1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
1623
1624
1625
1626
1627
1628
1629
1630
1631
1632
1633
1634
1635
1636
1637
1638
1639
1640
1641
1642
1643
1644
1645
1646
1647
1648
1649
1650
1651
1652
1653
1654
1655
1656
1657
1658
1659
1660
1661
1662
1663
1664
1665
1666
1667
1668
1669
1670
1671
1672
1673
1674
1675
1676
1677
1678
1679
1680
1681
1682
1683
1684
1685
1686
1687
1688
1689
1690
1691
1692
1693
1694
1695
1696
1697
1698
1699
1700
1701
1702
1703
1704
1705
1706
1707
1708
1709
1710
1711
1712
1713
1714
1715
1716
1717
1718
1719
1720
1721
1722
1723
1724
1725
1726
1727
1728
1729
1730
1731
1732
1733
1734
1735
1736
1737
1738
1739
1740
1741
1742
1743
1744
1745
1746
1747
1748
1749
1750
1751
1752
1753
1754
1755
1756
1757
1758
1759
1760
1761
1762
1763
1764
1765
1766
1767
1768
1769
1770
1771
1772
1773
1774
1775
1776
1777
1778
1779
1780
1781
1782
1783
1784
1785
1786
1787
1788
1789
1790
1791
1792
1793
1794
1795
1796
1797
1798
1799
1800
1801
1802
1803
1804
1805
1806
1807
1808
1809
1810
1811
1812
1813
1814
1815
1816
1817
1818
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
1883
1884
1885
1886
1887
1888
1889
1890
1891
1892
1893
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034
2035
2036
2037
2038
2039
2040
2041
2042
2043
2044
2045
2046
2047
2048
2049
2050
2051
2052
2053
2054
2055
2056
2057
2058
2059
2060
2061
2062
2063
2064
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
2076
2077
2078
2079
2080
2081
2082
2083
2084
2085
2086
2087
2088
2089
2090
2091
2092
2093
2094
2095
2096
2097
2098
2099
2100
2101
2102
2103
2104
2105
2106
2107
2108
2109
2110
2111
2112
2113
2114
2115
2116
2117
2118
2119
2120
2121
2122
2123
2124
2125
2126
2127
2128
2129
2130
2131
2132
2133
2134
2135
2136
2137
2138
2139
2140
2141
2142
2143
2144
2145
2146
2147
2148
2149
2150
2151
2152
2153
2154
2155
2156
2157
2158
2159
2160
2161
2162
2163
2164
2165
2166
2167
2168
2169
2170
2171
2172
2173
2174
2175
2176
2177
2178
2179
2180
2181
2182
2183
2184
2185
2186
2187
2188
2189
2190
2191
2192
2193
2194
2195
2196
2197
2198
2199
2200
2201
2202
2203
2204
2205
2206
2207
2208
2209
2210
2211
2212
2213
2214
2215
2216
2217
2218
2219
2220
2221
2222
2223
2224
2225
|
<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE html
PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
<head>
<title>
Sara Crewe, by Frances Hodgson Burnett
</title>
<style type="text/css" xml:space="preserve">
body { margin:5%; background:#faebd0; text-align:justify}
P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
hr { width: 50%; text-align: center;}
.foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
.mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
.toc { margin-left: 10%; margin-bottom: .75em;}
.toc2 { margin-left: 20%;}
div.fig { display:block; margin:0 auto; text-align:center; }
div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
.figleft {float: left; margin-left: 0%; margin-right: 1%;}
.figright {float: right; margin-right: 0%; margin-left: 1%;}
.pagenum {display:inline; font-size: 70%; font-style:normal;
margin: 0; padding: 0; position: absolute; right: 1%;
text-align: right;}
pre { font-style: italic; font-size: 90%; margin-left: 10%;}
</style>
</head>
<body>
<div>*** START OF THE PROJECT GUTENBERG EBOOK 137 ***</div>
<p>
<br /> <br />
</p>
<h1>
SARA CREWE <br /> OR <br /> WHAT HAPPENED AT MISS MINCHIN'S
</h1>
<p>
<br /> <br />
</p>
<h2>
BY FRANCES HODGSON BURNETT
</h2>
<p>
<br /> <br /> <br /> <br /> <br />
</p>
<p>
In the first place, Miss Minchin lived in London. Her home was a large,
dull, tall one, in a large, dull square, where all the houses were alike,
and all the sparrows were alike, and where all the door-knockers made the
same heavy sound, and on still days—and nearly all the days were
still—seemed to resound through the entire row in which the knock
was knocked. On Miss Minchin's door there was a brass plate. On the brass
plate there was inscribed in black letters,
</p>
<h3>
MISS MINCHIN'S<br /> SELECT SEMINARY FOR YOUNG LADIES
</h3>
<p>
Little Sara Crewe never went in or out of the house without reading that
door-plate and reflecting upon it. By the time she was twelve, she had
decided that all her trouble arose because, in the first place, she was
not “Select,” and in the second she was not a “Young Lady.” When she was
eight years old, she had been brought to Miss Minchin as a pupil, and left
with her. Her papa had brought her all the way from India. Her mamma had
died when she was a baby, and her papa had kept her with him as long as he
could. And then, finding the hot climate was making her very delicate, he
had brought her to England and left her with Miss Minchin, to be part of
the Select Seminary for Young Ladies. Sara, who had always been a sharp
little child, who remembered things, recollected hearing him say that he
had not a relative in the world whom he knew of, and so he was obliged to
place her at a boarding-school, and he had heard Miss Minchin's
establishment spoken of very highly. The same day, he took Sara out and
bought her a great many beautiful clothes—clothes so grand and rich
that only a very young and inexperienced man would have bought them for a
mite of a child who was to be brought up in a boarding-school. But the
fact was that he was a rash, innocent young man, and very sad at the
thought of parting with his little girl, who was all he had left to remind
him of her beautiful mother, whom he had dearly loved. And he wished her
to have everything the most fortunate little girl could have; and so, when
the polite saleswomen in the shops said, “Here is our very latest thing in
hats, the plumes are exactly the same as those we sold to Lady Diana
Sinclair yesterday,” he immediately bought what was offered to him, and
paid whatever was asked. The consequence was that Sara had a most
extraordinary wardrobe. Her dresses were silk and velvet and India
cashmere, her hats and bonnets were covered with bows and plumes, her
small undergarments were adorned with real lace, and she returned in the
cab to Miss Minchin's with a doll almost as large as herself, dressed
quite as grandly as herself, too.
</p>
<p>
Then her papa gave Miss Minchin some money and went away, and for several
days Sara would neither touch the doll, nor her breakfast, nor her dinner,
nor her tea, and would do nothing but crouch in a small corner by the
window and cry. She cried so much, indeed, that she made herself ill. She
was a queer little child, with old-fashioned ways and strong feelings, and
she had adored her papa, and could not be made to think that India and an
interesting bungalow were not better for her than London and Miss
Minchin's Select Seminary. The instant she had entered the house, she had
begun promptly to hate Miss Minchin, and to think little of Miss Amelia
Minchin, who was smooth and dumpy, and lisped, and was evidently afraid of
her older sister. Miss Minchin was tall, and had large, cold, fishy eyes,
and large, cold hands, which seemed fishy, too, because they were damp and
made chills run down Sara's back when they touched her, as Miss Minchin
pushed her hair off her forehead and said:
</p>
<p>
“A most beautiful and promising little girl, Captain Crewe. She will be a
favorite pupil; quite a favorite pupil, I see.”
</p>
<p>
For the first year she was a favorite pupil; at least she was indulged a
great deal more than was good for her. And when the Select Seminary went
walking, two by two, she was always decked out in her grandest clothes,
and led by the hand at the head of the genteel procession, by Miss Minchin
herself. And when the parents of any of the pupils came, she was always
dressed and called into the parlor with her doll; and she used to hear
Miss Minchin say that her father was a distinguished Indian officer, and
she would be heiress to a great fortune. That her father had inherited a
great deal of money, Sara had heard before; and also that some day it
would be hers, and that he would not remain long in the army, but would
come to live in London. And every time a letter came, she hoped it would
say he was coming, and they were to live together again.
</p>
<p>
But about the middle of the third year a letter came bringing very
different news. Because he was not a business man himself, her papa had
given his affairs into the hands of a friend he trusted. The friend had
deceived and robbed him. All the money was gone, no one knew exactly
where, and the shock was so great to the poor, rash young officer, that,
being attacked by jungle fever shortly afterward, he had no strength to
rally, and so died, leaving Sara, with no one to take care of her.
</p>
<p>
Miss Minchin's cold and fishy eyes had never looked so cold and fishy as
they did when Sara went into the parlor, on being sent for, a few days
after the letter was received.
</p>
<p>
No one had said anything to the child about mourning, so, in her
old-fashioned way, she had decided to find a black dress for herself, and
had picked out a black velvet she had outgrown, and came into the room in
it, looking the queerest little figure in the world, and a sad little
figure too. The dress was too short and too tight, her face was white, her
eyes had dark rings around them, and her doll, wrapped in a piece of old
black crape, was held under her arm. She was not a pretty child. She was
thin, and had a weird, interesting little face, short black hair, and very
large, green-gray eyes fringed all around with heavy black lashes.
</p>
<p>
“I am the ugliest child in the school,” she had said once, after staring
at herself in the glass for some minutes.
</p>
<p>
But there had been a clever, good-natured little French teacher who had
said to the music-master:
</p>
<p>
“Zat leetle Crewe. Vat a child! A so ogly beauty! Ze so large eyes! ze so
little spirituelle face. Waid till she grow up. You shall see!”
</p>
<p>
This morning, however, in the tight, small black frock, she looked thinner
and odder than ever, and her eyes were fixed on Miss Minchin with a queer
steadiness as she slowly advanced into the parlor, clutching her doll.
</p>
<p>
“Put your doll down!” said Miss Minchin.
</p>
<p>
“No,” said the child, “I won't put her down; I want her with me. She is
all I have. She has stayed with me all the time since my papa died.”
</p>
<p>
She had never been an obedient child. She had had her own way ever since
she was born, and there was about her an air of silent determination under
which Miss Minchin had always felt secretly uncomfortable. And that lady
felt even now that perhaps it would be as well not to insist on her point.
So she looked at her as severely as possible.
</p>
<p>
“You will have no time for dolls in future,” she said; “you will have to
work and improve yourself, and make yourself useful.”
</p>
<p>
Sara kept the big odd eyes fixed on her teacher and said nothing.
</p>
<p>
“Everything will be very different now,” Miss Minchin went on. “I sent for
you to talk to you and make you understand. Your father is dead. You have
no friends. You have no money. You have no home and no one to take care of
you.”
</p>
<p>
The little pale olive face twitched nervously, but the green-gray eyes did
not move from Miss Minchin's, and still Sara said nothing.
