diff options
Diffstat (limited to 'old/13684-8.txt')
| -rw-r--r-- | old/13684-8.txt | 2385 |
1 files changed, 2385 insertions, 0 deletions
diff --git a/old/13684-8.txt b/old/13684-8.txt new file mode 100644 index 0000000..d31ef3f --- /dev/null +++ b/old/13684-8.txt @@ -0,0 +1,2385 @@ +The Project Gutenberg EBook of Notes and Queries, No. 28. Saturday, May +11, 1850, by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Notes and Queries, No. 28. Saturday, May 11, 1850 + +Author: Various + +Release Date: October 10, 2004 [EBook #13684] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** + + + + +Produced by The Internet Library of Early Journals, Jon Ingram, David +King, and the Online Distributed Proofreading Team + + + + + +NOTES AND QUERIES: + +A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, ANTIQUARIES, +GENEALOGISTS, ETC. + + * * * * * + +"When found, make a note of."--CAPTAIN CUTTLE. + + * * * * * + +No. 28.] SATURDAY, MAY 11, 1850 [Price Threepence. Stamped Edition 4d. + + * * * * * {449} + +CONTENTS. + +NOTES:-- + Etymology of Penniel. 449 + Notes on Cunningham's London, by E.F. Rimbault, + LL.D. 450 + Original Letter of Peter Le Neve, by E. Hailstone. 451 + Folk Lore:--Superstitions of Middle Counties--Rainbow + in the Morning. 451 + Error in Johnson's Life of Selden. 451 + Pope and Petronius, by C. Forbes. 452 + +QUERIES:-- + Purvey of the Apocalypse--Bonner on the Seven Sacraments, + by Sir F. Madden. 452 + Replies to Minor Queries:--Arrangement of a Monastery--Constantine + the Artist--Josias Ibach Stada--Worm of Lambton. 452 + +REPLIES:-- + Luther's Translation, by S.W. Singer. 453 + Lines on London Dissenting Ministers. 454 + Replies to Minor Queries:--Tracts by Dekker and + Nash--Tureen--English Translations of Erasmus--Court + of Wards--Scala Coeli--Twm Shawn Cattie--Cheshire + Round--Horns to a River--Horns--Coal + Brandy--Howkey or Horkey--Luther's Portrait--Symbolism + of Flowers, &c.--"Where England's + Monarch"--Journeyman--Sydenham or Tidenham--J.B.'s + Treatise on Nature and Art--"A Frog he + would a-wooing go"--"My Love and I, &c."--Teneber + Wednesday--Buckingham Motto--Laerig--Zenobia a + Jewess--Temple Stanyan, &c. 454 + +MISCELLANIES:-- + Spur Money--Note Books--Lady Rachael Russell--Byron + and Taritus--Aboriginal Chambers near Tilbury--Sir + R. Haigh's Letter-Book--A Phonetic Peculiarity. 462 + +MISCELLANEOUS:-- + Notes on Books, Catalogues, Sales, &c. 463 + Books and Odd Volumes wanted. 463 + Notices to Correspondents. 463 + + * * * * * + + +NOTES + +ETYMOLOGY OF PENNIEL. + +Some eighteen years ago, the writer of the following sonnets, by the +kindness of the proprietors of a pleasant house upon the banks of the +Teviot, enjoyed two happy autumns there. The Roman road which runs +between the remains of the camp at Chew Green, in Northumberland, and +the Eildon Hills (the Trimontium of General Roy), passed hard by. The +road is yet distinctly visible in all its course among the Cheviots, and +in the uncultivated tracts; and occasionally also, where the plough has +spared it, among the agricultural inclosures. + +The house stands near the base of the hill called Penniel or +Penniel-heugh: and it is hoped that the etymological derivation of that +word now to be hazarded will not imply in the etymologist the credulity +of a Monkbarns. _Pen_, it is known, signifies in the Celtic language "a +hill". And the word _heil_, in the Celto-Scythian, is, in the Latin, +rendered _Sol_. In the Armoric dialect of the Celtic also, _heol_ means +"the sun:" hence, _Penheil_, _Penheol_, or _Penniel_, "the hill of the +sun." Beyond the garden of the abode there stood, and, it is believed, +yet stands, a single stone of a once extensive Druid circle, not many +years ago destroyed by the then proprietor, who used the sacred remains +in building his garden wall. A little farther antiquarian conjecture is +necessary to clothe the country with oak woods. Jedwood or Jedworth +Forest was part of "the forest" which covered Selkirkshire and parts of +the counties around. The Capon Tree, and the King of the Wood, two +venerable oaks yet flourishing on the water of Jed, attest the once +wooded condition of the land; which is farther irresistibly corroborated +by evidence drawn from the interesting volumes of the _Rotuli +Parliamentorum_. The Bishops of Glasgow had a religious establishment in +the neighbouring sunward village of Nether Ancrum. Of their buildings, +of the vicar's house, or of the ancient gardens existing in the memory +of persons living, not a vestige now remains. In the first volume of the +_Rotuli_, p. 472., there is a Petition, of uncertain date, by the Bishop +of Glasgow to Edward I., then in possession of Scotland, in these +terms:-- + + "Derechief pry ly dit Evesqe a soen Segur le Roy qe ly plese + aider &c.... e sur ceo transmettr', sa lettre al vesconte de + Lanark. E une autre, si ly plest, a ses Forresters de Geddeworth + de autant de Merin [meremium, meheremium, wood for building] + pour fere une receite a Allyncrom (Ancrum) desur la marche, ou + il poet aver recett e entendre a ses ministres qut il le + voudrent aver." + +To which the King's answer is,-- + + "Héat Bre Ten' locu R. in Scoc. qd fae'. ei hre meheremiu in + Foresta de Selkirk et de Maddesleye usq ad numum quinquaginta + quercu." + +Thus, no doubt is left that oak woods abounded in the district; and it +was under the influence of these beliefs that the sonnets were +composed:-- + + I. + + "'Twas on this spot some thousand years ago, + Amid the silence of its hoary wood + By sound unbroken, save the Teviot's flow, + The lonely Temple of the Druids stood! {450} + The conquering Roman when he urged his way, + That led to triumph, through the neighbouring plain, + And oped the gloomy grove to glare of day, + Awe-stricken gazed, and spared the sacred fane! + One stone of all its circle now remains, + Saved from the modern Goth's destructive hand; + And by its side I muse: and Fancy reigns; + And giant oaks on Pennial waving stand; + With snowy robe and flowing bears sweep bye + The aged Druid-train beneath the star-lit sky. + + II. + + "The Druid-train has moved into the wood, + Oh! draw a veil before the hideous scene! + For theirs were offerings of human blood, + With sound of trump and shriek of fear between: + Their sacred grove is fallen, their creed is gone; + And record none remains save this gray stone! + Then come the warlike Saxons; and the years + Roll on in conflict: and the pirate Dane + Uprears his Bloody raven; and his spears + Bristling upon the Broadlaw summit's plain + Spread terror o'er the vale: and still rude times + Succeed; and Border feuds with conflagration light + Nightly, the Teviot's wave, and ceaseless crimes + Chase from the holy towers their inmates in affright. + + III. + + "Land of the South! Oh, lovely land of song! + And is my dwelling by thy classic streams; + And is the fate so fondly wished and long, + Mine in the fullest measure of my dreams,-- + By thy green hills and sunny glades to roam, + To live among thy happy shepherd swains + Where now the peaceful virtues have their home; + A blissful lot! nor aught of grief remains + Save for that friend, beloved, bewailed, revered, + To whom my heart for thrice ten years was bound + By truest love and gratitude endeared: + The glory of his land, in whom were found + Genius unmatched, and mastery of the soul, + Beyond all human wight, save Shakspeare's own controul." + +F.S.A. L. & E. + + * * * * * + +NOTES ON CUNNINGHAM'S HANDBOOK FOR LONDON. + +_Soho Square._--Your correspondent "NASO" (p. 244.) has anticipated me +in noticing Mr. Cunningham's mistake about Mrs. Cornellys' house in this +square; but he has left unnoticed some particulars which deserve to be +recorded. Mrs. Cornellys', or _Carlisle House_ as it was called, was +pulled down at the beginning of the present century (1803 or 1804), and +_two_ houses built upon its site, now _Jeffery's Music Warehouse_ and +_Weston's Printing Office_. Some curious old paintings representing +banqueting scenes, formerly in _Carlisle House_ were carefully preserved +until the last few years, in the drawing-room of the corner house, when +they were removed to make room for some needed "elegancies" of the +modern print shops. The Catholic Chapel in Sutton Street was the +banquetting-room of Carlisle House; and the connecting passage between +it and the house in Soho Square was originally the "Chinese bridge." + +"Teresa Cornelys, Carlisle House, St. Ann, Soho, dealer" appears in the +bankrupt list of _The London Gazette_ of November, 1772; and in December +of the same year, this temple of festivity, and all its gorgeous +contents, were thus advertised to be sold by public auction:-- + + "_Carlisle House, Soho._--At twelve o'clock on Monday the 14th + instant, by Order of the Assignees, Mr. Marshall will sell by + Auction on the Premises, in one Lot, All that extensive, + commodious, and magnificent House in Soho Square, lately + occupied by Mrs. Cornelys, and used for the Public Assemblies of + the Nobility and Gentry. Together with all the rich and elegant + Furniture, Decorations, China, &c., thereunto belonging, too + well-known and universally admired for their aptness and taste + to require here any public and extraordinary description + thereof. Catalogues to be had at the House, and at Mr. + Marshall's, in St. Martin's Lane. The curiosity of many to see + the house, to prevent improper crowds, and the great damage that + might happen therefrom (and the badness of this season) by + admitting indifferent and disinterested people, must be an + excuse to the public for the Assignees ordering the Catalogues + to be sold at 5s. each, which will admit two to see the house, + &c., from Monday the 7th instant to the time of sale, Sundays + excepted, from ten in the morning to three in the afternoon, and + they hope no person or persons will take amiss being refused + admittance without Catalogues." + +In December 1774, the nobility and gentry were informed (by +advertisement), "That the Assemblies at Carlisle House will commence +soon, under the conduct and direction of a _New_ Manager;" but +notwithstanding the efforts of this person, we find that Mrs. Cornellys +resumed her revels here with great spirit in 1776. In 1778, Carlisle +House was again publicly advertised to be sold by private contract, or +"to be hired as usual;" and subsequently, after having been used as a +common exhibition room of "Monstrosities," a "School of Eloquence," and +"An Infant School of Genius," it closed its public career through the +interference of the magistracy in 1797. + +A full and particular account of the rise and fall of "Mrs. Cornelys' +Entertainments at Carlisle House, Soho," was privately printed two or +three years ago, by Thomas Mackinlay, Esq., of the firm of Dalmaine and +Co., Soho Square. + +_Carlisle Street, Soho