All vain your store of human lore,
+ For you were doomed to die.
+The sire of Pelops likewise fell,--
+ Jove's honored mortal guest;
+So king and sage of every age
+ At last lie down to rest.
+Plutonian shades enfold the ghost
+ Of that majestic one
+Who taught as truth that he, forsooth,
+ Had once been Pentheus' son;
+Believe who may, he's passed away,
+ And what he did is done.
+A last night comes alike to all;
+ One path we all must tread,
+Through sore disease or stormy seas
+ Or fields with corpses red.
+Whate'er our deeds, that pathway leads
+ To regions of the dead.
+
+
+SHADE
+
+The fickle twin Illyrian gales
+ Overwhelmed me on the wave;
+But you that live, I pray you give
+ My bleaching bones a grave!
+Oh, then when cruel tempests rage
+ You all unharmed shall be;
+Jove's mighty hand shall guard by land
+ And Neptune's on the sea.
+Perchance you fear to do what may
+ Bring evil to your race?
+Oh, rather fear that like me here
+ You'll lack a burial place.
+So, though you be in proper haste,
+ Bide long enough, I pray,
+To give me, friend, what boon shall send
+ My soul upon its way!
+
+
+
+
+LET US HAVE PEACE
+
+In maudlin spite let Thracians fight
+ Above their bowls of liquor;
+But such as we, when on a spree,
+ Should never brawl and bicker!
+
+These angry words and clashing swords
+ Are quite _de trop_, I'm thinking;
+Brace up, my boys, and hush your noise,
+ And drown your wrath in drinking.
+
+Aha, 't is fine,--this mellow wine
+ With which our host would dope us!
+Now let us hear what pretty dear
+ Entangles him of Opus.
+
+I see you blush,--nay, comrades, hush!
+ Come, friend, though they despise you,
+Tell me the name of that fair dame,--
+ Perchance I may advise you.
+
+O wretched youth! and is it truth
+ You love that fickle lady?
+I, doting dunce, courted her once;
+ Since when, she's reckoned shady!
+
+
+
+
+TO QUINTUS DELLIUS
+
+Be tranquil, Dellius, I pray;
+For though you pine your life away
+ With dull complaining breath,
+Or speed with song and wine each day,
+ Still, still your doom is death.
+
+Where the white poplar and the pine
+In glorious arching shade combine,
+ And the brook singing goes,
+Bid them bring store of nard and wine
+ And garlands of the rose.
+
+Let's live while chance and youth obtain;
+Soon shall you quit this fair domain
+ Kissed by the Tiber's gold,
+And all your earthly pride and gain
+ Some heedless heir shall hold.
+
+One ghostly boat shall some time bear
+From scenes of mirthfulness or care
+ Each fated human soul,--
+Shall waft and leave its burden where
+ The waves of Lethe roll.
+
+_So come, I prithee, Dellius mine;
+Let's sing our songs and drink our wine
+ In that sequestered nook
+Where the white poplar and the pine
+ Stand listening to the brook_.
+
+
+
+
+POKING FUN AT XANTHIAS
+
+Of your love for your handmaid you need feel no shame.
+ Don't apologize, Xanthias, pray;
+Remember, Achilles the proud felt a flame
+ For Brissy, his slave, as they say.
+Old Telamon's son, fiery Ajax, was moved
+ By the captive Tecmessa's ripe charms;
+And Atrides, suspending the feast, it behooved
+ To gather a girl to his arms.
+
+Now, how do you know that this yellow-haired maid
+ (This Phyllis you fain would enjoy)
+Hasn't parents whose wealth would cast you in the shade,--
+ Who would ornament you, Xan, my boy?
+Very likely the poor chick sheds copious tears,
+ And is bitterly thinking the while
+Of the royal good times of her earlier years,
+ When her folks regulated the style!
+
+It won't do at all, my dear boy, to believe
+ That she of whose charms you are proud
+Is beautiful only as means to deceive,--
+ Merely one of the horrible crowd.
+So constant a sweetheart, so loving a wife,
+ So averse to all notions of greed
+Was surely not born of a mother whose life
+ Is a chapter you'd better not read.
+
+As an unbiased party I feel it my place
+ (For I don't like to do things by halves)
+To compliment Phyllis,--her arms and her face
+ And (excuse me!) her delicate calves.
+Tut, tut! don't get angry, my boy, or suspect
+ You have any occasion to fear
+A man whose deportment is always correct,
+ And is now in his forty-first year!
+
+
+
+
+TO ARISTIUS FUSCUS
+
+Fuscus, whoso to good inclines,
+ And is a faultless liver,
+Nor Moorish spear nor bow need fear,
+ Nor poison-arrowed quiver.
+
+Ay, though through desert wastes he roam,
+ Or scale the rugged mountains,
+Or rest beside the murmuring tide
+ Of weird Hydaspan fountains!
+
+Lo, on a time, I gayly paced
+ The Sabine confines shady,
+And sung in glee of Lalage,
+ My own and dearest lady;
+
+And as I sung, a monster wolf
+ Slunk through the thicket from me;
+But for that song, as I strolled along,
+ He would have overcome me!
+
+Set me amid those poison mists
+ Which no fair gale dispelleth,
+Or in the plains where silence reigns,
+ And no thing human dwelleth,--
+
+Still shall I love my Lalage,
+ Still sing her tender graces;
+And while I sing, my theme shall bring
+ Heaven to those desert places!
+
+
+
+
+TO ALBIUS TIBULLUS
+
+I
+
+Not to lament that rival flame
+ Wherewith the heartless Glycera scorns you,
+Nor waste your time in maudlin rhyme,
+ How many a modern instance warns you!
+
+Fair-browed Lycoris pines away
+ Because her Cyrus loves another;
+The ruthless churl informs the girl
+ He loves her only as a brother!
+
+For he, in turn, courts Pholoe,--
+ A maid unscotched of love's fierce virus;
+Why, goats will mate with wolves they hate
+ Ere Pholoe will mate with Cyrus!
+
+Ah, weak and hapless human hearts,
+ By cruel Mother Venus fated
+To spend this life in hopeless strife,
+ Because incongruously mated!
+
+Such torture, Albius, is my lot;
+ For, though a better mistress wooed me,
+My Myrtale has captured me,
+ And with her cruelties subdued me!
+
+
+
+
+TO ALBIUS TIBULLUS
+
+II
+
+Grieve not, my Albius, if thoughts of Glycera may haunt you,
+ Nor chant your mournful elegies because she faithless proves;
+ If now a younger man than you this cruel charmer loves,
+Let not the kindly favors of the past rise up to taunt you.
+
+Lycoris of the little brow for Cyrus feels a passion,
+ And Cyrus, on the other hand, toward Pholoe inclines;
+ But ere this crafty Cyrus can accomplish his designs
+She-goats will wed Apulian wolves in deference to fashion.
+
+Such is the will, the cruel will, of love-inciting Venus,
+ Who takes delight in wanton sport and ill-considered jokes,
+ And brings ridiculous misfits beneath her brazen yokes,--
+A very infelicitous proceeding, just between us.