</p>
<p>
“What are you staring at?” demanded Miss Minchin sharply. “Are you so
stupid you don't understand what I mean? I tell you that you are quite
alone in the world, and have no one to do anything for you, unless I
choose to keep you here.”
</p>
<p>
The truth was, Miss Minchin was in her worst mood. To be suddenly deprived
of a large sum of money yearly and a show pupil, and to find herself with
a little beggar on her hands, was more than she could bear with any degree
of calmness.
</p>
<p>
“Now listen to me,” she went on, “and remember what I say. If you work
hard and prepare to make yourself useful in a few years, I shall let you
stay here. You are only a child, but you are a sharp child, and you pick
up things almost without being taught. You speak French very well, and in
a year or so you can begin to help with the younger pupils. By the time
you are fifteen you ought to be able to do that much at least.”
</p>
<p>
“I can speak French better than you, now,” said Sara; “I always spoke it
with my papa in India.” Which was not at all polite, but was painfully
true; because Miss Minchin could not speak French at all, and, indeed, was
not in the least a clever person. But she was a hard, grasping business
woman; and, after the first shock of disappointment, had seen that at very
little expense to herself she might prepare this clever, determined child
to be very useful to her and save her the necessity of paying large
salaries to teachers of languages.
</p>
<p>
“Don't be impudent, or you will be punished,” she said. “You will have to
improve your manners if you expect to earn your bread. You are not a
parlor boarder now. Remember that if you don't please me, and I send you
away, you have no home but the street. You can go now.”
</p>
<p>
Sara turned away.
</p>
<p>
“Stay,” commanded Miss Minchin, “don't you intend to thank me?”
</p>
<p>
Sara turned toward her. The nervous twitch was to be seen again in her
face, and she seemed to be trying to control it.
</p>
<p>
“What for?” she said.
</p>
<p>
“For my kindness to you,” replied Miss Minchin. “For my kindness in giving
you a home.”
</p>
<p>
Sara went two or three steps nearer to her. Her thin little chest was
heaving up and down, and she spoke in a strange, unchildish voice.
</p>
<p>
“You are not kind,” she said. “You are not kind.” And she turned again and
went out of the room, leaving Miss Minchin staring after her strange,
small figure in stony anger.
</p>
<p>
The child walked up the staircase, holding tightly to her doll; she meant
to go to her bedroom, but at the door she was met by Miss Amelia.
</p>
<p>
“You are not to go in there,” she said. “That is not your room now.”
</p>
<p>
“Where is my room?” asked Sara.
</p>
<p>
“You are to sleep in the attic next to the cook.”
</p>
<p>
Sara walked on. She mounted two flights more, and reached the door of the
attic room, opened it and went in, shutting it behind her. She stood
against it and looked about her. The room was slanting-roofed and
whitewashed; there was a rusty grate, an iron bedstead, and some odd
articles of furniture, sent up from better rooms below, where they had
been used until they were considered to be worn out. Under the skylight in
the roof, which showed nothing but an oblong piece of dull gray sky, there
was a battered old red footstool.
</p>
<p>
Sara went to it and sat down. She was a queer child, as I have said
before, and quite unlike other children. She seldom cried. She did not cry
now. She laid her doll, Emily, across her knees, and put her face down
upon her, and her arms around her, and sat there, her little black head
resting on the black crape, not saying one word, not making one sound.
</p>
<p>
From that day her life changed entirely. Sometimes she used to feel as if
it must be another life altogether, the life of some other child. She was
a little drudge and outcast; she was given her lessons at odd times and
expected to learn without being taught; she was sent on errands by Miss
Minchin, Miss Amelia and the cook. Nobody took any notice of her except
when they ordered her about. She was often kept busy all day and then sent
into the deserted school-room with a pile of books to learn her lessons or
practise at night. She had never been intimate with the other pupils, and
soon she became so shabby that, taking her queer clothes together with her
queer little ways, they began to look upon her as a being of another world
than their own. The fact was that, as a rule, Miss Minchin's pupils were
rather dull, matter-of-fact young people, accustomed to being rich and
comfortable; and Sara, with her elfish cleverness, her desolate life, and
her odd habit of fixing her eyes upon them and staring them out of
countenance, was too much for them.
</p>
<p>
“She always looks as if she was finding you out,” said one girl, who was
sly and given to making mischief. “I am,” said Sara promptly, when she
heard of it. “That's what I look at them for. I like to know about people.
I think them over afterward.”
</p>
<p>
She never made any mischief herself or interfered with any one. She talked
very little, did as she was told, and thought a great deal. Nobody knew,
and in fact nobody cared, whether she was unhappy or happy, unless,
perhaps, it was Emily, who lived in the attic and slept on the iron
bedstead at night. Sara thought Emily understood her feelings, though she
was only wax and had a habit of staring herself. Sara used to talk to her
at night.
</p>
<p>
“You are the only friend I have in the world,” she would say to her. “Why
don't you say something? Why don't you speak? Sometimes I am sure you
could, if you would try. It ought to make you try, to know you are the
only thing I have. If I were you, I should try. Why don't you try?”
</p>
<p>
It really was a very strange feeling she had about Emily. It arose from
her being so desolate. She did not like to own to herself that her only
friend, her only companion, could feel and hear nothing. She wanted to
believe, or to pretend to believe, that Emily understood and sympathized
with her, that she heard her even though she did not speak in answer. She
used to put her in a chair sometimes and sit opposite to her on the old
red footstool, and stare at her and think and pretend about her until her
own eyes would grow large with something which was almost like fear,
particularly at night, when the garret was so still, when the only sound
that was to be heard was the occasional squeak and scurry of rats in the
wainscot. There were rat-holes in the garret, and Sara detested rats, and
was always glad Emily was with her when she heard their hateful squeak and
rush and scratching. One of her “pretends” was that Emily was a kind of
good witch and could protect her. Poor little Sara! everything was
“pretend” with her. She had a strong imagination; there was almost more
imagination than there was Sara, and her whole forlorn, uncared-for
child-life was made up of imaginings. She imagined and pretended things
until she almost believed them, and she would scarcely have been surprised
at any remarkable thing that could have happened. So she insisted to
herself that Emily understood all about her troubles and was really her
friend.
</p>
<p>
“As to answering,” she used to say, “I don't answer very often. I never
answer when I can help it. When people are insulting you, there is nothing
so good for them as not to say a word—just to look at them and
think. Miss Minchin turns pale with rage when I do it. Miss Amelia looks
frightened, so do the girls. They know you are stronger than they are,
because you are strong enough to hold in your rage and they are not, and
they say stupid things they wish they hadn't said afterward. There's
nothing so strong as rage, except what makes you hold it in—that's
stronger. It's a good thing not to answer your enemies. I scarcely ever
do. Perhaps Emily is more like me than I am like myself. Perhaps she would
rather not answer her friends, even. She keeps it all in her heart.”
</p>
<p>
But though she tried to satisfy herself with these arguments, Sara did not
find it easy. When, after a long, hard day, in which she had been sent
here and there, sometimes on long errands, through wind and cold and rain;
and, when she came in wet and hungry, had been sent out again because
nobody chose to remember that she was only a child, and that her thin
little legs might be tired, and her small body, clad in its forlorn, too
small finery, all too short and too tight, might be chilled; when she had
been given only harsh words and cold, slighting looks for thanks, when the
cook had been vulgar and insolent; when Miss Minchin had been in her worst
moods, and when she had seen the girls sneering at her among themselves
and making fun of her poor, outgrown clothes—then Sara did not find
Emily quite all that her sore, proud, desolate little heart needed as the
doll sat in her little old chair and stared.
</p>
<p>
One of these nights, when she came up to the garret cold, hungry, tired,
and with a tempest raging in her small breast, Emily's stare seemed so
vacant, her sawdust legs and arms so limp and inexpressive, that Sara lost
all control over herself.
</p>
<p>
“I shall die presently!” she said at first.
</p>
<p>
Emily stared.
</p>
<p>
“I can't bear this!” said the poor child, trembling. “I know I shall die.
I'm cold, I'm wet, I'm starving to death. I've walked a thousand miles
to-day, and they have done nothing but scold me from morning until night.
And because I could not find that last thing they sent me for, they would
not give me any supper. Some men laughed at me because my old shoes made
me slip down in the mud. I'm covered with mud now. And they laughed! Do
you hear!”
</p>
<p>
She looked at the staring glass eyes and complacent wax face, and suddenly
a sort of heartbroken rage seized her. She lifted her little savage hand
and knocked Emily off the chair, bursting into a passion of sobbing.
</p>
<p>
“You are nothing but a doll!” she cried.
</p>
<p>
“Nothing but a doll-doll-doll! You care for nothing. You are stuffed with
sawdust. You never had a heart. Nothing could ever make you feel. You are
a doll!”
</p>
<p>
Emily lay upon the floor, with her legs ignominiously doubled up over her
head, and a new flat place on the end of her nose; but she was still calm,
even dignified.
</p>
<p>
Sara hid her face on her arms and sobbed. Some rats in the wall began to
fight and bite each other, and squeak and scramble. But, as I have already
intimated, Sara was not in the habit of crying. After a while she stopped,
and when she stopped she looked at Emily, who seemed to be gazing at her
around the side of one ankle, and actually with a kind of glassy-eyed
sympathy. Sara bent and picked her up. Remorse overtook her.
</p>
<p>
“You can't help being a doll,” she said, with a resigned sigh, “any more
than those girls downstairs can help not having any sense. We are not all
alike. Perhaps you do your sawdust best.”
</p>
<p>
None of Miss Minchin's young ladies were very remarkable for being
brilliant; they were select, but some of them were very dull, and some of
them were fond of applying themselves to their lessons. Sara, who snatched
her lessons at all sorts of untimely hours from tattered and discarded
books, and who had a hungry craving for everything readable, was often
severe upon them in her small mind. They had books they never read; she
had no books at all. If she had always had something to read, she would
not have been so lonely. She liked romances and history and poetry; she
would read anything. There was a sentimental housemaid in the
establishment who bought the weekly penny papers, and subscribed to a
circulating library, from which she got greasy volumes containing stories
of marquises and dukes who invariably fell in love with orange-girls and
gypsies and servant-maids, and made them the proud brides of coronets; and
Sara often did parts of this maid's work so that she might earn the
privilege of reading these romantic histories. There was also a fat, dull
pupil, whose name was Ermengarde St. John, who was one of her resources.
Ermengarde had an intellectual father, who, in his despairing desire to
encourage his daughter, constantly sent her valuable and interesting
books, which were a continual source of grief to her. Sara had once
actually found her crying over a big package of them.
</p>
<p>
“What is the matter with you?” she asked her, perhaps rather disdainfully.
</p>
<p>
And it is just possible she would not have spoken to her, if she had not
seen the books. The sight of books always gave Sara a hungry feeling, and
she could not help drawing near to them if only to read their titles.