Square._--The large house at the end of this +street, looking into the square, was formerly called _Carlisle House_. +In 1770 it was purchased of Lord Delaval by the elder Angelo; who +resided in it many years, and built a large riding-school at the back. +Bach and Abel, of "Concert" notoriety, resided in the adjoining house. +Carlisle Street was then called _King's Square Court_. {451} + +_Catherine Street, Strand._--In 1714, a tract was published with the +following title:--_The Maypole's New Year's Gift or Thanks returned to +his Benefactors, humbly inscribed to the Two Corners of_ Catherine +Street, Strand; _written by a Parishioner of St. Mary, Savoy_. + +_Maiden Lane, Covent Garden._--The well known "Cider Cellar" in this +lane was opened about 1730. There is a curious tract, entitled +_Adventures under Ground_, 1750, which contains some strange notices of +this "Midnight Concert Room." + +_Salisbury Change._--Cibber, in the amusing _Apology for his Life_, has +the following:-- + + "Taste and fashion, with us, have always had wings, and fly from + one public spectacle to another so wantonly, that I have been + informed by those who remember it, that a famous puppet-show in + _Salisbury Change_ (then standing where _Cecil Street_ now is), + so far distressed these two celebrated companies, that they were + reduced to petition the king for relief against it." + +_The New Exchange._--A good description of this once popular mart may be +found in Lodwick Rowzee's _Treatise on the Queene's Welles_, Lond. 1632. +It is as follows:-- + + "We went to see the _New Exchange_, which is not far from the + place of the Common Garden, in the great street called the + Strand. The building has a facade of stone, built after the + Gothic style, which has lost its colour from age, and is + becoming blackish. It contains two long and double galleries, + one above the other, in which are distributed several rows great + numbers of very rich shops, of drapers and mercers, filled with + goods of every kind, and with manufactures of the most beautiful + description. There are, for the most part, under the care of + well-dressed women, who are busily employed in work, although + many are served by young men, called apprentices." + +_The Bedford Coffee House, Covent Garden._--In 1763 appeared a small +volume under the title of _Memoirs of the Bedford Coffee House, by +Genius, dedicated to the most Impudent Man alive_. + +EDWARD F. RIMBAULT. + + * * * * * + +ORIGINAL LETTER OF PETER LE NEVE. + +The following was a letter from Le Neve to a Mr. Admall, a herald +painter at Wakefield, found in a book of arms belonging to the latter, +which came into my possession a few months ago. + +E. HAILSTONE. + + "Mr. Admall, + + "I understand by Mr. Mangay, my deputy at Leeds for the West + Riding, that you contemn my lawfull autority of Norroy King of + Arms, and have done and will doe as you say, things relating to + heraldry, contrary to my prohibition, &c.; these are therefore + to acquaint you, that if you continue in the same mind and will + usurp on my office, I intend to make you sensible of the wrong + you doe me in my office, by taking out process against you, and + making you pay for your transgression. I shall give you no hard + words, but shal be as good as my word if there is law in England + to restrain you; so chose whether you will due to me good or + evill; you shall find me according your friend or open enemy. + + "PETER LA NEVE, Norroy. + + "College of Arms, in London, + + "28th May, 1719." + + * * * * * + +FOLK LORE. + +_Superstitions of the Midland Counties._--It is believed a sign of "bad +luck" to meet a white horse, unless the person _spits_ at it, which +action is said to avert the ill consequences of the recontre. + +A rainy Friday is believed to be followed as a natural and invariable +consequence, by a wet Sunday; but I am not aware that the contrary is +believed, viz., that fine Friday produces a fine Sunday. + +If the fire burns brightly when a person has poked or stirred it up, it +is a sign that the _absent_ lover, wife, or husband (as the case may be) +is in good spirits, and in good humour. + +The itching of the right hand palm is said to portend the reception of a +gift; which is rendered more certain if the advice in this distich be +followed:-- + + "Rub it 'gainst wood, + 'Tis sure to come good." + +Persons with much hair or down upon their arms and hands, will at some +future period enjoy great wealth; or as the common expression has it, +"are born to be rich." + +HENRY KERSLEY. + +Corp. Chris. Hall, Maidstone. + + +_A Rainbow in the Morning, &c._--"Mr. THOMS" (No. 26, p. 413.) says that +he believes no one has remarked the philosophy of this proverbial rhyme. +Sir Humphry Davy, however, points it out in his _Salmonia_. + + * * * * * + +ERROR IN JOHNSON'S LIFE OF SELDEN. + +In Johnson's (Geo. W.) _Memoirs of John Selden_, London, 1635, 8vo. pp. +128, 129, is a notice of Dr. Sibthorpe's celebrated Sermon preached at +Northampton, and printed in 1627 with the title of _Apostolike +Obedience_. After stating the difficult experienced in obtaining the +necessary sanction for its publication, owing to Abp. Abbot refusing the +requisite _imprimatur_, the author says that ultimately the licence was +"_signed by Land himself_, and published under the title of _Apostolical +Obedience_." A reference at the foot of the page to "Rushworth, p. 444," +leads me to conclude that it is on his authority Mr. Johnson has made +this statement; but not having access to the "Historical Collections," I +am unable to examine. At any rate, Heylin, in his _Cyprianus Anglicus_, +Lond., 1671 fol. p. 159., may be understood to imply the correctness of +the assertion. + +A copy of this now rare sermon before me {452} proves, however, that the +statement is incorrect. At the back of the title is as follows:-- + + "I have read over this sermon upon _Rom._ xiii. 7., preached at + _Northampton_, at the assises for the county, _Feb._ 22, 1626, + by _Robert Synthorpe_, Doctor of Divinity, Vicar of Brackley, + and I doe approve it as a sermon learnedly and discreetly + preached, and agreeable to the _ancient Doctrine_ of the + _Primitive Church_, both for _Faith_ and _good manners_, and to + the _Doctrine established_ in the _Church of England_, and, + therefore, under my hand I give authority for the printing of + it, May 8. 1627." + + GEO. LONDON. + +It was therefore Bishop _Mountague_, and not _Laud_, who licensed the +sermon. + +JOHN. J. DREDGE. + + * * * * * + +POPE AND PETRONIUS. + +I have read "Mr. RICH'S" letter with great interest, and I willingly +allow that he has combated my charge of plagiarism against Pope, and +discussed the subject generally with equal fairness and ability. "But +yet," I think that he wanders a little from the point when he says, "the +surmise of the plagiarism originates in a misconception of the terms +employed by the Latin author, especially _corcillum_." Now the question, +in my opinion, turns not so much on what _Petronius said_, as on what +_Pope read_; i.e. not on the meaning that _Petronius gave_ to the word +(_corcillum_), but on that which _Pope attributed_ to it. I cannot, +without further proof, give him credit for having read the words as +critically and correctly as "Mr. R." has done. I believe that he looked +on it merely as a simple derivative of _cor_, and therefore rendered it +"worth," i.e. a _moral_, not a _mental_ quality. + +C. FORBES. + + * * * * * + + +QUERIES. + +QUERIES RESPECTING PURVEY ON THE APOCALYPSE, AND BONNER ON THE SEVEN +SACRAMENTS. + +I beg leave to make the two following Queries:-- + +1. In Bayle's very useful work, _Scriptorum Illustrium Majoris Brytanniæ +Catalogus_, fol. Bas. 1559, among the writings ascribed to John Purvey, +one of Wycliffe's followers, and (as Walden styles him) _Glossator_, is +mentioned _Commentarius in Apocalypsin_, beginning "Apocalypsis, quasi +diceret;" and Bayle adds:-- + + "Prædictus in Apocalypsin Commentarius ex magistri Wielevi + lectionibus publicis per Joannem Purvæum collectus, et nunc per + Martinum Lutherum, _Ante centum annos_ intitularus, anno Domini + 1528, sine authoris nomine, Witembergæ fuit excusus. Fuit et + ipse Author in carcere, ac cathenis insuper chalybeis, cum ea + Commentaria scripsit, ut ex decimo et undecimo ejus scripti + capite apparet. Scripsit autem Purvæus hunc librum anno Domini + 1390, ut ex decimo tertio capite et principio vigesimi apparet." + +This account of Bayle (who is mistaken, however, about the _title_ of +the work) is confirmed by Panzer; who, in his _Annales_, vol. ix. p. 87. +enters the volume thus, "_Commentarius in Apolcalypsin ante Centum Annos +æditus, cum Præfatione Maritini Lutheri_. Wittembergæ, 1528. 8vo." Can +any of your readers refer me to a copy of this book in a public library, +or in private hands? + +2. In Lewis's _History of the Translations of the Bible_, edit. 1818. p. +25., he quotes a work of Bishop Bonner, "_Of the Seven Sacraments_, +1555," in which a manuscript English Bible is cited by the Bishop, as +then in his possession, "translated out of Latyne in tyme of heresye +almost eight-score years before that tyme, i.e. about 1395, fayre and +truly written in parchment." Lewis proceeds to conjecture, that this MS. +was the same which is preserved in the Bodleian Library under the mark +Fairfax, 2. And in this erroneous supposition he has been followed by +later writers. The copy in question, which belonged to Bonner, is +actually in the Archiepiscopal Library at Lambeth, No. 25., and contains +the Pentateuch in the _earlier_ Wycliffite version (made, no doubt, by +Nicholas Hereford), whilst the rest of the Old and New Testament is in +the _later_ or revised translation by Purvey and his coadjutors. What I +now wish to inquire about, is, where can I meet with a copy of Bonner's +work, _De Septem Sacramentis_, in which the passages occur referred to +by Lewis? They are not in _A Profitable and Necessarye Doctryne, with +certayne Homelies adjoyned_, printed in 1555 by John Carood, although +one of these homilies is on the subject of the seven sacraments. + +F. MADDEN. + + * * * * * + +MINOR QUERIES. + +_Monastery, Arrangement of One._--Any information and particulars +respecting the extent, arrangement, and uses of the various buildings +for an establishment of fifty Cistercian or Benedictine Monks would be +useful to and gratefully received by + +A.P.H. + + [Has our Querist consulted Professor Willis, "Description of the + Ancient Plan of the Monastery of St. Gall in the Ninth Century," + accompanying a copy of the plan, and which he will find in the + _Archæological Journal_, vol. v. p. 85.?] + + +_Constantine the Artist._--Who was "M. Constantine, an Italian architect +to our late Prince Henry," employed in the masque at the Earl of +Somerset's marriage in 1613? and was he the same Constantine de