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Cousin. + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + P { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + H1,H2,H3,H4,H5,H6 { + text-align: center; /* all headings centered */ + } + hr {text-align: center; width: 50%;} + html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;} + hr.full {width: 100%;} + html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;} + hr.short {text-align: center; width: 20%;} + html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;} + BODY{margin-left: 10%; + margin-right: 10%; + } + .linenum {position: absolute; top: auto; left: 4%;} /* poetry number */ + .note {margin-left: 2em; margin-right: 2em; margin-bottom: 1em;} /* footnote */ + .blkquot {margin-left: 4em; margin-right: 4em;} /* block indent */ + .pagenum {position: absolute; left: 92%; font-size: smaller; text-align: right;} /* page numbers */ + .sidenote {width: 20%; margin-bottom: 1em; margin-top: 1em; padding-left: 1em; font-size: smaller; float: right; clear: right;} + + .poem {margin-left:10%; margin-right:10%; text-align: left;} + .poem br {display: none;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem span {display: block; margin: 0; padding-left: 3em; text-indent: -3em;} + .poem span.i2 {display: block; margin-left: 2em;} + .poem span.i4 {display: block; margin-left: 4em;} + .poem .caesura {vertical-align: -200%;} + // --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of A Short Biographical Dictionary of English +Literature, by John W. Cousin + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: A Short Biographical Dictionary of English Literature + +Author: John W. Cousin + +Release Date: August 21, 2004 [EBook #13240] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK BIOGRAPHICAL DICTIONARY *** + + + + +Produced by Project Gutenberg Distributed Proofreaders. This ebook +has been produced through the direct participation of over 500 +Distributed Proofreaders Volunteers to commemorate the occasion of +DP's 5000th completed project. + + + + + + +</pre> + + +<br /><a name='Page_-4'></a> +<center> +<img src='images/dp-5000-1.png' width='181' height='300' alt='I WILL MAKE A PRIEF OF IT IN MY NOTE-BOOK MERRY WIVES OF WINDSOR' title='Title Page'> +</center> + +<br /> + +<h1>A SHORT BIOGRAPHICAL DICTIONARY OF ENGLISH LITERATURE</h1><a name='Page_-3'></a> + +<h2>BY JOHN. W. COUSIN</h2> + +<h5>LONDON: PUBLISHED</h5> + +<h5>by J.M. DENT & SONS. LTD</h5> + +<h5>AND IN NEW YORK</h5> + +<h5>BY E.P. DUTTON & CO</h5> + +<hr class="full" /> + +<a name='INTRODUCTION'></a><a name='Page_-1'></a><a name='Page_-2'></a><h2>INTRODUCTION</h2> + +<p>The primary aim of this book is to give as much information +about English authors, including under this designation American +and Colonial writers, as the prescribed limits will admit of. +At the same time an attempt has been made, where materials +exist for it, to enhance the interest by introducing such details +as tend to illustrate the characters and circumstances of the respective +writers and the manner in which they passed through +the world; and in the case of the more important, to give some +indication of the relative place which they hold and the leading +features of their work.</p> + +<p>Including the Appendix of Living Writers, the work contains +upwards of 1600 names; but large as this number is, the number +of those who have contributed something of interest and value +to the vast store of English Literature is larger still, and any +attempt to make a book of this kind absolutely exhaustive +would be futile.</p> + +<p>The word "literature" is here used in a very wide sense, +and this gives rise to considerable difficulty in drawing the line +of exclusion. There are very many writers whose claim to +admission may reasonably be considered as good as that of +some who have been included; but even had it been possible +to discover all these, their inclusion would have swelled the +work beyond its limits. A line had to be drawn somewhere, +and the writer has used his best judgment in making that line +as consistent as possible. It may probably, however, be safely +claimed that every department of the subject of any importance +is well represented.</p> + +<p>Wherever practicable (and this includes all but a very few +articles), various authorities have been collated, and pains have +been taken to secure accuracy; but where so large a collection +of facts and dates is involved, it would be too sanguine to +expect that success has invariably been attained.</p> + +<p>J.W.C.</p> + +<p><i>January</i>, 1910<a name='Page_0'></a>.</p><br /> + +<hr /> + +<p>The following list gives some of the best known works of Biography:—</p> + +<div class='blkquot'><p>Allibone, Critical Dictionary of English Literature and English and +American Authors, 1859-71, Supplement, by J.F. Kirke, 1891; W. Hazlitt, +Collections and Notes of Early English Literature, 1876-93; R. Chambers, +Cyclopædia of English Literature, 1876, 1901; Halkett and Laign, Dictionary +of Anonymous and Pseudonymous Literature, 1882-88; Dictionary +of National Biography, ed. by Leslie Stephen and Sidney Lee, 1885, etc., +re-issue, 1908, etc.; Appleton's Cyclopædia of American Biography, ed. +by J. Grant Wilson and John Fiske, 1887, etc.; J. Thomas, Universal +Dictionary of Biography and Mythology, 1887-89; Men and Women of +the Time, 15th edit., ed. by Victor G. Plarr, 1889.</p></div> + + + +<h4>LIST OF CONTRACTIONS USED THROUGHOUT THE WORK</h4> + +<table align='center' border='0' cellpadding='2' cellspacing='3' summary='LIST OF CONTRACTIONS USED THROUGHOUT THE WORK'> +<tr><td align='left'><i>b.</i></td><td align='left'>born</td><td align='left'>Edin. </td><td align='left'>Edinburgh </td></tr> +<tr><td align='left'><i>c.</i></td><td align='left'><i>circa</i></td><td align='left'><i>fl.</i></td><td align='left'>flourished</td></tr> +<tr><td align='left'>Camb. </td><td align='left'>Cambridge </td><td align='left'>Glas.</td><td align='left'>Glasgow</td></tr> +<tr><td align='left'>Coll.</td><td align='left'>College</td><td align='left'><i>m.</i></td><td align='left'>married</td></tr> +<tr><td align='left'><i>coll.</i></td><td align='left'>collected</td><td align='left'>Oxf.</td><td align='left'>Oxford</td></tr> +<tr><td align='left'><i>cr.</i></td><td align='left'>created</td><td align='left'>pres.</td><td align='left'>president</td></tr> +<tr><td align='left'><i>d.</i></td><td align='left'>died</td><td align='left'><i>pub.</i></td><td align='left'>published</td></tr> +<tr><td align='left'><i>dau.</i></td><td align='left'>daughter</td><td align='left'>Prof.</td><td align='left'>Professor</td></tr> +<tr><td align='left'><i>ed.</i></td><td align='left'>educated</td><td align='left'>sec.</td><td align='left'>secretary</td></tr> +<tr><td align='left'> </td><td align='left'>{ edition</td><td align='left'><i>s.</i></td><td align='left'>son</td></tr> +<tr><td align='left'>ed.</td><td align='left'>{ editor</td><td align='left'>Univ.</td><td align='left'>University</td></tr> +<tr><td align='left'> </td><td align='left'>{ edited</td></tr></table> + + +<br /><br /><br /> + + +<hr class="full" /> + +<a name='ABBOTT_JACOB_1803_1879'></a><a name='Page_1'></a><p><b>ABBOTT, JACOB (1803-1879).</b> +—Educationalist and miscellaneous +author, <i>b.</i> at Hallowell, Maine, <i>ed.</i> at Bowdoin Coll. and +Andover, entered the ministry of the Congregational Church, but +was best known as an educationist and writer of religious and other +books, mainly for the young. Among them are <i>Beechnut Tales</i> and +<i>The Rollo Books</i>, both of which still have a very wide circulation.</p><br /> + +<a name='ABBOTT_JOHN_STEVENS_CABOT_1805_1877'></a><p><b>ABBOTT, JOHN STEVENS CABOT (1805-1877).</b> +—Historian, +etc., <i>b.</i> Brunswick, Maine, and <i>ed.</i> at Bowdoin Coll. He studied +theology and became a minister of the Congregational Church at +various places in Massachusetts and Connecticut. Owing to the +success of a little work, <i>The Mother at Home</i>, he devoted himself, +from 1844 onwards, to literature, and especially to historical writing. +Among his principal works, which were very popular, are: <i>History of +Napoleon Bonaparte</i> (1852-55), <i>History of the Civil War in America</i> +(1863-66), and <i>History of Frederick the Great</i> (1871).</p><br /> + +<a name='A_BECKETT_GILBERT_ABBOTT_1811_1856'></a><p><b>À BECKETT, GILBERT ABBOTT (1811-1856).</b> +—Comic +writer, <i>b.</i> in London, the <i>s.</i> of a lawyer, and belonged to a family +claiming descent from Thomas à Becket. Destined for the legal +profession, he was called to the Bar. In addition to contributions +to various periodicals and newspapers, including <i>Punch</i>, <i>The Illustrated +London News</i>, <i>The Times</i>, and <i>Morning Herald</i>, he produced +over fifty plays, many of which attained great popularity, and he also +helped to dramatise some of Dickens' works. He is perhaps best +known as the author of <i>Comic History of England</i>, <i>Comic History +of Rome</i>, <i>Comic Blackstone</i>, etc. He was also distinguished in his +profession, acted as a commissioner on various important matters, +and was appointed a metropolitan police magistrate.</p><br /> + +<a name='ABERCROMBIE_JOHN_1780_1844'></a><p><b>ABERCROMBIE, JOHN (1780-1844).</b> +—Physician and writer +on mental science, <i>s.</i> of a minister, was <i>b.</i> at Aberdeen, and <i>ed.</i> at +the Grammar School and Marischal College there. He studied +medicine at Edinburgh, in which city he practised as a physician. +He made valuable contributions to the literature of his profession, +and <i>pub.</i> two works, <i>Enquiry Concerning the Intellectual Powers</i> +(1830) and <i>The Philosophy of the Moral Feelings</i> (1833), which, +though popular at the time of their publication, have long been +superseded. For his services as a physician and philanthropist +he received many marks of distinction, including the Rectorship of +Marischal College<a name='Page_2'></a>.</p><br /> + +<a name='ABERCROMBIE_PATRICK_1656_1716'></a><p><b>ABERCROMBIE, PATRICK (1656-1716).</b> +—Antiquary and +historian, was physician to James II. in 1685; he was a Jacobite +and opposed the Union in various pamphlets. His chief work was +<i>Martial Achievements of the Scots Nation</i> (1711-16).</p><br /> + +<a name='ACTON_JOHN_EMERICH_EDWARD_DALBERG_ACTON_1ST_LORD_1834_1902'></a><p><b>ACTON, JOHN EMERICH EDWARD DALBERG-ACTON, 1ST LORD (1834-1902).</b> +—Historian, +<i>s.</i> of Sir Richard A., and grandson +of Sir John A., who was Prime Minister of Naples, was <i>b.</i> at Naples. +He belonged to an ancient Roman Catholic family, and was <i>ed.</i> first +at Oscott near Birmingham under Dr. (afterwards Card.) Wiseman. +Thence he went to Edinburgh, where he studied privately, +and afterwards to Munich, where he resided in the house of Dr. +Dollinger, the great scholar and subsequent leader of the Old +Catholic party, by whom he was profoundly influenced. While at +Edinburgh he endeavoured to procure admission to Cambridge, but +without success, his religion being at that time a bar. He early +devoted himself to the study of history, and is said to have been on +terms of intimacy with every contemporary historian of distinction, +with the exception of Guizot. He sat in the House of Commons +1859-65, but made no great mark, and in 1869 was raised to the +peerage as Lord Acton of Aldenham. For a time he edited <i>The +Rambler</i>, a Roman Catholic periodical, which afterwards became +the <i>Home and Foreign Review</i>, and which, under his care, became +one of the most learned publications of the day. The liberal +character of A.'s views, however, led to its stoppage in deference to +the authorities of the Church. He, however, maintained a lifelong +opposition to the Ultramontane party in the Church, and in 1874 +controverted their position in four letters to <i>The Times</i> which were +described as the most crushing argument against them which ever +appeared in so condensed a form. A.'s contributions to literature +were few, and, in comparison with his extraordinary learning, +comparatively unimportant. He wrote upon <i>Cardinal Wolsey</i> +(1877) and <i>German Schools of History</i> (1886). He was extremely +modest, and the loftiness of his ideals of accuracy and completeness +of treatment led him to shrink from tasks which men of far slighter +equipment might have carried out with success. His learning and +his position as a universally acknowledged master in his subject +were recognised by his appointment in 1895 as Professor of Modern +History at Cambridge. Perhaps his most valuable services to +historical literature were his laying down the lines of the great +<i>Cambridge Modern History</i>, and his collection of a library of 60,000 +vols., which after his death was purchased by an American millionaire +and presented to Lord Morley of Blackburn, who placed it in +the University of Cambridge.</p><br /> + +<a name='ADAMNAN_ST_625_704'></a><p><b>ADAMNAN, ST. (625?-704).</b> +—Historian, <i>b.</i> in Donegal, +became Abbot of Iona in 679. Like other Irish churchmen he was +a statesman as well as an ecclesiastic, and appears to have been sent +on various political missions. In the great controversy on the +subject of the holding of Easter, he sided with Rome against the +Irish Church. He left the earliest account we have of the state of +Palestine in the early ages of the Church; but of even more value is +his <i>Vita Sancti Columbæ</i>, giving a minute account of the condition +and discipline of the church of Iona. He <i>d.</i> 704<a name='Page_3'></a>.</p><br /> + +<a name='ADAMS_FRANCIS_WL_1862_1893'></a><p><b>ADAMS, FRANCIS, W.L. (1862-1893).</b> +—Novelist, was <i>b.</i> +at Malta, and <i>ed.</i> at schools at Shrewsbury and in Paris. In 1882 +he went to Australia, and was on the staff of <i>The Sydney Bulletin</i>. +In 1884 he <i>publ.</i> his autobiographical novel, <i>Leicester</i>, and in 1888 +<i>Songs of the Army of the Night</i>, which created a sensation in Sydney. +His remaining important work is <i>Tiberius</i> (1894), a striking drama in +which a new view of the character of the Emperor is presented. He +<i>d.</i> by his own hand at Alexandria in a fit of depression caused by +hopeless illness.</p><br /> + +<a name='ADDISON_JOSEPH_1672_1719'></a><p><b>ADDISON, JOSEPH (1672-1719).</b> +—Poet, essayist and +statesman, was the <i>s.</i> of Lancelot Addison, Dean of Lichfield. <i>B.</i> +near Amesbury, Wilts., A. went to the Charterhouse where he made +the acquaintance of <a href='#STEELE_SIR_RICHARD_1672_1729'>Steele</a> (<i>q.v.</i>), and then at the age of fifteen to +Oxford where he had a distinguished career, being specially noted +for his Latin verse. Intended at first for the Church, various circumstances +combined to lead him towards literature and politics. +His first attempts in English verse took the form of complimentary +addresses, and were so successful as to obtain for him the friendship +and interest of Dryden, and of Lord Somers, by whose means he +received, in 1699, a pension of £300 to enable him to travel on the +continent with a view to diplomatic employment. He visited Italy, +whence he addressed his <i>Epistle</i> to his friend Halifax. Hearing of +the death of William III., an event which lost him his pension, he +returned to England in the end of 1703. For a short time his circumstances +were somewhat straitened, but the battle of Blenheim +in 1704 gave him a fresh opportunity of distinguishing himself. +The government wished the event commemorated by a poem; A. +was commissioned to write this, and produced <i>The Campaign</i>, +which gave such satisfaction that he was forthwith appointed a +Commissioner of Appeals. His next literary venture was an account +of his travels in Italy, which was followed by the opera of <i>Rosamund</i>. +In 1705, the Whigs having obtained the ascendency, A. was +made Under-Secretary of State and accompanied Halifax on a +mission to Hanover, and in 1708 was appointed Chief Secretary for +Ireland and Keeper of the Records of that country. It was at this +period that A. found his true vocation and laid the foundations of +his real fame. In 1709 Steele began to bring out the <i>Tatler</i>, to +which A. became almost immediately a contributor: thereafter he +(with Steele) started the <i>Spectator</i>, the first number of which appeared +on March 1, 1711. This paper, which at first appeared +daily, was kept up (with a break of about a year and a half when +the <i>Guardian</i> took its place) until Dec. 20, 1714. In 1713 the +drama of <i>Cato</i> appeared, and was received with acclamation by +both Whigs and Tories, and was followed by the comedy of the +<i>Drummer</i>. His last undertaking was <i>The Freeholder</i>, a party paper +(1715-16). The later events in the life of A., viz., his marriage in +1716 to the Dowager Countess of Warwick, to whose son he had +been tutor and his promotion to be Secretary of State did not contribute +to his happiness. His wife appears to have been arrogant +and imperious; his step-son the Earl was a rake and unfriendly to +him; while in his public capacity his invincible shyness made him +of little use in Parliament. He resigned his office in 1718, and, after +<a name='Page_4'></a>a period of ill-health, <i>d.</i> at Holland House, June 17, 1719, in +his 48th year. Besides the works above mentioned, he wrote +a <i>Dialogue on Medals</i>, and left unfinished a work on the Evidences +of Christianity. The character of A., if somewhat cool and unimpassioned, +was pure, magnanimous, and kind. The charm of his +manners and conversation made him one of the most popular and +admired men of his day; and while he laid his friends under obligations +for substantial favours, he showed the greatest forbearance +towards his few enemies. His style in his essays is remarkable for +its ease, clearness, and grace, and for an inimitable and sunny humour +which never soils and never hurts. The motive power of these +writings has been called "an enthusiasm for conduct." Their +effect was to raise the whole standard of manners and expression +both in life and in literature. The only flaw in his character was a +tendency to convivial excess, which must be judged in view of the +laxer manners of his time. When allowance has been made for +this, he remains one of the most admirable characters and writers +in English literature.</p> + +<p>SUMMARY.—<i>B.</i> Amesbury, <i>ed.</i> Charterhouse and Oxford; received +travelling pension, 1699; <i>Campaign</i> (1704) leads to political office; +goes to Ireland, 1708; assists Steele in <i>Tatler</i>, 1709; <i>Spectator</i> +started, 1711; marries Lady Warwick, 1716; Secretary of State, +1716-18; <i>d.</i> 1719.</p> + +<p>Lives in <i>Biographica Britannica</i>, <i>Dict. of Nat. Biog.</i>, <i>Johnson's Lives +of Poets</i>, and by Lucy Aikin, Macaulay's <i>Essay</i>, Drake's <i>Essays +Illustrative of Tatler, Guardian, and Spectator</i>; Pope's and Swift's +Correspondence, etc.</p> + +<p>The best edition of the books is that in <i>Bohn's British Classics</i> +(6 vols., 1856); others are Tickell's (4 vols., 1721); <i>Baskerville</i> edit. +(4 vols., 1761); Hurd's (6 vols., 1811); Greene's (1856); Dent's +<i>Spectator</i> (1907).</p><br /> + +<a name='ADOLPHUS_JOHN_1768_1845'></a><p><b>ADOLPHUS, JOHN (1768-1845).</b> +—Historian, studied law +and was called to the Bar in 1807. He wrote <i>Biographical Memoirs +of the French Revolution</i> (1799) and <i>History of England from</i> 1760-1783 +(1802), and other historical and biographical works.</p><br /> + +<a name='AELFRED_849_901'></a><p><b>ÆLFRED (849-901).</b> +—King of the West Saxons, and writer +and translator, <i>s.</i> of Ethelwulf, <i>b.</i> at Wantage. Besides being the +deliverer of his country from the ravages of the Danes, and the +restorer of order and civil government, <i>Æ.</i> has earned the title of +the father of English prose writing. The earlier part of his life was +filled with war and action, most of the details regarding which are +more or less legendary. But no sooner had he become King of +Wessex, in 871, than he began to prepare for the work of re-introducing +learning into his country. Gathering round him the few +scholars whom the Danes had left, and sending for others from +abroad, he endeavoured to form a literary class. His chief helper +in his great enterprise was Asser of St. David's, who taught him +Latin, and became his biographer in a "life" which remains the +best original authority for the period. Though not a literary artist, +Æ. had the best qualities of the scholar, including an insatiable +love alike for the acquisition and the communication of knowledge. +He translated several of the best books then existing, not, however, +<a name='Page_5'></a>in a slavish fashion, but editing and adding from his own stores. +In all his work his main desire was the good of his people. Among +the books he translated or edited were (1) <i>The Handbook</i>, a collection +of extracts on religious subjects; (2) <i>The Cura Pastoralis</i>, or +Herdsman's book of Gregory the Great, with a preface by himself +which is the first English prose; (3) <i>Bede's Ecclesiastical History of +the English</i>; (4) <i>The English Chronicle</i>, which, already brought up +to 855, he continued up to the date of writing; it is probably by his +own hand; (5) Orosius's <i>History of the World</i>, which he adapted for +English readers with many historical and geographical additions; +(6) the <i>De Consolatione Philosophiæ</i> of Boethius; and (7) a translation +of some of the Psalms. He also made a collection of the best +laws of his predecessors, Ethelbert, Ine, and Offa. It has been said +"although King Alfred lived a thousand years ago, a thousand years +hence, if there be England then, his memory will yet be precious to +his country."</p><br /> + +<a name='AELFRIC_955_c_1022'></a><p><b>ÆLFRIC (955-<i>c.</i> 1022).</b> +—Called Grammaticus (10th century), +sometimes confounded with two other persons of the same +name, Æ. of Canterbury and Æ. of York, was a monk at Winchester, +and afterwards Abbot of Cerne and Eynsham successively. He has +left works which shed an important light on the doctrine and +practice of the early Church in England, including two books of +homilies (990-94), a <i>Grammar</i>, <i>Glossary</i>, <i>Passiones Sanctorum</i> +(Sufferings of the Saints), translations of parts of the Bible with +omissions and interpolations, <i>Canones Ælfrici</i>, and other theological +treatises. His writings had an influence on the formation of English +prose. He filled in his age somewhat the same position that Bede +did in his, that of a compiler and populariser of existing knowledge.</p><br /> + +<a name='AGUILAR_GRACE_1816_1847'></a><p><b>AGUILAR, GRACE (1816-1847).</b> +—Novelist and writer on +Jewish history and religion, was <i>b.</i> at Hackney of Jewish parents of +Spanish descent. She was delicate from childhood, and early +showed great interest in history, especially Jewish. The death of +her <i>f.</i> threw her on her own resources. After a few dramas and +poems she <i>pub.</i> in America in 1842 <i>Spirit of Judaism</i>, and in 1845 +<i>The Jewish Faith</i> and <i>The Women of Israel</i>. She is, however, best +known by her novels, of which the chief are <i>Home Influence</i> (1847) +and <i>A Mother's Recompense</i> (1850). Her health gave way in 1847, +and she <i>d.</i> in that year at Frankfort.</p><br /> + +<a name='AIKIN_JOHN_1747_1822'></a><p><b>AIKIN, JOHN (1747-1822).</b> +—Miscellaneous writer, <i>s.</i> of Dr. +John A., Unitarian divine, <i>b.</i> at Kibworth, studied medicine at +Edinburgh and London, and received degree of M.D. at Leyden. +He began practice at Yarmouth but, one of his pamphlets having +given offence, he removed to London, where he obtained some +success in his profession, devoting all his leisure to literature, to +which his contributions were incessant. These consisted of +pamphlets, translations, and miscellaneous works, some in conjunction +with his sister, Mrs. Barbauld. Among his chief works are +<i>England Delineated</i>, <i>General Biography</i> in 10 vols., and lives of +Selden and Ussher.</p><br /> + +<a name='AIKIN_LUCY_1781_1864'></a><p><b>AIKIN, LUCY (1781-1864).</b> +—Historical and miscellaneous +writer, <i>dau.</i> of above and niece of <a href='#BARBAULD_ANNA_LETITIA_1743_1825'>Mrs. Barbauld</a> (<i>q.v.</i>). After<a name='Page_6'></a> +<i>pub.</i> a poem, <i>Epistles on Women</i>, and a novel, <i>Lorimer</i>, she began +the historical works on which her reputation chiefly rests, viz., +<i>Memoirs of the Courts of Elizabeth, James I., and Charles I.</i> (1818-33) +and a <i>Life of Addison</i>. She also wrote lives of her father and +of Mrs. Barbauld. She was remarkable for her conversational +powers, and was also an admirable letter-writer. Like the rest of +her family she was a Unitarian.</p><br /> + +<a name='AINGER_ALFRED_1837_1904'></a><p><b>AINGER, ALFRED (1837-1904).</b> +—Biographer and critic, <i>s.</i> +of an architect in London, <i>grad.</i> at Cambridge, entered the Church, +and, after holding various minor preferments, became Master of the +Temple. He wrote memoirs of Hood and Crabbe, but is best +known for his biography of Lamb and his edition of his works in 6 +vols. (1883-88).</p><br /> + +<a name='AINSWORTH_WILLIAM_HARRISON_1805_1882'></a><p><b>AINSWORTH, WILLIAM HARRISON (1805-1882).</b> +—Novelist, +<i>s.</i> of a solicitor, was <i>b.</i> in Manchester. He was destined for the +legal profession, which, however, had no attraction for him; and +going to London to complete his studies made the acquaintance of +Mr. John Ebers, publisher, and at that time manager of the Opera +House, by whom he was introduced to literary and dramatic circles, +and whose <i>dau.</i> he afterwards married. For a short time he tried +the publishing business, but soon gave it up and devoted himself to +journalism and literature. His first successful novel was <i>Rookwood</i>, +<i>pub.</i> in 1834, of which Dick Turpin is the leading character, and +thenceforward he continued to pour forth till 1881 a stream of +novels, to the number of 39, of which the best known are <i>The Tower +of London</i> (1840), <i>Old St. Paul's</i> (1841), <i>Lancashire Witches</i>, and <i>The +Constable of the Tower</i>. The titles of some of his other novels are +<i>Crichton</i> (1837), <i>Jack Sheppard</i> (1839), <i>Guy Fawkes</i>, <i>The Star +Chamber</i>, <i>The Flitch of Bacon</i>, <i>The Miser's Daughter</i> (1842), and +<i>Windsor Castle</i> (1843). A. depends for his effects on striking situations +and powerful descriptions: he has little humour or power of +delineating character.</p><br /> + +<a name='AIRD_THOMAS_1802_1876'></a><p><b>AIRD, THOMAS (1802-1876).</b> +—Poet, <i>b.</i> at Bowden, Roxburghshire, +went to Edinburgh, where he became the friend of Professor +Wilson, Carlyle, and other men of letters. He contributed to +<i>Blackwood's Magazine</i>, and was editor of the <i>Dumfries Herald</i> (1835-63). +His chief poem is <i>The Captive of Fez</i> (1830); and in prose he +wrote <i>Religious Characteristics</i>, and <i>The Old Bachelor in the Old +Scottish Village</i> (1848), all of which were received with favour. +Carlyle said that in his poetry he found everywhere "a healthy +breath as of mountain breezes."</p><br /> + +<a name='AKENSIDE_MARK_1721_1770'></a><p><b>AKENSIDE, MARK (1721-1770).</b> +—Poet, <i>s.</i> of a butcher at +Newcastle-upon-Tyne, gave early indications of talent, and was sent +to the University of Edinburgh with the view of becoming a dissenting +minister. While there, however, he changed his mind and +studied for the medical profession. Thereafter he went to Leyden, +where he took his degree of M.D. in 1744. While there he wrote his +principal poem, <i>The Pleasures of the Imagination</i>, which was well +received, and was subsequently translated into more than one +foreign language. After trying Northampton, he settled as a +physician in London; but was for long largely dependent for his +<a name='Page_7'></a>livelihood on a Mr. Dyson. His talents brought him a good deal +of consideration in society, but the solemn and pompous manner +which he affected laid him open to some ridicule, and he is said to +have been satirised by <a href='#SMOLLETT_TOBIAS_GEORGE_1721_1771'>Smollett</a> (<i>q.v.</i>) in his <i>Peregrine Pickle</i>. He +endeavoured to reconstruct his poem, but the result was a failure. +His collected poems were <i>pub.</i> 1772. His works, however, are now +little read. Mr. Gosse has described him as "a sort of frozen Keats."</p><br /> + +<a name='ALCOTT_LOUISA_M_1832_1888'></a><p><b>ALCOTT, LOUISA M. (1832-1888).</b> +—Writer of juvenile and +other tales, <i>dau.</i> of Amos Bronson Alcott, an educational and social +theorist, lecturer, and author, was <i>b.</i> in Pennsylvania. During the +American civil war she served as a nurse, and afterwards attained +celebrity as a writer of books for young people, of which the best is +<i>Little Women</i> (1868). Others are <i>Little Men</i> and <i>Jo's Boys</i>. She +also wrote novels, including <i>Moods</i> and <i>Work</i>.</p><br /> + +<a name='ALCUIN_or_EALHWINE_735_804'></a><p><b>ALCUIN or EALHWINE (735-804).</b> +—Theologian and +general writer, was <i>b.</i> and <i>ed.</i> at York. He wrote in prose and +verse, his subjects embracing educational, theological, and historical +matters. Returning from Rome, to which he had been sent to +procure the <i>pallium</i> for a friend, he met Charlemagne at Parma, and +made upon him so favourable an impression that he was asked to +enter his service as preceptor in the sciences to himself and his +family. His numerous treatises, which include metrical annals, +hagiographical and philosophical works, are not distinguished by +originality or profundity, but he is the best representative of the +culture and mental activity of his age, upon which, as the minister +of education of the great emperor, he had a widely-spread influence.</p><br /> + +<a name='ALDRICH_THOMAS_BAILEY_1836_1906'></a><p><b>ALDRICH, THOMAS BAILEY (1836-1906).</b> +—Poet and +novelist, <i>b.</i> at Portsmouth, N.H., was for some time in a bank, +and then engaged in journalism. His first book was <i>The Bells, a +Collection of Chimes</i> (1855), and other poetical works are <i>The Ballad +of Babie Bell</i>, <i>Cloth of Gold</i>, <i>Flower and Thorn</i>, etc. In prose he +wrote <i>Daisy's Necklace</i>, <i>The Course of True Love</i>, <i>Marjorie Daw</i>, +<i>Prudence Palfrey</i>, etc.</p><br /> + +<a name='ALESIUS_ALEXANDER_1500_1565'></a><p><b>ALESIUS, ALEXANDER (1500-1565).</b> +—Theologian and controversialist. +His unlatinised name was Aless or Alane, and he was +<i>b.</i> at Edinburgh and <i>ed.</i> at St. Andrews, where he became a canon. +Originally a strong and able defender of the Romish doctrines, he +was chosen to argue with Patrick Hamilton, the proto-martyr of the +Reformation in Scotland, with the object of inducing him to recant. +The result, however, was that he was himself much shaken in his +allegiance to the Church, and the change was greatly accelerated by +the martyrdom of H. His subsequent protest against the immorality +of the clergy led to his imprisonment, and ultimately, in 1532, to his +flying for his life to Germany, where he became associated with +Luther and Melancthon, and definitely joined the reforming party. +Coming to England in 1535, he was well received by Cranmer and +other reformers. While in England he studied medicine, and +practised as a physician in London. On the fall of T. Cromwell in +1540 he again retired to Germany, where, at Leipzig, he obtained +a professorship. During the reign of Edward VI. he re-visited +England and was employed by Cranmer in connection with the 1st<a name='Page_8'></a> +Liturgy of Edward VI. Returning to Leipsic he passed the remainder +of his days in peace and honour, and was twice elected +Rector of the University. His writings were both exegetical and +controversial, but chiefly the latter. They include <i>Expositio Libri +Psalmorum Davidis</i> (1550). His controversial works refer to such +subjects as the translation of the Bible into the vernacular, against +Servetus, etc.</p><br /> + +<a name='ALEXANDER_MRS_CECIL_F_HUMPHREYS_1818_1895'></a><p><b>ALEXANDER, MRS. CECIL F. (HUMPHREYS) (1818-1895).</b> +—<i>dau.</i> +of Maj. H., <i>b.</i> in Co. Waterford, <i>m.</i> the Rev. W. Alexander, +afterwards Bishop of Derry and Archbishop of Armagh. Her +<i>Hymns for Little Children</i> had reached its 69th edition before the +close of the century. Some of her hymns, <i>e.g.</i> "There is a Green +Hill" and "The Roseate Hues of Early Dawn," are known wherever +English is spoken. Her husband has also written several books of +poetry, of which the most important is <i>St. Augustine's Holiday and +other Poems</i>.</p><br /> + +<a name='ALFORD_HENRY_1810_1871'></a><p><b>ALFORD, HENRY (1810-1871).</b> +—Theologian, scholar, poet, +and miscellaneous writer, <i>s.</i> of a clergyman, was <i>b.</i> in London. +After passing through various private schools, he proceeded to +Cambridge, where he had a distinguished career, and after entering +the Church and filling various preferments in the country, became +minister of Quebec Chapel, London, whence he was promoted to +be Dean of Canterbury. His great work was his <i>Greek Testament</i> in +4 vols., of which the first was <i>pub.</i> in 1849 and the last in 1861. +In this work he largely followed the German critics, maintaining, +however, a moderate liberal position; and it was for long the +standard work on the subject in this country. A. was one of the +most versatile men, and prolific authors, of his day, his works consisting +of nearly 50 vols., including poetry (<i>School of the Heart</i> and +<i>Abbot of Munchelnaye</i>, and a translation of the <i>Odyssey</i>), criticism, +sermons, etc. In addition to the works above mentioned he wrote +<i>Chapters on the Greek Poets</i> (1841), the <i>Queen's English</i> (1863), and +many well-known hymns, and he was the first editor of the <i>Contemporary +Review</i>. He was also an accomplished artist and musician. +His industry was incessant and induced a premature breakdown in +health, which terminated in his death in 1871. He was the friend of +most of his eminent contemporaries, and was much beloved for his +amiable character.</p><br /> + +<a name='ALISON_ARCHIBALD_1757_1839'></a><p><b>ALISON, ARCHIBALD (1757-1839).</b> +—Didactic and philosophical +writer, was <i>b.</i> in Edinburgh and <i>ed.</i> at Glasgow University +and Oxford. After being presented to various livings in England, +A. came to Edinburgh as incumbent of St. Paul's Episcopal Chapel, +where he attained popularity as a preacher of sermons characterised +by quiet beauty of thought and grace of composition. His chief +contribution to literature is his <i>Essay on the Nature and Principles +of Taste</i> (1790), in which the "association" theory is supported.</p><br /> + +<a name='ALISON_SIR_ARCHIBALD_1792_1867'></a><p><b>ALISON, SIR ARCHIBALD (1792-1867).</b> +—Historian, <i>s.</i> of +the above, was <i>b.</i> at Kenley, Shropshire, and after studying under a +private tutor, and at Edinburgh University, was, in 1814, called to +the Bar, at which he ultimately attained some distinction, becoming +in 1834 Sheriff of Lanarkshire, in which capacity he rendered valuable +service in times of considerable difficulty. It was when travelling +in France in 1814 that he conceived the idea of his <i>History of +Europe</i>, which deals with the period from the outbreak of the French +Revolution to the restoration of the Bourbons, and extends, in its +<a name='Page_9'></a>original form (1833-42), to 10 vols. The work is one of vast +industry, and gives a useful account of an important epoch, but is +extremely diffuse and one-sided, and often prosy. Disraeli satirises +the author in <i>Coningsby</i> as Mr. Wordy, who wrote a history to prove +that Providence was on the side of the Tories. It had, however, an +enormous sale. A continuation of it (1852-59) brought the story +down to the accession of Louis Napoleon. A. was also the author +of a life of Marlborough, and of two standard works on the criminal +law of Scotland. In his private and official capacities he was highly +respected, and was elected Lord Rector successively of Marischal +Coll., Aberdeen, and of Glasgow University. He was created a +baronet by Lord Derby in 1852.</p><br /> + +<a name='ALLEN_CHARLES_GRANT_1848_1899'></a><p><b>ALLEN, CHARLES GRANT (1848-1899).</b> +—Scientific writer +and novelist, <i>b.</i> in Canada, to which his <i>f.</i>, a clergyman, had +emigrated, and <i>ed.</i> at Birmingham and Oxford. For a time he was +a professor in a college for negroes in Jamaica, but returning to +England in 1876 devoted himself to literature. His first books were +on scientific subjects, and include <i>Physiological Æsthetics</i> (1877) +and <i>Flowers and Their Pedigrees</i>. After assisting Sir W.W. Hunter +in his <i>Gazeteer of India</i>, he turned his attention to fiction, and +between 1884 and 1899 produced about 30 novels, among which +<i>The Woman Who Did</i> (1895), promulgating certain startling views +on marriage and kindred questions, created some sensation. +Another work, <i>The Evolution of the Idea of God</i>, propounding a +theory of religion on heterodox lines, has the disadvantage of +endeavouring to explain everything by one theory. His scientific +works also included <i>Colour Sense</i>, <i>Evolutionist at Large</i>, <i>Colin +Clout's Calendar</i>, and the <i>Story of the Plants</i>, and among his novels +may be added <i>Babylon</i>, <i>In all Shades</i>, <i>Philistia</i> (1884), <i>The Devil's +Die</i>, and <i>The British Barbarians</i> (1896).</p><br /> + +<a name='ALLINGHAM_WILLIAM_1824_1889'></a><p><b>ALLINGHAM, WILLIAM (1824-1889).</b> +—Poet, the <i>s.</i> of a +banker of English descent, was <i>b.</i> at Ballyshannon, entered the +customs service, and was ultimately settled in London, where he +contributed to <i>Leigh Hunt's Journal</i>. Hunt introduced him to +Carlyle and other men of letters, and in 1850 he <i>pub.</i> a book of +poems, which was followed by <i>Day and Night Songs</i> (1854), <i>Laurence +Bloomfield in Ireland</i> (1864) (his most ambitious, though not his +most successful work), and <i>Collected Poems</i> in 6 vols. (1888-93). +He also edited <i>The Ballad Book</i> for the <i>Golden Treasury</i> series in +1864. In 1870 he retired from the civil service and became sub-editor +of <i>Fraser's Magazine</i> under Froude, whom he succeeded as +editor (1874-79). His verse is clear, fresh, and graceful. He married +Helen Paterson, the water colourist, whose idylls have made +the name of "Mrs. Allingham" famous also. He <i>d.</i> in 1889. +Other works are <i>Fifty Modern Poems</i> (1865), <i>Songs, Poems, and +Ballads</i> (1877), <i>Evil May Day</i> (1883), <i>Blackberries</i> (1884), <i>Irish +Songs and Poems</i> (1887), and <i>Varieties in Prose</i> (1893). A selection +from his diaries and autobiography was <i>pub.</i> in 1906<a name='Page_10'></a>.</p><br /> + +<a name='ALLSTON_WASHINGTON_1779_1843'></a><p><b>ALLSTON, WASHINGTON (1779-1843).</b> +—Painter and poet, +<i>b.</i> in S. Carolina, became a distinguished painter, and also wrote a +good deal of verse including <i>The Sylphs of the Seasons</i>, etc. (1813), +and <i>The Two Painters</i>, a satire. He also produced a novel, <i>Monaldi</i>. +He was known as "the American Titian."</p><br /> + +<a name='AMORY_THOMAS_1691_1788'></a><p><b>AMORY, THOMAS (1691(?)-1788).</b> +—Eccentric writer, was of +Irish descent. In 1755 he <i>publ.</i> <i>Memoirs containing the lives of +several ladies of Great Britain, a History of Antiquities and Observations +on the Christian Religion</i>, which was followed by the <i>Life of +John Buncle</i> (1756), practically a continuation. The contents of +these works are of the most miscellaneous description—philology, +natural science, theology, and, in fact, whatever occurred to the +writer, treated without any system, but with occasional originality +and felicity of diction. The author, who was probably more or less +insane, is described as having a very peculiar aspect, with the +manner of a gentleman, scarcely ever stirring abroad except at +dusk. He reached the age of 97.</p><br /> + +<a name='ANDERSON_ALEXANDER_1845_1909'></a><p><b>ANDERSON, ALEXANDER (1845-1909).</b> +—Poet, <i>s.</i> of a +quarrier at Kirkconnel, Dumfriesshire, became a surfaceman on the +railway. Spending all his leisure in self-culture, he mastered +German, French, and Spanish sufficiently to read the chief masterpieces +in these languages. His poetic vein, which was true if somewhat +limited in range, soon manifested itself, and his first book, +<i>Songs of Labour</i>, appeared in 1873, and there followed <i>Two Angels</i> +(1875), <i>Songs of the Rail</i> (1878), and <i>Ballads and Sonnets</i> (1879). In +the following year he was made assistant librarian in the University +of Edinburgh, and after an interval as secretary to the Philosophical +Institution there, he returned as Chief Librarian to the university. +Thereafter he wrote little. Of a simple and gentle character, he +made many friends, including the Duke of Argyll, Carlyle, and Lord +Houghton. He generally wrote under the name of "Surfaceman."</p><br /> + +<a name='ANDREWES_LANCELOT_1555_1626'></a><p><b>ANDREWES, LANCELOT (1555-1626).</b> +—Churchman and +scholar, was <i>b.</i> in London, and <i>ed.</i> at Merchant Taylor's School and +Cambridge, where he took a fellowship and taught divinity. After +receiving various other preferments he became Dean of Westminster, +and a chaplain-in-ordinary to Queen Elizabeth, who, however, did +not advance him further on account of his opposition to the alienation +of ecclesiastical revenues. On the accession, however, of +James I., to whom his somewhat pedantic learning and style of +preaching recommended him, he rose into great favour, and was +made successively Bishop of Chichester, of Ely, and, in 1618, of +Winchester. He attended the Hampton Court Conference, and +took part in the translation of the Bible, known as the <i>Authorised +Version</i>, his special work being given to the earlier parts of the Old +Testament: he acted, however, as a sort of general editor. He was +considered as, next to Ussher, the most learned churchman of his +day, and enjoyed a great reputation as an eloquent and impassioned +preacher, but the stiffness and artificiality of his style render +his sermons unsuited to modern taste. His doctrine was High +Church, and in his life he was humble, pious, and charitable.<a name='Page_11'></a> +Ninety-six of his sermons were published in 1631 by command of +Charles I.</p> + +<p>There are lives by A.T. Russell (1863), and R.L. Ottley (1894); +<i>Devotions</i> were edited by Rev. Dr. Whyte (1900).</p><br /> + +<a name='ANSTEY_CHRISTOPHER_1724_1805'></a><p><b>ANSTEY, CHRISTOPHER (1724-1805).</b> +—Poet, <i>s.</i> of Dr. A., +a wealthy clergyman, rector of Brinkley, Cambridgeshire, was <i>ed.</i> +at Eton and Cambridge. He <i>pub.</i> in 1766 a satirical poem of considerable +sparkle, <i>The New Bath Guide</i>, from which Smollett is said +to have drawn largely in his <i>Humphrey Clinker</i>. He made many +other excursions into literature which are hardly remembered, and +ended his days as a country squire at the age of eighty.</p><br /> + +<a name='DARBLAY_FRANCES_BURNEY_1752_1840'></a><p><b>D'ARBLAY, FRANCES (BURNEY) (1752-1840).</b> +—Novelist, +<i>dau.</i> of Dr. Charles B., a musician of some distinction, was <i>b.</i> at Lynn +Regis, where her <i>f.</i> was organist. Her mother having died while +she was very young, and her <i>f.</i>, who had come to London, being too busy +to give her any attention, she was practically self-educated. Her +first novel, <i>Evelina</i>, <i>pub.</i> anonymously in 1778, at once by its narrative +and comic power, brought her fame, and, through <a href='#PIOZZI_HESTER_LYNCH_SALUSBURY_1741_1821'>Mrs. Thrale</a> +(<i>q.v.</i>), she made the acquaintance of Dr. Johnson, with whom she +became a great favourite. Her next literary venture was a comedy, +<i>The Witlings</i>; but, by the advice of her <i>f.</i>, it was not put upon the +stage. In 1782, however, she produced <i>Cecilia</i>, which, like its predecessor, +had an enormous sale, and which, though not perhaps so +popular as <i>Evelina</i>, added to her fame. She now became the friend +of Burke and other distinguished persons, including Mrs. Delaney, +through whom she became known to the royal family, and was +offered the appointment of Second Keeper of the Robes, which, +with some misgivings, she accepted. This situation did not prove a +happy one, the duties being menial, the society uncongenial, and the +court etiquette oppressive and injurious to her health, and in 1791 +she obtained permission to retire on a pension of £100. She had, +during her connection with the court, continued her <i>Diary</i>, which +she had begun in girlhood, and continued during her whole life, +and which during this period contains many interesting accounts of +persons and affairs of note. She married (1793) Gen. D'Arblay, a +French <i>emigré</i>, their only income being her slender pension. This +she endeavoured to increase by producing a tragedy, <i>Edwy and +Elvira</i>, which failed. In 1795 she <i>pub.</i> by subscription another +novel, <i>Camilla</i>, which, though it did not add to her reputation, considerably +improved her circumstances, as it is said to have brought +her £3000. After some years spent in France, where her husband +had obtained employment, she returned to England and <i>pub.</i> her +last novel, <i>The Wanderer</i>, which fell flat. Her only remaining work +was a life of her father, written in an extraordinarily grandiloquent +style. She died in 1840, aged 87.</p><br /> + +<a name='ARBUTHNOT_JOHN_1667_1735'></a><p><b>ARBUTHNOT, JOHN (1667-1735).</b> +—Physician and satirist, +was <i>b.</i> in Kincardineshire, and after studying at Aberdeen and +Oxford, took his degree of M.D. at St. Andrews. Settling in London, +he taught mathematics. Being by a fortunate accident at Epsom, +he was called in to prescribe for Prince George, who was suddenly +taken ill there, and was so successful in his treatment that he was +<a name='Page_12'></a>appointed his regular physician. This circumstance made his professional +fortune, for his ability enabled him to take full advantage +of it, and in 1705 he became physician to the Queen. He became +the cherished friend of Swift and Pope, and himself gained a high +reputation as a wit and man of letters. His principal works are the +<i>Memoirs of Martinus Scriblerus</i>, partly by Pope, but to which he +was the chief contributor, the <i>History of John Bull</i> (1712), mainly +against the Duke of Marlborough, <i>A Treatise concerning the Altercation +or Scolding of the Ancients</i>, and the <i>Art of Political Lying</i>. +He also wrote various medical treatises, and dissertations on +ancient coins, weights, and measures. After the death of Queen +Anne, A. lost his court appointments, but this, as well as more +serious afflictions with which he was visited, he bore with serenity +and dignity. He was an honourable and amiable man, one of the +very few who seems to have retained the sincere regard of Swift, +whose style he made the model of his own, with such success that +writings by the one were sometimes attributed to the other: his +<i>Art of Political Lying</i> is an example. He has, however, none of the +ferocity of S.</p><br /> + +<a name='ARGYLL_GEORGE_JOHN_DOUGLAS_CAMPBELL_8TH_DUKE_OF_1823_1900'></a><p><b>ARGYLL, GEORGE JOHN DOUGLAS CAMPBELL, 8TH DUKE OF (1823-1900).</b> +—Statesman +and writer on science, religion, and +politics, succeeded his <i>f.</i>, the 7th duke, in 1847. His talents and +eloquence soon raised him to distinction in public life. He acted +with the Liberal party until its break-up under the Irish policy of +Mr. Gladstone, after which he was one of the Unionist leaders. He +held the offices of Lord Privy Seal, Postmaster-General, and Indian +Secretary. His writings include <i>The Reign of Law</i> (1866), <i>Primeval +Man</i> (1869), <i>The Eastern Question</i> (1879), <i>The Unseen Foundations +of Society</i> (1893), <i>Philosophy of Belief</i> (1896), <i>Organic Evolution +Cross-examined</i> (1898). He was a man of the highest character, +honest, courageous, and clear-sighted, and, though regarded by +some professional scientists as to a certain extent an amateur, his +ability, knowledge, and dialectic power made him a formidable +antagonist, and enabled him to exercise a useful, generally conservative, +influence on scientific thought and progress.</p><br /> + +<a name='ARMSTRONG_JOHN_MD_1709_1779'></a><p><b>ARMSTRONG, JOHN, M.D. (1709-1779).</b> +—Poet, <i>s.</i> of the +minister of Castleton, Roxburghshire, studied medicine, which he +practised in London. He is remembered as the friend of Thomson, +Mallet, and other literary celebrities of the time, and as the author of +a poem on <i>The Art of Preserving Health</i>, which appeared in 1744, +and in which a somewhat unpromising subject for poetic treatment +is gracefully and ingeniously handled. His other works, consisting +of some poems and prose essays, and a drama, <i>The Forced +Marriage</i>, are forgotten, with the exception of the four stanzas at +the end of the first part of Thomson's <i>Castle of Indolence</i>, describing +the diseases incident to sloth, which he contributed.</p><br /> + +<a name='ARNOLD_SIR_EDWIN_1832_1904'></a><p><b>ARNOLD, SIR EDWIN (1832-1904).</b> +—Poet, <i>s.</i> of a Sussex +magistrate, was <i>b.</i> at Gravesend, and <i>ed.</i> at King's School, Rochester, +London, and Oxford. Thereafter he was an assistant master at +King Edward's School, Birmingham, and was in 1856 appointed +Principal of the Government Deccan College, Poona. Here he +<a name='Page_13'></a>received the bias towards, and gathered material for, his future +works. In 1861 he returned to England and became connected +with <i>The Daily Telegraph</i>, of which he was ultimately editor. The +literary task which he set before him was the interpretation in +English verse of the life and philosophy of the East. His chief work +with this object is <i>The Light of Asia</i> (1879), a poem on the life and +teaching of Buddha, which had great popularity, but whose permanent +place in literature must remain very uncertain. In <i>The Light +of the World</i> (1891), he attempted, less successfully, a similar treatment +of the life and teaching of Jesus. Other works are <i>The Song of +Songs of India</i> (1875), <i>With Saadi in the Garden</i>, and <i>The Tenth Muse</i>. +He travelled widely in the East, and wrote books on his travels. +He was made K.C.I.E. in 1888.</p><br /> + +<a name='ARNOLD_MATTHEW_1822_1888'></a><p><b>ARNOLD, MATTHEW (1822-1888).</b> +—Poet and critic, <i>s.</i> of +<a href='#ARNOLD_THOMAS_1795_1842'>Dr. A.</a>, of Rugby (<i>q.v.</i>), was <i>b.</i> at Laleham and <i>ed.</i> at Rugby, Winchester, +and Balliol Coll., Oxford, becoming a Fellow of Oriel in +1845. Thereafter he was private secretary to Lord Lansdowne, +Lord President of the Council, through whose influence he was in +1851 appointed an inspector of schools. Two years before this he +had <i>pub.</i> his first book of poetry, <i>The Strayed Reveller</i>, which he +soon withdrew: some of the poems, however, including "Mycerinus" +and "The Forsaken Merman," were afterwards republished, +and the same applies to his next book, <i>Empedocles on +Etna</i> (1852), with "Tristram and Iseult." In 1857 he was appointed +to the Professorship of Poetry at Oxford, which he held for ten +years. After this he produced little poetry and devoted himself to +criticism and theology. His principal writings are, in poetry, +<i>Poems</i> (1853), containing "Sohrab and Rustum," and "The +Scholar Gipsy;" <i>Poems, 2nd Series</i> (1855), containing "Balder +Dead;" <i>Merope</i> (1858); <i>New Poems</i> (1867), containing "Thyrsis," an +elegy on <a href='#CLOUGH_ARTHUR_HUGH_1819_1861'>A.H. Clough</a> (<i>q.v.</i>), "A Southern Night," "Rugby +Chapel," and "The Weary Titan"; in prose he wrote <i>On Translating +Homer</i> (1861 and 1862), <i>On the Study of Celtic Literature</i> (1867), +<i>Essays in Celtic Literature</i> (1868), <i>2nd Series</i> (1888), <i>Culture and +Anarchy</i> (1869), <i>St. Paul and Protestantism</i> (1870), <i>Friendship's +Garland</i> (1871), <i>Literature and Dogma</i> (1873), <i>God and the Bible</i> +(1875), <i>Last Essays on Church and Religion</i> (1877), <i>Mixed Essays</i> +(1879), <i>Irish Essays</i> (1882), and <i>Discourses in America</i> (1885). He +also wrote some works on the state of education on the Continent. +In 1883 he received a pension of £250. The rationalistic tendency +of certain of his writings gave offence to many readers, and the +sufficiency of his equipment in scholarship for dealing with some of +the subjects which he handled was called in question; but he undoubtedly +exercised a stimulating influence on his time; his writings are +characterised by the finest culture, high purpose, sincerity, and +a style of great distinction, and much of his poetry has an exquisite +and subtle beauty, though here also it has been doubted whether +high culture and wide knowledge of poetry did not sometimes take +the place of the true poetic fire.</p> + +<p>There is a bibliography of A.'s works by T.B. Smart (1892), and +books upon him have been written by Prof. Saintsbury (1899), H. +Paul (1902), and G.W.E. Russell (1904), also papers by Sir L. +Stephen, F. Harrison, and others<a name='Page_14'></a>.</p><br /> + +<a name='ARNOLD_THOMAS_1795_1842'></a><p><b>ARNOLD, THOMAS (1795-1842).</b> +—Historian, <i>s.</i> of an inland +revenue officer in the Isle of Wight, was <i>ed.</i> at Winchester and +Oxford, and after some years as a tutor, was, in 1828, appointed +Head Master of Rugby. His learning, earnestness, and force of +character enabled him not only to raise his own school to the front +rank of public schools, but to exercise an unprecedented reforming +influence on the whole educational system of the country. A +liberal in politics, and a zealous church reformer, he was involved +in many controversies, educational and religious. As a churchman +he was a decided Erastian, and strongly opposed to the High Church +party. In 1841 he was appointed Professor of Modern History +at Oxford. His chief literary works are his unfinished <i>History of +Rome</i> (three vols. 1838-42), and his <i>Lectures on Modern History</i>. +He <i>d.</i> suddenly of angina pectoris in the midst of his usefulness and +growing influence. His life, by <a href='#STANLEY_ARTHUR_PENRHYN_1815_1881'>Dean Stanley</a> (<i>q.v.</i>), is one of the +best works of its class in the language.</p><br /> + +<a name='ASCHAM_ROGER_1515_1568'></a><p><b>ASCHAM, ROGER (1515-1568).</b> +—Didactic writer and +scholar, <i>s.</i> of John A., house-steward in the family of Lord Scrope, +was <i>b.</i> at Kirby Wiske, Yorkshire, and <i>ed.</i> first by Sir Humphrey +Wingfield, and then at St. John's Coll., Cambridge, where he devoted +himself specially to the study of Greek, then newly revived, +and of which, having taken a fellowship, he became a teacher. He +was likewise noted for his skill in penmanship, music, and archery, +the last of which is the subject of his first work, <i>Toxophilus</i>, <i>pub.</i> in +1545, and which, dedicated to Henry VIII., gained him the favour +of the King, who bestowed a pension upon him. The objects of the +book are twofold, to commend the practice of shooting with the long +bow as a manly sport and an aid to national defence, and to set +the example of a higher style of composition than had yet been +attempted in English. Soon afterwards he was made university +orator, and master of languages to the Lady (afterwards Queen) +Elizabeth. He then went abroad in various positions of trust, +returning on being appointed Latin Secretary to Edward VI. This +office he likewise discharged to Mary and then to Elizabeth—a +testimony to his tact and caution in these changeful times. His +principal work, <i>The Schoolmaster</i>, a treatise on education, was +printed by his widow in 1570. He also <i>pub.</i> a book on the political +state of Germany.</p> + +<p>Editions: of <i>Toxophilus</i>, Arber; <i>Schoolmaster</i>, Arber, also Mayer +(1883); English works, Bennet (1767), with life by Dr. Johnson; +whole works, Giles (1864-5).</p><br /> + +<a name='ASGILL_JOHN_1659_1738'></a><p><b>ASGILL, JOHN (1659-1738).</b> +—Eccentric writer, student +at the Middle Temple, 1686, and called to the Bar 1692. In 1699 +he <i>pub.</i> in an unlucky hour a pamphlet to prove that death was not +obligatory upon Christians, which, much to his surprise, aroused +the public wrath and led to his expulsion from the Irish and English +House of Commons successively. A. thereafter fell on evil days, +and passed the rest of his life between the Fleet and the King's +Bench, where, strange to say, his zeal as a pamphleteer continued +unabated. He <i>d.</i> in 1738.</p><br /> + +<a name='ASHMOLE_ELIAS_1617_1692'></a><p><b>ASHMOLE, ELIAS (1617-1692).</b> +—Antiquary, was <i>ed.</i> at +Lichfield, and became a solicitor in 1638. On the breaking out of +<a name='Page_15'></a>the Civil War he sided with the royalists; went to Oxford and +studied science, including astrology. The result of his studies in +this region of mystery was his <i>Theatrum Chymicum Britannicum</i>, +which gained him great repute and the friendship of John Selden. +His last astrological treatise was <i>The Way to Bliss</i>, which dealt with +the subject of "the philosopher's stone." He also wrote various +works on antiquarian subjects, and a <i>History of the Order of the +Garter</i>. A. held various posts under government, and presented to +the University of Oxford a valuable collection of curiosities now +known as the Ashmolean Museum. He also bequeathed his library +to the University. His wife was a <i>dau.</i> of Sir W. Dugdale, the +antiquary.</p><br /> + +<a name='ASSER_d_909'></a><p><b>ASSER (<i>d.</i> 909?).</b> +—Chronicler, a monk of St. David's, +afterwards Bishop of Sherborne, was the friend, helper, and biographer +of Ælfred. In addition to his life of Ælfred he wrote a +chronicle of England from 849 to 887.</p><br /> + +<a name='ATHERSTONE_EDWIN_1788_1872'></a><p><b>ATHERSTONE, EDWIN (1788-1872).</b> +—Poet and novelist. +His works, which were planned on an imposing scale, attracted +some temporary attention and applause, but are now forgotten. +His chief poem, <i>The Fall of Nineveh</i>, consisting of thirty books, +appeared at intervals from 1828 to 1868. He also produced two +novels, <i>The Sea Kings in England</i> and <i>The Handwriting on the Wall</i>.</p><br /> + +<a name='ATTERBURY_FRANCIS_1662_1732'></a><p><b>ATTERBURY, FRANCIS (1662-1732).</b> +—Controversialist +and preacher, was <i>b.</i> near Newport Pagnel, Bucks, and <i>ed.</i> at Westminster +School and Oxford. He became the leading protagonist +on the High Church side in the ecclesiastical controversies of his +time, and is believed to have been the chief author of the famous +defence of Dr. Sacheverell in 1712. He also wrote most of Boyle's +<i>Examination of Dr. Bentley's Dissertations on the Epistles of +Phalaris</i>, and <i>pub.</i> sermons, which, with his letters to Swift, Pope, +and other friends, constitute the foundation of his literary reputation. +During the reign of the Tories he enjoyed much preferment, +having been successively Canon of Exeter, Dean of Christ Church, +Dean of Westminster, and Bishop of Rochester. His Jacobite +principles, however, and his participation in various plots got him +into trouble, and in 1722 he was confined in the Tower, deprived of +all his offices, and ultimately banished. He <i>d.</i> at Paris, Feb. 15, +1732, and was buried privately in Westminster Abbey.</p><br /> + +<a name='AUBREY_JOHN_1626_1697'></a><p><b>AUBREY, JOHN (1626-1697).</b> +—Antiquary, was a country +gentleman who inherited estates in several counties in England, +which he lost by litigation and otherwise. He devoted himself to +the collection of antiquarian and miscellaneous observations, and +gave assistance to Dugdale and Anthony à-Wood in their researches. +His own investigations were extensive and minute, but their value +is much diminished by his credulity, and want of capacity to weigh +evidence. His only publication is his <i>Miscellanies</i>, a collection of +popular superstitions, etc., but he left various collections, which +were edited and <i>publ.</i> in the 19th century.</p><br /> + +<a name='AUSTEN_JANE_1775_1817'></a><p><b>AUSTEN, JANE (1775-1817).</b> +—Novelist, <i>dau.</i> of a clergyman, +was <i>b.</i> at the rectory of Steventon near Basingstoke. She +<a name='Page_16'></a>received an education superior to that generally given to girls of +her time, and took early to writing, her first tale being begun in +1798. Her life was a singularly uneventful one, and, but for a disappointment +in love, tranquil and happy. In 1801 the family went +to Bath, the scene of many episodes in her writings, and after the +death of her <i>f.</i> in 1805 to Southampton, and later to Chawton, a +village in Hants, where most of her novels were written. A tendency +to consumption having manifested itself, she removed in +May, 1817, to Winchester for the advantage of skilled medical +attendance, but so rapid was the progress of her malady that she +died there two months later. Of her six novels, four—<i>Sense and +Sensibility</i> (1811), <i>Pride and Prejudice</i> (1813), <i>Mansfield Park</i> (1814) +and <i>Emma</i> (1816)—were <i>pub.</i> anonymously during her life-time; +and the others, <i>Northanger Abbey</i>—written in 1798—and <i>Persuasion</i>, +finished in 1816, appeared a few months after her death, when the +name of the authoress was divulged. Although her novels were +from the first well received, it is only of comparatively late years +that her genius has gained the wide appreciation which it deserves. +Her strength lies in the delineation of character, especially of +persons of her own sex, by a number of minute and delicate touches +arising out of the most natural and everyday incidents in the life of +the middle and upper classes, from which her subjects are generally +taken. Her characters, though of quite ordinary types, are drawn +with such wonderful firmness and precision, and with such significant +detail as to retain their individuality absolutely intact through +their entire development, and they are never coloured by her own +personality. Her view of life is genial in the main, with a strong +dash of gentle but keen satire: she appeals rarely and slightly to +the deeper feelings; and the enforcement of the excellent lessons +she teaches is left altogether to the story, without a word of formal +moralising. Among her admirers was Sir W. Scott, who said, +"That young lady has a talent for describing the involvements of +feelings and characters of ordinary life which is to me the most +wonderful I ever met with;" others were Macaulay (who thought +that in the world there were no compositions which approached +nearer to perfection), Coleridge, Southey, Sydney Smith, and E. +FitzGerald.</p><br /> + +<a name='AUSTIN_JOHN_1790_1859'></a><p><b>AUSTIN, JOHN (1790-1859).</b> +—Jurist, served in the army +in Sicily and Malta, but, selling his commission, studied law, and +was called to the Bar 1818. He did not long continue to practise, +but devoted himself to the study of law as a science, and became +Professor of Jurisprudence in London University 1826-32. Thereafter +he served on various Royal Commissions. By his works he +exercised a profound influence on the views of jurisprudence held +in England. These include <i>The Province of Jurisprudence Determined</i> +(1832), and his <i>Lectures on Jurisprudence</i>.</p><br /> + +<a name='AYTON_SIR_ROBERT_1570_1638'></a><p><b>AYTON, SIR ROBERT (1570-1638).</b> +—Poet, <i>s.</i> of A. of +Kinaldie in Fife. After <i>grad.</i> at St. Andrews, he studied law at Paris, +became ambassador to the Emperor, and held other court offices. +He appears to have been well-known to his literary contemporaries +in England. He wrote poems in Latin, Greek, and English, and +was one of the first Scotsmen to write in the last. His chief poem is<a name='Page_17'></a> +<i>Diophantus and Charidora; Inconstancy Upbraided</i> is perhaps the +best of his short poems. He is credited with a little poem, <i>Old Long +Syne</i>, which probably suggested Burns's famous <i>Auld Lang Syne</i>.</p><br /> + +<a name='AYTOUN_WILLIAM_EDMONSTONE_1813_1865'></a><p><b>AYTOUN, WILLIAM EDMONSTONE (1813-1865).</b> +—Poet and +humorist, <i>s.</i> of Roger A., a Writer to the Signet, was <i>b.</i> in Edinburgh +and <i>ed.</i> there, and was brought up to the law, which, however, as +he said, he "followed but could never overtake." He became a +contributor to <i>Blackwood's Magazine</i> in 1836, and continued his +connection with it until his death. In it appeared most of his +humorous prose pieces, such as <i>The Glenmutchkin Railway</i>, <i>How I +Became a Yeoman</i>, and <i>How I Stood for the Dreepdaily Burghs</i>, all full +of vigorous fun. In the same pages began to appear his chief +poetical work, the <i>Lays of the Scottish Cavaliers</i>, and a novel, partly +autobiographical, <i>Norman Sinclair</i>. Other works were <i>The Bon +Gaultier Ballads</i>, jointly with Theodore Martin, and <i>Firmilian, a +Spasmodic Tragedy</i>, under the <i>nom-de-plume</i> of T. Percy Jones, intended +to satirise a group of poets and critics, including Gilfillan, +Dobell, Bailey, and Alexander Smith. In 1845 A. obtained the +Chair of Rhetoric and Belles Lettres in Edinburgh University, +which he filled with great success, raising the attendance from 30 +to 150, and in 1852 he was appointed sheriff of Orkney and Shetland. +He was married to a <i>dau.</i> of Professor Wilson (Christopher North).</p><br /> + +<a name='BACON_FRANCIS_LORD_VERULAM_AND_VISCOUNT_ST_ALBANS_1561_1626'></a><p><b>BACON, FRANCIS, LORD VERULAM, AND VISCOUNT ST. ALBAN'S (1561-1626).</b> +—Philosopher +and statesman, was the +youngest <i>s.</i> of Sir Nicholas B., Lord Keeper, by his second wife, a +<i>dau.</i> of Sir Anthony Cooke, whose sister married William Cecil, Lord +Burghley, the great minister of Queen Elizabeth. He was <i>b.</i> at +York House in the Strand on Jan. 22, 1561, and in his 13th year +was sent with his elder brother Anthony to Trinity Coll., Cambridge. +Here he first met the Queen, who was impressed by his precocious +intellect, and was accustomed to call him "the young Lord Keeper." +Here also he became dissatisfied with the Aristotelian philosophy as +being unfruitful and leading only to resultless disputation. In 1576 +he entered Gray's Inn, and in the same year joined the embassy of +Sir Amyas Paulet to France, where he remained until 1579. The +death of his <i>f.</i> in that year, before he had completed an intended +provision for him, gave an adverse turn to his fortunes, and rendered +it necessary that he should decide upon a profession. He accordingly +returned to Gray's Inn, and, after an unsuccessful attempt to +induce Burghley to give him a post at court, and thus enable him +to devote himself to a life of learning, he gave himself seriously to the +study of law, and was called to the Bar in 1582. He did not, however, +desert philosophy, and <i>pub.</i> a Latin tract, <i>Temporis Partus +Maximus</i> (the Greatest Birth of Time), the first rough draft of his +own system. Two years later, in 1584, he entered the House of +Commons as member for Melcombe, sitting subsequently for +Taunton (1586), Liverpool (1589), Middlesex (1593), and Southampton +(1597). In the Parliament of 1586 he took a prominent +part in urging the execution of Mary Queen of Scots. About this +time he seems again to have approached his powerful uncle, the +result of which may possibly be traced in his rapid progress at the +Bar, and in his receiving, in 1589, the reversion to the Clerkship of +<a name='Page_18'></a>the Star Chamber, a valuable appointment, into the enjoyment of +which, however, he did not enter until 1608. About 1591 he +formed a friendship with the Earl of Essex, from whom he received +many tokens of kindness ill requited. In 1593 the offices of +Attorney-general, and subsequently of Solicitor-general became +vacant, and Essex used his influence on B.'s behalf, but unsuccessfully, +the former being given to Coke, the famous lawyer. These +disappointments may have been owing to a speech made by B. on a +question of subsidies. To console him for them Essex presented +him with a property at Twickenham, which he subsequently sold +for £1800, equivalent to a much larger sum now. In 1596 he was +made a Queen's Counsel, but missed the appointment of Master of +the Rolls, and in the next year (1597), he <i>pub.</i> the first edition of +his <i>Essays</i>, ten in number, combined with <i>Sacred Meditations</i> +and the <i>Colours of Good and Evil</i>. By 1601 Essex had lost +the Queen's favour, and had raised his rebellion, and B. was one of +those appointed to investigate the charges against him, and examine +witnesses, in connection with which he showed an ungrateful and +indecent eagerness in pressing the case against his former friend and +benefactor, who was executed on Feb. 25, 1601. This act B. +endeavoured to justify in <i>A Declaration of the Practices and Treasons, +etc., of ... the Earl of Essex, etc.</i> His circumstances had for some +time been bad, and he had been arrested for debt: he had, however, +received a gift of a fine of £1200 on one of Essex's accomplices. The +accession of James VI. in 1603 gave a favourable turn to his fortunes: +he was knighted, and endeavoured to set himself right with the new +powers by writing his <i>Apologie</i> (defence) of his proceedings in the +case of Essex, who had favoured the succession of James. In the +first Parliament of the new king he sat for St. Alban's, and was +appointed a Commissioner for Union with Scotland. In 1605 he +<i>pub.</i> <i>The Advancement of Learning</i>, dedicated, with fulsome +flattery, to the king. The following year he married Alice Barnham, +the <i>dau.</i> of a London merchant, and in 1607 he was made +Solicitor-General, and wrote <i>Cogita et Visa</i>, a first sketch of the +<i>Novum Organum</i>, followed in 1609 by <i>The Wisdom of the Ancients</i>. +Meanwhile (in 1608), he had entered upon the Clerkship of the Star +Chamber, and was in the enjoyment of a large income; but old +debts and present extravagance kept him embarrassed, and he +endeavoured to obtain further promotion and wealth by supporting +the king in his arbitrary policy. In 1613 he became Attorney-General, +and in this capacity prosecuted Somerset in 1616. The +year 1618 saw him Lord Keeper, and the next Lord Chancellor +and Baron Verulam, a title which, in 1621, he exchanged for that +of Viscount St. Albans. Meanwhile he had written the <i>New Atlantis</i>, +a political romance, and in 1620 he presented to the king the <i>Novum +Organum</i>, on which he had been engaged for 30 years, and which +ultimately formed the main part of the <i>Instauratio Magna</i>. In his +great office B. showed a failure of character in striking contrast with +the majesty of his intellect. He was corrupt alike politically and +judicially, and now the hour of retribution arrived. In 1621 a +Parliamentary Committee on the administration of the law charged +him with corruption under 23 counts; and so clear was the evidence +that he made no attempt at defence. To the lords, who sent a +<a name='Page_19'></a>committee to inquire whether the confession was really his, he +replied, "My lords, it is my act, my hand, and my heart; I beseech +your lordships to be merciful to a broken reed." He was sentenced +to a fine of £40,000, remitted by the king, to be committed to the +Tower during the king's pleasure (which was that he should be +released in a few days), and to be incapable of holding office or +sitting in parliament. He narrowly escaped being deprived of his +titles. Thenceforth he devoted himself to study and writing. In +1622 appeared his <i>History of Henry VII.</i>, and the 3rd part of the +<i>Instauratio</i>; in 1623, <i>History of Life and Death</i>, the <i>De Augmentis +Scientarum</i>, a Latin translation of the <i>Advancement</i>, and in 1625 +the 3rd edition of the <i>Essays</i>, now 58 in number. He also <i>pub.</i> +<i>Apophthegms</i>, and a translation of some of the <i>Psalms</i>. His life +was now approaching its close. In March, 1626, he came to London, +and shortly after, when driving on a snowy day, the idea struck him +of making an experiment as to the antiseptic properties of snow, in +consequence of which he caught a chill, which ended in his death on +9th April 1626. He left debts to the amount of £22,000. At the +time of his death he was engaged upon <i>Sylva Sylvarum</i>. The +intellect of B. was one of the most powerful and searching ever +possessed by man, and his developments of the inductive philosophy +revolutionised the future thought of the human race. The most +popular of his works is the <i>Essays</i>, which convey profound and +condensed thought in a style that is at once clear and rich. His +moral character was singularly mixed and complex, and bears no +comparison with his intellect. It exhibits a singular coldness and +lack of enthusiasm, and indeed a bluntness of moral perception +and an absence of attractiveness rarely combined with such +extraordinary mental endowments. All that was possible to be +done in defence of his character and public conduct has been done +by his accomplished biographer and editor, <a href='#SPEDDING_JAMES_1808_1881'>Mr. Spedding</a> (<i>q.v.</i>). +Singular, though of course futile, attempts, supported sometimes +with much ingenuity, have been made to claim for B. the authorship +of Shakespeare's plays, and have indeed been extended so as +to include those of Marlowe, and even the <i>Essays</i> of Montaigne.</p> + +<p>SUMMARY.—<i>B.</i> London 1561, <i>ed.</i> Trinity Coll., Cambridge, dissatisfied +with Aristotelean philosophy, entered Gray's Inn 1576, in +France 1576-79, called to Bar 1582, enters Parliament 1584, became +friend of Essex 1591, who presents him with estate 1593, <i>pub.</i> 1st ed. +of <i>Essays</i> 1597, prosecutes Essex 1601, <i>pub.</i> <i>Advancement of Learning</i> +1605, Solicitor-Gen. 1607, <i>pub.</i> <i>Wisdom of the Ancients</i> 1609, +Attorney-Gen. 1613, prosecuted Somerset 1616, Lord Keeper 1618, +Lord Chancellor with title of Verulam 1619, Visc. St. Albans 1621, +<i>pub.</i> <i>Novum Organum</i> 1620, charged with corruption, and retires +from public life 1621, <i>pub.</i> <i>Henry VII.</i> and 3rd part of <i>Instauratio</i> +1622, <i>d.</i> 1626.</p> + +<p>The standard edition of B.'s works is that of Spedding, Ellis, and +Heath (14 vols. 1857-74), including <i>Life and Letters</i> by Spedding. +See also Macaulay's <i>Essays</i>; Dean Church in <i>Men of Letters Series</i>; +Dr. Abbott's <i>Life</i> (1885), etc. For philosophy Fowler's <i>Novum +Organum</i> (1878).</p><br /> + +<a name='BACON_ROGER_1214_1294'></a><p><b>BACON, ROGER (1214?-1294).</b> +—Philosopher, studied at +Oxford and Paris. His scientific acquirements, regarded in that +<a name='Page_20'></a>age as savouring of witchcraft, and doubtless also his protests +against the ignorance and immorality of the clergy, excited the +jealousy and hatred of the Franciscans, and he was in consequence +imprisoned at Paris for ten years. Clement IV., who had been a +sympathiser, desired on his accession to see his works, and in +response B. sent him <i>Opus Majus</i>, a treatise on the sciences +(grammar, logic, mathematics, physics, and philosophy), followed +by <i>Opus Secundum</i> and <i>Opus Tertium</i>. Clement, however, was +near death when they arrived. B. was comparatively free from +persecution for the next ten years. But in 1278 he was again imprisoned +for upwards of ten years. At the intercession of some +English noblemen he was at last released, and spent his remaining +years at Oxford. He possessed one of the most commanding intellects +of his own, or perhaps of any, age, and, notwithstanding all +the disadvantages and discouragements to which he was subjected, +made many discoveries, and came near to many more. There is +still preserved at Oxford a rectified calendar in which he approximates +closely to the truth. He received the sobriquet of the +"Doctor Mirabilis."</p><br /> + +<a name='BAGE_ROBERT_1728_1801'></a><p><b>BAGE, ROBERT (1728-1801).</b> +—Novelist, <i>b.</i> in Derbyshire, +was the <i>s.</i> of a paper-maker. It was not until he was 53 that he took +to literature; but in the 15 years following he produced 6 novels, of +which Sir Walter Scott says that "strong mind, playful fancy, and +extensive knowledge are everywhere apparent." B., though brought +up as a Quaker, imbibed the principles of the French Revolution. +He was an amiable and benevolent man, and highly esteemed. +<i>Hermsprong; or, Man as He is Not</i> (1796) is considered the best of his +novels, of which it was the last. The names of the others are +<i>Mount Kenneth</i> (1781), <i>Barham Downs</i> (1784), <i>The Fair Syrian</i> +(1787), <i>James Wallace</i> (1788), and <i>Man as He is</i> (1792).</p><br /> + +<a name='BAGEHOT_WALTER_1826_1877'></a><p><b>BAGEHOT, WALTER (1826-1877).</b> +—Economist, <i>s.</i> of a +banker, <i>b.</i> at Langport, Somerset, <i>ed.</i> at University Coll., London, +and called to the Bar, but did not practise, and joined his <i>f.</i> in +business. He wrote for various periodicals, and from 1860 was +editor of <i>The Economist</i>. He was the author of <i>The English Constitution</i> +(1867), a standard work which was translated into several +languages; <i>Physics and Politics</i> (1872), and <i>Lombard Street</i> (1873), a +valuable financial work. A collection of essays, biographical and +economic, was <i>pub.</i> after his death.</p><br /> + +<a name='BAILEY_PHILIP_JAMES_1816_1902'></a><p><b>BAILEY, PHILIP JAMES (1816-1902).</b> +—Poet, <i>s.</i> of a +journalist, <i>b.</i> at Nottingham, and <i>ed.</i> there and at Glasgow, of which +he was made an LL.D. in 1891. His life was a singularly uneventful +one. He lived at Nottingham, Jersey, Ilfracombe, London, and +again at Nottingham, where he <i>d.</i> He travelled a good deal +on the Continent. He was by profession a barrister, but never +practised, and devoted his whole energies to poetry. His first +poem, <i>Festus</i> (1839), is, for the daring of its theme and the imaginative +power and moral altitude which it displays, one of the most +notable of the century; as the work of one little past boyhood it is +a prodigy of intellectual precocity. Along with its great qualities +it has many faults in execution, and its final place in literature +<a name='Page_21'></a>remains to be determined. It was <i>pub.</i> anonymously, and had +great success, but has fallen into unmerited, but perhaps temporary, +neglect. Among its greatest admirers was Tennyson. The subsequent +poems of B., <i>The Angel World</i> (1850), <i>The Mystic</i> (1855), <i>The +Age</i> (1858), and <i>The Universal Hymn</i> (1867), were failures, and the +author adopted the unfortunate expedient of endeavouring to +buoy them up by incorporating large extracts in the later editions +of <i>Festus</i>, with the effect only of sinking the latter, which ultimately +extended to over 40,000 lines. B. was a man of strikingly +handsome appearance, and gentle and amiable character.</p><br /> + +<a name='BAILLIE_JOANNA_1762_1851'></a><p><b>BAILLIE, JOANNA (1762-1851).</b> +—Dramatist and poetess, +<i>dau.</i> of the minister of Bothwell, afterwards Professor of Divinity at +Glasgow. Her mother was a sister of the great anatomists, William +and John Hunter, and her brother was the celebrated physician, +Matthew B., of London. She received a thorough education at +Glasgow, and at an early age went to London, where the remainder +of her long, happy, and honoured, though uneventful, life was +passed. In 1798, when she was 36, the first vol. of her <i>Plays on the +Passions</i> appeared, and was received with much favour, other two +vols. followed in 1802 and 1812, and she also produced <i>Miscellaneous +Plays</i> in 1804, and 3 vols. of <i>Dramatic Poetry</i> in 1836. In +all her works there are many passages of true and impressive poetry, +but the idea underlying her <i>Plays on the Passions</i>, that, namely, of +exhibiting the principal character as acting under the exclusive +influence of one passion, is artificial and untrue to nature.</p><br /> + +<a name='BAILLIE_LADY_GRIZEL_1665_1746'></a><p><b>BAILLIE, LADY GRIZEL (1665-1746).</b> +—Poetess, <i>dau.</i> of +Sir Patrick Home or Hume, afterwards Earl of Marchmont, was +married to George Baillie of Jerviswoode. In her childhood she +showed remarkable courage and address in the services she +rendered to her father and his friend, Robert Baillie of Jerviswoode, +the eminent Scottish patriot, when under persecution. She left +many pieces both prose and verse in MS., some of which were +<i>pub.</i> The best known is the beautiful song, <i>Were na my heart licht +I wad die</i>.</p><br /> + +<a name='BAILLIE_ROBERT_1599_1662'></a><p><b>BAILLIE, ROBERT (1599-1662).</b> +—Historical writer, <i>s.</i> of +B. of Jerviston, <i>ed.</i> at Glasgow, he entered the Church of Scotland +and became minister of Kilwinning in Ayrshire. His abilities soon +made him a leading man. He was a member of the historic +Assembly of 1638, when Presbyterianism was re-established in +Scotland, and also of the Westminster Assembly, 1643. In 1651 he +was made Professor of Divinity in Glasgow, and 10 years later +Principal. His <i>Letters and Journals</i>, edited for the Bannatyne +Club by <a href='#LAING_DAVID_1793_1878'>D. Laing</a> (<i>q.v.</i>), are of the greatest value for the interesting +light they throw on a period of great importance in Scottish history. +He was one of the wisest and most temperate churchmen of his +time.</p><br /> + +<a name='BAIN_ALEXANDER_1818_1903'></a><p><b>BAIN, ALEXANDER (1818-1903).</b> +—Philosopher, <i>b.</i> at +Aberdeen, and graduated at Marischal Coll. there, became in 1860 +Professor of Logic in his university, and wrote a number of works on +philosophy and psychology, including <i>The Senses and the Intellect</i><a name='Page_22'></a> +(1855), <i>The Emotions and the Will</i>, <i>Mental and Moral Science</i> (1868), +<i>Logic</i> (1870), and <i>Education as a Science</i> (1879). In 1881 he was +elected Lord Rector of Aberdeen University.</p><br /> + +<a name='BAKER_SIR_RICHARD_1568_1645'></a><p><b>BAKER, SIR RICHARD (1568-1645).</b> +—Historian and +religious writer, studied law, was knighted in 1603, and was High +Sheriff of Oxfordshire 1620. B. was the author of <i>The Chronicle of +the Kings of England</i> (1643), which was for long held as a great +authority among the country gentlemen. It has, however, many +errors. B. fell on evil days, was thrown into the Fleet for debt +incurred by others, for which he had made himself responsible, and +<i>d.</i> there. It was during his durance that the <i>Chronicle</i> and some +religious treatises were composed. The <i>Chronicle</i> was continued by +Edward Phillips, Milton's nephew, who became a strong Royalist.</p><br /> + +<a name='BAKER_SIR_SAMUEL_WHITE_1821_1893'></a><p><b>BAKER, SIR SAMUEL WHITE (1821-1893).</b> +—Traveller, <i>b.</i> +in London, and after being a planter in Ceylon, and superintending +the construction of a railway between the Danube and the Black +Sea, went with his wife, a Hungarian lady, in search of the sources +of the Nile, and discovered the great lake, Albert Nyanza. B. was +knighted in 1866, and was for 4 years Governor-General of the Equatorial +Nile Basin. His books, which are all on travel and sport, +are well written and include <i>Albert Nyanza</i> (1866), <i>Nile Tributaries +of Abyssinia</i> (1867).</p><br /> + +<a name='BALE_JOHN_1495_1563'></a><p><b>BALE, JOHN (1495-1563).</b> +—Historian and controversialist, +<i>b.</i> at Cove, Suffolk, and <i>ed.</i> as a Carmelite friar, but becoming +a Protestant, engaged in violent controversy with the Roman +Catholics. After undergoing persecution and flying to Flanders, he +was brought back by Edward VI. and made Bishop of Ossory. On +the death of Edward he was again persecuted, and had to escape +from Ireland to Holland, but returned on the accession of Elizabeth, +who made him a Prebendary of Canterbury. His chief work +is a Latin <i>Account of the Lives of Eminent Writers of Great Britain</i>. +Besides this he wrote some dramas on scriptural subjects, and an +account of the trial and death of Sir John Oldcastle. He wrote in +all 22 plays, of which only 5 have come down, the names of certain +of which give some idea of their nature, <i>e.g.</i>, <i>The Three Leaves of +Nature</i>, <i>Moses and Christ</i>, and <i>The Temptacyon of Our Lord</i>.</p><br /> + +<a name='BALLANTINE_JAMES_1808_1877'></a><p><b>BALLANTINE, JAMES (1808-1877).</b> +—Artist and author, <i>b.</i> +in Edinburgh, began life as a house painter. He studied art, and +became one of the first to revive the art of glass-painting, on which +subject he wrote a treatise. He was the author of <i>The Gaberlunzie's +Wallet</i> (1843), <i>Miller of Deanhaugh</i> (1845), <i>Poems</i> (1856), +<i>100 Songs with Music</i> (1865), and a <i>Life of David Roberts, R.A.</i> +(1866).</p><br /> + +<a name='BALLANTYNE_ROBERT_MICHAEL_1825_1894'></a><p><b>BALLANTYNE, ROBERT MICHAEL (1825-1894).</b> +—Writer +of tales for boys, <i>b.</i> in Edinburgh, was a connection of the well-known +printers. As a youth he spent some years in the service of +the Hudson's Bay Co., and was then a member of Constable's +printing firm. In 1856 he took to literature as a profession, and +<i>pub.</i> about 80 tales, which, abounding in interesting adventure and +information, and characterised by a thoroughly healthy tone, had +<a name='Page_23'></a>great popularity. Among them are <i>The Young Fur Traders</i> (1856), +<i>The Coral Island</i>, <i>Fighting the Flames</i>, <i>Martin Rattler</i>, <i>The World of +Ice</i>, <i>The Dog Crusoe</i>, <i>Erling the Bold</i>, and <i>Black Ivory</i>. B. was also +an accomplished water-colour artist, and in all respects lived up to +the ideals he sought to instil into his readers. He <i>d.</i> at Rome.</p><br /> + +<a name='BANCROFT_GEORGE_1800_1891'></a><p><b>BANCROFT, GEORGE (1800-1891).</b> +—American historian, +<i>b.</i> at Worcester, Massachusetts, and after <i>grad.</i> at Harvard, studied +in Germany, where he became acquainted and corresponded with +Goethe, Hegel, and other leaders of German thought. Returning +to America he began his <i>History of the United States</i> (1834-74). The +work covers the period from the discovery of the Continent to the +conclusion of the Revolutionary War in 1782. His other great work +is <i>The History of the Formation of the Constitution of the United +States</i> (1882). B. filled various political offices, and was in 1846 +Minister Plenipotentiary to England, and in 1867 Minister to +Prussia. His writing is clear and vigorous, and his facts generally +accurate, but he is a good deal of a partisan.</p><br /> + +<a name='BANIM_JOHN_1798_1842'></a><p><b>BANIM, JOHN (1798-1842).</b> +—Novelist, began life as a +miniature painter, but was led by the success of his first book, +<i>Tales of the O'Hara Family</i>, to devote himself to literature. The +object which he set before himself was to become to Ireland what +Scott has been to Scotland, and the influence of his model is distinctly +traceable in his writings. His strength lies in the delineation +of the characters of the Irish lower classes, and the impulses, +often misguided and criminal, by which they are influenced, and +in this he has shown remarkable power. The first series of the +<i>O'Hara Tales</i> appeared in 1825, the second in 1826. Other works +are <i>The Croppy</i> (1828), <i>The Denounced</i> (1830), <i>The Smuggler</i> (1831), +<i>The Mayor of Windgap</i>, and his last, <i>Father Connell</i>. Most of +these deal with the darker and more painful phases of life, but the +feeling shown in the last-named is brighter and tenderer. B. +latterly suffered from illness and consequent poverty, which were +alleviated by a pension from Government. He also wrote some +poems, including <i>The Celt's Paradise</i>, and one or two plays. In the +<i>O'Hara Tales</i>, he was assisted by his brother, MICHAEL BANIM +(1796-1874), and there is difficulty in allocating their respective +contributions. After the death of John, Michael wrote <i>Clough +Fionn</i> (1852), and <i>The Town of the Cascades</i> (1864).</p><br /> + +<a name='BANNATYNE_RICHARD_d_1605'></a><p><b>BANNATYNE, RICHARD (<i>d.</i> 1605).</b> +—Secretary to John +Knox, compiled <i>Memorials of Transactions in Scotland from 1569 to +1573</i>.</p><br /> + +<a name='BARBAULD_ANNA_LETITIA_1743_1825'></a><p><b>BARBAULD, ANNA LETITIA (1743-1825).</b> +—Poetess, etc., +<i>dau.</i> of <a href='#AIKIN_JOHN_1747_1822'>Dr. John Aikin</a> (<i>q.v.</i>), was <i>b.</i> at Kibworth-Hencourt, +Leicestershire. Her <i>f.</i> kept an academy for boys, whose education +she shared, and thus became acquainted with the classics. In +1773 she <i>pub.</i> a collection of miscellaneous poems, which was well +received, and in the following year she married the Rev. R. Barbauld, +a French Protestant and dissenting minister, who also conducted +a school near Palgrave in Suffolk. Into this enterprise Mrs. +B. threw herself with great energy, and, mainly owing to her +talents and reputation, it proved a success and was afterwards +<a name='Page_24'></a>carried on at Hampstead and Newington Green. Meantime, she +continued her literary occupations, and brought out various devotional +works, including her <i>Hymns in Prose for Children</i>. These +were followed by <i>Evenings at Home</i>, <i>Selections from the English +Essayists</i>, <i>The Letters of Samuel Richardson</i>, with a life prefixed, and +a selection from the British novelists with introductory essay.</p><br /> + +<a name='BARBOUR_JOHN_1316_1395'></a><p><b>BARBOUR, JOHN (1316?-1395).</b> +—Poet. Of B.'s youth +nothing is certainly known, but it is believed that he was <i>b.</i> near +Aberdeen, and studied at Oxford and Paris. He entered the Church, +and rose to ecclesiastical preferment and Royal favour. He is +known to have been Archdeacon of Aberdeen in 1357, when, and +again in 1364, he went with some young scholars to Oxford, and he +also held various civil offices in connection with the exchequer and +the King's household. His principal poem, <i>The Bruce</i>, was in progress +in 1376. It consists of 14,000 octosyllabic lines, and celebrates +the praises of Robert the Bruce and James Douglas, the +flowers of Scottish chivalry. This poem is almost the sole authority +on the history it deals with, but is much more than a rhyming +chronicle; it contains many fine descriptive passages, and sings the +praises of freedom. Its style is somewhat bald and severe. Other +poems ascribed to B. are <i>The Legend of Troy</i>, and <i>Legends of the +Saints</i>, probably translations. B. devoted a perpetual annuity of +20 shillings, bestowed upon him by the King, to provide for a mass +to be sung for himself and his parents, and this was duly done in the +church of St. Machar until the Reformation.</p> + +<p><i>The Bruce</i>, edited by C. Innes for Spalding Club (1856), and for +Early Engl. Text Soc. by W.W. Skeat, 1870-77; and for Scott. +Text Soc. (1894); <i>The Wallace</i> and <i>The Bruce</i> re-studied, +J.T.T. Brown, 1900; G. Neilson in Chambers' Cyc. Eng. Lit. (1903).</p><br /> + +<a name='BARCLAY_ALEXANDER_1475_1552'></a><p><b>BARCLAY, ALEXANDER (1475?-1552).</b> +—Poet, probably +of Scottish birth, was a priest in England. He is remembered for +his satirical poem, <i>The Ship of Fools</i> (1509), partly a translation, +which is of interest as throwing light on the manners and customs +of the times to which it refers. He also translated Sallust's <i>Bellum +Jugurthinum</i>, and the <i>Mirrour of Good Manners</i>, from the Italian of +Mancini, and wrote five <i>Eclogues</i>. His style is stiff and his verse +uninspired.</p><br /> + +<a name='BARCLAY_JOHN_1582_1621'></a><p><b>BARCLAY, JOHN (1582-1621).</b> +—Satirist, <i>s.</i> of a Scotsman, +who was Professor of Law at Pont-à-Mousson, Lorraine, came with +his <i>f.</i> to England about 1603. He wrote several works in English +and Latin, among which are <i>Euphormionis Satyricon</i>, against the +Jesuits, and <i>Argenis</i>, a political romance, resembling in certain +respects the <i>Arcadia</i> of Sidney, and the <i>Utopia</i> of More.</p><br /> + +<a name='BARCLAY_ROBERT_1648_1690'></a><p><b>BARCLAY, ROBERT (1648-1690).</b> +—Apologist of the +Quakers, <i>s.</i> of Col. David B. of Ury, <i>ed.</i> at the Scots Coll. in Paris, +of which his uncle was Rector, made such progress in study as +to gain the admiration of his teachers, specially of his uncle, who +offered to make him his heir if he would remain in France, and join +the Roman Catholic Church. This he refused to do, and, returning +to Scotland, he in 1667 adopted the principles of the Quakers +as his <i>f.</i> had already done. Soon afterwards he began to write in +<a name='Page_25'></a>defence of his sect, by <i>pub.</i> in 1670 <i>Truth cleared of Calumnies</i>, and +<i>a Catechism and Confession of Faith</i> (1673). His great work, however, +is his <i>Apology for the Quakers</i>, <i>pub.</i> in Latin in 1676, and +translated into English in 1678. It is a weighty and learned work, +written in a dignified style, and was eagerly read. It, however, +failed to arrest the persecution to which the Quakers were exposed, +and B. himself, on returning from the Continent, where he +had gone with Foxe and Penn, was imprisoned, but soon regained +his liberty, and was in the enjoyment of Court favour. He was one +of the twelve Quakers who acquired East New Jersey, of which he +was appointed nominal Governor. His latter years were spent at his +estate of Ury, where he <i>d.</i> The essential view which B. maintained +was, that Christians are illuminated by an inner light superseding +even the Scriptures as the guide of life. His works have often been +reprinted.</p><br /> + +<a name='BARHAM_RICHARD_HARRIS_1788_1845'></a><p><b>BARHAM, RICHARD HARRIS (1788-1845).</b> +—Novelist and +humorous poet, <i>s.</i> of a country gentleman, was <i>b.</i> at Canterbury, <i>ed.</i> +at St. Paul's School and Oxford, entered the church, held various +incumbencies, and was Divinity Lecturer, and minor canon of St. +Paul's. It is not, however, as a churchman that he is remembered, +but as the author of the <i>Ingoldsby Legends</i>, a series of comic +and serio-comic pieces in verse, sparkling with wit, and full of striking +and often grotesque turns of expression, which appeared first in +<i>Bentley's Miscellany</i>. He also wrote, in <i>Blackwood's Magazine</i>, a +novel, <i>My Cousin Nicholas</i>.</p><br /> + +<a name='BARLOW_JOEL_1754_1812'></a><p><b>BARLOW, JOEL (1754-1812).</b> +—Poet, <i>b.</i> at Reading, Connecticut, +served for a time as an army chaplain, and thereafter +betook himself to law, and finally to commerce and diplomacy, in +the former of which he made a fortune. He was much less successful +as a poet than as a man of affairs. His writings include <i>Vision of +Columbus</i> (1787), afterwards expanded into the <i>Columbiad</i> (1807), +<i>The Conspiracy of Kings</i> (1792), and <i>The Hasty Pudding</i> (1796), a +mock-heroic poem, his best work. These are generally pompous +and dull. In 1811 he was <i>app.</i> ambassador to France, and met his +death in Poland while journeying to meet Napoleon.</p><br /> + +<a name='BARNARD_LADY_ANNE_LINDSAY_1750_1825'></a><p><b>BARNARD, LADY ANNE (LINDSAY) (1750-1825).</b> +—Poet, +<i>e. dau.</i> of the 5th Earl of Balcarres, married Andrew Barnard, +afterwards Colonial Secretary at Cape Town. On the <i>d.</i> of her +husband in 1807 she settled in London. Her exquisite ballad of +<i>Auld Robin Gray</i> was written in 1771, and <i>pub.</i> anonymously. She +confessed the authorship to Sir Walter Scott in 1823.</p><br /> + +<a name='BARNES_BARNABE_1569_1609'></a><p><b>BARNES, BARNABE (1569?-1609).</b> +—Poet, <i>s.</i> of Dr. +Richard B. Bishop, of Durham, was <i>b.</i> in Yorkshire, and studied at +Oxford. He wrote <i>Parthenophil</i>, a collection of sonnets, madrigals, +elegies, and odes, <i>A Divine Centurie of Spirituall Sonnets</i>, and <i>The +Devil's Charter</i>, a tragedy. When at his best he showed a true +poetic vein.</p><br /> + +<a name='BARNES_WILLIAM_1801_1886'></a><p><b>BARNES, WILLIAM (1801-1886).</b> +—Poet and philologist, +<i>s.</i> of a farmer, <i>b.</i> at Rushay, Dorset. After being a solicitor's clerk +and a schoolmaster, he entered the Church, in which he served +<a name='Page_26'></a>various cures. He first contributed to a newspaper, <i>Poems in +Dorset Dialect</i>, separately <i>pub.</i> in 1844. <i>Hwomely Rhymes</i> followed +in 1858, and a collected edition of his poems appeared in 1879. +His philological works include <i>Philological Grammar</i> (1854), <i>Se +Gefylsta, an Anglo-Saxon Delectus</i> (1849). <i>Tiw, or a View of Roots</i> +(1862), and a <i>Glossary of Dorset Dialect</i> (1863). B.'s poems are +characterised by a singular sweetness and tenderness of feeling, +deep insight into humble country life and character, and an exquisite +feeling for local scenery.</p><br /> + +<a name='BARNFIELD_RICHARD_1574_1627'></a><p><b>BARNFIELD, RICHARD (1574-1627).</b> +—Poet, <i>e.s.</i> of +Richard B., gentleman, was <i>b.</i> at Norbury, Shropshire, and <i>ed.</i> at +Oxford. In 1594 he <i>pub.</i> <i>The Affectionate Shepherd</i>, a collection +of variations in graceful verse of the 2nd Eclogue of Virgil. His +next work was <i>Cynthia, with certain Sonnets and the Legend of Cassandra</i> +in 1595; and in 1598 there appeared a third vol., <i>The +Encomion of Lady Pecunia, etc.</i>, in which are two songs ("If music +and sweet poetrie agree," and "As it fell upon a day") also included +in <i>The Passionate Pilgrim</i>, an unauthorised collection, and +which were long attributed to Shakespeare. From this time, 1599, +B. produced nothing else, and seems to have retired to the life of +a country gentleman at Stone in Staffordshire, in the church of +which he was buried in 1627. He was for long neglected; but his +poetry is clear, sweet, and musical. His gift indeed is sufficiently +attested by work of his having passed for that of Shakespeare.</p><br /> + +<a name='BARROW_ISAAC_1630_1677'></a><p><b>BARROW, ISAAC (1630-1677).</b> +—Divine, scholar, and +mathematician, <i>s.</i> of a linen-draper in London, was <i>ed.</i> at Charterhouse, +Felsted, Peterhouse, and Trinity Coll., Cambridge, where +his uncle and namesake, afterwards Bishop of St. Asaph, was a +Fellow. As a boy he was turbulent and pugnacious, but soon took +to hard study, distinguishing himself in classics and mathematics. +Intending originally to enter the Church, he was led to think of +the medical profession, and engaged in scientific studies, but soon +reverted to his first views. In 1655 he became candidate for the +Greek Professorship at Cambridge, but was unsuccessful, and +travelled for four years on the Continent as far as Turkey. On his +return he took orders, and, in 1660, obtained the Greek Chair at +Cambridge, and in 1662 the Gresham Professorship of Geometry, +which he resigned on being appointed first Lucasian Professor of +Mathematics in the same university. During his tenure of this +chair he <i>pub.</i> two mathematical works of great learning and +elegance, the first on Geometry and the second on Optics. In 1669 +he resigned in favour of his pupil, Isaac Newton, who was long +considered his only superior among English mathematicians. +About this time also he composed his <i>Expositions of the Creed</i>, <i>The +Lord's Prayer</i>, <i>Decalogue</i>, and <i>Sacraments</i>. He was made a D.D. +by royal mandate in 1670, and two years later Master of Trinity Coll., +where he founded the library. Besides the works above mentioned, +he wrote other important treatises on mathematics, but in literature +his place is chiefly supported by his sermons, which are masterpieces +of argumentative eloquence, while his treatise on the <i>Pope's +Supremacy</i> is regarded as one of the most perfect specimens of controversy +in existence. B.'s character as a man was in all respects +<a name='Page_27'></a>worthy of his great talents, though he had a strong vein of eccentricity. +He <i>d.</i> unmarried in London at the early age of 47. B.'s +theological works were edited by Napier, with memoir by Whewell +(9 vols., 1839).</p><br /> + +<a name='BARTON_BERNARD_1784_1849'></a><p><b>BARTON, BERNARD (1784-1849).</b> +—Poet, <i>b.</i> of Quaker +parentage, passed nearly all his life at Woodbridge, for the most part +as a clerk in a bank. He became the friend of Southey, Lamb, and +other men of letters. His chief works are <i>The Convict's Appeal</i> +(1818), a protest against the severity of the criminal code of the time, +and <i>Household Verses</i> (1845), which came under the notice of Sir R. +Peel, through whom he obtained a pension of £100. With the exception +of some hymns his works are now nearly forgotten, but he +was a most amiable and estimable man—simple and sympathetic. +His <i>dau.</i> Lucy, who married Edward Fitzgerald, the translator of +<i>Omar Khayyam</i>, <i>pub.</i> a selection of his poems and letters, to which +her husband prefixed a biographical introduction.</p><br /> + +<a name='BAYNES_THOMAS_SPENCER_1823_1887'></a><p><b>BAYNES, THOMAS SPENCER (1823-1887).</b> +—Philosopher, <i>s.</i> +of a Baptist minister, <i>b.</i> at Wellington, Somerset, intended to study +for Baptist ministry, and was at a theological seminary at Bath +with that view, but being strongly attracted to philosophical studies, +left it and went to Edin., when he became the favourite pupil of <a href='#HAMILTON_SIR_WILLIAM_1788_1856'>Sir +W. Hamilton</a> (<i>q.v.</i>), of whose philosophical system he continued an +adherent. After working as ed. of a newspaper in Edinburgh, and after +an interval of rest rendered necessary by a breakdown in health, he +resumed journalistic work in 1858 as assistant ed. of the <i>Daily News</i>. +In 1864 he was appointed Prof. of Logic and English Literature at +St. Andrews, in which capacity his mind was drawn to the study of +Shakespeare, and he contributed to the <i>Edinburgh Review</i> and +<i>Fraser's Magazine</i> valuable papers (chiefly relating to his vocabulary +and the extent of his learning) afterwards collected as <i>Shakespeare +Studies</i>. In 1873 he was appointed to superintend the ninth ed. +of the <i>Encyclopædia Britannica</i>, in which, after 1880, he was assisted +by <a href='#SMITH_WILLIAM_ROBERTSON_1846_1894'>W. Robertson Smith</a> (<i>q.v.</i>).</p><br /> + +<a name='BAXTER_RICHARD_1615_1691'></a><p><b>BAXTER, RICHARD (1615-1691).</b> +—Divine scholar and controversialist, +was <i>b.</i> of poor, but genteel, parents at Rowton in +Shropshire, and although he became so eminent for learning, was not +<i>ed.</i> at any university. Circumstances led to his turning his attention +to a career at court under the patronage of the Master of the Revels, +but a short experience of this sufficed; and giving himself to the +Christian ministry, he was ordained in 1638, and, after being master +of a school at Dudley, exercised his ministry successively at Bridgnorth +and Kidderminster. His learning and capacity for business +made him the leader of the Presbyterian party. He was one of the +greatest preachers of his own day, and consistently endeavoured to +exert a moderating influence, with the result that he became the +object of attack by extremists of opposing views. Though siding +with the Parliament in the Civil War, he opposed the execution of the +King and the assumption of supreme power by Cromwell. During +the war he served with the army as a chaplain. On the return of +Charles II., B. was made one of his chaplains, and was offered the see +of Hereford, which he declined, and his subsequent request to be +<a name='Page_28'></a>allowed to return to Kidderminster was refused. He subsequently +suffered persecution at the hands of Judge Jeffreys. After the +Revolution he had a few years of peace and quiet. His literary +activity was marvellous in spite of ill-health and outward disturbance. +He is said to have written 168 works, the best known of +which are <i>The Saints' Everlasting Rest</i> (1650), and <i>Call to the Unconverted</i> +(1657), manuals of practical religion; and, among his controversial +writings, <i>Methodus Theologiæ</i> (1681), and <i>Catholic Theology</i> +(1675), in which his theological standpoint—a compromise between +Arminianism and Calvinism—is set forth. Dr. Isaac Barrow says +that "his practical writings were never mended, and his controversial +seldom confuted," and Dean Stanley calls him "the chief +English Protestant schoolman." B. left an autobiography, +<i>Reliquiæ Baxterianæ</i>, which was a favourite book with both Johnson +and Coleridge. Other works by him are <i>The Life of Faith</i> (1670), +<i>Reasons of the Christian Religion</i> (1672), and <i>Christian Directory</i> +(1675). <i>Practical Works</i> in 23 vols. (1830) edited with memoirs by +W. Orme, also <i>Lives</i> by A.B. Grosart (1879), Dean Boyle (1883), and +J.H. Davies (1886).</p><br /> + +<a name='BAYLY_ADA_ELLEN_d_1903'></a><p><b>BAYLY, ADA ELLEN (<i>d.</i> 1903).</b> +—Novelist, wrote +several stories under the name of "Edna Lyall," which were very +popular. They include <i>Autobiography of a Slander</i>, <i>Donovan</i>, <i>Hope +the Hermit</i>, <i>In the Golden Days</i>, <i>To Right the Wrong</i>, <i>We Two</i>, and +<i>Won by Waiting</i>.</p><br /> + +<a name='BAYLY_THOMAS_HAYNES_1797_1839'></a><p><b>BAYLY, THOMAS HAYNES (1797-1839).</b> +—Miscellaneous +writer, <i>s.</i> of a wealthy lawyer in Bath. Originally intended for the +law, he changed his mind and thought of entering the Church, but +abandoned this idea also, and gave himself to writing for the stage +and the periodical press. He is chiefly known for his songs, of +which he wrote hundreds, which, set to the music of Bishop and +other eminent composers, found universal acceptance. Some were +set to his own music. He also wrote several novels and a number +of farces, etc. Although making a large income from his writings, +in addition to that of his wife, he fell into embarrassed circumstances. +Among the best known of his songs are <i>I'd be a Butterfly</i>, <i>Oh, no, we +never mention Her</i>, and <i>She wore a Wreath of Roses</i>. He may be +regarded as, excepting Moore, the most popular song writer of his +time.</p><br /> + +<a name='BEACONSFIELD_BENJAMIN_DISRAELI_1ST_EARL_of_1804_1881'></a><p><b>BEACONSFIELD, BENJAMIN DISRAELI, 1ST EARL of (1804-1881).</b> +—Statesman +and novelist, was the <i>s.</i> of <a href='#DISRAELI_ISAAC_1766_1848'>Isaac D.</a> (<i>q.v.</i>). Belonging +to a Jewish family settled first in Spain, whence in the 15th +century they migrated to Italy, he was <i>b.</i> in London in 1804 and +privately <i>ed.</i> His <i>f.</i> destined him for the law, and he was articled +to a solicitor. The law was, however, uncongenial, and he had +already begun to write. After some journalistic work, he brought +himself into general notice by the publication, in 1827, of his first +novel, <i>Vivian Grey</i>, which created a sensation by its brilliance, +audacity, and slightly veiled portraits of living celebrities. After +producing a <i>Vindication of the British Constitution</i>, and some political +pamphlets, he followed up his first success by a series of novels, <i>The +Young Duke</i> (1831), <i>Contarini Fleming</i> (1832), <i>Alroy</i> (1833), <i>Venetia +<a name='Page_29'></a>and Henrietta Temple</i> (1837). During the same period he had also +written <i>The Revolutionary Epic</i> and three burlesques, <i>Ixion</i>, <i>The Infernal +Marriage</i>, and <i>Popanilla</i>. These works had gained for him a +brilliant, if not universally admitted, place in literature. But his +ambition was by no means confined to literary achievement; he +aimed also at fame as a man of action. After various unsuccessful +attempts to enter Parliament, in which he stood, first as a Radical, +and then as a Tory, he was in 1837 returned for Maidstone, having +for his colleague Mr. Wyndham Lewis, whose widow he afterwards +married. For some years after entering on his political career, D. +ceased to write, and devoted his energies to parliamentary work. +His first speech was a total failure, being received with shouts of +laughter, but with characteristic courage and perseverance he pursued +his course, gradually rose to a commanding position in parliament +and in the country, became leader of his party, was thrice Chancellor +of the Exchequer, 1852, 1858-59, and 1866-68, in which last +year he became Prime Minister, which office he again held from 1874 +till 1880. To return to his literary career, in 1844 he had <i>pub.</i> <i>Coningsby</i>, +followed by <i>Sybil</i> (1845), and <i>Tancred</i> (1847), and in 1848 he +wrote a life of Lord G. Bentinck, his predecessor in the leadership of +the Protectionist party. His last novels were <i>Lothair</i> (1870), and +<i>Endymion</i> (1880). He was raised to the peerage as Earl of Beaconsfield +in 1876, and was a Knight of the Garter. In his later years he +was the intimate friend as well as the trusted minister of Queen +Victoria. The career of D. is one of the most remarkable in English +history. With no family or political influence, and with some +personal characteristics, and the then current prejudices in regard to +his race to contend with, he rose by sheer force of will and intellect +to the highest honours attainable in this country. His most marked +qualities were an almost infinite patience and perseverance, indomitable +courage, a certain spaciousness of mind, and depth of penetration, +and an absolute confidence in his own abilities, aided by great +powers of debate rising occasionally to eloquence. Though the +object, first of a kind of contemptuous dislike, then of an intense +opposition, he rose to be universally regarded as, at all events, a +great political force, and by a large part of the nation as a great +statesman. As a writer he is generally interesting, and his books +teem with striking thoughts, shrewd maxims, and brilliant phrases +which stick in the memory. On the other hand he is often artificial, +extravagant, and turgid, and his ultimate literary position is difficult +to forecast.</p> + +<p><i>Lives</i> by Froude (1890), Hitchman (1885), see also <i>Dictionary of +Nat. Biog. etc.</i></p><br /> + +<a name='BEATTIE_JAMES_1735_1803'></a><p><b>BEATTIE, JAMES (1735-1803).</b> +—Poet and philosophical +writer, <i>s.</i> of a shopkeeper and small farmer at Laurencekirk, Kincardineshire, +and <i>ed.</i> at Aberdeen; he was, in 1760, appointed Professor +of Moral Philosophy there. In the following year he <i>pub.</i> a +vol. of poems, which attracted attention. The two works, however, +which brought him most fame were: (1) his <i>Essay on Truth</i> +(1770), intended as an answer to Hume, which had great immediate +success, and led to an introduction to the King, a pension of £200, +and the degree of LL.D. from Oxford; and (2) his poem of <i>The<a name='Page_30'></a> +Minstrel</i>, of which the first book was <i>pub.</i> in 1771 and the second in +1774, and which constitutes his true title to remembrance. It contains +much beautiful descriptive writing. The <i>Essay on Truth</i> and +his other philosophical works are now forgotten. B. underwent +much domestic sorrow in the death of his wife and two promising +sons, which broke down his own health and spirits.</p><br /> + +<a name='BEAUMONT_FRANCIS_1584_1616_AND_FLETCHER_JOHN_1579_1625'></a><p><b>BEAUMONT, FRANCIS (1584-1616), AND FLETCHER, JOHN (1579-1625).</b> +—Poets +and dramatists. As they are indissolubly +associated in the history of English literature, it is convenient to +treat of them in one place. B. was the <i>s.</i> of Francis B., a Judge of +the Common Pleas, and was <i>b.</i> at the family seat, Grace Dieu, +Leicestershire. He was <i>ed.</i> at Oxford, but his <i>f.</i> dying in 1598, he +left without taking his degree. He went to London and entered the +Inner Temple in 1600, and soon became acquainted with Ben +Jonson, Drayton, and other poets and dramatists. His first work +was a translation from Ovid, followed by commendatory verses prefixed +to certain plays of Jonson. Soon afterwards his friendship +with F. began. They lived in the same house and had practically a +community of goods until B.'s marriage in 1613 to Ursula, <i>dau.</i> and +co-heiress of Henry Isley of Sundridge in Kent, by whom he had +two <i>dau.</i> He <i>d.</i> in 1616, and is buried in Westminster Abbey. F. +was the youngest <i>s.</i> of Richard F., Bishop of London, who accompanied +Mary Queen of Scots to the scaffold. He went to Cambridge, +but it is not known whether he took a degree, though he had some +reputation as a scholar. His earliest play is <i>The Woman Hater</i> +(1607). He is said to have died of the plague, and is buried in St. +Saviour's Church, Southwark. The plays attributed to B. and F. +number 52 and a masque, and much labour has been bestowed by +critics in endeavouring to allocate their individual shares. It is +now generally agreed that others collaborated with them to some +extent—Massinger, Rowley, Shirley, and even Shakespeare. Of +those believed to be the joint work of B. and F. <i>Philaster</i> and <i>The +Maid's Tragedy</i> are considered the masterpieces, and are as dramas +unmatched except by Shakespeare. <i>The Two Noble Kinsmen</i> is +thought to contain the work of Shakespeare. As regards their +respective powers, B. is held to have had the graver, solider, and +more stately genius, while F. excelled in brightness, wit, and gaiety. +The former was the stronger in judgment, the latter in fancy. The +plays contain many very beautiful lyrics, but are often stained by +gross indelicacy. The play of <i>Henry VIII.</i> included in Shakespeare's +works, is now held to be largely the work of F. and Massinger. +Subjoined is a list of the plays with the authorship according to the +latest authorities.</p> + +<p>(1) BEAUMONT.—<i>The Masque</i>. (2) FLETCHER.—<i>Woman Hater</i> +(1607), <i>Faithful Shepherdess</i> (1609), <i>Bonduca</i> (<i>Boàdicea</i>) (1618-19), +<i>Wit without Money</i> (1614?), <i>Valentinian</i> (1618-19), <i>Loyal Subjects</i> +(1618), <i>Mad Lover</i> (1618-19), <i>Humorous Lieutenant</i> (1618?), <i>Women +Pleased</i> (1620?), <i>Island Princess</i> (1621), <i>Pilgrim</i> (1621), <i>Wild Goose +Chase</i> (1621), <i>Woman's Prize</i> (? <i>pub.</i> 1647), <i>A Wife for a Month</i> +(1624), <i>Chances</i> (late, <i>p.</i> 1647), perhaps <i>Monsieur Thomas</i> (<i>p.</i> 1639), +and <i>Sea Voyage</i> (1622). (3) BEAUMONT and FLETCHER.—<i>Four +Plays in One</i> (1608), <i>King and No King</i> (1611), <i>Cupid's Revenge</i><a name='Page_31'></a> +(1611?), <i>Knight of Burning Pestle</i> (1611), <i>Maid's Tragedy</i> (1611), +<i>Philaster</i> (1611), <i>Coxcomb</i> (1612-13), <i>Wits at Several Weapons</i> (1614), +<i>Scornful Lady</i> (1616), doubtfully, <i>Thierry and Theodoret</i> (1616), and +<i>Little French Lawyer</i> (1620) perhaps by F. and Massinger, and <i>Laws +of Candy</i> (?) perhaps by B. and Massinger. (4) FLETCHER and +OTHERS.—<i>Honest Man's Fortune</i> (1613), F., Mass., and Field; <i>The +Captain</i> (1613), and <i>Nice Valour</i> (<i>p.</i> 1647), F. and Middleton (?); +<i>Bloody Brothers</i> (1616-17), F., Mid., and Rowley or Fielding and B. +Jonson (?); <i>Queen of Corinth</i> (1618-19), F. and Row. or Mass. and +Mid.; <i>Barneveld</i> (1619), by F. and Massinger; <i>Knight of Malta</i> +(1619), <i>False One</i> (1620), <i>A Very Woman</i> (1621?), <i>Double Marriage</i> +(1620), <i>Elder Brother</i> (<i>p.</i> 1637), <i>Lover's Progress</i> (<i>p.</i> 1647), <i>Custom of +the Country</i> (1628), <i>Prophetess</i> (1622), <i>Spanish Curate</i> (1622), by F. +and Shakespeare; <i>Henry VIII.</i> (1617), and <i>Two Noble Kinsmen</i> (<i>p.</i> +1634), by F. and Rowley, or Massinger; <i>Maid of the Mill</i> (1625-6), +<i>Beggar's Bush</i> (?) (1622), by F. and Shirley; <i>Noble Gentleman</i> (?) +<i>Night Walker</i> (1633?), <i>Lovers Pilgrimage</i> (1623?), <i>Fair Maid of the +Inn</i> (1625-26), also with Middleton?</p> + +<p>The latest ed. is that of Mr. Bullen (11 vols., 1904), and A.R. +Waller (7 vols., <i>pub.</i> C.U.P., 1909); Dyce (11 vols., 1843-46); <i>Francis +Beaumont</i>, G.C. Macaulay (1883); <i>Lyric Poems</i> of B. and F., E. +Rhys (1897); <i>Bibliography</i>, A.C. Potter in <i>Harvard Bibliograph. +Contributions</i>, 1891.</p><br /> + +<a name='BEAUMONT_SIR_JOHN_1582_1627'></a><p><b>BEAUMONT, SIR JOHN (1582-1627?).</b> +—Poet, elder +brother of <a href='#BEAUMONT_FRANCIS_1584_1616_AND_FLETCHER_JOHN_1579_1625'>Francis B.</a>, the dramatist (<i>q.v.</i>). His poems, of which the best +known is <i>Bosworth Field</i>, <i>pub.</i> by his <i>s.</i>, 1629. Another, <i>The +Crown of Thorns</i>, is lost.</p><br /> + +<a name='BECKFORD_WILLIAM_c_1760_1844'></a><p><b>BECKFORD, WILLIAM (<i>c.</i> 1760-1844).</b> +—Miscellaneous +writer, only <i>s.</i> of William B., Lord Mayor of London, the associate and +supporter of John Wilkes, inherited at the age of 9 an enormous +fortune. In these circumstances he grew up wayward and extravagant, +showing, however, a strong bent towards literature. His education +was entrusted to a private tutor, with whom he travelled +extensively on the Continent. At the age of 22 he produced his oriental +romance, <i>Vathek</i> (<i>c.</i> 1781), written originally in French and, +as he was accustomed to boast, at a single sitting of three days and +two nights. There is reason, however, to believe that this was a +flight of imagination. It is an impressive work, full of fantastic and +magnificent conceptions, rising occasionally to sublimity. His +other principal writings are <i>Memoirs of Extraordinary Painters</i> (1780), +a satirical work, and <i>Letters from Italy with Sketches of Spain and +Portugal</i> (1835), full of brilliant descriptions of scenes and manners. +B.'s fame, however, rests nearly as much upon his eccentric extravagances +as a builder and collector as upon his literary efforts. In +carrying out these he managed to dissipate his fortune of £100,000 a +year, only £80,000 of his capital remaining at his death. He sat in +parliament for various constituencies, and one of his two <i>dau.</i> became +Duchess of Hamilton.</p><br /> + +<a name='BEDDOES_THOMAS_LOVELL_1803_1849'></a><p><b>BEDDOES, THOMAS LOVELL (1803-1849).</b> +—Dramatic poet +and physiologist, <i>s.</i> of Dr. Thos. B., an eminent physician, and +nephew of Maria Edgeworth. <i>Ed.</i> at the Charterhouse and Oxford, +<a name='Page_32'></a>he <i>pub.</i> in 1821 <i>The Improvisatore</i>, which he afterwards endeavoured +to suppress. His next venture was <i>The Bride's Tragedy</i> (1822), +which had considerable success, and won for him the friendship of +"Barry Cornwall." Thereafter he went to Göttingen and studied +medicine. He then wandered about practising his profession, and +expounding democratic theories which got him into trouble. He <i>d.</i> +at Bale in mysterious circumstances. For some time before his +death he had been engaged upon a drama, <i>Death's Jest Book</i>, which +was published in 1850 with a memoir by his friend, T.F. Kelsall. B. +had not the true dramatic instinct, but his poetry is full of thought +and richness of diction. Some of his short pieces, <i>e.g.</i>: "If there were +dreams to sell," and "If thou wilt ease thine heart," are masterpieces +of intense feeling exquisitely expressed.</p><br /> + +<a name='BEDE_or_BAEDA_673_735'></a><p><b>BEDE or BÆDA (673-735).</b> +—Historian and scholar. B., +who is sometimes referred to as "the father of English history," was +in his youth placed under the care of Benedict Biscop, Abbot of +Wearmouth, and of Ceolfrith, afterwards Abbot of Jarrow. Ordained +deacon in 692 and priest in 703, he spent most of his days at +Jarrow, where his fame as a scholar and teacher of Latin, Greek, and +Hebrew brought him many disciples. Here likewise he <i>d.</i> and was +buried, but his bones were, towards the beginning of the 11th century, +removed to Durham. The well-deserved title of "Venerable" +usually prefixed to his name first appears in 836. He was the most +learned Englishman of his age. His industry was marvellous, and +its results remain embodied in about 40 books, of which about 25 +are commentaries on books of Scripture. The others are lives of +saints and martyrs, and his two great works, <i>The Ecclesiastical +History of England</i> and the scientific treatise, <i>De Natura Rerum</i>. +The former of these gives the fullest and best information we have +as to the history of England down to the year 731, and the latter is +an encyclopædia of the sciences as then known. In the anxious care +with which he sought out and selected reliable information, and +referred to authorities he shows the best qualities of the modern +historian, and his style is remarkable for "a pleasing artlessness."</p> + +<p><i>History of Early Engl. Lit.</i>, Stopford Brooke (2 vols., 1892), etc.</p><br /> + +<a name='BEECHER_HENRY_WARD_1813_1887'></a><p><b>BEECHER, HENRY WARD (1813-1887).</b> +—Orator and +divine, <i>s.</i> of Lyman B. and <i>bro.</i> of Harriet Beecher Stowe, was one +of the most popular of American preachers and platform orators, a +prominent advocate of temperance and of the abolition of slavery. +His writings, which had a wide popularity, include <i>Summer in the +Soul</i> and <i>Life Thoughts</i>.</p><br /> + +<a name='BEHN_APHRA_JOHNSTON_1640_1689'></a><p><b>BEHN, APHRA (JOHNSTON) (1640-1689).</b> +—Novelist and +dramatist, <i>dau.</i> of a barber named Johnston, but went with a relative +whom she called father to Surinam, of which he had been appointed +Governor. He, however, <i>d.</i> on the passage thither, and her +childhood and youth were passed there. She became acquainted +with the celebrated slave Oronoko, afterwards the hero of one of her +novels. Returning to England in 1658 she <i>m.</i> Behn, a Dutch merchant, +but was a widow at the age of 26. She then became attached +to the Court, and was employed as a political spy at Antwerp. +Leaving that city she cultivated the friendship of various playwrights, +<a name='Page_33'></a>and produced many plays and novels, also poems and +pamphlets. The former are extremely gross, and are now happily +little known. She was the first English professional authoress. +Among her plays are <i>The Forced Marriage</i>, <i>Abdelazer</i>, <i>The Rover</i>, +<i>The Debauchee</i>, etc., and her novels include <i>Oronoko</i> and <i>The Nun</i>. +The former of these was the first book to bring home to the country +a sense of the horrors of slavery, for which let her have credit.</p><br /> + +<a name='BELL_HENRY_GLASSFORD_1805_1874'></a><p><b>BELL, HENRY GLASSFORD (1805-1874).</b> +—Poet and historian, +was a member of the Scottish Bar, and became Sheriff of +Lanarkshire. He wrote a <i>Life of Mary Queen of Scots</i> (1830), +strongly in her defence, and two vols. of poetry, <i>Summer and Winter +Hours</i> (1831), and <i>My Old Portfolio</i>, the latter also containing pieces +in prose.</p><br /> + +<a name='BELLENDEN_or_BALLANTYNE_JOHN_fl_1533_1587'></a><p><b>BELLENDEN, or BALLANTYNE, JOHN (<i>fl.</i> 1533-1587?).</b> +—Poet, +<i>b.</i> towards the close of the 15th century, and <i>ed.</i> at St. Andrews +and Paris. At the request of James V. he translated the <i>Historia +Gentis Scotorum</i> of Boece. This translation, <i>Chroniklis of Scotland</i> +is a very free one, with a good deal of matter not in the original, so +that it may be almost considered as a new work. It was <i>pub.</i> in +1536, and is the earliest existing specimen of Scottish literary prose. +He also translated the first five books of Livy. He enjoyed the +Royal favour, and was Archdeacon of Moray. He latterly, however, +became involved in controversy which led to his going to Rome, +where he <i>d.</i>, according to one account, about 1550. Another +authority, however, states that he was living in 1587.</p><br /> + +<a name='BENTHAM_JEREMY_1748_1832'></a><p><b>BENTHAM, JEREMY (1748-1832).</b> +—Writer on jurisprudence +and politics, <i>b.</i> in London, <i>s.</i> of a prosperous attorney, <i>ed.</i> +at Westminster and Oxford, was called to the Bar at Lincoln's Inn, +but disliking the law, he made little or no effort to practise, but +devoted himself to physical science and the theory of jurisprudence. +In 1776 he <i>pub.</i> anonymously his <i>Fragment on Government</i>, an able +criticism of Blackstone's <i>Commentaries</i>, which brought him under +the notice of Lord Shelburne, and in 1780 his <i>Introduction to Principles +of Morals and Legislation</i>. Other works were <i>Panopticon</i>, in +which he suggested improvements on prison discipline, <i>Discourse on +Civil and Penal Legislation</i> (1802), <i>Punishments and Rewards</i> (1811), +<i>Parliamentary Reform Catechism</i> (1817), and <i>A Treatise on Judicial +Evidence</i>. By the death of his <i>f.</i> he inherited a competency on +which he was able to live in frugal elegance, not unmixed with +eccentricity. B. is the first and perhaps the greatest of the "philosophical +radicals," and his fundamental principle is utilitarianism or +"the greatest happiness of the greatest number," a phrase of which +he is generally, though erroneously, regarded as the author. The +effect of his writings on legislation and the administration of the law +has been almost incalculable. He left his body to be dissected; and +his skeleton, clothed in his usual attire, is preserved in University +College, London.</p> + +<p><i>Life</i> by Bowring in collected works (J.H. Barton, 11 vols., 1844). +<i>Study of Life and Work</i>, Atkinson, 1903.</p><br /> + +<a name='BENTLEY_RICHARD_1662_1742'></a><p><b>BENTLEY, RICHARD (1662-1742).</b> +—Theologian, scholar, +and critic, <i>b.</i> in Yorkshire of humble parentage, went at the age of 14 +<a name='Page_34'></a>to Camb., afterwards had charge of a school at Spalding, and then +becoming tutor to the <i>s.</i> of <a href='#STILLINGFLEET_EDWARD_1635_1699'>Dr. Stillingfleet</a>, Dean of St. Paul's, +afterwards Bishop of Worcester (<i>q.v.</i>), accompanied his pupil to +Oxf. After taking his degree at both universities, and entering +the Church, he laid the foundation of his reputation as perhaps the +greatest scholar England has produced by his letter in Mill's ed. +of the <i>Chronicle of John Malelas</i>, and his <i>Dissertation on the Letters +of Phalaris</i> (1699), which spread his fame through Europe. After +receiving various preferments, including the Boyle lectureship and +the Keepership of the Royal Library, he was, in 1700, appointed +Master of Trinity, and afterwards was, largely owing to his own +pugnacity and rapacity, which were almost equal to his learning, +involved in a succession of litigations and controversies. These +lasted for 20 years, and led to the temporary loss of his academic +preferments and honours. In 1717, however, he was appointed +Regius Prof. of Divinity. During the contentions referred to he +continued his literary activity without abatement, and <i>pub.</i> various +ed. of the classics, including Horace and Terence. He was much less +successful in certain emendations of Milton which he attempted. +Having incurred the resentment of Pope he was rewarded by being +assigned a niche in <i>The Dunciad!</i> His style is strong and nervous, +and sparkles with wit and sarcasm. His classical controversies +called forth Swift's <i>Battle of the Books</i>.</p> + +<p><i>Life</i> by Monk (1833). <i>Life</i> by Sir R. Jebb in <i>English Men of +Letters</i> (1882).</p><br /> + +<a name='BERESFORD_JAMES_1764_1840'></a><p><b>BERESFORD, JAMES (1764-1840).</b> +—Miscellaneous writer +and clergyman. He made translations and wrote religious books, +but was chiefly known as the author of a satirical work, <i>The Miseries +of Human Life</i> (1806-7.)</p><br /> + +<a name='BERKELEY_GEORGE_1685_1753'></a><p><b>BERKELEY, GEORGE (1685-1753).</b> +—Philosopher, eldest <i>s.</i> +of William B., a cadet of the noble family of Berkeley, <i>b.</i> at Kilcrin +near Kilkenny, and <i>ed.</i> at the school of his native place and at +Trinity Coll., Dublin, where he graduated and took a Fellowship in +1707. His earliest publication was a mathematical one; but the +first which brought him into notice was his <i>Essay towards a New +Theory of Vision</i>, <i>pub.</i> in 1709. Though giving rise to much controversy +at the time, its conclusions are now accepted as an established +part of the theory of optics. There next appeared in 1710 the +<i>Treatise concerning the Principles of Human Knowledge</i>, which was +followed in 1713 by <i>Dialogues between Hylas</i> and <i>Philonous</i>, in which +he propounded his system of philosophy, the leading principle of +which is that the world as represented to our senses depends for its +existence on being perceived. Of this theory the <i>Principles</i> gives the +exposition and the <i>Dialogues</i> the defence. One of his main objects +was to combat the prevailing materialism of the time. A theory so +novel was, as might be expected, received with widespread ridicule, +though his genius was realised by some of the more elect spirits, +such as Dr. S. Clarke. Shortly afterwards B. visited England, and +was received into the circle of Addison, Pope, and Steele. He then +went to the Continent in various capacities, and on his return was +made Lecturer in Divinity and Greek in his university, D.D. in 1721, +<a name='Page_35'></a>and Dean of Derry in 1724. In 1725 he formed the project of +founding a college in Bermuda for training ministers for the colonies, +and missionaries to the Indians, in pursuit of which he gave up his +deanery with its income of £1100, and went to America on a salary +of £100. Disappointed of promised aid from Government he returned, +and was appointed Bishop of Cloyne. Soon afterwards +he <i>pub.</i> <i>Alciphron, or The Minute Philosopher</i>, directed +against Shaftesbury, and in 1734-37 <i>The Querist</i>. His last publications +were <i>Siris</i>, a treatise on the medicinal virtues of tar-water, +and <i>Further Thoughts on Tar-water</i>. He <i>d.</i> at Oxford in 1753. His +affectionate disposition and genial manners made him much beloved. +As a thinker his is the greatest name in English philosophy between +Locke and Hume. His style is clear and dignified.</p> + +<p>The best ed. of B. is Prof. A.C. Fraser's, with Life (4 vols., 1871, +and new, 1902); there is also a small work by the same (1881).</p><br /> + +<a name='BERNERS_BERNES_or_BARNES_JULIANA_b_1388'></a><p><b>BERNERS, BERNES, or BARNES, JULIANA (<i>b.</i> 1388?).</b> +—Writer +on heraldry and sports. Nothing of her real history is +known, but statements more or less mythical have gathered round +her name. The work attributed to her is <i>The Boke of St. Albans</i> +(1486). It consists of four treatises on <i>Hawking</i>, <i>Hunting</i>, <i>The Lynage +of Coote Armiris</i>, and <i>The Blasynge of Armis</i>. She was said to be +the <i>dau.</i> of Sir James B., and to have been Prioress of Sopwell +Nunnery, Herts.</p><br /> + +<a name='BERNERS_JOHN_BOURCHIER_2ND_LORD_1467_1553'></a><p><b>BERNERS, JOHN BOURCHIER, 2ND LORD (1467-1553).</b> +—Translator, +<i>b.</i> at Sherfield, Herts and <i>ed.</i> at Oxf., held various +offices of state, including that of Chancellor of the Exchequer to +Henry VIII., and Lieutenant of Calais, where he <i>d.</i> He translated, +at the King's desire, <i>Froissart's Chronicles</i> (1523-25), in such a +manner as to make distinct advance in English historical writing, +and the <i>Golden Book of Marcus Aurelius</i> (1534); also <i>The History +of Arthur of Lytell Brytaine</i> (Brittany), and the romance of <i>Huon of +Bordeaux</i>.</p><br /> + +<a name='BESANT_SIR_WALTER_1836_1901'></a><p><b>BESANT, SIR WALTER (1836-1901).</b> +—Novelist and historian +of London, <i>b.</i> at Portsmouth and <i>ed.</i> at King's Coll., London, and +Camb., was for a few years a professor at Mauritius, but a breakdown +in health compelled him to resign, and he returned to England and +took the duties of Secretary to the Palestine Exploration Fund, +which he held 1868-85. He <i>pub.</i> in 1868 <i>Studies in French Poetry</i>. +Three years later he began his collaboration with <a href='#RICE_JAMES_1844_1882'>James Rice</a> (<i>q.v.</i>). +Among their joint productions are <i>Ready-money Mortiboy</i> (1872), and +the <i>Golden Butterfly</i> (1876), both, especially the latter, very successful. +This connection was brought to an end by the death of Rice in +1882. Thereafter B. continued to write voluminously at his own +hand, his leading novels being <i>All in a Garden Fair</i>, <i>Dorothy Forster</i> +(his own favourite), <i>Children of Gibeon</i>, and <i>All Sorts and Conditions +of Men</i>. The two latter belonged to a series in which he endeavoured +to arouse the public conscience to a sense of the sadness of life among +the poorest classes in cities. In this crusade B. had considerable +success, the establishment of The People's Palace in the East of +London being one result. In addition to his work in fiction B. +wrote largely on the history and topography of London. His plans +<a name='Page_36'></a>in this field were left unfinished: among his books on this subject +is <i>London in the 18th Century</i>.</p> + +<p>Other works among novels are <i>My Little Girl</i>, <i>With Harp and +Crown</i>, <i>This Son of Vulcan</i>, <i>The Monks of Thelema</i>, <i>By Celia's +Arbour</i>, and <i>The Chaplain of the Fleet</i>, all with Rice; and <i>The Ivory +Gate</i>, <i>Beyond the Dreams of Avarice</i>, <i>The Master Craftsman</i>, <i>The +Fourth Generation</i>, etc., alone. <i>London under the Stuarts</i>, <i>London +under the Tudors</i> are historical.</p><br /> + +<a name='BICKERSTAFFE_ISAAC_c_1735_1812'></a><p><b>BICKERSTAFFE, ISAAC (<i>c.</i> 1735-1812?).</b> +—Dramatic +writer, in early life a page to Lord Chesterfield when Lord Lieutenant +of Ireland, produced between 1756 and 1771 many dramatic +pieces, which had considerable popularity, the best known of which +are <i>Love in a Village</i> (1762), and <i>The Maid of the Mill</i>. Owing to +misconduct he was dismissed from being an officer in the Marines, +and had ultimately, in 1772, to fly the country. The remainder of +his life seems to have been passed in penury and misery. The +date of his death is unknown. He was alive in 1812.</p><br /> + +<a name='BIRD_ROBERT_MONTGOMERY_1803_1854'></a><p><b>BIRD, ROBERT MONTGOMERY (1803-1854).</b> +—Novelist, +an American physician, wrote three tragedies, <i>The Gladiator</i>, <i>Oraloosa</i>, +and <i>The Broker of Bogota</i>, and several novels, including +<i>Calavar</i>, <i>The Infidel</i>, <i>The Hawks of Hawk Hollow</i>, <i>Peter Pilgrim</i>, and +<i>Nick of the Woods</i>, in the first two of which he gives graphic and +accurate details and descriptions of Mexican history.</p><br /> + +<a name='BISHOP_SAMUEL_1731_1795'></a><p><b>BISHOP, SAMUEL (1731-1795).</b> +—Poet, <i>b.</i> in London, and +<i>ed.</i> at Merchant Taylor's School and Oxf., took orders and became +Headmaster of Merchant Taylor's School. His poems on miscellaneous +subjects fill two quarto vols., the best of them are those to +his wife and <i>dau.</i> He also <i>pub.</i> essays.</p><br /> + +<a name='BLACK_WILLIAM_1841_1898'></a><p><b>BLACK, WILLIAM (1841-1898).</b> +—Novelist. After studying +as a landscape painter, he took to journalism in Glasgow. In 1864 +he went to London, and soon after <i>pub.</i> his first novel, <i>James Merle</i>, +which made no impression. In the Austro-Prussian War he acted +as a war correspondent. Thereafter he began afresh to write +fiction, and was more successful; the publication of <i>A Daughter of +Heth</i> (1871) at once established his popularity. He reached his +highwater-mark in <i>A Princess of Thule</i> (1873). Many other books +were added before his death in 1898, among which may be mentioned +<i>In Silk Attire</i> (1869), <i>The Strange Adventures of a Phæton</i> +(1872), <i>Macleod of Dare</i> (1878), <i>White Wings</i> (1880), <i>Shandon Bells</i> +(1882), <i>Yolande</i> (1883), <i>Judith Shakespeare</i> (1884), <i>White Heather</i> +(1886), <i>Stand Fast Craig-Royston!</i> (1890), <i>Green Pastures and Piccadilly</i>, +<i>Three Feathers</i>, <i>Wild Eelin</i> (1898).</p><br /> + +<a name='BLACKIE_JOHN_STUART_1809_1895'></a><p><b>BLACKIE, JOHN STUART (1809-1895).</b> +—Scholar and man +of letters, <i>b.</i> in Glasgow, and <i>ed.</i> at the Universities of Aberdeen and +Edin., after which he travelled and studied in Germany and +Italy. Returning to Scotland he was, in 1834, admitted to the +Scottish Bar, but did not practise. His first work was his translation +of <i>Faust</i> (1834), which won the approbation of Carlyle. +From 1841-52 B. was Prof. of Humanity (Latin) in Aberdeen, +and from 1852-82, when he retired, of Greek in Edinburgh. His +<a name='Page_37'></a>literary activity was incessant, his works consisting of translations +of <i>Æschylus</i> and of the <i>Iliad</i>, various books of poetry, including +<i>Lays and Legends of Ancient Greece</i>, and treatises on religious, +philosophical, and political subjects, among which may be mentioned +<i>Self-Culture</i> (1873), <i>Horæ Hellenicæ</i>, and a life of Burns. He was an +enthusiastic champion of Scottish nationality. Possessed of great +conversational powers and general versatility, his picturesque +eccentricity made him one of the most notable members of Scottish +society. It was owing to his efforts that a Chair of Celtic Language +and Literature was established in Edinburgh University.</p><br /> + +<a name='BLACKLOCK_THOMAS_1721_1791'></a><p><b>BLACKLOCK, THOMAS (1721-1791).</b> +—Poet, <i>b.</i> near Annan +of humble parentage, lost his sight by smallpox when 6 months old. +He began to write poetry at the age of 12, and studied for the +Church. He was appointed Minister of Kirkcudbright, but was +objected to by the parishioners on account of his blindness, and +gave up the presentation on receiving an annuity. He then retired +to Edinburgh, where he took pupils. He <i>pub.</i> some miscellaneous +poems, which are now forgotten, and is chiefly remembered for +having written a letter to Burns, which had the effect of dissuading +him from going to the West Indies. He was made D.D. in 1767.</p><br /> + +<a name='BLACKMORE_SIR_RICHARD_c_1650_d_1729'></a><p><b>BLACKMORE, SIR RICHARD (<i>c.</i> 1650, <i>d.</i> 1729).</b> +—Poet, one +of the Court Physicians to William III. and Anne, wrote several +very long and well-intentioned, but dull and tedious, poems, which, +though praised by Addison and Johnson, are now utterly forgotten. +They include <i>Prince Arthur</i>, <i>Creation</i>, <i>Redemption</i>, <i>Alfred</i>. As may +be imagined, they were the subject of derision by the profaner wits +of the day. B. was a successful physician and an excellent man.</p><br /> + +<a name='BLACKMORE_RICHARD_DODDRIDGE_1825_1900'></a><p><b>BLACKMORE, RICHARD DODDRIDGE (1825-1900).</b> +—Novelist +and poet, <i>b.</i> at Longworth, Berks, <i>ed.</i> at Tiverton School +and Oxf., practised for a short time as a lawyer but, owing to his +health, gave this up, and took to market-gardening and literature at +Teddington. His first <i>pub.</i> was <i>Poems by Melanter</i> (1853), followed +by <i>Epullia</i> (1855), <i>The Bugle of the Black Sea</i> (1855), etc.; but he +soon found that fiction, not poetry, was his true vocation. Beginning +with <i>Clara Vaughan</i> in 1864, he produced fifteen novels, all of +more than average, and two or three of outstanding merit. Of +these much the best in the opinion of the public, though not of the +author, is <i>Lorna Doone</i> (1869), the two which rank next to it being +<i>The Maid of Sker</i> (1872) (the author's favourite) and <i>Springhaven</i> +(1887). Others are <i>Cradock Nowell</i> (1866), <i>Alice Lorraine</i> (1875), +<i>Cripps the Carrier</i> (1876), <i>Mary Anerley</i> (1880), and <i>Christowell</i> +(1882). One of the most striking features of B.'s writings is his +marvellous eye for, and sympathy with, Nature. He may be said +to have done for Devonshire what Scott did for the Highlands. He +has been described as "proud, shy, reticent, strong-willed, sweet-tempered, +and self-centred."</p><br /> + +<a name='BLACKSTONE_SIR_WILLIAM_1723_1780'></a><p><b>BLACKSTONE, SIR WILLIAM (1723-1780).</b> +—Legal Writer, +posthumous <i>s.</i> of a silk mercer in London, was <i>ed.</i> at Charterhouse +School and Oxf., and entered the Middle Temple in 1741. His +great work is his <i>Commentaries on the Laws of England</i>, in 4 vols.<a name='Page_38'></a> +(1765-1769), which still remains the best general history of the +subject. It had an extraordinary success, and is said to have +brought the author £14,000. B. was not a man of original mind, nor +was he a profound lawyer; but he wrote an excellent style, clear and +dignified, which brings his great work within the category of general +literature. He had also a turn for neat and polished verse, of +which he gave proof in <i>The Lawyer's Farewell to his Muse</i>.</p><br /> + +<a name='BLAIR_HUGH_1718_1800'></a><p><b>BLAIR, HUGH (1718-1800).</b> +—Divine, and man of letters, +<i>b.</i> and <i>ed.</i> at Edin. After being minister at Collessie in Fife, he was +translated to Edinburgh, where he filled various pulpits, latterly +that of the High Church. In 1759 he commenced a series of lectures +on composition, and soon after the Chair of Rhetoric and Belles +Lettres was founded, to which he was appointed. His <i>Lectures</i> were +<i>pub.</i> on his resignation of the chair in 1783. His chief fame, however, +rests upon his <i>Sermons</i>, in 4 vols., which had an extraordinary +popularity, and obtained for him a pension of £200. Time has not +sustained the opinion of his contemporaries: they have been described +as feeble in thought though elegant in style, and even as "a +bucket of warm water." B. was amiable, kind to young authors, +and remarkable for a harmless, but rather ridiculous vanity and +simplicity.</p><br /> + +<a name='BLAIR_ROBERT_1699_1746'></a><p><b>BLAIR, ROBERT (1699-1746).</b> +—Poet, <i>b.</i> at Edin., where +his <i>f.</i> was a clergyman, became minister of Athelstaneford, Haddingtonshire. +His sole work was <i>The Grave</i>, a poem in blank verse +extending to 767 lines of very various merit, in some passages rising +to great sublimity, and in others sinking to commonplace. It was +illustrated by <a href='#BLAKE_WILLIAM_1757_1827'>William Blake</a> (<i>q.v.</i>) B.'s <i>s.</i>, Robert, was a very +distinguished Scottish judge and Lord President of the Court of +Session; and his successor in his ministerial charge was Home, the +author of <i>Douglas</i>.</p><br /> + +<a name='BLAKE_WILLIAM_1757_1827'></a><p><b>BLAKE, WILLIAM (1757-1827).</b> +—Poet and painter, <i>b.</i> in +London, was from earliest youth a seer of visions and a dreamer of +dreams, seeing "Ezekiel sitting under a green bough," and "a tree +full of angels at Peckham," and such he remained to the end of his +days. His teeming imagination sought expression both in verse and +in drawing, and in his 14th year he was apprenticed to James Basire, +an eminent engraver, and thereafter studied at the Royal Academy. +Among his chief artistic works were illustrations for Young's <i>Night +Thoughts</i>, Blair's <i>Grave</i>, "Spiritual Portraits," and his finest work, +"Inventions to the Book of Job," all distinguished by originality +and imagination. In literature his <i>Songs of Innocence</i> appeared in +1789, <i>Songs of Experience</i> in 1794. These books were literally made +by Blake and his heaven-provided wife; poems and designs alike +being engraved on copper by B. and bound by Mrs. B. In like +fashion were produced his mystical books, <i>The Book of Thel</i> (1789), +<i>The Marriage of Heaven and Hell</i> (1790), <i>The Gates of Paradise</i>, +<i>Visions of the Daughters of Albion</i>, <i>Europe</i>, <i>The Book of Urizen</i> (1794), +<i>The Book of Los</i> and <i>The Book of Ahania</i> (1795). His last books +were <i>Jerusalem</i> and <i>Milton</i>. His earlier and shorter pieces, <i>e.g.</i> "The +Chimney-Sweeper," "Holy Thursday," "The Lamb," "The Sun-flower," +"The Tiger," etc., have an exquisite simplicity arising from +<a name='Page_39'></a>directness and intensity of feeling—sometimes tender, sometimes +sublime—always individual. Latterly he lost himself in clouds of +mysticism. A truly pious and loving soul, neglected and misunderstood +by the world, but appreciated by an elect few, he led a +cheerful and contented life of poverty illumined by visions and +celestial inspirations.</p><br /> + +<a name='BLAMIRE_SUSANNA_1747_1794'></a><p><b>BLAMIRE, SUSANNA (1747-1794).</b> +—Poetess, was of good +Cumberland family, and received the sobriquet of "The Muse of +Cumberland." Her poems, which were not collected until 1842, +depict Cumbrian life and manners with truth and vivacity. She +also wrote some fine songs in the Scottish dialect, including "Ye +shall walk in Silk Attire," and "What ails this Heart o' Mine."</p><br /> + +<a name='BLESSINGTON_MARGARET_POWER_COUNTESS_of_1789_1849'></a><p><b>BLESSINGTON, MARGARET (POWER), COUNTESS of (1789-1849).</b> +—Married +as her second husband the 1st Earl of B., with +whom she travelled much on the Continent, where she met Lord +Byron, her <i>Conversations</i> with whom she <i>pub.</i> in 1834. This is the +only one of her books which has any value. The others were slight +works on Travel, such as <i>The Idler in Italy</i>, annuals, and novels. +She became bankrupt and went to Paris, where she lived under the +protection of the Count d'Orsay.</p><br /> + +<a name='BLIND_HARRY_or_HENRY_THE_MINSTREL_fl_1470_1492'></a><p><b>BLIND HARRY or HENRY THE MINSTREL (<i>fl.</i> 1470-1492).</b> +—Is +spoken of by John Major in his <i>History of Scotland</i> as a wandering +minstrel, skilled in the composition of rhymes in the Scottish +tongue, who "fabricated" a book about William Wallace, and +gained his living by reciting it to his own accompaniment on the +harp at the houses of the nobles. Harry claims that it was founded +on a Latin <i>Life of Wallace</i> written by Wallace's chaplain, John +Blair, but the chief sources seem to have been traditionary. Harry +is often considered inferior to Barbour as a poet, and has little of his +moral elevation, but he surpasses him in graphic power, vividness of +description, and variety of incident. He occasionally shows the +influence of Chaucer, and is said to have known Latin and French.</p><br /> + +<a name='BLIND_MATHILDE_1841_1896'></a><p><b>BLIND, MATHILDE (1841-1896).</b> +—Poetess, <i>b.</i> at Mannheim, +but settled in London about 1849, and <i>pub.</i> several books of +poetry, <i>The Prophecy of St. Oran</i> (1881), <i>The Heather on Fire</i> (1886), +<i>Songs and Sonnets</i> (1893), <i>Birds of Passage</i> (1895), etc. She also +translated Strauss's <i>Old Faith and New</i>, and other works, and wrote +Lives of George Eliot and Madame Roland. Her own name was +Cohen, but she adopted that of her stepfather, Karl Blind.</p><br /> + +<a name='BLOOMFIELD_ROBERT_1766_1823'></a><p><b>BLOOMFIELD, ROBERT (1766-1823).</b> +—Poet, <i>b.</i> at Honington +in Suffolk, lost his <i>f.</i> when he was a year old, and received the +rudiments of education from his mother, who kept the village school. +While still a boy he went to London, and worked as a shoemaker +under an elder brother, enduring extreme poverty. His first and +chief poem, <i>The Farmer's Boy</i>, was composed in a room where half a +dozen other men were at work, and the finished lines he carried in his +head until there was time to write them down. The manuscript, +after passing through various hands, fell into those of Capel Lofft, a +Suffolk squire of literary tastes, by whose exertions it was <i>pub.</i><a name='Page_40'></a> +with illustrations by Bewick in 1800. It had a signal success, +26,000 copies having been sold in three years. The Duke of Grafton +obtained for him an appointment in the Seal Office, and when, +through ill-health, he was obliged to resign this, allowed him a +pension of 1s. a day. Other works were <i>Rural Tales</i> (1804), <i>Wild +Flowers</i> (1806), <i>The Banks of the Wye</i> (1811), and <i>May Day with the +Muses</i> (1817). An attempt to carry on business as a bookseller +failed, his health gave way, his reason was threatened, and he <i>d.</i> in +great poverty at Shefford in 1823. B.'s poetry is smooth, correct, +and characterised by taste and good feeling, but lacks fire and energy. +Of amiable and simple character, he was lacking in self-reliance.</p><br /> + +<a name='BODENHAM_JOHN_fl_1600'></a><p><b>BODENHAM, JOHN (<i>fl.</i> 1600).</b> +—Anthologist, is stated to +have been the ed. of some of the Elizabethan anthologies, viz., +<i>Politeuphuia</i> (<i>Wits' Commonwealth</i>) (1597), <i>Wits' Theater</i> (1598), +<i>Belvidere, or the Garden of the Muses</i> (1600), and <i>England's Helicon</i> +(1600). Mr. Bullen says that B. did not himself ed. any of the +Elizabethan miscellanies attributed to him by bibliographers: but +that he projected their publication, and he befriended the editors.</p><br /> + +<a name='BOECE_or_BOETHIUS_HECTOR_1465_1536'></a><p><b>BOECE, or BOETHIUS, HECTOR (1465?-1536).</b> +—Historian, +probably <i>b.</i> at Dundee, and <i>ed.</i> there and at Paris, where he was +a regent or professor, 1492 to 1498. While there he made the +acquaintance of Erasmus. Returning to Scotland he co-operated +with Elphinstone, Bishop of Aberdeen, in founding the univ. there +of which he was the first Principal. His literary fame rests on +two works, his <i>Lives of the Bishops of Mortlach and Aberdeen</i>, in +which his friend Elphinstone figures prominently, and his <i>History of +Scotland</i> to the accession of James III. These works were, of course, +composed in Latin, but the <i>History</i> was translated into Scottish +prose by John Bellenden, 1530 to 1533, and into English for Hollinshed's +<i>Chronicle</i>. The only predecessor of the work was the compendium +of Major, and as it was written in a flowing and pleasing +style it became very popular, and led to ecclesiastical preferment +and Royal favour. B. shared in the credulity of his age, but the +charge of inventing his authorities formerly brought against him +has been shown to be, to some extent at any rate, unfounded.</p><br /> + +<a name='BOKER_GEORGE_HENRY_1823_90'></a><p><b>BOKER, GEORGE HENRY (1823-90).</b> +—Poet, was in the +American Diplomatic Service. Among his dramas, generally +tragedies, are <i>Anne Boleyn</i>, <i>The Betrothed</i>, and <i>Francesca da Rimini</i>, +and among his books of poetry, <i>Street Lyrics</i>, <i>Königsmark</i>, and <i>The +Book of the Dead</i>. His dramas combine poetic merit with adaptability +for acting.</p><br /> + +<a name='BOLINGBROKE_HENRY_ST_JOHN_1ST_VISCOUNT_1678_1751'></a><p><b>BOLINGBROKE, HENRY ST. JOHN, 1ST VISCOUNT (1678-1751).</b> +—Statesman +and philosopher, <i>s.</i> of Sir Henry St. J., <i>b.</i> at Battersea, +and <i>ed.</i> at Eton and perhaps Oxf., was during his youth noted +chiefly for dissipation, but entering Parliament in 1701 as a supporter +of Harley, soon made himself a name by his eloquence and talent. +He held office as War and Foreign Sec. successively, became a peer +in 1712, intrigued successfully against Harley, and formed an administration +during the last days of Queen Anne, with the intention +of bringing back the Stuarts, which was frustrated by the Queen's +<a name='Page_41'></a>death. On the arrival of George I. and the accession to power of +the Whigs, B. was impeached, and his name erased from the Roll of +Peers. He went to France, and became Sec. of State to the Pretender +James, who, however, dismissed him in 1716, after which he +devoted himself to philosophy and literature. In 1723 he was pardoned +and returned to England, and an act was passed in 1725 +restoring his forfeited estates, but still excluding him from the House +of Lords. He thereupon retired to his house, Dawley, near Uxbridge, +where he enjoyed the society of Swift and Pope, on the +latter of whom he exerted a strong influence. After some ineffectual +efforts to regain a position in political life, he returned to France +in 1735, where he remained for 7 years, and wrote most of his chief +works.</p> + +<p>B. was a man of brilliant and versatile talents, but selfish, insincere, +and intriguing, defects of character which led to his political +ruin. His writings, once so much admired, reflect his character in +their glittering artificiality, and his pretensions to the reputation of +a philosopher have long been exploded; the chief of them are <i>Reflections +upon Exile</i>, <i>Letters on the Study of History</i> (in which he +attacked Christianity), <i>Letters on the Spirit of Patriotism</i>, and <i>Idea +of a Patriot King</i>. He left his MSS. to <a href='#MALLET_originally_MALLOCH_DAVID_1705_1765'>David Mallet</a> (<i>q.v.</i>), who +<i>pub.</i> a complete ed. of his works in 5 vols. (1753-54).</p><br /> + +<a name='BONAR_HORATIUS_1808_1889'></a><p><b>BONAR, HORATIUS (1808-1889).</b> +—Divine and poet, <i>s.</i> of +James B., Solicitor of Exise for Scotland, <i>b.</i> and <i>ed.</i> in Edin., +entered the Ministry of the Church of Scotland, and was settled at +Kelso. He joined the Free Church at the Disruption in 1843, and +in 1867 was translated to Edin. In 1853 he was made D.D. of +Aberdeen. He was a voluminous and highly popular author, and +in addition to many books and tracts wrote a number of hymns, +many of which, <i>e.g.</i>, "I heard the voice of Jesus say," are known all +over the English-speaking world. A selection of these was <i>pub.</i> as +<i>Hymns of Faith and Hope</i> (3 series). His last vol. of poetry was <i>My +Old Letters</i>.</p><br /> + +<a name='BOORDE_or_BORDE_ANDREW_1490_1549'></a><p><b>BOORDE, or BORDE, ANDREW (1490?-1549).</b> +—Traveller, +<i>b.</i> near Cuckfield, Sussex, was brought up as a Carthusian, and held +ecclesiastical appointments, then practised medicine at various +places, including Glasgow, and was employed in various capacities +by T. Cromwell. He travelled widely, going as far as Jerusalem, +and wrote descriptions of the countries he had visited. His <i>Dyetary</i> +is the first English book of domestic medicine. The <i>Boke of the +Introduction of Knowledge</i> describes his journeys on the Continent. +Other works are <i>The Boke of Berdes</i> (Beards), <i>Handbook of Europe</i>, +and <i>Itinerary of England</i>.</p><br /> + +<a name='BORROW_GEORGE_1803_1881'></a><p><b>BORROW, GEORGE (1803-1881).</b> +—Philologist and miscellaneous +author, and traveller, <i>b.</i> at East Dereham, Norfolk, <i>s.</i> of a +recruiting officer, had a somewhat wandering childhood. He received +most of his education in Edin., and showed a peculiar talent +for acquiring languages. After being for a short time in the office of +a solicitor in Norwich, he travelled widely on the Continent and in +the East, acquainting himself with the people and languages of the +various countries he visited. He specially attached himself to the<a name='Page_42'></a> +Gipsies, with whose language he became so familiar as to <i>pub.</i> a dictionary +of it. His learning was shown by his publishing at St. +Petersburg <i>Targum</i>, a work containing translations from 30 +languages. B. became a travelling agent of the Bible Society, and +his book, <i>The Bible in Spain</i> (1843), giving an account of his remarkable +adventures in that country, made his literary reputation. It +was followed by <i>Lavengro</i> (1851), and its sequel, <i>Romany Rye</i> (1857), +and <i>Wild Wales</i> (1862), which, though works of originality and extreme +interest, and now perhaps his most popular books, were received +with less public favour. The two first give a highly coloured +picture of his own story. He translated the New Testament into +Manchu. In his latter years he settled at Oulton Broad, Norfolk, +where he <i>d.</i> B. was a man of striking appearance and great vigour +and originality of character and mind. His writings hold a unique +place in English literature.</p><br /> + +<a name='BOSTON_THOMAS_1677_1732'></a><p><b>BOSTON, THOMAS (1677-1732).</b> +—Scottish divine, was successively +schoolmaster at Glencairn, and minister of Simprin in +Berwickshire, and Ettrick in Selkirkshire. In addition to his best-known +work, <i>The Fourfold State</i>, one of the religious classics of +Scotland, he wrote an original little book, <i>The Crook in the Lot</i>, and +a learned treatise on the Hebrew points. He also took a leading +part in the Courts of the Church in what was known as the "Marrow +Controversy," regarding the merits of an English work, <i>The Marrow +of Modern Divinity</i>, which he defended against the attacks of the +"Moderate" party in the Church. B., if unduly introspective, was +a man of singular piety and amiability. His autobiography is an +interesting record of Scottish life, full of sincerity and tenderness, +and not devoid of humorous touches, intentional and otherwise.</p><br /> + +<a name='BOSWELL_SIR_ALEXANDER_1775_1822'></a><p><b>BOSWELL, SIR ALEXANDER (1775-1822).</b> +—Antiquary and +song writer, <i>s.