</p>
<p>
“What is the matter with you?” she asked.
</p>
<p>
“My papa has sent me some more books,” answered Ermengarde woefully, “and
he expects me to read them.”
</p>
<p>
“Don't you like reading?” said Sara.
</p>
<p>
“I hate it!” replied Miss Ermengarde St. John. “And he will ask me
questions when he sees me: he will want to know how much I remember; how
would you like to have to read all those?”
</p>
<p>
“I'd like it better than anything else in the world,” said Sara.
</p>
<p>
Ermengarde wiped her eyes to look at such a prodigy.
</p>
<p>
“Oh, gracious!” she exclaimed.
</p>
<p>
Sara returned the look with interest. A sudden plan formed itself in her
sharp mind.
</p>
<p>
“Look here!” she said. “If you'll lend me those books, I'll read them and
tell you everything that's in them afterward, and I'll tell it to you so
that you will remember it. I know I can. The A B C children always
remember what I tell them.”
</p>
<p>
“Oh, goodness!” said Ermengarde. “Do you think you could?”
</p>
<p>
“I know I could,” answered Sara. “I like to read, and I always remember.
I'll take care of the books, too; they will look just as new as they do
now, when I give them back to you.”
</p>
<p>
Ermengarde put her handkerchief in her pocket.
</p>
<p>
“If you'll do that,” she said, “and if you'll make me remember, I'll give
you—I'll give you some money.”
</p>
<p>
“I don't want your money,” said Sara. “I want your books—I want
them.” And her eyes grew big and queer, and her chest heaved once.
</p>
<p>
“Take them, then,” said Ermengarde; “I wish I wanted them, but I am not
clever, and my father is, and he thinks I ought to be.”
</p>
<p>
Sara picked up the books and marched off with them. But when she was at
the door, she stopped and turned around.
</p>
<p>
“What are you going to tell your father?” she asked.
</p>
<p>
“Oh,” said Ermengarde, “he needn't know; he'll think I've read them.”
</p>
<p>
Sara looked down at the books; her heart really began to beat fast.
</p>
<p>
“I won't do it,” she said rather slowly, “if you are going to tell him
lies about it—I don't like lies. Why can't you tell him I read them
and then told you about them?”
</p>
<p>
“But he wants me to read them,” said Ermengarde.
</p>
<p>
“He wants you to know what is in them,” said Sara; “and if I can tell it
to you in an easy way and make you remember, I should think he would like
that.”
</p>
<p>
“He would like it better if I read them myself,” replied Ermengarde.
</p>
<p>
“He will like it, I dare say, if you learn anything in any way,” said
Sara. “I should, if I were your father.”
</p>
<p>
And though this was not a flattering way of stating the case, Ermengarde
was obliged to admit it was true, and, after a little more argument, gave
in. And so she used afterward always to hand over her books to Sara, and
Sara would carry them to her garret and devour them; and after she had
read each volume, she would return it and tell Ermengarde about it in a
way of her own. She had a gift for making things interesting. Her
imagination helped her to make everything rather like a story, and she
managed this matter so well that Miss St. John gained more information
from her books than she would have gained if she had read them three times
over by her poor stupid little self. When Sara sat down by her and began
to tell some story of travel or history, she made the travellers and
historical people seem real; and Ermengarde used to sit and regard her
dramatic gesticulations, her thin little flushed cheeks, and her shining,
odd eyes with amazement.
</p>
<p>
“It sounds nicer than it seems in the book,” she would say. “I never cared
about Mary, Queen of Scots, before, and I always hated the French
Revolution, but you make it seem like a story.”
</p>
<p>
“It is a story,” Sara would answer. “They are all stories. Everything is a
story—everything in this world. You are a story—I am a story—Miss
Minchin is a story. You can make a story out of anything.”
</p>
<p>
“I can't,” said Ermengarde.
</p>
<p>
Sara stared at her a minute reflectively.
</p>
<p>
“No,” she said at last. “I suppose you couldn't. You are a little like
Emily.”
</p>
<p>
“Who is Emily?”
</p>
<p>
Sara recollected herself. She knew she was sometimes rather impolite in
the candor of her remarks, and she did not want to be impolite to a girl
who was not unkind—only stupid. Notwithstanding all her sharp little
ways she had the sense to wish to be just to everybody. In the hours she
spent alone, she used to argue out a great many curious questions with
herself. One thing she had decided upon was, that a person who was clever
ought to be clever enough not to be unjust or deliberately unkind to any
one. Miss Minchin was unjust and cruel, Miss Amelia was unkind and
spiteful, the cook was malicious and hasty-tempered—they all were
stupid, and made her despise them, and she desired to be as unlike them as
possible. So she would be as polite as she could to people who in the
least deserved politeness.
</p>
<p>
“Emily is—a person—I know,” she replied.
</p>
<p>
“Do you like her?” asked Ermengarde.
</p>
<p>
“Yes, I do,” said Sara.
</p>
<p>
Ermengarde examined her queer little face and figure again. She did look
odd. She had on, that day, a faded blue plush skirt, which barely covered
her knees, a brown Cloth sacque, and a pair of olive-green stockings which
Miss Minchin had made her piece out with black ones, so that they would be
long enough to be kept on. And yet Ermengarde was beginning slowly to
admire her. Such a forlorn, thin, neglected little thing as that, who
could read and read and remember and tell you things so that they did not
tire you all out! A child who could speak French, and who had learned
German, no one knew how! One could not help staring at her and feeling
interested, particularly one to whom the simplest lesson was a trouble and
a woe.
</p>
<p>
“Do you like me?” said Ermengarde, finally, at the end of her scrutiny.
</p>
<p>
Sara hesitated one second, then she answered:
</p>
<p>
“I like you because you are not ill-natured—I like you for letting
me read your books—I like you because you don't make spiteful fun of
me for what I can't help. It's not your fault that—”
</p>
<p>
She pulled herself up quickly. She had been going to say, “that you are
stupid.”
</p>
<p>
“That what?” asked Ermengarde.
</p>
<p>
“That you can't learn things quickly. If you can't, you can't. If I can,
why, I can—that's all.” She paused a minute, looking at the plump
face before her, and then, rather slowly, one of her wise, old-fashioned
thoughts came to her.
</p>
<p>
“Perhaps,” she said, “to be able to learn things quickly isn't everything.
To be kind is worth a good deal to other people. If Miss Minchin knew
everything on earth, which she doesn't, and if she was like what she is
now, she'd still be a detestable thing, and everybody would hate her. Lots
of clever people have done harm and been wicked. Look at Robespierre—”
</p>
<p>
She stopped again and examined her companion's countenance.
</p>
<p>
“Do you remember about him?” she demanded. “I believe you've forgotten.”
</p>
<p>
“Well, I don't remember all of it,” admitted Ermengarde.
</p>
<p>
“Well,” said Sara, with courage and determination, “I'll tell it to you
over again.”
</p>
<p>
And she plunged once more into the gory records of the French Revolution,
and told such stories of it, and made such vivid pictures of its horrors,
that Miss St. John was afraid to go to bed afterward, and hid her head
under the blankets when she did go, and shivered until she fell asleep.
But afterward she preserved lively recollections of the character of
Robespierre, and did not even forget Marie Antoinette and the Princess de
Lamballe.
</p>
<p>
“You know they put her head on a pike and danced around it,” Sara had
said; “and she had beautiful blonde hair; and when I think of her, I never
see her head on her body, but always on a pike, with those furious people
dancing and howling.”
</p>
<p>
Yes, it was true; to this imaginative child everything was a story; and
the more books she read, the more imaginative she became. One of her chief
entertainments was to sit in her garret, or walk about it, and “suppose”
things. On a cold night, when she had not had enough to eat, she would
draw the red footstool up before the empty grate, and say in the most
intense voice:
</p>
<p>
“Suppose there was a grate, wide steel grate here, and a great glowing
fire—a glowing fire—with beds of red-hot coal and lots of
little dancing, flickering flames. Suppose there was a soft, deep rug, and
this was a comfortable chair, all cushions and crimson velvet; and suppose
I had a crimson velvet frock on, and a deep lace collar, like a child in a
picture; and suppose all the rest of the room was furnished in lovely
colors, and there were book-shelves full of books, which changed by magic
as soon as you had read them; and suppose there was a little table here,
with a snow-white cover on it, and little silver dishes, and in one there
was hot, hot soup, and in another a roast chicken, and in another some
raspberry-jam tarts with crisscross on them, and in another some grapes;
and suppose Emily could speak, and we could sit and eat our supper, and
then talk and read; and then suppose there was a soft, warm bed in the
corner, and when we were tired we could go to sleep, and sleep as long as
we liked.”
</p>
<p>
Sometimes, after she had supposed things like these for half an hour, she
would feel almost warm, and would creep into bed with Emily and fall
asleep with a smile on her face.
</p>
<p>
“What large, downy pillows!” she would whisper. “What white sheets and
fleecy blankets!” And she almost forgot that her real pillows had scarcely
any feathers in them at all, and smelled musty, and that her blankets and
coverlid were thin and full of holes.
</p>
<p>
At another time she would “suppose” she was a princess, and then she would
go about the house with an expression on her face which was a source of
great secret annoyance to Miss Minchin, because it seemed as if the child
scarcely heard the spiteful, insulting things said to her, or, if she
heard them, did not care for them at all. Sometimes, while she was in the
midst of some harsh and cruel speech, Miss Minchin would find the odd,
unchildish eyes fixed upon her with something like a proud smile in them.
At such times she did not know that Sara was saying to herself:
</p>
<p>
“You don't know that you are saying these things to a princess, and that
if I chose I could wave my hand and order you to execution. I only spare
you because I am a princess, and you are a poor, stupid, old, vulgar
thing, and don't know any better.”
</p>
<p>
This used to please and amuse her more than anything else; and queer and
fanciful as it was, she found comfort in it, and it was not a bad thing
for her. It really kept her from being made rude and malicious by the
rudeness and malice of those about her.
</p>
<p>
“A princess must be polite,” she said to herself. And so when the
servants, who took their tone from their mistress, were insolent and
ordered her about, she would hold her head erect, and reply to them
sometimes in a way which made them stare at her, it was so quaintly civil.
</p>
<p>
“I am a princess in rags and tatters,” she would think, “but I am a
princess, inside. It would be easy to be a princess if I were dressed in
cloth-of-gold; it is a great deal more of a triumph to be one all the time
when no one knows it. There was Marie Antoinette; when she was in prison,
and her throne was gone, and she had only a black gown on, and her hair
was white, and they insulted her and called her the Widow Capet,—she
was a great deal more like a queen then than when she was so gay and had
everything grand. I like her best then. Those howling mobs of people did
not frighten her. She was stronger than they were even when they cut her
head off.”
</p>
<p>
Once when such thoughts were passing through her mind the look in her eyes
so enraged Miss Minchin that she flew at Sara and boxed her ears.