Servi to +whom the Prince assigned a yearly pension of 200l. in July 1612? If so, +where can more be found respecting him? He is not mentioned on Walpole's +_Anecdotes_. + +J.G.N. + + +_Josias Ibach Stada._--Who was the artist whose name occurs inscribed on +the hoof of the horse of King Charles the Second's equestrian statue at +{453} Windsor, as follows:--"1669. Fudit Josias Ibach Stada Bramensis;" +and is Mr. Hewitt, in his recent _Memoir of Tobias Rustat_, correct in +calling him "Stada, an _Italian_ artist?" + +J.G.N. + + +_Worm of Lambton._--Is there any published notice of the "Knight and +Serpent" tradition regarding this family and parish? + +A.C. + + [A quarto volume of traditions, gathered in the immediate + neighbourhood of the scene of action, was privately printed in + the year 1530, under the title of _The Worm of Lambton_.] + + * * * * * + + +REPLIES. + +LUTHER'S TRANSLATION OF THE NEW TESTAMENT. + +Luther's solemn request that his translation should on no account be +altered, accompanies most of the earlier editions of the N.T. I find it +on the reverse of the title-page of the edition in 8vo. printed at +Wittemberg by Hans Lufft in 1537, thus:-- + + "I request all my friends and enemies, my master printer, and + reader, will let this New Testament be mine; and, if they have + fault to find with it, that they make one of their own. I know + well what I do, and see well what others do; but this Testament + shall be Luther's German Testament; for carping and cavilling is + now without measure or end. And be every one cautioned against + other copies, for I have already experienced how negligently and + falsely others reprint us."[1] + +The disputed verse (1 John, v. 7.) is omitted in all the editions +printed under Luther's eye or sanction in his lifetime; but it has not, +I think, been remarked that in verse 8. the words _auf erde_, found in +later editions, are wanting. The passage stands:-- + + "Denn drey sind die da zeugen, der Geist, und das Wasser, und + das Blut, und die drey sind beysamen." + +In the first edition of the Saxon (Düdesche version of Luther's Bible, +by Jo. Heddersen, printed in a magnificent volume at Lubeck, by Lo. +Dietz, in 1533-4), the verse stands thus:-- + + "Wente dre synt dede tüchinisse geven, de Geist unde dat Water, + unde dat Bloth, unde de dre synt by emander." + +A MS. note of a former possessor remarks:-- + + "The 7th verse is not found here, nor is it in the Bibles of + Magdeburg, 1544, of Wittemberg, 1541, ditto 1584, Frankfort, + 1560 and 1580." + +In the edition of this same version, printed by Hans Lufft, Wittemberg, +1541, the passage is exactly similar; but in one printed by Hans +Walther, Magdeburg, 1545, the words _up erdeu_ are inserted. + +These Saxon versions are interesting from the very great similarity that +idiom has to our early language; and they, doubtless, influenced much +our own early versions. + +In a translation of the N.T. from the Latin of Erasmus (the first +printed in Latin with a translation on the same page, and which is very +similar in appearance to Udal's), printed at Zurich in 1535, 4to., with +a Preface by Johansen Zwikk of Constance, the 7th verse is given (as it +was in the Latin); but is distinguished by being printed in brackets, +and in both verses we have-- + + "Unnd die drey dienend in eins." + +Erasmus having admitted the verse into his third edition, gave occasion +perhaps to the liberty which has been taken in later times to print both +verses, with this distinction, in editions of the Lutheran version. The +earliest edition, I believe, in which it thus appears, is one at +Wittemberg in 1596, which was repeated in 1597, 1604, 1605[2], and 1625. +It also appears, but printed in smaller type, in the Hamburgh Bible by +Wolder in 1597, in that of Jena 1598, and in Hutter's Nuremburg, 1599. + +In a curious edition of the N.T. printed at Wandesbeck in 1710, in 4to., +in which four German versions, the Catholic, the Lutheran, the Reformed, +a new version by Reitz, and the received Dutch version, are printed in +parallel columns, both verses are given in every instance; but a note +points out that Luther uniformly omitted the 7th verse, and the words +_auf erde_. + +There cannot be a doubt, therefore, that the insertion is entirely +unwarranted in any edition of the New Testament professing to be +_Luther's_ translation. + +S.W. SINGER. + +April 25. 1850. + + [Footnote 1: "Ich bitte alle meine Freunde, und Feinde, meine + Meister Drücker und Leser, wolten dis Newe Testament lassen mein + sein, Haben sie aber mangel dran, das sie selbs ein eigens für + sich machen; Ich weiss wol was ich mache, Sehe auch wol was + andere machen, Aber dis Testament sol des Luther's Deudsch + Testament sein, Denn Meisterns und Klugelus ist jtzt weder masse + noch ende. Und sey jederman gewarnet für andern Exemplaren, Denn + ich bisher wol erfaren wie unfvleissig und falsch uns andere + nachdrücken."] + + [Footnote 2: Fr. Er. Kettner, who printed at Leipsic, in 1696, a + long and strenuous defence of the authenticity of the 7th verse, + exults in the existence of this verse in an edition of the + Bible, Wittemberg, 1606, which is falsely said on the title-page + to be _juxta ultimum a Luthero revisum exemplar correctum_.] + + +_Luther's Translation of the Bible_ (No. 25, p. 309.).--De Wette, in his +critical Commentary on the verse 1 John, after stating his opinion that +the controverted passage is a spurious interpolation, gives a list of +the codices and editions in which the passage is not found, and of those +in which it is found. + +The passage is _wanting_ in all Greek Codd. except Codd. 34. 162. 172. +(of his introduction, where it is introduced from the Vulgate), and in +all MS. {454} of the Vulgate before the tenth century; in Erasmus' edit. +of 1516 and 1518; in Ald. Ed. Venet. 1518; in all editions of Luther's +translation published by him during his life-time, and up to 1581; in +the edit. Withenb., 1607; Hamb. 1596. 1619. 1620. + +The passage is _found_ in all the editions printed of the Vulgate, and +in all translations from it before Luther; and the edit. complut.; in +Erasmus' of 1522, and in his paraphrase; in the edit. of Rob. Stephens, +1546-69; and Beza, 1565-76. 1582; in the Lutheran translations reprinted +by Froschauer, Zurich, 1529-31. (but in small type); edit. 1536-89. in +brackets; edit. 1597, without the brackets; in the edit. Frankf. 1593; +Wittenb. 1596-97, and many later ones. I may add, that the passage is in +every edition of recent date that I have seen of the Lutheran Bible, but +not, of course, in De Wette's translation. + +S.W. + + * * * * * + +LINES ON LONDON DISSENTING MINISTERS. + +In reply to one of the Queries of "W." (No. 24. p. 383.), I transcribe +from the MSS. of Mr. Chewning Blackmore, a Presbyterian minister of +Worcester, the "Lines on London Dissenting Ministers of a former Day," +which I have never seen entire in print:-- + + "Behold how Papal Wright with lordly pride + Directs his haughty eye to either side, + Gives forth his doctrine with imperious nod, + And fraught with pride addresses e'en his God. + + "Not so the gentle Watts, in him we find + The fairest pattern of a humble mind; + In him the meekest, lowliest virtue dwells, + As mild as light, as soft as ev'ning gales. + + "Tuning melodious nonsense, Bradbury stands, + With head uplifted and with dancing hands, + Prone to sedition, and to slander free, + Sacheverell sure was but a type of thee. + + "Mark how the pious matrons flock around, + Pleased with the noise of Guyse's empty sound; + How sweetly each unmeaning period flows + To lull the audience to a gentle doze! + + "Eternal Bragge in never-ending strains + Unfolds the mysteries Joseph's coat contains, + Of every hue describes a different cause, + And from each patch a solemn mystery draws. + + "With soundest judgment and with nicest skill, + The learned Hunt explains his Master's will, + So just his meaning, and his sense to true, + He only pleases the discerning few. + + "In Chandler's solid, well-composed discourse, + What wond'rous energy! what mighty force! + Still, friend to Truth, and strict to Reason's rules, + He scorns the censure of unthinking fools. + + "But see the accomplish'd orator appear, + Refined his language, and his reasoning dear, + Thou only, Foster, has the pleasing art, + At once to please the ear and mend the heart! + + "Lawrence, with clear and solid judgment speaks, + And on the sober mind impression makes, + The sacred truths with justness he explains, + And he from ev'ry hearer praise obtains." + +Of the author of these lines I can give no information. He evidently +belonged to the Anti-Calvinistic party. His name does not appear to have +been known to Mr. Walter Wilson, the historian of the "Dissenting +Churches" of London, although he quotes a portion of them. But they were +probably composed between 1728 and 1738. In the former year, Dr. James +Foster's London popularity arose, on the occasion of his undertaking the +evening lecture at the Old Jewry. In the year 1738, Mr. Robert Bragge, +one of the subjects of the poem, died. Of this gentleman the story is +told (and to it the poem evidently alludes), that he was employed no +less than four months in developing the mysteries of Joseph's coat, from +Genesis, xxxvii. 3.: "And he made him a coat of many colours." In reply +to the sarcasm on Mr. Bragge, Mr. Walter Wilson states (_Hist. and Ant. +of Diss._ ch. i. p. 247.) that the following stanza was composed:-- + + "The unwearied Bragge, with zeal, in moving strains, + Unfolds the mysteries Scripture-Book contains; + Marks every truth, of error shows the cause, + And from each mystery useful doctrine draws." + +The unfavourable notice of Dr. Sam. Wright in the opening stanza, is at +variance with the general report of biographers. In the copy of the +verses in the Blackmore MSS. is this note:--"I think this is too severe +on the Dr." Dr. Wright was admired for his pulpit elocution; and it is +said that Archbishop Herring was, in his younger years, a frequent +hearer of his, with a view to improve in elocution. The notice of the +celebrated Tom Bradbury is grossly unjust. He was a man of wit and +courage, though sometimes boisterous and personal. His unsparing +opponent, Dr. Caleb Fleming, wrote admiringly of "his musical voice, and +the flow of his periods, adapting scripture language to every +purpose."