40 files changed, 1505 insertions, 0 deletions

diff --git a/13272-h/images/3-staccatissimo.png b/13272-h/images/3-staccatissimo.png
new file mode 100644
index 0000000..4217f94
--- /dev/null
+++ b/13272-h/images/3-staccatissimo.png
diff --git a/13272-h/images/3-staccato.png b/13272-h/images/3-staccato.png
new file mode 100644
index 0000000..1ffb027
--- /dev/null
+++ b/13272-h/images/3-staccato.png
diff --git a/13272-h/images/Beethoven2.ly b/13272-h/images/Beethoven2.ly
new file mode 100644
index 0000000..39373bb
--- /dev/null
+++ b/13272-h/images/Beethoven2.ly
@@ -0,0 +1,1505 @@
+<pre>
+This file contains the lilypond sources and some surrounding context
+from the html files.  The entire html file could not be processed
+because python cannot handle strings of any significant size.
+
+Several patches were needed to get lilypond-book to work right,
+so good luck.  You'll need it.
+
+This was compiled using lilypond version 2.0.1, using this command:
+    lilypond-book -f html Beethoven2.ly
+
+Patches:
+This patch makes lilypond-book work correctly with latin1 characters.
+--- lilypond-2.0.1/tex/lilyponddefs.tex	Thu Sep 18 07:19:33 2003
++++ lilyponddefs.tex	Wed May 19 18:18:36 2004
+@@ -55,6 +55,7 @@
+         \endgroup
+         \def\lilyponddocument{}
+         \documentclass[a4paper]{article}
++        \usepackage[latin1]{inputenc}
+         \pagestyle{empty}
+         % \begin is defined as \outer in texinfo, thus we use \csname
+         \csname begin\endcsname{document}
+
+This patch makes the filename option work correctly.
+--- lilypond-2.0.1/scripts/out/lilypond-book	Sun Jan 11 12:42:20 2004
++++ ./lilypond-book	Thu May 20 11:11:13 2004
+@@ -732,8 +732,6 @@
+ }
+ ''' % (optstring, music_size, linewidth, indent, notime) + body
+ 
+-	if orig_name:
+-		body = '\\renameinput \"%s\"\n%s' % (orig_name, body)
+ 	
+ 
+ 	# ughUGH not original options
+@@ -1251,7 +1249,7 @@
+ 
+ 		original_name = os.path.basename (original_name)
+ 		
+-		base = unique_file_name (content)
++		base = original_name
+ 		outname = base + '.ly'
+ 		changed = update_file (content, outname)
+ 
+</pre>
+-----------------------File: 015.png----------------------------
+<p>
+<center>
+<lilypond notime filename="etude1">
+\clef treble 
+\relative f'' { 
+f16 a f g e f c e b d a b
+}
+</lilypond>
+</center>
+<p>
+I wish all the fingers to be used; and also in similar
+ones, such as these,--
+<p>
+<lilypond notime filename="etude2">
+\clef treble 
+\relative f'' { 
+c16 e d f e g d f
+}
+</lilypond> &c.
+<lilypond notime filename="etude3">
+\clef treble 
+\relative f'' { 
+g16 e f d e c d b
+}
+</lilypond> &c.
+<p>
+-----------------------File: 029.png----------------------------
+<p>
+Where are the coverlets for the beds?
+<p>
+<center>
+<lilypond nofragment filename="where">
+\score{
+\addlyrics
+\new Staff \notes\relative f'' {
+\clef treble  e1 f1 \bar "" }
+\new Lyrics \lyrics { Where? where? }
+\paper{
+raggedright = ##t
+indent = #0
+\translator{ 
+\StaffContext minimumVerticalExtent = #'(-3 . 4) 
+              \remove Time_signature_engraver }
+}}
+</lilypond>
+</center>
+<p>
+-----------------------File: 042.png----------------------------
+<p>
+261.
+<p>
+TO RIES.
+<p>
+Vienna, April 16, 1819.
+<p>
+DEAR RIES,--
+<p>
+Here are the <i>Tempi</i> of the Sonata.
+<p>
+1st Allegro, Allegro (alone), erase the <i>assai</i>.
+Maelzel's metronome 
+<lilypond nofragment filename="halfnote">
+% not worth the effort?
+\score {
+\new RhythmicStaff \notes { c2 }
+\paper {
+\translator { \RhythmicStaffContext 
+\remove Clef_engraver 
+\remove Staff_symbol_engraver
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+= 138.
+<p>
+2d movement, Scherzoso. Maelzel's metronome
+<lilypond nofragment filename="halfnote">
+% not worth the effort?
+\score {
+\new RhythmicStaff \notes { c2 }
+\paper {
+\translator { \RhythmicStaffContext 
+\remove Clef_engraver 
+\remove Staff_symbol_engraver
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+= 80.
+<p>
+3d movement, Maelzel's metronome
+<lilypond nofragment filename="eighthnote">
+% not worth the effort?
+\score {
+\new RhythmicStaff \notes { c8 }
+\paper {
+\translator { \RhythmicStaffContext 
+\remove Clef_engraver 
+\remove Staff_symbol_engraver
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+= 92.
+<p>
+Observe that a previous bar is to be inserted
+here, namely:--
+<p>
+<center>
+<lilypond nofragment filename="newbar">
+\score{
+\new PianoStaff <<
+\new Staff \notes\relative c' {
+\clef treble \key d \major \time 6/8
+<< R2. s4.^"New bar." >> |
+<cis fis a cis>4\sustainDown a'8 << { a fis g } \\ { cis, cis <g cis e> } >>
+}
+\new Staff \notes {
+\clef bass \key d \major \time 6/8
+<< { a4. cis' | fis s } \\
+{ <a,, a,>4. <cis, cis> | 
+<fis, cis> <fis, cis fis>8 <a, cis a> <g, cis g>
+} >>
+\bar "" }
+>>
+\paper{
+indent = #0
+raggedright = ##t
+\translator{\ScoreContext SpacingSpanner \set #'spacing-increment = #3 }
+}}
+</lilypond>
+</center>
+<p>
+4th movement, Introduzione--largo. Maelzel's
+metronome
+<lilypond nofragment filename="sixteenthnote">
+% not worth the effort?