+
+As for myself, young Myrtale, slave-born and lacking graces,
+ And wilder than the Adrian tides which form Calabrian bays,
+ Entangled me in pleasing chains and compromising ways,
+When--just my luck--a better girl was courting my embraces.
+
+
+
+
+TO MÆCENAS
+
+Mæcenas, thou of royalty's descent,
+Both my protector and dear ornament,
+Among humanity's conditions are
+Those who take pleasure in the flying car,
+Whirling Olympian dust, as on they roll,
+And shunning with the glowing wheel the goal;
+While the ennobling palm, the prize of worth,
+Exalts them to the gods, the lords of earth.
+
+Here one is happy if the fickle crowd
+His name the threefold honor has allowed;
+And there another, if into his stores
+Comes what is swept from Libyan threshing-floors.
+He who delights to till his father's lands,
+And grasps the delving-hoe with willing hands,
+Can never to Attalic offers hark,
+Or cut the Myrtoan Sea with Cyprian bark.
+The merchant, timorous of Afric's breeze,
+When fiercely struggling with Icarian seas
+Praises the restful quiet of his home,
+Nor wishes from the peaceful fields to roam;
+Ah, speedily his shattered ships he mends,--
+To poverty his lesson ne'er extends.
+
+One there may be who never scorns to fill
+His cups with mellow draughts from Massic's hill,
+Nor from the busy day an hour to wean,
+Now stretched at length beneath the arbute green,
+Now at the softly whispering spring, to dream
+Of the fair nymphs who haunt the sacred stream.
+For camp and trump and clarion some have zest,--
+The cruel wars the mothers so detest.
+'Neath the cold sky the hunter spends his life,
+Unmindful of his home and tender wife,
+Whether the doe is seen by faithful hounds
+Or Marsian boar through the fine meshes bounds.
+
+But as for me, the ivy-wreaths, the prize
+Of learned brows, exalt me to the skies;
+The shady grove, the nymphs and satyrs there,
+Draw me away from people everywhere;
+If it may be, Euterpe's flute inspires,
+Or Polyhymnia strikes the Lesbian lyres;
+And if you place me where no bard debars,
+With head exalted I shall strike the stars!
+
+
+
+
+TO HIS BOOK
+
+ You vain, self-conscious little book,
+Companion of my happy days,
+ How eagerly you seem to look
+For wider fields to spread your lays;
+ My desk and locks cannot contain you,
+ Nor blush of modesty restrain you.
+
+ Well, then, begone, fool that thou art!
+But do not come to me and cry,
+ When critics strike you to the heart:
+"Oh, wretched little book am I!"
+ You know I tried to educate you
+ To shun the fate that must await you.
+
+ In youth you may encounter friends
+(Pray this prediction be not wrong),
+ But wait until old age descends
+And thumbs have smeared your gentlest song;
+ Then will the moths connive to eat you
+ And rural libraries secrete you.
+
+ However, should a friend some word
+Of my obscure career request,
+ Tell him how deeply I was stirred
+To spread my wings beyond the nest;
+ Take from my years, which are before you,
+ To boom my merits, I implore you.
+
+ Tell him that I am short and fat,
+Quick in my temper, soon appeased,
+ With locks of gray,--but what of that?
+Loving the sun, with nature pleased.
+ I'm more than four and forty, hark you,--
+ But ready for a night off, mark you!
+
+
+
+
+FAME _vs._ RICHES
+
+The Greeks had genius,--'t was a gift
+ The Muse vouchsafed in glorious measure;
+The boon of Fame they made their aim
+ And prized above all worldly treasure.
+
+But _we_,--how do we train _our_ youth?
+ _Not_ in the arts that are immortal,
+But in the greed for gains that speed
+ From him who stands at Death's dark portal.
+
+Ah, when this slavish love of gold
+ Once binds the soul in greasy fetters,
+How prostrate lies,--how droops and dies
+ The great, the noble cause of letters!
+
+
+
+
+THE LYRIC MUSE
+
+ I love the lyric muse!
+For when mankind ran wild in grooves
+ Came holy Orpheus with his songs
+And turned men's hearts from bestial loves,
+ From brutal force and savage wrongs;
+Amphion, too, and on his lyre
+ Made such sweet music all the day
+That rocks, instinct with warm desire,
+ Pursued him in his glorious way.
+
+ I love the lyric muse!
+Hers was the wisdom that of yore
+ Taught man the rights of fellow man,
+Taught him to worship God the more,
+ And to revere love's holy ban.
+Hers was the hand that jotted down
+ The laws correcting divers wrongs;
+And so came honor and renown
+ To bards and to their noble songs.
+
+ I love the lyric muse!
+Old Homer sung unto the lyre;
+ Tyrtæus, too, in ancient days;
+Still warmed by their immortal fire,
+ How doth our patriot spirit blaze!
+The oracle, when questioned, sings;
+ So our first steps in life are taught.
+In verse we soothe the pride of kings,
+ In verse the drama has been wrought.
+
+ I love the lyric muse!
+Be not ashamed, O noble friend,
+ In honest gratitude to pay
+Thy homage to the gods that send
+ This boon to charm all ill away.
+With solemn tenderness revere
+ This voiceful glory as a shrine
+Wherein the quickened heart may hear
+ The counsels of a voice divine!
+
+
+
+
+A COUNTERBLAST AGAINST GARLIC
+
+May the man who has cruelly murdered his sire--
+ A crime to be punished with death--
+Be condemned to eat garlic till he shall expire
+ Of his own foul and venomous breath!
+What stomachs these rustics must have who can eat
+ This dish that Canidia made,
+Which imparts to my colon a torturous heat,
+ And a poisonous look, I'm afraid!
+
+They say that ere Jason attempted to yoke
+ The fire-breathing bulls to the plow
+He smeared his whole body with garlic,--a joke
+ Which I fully appreciate now.
+When Medea gave Glauce her beautiful dress,
+ In which garlic was scattered about,
+It was cruel and rather low-down, I confess,
+ But it settled the point beyond doubt.
+
+On thirsty Apulia ne'er has the sun
+ Inflicted such terrible heat;
+As for Hercules' robe, although poisoned, 't was fun
+ When compared with this garlic we eat!
+Mæcenas, if ever on garbage like this
+ You express a desire to be fed,
+May Mrs. Mæcenas object to your kiss,
+ And lie at the foot of the bed!
+
+
+
+
+AN EXCUSE FOR LALAGE
+
+To bear the yoke not yet your love's submissive neck is bent,
+To share a husband's toil, or grasp his amorous intent;
+Over the fields, in cooling streams, the heifer longs to go,
+Now with the calves disporting where the pussy-willows grow.
+
+Give up your thirst for unripe grapes, and, trust me, you shall learn
+How quickly in the autumn time to purple they will turn.
+Soon she will follow you, for age steals swiftly on the maid;
+And all the precious years that you have lost she will have paid.
+
+Soon she will seek a lord, beloved as Pholoe, the coy,
+Or Chloris, or young Gyges, that deceitful, girlish boy,
+Whom, if you placed among the girls, and loosed his flowing locks,
+The wondering guests could not decide which one decorum shocks.