--_The Character of the Rev. Mr. Thos. Bradbury, taken from his +own Pen, &c._ Lond. 8vo. 1749, p. 35. + +A.B.R. + +Dukinfield. + + * * * * * + +REPLIES TO MINOR QUERIES. + +_Tracts by Dekker and Nash._--_The Raven's Almanacke_, 1609, is the +production of Thomas Dekker, the dramatist, and one of the rarest of his +numerous works. A copy sold in the _Gordonstown_ sale for seven guineas; +and another occurred in Mr. J.H. Bright's collection (No. 1691.); but I +have not the sale catalogue at hand to quote the price. Dekker was also +the author of a similar work, entitled _The Owle's Almanacke_, 1618; but +it is not mentioned in the lists furnished by {455} Lowndes and Dr. +Nott. The latter is indeed very inaccurate, omitting many well-known +productions of the author, and assigning others to him for which he is +not answerable. Whilst upon the subject of Dekker, I cannot resist +mentioning a fraud upon his memory which has, I believe, escaped the +notice of bibliographers. In 1697 was published a small volume, +entitled, _The Young Gallant's Academy, or Directions how he should +behave himself in an Ordinary, in a Playhouse, in a Tavern, &c., with +the Character of a Town-Huff, by Samuel Vincent_. This is nothing more +than a reprint of Dekker's _Gull's Horn-book_, with some slight +alterations to adapt it to the times. + +Nash's _Terrors of the Night, or a Discourse of Apparitions_, was +printed by John Danter for William Jones, 1594. It is a very interesting +tract, and contains many personal allusions to its unfortunate author. A +copy was sold in Heber's sale (Part IV. No. 1592.) for 5l. 18s. A note +in the handwriting of that distinguished collector gives us the +following information:-- + + "Only two other copies are known to exist, one in the Ashbridge + Library at Cleveland House, the other, not so fine as the + present, bought by Malone at Brand's, since James Boswell's, and + now (1825) _penes_ me, R.H." + +All things considered, I think your correspondent "J.E." (p. 400.) _may_ +congratulate himself on having "met with a prize." + +EDWARD F. RIMBAULT. + + +_Nash's Terrors of the Night._--Excessively rare. Boswell had a copy, +and another is in the library of the Earl of Ellesmere, described in Mr. +Collier's _Bridgewater Catalogue_ as one of the worst of Nash's tracts. + +L. + + +_Tureen_ (No. 25. p. 407.).--The valuable reference to Knox proves the +etymology from the Latin. _Terrene_, as an adjective, occurs in old +English. See quotation in Halliwell, p. 859. + +L. + + +_English Translations of Erasmus' Encomium Moriæ_ (No. 24. p. +385.).--Sir Thomas Challoner's translation of Erasmus' _Praise of Folly_ +was first printed, I believe, in 1540. Subsequent impressions are dated +1549, 1569, 1577. In 1566, William Pickering had a license "for +pryntinge of a mery and pleasaunt history, donne in tymes paste by +Erasmus Roterdamus," which possibly might be an impression of the +_Praise of Folly_. (See Collier's _Extracts from the Registers of the +Stationers' Company_, vol. i. p. 125.). This popular work was again +translated in the latter part of the following century, by White Kennet. +It was printed at Oxford in 1683, under the title of _Wit against +Wisdom, or a Panegyric upon Folly_. This is in all probability the +intermediate translation inquired after by your correspondent. + +EDWARD F. RIMBAULT. + + +In answer to "JARLZBERG," I beg to inform him of the following +translation of Erasmus' _Praise of Folly_:-- + + "Moriæ Encomium, or the Praise of Folly, made English from the + Latin of Erasmus by W. Kennet, of S. Edm. Hall, Oxon, now Lord + Bishop of Peterborough. Adorn'd with 46 copper plates, and the + effigies of Erasmus and Sir Thos. More, all neatly engraved from + the designs of the celebrated Hans Holbeine. 4th edition. 1724." + +Kennett, however, in his preface, dated 1683, alludes to two other +translations, and to Sir Thomas Challoner's as the _first_. He does not +mention the name of the second translator, but alludes to him as "_the +modern translator_," and as having lost a good deal of the wit of the +book by having "tied himself so strictly to a literal observance of the +Latin." This is his excuse for offering to the public a third +translation, in which he professes to have allowed himself such +"elbow-room of expression as the humoursomeness of the subject and the +idiom of the language did invite." + +HERMES. + + +The intermediate translation of the _Moriæ Encomium_ of Erasmus, to +which your correspondent refers, is that by John Wilson, 8vo. London +1661, of which there is a copy in the Bodleian. + +M. + +Oxford. + + +_Court of Wards._--I cannot tell "J.B." (No. 11. p. 173.) anything about +Mr. D'Israeli's researches in the Court of Wards; but "J.B." may be glad +to know that there is among the MSS. in the British Museum a treatise on +the Court of Wards. I remember seeing it, but have not read it. I dare +say it might be usefully published, for we know little in detail about +the Court of Wards. + +C.H. + + +_Scala Coeli_ (No. 23. p. 366.).--In Foxe's _Acts and Mon._, vol. v. p. +364., Lond. 1838, your Querist may see a copy of a grant from Pope +Clement VII. in 1526, to the brethren of a Boston guild, assuring them +that any member thereof who should enter the Lady Chapel in St. +Botolph's Church, Boston, once a quarter, and say there "a Paternoster, +Ave Maria, and Creed, shall have the full remission due to them that +visit the Chapel of Scala Scoeli." + +H.W. + + +_Twm Shawn Cattie_ (No. 24, p. 383.).--The following extract from +Cliffe's _Book of South Wales_, furnishes a reply to this Query. + +In describing the beautiful mountain scenery between Llandovery and +Tregaron, he says:-- + + "High in the rock above the fall yawns a hole, hardly a cavern, + where once lurked a famous freebooter of Wales, Twm Sion Catti: + the entrance to this cave is through a narrow aperture, formed + of two immense slate rocks, which face each other, and the space + between them is narrower at the bottom than the top, so {456} + that the passage can only be entered sideways, with the figure + inclined according to the slanting of the rock. + + "The history of Twm Sion Catti (pronounced Toom Shone Catti), + alias Thomas Jones, Esq., is very romantic. He was a natural son + of John ap David Moethe, by Catharine, natural daughter of + Meredydd ap Ivan ap Robert, grandfather of Sir John Wynne, of + Gwydir (see _The Heraldic Visitations of Wales_, published by + the Welsh MSS. Society), and is said to have died in 1630, at + the age of 61. In early life, 'he was a notorious freebooter and + highwayman,' and levied black mail on the country within reach + of his mountain abode, with the aid of a small band of + followers. He soon reformed, married a rich heiress, was then + created a justice of peace for Brecon, and ultimately became + sheriff of that county and Carmarthenshire. He was, observes Sir + S.R. Meyrick, esteemed as an antiquarian and poet, but is more + known for the tricks attributed to him as a robber." + +A.B. + + +_Twm Sion Catti._--The noted robber, Twm Sion or Shôn Catti, referred to +at No. 24. p. 383., was a Welshman who flourished between the years 1590 +and 1630. He was the natural son of Sir John Wynne, and obtained his +surname of Catti from the appellation of his mother Catherine. In early +life he was a brigand of the most audacious character, who plundered and +terrified the rich in such a manner that his name was a sufficient +warrant for the raising of any sum which he might desire; while his +unbounded generosity to the poor or unprotected, joined to an innate +love of fun and frolic--for he was a very Eulenspiegel--made him the +darling of the people. His chosen dwelling-place was in the almost +inaccessible cave situated near Llandovery, at the junction of the Tywi +and the Dethia (the Toothy of Drayton), which still bears his name. As +time passed on, he wooed and won the heiress of Ystrad-ffin, in the vale +of Tywi; and on becoming possessed of her property, abandoned his wild +life, and with it the name of Catti; and quietly subsiding into Thomas +Jones, Esq., became a poet and antiquary of high reputation. In addition +to which, and as if to mark their sense of the value of a man so +powerful for good or for evil, the government appointed him high sheriff +for the county of Carmarthen. He died universally respected, and left a +name which yet kindles many a Welsh heart, or amuses many a cottage +circle in the long nights of winter. + +His life has been published in an 8vo. volume, which was probably the +work to which the "Note" of "MELANION" referred. + +SELEUCUS. + + +_Cheshire Round_ (No. 24. p. 383.).--A dance so called, peculiar to the +county from whence it takes its name. The musical notes of the _Cheshire +Round_ may be seen in _The Dancing Master_, 1721, vol. i., and in Edward +Jones' _Cheshire Melodies_. It was sometimes danced "longways for as +many us will" (as described in _The Dancing Master_), but more +frequently by one person. A handbill of the time of William the Third +states, "In Bartholomew Fair, at the Coach-House on the Pav'd stones at +Hosier-Lane-End, you shall see a Black that dances the _Cheshire Rounds_ +to the admiration of all spectators." Michael Root and John Sleepe, two +clever caterers of "Bartlemy," also advertise "a little boy that dances +the _Cheshire Round_ to perfection." There is a portrait of Dogget the +celebrated comedian (said to be the only one extant, but query if it is +not Penkethman?), representing him dancing the _Cheshire Round_, with +the motto "_Ne sutor ultra crepidam_." + +EDWARD F. RIMBAULT. + + +_Horns to a River._--Why the poets give horns to rivers, must be sought +for in the poet's book, nature. I like the interpretation given by a +glance up some sinuous and shelving valley, where the mighty stream, +more than half lost to the eye, is only seen in one or two of its bolder +reaches, as it tosses itself here to the right, and there to the left, +to find a way for its mountain waters. + +The third question about horns I am not able to answer. It would be +interesting to know where your correspondent has found it in late Greek. + +J.E. + +Oxford, April 16. 1850. + + +_Horns._--For answer to the third Query of "L.C." (No. 24. p. 383.), I +subscribe the following, from Coleridge:-- + +"Having quoted the passage from Shakspeare, + + "'Take thou no scorn + To wear the horn, the lusty horn; + It was a crest ere thou wert born." + +_As You Like It_, Act iv. sc. 2. + +"I question (he says), whether there exists a parallel instance of a +phrase, that, like this of 'Horns,' is universal in all languages, and +yet for which no one has discovered even a plausible origin."--_Literary +Remains_, vol. i. p. 120. Pickering, 1849. + +ROBERT SNOW. + + +_Coal Brandy_ (No. 22. p. 352.).