</i> of James B., of Auchinleck, Johnson's biographer, was +interested in old Scottish authors, some of whose works he reprinted +at his private press. He wrote some popular Scotch songs, of which +<i>Jenny's Bawbee</i> and <i>Jenny dang the Weaver</i> are the best known. B. +<i>d.</i> in a duel with Mr. Stuart of Dunearn.</p><br /> + +<a name='BOSWELL_JAMES_1740_1795'></a><p><b>BOSWELL, JAMES (1740-1795).</b> +—Biographer, <i>s.</i> of Alexander +B. of Auchinleck, Ayrshire, one of the judges of the Supreme +Courts of Scotland, was <i>ed.</i> at the High School and Univ. of +Edin., and practised as an advocate. He travelled much on the +Continent and visited Corsica, where he became acquainted with the +patriot General Paoli. Fortunately for posterity he was in 1763 +introduced to Dr. Johnson, and formed an acquaintance with him +which soon ripened into friendship, and had as its ultimate fruit the +immortal <i>Life</i>. He was also the author of several works of more or +less interest, including an <i>Account of Corsica</i> (1768), and <i>Journal of +Tour to the Hebrides</i> (in the company of Johnson) (1786). Vain and +foolish in an exceptional degree, and by no means free from more +serious faults, B. has yet produced the greatest biography in the +language. <i>The Life of Samuel Johnson, LL.D.</i> appeared in 1791, +and at once commanded an admiration which has suffered no diminution +since. But by this time a cloud had fallen upon the author. +He had lost his excellent wife, his health had given way, the +<a name='Page_43'></a>intemperance to which he had always been subject had mastered +him, and he <i>d.</i> four years after the appearance of his great work. B. +was called to the English as well as to the Scottish Bar, but his +various foibles prevented his reaching any great success, and he had +also vainly endeavoured to enter on a political career. The question +has often been raised how a man with the characteristics of B. +could have produced so unique a work, and has been discussed at +length by Macaulay and by Carlyle, the former paradoxically arguing +that his supreme folly and meanness themselves formed his +greatest qualifications; the latter, with far deeper insight, that +beneath these there lay the possession of an eye to discern excellence +and a heart to appreciate it, intense powers of accurate observation +and a considerable dramatic faculty. His letters to William +Temple were discovered at Boulogne, and <i>pub.</i> 1857.</p><br /> + +<a name='BOUCICAULT_DION_1820_90'></a><p><b>BOUCICAULT, DION (1820-90).</b> +—Actor and dramatist, <i>b.</i> +in Dublin and <i>ed.</i> in London, joined Macready while still young, and +made his first appearance upon the stage with Benj. Webster at +Bristol. Soon afterwards he began to write plays, occasionally in +conjunction, of which the first, <i>London Assurance</i> (1841) had an +immediate success. He was an excellent actor, especially in +pathetic parts. His plays are for the most part adaptations, but +are often very ingenious in construction, and have had great +popularity. Among the best known are <i>The Colleen Bawn</i>, <i>Arrah-na-Pogue</i>, +<i>Faust and Marguerite</i>, and <i>The Shaughraun</i>. B. <i>d.</i> in America.</p><br /> + +<a name='BOWDLER_THOMAS_1754_1825'></a><p><b>BOWDLER, THOMAS (1754-1825).</b> +—Editor of <i>The Family +Shakespeare</i>, <i>b.</i> near Bath, <i>s.</i> of a gentleman of independent fortune, +studied medicine at St. Andrews and at Edin., where he took his +degree in 1776, but did not practise, devoting himself instead to +the cause of prison reform. In 1818 he <i>pub.</i> his <i>Family Shakespeare</i> +in 10 vols., "in which nothing is added to the original text, but +those words and expressions are omitted which cannot with propriety +be read aloud in a family." The work had considerable success, 4 +editions having been <i>pub.</i> before 1824, and others in 1831, 1853, and +1861. It was, however, subjected to some criticism and ridicule, +and gave rise to the expression "bowdlerise," always used in an +opprobrious sense. On the other hand, Mr. Swinburne has said, +"More nauseous and foolish cant was never chattered than that +which would deride the memory or depreciate the merits of B. No +man ever did better service to Shakespeare than the man who +made it possible to put him into the hands of intelligent and +imaginative children." B. subsequently essayed a similar enterprise +in regard to Gibbon, which, however, was not so successful.</p><br /> + +<a name='BOWER_ARCHIBALD_1686_1766'></a><p><b>BOWER, ARCHIBALD (1686-1766).</b> +—Historian, <i>b.</i> at Dundee, +and <i>ed.</i> at the Scots Coll., Douay, became a Jesuit, but afterwards +joined the Church of England, and again became a Jesuit. He wrote +a <i>History of Rome</i> (1735-44), a <i>History of the Popes</i> (1748-66). +These works are ill-proportioned and inaccurate. His whole life +appears to have been a very discreditable one.</p><br /> + +<a name='BOWER_or_BOWMAKER_WALTER_d_1449'></a><p><b>BOWER, or BOWMAKER, WALTER (<i>d.</i> 1449).</b> +—Was Abbot +of Inchcolm, and continued and enlarged Fordun's <i>Scotichronicon</i><a name='Page_44'></a>.</p><br /> + +<a name='BOWLES_WILLIAM_LISLE_1762_1850'></a><p><b>BOWLES, WILLIAM LISLE (1762-1850).</b> +—Poet and antiquary, +<i>b.</i> at King's Sutton, Northamptonshire, of which his <i>f.</i> was +vicar, and <i>ed.</i> at Winchester and Oxf., was for the most of his +life Vicar of Bremhill, Wilts, and became Prebendary and Canon +Residentiary of Salisbury. His first work, <i>pub.</i> in 1789, was a +little vol. containing 14 sonnets, which was received with extraordinary +favour, not only by the general public, but by such men as +Coleridge and Wordsworth. It may be regarded as the harbinger of +the reaction against the school of Pope, in which these poets were +soon to bear so great a part. B. <i>pub.</i> several other poems of much +greater length, of which the best are <i>The Spirit of Discovery</i> (1805), +and <i>The Missionary of the Andes</i> (1815), and he also enjoyed considerable +reputation as an antiquary, his principal work in that +department being <i>Hermes Britannicus</i> (1828). In 1807 he <i>pub.</i> a +<i>Life of Pope</i>, in the preface to which he expressed some views on +poetry which resulted in a rather fierce controversy with Byron, +Campbell, and others. He also wrote a <i>Life of Bishop Ken</i>. B. was +an amiable, absent-minded, and rather eccentric man. His poems +are characterised by refinement of feeling, tenderness, and pensive +thought, but are deficient in power and passion.</p> + +<p>Other works are <i>Coombe Ellen and St. Michael's Mount</i> (1798), +<i>The Battle of the Nile</i> (1799), <i>The Sorrows of Switzerland</i> (1801), <i>St. +John in Patmos</i> (1833), etc.</p><br /> + +<a name='BOWRING_SIR_JOHN_1792_1872'></a><p><b>BOWRING, SIR JOHN (1792-1872).</b> +—Linguist, writer, and +traveller, was <i>b.</i> at Exeter. His talent for acquiring languages +enabled him at last to say that he knew 200, and could speak 100. +He was appointed editor of the <i>Westminster Review</i> in 1824; +travelled in various countries with the view of reporting on their +commercial position; was an M.P. 1835-37 and 1841-49, and held +various appointments in China. His chief literary work was the +translation of the folk-songs of most European nations, and he +also wrote original poems and hymns, and works on political and +economic subjects. B. was knighted in 1854. He was the literary +executor of <a href='#BENTHAM_JEREMY_1748_1832'>Jeremy Bentham</a> (<i>q.v.</i>).</p><br /> + +<a name='BOYD_ANDREW_KENNEDY_HUTCHISON_1825_1899'></a><p><b>BOYD, ANDREW KENNEDY HUTCHISON (1825-1899).</b> +—Miscellaneous +writer, <i>s.</i> of Rev. Dr. B. of Glasgow, was originally +intended for the English Bar, but entered the Church of Scotland, +and was minister latterly at St. Andrews, wrote in <i>Fraser's Magazine</i> +a series of light, chirping articles subsequently collected as the +<i>Recreations of a Country Parson</i>, also several books of reminiscences, +etc., written in a pleasant chatty style, and some sermons. He +was D.D. and LL.D.</p><br /> + +<a name='BOYD_ZACHARY_1585_1653'></a><p><b>BOYD, ZACHARY (1585-1653).</b> +—Divine, belonged to the +family of B. of Pinkhill, Ayrshire, was <i>ed.</i> at Glasgow and at Saumur. +He translated many parts of Scripture into uncouth verse. Among +his works are <i>The Garden of Zion</i> and <i>Zion's Flowers</i>.</p><br /> + +<a name='BOYLE_THE_HON_ROBERT_1627_1691'></a><p><b>BOYLE, THE HON. ROBERT (1627-1691).</b> +—Natural Philosopher +and chemist, 7th <i>s.</i> of the 1st Earl of Cork, was <i>b.</i> at Lismore, +Co. Waterford, and <i>ed.</i> at Eton and by private tutors, after which he +pursued his studies on the Continent. On his return to England he +<a name='Page_45'></a>devoted himself to the study of science, especially natural philosophy +and chemistry. He was one of the founders of the Royal +Society, and, by his experiments and observations added to existing +knowledge, especially in regard to pneumatics. He at the same +time devoted much study to theology; so much indeed that he was +strongly urged by Lord Clarendon to enter the Church. Thinking, +however, that he could serve the cause of religion better as a layman, +he declined this advice. As a director of the East India Co. he did +much for the propagation of Christianity in the East, and for the +dissemination of the Bible. He also founded the "Boyle Lectures" +in defence of Christianity. He declined the offer of a peerage. B. +was a man of great intellectual acuteness, and remarkable for his +conversational powers. Among his writings are <i>Origin of Forms and +Qualities</i>, <i>Experiments touching Colour</i>, <i>Hydrostatical Paradoxes</i>, and +<i>Observations on Cold</i>; in theology, <i>Seraphic Love</i>. His complete +works were <i>pub.</i> in 5 vols. in 1744.</p><br /> + +<a name='BRADLEY_EDWARD_1827_1889'></a><p><b>BRADLEY, EDWARD (1827-1889).</b> +—Novelist, was a clergyman. +He wrote under the name of "Cuthbert Bede" a few novels +and tales, <i>Fairy Fables</i> (1858), <i>Glencraggan</i> (1861), <i>Fotheringhay</i> +(1885), etc.; but his most popular book was <i>Verdant Green, an +Oxford Freshman</i>, which had great vogue.</p><br /> + +<a name='BRADWARDINE_THOMAS_1290_1349'></a><p><b>BRADWARDINE, THOMAS (1290?-1349).</b> +—Theologian, was +at Oxf., where he became Prof. of Divinity and Chancellor, and afterwards +Chaplain to Edward III., whom he attended in his French +wars. He was twice elected Archbishop of Canterbury by the +monks, and on the second occasion accepted, but <i>d.</i> of the plague +within 40 days. He wrote on geometry, but his great work was <i>De +Causa Dei</i> (on the Cause of God against Pelagius), in which he treated +theology mathematically, and which earned for him from the Pope +the title of the Profound Doctor.</p><br /> + +<a name='BRAITHWAITE_or_BRATHWAITE_RICHARD_1588_1673'></a><p><b>BRAITHWAITE, or BRATHWAITE, RICHARD (1588-1673).</b> +—Poet, +<i>b.</i> near Kendal, and <i>ed.</i> at Oxf., is believed to have served +with the Royalist army in the Civil War. He was the author of +many works of very unequal merit, of which the best known is +<i>Drunken Barnaby's Four Journeys</i>, which records his pilgrimages +through England in rhymed Latin (said by Southey to be the best +of modern times), and doggerel English verse. <i>The English Gentleman</i> +(1631) and <i>English Gentlewoman</i> are in a much more decorous +strain. Other works are <i>The Golden Fleece</i> (1611) (poems), <i>The +Poet's Willow</i>, <i>A Strappado for the Devil</i> (a satire), and <i>Art Asleepe, +Husband?</i></p><br /> + +<a name='BRAMSTON_JAMES_c_1694_1744'></a><p><b>BRAMSTON, JAMES (<i>c.</i> 1694-1744).</b> +—Satirist, <i>ed.</i> at Westminster +School and Oxf., took orders and was latterly Vicar of +Hastings. His poems are <i>The Art of Politics</i> (1729), in imitation of +Horace, and <i>The Man of Taste</i> (1733), in imitation of Pope. He +also parodied Phillips's <i>Splendid Shilling</i> in <i>The Crooked Sixpence</i>. +His verses have some liveliness.</p><br /> + +<a name='BRAY_ANNA_ELIZA_1790_1883'></a><p><b>BRAY, ANNA ELIZA (1790-1883).</b> +—Novelist, <i>dau.</i> of Mr. +J. Kempe, was married first to C.A. Stothard, <i>s.</i> of the famous R.A., +and himself an artist, and secondly to the Rev. E.A. Bray. She +<a name='Page_46'></a>wrote about a dozen novels, chiefly historical, and <i>The Borders of +the Tamar and Tavy</i> (1836), an account of the traditions and superstitions +of the neighbourhood of Tavistock in the form of letters to +Southey, of whom she was a great friend. This is probably the most +valuable of her writings. Among her works are <i>Branded</i>, <i>Good St. +Louis and his Times</i>, <i>Trelawney</i>, and <i>White Hoods</i>.</p><br /> + +<a name='BRETON_NICHOLAS_1545_1626'></a><p><b>BRETON, NICHOLAS (1545-1626).</b> +—Poet and novelist. +Little is known of his life. He was the <i>s.</i> of William B., a London +merchant, was perhaps at Oxf., and was a rather prolific author +of considerable versatility and gift. Among his poetical works are +<i>A Floorish upon Fancie, Pasquil's Mad-cappe</i> (1626), <i>The Soul's +Heavenly Exercise</i>, and <i>The Passionate Shepherd</i>. In prose he +wrote <i>Wit's Trenchmour</i>, <i>The Wil of Wit</i> (1599), <i>A Mad World, my +Masters</i>, <i>Adventures of Two Excellent Princes</i>, <i>Grimello's Fortunes</i> +(1604), <i>Strange News out of Divers Countries</i> (1622), etc. His mother +married <a href='#GASCOIGNE_GEORGE_1525_or_1535_1577'>E. Gascoigne</a>, the poet (<i>q.v.</i>). His lyrics are pure and fresh, +and his romances, though full of conceits, are pleasant reading, +remarkably free from grossness.</p><br /> + +<a name='BREWSTER_SIR_DAVID_1781_1868'></a><p><b>BREWSTER, SIR DAVID (1781-1868).</b> +—Man of science and +writer, <i>b.</i> at Jedburgh, originally intended to enter the Church, of +which, after a distinguished course at the Univ. of Edin., he became +a licentiate. Circumstances, however, led him to devote himself +to science, of which he was one of the most brilliant ornaments +of his day, especially in the department of optics, in which he +made many discoveries. He maintained his habits of investigation +and composition to the very end of his long life, during which he +received almost every kind of honorary distinction open to a man of +science. He also made many important contributions to literature, +including a <i>Life of Newton</i> (1831), <i>The Martyrs of Science</i> (1841), +<i>More Worlds than One</i> (1854), and <i>Letters on Natural Magic</i> addressed +to Sir W. Scott, and he also edited, in addition to various scientific +journals, <i>The Edinburgh Encyclopædia</i> (1807-29). He likewise +held the offices successively of Principal of the United Coll. of +St. Salvator and St. Leonard, St. Andrews (1838), and of the Univ. +of Edin. (1859). He was knighted in 1831. Of high-strung and +nervous temperament, he was somewhat irritable in matters of +controversy; but he was repeatedly subjected to serious provocation. +He was a man of highly honourable and fervently religious +character.</p><br /> + +<a name='BROKE_or_BROOKE_ARTHUR_d_1563'></a><p><b>BROKE, or BROOKE, ARTHUR (<i>d.</i> 1563).</b> +—Translator, +was the author of <i>The Tragicall Historie of Romeus and Juliett</i>, from +which Shakespeare probably took the story of his <i>Romeo and Juliet</i>. +Though indirectly translated, through a French version, from the +Italian of Bandello, it is so much altered and amplified as almost to +rank as an original work. The only fact known regarding him is his +death by shipwreck when crossing to France.</p><br /> + +<a name='BROME_RICHARD_d_1652'></a><p><b>BROME, RICHARD (<i>d.</i> 1652?).</b> +—Dramatist, the servant +and friend of Ben Jonson, produced upwards of 20 plays, some +in conjunction with Dekker and others. Among them are <i>A Fault +in Friendship</i>, <i>Late Lancashire Witches</i> (with Heywood and Dekker),<a name='Page_47'></a> +<i>A Jovial Crew</i> (1652), <i>The Northern Lass</i> (1632), <i>The Antipodes</i> +(1646), <i>City Wit</i> (1653), <i>Court Beggar</i> (1653), etc. He had no +original genius, but knew stage-craft well.</p><br /> + +<a name='BRONTE_CHARLOTTE_1816_1855'></a><p><b>BRONTÉ, CHARLOTTE (1816-1855).</b> +—Novelist, <i>dau.</i> of the +Rev. Patrick B., a clergyman of Irish descent and of eccentric +habits who embittered the lives of his children by his peculiar +theories of education. Brought up in a small parsonage close to the +graveyard of a bleak, windswept village on the Yorkshire moors, +and left motherless in early childhood, she was "the motherly friend +and guardian of her younger sisters," of whom two, Emily and +Anne, shared, but in a less degree, her talents. After various +efforts as schoolmistresses and governesses, the sisters took to literature +and <i>pub.</i> a vol. of poems under the names of Currer, Ellis, and +Acton Bell, which, however, fell flat. Charlotte then wrote her first +novel, <i>The Professor</i>, which did not appear until after her death, and +began <i>Jane Eyre</i>, which, appearing in 1847, took the public by +storm. It was followed by <i>Shirley</i> in 1849, and <i>Villette</i> in 1852. In +1854 she was married to her father's curate, the Rev. A. Nicholls, but +after a short though happy married life she <i>d.</i> in 1855. EMILY B. +(1818-1848).—a woman of remarkable force of character, reserved +and taciturn, <i>pub.</i> in 1848 <i>Wuthering Heights</i>, a powerful, but somewhat +unpleasing, novel, and some striking poems; and ANNE (1820-1849), +was the authoress of <i>The Tenant of Wildfell Hall</i> and <i>Agnes +Grey</i> (1848). She had not the intellectual force of her sisters. The +novels of Charlotte especially created a strong impression from the +first, and the <i>pub.</i> of <i>Jane Eyre</i> gave rise to much curiosity and +speculation as to its authorship. Their strength and originality +have retained for them a high place in English fiction which is likely +to prove permanent. There is a biography of Charlotte by <a href='#GASKELL_ELIZABETH_CLEGHORN_STEVENSON_1810_1865'>Mrs. +Gaskell</a> (<i>q.v.</i>).</p> + +<p>Complete ed. of the works of Charlotte B. have been issued +by Mrs. Humphrey Ward (7 vols. 1899-1900), and by Sir W.R. +Nicoll, LL.D. (1903). <i>Note on Charlotte Bronté</i>, A.C. Swinburne, +1877. A short <i>Life</i> in Great Writers Series by A. Birrell.</p><br /> + +<a name='BROOKE_FULKE_GREVILLE_LORD_1554_1628'></a><p><b>BROOKE, FULKE GREVILLE, LORD (1554-1628).</b> +—Poet +and statesman, <i>b.</i> at Beauchamp Court, Warwickshire, and <i>ed.</i> at +Shrewsbury and Camb., was a Privy Councillor, and held various +important offices of state, including that of Chancellor of the +Exchequer (1614-21). In the latter year he was created a peer. He +was murdered by a servant. His works, which were chiefly <i>pub.</i> +after his death, consist of tragedies and sonnets, and poems on +political and moral subjects, including <i>Cælica</i> (109 sonnets). He +also wrote a Life of Sir P. Sidney, whose friend he was. His style +is grave and sententious. He is buried in the church at Warwick, +and the inscription on his tomb, written by himself, is a compendious +biography. It runs: "Fulke Greville, servant to Queen Elizabeth, +counsellor to King James, friend to Sir Philip Sidney."</p><br /> + +<a name='BROOKE_HENRY_1703_1783'></a><p><b>BROOKE, HENRY (1703-1783).</b> +—Novelist and dramatist, +<i>b.</i> in Ireland, <i>s.</i> of a clergyman, studied law, but embraced literature +as a career. He wrote poems, dramas, and novels; but the only +work which has kept its place is <i>The Fool of Quality</i> (5 vols. 1766-70), +<a name='Page_48'></a>which was a favourite book with John Wesley. His now forgotten +poem, <i>Universal Beauty</i> (1735) was admired by Pope. His <i>dau.</i>, +CHARLOTTE, the only survivor of 22 children, tended him to his last +days of decay, and was herself a writer, her principal work being +<i>Reliques of Irish Poetry</i> (1789). She <i>d.</i> 1793.</p><br /> + +<a name='BROOKS_CHARLES_WILLIAM_SHIRLEY_1816_1874'></a><p><b>BROOKS, CHARLES WILLIAM SHIRLEY (1816-1874).</b> +—Journalist +and novelist, <i>b.</i> in London, began life in a solicitor's +office. He early, however, took to literature, and contributed to +various periodicals. In 1851 he joined the staff of <i>Punch</i>, to which +he contributed "Essence of Parliament," and on the death of <a href='#LEMON_MARK_1809_1870'>Mark +Lemon</a> (<i>q.v.</i>) he succeeded him as editor. He <i>pub.</i> a few novels, +including <i>Aspen Court</i> and <i>The Gordian Knot</i>.</p><br /> + +<a name='BROOKS_MARIA_GOWAN_1795_1845'></a><p><b>BROOKS, MARIA (GOWAN) (1795?-1845).</b> +—American +poetess, was early <i>m.</i> to a merchant, who lost his money, and left her a +young widow, after which she wrote highly romantic and impassioned +poetry. Her chief work, <i>Zophiël or The Bride of Swen</i>, was finished +under the auspices of Southey, who called her "Maria del Occidente," +and regarded her as "the most impassioned and imaginative of all +poetesses," but time has not sustained this verdict.</p><br /> + +<a name='BROOME_WILLIAM_1689_1745'></a><p><b>BROOME, WILLIAM (1689-1745).</b> +—Poet and translator, <i>b.</i> +at Haslington, Cheshire, and <i>ed.</i> at Eton and Camb., entered the +Church, and held various incumbencies. He translated the <i>Iliad</i> in +prose along with others, and was employed by Pope, whom he excelled +as a Greek scholar, in translating the <i>Odyssey</i>, of which he +Englished the 8th, 11th, 12th, 16th, 18th, and 23rd books, catching +the style of his master so exactly as almost to defy identification, +and thus annoying him so as to earn a niche in <i>The Dunciad</i>. He +<i>pub.</i> verses of his own of very moderate poetical merit.</p><br /> + +<a name='BROUGHAM_AND_VAUX_HENRY_1ST_LORD_1778_1868'></a><p><b>BROUGHAM AND VAUX, HENRY, 1ST LORD (1778-1868).</b> +—<i>S.</i> +of Henry B. of Brougham Hall, Westmoreland, <i>b.</i> in Edin., and <i>ed.</i> +at the High School and Univ. there, where he distinguished himself +chiefly in mathematics. He chose a legal career, and was called +to the Scottish Bar in 1800, and to the English Bar in 1808. His +chief forensic display was his defence of Queen Caroline in 1822. In +1810 he entered Parliament, where his versatility and eloquence soon +raised him to a foremost place. The questions on which he chiefly +exerted himself were the slave trade, commercial, legal, and parliamentary +reform, and education, and in all of these he rendered +signal service. When, in 1830, the Whigs, with whom he had +always acted, attained power, B. was made Lord Chancellor; but +his arrogance, selfishness, and indiscretion rendered him a dangerous +and unreliable colleague, and he was never again admitted to office. +He turned fiercely against his former political associates, but continued +his efforts on behalf of reform in various directions. He +was one of the founders of London Univ. and of the Society for the +Diffusion of Useful Knowledge. In literature he has a place as one +of the original projectors of and most voluminous contributors to +<i>The Edinburgh Review</i>, and as the author of a prodigious number of +treatises on science, philosophy, and history, including <i>Dialogues on +Instinct</i>, Lives of Statesmen, Philosophers, and Men of Science of +<a name='Page_49'></a>the Time of George III., Natural Theology, etc., his last work being +an autobiography written in his 84th year, and <i>pub.</i> 1871. His +writings were far too numerous and far too diverse in subject to be +of permanent value. His fame now rests chiefly on his services to +political and specially to legal reform, and to the diffusion of useful +literature, which are his lasting monuments.</p><br /> + +<a name='BROUGHTON_JOHN_CAM_HOBHOUSE_1ST_LORD_1786_1869'></a><p><b>BROUGHTON, JOHN CAM HOBHOUSE, 1ST LORD (1786-1869).</b> +—Eldest +<i>s.</i> of Sir Benjamin H., <i>b.</i> at Redland near Bristol, +<i>ed.</i> at Westminster School and at Camb., where he became intimate +with Byron, and accompanied him in his journeys in the Peninsula, +Greece, and Turkey, and acted as his "best man." In 1816 he +was with him after his separation from his wife, and contributed +notes to the fourth canto of <i>Childe Harold</i>, which was dedicated to +him. On his return he threw himself into politics with great +energy as an advanced Radical, and wrote various pamphlets, for +one of which he was in 1819 imprisoned in Newgate. In the following +year he entered Parliament, sitting for Westminster. After the +attainment of power by the Whigs he held various offices, including +those of Sec. at War, Chief Sec. for Ireland, and Pres. of the Board +of Control. He <i>pub.</i> <i>Journey through Albania</i> (1813), <i>Historical +Illustrations of the Fourth Canto of Childe Harold</i> (1818), and <i>Recollections +of a Long Life</i> (1865), for private circulation, and he left in MS. +<i>Diaries, Correspondence, and Memoranda, etc., not to be opened till +1900</i>, extracts from which were <i>pub.</i> by his <i>dau.</i>, Lady Dorchester, +also under the title of <i>Recollections from a Long Life</i> (1909).</p><br /> + +<a name='BROWN_CHARLES_BROCKDEN_1771_1810'></a><p><b>BROWN, CHARLES BROCKDEN (1771-1810).</b> +—Novelist, <i>b.</i> +in Philadelphia, belonged to a Quaker family, became a lawyer, but +exchanged law for literature, and has the distinction of being the +first American to adopt a purely literary career. He wrote several +novels, including <i>Wieland</i> (1798), <i>Ormond</i> (1799), <i>Arthur Mervyn</i> +(1800-1), and his last, <i>Jane Talbot</i> (1801). With a good deal of +crudeness and sentimentality he has occasional power, but dwells +too much on the horrible and repulsive, the result, perhaps, of the +morbidity produced by the ill-health from which he all his life +suffered.</p><br /> + +<a name='BROWN_GEORGE_DOUGLAS_1869_1902'></a><p><b>BROWN, GEORGE DOUGLAS (1869-1902).</b> +—Novelist, wrote +<i>The House with the Green Shutters</i>, which gives a strongly outlined +picture of the harder and less genial aspects of Scottish life and +character. It may be regarded as a useful supplement and corrective +to the more roseate presentations of the kail-yard school of +J.M. Barrie and "Ian Maclaren." It made a considerable impression. +The author <i>d.</i> almost immediately after its publication. +There is an ed. with a memoir by Mr. Andrew Lang.</p><br /> + +<a name='BROWN_DR_JOHN_1810_1882'></a><p><b>BROWN, DR. JOHN (1810-1882).</b> +—Physician and essayist, +<i>s.</i> of John B., D.D., a distinguished dissenting minister in Edin. +<i>B.</i> at Biggar, he was <i>ed.</i> at the High School and Univ. of Edin., +where practically the whole of his uneventful life was spent as a +physician, and where he was revered and beloved in no common degree, +and he was the cherished friend of many of his most distinguished +contemporaries, including Thackeray. He wrote comparatively +<a name='Page_50'></a>little; but all he did write is good, some of it perfect, of its kind. +His essays, among which are <i>Rab and his Friends</i>, <i>Pet Marjorie</i>, +<i>Our Dogs</i>, <i>Minchmoor</i>, and <i>The Enterkine</i>, were collected along with +papers on art, and medical history and biography, in <i>Horæ +Subsecivæ</i> (Leisure Hours), 3 vols. In the mingling of tenderness +and delicate humour he has much in common with Lamb; in his +insight into dog-nature he is unique. His later years were clouded +with occasional fits of depression.</p><br /> + +<a name='BROWN_THOMAS_1778_1820'></a><p><b>BROWN, THOMAS (1778-1820).</b> +—Metaphysician, <i>s.</i> of the +Rev. Samuel B., minister of Kirkinabreck, practised for some time +as a physician in Edin., but his tastes and talents lying in the +direction of literature and philosophy, he devoted himself to the +cultivation of these, and succeeded Dugald Stewart as Professor of +Moral Philosophy in the Univ. of Edin., in which position he had +remarkable popularity as a lecturer. His main contribution to +literature is his <i>Lectures</i>, <i>pub.</i> after his death. B. was a man of +attractive character and considerable talents, but as a philosopher +he is now largely superseded. He also wrote poetry, which, though +graceful, lacked force, and is now forgotten.</p><br /> + +<a name='BROWN_THOMAS_EDWARD_1830_1897'></a><p><b>BROWN, THOMAS EDWARD (1830-1897).</b> +—Poet, <i>b.</i> at +Douglas, Isle of Man, <i>s.</i> of a clergyman, and <i>ed.</i> there and at Oxf., +entered the Church and held various scholastic appointments, +including a mastership at Clifton. His later years were spent in his +native island. He had a true lyrical gift, and much of his poetry +was written in Manx dialect. His poems include <i>Fo'c'sle Yarns</i> +(1881), <i>The Doctor</i> (1887), <i>The Manx Witch</i> (1889), and <i>Old John</i> +(1893). He was also an admirable letter-writer, and 2 vols. of his +letters have been <i>pub.</i></p><br /> + +<a name='BROWN_TOM_1663_1704'></a><p><b>BROWN, TOM (1663-1704).</b> +—Satirist, was <i>ed.</i> at Oxf., and +there composed the famous epigram on Dr. Fell. He was for a few +years schoolmaster at Kingston-on-Thames, but owing to his irregularities +lost the appointment, and went to London, where he wrote +satires, epigrams, and miscellaneous pieces, generally coarse and +scurrilous.</p><br /> + +<a name='BROWNE_CHARLES_FARRAR_1834_1867'></a><p><b>BROWNE, CHARLES FARRAR (1834-1867).</b> +—Humorist +(Artemus Ward), <i>b.</i> in Maine, U.S., worked as a compositor and +reporter, and became a highly popular humorous writer, his books +being <i>Artemus Ward his Book</i>, <i>A.W. His Panorama</i>, <i>A.W. among +the Mormons</i>, and <i>A.W. in England</i>.</p><br /> + +<a name='BROWNE_ISAAC_HAWKINS_1705_1760'></a><p><b>BROWNE, ISAAC HAWKINS (1705-1760).</b> +—Is remembered +as the author of some clever imitations of contemporary poets on the +theme of <i>A Pipe of Tobacco</i>, somewhat analogous to the <i>Rejected +Addresses</i> of a later day. He also wrote a Latin poem on the immortality +of the soul. B., who was a country gentleman and +barrister, had great conversational powers. He was a friend of Dr. +Johnson.</p><br /> + +<a name='BROWNE_SIR_THOMAS_1605_1682'></a><p><b>BROWNE, SIR THOMAS (1605-1682).</b> +—Physician and miscellaneous +and metaphysical writer, <i>s.</i> of a London merchant, +was <i>ed.</i> at Winchester and Oxf., after which he studied medicine +<a name='Page_51'></a>at various Continental univs., including Leyden, where he <i>grad.</i> +He ultimately settled and practised at Norwich. His first and +perhaps best known work, <i>Religio Medici</i> (the Religion of a Physician) +was <i>pub.</i> in 1642. Other books are <i>Pseudodoxia Epidemica: +Enquiries into Vulgar Errors</i> (1646), <i>Hydriotaphia, or Urn-burial</i> +(1658); and <i>The Garden of Cyrus</i> in the same year. After his death +were <i>pub.</i> his <i>Letter to a Friend</i> and <i>Christian Morals</i>. B. is one of +the most original writers in the English language. Though by no +means free from credulity, and dealing largely with trivial subjects +of inquiry, the freshness and ingenuity of his mind invest everything +he touches with interest; while on more important subjects his +style, if frequently rugged and pedantic, often rises to the highest +pitch of grave and stately eloquence. In the Civil War he sided +with the King's party, and was knighted in 1671 on the occasion of +a Royal visit to Norwich. In character he was simple, cheerful, and +retiring. He has had a profound if indirect influence on succeeding +literature, mainly by impressing master-minds such as Lamb, +Coleridge, and Carlyle.</p> + +<p>There is an ed. of B.'s works by S. Wilkin (4 vols., 1835-6), +<i>Religio Medici</i> by Dr. Greenhill, 1881. <i>Life</i> by Gosse in Men of +Letters Series, 1903.</p><br /> + +<a name='BROWNE_WILLIAM_1590_1645'></a><p><b>BROWNE, WILLIAM (1590?-1645?).</b> +—Poet, <i>b.</i> at Tavistock, +<i>ed.</i> at Oxf., after which he entered the Inner Temple. His poems, +which are mainly descriptive, are rich and flowing, and true to the +phenomena of nature, but deficient in interest. Influenced by +Spenser, he in turn had an influence upon such poets as Milton and +Keats. His chief works were <i>Britannia's Pastorals</i> (1613), and <i>The +Shepheard's Pipe</i> (1614).</p><br /> + +<a name='BROWNING_ELIZABETH_BARRETT_1806_1861'></a><p><b>BROWNING, ELIZABETH BARRETT (1806-1861).</b> +—Poetess, +was the <i>dau.</i> of Edward Barrett Moulton Barrett, who assumed the +last name on succeeding to the estates of his grandfather in Jamaica. +She was <i>b.</i> at Coxhoe Hall, Durham, but spent her youth at Hope +End, near Great Malvern. While still a child she showed her gift, and +her <i>f.</i> <i>pub.</i> 50 copies of a juvenile epic, on the Battle of Marathon. +She was <i>ed.</i> at home, but owed her profound knowledge of Greek +and much mental stimulus to her early friendship with the blind +scholar, Hugh Stuart Boyd, who was a neighbour. At the age of 15 +she met with an injury to her spine which confined her to a recumbent +position for several years, and from the effects of which she +never fully recovered. In 1826 she <i>pub.</i> anonymously <i>An Essay on +Mind and Other Poems</i>. Shortly afterwards the abolition of slavery, +of which he had been a disinterested supporter, considerably reduced +Mr. B.'s means: he accordingly disposed of his estate and +removed with his family first to Sidmouth and afterwards to London. +At the former Miss B. wrote <i>Prometheus Bound</i> (1835). After her +removal to London she fell into delicate health, her lungs being +threatened. This did not, however, interfere with her literary +labours, and she contributed to various periodicals <i>The Romaunt of +Margaret</i>, <i>The Romaunt of the Page</i>, <i>The Poet's Vow</i>, and other pieces. +In 1838 appeared <i>The Seraphim and Other Poems</i> (including "Cowper's +Grave.") Shortly thereafter the death, by drowning, of her +favourite brother gave a serious shock to her already fragile health, +<a name='Page_52'></a>and for a time she hovered between life and death. Eventually, +however, she regained strength, and meanwhile her fame was growing. +The <i>pub.</i> about 1841 of <i>The Cry of the Children</i> gave it a great +impulse, and about the same time she contributed some critical +papers in prose to R.H. Horne's <i>New Spirit of the Age</i>. In 1844 she +<i>pub.</i> two vols. of <i>Poems</i>, which comprised "The Drama of Exile," +"Vision of Poets," and "Lady Geraldine's Courtship." In 1845 she +met for the first time her future husband, <a href='#BROWNING_ROBERT_1812_1889'>Robert Browning</a> (<i>q.v.</i>). +Their courtship and marriage, owing to her delicate health and the +extraordinary objections entertained by Mr. B. to the marriage of +any of his children, were carried out under somewhat peculiar and +romantic circumstances. After a private marriage and a secret +departure from her home, she accompanied her husband to Italy, +which became her home almost continuously until her death, and +with the political aspirations of which she and her husband both +thoroughly identified themselves. The union proved one of unalloyed +happiness to both, though it was never forgiven by Mr. +Barrett. In her new circumstances her strength greatly increased. +Her husband and she settled in Florence, and there she wrote <i>Casa +Guidi Windows</i> (1851)—by many considered her strongest work—under +the inspiration of the Tuscan struggle for liberty. <i>Aurora +Leigh</i>, her largest, and perhaps the most popular of her longer +poems, appeared in 1856. In 1850 <i>The Sonnets from the Portuguese</i>—the +history of her own love-story, thinly disguised by its title—had +appeared. In 1860 she issued a <i>coll.</i> ed. of her poems under +the title, <i>Poems before Congress</i>. Soon thereafter her health underwent +a change for the worse; she gradually lost strength, and <i>d.</i> on +June 29, 1861. She is generally considered the greatest of English +poetesses. Her works are full of tender and delicate, but also of +strong and deep, thought. Her own sufferings, combined with her +moral and intellectual strength, made her the champion of the +suffering and oppressed wherever she found them. Her gift was +essentially lyrical, though much of her work was not so in form. +Her weak points are the lack of compression, an occasional somewhat +obtrusive mannerism, and frequent failure both in metre and +rhyme. Though not nearly the equal of her husband in force of +intellect and the higher qualities of the poet, her works had, as +might be expected on a comparison of their respective subjects and +styles, a much earlier and wider acceptance with the general public. +Mrs. B. was a woman of singular nobility and charm, and though +not beautiful, was remarkably attractive. <a href='#MITFORD_MARY_RUSSELL_1787_1855'>Miss Mitford</a> (<i>q.v.</i>) thus +describes her as a young woman: "A slight, delicate figure, with a +shower of dark curls falling on each side of a most expressive face; +large, tender eyes, richly fringed by dark eyelashes, and a smile +like a sunbeam."</p> + +<p><i>Life</i> by J.H. Ingram (1889); <i>Letters of R. Browning and E.B. +Browning</i> (1889). <i>Coll.</i> ed. of her works, <i>see</i> above.</p><br /> + +<a name='BROWNING_ROBERT_1812_1889'></a><p><b>BROWNING, ROBERT (1812-1889).</b> +—Poet, only <i>s.</i> of +Robert B., a man of fine intellect and equally fine character, who +held a position in the Bank of England, was <i>b.</i> in Camberwell. His +mother, to whom he was ardently attached, was the <i>dau.</i> of a German +shipowner who had settled in Dundee, and was alike intellectually +<a name='Page_53'></a>and morally worthy of his affection. The only other member of the +family was a younger sister, also highly gifted, who was the sympathetic +companion of his later years. In his childhood he was +distinguished by his love of poetry and natural history. At 12 he +had written a book of poetry which he destroyed when he could not +find a publisher. After being at one or two private schools, and +showing an insuperable dislike to school life, he was <i>ed.</i> by a tutor, +and thereafter studied Greek at Univ. Coll., London. Through +his mother he inherited some musical talent, and composed settings, +for various songs. His first <i>pub.</i> was <i>Pauline</i>, which appeared +anonymously in 1833, but attracted little attention. In 1834 he +paid his first visit to Italy, in which so much of his future life was to +be passed. The publication of <i>Paracelsus</i> in 1835, though the poem +had no general popularity, gained the notice of Carlyle, Wordsworth, +and other men of letters, and gave him a reputation as a poet of +distinguished promise. Two years later his drama of <i>Stratford</i> was +performed by his friend Macready and Helen Faucit, and in 1840 the +most difficult and obscure of his works, <i>Sordello</i>, appeared; but, +except with a select few, did little to increase his reputation. It +was followed by <i>Bells and Pomegranates</i> (containing <i>Pippa Passes</i>) +(1841), <i>A Blot in the 'Scutcheon</i> (drama) (1843), <i>Luria</i> and <i>A Soul's +Tragedy</i> (1846). In this year he married <a href='#BROWNING_ELIZABETH_BARRETT_1806_1861'>Miss Elizabeth Barrett</a> +(<i>q.v.</i>), the poetess, a union of ideal happiness. Thereafter his home +until his wife's death in 1861 was in Italy, chiefly at Florence. In +1850 he wrote <i>Christmas Eve and Easter Day</i>, and in 1855 appeared +<i>Men and Women</i>. After the death of Mrs. Browning he returned to +England, paying, however, frequent visits to Italy. Settling in +London he published successively <i>Dramatis Personæ</i> (1864), <i>The Ring +and the Book</i> (1868-69), his greatest work, <i>Balaustion's Adventure</i>, +and <i>Prince Hohenstiel-Schwangau</i> (1871), <i>Fifine at the Fair</i> (1872), +<i>Red Cotton Night-cap Country</i> (1873), <i>The Inn Album</i> (1875), <i>Pacchiarotto</i> +(1876), translation of <i>Agamemnon</i> (1879), <i>La Saisiaz</i>, etc. +(1878), <i>Dramatic Idylls</i> (1879 and 1880), <i>Asolando</i> (1889) appeared +on the day of his death. To the great majority of readers, probably, +B. is best known by some of his short poems, such as, to name a few, +"Rabbi Ben Ezra," "How they brought the good News to Aix," +"Evelyn Hope," "The Pied Piper of Hammelin," "A Grammarian's +Funeral," "A Death in the Desert." It was long before +England recognised that in B. she had received one of the greatest of +her poets, and the causes of this lie on the surface. His subjects +were often recondite and lay beyond the ken and sympathy of the +great bulk of readers; and owing, partly to the subtle links connecting +the ideas and partly to his often extremely condensed and rugged +expression, the treatment of them was not seldom difficult and +obscure. Consequently for long he appealed to a somewhat narrow +circle. As time went on, however, and work after work was added, +the circle widened, and the marvellous depth and variety of thought +and intensity of feeling told with increasing force. Societies began +to be formed for the study of the poet's work. Critics became more +and more appreciative, and he at last reaped the harvest of admiration +and honour which was his due. Many distinctions came to him. +He was made LL.D. of Edin., a life Governor of London Univ., and +had the offer of the Lord Rectorship of Glasgow. He <i>d.</i> in the house +<a name='Page_54'></a>of his son at Venice, and was buried in Westminster Abbey. The +keynote of his teaching is a wise and noble optimism. His poems +were collected in 2 vols. in 1896. Some vols. of his correspondence +with Mrs. B. were also <i>pub.</i></p> + +<p>Uniform ed. of Works (17 vols. 1888-90); Furnivall's <i>Browning +Bibliography</i> (1883), <i>Lives</i> by Mrs. Sutherland Orr (1891); +Gosse (1890); Dowden (1904), G.K. Chesterton (English Men of +Letters), etc.; <i>Poetry of Robert Browning</i> by Stopford Brooke, 1902, +etc.</p> + +<p>SUMMARY.—<i>B.</i> 1812, <i>pub.</i> <i>Paracelsus</i> 1835, <i>Sordello</i> 1840, <i>Bells +and Pomegranates</i> 1841, <i>m.</i> to E.B.B. 1846, lives chiefly in Italy +till her <i>d.</i>, 1861, when he returned to England and continued to +write until his <i>d.</i>, <i>pub.</i> <i>Dramatis Personæ</i>, <i>Ring and Book</i> 1868-9, +<i>Asolando</i> 1889, <i>d.</i> 1889.</p><br /> + +<a name='BRUCE_JAMES_1730_1794'></a><p><b>BRUCE, JAMES (1730-1794).</b> +—Traveller, was <i>b.</i> at the +family seat of Kinnaird, Perthshire, and <i>ed.</i> at Harrow. After +various travels in Europe he set out in 1768 on his expedition to +Abyssinia, and in 1770 reached the source of the Blue Nile. He +returned to England in 1774, and in 1790 <i>pub.</i> his <i>Travels</i> in 5 +quarto vols. His notorious vanity, the singular adventures he +related, and the generally embellished character which he imparted +to his narrative excited some degree of scepticism, and he was subjected +to a good deal of satire, to which, though much annoyed, he +did not reply. It is, however, generally allowed that he had shown +great daring, perseverance, and zeal in his explorations, and that he +made a real addition to the geographical knowledge of his day.</p><br /> + +<a name='BRUCE_MICHAEL_1746_1767'></a><p><b>BRUCE, MICHAEL (1746-1767).</b> +—Poet, <i>s.</i> of a poor weaver +at Kinnesswood, Kinross-shire, as a child herded cattle, but received +a good education, including 4 sessions at the Univ. of +Edin., and for a short time kept a school. His longest poem, <i>Loch +Leven</i>, shows the influence of Thomson. His best is his <i>Elegy</i>. His +promising career was cut short by consumption in 1767. The +authorship of the beautiful <i>Ode to the Cuckoo</i> beginning "Hail, +beauteous stranger of the grove" is contested, some authorities +claiming it for B. and others for the <a href='#LOGAN_JOHN_1748_1788'>Rev. John Logan</a> (<i>q.v.</i>), who ed. +B.'s works, adding some of his own, and who claimed the <i>Ode</i> as his.</p><br /> + +<a name='BRUNTON_MARY_BALFOUR_1778_1818'></a><p><b>BRUNTON, MARY (BALFOUR) (1778-1818).</b> +—Novelist, <i>dau.</i> +of Col. Balfour of Elwick, and <i>m.</i> to the Rev. Dr. Brunton, Prof. +of Oriental Languages in the Univ. of Edin., was the authoress +of two novels, <i>Self-Control</i> (1811) and <i>Discipline</i> (1814), which +were popular in their day.</p><br /> + +<a name='BRYANT_JACOB_1715_1804'></a><p><b>BRYANT, JACOB (1715-1804).</b> +—Scholar, <i>ed.</i> at Eton and +Camb., wrote learnedly, but paradoxically, on mythological and +Homeric subjects. His chief works were <i>A New System or Analysis +of Ancient Mythology</i> (1774-76), <i>Observations on the Plain of Troy</i> +(1795), and <i>Dissertation concerning the Wars of Troy</i> (1796). In the +last two he endeavoured to show that the existence of Troy and +the Greek expedition were fabulous. Though so sceptical on these +points he was an implicit believer in the authenticity of the Rowley +authorship of Chatterton's fabrications. He also wrote on theological +subjects<a name='Page_55'></a>.</p><br /> + +<a name='BRYANT_WILLIAM_CULLEN_1794_1878'></a><p><b>BRYANT, WILLIAM CULLEN (1794-1878).</b> +—Poet, was <i>b.</i> at +Cummington, Massachusetts, the <i>s.</i> of a doctor. His ancestors on +both sides came over in the <i>Mayflower</i>. His first poem was <i>Thanatopsis</i> +(1817), which was greeted as the best poem produced in +America up to that time. After being a lawyer for some time he +was induced to exchange law for journalism, and acted as ed. of +various periodicals. Among his best known poems are <i>Lines to a +Water-fowl</i>, <i>The Rivulet</i>, <i>The West Wind</i>, <i>The Forest Hymn</i>, <i>The +Fringed Gentian</i>, etc. His muse is tender and graceful, pervaded by +a contemplative melancholy, and a love of solitude and the silence +of the woods. Though he was brought up to admire Pope, and in +his early youth imitated him, he was one of the first American poets +to throw off his influence. He had a high sense of duty, was a +prominent and patriotic citizen, and enjoyed the esteem and even +the reverence of his fellow-countrymen. B. also produced a blank-verse +translation of the <i>Iliad</i> and the <i>Odyssey</i>.</p><br /> + +<a name='BRYDGES_SIR_SAMUEL_EGERTON_1762_1837'></a><p><b>BRYDGES, SIR SAMUEL EGERTON (1762-1837).</b> +—Bibliographer +and genealogist, <i>ed.</i> at Camb., was called to the Bar in 1787. +He wrote some novels and poems, now forgotten, but rendered +valuable service by his bibliographical publications, <i>Censura +Literaria, Titles and Opinions of Old English Books</i> (10 vols. 1805-9), +his editions of E. Phillips's <i>Theatrum Poetarum Anglicanorum</i> (1800) +Collin's <i>Peerage of England</i> (1812), and of many rare Elizabethan +authors. He was made a baronet in 1814. He <i>d.</i> at Geneva.</p><br /> + +<a name='BUCHANAN_GEORGE_1506_1582'></a><p><b>BUCHANAN, GEORGE (1506-1582).</b> +—Historian and scholar +<i>b.</i> at Killearn, Stirlingshire, of poor parents, was sent in 1519, with +the help of an uncle, to the Univ. of Paris, where he first came +in contact with the two great influences of the age, the Renaissance +and the Reformation. His uncle having died, he had to leave +Paris, and after seeing some military service, returned to Scotland, +and in 1524 went to St. Andrews, where he studied under <a href='#MAIR_or_MAJOR_JOHN_1469_1550'>John +Major</a> (<i>q.v.</i>). Two years later he found means to return to Paris, +where he graduated at the Scots Coll. in 1528, and taught grammar +in the Coll. of St. Barbe. Returning to Scotland in 1536 with a +great reputation for learning he was made by James V. tutor to one +of his illegitimate sons, and incited by him to satirise the vices of the +clergy, which he did in two Latin poems, <i>Somnium</i> and <i>Franciscanus</i>. +This stirred the wrath of the ecclesiastical powers to such a heat +that, the King withholding his protection, he was obliged in 1539 to +save himself by flight first to England and then to France, where he +remained until 1547 teaching Latin at Bordeaux and Paris. In the +latter year he was invited to become a prof. at Coimbra, where +he was imprisoned by the Inquisition as a heretic from 1549-51, and +wrote the greater part of his magnificent translation of the Psalms +into Latin verse, which has never been excelled by any modern. +He returned to England in 1552, but soon re-crossed to France and +taught in the Coll. of Boncourt. In 1561 he came back to his native +country, where he remained for the rest of his life. Hitherto, though +a supporter of the new learning and a merciless exposer of the vices +of the clergy, he had remained in the ancient faith, but he now +openly joined the ranks of the Reformers. He held the Principalship +<a name='Page_56'></a>of St. Leonard's Coll., St. Andrews, was a supporter of the party +of the Regent Moray, produced in 1571 his famous <i>Detectio Mariæ +Reginæ</i>, a scathing exposure of the Queen's relations to Darnley and +the circumstances leading up to his death, was tutor, 1570-78, to +James VI., whom he brought up with great strictness, and to whom +he imparted the learning of which the King was afterwards so vain. +His chief remaining works were <i>De Jure Regni apud Scotos</i> (1579), +against absolutism, and his <i>History of Scotland</i>, which was <i>pub.</i> +immediately before his death. Though he had borne so great a part +in the affairs of his country, and was the first scholar of his age, he +<i>d.</i> so poor that he left no funds to meet the expenses of his interment. +His literary masterpiece is his <i>History</i>, which is remarkable for the +power and richness of its style. Its matter, however, gave so much +offence that a proclamation was issued calling in all copies of it, as +well as of the <i>De Jure Regni</i>, that they might be purged of the +"offensive and extraordinary matters" which they contained. B. +holds his great and unique place in literature not so much for his +own writings as for his strong and lasting influence on subsequent +writers.</p><br /> + +<a name='BUCHANAN_ROBERT_1841_1901'></a><p><b>BUCHANAN, ROBERT (1841-1901).</b> +—Poet and novelist, <i>b.</i> +at Caverswall, Staffordshire, the <i>s.</i> of a Scottish schoolmaster and +socialist, and <i>ed.</i> at Glasgow, was the friend of <a href='#GRAY_DAVID_1838_1861'>David Gray</a> (<i>q.v.</i>), +and with him went to London in search of fame, but had a long +period of discouragement. His first work, a collection of poems, +<i>Undertones</i> (1863), had, however, some success, and was followed by +<i>Idylls of Inverburn</i> (1865), <i>London Poems</i> (1866), and others, which +gave him a growing reputation, and raised high hopes of his future. +Thereafter he took up prose fiction and the drama, not always with +success, and got into trouble owing to some drastic criticism of his +contemporaries, culminating in his famous article on the <i>Fleshly +School of Poetry</i>, which appeared in the <i>Contemporary Review</i> (Oct. +1871), and evoked replies from Rossetti (<i>The Stealthy School of Criticism</i>), +and Swinburne (<i>Under the Microscope</i>). Among his novels are +<i>A Child of Nature</i> (1879), <i>God and the Man</i> (1881), and among his +dramas <i>A Nine Days' Queen</i>, <i>A Madcap Prince</i>, and <i>Alone in London</i>. +His latest poems, <i>The Outcast</i> and <i>The Wandering Jew</i>, were directed +against certain aspects of Christianity. B. was unfortunate in his +latter years; a speculation turned out ruinously; he had to sell his +copyrights, and he sustained a paralytic seizure, from the effects of +which he <i>d.</i> in a few months. He ultimately admitted that his +criticism of Rossetti was unjustifiable.</p><br /> + +<a name='BUCKINGHAM_GEORGE_VILLIERS_2ND_DUKE_of_1628_1687'></a><p><b>BUCKINGHAM, GEORGE VILLIERS, 2ND DUKE of (1628-1687).</b> +—Dramatist, +<i>s.</i> of the 1st Duke, who was in 1628 assassinated +by Felton. His life was full of adventure and change of fortune. +The Restoration gave him back his already twice lost estates, which +he again squandered by a life of wild extravagance and profligacy +at Court. He was a member of the "Cabal" and intrigued against +Clarendon. He wrote pamphlets, lampoons, and plays, but his +chief contribution to literature was <i>The Rehearsal</i>, a comedy, in +which he satirised the heroic drama of Dryden and others. It is +believed that S. Butler had a hand in it. Dryden had his revenge +in his picture of B. as <i>Zimri</i> in <i>Absalom and Achitophel</i><a name='Page_57'></a>.</p><br /> + +<a name='BUCKINGHAM_AND_NORMANBY_JOHN_SHEFFIELD_1ST_DUKE_of_1648_1721'></a><p><b>BUCKINGHAM AND NORMANBY, JOHN SHEFFIELD, 1ST DUKE of (1648-1721).</b> +—<i>S.</i> +of the 2nd Earl of Mulgrave, served in his +youth as a soldier under Prince Rupert and Turenne, and is also +said to have made love to the Princess, afterwards Queen, Anne. +He was a Privy Councillor under James II., William and Mary, and +Anne, with the last of whom he remained a favourite. His magnificent +mansion was purchased and pulled down to make way for +Buckingham Palace. He wrote <i>An Account of the Revolution</i>, <i>An +Essay on Satire</i>, and <i>An Essay on Poetry</i>. He also remodelled +Shakespeare's <i>Julius Cæsar</i>.</p><br /> + +<a name='BUCKINGHAM_JAMES_SILK_1786_1855'></a><p><b>BUCKINGHAM, JAMES SILK (1786-1855).</b> +—Journalist and +traveller, wrote many books of travel, both on the Old and New +World. He established, and for a year or two ed., <i>The Athenæum</i>, +and produced many pamphlets on political and social subjects.</p><br /> + +<a name='BUCKLAND_FRANCIS_TREVELYAN_1826_80'></a><p><b>BUCKLAND, FRANCIS TREVELYAN (1826-80).</b> +—Naturalist, +<i>b.</i> and <i>ed.</i> at Oxf., where his <i>f.</i> was Dean of Christchurch. He +studied medicine and was assistant-surgeon in the Life Guards. An +enthusiastic lover of natural history, he wrote largely upon it, among +his works being <i>Curiosities of Natural History</i> (4 vols. 1857-72), <i>Log +Book of a Fisherman and Zoologist</i> (1876), <i>Natural History of British +Fishes</i> (1881). He also founded and ed. <i>Land and Water</i>. He was +for a time Inspector of Salmon Fisheries, and served on various +commissions. Though observant, he was not always strictly +scientific in his methods and modes of expression, and he was a +strong opponent of Darwin.</p><br /> + +<a name='BUCKLE_HENRY_THOMAS_1821_1862'></a><p><b>BUCKLE, HENRY THOMAS (1821-1862).</b> +—Historical +writer, <i>s.</i> of a wealthy shipowner in London, was <i>b.</i> at Lee in +Kent. Though never at a univ. and little at school, he received a +high degree of education privately, and inheriting an ample fortune +and a large library, he devoted himself to travel and study, with +the view of preparing for a great work which he had projected, <i>The +History of Civilisation in England</i>. As an introduction to this he +entered upon the consideration of the state of civilisation in various +other countries, but this he had scarcely completed when his death +took place at Damascus in 1862. The first vol. was <i>pub.</i> in 1857, +and the second in 1861. In these the results of a vast amount of +reading are shown; but they are not free from one-sided views and +generalisations resting on insufficient data. He has, however, the +credit of having contributed a new idea of history and the method +of writing it. The completed work was to have extended to 14 vols. +B. was one of the greatest chess-players in Europe.</p><br /> + +<a name='BUDGELL_EUSTACE_1686_1737'></a><p><b>BUDGELL, EUSTACE (1686-1737).</b> +—Miscellaneous writer, +<i>ed.</i> at Oxf., was a cousin of Addison, who took him to Ireland and +got him appointed to a lucrative office, which, however, he was +foolish enough to throw away by lampooning the Viceroy. He +assisted A. in the <i>Spectator</i>, of which he wrote 37 numbers signed X. +In these he imitates A.'s style with some success. B., who was vain +and vindictive, fell on evil days, lost a fortune in the South Sea +Bubble, was accused of forging a will, and committed suicide by +throwing himself out of a boat at London Bridge<a name='Page_58'></a>.</p><br /> + +<a name='BULL_GEORGE_1634_1710'></a><p><b>BULL, GEORGE (1634-1710).</b> +—Theologian, <i>b.</i> at Wells, <i>ed.</i> +at Tiverton and Oxf., took orders, was ordained by an ejected +bishop in 1658, and received the living of Suddington near Bristol. He +was a strong Royalist, and was privy to a scheme for bringing back +the Royal family. After the Restoration he obtained further preferment, +and became in 1704 Bishop of St. David's at an age when +his strength had become unequal to any very active discharge of the +duties of his see. He has a high place among Anglican theologians, +and as a defender of the doctrine of the Trinity was held in high +esteem even by Continental Romanist controversialists. Among +his works are <i>Harmonia Apostolica</i> (1669-70) in which he endeavoured +to reconcile alleged discrepancies between the teaching of +St. Paul and St. James on the relation between faith and works, in +which he assigned to the latter the higher authority, <i>Defensio +Fidei Nicænæ</i> (1685) and <i>Corruptions of the Church of Rome</i>.</p><br /> + +<a name='BULWER_EL_see_LYTTON'></a><p><b>BULWER, E.L., (<i>see</i> <a href='#LYTTON_EDWARD_GEORGE_EARLE_LYTTON_BULWER_1ST_LORD_1803_1873'>LYTTON.</a>)</b></p><br /> + +<a name='BUNYAN_JOHN_1628_1688'></a><p><b>BUNYAN, JOHN (1628-1688).</b> +—<i>B.</i> at Elstow, near Bedford, +the <i>s.</i> of a poor tinker, was <i>ed.</i> at a free school, after which he +worked at his father's trade. At 17 he was drafted as a soldier in +the Civil War, and served for two years at Newport Pagnell. At +19 he <i>m.</i> a pious young woman, whose only dowry appears to have +been two books, the <i>Plain Man's Pathway to Heaven</i> and the +<i>Practice of Piety</i>, by which he was influenced towards a religious +life. In his autobiographical book, <i>Grace Abounding</i>, B. describes +himself as having led an abandoned life in his youth; but there +appears to be no evidence that he was, outwardly at any rate, worse +than the average of his neighbours: the only serious fault which he +specifies is profanity, others being dancing and bell-ringing. The +overwhelming power of his imagination led him to contemplate acts +of impiety and profanity, and to a vivid realisation of the dangers +these involved. In particular he was harassed by a curiosity in +regard to the "unpardonable sin," and a prepossession that he had +already committed it. He continually heard voices urging him to +"sell Christ," and was tortured by fearful visions. After severe +spiritual conflicts he escaped from this condition, and became an +enthusiastic and assured believer. In 1657 he joined the Baptist +Church, began to preach, and in 1660 was committed to Bedford Jail, +at first for three months, but on his refusing to conform, or to desist +from preaching, his confinement was extended with little interval for +a period of nearly 12 years, not always, however, very rigorous. He +supported his family (wife and four children, including a blind girl) +by making tagged laces, and devoted all the time he could spare +from this to studying his few books and writing. During this +period he wrote among other things, <i>The Holy City</i> and <i>Grace +Abounding</i>. Under the Declaration of Indulgence he was released +in 1672, and became a licensed preacher. In 1675 the Declaration +was cancelled, and he was, under the Conventicle Act, again imprisoned +for six months, during which he wrote the first part of <i>The +Pilgrim's Progress</i>, which appeared in 1678, and to which considerable +additions were made in subsequent editions. It was followed +by the <i>Life and Death of Mr. Badman</i> (1680), <i>The Holy War</i> (1682), +<a name='Page_59'></a>and the second part of <i>The Pilgrim's Progress</i> (1684). B. was now +widely known as a popular preacher and author, and exercised a +wide influence. In 1688 he set out on a journey to mediate between +a father and son, in which he was successful. On the return journey +he was drenched with rain, caught a chill and <i>d.</i> in London on +August 31. He is buried in Bunhill Fields. B. has the distinction +of having written, in <i>The Pilgrim's Progress</i>, probably the most +widely read book in the English language, and one which has been +translated into more tongues than any book except the Bible. +The charm of the work, which makes it the joy of old and young, +learned and ignorant, and of readers of all possible schools of thought +and theology, lies in the interest of a story in which the intense +imagination of the writer makes characters, incidents, and scenes +alike live in that of his readers as things actually known and remembered +by themselves, in its touches of tenderness and quaint +humour, its bursts of heart-moving eloquence, and its pure, nervous, +idiomatic English, Macaulay has said, "Every reader knows the +straight and narrow path as well as he knows a road on which he has +been backwards and forwards a hundred times," and he adds that +"In England during the latter half of the seventeenth century there +were only two minds which possessed the imaginative faculty in a +very eminent degree. One of these minds produced the <i>Paradise +Lost</i>, the other <i>The Pilgrim's Progress</i>." B. wrote about 60 books +and tracts, of which <i>The Holy War</i> ranks next to <i>The Pilgrim's +Progress</i> in popularity, while <i>Grace Abounding</i> is one of the most +interesting pieces of biography in existence.</p> + +<p>There are numerous Lives, the most complete being that by Dr. +John Brown of Bedford (1885 new 1888): others are Southey's +(1830), on which Macaulay's <i>Essay</i> is based, Offor (1862), Froude +(1880). On <i>The Pilgrim's Progress, The People of the Pilgrimage</i>, by +J. Kerr Bain, D.D.</p><br /> + +<a name='BURCKHARDT_JOHN_LEWIS_1784_1817'></a><p><b>BURCKHARDT, JOHN LEWIS (1784-1817).</b> +—Traveller, <i>b.</i> at +Lausanne and <i>ed.</i> in Germany, came to England in 1806 and wrote +his books of travel in English. He travelled widely in Africa and +in Syria, and the adjoining countries, became a great oriental scholar, +and, disguising himself, made the pilgrimage to Mecca, and obtained +access to places not open to Christians. He wrote accounts of his +travels, and a book on Arabic proverbs. He <i>d.</i> of dysentery at +Cairo when about to start on a new journey into the interior of +Africa.</p><br /> + +<a name='BURKE_EDMUND_1729_1797'></a><p><b>BURKE, EDMUND (1729-1797).</b> +—Statesman, orator, and +political philosopher, was the <i>s.</i> of an attorney in Dublin, where he +was <i>b.</i> His <i>f.</i> was a Protestant, but his mother, whose maiden name +was Nagle, was a Roman Catholic. He received his early <i>ed.</i> at a +Quaker school at Ballitore, and in 1743 proceeded to Trinity Coll., +Dublin, where he graduated in 1748. His <i>f.</i> wished him to study for +the law, and with this object he, in 1750, went to London and entered +the Middle Temple. He, however, disliked law and spent more time +in literary pursuits than in legal study. In 1756 his first <i>pub.</i> work +appeared, <i>A Vindication of Natural Society</i>, a satire on the views of +Bolingbroke, but so close was the imitation of that writer's style, +and so grave the irony, that its point as a satire was largely missed.<a name='Page_60'></a> +In the same year he <i>pub.</i> his famous treatise <i>On the Sublime and +Beautiful</i>, which attracted universal attention, and three years +later (1759) he projected with Dodsley the publisher <i>The Annual +Register</i>, for which he continued to write the yearly Survey of +Events until 1788. About the same time he was introduced to +W.G. Hamilton (known as Single-speech H.) then about to go to +Ireland as Chief Sec., and accompanied him in the capacity of +private sec., in which he remained for three years. In 1765 he +became private sec. to the Marquis of Rockingham, the Whig statesman, +then Prime Minister, who became his fast friend until his death. +At the same time he entered Parliament as member for Wendover, +and began his brilliant career as an orator and philosophic +statesman. The first great subject in which he interested himself +was the controversy with the American colonies, which soon developed +into war and ultimate separation, and in 1769 he <i>pub.</i>, in +reply to G. Grenville, his pamphlet on <i>The Present State of the +Nation</i>. In the same year he purchased the small estate of Gregories +near Beaconsfield. His speeches and writings had now made him +famous, and among other effects had brought about the suggestion +that he was the author of the <i>Letters of Junius</i>. It was also about this +time that he became one of the circle which, including Goldsmith, +Garrick, etc., had Johnson for its central luminary. In 1770 appeared +<i>Thoughts on the Causes of the Present Discontent</i>, directed +against the growth of the Royal power on the one hand, and of +faction on the other. In 1774 he was elected member for Bristol, +and continued so until 1780, when differences with his constituency +on the questions of Irish trade and Catholic emancipation led to his +resignation, after which he sat for Malton until his final retirement +from public life. Under the administration of Lord North (1770-1782) +the American war went on from bad to worse, and it was in part +owing to the splendid oratorical efforts of B. that it was at last +brought to an end. To this period belong two of his most brilliant +performances, his speech on <i>Conciliation with America</i> (1775), and +his <i>Letter to the Sheriffs of Bristol</i> (1777). The fall of North led to +Rockingham being recalled to power, which, however, he held for a +few months only, dying in the end of 1782, during which period B. +held the office of Paymaster of the Forces, and was made a Privy +Councillor. Thereafter he committed the great error of his political +life in supporting Fox in his coalition with North, one of the most +flagitious, as it was to those concerned in it, one of the most fatal, +political acts in our parliamentary history. Under this unhappy +combination he continued to hold during its brief existence the +office of Paymaster, and distinguished himself in connection with +Fox's India Bill. The coalition fell in 1783, and was succeeded by +the long administration of Pitt, which lasted until 1801. B. was +accordingly for the remainder of his political life in opposition. In +1785 he made his great speech on <i>The Nabob of Arcot's Debts</i>, and in +the next year (1786) he moved for papers in regard to the Indian +government of Warren Hastings, the consequence of which was the +impeachment of that statesman, which, beginning in 1787, lasted +until 1794, and of which B. was the leading promoter. Meanwhile, +the events in France were in progress which led to the Revolution, +and culminated in the death of the King and Queen. By these B.<a name='Page_61'></a> +was profoundly moved, and his <i>Reflections on the French Revolution</i> +(1790) electrified England, and even Europe. Its success was +enormous. The same events and the differences which arose +regarding them in the Whig party led to its break up, to the +rupture of B's friendship with Fox, and to his <i>Appeal from the New +to the Old Whigs</i>. In 1794 a terrible blow fell upon him in the loss +of his son Richard, to whom he was tenderly attached, and in whom +he saw signs of promise, which were not patent to others, and which +in fact appear to have been non-existent. In the same year the +Hastings trial came to an end. B. felt that his work was done and +indeed that he was worn out; and he took leave of Parliament. +The King, whose favour he had gained by his attitude on the French +Revolution, wished to make him Lord Beaconsfield, but the death +of his son had deprived such an honour of all its attractions, and +the only reward he would accept was a pension of £2500. Even +this modest reward for services so transcendent was attacked by +the Duke of Bedford, to whom B. made a crushing reply in the +<i>Letter to a Noble Lord</i> (1796). His last <i>pub.</i> was the <i>Letter on a +Regicide Peace</i> (1796), called forth by negotiations for peace with +France. When it appeared the author was dead.</p> + +<p>B. was one of the greatest political thinkers whom England has +produced, and all his writings, like his speeches, are characterised +by the welding together of knowledge, thought, and feeling. Unlike +most orators he is more successful as a writer than as a speaker. +He rose too far above the heads of his audience, which the continued +splendour of his declamation, his inordinate copiousness, and his +excessive vehemence, often passing into fury, at length wearied, and +even disgusted: but in his writings are found some of the grandest +examples of a fervid and richly elaborated eloquence. Though he +was never admitted to the Cabinet, he guided and influenced largely +the policy of his party, while by his efforts in the direction of +economy and order in administration at home, and on behalf of +kindly and just government in India, as well as by his contributions +to political philosophy, he laid his country and indeed the world +under lasting obligations.</p> + +<p>There are <i>Lives</i> by Prior (1824 and 1854); J. Morley (1867), and +various ed. of his works have appeared. <i>Select Works</i> by Payne +(3 vols. 1874-78).</p> + +<p>SUMMARY.—<i>B.</i> 1729, <i>ed.</i> Trinity Coll., Dublin, enters Middle +Temple 1750, <i>pub.</i> treatise <i>On the Sublime and Beautiful</i> 1756, +became friend of Rockingham 1765, enters Parliament and engages +in American controversy, <i>pub.</i> speech on <i>Conciliation with America</i> +1775, Paymaster of Forces and P.C. 1782, joined coalition of Fox +and North 1782, leads in prosecution of W. Hastings 1787-94, <i>pub. +Reflections on French Revolution</i> 1790 and breaks with Fox party, +<i>pub.</i> <i>Letter on a Regicide Peace</i> 1796, <i>d.</i> 1797.</p><br /> + +<a name='BURNET_GILBERT_1643_1715'></a><p><b>BURNET, GILBERT (1643-1715).</b> +—Theologian and historian, +s. of a Royalist and Episcopalian lawyer, who became a +judge, and of the sister of Johnston of Warristoun, a leader of the +Covenanters, was <i>b.</i> in Edin., and <i>ed.</i> at Aberdeen and at Amsterdam, +where he studied Hebrew under a Rabbi. Returning to Scotland, +he was successively Episcopal minister at Saltoun and Prof. of<a name='Page_62'></a> +Divinity in Glasgow (1669), and was then offered, but declined, a +Scotch bishopric. His energetic and bustling character led him to +take an active part in the controversies of the time, and he endeavoured +to bring about a reconciliation between Episcopacy and +Presbytery. Going to London he was in some favour with Charles +II., from whom he received various preferments. His literary reputation +was greatly enhanced by the publication in 1679 of the first +vol. of his <i>History of the Reformation of the Church of England</i>, for +which he received the thanks of Parliament, and which was completed +by other two vols., in 1682 and 1714. On account of a letter +of reproof which he ventured to write to the King, he lost favour at +Court, and the policy pursued by James II. being very repugnant to +him, he betook himself in 1687 to Holland, where he became one of +the advisers of the Prince of Orange. Returning to England at the +Revolution, he was made Bishop of Salisbury, which office he +adorned by liberal views and a zealous discharge of duty. The work +by which his fame is chiefly sustained, his <i>History of my Own Times</i>, +was, by his direction, not to be <i>pub.</i> until 6 years after his death. It +appeared in 1723. It gives a sketch of the history of the Civil Wars +and Commonwealth, and a detailed account of the immediately succeeding +period down to 1713. While not free from egotism and some +party feeling, it is written with a sincere desire for accuracy and fairness, +and it has largely the authority of an eye-witness. The style, if +somewhat lacking in dignity, is lively and picturesque. Among his +other writings are a <i>History of the Dukes of Hamilton</i>, and an <i>Exposition +of the 39 Articles</i>.</p> + +<p>His principal works have been repeatedly printed. Clarendon +Press ed. of <i>My Own Times</i> by Routh (1823 and 1833).</p><br /> + +<a name='BURNET_THOMAS_1635_1715'></a><p><b>BURNET, THOMAS (1635?-1715).</b> +—Theologian and +writer on cosmogony, was <i>b.</i> at Croft near Darlington, and <i>ed.</i> at +Camb., and became Master of Charterhouse and Clerk of the Closet to +William III. His literary fame rests on his <i>Telluris Theoria Sacra, +or Sacred Theory of the Earth</i>, <i>pub.</i> about 1692, first in Latin and +afterwards in English, a work which, in absence of all scientific +knowledge of the earth's structure, was necessarily a mere speculative +cosmogony. It is written, however, with much eloquence. +Some of the views expressed in another work, <i>Archæolgiæ Philosophicæ</i>, +were, however, so unacceptable to contemporary theologians +that he had to resign his post at Court.</p><br /> + +<a name='BURNS_ROBERT_1759_1796'></a><p><b>BURNS, ROBERT (1759-1796).</b> +—Poet, was <i>b.</i> near Ayr, the +<i>s.</i> of William Burness or Burns, a small farmer, and a man of considerable +force of character and self-culture. His youth was passed +in poverty, hardship, and a degree of severe manual labour which +left its traces in a premature stoop and weakened constitution. He +had little regular schooling, and got much of what education he had +from his father, who taught his children reading, writing, arithmetic, +geography, and history, and also wrote for them "A Manual of +Christian Belief." With all his ability and character, however, the +elder B. was consistently unfortunate, and migrated with his large +family from farm to farm without ever being able to improve his +circumstances. In 1781 Robert went to Irvine to become a flax-dresser, +but, as the result of a New Year carousal of the workmen, +<a name='Page_63'></a>including himself, the shop took fire and was burned to the ground. +This venture accordingly came to an end. In 1784 the <i>f.</i> died, and +B. with his brother Gilbert made an ineffectual struggle to keep on +the farm; failing in which they removed to Mossgiel, where they +maintained an uphill fight for 4 years. Meanwhile, his love affair +with Jean Armour had passed through its first stage, and the +troubles in connection therewith, combined with the want of +success in farming, led him to think of going to Jamaica as bookkeeper +on a plantation. From this he was dissuaded by a letter +from <a href='#BLACKLOCK_THOMAS_1721_1791'>Dr. Thomas Blacklock</a> (<i>q.v.</i>), and at the suggestion of his +brother <i>pub.</i> his poems. This first ed. was brought out at Kilmarnock +in June 1786, and contained much of his best work, including +"The Twa Dogs," "The Address to the Deil," "Hallowe'en," +"The Cottar's Saturday Night," "The Mouse," "The Daisy," +etc., many of which had been written at Mossgiel. Copies of this ed. +are now extremely scarce, and as much as £550 has been paid for one. +The success of the work was immediate, the poet's name rang over +all Scotland, and he was induced to go to Edin. to superintend the +issue of a new ed. There he was received as an equal by the +brilliant circle of men of letters which the city then boasted—Dugald +Stewart, Robertson, Blair, etc., and was a guest at aristocratic +tables, where he bore himself with unaffected dignity. Here +also Scott, then a boy of 15, saw him and describes him as of +"manners rustic, not clownish. His countenance ... more +massive than it looks in any of the portraits ... a strong expression +of shrewdness in his lineaments; the eye alone indicated the +poetical character and temperament. It was large, and of a dark +cast, and literally glowed when he spoke with feeling or interest." +The results of this visit outside of its immediate and practical object, +included some life-long friendships, among which were those with +Lord Glencairn and Mrs. Dunlop. The new ed. brought him +£400. About this time the episode of Highland Mary occurred. +On his return to Ayrshire he renewed his relations with Jean Armour, +whom he ultimately married, took the farm of Ellisland near Dumfries, +having meanwhile taken lessons in the duties of an exciseman, +as a line to fall back upon should farming again prove unsuccessful. +At Ellisland his society was cultivated by the local gentry. And +this, together with literature and his duties in the excise, to which +he had been appointed in 1789, proved too much of a distraction to +admit of success on the farm, which in 1791 he gave up. Meanwhile +he was writing at his best, and in 1790 had produced <i>Tam o' Shanter</i>. +About this time he was offered and declined an appointment in +London on the staff of the <i>Star</i> newspaper, and refused to become +a candidate for a newly-created Chair of Agriculture in the Univ. +of Edin., although influential friends offered to support his claims. +After giving up his farm he removed to Dumfries. It was at this +time that, being requested to furnish words for <i>The Melodies of +Scotland</i>, he responded by contributing over 100 songs, on which +perhaps his claim to immortality chiefly rests, and which placed him +in the front rank of lyric poets. His worldly prospects were now +perhaps better than they had ever been; but he was entering upon +the last and darkest period of his career. He had become soured, +and moreover had alienated many of his best friends by too freely +<a name='Page_64'></a>expressing sympathy with the French Revolution, and the then +unpopular advocates of reform at home. His health began to give +way; he became prematurely old, and fell into fits of despondency; +and the habits of intemperance, to which he had always been more +or less addicted, grew upon him. He <i>d.</i> on July 21, 1797.</p> + +<p>The genius of B. is marked by spontaneity, directness, and sincerity, +and his variety is marvellous, ranging from the tender intensity +of some of his lyrics through the rollicking humour and blazing +wit of <i>Tam o' Shanter</i> to the blistering satire of <i>Holy Willie's Prayer</i> +and <i>The Holy Fair</i>. His life is a tragedy, and his character full of +flaws. But he fought at tremendous odds, and as Carlyle in his +great Essay says, "Granted the ship comes into harbour with +shrouds and tackle damaged, the pilot is blameworthy ... but +to know <i>how</i> blameworthy, tell us first whether his voyage has been +round the Globe or only to Ramsgate and the Isle of Dogs."</p> + +<p>The books about Burns, his life and writings, are innumerable. +Among the Lives are those by Currie (1800); Allan Cunningham +(1834); J.G. Lockhart (1828), on which is based Carlyle's memorable +<i>Essay</i> (which <i><a href='#CARLYLE_THOMAS_1795_1881'>see</a></i>). Among the famous ed. of the <i>Poems</i> may +be mentioned the first (Kilmarnock 1786), Edin. (1787), and the +<i>Centenary</i> (1896), by W.E. Henley and T.F. Henderson.</p> + +<p>SUMMARY.—<i>B.</i> 1759, flax-dresser at Irvine 1781, farms at Mossgiel, +has love affair with Jean Armour, <i>pub.</i> first ed. of poems 1786, +visits Edin. 1786, goes to Ellisland, became exciseman 1789, <i>pub.</i> +songs, <i>c.</i> 1791, <i>d.</i> 1797.</p><br /> + +<a name='BURTON_JOHN_HILL_1809_1881'></a><p><b>BURTON, JOHN HILL (1809-1881).</b> +—Historian, was <i>b.</i> and +<i>ed.</i> at Aberdeen, was in 1831 called to the Bar, but had little practice, +and in 1854 was appointed Sec. to the Prison Board of Scotland, +and in 1877 a Commissioner of Prisons. He became at an early +period of his life a contributor to <i>Blackwood's Magazine</i> and other +periodicals, and in 1846 <i>pub.</i> a life of Hume, which attracted considerable +attention, and was followed by Lives of Lord Lovat and +Lord President Forbes. He began his career as an historian by the +publication in 1853 of <i>History of Scotland from the Revolution to the +Extinction of the last Jacobite Insurrection</i>, to which he added (1867-70) +<i>History of Scotland from Agricola's Invasion to the Revolution</i>, in +7 vols., thus completing a continuous narrative. Subsequently he +<i>pub.</i> a <i>History of the Reign of Queen Anne</i> (1880). Other works of a +lighter kind were <i>The Book-Hunter</i> (1862), and <i>The Scot Abroad</i> +(1864). B.'s historical works display much research and a spirit of +candour and honesty, and have picturesque and spirited passages, +but the style is unequal, and frequently lacks dignity. On the +whole, however, his is regarded as the most generally trustworthy +and valuable history of Scotland at present existing.</p><br /> + +<a name='BURTON_SIR_RICHARD_FRANCIS_1821_1890'></a><p><b>BURTON, SIR RICHARD FRANCIS (1821-1890).</b> +—Explorer +and scholar, <i>s.</i> of an officer in the army, was <i>b.</i> at Barham House, +Herts, and after a somewhat desultory education abroad as well as +at home, entered upon a life of travel, adventure, and military and +civil service in almost every quarter of the world, including India, +Africa, the nearer East, and North and South America, in the course +of which he mastered 35 languages. As an official his masterful +<a name='Page_65'></a>ways and spirit of adventure frequently brought him into collision +with superior powers, by whom he not seldom considered himself +ill-used. He was the author of upwards of 50 books on a great +variety of subjects, including travels, novels, and translations, +among which are <i>Personal Narrative of a Journey to Mecca</i> (1855), +<i>First Footprints in East Africa</i> (1856), <i>Lake Regions of Equatorial +Africa</i> (1860), <i>The Nile Basin</i>, a translation and life of Camoens, an +absolutely literal translation of the <i>Arabian Nights</i>, with notes and +commentaries, of which his accomplished wife <i>pub.</i> an expurgated +edition. Lady B., who was the companion of his travels after 1861, +also wrote books on Syria, Arabia, and other eastern countries, as +well as a life of her husband, a number of whose manuscripts she +destroyed.</p><br /> + +<a name='BURTON_ROBERT_1577_1640'></a><p><b>BURTON, ROBERT (1577-1640).</b> +—Miscellaneous writer, <i>b.</i> +at Lindley, Leicestershire, and <i>ed.</i> at Oxf., took orders, and became +Vicar of St. Thomas, Oxf., 1616, and Rector of Segrave, Leicestershire, +1630. Subject to depression of spirits, he wrote as an antidote +the singular book which has given him fame. <i>The Anatomy of +Melancholy</i>, in which he appears under the name of <i>Democritus +Junior</i>, was <i>pub.</i> in 1621, and had great popularity. In the words +of Warton, "The author's variety of learning, his quotations from +rare and curious books, his pedantry sparkling with rude wit and +shapeless elegance ... have rendered it a repertory of amusement +and information." It has also proved a store-house from which +later authors have not scrupled to draw without acknowledgment. +It was a favourite book of Dr. Johnson. B. was a mathematician +and dabbled in astrology. When not under depression he was an +amusing companion, "very merry, facete, and juvenile," and a +person of "great honesty, plain dealing, and charity."</p> + +<p>The best ed. is that of Rev. A.R. Shilleto, with introduction by +A.H. Bullen (3 vols. 1893).</p><br /> + +<a name='BURY_LADY_CHARLOTTE_1775_1861'></a><p><b>BURY, LADY CHARLOTTE (1775-1861).</b> +—Novelist, <i>dau.</i> of +the 5th Duke of Argyll, and <i>m.</i> first to Col. J. Campbell, and +second to Rev. E.J. Bury, wrote a number of novels—<i>Flirtation</i>, +<i>Separation</i>, <i>The Divorced</i>, etc., but is chiefly remembered in connection +with a <i>Diary illustrative of the Times of George IV.</i> (1838), +a somewhat scandalous work generally, and probably correctly, +ascribed to her. She also wrote some poems and two devotional +works. She held for some time an appointment in the household of +the Princess of Wales.</p><br /> + +<a name='BURY_RICHARD_DE_1281_1345'></a><p><b>BURY, RICHARD DE (1281-1345).</b> +—<i>S.</i> of Sir Richard +Aungerville, <i>b.</i> at Bury St. Edmunds, studied at Oxf., and was a +Benedictine monk, became tutor to Edward III. when Prince of Wales, +and Bishop of Durham, and held many offices of State. He was a +patron of learning, and one of the first English collectors of books, +and he wrote his work, <i>Philobiblon</i>, in praise of books, and founded a +library at Durham.</p><br /> + +<a name='BUTLER_JOSEPH_1692_1752'></a><p><b>BUTLER, JOSEPH (1692-1752).</b> +—Theologian, <i>b.</i> at Wantage, +<i>s.</i> of a Presbyterian linen-draper, was destined for the ministry +of that Church, but in 1714 he decided to enter the Church of<a name='Page_66'></a> +England, and went to Oxf. After holding various other preferments +he became rector of the rich living of Stanhope, Bishop of Bristol +(1738), and Bishop of Durham (1750), and was said to have refused +the Primacy. In 1726 he <i>pub.</i> <i>Fifteen Sermons</i>, and in 1736 <i>The +Analogy of Religion</i>. These two books are among the most powerful +and original contributions to ethics and theology which have ever +been made. They depend for their effect entirely upon the force of +their reasoning, for they have no graces of style. B. was an excellent +man, and a diligent and conscientious churchman. Though indifferent +to general literature, he had some taste in the fine arts, +especially architecture. B.'s works were ed. by W.E. Gladstone +(2 vols. 1896), and there are Lives by Bishop W. Fitzgerald, Spooner +(1902), and others, <i>see</i> also <i>History of English Thought in 18th +Century</i>, by Leslie Stephen.</p><br /> + +<a name='BUTLER_SAMUEL_1612_1680'></a><p><b>BUTLER, SAMUEL (1612-1680).</b> +—Satirist, was the <i>s.</i> of a +Worcestershire farmer. In early youth he was page to the Countess +of Kent, and thereafter clerk to various Puritan justices, some of +whom are believed to have suggested characters in <i>Hudibras</i>. +After the Restoration he became Sec. to the Lord Pres. of Wales, and +about the same time <i>m.</i> a Mrs. Herbert, a widow with a jointure, +which, however, was lost. In 1663 the first part of <i>Hudibras</i> was +<i>pub.</i>, and the other two in 1664 and 1668 respectively. This work, +which is to a certain extent modelled on <i>Don Quixote</i>, stands at the +head of the satirical literature of England, and for wit and compressed +thought has few rivals in any language. It is directed +against the Puritans, and while it holds up to ridicule the extravagancies +into which many of the party ran, it entirely fails to do justice +to their virtues and their services to liberty, civil and religious. +Many of its brilliant couplets have passed into the proverbial +commonplaces of the language, and few who use them have any idea +of their source. Butler, notwithstanding the popularity of his work, +was neglected by the Court, and <i>d.</i> in poverty.</p> + +<p>Ed. of B.'s works have been issued by Bell (3 vols., 1813), and +Johnson (2 vols., 1893).</p><br /> + +<a name='BUTLER_SAMUEL_1825_1902'></a><p><b>BUTLER, SAMUEL (1825-1902).</b> +—Miscellaneous writer, +<i>ed.</i> at Shrewsbury and Camb., wrote two satirical books, <i>Erewhon</i> +(nowhere) (1872), and <i>Erewhon Revisited</i> (1901). He translated the +<i>Iliad</i> and <i>Odyssey</i> in prose, and mooted the theory that the latter was +written by a woman. Other works were <i>The Fair Haven</i>, <i>Life and +Habit</i>, <i>The Way of all Flesh</i> (a novel) (1903), etc., and some sonnets. +He also wrote on the Sonnets of Shakespeare.</p><br /> + +<a name='BYRON_GEORGE_GORDON_6TH_LORD_BYRON_1788_1824'></a><p><b>BYRON, GEORGE GORDON, 6TH LORD BYRON (1788-1824).</b> +—Poet, +was <i>b.</i> in London, the <i>s.</i> of Captain John B. and of Catherine +Gordon, heiress of Gight, Aberdeenshire, his second wife, whom he +<i>m.</i> for her money and, after squandering it, deserted. He was also +the grand-nephew of the 5th, known as the "wicked" Lord B. +From his birth he suffered from a malformation of the feet, causing +a slight lameness, which was a cause of lifelong misery to him, +aggravated by the knowledge that with proper care it might have +been cured. After the departure of his <i>f.</i> his mother went to Aberdeen, +where she lived on a small salvage from her fortune. She was a +<a name='Page_67'></a>capricious woman of violent temper, with no fitness for guiding her +volcanic son, and altogether the circumstances of his early life +explain, if they do not excuse, the spirit of revolt which was his lifelong +characteristic. In 1794, on the death of a cousin, he became +heir-presumptive to the title and embarrassed estates of the family, +to which, on the death of his great-uncle in 1798, he succeeded. In +1801 he was sent to Harrow, where he remained until 1805, when +he proceeded to Trinity Coll., Camb., where he read much history +and fiction, lived extravagantly, and got into debt. Some early +verses which he had <i>pub.</i> in 1806 were suppressed. They were +followed in 1807 by <i>Hours of Idleness</i>, which was savagely attacked +in the <i>Edinburgh Review</i>. In reply he sent forth <i>English Bards and +Scotch Reviewers</i> (1800), which created considerable stir and shortly +went through 5 ed. Meanwhile, he had settled at Newstead +Abbey, the family seat, where with some of his cronies he was +believed to have indulged in wild and extravagant orgies, the +accounts of which, however, were probably greatly exaggerated. +In 1809 he left England, and passing through Spain, went to Greece. +During his absence, which extended over two years, he wrote the +first two cantos of <i>Childe Harold</i>, which were <i>pub.</i> after his return +in 1812, and were received with acclamation. In his own words, +"he awoke one morning and found himself famous." He followed +up his success with some short poems, <i>The Corsair</i>, <i>Lara</i>, etc. +About the same time began his intimacy with his future biographer, +<a href='#MOORE_THOMAS_1779_1852'>Thomas Moore</a> (<i>q.v.</i>), and about 1815 he married Anne Isabella +Milbanke, who had refused him in the previous year, a union which, +owing to the total incompatibility of the parties, and serious provocations +on the part of B., proved unhappy, and was in 1816 dissolved +by a formal deed of separation. The only fruit of it was a +<i>dau.</i>, Augusta Ada. After this break-up of his domestic life, +followed as it was by the severe censure of society, and by pressure +on the part of his creditors, which led to the sale of his library, B. +again left England, as it turned out, for ever, and, passing through +Belgium and up the Rhine, went to Geneva, afterwards travelling +with Shelley through Switzerland, when he wrote the third canto of +<i>Childe Harold</i>. He wintered in Venice, where he formed a connection +with Jane Clairmont, the <i>dau.</i> of <a href='#GODWIN_WILLIAM_1756_1836'>W. Godwin's</a> second wife +(<i>q.v.</i>). In 1817 he was in Rome, whence returning to Venice he +wrote the fourth canto of <i>Childe Harold</i>. In the same year he sold +his ancestral seat of Newstead, and about the same time <i>pub.</i> <i>Manfred</i>, +<i>Cain</i>, and <i>The Deformed Transformed</i>. The first five cantos of +<i>Don Juan</i> were written between 1818 and 1820, during which period +he made the acquaintance of the Countess Guiccioli, whom he +persuaded to leave her husband. It was about this time that he +received a visit from Moore, to whom he confided his MS. autobiography, +which Moore, in the exercise of the discretion left to him, +burned in 1824. His next move was to Ravenna, where he wrote +much, chiefly dramas, including <i>Marino Faliero</i>. In 1821-22 he +finished <i>Don Juan</i> at Pisa, and in the same year he joined with Leigh +Hunt in starting a short-lived newspaper, <i>The Liberal</i>, in the first +number of which appeared <i>The Vision of Judgment</i>. His last +Italian home was Genoa, where he was still accompanied by the +Countess, and where he lived until 1823, when he offered himself as +<a name='Page_68'></a>an ally to the Greek insurgents. In July of that year he started for +Greece, spent some months in Cephalonia waiting for the Greeks to +form some definite plans. In January, 1824, he landed at Missolonghi, +but caught a malarial fever, of which he <i>d.</i> on April 19, 1824.</p> + +<p>The final position of B. in English literature is probably not yet +settled. It is at present undoubtedly lower than it was in his own +generation. Yet his energy, passion, and power of vivid and richly-coloured +description, together with the interest attaching to his wayward +and unhappy career, must always make him loom large in the +assembly of English writers. He exercised a marked influence on +Continental literature, and his reputation as poet is higher in some +foreign countries than in his own.</p> + +<p>Among ed. of the works of B. may be mentioned Murray's (13 +vols. 1898-1904). Moore's <i>Life</i> (1830), Lady Blessington's <i>Conversations +with Lord Byron</i> (1834, new, 1894).</p> + +<p>SUMMARY.—<i>B.</i> 1788, spent childhood in Aberdeen, <i>ed.</i> Harrow +and Camb., <i>pub.</i> <i>English Bards etc.</i>, 1809, <i>Childe Harold</i> first two +cantos 1812, married 1815, separated 1816, owing to this and financial +difficulties leaves England, meets Shelley, <i>pub.</i> third canto of +<i>Childe Harold</i> 1816, fourth canto 1817, writes <i>Don Juan</i> cantos 1-4 +1818-20, lives at various places in Italy 1816-24 with Countess +Guiccioli, finished <i>Don Juan</i> 1822, goes to Greece 1823 to assist +insurgents, <i>d.</i> 1824.</p><br /> + +<a name='BYRON_HENRY_JAMES_1834_1884'></a><p><b>BYRON, HENRY JAMES (1834-1884).</b> +—Dramatist, <i>b.</i> at +Manchester, entered the Middle Temple, but soon took to writing +for the stage, and produced many popular burlesques and extravaganzas. +He also wrote for periodicals, and was the first editor of +<i>Fun</i>. Among his best dramatic pieces are <i>Cyril's Success</i> (1868), +<i>Our Boys</i> (1875), and <i>The Upper Crust</i>.</p><br /> + +<a name='CAEDMON_d_1680'></a><p><b>CÆDMON (<i>d.</i> 1680).</b> +—The first English poet of whom we +have any knowledge. Originally employed as cowherd at the Abbey +of Whitby, he became a singer when somewhat advanced in life. +The story of how the gift of song came to him is given by Bede, how +having fallen asleep in the stable he dreamed that one came to him +desiring a song, and on his asking "What shall I sing?" replied +"Sing to me of the beginning of created things." Therefore he +began to sing and, on awaking, remembered his song and added to +it. Thereafter he told what had befallen him to the bailiff who +was over him, who repeated the tale to the Abbess Hilda. She +having called together certain learned and pious persons, C. was +brought before them, told his story, and recited his verses. A +part of Scripture was read to him, which he was asked to turn into +verse; and this being done he was received into the Abbey where, +for the rest of his life, he lived as a monk, and continued to make +his holy songs. Much that was formerly attributed to C. is now +held to be of later date. All that is known to be his is a Northumbrian +version of Bede's Latin paraphrases of C.'s first song: although +by some the authorship of "The Dream of the Holy Rood," and of +a fragment on "The Temptation and Fall of Man" is claimed for +him.</p> + +<p><i>English Literature from Beginning to Norman Conquest</i>, Stopford +Brooke (1898), and <i>History of Early English Literature</i>, by the same +(1892)<a name='Page_69'></a>.</p><br /> + +<a name='CAIRD_EDWARD_1835_1908'></a><p><b>CAIRD, EDWARD (1835-1908).</b> +—Philosopher, younger +brother of <a href='#CAIRD_JOHN_1820_1898'>John C.</a> (<i>q.v.</i>), was <i>b.</i> at Greenock, and <i>ed.</i> at Glasgow and +Oxf., where he became Fellow and Tutor of Merton Coll. In 1866 he +was appointed to the Chair of Moral Philosophy at Glasgow, which he +held until 1893, when he became Master of Balliol Coll., from which he +retired in 1907. He has written <i>Critical Philosophy of Kant</i> (1877), +<i>Hegel</i> (1883), <i>Evolution of Religion</i>, <i>Social Philosophy and Religion of +Comte</i> (1885), <i>Evolution of Theology in the Greek Philosophers</i> (1904).</p><br /> + +<a name='CAIRD_JOHN_1820_1898'></a><p><b>CAIRD, JOHN (1820-1898).</b> +—Theologian, <i>b.</i>, at Greenock, +and <i>ed.</i> at Glasgow, entered the Church of Scotland, of which he +became one of the most eloquent preachers. After being a minister +in the country and in Edinburgh, he was translated to Glasgow, becoming +in 1862 Prof. of Divinity in the Univ. of that city, and in +1873 Principal. A sermon on <i>Religion in Common Life</i>, preached +before Queen Victoria, made him known throughout the Protestant +world. He wrote an <i>Introduction to the Philosophy of Religion</i> +(1880), and a vol. on <i>Spinoza</i> (1888).</p><br /> + +<a name='CALAMY_EDMUND_1600_1666'></a><p><b>CALAMY, EDMUND (1600-1666).</b> +—Puritan Divine, <i>b.</i> in +London, and <i>ed.</i> at Camb., was one of the principal authors of a +famous controversial work bearing the title <i>Smectymnuus</i>, made up of +the initials of the various writers, and <i>pub.</i> in 1641 in reply to Bishop +Hall's <i>Divine Right of Episcopacy</i>. His other chief work is <i>The +Godly Man's Ark</i>. A Presbyterian, he was a supporter of monarchy, +and favoured the Restoration, after which he was offered, +but declined, the see of Coventry and Lichfield. He was a member +of the Savoy Conference. The passing of the Act of Uniformity led +to his retiring from ministerial work. He is said to have <i>d.</i> of +melancholy caused by the great fire of London.</p><br /> + +<a name='CALDERWOOD_DAVID_1575_1650'></a><p><b>CALDERWOOD, DAVID (1575-1650).</b> +—Scottish Church +historian, belonged to a good family, and about 1604 became minister +of Crailing, Roxburghshire. Opposing the designs of James VI. for +setting up Episcopacy, he was imprisoned 1617, and afterwards had +to betake himself to Holland, where his controversial work, <i>Altare +Damascenum</i>, against Episcopacy, was <i>pub.</i> In 1625 he returned +to Scotland, and began his great work, <i>The Historie of the Kirk of +Scotland</i>, which was <i>pub.</i> in an abridged form (1646). The complete +work was printed (1841-49) for the Woodrow Society. C. became +minister of Pencaitland, East Lothian, about 1640, and was one of +those appointed to draw up <i>The Directory for Public Worship in +Scotland</i>.</p><br /> + +<a name='CALVERLEY_CHARLES_STUART_1831_1884'></a><p><b>CALVERLEY, CHARLES STUART (1831-1884).</b> +—Poet and +translator, <i>s.</i> of the Rev. H. Blayds (who assumed the name of +Calverley), was <i>ed.</i> at Harrow, Oxf., and Camb. He was called to +the Bar in 1865, and appeared to have a brilliant career before +him, when a fall on the ice in 1866 changed him from a distinguished +athlete to a life-long invalid. Brilliant as a scholar, a musician, +and a talker, he is perhaps best known as one of the greatest of +parodists. He <i>pub.</i> <i>Verses and Translations</i> (1862), and <i>Fly-leaves</i> +(1872). He also translated <i>Theocritus</i> (1869)<a name='Page_70'></a>.</p><br /> + +<a name='CAMDEN_WILLIAM_1551_1623'></a><p><b>CAMDEN, WILLIAM (1551-1623).</b> +—Antiquary and historian, +<i>b.</i> in London, and <i>ed.</i> at Christ's Hospital, St. Paul's School, +and Oxf., was in 1575 appointed Second Master in Westminster +School, and Head Master in 1593, and spent his vacations in travelling +over England collecting antiquarian information. His great +work, <i>Britannia</i>, was <i>pub.</i> in 1586, and at once brought him fame +both at home and abroad. It is a work of vast labour and erudition, +written in elegant Latin. In 1597 C. was made Clarencieux King-at-Arms +which, setting him free from his academic duties, enabled +him to devote more time to his antiquarian and historical labours. +His other principal works are <i>Annals of the Reign of Elizabeth</i> +(printed 1615-1623), <i>Monuments and Inscriptions in Westminster +Abbey</i> (1600), and a <i>coll.</i> of <i>Ancient English Historians</i>. He was +buried in Westminster Abbey. The Camden Society for historical +research, founded in 1838, is named after him.</p><br /> + +<a name='CAMPBELL_GEORGE_1719_1796'></a><p><b>CAMPBELL, GEORGE (1719-1796).</b> +—Theologian and philosopher, +was a minister of the Church of Scotland at Aberdeen, +and Principal and Prof. of Divinity in Marischal Coll. there. His +<i>Dissertation on Miracles</i> (1763), in answer to Hume, was in its +day considered a masterly argument, and was admitted to be so by +Hume himself. His other principal works were <i>The Philosophy of +Rhetoric</i> (1776), which is still a standard work, and <i>A Translation of +the Four Gospels with Notes</i>.</p><br /> + +<a name='CAMPBELL_JOHN_1ST_LORD_CAMPBELL_1779_1861'></a><p><b>CAMPBELL, JOHN, 1ST LORD CAMPBELL (1779-1861).</b> +—Lawyer +and biographer, <i>s.</i> of the minister of Cupar-Fife, had a +highly successful career as a lawyer, and held the offices successively +of Solicitor and Attorney-General, Lord Chancellor of Ireland, Lord +Chief Justice, and Lord Chancellor. His contributions to literature +were <i>Lives of the Chancellors</i> and <i>Lives of the Chief Justices</i>. These +works, though deficient in research and accuracy, often unfair in +judgments of character, and loose and diffuse in style, are interesting +and full of information.</p><br /> + +<a name='CAMPBELL_JOHN_FRANCIS_1822_1885'></a><p><b>CAMPBELL, JOHN FRANCIS (1822-1885).</b> +—Celtic scholar, +<i>ed.</i> at Eton and Edin., was afterwards Sec. to the Lighthouse +Commission. He was an authority on Celtic folk-lore, and <i>pub. +Popular Tales of the West Highlands</i> (4 vols., 1860-62), and various +Gaelic texts.</p><br /> + +<a name='CAMPBELL_LEWIS_1830_1908'></a><p><b>CAMPBELL, LEWIS (1830-1908).</b> +—Scholar, <i>s.</i> of a naval +officer, <i>ed.</i> at Edin., Glasgow, and Oxf., took orders, and was +Vicar of Milford, Hants, until 1863, when he was appointed Prof. +of Greek at St. Andrews. He brought out ed. of Sophocles +and other works on the Greek classics, and in conjunction with +<a href='#ABBOTT_REV_EDWIN_ABBOTT_DD_1838'>E. Abbott</a> <i>The Life and Letters of Prof. Jowett</i> (<i>q.v.</i>), with whom +he had collaborated in editing the <i>Republic of Plato</i>. He also ed. +the poems of Thomas Campbell, to whom he was related.</p><br /> + +<a name='CAMPBELL_THOMAS_1777_1844'></a><p><b>CAMPBELL, THOMAS (1777-1844).</b> +—Poet, was the youngest +<i>s.</i> of Alexander C., a merchant in Glasgow, where he was <i>b.</i> After +leaving the Univ. of that city, where he gained some distinction +by his translations from the Greek, and acting for some time as +<a name='Page_71'></a>a tutor, he went to Edin. to study law, in which, however, he +did not make much progress, but gained fame by producing in 1799, +at the age of 21, his principal poem, <i>The Pleasures of Hope</i>. In +spite of some of the faults of youth, the vigour of thought and description, +and power of versification displayed in the poem, as well +as its noble feeling for liberty, made it a marvellous performance for +so young a man. His other larger poems are <i>Gertrude of Wyoming</i> +(1809), <i>O'Connor's Child</i>, and <i>Theodric</i> (1824). It is not, however, +for these that he will be chiefly remembered, but for his patriotic +and war lyrics, <i>Ye Mariners of England</i>, <i>Hohenlinden</i>, and <i>The Battle +of the Baltic</i>, which are imperishable. C. was also distinguished as +a critic, and his <i>Specimens of the British Poets</i> (1819) is prefaced by an +essay which is an important contribution to criticism. C. resided +in London from 1803 until the year of his death, which took place at +Boulogne, whither he had repaired in search of health. In addition +to the works mentioned he wrote various compilations, including +<i>Annals of Great Britain</i>, covering part of the reign of George III. +In 1805 he received a Government pension, and he was Lord Rector +of Glasgow Univ. 1826-29. He is buried in Westminster Abbey.</p> + +<p><i>Life and Letters</i>, Beattie (1840); Poems, <i>Aldine</i> ed. (1875, new, +1890).</p><br /> + +<a name='CAMPION_THOMAS_c_1575_1620'></a><p><b>CAMPION, THOMAS (<i>c.</i> 1575-1620).</b> +—Poet and musician, +<i>b.</i> at Witham, Essex, and <i>ed.</i> at Camb., and on the Continent, +studied law at Gray's Inn, but discarding it, practised medicine in +London. He wrote masques, and many fine lyrics remarkable for +their metrical beauty, of which "Cherry Ripe" and "Lesbia" are +well known. He also wrote <i>Epigrams</i> in Latin, and <i>Observations on +the Arte of Poesie</i> (1602). He composed the music for most of his +songs.</p><br /> + +<a name='CANNING_GEORGE_1770_1827'></a><p><b>CANNING, GEORGE (1770-1827).</b> +—Statesman, was <i>b.</i> in +London, the <i>s.</i> of a lawyer. He lost his <i>f.</i> while still an infant, and +was brought up by an uncle, who sent him to Eton and Oxf. In +1793 he entered Parliament as a supporter of Pitt, and soon became +one of the most brilliant debaters in the House. After filling various +offices, including that of Foreign Sec., with striking ability, he +was in 1827 appointed Prime Minister, but <i>d.</i>, deeply mourned by +the nation, a few months later. He has a place in literature as the +leading spirit in the <i>Anti-Jacobin</i>, a paper started during the French +Revolution, in support of the English Constitution, and which, with +Gifford for ed., had many of the most eminent men of the day as +contributors. C. wrote the <i>Needy Knife-grinder</i>, <i>The Loves of the +Triangles</i>, parts II. and III., a parody on E. Darwin's <i>Loves of the +Plants</i>, <i>The Progress of Man</i>, etc. His <i>coll.</i> <i>Poems</i> were <i>pub.</i> 1823.</p><br /> + +<a name='CAPGRAVE_JOHN_1393_1464'></a><p><b>CAPGRAVE, JOHN (1393-1464).</b> +—Historian and theologian, +<i>b.</i> at Lynn, became an Augustinian Friar, and at length Provincial of +the Order in England. He studied probably at Camb., visited Rome, +and was a client of Humphrey, Duke of Gloucester, whose life he +wrote. He was the author of numerous theological and historical +works, some of which are of considerable importance, including in +Latin, <i>Nova Legenda Angliæ</i>, <i>De Illustribus Henricis</i>: lives of German +Emperors, English Kings, etc., of the name of Henry, and in English, +<a name='Page_72'></a>monotonous and dull, lives of St. Gilbert and St. Katharine, and a +<i>Chronicle</i> reaching to 1417.</p><br /> + +<a name='CAREW_RICHARD_1555_1620'></a><p><b>CAREW, RICHARD (1555-1620).</b> +—Translator and antiquary, +a county gentleman of Cornwall, <i>ed.</i> at Oxf., made a translation +of the first five cantos of Tasso's <i>Jerusalem Delivered</i> (1594), +more correct than that of Fairfax. Other works were <i>A Survey of +Cornwall</i> (1602), and an <i>Epistle concerning the Excellencies of the +English Tongue</i> (1605).</p><br /> + +<a name='CAREW_THOMAS_1594_1639'></a><p><b>CAREW, THOMAS (1594?-1639).</b> +—Poet, <i>s.</i> of Sir Matthew +C., was <i>ed.</i> at Oxf., entered the Middle Temple, and was one +of the first and best of the courtly poets who wrote gracefully on +light themes of Court life and gallantry. C.'s poems have often +much beauty and even tenderness. His chief work is <i>Coelum +Britannicum</i>. He lived the easy and careless life of a courtier of +the day, but is said to have <i>d.</i> in a repentant frame. His poems, +consisting chiefly of short lyrics, were <i>coll.</i> and <i>pub.</i> after his +death. One of the most beautiful and best known of his songs is +that beginning "He that loves a rosy cheek."</p><br /> + +<a name='CAREY_HENRY_d_1743'></a><p><b>CAREY, HENRY (<i>d.</i> 1743).</b> +—Dramatist and song-writer, +was believed to be an illegitimate <i>s.</i> of George Savile, Marquis +of Halifax. He wrote innumerable burlesques, farces, songs, etc., +often with his own music, including <i>Chrononhotonthologos</i> (1734), a +burlesque on the mouthing plays of the day, and <i>The Dragon of +Wantley</i> (1744?). His poem, <i>Namby Pamby</i>, in ridicule of <a href='#PHILIPS_AMBROSE_1675_1749'>Ambrose +Phillips</a> (<i>q.v.</i>), added a word to the language, and his <i>Sally in our +Alley</i> is one of our best-known songs. <i>God Save the King</i> was also +claimed for him, but apparently without reason.</p><br /> + +<a name='CARLETON_WILLIAM_1794_1869'></a><p><b>CARLETON, WILLIAM (1794-1869).</b> +—Novelist, <i>s.</i> of a poor +Irish cottar, <i>b.</i> and brought up among the Irish peasantry, acquired +an insight into their ideas and feelings which has never been equalled. +His finest work is in his short stories, collected under the title of +<i>Traits and Stories of the Irish Peasantry</i>, of which two series were +<i>pub.</i> in 1830 and 1832 respectively. He also wrote several longer +novels, of which the best is <i>Fardorougha the Miser</i> (1837), a work of +great power. Others are <i>The Misfortunes of Barny Branagan</i> (1841), +<i>Valentine M'Clutchy</i> (1845), <i>Rody the Rover</i> (1847), <i>The Squanders +of Castle Squander</i> (1854), and <i>The Evil Eye</i>. C. received a pension +of £200 from Government.</p><br /> + +<a name='CARLYLE_ALEXANDER_1722_1805'></a><p><b>CARLYLE, ALEXANDER (1722-1805).</b> +—Autobiographer, <i>s.</i> +of the Minister of Cummertrees, Dumfriesshire, was <i>ed.</i> at Edin. +and Leyden, and entering the Church became Minister of Inveresk, +and was associated with Principal Robertson as an ecclesiastical +leader. He was a man of great ability, shrewdness, and culture, and +the friend of most of the eminent literary men in Scotland of his day. +He left an autobiography in MS., which was ed. by Hill Burton, +and <i>pub.</i> in 1860, and which is one of the most interesting contemporary +accounts of his time. His stately appearance gained +for him the name of "Jupiter" C.</p><br /> + +<a name='CARLYLE_THOMAS_1795_1881'></a><p><b>CARLYLE, THOMAS (1795-1881).</b> +—Historian and essayist, +was <i>b.</i> at Ecclefechan in Dumfriesshire. His <i>f.</i>, James C., was a +<a name='Page_73'></a>stonemason, a man of intellect and strong character, and his mother +was, as he said, "of the fairest descent, that of the pious, the just, +and the wise." His earliest education was received at the parish +school of Ecclefechan (the Entepfuhl of <i>Sartor Resartus</i>). Thence +he went to the Grammar School of Annan, and in 1809 to the +Univ. of Edin., the 90 miles to which he travelled on foot. +There he read voraciously, his chief study being mathematics. +After completing his "Arts" course, he went on to divinity with +the view of entering the Church, but about the middle of his course +found that he could not proceed. He became a schoolmaster first at +Annan and then at Kirkcaldy, where he formed a profound friendship +with <a href='#IRVING_EDWARD_1792_1834'>Edward Irving</a> (<i>q.v.</i>), and met Margaret Gordon, afterwards +Lady Bannerman, believed by some to be the prototype +of <i>Blumine</i> in <i>Sartor</i>. Returning in 1819 to Edin. he for a time +studied law and took pupils; but his health was bad, he suffered +from insomnia and dyspepsia, and he tired of law. He was also +sorely bestead by mental and spiritual conflicts, which came to a +crisis in Leith Walk in June 1821 in a sudden uprising of defiance to +the devil and all his works, upon which the clouds lifted. For the +next two years, 1822-24, he acted as tutor to Charles Buller (whose +promising political career was cut short by his premature death) +and his brother. On the termination of this engagement he decided +upon a literary career, which he began by contributing articles +to the <i>Edinburgh Encyclopædia</i>. In 1824 he translated Legendre's +<i>Geometry</i> (to which he prefixed an essay on Proportion), and Goethe's +<i>Wilhelm Meister</i>; he also wrote for the <i>London Magazine</i> a <i>Life +of Schiller</i>. About this time he visited Paris and London, where +he met Hazlitt, Campbell, Coleridge, and others. Thereafter he +returned to Dumfriesshire. In the following year (1826) he <i>m.</i> Jane Baillie Welsh, and settled in Edin. Here his first work +was <i>Specimens of German Romance</i> (4 vols.) A much more important +matter was his friendship with Jeffrey and his connection +with the <i>Edinburgh Review</i>, in which appeared, among others, his +essays on <i>Richter</i>, <i>Burns</i>, <i>Characteristics</i>, and <i>German Poetry</i>. In +1828 C. applied unsuccessfully for the Chair of Moral Philosophy in +St. Andrews, and the same year he went to Craigenputtock, a small +property in Dumfriesshire belonging to Mrs. C., where they remained +for several years, and where many of his best essays and <i>Sartor +Resartus</i> were written, and where his correspondence with Goethe +began. In 1831 he went to London to find a publisher for <i>Sartor</i>, +but was unsuccessful, and it did not appear in book form until 1838, +after having come out in <i>Fraser's Magazine</i> in 1833-34. The year +last mentioned found him finally in London, settled in Cheyne Row, +Chelsea, his abode for the rest of his life. He immediately set to +work on his <i>French Revolution</i>. While it was in progress he in 1835 +lent the MS. to J.S. Mill, by whose servant nearly the whole of the +first vol. was burned, in spite of which misfortune the work was ready +for publication in 1837. Its originality, brilliance, and vividness +took the world by storm, and his reputation as one of the foremost +men of letters in the country was at once and finally established. +In the same year he appeared as a public lecturer, and delivered +four courses on <i>German Literature</i>, <i>Periods of European Culture</i>, +<i>Revolutions of Modern Europe</i>, and <i>Heroes and Hero-Worship</i>, the +<a name='Page_74'></a>last of which was <i>pub.</i> as a book in 1841. Although his writings +did not yet produce a large income, his circumstances had become +comfortable, owing to Mrs. C. having succeeded to her patrimony in +1840. Books now followed each other rapidly, <i>Chartism</i> had appeared +in 1839, <i>Past and Present</i> came out in 1843, and <i>Letters and +Speeches of Oliver Cromwell</i> in 1845, the last named being perhaps +the most successful of his writings, inasmuch as it fully attained the +object aimed at in clearing Cromwell from the ignorant or malevolent +aspersions under which he had long lain, and giving him his +just place among the greatest of the nation. In 1850 he <i>pub.</i> his +fiercest blast, <i>Latter Day Pamphlets</i>, which was followed next year +by his biography of his friend <a href='#STERLING_JOHN_1806_1844'>John Sterling</a> (<i>q.v.</i>). It was about +this time, as is shown by the <i>Letters and Memoirs</i> of Mrs. C., that a +temporary estrangement arose between his wife and himself, based +apparently on Mrs. C.'s part upon his friendship with Lady Ashburton, +a cause of which C. seems to have been unconscious. In +1851 he began his largest, if not his greatest work, <i>Frederick the +Great</i>, which occupied him from that year until 1865, and in connection +with which he made two visits to Germany in 1852 and 1858. +It is a work of astonishing research and abounds in brilliant +passages, but lacks the concentrated intensity of <i>The French Revolution</i>. +It is, however, the one of his works which enjoys the highest +reputation in Germany. In 1865 he was elected Lord Rector of the +Univ. of Edin., and delivered a remarkable address to the students by +whom he was received with enthusiasm. Almost immediately afterwards +a heavy blow fell upon him in the death of Mrs. C., and in the +discovery, from her diary, of how greatly she had suffered, unknown +to him, from the neglect and want of consideration which, owing to +absorption in his work and other causes, he had perhaps unconsciously +shown. Whatever his faults, of which the most was made +in some quarters, there can be no doubt that C. and his wife were +sincerely attached to each other, and that he deeply mourned her. +In 1866 his <i>Reminiscences</i> (<i>pub.</i> 1881) were written. The Franco-German +War of 1870-71 profoundly interested him, and evoked a +plea for Germany. From this time his health began to give way +more and more. In 1872 his right hand became paralysed. In +1874 he received the distinction of the Prussian Order of Merit, as +the biographer of its founder, and in the same year, Mr. Disraeli +offered him the choice of the Grand Cross of the Bath or a baronetcy +and a pension, all of which he declined. The completion of his 80th +year in 1875 was made the occasion of many tributes of respect and +veneration, including a gold medal from some of his Scottish +admirers. He <i>d.</i> on February 5, 1881. Burial in Westminster +Abbey was offered, but he had left instructions that he should lie +with his kindred. He bequeathed the property of Craigenputtock +to the Univ. of Edin.</p> + +<p>C. exercised a very powerful influence upon the thought of his age, +not only by his own writings and personality, but through the +many men of distinction both in literature and active life whom he +imbued with his doctrines; and perhaps no better proof of this +exists than the fact that much that was new and original when first +propounded by him has passed into the texture of the national +ideas. His style is perhaps the most remarkable and individual in +<a name='Page_75'></a>our literature, intensely strong, vivid, and picturesque, but utterly +unconventional, and often whimsical or explosive. He had in a +high degree the poetic and imaginative faculty, and also irresistible +humour, pungent sarcasm, insight, tenderness, and fierce indignation.</p> + +<p>All the works of C. shed light on his personality, but <i>Sartor +Resartus</i> especially may be regarded as autobiographical. Froude's +<i>Thomas Carlyle ... First 40 Years of his Life</i> (1882), <i>Thomas Carlyle ... His +Life in London</i>, by the same (1884), <i>Letters and +Memories of Jane Welsh Carlyle</i> (1883), various <i>Lives</i> and <i>Reminiscences</i> +by Prof. Masson and Nichol, etc.</p> + +<p>SUMMARY.—<i>B.</i> 1795, <i>ed.</i> Edin., studies for Church but gives +it up, tries law, then tutor, takes to literature and writes for encyclopædias +and magazines, and translates, <i>m.</i> 1826 Jane Welsh, +settles in Edin., writes essays in <i>Edinburgh Review</i>, goes to Craigenputtock +1828, writes <i>Sartor</i> and corresponds with Goethe, +<i>Sartor</i> appears in <i>Fraser's Magazine</i> 1833-4, settles in London 1834, +<i>pub.</i> <i>French Revolution</i> 1837, lectures, <i>pub.</i> <i>Heroes</i>, and <i>Chartism</i> +and <i>Sartor</i> as a book 1839, <i>Past and Present</i> 1843, <i>Oliver Cromwell</i> +1845, <i>Latter Day Pamphlets</i> 1850, writes <i>Frederick the Great</i> 1851-65, +Lord Rector of Edin. Univ. 1865, Mrs. C. <i>d.</i> 1865, writes <i>Reminiscences</i> +1866 (<i>pub.</i> 1881), <i>d.</i> 1881.</p><br /> + +<a name='CARRUTHERS_ROBERT_1799_1878'></a><p><b>CARRUTHERS, ROBERT (1799-1878).</b> +—Journalist and miscellaneous +writer, <i>b.</i> in Dumfriesshire, was for a time a teacher in +Huntingdon, and wrote a <i>History of Huntingdon</i> (1824). In 1828 +he became ed. of the <i>Inverness Courier</i>, which he conducted with +great ability. He ed. Pope's works with a memoir (1853), and +along with <a href='#CHAMBERS_ROBERT_1802_1871'>Robert Chambers</a> (<i>q.v.</i>) ed. the first ed. of <i>Chambers's +Cyclopedia of English Literature</i> (1842-44). He received the degree +of LL.D. from Edin.</p><br /> + +<a name='CARTE_THOMAS_1686_1754'></a><p><b>CARTE, THOMAS (1686-1754).</b> +—Historian, <i>b.</i> near Rugby, +and <i>ed.</i> at Oxf., took orders, but resigned his benefice at Bath +when required to take the oath of allegiance to George I. He was +sec. to <a href='#ATTERBURY_FRANCIS_1662_1732'>Francis Atterbury</a> (<i>q.v.</i>), and was involved in the consequences +of his conspiracy, but escaped to France, where he +remained until 1728. After his return he <i>pub.</i> a life of the Duke of +Ormonde (1736), and a <i>History of England to 1654</i> in 4 vols. (1747-54), +the latter a work of great research, though dry and unattractive +in style.</p><br /> + +<a name='CARTER_ELIZABETH_1717_1806'></a><p><b>CARTER, ELIZABETH (1717-1806).</b> +—Miscellaneous writer, +<i>b.</i> at Deal, <i>dau.</i> of a clergyman. Originally backward, she applied +herself to study with such perseverance that she became perhaps +the most learned Englishwoman of her time, being mistress of Latin, +Greek, Hebrew, and Arabic, besides several modern European +languages. She was also well read in science. She translated +Epictetus 1758, and wrote a small vol. of poems. She was the +friend of Dr. Johnson and many other eminent men. She was of +agreeable and unassuming manners.</p><br /> + +<a name='CARTWRIGHT_WILLIAM_1611_1643'></a><p><b>CARTWRIGHT, WILLIAM (1611-1643).</b> +—Dramatist, <i>s.</i> of +a gentleman of Gloucestershire, who had run through his fortune +and kept an inn at Cirencester, <i>ed.</i> at Westminster School and +Oxf., entered the Church, was a zealous Royalist, and an eloquent +<a name='Page_76'></a>preacher, and lecturer in metaphysics. He also wrote spirited +lyrics and four plays. He was the friend of Ben Jonson, H. +Vaughan, and Izaak Walton. He <i>d.</i> at Oxf. of camp fever. +Among his plays are <i>The Royal Slave</i>, <i>The Siege</i>, and <i>The Lady +Errant</i>. His virtues, learning, and charming manners made him +highly popular in his day.</p><br /> + +<a name='CARY_ALICE_1820_1871_and_PHOEBE_1824_1871'></a><p><b>CARY, ALICE (1820-1871), and PHOEBE (1824-1871).</b> +—Were +the <i>dau.</i> of a farmer near Cincinnati. The former wrote +<i>Clovernook Papers</i> and <i>Clovernook Children</i>, and other tales, and +some poems. The latter wrote poems and hymns. Both sisters +attained considerable popularity.</p><br /> + +<a name='CARY_HENRY_FRANCIS_1772_1844'></a><p><b>CARY, HENRY FRANCIS (1772-1844).</b> +—Translator, was <i>b.</i> +at Gibraltar, and <i>ed.</i> at Oxf., where he was distinguished for his +classical attainments. His great work is his translation of the +<i>Divina Commedia</i> of Dante (1805-1814), which is not only faithful +to the original, but full of poetic fire, and rendered into such fine +English as to be itself literature apart from its merits as a translation. +He also translated from the Greek. C., who was a clergyman, +received a pension in 1841.</p><br /> + +<a name='CATLIN_GEORGE_1796_1872'></a><p><b>CATLIN, GEORGE (1796-1872).</b> +—Painter and writer, <i>b.</i> at +Wilkesbarre, Pennsylvania, practised for some time as a lawyer, but +yielding to his artistic instincts he took to painting. He spent the 7 +years, 1832-39, among the Indians of North America, of whom he +painted about 500 portraits. He became thoroughly acquainted +with their life, and <i>pub.</i> an interesting work, <i>Illustrations of the +Manners, etc., of the North American Indians</i> (1857). His later +years were spent chiefly in Europe.</p><br /> + +<a name='CAVE_EDWARD_1691_1754'></a><p><b>CAVE, EDWARD (1691-1754).</b> +—Publisher, <i>b.</i> near Rugby, +started in 1731 <i>The Gentleman's Magazine</i>, for which Dr. Johnson +was parliamentary reporter from 1740. He <i>pub.</i> many of Johnson's +works.</p><br /> + +<a name='CAVENDISH_GEORGE_1500_1561'></a><p><b>CAVENDISH, GEORGE (1500-1561).</b> +—Biographer, was +Gentleman Usher to Cardinal Wolsey, to whom he was so much +attached that he followed him in his disgrace, and continued to +serve him until his death. He left in MS. a life of his patron, which +is the first separate biography in English, and is the main original +authority of the period. Admitting Wolsey's faults, it nevertheless +presents him in an attractive light. The simple yet eloquent style +gives it a high place as a biography.</p><br /> + +<a name='CAXTON_WILLIAM_1422_1491'></a><p><b>CAXTON, WILLIAM (1422-1491).</b> +—Printer and translator, +<i>b.</i> in the Weald of Kent, was apprenticed to a London mercer. On +his master's death in 1441 he went to Bruges, and lived there and in +various other places in the Low Countries for over 30 years, engaged +apparently as head of an association of English merchants trading +in foreign parts, and in negotiating commercial treaties between +England and the Dukes of Burgundy. His first literary labour was +a translation of a French romance, which he entitled <i>The Recuyell of +the Historyes of Troye</i>, and which he finished in 1471. About this +time he learned the art of printing, and, after being in the service of<a name='Page_77'></a> +Margaret Duchess of Burgundy, an English princess, returned to his +native country and set up at Westminster in 1476 his printing press, +the first in England. His <i>Recuyell</i> and <i>The Game and Playe of +Chesse</i> had already been printed—the first books in English—on +the Continent. Here was produced the first book printed in England, +<i>The Dictes and Sayings of the Philosophers</i> (1477). C. obtained +Royal favour, printed from 80 to 100 separate works—many of them +translations of his own—and <i>d.</i> almost with pen in hand in 1491. +His style is clear and idiomatic.</p><br /> + +<a name='CENTLIVRE_MRS_SUSANNA_1667_1723'></a><p><b>CENTLIVRE, MRS. SUSANNA (1667-1723).</b> +—Dramatist and +actress, was the <i>dau.</i> of a gentleman of the name of either Rawkins +or Freeman, who appears to have belonged either to Lincolnshire or +Ireland, or was perhaps connected with both, and who suffered at +the hands of the Stuarts. She <i>m.</i> at 16, lost her husband in a +year, then <i>m.</i> an officer, who fell in a duel in 18 months, and +finally, in 1706, <i>m.</i> Joseph C., cook to Queen Anne, with whom she +lived happily for the rest of her days. She wrote 18 or 19 plays, +well constructed and amusing, among which may be mentioned +<i>The Perjured Husband</i> (1700), <i>The Busybody</i> (1709), <i>The Warder</i> +(1714), and <i>A Bold Stroke for a Wife</i> (1717). She was a strong Whig, +and sometimes made her plays the medium of expressing her +political opinions.</p><br /> + +<a name='CHALKHILL_JOHN_fl_1600'></a><p><b>CHALKHILL, JOHN (<i>fl.</i> 1600).</b> +—Poet, mentioned by Izaak +Walton as having written a pastoral poem, <i>Thealma and Clearchus</i>. +As nothing else is known of him it has been held by some that the +name was a <i>nom-de-plume</i> of W. himself. It has been shown, however, +that a gentleman of the name existed during the reign of +Elizabeth. W. says he was a friend of Spenser, and that his life +was "useful, quiet, and virtuous."</p><br /> + +<a name='CHALMERS_GEORGE_1742_1825'></a><p><b>CHALMERS, GEORGE (1742-1825).</b> +—Antiquary, <i>b.</i> at +Fochabers, Elginshire, emigrated to America and practised law in +Baltimore; but on the outbreak of the Revolutionary War returned +to Britain, and settled in London as a clerk in the Board of Trade. +He <i>pub.</i> in 1780 a <i>History of the United Colonies</i>, and wrote lives of +Sir David Lyndsay, De Foe, and Mary Queen of Scots. His great +work, however, is his <i>Caledonia</i>, of which 3 vols. had been <i>pub.</i> at +his death. It was to have been a complete <i>coll.</i> of the topography +and antiquities of Scotland; and, as it stands, is a monument +of industry and research, though not always trustworthy in +disputed points. Besides those mentioned, C. was the author of +many other works on political, historical, and literary subjects, and +had projected several which he was unable to carry out.</p><br /> + +<a name='CHALMERS_THOMAS_1780_1847'></a><p><b>CHALMERS, THOMAS (1780-1847).</b> +—Divine, economist, +and philanthropist, <i>b.</i> at Anstruther, Fife, <i>s.</i> of a shipowner and +merchant, studied at St. Andrews and, entering the ministry of +the Church of Scotland, was first settled in the small parish of +Kilmeny, Fife, but, his talents and eloquence becoming known, he +was, in 1815, translated to Glasgow, where he was soon recognised +as the most eloquent preacher in Scotland, and where also he +initiated his schemes for the management of the poor. In 1823, +<a name='Page_78'></a>he became Prof. of Moral Philosophy at St. Andrews, and in 1828 +of Divinity in Edin. In 1834 he began his great scheme of +Church extension, the result of which was that in seven years +£300,000 had been raised, and 220 churches built. In the same +year, 1834, began the troubles and controversies in regard to +patronage and the relations of Church and State, which in 1843 +ended in the disruption of the Church, when 470 ministers with +C. at their head, resigned their benefices, and founded the Free +Church of Scotland. C. was chosen its first Moderator and Principal +of its Theological Coll. in Edin. The remaining four years of +his life were spent in organising the new Church, and in works +of philanthropy. He was found dead in bed on the morning of +May 30, 1847. His chief works, which were <i>coll.</i> and <i>pub.</i> in 34 +vols., relate to natural theology, evidences of Christianity, political +economy, and general theology and science. Those which perhaps +attracted most attention were his <i>Astronomical Discourses</i> and his +<i>Lectures on Church Establishments</i>, the latter delivered in London to +audiences containing all that was most distinguished in rank and +intellect in the country. The style of C. is cumbrous, and often +turgid, but the moral earnestness, imagination, and force of intellect +of the writer shine through it and irradiate his subjects. And yet +the written is described by contemporaries to have been immeasurably +surpassed by the spoken word, which carried away the hearer +as in a whirlwind. And the man was even greater than his achievements. +His character was one of singular simplicity, nobility, and +lovableness, and produced a profound impression on all who came +under his influence. The character of his intellect was notably +practical, as is evidenced by the success of his parochial administration +and the "Sustentation Fund," devised by him for the support +of the ministry of the Free Church. He was D.D., LL.D., D.C.L. +(Oxon.), and a Corresponding Member of the Institute of France.</p> + +<p><i>Memoirs</i> (Hanna, 4 vols.). Smaller works by Prof. Blaikie (1897), +Mrs. Oliphant (1893), and many others.</p><br /> + +<a name='CHAMBERLAYNE_WILLIAM_1619_1689'></a><p><b>CHAMBERLAYNE, WILLIAM (1619-1689).</b> +—Poet, practised +medicine at Shaftesbury. On the outbreak of the Civil War he +joined the Royalists and fought at the second battle of Newbury. +He wrote a play, <i>Loves Victory</i> (1658), and an epic <i>Pharonnida</i> +(1659). With occasional beauties he is, in the main, heavy and +stiff, and is almost forgotten. He influenced Keats.</p><br /> + +<a name='CHAMBERS_ROBERT_1802_1871'></a><p><b>CHAMBERS, ROBERT (1802-1871).</b> +—Historical and scientific +writer, was <i>b.</i> at Peebles. Early dependent on his own exertions, +he started business as a bookseller in Edin. at the age of +16, devoting all his spare time to study, to such purpose that in +1824 he <i>pub.</i> <i>Traditions of Edinburgh</i>, a work in which he had the +assistance of Sir W. Scott. Thereafter he poured forth a continuous +stream of books and essays on historical, social, antiquarian, and +scientific subjects. He joined his brother <a href='#CHAMBERS_WILLIAM_1800_1883'>William</a> (<i>q.v.</i>) in establishing +the publishing firm of W. and R. Chambers, and in starting +<i>Chambers's Journal</i>, to which he was a constant contributor. Later +ventures were <i>The Cyclopedia of English Literature</i> (1842-44), of +which several ed. have appeared (last 1903-6). and <i>Chambers's +Cyclopædia</i> (10 vols. 1859-68; new 1888-92). Among his own +<a name='Page_79'></a>works may be mentioned <i>Vestiges of Creation</i>, <i>pub.</i> anonymously +(1844), a precursor of Darwinism, <i>A Life of Burns</i> (1851), <i>Popular +Rhymes of Scotland</i> (1847), <i>History of the Rebellions in Scotland</i>, +<i>Domestic Annals of Scotland</i> (1859-61), <i>Ancient Sea Margins</i> (1848), +<i>Dictionary of Eminent Scotsmen</i> and <i>The Book of Days</i> (1863). He +was LL.D. of St. Andrews.</p><br /> + +<a name='CHAMBERS_WILLIAM_1800_1883'></a><p><b>CHAMBERS, WILLIAM (1800-1883).</b> +—Publisher and miscellaneous +author, <i>b.</i> at Peebles, started in 1832 with his brother +<a href='#CHAMBERS_ROBERT_1802_1871'>Robert</a> (<i>q.v.</i>) <i>Chambers's Journal</i>, and soon after joined him in the +firm of W. and R. Chambers. Besides contributions to the <i>Journal</i> +he wrote several books, including a <i>History of Peeblesshire</i> (1864), +and an autobiography of himself and his brother. C. was a man of +great business capacity, and, though of less literary distinction than +his brother, did much for the dissemination of cheap and useful +literature. He was Lord Provost of Edin. 1865-69, and was an +LL.D. of the Univ. of that city. He restored the ancient church +of St. Giles there.</p><br /> + +<a name='CHAMIER_FREDERICK_1796_1870'></a><p><b>CHAMIER, FREDERICK (1796-1870).</b> +—Novelist, was in +the navy, in which he rose to the rank of Captain. Retiring in 1827, +he wrote several sea novels somewhat in the style of Marryat, including +<i>Life of a Sailor</i> (1832), <i>Ben Brace</i>, <i>Jack Adams</i>, and <i>Tom +Bowling</i> (1841). He also continued James's <i>Naval History</i>, and +wrote books of travel.</p><br /> + +<a name='CHANNING_WILLIAM_ELLERY_1780_1842'></a><p><b>CHANNING, WILLIAM ELLERY (1780-1842).</b> +—American +Divine, <i>b.</i> at Newport, Rhode Island, was for a time a minister in +the Congregationalist Church, but became the leader of the Unitarians +in New England. He had a powerful influence on the thought and +literature of his time in America, and was the author of books on +Milton and Fénelon, and on social subjects. The elevation and +amiability of his character caused him to be held in high esteem. +He did not class himself with Unitarians of the school of Priestley, +but claimed to "stand aloof from all but those who strive and pray +for clearer light."</p><br /> + +<a name='CHAPMAN_GEORGE_1559_1634'></a><p><b>CHAPMAN, GEORGE (1559-1634).</b> +—Dramatist and translator, +was <i>b.</i> near Hitchin, and probably <i>ed.</i> at Oxf. and Camb. +He wrote many plays, including <i>The Blind Beggar of Alexandria</i> +(1596), <i>All Fools</i> (1599), <i>A Humerous Daye's Myrthe</i> (1599), <i>Eastward +Hoe</i> (with Jonson), <i>The Gentleman Usher</i>, <i>Monsieur d'Olive</i>, etc. +As a dramatist he has humour, and vigour, and occasional poetic +fire, but is very unequal. His great work by which he lives in +literature is his translation of Homer. The <i>Iliad</i> was <i>pub.</i> in 1611, +the <i>Odyssey</i> in 1616, and the <i>Hymns</i>, etc., in 1624. The work is full +of energy and spirit, and well maintains its place among the many +later translations by men of such high poetic powers as Pope and +Cowper, and others: and it had the merit of suggesting Keats's +immortal Sonnet, in which its name and memory are embalmed for +many who know it in no other way. C. also translated from +Petrarch, and completed Marlowe's unfinished <i>Hero and Leander</i>.</p><br /> + +<a name='CHAPONE_HESTER_MULSO_1727_1801'></a><p><b>CHAPONE, HESTER (MULSO) (1727-1801).</b> +—Miscellaneous +writer, <i>dau.</i> of a gentleman of Northamptonshire, was <i>m.</i> to a +<a name='Page_80'></a>solicitor, who <i>d.</i> a few months afterwards. She was one of the +learned ladies who gathered round <a href='#MONTAGU_ELIZABETH_ROBINSON_1720_1800'>Mrs. Montague</a> (<i>q.v.</i>), and was +the author of <i>Letters on the Improvement of the Mind</i> and <i>Miscellanies</i>.</p><br /> + +<a name='CHARLETON_WALTER_1619_1707'></a><p><b>CHARLETON, WALTER (1619-1707).</b> +—Miscellaneous +writer, <i>ed.</i> at Oxf., was titular physician to Charles I. He was a +copious writer on theology, natural history, and antiquities, and +<i>pub.</i> <i>Chorea Gigantum</i> (1663) to prove that Stonehenge was built +by the Danes. He was also one of the "character" writers, and +in this kind of literature wrote <i>A Brief Discourse concerning the +Different Wits of Men</i> (1675).</p><br /> + +<a name='CHATTERTON_THOMAS_1752_1770'></a><p><b>CHATTERTON, THOMAS (1752-1770).</b> +—Poet, <i>b.</i> at Bristol, +posthumous <i>s.</i> of a schoolmaster, who had been a man of some reading +and antiquarian tastes, after whose death his mother maintained +herself and her boy and girl by teaching and needlework. A black-letter +Bible and an illuminated music-book belonging to her were +the first things to give his mind the impulse which led to such +mingled glory and disaster. Living under the shadow of the great +church of St. Mary Redcliffe, his mind was impressed from infancy +with the beauty of antiquity, he obtained access to the charters +deposited there, and he read every scrap of ancient literature that +came in his way. At 14 he was apprenticed to a solicitor named +Lambert, with whom he lived in sordid circumstances, eating in the +kitchen and sleeping with the foot-boy, but continuing his favourite +studies in every spare moment. In 1768 a new bridge was opened, +and C. contributed to a local newspaper what purported to be a +contemporary account of the old one which it superseded. This +attracted a good deal of attention. Previously to this he had been +writing verses and imitating ancient poems under the name of +Thomas Rowley, whom he feigned to be a monk of the 15th century. +Hearing of H. Walpole's collections for his <i>Anecdotes of Painting in +England</i>, he sent him an "ancient manuscript" containing biographies +of certain painters, not hitherto known, who had flourished +in England centuries before. W. fell into the trap, and wrote asking +for all the MS. he could furnish, and C. in response forwarded +accounts of more painters, adding some particulars as to himself +on which W., becoming suspicious, submitted the whole to <a href='#GRAY_THOMAS_1716_1771'>T. Gray</a> +and <a href='#MASON_WILLIAM_1724_1797'>Mason</a> (<i>q.v.</i>), who pronounced the MS. to be forgeries. Some +correspondence, angry on C.'s part, ensued, and the whole budget +of papers was returned. C. thereafter, having been dismissed by +Lambert, went to London, and for a short time his prospects seemed +to be bright. He worked with feverish energy, threw off poems, +satires, and political papers, and meditated a history of England; +but funds and spirits failed, he was starving, and the failure to +obtain an appointment as ship's surgeon, for which he had applied, +drove him to desperation, and on the morning of August 25, 1770, he +was found dead from a dose of arsenic, surrounded by his writings torn +into small pieces. From childhood C. had shown a morbid familiarity +with the idea of suicide, and had written a last will and testament, +"executed in the presence of Omniscience," and full of wild and +profane wit. The magnitude of his tragedy is only realised when it +is considered not only that the poetry he left was of a high order of +originality and imaginative power, but that it was produced at an +<a name='Page_81'></a>age at which our greatest poets, had they died, would have remained +unknown. Precocious not only in genius but in dissipation, proud +and morose as he was, an unsympathetic age confined itself mainly +to awarding blame to his literary and moral delinquencies. +Posterity has weighed him in a juster balance, and laments the +early quenching of so brilliant a light. His <i>coll.</i> works appeared in +1803, and another ed. by Prof. Street in 1875. Among these are +<i>Elinoure and Juga</i>, <i>Balade of Charitie</i>, <i>Bristowe Tragedie</i>, <i>Ælla</i>, and +<i>Tragedy of Godwin</i>.</p> + +<p>The best account of his life is the Essay by Prof. Masson.</p><br /> + +<a name='CHAUCER_GEOFFREY_1340_1400'></a><p><b>CHAUCER, GEOFFREY (1340?-1400).</b> +—Poet, was <i>b.</i> in +London, the <i>s.</i> of John C., a vintner of Thames Street, who had also +a small estate at Ipswich, and was occasionally employed on service +for the King (Edward III.), which doubtless was the means of his +son's introduction to the Court. The acquaintance which C. displays +with all branches of the learning of his time shows that he must +have received an ample education; but there is no evidence +that he was at either of the Univ. In 1357 he appears as a page +to the Lady Elizabeth, wife of Lionel Duke of Clarence, and in +1359 he first saw military service in France, when he was made a +prisoner. He was, however, ransomed in 1360. About 1366 he was +married to Philippa, <i>dau.</i> of Sir Payne Roet, one of the ladies of the +Duchess of Lancaster, whose sister Katharine, widow of Sir Hugh +Swynford, became the third wife of John of Gaunt. Previous to this +he had apparently been deeply in love with another lady, whose rank +probably placed her beyond his reach; his disappointment finding +expression in his <i>Compleynt to Pité</i>. In 1367 he was one of the +valets of the King's Chamber, a post always held by gentlemen, and +received a pension of 20 marks, and he was soon afterwards one of +the King's esquires. In 1369 Blanche, the wife of John of Gaunt, +died, which gave occasion for a poem by C. in honour of her +memory, <i>The Dethe of Blaunche the Duchesse</i>. In the same year he +again bore arms in France, and during the next ten years he was +frequently employed on diplomatic missions. In 1370 he was sent +to Genoa to arrange a commercial treaty, on which occasion he may +have met Petrarch, and was rewarded by a grant in 1374 of a +pitcher of wine daily. In the same year he got from the corporation +of London a lease for life of a house at Aldgate, on condition of keeping +it in repair; and soon after he was appointed Comptroller of the +Customs and Subsidy of Wool, Skins, and Leather in the port of +London; he also received from the Duke of Lancaster a pension of +£10. In 1375 he obtained the guardianship of a rich ward, which +he held for three years, and the next year he was employed on a +secret service. In 1377 he was sent on a mission to Flanders to +treat of peace with the French King. After the accession of +Richard II. in that year, he was sent to France to treat for the +marriage of the King with the French Princess Mary, and thereafter +to Lombardy, on which occasion he appointed <a href='#GOWER_JOHN_1325_1408'>John Gower</a> (<i>q.v.</i>) to +act for him in his absence in any legal proceedings which might +arise. In 1382 he became Comptroller of the Petty Customs of the +port of London, and in 1385 was allowed to appoint a deputy, which, +enabled him to devote more time to writing. He had in 1373 +<a name='Page_82'></a>begun his <i>Canterbury Tales</i>, on which he was occupied at intervals +for the rest of his life. In 1386 C. was elected Knight of the Shire +for Kent, a county with which he appears to have had some connection, +and where he may have had property. His fortunes now +suffered some eclipse. His patron, John of Gaunt, was abroad, and +the government was presided over by his brother Gloucester, who +was at feud with him. Owing probably to this cause, C. was in +December, 1386, dismissed from his employments, leaving him +with no income beyond his pensions, on which he was obliged to +raise money. His wife also died at the same time. In 1389, however, +Richard took the government into his own hands, and +prosperity returned to C., whose friends were now in power, and he +was appointed Clerk of the King's works. This office, however, he +held for two years only, and again fell into poverty, from which he +was rescued in 1394 by a pension from the King of £20. On the +accession of Henry IV. (1399) an additional pension of 40 marks +was given him. In the same year he took a lease of a house at +Westminster, where he probably <i>d.</i>, October 25, 1400. He is buried +in Poets' Corner, Westminster Abbey, where a monument to him +was erected by Nicholas Brigham, a minor poet of the 16th century. +According to some authorities he left two sons, Thomas, who became +a man of wealth and importance, and Lewis, who died young, the +little ten-year-old boy to whom he addressed the treatise on the +<i>Astrolabe</i>. Others see no evidence that Thomas was any relation +of the poet. An Elizabeth C., placed in the Abbey of Barking by +John of Gaunt, was probably his <i>dau.</i> In person C. was inclined to +corpulence, "no poppet to embrace," of fair complexion with "a +beard the colour of ripe wheat," an "elvish" expression, and an +eye downcast and meditative.</p> + +<p>Of the works ascribed to C. several are, for various reasons, of +greater or less strength, considered doubtful. These include <i>The +Romaunt of the Rose</i>, <i>Chaucer's Dream</i>, and <i>The Flower and the Leaf</i>. +After his return from Italy about 1380 he entered upon his period +of greatest productiveness: <i>Troilus and Criseyde</i> (1382?), <i>The +Parlement of Foules</i> (1382?), <i>The House of Fame</i> (1384?), and <i>The +Legende of Goode Women</i> (1385), belong to this time. The first of +them still remains one of the finest poems of its kind in the language. +But the glory of C. is, of course, the <i>Canterbury Tales</i>, a work which +places him in the front rank of the narrative poets of the world. It +contains about 18,000 lines of verse, besides some passages in prose, +and was left incomplete. In it his power of story-telling, his +humour, sometimes broad, sometimes sly, his vivid picture-drawing, +his tenderness, and lightness of touch, reach their highest development. +He is our first artist in poetry, and with him begins modern +English literature. His character—genial, sympathetic, and +pleasure-loving, yet honest, diligent, and studious—is reflected in +his writings.</p> + +<p>SUMMARY.—<i>B.</i> 1340, fought in France 1359, by his marriage in +1366 became connected with John of Gaunt, employed on diplomatic +missions 1369-79, Controller of Customs, etc., <i>c.</i> 1374, began <i>Canterbury +Tales</i> 1373, elected to Parliament 1386, loses his appointments +1386, Clerk of King's Works 1389-91, pensioned by Richard II. and +Henry IV., <i>d.</i> <i>c.</i> 1400.</p><a name='Page_83'></a> + +<p>The best ed. of C. is <i>The Complete Works of Geoffrey Chaucer</i> (6 +vols. 1894), ed. by Prof. Skeat. Others are Thos. Wright's for the +Percy Society (1842), and Richard Morris's in Bell's Aldine Classics +(1866).</p><br /> + +<a name='CHERRY_ANDREW_1762_1812'></a><p><b>CHERRY, ANDREW (1762-1812).</b> +—Dramatist, <i>s.</i> of a bookseller +at Limerick, was a successful actor, and managed theatres in +the provinces. He also wrote some plays, of which <i>The Soldier's +Daughter</i> is the best. His chief claim to remembrance rests on his +three songs, <i>The Bay of Biscay</i>, <i>The Green Little Shamrock</i>, and <i>Tom +Moody</i>.</p><br /> + +<a name='CHESTERFIELD_PHILIP_DORMER_STANHOPE_4TH_EARL_OF_1694_1773'></a><p><b>CHESTERFIELD, PHILIP DORMER STANHOPE, 4TH EARL OF (1694-1773).</b> +—Statesman +and letter-writer, was the eldest <i>s.</i> of the +3rd Earl. After being at Trinity Coll., Camb., he sat in the House +of Commons until his accession to the peerage in 1726. He filled +many high offices, including those of Ambassador to Holland, +Lord Lieutenant of Ireland, and Sec. of State. He was distinguished +for his wit, conversational powers, and grace of manner. +His place in literature is fixed by his well-known <i>Letters</i> addressed +to his natural son, Philip Dormer Stanhope. Though brilliant, and +full of shrewdness and knowledge of the world, they reflect the low +tone of morals prevalent in the age when they were written. He +was the recipient of Johnson's famous letter as to his "patronage."</p><br /> + +<a name='CHETTLE_HENRY_1565_1607'></a><p><b>CHETTLE, HENRY (1565-1607?).</b> +—Dramatist. Very little +is known of him. He ed. R. Greene's <i>Groat's-worth of Wit</i> (1592), +is believed to have written 13 and collaborated in 35 plays. He also +wrote two satires, <i>Kind Harts Dreame</i> (1593), and <i>Pierre Plainnes +Prentship</i> (1595). He was imprisoned for debt 1599.</p> + +<p>Among his own plays, which have considerable merit, is <i>Hoffmann</i>, +which has been reprinted, and he had a hand in <i>Patient Grissill</i> +(1603) (which may have influenced Shakespeare in the <i>Merry Wives +of Windsor</i>), <i>The Blind Beggar of Bethnal Green</i>, and <i>Jane Shore</i>.</p><br /> + +<a name='CHILD_FRANCIS_J_1825_1896'></a><p><b>CHILD, FRANCIS J. (1825-1896).</b> +—English scholar, <i>b.</i> at +Boston, Mass., was a prof. at Harvard, one of the foremost students +of early English, and especially of ancient ballads in America. He +ed. the American ed. of English Poets in 130 vols., and English and +Scottish Ballads. He was also a profound student of Chaucer, and +<i>pub.</i> <i>Observations on the Language of Chaucer</i>, and <i>Observations on the +Language of Gower's Confessio Amantis</i>.</p><br /> + +<a name='CHILD_MRS_LYDIA_MARIA_FRANCIS_1802_1880'></a><p><b>CHILD, MRS. LYDIA MARIA (FRANCIS) (1802-1880).</b> +—Was +the author of many once popular tales, <i>Hobomok</i>, <i>The Rebels</i>, +<i>Philothes</i>, etc.</p><br /> + +<a name='CHILLINGWORTH_WILLIAM_1602_1644'></a><p><b>CHILLINGWORTH, WILLIAM (1602-1644).</b> +—Theologian +and controversialist, <i>b.</i> and <i>ed.</i> at Oxf., was godson of Archbishop +Laud. Falling into theological doubts he subsequently became a +convert to Roman Catholicism, and studied at the Jesuit Coll. at +Douay, 1630. In the following year he returned to Oxf., and +after further consideration of the points at issue, he rejoined the +Church of England, 1634. This exposed him to violent attacks on +the part of the Romanists, in reply to which he <i>pub.</i> in 1637 his +<a name='Page_84'></a>famous polemic, <i>The Religion of the Protestants a Safe Way to Salvation</i>, +characterised by clear style and logical reasoning. For a +time he refused ecclesiastical preferment, but ultimately his scruples +were overcome, and he became Prebendary and Chancellor of Salisbury. +C. is regarded as one of the ablest controversialists of the +Anglican Church.</p><br /> + +<a name='CHURCH_RICHARD_WILLIAM_1815_1890'></a><p><b>CHURCH, RICHARD WILLIAM (1815-1890).</b> +—Divine, historian, +and biographer, was <i>b.</i> at Lisbon, and <i>ed.</i> at Oxf., where he +became a friend of <a href='#NEWMAN_JOHN_HENRY_1801_1890'>J.H. Newman</a> (<i>q.v.</i>). He took orders, and became +Rector of Whatley, Somerset, and in 1871 Dean of St. Paul's. He +was a leading member of the High Church party, but was held in +reverence by many who did not sympathise with his ecclesiastical +views. Among his writings are <i>The Beginning of the Middle Ages</i> +(1877), and a memoir on <i>The Oxford Movement</i> (1891), <i>pub.</i> posthumously. +He also wrote Lives of Anselm, Dante, Spenser, and Bacon.</p><br /> + +<a name='CHURCHILL_CHARLES_1731_1764'></a><p><b>CHURCHILL, CHARLES (1731-1764).</b> +—Satirist, <i>s.</i> of a +clergyman, was <i>ed.</i> at Westminster School, and while still a schoolboy +made a clandestine marriage. He entered the Church, and on +the death of his <i>f.</i> in 1758 succeeded him in the curacy and lectureship +of St. John's, Westminster. In 1761 he <i>pub.</i> the <i>Rosciad</i>, in +which he severely satirised the players and managers of the day. +It at once brought him both fame and money; but he fell into +dissipated habits, separated from his wife, and outraged the proprieties +of his profession to such an extent that he was compelled +to resign his preferments. He also incurred the enmity of those +whom he had attacked, which led to the publication of two other +satirical pieces, <i>The Apology</i> and <i>Night</i>. He also attacked Dr. +Johnson and his circle in <i>The Ghost</i>, and the Scotch in <i>The +Prophecy of Famine</i>. He attached himself to John Wilkes, on a +visit to whom, at Boulogne, he <i>d.</i> of fever.</p><br /> + +<a name='CHURCHYARD_THOMAS_1520_1604'></a><p><b>CHURCHYARD, THOMAS (1520?-1604).</b> +—Poet and miscellaneous +writer, began life as a page to the Earl of Surrey, and subsequently +passed through many vicissitudes as a soldier in Scotland, +Ireland, France, and the Low Countries. He was latterly a hanger-on +at Court, and had a pension of eighteenpence a day from Queen +Elizabeth, which was not, however, regularly paid. He wrote innumerable +pamphlets and broadsides, and some poems, of which +the best are <i>Shore's Wife</i> (1563), <i>The Worthiness of Wales</i> (1587) +<i>repub.</i> by the Spenser Society (1871), and <i>Churchyard's Chips</i> (1575), +an autobiographical piece.</p><br /> + +<a name='CIBBER_COLLEY_1671_1757'></a><p><b>CIBBER, COLLEY (1671-1757).</b> +—Actor and dramatist, <i>b.</i> +in London, <i>s.</i> of a Danish sculptor, and <i>ed.</i> at Grantham School. +Soon after his return to London he took to the stage. Beginning +with tragedy, in which he failed, he turned to comedy, and became +popular in eccentric <i>rôles</i>. In 1696 he brought out his first play, +<i>Love's Last Shift</i>, and produced in all about 30 plays, some of which +were very successful. In 1730 he was made Poet Laureate, and +wrote some forgotten odes of no merit, also an entertaining autobiography. +Pope made him the hero of the <i>Dunciad</i>.</p> + +<p>Among other plays are <i>The Nonjuror</i> (1717), <i>Woman's Wit</i>, <i>She<a name='Page_85'></a> +Would and She Would Not</i>, <i>The Provoked Husband</i> (1728) (with +Vanbrugh).</p><br /> + +<a name='CLARE_JOHN_1793_1864'></a><p><b>CLARE, JOHN (1793-1864).</b> +—Poet, <i>s.</i> of a cripple pauper, +was <i>b.</i> at Helpstone near Peterborough. His youth is the record of +a noble struggle against adverse circumstances. With great difficulty +he managed to save one pound, with which he was able to have +a prospectus of his first book of poems printed, which led to an +acquaintance with Mr. Drury, a bookseller in Stamford, by whose +help the poems were <i>pub.</i>, and brought him £20. The book, <i>Poems +descriptive of Rural Life</i> (1820), immediately attracted attention. +Various noblemen befriended him and stocked a farm for him. +But unfortunately C. had no turn for practical affairs, and got into +difficulties. He, however, continued to produce poetry, and in +addition to <i>The Village Minstrel</i>, which had appeared in 1821, +<i>pub.</i> <i>The Shepherd's Calendar</i> (1827), and <i>Rural Muse</i> (1835). +Things, however, went on from bad to worse; his mind gave way, +and he <i>d.</i> in an asylum. C. excels in description of rural scenes and +the feelings and ideas of humble country life.</p><br /> + +<a name='CLARENDON_EDWARD_HYDE_EARL_of_1608_1674'></a><p><b>CLARENDON, EDWARD HYDE, EARL of (1608-1674).</b> +—Lawyer, +statesman, and historian, <i>s.</i> of a country gentleman of good +estate in Wiltshire, was <i>b.</i> at Dinton in that county, and <i>ed.</i> at +Oxf. Destined originally for the Church, circumstances led to +his being sent to London to study law, which he did under his uncle, +Sir Nicholas H., Chief Justice of the King's Bench. In early life he +was the friend of all the leading men of the day. Entering Parliament +in 1640 he at first supported popular measures, but, on the +outbreak of the Civil War, attached himself to the King, and was +the author of many of his state papers. From 1648 until the +Restoration C. was engaged in various embassies and as a counsellor +of Charles II., who made him in 1658 his Lord Chancellor, an +office in which he was confirmed at the Restoration, when he also +became Chancellor of the Univ. of Oxf., and was likewise raised +to the peerage. His power and influence came to an end, however, +in 1667, when he was dismissed from all his offices, was impeached, +and had to fly to France. The causes of his fall were partly the +miscarriage of the war with Holland, and the sale of Dunkirk, and +partly the jealousy of rivals and the intrigues of place hunters, +whose claims he had withstood. In his enforced retirement he +engaged himself in completing his great historic work, <i>The History +of the Rebellion and Civil Wars in England</i>, which he had begun in +1641, and which was not <i>pub.</i> until 1702-4. C.'s style is easy, +flowing, diffuse, and remarkably modern, with an occasional want +of clearness owing to his long and involved sentences. His great +strength is in character-painting, in which he is almost unrivalled. +The <i>History</i> was followed by a supplementary <i>History of the Civil +War in Ireland</i> (1721). C. also wrote an autobiography, <i>The Life +of Edward Earl of Clarendon</i> (1759), a reply to the <i>Leviathan</i> of +Hobbes, and <i>An Essay on the Active and Contemplative Life</i>, in +which the superiority of the former is maintained. C. <i>d.</i> at Rouen. +He was a man of high personal character, and great intellect and +sagacity, but lacking in the firmness and energy necessary for the +troublous times in which he lived. His <i>dau.</i> Anne married the<a name='Page_86'></a> +Duke of York, afterwards James II., a connection which involved +him in much trouble and humiliation.</p> + +<p>Agar Ellis's <i>Historical Enquiry respecting the Character of +Clarendon</i> (1827), <i>Life</i> by T.H. Lister (1838), <i>History</i> (Macray, 6 +vols., 1888).</p><br /> + +<a name='CLARKE_CHARLES_COWDEN_1787_1877'></a><p><b>CLARKE, CHARLES COWDEN (1787-1877).</b> +—Writer on +Shakespeare, was a publisher in London. He lectured on Shakespeare +and on European literature. Latterly he lived in France +and Italy. His wife, MARY C.-C. (1809-1898), <i>dau.