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Diffstat (limited to 'old/13863-r.rtf')
| -rw-r--r-- | old/13863-r.rtf | 636 |
1 files changed, 636 insertions, 0 deletions
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\f2\fs20\cgrid { +Project Gutenberg's Regrets sur ma vieille robe de chambre, by Denis Diderot +\par +\par This eBook is for the use of anyone anywhere at no cost and with +\par almost no restrictions whatsoever. You may copy it, give it away or +\par re-use it under the terms of the Project Gutenberg License included +\par with this eBook or online at www.gutenberg.org +\par +\par +\par Title: Regrets sur ma vieille robe de chambre +\par +\par Author: Denis Diderot +\par +\par Release Date: }{February 18}{, 200}{5}{ [EBook #13863] +\par +\par Language: French +\par +\par Character set encoding: ISO-8859-1 +\par +\par *** START OF THIS PROJECT GUTENBERG EBOOK REGRETS SUR MA VIEILLE ROBE *** +\par +\par +\par +\par +\par }\pard\plain \qj\fi567\sb40\sa40\nowidctlpar\widctlpar\adjustright \f40\fs32\lang1036\cgrid {\f2\fs20 This Etext was prepared by Ebooks libres et gratuits and +\par is available at http://www.ebooksgratuits.com in Word format, +\par }\pard \qc\sb40\sa40\nowidctlpar\widctlpar\adjustright {\f2\fs20 Mobipocket Reader format, eReader format and Acrobat Reader format.}{ +\par \page +\par +\par +\par }{\fs40 Denis Diderot +\par }{ +\par +\par +\par }{\b\fs56 REGRETS SUR MA VIEILLE ROBE DE CHAMBRE +\par }{ +\par OU +\par +\par AVIS \'c0 CEUX QUI ONT PLUS DE GO\'dbT QUE DE FORTUNE +\par +\par +\par +\par }{\fs28 (1772) +\par }{ +\par +\par +\par }\pard \qj\fi567\sb40\sa40\nowidctlpar\widctlpar\adjustright {Pourquoi ne l'avoir pas gard\'e9e\~? Elle \'e9tait faite \'e0 moi\~; j\rquote \'e9tais fait \'e0 elle. Elle moulait tous les plis de mon corps sans le g\'eaner\~; j'\'e9 +tais pittoresque et beau. L'autre, raide, empes\'e9e, me mannequine. Il n'y avait aucun besoin auquel sa complaisance ne se pr\'eat\'e2t\~; car l'indigence est presque toujours officieuse. Un livre \'e9tait-il couvert de poussi\'e8 +re, un de ses pans s'offrait \'e0 l'essuyer. L'encre \'e9paissie refusait-elle de couler de ma plume, elle pr\'e9sentait le flanc. On y voyait trac\'e9s en longues raies noires les fr\'e9quents services qu'elle m'avait rendus. Ces longues raies annon\'e7 +aient le litt\'e9rateur, l'\'e9crivain, l'homme qui travaille. A pr\'e9sent, j'ai l'air d'un riche fain\'e9ant\~; on ne sait qui je suis. +\par +\par Sous son abri, je ne redoutais ni la maladresse d'un valet, ni la mienne, ni les \'e9clats du feu, ni la chute de l'eau. J'\'e9tais le ma\'eetre absolu de ma vieille robe de chambre\~; je suis devenu l'esclave de la nouvelle. +\par +\par Le dragon qui surveillait la toison d'or ne fut pas plus inquiet que moi. Le souci m'enveloppe. +\par +\par Le vieillard passionn\'e9 qui s'est livr\'e9, pieds et poings li\'e9s, aux caprices, \'e0 la merci d'une jeune folle, dit depuis le matin jusqu'au soir\~: O\'f9 est ma bonne, ma vieille gouvernante\~? Quel d\'e9mon m'obs\'e9 +dait le jour que je la chassai pour celle-ci\~! Puis il pleure, il soupire. +\par +\par Je ne pleure pas, je ne soupire pas\~; mais \'e0 chaque instant je dis\~: Maudit soit celui qui inventa l'art de donner du prix \'e0 l'\'e9toffe commune en la teignant en \'e9carlate\~! Maudit soit le pr\'e9cieux v\'eatement que je r\'e9v\'e8re\~! O\'f9 + est mon ancien, mon humble, mon commode lambeau de calemande\~? +\par +\par Mes amis, gardez vos vieux amis. Mes amis, craignez l'atteinte de la richesse. Que mon exemple vous instruise. La