+\score {
+\new RhythmicStaff \notes { c16 }
+\paper {
+\translator { \RhythmicStaffContext 
+\remove Clef_engraver 
+\remove Staff_symbol_engraver
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+= 76.
+<p>
+-----------------------File: 043.png----------------------------
+<p>
+5th and last movement, 3/4 time. Maelzel's metronome
+<lilypond nofragment filename="halfnote">
+% not worth the effort?
+\score {
+\new RhythmicStaff \notes { c2 }
+\paper {
+\translator { \RhythmicStaffContext 
+\remove Clef_engraver 
+\remove Staff_symbol_engraver
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+= 144.
+<p>
+<center>
+<lilypond notime filename="aac">
+\new Staff \notes { 
+\clef treble \key bes \major \time 3/4
+a''2. | a''4( c'''2)
+\bar ""
+}
+</lilypond>
+</center>
+<p>
+<p>
+-----------------------File: 060.png----------------------------
+<p>
+277.
+<p>
+Vienna, Sept. 21, 1819.
+<p>
+In honor of the visit of Herr Schlesinger of Berlin.
+<p>
+[Music: Four staves (SATB), B-flat major, 4/4 time, repeating.
+                                 Glaube und hoffe
+                      Glaube und hoffe  und hoffe
+           Glaube und hoffe,     Glaube und hoffe
+Glaube und hoffe,
+]
+<lilypond nofragment filename="glaube">
+\score {
+<<
+\addlyrics
+\new Staff \notes \relative f'' { 
+\clef soprano \key bes \major \time 4/4
+r1 \bar "|:"
+r1
+r1
+f2 d,4 bes' |
+ees2 d \bar ":|"
+}
+\new Lyrics \lyrics {
+Glau -- be und hof -- fe
+}
+\addlyrics
+\new Staff \notes \relative c'' { 
+\clef alto \key bes \major \time 4/4
+r1 \bar "|:"
+r1
+c2 bes4 bes |
+a2 bes4 f |
+g( a) bes2 \bar ":|"
+}
+\new Lyrics \lyrics {
+Glau -- be und hof -- fe und hof -- fe
+}
+\addlyrics
+\new Staff \notes \relative bes { 
+\clef tenor \key bes \major \time 4/4
+r1 \bar "|:"
+bes2 a4 a |
+ees'2 d |
+bes4( ees) d d |
+c2 bes \bar ":|"
+}
+\new Lyrics \lyrics {
+Glau -- be und hof -- fe, glau -- be und hof -- fe
+}
+\addlyrics
+\new Staff \notes \relative f { 
+\clef bass \key bes \major \time 4/4
+f2 bes,4 bes \bar "|:"
+g'2 f |
+r1
+r1 
+f2 bes,4 bes \bar ":|"
+}
+\new Lyrics \lyrics {
+Glau -- be und hof -- fe,
+}
+>>
+\paper {
+indent = #0
+raggedright = ##t
+\translator {
+\StaffContext
+minimumVerticalExtent = #'(-3 . 4)
+}}
+}
+</lilypond>
+<p>
+-----------------------File: 071.png----------------------------
+<p>
+288.
+<p>
+TO HIS HIGHNESS THE ARCHDUKE RODOLPH.
+<p>
+[Music: Treble clef, C major.
+Seiner Kaiserlichen Hoheit!
+Dem Erzherzog Rudolph!
+Dem geistlichen Fürsten!
+Alles Gute! alles Schöne!
+alles Gute! alles Schöne!
+alles alles Gute, alles alles Schöne!
+alles Gute! alles Schöne!
+alles Gute, alles Schöne!
+alles alles Gute, alles Schöne!
+alles Gute, alles Schöne!
+alles Gute, alles Schöne!]
+<p>
+<lilypond nofragment filename="rudolph">
+% may need to insert more line breaks
+segnomark = \mark \markup { \small \musicglyph #"scripts-segno" }
+
+fanfare = \notes \relative g' { \autoBeamOff
+     <g c e>16^\f <g c e> <g c e> <g c e> <g c e> <g c e> <a c f>4 <a c f>8
+r16^\fermata
+     r8 <g c e>16^\f <g c e> <g c e> <g c e> <g c e>4 <g b d>8 r16^\fermata
+     <e a c>8^\p <e a c> <e a c>16 <e a c> <e gis b>4 <c a'> r16^\fermata 
+}
+
+fanfaremelody = \notes \relative c' { \autoBeamOff
+     c16_\f c c c c c f,4 f8 r16_\fermata 
+     r8 c'16_\f c c c g4 g8 r16_\fermata
+     a8_\p a a16 a e4 a r16_\fermata |
+}
+
+melody = \notes \relative c'' {
+\segnomark
+\time 4/4
+% the cadenza confuses the accidentals in the first measure
+\partial 4 d8^"Mäßig." b |
+a4 g r d'8 e |
+f4 e r e8 f |
+g4 c, r f8 e |
+d2 c4 r |
+\segnomark
+d8 b b b c[ d] d4 |
+a8 b c e f4 e |
+c4. c8 b4 c |
+b8 a g[ f] e4 r |
+\segnomark
+r4 g8 g a[( b]) b4 |
+r4 g8 c c[( d]) g,4 |
+e8[( g]) c[( e]) g, g g8. g16 |
+g8 c b[( g]) g4 r |
+\segnomark
+r4 d8 b a4 g |
+r4 e'8 c a[ b] c[ d] |
+r4 e8 e d4 c |
+g'8 g g,4 c \bar "||"
+}
+
+words = \lyrics {
+Sei -- ner Kai -- ser -- li -- chen Ho -- heit!