</i> of V. Novello, +musician, compiled a complete <i>Concordance to Shakespeare</i> (1844-45), +and wrote <i>The Shakespeare Key</i> (1879) and, with her husband, +<i>Recollections of Writers</i> (1878).</p><br /> + +<a name='CLARKE_MARCUS_1846_1881'></a><p><b>CLARKE, MARCUS (1846-1881).</b> +—Novelist, <i>b.</i> in London, +the <i>s.</i> of a barrister. After a somewhat wild youth he went to +Australia where, after more than one failure to achieve success in +business, he took to journalism on the staff of the <i>Melbourne Argus</i>, +with brilliant results. He wrote two novels, <i>Long Odds</i> and <i>For the +Term of his Natural Life</i> (1874), the latter, which is generally considered +his masterpiece, dealing in a powerful and realistic manner +with transportation and convict labour. He also wrote many +short tales and dramatic pieces. After a turbulent and improvident +life he <i>d.</i> at 35. In addition to the works above mentioned, he +wrote <i>Lower Bohemia in Melbourne</i>, <i>The Humbug Papers</i>, <i>The +Future Australian Race</i>. As a writer he was keen, brilliant, and +bitter.</p><br /> + +<a name='CLARKE_SAMUEL_1675_1729'></a><p><b>CLARKE, SAMUEL (1675-1729).</b> +—Divine and metaphysician, +<i>b.</i> at Norwich, was <i>ed.</i> at Camb., where he became the friend +and disciple of Newton, whose System of the Universe he afterwards +defended against Leibnitz. In 1704-5 he delivered the Boyle +lectures, taking for his subject, <i>The Being and Attributes of God</i>, and +assuming an intermediate position between orthodoxy and Deism. +In 1712 he <i>pub.</i> views on the doctrine of the Trinity which involved +him in trouble, from which he escaped by a somewhat unsatisfactory +explanation. He was, however, one of the most powerful opponents +of the freethinkers of the time. In addition to his theological +writings C. <i>pub.</i> an ed. of the <i>Iliad</i>, a Latin translation of the +<i>Optics</i> of Newton, on whose death he was offered the Mastership of +the Mint, an office worth £1500 a year, which, however, he declined. +The talents, learning, and amiable disposition of C. gave him a high +place in the esteem of his contemporaries. In the Church he held +various preferments, the last being that of Rector of St. James's, +Westminster. He was also Chaplain to Queen Anne. His style +is cold, dry, and precise.</p><br /> + +<a name='CLEVELAND_JOHN_1613_1658'></a><p><b>CLEVELAND, JOHN (1613-1658).</b> +—Poet, <i>s.</i> of an usher in +a charity school, was <i>b.</i> at Loughborough, and <i>ed.</i> at Camb., where +he became coll. tutor and lecturer on rhetoric at St. John's, and +was much sought after. A staunch Royalist, he opposed the election +of Oliver Cromwell as member for Camb. in the Long Parliament, +and was in consequence ejected from his coll. in 1645. Joining +the King, by whom he was welcomed, he was appointed to the office +<a name='Page_87'></a>of Judge Advocate at Newark. In 1646, however, he was deprived +of this, and wandered about the country dependent on the bounty +of the Royalists. In 1655 he was imprisoned at Yarmouth, but +released by Cromwell, to whom he appealed, and went to London, +where he lived in much consideration till his death. His best +work is satirical, giving a faint adumbration of <i>Hudibras</i>; his other +poems, with occasional passages of great beauty, being affected and +artificial. The <i>Poems</i> were <i>pub.</i> in 1656.</p><br /> + +<a name='CLINTON_HENRY_FYNES_1781_1852'></a><p><b>CLINTON, HENRY FYNES (1781-1852).</b> +—Chronologist, <i>b.</i> at +Gamston, Notts, <i>ed.</i> at Southwell, Westminster, and Oxf., where he +devoted himself chiefly to the study of Greek. Brought into Parliament +by the Duke of Newcastle in 1806, he took no active part in +political life, and retired in 1826. He bought in 1810 the estate of +Welwyn, and there he entered upon wide and profound studies bearing +upon classical chronology, and wrote various important treatises +on the subject, viz., <i>Fasti Hellenici, Civil and Literary Chronology +of Greece</i>, part i. (1824), part ii. (1827), part iii. (1830), part iv. +(1841), <i>Fasti Romani, Civil and Literary Chronology of Rome and +Constantinople</i>, vol. i. (1850), vol. ii. (1851), <i>An Epitome of the Civil +and Literary Chronology of Greece</i> (1851), the same for Rome (1853). +He also wrote a tragedy, <i>Solyman</i>, which was a failure.</p><br /> + +<a name='CLOUGH_ARTHUR_HUGH_1819_1861'></a><p><b>CLOUGH, ARTHUR HUGH (1819-1861).</b> +—Poet, <i>s.</i> of a +cotton merchant in Liverpool, he spent his childhood in America, +but was sent back to England for his education, which he received +at Rugby and Oxf. While at the Univ., where he was tutor and +Fellow of Oriel, he fell under the influence of Newman, but afterwards +became a sceptic and resigned his Fellowship in 1848. In the +same year he <i>pub.</i> his poem, <i>The Bothie of Tober-na-Vuolich</i>, written +in hexameters. After travelling on the Continent for a year, he +was in 1849 appointed Warden of Univ. Hall, London. In 1849 +appeared <i>Amours de Voyage</i>, a rhymed novelette, and the more +serious work, <i>Dipsychus</i>. In 1854 he was appointed an examiner in +the Education Office, and married. His last appointment was as +Sec. of a Commission on Military Schools, in connection with +which he visited various countries, but was seized with illness, and +<i>d.</i> at Florence. C. was a man of singularly sincere character, with a +passion for truth. His poems, though full of fine and subtle thought, +are, with the exception of some short lyrics, deficient in form, and +the hexameters which he employed in <i>The Bothie</i> are often rough, +though perhaps used as effectively as by any English verse-writer. +M. Arnold's <i>Thyrsis</i> was written in memory of C.</p><br /> + +<a name='COBBE_FRANCES_POWER_1822_1904'></a><p><b>COBBE, FRANCES POWER (1822-1904).</b> +—Theological and +social writer, was <i>b.</i> near Dublin. Coming under the influence of +Theodore Parker, she became a Unitarian. Her first work, <i>pub.</i> +anonymously, was on <i>The Intuitive Theory of Morals</i> (1855). She +travelled in the East, and <i>pub.</i> <i>Cities of the Past</i> (1864). Later +she became interested in social questions and philanthropic work, +and wrote many books on these and kindred subjects, including +<i>Criminals</i>, <i>Idiots</i>, <i>Women</i> and <i>Minors</i> (1869), <i>Darwinism in Morals</i> +(1872), and <i>Scientific Spirit of the Age</i> (1888). She was a strong +opponent of vivisection<a name='Page_88'></a>.</p><br /> + +<a name='COBBETT_WILLIAM_1762_1835'></a><p><b>COBBETT, WILLIAM (1762-1835).</b> +—Essayist and political +writer, <i>b.</i> at Farnham, Surrey, <i>s.</i> of a small farmer, his youth was +spent as a farm labourer, a clerk, and in the army, in which his good +conduct and intelligence led to his promotion to the rank of sergeant-major. +After moving about between England and America, +and alternating between journalism and agriculture, in the former +of which his daring opposition to men in power got him into frequent +trouble and subjected him to heavy fines in both countries, +he settled down in England in 1800, and continued his career as a +political writer, first as a Tory and then as a Radical. His violent +changes of opinion, and the force and severity with which he expressed +himself naturally raised up enemies in both camps. In 1817 +he went back to America, where he remained for two years. Returning +he stood, in 1821, for a seat in Parliament, but was unsuccessful. +In 1832, however, he was returned for Oldham, but made +no mark as a speaker. C. was one of the best known men of his day. +His intellect was narrow, but intensely clear, and he was master of +a nervous and idiomatic English style which enabled him to project +his ideas into the minds of his readers. His chief writings are +<i>English Grammar</i>, <i>Rural Rides</i>, <i>Advice to Young Men and Women</i>. +His <i>Weekly Political Register</i> was continued from 1802 until his +death.</p><br /> + +<a name='COCKBURN_HENRY_1779_1854'></a><p><b>COCKBURN, HENRY (1779-1854).</b> +—Scottish judge and +biographer, <i>b.</i> (probably) and <i>ed.</i> in Edin., became a distinguished +member of the Scottish Bar, and ultimately a judge. He was also one +of the leaders of the Whig party in Scotland in its days of darkness +prior to the Reform Act of 1832. The life-long friend of Francis +Jeffrey, he wrote his life, <i>pub.</i> in 1852. His chief literary work, +however, is his <i>Memorials of his Time</i> (1856), continued in his +<i>Journal</i> (1874). These constitute an autobiography of the writer +interspersed with notices of manners, public events, and sketches of +his contemporaries, of great interest and value.</p><br /> + +<a name='COCKTON_HENRY_1807_1852'></a><p><b>COCKTON, HENRY (1807-1852).</b> +—Novelist, <i>b.</i> in London, +is only remembered as an author for his novel of <i>Valentine Vox</i> +(1840), the adventures of a ventriloquist.</p><br /> + +<a name='COLENSO_JOHN_WILLIAM_1814_1883'></a><p><b>COLENSO, JOHN WILLIAM (1814-1883).</b> +—Mathematician +and Biblical critic, <i>b.</i> at St. Austell, Cornwall, and <i>ed.</i> at St. John's +Coll., Camb., where he was a tutor, entered the Church, and <i>pub.</i> +various mathematical treatises and <i>Village Sermons</i>. In 1853 he +was appointed first Bishop of Natal. He mastered the Zulu +language, introduced printing, wrote a Zulu grammar and dictionary, +and many useful reading-books for the natives. His <i>Commentary +on the Romans</i> (1861) excited great opposition from the High Church +party, and his <i>Critical Examination of the Pentateuch</i> (1862-1879), by +its then extreme views, created great alarm and excitement. He +was in 1863 deposed and excommunicated by Bishop Gray of Cape +Town, but confirmed in his see by the Courts of Law. His theological +writings are now largely superseded; but his mathematical +text-books, for the writing of which he was much better equipped, +hold their place<a name='Page_89'></a>.</p><br /> + +<a name='COLERIDGE_HARTLEY_1796_1849'></a><p><b>COLERIDGE, HARTLEY (1796-1849).</b> +—Poet, eldest <i>s.</i> of +<a href='#COLERIDGE_SAMUEL_TAYLOR_1772_1834'>Samuel T.C.</a> (<i>q.v.</i>), <i>b.</i> at Clevedon, spent his youth at Keswick +among the "Lake poets." His early education was desultory, but +he was sent by Southey to Oxf. in 1815. His talents enabled him to +win a Fellowship, but the weakness of his character led to his being +deprived of it. He then went to London and wrote for magazines. +From 1823 to 1828 he tried keeping a school at Ambleside, which +failed, and he then led the life of a recluse at Grasmere until his +death. Here he wrote <i>Essays</i>, <i>Biographia Borealis</i> (lives of +worthies of the northern counties) (1832), and a <i>Life of Massinger</i> +(1839). He is remembered chiefly for his <i>Sonnets</i>. He also left unfinished +a drama, <i>Prometheus</i>.</p><br /> + +<a name='COLERIDGE_SAMUEL_TAYLOR_1772_1834'></a><p><b>COLERIDGE, SAMUEL TAYLOR (1772-1834).</b> +—Poet, philosopher, +and critic, <i>s.</i> of the Rev. John C., vicar and schoolmaster of +Ottery St. Mary, Devonshire, was <i>b.</i> there in 1772, the youngest of +13 children. He was at Christ's Hospital from 1782 to 1790, and +had Charles Lamb for a schoolfellow, and the famous scholar and +disciplinarian, James Boyer, for his master. Thence he proceeded +to Jesus Coll., Camb., in 1791, where he read much, but desultorily, +and got into debt. The troubles arising thence and also, apparently, +a disappointment in love, led to his going to London and enlisting +in the 15th Dragoons under the name of Silas Tomkyn Comberbacke. +He could not, however, be taught to ride, and through +some Latin lines written by him on a stable door, his real condition +was discovered, his friends communicated with, and his release +accomplished, his brothers buying him off. After this escapade he +returned (1794) to Camb. He had by this time imbibed extreme +democratic or, as he termed them, pantisocratic principles, and on +leaving Camb. in the same year he visited Oxf., where he made the +acquaintance of Southey, and discussed with him a project of founding +a "pantisocracy" on the banks of the Susquehanna, a scheme +which speedily fell through, owing firstly to want of funds, and +secondly to the circumstance of the two projectors falling in love +simultaneously with two sisters, Sarah and Edith Fricker, of whom +the former became, in 1795, the wife of C., and the latter of Southey. +C. had spent one more term at Camb., and there in Sept. 1794 his +first work, <i>The Fall of Robespierre</i>, a drama, to which Southey +contributed two acts, the second and third, was <i>pub.</i> After his +marriage he settled first at Clevedon, and thereafter at Nether +Stowey, Somerset, where he had Wordsworth for a neighbour, with +whom he formed an intimate association. About 1796 he fell into +the fatal habit of taking laudanum, which had such disastrous +effects upon his character and powers of will. In the same year +<i>Poems on various Subjects</i> appeared, and a little later <i>Ode to the Departing +Year</i>. While at Nether Stowey he was practically supported +by Thomas Poole, a tanner, with whom he had formed a +friendship. Here he wrote <i>The Ancient Mariner</i>, the first part of +<i>Christabel</i> and <i>Kubla Khan</i>, and here he joined with Wordsworth in +producing the <i>Lyrical Ballads</i>. Some time previously he had +become a Unitarian, and was much engaged as a preacher in that +body, and for a short time acted as a minister at Shrewsbury. Influenced +by Josiah and Thomas Wedgwood, who each in 1798 gave +<a name='Page_90'></a>him an annuity of £75 on condition of his devoting himself to literature, +he resigned this position, and soon afterwards went to Germany, +where he remained for over a year, an experience which profoundly +influenced the future development of his intellect. On his return +he made excursions with Southey and Wordsworth, and at the end +of 1799 went to London, where he wrote and reported for the <i>Morning +Post</i>. His great translation of Schiller's <i>Wallenstein</i> appeared +in 1800. In the same year he migrated to Greta Hall, near Keswick, +where he wrote the second part of <i>Christabel</i>. Soon after this his +health gave way, and he suffered much; and, whether as the cause +or the consequence of this, he had become a slave to opium. In +1804 he went to Malta in search of health, and there became the +friend of the governor, Sir Alexander Ball, who appointed him +his sec., in which position he showed remarkable capacity for +affairs. Resigning this occupation, of which he had become tired, +he travelled in Italy, and in the beginning of 1806 reached Rome, +where he enjoyed the friendship of Tieck, Humboldt, and Bunsen. +He returned to England in the end of 1806, and in 1808 delivered his +first course of lectures on Shakespeare at the Royal Institution, and +thereafter (1809), leaving his family at Keswick, he went to live +with Wordsworth at Grasmere. Here he started <i>The Friend</i>, a +philosophical and theological periodical, which lasted for 9 months. +That part of his annuity contributed by T. Wedgwood had been +confirmed to him by will in 1805, and this he allowed to his wife, but +in 1811 the remaining half was stopped. He delivered a second +course of lectures in London, and in 1813 his drama, <i>Remorse</i>, was +acted at Drury Lane with success. Leaving his family dependent +upon Southey, he lived with various friends, first, from 1816 to 1819, +with John Morgan at Calne. While there he <i>pub.</i> <i>Christabel</i> and +<i>Kubla Khan</i> in 1816, and in 1817 <i>Biographia Literaria</i>, <i>Sybilline +Leaves</i>, and an autobiography. In 1818 he appeared for the last +time as a lecturer. He found in 1819 a final resting-place in the +household of James Gillman, a surgeon, at Highgate. His life +thenceforth was a splendid wreck. His nervous system was shattered, +and he was a constant sufferer. Yet these last years were, in +some respects, his best. He maintained a struggle against opium +which lasted with his life, and though he ceased to write much, he +became the revered centre of a group of disciples, including such +men as Sterling, Maurice, and Hare, and thus indirectly continued +and increased his influence in the philosophic and theological +thought of his time. He returned to Trinitarianism, and a singular +and childlike humility became one of his most marked characteristics. +In 1824 he was elected an Associate of the Royal Society of Literature, +which brought him a pension of 100 guineas. His latest publications +were <i>Aids to Reflection</i> (1825) and <i>The Constitution of Church +and State</i>. After his death there were <i>pub.</i>, among other works, +<i>Table Talk</i> (1835), <i>Confessions of an Enquiring Spirit</i> (1840), <i>Letters</i> +and <i>Anima Poetæ</i> (1895).</p> + +<p>Endowed with an intellect of the first order, and an imagination +at once delicate and splendid, C., from a weakness of moral constitution, +and the lamentable habit already referred to, fell far short of +the performance which he had planned, and which included various +epic poems, and a complete system of philosophy, in which all +<a name='Page_91'></a>knowledge was to be co-ordinated. He has, however, left enough +poetry of such excellence as to place him in the first rank of English +poets, and enough philosophic, critical, and theological matter to +constitute him one of the principal intellectually formative forces +of his time. His knowledge of philosophy, science, theology, and +literature was alike wide and deep, and his powers of conversation, +or rather monologue, were almost unique. A description of him in +later life tells of "the clerical-looking dress, the thick, waving, +silver hair, the youthful coloured cheek, the indefinable mouth and +lips, the quick, yet steady and penetrating greenish-grey eye, the +slow and continuous enunciation, and the everlasting music of his +tones."</p> + +<p>SUMMARY.—<i>B.</i> 1772, <i>ed.</i> Christ's Hospital and Camb., enlists +1794 but bought off, became intimate with Southey, and proposes to +found pantisocracy, settles at Clevedon and Nether Stowey 1795, +and became friend of Wordsworth, began to take opium 1796, writes +<i>Ancient Mariner</i>, and joins W. in <i>Lyrical Ballads</i>, became Unitarian +preacher, visits Germany 1798, <i>pub.</i> translation of <i>Wallenstein</i> 1800, +settles at Greta Hall and finishes <i>Christabel</i>, goes to Malta 1804, +lectures on Shakespeare 1808, leaves his family and lives with W. +1809, and thereafter with various friends, latterly with Gillman at +Highgate, returned to Trinitarianism, <i>pub.</i> various works 1808-1825, +<i>d.</i> 1834.</p> + +<p><i>S.T. Coleridge, a Narrative</i>, J.D. Campbell (1893), also H.D. +Traill (Men of Letters Series, 1884), also Pater's <i>Appreciations</i>, De +Quincey's Works, Principal Shairp's <i>Studies in Poetry and Philosophy</i> (1868).</p><br /> + +<a name='COLERIDGE_SARA_1802_1852'></a><p><b>COLERIDGE, SARA (1802-1852).</b> +—Miscellaneous writer, +the only <i>dau.</i> of the above, <i>m.</i> her cousin, Henry Nelson C. She +translated Dobrizhöffer's <i>Account of the Abipones</i>, and <i>The Joyous +and Pleasant History ... of the Chevalier Bayard</i>. Her original +works are <i>Pretty Lessons in Verse</i>, etc. (1834), which was very popular, +and a fairy tale, <i>Phantasmion</i>. She also ed. her father's works, to +which she added an essay on Rationalism.</p><br /> + +<a name='COLET_JOHN_1467_1519'></a><p><b>COLET, JOHN (1467-1519).</b> +—Scholar and theologian, was +<i>b.</i> in London, the <i>s.</i> of a wealthy citizen, who was twice Lord Mayor. +The only survivor of a family of 22, he went to Oxf. and Paris, and +thence to Italy, where he learned Greek. He entered the Church, +and held many preferments, including the Deanery of St. Paul's. +He continued to follow out his studies, devoting himself chiefly to +St. Paul's epistles. He was outspoken against the corruptions of +the Church, and would have been called to account but for the protection +of Archbishop Warham. He devoted his great fortune to +founding and endowing St. Paul's School. Among his works are a +treatise on the Sacraments and various devotional writings. It is +rather for his learning and his attitude to the advancement of knowledge +than for his own writings that he has a place in the history of +English literature.</p><br /> + +<a name='COLLIER_JEREMY_1650_1726'></a><p><b>COLLIER, JEREMY (1650-1726).</b> +—Church historian and +controversialist, <i>b.</i> at Stow, Cambridgeshire, <i>ed.</i> at Ipswich and +Camb., entered the Church, and became Rector of Ampton, Suffolk, +<a name='Page_92'></a>lecturer of Gray's Inn, London, and ultimately a nonjuring bishop. +He was a man of war from his youth, and was engaged in controversies +almost until his death. His first important one was with +Gilbert Burnet, and led to his being imprisoned in Newgate. He +was, however, a man of real learning. His chief writings are his +<i>Ecclesiastical History of Great Britain</i> (1708-1714), and especially his +<i>Short View of the Immorality and Profaneness of the English Stage</i> +(1699), on account of which he was attacked by Congreve and +Farquhar, for whom, however, he showed himself more than a +match. The work materially helped towards the subsequent +purification of the stage.</p><br /> + +<a name='COLLINS_JOHN_d_1808'></a><p><b>COLLINS, JOHN (<i>d.</i> 1808).</b> +—Actor and writer, was a +staymaker, but took to the stage, on which he was fairly successful. +He also gave humorous entertainments and <i>pub.</i> <i>Scripscrapologia</i>, +a book of verses. He is worthy of mention for the little piece, <i>To-morrow</i>, +beginning "In the downhill of life when I find I'm declining," +characterised by Palgrave as "a truly noble poem."</p><br /> + +<a name='COLLINS_JOHN_CHURTON_1848_1908'></a><p><b>COLLINS, JOHN CHURTON (1848-1908).</b> +—Writer on literature +and critic, <i>b.</i> in Gloucestershire, and <i>ed.</i> at King Edward's +School, Birmingham, and Oxf., became in 1894 Prof. of English Literature +at Birmingham. He wrote books on <i>Sir J. Reynolds</i> (1874), +<i>Voltaire in England</i> (1886), <i>Illustrations of Tennyson</i> (1891), and +also on Swift and Shakespeare, various collections of essays, <i>Essays +and Studies</i> (1895), and <i>Studies in Poetry and Criticism</i> (1905), etc., +and he issued ed. of the works of C. Tourneur, Greene, Dryden, +Herbert of Cherbury, etc.</p><br /> + +<a name='COLLINS_MORTIMER_1827_1876'></a><p><b>COLLINS, MORTIMER (1827-1876).</b> +—Novelist, <i>s.</i> of a +solicitor at Plymouth, was for a time a teacher of mathematics in +Guernsey. Settling in Berkshire he adopted a literary life, and was +a prolific author, writing largely for periodicals. He also wrote a +good deal of occasional and humorous verse, and several novels, +including <i>Sweet Anne Page</i> (1868), <i>Two Plunges for a Pearl</i> (1872), +<i>Mr. Carrington</i> (1873), under the name of "R.T. Cotton," and <i>A +Fight with Fortune</i> (1876).</p><br /> + +<a name='COLLINS_WILLIAM_1721_1759'></a><p><b>COLLINS, WILLIAM (1721-1759).</b> +—Poet, <i>s.</i> of a respectable +hatter at Chichester, where he was <i>b.</i> He was <i>ed.</i> at Chichester, +Winchester, and Oxf. His is a melancholy career. Disappointed +with the reception of his poems, especially his Odes, he sank into +despondency, fell into habits of intemperance, and after fits of +melancholy, deepening into insanity, <i>d.</i> a physical and mental wreck. +Posterity has signally reversed the judgment of his contemporaries, +and has placed him at the head of the lyrists of his age. He did +not write much, but all that he wrote is precious. His first publication +was a small vol. of poems, including the <i>Persian</i> (afterwards +called <i>Oriental</i>) <i>Eclogues</i> (1742); but his principal work was his <i>Odes</i> +(1747), including those to <i>Evening</i> and <i>The Passions</i>, which will live +as long as the language. When Thomson died in 1748 C., who had +been his friend, commemorated him in a beautiful ode. Another—left +unfinished—that on the <i>Superstitions of the Scottish Highlands</i>, +was for many years lost sight of, but was discovered by <a name='Page_93'></a><a href='#CARLYLE_ALEXANDER_1722_1805'>Dr. Alex. +Carlyle</a> (<i>q.v.</i>). C.'s poetry is distinguished by its high imaginative +quality, and by exquisitely felicitous descriptive phrases.</p> + +<p><i>Memoirs</i> prefixed to Dyce's ed. of Poems (1827), Aldine ed., Moy +Thomas, 1892.</p><br /> + +<a name='COLLINS_WILLIAM_WILKIE_1824_1889'></a><p><b>COLLINS, WILLIAM WILKIE (1824-1889).</b> +—Novelist, <i>s.</i> of +William C., R.A., entered Lincoln's Inn, and was called to the Bar +1851, but soon relinquished law for literature. His first novel was +<i>Antonina</i> (1850), a historical romance. He found his true field, +however, in the novel of modern life, in which his power lies chiefly +in the construction of a skilful plot, which holds the attention of the +reader and baffles his curiosity to the last. In Count Fosco, however, +he has contributed an original character to English fiction. +Among his numerous novels two, <i>The Woman in White</i> (1860), and +<i>The Moonstone</i> (1868), stand out pre-eminent. Others are <i>The Dead +Secret</i> (1857), <i>Armadale</i> (1866), <i>No Name</i> (1862), <i>After Dark, "I say +No,"</i> etc. He collaborated with Dickens in <i>No Thoroughfare</i>.</p><br /> + +<a name='COLMAN_GEORGE_THE_ELDER_1732_1794'></a><p><b>COLMAN, GEORGE, THE ELDER (1732-1794).</b> +—Dramatist, +<i>b.</i> at Florence, where his <i>f.</i> was British Envoy, he was a friend of +Garrick, and took to writing for the stage with success. He wrote +more than 30 dramatic pieces, of which the best known are <i>The +Jealous Wife</i> (1761), and <i>The Clandestine Marriage</i> (1766). C. was +also manager and part proprietor of various theatres. He was a +scholar and translated Terence and the <i>De Arte Poetica</i> of Horace, +wrote essays, and ed. Beaumont and Fletcher and B. Jonson.</p><br /> + +<a name='COLMAN_GEORGE_THE_YOUNGER_1762_1836'></a><p><b>COLMAN, GEORGE, THE YOUNGER (1762-1836).</b> +—Dramatist, +<i>s.</i> of the preceding, wrote or adapted numerous plays, including +<i>The Heir at Law</i> and <i>John Bull</i>. He was Examiner of Plays (1824-1836). +Many of his plays are highly amusing, and keep their place +on the stage. His wit made him popular in society, and he was a +favourite with George IV.</p><br /> + +<a name='COLTON_CHARLES_CALEB_1780_1832'></a><p><b>COLTON, CHARLES CALEB (1780-1832).</b> +—Miscellaneous +writer, <i>ed.</i> at Eton and Camb., took orders and held various livings. +He was an eccentric man of talent, with little or no principle, took +to gaming, and had to leave the country. He <i>d.</i> by his own hand. +His books, mainly collections of epigrammatic aphorisms and short +essays on conduct, etc., though now almost forgotten, had a phenomenal +popularity in their day. Among them are <i>Lacon, or Many +Things in Few Words</i>, and a few poems.</p><br /> + +<a name='COMBE_GEORGE_1788_1858'></a><p><b>COMBE, GEORGE (1788-1858).</b> +—Writer on phrenology +and education, <i>b.</i> in Edin., where for some time he practised as a +lawyer. Latterly, however, he devoted himself to the promotion of +phrenology, and of his views on education, for which he in 1848 +founded a school. His chief work was <i>The Constitution of Man</i> +(1828).</p><br /> + +<a name='COMBE_WILLIAM_1741_1823'></a><p><b>COMBE, WILLIAM (1741-1823).</b> +—Miscellaneous writer. +His early life was that of an adventurer, his later was passed chiefly +within the "rules" of the King's Bench prison. He is chiefly remembered +as the author of <i>The Three Tours of Dr. Syntax</i>, a comic +poem (?). His cleverest piece of work was a series of imaginary +<a name='Page_94'></a>letters, supposed to have been written by the second, or "wicked" +Lord Lyttelton. Of a similar kind were his letters between Swift +and Stella. He also wrote the letterpress for various illustrated +books, and was a general hack.</p><br /> + +<a name='CONGREVE_WILLIAM_1670_1729'></a><p><b>CONGREVE, WILLIAM (1670-1729).</b> +—Dramatist, was <i>b.</i> in +Yorkshire. In boyhood he was taken to Ireland, and <i>ed.</i> at Kilkenny +and at Trinity Coll., Dublin. In 1688 he returned to England +and entered the Middle Temple, but does not appear to have +practised, and took to writing for the stage. His first comedy, <i>The +Old Bachelor</i>, was produced with great applause in 1693, and was +followed by <i>The Double Dealer</i> (1693), <i>Love for Love</i> (1695), and <i>The +Way of the World</i> (1700), and by a tragedy, <i>The Mourning Bride</i> +(1697). His comedies are all remarkable for wit and sparkling +dialogue, but their profanity and licentiousness have driven them +from the stage. These latter qualities brought them under the lash +of <a href='#COLLIER_JEREMY_1650_1726'>Jeremy Collier</a> (<i>q.v.</i>) in his <i>Short View of the English Stage</i>. Congreve +rushed into controversy with his critic who, however, proved +too strong for him. C. was a favourite at Court, and had various +lucrative offices conferred upon him. In his latter years he was +blind; otherwise his life was prosperous, and he achieved his chief +ambition of being admired as a fine gentleman and gallant. +<i>Life</i>, Gosse (1888). <i>Works</i>, ed. by Henley (1895), also Mermaid +Series (1888).</p><br /> + +<a name='CONINGTON_JOHN_1825_1869'></a><p><b>CONINGTON, JOHN (1825-1869).</b> +—Translator, <i>s.</i> of a +clergyman at Boston, Lincolnshire, where he was <i>b.</i>, <i>ed.</i>, at Rugby +and Magdalen and Univ. Coll., Oxf., and began the study of law, +but soon relinquished it, and devoting himself to scholarship, became +Prof. of Latin at Oxf. (1854-1869). His chief work is his translation +of Virgil's <i>Æneid</i> in the octosyllabic metre of Scott (1861-68). +He also translated the <i>Satires</i> and <i>Epistles</i> of Horace in Pope's +couplets, and completed Worsley's <i>Iliad</i> in Spenserian stanza. He +also brought out valuable ed. of Virgil and Perseus. C. was one of +the greatest translators whom England has produced.</p><br /> + +<a name='CONSTABLE_HENRY_1562_1613'></a><p><b>CONSTABLE, HENRY (1562-1613).</b> +—Poet, <i>s.</i> of Sir Robert +C., <i>ed.</i> at Camb., but becoming a Roman Catholic, went to Paris, and +acted as an agent for the Catholic powers. He <i>d.</i> at Liège. In 1592 +he <i>pub.</i> <i>Diana</i>, a collection of sonnets, and contributed to <i>England's +Helicon</i> four poems, including <i>Diaphenia</i> and <i>Venus and Adonis</i>. +His style is characterised by fervour and richness of colour.</p><br /> + +<a name='COOKE_JOHN_ESTEN_1830_1886'></a><p><b>COOKE, JOHN ESTEN (1830-1886).</b> +—Novelist, <i>b.</i> in Virginia, +illustrated the life and history of his native state in the novels, +<i>The Virginia Comedians</i> (1854), and <i>The Wearing of the Gray</i>, a tale +of the Civil War, and more formally in an excellent History of the +State. His style was somewhat high-flown.</p><br /> + +<a name='COOPER_JAMES_FENIMORE_1789_1851'></a><p><b>COOPER, JAMES FENIMORE (1789-1851).</b> +—Novelist, <i>b.</i> at +Burlington, New Jersey, and <i>ed.</i> at Yale Coll., he in 1808 entered the +U.S. Navy, in which he remained for 3 years, an experience which +was of immense future value to him as an author. It was not until +1821 that his first novel, <i>Precaution</i>, appeared. Its want of success +<a name='Page_95'></a>did not discourage him, and in the next year (1822), he produced <i>The +Spy</i>, which at once gained him a high place as a story-teller. He wrote +over 30 novels, of which may be mentioned <i>The Pioneers</i> (1823), <i>The +Pilot</i> (1823), <i>The Last of the Mohicans</i> (1826), <i>The Prairie</i> (1826), <i>The +Red Rover</i> (1831), <i>The Bravo</i> (1840), <i>The Pathfinder</i>, <i>The Deerslayer</i> +(1841), <i>The Two Admirals</i> (1842), and <i>Satanstoe</i> (1845). He also +wrote a <i>Naval History of the United States</i> (1839). C. was possessed +of remarkable narrative and descriptive powers, and could occasionally +delineate character. He had the merit of opening up an +entirely new field, and giving expression to the spirit of the New +World, but his true range was limited, and he sometimes showed a +lack of judgment in choosing subjects with which he was not fitted +to deal. He was a proud and combative but honest and estimable +man.</p><br /> + +<a name='COOPER_THOMAS_1805_1892'></a><p><b>COOPER, THOMAS (1805-1892).</b> +—Chartist poet, was <i>b.</i> at +Leicester, and apprenticed to a shoemaker. In spite of hardships +and difficulties, he <i>ed.</i> himself, and at 23 was a schoolmaster. He +became a leader and lecturer among the Chartists, and in 1842 was +imprisoned in Stafford gaol for two years, where he wrote his <i>Purgatory +of Suicides</i>, a political epic. At the same time he adopted +sceptical views, which he continued to hold until 1855, when he +became a Christian, joined the Baptists, and was a preacher among +them. In his latter years he settled down into an old-fashioned +Radical. His friends in 1867 raised an annuity for him, and in the last +year of his life he received a government pension. In addition to his +poems he wrote several novels. Somewhat impulsive, he was an +honest and sincere man.</p><br /> + +<a name='CORBET_RICHARD_1582_1635'></a><p><b>CORBET, RICHARD (1582-1635).</b> +—Poet, <i>s.</i> of a gardener, +was <i>ed.</i> at Westminster School and Oxf., and entered the Church, in +which he obtained many preferments, and rose to be Bishop successively +of Oxf. and Norwich. He was celebrated for his wit, +which not seldom passed into buffoonery. His poems, which are +often mere doggerel, were not <i>pub.</i> until after his death. They include +<i>Journey to France</i>, <i>Iter Boreale</i>, the account of a tour from Oxf. +to Newark, and the <i>Farewell to the Fairies</i>.</p><br /> + +<a name='CORNWALL_BARRY_see_PROCTER_BW'></a><p><b>CORNWALL, BARRY, <i>see</i> <a href='#PROCTER_BRYAN_WALLER_quotBARRY_CORNWALLquot_1787_1874'>PROCTER, B.W.</a></b></p><br /> + +<a name='CORY_WILLIAM_JOHNSON_1823_1892'></a><p><b>CORY, WILLIAM JOHNSON (1823-1892).</b> +—Poet, <i>b.</i> at Torrington, +and <i>ed.</i> at Eton, where he was afterwards a master. He +was a brilliant writer of Latin verse. His chief poetical work is +<i>Ionica</i>, containing poems in which he showed a true lyrical gift.</p><br /> + +<a name='CORYATE_or_CORYATT_THOMAS_1577_1617'></a><p><b>CORYATE, or CORYATT, THOMAS (1577-1617).</b> +—Poet, <i>b.</i> +at Odcombe, Somerset, and <i>ed.</i> at Westminster and Oxf., entered +the household of Prince Henry. In 1608 he made a walking tour in +France, Italy, and Germany, walking nearly 2000 miles in one pair +of shoes, which were, until 1702, hung up in Odcombe Church, and +known as "the thousand mile shoes." He gave an amusing account +of this in his <i>Coryate's Crudities hastily gobbled up</i> (1611), prefixed +to which were commendatory verses by many contemporary +poets. A sequel, <i>Coryate's Crambé</i>, or <i>Colewort twice Sodden</i> followed. +Next year (1612) C. bade farewell to his fellow-townsmen, and set +<a name='Page_96'></a>out on another journey to Greece, Egypt, and India, from which he +never returned. He <i>d.</i> at Surat. Though odd and conceited, C. +was a close observer, and took real pains in collecting information +as to the places he visited.</p><br /> + +<a name='COSTELLO_LOUISA_STUART_1799_1877'></a><p><b>COSTELLO, LOUISA STUART (1799-1877).</b> +—Poet and +novelist, <i>b.</i> in Ireland, lived chiefly in Paris, where she was a miniature-painter. +In 1815 she <i>pub.</i> <i>The Maid of the Cyprus Isle</i>, etc. +(poems). She also wrote books of travel, which were very popular, +as were her novels, chiefly founded on French history. Another +work, <i>pub.</i> in 1835, is <i>Specimens of the Early Poetry of France</i>.</p><br /> + +<a name='COTTON_CHARLES_1630_1687'></a><p><b>COTTON, CHARLES (1630-1687).</b> +—Poet and translator, +succeeded to an embarrassed estate, which his happy-go-lucky +methods did not improve, wrote burlesques on <i>Virgil</i> and <i>Lucian</i>, +and made an excellent translation of <i>Montaigne's Essays</i>, also a +humorous <i>Journey to Ireland</i>. C. was the friend of Izaak Walton, +and wrote a second part of <i>The Complete Angler</i>. He was apparently +always in difficulties, always happy, and always a favourite.</p><br /> + +<a name='COTTON_SIR_ROBERT_BRUCE_1571_1631'></a><p><b>COTTON, SIR ROBERT BRUCE (1571-1631).</b> +—Antiquary, <i>b.</i> +at Denton, Hunts, and <i>ed.</i> at Camb., was a great collector of charters +and records throwing light upon English history, and co-operated +with <a href='#CAMDEN_WILLIAM_1551_1623'>Camden</a> (<i>q.v.</i>). Among his works are a history of the <i>Raigne of +Henry III.</i> (1627). He was the collector of the Cottonian library, +now in the British Museum, and was the author of various political +tracts.</p><br /> + +<a name='COUSIN_ANNE_ROSS_CUNDELL_1824_1906'></a><p><b>COUSIN, ANNE ROSS (CUNDELL) (1824-1906).</b> +—Poetess, +only <i>dau.</i> of D.R. Cundell, M.D., Leith, <i>m.</i> 1847 Rev. Wm. Cousin, +minister of the Free Church of Scotland, latterly at Melrose. Some +of her hymns, especially "The Sands of Time are sinking," are +known and sung over the English-speaking world. A collection of +her poems, <i>Immanuel's Land and Other Pieces</i>, was <i>pub.</i> in 1876 +under her initials A.R.C., by which she was most widely known.</p><br /> + +<a name='COVERDALE_MILES_1488_1568'></a><p><b>COVERDALE, MILES (1488-1568).</b> +—Translator of the +Bible, <i>b.</i> in Yorkshire, and <i>ed.</i> at Camb. Originally an Augustinian +monk, he became a supporter of the Reformation. In 1535 his translation +of the Bible was <i>pub.</i>, probably at Zurich. It bore the title, +<i>Biblia, the Bible: that is the Holy Scripture of the Olde and New +Testament faithfully and newly translated out of the Doutche and +Latyn into English</i>. C. was made Bishop of Exeter in 1551, but, on +the accession of Mary, he was imprisoned for two years, at the end +of which he was released and went to Denmark and afterwards to +Geneva. On the death of Mary he returned to England, but the +views he had imbibed in Geneva were adverse to his preferment. +He ultimately, however, received a benefice in London, which he +resigned before his death. Besides the Bible he translated many +treatises of the Continental Reformers.</p><br /> + +<a name='COWLEY_ABRAHAM_1618_1667'></a><p><b>COWLEY, ABRAHAM (1618-1667).</b> +—Poet, <i>s.</i> of a grocer or +stationer in London, where he was <i>b.</i> In childhood he was greatly +influenced by reading Spenser, a copy of whose poems was in the +possession of his mother. This, he said, made him a poet. His +<a name='Page_97'></a>first book, <i>Poetic Blossoms</i> (1633), was <i>pub.</i> when he was only 15. +After being at Westminster School he went to Camb., where he was +distinguished for his graceful translations. On the outbreak of the +Civil War he joined the Royalists, was turned out of his college, and +in 1646 followed the Queen to Paris, where he remained for 10 or 12 +years, during which he rendered unwearied service to the royal +family. At the Restoration he wrote some loyal odes, but was +disappointed by being refused the Mastership of the Savoy, and +retired to the country. He received a lease of Crown lands, but his +life in the country did not yield him the happiness he expected. He +is said by Pope to have <i>d.</i> of a fever brought on by lying in the fields +after a drinking-bout. The drinking-bout, however, is perhaps an +ill-natured addition. C.'s fame among his contemporaries was +much greater than that which posterity has accorded to him. His +poems are marred by conceits and a forced and artificial brilliancy. +In some of them, however, he sings pleasantly of gardens and +country scenes. They comprise <i>Miscellanies</i>, <i>The Mistress, or Love +Poems</i> (1647), <i>Pindaric Odes</i>, and <i>The Davideis</i>, an epic on David +(unfinished). He is at his best in such imitations of Anacreon as +<i>The Grasshopper</i>. His prose, especially in his Essays, though now +almost unread, is better than his verse; simple and manly, it sometimes +rises to eloquence. C. is buried in Westminster Abbey near +Spenser.</p> + +<p>Ed., Grosart (1881), Waller (1903).</p><br /> + +<a name='COWPER_WILLIAM_1731_1800'></a><p><b>COWPER, WILLIAM (1731-1800).</b> +—Poet, was the <i>s.</i> of the +Rev. John C., Rector of Great Berkhampstead, Herts, and Chaplain +to George II. His grandfather was a judge, and he was the grand-nephew +of the 1st Earl C., the eminent Lord Chancellor. A shy and +timid child, the death of his mother when he was 6 years old, and +the sufferings inflicted upon him by a bullying schoolfellow at his +first school, wounded his tender and shrinking spirit irrecoverably. +He was sent to Westminster School, where he had for schoolfellows +<a href='#CHURCHILL_CHARLES_1731_1764'>Churchill</a>, the poet (<i>q.v.</i>), and Warren Hastings. The powerful +legal influence of his family naturally suggested his being destined +for the law, and at 18 he entered the chambers of a solicitor, where +he had for a companion Thurlow, the future Chancellor, a truly incongruous +conjunction; the pair, however, seem to have got on well +together, and employed their time chiefly in "giggling and making +giggle." He then entered the Middle Temple, and in 1754 was +called to the Bar. This was perhaps the happiest period of his life, +being enlivened by the society of two cousins, Theodora and Harriet +C. With the former he fell in love; but his proposal of marriage +was opposed by her <i>f.</i>, who had observed symptoms of morbidity in +him, and he never met her again. The latter, as Lady Hesketh, was +in later days one of his most intimate friends. In 1759 he received +a small sinecure appointment as Commissioner of Bankrupts, +which he held for 5 years, and in 1763, through the influence of a +relative, he received the offer of the desirable office of Clerk of the +Journals to the House of Lords. He accepted the appointment, but +the dread of having to make a formal appearance before the House +so preyed upon his mind as to induce a temporary loss of reason, and +he was sent to an asylum at St. Albans, where he remained for about +<a name='Page_98'></a>a year. He had now no income beyond a small sum inherited from +his <i>f.</i>, and no aims in life; but friends supplemented his means sufficiently +to enable him to lead with a quiet mind the life of retirement +which he had resolved to follow. He went to Huntingdon, and +there made the acquaintance of the Unwins, with whom he went to +live as a boarder. The acquaintance soon ripened into a close +friendship, and on the death, from an accident (1767), of Mr. U., +C. accompanied his widow (the "Mary" of his poems) to Olney, +where the <a href='#NEWTON_JOHN_1725_1807'>Rev. John Newton</a> (<i>q.v.</i>) was curate. N. and C. became +intimate friends, and collaborated in producing the well-known +<i>Olney Hymns</i>, of which 67 were composed by C. He became engaged +to Mary Unwin, but a fresh attack of his mental malady in 1773 +prevented their marriage. On his recovery he took to gardening, +and amused himself by keeping pets, including the hares "Tiny" +and "Puss," and the spaniel "Beau," immortalised in his works. +The chief means, however, which he adopted for keeping his mind +occupied and free from distressing ideas was the cultivation of his +poetic gift. At the suggestion of Mrs. U., he wrote <i>The Progress of +Error</i>; <i>Truth, Table Talk, Expostulation, Hope, Charity, Conversation</i>, +and <i>Retirement</i> were added, and the whole were <i>pub.</i> in one vol. in +1782. Though not received with acclamation, its signal merits of +freshness, simplicity, graceful humour, and the pure idiomatic +English in which it was written gradually obtained recognition, and +the fame of the poet-recluse began to spread. His health had now +become considerably re-established, and he enjoyed an unwonted +measure of cheerfulness, which was fostered by the friendship of +Lady Austin, who had become his neighbour. From her he received +the story of John Gilpin, which he forthwith turned into his immortal +ballad. Hers also was the suggestion that he should write a +poem in blank verse, which gave its origin to his most famous poem, +<i>The Task</i>. Before it was <i>pub.</i>, however, the intimacy had, apparently +owing to some little feminine jealousies, been broken off. <i>The +Task</i> was <i>pub.</i> in 1785, and met with immediate and distinguished +success. Although not formally or professedly, it was, in fact, the +beginning of an uprising against the classical school of poetry, and +the founding of a new school in which nature was the teacher. As +Dr. Stopford Brooke points out, "Cowper is the first of the poets +who loves Nature entirely for her own sake," and in him "the idea +of Mankind as a whole is fully formed." About this time he resumed +his friendship with his cousin, Lady Hesketh, and, encouraged +by her, he began his translation of <i>Homer</i>, which appeared in 1791. +Before this he had removed with Mrs. U. to the village of Weston +Underwood. His health had again given way; and in 1791 Mrs. +U. became paralytic, and the object of his assiduous and affectionate +care. A settled gloom with occasional brighter intervals was now +falling upon him. He strove to fight it by engaging in various translations, +and in revising his <i>Homer</i>, and undertaking a new ed. of +Milton, which last was, however, left unfinished. In 1794 a pension +of £300 was conferred upon him, and in 1795 he removed with Mrs. +U., now a helpless invalid, to East Dereham. Mrs. U. <i>d.</i> in the +following year, and three years later his own death released him +from his heavy burden of trouble and sorrow. His last poem was +<i>The Castaway</i>, which, with its darkness almost of despair, shows no +<a name='Page_99'></a>loss of intellectual or poetic power. In addition to his reputation +as a poet C. has that of being among the very best of English letter-writers, +and in this he shows, in an even easier and more unstudied +manner, the same command of pure idiomatic English, the same +acute observation, and the same mingling of gentle humour and +melancholy. In literature C. is the connecting link between the +classical school of Pope and the natural school of Burns, Crabbe, +and Wordsworth, having, however, much more in common with the +latter.</p> + +<p>SUMMARY.—<i>B.</i> 1731, <i>ed.</i> Westminster School, entered Middle +Temple and called to the Bar, 1754, appointed Clerk of Journals of +House of Lords, but mind gave way 1763, lives with the Unwins, +became intimate with J. Newton and with him writes <i>Olney Hymns</i>, +<i>pub.</i> <i>Poems</i> (<i>Progress of Error</i>, etc.), 1782, <i>Task</i> 1785, <i>Homer</i> 1791, <i>d.</i> +1731.</p> + +<p>The standard ed. of C.'s works is Southey's, with memoir (15 +vols. 1834-37). Others are the Aldine (1865), the Globe (1870). +There are <i>Lives</i> by Hayley (2 vols., 1805), Goldwin Smith (Men of +Letters Series), and T. Wright.</p><br /> + +<a name='COXE_WILLIAM_1747_1828'></a><p><b>COXE, WILLIAM (1747-1828).</b> +—Historian, was <i>b.</i> in London, +and <i>ed.</i> at Eton and Camb. As tutor to various young men of +family he travelled much on the Continent, and <i>pub.</i> accounts of his +journeys. His chief historical work is his <i>Memoirs of the House of +Austria</i> (1807), and he also wrote lives of Walpole, Marlborough, +and others. He had access to valuable original sources, and his +books, though somewhat heavy, are on the whole trustworthy, notwithstanding +a decided Whig bias. He was a clergyman, and <i>d.</i> +Archdeacon of Wilts.</p><br /> + +<a name='CRABBE_GEORGE_1754_1832'></a><p><b>CRABBE, GEORGE (1754-1832).</b> +—Poet, <i>b.</i> at Aldborough, +Suffolk, where his <i>f.</i> was collector of salt dues, he was apprenticed to +a surgeon, but, having no liking for the work, went to London to +try his fortune in literature. Unsuccessful at first, he as a last +resource wrote a letter to Burke enclosing some of his writings, and +was immediately befriended by him, and taken into his own house, +where he met Fox, Reynolds, and others. His first important work, +<i>The Library</i>, was <i>pub.</i> in 1781, and received with favour. He took +orders, and was appointed by the Duke of Rutland his domestic +chaplain, residing with him at Belvoir Castle. Here in 1783 he <i>pub. +The Village</i>, which established his reputation, and about the same +time he was presented by Lord Thurlow to two small livings. He +was now secured from want, made a happy marriage, and devoted +himself to literary and scientific pursuits. The <i>Newspaper</i> appeared +in 1785, and was followed by a period of silence until 1807, when he +came forward again with <i>The Parish Register</i>, followed by <i>The +Borough</i> (1810), <i>Tales in Verse</i> (1812), and his last work, <i>Tales of the +Hall</i> (1817-18). In 1819 Murray the publisher gave him £3000 for +the last named work and the unexpired copyright of his other +poems. In 1822 he visited Sir Walter Scott at Edinburgh. Soon +afterwards his health began to give way, and he <i>d.</i> in 1832. C. has +been called "the poet of the poor." He describes in simple, but +strong and vivid, verse their struggles, sorrows, weaknesses, crimes, +and pleasures, sometimes with racy humour, oftener in sombre hues.<a name='Page_100'></a> +His pathos, sparingly introduced, goes to the heart; his pictures of +crime and despair not seldom rise to the terrific, and he has a +marvellous power of painting natural scenery, and of bringing out +in detail the beauty and picturesqueness of scenes at first sight uninteresting, +or even uninviting. He is absolutely free from affectation +or sentimentality, and may be regarded as one of the greatest +masters of the realistic in our literature. With these merits he has +certain faults, too great minuteness in his pictures, too frequent +dwelling upon the sordid and depraved aspects of character, and +some degree of harshness both in matter and manner, and not unfrequently +a want of taste.</p> + +<p><i>Life</i> prefixed to ed. of works by his son (1834), Ainger (Men of +Letters, 1903). Works (Ward, 3 vols., 1906-7).</p><br /> + +<a name='CRAIGIE_MRS_PEARL_MARY_TERESA_RICHARDS_1867_1906'></a><p><b>CRAIGIE, MRS. PEARL MARY TERESA (RICHARDS) (1867-1906).</b> +—<i>Dau.</i> +of John Morgan, R. <i>b.</i> in Boston, Massachusetts. +Most of her education was received in London and Paris, and from +childhood she was a great reader and observer. At 19 she <i>m.</i> +Mr. R.W. Craigie, but the union did not prove happy and was, +on her petition, dissolved. In 1902 she became a Roman Catholic. +She wrote, under the pseudonym of "John Oliver Hobbes," a +number of novels and dramas, distinguished by originality of subject +and treatment, brightness of humour, and finish of style, +among which may be mentioned <i>Some Emotions and a Moral</i>, <i>The +Gods, Some Mortals and Lord Wickenham</i> (1895), <i>The Herb Moon</i> +and <i>The School for Saints</i> (1897), and <i>Robert Orange</i> (1900), <i>The +Dream and The Business</i> (1907). Her dramas include <i>The +Ambassador</i> and <i>The Bishop's Move</i>.</p><br /> + +<a name='CRAIK_GEORGE_LILLIE_1798_1866'></a><p><b>CRAIK, GEORGE LILLIE (1798-1866).</b> +—Writer on English +literature, etc., <i>b.</i> at Kennoway, Fife, and <i>ed.</i> at St. Andrews, went +to London in 1824, where he wrote largely for the "Society for the +Promotion of Useful Knowledge." In 1849 he was appointed Prof. +of English Literature and History at Belfast. Among his books are +<i>The Pursuit of Knowledge under Difficulties</i> (1831), <i>History of British +Commerce</i> (1844), and <i>History of English Literature and the English +Language</i> (1861). He was also joint author of <i>The Pictorial History +of England</i>, and wrote books on Spenser and Bacon.</p><br /> + +<a name='CRANMER_THOMAS_1489_1556'></a><p><b>CRANMER, THOMAS (1489-1556).</b> +—Theologian and +Churchman, <i>b.</i> at Aslacton, Notts, <i>ed.</i> at Camb., and became an +eminent classical and biblical scholar. He supported Henry VIII. +in his divorce proceedings against Queen Catherine, gained the +King's favour, and obtained rapid preferment, ending with the +Primacy. He was one of the chief promoters of the Reformation in +England. On the accession of Mary, he was committed to the Tower, +and after a temporary failure of courage and constancy, suffered +martyrdom at the stake. It is largely to C. that we owe the stately +forms of the Book of Common Prayer. He also wrote over 40 +works, and composed several hymns; but the influence of the +Prayer-book in fixing the language is his great, though indirect, +service to our literature.</p> + +<p>Fox's <i>Book of Martyrs</i>, Strype's <i>Memorials of Cranmer</i>, Hook's +<i>Lives of Archbishops of Canterbury</i>, etc<a name='Page_101'></a>.</p><br /> + +<a name='CRASHAW_RICHARD_1613_1649'></a><p><b>CRASHAW, RICHARD (1613?-1649).</b> +—Poet, <i>s.</i> of William +C., a Puritan divine, was <i>b.</i> in London, and <i>ed.</i> at Charterhouse and +Camb., where he became a Fellow of Peterhouse, from which, however, +he was, in 1643, ejected for refusing to take the Solemn League and +Covenant. Thereafter he went to France, and joined the Roman +communion. He suffered great straits, being almost reduced to +starvation, but was, through the influence of Queen Henrietta +Maria, appointed Sec. to Cardinal Palotta. About 1649 he went to +Italy, and in the following year became a canon of the Church of +Loretto. He <i>d.</i> the same year. C. is said to have been an eloquent +preacher, and was a scholar as well as a poet of a high order in the +ecstatic and transcendental style. His chief work is <i>Steps to the +Temple</i> (1646), consisting mainly of religious poems somewhat in +the style of Herbert; his <i>Weeping of the Magdalen</i> is full of the most +extravagant conceits, a fondness for which is, indeed, his besetting sin +as a poet. His friend Cowley commemorated him in a beautiful ode.</p><br /> + +<a name='CRAWFORD_FRANCIS_MARION_1854_1909'></a><p><b>CRAWFORD, FRANCIS MARION (1854-1909).</b> +—Novelist and +historian, <i>s.</i> of Thomas C., an American sculptor, <i>b.</i> at Bagni di +Lucca, Italy, and <i>ed.</i> in America, at Camb., and in Germany, he +went to India and ed. <i>The Indian Herald</i> (1879-80). Thereafter he +settled in Italy, living chiefly at Sorrento, and becoming a Roman +Catholic. His principal historical works are <i>Ave Roma Immortalis</i> +(1898), <i>The Rulers of the South</i> (reprinted as <i>Sicily, Calabria, and +Malta</i>, 1904), and <i>Venetian Gleanings</i> (1905), but his reputation +rests mainly on his novels, of which he wrote between 30 and 40, the +best known of which are perhaps <i>Mr. Isaacs</i> (1882), <i>Dr. Claudius</i> +(1883), <i>A Roman Singer</i> (1884), <i>Marzio's Crucifix</i> (1887), <i>Saracinesca</i> +(1887), <i>A Cigarette-maker's Romance</i> (1890), generally considered his +masterpiece, <i>Don Orsino</i> (1892), <i>Pietro Ghisleri</i> (1893), and <i>The +Heart of Rome</i> (1903). His one play is <i>Francesca, da Rimini</i>. His +novels are all interesting, and written in a style of decided distinction. +His historical works, though full of information, lack spirit.</p><br /> + +<a name='CREASY_SIR_EDWARD_SHEPHERD_1812_1878'></a><p><b>CREASY, SIR EDWARD SHEPHERD (1812-1878).</b> +—Historian, +<i>ed.</i> at Eton and Camb., and called to the Bar in 1837, he became in 1840 +Prof. of History, London Univ., and in 1860 Chief Justice of Ceylon, +when he was knighted. His best known contribution to literature +is his <i>Fifteen Decisive Battles of the World</i> (1852). Other works are +<i>Historical and Critical Account of the Several Invasions of England</i> +(1852), <i>History of the Ottoman Turks</i>, and <i>Imperial and Colonial +Institutions of the British Empire</i> (1872).</p><br /> + +<a name='CREECH_THOMAS_1659_1700'></a><p><b>CREECH, THOMAS (1659-1700).</b> +—Translator, <i>b.</i> near Sherborne, +<i>ed.</i> at Oxf., became Head Master of Sherborne School. He +translated <i>Lucretius</i> in verse (1682), for which he received a Fellowship +at Oxf., also Horace, Theocritus, and other classics. Owing to a +disappointment in love and pecuniary difficulties he hanged himself.</p><br /> + +<a name='CREIGHTON_MANDELL_1843_1901'></a><p><b>CREIGHTON, MANDELL (1843-1901).</b> +—Churchman and +historian, <i>b.</i> at Carlisle, and <i>ed.</i> at Durham Grammar School and +Merton Coll., Oxf., he took orders, and was presented to the living +of Embleton, Northumberland, in 1875, where, in addition to zealous +discharge of pastoral duties, he pursued the historical studies on the +<a name='Page_102'></a>results of which his reputation chiefly rests. In 1882 the first two +vols. of his <i>History of the Papacy</i> appeared, followed by two more in +1887, and a fifth in 1894. In 1884 he was appointed first Dixie +Prof. of Ecclesiastical History at Camb. He ed. the <i>English +Historical Review</i> (1886-91). In 1891, after having held canonries at +Worcester and Windsor, he became Bishop of Peterborough, from +which he was in 1897 translated to London. His duties as Bishop +of London made the completion of his great historical work an +impossibility. He wrote in addition to it various text-books +on history, a life of Queen Elizabeth, a memoir of Sir George Grey, +and many articles and reviews. He was recognised as a leading +authority on the department of history to which he had specially +devoted himself, and he made his mark as a Churchman.</p><br /> + +<a name='CROKER_JOHN_WILSON_1780_1857'></a><p><b>CROKER, JOHN WILSON (1780-1857).</b> +—Politician and miscellaneous +writer. <i>Ed.</i> at Trinity Coll., Dublin, he entered Parliament +as a Tory, and was appointed to various offices, including the Secretaryship +of the Admiralty, which he held for 20 years. He was one +of the founders of the <i>Quarterly Review</i>, and wrote some of its most +violent political articles and reviews. He <i>pub.</i> in 1831 an ed. of +<i>Boswell's Life of Johnson</i>. He also wrote some historical essays and +satirical pieces.</p><br /> + +<a name='CROKER_THOMAS_CROFTON_1798_1854'></a><p><b>CROKER, THOMAS CROFTON (1798-1854).</b> +—Irish Antiquary, +<i>b.</i> at Cork, for some years held a position in the Admiralty. +He devoted himself largely to the collection of ancient Irish poetry +and folk-lore. Among his publications are <i>Researches in the South of +Ireland</i> (1824), <i>Fairy Legends and Traditions of the South of Ireland</i> +(1825-27), <i>Popular Songs of Ireland</i> (1837), <i>Daniel O'Rourke</i> (1829), +and <i>Barney Mahoney</i> (1832). He assisted in founding the "Camden" +and "Percy" Societies.</p><br /> + +<a name='CROLY_GEORGE_1780_1860'></a><p><b>CROLY, GEORGE (1780-1860).</b> +—Poet, novelist, historian, +and divine, <i>b.</i> at Dublin, and <i>ed.</i> at Trinity Coll. there, he took +orders and became Rector of St. Stephen's, Walbrook, and had a high +reputation as a preacher. He wrote poems, dramas, satires, novels, +history, and theological works, and attained some measure of success +in all. Perhaps his best known works are his novels, <i>Salathiel</i> +(1829), founded on the legend of "the wandering Jew," and <i>Mareton</i> +(1846). His chief contribution to theological literature is an +exposition of the Apocalypse.</p><br /> + +<a name='CROWE_CATHERINE_STEVENS_1800_1876'></a><p><b>CROWE, CATHERINE (STEVENS) (1800-1876).</b> +—Wrote +dramas, children's books, and one or two novels, including <i>Susan +Hopley</i> (1841), and <i>Lilly Dawson</i> (1847), but is chiefly remembered +for her <i>Night-side of Nature</i> (1848), a collection of stories of the +supernatural. Though somewhat morbid she had considerable +talent.</p><br /> + +<a name='CROWE_EYRE_EVANS_1799_1868'></a><p><b>CROWE, EYRE EVANS (1799-1868).</b> +—Historian and +novelist, <i>s.</i> of an officer in the army, <i>b.</i> near Southampton, and +<i>ed.</i> at Trinity Coll., Dublin. He wrote several novels, including +<i>Vittoria Colonna</i>, <i>To-day in Ireland</i> (1825), <i>The English in France</i> +(1828), and <i>Charles Dalmer</i> (1853). Among his historical works are +a <i>History of France</i> in <i>Lardner's Cabinet Encyclopædia</i>, afterwards +<a name='Page_103'></a>enlarged and separately <i>pub.</i>, and a <i>History of Louis XVIII. and +Charles X.</i></p><br /> + +<a name='CROWE_SIR_JOSEPH_ARCHER_1825_1896'></a><p><b>CROWE, SIR JOSEPH ARCHER (1825-1896).</b> +—Writer on +art, <i>s.</i> of the above, was <i>b.</i> in London. Most of his childhood was +spent in France, and on his return to England in 1843 he became a +journalist. He was then for some years engaged in educational +work in India, and was afterwards war correspondent for the <i>Times</i> +on various occasions, and filled various important consular posts, for +which he was in 1890 made K.C.M.G. In collaboration with G.B. +Cavalcasselle, an Italian refugee, he was the author of several +authoritative works on art, including <i>The Early Flemish Painters</i> +(1856), <i>A New History of Painting in Italy</i> (1864-68), <i>A History of +Painting in North Italy</i> (1871), <i>Titian, His Life and Times</i> (1877), +and <i>Raphael, His Life and Works</i> (1883-85). The actual writing of +all these was the work of C.</p><br /> + +<a name='CROWE_WILLIAM_1745_1829'></a><p><b>CROWE, WILLIAM (1745-1829).</b> +—Poet, <i>b.</i> at Midgham, +Berks, the <i>s.</i> of a carpenter, was <i>ed.</i> as a foundationer at Winchester, +whence he proceeded to Oxf., where he became Public Orator. He +wrote a smooth, but somewhat conventional poem, <i>Lewesdon Hill</i> +(1789), ed. Collins's Poems (1828), and lectured on poetry at the +Royal Institution. His poems were <i>coll.</i> in 1827. C. was a clergyman +and Rector of Alton Barnes, Wilts.</p><br /> + +<a name='CROWNE_JOHN_1640_1703'></a><p><b>CROWNE, JOHN (1640?-1703).</b> +—Dramatist, returned +from Nova Scotia, to which his <i>f.</i>, a Nonconformist minister, had +emigrated, and became gentleman usher to a lady of quality. His first +play, <i>Juliana</i>, appeared in 1671. He wrote in all about 17 dramatic +pieces, of which the best is <i>Sir Courtly Nice</i> (1685), adapted from +the Spanish. It is amusing, and enjoyed a long continued vogue. +In general, however, C. is dull.</p><br /> + +<a name='CUDWORTH_RALPH_1617_1688'></a><p><b>CUDWORTH, RALPH (1617-1688).</b> +—Divine and philosopher, +<i>b.</i> at Aller, Somerset, and <i>ed.</i> at Camb., where, after being a +tutor, he became Master of Clare Hall 1645, Prof. of Hebrew (1645-88), +and Master of Christ's Coll., 1654. His great work is <i>The True +Intellectual System of the Universe</i> (1678). A work of vast learning +and acuteness, it is directed against the infidelity of the age. C.'s +candour in his statement of the opposing position was so remarkable +that Dryden remarked "that he raised such strong objections +against the being of a God and Providence that many thought he +had not answered them." He also left in MS. a <i>Treatise concerning +Eternal and Immutable Morality</i>, <i>pub.</i> in 1731.</p><br /> + +<a name='CUMBERLAND_RICHARD_1732_1811'></a><p><b>CUMBERLAND, RICHARD (1732-1811).</b> +—Novelist and +dramatist, <i>ed.</i> at Westminster and Camb., entered the diplomatic +service, and filled several government appointments. His best play +is <i>The West Indian</i>. His novels do not rise much above mediocrity. +Along with Sir J.B. Burges he wrote an epic entitled <i>The Exodiad</i>, +and he also made some translations from the Greek.</p><br /> + +<a name='CUMMINS_MARIA_SUSANNA_1827_1866'></a><p><b>CUMMINS, MARIA SUSANNA (1827-1866).</b> +—<i>B.</i> at Salem, +Mass., was well-known as the authoress of <i>The Lamplighter</i>, a somewhat +sentimental tale which had very wide popularity. She wrote +others, including <i>Mabel Vaughan</i>, none of which had the same +success<a name='Page_104'></a>.</p><br /> + +<a name='CUNNINGHAM_ALLAN_1784_1842'></a><p><b>CUNNINGHAM, ALLAN (1784-1842).</b> +—Poet and miscellaneous +writer, <i>b.</i> near Dalswinton, Dumfriesshire, in his youth +knew Burns, who was a friend of his father's. He was apprenticed +to a stonemason, but gave his leisure to reading and writing imitations +of old Scottish ballads, which he contributed to Cromek's +<i>Remains of Nithsdale and Galloway Song</i>, <i>pub.</i> in 1810, and which +gained for him the friendship of Scott and Hogg. Thereafter he +went to London, and became a parliamentary reporter, and subsequently +assistant to Chantrey, the sculptor, but continued his +literary labours, writing three novels, a life of Sir D. Wilkie, and +<i>Lives of Eminent British Painters, Sculptors, and Architects</i>, besides +many songs, of which the best is <i>A wet sheet and a flowing Sea</i>. He +also brought out an ed. of Burns's Works. He had four sons, all of +whom rose to important positions, and inherited in some degree his +literary gifts.</p><br /> + +<a name='CURTIS_GEORGE_WILLIAM_1824_1892'></a><p><b>CURTIS, GEORGE WILLIAM (1824-1892).</b> +—American +essayist, editor, and journalist, contributed to <i>New York Tribune</i>, +and to <i>Putnam's</i> and <i>Harper's</i> monthlies, in which most of his +books first appeared. Among these are <i>Trumps</i>, a story of New +York life, <i>Prue and I</i>, <i>Lotus-eating</i>, and the <i>Potiphar Papers</i>. C. +was also one of the finest American orators of his day.</p><br /> + +<a name='CYNEWULF_fl_750'></a><p><b>CYNEWULF (<i>fl.</i> 750).</b> +—Anglo-Saxon poet. He was probably +a Northumbrian, though sometimes thought to have been a +Mercian. His poems, and some others, more or less doubtfully attributed +to him, are contained in the Exeter Book and the Vercelli +Book. The poems which are considered to be certainly his are the +<i>Riddles</i>, from hints and allusions in which is derived nearly all that is +known of him, or at least of the earlier part of his life, which appears +to have been that of a joyous and poetical nature, rejoicing in the +beauty of the world. His next poem, <i>Juliana</i>, the legend of a +virgin-martyr, indicates a transition in his spiritual life; sorrow and +repentance are its predominant notes, and in these respects another +poem, <i>St. Guthlac</i>, resembles it. In the <i>Crist</i> (Christ), C. has passed +through the clouds to an assured faith and peace. <i>The Phœnix</i>, +and the second part of <i>Guthlac</i>, though not certainly his, are generally +attributed to him. <i>The Fates of the Apostles</i> and <i>Elene</i> (the legend +of St. Helena) are his; the <i>Andreas</i> and <i>The Dream of the Roode</i> +are still in some respects the subject of controversy. In several of +the poems the separate letters of C.'s name are introduced in a +peculiar manner, and are regarded as an attesting signature. +<i>Juliana</i>, <i>Crist</i>, <i>The Apostles</i>, and <i>Elene</i> are thus said to be signed. +The Exeter and Vercelli Books are collections of ancient English +poems, and they are named from the places where they were found.</p><br /> + +<a name='DALLING_AND_BULWER_WILLIAM_HENRY_LYTTON_EARLE_BULWER_1ST_LORD_1801_1872'></a><p><b>DALLING AND BULWER, WILLIAM HENRY LYTTON EARLE BULWER, 1ST LORD (1801-1872).</b> +—Elder +brother of <a href='#LYTTON_EDWARD_GEORGE_EARLE_LYTTON_BULWER_1ST_LORD_1803_1873'>Lord Lytton</a> +(<i>q.v.</i>), and a distinguished diplomatist. He represented England +at Madrid, Washington (where he concluded the Bulwer-Clayton +Treaty), Florence, Bucharest, and Constantinople, and was raised +to the peerage in 1871. He was the author of a number of books of +travel and biography, including <i>An Autumn in Greece</i> (1826), a <i>Life +of Byron</i> (1835), <i>Historical Characters</i> (1868-70), and an unfinished +life of Lord Palmerston<a name='Page_105'></a>.</p><br /> + +<a name='DAMPIER_WILLIAM_1652_1715'></a><p><b>DAMPIER, WILLIAM (1652-1715).</b> +—Discoverer and buccaneer, +<i>b.</i> near Yeovil. After various seafaring adventures, and +leading a semi-piratical life, he was in 1688 marooned on Nicobar +Island, but escaped to Acheen, returned to England in 1691. +He <i>pub.</i> his <i>Voyage Round the World</i> (1697), and <i>A Discourse of +Winds</i> (1699). He was then employed by government on a voyage +of survey and discovery (1699-1700), in the course of which he explored +the north-west coast of Australia and the coasts of New +Guinea and New Britain. In 1701 he was wrecked upon Ascension +Island, from which he was rescued by an East Indiaman. He was +afterwards court-martialled for cruelty, and wrote an angry but unconvincing +vindication. His <i>Voyage</i> is written in a style plain and +homely, but is perspicuous and interesting.</p><br /> + +<a name='DANA_RICHARD_HENRY_1787_1879'></a><p><b>DANA, RICHARD HENRY (1787-1879).</b> +—Novelist and +critic, <i>b.</i> at Camb., Mass., was called to the Bar in 1817. Among +his novels are <i>Tom Thornton</i> and <i>Paul Felton</i>, both somewhat +violent and improbable tales, and his poems, which are better, +include <i>The Buccaneer</i> (1827), and <i>The Dying Raven</i>. He is, however, +stronger as a critic than as a writer. He wrote largely in <i>The +North American Review</i>, and for a time conducted a paper, <i>The Idle +Man</i>, which contains some of his best work.</p><br /> + +<a name='DANA_RICHARD_HENRY_JR_1815_1882'></a><p><b>DANA, RICHARD HENRY, JR. (1815-1882).</b> +—Miscellaneous +writer, <i>s.</i> of the above, <i>ed.</i> at Harvard, but on his eyesight giving +way shipped as a common sailor, and gave his experiences in <i>Two +Years before the Mast</i> (1840). Called to the Bar in 1840, he became +an authority on maritime law. Other books by him are <i>The Seaman's +Friend</i> (1841), and <i>Vacation Voyage to Cuba</i> (1859).</p><br /> + +<a name='DANIEL_SAMUEL_1562_1619'></a><p><b>DANIEL, SAMUEL (1562-1619).</b> +—Poet, <i>s.</i> of a music master, +was <i>b.</i> near Taunton, and <i>ed.</i> at Oxf., but did not graduate. He +attached himself to the Court as a kind of voluntary laureate, and in +the reign of James I. was appointed "Inspector of the children of the +Queen's revels," and a groom of the Queen's chamber. He is said +to have enjoyed the friendship of Shakespeare and Marlowe, but was +"at jealousies" with Ben Jonson. In his later years he retired to a +farm which he owned in Somerset, where he <i>d.</i> D. bears the title +of the "well-languaged," his style is clear and flowing, with a remarkably +modern note, but is lacking in energy and fire, and is thus +apt to become tedious. His works include sonnets, epistles, +masques, and dramas. The most important of them is <i>The History +of the Civil Wars between York and Lancaster</i> in 8 books, <i>pub.</i> in +1604. His <i>Epistles</i> are generally considered his best work, and his +sonnets have had some modern admirers. Among his poems may +be mentioned the <i>Complaynt of Rosamund</i>, <i>Tethys Festival</i> (1610), +and <i>Hymen's Triumph</i> (1615), a masque, and <i>Musophilus</i>, a defence +of learning, <i>Defence of Rhyme</i> (1602).</p><br /> + +<a name='DARLEY_GEORGE_1795_1846'></a><p><b>DARLEY, GEORGE (1795-1846).</b> +—Poet, novelist, and +critic, <i>b.</i> at Dublin, and <i>ed.</i> at Trinity Coll. there, he early decided to +follow a literary career, and went to London, where he brought +out his first poem, <i>Errors of Ecstasie</i> (1822). He also wrote for +the <i>London Magazine</i>, under the pseudonym of John Lacy. In it +<a name='Page_106'></a>appeared his best story, <i>Lilian of the Vale</i>. Various other books +followed, including <i>Sylvia, or The May Queen</i>, a poem (1827). +Thereafter he joined the <i>Athenæum</i>, in which he showed himself a +severe critic. He was also a dramatist and a profound student of +old English plays, editing those of Beaumont and Fletcher in 1840. +So deeply was he imbued with the spirit of the 17th century that his +poem, "It is not beauty I desire," was included by F.T. Palgrave in +the first ed. of his <i>Golden Treasury</i> as an anonymous lyric of that +age. He was also a mathematician of considerable talent, and <i>pub.</i> +some treatises on the subject. D. fell into nervous depression and +<i>d.</i> in 1846.</p><br /> + +<a name='DARWIN_CHARLES_ROBERT_1809_1882'></a><p><b>DARWIN, CHARLES ROBERT (1809-1882).</b> +—Naturalist, <i>s.</i> +of a physician, and grandson of <a href='#DARWIN_ERASMUS_1731_1802'>Dr. Erasmus D.</a> (<i>q.v.</i>), and of Josiah +Wedgwood, the famous potter, was <i>b.</i> and was at school at Shrewsbury. +In 1825 he went to Edin. to study medicine, but was more +taken up with marine zoology than with the regular curriculum. After +two years he proceeded to Camb., where he <i>grad.</i> in 1831, continuing, +however, his independent studies in natural history. In the same +year came the opportunity of his life, his appointment to accompany +the <i>Beagle</i> as naturalist on a survey of South America. To this +voyage, which extended over nearly five years, he attributed the +first real training of his mind, and after his return <i>pub.</i> an account +of it, <i>Zoology of the Voyage of the Beagle</i> (1840). After spending a few +years in London arranging his collections and writing his <i>Journal</i>, he +removed to Down, a retired village near the Weald of Kent, where, +in a house surrounded by a large garden, his whole remaining life +was passed in the patient building up, from accurate observations, +of his theory of Evolution, which created a new epoch in science and +in thought generally. His industry was marvellous, especially +when it is remembered that he suffered from chronic bad health. +After devoting some time to geology, specially to coral reefs, and +exhausting the subject of barnacles, he took up the development +of his favourite question, the transformation of species. In these +earlier years of residence at Down he <i>pub.</i> <i>The Structure and Distribution +of Coral Reefs</i> (1842), and two works on the geology of +volcanic islands, and of South America. After he had given much +time and profound thought to the question of evolution by natural +selection, and had written out his notes on the subject, he received +in 1858 from <a href='#WALLACE_ALFRED_RUSSEL_FRS_LLD_etc_1823'>Mr. A.R. Wallace</a> (<i>q.v.</i>) a manuscript showing that he +also had reached independently a theory of the origin of species +similar to his own. This circumstance created a situation of considerable +delicacy and difficulty, which was ultimately got over by +the two discoverers presenting a joint paper, <i>On the Tendency of +Species to form Varieties</i>, and <i>On the Perpetuation of Varieties and +Species by Natural Means of Selection</i>. The publication in 1859 of +<i>The Origin of Species</i> gave D. an acknowledged place among the +greatest men of science, and the controversies which, along with +other of his works, it raised, helped to carry his name all over the +civilised world. Among his numerous subsequent writings may be +mentioned <i>The Fertilisation of Orchids</i> (1862), <i>Variation of Plants +and Animals under Domestication</i> (1868), <i>The Descent of Man, and +Selection in relation to Sex</i> (1871), <i>The Expression of the Emotions in<a name='Page_107'></a> +Man and Animals</i> (1872), <i>Insectivorous Plants</i> (1875), <i>Climbing +Plants</i> (1875), <i>Different Forms of Flowers</i> (1877), <i>The Power of +Movement in Plants</i> (1880), and <i>The Formation of Vegetable Mould +through the Action of Worms</i> (1881). D., with a modesty which was +one of his chief characteristics, disclaimed for himself the possession +of any remarkable talents except "an unusual power of noticing +things which easily escape attention, and of observing them carefully." +In addition, however, to this peculiar insight, he had a +singular reverence for truth and fact, enormous industry, and great +self-abnegation: and his kindliness, modesty, and magnanimity +attracted the affection of all who knew him.</p> + +<p><i>Life and Letters</i>, by his son, F. Darwin, 3 vols., 1887; <i>C. Darwin +and the Theory of Natural Selection</i>. E.B. Poulton, 1896; various +short Lives by Grant Allen and others.</p><br /> + +<a name='DARWIN_ERASMUS_1731_1802'></a><p><b>DARWIN, ERASMUS (1731-1802).</b> +—Poet, physician, and +scientist, was <i>b.</i> at Elston, Notts, and <i>ed.</i> at Camb. and at Edin., +where he took his degree of M.D. He ultimately settled in Lichfield +as a physician, and attained a high professional reputation, so +much so that he was offered, but declined, the appointment of +physician to George III. In 1778 he formed a botanical garden, +and in 1789 <i>pub.</i> his first poem, <i>The Loves of the Plants</i>, followed +in 1792 by <i>The Economy of Vegetation</i>, which combined form <i>The +Botanic Garden</i>. Another poem, <i>The Temple of Nature</i>, was <i>pub.</i> +posthumously. He also wrote various scientific works in prose. +The poems of D., though popular in their day, are now little read. +Written in polished and sonorous verse, they glitter with startling +similes and ingenious, though often forced, analogies, but have little +true poetry or human interest.</p><br /> + +<a name='DASENT_SIR_GEORGE_WEBBE_1817_1896'></a><p><b>DASENT, SIR GEORGE WEBBE (1817-1896).</b> +—Scandinavian +scholar, <i>b.</i> in the island of St. Vincent, of which his <i>f.</i> was +Attorney-general, <i>ed.</i> at Westminster School, King's Coll., London, +and Oxf., he entered the diplomatic service, and was for +several years Sec. to the British Embassy at Stockholm, where he +became interested in Scandinavian literature and mythology. Returning +to England he was appointed Assistant Ed. of <i>The Times</i> +(1845-1870). In 1852 he was called to the Bar, and in the following +year was appointed Prof. of English Literature and Modern History +at King's Coll., London, an office which he held for 13 years. He +was knighted in 1876. His principal writings have to do with Scandinavian +language, mythology, and folk-lore, and include an <i>Icelandic +Grammar</i>, <i>The Prose or Younger Edda</i> (1842), <i>Popular Tales +from the Norse</i> (1859), <i>The Saga of Burnt Njal</i> (1861), and <i>The Story of +Gisli the Outlaw</i> (1866), mostly translated from the Norwegian of +Asbjörnsen. He also translated the Orkney and Hacon Sagas for +the Rolls Series, and wrote four novels, <i>Annals of an Eventful Life</i>, +<i>Three to One</i>, <i>Half a Life</i>, and <i>The Vikings of the Baltic</i>. His style +is pointed and clear.</p><br /> + +<a name='DAVENANT_or_DAVENANT_SIR_WILLIAM_1606_1668'></a><p><b>DAVENANT, or D'AVENANT, SIR WILLIAM (1606-1668).</b> +—Poet +and dramatist, was <i>b.</i> at Oxf., where his <i>f.</i> kept an inn, which +Shakespeare was in the habit of visiting. This had some influence +on the future poet, who claimed to be Shakespeare's natural +<a name='Page_108'></a>son. D., <i>ed.</i> at Lincoln Coll., was afterwards in the service of +Lord Brooke, became involved in the troubles of the Civil War, +in which he took the Royalist side, and was imprisoned in the +Tower, escaped to France, and after returning was, in 1643, +knighted. Later D. was employed on various missions by the +King and Queen, was again in the Tower from 1650 to 1652, +when he <i>pub.</i> his poem <i>Gondibert</i>. He is said to have owed his +release to the interposition of Milton. In 1656 he practically +founded the English Opera by his <i>Siege of Rhodes</i> (1656). In 1659 +he was again imprisoned, but after the Restoration he seems to +have enjoyed prosperity and Royal favour, and established a theatre, +where he was the first habitually to introduce female players and +movable scenery. D. wrote 25 dramatic pieces, among which are +<i>Albovine, King of the Lombards</i> (1629), <i>Platonick Lovers</i> (1636), <i>The +Wits</i> (1633), <i>Unfortunate Lovers</i> (1643), <i>Love and Honour</i> (1649). +None of them are now read; and the same may be said of <i>Gondibert</i>, +considered a masterpiece by contemporaries. D. succeeded Ben +Jonson as Poet Laureate, and collaborated with Dryden in altering +(and debasing) <i>The Tempest</i>. He <i>coll.</i> his miscellaneous verse under +the title of <i>Madagascar</i>. He is said to have had the satisfaction of +repaying in kind the good offices of Milton when the latter was in +danger in 1660. He joined with Waller and others in founding the +classical school of English poetry.</p><br /> + +<a name='DAVIDSON_JOHN_1837_1909'></a><p><b>DAVIDSON, JOHN (1837-1909).</b> +—Poet and playwright, <i>b.</i> +at Barrhead, Renfrewshire, <i>s.</i> of a Dissenting minister, entered the +chemical department of a sugar refinery in Greenock in his 13th +year, returning after one year to school as a pupil teacher. He was +afterwards engaged in teaching at various places, and having taken +to literature went in 1890 to London. He achieved a reputation as +a writer of poems and plays of marked individuality and vivid +realism. His poems include <i>In a Music Hall</i> (1891), <i>Fleet Street +Eclogues</i> (1893), <i>Baptist Lake</i> (1894), <i>New Ballads</i> (1896), <i>The Last +Ballad</i> (1898), <i>The Triumph of Mammon</i> (1907), and among his +plays are <i>Bruce</i> (1886), <i>Smith: a Tragic Farce</i> (1888), <i>Godfrida</i> +(1898). D. disappeared on March 27, 1909, under circumstances +which left little doubt that under the influence of mental depression +he had committed suicide. Among his papers was found the MS. of +a new work, <i>Fleet Street Poems</i>, with a letter containing the words, +"This will be my last book." His body was discovered a few +months later.</p><br /> + +<a name='DAVIES_JOHN_1565_1618'></a><p><b>DAVIES, JOHN (1565?-1618).</b> +—Called "the Welsh Poet," +was a writing-master, wrote very copiously and rather tediously on +theological and philosophical themes. His works include <i>Mirum in +Modum</i>, <i>Microcosmus</i> (1602), and <i>The Picture of a Happy Man</i> (1612). +<i>Wit's Bedlam</i> (1617), and many epigrams on his contemporaries +which have some historical interest.</p><br /> + +<a name='DAVIES_SIR_JOHN_1569_1626'></a><p><b>DAVIES, SIR JOHN (1569-1626).</b> +—Lawyer and poet, <i>s.</i> of +a lawyer at Westbury, Wiltshire, was <i>ed.</i> at Winchester and Oxf., and +became a barrister of the Middle Temple, 1595. He was a member +successively of the English and Irish Houses of Commons, and held +various legal offices. In literature he is known as the writer of two +<a name='Page_109'></a>poems, <i>Orchestra: a Poem of Dancing</i> (1594), and <i>Nosce Teipsum</i> +(Know Thyself), in two elegies (1) Of Humane Knowledge (2) Of +the Immortality of the Soul. The poem consists of quatrains, each +containing a complete and compactly expressed thought. It was +<i>pub.</i> in 1599. D. was also the author of treatises on law and politics.</p><br /> + +<a name='DAVIS_or_DAVYS_JOHN_1550_1605'></a><p><b>DAVIS, or DAVYS, JOHN (1550?-1605).</b> +—Navigator, +known as D. of Sandridge to distinguish him from another of the +same name. He was one of the most enterprising of the Elizabethan +sailors, who devoted themselves to the discovery of the +North-west Passage. Davis Strait was discovered by, and named +after, him. He made many voyages, in the last of which he met his +death at the hands of a Japanese pirate. He was the author of a +book, now very scarce, <i>The World's Hydrographical Description</i>, +and he also wrote a work on practical navigation, <i>The Seaman's +Secrets</i>, which had great repute.</p><br /> + +<a name='DAVIS_THOMAS_OSBORNE_1814_1845'></a><p><b>DAVIS, THOMAS OSBORNE (1814-1845).</b> +—Poet, <i>b.</i> at Mallow, +<i>ed.</i> at Trinity Coll., Dublin, and called to the Irish Bar 1838. He +was one of the founders of <i>The Nation</i> newspaper, and of the Young +Ireland party. He wrote some stirring patriotic ballads, originally +contributed to <i>The Nation</i>, and afterwards republished as <i>Spirit of +the Nation</i>, also a memoir of Curran the great Irish lawyer and +orator, prefixed to an ed. of his speeches; and he had formed many +literary plans which were brought to naught by his untimely death.</p><br /> + +<a name='DAVY_SIR_HUMPHREY_1778_1829'></a><p><b>DAVY, SIR HUMPHREY (1778-1829).</b> +—Chemist and man +of letters, <i>s.</i> of a wood-carver, was <i>b.</i> at Penzance. He early showed +an enthusiasm for natural science, and continued to pursue his +studies when apprenticed in 1795 to a surgeon. He became specially +interested in chemistry, to which in 1797 he began more exclusively +to devote himself. Thereafter he assisted Dr. Beddoes in his +laboratory at Bristol, and entered upon his brilliant course of +chemical discovery. His <i>Researches, Chemical, and Philosophical</i> +(1799), led to his appointment as Director of the Chemical Laboratory +at the Royal Institution, where he also delivered courses of scientific +lectures with extraordinary popularity. Thereafter his life was a +succession of scientific triumphs and honours. His great discovery +was that of the metallic bases of the earths and alkalis. He also +discovered various metals, including sodium, calcium, and magnesium. +In 1812 he was knighted, and <i>m.</i> a wealthy widow. Thereafter +he investigated volcanic action and fire-damp, and invented +the safety lamp. In 1818 he was <i>cr.</i> a baronet, and in 1820 became +Pres. of the Royal Society, to which he communicated his discoveries +in electro-magnetism. In addition to his scientific writings, which +include <i>Elements of Agricultural Chemistry</i> (1813), and <i>Chemical +Agencies of Electricity</i>, he wrote <i>Salmonia, or Days of Fly Fishing</i> +(1828), somewhat modelled upon Walton, and <i>Consolations in +Travel</i> (1830), dialogues on ethical and religious questions. D. +sustained an apoplectic seizure in 1826, after which his health was +much impaired, and after twice wintering in Italy, he <i>d.</i> at Geneva, +where he received a public funeral. Though not attached to any +Church, D. was a sincerely religious man, strongly opposed to +materialism and scepticism. He holds a foremost place among +scientific discoverers<a name='Page_110'></a>.</p><br /> + +<a name='DAY_JOHN_b_1574'></a><p><b>DAY, JOHN (<i>b.</i> 1574).</b> +—Dramatist, <i>s.</i> of a Norfolk +yeoman, was at Camb., 1592-3. It is only since 1881 that his +works have been identified. He collaborated with Dekker and +others in plays, and was the author of <i>The Isle of Gulls</i> (1606), +<i>Law Trickes</i> (1608), and <i>Humour out of Breath</i> (1608), +also of an allegorical masque, <i>The Parliament of Bees</i>.</p><br /> + +<a name='DAY_THOMAS_1748_1789'></a><p><b>DAY, THOMAS (1748-1789).</b> +—Miscellaneous writer, was <i>b.</i> in +London, <i>ed.</i> at the Charterhouse and at Oxf., and called to the +Bar 1775, but having inherited in infancy an independence, he did +not practise. He became a disciple of Rousseau in his social views, +and endeavoured to put them in practice in combination with better +morality. He was a benevolent eccentric, and used his income, +which was increased by his marriage with an heiress, in schemes of +social reform as he understood it. He is chiefly remembered as the +author of the once universally-read <i>History of Sandford and Merton</i>.</p><br /> + +<a name='DEFOE_DANIEL_1661_1731'></a><p><b>DEFOE, DANIEL (1661?-1731).</b> +—Journalist and novelist, <i>s.</i> of a butcher +in St. Giles, where he was <i>b.</i> His <i>f.</i> being a Dissenter, +he was <i>ed.</i> at a Dissenting coll. at Newington with the view of +becoming a Presbyterian minister. He joined the army of Monmouth, +and on its defeat was fortunate enough to escape punishment. In +1688 he joined William III. Before settling down to his career as a +political writer, D. had been engaged in various enterprises as a +hosier, a merchant-adventurer to Spain and Portugal, and a brickmaker, +all of which proved so unsuccessful that he had to fly from +his creditors. Having become known to the government as an +effective writer, and employed by them, he was appointed Accountant +in the Glass-Duty Office, 1659-1699. Among his more important +political writings are an <i>Essay on Projects</i> (1698), and <i>The +True-born Englishman</i> (1701), which had a remarkable success. In +1702 appeared <i>The Shortest Way with the Dissenters</i>, written in a +strain of grave irony which was, unfortunately for the author, +misunderstood, and led to his being fined, imprisoned, and put in the +pillory, which suggested his <i>Hymns to the Pillory</i> (1704). +Notwithstanding the disfavour with the government which these disasters +implied, D.'s knowledge of commercial affairs and practical ability +were recognised by his being sent in 1706 to Scotland to aid in the +Union negotiations. In the same year <i>Jure Divino</i>, a satire, +followed by a <i>History of the Union</i> (1709), and <i>The Wars of +Charles XII.</i> (1715). Further misunderstandings and disappointments in +connection with political matters led to his giving up this line of +activity, and, fortunately for posterity, taking to fiction. The first +and greatest of his novels, <i>Robinson Crusoe</i>, appeared in 1719, and +its sequel (of greatly inferior interest) in 1720. These were followed +by <i>Captain Singleton</i> (1720), <i>Moll Flanders</i>, <i>Colonel Jacque</i>, and +<i>Journal of the Plague Year</i> (1722), <i>Memoirs of a Cavalier</i> (1724), <i>A +New Voyage Round the World</i> (1725), and <i>Captain Carlton</i> (1728). +Among his miscellaneous works are <i>Political History of the Devil</i> +(1726), <i>System of Magic</i> (1727), <i>The Complete English Tradesman</i> +(1727), and <i>The Review</i>, a paper which he ed. In all he <i>pub.</i>, +including pamphlets, etc., about 250 works. All D.'s writings are +distinguished by a clear, nervous style, and his works of fiction by a +<a name='Page_111'></a>minute verisimilitude and naturalness of incident which has never +been equalled except perhaps by Swift, whose genius his, in some +other respects, resembled. The only description of his personal +appearance is given in an advertisement intended to lead to his +apprehension, and runs, "A middle-sized, spare man about forty +years old, of a brown complexion, and dark brown-coloured hair, +but wears a wig; a hooked nose, a sharp chin, grey eyes, and a large +mole near his mouth." His mind was a peculiar amalgam of +imagination and matter-of-fact, seeing strongly and clearly what he +did see, but little conscious, apparently, of what lay outside his purview.</p> + +<p><i>Lives</i> by Chalmers (1786), H. Morley (1889), T. Wright (1894), +and others; shorter works by Lamb, Hazlitt, L. Stephens, and Prof. +Minto, Bohn's <i>British Classics</i>, etc.</p><br /> + +<a name='DEKKER_THOMAS_1570_1641'></a><p><b>DEKKER, THOMAS (1570?-1641?).</b> +—Dramatist and miscellaneous +writer, was <i>b.</i> in London. Few details of D.'s life have +come down to us, though he was a well-known writer in his day, +and is believed to have written or contributed to over 20 dramas. +He collaborated at various times with several of his fellow-dramatists, +including Ben Jonson. Ultimately Jonson quarrelled with +Marston and D., satirising them in <i>The Poetaster</i> (1601), to which D. +replied in <i>Satiromastix</i> (1602). D.'s best play is <i>Old Fortunatus</i> (1606), +others are <i>The Shoemaker's Holiday</i> (1600), <i>Honest Whore</i> (1604), +<i>Roaring Girl</i> (1611), <i>The Virgin Martyr</i> (1622) (with Massinger), and +<i>The Witch of Edmonton</i> (1658) (with Ford and Rowley), <i>History of +Sir Thomas Wyat</i>, <i>Westward Ho</i>, and <i>Northward Ho</i>, all with Webster. +His prose writings include <i>The Gull's Hornbook</i> (1609), <i>The Seven +Deadly Sins of London</i>, and <i>The Belman of London</i> (1608), satirical +works which give interesting glimpses of the life of his time. His +life appears to have been a somewhat chequered one, alternating +between revelry and want. He is one of the most poetical of the +older dramatists. Lamb said he "had poetry enough for anything."</p><br /> + +<a name='DE_LOLME_JOHN_LOUIS_1740_1807'></a><p><b>DE LOLME, JOHN LOUIS (1740?-1807).</b> +—Political writer, +<i>b.</i> at Geneva, has a place in English literature for his well-known +work, <i>The Constitution of England</i>, written in French, and translated +into English in 1775. He also wrote a comparison of the +English Government with that of Sweden, a <i>History of the Flagellants</i> +(1777), and <i>The British Empire in Europe</i> (1787). He came +to England in 1769, lived in great poverty, and having inherited a +small fortune, returned to his native place in 1775.</p><br /> + +<a name='DELONEY_THOMAS_1543_1600'></a><p><b>DELONEY, THOMAS (1543-1600).</b> +—Novelist and balladist,<br /> +appears to have worked as a silk-weaver in Norwich, but was in +London by 1586, and in the course of the next 10 years is known to +have written about 50 ballads, some of which involved him in +trouble, and caused him to lie <i>perdue</i> for a time. It is only recently +that his more important work as a novelist, in which he ranks with +Greene and Nash, has received attention. He appears to have +turned to this new field of effort when his original one was closed to +him for the time. Less under the influence of Lyly and other preceding +writers than Greene, he is more natural, simple, and direct, +and writes of middle-class citizens and tradesmen with a light and +<a name='Page_112'></a>pleasant humour. Of his novels, <i>Thomas of Reading</i> is in honour of +clothiers, <i>Jack of Newbury</i> celebrates weaving, and <i>The Gentle +Craft</i> is dedicated to the praise of shoemakers. He "dy'd poorely," +but was "honestly buried."</p><br /> + +<a name='DE_MORGAN_AUGUSTUS_1806_1871'></a><p><b>DE MORGAN, AUGUSTUS (1806-1871).</b> +—Mathematician, <i>b.</i> +in India, and <i>ed.</i> at Camb., was one of the most brilliant of English +mathematicians. He is mentioned here in virtue of his <i>Budget of +Paradoxes</i>, a series of papers originally <i>pub.</i> in <i>The Athenæum</i>, in +which mathematical fallacies are discussed with sparkling wit, and +the keenest logic.</p><br /> + +<a name='DENHAM_SIR_JOHN_1615_1669'></a><p><b>DENHAM, SIR JOHN (1615-1669).</b> +—Poet, <i>s.</i> of the Chief +Baron of Exchequer in Ireland, was <i>b.</i> in Dublin, and <i>ed.</i> at Oxf. +He began his literary career with a tragedy, <i>The Sophy</i> (1641), which +seldom rises above mediocrity. His poem, <i>Cooper's Hill</i> (1642), is +the work by which he is remembered. It is the first example in +English of a poem devoted to local description. D. received extravagant +praise from Johnson; but the place now assigned him is +a much more humble one. His verse is smooth, clear, and agreeable, +and occasionally a thought is expressed with remarkable +terseness and force. In his earlier years D. suffered for his +Royalism; but after the Restoration enjoyed prosperity. He, +however, made an unhappy marriage, and his last years were +clouded by insanity. He was an architect by profession, coming +between Inigo Jones and Wren as King's Surveyor.</p><br /> + +<a name='DENNIS_JOHN_1657_1734'></a><p><b>DENNIS, JOHN (1657-1734).</b> +—Critic, etc., <i>s.</i> of a saddler, +was <i>b.</i> in London, and <i>ed.</i> at Harrow and Caius Coll., Camb., from +the latter of which he was expelled for stabbing a fellow-student, and +transferred himself to Trinity Hall. He attached himself to the +Whigs, in whose interest he wrote several bitter and vituperative +pamphlets. His attempts at play-writing were failures; and he +then devoted himself chiefly to criticising the works of his contemporaries. +In this line, while showing some acuteness, he aroused +much enmity by his ill-temper and jealousy. Unfortunately for +him, some of those whom he attacked, such as Pope and Swift, had +the power of conferring upon him an unenviable immortality. +Embalmed in <i>The Dunciad</i>, his name has attained a fame which no +work of his own could have given it. Of Milton, however, he +showed a true appreciation. Among his works are <i>Rinaldo and +Armida</i> (1699), <i>Appius and Virginia</i> (1709), <i>Reflections Critical +and Satirical</i> (1711), and <i>Three Letters on Shakespeare</i>. He <i>d.</i> in +straitened circumstances.</p><br /> + +<a name='DE_QUINCEY_THOMAS_1785_1859'></a><p><b>DE QUINCEY, THOMAS (1785-1859).</b> +—Essayist and miscellaneous +writer, <i>s.</i> of a merchant in Manchester, was <i>b.</i> there. The +aristocratic "De" was assumed by himself, his <i>f.</i>, whom he lost +while he was still a child, having been known by the name of Quincey, +and he claimed descent from a Norman family. His <i>Autobiographic +Sketches</i> give a vivid picture of his early years at the family +residence of Greenheys, and show him as a highly imaginative and +over-sensitive child, suffering hard things at the hands of a tyrannical +elder brother. He was <i>ed.</i> first at home, then at Bath Grammar<a name='Page_113'></a> +School, next at a private school at Winkfield, Wilts, and in 1801 he +was sent to the Manchester Grammar School, from which he ran +away, and for some time rambled in Wales on a small allowance +made to him by his mother. Tiring of this, he went to London in +the end of 1802, where he led the strange Bohemian life related in +<i>The Confessions</i>. His friends, thinking it high time to interfere, +sent him in 1803 to Oxf., which did not, however, preclude occasional +brief interludes in London, on one of which he made his first +acquaintance with opium, which was to play so prominent and +disastrous a part in his future life. In 1807 he became acquainted with +Coleridge, Wordsworth, and Southey, and soon afterwards with C. +Lamb. During the years 1807-9 he paid various visits to the Lakes, +and in the latter year he settled at Townend, Grasmere, where +Wordsworth had previously lived. Here he pursued his studies, +becoming gradually more and more enslaved by opium, until in 1813 +he was taking from 8000 to 12,000 drops daily. John Wilson +(Christopher North), who was then living at Elleray, had become +his friend, and brought him to Edinburgh occasionally, which ended +in his passing the latter part of his life in that city. His marriage +to Margaret Simpson, <i>dau.</i> of a farmer, took place in 1816. Up to +this time he had written nothing, but had been steeping his mind in +German metaphysics, and out-of-the-way learning of various kinds; +but in 1819 he sketched out <i>Prolegomena of all future Systems of +Political Economy</i>, which, however, was never finished. In the same +year he acted as ed. of the <i>Westmoreland Gazette</i>. His true literary +career began in 1821 with the publication in the <i>London Magazine</i> +of <i>The Confessions of an English Opium-Eater</i>. Thereafter he produced +a long series of articles, some of them almost on the scale of +books, in <i>Blackwood's</i> and <i>Tait's</i> magazines, the <i>Edinburgh Literary +Gazette</i>, and <i>Hogg's Instructor</i>. These included <i>Murder considered +as one of the Fine Arts</i> (1827), and in his later and more important +period, <i>Suspiria De Profundis</i> (1845), <i>The Spanish Military Nun</i> +(1847), <i>The English Mail-Coach</i>, and <i>Vision of Sudden Death</i> (1849). +In 1853 he began a <i>coll.</i> ed. of his works, which was the main occupation +of his later years. He had in 1830 brought his family to +Edinburgh, which, except for two years, 1841-43, when he lived in +Glasgow, was his home till his death in 1859, and in 1837, on his +wife's death, he placed them in the neighbouring village of Lasswade, +while he lived in solitude, moving about from one dingy lodging to +another.</p> + +<p>De Q. stands among the great masters of style in the language. +In his greatest passages, as in the <i>Vision of Sudden Death</i> and the +<i>Dream Fugue</i>, the cadence of his elaborately piled-up sentences falls +like cathedral music, or gives an abiding expression to the fleeting +pictures of his most gorgeous dreams. His character unfortunately +bore no correspondence to his intellectual endowments. His moral +system had in fact been shattered by indulgence in opium. His +appearance and manners have been thus described: "A short and +fragile, but well-proportioned frame; a shapely and compact head; +a face beaming with intellectual light, with rare, almost feminine +beauty of feature and complexion; a fascinating courtesy of +manner, and a fulness, swiftness, and elegance of silvery speech." +His own works give very detailed information regarding himself.<a name='Page_114'></a> +<i>See</i> also Page's <i>Thomas De Quincey: his Life and Writings</i> (1879), +Prof. Masson's <i>De Quincey</i> (English Men of Letters). <i>Collected +Writings</i> (14 vols. 1889-90).</p><br /> + +<a name='DERMODY_THOMAS_1775_1802'></a><p><b>DERMODY, THOMAS (1775-1802).</b> +—Poet, <i>b.</i> at Ennis, +showed great capacity for learning, but fell into idle and dissipated +habits, and threw away his opportunities. He <i>pub.</i> two books of +poems, which after his death were <i>coll.</i> as <i>The Harp of Erin</i>.</p><br /> + +<a name='DE_VERE_AUBREY_THOMAS_1814_1902'></a><p><b>DE VERE, AUBREY THOMAS (1814-1902).</b> +—Poet, <i>s.</i> of +Sir Aubrey de V., himself a poet, was <i>b.</i> in Co. Limerick, and <i>ed.</i> at +Trinity Coll., Dublin. In early life he became acquainted with Wordsworth, +by whom he was greatly influenced. On the religious and +ecclesiastical side he passed under the influence of Newman and +Manning, and in 1851 was received into the Church of Rome. He +was the author of many vols. of poetry, including <i>The Waldenses</i> +(1842), <i>The Search for Proserpine</i> (1843), etc. In 1861 he began a +series of poems on Irish subjects, <i>Inisfail</i>, <i>The Infant Bridal</i>, <i>Irish +Odes</i>, etc. His interest in Ireland and its people led him to write +prose works, including <i>English Misrule and Irish Misdeeds</i> (1848); +and to criticism he contributed <i>Essays chiefly on Poetry</i> (1887). His +last work was his <i>Recollections</i> (1897). His poetry is characterised +by lofty ethical tone, imaginative power, and grave stateliness of +expression.</p><br /> + +<a name='DIBDIN_CHARLES_1745_1814'></a><p><b>DIBDIN, CHARLES (1745-1814).</b> +—Dramatist and song +writer, <i>b.</i> at Southampton, began his literary career at 16 with a +drama, <i>The Shepherd's Artifice</i>. His fame, however, rests on his +sea songs, which are unrivalled, and include <i>Tom Bowling</i>, <i>Poor +Jack</i>, and <i>Blow High Blow Low</i>. He is said to have written over +1200 of these, besides many dramatic pieces and two novels, <i>Hannah +Hewitt</i> (1792), and <i>The Younger Brother</i> (1793), and a <i>History of the +Stage</i> (1795).</p><br /> + +<a name='DICKENS_CHARLES_1812_1870'></a><p><b>DICKENS, CHARLES (1812-1870).</b> +—Novelist, <i>b.</i> at Landport, +near Portsmouth, where his <i>f.</i> was a clerk in the Navy Pay-Office. +The hardships and mortifications of his early life, his want +of regular schooling, and his miserable time in the blacking factory, +which form the basis of the early chapters of <i>David Copperfield</i>, are +largely accounted for by the fact that his <i>f.</i> was to a considerable +extent the prototype of the immortal Mr. Micawber; but partly by +his being a delicate and sensitive child, unusually susceptible to +suffering both in body and mind. He had, however, much time for +reading, and had access to the older novelists, Fielding, Smollett, +and others. A kindly relation also took him frequently to the +theatre, where he acquired his life-long interest in, and love of, the +stage. After a few years' residence in Chatham, the family removed to +London, and soon thereafter his <i>f.</i> became an inmate of the Marshalsea, +in which by-and-by the whole family joined him, a passage in +his life which furnishes the material for parts of <i>Little Dorrit</i>. This +period of family obscuration happily lasted but a short time: the +elder D. managed to satisfy his creditors, and soon after retired +from his official duties on a pension. About the same time D. had +two years of continuous schooling, and shortly afterwards he entered +<a name='Page_115'></a>a law office. His leisure he devoted to reading and learning shorthand, +in which he became very expert. He then acted as parliamentary +reporter, first for <i>The True Sun</i>, and from 1835 for the <i>Morning +Chronicle</i>. Meanwhile he had been contributing to the <i>Monthly +Magazine</i> and the <i>Evening Chronicle</i> the papers which, in 1836, +appeared in a <i>coll.</i> form as <i>Sketches by Boz</i>; and he had also produced +one or two comic burlettas. In the same year he <i>m.</i> Miss Ann +Hogarth; and in the following year occurred the opportunity of his +life. He was asked by Chapman and Hall to write the letterpress +for a series of sporting plates to be done by Robert Seymour who, +however, <i>d.</i> shortly after, and was succeeded by Hablot Browne +(Phiz), who became the illustrator of most of D.'s novels. In the hands +of D. the original plan was entirely altered, and became the <i>Pickwick +Papers</i> which, appearing in monthly parts during 1837-39, took the +country by storm. Simultaneously <i>Oliver Twist</i> was coming out in +<i>Bentley's Miscellany</i>. Thenceforward D.'s literary career was a +continued success, and the almost yearly publication of his works +constituted the main events of his life. <i>Nicholas Nickleby</i> appeared +in serial form 1838-39. Next year he projected <i>Master Humphrey's +Clock</i>, intended to be a series of miscellaneous stories and sketches. +It was, however, soon abandoned, <i>The Old Curiosity Shop</i> and +<i>Barnaby Rudge</i> taking its place. The latter, dealing with the +Gordon Riots, is, with the partial exception of the <i>Tale of Two +Cities</i>, the author's only excursion into the historical novel. In +1841 D. went to America, and was received with great enthusiasm, +which, however, the publication of <i>American Notes</i> considerably +damped, and the appearance of <i>Martin Chuzzlewit</i> in 1843, with its +caustic criticisms of certain features of American life, converted +into extreme, though temporary, unpopularity. The first of the +Christmas books—the <i>Christmas Carol</i>—appeared in 1843, and in +the following year D. went to Italy, where at Genoa he wrote <i>The +Chimes</i>, followed by <i>The Cricket on the Hearth</i>, <i>The Battle of Life</i>, +and <i>The Haunted Man</i>. In January, 1846, he was appointed first +ed. of <i>The Daily News</i>, but resigned in a few weeks. The same year +he went to Switzerland, and while there wrote <i>Dombey and Son</i>, +which was <i>pub.</i> in 1848, and was immediately followed by his +masterpiece, <i>David Copperfield</i> (1849-50). Shortly before this he +had become manager of a theatrical company, which performed in +the provinces, and he had in 1849 started his magazine, <i>Household +Words</i>. <i>Bleak House</i> appeared in 1852-53, <i>Hard Times</i> in 1854, and +<i>Little Dorrit</i> 1856-57. In 1856 he bought Gadshill Place, which, in +1860, became his permanent home. In 1858 he began his public readings +from his works, which, while eminently successful from a financial +point of view, from the nervous strain which they entailed, +gradually broke down his constitution, and hastened his death. In +the same year he separated from his wife, and consequent upon the +controversy which arose thereupon he brought <i>Household Words</i> to +an end, and started <i>All the Year Round</i>, in which appeared <i>A Tale +of Two Cities</i> (1859), and <i>Great Expectations</i> (1860-61). <i>Our Mutual +Friend</i> came out in numbers (1864-65). D. was now in the full tide +of his readings, and decided to give a course of them in America. +Thither accordingly he went in the end of 1867, returning in the +following May. He had a magnificent reception, and his profits +<a name='Page_116'></a>amounted to £20,000; but the effect on his health was such that he +was obliged, on medical advice, finally to abandon all appearances +of the kind. In 1869 he began his last work, <i>The Mystery of Edwin +Drood</i>, which was interrupted by his death from an apoplectic +seizure on June 8, 1870.</p> + +<p>One of D.'s most marked characteristics is the extraordinary +wealth of his invention as exhibited in the number and variety of +the characters introduced into his novels. Another, especially, of +course, in his entire works, is his boundless flow of animal spirits. +Others are his marvellous keenness of observation and his descriptive +power. And the English race may well, with Thackeray, be +"grateful for the innocent laughter, and the sweet and unsullied +pages which the author of <i>David Copperfield</i> gives to [its] +children." On the other hand, his faults are obvious, a tendency +to caricature, a mannerism that often tires, and almost disgusts, fun +often forced, and pathos not seldom degenerating into mawkishness. +But at his best how rich and genial is the humour, how +tender often the pathos. And when all deductions are made, he had +the laughter and tears of the English-speaking world at command +for a full generation while he lived, and that his spell still works is +proved by a continuous succession of new editions.</p> + +<p>SUMMARY.—<i>B.</i> 1812, parliamentary reporter <i>c.</i> 1835, <i>pub.</i> <i>Sketches +by Boz</i> 1836, <i>Pickwick</i> 1837-39, and his other novels almost continuously +until his death, visited America 1841, started <i>Household +Words</i> 1849, and <i>All the Year Round</i> 1858, when also he began his +public readings, visiting America again in 1867, <i>d.</i> 1870.</p> + +<p><i>Life</i> by John Foster (1872), <i>Letters</i> ed. by Miss Hogarth (1880-82). +Numerous Lives and Monographs by Sala, F.T. Marzials (Great +Writers Series), A.W. Ward (Men of Letters Series), F.G. Kitton, +G.K. Chesterton, etc.</p><br /> + +<a name='DIGBY_SIR_KENELM_1603_1665'></a><p><b>DIGBY, SIR KENELM (1603-1665).</b> +—Miscellaneous writer, +<i>b.</i> near Newport Pagnell, <i>s.</i> of Sir Everard D., one of the Gunpowder +Plot conspirators, was <i>ed.</i> at Oxf., travelled much, and was engaged +in sea-fighting. Brought up first as a Romanist, then as a Protestant, +he in 1636 joined the Church of Rome. During the Civil +War he was active on the side of the King, and on the fall of his +cause was for a time banished. He was the author of several books +on religious and quasi-scientific subjects, including one on the +<i>Choice of a Religion</i>, on the <i>Immortality of the Soul</i>, <i>Observations on +Spenser's Faery Queen</i>, and a criticism on Sir T. Browne's <i>Religio +Medici</i>. He also wrote a <i>Discourse on Vegetation</i>, and one <i>On the +Cure of Wounds</i> by means of a sympathetic powder which he +imagined he had discovered.</p><br /> + +<a name='DILKE_CHARLES_WENTWORTH_1789_1864'></a><p><b>DILKE, CHARLES WENTWORTH (1789-1864).</b> +—Critic and +writer on literature, served for many years in the Navy Pay-Office, +on retiring from which he devoted himself to literary pursuits. He +had in 1814-16 made a continuation of Dodsley's <i>Collection of +English Plays</i>, and in 1829 he became part proprietor and ed. of <i>The +Athenæum</i>, the influence of which he greatly extended. In 1846 he +resigned the editorship, and assumed that of <i>The Daily News</i>, but +contributed to <i>The Athenæum</i> his famous papers on <i>Pope</i>, <i>Burke</i>, +<i>Junius</i>, etc., and shed much new light on his subjects. His grandson, +<a name='Page_117'></a>the present Sir C.W. Dilke, <i>pub.</i> these writings in 1875 under +the title, <i>Papers of a Critic</i>.</p><br /> + +<a name='DISRAELI_B_see_BEACONSFIELD'></a><p><b>DISRAELI, B., (<i>see</i> <a href='#BEACONSFIELD_BENJAMIN_DISRAELI_1ST_EARL_of_1804_1881'>BEACONSFIELD</a>).</b></p><br /> + +<a name='DISRAELI_ISAAC_1766_1848'></a><p><b>D'ISRAELI, ISAAC (1766-1848).</b> +—Miscellaneous writer, +was descended from a Jewish family which had been settled first in +Spain, and afterwards at Venice. <i>Ed.</i> at Amsterdam and Leyden, +he devoted himself to literature, producing a number of interesting +works of considerable value, including <i>Curiosities of Literature</i>, in 3 +series (1791-1823), <i>Dissertation on Anecdotes</i> (1793), <i>Calamities of +Authors</i> (1812), <i>Amenities of Literature</i> (1841); also works dealing +with the lives of James I. and Charles I.D. was latterly blind. He +was the <i>f.</i> of <a href='#BEACONSFIELD_BENJAMIN_DISRAELI_1ST_EARL_of_1804_1881'>Benjamin D., Earl of Beaconsfield</a> (<i>q.v.</i>).</p><br /> + +<a name='DIXON_RICHARD_WATSON_1833_1900'></a><p><b>DIXON, RICHARD WATSON (1833-1900).</b> +—Historian and +poet, <i>s.</i> of Dr. James D., a well-known Wesleyan minister and historian +of Methodism, <i>ed.</i> at King Edward's School, Birmingham, and +Oxf., took Anglican orders, was Second Master at Carlisle School, +Vicar of Hayton and Warkworth, and Canon of Carlisle. He +<i>pub.</i> 7 vols. of poetry, but is best known for his <i>History of the Church +of England from the Abolition of Roman Jurisdiction</i> (1877-1900).</p><br /> + +<a name='DIXON_WILLIAM_HEPWORTH_1821_1879'></a><p><b>DIXON, WILLIAM HEPWORTH (1821-1879).</b> +—Historian +and traveller, <i>b.</i> near Manchester, went to London in 1846, and became +connected with <i>The Daily News</i>, for which he wrote articles on social +and prison reform. In 1850 he <i>pub.</i> <i>John Howard and the Prison +World of Europe</i>, which had a wide circulation, and about the same +time he wrote a <i>Life of Peace</i> (1851), in answer to Macaulay's onslaught. +Lives of <i>Admiral Blake</i> and <i>Lord Bacon</i> followed, which +received somewhat severe criticisms at the hands of competent +authorities. D. was ed. of <i>The Athenæum</i>, 1853-69, and wrote +many books of travel, including <i>The Holy Land</i> (1865), <i>New +America</i> (1867), and <i>Free Russia</i> (1870). His later historical works +include <i>Her Majesty's Tower</i>, and <i>The History of Two Queens</i> +(Catherine of Arragon and Anne Boleyn). Though a diligent +student of original authorities, and sometimes successful in throwing +fresh light on his subjects, D. was not always accurate, and thus +laid himself open to criticism; and his book, <i>Spiritual Wives</i>, treating +of Mormonism, was so adversely criticised as to lead to an action. +He wrote, however, in a fresh and interesting style. He was one of +the founders of the Palestine Exploration Fund, and was a member +of the first School Board for London (1870). He was called to the +Bar in 1854, but never practised.</p><br /> + +<a name='DOBELL_SYDNEY_THOMPSON_1824_1874'></a><p><b>DOBELL, SYDNEY THOMPSON (1824-1874).</b> +—Poet, <i>b.</i> at +Cranbrook, Kent, <i>s.</i> of a wine-merchant, who removed to Cheltenham, +where most of the poet's life was passed. His youth was precocious +(he was engaged at 15 and <i>m.</i> at 20). In 1850 his first work, +<i>The Roman</i>, appeared, and had great popularity. <i>Balder, Part I.</i> +(1854), <i>Sonnets on the War</i>, jointly with <a href='#SMITH_ALEXANDER_1830_1867'>Alexander Smith</a> (<i>q.v.</i>) +(1855), and <i>England in Time of War</i> (1856) followed. His later +years were passed in Scotland and abroad in search of health, +which, however, was damaged by a fall while exploring some ruins +<a name='Page_118'></a>at Pozzuoli. D.'s poems exhibit fancy and brilliancy of diction, but +want simplicity, and sometimes run into grandiloquence and other +faults of the so-called spasmodic school to which he belonged.</p><br /> + +<a name='DODD_WILLIAM_1729_1777'></a><p><b>DODD, WILLIAM (1729-1777).</b> +—Divine and forger, <i>ed.</i> at +Camb., became a popular preacher in London, and a Royal Chaplain, +but, acquiring expensive habits, got involved in hopeless difficulties, +from which he endeavoured to escape first by an attempted +simoniacal transaction, for which he was disgraced, and then by +forging a bond for £4200, for which, according to the then existing +law, he was hanged. Great efforts were made to obtain a commutation +of the sentence, and Dr. Johnson wrote one of the petitions, +but on D.'s book, <i>Thoughts in Prison</i>, appearing posthumously, he +remarked that "a man who has been canting all his days may cant +to the last." D. was the author of a collection of <i>Beauties of Shakespeare</i>, +<i>Reflections on Death</i>, and a translation of the <i>Hymns of +Callimachus</i>.</p><br /> + +<a name='DODDRIDGE_PHILIP_1702_1751'></a><p><b>DODDRIDGE, PHILIP (1702-1751).</b> +—Nonconformist +divine and writer of religious books and hymns, <i>b.</i> in London, and +<i>ed.</i> for the ministry at a theological institution at Kibworth, became +minister first at Market Harborough, and afterwards at Northampton, +where he also acted as head of a theological academy. D., who +was a man of amiable and joyous character, as well as an accomplished +scholar, composed many standard books of religion, of +which the best known is <i>The Rise and Progress of Religion in the +Soul</i> (1745). In 1736 he received the degree of D.D. from Aberdeen. +He <i>d.</i> at Lisbon, whither he had gone in search of health. Several +of his hymns, <i>e.g.</i>, <i>Ye Servants of the Lord</i>, <i>O Happy Day</i>, and <i>O God +of Bethel</i>, are universally used by English-speaking Christians, and +have been translated into various languages.</p><br /> + +<a name='DODGSON_CHARLES_LUTWIDGE_quotLEWIS_CARROLLquot_1832_1898'></a><p><b>DODGSON, CHARLES LUTWIDGE ("LEWIS CARROLL") (1832-1898).</b> +—Mathematician +and writer of books for children, <i>s.</i> of +a clergyman at Daresbury, Cheshire, was <i>ed.</i> at Rugby and Oxf. +After taking orders he was appointed lecturer on mathematics, on +which subject he <i>pub.</i> several valuable treatises. His fame rests, +however, on his books for children, full of ingenuity and delightful +humour, of which <i>Alice's Adventures in Wonderland</i>, and its sequel, +<i>Through the Looking-glass</i>, are the best.</p><br /> + +<a name='DODSLEY_ROBERT_1703_1764'></a><p><b>DODSLEY, ROBERT (1703-1764).</b> +—Poet, dramatist, and +bookseller, <i>b.</i> near Mansfield, and apprenticed to a stocking-weaver, +but not liking this employment, he ran away and became a footman. +While thus engaged he produced <i>The Muse in Livery</i> (1732). This +was followed by <i>The Toy Shop</i>, a drama, which brought him under +the notice of Pope, who befriended him, and assisted him in starting +business as a bookseller. In this he became eminently successful, and +acted as publisher for Pope, Johnson, and Akenside. He projected +and <i>pub.</i> <i>The Annual Register</i>, and made a collection of <i>Old English +Plays</i>, also of <i>Poems by Several Hands</i> in 6 vols. In addition to the +original works above mentioned he wrote various plays and poems, +including <i>The Blind Beggar of Bethnal Green</i> (1741), and <i>Cleone</i> +(1758)<a name='Page_119'></a>.</p><br /> + +<a name='DONNE_JOHN_1573_1631'></a><p><b>DONNE, JOHN (1573-1631).</b> +—Poet and divine, <i>s.</i> of a +wealthy ironmonger in London, where he was <i>b.</i> Brought up as a +Roman Catholic, he was sent to Oxf. and Camb., and afterwards +entered Lincoln's Inn with a view to the law. Here he studied the +points of controversy between Romanists and Protestants, with the +result that he joined the Church of England. The next two years +were somewhat changeful, including travels on the Continent, +service as a private sec., and a clandestine marriage with the niece +of his patron, which led to dismissal and imprisonment, followed by +reconciliation. On the suggestion of James I., who approved of +<i>Pseudo-Martyr</i> (1610), a book against Rome which he had written, +he took orders, and after executing a mission to Bohemia, he was, +in 1621, made Dean of St. Paul's. D. had great popularity as a +preacher. His works consist of elegies, satires, epigrams, and +religious pieces, in which, amid many conceits and much that is +artificial, frigid, and worse, there is likewise much poetry and +imagination of a high order. Perhaps the best of his works is <i>An +Anatomy of the World</i> (1611), an elegy. Others are <i>Epithalamium</i> +(1613), <i>Progress of the Soul</i> (1601), and <i>Divine Poems</i>. Collections +of his poems appeared in 1633 and 1649. He exercised a +strong influence on literature for over half a century after his death; +to him we owe the unnatural style of conceits and overstrained +efforts after originality of the succeeding age.</p><br /> + +<a name='DORAN_JOHN_1807_1878'></a><p><b>DORAN, JOHN (1807-1878).</b> +—Miscellaneous writer, of +Irish parentage, wrote a number of works dealing with the lighter +phases of manners, antiquities, and social history, often bearing +punning titles, <i>e.g.</i>, <i>Table Traits with Something on Them</i> (1854), +and <i>Knights and their Days</i>. He also wrote <i>Lives of the Queens of +England of the House of Hanover</i> (1855), and <i>A History of Court +Fools</i> (1858), and ed. Horace Walpole's <i>Journal of the Reign of +George III.</i> His books contain much curious and out-of-the-way +information. D. was for a short time ed. of <i>The Athenæum</i>.</p><br /> + +<a name='DORSET_CHARLES_SACKVILLE_6TH_EARL_of_1638_1706'></a><p><b>DORSET, CHARLES SACKVILLE, 6TH EARL of (1638-1706).</b> +—Poet, +was one of the dissolute and witty courtiers of Charles II., +and a friend of <a href='#SEDLEY_SIR_CHARLES_1639_1701'>Sir C. Sedley</a> (<i>q.v.</i>), in whose orgies he participated. +He was, however, a patron of literature, and a benefactor of Dryden +in his later and less prosperous years. He wrote a few satires and +songs, among the latter being the well-known, <i>To all you Ladies now +on Land</i>. As might be expected, his writings are characterised by +the prevailing indelicacy of the time.</p><br /> + +<a name='DORSET_THOMAS_SACKVILLE_1ST_EARL_of_AND_LORD_BUCKHURST_1536_1608'></a><p><b>DORSET, THOMAS SACKVILLE, 1ST EARL of, AND LORD BUCKHURST (1536-1608).</b> +—Poet +and statesman, was <i>b.</i> at Buckhurst, +Sussex, the only <i>s.</i> of Sir Richard S., and <i>ed.</i> at Oxf. and +Camb. He studied law at the Inner Temple, and while there wrote, +in conjunction with Thomas Norton, <i>Ferren and Porrex</i> or <i>Gerboduc</i> +(1561-2), the first regular English tragedy. A little later he planned +<i>The Mirror for Magistrates</i>, which was to have been a series of narratives +of distinguished Englishmen, somewhat on the model of +Boccaccio's <i>Falls of Princes</i>. Finding the plan too large, he handed +it over to others—seven poets in all being engaged upon it—and +himself contributed two poems only, one on <i>Buckingham</i>, the confederate, +<a name='Page_120'></a>and afterwards the victim, of Richard III., and an <i>Induction</i> +or introduction, which constitute nearly the whole value of the +work. In these poems S. becomes the connecting link between +Chaucer and Spenser. They are distinguished by strong invention +and imaginative power, and a stately and sombre grandeur of style. +S. played a prominent part in the history of his time, and held many +high offices, including those of Lord Steward and Lord Treasurer, +the latter of which he held from 1599 till his death. It fell to him +to announce to Mary Queen of Scots the sentence of death.</p><br /> + +<a name='DOUCE_FRANCIS_1757_1834'></a><p><b>DOUCE, FRANCIS (1757-1834).</b> +—Antiquary, <i>b.</i> in London, +was for some time in the British Museum. He <i>pub.</i> <i>Illustrations of +Shakespeare</i> (1807), and a dissertation on <i>The Dance of Death</i> (1833).</p><br /> + +<a name='DOUGLAS_GAVIN_1474_1522'></a><p><b>DOUGLAS, GAVIN (1474?-1522).</b> +—Poet, 3rd <i>s.</i> of the 5th +Earl of Angus, was <i>b.</i> about 1474, and <i>ed.</i> at St. Andrews for the +Church. Promotion came early, and he was in 1501 made Provost +of St. Giles, Edin., and in 1514 Abbot of Aberbrothock, and Archbishop +of St. Andrews. But the times were troublous, and he had +hardly received these latter preferments when he was deprived of +them. He was, however, named Bishop of Dunkeld in 1514 and, +after some difficulty, and undergoing imprisonment, was confirmed +in the see. In 1520 he was again driven forth, and two years later +<i>d.</i> of the plague in London. His principal poems are <i>The Palace of +Honour</i> (1501), and <i>King Hart</i>, both allegorical; but his great +achievement was his translation of the <i>Æneid</i> in ten-syllabled +metre, the first translation into English of a classical work. D.'s +language is more archaic than that of some of his predecessors, his +rhythm is rough and unequal, but he had fire, and a power of vivid +description, and his allegories are ingenious and felicitous.</p> + +<p><i>Coll.</i> ed. of works by John Small, LL.D., 4 vols., 1874.</p><br /> + +<a name='DOYLE_SIR_FRANCIS_HASTINGS_1810_1888'></a><p><b>DOYLE, SIR FRANCIS HASTINGS (1810-1888).</b> +—Poet, +belonged to a military family which produced several distinguished +officers, including his <i>f.</i>, who bore the same name. He was <i>b.</i> near +Tadcaster, Yorkshire, and <i>ed.</i> at Eton and Oxf. Studying law he +was called to the Bar in 1837, and afterwards held various high +fiscal appointments, becoming in 1869 Commissioner of Customs. +In 1834 he <i>pub.</i> <i>Miscellaneous Verses</i>, followed by <i>Two Destinies</i> +(1844), <i>Œdipus, King of Thebes</i> (1849), and <i>Return of the Guards</i> +(1866). He was elected in 1867 Prof. of Poetry at Oxf. D.'s best +work is his ballads, which include <i>The Red Thread of Honour</i>, <i>The +Private of the Buffs</i>, and <i>The Loss of the Birkenhead</i>. In his longer +poems his genuine poetical feeling was not equalled by his power of +expression, and much of his poetry is commonplace.</p><br /> + +<a name='DRAKE_JOSEPH_RODMAN_1795_1820'></a><p><b>DRAKE, JOSEPH RODMAN (1795-1820).</b> +—Poet, <i>b.</i> at New +York, studied medicine, <i>d.</i> of consumption. He collaborated with +F. Halleck in the <i>Croaker Papers</i>, and wrote "The Culprit Fay" +and "The American Flag."</p><br /> + +<a name='DRAPER_JOHN_WILLIAM_1811_1882'></a><p><b>DRAPER, JOHN WILLIAM (1811-1882).</b> +—Historian, <i>b.</i> at +St. Helen's, Lancashire, emigrated to Virginia, and was a prof. in the +Univ. of New York. He wrote <i>History of the American Civil War</i> +(1867-70), <i>History of the Intellectual Development of Europe</i> (1863), +<a name='Page_121'></a>and <i>History of the Conflict between Science and Religion</i> (1874), +besides treatises on various branches of science.</p><br /> + +<a name='DRAYTON_MICHAEL_1563_1631'></a><p><b>DRAYTON, MICHAEL (1563-1631).</b> +—Poet, <i>b.</i> in Warwickshire, +was in early life page to a gentleman, and was possibly at +Camb. or Oxf. His earliest poem, <i>The Harmonie of the Church</i>, was +destroyed. His next was <i>The Shepherd's Garland</i> (1593), afterwards +reprinted as <i>Eclogues</i>. Three historical poems, <i>Gaveston</i> +(1593), <i>Matilda</i> (1594), and <i>Robert, Duke of Normandie</i> (1596) +followed, and he then appears to have collaborated with Dekker, +Webster, and others in dramatic work. His <i>magnum opus</i>, however, +was <i>Polyolbion</i> (1613?), a topographical description of England +in twelve-syllabled verse, full of antiquarian and historical details, +so accurate as to make the work an authority on such matters. +The rushing verse is full of vigour and gusto. Other poems of D. are +<i>The Wars of the Barons</i> (1603), <i>England's Heroical Epistles</i> (1598) +(being imaginary letters between Royal lovers such as Henry II. +and Rosamund), <i>Poems, Lyric and Heroic</i> (1606) (including the fine +ballad of "Agincourt"), <i>Nymphidia</i>, his most graceful work, <i>Muses +Elizium</i>, and <i>Idea's Mirrour</i>, a collection of sonnets, Idea being the +name of the lady to whom they were addressed. Though often +heavy, D. had the true poetic gift, had passages of grandeur, and +sang the praises of England with the heart of a patriot.</p><br /> + +<a name='DRUMMOND_HENRY_1851_1897'></a><p><b>DRUMMOND, HENRY (1851-1897).</b> +—Theological and +scientific writer, <i>b.</i> at Stirling, and <i>ed.</i> at Edin., he studied for the +ministry of the Free Church. Having a decided scientific bent he +gave himself specially to the study of geology, and made a scientific +tour in the Rocky Mountains with Sir A. Geikie. Some years later +he undertook a geological exploration of Lake Nyassa and the +neighbouring country for the African Lakes Corporation, and +brought home a valuable Report. He also <i>pub.</i> <i>Tropical Africa</i>, a +vivid account of his travels. He became much associated with the +American evangelist, D.L. Moody, and became an extremely effective +speaker on religious subjects, devoting himself specially to young +men. His chief contribution to literature was his <i>Natural Law in +the Spiritual World</i>, which had extraordinary popularity. <i>The +Ascent of Man</i> was less successful. D. was a man of great personal +fascination, and wrote in an interesting and suggestive manner, but +his reasoning in his scientific works was by no means unassailable.</p><br /> + +<a name='DRUMMOND_WILLIAM_1585_1649'></a><p><b>DRUMMOND, WILLIAM (1585-1649).</b> +—Poet, was descended +from a very ancient family, and through Annabella D., Queen of +Robert III., related to the Royal House. <i>Ed.</i> at Edin. Univ., he +studied law on the Continent, but succeeding in 1610 to his paternal +estate of Hawthornden, he devoted himself to poetry. <i>Tears on the +Death of Meliades</i> (Prince Henry) appeared in 1613, and in 1616 +<i>Poems, Amorous, Funerall, Divine, etc.</i> His finest poem, <i>Forth +Feasting</i> (1617), is addressed to James VI. on his revisiting Scotland. +D. was also a prose-writer, and composed a <i>History of the +Five Jameses, Kings of Scotland from 1423-1524</i>, and <i>The Cypress +Grove</i>, a meditation on death. He was also a mechanical genius, +and patented 16 inventions. D., though a Scotsman, wrote in the +classical English of the day, and was the friend of his principal +<a name='Page_122'></a>literary contemporaries, notably of Ben Jonson, who visited him at +Hawthornden, on which occasion D. preserved notes of his conversations, +not always flattering. For this he has received much blame, +but it must be remembered that he did not <i>pub.</i> them. As a poet +he belonged to the school of Spenser. His verse is sweet, flowing, +and harmonious. He excelled as a writer of sonnets, one of which, +on <i>John the Baptist</i>, has a suggestion of Milton.</p> + +<p><i>Life</i> by Prof. Masson (1873), <i>Three Centuries of Scottish Literature</i>, +Walker, 1893. <i>Maitland Club</i> ed. of <i>Poems</i> (1832).</p><br /> + +<a name='DRYDEN_JOHN_1631_1700'></a><p><b>DRYDEN, JOHN (1631-1700).</b> +—Poet, dramatist, and +satirist, was <i>b.</i> at Aldwincle Rectory, Northamptonshire. His <i>f.</i>, +from whom he inherited a small estate, was Erasmus, 3rd <i>s.</i> of Sir +Erasmus Driden; his mother was Mary Pickering, also of good family; +both families belonged to the Puritan side in politics and religion. +He was <i>ed.</i> at Westminster School and Trinity Coll., Camb., and +thereafter, in 1657, came to London. While at coll. he had written +some not very successful verse. His <i>Heroic Stanzas on the Death of +Oliver Cromwell</i> (1658) was his first considerable poem. It was +followed, in 1660, by <i>Astræa Redux</i>, in honour of the Restoration. +The interval of 18 months had been crowded with events, and +though much has been written against his apparent change of +opinion, it is fair to remember that the whole cast of his mind led +him to be a supporter of <i>de facto</i> authority. In 1663 he <i>m.</i> Lady +Elizabeth Howard, <i>dau.</i> of the Earl of Berkshire. The Restoration +introduced a revival of the drama in its most debased form, and for +many years D. was a prolific playwright, but though his vigorous +powers enabled him to work effectively in this department, as in +every other in which he engaged, it was not his natural line, and +happily his fame does not rest upon his plays, which are deeply +stained with the immorality of the age. His first effort, <i>The Wild +Gallant</i> (1663), was a failure; his next, <i>The Rival Ladies</i>, a tragi-comedy, +established his reputation, and among his other dramas +may be mentioned <i>The Indian Queene</i>, <i>Amboyna</i> (1673), <i>Tyrannic +Love</i> (1669), <i>Almanzar and Almahide</i> (ridiculed in Buckingham's +<i>Rehearsal</i>) (1670), <i>Arungzebe</i> (1675), <i>All for Love</i> (an adaptation of +Shakespeare's <i>Antony and Cleopatra</i>) (1678). During the great +plague, 1665, D. left London, and lived with his father-in-law at +Charleton. On his return he <i>pub.</i> his first poem of real power, +<i>Annus Mirabilis</i>, of which the subjects were the great fire, and the +Dutch War. In 1668 appeared his <i>Essay on Dramatic Poetry</i> in the +form of a dialogue, fine alike as criticism and as prose. Two years +later (1670) he became Poet Laureate and Historiographer Royal with +a pension of £300 a year. D. was now in prosperous circumstances, +having received a portion with his wife, and besides the salaries of +his appointments, and his profits from literature, holding a valuable +share in the King's play-house. In 1671 G. Villiers, Duke of Buckingham, +produced his <i>Rehearsal</i>, in ridicule of the overdone heroics +of the prevailing drama, and satirising D. as Mr. Bayes. To this D. +made no immediate reply, but bided his time. The next years were +devoted to the drama. But by this time public affairs were assuming +a critical aspect. A large section of the nation was becoming +alarmed at the prospect of the succession of the Duke of York, and +<a name='Page_123'></a>a restoration of popery, and Shaftesbury was supposed to be promoting +the claims of the Duke of Monmouth. And now D. showed; +his full powers. The first part of <i>Absalom and Achitophel</i> appeared +in 1681, in which Charles figures as "David," Shaftesbury as +"Achitophel," Monmouth as "Absalom," Buckingham as "Zimri," +in the short but crushing delineation of whom the attack of the +<i>Rehearsal</i> was requited in the most ample measure. The effect; +of the poem was tremendous. Nevertheless the indictment against +Shaftesbury for high treason was ignored by the Grand Jury at +the Old Bailey, and in honour of the event a medal was struck, +which gave a title to D.'s next stroke. His <i>Medal</i> was issued in +1682. The success of these wonderful poems raised a storm round +D. Replies were forthcoming in Elkanah Settle's <i>Absalom and +Achitophel Transposed</i>, and Pordage's <i>Azaria and Hushai</i>. These +compositions, especially Pordage's, were comparatively moderate. +Far otherwise was Shadwell's <i>Medal of John Bayes</i>, one of the most +brutal and indecent pieces in the language. D.'s revenge—and an +ample one—was the publication of <i>MacFlecknoe</i>, a satire in which +all his opponents, but especially Shadwell, were held up to the +loathing and ridicule of succeeding ages, and others had conferred, +upon them an immortality which, however unenviable, no efforts of +their own could have secured for them. Its immediate effect was +to crush and silence all his assailants. The following year, 1683, +saw the publication of <i>Religio Laici</i> (the religion of a layman). In +1686 D. joined the Church of Rome, for which he has by some been +blamed for time-serving of the basest kind. On the other hand his +consistency and conscientiousness have by others been as strongly +maintained. The change, which was announced by the publication, +in 1687 of <i>The Hind and the Panther, a Defence of the Roman Church</i>, +at all events did not bring with it any worldly advantages. It was +parodied by C. Montague and Prior in the <i>Town and Country Mouse</i>. +At the Revolution D. was deprived of all his pensions and appointments, +including the Laureateship, in which he was succeeded by +his old enemy Shadwell. His latter years were passed in comparative +poverty, although the Earl of Dorset and other old friends contributed +by their liberality to lighten his cares. In these circumstances +he turned again to the drama, which, however, was no +longer what it had been as a source of income. To this period +belong <i>Don Sebastian</i>, and his last play, <i>Love Triumphant</i>. A new +mine, however, was beginning to be opened up in the demand for +translations which had arisen. This gave D. a new opportunity, +and he produced, in addition to translations from Juvenal and +Perseus, his famous "Virgil" (1697). About the same time appeared +<i>The Ode for St. Cecilia's Day</i>, and <i>Alexander's Feast</i>, and in +1700, the year of his death, the <i>Fables</i>, largely adaptations from +Chaucer and Boccaccio. In his own line, that of argument, satire, +and declamation, D. is without a rival in our literature: he had +little creative imagination and no pathos. His dramas, which in +bulk are the greatest part of his work, add almost nothing to his +fame; in them he was meeting a public demand, not following the +native bent of his genius. In his satires, and in such poems as +<i>Alexander's Feast</i>, he rises to the highest point of his powers in a +verse swift and heart-stirring. In prose his style is clear, strong, +<a name='Page_124'></a>and nervous. He seems to have been almost insensible to the +beauty of Nature.</p> + +<p>SUMMARY.—<i>B.</i> 1631, <i>ed.</i> Westminster and Camb., became prolific +playwright, <i>pub.</i> <i>Annus Mirabilis</i> <i>c.</i> 1666, Poet Laureate 1667, +<i>pub.</i> <i>Absalom and Achitophel</i> (part 1) 1681, <i>Medal</i> 1682, <i>MacFlecknoe</i> +1682, <i>Religio Laici</i> 1683, joined Church of Rome 1686, <i>pub. +Hind and Panther</i> 1687, deprived of offices and pensions at Revolution +1688, <i>pub.</i> translations including "Virgil" 1697, <i>St. Cecilia's +Day</i> and <i>Alexander's Feast</i> <i>c.</i> 1697, and <i>Fables</i> 1700, when he <i>d.</i></p> + +<p>Sir W. Scott's ed. with <i>Life</i> 1808, re-edited in 18 vols. by Prof. +Saintsbury (1883-93); Aldine ed. (5 vols., 1892), Johnson's <i>Lives of +the Poets</i>, etc.</p><br /> + +<a name='DUFF_SIR_MOUNTSTUART_E_GRANT_1829_1906'></a><p><b>DUFF, SIR MOUNTSTUART E. GRANT (1829-1906).</b> +—Miscellaneous +writer, was M.P. for the Elgin Burghs, and Lieut.-Governor +of Madras. He <i>pub.</i> <i>Studies of European Politics</i>, books on Sir H. +Maine, Lord de Tabley, and Renan, and a series of <i>Notes from a +Diary</i>, perhaps his most interesting work.</p><br /> + +<a name='DUFFERIN_HELEN_SELENA_SHERIDAN_COUNTESS_OF_1807_1867'></a><p><b>DUFFERIN, HELEN SELENA (SHERIDAN), COUNTESS OF (1807-1867).</b> +—Eldest +<i>dau.</i> of Tom S., grand-daughter of <a href='#SHERIDAN_RICHARD_BRINSLEY_1751_1816'>Richard +Brinsley S.</a> (<i>q.v.</i>), and sister of <a href='#NORTON_CAROLINE_ELIZABETH_SARAH_SHERIDAN_1808_1877'>Mrs. Norton</a> (<i>q.v.</i>). She and her two +sisters were known as "the three Graces," the third being the +Duchess of Somerset. She shared in the family talent, and wrote +a good deal of verse, her best known piece being perhaps <i>The +Lament of the Irish Emigrant</i>, beginning "I'm sittin' on the stile, +Mary." She also wrote <i>Lispings from Low Latitudes, or Extracts +from the Journal of the Hon. Impulsia Gushington</i>, <i>Finesse, or a Busy +Day at Messina</i>, etc.</p><br /> + +<a name='DUFFY_SIR_CHARLES_GAVAN_1816_1903'></a><p><b>DUFFY, SIR CHARLES GAVAN (1816-1903).</b> +—Poet, <i>b.</i> in +Monaghan, early took to journalism, and became one of the founders +of the <i>Nature</i> newspaper, and one of the leaders of the Young Ireland +movement. Thereafter he went to Australia, where he became a leading +politician, and rose to be Premier of Victoria. His later years +were spent chiefly on the Continent. He did much to stimulate in +Ireland a taste for the national history and literature, started <i>The +Library of Ireland</i>, and made a collection, <i>The Ballad Poetry of Ireland</i>, +which was a great success. He also <i>pub.</i> an autobiography, +<i>My Life in Two Hemispheres</i>.</p><br /> + +<a name='DUGDALE_SIR_WILLIAM_1605_1686'></a><p><b>DUGDALE, SIR WILLIAM (1605-1686).</b> +—Herald and antiquary, +was <i>b.</i> at Coleshill, Warwickshire, and <i>ed.</i> at Coventry School. +From early youth he showed a strong bent towards heraldic and +antiquarian studies, which led to his appointment, in 1638, as a +Pursuivant-extraordinary, from which he rose to be Garter-King-at-Arms. +In 1655, jointly with Roger Dodsworth, he brought out +the first vol. of <i>Monasticon Anglicanum</i> (the second following in +1661, and the third in 1673), containing the charters of the ancient +monasteries. In 1656 he <i>pub.</i> the <i>Antiquities of Warwickshire</i>, +which maintains a high place among county histories, and in 1666 +<i>Origines Judiciales</i>. His great work, <i>The Baronage of England</i>, +appeared in 1675-6. Other works were a <i>History of Imbanking and +Drayning</i>, and a <i>History of St. Paul's Cathedral</i>. All D.'s writings +are monuments of learning and patient investigation<a name='Page_125'></a>.</p><br /> + +<a name='DU_MAURIER_GEORGE_LOUIS_PALMELLA_BUSSON_1834_1896'></a><p><b>DU MAURIER, GEORGE LOUIS PALMELLA BUSSON (1834-1896).</b> +—Artist +and novelist, <i>b.</i> and <i>ed.</i> in Paris, in 1864 succeeded +John Leech on the staff of <i>Punch</i>. His three novels, <i>Peter Ibbetson</i> +(1891), <i>Trilby</i> (1894), and <i>The Martian</i> (1896), originally appeared +in <i>Harper's Magazine</i>.</p><br /> + +<a name='DUNBAR_WILLIAM_1465_1530'></a><p><b>DUNBAR, WILLIAM (1465?-1530?).</b> +—Poet, is believed to +have been <i>b.</i> in Lothian, and <i>ed.</i> at St. Andrews, and in his earlier +days he was a Franciscan friar. Thereafter he appears to have +been employed by James IV. in some Court and political matters. +His chief poems are <i>The Thrissil and the Rois (The Thistle and the +Rose</i>) (1503), <i>The Dance of the Seven Deadly Sins</i>, a powerful satire, +<i>The Golden Targe</i>, an allegory, and <i>The Lament for the Makaris</i> +(poets) (<i>c.</i> 1507). In all these there is a vein of true poetry. In his +allegorical poems he follows Chaucer in his setting, and is thus more +or less imitative and conventional: in his satirical pieces, and in +the <i>Lament</i>, he takes a bolder flight and shows his native power. +His comic poems are somewhat gross. The date and circumstances +of his death are uncertain, some holding that he fell at Flodden, +others that he was alive so late as 1530. Other works are <i>The Merle</i> +and <i>The Nightingale</i>, and the <i>Flyting</i> (scolding) of Dunbar and +Kennedy. Mr. Gosse calls D. "the largest figure in English literature +between Chaucer and Spenser." He has bright strength, +swiftness, humour, and pathos, and his descriptive touch is vivid +and full of colour.</p><br /> + +<a name='DUNLOP_JOHN_COLIN_c_1785_1842'></a><p><b>DUNLOP, JOHN COLIN (<i>c.</i> 1785-1842).</b> +—Historian, <i>s.</i> of a +Lord Provost of Glasgow, where and at Edin. he was <i>ed.</i>, was called +to the Bar in 1807, and became Sheriff of Renfrewshire. He wrote +a <i>History of Fiction</i> (1814), a <i>History of Roman Literature to the +Augustan Age</i> (1823-28), and <i>Memoirs of Spain during the Reigns of +Philip IV. and Charles II.</i> (1834). He also made translations from +the Latin Anthology.</p><br /> + +<a name='DUNS_SCOTUS_JOHANNES_1265_1308'></a><p><b>DUNS, SCOTUS JOHANNES (1265?-1308?).</b> +—Schoolman. +The dates of his birth and death and the place of his birth are +alike doubtful. He may have been at Oxf., is said to have been a +regent or prof. at Paris, and was a Franciscan. He was a man of +extraordinary learning, and received the sobriquet of Doctor +Subtilis. Among his many works on logic and theology are a +philosophic grammar, and a work on metaphysics, <i>De Rerum +Principio</i> (of the beginning of things). His great opponent was +Thomas Aquinas, and schoolmen of the day were divided into +Scotists and Thomists, or realists and nominalists.</p><br /> + +<a name='DURFEY_THOMAS_1653_1723'></a><p><b>D'URFEY, THOMAS (1653-1723).</b> +—Dramatist and song-writer, +was a well-known man-about-town, a companion of Charles +II., and lived on to the reign of George I. His plays are now forgotten, +and he is best known in connection with a collection of songs +entitled, <i>Pills to Purge Melancholy</i>. Addison describes him as a +"diverting companion," and "a cheerful, honest, good-natured +man." His writings are nevertheless extremely gross. His plays +include <i>Siege of Memphis</i> (1676), <i>Madame Fickle</i> (1677), <i>Virtuous +Wife</i> (1680), and <i>The Campaigners</i> (1698)<a name='Page_126'></a>.</p><br /> + +<a name='DWIGHT_TIMOTHY_1752_1817'></a><p><b>DWIGHT, TIMOTHY (1752-1817).</b> +—Theologian and poet, +<i>b.</i> at Northampton, Mass., was a grandson of Jonathan Edwards, +became a Congregationalist minister, Prof. of Divinity, and latterly +Pres. of Yale. His works include, besides theological treatises and +sermons, the following poems, <i>America</i> (1772), <i>The Conquest of +Canaan</i> (1785), and <i>The Triumph of Infidelity</i>, a satire, admired in +their day, but now unreadable.</p><br /> + +<a name='DYCE_ALEXANDER_1798_1869'></a><p><b>DYCE, ALEXANDER (1798-1869).</b> +—Scholar and critic, <i>s.</i> of +Lieut.-General Alexander D., was <i>b.</i> in Edin., and <i>ed.</i> there and at +Oxf. He took orders, and for a short time served in two country +curacies. Then, leaving the Church and settling in London, he +betook himself to his life-work of ed. the English dramatists. His +first work, <i>Specimens of British Poetesses</i>, appeared in 1825; and +thereafter at various intervals ed. of Collins's <i>Poems</i>, and the +dramatic works of <i>Peele, Middleton, Beaumont and Fletcher, Marlowe, +Greene, Webster</i>, and others. His great ed. of <i>Shakespeare</i> in 9 +vols. appeared in 1857. He also ed. various works for the Camden +Society, and <i>pub.</i> <i>Table Talk of Samuel Rogers</i>. All D.'s work is +marked by varied and accurate learning, minute research, and solid +judgment.</p><br /> + +<a name='DYER_SIR_EDWARD_1545_1607'></a><p><b>DYER, SIR EDWARD (1545?-1607).</b> +—Poet, <i>b.</i> at Sharpham +Park, Somerset, and <i>ed.</i> at Oxf., was introduced to the Court by the +Earl of Leicester, and sent on a mission to Denmark, 1589. He was +in 1596 made Chancellor of the Order of the Garter, and knighted. +In his own day he had a reputation for his elegies among such +judges as Sidney and Puttenham. For a long time there was doubt +as to what poems were to be attributed to him, but about a dozen +pieces have now been apparently identified as his. The best known +is that on contentment beginning, "My mind to me a kingdom is."</p><br /> + +<a name='DYER_JOHN_1700_1758'></a><p><b>DYER, JOHN (1700-1758).</b> +—Poet, was <i>b.</i> in Caermarthenshire. +In his early years he studied painting, but finding that he +was not likely to attain a satisfactory measure of success, entered +the Church. He has a definite, if a modest, place in literature as +the author of three poems, <i>Grongar Hill</i> (1727), <i>The Ruins of Rome</i> +(1740), and <i>The Fleece</i> (1757). The first of these is the best, and +the best known, and contains much true natural description; but all +have passages of considerable poetical merit, delicacy and precision +of phrase being their most noticeable characteristic. Wordsworth +had a high opinion of D. as a poet, and addressed a sonnet to him.</p><br /> + +<a name='EARLE_JOHN_1601_1665'></a><p><b>EARLE, JOHN (1601-1665).</b> +—Divine and miscellaneous +writer, <i>b.</i> at York, and <i>ed.</i> at Oxf., where he was a Fellow of +Merton. He took orders, was tutor to Charles II., a member of the +Assembly of Divines at Westminster, 1643, Chaplain and Clerk of +the Closet to Charles when in exile. On the Restoration he was +made Dean of Westminster, in 1662 Bishop of Worcester, and the +next year Bishop of Salisbury. He was learned and eloquent, +witty and agreeable in society, and was opposed to the "Conventicle" +and "Five Mile" Acts, and to all forms of persecution. +He wrote <i>Hortus Mertonensis</i> (the Garden of Merton) in Latin, but +his chief work was <i>Microcosmographie, or a Piece of the World discovered +<a name='Page_127'></a>in Essays and Characters</i> (1628), the best and most interesting +of all the "character" books.</p><br /> + +<a name='EASTLAKE_ELIZABETH_LADY_RIGBY_1809_1893'></a><p><b>EASTLAKE, ELIZABETH, LADY (RIGBY) (1809-1893).</b> +—<i>dau.</i> +of Dr. Edward Rigby of Norwich, a writer on medical and +agricultural subjects, spent her earlier life on the Continent and in +Edin. In 1849 she <i>m.</i> Sir Charles L. Eastlake, the famous painter, +and Pres. of the Royal Academy. Her first work was <i>Letters from +the Shores of the Baltic</i> (1841). From 1842 she was a frequent contributor +to the <i>Quarterly Review</i>, in which she wrote a very bitter +criticism of <i>Jane Eyre</i>. She also wrote various books on art, and +Lives of her husband, of Mrs. Grote, and of Gibson the sculptor, and +was a leader in society.</p><br /> + +<a name='ECHARD_LAURENCE_c_1670_1730'></a><p><b>ECHARD, LAURENCE (<i>c.</i> 1670-1730).</b> +—Historian, <i>b.</i> at +Barsham, Suffolk, and <i>ed.</i> at Camb., took orders and became Archdeacon +of Stow. He translated Terence, part of Plautus, D'Orleans' +<i>History of the Revolutions in England</i>, and made numerous compilations +on history, geography, and the classics. His chief work, +however, is his <i>History of England</i> (1707-1720). It covers the +period from the Roman occupation to his own times, and continued +to be the standard work on the subject until it was superseded by +translations of Rapin's French <i>History of England</i>.</p><br /> + +<a name='EDGEWORTH_MARIA_1767_1849'></a><p><b>EDGEWORTH, MARIA (1767-1849).</b> +—Novelist, only child +of Richard E., of Edgeworthstown, Co. Longford, was <i>b.</i> near Reading. +Her <i>f.</i>, who was himself a writer on education and mechanics, +bestowed much attention on her education. She showed early +promise of distinction, and assisted her <i>f.</i> in his literary labours, +especially in <i>Practical Education</i> and <i>Essay on Irish Bulls</i> (1802). +She soon discovered that her strength lay in fiction, and from 1800, +when her first novel, <i>Castle Rackrent</i>, appeared, until 1834, when her +last, <i>Helen</i>, was <i>pub.</i>, she continued to produce a series of novels and +tales characterised by ingenuity of invention, humour, and acute +delineation of character. Notwithstanding a tendency to be +didactic, and the presence of a "purpose" in most of her writings, +their genuine talent and interest secured for them a wide popularity. +It was the success of Miss E. in delineating Irish character that suggested +to Sir W. Scott the idea of rendering a similar service to +Scotland. Miss E., who had great practical ability, was able to +render much aid during the Irish famine. In addition to the works +above mentioned, she wrote <i>Moral Tales</i> and <i>Belinda</i> (1801), +<i>Leonora</i> (1806), <i>Tales of Fashionable Life</i> (1809 and 1812), and a +Memoir of her <i>f.</i></p><br /> + +<a name='EDWARDS_JONATHAN_1702_1758'></a><p><b>EDWARDS, JONATHAN (1702?-1758).</b> +—Theologian, <i>s.</i> of a +minister, was <i>b.</i> at East Windsor, Connecticut, <i>ed.</i> at Yale Coll., and +licensed as a preacher in 1722. The following year he was appointed +as tutor at Yale, a position in which he showed exceptional capacity. +In 1726 he went to Northampton, Conn., as minister of a church +there, and remained for 24 years, exercising his ministry with unusual +earnestness and diligence. At the end of that time, however, +he was in 1750 dismissed by his congregation, a disagreement +having arisen on certain questions of discipline. Thereafter he +<a name='Page_128'></a>acted as a missionary to the Indians of Massachusetts. While thus +engaged he composed his famous treatises, <i>On the Freedom of the +Will</i> (1754), and <i>On Original Sin</i> (1758). Previously, in 1746, he +had produced his treatise, <i>On the Religious Affections</i>. In 1757 he +was appointed Pres. of Princeton Coll., New Jersey, but was almost +immediately thereafter stricken with small-pox, of which he <i>d.</i> on +March 22, 1757. E. possessed an intellect of extraordinary strength +and clearness, and was capable of sustaining very lengthened +chains of profound argument. He is one of the ablest defenders of +the Calvinistic system of theology, which he developed to its most +extreme positions. He was a man of fervent piety, and of the +loftiest and most disinterested character.</p><br /> + +<a name='EDWARDS_RICHARD_1523_1566'></a><p><b>EDWARDS, RICHARD (1523?-1566).</b> +—Poet, was at Oxf., +and went to Court, where he was made a Gentleman of the Chapel +Royal, and master of the singing boys. He had a high reputation +for his comedies and interludes. His <i>Palaman and Arcite</i> was acted +before Elizabeth at Oxf. in 1566, when the stage fell and three +persons were killed and five hurt, the play nevertheless proceeding. +<i>Damon and Pythias</i> (1577), a comedy, is his only extant play.</p><br /> + +<a name='EGAN_PIERCE_1772_1849'></a><p><b>EGAN, PIERCE (1772-1849).</b> +—Humorist, <i>b.</i> in London, he +satirised the Prince Regent in <i>The Lives of Florizel and Perdita</i> +(1814), but is best remembered by <i>Life in London: or the Day and +Night Scenes of Jerry Hawthorn and his elegant friend, Corinthian Tom</i>, +a collection of sketches which had great success at the time, and +which gives a picture of the sports and amusements of London in +the days of the Regency. It was illustrated by George Cruikshank.</p><br /> + +<a name='EGGLESTON_EDWARD_1837_1902'></a><p><b>EGGLESTON, EDWARD (1837-1902).</b> +—Novelist, <i>b.</i> at +Vevay, Indiana, was a Methodist minister. He wrote a number of +tales, some of which, specially the "Hoosier" series, attracted much +attention, among which are <i>The Hoosier Schoolmaster</i>, <i>The Hoosier +Schoolboy</i>, <i>The End of the World</i>, <i>The Faith Doctor</i>, <i>Queer Stories for +Boys and Girls</i>, etc.</p><br /> + +<a name='quotELIOT_GEORGEquot_see_EVANS'></a><p><b>"ELIOT, GEORGE," <i>see</i> <a href='#EVANS_MARY_ANN_or_MARIAN_quotGEORGE_ELIOTquot_1819_1880'>EVANS</a>.</b></p><br /> + +<a name='ELIZABETH_QUEEN_1533_1603'></a><p><b>ELIZABETH, QUEEN (1533-1603).</b> +—Was one of the scholar-women +of her time, being versed in Latin, Greek, French, and +Italian. Her translation of Boethius shows her exceptional art and +skill. In the classics Roger Ascham was her tutor. She wrote +various short poems, some of which were called by her contemporaries +"sonnets," though not in the true sonnet form. Her +original letters and despatches show an idiomatic force of expression +beyond that of any other English monarch.</p><br /> + +<a name='ELLIOT_MISS_JEAN_1727_1805'></a><p><b>ELLIOT, MISS JEAN (1727-1805).</b> +—Poetess, <i>dau.</i> of Sir +Gilbert Elliot of Minto, has a small niche in literature as the +authoress of the beautiful ballad, <i>The Flowers of the Forest</i>, beginning, +"I've heard the lilting at our yowe-milking." Another ballad +with the same title beginning, "I've seen the smiling of fortune +beguiling" was written by Alicia Rutherford, afterwards Mrs. +Cockburn<a name='Page_129'></a>.</p><br /> + +<a name='ELLIOT_EBENEZER_1781_1849'></a><p><b>ELLIOT, EBENEZER (1781-1849).</b> +—Poet, <i>b.</i> at Masborough, +Yorkshire, in his youth worked in an iron-foundry, and in 1821 took +up the same business on his own account with success. He is best +known by his poems on behalf of the poor and oppressed, and +especially for his denunciations of the Corn Laws, which gained for +him the title of the Corn Law Rhymer. Though now little read, he +had considerable poetic gift. His principal poems are <i>Corn Law +Rhymes</i> (1831), <i>The Ranter</i>, and <i>The Village Patriarch</i> (1829).</p><br /> + +<a name='ELLIS_GEORGE_1753_1815'></a><p><b>ELLIS, GEORGE (1753-1815).</b> +—Miscellaneous writer, <i>s.</i> of +a West Indian planter, gained some fame by <i>Poetical Tales by Sir +Gregory Gander</i> (1778). He also had a hand in the <i>Rolliad</i>, a series +of Whig satires which appeared about 1785. Changing sides he +afterwards contributed to the <i>Anti-Jacobin</i>. He accompanied Sir +J. Harris on his mission to the Netherlands, and there <i>coll.</i> materials +for his <i>History of the Dutch Revolution</i> (1789). He ed. <i>Specimens of +the Early English Poets</i> (1790), and <i>Specimens of the Early English +Romances</i>, both works of scholarship. He was a friend of Scott, +who dedicated the fifth canto of <i>Marmion</i> to him.</p><br /> + +<a name='ELLWOOD_THOMAS_1639_1713'></a><p><b>ELLWOOD, THOMAS (1639-1713).</b> +—A young Quaker who +was introduced to Milton in 1662, and devoted much of his time to +reading to him. It is to a question asked by him that we owe the +writing of <i>Paradise Regained</i>. He was a simple, good man, ready to +suffer for his religious opinions, and has left an autobiography of +singular interest alike for the details of Milton's later life, which it +gives, and for the light it casts on the times of the writer. He also +wrote <i>Davideis</i> (1712), a sacred poem, and some controversial works.