pauvret\'e9 a ses franchises\~; l'opulence a sa g\'eane. +\par +\par O Diog\'e8ne\~! si tu voyais ton disciple sous le fastueux manteau d'Aristippe, comme tu rirais\~! O Aristippe, ce manteau fastueux fut pay\'e9 par bien des bassesses. Quelle comparaison de ta vie molle, rampante, eff\'e9min\'e9e, et +de la vie libre et ferme du cynique d\'e9guenill\'e9\~! J'ai quitt\'e9 le tonneau o\'f9 je r\'e9gnais, pour servir sous un tyran. +\par +\par Ce n'est pas tout, mon ami. \'c9coutez les ravages du luxe, les suites d'un luxe cons\'e9quent. +\par +\par Ma vieille robe de chambre \'e9tait une avec les autres guenilles qui m'environnaient. Une chaise de paille, une table de bois, une tapisserie de Bergame, une planche de sapin qui soutenait quelques livres, quelques estampes enfum\'e9 +es, sans bordure, clou\'e9es par les angles sur cette tapisserie\~; entre ces estampes trois ou quatre pl\'e2tres suspendus formaient avec ma vieille robe de chambre l'indigence la plus harmonieuse. +\par +\par Tout est d\'e9saccord\'e9. Plus d'ensemble, plus d'unit\'e9, plus de beaut\'e9. +\par +\par Une nouvelle gouvernante st\'e9rile qui succ\'e8de dans un presbyt\'e8re, la femme qui entre dans la maison d'un veuf, le ministre qui remplace un ministre disgraci\'e9, le pr\'e9lat moliniste qui s'empare du dioc\'e8se d'un pr\'e9lat jans\'e9 +niste, ne causent pas plus de trouble que l'\'e9carlate intruse en a caus\'e9 chez moi. +\par +\par Je puis supporter sans d\'e9go\'fbt la vue d'une paysanne. Ce morceau de toile grossi\'e8re qui couvre sa t\'eate\~; cette chevelure qui tombe \'e9parse sur ses joues\~; ces haillons trou\'e9s qui la v\'eatissent [sic] \'e0 demi\~ +; ce mauvais cotillon court qui ne va qu'\'e0 la moiti\'e9 de ses jambes\~; ces pieds nus et couverts de fange ne peuvent me blesser\~: c'est l'image d'un \'e9tat que je respecte\~; c'est l'ensemble des disgr\'e2ces d'une condition n\'e9 +cessaire et malheureuse que je plains. Mais mon c\'9cur se soul\'e8ve\~; et, malgr\'e9 l'atmosph\'e8re parfum\'e9e qui la suit, j'\'e9loigne mes pas, je d\'e9tourne mes regards de cette courtisane dont la coiffure \'e0 + points d'Angleterre, et les manchettes d\'e9chir\'e9es, les bas de soie sales et la chaussure us\'e9e, me montrent la mis\'e8re du jour associ\'e9e \'e0 l'opulence de la veille. +\par +\par Tel e\'fbt \'e9t\'e9 mon domicile, si l'imp\'e9rieuse \'e9carlate n'e\'fbt tout mis \'e0 son unisson. +\par +\par J'ai vu la Bergame c\'e9der la muraille, \'e0 laquelle elle \'e9tait depuis si longtemps attach\'e9e, \'e0 la tenture de damas. +\par +\par Deux estampes qui n'\'e9taient pas sans m\'e9rite\~: }{\i la Chute de la manne dans le d\'e9sert}{ du Poussin, et }{\i l'Esther devant Assu\'e9rus}{ du m\'eame\~; l'une honteusement chass\'e9e par un vieillard de Rubens, c'est la triste Esther\~; }{\i +la Chute de la manne}{ dissip\'e9e par une }{\i Temp\'eate}{ de Vernet. +\par +\par La chaise de paille rel\'e9gu\'e9e dans l'antichambre par le fauteuil de maroquin. +\par +\par Hom\'e8re, Virgile, Horace, Cic\'e9ron, soulager le faible sapin courb\'e9 sous leur masse, et se refermer dans une armoire marquet\'e9e, asile plus digne d'eux que de moi. +\par +\par Une grande glace s'emparer du manteau de ma chemin\'e9e. +\par +\par Ces deux jolis pl\'e2tres que je tenais de l'amiti\'e9 de Falconet, et qu'il avait r\'e9par\'e9s lui-m\'eame, d\'e9m\'e9nag\'e9s par une V\'e9nus accroupie. L'argile moderne bris\'e9e par le bronze antique. +\par +\par La table de bois disputait encore le terrain, \'e0 l'abri d'une foule de brochures et de papiers entass\'e9s