+
+
+
+
+AN APPEAL TO LYCE
+
+Lyce, the gods have heard my prayers, as gods will hear the dutiful,
+And brought old age upon you, though you still affect the beautiful.
+You sport among the boys, and drink and chatter on quite aimlessly;
+And in your cups with quavering voice you torment Cupid shamelessly.
+
+For blooming Chia, Cupid has a feeling more than brotherly;
+He knows a handsaw from a hawk whenever winds are southerly.
+He pats her pretty cheeks, but looks on you as a monstrosity;
+Your wrinkles and your yellow teeth excite his animosity.
+
+For jewels bright and purple Coan robes you are not dressable;
+Unhappily for you, the public records are accessible.
+Where is your charm, and where your bloom and gait so firm and sensible,
+That drew my love from Cinara,--a lapse most indefensible?
+
+To my poor Cinara in youth Death came with great celerity;
+Egad, that never can be said of you with any verity!
+The old crow that you are, the teasing boys will jeer, compelling you
+To roost at home. Reflect, all this is straight that I am telling you.
+
+
+
+
+A ROMAN WINTER-PIECE
+
+I
+
+See, Thaliarch mine, how, white with snow,
+ Soracte mocks the sullen sky;
+How, groaning loud, the woods are bowed,
+ And chained with frost the rivers lie.
+
+Pile, pile the logs upon the hearth;
+ We'll melt away the envious cold:
+And, better yet, sweet friend, we'll wet
+ Our whistles with some four-year-old.
+
+Commit all else unto the gods,
+ Who, when it pleaseth them, shall bring
+To fretful deeps and wooded steeps
+ The mild, persuasive grace of Spring.
+
+Let not To-morrow, but To-day,
+ Your ever active thoughts engage;
+Frisk, dance, and sing, and have your fling,
+ Unharmed, unawed of crabbed Age.
+
+Let's steal content from Winter's wrath,
+ And glory in the artful theft,
+That years from now folks shall allow
+ 'T was cold indeed when we got left.
+
+So where the whisperings and the mirth
+ Of girls invite a sportive chap,
+Let's fare awhile,--aha, you smile;
+ You guess my meaning,--_verbum sap_.
+
+
+
+
+A ROMAN WINTER-PIECE
+
+II
+
+Now stands Soracte white with snow, now bend the laboring trees,
+And with the sharpness of the frost the stagnant rivers freeze.
+Pile up the billets on the hearth, to warmer cheer incline,
+And draw, my Thaliarchus, from the Sabine jar the wine.
+
+The rest leave to the gods, who still the fiercely warring wind,
+And to the morrow's store of good or evil give no mind.
+Whatever day your fortune grants, that day mark up for gain;
+And in your youthful bloom do not the sweet amours disdain.
+
+Now on the Campus and the squares, when evening shades descend,
+Soft whisperings again are heard, and loving voices blend;
+And now the low delightful laugh betrays the lurking maid,
+While from her slowly yielding arms the forfeiture is paid.
+
+
+
+
+TO DIANA
+
+O virgin, tri-formed goddess fair,
+ The guardian of the groves and hills,
+Who hears the girls in their despair
+ Cry out in childbirth's cruel ills,
+ And saves them from the Stygian flow!
+Let the pine-tree my cottage near
+ Be sacred to thee evermore,
+That I may give to it each year
+ With joy the life-blood of the boar,
+ Now thinking of the sidelong blow.
+
+
+
+
+TO HIS LUTE
+
+If ever in the sylvan shade
+A song immortal we have made,
+Come now, O lute, I prithee come,
+Inspire a song of Latium!
+
+A Lesbian first thy glories proved;
+In arms and in repose he loved
+To sweep thy dulcet strings, and raise
+His voice in Love's and Liber's praise.
+The Muses, too, and him who clings
+To Mother Venus' apron-strings,
+And Lycus beautiful, he sung
+In those old days when you were young.
+
+O shell, that art the ornament
+Of Phoebus, bringing sweet content
+To Jove, and soothing troubles all,--
+Come and requite me, when I call!
+
+
+
+
+TO LEUCONÖE
+
+I
+
+What end the gods may have ordained for me,
+And what for thee,
+ Seek not to learn, Leuconöe; we may not know.
+Chaldean tables cannot bring us rest.
+'T is for the best
+ To bear in patience what may come, or weal or woe.
+
+If for more winters our poor lot is cast,
+Or this the last,
+ Which on the crumbling rocks has dashed Etruscan seas,
+Strain clear the wine; this life is short, at best.
+Take hope with zest,
+ And, trusting not To-morrow, snatch To-day for ease!
+
+
+
+
+TO LEUCONÖE
+
+II
+
+Seek not, Leuconöe, to know how long you're going to live yet,
+What boons the gods will yet withhold, or what they're going to give yet;
+For Jupiter will have his way, despite how much we worry,--
+Some will hang on for many a day, and some die in a hurry.
+The wisest thing for you to do is to embark this diem
+Upon a merry escapade with some such bard as I am.
+And while we sport I'll reel you off such odes as shall surprise ye;
+To-morrow, when the headache comes,--well, then I'll satirize ye!
+
+
+
+
+TO LIGURINUS
+
+I
+
+Though mighty in Love's favor still,
+ Though cruel yet, my boy,
+When the unwelcome dawn shall chill
+ Your pride and youthful joy,
+The hair which round your shoulder grows
+ Is rudely cut away,
+Your color, redder than the rose,
+ Is changed by youth's decay,--
+
+Then, Ligurinus, in the glass
+ Another you will spy.
+And as the shaggy face, alas!
+ You see, your grief will cry:
+"Why in my youth could I not learn
+ The wisdom men enjoy?
+Or why to men cannot return
+ The smooth cheeks of the boy?"
+
+
+
+
+TO LIGURINUS
+
+II
+
+ O Cruel fair,
+ Whose flowing hair
+ The envy and the pride of all is,
+ As onward roll
+ The years, that poll
+ Will get as bald as a billiard ball is;
+Then shall your skin, now pink and dimply,
+Be tanned to parchment, sear and pimply!
+
+ When you behold
+ Yourself grown old,
+ These words shall speak your spirits moody:
+ "Unhappy one!
+ What heaps of fun
+ I've missed by being goody-goody!
+Oh, that I might have felt the hunger
+Of loveless age when I was younger!"
+
+
+
+
+THE HAPPY ISLES
+
+Oh, come with me to the Happy Isles
+ In the golden haze off yonder,
+Where the song of the sun-kissed breeze beguiles
+ And the ocean loves to wander.
+
+Fragrant the vines that mantle those hills,
+ Proudly the fig rejoices,
+Merrily dance the virgin rills,
+ Blending their myriad voices.
+
+Our herds shall suffer no evil there,
+ But peacefully feed and rest them;
+Never thereto shall prowling bear
+ Or serpent come to molest them.
+
+Neither shall Eurus, wanton bold,
+ Nor feverish drought distress us,
+But he that compasseth heat and cold
+ Shall temper them both to bless us.
+
+There no vandal foot has trod,
+ And the pirate hordes that wander
+Shall never profane the sacred sod
+ Of those beautiful isles out yonder.