</p><br /> + +<a name='ELPHINSTONE_MOUNTSTUART_1779_1859'></a><p><b>ELPHINSTONE, MOUNTSTUART (1779-1859).</b> +—Fourth <i>s.</i> of +the 11th Lord E., was <i>ed.</i> at Edin., and entered the Bengal Civil +Service in 1795. He had a very distinguished career as an Indian +statesman, and did much to establish the present system of government +and to extend education. He was Governor of Bombay +(1819-1827), and prepared a code of laws for that Presidency. In +1829 he was offered, but declined, the position of Governor-General +of India. He wrote a <i>History of India</i> (1841), and <i>The Rise of the +British Power in the East</i>, <i>pub.</i> in 1887.</p><br /> + +<a name='ELWIN_WHITWELL_1816_1900'></a><p><b>ELWIN, WHITWELL (1816-1900).</b> +—Critic and editor, <i>s.</i> of +a country gentleman of Norfolk, studied at Camb., and took orders. +He was an important contributor to the <i>Quarterly Review</i>, of which +he became editor in 1853. He undertook to complete Croker's ed. of +Pope, and brought out 5 vols., when he dropped it, leaving it to +be finished by Mr. Courthope. As an ed. he was extremely autocratic, +and on all subjects had pronounced opinions, and often +singular likes and dislikes.</p><br /> + +<a name='ELYOT_SIR_THOMAS_1490_1546'></a><p><b>ELYOT, SIR THOMAS (1490-1546).</b> +—Diplomatist, physician, +and writer, held many diplomatic appointments. He wrote +<i>The Governor</i> (1531), a treatise on education, in which he advocated +gentler treatment of schoolboys, <i>The Castle of Health</i> (1534), a +medical work, and <i>A Defence of Good Women</i> (1545). He also in +1538 <i>pub.</i> the first <i>Latin and English Dictionary</i>, and made various +translations<a name='Page_130'></a>.</p><br /> + +<a name='EMERSON_RALPH_WALDO_1803_1882'></a><p><b>EMERSON, RALPH WALDO (1803-1882).</b> +—Philosopher, was +<i>b.</i> at Boston, Massachusetts. His <i>f.</i> was a minister there, who had +become a Unitarian, and who <i>d.</i> in 1811, leaving a widow with six +children, of whom Ralph, then aged 8, was the second. Mrs. E. +was, however, a woman of energy, and by means of taking boarders +managed to give all her sons a good education. E. entered Harvard +in 1817 and, after passing through the usual course there, +studied for the ministry, to which he was ordained in 1827, and +settled over a congregation in his native city. There he remained +until 1832, when he resigned, ostensibly on a difference of opinion +with his brethren on the permanent nature of the Lord's Supper as +a rite, but really on a radical change of view in regard to religion in +general, expressed in the maxim that "the day of formal religion +is past." About the same time he lost his young wife, and his +health, which had never been robust, showed signs of failing. In +search of recovery he visited Europe, where he met many eminent +men and formed a life-long friendship with Carlyle. On his return +in 1834 he settled at Concord, and took up lecturing. In 1836 he +<i>pub.</i> <i>Nature</i>, a somewhat transcendental little book which, though +containing much fine thought, did not appeal to a wide circle. <i>The +American Scholar</i> followed in 1837. Two years previously he had +entered into a second marriage. His influence as a thinker rapidly +extended, he was regarded as the leader of the transcendentalists, +and was one of the chief contributors to their organ, <i>The Dial</i>. The +remainder of his life, though happy, busy, and influential, was singularly +uneventful. In 1847 he paid a second visit to England, when +he spent a week with Carlyle, and delivered a course of lectures in +England and Scotland on "Representative Men," which he subsequently +<i>pub.</i> <i>English Traits</i> appeared in 1856. In 1857 <i>The Atlantic +Monthly</i> was started, and to it he became a frequent contributor. +In 1874 he was nominated for the Lord Rectorship of the Univ. of +Glasgow, but was defeated by Disraeli. He, however, regarded his +nomination as the greatest honour of his life. After 1867 he wrote +little. He <i>d.</i> on April 27, 1882. His works were <i>coll.</i> in 11 vols., +and in addition to those above mentioned include <i>Essays</i> (two +series), <i>Conduct of Life</i>, <i>Society and Solitude</i>, <i>Natural History of Intellect</i>, +and <i>Poems</i>. The intellect of E. was subtle rather than robust, +and suggestive rather than systematic. He wrote down the intuitions +and suggestions of the moment, and was entirely careless as +to whether these harmonised with previous statements. He was an +original and stimulating thinker and writer, and wielded a style of +much beauty and fascination. His religious views approached +more nearly to Pantheism than to any other known system of belief. +He was a man of singular elevation and purity of character.</p><br /> + +<a name='ERCILDOUN_THOMAS_of_or_quotTHOMAS_THE_RHYMERquot_fl_1220_1297'></a><p><b>ERCILDOUN, THOMAS of, or "THOMAS THE RHYMER" (<i>fl.</i> 1220-1297).</b> +—A +minstrel to whom is ascribed <i>Sir Tristrem</i>, a +rhyme or story for recitation. He had a reputation for prophecy, +and is reported to have foretold the death of Alexander III., and +various other events.</p><br /> + +<a name='ERIGENA_or_SCOTUS_JOHN_fl_850'></a><p><b>ERIGENA, or SCOTUS, JOHN (<i>fl.</i> 850).</b> +—Philosopher, <i>b.</i> in +Scotland or Ireland, was employed at the Court of Charles the<a name='Page_131'></a> +Bald, King of France. He was a pantheistic mystic, and made +translations from the Alexandrian philosophers. He was bold in +the exposition of his principles, and had both strength and subtlety +of intellect. His chief work is <i>De Divisione Naturæ</i>, a dialogue in +which he places reason above authority.</p><br /> + +<a name='ERSKINE_RALPH_1685_1752'></a><p><b>ERSKINE, RALPH (1685-1752).</b> +—Scottish Divine and poet, +was <i>b.</i> near Cornhill, Northumberland, where his <i>f.</i>, a man of +ancient Scottish family, was, for the time, a nonconforming minister. +He became minister of Dunfermline, and, with his brother Ebenezer, +was involved in the controversies in the Church of Scotland, which +led to the founding of the Secession Church in 1736. He has a place +in literature as the writer of devotional works, especially for his +<i>Gospel Sonnets</i> (of which 25 ed. had appeared by 1797), and <i>Scripture +Songs</i> (1754).</p><br /> + +<a name='ERSKINE_THOMAS_1788_1870'></a><p><b>ERSKINE, THOMAS (1788-1870).</b> +—Theologian, <i>s.</i> of David +E., of Linlathen, to which property he succeeded, his elder brother +having <i>d.</i> He was called to the Bar in 1810, but never practised. +Having come under unusually deep religious impressions he devoted +himself largely to the study of theology, and <i>pub.</i> various works, including +<i>The Internal Evidence for the Truth of Revealed Religion</i> (1820), +<i>Unconditional Freeness of the Gospel</i>, and <i>The Spiritual Order</i>. He +was a man of singular charm of character, and wielded a great +influence on the religious thought of his day. He enjoyed the +friendship of men of such different types as Carlyle, Chalmers, Dean +Stanley, and Prévost Paradol. His <i>Letters</i> were ed. by Dr. W. +Hanna (1877-78).</p><br /> + +<a name='ETHEREGE_SIR_GEORGE_1635_1691'></a><p><b>ETHEREGE, SIR GEORGE (1635?-1691).</b> +—Dramatist, was +at Camb., travelled, read a little law, became a man-about-town, the +companion of Sedley, Rochester, and their set. He achieved some +note as the writer of three lively comedies, <i>Love in a Tub</i> (1664), <i>She +would if she Could</i> (1668), and <i>The Man of Mode</i> (1676), all characterised +by the grossness of the period. He was sent on a mission to +Ratisbon, where he broke his neck when lighting his guests downstairs +after a drinking bout.</p><br /> + +<a name='EVANS_MARY_ANN_or_MARIAN_quotGEORGE_ELIOTquot_1819_1880'></a><p><b>EVANS, MARY ANN or MARIAN ("GEORGE ELIOT") (1819-1880).</b> +—Novelist, +was <i>b.</i> near Nuneaton, Warwickshire, <i>dau.</i> +of Robert E., land agent, a man of strong individuality. Her +education was completed at a school in Coventry, and after the +death of her mother in 1836, and the marriage of her elder sister, she +kept house for her <i>f.</i> until his death in 1849. In 1841 they gave up +their house in the country, and went to live in Coventry. Here she +made the acquaintance of Charles Bray, a writer on phrenology, +and his brother-in-law Charles Hennell, a rationalistic writer on the +origin of Christianity, whose influence led her to renounce the +evangelical views in which she had been brought up. In 1846 she +engaged in her first literary work, the completion of a translation +begun by Mrs. Hennell of Strauss's <i>Life of Jesus</i>. On her <i>f.'s</i> death +she went abroad with the Brays, and, on her return in 1850, began +to write for the <i>Westminster Review</i>, of which from 1851-53 she +was assistant-editor. In this capacity she was much thrown into +<a name='Page_132'></a>the society of <a href='#SPENCER_HERBERT_1820_1903'>Herbert Spencer</a> and <a href='#LEWES_GEORGE_HENRY_1817_1878'>George Henry Lewes</a> (<i>q.v.</i>), with +the latter of whom she in 1854 entered into an irregular connection +which lasted until his death. In the same year she translated +Feuerbach's <i>Essence of Christianity</i>, the only one of her writings to +which she attached her real name. It was not until she was nearly +40 that she appears to have discovered the true nature of her +genius; for it was not until 1857 that <i>The Sad Fortunes of the Rev. +Amos Barton</i> appeared in <i>Blackwood's Magazine</i>, and announced +that a new writer of singular power had arisen. It was followed by +<i>Mr. Gilfil's Love Story</i> and <i>Janet's Repentance</i>, all three being reprinted +as <i>Scenes from Clerical Life</i> (1857); <i>Adam Bede</i> was <i>pub.</i> in +1859, <i>The Mill on the Floss</i>, in its earlier chapters largely autobiographical, +in 1860, <i>Silas Marner</i>, perhaps the most artistically constructed +of her books, in 1861. In 1860 and 1861 she visited Florence +with the view of preparing herself for her next work, <i>Romola</i>, a tale +of the times of Savonarola, which appeared in 1863 in the <i>Cornhill +Magazine</i>. <i>Felix Holt the Radical</i> followed in 1866. Miss E. now +for a time abandoned novel-writing and took to poetry, and between +1868 and 1871 produced <i>The Spanish Gipsy</i>, <i>Agatha</i>, <i>The Legend of +Jubal</i>, and <i>Armgart</i>. These poems, though containing much fine +work, did not add to her reputation, and in fact in writing them she +had departed from her true vocation. Accordingly, she returned +to fiction, and in <i>Middlemarch</i>, which appeared in parts in 1871-72, +she was by many considered to have produced her greatest work. +<i>Daniel Deronda</i>, which came out in 1874-76, was greatly inferior, +and it was her last novel. In 1878 she <i>pub.</i> <i>The Impressions +of Theophrastus Such</i>, a collection of miscellaneous essays. In +the same year Mr. Lewes <i>d.</i>, an event which plunged her into +melancholy, which was, however, alleviated by the kindness of Mr. +John Cross, who had been the intimate friend of both L. and herself, +and whom she <i>m.</i> in March, 1880. The union was a short one, +being terminated by her death on December 22 in the same year.</p> + +<p>George Eliot will probably always retain a high place among +writers of fiction. Her great power lies in the minute painting of +character, chiefly among the lower middle classes, shopkeepers, +tradesmen, and country folk of the Midlands, into whose thoughts +and feelings she had an insight almost like divination, and of whose +modes of expression she was complete mistress. Her general view +of life is pessimistic, relieved by a power of seizing the humorous +elements in human stupidity and ill-doing. There is also, however, +much seriousness in her treatment of the phases of life upon +which she touches, and few writers have brought out with greater +power the hardening and degrading effects of continuance in evil +courses, or the inevitable and irretrievable consequences of a wrong +act. Her descriptions of rural scenes have a singular charm.</p> + +<p><i>Life</i>, ed. by J.W. Cross (1885-6). Books on her by Oscar Browning, +1890, and Sir Leslie Stephen (Men of Letters), 1902.</p><br /> + +<a name='EVELYN_JOHN_1620_1706'></a><p><b>EVELYN, JOHN (1620-1706).</b> +—Diarist, and miscellaneous +writer, was of an old Surrey family, and was <i>ed.</i> at a school at Lewes +and at Oxf. He travelled much on the Continent, seeing all that +was best worth seeing in the way of galleries and collections, both +public and private, of which he has given an interesting account in +<a name='Page_133'></a>his <i>Diary</i>. He was all his life a staunch Royalist, and joined the +King as a volunteer in 1642, but soon after repaired again to the +Continent. After 1652 he was at home, settled at Sayes Court, near +Deptford, where his gardens were famous. After the Restoration +he was employed in various matters by the Government, but his +lofty and pure character was constantly offended by the manners +of the Court. In addition to his <i>Diary</i>, kept up from 1624-1706, +and which is full of interesting details of public and private events, +he wrote upon such subjects as plantations, <i>Sylva</i> (1664), gardening, +<i>Elysium Britannicum</i> (<i>unpub.</i>), architecture, prevention of smoke +in London, engraving, <i>Sculptura</i> (1662), and he was one of the +founders of the Royal Society, of which he was for a time sec. The +dignity and purity of E'.s character stand forth in strong relief +against the laxity of his times.</p><br /> + +<a name='EWING_MRS_JULIANA_HORATIA_GATTY_1842_1885'></a><p><b>EWING, MRS. JULIANA HORATIA (GATTY) (1842-1885).</b> +—Writer +of children's stories, <i>dau.</i> of <a href='#GATTY_MRS_ALFRED_MARGARET_SCOTT_1809_1873'>Mrs. Alfred Gatty</a> (<i>q.v.</i>), also a +writer for children. Among her tales, which have hardly been +excelled in sympathetic insight into child-life, and still enjoy undiminished +popularity, are: <i>A Flat Iron for a Farthing</i>, <i>Jackanapes</i>, +<i>Jan of the Windmill</i>, <i>Mrs. Overtheway's Remembrances</i>, and <i>The Story +of a Short Life</i>.</p><br /> + +<a name='FABER_FREDERICK_WILLIAM_1814_1863'></a><p><b>FABER, FREDERICK WILLIAM (1814-1863).</b> +—Theologian +and hymn-writer, was <i>b.</i> at Calverley, Yorkshire, and <i>ed.</i> at Harrow +and Oxf., where he came under the influence of Newman, whom he +followed into the Church of Rome. He wrote various theological +treatises, but has a place in literature for his hymns, which include +<i>The Pilgrims of the Night</i>, <i>My God how wonderful thou art</i>, and +<i>Sweet Saviour, bless us ere we go</i>.</p><br /> + +<a name='FABYAN_ROBERT_d_1513'></a><p><b>FABYAN, ROBERT (<i>d.</i> 1513).</b> +—Chronicler, was <i>b.</i> in +London, of which he became an Alderman and Sheriff. He kept a +diary of notable events, which he expanded into a chronicle, which +he entitled, <i>The Concordance of Histories</i>. It covers the period +from the arrival of Brutus in England to the death of Henry VII., +and deals mainly with the affairs of London. It was not printed +until 1515, when it appeared under the title of <i>The New Chronicles +of England and France</i>.</p><br /> + +<a name='FAIRFAX_EDWARD_1580_1635'></a><p><b>FAIRFAX, EDWARD (1580?-1635).</b> +—Translator, natural +<i>s.</i> of Sir Thomas F., lived at Fuystone, near Knaresborough, in peace +and prosperity. His translation of Tasso's <i>Jerusalem Delivered</i>, on +which his fame is founded, is a masterpiece, one of the comparatively +few translations which in themselves are literature. It was highly +praised by Dryden and Waller. The first ed. appeared in 1600, and +was dedicated to Queen Elizabeth. F. also wrote a treatise on +<i>Demonology</i>, in which he was a devout believer.</p><br /> + +<a name='FALCONER_WILLIAM_1732_1769'></a><p><b>FALCONER, WILLIAM (1732-1769).</b> +—Poet, <i>s.</i> of a barber in +Edin., where he was <i>b.</i>, became a sailor, and was thus thoroughly +competent to describe the management of the storm-tossed vessel, the +career and fate of which are described in his poem, <i>The Shipwreck</i> (1762), +a work of genuine, though unequal, talent. The efforts +which F. made to improve the poem in the successive ed. which +<a name='Page_134'></a>followed the first were not entirely successful. The work gained +for him the patronage of the Duke of York, through whose influence +he obtained the position of purser on various warships. Strangely +enough, his own death occurred by shipwreck. F. wrote other +poems, now forgotten, besides a useful <i>Nautical Dictionary</i>.</p><br /> + +<a name='FANSHAWE_CATHERINE_MARIA_1765_1834'></a><p><b>FANSHAWE, CATHERINE MARIA (1765-1834).</b> +—Poetess, +<i>dau.</i> of a Surrey squire, wrote clever occasional verse. Her best +known production is the famous <i>Riddle on the Letter H</i>, beginning +"'Twas whispered in heaven, 'twas muttered in hell" often attributed +to Lord Byron.</p><br /> + +<a name='FANSHAWE_SIR_RICHARD_1608_1666'></a><p><b>FANSHAWE, SIR RICHARD (1608-1666).</b> +—Diplomatist, +translator, and poet, <i>b.</i> at Ware Park, Herts, and <i>ed.</i> at Camb., +travelled on the Continent, and when the Civil War broke out sided +with the King and was sent to Spain to obtain money for the cause. +He acted as Latin Sec. to Charles II. when in Holland. After the +Restoration he held various appointments, and was Ambassador to +Portugal and Spain successively. He translated Guarini's <i>Pastor +Fido</i>, <i>Selected Parts of Horace</i>, and <i>The Lusiad</i> of Camoens. His +wife, <i>née</i> Anne Harrison, wrote memoirs of her own life.</p><br /> + +<a name='FARADAY_MICHAEL_1791_1867'></a><p><b>FARADAY, MICHAEL (1791-1867).</b> +—Natural philosopher, +<i>s.</i> of a blacksmith, was <i>b.</i> in London, and apprenticed to a book-binder. +He early showed a taste for chemistry, and attended the +lectures of <a href='#DAVY_SIR_HUMPHREY_1778_1829'>Sir H. Davy</a> (<i>q.v.</i>), by whom he was, in 1813, appointed +his chemical assistant in the Royal Institution. He became one of +the greatest of British discoverers and popularisers of science, his +discoveries being chiefly in the department of electro-magnetism. +He had an unusual power of making difficult subjects clearly understood. +Among his writings are <i>History of the Progress of Electro-Magnetism</i> +(1821), <i>The Non-metallic Elements</i>, <i>The Chemical History +of a Candle</i>, and <i>The Various Forces in Nature</i>. F. was a man of +remarkable simplicity and benevolence of character, and deeply +religious.</p><br /> + +<a name='FARMER_RICHARD_1735_1797'></a><p><b>FARMER, RICHARD (1735-1797).</b> +—Shakespearian scholar, +<i>b.</i> at Leicester, and <i>ed.</i> at Camb., where he ultimately became Master +of Emanuel Coll. He wrote an <i>Essay on the Learning of Shakespeare</i> +(1767), in which he maintained that Shakespeare's knowledge of the +classics was through translations, the errors of which he reproduced. +It is a production of great ability. F. was a clergyman, and held a +prebend in St. Paul's.</p><br /> + +<a name='FARQUHAR_GEORGE_1678_1707'></a><p><b>FARQUHAR, GEORGE (1678-1707).</b> +—Dramatist, <i>b.</i> at Londonderry, +<i>s.</i> of a clergyman, and <i>ed.</i> at Trinity Coll., Dublin, on +leaving which he took to the stage, but had no great success as an +actor. This, together with an accident in which he wounded a +fellow-actor with a sword, led to his relinquishing it, and giving +himself to writing plays instead of acting them. Thereafter he +joined the army. <i>Love and a Bottle</i> (1698) was his first venture, and +others were <i>The Constant Couple</i> (1700), <i>Sir Harry Wildair</i> (1701), +<i>The Inconstant</i> (1703), <i>The Recruiting Officer</i> (1706), and <i>The Beau's +Stratagem</i> (1707). F.'s plays are full of wit and sparkle and, +though often coarse, have not the malignant pruriency of some of +<a name='Page_135'></a>his predecessors. He made an unfortunate marriage, and <i>d.</i> in +poverty.</p><br /> + +<a name='FARRAR_FREDERIC_WILLIAM_1831_1903'></a><p><b>FARRAR, FREDERIC WILLIAM (1831-1903).</b> +—Theological +writer, <i>b.</i> in Bombay, and <i>ed.</i> at London Univ. and Camb., was for +some years a master at Harrow, and from 1871-76 Head Master of +Marlborough School. He became successively Canon of Westminster +and Rector of St. Margaret's, Archdeacon of Westminster and +Dean of Canterbury. He was an eloquent preacher and a voluminous +author, his writings including stories of school life, such as +<i>Eric</i> and <i>St. Winifred's</i>, a <i>Life of Christ</i>, which had great popularity, +a <i>Life of St. Paul</i>, and two historical romances.</p><br /> + +<a name='FAWCETT_HENRY_1833_1884'></a><p><b>FAWCETT, HENRY (1833-1884).</b> +—Statesman and economist, +<i>b.</i> at Salisbury, and <i>ed.</i> at Camb., where he became Fellow of +Trinity Hall. In 1858 he was blinded by a shooting accident, in +spite of which he continued to prosecute his studies, especially in +economics, and in 1863 <i>pub.</i> his <i>Manual of Political Economy</i>, becoming +in the same year Prof. of Political Economy in Camb. +Having strong political views he desired to enter upon a political +career, and after repeated defeats was elected M.P. for Brighton. +He soon attained a recognised position, devoting himself specially +to parliamentary reform and Indian questions, and was in 1880 +appointed Postmaster-General, in which office he approved himself +a capable administrator. His career was, however, cut short by his +premature death, but not before he had made himself a recognised +authority on economics, his works on which include <i>The Economic +Position of the British Labourer</i> (1871), <i>Labour and Wages</i>, etc. In +1867 he <i>m.</i> Miss Millicent Garrett, a lady highly qualified to share +in all his intellectual interests, and who collaborated with him in +some of his publications. There is a life of him by Sir L. Stephen.</p><br /> + +<a name='FAWKES_FRANCIS_1721_1777'></a><p><b>FAWKES, FRANCIS (1721-1777).</b> +—Poet and translator, <i>b.</i> +near Doncaster, and <i>ed.</i> at Camb., after which he took orders. He +translated Anacreon, Sappho, and other classics, modernised parts of +the poems of Gavin Douglas, and was the author of the well-known +song, <i>The Brown Jug</i>, and of two poems, <i>Bramham Park</i> and +<i>Partridge Shooting</i>.</p><br /> + +<a name='FELTHAM_OWEN_1602_1668'></a><p><b>FELTHAM, OWEN (1602?-1668).</b> +—Religious writer, author +of a book entitled <i>Resolves, Divine, Moral, and Political</i> (<i>c.</i> 1620), +containing 146 short essays. It had great popularity in its day. +Though sometimes stiff and affected in style, it contains many +sound, if not original or brilliant, reflections, and occasional felicities +of expression. F. was for a time in the household of the Earl of +Thomond as chaplain or sec., and <i>pub.</i> (1652), <i>Brief Character of the +Low Countries</i>.</p><br /> + +<a name='FENTON_ELIJAH_1683_1730'></a><p><b>FENTON, ELIJAH (1683-1730).</b> +—Poet and translator, <i>ed.</i> +at Camb., for a time acted as sec. to the Earl of Orrery in +Flanders, and was then Master of Sevenoaks Grammar School. In +1707 he <i>pub.</i> a book of poems. He is best known, however, as the +assistant of Pope in his translation of the <i>Odyssey</i>, of which he +Englished the first, fourth, nineteenth, and twentieth books, catching +the manner of his master so completely that it is hardly possible +<a name='Page_136'></a>to distinguish between their work; while thus engaged he <i>pub.</i> +(1723) a successful tragedy, <i>Marianne</i>. His latest contributions to +literature were a <i>Life of Milton</i>, and an ed. of <i>Waller's Poems</i> (1729).</p><br /> + +<a name='FERGUSON_ADAM_1723_1816'></a><p><b>FERGUSON, ADAM (1723-1816).</b> +—Philosopher and historian, +<i>s.</i> of the parish minister of Logierait, Perthshire, studied at +St. Andrews and Edin. Univ., in the latter of which he was successively +Professor of Mathematics, and Moral Philosophy (1764-1785). +As a young man he was chaplain to the 42nd Regiment, and was +present at the Battle of Fontenoy. In 1757 he was made Keeper of +the Advocates' Library. As a Prof. of Philosophy he was highly +successful, his class being attended by many distinguished men no +longer students at the Univ. In 1778-9 he acted as sec. to a commission +sent out by Lord North to endeavour to reach an accommodation +with the American colonists. F.'s principal works are +<i>Essay on the History of Civil Society</i> (1765), <i>Institutes of Moral Philosophy</i> +(1769), <i>History of the Progress and Termination of the Roman +Republic</i> (1782), and <i>Principles of Moral and Political Science</i> (1792), +all of which have been translated into French and German. F. +spent his later years at St. Andrews, where he <i>d.</i> in 1816 at the age +of 92. He was an intimate friend of Sir Walter Scott. The French +philosopher Cousin gave F. a place above all his predecessors in the +Scottish school of philosophy.</p><br /> + +<a name='FERGUSON_SIR_SAMUEL_1810_1886'></a><p><b>FERGUSON, SIR SAMUEL (1810-1886).</b> +—Poet and antiquary, +<i>b.</i> at Belfast, the <i>s.</i> of parents of Scottish extraction, he was +<i>ed.</i> at Trinity Coll., Dublin, from which he received in 1865 the +honorary degree of LL.D. He practised with success as a barrister, +became Q.C. in 1859, and Deputy Keeper of the Irish Records 1867, an +appointment in which he rendered valuable service, and was knighted +in 1878. He was a contributor to <i>Blackwood's Magazine</i>, in which +appeared his best known poem, <i>The Forging of the Anchor</i>, and was +one of the chief promoters of the Gaelic revival in Irish literature. +His <i>coll.</i> poems appeared under the title of <i>Lays of the Western Gael</i> +(1865), <i>Congal, an epic poem</i> (1872), and his prose tales posthumously +(1887), as <i>Hibernian Nights' Entertainments</i>. His principal +antiquarian work was <i>Ogham Inscriptions in Ireland, Wales, and +Scotland</i>.</p><br /> + +<a name='FERGUSSON_JAMES_1808_1886'></a><p><b>FERGUSSON, JAMES (1808-1886).</b> +—Writer on architecture, +<i>b.</i> at Ayr, was engaged in commercial pursuits in India, where he +became interested in the architecture of the country, and <i>pub.</i> his +first work, <i>Picturesque Illustrations of Ancient Architecture in Hindustan</i> +(1840), which was followed by <i>An Historical Inquiry into +the True Principles of Beauty in Art</i> (1849), and <i>A History of Architecture +in all Countries from the Earliest Times to the Present Day</i> +(1865-67). He also wrote <i>Fire and Serpent Worship</i>, etc., and a +book on the use of earthworks in fortification.</p><br /> + +<a name='FERGUSSON_ROBERT_1750_1774'></a><p><b>FERGUSSON, ROBERT (1750-1774).</b> +—Scottish poet, <i>s.</i> of a +bank clerk, was <i>ed.</i> at the Univ. of St. Andrews. His <i>f.</i> dying, he +became a copying clerk in an Edin. lawyer's office. Early displaying a +talent for humorous descriptive verse, he contributed to <i>Ruddiman's +Weekly Magazine</i>, then the principal Scottish receptacle for fugitive +<a name='Page_137'></a>poetry. His verses, however, attracted attention by their merit, +and he <i>pub.</i> some of them in a <i>coll.</i> form. Unfortunately he fell +into dissipated habits, under which his delicate constitution gave +way, and he <i>d.</i> insane in his 24th year. His poems influenced +Burns, who greatly admired them.</p><br /> + +<a name='FERRIER_JAMES_FREDERICK_1808_1864'></a><p><b>FERRIER, JAMES FREDERICK (1808-1864).</b> +—Metaphysician, +<i>b.</i> in Edin., and <i>ed.</i> there and at Oxf., he was called to the +Scottish Bar in 1832, but devoted himself to literature and philosophy. +In 1842 he was appointed Prof. of History in Edin., and in +1845 translated to the Chair of Moral Philosophy and Political +Economy at St. Andrews. He <i>pub.</i> in 1854 <i>Institutes of Metaphysics</i>, +and ed. the <i>coll.</i> works of his father-in-law, Prof. Wilson +("Christopher North.")</p><br /> + +<a name='FERRIER_SUSAN_EDMONSTOUNE_1782_1854'></a><p><b>FERRIER, SUSAN EDMONSTOUNE (1782-1854).</b> +—Novelist, +<i>dau.</i> of James F., one of the principal clerks of the Court of Session, +in which office he was the colleague of Sir Walter Scott. Miss F. +wrote three excellent novels, <i>Marriage</i> (1818), <i>The Inheritance</i> +(1824), and <i>Destiny</i> (1831), all characterised by racy humour and +acute character-painting. Her cheerful and tactful friendship +helped to soothe the last days of Sir W. Scott.</p><br /> + +<a name='FIELD_NATHANIEL_1587_1633'></a><p><b>FIELD, NATHANIEL (1587-1633).</b> +—Dramatist and actor, +was one of "the children of the Queen's Revels," who performed in +Ben Jonson's <i>Cynthia's Revels</i> in 1600. He wrote <i>A Woman's a +Weathercock</i> (1612), <i>Amends for Ladies</i> (1618), and (with Massinger) +<i>The Fatal Dowry</i> (1632).</p><br /> + +<a name='FIELDING_HENRY_1707_1754'></a><p><b>FIELDING, HENRY (1707-1754).</b> +—Novelist, was <i>b.</i> at +Sharpham Park, near Glastonbury. His father was General +Edmund F., descended from the Earls of Denbigh and Desmond, +and his mother was the <i>dau.</i> of Sir Henry Gould of Sharpham Park. +His childhood was spent at East Stour, Dorset, and his education +was received at first from a tutor, after which he was sent to +Eton. Following a love affair with a young heiress at Lyme Regis +he was sent to Leyden to study law, where he remained until his <i>f.</i>, +who had entered into a second marriage, and who was an extravagant +man, ceased to send his allowance. Thrown upon his own +resources, he came to London and began to write light comedies +and farces, of which during the next few years he threw off nearly a +score. The drama, however, was not his true vein, and none of his +pieces in this kind have survived, unless <i>Tom Thumb</i>, a burlesque +upon his contemporary playwrights, be excepted. About 1735 he +<i>m.</i> Miss Charlotte Cradock, a beautiful and amiable girl to whom, +though he gave her sufficient cause for forbearance, he was devotedly +attached. She is the prototype of his "Amelia" and "Sophia." +She brought him £1500, and the young couple retired to East Stour, +where he had a small house inherited from his mother. The little +fortune was, however, soon dissipated; and in a year he was back +in London, where he formed a company of comedians, and managed +a small theatre in the Haymarket. Here he produced successfully +<i>Pasquin, a Dramatic Satire on the Times</i>, and <i>The Historical Register +for 1736</i>, in which Walpole was satirised. This enterprise was +<a name='Page_138'></a>brought to an end by the passing of the Licensing Act, 1737, making +the <i>imprimatur</i> of the Lord Chamberlain necessary to the production +of any play. F. thereupon read law at the Middle Temple, was +called to the Bar in 1740, and went the Western Circuit. The +same year saw the publication of Richardson's <i>Pamela</i>, which inspired +F. with the idea of a parody, thus giving rise to his first novel, +<i>Joseph Andrews</i>. As, however, the characters, especially Parson +Adams, developed in his hands, the original idea was laid aside, and +the work assumed the form of a regular novel. It was <i>pub.</i> in 1742, +and though sharing largely in the same qualities as its great successor, +<i>Tom Jones</i>, its reception, though encouraging, was not phenomenally +cordial. Immediately after this a heavy blow fell on F. in the death +of his wife. The next few years were occupied with writing his <i>Miscellanies</i>, +which contained, along with some essays and poems, two +important works, <i>A Journey from this World to the Next</i>, and <i>The +History of Jonathan Wild the Great</i>, a grave satire; and he also conducted +two papers in support of the Government, <i>The True Patriot</i> +and <i>The Jacobite Journal</i>, in consideration of which he was appointed +Justice of the Peace for Middlesex and Westminster, and had a +pension conferred upon him. In 1746 he set convention at defiance +by marrying Mary MacDaniel, who had been his first wife's maid, +and the nurse of his children, and who proved a faithful and affectionate +companion. F. showed himself an upright, diligent, and +efficient magistrate, and his <i>Inquiry into the Increase of Robbers</i> +(1751), with suggested remedies, led to beneficial results. By this +time, however, the publication of his great masterpiece, <i>The History +of Tom Jones, a Foundling</i> (1749), had given him a place among the +immortals. All critics are agreed that this book contains passages +offensive to delicacy, and some say to morality. This is often +excused on the plea of the coarser manners of the age; but a much +stronger defence is advanced on the ground that, while other +novelists of the time made immorality an incentive to merriment, +F.'s treatment of such subjects, as Lowell has said, "shocks rather +than corrupts," and that in his pages evil is evil. On the other hand, +there is universal agreement as to the permanent interest of the +types of character presented, the profound knowledge of life and +insight into human nature, the genial humour, the wide humanity, +the wisdom, and the noble and masculine English of the book. His +only other novel, <i>Amelia</i>, which some, but these a small minority, +have regarded as his best, was <i>pub.</i> in 1751. His health was now +thoroughly broken, and in 1753, as a forlorn hope, he went in +search of restoration to Lisbon, where he <i>d.</i> on October 8, and was +buried in the English cemetery. His last work was a <i>Journal</i> of his +voyage. Though with many weaknesses and serious faults, F. was +fundamentally a man of honest and masculine character, and +though improvident and reckless in his habits, especially in earlier +life, he was affectionate in his domestic relations, and faithful and +efficient in the performance of such public duties as he was called to +discharge. Thackeray thus describes his appearance, "His figure +was tall and stalwart, his face handsome, manly, and noble-looking; +to the last days of his life he retained a grandeur of air and, though +worn down by disease, his aspect and presence imposed respect upon +people round about him."</p><a name='Page_139'></a> + +<p>SUMMARY.—<i>B.</i> 1707, <i>ed.</i> Eton, studied law at Leyden, came to +London and wrote dramas, called to Bar 1740, <i>pub.</i> <i>Joseph Andrews</i> +1742, became journalist, appointed a magistrate for Middlesex, etc., +and <i>pub.</i> <i>Inquiry into Increase of Robbers</i> 1751, <i>pub.</i> <i>Tom Jones</i> 1749, +<i>Amelia</i> 1751, <i>d.</i> at Lisbon 1754.</p> + +<p>His works are included in Ballantyne's Novelists' Library with a +biography by Scott (1821). An ed. in 10 vols. with a study by L. +Stephen was <i>pub.</i> by Smith, Elder and Co. (1882); another in 12 +vols. by Prof. Saintsbury, Dent and Co. (1893), and various others. +There are various Lives by Watson (1807). Lawrence (1855), and A. +Dobson (Men of Letters, 1883).</p><br /> + +<a name='FIELDING_SARAH_1710_1768'></a><p><b>FIELDING, SARAH (1710-1768).</b> +—Novelist, was the sister +of the above, who had a high opinion of her talents. She wrote +several novels, including <i>David Simple</i> (1744), <i>The Governess</i>, +and <i>The Countess</i> of <i>Dellwyn</i>. She also translated Xenophon's +<i>Memorabilia</i> and <i>Apologia</i> (1762).</p><br /> + +<a name='FILMER_SIR_ROBERT_d_1653'></a><p><b>FILMER, SIR ROBERT (<i>d.</i> 1653?).</b> +—Political writer, +<i>s.</i> of Sir Edward F., of East Sutton, Kent, was <i>ed.</i> at Camb. He +was an enthusiastic Royalist, was knighted by Charles I. and, in +1671, was imprisoned in Leeds Castle, Kent. He is notable as the +defender, in its most extreme form, of the doctrine of the divine +right of kings, which he expounded in a succession of works, of +which the latest and best known, <i>Patriarcha</i>, appeared in 1679. +His theory is founded on the idea that the government of a family +by the father is the original and method of all government. His +doctrines were afterwards attacked by Locke in his <i>Treatise on +Government</i>. He was opposed to the persecution of old women for +supposed witchcraft.</p><br /> + +<a name='FINLAY_GEORGE_1799_1875'></a><p><b>FINLAY, GEORGE (1799-1875).</b> +—Historian, of Scottish +descent, was <i>b.</i> at Faversham, Kent, where his <i>f.</i>, an officer in the +army, was inspector of government powder mills. Intended for +the law, he was <i>ed.</i> at Glasgow, Göttingen, and Edin., but becoming +an enthusiast in the cause of Greece, he joined Byron in the war +of independence, and thereafter bought a property near Athens, +where he settled and busied himself with schemes for the improvement +of the country, which had little success. His <i>History of +Greece</i>, produced in sections between 1843 and 1861, did not at first +receive the recognition which its merits deserved, but it has since +been given by students in all countries, and specially in Germany, a +place among works of permanent value, alike for its literary style +and the depth and insight of its historical views. It was re-issued +in 1877 as <i>A History of Greece from the Roman Conquest to the Present +Time</i> (146 B.C. <i>to</i> 1864).</p><br /> + +<a name='FISHER_JOHN_c_1469_1535'></a><p><b>FISHER, JOHN (<i>c.</i> 1469-1535).</b> +—Controversialist and +scholar, <i>b.</i> at Beverley, and <i>ed.</i> at Camb., entered the Church, and +became in 1504 Bishop of Rochester. He wrote in Latin against +the doctrines of the Reformation, but was a supporter of the New +Learning, and endeavoured to get Erasmus to teach Greek at Camb. +Through his influence the Lady Margaret Professorship of Divinity +were founded at both the Univ. by Margaret Countess of Richmond, +<a name='Page_140'></a>and in 1502 he became first prof. at Camb., where he was also +(1505-8) Head of Queen's Coll. He was also instrumental in founding +Christ's and St. John's Coll. For opposing the divorce proceedings +of Henry VIII. he was burned. Made a cardinal in 1535, he +was beatified in 1886.</p><br /> + +<a name='FISKE_JOHN_1842_1901'></a><p><b>FISKE, JOHN (1842-1901).</b> +—Miscellaneous writer, was <i>b.</i> +at Hartford, Connecticut. The family name was Green; but this +he dropped, and adopted that of his mother's family. After being +at Harvard he studied for, and was admitted to, the Bar, but did not +practise. He wrote on a variety of subjects, including mythology, +history, and evolution. Among his books on these subjects are, +<i>Myths and Mythmakers</i> (1872), <i>Cosmic Philosophy</i>, <i>Darwinism</i>, <i>The +Idea of God</i>, <i>Origin of Evil</i>. He was also the author of many works +on America. These include <i>Old Virginia</i>, <i>New France and New +England</i>, <i>The American Revolution</i>, and <i>Discovery of America</i> (1892).</p><br /> + +<a name='FITZGERALD_EDWARD_1809_1883'></a><p><b>FITZGERALD, EDWARD (1809-1883).</b> +—Translator and +letter-writer, was <i>b.</i> near Woodbridge, Suffolk, <i>s.</i> of John Purcell, +who took his wife's surname on the death of her <i>f.</i>. in 1818. He was +<i>ed.</i> at Bury St. Edmunds and Camb. Thereafter he lived in retirement +and study with his parents until 1838, when he took a neighbouring +cottage. In 1856 he <i>m.</i> a <i>dau.</i> of Bernard Barton, the poet, +from whom, however, he soon separated. Afterwards he lived at +various places in the East of England, continuing his studies, with +yachting for his chief recreation. By this time, however, he had +become an author, having written a life of his father-in-law prefixed +to his <i>coll.</i> poems (1849), <i>Euphranor</i>, a dialogue on youth (1851), and +<i>Polonius, a Collection of Wise Saws and Modern Instances</i> (1852). +Becoming interested in Spanish literature, he <i>pub.</i> translations of +<i>Six Dramas of Calderon</i>. Thereafter turning his attention to +Persian, he produced (1859), anonymously, his famous translation +of the <i>Rubaiyat of Omar Khayyám</i>. He also <i>pub.</i> translations of +the <i>Agamemnon</i> of Æschylus, and the <i>Œdipus Tyrannus</i> and +<i>Œdipus Coloneus</i> of Sophocles. In his translations F. aimed not so +much at a mere literal reproduction of the sense of the original, as +at reproducing its effect on the reader, and in this he was extraordinarily +successful. In the department of letter-writing also he +attained an excellence perhaps unequalled in his day.</p><br /> + +<a name='FITZSTEPHEN_WILLIAM_d_1190'></a><p><b>FITZSTEPHEN, WILLIAM (<i>d.</i> 1190).</b> +—Was a servant of +Thomas à Becket, witnessed his murder, and wrote his biography, +which contains an interesting account of London in the 12th century.</p><br /> + +<a name='FLAVEL_JOHN_1627_1691'></a><p><b>FLAVEL, JOHN (1627-1691).</b> +—Divine, <i>b.</i> at Bromsgrove, +studied at Oxf., was a Presbyterian, and was settled at Dartmouth, +but ejected from his living in 1662, continuing, however, to preach +there secretly. He was a voluminous and popular author. Among +his works are <i>Husbandry Spiritualised</i> and <i>Navigation Spiritualised</i>, +titles which suggest some of his characteristics as an expositor.</p><br /> + +<a name='FLECKNOE_RICHARD_d_1678'></a><p><b>FLECKNOE, RICHARD (<i>d.</i> 1678).</b> +—Poet, said to have +been an Irish priest. He wrote several plays, now forgotten, also +miscellaneous poems, some of them sacred, and a book of travels. +His name has been preserved in Dryden's satire, <i>MacFlecknoe</i>, as<a name='Page_141'></a> +"throughout the realms of nonsense absolute;" but according to +some authorities his slighter pieces were not wanting in grace and +fancy.</p><br /> + +<a name='FLETCHER_ANDREW_1655_1716'></a><p><b>FLETCHER, ANDREW (1655-1716).</b> +—Scottish statesman +and political writer, <i>s.</i> of Sir Robert F. of Saltoun, East Lothian, to +which estate he succeeded at an early age. He was <i>ed.</i> under the +care of Bishop Burnet, who was then minister of Saltoun. Being +firmly opposed to the arbitrary measures of the Duke of York, afterwards +James II., he went to Holland, where he joined Monmouth, +whom he accompanied on his ill-starred expedition. Happening +to kill, in a quarrel, one Dare, another of the Duke's followers, he +fled to the Continent, travelled in Spain and Hungary, and fought +against the Turks. After the Revolution he returned to Scotland, +and took an active part in political affairs. He opposed the Union, +fearing the loss of Scottish independence, and advocated federation +rather than incorporation. He introduced various improvements +in agriculture. His principal writings are <i>Discourse of Government</i> +(1698), <i>Two Discourses concerning the Affairs of Scotland</i> (1698), +<i>Conversation concerning a right Regulation of Government for the +Common Good of Mankind</i> (1703), in which occurs his well-known +saying, "Give me the making of the songs of a nation, and I care +not who makes its laws."</p><br /> + +<a name='FLETCHER_GILES_AND_PHINEAS_1588_1623_1582_1650'></a><p><b>FLETCHER, GILES, AND PHINEAS (1588?-1623) (1582-1650).</b> +—Poets, +were the sons of Giles F., himself a minor poet, and Envoy +to Russia. Phineas, the elder, was <i>ed.</i> at Eton and Camb., and +entered the Church, becoming Rector of Hilgay, Norfolk. He +wrote <i>The Purple Island</i> (1633), a poem in 10 books, giving an +elaborate allegorical description of the body and mind of man, +which, though tedious and fanciful, contains some fine passages, recalling +the harmonious sweetness of Spenser, whose disciple the poet +was. He was also the author of <i>Piscatory Dialogues</i>. GILES, the +younger, was also <i>ed.</i> at Camb., and, like his brother, became a +country parson, being Rector of Alderton. His poem, <i>Christ's Victory +and Triumph</i> (1610), which, though it contains passages rising to +sublimity, is now almost unknown except to students of English +literature, is said to have influenced Milton.</p> + +<p>Both brothers, but especially Giles, had a genuine poetic gift, but +alike in the allegorical treatment of their subjects and the metre +they adopted, they followed a style which was passing away, and +thus missed popularity. They were cousins of John F., the +dramatist.</p><br /> + +<a name='FLORENCE_of_WORCESTER_d_1118'></a><p><b>FLORENCE of WORCESTER (<i>d.</i> 1118).</b> +—Chronicler, was +a monk of Worcester. His work is founded upon that of Marianus, +an Irish chronicler, supplemented by additions taken from the +<i>Anglo-Saxon Chronicle</i>, Bede's <i>Lives of the Saints</i>, and Asser's <i>Life +of Alfred</i>. After his death it was brought down to 1295.</p><br /> + +<a name='FLORIO_JOHN_1553_1625'></a><p><b>FLORIO, JOHN (1553?-1625).</b> +—Translator, <i>s.</i> of an Italian +preacher, exiled for his Protestantism, but who appears to have lost +credit owing to misconduct, <i>b.</i> in London, was, about 1576, a private +tutor of languages at Oxf. In 1581 he was admitted a member of<a name='Page_142'></a> +Magdalen Coll., and teacher of French and Italian. Patronised by +various noblemen, he became in 1603 reader in Italian to Anne of +Denmark, Queen of James I. He <i>pub.</i> <i>First Fruites</i> (1578). <i>Second +Fruites</i> (1591), consisting of Italian and English Dialogues, and his +great Italian dictionary entitled <i>A World of Wonder</i>, in 1598. His +chief contribution to pure literature is his famous translation of <i>The +Essays of Montaigne</i>, in stately if somewhat stiff Elizabethan English.</p><br /> + +<a name='FONBLANQUE_ALBANY_WILLIAM_1793_1872'></a><p><b>FONBLANQUE, ALBANY WILLIAM (1793-1872).</b> +—Journalist +and political writer, was of Huguenot descent, the <i>s.</i> of a Commissioner +in Bankruptcy. He was bred to the law, but deserted it for +journalism, in which he took a high place. He wrote much for <i>The +Times</i>, and <i>Westminster Review</i>, and subsequently became ed. and +proprietor of the <i>Examiner</i>. His best articles were republished as +<i>England under Seven Administrations</i> (1837). He also wrote <i>How +we are Governed</i>. In 1847 he was appointed Statistical Sec. to the +Board of Trade.</p><br /> + +<a name='FOOTE_SAMUEL_1720_1777'></a><p><b>FOOTE, SAMUEL (1720-1777).</b> +—Actor and dramatist, <i>b.</i> at +Truro of a good family, and <i>ed.</i> at Oxf., succeeded by his extravagance +and folly in running through two fortunes. To repair his +finances he turned to the stage, and began with tragedy, in which +he failed. He then took to comedy, and the mimetic representation +of living characters, for which his extraordinary comic powers +highly qualified him. He also became a prolific author of dramatic +pieces. He wrote 20 plays, and claimed to have added 16 original +characters to the stage. Several of his pieces, owing to the offence +they gave to persons of importance, were suppressed, but were +usually revived in a slightly modified form. His conversation was +agreeable and entertaining in the highest degree. Among his best +works are <i>An Auction of Pictures</i>, <i>The Liar</i>, and <i>The Mayor of +Garratt</i> (1763), <i>The Lame Lover</i> (1770), <i>The Knights</i> (1749), <i>Author</i> +(suppressed) 1757, <i>Devil upon Two Sticks</i> (1768), <i>The Nabob</i> (1779), +<i>The Capuchin</i> (1776).</p><br /> + +<a name='FORBES_JAMES_DAVID_1809_1868'></a><p><b>FORBES, JAMES DAVID (1809-1868).</b> +—Natural Philosopher, +<i>s.</i> of Sir William F., of Pitsligo, was <i>b.</i> and <i>ed.</i> at Edin. He +studied law, and was called to the Bar, but devoted himself to +science, in which he gained a great reputation both as a discoverer +and teacher. He was Prof. of Natural Philosophy at Edin., 1833-1859, +when he succeeded Sir D. Brewster, as Principal of the United +Coll. at St. Andrews. He was one of the founders of the British +Association in 1831. His scientific investigations and discoveries +embraced the subjects of heat, light, polarisation, and specially +glaciers. In connection with the last of these he wrote <i>Travels +through the Alps</i> (1843), <i>Norway and its Glaciers</i> (1853), <i>Tour of Mont +Blanc and Monte Rosa</i> (1855), and <i>Papers on the Theory of Glaciers</i>.</p><br /> + +<a name='FORD_JOHN_c_1586'></a><p><b>FORD, JOHN (<i>c.</i> 1586?).</b> +—Dramatist, <i>b.</i> probably at +Ilsington, Devonshire, was admitted to the Middle Temple in 1602, +and appears to have practised as a lawyer. His chief plays are <i>The +Lover's Melancholy</i> (1629), <i>'Tis Pity</i>, <i>The Broken Heart</i>, and <i>Love's +Sacrifice</i> (1633), <i>Perkin Warbeck</i> (1634), <i>The Lady's Trial</i> (1639), +and <i>Fancies Chaste and Noble</i> (1638). He also collaborated with<a name='Page_143'></a> +Dekker and Rowley in <i>The Witch of Edmonton</i> (1624). F. has a +high position as a dramatist, though rather for general intellectual +power and austere beauty of thought than for strictly dramatic +qualities. C. Lamb says, "F. was of the first order of poets." He +had little humour; his plays, though the subjects are painful, and +sometimes horrible, are full of pensive tenderness expressed in +gently flowing verse. The date of his death is uncertain.</p><br /> + +<a name='FORD_PAUL_LEICESTER_1865_1902'></a><p><b>FORD, PAUL LEICESTER (1865-1902).</b> +—Novelist and biographer, +was <i>b.</i> in Brooklyn. He wrote Lives of Washington, +Franklin, and others, ed. the works of Jefferson, and wrote a number +of novels, which had considerable success, including <i>Peter Sterling</i> +(1894), <i>Story of an Untold Love</i>, <i>Janice Meredith</i>, <i>Wanted a Matchmaker</i>, +and <i>Wanted a Chaperone</i>. He <i>d.</i> by his own hand.</p><br /> + +<a name='FORD_RICHARD_1796_1858'></a><p><b>FORD, RICHARD (1796-1858).</b> +—Writer on art and travel, +<i>ed.</i> at Winchester and Camb., and travelled for several years in +Spain, becoming intimately acquainted with the country and people. +He wrote a <i>Handbook for Travellers in Spain</i> (1845), which is much +more than a mere guide-book, and <i>Gatherings from Spain</i> (1846). +An accomplished artist and art critic, he was the first to make the +great Spanish painter, Velasquez, generally known in England.</p><br /> + +<a name='FORDUN_JOHN_d_1384'></a><p><b>FORDUN, JOHN (<i>d.</i> 1384?).</b> +—Chronicler, said to have +been a chantry priest and Canon of Aberdeen. He began the +<i>Scotichronicon</i>, for which he prepared himself, it is said, by travelling +on foot through Britain and Ireland in search of materials. He also +compiled <i>Gesta Annalia</i>, a continuation. He brought the history +down to 1153, leaving, however, material to the time of his own +death, which was subsequently worked up by <a href='#BOWER_or_BOWMAKER_WALTER_d_1449'>Walter Bower</a> (<i>q.v.</i>).</p><br /> + +<a name='FORSTER_JOHN_1812_1876'></a><p><b>FORSTER, JOHN (1812-1876).</b> +—Historian and biographer, +<i>b.</i> at Newcastle, <i>ed.</i> at the Grammar School there, and at Univ. Coll., +London, became a barrister of the Inner Temple, but soon relinquished +law for literature. In 1834 he accepted the post of assistant +ed. of the <i>Examiner</i>, and was ed. 1847-55. In this position F. +exercised a marked influence on public opinion. He also ed. the +<i>Foreign Quarterly Review</i> 1842-3, the <i>Daily News</i> in 1846, and was +Sec. to the Lunacy Commission and a Commissioner 1861-72. +His historical writings were chiefly biographies, among which are +<i>Statesmen of the Commonwealth of England</i> (1836-9), <i>Life of Goldsmith</i> +(1854), <i>Biographical and Historical Essays</i> (1859), <i>Sir John +Eliot</i> (1864), <i>Lives of Walter S. Landor</i> (1868), and <i>Charles Dickens</i> +(1871-4). He also left the first vol. of a Life of Swift. F., who +was a man of great decision and force of character, concealed an +unusually tender heart under a somewhat overbearing manner.</p><br /> + +<a name='FORTESCUE_SIR_JOHN_1394_1476'></a><p><b>FORTESCUE, SIR JOHN (1394?-1476?).</b> +—Political writer, +was descended from a Devonshire family. He was an eminent +lawyer, and held the office of Lord Chief Justice of the King's Bench +(1442). During the Wars of the Roses he was a staunch Lancastrian. +On the triumph of Edward IV. at Towton he was attainted, +and followed the fortunes of the fallen Lancastrians, accompanying +Queen Margaret to Scotland and Flanders. He fought at Tewkesbury, +was captured, but pardoned on condition of writing in support +<a name='Page_144'></a>of the Yorkish claims, which he did, considering that his own party +appeared to be hopelessly ruined. He is said to have been at one +time Lord Chancellor; but it is probable that this was only a titular +appointment given him by the exiled family. His works are +various defences of the Lancastrian title to the crown, and two +treatises, <i>De Laudibus Legum Angliæ</i> (1537) (in praise of the laws +of England), and <i>On the Governance of the Kingdom of England</i>, not +printed till 1714, the former for the instruction of Edward, Prince +of Wales.</p><br /> + +<a name='FORSTER_JOHN_1770_1843'></a><p><b>FORSTER, JOHN (1770-1843).</b> +—Essayist, was <i>b.</i> at Halifax, +and <i>ed.</i> at Bristol for the Baptist ministry. Though a man of powerful +and original mind he did not prove popular as a preacher, and +devoted himself mainly to literature, his chief contribution to +which is his four Essays (1) <i>On a Man's Writing Memoirs of Himself</i>, +(2) <i>On Decision of Character</i>, (3) <i>On the Epithet "Romantic</i>," (4) <i>On +Evangelical Religion, etc.</i>, all of which attracted much attention +among the more thoughtful part of the community, and still hold +their place. These Essays were <i>pub.</i> in 1805, and in 1819. F. +added another on the <i>Evils of Popular Ignorance</i>, in which he +advocated a national system of education.</p><br /> + +<a name='FOSTER_STEPHEN_COLLINS_1826_1864'></a><p><b>FOSTER, STEPHEN COLLINS (1826-1864).</b> +—Song-writer, +was <i>b.</i> in Pittsburgh. He wrote over 100 songs, many of which had +extraordinary popularity, among which may be mentioned <i>The Old +Folks at Home</i>, <i>Nelly Bly</i>, <i>Old Dog Tray</i>, <i>Camp Town Races</i>, <i>Massa's +in de cold, cold Ground</i>, and <i>Come where my Love lies Dreaming</i>. He +composed the music to his songs.</p><br /> + +<a name='FOX_CHARLES_JAMES_1749_1806'></a><p><b>FOX, CHARLES JAMES (1749-1806).</b> +—Statesman and historian, +<i>s.</i> of Henry F., 1st Lord Holland, was one of the greatest +orators who have ever sat in the House of Commons. His only +serious literary work was a fragment of a proposed <i>History of the +Reign of James the Second</i>. An introductory chapter sketching the +development of the constitution from the time of Henry VII., and +a few chapters conducting the history up to the execution of Monmouth +are all which he completed.</p><br /> + +<a name='FOX_GEORGE_1624_1691'></a><p><b>FOX, GEORGE (1624-1691).</b> +—Religious enthusiast, and +founder of the Society of Friends, <i>b.</i> at Drayton, Leicestershire, was +in youth the subject of peculiar religious impressions and trances, +and adopted a wandering life. The protests which he conceived +himself bound to make against the prevailing beliefs and manners, +and which sometimes took the form of interrupting Divine service, +and the use of uncomplimentary forms of address to the clergy, +involved him in frequent trouble. The clergy, the magistrates, and +the mob alike treated him with harshness amounting to persecution. +None of these things, however, moved him, and friends, many of +them influential, among them Oliver Cromwell, extended favour +towards him. From 1659 onwards he made various missionary +journeys in Scotland, Ireland, America, and Holland. Later he +was repeatedly imprisoned, again visited the Continent, and <i>d.</i> +in 1691. F.'s literary works are his <i>Journal</i>, <i>Epistles</i>, and <i>Doctrinal +Pieces</i>. He was not a man of strong intellect, and the defence of his +<a name='Page_145'></a>doctrines was undertaken by the far more competent hand of his +follower, <a href='#BARCLAY_ROBERT_1648_1690'>Barclay</a> (<i>q.v.</i>). The <i>Journal</i>, however, is full of interest as +a sincere transcript of the singular experiences, religious and others, +of a spiritual enthusiast and mystic.</p> + +<p>The best Life is that by Hodgkin, 1896. <i>Journal</i> (reprint, 1885).</p><br /> + +<a name='FOXE_JOHN_1516_1587'></a><p><b>FOXE, JOHN (1516-1587).</b> +—Martyrologist, was <i>b.</i> at +Boston, Lincolnshire, and <i>ed.</i> at Oxf., where he became a Fellow of +Magdalen Coll. While there he gave himself to the study of the +theological questions then in debate, and ended by becoming a +Protestant, in consequence of which he in 1545 left his coll. He +then became tutor in the family of Sir T. Lucy of Charlecote, and +afterwards to the children of the recently executed Earl of Surrey. +During the reign of Mary he retired to the Continent, and <i>pub.</i>, at +Strasburg, his <i>Commentarii</i> (the first draft of the <i>Acts and Monuments</i>). +Removing to Basel he was employed as a reader for the +press by the famous printer Oporinus, who <i>pub.</i> some of his writings. +On the accession of Elizabeth, F. returned to England, was received +with kindness by the Duke of Norfolk, one of his former pupils, and +soon afterwards (1563) <i>pub.</i> the work on which his fame rests, the +English version of the <i>Acts and Monuments</i>, better known as <i>The +Book Martyrs</i>. Received with great favour by the Protestants, +it was, and has always been, charged by the Roman Catholics with +gross and wilful perversion of facts. The truth of the matter +appears to be that while Foxe was not, as in the circumstances he +could hardly have been, free from party spirit or from some degree +of error as to facts, he did not intentionally try to mislead; and +comparison of his citations from authorities with the originals has +shown him to have been careful and accurate in that matter. F., +who had been ordained a priest in 1560, became Canon of Salisbury +in 1563. He wrote sundry other theological works, and <i>d.</i> in 1587. +There is a memoir of him attributed to his <i>s.</i>, but of doubtful +authenticity. Some of his papers, used by <a href='#STRYPE_JOHN_1643_1737'>Strype</a> (<i>q.v.</i>), are now in +the British Museum.</p><br /> + +<a name='FRANCIS_SIR_PHILIP_1740_1818'></a><p><b>FRANCIS, SIR PHILIP (1740-1818).</b> +—Reputed author of +<i>The Letters of Junius</i>, <i>s.</i> of the Rev. Philip F., a scholar of some note, +was <i>b.</i> in Dublin. On the recommendation of Lord Holland he +received an appointment in the office of the Sec. of State, and was +thereafter private sec. to Lord Kinnoull in Portugal, and to Pitt +in 1761-2. He was then transferred to the War Office, where he +remained from 1762-72, during which period he contributed to the +press under various pseudonyms. His next appointment was that +of a member of Council of Bengal, which he held from 1773-80. +While in India he was in continual conflict with the Governor-General, +Warren Hastings, by whom he was wounded in a duel in +1779. He returned to England in 1780 with a large fortune, and +entered Parliament as a Whig. In 1787 he was associated with +Burke in the impeachment of Hastings, against whom he showed +extraordinary vindictiveness. Later he was a sympathiser with the +French Revolution, and a member of the association of the Friends +of the People. He retired from public life in 1807, and <i>d.</i> in 1818. +He was the author of about 20 political pamphlets, but the great +interest attaching to him is his reputed authorship of the <i>Letters of<a name='Page_146'></a> +Junius</i>. These letters which, partly on account of the boldness and +implacability of their attacks and the brilliance of their literary +style, and partly because of the mystery in which their author +wrapped himself, created an extraordinary impression, and have +ever since retained their place as masterpieces of condensed sarcasm. +They appeared in <i>The Public Advertiser</i>, a paper <i>pub.</i> by Woodfall, +the first on January 21, 1769, and the last on the corresponding day +of 1772, and were chiefly directed against the Dukes of Grafton and +Bedford, and Lord Mansfield; but even the king himself did not +escape. Not only were the public actions of those attacked held up +to execration, but every circumstance in their private lives which +could excite odium was dragged into the light. Their authorship +was attributed to many distinguished men, <i>e.g.</i> Burke, Lord Shelburne, +J. Wilkes, Horne Tooke, and Barré, and recently to Gibbon; +but the evidence appears to point strongly to F., and, in the opinion +of Macaulay, would "support a verdict in a civil, nay, in a criminal +trial." It rests upon such circumstances as the similarity of the MS. +to what is known to be the disguised writing of F., the acquaintance +of the writer with the working of the Sec. of State's Office and the +War Office, his denunciation of the promotion of a Mr. Chamier in the +War Office, which was a well-known grievance of F., his acquaintance +with Pitt, and the existence of a strong tie to Lord Holland, +the silence of Junius when F. was absent, and resemblances in the +style and the moral character of the writer to those of F.</p><br /> + +<a name='FRANKLIN_BENJAMIN_1706_1790'></a><p><b>FRANKLIN, BENJAMIN (1706-1790).</b> +—American statesman, +philosopher, and writer, was one of a numerous family. His <i>f.</i> +was a soap-boiler at Boston, where F. was <i>b.</i> He was apprenticed +at the age of 13 to his brother, a printer, who treated him harshly. +After various changes, during which he lived in New York, London, +and Philadelphia, he at last succeeded in founding a successful +business as a printer. He also started a newspaper, <i>The Gazette</i>, +which was highly popular, <i>Poor Richard's Almanac</i>, and the <i>Busybody +Papers</i>, in imitation of the <i>Spectator</i>. After holding various +minor appointments, he was made deputy Postmaster-General for +the American Colonies. In 1757 he went to London on some public +business in which he was so successful that various colonies appointed +him their English agent. In the midst of his varied avocations he +found time for scientific investigation, especially with regard to electricity. +For these he became known over the civilised world, and +was loaded with honours. In 1762 he returned to America, and took +a prominent part in the controversies which led to the Revolutionary +War and the independence of the Colonies. In 1776 he was U.S. +Minister to France, and in 1782 was a signatory of the treaty which +confirmed the independence of the States. He returned home in +1785, and, after holding various political offices, retired in 1788, and +<i>d.</i> in 1790. His autobiography is his chief contribution to literature, +and is of the highest interest.</p> + +<p>Works (10 vols., Bigelow, 1887-9), Autobiography (1868), Lives +by M'Master (1887), and Morse (1889).</p><br /> + +<a name='FREEMAN_EDWARD_AUGUSTUS_1823_1892'></a><p><b>FREEMAN, EDWARD AUGUSTUS (1823-1892).</b> +—Historian, +<i>s.</i> of John F., was <i>b.</i> at Harborne, Staffordshire. He lost both his +parents in childhood, and was brought up by his paternal grandmother.<a name='Page_147'></a> +He was <i>ed.</i> at private schools, and as a private pupil of +the Rev. R. Gutch, whose <i>dau.</i> he afterwards <i>m.</i> In 1841 he was +elected to a scholarship at Oxf. He had inherited an income sufficient +to make him independent of a profession, and a prepossession +in favour of the celibacy of the clergy disinclined him to enter the +Church, of which he had at one time thought. He settled ultimately +at Somerleaze, near Wells, where he occupied himself in study, +writing for periodicals, and with the duties of a magistrate. He +was a strong Liberal, and on one occasion stood unsuccessfully as a +candidate for Parliament. He was also twice unsuccessful as an +applicant for professional chairs, but ultimately, in 1884, succeeded +Stubbs as Prof. of Modern History at Oxf. He had always been an +enthusiastic traveller, and it was when on a tour in Spain that he +took ill and <i>d.</i> on May 16, 1892. F. was a voluminous author, and +a keen controversialist. His first book was a <i>History of Architecture</i> +(1849), and among the very numerous publications which he issued +the most important were <i>History of Federal Government</i> (1863), <i>The +History of the Norman Conquest</i> (6 vols., 1867-79), <i>The Historical +Geography of Europe</i> (1881-2), <i>The Reign of William +Rufus</i> (1882), +and an unfinished <i>History of Sicily</i>. Besides these he wrote innumerable +articles in periodicals, many of which were separately <i>pub.</i> +and contain much of his best work. He was laborious and honest, +but the controversial cast of his mind sometimes coloured his work. +His short books, such as his <i>William I.</i>, and his <i>General Sketch of +European History</i>, are marvels of condensation, and show him at his +best. His knowledge of history was singularly wide, and he sometimes +showed a great power of vivid presentation.</p><br /> + +<a name='FRENEAU_PHILIP_1752_1832'></a><p><b>FRENEAU, PHILIP (1752-1832).</b> +—Poet, <i>b.</i> in New York, +produced two vols. of verse (1786-8), the most considerable contribution +to poetry made up to that date in America. He fought in +the Revolutionary War, was taken prisoner, and confined in a +British prison-ship, the arrangements of which he bitterly satirised +in <i>The British Prison Ship</i> (1781). He also wrote vigorous prose, of +which <i>Advice to Authors</i> is an example. Amid much commonplace +and doggerel, F. produced a small amount of genuine poetry in his +short pieces, such as <i>The Indian Burying Ground</i>, and <i>The Wild +Honeysuckle</i>.</p><br /> + +<a name='FRERE_JOHN_HOOKHAM_1769_1846'></a><p><b>FRERE, JOHN HOOKHAM (1769-1846).</b> +—Diplomatist, +translator, and author, eldest <i>s.</i> of John F., a distinguished antiquary, +was <i>b.</i> in London, and <i>ed.</i> at Eton and Camb. He became a +clerk in the Foreign Office, and subsequently entering Parliament +was appointed Under Foreign Sec. In 1800 he was Envoy to +Portugal, and was Ambassador to Spain 1802-4, and again 1808-9. +In 1818 he retired to Malta, where he <i>d.</i> He was a contributor to +the <i>Anti-Jacobin</i>, to Ellis's <i>Specimens of the Early English +Poets</i> (1801), and to Southey's <i>Chronicle of the Cid</i>. He also made some +masterly translations from <i>Aristophanes</i>; but his chief original +contribution to literature was a burlesque poem on <i>Arthur and the +Round Table</i>, purporting to be by William and Robert Whistlecraft. +All F.'s writings are characterised no less by scholarship than by wit.</p><br /> + +<a name='FROUDE_JAMES_ANTHONY_1818_1894'></a><p><b>FROUDE, JAMES ANTHONY (1818-1894).</b> +—Historian and +essayist, 3rd <i>s.</i> of the Archdeacon of Totnes, Devonshire, near +<a name='Page_148'></a>which he was <i>b.</i>, and brother of Richard Hurrell. F., one of the +leaders of the Tractarian party, was <i>ed.</i> at Westminster School and +Oxf., where for a short time he came under the influence of Newman, +and contributed to his <i>Lives of the English Saints</i>, and in 1844 +he took Deacon's orders. The connection with Newman was, however, +short-lived; and the publication in 1848 of <i>The Nemesis of +Faith</i> showed that in the severe mental and spiritual conflict through +which he had passed, the writer had not only escaped from all +Tractarian influences, but was in revolt against many of the fundamental +doctrines of Christianity. One result of the book was his +resignation of his Fellowship at Oxf.: another was his loss of an +appointment as Head Master of the Grammar School of Hobart +Town, Tasmania. In the same year began his friendship with +Carlyle, and about the same time he became a contributor to the +<i>Westminster Review</i> and to <i>Fraser's Magazine</i>, of which he was ed. +from 1860-74. These papers were afterwards <i>coll.</i> and <i>pub.</i> in the 4 +vols. of <i>Short Studies on Great Subjects</i>. In 1856 he <i>pub.</i> the first 2 +vols. of the great work of his life, <i>The History of England from the +Fall of Cardinal Wolsey to the Spanish Armada</i>, which extended to +12 vols., the last of which appeared in 1870. As literature this work +has a place among the greatest productions of the century; but in +its treatment it is much more dramatic, ethical, and polemical than +historical in the strict sense; and indeed the inaccuracy in matters +of fact to which F. was liable, combined with his tendency to idealise +and to colour with his own prejudices the characters who +figure in his narrative, are serious deductions from the value of his +work considered as history. <i>The English in Ireland in the Eighteenth +Century</i> appeared in 1872-4. On the death of Carlyle in +1881, F. found himself in the position of his sole literary executor, +and in that capacity <i>pub.</i> successively the <i>Reminiscences</i> (1881), +<i>History of the First Forty Years of Carlyle's Life</i> (1882), <i>Letters and +Memorials of Jane Welsh Carlyle</i> (1883), <i>History of Carlyle's Life in +London</i> (1884). The opinion is held by many that in the discharge +of the duties entrusted to him by his old friend and master he showed +neither discretion nor loyalty; and his indiscreet revelations and gross +inaccuracies evoked a storm of controversy and protest. F. did not +confine his labours to purely literary effort. In 1874-5 he travelled as +a Government Commissioner in South Africa with the view of fostering +a movement in favour of federating the various colonies there; +in 1876 he served on the Scottish Univ. Commission; in 1884-5 he visited +Australia, and gave the fruit of his observations to the +world in <i>Oceana</i> (1886), and in 1886-7 he was in the West Indies, +and <i>pub.</i> <i>The English in the West Indies</i> (1888). The year 1892 saw +his appointment as Prof. of Modern History at Oxf., and his lectures +there were <i>pub.</i> in his last books, <i>Life and Letters of Erasmus</i> (1894), +<i>English Seamen in the Sixteenth Century</i> (1895), and <i>The Council of +Trent</i> (1896). F. was elected in 1869 Lord Rector of the Univ. of +St. Andrews, and received the degree of LL.D. from Edinburgh in +1884. By his instructions no Biography was to be written.</p><br /> + +<a name='FULLER_SARAH_MARGARET_1810_1850'></a><p><b>FULLER, SARAH MARGARET (1810-1850).</b> +—Was <i>b.</i> in +Massachusetts, <i>dau.</i> of a lawyer, who encouraged her in over-working +herself in the acquisition of knowledge with life-long evil results +<a name='Page_149'></a>to her health. On his death she supported a large family of brothers +and sisters by teaching. Her early studies had made her familiar +with the literature not only of England but of France, Spain, and +Italy; she had become imbued with German philosophy and mysticism, +and she co-operated with Theodore Parker in his revolt against +the Puritan theology till then prevalent in New England, and became +the conductor of the Transcendentalist organ, <i>The Dial</i>, from +1840-2. She made various translations from the German, and <i>pub. +Summer on the Lakes</i> (1844), and <i>Papers on Literature and Art</i> +(1846). In the same year she went to Europe, and at Rome met the +Marquis Ossoli, an Italian patriot, whom she <i>m.</i> in 1847. She and +her husband were in the thick of the Revolution of 1848-9, and in +the latter year she was in charge of a hospital at Rome. After +the suppression of the Revolution she escaped with her husband +from Italy, and took ship for America. The voyage proved most +disastrous: small-pox broke out on the vessel, and their infant +child <i>d.</i>, the ship was wrecked on Fire Island, near New York, and +she and her husband were lost. Destitute of personal attractions, +she was possessed of a singular power of conciliating sympathy. She +was the intimate friend of Emerson, Hawthorn, Channing, and +other eminent men.</p><br /> + +<a name='FULLER_THOMAS_1608_1661'></a><p><b>FULLER, THOMAS (1608-1661).</b> +—Divine and antiquary, <i>s.</i> +of a clergyman of the same name, was <i>b.</i> at Aldwinkle, Northamptonshire. +Possessed of exceptional intelligence and a wonderful +memory, he became a good scholar, and distinguished himself at +Camb., where he was sent. Entering the Church, he obtained rapid +preferment, including the lectureship at the Savoy, and a chaplaincy +to Charles II. He was a voluminous author, his works dealing with +theology, morals, history, and antiquities. Among the chief are +<i>History of the Holy War</i>, <i>i.e.</i> the Crusades (1643), <i>The Holy State and +the Profane State</i> (1642), <i>A Pisgah Sight of Palestine</i> (1650), <i>Church +History of Britain</i>, <i>History of Cambridge University</i> (1655), <i>Worthies +of England</i> (1662), and <i>Good Thoughts in Bad Times</i>. The outstanding +characteristic of F.'s writings is shrewd observation conveyed in +a style of quaint humour. Lamb says, "His conceits are oftentimes +deeply steeped in human feeling and passion." But in addition +there is much wisdom and a remarkable power of casting his +observations into a compact, aphoristic form. The <i>Worthies</i>, +though far from being a systematic work, is full of interesting biographical +and antiquarian matter which, but for the pains of the +author, would have been lost. Coleridge says of him, "He was incomparably +the most sensible, the least prejudiced great man in an +age that boasted a galaxy of great men." F., who was of a singularly +amiable character, was a strong Royalist, and suffered the +loss of his preferments during the Commonwealth. They were, +however, given back to him at the Restoration.</p> + +<p>Lives by Russell (1844), J.E. Bailey (1874), and M. Fuller (1886).</p><br /> + +<a name='FULLERTON_LADY_GEORGIANA_LEVESON_GOWER_1812_1885'></a><p><b>FULLERTON, LADY GEORGIANA (LEVESON-GOWER) (1812-1885).</b> +—Novelist, +<i>dau.</i> of the 1st Earl Granville, and sister of the +eminent statesman. She wrote a number of novels, some of which +had considerable success. They include <i>Ellen Middleton</i> (1844),<a name='Page_150'></a> +<i>Grantley Manor</i> (1847), and <i>Too Strange not to be True</i> (1864). She +also <i>pub.</i> two vols. of verse. She joined the Church of Rome in 1846.</p><br /> + +<a name='GAIMAR_GEOFFREY_fl_1140'></a><p><b>GAIMAR, GEOFFREY (<i>fl.</i> 1140?).</b> +—Chronicler, translated +the chronicle of Geoffrey of Monmouth into French verse for the +wife of his patron, Ralph Fitz-Gilbert, and added a continuation +dealing with the Saxon Kings. His work is entitled <i>L'Estoire des +Engles</i>.</p><br /> + +<a name='GALT_JOHN_1779_1839'></a><p><b>GALT, JOHN (1779-1839).</b> +—Novelist and miscellaneous +writer, <i>s.</i> of the captain of a West Indiaman, was <i>b.</i> at Irvine, Ayrshire, +but while still a young man he went to London and formed +a commercial partnership, which proved unfortunate, and he then +entered Lincoln's Inn to study law. A little before this he had produced +his first book, a poem on the Battle of Largs, which, however, +he soon suppressed. He then went to various parts of the Continent +in connection with certain commercial schemes, and met Lord +Byron, with whom he travelled for some time. Returning home he +<i>pub.</i> <i>Letters from the Levant</i>, which had a favourable reception, and +some dramas, which were less successful. He soon, however, found +his true vocation in the novel of Scottish country life, and his fame +rests upon the <i>Ayrshire Legatees</i> (1820), <i>The Annals of the Parish</i> +(1821), <i>Sir Andrew Wylie</i> (1822), <i>The Entail</i> (1824), and <i>The Provost</i>. +He was not so successful in the domain of historical romance, which +he tried in <i>Ringan Gilbaize</i>, <i>The Spae-wife</i>, <i>The Omen</i>, etc., although +these contain many striking passages. In addition to his novels G. +produced many historical and biographical works, including a <i>Life +of Wolsey</i> (1812), <i>Life and Studies of Benjamin West</i> (1816), <i>Tour of +Asia</i>, <i>Life of Byron</i> (1830), <i>Lives of the Players</i>, and an Autobiography +(1834). In addition to this copious literary output, +G. was constantly forming and carrying out commercial schemes, +the most important of which was the Canada Company, which, +like most of his other enterprises, though conducted with great +energy and ability on his part, ended in disappointment and +trouble for himself. In 1834 he returned from Canada to Greenock, +broken in health and spirits, and <i>d.</i> there in 1839 of paralysis. G. +was a man of immense talent and energy, but would have held a +higher place in literature had he concentrated these qualities upon +fewer objects. Most of his 60 books are forgotten, but some of +his novels, especially perhaps <i>The Annals of the Parish</i>, have deservedly +a secure place. The town of Galt in Canada is named +after him.</p><br /> + +<a name='GARDINER_SAMUEL_RAWSON_1829_1902'></a><p><b>GARDINER, SAMUEL RAWSON (1829-1902).</b> +—Historian, <i>b.</i> +at Alresford, Hants, was <i>ed.</i> at Winchester and Oxf. In 1855 he <i>m.</i> +Isabella, <i>dau.</i> of <a href='#IRVING_EDWARD_1792_1834'>Edward Irving</a> (<i>q.v.</i>), the founder of the Catholic +Apostolic Church, which he joined, and in which he ultimately held +high office. About the time of his leaving Oxf. he had planned his +great work, <i>The History of England from the Accession of James I. to +the Restoration</i>, and the accomplishment of this task he made the +great object of his life for more than 40 years. The first two vols. +appeared in 1863 as <i>The History of England from the Accession of +James I. to the Disgrace of Chief Justice Cooke</i>, and subsequent instalments +appeared under the following titles: <i>Prince Charles and<a name='Page_151'></a> +The Spanish Marriage</i> (1867), <i>England under Buckingham and +Charles I.</i> (1875), <i>Personal Government of Charles I.</i> (1877), <i>The Fall +of the Government of Charles I.</i> (1881); these were in 1883-4 re-issued +in a consolidated form entitled <i>History of England from the Accession +of James I. to the Outbreak of the Civil War</i>. The second section of +the work, <i>History of the Great Civil War</i>, followed in three vols. <i>pub.</i> +in 1886, 1889, and 1891 respectively, and three more vols., <i>History +of the Commonwealth and Protectorate</i> in 1894, 1897, and 1901, +brought the story down to 1656, when the health of the indefatigable +writer gave way, and he <i>d.</i> in 1902. In addition to this monumental +work G. wrote many school and college historical text-books, +and contributed to the Epochs of Modern History Series, <i>The +Thirty Years' War</i> (1874), and <i>The First Two Stuarts</i> (1876); he +also wrote <i>Outlines of English History</i>, three parts (1881-3), and +<i>Students' History of England</i>, three parts (1891). From 1871-85 he +was Prof. of History at King's Coll., London, and lecturer on history +for the London Society for the Extension of Univ. Teaching. He +also ed. many of the historical documents which he unearthed in +his investigations, and many of those issued by the "Camden," +"Clarendon," and other societies. He was ed. of <i>The English +Historical Review</i>, and contributed largely to the <i>Dictionary of +National Biography</i>. The sober and unadorned style of G.'s works +did little to commend them to the general reader, but their eminent +learning, accuracy, impartiality, and the laborious pursuit of truth +which they exhibited earned for him, from the first, the respect and +admiration of scholars and serious students of history; and as his +great work advanced it was recognised as a permanent contribution +to historical literature. In 1882 he received a civil list pension, and +was elected to Research Fellowships, first by All Souls' Coll., and +subsequently by Merton. He held honorary degrees from the +Univ. of Oxford, Gottingen, and Edinburgh.</p><br /> + +<a name='GARNETT_RICHARD_1835_1906'></a><p><b>GARNETT, RICHARD (1835-1906).</b> +—Biographer and writer +on literature, <i>s.</i> of Richard G., an assistant keeper of Printed Books +in the British Museum. <i>B.</i> at Lichfield, and <i>ed.</i> at a school in, +Bloomsbury, he entered the British Museum in 1851 as an assistant +librarian. There he remained for nearly 50 years, and rose to be +Keeper of Printed Books. He acquired a marvellous knowledge of +books, and of everything connected with pure literature. He made +numerous translations from the Greek, German, Italian, Spanish, +and Portuguese, and wrote books of graceful verse, <i>The Twilight of +the Gods and other Tales</i> (1888), various biographical works on +Carlyle, Milton, Blake, and others, <i>The Age of Dryden</i>, a <i>History of +Italian Literature</i>, and contributed many articles to encyclopædias, +and to the <i>Dictionary of National Biography</i>.</p><br /> + +<a name='GARRICK_DAVID_1717_1779'></a><p><b>GARRICK, DAVID (1717-1779).</b> +—Actor and dramatist, <i>b.</i> +at Hereford, but got most of his education at Lichfield, to which his +<i>f.</i> belonged. He was also one of the three pupils who attended +Johnson's School at Edial. With his great preceptor, whom he +accompanied to London, he always remained on friendly terms. He +took to the stage, and became the greatest of English actors. He also +wrote various plays, and adaptations, and did not scruple to undertake +"improved" versions of some of Shakespeare's greatest plays +<a name='Page_152'></a>including <i>Cymbeline</i>, <i>The Taming of the Shrew</i>, and <i>The Winter s +Tale</i>, performing the same service for Jonson and Wycherley, in the +last case with much more excuse. Of his original plays <i>The Lying +Valet</i> and <i>Miss in her Teens</i> are perhaps the best.</p><br /> + +<a name='GARRISON_WILLIAM_LLOYD_1805_1879'></a><p><b>GARRISON, WILLIAM LLOYD (1805-1879).</b> +—Orator, was <i>b.</i> +at Newburyport, Mass. Though chiefly known for his eloquent +advocacy of negro emancipation, he is also remembered for his +<i>Sonnets and other Poems</i> (1847).</p><br /> + +<a name='GARTH_SIR_SAMUEL_1661_1719'></a><p><b>GARTH, SIR SAMUEL (1661-1719).</b> +—Physician and poet, <i>b.</i> +at Bolam in the county of Durham, and <i>ed.</i> at Camb., he settled as +a physician in London, where he soon acquired a large practice. +He was a zealous Whig, the friend of Addison and, though of +different political views, of Pope, and he ended his career as +physician to George I., by whom he was knighted in 1714. He is remembered +as the author of <i>The Dispensary</i>, a satire, which had +great popularity in its day, and of <i>Claremont</i>, a descriptive poem. +He also ed. a translation of Ovid's <i>Metamorphoses</i>, to which Addison, +Pope, and others contributed. Perhaps, however, the circumstance +most honourable to him is his intervention to procure an honourable +burial for Dryden, over whose remains he pronounced a eulogy.</p><br /> + +<a name='GASCOIGNE_GEORGE_1525_or_1535_1577'></a><p><b>GASCOIGNE, GEORGE (1525 or 1535-1577).</b> +—Poet and +dramatist, <i>s.</i> of Sir John G., and descended from Sir William G., +the famous Chief Justice to Henry IV., he was <i>ed.</i> at Camb., and +entered Gray's Inn 1555. While there he produced two plays, both +translations, <i>The Supposes</i> (1566) from Ariosto, and <i>Jocasta</i> (1566) +from Euripides. Disinherited on account of his prodigality, he <i>m.</i> +in order to rehabilitate his finances, a widow, the mother of <a href='#BRETON_NICHOLAS_1545_1626'>Nicholas +Breton</a> (<i>q.v.</i>). He had, nevertheless, to go to Holland to escape +from the importunities of his creditors. While there he saw service +under the Prince of Orange, and was taken prisoner by the Spaniards. +Released after a few months, he returned to England, and found +that some of his poems had been surreptitiously <i>pub.</i> He thereupon +issued an authoritative ed. under the title of <i>An Hundred Sundrie +Floures bound up in one Poesie</i> (1572). Other works are <i>Notes of +Instruction</i>, for making English verse, <i>The Glasse of Government</i> +(1575), and <i>The Steele Glasse</i> (1576), a satire. He also contributed +to the entertainments in honour of Queen Elizabeth at Kenilworth +and appears to have had a share of Court favour. G. was a man of +originality, and did much to popularise the use of blank verse in +England.</p><br /> + +<a name='GASKELL_ELIZABETH_CLEGHORN_STEVENSON_1810_1865'></a><p><b>GASKELL, ELIZABETH CLEGHORN (STEVENSON) (1810-1865).</b> +—Novelist, +<i>dau.</i> of William Stevenson, a Unitarian minister, +and for some time Keeper of the Treasury Records. She <i>m.</i> William +G., a Unitarian minister, at Manchester, and in 1848 <i>pub.</i> anonymously +her first book, <i>Mary Barton</i>, in which the life and feelings of +the manufacturing working classes are depicted with much power +and sympathy. Other novels followed, <i>Lizzie Leigh</i> (1855), <i>Mr. +Harrison's Confessions</i> (1865), <i>Ruth</i> (1853), <i>Cranford</i> (1851-3), +<i>North and South</i> (1855), <i>Sylvia's Lovers</i> (1863), etc. Her last work +was <i>Wives and Daughters</i> (1865), which appeared in the <i>Cornhill<a name='Page_153'></a> +Magazine</i>, and was left unfinished. Mrs. G. had some of the characteristics +of Miss Austen, and if her style and delineation of character +are less minutely perfect, they are, on the other hand, imbued +with a deeper vein of feeling. She was the friend of <a href='#BRONTE_CHARLOTTE_1816_1855'>Charlotte +Bronté</a> (<i>q.v.</i>), to whom her sympathy brought much comfort, and +whose <i>Life</i> she wrote. Of <i>Cranford</i> Lord Houghton wrote, "It is +the finest piece of humoristic description that has been added to +British literature since Charles Lamb."</p><br /> + +<a name='GATTY_MRS_ALFRED_MARGARET_SCOTT_1809_1873'></a><p><b>GATTY, MRS. ALFRED (MARGARET SCOTT) (1809-1873).</b> +—<i>Dau.</i> +of Rev. A.J. Scott, D.D., a navy chaplain, who served under, +and was the trusted friend of, Nelson. She <i>m.</i> the Rev. Alfred +Gatty, D.D., Ecclesfield, Yorkshire, and became a highly useful and +popular writer of tales for young people. Among her books may +be mentioned <i>Parables from Nature</i>, <i>Worlds not Realised</i>, <i>Proverbs +Illustrated</i>, and <i>Aunt Judy's Tales</i>. She also conducted <i>Aunt Judy's +Magazine</i>, and wrote a book on British sea-weeds. <a href='#EWING_MRS_JULIANA_HORATIA_GATTY_1842_1885'>Juliana Ewing</a> +(<i>q.v.</i>) was her daughter.</p><br /> + +<a name='GAUDEN_JOHN_1605_1662'></a><p><b>GAUDEN, JOHN (1605-1662).</b> +—Theologian, <i>b.</i> at Mayfield +in Essex, and <i>ed.</i> at Camb. His claim to remembrance rests on his +being the reputed author of <i>Eikon Basiliké</i> (the Royal Image), a +book purporting to be written by Charles I. during his imprisonment, +and containing religious meditations and defences of his +political acts. <i>Pub.</i> immediately after the King's execution, it +produced an extraordinary effect, so much so that Charles II. is +reported to have said that, had it been <i>pub.</i> a week earlier, it would +have saved his father's life. There seems now to be little doubt +that Gauden was the author. At all events he claimed to be +recompensed for his services, and was made Bishop successively of +Exeter and Worcester, apparently on the strength of these claims. +The work passed through 50 ed. within a year, and was answered +by Milton in his <i>Iconoclastes</i> (the Image-breaker).</p><br /> + +<a name='GAY_JOHN_1685_1732'></a><p><b>GAY, JOHN (1685-1732).</b> +—Poet and dramatist, <i>b.</i> near +Barnstaple of a good but decayed family. His parents dying while +he was a child he was apprenticed to a silk-mercer in London, but +not liking the trade, was released by his master. In 1708 he <i>pub.</i> a +poem, <i>Wine</i>, and in 1713 <i>Rural Sports</i>, which he dedicated to Pope, +whose friendship he obtained. A little before this he had received +an appointment as sec. in the household of the Duchess of Monmouth. +His next attempts were in the drama, in which he was not +at first successful; but about 1714 he made his first decided hit in +<i>The Shepherd's Week</i>, a set of six pastorals designed to satirise +Ambrose Philips, which, however, secured public approval on their +own merits. These were followed by <i>Trivia</i> (1716), in which he +was aided by Swift, an account in mock heroic verse of the dangers +of the London streets, and by <i>The Fan</i>. G. had always been +ambitious of public employment, and his aspirations were gratified +by his receiving the appointment of sec. to an embassy to Hanover, +which, however, he appears to have resigned in a few months. He +then returned to the drama in <i>What d'ye call It</i>, and <i>Three Hours +after Marriage</i>, neither of which, however, took the public fancy. +In 1720 he <i>pub.</i> a collection of his poems, which brought him £1000, +<a name='Page_154'></a>but soon after lost all his means in the collapse of the South Sea +Company. After producing another drama, <i>The Captive</i>, he <i>pub.</i> +his <i>Fables</i> (1727), which added to his reputation, and soon after, in +1728, achieved the great success of his life in <i>The Beggar's Opera</i>, a +Newgate pastoral, suggested by Swift, in which the graces and +fantasticalities of the Italian Opera were satirised. A sequel, <i>Polly</i>, +was suppressed by the Lord Chamberlain as reflecting upon the +Court, but was <i>pub.</i> and had an enormous sale. The last few +years of his life were passed in the household of the Duke of Queensberry, +who had always been his friend and patron. He <i>d.</i> after +three days' illness, aged 47. G. was an amiable, easy-going man, +who appears to have had the power of attracting the strong attachments +of his friends, among whom were Pope and Swift. He seems +to have been one of the very few for whom the latter had a sincere +affection. He is buried in Westminster Abbey. Of all he has +written he is best remembered by one or two songs, of which the +finest is <i>Black-eyed Susan</i>.</p><br /> + +<a name='GEDDES_ALEXANDER_1737_1802'></a><p><b>GEDDES, ALEXANDER (1737-1802).</b> +—Theologian and +scholar, of Roman Catholic parentage, was <i>b.</i> at Ruthven, Banffshire, +and <i>ed.</i> for the priesthood at the local seminary of Scalan, and +at Paris, and became a priest in his native county. His translation of +the <i>Satires</i> of Horace made him known as a scholar, but his liberality +of view led to his suspension. He then went to London, where he +became known to Lord Petre, who enabled him to proceed with a new +translation of the Bible for English Roman Catholics, which he +carried on as far as Ruth, with some of the Psalms, and which was +<i>pub.</i> in 3 vols. (1792-6). This was followed by <i>Critical Remarks on the +Hebrew Scriptures</i>, in which he largely anticipated the German school +of criticism. The result of this publication was his suspension from +all ecclesiastical functions. G. was also a poet, and wrote <i>Linton: +a Tweedside Pastoral</i>, <i>Carmen Seculare pro Gallica Gente</i> (1790), in +praise of the French Revolution. He <i>d.</i> without recanting, but +received absolution at the hands of a French priest, though public +mass for his soul was forbidden by the ecclesiastical powers.</p><br /> + +<a name='GEOFFREY_of_MONMOUTH_1100_1154'></a><p><b>GEOFFREY of MONMOUTH (1100?-1154).</b> +—Chronicler, was +probably a Benedictine monk, and became Bishop of St. Asaph. He +wrote a Latin <i>History of British Kings</i>. <i>Merlin's Prophecies</i>, long +attributed to him, is now held to be not genuine. The history is +rather a historical romance than a sober history, and gave scandal +to some of the more prosaic chroniclers who followed him. It was +subsequently translated into Anglo-Norman by Gaimar and Wace, +and into English by Layamon.</p><br /> + +<a name='GERARD_ALEXANDER_1728_1795'></a><p><b>GERARD, ALEXANDER (1728-1795).</b> +—Philosophical writer, +<i>s.</i> of Rev. Gilbert G., was <i>ed.</i> at Aberdeen, where he became Prof., first +of Natural Philosophy, and afterwards of Divinity, and one of the +ministers of the city. As a prof. he introduced various reforms. In +1756 he gained the prize for an <i>Essay on Taste</i> which, together with +an <i>Essay on Genius</i>, he subsequently <i>pub.</i> These treatises, though +now superseded, gained for him considerable reputation.</p><br /> + +<a name='GIBBON_EDWARD_1737_1794'></a><p><b>GIBBON, EDWARD (1737-1794).</b> +—Historian, was <i>b.</i> at +Putney of an ancient Kentish family. His <i>f.</i> was Edward G., and +<a name='Page_155'></a>his mother Judith Porten. He was the only one of a family of +seven who survived infancy, and was himself a delicate child with a +precocious love of study. After receiving his early education at +home he was sent to Westminster School, and when 15 was entered +at Magdalen Coll., Oxf., where, according to his own account, he +spent 14 months idly and unprofitably. Oxf. was then at its lowest +ebb, and earnest study or effort of any kind had little encouragement. +G., however, appears to have maintained his wide reading +in some degree, and his study of Bossuet and other controversialists +led to his becoming in 1753 a Romanist. To counteract this his <i>f.</i> +placed him under the charge of <a href='#MALLET_originally_MALLOCH_DAVID_1705_1765'>David Mallet</a> (<i>q.v.</i>), the poet, deist, +and ed. of Bolingbroke's works, whose influence, not unnaturally, +failed of the desired effect, and G. was next sent to Lausanne, and +placed under the care of a Protestant pastor, M. Pavilliard. Various +circumstances appear to have made G. not unwilling to be re-converted +to Protestantism; at all events he soon returned to the +reformed doctrines. At Lausanne he remained for over four years, +and devoted himself assiduously to study, especially of French +literature and the Latin classics. At this time also he became engaged +to Mademoiselle Suzanne Curchod; but on the match being peremptorily +opposed by his <i>f.</i> it was broken off. With the lady, who +eventually became the wife of Necker, and the mother of Madame de +Staël, he remained on terms of friendship. In 1758 G. returned to +England, and in 1761 <i>pub.</i> <i>Essai sur l'Etude de la Littérature</i>, translated into English in 1764. About this time he made a tour on the +Continent, visiting Paris, where he stayed for three months, and +thence proceeding to Switzerland and Italy. There it was that, +musing amid the ruins of the Capitol at Rome on October 15, 1764, +he formed the plan of writing the history of the Decline and Fall of +the Roman Empire. He returned to England in 1765, and in 1770 +his <i>f.</i> <i>d.</i>, leaving him the embarrassed estate of Buriton, which had +been his usual home when in England. With a view to recovering +his affairs, he left his estate and lived in London where, in 1772, +he seriously set himself to realise the great plan which, since its +conception, had never been out of his thoughts. The first chapter was +written three times, and the second twice before he could satisfy +himself that he had found the style suited to his subject. The progress +of the work was delayed by the fact that G. had meanwhile +(1774) entered the House of Commons, where, as member for Liskeard, +he was a steady, though silent, supporter of Lord North in +his American policy. He subsequently sat for Lymington, and held +office as a Commissioner of Trade and Plantations 1779-82. The +first vol. of the <i>Decline and Fall</i> appeared in 1776, and was received +with acclamation, and it was not until some time had elapsed that the +author's treatment of the rise of Christianity excited the attention +and alarm of the religious and ecclesiastical world. When, however, +the far-reaching nature of his views was at length realised, a +fierce and prolonged controversy arose, into which G. himself did +not enter except in one case where his fidelity as an historian was +impugned. The second and third vols. appeared in 1781, and +thereafter (1783) G. returned to Lausanne, where he lived tranquilly +with an early friend, M. Deyverdun, devoting his mornings to +the completion of his history, and his evenings to society. At +<a name='Page_156'></a>length, on the night of June 27, 1787, in the summer-house of his +garden, the last words were penned, and the great work of his life +completed. Of the circumstances, and of his feelings at the moment, +he has himself given an impressive account. The last three vols. +were issued in 1788, G. having gone to London to see them through +the press. This being done he returned to Lausanne where, within +a year, his beloved friend Deyverdun <i>d.</i> His last years were clouded +by ill-health, and by anxieties with regard to the French Revolution. +In 1793, though travelling was a serious matter for him, he came to England +to comfort his friend Lord Sheffield on the death of his +wife, took ill, and <i>d.</i> suddenly in London on January 16, 1794.</p> + +<p>The place of G. among historians is in the first rank, and if the +vast scale of his work and the enormous mass of detail involved in +it are considered along with the learning and research employed in +accumulating the material, and the breadth of view, lucidity of +arrangement, and sense of proportion which have fused them into +a distinct and splendid picture, his claims to the first place cannot +be lightly dismissed. His style, though not pure, being tinged with +Gallicisms, is one of the most noble in our literature, rich, harmonious, +and stately; and though sources of information not accessible +to him have added to our knowledge, and have shown some of +his conclusions to be mistaken, his historical accuracy has been +comparatively little shaken, and his work is sure of permanence. +As a man G. seems to have been somewhat calm and cool in his +feelings, though capable of steady and affectionate friendships, +such as those with Deyverdun and the Sheffields, which were warmly +reciprocated, and he appears to have been liked in society, where +his brilliant conversational powers made him shine. He was vain, +and affected the manners of the fine gentleman, which his unattractive +countenance and awkward figure, and latterly his extreme corpulence, +rendered somewhat ridiculous. He left an interesting +<i>Autobiography</i>.</p> + +<p>SUMMARY.—<i>B.</i> 1737, <i>ed.</i> Westminster and Oxf., became Romanist +and sent to Lausanne 1753, where he returned to Protestantism, +<i>pub.</i> <i>Essay on Study of Literature</i> 1761, visited Rome 1764 and +resolved to write his <i>Decline and Fall of Roman Empire</i>, began to +write it 1772, <i>pub.</i> 1776-87, <i>d.</i> 1794.</p> + +<p><i>Decline and Fall</i> (Sir W. Smith, 8 vols., 1854-55), another (J.B. +Bury, 7 vols., 1896-1900). <i>Autobiography</i> (Lord Sheffield, 1796), +often reprinted.</p><br /> + +<a name='GIFFORD_RICHARD_1725_1807'></a><p><b>GIFFORD, RICHARD (1725-1807).</b> +—Poet, was <i>ed.</i> at Oxford +and took orders. He was the author of a poem, <i>Contemplation</i>. He +also wrote theological and controversial works.</p><br /> + +<a name='GIFFORD_WILLIAM_1756_1826'></a><p><b>GIFFORD, WILLIAM (1756-1826).</b> +—Critic and poet, was <i>b.</i> +of humble parentage at Ashburton, Devonshire, and after being for +a short time at sea, was apprenticed to a cobbler. Having, however, +shown signs of superior ability, and a desire for learning, he +was befriended and <i>ed.</i>, ultimately at Oxf., where he <i>grad.</i> Becoming +known to Lord Grosvenor, he was patronised by him, and in +course of time produced his first poem, <i>The Baviad</i> (1794), a satire +directed against the Delia Cruscans, a clique of very small and sentimental +poets, which at once quenched their little tapers. This was +<a name='Page_157'></a>followed by another satire, <i>The Mæviad</i>, against some minor +dramatists. His last effort in this line was his <i>Epistle to Peter +Pindar</i> (Dr. Walcot), inspired by personal enmity, which evoked a +reply, <i>A Cut at a Cobbler</i>. These writings had established the reputation +of G. as a keen, and even ferocious critic, and he was appointed +in 1797 ed. of the <i>Anti-Jacobin</i>, which Canning and his +friends had just started, and of the <i>Quarterly Review</i> (1809-24). He +also brought out ed. of Massinger, Ben Jonson, and Ford. As a +critic he had acuteness; but he was one-sided, prejudiced, and +savagely bitter, and much more influenced in his judgments by the +political opinions than by the literary merits of his victims. In his +whole career, however, he displayed independence and spirit in +overcoming the disadvantages of his early life, as well as gratitude +to those who had served him. He held various appointments +which placed him above financial anxiety.</p><br /> + +<a name='GILDAS_516_570'></a><p><b>GILDAS (516?-570?).</b> +—British historian, was a monk +who is believed to have gone to Brittany about 550, and founded a +monastery. He wrote a history, <i>De Excidio Britanniæ</i> (concerning +the overthrow of Britain). It consists of two parts, the first from +the Roman invasion until the end of the 4th century, and the second +a continuation to the writer's own time. It is obscure and wordy, +and not of much value.</p><br /> + +<a name='GILDER_RICHARD_WATSON_1844_1909'></a><p><b>GILDER, RICHARD WATSON (1844-1909).</b> +—Poet, <i>b.</i> at +Borderstown, New Jersey, was successively a lawyer, a soldier, and a +journalist, in which last capacity he ed. <i>Scribner's</i> (afterwards the +<i>Century</i>) <i>Magazine</i>. He holds a high place among American poets as +the author of <i>The New Day</i> (1875), <i>The Celestial Passion</i>, <i>The Great +Remembrance</i>, <i>Five Books of Song</i> (1894), <i>In Palestine</i> (1898), <i>In the +Heights</i> (1905), <i>A Book of Music</i> (collection) (1906), etc.</p><br /> + +<a name='GILDON_CHARLES_1665_1724'></a><p><b>GILDON, CHARLES (1665-1724).</b> +—Critic and dramatist, +belonged to a Roman Catholic family, and was an unsuccessful +playwright, a literary hack, and a critic of little acumen or discrimination. +He attacked Pope as "Sawny Dapper," and was in +return embalmed in <i>The Dunciad</i>. He also wrote a Life of Defoe.</p><br /> + +<a name='GILFILLAN_GEORGE_1813_1878'></a><p><b>GILFILLAN, GEORGE (1813-1878).</b> +—Poet and critic, <i>s.</i> of a +dissenting minister at Comrie, Perthshire, studied at Glasgow +Univ., and was ordained minister of a church in Dundee. He was +a voluminous author. Among his writings are <i>Gallery of Literary +Portraits</i>, and a Series of British Poets with introductions and notes +in 48 vols. He also wrote Lives of Burns, Scott, and others, and +<i>Night</i> (1867), a poem in nine books. His style was somewhat turgid, +and his criticism rather sympathetic than profound.</p><br /> + +<a name='GILFILLAN_ROBERT_1798_1850'></a><p><b>GILFILLAN, ROBERT (1798-1850).</b> +—Poet, <i>b.</i> at Dunfermline, +was latterly Collector of Police Rates in Leith. He wrote a +number of Scottish songs, and was favourably mentioned in <i>Noctes +Ambrosianæ</i> (see Wilson, J.). He was the author of the beautiful +song, <i>Oh, why left I my Hame?</i></p><br /> + +<a name='GILLESPIE_GEORGE_1613_1648'></a><p><b>GILLESPIE, GEORGE (1613-1648).</b> +—Scottish Theologian, +was <i>b.</i> at Kirkcaldy, and studied at St. Andrews. He became one of +<a name='Page_158'></a>the ministers of Edin., and was a member of the Westminster +Assembly, in which he took a prominent part. A man of notable +intellectual power, he exercised an influence remarkable in view of +the fact that he <i>d.</i> in his 36th year. He was one of the most formidable +controversialists of a highly controversial age. His best +known work is <i>Aaron's Rod Blossoming</i>, a defence of the ecclesiastical +claims of the high Presbyterian party.</p><br /> + +<a name='GILLIES_JOHN_1747_1836'></a><p><b>GILLIES, JOHN (1747-1836).</b> +—Historian, <i>b.</i> at Brechin +and <i>ed.</i> there and at Glasgow, wrote a <i>History of Greece</i> (1786) from +a strongly anti-democratic standpoint, a <i>History of the World from +Alexander to Augustus</i> (1807), and a <i>View of the Reign of Frederick +II. of Prussia</i>. He also made various translations from the Greek. +He succeeded Principal Robertson as Historiographer Royal for +Scotland.</p><br /> + +<a name='GIRALDUS_CAMBRENSIS_literary_name_of_GERALD_DE_BARRI_1146_1220'></a><p><b>GIRALDUS CAMBRENSIS (literary name of GERALD DE BARRI) (1146?-1220?).</b> +—Geographer +and historian, was <i>b.</i> of a +Norman family settled in Wales, which intermarried with the Royal +family of that country. He was an eminent scholar and Churchman, +whose object of ambition was the Bishopric of St. David's, to +which he was twice elected by the chapter, but from which he was +kept out by the opposition of the King. When travelling in Ireland +with Prince John (1185) he wrote <i>Topographia Hibernica</i>, a +valuable descriptive account of the country, and in 1188 he wrote +<i>Itinerarium Cambriæ</i>, a similar work on Wales. He left several +other works, including an autobiography, <i>De Rebus a se Gestis</i> +(concerning his own doings).</p><br /> + +<a name='GISSING_GEORGE_1857_1903'></a><p><b>GISSING, GEORGE (1857-1903).</b> +—Novelist, <i>b.</i> at Wakefield. +In his novels he depicted the environment and struggles of the +lower and lower middle classes with a somewhat pessimistic and +depressing realism, although his last work, <i>The Private Papers of +Henry Ryecroft</i>, seemed to usher in the dawn of a somewhat brighter +outlook. His other novels include <i>Demos</i> (1886), <i>Thyrza</i> (1887), +<i>The Nether World</i> (1889), <i>New Grub Street</i> (1891), <i>Born in Exile</i> +(1892), <i>In the Year of Jubilee</i> (1894), and <i>The Town Traveller</i> (1898). +He <i>d.</i> at St. Jean de Luz in the Pyrenees.</p><br /> + +<a name='GLADSTONE_WILLIAM_EWART_1809_1898'></a><p><b>GLADSTONE, WILLIAM EWART (1809-1898).</b> +—Statesman, +scholar, and man of letters, fourth <i>s.</i> of Sir John G., a merchant in +Liverpool, was of Scottish ancestry. He was <i>ed.</i> at Eton and +Christ Church, Oxf. From his youth he was deeply interested in +religious and ecclesiastical questions, and at one time thought of +entering the Church. In 1832 he entered Parliament as a Tory, and +from the first gave evidence of the splendid talents for debate and +statesmanship, especially in the department of finance, which raised +him to the position of power and influence which he afterwards +attained. After holding the offices of Pres. of the Board of Trade, +Colonial Sec., and Chancellor of the Exchequer, he attained the position +of Prime Minister, which he held four times 1868-74, 1880-85, +1885-86, and 1892-93. His political career was one of intense energy +and activity in every department of government, especially after +he became Prime Minister, and while it gained him the enthusiastic +<a name='Page_159'></a>applause and devotion of a large portion of the nation, it exposed +him to a correspondingly intense opposition on the part of another. +The questions which involved him in the greatest conflicts of his life +and evoked his chief efforts of intellect were the disestablishment +of the Irish Church, the foreign policy of his great rival Disraeli, and +Home Rule for Ireland, on the last of which the old Liberal party +was finally broken up. In the midst of political labours which +might have been sufficient to absorb even his tireless energy, he +found time to follow out and write upon various subjects which +possessed a life-long interest for him. His first book was <i>The State +in its Relations with the Church</i> (1839), which formed the subject of +one of Macaulay's essays. <i>Studies on Homer and the Homeric Age</i> +(1858), <i>Juventus Mundi</i> (1869), and <i>Homeric Synchronism</i> (1876), +<i>The Impregnable Rock of Holy Scripture</i> (1890), <i>The Vatican Decrees +and Vaticanism</i> (1874-75), and <i>Gleanings of Past Years</i> (1897), 8 vols., +were his other principal contributions to literature. G.'s scholarship, +though sound and even brilliant, was of an old-fashioned kind, +and his conclusions on Homeric questions have not received much +support from contemporary scholars. In his controversies with +Huxley and others his want of scientific knowledge and of sympathy +with modern scientific tendencies placed him at a disadvantage. +His character was a singularly complex one, and his intellect +possessed a plasticity which made it possible to say of him that he +never <i>was</i> anything, but was always <i>becoming</i> something. His life +was a singularly noble and stainless one, and he must probably ever +remain one of the great figures in the history of his country.</p> + +<p><i>Life</i> by J. Morley (3 vols.), others by J. M'Carthy, Sir Wemyss +Reid, and many others.</p><br /> + +<a name='GLANVILL_JOSEPH_1636_1680'></a><p><b>GLANVILL, JOSEPH (1636-1680).</b> +—Controversialist and +moral writer, <i>b.</i> at Plymouth, and <i>ed.</i> at Oxf., took orders, and held +various benefices, including the Rectory of Bath Abbey and a prebend +at Worcester. He came under the influence of the Camb. +Platonists, especially of <a href='#MORE_HENRY_1614_1687'>Henry More</a> (<i>q.v.</i>). His contendings were +chiefly with the English Nonconformists, against whom (with the +exception of Baxter whom he held in great esteem) he exhibited +great bitterness. His chief work is the <i>Vanity of Dogmatizing</i> (1661) +which contains the story of "The Scholar Gipsy," in later days +turned to such fine account by Matthew Arnold. G. wrote a fine +literary style, at its best recalling that of Sir Thomas Browne.</p><br /> + +<a name='GLAPTHORNE_HENRY_fl_1640'></a><p><b>GLAPTHORNE, HENRY (<i>fl.</i> 1640).</b> +—Dramatist, had a +high reputation among his contemporaries, though now almost +forgotten. He wrote two comedies, three tragedies, and a book of +poems, which were all reprinted in two vols. in 1874. His best work, +is <i>Argalus and Parthenia</i> (1639), based upon Sidney's <i>Arcadia</i>. +Others were <i>The Hollander</i>, <i>Wit is a Constable</i>, and <i>The Ladies' +Privilege</i> (all 1640).</p><br /> + +<a name='GLASCOCK_WILLIAM_NUGENT_1787_1847'></a><p><b>GLASCOCK, WILLIAM NUGENT (1787-1847).</b> +—Novelist. +He saw a good deal of service in the navy with credit, and from this +drew the inspiration of his vigorous and breezy sea-stories, which +include <i>Sailors and Saints</i> (1829), <i>Tales of a Tar</i> (1836), and <i>Land +Sharks and Sea Gulls</i> (1838)<a name='Page_160'></a>.</p><br /> + +<a name='GLEIG_GEORGE_ROBERT_1796_1888'></a><p><b>GLEIG, GEORGE ROBERT (1796-1888).</b> +—<i>S.</i> of George G., +Bishop of Brechin, entered the army, and served in the Peninsula +and America. In 1820 he took orders, and after serving various +cures <i>bec.</i>, in 1834, Chaplain of Chelsea Hospital, and in 1844 +Chaplain-General of the Forces, which office he held until 1875. He +was a frequent contributor to reviews and magazines, especially +<i>Blackwood's</i>, in which his best known novel, <i>The Subaltern</i>, appeared, +and he was also the author of Lives of Warren Hastings, Clive, and +Wellington, <i>Military Commanders</i>, <i>Chelsea Pensioners</i>, and other +works.</p><br /> + +<a name='GLEN_WILLIAM_1789_1826'></a><p><b>GLEN, WILLIAM (1789-1826).</b> +—Poet, <i>b.</i> in Glasgow, was +for some years in the West Indies. He <i>d.</i> in poverty. He wrote +several poems, but the only one which has survived is his Jacobite +ballad, <i>Wae's me for Prince Charlie</i>.</p><br /> + +<a name='GLOVER_RICHARD_1712_1785'></a><p><b>GLOVER, RICHARD (1712-1785).</b> +—Poet and dramatist, +was a London merchant, and M.P. for Weymouth. A scholarly +man with a taste for literature, he wrote two poems in blank verse, +<i>Leonidas</i> (1737), and <i>The Athenaid</i> (1787). Though not without a +degree of dignity, they want energy and interest, and are now forgotten. +He also produced a few dramas, which had little success. +He is best remembered by his beautiful ballad, <i>Hosier's Ghost</i>, +beginning "As near Portobello lying." G. had the reputation of a +useful and public-spirited citizen.</p><br /> + +<a name='GODWIN_MRS_MARY_WOLLSTONECRAFT_1759_1797'></a><p><b>GODWIN, MRS. MARY (WOLLSTONECRAFT) (1759-1797).</b> +—Miscellaneous +writer, was of Irish extraction. Her <i>f.</i> was a spend-thrift +of bad habits, and at 19 Mary left home to make her way +in the world. Her next ten years were spent as companion to a +lady, in teaching a school at Newington Green, and as governess in +the family of Lord Kingsborough. In 1784 she assisted her sister +to escape from a husband who ill-treated her. In 1788 she took to +translating, and became literary adviser to Johnson the publisher, +through whom she became known to many of the literary people of +the day, as well as to certain Radicals, including Godwin, Paine, +Priestly, and Fuseli, the painter. She then, 1792, went to Paris, +where she met Captain Imlay, with whom she formed a connection, +the fruit of which was her daughter Fanny. Captain Imlay having +deserted her, she tried to commit suicide at Putney Bridge, but was +rescued. Thereafter she resumed her literary labours, and lived with +W. Godwin, who married her in 1797. Their <i>dau.</i>, Mary, whose +birth she did not survive, became the second wife of Shelley. Her +chief original writings are a <i>Reply</i> to Burke's <i>Reflections on the French +Revolution</i> (1791), <i>Vindication of the Rights of Women</i> (1792), and +<i>Original Stories for Children</i>, illustrated by W. Blake. Her <i>Vindication</i> +received much adverse criticism on account of its extreme +positions and over-plainness of speech.</p><br /> + +<a name='GODWIN_WILLIAM_1756_1836'></a><p><b>GODWIN, WILLIAM (1756-1836).</b> +—Philosopher and +novelist, <i>b.</i> at Wisbeach, and <i>ed.</i> at a school in Norwich, to which +city his <i>f.</i>, a Presbyterian minister, had removed, and subsequently +at a Presbyterian coll. at Hoxton, with a view to the ministry.<a name='Page_161'></a> +From 1778 to 1783 he acted as minister of various congregations +near London; but his theological views having undergone important +changes, he resigned his pastorate, and devoted himself to a literary +career. His first work, a series of historical sketches in the form +of sermons, failed. He then found employment as one of the +principal writers in the <i>New Annual Register</i>, and became otherwise +prominent as an advocate of political and social reform. Many of +his views were peculiar and extreme, and even tended, if fully carried +out in practice, to subvert morality; but they were propounded +and supported by their author with a whole-hearted belief in their +efficacy for the regeneration of society: and the singular circumstances +of his connection with and ultimate marriage to Mary Wollstonecraft +showed at least that he had the courage of his opinions. +His <i>Enquiry concerning Political Justice</i> (1793) made him famous. +A year later he <i>pub.</i> his masterpiece, <i>Caleb Williams</i>, a novel exhibiting +a sombre strength rarely equalled. The next few years +were occupied in political controversy, for which G. was, by his +sincerity and his masculine style, well fitted; and it was in the midst +of these—in 1797—that his first marriage, already alluded to, and +the death of his wife, of whom he <i>pub.</i> a singular but interesting Life, +occurred. In 1799 his second great novel, <i>St. Leon</i>, based upon the +philosopher's stone and the elixir of life, appeared. His other +novels, <i>Fleetwood</i> (1804), <i>Mandeville</i> (1817), and <i>Cloudesley</i> (1830), +are much inferior. In addition to these works G. brought out an +elaborate <i>Life of Chaucer</i> in 2 vols. (1803), <i>An Essay on Sepulchres</i> +(1808), containing much fine thought finely expressed, <i>A History of +the Commonwealth</i>, an Essay against the theories of <a href='#MALTHUS_THOMAS_ROBERT_1766_1834'>Malthus</a> (<i>q.v.</i>), +and his last work, <i>Lives of the Necromancers</i>. For some time he +engaged in the publishing business, in which, however, he ultimately +proved unsuccessful. In his later years he had the office of Yeoman +Usher of the Exchequer conferred upon him. G. entered in 1801 +into a second marriage with a widow, Mrs. Clairmont, by whom he +had a <i>dau.</i> This lady had already a <i>s.</i> and <i>dau.</i>, the latter of whom +had an irregular connection with Byron. His <i>dau.</i> by his first +marriage—Mary Wollstonecraft G.,—became in 1816 the wife of +Shelley. G. was a man of simple manners and imperturbable temper.</p><br /> + +<a name='GOLDING_ARTHUR_1535_1605'></a><p><b>GOLDING, ARTHUR (1535?-1605?).</b> +—Translator, <i>s.</i> of a +gentleman of Essex, was perhaps at Camb., and was diligent in the +translation of theological works by Calvin, Beza, and others, but is +chiefly remembered for his versions of Cæsar's <i>Commentaries</i> (1565), +and specially of Ovid's <i>Metamorphoses</i> (1565-67), the latter in ballad +metre. He also translated Justin's <i>History</i>, and part of Seneca.</p><br /> + +<a name='GOLDSMITH_OLIVER_1728_1774'></a><p><b>GOLDSMITH, OLIVER (1728-1774).</b> +—Poet, dramatist, and +essayist, <i>s.</i> of an Irish clergyman, was <i>b.</i> at Pallasmore in Co. Longford. +His early education was received at various schools at +Elphin, Athlone, and Edgeworthstown. At the age of 8 he had a +severe attack of smallpox which disfigured him for life. In 1744 +he went to Trinity Coll., Dublin, whence, having come into collision +with one of the coll. tutors, he ran away in 1746. He was, however, +induced to return, and <i>grad.</i> in 1749. The Church was chosen for +him as a profession—against his will be it said in justice to him. +He presented himself before the Bishop of Elphin for examination—perhaps +<a name='Page_162'></a>as a type of deeper and more inward incongruencies—in +scarlet breeches, and was rejected. He next figured as a tutor; +but had no sooner accumulated £30 than he quitted his employment +and forthwith dissipated his little savings. A long-suffering uncle +named Contarine, who had already more than once interposed on +his behalf, now provided means to send him to London to study +law. He, however, got no farther than Dublin, where he was +fleeced to his last guinea, and returned to the house of his mother, +now a widow with a large family. After an interval spent in idleness, +a medical career was perceived to be the likeliest opening, +and in 1752 he steered for Edin., where he remained on the usual +happy-go-lucky terms until 1754, when he proceeded to Leyden. +After a year there he started on a walking tour, which led him +through France, Germany, Switzerland, and Italy. How he lived +it is hard to say, for he left Leyden penniless. It is said that he disputed +at Univ., and played the flute, and thus kept himself in existence. +All this time, however, he was gaining the experiences and +knowledge of foreign countries which he was afterwards to turn to +such excellent account. At one of the Univ. visited at this time, he +is believed to have secured the medical degree, of which he subsequently +made use. Louvain and Padua have both been named as the +source of it. He reached London almost literally penniless in 1756, +and appears to have been occupied successively as an apothecary's +journeyman, a doctor of the poor, and an usher in a school at +Peckham. In 1757 he was writing for the <i>Monthly Review</i>. The +next year he applied unsuccessfully for a medical appointment in +India; and the year following, 1759, saw his first important literary +venture, <i>An Enquiry into the State of Polite Learning in Europe</i>. It +was <i>pub.</i> anonymously, but attracted some attention, and brought +him other work. At the same time he became known to Bishop Percy, +the collector of the <i>Reliques of Ancient Poetry</i>, and he had written +<i>The Bee</i>, a collection of essays, and was employed upon various +periodicals. In 1761 began his friendship with Johnson, which led +to that of the other great men of that circle. His <i>Chinese Letters</i>, +afterwards republished as <i>The Citizen of the World</i>, appeared in <i>The +Public Ledger</i> in 1762. <i>The Traveller</i>, the first of his longer poems, +came out in 1764, and was followed in 1766 by <i>The Vicar of Wakefield</i>. +In 1768 he essayed the drama, with <i>The Good-natured Man</i>, +which had considerable success. The next few years saw him busily +occupied with work for the publishers, including <i>The History of Rome</i> +(1769), Lives of Parnell the poet, and Lord Bolingbroke (1770), and +in the same year <i>The Deserted Village</i> appeared; <i>The History of +England</i> was <i>pub.</i> in 1771. In 1773 he produced with great success +his other drama, <i>She Stoops to Conquer</i>. His last works were <i>The +Retaliation</i>, <i>The History of Greece</i>, and <i>Animated Nature</i>, +all <i>pub.</i> in +1774. In that year, worn out with overwork and anxiety, he +caught a fever, of which he <i>d.</i> April 4. With all his serious and +very obvious faults—his reckless improvidence, his vanity, and, in +his earlier years at any rate, his dissipated habits—G. is one of the +most lovable characters in English literature, and one whose writings +show most of himself—his humanity, his bright and spontaneous +humour, and "the kindest heart in the world." His friends included +some of the best and greatest men in England, among them<a name='Page_163'></a> +Johnson, Burke, and Reynolds. They all, doubtless, laughed at +and made a butt of him, but they all admired and loved him. At +the news of his death Burke burst into tears, Reynolds laid down +his brush and painted no more that day, and Johnson wrote an +imperishable epitaph on him. The poor, the old, and the outcast +crowded the stair leading to his lodgings, and wept for the benefactor +who had never refused to share what he had (often little enough) with +them. Much of his work—written at high pressure for the means of +existence, or to satisfy the urgency of duns—his histories, his +<i>Animated Nature</i>, and such like, have, apart from a certain charm +of style which no work of his could be without, little permanent +value; but <i>The Traveller</i> and <i>The Deserted Village</i>, <i>She Stoops to +Conquer</i>, and, above all, <i>The Vicar of Wakefield</i>, will keep his memory +dear to all future readers of English.</p> + +<p>SUMMARY.—<i>B.</i> 1728, <i>ed.</i> Trinity Coll., Dublin, went to Edin. 1752, +and to Leyden 1754, travelled on foot over large part of Continent, +reached London 1756, and wrote for magazines, etc., and after +publishing various other works produced <i>The Citizen of the World</i> in +1762, <i>pub.</i> <i>Vicar of Wakefield</i> 1766, <i>Deserted Village</i> 1770, and <i>She +Stoops to Conquer</i> 1773, <i>d.</i> 1774.</p> + +<p>There are many ed. of G.'s works by Prior, 1837, Cunningham, +1854, Prof. Masson (Globe), 1869, Gibb (Bohn's Standard Library), +1885. Biographies by Prior, 1837, Foster, 1848-71, Washington +Irving, and others. <i>See</i> also Boswell's <i>Johnson</i>, and Thackeray's +<i>English Humorists</i>.</p><br /> + +<a name='GOODALL_WALTER_1706_1766'></a><p><b>GOODALL, WALTER (1706?-1766).</b> +—Historical writer, <i>b.</i> in +Banffshire, and <i>ed.</i> King's Coll., Aberdeen, became assistant librarian +to the Advocates' Library in Edin. In 1754 he <i>pub.</i> an <i>Examination +of the Letters said to have been written by Mary Queen of Scots</i>, in +which he combats the genuineness of the "Casket Letters." He +also ed., among other works, Fordun's <i>Scotichronicon</i> (1759).</p><br /> + +<a name='GOODWIN_THOMAS_1600_1680'></a><p><b>GOODWIN, THOMAS (1600-1680).</b> +—Divine, was <i>b.</i> in +Norfolk, and <i>ed.</i> at Camb., where he was Vicar of Trinity Church. +Becoming an Independent, he ministered to a church in London, and +thereafter at Arnheim in Holland. Returning to England he was +made Chaplain to Cromwell's Council of State, and Pres. of Magdalen +Coll., Oxf. At the Restoration he was deprived, but continued to +preach in London. He was the author of various commentaries and +controversial pamphlets, was a member of the Westminster Assembly, +and assisted in drawing up the amended Confession, 1658. +He attended Oliver Cromwell on his deathbed.</p><br /> + +<a name='GOOGE_BARNABE_1540_1594'></a><p><b>GOOGE, BARNABE (1540-1594).</b> +—Poet and translator, <i>b.</i> +at Lincoln, studied at both Camb. and Oxf. He was a kinsman of +Cecil, who gave him employment in Ireland. He translated from +the Latin of Manzolli <i>The Zodiac of Life</i>, a satire against the Papacy, +and <i>The Popish Kingdome</i> by T. Kirchmayer, a similar work; also +<i>The Foure Bookes of Husbandrie</i> of Conrad Heresbach. In 1563 he +<i>pub.</i> a vol. of original poems, <i>Eglogs, Epytaphes</i>, and <i>Sonnettes</i>.</p><br /> + +<a name='GORDON_ADAM_LINDSAY_1833_1870'></a><p><b>GORDON, ADAM LINDSAY (1833-1870).</b> +—Poet, was <i>b.</i> in +the Azores, the <i>s.</i> of an officer in the army. He went to Australia, +<a name='Page_164'></a>where he had a varied career in connection with horses and riding, for +which he had a passion. He betook himself to the Bush, got into +financial trouble, and <i>d.</i> by his own hand. In the main he derives +his inspiration (as in the <i>Rhyme of Joyous Garde</i>, and <i>Britomarte</i>) +from mediæval and English sources, not from his Australian surroundings. +Among his books are <i>Sea-spray and Smoke-drift</i> (1867), +<i>Bush Ballads</i> (containing <i>The Sick Stock-rider</i>) (1870), <i>Ashtaroth</i> +(1867). In many of his poems, <i>e.g. An Exile's Farewell</i>, and <i>Whispering +in the Wattle Boughs</i>, there is a strong vein of sadness and +pathos.</p><br /> + +<a name='GORE_MRS_CATHERINE_GRACE_FRANCES_MOODY_1799_1861'></a><p><b>GORE, MRS. CATHERINE GRACE FRANCES (MOODY) (1799-1861).</b> +—Novelist, +<i>dau.</i> of a wine merchant at Retford, where she +was <i>b.</i> She <i>m.</i> a Captain Gore, with whom she resided mainly on +the Continent, supporting her family by her voluminous writings. +Between 1824 and 1862 she produced about 70 works, the most +successful of which were novels of fashionable English life. Among +these may be mentioned <i>Manners of the Day</i> (1830), <i>Cecil, or the +Adventures of a Coxcomb</i> (1841), and <i>The Banker's Wife</i> (1843). She +also wrote for the stage, and composed music for songs.</p><br /> + +<a name='GOSSON_STEPHEN_1554_1624'></a><p><b>GOSSON, STEPHEN (1554-1624).</b> +—Poet, actor, and satirist, +<i>b.</i> in Kent, and <i>ed.</i> at Oxf., he went to London, and wrote plays, +which are now lost, and pastorals; but, moved by a sermon preached +at Paul's Cross in 1577 during a plague, he deserted the theatre, and +became one of its severest critics in his prose satire, <i>The School of +Abrose</i> (1579), directed against "poets, pipers, players, jesters, +and such-like Caterpillars of a Commonwealth." Dedicated to Sir +P. Sidney, it was not well received by him, and is believed to have +evoked his <i>Apologie for Poetrie</i> (1595). G. entered the Church, and +<i>d.</i> Rector of St. Botolph's, London.</p><br /> + +<a name='GOUGH_RICHARD_1735_1809'></a><p><b>GOUGH, RICHARD (1735-1809).</b> +—Antiquary, was <i>b.</i> in +London, and studied at Camb. For many years he made journeys +over England in pursuit of his antiquarian studies. He <i>pub.</i> about +20 works, among which are <i>British Topography</i> (1768), <i>Sepulchral +Monuments of Great Britain</i> (1786-99), an ed. of Camden's <i>Britannia</i>, +a translation of <i>The Arabian Nights</i> (1798), and various other +treatises on archæology, topography, and numismatics.</p><br /> + +<a name='GOWER_JOHN_1325_1408'></a><p><b>GOWER, JOHN (1325?-1408).</b> +—Poet. Although few details +of his life have come down to us, he appears to have been a +man of wealth and importance, connected with Kent, well known at +Court, and in possession of more than one estate. He was the +friend of Chaucer, who gives him the title of "the moral Gower," +which has clung to him ever since. His first principal work was +<i>Speculum Meditantis</i> (the Mirror of one meditating) written in French +on the subject of married life. It was long believed to have been +lost. It was followed by <i>Vox Clamantis</i> (the Voice of one crying) +written in Latin, giving an account of the peasants' revolt of 1381, +and attacking the misgovernment and social evils which had led +to it. His third, and only English poem, was <i>Confessio Amantis</i> +(Lover's Confession), a work of 30,000 lines, consisting of tales and +meditations on love, written at the request of Richard II. It is the +<a name='Page_165'></a>earliest large collection of tales in the English tongue. In his old age +G. became blind. He had, when about 70, retired to the Priory of St. +Mary Overies, the chapel of which is now the Church of St. Saviour, +Southwark, where he spent his last years, and to which he was a +liberal benefactor. G. represented the serious and cultivated man +of his time, in which he was reckoned the equal of Chaucer, but as a +poet he is heavy and prolix.</p><br /> + +<a name='GRAFTON_RICHARD_d_1572'></a><p><b>GRAFTON, RICHARD (<i>d.</i> 1572).</b> +—Printer and chronicler, +printed various ed. of the Bible and Prayer-book; also the Proclamation +of the Accession of Lady Jane Grey, for which he was +cast into prison, where he compiled an <i>Abridgement of the Chronicles +of England</i> (1563). To this he added in 1568 <i>A Chronicle at Large</i>. +Neither holds a high place as authorities.</p><br /> + +<a name='GRAHAME_JAMES_1765_1811'></a><p><b>GRAHAME, JAMES (1765-1811).</b> +—Poet, <i>s.</i> of a lawyer, was +<i>b.</i> and <i>ed.</i> in Glasgow. After spending some time in a law office in +Edin., he was called to the Scottish Bar. His health being delicate, +and his circumstances easy, he early retired from practice, and +taking orders in the Church of England in 1809, was appointed +curate successively of Shipton, Gloucestershire, and Sedgefield, +Durham. He wrote several pleasing poems, of which the best is +<i>The Sabbath</i> (1804). He <i>d.</i> on a visit to Glasgow in his 47th year. +His poems are full of quiet observation of country sights expressed +in graceful verse.</p><br /> + +<a name='GRAHAME_SIMON_or_SIMION_1570_1614'></a><p><b>GRAHAME, SIMON or SIMION (1570-1614).</b> +—<i>B.</i> in Edin., +led a dissolute life as a traveller, soldier, and courtier on the Continent. +He appears to have been a good scholar, and wrote the +<i>Passionate Sparke of a Relenting Minde</i>, and <i>Anatomy of Humours</i>, +the latter of which is believed to have suggested to Burton his +<i>Anatomy of Melancholie</i>. He became an austere Franciscan.</p><br /> + +<a name='GRAINGER_JAMES_1721_1766'></a><p><b>GRAINGER, JAMES (1721-1766).</b> +—Poet, of a Cumberland +family, studied medicine at Edin., was an army surgeon, and on the +peace settled in practice in London, where he became the friend of +Dr. Johnson, Shenstone, and other men of letters. His first poem, +<i>Solitude</i>, appeared in 1755. He subsequently went to the West +Indies (St. Kit's), where he made a rich marriage, and <i>pub.</i> his chief +poem, <i>The Sugar-Cane</i> (1764).</p><br /> + +<a name='GRANGER_JAMES_1723_1776'></a><p><b>GRANGER, JAMES (1723-1776).</b> +—Biographer, was at Oxf. +and, entering the Church, became Vicar of Shiplake, Oxon. He <i>pub.</i> +a <i>Biographical History of England from Egbert the Great to the Revolution</i> +(1769). He insisted on the importance of collecting engravings +of portraits and himself gathered 14,000, and gave a great impulse +to the practice of making such collections.</p><br /> + +<a name='GRANT_MRS_ANNE_MVICAR_1755_1838'></a><p><b>GRANT, MRS. ANNE (M'VICAR) (1755-1838).</b> +—Was <i>b.</i> in +Glasgow, and in 1779 <i>m.</i> the Rev. James Grant, minister of Laggan, +Inverness-shire. She <i>pub.</i> in 1802 a vol. of poems. She also wrote +<i>Letters from the Mountains</i>, and <i>Essays on the Superstitions of the +Highlands</i>. After 1810 she lived in Edin., where she was the friend +of Sir W. Scott and other eminent men, through whose influence a +pension of £100 was bestowed upon her<a name='Page_166'></a>.</p><br /> + +<a name='GRANT_JAMES_1822_1887'></a><p><b>GRANT, JAMES (1822-1887).</b> +—Novelist, was the <i>s.</i> of an +officer in the army, in which he himself served for a short time. He +wrote upwards of 50 novels in a brisk, breezy style, of which the best +known are perhaps <i>The Romance of War</i> (1845), <i>Adventures of an +Aide-de-Camp</i>, <i>Frank Hilton</i>, <i>Bothwell</i>, <i>Harry Ogilvie</i>, and <i>The +Yellow Frigate</i>. He also wrote biographies of <i>Kirkcaldy of Grange</i>, +<i>Montrose</i>, and others which, however, are not always trustworthy +from an historical point of view.</p><br /> + +<a name='GRANT_JAMES_AUGUSTUS_1827_1892'></a><p><b>GRANT, JAMES AUGUSTUS (1827-1892).</b> +—Traveller, was +an officer in the army, and was sent by the Royal Geographical +Society along with Captain JOHN HANNING SPEKE (1827-1864), to +search for the equatorial lakes of Africa. Grant wrote <i>A Walk +across Africa</i>, <i>The Botany of the Speke and Grant Expedition</i>, and +<i>Khartoum as I saw it in</i> 1863. Speke wrote <i>Journal of the Discovery +of the Source of the Nile</i> (1863), and <i>What led to the Discovery +of the Source of the Nile</i> (1864).</p><br /> + +<a name='GRATTAN_THOMAS_COLLEY_1792_1864'></a><p><b>GRATTAN, THOMAS COLLEY (1792-1864).</b> +—Miscellaneous +writer, <i>b.</i> in Dublin, and <i>ed.</i> for the law, but did not practise. He +wrote a few novels, including <i>The Heiress of Bruges</i> (4 vols., 1830); +but his best work was <i>Highways and Byways</i>, a description of his +Continental wanderings, of which he <i>pub.</i> three series. He also +wrote a history of the Netherlands and books on America. He was +for some time British Consul at Boston, U.S.</p><br /> + +<a name='GRAY_DAVID_1838_1861'></a><p><b>GRAY, DAVID (1838-1861).</b> +—Poet, <i>s.</i> of a hand-loom +weaver at Kirkintilloch, Dumbartonshire. He gave early promise +at school, was destined for the service of the Church, and was for 4 +years at Glasgow Univ. while he maintained himself by teaching. +His first poems appeared in the <i>Glasgow Citizen</i>. In 1860, however, +he went with his friend Robert Buchanan to London, where he +soon fell into consumption. He was befriended by Mr. Monckton +Milnes, afterwards Lord Houghton, but after a sojourn in the South +of England, returned home to die. His chief poem, <i>The Luggie</i> (the +river of his birthplace) contains much beautiful description; but +his genius reached its highest expression in a series of 30 sonnets +written in full view of an early death and blighted hopes, and bearing +the title, <i>In the Shadow</i>. They breathe a spirit of the deepest +melancholy unrelieved by hope.</p><br /> + +<a name='GRAY_THOMAS_1716_1771'></a><p><b>GRAY, THOMAS (1716-1771).</b> +—Poet, was <i>b.</i> in London, the +<i>s.</i> of a scrivener, who, though described as "a respectable citizen," +was of so cruel and violent a temper that his wife had to separate +from him. To his mother and her sister, who carried on a business, +G. was indebted for his liberal education at Eton (where he became +a friend of Horace Walpole), and Camb. After completing his Univ. +course he accompanied Walpole to France and Italy, where he spent +over two years, when a difference arising G. returned to England, +and went back to Camb. to take his degree in law without, however, +any intention of practising. He remained at Camb. for the rest of +his life, passing his time in the study of the classics, natural science, +and antiquities, and in visits to his friends, of whom Walpole was +again one. It was in 1747 that his first poem, the <i>Ode on a Distant<a name='Page_167'></a> +Prospect of Eton College</i>, appeared, and it was followed between 1750 +and 1757 by his <i>Pindaric Odes</i>, including <i>The Progress of Poesy</i>, +and <i>The Bard</i>, which were, however, somewhat coldly received. +Nevertheless he had, on the death of Colley Cibber, the offer of +the laureateship, which he declined; but in 1768 he accepted the +Professorship of Modern History in his Univ., worth £400 a year. +Having been drawn to the study of Icelandic and Celtic poetry he +produced <i>The Fatal Sisters</i>, and <i>The Descent of Odin</i>, in which are +apparent the first streaks of the dawn of the Romantic Revival. +G.'s poems occupy little space, but what he wrote he brought to the +highest perfection of which he was capable, and although there is a +tendency on the part of some modern critics to depreciate him, it is +probable that his place will always remain high among all but the +first order of poets. Probably no poem has had a wider acceptance +among all classes of readers than his <i>Elegy in a Country Churchyard</i>. +In addition to his fame as a poet, he enjoys that of one of the greatest +of English letter-writers, and of a really great scholar. He <i>d.</i> at +Camb. after a short illness following upon a gradually declining state +of health.</p> + +<p><i>Life</i> by Gosse (Men of Letters Series, 1882).</p><br /> + +<a name='GREELEY_HORACE_1811_1872'></a><p><b>GREELEY, HORACE (1811-1872).</b> +—Journalist and miscellaneous +writer, was the <i>s.</i> of a small farmer in New Hampshire. His +early life was passed first as a printer, and thereafter in editorial +work. He started in 1841, and conducted until his death, the <i>New +York Tribune</i>. He was long a leader in American politics, and in +1872 was an unsuccessful candidate for the Presidency. His +writings, which are chiefly political and economical, include <i>Essays +on Political Economy</i> (1870), and <i>Recollections of a Busy Life</i> (1868).</p><br /> + +<a name='GREEN_JOHN_RICHARD_1837_1883'></a><p><b>GREEN, JOHN RICHARD (1837-1883).</b> +—Historian, was the +<i>s.</i> of a tradesman in Oxf., where he was <i>ed.</i>, first at Magdalen Coll. +School, and then at Jesus Coll. He entered the Church, and served +various cures in London, under a constant strain caused by delicate +health. Always an enthusiastic student of history, his scanty +leisure was devoted to research. In 1869 he finally gave up clerical +work, and received the appointment of librarian at Lambeth. He +had been laying plans for various historical works, including a +History of the English Church as exhibited in a series of Lives of +the Archbishops of Canterbury, and, what he proposed as his <i>magnum +opus</i>, A History of England under the Angevin Kings. The +discovery, however, that his lungs were affected, necessitated the +abridgment of all his schemes, and he concentrated his energies on +the preparation of his <i>Short History of the English People</i>, which +appeared in 1874, and at once gave him an assured place in the first +rank of historical writers. In 1877 he <i>m.</i> Miss Alice Stopford, by +whose talents and devotion he was greatly assisted in carrying out +and completing such work as his broken health enabled him to undertake +during his few remaining years. Abandoning his proposed +history of the Angevins, he confined himself to expanding his <i>Short +History</i> into <i>A History of the English People</i> in 4 vols. (1878-80), and +writing <i>The Making of England</i>, of which one vol. only, coming +down to 828, had appeared when he <i>d.</i> at Mentone in March 1883. +After his death appeared <i>The Conquest of England</i>. The <i>Short<a name='Page_168'></a> +History</i> may be said to have begun a new epoch in the writing of +history, making the social, industrial, and moral progress of the +people its main theme. To infinite care in the gathering and sifting +of his material G. added a style of wonderful charm, and an historical +imagination which has hardly been equalled.</p><br /> + +<a name='GREEN_MATTHEW_1696_1737'></a><p><b>GREEN, MATTHEW (1696-1737).</b> +—Poet, is known as the +author of <i>The Spleen</i>, a lively and original poem in octosyllabic +verse on the subject of low spirits and the best means of prevention +and cure. It has life-like descriptions, sprightliness, and lightness +of touch, and was admired by Pope and Gray. The poem owes its +name to the use of the term in the author's day to denote depression. +G., who held an appointment in the Customs, appears to +have been a quiet, inoffensive person, an entertaining companion, +and a Quaker.</p><br /> + +<a name='GREEN_THOMAS_HILL_1836_1882'></a><p><b>GREEN, THOMAS HILL (1836-1882).</b> +—Philosopher, was <i>b.</i> +at Birken Rectory, Yorkshire, and <i>ed.</i> at Rugby and Balliol Coll., +Oxf., where he became Whyte Prof. of Moral Philosophy and, by his +character, ability, and enthusiasm on social questions, exercised a +powerful influence. His chief works are an <i>Introduction to Hume's +Treatise on Human Nature</i> (Clarendon Press ed.), in which he +criticised H.'s philosophy severely from the idealist standpoint, and +<i>Prolegomena to Ethics</i>, <i>pub.</i> posthumously.</p><br /> + +<a name='GREENE_ROBERT_1560_1592'></a><p><b>GREENE, ROBERT (1560?-1592).</b> +—Poet, dramatist, and +pamphleteer, was <i>b.</i> at Norwich, and studied at Camb., where he +<i>grad.</i> A.B. He was also incorporated at Oxf. in 1588. After +travelling in Spain and Italy, he returned to Camb. and took A.M. +Settling in London he was one of the wild and brilliant crew who +passed their lives in fitful alternations of literary production and +dissipation, and were the creators of the English drama. He has +left an account of his career in which he calls himself "the mirror +of mischief." During his short life about town, in the course of +which he ran through his wife's fortune, and deserted her soon after +the birth of her first child, he poured forth tales, plays, and poems, +which had great popularity. In the tales, or pamphlets as they +were then called, he turns to account his wide knowledge of city +vices. His plays, including <i>The Scottish History of James IV.</i>, and +<i>Orlando Furioso</i>, which are now little read, contain some fine +poetry among a good deal of bombast; but his fame rests, perhaps, +chiefly on the poems scattered through his writings, which are +full of grace and tenderness. G. <i>d.</i> from the effects of a surfeit +of pickled herrings and Rheinish wine. His extant writings are +much less gross than those of many of his contemporaries, and he +seems to have given signs of repentance on his deathbed, as is +evidenced by his last work, <i>A Groat's worth of Wit bought with a +Million of Repentance</i>. In this curious work occurs his famous +reference to Shakespeare as "an upstart crow beautified with our +feathers." Among his other works may be mentioned <i>Euphues' +censure to Philautus</i>, <i>Pandosto, the Triumph of Time</i> (1588), from +which Shakespeare borrowed the plot of <i>The Winter's Tale</i>, <i>A +Notable Discovery of Coosnage</i>, <i>Arbasto, King of Denmark</i>, <i>Penelope's +Web</i>, <i>Menaphon</i> (1589), and <i>Coney Catching</i>. His plays, all <i>pub.</i><a name='Page_169'></a> +posthumously, include <i>Friar Bacon and Friar Bungay</i>, <i>Alphonsus, +King of Aragon</i>, and <i>George-a-Greene, the Pinner of Wakefield</i>. His +tales are written under the influence of Lyly, whence he received +from Gabriel Harvey the nickname of "Euphues' Ape."</p> + +<p>Plays ed. by Dyce (2 vols., 1831, new ed., 1861). His works are +included in Grosart's "Huth Library."</p><br /> + +<a name='GREG_WILLIAM_RATHBONE_1809_1881'></a><p><b>GREG, WILLIAM RATHBONE (1809-1881).</b> +—Essayist, <i>b.</i> in +Manchester, and <i>ed.</i> at Bristol and Edin., was for some years engaged +in his father's business as a millowner at Bury. Becoming +deeply interested in political and social questions he contributed to +reviews and magazines many papers and essays on these subjects, +which were <i>repub.</i> in three collections, viz., <i>Essays on Political and +Social Science</i> (1854), <i>Literary and Social Judgments</i> (1869), and +<i>Miscellaneous Essays</i> (1884). Other works of his are <i>Enigmas of +Life</i> (1872), <i>Rocks Ahead</i> (1874), and <i>Mistaken Aims, etc.</i> (1876). +In his writings he frequently manifested a distrust of democracy +and a pessimistic view of the future of his country. He held successively +the appointments of Commissioner of Customs and Controller +of H.M. Stationery Office.</p><br /> + +<a name='GREVILLE_CHARLES_CAVENDISH_FULKE_1794_1865'></a><p><b>GREVILLE, CHARLES CAVENDISH FULKE (1794-1865).</b> +—Political +annalist, <i>ed.</i> at Eton and Oxf., was a page to George III., +sec. to Earl Bathurst, and afterwards held the sinecure office of +Sec. of Jamaica. In 1821 he became Clerk to the Privy Council, an +office which brought him into close contact with the leaders of both +political parties, and gave him unusual opportunities of becoming +acquainted with all that was passing behind the scenes. The information +as to men and events thus acquired he fully utilised in his +<i>Journal of the Reigns of George IV., William IV., and Queen Victoria</i>, +which, ed. by Henry Reeve, of the <i>Edinburgh Review</i>, was <i>pub.</i> in +three series between 1874 and 1887. The <i>Journal</i> covers the period, +from 1820-60, and constitutes an invaluable contribution to the +history of the time.</p><br /> + +<a name='GRIFFIN_BARTHOLOMEW_fl_1596'></a><p><b>GRIFFIN, BARTHOLOMEW? (<i>fl.</i> 1596).</b> +—Poet, of whom +almost nothing is known, <i>pub.</i> in 1596 a collection of 62 sonnets +under the title of <i>Fidessa</i>, of which some are excellent.</p><br /> + +<a name='GRIFFIN_GERALD_1803_1840'></a><p><b>GRIFFIN, GERALD (1803-1840).</b> +—Dramatist, novelist, and +poet, <i>s.</i> of a tradesman, <i>b.</i> and <i>ed.</i> in Limerick, he went in 1823 to +London, where most of his literary work was produced. In 1838 he +returned to Ireland and, dividing his property among his brothers, +devoted himself to a religious life by joining the Teaching Order of +the Christian Brothers. Two years thereafter he <i>d.</i>, worn out by +self-inflicted austerities. His chief novel, <i>The Collegians</i>, was +adapted by Boucicault as <i>The Colleen Bawn</i>, and among his dramas +is <i>Gisippus</i>. His novels depict southern Irish life.</p><br /> + +<a name='GRIMOALD_NICHOLAS_1519_1562'></a><p><b>GRIMOALD, NICHOLAS (1519-1562).</b> +—Poet, was at Camb. +and Oxf., and was chaplain to Bishop Ridley. He contributed to +Tottel's <i>Songs and Sonnettes</i> (1557), wrote two dramas in Latin, +<i>Archi-propheta</i> and <i>Christus Redivivus</i>, and made translations.</p><br /> + +<a name='GROOME_FRANCIS_HINDES_1851_1902'></a><p><b>GROOME, FRANCIS HINDES (1851-1902).</b> +—Miscellaneous +writer, <i>s.</i> of a clergyman, wrote for various encyclopædias, etc. He +<a name='Page_170'></a>was a student of the gipsies and their language, and <i>pub.</i> <i>In Gypsy +Tents</i> (1880), <i>Gypsy Folk Tales</i> (1899), and an ed. of Borrow's +<i>Lavengro</i> (1900). Other works were <i>A Short Border History</i> (1887), +<i>Kriegspiel</i> (1896), a novel, and <i>Two Suffolk Friends</i> (his <i>f.</i> and +<a href='#FITZGERALD_EDWARD_1809_1883'>Edward Fitzgerald</a>, <i>q.v.</i>).</p><br /> + +<a name='GROSART_ALEXANDER_BALLOCH_1827_1899'></a><p><b>GROSART, ALEXANDER BALLOCH (1827-1899).</b> +—Was a +minister of the English Presbyterian Church. He wrote Lives of +various Puritan divines, ed. their works, and also issued ed., with +Lives, of the poems of <a href='#BRUCE_MICHAEL_1746_1767'>Michael Bruce</a> (<i>q.v.</i>) and <a href='#FERGUSSON_ROBERT_1750_1774'>Robert Fergusson</a> +(<i>q.v.</i>). But his chief service to literature was his reprints, with notes, +of rare Elizabethan and Jacobean literature, including <i>Fuller's +Worthies Library</i>, 39 vols. (1868-76), <i>Occasional Issues of Unique and +Very Rare Books</i>, 38 vols. 1875-81, <i>Huth Library</i>, 33 vols. (1886), +Spenser's <i>Works</i>, 10 vols., <i>Daniel's Works</i>, etc.</p><br /> + +<a name='GROSE_FRANCIS_1731_1791'></a><p><b>GROSE, FRANCIS (1731-1791).</b> +—Antiquary and lexicographer, +of Swiss extraction, was Richmond Herald 1755-63. He +<i>pub.</i> <i>Antiquities of England and Wales</i> +(1773-87), which was well +received, and thereafter, 1789, set out on an antiquarian tour +through Scotland, the fruit of which was <i>Antiquity of Scotland</i> (1789-91). He afterwards undertook a similar expedition to Ireland, +but <i>d.</i> suddenly at Dublin. In addition to the works above mentioned +he wrote <i>A Classical Dictionary of the Vulgar Tongue</i> (1785), +<i>A Provincial Glossary</i> (1787), a <i>Treatise on Ancient Armour and +Weapons</i>, etc. He was an accomplished draughtsman, and illustrated +his works.</p><br /> + +<a name='GROSSETESTE_ROBERT_d_1253'></a><p><b>GROSSETESTE, ROBERT (<i>d.</i> 1253).</b> +—Theologian and +scholar, was <i>b.</i> of poor parents at Stradbrook, Suffolk, and studied +at Oxf. and possibly Paris. His abilities and learning procured him +many preferments; but after an illness he refused to be longer a +pluralist, and resigned all but a prebend at Lincoln. Later he +was a strenuous and courageous reformer, as is shown by his refusing +in 1253 to induct a nephew of the Pope to a canonry at Lincoln, of +which he had been Bishop since 1235. He was equally bold in +resisting the demand of Henry III. for a tenth of the Church +revenues. Amid his absorbing labours as a Churchman, he found +time to be a copious writer on a great variety of subjects, including +husbandry, physical and moral philosophy, as also sermons, commentaries, +and an allegory, the <i>Chateau d'Amour</i>. Roger Bacon was +a pupil of his, and testifies to his amazing variety of knowledge.</p><br /> + +<a name='GROTE_GEORGE_1794_1871'></a><p><b>GROTE, GEORGE (1794-1871).</b> +—Historian, <i>s.</i> of a wealthy +banker in London, was <i>b.</i> at Beckenham, and <i>ed.</i> at Charterhouse +School. In 1810 he entered the bank, of which he became head in +1830. In 1832 he was elected one of the members of Parliament for +the City of London. In 1841 he retired from Parliament, and in 1843 +from the bank, thenceforth devoting his whole time to literature, +which, along with politics, had been his chief interest from his +youth. He early came under the influence of Bentham and the +two Mills, and was one of the leaders of the group of theorists +known as "philosophical Radicals." In 1820 he <i>m.</i> Miss Harriet +Lewin who, from her intellectual powers, was fitted to be his helper +<a name='Page_171'></a>in his literary and political interests. In 1826 he contributed to the +<i>Westminster Review</i> a severe criticism of Mitford's <i>History of Greece</i>, +and in 1845 <i>pub.</i> the first 2 vols. of his own, the remaining 6 vols. +appearing at intervals up to 1856. G. belongs to the school of +philosophical historians, and his <i>History</i>, which begins with the +legends, ends with the fall of the country under the successors of +Alexander the Great. It is one of the standard works on the subject, +which his learning enabled him to treat in a full and thorough +manner; the style is clear and strong. It has been repeatedly +re-issued, and has been translated into French and German. G. +also <i>pub.</i>, in 1865, <i>Plato and other Companions of Socrates</i>, and left +unfinished a work on <i>Aristotle</i>. In political life G. was, as might be +expected, a consistent and somewhat rigid Radical, and he was a +strong advocate of the ballot. He was one of the founders of the +first London Univ., a Trustee of the British Museum, D.C.L. of Oxf., +LL.D. of Camb., and a Foreign Associate of the Académie des +Sciences. He was offered, but declined, a peerage in 1869, and is +buried in Westminster Abbey.</p><br /> + +<a name='GRUB_GEORGE_1812_1892'></a><p><b>GRUB, GEORGE (1812-1892).</b> +—Historian, was <i>b.</i> in Old +Aberdeen, and <i>ed.</i> at King's Coll. there. He studied law, and was +admitted in 1836 to the Society of Advocates, Aberdeen, of which +he was librarian from 1841 until his death. He was appointed +Lecturer on Scots Law in Marischal Coll., and was Prof. of Law in +the Univ. (1881-91). He has a place in literature as the author of +an <i>Ecclesiastical History of Scotland</i> (1861), written from the standpoint +of a Scottish Episcopalian, which, though dry, is concise, +clear, fair-minded, and trustworthy. G. also ed. (along with Joseph +Robertson) Gordon's <i>Scots Affairs</i> for the Spalding Club, of which +he was one of the founders.</p><br /> + +<a name='GUEST_LADY_CHARLOTTE_BERTIE_1812_1895'></a><p><b>GUEST, LADY CHARLOTTE (BERTIE) (1812-1895).</b> +—<i>Dau.</i> +of the 9th Earl of Lindsey, <i>m.</i> in 1833 Sir Josiah J. Guest, a wealthy +ironmaster, after whose death in 1852 she managed the works. She +was an enthusiastic student of Welsh literature, and aided by +native scholars translated with consummate skill the <i>Mabinogion</i>, +the manuscript of which in Jesus Coll., Oxf., is known as the <i>Red +Book of Hergest</i>, and which is now a recognised classic of mediæval +romance. She also prepared a 'Boys' <i>Mabinogion</i> containing the +earliest Welsh tales of Arthur. She was also noted as a collector +of china, fans, and playing cards, on which subjects she wrote +several volumes. She entered into a second marriage in 1855 with +Dr. C. Schreiber, but in literature she is always referred to under +her first married name.</p><br /> + +<a name='GUTHRIE_THOMAS_1803_1873'></a><p><b>GUTHRIE, THOMAS (1803-1873).</b> +—Divine and philanthropist, +<i>b.</i> at Brechin, studied for the Church, and became a minister +in Edin. Possessed of a commanding presence and voice, and a +remarkably effective and picturesque style of oratory, he became +perhaps the most popular preacher of his day in Scotland, and was +associated with many forms of philanthropy, especially temperance +and ragged schools, of the latter of which he was the founder. He +was one of the leaders of the Free Church, and raised over £100,000 +for manses for its ministers. Among his writings are <i>The Gospel in +Ezekiel</i>, <i>Plea for Ragged Schools</i>, and <i>The City, its Sins and Sorrows</i><a name='Page_172'></a>.</p><br /> + +<a name='HABINGTON_WILLIAM_1605_1654'></a><p><b>HABINGTON, WILLIAM (1605-1654).</b> +—Poet, <i>s.</i> of a Worcestershire +Roman Catholic gentleman, was <i>ed.</i> at St. Omer's, but +refused to become a Jesuit. He <i>m.</i> Lucia, <i>dau.</i> of Lord Powis, whom +he celebrated in his poem <i>Castara</i> (1634), in which he sang the +praises of chaste love. He also wrote a tragi-comedy, <i>The Queen +of Arragon</i> (1640), and a <i>Historie of Edward IV.</i> His verse is graceful +and tender.</p><br /> + +<a name='HAILES_DALRYMPLE_DAVID_LORD_1726_1792'></a><p><b>HAILES, DALRYMPLE DAVID, LORD (1726-1792).</b> +—Scottish +judge and historical writer, was <i>b.</i> at Edin. Belonging to a +family famous as lawyers, he was called to the Bar in 1748, and +raised to the Bench in 1766. An excellent judge, he was also untiring +in the pursuit of his favourite studies, and produced several +works of permanent value on Scottish history and antiquities, including +<i>Annals of Scotland</i> (1776), and <i>Canons of the Church of Scotland</i> +(1769). He was a friend and correspondent of Dr. Johnson.</p><br /> + +<a name='HAKE_THOMAS_GORDON_1809_1895'></a><p><b>HAKE, THOMAS GORDON (1809-1895).</b> +—Poet, <i>b.</i> at Leeds, +<i>ed.</i> at Christ's Hospital, was a physician, and practised at various +places. His books include <i>Madeline</i> (1871), <i>Parables and Tales</i> +(1873), <i>The Serpent Play</i> (1883), <i>New Day Sonnets</i> (1890), and +<i>Memoirs of Eighty Years</i> (1893).</p><br /> + +<a name='HAKLUYT_RICHARD_1553_1616'></a><p><b>HAKLUYT, RICHARD (1553?-1616).</b> +—Collector of voyages, +belonged to a good Herefordshire family of Dutch descent, was +<i>b.</i> either at Eyton in that county or in London, and <i>ed.</i> at Westminster +School and Oxf. The sight of a map of the world fired his +imagination and implanted in his mind the interest in geography +and the lives and adventures of our great navigators and discoverers, +which became the ruling passion of his life; and in order to increase +his knowledge of these matters he studied various foreign languages +and the art of navigation. He took orders, and was chaplain of the +English Embassy in Paris, Rector of Witheringsett, Suffolk, 1590, +Archdeacon of Westminster, 1602, and Rector of Gedney, Lincolnshire, +1612. After a first collection of voyages to America and +the West Indies he compiled, while at Paris, his great work, <i>The +Principal Navigations, Voyages ... and Discoveries of the English +Nation made by Sea or over Land to the Remote and Farthest Distant +Quarters of the Earth ... within the Compass of these 1500 Years</i>. +It appeared in its final form (three folio vols.) in 1599. Besides it he +<i>pub.</i> <i>A Discourse of Western Planting</i>, and he left a vast mass of MS. +afterwards used (in far inferior style) by <a href='#PURCHAS_SAMUEL_1575_1626'>S. Purchas</a> (<i>q.v.</i>). In all +his work H. was actuated not only by the love of knowledge, but by +a noble patriotism: he wished to see England the great sea-power +of the world, and he lived to see it so. His work, as has been said, +is "our English epic." In addition to his original writings he +translated various works, among them being <i>The Discoveries of the +World</i>, from the Portuguese of Antonio Galvano.