p\'eale-m\'eale, et qui semblaient devoir la d\'e9rober longtemps \'e0 l'injure qui la mena\'e7ait. Un jour elle subit son sort et, en d\'e9 +pit de ma paresse, les brochures et les papiers all\'e8rent se ranger dans les serres d'un bureau pr\'e9cieux. +\par +\par Instinct funeste des convenances\~! Tact d\'e9licat et ruineux, go\'fbt sublime qui change, qui d\'e9place, qui \'e9difie, qui renverse\~; qui vide les coffres des p\'e8res\~; qui laisse les filles sans dot, les fils sans \'e9ducation\~ +; qui fait tant de belles choses et de si grand maux, toi qui substituas chez moi le fatal et pr\'e9cieux bureau \'e0 la table de bois\~; c'est toi qui perds les nations\~; c'est toi qui, peut-\'ea +tre, un jour, conduira mes effets sur le pont Saint-Michel, o\'f9 l'on entendra la voix enrou\'e9e d'un jur\'e9 crieur dire\~: A vingt louis une V\'e9nus accroupie. +\par +\par L'intervalle qui restait entre la tablette de ce bureau et la }{\i Temp\'eate}{ de Vernet, qui est au-dessus, faisait un vide d\'e9sagr\'e9able \'e0 l\rquote \'9cil. Ce vide fut rempli par une pendule\~; et quelle pendule encore\~! une pendule \'e0 + la Geoffrin, une pendule o\'f9 l\rquote or contraste avec le bronze. +\par +\par Il y avait un angle vacant \'e0 c\'f4t\'e9 de ma fen\'eatre. Cet angle demandait un secr\'e9taire, qu'il obtint. +\par +\par Autre vide d\'e9plaisant entre la tablette du secr\'e9taire et la belle t\'eate de Rubens, il fut rempli par deux La Gren\'e9e. +\par +\par Ici c'est une }{\i Magdeleine}{ du m\'eame artiste\~; l\'e0, c'est une esquisse ou de Vien ou de Machy\~; car je donnai aussi dans les esquisses. Et ce fut ainsi que le r\'e9duit \'e9 +difiant du philosophe se transforma dans le cabinet scandaleux du publicain. J'insulte aussi \'e0 la mis\'e8re nationale. +\par +\par De ma m\'e9diocrit\'e9 premi\'e8re, il n'est rest\'e9 qu'un tapis de lisi\'e8res. Ce tapis mesquin ne cadre gu\'e8re avec mon luxe, je le sens. Mais j'ai jur\'e9 et je jure, car les pieds de Denis le philosophe ne fouleront jamais un chef-d\rquote \'9c +uvre de la Savonnerie, que je r\'e9serverai ce tapis, comme le paysan transf\'e9r\'e9 de sa chaumi\'e8re dans le palais de son souverain r\'e9serva ses sabots. +\par +\par Lorsque le matin, couvert de la somptueuse \'e9carlate, j'entre dans mon cabinet, si je baisse la vue, j'aper\'e7ois mon ancien tapis de lisi\'e8res\~; il me rappelle mon premier \'e9tat, et l'orgueil s'arr\'eate \'e0 l'entr\'e9e de mon c\'9cur. +\par +\par Non, mon ami, non\~: je ne suis point corrompu. Ma porte s'ouvre toujours au besoin qui s'adresse \'e0 moi\~; il me trouve la m\'eame affabilit\'e9. Je l'\'e9coute, je le conseille, je le secours, je le plains. Mon \'e2me ne s'est point endurcie\~; ma t +\'eate ne s'est point relev\'e9e. Mon dos est bon et rond, comme ci-devant. C'est le m\'eame ton de franchise\~; c'est la m\'eame sensibilit\'e9. Mon luxe est de fra\'eeche date et +le poison n'a point encore agi. Mais avec le temps, qui sait ce qui peut arriver\~? Qu'attendre de celui qui a oubli\'e9 sa femme et sa fille, qui s'est endett\'e9, qui a cess\'e9 d'\'eatre \'e9poux et p\'e8re, et qui, au lieu de d\'e9 +poser au fond d'un coffre fid\'e8le, une somme utile\'85 +\par +\par Ah, saint proph\'e8te\~! levez vos mains au ciel, priez pour un ami en p\'e9ril, dites \'e0 Dieu\~: si tu vois dans tes d\'e9crets \'e9ternels que la richesse corrompe le c\'9cur de Denis, n'\'e9pargne pas les chefs-d\rquote \'9cuvre qu'il idol\'e2tre\~ +; d\'e9truis-les et ram\'e8ne-le \'e0 sa premi\'e8re pauvret\'e9\~; et moi, je dirai au ciel de mon c\'f4t\'e9\~: O Dieu\~! je me r\'e9signe \'e0 la pri\'e8re du saint proph\'e8te et \'e0 ta volont\'e9\~! Je t'abandonne tout\~; reprends tout\~ +; oui, tout, except\'e9 le Vernet. Ah\~! laisse-moi le Vernet\~! +\par +\par Ce n'est pas l'artiste, c'est toi qui l'as fait. Respecte l'ouvrage de l'amiti\'e9 et le tien. Vois ce phare, vois cette tour adjacente qui s'\'e9l\'e8ve \'e0 droite\~; vois ce vieil arbre que les vents ont d\'e9chir\'e9. Que cette masse est belle\~ +! Au-dessous de cette masse obscure, vois ces rochers couverts de verdure. C'est ainsi que ta main puissante les a form\'e9s\~; c'est ainsi que ta main bienfaisante les a tapiss\'e9s. Vois cette terrasse in\'e9 +gale, qui descend du pied des rochers vers la mer. C'est l'image des d\'e9gradations que tu as permises au temps d'exercer sur les choses du monde les plus solides. Ton soleil l'aurait-il autrement \'e9clair\'e9e\~?\~Dieu\~!\~si tu an\'e9 +antis cet ouvrage de l'art, on dira que tu es un Dieu jaloux. Prends en piti\'e9 les malheureux \'e9pars sur cette rive. Ne te suffit-il pas de leur avoir montr\'e9 le fond des ab\'eemes\~? Ne les as-tu sauv\'e9s que pour les perdre\~? \'c9coute la pri +\'e8re de celui-ci qui te remercie. Aide les efforts de celui-l\'e0 qui rassemble les tristes restes de sa fortune. Ferme l'oreille aux impr\'e9cations de ce furieux\~: h\'e9las\~! il se promettait des retours si avantageux\~; il avait m\'e9dit\'e9 + le repos et la retraite\~; il en \'e9tait \'e0 son dernier voyage. Cent fois dans la route, il avait calcul\'e9 par ses doigts le fond de sa fortune\~; il en avait arrang\'e9 l'emploi\~: et voil\'e0 toutes ses esp\'e9rances tromp\'e9es\~ +; peine lui reste-t-il de quoi couvrir ses membres nus. Sois touch\'e9 de la tendresse de ces deux \'e9poux. Vois la terreur que tu as inspir\'e9e \'e0 cette femme. Elle te rend gr\'e2ce du mal que tu ne lui as pas fait. Cependant, son enfant, trop jeune +pour savoir \'e0 quel p\'e9ril tu l'avais expos\'e9, lui, son p\'e8re et sa m\'e8re, s'occupe du fid\'e8le compagnon de son voyage\~; il rattache le collier de son chien. Fais gr\'e2ce \'e0 l'innocent. Vois cette m\'e8re fra\'eechement \'e9chapp\'e9 +e des eaux avec son \'e9poux\~; ce n'est pas pour elle qu'elle a trembl\'e9, c'est pour son enfant. Vois comme elle le serre contre son sein\~; vois comme elle le baise. O Dieu\~! reconnais les eaux que tu as cr\'e9\'e9 +es. Reconnais-les, et lorsque ton souffle les agite, et lorsque ta main les apaise. Reconnais les sombres nuages que tu avais rassembl\'e9s, et qu'il t'a plu de dissiper. D\'e9j\'e0 ils se s\'e9parent, ils s'\'e9loignent, d\'e9j\'e0 + la lueur de l'astre du jour rena\'eet sur la face des eaux\~; je pr\'e9sage le calme \'e0 cet horizon rouge\'e2tre. Qu'il est loin, cet horizon\~! il ne confine point avec la mer. Le ciel descend au-dessous et semble tourner autour du globe. Ach\'e8ve d' +\'e9claircir ce ciel\~; ach\'e8ve de rendre \'e0 la mer sa tranquillit\'e9. Permets \'e0 ces matelots de remettre \'e0 flot leur navire \'e9chou\'e9\~; seconde leur travail\~; donne-leur +des forces, et laisse-moi mon tableau. Laisse-le-moi, comme la verge dont tu ch\'e2tieras l'homme vain. D\'e9j\'e0 ce n'est plus moi qu'on visite, qu'on vient entendre\~: c'est Vernet qu'on vient admirer chez moi. Le peintre a humili\'e9 le philosophe. + +\par +\par O mon ami, le beau Vernet que je poss\'e8de\~! Le sujet est la fin d'une temp\'eate sans catastrophe f\'e2cheuse. Les flots sont encore agit\'e9s\~; le ciel couvert de nuages\~; les matelots s'occupent sur leur navire \'e9chou\'e9\~ +; les habitants accourent