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diff --git a/13684-h/13684-h.htm b/13684-h/13684-h.htm new file mode 100644 index 0000000..0188274 --- /dev/null +++ b/13684-h/13684-h.htm @@ -0,0 +1,1986 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml"> +<head> +<meta name="generator" content= +"HTML Tidy for Windows (vers 1st March 2004), see www.w3.org" /> +<meta http-equiv="Content-Type" content= +"text/html; charset=UTF-8" /> +<title>Notes And Queries, Issue 28.</title> + +<style type="text/css"> + + /*<![CDATA[*/ + <!-- + body {margin-left: 10%; margin-right: 10%;} + p {text-align: justify;} + blockquote {text-align: justify;} + h1,h2,h3,h4,h5,h6 {text-align: center;} + pre {font-size: 0.7em;} + + hr {text-align: center; width: 50%;} + html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;} + hr.full {width: 100%;} + html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;} + hr.adverts {width: 100%; height: 5px; color: black;} + html>body hr.adverts {margin-right: 0%; margin-left: 0%; width: 100%;} + hr.short {text-align: center; width: 20%;} + html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;} + + + .note, .footnote {margin-left: 10%; margin-right: 10%; + font-size: 0.9em;} + + .poem {margin-left:10%; margin-right:10%; + text-align: left;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem p {margin: 0; padding-left: 3em; text-indent: -3em;} + .poem p.i2 {margin-left: 2em;} + .poem p.i4 {margin-left: 4em;} + .poem p.i6 {margin-left: 6em;} + .poem p.i8 {margin-left: 8em;} + .poem p.i10 {margin-left: 10em;} + .poem .caesura {vertical-align: -200%;} + + span.pagenum {position: absolute; left: 1%; right: 91%; + font-size: 8pt;} + + p.author {text-align: right;} + --> + /*]]>*/ +</style> +</head> +<body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 13684 ***</div> + +<span class="pagenum"><a id="page449" name= +"page449"></a>{449}</span> +<h1>NOTES AND QUERIES:</h1> +<h2>A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS, +ANTIQUARIES, GENEALOGISTS, ETC.</h2> +<hr /> +<h3><b>"When found, make a note of."</b>—CAPTAIN CUTTLE.</h3> +<hr class="full" /> +<table summary="masthead" width="100%"> +<tr> +<td align="left" width="25%"><b>No. 28.</b></td> +<td align="center" width="50%"><b>SATURDAY, MAY 11, 1850</b></td> +<td align="right" width="25%"><b>Price Threepence.<br /> +Stamped Edition 4d.</b></td> +</tr> +</table> +<hr class="full" /> +<h2>CONTENTS.</h2> +<table summary="Contents" align="center"> +<tr> +<td align="left">NOTES:—</td> +<td align="right">Page</td> +</tr> +<tr> +<td align="left">Etymology of Penniel</td> +<td align="right"><a href="#page449">449</a></td> +</tr> +<tr> +<td align="left">Notes on Cunningham's London, by E.F. Rimbault, +LL.D.</td> +<td align="right"><a href="#page450">450</a></td> +</tr> +<tr> +<td align="left">Original Letter of Peter Le Neve, by E. +Hailstone</td> +<td align="right"><a href="#page451">451</a></td> +</tr> +<tr> +<td align="left">Folk Lore:—Superstitions of Middle +Counties—Rainbow in the Morning</td> +<td align="right"><a href="#page451">451</a></td> +</tr> +<tr> +<td align="left">Error in Johnson's Life of Selden</td> +<td align="right"><a href="#page451">451</a></td> +</tr> +<tr> +<td align="left">Pope and Petronius, by C. Forbes</td> +<td align="right"><a href="#page452">452</a></td> +</tr> +<tr> +<td align="left">QUERIES:—</td> +<td></td> +</tr> +<tr> +<td align="left">Purvey of the Apocalypse—Bonner on the Seven +Sacraments, by Sir F. Madden</td> +<td align="right"><a href="#page452">452</a></td> +</tr> +<tr> +<td align="left">Replies to Minor Queries:—Arrangement of a +Monastery—Constantine the Artist—Josias Ibach +Stada—Worm of Lambton</td> +<td align="right"><a href="#page452">452</a></td> +</tr> +<tr> +<td align="left">REPLIES:—</td> +<td></td> +</tr> +<tr> +<td align="left">Luther's Translation, by S.W. Singer</td> +<td align="right"><a href="#page453">453</a></td> +</tr> +<tr> +<td align="left">Lines on London Dissenting Ministers</td> +<td align="right"><a href="#page454">454</a></td> +</tr> +<tr> +<td align="left">Replies to Minor Queries:—Tracts by Dekker +and Nash—Tureen—English Translations of +Erasmus—Court of Wards—Scala Coeli—Twm Shawn +Cattie—Cheshire Round—Horns to a +River—Horns—Coal Brandy—Howkey or +Horkey—Luther's Portrait—Symbolism of Flowers, +&c.—"Where England's +Monarch"—Journeyman—Sydenham or Tidenham—J.B.'s +Treatise on Nature and Art—"A Frog he would a-wooing +go"—"My Love and I, &c."—Teneber +Wednesday—Buckingham Motto—Laerig—Zenobia a +Jewess—Temple Stanyan, &c.</td> +<td align="right"><a href="#page454">454</a></td> +</tr> +<tr> +<td align="left">MISCELLANIES:—</td> +<td></td> +</tr> +<tr> +<td align="left">Spur Money—Note Books—Lady Rachael +Russell—Byron and Taritus—Aboriginal Chambers near +Tilbury—Sir R. Haigh's Letter-Book—A Phonetic +Peculiarity</td> +<td align="right"><a href="#page462">462</a></td> +</tr> +<tr> +<td align="left">MISCELLANEOUS:—</td> +<td></td> +</tr> +<tr> +<td align="left">Notes on Books, Catalogues, Sales, &c.</td> +<td align="right"><a href="#page463">463</a></td> +</tr> +<tr> +<td align="left">Books and Odd Volumes wanted</td> +<td align="right"><a href="#page463">463</a></td> +</tr> +<tr> +<td align="left">Notices to Correspondents</td> +<td align="right"><a href="#page463">463</a></td> +</tr> +</table> +<hr class="full" /> +<h2>NOTES</h2> +<h3>ETYMOLOGY OF PENNIEL.</h3> +<p>Some eighteen years ago, the writer of the following sonnets, by +the kindness of the proprietors of a pleasant house upon the banks +of the Teviot, enjoyed two happy autumns there. The Roman road +which runs between the remains of the camp at Chew Green, in +Northumberland, and the Eildon Hills (the Trimontium of General +Roy), passed hard by. The road is yet distinctly visible in all its +course among the Cheviots, and in the uncultivated tracts; and +occasionally also, where the plough has spared it, among the +agricultural inclosures.</p> +<p>The house stands near the base of the hill called Penniel or +Penniel-heugh: and it is hoped that the etymological derivation of +that word now to be hazarded will not imply in the etymologist the +credulity of a Monkbarns. <i>Pen</i>, it is known, signifies in the +Celtic language "a hill". And the word <i>heil</i>, in the +Celto-Scythian, is, in the Latin, rendered <i>Sol</i>. In the +Armoric dialect of the Celtic also, <i>heol</i> means "the sun:" +hence, <i>Penheil</i>, <i>Penheol</i>, or <i>Penniel</i>, "the hill +of the sun." Beyond the garden of the abode there stood, and, it is +believed, yet stands, a single stone of a once extensive Druid +circle, not many years ago destroyed by the then proprietor, who +used the sacred remains in building his garden wall. A little +farther antiquarian conjecture is necessary to clothe the country +with oak woods. Jedwood or Jedworth Forest was part of "the forest" +which covered Selkirkshire and parts of the counties around. The +Capon Tree, and the King of the Wood, two venerable oaks yet +flourishing on the water of Jed, attest the once wooded condition +of the land; which is farther irresistibly corroborated by evidence +drawn from the interesting volumes of the <i>Rotuli +Parliamentorum</i>. The Bishops of Glasgow had a religious +establishment in the neighbouring sunward village of Nether Ancrum. +Of their buildings, of the vicar's house, or of the ancient gardens +existing in the memory of persons living, not a vestige now +remains. In the first volume of the <i>Rotuli</i>, p. 472., there +is a Petition, of uncertain date, by the Bishop of Glasgow to +Edward I., then in possession of Scotland, in these +terms:—</p> +<blockquote> +<p>"Derechief pry ly dit Evesqe a soen Segur le Roy qe ly plese +aider &c.... e sur ceo transmettr', sa lettre al vesconte de +Lanark. E une autre, si ly plest, a ses Forresters de Geddeworth de +autant de Merin [meremium, meheremium, wood for building] pour fere +une receite a Allyncrom (Ancrum) desur la marche, ou il poet aver +recett e entendre a ses ministres qut il le voudrent aver."</p> +</blockquote> +<p>To which the King's answer is,—</p> +<blockquote> +<p>"Héat Bre Ten' locu R. in Scoc. qd fae'. ei hre meheremiu +in Foresta de Selkirk et de Maddesleye usq ad numum quinquaginta +quercu."</p> +</blockquote> +<p>Thus, no doubt is left that oak woods abounded in the district; +and it was under the influence of these beliefs that the sonnets +were composed:—</p> +<div class="poem"> +<div class="stanza"> +<p>I.</p> +</div> +<div class="stanza"> +<p>"'Twas on this spot some thousand years ago,</p> +<p>Amid the silence of its hoary wood</p> +<p>By sound unbroken, save the Teviot's flow,</p> +<p>The lonely Temple of the Druids stood!</p> +<span class="pagenum"><a name="page450" id= +"page450"></a>{450}</span> +<p>The conquering Roman when he urged his way,</p> +<p>That led to triumph, through the neighbouring plain,</p> +<p>And oped the gloomy grove to glare of day,</p> +<p>Awe-stricken gazed, and spared the sacred fane!</p> +<p>One stone of all its circle now remains,</p> +<p>Saved from the modern Goth's destructive hand;</p> +<p>And by its side I muse: and Fancy reigns;</p> +<p>And giant oaks on Pennial waving stand;</p> +<p>With snowy robe and flowing bears sweep bye</p> +<p>The aged Druid-train beneath the star-lit sky.</p> +</div> +<div class="stanza"> +<p>II.</p> +</div> +<div class="stanza"> +<p>"The Druid-train has moved into the wood,</p> +<p>Oh! draw a veil before the hideous scene!</p> +<p>For theirs were offerings of human blood,</p> +<p>With sound of trump and shriek of fear between:</p> +<p>Their sacred grove is fallen, their creed is gone;</p> +<p>And record none remains save this gray stone!</p> +<p>Then come the warlike Saxons; and the years</p> +<p>Roll on in conflict: and the pirate Dane</p> +<p>Uprears his Bloody raven; and his spears</p> +<p>Bristling upon the Broadlaw summit's plain</p> +<p>Spread terror o'er the vale: and still rude times</p> +<p>Succeed; and Border feuds with conflagration light</p> +<p>Nightly, the Teviot's wave, and ceaseless crimes</p> +<p>Chase from the holy towers their inmates in affright.</p> +</div> +<div class="stanza"> +<p>III.</p> +</div> +<div class="stanza"> +<p>"Land of the South! Oh, lovely land of song!</p> +<p>And is my dwelling by thy classic streams;</p> +<p>And is the fate so fondly wished and long,</p> +<p>Mine in the fullest measure of my dreams,—</p> +<p>By thy green hills and sunny glades to roam,</p> +<p>To live among thy happy shepherd swains</p> +<p>Where now the peaceful virtues have their home;</p> +<p>A blissful lot! nor aught of grief remains</p> +<p>Save for that friend, beloved, bewailed, revered,</p> +<p>To whom my heart for thrice ten years was bound</p> +<p>By truest love and gratitude endeared:</p> +<p>The glory of his land, in whom were found</p> +<p>Genius unmatched, and mastery of the soul,</p> +<p>Beyond all human wight, save Shakspeare's own controul."</p> +</div> +</div> +<p class="author">F.S.A. L. & E.</p> +<hr /> +<h3>NOTES ON CUNNINGHAM'S HANDBOOK FOR LONDON.</h3> +<p><i>Soho Square.</i>—Your correspondent "NASO" (p. 244.) +has anticipated me in noticing Mr. Cunningham's mistake about Mrs. +Cornellys' house in this square; but he has left unnoticed some +particulars which deserve to be recorded. Mrs. Cornellys', or +<i>Carlisle House</i> as it was called, was pulled down at the +beginning of the present century (1803 or 1804), and <i>two</i> +houses built upon its site, now <i>Jeffery's Music Warehouse</i> +and <i>Weston's Printing Office</i>. Some curious old paintings +representing banqueting scenes, formerly in <i>Carlisle House</i> +were carefully preserved until the last few years, in the +drawing-room of the corner house, when they were removed to make +room for some needed "elegancies" of the modern print shops. The +Catholic Chapel in Sutton Street was the banquetting-room of +Carlisle House; and the connecting passage between it and the house +in Soho Square was originally the "Chinese bridge."</p> +<p>"Teresa Cornelys, Carlisle House, St. Ann, Soho, dealer" appears +in the bankrupt list of <i>The London Gazette</i> of November, +1772; and in December of the same year, this temple of festivity, +and all its gorgeous contents, were thus advertised to be sold by +public auction:—</p> +<blockquote> +<p>"<i>Carlisle House, Soho.