--This is only a contraction of "coaled +brandy," that is, "burnt brandy," and has no reference to the _purity_ +of the spirit. It was the "universal pectoral" of the last century; and +more than once I have seen it prepared by "good housewives" and +"croaking husbands" in the present, pretty much as directed in the +following prescription. It is only necessary to remark, that the +orthodox method of "coaling," or setting the brandy on fire, was +effected by dropping "a live coal" ("_gleed_") or red-hot cinder into +the brandy. This is copied from a leaf of paper, on the other side of +which are written, in the hand of John Nourse, the great publisher of +scientific books in his day, some errata in the first 8vo. edit. of +Simsons's Euclid, and hence may be referred to the year 1762. It was +written evidently by some {457} "dropper-in," who found "honest John" +suffering from a severe cold, and upon the first piece of paper that +came to hand. The writer's caligraphy bespeaks age, and the punctuation +and erasures show him to have been a literary man, and a careful though +stilted writer. It is not, however, a hand of which I find any other +exemplars amongst Nourse's correspondence. + + "Take two glasses of the best brandy, put them into a cup which + may stand over the fire; have two long wires, and put an ounce + of sugar-candy upon the wires, and set the brandy on fire. Let + it burn till it is put out by itself, and drink it before you go + to bed. + + "To make it more pectoral, take some rosemary and put it in the + brandy, infused for a whole day, before you burn it." + +This is the fundamental element of all the quack medicines for "coughs, +colds, catarrhs, and consumption," from Ford's "Balsam of Horehound" to +Dr. Solomon's "Balm of Gilead." + +T.S.D. + +Shooter's Hill, April 4. + + +_Howkey or Horkey_ (No. 17. p. 263.).--Does the following passage from +Sir Thomas Overbury's _Witty Descriptions of the Properties of sundry +Persons_, first published, I believe, in 1614, afford any clue to the +etymology of this word? It occurs in the description of a Frankling or +Yeoman:-- + + "He allows of honest pastime, and thinks not the bones of the + dead anything bruised or the worse for it, though the country + lasses dance in the church-yard after even-song. Rock-Monday, + and the wake in summer shrovings, the wakeful catches on + Christmas eve, _the hoky or seed-cake_, these he yearly keeps, + yet holds them no relics of Popery." + +As I have not the book by me, and am only quoting from an extract, I am +unable to give a more precise reference. + +E.R.J.H. + +Chancery Lane. + + +It may be possible further the purpose of the noble Querist as to the +word _Howkey_ or _Horkey_, if I state, that when in my boyhood I was +accustomed to hear this word, it was pronounced as if spelt _Hockey_. As +_Howkey_ I should not have recognised it, nor hardly as _Horkey_. + +AN EAST ANGLIAN. + + +_Hockey_, a game played by boys with a stick bent at the end, is very +likely derived from _hook_, an Anglo-Saxon word too. But we cannot +suppose that anything else was derived from that, and especially when we +come to words apparently more genuine than that. It seems natural to +connect them with a hock-tide, Hoch-zeit (German), and Heoh-tid (A.-S.), +a name given to more than one season when it was usual to have games and +festivities. Now surely this is nothing else than _high_ tide, a time of +some high feast; as we vulgarly say, "high days and holidays." So in the +Scripture, "that Sabbath day was a high day." So high Mass. We +Protestants have no conception of the close connection between the +superior sanctity and the superior jollity of a particular season. Among +the heathen Romans, _festicus_ is derived from _festus_.[3] We say high +romps, high jinks. + +See Wachter, who applies Hoch-zeit to Christmas, Easter, and +Whitsuntide, and says it may be derived either from high, or from +_Hogen_, "gaudere," which also see. He says that the lower Saxons "hodie +utuntur '_Höge_'" to mean "gaudium privatum et publicum convivale et +nuptiale." See also Hohen. See Lye, who has also heah, freols summa +festivitas, summum festum. + +Ihre (_Lex. Suio Goth._) says _Hugna_ is "to make glad." But in Hog-tid +he observes, that gladness is only the secondary meaning of +_Hogen_,--"_Hokanat_ vocabatur a Borealibus festum quod media hieme +celebrabatur;" and he shows that hawks were formerly sacrificed at it. + +C.B. + + [Footnote 3: Is not the derivation of "feast" and "fast" originally the + same? that which is appointed, connected with "_fas_," and that from + "_fari_."] + +_Howkey or Horkey_ (No. 17. p. 263.).--Is not this word simply a +corruption of _Hockey_? Vide under "Hock-cart," in _Brand's Antiquities_ +by Ellis, where the following quotation from _Poor Robin's Almanack_ for +1676 occurs:-- + + "_Hoacky_ is brought home with hallowing, + Boys with plum-cake the cart following." + +J.M.B. + + +_Luther's Portrait at Warwick Castle_ (No. 25. p. 400.).--The Portrait +by Holbein, in Warwick Castle, certainly erroneously stated to be that +of Luther, was, I believe, engraved as such in Knight's _Portrait +Gallery_, published by the Society for the Diffusion of Useful +Knowledge. I cannot find in any account of Helbein's works a mention of +a portrait of Luther by him. + +S.W. + + +_Symbolism of Flowers, etc._--In reference to works illustrative of +poetical, mythological, scriptural, and historical associations +connected with animals and plants, inquired for in No. 11. p. 173., many +a literary man must equally desire an interpreter,-- + + "T' unbind the charms that in slight fables lie, + And teach that truth is truest poesy." + +Yet, in the English language there is, I believe, no work of this +description; and I therefore beg leave to suggest, that your learned +correspondents may contribute to a very useful compilation by furnishing +illustrations, or references to illustrations, critical and poetical, +collected from the most valuable authors, ancient and modern; and that +this "sacred eloquence," {458} + + "Where'er 'tis found + On Christian or on heathen ground," + +if transplanted into learned pages, would to many readers, afford much +pleasure. Meanwhile, I would refer Querist to the useful work of +Camerarius on _Symbols and Emblems_. + + "Do thou, bright Phoebus, guide me luckily + To the first plant by some kind augury." + +The proverbial expression, "Under the rose," appears opportunely in p. +214, beautifully illustrated[4], but still deserving further +consideration. Schedius (_De Diis Gemanis_) and others have, with much +learning, shown Venus Urania to be the same as Isis Myrionyma. With +erudition not inferior, but in support of a peculiar theory, Gorop. +Bacanus maintains Harpocrates and Cupido, son of Venus Uranis, to be one +and the same hieroglyphical character. I shall now endeavour to explain +the symbolism and dedication of the Rose. This "flower of flowers" +adumbrates the highest faculty of human nature--_Reason_, and Silence, +or the rest of the reasoning powers, which is indicated by the Greek +term [Greek: epistaemae], _science_. (See Harris's _Philosoph. Arrang._ +p. 444., and _Hermes_, p. 369.). To whom, then, could the hieroglyphical +rose have been more appropriately dedicated than Harpocrates, who is +described with his finger pointing to his mouth--_tacito plenus +amore_--a proper emblem of that silence with which we ought to behave in +religious matters. + +T.J. + + [Footnote 4: Has "ARCHILAEUS" looked for these verses into the + _Rhodologia_ of Rosenbergius? I have in vain searched for them under + "Rosæ," in the _Amphitheatrum sapientiæ_ of Dornavius.] + + +"_Where England's Monarch_" (No. 26. p. 415.).--The two lines inquired +for are in Bramston's _Man of Taste_, a poem printed about the middle of +the last century. I need hardly add, that the poet was misinformed, it +being well known that Charles I., when brought to trial, refused to +plead or _to take off his hat_. + +There is an account of Duke of Marlborough's adventure with Barnard in +the _Gentleman's Magazine_, May 1758: but it may be the same as that in +the _Annual Register_. + +BRAYBROOKE + +April 27. + + +_Journeyman_ (No. 19. p. 309.).--"GOMER" may like to know that the old +labourers in North Essex still speak of a day's ploughing as a "_journey +at plough_." + +BRAYBROOKE. + + +_Sydenham or Tidenham._--I have no doubt as to Sydenham, included in the +inquiry respecting Cromwell's Estates (No. 24. p. 389.), being +_Tidenham_; for this manor, the property of the Marquis of Worcester, +was possessed by Cromwell; and, among my title deeds connected with this +parish, I have Court Rolls _in Cromwell's name_ both for _Tidenham_ +itself and for _Beachley_, a mesne manor within it. + +These manors, which were inherited from the Herberts by the Somersets, +were taken out of the former Marches by the statute 27 Hen. VIII. cap. +26. § 13., and annexed, together with _Woolaston_, similarly +circumstanced, to the country of Gloucester and to the hundred of +Westbury; of which hundred, in a legal sense, they still continue a +part. + +GEO. ORMEROD. + +Sedbury Park, Chepstow, April 18. 1850. + + +_J.B.'s Treatise on Nature and Art_ (No. 25. p. 401.).--The book to +which your correspondent "M." refers, is, I believe, "_The Mysteries of +Nature and Art, in Foure severall Parts: The First of Water Works,--the +Second of Fire Works, &c., &c. By John Bate_." + +I have the second edition, 1635; to which is prefixed a rude engraving +of the author:--"Vera effigies Johannis Bate, memoria manet, modo +permaneant studium et industria." + +HERMES. + + +"_A Frog he would a-wooing go_."--In answer to the inquiry of "B.G.J." +(in No. 25, p. 401.), as to the origin of "'Heigh ho!' says Rowley," I +do not think it is older that thirty of thirty-five years, when Liston +sang an altered version of the very old song,-- + + "A frog, he would a-wooing ride, + With sword and buckler by his side," + +and instead of the usual chorus[5], inserted + + "Heigho, says Rowley," + +as burthen. Liston's song was published by Goulding and Co., Soho +Square, entitled "The Love-sick Frog," with an original air by C.E.H., +Esq. (_qy._ Charles Edward Horn?), and an accompaniment by Thomas Cook. +The first verse is as follows:-- + + "A frog he would a-wooing go; + 'Heigh ho!' says Rowley; + Whether his mother would let him or no, + With a rowly, powly, + Gammon and spinach, + 'Heigh!' and Anthony Rowley," + +R.S.S. + +April 23. 1850. + + [Footnote 5: In my interleaved copy of Halliwell's _Nursery Rhymes_, I + have the original song of the "Frog and Mouse" with three different + melodies, and _nonsense_ burthens, as sung by my excellent nurse, Betty + Richens, whose name I hope to see immortalised in your pages.] + + +"_My Love and I for kisses played, &c._" (No. 19. p. 302.).