+Dem Erz -- her -- zog Ru -- dolph!
+Dem geist -- li -- chen Für -- sten!
+Al -- les Gu -- te! al -- les Schö -- ne!
+al -- les Gu -- te! al -- les Schö -- ne!
+al -- les al -- les Gu -- te, al -- les al -- les Schö -- ne!
+al -- les Gu -- te! al -- les Schö -- ne!
+al -- les Gu -- te, al -- les Schö -- ne!
+al -- les al -- les Gu -- te, al -- les Schö -- ne!
+al -- les Gu -- te, al -- les Schö -- ne!
+al -- les Gu -- te, al -- les Schö -- ne!
+}
+
+\score {
+\addlyrics
+\new Staff \notes { 
+  \clef treble \key c \major
+  \property Staff.TimeSignature \set #'break-visibility = #all-invisible
+  \autoBeamOff
+\forgetAccidentals
+  \cadenzaOn
+  << \fanfare \\ \fanfaremelody >>
+  \cadenzaOff
+  \bar "|"
+  \break
+  \property Staff.TimeSignature \set #'break-visibility = #begin-of-line-visible
+  \melody
+}
+\new Lyrics \words
+
+\paper {
+  indent = #0
+  %raggedright = ##t
+  \translator {
+    \StaffContext
+    minimumVerticalExtent = #'(-3 . 4)
+  }
+}
+}
+</lilypond>
+<p>
+-----------------------File: 080.png----------------------------
+<p>
+[Music: Bass clef, F major, 2/4 time, <i>Lively in the upper octave</i>.
+O Tobias! 
+O Tobias! Dominus Ha--s linger o!
+o! o Tobias!]
+<lilypond nofragment filename="tobias1">
+words = \lyrics {
+O To -- bi -- as! 
+O To -- bi -- as! 
+Do -- mi -- nus Ha - - - - - - - - - - - s lin -- ger o!
+o! o To -- bi -- as!
+}
+
+melody = \notes \relative a {
+\property Score.BarNumber \set #'break-visibility = #all-invisible
+\clef bass \key f \major \time 2/4
+\autoBeamOff
+a8^\markup{\italic "Lively in the upper octave."} d, f d \bar "|:"
+R2 |
+cis'8 a cis a |
+d4 c!8 c |
+\break
+bes4 a |
+g c |
+\clef treble
+g'' f | 
+e d |
+g f |
+\break
+e d |
+c bes8 bes |
+f'2^\sf |
+d^\sf |
+f8 bes, d bes \bar ":|"
+}
+
+\score {
+\addlyrics
+\new Staff \melody
+\new Lyrics \words
+
+\paper {
+  indent = #0
+  %raggedright = ##t
+  \translator {
+    \StaffContext
+    minimumVerticalExtent = #'(-3 . 4)
+  }
+}
+}
+</lilypond>
+<p>
+But scarcely did I wake when away flew the
+Canon, and I could not recall any part of it. On
+returning here however, next day, in the same carriage,
+(that of a poor Austrian musician,) I resumed
+my dream-journey, being, however, on this occasion
+wide awake, when lo and behold! in accordance
+with the laws of the association of ideas the
+same Canon again flashed across me; so being now
+awake I held it as fast as Menelaus did Proteus,
+only permitting it to be changed into three parts.
+<p>
+-----------------------File: 081.png----------------------------
+<p>
+[Music: Treble, Tenor, and Bass clef staves, F major, 2/4 time.
+O Tobias! 
+O Tobias! 
+Dominus Ha--slinger o!
+]
+<lilypond nofragment filename="tobias2">
+treblewords = \lyrics {
+O To -- bi -- as! 
+O To -- bi -- as! 
+Do -- mi -- nus Ha - - - - - - - - - - - - slin -- ger o! o!
+}
+
+tenorwords = \lyrics {
+O To -- bi -- as! 
+O To -- bi -- as To -- bi -- as!
+To -- bi -- as To -- bi -- as To -- bi -- as To -- bi -- as
+To -- bi -- as Do -- mi -- nus Has -- lin -- ger o! o!
+}
+
+basswords = \lyrics {
+O To -- bi -- as!
+O To -- bi -- as!
+}
+
+treblemelody = \notes \relative a' {
+\property Score.BarNumber \set #'break-visibility = #all-invisible
+\clef treble \key f \major \time 2/4
+\autoBeamOff
+R2 \bar "|:"
+a8 d, f d |
+R2 |
+cis'8 a cis a |
+\break
+R2 |
+d4 c!8 c |
+bes4 a |
+g c |
+bes a |
+\break 
+g f |
+bes a |
+g f |
+e d8 d |
+a'2 |
+f \bar ":|"
+}
+
+tenormelody = \notes \relative c' {
+\property Score.BarNumber \set #'break-visibility = #all-invisible
+\clef tenor \key f \major \time 2/4
+\autoBeamOff
+R2 \bar "|:"
+d4. d8 |
+e4 a, | 
+e'4. e8 |
+e4 d8 d |
+g g, r c |
+e4 c8 c |
+e4 f8 a, |
+bes[ c] d d |
+\break
+d4 d8 d |
+d4 d |
+c d8 d |
+cis4 b8 b |
+r4 f |
+r d' \bar ":|"
+}
+
+bassmelody = \notes \relative a {
+\property Score.BarNumber \set #'break-visibility = #all-invisible
+\clef bass \key f \major \time 2/4
+\autoBeamOff
+a8 d, f d \bar "|:"
+R2 |
+cis'8 a cis a |
+R2 |
+d4 c!8 c |
+bes4 a |
+g c |
+bes a |
+g f |
+\break
+bes a |
+g f |
+e d8 d |
+a'2 |
+f |
+a8 d, f d \bar ":|"
+}
+
+\score {
+<<
+\addlyrics
+\new Staff \treblemelody
+\new Lyrics \treblewords
+\addlyrics
+\new Staff \tenormelody
+\new Lyrics \tenorwords
+\addlyrics
+\new Staff \bassmelody
+\new Lyrics \basswords
+>>
+\paper {
+  indent = #0
+  %raggedright = ##t
+  \translator {
+    \StaffContext
+    minimumVerticalExtent = #'(-3 . 4)
+  }
+}
+}
+</lilypond>
+<p>
+-----------------------File: 174.png----------------------------
+<p>
+403.