des montagnes voisines. +\par }\pard \qc\sb40\sa40\nowidctlpar\widctlpar\adjustright { +\par }\pard \qj\sb40\sa40\nowidctlpar\widctlpar\adjustright {Que cet artiste a d'esprit\~! Il ne lui a fallu qu'un petit nombre de figures principales pour rendre toutes les circonstances de l'instant qu'il a choisi. Comme toute cette sc\'e8ne est vraie\~ +! Comme tout est peint avec l\'e9g\'e8ret\'e9, facilit\'e9 et vigueur\~! Je veux garder ce t\'e9moignage de son amiti\'e9. Je veux que mon gendre le transmette ses enfants, ses enfants aux leurs, et ceux-ci aux enfants qui na\'eetront d'eux. +\par }\pard \qj\fi567\sb40\sa40\nowidctlpar\widctlpar\adjustright { +\par Si vous voyiez le bel ensemble de ce morceau\~; comme tout y est harmonieux\~; comme les effets s'y encha\'eenent\~; comme tout se fait valoir sans effort et sans appr\'eat\~; comme ces montagnes de la droite sont vaporeuses\~; comme ces rochers et les +\'e9difices surimpos\'e9s sont beaux\~; comme cet arbre est pittoresque\~; +\par }\pard \qc\sb40\sa40\nowidctlpar\widctlpar\adjustright { +\par }\pard \qj\sb40\sa40\nowidctlpar\widctlpar\adjustright { +\par comme cette terrasse est \'e9clair\'e9e\~; comme la lumi\'e8re s'y d\'e9grade\~; comme ces figures sont dispos\'e9es, vraies, agissantes, naturelles, vivantes\~; comme elles int\'e9ressent\~; la force dont elles sont peintes\~; la puret\'e9 + dont elles sont dessin\'e9es\~; comme elles se d\'e9tachent du fond\~; l'\'e9norme \'e9tendue de cet espace\~; la v\'e9rit\'e9 de ces eaux\~; ces nu\'e9es, ce ciel, cet horizon\~! Ici le fond est priv\'e9 de lumi\'e8 +re et le devant clair, au contraire du technique commun. Venez voir mon Vernet\~; mais ne me l'\'f4tez pas. +\par }\pard \qj\fi567\sb40\sa40\nowidctlpar\widctlpar\adjustright { +\par Avec le temps, les dettes s'acquitteront\~; le remords s'apaisera\~; et j'aurai une jouissance pure. Ne craignez pas que la fureur d'entasser des belles choses me prenne. Les amis que j'avais, je les ai\~; et le nombre n'en est pas augment\'e9. J'ai La +\'efs, mais La\'efs ne m'a pas. Heureux entre ses bras, je suis pr\'eat \'e0 la c\'e9der \'e0 celui que j'aimerai et qu'elle rendrait plus heureux que moi. Et pour vous dire mon secret \'e0 l'oreille, cette La\'ef +s, qui se vend si cher aux autres, ne m'a rien co\'fbt\'e9. +\par }\pard\plain \s40\nowidctlpar\widctlpar\adjustright \f2\fs20\cgrid {\page }{End of the Project Gutenberg EBook of Regrets sur ma vieille robe de chambre +\par by Denis Diderot +\par +\par *** END OF THIS PROJECT GUTENBERG EBOOK REGRETS SUR MA VIEILLE ROBE *** +\par +\par ***** This file should be named 13863-}{r}{.}{r}{t}{f}{ or 13863-}{r}{.zip ***** +\par This and all associated files of various formats will be found in: +\par https://www.gutenberg.org/1/3/8/6/13863/ +\par +\par }\pard\plain \qj\sb40\sa40\nowidctlpar\widctlpar\adjustright \f40\fs32\lang1036\cgrid {\f2\fs20 This Etext was prepared by Ebooks libres et gratuits and +\par is available at http://www.ebooksgratuits.com in Word format, +\par }\pard\plain \s40\nowidctlpar\widctlpar\adjustright \f2\fs20\cgrid {Mobipocket Reader format, eReader format and Acrobat Reader format. +\par +\par Updated editions will replace the previous one--the old editions +\par will be renamed. +\par +\par Creating the works from public domain print editions means that no +\par one owns a United States copyright in these works, so the Foundation +\par (and you!) can copy and distribute it in the United States without +\par permission and without paying copyright royalties. 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