</i>—At twelve o'clock on Monday +the 14th instant, by Order of the Assignees, Mr. Marshall will sell +by Auction on the Premises, in one Lot, All that extensive, +commodious, and magnificent House in Soho Square, lately occupied +by Mrs. Cornelys, and used for the Public Assemblies of the +Nobility and Gentry. Together with all the rich and elegant +Furniture, Decorations, China, &c., thereunto belonging, too +well-known and universally admired for their aptness and taste to +require here any public and extraordinary description thereof. +Catalogues to be had at the House, and at Mr. Marshall's, in St. +Martin's Lane. The curiosity of many to see the house, to prevent +improper crowds, and the great damage that might happen therefrom +(and the badness of this season) by admitting indifferent and +disinterested people, must be an excuse to the public for the +Assignees ordering the Catalogues to be sold at 5<i>s.</i> each, +which will admit two to see the house, &c., from Monday the 7th +instant to the time of sale, Sundays excepted, from ten in the +morning to three in the afternoon, and they hope no person or +persons will take amiss being refused admittance without +Catalogues."</p> +</blockquote> +<p>In December 1774, the nobility and gentry were informed (by +advertisement), "That the Assemblies at Carlisle House will +commence soon, under the conduct and direction of a <i>New</i> +Manager;" but notwithstanding the efforts of this person, we find +that Mrs. Cornellys resumed her revels here with great spirit in +1776. In 1778, Carlisle House was again publicly advertised to be +sold by private contract, or "to be hired as usual;" and +subsequently, after having been used as a common exhibition room of +"Monstrosities," a "School of Eloquence," and "An Infant School of +Genius," it closed its public career through the interference of +the magistracy in 1797.</p> +<p>A full and particular account of the rise and fall of "Mrs. +Cornelys' Entertainments at Carlisle House, Soho," was privately +printed two or three years ago, by Thomas Mackinlay, Esq., of the +firm of Dalmaine and Co., Soho Square.</p> +<p><i>Carlisle Street, Soho Square.</i>—The large house at +the end of this street, looking into the square, was formerly +called <i>Carlisle House</i>. In 1770 it was purchased of Lord +Delaval by the elder Angelo; who resided in it many years, and +built a large riding-school at the back. Bach and Abel, of +"Concert" notoriety, resided in the adjoining house. Carlisle +Street was then called <i>King's Square Court</i>.</p> +<span class="pagenum"><a name="page451" id= +"page451"></a>{451}</span> +<p><i>Catherine Street, Strand.</i>—In 1714, a tract was +published with the following title:—<i>The Maypole's New +Year's Gift or Thanks returned to his Benefactors, humbly inscribed +to the Two Corners of</i> Catherine Street, Strand; <i>written by a +Parishioner of St. Mary, Savoy</i>.</p> +<p><i>Maiden Lane, Covent Garden.</i>—The well known "Cider +Cellar" in this lane was opened about 1730. There is a curious +tract, entitled <i>Adventures under Ground</i>, 1750, which +contains some strange notices of this "Midnight Concert Room."</p> +<p><i>Salisbury Change.</i>—Cibber, in the amusing <i>Apology +for his Life</i>, has the following:—</p> +<blockquote> +<p>"Taste and fashion, with us, have always had wings, and fly from +one public spectacle to another so wantonly, that I have been +informed by those who remember it, that a famous puppet-show in +<i>Salisbury Change</i> (then standing where <i>Cecil Street</i> +now is), so far distressed these two celebrated companies, that +they were reduced to petition the king for relief against it."</p> +</blockquote> +<p><i>The New Exchange.</i>—A good description of this once +popular mart may be found in Lodwick Rowzee's <i>Treatise on the +Queene's Welles</i>, Lond. 1632. It is as follows:—</p> +<blockquote> +<p>"We went to see the <i>New Exchange</i>, which is not far from +the place of the Common Garden, in the great street called the +Strand. The building has a facade of stone, built after the Gothic +style, which has lost its colour from age, and is becoming +blackish. It contains two long and double galleries, one above the +other, in which are distributed several rows great numbers of very +rich shops, of drapers and mercers, filled with goods of every +kind, and with manufactures of the most beautiful description. +There are, for the most part, under the care of well-dressed women, +who are busily employed in work, although many are served by young +men, called apprentices."</p> +</blockquote> +<p><i>The Bedford Coffee House, Covent Garden.</i>—In 1763 +appeared a small volume under the title of <i>Memoirs of the +Bedford Coffee House, by Genius, dedicated to the most Impudent Man +alive</i>.</p> +<p class="author">EDWARD F. RIMBAULT.</p> +<hr /> +<h3>ORIGINAL LETTER OF PETER LE NEVE.</h3> +<p>The following was a letter from Le Neve to a Mr. Admall, a +herald painter at Wakefield, found in a book of arms belonging to +the latter, which came into my possession a few months ago.</p> +<p class="author">E. HAILSTONE.</p> +<blockquote> +<p>"Mr. Admall,</p> +<p>"I understand by Mr. Mangay, my deputy at Leeds for the West +Riding, that you contemn my lawfull autority of Norroy King of +Arms, and have done and will doe as you say, things relating to +heraldry, contrary to my prohibition, &c.; these are therefore +to acquaint you, that if you continue in the same mind and will +usurp on my office, I intend to make you sensible of the wrong you +doe me in my office, by taking out process against you, and making +you pay for your transgression. I shall give you no hard words, but +shal be as good as my word if there is law in England to restrain +you; so chose whether you will due to me good or evill; you shall +find me according your friend or open enemy.</p> +<p>"PETER LA NEVE, Norroy.</p> +<p>"College of Arms, in London,</p> +<p>"28th May, 1719."</p> +</blockquote> +<hr /> +<h3>FOLK LORE.</h3> +<p><i>Superstitions of the Midland Counties.</i>—It is +believed a sign of "bad luck" to meet a white horse, unless the +person <i>spits</i> at it, which action is said to avert the ill +consequences of the recontre.</p> +<p>A rainy Friday is believed to be followed as a natural and +invariable consequence, by a wet Sunday; but I am not aware that +the contrary is believed, viz., that fine Friday produces a fine +Sunday.</p> +<p>If the fire burns brightly when a person has poked or stirred it +up, it is a sign that the <i>absent</i> lover, wife, or husband (as +the case may be) is in good spirits, and in good humour.</p> +<p>The itching of the right hand palm is said to portend the +reception of a gift; which is rendered more certain if the advice +in this distich be followed:—</p> +<div class="poem"> +<div class="stanza"> +<p>"Rub it 'gainst wood,</p> +<p>'Tis sure to come good."</p> +</div> +</div> +<p>Persons with much hair or down upon their arms and hands, will +at some future period enjoy great wealth; or as the common +expression has it, "are born to be rich."</p> +<p class="author">HENRY KERSLEY.</p> +<p>Corp. Chris. Hall, Maidstone.</p> +<p><i>A Rainbow in the Morning, &c.</i>—"Mr. THOMS" (No. +26, p. 413.) says that he believes no one has remarked the +philosophy of this proverbial rhyme. Sir Humphry Davy, however, +points it out in his <i>Salmonia</i>.</p> +<hr /> +<h3>ERROR IN JOHNSON'S LIFE OF SELDEN.</h3> +<p>In Johnson's (Geo. W.) <i>Memoirs of John Selden</i>, London, +1635, 8vo. pp. 128, 129, is a notice of Dr. Sibthorpe's celebrated +Sermon preached at Northampton, and printed in 1627 with the title +of <i>Apostolike Obedience</i>. After stating the difficult +experienced in obtaining the necessary sanction for its +publication, owing to Abp. Abbot refusing the requisite +<i>imprimatur</i>, the author says that ultimately the licence was +"<i>signed by Land himself</i>, and published under the title of +<i>Apostolical Obedience</i>." A reference at the foot of the page +to "Rushworth, p. 444," leads me to conclude that it is on his +authority Mr. Johnson has made this statement; but not having +access to the "Historical Collections," I am unable to examine. At +any rate, Heylin, in his <i>Cyprianus Anglicus</i>, Lond., 1671 +fol. p. 159., may be understood to imply the correctness of the +assertion.</p> +<p>A copy of this now rare sermon before me <span class= +"pagenum"><a name="page452" id="page452"></a>{452}</span> proves, +however, that the statement is incorrect. At the back of the title +is as follows:—</p> +<blockquote> +<p>"I have read over this sermon upon <i>Rom.</i> xiii. 7., +preached at <i>Northampton</i>, at the assises for the county, +<i>Feb.</i> 22, 1626, by <i>Robert Synthorpe</i>, Doctor of +Divinity, Vicar of Brackley, and I doe approve it as a sermon +learnedly and discreetly preached, and agreeable to the <i>ancient +Doctrine</i> of the <i>Primitive Church</i>, both for <i>Faith</i> +and <i>good manners</i>, and to the <i>Doctrine established</i> in +the <i>Church of England</i>, and, therefore, under my hand I give +authority for the printing of it, May 8. 1627."</p> +<p>GEO. LONDON.</p> +</blockquote> +<p>It was therefore Bishop <i>Mountague</i>, and not <i>Laud</i>, +who licensed the sermon.</p> +<p class="author">JOHN. J. DREDGE.</p> +<hr /> +<h3>POPE AND PETRONIUS.</h3> +<p>I have read "Mr. RICH'S" letter with great interest, and I +willingly allow that he has combated my charge of plagiarism +against Pope, and discussed the subject generally with equal +fairness and ability. "But yet," I think that he wanders a little +from the point when he says, "the surmise of the plagiarism +originates in a misconception of the terms employed by the Latin +author, especially <i>corcillum</i>." Now the question, in my +opinion, turns not so much on what <i>Petronius said</i>, as on +what <i>Pope read</i>; i.e. not on the meaning that <i>Petronius +gave</i> to the word (<i>corcillum</i>), but on that which <i>Pope +attributed</i> to it. I cannot, without further proof, give him +credit for having read the words as critically and correctly as +"Mr. R." has done. I believe that he looked on it merely as a +simple derivative of <i>cor</i>, and therefore rendered it "worth," +i.e. a <i>moral</i>, not a <i>mental</i> quality.</p> +<p class="author">C. FORBES.</p> +<hr class="full" /> +<h2>QUERIES.</h2> +<h3>QUERIES RESPECTING PURVEY ON THE APOCALYPSE, AND BONNER ON THE +SEVEN SACRAMENTS.</h3> +<p>I beg leave to make the two following Queries:—</p> +<p>1. In Bayle's very useful work, <i>Scriptorum Illustrium Majoris +Brytanniæ Catalogus</i>, fol. Bas. 1559, among the writings +ascribed to John Purvey, one of Wycliffe's followers, and (as +Walden styles him) <i>Glossator</i>, is mentioned <i>Commentarius +in Apocalypsin</i>, beginning "Apocalypsis, quasi diceret;" and +Bayle adds:—</p> +<blockquote> +<p>"Prædictus in Apocalypsin Commentarius ex magistri Wielevi +lectionibus publicis per Joannem Purvæum collectus, et nunc +per Martinum Lutherum, <i>Ante centum annos</i> intitularus, anno +Domini 1528, sine authoris nomine, Witembergæ fuit excusus. +Fuit et ipse Author in carcere, ac cathenis insuper chalybeis, cum +ea Commentaria scripsit, ut ex decimo et undecimo ejus scripti +capite apparet. Scripsit autem Purvæus hunc librum anno +Domini 1390, ut ex decimo tertio capite et principio vigesimi +apparet."</p> +</blockquote> +<p>This account of Bayle (who is mistaken, however, about the +<i>title</i> of the work) is confirmed by Panzer; who, in his +<i>Annales</i>, vol. ix. p. 87. enters the volume thus, +"<i>Commentarius in Apolcalypsin ante Centum Annos æditus, +cum Præfatione Maritini Lutheri</i>. Wittembergæ, 1528. +8vo." Can any of your readers refer me to a copy of this book in a +public library, or in private hands?