+<p>
+TO F. RIES.
+<p>
+Vienna, April 9, 1825.
+<p>
+MY DEAR GOOD RIES,--
+<p>
+I write only what is most pressing! So far as I
+can remember in the score of the Symphony [the
+9th] that I sent you, in the first hautboy, 242d
+bar, there stands [Music: F E D] instead of [Music: F E E].
+I have carefully revised all the instrumental parts,
+but those of the brass instruments only partially,
+though I believe they are tolerably correct. I
+would already have sent you my score [for performance
+at the Aix musical festival], but I have
+still a concert in prospect, if indeed my health admits
+of it, and this MS. is the only score I possess.
+I must now soon go to the country, as this is the
+only season when I profit by it.
+<lilypond nofragment filename="fed">
+\score{
+\new Staff \notes { f''16[^"F" e''^"E" d'']^"D" }
+\paper {
+raggedright = ##t
+indent = #0
+\translator {
+\StaffContext
+\remove Time_signature_engraver
+\remove Clef_engraver
+}}}
+</lilypond>
+<lilypond nofragment filename="fee">
+\score{
+\new Staff \notes { f''16[^"F" e''^"E" e'']^"E" }
+\paper {
+raggedright = ##t
+indent = #0
+\translator {
+\StaffContext
+\remove Time_signature_engraver
+\remove Clef_engraver
+}}}
+</lilypond>
+<p>
+-----------------------File: 178.png----------------------------
+<p>
+On a certain person of the name of Schwencke.[2]
+<p>
+[Music: treble clef, key of F major, 3/4 time.
+/*
+Schwen-ke dich, Schwen-ke dich oh-ne
+Schwän-ke, oh-ne Schwän-ke, oh-ne Schwän-ke, oh-ne
+Schwän-ke ÷ ÷ ÷ ÷ ÷ 
+Schwen-ke dich, schwen-ke dich, schwen-ke dich ÷ ÷
+÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷
+*/]
+<lilypond nofragment filename="schwenke">
+segnomark = \mark \markup { \small \musicglyph #"scripts-segno" }
+segnover = \markup { \small \musicglyph #"scripts-segno" }
+
+melody = \notes \relative c'' {
+\property Score.BarNumber \set #'break-visibility = #all-invisible
+\autoBeamOff
+\clef treble \key f \major \time 3/4
+c8._\f^\segnover f,16 d'4_\sf r |
+d8. g,16 e'4_\sf r8 a,16 a | 
+\break
+f_\ff f f f f f f f f f f f |
+\break
+e e d d c c d d e e c c |
+\break
+r4^\segnover f8. bes,16 bes'4 |
+r4 g8. c,16 c'4 |
+\break
+f16 f f,8 f'16 f f,8 \break f'16 f f,8 |
+g16 g f8 g16 g f8 bes16 bes a8  |
+\bar "||"
+}
+
+words = \lyrics {
+Schwen -- ke dich, 
+Schwen -- ke dich oh -- ne
+Schwän -- ke, oh -- ne Schwän -- ke, oh -- ne Schwän -- ke, oh -- ne
+Schwän -- ke _ -- _ _ -- _ _ -- _ _ -- _ _ -- _
+Schwen -- ke dich, schwen -- ke dich, schwen -- ke dich, _ -- _ - 
+_ -- _ - _ -- _ - _ -- _ - _ -- _ - 
+}
+
+wordsB = \lyrics {
+Schwen -- ke dich, 
+Schwen -- ke dich oh -- ne
+Schwän -- ke, oh -- ne Schwän -- ke, oh -- ne Schwän -- ke, oh -- ne
+Schwän -- ke Schwän -- ke Schwän -- ke Schwän -- ke Schwän -- ke Schwän -- ke 
+Schwen -- ke dich, schwen -- ke dich, schwen -- ke dich, schwen -- ke dich, 
+schwen -- ke dich, schwen -- ke dich, schwen -- ke dich, schwen -- ke dich.
+}
+
+\score{
+\addlyrics
+\new Staff \melody
+\new Lyrics \wordsB
+\paper {
+%raggedright = ##t
+indent = #0
+\translator {
+\StaffContext
+\remove Bar_number_engraver
+minimumVerticalExtent = #'(-3 . 4)
+}}}
+</lilypond>
+<p>
+On a certain person of the name of Hoffmann.
+<p>
+[Music: treble clef, key of C, 3/4 time.
+/*
+Hoff-mann! Hoff-mann! Sei ja kein Hof-mann!
+ja kein Hof-mann! nein, nein ÷ nein ÷ ÷ ÷
+ich hei-ße Hoff-mann und bin kein Hof-mann]
+*/]
+<lilypond nofragment filename="hoffmann">
+segnomark = \mark \markup { \small \musicglyph #"scripts-segno" }
+segnover = \markup { \small \musicglyph #"scripts-segno" }
+
+melody = \notes \relative c'' {
+\property Score.BarNumber \set #'break-visibility = #all-invisible
+\autoBeamOff
+\clef treble \key c \major \time 3/4
+c4^\markup{ \translate #(cons -2 0) \segnover }^\f g2 |
+e'4 c2 |
+R2. |
+a4 a a |
+aes2^\p f4 |
+\break
+r e f |
+g2 c,4 |
+r^\segnover c'8^\f c e4 |
+r8 c e f g4 |
+\break
+e4 e e |
+g f2 |
+f4 c c |
+c,2.^\p ~ |
+c2 c4 \bar "||"
+}
+
+words = \lyrics {
+Hoff -- mann! Hoff -- mann!