</p>
<p>
Sara awakened from her dream, started a little, and then broke into a
laugh.
</p>
<p>
“What are you laughing at, you bold, impudent child!” exclaimed Miss
Minchin.
</p>
<p>
It took Sara a few seconds to remember she was a princess. Her cheeks were
red and smarting from the blows she had received.
</p>
<p>
“I was thinking,” she said.
</p>
<p>
“Beg my pardon immediately,” said Miss Minchin.
</p>
<p>
“I will beg your pardon for laughing, if it was rude,” said Sara; “but I
won't beg your pardon for thinking.”
</p>
<p>
“What were you thinking?” demanded Miss Minchin. “How dare you think? What
were you thinking?”
</p>
<p>
This occurred in the school-room, and all the girls looked up from their
books to listen. It always interested them when Miss Minchin flew at Sara,
because Sara always said something queer, and never seemed in the least
frightened. She was not in the least frightened now, though her boxed ears
were scarlet, and her eyes were as bright as stars.
</p>
<p>
“I was thinking,” she answered gravely and quite politely, “that you did
not know what you were doing.”
</p>
<p>
“That I did not know what I was doing!” Miss Minchin fairly gasped.
</p>
<p>
“Yes,” said Sara, “and I was thinking what would happen, if I were a
princess and you boxed my ears—what I should do to you. And I was
thinking that if I were one, you would never dare to do it, whatever I
said or did. And I was thinking how surprised and frightened you would be
if you suddenly found out—”
</p>
<p>
She had the imagined picture so clearly before her eyes, that she spoke in
a manner which had an effect even on Miss Minchin. It almost seemed for
the moment to her narrow, unimaginative mind that there must be some real
power behind this candid daring.
</p>
<p>
“What!” she exclaimed, “found out what?”
</p>
<p>
“That I really was a princess,” said Sara, “and could do anything—anything
I liked.”
</p>
<p>
“Go to your room,” cried Miss Minchin breathlessly, “this instant. Leave
the school-room. Attend to your lessons, young ladies.”
</p>
<p>
Sara made a little bow.
</p>
<p>
“Excuse me for laughing, if it was impolite,” she said, and walked out of
the room, leaving Miss Minchin in a rage and the girls whispering over
their books.
</p>
<p>
“I shouldn't be at all surprised if she did turn out to be something,”
said one of them. “Suppose she should!”
</p>
<p>
That very afternoon Sara had an opportunity of proving to herself whether
she was really a princess or not. It was a dreadful afternoon. For several
days it had rained continuously, the streets were chilly and sloppy; there
was mud everywhere—sticky London mud—and over everything a
pall of fog and drizzle. Of course there were several long and tiresome
errands to be done,—there always were on days like this,—and
Sara was sent out again and again, until her shabby clothes were damp
through. The absurd old feathers on her forlorn hat were more draggled and
absurd than ever, and her down-trodden shoes were so wet they could not
hold any more water. Added to this, she had been deprived of her dinner,
because Miss Minchin wished to punish her. She was very hungry. She was so
cold and hungry and tired that her little face had a pinched look, and now
and then some kind-hearted person passing her in the crowded street
glanced at her with sympathy. But she did not know that. She hurried on,
trying to comfort herself in that queer way of hers by pretending and
“supposing,”—but really this time it was harder than she had ever
found it, and once or twice she thought it almost made her more cold and
hungry instead of less so. But she persevered obstinately. “Suppose I had
dry clothes on,” she thought. “Suppose I had good shoes and a long, thick
coat and merino stockings and a whole umbrella. And suppose—suppose,
just when I was near a baker's where they sold hot buns, I should find
sixpence—which belonged to nobody. Suppose, if I did, I should go
into the shop and buy six of the hottest buns, and should eat them all
without stopping.”
</p>
<p>
Some very odd things happen in this world sometimes. It certainly was an
odd thing which happened to Sara. She had to cross the street just as she
was saying this to herself—the mud was dreadful—she almost had
to wade. She picked her way as carefully as she could, but she could not
save herself much, only, in picking her way she had to look down at her
feet and the mud, and in looking down—just as she reached the
pavement—she saw something shining in the gutter. A piece of silver—a
tiny piece trodden upon by many feet, but still with spirit enough to
shine a little. Not quite a sixpence, but the next thing to it—a
four-penny piece! In one second it was in her cold, little red and blue
hand. “Oh!” she gasped. “It is true!”
</p>
<p>
And then, if you will believe me, she looked straight before her at the
shop directly facing her. And it was a baker's, and a cheerful, stout,
motherly woman, with rosy cheeks, was just putting into the window a tray
of delicious hot buns,—large, plump, shiny buns, with currants in
them.
</p>
<p>
It almost made Sara feel faint for a few seconds—the shock and the
sight of the buns and the delightful odors of warm bread floating up
through the baker's cellar-window.
</p>
<p>
She knew that she need not hesitate to use the little piece of money. It
had evidently been lying in the mud for some time, and its owner was
completely lost in the streams of passing people who crowded and jostled
each other all through the day.
</p>
<p>
“But I'll go and ask the baker's woman if she has lost a piece of money,”
she said to herself, rather faintly.
</p>
<p>
So she crossed the pavement and put her wet foot on the step of the shop;
and as she did so she saw something which made her stop.
</p>
<p>
It was a little figure more forlorn than her own—a little figure
which was not much more than a bundle of rags, from which small, bare, red
and muddy feet peeped out—only because the rags with which the
wearer was trying to cover them were not long enough. Above the rags
appeared a shock head of tangled hair and a dirty face, with big, hollow,
hungry eyes.
</p>
<p>
Sara knew they were hungry eyes the moment she saw them, and she felt a
sudden sympathy.
</p>
<p>
“This,” she said to herself, with a little sigh, “is one of the Populace—and
she is hungrier than I am.”
</p>
<p>
The child—this “one of the Populace”—stared up at Sara, and
shuffled herself aside a little, so as to give her more room. She was used
to being made to give room to everybody. She knew that if a policeman
chanced to see her, he would tell her to “move on.”
</p>
<p>
Sara clutched her little four-penny piece, and hesitated a few seconds.
Then she spoke to her.
</p>
<p>
“Are you hungry?” she asked.
</p>
<p>
The child shuffled herself and her rags a little more.
</p>
<p>
“Ain't I jist!” she said, in a hoarse voice. “Jist ain't I!”
</p>
<p>
“Haven't you had any dinner?” said Sara.
</p>
<p>
“No dinner,” more hoarsely still and with more shuffling, “nor yet no
bre'fast—nor yet no supper—nor nothin'.”
</p>
<p>
“Since when?” asked Sara.
</p>
<p>
“Dun'no. Never got nothin' to-day—nowhere. I've axed and axed.”
</p>
<p>
Just to look at her made Sara more hungry and faint. But those queer
little thoughts were at work in her brain, and she was talking to herself
though she was sick at heart.
</p>
<p>
“If I'm a princess,” she was saying—“if I'm a princess—! When
they were poor and driven from their thrones—they always shared—with
the Populace—if they met one poorer and hungrier. They always
shared. Buns are a penny each. If it had been sixpence! I could have eaten
six. It won't be enough for either of us—but it will be better than
nothing.”
</p>
<p>
“Wait a minute,” she said to the beggar-child. She went into the shop. It
was warm and smelled delightfully. The woman was just going to put more
hot buns in the window.
</p>
<p>
“If you please,” said Sara, “have you lost fourpence—a silver
fourpence?” And she held the forlorn little piece of money out to her.
</p>
<p>
The woman looked at it and at her—at her intense little face and
draggled, once-fine clothes.
</p>
<p>
“Bless us—no,” she answered. “Did you find it?”
</p>
<p>
“In the gutter,” said Sara.
</p>
<p>
“Keep it, then,” said the woman. “It may have been there a week, and
goodness knows who lost it. You could never find out.”
</p>
<p>
“I know that,” said Sara, “but I thought I'd ask you.”
</p>
<p>
“Not many would,” said the woman, looking puzzled and interested and
good-natured all at once. “Do you want to buy something?” she added, as
she saw Sara glance toward the buns.
</p>
<p>
“Four buns, if you please,” said Sara; “those at a penny each.”
</p>
<p>
The woman went to the window and put some in a paper bag. Sara noticed
that she put in six.
</p>
<p>
“I said four, if you please,” she explained. “I have only the fourpence.”
</p>
<p>
“I'll throw in two for make-weight,” said the woman, with her good-natured
look. “I dare say you can eat them some time. Aren't you hungry?”
</p>
<p>
A mist rose before Sara's eyes.
</p>
<p>
“Yes,” she answered. “I am very hungry, and I am much obliged to you for
your kindness, and,” she was going to add, “there is a child outside who
is hungrier than I am.” But just at that moment two or three customers
came in at once and each one seemed in a hurry, so she could only thank
the woman again and go out.
</p>
<p>
The child was still huddled up on the corner of the steps. She looked
frightful in her wet and dirty rags. She was staring with a stupid look of
suffering straight before her, and Sara saw her suddenly draw the back of
her roughened, black hand across her eyes to rub away the tears which
seemed to have surprised her by forcing their way from under her lids. She
was muttering to herself.
</p>
<p>
Sara opened the paper bag and took out one of the hot buns, which had
already warmed her cold hands a little.
</p>
<p>
“See,” she said, putting the bun on the ragged lap, “that is nice and hot.
Eat it, and you will not be so hungry.”
</p>
<p>
The child started and stared up at her; then she snatched up the bun and
began to cram it into her mouth with great wolfish bites.
</p>
<p>
“Oh, my! Oh, my!” Sara heard her say hoarsely, in wild delight.
</p>
<p>
“Oh, my!”
</p>
<p>
Sara took out three more buns and put them down.
</p>
<p>
“She is hungrier than I am,” she said to herself. “She's starving.” But
her hand trembled when she put down the fourth bun. “I'm not starving,”
she said—and she put down the fifth.
</p>
<p>
The little starving London savage was still snatching and devouring when
she turned away. She was too ravenous to give any thanks, even if she had
been taught politeness—which she had not. She was only a poor little
wild animal.
</p>
<p>
“Good-bye,” said Sara.
</p>
<p>
When she reached the other side of the street she looked back. The child
had a bun in both hands, and had stopped in the middle of a bite to watch
her. Sara gave her a little nod, and the child, after another stare,—a
curious, longing stare,—jerked her shaggy head in response, and
until Sara was out of sight she did not take another bite or even finish
the one she had begun.
</p>
<p>
At that moment the baker-woman glanced out of her shop-window.
</p>
<p>
“Well, I never!” she exclaimed. “If that young'un hasn't given her buns to
a beggar-child! It wasn't because she didn't want them, either—well,
well, she looked hungry enough. I'd give something to know what she did it
for.” She stood behind her window for a few moments and pondered. Then her
curiosity got the better of her. She went to the door and spoke to the
beggar-child.