--The little +_jeu d'esprit_ which "Dr. RIMBAULT" {459} has given from Paget's _Common +Place Book_:-- + + "My love and I for kisses play'd," + +occurs in the MS. volume from which James Boswell extracted +"Shakspeare's Verses on the King," but with a much better reading of the +last couplet:-- + + "Nay then, quoth shee, is this your wrangling vaine? + Give mee my stakes, take your own stakes againe." + +They are entitled, "Upon a Lover and his Mistris playing for Kisses," +and are there without any name or signature. They remind us of Lilly's +very elegant "Cupid and Campaspe." + +The ballad, or rather ode, as Drayton himself entitles it:-- + + "Fair stood the wind for France," + +is to be found in the very rare volume with the following title, _Poemes +Lyrick and Pastorall, Odes, Eglogs, The Man in the Moon, by Michael +Drayton, Esquire_. At London, printed by R.B. for N.L. and J. Flaskett. +12mo. (No date, but circa 1600.) + +I think the odes are given in the other volumes of the early editions of +Drayton's _Miscellaneous Poems_; but I speak without book, my collection +being in the country. + +The selection from Herrick, noticed by Mr. Milner Barry, was made by Dr. +Nott of Bristol, whose initials, J.N., are on the title page. "The head +and front of my offending" is the Preface of Mr. Pickering's neat +edition of Herrick in 1846. + +S.W.S. + +March 12. 1850. + + ["O.E." informs us that these pretty lines form No. CCXXXIX. of + _A Collection of Epigrams. London. Printed for J. Walthoe_, + 1727, and of which a second volume was published in 1737; and + "J.B.M." adds, that they are also to be found in the + _Encyclopædia of Wit_, published about half a century since.] + + +_Teneber Wednesday._--In Hall's _Chronicle_, under the date of 23rd Hen. +VIII., is this passage: + + "When Ester began to draw nere, the Parliament for that tyme + ended, and was proroged till the last day of Marche, in the next + yere. In the Parliament aforesayde was an Acte made that + whosoeuer dyd poyson any persone, shoulde be boyled in hote + water to the death; which Acte was made bicause one Richard + Roose, int the Parliament tyme, had poysoned dyuers persons at + the Bishop of Rochester's place, which Richard, according to the + same Acte, was boyled in Smythfelde the _Teneber-Wednysday_ + following, to the terrible example of all other." + +I conjecture that Teneber Wednesday is the Wednesday next before Easter, +of "Feria quarta majoris Hebdomadao," and that the name is derived form +the Gospel for that day according to the ritual of the Church of Rome. + + "Erat autem fere hora sexta, et _tenèbroe_ factoe sunt in + universam terram usque in horam nonam. Et obscuratus est sol: et + velum templi seissum est medium."--Luke, xxiii. 44, 45. + +Should this conjecture be ill founded, I shall be glad to see it +corrected; at any rate, I shall be obliged if any of your correspondents +can supply other instances of the use of the term, or state what are or +were the ceremonies peculiar to the day. + +C.H. COOPER + +Cambridge, April 4. 1850. + +P.S. Since the above was written, I have noticed that "_Tenable +Wednesday_" occurs three times in the Ordinance for "weshing of all +mannar of Lynnon belonging to my Lordes Chapell" in the Northumberland +Household Book (pp. 243, 244.). In each instance it is placed between +Lady Day and Easter Even. + + [If our correspondent refers to Mr. Hampson's most useful work, + _Medii ævi Kalendarium_, vol. i. p. 370., to the words + _Tenables, Tenabulles, Tenebræ_, he will find them explained + "The three nights before Easter;" and the following among other + illustrations:-- + + "Worshipfull frendis, ye shall cum to holi chirch on Wednysday, + Thursday, and Friday at even for to here dyvyne service, as + commendable custom of holi chirch has ordeyned. And holi chirch + useth the iij dayes, Wednysday, Thursday, and Friday, the + service to be saide in the eventyde in derkenes. And hit is + called with divers men _Tenables_, but holi chirch _Tenebras_, + as _Raccionale Divinorum_ seth, that is to say, thieness or + derkenes, to commemorate the betrayal of our Lord by + night."--_Harl. MS._ 2247. fo. 83.] + + +_The Buckingham Motto._--Permit me to suggest that your correspondents +"S." and "P." (No. 18. pp. 283, 284.) are labouring under a mistaken +notion in supposing that the line + + _Sovente me sorene_, + +belongs to the French idiom, and answers to our phrase "Forget me not." +Such a sentiment would be sufficiently appropriate as the parting prayer +or injunction of a lover, but does not possess the essential +characteristic of a _motto_, which one selects for the purpose of +declaring his own sentiments of conduct towards _others_, not to +deprecate or direct those of others towards _himself_. + +The language employed is, in part, pure Italian, not antiquated, but +exactly such as is spoken by persons of education at the present day; +and if "S." would again examine the original MS., I make no doubt that +he would find the line written _Sovente mi sooviene (sovene)_, i.e. with +the personal pronoun in the dative instead of the accusative case. The +expression _mi souviene_ is equivalent to _mi ricordo_, but is a more +elegant form that the latter; and the meaning of the motto will be "I +seldom forget,"--a pithy and suggestive sentence, implying as much the +memory of a wrong to be avenged as of a favour to be required. + +A. RICH, JUN. {460} + + +_Larig._--I am obliged by the suggestions of your correspondents "B.W." +and "C.I.R." (No. 24. p. 387.), to which I beg leave to offer the +following reply. The Dutch and Flemish (or Netherlandish, as they may be +considered one language until the fifteenth century) _Le'er_ and _Le'ar_ +are simply contractions of _Leder_, as Tenkate observes, _euphonis +gratia_, by the omission of the _d_, which takes place in other similar +words; and what is remarkable in _Ledig_, empty, which becomes _Le'eg_. +_Le'erig_ is of course _leathery_, or _tough_; but _Lederen_ or +_Le'ersen_, would be used for _made_ of _leather_, and in A.-S., most +probably [A-S: hydig]. We have no such contraction in A.-S.: it is +always [A-S: Leðer] and [A-S: Leðern]. The epithet, _leathery_-shields, +could hardly have been used where they are said to _resound_; and the +instance of _vaulted_ shields in Judith is, I think, conclusive. The +root of _Leder_ is possibly _hlid-an_, to cover HIDE? That of _Leer_ +possibly _lieren_, amittere, privari? + +I should have noted the instances of the word from Junius and Schilter, +which were not unknown to me, but for brevity's sake; and indeed I had +not Urry's _Chaucer_ at hand to verify the reference of Junius to the +Tale of Beryn, the only valuable portion of Urry's book. I knew that a +simple reference to the O.H.G. Lâri would be sufficient for Dr. Grimm. + +Thorkelin, in his very incorrect edition of Beowulf, has followed Lye, +in rendering _Lind haebbende_, Vexilla habens; and Haldorsen's +explanation of _Lind_ might have taught him better. Mr. Kemble has +rendered it _shield-bearers_, and gives instances in his Glossary of +similar combinations, as _rond-haebbendra_, _bord-haebbende_, +_scaro-haebbendra_. + +S.W. SINGER. + +April 15. 1850. + + +_Zenobia a Jewess?_ (No. 24. p. 383.)-- + + "To conclude what I have to say of this princess, I shall add + here, after M. de Tillemont, that St. Athanasius _took her to be + a Jewess_, meaning, without doubt, _in respect of her religion_; + and that, according to Theodoret, it was to please her that Paul + of Samosata, whom she patronised, professed opinions very like + those of the Jews concerning the person of Jesus Christ, saying + that he was only a mere man, who had nothing in his nature + superior to other men, nor was distinguished from them any + otherwise than by a more abundant participation of the divine + grace."--Crevier, _Hist. of Rom. Emperors_, Book 27. "Aurelian," + vol. ix. p. 174. + +M. Crevier refers to "Tillem. Aur. art. 5." + +C. FORBES + +Temple, April 16. + + +_Temple Stanyan._--The following notices, relating to _one_ Temple +Stanyan may interest your correspondent "A.G." (No. 24 p. 382.). + + "1725. March 23. Died Mrs. ---- Stanyan, wife of Temple Stanyan, + Esq., one of the Chief Clerks in the office of Secretary of + State."--_Historical Register._ + + "1726. April 28. Temple Stanyan, Esq., one of the Clerks of His + Majesty's most Hon. Privy Council, married to Mrs. + Pauncefort."--Ibid. + +There is a monument in one of the churches at Southampton,-- + + "To the Memory of Catharine, Relict of Admiral Sir Charles + Hardy, and only daughter of Temple Staynian, Esq., of Rawlins in + co. Oxon. She died Feb. 19. 1801, aged 75 years. This monument + was erected by her only surviving son, Temple Hardy, Captain in + His Majesty's Navy." + +Edward Pauncefort, Esq., was one of the executors of Sir Charles Hardy's +will, proved in Doctors' Commons, 10th June, 1780. + +W.H. + + +_Temple Stanyan_ wrote a History of Greece, 1751, which was common when +I was at school, and another book, as Watts says. If the question is +biographical, I can say nothing. + +C.B. + + +_Temple Stanyan_ (No. 24. p. 382.).--He also published an _Account of +Switzerland_, 8vo. London, 1714. + +M. + + +_"Who was Temple Stanyan?"_ (no. 24. p. 382.) Temple Stanyan was the son +of Abraham Stanyan, Esq., a Member of the Kit Kat Club, M.P. for +Buckingham, Ambassador to the Porte, a Lord of the Admiralty, etc. Mr. +Temple Stanyan was himself also Minister at Constantinople, and at +several other courts; and afterwards Under-Secretary of State under both +Addison and the Duke of Newcastle. He published in 1714 an Account of +Switzerland; and his Grecian history in 2 vols. was, till the +publication of Mitford's, the best in our language. I believe that his +daughter married Adm. Sir Charles Hardy. He died in 1752. + +C. + + +_Auctorite de Dibil_ (no. 25. p. 205.).--Probably an error of +transcription; read _Auctorite de Bibil_. + +J.M.B. + + +_The Bristol Riots_ (No. 22. p. 352.).--"J.B.M." is informed, that the +volume to which he alludes is generally considered by Bristolians as the +most authentic and fullest narrative that was published of those +disgraceful scenes. + +J.M.G. + +Worcester. + + +_Religious Tract by F.H._ (No. 25. p. 400.)--The author of the religious +tract which has fallen into the hands of "J.C." is no doubt one of the +early Quakers, and probably Francis Howgill. Howgill was originally a +clergyman of the Church of England, but afterwards became a Baptist, and +in the year 1652 joined the early Quakers, upon hearing the preaching of +George Fox. His works were published in folio, in 1676, by Ellis Hookes. + +[Greek: Theta]. {461} + + +_Complutensian MSS._--"E.M.B." (No. 25. p. 402.) will find full answers +to his Queries, and more interesting information on the same subject, in +a note in vol iv. p. 235. of Don Pedro Saban's Spanish translation of +Prescott's _Ferdinand and Isabella_. Madrid, 1846. + +I am told by an American gentleman, who has seen the MSS. within a month +in the library of the University of Madrid, wither they were removed +from Alcala in 1837, that the Chaldaic and Hebrew manuscripts are all +originals, and on parchment. The only MSS. of Zamora among them are 3 +vols. in Latin, translated from the Hebrew. + +The Greek MSS., or some of them, are still with the collection as above; +and of course were not returned to the Vatican. + +H.S. + +Morley's Hotel, April 28. + + +_Tablet to Napoleon_ (No. 17. p. 263., No. 25. p. 406.).