</p> +<p>2. In Lewis's <i>History of the Translations of the Bible</i>, +edit. 1818. p. 25., he quotes a work of Bishop Bonner, "<i>Of the +Seven Sacraments</i>, 1555," in which a manuscript English Bible is +cited by the Bishop, as then in his possession, "translated out of +Latyne in tyme of heresye almost eight-score years before that +tyme, i.e. about 1395, fayre and truly written in parchment." Lewis +proceeds to conjecture, that this MS. was the same which is +preserved in the Bodleian Library under the mark Fairfax, 2. And in +this erroneous supposition he has been followed by later writers. +The copy in question, which belonged to Bonner, is actually in the +Archiepiscopal Library at Lambeth, No. 25., and contains the +Pentateuch in the <i>earlier</i> Wycliffite version (made, no +doubt, by Nicholas Hereford), whilst the rest of the Old and New +Testament is in the <i>later</i> or revised translation by Purvey +and his coadjutors. What I now wish to inquire about, is, where can +I meet with a copy of Bonner's work, <i>De Septem Sacramentis</i>, +in which the passages occur referred to by Lewis? They are not in +<i>A Profitable and Necessarye Doctryne, with certayne Homelies +adjoyned</i>, printed in 1555 by John Carood, although one of these +homilies is on the subject of the seven sacraments.</p> +<p class="author">F. MADDEN.</p> +<hr /> +<h3>MINOR QUERIES.</h3> +<p><i>Monastery, Arrangement of One.</i>—Any information and +particulars respecting the extent, arrangement, and uses of the +various buildings for an establishment of fifty Cistercian or +Benedictine Monks would be useful to and gratefully received by</p> +<p class="author">A.P.H.</p> +<p class="note">[Has our Querist consulted Professor Willis, +"Description of the Ancient Plan of the Monastery of St. Gall in +the Ninth Century," accompanying a copy of the plan, and which he +will find in the <i>Archæological Journal</i>, vol. v. p. +85.?]</p> +<p><i>Constantine the Artist.</i>—Who was "M. Constantine, an +Italian architect to our late Prince Henry," employed in the masque +at the Earl of Somerset's marriage in 1613? and was he the same +Constantine de Servi to whom the Prince assigned a yearly pension +of 200<i>l.</i> in July 1612? If so, where can more be found +respecting him? He is not mentioned on Walpole's +<i>Anecdotes</i>.</p> +<p class="author">J.G.N.</p> +<p><i>Josias Ibach Stada.</i>—Who was the artist whose name +occurs inscribed on the hoof of the horse of King Charles the +Second's equestrian statue at <span class="pagenum"><a name= +"page453" id="page453"></a>{453}</span> Windsor, as +follows:—"1669. Fudit Josias Ibach Stada Bramensis;" and is +Mr. Hewitt, in his recent <i>Memoir of Tobias Rustat</i>, correct +in calling him "Stada, an <i>Italian</i> artist?"</p> +<p class="author">J.G.N.</p> +<p><i>Worm of Lambton.</i>—Is there any published notice of +the "Knight and Serpent" tradition regarding this family and +parish?</p> +<p class="author">A.C.</p> +<p class="note">[A quarto volume of traditions, gathered in the +immediate neighbourhood of the scene of action, was privately +printed in the year 1530, under the title of <i>The Worm of +Lambton</i>.]</p> +<hr class="full" /> +<h2>REPLIES.</h2> +<h3>LUTHER'S TRANSLATION OF THE NEW TESTAMENT.</h3> +<p>Luther's solemn request that his translation should on no +account be altered, accompanies most of the earlier editions of the +N.T. I find it on the reverse of the title-page of the edition in +8vo. printed at Wittemberg by Hans Lufft in 1537, thus:—</p> +<blockquote> +<p>"I request all my friends and enemies, my master printer, and +reader, will let this New Testament be mine; and, if they have +fault to find with it, that they make one of their own. I know well +what I do, and see well what others do; but this Testament shall be +Luther's German Testament; for carping and cavilling is now without +measure or end. And be every one cautioned against other copies, +for I have already experienced how negligently and falsely others +reprint us."<a id="footnotetag1" name="footnotetag1"></a><a href= +"#footnote1"><sup>1</sup></a></p> +</blockquote> +<p>The disputed verse (1 John, v. 7.) is omitted in all the +editions printed under Luther's eye or sanction in his lifetime; +but it has not, I think, been remarked that in verse 8. the words +<i>auf erde</i>, found in later editions, are wanting. The passage +stands:—</p> +<blockquote> +<p>"Denn drey sind die da zeugen, der Geist, und das Wasser, und +das Blut, und die drey sind beysamen."</p> +</blockquote> +<p>In the first edition of the Saxon (Düdesche version of +Luther's Bible, by Jo. Heddersen, printed in a magnificent volume +at Lubeck, by Lo. Dietz, in 1533-4), the verse stands +thus:—</p> +<blockquote> +<p>"Wente dre synt dede tüchinisse geven, de Geist unde dat +Water, unde dat Bloth, unde de dre synt by emander."</p> +</blockquote> +<p>A MS. note of a former possessor remarks:—</p> +<blockquote> +<p>"The 7th verse is not found here, nor is it in the Bibles of +Magdeburg, 1544, of Wittemberg, 1541, ditto 1584, Frankfort, 1560 +and 1580."</p> +</blockquote> +<p>In the edition of this same version, printed by Hans Lufft, +Wittemberg, 1541, the passage is exactly similar; but in one +printed by Hans Walther, Magdeburg, 1545, the words <i>up erdeu</i> +are inserted.</p> +<p>These Saxon versions are interesting from the very great +similarity that idiom has to our early language; and they, +doubtless, influenced much our own early versions.</p> +<p>In a translation of the N.T. from the Latin of Erasmus (the +first printed in Latin with a translation on the same page, and +which is very similar in appearance to Udal's), printed at Zurich +in 1535, 4to., with a Preface by Johansen Zwikk of Constance, the +7th verse is given (as it was in the Latin); but is distinguished +by being printed in brackets, and in both verses we have—</p> +<blockquote> +<p>"Unnd die drey dienend in eins."</p> +</blockquote> +<p>Erasmus having admitted the verse into his third edition, gave +occasion perhaps to the liberty which has been taken in later times +to print both verses, with this distinction, in editions of the +Lutheran version. The earliest edition, I believe, in which it thus +appears, is one at Wittemberg in 1596, which was repeated in 1597, +1604, 1605<a id="footnotetag2" name="footnotetag2"></a><a href= +"#footnote2"><sup>2</sup></a>, and 1625. It also appears, but +printed in smaller type, in the Hamburgh Bible by Wolder in 1597, +in that of Jena 1598, and in Hutter's Nuremburg, 1599.</p> +<p>In a curious edition of the N.T. printed at Wandesbeck in 1710, +in 4to., in which four German versions, the Catholic, the Lutheran, +the Reformed, a new version by Reitz, and the received Dutch +version, are printed in parallel columns, both verses are given in +every instance; but a note points out that Luther uniformly omitted +the 7th verse, and the words <i>auf erde</i>.</p> +<p>There cannot be a doubt, therefore, that the insertion is +entirely unwarranted in any edition of the New Testament professing +to be <i>Luther's</i> translation.</p> +<p class="author">S.W. SINGER.</p> +<p>April 25. 1850.</p> +<blockquote class="footnote"><a id="footnote1" name= +"footnote1"></a><b>Footnote 1:</b><a href= +"#footnotetag1">(return)</a> +<p>"Ich bitte alle meine Freunde, und Feinde, meine Meister +Drücker und Leser, wolten dis Newe Testament lassen mein sein, +Haben sie aber mangel dran, das sie selbs ein eigens für sich +machen; Ich weiss wol was ich mache, Sehe auch wol was andere +machen, Aber dis Testament sol des Luther's Deudsch Testament sein, +Denn Meisterns und Klugelus ist jtzt weder masse noch ende. Und sey +jederman gewarnet für andern Exemplaren, Denn ich bisher wol +erfaren wie unfvleissig und falsch uns andere +nachdrücken."</p> +</blockquote> +<blockquote class="footnote"><a id="footnote2" name= +"footnote2"></a><b>Footnote 2:</b><a href= +"#footnotetag2">(return)</a> +<p>Fr. Er. Kettner, who printed at Leipsic, in 1696, a long and +strenuous defence of the authenticity of the 7th verse, exults in +the existence of this verse in an edition of the Bible, Wittemberg, +1606, which is falsely said on the title-page to be <i>juxta +ultimum a Luthero revisum exemplar correctum</i>.</p> +</blockquote> +<p><i>Luther's Translation of the Bible</i> (No. 25, p. +309.).—De Wette, in his critical Commentary on the verse 1 +John, after stating his opinion that the controverted passage is a +spurious interpolation, gives a list of the codices and editions in +which the passage is not found, and of those in which it is +found.</p> +<p>The passage is <i>wanting</i> in all Greek Codd. except Codd. +34. 162. 172. (of his introduction, where it is introduced from the +Vulgate), and in all MS. <span class="pagenum"><a name="page454" +id="page454"></a>{454}</span> of the Vulgate before the tenth +century; in Erasmus' edit. of 1516 and 1518; in Ald. Ed. Venet. +1518; in all editions of Luther's translation published by him +during his life-time, and up to 1581; in the edit. Withenb., 1607; +Hamb. 1596. 1619. 1620.</p> +<p>The passage is <i>found</i> in all the editions printed of the +Vulgate, and in all translations from it before Luther; and the +edit. complut.; in Erasmus' of 1522, and in his paraphrase; in the +edit. of Rob. Stephens, 1546-69; and Beza, 1565-76. 1582; in the +Lutheran translations reprinted by Froschauer, Zurich, 1529-31. +(but in small type); edit. 1536-89. in brackets; edit. 1597, +without the brackets; in the edit. Frankf. 1593; Wittenb. 1596-97, +and many later ones. I may add, that the passage is in every +edition of recent date that I have seen of the Lutheran Bible, but +not, of course, in De Wette's translation.</p> +<p class="author">S.W.</p> +<hr /> +<h3>LINES ON LONDON DISSENTING MINISTERS.</h3> +<p>In reply to one of the Queries of "W." (No. 24. p. 383.), I +transcribe from the MSS. of Mr. Chewning Blackmore, a Presbyterian +minister of Worcester, the "Lines on London Dissenting Ministers of +a former Day," which I have never seen entire in print:—</p> +<div class="poem"> +<div class="stanza"> +<p>"Behold how Papal Wright with lordly pride</p> +<p>Directs his haughty eye to either side,</p> +<p>Gives forth his doctrine with imperious nod,</p> +<p>And fraught with pride addresses e'en his God.</p> +</div> +<div class="stanza"> +<p>"Not so the gentle Watts, in him we find</p> +<p>The fairest pattern of a humble mind;</p> +<p>In him the meekest, lowliest virtue dwells,</p> +<p>As mild as light, as soft as ev'ning gales.</p> +</div> +<div class="stanza"> +<p>"Tuning melodious nonsense, Bradbury stands,</p> +<p>With head uplifted and with dancing hands,</p> +<p>Prone to sedition, and to slander free,</p> +<p>Sacheverell sure was but a type of thee.</p> +</div> +<div class="stanza"> +<p>"Mark how the pious matrons flock around,</p> +<p>Pleased with the noise of Guyse's empty sound;</p> +<p>How sweetly each unmeaning period flows</p> +<p>To lull the audience to a gentle doze!</p> +</div> +<div class="stanza"> +<p>"Eternal Bragge in never-ending strains</p> +<p>Unfolds the mysteries Joseph's coat contains,</p> +<p>Of every hue describes a different cause,</p> +<p>And from each patch a solemn mystery draws.</p> +</div> +<div class="stanza"> +<p>"With soundest judgment and with nicest skill,</p> +<p>The learned Hunt explains his Master's will,</p> +<p>So just his meaning, and his sense to true,</p> +<p>He only pleases the discerning few.</p> +</div> +<div class="stanza"> +<p>"In Chandler's solid, well-composed discourse,</p> +<p>What wond'rous energy! what mighty force!</p> +<p>Still, friend to Truth, and strict to Reason's rules,</p> +<p>He scorns the censure of unthinking fools.</p> +</div> +<div class="stanza"> +<p>"But see the accomplish'd orator appear,</p> +<p>Refined his language, and his reasoning dear,</p> +<p>Thou only, Foster, has the pleasing art,</p> +<p>At once to please the ear and mend the heart!</p> +</div> +<div class="stanza"> +<p>"Lawrence, with clear and solid judgment speaks,</p> +<p>And on the sober mind impression makes,</p> +<p>The sacred truths with justness he explains,</p> +<p>And he from ev'ry hearer praise obtains."</p> +</div> +</div> +<p>Of the author of these lines I can give no information. He +evidently belonged to the Anti-Calvinistic party. His name does not +appear to have been known to Mr. Walter Wilson, the historian of +the "Dissenting Churches" of London, although he quotes a portion +of them. But they were probably composed between 1728 and 1738. In +the former year, Dr. James Foster's London popularity arose, on the +occasion of his undertaking the evening lecture at the Old Jewry. +In the year 1738, Mr. Robert Bragge, one of the subjects of the +poem, died. Of this gentleman the story is told (and to it the poem +evidently alludes), that he was employed no less than four months +in developing the mysteries of Joseph's coat, from Genesis, xxxvii. +3.: "And he made him a coat of many colours." In reply to the +sarcasm on Mr. Bragge, Mr. Walter Wilson states (<i>Hist. and Ant. +of Diss.