</p>
<p>
“Who gave you those buns?” she asked her.
</p>
<p>
The child nodded her head toward Sara's vanishing figure.
</p>
<p>
“What did she say?” inquired the woman.
</p>
<p>
“Axed me if I was 'ungry,” replied the hoarse voice.
</p>
<p>
“What did you say?”
</p>
<p>
“Said I was jist!”
</p>
<p>
“And then she came in and got buns and came out and gave them to you, did
she?”
</p>
<p>
The child nodded.
</p>
<p>
“How many?”
</p>
<p>
“Five.”
</p>
<p>
The woman thought it over. “Left just one for herself,” she said, in a low
voice. “And she could have eaten the whole six—I saw it in her
eyes.”
</p>
<p>
She looked after the little, draggled, far-away figure, and felt more
disturbed in her usually comfortable mind than she had felt for many a
day.
</p>
<p>
“I wish she hadn't gone so quick,” she said. “I'm blest if she shouldn't
have had a dozen.”
</p>
<p>
Then she turned to the child.
</p>
<p>
“Are you hungry, yet?” she asked.
</p>
<p>
“I'm allus 'ungry,” was the answer; “but 'tain't so bad as it was.”
</p>
<p>
“Come in here,” said the woman, and she held open the shop-door.
</p>
<p>
The child got up and shuffled in. To be invited into a warm place full of
bread seemed an incredible thing. She did not know what was going to
happen; she did not care, even.
</p>
<p>
“Get yourself warm,” said the woman, pointing to a fire in a tiny back
room. “And, look here,—when you're hard up for a bite of bread, you
can come here and ask for it. I'm blest if I won't give it to you for that
young un's sake.”
</p>
<p>
Sara found some comfort in her remaining bun. It was hot; and it was a
great deal better than nothing. She broke off small pieces and ate them
slowly to make it last longer.
</p>
<p>
“Suppose it was a magic bun,” she said, “and a bite was as much as a whole
dinner. I should be over-eating myself if I went on like this.”
</p>
<p>
It was dark when she reached the square in which Miss Minchin's Select
Seminary was situated; the lamps were lighted, and in most of the windows
gleams of light were to be seen. It always interested Sara to catch
glimpses of the rooms before the shutters were closed. She liked to
imagine things about people who sat before the fires in the houses, or who
bent over books at the tables. There was, for instance, the Large Family
opposite. She called these people the Large Family—not because they
were large, for indeed most of them were little,—but because there
were so many of them. There were eight children in the Large Family, and a
stout, rosy mother, and a stout, rosy father, and a stout, rosy
grand-mamma, and any number of servants. The eight children were always
either being taken out to walk, or to ride in perambulators, by
comfortable nurses; or they were going to drive with their mamma; or they
were flying to the door in the evening to kiss their papa and dance around
him and drag off his overcoat and look for packages in the pockets of it;
or they were crowding about the nursery windows and looking out and
pushing each other and laughing,—in fact they were always doing
something which seemed enjoyable and suited to the tastes of a large
family. Sara was quite attached to them, and had given them all names out
of books. She called them the Montmorencys, when she did not call them the
Large Family. The fat, fair baby with the lace cap was Ethelberta
Beauchamp Montmorency; the next baby was Violet Cholmondely Montmorency;
the little boy who could just stagger, and who had such round legs, was
Sydney Cecil Vivian Montmorency; and then came Lilian Evangeline, Guy
Clarence, Maud Marian, Rosalind Gladys, Veronica Eustacia, and Claude
Harold Hector.
</p>
<p>
Next door to the Large Family lived the Maiden Lady, who had a companion,
and two parrots, and a King Charles spaniel; but Sara was not so very fond
of her, because she did nothing in particular but talk to the parrots and
drive out with the spaniel. The most interesting person of all lived next
door to Miss Minchin herself. Sara called him the Indian Gentleman. He was
an elderly gentleman who was said to have lived in the East Indies, and to
be immensely rich and to have something the matter with his liver,—in
fact, it had been rumored that he had no liver at all, and was much
inconvenienced by the fact. At any rate, he was very yellow and he did not
look happy; and when he went out to his carriage, he was almost always
wrapped up in shawls and overcoats, as if he were cold. He had a native
servant who looked even colder than himself, and he had a monkey who
looked colder than the native servant. Sara had seen the monkey sitting on
a table, in the sun, in the parlor window, and he always wore such a
mournful expression that she sympathized with him deeply.
</p>
<p>
“I dare say,” she used sometimes to remark to herself, “he is thinking all
the time of cocoanut trees and of swinging by his tail under a tropical
sun. He might have had a family dependent on him too, poor thing!”
</p>
<p>
The native servant, whom she called the Lascar, looked mournful too, but
he was evidently very faithful to his master.
</p>
<p>
“Perhaps he saved his master's life in the Sepoy rebellion,” she thought.
“They look as if they might have had all sorts of adventures. I wish I
could speak to the Lascar. I remember a little Hindustani.”
</p>
<p>
And one day she actually did speak to him, and his start at the sound of
his own language expressed a great deal of surprise and delight. He was
waiting for his master to come out to the carriage, and Sara, who was
going on an errand as usual, stopped and spoke a few words. She had a
special gift for languages and had remembered enough Hindustani to make
herself understood by him. When his master came out, the Lascar spoke to
him quickly, and the Indian Gentleman turned and looked at her curiously.
And afterward the Lascar always greeted her with salaams of the most
profound description. And occasionally they exchanged a few words. She
learned that it was true that the Sahib was very rich—that he was
ill—and also that he had no wife nor children, and that England did
not agree with the monkey.
</p>
<p>
“He must be as lonely as I am,” thought Sara. “Being rich does not seem to
make him happy.”
</p>
<p>
That evening, as she passed the windows, the Lascar was closing the
shutters, and she caught a glimpse of the room inside. There was a bright
fire glowing in the grate, and the Indian Gentleman was sitting before it,
in a luxurious chair. The room was richly furnished, and looked
delightfully comfortable, but the Indian Gentleman sat with his head
resting on his hand, and looked as lonely and unhappy as ever.
</p>
<p>
“Poor man!” said Sara; “I wonder what you are `supposing'?”
</p>
<p>
When she went into the house she met Miss Minchin in the hall.
</p>
<p>
“Where have you wasted your time?” said Miss Minchin. “You have been out
for hours!”
</p>
<p>
“It was so wet and muddy,” Sara answered. “It was hard to walk, because my
shoes were so bad and slipped about so.”
</p>
<p>
“Make no excuses,” said Miss Minchin, “and tell no falsehoods.”
</p>
<p>
Sara went downstairs to the kitchen.
</p>
<p>
“Why didn't you stay all night?” said the cook.
</p>
<p>
“Here are the things,” said Sara, and laid her purchases on the table.
</p>
<p>
The cook looked over them, grumbling. She was in a very bad temper indeed.
</p>
<p>
“May I have something to eat?” Sara asked rather faintly.
</p>
<p>
“Tea's over and done with,” was the answer. “Did you expect me to keep it
hot for you?”
</p>
<p>
Sara was silent a second.
</p>
<p>
“I had no dinner,” she said, and her voice was quite low. She made it low,
because she was afraid it would tremble.
</p>
<p>
“There's some bread in the pantry,” said the cook. “That's all you'll get
at this time of day.”
</p>
<p>
Sara went and found the bread. It was old and hard and dry. The cook was
in too bad a humor to give her anything to eat with it. She had just been
scolded by Miss Minchin, and it was always safe and easy to vent her own
spite on Sara.
</p>
<p>
Really it was hard for the child to climb the three long flights of stairs
leading to her garret. She often found them long and steep when she was
tired, but to-night it seemed as if she would never reach the top. Several
times a lump rose in her throat and she was obliged to stop to rest.
</p>
<p>
“I can't pretend anything more to-night,” she said wearily to herself.
“I'm sure I can't. I'll eat my bread and drink some water and then go to
sleep, and perhaps a dream will come and pretend for me. I wonder what
dreams are.”
</p>
<p>
Yes, when she reached the top landing there were tears in her eyes, and
she did not feel like a princess—only like a tired, hungry, lonely,
lonely child.
</p>
<p>
“If my papa had lived,” she said, “they would not have treated me like
this. If my papa had lived, he would have taken care of me.”
</p>
<p>
Then she turned the handle and opened the garret-door.
</p>
<p>
Can you imagine it—can you believe it? I find it hard to believe it
myself. And Sara found it impossible; for the first few moments she
thought something strange had happened to her eyes—to her mind—that
the dream had come before she had had time to fall asleep.
</p>
<p>
“Oh!” she exclaimed breathlessly. “Oh! it isn't true! I know, I know it
isn't true!” And she slipped into the room and closed the door and locked
it, and stood with her back against it, staring straight before her.
</p>
<p>
Do you wonder? In the grate, which had been empty and rusty and cold when
she left it, but which now was blackened and polished up quite
respectably, there was a glowing, blazing fire. On the hob was a little
brass kettle, hissing and boiling; spread upon the floor was a warm, thick
rug; before the fire was a folding-chair, unfolded and with cushions on
it; by the chair was a small folding-table, unfolded, covered with a white
cloth, and upon it were spread small covered dishes, a cup and saucer, and
a tea-pot; on the bed were new, warm coverings, a curious wadded silk
robe, and some books. The little, cold, miserable room seemed changed into
Fairyland. It was actually warm and glowing.
</p>
<p>
“It is bewitched!” said Sara. “Or I am bewitched. I only think I see it
all; but if I can only keep on thinking it, I don't care—I don't
care—if I can only keep it up!”
</p>
<p>
She was afraid to move, for fear it would melt away. She stood with her
back against the door and looked and looked. But soon she began to feel
warm, and then she moved forward.
</p>
<p>
“A fire that I only thought I saw surely wouldn't feel warm,” she said.
“It feels real—real.”
</p>
<p>
She went to it and knelt before it. She touched the chair, the table; she
lifted the cover of one of the dishes. There was something hot and savory
in it—something delicious. The tea-pot had tea in it, ready for the
boiling water from the little kettle; one plate had toast on it, another,
muffins.
</p>
<p>
“It is real,” said Sara. “The fire is real enough to warm me; I can sit in
the chair; the things are real enough to eat.”
</p>
<p>
It was like a fairy story come true—it was heavenly. She went to the
bed and touched the blankets and the wrap. They were real too. She opened
one book, and on the title-page was written in a strange hand, “The little
girl in the attic.”
</p>
<p>
Suddenly—was it a strange thing for her to do?—Sara put her
face down on the queer, foreign looking quilted robe and burst into tears.
</p>
<p>
“I don't know who it is,” she said, “but somebody cares about me a little—somebody
is my friend.”