+Sei ja kein Hof -- mann!
+ja kein Hof -- mann!
+nein, nein - nein - - -
+ich hei -- ße Hoff -- mann und bin kein Hof -- mann
+}
+
+wordsB = \lyrics {
+Hoff -- mann! Hoff -- mann!
+Sei ja kein Hof -- mann!
+ja kein Hof -- mann!
+nein, nein, nein nein, nein, nein, nein
+ich hei -- ße Hoff -- mann und bin kein Hof -- mann
+}
+
+\score{
+\addlyrics
+\new Staff \melody
+\new Lyrics \wordsB
+\paper {
+%raggedright = ##t
+indent = #0
+\translator {
+\StaffContext
+\remove Bar_number_engraver
+minimumVerticalExtent = #'(-3 . 4)
+}}}
+</lilypond>
+<p>
+-----------------------File: 179.png----------------------------
+<p>
+<p>
+[Music: treble clef, C-major.
+Das Schö-ne mit dem Guten.]
+<lilypond nofragment filename="schoene">
+segnomark = \mark \markup { \small \musicglyph #"scripts-segno" }
+segnover = \markup { \small \musicglyph #"scripts-segno" }
+
+melody = \notes \relative e'' {
+\property Score.BarNumber \set #'break-visibility = #all-invisible
+\property Score.RehearsalMark \set #'break-visibility = #all-visible
+\autoBeamOff
+\clef treble \key c \major \time 4/4
+\partial 4 e4 |
+\bar "|:" \segnomark
+e4. e16[ d] c4 a |
+b2 a4 e' |
+\bar ":|" \segnomark
+}
+
+words = \lyrics {
+Das Schö -- ne mit dem Gu -- ten. Das
+}
+
+\score{
+\addlyrics
+\new Staff \melody
+\new Lyrics \words
+\paper {
+raggedright = ##t
+indent = #0
+\translator {
+\StaffContext
+\remove Bar_number_engraver
+\remove Time_signature_engraver
+minimumVerticalExtent = #'(-3 . 4)
+}}}
+</lilypond>
+<p>
+-----------------------File: 180.png----------------------------
+<p>
+<p>
+[Music: C-clef on bottom line, A major, marked "Solostimme". 
+E-rde.]
+<lilypond nofragment filename="erde1">
+segnomark = \mark \markup { \small \musicglyph #"scripts-segno" }
+segnover = \markup { \small \musicglyph #"scripts-segno" }
+
+voiceone = \context Voice = voiceone \notes \relative g' {
+% really bad stem lengths this way!!!
+\stemUp e8[^"Solostimme." e' d cis] \stemBoth b fis4. ~ |
+fis8 fis
+}
+
+voicetwo = \context Voice = voicetwo \notes \relative g' {
+\stemDown e4 s
+}
+
+melody = \notes \relative g' {
+\clef soprano \key a \major \time 4/4
+\autoBeamOff
+   \property Staff.NoteCollision
+      \override #'merge-differently-headed = ##t
+<< \voiceone \voicetwo >>
+}
+
+words = \lyrics {
+E1 -- rde.4
+}
+
+\score{
+<<
+\new Staff \melody
+\new Lyrics \words
+>>
+\paper {
+raggedright = ##t
+indent = #0
+\translator {
+\StaffContext
+\remove Bar_number_engraver
+\remove Time_signature_engraver
+minimumVerticalExtent = #'(-3 . 4)
+}}}
+</lilypond>
+<p>
+I wish it to be written thus:--
+<p>
+[Music: E-rde. (with different notes)]
+<lilypond nofragment filename="erde2">
+segnomark = \mark \markup { \small \musicglyph #"scripts-segno" }
+segnover = \markup { \small \musicglyph #"scripts-segno" }
+
+voicea = \context Voice = voicea \notes \relative g' {
+\voiceOne e8[( e' d cis] b) fis4. |
+fis8 fis
+}
+
+voiceb = \context Voice = voiceb \notes \relative g' {
+\voiceTwo e4 fis8 gis fis2 ~ | fis8
+}
+
+melody = \notes \relative g' {
+\clef soprano \key a \major \time 4/4
+\autoBeamOff
+   \property Staff.NoteCollision
+      \override #'merge-differently-headed = ##t
+<< \voicea \voiceb >>
+}
+
+words = \lyrics {
+E1 -- rde.4
+}
+
+\score{
+<<
+\new Staff \melody
+\new Lyrics \words
+>>
+\paper {
+raggedright = ##t
+indent = #0
+\translator {
+\StaffContext
+\remove Bar_number_engraver
+\remove Time_signature_engraver
+\remove Clef_engraver
+
+minimumVerticalExtent = #'(-3 . 4)
+}}}
+</lilypond>
+<p>
+<p>
+-----------------------File: 185.png----------------------------
+<p>
+[Music: Treble clef, C major, 2/2 time.
+Doctor sperrt das Thor dem Todt: 
+Rote hilft auch aus der Roth. 
+Doctor sperrt das Thor dem Todt: 
+Rote hilft auch aus der Roth.]
+<lilypond nofragment filename="doctor">
+\score {
+  \addlyrics
+    \new Staff \notes {
+\property Score.BarNumber \set #'break-visibility = #all-invisible
+      \clef treble \key c \major \time 2/2
+    \relative c'' {
+          c2 c 
+          b a
+          g f
+          e1 \bar "||"
+          e2 e
+          f2 g
+          a b
+          c1 \bar "||"
+          c,2 c 
+          d e
+          f g
+          a1 \bar "||"
+          c2 d4( f)
+          g( f) f( e)
+          e( d) d2
+          c1 \bar "||"
+    }}
+    \new Lyrics \lyrics { 
+Doc -- tor sperrt das Thor dem Todt: Ro -- te \break
+hilft auch aus der Roth. Doc -- tor sperrt das \break
+Thor dem Todt: Ro -- te hilft auch aus der Roth. 