</i> ch. i. p. 247.) that the following stanza was +composed:—</p> +<div class="poem"> +<div class="stanza"> +<p>"The unwearied Bragge, with zeal, in moving strains,</p> +<p>Unfolds the mysteries Scripture-Book contains;</p> +<p>Marks every truth, of error shows the cause,</p> +<p>And from each mystery useful doctrine draws."</p> +</div> +</div> +<p>The unfavourable notice of Dr. Sam. Wright in the opening +stanza, is at variance with the general report of biographers. In +the copy of the verses in the Blackmore MSS. is this note:—"I +think this is too severe on the Dr." Dr. Wright was admired for his +pulpit elocution; and it is said that Archbishop Herring was, in +his younger years, a frequent hearer of his, with a view to improve +in elocution. The notice of the celebrated Tom Bradbury is grossly +unjust. He was a man of wit and courage, though sometimes +boisterous and personal. His unsparing opponent, Dr. Caleb Fleming, +wrote admiringly of "his musical voice, and the flow of his +periods, adapting scripture language to every +purpose."—<i>The Character of the Rev. Mr. Thos. Bradbury, +taken from his own Pen, &c.</i> Lond. 8vo. 1749, p. 35.</p> +<p class="author">A.B.R.</p> +<p>Dukinfield.</p> +<hr /> +<h3>REPLIES TO MINOR QUERIES.</h3> +<p><i>Tracts by Dekker and Nash.</i>—<i>The Raven's +Almanacke</i>, 1609, is the production of Thomas Dekker, the +dramatist, and one of the rarest of his numerous works. A copy sold +in the <i>Gordonstown</i> sale for seven guineas; and another +occurred in Mr. J.H. Bright's collection (No. 1691.); but I have +not the sale catalogue at hand to quote the price. Dekker was also +the author of a similar work, entitled <i>The Owle's Almanacke</i>, +1618; but it is not mentioned in the lists furnished by +<span class="pagenum"><a name="page455" id= +"page455"></a>{455}</span> Lowndes and Dr. Nott. The latter is +indeed very inaccurate, omitting many well-known productions of the +author, and assigning others to him for which he is not answerable. +Whilst upon the subject of Dekker, I cannot resist mentioning a +fraud upon his memory which has, I believe, escaped the notice of +bibliographers. In 1697 was published a small volume, entitled, +<i>The Young Gallant's Academy, or Directions how he should behave +himself in an Ordinary, in a Playhouse, in a Tavern, &c., with +the Character of a Town-Huff, by Samuel Vincent</i>. This is +nothing more than a reprint of Dekker's <i>Gull's Horn-book</i>, +with some slight alterations to adapt it to the times.</p> +<p>Nash's <i>Terrors of the Night, or a Discourse of +Apparitions</i>, was printed by John Danter for William Jones, +1594. It is a very interesting tract, and contains many personal +allusions to its unfortunate author. A copy was sold in Heber's +sale (Part IV. No. 1592.) for 5<i>l.</i> 18<i>s.</i> A note in the +handwriting of that distinguished collector gives us the following +information:—</p> +<blockquote> +<p>"Only two other copies are known to exist, one in the Ashbridge +Library at Cleveland House, the other, not so fine as the present, +bought by Malone at Brand's, since James Boswell's, and now (1825) +<i>penes</i> me, R.H."</p> +</blockquote> +<p>All things considered, I think your correspondent "J.E." (p. +400.) <i>may</i> congratulate himself on having "met with a +prize."</p> +<p class="author">EDWARD F. RIMBAULT.</p> +<p><i>Nash's Terrors of the Night.</i>—Excessively rare. +Boswell had a copy, and another is in the library of the Earl of +Ellesmere, described in Mr. Collier's <i>Bridgewater Catalogue</i> +as one of the worst of Nash's tracts.</p> +<p class="author">L.</p> +<p><i>Tureen</i> (No. 25. p. 407.).—The valuable reference to +Knox proves the etymology from the Latin. <i>Terrene</i>, as an +adjective, occurs in old English. See quotation in Halliwell, p. +859.</p> +<p class="author">L.</p> +<p><i>English Translations of Erasmus' Encomium Moriæ</i> +(No. 24. p. 385.).—Sir Thomas Challoner's translation of +Erasmus' <i>Praise of Folly</i> was first printed, I believe, in +1540. Subsequent impressions are dated 1549, 1569, 1577. In 1566, +William Pickering had a license "for pryntinge of a mery and +pleasaunt history, donne in tymes paste by Erasmus Roterdamus," +which possibly might be an impression of the <i>Praise of +Folly</i>. (See Collier's <i>Extracts from the Registers of the +Stationers' Company</i>, vol. i. p. 125.). This popular work was +again translated in the latter part of the following century, by +White Kennet. It was printed at Oxford in 1683, under the title of +<i>Wit against Wisdom, or a Panegyric upon Folly</i>. This is in +all probability the intermediate translation inquired after by your +correspondent.</p> +<p class="author">EDWARD F. RIMBAULT.</p> +<p>In answer to "JARLZBERG," I beg to inform him of the following +translation of Erasmus' <i>Praise of Folly</i>:—</p> +<blockquote> +<p>"Moriæ Encomium, or the Praise of Folly, made English from +the Latin of Erasmus by W. Kennet, of S. Edm. Hall, Oxon, now Lord +Bishop of Peterborough. Adorn'd with 46 copper plates, and the +effigies of Erasmus and Sir Thos. More, all neatly engraved from +the designs of the celebrated Hans Holbeine. 4th edition. +1724."</p> +</blockquote> +<p>Kennett, however, in his preface, dated 1683, alludes to two +other translations, and to Sir Thomas Challoner's as the +<i>first</i>. He does not mention the name of the second +translator, but alludes to him as "<i>the modern translator</i>," +and as having lost a good deal of the wit of the book by having +"tied himself so strictly to a literal observance of the Latin." +This is his excuse for offering to the public a third translation, +in which he professes to have allowed himself such "elbow-room of +expression as the humoursomeness of the subject and the idiom of +the language did invite."</p> +<p class="author">HERMES.</p> +<p>The intermediate translation of the <i>Moriæ Encomium</i> +of Erasmus, to which your correspondent refers, is that by John +Wilson, 8vo. London 1661, of which there is a copy in the +Bodleian.</p> +<p class="author">M.</p> +<p>Oxford.</p> +<p><i>Court of Wards.</i>—I cannot tell "J.B." (No. 11. p. +173.) anything about Mr. D'Israeli's researches in the Court of +Wards; but "J.B." may be glad to know that there is among the MSS. +in the British Museum a treatise on the Court of Wards. I remember +seeing it, but have not read it. I dare say it might be usefully +published, for we know little in detail about the Court of +Wards.</p> +<p class="author">C.H.</p> +<p><i>Scala Coeli</i> (No. 23. p. 366.).—In Foxe's <i>Acts +and Mon.</i>, vol. v. p. 364., Lond. 1838, your Querist may see a +copy of a grant from Pope Clement VII. in 1526, to the brethren of +a Boston guild, assuring them that any member thereof who should +enter the Lady Chapel in St. Botolph's Church, Boston, once a +quarter, and say there "a Paternoster, Ave Maria, and Creed, shall +have the full remission due to them that visit the Chapel of Scala +Scoeli."</p> +<p class="author">H.W.</p> +<p><i>Twm Shawn Cattie</i> (No. 24, p. 383.).—The following +extract from Cliffe's <i>Book of South Wales</i>, furnishes a reply +to this Query.</p> +<p>In describing the beautiful mountain scenery between Llandovery +and Tregaron, he says:—</p> +<blockquote> +<p>"High in the rock above the fall yawns a hole, hardly a cavern, +where once lurked a famous freebooter of Wales, Twm Sion Catti: the +entrance to this cave is through a narrow aperture, formed of two +immense slate rocks, which face each other, and the space between +them is narrower at the bottom than the top, so <span class= +"pagenum"><a name="page456" id="page456"></a>{456}</span> that the +passage can only be entered sideways, with the figure inclined +according to the slanting of the rock.</p> +<p>"The history of Twm Sion Catti (pronounced Toom Shone Catti), +alias Thomas Jones, Esq., is very romantic. He was a natural son of +John ap David Moethe, by Catharine, natural daughter of Meredydd ap +Ivan ap Robert, grandfather of Sir John Wynne, of Gwydir (see +<i>The Heraldic Visitations of Wales</i>, published by the Welsh +MSS. Society), and is said to have died in 1630, at the age of 61. +In early life, 'he was a notorious freebooter and highwayman,' and +levied black mail on the country within reach of his mountain +abode, with the aid of a small band of followers. He soon reformed, +married a rich heiress, was then created a justice of peace for +Brecon, and ultimately became sheriff of that county and +Carmarthenshire. He was, observes Sir S.R. Meyrick, esteemed as an +antiquarian and poet, but is more known for the tricks attributed +to him as a robber."</p> +</blockquote> +<p class="author">A.B.</p> +<p><i>Twm Sion Catti.</i>—The noted robber, Twm Sion or +Shôn Catti, referred to at No. 24. p. 383., was a Welshman +who flourished between the years 1590 and 1630. He was the natural +son of Sir John Wynne, and obtained his surname of Catti from the +appellation of his mother Catherine. In early life he was a brigand +of the most audacious character, who plundered and terrified the +rich in such a manner that his name was a sufficient warrant for +the raising of any sum which he might desire; while his unbounded +generosity to the poor or unprotected, joined to an innate love of +fun and frolic—for he was a very Eulenspiegel—made him +the darling of the people. His chosen dwelling-place was in the +almost inaccessible cave situated near Llandovery, at the junction +of the Tywi and the Dethia (the Toothy of Drayton), which still +bears his name. As time passed on, he wooed and won the heiress of +Ystrad-ffin, in the vale of Tywi; and on becoming possessed of her +property, abandoned his wild life, and with it the name of Catti; +and quietly subsiding into Thomas Jones, Esq., became a poet and +antiquary of high reputation. In addition to which, and as if to +mark their sense of the value of a man so powerful for good or for +evil, the government appointed him high sheriff for the county of +Carmarthen. He died universally respected, and left a name which +yet kindles many a Welsh heart, or amuses many a cottage circle in +the long nights of winter.</p> +<p>His life has been published in an 8vo. volume, which was +probably the work to which the "Note" of "MELANION" referred.</p> +<p class="author">SELEUCUS.</p> +<p><i>Cheshire Round</i> (No. 24. p. 383.).—A dance so +called, peculiar to the county from whence it takes its name. The +musical notes of the <i>Cheshire Round</i> may be seen in <i>The +Dancing Master</i>, 1721, vol. i., and in Edward Jones' <i>Cheshire +Melodies</i>. It was sometimes danced "longways for as many us +will" (as described in <i>The Dancing Master</i>), but more +frequently by one person. A handbill of the time of William the +Third states, "In Bartholomew Fair, at the Coach-House on the Pav'd +stones at Hosier-Lane-End, you shall see a Black that dances the +<i>Cheshire Rounds</i> to the admiration of all spectators." +Michael Root and John Sleepe, two clever caterers of "Bartlemy," +also advertise "a little boy that dances the <i>Cheshire Round</i> +to perfection." There is a portrait of Dogget the celebrated +comedian (said to be the only one extant, but query if it is not +Penkethman?), representing him dancing the <i>Cheshire Round</i>, +with the motto "<i>Ne sutor ultra crepidam</i>."</p> +<p class="author">EDWARD F. RIMBAULT.</p> +<p><i>Horns to a River.</i>—Why the poets give horns to +rivers, must be sought for in the poet's book, nature. I like the +interpretation given by a glance up some sinuous and shelving +valley, where the mighty stream, more than half lost to the eye, is +only seen in one or two of its bolder reaches, as it tosses itself +here to the right, and there to the left, to find a way for its +mountain waters.</p> +<p>The third question about horns I am not able to answer. It would +be interesting to know where your correspondent has found it in +late Greek.</p> +<p class="author">J.E.</p> +<p>Oxford, April 16. 1850.</p> +<p><i>Horns.</i>—For answer to the third Query of "L.C." (No. +24. p. 383.), I subscribe the following, from Coleridge:—</p> +<p>"Having quoted the passage from Shakspeare,</p> +<div class="poem"> +<div class="stanza"> +<p>"'Take thou no scorn</p> +<p>To wear the horn, the lusty horn;</p> +<p>It was a crest ere thou wert born."