+
+Never a spell shall blight our vines,
+ Nor Sirius blaze above us,
+But you and I shall drink our wines
+ And sing to the loved that love us.
+
+So come with me where Fortune smiles
+ And the gods invite devotion,--
+Oh, come with me to the Happy Isles
+ In the haze of that far-off ocean!
+
+
+
+
+CONSISTENCY
+
+Should painter attach to a fair human head
+ The thick, turgid neck of a stallion,
+Or depict a spruce lass with the tail of a bass,
+ I am sure you would guy the rapscallion.
+
+Believe me, dear Pisos, that just such a freak
+ Is the crude and preposterous poem
+Which merely abounds in a torrent of sounds,
+ With no depth of reason below 'em.
+
+'T is all very well to give license to art,--
+ The wisdom of license defend I;
+But the line should be drawn at the fripperish spawn
+ Of a mere _cacoethes scribendi_.
+
+It is too much the fashion to strain at effects,--
+ Yes, that's what's the matter with Hannah!
+Our popular taste, by the tyros debased,
+ Paints each barnyard a grove of Diana!
+
+Should a patron require you to paint a marine,
+ Would you work in some trees with their barks on?
+When his strict orders are for a Japanese jar,
+ Would you give him a pitcher like Clarkson?
+
+Now, this is my moral: Compose what you may,
+ And Fame will be ever far distant
+Unless you combine with a simple design
+ A treatment in toto consistent.
+
+
+
+
+TO POSTUMUS
+
+O Postumus, my Postumus, the years are gliding past,
+And piety will never check the wrinkles coming fast,
+The ravages of time old age's swift advance has made,
+And death, which unimpeded comes to bear us to the shade.
+
+Old friend, although the tearless Pluto you may strive to please,
+And seek each year with thrice one hundred bullocks to appease,
+Who keeps the thrice-huge Geryon and Tityus his slaves,
+Imprisoned fast forevermore with cold and sombre waves,
+
+Yet must that flood so terrible be sailed by mortals all;
+Whether perchance we may be kings and live in royal hall,
+Or lowly peasants struggling long with poverty and dearth,
+Still must we cross who live upon the favors of the earth.
+
+And all in vain from bloody war and contest we are free,
+And from the waves that hoarsely break upon the Adrian Sea;
+For our frail bodies all in vain our helpless terror grows
+In gloomy autumn seasons, when the baneful south wind blows.
+
+Alas! the black Cocytus, wandering to the world below,
+That languid river to behold we of this earth must go;
+To see the grim Danaides, that miserable race,
+And Sisyphus of Æolus, condemned to endless chase.
+
+Behind you must you leave your home and land and wife so dear,
+And of the trees, except the hated cypresses, you rear,
+And which around the funeral piles as signs of mourning grow,
+Not one will follow you, their short-lived master, there below.
+
+Your worthier heir the precious Cæcuban shall drink galore,
+Now with a hundred keys preserved and guarded in your store,
+And stain the pavements, pouring out in waste the nectar proud,
+Better than that with which the pontiffs' feasts have been endowed.
+
+
+
+
+TO MISTRESS PYRRHA
+
+I
+
+What perfumed, posie-dizened sirrah,
+ With smiles for diet,
+Clasps you, O fair but faithless Pyrrha,
+ On the quiet?
+For whom do you bind up your tresses,
+ As spun-gold yellow,--
+Meshes that go with your caresses,
+ To snare a fellow?
+
+How will he rail at fate capricious,
+ And curse you duly,
+Yet now he deems your wiles delicious,--
+ _You_ perfect, truly!
+Pyrrha, your love's a treacherous ocean;
+ He'll soon fall in there!
+Then shall I gloat on his commotion,
+ For _I_ have been there!
+
+
+
+
+TO MISTRESS PYRRHA
+
+II
+
+What dainty boy with sweet perfumes bedewed
+Has lavished kisses, Pyrrha, in the cave?
+For whom amid the roses, many-hued,
+Do you bind back your tresses' yellow wave?
+
+How oft will he deplore your fickle whim,
+And wonder at the storm and roughening deeps,
+Who now enjoys you, all in all to him,
+And dreams of you, whose only thoughts he keeps.
+
+Wretched are they to whom you seem so fair;--
+That I escaped the storms, the gods be praised!
+My dripping garments, offered with a prayer,
+Stand as a tablet to the sea-god raised.
+
+
+
+
+TO MELPOMENE
+
+Lofty and enduring is the monument I've reared:
+ Come, tempests, with your bitterness assailing;
+And thou, corrosive blasts of time, by all things mortal feared,
+ Thy buffets and thy rage are unavailing!
+
+I shall not altogether die: by far my greater part
+ Shall mock man's common fate in realms infernal;
+My works shall live as tributes to my genius and my art,--
+ My works shall be my monument eternal!
+
+While this great Roman empire stands and gods protect our fanes,
+ Mankind with grateful hearts shall tell the story
+How one most lowly born upon the parched Apulian plains
+ First raised the native lyric muse to glory.
+
+Assume, revered Melpomene, the proud estate I've won,
+ And, with thine own dear hand the meed supplying,
+Bind thou about the forehead of thy celebrated son
+ The Delphic laurel-wreath of fame undying!
+
+
+
+
+TO PHYLLIS
+
+I
+
+Come, Phyllis, I've a cask of wine
+ That fairly reeks with precious juices,
+And in your tresses you shall twine
+ The loveliest flowers this vale produces.
+
+My cottage wears a gracious smile;
+ The altar, decked in floral glory,
+Yearns for the lamb which bleats the while
+ As though it pined for honors gory.
+
+Hither our neighbors nimbly fare,
+ The boys agog, the maidens snickering;
+And savory smells possess the air,
+ As skyward kitchen flames are flickering.
+
+You ask what means this grand display,
+ This festive throng and goodly diet?
+Well, since you're bound to have your way,
+ I don't mind telling, on the quiet.
+
+'T is April 13, as you know,
+ A day and month devote to Venus,
+Whereon was born, some years ago,
+ My very worthy friend, Mæcenas.
+
+Nay, pay no heed to Telephus;
+ Your friends agree he doesn't love you.
+The way he flirts convinces us
+ He really is not worthy of you.
+
+Aurora's son, unhappy lad!
+ You know the fate that overtook him?
+And Pegasus a rider had,--
+ I say he _had_, before he shook him!
+
+_Hoc docet_ (as you must agree)
+ 'T is meet that Phyllis should discover
+A wisdom in preferring me,
+ And mittening every other lover.
+
+So come, O Phyllis, last and best
+ Of loves with which this heart's been smitten,
+Come, sing my jealous fears to rest,
+ And let your songs be those _I've_ written.
+
+
+
+
+TO PHYLLIS
+
+II
+
+Sweet Phyllis, I have here a jar of old and precious wine,
+The years which mark its coming from the Alban hills are nine,
+And in the garden parsley, too, for wreathing garlands fair,
+And ivy in profusion to bind up your shining hair.