</p><br /> + +<a name='HALE_SIR_MATTHEW_1609_1676'></a><p><b>HALE, SIR MATTHEW (1609-1676).</b> +—Jurist and miscellaneous +writer, has left a great reputation as a lawyer and judge. +Steering a neutral course during the political changes of his time, he +served under the Protectorate and after the Restoration, and rose +to be Chief Justice of the King's Bench. He is mentioned here as +the author of several works on science, divinity, and law. Among +<a name='Page_173'></a>them are <i>The Primitive Origination of Mankind</i>, and <i>Contemplations, +Moral and Divine</i>. His legal works are still of great authority. +Though somewhat dissipated in early youth, he has handed down a +high reputation for wisdom and piety.</p><br /> + +<a name='HALES_JOHN_1584_1656'></a><p><b>HALES, JOHN (1584-1656).</b> +—Theologian, <i>b.</i> at Bath, and +<i>ed.</i> there and at Oxf., became one of the best Greek scholars of his +day, and lectured on that language at Oxf. In 1616 he accompanied +the English ambassador to the Hague in the capacity of chaplain, +and attended the Synod of Dort, where he was converted from +Calvinism to Arminianism. A lover of quiet and learned leisure, +he declined all high and responsible ecclesiastical preferment, and +chose and obtained scholarly retirement in a Fellowship of Eton, of +which his friends Sir Henry Savile and Sir Henry Wotton were successively +Provost. A treatise on <i>Schism and Schismatics</i> (1636?) +gave offence to Laud, but H. defended himself so well that Laud +made him a Prebendary of Windsor. Refusing to acknowledge the +Commonwealth, he was deprived, fell into poverty, and had to sell +his library. After his death his writings were <i>pub.</i> in 1659 as <i>The +Golden Remains of the Ever-Memorable Mr. John Hales of Eton +College</i>.</p><br /> + +<a name='HALIBURTON_THOMAS_CHANDLER_1796_1865'></a><p><b>HALIBURTON, THOMAS CHANDLER (1796-1865).</b> +—<i>B.</i> at +Windsor, Nova Scotia, was a lawyer, and rose to be Judge of the +Supreme Court of the Colony. He was the author of <i>The Clock-maker, +or Sayings and Doings of Samuel Slick of Slickville</i>, and a continuation, +<i>The Attaché, or Sam Slick in England</i>. In these he made +a distinctly original contribution to English fiction, full of shrewdness +and humour. He may be regarded as the pioneer of the American +school of humorists. He wrote various other works, including +<i>The Old Judge</i>, <i>Nature and Human Nature</i>, <i>A Historical and Statistical +Account of Nova Scotia</i>, etc. In 1856 he settled in England, and +sat in the House of Commons for Launceston.</p><br /> + +<a name='HALIFAX_CHARLES_MONTAGU_1ST_EARL_of_1661_1715'></a><p><b>HALIFAX, CHARLES MONTAGU, 1ST EARL of (1661-1715).</b> +—A +famous wit, statesman, and patron of literature, was <i>ed.</i> at +Westminster School and Trinity Coll., Camb. Entering Parliament +he became Chancellor of the Exchequer in 1694, and First Lord of +the Treasury 1697. Vain and arrogant, he soon lost popularity and +power. His chief literary effort was his collaboration with Prior in +<i>The Town and Country Mouse</i> (1687), a parody of and reply to +Dryden's <i>Hind and Panther</i>. H. was the friend and patron of +Addison, Steele, Congreve, and many other of the classical writers +of his day. He became a peer in 1701.</p><br /> + +<a name='HALL_MRS_ANNA_MARIA_FIELDING_1800_1881'></a><p><b>HALL, MRS. ANNA MARIA (FIELDING) (1800-1881).</b> +—Novelist, +was <i>b.</i> in Dublin, but left Ireland at the age of 15. Nevertheless, +that country gave her the motive of several of her most successful +books, such as <i>Sketches of Irish Character</i> (1829), <i>Lights and +Shadows of Irish Character</i> (1838), <i>Marian</i> (1839), and <i>The White +Boy</i> (1845). Other works are <i>The Buccaneer</i>, and <i>Midsummer Eve</i>, a +fairy tale, and many sketches in the <i>Art Journal</i>, of which her +husband, SAMUEL CARTER HALL (1800-1889), was ed. With him +she also collaborated in a work entitled <i>Ireland, its Scenery, Character, +<a name='Page_174'></a>etc.</i> Mrs. H. was a very voluminous writer; her descriptive talents +were considerable, as also was her power of depicting character. +Her husband was likewise a writer of some note, chiefly on art.</p><br /> + +<a name='HALL_BASIL_1788_1844'></a><p><b>HALL, BASIL (1788-1844).</b> +—Traveller, <i>s.</i> of Sir James H., +an eminent man of science, was in the navy, and rose to be captain. +He was one of the first to visit Corea, and wrote <i>Voyage of Discovery +to Corea</i> (1818), also <i>Travels in North America in 1827-28</i>, a lively +work which gave some offence in the U.S., <i>Fragments of Voyages +and Travels</i> (1831-40), and some tales and romances. He was +latterly insane.</p><br /> + +<a name='HALL_or_HALLE_EDWARD_1499_1547'></a><p><b>HALL, or HALLE, EDWARD (1499?-1547).</b> +—Chronicler, <i>b.</i> +in London, studied successively at Camb. and Oxf. He was a +lawyer, and sat in Parliament for Bridgnorth, and served on various +Commissions. He wrote a history of <i>The Union of the two Noble and +Illustre Families of Lancastre and Yorke</i>, commonly called <i>Hall's +Chronicle</i>. It was <i>pub.</i> after the author's death by Richard Grafton, +and was prohibited by Queen Mary.</p><br /> + +<a name='HALL_JOSEPH_1574_1656'></a><p><b>HALL, JOSEPH (1574-1656).</b> +—Divine, <i>b.</i> at Ashby-de-la-Zouche, +and <i>ed.</i> at Camb., he entered the Church, and became in +1627 Bishop of Exeter, and in 1641 Bishop of Norwich. He had a +chequered career. He accompanied James I. to Scotland in 1617, +and was a Deputy to the Synod of Dort. Accused of Puritanism, +and at enmity with Laud, he fell on troublous days, and was, in +1641, imprisoned in the Tower for joining those bishops who protested +against the validity of laws passed during their exclusion +(owing to tumult in the streets) from Parliament. Returning to +Norwich he found that his revenues had been sequestrated, and his +private property seized. In 1647 he retired to a small farm near +Norwich, where he passed the remainder of his life. Among his +works are <i>Contemplations</i>, <i>Characters of Virtues and Vices</i> (1614), +and his <i>Virgidemiarum, or Satires</i> (1597-8), the last written before +he was in orders, and condemned by Archbishop Whitgift to be +burned. Pope, however, thought them "the best poetry and truest +satire in the English language." H.'s <i>Divine Right of Episcopacy</i> +gave rise to much controversy, in which Archbishop Ussher, Milton, +and the writers who called themselves "Smectymnuus" (a combination +of their initials) took part.</p><br /> + +<a name='HALL_ROBERT_1764_1831'></a><p><b>HALL, ROBERT (1764-1831).</b> +—Divine, <i>b.</i> at Arnsby, +Leicestershire, the <i>s.</i> of a Baptist minister of some note, was <i>ed.</i> at a +Baptist Academy, and at the Univ. of Aberdeen, from which he +received the degree of D.D. in 1817. He ministered to congregations +at Bristol, Cambridge, Leicester, and again at Bristol, and became +one of the greatest pulpit orators of his day. His most famous sermon +was that on the <i>Death of the Princess Charlotte</i> (1817). Another +which created a great impression was that on <i>Modern Infidelity</i>. H. +was a life-long sufferer, and was occasionally insane, yet his intellectual +activity was unceasing. After his death a collection of 50 +of his sermons was <i>pub.</i> (1843), and <i>Miscellaneous Works and +Remains</i> (1846).</p><br /> + +<a name='HALLAM_HENRY_1777_1859'></a><p><b>HALLAM, HENRY (1777-1859).</b> +—Historian, <i>s.</i> of a Dean +of Wells, was <i>b.</i> at Windsor, and <i>ed.</i> at Eton and Oxf. He was +<a name='Page_175'></a>called to the Bar at the Inner Temple, and appointed a Commissioner +of Stamps. Among his earliest writings were papers in the +<i>Edinburgh Review</i>; but in 1818 he leaped into a foremost place +among historical writers by the publication of his <i>View of the State +of Europe during the Middle Ages</i>. This was followed in 1827 by +<i>The Constitutional History of England from the Accession of Henry +VII. to the Death of George II.</i>, and his third great work, <i>Introduction +to the Literature of Europe in the 15th, 16th, and 17th Centuries</i>, +in 4 vols., appeared in 1837-39. All these, which have gone through +several ed., and have been translated into the principal languages of +Europe, are characterised by wide and profound learning, indefatigable +research, and judicial impartiality. They opened a new field +of investigation in which their author has had few, if any, superiors. +In politics H. was a Whig; but he took no active share in party +warfare. He had two sons of great promise, both of whom predeceased +him. Of these the elder, ARTHUR HENRY, is the subject of +Tennyson's <i>In Memoriam</i>, and of him his <i>f.</i> wrote a touching +memoir prefixed to his literary remains.</p><br /> + +<a name='HALLECK_FITZGREENE_1790_1867'></a><p><b>HALLECK, FITZGREENE (1790-1867).</b> +—Poet, <i>b.</i> at Guilford, +Conn., wrote, with Rodman Drake, a young poet who <i>d.</i> at 25, <i>The +Croaker Papers</i>, a series of satirical and humorous verses, and +<i>Fanny</i>, also a satire. In 1822 he visited Europe, and the traces of +this are found in most of his subsequent poetry, <i>e.g.</i> his lines on +Burns, and on Alnwick Castle.</p><br /> + +<a name='HALLIWELL_PHILLIPS_JAMES_ORCHARD_1820_1889'></a><p><b>HALLIWELL-PHILLIPS, JAMES ORCHARD (1820-1889).</b> +—Archæologist +and Shakespearian scholar, <i>ed.</i> at Camb., was the +author of a <i>Life of Shakespeare</i> (1848), <i>New Boke about Shakespeare +and Stratford upon Avon</i> (1850), <i>Folio Edition of Shakespeare</i> (1853-65), +and various other works relative to him, also <i>Dictionary of Old +English Plays</i> (1860). He also ed. works for the Camden and Percy +Societies, and compiled a <i>Dictionary of Archaic and Provincial +Words</i>. In 1872 he added his wife's name of Phillips to his own.</p><br /> + +<a name='HAMERTON_PHILIP_GILBERT_1834_1894'></a><p><b>HAMERTON, PHILIP GILBERT (1834-1894).</b> +—Artist and +writer on æsthetics, <i>s.</i> of a solicitor, was <i>b.</i> near Oldham. Originally +intended for the Church, he decided for art and literature. After +working as an artist in the Highlands with his wife, who was a +Frenchwoman, he settled in France, and devoted himself to writing +on art. Among his works are <i>Etching and Etchers, etc.</i> (1868), <i>Painting +in France after the Decline of Classicism</i> (1869), <i>The Intellectual +Life</i> (1873), <i>Human Intercourse</i> (1884), <i>The Graphic Arts</i> (1882), +<i>Landscape</i> (1885), some of which were magnificently illustrated. +He also left an autobiography. His writings had a great influence +upon artists, and also in stimulating and diffusing the love of art +among the public.</p><br /> + +<a name='HAMILTON_ALEXANDER_1757_1804'></a><p><b>HAMILTON, ALEXANDER (1757-1804).</b> +—Statesman and +political writer, <i>b.</i> in the West Indies, was one of the framers of the +Constitution of the United States, and was the first Sec. of the +national Treasury. He was one of the greatest of American statesmen, +and has also a place in literature as the principal writer in the +<i>Federalist</i>, a periodical founded to expound and defend the new<a name='Page_176'></a> +Constitution, which was afterwards <i>pub.</i> as a permanent work. He +contributed 51 of its 85 articles.</p><br /> + +<a name='HAMILTON_ELIZABETH_1758_1816'></a><p><b>HAMILTON, ELIZABETH (1758-1816).</b> +—Wrote <i>The Cottagers +of Glenburnie</i>, a tale which had much popularity in its day, and +perhaps had some effect in the improvement of certain aspects of +humble domestic life in Scotland. She also wrote <i>Letters on Education</i>, +<i>Essays on the Human Mind</i>, and <i>The Hindoo Rajah</i>.</p><br /> + +<a name='HAMILTON_THOMAS_1789_1842'></a><p><b>HAMILTON, THOMAS (1789-1842).</b> +—Novelist, brother of +<a href='#HAMILTON_SIR_WILLIAM_1788_1856'>Sir William Hamilton</a> (<i>q.v.</i>), wrote a novel, <i>Cyril Thornton</i> (1827), +which was received with great favour. He was an officer in the army, +and, on his retirement, settled in Edin., and became a contributor +to <i>Blackwood</i>. He was also the author of <i>Annals of the Peninsular +Campaign</i> (1829), and <i>Men and Manners in America</i> (1833).</p><br /> + +<a name='HAMILTON_WILLIAM_OF_BANGOUR_1704_1754'></a><p><b>HAMILTON, WILLIAM (OF BANGOUR) (1704-1754).</b> +—Poet, +was <i>b.</i> at the family seat in Linlithgowshire. Cultivated and brilliant, +he was a favourite of society, and began his literary career by +contributing verses to Allan Ramsay's <i>Tea Table Miscellany</i>. He +joined the Pretender in 1745, and celebrated the Battle of Prestonpans +in <i>Gladsmuir</i>. After Culloden he wandered in the Highlands, +where he wrote his <i>Soliloquy</i>, and escaped to France. His friends, +however, succeeded in obtaining his pardon, and he returned to his +native country. In 1750, on the death of his brother, he succeeded +to the family estate, which, however, he did not long live to enjoy. +He is best remembered for his fine ballad of <i>The Braes of Yarrow</i>. +He also wrote <i>The Episode of the Thistle</i>. He <i>d.</i> at Lyons.</p><br /> + +<a name='HAMILTON_WILLIAM_OF_GILBERTFIELD_1665_1751'></a><p><b>HAMILTON, WILLIAM (OF GILBERTFIELD) (1665?-1751).</b> +—Poet, +served in the army, from which he retired with the rank of +Lieutenant. He wrote poetical <i>Epistles</i> to Allan Ramsay, and an +abridgment in modern Scotch of Blind Harry's <i>Life of Sir William +Wallace</i>.</p><br /> + +<a name='HAMILTON_SIR_WILLIAM_1788_1856'></a><p><b>HAMILTON, SIR WILLIAM (1788-1856).</b> +—Metaphysician, <i>b.</i> +in Glasgow, in the Univ. of which his <i>f.</i> and grandfather successively +filled the Chair of Anatomy and Botany, <i>ed.</i> there and at +Balliol Coll., Oxf., was called to the Scottish Bar, at which he +attained little practice, but was appointed Solicitor of Teinds. In +1816 he established his claim to the baronetcy of H. of Preston. On +the death of Dr. Thomas Brown in 1820, he was an unsuccessful +candidate for the Chair of Moral Philosophy in Edin., but in the +following year he was appointed Prof. of History. It was not until +1829 that he gave full proof of his remarkable powers and attainments +as a philosopher in a famous article in the <i>Edinburgh Review</i>, +a critique of Victor Cousin's doctrine of the Infinite. This paper +carried his name over Europe, and won for him the homage of continental +philosophers, including Cousin himself. After this H. continued +to contribute to the <i>Review</i>, many of his papers being translated +into French, German, and Italian. In 1852 they were <i>coll.</i> +with notes and additions, and <i>pub.</i> as <i>Discussions in Philosophy and +Literature</i>, <i>etc.</i> In 1836 H. was elected Professor of Logic and +Metaphysics at Edinburgh, which office he held with great reputation +until his death, after which the lectures he had delivered were +<a name='Page_177'></a>edited and <i>pub.</i> by Prof. Mansel and Veitch. His <i>magnum opus</i> +was his edition of the <i>Works of Dr. Thomas Reid</i>, left unfinished, +and completed by Mansel. H. was the last, and certainly the most +learned and accomplished, of the Scottish school of philosophy, +which he considered it his mission to develop and correlate to the +systems of other times and countries. He also made various +important contributions to the science of logic. During his later +years he suffered from paralysis of one side, which, though it left +his mind unaffected, impaired his powers of work. A Memoir of +H. by Prof. Veitch appeared in 1869.</p><br /> + +<a name='HANNA_WILLIAM_1808_1882'></a><p><b>HANNA, WILLIAM (1808-1882).</b> +—Divine and biographer, +<i>s.</i> of Samuel H., Prof. of Divinity in the Presbyterian Coll., Belfast, +was <i>b.</i> there, became a distinguished minister of the Free Church of +Scotland, and colleague of <a href='#GUTHRIE_THOMAS_1803_1873'>Dr. T. Guthrie</a> (<i>q.v.</i>). He wrote an +admirable <i>Life of Dr. Chalmers</i>, whose son-in-law he was, and ed. +his works. He also ed. the <i>Letters of <a href='#ERSKINE_THOMAS_1788_1870'>Thomas Erskine</a> of Linlathen</i> +(<i>q.v.</i>), and wrote various theological works.</p><br /> + +<a name='HANNAY_JAMES_1827_1873'></a><p><b>HANNAY, JAMES (1827-1873).</b> +—Novelist and journalist, +was <i>b.</i> at Dumfries, and after serving for some years in the navy took +to literature, and became ed. of the <i>Edinburgh Courant</i>. He wrote +two novels, <i>Singleton Fontenoy</i> (1850), and <i>Eustace Conyers</i> (1855); +also <i>Lectures on Satire and Satirists</i>, and <i>Studies on Thackeray</i>. For +the last five years of his life he was British Consul at Barcelona.</p><br /> + +<a name='HARE_AUGUSTUS_JOHN_CUTHBERT_1834_1903'></a><p><b>HARE, AUGUSTUS JOHN CUTHBERT (1834-1903).</b> +—Youngest +<i>s.</i> of Francis H., and nephew of Aug. and <a href='#HARE_JULIUS_CHARLES_1795_1855'>Julius H.</a> (<i>q.v.</i>), +<i>b.</i> at Rome, practically adopted by his aunt, the widow of Aug. H., +and <i>ed.</i> at Harrow. He was the author of a large number of books, +which fall into two classes: biographies of members and connections +of his family, and descriptive and historical accounts of various +countries and cities. To the first belong <i>Memorials of a Quiet Life</i> +(his adoptive mother's), <i>Story of Two Noble Lives</i> (Lady Canning and +Lady Waterford), <i>The Gurneys of Earlham</i>, and an inordinately +extended autobiography; to the second, <i>Walks in Rome</i>, <i>Walks in +London</i>, <i>Wanderings in Spain</i>, <i>Cities of Northern, Southern, and +Central Italy</i> (separate works), and many others. His writings are +all interesting and informing, but in general suffer from his tendency +to diffuseness.</p><br /> + +<a name='HARE_AUGUSTUS_WILLIAM_1792_1834'></a><p><b>HARE, AUGUSTUS WILLIAM (1792-1834).</b> +—Was the <i>s.</i> of +Francis Hare-Naylor, who <i>m.</i> a cousin of the famous Duchess of +Devonshire, and was the author of a history of Germany. He was +sent by the widow of Sir W. Jones, whose godson he was, to Winchester, +and New Coll., Oxf., in the latter of which he was for some +time a tutor. Entering the Church he became incumbent of the +rural parish of Alton Barnes where, leading an absolutely unselfish +life, he was the father and friend of his parishioners. In addition +to writing in conjunction with his brother <a href='#HARE_JULIUS_CHARLES_1795_1855'>Julius</a> (<i>q.v.</i>), <i>Guesses at +Truth</i>, a work containing short essays on multifarious subjects, +which attracted much attention, he left two vols. of sermons.</p><br /> + +<a name='HARE_JULIUS_CHARLES_1795_1855'></a><p><b>HARE, JULIUS CHARLES (1795-1855).</b> +—Essayist, etc., +younger brother of the above, was <i>b.</i> at Vicenza. When two years +<a name='Page_178'></a>old his parents left him to the care of Clotilda Tambroni, female +Prof. of Greek at Bologna. <i>Ed.</i> at Charterhouse and Camb., he +took orders and, in 1832, was appointed to the rich family living of +Hurstmonceau, which Augustus had refused. Here he had <a href='#STERLING_JOHN_1806_1844'>John +Sterling</a> (<i>q.v.</i>) for curate, and Bunsen for a neighbour. He was also +Archdeacon of Lewes and a Chaplain to the Queen. His first work +was <i>Guesses at Truth</i> (1827), jointly with his brother, and he also <i>pub.</i>, +jointly with <a href='#THIRWALL_CONNOP_1797_1875'>Thirlwall</a> (<i>q.v.</i>), a translation of Niebuhr's <i>History of +Rome</i>, wrote <i>The Victory of Faith</i> and other theological books and +pamphlets on Church and other questions, <i>A Life of Sterling</i>, and a +<i>Vindication of Luther</i>. H., though a lovable, was an eccentric, +man of strong antipathies, unmethodical, and unpunctual.</p><br /> + +<a name='HARINGTON_SIR_JOHN_1561_1612'></a><p><b>HARINGTON, SIR JOHN (1561-1612).</b> +—Miscellaneous +writer, and translator, <i>b.</i> at Kelston Park near Bath, and <i>ed.</i> at +Eton and Camb., became a courtier of Queen Elizabeth, whose godson +he was. In 1599 he served in Ireland under Essex, by whom +he was knighted on the field, a stretch of authority which was much +resented by the Queen. While there he wrote <i>A Short View of the +State of Ireland</i>, first <i>pub.</i> 1880. He was in repute for his epigrams, +of which some have wit, but others are only indelicate. His translation +of the <i>Orlando Furioso</i> of Ariosto, in the metre of the original, +is a somewhat free paraphrase, and is now superseded. It first +appeared in the form of extracts, which were handed in MS. about +the Court until they reached the Queen, who reprimanded the translator +for corrupting the morals of her ladies by translating the most +unedifying passages, and banished him to his country seat until he +should have translated the whole poem. His most valuable work +is one which was <i>pub.</i> in 1769 by a descendant, under the title of +<i>Nugæ Antiquæ</i> (Old-time Trifles), a miscellaneous collection from his +writings and papers, containing many things of interest, <i>e.g.</i>, a +minute account of the Queen's last illness, and letters and verses by +her and other eminent persons.</p><br /> + +<a name='HARLAND_HENRY_1861_1905'></a><p><b>HARLAND, HENRY (1861-1905).</b> +—Novelist, <i>b.</i> of American +parentage at St. Petersburg, and <i>ed.</i> at Rome. Thereafter he went +to Paris, and thence to America, where he graduated at Harvard, +and settled in New York. His literary career falls into two +distinctly marked sections, very diverse in character. During the +first of these he produced, under the pseudonym of "Sidney Luska," +a series of highly sensational novels, thrown off with little regard to +literary quality, and which it was his wish should be forgotten; +but about 1890 his aspirations underwent a complete change, and he +became an enthusiast in regard to style and the <i>mot propre</i>. The first +novels of this new era, <i>Mademoiselle Miss</i> (1893), <i>Grey Roses</i> (1895), +and <i>Comedies and Errors</i> (1898), though obtaining the approval of +the literary elect, had little general popularity; but the tide turned +with the appearance of <i>The Cardinal's Snuff-box</i> (1900), which was +widely admired. It was followed by <i>The Lady Paramount</i> (1901), +and <i>My Friend Prospero</i> (1903). H. <i>d.</i> at San Remo after a prolonged +illness.</p><br /> + +<a name='HARRINGTON_JAMES_1611_1677'></a><p><b>HARRINGTON, JAMES (1611-1677).</b> +—Political theorist, <i>s.</i> +of Sir Sapcotes H., was <i>b.</i> at Upton, Northamptonshire, and <i>ed.</i> at<a name='Page_179'></a> +Oxf., where he was a pupil of Chillingworth. After leaving the university +he travelled on the Continent, visiting, among other places, +The Hague and Venice, where he imbibed republican principles. He +was for some time a groom of the bedchamber to Charles I. On +the outbreak of the Civil War he sided with the Parliament, but +disapproved of the execution of the King, for whom he appears, +notwithstanding his political theories, to have cherished a personal +attachment. Thereafter he withdrew from active life, and devoted +himself to composing his political romance (as it may be called) of +<i>Oceana</i>, which he <i>pub.</i> in 1656, and in which Oceana represents England, +Marpesia Scotland, and Panopæa Ireland. In this work he +propounds the theory that the natural element of power in states is +property, of which land is the most important. He further endeavoured +to propagate his views by establishing a debating society +called the Rota, and by his conversations with his friends. After +the Restoration he was confined in the Tower, and subsequently at +Plymouth. He issued several defences of <i>Oceana</i>, and made translations +from Virgil. In his later years he laboured under mental +delusions. Aubrey describes him as of middle stature, strong, well-set, +with quick, fiery hazel eyes, and thick curly hair.</p><br /> + +<a name='HARRIS_JAMES_1709_1780'></a><p><b>HARRIS, JAMES (1709-1780).</b> +—Grammarian, was a +wealthy country gentleman and member of Parliament, who held +office in the Admiralty and the Treasury. He was the author of a +singular and learned work entitled <i>Hermes, or a Philosophical Inquiry +concerning Universal Grammar</i>. For the purpose which it had +in view it is useless; but it contains much curious matter. His <i>s.</i> +was the eminent diplomatist, James H., 1st Earl of Malmesbury.</p><br /> + +<a name='HARRIS_JOEL_CHANDLER_1848_1908'></a><p><b>HARRIS, JOEL CHANDLER (1848-1908).</b> +—Writer of tales, +etc., <i>b.</i> at Eatonton, Georgia, was successively printer, lawyer, and +journalist. He struck out an original line in his stories of animal +life as it presents itself to the mind of the Southern negro, in whose +dialect they are written. These not only achieved and retain an exceptional +popularity among children, to whom they were in the first +instance addressed, but attracted the attention of students of folklore +and anthology. Among his writings are <i>Uncle Remus</i> (1880), +<i>Nights with Uncle Remus</i> (1884), <i>Mr. Rabbit at Home</i> (1895), <i>Aaron +in the Wild Woods</i> (1897), <i>Chronicles of Aunt Minervy Ann</i> (1899), etc.</p><br /> + +<a name='HARTE_FRANCIS_BRET_1839_1902'></a><p><b>HARTE, FRANCIS BRET (1839-1902).</b> +—American +humorist, <i>b.</i> in Albany, N.Y., but when still a boy went to California. +He had a somewhat varied career as a teacher, miner, and +journalist, and it is as a realistic chronicler of the gold-field and +an original humorist that his chief literary triumphs were achieved. +Among his best known writings are <i>Condensed Novels</i>, in which he +showed great skill as a parodist, <i>The Luck of Roaring Camp</i>, <i>The +Idyll of Red Gulch</i>, and <i>The Heathen Chinee</i>. In 1880 he came to +Glasgow as U.S. Consul, and from 1885 he lived in London. His +writings often show the tenderness and fine feeling that are allied to +the higher forms of humour, and he may be said to have created a +special form of short story in his Californian tales and prose idylls.</p><br /> + +<a name='HARTLEY_DAVID_1705_1757'></a><p><b>HARTLEY, DAVID (1705-1757).</b> +—Philosopher, <i>b.</i> at Luddenden, +Yorkshire, and <i>ed.</i> at Camb., studied for the Church, but +<a name='Page_180'></a>owing to theological difficulties turned to medicine as a profession, +and practised with success at various places, including London and +Bath. He also attained eminence as a writer on philosophy, and +indeed may be said to have founded a school of thought based upon +two theories, (1) the Doctrine of Vibrations, and (2) that of Association +of Ideas. These he developed in an elaborate treatise, +<i>Observations on Man, his Frame, his Duty, and his Expectations</i>. +Though his system has long been discarded, its main ideas have continued +to influence thought and investigation.</p><br /> + +<a name='HARVEY_GABRIEL_1545_1630'></a><p><b>HARVEY, GABRIEL (1545?-1630).</b> +—Poet, <i>s.</i> of a ropemaker, +was <i>b.</i> at Saffron Walden, <i>ed.</i> at Camb., and became the +friend of Spenser, being the Hobbinol of <i>The Shepheard's Calendar</i>. +He wrote various satirical pieces, sonnets, and pamphlets. Vain +and ill-tempered, he was a remorseless critic of others, and was involved +in perpetual controversy, specially with Greene and Nash, +the latter of whom was able to silence him. He wrote treatises on +rhetoric, claimed to have introduced hexameters into English, was +a foe to rhyme, and persuaded Spenser temporarily to abandon it.</p><br /> + +<a name='HAWES_STEPHEN_d_1523'></a><p><b>HAWES, STEPHEN (<i>d.</i> 1523?).</b> +—Poet; very little concerning +him is known with certainty. He is believed to have been +<i>b.</i> in Suffolk, and may have studied at Oxf. or Camb. He first +comes clearly into view as a Groom of the Chamber in 1502, in which +year he dedicated to Henry VII. his <i>Pastyme of Pleasure</i>, first +printed in 1509 by Wynkyn de Worde. In the same year appeared +the <i>Convercyon of Swerers</i> (1509), and <i>A Joyful Meditacyon of all +England</i> (1509), on the coronation of Henry VIII. He also wrote the +<i>Exemple of Vertu</i>. H. was a scholar, and was familiar with French +and Italian poetry. No great poet, he yet had a considerable share +in regularising the language.</p><br /> + +<a name='HAWKER_ROBERT_STEPHEN_1804_1875'></a><p><b>HAWKER, ROBERT STEPHEN (1804-1875).</b> +—Poet and +antiquary, <i>ed.</i> at Cheltenham and Oxf., became parson of Morwenstow, +a smuggling and wrecking community on the Cornish +coast, where he exercised a reforming and beneficent, though extremely +unconventional, influence until his death, shortly before +which he was received into the Roman Catholic Church. He wrote +some poems of great originality and charm, <i>Records of the Western +Shore</i> (1832-36), and <i>The Quest of the Sangraal</i> (1863) among them, +besides short poems, of which perhaps the best known is <i>Shall +Trelawny Die?</i> which, based as it is on an old rhyme, deceived +both Scott and Macaulay into thinking it an ancient fragment. +He also <i>pub.</i> a collection of papers, <i>Footprints of Former Men in +Cornwall</i> (1870).</p><br /> + +<a name='HAWTHORNE_NATHANIEL_1804_1864'></a><p><b>HAWTHORNE, NATHANIEL (1804-1864).</b> +—Novelist, <i>b.</i> at +Salem, Massachusetts, <i>s.</i>. of a sea captain, who <i>d.</i> in 1808, after +which his mother led the life of a recluse. An accident when at +play conduced to an early taste for reading, and from boyhood he +cherished literary aspirations. His education was completed at +Bowdoin Coll., where he had Longfellow for a fellow-student. After +graduating, he obtained a post in the Custom-House, which, however, +he did not find congenial, and soon gave up, betaking himself +to literature, his earliest efforts, besides a novel, <i>Fanshawe</i>, which +<a name='Page_181'></a>had no success, being short tales and sketches, which, after appearing +in periodicals, were <i>coll.</i> and <i>pub.</i> as <i>Twice-told Tales</i> (1837), +followed by a second series in 1842. In 1841 he joined for a few +months the socialistic community at Brook Farm, but soon tired of +it, and in the next year he <i>m.</i> and set up house in Concord in an old +manse, formerly tenanted by Emerson, whence proceeded <i>Mosses +from an Old Manse</i> (1846). It was followed by <i>The Snow Image</i> +(1851), <i>The Scarlet Letter</i> (1850), his most powerful work, <i>The +House of Seven Gables</i>, and <i>The Blithedale Romance</i> (1852), besides +his children's books, <i>The Wonder Book</i>, and <i>The Tanglewood Tales</i>. +Such business as he had occupied himself with had been in connection +with Custom-House appointments at different places; but in +1853 he received from his friend Franklin Pierce, on his election to +the Presidency, the appointment of United States Consul at Liverpool, +which he retained for four years, when, in consequence of a +threatened failure of health, he went to Italy and began his story +of <i>The Marble Faun</i>, <i>pub.</i> in England in 1860 under the title of <i>The +Transformation</i>. The last of his books <i>pub.</i> during his lifetime was +<i>Our Old Home</i> (1863), notes on England and the English. He had +returned to America in 1860, where, with failing health and powers, +he passed his remaining four years. After his death there were <i>pub.</i> +<i>The Ancestral Footstep</i>, <i>Septimus Felton</i>, <i>Dr. Grimshawe's Secret</i>, and +<i>The Dolliver Romance</i>, all more or less fragmentary. Most of H.'s +work is pervaded by a strong element of mysticism, and a tendency +to dwell in the border-land between the seen and the unseen. His +style is characterised by a distinctive grace and charm, rich, varied, +suggestive, and imaginative. On the whole he is undoubtedly the +greatest imaginative writer yet produced by America.</p> + +<p>There are several ed. of the <i>Works, e.g.</i> Little Classics, 25 vols.; +Riverside, 15 vols.; Standard Library, 15 vols.; the two last have +biographies. <i>Lives</i> by his son Julian, H. James (English Men of +Letters, 1850), M.D. Conway (Great Writers, 1890), etc.</p><br /> + +<a name='HAY_JOHN_1838_1906'></a><p><b>HAY, JOHN (1838-1906).</b> +—Diplomatist and poet, <i>b.</i> at +Salem, Indiana, <i>ed.</i> at Brown Univ., and called to the Illinois Bar, +served in the army, and was one of President Lincoln's secs. He then +held diplomatic posts at Paris, Madrid, and Vienna, was Ambassador +to Great Britain, and was in 1898 appointed Sec. of State. +He has a place in literature by virtue of his <i>Pike County Ballads</i>, and +<i>Castilian Days</i> (1871).</p><br /> + +<a name='HAYLEY_WILLIAM_1745_1820'></a><p><b>HAYLEY, WILLIAM (1745-1820).</b> +—Poet and biographer, +was <i>b.</i> at Chichester, and <i>ed.</i> at Eton and Camb. Though overstrained +and romantic, he had some literary ability, and was a good +conversationalist. He was the friend of Cowper, whose Life he +wrote; and it was to his influence with Pitt that the granting of a +pension to the poet was due. He was the author of numerous poems, +including <i>The Triumph of Temper</i>, and of <i>Essays</i> on <i>History</i> and +<i>Epic Poetry</i>, and, in addition to his biography of Cowper, wrote a +<i>Life of Milton</i>. On the death of Thos. Warton in 1790 he was +offered, but declined, the Laureateship. Of him Southey said, +"Everything about that man is good except his poetry."</p><br /> + +<a name='HAYNE_PAUL_HAMILTON_1830_1886'></a><p><b>HAYNE, PAUL HAMILTON (1830-1886).</b> +—Poet, <i>b.</i> at +Charleston, S. Carolina, of an old family, contributed to various +<a name='Page_182'></a>magazines, and <i>pub.</i> <i>Poems</i> (1885), containing "Legends and +Lyrics." His graceful verses show the influence of Keats. His +sonnets are some of his best work.</p><br /> + +<a name='HAYWARD_ABRAHAM_1802_1884'></a><p><b>HAYWARD, ABRAHAM (1802-1884).</b> +—Miscellaneous writer, +belonged to an old Wiltshire family and was <i>ed.</i> at Tiverton School. +He studied law at the Inner Temple, and was called to the Bar 1832. +He had a great reputation as a <i>raconteur</i> and sayer of good things, +and he was a copious contributor to periodicals, especially the +<i>Quarterly Review</i>. Many of his articles were reprinted as <i>Biographical +and Critical Essays</i>, and <i>Eminent Statesmen and Writers</i>; +he also wrote Lives of George Selwyn and Lord Chesterfield, and +books on Whist, Junius, and <i>The Art of Dining</i>. His <i>Select Correspondence</i> +appeared posthumously.</p><br /> + +<a name='HAYWARD_SIR_JOHN_1564_1627'></a><p><b>HAYWARD, SIR JOHN (1564?-1627).</b> +—Historian, <i>b.</i> at +Felixstowe, was the author of various historical works, the earliest +of which, <i>The First Part of the Life and Reign of King Henry IV.</i>, +was <i>pub.</i> in 1599, and gave such offence to Queen Elizabeth that +the author was imprisoned. He, however, managed to ingratiate +himself with James I. by supporting his views of kingly prerogative. +He also, at the request of Prince Henry, wrote a <i>History of the three +Norman Kings of England</i> (William I., William II., and Henry I.) +<i>The Life and Reign of Edward VI.</i> was <i>pub.</i> posthumously in 1630.</p><br /> + +<a name='HAYWOOD_MRS_ELIZA_FOWLER_1693_1756'></a><p><b>HAYWOOD, MRS. ELIZA (FOWLER) (1693-1756).</b> +—Dramatist +and novelist, <i>b.</i> in London, was early <i>m.</i> to a Mr. H., but the +union turning out unhappily, she took to the stage, upon which she +appeared in Dublin about 1715. She afterwards settled in London, +and produced numerous plays and novels, into which she introduced +scandalous episodes regarding living persons whose identity was +very thinly veiled, a practice which, along with her political satires, +more than once involved her in trouble, and together with certain +attacks upon Pope, made in concert with Curll the bookseller, +procured for her a place in <i>The Dunciad</i>. Her enemies called her +reputation in question, but nothing very serious appears to have +been proved. She is repeatedly referred to by Steele, and has been +doubtfully identified with his "Sappho." Some of her works, such +as <i>The History of Jemmy and Jenny Jessamy</i> had great popularity. +Others were <i>The Fair Captive</i> (1721), <i>Idalia</i> (1723), <i>Love in Excess</i> +(1724), <i>Memoirs of a Certain Island adjacent to Utopia</i> (anonymously) +(1725), <i>Secret History of Present Intrigues at the Court of +Caramania</i> (anonymously) (1727). She also conducted <i>The Female +Spectator</i>, and other papers.</p><br /> + +<a name='HAZLITT_WILLIAM_1778_1830'></a><p><b>HAZLITT, WILLIAM (1778-1830).</b> +—Essayist and critic, <i>b.</i> +at Maidstone, was the <i>s.</i> of a Unitarian minister. At his father's +request he studied for the ministry at a Unitarian Coll. at Hackney. +His interests, however, were much more philosophical and political +than theological. The turning point in his intellectual development +was his meeting with Coleridge in 1798. Soon after this he +studied art with the view of becoming a painter, and devoted himself +specially to portraiture, but though so good a judge as his friend, +J. Northcote, R.A., believed he had the talent requisite for success, +<a name='Page_183'></a>he could not satisfy himself, and gave up the idea, though always +retaining his love of art. He then definitely turned to literature, +and in 1805 <i>pub.</i> his first book, <i>Essay on the Principles of Human +Action</i>, which was followed by various other philosophical and +political essays. About 1812 he became parliamentary and dramatic +reporter to the <i>Morning Chronicle</i>; in 1814 a contributor to the +<i>Edinburgh Review</i>; and in 1817 he <i>pub.</i> a vol. of literary sketches, +<i>The Round Table</i>. In the last named year appeared his <i>Characters +of Shakespeare's Plays</i>, which was severely attacked in the <i>Quarterly +Review</i> and <i>Blackwood's Magazine</i>, to which his democratic +views made him obnoxious. He defended himself in a cutting +<i>Letter to William Gifford</i>, the ed. of the former. The best of H.'s +critical work—his three courses of Lectures, <i>On the English Poets</i>, +<i>On the English Comic Writers</i>, and <i>On the Dramatic Literature of the +Age of Queen Elizabeth</i>—appeared successively in 1818, 1819, and +1820. His next works were <i>Table Talk</i>, in which he attacked +Shelley (1821-22), and <i>The Spirit of the Age</i> (1825), in which he +criticised some of his contemporaries. He then commenced what +he intended to be his chief literary undertaking, a life of <i>Napoleon +Buonaparte</i>, in 4 vols. (1828-30). Though written with great +literary ability, its views and sympathies were unpopular, and it +failed in attaining success. His last work was a <i>Life of Titian</i>, in +which he collaborated with Northcote. H. is one of the most subtle +and acute of English critics, though, when contemporaries came +under review, he sometimes allowed himself to be unduly swayed by +personal or political feeling, from which he had himself often suffered +at the hands of others. His chief principle of criticism as avowed +by himself was that "a genuine criticism should reflect the colour, +the light and shade, the soul and body of a work." In his private +life he was not happy. His first marriage, entered into in 1807, +ended in a divorce in 1822, and was followed by an amour with his +landlady's <i>dau.</i>, which he celebrated in <i>Liber Amoris</i>, a work which +exposed him to severe censure. A second marriage with a Mrs. +Bridgewater ended by the lady leaving him shortly after. The fact +is that H. was possessed of a peculiar temper, which led to his quarrelling +with most of his friends. He was, however, a man of honest +and sincere convictions. There is a <i>coll.</i> ed. of his works, the +"Winterslow," by A.R. Waller and A. Glover, 12 vols., with introduction +by W.E. Henley, etc.</p><br /> + +<a name='HEAD_SIR_FRANCIS_BOND_1793_1875'></a><p><b>HEAD, SIR FRANCIS BOND (1793-1875).</b> +—Traveller, +essayist, and biographer, served in the Engineers, went to South +America as manager of a mining company, which failed, and then +turned to literature, and made considerable reputation by a book of +travels, <i>Rapid Journeys across the Pampas and among the Andes</i> +(1827), which was followed by <i>Bubbles from the Brunnens of Nassau</i> +(1834). He was Governor of Upper Canada 1835-37, but was not a +great success. Thereafter he contributed to the <i>Quarterly Review</i>, +and <i>repub.</i> his articles as <i>Stokers and Pokers—Highways and Byways</i>, +and wrote a <i>Life of Bruce</i>, the Abyssinian traveller. He was made a +Baronet in 1836.</p><br /> + +<a name='HEARN_LAFCADIO_1850_1906'></a><p><b>HEARN, LAFCADIO (1850-1906).</b> +—Journalist and writer +on Japan, <i>s.</i> of an Irish Army surgeon and of a Greek lady, <i>b.</i> in<a name='Page_184'></a> +Leucadia, Ionian Islands, lost his parents early, and was sent home +to be taken charge of by an aunt in Wales, a Roman Catholic. On +her death, when he was still a boy, he was left penniless, delicate, +and half blind, and after experiencing great hardships, in spite of +which he <i>ed.</i> himself, he took to journalism. Going to New Orleans +he attained a considerable reputation as a writer with a distinctly +individual style. He came under the influence of Herbert Spencer, +and devoted himself largely to the study of social questions. After +spending three years in the French West Indies, he was in 1890 sent +by a publisher to Japan to write a book on that country, and there +he remained, becoming a naturalised subject, taking the name of +Yakomo Koizumi, and marrying a Japanese lady. He lectured on +English literature in the Imperial Univ. at Tokio. Though getting +nearer than, perhaps, any other Western to an understanding of the +Japanese, he felt himself to the end to be still an alien. Among his +writings, which are distinguished by acute observation, imagination, +and descriptive power of a high order, are <i>Stray Leaves from Strange +Literature</i> (1884), <i>Some Chinese Ghosts</i> (1887), <i>Gleanings in Buddha +Fields</i> (1897), <i>Ghostly Japan</i>, <i>Kokoro</i>, <i>Hints and Echoes of Japanese +Inner Life</i>, etc. He was also an admirable letter-writer.</p><br /> + +<a name='HEARNE_THOMAS_1678_1735'></a><p><b>HEARNE, THOMAS (1678-1735).</b> +—Antiquary, <i>b.</i> at White +Waltham., Berkshire, and <i>ed.</i> at Oxf., where in 1712 he became second +keeper of the Bodleian Library. A strong Jacobite, he was deprived +of his post in 1716, and afterwards he refused, on political grounds, +the chief librarianship. He <i>pub.</i> a large number of antiquarian +works, including <i>Reliquiæ Bodleianæ</i> (1703), and ed. of Leland's +<i>Itinerary</i> and <i>Collectanea</i>, Camden's <i>Annals</i>, and Fordun's <i>Scotochronicon</i>. +Some of his own collections were <i>pub.</i> posthumously.</p><br /> + +<a name='HEBER_REGINALD_1783_1826'></a><p><b>HEBER, REGINALD (1783-1826).</b> +—Poet, <i>s.</i> of the Rector +of Malpas, a man of family and wealth, and half-brother of Richard +H., the famous book-collector, was <i>ed.</i> at Oxf., where he gained +the Newdigate prize for his poem, <i>Palestine</i>, and was elected in 1805 +Fellow of All Souls. After travelling in Germany and Russia, he +took orders in 1807, and became Rector of the family living of +Hodnet. In 1822, after two refusals, he accepted the Bishopric of +Calcutta, an office in which he showed great zeal and capacity. He +<i>d.</i> of apoplexy in his bath at Trichinopoly in 1826. In addition to +<i>Palestine</i> he wrote <i>Europe</i>, a poem having reference specially to the +Peninsular War, and left various fragments, including an Oriental +romance based on the story of Bluebeard. H.'s reputation now rests +mainly on his hymns, of which several, <i>e.g.</i>, <i>From Greenland's Icy +Mountains</i>, <i>Brightest and Best of the Sons of the Morning</i>, and <i>Holy, +holy, holy, Lord God Almighty</i>, are sung wherever the English +language is known. He also wrote a <i>Life of Jeremy Taylor</i> (1822). +H. was a scholar and wit as well as a devoted Christian and +Churchman.</p><br /> + +<a name='HELPS_SIR_ARTHUR_1813_1875'></a><p><b>HELPS, SIR ARTHUR (1813-1875).</b> +—Essayist and historian, +was <i>b.</i> at Streatham, Surrey, and <i>ed.</i> at Eton and Camb. After +leaving the Univ. he was private sec. to various public men, and in +1841, his circumstances rendering him independent of employment, +he retired to Bishop's Waltham, and devoted himself for 20 years to +<a name='Page_185'></a>study and writing. Appointed, in 1860, Clerk to the Privy Council, he +became known to, and a favourite of, Queen Victoria, who entrusted +him with the task of editing the <i>Speeches and Addresses of the Prince +Consort</i> (1862), and her own book, <i>Leaves from the Journal of our +Life in the Highlands</i> (1868). Of his own publications the first was +<i>Thoughts in the Cloister and the Crowd</i> (1835), a series of aphorisms, +and there followed, among others, <i>Essays written in the Intervals of +Business</i> (1841), <i>Friends in Council</i>, 4 series (1847-59), <i>Realmah</i> +(1869), and <i>Conversations on War and General Culture</i> (1871). In +history H. wrote <i>The Conquerors of the New World</i> (1848-52), and +<i>The Spanish Conquests in America</i>, 4 vols. (1855-61). He also wrote +a <i>Life of Thos. Brassey</i>, and, as the demand for his historical works +fell off, he <i>repub.</i> parts of them as individual biographies of Las +Casas, Columbus, Pizarro, and Cortez. He also tried the drama, +but without success. His essays are his most successful work, containing +as they do the thoughts and opinions of a shrewd, experienced, +and highly cultivated man, written in what Ruskin called +"beautiful quiet English." They have not, however, any exceptional +depth or originality.</p><br /> + +<a name='HEMANS_FELICIA_DOROTHEA_BROWNE_1793_1835'></a><p><b>HEMANS, FELICIA DOROTHEA (BROWNE) (1793-1835).</b> +—Poetess, +<i>dau.</i> of a Liverpool merchant, who, owing to reverses, +retired to North Wales. While yet little more than a child she <i>pub.</i> +her first poems, the reception of which was not encouraging. In the +same year, 1808, a further publication appeared which drew a letter +from Shelley. Her first important work, <i>The Domestic Affections</i>, +appeared in 1812, in which year she was <i>m.</i> to Captain Hemans, an +Irish officer. The union, however, was not a happy one, and her +husband practically deserted her and her five sons in 1818. Her +literary activity was continued during the whole of her short life, +and her works include, <i>The Vespers of Palermo</i>, a drama, which was +not successful, <i>The Forest Sanctuary</i> (1826), her best poem, <i>Records +of Woman</i>, <i>Lays of Leisure Hours</i>, <i>Songs of the Affections</i>, <i>Hymns for +Childhood</i>, and <i>Thoughts during Sickness</i> (1834), her last effort. In +1829 she visited Scotland, where she was the guest of Scott, who +held her in affectionate regard. She also enjoyed the friendship +of Wordsworth. Always somewhat delicate, her health latterly +entirely gave way, and she <i>d.</i> of a decline in 1835. Her shorter +pieces enjoyed much popularity, and still, owing to their grace and +tenderness, retain a certain place, but her long poems are lacking in +energy and depth, and are forgotten.</p><br /> + +<a name='HENLEY_WILLIAM_ERNEST_1849_1903'></a><p><b>HENLEY, WILLIAM ERNEST (1849-1903).</b> +—Poet and +critic, <i>b.</i> at Gloucester, made the acquaintance of <a href='#STEVENSON_ROBERT_LOUIS_1850_1894'>Robert Louis +Stevenson</a> (<i>q.v.</i>), and collaborated with him in several dramas, +including <i>Deacon Brodie</i>, and <i>Robert Macaire</i>. He engaged in +journalism, and became ed. of <i>The Magazine of Art</i>, <i>The National +Observer</i>, and <i>The New Review</i>, compiled <i>Lyra Heroica</i>, an anthology +of English poetry for boys, and, with Mr. Farmer, ed. a <i>Dictionary +of Slang</i>. His poems, which include <i>Hospital Rhymes</i>, <i>London +Voluntaries</i>, <i>The Song of the Sword</i>, <i>For England's Sake</i>, and <i>Hawthorn +and Lavender</i>, are very unequal in quality, and range from +strains of the purest music to an uncouth and unmusical realism of +<a name='Page_186'></a>no poetic worth. He wrote with T.F. Henderson a <i>Life of Burns</i>, +in which the poet is set forth as a "lewd peasant of genius."</p> + +<p>Complete works, 7 vols., 1908.</p><br /> + +<a name='HENRY_VIII_1491_1547'></a><p><b>HENRY VIII. (1491-1547).</b> +—Besides writing songs including +<i>The Kings Ballad</i>, was a learned controversialist, and contended +against Luther in <i>Assertio Septem Sacramentorum</i> (Defence +of the Seven Sacraments), a treatise which gained for him the title +of Defender of the Faith.</p><br /> + +<a name='HENRY_of_HUNTINGDON_1084_1155'></a><p><b>HENRY of HUNTINGDON (1084-1155).</b> +—Historian, was +Archdeacon of Huntingdon from 1109. His <i>Historia Anglorum</i> +(History of the English) comes down to 1154. He also wrote a +treatise, <i>De Contemptu Mundi</i> (on Contempt of the World).</p><br /> + +<a name='HENRY_MATTHEW_1662_1714'></a><p><b>HENRY, MATTHEW (1662-1714).</b> +—Commentator, <i>s.</i> of +Philip H., a learned Nonconformist divine, was <i>b.</i> in Flintshire. He +was originally destined for the law, and studied at Gray's Inn, but +turned his mind to theology, and, in 1687, became minister of a Nonconformist +church at Chester. Here he remained until 1712, when +he went to take the oversight of a congregation at Hackney, where +he <i>d.</i> two years later. He wrote many religious works, but is +chiefly remembered by his <i>Exposition of the Old and New Testaments</i>, +which he did not live to complete beyond the Acts. The comment +on the Epistles was, however, furnished after his death by 13 Nonconformist +divines. Though long superseded from a critical point +of view, the work still maintains its place as a book of practical +religion, being distinguished by great freshness and ingenuity of +thought, and pointed and vigorous expression.</p><br /> + +<a name='HENRY_ROBERT_1718_1790'></a><p><b>HENRY, ROBERT (1718-1790).</b> +—Historian, <i>b.</i> at St. +Ninians, Stirlingshire, entered the Church of Scotland, becoming +one of the ministers of Edin. He wrote the <i>History of Great Britain +on a New Plan</i> (1771-93), in 6 vols., covering the period from the +Roman invasion until the reign of Henry VIII. The novelty consisted +in dividing the subjects into different heads, civil history, +military, social, and so on, and following out each of them separately. +The work was mainly a compilation, having no critical qualities, and +is now of little value. Notwithstanding the persistent and ferocious +attacks of <a href='#STUART_GILBERT_1742_1786'>Dr. Gilbert Stewart</a> (<i>q.v.</i>), it had a great success, and +brought the author over £3000, and a government pension of £100.</p><br /> + +<a name='HENRY_THE_MINSTREL_see_BLIND_HARRY'></a><p><b>HENRY, THE MINSTREL, (<i>see</i> <a href='#BLIND_HARRY_or_HENRY_THE_MINSTREL_fl_1470_1492'>BLIND HARRY</a>).</b></p><br /> + +<a name='HENRYSON_ROBERT_1430_1506'></a><p><b>HENRYSON, ROBERT (1430?-1506?).</b> +—Scottish poet. +Few details of his life are known, even the dates of his birth and +death being uncertain. He appears to have been a schoolmaster, +perhaps in the Benedictine Convent, at Dunfermline, and was a +member of the Univ. of Glasgow in 1462. He also practised as a +Notary Public, and may have been in orders. His principal poems +are <i>The Moral Fables of Esope the Phrygian</i>, <i>The Testament of +Cresseide</i>, a sequel to the <i>Troilus and Cressida</i> of Chaucer, to whom +it was, until 1721, attributed, <i>Robene and Makyne</i>, the first pastoral, +not only in Scottish vernacular, but in the English tongue, <i>The Uplandis +Mous and The Burges Mous</i> (Country and Town Mouse), and +<a name='Page_187'></a>the <i>Garmond of Gude Ladeis</i>. H., who was versed in the learning +and general culture of his day, had a true poetic gift. His verse is +strong and swift, full of descriptive power, and sparkling with wit. +He is the first Scottish lyrist and the introducer of the pastoral to +English literature.</p><br /> + +<a name='HENTY_GEORGE_ALFRED_1832_1902'></a><p><b>HENTY, GEORGE ALFRED (1832-1902).</b> +—Boys' novelist, +wrote over 80 books for boys, which had great popularity. Among +them are <i>By England's Aid</i>, <i>Dash for Khartoum</i>, <i>Facing Death</i>, <i>In +Freedom's Cause</i>, <i>Out on the Pampas</i>, etc., all full of adventure and +interest, and conveying information as well as amusement.</p><br /> + +<a name='HERAUD_JOHN_ABRAHAM_1799_1887'></a><p><b>HERAUD, JOHN ABRAHAM (1799-1887).</b> +—Poet, <i>b.</i> in +London, of Huguenot descent, he contributed to various periodicals, +and <i>pub.</i> two poems, which attracted some attention, <i>The Descent +into Hell</i> (1830), and <i>The Judgment of the Flood</i> (1834). He also +produced a few plays, miscellaneous poems, books of travel, etc.</p><br /> + +<a name='HERBERT_of_CHERBURY_EDWARD_1ST_LORD_1583_1648'></a><p><b>HERBERT, of CHERBURY, EDWARD, 1ST LORD (1583-1648).</b> +—Philosopher +and historian, was the eldest <i>s.</i> of Richard H., of +Montgomery Castle, and was <i>b.</i> there or at Eyton, Shropshire. He was +at Oxf., and while there, at the age of 16, he <i>m.</i> a kinswoman four +years his senior, the <i>dau.</i> of Sir William H. Thereafter he returned +to the Univ. and devoted himself to study, and to the practice of +manly sports and accomplishments. At his coronation in 1603 +James I. made him a Knight of the Bath, and in 1608 he went to the +Continent, where for some years he was engaged in military and +diplomatic affairs, not without his share of troubles. In 1624 he +was <i>cr.</i> an Irish, and a few years later, an English, peer, as Baron H., +of Cherbury. On the outbreak of the Civil War he sided, though +somewhat half-heartedly, with the Royalists, but in 1644 he surrendered +to the Parliament, received a pension, held various offices, +and <i>d.</i> in 1648. It was in 1624 that he wrote his treatise, <i>De Veritate</i>, +"An empirical theory of knowledge," in which truth is distinguished +from (1) revelation, (2) the probable, (3) the possible, (4) the +false. It is the first purely metaphysical work written by an +Englishman, and gave rise to much controversy. It was reprinted +in 1645, when the author added two treatises, <i>De Causis Errorum</i> +(concerning the Causes of Errors), and <i>De Religione Laici</i> (concerning +the Religion of a Layman). His other chief philosophical work was +<i>De Religione Gentilium</i> (1663), of which an English translation appeared +in 1705, under the title of <i>The Ancient Religion of the Gentiles +and Cause of their Errors considered</i>. It has been called "the +charter of the Deists," and was intended to prove that "all religions +recognise five main articles—(1) a Supreme God, (2) who ought to +be worshipped, (3) that virtue and purity are the essence of that +worship, (4) that sin should be repented of, and (5) rewards and +punishments in a future state." Among his historical works are +<i>Expeditio Buckinghamii Ducis</i> (1656), a vindication of the Rochelle +expedition, a <i>Life of Henry VIII.</i> (1649), extremely partial to the +King, his <i>Autobiography</i>, which gives a brilliant picture of his +contemporaries, and of the manners and events of his time, and a +somewhat vainglorious account of himself and his doings. He +was also the author of some poems of a metaphysical cast. On +<a name='Page_188'></a>the whole his is one of the most shining and spirited figures of +the time.</p> + +<p>Autobiography ed. by S. Lee (1886). Poems ed. by J. Churton +Collins, etc.</p><br /> + +<a name='HERBERT_GEORGE_1593_1633'></a><p><b>HERBERT, GEORGE (1593-1633).</b> +—Poet, brother of above, +was <i>ed.</i> at Westminster School and Trinity Coll., Camb., where he took +his degree in 1616, and was public orator 1619-27. He became the +friend of Sir H. Wotton, Donne, and Bacon, the last of whom is said +to have held him in such high esteem as to submit his writings to +him before publication. He acquired the favour of James I., who +conferred upon him a sinecure worth £120 a year, and having powerful +friends, he attached himself for some time to the Court in the +hope of preferment. The death of two of his patrons, however, led +him to change his views, and coming under the influence of Nicholas +Ferrar, the quietist of Little Gidding, and of Laud, he took orders in +1626 and, after serving for a few years as prebendary of Layton +Ecclesia, or Leighton Broomswold, he became in 1630 Rector of +Bemerton, Wilts, where he passed the remainder of his life, discharging +the duties of a parish priest with conscientious assiduity. His +health, however, failed, and he <i>d.</i> in his 40th year. His chief +works are <i>The Temple, or Sacred Poems and Private Ejaculations</i> +(1634), <i>The Country Parson</i> (1652), and <i>Jacula Prudentium</i>, a collection +of pithy proverbial sayings, the two last in prose. Not <i>pub.</i> +until the year after his death, <i>The Temple</i> had immediate acceptance, +20,000 copies, according to I. Walton, who was H.'s biographer, +having been sold in a few years. Among its admirers were +Charles I., Cowper, and Coleridge. H. wrote some of the most +exquisite sacred poetry in the language, although his style, influenced +by Donne, is at times characterised by artificiality and +conceits. He was an excellent classical scholar, and an accomplished +musician.</p> + +<p>Works with <i>Life</i> by Izaak Walton, ed. by Coleridge, 1846, etc.</p><br /> + +<a name='HERBERT_SIR_THOMAS_1606_1682'></a><p><b>HERBERT, SIR THOMAS (1606-1682).</b> +—Traveller and +historian, belonged to an old Yorkshire family, studied at Oxf. and +Camb., and went in connection with an embassy to Persia, of which, +and of other Oriental countries, he <i>pub.</i> a description. On the outbreak +of the Civil War he was a Parliamentarian, but was afterwards +taken into the household of the King, to whom he became much attached, +was latterly his only attendant, and was with him on the +scaffold. At the Restoration he was made a Baronet, and in 1678 +<i>pub.</i> <i>Threnodia Carolina</i>, an account of the last two years of the +King's life.</p><br /> + +<a name='HERD_DAVID_1732_1810'></a><p><b>HERD, DAVID (1732-1810).</b> +—Scottish anthologist, <i>s.</i> of a +farmer in Kincardineshire, was clerk to an accountant in Edin., and +devoted his leisure to collecting old Scottish poems and songs, which +he first <i>pub.</i> in 1769 as <i>Ancient Scottish Songs, Heroic Ballads, etc.</i> +Other and enlarged ed. appeared in 1776 and 1791. Sir W. Scott +made use of his MS. collections in his <i>Minstrelsy of the Scottish +Border</i>.</p><br /> + +<a name='HERRICK_ROBERT_1591_1674'></a><p><b>HERRICK, ROBERT (1591-1674).</b> +—Poet, <i>b.</i> in London, was +apprenticed as a goldsmith to his uncle, Sir William H., with whom +<a name='Page_189'></a>he remained for 10 years. Thereafter he went to Camb., took +orders, and was in 1629 presented by Charles I. to the living of Dean +Prior, a remote parish in Devonshire, from which he was ejected in +1647, returning in 1662. In the interval he appears to have lived +in Westminster, probably supported, more or less, by the gifts of +wealthy Royalists. His <i>Noble Numbers or Pious Pieces</i> was <i>pub.</i> in +1647, his <i>Hesperides or Works both Human and Divine</i> in 1648, and +the two together in one vol. in the latter year. Over 60, however, +of the lighter poems included in <i>Hesperides</i> had previously appeared +anonymously in a collection entitled <i>Wit's Recreations</i>. H.'s early +life in London had been a free one, and his secular poems, in which +he appears much more at ease than in his sacred, show him to have +been a thorough Epicurean, though he claims that his life was not +to be judged by his muse. As a lyric poet H. stands in the front +rank for sweetness, grace, and true poetic fire, and some of his love +songs, <i>e.g. Anthea</i>, and <i>Gather ye Rose-buds</i>, are unsurpassed in +their kind; while in such exquisite little poems as <i>Blossoms, +Daffodils</i>, and others he finds a classic expression for his love of +nature and country life. In his epigrams, however, he falls much +below himself. He has been described as "the most frankly pagan +of English poets."</p> + +<p>Poems ed. by Nutt (1810), Grosart (1876), Pollard (preface by +Swinburne, 1891).</p><br /> + +<a name='HERSCHEL_SIR_JOHN_FREDERICK_WILLIAM_1792_1871'></a><p><b>HERSCHEL, SIR JOHN FREDERICK WILLIAM (1792-1871).</b> +—<i>S.</i> +of Sir William H., the eminent astronomer and discoverer of the +planet Uranus, was <i>b.</i> at Slough, and <i>ed.</i> at Camb., where he was +Senior Wrangler and first Smith's prizeman. He became one of the +greatest of English astronomers. Among his writings are treatises +on Sound and Light, and his <i>Astronomy</i> (1831) was for long the +leading manual on the subject. He also <i>pub.</i> <i>Popular Lectures</i> and +<i>Collected Addresses</i>, and made translations from Schiller, and from +the <i>Iliad</i>.</p><br /> + +<a name='HERVEY_JAMES_1714_1758'></a><p><b>HERVEY, JAMES (1714-1758).</b> +—Religious writer, Rector +of Weston Favell, Northants, was the author of <i>Meditations among +the Tombs</i> (1745-47), <i>Theron and Aspasio</i>, and other works, which +had a great vogue in their day. They are characterised by over-wrought +sentiment, and overloaded with florid ornament. H. was +a devout and unselfish man, who by his labours broke down a +delicate constitution.</p><br /> + +<a name='HERVEY_JOHN_LORD_1696_1743'></a><p><b>HERVEY, JOHN, LORD (1696-1743).</b> +—Writer of memoirs, +was a younger <i>s.</i> of the 1st Earl of Bristol. Entering Parliament he +proved an able debater, and held various offices, including that of +Lord Privy Seal. He was a favourite with Queen Caroline, and a +dexterous and supple courtier. He wrote <i>Memoirs of the Reign of +George II.</i>, which gives a very unfavourable view of the manners and +morals of the Court. It is written in a lively, though often spiteful +style, and contains many clever and discriminating character +sketches. He was satirised by Pope under the name of "Sporus" +and "Lord Fanny."</p><br /> + +<a name='HEYLIN_PETER_1600_1662'></a><p><b>HEYLIN, PETER (1600-1662).</b> +—Ecclesiastical writer, <i>b.</i> at +Burford, Oxon., was one of the clerical followers of Charles I., who +<a name='Page_190'></a>suffered for his fidelity, being deprived under the Commonwealth +of his living of Alresford, and other preferments. After the Restoration +he was made sub-Dean of Westminster, but the failure of his +health prevented further advancement. He was a voluminous +writer, and a keen and acrimonious controversialist against the +Puritans. Among his works are a <i>History of the Reformation</i>, and a +Life of Laud (<i>Cyprianus Anglicanus</i>) (1668).</p><br /> + +<a name='HEYWOOD_JOHN_1497_1580'></a><p><b>HEYWOOD, JOHN (1497?-1580?).</b> +—Dramatist and +epigrammatist, is believed to have been <i>b.</i> at North Mimms, Herts. He +was a friend of Sir Thomas More, and through him gained the +favour of Henry VIII., and was at the Court of Edward VI. and +Mary, for whom, as a young Princess, he had a great regard. Being +a supporter of the old religion, he enjoyed her favour, but on the +accession of Elizabeth, he left the country, and went to Mechlin, +where he <i>d.</i> He was famous as a writer of interludes, a species of composition +intermediate between the old "moralities" and the regular +drama, and displayed considerable constructive skill, and a racy, if +somewhat broad and even coarse, humour. Among his interludes are +<i>The Play of the Wether</i> (1532), <i>The Play of Love</i> (1533), and <i>The +Pardoner and the Frere</i>. An allegorical poem is <i>The Spider and the +Flie</i> (1556), in which the Spider stands for the Protestants, and the +Flie for the Roman Catholics. H. was likewise the author of some +600 epigrams, whence his title of "the old English epigrammatist."</p><br /> + +<a name='HEYWOOD_THOMAS_d_1650'></a><p><b>HEYWOOD, THOMAS (<i>d.</i> 1650).</b> +—Dramatist. Few facts +about him have come down, and these are almost entirely derived +from his own writings. He appears to have been <i>b.</i> in Lincolnshire, +and was a Fellow of Peterhouse, Camb., and an ardent Protestant. +His literary activity extends from about 1600 to 1641, and his production +was unceasing; he claims to have written or "had a main +finger in" 220 plays, of which only a small proportion (24) are +known to be in existence, a fact partly accounted for by many of +them having been written upon the backs of tavern bills, and by the +circumstance that though a number of them were popular, few were +<i>pub.</i> Among them may be mentioned <i>The Four Prentices of London</i> +(1600) (ridiculed in Fletcher's <i>Knight of the Burning Pestle</i>), +<i>Edward IV.</i> (2 parts) in 1600 and 1605, <i>The Royal King and the +Loyal Subject</i> (1637), <i>A Woman Killed with Kindness</i> (1603), <i>Rape +of Lucrece</i> (1608), <i>Fair Maid of the Exchange</i> (1607), <i>Love's Mistress</i> +(1636), and <i>Wise Woman of Hogsdon</i> (1638). H. also wrote an +<i>Apology for Actors</i> (1612), a poem, <i>Hierarchy of the Blessed +Angels</i> (1635), and made various translations. He was thoroughly +English in his subjects and treatment, and had invention, liveliness, +and truth to nature, but lacked the higher poetic sense, and of +course wrote far too much to write uniformly well.</p><br /> + +<a name='HIGDEN_RANULF_or_RALPH_d_1364'></a><p><b>HIGDEN, RANULF or RALPH (<i>d.</i> 1364).</b> +—Chronicler, is +believed to have been <i>b.</i> in the West of England, took the monastic +vow (Benedictine), at Chester in 1299, and seems to have travelled +over the North of England. His fame rests on his <i>Polychronicon</i>, a +universal history reaching down to contemporary events. The +work is divided into 7 books and, though of no great value as an +authority, has an interest as showing the state of historical and geographical +<a name='Page_191'></a>knowledge at the time. Written in Latin, it was translated +into English by <a href='#TREVISA_JOHN_of_1326_1412'>John of Trevisa</a> (<i>q.v.</i>) (1387), and printed by +Caxton (1482), and by others. Another translation of the 15th +century was issued in the Rolls Series. For two centuries it was an +approved work. H. wrote various other treatises on theology and +history.</p><br /> + +<a name='HILL_AARON_1685_1750'></a><p><b>HILL, AARON (1685-1750).</b> +—Dramatist and miscellaneous +writer, <i>s.</i> of a country gentleman of Wiltshire, was <i>ed.</i> at Westminster +School, and thereafter made a tour in the East. He was the +author of 17 dramatic pieces, some of them, such as his versions of +Voltaire's <i>Zaire</i> and <i>Merope</i>, being adaptations. He also wrote a +quantity of poetry, which, notwithstanding some good passages, is +as a general rule dull and pompous. Having written some satiric +lines on Pope he received in return a niche in <i>The Dunciad</i>, which led +to a controversy, in which H. showed some spirit. Afterwards a +reconciliation took place. He was a friend and correspondent of +Richardson, whose <i>Pamela</i> he highly praised. In addition to his +literary pursuits H. was a great projector, but his schemes were +usually unsuccessful. He was a good and honourable man, but +over-impressed with his own importance.</p><br /> + +<a name='HINTON_JAMES_1822_1875'></a><p><b>HINTON, JAMES (1822-1875).</b> +—Writer on sociology and +psychology, <i>s.</i> of a Baptist minister, became a successful aurist, but +his attention being arrested by social questions, he gave more and +more of his time to the consideration and exposition of these. Open-minded +and altruistic, his books are full of thought and suggestion. +Among his writings may be mentioned <i>Man and his Dwelling-place</i> +(1859), <i>The Mystery of Pain</i> (1866), <i>The Law of Human Life</i> (1874), +<i>Chapters on the Art of Thinking</i> (1879), and <i>Philosophy and Religion</i> +(1881).</p><br /> + +<a name='HOADLEY_BENJAMIN_1676_1761'></a><p><b>HOADLEY, BENJAMIN (1676-1761).</b> +—Theologian and controversialist, +<i>ed.</i> at Camb., entered the Church, and became Bishop +successively of Bangor, Hereford, Salisbury, and Winchester. He +was a great supporter of the Revolution, and controvertor of the +doctrines of divine right and passive obedience. His works were +generally either the causes of controversy or elicited by it. One of +his sermons, <i>On the Nature of the Kingdom or Church of Christ</i> was +the originating cause of what was known as the Bangorian controversy, +which raged for a long time with great bitterness.</p><br /> + +<a name='HOBBES_THOMAS_1588_1679'></a><p><b>HOBBES, THOMAS (1588-1679).</b> +—Philosopher, was <i>b.</i> at +Malmesbury, the <i>s.</i> of a clergyman, and <i>ed.</i> at Oxf. Thereafter he +travelled as tutor through France, Italy, and Germany, with William +Lord Cavendish, afterwards 2nd Earl of Devonshire, with whom he +remained as sec. after the completion of the tour. While engaged in +this capacity he became acquainted with Bacon (whose amanuensis +he is said to have been), Herbert of Cherbury, and Ben Jonson. In +1629 he <i>pub.</i> a translation of <i>Thucydides</i>. After the death of his +patron, which took place in 1626, he went in 1628 to Paris, where he +remained for 18 months, and in 1631 he assumed the position of +tutor to his <i>s.</i>, afterwards the 3rd Earl, with whom he went in 1634 +to France, Italy, and Savoy. When in Italy he was the friend of<a name='Page_192'></a> +Galileo, Gassendi, and other eminent men. Returning to England +he remained in the Earl's service, and devoted himself to his studies +on philosophy and politics. The commotions of the times, however, +disturbed him; and his Royalist principles, expounded in his +treatise, <i>De Corpore Politico</i>, led to his again, in 1641, leaving England +and going to Paris, where he remained until 1652. While there, he +entered into controversy on mathematical subjects with Descartes, +<i>pub.</i> some of his principal works, including <i>Leviathan</i>, and received, +in 1647, the appointment of mathematical tutor to the Prince of +Wales, afterwards Charles II., who was then in that city. The +views expressed in his works, however, brought him into such unpopularity +that the Prince found it expedient to break the connection, +and H. returned to England. In 1653 he resumed his relations +with the Devonshire family, living, however, in London in habits of +intimacy with Selden, Cowley, and Dr. Harvey. On the Restoration +the King conferred upon him a pension of £100, but like most of +the Royal benefactions of the day, it was but irregularly paid. His +later years were spent in the family of his patron, chiefly at Chatsworth, +where he continued his literary activity until his death, +which occurred in 1679, in his 91st year. H. was one of the most +prominent Englishmen of his day, and has continued to influence +philosophical thought more or less ever since, generally, however, +by evoking opposition. His fundamental proposition is that all +human action is ultimately based upon selfishness (more or less enlightened), +allowing no place to the moral or social sentiments. +Similarly in his political writings man is viewed as a purely selfish +being who must be held in restraint by the strong hand of authority. +His chief philosophical works are <i>De Corpore Politico</i>, already mentioned, +<i>pub.</i> in 1640; <i>Philosophical Rudiments concerning Government +and Society</i>, originally in Latin, translated into English in 1650; +<i>Leviathan, or the Matter, Form, and Power of a Commonwealth, +Ecclesiastical and Civil</i> (1651); <i>Treatise on Human Nature</i> (1650); +and <i>Letters upon Liberty and Necessity</i> (1654). Generally speaking, +all his works led him into controversy, one of his principal opponents +being Clarendon. The <i>Letters upon Liberty and Necessity</i>, which is +one of the ablest of them, and indeed one of the ablest ever written +on the subject, brought him into collision with Bramhall, Bishop of +Londonderry, whom he completely overthrew. He was not, however, +so successful in his mathematical controversies, one of the +chief of which was on the Quadrature of the Circle. Here his +antagonist was the famous mathematician Wallis, who was able +easily to demonstrate his errors. In 1672, when 84, H. wrote his +autobiography in Latin verse, and in the same year translated 4 +books of the <i>Odyssey</i>, which were so well received that he completed +the remaining books, and also translated the whole of the <i>Iliad</i>. +Though accurate as literal renderings of the sense, these works fail +largely to convey the beauties of the original, notwithstanding +which three ed. were issued within 10 years, and they long retained +their popularity. His last work was <i>Behemoth</i>, a history of the +Civil War, completed just before his death, which occurred +at Hardwick Hall, one of the seats of the Devonshire family. Although +a clear and bold thinker, and a keen controversialist, he was +characterised by a certain constitutional timidity believed to +<a name='Page_193'></a>have been caused by the alarm of his mother near the time +of his birth at the threatened descent of the Spanish Armada. +Though dogmatic and impatient of contradiction, faults which +grew upon him with age, H. had the courage of his opinions, which +he did not trim to suit the times.</p> + +<p>SUMMARY.—<i>B.</i> 1588, <i>ed.</i> Oxf., became acquainted with Bacon, went +to Paris 1628, in Italy 1634, <i>pub.</i> <i>De Corpore Politico</i> (1640), again +in Paris 1641-52, and while there was in controversy with Descartes, +and <i>pub.</i> <i>Leviathan</i> (1651), appointed mathematical tutor to Charles +II. 1647, returned to England 1652, pensioned at Restoration, later +years spent at Chatsworth, <i>pub.</i> <i>Human Nature</i> 1650, <i>Liberty and +Necessity</i> 1654, controversy with Bramhall and Wallis, writes autobiography +1672, translates <i>Homer</i>, <i>pub.</i> <i>Behemoth</i> 1679, <i>d.</i> 1679.</p> + +<p><i>Works</i> ed. by Sir W. Molesworth (16 vols. 1839-46), monograph +by Croom Robertson. <i>Life</i> by L. Stephen (English Men of Letters +Series).</p><br /> + +<a name='HOBY_SIR_THOMAS_1530_1566'></a><p><b>HOBY, SIR THOMAS (1530-1566).</b> +—Translator, <i>b.</i> at +Leominster, and <i>ed.</i> at Camb., translated Bucer's <i>Gratulation to the +Church of England</i>, and <i>The Courtyer of Count Baldessar Castilio</i>, the +latter of which had great popularity. H. <i>d.</i> in Paris while Ambassador +to France.</p><br /> + +<a name='HOCCLEVE_or_OCCLEVE_THOMAS_1368_1450'></a><p><b>HOCCLEVE, or OCCLEVE, THOMAS (1368?-1450?).</b> +—Poet, +probably <i>b.</i> in London, where he appears to have spent most of his +life, living in Chester's Inn in the Strand. Originally intended for +the Church, he received an appointment in the Privy Seal Office, +which he retained until 1424, when quarters were assigned him in +the Priory of Southwick, Hants. In 1399 a pension of £10, subsequently +increased to £13, 6s. 8d., had been conferred upon him, +which, however, was paid only intermittently, thus furnishing him +with a perpetual grievance. His early life appears to have been +irregular, and to the end he was a weak, vain, discontented man. +His chief work is <i>De Regimine Principum</i> or <i>Governail of Princes</i>, +written 1411-12. The best part of this is an autobiographical +prelude <i>Mal Regle de T. Hoccleve</i>, in which he holds up his youthful +follies as a warning. It is also interesting as containing, in the MS. +in the British Museum, a drawing of Chaucer, from which all subsequent +portraits have been taken.</p><br /> + +<a name='HOFFMAN_CHARLES_FENNO_1806_1884'></a><p><b>HOFFMAN, CHARLES FENNO (1806-1884).</b> +—Poet, etc., <i>b.</i> +in New York, <i>s.</i> of a lawyer, was bred to the same profession, but +early deserted it for literature. He wrote a successful novel, <i>Greyslaer</i>, +and much verse, some of which displayed more lyrical power +than any which had preceded it in America.</p><br /> + +<a name='HOGG_JAMES_THE_ETTRICK_SHEPHERD_1770_1835'></a><p><b>HOGG, JAMES (THE ETTRICK SHEPHERD) (1770-1835).</b> +—Poet, +and writer of tales, belonged to a race of shepherds, and began +life by herding cows until he was old enough to be trusted with a +flock of sheep. His imagination was fed by his mother, who was +possessed of an inexhaustible stock of ballads and folk-lore. He +had little schooling, and had great difficulty in writing out his earlier +poems, but was earnest in giving himself such culture as he could. +Entering the service of Mr. Laidlaw, the friend of Scott, he was by +<a name='Page_194'></a>him introduced to the poet, and assisted him in collecting material +for his <i>Border Minstrelsy</i>. In 1796 he had begun to write his songs, +and when on a visit to Edin. in 1801 he <i>coll.</i> his poems under the +title of <i>Scottish Pastorals, etc.</i>, and in 1807 there followed <i>The Mountain +Bard</i>. A treatise on the diseases of sheep brought him £300, +on the strength of which he embarked upon a sheep-farming enterprise +in Dumfriesshire which, like a previous smaller venture in +Harris, proved a failure, and he returned to Ettrick bankrupt. +Thenceforward he relied almost entirely on literature for support. +With this view he, in 1810, settled in Edin., <i>pub.</i> <i>The Forest +Minstrel</i>, and started the <i>Spy</i>, a critical journal, which ran for a +year. In 1813 <i>The Queen's Wake</i> showed his full powers, and finally +settled his right to an assured place among the poets of his country. +He joined the staff of <i>Blackwood</i>, and became the friend of Wilson, +Wordsworth, and Byron. Other poems followed, <i>The Pilgrims of +the Sun</i> (1815), <i>Madoc of the Moor</i>, <i>The Poetic Mirror</i>, and <i>Queen +Hynde</i> (1826); and in prose <i>Winter Evening Tales</i> (1820), <i>The Three +Perils of Man</i> (1822), and <i>The Three Perils of Woman</i>. In his later +years his home was a cottage at Altrive on 70 acres of moorland +presented to him by the Duchess of Buccleuch, where he <i>d.</i> greatly +lamented. As might be expected from his almost total want of +regular education, H. was often greatly wanting in taste, but he had +real imagination and poetic faculty. Some of his lyrics like <i>The +Skylark</i> are perfect in their spontaneity and sweetness, and his +<i>Kilmeny</i> is one of the most exquisite fairy tales in the language. +Hogg was vain and greedy of praise, but honest and, beyond his +means, generous. He is a leading character, partly idealised, partly +caricatured, in Wilson's <i>Noctes Ambrosianæ</i>.</p><br /> + +<a name='HOGG_THOMAS_JEFFERSON_1792_1862'></a><p><b>HOGG, THOMAS JEFFERSON (1792-1862).</b> +—Biographer, <i>s.</i> +of John H., a country gentleman of Durham, <i>ed.</i> at Durham Grammar +School, and Univ. Coll., Oxf., where he made the acquaintance +of Shelley, whose lifelong friend and biographer he became. Associated +with S. in the famous pamphlet on <i>The Necessity of Atheism</i>, he +shared in the expulsion from the Univ. which it entailed, and thereafter +devoted himself to the law, being called to the Bar in 1817. In +1832 he contributed to Bulwer's <i>New Monthly Magazine</i> his <i>Reminiscences +of Shelley</i>, which was much admired. Thereafter he was +commissioned to write a biography of the poet, of which he completed +2 vols., but in so singular a fashion that the material with +which he had been entrusted was withdrawn. The work, which is +probably unique in the annals of biography, while giving a vivid +and credible picture of S. externally, shows no true appreciation of +him as a poet, and reflects with at least equal prominence the +humorously eccentric personality of the author, which renders +it entertaining in no common degree. Other works of H. were +<i>Memoirs of Prince Alexy Haimatoff</i>, and a book of travels, <i>Two +Hundred and Nine Days</i> (1827). He <i>m.</i> the widow of Williams, +Shelley's friend, who was drowned along with him.</p><br /> + +<a name='HOLCROFT_THOMAS_1745_1809'></a><p><b>HOLCROFT, THOMAS (1745-1809).</b> +—Dramatist, <i>s.</i> of a +small shoemaker in London, passed his youth as a pedlar, and as +a Newmarket stable boy. A charitable person having given him +some education he became a schoolmaster, but in 1770 went on the +<a name='Page_195'></a>provincial stage. He then took to writing plays, and was the first +to introduce the melodrama into England. Among his plays, <i>The +Road to Ruin</i> (1792) is the best, and is still acted; others were +<i>Duplicity</i> (1781), and <i>A Tale of Mystery</i>. Among his novels are +<i>Alwyn</i> (1780), and <i>Hugh Trevor</i>, and he wrote the well-known song, +<i>Gaffer Gray</i>. H. was a man of stern and irascible temper, industrious +and energetic, and a sympathiser with the French Revolution.</p><br /> + +<a name='HOLINSHED_or_HOLLINGSHEAD_RAPHAEL_or_RALPH_d_1580'></a><p><b>HOLINSHED, or HOLLINGSHEAD, RAPHAEL or RALPH <i>d.</i> (1580?).</b> +—Belonged +to a Cheshire family, and is said by +Anthony Wood to have been at one of the Univ., and to have been +a priest. He came to London, and was in the employment of +Reginald Wolf, a German printer, making translations and doing +hack-work. His <i>Chronicles of Englande, Scotlande, and Irelande</i>, +from which Shakespeare drew much of his history, was based to a +considerable extent on the collections of Leland, and he had the +assistance of W. Harrison, R. Stanyhurst, and others. The introductory +description of England and the English was the work of +Harrison, Stanyhurst did the part relating to Ireland, and H. himself +the history of England and Scotland, the latter being mainly +translated from the works of Boece and Major. <i>Pub.</i> in 1577 it had +an eager welcome, and a wide and lasting popularity. A later ed. in +1586 was ed. by J. Hooker and Stow. It is a work of real value—a +magazine of useful and interesting information, with the authorities +cited. Its tone is strongly Protestant, its style clear.</p><br /> + +<a name='HOLLAND_JOSIAH_GILBERT_1819_1881'></a><p><b>HOLLAND, JOSIAH GILBERT (1819-1881).</b> +—Novelist and +poet, <i>b.</i> in Massachusetts, helped to found and ed. <i>Scribner's Monthly</i> +(afterwards the <i>Century Magazine</i>), in which appeared his novels, +<i>Arthur Bonnicastle</i>, <i>The Story of Sevenoaks</i>, <i>Nicholas Minturn</i>. +In poetry he wrote <i>Bitter Sweet</i> (1858), <i>Kathrina</i>, etc.</p><br /> + +<a name='HOLLAND_PHILEMON_1552_1637'></a><p><b>HOLLAND, PHILEMON (1552-1637).</b> +—Translator, <i>b.</i> at +Chelmsford, and <i>ed.</i> at Camb., was master of the free school at +Coventry, where he also practised medicine. His chief translations, +made in good Elizabethan English, are of Pliny's <i>Natural History</i>, +Plutarch's <i>Morals</i>, Suetonius, Xenophon's <i>Cyropædia</i>, and Camden's +<i>Britannia</i>. There are passages in the second of these which have +hardly been excelled by any later prose translator of the classics. +His later years were passed in poverty.</p><br /> + +<a name='HOLMES_OLIVER_WENDELL_1809_1894'></a><p><b>HOLMES, OLIVER WENDELL (1809-1894).</b> +—Essayist, +novelist, and poet, was <i>b.</i> of good Dutch and English stock at +Camb., Massachusetts, the seat of Harvard, where he graduated in +1829. He studied law, then medicine, first at home, latterly in Paris, +whence he returned in 1835, and practised in his native town. In +1838 he was appointed Prof. of Anatomy and Physiology at Dartmouth +Coll., from which he was in 1847 transferred to a similar +chair at Harvard. Up to 1857 he had done little in literature: his +first book of poems, containing "The Last Leaf," had been <i>pub.</i> +But in that year the <i>Atlantic Monthly</i> was started with Lowell +for ed., and H. was engaged as a principal contributor. In it appeared +the trilogy by which he is best known, <i>The Autocrat of the +Breakfast Table</i> (1857), <i>The Professor</i>, <i>The Poet</i> (1872), all graceful, +<a name='Page_196'></a>allusive, and pleasantly egotistical. He also wrote <i>Elsie Venner</i> +(1861), which has been called "the snake story of literature," and +<i>The Guardian Angel</i>. By many readers he is valued most for the +poems which lie imbedded in his books, such as "The Chambered +Nautilus," "The Last Leaf," "Homesick in Heaven," "The Voiceless," +and "The Boys."</p><br /> + +<a name='HOME_JOHN_1722_1808'></a><p><b>HOME, JOHN (1722-1808).</b> +—Dramatist, <i>s.</i> of the Town-Clerk +of Leith, where he was <i>b.</i>, <i>ed.</i> there and at Edin., and entered +the Church. Before doing so, however, he had fought on the +Royalist side in the '45, and had, after the Battle of Falkirk, been +a prisoner in Doune Castle, whence he escaped. His ministerial +life, which was passed at Athelstaneford, East Lothian, was brought +to an end by the action of the Church Courts on his producing the +play of <i>Douglas</i>. This drama, which had been rejected by Garrick, +but brought out in Edin. in 1756, created an immense sensation, and +made its appearance in London the following year. H. then became +private sec. to the Earl of Bute, who gave him the sinecure of Conservator +of Scots Privileges at Campvere in Holland. Thereafter +he was tutor to the Prince of Wales (George III.), who on his accession +conferred upon him a pension of £300. Other plays were <i>The +Siege of Aquileia</i>, <i>The Fatal Discovery</i> (1769), <i>Alonzo</i>, and <i>Alfred</i> +(1778), which was a total failure. He also wrote a <i>History of the +Rebellion</i>. In 1778 he settled in Edin., where he was one of the +brilliant circle of literary men of which Robertson was the centre. +He supported the claims of Macpherson to be the translator of +Ossian.</p><br /> + +<a name='HONE_WILLIAM_1780_1842'></a><p><b>HONE, WILLIAM (1780-1842).</b> +—Miscellaneous writer, <i>b.</i> at +Bath, in his youth became a convinced and active democrat. His +zeal in the propagation of his views, political and philanthropic, was +so absorbing as to lead to a uniform want of success in his business +undertakings. He <i>pub.</i> many satirical writings, which had immense +popularity, among which were <i>The Political House that Jack +Built</i> (1819), <i>The Man in the Moon</i> (1820), <i>The Political Showman</i> +(1821), and <i>The Apocryphal New Testament</i>. For one of his earliest +satires, <i>The Political Litany</i>, <i>pub.</i> in 1817, he was prosecuted, but +acquitted. Later he brought out <i>Ancient Mysteries</i> (1823), <i>Every +Day Book</i> (1826-27), <i>Table Book</i> (1827-28), and <i>Year Book</i> (1828). +These works, in which he had the assistance of other writers, are +full of curious learning on miscellaneous subjects, such as ceremonies, +dress, sports, customs, etc. His last literary enterprise was +an ed. of <i>Strutt's Sports and Pastimes</i> (1830). Always a self-sacrificing +and honest man, he was originally an unbeliever, but in his +latter years he became a sincere Christian.</p><br /> + +<a name='HOOD_THOMAS_1799_1845'></a><p><b>HOOD, THOMAS (1799-1845).</b> +—Poet and comic writer, <i>s.</i> +of a bookseller in London, where he was <i>b.</i>, was put into a mercantile +office, but the confinement proving adverse to his health, he was +sent to Dundee, where the family had connections, and where he +obtained some literary employment. His health being restored, he +returned to London, and entered the employment of an uncle as an +engraver. Here he acquired an acquaintance with drawing, which +he afterwards turned to account in illustrating his comic writings.<a name='Page_197'></a> +After working for a short time on his own account he became, at the +age of 22, sub-editor of the <i>London Magazine</i>, and made the acquaintance +of many literary men, including De Quincey, Lamb, and +Hazlitt. His first separate publication, <i>Odes and Addresses to Great +People</i>, appeared in 1825, and had an immediate success. Thus +encouraged he produced in the next year <i>Whims and Oddities</i>, and +in 1829, he commenced <i>The Comic Annual</i>, which he continued for 9 years, +and wrote in <i>The Gem</i> his striking poem, <i>Eugene Aram</i>. +Meanwhile he had <i>m.</i> in 1824, a step which, though productive of +the main happiness and comfort of his future life, could not be considered +altogether prudent, as his health had begun to give way, and +he had no means of support but his pen. Soon afterwards the failure +of his publisher involved him in difficulties which, combined with +his delicate health, made the remainder of his life a continual +struggle. The years between 1834 and 1839 were the period of +most acute difficulty, and for a part of this time he was obliged to +live abroad. In 1840 friends came to his assistance, and he was +able to return to England. His health was, however, quite broken +down, but his industry never flagged. During the five years which +remained to him he acted as ed. first of the <i>New Monthly Magazine</i>, +and then of <i>Hood's Monthly Magazine</i>. In his last year a Government +pension of £100 was granted to his wife. Among his other +writings may be mentioned <i>Tylney Hall</i>, a novel which had little +success, and <i>Up the Rhine</i>, in which he satirised the English tourist. +Considering the circumstances of pressure under which he wrote, it is +little wonder that much of his work was ephemeral and beneath his +powers, but in his particular line of humour he is unique, while his +serious poems are instinct with imagination and true pathos. A +few of them, such as <i>The Song of the Shirt</i>, and <i>The Bridge of Sighs</i> +are perfect in their kind.</p> + +<p><i>Life</i> by his <i>s.</i> and <i>dau.</i> Ed. of <i>Works</i> by same (7 vols. 1862). +Selections, with Biography, by Ainger, 1897.</p><br /> + +<a name='HOOK_THEODORE_EDWARD_1788_1841'></a><p><b>HOOK, THEODORE EDWARD (1788-1841).</b> +—Dramatist and +novelist, <i>s.</i> of James H., music-hall composer, was <i>b.</i> in London, and +<i>ed.</i> at Harrow. As a boy he wrote words for his father's comic +dramas. In 1805 he produced a comic opera, <i>The Soldier's Return</i>, +which was followed by <i>Catch Him who Can</i>. Both of them were +highly successful, and were followed by many others. His marvellous +powers as a conversationalist and <i>improvisatore</i> made him a +favourite in the highest circles. In 1812 he received the appointment +of Accountant-General of Mauritius, which he held for 5 +years, when serious irregularities were discovered, and he was sent +home in disgrace, prosecuted by Government for a claim of £12,000, +and imprisoned. It subsequently appeared that the actual peculation +had been the work of a subordinate, and that H. himself was +only chargeable with gross neglect of duty, but though he was +released the claims against him were not departed from. He then +became ed. of <i>John Bull</i>, a journal of high Tory and aristocratic proclivities, +which he conducted with great ability; he also ed. the <i>New Monthly +Magazine</i>, and wrote many novels, among which were +<i>Sayings and Doings</i> (3 series), <i>Gilbert Gurney</i>, and <i>Jack Brag</i>. +Though making a large income, he was always in difficulties, and, +<a name='Page_198'></a>after a long struggle with broken health and spirits, he <i>d.</i> at Fulham +in 1841.</p><br /> + +<a name='HOOK_WALTER_FARQUHAR_1798_1875'></a><p><b>HOOK, WALTER FARQUHAR (1798-1875).</b> +—Biographer, <i>s.</i> +of James H., Dean of Worcester, <i>b.</i> at Worcester, and <i>ed.</i> at Winchester +and Oxf. Entering the Church, he held various benefices, +and became Vicar of Leeds (where, largely owing to his exertions, 20 +new churches and many schools were built), and afterwards Dean +of Chichester. Besides his labours as a churchman he was a voluminous +author, his works including <i>Church Dictionary</i> (1842), <i>Dictionary +of Ecclesiastical Biography</i> (1845-52), and <i>Lives of the Archbishops +of Canterbury</i> (1860-75), on which he was still engaged at +his death, and which he had brought down to Juxon, vol. xi. His +sermon <i>Hear the Church</i> (1838), in which he affirmed the Apostolical +succession of the Anglican episcopate, attracted much attention.</p><br /> + +<a name='HOOKER_RICHARD_1554_1600'></a><p><b>HOOKER, RICHARD (1554?-1600).</b> +—Theologian, <i>b.</i> near +Exeter, of a family the original name of which was Vowell. His ability +and gentleness as a schoolboy recommended him to the notice of +Bishop Jewel, who sent him to Corpus Christi Coll., Oxf., where +he graduated and became a Fellow in 1577. His proficiency in +Hebrew led to his appointment in 1579 as Deputy Prof. Two years +later, 1581, he took orders, and soon thereafter advantage was taken +of his simplicity to entrap him into an unsuitable marriage with a +woman named Joan Churchman, whose mother had nursed him in +an illness. As might have been expected, the connection turned +out unhappily, his wife being a scold, and, according to Anthony +Wood, "a silly, clownish woman." His fate may, however, have +been mitigated by the fact that his own temper was so sweet that he +is said never to have been seen angry. Some doubt, moreover, has +been cast on some of the reported details of his domestic life. In 1584 +he received the living of Drayton-Beauchamp, in Bucks, and in the +following year was appointed Master of the Temple. Here he had +for a colleague as evening lecturer Walter Travers, a man of mark +among the Puritans. Though both men were of the finest moral +character, their views on ecclesiastical questions were widely +different, and as neither was disposed to conceal his opinions, it +came to be said that in the Temple "the pulpit spake pure Canterbury +in the morning and Geneva in the afternoon." Things developed +into an animated controversy, in which H. was considered +to have triumphed, and the Archbishop (Whitgift) suspended +Travers. The position, however, had become intolerable for H. who +respected his opponent in spite of their differences, and he petitioned +Whitgift that he might retire to the country and find time and +quiet to complete his great work, the <i>Ecclesiastical Polity</i>, on which +he was engaged. He was accordingly, in 1591, presented to the +living of Boscombe near Amesbury, and made sub-Dean and a +minor Prebendary of Salisbury. Here he finished <i>The Four Books of +the Lawes of Ecclesiastical Polity</i>, <i>pub.</i> in 1594. The following year +he was presented by Queen Elizabeth to the living of Bishopsbourne, +Kent. Here the fifth book was <i>pub.</i> (1597), and here he <i>d.</i> in 1600. +The sixth and eighth books were not <i>pub.</i> until 1648, and the seventh +only appeared in 1662. The <i>Ecclesiastical Polity</i> is one of the +greatest achievements alike in English theology and English literature, +<a name='Page_199'></a>a masterpiece of reasoning and eloquence, in a style stately +and sonorous, though often laborious and involved. Hallam considered +that no English writer had better displayed the capacities +of the language. The argument is directed against the Romanists +on the one hand and the Puritans on the other, and the fundamental +idea is "the unity and all embracing character of law as the manifestation +of the divine order of the universe." The distinguishing +note of H.'s character was what Fuller calls his "dove-like simplicity." +Izaak Walton, his biographer, describes him as "an +obscure, harmless man, in poor clothes, of a mean stature and +stooping ... his body worn out, not with age, but study, and +holy mortification, his face full of heat-pimples ... and tho' not +purblind, yet short, or weak, sighted." In his calling as a parish +priest he was faithful and diligent. In preaching "his voice was +low ... gesture none at all, standing stone-still in the pulpit." +The sixth book of the <i>Ecclesiastical Polity</i> has been considered of +doubtful authority, and to have no claim to its place, and the +seventh and eighth are believed to have been put together from +rough notes. Some of his MSS. were destroyed after his death by +his wife's relatives. The epithet "judicious" attached to his name +first appears in the inscription on his monument at Bishopsbourne.</p> + +<p><i>Works</i>, ed. by Keble (1836); new ed. revised by Church, etc. (1888). +It includes the <i>Life</i> by I. Walton.</p><br /> + +<a name='HOOLE_JOHN_1727_1803'></a><p><b>HOOLE, JOHN (1727-1803).</b> +—Translator, <i>s.</i> of a watch-maker +and inventor, was <i>b.</i> in London, and was in the India House, +of which he rose to be principal auditor (1744-83). He translated +Tasso's <i>Jerusalem Delivered</i> (1763), and Ariosto's <i>Orlando Furioso</i> +(1773-83), as well as other works from the Italian. He was also the +author of three dramas, which failed. He is described by Scott as +"a noble transmuter of gold into lead."</p><br /> + +<a name='HOPE_THOMAS_1770_1831'></a><p><b>HOPE, THOMAS (1770-1831).</b> +—Novelist and writer on art, +was a wealthy merchant of Amsterdam, of Scotch descent, his +family having emigrated to Holland in the 17th century. In early +life he spent much time in travel, studying architecture, and collecting +objects of art. Returning, he settled in London, and occupied +himself in arranging his vast collections. In 1807 he <i>pub.</i> a work on +<i>Household Furniture and Decoration</i>, which had a great effect in improving +the public taste in such matters. This was followed by +two magnificent works, <i>On the Costume of the Ancients</i> (1809), and +<i>Designs of Modern Costumes</i> (1812). Up to this time his reputation +had been somewhat that of a transcendent upholsterer, but in 1819 +he astonished the literary world by his novel, <i>Anastasius; or, +Memoirs of a Modern Greek</i>, a work full of imagination, descriptive +power, and knowledge of the world. This book, which was <i>pub.</i> +anonymously, was attributed to Byron, and only credited to the +author on his avowing it in <i>Blackwood's Magazine</i>. H. also wrote +a treatise on the <i>Origin and Prospects of Man</i>, and <i>Essays on Architecture</i>. +He was a munificent and discerning patron of rising artists.</p><br /> + +<a name='HORNE_RICHARD_HENRY_or_HENGIST_1803_1884'></a><p><b>HORNE, RICHARD HENRY or HENGIST (1803-1884).</b> +—Eccentric +poet, was <i>b.</i> in London, and <i>ed.</i> at Sandhurst for the East +India Company Service, but failed to get a nomination. After a +<a name='Page_200'></a>youth of adventure, partly in the Mexican Navy, he returned to +England, and began in 1828 a highly combative literary career with +a poem, <i>Hecatompylos</i>, in the <i>Athenæum</i>. His next appearance, <i>The +False Medium</i> (1833), an exposition of the obstacles thrown in the +way of "men of genius" by literary middlemen, raised a nest of +hornets; and <i>Orion</i>, an "epic poem," <i>pub.</i> 1843 at the price of one +farthing, followed. His plays, which include <i>Cosmo de Medici</i> +(1837), <i>The Death of Marlowe</i> (1837), and <i>Judas Iscariot</i>, did not add +greatly to his reputation. In <i>The New Spirit of the Age</i> (1844), he +had the assistance of Mrs. Browning. Though a writer of talent, +he was not a poet.</p><br /> + +<a name='HORNE_THOMAS_HARTWELL_1780_1862'></a><p><b>HORNE, THOMAS HARTWELL (1780-1862).</b> +—Theologian, +<i>ed.</i> at Christ's Hospital, was for a time in the law, but became a +great biblical scholar, and in 1818 <i>pub.</i> <i>Introduction to the Critical +Study and Knowledge of the Holy Scriptures</i> (1818), in consideration +of which he was admitted to orders without the usual preliminaries, +and in 1833 obtained a benefice in London and a prebend in St. +Paul's, and was senior assistant in the printed books department +of the British Museum (1824-60). He wrote an <i>Introduction +to the Study of Bibliography</i> (1814), and various other works, but he +is chiefly remembered in connection with that first mentioned, which +was frequently reprinted, and was very widely used as a text-book +both at home and in America.</p><br /> + +<a name='HOUGHTON_RICHARD_MONCKTON_MILNES_1ST_LORD_1809_1885'></a><p><b>HOUGHTON, RICHARD MONCKTON MILNES, 1ST LORD (1809-1885).</b> +—Poet, +<i>s.</i> of Robert (known as "single-speech") M., <i>b.</i> +in London, and <i>ed.</i> privately and at Camb. He sat in the House +of Commons for Pontefract from 1837-63, when he was raised to +the Peerage. His interests were, however, mainly literary and +philanthropic, and it was said of him that he "knew everybody +worth knowing at home and abroad;" and his sympathies being of +the widest, he was able to bring together the most opposite extremes +of life and opinion. He championed the cause of oppressed nationalities, +and of the slave. He <i>pub.</i> many vols. of poetry, among +which were <i>Poetry for the People</i> (1840), and <i>Palm Leaves</i> (1848). +He also wrote a Life of Keats, and various books of travels. Though +he had not the depth of mind or intensity of feeling to make a great +poet, his verse is the work of a man of high culture, graceful and +refined, and a few of his shorter poems—such as <i>The Beating of my +own Heart</i>, and <i>Strangers Yet</i>, strike a true note which gained for +them wide acceptance.</p><br /> + +<a name='HOWARD_EDWARD_d_1841'></a><p><b>HOWARD, EDWARD (<i>d.</i> 1841).</b> +—Novelist, a sea-comrade +of Captain Marryat, and as sub ed. assisted him in conducting the +<i>Metropolitan Magazine</i>. He wrote several sea novels, of which +<i>Rattlin the Reefer</i>, sometimes attributed to Marryat, is the best +known. Others were <i>Outward Bound</i> and <i>Jack Ashore</i>.</p><br /> + +<a name='HOWARD_SIR_ROBERT_1626_1698'></a><p><b>HOWARD, SIR ROBERT (1626-1698).</b> +—Dramatist, <i>s.</i> of +the Earl of Berkshire, and brother-in-law of Dryden. On the +outbreak of the Civil War he was of the King's party, and was +imprisoned during the Commonwealth. After the Restoration, however, +he was in favour with the Court, and held many important +<a name='Page_201'></a>posts. He wrote some plays, of which the best was <i>The Committee</i>, +and collaborated with Dryden in <i>The Indian Queen</i>. He was at +odds with him, however, on the question of rhyme, the use of which +he wrote against in very indifferent blank verse.</p><br /> + +<a name='HOWE_JOHN_1630_1705'></a><p><b>HOWE, JOHN (1630-1705).</b> +—Puritan divine, <i>b.</i> at Loughborough, +of which his <i>f.</i> was curate, studied at Camb., and became, +in 1652, minister of Great Torrington, Devonshire, where he was +famous for the unusual length of his sermons and prayers. In 1657 +Oliver Cromwell made him his resident chaplain at Whitehall, a +position which he retained under Richard C., so long as the latter +held the office of Protector. On the Restoration H. returned to +Great Torrington, from which, however, he was ejected in 1662. +Thereafter he wandered from place to place, preaching in secret until +1671, when he went to Ireland as chaplain to Lord Massareene, and +in 1675 he became minister of a dissenting congregation in London. +In 1685 he travelled with Lord Wharton on the Continent, but returned +in 1687 to London, where he <i>d.</i> in 1705. H. was the author +of many excellent works of practical divinity, among which are <i>The +Living Temple</i>, <i>Inquiry into the Doctrine of the Trinity</i>, and <i>The +Divine Presence</i>. The substance of his writings is better than their +style, which is involved and extremely diffuse, and evinces much +vigour of mind. H. is described as of a fine presence and dignified +manners.</p><br /> + +<a name='HOWELL_JAMES_1594_1666'></a><p><b>HOWELL, JAMES (1594?-1666).</b> +—Miscellaneous writer, <i>s.</i> +of a clergyman at Abernant, Caermarthenshire, was at Oxf. and +spent the greater part of his earlier life travelling in various Continental +countries, including the Low Countries, France, Spain, and +Italy, on various matters of business, during which he became versed +in many languages, and amassed stores of information and observations +on men and manners. He was a keen Royalist, and was on +this account imprisoned in the Fleet, 1643-51. He wrote a large +number of books, including <i>Dodona's Grove</i>, a political allegory, <i>Instructions +for Foreign Travel</i> (1642), <i>England's Tears for the Present +Wars</i>, <i>A Trance, or News from Hell</i>, and above all, <i>Epistolæ Ho-Elianæ, +Familiar Letters</i>, chiefly written in the Fleet to imaginary +correspondents, but no doubt based upon notes of his own travels. +It is one of the most interesting and entertaining books in the +language.</p><br /> + +<a name='HOWIE_JOHN_1735_1793'></a><p><b>HOWIE, JOHN (1735-1793).</b> +—Biographer, a Renfrewshire +farmer, who claimed descent from an Albigensian refugee, wrote +Lives of the martyrs of Scotland from Patrick Hamilton, the first, to +James Renwick, the last, under the title of <i>Scots Worthies</i>. The +work of an unlettered man, it has considerable merit as regards both +matter and style, and was long a classic among the Scottish peasantry +as well as higher orders of the people.</p><br /> + +<a name='HOWITT_WILLIAM_1792_1879_HOWITT_MARY_BOTHAM_1799_1888'></a><p><b>HOWITT, WILLIAM (1792-1879), HOWITT, MARY (BOTHAM) (1799-1888).</b> +—Miscellaneous +writers. William H. was <i>b.</i> at Heanor, +Derbyshire, and was apprenticed to a builder; Mary was <i>b.</i> at Coleford, +Gloucestershire; they <i>m.</i> in 1821, and settled at Hanley, where +they carried on business as chemists. Two years later they removed +<a name='Page_202'></a>to Nottingham, where they remained for 12 years, and +where much of their literary work was accomplished. Thereafter +they lived successively at Esher, London, Heidelberg, and Rome, at +the last of which they both <i>d.</i> Their literary work, which was very +voluminous, was done partly in conjunction, partly independently, +and covered a considerable variety of subjects—poetry, fiction, +history, translations, and social and economical subjects. Useful +and pleasing in its day, little of it is likely to survive. William's +works include <i>A History of Priestcraft</i> (1833), <i>Rural Life in England</i> +(1837), <i>Visits to Remarkable Places</i>, <i>Homes and Haunts of the Poets</i>, +<i>Land, Labour, and Gold</i> (1855), <i>Rural Life in Germany</i>, <i>History of the +Supernatural</i>, and <i>History of Discovery in Australia</i>. Mary translated +the Swedish novels of Frederica Bremer, H.C. Andersen's +<i>Improvisatore</i>, and wrote novels, including <i>Wood Leighton</i> and <i>The +Cost of Caergwyn</i>, many successful tales and poems for children, and +a <i>History of the United States</i>. Their joint productions include <i>The +Forest Minstrel</i>, <i>Book of the Seasons</i>, and <i>Ruined Abbeys and Castles +of Great Britain</i>. Both brought up as Quakers, they left that communion +in 1847, and became believers in spiritualism; and in 1882 +Mary joined the Church of Rome.</p><br /> + +<a name='HUCHOWN_or_SIR_HUGH_of_EGLINTON_fl_14th_cent'></a><p><b>HUCHOWN, or SIR HUGH of EGLINTON (<i>fl.</i> 14th cent.).</b> +—Unless +identified with Sir Hugh, Huchown is shrouded in mystery. +He was a writer of alliterative verse, referred to by Andrew of +Wyntoun. If he be identified with Sir Hugh, he was an Ayrshire +nobleman related to Robert II., <i>b.c.</i> 1300-20, Chamberlain of Cunningham, +Justiciar of Lothian, and Commissioner for the Borders. +He also held office under David II. In that case also he is believed +by some scholars to have translated the poems bearing the titles <i>The +Destruction of Troy</i> and <i>The Wars of Alexander</i>.</p><br /> + +<a name='HUGHES_JOHN_1677_1720'></a><p><b>HUGHES, JOHN (1677-1720).</b> +—Essayist and dramatist, +was a clerk in the Ordnance Office, then sec. for the Commission of +the Peace. He contributed to the <i>Spectator</i>, <i>Tatler</i>, and <i>Guardian</i>, +ed. Spenser, and wrote several dramas, of which the best is <i>The +Siege of Damascus</i>. It was his last, he having <i>d.</i> on the first night of +its performance. Addison thought so well of his dramatic talent +that he requested him to write the conclusion of <i>Cato</i>. He, however, +finished it himself. H. was a highly respectable person, and is +affectionately commemorated by Sir Richard Steele.</p><br /> + +<a name='HUGHES_THOMAS_1823_1896'></a><p><b>HUGHES, THOMAS (1823?-1896).</b> +—Novelist and biographer, +<i>s.</i> of a Berkshire squire, was <i>ed.</i> at Rugby and Oxf., and +called to the Bar in 1848. Much the most successful of his books +was <i>Tom Brown's School-days</i> (1856), which had an immense popularity, +and perhaps remains the best picture of English public-school +life in the language. Its sequel, <i>Tom Brown at Oxford</i> (1861), was +a comparative failure, but his <i>Scouring of the White Horse</i> deals in +a charming way with his own countryside. He also wrote Lives of +Alfred the Great, Bishop Fraser, and D. Macmillan, the publisher. +H. devoted much attention to philanthropic work in conjunction +with Kingsley and Maurice. In 1882 he was appointed a County +Court Judge<a name='Page_203'></a>.</p><br /> + +<a name='HUME_ALEXANDER_1560_1609'></a><p><b>HUME, ALEXANDER (1560-1609).</b> +—Poet, <i>s.</i> of Patrick, +5th Lord Polwarth, <i>ed.</i> at St. Andrews, and on the Continent, was +originally destined for the law, but devoted himself to the service +of the Church, and was minister of Logie in Stirlingshire. He <i>pub.</i> +in 1599 <i>Hymns and Sacred Songs</i>, including the beautiful "Day +Estival," descriptive of a summer day.</p><br /> + +<a name='HUME_DAVID_1711_1776'></a><p><b>HUME, DAVID, (1711-1776).</b> +—Philosopher and historian, +second <i>s.</i> of Joseph H., of Ninewells, Berwickshire, was <i>b.</i> and +<i>ed.</i> in Edin., and was intended for the law. For this, however, he +had no aptitude, and commercial pursuits into which he was initiated +in a counting-house in Bristol proving equally uncongenial, he was +permitted to follow out his literary bent, and in 1734 went to +France, where he passed three years at Rheims and La Flèche in +study, living on a small allowance made him by his <i>f.</i> In 1739 he +<i>pub.</i> anonymously his <i>Treatise on Human Nature</i>, which attracted +little attention. Having returned to Scotland, he wrote at Ninewells +his <i>Essays, Moral and Philosophical</i> (1741-42). He now became +desirous of finding some employment which would put him in a position +of independence, and having been unsuccessful in his candidature +for the Chair of Moral Philosophy in Edin., he became in 1745 +governor to the Marquis of Annandale, a nobleman whose state was +little removed from insanity. Two years later he accepted the more +congenial appointment of Judge-Advocate-General to General St. +Clair on his expedition to Port L'Orient, and in 1748 accompanied +him on a diplomatic mission to France, whence he passed on to +Vienna and Turin. About the same time he produced his <i>Philosophical +Essays</i> (1748), including the famous <i>Essay in Miracles</i> +which gave rise to so much controversy. These were followed in +1751 by his <i>Enquiry into the Principles of Morals</i>, which he considered +his best work; and in 1752 by his <i>Political Discourses</i>, which +alone of his works had an immediate success. In the same year he +applied unsuccessfully for the Chair of Logic in Glasgow, but was +appointed Keeper of the Advocates' Library in Edin. The access to +books and original authorities which this position gave him appears +to have suggested to his mind the idea of writing a history, and the +first vol. of his <i>History of England</i>, containing the reigns of James I. +and Charles I., was <i>pub.</i> in 1754. Its reception was not favourable, +and the disappointment of the author was so great that, had it not +been for the state of war between the two countries, he would have +left his native land, changed his name, and settled permanently in +France. The second vol., which appeared in 1757, dealing with the +Commonwealth, and the reigns of Charles II. and James II., had a +better reception, and had the effect of "buoying up its unfortunate +brother." Thereafter the tide completely turned, and the remaining +four vols., 1759 and 1762, in which he turned back and +finished the history from the invasion of Julius Cæsar to the +accession of Henry VII., attained a vast popularity, which extended +to the whole work. During the progress of the history +H. <i>pub.</i> in 1757 <i>Four Dissertations: the Natural History of +Religion; of the Passions; of Tragedy; of the Standard of Taste</i>. +Two others on <i>Suicide</i> and on <i>The Immortality of the Soul</i> were +cancelled, but <i>pub.</i> posthumously. In 1763 H. accompanied<a name='Page_204'></a> +Lord Hertford to Paris, and for a few months acted as <i>Chargé +d'Affaires</i>. While there he was introduced to the brilliant +literary society for which the French capital was then famous. +Among other acquaintances which he made was that of Rousseau, +whom he persuaded to accompany him on his return home, and for +whom he procured a pension. The suspicious and fickle character +of R., however, soon brought the friendship to an end. Soon +after his return H. received a pension, and from 1767-68 he was +under-sec. to General Conway, then Sec. of State. In 1769 he retired, +and returned to Edin. with an income of £1000 a year which, +time and place considered, was an ample competence, and there he +spent the remainder of his days, the recognised head of the intellectual +and literary society of the city.</p> + +<p>The mind of H. was one of the most original and operative of his +age. His philosophy was largely a questioning of the views of previous +metaphysicians, and he occupied towards mind, considered as a self-subsisting +entity, a position analogous to that assumed by Berkeley +towards matter similarly considered. He profoundly influenced +European thought, and by indirectly calling into being the philosophy +of Kant on the one hand, and that of the Scottish School on +the other, created a new era of thought. As a historian he showed +the same originality. He introduced a new and higher method of +writing history than had previously been practised. Until his time +chronicles and contemporary memoirs had, generally speaking, been +all that had been produced; and though his great work cannot, +from its frequent inaccuracies and the fact that it is not based upon +original documents, claim the character of an authority, its clear, +graceful, and spirited narrative style, and its reflection of the individuality +of the writer, constitute it a classic, and it must always +retain a place among the masterpieces of historical literature. In +character H. was kindly, candid, and good-humoured, and he was +beloved as a man even by many who held his views in what was +little short of abhorrence.</p> + +<p>SUMMARY.—<i>B.</i> 1711, <i>ed.</i> at Edin., tries law and commerce, but +decides for literature, goes to France 1734-37, <i>pub.</i> <i>Human Nature</i> +1739, <i>Essays Moral and Philosophical</i> 1741-2, governor to M. of +Annandale 1745, accompanies expedition to L'Orient, engaged +diplomatically 1748, <i>pub.</i> <i>Philosophical Essays</i>, including <i>Miracles</i> +1748, <i>Enquiry into Principles of Morals</i> 1751, <i>Political Discourses</i> +1752, Keeper of Advocates' Library 1752, <i>pub.</i> <i>History of England</i> +1754-62, <i>Four Dissertations</i> 1757, <i>Chargé d'Affaires</i> at Paris 1763, +became acquainted with Rousseau, under-sec. of State 1767-8, retires +and settles in Edin. 1769.</p> + +<p><i>Life</i> by Hill Burton (2 vols., 1846), shorter ones by Huxley, +Knight, and Calderwood. <i>Works</i> ed. by Green and Grose (4 vols., +1874). <i>History</i> often reprinted with Smollett's continuations.</p><br /> + +<a name='HUNNIS_WILLIAM_d_1597'></a><p><b>HUNNIS, WILLIAM (<i>d.</i> 1597).</b> +—Poet, was a gentleman +of the Chapel Royal to Edward VI., imprisoned during the reign of +Mary, but after the accession of Elizabeth was released, and in 1566 +made "master of the children" of the Chapel Royal. He wrote +metrical versions of the Psalms, and some vols. of verse, <i>A Hiveful +of Honey</i>, and <i>A Handful of Honeysuckles</i><a name='Page_205'></a>.</p><br /> + +<a name='HUNT_JAMES_HENRY_LEIGH_1784_1859'></a><p><b>HUNT, JAMES HENRY LEIGH (1784-1859).</b> +—Essayist and +poet, was <i>b.</i> at Southgate, and <i>ed.</i> at Christ's Hospital. A selection +of his earliest poems was <i>pub.</i> by his <i>f.</i> in 1801 under the title of +<i>Juvenilia</i>. In 1805 he joined his brother John in conducting a +paper, the <i>News</i>, which the latter had started. Thereafter the +brothers embarked upon the <i>Examiner</i>, a paper of pronounced +Radical views. The appearance in this journal of an article on the +Prince Regent in which he was described in words which have +been condensed into "a fat Adonis of fifty," led to H. being +fined £500 and imprisoned for two years. With his customary +genial philosophy, however, the prisoner made the best of +things, turned his cell into a study, with bookcases and a piano, +and his yard into a garden. He had the sympathy of many, and +received his friends, including Byron, Moore, and Lamb. On his +release he <i>pub.</i> his poem, <i>The Story of Rimini</i>. Two other vols. of +poetry followed, <i>The Feast of the Poets</i> and <i>Foliage</i>, in 1814 and 1818 +respectively. In the latter year he started the <i>Indicator</i>, a paper +something in the style of the <i>Spectator</i> or <i>Tatler</i>, and after this had +run its course the <i>Companion</i>, conceived on similar lines, took its +place in 1828. In 1822 H. went to Italy with Byron, and there +established the <i>Liberal</i>, a paper which did not prove a success. Disillusioned +with Byron, H. returned home, and <i>pub.</i> in 1828 <i>Lord +Byron and his Contemporaries</i>, a work which gave great offence to +Byron's friends, who accused the author of ingratitude. In 1834 +H. started the <i>London Journal</i>, which he ed. for two years. Among +his later works are <i>Captain Sword and Captain Pen</i> (1835), <i>The +Palfrey</i>, a poem, <i>A Legend of Florence</i> (drama), <i>Imagination and +Fancy</i> (1844), <i>Wit and Humour</i> (1846), <i>A Jar of Honey from Mount +Hybla</i> (1848), <i>The Old Court Suburb</i> (1855), <i>The Town</i>, <i>Sir Ralph +Esher</i>, a novel, and his Autobiography (1850). Although his poems +have considerable descriptive power and brightness, he had not +the depth and intensity to make a poet, and his reputation rests +rather upon his essays, which are full of a genial philosophy, +and display a love of books, and everything pleasant and beautiful. +He did much to popularise the love of poetry and literature +in general among his fellow-countrymen.</p><br /> + +<a name='HURD_RICHARD_1720_1808'></a><p><b>HURD, RICHARD (1720-1808).</b> +—Divine, and miscellaneous +writer, <i>b.</i> at Congreve, Staffordshire, was <i>ed.</i> at Camb., and entering +the Church, became Bishop successively of Lichfield and Worcester. +He produced an ed. of the <i>Ars Poetica</i> of Horace, <i>Dissertations on +Poetry</i>, <i>Dialogues on Sincerity</i>, <i>Letters on Chivalry and Romance</i>, and +<i>An Introduction to the Prophecies</i>. He was in 1783 offered, but +declined, the Primacy.</p><br /> + +<a name='HUTCHESON_FRANCIS_1694_1746'></a><p><b>HUTCHESON, FRANCIS (1694-1746).</b> +—Philosopher, <i>b.</i> in +Ireland, and <i>ed.</i> for the Presbyterian ministry at Glasgow Univ. +After keeping an academy at Dublin for some years he <i>pub.</i> his +<i>Enquiry into Beauty and Virtue</i>, which won for him a great reputation. +In 1729 he became Prof. of Moral Philosophy at Glasgow, where +he exercised a great influence over his students, and also upon the +Scottish system of philosophy. In his philosophical views he was +to some extent a disciple of Shaftesbury. He introduced the term,<a name='Page_206'></a> +"moral sense," which he defined as a power of perceiving moral +attributes in action. His <i>System of Moral Philosophy</i> appeared +posthumously in two vols.</p><br /> + +<a name='HUTCHINSON_MRS_LUCY_b_1620'></a><p><b>HUTCHINSON, MRS. LUCY (<i>b.</i> 1620).</b> +—Biographer, <i>dau.</i> +of Sir Allan Apsley, Lieutenant of the Tower of London, <i>m.</i> in 1638 +John, afterwards Colonel, Hutchinson, one of those who signed the +death-warrant of Charles I., but who afterwards protested against +the assumption of supreme power by Cromwell. She has a place in +literature for her Life of her husband, one of the most interesting +biographies in the language, not only on account of its immediate +subject, but of the light which it throws upon the characteristics and +conditions of the life of Puritans of good family. Originally intended +for her family only, it was printed by a descendant in 1806, +and did much to clear away the false impressions as to the narrowness +and austerity of the educated Puritans which had prevailed. +Colonel H. and his wife were noble representatives of their class.</p><br /> + +<a name='HUTTON_RICHARD_HOLT_1826_1897'></a><p><b>HUTTON, RICHARD HOLT (1826-1897).</b> +—Essayist and +miscellaneous writer, was brought up as a Unitarian, and for some +time was a preacher of that body, but coming under the influence of +F.D. Maurice and others of his school, joined the Church of England. +He was a frequent contributor to various magazines and reviews, +and assisted Walter Bagehot in ed. the <i>National Review</i>. In 1861 he +became joint-proprietor and ed. of the <i>Spectator</i>. Among his other +writings may be mentioned <i>Essays, Theological and Literary</i> (1871), +<i>Modern Guides of English Thought</i> (1887), and <i>Contemporary Thought +and Thinkers</i> (1894), which were more or less reprints or expansions +of his work in periodicals, and a memoir of Bagehot prefixed to an +ed. of his works.</p><br /> + +<a name='HUXLEY_THOMAS_HENRY_1825_1895'></a><p><b>HUXLEY, THOMAS HENRY (1825-1895).</b> +—Scientific writer, +<i>s.</i> of an assistant master in a public school, was <i>b.</i> at Ealing. From +childhood he was an insatiable reader. In his 13th year he became +a medical apprentice, and in 1842 entered Charing Cross Hospital. +Thereafter he was for a few months surgeon on board the <i>Victory</i> at +Haslar, and was then appointed surgeon on H.M.S. <i>Rattlesnake</i>, +which was sent to make surveys at Torres Strait. While in this +position he made numerous observations, which he communicated +to the Linnæan Society. In 1851 he became a Fellow of the Royal +Society, and in 1854 Prof. of Natural History at the School of +Mines. Henceforth his life was a very full one, divided between +scientific investigation and public work. He was recognised as the +foremost English biologist, and was elected Pres. of the Royal Society +1883. He served on the London School Board and on various Royal +Commissions. His writings are in the main distinguished by a +clearness, force, and charm which entitle them to a place in literature; +and besides the addition which they made to the stock of +human knowledge, they did much to diffuse a love and study of +science. H. was a keen controversialist, contending for the strictly +scientific view of all subjects as distinguished from the metaphysical +or theological, and accordingly encountered much opposition, and a +good deal of abuse. Nevertheless, he was not a materialist, and was +in sympathy with the moral and tender aspects of Christianity. He +<a name='Page_207'></a>was a strong supporter of the theory of evolution. Among the more +eminent of his opponents were Bishop Wilberforce and Mr. Gladstone. +His <i>pub.</i> works, including scientific communications, are +very numerous. Among the more important are those on the +<i>Medusæ</i>, <i>Zoological Evidences of Man's Place in Nature</i> (1863), +<i>Elementary Lessons on Physiology</i> (1866), <i>Evolution and Ethics</i> (1893), +<i>Collected Essays</i> (9 vols. 1893-4). He was also an admirable letter-writer, +as appears from the <i>Life and Letters</i>, ed. by his son, and to +him we owe the word, and almost the idea, "Agnostic."</p><br /> + +<a name='INCHBALD_MRS_ELIZABETH_SIMPSON_1753_1821'></a><p><b>INCHBALD, MRS. ELIZABETH (SIMPSON) (1753-1821).</b> +—Novelist +and dramatist, <i>dau.</i> of a Suffolk farmer. In a romantic fit +she left her home at the age of 16, and went to London, where she became +acquainted with Inchbald the actor, who <i>m.</i> her in 1772. Seven +years later her husband <i>d.</i>, and for the next ten years she was on the +stage, chiefly in Scotland and Ireland. She produced many plays, +including <i>Mogul Tale</i> (1784), <i>I'll Tell you What</i> (1785), <i>Appearance +is against Them</i> (1785), <i>Such Things Are</i>, <i>The Married Man</i>, <i>The +Wedding Day</i>, and two novels, <i>A Simple Story</i> (1791), and <i>Nature +and Art</i> (1796), which have been frequently reprinted. She also +made a collection of plays, <i>The Modern Theatre</i>, in 10 vols. Her +life was remarkable for its simplicity and frugality, and a large part +of her earnings was applied in the maintenance of a delicate sister. +Though of a somewhat sentimental and romantic nature, she +preserved an unblemished reputation.</p><br /> + +<a name='INGELOW_JEAN_1820_1897'></a><p><b>INGELOW, JEAN (1820-1897).</b> +—Poetess and novelist, <i>dau.</i> +of a banker at Boston, Lincolnshire, <i>pub.</i> three vols. of poems, of +which perhaps the best known individual piece is "The High Tide on +the Coast of Lincolnshire," and several successful novels, including +<i>Off the Skelligs</i> (1872), <i>Fated to be Free</i> (1875), and <i>Sarah de Berenger</i> +(1879). She also wrote excellent stories for children, <i>Mopsa the +Fairy</i>, <i>Stories told to Children</i>, etc. Her poems show a considerable +lyric gift.</p><br /> + +<a name='INNES_COSMO_1798_1874'></a><p><b>INNES, COSMO (1798-1874).</b> +—Historian and antiquary, +was called to the Scottish Bar in 1822, and was appointed Prof. of +Constitutional Law and History in the Univ. of Edin. in 1846. He +was the author of <i>Scotland in the Middle Ages</i> (1860), and <i>Sketches of +Early Scottish History</i> (1861). He also ed. many historical MSS. +for the Bannatyne and other antiquarian clubs. Much learning is +displayed in his works.</p><br /> + +<a name='INNES_THOMAS_1662_1744'></a><p><b>INNES, THOMAS (1662-1744).</b> +—Historian, was descended +from an old Roman Catholic family in Aberdeenshire. He studied +in Paris at the Scots Coll., of which he became Principal. He was the +author of two learned works, <i>Critical Essay on the Ancient Inhabitants +of the Northern Parts of Britain</i> (1729), and <i>Civil and Ecclesiastical +History of Scotland, 80 to 818</i> (<i>pub.</i> by the Spalding Club, 1853).</p><br /> + +<a name='IRELAND_WILLIAM_HENRY_1777_1835'></a><p><b>IRELAND, WILLIAM HENRY (1777-1835).</b> +—Forger of +Shakespeare manuscripts, <i>s.</i> of an antiquarian bookseller in London. +He claimed to have discovered the MSS. in the house of a gentleman +of fortune. The forgeries included various deeds, a Protestant +confession of faith by Shakespeare, letters to Ann Hathaway,<a name='Page_208'></a> +Southampton, and others, a new version of <i>King Lear</i>, and a complete +drama, <i>Vortigern and Rowena</i>. He completely deceived his <i>f.</i> +and various men of letters and experts, but was detected by Malone, +and the representation of <i>Vortigern</i> on the stage completed the exposure. +I. then tried novel-writing, in which he failed. He <i>pub.</i> a +confession in regard to the forgeries, in which he asserted that his <i>f.</i> +had no part in the imposture, but had been completely deceived by it.</p><br /> + +<a name='IRVING_EDWARD_1792_1834'></a><p><b>IRVING, EDWARD (1792-1834).</b> +—Theologian and orator, +<i>b.</i> at Annan, Dumfriesshire, and <i>ed.</i> at Edin. Univ., for some years +thereafter was engaged in teaching at Kirkcaldy. Ordained to the +ministry of the Church of Scotland he became, in 1819, assistant to +Dr. Chalmers in Glasgow, after which he went to the Scotch Church in +Hatton Gardens, London, where he had an almost unprecedented +popularity, his admirers including De Quincey, Coleridge, Canning, +Scott, and others. The effect of his spoken oratory is not preserved +in his writings, and was no doubt in a considerable degree +due to his striking appearance and fine voice. He is described as +"a tall, athletic man, with dark, sallow complexion and commanding +features; long, glossy black hair, and an obvious squint." Soon +after removing to a new church in Regent Square he began to develop +his views relative to the near approach of the Second Advent; +and his <i>Homilies on the Sacraments</i> involved him in a charge of heretical +views on the person of Christ, which resulted in his ejection from +his church, and ultimately in his deposition from the ministry. +Thereafter his views as to the revival, as in the early Church, of the +gifts of healing and of tongues, to which, however, he made no +personal claim, underwent rapid development, and resulted in the +founding of a new communion, the Catholic Apostolic Church, the +adherents of which are commonly known as "Irvingites." Whether +right or mistaken in his views there can be no doubt of the personal +sincerity and nobility of the man. His <i>pub.</i> writings include <i>For +the Oracles of God</i>, <i>For Judgment to Come</i>, and <i>The Last Days</i>, and +contain many passages of majestic eloquence.</p><br /> + +<a name='IRVING_WASHINGTON_1783_1859'></a><p><b>IRVING, WASHINGTON (1783-1859).</b> +—Essayist and historian, +<i>b.</i> in New York, <i>s.</i> of William I. who had emigrated from +Scotland. He was in his youth delicate, and his education was +somewhat desultory, but his <i>f.</i> had a fine library, of which he had +the run, and he was an omnivorous reader. In 1799 he entered a +law office, but a threatening of consumption led to his going, in 1804, +on a European tour in search of health. On his return in 1806 he +was admitted to the Bar. He did not, however, prosecute law, but +joined his brothers in business as a sleeping partner, while he devoted +himself to literature. In 1807 he conducted <i>Salmagundi</i>, an +amusing miscellany, and in 1809 appeared <i>A History of New York +by Diedrich Knickerbocker</i>, a burlesque upon the old Dutch settlers, +which has become a classic in America. He made in 1815 a second +visit to Europe, from which he did not return for 17 years. In +England he was welcomed by Thomas Campbell, the poet, who introduced +him to Scott, whom he visited at Abbotsford in 1817. The +following year the firm with which he was connected failed, and he +had to look to literature for a livelihood. He produced <i>The Sketch-Book</i> +(1819), which was, through the influence of Scott, accepted by<a name='Page_209'></a> +Murray, and had a great success on both sides of the Atlantic. In +1822 he went to Paris, where he began <i>Bracebridge Hall</i>, followed in +1824 by <i>Tales of a Traveller</i>. In 1826 Everett, the American +minister at Madrid, invited him to come and assist him by making +translations relative to Columbus, which opened up to him a new +field hitherto little cultivated. The result was a series of fascinating +historical and romantic works, beginning with <i>History of the Life and +Voyages of Columbus</i> (1828), and including <i>The Conquest of Granada</i> +(1829), <i>Voyages of the Companions of Columbus</i> (1831), <i>The Alhambra</i> +(1832), <i>Legends of the Conquest of Spain</i> (1835), and <i>Mahomet and +his Successors</i> (1849). Meanwhile he had returned to England in +1829, and to America in 1832. In 1842 he was appointed Minister +to Spain, and in 1846 he finally returned to America. In the same +year he <i>pub.</i> a <i>Life of Goldsmith</i>, and his great work, the <i>Life of +Washington</i>, came out 1855-59, <i>Wolfert's Roost</i>, a collection of tales +and essays, appeared in 1855. I. was never <i>m.</i>: in his youth he had +been engaged to a girl who <i>d.</i>, and whose memory he faithfully +cherished. His last years were spent at Sunnyside, an old Dutch +house near his "sleepy hollow," and there he <i>d.</i> suddenly on Nov. +28, 1859. Though not, perhaps, a writer of commanding power or +originality, I., especially in his earlier works, imparted by his style +and treatment a singular charm to every subject he touched, and +holds a high place among American men of letters, among whom +he is the first who has produced what has, on its own merits, +living interest in literature. He was a man of high character and +amiable disposition.</p><br /> + +<a name='JAMES_I_KING_of_SCOTLAND_1394_1437'></a><p><b>JAMES I., KING of SCOTLAND (1394-1437).</b> +—Poet, the +third <i>s.</i> of Robert III., was <i>b.</i> at Dunfermline. In 1406 he was sent +for safety and education to France, but on the voyage was taken +prisoner by an English ship, and conveyed to England, where +until 1824 he remained confined in various places, but chiefly in the +Tower of London. He was then ransomed and, after his marriage +to Lady Jane or Joan Beaufort, <i>dau.</i> of the Duke of Somerset, and the +heroine of <i>The King's Quhair</i> (or Book), crowned at Scone. While in +England he had been carefully <i>ed.</i>, and on his return to his native +country endeavoured to reduce its turbulent nobility to due subjection, +and to introduce various reforms. His efforts, however, +which do not appear to have been always marked by prudence, +ended disastrously in his assassination in the monastery of the Black +Friars, Perth, in February, 1437. J. was a man of great natural +capacity both intellectual and practical—an ardent student and a +poet of no mean order. In addition to <i>The King's Quhair</i>, one of +the finest love poems in existence, and <i>A Ballad of Good Counsel</i>, +which are very generally attributed to him, he has been more doubtfully +credited with <i>Peeblis to the Play</i> and <i>Christis Kirke on the +Greene</i>.</p><br /> + +<a name='JAMES_GEORGE_PAYNE_RAINSFORD_1801_1860'></a><p><b>JAMES, GEORGE PAYNE RAINSFORD (1801-1860).</b> +—Novelist +and historical writer, <i>s.</i> of a physician in London, was for +many years British Consul at various places in the United States +and on the Continent. At an early age he began to write romances, +and continued his production with such industry that his works +reach to 100 vols. This excessive rapidity was fatal to his permanent +<a name='Page_210'></a>reputation; but his books had considerable immediate popularity. +Among them are <i>Richelieu</i> (1829), <i>Philip Augustus</i> (1831), <i>The Man +at Arms</i> (1840), <i>The Huguenot</i> (1838), <i>The Robber</i>, <i>Henry of Guise</i> +(1839), <i>Agincourt</i> (1844), <i>The King's Highway</i> (1840). In addition +to his novels he wrote <i>Memoirs of Great Commanders</i>, a <i>Life of the +Black Prince</i>, and other historical and biographical works. He held +the honorary office of Historiographer Royal.</p><br /> + +<a name='JAMESON_MRS_ANNA_BROWNELL_MURPHY_1794_1860'></a><p><b>JAMESON, MRS. ANNA BROWNELL (MURPHY) (1794-1860).</b> +—Writer +on art, <i>dau.</i> of Denis B.M., a distinguished miniature +painter, <i>m.</i> Robert Jameson, a barrister (afterwards Attorney-General +of Ontario). The union, however, did not turn out happily: a separation +took place, and Mrs. J. turned her attention to literature, and +specially to subjects connected with art. Among many other +works she produced <i>Loves of the Poets</i> (1829), <i>Celebrated Female +Sovereigns</i> (1831), <i>Beauties of the Court of Charles II.</i> (1833), <i>Rubens</i> +(translated from the German), <i>Hand Book to the Galleries of Art</i>, +<i>Early Italian Painters</i>, <i>Sacred and Legendary Art</i> (1848), etc. Her +works show knowledge and discrimination and, though now in +many respects superseded, still retain interest and value.</p><br /> + +<a name='JEBB_SIR_RICHARD_CLAVERHOUSE_1841_1905'></a><p><b>JEBB, SIR RICHARD CLAVERHOUSE (1841-1905).</b> +—<i>B.</i> at +Dundee, and <i>ed.</i> at St. Columba's Coll., Dublin, Charterhouse, and +Camb., at the last of which he lectured on the classics, and was in +1869 elected Public Orator. After being Prof. of Greek at Glasgow, +he held from 1889 the corresponding chair at Camb., and for a +time represented the Univ. in Parliament. He was one of the +founders of the British School of Archæology at Athens. Among +his works are <i>The Attic Orators</i>, <i>An Introduction to Homer</i>, <i>Lectures +on Greek Poetry</i>, <i>Life of Richard Bentley</i> (English Men of Letters +Series), and he ed. the works of Sophocles, and the Poems and +Fragments of Bacchylides, discovered in 1896. J. was one of the +most brilliant of modern scholars.</p><br /> + +<a name='JEFFERIES_RICHARD_1848_1887'></a><p><b>JEFFERIES, RICHARD (1848-1887).</b> +—Naturalist and +novelist, <i>s.</i> of a farmer, was <i>b.</i> at Swindon, Wilts. He began his +literary career on the staff of a local newspaper, and first attracted +attention by a letter in the <i>Times</i> on the Wiltshire labourer. Thereafter +he wrote for the <i>Pall Mall Gazette</i>, in which appeared his +<i>Gamekeeper at Home</i>, and <i>Wild Life in a Southern County</i> (1879), +both afterwards <i>repub.</i> Both these works are full of minute observation +and vivid description of country life. They were followed +by <i>The Amateur Poacher</i> (1880), <i>Wood Magic</i> (1881), <i>Round about a +Great Estate</i> (1881), <i>The Open Air</i> (1885), and others on similar +subjects. Among his novels are <i>Bevis</i>, in which he draws on his +own childish memories, and <i>After London, or Wild England</i> (1885), a +romance of the future, when London has ceased to exist. <i>The Story +of My Heart</i> (1883) is an idealised picture of his inner life. J. <i>d.</i> +after a painful illness, which lasted for six years. In his own line, +that of depicting with an intense sense for nature all the elements +of country and wild life, vegetable and animal, surviving in the +face of modern civilisation, he has had few equals. Life by E. +Thomas<a name='Page_211'></a>.</p><br /> + +<a name='JEFFREY_FRANCIS_1773_1850'></a><p><b>JEFFREY, FRANCIS (1773-1850).</b> +—Critic and political +writer, <i>s.</i> of a legal official, <i>b.</i> in Edinburgh, <i>ed.</i> at the High School +there, and at Glasgow and Oxf., where, however, he remained for a +few months only. Returning to Edinburgh he studied law, and was +called to the Bar in 1794. Brought up as a Tory, he early imbibed +Whig principles, and this, in the then political state of Scotland, +together with his strong literary tendencies, long hindered his professional +advancement. Gradually, however, his ability, acuteness, +and eloquence carried him to the front of his profession. He was +elected Dean of the Faculty of Advocates in 1829 and, on the accession +to power of the Whigs in 1830, became Lord Advocate, and had a +large share in passing the Reform Bill, in so far as it related to Scotland. +In 1832 he was elected M.P. for Edinburgh, and was raised +to the Bench as Lord Jeffrey in 1834. His literary fame rests on his +work in connection with the <i>Edinburgh Review</i>, which he edited +from its commencement in 1802 until 1829, and to which he +was a constant contributor. The founding of this periodical by +a group of young men of brilliant talents and liberal sympathies, +among whom were Brougham, Sydney Smith, and F. Horner, +constituted the opening of a new epoch in the literary and +political progress of the country. J.'s contributions ranged +over literary criticism, biography, politics, and ethics and, +especially in respect of the first, exercised a profound influence; +he was, in fact, regarded as the greatest literary critic of his +age, and although his judgments have been far from universally +supported either by the event or by later critics, it remains true +that he probably did more than any of his contemporaries to diffuse +a love of literature, and to raise the standard of public taste in such +matters. A selection of his papers, made by himself, was <i>pub.</i> in 4 +vols. in 1844 and 1853. J. was a man of brilliant conversational +powers, of vast information and sparkling wit, and was universally +admired and beloved for the uprightness and amiability of his character.</p><br /> + +<a name='JERROLD_DOUGLAS_WILLIAM_1803_1857'></a><p><b>JERROLD, DOUGLAS WILLIAM (1803-1857).</b> +—Dramatist +and miscellaneous writer, <i>s.</i> of an actor, himself appeared as a child +upon the stage. From his 10th to his 12th year he was at sea. He +then became apprentice to a printer, devoting all his spare time to +self-education. He early began to contribute to periodicals, and in his +18th year he was engaged by the Coburg Theatre as a writer of short +dramatic pieces. In 1829 he made a great success by his drama of +<i>Black-eyed Susan</i>, which he followed up by <i>The Rent Day</i>, <i>Bubbles of +the Day</i>, <i>Time works Wonders</i>, etc. In 1840 he became ed. of a publication, +<i>Heads of the People</i>, to which Thackeray was a contributor, +and in which some of the best of his own work appeared. He was +one of the leading contributors to <i>Punch</i>, in which <i>Mrs. Caudle's +Curtain Lectures</i> came out, and from 1852 he ed. <i>Lloyd's Weekly +Newspaper</i>. Among his novels are <i>St. Giles and St. James</i>, and <i>The +Story of a Feather</i>. J. had a great reputation as a wit, was a genial +and kindly man, and a favourite with his fellow <i>littérateurs</i>, who +raised a fund of £2000 for his family on his death.</p><br /> + +<a name='JESSE_JOHN_HENEAGE_1815_1874'></a><p><b>JESSE, JOHN HENEAGE (1815-1874).</b> +—Historical writer, +<i>ed.</i> at Eton, was a clerk in the Admiralty. He wrote <i>Memoirs</i> of the<a name='Page_212'></a> +Court of England, of G. Selwyn and his contemporaries (1843), of the +Pretender (1845), etc., and <i>Celebrated Etonians</i> (1875).</p><br /> + +<a name='JEVONS_WILLIAM_STANLEY_1835_1882'></a><p><b>JEVONS, WILLIAM STANLEY (1835-1882).</b> +—Logician and +economist, <i>b.</i> in Liverpool, <i>s.</i> of an iron merchant, his mother was +the <i>dau.</i> of <a href='#ROSCOE_WILLIAM_1753_1831'>W. Roscoe</a> (<i>q.v.</i>). He was <i>ed.</i> at the Mechanics Institute +High School, Liverpool, and at University Coll., London. After +studying chemistry for some time he received in 1853 the appointment +of assayer to the mint at Sydney, where he remained until 1859, +when he resigned his appointment, and came home to study mathematics +and economics. While in Australia he had been a contributor +to the <i>Empire</i> newspaper, and soon after his return home +he <i>pub.</i> <i>Remarks on the Australian Goldfields</i>, wrote in various +scientific periodicals, and from time to time <i>pub.</i> important papers +on economical subjects. The position which he had attained as a +scientific thinker and writer was recognised by his being appointed +in 1863 tutor, and in 1866, Prof. of Logic, Political Economy, and +Mental and Moral Philosophy in Owen's Coll., Manchester. In 1864 +he <i>pub.</i> <i>Pure Logic</i> and <i>The Coal Question</i>; other works were +<i>Elementary Lessons in Logic</i> (1870), <i>Principles of Science</i> (1874), and +<i>Investigations in Currency and Finance</i> (1884), posthumously. His +valuable and promising life was brought to a premature close by his +being drowned while bathing. His great object in his writings was +to place logic and economics in the position of exact sciences, and in +all his work he showed great industry and care combined with +unusual analytical power.</p><br /> + +<a name='JEWSBURY_GERALDINE_ENDSOR_1812_1880'></a><p><b>JEWSBURY, GERALDINE ENDSOR (1812-1880).</b> +—Novelist, +wrote several novels, of which <i>Zoe</i>, <i>The Half-Sisters</i>, and <i>Constance +Herbert</i> may be mentioned. She also wrote stories for children, and +was a contributor to various magazines.</p><br /> + +<a name='JOHN_of_SALISBURY_1120_1180'></a><p><b>JOHN of SALISBURY (1120?-1180?).</b> +—<i>B.</i> at Salisbury, +studied at Paris. He became sec. to Theobald Archbishop of Canterbury, +and retained the office under Becket. In 1176 he was made +Bishop of Chartres. He wrote in Latin, in 8 books, <i>Polycraticus, seu +De Nugis Curialium et Vestigiis Philosophorum</i> (on the Trifles of the +Courtiers, and the Footsteps of the Philosophers). In it he treats of +pastimes, flatterers, tyrannicide, the duties of kings and knights, +virtue and vice, glory, and the right of the Church to remove kings +if in its opinion they failed in their duty. He also wrote a Life of +Anselm. He was one of the greatest scholars of the Middle Ages.</p><br /> + +<a name='JOHNSON_LIONEL_1867_1902'></a><p><b>JOHNSON, LIONEL (1867-1902).</b> +—Poet and critic. <i>Ireland +and other Poems</i> (2 vols.) (1897), <i>The Art of Thomas Hardy</i>, and +miscellaneous critical works.</p><br /> + +<a name='JOHNSON_SAMUEL_1649_1703'></a><p><b>JOHNSON, SAMUEL (1649-1703).</b> +—Political writer, sometimes +called "the Whig" to distinguish him from his great namesake. +Of humble extraction, he was <i>ed.</i> at St. Paul's School and Camb., +and took orders. He attacked James II. in <i>Julian the Apostate</i> (1682), +and was imprisoned. He continued, however, his attacks on the +Government by pamphlets, and did much to influence the public +<a name='Page_213'></a>mind in favour of the Revolution. Dryden gave him a place in +<i>Absalom and Achitophel</i> as "Benjochanan." After the Revolution +he received a pension, but considered himself insufficiently rewarded +by a Deanery, which he declined.</p><br /> + +<a name='JOHNSON_SAMUEL_1709_1784'></a><p><b>JOHNSON, SAMUEL (1709-1784).</b> +—Moralist, essayist, and +lexicographer, <i>s.</i> of a bookseller at Lichfield, received his early +education at his native town, and went in 1728 to Oxf., but had, +owing to poverty, to leave without taking a degree. For a short +time he was usher in a school at Market Bosworth, but found the +position so irksome that he threw it up, and gained a meagre livelihood +by working for a publisher in Birmingham. In 1735, being +then 26, he <i>m.</i> Mrs. Porter, a widow of over 40, who brought him +£800, and to whom he was sincerely attached. He started an +academy at Ediol, near Lichfield, which, however, had no success, +only three boys, one of whom was <a href='#GARRICK_DAVID_1717_1779'>David Garrick</a> (<i>q.v.</i>), attending it. +Accordingly, this venture was given up, and J. in 1737 went to +London accompanied by Garrick. Here he had a hard struggle with +poverty, humiliation, and every kind of evil, always, however, +quitting himself like the true man he was. He contributed to the +<i>Gentleman's Magazine</i>, furnishing the parliamentary debates in +very free and generally much improved form, under the title of +"Debates of the Senate of Lilliput." In 1738 appeared <i>London</i>, a +satire imitated from Juvenal which, <i>pub.</i> anonymously, attracted +immediate attention, and the notice of Pope. His next work was +the life of his unfortunate friend <a href='#SAVAGE_RICHARD_1697_1743'>Savage</a> (<i>q.v.</i>) (1744); and in 1747 +he began his great <i>English Dictionary</i>. Another satire, <i>The Vanity +of Human Wishes</i>, appeared in 1749, and in the same year <i>Irene</i>, a +tragedy. His next venture was the starting of the <i>Rambler</i>, a paper +somewhat on the lines of the <i>Spectator</i>; but, sententious and grave, +it had none of the lightness and grace of its model, and likewise +lacked its popularity. It was almost solely the work of J. himself, +and was carried on twice a week for two years. In 1752 his wife, +"his dear Tetty" <i>d.</i>, and was sincerely mourned; and in 1755 his +<i>Dictionary</i> appeared. The patronage of <a href='#CHESTERFIELD_PHILIP_DORMER_STANHOPE_4TH_EARL_OF_1694_1773'>Lord Chesterfield</a> (<i>q.v.</i>), +which he had vainly sought, was then offered, but proudly rejected +in a letter which has become a classic. The work made him famous, +and Oxf. conferred upon him the degree of M.A. He had become +the friend of Reynolds and Goldsmith; Burke and others were soon +added. The <i>Idler</i>, a somewhat less ponderous successor of the +<i>Rambler</i>, appeared in 1758-60, and <i>Rasselas</i>, his most popular work, +was written in 1759 to meet the funeral expenses of his mother, who +then <i>d.</i> at the age of 90. At last the tide of his fortunes turned. A +pension of £300 was conferred upon him in 1762, and the rest of his +days were spent in honour, and such comfort as the melancholy to +which he was subject permitted. In 1763 he made the acquaintance, +so important for posterity, of James Boswell; and it was probably +in the same year that he founded his famous "literary club." +In 1764 he was introduced to Mr. Thrale, a wealthy brewer, and for +many years spent much of his time, an honoured guest, in his family. +The kindness and attentions of Mrs. T., described by Carlyle as "a +bright papilionaceous creature, whom the elephant loved to play +with, and wave to and fro upon his trunk," were a refreshment and +<a name='Page_214'></a>solace to him. In 1765 his ed. of Shakespeare came out, and his +last great work was the <i>Lives of the Poets</i>, in 10 vols. (1779-81). He +had in 1775 <i>pub.</i> his <i>Journey to the Western Isles of Scotland</i>, an account +of a tour made in the company of Boswell. His last years +were darkened by the loss of friends such as Goldsmith and Thrale, +and by an estrangement from Mrs. T., on her marriage with Piozzi, +an Italian musician. Notwithstanding a lifelong and morbid fear of +death, his last illness was borne with fortitude and calmness, soothed +by the pious attentions of Reynolds and Burke, and he <i>d.</i> peacefully +on December 13, 1784. He was buried in Westminster Abbey, and +a monument in St. Paul's was erected by the "club." Statues of +him were also erected in Lichfield and Uttoxeter. He had received +from Oxf. and Dublin the degree of LL.D.</p> + +<p>Though of rough and domineering manners, J. had the tenderest +of hearts, and his house was for years the home of several persons, +such as Mrs. Williams and Levett, the surgeon, who had no claim +upon him but their helplessness and friendlessness. As Goldsmith +aptly said, he "had nothing of the bear but his skin." His outstanding +qualities were honesty and courage, and these characterise +all his works. Though disfigured by prejudice and, as regards +matters of fact, in many parts superseded, they remain, as has been +said, "some excellent, all worthy and genuine works;" and he will +ever stand one of the greatest and most honourable figures in the +history of English literature. Boswell's marvellous <i>Life</i> has made +J.'s bodily appearance, dress, and manners more familiar to posterity +than those of any other man—the large, unwieldy form, the face +seamed with scrofula, the purblind eyes, the spasmodic movements, +the sonorous voice, even the brown suit, metal buttons, black +worsted stockings, and bushy wig, the conversation so full of matter, +strength, sense, wit, and prejudice, superior in force and sparkle to +the sounding, but often wearisome periods of his written style. Of +his works the two most important are the <i>Dictionary</i>, which, long +superseded from a philological point of view, made an epoch in the +history of the language, and the <i>Lives of the Poets</i>, many of them +deformed by prejudice and singularly inadequate criticism, others, +almost perfect in their kind, and the whole written in a style less +pompous and more natural and lively than his earlier works.</p> + +<p>SUMMARY.—<i>B.</i> 1709, <i>ed.</i> Oxf., usher and hack writer, starts +academy at Ediol, goes to London 1737, reports parliamentary +debates, <i>pub.</i> <i>London</i> 1738, <i>Life of Savage</i> 1744, began <i>Dictionary</i> +1747, <i>pub.</i> <i>Vanity of Human Wishes</i> and <i>Irene</i> 1749, conducts +<i>Rambler</i> 1750-52, <i>pub.</i> <i>Dictionary</i> 1755, <i>Idler</i> appears 1758-60, <i>pub.</i> +<i>Rasselas</i> 1759, receives pension 1762, became acquainted with Boswell +1763, <i>pub.</i> ed. of <i>Shakespeare</i> 1765, and <i>Lives of Poets</i> 1779-81, <i>d.</i> +1784.</p> + +<p>Recollections, etc., by Mrs. Piozzi, Reynolds, and others, also <i>Johnsoniana</i> +(Mrs. Napier, 1884), Boswell's <i>Life</i>, various ed., including +that of Napier, 1884, and Birkbeck Hill, 1889.</p><br /> + +<a name='JOHNSTON_ARTHUR_c_1587_1641'></a><p><b>JOHNSTON, ARTHUR (<i>c.</i> 1587-1641).</b> +—Poet in Latin, <i>b.</i> near +Aberdeen, studied medicine at Padua, where he graduated. After +living for about 20 years in France, he returned to England, became +physician to Charles I., and was afterwards Rector of King's Coll.,<a name='Page_215'></a> +Aberdeen. He attained a European reputation as a writer of Latin +poetry. Among his works are <i>Musæ Aulicæ</i> (1637), and a complete +translation of the Psalms, and he ed. <i>Deliciæ Poetarum Scotorum</i>, +a collection of Latin poetry by Scottish authors.</p><br /> + +<a name='JOHNSTONE_CHARLES_1719_1800'></a><p><b>JOHNSTONE, CHARLES (1719?-1800).</b> +—Novelist. Prevented +by deafness from practising at the Irish Bar, he went to India, +where he was proprietor of a newspaper. He wrote one successful +book, <i>Chrysal, or the Adventures of a Guinea</i>, a somewhat sombre +satire, and some others now utterly forgotten.</p><br /> + +<a name='JONES_EBENEZER_1820_1860'></a><p><b>JONES, EBENEZER (1820-1860).</b> +—Poet, wrote a good deal +of poetry of very unequal merit, but at his best shows a true poetic +vein. He was befriended by Browning and Rossetti. His chief +work was <i>Studies of Sensation and Event</i> (1843). His most widely +appreciated poems were "To the Snow," "To Death," and "When +the World is Burning." He made an unhappy marriage, which +ended in a separation.</p><br /> + +<a name='JONES_ERNEST_CHARLES_1819_1869'></a><p><b>JONES, ERNEST CHARLES (1819-1869).</b> +—Poet, novelist, +and Chartist, <i>s.</i> of Major J., equerry to the Duke of Cumberland, +afterwards King of Hanover, was <i>b.</i> at Berlin. He adopted the +views of the Chartists in an extreme form, and was imprisoned for +two years for seditious speeches, and on his release conducted a +Chartist newspaper. Afterwards, when the agitation had died down, +he returned to his practice as a barrister, which he had deserted, and +also wrote largely. He produced a number of novels, including <i>The +Maid of Warsaw</i>, <i>Woman's Wrongs</i>, and <i>The Painter of Florence</i>, also +some poems, <i>The Battle Day</i> (1855), <i>The Revolt of Hindostan</i> (1857), +and <i>Corayda</i> (1859). Some of his lyrics, such as <i>The Song of the Poor</i>, +<i>The Song of the Day Labourers</i>, and <i>The Factory Slave</i>, were well +known.</p><br /> + +<a name='JONES_SIR_WILLIAM_1746_1794'></a><p><b>JONES, SIR WILLIAM (1746-1794).</b> +—Orientalist and jurist, +was <i>b.</i> in London, and <i>ed.</i> at Harrow and Oxf. He lost his <i>f.</i>, an +eminent mathematician, at 3 years of age. He early showed extraordinary +aptitude for acquiring languages, specially those of the East, +and learned 28. Devoting himself to the study of law he became +one of the most profound jurists of his time. He was appointed +one of the Judges in the Supreme Court of Bengal, knighted in +1783, and started for India, whence he never returned. While there, +in addition to his judicial duties, he pursued his studies in Oriental +languages, from which he made various translations. Among his +original works are <i>The Enchanted Fruit</i>, and <i>A Treatise on the Gods +of Greece, Italy, and India</i>. He founded the Bengal Asiatic Society. +He left various works unfinished which, with his other writings, +were <i>coll.</i> and ed. by Lord Teignmouth. He <i>d.</i> universally beloved +and honoured at the early age of 48. His chief legal work was <i>The +Institutes of Hindu Law or the Ordinances of Manu</i>.</p><br /> + +<a name='JONSON_BEN_or_BENJAMIN_1573_1637'></a><p><b>JONSON, BEN or BENJAMIN (1573-1637).</b> +—Poet and +dramatist, was probably <i>b.</i> in Westminster. His <i>f.</i>, who <i>d.</i> before +Ben was four, seems to have come from Carlisle, and the family to +have originally belonged to Annandale. He was sent to Westminster +School, for which he seems to have been indebted to the +<a name='Page_216'></a>kindness of <a href='#CAMDEN_WILLIAM_1551_1623'>W. Camden</a> (<i>q.v.</i>), who was one of the masters. His +mother, meanwhile, had <i>m.</i> a bricklayer, and he was for a time put +to that trade, but disliking it, he ran away and joined the army, +fighting against the Spaniards in the Low Countries. Returning to +England about 1592 he took to the stage, both as an actor and as a +playwright. In the former capacity he was unsuccessful. In 1598, +having killed a fellow-actor in a duel, he was tried for murder, but +escaped by benefit of clergy. About the same time he joined the +Roman Catholic Church, in which he remained for 12 years. It +was in 1598 also that his first successful play, <i>Every Man in his +Humour</i>, was produced, with Shakespeare as one of the players. +<i>Every Man out of his Humour</i> (1599), <i>Cynthia's Revels</i> (1600), and +<i>The Poetaster</i> (1601), satirising the citizens, the courtiers, and the +poets respectively, followed. The last called forth several replies, +the most notable of which was the <i>Satiromastix</i> (Whip for the Satirist) +of <a href='#DEKKER_THOMAS_1570_1641'>Dekker</a> (<i>q.v.