</p> +</div> +</div> +<p><i>As You Like It</i>, Act iv. sc. 2.</p> +<p>"I question (he says), whether there exists a parallel instance +of a phrase, that, like this of 'Horns,' is universal in all +languages, and yet for which no one has discovered even a plausible +origin."—<i>Literary Remains</i>, vol. i. p. 120. Pickering, +1849.</p> +<p class="author">ROBERT SNOW.</p> +<p><i>Coal Brandy</i> (No. 22. p. 352.).—This is only a +contraction of "coaled brandy," that is, "burnt brandy," and has no +reference to the <i>purity</i> of the spirit. It was the "universal +pectoral" of the last century; and more than once I have seen it +prepared by "good housewives" and "croaking husbands" in the +present, pretty much as directed in the following prescription. It +is only necessary to remark, that the orthodox method of "coaling," +or setting the brandy on fire, was effected by dropping "a live +coal" ("<i>gleed</i>") or red-hot cinder into the brandy. This is +copied from a leaf of paper, on the other side of which are +written, in the hand of John Nourse, the great publisher of +scientific books in his day, some errata in the first 8vo. edit. of +Simsons's Euclid, and hence may be referred to the year 1762. It +was written evidently by some <span class="pagenum"><a name= +"page457" id="page457"></a>{457}</span> "dropper-in," who found +"honest John" suffering from a severe cold, and upon the first +piece of paper that came to hand. The writer's caligraphy bespeaks +age, and the punctuation and erasures show him to have been a +literary man, and a careful though stilted writer. It is not, +however, a hand of which I find any other exemplars amongst +Nourse's correspondence.</p> +<blockquote> +<p>"Take two glasses of the best brandy, put them into a cup which +may stand over the fire; have two long wires, and put an ounce of +sugar-candy upon the wires, and set the brandy on fire. Let it burn +till it is put out by itself, and drink it before you go to +bed.</p> +<p>"To make it more pectoral, take some rosemary and put it in the +brandy, infused for a whole day, before you burn it."</p> +</blockquote> +<p>This is the fundamental element of all the quack medicines for +"coughs, colds, catarrhs, and consumption," from Ford's "Balsam of +Horehound" to Dr. Solomon's "Balm of Gilead."</p> +<p class="author">T.S.D.</p> +<p>Shooter's Hill, April 4.</p> +<p><i>Howkey or Horkey</i> (No. 17. p. 263.).—Does the +following passage from Sir Thomas Overbury's <i>Witty Descriptions +of the Properties of sundry Persons</i>, first published, I +believe, in 1614, afford any clue to the etymology of this word? It +occurs in the description of a Frankling or Yeoman:—</p> +<blockquote> +<p>"He allows of honest pastime, and thinks not the bones of the +dead anything bruised or the worse for it, though the country +lasses dance in the church-yard after even-song. Rock-Monday, and +the wake in summer shrovings, the wakeful catches on Christmas eve, +<i>the hoky or seed-cake</i>, these he yearly keeps, yet holds them +no relics of Popery."</p> +</blockquote> +<p>As I have not the book by me, and am only quoting from an +extract, I am unable to give a more precise reference.</p> +<p class="author">E.R.J.H.</p> +<p>Chancery Lane.</p> +<p>It may be possible further the purpose of the noble Querist as +to the word <i>Howkey</i> or <i>Horkey</i>, if I state, that when +in my boyhood I was accustomed to hear this word, it was pronounced +as if spelt <i>Hockey</i>. As <i>Howkey</i> I should not have +recognised it, nor hardly as <i>Horkey</i>.</p> +<p class="author">AN EAST ANGLIAN.</p> +<p><i>Hockey</i>, a game played by boys with a stick bent at the +end, is very likely derived from <i>hook</i>, an Anglo-Saxon word +too. But we cannot suppose that anything else was derived from +that, and especially when we come to words apparently more genuine +than that. It seems natural to connect them with a hock-tide, +Hoch-zeit (German), and Heoh-tid (A.-S.), a name given to more than +one season when it was usual to have games and festivities. Now +surely this is nothing else than <i>high</i> tide, a time of some +high feast; as we vulgarly say, "high days and holidays." So in the +Scripture, "that Sabbath day was a high day." So high Mass. We +Protestants have no conception of the close connection between the +superior sanctity and the superior jollity of a particular season. +Among the heathen Romans, <i>festicus</i> is derived from +<i>festus</i>.<a id="footnotetag3" name="footnotetag3"></a><a href= +"#footnote3"><sup>3</sup></a> We say high romps, high jinks.</p> +<p>See Wachter, who applies Hoch-zeit to Christmas, Easter, and +Whitsuntide, and says it may be derived either from high, or from +<i>Hogen</i>, "gaudere," which also see. He says that the lower +Saxons "hodie utuntur '<i>Höge</i>'" to mean "gaudium privatum +et publicum convivale et nuptiale." See also Hohen. See Lye, who +has also heah, freols summa festivitas, summum festum.</p> +<p>Ihre (<i>Lex. Suio Goth.</i>) says <i>Hugna</i> is "to make +glad." But in Hog-tid he observes, that gladness is only the +secondary meaning of <i>Hogen</i>,—"<i>Hokanat</i> vocabatur +a Borealibus festum quod media hieme celebrabatur;" and he shows +that hawks were formerly sacrificed at it.</p> +<p class="author">C.B.</p> +<blockquote class="footnote"><a id="footnote3" name= +"footnote3"></a><b>Footnote 3:</b><a href= +"#footnotetag3">(return)</a> +<p>Is not the derivation of "feast" and "fast" originally the same? +that which is appointed, connected with "<i>fas</i>," and that from +"<i>fari</i>."</p> +</blockquote> +<p><i>Howkey or Horkey</i> (No. 17. p. 263.).—Is not this +word simply a corruption of <i>Hockey</i>? Vide under "Hock-cart," +in <i>Brand's Antiquities</i> by Ellis, where the following +quotation from <i>Poor Robin's Almanack</i> for 1676 +occurs:—</p> +<div class="poem"> +<div class="stanza"> +<p>"<i>Hoacky</i> is brought home with hallowing,</p> +<p>Boys with plum-cake the cart following."</p> +</div> +</div> +<p class="author">J.M.B.</p> +<p><i>Luther's Portrait at Warwick Castle</i> (No. 25. p. +400.).—The Portrait by Holbein, in Warwick Castle, certainly +erroneously stated to be that of Luther, was, I believe, engraved +as such in Knight's <i>Portrait Gallery</i>, published by the +Society for the Diffusion of Useful Knowledge. I cannot find in any +account of Helbein's works a mention of a portrait of Luther by +him.</p> +<p class="author">S.W.</p> +<p><i>Symbolism of Flowers, etc.</i>—In reference to works +illustrative of poetical, mythological, scriptural, and historical +associations connected with animals and plants, inquired for in No. +11. p. 173., many a literary man must equally desire an +interpreter,—</p> +<div class="poem"> +<div class="stanza"> +<p>"T' unbind the charms that in slight fables lie,</p> +<p>And teach that truth is truest poesy."</p> +</div> +</div> +<p>Yet, in the English language there is, I believe, no work of +this description; and I therefore beg leave to suggest, that your +learned correspondents may contribute to a very useful compilation +by furnishing illustrations, or references to illustrations, +critical and poetical, collected from the most valuable authors, +ancient and modern; and that this "sacred eloquence,"</p> +<span class="pagenum"><a name="page458" id= +"page458"></a>{458}</span> +<div class="poem"> +<div class="stanza"> +<p>"Where'er 'tis found</p> +<p>On Christian or on heathen ground,"</p> +</div> +</div> +<p>if transplanted into learned pages, would to many readers, +afford much pleasure. Meanwhile, I would refer Querist to the +useful work of Camerarius on <i>Symbols and Emblems</i>.</p> +<div class="poem"> +<div class="stanza"> +<p>"Do thou, bright Phoebus, guide me luckily</p> +<p>To the first plant by some kind augury."</p> +</div> +</div> +<p>The proverbial expression, "Under the rose," appears opportunely +in p. 214, beautifully illustrated<a id="footnotetag4" name= +"footnotetag4"></a><a href="#footnote4"><sup>4</sup></a>, but still +deserving further consideration. Schedius (<i>De Diis Gemanis</i>) +and others have, with much learning, shown Venus Urania to be the +same as Isis Myrionyma. With erudition not inferior, but in support +of a peculiar theory, Gorop. Bacanus maintains Harpocrates and +Cupido, son of Venus Uranis, to be one and the same hieroglyphical +character. I shall now endeavour to explain the symbolism and +dedication of the Rose. This "flower of flowers" adumbrates the +highest faculty of human nature—<i>Reason</i>, and Silence, +or the rest of the reasoning powers, which is indicated by the +Greek term [Greek: epistaemae], <i>science</i>. (See Harris's +<i>Philosoph. Arrang.</i> p. 444., and <i>Hermes</i>, p. 369.). To +whom, then, could the hieroglyphical rose have been more +appropriately dedicated than Harpocrates, who is described with his +finger pointing to his mouth—<i>tacito plenus +amore</i>—a proper emblem of that silence with which we ought +to behave in religious matters.</p> +<p class="author">T.J.</p> +<blockquote class="footnote"><a id="footnote4" name= +"footnote4"></a><b>Footnote 4:</b><a href= +"#footnotetag4">(return)</a> +<p>Has "ARCHILAEUS" looked for these verses into the +<i>Rhodologia</i> of Rosenbergius? I have in vain searched for them +under "Rosæ," in the <i>Amphitheatrum sapientiæ</i> of +Dornavius.</p> +</blockquote> +<p>"<i>Where England's Monarch</i>" (No. 26. p. 415.).—The +two lines inquired for are in Bramston's <i>Man of Taste</i>, a +poem printed about the middle of the last century. I need hardly +add, that the poet was misinformed, it being well known that +Charles I., when brought to trial, refused to plead or <i>to take +off his hat</i>.</p> +<p>There is an account of Duke of Marlborough's adventure with +Barnard in the <i>Gentleman's Magazine</i>, May 1758: but it may be +the same as that in the <i>Annual Register</i>.</p> +<p class="author">BRAYBROOKE</p> +<p>April 27.</p> +<p><i>Journeyman</i> (No. 19. p. 309.).—"GOMER" may like to +know that the old labourers in North Essex still speak of a day's +ploughing as a "<i>journey at plough</i>."</p> +<p class="author">BRAYBROOKE.</p> +<p><i>Sydenham or Tidenham.</i>—I have no doubt as to +Sydenham, included in the inquiry respecting Cromwell's Estates +(No. 24. p. 389.), being <i>Tidenham</i>; for this manor, the +property of the Marquis of Worcester, was possessed by Cromwell; +and, among my title deeds connected with this parish, I have Court +Rolls <i>in Cromwell's name</i> both for <i>Tidenham</i> itself and +for <i>Beachley</i>, a mesne manor within it.</p> +<p>These manors, which were inherited from the Herberts by the +Somersets, were taken out of the former Marches by the statute 27 +Hen. VIII. cap. 26. § 13., and annexed, together with +<i>Woolaston</i>, similarly circumstanced, to the country of +Gloucester and to the hundred of Westbury; of which hundred, in a +legal sense, they still continue a part.</p> +<p class="author">GEO. ORMEROD.</p> +<p>Sedbury Park, Chepstow, April 18. 1850.</p> +<p><i>J.B.'s Treatise on Nature and Art</i> (No. 25. p. +401.).—The book to which your correspondent "M." refers, is, +I believe, "<i>The Mysteries of Nature and Art, in Foure severall +Parts: The First of Water Works,—the Second of Fire Works, +&c., &c. By John Bate</i>."</p> +<p>I have the second edition, 1635; to which is prefixed a rude +engraving of the author:—"Vera effigies Johannis Bate, +memoria manet, modo permaneant studium et industria."</p> +<p class="author">HERMES.</p> +<p>"<i>A Frog he would a-wooing go</i>."—In answer to the +inquiry of "B.G.J." (in No. 25, p. 401.), as to the origin of +"'Heigh ho!' says Rowley," I do not think it is older that thirty +of thirty-five years, when Liston sang an altered version of the +very old song,—</p> +<div class="poem"> +<div class="stanza"> +<p>"A frog, he would a-wooing ride,</p> +<p>With sword and buckler by his side,"</p> +</div> +</div> +<p>and instead of the usual chorus<a id="footnotetag5" name= +"footnotetag5"></a><a href="#footnote5"><sup>5</sup></a>, +inserted</p> +<div class="poem"> +<div class="stanza"> +<p>"Heigho, says Rowley,"</p> +</div> +</div> +<p>as burthen. Liston's song was published by Goulding and Co., +Soho Square, entitled "The Love-sick Frog," with an original air by +C.E.H., Esq. (<i>qy.