--"C.I.R.'s" +interpretation can hardly be admitted. The true meaning will be best +exhibited by the following form:-- + + "Napoleoni, + Ægyptiaco, + Bis Italico, + Semper Invicto." + +_Bis Italico_ alludes to his twice conquering Italy, viz., in his first +campaign, and again in that of Marengo. + +C. + + +_Malone's Blunder_ (No. 25. p. 403.).--"Mr. BOLTON CORNEY," in his +answer on this subject, says very justly, that "before we censure a +writer, we should consult his own edition." He has, however, not +followed this excellent principle in this case, for he has certainly not +looked at the Irish edition of Malone, on which the question arises. He +has repeated what I had already stated (No. 24. p. 386.), that the +mistake was _not_ a blunder of _Malone's_; and he has also pointed out, +what had escaped me, Malone's supplemental note containing the first +_three_ articles of the pretended will of _John_ Shakspeare: but when he +adds that there is "_no fabrication_" and "_no mystery_" in the case, +and that "the blunder of the Irish editor was merely in attempting to +_unite the two fragments_ as published by Malone," it is quite clear +that he has not seen the edition in question, and has, I think, mistaken +the whole affair. The Irish editor did _not_ attempt to unite Malone's +fragments--quite the contrary--he left Malone's first fragment as he +found it; but he took the second fragment, namely, the exordium of the +pretended will of _John_ Shakspeare, and substituted it _bodily_ as the +exordium of the will of _William_ Shakspeare, suppressing altogether the +real exordium of the latter. So that this Irish will begins, "I, _John_ +Shakspeare," &c., and ends, "by me, _William_ Shakspeare." I have no +doubt that the will of John Shakspeare is a forgery altogether; but the +taking three paragraphs of it, and substituting them for the two first +paragraphs of _William_ Shakspeare's genuine will, is what I call, and +what no doubt "Mr. BOLTON CORNEY" will think, on this explanation of the +facts, "an audacious fabrication." The best guess I can make as to how, +or with what design, the Irish editor should have perpetrated so +complicated, and yet so manifest a blunder, is this:--Malone printed the +fragment in question at the end of his volume, amongst his "Emendations +and additions," as belonging to "_the will before printed_," meaning the +forged will of _John_ Shakspeare, but that the Irish editor understood +him to mean the genuine will of _William_ Shakspeare; and so thought +that he was only restoring the latter to its integrity: but how he could +have overlooked the difference of names, and the want of continuity in +the meaning of the documents, is still to me utterly incomprehensible. + +C. + + +_Theses._--Perhaps it may assist your correspondent "M." (No. 25. p. +401.) to be informed that the University of Göttingen is particularly +rich in "_Theses_" (termed _Disputationes et Dissertationes_), to which +there is a large room entirely devoted in the library of that +university; together with the transactions of learned bodies. A special +librarian is attached to this department, which is much consulted. A +Catalogue was begun to be published of this collection, so far as +respects the _Memoirs_ contained in the various transactions, in 1801, +by J.D. Reuss; and 16 vols. in 4to. had appeared up to 1821; after +which, I believe, the publication has been suspended. Of Catalogues of +Theses, I think the following work is in good esteem:--_Dissert. Acad. +Upsal. habitæ sub Præsid. C.P. Thunberg_, 3 tom. 8vo. Götting. +1799-1801. The second part of vol. ii. in the _Catalogus Bibliothecæ +Thottiauæ_ (7 vol. 8vo. Fauniæ, 1789-1795.) contains a catalogue, which +it might be well to consult, of dissertations under the name of the +president or head of the institution or college where they were +delivered, than under the writer's name. At least, in a _collective_ +sense the former method is adopted, as in the following instance: +Schultens, (Alb.) _Sylloge Dissertationem Philologico-Eregeticarum, +adiversis Auctoribus Editarum, sub Præsidio A. Schultens, etc._, 2 tom.: +although, if the author should happen to be distinguished for his other +productions, _all_ that he wrote is anxiously sought out, and placed +under his own name. + +J.M. + +Oxford, April 24. + + ["M." may also be referred to the _Catalogus Dissertationum + Academicarum quibusnsuper aucta est Bibliotheca Bodleiana_. A + quarto volume, printed at the Oxford University Press in 1834.] + + +_MSS. of Locke_ (No. 25. p. 401.).--"C." is informed {462} that Dr. +Thomas Hancock died at Lisburn, in Ireland, during the past year. The +papers of Locke respecting which he inquires are probably still in the +possession of Dr. H.'s son. + +[Greek: Theta] + + * * * * * + + +MISCELLANIES. + +_Spur Money._--Although I used often, twenty years ago, when a chorister +at the Chapel Royal, to take part in levying a fine on all who entered +that place with spurs on, I was not aware of its origin till I saw it +explained in your interesting publication (No. 23. p. 374.). There was a +custom however, connected with this impost, the origin of which I should +be glad to learn. After the claim was made, the person from whom it was +sought to be exacted had the power to summon the youngest chorister +before him, and request him to "repeat his gamut," and if he failed, the +spur-bearer was entitled to exemption. + +E.J.H. + + +_Spur Money._--I beg to offer the following humble illustration of +spur-money, which I copied from the belfry wall of All Saints Church at +Hastings:-- + + 1. + "This is a belfry that is free + For all those that civil be: + And if you please to chime or ring, + It is a very pleasant thing. + + 2. + "There is no musick play'd or sung, + Like unto bells when they're well rung: + Then right your bells well, if you can-- + Silence is best for every man. + + 3. + "But if you ring in _spur or hat_, + Sixpence you pay--be sure of that: + And if a bell you overthrow, + Pray pay a groat before you go." + +(dated) 1756. + +ALFRED GATTY. + +Ecclesfield, April 6. 1850. + + +_Note Books._--Looking at what your correspondent says about "Note +Books," I think the following hint may be useful to others, as it has +been to myself. Many persons never get so far as the formality of a +common-place book, and do not like to write in their books. Let them +follow my plan. The envelope maker will procure them any number of +little slips of white paper, with a touch of isinglass at each of the +four corners. Let the note be written on one of these, and then let the +slip be stuck into any book which is sure to be wanted in connection +with the subject when it comes up again; either by one, two, or four +corners, as convenient. The isinglass will not hurt the book, if ever it +be wanted to remove the slip. A note is more in the way, when attached +to a book which suggested it, than when buried among unindexed +miscellanies; and there are few who index themselves. Your motto is good +as far as it goes; but the other half is wanting:-- + + "When made a note of,--find if you can." + +M. + + * * * * * + +LADY RACHAEL RUSSELL. + +Mr. Dyce has admitted Lady Rachael Russell among his _British Poetesses_ +on account of the following verses:-- + + TO THE MEMORY OF HER HUSBAND. + + "Right noble twice, by virtue and by birth, + Of Heaven lov'd, and honour'd on the earth; + His country's hope, his kindred's chief delight, + My husband dear, more than this world's light, + Death hath me reft. But I from death will take + His memory, to whom this tomb I make. + John was his name (ah, was! wretch must I say), + Lord Russell once, now my tear-thirsty clay." + +Now "John" was not the Christian name of William Lord Russell, so that +these verses could not have come from his widow's pen. Indeed, they are +much older than Lady Rachael's time, and may be found on the monument in +Westminster Abbey erected by Lady Russell, in the reign of Queen +Elizabeth, to John Lord Russell, who died in 1584. + +P. CUNNINGHAM. + + * * * * * + +_Byron and Tacitus_ (No. 20. p. 390.).--To your young friend, who +honestly signs himself "A SCHOOLBOY," let an older correspondent say, +that he will do more wisely to let the rules of his teachers keep him +from perusing an author who makes a mock of all moral and all honourable +feelings. But if he wishes to know whether the introduction of the +sentence from Tacitus into a poetical tale should be called "cabbaging," +the reply will properly be, No. The poet expected that the well-known +figure, which he had thus thrown into verse, would be immediately +recognised by every literary reader, and that the recognition would give +pleasure. He was trying his hand at a task of which it has been affirmed +by a master, that _Difficile est proprie communia dicere_. The Schoolboy +knows where to find these words; and I hope that he also knows where to +find the words of one who speaks with greater authority, and has said +most kindly, "Cease, my son, to hear [read] the instruction that causeth +to err." + +H.W. + + +_Aboriginal Chambers near Tilbury._--It is proposed to descend some of +the aboriginal chambers alluded to by Camden, near Tilbury in Essex. In +consequence, however, of Camden having named a wrong parish, later +antiquaries have been puzzled to ascertain their precise whereabouts. +Mr. Crafter, in 1848, after many days' labour, found them out; and a +brief notice of them was given {463} in an article upon "Primæval +Britain" in the _West Kent Almanack for_ 1849. Hasted mentions similar +pits in Crayford Parish, Kent. In Dartford parish is another called "the +Sound Hole," from the echoes, &c., made upon a stone being thrown down. +Mr. S. Laudale intends an examination of it this summer. Tradition +reports that there are three enormous caverns, which communicate with +the central shaft. + +How, or what, is the best way of driving the foul air out of those +chambers which are aloof from the central shaft? + +[Greek: Delta] + + +_Sir R. Haigh's Letter-Book._--A few days ago, Messrs. Puttick and +Simpson sold a very important manuscript, the original letter-book of +Sir R. Haigh, of Lancashire, of the time of Charles II. It fetched 51l., +being bought by a collector whose name has not transpired; but perhaps +this notice, if you kindly insert it, may induce the purchaser to edit +it for the Chetham Society, to whose publications it would for a most +valuable addition. + +R. + + +_A Phonetic Peculiarity._--I venture to note as a very curious phonetic +peculiarity, that we have in the English language a large number of +monosyllabic words ending is _sh_, all of which are expressive of some +violet action or emotion. I quote a few which have occurred without +search, in alphabetical