+
+Now smiles the house with silver; the altar, laurel-bound,
+Longs with the sacrificial blood of lambs to drip around;
+The company is hurrying, boys and maidens with the rest;
+The flames are flickering as they whirl the dark smoke on their crest.
+
+Yet you must know the joys to which you have been summoned here
+To keep the Ides of April, to the sea-born Venus dear,--
+Ah, festal day more sacred than my own fair day of birth,
+Since from its dawn my loved Mæcenas counts his years of earth.
+
+A rich and wanton girl has caught, as suited to her mind,
+The Telephus whom you desire,--a youth not of your kind.
+She holds him bound with pleasing chains, the fetters of her charms,--
+Remember how scorched Phaëthon ambitious hopes alarms.
+
+The winged Pegasus the rash Bellerophon has chafed,
+To you a grave example for reflection has vouchsafed,--
+Always to follow what is meet, and never try to catch
+That which is not allowed to you, an inappropriate match.
+
+Come now, sweet Phyllis, of my loves the last, and hence the best
+(For nevermore shall other girls inflame this manly breast);
+Learn loving measures to rehearse as we may stroll along,
+And dismal cares shall fly away and vanish at your song.
+
+
+
+
+TO CHLOE
+
+I
+
+Why do you shun me, Chloe, like the fawn,
+ That, fearful of the breezes and the wood,
+Has sought her timorous mother since the dawn,
+ And on the pathless mountain tops has stood?
+
+Her trembling heart a thousand fears invites,
+ Her sinking knees with nameless terrors shake,--
+Whether the rustling leaf of spring affrights,
+ Or the green lizards stir the slumbering brake.
+
+I do not follow with a tigerish thought,
+ Or with the fierce Gætulian lion's quest;
+So, quickly leave your mother, as you ought,
+ Full ripe to nestle on a husband's breast.
+
+
+
+
+TO CHLOE
+
+II
+
+Chloe, you shun me like a hind
+ That, seeking vainly for her mother,
+Hears danger in each breath of wind,
+ And wildly darts this way and t' other;
+
+Whether the breezes sway the wood
+ Or lizards scuttle through the brambles,
+She starts, and off, as though pursued,
+ The foolish, frightened creature scrambles.
+
+But, Chloe, you're no infant thing
+ That should esteem a man an ogre;
+Let go your mother's apron-string,
+ And pin your faith upon a toga!
+
+
+
+
+III
+
+A PARAPHRASE
+
+How happens it, my cruel miss,
+ You're always giving me the mitten?
+You seem to have forgotten this:
+ That you no longer are a kitten!
+
+A woman that has reached the years
+ Of that which people call discretion
+Should put aside all childish fears
+ And see in courtship no transgression.
+
+A mother's solace may be sweet,
+ But Hymen's tenderness is sweeter;
+And though all virile love be meet,
+ You'll find the poet's love is metre.
+
+
+
+
+IV
+
+A PARAPHRASE, CIRCA 1715
+
+Since Chloe is so monstrous fair,
+With such an eye and such an air,
+What wonder that the world complains
+When she each am'rous suit disdains?
+
+Close to her mother's side she clings,
+And mocks the death her folly brings
+To gentle swains that feel the smarts
+Her eyes inflict upon their hearts.
+
+Whilst thus the years of youth go by,
+Shall Colin languish, Strephon die?
+Nay, cruel nymph! come, choose a mate,
+And choose him ere it be too late!
+
+
+
+
+V
+
+A PARAPHRASE, BY DR. I.W.
+
+
+Why, Mistress Chloe, do you bother
+ With prattlings and with vain ado
+Your worthy and industrious mother,
+ Eschewing them that come to woo?
+
+Oh, that the awful truth might quicken
+ This stern conviction to your breast:
+You are no longer now a chicken
+ Too young to quit the parent nest.
+
+So put aside your froward carriage,
+ And fix your thoughts, whilst yet there's time,
+Upon the righteousness of marriage
+ With some such godly man as I'm.
+
+
+
+
+VI
+
+A PARAPHRASE, BY CHAUCER
+
+Syn that you, Chloe, to your moder sticken,
+Maketh all ye yonge bacheloures full sicken;
+Like as a lyttel deere you ben y-hiding
+Whenas come lovers with theyre pityse chiding.
+Sothly it ben faire to give up your moder
+For to beare swete company with some oder;
+Your moder ben well enow so farre shee goeth,
+But that ben not farre enow, God knoweth;
+Wherefore it ben sayed that foolysh ladyes
+That marrye not shall leade an aype in Hadys;
+But all that do with gode men wed full quicklye
+When that they be on dead go to ye seints full sickerly.
+
+
+
+
+TO MÆCENAS
+
+Than you, O valued friend of mine,
+ A better patron _non est_!
+Come, quaff my home-made Sabine wine,--
+ You'll find it poor but honest.
+
+I put it up that famous day
+ You patronized the ballet,
+And the public cheered you such a way
+ As shook your native valley.
+
+Cæcuban and the Calean brand
+ May elsewhere claim attention;
+But _I_ have none of these on hand,--
+ For reasons I'll not mention.
+
+
+
+
+ENVOY
+
+So, come! though favors I bestow
+ Cannot be called extensive,
+Who better than my friend should know
+ That they're at least expensive?
+
+
+
+
+TO BARINE
+
+If for your oath broken, or word lightly spoken,
+A plague comes, Barine, to grieve you;
+If on tooth or on finger a black mark shall linger
+Your beauty to mar, I'll believe you.
+
+But no sooner, the fact is, you bind, as your tact is,
+Your head with the vows of untruth,
+Than you shine out more charming, and, what's more alarming,
+You come forth beloved of our youth.
+
+It is advantageous, but no less outrageous,
+Your poor mother's ashes to cheat;
+While the gods of creation and each constellation
+You seem to regard as your meat.
+
+Now Venus, I own it, is pleased to condone it;
+The good-natured nymphs merely smile;
+And Cupid is merry,--'t is humorous, very,--
+And sharpens his arrows the while.
+
+Our boys you are making the slaves for your taking,
+A new band is joined to the old;
+While the horrified matrons your juvenile patrons
+In vain would bring back to the fold.
+
+The thrifty old fellows your loveliness mellows
+Confess to a dread of your house;
+But a more pressing duty, in view of your beauty,
+Is the young wife's concern for her spouse.
+
+
+
+
+THE RECONCILIATION
+
+I
+
+HE
+
+When you were mine, in auld lang syne,
+ And when none else your charms might ogle,
+I'll not deny, fair nymph, that I
+ Was happier than a heathen mogul.
+
+SHE
+
+Before _she_ came, that rival flame
+ (Had ever mater saucier filia?),
+In those good times, bepraised in rhymes,
+ I was more famed than Mother Ilia.
+
+HE
+
+Chloe of Thrace! With what a grace
+ Does she at song or harp employ her!
+I'd gladly die, if only I
+ Could live forever to enjoy her!
+
+SHE
+
+My Sybaris so noble is
+ That, by the gods, I love him madly!
+That I might save him from the grave,
+ I'd give my life, and give it gladly!