</i> Charles Edward Horn?), and an +accompaniment by Thomas Cook. The first verse is as +follows:—</p> +<div class="poem"> +<div class="stanza"> +<p>"A frog he would a-wooing go;</p> +<p class="i2">'Heigh ho!' says Rowley;</p> +<p>Whether his mother would let him or no,</p> +<p class="i2">With a rowly, powly,</p> +<p>Gammon and spinach,</p> +<p class="i2">'Heigh!' and Anthony Rowley,"</p> +</div> +</div> +<p class="author">R.S.S.</p> +<p>April 23. 1850.</p> +<blockquote class="footnote"><a id="footnote5" name= +"footnote5"></a><b>Footnote 5:</b><a href= +"#footnotetag5">(return)</a> +<p>In my interleaved copy of Halliwell's <i>Nursery Rhymes</i>, I +have the original song of the "Frog and Mouse" with three different +melodies, and <i>nonsense</i> burthens, as sung by my excellent +nurse, Betty Richens, whose name I hope to see immortalised in your +pages.</p> +</blockquote> +<p>"<i>My Love and I for kisses played, &c.</i>" (No. 19. p. +302.).—The little <i>jeu d'esprit</i> which "Dr. RIMBAULT" +<span class="pagenum"><a name="page459" id= +"page459"></a>{459}</span> has given from Paget's <i>Common Place +Book</i>:—</p> +<div class="poem"> +<div class="stanza"> +<p>"My love and I for kisses play'd,"</p> +</div> +</div> +<p>occurs in the MS. volume from which James Boswell extracted +"Shakspeare's Verses on the King," but with a much better reading +of the last couplet:—</p> +<div class="poem"> +<div class="stanza"> +<p>"Nay then, quoth shee, is this your wrangling vaine?</p> +<p>Give mee my stakes, take your own stakes againe."</p> +</div> +</div> +<p>They are entitled, "Upon a Lover and his Mistris playing for +Kisses," and are there without any name or signature. They remind +us of Lilly's very elegant "Cupid and Campaspe."</p> +<p>The ballad, or rather ode, as Drayton himself entitles +it:—</p> +<div class="poem"> +<div class="stanza"> +<p>"Fair stood the wind for France,"</p> +</div> +</div> +<p>is to be found in the very rare volume with the following title, +<i>Poemes Lyrick and Pastorall, Odes, Eglogs, The Man in the Moon, +by Michael Drayton, Esquire</i>. At London, printed by R.B. for +N.L. and J. Flaskett. 12mo. (No date, but circa 1600.)</p> +<p>I think the odes are given in the other volumes of the early +editions of Drayton's <i>Miscellaneous Poems</i>; but I speak +without book, my collection being in the country.</p> +<p>The selection from Herrick, noticed by Mr. Milner Barry, was +made by Dr. Nott of Bristol, whose initials, J.N., are on the title +page. "The head and front of my offending" is the Preface of Mr. +Pickering's neat edition of Herrick in 1846.</p> +<p class="author">S.W.S.</p> +<p>March 12. 1850.</p> +<p class="note">["O.E." informs us that these pretty lines form No. +CCXXXIX. of <i>A Collection of Epigrams. London. Printed for J. +Walthoe</i>, 1727, and of which a second volume was published in +1737; and "J.B.M." adds, that they are also to be found in the +<i>Encyclopædia of Wit</i>, published about half a century +since.]</p> +<p><i>Teneber Wednesday.</i>—In Hall's <i>Chronicle</i>, +under the date of 23rd Hen. VIII., is this passage:</p> +<blockquote> +<p>"When Ester began to draw nere, the Parliament for that tyme +ended, and was proroged till the last day of Marche, in the next +yere. In the Parliament aforesayde was an Acte made that whosoeuer +dyd poyson any persone, shoulde be boyled in hote water to the +death; which Acte was made bicause one Richard Roose, int the +Parliament tyme, had poysoned dyuers persons at the Bishop of +Rochester's place, which Richard, according to the same Acte, was +boyled in Smythfelde the <i>Teneber-Wednysday</i> following, to the +terrible example of all other."</p> +</blockquote> +<p>I conjecture that Teneber Wednesday is the Wednesday next before +Easter, of "Feria quarta majoris Hebdomadao," and that the name is +derived form the Gospel for that day according to the ritual of the +Church of Rome.</p> +<blockquote> +<p>"Erat autem fere hora sexta, et <i>tenèbroe</i> factoe +sunt in universam terram usque in horam nonam. Et obscuratus est +sol: et velum templi seissum est medium."—Luke, xxiii. 44, +45.</p> +</blockquote> +<p>Should this conjecture be ill founded, I shall be glad to see it +corrected; at any rate, I shall be obliged if any of your +correspondents can supply other instances of the use of the term, +or state what are or were the ceremonies peculiar to the day.</p> +<p class="author">C.H. COOPER</p> +<p>Cambridge, April 4. 1850.</p> +<p>P.S. Since the above was written, I have noticed that +"<i>Tenable Wednesday</i>" occurs three times in the Ordinance for +"weshing of all mannar of Lynnon belonging to my Lordes Chapell" in +the Northumberland Household Book (pp. 243, 244.). In each instance +it is placed between Lady Day and Easter Even.</p> +<p class="note">[If our correspondent refers to Mr. Hampson's most +useful work, <i>Medii ævi Kalendarium</i>, vol. i. p. 370., +to the words <i>Tenables, Tenabulles, Tenebræ</i>, he will +find them explained "The three nights before Easter;" and the +following among other illustrations:—</p> +<p class="note">"Worshipfull frendis, ye shall cum to holi chirch +on Wednysday, Thursday, and Friday at even for to here dyvyne +service, as commendable custom of holi chirch has ordeyned. And +holi chirch useth the iij dayes, Wednysday, Thursday, and Friday, +the service to be saide in the eventyde in derkenes. And hit is +called with divers men <i>Tenables</i>, but holi chirch +<i>Tenebras</i>, as <i>Raccionale Divinorum</i> seth, that is to +say, thieness or derkenes, to commemorate the betrayal of our Lord +by night."—<i>Harl. MS.</i> 2247. fo. 83.]</p> +<p><i>The Buckingham Motto.</i>—Permit me to suggest that +your correspondents "S." and "P." (No. 18. pp. 283, 284.) are +labouring under a mistaken notion in supposing that the line</p> +<div class="poem"> +<div class="stanza"> +<p><i>Sovente me sorene</i>,</p> +</div> +</div> +<p>belongs to the French idiom, and answers to our phrase "Forget +me not." Such a sentiment would be sufficiently appropriate as the +parting prayer or injunction of a lover, but does not possess the +essential characteristic of a <i>motto</i>, which one selects for +the purpose of declaring his own sentiments of conduct towards +<i>others</i>, not to deprecate or direct those of others towards +<i>himself</i>.</p> +<p>The language employed is, in part, pure Italian, not antiquated, +but exactly such as is spoken by persons of education at the +present day; and if "S." would again examine the original MS., I +make no doubt that he would find the line written <i>Sovente mi +sooviene (sovene)</i>, <i>i.e.</i> with the personal pronoun in the +dative instead of the accusative case. The expression <i>mi +souviene</i> is equivalent to <i>mi ricordo</i>, but is a more +elegant form that the latter; and the meaning of the motto will be +"I seldom forget,"—a pithy and suggestive sentence, implying +as much the memory of a wrong to be avenged as of a favour to be +required.</p> +<p class="author">A. RICH, JUN.</p> +<span class="pagenum"><a name="page460" id= +"page460"></a>{460}</span> +<p><i>Larig.</i>—I am obliged by the suggestions of your +correspondents "B.W." and "C.I.R." (No. 24. p. 387.), to which I +beg leave to offer the following reply. The Dutch and Flemish (or +Netherlandish, as they may be considered one language until the +fifteenth century) <i>Le'er</i> and <i>Le'ar</i> are simply +contractions of <i>Leder</i>, as Tenkate observes, <i>euphonis +gratia</i>, by the omission of the <i>d</i>, which takes place in +other similar words; and what is remarkable in <i>Ledig</i>, empty, +which becomes <i>Le'eg</i>. <i>Le'erig</i> is of course +<i>leathery</i>, or <i>tough</i>; but <i>Lederen</i> or +<i>Le'ersen</i>, would be used for <i>made</i> of <i>leather</i>, +and in A.-S., most probably [A-S: hydig]. We have no such +contraction in A.-S.: it is always [A-S: Leðer] and [A-S: +Leðern]. The epithet, <i>leathery</i>-shields, could hardly +have been used where they are said to <i>resound</i>; and the +instance of <i>vaulted</i> shields in Judith is, I think, +conclusive. The root of <i>Leder</i> is possibly <i>hlid-an</i>, to +cover HIDE? That of <i>Leer</i> possibly <i>lieren</i>, amittere, +privari?</p> +<p>I should have noted the instances of the word from Junius and +Schilter, which were not unknown to me, but for brevity's sake; and +indeed I had not Urry's <i>Chaucer</i> at hand to verify the +reference of Junius to the Tale of Beryn, the only valuable portion +of Urry's book. I knew that a simple reference to the O.H.G. +Lâri would be sufficient for Dr. Grimm.</p> +<p>Thorkelin, in his very incorrect edition of Beowulf, has +followed Lye, in rendering <i>Lind haebbende</i>, Vexilla habens; +and Haldorsen's explanation of <i>Lind</i> might have taught him +better. Mr. Kemble has rendered it <i>shield-bearers</i>, and gives +instances in his Glossary of similar combinations, as +<i>rond-haebbendra</i>, <i>bord-haebbende</i>, +<i>scaro-haebbendra</i>.</p> +<p class="author">S.W. SINGER.</p> +<p>April 15. 1850.</p> +<p><i>Zenobia a Jewess?</i> (No. 24. p. 383.)—</p> +<blockquote> +<p>"To conclude what I have to say of this princess, I shall add +here, after M. de Tillemont, that St. Athanasius <i>took her to be +a Jewess</i>, meaning, without doubt, <i>in respect of her +religion</i>; and that, according to Theodoret, it was to please +her that Paul of Samosata, whom she patronised, professed opinions +very like those of the Jews concerning the person of Jesus Christ, +saying that he was only a mere man, who had nothing in his nature +superior to other men, nor was distinguished from them any +otherwise than by a more abundant participation of the divine +grace."—Crevier, <i>Hist. of Rom. Emperors</i>, Book 27. +"Aurelian," vol. ix. p. 174.</p> +</blockquote> +<p>M. Crevier refers to "Tillem. Aur. art. 5."</p> +<p class="author">C. FORBES</p> +<p>Temple, April 16.</p> +<p><i>Temple Stanyan.</i>—The following notices, relating to +<i>one</i> Temple Stanyan may interest your correspondent "A.G." +(No. 24 p. 382.).</p> +<blockquote> +<p>"1725. March 23. Died Mrs. —— Stanyan, wife of +Temple Stanyan, Esq., one of the Chief Clerks in the office of +Secretary of State."—<i>Historical Register.</i></p> +<p>"1726. April 28. Temple Stanyan, Esq., one of the Clerks of His +Majesty's most Hon. Privy Council, married to Mrs. +Pauncefort."—<i>Ibid.</i></p> +</blockquote> +<p>There is a monument in one of the churches at +Southampton,—</p> +<blockquote> +<p>"To the Memory of Catharine, Relict of Admiral Sir Charles +Hardy, and only daughter of Temple Staynian, Esq., of Rawlins in +co. Oxon. She died Feb. 19. 1801, aged 75 years. This monument was +erected by her only surviving son, Temple Hardy, Captain in His +Majesty's Navy."</p> +</blockquote> +<p>Edward Pauncefort, Esq., was one of the executors of Sir Charles +Hardy's will, proved in Doctors' Commons, 10th June, 1780.</p> +<p class="author">W.H.</p> +<p><i>Temple Stanyan</i> wrote a History of Greece, 1751, which was +common when I was at school, and another book, as Watts says. If +the question is biographical, I can say nothing.</p> +<p class="author">C.B.</p> +<p><i>Temple Stanyan</i> (No. 24. p. 382.).—He also published +an <i>Account of Switzerland</i>, 8vo. London, 1714.</p> +<p class="author">M.</p> +<p><i>"Who was Temple Stanyan?"</i> (no. 24. p. 382.) Temple +Stanyan was the son of Abraham Stanyan, Esq., a Member of the Kit +Kat Club, M.P. for Buckingham, Ambassador to the Porte, a Lord of +the Admiralty, etc. Mr. Temple Stanyan was himself also Minister at +Constantinople, and at several other courts; and afterwards +Under-Secretary of State under both Addison and the Duke of +Newcastle. He published in 1714 an Account of Switzerland; and his +Grecian history in 2 vols. was, till the publication of Mitford's, +the best in our language. I believe that his daughter married Adm. +Sir Charles Hardy. He died in 1752.</p> +<p class="author">C.</p> +<p><i>Auctorite de Dibil</i> (no. 25. p. 205.).—Probably an +error of transcription; read <i>Auctorite de Bibil</i>.</p> +<p class="author">J.M.B.</p> +<p><i>The Bristol Riots</i> (No. 22. p. 352.).