</i>), a severe, though not altogether unfriendly, retort, +which J. took in good part, announcing his intention of leaving off +satire and trying tragedy. His first work in this kind was <i>Sejanus</i> +(1603), which was not very favourably received. It was followed +by <i>Eastward Ho</i>, in which he collaborated with Marston and Chapman. +Certain reflections on Scotland gave offence to James I., and +the authors were imprisoned, but soon released. From the beginning +of the new reign J. devoted himself largely to the writing of +Court masques, in which he excelled all his contemporaries, and +about the same time entered upon the production of the three great +plays in which his full strength is shown. The first of these, <i>Volpone, +or the Fox</i>, appeared in 1605; <i>Epicæne, or the Silent Woman</i> in 1609, +and <i>The Alchemist</i> in 1610. His second and last tragedy, <i>Catiline</i>, +was produced in 1611. Two years later he was in France as companion +to the son of Sir W. Raleigh, and on his return he held up +hypocritical Puritanism to scorn in <i>Bartholomew Fair</i>, which was +followed in 1616 by a comedy, <i>The Devil is an Ass</i>. In the same +year he <i>coll.</i> his writings—plays, poems, and epigrams—in a folio +entitled his <i>Works</i>. In 1618 he journeyed on foot to Scotland, +where he was received with much honour, and paid his famous +visit to <a href='#DRUMMOND_WILLIAM_1585_1649'>Drummond</a> (<i>q.v.</i>) at Hawthornden. His last successful +play, <i>The Staple of Newes</i>, was produced in 1625, and in the +same year he had his first stroke of palsy, from which he never +entirely recovered. His next play, <i>The New Inn</i>, was driven from +the stage, for which in its rapid degeneracy he had become too +learned and too moral. A quarrel with Inigo Jones, the architect, +who furnished the machinery for the Court masques, lost him Court +favour, and he was obliged, with failing powers, to turn again to the +stage, for which his last plays, <i>The Magnetic Lady</i> and <i>The Tale of a +Tub</i>, were written in 1632 and 1633. Town and Court favour, however, +turned again, and he received a pension of £100; that of the +best poets and lovers of literature he had always kept. The older poets +were his friends, the younger were proud to call themselves, and +be called by him, his sons. In 1637, after some years of gradually +failing health, he <i>d.</i>, and was buried in Westminster Abbey. An +admirer caused a mason to cut on the slab over his grave the well-known +inscription, "O Rare Ben Jonson." He left a fragment, <i>The +Sad Shepherd</i>. His works include a number of epigrams and translations, +<a name='Page_217'></a>collections of poems (<i>Underwoods</i> and <i>The Forest</i>); in prose +a book of short essays and notes on various subjects, <i>Discoveries</i>.</p> + +<p>J. was the founder of a new style of English comedy, original, +powerful, and interesting, but lacking in spontaneity and nature. +His characters tend to become mere impersonations of some one +quality or "humour," as he called it. Thus he is the herald, though a +magnificent one, of decadence. He painted in general with a powerful, +but heavy hand; in his masques, however, he often shows a singular +gracefulness, especially in the lyrics which he introduces. His +character, as given by Drummond, is not a particularly attractive +one, "a great lover and praiser of himself, a contemner and scorner +of others, given rather to lose a friend than a jest, jealous of every +word and action of those about him, especially after drink ... a +dissembler of ill parts which reign in him, a bragger of some good +that he wanteth ... passionately kind and angry ... oppressed +with fantasy which hath ever mastered his reason." There must, +however, have been far other qualities in a man who could command, +as J. undoubtedly did, the goodwill and admiration of so many of +the finest minds of his time. In person he was tall, swarthy, marked +with small-pox, and in later years burly.</p> + +<p>SUMMARY.—<i>B.</i> 1573, <i>ed.</i> Westminster School, serves in Low +Countries, returns to England 1592, and takes to stage, kills actor +in brawl 1598, a Romanist <i>c.</i> 1598-<i>c.</i> 1610, <i>Every Man in his Humour</i> +1598, <i>Every Man out of his Humour</i> 1599, and other plays till 1633, +<i>coll.</i> works <i>pub.</i> 1616, visits Drummond 1618, loses and recovers +Court favour, <i>d.</i> 1637.</p> + +<p>Among the ed. of J.'s works may be mentioned those of Gifford (9 +vols., 1816), re-issued (1875), selected plays Mermaid Series (3 +vols., 1893-5), Morley (1884), and Symonds (1886). Lives and +studies by Symonds (English Worthies), and Swinburne (1890).</p><br /> + +<a name='JORTIN_JOHN_1698_1770'></a><p><b>JORTIN, JOHN (1698-1770).</b> +—Ecclesiastical historian, <i>ed.</i> +at Camb., and entering the Church held various benefices, becoming +in 1764 Archdeacon of London. He <i>pub.</i> <i>Remarks on Ecclesiastical +History</i> (1751-54), a Life of Erasmus, and various miscellaneous +pamphlets and tracts; 7 vols. of sermons appeared after his death. +All his works show learning, and are written in a lively style.</p><br /> + +<a name='JOWETT_BENJAMIN_1817_1893'></a><p><b>JOWETT, BENJAMIN (1817-1893).</b> +—Scholar, was <i>b.</i> at +Camberwell, and <i>ed.</i> at St. Paul's School and Balliol Coll., where he +had a distinguished career, becoming Fellow 1838, Tutor 1840, and +Master 1870. He held the Regius Professorship of Greek 1855-93, +though for the first 10 years he was, owing to the opposition of his +theological opponents in the Univ., deprived of a large part of the +usual emoluments. He was a keen and formidable controversialist, +and was usually found on what was, for the time, the unpopular +side. His contribution (an essay on <i>The Interpretation of Scripture</i>) +to the famous <i>Essays and Reviews</i>, which appeared in 1860, brought +him into strong collision with powerful sections of theological +opinion, to which he had already given offence by his commentaries +on the <i>Epistles to the Thessalonians, Galatians, and Romans</i>. His +views were, indeed, generally considered to be extremely latitudinarian. +Latterly he exercised an extraordinary influence in the +Univ., and was held in reverence by his pupils, many of whom have +<a name='Page_218'></a>risen to eminence. His chief works are translations, with learned +introductions, of <i>The Dialogues</i> of Plato, of Thucydides, and of the +<i>Politics</i> of Aristotle. He also, in conjunction with Prof. Campbell, +brought out an ed. of <i>The Republic</i> of Plato. He held the degree of +LL.D. from the Univ. of Edin. (1884), and Camb. (1890), and Doctor +of Theology of Leyden (1875).</p><br /> + +<a name='JUDD_SYLVESTER_1813_1853'></a><p><b>JUDD, SYLVESTER (1813-1853).</b> +—Novelist, <i>b.</i> at Westhampton, +Mass., studied for the ministry at Yale, and became a Unitarian +pastor. He <i>pub.</i> <i>Philo</i>, a religious poem, followed by <i>Margaret, +a Tale of the Real and the Ideal</i> (1845), <i>Richard Edney, A Rus-Urban +Tale</i> (1850). He also produced some theological works. His work +is very unequal, but often, as in <i>Margaret</i>, contains fine and true +descriptive passages both of nature and character.</p><br /> + +<a name='KAMES_HENRY_HOME_LORD_1696_1782'></a><p><b>KAMES, HENRY HOME, LORD (1696-1782).</b> +—Miscellaneous +writer, <i>s.</i> of Geo. H., of Kames, Berwickshire, was admitted +an advocate in 1723, and raised to the Bench in 1752. In 1748 he +<i>pub.</i> a collection of Decisions of the Court of Session. It is, however, +on his philosophical and historical writings that his literary fame +rests. His writings include <i>Essays on the Principles of Morality and +Natural Religion</i> (1751), <i>The Elements of Criticism</i> (1762), in which +he sought for principles based on the elements of human nature; +<i>Sketches of the History of Man</i> (1774), and <i>Loose Hints on Education</i>, +in which many modern views are anticipated. In all these works, +while the style is stiff and crabbed, there is much original thought. +Lord K. was also an eminent authority upon agriculture, on which +he in 1777 <i>pub.</i> a work entitled <i>The Gentleman Farmer</i>.</p><br /> + +<a name='KAVANAGH_JULIA_1824_1877'></a><p><b>KAVANAGH, JULIA (1824-1877).</b> +—Novelist, <i>dau.</i> of +Morgan K., poet, and philologist, wrote many novels, of which the +scene is usually in France, among which are <i>Madeleine</i> (1848), <i>Adèle</i>, +and <i>Daisy Burns</i>; also biographical works, <i>Woman in France in +the 18th Century</i> (1850), etc.</p><br /> + +<a name='KAYE_SIR_JOHN_WILLIAM_1814_1876'></a><p><b>KAYE, SIR JOHN WILLIAM (1814-1876).</b> +—Historian and +biographer, <i>s.</i> of a London solicitor, was <i>ed.</i> at Eton and Addiscombe. +After serving for some time in the Bengal Artillery, he succeeded +J.S. Mill as sec. to the political and secret department in the +East India Office. His first literary work was a novel <i>pub.</i> in 1845, +and he then began his valuable series of histories and biographies +illustrative of the British occupation of India, including <i>The War in +Afghanistan</i> (1851), and <i>The Sepoy War in India</i>, which he did not +live to finish, and which was completed by G.B. Malleson as <i>The +History of the Indian Mutiny</i> (6 vols., 1890); also histories of the +East India Company and of Christianity in India, and Lives of Sir +John Malcolm and other Indian soldiers and statesmen. All his +writings are characterised by painstaking research, love of truth, +and a style suited to the importance of his subjects. He was made +K.C.S.I. in 1871.</p><br /> + +<a name='KEARY_ANNIE_1825_1879'></a><p><b>KEARY, ANNIE (1825-1879).</b> +—Novelist, wrote some good +novels, including <i>Castle Daly</i>, <i>A Doubting Heart</i>, and <i>Oldbury</i>, also +books for children and educational works<a name='Page_219'></a>.</p><br /> + +<a name='KEATS_JOHN_1795_1821'></a><p><b>KEATS, JOHN (1795-1821).</b> +—Poet, <i>s.</i> of the chief servant +at an inn in London, who <i>m.</i> his master's <i>dau.</i>, and <i>d.</i> a man of some +substance. He was sent to a school at Enfield, and having meanwhile +become an orphan, was in 1810 apprenticed to a surgeon at +Edmonton. In 1815 he went to London to walk the hospitals. He +was not, however, at all enthusiastic in his profession, and having +become acquainted with Leigh Hunt, Hazlitt, Shelley, and others, he +gave himself more and more to literature. His first work—some sonnets—appeared +in Hunt's <i>Examiner</i>, and his first book, <i>Poems</i>, came +out in 1817. This book, while containing much that gave little promise +of what was to come, was not without touches of beauty and music, +but it fell quite flat, finding few readers beyond his immediate circle. +<i>Endymion</i>, begun during a visit to the Isle of Wight, appeared in +1818, and was savagely attacked in <i>Blackwood</i> and the <i>Quarterly +Review</i>. These attacks, though naturally giving pain to the poet, +were not, as was alleged at the time, the cause of his health breaking +down, as he was possessed of considerable confidence in his own +powers, and his claim to immortality as a poet. Symptoms of hereditary +consumption, however, began to show themselves and, in the +hope of restored health, he made a tour in the Lakes and Scotland, +from which he returned to London none the better. The death soon +after of his brother Thomas, whom he had helped to nurse, told upon +his spirits, as did also his unrequited passion for Miss Fanny Brawne. +In 1820 he <i>pub.</i> <i>Lamia and Other Poems</i>, containing <i>Isabella</i>, <i>Eve of +St. Agnes</i>, <i>Hyperion</i>, and the odes to the <i>Nightingale</i> and <i>The +Grecian Urn</i>, all of which had been produced within a period of +about 18 months. This book was warmly praised in the <i>Edinburgh +Review</i>. His health had by this time completely given way, and he +was likewise harassed by narrow means and hopeless love. He had, +however, the consolation of possessing many warm friends, by some +of whom, the Hunts and the Brawnes, he was tenderly nursed. At +last in 1821 he set out, accompanied by his friend Severn, on that +journey to Italy from which he never returned. After much suffering +he <i>d.</i> at Rome, and was buried in the Protestant cemetery there. +The character of K. was much misunderstood until the publication by +R.M. Milnes, afterwards <a href='#HOUGHTON_RICHARD_MONCKTON_MILNES_1ST_LORD_1809_1885'>Lord Houghton</a> (<i>q.v.</i>), of his <i>Life and Letters</i>, +which gives an attractive picture of him. This, together with the +accounts of other friends, represent him as "eager, enthusiastic, +and sensitive, but humorous, reasonable, and free from vanity, +affectionate, a good brother and friend, sweet-tempered, and helpful." +In his political views he was liberal, in his religious, indefinite. +Though in his life-time subjected to much harsh and unappreciative +criticism, his place among English poets is now assured. His chief +characteristics are intense, sensuous imagination, and love of beauty, +rich and picturesque descriptive power, and exquisitely melodious +versification.</p> + +<p><i>Life, Letters, etc.</i>, by R.M. Milnes (1848), <i>Poems and Letters</i> +(Forman, 5 vols., 1900). Keats (Men of Letters Series, Colvin, 1887), +etc. <i>Poems</i> (1817), <i>Endymion</i> (1818), <i>Lamia and Other Poems</i> (1820).</p><br /> + +<a name='KEBLE_JOHN_1792_1866'></a><p><b>KEBLE, JOHN (1792-1866).</b> +—Poet and divine, <i>s.</i> of the +Rev. John K., Vicar of Coln St. Aldwyn's, Gloucestershire, <i>b.</i> at +Fairford in the same county, <i>ed.</i> by his <i>f.</i> and at Oxf., where he +<a name='Page_220'></a>was elected a Fellow of Oriel Coll., and was for some years tutor and +examiner in the Univ. His ideal life, however, was that of a country +clergyman, and having taken orders in 1815, he became curate +to his <i>f.</i> Meantime he had been writing <i>The Christian Year</i>, which +appeared in 1827, and met with an almost unparalleled acceptance. +Though at first anonymous, its authorship soon became known, with +the result that K. was in 1831 appointed to the Chair of Poetry at +Oxf., which he held until 1841. In 1833 his famous sermon on +"national apostasy" gave the first impulse to the Oxf. movement, +of which, after the secession of Newman to the Church of Rome, he, +along with Pusey, was regarded as the leader, and in connection +with which he contributed several of the more important "tracts" +in which were enforced "deep submission to authority, implicit +reverence for Catholic tradition, firm belief in the divine prerogatives +of the priesthood, the real nature of the sacraments, and the danger of +independent speculation." His <i>f.</i> having <i>d.</i>, K. became in 1836 Vicar +of Hursley, near Winchester, where he remained until his death. In +1846 he <i>pub.</i> another book of poems, <i>Lyra Innocentium</i>. Other +works were a Life of Wilson, Bishop of Sodor and Man, and an ed. of +the Works of Hooker. After his death appeared <i>Letters of Spiritual +Counsel</i>, and 12 vols. of <i>Parish Sermons</i>. The literary position of K. +must mainly rest upon <i>The Christian Year</i>, <i>Thoughts in Verse for the +Sundays</i>, and <i>Holidays throughout the Year</i>, the object of which was, +as described by the author, to bring the thoughts and feelings of the +reader into unison with those exemplified in the Prayer Book. The +poems, while by no means of equal literary merit, are generally +characterised by delicate and true poetic feeling, and refined and +often extremely felicitous language; and it is a proof of the fidelity to +nature with which its themes are treated that the book has become +a religious classic with readers far removed from the author's ecclesiastical +standpoint and general school of thought. K. was one of +the most saintly and unselfish men who ever adorned the Church of +England, and, though personally shy and retiring, exercised a vast +spiritual influence upon his generation.</p> + +<p><i>Life</i> by J.D. Coleridge (1869), another by Rev. W. Lock (1895).</p><br /> + +<a name='KEIGHTLEY_THOMAS_1789_1872'></a><p><b>KEIGHTLEY, THOMAS (1789-1872).</b> +—Historian, <i>ed.</i> at +Trinity Coll., Dublin, wrote works on mythology and folklore, and +at the request of Dr. Arnold of Rugby, a series of text-books on +English, Greek, and other histories. His <i>History of Greece</i> was +translated into modern Greek. Among his other books are <i>Fairy +Mythology</i> (1850), and <i>Mythology of Ancient Greece and Italy</i>, and a +work on Popular Tales and their transmission from one country to +another.</p><br /> + +<a name='KEITH_ROBERT_1681_1757'></a><p><b>KEITH, ROBERT (1681-1757).</b> +—Historian, <i>b.</i> in Kincardineshire, +belonged to the family of the Earls Marischal, and was +Bishop of Fife in the Scottish Episcopal Church. He was deeply +versed in Scottish antiquities, and <i>pub.</i> <i>History of the Affairs of +Church and State in Scotland</i> during the Reformation. He also +compiled <i>A Catalogue of the Bishops of Scotland</i> (1755).</p><br /> + +<a name='KELLY_HUGH_1739_1777'></a><p><b>KELLY, HUGH (1739-1777).</b> +—Dramatist, <i>s.</i> of a Dublin +publican, worked in London as a staymaker, 1760, and after ed.<a name='Page_221'></a> +various journals, wrote <i>Memoirs of a Magdalen</i> (1767). His play, +<i>False Delicacy</i> (1768), had an extraordinary success, and was translated +into French, German, and Portuguese. His other plays had +no great success. He left off writing for the stage in 1774, and +endeavoured to practise as a barrister, but without success. He +also wrote political pamphlets, for which he received a pension from +Government.</p><br /> + +<a name='KEN_THOMAS_1637_1711'></a><p><b>KEN, THOMAS (1637-1711).</b> +—Religious writer, <i>s.</i> of an +attorney, was <i>b.</i> at Little Berkhampstead, <i>ed.</i> at Winchester and +Oxf., and entering the Church received the living of Brightstone, +Isle of Wight, where he composed his <i>Morning, Evening, and Midnight +Hymns</i>, perhaps the most widely known of English hymns. +These he was accustomed to sing daily to the lute. After holding +other benefices he became Bishop of Bath and Wells, and a Chaplain +to Charles II. He was one of the "Seven Bishops" sent to the Tower +by James II. Refusing to take the oaths to William and Mary, he +was deprived, and spent his later years in comparative poverty, +though he found an asylum at Longleat with Lord Weymouth. +Izaak Walton was his brother-in-law. K. wrote a manual of +prayers for Winchester School, and other devotional works.</p><br /> + +<a name='KENNEDY_JOHN_PENDLETON_1795_1870'></a><p><b>KENNEDY, JOHN PENDLETON (1795-1870).</b> +—Novelist, <i>b.</i> +in Baltimore, was distinguished as a lawyer and politician. He +wrote three novels, <i>Swallow Barn</i> (1832), <i>Horse Shoe Robinson</i> (1835), +and <i>Rob of the Bowl</i> (1838), which give a vivid presentation of +life in the Southern States.</p><br /> + +<a name='KENNEDY_WALTER_fl_1500'></a><p><b>KENNEDY, WALTER (<i>fl.</i> 1500).</b> +—<i>S.</i> of Lord K., was <i>ed.</i> at +Glasgow, and is perhaps best known as Dunbar's antagonist in the +<i>Flyting of Dunbar and Kennedy</i>. Other poems are <i>Praise of Aige</i> +(Age), <i>Ane Ballat in Praise of Our Lady</i>, and <i>The Passion of Christ</i>. +Most of his work is probably lost.</p><br /> + +<a name='KILLIGREW_THOMAS_1612_1683'></a><p><b>KILLIGREW, THOMAS (1612-1683).</b> +—Dramatist, <i>s.</i> of Sir +Robert K., of Hanworth, was a witty, dissolute courtier of Charles +II., and wrote nine plays, each in a different city. Of them the best +known is <i>The Parson's Wedding</i>.</p><br /> + +<a name='KING_HENRY_1592_1669'></a><p><b>KING, HENRY (1592-1669).</b> +—Poet, <i>s.</i> of a Bishop of +London, was <i>ed.</i> at Westminster School and Oxf. He entered the +Church, and rose in 1642 to be Bishop of Chichester. The following +year he was deprived, but was reinstated at the Restoration. He +wrote many elegies on Royal persons and on his private friends, who +included Donne and Ben Jonson. A selection from his <i>Poems and +Psalms</i> was <i>pub.</i> in 1843.</p><br /> + +<a name='KINGLAKE_ALEXANDER_WILLIAM_1809_1891'></a><p><b>KINGLAKE, ALEXANDER WILLIAM (1809-1891).</b> +—<i>B.</i> near +Taunton, <i>ed.</i> at Eton and Camb., was called to the Bar in 1837, and +acquired a considerable practice, which in 1856 he abandoned in +order to devote himself to literature and public life. His first +literary venture had been <i>Eothen</i>, a brilliant and original work of +Eastern travel, <i>pub.</i> in 1844; but his <i>magnum opus</i> was his <i>Invasion +of the Crimea</i>, in 8 vols. (1863-87), which is one of the most effective +works of its class. It has, however, been charged with being too +<a name='Page_222'></a>favourable to Lord Raglan, and unduly hostile to Napoleon III., for +whom the author had an extreme aversion. Its great length is also +against it.</p><br /> + +<a name='KINGSFORD_WILLIAM_1819_1898'></a><p><b>KINGSFORD, WILLIAM (1819-1898).</b> +—Historian, <i>b.</i> in +London, served in the army, and went to Canada, where he was +engaged in surveying work. He has a place in literature for his +<i>History of Canada</i> in 10 vols., a work of careful research, though not +distinguished for purely literary merits.</p><br /> + +<a name='KINGSLEY_CHARLES_1819_1875'></a><p><b>KINGSLEY, CHARLES (1819-1875).</b> +—Novelist and historian, +<i>s.</i> of a clergyman, was <i>b.</i> at Holne Vicarage near Dartmoor, +but passed most of his childhood at Barnack in the Fen country, and +Clovelly in Devonshire, <i>ed.</i> at King's Coll., London, and Camb. Intended +for the law, he entered the Church, and became, in 1842, +curate, and two years later rector, of Eversley, Hampshire. In the +latter year he <i>pub.</i> <i>The Saints' Tragedy</i>, a drama, of which the heroine +is St. Elizabeth of Hungary. Two novels followed, <i>Yeast</i> (1848) and +<i>Alton Locke</i> (1850), in which he deals with social questions as affecting +the agricultural labouring class, and the town worker respectively. +He had become deeply interested in such questions, and +threw himself heart and soul, in conjunction with F.D. Maurice and +others, into the schemes of social amelioration, which they supported +under the name of Christian socialism, contributing many +tracts and articles under the signature of "Parson Lot." In 1853 +appeared <i>Hypatia</i>, in which the conflict of the early Christians with +the Greek philosophy of Alexandria is depicted; it was followed in +1855 by <i>Westward Ho</i>, perhaps his most popular work; in 1857 by +<i>Two Years Ago</i>, and in 1866 by <i>Hereward the Wake</i>. <i>At Last</i> (1870), +gave his impressions of a visit to the West Indies. His taste for +natural history found expression in <i>Glaucus, or the Wonders of the +Shore</i> (1855), and other works. <i>The Water Babies</i> is a story for +children written to inspire love and reverence of Nature. K. was in +1860 appointed to the Professorship of Modern History at Camb., +which he held until 1869. The literary fruit of this was <i>Roman and +Teuton</i> (1864). In the same year he was involved in a controversy +with J.H. Newman, which resulted in the publication by the latter +of his <i>Apologia</i>. K., who had in 1869 been made a Canon of Chester, +became Canon of Westminster in 1873. Always of a highly nervous +temperament, his over-exertion resulted in repeated failures of +health, and he <i>d.</i> in 1875. Though hot-tempered and combative, he +was a man of singularly noble character. His type of religion, +cheerful and robust, was described as "muscular Christianity." +Strenuous, eager, and keen in feeling, he was not either a profoundly +learned, or perhaps very impartial, historian, but all his writings are +marked by a bracing and manly atmosphere, intense sympathy, and +great descriptive power.</p><br /> + +<a name='KINGSLEY_HENRY_1830_1876'></a><p><b>KINGSLEY, HENRY (1830-1876).</b> +—Novelist, brother of +the above, <i>ed.</i> at King's Coll., London, and Oxf., which he left +without graduating, and betook himself to the Australian gold-diggings, +being afterwards in the mounted police. On his return in +1858 he devoted himself industriously to literature, and wrote a +number of novels of much more than average merit, including <i>Geoffrey<a name='Page_223'></a> +Hamlyn</i> (1859), <i>The Hillyars and the Burtons</i> (1865), <i>Ravenshoe</i> (1861), +and <i>Austin Elliot</i> (1863). Of these <i>Ravenshoe</i> is generally regarded as +the best. In 1869 he went to Edinburgh to ed. the <i>Daily Review</i>, +but he soon gave this up, and became war correspondent for his +paper during the Franco-German War.</p><br /> + +<a name='KINGSLEY_MARY_HENRIETTA_1862_1900'></a><p><b>KINGSLEY, MARY HENRIETTA (1862-1900).</b> +—Traveller, +<i>dau.</i> of George Henry K. (himself a traveller, and author of <i>South Sea +Bubbles</i>, a very successful book), and niece of <a href='#KINGSLEY_CHARLES_1819_1875'>Charles K.</a> (<i>q.v.</i>). She +travelled in West Africa, where she made valuable observations and +collections. Her <i>Travels in West Africa</i> is one of the most original +and stimulating books of its class. Miss K. had a singular power of +viewing the religious rites of savage peoples from their point of view. +She was about to undertake another journey, but stopped to nurse +Boer prisoners, and <i>d.</i> of fever.</p><br /> + +<a name='KINGSTON_WILLIAM_HENRY_GILES_1814_1880'></a><p><b>KINGSTON, WILLIAM HENRY GILES (1814-1880).</b> +—Writer +of tales for boys, <i>b.</i> in London, but spent much of his youth in Oporto, +where his <i>f.</i> was a merchant. His first book, <i>The Circassian Chief</i>, +appeared in 1844. His first book for boys, <i>Peter the Whaler</i>, was <i>pub.</i> +in 1851, and had such success that he retired from business and devoted +himself entirely to the production of this kind of literature, in +which his popularity was deservedly great; and during 30 years he +wrote upwards of 130 tales, including <i>The Three Midshipmen</i> (1862), +<i>The Three Lieutenants</i> (1874), <i>The Three Commanders</i> (1875), <i>The +Three Admirals</i> (1877), <i>Digby Heathcote</i>, etc. He also conducted +various papers, including <i>The Colonist</i>, and <i>Colonial Magazine and +East India Review</i>. He was also interested in emigration, volunteering, +and various philanthropic schemes. For services in negotiating +a commercial treaty with Portugal he received a Portuguese +knighthood, and for his literary labours a Government pension.</p><br /> + +<a name='KIRKLAND_JOSEPH_1830_1894'></a><p><b>KIRKLAND, JOSEPH (1830-1894).</b> +—Novelist, <i>b.</i> in New +York State, was a lawyer in Chicago, then served in the war. He is +remembered as the author of two very vivid and life-like novels of +pioneer life in the Far West, <i>Illinois Zury</i> and <i>The McVeys</i>. Other +works are <i>The Captain of Company K.</i> and <i>The Story of Chicago</i>.</p><br /> + +<a name='KITTO_JOHN_1804_1854'></a><p><b>KITTO, JOHN (1804-1854).</b> +—Biblical scholar, <i>s.</i> of a +Cornish stonemason, was <i>b.</i> at Plymouth. At the age of 12 a fall +led to his becoming totally deaf. From poverty and hardship he +was rescued by friends, to whom his mental powers had become +known, and the means of education were placed within his reach. +By these he profited so remarkably that he became a valuable contributor +to Biblical scholarship. He travelled much in the East in +the pursuit of his favourite studies. Among his works are <i>Scripture +Lands</i>, <i>Daily Bible Illustrations</i>, and <i>The Lost Senses</i> in 2 vols., one +dealing with Deafness and the other with Blindness. He also ed. +<i>The Pictorial Bible</i>, <i>The Journal of Sacred Literature</i>, <i>The Cyclopædia +of Bible Literature</i>, and contributed to various periodicals. +He received a pension of £100 from Government. In 1844 the +Univ. of Giessen conferred upon him the degree of D.D.</p><br /> + +<a name='KNIGHT_CHARLES_1791_1873'></a><p><b>KNIGHT, CHARLES (1791-1873).</b> +—Publisher and writer, +<i>b.</i> at Windsor, where his <i>f.</i>. was a bookseller. After serving his apprenticeship +<a name='Page_224'></a>with him he went to London, and in 1823 started +business as a publisher, and co-operated effectively with Brougham +and others in connection with The Society for Diffusing Useful +Knowledge. He was publisher for the Society, and issued <i>The +Penny Magazine</i>, <i>Penny Cyclopædia</i>, <i>Pictorial History of England</i>, etc. +He ed. with success <i>The Pictorial Shakespeare</i>, and was the +author of a vol. of essays, <i>Once upon a Time</i>, an autobiography, +<i>Passages from a Working Life</i> (1863), a <i>History of the Thirty Years' +Peace</i>, which was completed by Miss Harriet Martineau, and various +other works.</p><br /> + +<a name='KNIGHT_HENRY_GALLY_1786_1846'></a><p><b>KNIGHT, HENRY GALLY (1786-1846).</b> +—A country gentleman +of Yorkshire, <i>ed.</i> at Eton and Camb., was the author of several +Oriental tales, <i>Ilderim, a Syrian Tale</i> (1816), <i>Phrosyne, a Grecian +Tale</i>, and <i>Alashtar, an Arabian Tale</i> (1817). He was also an +authority on architecture, and wrote various works on the subject, +including <i>The Ecclesiastical Architecture of Italy</i>, and <i>The Normans +in Sicily</i>, which brought him more reputation than his novels.</p><br /> + +<a name='KNOLLES_RICHARD_1550_1610'></a><p><b>KNOLLES, RICHARD (1550?-1610).</b> +—Historian, <i>b.</i> at Coldashby, +Northamptonshire, and <i>ed.</i> at Oxf., <i>pub.</i> in 1603 <i>The History +of the Turks</i>, which went through many ed. Its principal value now +is as a piece of fine English of its time, for which it is ranked high by +Hallam. K. was master of a school at Sandwich. The History +was continued by Sir Paul Rycaut (1628-1700).</p><br /> + +<a name='KNOWLES_HERBERT_1798_1817'></a><p><b>KNOWLES, HERBERT (1798-1817).</b> +—Poet, author of the +well-known <i>Stanzas written in Richmond Churchyard</i>, which gave +promise of future excellence. But he <i>d.</i> a few weeks after he had +been enabled, through the help of Southey to whom he had sent +some of his poems, to go to Camb.</p><br /> + +<a name='KNOWLES_JAMES_SHERIDAN_1784_1862'></a><p><b>KNOWLES, JAMES SHERIDAN (1784-1862).</b> +—Dramatist, <i>s.</i> +of James K., schoolmaster and lexicographer, was <i>b.</i> at Cork. He +was the author of a ballad, <i>The Welsh Harper</i>, which had great +popularity, and gained for him the notice of Hazlitt and others. For +some years he studied medicine, which, however, he abandoned for +literature, and produced several plays, including <i>Caius Gracchus</i> +(1815), <i>Virginius</i> (1820), <i>The Hunchback</i> (1832), and <i>The Love Chase</i> +(1837), in some of which he acted. He gave up the stage in 1843, +became a preacher in connection with the Baptist communion, and +enjoyed great popularity. He <i>pub.</i> two polemical works, <i>The Rock +of Rome</i>, and <i>The Idol demolished by its own Priests</i>.</p><br /> + +<a name='KNOX_JOHN_1505_1572'></a><p><b>KNOX, JOHN (1505?-1572).</b> +—Reformer and historian, was +<i>b.</i> near Haddington, and <i>ed.</i> at the Grammar School there and at +Glasgow. He is believed to have had some connection with the +family of K. of Ranfurly in Renfrewshire. The year of his birth +was long believed to be 1505, but of late some writers have found +reason to hold that he was really <i>b.</i> some years later, 1510 or even +1513. At Glasgow he was the pupil of <a href='#MAIR_or_MAJOR_JOHN_1469_1550'>John Major</a> (<i>q.v.</i>), and became +distinguished as a disputant. He is believed to have been ordained +a priest about 1530, after which he went to St. Andrews and taught. +About this time, however, there is a gap of 12 years or more, during +which almost nothing is known of his life. About 1545 he came +<a name='Page_225'></a>under the influence of George Wishart, who was burned as a heretic +at St. Andrews in the following year, and embraced the Reformation +principles, of which he became a champion on the Continent, in England, +and finally and especially in Scotland. He joined the reforming +party in St. Andrews in 1547, and was, much against his will, elected +their minister. The next year he was made prisoner, sent to France, +and condemned to the galleys, where he remained for nearly two years. +For the next five years he was in England, chiefly at Newcastle and +Berwick, where he was zealously engaged in propagating and defending +the reformed doctrines. On the accession of Mary in 1553 +K. escaped to the Continent, where he remained—at Dieppe, Frankfort +on the Maine, and Geneva—until 1559. During this period, in +addition to his pastoral and ecclesiastical activities, he wrote +copiously, the best known of his works of that time being his <i>First +Blast of the Trumpet against the Monstrous Regiment [government] of Women</i>. +The first, it proved also the last, as he never produced the +other two which he promised or threatened. He finally returned to +Scotland in 1559, and was at once the chief actor and the chief +narrator of the crowded and pregnant events which culminated in +the abdication of Queen Mary and the establishment of Protestantism +in Scotland. As minister of the High Church of Edin. K. +was at the centre of events, which he probably did more to mould +than any other man. As Carlyle says, "He is the one Scotchman to +whom, of all others, his country and the world owe a debt." Here, +after his long battle with principalities and powers, and spiritual +wickedness in high places, his triumphs, and disappointments, after +growing weakness and becoming "weary of the world," he <i>d.</i> on +November 24, 1572. His place in literature he has by virtue of his +<i>Historie of the Reformation in Scotland</i>. It extends from +1558-67. +Its language is much more English than that spoken and written +in Scotland at the time. It is of the highest historical value, +and in style terse, vigorous, with flashes of a quiet, somewhat +saturnine humour, and of vivid description—the writing of a great +man of action dealing with the events in which he had been the leading +actor. His own figure and that of the Queen are those round +which the drama turns. The leading features of his character were +courage and intense earnestness. "Here," said the Regent Morton, +"lies a man who never feared the face of man." And with all his +sternness there was in him a vein of cordial friendliness and humour. +He has been accused of intolerance, and of harshness in his dealings +with the Queen. But as Carlyle has said, as regards the second +accusation, "They are not so coarse, these speeches; they seem to +me about as fine as the circumstances would permit. It was unfortunately +not possible to be polite with the Queen of Scotland +unless one proved untrue to the nation."</p> + +<p><i>Lives</i> by M'Crie (1812), and Prof. Hume Brown (1895). <i>Works</i> +ed. by D. Laing.</p><br /> + +<a name='KNOX_VICESIMUS_1752_1821'></a><p><b>KNOX, VICESIMUS (1752-1821).</b> +—Essayist, etc., <i>ed.</i> at +Oxf., took orders, and became Head Master of Tunbridge School. He +<i>pub.</i> <i>Essays Moral and Literary</i> (1778), and compiled the formerly +well-known <i>Elegant Extracts</i>, often reprinted<a name='Page_226'></a>.</p><br /> + +<a name='KNOX_WILLIAM_1789_1825'></a><p><b>KNOX, WILLIAM (1789-1825).</b> +—Poet, <i>s.</i> of a farmer in +Roxburghshire, wrote several books of poetry, <i>The Lonely Hearth</i>, +<i>Songs of Israel</i>, <i>Harp of Zion</i>, etc., which gained him the friendship +of Scott. He fell into dissipated habits, was latterly a journalist in +Edin., and <i>d.</i> at 36.</p><br /> + +<a name='KYD_THOMAS_1558_1595'></a><p><b>KYD, THOMAS (1558-1595).</b> +—Dramatist, <i>s.</i> of a London +scrivener, <i>ed.</i> at Merchant Taylor's School, appears to have led the +life of hardship so common with the dramatists of his time, was for +a short time imprisoned for "treasonable and Atheistic views," and +made translations from the French and Italian. His drama, <i>The +Spanish Tragedy</i> (1594), had extraordinary popularity, and was +translated into Dutch and German. Some of the scenes are believed +to have been contributed by another hand, probably by Ben +Jonson. He also produced a play on the story of Hamlet, not now +in existence, and he may have written the first draft of <i>Titus +Andronicus</i>. Other plays which have been attributed to him +are <i>The First Part of Jeronimo</i> (1605), <i>Cornelia</i> (1594), <i>The Rare +Triumphs of Love and Fortune</i>, and <i>The Tragedye of Solyman and +Perseda</i> (1599). But, although one of the best known dramatists in +his day, very little is now certain either as to his personal history or +his works.</p><br /> + +<a name='LAIDLAW_WILLIAM_1780_1845'></a><p><b>LAIDLAW, WILLIAM (1780-1845).</b> +—Poet, <i>s.</i> of a border +farmer, became steward and amanuensis to Sir W. Scott, and was the +author of the beautiful and well-known ballad, <i>Lucy's Flittin'</i>.</p><br /> + +<a name='LAING_DAVID_1793_1878'></a><p><b>LAING, DAVID (1793-1878).</b> +—Antiquary, <i>s.</i> of a bookseller +in Edin., with whom he was in partnership until his appointment, +in 1837, as librarian of the Signet Library. He ed. many of +the publications of the Bannatyne Club, of which he was sec. (1823-61). +He was also Honorary Prof. of Antiquities to the Royal Scottish +Academy. Among the more important works which he ed. +were <i>Baillie's Letters and Journals</i> (1841-2), <i>John Knox's Works</i> +(1846-64), and the poems of Sir D. Lyndsay, Dunbar, and Henryson.</p><br /> + +<a name='LAING_MALCOLM_1762_1818'></a><p><b>LAING, MALCOLM (1762-1818).</b> +—Was a country gentleman +in Orkney. He completed Henry's <i>History of Great Britain</i>, +and wrote a <i>History of Scotland from the Union of the Crowns to the +Union of the Kingdoms</i> (1802). He was an assailant of the authenticity +of the Ossianic poems, and wrote a dissertation on the Participation +of Mary Queen of Scots in the Murder of Darnley. He did +much to improve the agriculture of Orkney.</p><br /> + +<a name='LAMB_LADY_CAROLINE_1785_1828'></a><p><b>LAMB, LADY CAROLINE (1785-1828).</b> +—Novelist, <i>dau.</i> of +3rd Earl of Bessborough, <i>m.</i> the Hon. William Lamb, afterwards +Lord Melbourne and Prime Minister. She wrote three novels, which, +though of little literary value, attracted much attention. The first +of these, <i>Glenarvon</i> (1816), contained a caricature portrait of Lord +Byron, with whom the authoress had shortly before been infatuated. +It was followed by <i>Graham Hamilton</i> (1822), and <i>Ada Reis</i> (1823). +Happening to meet the hearse conveying the remains of Byron, she +became unconscious, and fell into mental alienation, from which she +never recovered<a name='Page_227'></a>.</p><br /> + +<a name='LAMB_CHARLES_1775_1834'></a><p><b>LAMB, CHARLES (1775-1834).</b> +—Essayist and poet, was <i>b.</i> +in London, his <i>f.</i> being confidential clerk to Samuel Salt, one of the +benchers of the Inner Temple. After being at a school in the neighbourhood, +he was sent by the influence of Mr. Salt to Christ's +Hospital, where he remained from 1782-89, and where he formed +a lifelong friendship with Coleridge. He was then for a year or two +in the South Sea House, where his elder brother John was a clerk. +Thence he was in 1792 transferred to the India House, where he +remained until 1825, when he retired with a pension of two-thirds +of his salary. Mr. Salt <i>d.</i> in 1792, and the family, consisting of the +<i>f.</i>, mother, Charles, and his sister Mary, ten years his senior, lived +together in somewhat straitened circumstances. John, comparatively +well off, leaving them pretty much to their own resources. +In 1796 the tragedy of L.'s life occurred. His sister Mary, in a +sudden fit of insanity, killed her mother with a table-knife. Thenceforward, +giving up a marriage to which he was looking forward, he +devoted himself to the care of his unfortunate sister, who became, +except when separated from him by periods of aberration, his lifelong +and affectionate companion—the "Cousin Bridget" of his +essays. His first literary appearance was a contribution of four +sonnets to Coleridge's <i>Poems on Various Subjects</i> (1796). Two +years later he <i>pub.</i>, along with his friend Charles Lloyd, <i>Blank Verse</i>, +the little vol. including <i>The Old Familiar Faces</i>, and others of his +best known poems, and his romance, <i>Rosamund Gray</i>, followed in +the same year. He then turned to the drama, and produced <i>John +Woodvil</i>, a tragedy, and <i>Mr. H.</i>, a farce, both failures, for although +the first had some echo of the Elizabethan music, it had no dramatic +force. Meantime the brother and sister were leading a life clouded +by poverty and by the anxieties arising from the condition of the +latter, and they moved about from one lodging to another. L.'s +literary ventures so far had not yielded much either in money or +fame, but in 1807 he was asked by <a href='#GODWIN_WILLIAM_1756_1836'>W. Godwin</a> (<i>q.v.</i>) to assist him in +his "Juvenile Library," and to this he, with the assistance of his +sister, contributed the now famous <i>Tales from Shakespeare</i>, Charles +doing the tragedies and Mary the comedies. In 1808 they wrote, +again for children, <i>The Adventures of Ulysses</i>, a version of the +<i>Odyssey, Mrs. Leicester's School</i>, and <i>Poetry for Children</i> (1809). +About the same time he was commissioned by Longman to ed. +selections from the Elizabethan dramatists. To the selections were +added criticisms, which at once brought him the reputation of +being one of the most subtle and penetrating critics who had ever +touched the subject. Three years later his extraordinary power in +this department was farther exhibited in a series of papers on +Hogarth and Shakespeare, which appeared in Hunt's <i>Reflector</i>. In +1818 his scattered contributions in prose and verse were <i>coll.</i> as <i>The +Works of Charles Lamb</i>, and the favour with which they were +received led to his being asked to contribute to the <i>London Magazine</i> +the essays on which his fame chiefly rests. The name "Elia" +under which they were written was that of a fellow-clerk in the +India House. They appeared from 1820-25. The first series was +printed in 1823, the second, <i>The Last Essays of Elia</i>, in 1833. In +1823 the L.'s had left London and taken a cottage at Islington, and +had practically adopted Emma Isola, a young orphan, whose +<a name='Page_228'></a>presence brightened their lives until her marriage in 1833 to E. +Moxon, the publisher. In 1825 L. retired, and lived at Enfield and +Edmonton. But his health was impaired, and his sister's attacks of +mental alienation were ever becoming more frequent and of longer +duration. During one of his walks he fell, slightly hurting his face. +The wound developed into erysipelas, and he <i>d.</i> on December 29, +1834. His sister survived until 1847.</p> + +<p>The place of L. as an essayist and critic is the very highest. His +only rival in the former department is Addison, but in depth and +tenderness of feeling, and richness of fancy L. is the superior. In +the realms of criticism there can be no comparison between the two. +L. is here at once profound and subtle, and his work led as much as +any other influence to the revival of interest in and appreciation of +our older poetry. His own writings, which are self-revealing in a +quite unusual and always charming way, and the recollections of his +friends, have made the personality of Lamb more familiar to us than +any other in our literature, except that of Johnson. His weaknesses, +his oddities, his charm, his humour, his stutter, are all as familiar to +his readers as if they had known him, and the tragedy and noble +self-sacrifice of his life add a feeling of reverence for a character we +already love.</p> + +<p>Life and Letters and Final Memorials by Talfourd, also Memoir +by B.W. Proctor and A. Ainger prefixed to ed. of <i>Works</i> (1883-88). +Life, Works, and Letters of Charles and Mary Lamb, in 9 vols., E.V. +Lucas, and 12 vols. ed. W. Macdonald.</p><br /> + +<a name='LANDON_LETITIA_ELIZABETH_1802_1838'></a><p><b>LANDON, LETITIA ELIZABETH (1802-1838).</b> +—Poetess, <i>dau.</i> +of an army agent, was <i>b.</i> in London. She was a prolific and, in her +day, remarkably popular writer, but she wrote far too easily and far +too much for permanent fame. Many of her poems appeared in the +<i>Literary Gazette</i>, and similar publications, but she <i>pub.</i> separately +<i>The Fate of Adelaide</i> (1821), <i>The Improvisatrice</i> (1824), <i>The Troubadour</i> +(1825), <i>The Venetian Bracelet</i> (1829), etc. She also wrote a +few novels, of which <i>Ethel Churchill</i> was the best, and a tragedy +<i>Castruccio Castracani</i> (1837). She <i>m.</i> a Mr. Maclean, Governor of +one of the West African Colonies, where, shortly after her arrival, she +was found dead from the effects of an overdose of poison, which it +was supposed she had taken as a relief from spasms to which she +was subject. She was best known by her initials, L.E.L., under +which she was accustomed to write.</p><br /> + +<a name='LANDOR_WALTER_SAVAGE_1775_1864'></a><p><b>LANDOR, WALTER SAVAGE (1775-1864).</b> +—Poet and miscellaneous +author, <i>s.</i> of a physician, was <i>b.</i> at Ipsley Court, Warwick, +the property of his mother, and <i>ed.</i> at Rugby and Oxf., where he +earned the nickname of "the mad Jacobin," and whence he was +rusticated. His whole long life thereafter was a series of quarrels, +extravagances, and escapades of various kinds, the result of +his violent prejudices, love of paradox, and ungovernable temper. +He quarrelled with his <i>f.</i>, his wife, most of his relations, and +nearly all his friends, ran through a large fortune, and ended +his days in Italy supported by a pension granted by his brothers. +Yet he was not devoid of strong affections and generosity. His +earliest publication was <i>Poems</i> (1795); <i>Gebir</i> (1798), an epic, had +<a name='Page_229'></a>little success, but won for him the friendship of Southey. In 1808 he +went to Spain to take part in the war against Napoleon, and saw +some service. His first work to attract attention was his powerful +tragedy of <i>Don Julian</i> (1811). About the same time he <i>m.</i> Miss +Julia Thuillier—mainly, as would appear, on account of her "wonderful +golden hair"—and purchased the estate of Llantony Abbey, +Monmouthshire, whence, after various quarrels with the local +authorities, he went to France. After a residence of a year there, +he went in 1815 to Italy, where he lived until 1818 at Como, which, +having insulted the authorities in a Latin poem, he had to leave. +At Florence, which was his residence for some years, he commenced +his famous <i>Imaginary Conversations</i>, of which the first two vols. appeared +1824, the third 1828, fourth and fifth 1829. Other works +were <i>The Examination of W. Shakespeare touching Deer-stealing</i> +(1834), <i>Pericles and Aspasia</i> (1836), <i>Pentameron</i> (1837), <i>Hellenics</i> +(1847), and <i>Poemata et Inscriptiones</i> (1847). He quarrelled +finally with his wife in 1835, and returned to England, which, +however, he had to leave in 1858 on account of an action +for libel arising out of a book, <i>Dry Sticks Fagoted</i>. He went to +Italy, where he remained, chiefly at Florence, until his death. L. +holds one of the highest places among the writers of English +prose. His thoughts are striking and brilliant, and his style rich +and dignified.</p> + +<p><i>Works</i> ed. C.G. Crump, 10 vols.</p><br /> + +<a name='LANE_EDWARD_WILLIAM_1801_1876'></a><p><b>LANE, EDWARD WILLIAM (1801-1876).</b> +—Arabic scholar, +<i>s.</i> of a prebendary of Hereford, where he was <i>b.</i>, began life as an +engraver, but going to Egypt in search of health, devoted himself +to the study of Oriental languages and manners, and adopted the +dress and habits of the Egyptian man of learning. He <i>pub.</i> <i>Manners +and Customs of the Modern Egyptians</i> (1836), which remains a standard +authority, and a translation of <i>The Thousand and One Nights</i> +(1838-40) (Arabian Nights). What was intended to be the great +work of his life, his <i>Arabic Lexicon</i>, was left unfinished at his death, +but was completed by his nephew, Prof. S.L. Poole. L. was +regarded as the chief European Orientalist of his day.</p><br /> + +<a name='LANGHORNE_JOHN_1735_1779'></a><p><b>LANGHORNE, JOHN (1735-1779).</b> +—Poet, <i>s.</i> of a clergyman, +was <i>b.</i> at Kirkby Stephen; having taken orders, he was for two +years a curate in London, and from 1776 Rector of Blagdon, Somerset, +and Prebendary of Wells. He is chiefly remembered as being +the translator, jointly with his brother, Rev. William L., of <i>Plutarch's +Lives</i>, but in his day he had some reputation as a poet, his chief work +in poetry being <i>Studley Park</i> and <i>Fables of Flora</i>. In his <i>Country +Justice</i> (1774-77) he dimly foreshadows Crabbe, as in his descriptive +poems he dimly foreshadows Wordsworth. He was twice married, +and both of his wives <i>d.</i> in giving birth to a first child.</p><br /> + +<a name='LANGLAND_WILLIAM_OR_WILLIAM_of_LANGLEY_1330_1400'></a><p><b>LANGLAND, WILLIAM (OR WILLIAM of LANGLEY) (1330?-1400?).</b> +—Poet. +Little can be gleaned as to his personal history, and +of that little part is contradictory. In a note of the 15th century +written on one MS. he is said to have been <i>b.</i> in Oxfordshire, the <i>s.</i> +of a freeman named Stacy de Rokayle, while Bale, writing in the +16th century, makes his name Robert (certainly an error), and says +<a name='Page_230'></a>he was <i>b.</i> at Cleobury Mortimer in Shropshire. From his great poem, +<i>Piers the Plowman</i>, it is to be gathered that he was bred to the +Church, and was at one time an inmate of the monastery at Great +Malvern. He <i>m.</i>, however, and had a <i>dau.</i>, which, of course, precluded +him from going on to the priesthood. It has further been +inferred from his poem that his f., with the help of friends, sent him +to school, but that on the death of these friends the process of education +came to an end, and he went to London, living in a little house +in Cornhill and, as he says, not only <i>in</i> but <i>on</i> London, supporting +himself by singing <i>requiems</i> for the dead. "The tools I labour +with ... [are] <i>Paternoster</i>, and my primer <i>Placebo</i>, and <i>Dirige</i>, and +my <i>Psalter</i>, and my seven Psalms." References to legal terms +suggest that he may have copied for lawyers. In later life he +appears to have lived in Cornwall with his wife and <i>dau.</i> Poor himself, +he was ever a sympathiser with the poor and oppressed. His +poem appears to have been the great interest of his life, and almost +to the end he was altering and adding to, without, however, improving +it. The full title of the poem is <i>The Vision of Piers Plowman</i>. +Three distinct versions of it exist, the first <i>c.</i> 1362, the second <i>c.</i> 1377, +and the third 1393 or 1398. It has been described as "a vision of +Christ seen through the clouds of humanity." It is divided into +nine dreams, and is in the unrhymed, alliterative, first English +manner. In the allegory appear such personifications as Meed +(worldly success), Falsehood, Repentance, Hope, etc. Piers Plowman, +first introduced as the type of the poor and simple, becomes +gradually transformed into the Christ. Further on appear Do-well, +Do-bet, Do-best. In this poem, and its additions, L. was able to +express all that he had to say of the abuses of the time, and their +remedy. He himself stands out as a sad, earnest, and clear-sighted +onlooker in a time of oppression and unrest. It is thought that he +may have been the author of a poem, <i>Richard the Redeless</i>: if so he +was, at the time of writing, living in Bristol, and making a last remonstrance +to the misguided King, news of whose death may have +reached him while at the work, as it stops in the middle of a paragraph. +He is not much of an artist, being intent rather on delivering +his message than that it should be in a perfect dress. Prof. +Manley, in the <i>Cambridge History of English Literature</i>, advances the +theory that <i>The Vision</i> is not the work of one, but of several writers, +W.L. being therefore a dramatic, not a personal name. It is supported +on such grounds as differences in metre, diction, sentence +structure, and the diversity of view on social and ecclesiastic matters +expressed in different parts of the poem.</p><br /> + +<a name='LANIER_SIDNEY_1842_1881'></a><p><b>LANIER, SIDNEY (1842-1881).</b> +—Miscellaneous writer, <i>s.</i> +of a lawyer of Huguenot descent, was <i>b.</i> at Macon, Georgia. He had +a varied career, having been successively soldier, shopman, teacher, +lawyer, musician, and prof. His first literary venture was a novel, +<i>Tiger Lilies</i> (1867). Thereafter he wrote mainly on literature, his +works including <i>The Science of English Verse</i> (1881), <i>The English +Novel</i> (1883), and <i>Shakespeare and his Forerunners</i> (1902); also +some poems which have been greatly admired, including "Corn," +"The Marshes of Glynn," and "The Song of the Chattahoochee"; ed. +of Froissart, and the Welsh <i>Mabinogion</i> for children. He worked +<a name='Page_231'></a>under the shadow of serious lung trouble, which eventually brought +about his death.</p><br /> + +<a name='LARDNER_DIONYSIUS_1793_1859'></a><p><b>LARDNER, DIONYSIUS (1793-1859).</b> +—Scientific writer, <i>s.</i> +of a solicitor in Dublin, and <i>b.</i> there, was intended for the law, but +having no taste for it, he entered Trinity Coll., Dublin, and took +orders, but devoted himself to literary and scientific pursuits, and +became a contributor to the <i>Edinburgh Review</i>, and various Encyclopædias. +In 1827 he was appointed Prof. of Natural Philosophy and +Astronomy in the Univ. of London (afterwards Univ. Coll.), and in +1829 began his great work, <i>The Cabinet Cyclopædia</i>, which was +finished in 133 vols. 20 years later. In his literary undertakings, +which included various other schemes of somewhat similar character, +he was eminently successful, financially and otherwise. He lived +in Paris from 1845 until his death.</p><br /> + +<a name='LATIMER_HUGH_1485_1555'></a><p><b>LATIMER, HUGH (1485-1555).</b> +—Reformer and divine, <i>s.</i> of +a Leicestershire yeoman, went to Camb. in 1500, and became Fellow +of Clare Hall. Taking orders, he was at first a defender of the +ancient faith, but convinced by the arguments of Bilney, embraced +the reformed doctrines. He was called to appear before Wolsey, +but dismissed on subscribing certain articles. His opposition to the +Pope, and his support of the King's supremacy, brought him under +the notice of Henry, and he was appointed chaplain to Anne Boleyn, +and in 1535 Bishop of Worcester. For preaching in favour of the +reformed doctrines he was twice imprisoned in the Tower, 1539 and +1546, and on the former occasion resigned his bishopric, which he +declined to resume on the accession of Edward VI. On the accession +of Mary he was with Ridley, Bishop of London, thrown into +prison (1554), and on October 16, 1555, burned at Oxf. His words +of encouragement to his fellow-martyr are well known, "Be of good +comfort, Master Ridley, and play the man; we shall this day light +such a candle by God's grace in England as I trust shall never be +put out." He holds his place in English literature by virtue of his +sermons—especially that on <i>The Ploughers</i>—which, like himself, are +outspoken, homely, and popular, with frequent touches of kindly +humour.</p><br /> + +<a name='LAUDER_SIR_THOMAS_DICK_1784_1848'></a><p><b>LAUDER, SIR THOMAS DICK (1784-1848).</b> +—Novelist and +miscellaneous writer, <i>s.</i> of a Scottish baronet, wrote two novels, +<i>Lochandhu</i> (1825), and <i>The Wolf of Badenoch</i> (1827), but is best +known for his <i>Account of the Great Floods in Morayshire in 1829</i>. He +also wrote <i>Legendary Tales of the Highlands</i>, and contributed to +scientific journals and magazines.</p><br /> + +<a name='LAW_WILLIAM_1686_1761'></a><p><b>LAW, WILLIAM (1686-1761).</b> +—Divine, <i>s.</i> of a grocer at +Kingscliffe, Northamptonshire, was <i>ed.</i> at Camb., and in 1727 became +tutor to the <i>f.</i> of Edward Gibbon, the historian. About 1728 he +<i>pub.</i> his best known book, <i>A Serious Call to a Devout and Holy Life</i>, a +work which has had a profound influence upon the religious life of +England, largely owing to the impression which it produced upon +such minds as those of Dr. Johnson, the Wesleys, and others. In 1737 +he became a student of the works of Jacob Boehmen, the German +mystic, and devoted himself largely to the exposition of his views.<a name='Page_232'></a> +The theological position of L. was a complicated one, combining +High Churchism, mysticism, and Puritanism: his writings are characterised +by vigorous thought, keen logic, and a lucid and brilliant +style, relieved by flashes of bright, and often sarcastic, humour. His +work attacking Mandeville's <i>Fable of the Bees</i> (1723) is perhaps that +in which these qualities are best displayed in combination. He +retired in 1740 to Kingscliffe, where he had founded a school for 14 +girls.</p><br /> + +<a name='LAWRENCE_GEORGE_ALFRED_1827_1876'></a><p><b>LAWRENCE, GEORGE ALFRED (1827-1876).</b> +—Novelist, was +a barrister. He wrote several novels, of which one—<i>Guy Livingstone</i> +(1857)—had great popularity. On the outbreak of the American +Civil War he went to America with the intention of joining the +Confederate Army, but was taken prisoner and only released on +promising to return to England.</p><br /> + +<a name='LAYAMON_fl_1200'></a><p><b>LAYAMON (<i>fl.</i> 1200).</b> +—Metrical historian, the <i>s.</i> of Leovenath. +All that is known of him is gathered from his own writings. +He was a priest at Ernley (now Areley Regis), Worcestershire. In +his day the works of Geoffrey of Monmouth and Wace, in French, +were the favourite reading of the educated, and "it came to him in +mind" that he would tell the story of <i>Brut</i> in English verse. He +set out in search of books and, founding his poem on the earlier +writers, he added so much from his own knowledge of Welsh and +West of England tradition that while Wace's poem consists of 15,000 +lines, his extends to 32,000. Among the legends he gives are those +of <i>Locrine</i>, <i>Arthur</i>, and <i>Lear</i>. The poem is in the old English unrhymed, +alliterative verse, and "marks the revival of the English +mind and spirit."</p><br /> + +<a name='LAYARD_SIR_AUSTIN_HENRY_1817_1894'></a><p><b>LAYARD, SIR AUSTIN HENRY (1817-1894).</b> +—Explorer of +Nineveh, <i>b.</i> at Paris, <i>s.</i> of a Ceylon civilian. After spending some +years in the office of a London solicitor, he set out in search of employment +in Ceylon, but passing through Western Asia, became interested +in the work of excavating the remains of ancient cities. Many of his +finds—human-headed bulls, etc.—were sent to the British Museum. +Two books—<i>Nineveh and its Remains</i> (1848-49), and <i>The Ruins of +Nineveh and Babylon</i> (1853)—brought him fame, and on his return +home he received many honours, including the freedom of the City +of London, the degree of D.C.L. from Oxf., and the Lord Rectorship +of Aberdeen Univ. He entered Parliament, where he sat as a +Liberal. He held the offices of Under-Foreign Sec. (1861-66), and +Chief Commissioner of Works (1868-69), and was Ambassador to +Spain 1869, and Constantinople 1877; and on his retirement in 1878 +he was made G.C.B. He was a very successful excavator, and described +his work brilliantly, but he was no great linguist, and most +of the deciphering of the inscriptions was done by Sir H. Rawlinson. +His last work was <i>Early Adventures in Persia, etc.</i>, and he left an +autobiography, <i>pub.</i> in 1903. He also wrote on Italian art.</p><br /> + +<a name='LEAR_EDWARD_1812_1888'></a><p><b>LEAR, EDWARD (1812-1888).</b> +—Artist and miscellaneous +author, <i>b.</i> in London, and settled in Rome as a landscape painter. +He was an indefatigable traveller, and wrote accounts, finely illustrated, +of his journeys in Italy, Greece, and Corsica. His best +<a name='Page_233'></a>known works are, however, his <i>Book of Nonsense</i> (1840) (full of wit +and <i>good</i> sense), <i>More Nonsense Rhymes</i> (1871), and <i>Laughable +Lyrics</i> (1876). L. had also a remarkable faculty for depicting birds.</p><br /> + +<a name='LECKY_WILLIAM_EDWARD_HARTPOLE_1838_1903'></a><p><b>LECKY, WILLIAM EDWARD HARTPOLE (1838-1903).</b> +—Historian, +the <i>s.</i> of a landed gentleman of Carlow, was <i>b.</i> near Dublin, +and <i>ed.</i> at Cheltenham and Trinity Coll., Dublin. Originally intended +for the Church, he devoted himself to a literary career. His +first work of importance was <i>Leaders of Public Opinion in Ireland</i> +(1861) (essays on Swift, Flood, Grattan, and O'Connell). The study +of Buckle's <i>History of Civilisation</i> to some extent determined the +direction of his own writings, and resulted in the production of two +important works, <i>History of the Rise and Influence of the Spirit of +Rationalism in Europe</i> (1865), and <i>History of European Morals from +Augustus to Charlemagne</i> (1869), both remarkable for learning, +clearness, and impartiality. Both, however, gave rise to considerable +controversy and criticism. His principal work is <i>The History +of England in the Eighteenth Century</i> (1878-90). Characterised by +the same sterling qualities as his preceding books, it deals with a +subject more generally interesting, and has had a wide acceptance. +His view of the American war, and the controversies which led to it, +is more favourable to the English position than that of some earlier +historians. Other works are <i>Democracy and Liberty</i> (1896), and <i>The +Map of Life</i> (1899). Though of warm Irish sympathies, L. was +strongly opposed to Home Rule. He sat in Parliament for his +Univ. from 1895 until his death. He received many academical distinctions, +and was a Corresponding Member of the Institute of +France, and one of the original members of the Order of Merit.</p><br /> + +<a name='LEE_NATHANIEL_1653_1692'></a><p><b>LEE, NATHANIEL (1653?-1692).</b> +—Dramatist, <i>s.</i> of a +clergyman at Hatfield, was <i>ed.</i> at Westminster School and Camb. +After leaving the Univ. he went to London, and joined the stage +both as actor and author. He was taken up by Rochester and others +of the same dissolute set, led a loose life, and drank himself into +Bedlam, where he spent four years. After his recovery he lived +mainly upon charity, and met his death from a fall under the effects +of a carouse. His tragedies, which, with much bombast and frequent +untrained flights of imagination, have occasional fire and +tenderness, are generally based on classical subjects. The principal +are <i>The Rival Queens</i>, <i>Theodosius</i>, and <i>Mithridates</i>. He also wrote +a few comedies, and collaborated with Dryden in an adaptation of +<i>Œdipus</i>, and in <i>The Duke of Guise</i>.</p><br /> + +<a name='LEE_SOPHIA_1750_1824_LEE_HARRIET_1757_1851'></a><p><b>LEE, SOPHIA (1750-1824), LEE, HARRIET (1757-1851).</b> +—Novelists +and dramatists, <i>dau.</i> of John L., an actor, were the +authors of various dramatic pieces and novels. By far their most +memorable work was <i>The Canterbury Tales</i>, 5 vols. (1797-1805) +which, with the exception of two, <i>The Young Lady's</i> and <i>The Clergyman's</i>, +were all by Harriet. The most powerful of them, <i>Kruitzner</i>, +fell into the hands of Byron in his boyhood, and made so profound +an impression upon him that, in 1821, he dramatised it under the +title of <i>Werner, or the Inheritance</i>. The authoress also adapted it for +the stage as <i>The Three Strangers</i>. The tales are in general remarkable +for the ingenuity of their plots. Harriet lived to the age of 94, +<a name='Page_234'></a>preserving to the last her vigour of mind and powers of conversation. +Godwin made her an offer of marriage to which, however, his +religious opinions presented an insuperable barrier. Sophia's chief +work was <i>The Chapter of Accidents</i>, a comedy, which had a great run, +the profits of which enabled the sisters to start a school at Bath, +which proved very successful, and produced for them a competence +on which they were able to retire in their later years.</p><br /> + +<a name='LE_FANU_JOSEPH_SHERIDAN_1814_1873'></a><p><b>LE FANU, JOSEPH SHERIDAN (1814-1873).</b> +—Novelist, <i>s.</i> +of a Dean of the Episcopal Church of Ireland, and grand-nephew of +Richard Brinsley Sheridan, was <i>ed.</i> at Trinity Coll., Dublin, and became +a contributor and ultimately proprietor of the <i>Dublin University +Magazine</i>, in which many of his novels made their first appearance. +Called to the Bar in 1839, he did not practise, and was first brought +into notice by two ballads, <i>Phaudrig Croohoore</i> and <i>Shamus +O'Brien</i>, which had extraordinary popularity. His novels, of +which he wrote 12, include <i>The Cock and Anchor</i> (1845), <i>Torlough +O'Brien</i> (1847), <i>The House by the Churchyard</i> (1863), <i>Uncle Silas</i> +(perhaps the most popular) (1864), <i>The Tenants of Malory</i> (1867), <i>In +a Glass Darkly</i> (1872), and <i>Willing to Die</i> (posthumously). They +are generally distinguished by able construction, ingenuity of plot, +and power in the presentation of the mysterious and supernatural. +Among Irish novelists he is generally ranked next to Lever.</p><br /> + +<a name='LEIGHTON_ROBERT_1611_1684'></a><p><b>LEIGHTON, ROBERT (1611-1684).</b> +—Divine, was the <i>s.</i> of +Alexander L., physician, and writer on theology, who, on account +of his anti-prelatic books, was put in the pillory, fined, and had his +nose slit and his ears cut off. Robert was <i>ed.</i> at Edin., after which +he resided for some time at Douay. Returning to Scotland he +received Presbyterian ordination, and was admitted minister of +Newbattle, near Edin. In 1653 he was appointed Principal and +Prof. of Divinity in the Univ. of Edin., which offices he held until +1662 when, having separated himself from Presbyterianism, he was +appointed Bishop of Dunblane, under the new Episcopal establishment. +He repeatedly but unsuccessfully endeavoured to bring +about an ecclesiastical union in Scotland on the basis of combining +the best elements in each system. Discouraged by his lack of success +in his well-meant efforts, he offered in 1665 to resign his see, but was +persuaded by Charles II. to remain in it, and in 1669 was promoted +to be Archbishop of Glasgow, from which position, wearied and disappointed, +he finally retired in 1674, and lived with his widowed +sister, Mrs. Lightmaker, at Broadhurst Manor, Sussex. On a visit +to London he was seized with a fatal illness, and <i>d.</i> in the arms of his +friend, Bishop Burnet, who says of him, "he had the greatest elevation +of soul, the largest compass of knowledge, the most mortified +and heavenly disposition that I ever saw in mortal." His sermons +and commentaries, all <i>pub.</i> posthumously, maintain a high place +among English religious classics, alike for thought and style. They +consist of his <i>Commentary on St. Peter</i>, <i>Sermons</i>, and <i>Spiritual Exercises, +Letters, etc.</i> His <i>Lectures and Addresses</i> in Latin were also <i>pub.</i></p><br /> + +<a name='LELAND_CHARLES_GODFREY_1824_1903'></a><p><b>LELAND, CHARLES GODFREY (1824-1903).</b> +—American +humorist, <i>b.</i> at Philadelphia, was <i>ed.</i> at Princeton, and in Europe. +In his travels he made a study of the gipsies, on whom he wrote more +<a name='Page_235'></a>than one book. His fame rests chiefly on his <i>Hans Breitmann +Ballads</i> (1871), written in the <i>patois</i> known as Pennsylvania Dutch. +Other books of his are <i>Meister Karl's Sketch-book</i> (1855), <i>Legends of +Birds</i> (1864), <i>Algonquin Legends</i> (1884), <i>Legends of Florence</i> (1895), +and <i>Flaxius, or Leaves from the Life of an Immortal</i>.</p><br /> + +<a name='LELAND_or_LEYLAND_JOHN_1506_1552'></a><p><b>LELAND or LEYLAND, JOHN (1506-1552).</b> +—Antiquary, +<i>b.</i> in London, and <i>ed.</i> at St. Paul's School and at Camb., Oxf., and +Paris. He was a good linguist, and one of the first Englishmen to +acquire Greek, and he was likewise acquainted with French, Italian, +Spanish, Welsh, and Anglo-Saxon. He became chaplain and librarian +to Henry VIII., from whom he received the Rectory of Poppeling, +near Calais, and in 1533 the appointment of King's Antiquary. +Soon afterwards he was permitted to do his work in France by +deputy, and was commissioned to go over England in search of +documents and antiquities; and on the strength of this made his +famous tour, which lasted for about six years. He was able to do +something to stem the destruction of manuscripts on the dissolution +of the monasteries, and made vast collections of documents and +information regarding the monuments and general features of the +country, which, however, he was unable fully to digest and set in +order. They formed, nevertheless, an almost inexhaustible quarry +in which succeeding workers in the same field, such as Stow, Camden, +and Dugdale, wrought. In his last years he was insane, and hence +none of his collections appeared in his lifetime. His <i>Itinerary</i> was, +however, at length <i>pub.</i> by T. Hearne in 9 vols. (1710-12), and his +<i>Collectanea</i> in 6 vols. (1715).</p><br /> + +<a name='LEMON_MARK_1809_1870'></a><p><b>LEMON, MARK (1809-1870).</b> +—Journalist and humorist, +<i>b.</i> in London, wrote many theatrical pieces, and a few novels, of +which the best is <i>Falkner Lyle</i>, others being <i>Leyton Hall</i>, and <i>Loved +at Last</i>. He also wrote stories for children, lectured and gave public +readings, and contributed to various periodicals. He is best known +as one of the founders and, from 1843 until his death, the ed. of +<i>Punch</i>. His <i>Jest Book</i> appeared in 1864.</p><br /> + +<a name='LENNOX_CHARLOTTE_RAMSAY_1720_1804'></a><p><b>LENNOX, CHARLOTTE (RAMSAY) (1720-1804).</b> +—Was <i>b.</i> in +New York, of which her <i>f.</i>, Colonel Ramsay, was Governor. She +wrote a novel, <i>The Female Quixote</i> (1752), which had considerable +vogue in its day. Her other writings—novels, translations, and a +play—are now forgotten. She was befriended by Dr. Johnson. +<a href='#PIOZZI_HESTER_LYNCH_SALUSBURY_1741_1821'>Mrs. Thrale</a> (<i>q.v.</i>) said that "everybody admired Mrs. L., but nobody +liked her."</p><br /> + +<a name='LESLIE_or_LESLEY_JOHN_1527_1596'></a><p><b>LESLIE, or LESLEY, JOHN (1527-1596).</b> +—Historian, +studied at Aberdeen and Paris, at the former of which he became, in +1562, Prof. of Canon Law. He was a Privy Councillor 1565, and +Bishop of Ross 1566, and was the confidential friend of Queen Mary, +who made him her ambassador to Queen Elizabeth. He was thrown +into the Tower for his share in promoting a marriage between Mary +and the Duke of Norfolk, whence being released on condition of +leaving England, he went first to Paris and then to Rome, where he +busied himself on behalf of his mistress. He became Vicar-General of +the diocese of Rouen in 1579, and <i>d.</i> at the monastery of Guirtenburg +near Brussels. While in England he wrote in Scots vernacular his<a name='Page_236'></a> +<i>History of Scotland</i> from the death of James I. (where Boece left off) +to his own time. At Rouen he rewrote and expanded it in Latin +(1575), from which it was re-translated into Scots by James +Dalrymple in 1596.</p><br /> + +<a name='LESTRANGE_SIR_ROGER_1616_1704'></a><p><b>L'ESTRANGE, SIR ROGER (1616-1704).</b> +—Journalist and +pamphleteer, youngest <i>s.</i> of a Norfolk baronet, was probably at +Camb., and in 1638 took arms for the King. Six years later he was +captured, imprisoned in Newgate, and condemned to death. He, +however, escaped, endeavoured to make a rising in Kent, and had to +flee to Holland, where he was employed in the service of Charles II. +On receiving a pardon from Cromwell he returned to England in +1653. In view of the Restoration he was active in writing on +behalf of monarchy, and in 1663 <i>pub.</i> <i>Considerations and Proposals +in order to Regulating of the Press</i>, for which he was appointed Surveyor +of Printing-Presses and Licenser of the Press, and received a +grant of the sole privilege of printing public news. His first newspaper, +<i>The Intelligencer</i>, appeared in the same year, and was followed +by <i>The News</i> and the <i>City Mercury, or Advertisements concerning +Trade</i>. Thereafter his life was spent in ed. newspapers and writing +political pamphlets in support of the Court and against the Whigs +and Dissenters. In 1685 he was knighted. His controversies repeatedly +got him into trouble, and after the Revolution he lost his +appointments, and was more than once imprisoned. In addition to +his political writings he translated <i>Æsop's Fables</i>, Seneca's <i>Morals</i>, +and Cicero's <i>Offices</i>. His <i>Æsop</i> contains much from other authors, +including himself. In his writings he was lively and vigorous but +coarse and abusive.</p><br /> + +<a name='LEVER_CHARLES_JAMES_1806_1872'></a><p><b>LEVER, CHARLES JAMES (1806-1872).</b> +—Novelist, <i>b.</i> at +Dublin, and <i>ed.</i> at Trinity Coll. there. He studied medicine at +Göttingen, and practised at various places in Ireland. In 1837 he +contributed to the <i>Dublin University Magazine</i> his first novel, <i>Harry +Lorrequer</i>, and the immediate and wide acceptance which it found +decided him to devote himself to literature. He accordingly +followed it with <i>Charles O'Malley</i> (1840), his most popular book. +After this scarcely a year passed without an addition to the list of +his light-hearted, breezy, rollicking stories, among which may be +mentioned <i>Jack Hinton</i> (1842), <i>Tom Burke of Ours</i>, <i>Arthur O'Leary</i>, +and <i>The Dodd Family Abroad</i>. <i>The O'Donoghue</i> and <i>The Knight of +Gwynne</i> (1847) are more in the nature of historical romances. In +1864 he contributed to <i>Blackwood's Magazine</i> a series of miscellaneous +papers, <i>Cornelius O'Dowd on Men, Women, and Things in +General</i>. L.'s life was largely spent abroad. After practising his +profession in Brussels 1840-42 he returned to Dublin to ed. the +<i>Dublin University Magazine</i>, which he did until 1845, after which +he went to Italy, settled at Florence, and thereafter was British +Consul successively at Spezzia and Trieste, at the latter of which he +<i>d.</i> He continued to produce novels up to the end of his life. Among +the later ones are <i>Sir Brooke Fosbrooke</i>, <i>The Bramleighs of Bishop's +Folly</i>, and <i>Lord Kilgobbin</i> (1872).</p><br /> + +<a name='LEWES_GEORGE_HENRY_1817_1878'></a><p><b>LEWES, GEORGE HENRY (1817-1878).</b> +—Philosopher and +miscellaneous writer, <i>b.</i> in London, and <i>ed.</i> at Greenwich, and in<a name='Page_237'></a> +Jersey and Brittany. His early life was varied; he tried law, commerce, +and medicine successively, and was then for two years in +Germany, on returning from which he tried the London stage, and +eventually settled down to journalism, writing for the <i>Morning +Chronicle</i>, for the <i>Penny Encyclopædia</i>, and various periodicals. +Thereafter he ed. the <i>Leader</i> (1851-54), and the <i>Fortnightly Review</i> +(which he founded) (1865-66). His articles deal with an extraordinary +variety of subjects—criticism, the drama, biography, and +science, both physical and mental. His chief works are <i>The History +of Philosophy from Thales to Comte</i>, <i>Comte's Philosophy of the +Sciences</i> (1853), <i>The Psychology of Common Life</i> (1859), <i>Studies in +Animal Life</i> (1862), <i>Problems of Life and Mind</i> (1873-79). L. was +an exceptionally able dramatic critic, and in this department he +produced <i>Actors and the Art of Acting</i> (1875), and a book on the +Spanish Drama. By far his greatest work, however, is his <i>Life and +Works of Goethe</i> (1855), which remains the standard English work on +the subject, and which by the end of the century had, in its German +translation, passed into 16 ed. He also wrote two novels, <i>Ranthorpe</i> +(1847), and <i>Rose, Blanche, and Violet</i> (1848), neither of which +attained any success. In his writings he is frequently brilliant and +original; but his education and training, whether in philosophy or +biology, were not sufficiently thorough to give him a place as a +master in either. L.'s life was in its latter section influenced by +his irregular connection with Miss Evans ("George Eliot"), with +whom he lived for the last 24 years of it, in close intellectual sympathy. +To his appreciation and encouragement were largely due +her taking up prose fiction.</p><br /> + +<a name='LEWIS_SIR_GEORGE_CORNEWALL_1806_1863'></a><p><b>LEWIS, SIR GEORGE CORNEWALL (1806-1863).</b> +—Scholar +and statesman, <i>s.</i> of Sir Thomas F.L., a Radnorshire baronet, was +<i>ed.</i> at Eton and Oxf. He studied law, was called to the Bar in 1831, +and entered Parliament in 1847, where his intellect and character +soon gained him great influence. After serving on various important +commissions and holding minor offices, he became Chancellor of +the Exchequer 1855-58, Home Sec. 1859-61, and War Sec. 1861-63. +His official labours did not prevent his entering into profound and +laborious studies, chiefly in regard to Roman history, and the state +of knowledge among the ancients. In his <i>Inquiry into the Credibility +of Ancient Roman History</i> (1855), he combated the methods +and results of Niebuhr. Other works are <i>On the Use and Abuse of +Political Terms</i>, <i>Authority in Matters of Opinion</i>, <i>The Astronomy of +the Ancients</i>, and a <i>Dialogue on the best Form of Government</i>. The +somewhat sceptical turn of his mind led him to sift evidence minutely, +and the labour involved in his wide range of severe study and his +public duties no doubt shortened his valuable life.</p><br /> + +<a name='LEWIS_MATTHEW_GREGORY_1775_1818'></a><p><b>LEWIS, MATTHEW GREGORY (1775-1818).</b> +—Novelist, <i>s.</i> of +Matthew L., Deputy Sec. in the War Office, was <i>ed.</i> at Westminster +and Oxf. Thereafter he went to Germany. From his childhood +tales of witchcraft and the supernatural had a powerful fascination +for him, and in Germany he had ample opportunities for pursuing +his favourite study, with the result that at the age of 20 he became +the author of <i>The Monk</i>, a tale in which the supernatural and the +<a name='Page_238'></a>horrible predominate to an unprecedented extent, and from which +he is known as "Monk L." The same characteristic appears in all +his works, among which may be mentioned <i>Tales of Terror</i> (1779), +<i>Tales of Wonder</i> (to which Sir W. Scott contributed), and <i>Romantic +Tales</i> (1808). Though affected and extravagant in his manners, L. +was not wanting in kindly and generous feelings, and in fact an illness +contracted on a voyage to the West Indies to inquire into and +remedy some grievances of the slaves on his estates there was the +cause of his death.</p><br /> + +<a name='LEYDEN_JOHN_1775_1811'></a><p><b>LEYDEN, JOHN (1775-1811).</b> +—Poet and Orientalist, <i>b.</i> at +Denholm, Roxburghshire, gave early evidence of superior ability, +and his <i>f.</i>, who was a shepherd, destined him for the Church. He +accordingly entered the Univ. of Edin., where he had a brilliant +career, showing a special aptitude for languages and natural history. +In 1800 he became a licentiate of the Church, but continued his +scientific and linguistic studies, and also began to write. In 1799 he +had <i>pub.</i> a sketch of the <i>Discoveries and Settlements of the Europeans +in Northern and Western Africa</i>, and he contributed to Scott's <i>Minstrelsy +of the Scottish Border</i>, and to "Monk" Lewis's <i>Tales of +Wonder</i>. His enthusiasm for Oriental learning led to application +being made on his behalf to Government for some situation which +would make his acquirements available for the public service, but +the only opening which could be obtained was that of a ship's +surgeon. By extraordinary exertions L. qualified himself for this +in a few months, and set sail for the East, after finishing his poem, +<i>Scenes of Infancy</i>. Soon after his arrival at Madras his health gave +way, and after some time passed in Prince of Wales Island he visited +the Malay Peninsula, and some of the East Indian Islands, collecting +vast stores of linguistic and ethnographical information, on which +was founded his great <i>Dissertation on the Indo-Persian, Indo-Chinese, +and Dekkan Languages</i> (1807). Soon after this L. was appointed a +prof. in the Bengal Coll., and a little later a judge in Calcutta. In +1811 he accompanied the Governor-General, Lord Minto, to Java. +His health, however, had been undermined by his almost super-human +exertions, and immediately after landing he contracted +a fever, of which he <i>d.</i> in three days at the early age of 36. Two +Oriental works translated by him, <i>Sejârah Malâyu</i> (Malay Annals) +and <i>Commentaries of Baber</i> were <i>pub.</i> respectively in 1821 and 1826.</p><br /> + +<a name='LIDDELL_HENRY_GEORGE_1811_1898'></a><p><b>LIDDELL, HENRY GEORGE (1811-1898).</b> +—Historian, etc. +<i>Ed.</i> at Charterhouse and Christ Church, Oxf., of which in 1855 he +became Dean. He wrote a <i>History of Ancient Rome</i> (1855), and, +along with R. Scott, <i>pub.</i> a <i>Greek-English Lexicon</i> (1843).</p><br /> + +<a name='LIDDON_HENRY_PARRY_1829_1890'></a><p><b>LIDDON, HENRY PARRY (1829-1890).</b> +—Divine, <i>s.</i> of a +captain in the navy, was <i>b.</i> at North Stoneham, Hants, and <i>ed.</i> at +King's Coll. School, London, and Oxf. He took orders 1853, was +Vice-Principal of Cuddesdon Theological Coll. 1854-59, Prebendary +of Salisbury 1864, and Canon of St. Paul's 1870. He was also Ireland +Prof. of Exegesis at Oxf. 1870-82. In 1866 he delivered his +Bampton Lectures on <i>The Divinity of Our Lord</i>, and came to be +recognised as one of the ablest and most eloquent representatives of +<a name='Page_239'></a>the High Church party. His sermons in St. Paul's were among the +leading features of the religious life of London. L. was an ardent +protagonist in the various controversies of his time bearing upon +ecclesiastical and moral questions.</p><br /> + +<a name='LIGHTFOOT_JOSEPH_BARBER_1828_1889'></a><p><b>LIGHTFOOT, JOSEPH BARBER (1828-1889).</b> +—Theologian +and scholar, <i>b.</i> at Liverpool, and <i>ed.</i> at King Edward's School, +Birmingham, and Camb., entered the Church, and was successively +Hulsean Prof. of Divinity 1861, Chaplain to Queen Victoria 1862, +member of the New Testament Company of Revisers 1870-80, +Margaret Prof. of Divinity, Camb., 1875, and Bishop of Durham +1879. He was probably the greatest scholar of his day in England, +especially as a grammarian and textual critic. Among his works +are <i>Commentaries</i> on several of the minor Pauline epistles, a fragmentary +work on the Apostolic Fathers, <i>Leaders in the Northern +Church</i> (1890), and <i>The Apostolic Age</i> (1892).</p><br /> + +<a name='LILLO_GEORGE_1693_1739'></a><p><b>LILLO, GEORGE (1693-1739).</b> +—Dramatist, of Dutch +descent, was <i>b.</i> in London, succeeded his <i>f.</i> in business as a jeweller, +in which he had good speed, and devoted his leisure to the composition +of plays in the line of what was known as the "domestic +drama." He wrote in all seven of these, among which are <i>The London +Merchant, or the History of George Barnewell</i>, acted 1731, <i>The +Christian Hero</i> (1735), and <i>Fatal Curiosity</i> (1736). He was a friend +of Fielding, who said of him that "he had the spirit of an old Roman +joined to the innocence of a primitive Christian."</p><br /> + +<a name='LINDSAY_or_LYNDSAY_SIR_DAVID_1490_1555'></a><p><b>LINDSAY, or LYNDSAY, SIR DAVID (1490-1555).</b> +—Scottish +poet and satirist, <i>s.</i> of David L. of Garmylton, near Haddington, +was <i>b.</i> either there or at The Mount in Fife, and <i>ed.</i> at St. Andrews. +Early in life he was at the Court of James IV., and on the King's +death was appointed to attend on the infant James V., whose friend +and counsellor he remained, though his advice was, unhappily for +his country, not always given heed to. In 1529 he was knighted and +made Lyon King at Arms. He was employed on various missions to +the Emperor Charles V., and to Denmark, France, and England. +He was always in sympathy with the people as against the nobles +and the clergy, and was their poet, with his words in their mouths. +He favoured the Reformers, and was one of those who urged Knox +to become a preacher. He did not, however, adhere to the reformed +congregation, and <i>d.</i> at least nominally in the Roman Church. Yet +he lashed the vices of the clergy as they had never been lashed before, +and only escaped their vengeance by the protection of the King, who +also condoned the severities directed against himself. His latter +days were spent at The Mount, where he <i>d.</i> His chief writings are +<i>The Dreme</i>, written 1528, <i>The Complaynt to the King</i> (1529), <i>The +Testament and Complaynt of our Soverane Lord's Papyngo</i> (Parrot) +(1530), <i>Ane Pleasant Satyre of the Three Estaitis</i>, <i>A Dialogue betwixt +Experience and a Courtier</i> (1552), <i>The Monarchy</i> (1554), and <i>The +History of Squyer Meldrum</i>. L. was a true poet, gifted with fancy, +humour, and a powerful satiric touch and a love of truth and +justice. He had a strong influence in turning the minds of the +common people in favour of the Reformation.</p> + +<p><i>Works</i> ed. by Chalmers (3 vols., 1806), and D. Laing (3 vols., 1879)<a name='Page_240'></a>.</p><br /> + +<a name='LINDSAY_or_LINDESAY_ROBERT_1500_1565'></a><p><b>LINDSAY, or LINDESAY, ROBERT (1500?-1565?).</b> +—Historian, +Laird or tenant of Pitscottie, Fife, wrote a history entitled +<i>The Chronicles of Scotland</i>, intended as a continuation of that of +Boece. It deals with the period 1436-1515, and though often inaccurate +in detail, is often vivid and quaint.</p><br /> + +<a name='LINGARD_JOHN_1771_1851'></a><p><b>LINGARD, JOHN (1771-1851).</b> +—Historian, <i>b.</i> at Winchester +of humble Roman Catholic parentage, was in 1782 sent to +the English Coll. at Douay, whence he escaped from the revolutionaries +in 1793, and returning to England, went to Crookhall Coll., +near Durham, and afterwards to Ushaw. Ordained a priest in 1795, +he became Vice-Pres. and Prof. of Philosophy at the latter coll. In +1806 he <i>pub.</i> <i>The Antiquities of the Anglo-Saxon Church</i>, and while a +missioner at Hornby, Lancashire, began his <i>History of England to +the Accession of William and Mary</i> (8 vols., 1819-30). In the preparation +of this work L. had access to material hitherto <i>unpub.</i>, and +not available for Protestant historians, such as documents in the +Vatican and other Roman Catholic sources, and was consequently +able to throw new light on various parts of his subject. The work +was attacked by various writers from the Protestant standpoint. L. +replied to his critics with the result that it is now generally admitted +that the history, while in parts coloured by the theological and +political point of view of the author, is generally an impartial and +valuable work, and it remains a leading authority on the Reformation +period viewed from the side of the enlightened Roman Catholic +priesthood. This opinion is supported by the fact that the Ultramontane +party among the Roman Catholics regarded the book as a +dangerous one in respect of the interests of their Church.</p><br /> + +<a name='LINTON_MRS_ELIZA_LYNN_1822_1898'></a><p><b>LINTON, MRS. ELIZA LYNN (1822-1898).</b> +—Novelist and +miscellaneous writer, <i>dau.</i> of a clergyman, settled in London in +1845, and next year produced her first novel, <i>Azeth, the Egyptian; +Amymone</i> (1848), and <i>Realities</i> (1851), followed. None of these had +any great success, and she then joined the staff of the <i>Morning +Chronicle</i>, and <i>All the Year Round</i>. In 1858 she <i>m.</i> W.J. +Linton, an eminent wood-engraver, who was also a poet of some note, a writer +upon his craft, and a Republican. In 1867 they separated in a +friendly way, the husband going to America, and the wife devoting +herself to novel-writing, in which she attained wide popularity. Her +most successful works were <i>The True History of Joshua Davidson</i> +(1872), <i>Patricia Kemball</i> (1874), and <i>Christopher Kirkland</i>. She was +a severe critic of the "new woman."</p><br /> + +<a name='LISTER_THOMAS_HENRY_1800_1842'></a><p><b>LISTER, THOMAS HENRY (1800-1842).</b> +—Novelist, <i>ed.</i> at +Westminster and Camb., was latterly the first Registrar-General for +England and Wales. He wrote several novels, among which are +<i>Granby</i> (1826), <i>Herbert Lacy</i> (1828), <i>Arlington</i> (1832). He was also +the author of a Life of Clarendon.</p><br /> + +<a name='LITHGOW_WILLIAM_1582_1645'></a><p><b>LITHGOW, WILLIAM (1582-1645).</b> +—Traveller, <i>b.</i> at +Lanark, claimed at the end of his various peregrinations to have +tramped 36,000 miles on foot. Previous to 1610 he had visited +Shetland, Switzerland, and Bohemia. In that year he set out for +Palestine and Egypt. His next journey, 1614-16, was in Tunis and +Fez; but his last, 1619-21, to Spain, ended unfortunately in his apprehension +<a name='Page_241'></a>at Malaga and torture as a spy. He gave an account of +his travels in <i>Rare Adventures and Paineful Peregrinations</i>, and wrote +<i>The Siege of Breda</i>, <i>The Siege of Newcastle</i>, and <i>Poems</i>.</p><br /> + +<a name='LIVINGSTONE_DAVID_1813_1873'></a><p><b>LIVINGSTONE, DAVID (1813-1873).</b> +—Missionary explorer, +<i>b.</i> at Blantyre, Lanarkshire, spent the years between 10 and 24 as an +operative in a cotton mill there. Becoming interested in foreign +missions he qualified himself, and entering the service of the London +Missionary Society, set out in 1846 to South Africa. He subsequently +made journeys into the interior, which ultimately developed +into his great pioneering and exploration expeditions, in which he +discovered Lake Ngami 1849, and the river Zambesi 1851. In 1856 +he visited England, <i>pub.</i> his <i>Missionary Travels</i> (1857), and retired +from the service of the London Missionary Society. He was Consul +at Quilimane 1858-64, and in 1858 commanded an expedition for +exploring Eastern and Central Africa, in the course of which he discovered +Lakes Shirwa and Nyassa 1859. Again visiting England +he <i>pub.</i> his second book, <i>The Zambesi and its Tributaries</i> (1865). +Returning to Africa he organised an expedition to the Nile basin, +discovered Lake Bangweolo, explored the cannibal country, enduring +terrible sufferings and dangers, from which he was rescued just +in time by H.M. Stanley. His last journey was to discover the +sources of the Nile, but it proved fatal, as he <i>d.</i> at a village in Ilala. +His remains were brought home and buried in Westminster Abbey. +L. was a man of indomitable courage, and of a simple nobility of +character. His writings are plain, unadorned statements of his work +and experiences. He ranks among the greatest explorers and philanthropists. +The diary which he kept was <i>pub.</i> as <i>Last Journals of +David Livingstone in Central Africa</i> (1874). His view of his duty +in the circumstances in which he found himself was to be a pioneer +opening up new ground, and leaving native agents to work it up.</p><br /> + +<a name='LLOYD_ROBERT_1733_1764'></a><p><b>LLOYD, ROBERT (1733-1764).</b> +—Poet, <i>ed.</i> at Westminster +and Camb., <i>pub.</i> <i>The Actor</i> (1760), a poem which had considerable +popularity, some miscellaneous verses, and a comic opera, <i>The Conscious +Lovers</i> (1764). He was a friend of Churchill, who showed +him much kindness in his frequent misfortunes; and on hearing of +C.'s death he took to bed, and soon <i>d.</i>, apparently of a broken heart.</p><br /> + +<a name='LOCKE_DAVID_Ross_PETROLEUM_V_NASBY_1833_1888'></a><p><b>LOCKE, DAVID Ross (PETROLEUM V. NASBY) (1833-1888).</b> +—Humorist, +<i>b.</i> in New York State. His political satires really +influenced opinion during the war. He was a printer and then a +journalist, and his writings include <i>Swingin' round the Cirkle</i>, +<i>Struggles of P.V. Nasby</i>, <i>Nasby in Exile</i>, and two novels, <i>A Paper +City</i> and <i>The Demagogue</i>.</p><br /> + +<a name='LOCKE_JOHN_1632_1704'></a><p><b>LOCKE, JOHN (1632-1704).</b> +—Philosopher, <i>s.</i> of a landsteward, +was <i>b.</i> at Wrington, near Bristol, and <i>ed.</i> at Westminster +School and Oxf. In 1660 he became lecturer on Greek, in 1662 on +Rhetoric, and in 1664 he went as sec. to an Embassy to Brandenburg. +While a student he had turned from the subtleties of Aristotle +and the schoolmen, had studied Descartes and Bacon, and +becoming attracted to experimental science, studied medicine, and +practised a little in Oxf. At the same time his mind had been much +exercised by questions of morals and government, and in 1667 he +<a name='Page_242'></a>wrote his <i>Essay on Toleration</i>. In the same year he became known +to Lord Ashley (afterwards 1st Earl of Shaftesbury), in whose house +he went to reside. Here he made the acquaintance of Buckingham, +Halifax, and other leading men of the time, and was entrusted by +Ashley with the education of his <i>s.</i>, and afterwards of his grandson, +the famous <a href='#SHAFTESBURY_ANTHONY_ASHLEY_COOPER_3RD_EARL_OF_1671_1713'>3rd Earl of Shaftesbury</a> (<i>q.v.</i>). He was also employed by +him to draw up a constitution for the new colony of Carolina, the +provisions of which in regard to religion were regarded as too liberal +and were, at the instance of the Established Church, departed from. +In 1672 when Ashley became Chancellor he bestowed upon L. the +office of Sec. of Presentations, and afterwards a post at the Board of +Trade. In 1675 L. graduated M.B., and in the same year went for +the benefit of his health, which had always been delicate, to Montpelier, +where there was then a celebrated medical school, and subsequently +to Paris, where he became acquainted with most of the +eminent Frenchmen of the day. Recalled by Shaftesbury in 1679 +he returned to England but, his patron having in 1682 been obliged +to take refuge in Holland from a prosecution for high treason, he +followed him there. In consequence of this he became obnoxious +to the Government, and was in 1684 deprived of his studentship at +Christ Church. Shaftesbury having <i>d.</i> in Holland, L. remained +there until the Revolution, when he returned to England in the fleet +which carried the Princess of Orange. He was now in favour with +Government, and had the offer of diplomatic employment which, +on account of his health, he declined, but was appointed a Commissioner +of Appeals. In 1698 he was an adviser of the Government +on the question of the coinage, and was made a member of the newly +instituted Council on Trade, which position he resigned in 1700. +During his last years he lived with Sir Francis and Lady Masham at +Gates in Essex, where Lady M., who was a <i>dau.</i> of <a href='#CUDWORTH_RALPH_1617_1688'>Ralph Cudworth</a> +(<i>q.v.</i>), and an old friend, assiduously tended his last years. The +services of L. to his country in civil and religious matters were +various and great; but it is upon his philosophical writings, and +chiefly on his <i>Essay on the Human Understanding</i> (1690) that +his fame rests. It is divided into four books, of which the first +treats of innate ideas (the existence of which he denies), the second +traces the origin of ideas, the third deals with language, and the +fourth lays down the limits of the understanding. Other works +of his are <i>Thoughts concerning Education</i> (1693), <i>On the Conduct of +the Understanding</i> (<i>pub.</i> posthumously), <i>The Reasonableness of Christianity</i> +(1695), <i>Treatise on Government</i>, and <i>Letters on Toleration</i>. If +not a very profound or original philosopher L. was a calm, sensible, +and reasonable writer, and his books were very influential on the +English thought of his day, as well as on the French philosophy +of the next century. His style is plain and clear, but lacking in +brightness and variety.</p> + +<p><i>Lives</i> by Lord King (1829), and Bourne (1876). <i>Works</i> ed. by +Prof. A.C. Fraser (1894). <i>See</i> also T.H. Green's Introduction to +Hume (1874).</p><br /> + +<a name='LOCKER_LAMPSON_FREDERICK_1821_1895'></a><p><b>LOCKER-LAMPSON, FREDERICK (1821-1895).</b> +—Poet, <i>s.</i> of +the sec. of Greenwich Hospital, held appointments in Somerset House +and the Admiralty. He wrote a number of clever <i>vers de societé</i>, +<a name='Page_243'></a>which were <i>coll.</i> as <i>London Lyrics</i> (1857). He also compiled <i>Lyra +Elegantiarum</i>, an anthology of similar verse by former authors, +and <i>Patchwork</i>, a book of extracts, and wrote an autobiography, +<i>My Confidences</i> (1896).</p><br /> + +<a name='LOCKHART_JOHN_GIBSON_1794_1854'></a><p><b>LOCKHART, JOHN GIBSON (1794-1854).</b> +—Novelist and +biographer, <i>s.</i> of a minister of the Church of Scotland of good family, +was <i>b.</i> at Cambusnethan, Lanarkshire, and <i>ed.</i> at Glasgow and +Oxf. He studied law at Edin., and was called to the Scottish Bar +in 1816, but had little taste for the profession. Having, however, +already tried literature (he had translated Schlegel's <i>Lectures on the +History of Literature</i>), he devoted himself more and more to a literary +life. He joined John Wilson, and became one of the leading contributors +to <i>Blackwood's Magazine</i>. After bringing out <i>Peter's Letters +to his Kinsfolk</i> (1819), sketches mainly of Edinburgh society, he +produced four novels, <i>Valerius</i> (1821), <i>Adam Blair</i> (1822), <i>Reginald +Dalton</i> (1824), and <i>Matthew Wald</i> (1824). His <i>Life of Burns</i> appeared +in 1828. He was ed. of the <i>Quarterly Review</i> 1824-53. In +1820 he had <i>m.</i> Sophia, <i>dau.</i> of Sir Walter Scott, which led to a close +friendship with the latter, and to his writing his famous <i>Life of Scott</i>, +undoubtedly one of the greatest biographies in the language. His +later years were overshadowed with deep depression caused by the +death of his wife and children. A singularly reserved and cold +manner led to his being regarded with dislike by many, but his +intimate friends were warmly attached to him.</p><br /> + +<a name='LODGE_THOMAS_1558_1625'></a><p><b>LODGE, THOMAS (1558?-1625).</b> +—Poet and dramatist, <i>s.</i> +of Sir Thomas L., Lord Mayor of London, was <i>ed.</i> at Merchant +Taylor's School and Oxf. He was a student of Lincoln's Inn, but +abandoned law for literature, ultimately studied medicine, and +took M.D. at Oxf. 1603; having become a Roman Catholic, he had +a large practice, chiefly among his co-religionists. In 1580 he <i>pub. +A Defence of Plays</i> in reply to Gosson's <i>School of Abuse</i>; and he +wrote poems, dramas, and romances. His principal dramatic +works are <i>The Wounds of Civil War</i>, and (in conjunction with +<a href='#GREENE_ROBERT_1560_1592'>Greene</a>, <i>q.v.</i>) <i>A Looking-glass for London and England</i>. Among +his romances may be mentioned <i>Euphues' Shadow</i>, <i>Forbonius and +Prisceria</i> (1584), and <i>Rosalynde, Euphues' Golden Legacie</i> (1590). +His poems include <i>Glaucus and Scilia</i> (1589), <i>Phillis honoured +with Pastoral Sonnets, Elegies, and Amorous Delights</i> (1593). <i>Rosalynde</i>, +his best known work, and the source from which Shakespeare +is said to have drawn <i>As you like It</i>, was written to beguile the tedium +of a voyage to the Canaries. <i>Robin the Divell</i> and <i>William Longbeard</i> +are historical romances. L. was also a voluminous translator. +He was one of the founders of the regular English drama, but his own +plays are heavy and tedious. His romances, popular in their day, are sentimental +and over-refined in language, but are enlivened by lyrical +pieces in which he is far more successful than in his dramatic work.</p><br /> + +<a name='LOGAN_JOHN_1748_1788'></a><p><b>LOGAN, JOHN (1748-1788).</b> +—Poet, <i>s.</i> of a small farmer at +Soutra, Midlothian, was destined for the ministry of a small Dissenting +sect to which his <i>f.</i> belonged, but attached himself to the +Church of Scotland, and became minister of South Leith in 1773. +He read lectures on the philosophy of history in Edin., and was +<a name='Page_244'></a>the author of a vol. of poems. He also ed. those of his friend, +<a href='#BRUCE_MICHAEL_1746_1767'>Michael Bruce</a> (<i>q.v.</i>), in such a way, however, as to lead to a controversy, +still unsettled, as to the authorship of certain of the pieces +inserted. L., in fact, suppressed some of Bruce's poems and introduced +others of his own. Unfortunately for the reputation of both +poets the disputed authorship extends to the gem of the collection, +the exquisite <i>Ode to the Cuckoo</i>, beginning "Hail, beauteous stranger +of the grove," which Burke considered the most beautiful lyric in +the language. L. fell into dissipated habits, resigned his ministerial +charge, and went to London, where he took an active part in the +controversy regarding the impeachment of Warren Hastings.</p><br /> + +<a name='LONG_GEORGE_1800_1879'></a><p><b>LONG, GEORGE (1800-1879).</b> +—Classical scholar, <i>ed.</i> at +Camb. He was Prof. of Ancient Languages in the Univ. of Virginia, +Charlottesville, 1824-28, of Greek at University Coll., London, +1828-31, and of Latin there, 1842-46. He did much for the diffusion +of education, was one of the founders and sec. of the Royal Geographical +Society, and ed. of the <i>Penny Cyclopædia</i>. He translated +Marcus Aurelius (1862), and <i>The Discourses of Epictetus</i> (1877), and +wrote <i>Two Discourses on Roman Law</i> (1847), a subject on which he +was the greatest English authority.</p><br /> + +<a name='LONGFELLOW_HENRY_WADSWORTH_1807_1882'></a><p><b>LONGFELLOW, HENRY WADSWORTH (1807-1882).</b> +—Poet, +was <i>b.</i> at Portland, Maine, the <i>s.</i> of Stephen L., a lawyer. From +childhood he cared little for games, but was always devoted to reading. +In 1822 he was sent to Bowdoin Coll., of which his <i>f.</i> was a +Trustee, and after graduating was appointed to a new Chair of +Modern Languages, which the coll. had decided to establish, and +with the view of more completely qualifying him for his duties, he +was sent to Europe for a three years' course of study. He accordingly +went to France, Spain, and Italy. Returning in 1829 he commenced +his professional duties, writing also in the <i>North American +Review</i>. In 1831 he entered into his first marriage, and in 1833 he +<i>pub.</i> his first books, a translation from the Spanish, followed by the +first part of <i>Outre Mer</i>, an account of his travels. At the end of the +year L. was invited to become Prof. of Modern Languages at Harvard, +an offer which he gladly accepted. He paid a second visit to +Europe accompanied by his wife, who, however, <i>d.</i> at Amsterdam. +He returned to his duties in 1836, and in 1838 appeared <i>Voices +of the Night</i>, containing the "Psalm of Life" and "Excelsior," +which had extraordinary popularity, and gave him a place in the +affections of his countrymen which he held until his death. The +same year saw the publication of <i>Hyperion</i>. His next work was +<i>Ballads and other Poems</i>, containing "The Wreck of the Hesperus" +and "The Village Blacksmith." In 1843 he <i>m.</i> his second wife, +and in the same year appeared <i>The Spanish Student</i>, a drama. +The <i>Belfry of Bruges</i> and <i>Evangeline</i> (1847), generally considered +his masterpiece, followed. In 1849 he <i>pub.</i> <i>Kavanagh</i>, a novel +which added nothing to his reputation, and in 1851 <i>Seaside and +Fireside</i>, and <i>The Golden Legend</i>. Having now a sufficient and +secure income from his writings, he resigned his professorship, and +devoted himself entirely to literature. <i>Hiawatha</i> appeared in 1855, +and <i>The Courtship of Miles Standish</i> in 1858. In 1861 he lost his +wife under tragic circumstances, a blow which told heavily upon +<a name='Page_245'></a>him. His latest works were a translation of Dante's <i>Divina Commedia</i>, +<i>Tales of a Wayside Inn</i>, <i>The New England Tragedies</i>, and +<i>The Divine Tragedy</i>, the last two of which he combined with <i>The +Golden Legend</i> into a trilogy, which he named <i>Christus</i>. In 1868 +he paid a last visit to England, where he was received with the +highest honour. Later works were <i>Three Books of Song</i>, <i>Aftermath</i>, +and <i>Ultima Thule</i>. He <i>d.</i> on March 14, 1882. L. lacked the +intensity of feeling and power of imagination to make him a great +poet; but few poets have appealed to a wider circle of readers. If +he never soars to the heights or sounds the deeps of feeling he touches +the heart by appealing to universal and deep-seated affections. He +was a man of noble and chivalrous character.</p> + +<p><i>Lives</i> by S. Longfellow in Riverside ed. of works (11 vols. 1886-90), +Robertson (Great Writers Series), and Higginson (American Men of +Letters).</p><br /> + +<a name='LOVELACE_RICHARD_1618_1658'></a><p><b>LOVELACE, RICHARD (1618-1658).</b> +—Poet, <i>b.</i> at Woolwich, +<i>s.</i> of Sir William L., was <i>ed.</i> at Oxf., where he is described by Anthony +Wood as "the most amiable and beautiful person that eye ever +beheld." He was an enthusiastic Royalist, and spent his whole fortune +in support of that cause. For presenting "the Kentish petition" +in favour of the King, he was imprisoned in 1642, when he +wrote his famous song, <i>When Love with unconfinéd wings</i>. After his +release he served in the French army, and was wounded at Dunkirk. +Returning, he was again imprisoned, 1648, and produced his +<i>Lucasta: Epodes, Odes</i>, etc. He lives in literature by a few of his +lyrics which, though often careless, are graceful and tender. He <i>d.</i> +in poverty.</p><br /> + +<a name='LOVER_SAMUEL_1797_1868'></a><p><b>LOVER, SAMUEL (1797-1868).</b> +—Song-writer and novelist, +was a painter of portraits, chiefly miniatures. He produced a +number of Irish songs, of which several—including <i>The Angel's +Whisper</i>, <i>Molly Bawn</i>, and <i>The Four-leaved Shamrock</i>—attained +great popularity. He also wrote some novels, of which <i>Rory O'More</i> +(in its first form a ballad), and <i>Handy Andy</i> are the best known, and +short Irish sketches, which, with his songs, he combined into a +popular entertainment called <i>Irish Nights</i>. He joined with Dickens +in founding <i>Bentley's Magazine</i>.</p><br /> + +<a name='LOWELL_JAMES_RUSSELL_1819_1891'></a><p><b>LOWELL, JAMES RUSSELL (1819-1891).</b> +—Poet and +essayist, <i>b.</i> at Camb., Massachusetts, <i>s.</i> of a Unitarian minister, was +<i>ed.</i> at Harvard. He began active life as a lawyer, but soon abandoned +business, and devoted himself mainly to literature. In 1841 +he <i>pub.</i> a vol. of poems, <i>A Year's Life</i>, and in 1843 a second book +of verses appeared. He also wrote at this time political articles in +the <i>Atlantic</i> and <i>North American Review</i>. In 1848 he <i>pub.</i> a third +vol. of <i>Poems</i>, <i>A Fable for Critics</i>, <i>The Biglow Papers</i>, and <i>The Vision +of Sir Launfal</i>; and he was in 1855 appointed Professor of Modern +Languages at Harvard in succession to Longfellow. <i>Among my +Books</i> appeared in 2 series, in 1870 and 1876. His later poems included +various <i>Odes</i> in celebration of national events, some of which +were <i>coll.</i> in <i>Under the Willows</i>, <i>The Cathedral</i>, and <i>Heartsease and +Rue</i>. In 1877 he was appointed United States minister to Spain, +and he held a similar appointment in England 1880-85. He <i>d.</i> at<a name='Page_246'></a> +Elmwood, the house in which he was <i>b.</i> L. was a man of singularly +varied gifts, wit, humour, scholarship, and considerable poetic power, +and he is the greatest critic America has yet produced. He was a +strong advocate of the abolition of slavery.</p><br /> + +<a name='LOWTH_ROBERT_1710_1787'></a><p><b>LOWTH, ROBERT (1710-1787).</b> +—Theologian and scholar, +<i>s.</i> of William L., Prebendary of Winchester, and author of a <i>Commentary +on the Prophets</i>, was <i>b.</i> at Winchester, and <i>ed.</i> there and at +Oxf. Entering the Church he became Bishop successively of St. +David's, Oxf., and London. In 1753 he <i>pub.</i> <i>De Sacra Poesi +Hebræorum</i>. He also wrote a <i>Life of William of Wykeham</i>, the +founder of Winchester Coll., and made a new translation of Isaiah.</p><br /> + +<a name='LYDGATE_JOHN_1370_1451'></a><p><b>LYDGATE, JOHN (1370?-1451?).</b> +—Poet, <i>b.</i> in Suffolk, was +ordained a priest in 1397. After studying at Oxf., Paris, and +Padua, he taught literature in his monastery at Bury St. Edmunds. +He appears to have been a bright, clear-minded, earnest man, with a +love of the beautiful, and a faculty of pleasant, flowing verse. He +wrote copiously and with tiresome prolixity whatever was required +of him, moral tales, legends of the saints, and histories, and his total +output is enormous, reaching 130,000 lines. His chief works are +<i>Troy Book</i> (1412-20), written at the request of Henry V. when Prince +of Wales, <i>The Falls of Princes</i> (1430-38), and <i>The Story of Thebes</i> +(<i>c.</i> 1420). These books were first <i>printed</i> in 1513, 1494, and <i>c.</i> 1500 +respectively. L. also wrote many miscellaneous poems. He was +for a time Court poet, and was patronised by Humphrey, Duke of +Gloucester; but the greater part of his life was spent in the monastery +at Bury St. Edmunds. He was an avowed admirer of Chaucer, +though he largely follows the French romancists previous to him.</p><br /> + +<a name='LYELL_SIR_CHARLES_1797_1875'></a><p><b>LYELL, SIR CHARLES (1797-1875).</b> +—Geologist and writer, +<i>s.</i> of Charles L., of Kinnordy, Forfarshire (a distinguished botanist +and student of Dante), was brought up near the New Forest. After +going to school at various places in England, he was sent to Oxf., +where under Buckland he imbibed a taste for science. He studied +law, and was called to the Bar, but soon devoted himself to geology, +and made various scientific tours on the Continent, the results of his +investigations being <i>pub.</i> chiefly in the Transactions of the Geological +Society, of which he was afterwards repeatedly Pres. His two chief +works are <i>The Principles of Geology</i> (1830-33), and <i>The Elements of +Geology</i> (1838). In these books he combated the necessity of +stupendous convulsions, and maintained that the greatest geologic +changes might be produced by remote causes still in operation. He +also <i>pub.</i>, among other works, <i>Geological Evidence of the Antiquity of +Man</i> (1863). He was Prof. of Geology in King's Coll., London, +1831-33, Pres. of the British Association 1864, knighted in 1848, +and <i>cr.</i> a Baronet in 1864. He was buried in Westminster Abbey. +In his later years he was generally recognised as the greatest of +living geologists.</p><br /> + +<a name='LYLY_JOHN_1554_1606'></a><p><b>LYLY, JOHN (1554?-1606).</b> +—Dramatist and miscellaneous +writer, was <i>b.</i> in the Weald of Kent, and <i>ed.</i> at both Oxf. and +Camb. He wrote several dramas, most of which are on classical +and mythological subjects, including <i>Campaspe</i> and <i>Sapho and +Phao</i> (1584), <i>Endymion</i> (1591), and <i>Midas</i> (1592). His chief fame, +<a name='Page_247'></a>however, rests on his two didactic romances, <i>Euphues, the Anatomy of +Wit</i> (1579), and <i>Euphues and his England</i> (1580). These works, which +were largely inspired by Ascham's <i>Toxophilus</i>, and had the same objects +in view, viz., the reform of education and manners, exercised a +powerful, though temporary, influence on the language, both written +and spoken, commemorated in our words "euphuism" and "euphuistic." +The characteristics of the style have been set forth as "pedantic +and far-fetched allusion, elaborate indirectness, a cloying +smoothness and drowsy monotony of diction, alliteration, punning, +and such-like puerilities, which do not, however, exclude a good deal +of wit, fancy, and prettiness." Many contemporary authors, including +Shakespeare, made game of it, while others, <i>e.g.</i> Greene, +admired and practised it. L. also wrote light dramatic pieces for +the children of the Chapel Royal, and contributed a pamphlet, +<i>Pappe with an Hatchet</i> (1589) to the Mar-prelate controversy in +which he supported the Bishops. He sat in Parliament for some +years.</p><br /> + +<a name='LYNDESAY_SIR_D_see_LINDSAY'></a><p><b>LYNDESAY, SIR D., (<i>see</i> <a href='#LINDSAY_or_LYNDSAY_SIR_DAVID_1490_1555'>LINDSAY</a>.)</b></p><br /> + +<a name='LYTE_HENRY_FRANCIS_1793_1847'></a><p><b>LYTE, HENRY FRANCIS (1793-1847).</b> +—Hymn-writer, <i>b.</i> at +Ednam, near Kelso, of an ancient Somersetshire family, and <i>ed.</i> at +Trinity Coll., Dublin, took orders, and was incumbent of Lower +Brixham, Devonshire. He <i>pub.</i> <i>Poems: chiefly religious</i> (1833). +He is chiefly remembered for his hymns, one of which, <i>Abide with Me</i>, +is universally known and loved.</p><br /> + +<a name='LYTTELTON_GEORGE_1ST_LORD_LYTTELTON_1709_1773'></a><p><b>LYTTELTON, GEORGE, 1ST LORD LYTTELTON (1709-1773).</b> +—Poet, +<i>s.</i> of Sir Thomas L., of Hagley, Worcestershire, <i>ed.</i> at Eton +and Oxf., was the patron of many literary men, including Thomson +and Mallet, and was himself a somewhat voluminous author. +Among his works are <i>Letters from a Persian in England to his friend in +Ispahan</i> (1735), a treatise <i>On the Conversion of St. Paul</i> (1746), +<i>Dialogues of the Dead</i> (1760), which had great popularity, and a +<i>History of the Reign of Henry II.</i>, well-informed, careful, and impartial, +but tedious. He is chiefly remembered by his <i>Monody</i> on the +death of his wife. The stanza in <i>The Castle of Indolence</i> in which +Thomson is playfully described (canto 1, st. lxviii.), is by L., who is +himself referred to in lxv. He took some part in public affairs, and +was Chancellor of the Exchequer in 1756.</p><br /> + +<a name='LYTTON_EDWARD_GEORGE_EARLE_LYTTON_BULWER_1ST_LORD_1803_1873'></a><p><b>LYTTON, EDWARD GEORGE EARLE LYTTON-BULWER, 1ST LORD (1803-1873).</b> +—Novelist +and statesman, third son of General +Earle Bulwer of Heydon and Dalling, Norfolk, and of Elizabeth +Lytton, heiress of Knebworth, Herts, was <i>b.</i> in London, and <i>ed.</i> +privately and at Camb. He began to write when still a boy, and +<i>pub.</i>, in 1820, <i>Ismael and other Poems</i>. His marriage in 1825 to +Rosina Wheeler, an Irish beauty, caused a quarrel with his mother, +and the loss of his income, and thus incidentally gave the impulse to +his marvellous literary activity. The marriage proved an unhappy +one, and was terminated by a separation in 1836. During its continuance, +however, his life was a busy and productive one, its +literary results including <i>Falkland</i> (1827), <i>Pelham</i> (1828), <i>Paul Clifford</i> +(1830), <i>Eugene Aram</i> (1832), <i>The Pilgrims of the Rhine</i>, <i>Last +Days of Pompeii</i>, <i>Rienzi</i> (1835), besides <i>England and the English</i>,<a name='Page_248'></a> +<i>Athens its Rise and Fall</i>, and innumerable tales, essays, and articles +in various reviews and magazines, including the <i>New Monthly</i>, of +which he became ed. in 1831. In the same year he entered Parliament +as a Liberal, but gradually gravitated towards Conservatism, +and held office in the second government of Lord Derby as Colonial +Sec. 1858-59. As a politician he devoted himself largely to questions +affecting authors, such as copyright and the removal of taxes upon +literature. He continued his literary labours with almost unabated +energy until the end of his life, his works later than those already +mentioned including the <i>Last of the Barons</i> (1843), <i>Harold</i> (1848), the +famous triad of <i>The Caxtons</i> (1850), <i>My Novel</i> (1853), and <i>What will +he do with it?</i> (1859); and his studies in the supernatural, <i>Zanoni</i> +(1842), and <i>A Strange Story</i> (1862). Later still were <i>The Coming +Race</i> (1870) and <i>Kenelm Chillingly</i> (1873). To the drama he contributed +three plays which still enjoy popularity, <i>The Lady of Lyons</i>, +<i>Richelieu</i>, both (1838), and <i>Money</i> (1840). In poetry he was less +successful. <i>The New Timon</i>, a satire, is the best remembered, +largely, however, owing to the reply by Tennyson which it brought +down upon the author, who had attacked him. In his works, +numbering over 60, L. showed an amazing versatility, both in subject +and treatment, but they have not, with perhaps the exception +of the Caxton series, kept their original popularity. Their faults are +artificiality, and forced brilliancy, and as a rule they rather dazzle +by their cleverness than touch by their truth to nature. L. was +raised to the peerage in 1866.</p> + +<p><i>Life, Letters, etc.</i>, of Lord Lytton by his son, 2 vols., comes down to +1832 only. Political Memoir prefaced to <i>Speeches</i> (2 vols., 1874).</p><br /> + +<a name='LYTTON_EDWARD_ROBERT_BULWER_1ST_EARL_OF_LYTTON_1831_1891'></a><p><b>LYTTON, EDWARD ROBERT BULWER, 1ST EARL OF LYTTON (1831-1891).</b> +—Poet +and statesman, <i>s.</i> of the above, was <i>ed.</i> +at Harrow and Bonn, and thereafter was private sec. to his uncle, +<a href='#DALLING_AND_BULWER_WILLIAM_HENRY_LYTTON_EARLE_BULWER_1ST_LORD_1801_1872'>Sir H. Bulwer</a>, afterwards Lord Dalling and Bulwer (<i>q.v.</i>), at Washington +and Florence. Subsequently he held various diplomatic appointments +at other European capitals. In 1873 he succeeded his <i>f.</i> +in the title, and in 1876 became Viceroy of India. He was <i>cr.</i> an +Earl on his retirement in 1880, and was in 1887 appointed Ambassador +at Paris, where he <i>d.</i> in 1891. He valued himself much more +as a poet than as a man of affairs; but, though he had in a considerable +degree some of the qualities of a poet, he never quite succeeded +in commanding the recognition of either the public or the critics. His +writings, usually appearing under the pseudonym of "Owen Meredith," +include <i>Clytemnestra</i> (1855), <i>The Wanderer</i> (1857), <i>Lucile</i> +(1860), <i>Chronicles and Characters</i> (1868), <i>Orval, or the Fool of Time</i> +(1869), <i>Fables in Song</i> (1874), and <i>King Poppy</i> (1892). As Viceroy +of India he introduced important reforms, and his dispatches were +remarkable for their fine literary form.</p><br /> + +<a name='MACAULAY_MRS_CATHERINE_SAWBRIDGE_1731_1791'></a><p><b>MACAULAY, MRS. CATHERINE (SAWBRIDGE) (1731-1791).</b> +—<i>Dau.</i> +of a landed proprietor of Kent, was an advocate of republicanism, +and a sympathiser with the French Revolution. She wrote +a <i>History of England from the Accession of James I. to the Elevation of +the House of Hanover</i> (8 vols., 1763-83), which had great popularity +in its day, some critics, <i>e.g.</i> Horace Walpole, placing it above Hume.<a name='Page_249'></a> +Though a work of no real research or authority, it is in the main well +written.</p><br /> + +<a name='MACAULAY_THOMAS_BABINGTON_LORD_1800_1859'></a><p><b>MACAULAY, THOMAS BABINGTON, LORD (1800-1859).</b> +—Historian, +essayist, and statesman, <i>s.</i> of Zachary M., a wealthy +merchant, and one of the leaders of the anti-slavery party, was <i>b.</i> at +Rothley Temple, Leicestershire, and <i>ed.</i> at a private school and at +Trinity Coll., Camb., of which he became a Fellow in 1824, and +where, though he gained distinction as a classical scholar and +debater, he did not take a high degree, owing to his weakness in +mathematics. About the time of his leaving the Univ. his prospects +were entirely changed by the failure of his father's firm. He accordingly +read law, and in 1826 was called to the Bar, which led to his +appointment two years later as a Commissioner in Bankruptcy. He +had by this time made his first appearance in print, in <i>Knight's +Quarterly Magazine</i>, and in 1825 he formed the connection with the +<i>Edinburgh Review</i> which redounded so greatly to the fame of both. +His first contribution was the famous essay on Milton, which, +although he afterwards said of it that "it contained scarcely a paragraph +which his matured judgment approved," took the reading +public by storm, and at once gave him access to the first society in +London, in which his extraordinary conversational powers enabled +him to take a leading place. He now began to turn his mind +towards public life, and by favour of Lord Lansdowne sat in the +House of Commons for his family borough of Calne. Entering the +House in 1830 in the thick of the Reform struggle, M. at once leaped +into a foremost place as a debater, and after the passage of the +Reform Bill sat as one of the two members for the new borough of +Leeds, and held office as Sec. to the Board of Control. The acquaintance +with Indian affairs which he thus gained led to his appointment +as a member of the Supreme Council of India, whither he went in +1834. Here his chief work was the codification of the criminal law, +which he carried out with great ability, and by which he wrote his +name on the history of the empire. By the regard for the rights of +the natives which he showed, he incurred much ill-will in interested +quarters. For this he consoled himself with the pleasures of literature, +which gradually assumed the preponderance in his mind over +political ambitions. In 1838 he returned to England. The next +year he began <i>The History of England</i>, but for some time to come +his energies were still divided between this task, the demands of +the <i>Edinburgh Review</i>, and politics. He was elected for Edin., for +which he sat until 1847, when he was thrown out on the Maynooth +question, and from 1839-41 was Sec. for War. The <i>Lays of +Ancient Rome</i> were <i>pub.</i> in 1842, and a collection of his essays in +<i>The Edinburgh</i> the following year. In 1846 he joined the government +of Lord John Russell as Paymaster-General, an office with +light duties, his retirement from which, however, followed the loss +of his seat in the next year. He was now finally set free for his +great work, which became thenceforth the leading interest of his life. +The first and second vols. appeared in 1848, and were received with +extraordinary applause. In 1852 he was offered, but declined, a +seat in the coalition government of Lord Aberdeen, accepting, however, +the seat in Parliament which Edin., now repentant, gave him +<a name='Page_250'></a>unsolicited. His health began about this time to show symptoms +of failure, and he spoke in the House only once or twice. In 1855 +the third and fourth vols. of the <i>History</i> came out, and meeting with +a success both at home and in America unprecedented in the case +of an historical work, were translated into various foreign languages. +In 1857 M. was raised to the Peerage, a distinction which he appreciated +and enjoyed. His last years were spent at Holly Lodge, +Kensington, in comparative retirement, and there he <i>d.</i> on December +28, 1859. Though never <i>m.</i>, M. was a man of the warmest family +affections. Outside of his family he was a steady friend and a +generous opponent, disinterested and honourable in his public life. +Possessed of an astonishing memory, knowledge of vast extent, and +an unfailing flow of ready and effective speech, he shone alike as a +parliamentary orator and a conversationalist. In his writings he +spared no pains in the collection and arrangement of his materials, +and he was incapable of deliberate unfairness. Nevertheless, his +mind was strongly cast in the mould of the orator and the pleader: +and the vivid contrasts, antitheses, and even paradoxes which were +his natural forms of expression do not always tend to secure a +judicial view of the matter in hand. Consequently he has been +accused by some critics of party-spirit, inaccuracy, and prejudice. +He has not often, however, been found mistaken on any important +matter of fact, and in what he avowedly set himself to do, namely, +to give a living picture of the period which he dealt with, he has been +triumphantly successful. Unfortunately, strength and life failed +before his great design was completed. He is probably most widely +known by his <i>Essays</i>, which retain an extraordinary popularity.</p> + +<p><i>Life</i> by his nephew, Sir G.O. Trevelyan. <i>See</i> also J.C. Monson's +<i>Life</i> (English Men of Letters).</p><br /> + +<a name='MACCARTHY_DENIS_FLORENCE_1817_1882'></a><p><b>MACCARTHY, DENIS FLORENCE (1817-1882).</b> +—Poet, <i>b.</i> at +Dublin, and <i>ed.</i> at Maynooth with a view to the priesthood, devoted +himself, however, to literature, and contributed verses to <i>The +Nation</i>. Among his other writings are <i>Ballads, Poems, and Lyrics</i> +(1850), <i>The Bell Founder</i> (1857), and <i>Under-Glimpses</i>. He also ed. a +collection of Irish lyrics, translated Calderon, and wrote <i>Shelley's +Early Life</i> (1872).</p><br /> + +<a name='MCOSH_JAMES_1811_1894'></a><p><b>M'COSH, JAMES (1811-1894).</b> +—Philosophical writer, <i>s.</i> of +an Ayrshire farmer, was a minister first of the Church of Scotland, +and afterwards of the Free Church. From 1851-68 he was +Prof. of Logic at Queen's Coll., Belfast, and thereafter Pres. of +Princeton Coll., New Jersey. He wrote several works on philosophy, +including <i>Method of the Divine Government</i> (1850), <i>Intuitions of the +Mind inductively investigated</i> (1860), <i>Laws of Discursive Thought</i> +(1870), <i>Scottish Philosophy</i> (1874), and <i>Psychology</i> (1886).</p><br /> + +<a name='MCRIE_THOMAS_1772_1835'></a><p><b>M'CRIE, THOMAS (1772-1835).</b> +—Biographer and ecclesiastical +historian, <i>b.</i> at Duns, and <i>ed.</i> at the Univ. of Edin., became the +leading minister of one of the Dissenting churches of Scotland. His +<i>Life of Knox</i> (1813) ranks high among biographies for the ability and +learning which it displays, and was the means of vindicating the +great Reformer from a cloud of prejudice and misunderstanding in +which he had been enveloped. It was followed by a <i>Life of Andrew<a name='Page_251'></a> +Melville</i> (1819), Knox's successor as the leader of the Reformers in +Scotland, also a work of great merit. M'C. also <i>pub.</i> histories of the Reformation +in Italy and Spain. He received the degree of D.D. in +1813.</p><br /> + +<a name='MACDONALD_GEORGE_1824_1905'></a><p><b>MACDONALD, GEORGE (1824-1905).</b> +—Poet and novelist, <i>s.</i> +of a farmer, was <i>b.</i> at Huntly, Aberdeenshire, and <i>ed.</i> at the Univ. of +Aberdeen, and at the Independent Coll., Highbury. He became +minister of a congregation at Arundel, but after a few years retired, +on account partly of theological considerations, partly of a threatened, +breakdown of health. He then took to literature, and <i>pub.</i> his first +book, <i>Within and Without</i> (1856), a dramatic poem, <i>Poems</i> followed +in 1857, and <i>Phantasies, a Faerie Romance</i>, in 1858. He then turned +to fiction, and produced numerous novels, of which <i>David Elginbrod</i> +(1862), <i>Alec Forbes</i> (1865), <i>Robert Falconer</i> (1868), <i>The Marquis of +Lossie</i> (1877), and <i>Sir Gibbie</i> (1879), are perhaps the best. He also +wrote stories for children of great charm and originality, including +<i>The Princess and the Goblin</i>, <i>At the Back of the North Wind</i>, and +<i>Ranald Bannerman's Boyhood</i>. As a novelist he had considerable +narrative and dramatic power, humour, tenderness, a genial +view of life and character, tinged with mysticism, and within his +limits was a true poet. On retiring from the ministry he attached +himself to the Church of England, but frequently preached as a layman, +never accepting any remuneration for his sermons.</p><br /> + +<a name='MACKAY_CHARLES_1814_1889'></a><p><b>MACKAY, CHARLES (1814-1889).</b> +—Poet and journalist, <i>s.</i> +of a naval officer, was <i>b.</i> at Perth, and <i>ed.</i> at the Royal Caledonian +Asylum, London, and at Brussels, but much of his early life was +spent in France. Coming to London in 1834, he engaged in journalism, +<i>pub.</i> <i>Songs and Poems</i> (1834), wrote a <i>History of London</i>, <i>Popular +Delusions</i>, and a romance, <i>Longbeard</i>. His fame, however, chiefly +rests upon his songs, some of which, including <i>Cheer, Boys, Cheer</i>, +were in 1846 set to music by Henry Russell, and had an astonishing +popularity. In 1852 he became ed. of the <i>Illustrated London News</i>, +in the musical supplement to which other songs by him were set +to old English music by Sir H.R. Bishop. M. acted as <i>Times</i> +correspondent during the American Civil War, and in that capacity +discovered and disclosed the Fenian conspiracy. He had the degree +of LL.D. from Glasgow in 1846.</p><br /> + +<a name='MACKENZIE_SIR_GEORGE_1636_1691'></a><p><b>MACKENZIE, SIR GEORGE (1636-1691).</b> +—Lawyer and miscellaneous +writer, <i>s.</i> of Sir Simon M., of Lochslin, a brother of the Earl +of Seaforth, was <i>ed.</i> at St. Andrews, Aberdeen, and Bourges, called +to the Bar in 1659, in 1677 became Lord Advocate, in which +capacity he was the subservient minister of the persecuting policy +of Charles II. in Scotland, and the inhumanity and relentlessness +of his persecution of the Covenanters gained for him the name of +"Bloody Mackenzie." In private life, however, he was a cultivated +and learned gentleman with literary tendencies, and is remembered +as the author of various graceful essays, of which the best known is +<i>A Moral Essay preferring Solitude to Public Employment</i> (1665). He +also wrote legal, political, and antiquarian works of value, including +<i>Institutions of the Law of Scotland</i> (1684), <i>Antiquity of the Royal Line +of Scotland</i> (1686), <i>Heraldry</i>, and <i>Memoirs of the Affairs of Scotland +<a name='Page_252'></a>from the Restoration of Charles II.</i>, a valuable work which was not +<i>pub.</i> until 1821. M. was the founder of the Advocates' Library in +Edin. He retired at the Revolution to Oxf., where he <i>d.</i></p><br /> + +<a name='MACKENZIE_HENRY_1745_1831'></a><p><b>MACKENZIE, HENRY (1745-1831).</b> +—Novelist and miscellaneous +writer, <i>s.</i> of a physician in Edin., where he was <i>b.</i> and <i>ed.</i> +He studied for the law, and became Controller of Taxes for Scotland. +He was the author of three novels, <i>The Man of Feeling</i> (1771), <i>The +Man of the World</i> (1773), and <i>Julia de Roubigné</i> (1777), all written in +a strain of rather high-wrought sentimentalism, in which the influence +of Sterne is to be seen. He was also a leading contributor +to <i>The Mirror</i> and <i>The Lounger</i>, two periodicals somewhat in the +style of the <i>Spectator</i>. In his later days he was one of the leading +members of the literary society of Edinburgh.</p><br /> + +<a name='MACKINTOSH_SIR_JAMES_1765_1832'></a><p><b>MACKINTOSH, SIR JAMES (1765-1832).</b> +—Philosopher and +historian, was <i>b.</i> at Aldowrie, Inverness-shire, <i>s.</i> of an officer in +the army and landowner, <i>ed.</i> at Aberdeen, whence he proceeded +to Edinburgh to study medicine, in which he <i>grad.</i> in 1787. In the +following year he went to London, where he wrote for the press +and studied law, and in 1791 he <i>pub.</i> <i>Vindiciæ Gallicæ</i> in answer +to Burke's <i>Reflections on the French Revolution</i>, which was well +received by those who, in its earlier stages, sympathised with +the Revolution, and procured for him the friendship of Fox, +Sheridan, and other Whigs. Called to the Bar at Lincoln's Inn in +1795, he delivered before that society in 1799 a brilliant course of +lectures on <i>The Law of Nature and Nations</i>, which greatly increased +his reputation. In 1804 he went out to India as Recorder of +Bombay, and two years later was appointed a Judge of the Admiralty +Court. He remained in India until 1811, discharging his +official duties with great efficiency. After his return he entered +Parliament in 1813 as member for Nairnshire, and attained a considerable +reputation as a forcible and informing speaker on questions +of criminal law and general politics. On the accession of the +Whigs in 1830 he was made a member of the Board of Control for +India. He also held from 1818-24 the Professorship of Law and +General Politics at Haileybury. His true vocation, however, was +to literature, and it is to be regretted that so much of his time +and strength was withdrawn from it, his writings being confined to +a <i>Dissertation on the Progress of Ethical Philosophy</i> in the <i>Encyclopædia +Britannica</i>, a sketch of the History of England for Lardner's +<i>Cabinet Cyclopædia</i>, a Life of Sir Thomas More for the same, a fragment +of a projected <i>History of the Revolution of 1688</i>, and some +articles in the <i>Edinburgh Review</i>.</p><br /> + +<a name='MACKLIN_CHARLES_1697_1797'></a><p><b>MACKLIN, CHARLES (1697?-1797).</b> +—Actor and dramatist, +<i>b.</i> in the north of Ireland, was one of the most distinguished actors +of his day, shining equally in tragedy and comedy. Having killed +another actor in a quarrel he was tried for murder, but acquitted, +and <i>d.</i> a centenarian. He wrote, among other comedies, <i>Love à la +Mode</i> (1759) and <i>The Man of the World</i> (1781), which were the only +ones printed. He was the creator of Sir Pertinax Macsycophant, a +famous burlesque character<a name='Page_253'></a>.</p><br /> + +<a name='MLENNAN_JOHN_FERGUSON_1827_1881'></a><p><b>M'LENNAN, JOHN FERGUSON (1827-1881).</b> +—Sociologist, +<i>b.</i> at Inverness, and <i>ed.</i> at Aberdeen and Camb., was in 1857 called to +the Scottish Bar, and was subsequently Parliamentary Draftsman +for Scotland. His main contribution to literature is his original +and learned book, <i>Primitive Marriage</i> (1865). Another work, <i>The +Patriarchal Theory</i>, left unfinished, was completed by his brother +(1884). These works and other papers by M. gave a great impulse +to the study of the problems with which they deal, and cognate +questions. M. received the degree of LL.D. from Aberdeen in 1874.</p><br /> + +<a name='quotMACLEOD_FIONAquot_see_SHARP_WILLIAM'></a><p><b>"MACLEOD, FIONA," (<i>see</i> <a href='#SHARP_WILLIAM_quotFIONA_MACLEODquot_1856_1905'>SHARP, WILLIAM</a>).</b></p><br /> + +<a name='MACLEOD_NORMAN_1812_1872'></a><p><b>MACLEOD, NORMAN (1812-1872).</b> +—Scottish divine and +miscellaneous writer, <i>s.</i> of the Rev. Norman M., D.D., a distinguished +minister of the Scottish Church, studied at Edin., and was ordained +in 1838. He became one of the most distinguished ministers, and +most popular preachers of his Church, was made one of the Royal +Chaplains in Scotland in 1857, and became a trusted friend of Queen +Victoria. He was the first ed. of <i>Good Words</i>, to which he contributed +many articles and stories, including <i>Wee Davie</i>, <i>The Starling</i>, +and <i>The Old Lieutenant and his Son</i>.</p><br /> + +<a name='MACNEILL_HECTOR_1746_1818'></a><p><b>MACNEILL, HECTOR (1746-1818).</b> +—Poet, was in the West +Indies 1780-86, and clerk on a flagship. He wrote various political +pamphlets, two novels, and several poems, <i>The Harp</i> (1789), <i>The +Carse of Forth</i>, and <i>Scotland's Skaith</i>, the last against drunkenness, +but is best known for his songs, such as <i>My Boy Tammy</i>, <i>I lo'ed +ne'er a Laddie but ane</i>, and <i>Come under my Plaidie</i>.</p><br /> + +<a name='MACPHERSON_JAMES_1736_1796'></a><p><b>MACPHERSON, JAMES (1736?-1796).</b> +—Alleged translator +of the Ossianic poems, <i>s.</i> of a small farmer at Ruthven, Inverness-shire, +studied for the Church at Aberdeen and Edin., became teacher +of the school in his native parish, and afterwards tutor in a gentleman's +family. In 1758 he <i>pub.</i> <i>The Highlander</i>, an ambitious poem in +6 cantos, which, however, attracted no attention. But in the following +year he submitted to <a href='#HOME_JOHN_1722_1808'>John Home</a> (<i>q.v.</i>), the author of <i>Douglas</i>, +certain writings which he represented to be translations from +ancient Gaelic poems. By the help of Home and some of his friends +M. was enabled to <i>pub.</i> a considerable number of his <i>Fragments of +Poetry translated from the Gaelic and Erse Languages</i>. These were +received with profound and widely-spread interest, and gave rise to +a controversy which can hardly yet be said to be settled. While +some authorities received them with enthusiastic admiration, others +immediately called their genuineness in question. In the first instance, +however, a subscription was raised to enable M. to make a +journey in search of further poetic remains, the result of which was +the production in 1761 of <i>Fingal</i>, an epic in 6 books, and in 1763 of +<i>Temora</i>, also an epic, in 8 books. The fame which these brought to +their discoverer was great, and the sales enormous. In 1764 M. +went as sec. to the Governor of Pensacola in Florida. Returning +in 1766 he settled in London, became an energetic pamphleteer in +support of the Government, and in 1780 entered Parliament, and +was next year appointed to the lucrative post of Agent for the Nabob +of Arcot. He retired in 1789, and bought an estate in his native +<a name='Page_254'></a>parish, where he <i>d.</i> in 1796. Great doubt still rests upon the subject +of the Ossianic poems: it is, however, generally admitted that M. +took great liberties with the originals, even if they ever really existed +in anything at all resembling the form given in the alleged translations. +No manuscripts in the original have ever been forthcoming. +Few, however, will deny that M. either discovered, or composed, a +body of poetry unlike anything that has preceded it, of unequal +merit, indeed, but containing many striking and beautiful passages, +and which unquestionably contributed to break up the tyranny of +the classical school and thus prepare the way for the romantic +revival.</p><br /> + +<a name='MAGINN_WILLIAM_1793_1842'></a><p><b>MAGINN, WILLIAM (1793-1842).</b> +—Journalist and miscellaneous +writer, <i>b.</i> at Cork, became a contributor to <i>Blackwood's +Magazine</i>, and afterwards foreign correspondent to <i>The Representative</i>, +a paper started by J. Murray, the publisher, and when its short +career was run, one of the leading supporters of <i>Fraser's Magazine</i>. +One of the most brilliant periodical writers of his time, he has left +no permanent work behind him. In his later years he fell into intemperate +habits, and <i>d.</i> in poverty.</p><br /> + +<a name='MAHONY_FRANCIS_SYLVESTER_FATHER_PROUT_1804_1866'></a><p><b>MAHONY, FRANCIS SYLVESTER (FATHER PROUT) (1804-1866).</b> +—Humorist, +<i>b.</i> at Cork, and <i>ed.</i> at the Jesuit Coll. at Clongoweswood, +Co. Kildare, at Amiens, and at Rome, becoming a +member of the society, was Prof. of Rhetoric at Clongoweswood, but +was soon after expelled from the order. He then came to London, +and became a leading contributor to <i>Fraser's Magazine</i>, under the +signature of "Father Prout." He was witty and learned in many +languages. One form which his humour took was the professed +discovery of the originals in Latin, Greek, or mediæval French of +popular modern poems and songs. Many of these <i>jeux d'esprit</i> +were <i>coll.</i> as <i>Reliques of Father Prout</i>. He wittily described himself +as "an Irish potato seasoned with Attic salt." Latterly he acted +as foreign correspondent to various newspapers, and <i>d.</i> at Paris +reconciled to the Church.</p><br /> + +<a name='MAINE_SIR_HENRY_JAMES_SUMNER_1822_1888'></a><p><b>MAINE, SIR HENRY JAMES SUMNER (1822-1888).</b> +—Jurist, +<i>ed.</i> at Christ's Hospital and at Camb., where he became Regius Prof. +of Civil Law 1847-54. Called to the Bar in 1850, he went in 1862 to +India as legal member of the Government. On his return he was in +1870 appointed Prof. of Comparative Jurisprudence at Oxf., which +office he held until his election in 1878 as Master of Trinity Hall. +He became Whewell Prof. of International Law at Camb. in 1887, +and was the author of many valuable works on law and the history +of political institutions, and profoundly influenced the study of +jurisprudence. Among his writings are <i>Ancient Law</i> (1861), <i>Village +Communities</i> (1871), <i>Early History of Institutions</i> (1875), and <i>Dissertations +on Early Law and Customs</i> (1883).</p><br /> + +<a name='MAIR_or_MAJOR_JOHN_1469_1550'></a><p><b>MAIR, or MAJOR, JOHN (1469?-1550).</b> +—Historian, studied +at Camb. and Paris, was the teacher of John Knox and George +Buchanan. In 1506 he was a Doctor of the Sorbonne, and in 1519 +became Prof. of Divinity at St. Andrews. He wrote, in Latin, +treatises on divinity and morals, and a <i>History of Greater Britain</i>, in +<a name='Page_255'></a>which the separate histories of England and Scotland were brought +together, <i>pub.</i> at Paris (1521). In his writings, while upholding the +doctrinal teaching of Rome, he was outspoken in condemning the +corruptions of the clergy.</p><br /> + +<a name='MAITLAND_SIR_RICHARD_1496_1586'></a><p><b>MAITLAND, SIR RICHARD (1496-1586).</b> +—Poet, <i>f.</i> of M. of +Lethington, Sec. of State to Mary Queen of Scots. In his later +years he was blind, and occupied himself in composing a <i>History of +the House of Seaton</i>, and by writing poems, <i>e.g.</i> <i>On the New Year</i>, <i>On +the Queene's Maryage</i>, etc. He held various offices, chiefly legal, but +appears to have kept as far as possible out of the fierce political +struggles of his time, and to have been a genially satirical humorist.</p><br /> + +<a name='MALCOLM_SIR_JOHN_1769_1833'></a><p><b>MALCOLM, SIR JOHN (1769-1833).</b> +—Indian soldier, statesman, +and historian, <i>b.</i> at Burnfoot, Dumfriesshire, went to India in +1782, studied Persian, was employed in many important negotiations +and held various distinguished posts, being Ambassador to Persia +and Governor of Bombay 1826-30. He was the author of several +valuable works regarded as authorities, viz., <i>A History of Persia</i> (1815), +<i>Memoir of Central India</i> (1823), <i>Political History of India +from 1784 to 1823</i> (1826), and <i>Life of Lord Clive</i> (1836).</p><br /> + +<a name='MALLET_originally_MALLOCH_DAVID_1705_1765'></a><p><b>MALLET, originally MALLOCH, DAVID (1705-1765).</b> +—Poet +and miscellaneous writer, <i>ed.</i> at Crieff parish school and the +Univ. of Edin., where he became acquainted with James Thomson, +and in 1723 went to London as tutor in the family of the Duke of +Montrose. In the following year appeared his ballad of <i>William and +Margaret</i>, by which he is chiefly remembered, and which made him +known to Pope, Young, and others. In 1726 he changed his name +to Mallet to make it more pronounceable by Southern tongues. His +<i>Excursion</i>, an imitation of Thomson, was <i>pub.</i> in 1728. At the request +of the Prince of Wales, whose sec. he had become, he wrote with +Thomson a masque, <i>Alfred</i> (1740), in which <i>Rule Britannia</i> first +appeared, which, although he claimed the authorship, is now +generally attributed to Thomson. He also wrote a <i>Life of Bacon</i>; +and on Bolingbroke bequeathing to him his manuscripts and library, +he <i>pub.</i> an ed. of his works (1754). On the accession of George III., +M. became a zealous supporter of Lord Bute, and was rewarded with +a sinecure. In addition to the works above named M. wrote some +indifferent dramas, including <i>Eurydice</i>, <i>Mustapha</i>, and <i>Elvira</i>. Dr. +Johnson said of him that he was "the only Scotsman whom Scotsmen +did not commend."</p><br /> + +<a name='MALONE_EDMUND_1741_1812'></a><p><b>MALONE, EDMUND (1741-1812).</b> +—Critic, <i>s.</i> of an Irish +judge, <i>b.</i> in Dublin, and <i>ed.</i> at Trinity Coll. there, studied for the +law, but coming into a fortune, decided to follow a literary career. +Acute, careful, and sensible, he was a useful contributor to the study +of Shakespeare, of whose works he <i>pub.</i> a valuable ed. in 1790. He +also aided in the detection of the Rowley forgeries of Chatterton, +and the much less respectable Shakespeare ones of Ireland. At his +death he was engaged upon another ed. of Shakespeare, which was +brought out under the editorship of <a href='#BOSWELL_JAMES_1740_1795'>James Boswell</a> (<i>q.v.</i>). M. also +wrote Lives of Dryden and others, and was the friend of Johnson, +Goldsmith, Reynolds, and Burke<a name='Page_256'></a>.</p><br /> + +<a name='MALORY_SIR_THOMAS_fl_1470'></a><p><b>MALORY, SIR THOMAS (<i>fl.</i> 1470).</b> +—Translator of <i>Morte +d'Arthur</i>. Very little is known of him. An endeavour has been +made to identify him with a Sir Thomas Malory of Warwickshire, +who fought successively on both sides in the Wars of the Roses, sat +in Parliament 1444-45, and <i>d.</i> 1471. In his book he strove to make a +continuous story of the Arthurian legends, and showed judgment +alike in what he included and omitted.</p><br /> + +<a name='MALTHUS_THOMAS_ROBERT_1766_1834'></a><p><b>MALTHUS, THOMAS ROBERT (1766-1834).</b> +—Economist, <i>s.</i> +of a landed proprietor, was <i>b.</i> near Dorking, and <i>ed.</i>. at Jesus Coll., +Camb., of which he became a Fellow. Taking orders he became +incumbent of Albury, Essex. He travelled much on the continent, +collecting information as to the means of livelihood and mode of life +of various peoples. In 1798 the first ed. of his famous <i>Essay on +Population</i> appeared, and in 1803 a second greatly enlarged. Its +leading proposition, supported by much learning, is that while population +increases approximately in a geometrical ratio, the means of +subsistence do so in an arithmetical ratio only, which, of course, +opened up an appalling prospect for the race. It necessarily failed to +take into account the then undreamed-of developments whereby the +produce of the whole world has been made available for all nations. +The work gave rise to a great deal of controversy, much of it +based on misunderstanding. M. was Prof. of Political Economy at +Haileybury.</p><br /> + +<a name='MANDEVILLE_BERNARD_DE_1670_1733'></a><p><b>MANDEVILLE, BERNARD DE (1670-1733).</b> +—Satirist, a +native of Dort in Holland, who having studied medicine at Leyden, +came over to England to practise his profession. In 1705 he <i>pub.</i> a +short poem, <i>The Grumbling Hive</i>, which in 1714 reappeared with a +prose commentary, and various dissertations on the origin of moral +virtue, etc., as <i>The Fable of the Bees, or Private Vices Public Benefits</i>, +and in 1729 was made the subject of a persecution for its immoral +tendency. It was also vigorously combated by, among others, +Bishop Berkeley and William Law, author of <i>The Serious Call</i>. +While the author probably had no intention of subverting morality, +his views of human nature were assuredly cynical and degrading in +a high degree. Another of his works, <i>A Search into the Nature of +Society</i> (1723), appended to the later versions of the <i>Fable</i>, also +startled the public mind, which his last works, <i>Free Thoughts on +Religion</i> and <i>An Enquiry into the Origin of Honour and the Usefulness +of Christianity</i> did little to reassure.</p><br /> + +<a name='MANDEVILLE_SIR_JOHN'></a><p><b>MANDEVILLE, SIR JOHN.</b> +—Was the ostensible author +only of a book of travels bearing his name, written about the middle +of the 14th century, giving an account of journeys in the East, including +India and the Holy Land. It appears to have been compiled +from the writings of William of Boldensele, Oderic of Pordenone, +and Vincent de Beauvais. The name of Mandeville was probably +fictitious.</p><br /> + +<a name='MANGAN_JAMES_CLARENCE_1803_1849'></a><p><b>MANGAN, JAMES CLARENCE (1803-1849).</b> +—Poet, <i>b.</i> at +Dublin, <i>s.</i> of a small grocer, was brought up in poverty, and received +most of his education from a priest who instructed him in several +modern languages. He then became a lawyer's clerk, and was later +an assistant in the library of Trinity College, Dublin. He contributed +<a name='Page_257'></a>verses of very various merit to a number of Irish newspapers, +and translations from the German to <i>The Dublin University Magazine</i>. +By some critics his poetical powers were considered to be such as +to have gained for him the first place among Irish poets; but his +irregular and intemperate habits prevented him from attaining any +sure excellence. His best work, generally inspired by the miseries +of his country, often rises to a high level of tragic power, and had +his strength of character been equal to his poetic gift it is difficult +to say to what heights he might have attained. He <i>d.</i> of cholera.</p><br /> + +<a name='MANLEY_MRS_MARY_DE_LA_RIVIERE_1663_or_1672_1724'></a><p><b>MANLEY, MRS. MARY DE LA RIVIERE (1663 or 1672-1724).</b> +—Novelist, +dramatist, and political writer, <i>dau.</i> of Sir Roger +Manley, was decoyed into a bigamous connection with her cousin, +John M. Her subsequent career was one of highly dubious morality, +but considerable literary success. Her principal works are <i>The New +Atalantis</i> (<i>sic</i>) (1709), a satire in which great liberties were taken +with Whig notabilities, <i>Memoirs of Europe</i> (1710), and <i>Court Intrigues</i> +(1711). She also wrote three plays, <i>The Royal Mischief</i>, <i>The +Lost Lover</i>, and <i>Lucius</i>, and conducted the <i>Examiner</i>. In her +writings she makes great havoc with classical names and even with +spelling. She was a vivacious and effective political writer.</p><br /> + +<a name='MANNING_ANNE_1807_1879'></a><p><b>MANNING, ANNE (1807-1879).</b> +—Miscellaneous writer. +Her best known works are <i>Mistress Mary Powell</i>, which first appeared +in <i>Sharpe's Magazine</i> in 1849, and <i>The Household of Sir +Thomas More</i>, a delightful picture of More's home life told in the +form of a diary written by his daughter Margaret. Her writings +have much literary charm, and show a delicate historical imagination.</p><br /> + +<a name='MANNING_HENRY_EDWARD_1808_1892'></a><p><b>MANNING, HENRY EDWARD (1808-1892).</b> +—Cardinal and +theologian. <i>B.</i> at Totteridge, Herts, and <i>ed.</i> at Harrow and Oxf., +where he became notable as an eloquent preacher, and as one of the +ablest of the Tractarian party. He was rector of Woollavington-cum-Graffham +1833, and Archdeacon of Chichester 1840. In 1851 +he entered the Church of Rome, in which he attached himself to the +Ultramontane party. More even than Newman he was the leading +spirit of the Roman Church in England. His writings consist of +sermons, of which he <i>pub.</i> several vols. before his secession from the +Church of England, and controversial works, including <i>Petri Privilegium</i> +(1871), <i>The Vatican Decrees</i> (1875), in answer to Gladstone's +<i>Vaticanism</i>, and <i>The Eternal Priesthood</i> (1883). He became Roman +Catholic Archbishop of Westminster 1865, and Cardinal 1875.</p><br /> + +<a name='MANNYNG_ROBERT_or_ROBERT_DE_BRUNNE_fl_1288_1338'></a><p><b>MANNYNG, ROBERT, or ROBERT DE BRUNNE (<i>fl.</i> 1288-1338).</b> +—Was +a Canon of the Gilbertine Order. His work, <i>Handlynge +Sinne</i> (<i>c.</i> 1300), translated with original additions from the <i>Manuel +des Péchés</i>, a book written in French verse by William of Waddington, +is practically a collection of tales and short stories on the +Commandments, Seven Deadly Sins, Sacraments, etc., and is of +value as giving a contemporary picture of the time. He also made +(<i>c.</i> 1335) a translation in verse of the French <i>Chronicle</i> of Peter Langtoft, +the second and more interesting part of which covers the period +from the death of Cadwallader to the end of the reign of Edward I.</p><br /> + +<a name='MANSEL_HENRY_LONGUEVILLE_1820_1871'></a><p><b>MANSEL, HENRY LONGUEVILLE (1820-1871).</b> +—Metaphysician, +<i>s.</i> of a clergyman, was <i>b.</i> at Cosgrave, Northamptonshire, +<a name='Page_258'></a>and <i>ed.</i> at Merchant Taylors' School and Oxf. He took orders, was +Reader in Theology at Magdalen Coll. 1855, Bampton Lecturer 1858, +Prof. of Ecclesiastical History 1867, and Dean of St. Paul's 1869. +Among his writings are <i>Prolegomena Logica</i> (1851), <i>The Limits of +Demonstrative Science</i> (1853), <i>Man's Conception of Eternity</i> (1854), +<i>Limits of Religious Thought</i> (1858), <i>Philosophy of the Conditioned</i> +(1866). He was also joint ed. of Sir. W. Hamilton's <i>Lectures</i>.</p><br /> + +<a name='MAP_or_MAPES_WALTER_DE_fl_1200'></a><p><b>MAP, or MAPES, WALTER DE (<i>fl.</i> 1200).</b> +—Ecclesiastical +statesman and romancist. Most of the facts about him are gleaned +from his <i>De Nugis Curialium</i> (Of the Trifles of the Courtiers), a miscellany +of contemporary notes and anecdotes, throwing much light +on the manners and opinions of the Court of Henry II. He was <i>b.</i> +probably in Herefordshire, and had Celtic blood in his veins, his <i>f.</i> had +rendered service to the King, and he had studied at Paris, and on his +return attended the Court, where he found favour, and obtained preferment +both in Church and State, and in 1173 was a travelling +justice. Thereafter he attended the King, probably as chaplain, on +his foreign wars, represented him at the French Court, and went to +Rome to the Lateran Council of 1179. After the death of Henry II. +he seems to have continued in favour under Richard I. and John, +and was Archdeacon of Oxf. in 1196. M. is the reputed author of +some at least of the <i>Golias</i> poems, rough satires on the vices of the +clergy, but his great work, which has influenced the future of English +literature, was his systematising and spiritualising the Arthurian +legends with additions of his own, including the legends of <i>Launcelot</i>, +of the <i>Quest of the Holy Grail</i>, and of the <i>Morte d' Arthur</i>.</p><br /> + +<a name='MARKHAM_GERVASE_1568_1637'></a><p><b>MARKHAM, GERVASE (1568?-1637).</b> +—Translator and miscellaneous +writer, served as a soldier in the Low Countries and Ireland. +Retiring into civil life about 1593 he displayed extraordinary +industry as a translator, compiler, and original writer. Among his +original writings are a poem on the <i>Revenge</i> (1595) (Sir R. Grenville's +ship), a continuation of Sidney's <i>Arcadia</i>, <i>The Discourse of Horsemanshippe</i> +(1593), <i>The Young Sportsman's Instructor</i>, <i>Country Contentments</i> +(1611), and various books on agriculture; also plays and +poems, some of the latter of which are religious.</p><br /> + +<a name='MARLOWE_CHRISTOPHER_1564_1593'></a><p><b>MARLOWE, CHRISTOPHER (1564-1593).</b> +—Dramatist, <i>s.</i> of +a shoemaker at Canterbury, where he was <i>b.</i>, was <i>ed.</i> at the King's +School there, and in 1581 went to Benet's (now Corpus Christi) +Coll., Camb., where he graduated B.A. 1583, and M.A. in 1587. Of +his life after he left the Univ. almost nothing is known. It has, +however, been conjectured, partly on account of his familiarity with +military matters, that he saw service, probably in the Low Countries. +His first play, <i>Tamburlaine</i>, was acted in 1587 or 1588. The story +is drawn from the Spanish Life of Timur by Pedro Mexia. Its resounding +splendour, not seldom passing into bombast, won for it +immediate popularity, and it long held the stage. It was followed +in 1604 by <i>Faustus</i>, a great advance upon <i>Tamburlaine</i> in a dramatic +sense. The absence of "material horror" in the treatment, so +different in this respect from the original legend, has often been +remarked upon. M.'s handling of the subject was greatly admired +by Goethe, who, however, in his own version, makes the motive +knowledge, while M. has power, and the mediæval legend pleasure.<a name='Page_259'></a> +In his next play, <i>The Jew of Malta</i>, M. continues to show an advance +in technical skill, but the work is unequal, and the Jew Barabas is to +Shylock as a monster to a man. In <i>Edward II.</i>, M. rises to his +highest display of power. The rhodomontade of <i>Tamburlaine</i> and +the piled-up horror of <i>The Jew</i> are replaced by a mature self-restraint, +and in the whole workmanship he approaches more nearly to Shakespeare +than any one else has ever done. Speaking of it Lamb says, +"The death scene of Marlowe's King moves pity and terror beyond +any scene, ancient or modern, with which I am acquainted." M. is +now almost certainly believed to have had a large share in the three +parts of <i>Henry VI.</i>, and perhaps also he may have collaborated in +<i>Titus Andronicus</i>. His next plays, <i>The Massacre of Paris</i> and <i>The +Tragedy of Dido</i> (written with <a href='#NASH_THOMAS_1567_1601'>Nash</a>, <i>q.v.