+
+HE
+
+What if _ma belle_ from favor fell,
+ And I made up my mind to shake her;
+Would Lydia then come back again,
+ And to her quondam love betake her?
+
+SHE
+
+My other beau should surely go,
+ And you alone should find me gracious;
+For no one slings such odes and things
+ As does the lauriger Horatius!
+
+
+
+
+THE RECONCILIATION
+
+II
+
+HORACE
+
+While favored by thy smiles no other youth in amorous teasing
+ Around thy snowy neck his folding arms was wont to fling;
+As long as I remained your love, acceptable and pleasing,
+ I lived a life of happiness beyond the Persian king.
+
+LYDIA
+
+While Lydia ranked Chloe in your unreserved opinion,
+ And for no other cherished thou a brighter, livelier flame,
+I, Lydia, distinguished throughout the whole dominion,
+ Surpassed the Roman Ilia in eminence of fame.
+
+HORACE
+
+'T is now the Thracian Chloe whose accomplishments inthrall me,--
+ So sweet in modulations, such a mistress of the lyre.
+In truth the fates, however terrible, could not appall me;
+ If they would spare her, sweet my soul, I gladly would expire.
+
+LYDIA
+
+And now the son of Ornytus, young Calais, inflames me
+ With mutual, restless passion and an all-consuming fire;
+And if the fates, however dread, would spare the youth who claims me,
+ Not only once would I face death, but gladly twice expire.
+
+HORACE
+
+What if our early love returns to prove we were mistaken
+ And bind with brazen yoke the twain, to part, ah! nevermore?
+What if the charming Chloe of the golden locks be shaken
+ And slighted Lydia again glide through the open door?
+
+LYDIA
+
+Though he is fairer than the star that shines so far above you,
+ Thou lighter than a cork, more stormy than the Adrian Sea,
+Still should I long to live with you, to live for you and love you,
+ And cheerfully see death's approach if thou wert near to me.
+
+
+
+
+THE ROASTING OF LYDIA
+
+No more your needed rest at night
+ By ribald youth is troubled;
+No more your windows, fastened tight,
+ Yield to their knocks redoubled.
+
+No longer you may hear them cry,
+ "Why art thou, Lydia, lying
+In heavy sleep till morn is nigh,
+ While I, your love, am dying?"
+
+Grown old and faded, you bewail
+ The rake's insulting sally,
+While round your home the Thracian gale
+ Storms through the lonely alley.
+
+What furious thoughts will fill your breast,
+ What passions, fierce and tinglish
+(Cannot be properly expressed
+ In calm, reposeful English).
+
+Learn this, and hold your carping tongue:
+ Youth will be found rejoicing
+In ivy green and myrtle young,
+ The praise of fresh life voicing;
+
+And not content to dedicate,
+ With much protesting shiver,
+The sapless leaves to winter's mate,
+ Hebrus, the cold dark river.
+
+
+
+
+TO GLYCERA
+
+The cruel mother of the Loves,
+ And other Powers offended,
+Have stirred my heart, where newly roves
+ The passion that was ended.
+
+'T is Glycera, to boldness prone,
+ Whose radiant beauty fires me;
+While fairer than the Parian stone
+ Her dazzling face inspires me.
+
+And on from Cyprus Venus speeds,
+ Forbidding--ah! the pity--
+The Scythian lays, the Parthian meeds,
+ And such irrelevant ditty.
+
+Here, boys, bring turf and vervain too;
+ Have bowls of wine adjacent;
+And ere our sacrifice is through
+ She may be more complaisant.
+
+
+
+
+TO LYDIA
+
+I
+
+When, Lydia, you (once fond and true,
+ But now grown cold and supercilious)
+Praise Telly's charms of neck and arms--
+ Well, by the dog! it makes me bilious!
+
+Then with despite my cheeks wax white,
+ My doddering brain gets weak and giddy,
+My eyes o'erflow with tears which show
+ That passion melts my vitals, Liddy!
+
+Deny, false jade, your escapade,
+ And, lo! your wounded shoulders show it!
+No manly spark left such a mark--
+ Leastwise he surely was no poet!
+
+With savage buss did Telephus
+ Abraid your lips, so plump and mellow;
+As you would save what Venus gave,
+ I charge you shun that awkward fellow!
+
+And now I say thrice happy they
+ That call on Hymen to requite 'em;
+For, though love cools, the wedded fools
+ Must cleave till death doth disunite 'em.
+
+
+
+
+TO LYDIA
+
+II
+
+When praising Telephus you sing
+His rosy neck and waxen arms,
+Forgetful of the pangs that wring
+This heart for my neglected charms,
+
+Soft down my cheek the tear-drop flows,
+My color comes and goes the while,
+And my rebellious liver glows,
+And fiercely swells with laboring bile.
+
+Perchance yon silly, passionate youth,
+Distempered by the fumes of wine,
+Has marred your shoulder with his tooth,
+Or scarred those rosy lips of thine.
+
+Be warned; he cannot faithful prove,
+Who, with the cruel kiss you prize,
+Has hurt the little mouth I love,
+Where Venus's own nectar lies.
+
+Whom golden links unbroken bind,
+Thrice happy--more than thrice are they;
+And constant, both in heart and mind,
+In love await the final day.
+
+
+
+
+TO QUINTIUS HIRPINUS
+
+To Scythian and Cantabrian plots,
+ Pay them no heed, O Quintius!
+ So long as we
+ From care are free,
+ Vexations cannot cinch us.
+
+Unwrinkled youth and grace, forsooth,
+ Speed hand in hand together;
+ The songs we sing
+ In time of spring
+ Are hushed in wintry weather.
+
+Why, even flow'rs change with the hours,
+ And the moon has divers phases;
+ And shall the mind
+ Be racked to find
+ A clew to Fortune's mazes?
+
+Nay; 'neath this tree let you and me
+ Woo Bacchus to caress us;
+ We're old, 't is true,
+ But still we two
+ Are thoroughbreds, God bless us!
+
+While the wine gets cool in yonder pool,
+ Let's spruce up nice and tidy;
+ Who knows, old boy,
+ But we may decoy
+ The fair but furtive Lyde?
+
+She can execute on her ivory lute
+ Sonatas full of passion,
+ And she bangs her hair
+ (Which is passing fair)
+ In the good old Spartan fashion.
+
+
+
+
+WINE, WOMEN, AND SONG
+
+ Ovarus mine,
+ Plant thou the vine
+Within this kindly soil of Tibur;
+ Nor temporal woes,
+ Nor spiritual, knows
+The man who's a discreet imbiber.
+ For who doth croak
+ Of being broke,
+Or who of warfare, after drinking?
+ With bowl atween us,
+ Of smiling Venus
+And Bacchus shall we sing, I'm thinking.
+
+ Of symptoms fell
+ Which brawls impel,
+Historic data give us warning;
+ The wretch who fights
+ When full, of nights,
+Is bound to have a head next morning.
+ I do not scorn
+ A friendly horn,
+But noisy toots, I can't abide 'em!
+ Your howling bat
+ Is stale and flat
+To one who knows, because he's tried 'em!