</p>
<p>
Somehow that thought warmed her more than the fire. She had never had a
friend since those happy, luxurious days when she had had everything; and
those days had seemed such a long way off—so far away as to be only
like dreams—during these last years at Miss Minchin's.
</p>
<p>
She really cried more at this strange thought of having a friend—even
though an unknown one—than she had cried over many of her worst
troubles.
</p>
<p>
But these tears seemed different from the others, for when she had wiped
them away they did not seem to leave her eyes and her heart hot and
smarting.
</p>
<p>
And then imagine, if you can, what the rest of the evening was like. The
delicious comfort of taking off the damp clothes and putting on the soft,
warm, quilted robe before the glowing fire—of slipping her cold feet
into the luscious little wool-lined slippers she found near her chair. And
then the hot tea and savory dishes, the cushioned chair and the books!
</p>
<p>
It was just like Sara, that, once having found the things real, she should
give herself up to the enjoyment of them to the very utmost. She had lived
such a life of imagining, and had found her pleasure so long in
improbabilities, that she was quite equal to accepting any wonderful thing
that happened. After she was quite warm and had eaten her supper and
enjoyed herself for an hour or so, it had almost ceased to be surprising
to her that such magical surroundings should be hers. As to finding out
who had done all this, she knew that it was out of the question. She did
not know a human soul by whom it could seem in the least degree probable
that it could have been done.
</p>
<p>
“There is nobody,” she said to herself, “nobody.” She discussed the matter
with Emily, it is true, but more because it was delightful to talk about
it than with a view to making any discoveries.
</p>
<p>
“But we have a friend, Emily,” she said; “we have a friend.”
</p>
<p>
Sara could not even imagine a being charming enough to fill her grand
ideal of her mysterious benefactor. If she tried to make in her mind a
picture of him or her, it ended by being something glittering and strange—not
at all like a real person, but bearing resemblance to a sort of Eastern
magician, with long robes and a wand. And when she fell asleep, beneath
the soft white blanket, she dreamed all night of this magnificent
personage, and talked to him in Hindustani, and made salaams to him.
</p>
<p>
Upon one thing she was determined. She would not speak to any one of her
good fortune—it should be her own secret; in fact, she was rather
inclined to think that if Miss Minchin knew, she would take her treasures
from her or in some way spoil her pleasure. So, when she went down the
next morning, she shut her door very tight and did her best to look as if
nothing unusual had occurred. And yet this was rather hard, because she
could not help remembering, every now and then, with a sort of start, and
her heart would beat quickly every time she repeated to herself, “I have a
friend!”
</p>
<p>
It was a friend who evidently meant to continue to be kind, for when she
went to her garret the next night—and she opened the door, it must
be confessed, with rather an excited feeling—she found that the same
hands had been again at work, and had done even more than before. The fire
and the supper were again there, and beside them a number of other things
which so altered the look of the garret that Sara quite lost her breath. A
piece of bright, strange, heavy cloth covered the battered mantel, and on
it some ornaments had been placed. All the bare, ugly things which could
be covered with draperies had been concealed and made to look quite
pretty. Some odd materials in rich colors had been fastened against the
walls with sharp, fine tacks—so sharp that they could be pressed
into the wood without hammering. Some brilliant fans were pinned up, and
there were several large cushions. A long, old wooden box was covered with
a rug, and some cushions lay on it, so that it wore quite the air of a
sofa.
</p>
<p>
Sara simply sat down, and looked, and looked again.
</p>
<p>
“It is exactly like something fairy come true,” she said; “there isn't the
least difference. I feel as if I might wish for anything—diamonds
and bags of gold—and they would appear! That couldn't be any
stranger than this. Is this my garret? Am I the same cold, ragged, damp
Sara? And to think how I used to pretend, and pretend, and wish there were
fairies! The one thing I always wanted was to see a fairy story come true.
I am living in a fairy story! I feel as if I might be a fairy myself, and
be able to turn things into anything else!”
</p>
<p>
It was like a fairy story, and, what was best of all, it continued. Almost
every day something new was done to the garret. Some new comfort or
ornament appeared in it when Sara opened her door at night, until
actually, in a short time it was a bright little room, full of all sorts
of odd and luxurious things. And the magician had taken care that the
child should not be hungry, and that she should have as many books as she
could read. When she left the room in the morning, the remains of her
supper were on the table, and when she returned in the evening, the
magician had removed them, and left another nice little meal. Downstairs
Miss Minchin was as cruel and insulting as ever, Miss Amelia was as
peevish, and the servants were as vulgar. Sara was sent on errands, and
scolded, and driven hither and thither, but somehow it seemed as if she
could bear it all. The delightful sense of romance and mystery lifted her
above the cook's temper and malice. The comfort she enjoyed and could
always look forward to was making her stronger. If she came home from her
errands wet and tired, she knew she would soon be warm, after she had
climbed the stairs. In a few weeks she began to look less thin. A little
color came into her cheeks, and her eyes did not seem much too big for her
face.
</p>
<p>
It was just when this was beginning to be so apparent that Miss Minchin
sometimes stared at her questioningly, that another wonderful thing
happened. A man came to the door and left several parcels. All were
addressed (in large letters) to “the little girl in the attic.” Sara
herself was sent to open the door, and she took them in. She laid the two
largest parcels down on the hall-table and was looking at the address,
when Miss Minchin came down the stairs.
</p>
<p>
“Take the things upstairs to the young lady to whom they belong,” she
said. “Don't stand there staring at them.”
</p>
<p>
“They belong to me,” answered Sara, quietly.
</p>
<p>
“To you!” exclaimed Miss Minchin. “What do you mean?”
</p>
<p>
“I don't know where they came from,” said Sara, “but they're addressed to
me.”
</p>
<p>
Miss Minchin came to her side and looked at them with an excited
expression.
</p>
<p>
“What is in them?” she demanded.
</p>
<p>
“I don't know,” said Sara.
</p>
<p>
“Open them!” she demanded, still more excitedly.
</p>
<p>
Sara did as she was told. They contained pretty and comfortable clothing,—clothing
of different kinds; shoes and stockings and gloves, a warm coat, and even
an umbrella. On the pocket of the coat was pinned a paper on which was
written, “To be worn every day—will be replaced by others when
necessary.”
</p>
<p>
Miss Minchin was quite agitated. This was an incident which suggested
strange things to her sordid mind. Could it be that she had made a mistake
after all, and that the child so neglected and so unkindly treated by her
had some powerful friend in the background? It would not be very pleasant
if there should be such a friend, and he or she should learn all the truth
about the thin, shabby clothes, the scant food, the hard work. She felt
queer indeed and uncertain, and she gave a side-glance at Sara.
</p>
<p>
“Well,” she said, in a voice such as she had never used since the day the
child lost her father—“well, some one is very kind to you. As you
have the things and are to have new ones when they are worn out, you may
as well go and put them on and look respectable; and after you are
dressed, you may come downstairs and learn your lessons in the
school-room.”
</p>
<p>
So it happened that, about half an hour afterward, Sara struck the entire
school-room of pupils dumb with amazement, by making her appearance in a
costume such as she had never worn since the change of fortune whereby she
ceased to be a show-pupil and a parlor-boarder. She scarcely seemed to be
the same Sara. She was neatly dressed in a pretty gown of warm browns and
reds, and even her stockings and slippers were nice and dainty.
</p>
<p>
“Perhaps some one has left her a fortune,” one of the girls whispered. “I
always thought something would happen to her, she is so queer.”
</p>
<p>
That night when Sara went to her room she carried out a plan she had been
devising for some time. She wrote a note to her unknown friend. It ran as
follows:
</p>
<p>
“I hope you will not think it is not polite that I should write this note
to you when you wish to keep yourself a secret, but I do not mean to be
impolite, or to try to find out at all, only I want to thank you for being
so kind to me—so beautiful kind, and making everything like a fairy
story. I am so grateful to you and I am so happy! I used to be so lonely
and cold and, hungry, and now, oh, just think what you have done for me!
Please let me say just these words. It seems as if I ought to say them.
Thank you—thank you—thank you!
</p>
<p>
“THE LITTLE GIRL IN THE ATTIC.”
</p>
<p>
The next morning she left this on the little table, and it was taken away
with the other things; so she felt sure the magician had received it, and
she was happier for the thought.
</p>
<p>
A few nights later a very odd thing happened. She found something in the
room which she certainly would never have expected. When she came in as
usual she saw something small and dark in her chair,—an odd, tiny
figure, which turned toward her a little, weird-looking, wistful face.
</p>
<p>
“Why, it's the monkey!” she cried. “It is the Indian Gentleman's monkey!
Where can he have come from?”
</p>
<p>
It was the monkey, sitting up and looking so like a mite of a child that
it really was quite pathetic; and very soon Sara found out how he happened
to be in her room. The skylight was open, and it was easy to guess that he
had crept out of his master's garret-window, which was only a few feet
away and perfectly easy to get in and out of, even for a climber less
agile than a monkey. He had probably climbed to the garret on a tour of
investigation, and getting out upon the roof, and being attracted by the
light in Sara's attic, had crept in. At all events this seemed quite
reasonable, and there he was; and when Sara went to him, he actually put
out his queer, elfish little hands, caught her dress, and jumped into her
arms.
</p>
<p>
“Oh, you queer, poor, ugly, foreign little thing!” said Sara, caressing
him. “I can't help liking you. You look like a sort of baby, but I am so
glad you are not, because your mother could not be proud of you, and
nobody would dare to say you were like any of your relations. But I do
like you; you have such a forlorn little look in your face. Perhaps you
are sorry you are so ugly, and it's always on your mind. I wonder if you
have a mind?”
</p>
<p>
The monkey sat and looked at her while she talked, and seemed much
interested in her remarks, if one could judge by his eyes and his
forehead, and the way he moved his head up and down, and held it sideways
and scratched it with his little hand. He examined Sara quite seriously,
and anxiously, too. He felt the stuff of her dress, touched her hands,
climbed up and examined her ears, and then sat on her shoulder holding a
lock of her hair, looking mournful but not at all agitated. Upon the
whole, he seemed pleased with Sara.
</p>
<p>
“But I must take you back,” she said to him, “though I'm sorry to have to
do it. Oh, the company you would be to a person!”
</p>
<p>
She lifted him from her shoulder, set him on her knee, and gave him a bit
of cake. He sat and nibbled it, and then put his head on one side, looked
at her, wrinkled his forehead, and then nibbled again, in the most
companionable manner.
</p>
<p>
“But you must go home,” said Sara at last; and she took him in her arms to
carry him downstairs. Evidently he did not want to leave the room, for as
they reached the door he clung to her neck and gave a little scream of
anger.
</p>
<p>
“You mustn't be an ungrateful monkey,” said Sara. “You ought to be fondest
of your own family. I am sure the Lascar is good to you.”