order. "Brush, brash, crash, crush, dash, gash, +gush, hash, gnash, lash, mash, pash, push, quash, rush, slash, smash, +squash, thrash." + +J.M.B. + + * * * * * + + +MISCELLANEOUS. + +NOTES ON BOOKS, CATALOGUES, SALES, ETC. + +At the late Annual Meeting of the Shakespeare Society it was announced +that a complete collection of the works of Thomas Heywood had been +determined upon, and the first volume containing six plays was laid upon +the table. It was also shown that Mr. Collier's _Essay on the Chandos +Portrait_ had only been delayed from a desire to obtain the most novel +and accurate information. + +The members of the Percy Society will be glad to hear, that at the +Annual Meeting on the 1st instant, the immediate publication of the +third volume of Mr. Wright's edition of the _Canterbury Tales_ was +announced. + +The plan for the _restoration of Chaucer's tomb_ in Poet's Corner has at +length assumed a practical shape. It has been ascertained that less than +100l. will do every thing that can be desired to repair the ravages of +time, and preserve the monument for centuries to come. It is proposed to +raise this sum by subscriptions of five shillings, that more may share +in the good work; and a committee has been formed to carry out this +scheme, which has already received the sanction of the Earl of Carlisle, +the Earl of Ellesmere, Lord Braybrooke, Mr. Charles Wynn, and other +distinguished lovers of literature. Subscriptions are received by every +member of the committee, and parties resident in the country may remit +them by post-office orders payable at Charing Cross in favour of William +Richard Drake, Esq., F.S.A., of 46. Parliament Street, the Honorary +Treasurer; or of William J. Thoms, Esq., the Honorary Secretary of the +Committee. + +The Annual Meeting of the Camden Society on the 2d instant, under the +Presidentship of Lord Braybrooke, gave general satisfaction. The council +reported the publication during the past year of the _Peterborough +Chronicle_; the _Letters of Elizabeth and James VI._; and the _Chronicle +of Queen Jane_. This last volume was then only on the eve of +circulation; it has since been issued, and found to justify the +announcement of the council that it is work of great historical value, +and an interesting companion to _Machyn's Diary_. + +We have received the following Catalogues:--James Darling's (21. Little +Queen Street, Lincoln's Inn Fields) Catalogue of Books Old and New, +Theological and Miscellaneous, and Andrew Clark's (4. City Road) +Catalogue, No. 8., of Books in English and Foreign Theology, Literature, +Roman Catholic Controversy, Classics, &c. + + * * * * * + +BOOKS AND ODD VOLUMES + +WANTED TO PURCHASE. + +(_In continuation of Lists in former Nos._) + +THE ANTI-JACOBIN. + +ROCCHA DE CAMPANIS. + +_Odd Volumes_. + +THE SPIRIT OF THE PUBLIC JOURNALS, Vol I. 1797. + +CALENDAR OF HARLEIAN MSS., Vol. IV. + + * * * * * + +NOTICES TO CORRESPONDENTS. + +COMPLETION OF OUR FIRST VOLUME.--_Two more numbers will complete our +First Volume, to which a very full Index is preparing. A Second Volume, +of the same size, will be completed at the end of December, and we shall +then be enabled to judge how far it will be desirable to adopt the +system of Half-Yearly or Yearly volumes._ + +_Our readers will find the present and two following Numbers principally +occupied with_ REPLIES, _as it is obviously desirable that they should, +as far as possible, appear in the same volume as the_ QUERIES _to which +they refer._ + +COLLAR OF SS. _This subject shall be brought forward early in the next +volume._ + +E.S.T. _Thanks._ The Query and Folk Lore _shall appear as soon as +possible_. + +W.M.T. _is also thanked. It can scarcely be necessary to assure him, +that had we known what he has so kindly informed us, the article he +alludes to would not have been inserted, nay, we are sure we may add, +that the friend who sent it would never have handed it to us for +publication_. + + * * * * * {464} + +On the 30th of APRIL, 1850, was published, by CHARLES KNIGHT, + +PART I. OF + +THE IMPERIAL CYCLOPÆDIA; + +To be continued in Monthly Parts, price Half-a-Crown, Super-royal 8vo. + +The Work now announced is the commencement of a NEW SERIES OF +CYCLOPÆDIAS, FOUNDED UPON THE VAST TREASURY OF ORIGINAL MATERIALS IN +"THE PENNY CYCLOPÆDIA." + +The publication commences with + +THE GEOGRAPHY OF THE BRITISH EMPIRE; + +To form Two Volumes, with Steel Engravings and numerous Coloured Maps; +And to be completed in Twelve Monthly Parts, at Half-a-Crown. + +"The Part now before us is the commencement of the 'Cyclopædia of +Geography.' The articles which appear in the present number convey a +large amount of useful information in a compact and intelligent form. +They are evidently the productions of competent writers, well acquainted +with the present state of geographical science. The Maps are beautifully +distinct. Fulness, compactness, and clearness--the great requisites of a +Cyclopædia--are here combined in a high degree."--_The Athenæum_, No. +1175. + +"The Part before us promises well. Books published subsequently to the +'Penny Cyclopædia' have been consulted, to bring down the information to +the latest date; and many contributions from local residents of places +in this country enrich particular articles with full knowledge."--_The +Spectator_, No. 1140. + +LONDON: CHARLES KNIGHT, FLEET STREET. + + * * * * * + +Now ready, containing 149 Plates, royal 8vo. 28s.; folio, 2l. 5s.; India +Paper, 4l. 4s. + +THE MONUMENTAL BRASSES of ENGLAND: a Series of Engravings upon Wood, +from every variety of these interesting and valuable Memorials, +accompanied with Descriptive Notices. + +By the Rev. C. FOUTELL, M.A. Rector of Downham Market. Part XII, +completing the work, price 7s. 6d.; folio, 12s.; India paper, 24s. + +By the same Author, royal 8vo. 15s.; large paper, 21s. + +MONUMENTAL BRASSES and SLABS: an Historical and Descriptive Notice of +the Incised Monumental Memorials of the Middle Ages. With upward of 200 +Engravings. + +"A Handsome large octavo volume, abundantly supplied with well-engraved +woodcuts and lithographic plates; a sort of Encyclopædia for ready +reference.... The whole work has a look of painstaking completeness +highly commendable."--_Athenæum_. + +"One of the most beautifully got up and interesting volumes we have seen +for a long time. It gives in the compass of one volume an account of the +History of those beautiful monuments of former days ... The +illustrations are extremely well chosen."--_English Churchman._ + +A few copies of this work remain for sale; and, as it will not be +reprinted in the same form and at the same price, the remaining copies +are raised in price. Early application for the Large Paper Edition is +necessary. + +By the same Author, to be completed in Four Parts, CHRISTIAN MONUMENTS +in ENGLAND and WALES: an Historical and Descriptive Sketch of the +various classes of Monumenta Memorials which have been in use in this +country from about the time of the Norman Conquest. Profusely +illustrated with Wood Engravings. Part I. price 7s. 6d.; Part II. 2s. +6d. + +"A well conceived and executed work."--_Ecclesiologist._ + + * * * * * + +MATERIALS for making RUBBINGS of MONUMENTAL BRASSES and other Incised +Works of Art. + +Heel Ball, in cakes, at 3d. and 1s. each. + +Also, RICHARDSON'S METALLIC RUBBER, in cakes price 1s. l6d.; Double +cakes, 2s. 6d. + + * * * * * + +THE ROMANCE of the PEERAGE; or, Curiosities of Family History. by GEORGE +LILLIE CRAIK. Vols. I. II. and III. Post 8vo., cloth, 10s. 6d. each. + +"A book of strange facts."--_Atlas._ + +"Great industry and minute research are apparent in almost every page. +Mr. Craik happily unites excellence of style with patient +erudition."--_Morning Chronicle._ + +"For our own parts, let us at once say, that Mr. Craik's design appears +to us an extremely good one, and that we are glad to see it in competent +hands. It is precisely that kind of book to which scrupulous care and +diligent labour were essential; and in this respect we cannot speak too +highly of the volume lying on our table."--_Examiner._ + +Volume IV., completing the work, is in the press. + +London: CHAPMAN and HALL, 186. Strand. + + * * * * * + +CUT AND COME AGAIN! + +TO HISTORIANS, ANTIQUARIES, and COUNTY COLLECTORS.--Highly interesting +and curious Biographical, Antiquarian, and Topographical CUTTINGS FROM +OLD NEWSPAPERS, MAGAZINES, REGISTERS, &c., may be had at the Little +Bookshop, 26 Red Lion Street, Holborn. + +N.B. Every Cutting is correctly and distinctly dated. + + * * * * * + +Just published, WILLIAMS and NORGATE'S CATALOGUE of GERMAN THEOLOGICAL +BOOKS; including the WORKS of NEANDER, THOLUCK, NITZSCH, JULIUS MULLER, +KRUMMACHER, DORNER, HENGSTENBERG, EWALD, HARLESS, LANGE, UMBRIET, STIER, +OLSHAUSEN, SCHLEIERMACHER, &c., EDITIONS of the BIBLE, the WORKS of the +FATHERS and REFORMERS, &c. &c. Gratis (two stamps). + +14. Henrietta Street, Covent Garden. + + * * * * * + +THE PRIMÆVAL ANTIQUITIES OF ENGLAND ILLUSTRATED BY THOSE OF DENMARK. + +THE PRIMÆVAL ANTIQUITIES OF DENMARK. By J.J.A. WORSAAE, Member of the +Royal Society of Antiquaries of Copenhagen. Translated and applied to +the illustrations of similar Remains in England, by WILLIAM J. THOMS, +F.S.A., Secretary of the Camden Society. With numerous Woodcuts. 8vo. +10s. 6d. + +"The best antiquarian handbook we have ever met with--so clear is its +arrangement, and so well and so plainly is each subject illustrated by +well-executed engravings.... It is the joint production of two men who +have already distinguished themselves as authors and antiquarians."-- +_Morning Herald._ + +"A book of remarkable interest and ability.... Mr. Worsaae's book is in +all ways a valuable addition to our literature.... Mr. Thoms has +executed the translation in flowing and idiomatic English, and has +appended many curious and interesting notes and observations of his +own."--_Guardian._ + +See also the _Gentleman's Magazine_ for February 1850. + +Oxford: JOHN HENRY PARKER, and 337. Strand, London. + + * * * * * + +Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at No. 5. New +Street Square, in the Parish of St. Bride, in the City of London; and +published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St. +Dunstan in the West, and in the City of London, Publisher, at No. 186. +Fleet Street aforesaid.--Saturday, May 11. 1850. + + + + + +End of the Project Gutenberg EBook of Notes and Queries, No. 28. Saturday, +May 11, 1850, by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES *** + +***** This file should be named 13684-8.txt or 13684-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/3/6/8/13684/ + +Produced by The Internet Library of Early Journals, Jon Ingram, David +King, and the Online Distributed Proofreading Team + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +*** END: FULL LICENSE *** + |