+
+ The secrets of
+ The life I love
+(Companionship with girls and toddy)
+ I would not drag
+ With drunken brag
+Into the ken of everybody;
+ But in the shade
+ Let some coy maid
+With smilax wreathe my flagon's nozzle,
+ Then all day long,
+ With mirth and song,
+Shall I enjoy a quiet sozzle!
+
+
+
+
+AN ODE TO FORTUNE
+
+ O Lady Fortune! 't is to thee I call,
+Dwelling at Antium, thou hast power to crown
+The veriest clod with riches and renown,
+ And change a triumph to a funeral
+The tillers of the soil and they that vex the seas,
+Confessing thee supreme, on bended knees
+ Invoke thee, all.
+
+ Of Dacian tribes, of roving Scythian bands,
+Of cities, nations, lawless tyrants red
+With guiltless blood, art thou the haunting dread;
+ Within thy path no human valor stands,
+And, arbiter of empires, at thy frown
+The sceptre, once supreme, slips surely down
+ From kingly hands.
+
+ Necessity precedes thee in thy way;
+Hope fawns on thee, and Honor, too, is seen
+Dancing attendance with obsequious mien;
+ But with what coward and abject dismay
+The faithless crowd and treacherous wantons fly
+When once their jars of luscious wine run dry,--
+ Such ingrates they!
+
+ Fortune, I call on thee to bless
+Our king,--our Cæsar girt for foreign wars!
+Help him to heal these fratricidal scars
+ That speak degenerate shame and wickedness;
+And forge anew our impious spears and swords,
+Wherewith we may against barbarian hordes
+ Our Past redress!
+
+
+
+
+TO A JAR OF WINE
+
+O gracious jar,--my friend, my twin,
+ Born at the time when I was born,--
+Whether tomfoolery you inspire
+Or animate with love's desire,
+ Or flame the soul with bitter scorn,
+Or lull to sleep, O jar of mine!
+ Come from your place this festal day;
+ Corvinus hither wends his way,
+And there's demand for wine!
+
+Corvinus is the sort of man
+ Who dotes on tedious argument.
+An advocate, his ponderous pate
+ Is full of Blackstone and of Kent;
+Yet not insensible is he,
+O genial Massic flood! to thee.
+Why, even Cato used to take
+ A modest, surreptitious nip
+At meal-times for his stomach's sake,
+ Or to forefend la grippe.
+
+How dost thou melt the stoniest hearts,
+ And bare the cruel knave's design;
+How through thy fascinating arts
+ We discount Hope, O gracious wine!
+And passing rich the poor man feels
+As through his veins thy affluence steals.
+
+Now, prithee, make us frisk and sing,
+ And plot full many a naughty plot
+With damsels fair--nor shall we care
+ Whether school keeps or not!
+And whilst thy charms hold out to burn
+ We shall not deign to go to bed,
+ But we shall paint creation red;
+So, fill, sweet wine, this friend of mine,--
+ My lawyer friend, as aforesaid.
+
+
+
+
+TO POMPEIUS VARUS
+
+Pompey, what fortune gives you back
+ To the friends and the gods who love you?
+Once more you stand in your native land,
+ With your native sky above you.
+Ah, side by side, in years agone,
+ We've faced tempestuous weather,
+ And often quaffed
+ The genial draught
+ From the same canteen together.
+
+When honor at Philippi fell
+ A prey to brutal passion,
+I regret to say that my feet ran away
+ In swift Iambic fashion.
+You were no poet; soldier born,
+ You stayed, nor did you wince then.
+ Mercury came
+ To my help, which same
+ Has frequently saved me since then.
+
+But now you're back, let's celebrate
+ In the good old way and classic;
+Come, let us lard our skins with nard,
+ And bedew our souls with Massic!
+With fillets of green parsley leaves
+ Our foreheads shall be done up;
+ And with song shall we
+ Protract our spree
+ Until the morrow's sun-up.
+
+
+
+
+THE POET'S METAMORPHOSIS
+
+Mæcenas, I propose to fly
+ To realms beyond these human portals;
+No common things shall be my wings,
+ But such as sprout upon immortals.
+
+Of lowly birth, once shed of earth,
+ Your Horace, precious (so you've told him),
+Shall soar away; no tomb of clay
+ Nor Stygian prison-house shall hold him.
+
+Upon my skin feathers begin
+ To warn the songster of his fleeting;
+But never mind, I leave behind
+ Songs all the world shall keep repeating.
+
+Lo! Boston girls, with corkscrew curls,
+ And husky westerns, wild and woolly,
+And southern climes shall vaunt my rhymes,
+ And all profess to know me fully.
+
+Methinks the West shall know me best,
+ And therefore hold my memory dearer;
+For by that lake a bard shall make
+ My subtle, hidden meanings clearer.
+
+So cherished, I shall never die;
+ Pray, therefore, spare your dolesome praises,
+Your elegies, and plaintive cries,
+ For I shall fertilize no daisies!
+
+
+
+
+TO VENUS
+
+Venus, dear Cnidian-Paphian queen!
+ Desert that Cyprus way off yonder,
+And fare you hence, where with incense
+ My Glycera would have you fonder;
+And to your joy bring hence your boy,
+ The Graces with unbelted laughter,
+The Nymphs, and Youth,--then, then, in sooth,
+ Should Mercury come tagging after.
+
+
+
+
+IN THE SPRINGTIME
+
+I
+
+'T is spring! The boats bound to the sea;
+ The breezes, loitering kindly over
+The fields, again bring herds and men
+ The grateful cheer of honeyed clover.
+
+Now Venus hither leads her train;
+ The Nymphs and Graces join in orgies;
+The moon is bright, and by her light
+ Old Vulcan kindles up his forges.
+
+Bind myrtle now about your brow,
+ And weave fair flowers in maiden tresses;
+Appease god Pan, who, kind to man,
+ Our fleeting life with affluence blesses;
+
+But let the changing seasons mind us,
+ That Death's the certain doom of mortals,--
+Grim Death, who waits at humble gates,
+ And likewise stalks through kingly portals.
+
+Soon, Sestius, shall Plutonian shades
+ Enfold you with their hideous seemings;
+Then love and mirth and joys of earth
+ Shall fade away like fevered dreamings.
+
+
+
+
+IN THE SPRINGTIME
+
+II
+
+The western breeze is springing up, the ships are in the bay,
+And spring has brought a happy change as winter melts away.
+No more in stall or fire the herd or plowman finds delight;
+No longer with the biting frosts the open fields are white.
+
+Our Lady of Cythera now prepares to lead the dance,
+While from above the kindly moon gives an approving glance;
+The Nymphs and comely Graces join with Venus and the choir,
+And Vulcan's glowing fancy lightly turns to thoughts of fire.
+
+Now it is time with myrtle green to crown the shining pate,
+And with the early blossoms of the spring to decorate;
+To sacrifice to Faunus, on whose favor we rely,
+A sprightly lamb, mayhap a kid, as he may specify.
+
+Impartially the feet of Death at huts and castles strike;
+The influenza carries off the rich and poor alike.
+O Sestius, though blessed you are beyond the common run,
+Life is too short to cherish e'en a distant hope begun.