+  }
+ \paper { 
+   indent = #0
+   \translator {
+     \StaffContext
+     minimumVerticalExtent = #'(-3 . 4)
+   }
+ }
+}
+</lilypond>
+<p>
+-----------------------File: 210.png----------------------------
+<p>
+438.
+<p>
+TO THE COPYIST.[1]
+<p>
+Read <i>violino 2do</i>--the passage in the first <i>Allegretto</i>
+in the 1st violin--thus:--
+<p>
+[Music: Treble clef. sixteenth notes.] &c.
+<lilypond notime filename="allegretto1">
+\relative c''' {
+c16([ b a c] a[ g f a]) f([ e dis f] c[ b a c]) | a([ g f a])
+}
+</lilypond> &c.
+<p>
+So write it in this way; in the first <i>Allegretto</i>,
+mark the signs of expression in all the four parts:
+<p>
+[Music: Treble and Bass clefs.]
+<lilypond notime filename="allegretto2">
+<< 
+\new Staff 
+\notes \relative c'' {
+\clef treble \key c \major \time 4/4
+<a a'>8.(\> <cis e>16)\! <cis e>8\p-| <d f>-|
+<e g>8.(\> <b d>16)\! <b d>8\p-. <cis e>-. |
+<a f'>8.( <c, a'>16) <c a'>8\p-. <g' b>-.
+<a c>\pp-. <b d>-. <c e>-. <d f>-. \bar "||"
+}
+\new Staff
+\notes \relative g, {
+\clef bass \key c \major \time 4/4
+<g f'>8.( <g' bes>16) <g bes>8 <f a>
+<e g>8.( <f aes>16) <f aes>8 <e g> |
+<d f>8. <e' g>16 <e g>8 <d f> 
+<c e> <b d>-. <a c>-. <g b>-. \bar "||"
+}
+>>
+</lilypond>
+<p>
+-----------------------File: 211.png----------------------------
+<p>
+The notes are all right; so do not misunderstand
+me.
+<p>
+Now, my good friend, as to your mode of writing--<i>obbligatissimo</i>;
+but the signs 
+<lilypond nofragment filename="p-cresc-decresc">
+% not worth the effort?
+\score {
+\new RhythmicStaff \notes { \cadenzaOn s8-\p s1-\< s1-\!\> s4-\! }
+\paper {
+\translator { \RhythmicStaffContext 
+\remove Clef_engraver 
+\remove Staff_symbol_engraver
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+&c., are shamefully neglected, and often, very often,
+in the wrong place, which is no doubt owing to
+haste. For Heaven's sake impress on Kempel
+[a copyist] to copy everything just as it stands;
+look carefully over my present corrections, and you
+will find all that you have to say to him. When 
+<lilypond nofragment filename="staccato">
+% not worth the effort?
+\score {
+\new RhythmicStaff \notes { s8^. }
+\paper {
+\translator { \RhythmicStaffContext 
+\remove Clef_engraver 
+\remove Staff_symbol_engraver
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+is put over a note, 
+<lilypond nofragment filename="staccatissimo">
+% not worth the effort?
+\score {
+\new RhythmicStaff \notes { s8^| }
+\paper {
+\translator { \RhythmicStaffContext 
+\remove Clef_engraver 
+\remove Staff_symbol_engraver
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+ is not to take its place, and <i>vice
+versa</i>. It is not the same thing to write 
+<lilypond nofragment filename="3-staccatissimo">
+% not worth the effort?
+\score {
+\new RhythmicStaff \notes { \stemDown c4-| c4-| c4-| }
+\paper {
+\translator { \RhythmicStaffContext 
+\remove Clef_engraver 
+\remove Staff_symbol_engraver
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+and
+<lilypond nofragment filename="3-staccato">
+% not worth the effort?
+\score {
+\new RhythmicStaff \notes { \stemDown c4-. c4-. c4-. }
+\paper {
+\translator { \RhythmicStaffContext 
+\remove Clef_engraver 
+\remove Staff_symbol_engraver
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>.
+The 
+<lilypond nofragment filename="crescendo">
+% not worth the effort?
+\score {
+\new RhythmicStaff \notes { \cadenzaOn s1-\< s4-\! }
+\paper {
+\translator { \RhythmicStaffContext 
+\remove Clef_engraver 
+\remove Staff_symbol_engraver
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+are often purposely placed
+after the notes. For instance:--
+<lilypond notime filename="example">
+\clef bass << {a,2~ a,8[ e]} { s4. s4\> s8\!} >>
+</lilypond>.
+The ties to be just as they are now placed. It is
+not synonymous to write 
+<lilypond nofragment filename="slur1">
+\score {
+\new Staff \notes { 
+\clef bass
+c16( b, c8)
+}
+\paper {
+\translator { \StaffContext 
+\remove Clef_engraver 
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+or thus 
+<lilypond nofragment filename="slur2">
+\score {
+\new Staff \notes { 
+\clef bass
+c16( b,) c8
+}
+\paper {
+\translator { \StaffContext 
+\remove Clef_engraver 
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>.
+Such is our will and pleasure! I have passed no
+less than the whole forenoon to-day, and yesterday
+afternoon, in correcting these two pieces, and I am
+actually quite hoarse from stamping and swearing.
+<p>
+In haste, yours,
+<p>
+BEETHOVEN.
+
+-----------------------File: 214.png----------------------------
+
+<h3 class="letter" id="let442">442.<br>
+TO HERR FRIEDRICH KUHLAU.</h3>
+
+<p class="date">Baden, September 3, 1825.</p>
+
+<p>[Music: Alto clef, B-flat major, 4/4 time.