</i>), both show a marked falling +off; and it seems likely that in his last years, perhaps, breaking +down under the effects of a wild life, he became careless of fame as of +all else. Greene, in his <i>Groat's Worth of Wit</i>, written on his deathbed, +reproaches him with his evil life and atheistic opinions, and a +few days before his hapless death an information was laid against +him for blasphemy. The informer was next year hanged for an +outrageous offence, and his witness alone might not be conclusive, +but M.'s life and opinions, which he made no secret of, were notorious. +On the other hand, his friends, Shakespeare, Nash, Drayton, and +Chapman, all make kindly reference to him. To escape the plague +which was raging in London in 1593, he was living at Deptford, +then a country village, and there in a tavern brawl he received a +wound in the head, his own knife being turned against him by a +serving man, upon whom he had drawn it. The quarrel was +about a girl of the town. The parish record bears the entry, +"Christopher Marlowe, slain by ffrancis Archer, the 1 of June +1593." M. is the father of the modern English drama, and the introducer +of the modern form of blank verse. In imagination, richness +of expression, originality, and general poetic and dramatic +power he is inferior to Shakespeare alone among the Elizabethans. +In addition to his plays he wrote some short poems (of which the +best known is <i>Come live with me and be my love</i>), translations from +Ovid's <i>Amores</i> and Lucan's <i>Pharsalia</i>, and a glowing paraphrase of +Musaeus' <i>Hero and Leander</i>, a poem completed by Chapman.</p> + +<p>Ed. of <i>Works</i> by Dyce, Cunningham, and Bullen; Ingram's <i>C. Marlowe +and his Associates</i>, etc.</p><br /> + +<a name='MARMION_SHACKERLEY_1603_1639'></a><p><b>MARMION, SHACKERLEY (1603-1639).</b> +—Dramatist, <i>s.</i> of +a country gentleman of Northamptonshire, was <i>ed.</i> at Oxford. After +a youth of extravagance, he fought in the Low Countries. His +writings consist of an epic, <i>Cupid and Psyche</i>, and three comedies, +<i>Holland's Leaguer</i>, <i>A Fair Companion</i>, and <i>The Antiquary</i>. His +plays show some power of satire, and were popular, but he had little +of the dramatist.</p><br /> + +<a name='MARRYAT_FREDERICK_1792_1848'></a><p><b>MARRYAT, FREDERICK (1792-1848).</b> +—Novelist, <i>s.</i> of a +West India merchant, was <i>b.</i> in London. In 1806 he entered the +navy as a midshipman under Lord Cochrane (afterwards Earl of +Dundonald), and saw much service in the Mediterranean, at Walcheren, +and in the Burmese War of 1824. He returned in 1830 as a<a name='Page_260'></a> +Captain and C.B. The scenes and experiences through which he had +passed were the preparation for and the foundation of his numerous +novels, of which the first, <i>Frank Mildmay</i>, was <i>pub.</i> in 1829. It was +followed by over 30 others, of which perhaps the best are <i>Peter +Simple</i>, <i>Jacob Faithful</i> (1834), <i>Mr. Midshipman Easy</i> (1836), <i>The +Dog Fiend</i> (1837), and <i>The Phantom Ship</i> (1839). M. is the prince of +sea story-tellers; his knowledge of the sea, vigorous definition of +character, and hearty and honest, if somewhat broad, humour never +failing to please.</p><br /> + +<a name='MARSH_HERBERT_1757_1839'></a><p><b>MARSH, HERBERT (1757-1839).</b> +—Theologian and controversialist, +<i>s.</i> of a clergyman, <i>ed.</i> at Canterbury, Cambridge, and +Leipsic, was the first to introduce the German methods of Biblical +criticism into England, and gave lectures on the subject at Camb., +which excited great interest and controversy. In 1816 he was made +Bishop of Llandaff, and was translated to Peterborough in 1819. +His critical views and his opposition to the evangelical party in the +Church, to the Bible Society, to hymns in Divine service, and to +Catholic emancipation, involved him in controversy with high, low, +and broad churchmen alike. He was the author of a <i>History of the +Politics of Great Britain and France</i> (1799), <i>Comparative View of the +Churches of England and Rome</i>, and <i>Horæ Pelasgicæ</i>.</p><br /> + +<a name='MARSTON_JOHN_1575_1634'></a><p><b>MARSTON, JOHN (1575?-1634).</b> +—Dramatist and satirist, +<i>b.</i> at Coventry, was <i>ed.</i> at Oxf. In later life he gave up writing for +the stage, took orders, and was incumbent of Christchurch, Hants, +1616-31. He began his literary career in 1598 with satire, <i>The +Scourge of Villanie</i> and <i>The Metamorphosis of Pygmalion's Image</i> +(1598), the latter of which was burned by order of Archbishop Whitgift. +In 1602 appeared <i>The History of Antonio and Mellida</i>, and its +sequel, <i>Antonio's Revenge</i>, ridiculed by Ben Jonson. In repayment +of this M. co-operated with Dekker in attacking Jonson in <i>Satiromastix</i> +(a Whip for the Satirist). A reconciliation, however, took +place, and his comedy, <i>The Malcontent</i> (1604), was dedicated to J., +another, <i>Eastward Ho</i> (1605), was written in collaboration with +him and Chapman. Other plays of his are <i>Sophonisba</i>, <i>What You +Will</i> (1607), and possibly <i>The Insatiate Countess</i> (1613). Amid much +bombast and verbiage there are many fine passages in M.'s dramas, +especially where scorn and indignation are the motives. Sombre and +caustic, he has been called "a screech-owl among the singing birds."</p><br /> + +<a name='MARSTON_PHILIP_BOURKE_1850_1887'></a><p><b>MARSTON, PHILIP BOURKE (1850-1887).</b> +—Poet, was <i>b.</i> +in London, and lost his sight at the age of 3. His poems, <i>Song-tide</i>, +<i>All in All</i>, and <i>Wind Voices</i> bear, in their sadness, the impress of this +affliction, and of a long series of bereavements. He was the friend +of Rossetti and of Swinburne, the latter of whom has written a +sonnet to his memory.</p><br /> + +<a name='MARTIN_SIR_THEODORE_1816_1909'></a><p><b>MARTIN, SIR THEODORE (1816-1909).</b> +—Poet, biographer, +and translator, <i>s.</i> of James M., solicitor in Edin., where he was <i>b.</i> and +<i>ed.</i> at the High School and Univ. He practised as a solicitor in +Edin. 1840-45, after which he went to London and became head of +the firm of Martin and Leslie, parliamentary agents. His first contribution +to literature was <i>The Bon Gaultier Ballads</i>, written along +with <a href='#AYTOUN_WILLIAM_EDMONSTONE_1813_1865'>W.E. Aytoun</a> (<i>q.v.</i>), full of wit and humour, which still retain +<a name='Page_261'></a>their popularity; originally contributed to a magazine, they appeared +in book form in 1855. His translations include <i>Dante's Vila +Nuova</i>, Œhlenschläger's <i>Correggio</i> and <i>Aladdin</i>, Heine's <i>Poems and +Ballads</i>, Schiller's <i>Song of the Bell</i>, and Hertz's <i>King René's Daughter</i>. +He also <i>pub.</i> a complete translation of Horace with a Life, and one of +Catullus. He is, however, perhaps best known for his <i>Life of the +Prince Consort</i> (1874-80), the writing of which was committed to him +by Queen Victoria, a work which he executed with such ability and +tact as to win for him her lifelong friendship. He also wrote Lives +of Prof. Aytoun and Lord Lyndhurst. He <i>m.</i> in 1851 Miss Helen +Faucit (<i>d.</i> 1898), the well-known actress, and authoress of studies +on <i>Shakespeare's Female Characters</i>, whose Life he <i>pub.</i> in 1901. M. +kept up his intellectual activity into old age, <i>pub.</i> in 1905 a translation +of Leopardi's poems, and <i>Monographs</i> (1906). He was Lord +Rector of St. Andrews 1881, LL.D. of Edin. 1875, and K.C.B. 1880.</p><br /> + +<a name='MARTINEAU_HARRIET_1802_1876'></a><p><b>MARTINEAU, HARRIET (1802-1876).</b> +—Novelist and economist, +<i>b.</i> at Norwich, where her <i>f.</i>, descended from a French family, +was a manufacturer. From her earliest years she was delicate and +very deaf, and took to literary pursuits as an amusement. Afterwards, +when her <i>f.</i> had fallen into difficulties, they became her means +of support. Her first publication was <i>Devotional Exercises for Young +Persons</i> (1823). Becoming interested in political economy, she +endeavoured to illustrate the subject by tales, of which two were +<i>The Rioters</i> and <i>The Turn-out</i>. Later she <i>pub.</i> a more serious treatment +of it in <i>Illustrations of Political Economy</i> (1832-4), <i>Poor Law +and Paupers</i> (1833), and <i>Illustrations of Taxation</i> (1834). About +this time she went to London, and was regarded as an authority +on economic questions, being occasionally consulted by Cabinet +Ministers. Among her books of travel are <i>Society in America</i> +(1837), and <i>Eastern Life, Present and Past</i> (1848), which she considered +her best book: in it she declared herself no longer a believer +in revelation. She also wrote two novels, <i>Deerbrook</i> (1839), +and <i>The Hour and the Man</i> (1840), also a number of books for +children. Perhaps her most important work is her <i>History of +England during the Thirty Years' Peace</i>, 1816-46, which appeared +in 1849. She translated Comte's <i>Philosophy</i> (1853), and <i>pub.</i> a +collection of letters between herself and Mr. H.G. Atkinson <i>On the +Laws of Man's Nature and Development</i>, which encountered severe +criticism. In addition to her separate publications she wrote innumerable +articles for newspapers, specially the <i>Daily News</i>, and for +periodicals. In 1845 she settled in the Lake District, where she died.</p><br /> + +<a name='MARTINEAU_JAMES_1805_1900'></a><p><b>MARTINEAU, JAMES (1805-1900).</b> +—Unitarian theologian, +younger brother of the above, was <i>b.</i> at Norwich. Possessed of considerable +inventive and mathematical talents, he was originally intended +for engineering, but studied for the Unitarian ministry, to +which he was ordained in 1828. After serving as pastor in various +places he became in 1840 Prof. of Mental and Moral Philosophy in +the Manchester New Coll. (subsequently removed to London), and +Principal 1869-85. Among his writings, which were very influential, +are <i>Rationale of Religious Inquiry</i> (1836), <i>Ideal Substitutes for God</i> +(1879), <i>Study of Spinoza</i> (1882), <i>Types of Ethical Theory</i> (1885), <i>Study +of Religion</i> (1888), <i>Seat of Authority in Religion</i> (1890), and religious +<a name='Page_262'></a>poems and hymns. M. was a man of very elevated character and +powerful intellect; of great acuteness, candour, and openness to +new ideas. He was D.D. of Edin. 1884, and D.C.L. of Oxf. 1888.</p><br /> + +<a name='MARVELL_ANDREW_1621_1678'></a><p><b>MARVELL, ANDREW (1621-1678).</b> +—Poet and satirist, <i>s.</i> of +the Rector of Winestead, Yorkshire, where he was <i>b.</i>, <i>ed.</i> Camb., and +thereafter travelled in various Continental countries. He sat in +Parliament for Hull, proving himself an assiduous and incorruptible +member, with strong republican leanings. In spite of this he was a +favourite of Charles II., who took pleasure in his society, and offered +him a place at Court, and a present of £1000, which were both declined. +In his own day he was best known as a powerful and fearless +political writer, and for some time from 1657 was assistant to Milton +as Latin Sec. After the Restoration he wrote against the Government, +his chief work in this kind being on the <i>Growth of Popery and +Arbitrary Government in England</i> (1677). He was also the author +of an <i>Historical Essay regarding General Councils</i>. His controversial +style was lively and vigorous, but sometimes coarse and vituperative. +His fame now rests on his poems which, though few, have +many of the highest poetical qualities. Among the best known are +<i>The Emigrants in the Bermudas</i>, <i>The Nymph complaining for the +Death of her Fawn</i>, and <i>Thoughts in a Garden</i>. Of the last Palgrave +says that "it may be regarded as a test of any reader's insight +into the most poetical aspects of poetry," and his <i>Horatian Ode on +Cromwell's Return from Ireland</i>. The town of Hull voted him a +monument, which was, however, forbidden by the Court. His appearance +is thus described, "He was of middling stature, pretty strong-set, +roundish-faced, cherry-cheeked, hazel-eyed, brown-haired."</p> + +<p><i>Life and Works</i> by Cooke, 1726, reprinted 1772; Thomson, 1726; +Dove, 1832; and specially Grosart (4 vols., 1872-74).</p><br /> + +<a name='MASON_WILLIAM_1724_1797'></a><p><b>MASON, WILLIAM (1724-1797).</b> +—Poet, <i>s.</i> of a clergyman, +was <i>b.</i> at Hull, and <i>ed.</i> at Camb. He took orders and rose to be a +Canon of York. His first poem was <i>Musæus</i>, a monody on the death +of Pope, and his other works include <i>Elfrida</i> (1752), and <i>Caractacus</i> +(1759), dramas—an <i>Heroic Epistle</i> to Sir William Chambers, the +architect, in which he satirised some modern fashions in gardening, +<i>The English Garden</i>, his largest work, and some odes. He was a +close friend of Gray, whose Life he wrote. His language was too +magnificent for his powers of thought, but he has passages where the +rich diction has a pleasing effect.</p><br /> + +<a name='MASSEY_GERALD_1828_1907'></a><p><b>MASSEY, GERALD (1828-1907).</b> +—Poet, <i>b.</i> near Tring, +Herts. As a boy he worked in a silk-factory, and as a straw-plaiter +and errand boy. When he was 15 he came to London, where he was +taken up by Maurice and Kingsley. His first book was <i>pub.</i> in 1851, +but he first attracted attention by <i>Babe Christabel</i> (1854). This was +followed by <i>War Waits</i>, <i>Craigcrook Castle</i>, and <i>Havelock's March</i>. A +selection from these was <i>pub.</i> 1889, under the title of <i>My Lyrical Life</i>. +Later he wrote and lectured on spiritualism, and produced prose +works on the origin of myths and mysteries in <i>The Book of Beginnings</i> +(1881), <i>The Natural Genesis</i> (1883), and <i>Ancient Egypt: the +Light of the World</i> (1907). He also wrote a book on the sonnets of +Shakespeare. M. had a true lyrical vein, but though often musical, +<a name='Page_263'></a>he was at times harsh and rugged, and did not give sufficient attention +to form and finish.</p><br /> + +<a name='MASSINGER_PHILIP_1583_1640'></a><p><b>MASSINGER, PHILIP (1583-1640).</b> +—Dramatist, was probably +<i>b.</i> at Salisbury. His <i>f.</i> appears to have been a retainer of the +Earl of Pembroke, by whom and by Queen Elizabeth he was employed +in a confidential capacity. M. was at Oxf., but quitted the +Univ. suddenly without graduating. He is next found in London +writing for the stage, frequently in collaboration with others. Few +details of his life have come down, but it seems that he was on the +whole unfortunate. He was found dead in bed on March 16, 1640, +and was buried in St. Saviour's, Southwark, by some of the actors. +The burial register has the entry, "buried Philip Massinger, a +stranger." Of the many plays which he wrote or had a hand in, 15 +believed to be entirely his are extant, other 8 were burned by a +servant in the 18th century. He, however, collaborated so much +with others—Fletcher, Dekker, etc., that much fine work probably +his can only be identified by internal evidence. Among his plays +may be mentioned <i>The Unnatural Combat</i> (<i>pr.</i> 1639), <i>The Virgin +Martyr</i> (1622) (partly by Dekker), which contains perhaps his finest +writing. His best plays on the whole, however, are <i>The City +Madam</i> (1632), and <i>A New Way to pay Old Debts</i> (<i>pr.</i> 1633), which +latter kept the stage until the 19th century. He is believed to have +joined with Fletcher and Shakespeare in <i>Henry VIII.</i> and <i>The Two +Noble Kinsmen</i>. Other plays which he wrote or had a hand in are +<i>The Duke of Milan</i>, <i>The Bondman</i>, <i>The Renegado</i>, <i>The Roman Actor</i>, +<i>The Great Duke of Florence</i>, <i>The Maid of Honour</i>, <i>The Picture</i>, and +<i>The Fatal Dowry</i>. His verse is fluent and sweet, and in his grave and +reflective passages he rises to a rich and stately music. He often +repeats himself, has little humour, and is not seldom coarse. He has, +however, much skill in the construction and working out of a story.</p><br /> + +<a name='MASSON_DAVID_1822_1907'></a><p><b>MASSON, DAVID (1822-1907).</b> +—Biographer and historian, +<i>b.</i> at Aberdeen, and <i>ed.</i> at Marischal Coll. there and at Edin., where +he studied theology under Chalmers. He did not, however, enter +the Church, but began a literary career by ed. a newspaper in Aberdeen. +He then returned to Edin., where he worked for the brothers +Chambers, the eminent publishers, and where he became acquainted +with Wilson, Sir William Hamilton, and Chalmers, for the last of +whom he cherished an extraordinary veneration. Going to London +in 1847 he wrote extensively in reviews, magazines, and encyclopædias. +In 1852 he became Prof. of English Literature in Univ. +Coll., and in 1858 ed. of <i>Macmillan's Magazine</i>. He was appointed +in 1865 Prof. of English Literature in Edin., where he exercised a +profound influence on his students, many of whom have risen to +high positions in literature. Though a most laborious student and +man of letters, M. took a warm interest in various public questions, +including Italian emancipation, and the higher education of women. +He was the author of many important works, including <i>Essays Biographical +and Critical</i> (1856), <i>British Novelists</i> (1859), and <i>Recent +British Philosophy</i> (1865). His <i>magnum opus</i> is his monumental +<i>Life of John Milton</i> (6 vols., 1859-80) the most complete biography of +any Englishman, dealing as it does not only with the personal life of +the poet, but with the history, political, social, and religious of his +<a name='Page_264'></a>time. Other books are <i>Drummond of Hawthornden</i> (1873), <i>De +Quincey</i> (in English Men of Letters Series) (1878), <i>Edinburgh Sketches +and Memories</i> (1892), and <i>Carlyle Personally and in his Writings</i>. +He also ed. the standard ed. of De Quincey's works, and the Register +of the Privy Council of Scotland, his introductions in connection +with which are of great historical value. He was appointed Historiographer +for Scotland in 1893. M. was full of learning guided by +sagacity, genial, broad-minded, and sane in his judgments of men +and things, and thoroughly honest and sincere.</p><br /> + +<a name='MATHER_COTTON_1663_1728'></a><p><b>MATHER, COTTON (1663-1728).</b> +—Divine, <i>s.</i> of Increase M., +a leading American divine, was <i>ed.</i> at Harvard, became a minister, +and was colleague to his <i>f.</i> He was laborious, able, and learned, but +extremely bigoted and self-sufficient. He carried on a persecution +of so-called "witches," which led to the shedding of much innocent +blood; on the other hand he was so much of a reformer as to +advocate inoculation for small-pox. He was a copious author, his +chief work being <i>Magnalia Christi Americana</i> (1702), an ecclesiastical +history of New England. Others were <i>Late Memorable Providences +relating to Witchcraft and Possession</i> (1689), and <i>The Wonders of the +Invisible World</i> (1693). In his later years he admitted that "he +had gone too far" in his crusade against witches.</p><br /> + +<a name='MATHIAS_THOMAS_JAMES_1754_1835'></a><p><b>MATHIAS, THOMAS JAMES (1754?-1835).</b> +—Satirist, <i>ed.</i> at +Camb., and held some minor appointments in the Royal household. +He was an accomplished Italian scholar, and made various translations +from the English into Italian, and <i>vice versâ</i>. He also produced +a fine ed. of Gray, on which he lost heavily. His chief work, +however, was <i>The Pursuits of Literature</i> (1794), an undiscriminating +satire on his literary contemporaries which went through 16 ed., +but is now almost forgotten.</p><br /> + +<a name='MATURIN_CHARLES_ROBERT_1782_1824'></a><p><b>MATURIN, CHARLES ROBERT (1782-1824).</b> +—Novelist, <i>b.</i> +in Dublin of Huguenot ancestry, was <i>ed.</i> at Trinity Coll. there, and +taking orders held various benefices. He was the author of a few +dramas, one of which, <i>Bertram</i>, had some success. He is, perhaps, +better known for his romances in the style of Mrs. Radcliffe and +"Monk" Lewis. The first of these, <i>The Fatal Revenge</i> appeared in +1807, and was followed by, among others, <i>The Milesian Chief</i> (1812), +<i>Women</i>, which was the most successful, and lastly by <i>Melmoth</i>, in +which he outdoes his models in the mysterious, the horrible, and +indeed the revolting, without, except very occasionally, reaching +their power. His last work, <i>The Albigenses</i>, in a somewhat different +style, was <i>pub.</i> in the year of his death.</p><br /> + +<a name='MAURICE_FREDERICK_DENISON_1805_1872'></a><p><b>MAURICE, FREDERICK DENISON (1805-1872).</b> +—Divine, <i>s.</i> +of a Unitarian minister, was <i>b.</i> at Normanston, near Lowestoft, and +studied at Camb., but being then a Dissenter, could not graduate. +He went to London, and engaged in literary work, writing for the +<i>Westminster Review</i> and other periodicals, and for a short time ed. +the <i>Athenæum</i>. His theological views having changed, he joined +the Church of England, went to Oxf., graduated, and was ordained +1834. He became Chaplain to Guy's Hospital, and held other +clerical positions in London. In 1840 he was appointed Prof. of<a name='Page_265'></a> +English Literature and History at King's Coll., and subsequently +Prof. of Theology. He became a leader among the Christian socialists, +and for a short time ed. their paper. On the publication of his +<i>Theological Essays</i> in 1853 he was asked to resign his professorship +at King's Coll. In 1854 he was one of the founders of the Working +Men's Coll., of which he became Principal, and in 1866 he was made +Prof. of Moral Philosophy at Camb. Among his writings are <i>The +Religions of the World and their Relation to Christianity</i>, <i>Moral and +Metaphysical Philosophy</i>, <i>The Prophets and Kings of the Old Testament</i> +(1853), <i>The Doctrine of Sacrifice</i>, and <i>Theological Essays</i>. M.'s +style was copious, and was often blamed as obscure; nevertheless, +he exercised an extraordinary influence over some of the best minds +of his time by the originality of his views, and the purity and elevation +of his character.</p><br /> + +<a name='MAXWELL_WILLIAM_HAMILTON_1792_1850'></a><p><b>MAXWELL, WILLIAM HAMILTON (1792-1850).</b> +—Novelist, a +Scoto-Irishman, <i>b.</i> at Newry, and <i>ed.</i> at Trinity Coll., Dublin, entered +the army, and saw service in the Peninsula, and at Waterloo. Afterwards +he took orders, but was deprived of his living for non-residence. +His novels, <i>O'Hara</i>, and <i>Stories from Waterloo</i>, started +the school of rollicking military fiction, which culminated in the +novels of Lever. M. also wrote a Life of the Duke of Wellington, and +a <i>History of the Irish Rebellion</i>.</p><br /> + +<a name='MAX_MULLER_FRIEDRICH_1823_1900'></a><p><b>MAX-MÜLLER, FRIEDRICH (1823-1900).</b> +—Philologist, <i>s.</i> of +the German poet, Wilhelm M., was <i>b.</i> at Dessau, and <i>ed.</i> at Leipzig, +Berlin, and Paris. In 1846 he was requested by the East India +Company to ed. the <i>Rig Veda</i>. He settled at Oxf. in 1848, and in +1850 was appointed deputy Taylorian Prof. of Modern European +languages, becoming Prof. 4 years later, and Curator of the Bodleian +Library in 1856. In 1868 he was elected first Prof. of Comparative +Philology. He ed. <i>Sacred Books of the East</i>, and wrote in English +<i>Chips from a German Workshop</i> (1867-75). He did much to stimulate +the study of comparative religion and philology. He was made +a Privy Councillor in 1896.</p><br /> + +<a name='MAY_THOMAS_1595_1650'></a><p><b>MAY, THOMAS (1595-1650).</b> +—Poet and historian, <i>b.</i> in +Sussex, <i>s.</i> of Sir Thomas M., of Mayfield, went to Camb., and thence +to Gray's Inn, but discarded law for literature. In 1622 he produced +his first comedy, <i>The Heir</i>, and also a translation of Virgil's +<i>Georgics</i>. Six years later, 1627, appeared his translation of <i>Lucan</i>, +which gained him the favour of Charles I. at whose command he +wrote two poems, <i>The Reigne of King Henry II.</i>, and <i>The Victorious +Reigne of King Edward III.</i>, each in 7 books. When the Civil War +broke out M., to the disappointment of his friends, took the side of +the Parliament, and was made Sec. to the Long Parliament, the +historian of which he became, <i>pub.</i> 1647, <i>The History of the Parliament +of England, which began Nov. 3, 1640</i>. This work he prefaced +with a short review of the preceding reigns from that of Elizabeth. +The narrative closes with the Battle of Newbury, 1643, and is characterised +by fulness of information and candour. M. was also the +author of several tragedies, including <i>Antigone</i>, of no great merit.</p><br /> + +<a name='MAY_SIR_THOMAS_ERSKINE_1ST_BARON_FARNBOROUGH_1815_1886'></a><p><b>MAY, SIR THOMAS ERSKINE, 1ST BARON FARNBOROUGH (1815-1886).</b> +—Jurist +and historian, <i>ed.</i> at Bedford School, and after +<a name='Page_266'></a>holding various minor offices became in 1871 clerk to the House of +Commons, retiring in 1886, when he was raised to the peerage. He +had previously, 1866, been made K.C.B. He was the author of a +treatise on the laws, privileges, etc., of Parliament, which, first <i>pub.</i> +in 1844, reached in 1901 its tenth ed., and was translated into various +languages. His <i>Constitutional History of England</i>, 1760-1860 is +practically a continuation of Hallam's great work. He also wrote +<i>Democracy in Europe</i>. As an historical writer M. was learned, +painstaking, and impartial.</p><br /> + +<a name='MAYNE_JASPER_1604_1672'></a><p><b>MAYNE, JASPER (1604-1672).</b> +—Dramatist, was at Oxf., +entered the Church, and became Archdeacon of Chichester. He +wrote two dramas, <i>The City Match</i> (1639), and <i>The Amorous War</i> +(1648), in neither of which did he sustain the clerical character. He +had, however, some humour.</p><br /> + +<a name='MAYNE_JOHN_1759_1836'></a><p><b>MAYNE, JOHN (1759-1836).</b> +—Poet, was <i>b.</i> in Dumfries. +In 1780 he <i>pub.</i> the <i>Siller Gun</i> in its original form in <i>Ruddiman's +Magazine</i>. It is a humorous poem descriptive of an ancient custom +in Dumfries of shooting for the "Siller Gun." He was continually +adding to it, until it grew to 5 cantos. He also wrote a poem on +<i>Hallowe'en</i>, and a version of the ballad, <i>Helen of Kirkconnel</i>. His +verses were admired by Scott.</p><br /> + +<a name='MELVILLE_HERMAN_1819_1891'></a><p><b>MELVILLE, HERMAN (1819-1891).</b> +—Novelist, <i>b.</i> in New +York, and took to the sea, which led to strange adventures, including +an imprisonment of some months in the hands of cannibals in +the Marquesas Islands. His first novel, <i>Typee</i> (1846), is based upon +this experience. <i>Omoo</i> followed in 1847, <i>Moby Dick, or the White +Whale</i>, a powerful sea story, in 1852, and <i>Israel Potter</i> in 1855. +He was a very unequal writer, but occasionally showed considerable +power and originality.</p><br /> + +<a name='MELVILLE_JAMES_1556_1614'></a><p><b>MELVILLE, JAMES (1556-1614).</b> +—Scottish divine and reformer, +<i>s.</i> of the laird of Baldovie, in Forfarshire, and nephew of the +great reformer and scholar, Andrew M., by whom, when Principal +of the Univ. of Glasgow, he was chosen to assist him as a regent +or professor. When, in 1580, Andrew became Principal of St. +Mary's Coll., St. Andrews, James accompanied him, and acted as +Prof. of Hebrew and Oriental Languages. He wrote many poems, +but his chief work was his <i>Diary</i>, an original authority for the +period, written with much naïveté, and revealing a singularly attractive +personality. M., who for his part in Church matters, had +been banished to England, <i>d.</i> at Berwick on his way back to +Scotland.</p><br /> + +<a name='MELVILLE_SIR_JAMES_1535_1617'></a><p><b>MELVILLE, SIR JAMES (1535-1617).</b> +—Historian, <i>s.</i> of Sir +John M., of Hallhill, was a page to Mary Queen of Scots at the +French Court, and afterwards one of her Privy Council. He also +acted as her envoy to Queen Elizabeth and the Elector Palatine. +He was the author of an autobiography which is one of the original +authorities for the period. The MS., which lay for long hidden in +Edin. Castle, was discovered in 1660, and <i>pub.</i> 1683. A later ed. +was brought out in 1827 by the Bannatyne Club. The work is +<a name='Page_267'></a>written in a lively style, but is not always to be implicitly relied upon +in regard either to facts or the characters attributed to individuals.</p><br /> + +<a name='MEREDITH_GEORGE_1828_1909'></a><p><b>MEREDITH, GEORGE (1828-1909).</b> +—Novelist and poet, <i>b.</i> +at Portsmouth, <i>s.</i> of Augustus M., a naval outfitter, who afterwards +went to Cape Town, and <i>ed.</i> at Portsmouth and Neuwied in Germany. +Owing to the neglect of a trustee, what means he had inherited +were lost, and he was in his early days very poor. Articled +to a lawyer in London, he had no taste for law, which he soon +exchanged for journalism, and at 21 he was writing poetry for +magazines, his first printed work, a poem on the Battle of Chillianwallah, +appearing in <i>Chambers's Journal</i>. Two years later he <i>pub.</i> +<i>Poems</i> (1851), containing <i>Love in the Valley</i>. Meantime he had been +ed. a small provincial newspaper, and in 1866 he was war correspondent +in Italy for the <i>Morning Post</i>, and he also acted for many years +as literary adviser to Chapman and Hall. By this time, however, +he had produced several of his novels. <i>The Shaving of Shagpat</i> had +appeared in 1856, <i>Farina</i> in 1857, <i>The Ordeal of Richard Feverel</i> in +1859, <i>Evan Harrington</i> in 1861, <i>Emilia in England</i> (also known as +<i>Sandra Belloni</i>) in 1864, its sequel, <i>Vittoria</i>, in 1866, and <i>Rhoda +Fleming</i> in 1865. In poetry he had produced <i>Modern Love and +Poems of the English Roadside</i> (1862), generally regarded as his best +poetical work. These were followed by <i>The Adventures of Harry +Richmond</i> (1871), <i>Beauchamp's Career</i> (1875), said to be the author's +favourite, <i>The Egoist</i> (1879), which marks the beginning of a change +in style characterised by an even greater fastidiousness in the choice +of words, phrases, and condensation of thought than its predecessors, +<i>The Tragic Comedians</i> (1880), and <i>Diana of the Crossways</i>, +the first of the author's novels to attain anything approaching +general popularity. The same period yielded in poetry, <i>Poems and +Lyrics of the Joy of Earth</i> (1883), <i>Ballads and Poems of Tragic Life</i> +(1887), and <i>A Reading of Earth</i> (1888). His later novels, <i>One of our +Conquerors</i> (1891), <i>Lord Ormont and his Aminta</i> (1894), and <i>The +Amazing Marriage</i> (1895), exhibit a tendency to accentuate those +qualities of style which denied general popularity to all of M.'s +works, and they did little to add to his reputation. The contemporary +poems include <i>The Empty Purse</i> and <i>Jump to Glory Jane</i> +(1892). In 1905 he received the Order of Merit, and he <i>d.</i> on May +19, 1909. He was twice <i>m.</i>, his first wife, who <i>d.</i> 1860, being a +<i>dau.</i> of <a href='#PEACOCK_THOMAS_LOVE_1785_1866'>Thomas Love Peacock</a> (<i>q.v.</i>). This union did not prove in +all respects happy. His second wife was Miss Vulliamy, who <i>d.</i> +1885. In his earlier life he was vigorous and athletic, and a great +walker; latterly he lost all power of locomotion.</p> + +<p>Though the writings of M. never were and probably never will be +generally popular, his genius was, from the very first, recognised by +the best judges. All through he wrote for the reader who brought +something of mind, thought, and attention, not for him who read +merely to be amused without trouble; and it is therefore futile to +attribute failure to him because he did not achieve what he did not +aim at. Nevertheless, the long delay in receiving even the kind of +recognition which he sought was a disappointment to him. Few +writers have striven to charge sentences and even words so heavily +with meaning, or to attain so great a degree of condensation, with +<a name='Page_268'></a>the result that links in the chain of thought are not seldom omitted +and left for the careful reader to supply. There is also a tendency +to adopt unusual words and forms of expression where plainness and +simplicity would have served as well, and these features taken together +give reason for the charges of obscurity and affectation so +often made. Moreover, the discussion of motive and feeling is +often out of proportion to the narrative of the events and circumstances +to which they stand related. But to compensate us for +these defects he offers humour, often, indeed, whimsical, but keen +and sparkling, close observation of and exquisite feeling for nature, +a marvellous power of word-painting, the most delicate and +penetrating analysis of character, and an invincible optimism +which, while not blind to the darker aspects of life, triumphs over +the depression which they might induce in a weaker nature. In +matters of faith and dogma his standpoint was distinctly negative.</p><br /> + +<a name='MERES_FRANCIS_1565_1647'></a><p><b>MERES, FRANCIS (1565-1647).</b> +—Miscellaneous author, +was of a Lincolnshire family, studied at Camb. and Oxf., and became +Rector of Wing in Rutland. He <i>pub.</i> in 1598 <i>Palladis Tamia: Wit's +Treasury</i>, containing a comparison of English poets with Greek, +Latin, and Italian.</p><br /> + +<a name='MERIVALE_CHARLES_1808_1893'></a><p><b>MERIVALE, CHARLES (1808-1893).</b> +—Historian, <i>s.</i> of John +Herman M., a translator and minor poet, <i>b.</i> in London, <i>ed.</i> at Harrow, +Haileybury, and Camb., he took orders, and among other preferments +held those of chaplain to the Speaker of the House of +Commons, 1863-69, and Dean of Ely. From his college days he was +a keen student of Roman history, and between 1850 and 1864 he +<i>pub.</i> his <i>History of the Romans under the Empire</i>, an able and scholarly +work, though considered by some critics to be too favourable to the +Emperors, and the imperial idea. An earlier work was <i>The Fall of +the Roman Republic</i> (1853).</p><br /> + +<a name='MERRIMAN_H_SETON_see_SCOTT_HS'></a><p><b>MERRIMAN, H. SETON, (<i>see</i> <a href='#SCOTT_HUGH_STOWELL_1863_1903'>SCOTT, H.S.</a>).</b></p><br /> + +<a name='MESTON_WILLIAM_1688_1745'></a><p><b>MESTON, WILLIAM (1688?-1745).</b> +—<i>S.</i> of a blacksmith, was +<i>ed.</i> at Marischal Coll., Aberdeen, took part in the '15, and had to go +into hiding. His <i>Knight of the Kirk</i> (1723) is an imitation of +<i>Hudibras</i>. It has little merit.</p><br /> + +<a name='MICKLE_WILLIAM_JULIUS_1735_1788'></a><p><b>MICKLE, WILLIAM JULIUS (1735-1788).</b> +—Poet, <i>s.</i> of the +minister of Langholm, Dumfriesshire, was for some time a brewer in +Edin., but failed. He went to Oxf., where he was corrector for the +Clarendon Press. After various literary failures and minor successes +he produced his translation of the <i>Lusiad</i>, from the Portuguese of +Camoens, which brought him both fame and money. In 1777 he +went to Portugal, where he was received with distinction. In 1784 +he <i>pub.</i> the ballad of <i>Cumnor Hall</i>, which suggested to Scott the +writing of <i>Kenilworth</i>. He is perhaps best remembered, however, +by the beautiful lyric, <i>There's nae luck aboot the Hoose</i>, which, +although claimed by others, is almost certainly his.</p><br /> + +<a name='MIDDLETON_CONYERS_1683_1750'></a><p><b>MIDDLETON, CONYERS (1683-1750).</b> +—Divine and scholar, +<i>b.</i> at Richmond, Yorkshire, and <i>ed.</i> at Camb. He was the author of +several latitudinarian treatises on miracles, etc., which brought him +into controversy with <a href='#WATERLAND_DANIEL_1683_1740'>Waterland</a> (<i>q.v.</i>) and others, and of a <i>Life of<a name='Page_269'></a> +Cicero</i> (1741), largely plagiarised from William Bellenden, a Scottish +writer of the 17th century. Another of his controversies was with +Bentley on college administration. He was master of a very fine +literary style.</p><br /> + +<a name='MIDDLETON_THOMAS_1570_1627'></a><p><b>MIDDLETON, THOMAS (1570-1627).</b> +—Dramatist, was a +Londoner and city chronologer, in which capacity he composed a +chronicle of the city, now lost. He wrote over 20 plays, chiefly +comedies, besides masques and pageants, and collaborated with +Dekker, Webster, and other playwrights. His best plays are <i>The +Changeling</i>, <i>The Spanish Gipsy</i> (both with Rowley), and <i>Women +beware Women</i>. Another, <i>The Game of Chess</i> (1624), got the author +and the players alike into trouble on account of its having brought +the King of Spain and other public characters upon the stage. They, +however, got off with a severe reprimand. M. was a keen observer +of London life, and shone most in scenes of strong passion. He is, +however, unequal and repeats himself. Other plays are: <i>The Phœnix</i>, +<i>Michaelmas Term</i> (1607), <i>A Trick to Catch the old One</i> (1608), <i>The +Familie of Love</i> (1608), <i>A Mad World, My Masters</i> (1608), <i>The Roaring +Girl</i> (1611) (with Dekker), <i>The Old Law</i> (1656) (with Massinger +and Rowley), <i>A Faire Quarrel</i> (1617); and among his pageants and +masques are <i>The Triumphs of Truth</i> (1613), <i>The Triumphs of Honour +and Industry</i> (1617), <i>The Inner Temple Masque</i> (1619), etc.</p><br /> + +<a name='MILL_JAMES_1773_1836'></a><p><b>MILL, JAMES (1773-1836).</b> +—Philosopher and historian, <i>s.</i> +of a shoemaker, was <i>b.</i> at Montrose, and showing signs of superior +ability, was sent to the Univ. of Edin. with a view to the ministry. +He was licensed as a preacher in 1798, but gave up the idea of the +Church, and going to London in 1802 engaged in literary work, ed. +the <i>St. James's Chronicle</i>, and wrote for the <i>Edinburgh Review</i>. In +1806 he began his <i>History of British India</i> (1817-18), and in 1819 +received the appointment of Assistant Examiner to the India Office, +and in 1834 became head of the department. M. had meanwhile +become the intimate friend of Jeremy Bentham, was perhaps the +chief exponent of the utilitarian philosophy, and was also one of the +founders of the London Univ. His philosophical writings include +<i>Elements of Political Economy</i> (1821), and <i>Analysis of the Human +Mind</i> (1824). M.'s intellect was powerful, though rigid and somewhat +narrow; his style was clear and precise, and his conversational +powers very remarkable, and influential in moulding the opinions +of those who came into contact with him, especially his distinguished +son, <a href='#MILL_JOHN_STUART_1806_1873'>John Stuart</a> (<i>q.v.</i>).</p><br /> + +<a name='MILL_JOHN_STUART_1806_1873'></a><p><b>MILL, JOHN STUART (1806-1873).</b> +—Philosopher, <i>s.</i> of the +above, <i>b.</i> in London, was <i>ed.</i> by his <i>f.</i> with the view of making him +the successor of Bentham and himself, as the exponent of the Utilitarian +philosophy. In all respects he proved an apt pupil, and by +his 15th year had studied classical literature, logic, political economy, +and mathematics. In that year he went to France, where he was +under the charge of Sir S. Bentham, a brother of Jeremy. His +studies had led him to the adoption of the utilitarian philosophy, and +after his return he became acquainted with Grote, the Austins, and +other Benthamites. In 1823 he entered the India House as a clerk, +and, like his <i>f.</i>, rose to be examiner of Indian correspondence; and, +<a name='Page_270'></a>on the dissolution of the Company, retired on a liberal pension. In +1825 he ed. Bentham's <i>Rationale of Judicial Evidence</i>. During the +following years he was a frequent contributor to Radical journals, +and ed. the <i>London Review</i>. His <i>Logic</i> appeared in 1843, and produced +a profound impression; and in 1848 he <i>pub.</i> <i>Principles of +Political Economy</i>. The years between 1858 and 1865 were very +productive, his treatises on <i>Liberty</i>, <i>Utilitarianism</i>, <i>Representative +Government</i>, and his <i>Examination of Sir W. Hamilton's Philosophy</i> +being <i>pub.</i> during this period. In 1865 he entered the House of +Commons as one of the members for Westminster, where, though +highly respected, he made no great mark. After this political +parenthesis he returned to his literary pursuits, and wrote <i>The Subjection +of Women</i> (1869), <i>The Irish Land Question</i> (1870), and an +<i>Autobiography</i>. M. had <i>m.</i> in 1851 Mrs. Taylor, for whom he showed +an extraordinary devotion, and whom he survived for 15 years. He +<i>d.</i> at Avignon. His <i>Autobiography</i> gives a singular, and in some +respects painful account of the methods and views of his <i>f.</i> in his +education. Though remaining all his life an adherent of the utilitarian +philosophy, M. did not transmit it to his disciples altogether +unmodified, but, finding it too narrow and rigid for his own intellectual +and moral requirements, devoted himself to widening it, and +infusing into it a certain element of idealism.</p> + +<p>Bain's <i>Criticism with Personal Recollections</i> (1882), L. Courtney's +<i>John Stuart Mill</i> (1889), <i>Autobiography</i>, Stephens's <i>Utilitarians</i>, J. +Grote's <i>Examination of the Utilitarian Philosophy of Mill</i>, etc.</p><br /> + +<a name='MILLER_HUGH_1802_1856'></a><p><b>MILLER, HUGH (1802-1856).</b> +—Geologist, and man of +letters, <i>b.</i> at Cromarty, had the ordinary parish school education, and +early showed a remarkable love of reading and power of story-telling. +At 17 he was apprenticed to a stonemason, and his work in quarries, +together with rambles among the rocks of his native shore, led him to +the study of geology. In 1829 he <i>pub.</i> a vol. of poems, and soon +afterwards threw himself as an ardent and effective combatant into +the controversies, first of the Reform Bill, and thereafter of the +Scottish Church question. In 1834 he became accountant in one of +the local banks, and in the next year brought out his <i>Scenes and +Legends in the North of Scotland</i>. In 1840 the popular party in the +Church, with which he had been associated, started a newspaper, +<i>The Witness</i>, and M. was called to be ed., a position which he retained +till the end of his life, and in which he showed conspicuous ability. +Among his geological works are <i>The Old Red Sandstone</i> (1841), <i>Footprints +of the Creator</i> (1850), <i>The Testimony of the Rocks</i> (1856), and +<i>Sketch-book of Popular Geology</i>. Other books are: <i>My Schools and +Schoolmasters</i>, an autobiography of remarkable interest, <i>First Impressions +of England and its People</i> (1847), and <i>The Cruise of the +Betsy</i>. Of the geological books, perhaps that on the old red sandstone, +a department in which M. was a discoverer, is the best: but +all his writings are distinguished by great literary excellence, and +especially by a marvellous power of vivid description. The end of +his life was most tragic. He had for long been overworking his +brain, which at last gave way, and in a temporary loss of reason, he +shot himself during the night.</p> + +<p><i>Life and Letters</i>, P. Bayne (1871), etc<a name='Page_271'></a>.</p><br /> + +<a name='MILLER_THOMAS_1807_1874'></a><p><b>MILLER, THOMAS (1807-1874).</b> +—Poet and novelist, of +humble parentage, worked in early life as a basket-maker. He <i>pub.</i> +<i>Songs of the Sea Nymphs</i> (1832). Going to London he was befriended +by <a href='#BLESSINGTON_MARGARET_POWER_COUNTESS_of_1789_1849'>Lady Blessington</a> (<i>q.v.</i>) and <a href='#ROGERS_SAMUEL_1763_1855'>S. Rogers</a> (<i>q.v.</i>), and for a +time engaged in business as a bookseller, but was unsuccessful and +devoted himself exclusively to literature, producing over 40 vols., +including several novels, <i>e.g.</i>, <i>Royston Gower</i> (1838), <i>Gideon Giles the +Roper</i>, and <i>Rural Sketches</i>. In his stories he successfully delineated +rural characters and scenes.</p><br /> + +<a name='MILMAN_HENRY_HART_1791_1868'></a><p><b>MILMAN, HENRY HART (1791-1868).</b> +—Poet and historian, +<i>s.</i> of Sir Francis M., a distinguished physician, <i>ed.</i> at Eton and Oxf. +Taking orders he became in 1835 Rector of St. Margaret's, Westminster, +and in 1849 Dean of St. Paul's. He also held the professorship +of Poetry at Oxf. 1821-31. Among his poetical works may be +mentioned <i>Fazio</i> (drama) (1815), <i>Samor</i> (epic) (1818), <i>The Fall of +Jerusalem</i> (1820), <i>The Martyr of Antioch</i> (1822), and <i>Anne Boleyn</i> +(1826). It is, however, on his work as an historian that his literary +fame chiefly rests, his chief works in this department being his <i>History +of the Jews</i> (1830), <i>History of Christianity</i> (1840), and especially +<i>The History of Latin Christianity</i> (6 vols. 1854-56), which is one of +the most important historical works of the century, characterised +alike by literary distinction and by learning and research. M. also +brought out a valuable ed. of Gibbon's <i>Decline and Fall</i>, and wrote +a <i>History of St. Paul's Cathedral</i>.</p><br /> + +<a name='MILNES_R_MONCKTON_see_HOUGHTON'></a><p><b>MILNES, R. MONCKTON, (<i>see</i> <a href='#HOUGHTON_RICHARD_MONCKTON_MILNES_1ST_LORD_1809_1885'>HOUGHTON</a>).</b></p><br /> + +<a name='MILTON_JOHN_1608_1674'></a><p><b>MILTON, JOHN (1608-1674).</b> +—Poet, was <i>b.</i> 9th December +1608 in Bread Street, London. His <i>f.</i>, also John, was the <i>s.</i> of a +yeoman of Oxfordshire, who cast him off on his becoming a +Protestant. He had then become a scrivener in London, and grew +to be a man of good estate. From him his illustrious <i>s.</i> inherited his +lofty integrity, and his love of, and proficiency in, music. M. received +his first education from a Scotch friend of his father's, Thomas +Young, a Puritan of some note, one of the writers of <i>Smectymnuus</i>. +Thereafter he was at St. Paul's School, and in 1625 went to Christ's +Coll., Camb., where for his beauty and his delicacy of mind he was +nicknamed "the lady." His sister Anne had <i>m.</i> Edward Phillips, +and the death of her first child in infancy gave to him the subject of +his earliest poem, <i>On the death of a Fair Infant</i> (1626). It was followed +during his 7 years' life at the Univ., along with others, by the +poems, <i>On the Morning of Christ's Nativity</i> (1629), <i>On the Circumcision</i>, +<i>The Passion</i>, <i>Time</i>, <i>At a Solemn Music</i>, <i>On May Morning</i>, +and <i>On Shakespeare</i>, all in 1630; and two sonnets, <i>To the Nightingale</i> +and <i>On arriving at the Age of Twenty-three</i>, in 1631. In 1632, having +given up the idea of entering the Church, for which his <i>f.</i> had intended +him, he lived for 6 years at Horton, near Windsor, to which +the latter had retired, devoted to further study. Here he wrote +<i>L'Allegro</i> and <i>Il Penseroso</i> in 1632, <i>Arcades</i> (1633), <i>Comus</i> in 1634, +and <i>Lycidas</i> in 1637. The first celebrates the pleasures of a life of +cheerful innocence, and the second of contemplative, though not +gloomy, retirement, and the last is a lament for a lost friend, Edward<a name='Page_272'></a> +King, who perished at sea. <i>Arcades</i> and <i>Comus</i> are masques set to +music by Henry Lawes, having for their motives respectively family +affection and maiden purity. Had he written nothing else these +would have given him a place among the immortals. In 1638 he +completed his education by a period of travel in France and Italy, +where he visited Grotius at Paris, and Galileo at Florence. The +news of impending troubles in Church and State brought him home +the following year, and with his return may be said to close the first +of three well-marked divisions into which his life falls. These may +be called (1) the period of preparation and of the early poems; (2) +the period of controversy, and of the prose writings; and (3) the +period of retirement and of the later poems. Soon after his return +M. settled in London, and employed himself in teaching his nephews, +Edward and John Phillips, turning over in his mind at the same +time various subjects as the possible theme for the great poem +which, as the chief object of his life, he looked forward to writing. +But he was soon to be called away to far other matters, and to be +plunged into the controversies and practical business which were to +absorb his energies for the next 20 years. The works of this period +fall into three classes—(1) those directed against Episcopacy, including +<i>Reformation of Church Discipline in England</i> (1641), and his +answers to the writings of <a href='#HALL_JOSEPH_1574_1656'>Bishop Hall</a> (<i>q.v.</i>), and in defence of +<i>Smectymnuus</i> (<i>see</i> under Calamy); (2) those relating to divorce, including +<i>The Doctrine and Discipline of Divorce</i> (1643), and <i>The Four +Chief Places of Scripture which treat of Marriage</i> (1645); and (3) +those on political and miscellaneous questions, including the <i>Tractate +on Education</i> (1644), <i>Areopagitica</i> (1644), <i>A Speech for the Liberty +of Unlicensed Printing</i> (his greatest prose work), <i>Eikonoklastes</i>, an +answer to the <i>Eikon Basiliké</i> of <a href='#GAUDEN_JOHN_1605_1662'>Dr. Gauden</a> (<i>q.v.</i>), <i>The Tenure of +Kings and Magistrates</i> (1649), in defence of the execution of +Charles I., which led to the furious controversy with Salmasius, +the writing of <i>Pro Populo Anglicano Defensio</i> (1650), the second +<i>Defensio</i> (1654), which carried his name over Europe, and <i>The Ready +and Easy Way to establish a Free Commonwealth</i>, written on the eve +of the Restoration. In 1643 M. had <i>m.</i> Mary Powell, the <i>dau.</i> of an +Oxfordshire cavalier, a girl of 17, who soon found her new life as the +companion of an austere poet, absorbed in severe study, too abrupt +a change from the gay society to which she had been accustomed, +and in a month returned to her father's house on a visit. When +the time fixed for rejoining her husband arrived, she showed no disposition +to do so, upon which he began to aim at a divorce, and to +advocate in the works above mentioned "unfitness and contrariety +of mind" as a valid ground for it, views which incurred for him +much notoriety and unpopularity. A reconciliation, however, +followed in 1645, and three <i>dau.</i> were born of the marriage. In +1649 the reputation of M. as a Latinist led to his appointment as +Latin or Foreign Sec. to the Council of State, in the duties of which +he was, after his sight began to fail, assisted by <a href='#MARVELL_ANDREW_1621_1678'>A. Marvell</a> (<i>q.v.</i>) and +others, and which he retained until the Restoration. In 1652 his +wife <i>d.</i>, and four years later he entered into a second marriage with +Katharine Woodcock, who <i>d.</i> in child-birth in the following year. +To her memory he dedicated one of the most touching of his sonnets. +At the Restoration he was, of course, deprived of his office, and had +<a name='Page_273'></a>to go into hiding; but on the intercession of <a href='#MARVELL_ANDREW_1621_1678'>Marvell</a> (<i>q.v.</i>), and +perhaps <a href='#DAVENANT_or_DAVENANT_SIR_WILLIAM_1606_1668'>Davenant</a> (<i>q.v.</i>), his name was included in the amnesty. In +1663, being now totally blind and somewhat helpless, he asked his +friend Dr. Paget to recommend a wife for him. The lady chosen +was Elizabeth Minshull, aged 25, who appears to have given him +domestic happiness in his last years. She survived him for 53 +years. The Restoration closed his second, and introduced his third, +and for his fame, most productive period. He was now free to +devote his whole powers to the great work which he had so long contemplated. +For some time he had been in doubt as to the subject, +had considered the Arthurian legends, but had decided upon the +Fall of Man. The result was <i>Paradise Lost</i>, which was begun in +1658, finished in 1664, and <i>pub.</i> in 1667. A remark of his friend, +<a href='#ELLWOOD_THOMAS_1639_1713'>Thomas Ellwood</a> (<i>q.v.</i>), suggested to him the writing of <i>Paradise +Regained</i>, which, along with <i>Samson Agonistes</i>, was <i>pub.</i> in 1671. Two +years before he had printed a <i>History of Britain</i>, written long before, +which, however, is of little value. The work of M. was now done. +In addition to his blindness he suffered from gout, to which it was +partly attributable, and, his strength gradually failing, but with +mind unimpaired and serene, he <i>d.</i> peacefully on November 8, 1674. +In M. the influences of the Renaissance and of Puritanism met. To +the former he owed his wide culture and his profound love of everything +noble and beautiful, to the latter his lofty and austere character, +and both these elements meet in his writings. Leaving +Shakespeare out of account, he holds an indisputable place at the +head of English poets. For strength of imagination, delicate accuracy +and suggestiveness of language, and harmony of versification, +he is unrivalled, and almost unapproached; and when the difficulties +inherent in the subject of his great masterpiece are considered, +the power he shows in dealing with them appears almost miraculous, +and we feel that in those parts where he has failed, success was impossible +for a mortal. In his use of blank verse he has, for majesty, +variety, and music, never been approached by any of his successors. +He had no dramatic power and no humour. In everything he wrote, +a proud and commanding genius manifests itself, and he is one of +those writers who inspire reverence rather than affection. His personal +appearance in early life has been thus described, "He was a +little under middle height, slender, but erect, vigorous, and agile, +with light brown hair clustering about his fair and oval face, with +dark grey eyes."</p> + +<p>SUMMARY.—<i>B.</i> 1608, <i>ed.</i> at St. Paul's School and Camb., and +while at the latter wrote earlier poems including <i>The Nativity</i> and +Sonnets, lived for 6 years at Horton and wrote <i>L'Allegro</i>, <i>Il Penseroso</i>, +<i>Arcades</i>, <i>Comus</i>, and <i>Lycidas</i>, travelled in France and Italy 1638, +settled in London, entered on his political and controversial labours, +and wrote <i>inter alia</i> on <i>Reform of Discipline</i> 1641, <i>Divorce</i> 1643-45, +<i>Education</i> 1644, <i>Areopagitica</i> 1644, and the two <i>Defences</i> 1650 and +1654, appointed Latin Sec. 1649, this period closed by Restoration +1660, <i>Paradise Lost</i> written 1658-64, <i>pub.</i> 1667, <i>Paradise Regained</i> +and <i>Samson Agonistes</i> 1671, <i>d.</i> 1674, <i>m.</i> first 1643 Mary Powell, +second 1652 Katharine Woodcock, third 1663 Eliz. Minshull, who +survived till 1727.</p> + +<p><i>Life</i> by Prof. Masson (<i>6</i> vols. 1859-80), also short Lives by M.<a name='Page_274'></a> +Patteson (1880), Garnett (1889). Ed. of <i>Works</i> by Boydell, Sir E. +Brydges, and Prof. Masson.</p><br /> + +<a name='MINOT_LAURENCE_1300_1352'></a><p><b>MINOT, LAURENCE (1300?-1352?).</b> +—Poet. Nothing is +certainly known of him. He may have been a soldier. He celebrates +in northern English and with a somewhat ferocious patriotism +the victories of Edward III. over the Scots and the French.</p><br /> + +<a name='MINTO_WILLIAM_1845_1893'></a><p><b>MINTO, WILLIAM (1845-1893).</b> +—Critic and biographer, <i>b.</i> +at Alford, Aberdeenshire, and <i>ed.</i> at Aberdeen and Oxf., went to +London, and became ed. of the <i>Examiner</i>, and also wrote for the +<i>Daily News</i> and the <i>Pall Mall Gazette</i>. In 1880 he was appointed +Prof. of Logic and Literature at Aberdeen. He wrote a <i>Manual of +English Prose Literature</i> (1873), <i>Characteristics of the English Poets</i> +(1874), and a <i>Life of Defoe</i> for the Men of Letters Series.</p><br /> + +<a name='MITCHELL_JOHN_1815_1875'></a><p><b>MITCHELL, JOHN (1815-1875).</b> +—Journalist and political +writer, <i>s.</i> of a Presbyterian minister, was <i>b.</i> in Ulster. For some +time he practised as a solicitor, but becoming acquainted with +<a href='#DAVIS_THOMAS_OSBORNE_1814_1845'>Thomas Davis</a> (<i>q.v.</i>), he associated himself with the Young Ireland +party, and was a leading contributor to the <i>Nation</i> newspaper. His +political sympathies and acts were carried so far as to bring about +in 1848 his trial for treason-felony, and his transportation for 14 +years. After his release he resided chiefly at New York, and ed. +various papers, and opposed the abolition of slavery; but in 1874 +he was elected M.P. for Tipperary, for which, however, he was declared +incapable of sitting. On a new election he was again returned, +but <i>d.</i> before the resulting petition could be heard. He wrote a <i>Jail +Journal</i>, a work of great power, <i>The Last Conquest of Ireland</i> (<i>perhaps</i>) +(1860), and a <i>History of Ireland</i> of little value.</p><br /> + +<a name='MITFORD_MARY_RUSSELL_1787_1855'></a><p><b>MITFORD, MARY RUSSELL (1787-1855).</b> +—Poetess and +novelist, <i>b.</i> at Alresford, Hants, <i>dau.</i> of a physician, without practice, +selfish and extravagant, who ran through three fortunes, his own, +his wife's, and his daughter's, and then lived on the industry of the +last. After a vol. of poems which attracted little notice, she produced +her powerful tragedy, <i>Julian</i>. In 1812, what ultimately +became the first vol. of <i>Our Village</i> appeared in the <i>Lady's Magazine</i>. +To this four additional vols. were added, the last in 1832. In this +work Miss M. may be said to have created a new branch of literature. +Her novel, <i>Belford Regis</i> (1835), is somewhat on the same +lines. She added two dramas, <i>Rienzi</i> (1828), and <i>Foscari</i>, <i>Atherton +and other Tales</i> (1852), and <i>Recollections of a Literary Life</i>, and <i>d.</i> at +her cottage at Swallowfield, much beloved for her benevolent and +simple character, as well as valued for her intellectual powers.</p><br /> + +<a name='MITFORD_WILLIAM_1744_1827'></a><p><b>MITFORD, WILLIAM (1744-1827).</b> +—Historian, <i>e.s.</i> of John +M. of Exbury, Hants, descended from an old Northumbrian family, +was <i>b.</i> in London, and <i>ed.</i> at Cheam School and Oxf. He studied +law, but on succeeding to the family estates devoted himself to +study and literature, and to his duties as an officer of the militia. +His first <i>pub.</i> was an <i>Essay on the Harmony of Language</i> (1774). +His great work, <i>The History of Greece</i>, is said to have been +undertaken at the suggestion of Gibbon, who was a fellow-officer +in the South Hants Militia. This work, the successive vols. of +<a name='Page_275'></a>which appeared at considerable intervals between 1784 and 1810, +was long a standard one, though it is now largely superseded by +the histories of Thirwall and Grote. M. wrote with strong prejudices +against democracy, and in defence of tyrants, but his style +is forcible and agreeable, and he brought learning and research +to bear on his subject. He sat for many years in Parliament.</p><br /> + +<a name='MOIR_DAVID_MACBETH_1798_1851'></a><p><b>MOIR, DAVID MACBETH (1798-1851).</b> +—Poet and miscellaneous +writer, was a doctor at Musselburgh, near Edin., and a frequent +contributor, under the signature of Δ, to <i>Blackwood's Magazine</i> +in which appeared <i>Mansie Waugh</i>, a humorous Scottish tale. He +also wrote <i>The Legend of Genevieve</i> (1824), <i>Domestic Verses</i> (1843), +and sketches of the poetry of the earlier half of the 19th century. His +poetry was generally grave and tender, but occasionally humorous.</p><br /> + +<a name='MONBODDO_JAMES_BURNETT_LORD_1714_1799'></a><p><b>MONBODDO, JAMES BURNETT, LORD (1714-1799).</b> +—Philosopher +and philologist, <i>b.</i> at the family seat in Kincardineshire, was +<i>ed.</i> at the Univ. of Aberdeen, Edin., and Groningen, and called to +the Scottish Bar in 1737. Thirty years later he became a judge with +the title of Lord Monboddo. He was a man of great learning and +acuteness, but eccentric and fond of paradox. He was the author +of two large works alike learned and whimsical, <i>An Essay on the +Origin and Progress of Language</i> (6 vols. 1773-92), and <i>Ancient Metaphysics</i> +(6 vols. 1779-99). He mooted and supported the theory +that men were originally monkeys, and gradually attained to reason, +language, and civilisation by the pressure of necessity. His doctrines +do not sound so absurd now as they did in his own day. He +was visited by Dr. Johnson at Monboddo.</p><br /> + +<a name='MONTAGU_ELIZABETH_ROBINSON_1720_1800'></a><p><b>MONTAGU, ELIZABETH (ROBINSON) (1720-1800).</b> +—Critic, +<i>dau.</i> of a gentleman of Yorkshire, <i>m.</i> a grandson of Lord Sandwich. +She was one of the original "blue-stockings," and her house was a +literary centre. She wrote an <i>Essay on the Writings and Genius of +Shakespeare</i> (1769), in which she compared him with the classical +and French dramatists, and defended him against the strictures of +Voltaire. It had great fame in its day, but has long been superseded.</p><br /> + +<a name='MONTAGU_LADY_MARY_WORTLEY_PIERREPONT_1690_1762'></a><p><b>MONTAGU, LADY MARY WORTLEY (PIERREPONT) (1690-1762).</b> +—Letter-writer, +was the eldest <i>dau.</i> of the 1st Duke of Kingston. +In her youth she combined the attractions of a reigning +beauty and a wit. Her early studies were encouraged and assisted +by Bishop Burnet, and she was the friend of Pope, Addison, and +Swift. In 1712 she <i>m.</i>, against the wishes of her family, Edward +Wortley-Montagu, a cousin of the celebrated Charles Montagu, +afterwards Earl of Halifax. Her husband having been appointed +Ambassador to the Porte, she accompanied him, and wrote the +sparkling <i>Letters from the East</i> which have given her a place high +among the great letter-writers of the world. While in Turkey she +became acquainted with the practice of inoculation against smallpox, +which she did much to introduce into western countries. After +her return to England she settled at Twickenham, and renewed her +friendship with Pope, which, however, ended in a violent quarrel, +arising out of her publication of <i>Town Eclogues</i>. She was furiously +attacked by both Pope and Swift, and was not slow to defend herself. +In 1737, for reasons which have never been explained, she left +<a name='Page_276'></a>her husband and country, and settled in Italy. Mr. M. having <i>d.</i> +1761, she returned at the request of her <i>dau.</i>, the Countess of Bute, +but <i>d.</i> the following year.</p><br /> + +<a name='MONTGOMERIE_ALEXANDER_1545_1610'></a><p><b>MONTGOMERIE, ALEXANDER (1545?-1610?).</b> +—Poet, probably +<i>b.</i> in Ayrshire, was in the service of the Regent Morton and +James VI., by whom he was pensioned. He is sometimes styled +"Captain," and was laureate of the Court. He appears to have +fallen on evil days, was imprisoned on the Continent, and lost his +pension. His chief work is <i>The Cherrie and the Slae</i> (1597), a somewhat +poor allegory of Virtue and Vice, but with some vivid description +in it, and with a comparatively modern air. He also wrote +<i>Flyting</i> (scolding) <i>betwixt Montgomerie and Polwart</i>, <i>pub.</i> 1621, and +other pieces.</p><br /> + +<a name='MONTGOMERY_JAMES_1771_1854'></a><p><b>MONTGOMERY, JAMES (1771-1854).</b> +—Poet, <i>s.</i> of a pastor +and missionary of the Moravian Brethren, was <i>b.</i> at Irvine, Ayrshire, +and <i>ed.</i> at the Moravian School at Fulneck, near Leeds. After +various changes of occupation and abode, he settled in Sheffield in +1792 as clerk to a newspaper. In 1796 he had become ed. of the +<i>Sheffield Iris</i>, and was twice imprisoned for political articles for +which he was held responsible. In 1797 he <i>pub.</i> <i>Prison Amusements</i>; +but his first work to attract notice was <i>The Wanderer of Switzerland</i> +(1806). It was followed by <i>The West Indies</i> (1809), <i>The World +before the Flood</i> (1812), <i>Greenland</i> (1819), and <i>The Pelican Island</i> +(1828), all of which contain passages of considerable imaginative and +descriptive power, but are lacking in strength and fire. He himself +expected that his name would live, if at all, in his hymns, and in this +his judgment has proved true. Some of these, such as <i>For ever with +the Lord</i>, <i>Hail to the Lord's Anointed</i>, and <i>Prayer is the Soul's sincere +Desire</i>, are sung wherever the English language is spoken. M. was +a good and philanthropic man, the opponent of every form of injustice +and oppression, and the friend of every movement for the +welfare of the race. His virtues attained wide recognition.</p><br /> + +<a name='MONTGOMERY_ROBERT_1807_1855'></a><p><b>MONTGOMERY, ROBERT (1807-1855).</b> +—Poet, a minister of +the Scottish Episcopal Church, wrote some ambitious religious +poems, including <i>The Omnipresence of the Deity</i> and <i>Satan</i>, which +were at first outrageously puffed, and had a wide circulation. +Macaulay devoted an essay to the demolition of the author's reputation, +in which he completely succeeded.</p><br /> + +<a name='MOORE_EDWARD_1712_1757'></a><p><b>MOORE, EDWARD (1712-1757).</b> +—Fabulist and dramatist, +<i>s.</i> of a dissenting minister, was <i>b.</i> at Abingdon. After being in +business as a linen-draper, in which he was unsuccessful, he took to +literature, and wrote a few plays, of which <i>The Gamester</i> (1753) had +a great vogue, and was translated into various languages. He is +best known by his <i>Fables for the Female Sex</i> (1744), which rank next +to those of <a href='#GAY_JOHN_1685_1732'>Gay</a> (<i>q.v.</i>).</p><br /> + +<a name='MOORE_JOHN_1729_or_1730_1802'></a><p><b>MOORE, JOHN (1729 or 1730-1802).</b> +—Physician and miscellaneous +writer, <i>s.</i> of an Episcopal minister, was <i>b.</i> in Stirling. +After studying medicine at Glasgow, he acted as a surgeon in the +navy and the army, and ultimately settled in Glasgow as a physician. +In 1779 he <i>pub.</i> <i>View of Manners and Society in France, Switzerland, +<a name='Page_277'></a>and Germany</i>, which was well received. A similar work, relating to +Italy, followed in 1781. He is, however, chiefly remembered by his +romance <i>Zeluco</i> (1786?). One or two other novels followed, and his +last works are a <i>Journal during a Residence in France</i> (1792), and +<i>Causes and Progress of the French Revolution</i> (1795), the latter of +which was used both by Scott and Carlyle. M. was one of the friends +of Burns, and was the <i>f.</i> of Sir John M., the hero of Corunna.</p><br /> + +<a name='MOORE_THOMAS_1779_1852'></a><p><b>MOORE, THOMAS (1779-1852).</b> +—Poet, <i>b.</i> in Dublin, <i>s.</i> of a +grocer and wine-merchant in a small way, was <i>ed.</i> at Trinity Coll., +after which he went to London, and studied law at the Middle +Temple, 1799. He took with him a translation of <i>Anacreon</i>, which +appeared, dedicated to the Prince Regent, in 1800, was well received, +and made a position for him. In the following year appeared +<i>Poems by Thomas Little</i>. In 1803 he received the appointment of +Admiralty Registrar at Bermuda, and after visiting the island and +travelling in America, he committed his official duties to a deputy +(an unfortunate step as it proved), and returned to England. The +literary fruit of this journey was <i>Epistles, Odes, and other Poems</i> +(1806). In 1807 M. found his true poetic vocation in his <i>Irish-Melodies</i>—the +music being furnished by Sir John Stevenson, who +adapted the national airs. The reception they met with was enthusiastic, +and M. was carried at once to the height of his reputation. +They continued to appear over a period of 25 years, and for each of +the 130 songs he received 100 guineas. His charming singing of +these airs, and his fascinating conversational and social powers made +him sought after in the highest circles. In 1815 there appeared +<i>National Airs</i> which, however, cannot be considered equal to the +<i>Melodies</i>. After making various unsuccessful attempts at serious +satire, he hit upon a vein for which his light and brilliant wit eminently +qualified him—the satirical and pungent verses on men and +topics of the day, afterwards <i>coll.</i> in <i>The Twopenny Post Bag</i>, in +which the Prince Regent especially was mercilessly ridiculed, and +about the same time appeared <i>Fables for the Holy Alliance</i>. In 1818 +he produced the <i>Fudge Family in Paris</i>, written in that city, which +then swarmed with "groups of ridiculous English." <i>Lalla Rookh</i>, +with its gorgeous descriptions of Eastern scenes and manners, had +appeared in the previous year with great applause. In 1818 the +great misfortune of his life occurred through the dishonesty of his +deputy in Bermuda, which involved him in a loss of £6000, and +necessitated his going abroad. He travelled in Italy with Lord +John Russell, and visited Byron. Thereafter he settled for a year +or two in Paris, where he wrote <i>The Loves of the Angels</i> (1823). On +the death of Byron his memoirs came into the hands of Moore, who, +in the exercise of a discretion committed to him, destroyed them. +He afterwards wrote a <i>Life of Byron</i> (1830), which gave rise to much +criticism and controversy, and he also ed. his works. His last +imaginative work was <i>The Epicurean</i> (1827). Thereafter he confined +himself almost entirely to prose, and <i>pub.</i> Lives of Sheridan +(1827), and Lord Edward Fitzgerald (1831). His last work, written +in failing health, was a <i>History of Ireland</i> for Lardner's <i>Cabinet +Cyclopædia</i>, which had little merit. Few poets have ever enjoyed +greater popularity with the public, or the friendship of more men distinguished +<a name='Page_278'></a>in all departments of life. This latter was largely owing +to his brilliant social qualities, but his genuine and independent +character had also a large share in it. He left behind him a mass +of correspondence and autobiographical matter which he committed +to his friend Lord John (afterwards Earl) Russell for publication. +They appeared in 8 vols. (1852-56).</p> + +<p><i>Memoir, Journal, and Correspondence</i>, by Lord John Russell +(1856).</p><br /> + +<a name='MORE_HANNAH_1745_1833'></a><p><b>MORE, HANNAH (1745-1833).</b> +—Miscellaneous and religious +writer, was one of the five daughters of a schoolmaster at Stapleton, +Gloucestershire. The family removed to Bristol, where Hannah began +her literary efforts. Some early dramas, including <i>The Search after +Happiness</i> and the <i>Inflexible Captive</i> brought her before the public, +and she went to London in 1774, where, through her friend, Garrick, +she was introduced to Johnson, Burke, and the rest of that circle, +by whom she was highly esteemed. After publishing some poems, +now forgotten, and some dramas, she resolved to devote herself to +efforts on behalf of social and religious amelioration, in which she +was eminently successful, and exercised a wide and salutary influence. +Her works written in pursuance of these objects are too +numerous to mention. They included <i>Hints towards forming the +Character of a young Princess</i> (1805), written at the request of the +Queen for the benefit of the Princess Charlotte, <i>Cœlebs in search of a +Wife</i> (1809), and a series of short tales, the <i>Cheap Repository</i>, among +which was the well-known <i>Shepherd of Salisbury Plain</i>. This enterprise, +which had great success, led to the formation of the Religious +Tract Society. The success of Miss M.'s literary labours enabled +her to pass her later years in ease, and her sisters having also retired +on a competency made by conducting a boarding-school in Bristol, +the whole family resided on a property called Barley Grove, which +they had purchased, where they carried on with much success philanthropic +and educational work among the people of the neighbouring +district of Cheddar. Few persons have devoted their talents +more assiduously to the well-being of their fellow-creatures, or with +a greater measure of success.</p><br /> + +<a name='MORE_HENRY_1614_1687'></a><p><b>MORE, HENRY (1614-1687).</b> +—Philosopher, <i>b.</i> at Grantham, +and <i>ed.</i> at Camb., took orders, but declined all preferment, including +two deaneries and a bishopric; and also various appointments +in his Univ., choosing rather a quiet life devoted to scholarship +and philosophy, especially the study of writings of Plato and +his followers. He led a life of singular purity and religious devotion, +tinged with mysticism, and his writings had much popularity +and influence in their day. Among them may be mentioned <i>Psychozoia +Platonica</i> (1642), <i>repub.</i> (1647) as <i>Philosophicall Poems</i>, +<i>Divine Dialogues</i> (prose) (1668), <i>The Mystery of Godliness</i>, and <i>The +Mystery of Iniquity</i>. His life was written by his friend Richard +Ward.</p><br /> + +<a name='MORE_SIR_THOMAS_1478_1535'></a><p><b>MORE, SIR THOMAS (1478-1535).</b> +—Historical and political +writer, <i>s.</i> of Sir John M., a Justice of the King's Bench, was <i>b.</i> in +London. In his 16th year he was placed in the household of Morton, +Archbishop of Canterbury, who was wont to say, "This child here +<a name='Page_279'></a>waiting at the table ... will prove a marvellous man." In 1497 +he went to Oxf., where he became the friend of Erasmus and others, +and came in contact with the new learning. He studied law at +New Inn and Lincoln's Inn, and for some time thought of entering +the Church. He was, however, in 1504 sent up to Parliament, +where his powerful speaking gained for him a high place. Meanwhile, +he had brilliant success in the Law Courts, and was introduced +by Wolsey to Henry VIII., with whom he soon rose into high +favour. He became Chancellor of the Duchy of Lancaster, Speaker +of the House of Commons, 1523, and was sent on missions to Charles +V. and Francis I. At length, on the fall of Wolsey, M. was, much +against his will, appointed Lord Chancellor, an office which he filled +with singular purity and success, though he was harsh in his dealings +with persons accused of heresy. But differences with the King soon +arose. M. disapproved of Henry's ecclesiastical policy, as well as of +his proceedings in regard to the Queen, and in 1532 he resigned his +office. In 1534 he refused the oath which pledged him to approval +of the King's marriage to Anne Boleyn, and for this he was imprisoned +in the Tower, and on July 7, 1535, beheaded. His body was buried +in St. Peter's in the Tower, and his head exhibited on London +Bridge, whence it was taken down and preserved by his <i>dau.</i>, the +noble Margaret Roper. All Catholic Europe was shocked at the +news of what was truly a judicial murder. Among his works are a +Life of <i>Picus, Earl of Mirandula</i> (1510), and a <i>History of Richard III.</i>, +written about 1513. His great work, <i>Utopia</i>, was written in Latin +in two books—the second 1515, and the first 1516. It had immediate +popularity, and was translated into French 1530, English +1551, German 1524, Italian 1548, and Spanish 1790. It gives an +account of an imaginary island and people, under cover of which it +describes the social and political condition of England, with suggested +remedies for abuses. The opinions on religion and politics +expressed in it are not, however, always those by which he was +himself guided. M. wrote many works of controversy, among +which are <i>Dyaloge concerning Heresies</i>, also epigrams and dialogues +in Latin. His pure and religious character, his sweet temper, his +wit, his constancy and fortitude under misfortune combine to render +him one of the most attractive and admirable figures in English +history.</p> + +<p><i>Life</i> by W. Roper (son-in-law), Lord Campbell, <i>Lives of Chancellors, +Utopia</i> was translated by Robinson (1551, etc.), Bishop Burnet +(1684, etc.), and ed. by Lupton (1895), and Michelis (1896).</p><br /> + +<a name='MORGAN_LADY_SYDNEY_OWENSON_1780_1859'></a><p><b>MORGAN, LADY (SYDNEY OWENSON) (1780?-1859).</b> +—Novelist, +<i>dau.</i> of Robert Owenson, an actor, was the author of +several vivacious Irish tales, including <i>The Wild Irish Girl</i> (1806), +<i>O'Donnel</i> (1814), and <i>The O'Briens and the O'Flaherties</i> (1827); also +two books on society in France and in Italy characterised by "more +vivacity and point than delicacy," and a Life of Salvator Rosa.</p><br /> + +<a name='MORIER_JAMES_JUSTINIAN_1780_1849'></a><p><b>MORIER, JAMES JUSTINIAN (1780?-1849).</b> +—Traveller and +novelist, <i>s.</i> of Isaac M., descended from a Huguenot family resident +at Smyrna, where he was <i>b.</i>, was <i>ed.</i> at Harrow. Returning to the +East he became in 1809 Sec. of Legation in Persia. He wrote +accounts of travels in Persia, Armenia, and Asia Minor; also novels, +<a name='Page_280'></a>in which he exhibits a marvellous familiarity with Oriental manners +and modes of thought. The chief of these are <i>The Adventures of +Hajji Baba</i> (1824), and <i>Hajji Baba in England</i> (1828), <i>Zohrab the +Hostage</i> (1832), <i>Ayesha</i> (1834), and <i>The Mirza</i> (1841). All these +works are full of brilliant description, character-painting, and +delicate satire.</p><br /> + +<a name='MORISON_JAMES_COTTER_1832_1888'></a><p><b>MORISON, JAMES COTTER (1832-1888).</b> +—Was <i>ed.</i> at Oxf. +He wrote <i>Lives of Gibbon</i> (1878), and <i>Macaulay</i> (1882); but his best +work was his <i>Life of St. Bernard</i> (1863). <i>The Service of Man</i> (1887) is +written from a Positivist point of view.</p><br /> + +<a name='MORLEY_HENRY_1822_1894'></a><p><b>MORLEY, HENRY (1822-1894).</b> +—Writer on English literature, +<i>s.</i> of an apothecary, was <i>b.</i> in London, <i>ed.</i> at a Moravian school +in Germany, and at King's Coll., London, and after practising +medicine and keeping schools at various places, went in 1850 to +London, and adopted literature as his profession. He wrote in +periodicals, and from 1859-64 ed. the <i>Examiner</i>. From 1865-89 +he was Prof. of English Literature at Univ. Coll. He was the author +of various biographies, including Lives of <i>Palissy</i>, <i>Cornelius Agrippa</i>, +and <i>Clement Marot</i>. His principal work, however, was <i>English +Writers</i> (10 vols. 1864-94), coming down to Shakespeare. His +<i>First Sketch of English Literature</i>—the study for the larger work—had +reached at his death a circulation of 34,000 copies.</p><br /> + +<a name='MORRIS_SIR_LEWIS_1833_1907'></a><p><b>MORRIS, SIR LEWIS (1833-1907).</b> +—Poet, <i>b.</i> at Penrhyn, +Carnarvonshire, and <i>ed.</i> at Sherborne and Oxf., was called to the +Bar, and practised as a conveyancer until 1880, after which he devoted +himself to the promotion of higher education in Wales, and +became honorary sec. and treasurer of the New Welsh Univ. In +1871 he <i>pub.</i> <i>Songs of Two Worlds</i>, which showed the influence of +Tennyson, and was well received, though rather by the wider public +than by more critical circles. It was followed in 1876-77 by <i>The Epic +of Hades</i>, which had extraordinary popularity, and which, though +exhibiting undeniable talent both in versification and narrative +power, lacked the qualities of the higher kinds of poetry. It deals +in a modern spirit with the Greek myths and legends. Other works +are <i>A Vision of Saints</i>, <i>Gwen</i>, <i>The Ode of Life</i>, and <i>Gycia</i>, a tragedy.</p><br /> + +<a name='MORRIS_WILLIAM_1834_1896'></a><p><b>MORRIS, WILLIAM (1834-1896).</b> +—Poet, artist, and socialist, +<i>b.</i> at Walthamstow, and <i>ed.</i> at Marlborough School and Oxf. After +being articled as an architect he was for some years a painter, and +then joined in founding the manufacturing and decorating firm of +Morris, Marshall, Faulkner and Co., in which Rossetti, Burne-Jones, +and other artists were partners. By this and other means he did +much to influence the public taste in furnishing and decoration. +He was one of the originators of the <i>Oxford and Cambridge Magazine</i>, +to which he contributed poems, tales, and essays, and in 1858 he +<i>pub.</i> <i>Defence of Guenevere and other Poems</i>. <i>The Life and Death of +Jason</i> followed in 1867, <i>The Earthly Paradise</i> in 1868-70, and <i>Love is +Enough</i> in 1875. In the last mentioned year he made a translation +in verse of Virgil's <i>Æneid</i>. Travels in Iceland led to the writing of +<i>Three Northern Love Stories</i>, and the epic of <i>Sigurd the Volsung</i> +(1876). His translation of the <i>Odyssey</i> in verse appeared 1887. A +series of prose romances began with <i>The House of the Wolfings</i> (1889), +<a name='Page_281'></a>and included <i>The Roots of the Mountains</i>, <i>Story of the Glittering +Plain</i>, <i>The Wood beyond the World</i>, <i>The Well at the World's End</i> +(1896), and posthumously <i>The Water of the Wondrous Isles</i>, and +<i>Story of the Sundering Flood</i>. In addition to poems and tales M. +produced various illuminated manuscripts, including two of Fitzgerald's +<i>Omar Khayyam</i>, and many controversial writings, among +which are tales and tracts in advocacy of Socialism. To this class +belong the <i>Dream of John Ball</i> (1888), and <i>News from Nowhere</i> +(1891). In 1890 M. started the Kelmscott Press, for which he designed +type and decorations. For his subjects as a writer he drew +upon classic and Gothic models alike. He may perhaps be regarded +as the chief of the modern romantic school, inspired by the love of +beauty for its own sake; his poetry is rich and musical, and he has a +power of description which makes his pictures live and glow, but his +narratives sometimes suffer from length and slowness of movement.</p> + +<p><i>Life</i> by J.W. Mackail (2 vols., 1899), <i>The Books of W. Morris</i>, +Forman, etc.</p><br /> + +<a name='MORTON_THOMAS_1764_1838'></a><p><b>MORTON, THOMAS (1764-1838).</b> +—Dramatist, <i>b.</i> in Durham, +came to London to study law, which he discarded in favour of play-writing. +He wrote about 25 plays, of which several had great +popularity. In one of them, <i>Speed the Plough</i>, he introduced Mrs. +Grundy to the British public.</p><br /> + +<a name='MOTHERWELL_WILLIAM_1797_1835'></a><p><b>MOTHERWELL, WILLIAM (1797-1835).</b> +—Poet, <i>b.</i> and <i>ed.</i> in +Glasgow, he held the office of depute sheriff-clerk at Paisley, at the +same time contributing poetry to various periodicals. He had also +antiquarian tastes, and a deep knowledge of the early history of +Scottish ballad literature, which he turned to account in <i>Minstrelsy, +Ancient and Modern</i> (1827), a collection of Scottish ballads with an +historical introduction. In 1830 he became ed. of the <i>Glasgow +Courier</i>, and in 1832 he <i>coll.</i> and <i>pub.</i> his poems. He also joined +Hogg in ed. the Works of Burns.</p><br /> + +<a name='MOTLEY_JOHN_LOTHROP_1814_1877'></a><p><b>MOTLEY, JOHN LOTHROP (1814-1877).</b> +—Historian, <i>b.</i> at +Dorchester, a suburb of Boston, Massachusetts, was <i>ed.</i> at Harvard, +where <a href='#HOLMES_OLIVER_WENDELL_1809_1894'>O.W. Holmes</a> (<i>q.v.</i>), afterwards his biographer, was a fellow-student. +After graduating he went to Europe, studied at Göttingen +and Berlin, and visited Italy. On his return he studied law, and was +admitted to the Bar in 1837. He did not, however, practise, and +was in 1840 sent to St. Petersburg as Sec. of Legation. Meanwhile, +having <i>pub.</i> two novels, <i>Morton's Hope</i> and <i>Merry Mount</i>, which had +little success, he turned to history, and attracted attention by some +essays in various reviews. Having decided to write an historical +work on Holland, he proceeded in 1851 to Europe to collect materials, +and in 1856 <i>pub.</i> <i>The Rise of the Dutch Republic</i>. It was received +with the highest approval by such critics as Froude and Prescott, +and at once took its place as a standard work. It was followed in +1860 by the first two vols. of <i>The United Netherlands</i>. The following +year M. was appointed Minister at Vienna, and in 1869 at London. +His latest works were a <i>Life of Barneveldt</i>, the Dutch statesman, and +<i>A View of ... the Thirty Years' War</i>. M. holds a high place among +historical writers both on account of his research and accuracy, and +his vivid and dramatic style, which shows the influence of Carlyle<a name='Page_282'></a>.</p><br /> + +<a name='MOULTRIE_JOHN_1799_1874'></a><p><b>MOULTRIE, JOHN (1799-1874).</b> +—Poet, <i>ed.</i> at Eton and +Camb., took orders and was Rector of Rugby. He wrote several books +of poetry, his best known pieces are <i>My Brother's Grave</i>, and <i>Godiva</i>.</p><br /> + +<a name='MULOCK_DINAH_MARIA_MRS_CRAIK_1826_1887'></a><p><b>MULOCK, DINAH MARIA (MRS. CRAIK) (1826-1887).</b> +—Novelist, +<i>dau.</i> of a Nonconformist minister of Irish descent. Beginning +with stories for children, she developed into a prolific and +popular novelist. Her best and most widely known book is <i>John +Halifax, Gentleman</i> (1857), which had a wide popularity, and was +translated into several languages. Others are <i>The Head of the +Family</i>, <i>Agatha's Husband</i>, <i>A Life for a Life</i>, and <i>Mistress and Maid</i>. +She also wrote one or two vols. of essays.</p><br /> + +<a name='MUNDAY_ANTHONY_1553_1633'></a><p><b>MUNDAY, ANTHONY (1553-1633).</b> +—Dramatist, poet, and +pamphleteer, <i>s.</i> of a draper in London, appears to have had a somewhat +chequered career. He went to Rome in 1578, and <i>pub.</i> <i>The +Englyshe Romayne Life</i>, in which he gives descriptions of rites and +other matters fitted to excite Protestant feeling; and he appears to +have acted practically as a spy upon Roman Catholics. He had a +hand in 18 plays, of which four only are extant, including two on +<i>Robert, Earl of Huntingdon</i> (<i>Robin Hood</i>) (1598), and one on the <i>Life +of Sir John Oldcastle</i>. He was ridiculed by Ben Jonson in <i>The Case +is Altered</i>. He was also a ballad-writer, but nothing of his in this +kind survives, unless <i>Beauty sat bathing in a Spring</i> be correctly +attributed to him. He also wrote city pageants, and translated +popular romances, including <i>Palladino of England</i>, and <i>Amadis of +Gaule</i>. He was made by <a href='#STOW_JOHN_1525_1605'>Stow</a> the antiquary (<i>q.v.</i>) his literary +executor, and <i>pub.</i> his <i>Survey of London</i> (1618).</p><br /> + +<a name='MURE_WILLIAM_1799_1860'></a><p><b>MURE, WILLIAM (1799-1860).</b> +—Scholar, laird of Caldwell, +Ayrshire, <i>ed.</i> at Westminster, Edin., and Bonn, sat in Parliament for +Renfrewshire 1846-55. He was a sound classical scholar, and <i>pub.</i> +<i>A Critical History of the Language and Literature of Ancient Greece</i> +(5 vols., 1850-57). He held the view that the <i>Iliad</i> and <i>Odyssey</i> are +now substantially as they were originally composed. M. was Lord +Rector of Glasgow Univ. 1847-48.</p><br /> + +<a name='MURPHY_ARTHUR_1727_1805'></a><p><b>MURPHY, ARTHUR (1727-1805).</b> +—Actor and dramatist, <i>b.</i> +in Ireland, and <i>ed.</i> at St. Omer, went on the stage, then studied for +the Bar, to which he was ultimately admitted after some demur on +account of his connection with the stage. His plays were nearly all +adaptations. They include <i>The Apprentice</i> (1756), <i>The Spouter</i>, and +<i>The Upholsterer</i>. He also wrote an essay on Dr. Johnson, and a +Life of Garrick.</p><br /> + +<a name='MURRAY_LINDLEY_1745_1826'></a><p><b>MURRAY, LINDLEY (1745-1826).</b> +—Grammarian, was <i>b.</i> in +Pennsylvania, and practised as a lawyer. From 1785 he lived in +England, near York, and was for his last 16 years confined to the +house. His <i>English Grammar</i> (1795) was long a standard work, and +his main claim to a place in literature. His other writings were +chiefly religious.</p><br /> + +<a name='MYERS_FREDERIC_WILLIAM_HENRY_1843_1901'></a><p><b>MYERS, FREDERIC WILLIAM HENRY (1843-1901).</b> +—Poet +and essayist, <i>s.</i> of a clergyman, was <i>b.</i> at Keswick, and <i>ed.</i> at Cheltenham +and Camb. He became an inspector of schools, and was +the author of several vols. of poetry, including <i>St. Paul</i> (1867). He +<a name='Page_283'></a>also wrote <i>Essays Classical and Modern</i>, and Lives of Wordsworth +and Shelley. Becoming interested in mesmerism and spiritualism +he aided in founding the Society for Psychical Research, and was +joint author of <i>Phantasms of the Living</i>. His last work was <i>Human +Personality and its Survival of Bodily Death</i> (1903).</p><br /> + +<a name='NABBES_THOMAS_fl_1638'></a><p><b>NABBES, THOMAS (<i>fl.</i> 1638).</b> +—Dramatist, was at Oxf. in +1621. He lived in London, and wrote comedies, satirising bourgeois +society. He was most successful in writing masques, among which +are <i>Spring's Glory</i> and <i>Microcosmus</i>. He also wrote a continuation +of Richard Knolles' <i>History of the Turks</i>.</p><br /> + +<a name='NAIRNE_CAROLINA_OLIPHANT_BARONESS_1766_1845'></a><p><b>NAIRNE, CAROLINA (OLIPHANT), BARONESS (1766-1845).</b> +—<i>B.</i> +at the House of Gask ("the auld house"), <i>m.</i> in 1806 her second +cousin, Major Nairne, who on reversal of attainder became 5th Lord +Nairne. On his death, after residing in various places in England, +Ireland, and on the Continent, she settled at the new house of Gask +(the old one having been pulled down in 1801). Of her songs—87 in +number—many first appeared anonymously in <i>The Scottish Minstrel</i> +(1821-24); a collected ed. with her name, under the title of <i>Lays' from +Strathearn</i>, was <i>pub.</i> after her death. Although the songs, some of +which were founded on older compositions, had from the first an +extraordinary popularity, the authoress maintained a strict anonymity +during her life. For direct simplicity and poetic feeling Lady +N. perhaps comes nearer than any other Scottish song-writer to +Burns, and many of her lyrics are enshrined in the hearts of her +fellow-countrymen. Among the best of them are <i>The Land of the +Leal</i> (1798), <i>Caller Herrin'</i>, <i>The Laird o' Cockpen</i>, <i>The Auld House</i>, +<i>The Rowan Tree</i>, <i>The Hundred Pipers</i>, and <i>Will ye no come back +Again?</i> The Jacobitism of some of these and many others was, of +course, purely sentimental and poetical, like that of Scott. She was +a truly religious and benevolent character, and the same modesty +which concealed her authorship withdrew from public knowledge +her many deeds of charity.</p><br /> + +<a name='NAPIER_MARK_1798_1879'></a><p><b>NAPIER, MARK (1798-1879).</b> +—Historian, <i>s.</i> of a lawyer +in Edinburgh, was called to the Bar, practised as an advocate, and +was made Sheriff of Dumfries and Galloway. He <i>pub.</i> Memoirs of +the Napiers, of Montrose, and of Graham of Claverhouse, the last +of which gave rise to much controversy. N. wrote from a strongly +Cavalier and Jacobite standpoint, and had remarkably little of the +judicial spirit in his methods. His writings, however, have some +historical value.</p><br /> + +<a name='NAPIER_SIR_WILLIAM_FRANCIS_PATRICK_1785_1860'></a><p><b>NAPIER, SIR WILLIAM FRANCIS PATRICK (1785-1860).</b> +—was +one of the sons of Col. the Hon. George N. and Lady Sarah +Lennox, <i>dau.</i> of the 2nd Duke of Richmond, and the object of a +romantic attachment on the part of George III. One of his brothers +was Sir Charles N., the conqueror of Scinde. Entering the army at +15, he served with great distinction in the Peninsula under Moore +and Wellington. His experiences as a witness and participator in +the stupendous events of the war combined with the possession of +remarkable acumen and a brilliant style to qualify him for the great +work of his life as its historian. <i>The History of the War in the Peninsula +<a name='Page_284'></a>and in the South of France from 1807-14</i> (1828-40) at once took +rank as a classic, and superseded all existing works on the subject. +Though not free from prejudice and consequent bias, it remains a +masterpiece of historical writing, especially in the description of +military operations. It was translated into French, German, +Spanish, Italian, and Persian. N. also <i>pub.</i> <i>The Conquest of Scinde</i> +(1844-46), mainly a defence of his brother Charles, whose life he +subsequently wrote. He became K.C.B. in 1848, and General 1859.</p><br /> + +<a name='NASH_THOMAS_1567_1601'></a><p><b>NASH, THOMAS (1567-1601).</b> +—Satirist, etc., <i>b.</i> at Lowestoft, +<i>ed.</i> at Camb. A reckless life kept him in perpetual poverty, +and a bitter and sarcastic tongue lost him friends and patrons. He +cherished an undying hatred for the Puritans, and specially for +Gabriel Hervey, with whom he maintained a lifelong controversy, +and against whose attacks he defended <a href='#GREENE_ROBERT_1560_1592'>Robert Greene</a> (<i>q.v.</i>). Among +his writings are <i>Anatomy of Absurdities</i> (1589), <i>Have with you to +Saffron Walden</i>, and <i>Pierce Pennilesse, his Supplication to the Divell</i> +(1592), all against the Puritans. In <i>Summer's</i> (a jester of Henry +VIII.) <i>Last Will and Testament</i> occurs the well-known song, "Spring, +the sweet Spring, is the year's pleasant King." <i>Christ's Tears over +Jerusalem</i> (1593) may have indicated some movement towards repentance. +Another work in a totally different style, <i>The Unfortunate +Traveller, or the Life of Jack Wilton</i> (1594), a wild tale, may be +regarded as the pioneer of the novel of adventure. It had, however, +so little success that the author never returned to this kind of fiction. +A comedy, <i>The Isle of Dogs</i> (now lost), adverted so pointedly to +abuses in the state that it led to his imprisonment. His last work +was <i>Lenten Stuffe</i> (1599), a burlesque panegyric on Yarmouth and +its red herrings. N.'s verse is usually hard and monotonous, but he +was a man of varied culture and great ability.</p><br /> + +<a name='NAYLER_JAMES_1617_1660'></a><p><b>NAYLER, JAMES (1617?-1660).</b> +—Quaker theologian, <i>s.</i> of +a Yorkshire yeoman, who, after serving in the Parliamentary army, +joined the Quakers in 1651, became one of Foxe's most trusted +helpers, and exercised a powerful influence. By some of the more +enthusiastic devotees of the sect he was honoured with such blasphemous +titles as "the Lamb of God," which, however, he did not +arrogate to himself, but asserted that they were ascribed to "Christ +in him." He was found guilty of blasphemy, pilloried, whipped, and +branded, and cast into prison, from which he was not released until +after the death of Cromwell, when he made public confession and +resumed preaching. He was the author of a number of short works +both devotional and controversial. He ranks high among the +Quakers for eloquence, insight, and depth of thought.</p><br /> + +<a name='NEAL_JOHN_1793_1876'></a><p><b>NEAL, JOHN (1793-1876).</b> +—Novelist and poet, <i>b.</i> at Portland, +Maine, was self-educated, kept a dry goods store, and was afterwards +a lawyer. He wrote several novels, which show considerable +native power, but little art, and are now almost forgotten. Among +those which show the influence of Byron and Godwin are <i>Keep Cool</i> +(1818), <i>Logan</i> (1822), and <i>Seventy-six</i> (1823). His poems have the +same features of vigour and want of finish. In 1823 he visited +England, and became known to Jeremy Bentham. He contributed +some articles on American subjects to <i>Blackwood's Magazine</i><a name='Page_285'></a>.</p><br /> + +<a name='NEAVES_CHARLES_LORD_1800_1876'></a><p><b>NEAVES, CHARLES, LORD (1800-1876).</b> +—Miscellaneous +author, <i>b.</i> and <i>ed.</i> in Edinburgh, was called to the Bar, and became +a judge. He was a frequent contributor to <i>Blackwood's Magazine</i>. +His verses, witty and satirical, were <i>coll.</i> as <i>Songs and Verses, Social +and Scientific</i>. He wrote also on philology, and <i>pub.</i> a book on the +Greek Anthology.</p><br /> + +<a name='NECKHAM_ALEXANDER_1157_1217'></a><p><b>NECKHAM, ALEXANDER (1157-1217).</b> +—Scholar, <i>b.</i> at St. +Albans, was foster-brother to Richard Cœur de Lion. He went to +Paris in 1180, where he became a distinguished teacher. Returning, +to England in 1186 he became an Augustinian Canon, and in 1213 +Abbot of Cirencester. He is one of our earliest men of learning, and +wrote a scientific work in Latin verse. <i>De Naturis Rerum</i> (<i>c.</i> 1180-94) +in 10 books. Other works are <i>De Laudibus Divinæ Sapientiæ</i> (in +Praise of the Divine Wisdom), and <i>De Contemptu Mundi</i> (on Despising +the World), and some grammatical treatises.</p><br /> + +<a name='NEWCASTLE_MARGARET_DUCHESS_of_1624_1674'></a><p><b>NEWCASTLE, MARGARET, DUCHESS of (1624?-1674).</b> +—<i>Dau.</i> +of Sir Thomas Lucas, and a maid of honour to Queen Henrietta. +Maria, <i>m.</i> in 1645 the 1st Duke of Newcastle (then Marquis), whom +she regarded in adversity and prosperity with a singular and almost +fantastic devotion, which was fully reciprocated. The noble pair +collaborated (the Duchess contributing by far the larger share) in +their literary ventures, which filled 12 vols., and consisted chiefly of +dramas (now almost unreadable), and philosophical exercitations +which, amid prevailing rubbish, contain some weighty sayings. One +of her poems, <i>The Pastimes and Recreations of the Queen of Fairies in +Fairyland</i> has some good lines. Her Life of her husband, in which +she rates him above Julius Cæsar, was said by Lamb to be "a jewel +for which no casket was good enough."</p><br /> + +<a name='NEWMAN_FRANCIS_WILLIAM_1805_1897'></a><p><b>NEWMAN, FRANCIS WILLIAM (1805-1897).</b> +—Scholar and +theological writer, brother of Cardinal N., <i>b.</i> in London, and <i>ed.</i> at +Oxf. After spending three years in the East, he became successively +classical tutor in Bristol Coll., Professor of Classical Literature +in Manchester New Coll. (1840), and of Latin in Univ. Coll., London, +1846-63. Both brought up under evangelical influences, the two +brothers moved from that standpoint in diametrically opposite +directions, Francis through eclecticism towards scepticism. His +writings include a <i>History of the Hebrew Monarchy</i> (1847), <i>The Soul</i> +(1849), and his most famous book, <i>Phases of Faith</i> (1850), a theological +autobiography corresponding to his brother's <i>Apologia</i>, the +publication of which led to much controversy, and to the appearance +of Henry Rogers' <i>Eclipse of Faith</i>. He also <i>pub.</i> <i>Miscellanea</i> in 4 vols., +a Dictionary of modern Arabic, and some mathematical treatises. +He was a vegetarian, a total abstainer, and enemy of tobacco, +vaccination, and vivisection. Memoir by I.G. Sieveking, 1909.</p><br /> + +<a name='NEWMAN_JOHN_HENRY_1801_1890'></a><p><b>NEWMAN, JOHN HENRY (1801-1890).</b> +—Theologian, <i>s.</i> of a +London banker, and brother of the above, was <i>ed.</i> at Ealing and +Trinity Coll., Oxf., where he was the intimate friend of Pusey and +Hurrell Froude. Taking orders he was successively curate of St. +Clement's 1824, and Vicar of St. Mary's, Oxford, 1828. He was also +Vice-principal of Alban Hall, where he assisted Whately, the Principal, +<a name='Page_286'></a>in his <i>Logic</i>. In 1830 he definitely broke with the evangelicalism +in which he had been brought up; and in 1832, accompanied +by H. Froude, went to the South of Europe, and visited Rome. +During this lengthened tour he wrote most of his short poems, +including "Lead Kindly Light," which were <i>pub.</i> 1834 as <i>Lyra +Apostolica</i>. On his return he joined with Pusey, Keble, and others +in initiating the Tractarian movement, and contributed some of the +more important tracts, including the fateful No. xc., the publication of +which brought about a crisis in the movement which, after two years +of hesitation and mental and spiritual conflict, led to the resignation +by N. of his benefice. In 1842 he retired to Littlemore, and after a +period of prayer, fasting, and seclusion, was in 1845 received into +the Roman Catholic Church. In the following year he went to +Rome, where he was ordained priest and made D.D., and returning +to England he established the oratory in Birmingham in 1847, and +that in London in 1850. A controversy with C. Kingsley, who had +written that N. "did not consider truth a necessary virtue," led to +the publication of his <i>Apologia pro Vita Sua</i> (1864), one of the most +remarkable books of religious autobiography ever written. N.'s +later years were passed at the oratory at Birmingham. In 1879 he +was summoned to Rome and <i>cr.</i> Cardinal of St. George in Velabro. +Besides the works above mentioned he wrote, among others, <i>The +Arians of the Fourth Century</i> (1833), <i>Twelve Lectures</i> (1850), <i>Lectures +on the Present Position of Catholics</i> (1851), <i>Idea of a University</i>, <i>Romanism +and Popular Protestantism</i>, <i>Disquisition on the Canon of Scripture</i>, +and his poem, <i>The Dream of Gerontius</i>. Possessed of one of the most +keen and subtle intellects of his age, N. was also master of a style +of marvellous beauty and power. To many minds, however, his +subtlety not seldom appeared to pass into sophistry; and his attitude +to schools of thought widely differing from his own was sometimes +harsh and unsympathetic. On the other hand he was able to +exercise a remarkable influence over men ecclesiastically, and in +some respects religiously, most strongly opposed to him. His +sermons place him in the first rank of English preachers.</p> + +<p><i>Lives</i> or books about him by R.H. Hutton, E.A. Abbott. <i>Works</i> +(36 vols., 1868-81), <i>Apologia pro Vita Sua</i> (1864), etc.</p><br /> + +<a name='NEWTON_SIR_ISAAC_1642_1727'></a><p><b>NEWTON, SIR ISAAC (1642-1727).</b> +—Natural philosopher, +<i>b.</i> at Woolsthorpe, Lincolnshire, the <i>s.</i> of a small landed proprietor, +and <i>ed.</i> at the Grammar School of Grantham and at Trinity Coll., +Camb. By propounding the binomial theorem, the differential calculus, +and the integral calculus, he began in 1665 the wonderful +series of discoveries in pure mathematics, optics, and physics, +which place him in the first rank of the philosophers of all time. +He was elected Lucasian Prof. of Mathematics at Camb. in 1669, +and a Fellow of the Royal Society in 1672, over which body he +presided for 25 years from 1703. In the same year his new +theory of flight was <i>pub.</i> in a paper before the society. His +epoch-making discovery of the law of universal gravitation was +not promulgated until 1687, though the first glimpse of it had come +to him so early as 1665. The discovery of fluxions, which he claimed, +was contested by Leibnitz, and led to a long and bitter controversy +between the two philosophers. He twice sat in Parliament for his<a name='Page_287'></a> +Univ., and was Master of the Mint from 1699, in which capacity he +presented reports on the coinage. He was knighted in 1705, and <i>d.</i> +at Kensington in 1727. For a short time, after an unfortunate accident +by which a number of invaluable manuscripts were burned, he +suffered from some mental aberration. His writings fall into two +classes, scientific and theological. In the first are included his +famous treatises, <i>Light and Colours</i> (1672), <i>Optics</i> (1704), the <i>Principia</i> +(1687), in Latin, its full title being <i>Philosophiæ Naturalis Principia +Mathematica</i>. In the second are his <i>Observations upon the +Prophecies of Holy Writ</i> and <i>An Historical Account of Two Notable +Corruptions of Scripture</i>. In character N. was remarkable for simplicity, +humility, and gentleness, with a great distaste for controversy, +in which, nevertheless, he was repeatedly involved. +<i>Life</i> by Sir D. Brewster, second ed., 1855, etc.</p><br /> + +<a name='NEWTON_JOHN_1725_1807'></a><p><b>NEWTON, JOHN (1725-1807).</b> +—Divine and hymn-writer, <i>s.</i> +of a shipmaster, was <i>b.</i> in London, and for many years led a varied +and adventurous life at sea, part of the time on board a man-of-war +and part as captain of a slaver. In 1748 he came under strong +religious convictions, and after acting as a tide-waiter at Liverpool +for a few years, he applied for orders in 1758, and was ordained +curate of Olney in 1764. Here he became the intimate and sympathetic +friend of Cowper, in conjunction with whom he produced +the <i>Olney Hymns</i>. In 1779 he was translated to the Rectory of St. +Mary, Woolnoth, London, where he had great popularity and influence, +and wrote many religious works, including <i>Cardiphonia</i>, and +<i>Remarkable Passages in his Own Life</i>. He lives, however, in his +hymns, among which are some of the best and most widely known +in the language, such as <i>In evil long I took delight</i>, <i>Glorious things of +Thee are Spoken</i>, <i>How Sweet the Name of Jesus sounds</i>, and many +others. In his latter years N. was blind.</p><br /> + +<a name='NICHOL_JOHN_1833_1894'></a><p><b>NICHOL, JOHN (1833-1894).</b> +—Poet and biographer, <i>s.</i> of +John P.N., Prof. of Astronomy in Glasgow, <i>ed.</i> at Glasgow and Oxf., +and held the chair of English Literature in Glasgow, 1862-1889. +Among his writings are <i>Hannibal</i> (1873), a drama, <i>Death of Themistocles +and other Poems</i> (1881), <i>Fragments of Criticism</i>, and <i>American +Literature</i>; also Lives of Bacon, Burns, Carlyle, and Byron.</p><br /> + +<a name='NOEL_HON_RODEN_BERKELEY_WRIOTHESLEY_1834_1894'></a><p><b>NOEL, HON. RODEN BERKELEY WRIOTHESLEY (1834-1894).</b> +—Poet, +<i>s.</i>, of the 1st Earl of Gainsborough, was <i>ed.</i> at Camb. +He wrote <i>Behind the Veil</i> (1863), <i>The Red Flag</i> (1872), <i>Songs of the +Heights and Deeps</i> (1885), and <i>Essays</i> on various poets, also a Life +of Byron.</p><br /> + +<a name='NORRIS_JOHN_1657_1711'></a><p><b>NORRIS, JOHN (1657-1711).</b> +—Philosopher and poet, <i>ed.</i> at +Oxf., took orders, and lived a quiet and placid life as a country +parson and thinker. In philosophy he was a Platonist and mystic, +and was an early opponent of Locke. His poetry, with occasional +fine thoughts, is full of far-fetched metaphors and conceits, and is +not seldom dull and prosaic. From 1692 he held G. Herbert's +benefice of Bemerton. Among his 23 works are <i>An Idea of Happiness</i> +(1683), <i>Miscellanies</i> (1687), <i>Theory and Regulation of Love</i> +(1688), <i>Theory of the Ideal and Intelligible World</i> (1701-4), and a <i>Discourse +concerning the Immortality of the Soul</i> (1708)<a name='Page_288'></a>.</p><br /> + +<a name='NORTH_SIR_THOMAS_1535_1601'></a><p><b>NORTH, SIR THOMAS (1535?-1601?).</b> +—Translator, 2nd <i>s.</i> +of the 1st Lord N., may have studied at Camb. He entered Lincoln's +Inn 1557, but gave more attention to literature than to law. +He is best known by his translation of <i>Plutarch</i>, from the French of +Amyot, in fine, forcible, idiomatic English, which was the repertory +from which Shakespeare drew his knowledge of ancient history: in +<i>Antony and Cleopatra</i> and <i>Coriolanus</i> North's language is often +closely followed. Another translation was from an Italian version +of an Arabic book of fables, and bore the title of <i>The Morale Philosophie +of Doni</i>.</p><br /> + +<a name='NORTON_CAROLINE_ELIZABETH_SARAH_SHERIDAN_1808_1877'></a><p><b>NORTON, CAROLINE ELIZABETH SARAH (SHERIDAN) (1808-1877).</b> +—Grand-daughter +of <a href='#SHERIDAN_RICHARD_BRINSLEY_1751_1816'>Richard Brinsley S.</a> (<i>q.v.</i>), <i>m.</i> in 1827 the +Hon. G.C. Norton, a union which turned out most unhappy, and +ended in a separation. Her first book, <i>The Sorrows of Rosalie</i> (1829), +was well received. <i>The Undying One</i> (1830), a romance founded +upon the legend of the Wandering Jew, followed, and other novels +were <i>Stuart of Dunleath</i> (1851), <i>Lost and Saved</i> (1863), and <i>Old Sir +Douglas</i> (1867). The unhappiness of her married life led her to +interest herself in the amelioration of the laws regarding the social +condition and the separate property of women and the wrongs of +children, and her poems, <i>A Voice from the Factories</i> (1836), and <i>The +Child of the Islands</i> (1845), had as an object the furtherance of her +views on these subjects. Her efforts were largely successful in +bringing about the needed legislation. In 1877 Mrs. N. <i>m.</i> <a href='#STIRLING_MAXWELL_SIR_WILLIAM_1818_1878'>Sir W. +Stirling Maxwell</a> (<i>q.v.</i>).</p><br /> + +<a name='NORTON_CHARLES_ELIOT_LLD_DCL_etc_1827_1909'></a><p><b>NORTON, CHARLES ELIOT, LL.D., D.C.L., etc. (1827-1909).</b> +—American +biographer and critic. <i>Church Building in the +Middle Ages</i> (1876), translation of the <i>New Life</i> (1867), and <i>The +Divine Comedy</i> of Dante (1891); has ed. <i>Correspondence of Carlyle and +Emerson</i> (1883), <i>Carlyle's Letters and Reminiscences</i> (1887), etc.</p><br /> + +<a name='OCCAM_or_OCKHAM_WILLIAM_1270_1349'></a><p><b>OCCAM or OCKHAM, WILLIAM (1270?-1349?).</b> +—Schoolman, +<i>b.</i> at Ockham, Surrey, studied at Oxf. and Paris, and became a +Franciscan. As a schoolman he was a Nominalist and received the +title of the Invincible Doctor. He attacked the abuses of the +Church, and was imprisoned at Avignon, but escaped and spent the +latter part of his life at Munich, maintaining to the last his controversies +with the Church, and with the Realists. He was a man of +solid understanding and sense, and a masterly logician. His +writings, which are of course all in Latin, deal with the Aristotelean +philosophy, theology, and specially under the latter with the errors +of Pope John XXII., who was his <i>bête-noir</i>.</p><br /> + +<a name='OCCLEVE_see_HOCCLEVE'></a><p><b>OCCLEVE, (<i>see</i> <a href='#HOCCLEVE_or_OCCLEVE_THOMAS_1368_1450'>HOCCLEVE</a>).</b></p><br /> + +<a name='OCKLEY_SIMON_1678_1720'></a><p><b>OCKLEY, SIMON (1678-1720).</b> +—Orientalist, <i>b.</i> at Exeter, +and <i>ed.</i> at Camb., became the greatest Orientalist of his day, and +was made in 1711 Prof. of Arabic in his Univ. His chief work is the +<i>Conquest of Syria, Persia, and Egypt by the Saracens</i> (3 vols., 1708-57), +which was largely used by Gibbon. The original documents upon +which it is founded are now regarded as of doubtful authority. O. +was a clergyman of the Church of England<a name='Page_289'></a>.</p><br /> + +<a name='OKEEFFE_JOHN_1747_1833'></a><p><b>O'KEEFFE, JOHN (1747-1833).</b> +—Dramatist, wrote a +number of farces and amusing dramatic pieces, many of which had +great success. Among these are <i>Tony Lumpkin in Town</i> (1778), +<i>Wild Oats</i>, and <i>Love in a Camp</i>. Some of his songs set to music by +Arnold and Shield, such as <i>I am a Friar of Orders Grey</i>, and <i>The +Thorn</i>, are still popular. He was blind in his later years.</p><br /> + +<a name='OLDHAM_JOHN_1653_1683'></a><p><b>OLDHAM, JOHN (1653-1683).</b> +—Satirist and translator, <i>s.</i> +of a Nonconformist minister, was at Oxf., and was the friend of most +of the literary men of his time, by whom his early death from smallpox +was bewailed. He made clever adaptations of the classical +satirists, wrote an ironical <i>Satire against Virtue</i>, and four severe +satires against the Jesuits. He is cynical to the verge of misanthropy, +but independent and manly.</p><br /> + +<a name='OLDMIXON_JOHN_1673_1742'></a><p><b>OLDMIXON, JOHN (1673-1742).</b> +—Historical and miscellaneous +writer, belonged to an old Somersetshire family, wrote some, +now forgotten, dramas and poems which, along with an essay on +criticism, in which he attacked Addison, Swift, and Pope, earned +for him a place in <i>The Dunciad</i>. He was also the author of <i>The +British Empire in America</i> (1708), <i>Secret History of Europe</i> (against +the Stuarts), and in his <i>Critical History</i> (1724-26) attacked Clarendon's +<i>History of the Rebellion</i>. All these works are partisan in their +tone. O. was one of the most prolific pamphleteers of his day.</p><br /> + +<a name='OLDYS_WILLIAM_1696_1761'></a><p><b>OLDYS, WILLIAM (1696-1761).</b> +—Antiquary, wrote a Life +of Sir W. Raleigh prefixed to an ed. of his works (1736), a <i>Dissertation +on Pamphlets</i> (1731), and was joint ed. with Dr. Johnson of the +<i>Harleian Miscellany</i>. He amassed many interesting facts in literary +history, the fruits of diligent, though obscure, industry. The only +poem of his that still lives is the beautiful little anacreontic beginning +"Busy, curious, thirsty Fly." O. held the office of Norroy-King-at-Arms. +He produced in 1737 <i>The British Librarian</i>, a valuable +work left unfinished.</p><br /> + +<a name='OLIPHANT_LAURENCE_1829_1888'></a><p><b>OLIPHANT, LAURENCE (1829-1888).</b> +—Novelist and miscellaneous +writer, <i>s.</i> of Sir Anthony O., Chief Justice of Ceylon. The +first 38 years of his life were spent in desultory study, travel, and +adventure, varied by occasional diplomatic employment. His +travels included, besides Continental countries, the shores of the +Black Sea, Circassia, where he was <i>Times</i> correspondent, America, +China, and Japan. He was in the Crimean War, Indian Mutiny, +Chinese War, the military operations of Garibaldi, and the Polish +insurrection, and served as private sec. to Lord Elgin in Washington, +Canada, and China, and as Sec. of Legation in Japan. In 1865 he +entered Parliament, and gave promise of political eminence, when in +1867 he came under the influence of Thomas L. Harris, an American +mystic of questionable character, went with him to America, and +joined the Brotherhood of the New Life. In 1870-71 he was +correspondent for the <i>Times</i> in the Franco-German War. Ultimately +he broke away from the influence of Harris and went to +Palestine, where he founded a community of Jewish immigrants at +Haifa. After revisiting America he returned to England, but immediately +fell ill and <i>d.</i> at Twickenham. O. was a voluminous and +<a name='Page_290'></a>versatile author, publishing books of travel, novels, and works on +mysticism. The most important are as follows: <i>The Russian +Shores of the Black Sea</i> (1853), <i>Minnesota and the Far West</i> (1855), +<i>The Transcaucasian Campaign</i> (1856), <i>Patriots and Fillibusters</i> (adventures +in Southern States) (1860), <i>Narrative of a Mission to China +and Japan</i> (1857-59), <i>The Land of Gilead</i> (1880), <i>Piccadilly</i> (1870), +and <i>Altiora Peto</i> (1883) (novels), and <i>Scientific Religion</i>.</p><br /> + +<a name='OLIPHANT_MRS_MARGARET_OLIPHANT_WILSON_1828_1897'></a><p><b>OLIPHANT, MRS. MARGARET OLIPHANT (WILSON) (1828-1897).</b> +—Novelist +and miscellaneous writer, was <i>b.</i> near Musselburgh. +Her literary output began when she was little more than a girl, and +was continued almost up to the end of her life. Her first novel, <i>Mrs. +Margaret Maitland</i>, appeared in 1849, and its humour, pathos, and +insight into character gave the author an immediate position in +literature. It was followed by an endless succession, of which the +best were the series of <i>The Chronicles of Carlingford</i> (1861-65), +including <i>Salem Chapel</i>, <i>The Perpetual Curate</i>, and <i>Miss Marjoribanks</i>, +all of which, as well as much of her other work, appeared in +<i>Blackwood's Magazine</i>, with which she had a lifelong connection. +Others of some note were <i>The Primrose Path</i>, <i>Madonna Mary</i> (1866), +<i>The Wizard's Son</i>, and <i>A Beleaguered City</i>. She did not, however, +confine herself to fiction, but wrote many books of history and biography, +including <i>Sketches of the Reign of George II.</i> (1869), <i>The +Makers of Florence</i> (1876), <i>Literary History of England</i> 1790-1825, +<i>Royal Edinburgh</i> (1890), and Lives of <i>St. Francis of Assisi</i>, <i>Edward +Irving</i>, and <i>Principal Tulloch</i>. Her generosity in supporting and +educating the family of a brother as well as her own two sons rendered +necessary a rate of production which was fatal to the permanence of +her work. She was negligent as to style, and often wrote on subjects +to which her intellectual equipment and knowledge did not +enable her to do proper justice. She had, however, considerable +power of painting character, and a vein of humour, and showed untiring +industry in getting up her subjects.</p><br /> + +<a name='OPIE_MRS_AMELIA_ALDERSON_1769_1853'></a><p><b>OPIE, MRS. AMELIA (ALDERSON) (1769-1853).</b> +—Novelist, +<i>dau.</i> of a medical man, was <i>b.</i> at Norwich. In 1798 she <i>m.</i> John +Opie, the painter. Her first acknowledged work was <i>Father and +Daughter</i> (1801), which had a favourable reception, and was followed +by <i>Adeline Mowbray</i> (1804), <i>Temper</i> (1812), <i>Tales from Real Life</i> +(1813), and others, all having the same aim of developing the +virtuous affections, the same merit of natural and vivid painting of +character and passions, and the same fault of a too great preponderance +of the pathetic. They were soon superseded by the more +powerful genius of Scott and Miss Edgeworth. In 1825 she became +a Quaker. After this she wrote <i>Illustrations of Lying</i> (1825), and +<i>Detraction Displayed</i> (1828). Her later years, which were singularly +cheerful, were largely devoted to philanthropic interests.</p><br /> + +<a name='ORDERICUS_VITALIS_1075_1143'></a><p><b>ORDERICUS VITALIS (1075-1143?).</b> +—Chronicler, <i>b.</i> near +Shrewsbury, was in childhood put into the monastery of St. Evroult, +in Normandy, where the rest of his life was passed. He is the +author of a chronicle, <i>Ecclesiastical History of England and Normandy</i> +(<i>c.</i> 1142) in 13 books. Those from the seventh to the thirteenth +are invaluable as giving a trustworthy, though not very +<a name='Page_291'></a>clear, record of contemporary events in England and Normandy. +It was translated into English in 1853-55.</p><br /> + +<a name='ORM_or_ORMIN_fl_1200'></a><p><b>ORM, or ORMIN (<i>fl.</i> 1200).</b> +—Was an Augustinian canon of +Mercia, who wrote the <i>Ormulum</i> in transition English. It is a kind +of mediæval <i>Christian Year</i>, containing a metrical portion of the +Gospel for each day, followed by a metrical homily, largely borrowed +from Ælfric and Bede. Its title is thus accounted for, "This boc iss +nemmed the <i>Ormulum</i>, forthi that Orm it wrohhte."</p><br /> + +<a name='ORME_ROBERT_1728_1801'></a><p><b>ORME, ROBERT (1728-1801).</b> +—Historian, <i>s.</i> of an Indian +army doctor, <i>b.</i> at Travancore, and after being at Harrow, entered +the service of the East India Company. Owing to failure of health +he had to return home in 1760, and then wrote his <i>History of the +Military Transactions of the British Nation in Indostan from 1745</i> +(1763-78), a well-written and accurate work, showing great research. +He also <i>pub.</i> <i>Historical Fragments of the Mogul Empire, the Morattoes +and English Concerns in Indostan from 1659</i> (1782). His collections +relating to India are preserved at the India Office.</p><br /> + +<a name='ORRERY_ROGER_BOYLE_1ST_EARL_of_1621_1679'></a><p><b>ORRERY, ROGER BOYLE, 1ST EARL of (1621-1679).</b> +—Statesman +and dramatist, third <i>s.</i> of the Earl of Cork, was <i>ed.</i> at +Trinity Coll., Dublin. After having fought on the Royalist side he +was, on the death of the King, induced by Cromwell to support him +in his Irish wars and otherwise. After the death of the Protector +he secured Ireland for Charles II., and at the Restoration was raised +to the peerage. He wrote a romance in 6 vols., entitled <i>Parthenissa</i>, +some plays, and a treatise on the <i>Art of War</i>. He has the distinction +of being the first to introduce rhymed tragedies.</p><br /> + +<a name='OSHAUGHNESSY_ARTHUR_WILLIAM_EDGAR_1844_1881'></a><p><b>O'SHAUGHNESSY, ARTHUR WILLIAM EDGAR (1844-1881).</b> +—Poet, <i>b.</i> in London, entered the library of the British Museum, afterwards +being transferred to the natural history department, where he +became an authority on fishes and reptiles. He <i>pub.</i> various books +of poetry, including <i>Epic of Women</i> (1870), <i>Lays of France</i> (1872), +and <i>Music and Moonlight</i> (1874). Jointly with his wife he wrote +<i>Toyland</i>, a book for children. He was associated with D.G. +Rossetti and the other pre-Raphaelites. There is a certain remoteness +in his poetry which will probably always prevent its being +widely popular. He has a wonderful mastery of metre, and a +"haunting music" all his own.</p><br /> + +<a name='OTWAY_CAESAR_1780_1842'></a><p><b>OTWAY, CÆSAR (1780-1842).</b> +—Writer of Irish tales. His +writings, which display humour and sympathy with the poorer +classes in Ireland, include <i>Sketches in Ireland</i> (1827), and <i>A Tour in +Connaught</i> (1839). He was concerned in the establishment of +various journals.</p><br /> + +<a name='OTWAY_THOMAS_1651_or_1652_1685'></a><p><b>OTWAY, THOMAS (1651 or 1652-1685).</b> +—Dramatist, <i>s.</i> of a +clergyman, was <i>b.</i> near Midhurst, Sussex, and <i>ed.</i> at Oxf., which he +left without graduating. His short life, like those of many of his +fellows, was marked by poverty and misery, and he appears to have +<i>d.</i> practically of starvation. Having failed as an actor, he took to +writing for the stage, and produced various plays, among which <i>Don +Carlos, Prince of Spain</i> (1676), was a great success, and brought him +<a name='Page_292'></a>some money. Those by which he is best remembered, however, are +<i>The Orphan</i> (1680), and <i>Venice Preserved</i> (1682), both of which have +been frequently revived. O. made many adaptations from the +French, and in his tragedy of <i>Caius Marius</i> incorporated large parts +of <i>Romeo and Juliet</i>. He has been called "the most pathetic and +tear-drawing of all our dramatists," and he excelled in delineating the +stronger passions. The grossness of his comedies has banished them +from the stage. Other plays are <i>The Cheats of Scapin</i>, <i>Friendship +in Fashion</i>, <i>Soldier's Fortune</i> (1681), and <i>The Atheist</i>.</p><br /> + +<a name='OUIDA_see_RAMEE'></a><p><b>OUIDA, (<i>see</i> <a href='#RAMEE_LOUISE_DE_LA_quotOUIDAquot_1840_1908'>RAMÉE</a>).</b></p><br /> + +<a name='OUTRAM_GEORGE_1805_1856'></a><p><b>OUTRAM, GEORGE (1805-1856).</b> +—Humorous poet, was a +Scottish advocate, a friend of Prof. Wilson, and for some time ed. of +the <i>Glasgow Herald</i>. He printed privately in 1851 <i>Lyrics, Legal and +Miscellaneous</i>, which were <i>pub.</i> with a memoir in 1874. Many of his +pieces are highly amusing, the <i>Annuity</i> being the best.</p><br /> + +<a name='OVERBURY_SIR_THOMAS_1581_1613'></a><p><b>OVERBURY, SIR THOMAS (1581-1613).</b> +—Poet and miscellaneous +writer, <i>ed.</i> at Oxf., became the friend of Carr, afterwards +Earl of Rochester and Somerset, and fell a victim to a Court intrigue +connected with the proposed marriage of Rochester and Lady Essex, +being poisoned in the Tower with the connivance of the latter. He +wrote a poem, <i>A Wife, now a Widowe</i>, and <i>Characters</i> (1614), short, +witty descriptions of types of men. Some of those <i>pub.</i> along with +his are by other hands.</p><br /> + +<a name='OWEN_JOHN_1560_1622'></a><p><b>OWEN, JOHN (1560-1622).</b> +—Epigrammatist, <i>b.</i> at Plas +Dhu, Carnarvonshire, <i>ed.</i> at Winchester and Oxf., and became head +master of King Henry VIII. School at Warwick. His Latin +epigrams, which have both sense and wit in a high degree, gained +him much applause, and were translated into English, French, +German, and Spanish.</p><br /> + +<a name='OWEN_JOHN_1616_1683'></a><p><b>OWEN, JOHN (1616-1683).</b> +—Puritan divine, <i>b.</i> at Stadhampton, +Oxfordshire, and <i>ed.</i> at Oxf., from which he was driven by +Laud's statutes. Originally a Presbyterian, he passed over to Independency. +In 1649 he accompanied Cromwell to Ireland, and in +1650 to Edinburgh. He was Dean of Christ Church, Oxf. (1651-60), +and one of the "triers" of ministers appointed by Cromwell. After +the Restoration he was ejected from his deanery, but was favoured +by Clarendon, who endeavoured to induce him to conform to the +Anglican Church by offers of high preferment. Strange to say +Charles II. also held him in regard, and gave him money for the +Nonconformists; and he was allowed to preach to a congregation of +Independents in London. His great learning and ability rendered +him a formidable controversialist, specially against Arminianism +and Romanism. His works fill 28 vols; among the best known being +<i>The Divine Original, etc., of the Scriptures</i>, <i>Indwelling Sin</i>, <i>Christologia, +or ... The Person of Christ</i>, and a commentary on Hebrews.</p><br /> + +<a name='OWEN_ROBERT_1771_1858'></a><p><b>OWEN, ROBERT (1771-1858).</b> +—Socialist and philanthropist, +<i>b.</i> at Newton, Montgomeryshire, had for his object the +regeneration of the world on the principles of socialism. His sincerity +was shown by the fact that he spent most of the fortune, which +<a name='Page_293'></a>his great capacity for business enabled him to make, in endeavours +to put his theories into practice at various places both in Britain +and America. He was sincerely philanthropic, and incidentally did +good on a considerable scale in the course of his more or less impracticable +schemes. He propounded his ideas in <i>New Views of Society, +or Essays on the Formation of the Human Character</i> (1816).</p><br /> + +<a name='OXFORD_EDWARD_DE_VERE_EARL_of_1550_1604'></a><p><b>OXFORD, EDWARD DE VERE, EARL of (1550-1604).</b> +—Was +a courtier of Queen Elizabeth, who lost his friends by his insolence +and pride, and his fortune by his extravagance. He <i>m.</i> a <i>dau.</i> of +Lord Burghley, who had to support his family after his death. He +had some reputation as a writer of short pieces, many of which are +in the <i>Paradise of Dainty Devices</i>.</p><br /> + +<a name='PAINE_THOMAS_1737_1809'></a><p><b>PAINE, THOMAS (1737-1809).</b> +—Political and anti-Christian +writer, <i>s.</i> of a stay-maker and small farmer of Quaker +principles at Thetford, became with large classes perhaps the most +unpopular man in England. After trying various occupations, including +those of schoolmaster and exciseman, and having separated +from his wife, he went in 1774 to America where, in 1776, he <i>pub.</i> his +famous pamphlet, <i>Common Sense</i>, in favour of American independence. +He served in the American army, and also held some +political posts, including that of sec. to a mission to France in 1781. +Returning to England in 1787 he <i>pub.</i> his <i>Rights of Man</i> (1790-92), +in reply to Burke's <i>Reflections on the French Revolution</i>. It had an +enormous circulation, 1,500,000 copies having been sold in England +alone; but it made it necessary for him to escape to France to avoid +prosecution. Arrived in that country he was elected to the National +Convention. He opposed the execution of Louis XVI., and was, in +1794, imprisoned by Robespierre, whose fall saved his life. He had +then just completed the first part of his <i>Age of Reason</i>, of which the +other two appeared respectively in 1795 and 1807. It is directed +alike against Christianity and Atheism, and supports Deism. Becoming +disgusted with the course of French politics, he returned to +America in 1802, but found himself largely ostracised by society +there, became embroiled in various controversies, and is said to +have become intemperate. He <i>d.</i> at New York in 1809. Though +apparently sincere in his views, and courageous in the expression of +them, P. was vain and prejudiced. The extraordinary lucidity and +force of his style did much to gain currency for his writings.</p><br /> + +<a name='PAINTER_WILLIAM_1540_1594'></a><p><b>PAINTER, WILLIAM (1540?-1594).</b> +—Translator, etc., <i>ed.</i> +at Camb., was then successively schoolmaster at Sevenoaks, and +Clerk of the Ordnance, in which position his intromissions appear to +have been of more advantage to himself than to the public service. +He was the author of <i>The Palace of Pleasure</i> (1566), largely consisting +of translations from Boccaccio, Bandello, and other Italian +writers, and also from the classics. It formed a quarry in which +many dramatists, including Shakespeare, found the plots for their +plays.</p><br /> + +<a name='PALEY_WILLIAM_1743_1805'></a><p><b>PALEY, WILLIAM (1743-1805).</b> +—Theologian, <i>s.</i> of a +minor canon of Peterborough, where he was <i>b.</i>, went at 15 as a +sizar to Christ's Coll., Camb., where he was Senior Wrangler, and +<a name='Page_294'></a>became a Fellow and Tutor of his coll. Taking orders in 1767 he +held many benefices, and rose to be Archdeacon of Carlisle, and Sub-Dean +of Lincoln. P., who holds one of the highest places among +English theologians, was the author of four important works—<i>Principles +of Moral and Political Philosophy</i> (1785), <i>Horæ Paulinæ</i>, his +most original, but least popular, book (1790), <i>View of the Evidences +of Christianity</i> (1794), and <i>Natural Theology</i> (1802). Though now to +a large extent superseded, these works had an immense popularity +and influence in their day, and are characterised by singular clearness +of expression and power of apt illustration. The system of +morals inculcated by P. is Utilitarian, modified by theological ideas. +His view of the "divine right of Kings" as on a level with "the +divine right of constables" was unpleasing to George III., notwithstanding +which his ecclesiastical career was eminently successful. +His manners were plain and kindly.</p><br /> + +<a name='PALGRAVE_SIR_FRANCIS_1788_1861'></a><p><b>PALGRAVE, SIR FRANCIS (1788-1861).</b> +—Historian, <i>s.</i> of +Meyer Cohen, a Jewish stockbroker, but at his marriage in 1823, +having previously become a Christian, assumed his mother-in-law's +name of Palgrave. He studied law, and was called to the Bar in +1827. From 1838 until his death in 1861 he was Deputy Keeper of +the Records, and in that capacity arranged a vast mass of hitherto +inaccessible documents, and ed. many of them for the Record Commission. +His historical works include a <i>History of England in Anglo-Saxon +Times</i> (1831), <i>Rise and Progress of the English Commonwealth</i> +(1832), and <i>History of Normandy and England</i> (4 vols., 1851-64), <i>pub.</i> +posthumously. He was knighted in 1832. His works are of great +value in throwing light upon the history and condition of mediæval +England.</p><br /> + +<a name='PALGRAVE_FRANCIS_TURNER_1824_1897'></a><p><b>PALGRAVE, FRANCIS TURNER (1824-1897).</b> +—Poet and +critic, <i>s.</i> of the above, <i>ed.</i> at Oxf., was for many years connected +with the Education Department, of which he rose to be Assistant +Sec.; and from 1886-95 he was Prof. of Poetry at Oxf. He +wrote several vols. of poetry, including <i>Visions of England</i> (1881), +and <i>Amenophis</i> (1892), which, though graceful and exhibiting much +poetic feeling, were the work rather of a man of culture than of a +poet. His great contribution to literature was his anthology, <i>The +Golden Treasury of Songs and Lyrics</i> (1864), selected with marvellous +insight and judgment. A second series showed these qualities in a +less degree. He also <i>pub.</i> an anthology of sacred poetry.</p><br /> + +<a name='PALTOCK_ROBERT_1697_1767'></a><p><b>PALTOCK, ROBERT (1697-1767).</b> +—Novelist, was an +attorney, and wrote <i>The Life and Adventures of Peter Wilkins, a +Cornish Man</i> (1751), admired by Scott, Coleridge, and Lamb. It is +somewhat on the same plan as <i>Robinson Crusoe</i>, the special feature +being the <i>gawry</i>, or flying woman, whom the hero discovered on his +island, and married. The description of Nosmnbdsgrutt, the +country of the flying people, is a dull imitation of Swift, and much +else in the book is tedious.</p><br /> + +<a name='PARDOE_JULIA_1806_1862'></a><p><b>PARDOE, JULIA (1806-1862).</b> +—Novelist and miscellaneous +writer, <i>b.</i> at Beverley, showed an early bias towards literature, and +became a voluminous and versatile writer, producing in addition to +<a name='Page_295'></a>her lively and well-written novels many books of travel, and others +dealing with historical subjects. She was a keen observer, and her +Oriental travels had given her an accurate and deep knowledge of +the peoples and manners of the East. Among her books are <i>The +City of the Sultan</i> (1836), <i>Romance of the Harem</i>, <i>Thousand and One +Days</i>, <i>Louis XIV. and the Court of France</i>, <i>Court of Francis I.</i>, etc.</p><br /> + +<a name='PARIS_MATTHEW_c_1195_1259'></a><p><b>PARIS, MATTHEW (<i>c.</i> 1195-1259).</b> +—Chronicler, entered in +1217 the Benedictine Monastery of St. Albans, and continued the +work of <a href='#WENDOVER_ROGER_DE_d_1236'>Roger de Wendover</a> (<i>q.v.</i>) as chronicler of the monastery. +In 1248 he went on the invitation of Hacon King of Norway to +reform the Abbey of St. Benet Holm. In this he was successful, and +on his return to England enjoyed the favour of Henry III., who +conversed familiarly with him, and imparted information as to +matters of state, which constitutes a valuable element in his histories. +He had a high reputation for piety and learning, was a +patriotic Englishman, and resisted the encroachments of Rome. +His chief work is <i>Historia Major</i>, from the Conquest until 1259. In +it he embodied the <i>Flores Historiarum</i> of his predecessor Roger, and +the original part is a bold and vigorous narrative of the period (1235-59). +He also wrote <i>Historia Minor</i> and <i>Historia Anglorum</i>, a summary +of the events (1200-1250).</p><br /> + +<a name='PARK_MUNGO_1771_1806'></a><p><b>PARK, MUNGO (1771-1806).</b> +—Traveller, <i>b.</i> near Selkirk, +studied medicine at Edin. As a surgeon in the mercantile marine +he visited Sumatra, and on his return attracted the attention of +various scientific men by his botanical and zoological investigations. +In 1795 he entered the service of the African Association, and made +a voyage of discovery on the Niger. His adventures were <i>pub.</i> in +<i>Travels in the Interior of Africa</i> (1799), which had great success. He +<i>m.</i> and set up in practice in Peebles; but in 1805 accepted an invitation +by Government to undertake another journey in Africa. From +this he never returned, having perished in a conflict with natives. +His narratives, written in a straightforward and pleasing style, are +among the classics of travel.</p><br /> + +<a name='PARKER_THEODORE_1810_1860'></a><p><b>PARKER, THEODORE (1810-1860).</b> +—Theologian, <i>b.</i> at +Lexington, Massachusetts, <i>ed.</i> at Harvard, was an indefatigable +student, and made himself master of many languages. In 1837 +he was settled at West Roxbury as a Unitarian minister, but the +development of his views in a rationalistic direction gradually +separated him from the more conservative portion of his co-religionists. +He lectured on theological subjects in Boston in 1841, travelled +in Europe, and in 1845 settled in Boston, where he lectured to large +audiences, and exercised a wide influence. He took a leading part +in the anti-slavery crusade, and specially in resisting the Fugitive +Slave Act. In 1859 his health, which had never been robust, gave +way; he went to Italy in search of restoration, but <i>d.</i> at Florence. +Although he was a powerful theological and social influence, his +writings are not of corresponding importance: it was rather as a +speaker that he influenced his countrymen, and he left no contribution +to literature of much permanent account, though his <i>coll.</i> works +fill 14 vols. Among the most outstanding of his writings are <i>A Discourse +of Matters Pertaining to Religion</i>, and <i>Sermons for the Times</i><a name='Page_296'></a>.</p><br /> + +<a name='PARKMAN_FRANCIS_1823_1893'></a><p><b>PARKMAN, FRANCIS (1823-1893).</b> +—Historian, <i>s.</i> of a +Unitarian minister in Boston, Massachusetts, graduated at Harvard, +and qualified as a lawyer, but never practised, and though hampered +by a state of health which forbade continuous application, and by +partial blindness, devoted himself to the writing of the history of the +conflict between France and England in North America. This he +did in a succession of works—<i>The Conspiracy of Pontiac</i> (1851), <i>The +Pioneers of France in the New World</i> (1865), <i>The Jesuits in North +America</i> (1867), <i>La Salle and the Discovery of the Great West</i> (1869), +<i>The Old Regime in Canada</i> (1874), <i>Count Frontenac and New France</i> +(1877), <i>Montcalm and Wolfe</i> (1884), and <i>A Half Century of Conflict</i> +(1892). In these the style, at first somewhat turgid, gradually improved, +and became clear and forcible, while retaining its original +vividness. P. spared no labour in collecting and sifting his material, +much of which was gathered in the course of visits to the places +which were the scenes of his narrative, and his books are the most +valuable contribution in existence to the history of the struggle for +Canada and the other French settlements in North America. He +also wrote two novels, which had little success, and a book upon +rose-culture.</p><br /> + +<a name='PARNELL_THOMAS_1679_1718'></a><p><b>PARNELL, THOMAS (1679-1718).</b> +—Poet, <i>b.</i> and <i>ed.</i> in +Dublin, took orders in 1700, and was Vicar of Finglas and Archdeacon +of Clogher. The death of his young wife in 1706 drove him +into intemperate habits. He was a friend of Swift and Pope, a +contributor to the <i>Spectator</i>, and aided Pope in his translation of the +<i>Iliad</i>. He wrote various isolated poems showing a fine descriptive +touch, of which the most important are <i>The Hermit</i>, <i>The Night +Piece</i>, and <i>The Hymn to Contentment</i>. P. was a scholar, and had +considerable social gifts. His Life was written by Goldsmith.</p><br /> + +<a name='PARR_DR_SAMUEL_1747_1825'></a><p><b>PARR, DR. SAMUEL (1747-1825).</b> +—Scholar, <i>s.</i> of an +apothecary at Harrow, where and at Camb. he was <i>ed.</i> He was successively +an assistant-master at Harrow and headmaster of schools +at Colchester and Norwich, and having taken orders, finally settled +down at Hatton, Warwickshire, where he took private pupils. He +was undoubtedly a great Latinist, but he has left no work to account +for the immense reputation for ability which he enjoyed during his +life. His chief power appears to have been in conversation, in +which he was bold, arrogant, and epigrammatic. He was nicknamed +"the Whig Johnson," but fell very far short of his model. +His writings, including correspondence, were <i>pub.</i> in 8 vols.</p><br /> + +<a name='PATER_WALTER_HORATIO_1839_1894'></a><p><b>PATER, WALTER HORATIO (1839-1894).</b> +—Essayist and +critic, <i>s.</i> of Richard G.P., of American birth and Dutch extraction, a +benevolent physician, <i>b.</i> at Shadwell, and <i>ed.</i> at the King's School, +Canterbury, and at Queen's Coll., Oxf., after leaving which he made +various tours in Germany and Italy where, especially in the latter, +his nature, keenly sensitive to every form of beauty, received indelible +impressions. In 1864 he was elected a Fellow of Brasenose, +and in its ancient and austere precincts found his principal home. +As a tutor, though conscientious, he was not eminently successful; +nevertheless his lectures, on which he bestowed much pains, had a +<a name='Page_297'></a>fit audience, and powerfully influenced a few select souls. He resigned +his tutorship in 1880, partly because he found himself not +entirely in his element, and partly because literature was becoming +the predominant interest in his life. In 1885 he went to London, +where he remained for 8 years, continuing, however, to reside at +Brasenose during term. The reputation as a writer which he had +gained made him welcome in whatever intellectual circles he found +himself. Leaving London in 1893 he settled in a house in St. Giles, +Oxf. In the spring of 1894 he went to Glasgow to receive the honorary +degree of LL.D., a distinction which he valued. In the summer +he had an attack of rheumatic fever, followed by pleurisy. From +these he had apparently recovered, but he succumbed to an attack +of heart-failure which immediately supervened. Thus ended prematurely +in its 55th year a life as bare of outward events as it was +rich in literary fruit and influence.</p> + +<p>P. is one of the greatest modern masters of style, and one of the +subtlest and most penetrating of critics. Though not a philosopher +in the technical sense, he deeply pondered the subjects with which +philosophy sets itself to deal; but art was the dominating influence +in his intellectual life, and it was said of him that "he was a philosopher +who had gone to Italy by mistake instead of to Germany." +He may also be called the prophet of the modern æsthetic school. +His attitude to Christianity, though deeply sceptical, was not unsympathetic. +As a boy he came under the influence of Keble, and +at one time thought of taking orders, but his gradual change of view +led him to relinquish the idea. Among his works may be mentioned +an article on Coleridge, and others on Winckelmann, Leonardo da +Vinci, Michelangelo, Botticelli, etc., which were <i>coll.</i> and <i>pub.</i> as +<i>Studies in the History of the Renaissance</i> (1873); <i>Appreciations</i> (1889) +contained his great essays on <i>Æsthetic Poetry</i> and <i>Style</i>, various +Shakespearian studies and papers on Lamb and Sir T. Browne; +<i>Imaginary Portraits</i>, and <i>Greek Studies</i> (1894); <i>Plato and Platonism</i> +(1893). His masterpiece, however, is <i>Marius the Epicurean</i> (1885), +a philosophical romance of the time of Marcus Aurelius. The style +of P. is characterised by a subdued richness, and complicated, but +perfect structure of sentences. In character he was gentle, refined, +and retiring, with a remarkable suavity of manner and dislike of +controversy.</p><br /> + +<a name='PATMORE_COVENTRY_KERSEY_DIGHTON_1823_1896'></a><p><b>PATMORE, COVENTRY KERSEY DIGHTON (1823-1896).</b> +—Poet, +<i>s.</i> of Peter George P., also an author, <i>b.</i> at Woodford, Essex, +was in the printed book department of the British Museum. He +<i>pub.</i> <i>Tamerton Church Tower</i> (1853), and between 1854 and 1862 the +four poems which, combined, form his masterpiece, <i>The Angel in +the House</i>, a poetic celebration of married love. In 1864 he entered +the Church of Rome. Thereafter he <i>pub.</i> <i>The Unknown Eros</i> (1877), +<i>Amelia</i> (1878), and <i>Rod, Root, and Flower</i> (1895), meditations +chiefly on religious subjects. His works are full of graceful and +suggestive thought, but occasionally suffer from length and discursiveness. +He was successful in business matters, and in character +was energetic, masterful, and combative. He numbered Tennyson +and Ruskin among his friends, was associated with the pre-Raphaelites, +and was a contributor to their organ, the <i>Germ</i><a name='Page_298'></a>.</p><br /> + +<a name='PATTISON_MARK_1813_1884'></a><p><b>PATTISON, MARK (1813-1884).</b> +—Scholar and biographer, +<i>b.</i> at Hornby, Yorkshire, <i>s.</i> of a clergyman, <i>ed.</i> privately and at Oxf., +where in 1839 he became Fellow of Lincoln Coll., and acquired a +high reputation as a tutor and examiner. At first strongly influenced +by Newman and the Tractarian movement, he ultimately +abandoned that school. In 1851, failing to be elected head of his +coll., he threw up his tutorship, and devoted himself to severe study, +occasionally writing on educational subjects in various reviews. In +1861, however, he attained the object of his ambition, being elected +Rector of Lincoln Coll. In 1883 he dictated a remarkable autobiography, +coming down to 1860. In 1875 he had <i>pub.</i> a <i>Life of +Isaac Casaubon</i>, and he left materials for a Life of Scaliger, which +he had intended to be his <i>magnum opus</i>. He also wrote <i>Milton</i> for +the English Men of Letters Series, and produced an ed. of his +sonnets.</p><br /> + +<a name='PAULDING_JAMES_KIRKE_1779_1860'></a><p><b>PAULDING, JAMES KIRKE (1779-1860).</b> +—Novelist, etc., <i>b.</i> +in the state of New York, was chiefly self-educated. He became a +friend of W. Irving, and was part author with him of <i>Salmagundi</i>—a +continuation of which by himself proved a failure. Among his +other writings are <i>John Bull and Brother Jonathan</i> (1812), a satire, +<i>The Dutchman's Fireside</i> (1831), a romance which attained popularity, +a <i>Life of Washington</i> (1835), and some poems.</p><br /> + +<a name='PAYN_JAMES_1830_1898'></a><p><b>PAYN, JAMES (1830-1898).</b> +—Novelist, <i>s.</i> of an official in +the Thames Commission, <i>ed.</i> at Eton, Woolwich, and Camb. He +was a regular contributor to <i>Household Words</i> and to <i>Chambers's +Journal</i>, of which he was ed. 1859-74, and in which several of his +works first appeared; he also ed. the <i>Cornhill Magazine</i> 1883-96. +Among his novels—upwards of 60 in number—may be mentioned +<i>Lost Sir Massingberd</i>, <i>The Best of Husbands</i>, <i>Walter's Word</i>, <i>By +Proxy</i> (1878), <i>A Woman's Vengeance</i>, <i>Carlyon's Year</i>, <i>Thicker than +Water</i>, <i>A Trying Patient</i>, etc. He also wrote a book of poems and +a volume of literary reminiscences.</p><br /> + +<a name='PEACOCK_THOMAS_LOVE_1785_1866'></a><p><b>PEACOCK, THOMAS LOVE (1785-1866).</b> +—Novelist, <i>b.</i> at +Weymouth, the only child of a London merchant, was in boyhood +at various schools, but from the age of 13 self-educated. Nevertheless, +he became a really learned scholar. He was for long in the +India Office, where he rose to be Chief Examiner, coming between +James Mill and John Stuart Mill. He was the author of several +somewhat whimsical, but quite unique novels, full of paradox, prejudice, +and curious learning, with witty dialogue and occasional +poems interspersed. Among them are <i>Headlong Hall</i> (1816), <i>Nightmare +Abbey</i> (1818), <i>Maid Marian</i> (1822), <i>Misfortunes of Elphin</i> +(1829), <i>Crotchet Castle</i> (1831), and <i>Gryll Grange</i> (1860). He was the +intimate friend of Shelley, memoirs of whom he contributed to +<i>Fraser's Magazine</i>.</p><br /> + +<a name='PEARSON_CHARLES_HENRY_1830_1894'></a><p><b>PEARSON, CHARLES HENRY (1830-1894).</b> +—<i>B.</i> at Islington, +<i>ed.</i> at Rugby and King's Coll., London, at the latter he became +Prof. of Modern History. Owing to a threatened failure of sight he +went to Australia, where he remained for 20 years, and was for a time +Minister of Education of Victoria. Returning to England in 1892 +<a name='Page_299'></a>he wrote his <i>National Life and Character: a Forecast</i>, in which he +gave utterance to very pessimistic views as to the future of the race. +He also wrote a <i>History of England during the Early and Middle Ages</i> +(1867).</p><br /> + +<a name='PEARSON_JOHN_1613_1686'></a><p><b>PEARSON, JOHN (1613-1686).</b> +—Theologian, <i>s.</i> of an archdeacon +of Suffolk, <i>b.</i> at Great Snoring, Norfolk, <i>ed.</i> at Eton and +Camb., took orders, and after holding various preferments, including +the archdeaconry of Surrey, the mastership of Jesus Coll., and of +Trinity Coll., Camb., was made, in 1673, Bishop of Chester. His +<i>Exposition of the Creed</i> (1659) has always been regarded as one of +the most finished productions of English theology, remarkable alike +for logical argument and arrangement, and lucid style. He was +also the author of other learned works, including a defence of the +authenticity of the epistles of Ignatius. In his youth P. was a +Royalist, and acted in 1645 as a chaplain in the Royal army. He +was one of the commissioners in the Savoy Conference.</p><br /> + +<a name='PECOCK_REGINALD_1395_1460'></a><p><b>PECOCK, REGINALD (1395?-1460?).</b> +—Theologian, <i>b.</i> in +Wales, entered the Church, and rose to be successively Bishop of St. +Asaph 1444, and of Chichester 1450. He was a strenuous controversialist, +chiefly against the Lollards; but his free style of argument, +and especially his denial of the infallibility of the Church, led +him into trouble, and on being offered the choice of abjuration or +death at the stake, he chose the former, but nevertheless was deprived +of his bishopric, had his books burned, and spent his latter +days in the Abbey of Thorney, Cambridgeshire. His chief work is +<i>The Repressor of overmuch blaming of the Clergy</i> (1455), which, from +its clear, pointed style, remains a monument of 15th century +English. <i>The Book of Faith</i> (1456) is another of his writings.</p><br /> + +<a name='PEELE_GEORGE_1558_1597'></a><p><b>PEELE, GEORGE (1558?-1597?).</b> +—Dramatist and poet, <i>s.</i> +of a salter in London, <i>ed.</i> at Christ's Hospital and Oxf., where he had +a reputation as a poet. Coming back to London about 1581 he led +a dissipated life. He appears to have been a player as well as a +playwright, and to have come into possession of some land through +his wife. His works are numerous and consist of plays, pageants, +and miscellaneous verse. His best plays are <i>The Arraignment of +Paris</i> (1584), and <i>The Battle of Alcazar</i> (1594), and among his poems +<i>Polyhymnia</i> (1590), and <i>The Honour of the Garter</i> (1593). Other +works are <i>Old Wives' Tale</i> (1595), and <i>David and Fair Bethsabe</i> +(1599). P. wrote in melodious and flowing blank verse, with +abundance of fancy and brilliant imagery, but his dramas are weak +in construction, and he is often bombastic and extravagant.</p><br /> + +<a name='PENN_WILLIAM_1644_1718'></a><p><b>PENN, WILLIAM (1644-1718).</b> +—Quaker apologist, <i>s.</i> of +Sir William P., a celebrated Admiral, was <i>b.</i> in London, and <i>ed.</i> at +Oxf., where he became a Quaker, and was in consequence expelled +from the Univ. His change of views and his practice of the extremest +social peculiarities imposed by his principles led to a quarrel +with his <i>f.</i>, who is said to have turned him out of doors. Thereafter +he began to write, and one of his books, <i>The Sandy Foundation +Shaken</i> (<i>c.</i> 1668), in which he attacked the doctrines of the Trinity, +the atonement, and justification by faith, led to his being, in 1668, +<a name='Page_300'></a>imprisoned in the Tower, where he wrote his most popular work, +<i>No Cross, No Crown</i> (1668), and a defence of his own conduct, <i>Innocency +with her Open Face</i> (1668), which resulted in his liberation. +Shortly after this, in 1670, on the death of his <i>f.</i>, who had been +reconciled to him, P. succeeded to a fortune, including a claim +against the Government amounting to £15,000, which was ultimately +in 1681 settled by a grant of the territory now forming the state of +Pennsylvania. Meanwhile, however, he had again suffered imprisonment +for preaching, and employed his enforced leisure in +writing four treatises, of which one, <i>The Great Cause of Liberty of +Conscience</i> (<i>c.</i> 1671), is an able defence of religious toleration. In +1682, having obtained the grant above referred to, he set sail for +America, with the view of founding a community based upon the +principles of toleration. Having established a Constitution and set +matters in working order there, P. returned to England in 1684 and +busied himself in efforts for the relief of those Quakers who had +remained at home. The peculiar position of affairs when James II. +was endeavouring to use the Dissenters as a means of gaining concessions +to the Roman Catholics favoured his views, and he was to +some extent successful in his efforts. His connection with the +Court at that time has, however, led to his conduct being severely +animadverted upon by Macaulay and others. In 1690 and for +some time thereafter he was charged with conspiring against the +Revolution Government, but after full investigation was completely +acquitted. His later years were embittered by troubles in Pennsylvania, +and by the dishonesty and ingratitude of an agent by +whose defalcations he was nearly ruined, as a consequence of which +he was imprisoned for debt. He <i>d.</i> soon after his release in 1718.</p><br /> + +<a name='PENNANT_THOMAS_1726_1798'></a><p><b>PENNANT, THOMAS (1726-1798).</b> +—Naturalist and +traveller, <i>b.</i> in Flintshire, and <i>ed.</i> at Oxf., was one of the most distinguished +naturalists of the 18th century, and <i>pub.</i>, among other +works on natural history, <i>British Zoology</i> (1768), and <i>History of +Quadrupeds</i> (1781). In literature he is, however, best remembered +by his <i>Tours in Scotland</i> (1771-75), which did much to make known +the beauties of the country to England. He also travelled in Ireland +and Wales, and on the Continent, and <i>pub.</i> accounts of his +journeys. Dr. Johnson said of him, "he observes more things than +any one else does."</p><br /> + +<a name='PEPYS_SAMUEL_1633_1703'></a><p><b>PEPYS, SAMUEL (1633-1703).</b> +—Diarist, <i>s.</i> of John P., a London +tailor, but of good family and connected with Sir E. Montague, +afterwards Earl of Sandwich, was <i>ed.</i> at St. Paul's School and at +Camb. After leaving the Univ. he entered the household of Montagu, +who became his life long patron. He held various Government posts, +including that of Surveyor-General of the Victualling Office, in +which he displayed great administrative ability and reforming zeal, +and in 1672 he became Sec. of the Admiralty. After being imprisoned +in the Tower on a charge in connection with the Popish +plot, and deprived of his office, he was in 1686 again appointed Sec. +of the Admiralty, from which, however, he was dismissed at the +Revolution. Thereafter he lived in retirement chiefly at Clapham. +P. was a man of many interests, combining the characters of the +man of business, man of pleasure, and <i>virtuoso</i>, being skilled in +<a name='Page_301'></a>music and a collector of books, manuscripts, and pictures, and he +was Pres. of the Royal Society for two years. He wrote <i>Memoirs of +the Royal Navy</i> (1690), but his great legacy to literature is his +unique and inimitable <i>Diary</i>, begun January 1, 1660, and coming +down to May 31, 1669, when the failure of his sight prevented its +further continuance. As an account by an eye-witness of the +manners of the Court and of society it is invaluable, but it is still +more interesting as, perhaps, the most singular example extant of +unreserved self-revelation—all the foibles, peccadilloes, and more +serious offences against decorum of the author being set forth with +the most relentless <i>naïveté</i> and minuteness, it was written in a +cypher or shorthand, which was translated into long-hand by John +Smith in 1825, and ed. by Lord Braybrooke, with considerable excisions. +Later and fuller ed. have followed. P. left his books, +MSS., and collections to Magdalene Coll., Camb., where they are +preserved in a separate library.</p><br /> + +<a name='PERCIVAL_JAMES_GATES_1795_1854'></a><p><b>PERCIVAL, JAMES GATES (1795-1854).</b> +—Poet, <i>b.</i> at Berlin, +Conn., was a precocious child, and a morbid and impractical, though +versatile man, with a fatal facility in writing verse on all manner of +subjects and in nearly every known metre. His sentimentalism +appealed to a wide circle, but his was one of the tapers which were +extinguished by Lowell. He had also a reputation as a geologist. +His poetic works include <i>Prometheus</i> and <i>The Dream of a Day</i> (1843).</p><br /> + +<a name='PERCY_THOMAS_1729_1811'></a><p><b>PERCY, THOMAS (1729-1811).</b> +—Antiquary and poet, <i>s.</i> of +a grocer at Bridgnorth, where he was <i>b.</i>, <i>ed.</i> at Oxf., entered the +Church, and became in 1778 Dean of Carlisle, and in 1782 Bishop of +Dromore. He <i>pub.</i> various antiquarian works, chiefly with reference +to the North of England; but is best remembered for his great +service to literature in collecting and ed. many ancient ballads, <i>pub.</i> +in 1765 as <i>Reliques of Ancient Poetry</i>, which did much to bring back +interest in the ancient native literature, and to usher in the revival +of romanticism.</p><br /> + +<a name='PHILIPS_AMBROSE_1675_1749'></a><p><b>PHILIPS, AMBROSE (1675?-1749).</b> +—Poet, <i>b.</i> in Shropshire +and <i>ed.</i> at Camb., wrote pastorals and dramas, was one of the Addison +circle, and started a paper, the <i>Freethinker</i>, in imitation of the +<i>Spectator</i>. He also made translations from Pindar and Anacreon, +and a series of short complimentary verses, which gained for him +the nickname of "Namby Pamby." His <i>Pastorals</i>, though poor +enough, excited the jealousy of Pope, who pursued the unfortunate +author with life-long enmity. P. held various Government appointments +in Ireland.</p><br /> + +<a name='PHILIPS_JOHN_1676_1709'></a><p><b>PHILIPS, JOHN (1676-1709).</b> +—Poet, <i>s.</i> of an archdeacon of +Salop, and <i>ed.</i> at Oxf. His <i>Splendid Shilling</i>, a burlesque in Miltonic +blank verse, still lives, and <i>Cyder</i>, his chief work, an imitation of +Virgil's <i>Georgics</i>, has some fine descriptive passages. P. was also +employed by Harley to write verses on Blenheim as a counterblast +to Addison's <i>Campaign</i>. He <i>d.</i> at 33 of consumption.</p><br /> + +<a name='PHILLIPS_SAMUEL_1814_1854'></a><p><b>PHILLIPS, SAMUEL (1814-1854).</b> +—Novelist, of Jewish +descent, studied for the Church at Göttingen and Camb., but his <i>f.</i> +dying, he was obliged to give up his intention and take to business, +<a name='Page_302'></a>in which, however, he was unsuccessful, and fell into great straits. +He then tried writing, and produced some novels, of which the best +known was <i>Caleb Stukely</i>, which appeared in <i>Blackwood</i> in 1842. He +was latterly a leader-writer for the <i>Times</i>.</p><br /> + +<a name='PICKEN_ANDREW_1788_1833'></a><p><b>PICKEN, ANDREW (1788-1833).</b> +—Miscellaneous writer, <i>b.</i> +in Paisley, was in business in the West Indies, and in Glasgow and +Liverpool, but not being successful, went to London to try his +fortunes in literature. His earlier writings, <i>Tales and Sketches of +the West of Scotland</i> and <i>The Sectarian</i> (1829), gave offence in dissenting +circles: his next, <i>The Dominie's Legacy</i> (1830), had considerable +success, and a book on <i>Travels and Researches of Eminent Missionaries</i> +(1830) did something to rehabilitate him with those whom he +had offended. His last work, <i>The Black Watch</i> (1833), had just +appeared when he <i>d.