—"J.B.M." is +informed, that the volume to which he alludes is generally +considered by Bristolians as the most authentic and fullest +narrative that was published of those disgraceful scenes.</p> +<p class="author">J.M.G.</p> +<p>Worcester.</p> +<p><i>Religious Tract by F.H.</i> (No. 25. p. 400.)—The +author of the religious tract which has fallen into the hands of +"J.C." is no doubt one of the early Quakers, and probably Francis +Howgill. Howgill was originally a clergyman of the Church of +England, but afterwards became a Baptist, and in the year 1652 +joined the early Quakers, upon hearing the preaching of George Fox. +His works were published in folio, in 1676, by Ellis Hookes.</p> +<p class="author">Θ.</p> +<span class="pagenum"><a name="page461" id= +"page461"></a>{461}</span> +<p><i>Complutensian MSS.</i>—"E.M.B." (No. 25. p. 402.) will +find full answers to his Queries, and more interesting information +on the same subject, in a note in vol iv. p. 235. of Don Pedro +Saban's Spanish translation of Prescott's <i>Ferdinand and +Isabella</i>. Madrid, 1846.</p> +<p>I am told by an American gentleman, who has seen the MSS. within +a month in the library of the University of Madrid, wither they +were removed from Alcala in 1837, that the Chaldaic and Hebrew +manuscripts are all originals, and on parchment. The only MSS. of +Zamora among them are 3 vols. in Latin, translated from the +Hebrew.</p> +<p>The Greek MSS., or some of them, are still with the collection +as above; and of course were not returned to the Vatican.</p> +<p class="author">H.S.</p> +<p>Morley's Hotel, April 28.</p> +<p><i>Tablet to Napoleon</i> (No. 17. p. 263., No. 25. p. +406.).—"C.I.R.'s" interpretation can hardly be admitted. The +true meaning will be best exhibited by the following +form:—</p> +<div class="poem"> +<div class="stanza"> +<p>"Napoleoni,</p> +<p class="i2">Ægyptiaco,</p> +<p>Bis Italico,</p> +<p class="i2">Semper Invicto."</p> +</div> +</div> +<p><i>Bis Italico</i> alludes to his twice conquering Italy, viz., +in his first campaign, and again in that of Marengo.</p> +<p class="author">C.</p> +<p><i>Malone's Blunder</i> (No. 25. p. 403.).—"Mr. BOLTON +CORNEY," in his answer on this subject, says very justly, that +"before we censure a writer, we should consult his own edition." He +has, however, not followed this excellent principle in this case, +for he has certainly not looked at the Irish edition of Malone, on +which the question arises. He has repeated what I had already +stated (No. 24. p. 386.), that the mistake was <i>not</i> a blunder +of <i>Malone's</i>; and he has also pointed out, what had escaped +me, Malone's supplemental note containing the first <i>three</i> +articles of the pretended will of <i>John</i> Shakspeare: but when +he adds that there is "<i>no fabrication</i>" and "<i>no +mystery</i>" in the case, and that "the blunder of the Irish editor +was merely in attempting to <i>unite the two fragments</i> as +published by Malone," it is quite clear that he has not seen the +edition in question, and has, I think, mistaken the whole affair. +The Irish editor did <i>not</i> attempt to unite Malone's +fragments—quite the contrary—he left Malone's first +fragment as he found it; but he took the second fragment, namely, +the exordium of the pretended will of <i>John</i> Shakspeare, and +substituted it <i>bodily</i> as the exordium of the will of +<i>William</i> Shakspeare, suppressing altogether the real exordium +of the latter. So that this Irish will begins, "I, <i>John</i> +Shakspeare," &c., and ends, "by me, <i>William</i> Shakspeare." +I have no doubt that the will of John Shakspeare is a forgery +altogether; but the taking three paragraphs of it, and substituting +them for the two first paragraphs of <i>William</i> Shakspeare's +genuine will, is what I call, and what no doubt "Mr. BOLTON CORNEY" +will think, on this explanation of the facts, "an audacious +fabrication." The best guess I can make as to how, or with what +design, the Irish editor should have perpetrated so complicated, +and yet so manifest a blunder, is this:—Malone printed the +fragment in question at the end of his volume, amongst his +"Emendations and additions," as belonging to "<i>the will before +printed</i>," meaning the forged will of <i>John</i> Shakspeare, +but that the Irish editor understood him to mean the genuine will +of <i>William</i> Shakspeare; and so thought that he was only +restoring the latter to its integrity: but how he could have +overlooked the difference of names, and the want of continuity in +the meaning of the documents, is still to me utterly +incomprehensible.</p> +<p class="author">C.</p> +<p><i>Theses.</i>—Perhaps it may assist your correspondent +"M." (No. 25. p. 401.) to be informed that the University of +Göttingen is particularly rich in "<i>Theses</i>" (termed +<i>Disputationes et Dissertationes</i>), to which there is a large +room entirely devoted in the library of that university; together +with the transactions of learned bodies. A special librarian is +attached to this department, which is much consulted. A Catalogue +was begun to be published of this collection, so far as respects +the <i>Memoirs</i> contained in the various transactions, in 1801, +by J.D. Reuss; and 16 vols. in 4to. had appeared up to 1821; after +which, I believe, the publication has been suspended. Of Catalogues +of Theses, I think the following work is in good +esteem:—<i>Dissert. Acad. Upsal. habitæ sub +Præsid. C.P. Thunberg</i>, 3 tom. 8vo. Götting. +1799-1801. The second part of vol. ii. in the <i>Catalogus +Bibliothecæ Thottiauæ</i> (7 vol. 8vo. Fauniæ, +1789-1795.) contains a catalogue, which it might be well to +consult, of dissertations under the name of the president or head +of the institution or college where they were delivered, than under +the writer's name. At least, in a <i>collective</i> sense the +former method is adopted, as in the following instance: Schultens, +(Alb.) <i>Sylloge Dissertationem Philologico-Eregeticarum, +adiversis Auctoribus Editarum, sub Præsidio A. Schultens, +etc.</i>, 2 tom.: although, if the author should happen to be +distinguished for his other productions, <i>all</i> that he wrote +is anxiously sought out, and placed under his own name.</p> +<p class="author">J.M.</p> +<p>Oxford, April 24.</p> +<p class="note">["M." may also be referred to the <i>Catalogus +Dissertationum Academicarum quibusnsuper aucta est Bibliotheca +Bodleiana</i>. A quarto volume, printed at the Oxford University +Press in 1834.]</p> +<p><i>MSS. of Locke</i> (No. 25. p. 401.).—"C." is informed +<span class="pagenum"><a name="page462" id= +"page462"></a>{462}</span> that Dr. Thomas Hancock died at Lisburn, +in Ireland, during the past year. The papers of Locke respecting +which he inquires are probably still in the possession of Dr. H.'s +son.</p> +<p class="author">Θ</p> +<hr class="full" /> +<h2>MISCELLANIES.</h2> +<p><i>Spur Money.</i>—Although I used often, twenty years +ago, when a chorister at the Chapel Royal, to take part in levying +a fine on all who entered that place with spurs on, I was not aware +of its origin till I saw it explained in your interesting +publication (No. 23. p. 374.). There was a custom however, +connected with this impost, the origin of which I should be glad to +learn. After the claim was made, the person from whom it was sought +to be exacted had the power to summon the youngest chorister before +him, and request him to "repeat his gamut," and if he failed, the +spur-bearer was entitled to exemption.</p> +<p class="author">E.J.H.</p> +<p><i>Spur Money.</i>—I beg to offer the following humble +illustration of spur-money, which I copied from the belfry wall of +All Saints Church at Hastings:—</p> +<div class="poem"> +<div class="stanza"> +<p class="i2">1.</p> +<p>"This is a belfry that is free</p> +<p>For all those that civil be:</p> +<p>And if you please to chime or ring,</p> +<p>It is a very pleasant thing.</p> +</div> +<div class="stanza"> +<p class="i2">2.</p> +<p>"There is no musick play'd or sung,</p> +<p>Like unto bells when they're well rung:</p> +<p>Then right your bells well, if you can—</p> +<p>Silence is best for every man.</p> +</div> +<div class="stanza"> +<p class="i2">3.</p> +<p>"But if you ring in <i>spur or hat</i>,</p> +<p>Sixpence you pay—be sure of that:</p> +<p>And if a bell you overthrow,</p> +<p>Pray pay a groat before you go."</p> +</div> +</div> +<p>(dated) 1756.</p> +<p class="author">ALFRED GATTY.</p> +<p>Ecclesfield, April 6. 1850.</p> +<p><i>Note Books.</i>—Looking at what your correspondent says +about "Note Books," I think the following hint may be useful to +others, as it has been to myself. Many persons never get so far as +the formality of a common-place book, and do not like to write in +their books. Let them follow my plan. The envelope maker will +procure them any number of little slips of white paper, with a +touch of isinglass at each of the four corners. Let the note be +written on one of these, and then let the slip be stuck into any +book which is sure to be wanted in connection with the subject when +it comes up again; either by one, two, or four corners, as +convenient. The isinglass will not hurt the book, if ever it be +wanted to remove the slip. A note is more in the way, when attached +to a book which suggested it, than when buried among unindexed +miscellanies; and there are few who index themselves. Your motto is +good as far as it goes; but the other half is wanting:—</p> +<div class="poem"> +<div class="stanza"> +<p>"When made a note of,—find if you can."</p> +</div> +</div> +<p class="author">M.</p> +<hr /> +<h3>LADY RACHAEL RUSSELL.</h3> +<p>Mr. Dyce has admitted Lady Rachael Russell among his <i>British +Poetesses</i> on account of the following verses:—</p> +<div class="poem"> +<div class="stanza"> +<p>TO THE MEMORY OF HER HUSBAND.</p> +</div> +<div class="stanza"> +<p>"Right noble twice, by virtue and by birth,</p> +<p>Of Heaven lov'd, and honour'd on the earth;</p> +<p>His country's hope, his kindred's chief delight,</p> +<p>My husband dear, more than this world's light,</p> +<p>Death hath me reft. But I from death will take</p> +<p>His memory, to whom this tomb I make.</p> +<p>John was his name (ah, was! wretch must I say),</p> +<p>Lord Russell once, now my tear-thirsty clay."</p> +</div> +</div> +<p>Now "John" was not the Christian name of William Lord Russell, +so that these verses could not have come from his widow's pen. +Indeed, they are much older than Lady Rachael's time, and may be +found on the monument in Westminster Abbey erected by Lady Russell, +in the reign of Queen Elizabeth, to John Lord Russell, who died in +1584.</p> +<p class="author">P. CUNNINGHAM.</p> +<hr /> +<p><i>Byron and Tacitus</i> (No. 20. p. 390.).—To your young +friend, who honestly signs himself "A SCHOOLBOY," let an older +correspondent say, that he will do more wisely to let the rules of +his teachers keep him from perusing an author who makes a mock of +all moral and all honourable feelings. But if he wishes to know +whether the introduction of the sentence from Tacitus into a +poetical tale should be called "cabbaging," the reply will properly +be, No. The poet expected that the well-known figure, which he had +thus thrown into verse, would be immediately recognised by every +literary reader, and that the recognition would give pleasure. He +was trying his hand at a task of which it has been affirmed by a +master, that <i>Difficile est proprie communia dicere</i>. The +Schoolboy knows where to find these words; and I hope that he also +knows where to find the words of one who speaks with greater +authority, and has said most kindly, "Cease, my son, to hear [read] +the instruction that causeth to err."</p> +<p class="author">H.W.</p> +<p><i>Aboriginal Chambers near Tilbury.</i>—It is proposed to +descend some of the aboriginal chambers alluded to by Camden, near +Tilbury in Essex. In consequence, however, of Camden having named a +wrong parish, later antiquaries have been puzzled to ascertain +their precise whereabouts. Mr. Crafter, in 1848, after many days' +labour, found them out; and a brief notice of them was given +<span class="pagenum"><a name="page463" id= +"page463"></a>{463}</span> in an article upon "Primæval +Britain" in the <i>West Kent Almanack for</i> 1849. Hasted mentions +similar pits in Crayford Parish, Kent. In Dartford parish is +another called "the Sound Hole," from the echoes, &c., made +upon a stone being thrown down. Mr. S. Laudale intends an +examination of it this summer. Tradition reports that there are +three enormous caverns, which communicate with the central +shaft.