</p>
<p>
Nobody saw her on her way out, and very soon she was standing on the
Indian Gentleman's front steps, and the Lascar had opened the door for
her.
</p>
<p>
“I found your monkey in my room,” she said in Hindustani. “I think he got
in through the window.”
</p>
<p>
The man began a rapid outpouring of thanks; but, just as he was in the
midst of them, a fretful, hollow voice was heard through the open door of
the nearest room. The instant he heard it the Lascar disappeared, and left
Sara still holding the monkey.
</p>
<p>
It was not many moments, however, before he came back bringing a message.
His master had told him to bring Missy into the library. The Sahib was
very ill, but he wished to see Missy.
</p>
<p>
Sara thought this odd, but she remembered reading stories of Indian
gentlemen who, having no constitutions, were extremely cross and full of
whims, and who must have their own way. So she followed the Lascar.
</p>
<p>
When she entered the room the Indian Gentleman was lying on an easy chair,
propped up with pillows. He looked frightfully ill. His yellow face was
thin, and his eyes were hollow. He gave Sara a rather curious look—it
was as if she wakened in him some anxious interest.
</p>
<p>
“You live next door?” he said.
</p>
<p>
“Yes,” answered Sara. “I live at Miss Minchin's.”
</p>
<p>
“She keeps a boarding-school?”
</p>
<p>
“Yes,” said Sara.
</p>
<p>
“And you are one of her pupils?”
</p>
<p>
Sara hesitated a moment.
</p>
<p>
“I don't know exactly what I am,” she replied.
</p>
<p>
“Why not?” asked the Indian Gentleman.
</p>
<p>
The monkey gave a tiny squeak, and Sara stroked him.
</p>
<p>
“At first,” she said, “I was a pupil and a parlor boarder; but now—”
</p>
<p>
“What do you mean by `at first'?” asked the Indian Gentleman.
</p>
<p>
“When I was first taken there by my papa.”
</p>
<p>
“Well, what has happened since then?” said the invalid, staring at her and
knitting his brows with a puzzled expression.
</p>
<p>
“My papa died,” said Sara. “He lost all his money, and there was none left
for me—and there was no one to take care of me or pay Miss Minchin,
so—”
</p>
<p>
“So you were sent up into the garret and neglected, and made into a
half-starved little drudge!” put in the Indian Gentleman. “That is about
it, isn't it?”
</p>
<p>
The color deepened on Sara's cheeks.
</p>
<p>
“There was no one to take care of me, and no money,” she said. “I belong
to nobody.”
</p>
<p>
“What did your father mean by losing his money?” said the gentleman,
fretfully.
</p>
<p>
The red in Sara's cheeks grew deeper, and she fixed her odd eyes on the
yellow face.
</p>
<p>
“He did not lose it himself,” she said. “He had a friend he was fond of,
and it was his friend, who took his money. I don't know how. I don't
understand. He trusted his friend too much.”
</p>
<p>
She saw the invalid start—the strangest start—as if he had
been suddenly frightened. Then he spoke nervously and excitedly:
</p>
<p>
“That's an old story,” he said. “It happens every day; but sometimes those
who are blamed—those who do the wrong—don't intend it, and are
not so bad. It may happen through a mistake—a miscalculation; they
may not be so bad.”
</p>
<p>
“No,” said Sara, “but the suffering is just as bad for the others. It
killed my papa.”
</p>
<p>
The Indian Gentleman pushed aside some of the gorgeous wraps that covered
him.
</p>
<p>
“Come a little nearer, and let me look at you,” he said.
</p>
<p>
His voice sounded very strange; it had a more nervous and excited tone
than before. Sara had an odd fancy that he was half afraid to look at her.
She came and stood nearer, the monkey clinging to her and watching his
master anxiously over his shoulder.
</p>
<p>
The Indian Gentleman's hollow, restless eyes fixed themselves on her.
</p>
<p>
“Yes,” he said at last. “Yes; I can see it. Tell me your father's name.”
</p>
<p>
“His name was Ralph Crewe,” said Sara. “Captain Crewe. Perhaps,”—a
sudden thought flashing upon her,—“perhaps you may have heard of
him? He died in India.”
</p>
<p>
The Indian Gentleman sank back upon his pillows. He looked very weak, and
seemed out of breath.
</p>
<p>
“Yes,” he said, “I knew him. I was his friend. I meant no harm. If he had
only lived he would have known. It turned out well after all. He was a
fine young fellow. I was fond of him. I will make it right. Call—call
the man.”
</p>
<p>
Sara thought he was going to die. But there was no need to call the
Lascar. He must have been waiting at the door. He was in the room and by
his master's side in an instant. He seemed to know what to do. He lifted
the drooping head, and gave the invalid something in a small glass. The
Indian Gentleman lay panting for a few minutes, and then he spoke in an
exhausted but eager voice, addressing the Lascar in Hindustani:
</p>
<p>
“Go for Carmichael,” he said. “Tell him to come here at once. Tell him I
have found the child!”
</p>
<p>
When Mr. Carmichael arrived (which occurred in a very few minutes, for it
turned out that he was no other than the father of the Large Family across
the street), Sara went home, and was allowed to take the monkey with her.
She certainly did not sleep very much that night, though the monkey
behaved beautifully, and did not disturb her in the least. It was not the
monkey that kept her awake—it was her thoughts, and her wonders as
to what the Indian Gentleman had meant when he said, “Tell him I have
found the child.” “What child?” Sara kept asking herself.
</p>
<p>
“I was the only child there; but how had he found me, and why did he want
to find me? And what is he going to do, now I am found? Is it something
about my papa? Do I belong to somebody? Is he one of my relations? Is
something going to happen?”
</p>
<p>
But she found out the very next day, in the morning; and it seemed that
she had been living in a story even more than she had imagined. First, Mr.
Carmichael came and had an interview with Miss Minchin. And it appeared
that Mr. Carmichael, besides occupying the important situation of father
to the Large Family was a lawyer, and had charge of the affairs of Mr.
Carrisford—which was the real name of the Indian Gentleman—and,
as Mr. Carrisford's lawyer, Mr. Carmichael had come to explain something
curious to Miss Minchin regarding Sara. But, being the father of the Large
Family, he had a very kind and fatherly feeling for children; and so,
after seeing Miss Minchin alone, what did he do but go and bring across
the square his rosy, motherly, warm-hearted wife, so that she herself
might talk to the little lonely girl, and tell her everything in the best
and most motherly way.
</p>
<p>
And then Sara learned that she was to be a poor little drudge and outcast
no more, and that a great change had come in her fortunes; for all the
lost fortune had come back to her, and a great deal had even been added to
it. It was Mr. Carrisford who had been her father's friend, and who had
made the investments which had caused him the apparent loss of his money;
but it had so happened that after poor young Captain Crewe's death one of
the investments which had seemed at the time the very worst had taken a
sudden turn, and proved to be such a success that it had been a mine of
wealth, and had more than doubled the Captain's lost fortune, as well as
making a fortune for Mr. Carrisford himself. But Mr. Carrisford had been
very unhappy. He had truly loved his poor, handsome, generous young
friend, and the knowledge that he had caused his death had weighed upon
him always, and broken both his health and spirit. The worst of it had
been that, when first he thought himself and Captain Crewe ruined, he had
lost courage and gone away because he was not brave enough to face the
consequences of what he had done, and so he had not even known where the
young soldier's little girl had been placed. When he wanted to find her,
and make restitution, he could discover no trace of her; and the certainty
that she was poor and friendless somewhere had made him more miserable
than ever. When he had taken the house next to Miss Minchin's he had been
so ill and wretched that he had for the time given up the search. His
troubles and the Indian climate had brought him almost to death's door—indeed,
he had not expected to live more than a few months. And then one day the
Lascar had told him about Sara's speaking Hindustani, and gradually he had
begun to take a sort of interest in the forlorn child, though he had only
caught a glimpse of her once or twice and he had not connected her with
the child of his friend, perhaps because he was too languid to think much
about anything. But the Lascar had found out something of Sara's unhappy
little life, and about the garret. One evening he had actually crept out
of his own garret-window and looked into hers, which was a very easy
matter, because, as I have said, it was only a few feet away—and he
had told his master what he had seen, and in a moment of compassion the
Indian Gentleman had told him to take into the wretched little room such
comforts as he could carry from the one window to the other. And the
Lascar, who had developed an interest in, and an odd fondness for, the
child who had spoken to him in his own tongue, had been pleased with the
work; and, having the silent swiftness and agile movements of many of his
race, he had made his evening journeys across the few feet of roof from
garret-window to garret-window, without any trouble at all. He had watched
Sara's movements until he knew exactly when she was absent from her room
and when she returned to it, and so he had been able to calculate the best
times for his work. Generally he had made them in the dusk of the evening;
but once or twice, when he had seen her go out on errands, he had dared to
go over in the daytime, being quite sure that the garret was never entered
by any one but herself. His pleasure in the work and his reports of the
results had added to the invalid's interest in it, and sometimes the
master had found the planning gave him something to think of, which made
him almost forget his weariness and pain. And at last, when Sara brought
home the truant monkey, he had felt a wish to see her, and then her
likeness to her father had done the rest.
</p>
<p>
“And now, my dear,” said good Mrs. Carmichael, patting Sara's hand, “all
your troubles are over, I am sure, and you are to come home with me and be
taken care of as if you were one of my own little girls; and we are so
pleased to think of having you with us until everything is settled, and
Mr. Carrisford is better. The excitement of last night has made him very
weak, but we really think he will get well, now that such a load is taken
from his mind. And when he is stronger, I am sure he will be as kind to
you as your own papa would have been. He has a very good heart, and he is
fond of children—and he has no family at all. But we must make you
happy and rosy, and you must learn to play and run about, as my little
girls do—”
</p>
<p>
“As your little girls do?” said Sara. “I wonder if I could. I used to
watch them and wonder what it was like. Shall I feel as if I belonged to
somebody?”
</p>
<p>
“Ah, my love, yes!—yes!” said Mrs. Carmichael; “dear me, yes!” And
her motherly blue eyes grew quite moist, and she suddenly took Sara in her
arms and kissed her. That very night, before she went to sleep, Sara had
made the acquaintance of the entire Large Family, and such excitement as
she and the monkey had caused in that joyous circle could hardly be
described. There was not a child in the nursery, from the Eton boy who was
the eldest, to the baby who was the youngest, who had not laid some
offering on her shrine. All the older ones knew something of her wonderful
story. She had been born in India; she had been poor and lonely and
unhappy, and had lived in a garret and been treated unkindly; and now she
was to be rich and happy, and be taken care of. They were so sorry for
her, and so delighted and curious about her, all at once. The girls wished
to be with her constantly, and the little boys wished to be told about
India; the second baby, with the short round legs, simply sat and stared
at her and the monkey, possibly wondering why she had not brought a
hand-organ with her.