+Kuhl nicht lau, nicht lau, Kuhl nicht lau, Kuh-lau nicht lau. 
+Kuhl nicht lau, Kuhl nicht lau, nicht lau.
+Kuhl nicht lau, Kuhl nicht lau, Kuhl nicht lau.]</p>
+<p>
+<lilypond nofragment filename="kuhlau">
+segnomark = \markup { \small \musicglyph #"scripts-segno" }
+
+\score {
+\addlyrics
+
+\new Staff \notes \relative c' { 
+\property Staff.explicitClefVisibility = #end-of-line-invisible
+\clef alto \time 4/4 \key bes \major
+r4 \bar "|:" \mark\segnomark bes4( a) c |
+b2. b4 |
+c g'( aes) f |
+g ges f c' \bar "||"
+\break
+bes r^\segnomark r2 |
+r4 g( f) aes |
+g \clef treble \key bes \major ees'( d) f |
+ees2. ees4 |
+d^\segnomark r4 r2 |
+\break
+\clef alto r4 g,( f) a |
+g ees( d!) f |
+ees des( c) a |
+d4 \bar ":|"
+}
+
+\new Lyrics \lyrics {
+Kuhl nicht lau, nicht lau, Kuhl nicht lau, Kuh -- lau nicht lau. 
+Kuhl nicht lau, Kuhl nicht lau, nicht lau.
+Kuhl nicht lau, Kuhl nicht lau, Kuhl nicht lau.
+}
+
+\paper {
+\translator { \StaffContext 
+minimumVerticalExtent = #'(-3 . 4) 
+\remove Time_signature_engraver
+}
+%raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+</p>
+
+<p>I must admit that the champagne went a little to
+my head yesterday, and I learned once more from
+experience, that such things rather prostrate than
+promote my energies; for, though able to respond
+fluently at the moment, still I can no longer recall
+what I wrote yesterday.</p>
+
+<p>Sometimes bear in mind your attached</p>
+
+<p class="signature">BEETHOVEN.</p>
+
+-----------------------File: 218.png----------------------------
+
+<h3 class="letter" id="let445">445.<br>
+TO HERR VON SCHLESINGER.</h3>
+
+<p class="date">Vienna, September 26, 1825.</p>
+
+<p>[Music: Si non per Por-tus, per
+mu-ros, per mu-ros, per mu-ros.]</p>
+<p>
+<lilypond nofragment filename="portus">
+segnomark = \markup { \small \musicglyph #"scripts-segno" }
+
+\score {
+\addlyrics
+
+\new Staff \notes \relative c' { 
+\property Score.RehearsalMark \set #'break-visibility = #all-visible
+\autoBeamOff
+\clef tenor \time 4/4 \key f \major
+r4 \bar "|:" \mark\segnomark c4 d4. c8 |
+c4 b r c |
+bes g r bes! |
+e, f8 f c' c r4 |
+\property Score.RehearsalMark \set #'self-alignment-X = #1
+r4 \bar ":|" \mark\markup{\translate #(cons -1 0) \segnomark}
+}
+
+\new Lyrics \lyrics {
+Si non per Por -- tus, per
+mu -- ros, per mu -- ros, per mu -- ros.
+}
+
+\paper {
+\translator { \StaffContext 
+minimumVerticalExtent = #'(-3 . 4) 
+}
+%raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+</p>
+
+<p>My worthy friend, I wish you the loveliest
+bride! And I take this opportunity of asking you
+to present my compliments to Herr Marx, in Berlin,
+and beg him not to be too hard on me, and
+sometimes to allow me to slip out at the backdoor.</p>
+
+<p class="signature">Yours,<br>
+BEETHOVEN.</p>
+
+-----------------------File: 223.png----------------------------
+
+<h3 class="letter" id="let450">450.<br>
+TO THE ABBÉ MAXIMILIAN STADLER.</h3>
+
+<p class="date">February 6, 1826.</p>
+
+<p class="salutation">REVEREND AND HONORED SIR,--</p>
+
+<p>You have really done well in rendering justice
+to the <i>manes</i> of Mozart by your inimitable pamphlet,
+which so searchingly enters into the matter
+[the Requiem], and you have earned the gratitude
+of the lay and the profane, as well as of all who
+are musical, or have any pretensions to be so. To
+bring a thing of this kind forward as H.W.<sup class="footref"><a href="#footnote233">[1]</a></sup> has
+done, a man must either be a great personage, or a
+nonentity. Be it remembered also that it is said
+this same person has written a book on composition,
+and yet has ascribed to Mozart such passages as the
+following:--</p>
+
+<p>[Music: Bass clef]</p>
+<p>
+** x's
+<lilypond notime filename="mozart">
+\clef bass \key c \major
+<<
+{ des16[ ees des c]  d[ ees c d!]  ees[ f ees d]  e[ f d e] }
+\\
+{ des,4              d,            ees,           e, }
+>>
+\bar ""
+</lilypond>
+</p>
+
+<p>and has added such things as,--</p>
+
+<p>[Music: Treble clef, B-flat major.
+A-gnus de-i
+pec-ca-ta mun-di.]</p>
+<p>
+<lilypond nofragment filename="agnus-dei">
+\score {
+<<
+\new Staff \notes \relative c'' { 
+\clef treble \time 4/4 \key bes \major
+\cadenzaOn
+d2 f8[ ees] c \bar "|"
+bes4 f
+}
+
+\new Lyrics \lyrics {
+A2. -- gnus8 de4 -- i4
+}
+
+\new Lyrics \lyrics {
+pec2 -- ca4 -- ta8 mun4 -- di.4
+}
+>>
+
+\paper {
+\translator { \StaffContext 
+minimumVerticalExtent = #'(-3 . 4) 
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+</p>
+
+<p>[Music: Treble clef, B-flat major.