</p> +<p>How, or what, is the best way of driving the foul air out of +those chambers which are aloof from the central shaft?</p> +<p class="author">Δ</p> +<p><i>Sir R. Haigh's Letter-Book.</i>—A few days ago, Messrs. +Puttick and Simpson sold a very important manuscript, the original +letter-book of Sir R. Haigh, of Lancashire, of the time of Charles +II. It fetched 51<i>l.</i>, being bought by a collector whose name +has not transpired; but perhaps this notice, if you kindly insert +it, may induce the purchaser to edit it for the Chetham Society, to +whose publications it would for a most valuable addition.</p> +<p class="author">R.</p> +<p><i>A Phonetic Peculiarity.</i>—I venture to note as a very +curious phonetic peculiarity, that we have in the English language +a large number of monosyllabic words ending is <i>sh</i>, all of +which are expressive of some violet action or emotion. I quote a +few which have occurred without search, in alphabetical order. +"Brush, brash, crash, crush, dash, gash, gush, hash, gnash, lash, +mash, pash, push, quash, rush, slash, smash, squash, thrash."</p> +<p class="author">J.M.B.</p> +<hr class="full" /> +<h2>MISCELLANEOUS.</h2> +<h3>NOTES ON BOOKS, CATALOGUES, SALES, ETC.</h3> +<p>At the late Annual Meeting of the Shakespeare Society it was +announced that a complete collection of the works of Thomas Heywood +had been determined upon, and the first volume containing six plays +was laid upon the table. It was also shown that Mr. Collier's +<i>Essay on the Chandos Portrait</i> had only been delayed from a +desire to obtain the most novel and accurate information.</p> +<p>The members of the Percy Society will be glad to hear, that at +the Annual Meeting on the 1st instant, the immediate publication of +the third volume of Mr. Wright's edition of the <i>Canterbury +Tales</i> was announced.</p> +<p>The plan for the <i>restoration of Chaucer's tomb</i> in Poet's +Corner has at length assumed a practical shape. It has been +ascertained that less than 100<i>l.</i> will do every thing that +can be desired to repair the ravages of time, and preserve the +monument for centuries to come. It is proposed to raise this sum by +subscriptions of five shillings, that more may share in the good +work; and a committee has been formed to carry out this scheme, +which has already received the sanction of the Earl of Carlisle, +the Earl of Ellesmere, Lord Braybrooke, Mr. Charles Wynn, and other +distinguished lovers of literature. Subscriptions are received by +every member of the committee, and parties resident in the country +may remit them by post-office orders payable at Charing Cross in +favour of William Richard Drake, Esq., F.S.A., of 46. Parliament +Street, the Honorary Treasurer; or of William J. Thoms, Esq., the +Honorary Secretary of the Committee.</p> +<p>The Annual Meeting of the Camden Society on the 2d instant, +under the Presidentship of Lord Braybrooke, gave general +satisfaction. The council reported the publication during the past +year of the <i>Peterborough Chronicle</i>; the <i>Letters of +Elizabeth and James VI.</i>; and the <i>Chronicle of Queen +Jane</i>. This last volume was then only on the eve of circulation; +it has since been issued, and found to justify the announcement of +the council that it is work of great historical value, and an +interesting companion to <i>Machyn's Diary</i>.</p> +<p>We have received the following Catalogues:—James Darling's +(21. Little Queen Street, Lincoln's Inn Fields) Catalogue of Books +Old and New, Theological and Miscellaneous, and Andrew Clark's (4. +City Road) Catalogue, No. 8., of Books in English and Foreign +Theology, Literature, Roman Catholic Controversy, Classics, +&c.</p> +<hr /> +<h3>BOOKS AND ODD VOLUMES</h3> +<h4>WANTED TO PURCHASE.</h4> +<h4>(<i>In continuation of Lists in former Nos.</i>)</h4> +<p>THE ANTI-JACOBIN.</p> +<p>ROCCHA DE CAMPANIS.</p> +<h4><i>Odd Volumes</i>.</h4> +<p>THE SPIRIT OF THE PUBLIC JOURNALS, Vol I. 1797.</p> +<p>CALENDAR OF HARLEIAN MSS., Vol. IV.</p> +<hr /> +<h3>NOTICES TO CORRESPONDENTS.</h3> +<p>COMPLETION OF OUR FIRST VOLUME.—<i>Two more numbers will +complete our First Volume, to which a very full Index is preparing. +A Second Volume, of the same size, will be completed at the end of +December, and we shall then be enabled to judge how far it will be +desirable to adopt the system of Half-Yearly or Yearly +volumes.</i></p> +<p><i>Our readers will find the present and two following Numbers +principally occupied with</i> REPLIES, <i>as it is obviously +desirable that they should, as far as possible, appear in the same +volume as the</i> QUERIES <i>to which they refer.</i></p> +<p>COLLAR OF SS. <i>This subject shall be brought forward early in +the next volume.</i></p> +<p>E.S.T. <i>Thanks.</i> The Query and Folk Lore <i>shall appear as +soon as possible</i>.</p> +<p>W.M.T. <i>is also thanked. It can scarcely be necessary to +assure him, that had we known what he has so kindly informed us, +the article he alludes to would not have been inserted, nay, we are +sure we may add, that the friend who sent it would never have +handed it to us for publication</i>.</p> +<hr class="adverts" /> +<span class="pagenum"><a name="page464" id= +"page464"></a>{464}</span> +<p>On the 30th of APRIL, 1850, was published, by CHARLES +KNIGHT,</p> +<p>PART I. OF</p> +<p>THE IMPERIAL CYCLOPÆDIA;</p> +<p>To be continued in Monthly Parts, price Half-a-Crown, +Super-royal 8vo.</p> +<p>The Work now announced is the commencement of a NEW SERIES OF +CYCLOPÆDIAS, FOUNDED UPON THE VAST TREASURY OF ORIGINAL +MATERIALS IN "THE PENNY CYCLOPÆDIA."</p> +<p>The publication commences with</p> +<p>THE GEOGRAPHY OF THE BRITISH EMPIRE;</p> +<p>To form Two Volumes, with Steel Engravings and numerous Coloured +Maps; And to be completed in Twelve Monthly Parts, at +Half-a-Crown.</p> +<p>"The Part now before us is the commencement of the +'Cyclopædia of Geography.' The articles which appear in the +present number convey a large amount of useful information in a +compact and intelligent form. They are evidently the productions of +competent writers, well acquainted with the present state of +geographical science. The Maps are beautifully distinct. Fulness, +compactness, and clearness—the great requisites of a +Cyclopædia—are here combined in a high +degree."—<i>The Athenæum</i>, No. 1175.</p> +<p>"The Part before us promises well. Books published subsequently +to the 'Penny Cyclopædia' have been consulted, to bring down +the information to the latest date; and many contributions from +local residents of places in this country enrich particular +articles with full knowledge."—<i>The Spectator</i>, No. +1140.</p> +<p>LONDON: CHARLES KNIGHT, FLEET STREET.</p> +<hr /> +<p>Now ready, containing 149 Plates, royal 8vo. 28<i>s.</i>; folio, +2<i>l.</i> 5<i>s.</i>; India Paper, 4<i>l.</i> 4<i>s.</i></p> +<p>THE MONUMENTAL BRASSES of ENGLAND: a Series of Engravings upon +Wood, from every variety of these interesting and valuable +Memorials, accompanied with Descriptive Notices.</p> +<p>By the Rev. C. FOUTELL, M.A. Rector of Downham Market. Part XII, +completing the work, price 7<i>s.</i> 6<i>d.</i>; folio, +12<i>s.</i>; India paper, 24<i>s.</i></p> +<p>By the same Author, royal 8vo. 15<i>s.</i>; large paper, +21<i>s.</i></p> +<p>MONUMENTAL BRASSES and SLABS: an Historical and Descriptive +Notice of the Incised Monumental Memorials of the Middle Ages. With +upward of 200 Engravings.</p> +<p>"A Handsome large octavo volume, abundantly supplied with +well-engraved woodcuts and lithographic plates; a sort of +Encyclopædia for ready reference.... The whole work has a +look of painstaking completeness highly +commendable."—<i>Athenæum</i>.</p> +<p>"One of the most beautifully got up and interesting volumes we +have seen for a long time. It gives in the compass of one volume an +account of the History of those beautiful monuments of former days +... The illustrations are extremely well chosen."—<i>English +Churchman.</i></p> +<p>A few copies of this work remain for sale; and, as it will not +be reprinted in the same form and at the same price, the remaining +copies are raised in price. Early application for the Large Paper +Edition is necessary.</p> +<p>By the same Author, to be completed in Four Parts, CHRISTIAN +MONUMENTS in ENGLAND and WALES: an Historical and Descriptive +Sketch of the various classes of Monumenta Memorials which have +been in use in this country from about the time of the Norman +Conquest. Profusely illustrated with Wood Engravings. Part I. price +7<i>s.</i> 6<i>d.</i>; Part II. 2<i>s.</i> 6<i>d.</i></p> +<p>"A well conceived and executed +work."—<i>Ecclesiologist.</i></p> +<hr /> +<p>MATERIALS for making RUBBINGS of MONUMENTAL BRASSES and other +Incised Works of Art.</p> +<p>Heel Ball, in cakes, at 3<i>d.</i> and 1<i>s.</i> each.</p> +<p>Also, RICHARDSON'S METALLIC RUBBER, in cakes price 1<i>s.</i> +l6<i>d.</i>; Double cakes, 2<i>s.</i> 6<i>d.</i></p> +<hr /> +<p>THE ROMANCE of the PEERAGE; or, Curiosities of Family History. +by GEORGE LILLIE CRAIK. Vols. I. II. and III. Post 8vo., cloth, +10<i>s.</i> 6<i>d.</i> each.</p> +<p>"A book of strange facts."—<i>Atlas.</i></p> +<p>"Great industry and minute research are apparent in almost every +page. Mr. Craik happily unites excellence of style with patient +erudition."—<i>Morning Chronicle.</i></p> +<p>"For our own parts, let us at once say, that Mr. Craik's design +appears to us an extremely good one, and that we are glad to see it +in competent hands. It is precisely that kind of book to which +scrupulous care and diligent labour were essential; and in this +respect we cannot speak too highly of the volume lying on our +table."—<i>Examiner.</i></p> +<p>Volume IV., completing the work, is in the press.</p> +<p>London: CHAPMAN and HALL, 186. Strand.</p> +<hr /> +<p>CUT AND COME AGAIN!</p> +<p>TO HISTORIANS, ANTIQUARIES, and COUNTY COLLECTORS.—Highly +interesting and curious Biographical, Antiquarian, and +Topographical CUTTINGS FROM OLD NEWSPAPERS, MAGAZINES, REGISTERS, +&c., may be had at the Little Bookshop, 26 Red Lion Street, +Holborn.</p> +<p>N.B. Every Cutting is correctly and distinctly dated.</p> +<hr /> +<p>Just published, WILLIAMS and NORGATE'S CATALOGUE of GERMAN +THEOLOGICAL BOOKS; including the WORKS of NEANDER, THOLUCK, +NITZSCH, JULIUS MULLER, KRUMMACHER, DORNER, HENGSTENBERG, EWALD, +HARLESS, LANGE, UMBRIET, STIER, OLSHAUSEN, SCHLEIERMACHER, &c., +EDITIONS of the BIBLE, the WORKS of the FATHERS and REFORMERS, +&c. &c. Gratis (two stamps).</p> +<p>14. Henrietta Street, Covent Garden.</p> +<hr /> +<p>THE PRIMÆVAL ANTIQUITIES OF ENGLAND ILLUSTRATED BY THOSE +OF DENMARK.</p> +<p>THE PRIMÆVAL ANTIQUITIES OF DENMARK. By J.J.A. WORSAAE, +Member of the Royal Society of Antiquaries of Copenhagen. +Translated and applied to the illustrations of similar Remains in +England, by WILLIAM J. THOMS, F.S.A., Secretary of the Camden +Society. With numerous Woodcuts. 8vo. 10<i>s.</i> 6<i>d.</i></p> +<p>"The best antiquarian handbook we have ever met with—so +clear is its arrangement, and so well and so plainly is each +subject illustrated by well-executed engravings.... It is the joint +production of two men who have already distinguished themselves as +authors and antiquarians."—<i>Morning Herald.</i></p> +<p>"A book of remarkable interest and ability.... Mr. Worsaae's +book is in all ways a valuable addition to our literature.... Mr. +Thoms has executed the translation in flowing and idiomatic +English, and has appended many curious and interesting notes and +observations of his own."—<i>Guardian.</i></p> +<p>See also the <i>Gentleman's Magazine</i> for February 1850.</p> +<p>Oxford: JOHN HENRY PARKER, and 337. Strand, London.</p> +<hr /> +<p>Printed by THOMAS CLARK SHAW, of No. 8. New Street Square, at +No. 5. New Street Square, in the Parish of St. Bride, in the City +of London; and published by GEORGE BELL, of No. 186. Fleet Street, +in the Parish of St. Dunstan in the West, and in the City of +London, Publisher, at No. 186. Fleet Street +aforesaid.—Saturday, May 11. 1850.</p> +<hr class="full" /> + +<div>*** END OF THE PROJECT GUTENBERG EBOOK 13684 ***</div> +</body> +</html> |