</p>
<p>
“I shall certainly wake up presently,” Sara kept saying to herself. “This
one must be a dream. The other one turned out to be real; but this
couldn't be. But, oh! how happy it is!”
</p>
<p>
And even when she went to bed, in the bright, pretty room not far from
Mrs. Carmichael's own, and Mrs. Carmichael came and kissed her and patted
her and tucked her in cozily, she was not sure that she would not wake up
in the garret in the morning.
</p>
<p>
“And oh, Charles, dear,” Mrs. Carmichael said to her husband, when she
went downstairs to him, “We must get that lonely look out of her eyes! It
isn't a child's look at all. I couldn't bear to see it in one of my own
children. What the poor little love must have had to bear in that dreadful
woman's house! But, surely, she will forget it in time.”
</p>
<p>
But though the lonely look passed away from Sara's face, she never quite
forgot the garret at Miss Minchin's; and, indeed, she always liked to
remember the wonderful night when the tired princess crept upstairs, cold
and wet, and opening the door found fairy-land waiting for her. And there
was no one of the many stories she was always being called upon to tell in
the nursery of the Large Family which was more popular than that
particular one; and there was no one of whom the Large Family were so fond
as of Sara. Mr. Carrisford did not die, but recovered, and Sara went to
live with him; and no real princess could have been better taken care of
than she was. It seemed that the Indian Gentleman could not do enough to
make her happy, and to repay her for the past; and the Lascar was her
devoted slave. As her odd little face grew brighter, it grew so pretty and
interesting that Mr. Carrisford used to sit and watch it many an evening,
as they sat by the fire together.
</p>
<p>
They became great friends, and they used to spend hours reading and
talking together; and, in a very short time, there was no pleasanter sight
to the Indian Gentleman than Sara sitting in her big chair on the opposite
side of the hearth, with a book on her knee and her soft, dark hair
tumbling over her warm cheeks. She had a pretty habit of looking up at him
suddenly, with a bright smile, and then he would often say to her:
</p>
<p>
“Are you happy, Sara?”
</p>
<p>
And then she would answer:
</p>
<p>
“I feel like a real princess, Uncle Tom.”
</p>
<p>
He had told her to call him Uncle Tom.
</p>
<p>
“There doesn't seem to be anything left to `suppose,'” she added.
</p>
<p>
There was a little joke between them that he was a magician, and so could
do anything he liked; and it was one of his pleasures to invent plans to
surprise her with enjoyments she had not thought of. Scarcely a day passed
in which he did not do something new for her. Sometimes she found new
flowers in her room; sometimes a fanciful little gift tucked into some odd
corner, sometimes a new book on her pillow;—once as they sat
together in the evening they heard the scratch of a heavy paw on the door
of the room, and when Sara went to find out what it was, there stood a
great dog—a splendid Russian boar-hound with a grand silver and gold
collar. Stooping to read the inscription upon the collar, Sara was
delighted to read the words: “I am Boris; I serve the Princess Sara.”
</p>
<p>
Then there was a sort of fairy nursery arranged for the entertainment of
the juvenile members of the Large Family, who were always coming to see
Sara and the Lascar and the monkey. Sara was as fond of the Large Family
as they were of her. She soon felt as if she were a member of it, and the
companionship of the healthy, happy children was very good for her. All
the children rather looked up to her and regarded her as the cleverest and
most brilliant of creatures—particularly after it was discovered
that she not only knew stories of every kind, and could invent new ones at
a moment's notice, but that she could help with lessons, and speak French
and German, and discourse with the Lascar in Hindustani.
</p>
<p>
It was rather a painful experience for Miss Minchin to watch her
ex-pupil's fortunes, as she had the daily opportunity to do, and to feel
that she had made a serious mistake, from a business point of view. She
had even tried to retrieve it by suggesting that Sara's education should
be continued under her care, and had gone to the length of making an
appeal to the child herself.
</p>
<p>
“I have always been very fond of you,” she said.
</p>
<p>
Then Sara fixed her eyes upon her and gave her one of her odd looks.
</p>
<p>
“Have you?” she answered.
</p>
<p>
“Yes,” said Miss Minchin. “Amelia and I have always said you were the
cleverest child we had with us, and I am sure we could make you happy—as
a parlor boarder.”
</p>
<p>
Sara thought of the garret and the day her ears were boxed,—and of
that other day, that dreadful, desolate day when she had been told that
she belonged to nobody; that she had no home and no friends,—and she
kept her eyes fixed on Miss Minchin's face.
</p>
<p>
“You know why I would not stay with you,” she said.
</p>
<p>
And it seems probable that Miss Minchin did, for after that simple answer
she had not the boldness to pursue the subject. She merely sent in a bill
for the expense of Sara's education and support, and she made it quite
large enough. And because Mr. Carrisford thought Sara would wish it paid,
it was paid. When Mr. Carmichael paid it he had a brief interview with
Miss Minchin in which he expressed his opinion with much clearness and
force; and it is quite certain that Miss Minchin did not enjoy the
conversation.
</p>
<p>
Sara had been about a month with Mr. Carrisford, and had begun to realize
that her happiness was not a dream, when one night the Indian Gentleman
saw that she sat a long time with her cheek on her hand looking at the
fire.
</p>
<p>
“What are you `supposing,' Sara?” he asked. Sara looked up with a bright
color on her cheeks.
</p>
<p>
“I was `supposing,'” she said; “I was remembering that hungry day, and a
child I saw.”
</p>
<p>
“But there were a great many hungry days,” said the Indian Gentleman, with
a rather sad tone in his voice. “Which hungry day was it?”
</p>
<p>
“I forgot you didn't know,” said Sara. “It was the day I found the things
in my garret.”
</p>
<p>
And then she told him the story of the bun-shop, and the fourpence, and
the child who was hungrier than herself; and somehow as she told it,
though she told it very simply indeed, the Indian Gentleman found it
necessary to shade his eyes with his hand and look down at the floor.
</p>
<p>
“And I was `supposing' a kind of plan,” said Sara, when she had finished;
“I was thinking I would like to do something.”
</p>
<p>
“What is it?” said her guardian in a low tone. “You may do anything you
like to do, Princess.”
</p>
<p>
“I was wondering,” said Sara,—“you know you say I have a great deal
of money—and I was wondering if I could go and see the bun-woman and
tell her that if, when hungry children—particularly on those
dreadful days—come and sit on the steps or look in at the window,
she would just call them in and give them something to eat, she might send
the bills to me and I would pay them—could I do that?”
</p>
<p>
“You shall do it to-morrow morning,” said the Indian Gentleman.
</p>
<p>
“Thank you,” said Sara; “you see I know what it is to be hungry, and it is
very hard when one can't even pretend it away.”
</p>
<p>
“Yes, yes, my dear,” said the Indian Gentleman. “Yes, it must be. Try to
forget it. Come and sit on this footstool near my knee, and only remember
you are a princess.”
</p>
<p>
“Yes,” said Sara, “and I can give buns and bread to the Populace.” And she
went and sat on the stool, and the Indian Gentleman (he used to like her
to call him that, too, sometimes,—in fact very often) drew her
small, dark head down upon his knee and stroked her hair.
</p>
<p>
The next morning a carriage drew up before the door of the baker's shop,
and a gentleman and a little girl got out,—oddly enough, just as the
bun-woman was putting a tray of smoking hotbuns into the window. When Sara
entered the shop the woman turned and looked at her and, leaving the buns,
came and stood behind the counter. For a moment she looked at Sara very
hard indeed, and then her good-natured face lighted up.
</p>
<p>
“I'm that sure I remember you, miss,” she said. “And yet—”
</p>
<p>
“Yes,” said Sara, “once you gave me six buns for fourpence, and—”
</p>
<p>
“And you gave five of 'em to a beggar-child,” said the woman. “I've always
remembered it. I couldn't make it out at first. I beg pardon, sir, but
there's not many young people that notices a hungry face in that way, and
I've thought of it many a time. Excuse the liberty, miss, but you look
rosier and better than you did that day.”
</p>
<p>
“I am better, thank you,” said Sara, “and—and I am happier, and I
have come to ask you to do something for me.”
</p>
<p>
“Me, miss!” exclaimed the woman, “why, bless you, yes, miss! What can I
do?”
</p>
<p>
And then Sara made her little proposal, and the woman listened to it with
an astonished face.
</p>
<p>
“Why, bless me!” she said, when she had heard it all. “Yes, miss, it'll be
a pleasure to me to do it. I am a working woman, myself, and can't afford
to do much on my own account, and there's sights of trouble on every side;
but if you'll excuse me, I'm bound to say I've given many a bit of bread
away since that wet afternoon, just along o' thinkin' of you. An' how wet
an' cold you was, an' how you looked,—an' yet you give away your hot
buns as if you was a princess.”
</p>
<p>
The Indian Gentleman smiled involuntarily, and Sara smiled a little too.
“She looked so hungry,” she said. “She was hungrier than I was.”
</p>
<p>
“She was starving,” said the woman. “Many's the time she's told me of it
since—how she sat there in the wet, and felt as if a wolf was
a-tearing at her poor young insides.”
</p>
<p>
“Oh, have you seen her since then?” exclaimed Sara. “Do you know where she
is?”
</p>
<p>
“I know!” said the woman. “Why, she's in that there back room now, miss,
an' has been for a month, an' a decent, well-meaning girl she's going to
turn out, an' such a help to me in the day shop, an' in the kitchen, as
you'd scarce believe, knowing how she's lived.”
</p>
<p>
She stepped to the door of the little back parlor and spoke; and the next
minute a girl came out and followed her behind the counter. And actually
it was the beggar-child, clean and neatly clothed, and looking as if she
had not been hungry for a long time. She looked shy, but she had a nice
face, now that she was no longer a savage; and the wild look had gone from
her eyes. And she knew Sara in an instant, and stood and looked at her as
if she could never look enough.
</p>
<p>
“You see,” said the woman, “I told her to come here when she was hungry,
and when she'd come I'd give her odd jobs to do, an' I found she was
willing, an' somehow I got to like her; an' the end of it was I've given
her a place an' a home, an' she helps me, an' behaves as well, an' is as
thankful as a girl can be. Her name's Anne—she has no other.”
</p>
<p>
The two children stood and looked at each other a few moments. In Sara's
eyes a new thought was growing.
</p>
<p>
“I'm glad you have such a good home,” she said. “Perhaps Mrs. Brown will
let you give the buns and bread to the children—perhaps you would
like to do it—because you know what it is to be hungry, too.”
</p>
<p>
“Yes, miss,” said the girl.
</p>
<p>
And somehow Sara felt as if she understood her, though the girl said
nothing more, and only stood still and looked, and looked after her as she
went out of the shop and got into the carriage and drove away.
</p>
<p>
<br /> <br />
</p>
<div>*** END OF THE PROJECT GUTENBERG EBOOK 137 ***</div>
</body>
</html>
|