+Qui tol-lis pec-ca-ta, qui tol-lis pec-ca-ta,]</p>
+<p>
+***x's
+<lilypond nofragment filename="tollis">
+\score {
+
+\addlyrics
+
+\new Staff \notes \relative c'' { 
+\clef treble \time 3/4 \key bes \major
+\autoBeamOff
+\partial 8 ees8 \bar "||"
+ees8[ d] f4. b,8 |
+c[ bes] c4. ees8 |
+ees[ d] aes'4 b, |
+c8[ bes] c4
+}
+
+\new Lyrics \lyrics {
+Qui tol -- lis pec -- ca -- ta, qui tol -- lis pec -- ca -- ta,
+}
+
+\paper {
+\translator { \StaffContext 
+minimumVerticalExtent = #'(-3 . 4) 
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+</p>
+
+<p>as samples of his own composition! H.W.'s astonishing
+knowledge of harmony and melody recall the
+old composers of the Empire,--Sterkel, [illegible,]
+Kalkbrenner (the father), André, &amp;c.</p>
+
+<i>Requiescant in pace!</i> I especially thank you,
+my dear friend, for the pleasure you have conferred
+on me by your pamphlet. I have always accounted
+myself one of Mozart's greatest admirers, and shall
+continue to be so to my last breath. I beg, venerable
+sir, for your blessing, and I am, with sincere
+esteem and veneration, yours,
+
+<p class="signature">BEETHOVEN.</p>
+
+-----------------------File: 233.png----------------------------
+
+<h3 class="letter" id="let460">460.<br>
+TO TOBIAS HASLINGER.<sup class="footref"><a href="#footnote242">[1]</a></sup></h3>
+
+<p>[Music: Bass clef. C major.
+Bester--]</p>
+<p>
+<lilypond nofragment filename="bester">
+\score {
+<<
+\new Staff \notes \relative c { 
+\clef bass \time 4/4 \key c \major
+\autoBeamOff
+\partial 4  c8 d |
+\autoBeamOn
+e f16 e f8 e16 d    e8 g c b |
+c c a4^\trill g \bar "|"
+}
+
+\new Lyrics \lyrics {
+Be8 -- ster - - - - - - - - - - - - 
+}
+>>
+
+\paper {
+\translator { \StaffContext 
+minimumVerticalExtent = #'(-3 . 4) 
+\remove Time_signature_engraver
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+</p>
+
+<p>No time is left to-day for further words and vocalization.
+I beg you will at once deliver the enclosed
+letter. Pray forgive my causing you this
+trouble; but, as you are the owner of an artistic
+post-office, it is scarcely possible not to take advantage
+of this.</p>
+
+<p>You will perceive that I am now at Gneixendorf.
+The name sounds like the breaking of an axletree.
+The air is healthy. The <i>memento mori</i> must be
+applied to all else. Most marvellous and best of all
+Tobiases, we salute you in the name of the arts and
+poets!</p>
+
+<p class="signature">I remain yours,<br>
+BEETHOVEN.</p>
+
+-----------------------File: 235.png----------------------------
+
+<h3 class="letter" id="let462">462.<br>
+TO CARL HOLZ.</h3>
+
+<p class="date">Dec. 1826.</p>
+
+<p class="salutation">YOUR OFFICIAL MAJESTY,--</p>
+
+<p>I wrote to you on my arrival here a few days
+ago, but the letter was mislaid; I then became so
+unwell that I thought it best to stay in bed. I shall
+therefore be very glad if you will pay me a visit.
+You will find it less inconvenient, because every
+one has left Döbling to go to town. I only add, in
+conclusion,<sup class="footref"><a href="#footnote244">[1]</a></sup></p>
+
+<p>[Music: Bass clef, C major, 3/4 time.
+Wir ir-ren al-le Samt, Nur je-der ir-ret an-derst.]</p>
+<p>
+<lilypond nofragment filename="irren">
+\score {
+\addlyrics
+
+\new Staff \notes \relative c { 
+\clef bass \time 3/4 \key c \major
+\autoBeamOff
+\partial 4  c4 |
+des4. des8 e e |
+f4 r f |
+g8 g aes4. b8 |
+c4 c, \bar "||"
+}
+
+\new Lyrics \lyrics {
+Wir ir -- ren al -- le Samt, Nur je -- der ir -- ret an -- derst.
+}
+
+\paper {
+\translator { \StaffContext 
+minimumVerticalExtent = #'(-3 . 4) 
+}
+raggedright = ##t
+indent = #0
+}
+}
+</lilypond>
+</p>
+
+<p class="signature">As ever, your friend,<br>
+BEETHOVEN.</p>
+
diff --git a/13272-h/images/aac.png b/13272-h/images/aac.png
new file mode 100644
index 0000000..d722df1
--- /dev/null
+++ b/13272-h/images/aac.png
diff --git a/13272-h/images/agnus-dei.png b/13272-h/images/agnus-dei.png
new file mode 100644
index 0000000..ce25839
--- /dev/null
+++ b/13272-h/images/agnus-dei.png
diff --git a/13272-h/images/allegretto1.png b/13272-h/images/allegretto1.png
new file mode 100644
index 0000000..da75252
--- /dev/null
+++ b/13272-h/images/allegretto1.png
diff --git a/13272-h/images/allegretto2.png b/13272-h/images/allegretto2.png
new file mode 100644
index 0000000..8674cc2
--- /dev/null
+++ b/13272-h/images/allegretto2.png
diff --git a/13272-h/images/bester.png b/13272-h/images/bester.png
new file mode 100644
index 0000000..a8ccf67
--- /dev/null
+++ b/13272-h/images/bester.png
diff --git a/13272-h/images/crescendo.png b/13272-h/images/crescendo.png
new file mode 100644
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