+
+The Shades and Pluto's mansion follow hard upon the grip.
+Once there you cannot throw the dice, nor taste the wine you sip;
+Nor look on blooming Lycidas, whose beauty you commend,
+To whom the girls will presently their courtesies extend.
+
+
+
+
+TO A BULLY
+
+You, blatant coward that you are,
+ Upon the helpless vent your spite.
+Suppose you ply your trade on me;
+Come, monkey with this bard, and see
+ How I'll repay your bark with bite!
+
+Ay, snarl just once at me, you brute!
+ And I shall hound you far and wide,
+As fiercely as through drifted snow
+The shepherd dog pursues what foe
+ Skulks on the Spartan mountain-side.
+
+The chip is on my shoulder--see?
+ But touch it and I'll raise your fur;
+I'm full of business, so beware!
+For, though I'm loaded up for bear,
+ I'm quite as like to kill a cur!
+
+
+
+
+TO MOTHER VENUS
+
+O mother Venus, quit, I pray,
+ Your violent assailing!
+The arts, forsooth, that fired my youth
+ At last are unavailing;
+My blood runs cold, I'm getting old,
+ And all my powers are failing.
+
+Speed thou upon thy white swans' wings,
+ And elsewhere deign to mellow
+With thy soft arts the anguished hearts
+ Of swains that writhe and bellow;
+And right away seek out, I pray,
+ Young Paullus,--he's your fellow!
+
+You'll find young Paullus passing fair,
+ Modest, refined, and tony;
+Go, now, incite the favored wight!
+ With Venus for a crony
+He'll outshine all at feast and ball
+ And conversazione!
+
+Then shall that godlike nose of thine
+ With perfumes be requited,
+And then shall prance in Salian dance
+ The girls and boys delighted,
+And while the lute blends with the flute
+ Shall tender loves be plighted.
+
+But as for me, as you can see,
+ I'm getting old and spiteful.
+I have no mind to female kind,
+ That once I deemed delightful;
+No more brim up the festive cup
+ That sent me home at night full.
+
+Why do I falter in my speech,
+ O cruel Ligurine?
+Why do I chase from place to place
+ In weather wet and shiny?
+Why down my nose forever flows
+ The tear that's cold and briny?
+
+
+
+
+TO LYDIA
+
+Tell me, Lydia, tell me why,
+ By the gods that dwell above,
+Sybaris makes haste to die
+ Through your cruel, fatal love.
+
+Now he hates the sunny plain;
+ Once he loved its dust and heat.
+Now no more he leads the train
+ Of his peers on coursers fleet.
+
+Now he dreads the Tiber's touch,
+ And avoids the wrestling-rings,--
+He who formerly was such
+ An expert with quoits and things.
+
+Come, now, Mistress Lydia, say
+ Why your Sybaris lies hid,
+Why he shuns the martial play,
+ As we're told Achilles did.
+
+
+
+
+TO NEOBULE
+
+A sorry life, forsooth, these wretched girls are undergoing,
+Restrained from draughts of pleasant wine, from loving favors showing,
+For fear an uncle's tongue a reprimand will be bestowing!
+
+Sweet Cytherea's winged boy deprives you of your spinning,
+And Hebrus, Neobule, his sad havoc is beginning,
+Just as Minerva thriftily gets ready for an inning.
+
+Who could resist this gallant youth, as Tiber's waves he breasted,
+Or when the palm of riding from Bellerophon he wrested,
+Or when with fists and feet the sluggers easily he bested?
+
+He shot the fleeing stags with regularity surprising;
+The way he intercepted boars was quite beyond surmising,--
+No wonder that your thoughts this youth has been monopolizing!
+
+So I repeat that with these maids fate is unkindly dealing,
+Who never can in love's affair give license to their feeling,
+Or share those sweet emotions when a gentle jag is stealing.
+
+
+
+
+AT THE BALL GAME
+
+What gods or heroes, whose brave deeds none can dispute,
+Will you record, O Clio, on the harp and flute?
+What lofty names shall sportive Echo grant a place
+On Pindus' crown or Helicon's cool, shadowy space?
+
+Sing not, my Orpheus, sweeping oft the tuneful strings,
+Of gliding streams and nimble winds and such poor things;
+But lend your measures to a theme of noble thought,
+And crown with laurel these great heroes, as you ought.
+
+Now steps Ryanus forth at call of furious Mars,
+And from his oaken staff the sphere speeds to the stars;
+And now he gains the tertiary goal, and turns,
+While whiskered balls play round the timid staff of Burns.
+
+Lo! from the tribunes on the bleachers comes a shout,
+Beseeching bold Ansonius to line 'em out;
+And as Apollo's flying chariot cleaves the sky,
+So stanch Ansonius lifts the frightened ball on high.
+
+Like roar of ocean beating on the Cretan cliff,
+The strong Komiske gives the panting sphere a biff;
+And from the tribunes rise loud murmurs everywhere,
+When twice and thrice Mikellius beats the mocking air.
+
+And as Achilles' fleet the Trojan waters sweeps,
+So horror sways the throng,--Pfefferius sleeps!
+And stalwart Konnor, though by Mercury inspired,
+The Equus Carolus defies, and is retired.
+
+So waxes fierce the strife between these godlike men;
+And as the hero's fame grows by Virgilian pen,
+So let Clarksonius Maximus be raised to heights
+As far above the moon as moon o'er lesser lights.
+
+But as for me, the ivy leaf is my reward,
+If you a place among the lyric bards accord;
+With crest exalted, and O "People," with delight,
+I'll proudly strike the stars, and so be out of sight.
+
+
+
+
+EPILOGUE
+
+The day is done; and, lo! the shades
+ Melt 'neath Diana's mellow grace.
+Hark, how those deep, designing maids
+ Feign terror in this sylvan place!
+Come, friends, it's time that we should go;
+We're honest married folk, you know.
+
+Was not the wine delicious cool
+ Whose sweetness Pyrrha's smile enhanced?
+And by that clear Bandusian pool
+ How gayly Chloe sung and danced!
+And Lydia Die,--aha, methinks
+You'll not forget the saucy minx!
+
+But, oh, the echoes of those songs
+ That soothed our cares and lulled our hearts!
+Not to that age nor this belongs
+ The glory of what heaven-born arts
+Speak with the old distinctive charm
+From yonder humble Sabine farm!
+
+The day is done. Now off to bed,
+ Lest by some rural ruse surprised,
+And by those artful girls misled,
+ You two be sadly compromised.
+_You_ go; perhaps _I_'d better stay
+To shoo the giddy things away!
+
+But sometime we shall meet again
+ Beside Digentia, cool and clear,--
+You and we twain, old friend; and then
+ We'll have our fill of pagan cheer.
+Then, could old Horace join us three,
+How proud and happy he would be!
+
+Or if we part to meet no more
+ This side the misty Stygian Sea,
+Be sure of this: on yonder shore
+ Sweet cheer awaiteth such as we;
+A Sabine pagan's heaven, O friend,--
+The fellowship that knows no end!
+
+E.F.
+
+*** END OF THE PROJECT GUTENBERG EBOOK 13885 ***