</i> of an apoplectic seizure. His best work is +somewhat like that of <a href='#GALT_JOHN_1779_1839'>Galt</a> (<i>q.v.</i>).</p><br /> + +<a name='PIERPONT_JOHN_1785_1860'></a><p><b>PIERPONT, JOHN (1785-1860).</b> +—Poet, <i>b.</i> at Litchfield, +Conn., was first a lawyer, then a merchant, and lastly a Unitarian +minister. His chief poem is <i>The Airs of Palestine</i>.</p><br /> + +<a name='PIKE_ALBERT_1809_1891'></a><p><b>PIKE, ALBERT (1809-1891).</b> +—Poet, <i>b.</i> at Boston, Mass., +was in his early days a teacher, and afterwards a successful lawyer. +His now little-remembered poems were chiefly written under the +inspiration of Coleridge and Keats. His chief work, <i>Hymns to the +Gods</i>, which appeared in <i>Blackwood's Magazine</i>, closely imitates the +latter. He also wrote prose sketches.</p><br /> + +<a name='PINDAR_PETER_see_WOLCOT_J'></a><p><b>PINDAR, PETER, (<i>see</i> <a href='#WOLCOT_JOHN_1738_1819'>WOLCOT, J.</a>).</b></p><br /> + +<a name='PINKERTON_JOHN_1758_1826'></a><p><b>PINKERTON, JOHN (1758-1826).</b> +—Historian and Antiquary, +<i>b.</i> in Edin., was apprenticed to a lawyer, but took to +literature, and produced a number of works distinguished by painstaking +research, but disfigured by a controversial and prejudiced +spirit. His first publication was <i>Select Scottish Ballads</i> (1783), some +of which, however, were composed by himself. A valuable <i>Essay +on Medals</i> (1784) introduced him to Gibbon and Horace Walpole. +Among his other works are <i>Ancient Scottish Poems</i> (1786), <i>Dissertation +on the Goths</i> (1787), <i>Medallic History of England</i> (1790), <i>History +of Scotland</i> (1797), and his best work, <i>Treatise on Rocks</i> (1811). One +of his most inveterate prejudices was against Celts of all tribes and +times. He <i>d.</i> in obscurity in Paris.</p><br /> + +<a name='PINKNEY_EDWARD_COATE_1802_1828'></a><p><b>PINKNEY, EDWARD COATE (1802-1828).</b> +—<i>B.</i> in London, +where his <i>f.</i> was U.S. ambassador. He wrote a number of light, +graceful short poems, but fell a victim to ill-health and a morbid +melancholy at 25. His longest poem is <i>Rudolph</i> (1825).</p><br /> + +<a name='PIOZZI_HESTER_LYNCH_SALUSBURY_1741_1821'></a><p><b>PIOZZI, HESTER LYNCH (SALUSBURY) (1741-1821).</b> +—Miscellaneous +writer, <i>m.</i> Henry Thrale, a wealthy brewer, and, after his +death, Gabriel Piozzi, an Italian musician. Her chief distinction is +her friendship with Dr. Johnson, who was for a time almost domesticated +with the Thrales. Her second marriage in the year of Johnson's +death, 1784, broke up the friendship. She wrote <i>Anecdotes of +Dr. Johnson</i>, a work which had a favourable reception, and gives a +lifelike picture of its subject, and left an <i>Autobiography</i>. Her poem,<a name='Page_303'></a> +<i>The Three Warnings</i>, is supposed to have been touched up by +Johnson. Many details of her friendship with J. are given in the +<i>Diary</i> of <a href='#DARBLAY_FRANCES_BURNEY_1752_1840'>Madame D'Arblay</a> (<i>q.v.</i>).</p><br /> + +<a name='PLANCHE_JAMES_ROBINSON_1796_1880'></a><p><b>PLANCHÉ, JAMES ROBINSON (1796-1880).</b> +—Dramatist and +miscellaneous writer, <i>b.</i> in London of Huguenot descent, was in the +Herald Office, and rose to be Somerset Herald, in which capacity he +was repeatedly sent on missions to invest foreign princes with the +Order of the Garter. He produced upwards of 90 adaptations, and +about 70 original pieces for the stage. He also wrote a <i>History of +British Costumes</i>, <i>The Pursuivant of Arms</i> (1852), and <i>The Conqueror +and his Companions</i> (1874), besides autobiographical <i>Recollections</i> +(1872).</p><br /> + +<a name='POE_EDGAR_ALLAN_1809_1849'></a><p><b>POE, EDGAR ALLAN (1809-1849).</b> +—Poet and writer of +tales, was <i>b.</i> at Boston, where his parents, who were both actors, +were temporarily living. He was left an orphan in early childhood +in destitute circumstances, but was adopted by a Mr. Allan of Richmond, +Virginia. By him and his wife he was treated with great indulgence, +and in 1815 accompanied them to England, where they +remained for five years, and where he received a good education, +which was continued on their return to America, at the Univ. of +Virginia. He distinguished himself as a student, but got deeply +into debt with gaming, which led to his being removed. In 1829 +he <i>pub.</i> a small vol. of poems containing <i>Al Araaf</i> and <i>Tamerlane</i>. +About the same time he proposed to enter the army, and was placed +at the Military Academy at West Point. Here, however, he grossly +neglected his duties, and fell into the habits of intemperance which +proved the ruin of his life, and was in 1831 dismissed. He then +returned to the house of his benefactor, but his conduct was so objectionable +as to lead to a rupture. In the same year P. <i>pub.</i> an enlarged +ed. of his poems, and in 1833 was successful in a competition +for a prize tale and a prize poem, the tale being the <i>MS. found in a +Bottle</i>, and the poem <i>The Coliseum</i>. In the following year Mr. Allan +<i>d.</i> without making any provision for P., and the latter, being now +thrown on his own resources, took to literature as a profession, and +became a contributor to various periodicals. In 1836 he entered +into a marriage with his cousin Virginia Clemm, a very young girl, +who continued devotedly attached to him notwithstanding his many +aberrations, until her death in 1847. <i>The Narrative of Arthur +Gordon Pym</i> appeared in 1838, and in 1839 P. became ed. of the +<i>Gentleman's Magazine</i>, in which appeared as <i>Tales of the Arabesque +and Grotesque</i> many of his best stories. In 1845 his famous poem, +<i>The Raven</i>, came out, and in 1848 <i>Eureka, a Prose Poem</i>, a pseudo-scientific +lucubration. The death of his wife gave a severe shock to +his constitution, and a violent drinking bout on a visit to Baltimore +led to his death from brain fever in the hospital there. The literary +output of P., though not great in volume, limited in range, and very +unequal in merit, bears the stamp of an original genius. In his +poetry he sometimes aims at a musical effect to which the sense is +sacrificed, but at times he has a charm and a magic melody all +his own. His better tales are remarkable for their originality and +ingenuity of construction, and in the best of them he rises to a high +level of imagination, as in <i>The House of Usher</i>, while <i>The Gold Beetle</i><a name='Page_304'></a> +or <i>Golden Bug</i> is one of the first examples of the cryptogram story; +and in <i>The Purloined Letters</i>, <i>The Mystery of Marie Roget</i>, and <i>The +Murders in the Rue Morgue</i> he is the pioneer of the modern detective +story.</p> + +<p><i>Life</i>, Woodberry (American Men of Letters). <i>Works</i> ed. by Woodberry +and Stedman (10 vols.), etc.</p><br /> + +<a name='POLLOK_ROBERT_1789_1827'></a><p><b>POLLOK, ROBERT (1789-1827).</b> +—Poet, <i>b.</i> in Refrewshire, +studied for the ministry of one of the Scottish Dissenting communions. +After leaving the Univ. of Glasgow he <i>pub.</i> anonymously +<i>Tales of the Covenanters</i>, and in 1827, the year of his untimely death +from consumption, appeared his poem, <i>The Course of Time</i>, which +contains some fine passages, and occasionally faintly recalls Milton +and Young. The poem went through many ed. in Britain and +America. He <i>d.</i> at Shirley, near Southampton, whither he had +gone in search of health.</p><br /> + +<a name='POMFRET_JOHN_1667_1702'></a><p><b>POMFRET, JOHN (1667-1702).</b> +—Poet, <i>s.</i> of a clergyman, +entered the Church. He wrote several rather dull poems, of which +the only one remembered, though now never read, is <i>The Choice</i>, +which celebrates a country life free from care, and was highly +popular in its day.</p><br /> + +<a name='POPE_ALEXANDER_1688_1744'></a><p><b>POPE, ALEXANDER (1688-1744).</b> +—Poet, was <i>b.</i> in London, +of Roman Catholic parentage. His <i>f.</i> was a linen-merchant, who <i>m.</i> +as his second wife Edith Turner, a lady of respectable Yorkshire +family, and of some fortune, made a competence, and retired to a +small property at Binfield, near Windsor. P. received a somewhat +desultory education at various Roman Catholic schools, but after +the age of 12, when he had a severe illness brought on by over-application, +he was practically self-educated. Though never a profound +or accurate scholar, he had a good knowledge of Latin, and a +working acquaintance with Greek. By 1704 he had written a good +deal of verse, which attracted the attention of <a href='#WYCHERLEY_WILLIAM_1640_1716'>Wycherley</a> (<i>q.v.</i>), who +introduced him to town life and to other men of letters. In 1709 +his <i>Pastorals</i> were <i>pub.</i> in Tonson's <i>Miscellany</i>, and two years later +<i>The Essay on Criticism</i> appeared, and was praised by Addison. The +<i>Rape of the Lock</i>, which came out in 1714, placed his reputation on +a sure foundation, and thereafter his life was an uninterrupted and +brilliant success. His industry was untiring, and his literary output +almost continuous until his death. In 1713 <i>Windsor Forest</i> (which +won him the friendship of Swift) and <i>The Temple of Fame</i> appeared, +and in 1715 the translation of the <i>Iliad</i> was begun, and the work +<i>pub.</i> at intervals between that year and 1720. It had enormous +popularity, and brought the poet £5000. It was followed by the +<i>Odyssey</i> (1725-26), in which he had the assistance of <a href='#BROOME_WILLIAM_1689_1745'>Broome</a> and +<a href='#FENTON_ELIJAH_1683_1730'>Fenton</a> (<i>q.v.</i>), who, especially the former, caught his style so exactly +as almost to defy identification. It also was highly popular, and +increased his gains to about £8000, which placed him in a position +of independence. While engaged upon these he removed to Chiswick, +where he lived 1716-18, and where he issued in 1717 a <i>coll.</i> ed. +of his works, including the <i>Elegy on an Unfortunate Lady</i> and the +<i>Epistle of Eloisa to Abelard</i>. In 1718, his <i>f.</i> having <i>d.</i>, he again +removed with his mother to his famous villa at Twickenham, the +<a name='Page_305'></a>adornment of the grounds of which became one of his chief interests, +and where, now the acknowledged chief of his art, he received the +visits of his friends, who included the most distinguished men of +letters, wits, statesmen, and beauties of the day. His next task was +his ed. of Shakespeare (1725), a work for which he was not well qualified, +though the preface is a fine piece of prose. The <i>Miscellanies</i>, +the joint work of Pope and Swift, were <i>pub.</i> in 1727-28, and drew +down upon the authors a storm of angry comment, which in turn led +to the production of <i>The Dunciad</i>, first <i>pub.</i> in 1728, and again with +new matter in 1729, an additional book—the fourth—being added +in 1742. In it he satirised with a wit, always keen and biting, often +savage and unfair, the small wits and poetasters, and some of a +quite different quality, who had, or whom he supposed to have, +injured him. Between 1731 and 1735 he produced his <i>Epistles</i>, the +last of which, addressed to Arbuthnot, is also known as the <i>Prologue +to the Satires</i>, and contains his ungrateful character of Addison +under the name of "Atticus;" and also, 1733, the <i>Essay on Man</i>, written under the influence of Bolingbroke. His last, and in some +respects best, works were his <i>Imitations of Horace</i>, <i>pub.</i> between +1733 and 1739, and the fourth book of <i>The Dunciad</i> (1742), already +mentioned. A naturally delicate constitution, a deformed body, +extreme sensitiveness, over-excitement, and overwork did not +promise a long life, and P. <i>d.</i> on May 30, 1744, aged 56.</p> + +<p>His position as a poet has been the subject of much contention +among critics, and on the whole is lower than that assigned him by +his contemporaries and immediate successors. Of the higher poetic +qualities, imagination, sympathy, insight, and pathos, he had no +great share; but for the work which in his original writings, as distinguished +from translations, he set himself to do, his equipment +was supreme, and the medium which he used—the heroic couplet—he +brought to the highest technical perfection of which it is capable. +He wrote for his own age, and in temper and intellectual and spiritual +outlook, such as it was, he exactly reflected and interpreted it. In +the forging of condensed, pointed, and sparkling maxims of life and +criticism he has no equal, and in painting a portrait Dryden alone +is his rival; while in the <i>Rape of the Lock</i> he has produced the best +mock-heroic poem in existence. Almost no author except Shakespeare +is so often quoted. His extreme vanity and sensitiveness to +criticism made him often vindictive, unjust, and venomous. They +led him also into frequent quarrels, and lost him many friends, including +Lady M. Wortley Montagu, and along with a strong tendency +to finesse and stratagem, of which the circumstances attending the +publication of his literary correspondence is the chief instance, make +his character on the whole an unamiable one. On the other hand, +he was often generous; he retained the friendship of such men as +Swift and Arbuthnot, and he was a most dutiful and affectionate son.</p> + +<p>SUMMARY.—<i>B.</i> 1688, <i>ed.</i> at various Romanist schools, introduced +to Wycherley 1704, <i>pub.</i> <i>Pastorals</i> 1709, <i>Essay on Criticism</i> 1711, +<i>Rape of the Lock</i> 1714, <i>Windsor Forest</i> and <i>Temple of Fame</i> 1713, +translation of <i>Iliad</i> 1715-20, <i>Odyssey</i> 1725-26, <i>coll.</i> <i>Works</i> 1717, buys +villa at Twickenham 1718, <i>pub.</i> ed. of <i>Shakespeare</i> 1725, <i>Miscellanies</i> +1727-28, <i>Dunciad</i> 1728 (fourth book 1742), <i>Epistles</i> 1731-35, <i>Essay on +Man</i> 1733, <i>Imitations of Horace</i> 1733-39, <i>d.</i> 1744.</p><a name='Page_306'></a> + +<p>The best ed. of the <i>Works</i> is that of Elwin and Courthope, with +<i>Life</i> by Courthope (10 vols., 1871-89).</p><br /> + +<a name='PORDAGE_SAMUEL_1633_1691'></a><p><b>PORDAGE, SAMUEL (1633-1691?).</b> +—Poet, <i>s.</i> of a clergyman +in Berks, <i>ed.</i> at Merchant Taylor's School, studied law at Lincoln's +Inn, and made various translations, wrote some poems, two +tragedies, <i>Herod and Mariamne</i> (1673), and <i>The Siege of Babylon</i> +(1678), and a romance, <i>Eliana</i>. He is best known by his <i>Azaria +and Hushai</i> (1682), in reply to Dryden's <i>Absalom and Achitophel</i>, +distinguished from the other replies by its moderation and freedom +from scurrility.</p><br /> + +<a name='PORSON_RICHARD_1759_1808'></a><p><b>PORSON, RICHARD (1759-1808).</b> +—Scholar, <i>s.</i> of the parish +clerk of E. Ruston, Norfolk, was distinguished from childhood by a +marvellous tenacity of memory which attracted the attention of the +curate of the parish, who <i>ed.</i> him, after which he was sent by a +gentleman to Eton. Subsequently a fund was collected for the purpose +of maintaining him at Camb., where he had a brilliant career, +and became a Fellow of Trinity Coll. This position he lost by refusing +to take orders. In 1792 he was appointed Prof. of Greek in +the Univ., but resided for the most part in London, where he was +much courted by literary men, but unfortunately fell into extremely +intemperate habits. P. was one of the very greatest of Greek scholars +and critics; but he has left little permanent work of his own. He ed. +four plays of Euripides, viz., <i>Hecuba, Orestes, Phœnissæ</i>, and <i>Medea</i>. +His most widely read work was his <i>Letters</i> to Archdeacon Travis on +the disputed passage, 1 John v. 7, which is considered a masterpiece +of acute reasoning. He is buried in the chapel of Trinity Coll.</p><br /> + +<a name='PORTER_ANNA_MARIA_1780_1832_PORTER_JANE_1776_1850'></a><p><b>PORTER, ANNA MARIA (1780-1832), PORTER, JANE (1776-1850).</b> +—Novelists, +were the <i>dau.</i> of an Irish army surgeon, and +sisters of Sir Robert Ker P., the painter and traveller. After the +death of the <i>f.</i> the family settled in Edin., where they enjoyed the +friendship of Scott. ANNA at the age of 12 <i>pub.</i> <i>Artless Tales</i>, the +precursor of a series of tales and novels numbering about 50, the best +being <i>Don Sebastian</i> (1809). JANE, though the elder by four years, +did not <i>pub.</i> until 1803, when her first novel, <i>Thaddeus of Warsaw</i>, +appeared. <i>The Scottish Chiefs</i> followed in 1810. Both of these +works, especially the latter, had remarkable popularity, the <i>Chiefs</i> +being translated into German and Russian. She had greater talent +than her sister, but like her, while possessed of considerable animation +and imagination, failed in grasping character, and imparting +local verisimilitude. Both were amiable and excellent women. A +romance, <i>Sir Edward Seaward's Diary</i> (1831), purporting to be a +record of actual circumstances, and ed. by Jane, is generally believed +to have been written by a brother, Dr. William Ogilvie P.</p><br /> + +<a name='POWELL_FREDERICK_YORK_1850_1904'></a><p><b>POWELL, FREDERICK YORK (1850-1904).</b> +—Historian, <i>ed.</i> +at Rugby and Oxf., called to the Bar at the Middle Temple 1874, +became an ardent student of history, and succeeded Froude as Prof. +of Modern History at Oxf. in 1894. Absorbed in study, he wrote +less than his wide and deep learning qualified him for. Among his +works are <i>A History of England to</i> 1509, and he also wrote on Early +England up to the Conquest, and on Alfred and William the +Conqueror<a name='Page_307'></a>.</p><br /> + +<a name='PRAED_WINTHROP_MACKWORTH_1802_1839'></a><p><b>PRAED, WINTHROP MACKWORTH (1802-1839).</b> +—Poet, <i>s.</i> of +a sergeant-at-law, was <i>b.</i> in London, <i>ed.</i> at Eton and Camb., and +called to the Bar 1829. He sat in Parliament for various places, and +was Sec. to the Board of Control 1834-35. He appeared to have a +brilliant career before him, when his health gave way, and he <i>d.</i> of +consumption in 1839. His poems, chiefly bright and witty skits and +satirical pieces, were <i>pub.</i> first in America 1844, and appeared in +England with a memoir by Derwent Coleridge in 1864. His essays +appeared in 1887.</p><br /> + +<a name='PRESCOTT_WILLIAM_HICKLING_1796_1859'></a><p><b>PRESCOTT, WILLIAM HICKLING (1796-1859).</b> +—Historian, +<i>b.</i> at Salem, Massachusetts, the <i>s.</i> of an eminent lawyer, was <i>ed.</i> at +Harvard, where he graduated in 1814. While there he met with an +accident to one of his eyes which seriously affected his sight for the +remainder of his life. He made an extended tour in Europe, and +on his return to America he <i>m.</i>, and abandoning the idea of a legal +career, resolved to devote himself to literature. After ten years of +study, he <i>pub.</i> in 1837 his <i>History of Ferdinand and Isabella</i>, which +at once gained for him a high place among historians. It was +followed in 1843 by the <i>History of the Conquest of Mexico</i>, and in 1847 +by the <i>Conquest of Peru</i>. His last work was the <i>History of Philip II.</i>, +of which the third vol. appeared in 1858, and which was left unfinished. +In that year he had an apoplectic shock, and another in +1859 was the cause of his death, which took place on January 28 in +the last-named year. In all his works he displayed great research, +impartiality, and an admirable narrative power. The great disadvantage +at which, owing to his very imperfect vision, he worked, +makes the first of these qualities specially remarkable, for his +authorities in a foreign tongue were read to him, while he had to +write on a frame for the blind. P. was a man of amiable and benevolent +character, and enjoyed the friendship of many of the most distinguished +men in Europe as well as in America.</p><br /> + +<a name='PRICE_RICHARD_1723_1791'></a><p><b>PRICE, RICHARD (1723-1791).</b> +—Writer on morals, politics, +and economics, <i>s.</i> of a dissenting minister, was <i>b.</i> at Tynton in +Wales, <i>ed.</i> at a dissenting coll. in London, and was then for some +years chaplain to a Mr. Streatfield, who left him some property. +Thereafter he officiated as minister to various congregations near +London. In 1758 his <i>Review of the Principal Questions and Difficulties +in Morals</i>, a work of considerable metaphysical power, appeared; +and it was followed in 1766 by a treatise on <i>The Importance +of Christianity</i>. In 1769 his work on <i>Reversionary Payments</i> was +<i>pub.</i>, and his Northampton Mortality Table was about the same +time constructed. These, though long superseded, were in their day +most valuable contributions to economical science. His most +popular work, <i>Observations on Civil Liberty and the Justice and +Policy of the War with America</i>, appeared in 1776, had an enormous +sale, and led to his being invited to go to America and assist in +establishing the financial system of the new Government. This he +declined chiefly on the score of age. Simplicity, uprightness, and +toleration of opinions opposed to his own appear to have been +marked traits in his character.</p><br /> + +<a name='PRIDEAUX_HUMPHREY_1648_1724'></a><p><b>PRIDEAUX, HUMPHREY (1648-1724).</b> +—Divine and scholar, +belonged to an ancient Cornish family, was <i>b.</i> at Padstow, and <i>ed.</i> at<a name='Page_308'></a> +Westminster School and at Oxf. He first attracted notice by his +description of the Arundel Marbles (1676), which gained for him +powerful patrons, and he rose to be Dean of Norwich. Among his +other works are a <i>Life of Mahomet</i> (1697), and <i>The Old and New +Testament connected in the History of the Jews and Neighbouring +Nations</i> (1715-17), long an important work, of which many ed. were +brought out.</p><br /> + +<a name='PRIESTLY_JOSEPH_1733_1804'></a><p><b>PRIESTLY, JOSEPH (1733-1804).</b> +—Chemist, theologian, +and political writer, <i>s.</i> of a draper at Fieldhead, Yorkshire, where he +was <i>b.</i> Brought up as a Calvinist, he gradually became a modified +Unitarian, and after attending a dissenting academy at Daventry, +he became minister to various congregations. About 1756 he <i>pub.</i> +<i>The Scripture Doctrine of Remission</i>, denying the doctrine of atonement, +and in 1761 succeeded Dr. Aiken as teacher of languages and +<i>belles-lettres</i> in the dissenting academy at Warrington. About the +same time he became acquainted with <a href='#FRANKLIN_BENJAMIN_1706_1790'>Franklin</a> and <a href='#PRICE_RICHARD_1723_1791'>Dr. Price</a> (<i>q.v.</i>), +and began to devote himself to science, the fruits of which were his +<i>History and Present State of Electricity</i> (1767), and <i>Vision, Light, and +Colours</i>. He also became a distinguished chemist, and made important +discoveries, including that of oxygen. In 1773 he travelled +on the Continent as companion to Lord Shelburne, where he was introduced +to many men of scientific and literary eminence, by some +of whom he was rallied upon his belief in Christianity. In reply to +this he wrote <i>Letters to a Philosophical Unbeliever</i> (1774), and in +answer to the accusations of Atheism brought against him at home, +he <i>pub.</i> (1777) <i>Disquisition relating to Matter and Spirit</i>. In 1780 +he settled in Birmingham, in 1782 <i>pub.</i> his <i>Corruptions of Christianity</i>, +and in 1786 his <i>History of Early Opinions concerning Jesus +Christ</i>. He was one of those who wrote replies to Burke's <i>Reflections +on the French Revolution</i>, one consequence of which was his election +as a French citizen, and another the destruction of his chapel, house, +papers, and instruments by a mob. Some years later he went to +America, where he <i>d.</i> P. has been called the father of modern +chemistry. He received many scientific and academic honours, +being a member of the Royal Society, of the Academies of France, +and of St. Petersburg, and an LL.D. of Edin. He was a man of +powerful and original mind, of high character, and of undaunted +courage in maintaining his opinions, which were usually unpopular.</p><br /> + +<a name='PRINGLE_THOMAS_1789_1834'></a><p><b>PRINGLE, THOMAS (1789-1834).</b> +—Poet, <i>b.</i> in Roxburghshire, +studied at Edin., and became known to Scott, by whose influence +he obtained a grant of land in South Africa, to which he, +with his <i>f.</i> and brothers, emigrated. He took to literary work in +Cape Town, and conducted two papers, which were suppressed for +their free criticisms of the Colonial Government. Thereupon he +returned and settled in London, where he <i>pub.</i> <i>African Sketches</i>. +He also produced a book of poems, <i>Ephemerides</i>.</p><br /> + +<a name='PRIOR_MATTHEW_1664_1721'></a><p><b>PRIOR, MATTHEW (1664-1721).</b> +—Poet, <i>b.</i> near Wimborne +Minster, Dorset, <i>s.</i> of a joiner who, having <i>d.</i>, he was <i>ed.</i> by an uncle, +and sent to Westminster School. Befriended by the Earl of Dorset +he proceeded to Camb., and while there wrote, jointly with Charles +Montague, <i>The Town and Country Mouse</i>, a burlesque of Dryden's<a name='Page_309'></a> +<i>Hind and Panther</i>. After holding various diplomatic posts, in +which he showed ability and discretion, he entered Parliament in +1700, and, deserting the Whigs, joined the Tories, by whom he was +employed in various capacities, including that of Ambassador at +Paris. On the death of Queen Anne he was recalled, and in 1715 +imprisoned, but after two years released. In 1719 a folio ed. of his +works was brought out, by which he realised £4000, and Lord Harley +having presented him with an equal sum, he looked forward to the +peace and comfort which were his chief ambition. He did not, however, +long enjoy his prosperity, dying two years later. Among his +poems may be mentioned <i>Solomon</i>, which he considered his best +work, <i>Alma, or the Progress of the Mind</i>, <i>The Female Phaeton</i>, <i>To a +Child of Quality</i>, and some prose tales. His chief characteristic is +a certain elegance and easy grace, in which he is perhaps unrivalled. +His character appears to have been by no means unimpeachable, but +he was amiable and free from any trace of vindictiveness.</p><br /> + +<a name='PROCTER_ADELAIDE_ANN_1825_1864'></a><p><b>PROCTER, ADELAIDE ANN (1825-1864).</b> +—Poetess, eldest +<i>dau.</i> of <a href='#PROCTER_BRYAN_WALLER_quotBARRY_CORNWALLquot_1787_1874'>Bryan W.P.</a> (<i>q.v.</i>). Many of her poems were first <i>pub.</i> in +<i>Household Words</i> and <i>All the Year Round</i>, and afterwards <i>coll.</i> under +the title of <i>Legends and Lyrics</i> (1858), of which many ed. appeared. +In 1851 Miss P. became a Roman Catholic. She took much interest +in social questions affecting women. She wrote the well-known +songs, <i>Cleansing Fires</i> and <i>The Lost Chord</i>, and among her many +hymns are, <i>I do not ask, O Lord, that Life may be</i>, and <i>My God, I +thank Thee who hast made</i>.</p><br /> + +<a name='PROCTER_BRYAN_WALLER_quotBARRY_CORNWALLquot_1787_1874'></a><p><b>PROCTER, BRYAN WALLER ("BARRY CORNWALL") (1787-1874).</b> +—Poet, +<i>b.</i> at Leeds, and <i>ed.</i> at Harrow, went to London and +practised successfully as a solicitor. Thereafter he became a barrister, +and was, 1832-61, a Commissioner of Lunacy. By 1823 he +had produced four vols. of poetry and a tragedy, <i>Mirandola</i> (1821). +His works include <i>Dramatic Scenes</i> (1819), <i>A Sicilian Story</i>, <i>Marcian +Colonna</i> (1820), <i>The Flood of Thessaly</i> (1823), and <i>English Songs</i> +(1832), which last will perhaps survive his other writings. P. was +the friend of most of his literary contemporaries, and was universally +beloved.</p><br /> + +<a name='PROUT_FATHER_see_MAHONY_FS'></a><p><b>PROUT, FATHER, (<i>see</i> <a href='#MAHONY_FRANCIS_SYLVESTER_FATHER_PROUT_1804_1866'>MAHONY, F.S.</a>).</b></p><br /> + +<a name='PRYNNE_WILLIAM_1600_1669'></a><p><b>PRYNNE, WILLIAM (1600-1669).</b> +—Controversial writer, <i>b.</i> +near Bath, <i>ed.</i> at Oxf., studied law at Lincoln's Inn, of which he +became a bencher, but soon became immersed in the writing of +controversial pamphlets. After the <i>Unloveliness of Lovelocks</i> and +<i>Health's Sicknesse</i> (1627-30) appeared his best known controversial +work, <i>Histrio-Mastix</i>, or a <i>Scourge for Stage Players</i> (1633), a bitter +attack on most of the popular amusements of the day. It was +punished with inhuman severity. P. was brought before the Star +Chamber, fined £5000, pilloried, and had both his ears cut off. +Undeterred by this he issued from his prison a fierce attack upon +Laud and the hierarchy, for which he was again fined, pilloried, and +branded on both cheeks with the letters S.L. (seditious libeller). +Removed to Carnarvon Castle he remained there until liberated in +1641 by the Long Parliament. He soon after became a member of +the House, and joined with extreme, but not inexcusable, rancour +<a name='Page_310'></a>in the prosecution of Laud. After this he turned his attention to +the Independents, whom he hated scarcely less than the Prelatists, +and was among those expelled from the House of Commons by +Cromwell, whom he had opposed in regard to the execution of the +King with such asperity that he again suffered imprisonment, from +which he was released in 1652. He supported the Restoration, and +was by Charles II. appointed Keeper of the Records in the Tower. +Here he did good service by compiling the <i>Calendar of Parliamentary +Writs</i> and <i>Records</i>. He <i>pub.</i> in all about 200 books and pamphlets.</p><br /> + +<a name='PSALMANAZAR_GEORGE_1679_1763'></a><p><b>PSALMANAZAR, GEORGE (1679?-1763).</b> +—Literary impostor. +His real name is unknown. He is believed to have been a +native of France or Switzerland, but represented himself as a native +of the island of Formosa, and palmed off a Formosan language of his +own construction, to which he afterwards added a description of the +island. For a time he was in the military service of the Duke of +Mecklenburg, and formed a connection with William Innes, chaplain +of a Scottish regiment, who collaborated with him in his frauds, and +introduced various refinements into his methods. Innes, however, +was appointed chaplain to the forces in Portugal, and P. was unable +to maintain his impositions, and was exposed. After a serious illness +in 1728 he turned over a new leaf and became a respectable and +efficient literary hack; his works in his latter days included a +<i>General History of Printing</i>, contributions to the <i>Universal History</i>, +and an <i>Autobiography</i> containing an account of his impostures.</p><br /> + +<a name='PURCHAS_SAMUEL_1575_1626'></a><p><b>PURCHAS, SAMUEL (1575?-1626).</b> +—Compiler of travels, <i>b.</i> +at Thaxton, and <i>ed.</i> at Camb., took orders, and held various benefices, +including the rectory of St. Martin's, Ludgate Hill. The papers of +<a href='#HAKLUYT_RICHARD_1553_1616'>R. Hakluyt</a> (<i>q.v.</i>) came into his hands, and he made several compilations +relating to man, his nature, doings, and surroundings. +His three works are (1) <i>Purchas his Pilgrimage, or Relations of the +World and the Religions observed in all Ages and Places, etc.</i>; (2) +<i>Purchas his Pilgrim, Microcosmus, or the History of Man, etc.</i>; and +(3) <i>Hakluytus Posthumus, or Purchas his Pilgrimes, containing a History +of the World in Sea Voyages and Land Travels, etc.</i> Although +credulous, diffuse, and confused, these works have preserved many +interesting and curious matters which would otherwise have been lost.</p><br /> + +<a name='PUSEY_EDWARD_BOUVERIE_1800_1882'></a><p><b>PUSEY, EDWARD BOUVERIE (1800-1882).</b> +—Scholar and +theologian, <i>b.</i> at Pusey, Berks, <i>ed.</i> at Eton and Oxf., belonged to the +family of Lord Folkstone, whose name was Bouverie, his <i>f.</i> assuming +that of P. on inheriting certain estates. After studying +in Germany, he became in 1828 Regius Prof. of Hebrew at Oxf. +His first important work was an <i>Essay on the Causes of Rationalism +in German Theology</i>, and the arrest of similar tendencies in England +became one of the leading objects of his life. He was one of the +chief leaders of the Tractarian movement, and contributed tracts on +<i>Baptism</i> and on <i>Fasting</i>. In consequence of a sermon on the +Eucharist, he was in 1843 suspended from the office of Univ. +Preacher which he then held. Later writings related to <i>Confession</i> +and <i>The Doctrine of the Real Presence</i>, and in 1865 he issued an +<i>Eirenicon</i> in support of union with the Church of Rome. He was +prominent in all movements and controversies affecting the Univ., +<a name='Page_311'></a>and was foremost among the prosecutors of <a href='#JOWETT_BENJAMIN_1817_1893'>Jowett</a> (<i>q.v.</i>). Among +his other literary labours are commentaries on Daniel and the minor +Prophets, a treatise on Everlasting Punishment, and a Catalogue of +the Arabic MS. in the Bodleian Library.</p><br /> + +<a name='PUTTENHAM_GEORGE_1530_1590'></a><p><b>PUTTENHAM, GEORGE (1530?-1590).</b> +—Was one of the <i>s.</i> +of Robert P., a country gentleman. There has been attributed to +him the authorship of <i>The Arte of Poesie</i>, a treatise of some length +divided into three parts, (1) of poets and poesy, (2) of proportion, +(3) of ornament. It is now thought rather more likely that it was +written by his brother RICHARD (1520?-1601). George was the +author of an <i>Apologie</i> for Queen Elizabeth's treatment of Mary +Queen of Scots.</p><br /> + +<a name='PYE_HENRY_JAMES_1745_1813'></a><p><b>PYE, HENRY JAMES (1745-1813).</b> +—A country gentleman +of Berkshire, who <i>pub.</i> <i>Poems on Various Subjects</i> and <i>Alfred, an +Epic</i>, translated the <i>Poetics</i> of Aristotle, and was Poet Laureate +from 1790. In the last capacity he wrote official poems of ludicrous +dulness, and was generally a jest and a byword in literary circles.</p><br /> + +<a name='QUARLES_FRANCIS_1592_1644'></a><p><b>QUARLES, FRANCIS (1592-1644).</b> +—Poet, <i>b.</i> at the manor-house +of Stewards near Romford, was at Camb., and studied law at +Lincoln's Inn. Thereafter he went to the Continent, and at Heidelberg +acted as cup-bearer to Elizabeth of Bohemia, <i>dau.</i> of James I. +He next appears as sec. to Archbishop Ussher in Ireland, and was in +1639 Chronologer to the City of London. On the outbreak of the +Civil War he sided with the Royalists, and was plundered by the +Parliamentarians of his books and rare manuscripts, which is said to +have so grieved him as to bring about his death. His first book of +poems was <i>A Feast for Worms</i> (1620); others were <i>Hadassa</i> (Esther) +(1621), <i>Sion's Elegies</i> (1625), and <i>Divine Emblems</i> (1635), by far his +most popular book. His style was that fashionable in his day, +affected, artificial, and full of "conceits," but he had both real +poetical fire and genuine wit, mixed with much that was false in +taste, and though quaint and crabbed, is seldom feeble or dull. He +was twice <i>m.</i>, and had by his first wife 18 children.</p><br /> + +<a name='RADCLIFFE_MRS_ANN_WARD_1764_1823'></a><p><b>RADCLIFFE, MRS. ANN (WARD) (1764-1823).</b> +—Novelist, +only <i>dau.</i> of parents in a respectable position, in 1787 <i>m.</i> Mr. William +Radcliffe, ed. and proprietor of a weekly newspaper, the <i>English +Chronicle</i>. In 1789 she <i>pub.</i> her first novel, <i>The Castles of Athlin and +Dunbayne</i>, of which the scene is laid in Scotland. It, however, gave +little promise of the future power of the author. In the following +year appeared <i>The Sicilian Romance</i>, which attracted attention by +its vivid descriptions and startling incidents. Next came <i>The +Romance of the Forest</i> (1791), followed by <i>The Mysteries of Udolpho</i> +(1794), and <i>The Italian</i> (1797), a story of the Inquisition, the last of +her works <i>pub.</i> during her life-time. <i>Gaston de Blondeville</i>, ed. by +Sergeant Talfourd, was brought out posthumously. Mrs. R. has +been called the Salvator Rosa of British novelists. She excels in the +description of scenes of mystery and terror whether of natural +scenery or incident: in the former displaying a high degree of imaginative +power, and in the latter great ingenuity and fertility of invention. +She had, however, little power of delineating character. +Though her works belong to a type now out of fashion, they will +<a name='Page_312'></a>always possess an historical interest as marking a stage in the +development of English fiction.</p><br /> + +<a name='quotRAINE_ALLENquot_MRS_BEYNON_PUDDICOMBE'></a><p><b>"RAINE, ALLEN" (MRS. BEYNON PUDDICOMBE).</b> +—Novelist. +<i>A Welsh Singer</i> (1897), <i>Tom Sails</i> (1898), <i>A Welsh +Witch</i> (1901), <i>Queen of the Rushes</i> (1906), etc.</p><br /> + +<a name='RALEIGH_SIR_WALTER_1552_1618'></a><p><b>RALEIGH, SIR WALTER (1552?-1618).</b> +—Explorer, statesman, +admiral, historian, and poet, <i>s.</i> of Walter R., of Fardel, Devonshire, +was <i>b.</i> at Hayes Barton in that county. In 1568 he was sent +to Oxf., where he greatly distinguished himself. In the next year +he began his career of adventure by going to France as a volunteer +in aid of the Huguenots, serving thereafter in the Low Countries. +The year 1579 saw him engaged in his first voyage of adventure in +conjunction with his half-brother, Sir Humphrey Gilbert. Their +object was to discover and settle lands in North America; but the +expedition failed, chiefly owing to opposition by the Spaniards. +The next year he was fighting against the rebels in Ireland; and +shortly thereafter attracted the notice of Queen Elizabeth, in whose +favour he rapidly rose. In 1584 he fitted out a new colonising expedition +to North America, and succeeded in discovering and occupying +Virginia, named after the Queen. On his return he was knighted. +In the dark and anxious days of the Armada, 1587-88, R. was employed +in organising resistance, and rendered distinguished service +in action. His favour with the Queen, and his haughty bearing, +had, however, been raising up enemies and rivals, and his intrigue +and private marriage with Elizabeth Throckmorton, one of the +maids of honour, in 1593, lost him for a time the favour of the Queen. +Driven from the Court he returned to the schemes of adventure +which had so great a charm for him, and fired by the Spanish +accounts of the fabulous wealth of Guiana, he and some of his +friends fitted out an expedition which, however, though attended +with various brilliant episodes, proved unsuccessful. Restored to +the favour of the Queen, he was appointed an Admiral in the expeditions +to Cadiz, 1596, and in the following year was engaged in an +attack on the Azores, in both of which he added greatly to his reputation. +The death of Elizabeth in 1603 was the turning point in +R.'s fortunes. Thenceforward disaster clouded his days. The new +sovereign and his old enemies combined to compass his ruin. Accused +of conspiring against the former he was, against all evidence, +sentenced to death, and though this was not at the time carried out, +he was imprisoned in the Tower and his estates confiscated. During +this confinement he composed his <i>History of the World</i>, which he +brought down to 130 B.C. It is one of the finest specimens of Elizabethan +prose, reflective in matter and dignified and grave in style. +Released in 1615 he set out on his last voyage, again to Guiana, +which, like the former, proved a failure, and in which he lost his +eldest <i>s.</i> He returned a broken and dying man, but met with no +pity from his ungenerous King who, urged, it is believed, by the King +of Spain, had him beheaded on Tower Hill, October 29, 1618. R. is +one of the most striking and brilliant figures in an age crowded with +great men. Of a noble presence, he was possessed of a commanding +intellect and a versatility which enabled him to shine in every enterprise +to which he set himself. In addition to his great fragment the<a name='Page_313'></a> +<i>History of the World</i>, he wrote <i>A Report of the Truth of the Fight +about the Azores</i>, and <i>The Discoverie of the Empire of Guiana</i>, besides +various poems chiefly of a philosophic cast, of which perhaps the +best known are <i>The Pilgrimage</i>, and that beginning "Go, Soul, the +Body's Guest."</p> + +<p>The most recent <i>Lives</i> are by Stebbing (1892), and Hume (1898). +<i>Works</i> (1829), with <i>Lives</i> by Oldys and Birch.</p><br /> + +<a name='RAMEE_LOUISE_DE_LA_quotOUIDAquot_1840_1908'></a><p><b>RAMÉE, LOUISE DE LA ("OUIDA") (1840?-1908).</b> +—Novelist, +<i>b.</i> at Bury St. Edmunds, <i>dau.</i> of an English <i>f.</i> and a French +mother. For many years she lived in London, but about 1874 she +went to Italy, where she <i>d.</i> She wrote over 40 novels, which had +considerable popularity. Among the best known of them are +<i>Under Two Flags</i>, <i>Puck</i>, <i>Two Little Wooden Shoes</i>, <i>In a Winter City</i>, +<i>In Maremma</i>. She also wrote a book of stories for children, <i>Bimbi</i>. +Occasionally she shows considerable power, but on the whole her +writings have an unhealthy tone, want reality, and are not likely to +have any permanent place in literature.</p><br /> + +<a name='RAMSAY_ALLAN_1686_1758'></a><p><b>RAMSAY, ALLAN (1686-1758).</b> +—Poet, <i>s.</i> of a mine-manager +at Leadhills, Dumfriesshire, who claimed kin with the +Ramsays of Dalhousie. In his infancy he lost his <i>f.</i>, and his mother <i>m.</i> +a small "laird," who gave him the ordinary parish school education. +In 1701 he came to Edinburgh as apprentice to a wig-maker, took +to writing poetry, became a member of the "Easy Club," of which +Pitcairn and Ruddiman, the grammarian, were members, and of which +he was made "laureate." The club <i>pub.</i> his poems as they were +thrown off, and their appearance soon began to be awaited with +interest. In 1716 he <i>pub.</i> an additional canto to <i>Christ's Kirk on the +Green</i>, a humorous poem sometimes attributed to James I., and in +1719 he became a bookseller, his shop being a meeting-place of the +<i>literati</i> of the city. A <i>coll.</i> ed. of his poems appeared in 1720, among +the subscribers to which were Pope, Steele, Arbuthnot, and Gay. +It was followed by <i>Fables and Tales</i>, and other poems. In 1724 he +began the <i>Tea Table Miscellany</i>, a collection of new Scots songs set +to old melodies, and the <i>Evergreen</i>, a collection of old Scots poems +with which R. as ed. took great liberties. This was a kind of work +for which he was not qualified, and in which he was far from successful. +<i>The Gentle Shepherd</i>, by far his best known and most meritorious +work, appeared in 1725, and had an immediate popularity +which, to a certain extent, it retains. It is a pastoral drama, and +abounds in character, unaffected sentiment, and vivid description. +After this success R., satisfied with his reputation, produced nothing, +more of importance. He was the first to introduce the circulating +library into Scotland, and among his other enterprises was an unsuccessful +attempt to establish a theatre in Edin. On the whole his +life was a happy and successful one, and he had the advantage of a +cheerful, sanguine, and contented spirit. His foible was an innocent +and good-natured vanity.</p><br /> + +<a name='RAMSAY_EDWARD_BANNERMAN_1793_1872'></a><p><b>RAMSAY, EDWARD BANNERMAN (1793-1872).</b> +—A clergyman +of the Scottish Episcopal Church, and Dean of Edinburgh in that +communion from 1841, has a place in literature by his <i>Reminiscences +of Scottish Life and Character</i>, which had gone through 22 ed.<a name='Page_314'></a> +at his death. It is a book full of the engaging personality of the +author, and preserves many interesting and entertaining traits and +anecdotes which must otherwise, in all probability, have perished. +The Dean was deservedly one of the most popular men in Scotland.</p><br /> + +<a name='RANDOLPH_THOMAS_1605_1635'></a><p><b>RANDOLPH, THOMAS (1605-1635).</b> +—Poet and dramatist, +<i>ed.</i> at Westminster School and Camb., was a friend of Ben Jonson, +and led a wild life in London. He wrote six plays, including <i>The +Jealous Lovers</i>, <i>Amyntas</i>, and <i>The Muses' Looking-glass</i>, and some +poems. He was a scholar as well as a wit, and his plays are full of +learning and condensed thought in a style somewhat cold and hard.</p><br /> + +<a name='RAPIN_DE_THOYRAS_PAUL_1661_1725'></a><p><b>RAPIN DE THOYRAS, PAUL (1661-1725).</b> +—Historian, <i>b.</i> at +Castres, Languedoc, belonged to a Protestant Savoyard family, and +came to England on the revocation of the Edict of Nantes in 1686. +He afterwards served with William III. in Holland, and accompanied +him to England in 1688. His <i>History of England</i>, written in +French, was translated into English, and continued by various +writers, and was the standard history until the appearance of +Hume's.</p><br /> + +<a name='RASPE_RUDOLF_ERIC__1737_1794'></a><p><b>RASPE, RUDOLF ERIC- (1737-1794).</b> +—<i>B.</i> in Hanover, was +a prof. in Cassel, and keeper of the Landgrave of Hesse's antique +gems and medals, in the purloining of some of which he was detected, +and fled to England. Here he won for himself a certain place +in English literature by the publication in 1785 of <i>Baron Munchausen's +Narrative</i>. Only a small portion of the work in its present +form is by R., the rest having been added later by another hand. +He appears to have maintained more or less during life his character +of a rogue, and is the prototype of Douster-swivel in Scott's <i>Antiquary</i>.</p><br /> + +<a name='RAWLINSON_GEORGE_1812_1902'></a><p><b>RAWLINSON, GEORGE (1812-1902).</b> +—Historian, <i>b.</i> at +Chadlington. Oxfordshire, and <i>ed.</i> at Oxf., took orders, and was +Canon of Canterbury from 1872. He held the Camden Professorship +of Ancient History at Oxf. from 1861. Among his works +are a translation of Herodotus (1858-62) (with his brother, <a href='#RAWLINSON_SIR_HENRY_CRESSWICKE_1810_1895'>Sir +Henry R.</a>, <i>q.v.</i>), <i>Historical Evidences of the Truth of the Scripture +Records</i>, <i>The Five Great Monarchies of the Ancient Eastern World</i> +(1862-67), <i>Manual of Ancient History</i> (1869), <i>The Sixth and Seventh +Great Oriental Monarchies</i> (1873-77), <i>History of Ancient Egypt</i> (1881), +<i>Histories of the Phœnicians and Parthians</i>, <i>Memoirs of Sir H.C. +Rawlinson</i> (1898).</p><br /> + +<a name='RAWLINSON_SIR_HENRY_CRESSWICKE_1810_1895'></a><p><b>RAWLINSON, SIR HENRY CRESSWICKE (1810-1895).</b> +—Brother +of the above, entered the service of the East India Company, +and held many important diplomatic posts. He studied the +cuneiform inscriptions, and <i>pub.</i> <i>The Cuneiform Inscriptions of +Western Asia</i> (1861-80), <i>Outlines of the History of Assyria</i> (1852). +He deciphered most of the inscriptions discovered by <a href='#LAYARD_SIR_AUSTIN_HENRY_1817_1894'>Sir A.H. +Layard</a> (<i>q.v.</i>).</p><br /> + +<a name='RAY_JOHN_1627_1705'></a><p><b>RAY, JOHN (1627-1705).</b> +—Naturalist, <i>s.</i> of a blacksmith +at Black Notley, Essex, was at Camb., where he became a Fellow of +Trinity, and successively lecturer on Greek and mathematics. His +<a name='Page_315'></a>first publication was a Latin catalogue of plants growing near +Cambridge, which appeared in 1660. Thereafter he made a tour of +Great Britain, and <i>pub.</i> in 1670 his <i>Catalogue of the Plants of England +and the adjacent Isles</i>. In 1663 he had travelled on the Continent +for three years with his pupil-friend, F. Willughby, and in 1673 appeared +<i>Observations</i> on his journeys, which extended over the Low +Countries, Germany, Italy, and France, with a catalogue of plants +not native to England. On the death of Willughby, R. <i>ed.</i> his sons, +and in 1679 retired to his native village, where he continued his +scientific labours until his death. These included the ed. of W.'s +<i>History of Birds and Fishes</i>, a collection of English proverbs, +<i>Historia Plantarum Generalis</i> (1686-1704), and <i>Synopsis Methodica +Animalium</i>. He was for long popularly known by his treatise, <i>The +Wisdom of God manifested in the works of the Creation</i> (1691), a precursor +of Paley's <i>Natural Theology</i>. R. is the father of English +botany, and appears to have grasped the idea of the natural classification +of plants, afterwards developed by Jussieu and other later +naturalists. His greatest successors, including Cuvier, highly commended +his methods and acquirements.</p><br /> + +<a name='READ_THOMAS_BUCHANAN_1822_1872'></a><p><b>READ, THOMAS BUCHANAN (1822-1872).</b> +—American poet, +was a portrait-painter, and lived much abroad. He wrote a prose +romance, <i>The Pilgrims of the Great St. Bernard</i>, and several books of +poetry, including <i>The New Pastoral</i>, <i>The House by the Sea</i>, <i>Sylvia</i>, +and <i>A Summer Story</i>. Some of the shorter pieces included in these, +<i>e.g.</i>, "Sheridan's Ride," "Drifting," and "The Closing Scene," +have great merit.</p><br /> + +<a name='READE_CHARLES_1814_1884'></a><p><b>READE, CHARLES (1814-1884).</b> +—Novelist, <i>s.</i> of a country +gentleman of Oxfordshire, <i>ed.</i> at Oxf., and called to the Bar at +Lincoln's Inn 1843. He did not, however, practise, but began his +literary career with some dramas, of which the most remarkable +were <i>Masks and Faces</i>, <i>Gold</i>, and <i>Drink</i>. He afterwards rewrote the +first of these as a novel, <i>Peg Woffington</i> (1852), which attained great +popularity. <i>It is never too late to Mend</i> appeared in 1856, his historical +novel, <i>The Cloister and the Hearth</i>, generally regarded as his +masterpiece (1861), <i>Hard Cash</i> (1863), <i>Griffith Gaunt</i> (1867), <i>Foul +Play</i> (1869), <i>Put Yourself in his Place</i> (1870), and <i>A Terrible Temptation</i> +(1871). Critics have differed very widely as to the merits of +R. as a novelist, and have attributed to, and denied him the same +qualities; but it will be generally admitted that, while very +unequal, he was at his best a writer of unusual power and vividness. +Nearly all are agreed as to the great excellence of <i>The Cloister +and the Hearth</i>, Mr. Swinburne placing it "among the very greatest +masterpieces of narrative." Many of his novels were written with +a view to the reformation of some abuse. Thus <i>Hard Cash</i> exposes +certain private asylums, and <i>Foul Play</i>, written in collaboration +with Dion Boucicault, is levelled against ship-knackers.</p><br /> + +<a name='REED_HENRY_1808_1854'></a><p><b>REED, HENRY (1808-1854).</b> +—Critic, was Prof. of English +Literature in the Univ. of Pennsylvania. He <i>d.</i> in a shipwreck. +He was a sympathetic and delicate critic, and was among the first +of American men of letters to appreciate the genius of Wordsworth, +of whose works he brought out an ed. in 1837. His lectures on +English Literature, English History, and English Poets were <i>pub.</i><a name='Page_316'></a></p><br /> + +<a name='REEVE_CLARA_1729_1807'></a><p><b>REEVE, CLARA (1729-1807).</b> +—Novelist, was the author of +several novels, of which only one is remembered—<i>The Old English +Baron</i> (1777), written in imitation of, or rivalry with, H. Walpole's +<i>Castle of Otranto</i>, with which it has often been printed.</p><br /> + +<a name='REEVE_HENRY_1813_1895'></a><p><b>REEVE, HENRY (1813-1895).</b> +—Editor, etc., <i>s.</i> of a physician, +was on the staff of the <i>Times</i>, the foreign policy of which +he influenced for many years. He was ed. of the <i>Edinburgh +Review</i> 1855-95, and of the Greville Memoirs 1865. He held a leading +place in society, and had an unusually wide acquaintance with men +of letters all over the continent.</p><br /> + +<a name='REID_MAYNE_1818_1883'></a><p><b>REID, MAYNE (1818-1883).</b> +—Novelist, <i>b.</i> in the north of +Ireland, he set off at the age of 20 for Mexico to push his fortunes, +and went through many adventures, including service in the +Mexican War. He also was for a short time settled in Philadelphia +engaged in literary work. Returning to this country he began a +long series of novels of adventure with <i>The Rifle Rangers</i> (1849). +The others include <i>The Scalp Hunters</i>, <i>Boy Hunters</i>, and <i>Young +Voyagers</i>, and had great popularity, especially with boys.</p><br /> + +<a name='REID_THOMAS_1710_1796'></a><p><b>REID, THOMAS (1710-1796).</b> +—Philosopher, was the <i>s.</i> of +the minister of Strachan, Kincardineshire, where he was <i>b.</i> His +mother was one of the gifted family of the Gregorys. At the age of +12 he was sent to Marischal Coll., Aberdeen, where he graduated, +and thereafter resided for some time as librarian, devoting himself +to study, especially of mathematics and the Newtonian philosophy. +He was in 1737 ordained minister of New Machar, Aberdeen, and in +1748 he communicated to the Royal Society an <i>Essay on Quantity</i>. +Four years later he became one of the Prof. of Philosophy (including +mathematics and natural philosophy) in King's Coll., Aberdeen, and +in 1763 he was chosen to succeed Adam Smith as Prof. of Moral +Philosophy in Glasgow. In the following year he <i>pub.</i> his great +work, <i>Inquiry into the Human Mind on the Principles of Common +Sense</i>, directed against Hume's <i>Essay on Human Nature</i>. Up to +the appearance of the latter work in 1739 R. had been a follower of +Berkeley, but the conclusions drawn therein from the idealistic +philosophy led him to revise his theories, and to propound what is +usually known as the "common sense" philosophy, by which term +is meant the beliefs common to rational beings as such. In 1785 he +<i>pub.</i> his <i>Essay on the Intellectual Powers</i>, which was followed in 1788 +by that <i>On the Active Powers</i>. R., who, though below the middle +size, was strong and fond of exercise, maintained his bodily and +mental vigour until his death at 86. His writings, distinguished by +logical rigour of method and clearness of style, exercised a profound +influence in France as well as at home; but his attempted refutation +of Berkeley is now generally considered to have failed.</p> + +<p><i>Works</i> ed. by Sir W. Hamilton and H.L. Mansel. Sketch by +Prof. A.C. Fraser (1898).</p><br /> + +<a name='REID_SIR_THOMAS_WEMYSS_1842_1905'></a><p><b>REID, SIR THOMAS WEMYSS (1842-1905).</b> +—Novelist and +biographer, <i>b.</i> at Newcastle, and after being connected with various +provincial newspapers came to London in 1887 as manager for Cassell +<a name='Page_317'></a>and Co. Thereafter he was, 1890-99, ed. of <i>The Speaker</i>. Among +his more permanent writings are <i>The Land of the Bey</i> (1882), <i>Gladys +Fane</i> (1883), and Lives of W.E. Forster (1888), and Lords Houghton +(1891), and Playfair (1899), and William Black (1902). He was +knighted in 1894.</p><br /> + +<a name='REYNOLDS_SIR_JOSHUA_1723_1792'></a><p><b>REYNOLDS, SIR JOSHUA (1723-1792).</b> +—Painter and writer +on art, <i>s.</i> of a clergyman and schoolmaster at Plympton, Devonshire. +After studying art in Italy, he settled in London, where he attained +extraordinary fame as a portrait-painter. He is regarded as the +greatest English representative of that art, and was first Pres. of the +Royal Academy. He was the intimate friend of Johnson, Burke, +Goldsmith, and indeed of most of the celebrated men of his time. +He has also a place in literature for his <i>Fifteen Discourses</i> on painting, +delivered to the Academy. He also contributed to the <i>Idler</i>, +and translated Du Fresney's <i>Art of Painting</i>. He suffered from +deafness, and in his latter years from failure of sight. He was a man +of great worth and amiability. He was knighted in 1769.</p><br /> + +<a name='RHODES_WILLIAM_BARNES_1772_1826'></a><p><b>RHODES, WILLIAM BARNES (1772-1826).</b> +—Dramatist, was +in the Bank of England, of which he became Chief Teller. He +wrote a burlesque, <i>Bombastes Furioso</i>, which achieved great popularity.</p><br /> + +<a name='RHYMER_THOMAS_THE_see_ERCILDOUN'></a><p><b>RHYMER, THOMAS THE, (<i>see</i> <a href='#ERCILDOUN_THOMAS_of_or_quotTHOMAS_THE_RHYMERquot_fl_1220_1297'>ERCILDOUN</a>).</b></p><br /> + +<a name='RICARDO_DAVID_1772_1823'></a><p><b>RICARDO, DAVID (1772-1823).</b> +—Political economist, <i>s.</i> of +a Jewish stockbroker, himself followed the same business, in which +he acquired a large fortune. On his marriage he conformed to +Christianity. He was an original and powerful writer on economic +subjects, his chief work being <i>The Principles of Political Economy +and Taxation</i> (1817). After retiring from business he entered the +House of Commons, where, owing to his remarkable power of lucid +exposition, combined with his reputation as a highly successful man +of business, he acquired great influence. The writings of R. are +among the classics of his subject.</p><br /> + +<a name='RICE_JAMES_1844_1882'></a><p><b>RICE, JAMES (1844-1882).</b> +—Novelist, was <i>ed.</i> at Camb., +and studied law, from which he drifted into literature. He wrote a +number of successful novels in collaboration with <a href='#BESANT_SIR_WALTER_1836_1901'>W. Besant</a> (<i>q.v.</i>).</p><br /> + +<a name='RICH_BARNABE_1540_1620'></a><p><b>RICH, BARNABE (1540?-1620?).</b> +—Writer of romances, <i>b.</i> +in Essex, saw military service in the Low Countries. He began to +write in 1574, and took Lyly's <i>Euphues</i> as his model. Among his +numerous romances is <i>The Strange and Wonderful Adventures of +Simonides, a Gentleman Spaniard</i> and <i>Riche, his Farewell to the Military +Profession</i> (1581), which furnished Shakespeare with the plot +for <i>Twelfth Night</i>.</p><br /> + +<a name='RICHARDSON_SAMUEL_1689_1761'></a><p><b>RICHARDSON, SAMUEL (1689-1761).</b> +—Novelist, <i>s.</i> of a +joiner, was <i>b.</i> at Derby. His <i>f.</i> had intended him for the Church, +but means failed, and at the age of 17 he went to London, and was +apprenticed to a printer. Careful and diligent, he prospered in +business, became printer of the Journals of the House of Commons, +and in the year before his death purchased the moiety of the patent +of King's Printer. He was twice <i>m.</i>, and each of his wives brought +<a name='Page_318'></a>him six children, of whom, however, only four daughters were living +at his death. R., who was the originator of the modern novel, did +not take seriously to literature until he was past 50 when, in 1740, +<i>Pamela</i> appeared. It originated in a proposal by two printers that +R. should write a collection of model letters for the use of persons +unaccustomed to correspondence, but it soon developed in his hands +into a novel in which the story is carried on in the form of a correspondence. +With faults and absurdities, it struck a true note of +sentiment, and exploded the prevalent idea that dukes and princesses +were the only suitable heroes and heroines (Pamela was a +maid-servant), and it won immediate and phenomenal popularity. +In 1748 <i>Clarissa Harlow</i>, his masterpiece, was <i>pub.</i>, and in 1753 <i>Sir +Charles Grandison</i>, in which the author embodies his ideal of a +Christian gentleman. All these surfer from an elaboration of detail +which often becomes tedious; but in deep acquaintance with the +motives of conduct, and especially of the workings of the female +heart, they are almost unrivalled; their pathos also is genuine and +deep. R. had an unusual faculty as the platonic friend and counsellor +of women, and was the centre of an admiring circle of the sex, +who ministered to a vanity which became somewhat excessive. R. +has also the distinction of evoking the genius of Fielding, whose +first novel, <i>Joseph Andrews</i>, was begun as a skit or parody upon +<i>Pamela</i>. R. is described as "a stout, rosy, vain, prosy little man." +<i>Life</i> by Sir W. Scott in Ballantyne's <i>Novelists Library</i>. <i>Works</i> +with preface by L. Stephen (12 vols., 1883), etc.</p><br /> + +<a name='RITCHIE_LEITCH_1800_1865'></a><p><b>RITCHIE, LEITCH (1800?-1865).</b> +—Novelist, <i>b.</i> at Greenock +and in business as a clerk in Glasgow, but about 1820 adopted literature +as his profession. He wrote several novels of which the best +known is <i>Wearyfoot Common</i>; others were <i>The Robber of the Rhine</i> +and <i>The Magician</i>. In his later years he ed. <i>Chambers's Journal</i>.</p><br /> + +<a name='RITSON_JOSEPH_1752_1803'></a><p><b>RITSON, JOSEPH (1752-1803).</b> +—Antiquary and critic, <i>b.</i> +at Stockton-on-Tees, settled in London as a conveyancer, at the same +time devoting himself to the study of ancient English poetry. By +his diligence as a collector and acuteness as a critic he rendered +essential service to the preservation and appreciation of our ancient +poetry. His chief works are <i>A Collection of English Songs</i> (1783), +<i>Ancient Songs from Henry III. to the Revolution</i> (1790), <i>A Collection +of Scottish Songs</i> (1794), and <i>A Collection of all the Ancient Poems, +etc., relating to Robin Hood</i> (1795). Of a jealous and quarrelsome +temper, R. was continually in controversy with his fellow-collectors +and critics, including Johnson, Warton, and Percy. His acuteness +enabled him to detect the Ireland forgeries. He <i>d.</i> insane.</p><br /> + +<a name='ROBERTSON_FREDERICK_WILLIAM_1816_1853'></a><p><b>ROBERTSON, FREDERICK WILLIAM (1816-1853).</b> +—Divine, +<i>s.</i> of Captain Frederick R., of the Royal Artillery, was <i>b.</i> in London, +and <i>ed.</i> at Edin. and Oxf. After holding various curacies he became +in 1847 incumbent of Trinity Chapel, Brighton, where his preaching, +though it brought him under the suspicion both of the High and +Evangelical parties in the Church, had an extraordinary influence. +Always of delicate and highly-strung constitution, his health gave +way after his ministry in Brighton had extended to six years, and he +<i>d.</i> in 1853. The beauty of his life and character had almost conquered +<a name='Page_319'></a>the suspicion and dislike with which his views had inspired +many. His sermons, of which five series were <i>pub.</i> posthumously, +have had a very wide popularity.</p><br /> + +<a name='ROBERTSON_THOMAS_WILLIAM_1829_1871'></a><p><b>ROBERTSON, THOMAS WILLIAM (1829-1871).</b> +—Dramatist, +belonged to a family famous for producing actors. Never a successful +actor himself, he produced a number of plays, which had unusual +popularity. Among these are <i>David Garrick</i>, <i>Society</i>, <i>Caste</i>, and <i>School</i>.</p><br /> + +<a name='ROBERTSON_WILLIAM_1721_1793'></a><p><b>ROBERTSON, WILLIAM (1721-1793).</b> +—Historian, <i>s.</i> of the +parish minister of Borthwick, Midlothian, where he was <i>b.</i>, received +his earlier <i>ed.</i> at Dalkeith, which then had a school of some +repute; but his <i>f.</i> being translated to Edin., he attended school, and +afterwards the Univ. there, studying for the Church. In 1743 he +became minister of Gladsmuir, near Prestonpans. In the '45 he +showed his loyalty by offering himself to Sir J. Cope as a volunteer, +a service which was, however, declined. He soon began to take a +prominent part in the debates of the General Assembly, of which he +rose to be the undisputed leader. In 1758 he became one of the +city ministers of Edin., and in the following year <i>pub.</i> his <i>History of +Scotland</i>, which had an extraordinary success, and at once raised +him to a foremost place among British historians. Preferment immediately +followed: he was made Chaplain of Stirling Castle 1759, +King's Chaplain for Scotland 1760, Principal of the Univ. of Edin. +1761, and Historiographer for Scotland 1763. In 1769 appeared +the <i>History of the Reign of the Emperor Charles V.</i>, in 1777 <i>The History +of America</i>, and in 1791 <i>Historical Disquisition on Ancient India</i>. +In 1780 R. retired from the management of Church affairs, in which +he had shown conspicuous ability, and gave himself to study, and +the society of his friends, among whom were most of his distinguished +contemporaries. As a writer he possessed a finished style, +clear, measured, and stately, which carried his well-arranged narrative +as on a full and steady stream; he was also cool and sagacious +but, like Hume, he was apt to take his facts at second hand, and the +vast additional material which has been in course of accumulation +since his day has rendered the value of his work more and more +literary, and less and less historical.</p> + +<p><i>Lives</i> by Dugald Stewart (1801), Bishop Gleig (1812), and Lord +Brougham in <i>Men of Letters</i>.</p><br /> + +<a name='ROBINSON_HENRY_CRABB_1775_1867'></a><p><b>ROBINSON, HENRY CRABB (1775-1867).</b> +—Diarist, <i>b.</i> at +Bury St. Edmunds, was articled to an attorney in Colchester. +Between 1800 and 1805 he studied at various places in Germany, +and became acquainted with nearly all the great men of letters there, +including Goethe, Schiller, Herder, Wieland, etc. Thereafter he +became war correspondent to the <i>Times</i> in the Peninsula. On his +return to London he studied for the Bar, to which he was called in +1813, and became leader of the Eastern Circuit. Fifteen years later +he retired, and by virtue of his great conversational powers and +other qualities, became a leader in society, going everywhere and +knowing everybody worth knowing. He <i>d.</i> unmarried, aged 91, and +his <i>Diary, Reminiscences and Correspondence</i>, which stands in the +forefront of its class, was <i>pub.</i> in 1869<a name='Page_320'></a>.</p><br /> + +<a name='ROCHESTER_JOHN_WILMOT_2ND_EARL_OF_1647_1680'></a><p><b>ROCHESTER, JOHN WILMOT (2ND EARL OF) (1647-1680).</b> +—Poet, +<i>s.</i> of the 1st Earl, <i>b.</i> at Ditchley in Oxfordshire, and <i>ed.</i> at Oxf., +saw some naval service when he showed conspicuous bravery. He +became one of the most dissolute of the courtiers of Charles II., and +wore himself out at 33 by his wild life. He was handsome, and witty, +and possessed a singular charm of manner. He wrote a number of +light, graceful poems, many of them extremely gross. Bishop +Burnet, who attended him on his deathbed, believed him to have +been sincerely repentant. In addition to his short pieces he wrote +a <i>Satyr against Mankind</i>, and a tragedy, <i>Valentinian</i>, adapted from +Beaumont and Fletcher.</p><br /> + +<a name='ROGERS_HENRY_1806_1877'></a><p><b>ROGERS, HENRY (1806-1877).</b> +—Critic and theologian, was +a minister of the Congregationalist Church, and ultimately Prof. of +English Literature in Univ. Coll., London. He was a contributor +to the <i>Edinburgh Review</i>, and is best known by his <i>Eclipse of Faith</i> +(1852), a reply to F.W. Newman's <i>Phases of Faith</i>. This work, +which displays remarkable acuteness and logical power, had great +popularity.</p><br /> + +<a name='ROGERS_SAMUEL_1763_1855'></a><p><b>ROGERS, SAMUEL (1763-1855).</b> +—Poet, <i>s.</i> of a banker in +London, received a careful private education, and entered the bank, +of which, on his father's death, he became the principal partner. +From his early youth he showed a marked taste for literature and +the fine arts, which his wealth enabled him to gratify; and in his +later years he was a well-known leader in society and a munificent +patron of artists and men of letters, his breakfasts, at which he +delighted to assemble celebrities in all departments, being famous. +He was the author of the following poems: <i>The Pleasures of Memory</i> +(1792), <i>Columbus</i> (1810), <i>Jacqueline</i> (1814), <i>Human Life</i> (1819), and +<i>Italy</i> (1822). R. was emphatically the poet of taste, and his writings, +while full of allusion and finished description, rarely show passion or +intensity of feeling; but are rather the reflections and memory-pictures +of a man of high culture and refinement expressed in polished +verse. He had considerable powers of conversation and sarcasm. +He was offered, but declined, the laureateship.</p><br /> + +<a name='ROLLE_RICHARD_1290_1349'></a><p><b>ROLLE, RICHARD (1290?-1349).</b> +—Hermit and poet, <i>b.</i> +at Thornton, Yorkshire, was at Oxf. Impressed by the uncertainty +and the snares of life he decided to become a hermit, a resolution +which he carried out with somewhat romantic circumstances. +He wrote various religious treatises in Latin and English, turned the +Psalms into English verse, and composed a poem—<i>The Pricke of +Conscience</i>—in 7 books, in which is shown the attitude of protest +which was rising against certain Papal pretensions and doctrines.</p><br /> + +<a name='ROLLOCK_ROBERT_1555_1599'></a><p><b>ROLLOCK, ROBERT (1555?-1599).</b> +—Theologian and +scholar, <i>b.</i> in Stirlingshire, was first a Prof. in St. Andrews, and then +the first Principal of the Univ. of Edin. He also held office as Prof. +of Theology, and was one of the ministers of the High Church. He +was one of the earliest of Protestant commentators. He wrote +chiefly in Latin, but some of his sermons and commentaries are in +vernacular Scotch<a name='Page_321'></a>.</p><br /> + +<a name='ROPER_WILLIAM_1496_1578'></a><p><b>ROPER, WILLIAM (1496-1578).</b> +—Biographer, <i>s.</i> of a +Kentish gentleman, <i>m.</i> Margaret, <i>dau.</i> of Sir Thomas More. He has +a place in literature for his excellent and appreciative biography of +his father-in-law. He was a member of various Parliaments between +1529 and 1558. Although he remained a Roman Catholic, he was +permitted to retain his office of prothonotary of the Court of King's +Bench after the accession of Elizabeth.</p><br /> + +<a name='ROSCOE_WILLIAM_1753_1831'></a><p><b>ROSCOE, WILLIAM (1753-1831).</b> +—Historian, <i>s.</i> of a +market-gardener near Liverpool, for a time assisted his <i>f.</i>, devoting +all his spare time to mental improvement. Subsequently he entered +the office of an attorney, and in due time went into business on his +own account, continuing, however, his literary studies. In 1799 he +joined a local bank as partner and manager, which proved an unfortunate +step, as the bank was obliged, in 1816, to suspend payment. +In 1795 he rose into fame at a bound by his <i>Life of Lorenzo +de' Medici</i>. It was followed in 1805 by the <i>Life and Pontificate of +Leo the Tenth</i>, which, though also a work of great ability, had not +the same success—his treatment of the Reformation offending +Protestants and Roman Catholics alike. Both works were translated +into various languages. He also wrote some poems, including +<i>The Butterfly's Ball and the Grasshopper's Feast</i>, and several +pamphlets on political questions, including the slave-trade, of which +he was a determined opponent. He also took a leading part in the +public life of Liverpool, which he represented in Parliament for a +few years. He was an accomplished botanist.</p><br /> + +<a name='ROSCOMMON_WENTWORTH_DILLON_4TH_EARL_of_1633_1685'></a><p><b>ROSCOMMON, WENTWORTH DILLON, 4TH EARL of (1633?-1685).</b> +—Poet, +nephew of the famous Earl of Strafford, was <i>b.</i> in Ireland. +He studied and travelled on the Continent, and enjoyed a +considerable literary reputation in his own day on the strength of a +poetical <i>Essay on Translated Verse</i>, and translations from Horace's +<i>Art of Poetry</i>.</p><br /> + +<a name='ROSE_WILLIAM_STEWART_1775_1843'></a><p><b>ROSE, WILLIAM STEWART (1775-1843).</b> +—Poet and translator, +<i>s.</i> of George R., who held various Government offices, including +that of Treasurer of the Navy. After being <i>ed.</i> at Eton and +Camb., he was appointed Reading Clerk to the House of Lords. +He translated the romance of <i>Amadis de Gaul</i> (1803), <i>Partenopex +de Blois</i> (1807), etc., and from 1823-31 was occupied with the +principal work of his life, his translations from the Italian, including +the <i>Orlando Furioso</i> of Ariosto, in which he was encouraged by Sir W. +Scott, whose friend he was. He also produced a vol. of poems, <i>The +Crusade of St. Louis</i> (1810).</p><br /> + +<a name='ROSSETTI_CHRISTINA_GEORGINA_1830_1894'></a><p><b>ROSSETTI, CHRISTINA GEORGINA (1830-1894).</b> +—Poetess, +sister of <a href='#ROSSETTI_DANTE_GABRIEL_1828_1882'>Dante Gabriel R.</a> (<i>q.v.</i>), was <i>b.</i> in London, where she lived +all her life. She began to write poetry in early girlhood, some of her +earliest verse appearing in 1850 in the <i>Germ</i>, the magazine of the +pre-Raphaelites, of which her brother was one of the founders. +Her subsequent publications were <i>Goblin Market and other Poems</i> +(1862), <i>The Prince's Progress</i> (1866), <i>A Pageant and other Poems</i> +(1881), and <i>Verses</i> (1893). <i>New Poems</i> (1896) appeared after her +death. <i>Sing-Song</i> was a book of verses for children. Her life was +<a name='Page_322'></a>a very retired one, passed largely in attending on her mother, who +lived until 1886, and in religious duties. She twice rejected proposals +of marriage. Her poetry is characterised by imaginative +power, exquisite expression, and simplicity and depth of thought. +She rarely imitated any forerunner, and drew her inspiration from +her own experiences of thought and feeling. Many of her poems are +definitely religious in form; more are deeply imbued with religious +feeling and motive. In addition to her poems she wrote <i>Commonplace +and other Stories</i>, and <i>The Face of the Deep</i>, a striking and suggestive +commentary on the Apocalypse.</p><br /> + +<a name='ROSSETTI_DANTE_GABRIEL_1828_1882'></a><p><b>ROSSETTI, DANTE GABRIEL (1828-1882).</b> +—Poet and +painter, was <i>b.</i> in London. His <i>f.</i> was Gabriele Rossetti, an Italian +scholar, who came to England in 1824, and was Prof. of Italian in +King's Coll., London. His mother was Frances Polidori, English +on her mother's side, so that the poet was three-fourths Italian, and +one-fourth English. He was <i>ed.</i> at King's Coll. School, and began +the systematic study of painting in 1842, and in 1848, with Holman +Hunt, Millais, and others, founded the pre-Raphaelite school of +painting. In 1849 he exhibited the "Girlhood of Mary Virgin," and +among his other pictures are "Beata Beatrix," "Monna Vanna," +and "Dante's Dream." Simultaneously with art he worked hard +at poetry, and by 1847 he had written <i>The Blessed Damozel</i> and +<i>Hand and Soul</i> (both of which appeared in the <i>Germ</i>, the magazine +of the pre-Raphaelites), <i>Retro me Sathanas</i>, <i>The Portrait</i>, and <i>The +Choice</i>, and in 1861 he brought out a vol. of translations from the +early Italian poets under the title of <i>Dante and his Circle</i>. The +death of his wife in 1862, after a married life of less than two years, +told heavily upon him, as did various attacks upon his poetry, including +that of <a href='#BUCHANAN_ROBERT_1841_1901'>Robert Buchanan</a> (<i>q.v.</i>)—<i>The Fleshly School of +Poetry</i>—to which he replied with <i>The Stealthy School of Criticism</i>. +His <i>Poems</i> which, in the vehemence of his grief, he had buried in the +coffin of his wife, and which were afterwards exhumed, appeared in +1870; and his last literary effort, <i>Ballads and Sonnets</i>, containing +the sonnets forming <i>The House of Life</i>, in 1881. In his later years +he suffered acutely from neuralgia, which led to the habit of taking +chloral. Rossetti was fastidious in composition; his poems are as +remarkable for condensation, finish, and exact expression of the +poet's thought as for their sumptuous colouring and rich concrete +imagery. In later years he was subject to depression, and became +somewhat embittered, and much of a recluse.</p> + +<p><i>Life</i> by A.C. Benson (English Men of Letters). <i>Family Letters +and Memoir</i> by W.M. Rossetti. Poetical Works with preface by the +same, etc.</p><br /> + +<a name='ROUS_FRANCIS_1579_1659'></a><p><b>ROUS, FRANCIS (1579-1659).</b> +—Versifier of the Psalms, a +Cornishman, and a prominent Puritan, took a leading part in Parliament, +was Provost of Eton, and wrote several theological and devotional +works. His memory has, however, been chiefly kept green +by his translation of the Psalms into verse, which with some modifications +was adopted by the Church and Parliament of Scotland for +use in public worship, a position which it held almost exclusively +until the middle of the 19th century. It is still in universal use in +the Presbyterian churches of that country, though now accompanied +<a name='Page_323'></a>by hymns. Though rough, and sometimes, through the endeavour +to maintain literalness, grotesque, it is strong and simple, and not +seldom rises to a certain severe beauty; and association has endeared +it to many generations of Scottish Christians.</p><br /> + +<a name='ROW_JOHN_1568_1646'></a><p><b>ROW, JOHN (1568-1646).</b> +—Scottish ecclesiastical historian, +<i>b.</i> at Perth, <i>s.</i> of John R., one of the Scottish Reformers, was +minister of Carnock in Fife, and a leading opponent of Episcopacy. +His <i>Historie of the Kirk of Scotland</i>, 1558-1637, left by him in manuscript, +was printed in 1842 for the Wodrow Society. It is an +original authority for the period.</p><br /> + +<a name='ROWE_NICHOLAS_1674_1718'></a><p><b>ROWE, NICHOLAS (1674-1718).</b> +—Dramatist and poet, <i>b.</i> +of a good family at Little Barford, Bedfordshire, was bred to the +law, but inheriting an income of £300 a year, he devoted himself to +literature, and produced several dramas, including <i>The Ambitious +Stepmother</i>, <i>The Fair Penitent</i>, and <i>Jane Shore</i>. The last, which is +his best, contains some scenes of true pathos, and holds its place. +He also wrote some poems, and translated Lucan. R., who was a +man of very engaging manners, was the friend of Pope, Swift, and +Addison, and received many lucrative appointments, including +that of Under-Sec. of State. He has the distinction of being the +first ed. and biographer of Shakespeare (1709). He was appointed +Poet Laureate in 1715, and was buried in Westminster Abbey, with +an epitaph by Pope.</p><br /> + +<a name='ROWLEY_WILLIAM_1585_1642'></a><p><b>ROWLEY, WILLIAM (1585?-1642?).</b> +—Dramatist, was an +actor in the Queen's Company 1610. He collaborated with Middleton +in <i>A Fair Quarrel</i> and <i>The Changeling</i>, and in others with +Dekker, Webster, etc., and wrote unassisted <i>A New Wonder</i>, <i>A Match +at Midnight</i>, <i>A Shoemaker, a Gentleman</i>, and several others; also a +picture of life in London called <i>A Search for Money</i>. R. was vigorous +and humorous, but his verse lacked sweetness and smoothness.</p><br /> + +<a name='RUDDIMAN_THOMAS_1674_1757'></a><p><b>RUDDIMAN, THOMAS (1674-1757).</b> +—Grammarian, <i>b.</i> in +Banffshire, and <i>ed.</i> at King's Coll., Aberdeen, obtained a position in +the Advocates' Library in Edin., of which in 1730 he became Librarian. +In 1714 he <i>pub.</i> his <i>Rudiments of the Latin Tongue</i>, which was +for long the recognised Latin grammar in the schools of Scotland. +He was made printer to the Univ. in 1728. R., who was one of the +greatest of Scottish Latinists, produced an ed. of the works of George +Buchanan, and an ed. of <i>Livy</i> said to be "immaculate." He also +reprinted, with notes, Gavin Douglas's version of the <i>Æneid</i>.</p><br /> + +<a name='RUSKIN_JOHN_1819_1900'></a><p><b>RUSKIN, JOHN (1819-1900).</b> +—Writer on art, economics, +and sociology, was <i>b.</i> in London, the <i>s.</i> of a wealthy wine merchant, +a Scotsman. Brought up under intellectually and morally bracing +Puritan influences, his education was mainly private until he went +to Oxf. in 1836; he remained until 1840, when a serious illness interrupted +his studies, and led to a six months' visit to Italy. On his +return in 1842 he took his degree. In 1840 he had made the acquaintance +of Turner, and this, together with a visit to Venice, constituted +a turning point in his life. In 1843 appeared the first vol. +of <i>Modern Painters</i>, the object of which was to insist upon the +superiority in landscape of the moderns, and especially of Turner, to +<a name='Page_324'></a>all the ancient masters. The earnestness and originality of the +author and the splendour of the style at once called attention to the +work which, however, awakened a chorus of protest from the adherents +of the ancients. A second vol. appeared in 1846, the third +and fourth in 1856, and the fifth in 1860. Meanwhile he had <i>pub.</i> +<i>The Seven Lamps of Architecture</i> (1849), <i>The Stones of Venice</i> (1851-53), +perhaps his greatest work, <i>Lectures on Architecture and Painting</i> +(1854), <i>Elements of Drawing</i> (1856), and <i>Elements of Perspective</i> +(1859). During the 17 years between the publication of the first +and the last vols. of <i>Modern Painters</i> his views alike on religion and +art had become profoundly modified, and the necessity of a radical +change in the moral and intellectual attitude of the age towards +religion, art, and economics in their bearing upon life and social +conditions had become his ruling idea. He now assumed the <i>rôle</i> of +the prophet as Carlyle, by whose teaching he was profoundly influenced, +had done, and the rest of his life was spent in the endeavour +to turn the mind of the nation in the direction he desired. <i>The +Political Economy of Art</i> (1857) showed the line in which his mind +was moving; but it was in <i>Unto this Last</i>, <i>pub.</i> in the <i>Cornhill +Magazine</i> in 1860, that he began fully to develop his views. It +brought down upon him a storm of opposition and obloquy which +continued for years, and which, while it acted injuriously upon his +highly sensitive nervous system, had no effect in silencing him or +modifying his views. There followed <i>Munera Pulveris</i> (Gifts of the +Dust), <i>The Crown of Wild Olive</i>, <i>Sesame and Lilies</i> (1865), <i>Time and +Tide by Wear and Tyne</i>, and innumerable fugitive articles. In 1869 R. +was appointed first Slade Prof. of the Fine Arts at Oxf., and endowed +a school of drawing in the Univ. His successive courses of lectures +were <i>pub.</i> as <i>Aratra Pentelici</i> (Ploughs of Pentelicus) (1870), <i>The +Eagle's Nest</i> (1872), <i>Ariadne Florentina</i> (1872), and <i>Love's Meinie</i> +(1873). Contemporaneously with these he issued with more or less +regularity, as health permitted, <i>Fors Clavigera</i> (Chance the Club-bearer), +a series of miscellaneous notes and essays, sold by the +author himself direct to the purchasers, the first of a series of experiments—of +which the Guild of St. George, a tea room, and a road-making +enterprise were other examples—in practical economics. +After the death of his mother in 1871 he purchased a small property, +Brantwood, in the Lake district, where he lived for the remainder +of his life, and here he brought out in monthly parts his last +work, <i>Præterita</i>, an autobiography, 24 parts of which appeared, +bringing down the story to 1864. Here he <i>d.</i> on January 20, 1900. +R. was a man of noble character and generous impulses, but +highly strung, irritable, and somewhat intolerant. He is one of our +greatest stylists, copious, eloquent, picturesque, and highly coloured. +His influence on his time was very great, at first in the department +of art, in which he was for a time regarded as the supreme authority, +later and increasingly in the realms of economics and morals, in +which he was at first looked upon as an unpractical dreamer. He <i>m.</i> +in 1848, but the union proved unhappy, and was dissolved in 1855.</p> + +<p>For his Life <i>see</i> his own works, especially <i>Præterita</i>. <i>Life and +Works</i> by Collingwood (2 vols., 1893). <i>Bibliography</i>, T.J. Wise +(1889-93). Shorter works by Mrs. Meynell, J.A. Hobson, F. Harrison, +etc<a name='Page_325'></a>.</p><br /> + +<a name='RUSSELL_LORD_JOHN_1ST_EARL_RUSSELL_1792_1878'></a><p><b>RUSSELL, LORD JOHN, 1ST EARL RUSSELL (1792-1878).</b> +—Statesman, +biographer, and historical writer, third <i>s.</i> of the 6th Duke +of Bedford, was <i>ed.</i> at Westminster School and the Univ. of Edin. +He entered Parliament in 1813, and became one of the most eminent +English statesmen of the 19th century. He uniformly acted with the +Whig and afterwards with the Liberal party, advocated all measures +of progress, especially the removal of tests, the extension of education, +and Parliamentary reform. He was the leader of his party in +the House of Commons from 1834-55, represented the City of London +from 1841 until his elevation to the peerage in 1861, and held +the offices of Paymaster of the Forces, Home Sec., Colonial Sec., +Foreign Sec., and Prime Minister, which last he held twice, 1846-52, +and 1865-66. His contributions to literature were considerable, both +in number and importance, and include <i>Essay on the English Constitution</i> +(1821), <i>Memoirs of the Affairs of Europe from the Peace of +Utrecht</i> (1824), <i>Correspondence of the 4th Duke of Bedford</i>, <i>Life, +Diary, and Letters of Thomas Moore</i>, <i>Correspondence of Charles +James Fox</i>, and a <i>Life</i> of the same statesman, <i>Essays on the Rise and +Progress of the Christian Religion in the West of Europe</i> (1873), and +<i>Recollections and Suggestions</i> (1875).</p><br /> + +<a name='RUSSELL_WILLIAM_1741_1793'></a><p><b>RUSSELL, WILLIAM (1741-1793).</b> +—Historian, <i>b.</i> in Selkirkshire, +and apprenticed to a bookseller in Edin., he was patronised by +Lord Elibank, and went to London, where he followed literature as +a profession. He wrote poems and fables, a <i>History of America</i> +(1779), and a <i>History of Modern Europe</i>, which he left unfinished.</p><br /> + +<a name='RUSSELL_SIR_WILLIAM_HOWARD_1821_1907'></a><p><b>RUSSELL, SIR WILLIAM HOWARD (1821-1907).</b> +—War +correspondent, <i>b.</i> in Co. Dublin, was called to the Bar in 1850. +Having joined the staff of the <i>Times</i>, he was sent as war correspondent +to the Crimea, his letters from which caused a profound sensation, +and led to an improved condition of things in regard to the +army. He was also correspondent in India during the Mutiny, in +America during the Civil War, and during the Austro-Prussian War of +1866, and the Franco-German War of 1870-71, in South Africa in +1879, and in Egypt in 1883. Among his books are <i>The Adventures +of Dr. Brady</i> (1868), <i>Hesperothen</i> (1882), <i>A Visit to Chili</i> (1890), and +<i>The Great War with Russia</i> (1895). He was knighted in 1895, and +also received various foreign decorations.</p><br /> + +<a name='RUTHERFORD_SAMUEL_1600_1661'></a><p><b>RUTHERFORD, SAMUEL (1600?-1661).</b> +—Theologian and +controversialist, <i>b.</i> at Nisbet, Roxburghshire, <i>ed.</i> at Edin. Univ., +where he became in 1623 Regent of Humanity (Prof. of Latin). In +1627 he was settled as minister of Anwoth in Galloway, whence he +was banished to Aberdeen for nonconformity. On the re-establishment +of Presbytery in 1638 he was made Prof. of Divinity at St. +Andrews, and in 1651 Principal of St. Mary's Coll. there, and he was +one of the Scottish Commissioners to the Westminster Assembly. +At the Restoration he was deprived of all his offices. He was a +formidable controversialist, and a strenuous upholder of the divine +right of Presbytery. Among his polemical works are <i>Due Right of +Presbyteries</i> (1644), <i>Lex Rex</i> (1644), and <i>Free Disputation against +Pretended Liberty of Conscience</i>. <i>Lex Rex</i> was, after the Restoration, +burned by the common hangman, and led to the citation of the +<a name='Page_326'></a>author for high treason, which his death prevented from taking +effect. His chief fame, however, rests upon his spiritual and devotional +works, such as <i>Christ Dying and drawing Sinners to Himself</i>, +but especially upon his <i>Letters</i>, which display a fervour of feeling and +a rich imagery which, while highly relished by some, repel others.</p><br /> + +<a name='RYCAUT_or_RICAUT_SIR_PAUL_1628_1700'></a><p><b>RYCAUT, or RICAUT, SIR PAUL (1628-1700).</b> +—Historian, +was at Camb., and held various diplomatic positions. He wrote +<i>Present State of the Ottoman Empire</i> (1668), and a continuation of +<i>Knolles's General Historie of the Turks</i>, and translated Platina's +<i>Latin History of the Popes</i>.</p><br /> + +<a name='RYMER_THOMAS_1641_1713'></a><p><b>RYMER, THOMAS (1641-1713).</b> +—Archæologist and critic, +<i>ed.</i> at Camb., became a barrister at Gray's Inn. He <i>pub.</i> in 1678 +<i>Tragedies of the last Age Considered</i>, in which he passed judgments, +very unfavourable, upon their authors, including Shakespeare. He +was of much more use as the collector of English treaties, which he +<i>pub.</i> under the title of <i>Fædera</i>, in 20 vols., the last 5 of which were +ed. after his death by <a href='#SANDERSON_ROBERT_1587_1663'>R. Sanderson</a> (<i>q.v.</i>). R. also <i>pub.</i> poems and +a play, <i>Edgar</i>. He held the office of historiographer to William III. +His learning and industry have received the recognition of many +subsequent historians.</p><br /> + +<a name='ST_JOHN_H_see_BOLINGBROKE'></a><p><b>ST. JOHN, H., (<i>see</i> <a href='#BOLINGBROKE_HENRY_ST_JOHN_1ST_VISCOUNT_1678_1751'>BOLINGBROKE</a>).</b></p><br /> + +<a name='SALA_GEORGE_AUGUSTUS_HENRY_1828_1895'></a><p><b>SALA, GEORGE AUGUSTUS HENRY (1828-1895).</b> +—Journalist +and novelist, <i>b.</i> in London of Italian ancestry, began life as an +illustrator of books and scene-painter, afterwards taking to literature. +He contributed to many periodicals, including <i>Household +Words</i>, and the <i>Illustrated London News</i>, and was the founder and +first ed. of <i>Temple Bar</i>. Among his novels were <i>The Buddington +Peerage</i> and <i>Quite Alone</i>. He also wrote books of travel, and an +autobiographical work, his <i>Life and Adventures</i> (1895).</p><br /> + +<a name='SALE_GEORGE_1697_1736'></a><p><b>SALE, GEORGE (1697?-1736).</b> +—Orientalist, a Kentish man, +and practising solicitor. In 1734 he <i>pub.</i> a translation of the <i>Koran</i>. +He also assisted in the <i>Universal History</i>, and was one of the +correctors of the Arabic New Testament issued by the S.P.C.K.</p><br /> + +<a name='SANDERSON_ROBERT_1587_1663'></a><p><b>SANDERSON, ROBERT (1587-1663).</b> +—Theologian and +casuist, <i>b.</i> of good family at Rotherham in Yorkshire, was at Oxf. +Entering the Church he rose to be Bishop of Lincoln. His work on +logic, <i>Logicæ Artis Compendium</i> (1615), was long a standard treatise +on the subject. His sermons also were admired; but he is perhaps +best remembered by his <i>Nine Cases of Conscience Resolved</i> (1678), in +consideration of which he has been placed at the head of English +casuists. He left large collections of historical and heraldic matter +in MS.</p><br /> + +<a name='SANDS_ROBERT_CHARLES_1799_1832'></a><p><b>SANDS, ROBERT CHARLES (1799-1832).</b> +—Miscellaneous +writer, <i>b.</i> at New York, was a scholarly and versatile writer, but +without much originality. His best work is in his short stories. +His chief poem was <i>Yamoyden</i>, an Indian story written in collaboration +with a friend.</p><br /> + +<a name='SANDYS_GEORGE_1578_1644'></a><p><b>SANDYS, GEORGE (1578-1644).</b> +—Traveller and translator, +<i>s.</i> of an Archbishop of York, <i>b.</i> at Bishopsthorpe, and <i>ed.</i> at Oxf., is +<a name='Page_327'></a>one of the best of the earlier travellers, learned, observant, and +truth-loving. He <i>pub.</i> in 1615 an account of his journeys in the East +which was highly popular. He also translated when in America the +<i>Metamorphoses</i> of Ovid, produced a metrical <i>Paraphrase on the +Psalms</i>, with music by Henry Lawes, and another on the Canticles, +and wrote <i>Christ's Passion</i>, a tragedy. He held various public +offices, chiefly in connection with the colony of Virginia.</p><br /> + +<a name='SAVAGE_RICHARD_1697_1743'></a><p><b>SAVAGE, RICHARD (1697?-1743).</b> +—Poet, was probably of +humble birth, but claimed to be the illegitimate <i>s.</i> of the Countess of +Macclesfield. He was the friend of Johnson in the early and miserable +days of the latter in London; and in <i>The Lives of the Poets</i> J. +has given his story as set forth by himself, which is, if true, a singular +record of maternal cruelty. There are strong reasons, however, for +doubting whether it was anything but a tissue of falsehoods mingled +with gross exaggerations of fact. He led a wildly irregular life, +killed a gentleman in a tavern brawl, for which he was sentenced +to death, but pardoned; and by his waywardness alienated nearly +all who wished to befriend him. For a time he had a pension of £50 +from Queen Caroline on condition of his writing an ode yearly on her +birthday. He wrote <i>Love in a Veil</i> (1718) (comedy) and <i>Sir Thomas +Overbury</i> (1723) (tragedy), and two poems, <i>The Bastard</i> (1728) and +<i>The Wanderer</i> (1729). He <i>d.</i> in prison at Bristol.</p><br /> + +<a name='SAVILE_SIR_HENRY_1549_1622'></a><p><b>SAVILE, SIR HENRY (1549-1622).</b> +—Scholar, <i>ed.</i> at Oxf., +where he lectured on mathematics. He was afterwards Warden of +Merton Coll. and Provost of Eton, and made a translation from +Tacitus entitled, <i>The Ende of Nero and Beginning of Galba, etc.</i> (1581), +and in the same year <i>pub.</i> <i>Rerum Anglicarum Scriptores post Bedam +Præcipui</i>, a collection of some of the chronicles subsequent to Bede, +William of Malmesbury, Roger of Hoveden, etc. He founded the +Savilian Professorship of Astronomy and Geometry at Oxf.</p><br /> + +<a name='SAXBY_EDWARD_d_1658'></a><p><b>SAXBY, EDWARD (<i>d.</i> 1658).</b> +—<i>B.</i> in Suffolk, and was +in Cromwell's Horse. His extreme republican views, however, led +him into the bitterest antagonism when C. assumed the Protectorship. +This received expression in his extraordinary pamphlet, <i>Killing +no Murder</i>, in which the assassination of C. is advocated, and +which displays in a remarkable degree perverted ingenuity of argument +combined with considerable literary power. S. <i>d.</i> demented +in the Tower in 1658.</p><br /> + +<a name='SCOTT_ALEXANDER_1525_1584'></a><p><b>SCOTT, ALEXANDER (1525?-1584?).</b> +—Scottish poet. +Almost nothing is known of his life, but he is believed to have spent +most of his time in or near Edin. Thirty-six short poems are attributed +to him, including <i>Ane New Yeir Gift to Quene Mary</i>, <i>The +Rondel of Love</i>, and a satire, <i>Justing at the Drum</i>. He has great +variety of metre, and is graceful and musical, but his satirical pieces +are often extremely coarse.</p><br /> + +<a name='SCOTT_HUGH_STOWELL_1863_1903'></a><p><b>SCOTT, HUGH STOWELL (1863?-1903).</b> +—Novelist (under +the name of Henry Seton Merriman). He was an underwriter in +Lloyd's, but having a strong literary bent, latterly devoted himself +to writing novels, many of which had great popularity. They include +<i>The Slave of the Lamp</i> (1892), <i>The Sowers</i> (generally considered +<a name='Page_328'></a>his best) (1896), <i>In Kedar's Tents</i> (1897), <i>Roden's Corner</i> (1898), <i>Isle +of Unrest</i> (1900), <i>The Velvet Glove</i> (1901), <i>The Vultures</i> (1902), and +<i>Barlasch of the Guard</i> (1903). He worked with great care, and his +best books hold a high place in modern fiction. He was unusually +modest and retiring in character.</p><br /> + +<a name='SCOTT_JOHN_1730_1783'></a><p><b>SCOTT, JOHN (1730-1783).</b> +—Poet, <i>s.</i> of a Quaker draper +who in his later years lived at Amwell, a village in Herts, which the +poet celebrates in his descriptive poem, <i>Amwell</i>. He wrote much +other verse now forgotten.</p><br /> + +<a name='SCOTT_LADY_JOHN_ALICIA_ANN_SPOTTISWOODE_1801_1900'></a><p><b>SCOTT, LADY JOHN (ALICIA ANN SPOTTISWOODE) (1801-1900).</b> +—<i>M.</i> +Lord John Scott. She was the writer of a number of +Scottish songs characterised by true poetic feeling. Among them +may be mentioned <i>Annie Laurie</i>, <i>Douglas</i>, and <i>Durrisdeer</i>. She +also composed the music for them.</p><br /> + +<a name='SCOTT_MICHAEL_1789_1835'></a><p><b>SCOTT, MICHAEL (1789-1835).</b> +—Novelist, <i>b.</i> near and <i>ed.</i> +at Glasgow, and settled in business at Kingston, Jamaica, which led +to his making frequent sea voyages, and thus yielded him experiences +which he turned to account in two vivacious novels, <i>Tom +Cringle's Log</i> and <i>The Cruise of the Midge</i>, both of which first appeared +in <i>Blackwood's Magazine</i>, where they attained deserved +popularity. They have frequently been reprinted. The author, +however, maintained a strict <i>incognito</i> during his life.</p><br /> + +<a name='SCOTT_SIR_WALTER_1771_1832'></a><p><b>SCOTT, SIR WALTER (1771-1832).</b> +—Poet, novelist, and +biographer, <i>s.</i> of Walter S., a Writer to the Signet in Edinburgh, and +Margaret Rutherford, <i>dau.</i> of one of the Prof. of Medicine in the +Univ. there. Through both parents he was connected with several +old Border families; his <i>f.</i> was a scion of the Scotts of Harden, well +known in Border history. In early childhood he suffered from a +severe fever, one of the effects of which was a permanent lameness, +and for some time he was delicate. The native vigour of his constitution, +however, soon asserted itself, and he became a man of +exceptional strength. Much of his childhood was spent at his +grandfather's farm at Sandyknowe, Roxburghshire, and almost +from the dawn of intelligence he began to show an interest in the +traditionary lore which was to have so powerful an influence on his +future life, an interest which was nourished and stimulated by +several of the older members of his family, especially one of his aunts. +At this stage he was a quick-witted, excitable child, who required +rather to be restrained than pressed forward. At the age of 7 he was +strong enough to be sent to the High School of Edinburgh, where he +was more remarkable for miscellaneous and out-of-the-way knowledge +and his powers of story-telling than for proficiency in the +ordinary course of study; and notwithstanding his lameness, he was +to be found in the forefront wherever adventure or fighting were +to be had. Thereafter he was for three sessions at the Univ., where +he bore much the same character as at school. He was, however, far +from idle, and was all the time following the irresistible bent, which +ultimately led to such brilliant results, in a course of insatiable reading +of ballads and romances, to enlarge which he had by the time he +was 15 acquired a working knowledge of French and Italian, and +<a name='Page_329'></a>had made the acquaintance of Dante and Ariosto in the original. +Percy's <i>Reliques of Ancient Poetry</i>, <i>pub.</i> in 1765, came into his hands +in 1784, and proved one of the most formative influences of this +period. At 15 he was apprenticed to his <i>f.</i>, but preferring the higher +branch of the profession, he studied for the Bar, to which he was +called in 1792. He did not, however, forego his favourite studies, +but ransacked the Advocates' Library for old manuscripts, in the +deciphering of which he became so expert that his assistance soon +came to be invoked by antiquarians of much longer standing. +Although he worked hard at law his ideal was not the attainment of +an extensive practice, but rather of a fairly paid post which should +leave him leisure for his favourite pursuits, and this he succeeded in +reaching, being appointed first in 1799 Sheriff of Selkirk, and next in +1812 one of the Principal Clerks to the Court of Session, which +together brought him an income of £1600. Meanwhile in 1795 he +had translated Bürger's ballad of <i>Lenore</i>, and in the following year he +made his first appearance in print by publishing it along with a translation +of <i>The Wild Huntsman</i> by the same author. About the same +time he made the acquaintance of "Monk" Lewis, to whose collection +of <i>Tales of Wonder</i> he contributed the ballads of <i>Glenfinlas</i>, <i>The +Eve of St. John</i>, and <i>The Grey Brother</i>; and he <i>pub.</i> in 1799 a translation +of Goethe's <i>Goetz von Berlichingen</i>. In 1797 he was <i>m.</i> to Miss +Charlotte Margaret Charpentier, the <i>dau.</i> of a French gentleman of +good position. The year 1802 saw the publication of Scott's first +work of real importance, <i>The Minstrelsy of the Scottish Border</i>, of +which 2 vols. appeared, the third following in the next year. In +1804 he went to reside at Ashestiel on the Tweed, where he ed. the +old romance, <i>Sir Tristrem</i>, and in 1805 he produced his first great +original work, <i>The Lay of the Last Minstrel</i>, which was received with +great favour, and decided that literature was thenceforth to be the +main work of his life. In the same year the first few chapters of +<i>Waverley</i> were written; but the unfavourable opinion of a friend led +to the MS. being laid aside for nearly 10 years. In 1806 S. began, +by a secret partnership, that association with the Ballantynes which +resulted so unfortunately for him 20 years later. <i>Marmion</i> was +<i>pub.</i> in 1808: it was even more popular than the <i>Lay</i>, and raised his +reputation proportionately. The same year saw the publication of +his elaborate ed. of Dryden with a Life, and was also marked by a +rupture with Jeffrey, with whom he had been associated as a contributor +to the <i>Edinburgh Review</i>, and by the establishment of the +new firm of J. Ballantyne and Co., of which the first important publication +was <i>The Lady of the Lake</i>, which appeared in 1810, <i>The +Vision of Don Roderick</i> following in 1811. In 1812 S. purchased +land on the Tweed near Melrose, and built his famous house, Abbotsford, +the adornment of which became one of the chief pleasures of +his life, and which he made the scene of a noble and kindly hospitality. +In the same year he <i>pub.</i> <i>Rokeby</i>, and in 1813 <i>The Bridal of +Triermain</i>, while 1814 saw <i>The Life and Works of Swift</i> in 19 vols., +and was made illustrious by the appearance of <i>Waverley</i>, the two +coming out in the same week, the latter, of course, like its successors, +anonymously. The next year, <i>The Lord of the Isles</i>, <i>Guy Mannering</i>, +and <i>The Field of Waterloo</i> appeared, and the next again, 1816, +<i>Paul's Letters to his Kinsfolk</i>, <i>The Antiquary</i>, <i>The Black Dwarf</i>, and<a name='Page_330'></a> +<i>Old Mortality</i>, while 1817 saw <i>Harold the Dauntless</i> and <i>Rob Roy</i>. +The enormous strain which S. had been undergoing as official, man +of letters, and man of business, began at length to tell upon him, and +in this same year, 1817, he had the first of a series of severe seizures +of cramp in the stomach, to which, however, his indomitable spirit +refused to yield, and several of his next works, <i>The Heart of Midlothian</i> +(1818), by many considered his masterpiece, <i>The Bride of +Lammermoor</i>, <i>The Legend of Montrose</i>, and <i>Ivanhoe</i>, all of 1819, were +dictated to amanuenses, while he was too ill to hold a pen. In 1820 +<i>The Monastery</i>, in which the public began to detect a falling off in +the powers of the still generally unknown author, appeared. The +immediately following <i>Abbot</i>, however, showed a recovery. <i>Kenilworth</i> +and <i>The Pirate</i> followed in 1821, <i>The Fortunes of Nigel</i> in 1822; +<i>Peveril of the Peak</i>, <i>Quentin Durward</i>, and <i>St. Ronan's Well</i> in 1823; +<i>Redgauntlet</i> in 1824, and <i>Tales of the Crusaders</i> (<i>The Betrothed</i> and +<i>The Talisman</i>) in 1825. By this time S. had long reached a pinnacle +of fame such as perhaps no British man of letters has ever attained +during his lifetime. He had for a time been the most admired poet +of his day, and though latterly somewhat eclipsed by Byron, he +still retained great fame as a poet. He also possessed a great reputation +as an antiquary, one of the chief revivers of interest in our +ancient literature, and as the biographer and ed. of several of our +great writers; while the incognito which he maintained in regard to +his novels was to many a very partial veil. The unprecedented profits +of his writings had made him, as he believed, a man of wealth; +his social prestige was immense; he had in 1820 been made a baronet, +when that was still a real distinction, and he had been the acknowledged +representative of his country when the King visited it in 1822. +All this was now to change, and the fabric of prosperity which he had +raised by his genius and labour, and which had never spoiled the +simplicity and generosity of his character, was suddenly to crumble +into ruin with, however, the result of revealing him as the possessor +of qualities even greater and nobler than any he had shown in his +happier days. The publishing and printing firms with which he had +been connected fell in the commercial crisis of 1826, and S. found +himself at 55, and with failing health, involved in liabilities amounting +to £130,000. Never was adversity more manfully and gallantly +met. Notwithstanding the crushing magnitude of the disaster and +the concurrent sorrow of his wife's illness, which soon issued in her +death, he deliberately set himself to the herculean task of working +off his debts, asking only that time might be given him. The secret +of his authorship was now, of course, revealed, and his efforts were +crowned with a marvellous measure of success. <i>Woodstock</i>, his first +publication after the crash, appeared in the same year and brought +£8000; by 1828 he had earned £40,000. In 1827 <i>The Two Drovers</i>, +<i>The Highland Widow</i>, and <i>The Surgeon's Daughter</i>, forming the first +series of <i>Chronicles of the Canongate</i>, appeared together with <i>The Life +of Napoleon</i> in 9 vols., and the first series of <i>Tales of a Grandfather</i>; +in 1828 <i>The Fair Maid of Perth</i> and the second series of <i>Tales of a +Grandfather</i>, <i>Anne of Geierstein</i>, a third series of the <i>Tales</i>, and the +commencement of a complete ed. of the novels in 1829; a fourth and +last series of <i>Tales</i>, <i>History of Scotland</i>, and other work in 1830. +Then at last the overworked brain gave way, and during this year +<a name='Page_331'></a>he had more than one paralytic seizure. He was sent abroad for +change and rest, and a Government frigate was placed at his disposal. +But all was in vain; he never recovered, and though in +temporary rallies he produced two more novels, <i>Count Robert of +Paris</i> and <i>Castle Dangerous</i>, both in 1831, which only showed that +the spell was broken, he gradually sank, and <i>d.</i> at Abbotsford on +September 21, 1832.</p> + +<p>The work which S. accomplished, whether looked at as regards its +mass or its quality, is alike marvellous. In mere amount his output +in each of the four departments of poetry, prose fiction, history and +biography, and miscellaneous literature is sufficient to fill an ordinary +literary life. Indeed the quantity of his acknowledged work in +other departments was held to be the strongest argument against +the possibility of his being the author of the novels. The achievement +of such a result demanded a power of steady, methodical, and +rapid work almost unparalleled in the history of literature. When +we turn to its quality we are struck by the range of subject and the +variableness of the treatment. In general there is the same fulness +of mind directed by strong practical sense and judgment, but the +style is often heavy, loose, and even slipshod, and in most of his +works there are "patches" in which he falls far below his best. His +poetry, though as a whole belonging to the second class, is full of +broad and bold effects, picturesqueness, and an irresistible rush and +freshness. As a lyrist, however, he stands much higher, and in such +gems as "Proud Maisie" and "A weary lot is thine, Fair Maid," he +takes his place among our greatest singers. His chief fame rests, of +course, upon the novels. Here also, however, there is the same inequality +and irregularity, but there is a singular command over his +genius in virtue of which the fusing, creating imagination responds +to his call, and is at its greatest just where it is most needed. For +the variety, truth, and aliveness of his characters he has probably no +equal since Shakespeare, and though, of course, coming far behind, +he resembles him alike in his range and in his insight. The most +remarkable feature in his character is the union of an imagination +of the first order with practical sagacity and manly sanity, in this +also resembling his great predecessor.</p> + +<p>SUMMARY.—<i>B.</i> 1771, <i>ed.</i> Edin., called to Bar 1792, Sheriff of Selkirk +1799, Principal Clerk of Session 1812, first <i>pub.</i> translation of +<i>Lenore</i>, etc., wrote ballads and made translation from German, <i>pub. +Minstrelsy of Scottish Border</i> 1802-3, <i>Lay of Last Minstrel</i> 1805, began +<i>Waverley</i> 1805, partner with Ballantynes 1806, <i>pub.</i> <i>Marmion</i> 1808, +<i>Lady of Lake</i> 1810, began to build Abbotsford 1812, Waverley novels +began and continued 1814-31, health began to fail 1817, made +Baronet 1820, ruined by failure of Ballantynes 1826, devotes rest of +his life to clearing off debt by novels and historical works, <i>Tales of a +Grandfather</i>, <i>Life of Napoleon</i>, etc., health finally gave way 1830, <i>d.</i> +1832.</p> + +<p>The great authority is the <i>Life</i> by Lockhart, but it has been supplemented +by the <i>Journal</i> (1890) and <i>Letters</i> (1893). Short <i>Lives</i> by +C. Gilfillan, R.H. Hutton, etc., etc.</p><br /> + +<a name='SCOTT_WILLIAM_BELL_1811_1890'></a><p><b>SCOTT, WILLIAM BELL (1811-1890).</b> +—Poet and painter, +<i>s.</i> of Robert S., an engraver, and brother of David S., painter, <i>b.</i> in<a name='Page_332'></a> +Edin., settled in London, and painted chiefly historical subjects. He +<i>pub.</i> five vols. of poetry, including <i>Hades</i> and <i>The Year of the World</i>, +and many fine sonnets, a form of poetry in which he excelled, and in +prose <i>Half-hour Lectures on Art</i> and <i>The Little Masters</i> in the Great +Artists Series. He also ed. a series of "English Poets," and wrote +a Life of his brother and one of Albrecht Dürer, etc.</p><br /> + +<a name='SEDLEY_SIR_CHARLES_1639_1701'></a><p><b>SEDLEY, SIR CHARLES (1639?-1701).</b> +—Poet, <i>s.</i> and heir of +a Kentish baronet, was at Oxf. and, coming to the Court of Charles +II., became one of the most popular and brilliant members of its +dissipated circles. He was the author of two tragedies and three +comedies, now forgotten, though extravagantly lauded in their day, +and of some poems and songs, of which the best known are <i>Phyllis</i> +and <i>Chloris</i>. His only child was the witty and profligate Catherine +S., mistress of James II., who created her Countess of Dorset. <i>Bellamira</i> +and <i>The Mulberry Garden</i>, founded respectively on Terence and +Molière, are his best plays. His prose in pamphlets and essays is +better than his verse.</p><br /> + +<a name='SEELEY_SIR_JOHN_ROBERT_1834_1895'></a><p><b>SEELEY, SIR JOHN ROBERT (1834-1895).</b> +—Historian and +essayist, <i>s.</i> of a publisher in London, <i>ed.</i> at City of London School +and Camb. In 1863 he became Prof. of Latin at Univ. Coll., London, +and was Prof. of Modern History at Camb. from 1869 until his +death. In 1865 appeared anonymously <i>Ecce Homo</i>, a work which +created intense excitement and keen controversy in the theological +and religious world. Other works were <i>The Life and Times of Stein</i>, +the Prussian statesman (1879), <i>Natural Religion</i> (1882), <i>The Expansion +of England</i> (1883), <i>Life of Napoleon</i> (1885), and a work on +Goethe. <i>The Growth of British Policy</i> (1895) was left finished but +unrevised at his death. In recognition of his services to the empire +in his political writings he was, in 1894, made K.C.M.G.</p><br /> + +<a name='SELDEN_JOHN_1584_1654'></a><p><b>SELDEN, JOHN (1584-1654).</b> +—Jurist and scholar, <i>b.</i> near +Worthing, Sussex, the <i>s.</i> of a farmer who was also a musician, <i>ed.</i> at +Chichester and Oxf., and studied law at Clifford's Inn and the Inner +Temple. His learning soon attracted attention and, though practising +little, he was consulted on points involving legal erudition. +His first work, <i>Analecton Anglo-Britannicon</i>, a chronological collection +of English records down to the Norman invasion, was written +in 1606, though not <i>pub.</i> till 1615. In 1610 appeared a treatise on +the <i>Duello, or Single Combat</i>; and in 1614 his largest English work +on <i>Titles of Honour</i>, full of profound learning, and still a high +authority. Three years later, 1617, he wrote in Latin his treatise, +<i>De Deis Syris</i> (on the Gods of Syria), an inquiry into polytheism, +specially with reference to the false deities mentioned in Scripture. +His reputation as a scholar had now become European. In 1618 he +incurred the indignation of the King and the clergy by his <i>History of +Tithes</i>, in which he denied their claim to be a divine institution. +Called before the High Commission he made a statement regretting +the publication of the book though not withdrawing any of its statements. +In 1621 he suffered a brief imprisonment for withstanding +some of James's doctrines as to the privileges of Parliament. Two +years later he was elected member for Lancaster. As a politician +his views were moderate, and all along he endeavoured to repress the +<a name='Page_333'></a>zeal of the extremists on both sides. He was imprisoned in the +Tower for four years, 1630-34. During the final struggle of King +and Parliament he was much employed; but like most men of +moderate views, was frequently under suspicion, and after the execution +of the King, to which he was strongly opposed, he took little to +do with public matters. He was a lay member of the Westminster +Assembly, 1643, where his profound knowledge of the original +tongues made him somewhat of a terror to certain extremists among +the divines. He had at an early age been appointed steward to the +Earl of Kent, and at the house of his widow, with whom he had long +lived in such close friendship as to give rise to the belief that they +were <i>m.</i>, he <i>d.</i> Among other works may be mentioned a description +of the Arundel Marbles (1629), a treatise concerning the Jewish +calendar (1646), and, specially, his <i>Table Talk</i>, <i>pub.</i> 1689, of which +Coleridge said "there is more weighty bullion sense in this book than +I can find in the same number of pages of any uninspired writer." +He was likewise the author of various treatises on constitutional +matters and the law of nations, including <i>Mare Clausum</i> (a Closed +Sea), in defence of the property of England in its circumfluent seas. +Most of these were written in Latin.</p> + +<p><i>Coll. Works</i> with <i>Life</i>, Dr. Wilkins (3 vols., folio, 1726), Aikin's +<i>Lives</i> of Selden and Ussher.</p><br /> + +<a name='SELLAR_WILLIAM_YOUNG_1825_1890'></a><p><b>SELLAR, WILLIAM YOUNG (1825-1890).</b> +—Scholar, <i>b.</i> in +Sutherlandshire, his <i>f.</i> being factor to the Duke of Sutherland, <i>ed.</i> at +Glasgow Univ. and Oxf., became in 1859 Prof. of Greek at St. +Andrews and, in 1863, of Latin at Edin. He <i>pub.</i> a work on the +<i>Roman Poets of the Republic</i> (1863), followed by <i>The Roman Poets of +the Augustan Age</i>. Both of these hold a high place among modern +works of scholarship.</p><br /> + +<a name='SEMPILL_ROBERT_1530_1595_SEMPILL_ROBERT_1595_1659_SEMPILL_FRANCIS_1616_1682'></a><p><b>SEMPILL, ROBERT (1530?-1595), SEMPILL, ROBERT (1595?-1659?), SEMPILL, FRANCIS (1616?-1682).</b> +—Scottish +poets, all belonging +to the same family, the last two being <i>f.</i> and <i>s.</i> The first +was mainly a satirist, was in Paris at the massacre of St. Bartholomew, +and belonged to the extremist division of the Reforming party, +<i>The Regente's Tragedy</i> laments the death of Murray, <i>Ane Complaint +upon Fortoun</i>, the fall of Morton. The second Robert wrote +<i>The Life and Death of Habbie Simson, the Piper</i>, a humorous description +of old Scottish life. Francis wrote occasional pieces. The +song <i>She Rose and let me in</i>, formerly attributed to him, is now +known to be by <a href='#DURFEY_THOMAS_1653_1723'>Tom D'Urfey</a> (<i>q.v.</i>).</p><br /> + +<a name='SENIOR_NASSAU_WILLIAM_1790_1864'></a><p><b>SENIOR, NASSAU WILLIAM (1790-1864).</b> +—Economist and +essayist, <i>s.</i> of a clergyman, was <i>b.</i> at Compton Beauchamp, Berks, +<i>ed.</i> at Eton and Oxf., studied law, and was called to the Bar in 1819. +He twice held the Professorship of Political Economy at Oxf., 1825-30 +and 1847-52, rendered important service as a member of the Poor +Law Commission of 1833, and wrote its Report. S. holds a high +position among English economists, and made many contributions to +the literature of the science, including <i>Outline of the Science of Political +Economy</i> (1836). He was, moreover, a writer of considerable versatility, +his works in general literature including <i>Essays on Fiction</i> +(1864), <i>Historical and Philosophical Essays</i> (1865), and specially his +<a name='Page_334'></a>notes of conversations with many eminent persons, chiefly political, +<i>e.g.</i>, De Tocqueville, Thiers, and Guizot, which combine fulness of +information with discretion; he also <i>pub.</i> journals of his travels in +Turkey, Greece, Egypt, etc.</p><br /> + +<a name='SETTLE_ELKANAH_1648_1724'></a><p><b>SETTLE, ELKANAH (1648-1724).</b> +—Poet and dramatist, <i>ed.</i> +at Oxf., was the author of a number of turgid dramas, now unreadable +and unread, but which in their day were held to rival Dryden, +who pilloried S. as Doeg in the second part of <i>Absalom and Achitophel</i>. +S. essayed a reply in <i>Absalom Senior</i>. He wrote against the +Papists, but recanted, and made amends by a <i>Narrative of the Popish +Plot</i>, in which he exposed the perjuries of Titus Oates. He was appointed +City Poet. Latterly he had a booth in Bartholomew Fair. +He <i>d.</i> in the Charterhouse. His plays include <i>Cambyses</i> (1666), +<i>Empress of Morocco</i> (1671), <i>Love and Revenge</i> (1675), <i>The Female +Prelate</i>, <i>Distressed Innocence</i> (1691), and the <i>Ladies' Triumph</i> (1718).</p><br /> + +<a name='SHADWELL_THOMAS_1640_or_1642_1692'></a><p><b>SHADWELL, THOMAS (1640 or 1642-1692).</b> +—Dramatist +and poet, belonged to a good Staffordshire family, was <i>b.</i> in Norfolk, +<i>ed.</i> at Camb., and after studying law travelled, and on his return +became a popular dramatist. Among his comedies, in which he +displayed considerable comic power and truth to nature, may be +mentioned <i>The Sullen Lovers</i> (1668), <i>Royal Shepherdess</i> (1668), <i>The +Humourists</i> (1671), and <i>The Miser</i> (1672). He attached himself to the +Whigs, and when Dryden attacked them in <i>Absalom and Achitophel</i> +and <i>The Medal</i>, had the temerity to assail him scurrilously in <i>The +Medal of John Bayes</i> (1682). The castigation which this evoked in +<i>MacFlecknoe</i> and in the second part of <i>Absalom and Achitophel</i>, in +which S. figures as "Og," has conferred upon him an unenviable +immortality. He may have found some consolation in his succession +to Dryden as Poet Laureate when, at the Revolution, the latter was +deprived of the office.</p> + +<p>Other plays are <i>Epsom Wells</i> (1673), <i>The Virtuoso</i> (1676), <i>Lancashire +Witches</i> (1681), <i>The Volunteers</i> (1693), etc.</p><br /> + +<a name='SHAFTESBURY_ANTHONY_ASHLEY_COOPER_3RD_EARL_OF_1671_1713'></a><p><b>SHAFTESBURY, ANTHONY ASHLEY COOPER, 3RD EARL OF (1671-1713).</b> +—Philosopher, +<i>b.</i> in London, grandson of the 1st Earl, +the eminent statesman, the "Achitophel" of Dryden. After a +private education under the supervision of Locke, and a short experience +of Winchester School, he travelled much on the Continent. +On succeeding to the earldom in 1699 he took a prominent part in +the debates of the House of Lords, but devoted himself mainly to +philosophical and literary pursuits. His <i>coll.</i> writings were <i>pub.</i> in +1711 under the title of <i>Characteristics of Men, Manners, Opinions, +and Times</i>. In his philosophy he maintains, as against Hobbes, the +existence of a moral sense, a view subsequently developed by the +Scottish school of philosophy. The style of S. is stately and sonorous +but laboured. He <i>d.</i> at Naples, whither he had gone in search +of health, at the early age of 42. Though his writings are directed +strongly against Atheism, they have been held to be hostile to a +belief in revelation.</p><br /> + +<a name='SHAIRP_JOHN_CAMPBELL_1819_1885'></a><p><b>SHAIRP, JOHN CAMPBELL (1819-1885).</b> +—Poet and critic, +<i>ed.</i> at Glasgow and Oxf., became Prof. of Latin at St. Andrews 1861. +Principal of the United Coll. there 1868, and Prof. of Poetry at Oxf.<a name='Page_335'></a> +1877-87. Among his writings are <i>Kilmahoe and other Poems</i> (1864), +<i>Studies in Poetry and Philosophy</i> (1868), <i>Culture and Religion</i> (1870), +and a Life of Burns in the English Men of Letters Series. He also +collaborated with Prof. Tait in writing the Life of <a href='#FORBES_JAMES_DAVID_1809_1868'>Principal Forbes</a> +(<i>q.v.</i>), and ed. the Journal of Dorothy Wordsworth.</p><br /> + +<a name='SHAKESPEARE_WILLIAM_1564_1616'></a><p><b>SHAKESPEARE, WILLIAM (1564-1616).</b> +—Dramatist and +poet, <i>b.</i> at Stratford-on-Avon, Warwickshire, on 22nd or 23rd, and +baptised on 26th April, 1564. On his father's side he belonged to a +good yeoman stock, though his descent cannot be certainly traced +beyond his grandfather, a Richard S., settled at Snitterfield, near +Stratford. His <i>f.</i>, John S., appears to have been a man of intelligence +and energy, who set up in Stratford as a dealer in all kinds of +agricultural produce, to which he added the trade of a glover. He +became prosperous, and gained the respect of his neighbours, as is +evidenced by his election in succession to all the municipal honours +of his community, including those of chief alderman and high bailiff. +He <i>m.</i> Mary, youngest <i>dau.</i> of Robert Arden, a wealthy farmer at +Wilmcote, and a younger branch of a family of considerable distinction, +and whose tenant Richard S. had been. On her father's death +Mary inherited Asbies, a house with 50 acres of land attached to it. +The first children of the marriage were two <i>dau.</i>, who <i>d.</i> in infancy. +William was the third, and others followed, of whom three sons, Gilbert, +Richard, and Edmund, and a <i>dau.</i> Joan, reached maturity. He +was <i>ed.</i> with his brother Gilbert at Stratford Grammar School, where +he learned Latin from Lilly's Grammar, English, writing, and arithmetic. +He probably read some of the Latin classics and may have +got a little Greek, and though his learned friend Ben Jonson credits +him with "little Latin and less Greek," Aubrey says he "knew +Latin pretty well." This happy state of matters continued until he +was about 13, when his <i>f.</i> fell into misfortune, which appears to +have gone on deepening until the success and prosperity of the poet +in later years enabled him to reinstate the family in its former position. +Meanwhile, however, he was taken from school, and appears +to have been made to assist his <i>f.</i> in his business. The next certain +fact in his history is his marriage in November, 1582, when he was +18, to Ann Hathaway, <i>dau.</i> of a yeoman at the neighbouring hamlet +of Shottery, and 8 years his senior. Various circumstances point to +the marriage having been against the wishes of his own family, and +pressed on by that of his wife, and that it was so urged in defence of +the reputation of the lady, and as perhaps might be expected, they +indicate, though not conclusively, that it did not prove altogether +happy. The birth, in May, 1583, of his eldest child Susannah (who +is said to have inherited something of his wit and practical ability, +and who <i>m.</i> a Dr. John Hall), followed in the next year by that of +twins, Hamnet and Judith, and the necessity of increased means, led +to his departure from Stratford, whence he travelled on foot to +London, where the next 23 years of his life were mainly spent. The +tradition that his departure was also caused by trouble into which +he had got by killing the deer of Sir Thomas Lucy, of Charlcote, is +credible. Leaving Stratford in 1585 or the beginning of 1586, he +seems at once to have turned to the theatres, where he soon found +work, although, as Rowe, his first biographer, says, "in a very mean +<a name='Page_336'></a>rank." It was not long, however, before he had opportunities of +showing his capacities as an actor, with the result that he shortly +became a member of one of the chief acting companies of the day, +which was then under the patronage of the Earl of Leicester, and +after being associated with the names of various other noblemen, at +last on the accession of James I. became known as the King's Company. +It played originally in "The Theatre" in Shoreditch, the +first playhouse to be erected in England, and afterwards in the +"Rose" on the Bankside, Southwark, the scene of the earliest successes +of S. as an actor and playwright. Subsequently to 1594, he +acted occasionally in a playhouse in Newington Butts, and between +1595 and 1599 in the "Curtain." In the latter year the "Globe" +was built on the Bankside, and 10 years later the "Blackfriars:" +and with these two, but especially with the former, the remainder of +his professional life was associated. It is not unlikely that he visited +various provincial towns; but that he was ever in Scotland or on the +Continent is improbable. Among the plays in which he appeared +were Jonson's <i>Every Man in his Humour</i> and <i>Sejanus</i>, and in <i>Hamlet</i> +he played "The Ghost;" and it is said that his brother Gilbert as an +old man remembered his appearing as "Adam" in <i>As You Like It</i>. +By 1595 S. was famous and prosperous; his earlier plays had been +written and acted, and his poems <i>Venus and Adonis</i>, and <i>Lucrece</i>, +and probably most of the sonnets, had been <i>pub.</i> and received with +extraordinary favour. He had also powerful friends and patrons, including +the Earl of Southampton, and was known at Court. By the +end of the century he is mentioned by <a href='#MERES_FRANCIS_1565_1647'>Francis Meres</a> (<i>q.v.</i>) as the +greatest man of letters of the day, and his name had become so valuable +that it was affixed by unscrupulous publishers to works, <i>e.g.</i> +<i>Locrine</i>, <i>Oldcastle</i>, and <i>The Yorkshire Tragedy</i>, by other and often +very inferior hands. He had also resumed a close connection with +Stratford, and was making the restoration of the family position +there the object of his ambition. In accordance with this he induced +his <i>f.</i> to apply for a grant of arms, which was given, and he +purchased New Place, the largest house in the village. With the +income derived from his profession as an actor and dramatist, and +his share of the profits of the Globe and Blackfriars theatres, and +in view of the business capacity with which he managed his affairs, +he may be regarded as almost a wealthy man, and he went on adding +to his influence in Stratford by buying land. He had enjoyed +the favour of Elizabeth, and her death in 1603 did nothing to disturb +his fortunes, as he stood quite as well with her successor. His company +received the title of the "King's Servants," and his plays were +frequently performed before the Court. But notwithstanding this, +the clouds had gathered over his life. The conspiracy of Essex +in 1601 had involved several of his friends and patrons in disaster; +he had himself been entangled in the unhappy love affair which is +supposed to be referred to in some of his sonnets, and he had suffered +unkindness at the hands of a friend. For a few years his dramas +breathe the darkness and bitterness of a heart which has been sounding +the depths of sad experience. He soon, however, emerged from +this and, passing through the period of the great tragedies, reached the +serene triumph and peace of his later dramas. In 1611 S. severed his +long connection with the stage, and retired to Stratford, where the +<a name='Page_337'></a>remaining five years of his life were spent in honour and prosperity. +Early in 1616 his health began to give way, and he made his will. +In the spring he received a visit from his friends, Jonson and Drayton, +and the festivity with which it was celebrated seems to have +brought on a fever, of which he <i>d.</i> on April 23. He was survived by +his wife and his two <i>dau.</i>, both of whom were married. His descendants +<i>d.</i> out with his grand-daughter, Elizabeth Hall.</p> + +<p>Immense research has been spent upon the writings of S., with the +result of substantial agreement as to the order of their production +and the sources from which their subjects were drawn; for S. rarely +troubled himself with the construction of a story, but adopting one +already existing reared upon it as a foundation one of those marvellous +superstructures which make him the greatest painter and interpreter +of human character the world has ever seen. His period +of literary production extends from about 1588 to 1613, and falls +naturally into four divisions, which Prof. Dowden has named, "In +the Workshop" ending in 1596; "In the World" 1596-1601; +"Out of the Depths" 1601-1608; and "On the Heights" 1608-1613. +Of the 37 plays usually attributed to him, 16 only were <i>pub.</i> +during his lifetime, so that the exact order in which they were +produced cannot always be determined with certainty. Recent +authorities are agreed to the extent that while they do not invariably +place the individual plays in the same order, they are almost +entirely at one as to which belong to the four periods respectively. +The following list shows in a condensed form the order according to +Mr. Sidney Lee (<i>Dictionary of National Biography</i>) with the most +probable dates and the original sources on which the plays are +founded.</p> + +<h4>CHRONOLOGICAL TABLE OF SHAKESPEARE'S PLAYS</h4> +<ul><li>FIRST PERIOD—1588?-1596<br /> +<ul><li>LOVE'S LABOUR LOST (1591)—Plot probably original.</li> +<li>TWO GENTLEMEN OF VERONA (1591)—<i>The Shepherdess Felismena</i> in George of Montmayor's <i>Diana</i>.</li> +<li>COMEDY OF ERRORS (1591)—<i>Menæchmi</i> of Plautus and earlier play.</li> +<li>ROMEO AND JULIET (1591)—Italian romance in Painter's <i>Palace of Pleasure</i> and Broke's <i>Romeus and Juliet</i>.</li> +<li>HENRY VI. 1, 2, and 3 (1592)—Retouched old plays, probably with Marlowe.</li> +<li>RICHARD III. (1592-3)—Holinshed's <i>Chronicle</i>.</li> +<li>RICHARD II. (1593-4?)— do.</li> +<li>TITUS ANDRONICUS (1594)—Probably chiefly by Kyd, retouched.</li> +<li>KING JOHN (1594)—Old play retouched.</li></ul></li> + +<li>SECOND PERIOD—1596-1601-2<br /> +<ul><li>MERCHANT OF VENICE (1594)—Italian novels, <i>Gesta Romanorum</i>, and earlier plays.</li> +<li>MIDSUMMER NIGHT'S DREAM (1595)—North's <i>Plutarch</i>, Chaucer, Ovid.</li> +<li>ALL'S WELL THAT ENDS WELL (1595)—Painter's <i>Palace of Pleasure</i>.</li> +<li>TAMING OF THE SHREW (1596?)—Old play retouched, and <i>Supposes</i> of G. Gascoigne, Shakespeare's in part only.</li> +<li>HENRY IV. 1 and 2 (1597?)—Holinshed and earlier play.</li> +<li>MERRY WIVES OF WINDSOR (1597-8)—Italian novels (?).</li> +<li>HENRY V. (1599).</li> +<li>MUCH ADO ABOUT NOTHING (1599)—Partly from Italian.<a name='Page_338'></a></li> +<li>AS YOU LIKE IT (1599)—Lodge's <i>Rosalynde, Euphues' Golden Legacie</i>.</li> +<li>TWELFTH NIGHT (1599)—B. Riche's <i>Apolonius and Silla</i>.</li></ul></li> + +<li>THIRD PERIOD—1602-1608<br /> +<ul><li>JULIUS CÆSAR (1601)—North's <i>Plutarch</i>.</li> +<li>HAMLET (1601-2)—Belleforest's <i>Histoires Tragiques</i>.</li> +<li>TROILUS AND CRESSIDA (1603?)—Probably Chaucer's <i>Troilus and Cresseide</i> and Chapman's <i>Homer</i>.</li> +<li>OTHELLO (1604)—Cinthio's <i>Hecatommithi</i>.</li> +<li>MEASURE FOR MEASURE (1604?)—Cinthio's <i>Epithia</i>.</li> +<li>MACBETH (1605-6?)—Holinshed.</li> +<li>LEAR (1606)— do.</li> +<li>TIMON OF ATHENS (1607?)—<i>Palace of Pleasure</i> and Plutarch written with G. Wilkins (?) and W. Rowley (?).</li> +<li>PERICLES (1607-8)—Gower's <i>Confessio Amantis</i>, with G. Wilkins (?).</li> +<li>ANTONY AND CLEOPATRA (1608)—North's <i>Plutarch</i>.</li> +<li>CORIOLANUS (1608)— do.</li></ul></li> + +<li>FOURTH PERIOD—1608-1613<br /> +<ul><li>CYMBELINE (1610-11?)—Holinshed and <i>Ginevra</i> in Boccaccio's <i>Decamerone</i>.</li> +<li>WINTER'S TALE (1610-11)—Green's <i>Dorastus and Fawnia</i>.</li> +<li>TEMPEST (1611?)—S. Jourdain's <i>Discovery of the Bermudas</i>.</li> +<li>HENRY VIII. (1612-13)—Draft by S. completed by Fletcher and perhaps Massinger.</li></ul></li> + +<li>POEMS<br /> +<ul><li>VENUS AND ADONIS (1593).</li> +<li>RAPE OF LUCRECE (1594).</li> +<li>SONNETS (1591-94?).</li></ul></li></ul> + + +<p>The evidence as to chronology is three-fold—(1) External, such as +entries in registers of Stationers' Company, contemporary references, +or details as to the companies of actors; (2) External and internal +combined, such as references in the plays to events or books, +etc.; (3) Internal, content and treatment, progressive changes in +versification, presence of frequency of rhyme, etc. The genius of +S. was so intensely dramatic that it is impossible to say confidently +when he speaks in his own character. The sonnets, written probably +1591-94 have, however, been thought to be of a more personal +nature, and to contain indications as to his character and +history, and much labour and ingenuity have been expended to +make them yield their secrets. It is generally agreed that they fall +into two sections, the first consisting of sonnets 1 to 126 addressed to +a young man, probably Henry Wriothesley, Earl of Southampton, the +friend and patron of S., and 9 years his junior; and the second from +127 to 154 addressed or referring to a woman in whose snares the +writer had become entangled, and by whom he was betrayed. Some, +however, have held that they are allegorical, or partly written on +behalf of others, or that the emotion they express is dramatic and +not personal.</p> + +<p>There are contemporary references to S. which show him to +have been generally held in high regard. Thus Ben Jonson says, +"I loved the man, and do honour to his memory, on this side +idolatry, as much as any," and Chettle refers to "His demeanour no +<a name='Page_339'></a>lesse civil than exelent in the qualities he professes." The only exception +is a reference to him in Greene's <i>Groat's-worth of Wit</i>, as "an +upstart crow beautified with our feathers, that with his tyger's heart +wrapt in a player's hide supposes he is as well able to bumbast out a +blanke verse as the best of you ... and is in his own conceit the +only Shake-scene in a countrie." He is said to have written rapidly +and with facility, rarely requiring to alter what he had set down. In +addition to his generally received works, others have been attributed +to him, some of which have been already mentioned: the only two +which appear to have serious claims to consideration are <i>The Two +Noble Kinsmen</i>, partly by Fletcher, and <i>Edward III.</i>, of which part +of Act I. and the whole of Act II. have been thought to be Shakespeare's. +On the other hand a theory has been propounded that +none of the plays bearing his name were really his, but that they were +written by <a href='#BACON_FRANCIS_LORD_VERULAM_AND_VISCOUNT_ST_ALBANS_1561_1626'>Bacon</a> (<i>q.v.</i>). This extraordinary view has been widely +supported, chiefly in America, and has been sometimes maintained; +with considerable ability and misplaced ingenuity.</p> + +<p>SUMMARY.—<i>B.</i> 1564, <i>ed.</i> at Stratford School, <i>f.</i> falls into difficulties +<i>c.</i> 1577, <i>m.</i> Ann Hathaway 1582, goes to London end of 1585, +finds employment in theatres and acts in chief companies of the time, +first in "The Theatre" afterwards the "Rose," the "Curtain," the +"Globe" and "Blackfriars," appearing in Jonson's <i>Every Man in his +Humour</i> and <i>Sejanus</i>. <i>Venus and Adonis</i>, <i>Lucrece</i>, earlier plays, and +perhaps most of sonnets <i>pub.</i> by 1595, when he was friend of Southampton +and known at Court, purchases New Place at Stratford, falls +into trouble <i>c.</i> 1600, having lost friends in Essex's conspiracy, and has +unfortunate love affair; emerges from this into honour and peace, +retires to Stratford and <i>d.</i> 1616. Productive period <i>c.</i> 1588-1613, +4 divisions, first (1588-96), second (1596-1601), third (1601-1608), +fourth (1608-1613). Of 37 plays usually attributed, only 16 <i>pub.</i> in +his life.</p> + +<p>As might have been expected, there is a copious literature devoted +to Shakespeare and his works. Among those dealing with biography +may be mentioned Halliwell Phillipps's <i>Outline of the Life of +Shakespeare</i> (7th ed., 1887), Fleay's <i>Shakespeare Manual</i> (1876), +and <i>Life of Shakespeare</i> (1886). <i>Life</i> by S. Lee (1898), Dowden's +<i>Shakespeare, his Mind and Art</i> (1875), Drake's <i>Shakespeare and his +Times</i> (1817), Thornberry's <i>Shakespeare's England</i> (1856), Knight's +<i>Shakespeare</i> (1843). <i>See</i> also Works by Guizot, De Quincey, Fullom, +Elze, and others. Criticisms by Coleridge, Hazlitt, Swinburne, T.S. +Baynes, and others. Concordance by Mrs. Cowden Clarke. Ed., +Rowe (1709), Pope (1725), Theobald (1733), Johnson (1765), Capell +(1768), Steevens's improved re-issue of Johnson (1773), Malone +(1790), Reed's <i>1st Variorum</i> (1803), <i>2nd Variorum</i> (1813), <i>3rd +Variorum</i> by Jas. Boswell the younger (1821), Dyce (1857), Staunton +(1868-70), Camb. by W.G. Clark and Dr. Aldis Wright (1863-66), +Temple (ed. I. Gollancz, 1894-96), <i>Eversley Shakespeare</i> (ed. Herford, +1899).</p><br /> + +<a name='SHARP_WILLIAM_quotFIONA_MACLEODquot_1856_1905'></a><p><b>SHARP, WILLIAM ("FIONA MACLEOD") (1856-1905).</b> +—Wrote +under this pseudonym a remarkable series of Celtic tales, +novels, and poems, including <i>Pharais, a Romance of the Isles</i>, <i>The +Mountain Lovers</i>, <i>The Sin-Eater</i> (1895), <i>The Washer of the Ford</i>, and<a name='Page_340'></a> +<i>Green Fire</i> (1896), <i>The Laughter of Peterkin</i> (1897), <i>The Dominion of +Dreams</i> (1899), <i>The Divine Adventure</i> (1900), <i>Drostan and Iseult</i> +(1902). He was one of the earliest and most gifted promoters of the +Celtic revival. In verse are <i>From the Hills of Dream</i>, <i>Through the +Ivory Gate</i>, and <i>The Immortal Hour</i> (drama). Under his own name he +wrote <i>Earth's Voices</i>, <i>Sospiri di Roma</i>, <i>Sospiri d'Italia</i>, poems, and +books on Rossetti, Shelley, Browning, and Heine; also a few novels.</p><br /> + +<a name='SHAW_HENRY_WHEELER_quotJOSH_BILLINGSquot_1818_1885'></a><p><b>SHAW, HENRY WHEELER ("JOSH BILLINGS") (1818-1885).</b> +—Humorist, +<i>b.</i> in Massachusetts. After working on steam-boats +and farming, he became an auctioneer, and settled at Poughkeepsie. +Stripped of the fantastic spelling by which he first succeeded +in catching the public attention, the shrewd and droll maxims of his +<i>Farmers' Allminax</i> have something in common with Franklin's <i>Poor +Richard</i>. Other books with the same features are <i>Josh Billings' +Sayings</i>, <i>Everybody's Friend</i>, <i>Josh Billings' Trump Kards</i>, etc.</p><br /> + +<a name='SHELLEY_MRS_MARY_WOLLSTONECRAFT_GODWIN_1797_1851'></a><p><b>SHELLEY, MRS. MARY WOLLSTONECRAFT (GODWIN) (1797-1851).</b> +—Novelist, +<i>b.</i> in London, the only child of <a href='#GODWIN_WILLIAM_1756_1836'>William Godwin</a> +(<i>q.v.</i>) and <a href='#GODWIN_MRS_MARY_WOLLSTONECRAFT_1759_1797'>Mary Wollstonecraft</a>, his wife (<i>q.v.</i>). In 1814 she went to +the Continent with <a href='#SHELLEY_PERCY_BYSSHE_1792_1822'>P.B. Shelley</a> (<i>q.v.</i>), and <i>m.</i> him two years later. +When abroad she saw much of Byron, and it was at his villa on the +Lake of Geneva that she conceived the idea of her famous novel of +<i>Frankenstein</i> (1818), a ghastly but powerful work. None of her +other novels, including <i>The Last Man</i> and <i>Lodore</i>, had the same +success. She contributed biographies of foreign artists and authors +to Lardner's <i>Cabinet Cyclopædia</i>, and ed. her husband's poems.</p><br /> + +<a name='SHELLEY_PERCY_BYSSHE_1792_1822'></a><p><b>SHELLEY, PERCY BYSSHE (1792-1822).</b> +—Poet, <i>s.</i> of Sir +Timothy S., was <i>b.</i> at Field Place, near Horsham, Sussex, and <i>ed.</i> at +Brentford, Eton, and Univ. Coll., Oxf., whence for writing and circulating +a pamphlet, <i>The Necessity of Atheism</i>, he was expelled. One +immediate result of this was a difference with his <i>f.</i>, which was +deepened into a permanent breach by his marriage in the following +year to Harriet Westbrook, the pretty and lively <i>dau.</i> of a retired +innkeeper. The next three years were passed in wandering about +from place to place in Ireland, Wales, the Lake District, and other +parts of the kingdom, and in the composition of <i>Queen Mab</i> (1813), +the poet's first serious work. Before the end of that period he had +separated from his wife, for which various reasons have been assigned, +one being her previous desertion of him, and the discovery +on his part of imperfect sympathy between them; the principal one, +however, being that he had conceived a violent passion for Mary +Wollstonecraft Godwin (<i>see</i> <a href='#SHELLEY_MRS_MARY_WOLLSTONECRAFT_GODWIN_1797_1851'>Shelley, Mrs. M.W.</a>), <i>dau.</i> of<a href='#GODWIN_WILLIAM_1756_1836'> William +Godwin</a> (<i>q.v.</i>), with whom he eloped to Italy in 1814, and whom he +<i>m.</i> in 1816, his first wife having drowned herself. The custody of his +two children, whom he had left with their mother, was refused him +by the Court of Chancery. In Switzerland he had made the acquaintance +of Byron, with whom he afterwards lived in intimacy in Italy. +Returning to England in 1815 he wrote his first really great poem, +<i>Alastor</i> (1816), followed by the <i>Hymn to Intellectual Beauty</i>, <i>Prince +Athanase</i>, <i>Rosalind and Helen</i>, and <i>Laon and Cythna</i>, afterwards +called the <i>Revolt of Islam</i> (1817). In 1818 he left England never to +return, and went to Italy, and in the next two years—while at<a name='Page_341'></a> +Rome—produced his two greatest works, the tragedy of <i>The Cenci</i> +(1819) and <i>Prometheus Unbound</i> (1820). He removed to Venice in +1820 in the company of Byron, and there wrote <i>Julian and Maddalo</i>, +a poetic record of discussions between them. <i>Epipsychidion</i>, <i>Hellas</i>, +and <i>Adonais</i>, a lament for Keats, were all produced in 1821. After +a short residence at Pisa he went to Lerici on the Gulf of Spezzia, +where he indulged in his favourite recreation of boating, and here +on July 8, 1823, he went, in company with a friend, Mr. Williams, +on that fatal expedition which cost him his life. His body was +cast ashore about a fortnight later, and burnt, in accordance +with the quarantine law of the country, on a pyre in the presence +of Byron, Leigh Hunt, and Trelawny. His ashes were carefully +preserved and buried in the Protestant cemetery at Rome near +those of Keats. The character of S. is a singularly compounded +one. By the unanimous testimony of his friends, it was remarkable +for gentleness, purity, generosity, and strong affection: on +the other hand he appears to have had very inadequate conceptions +of duty and responsibility, and from his childhood seems to +have been in revolt against authority of every kind. The charge of +Atheism rests chiefly on <i>Mab</i>, the work of a boy, printed by him for +private circulation, and to some extent repudiated as personal +opinion. As a poet he stands in the front rank: in lyrical gift, +shown in <i>Prometheus</i>, <i>Hellas</i>, and some of his shorter poems, such as +"The Skylark," he is probably unsurpassed, and in his <i>Cenci</i> he exhibits +dramatic power of a high order. Among his shorter poems +are some which reach perfection, such as the sonnet on "Ozymandias," +"Music when soft voices die," "I arise from dreams of +thee," "When the lamp is shattered," the "Ode to the West +Wind," and "O world! O life! O time!" During his short life of +30 years he was, not unnaturally, the object of much severe judgment, +and his poetic power even was recognised by only a few. +Posterity has taken a more lenient view of his serious errors of conduct, +while according to his genius a shining place among the +immortals.</p> + +<p>The best ed. of the <i>Works</i> is that of Buxton Forman (4 vols.). +There are ed. of the Poems by W.M. Rossetti (1894), Dowden (1891), +etc. <i>Lives</i> by Medwin (1847), J.A. Symonds (1887), W.M. Rossetti, +Prof. Dowden, T. Jefferson Hogg, and others.</p><br /> + +<a name='SHENSTONE_WILLIAM_1714_1763'></a><p><b>SHENSTONE, WILLIAM (1714-1763).</b> +—Poet, <i>s.</i> of Thomas +S., owner of a small estate at Hales Owen, Shropshire. At this +place, called the Leasowes, the poet was <i>b.</i> In 1732 he went to Oxf. +On his father's death he retired to the Leasowes where he passed his +time, and ran through his means in transforming it into a marvel of +landscape gardening, visited by strangers from all parts of the kingdom. +The works of S. consist of poems and prose essays. Of the +former two, <i>The Schoolmistress</i>, a humorous imitation of Spenser, +with many quaint and tender touches, and the <i>Pastoral Ballad</i> in four +parts, perhaps the best of its kind in the language, survive. The +essays also display good sense and a pointed and graceful style. +The last years of S. were clouded by financial embarrassments and +perhaps also by disappointed affections. After his death his works, +were <i>coll.</i> and <i>pub.</i> by Dodsley<a name='Page_342'></a>.</p><br /> + +<a name='SHERIDAN_RICHARD_BRINSLEY_1751_1816'></a><p><b>SHERIDAN, RICHARD BRINSLEY (1751-1816).</b> +—Dramatist +and orator, <i>b.</i> in Dublin, the <i>s.</i> of an actor, was <i>ed.</i> at Harrow. In +1772 he eloped with Miss Linley, a famous singer, went with her to +France, fought two duels, and <i>m.</i> her in 1773. S. has a reputation +of the highest in two distinct walks, those of the dramatist and the +Parliamentary orator. By his three great comedies, <i>The Rivals</i> (1775), +<i>The School for Scandal</i> (1777), and <i>The Critic</i> (1779), he raised himself +to the first place among the writers of the comedy of manners; +and by his speeches, specially those in support of the impeachment +of Warren Hastings, he has a position among the greatest of Parliamentary +orators. Unfortunately he had little turn for business, and +too great a love of pleasure and conviviality, which led to lifelong +pecuniary embarrassment, completed by the destruction by fire of +Drury Lane Theatre, of which he had become proprietor. As a +politician S. supported the Whig party, and held the offices of Under-Sec. +for Foreign Affairs, Sec. to the Treasury, and Treasurer of the +Navy. He was also confidential adviser to George IV. when Prince +of Wales, but like everybody else who had to do with him suffered +from the ingratitude of "the first gentleman in Europe." The accounts +long prevalent of the poverty and misery of his last years +have been shown to be greatly exaggerated, though he was in +reduced circumstances. As a dramatist S. shines in the construction +of amusing situations, and in a sparkling flow of witty dialogue +which never flags. His only other play was <i>Pizarro</i> (1799), a +patriotic melodrama.</p> + +<p><i>Lives</i> by Walkins (1817), T. Moore (1825), and Mrs. Oliphant +(1883).</p><br /> + +<a name='SHERLOCK_WILLIAM_1641_1707'></a><p><b>SHERLOCK, WILLIAM (1641?-1707).</b> +—Divine and controversialist, +<i>b.</i> at Southwark, <i>ed.</i> at Eton and Camb., took orders, and +became in 1684 Master of the Temple, and in 1691 Dean of St. +Paul's. He exercised a powerful influence in the Church. His +most popular work was his <i>Discourse concerning Death</i>, and his principal +controversial effort was his <i>Vindication of the Doctrine of the +Trinity</i>. Other works were on <i>Future Judgment</i> and on <i>The Divine +Providence</i>. His son, THOMAS SHERLOCK (1678-1761), who was also +Master of the Temple, became Bishop successively of Bangor, Salisbury, +and London, and was, like his <i>f.</i>, a noted controversialist. His +best known work is his <i>Tryal of the Witnesses of the Resurrection of +Jesus</i> (1729).</p><br /> + +<a name='SHERWOOD_MRS_MARY_MARTHA_BUTT_1775_1851'></a><p><b>SHERWOOD, MRS. MARY MARTHA (BUTT) (1775-1851).</b> +—Writer +of children's books, <i>m.</i> in 1803 Captain H. Sherwood, and +went to India, where she took much interest in soldiers' children. +Among her books, many of which attained great popularity, are +<i>Susan Gray</i>, <i>Little Henry and his Bearer</i>, and <i>The Fairchild Family</i>.</p><br /> + +<a name='SHIRLEY_JAMES_1596_1666'></a><p><b>SHIRLEY, JAMES (1596-1666).</b> +—Dramatist, <i>b.</i> in London, +<i>ed.</i> at Merchant Taylor's School, London, and at Oxf. and +Camb., became a master of St. Alban's Grammar School, and afterwards +joined the Roman Catholic Church, and going to London +wrote for the stage, producing 39 plays. His talents and his religion +recommended him to Queen Henrietta Maria, and he appears to +have led a fairly prosperous life until the interdict of plays by Parliament +<a name='Page_343'></a>in 1642. In the Civil War he bore arms on the Royalist +side, and during the Commonwealth he returned to his occupation +of schoolmaster. The Restoration does not appear to have improved +his fortunes much; he was burnt out in the great fire of 1666, +and very soon afterwards he and his wife <i>d.</i> on the same day. The +plays of S. include <i>The Traitor</i> (1631), <i>The Cardinal</i> (1641), <i>The +Gamester</i> (1633), <i>Hyde Park</i> (1632), and <i>The Lady of Pleasure</i> (1635). +He also wrote poems, including the well-known lines beginning +"The Glories of our mortal State." S. has fancy, liveliness, and +the style of a gentleman, but he lacks depth and interest. He is less +gross than most of his contemporaries.</p> + +<p>Other plays are <i>The Ball</i> (1632), <i>The Maid's Revenge</i> (1626), <i>The +Grateful Servant</i> (1629), <i>Bird in a Cage</i> (1633), <i>The Example</i> (1634). +<i>The Constant Maid</i> (<i>c.</i> 1640), <i>Doubtful Heir, or Rosania</i> (1640), +<i>Court Secret</i> (1653), <i>Contention of Ajax and Ulysses</i> (1659), etc.</p><br /> + +<a name='SHORTHOUSE_JOSEPH_HENRY_1834_1903'></a><p><b>SHORTHOUSE, JOSEPH HENRY (1834-1903).</b> +—Novelist, <i>b.</i> +at Birmingham, where he was a chemical manufacturer. Originally +a Quaker, he joined the Church of England. His first, and by far +his best book, <i>John Inglesant</i>, appeared in 1881, and at once made +him famous. Though deficient in its structure as a story, and not +appealing to the populace, it fascinates by the charm of its style and +the "dim religious light" by which it is suffused, as well as by the +striking scenes occasionally depicted. His other novels, <i>The Little +Schoolmaster Mark</i>, <i>Sir Percival</i>, <i>The Countess Eve</i>, and <i>A Teacher of +the Violin</i>, though with some of the same characteristics, had no +success comparable to his first. S. also wrote an essay, <i>The Platonism +of Wordsworth</i>.</p><br /> + +<a name='SIBBES_RICHARD_1577_1635'></a><p><b>SIBBES, RICHARD (1577-1635).</b> +—Divine, was at Camb., +where he held various academic posts, of which he was deprived by +the High Commission on account of his Puritanism. He was the +author of several devotional works expressing intense religious feeling—<i>The +Saint's Cordial</i> (1629), <i>The Bruised Reed and Smoking +Flax</i>, etc. He was a man of great learning.</p><br /> + +<a name='SIDNEY_or_SYDNEY_ALGERNON_1622_1683'></a><p><b>SIDNEY, or SYDNEY, ALGERNON (1622-1683).</b> +—Political +writer, <i>s.</i> of the 2nd Earl of Leicester, and grand-nephew of Sir +Philip S., in his youth travelled on the Continent, served against the +Irish Rebels, and on the outbreak of the Civil War, on the side of the +Parliament. He was one of the judges on the trial of Charles I., and +though he did not attend, he thoroughly approved of the sentence. +He opposed the assumption of the supreme power by Cromwell. +After the Restoration he lived on the Continent, but receiving a +pardon, returned in 1677 to England. He, however, retained the +republican principles which he had all his life advocated, fell under +the suspicion of the Court, and was in 1683, on the discovery of the +Rye House Plot, condemned to death on entirely insufficient +evidence, and beheaded on Tower Hill, December 7, 1683. Though +no charge of personal venality has been substantiated, yet it appears +to be certain that he received money from the French King for using +his influence against war between the two countries, his object being +to prevent Charles II. from obtaining command of the war supplies. +S. was deeply versed in political theory, and wrote <i>Discourses concerning +Government</i>, <i>pub.</i> in 1698<a name='Page_344'></a>.</p><br /> + +<a name='SIDNEY_SIR_PHILIP_1554_1586'></a><p><b>SIDNEY, SIR PHILIP (1554-1586).</b> +—Poet and romancist, +<i>s.</i> of Sir Henry S., Deputy of Ireland, and Pres. of Wales, <i>b.</i> at the +family seat of Penshurst, and <i>ed.</i> at Shrewsbury School and Oxf. +He was at the French Court on the fateful August 24, 1572—the +massacre of St. Bartholomew—but left Paris soon thereafter and +went to Germany and Italy. In 1576 he was with his <i>f.</i> in Ireland, +and the next year went on missions to the Elector Palatine and the +Emperor Rudolf II. When his father's Irish policy was called in +question, he wrote an able defence of it. He became the friend of +Spenser, who dedicated to him his <i>Shepherd's Calendar</i>. In 1580 he +lost the favour of the Queen by remonstrating against her proposed +marriage with the Duke of Anjou. His own marriage with a <i>dau.</i> of +Sir Francis Walsingham took place in 1583. In 1585 he was engaged +in the war in the Low Countries, and met his death at Zutphen +from a wound in the thigh. His death was commemorated by +Spenser in his <i>Astrophel</i>. S. has always been considered as the type +of English chivalry; and his extraordinary contemporary reputation +rested on his personal qualities of nobility and generosity. His +writings consist of his famous pastoral romance of <i>Arcadia</i>, his +sonnets <i>Astrophel and Stella</i>, and his <i>Apologie for Poetrie</i>, afterwards +called <i>Defence of Poesie</i>. The <i>Arcadia</i> was originally written for the +amusement of his sister, afterwards Countess of Pembroke, the +"Sidney's sister, Pembroke's mother," of Ben Jonson. Though its +interest now is chiefly historical, it enjoyed an extraordinary popularity +for a century after its appearance, and had a marked influence +on the immediately succeeding literature. It was written in 1580-81 +but not <i>pub.</i> until 1590, and is a medley of poetical prose, full of conceits, +with occasional verse interspersed. His <i>Defence of Poesie</i>, +written in reply to <a href='#GOSSON_STEPHEN_1554_1624'>Gosson</a> (<i>q.v.</i>), is in simple and vigorous English. +S. also made a translation of the Psalms.</p> + +<p><i>Poems</i> ed. by Grosart, <i>Apologie</i> by Arber and others, <i>Astrophel</i> by +Gray, Arber, and others. <i>Life</i> by Fulke Greville (1652), ed. by Sir +E. Brydges (1816). <i>Arcadia</i> (<i>facsimile</i>), by Somner. Lives by J.A. +Symonds, Fox Bourne, and others.</p><br /> + +<a name='SIGOURNEY_MRS_LYDIA_HUNTLEY_1791_1865'></a><p><b>SIGOURNEY, MRS. LYDIA (HUNTLEY) (1791-1865).</b> +—American +verse writer, was an extraordinarily copious writer of +smooth, sentimental verse, which had great popularity in its day. +Her most ambitious effort was a blank verse poem, <i>Traits of the +Aborigines of America</i> (1822). Other books were <i>Connecticut Forty +Years Since</i>, <i>Pocahontas</i>, etc.</p><br /> + +<a name='SIMMS_WILLIAM_GILMORE_1806_1870'></a><p><b>SIMMS, WILLIAM GILMORE (1806-1870).</b> +—Novelist, etc., +<i>b.</i> at Charleston, South Carolina, began his literary life with journalism. +He then for some time tried poetry, but without any distinct +success except occasionally in <i>Southern Passages and Pictures</i> +(1839). But in fiction, which he began in 1833 with <i>Martin Faber</i>, +he was more successful, though rather an imitator of Cooper. <i>The +Yemassee</i> (1835) is generally considered his best novel. He was less +happy in his attempts at historical romance, such as <i>Count Julian</i> +and <i>The Damsel of Darien</i>. During the war, in which he was naturally +a strong partisan of the South, he was ruined, and his library +was burned; and from these disasters he never recovered. He had +<a name='Page_345'></a>a high repute as a journalist, orator, and lecturer. He was the first +Southerner to achieve any name in literature.</p><br /> + +<a name='SKELTON_JOHN_1460_1529'></a><p><b>SKELTON, JOHN (1460?-1529).</b> +—Poet, <i>b.</i> in Norfolk, and +<i>ed.</i> at Oxf. and Camb., of both of which he was <i>cr.</i> Poet Laureate, +and perhaps held the same office under the King. He was appointed +tutor to Henry VIII., and notwithstanding his sharp tongue, enjoyed +some favour at Court. In 1498 he entered the Church, and +became Rector of Diss in his native county. Hitherto he seems to +have produced some translations only, but about this time he +appears to have struck upon the vein which he was to work with +such vigour and popularity. He turned his attention to abuses in +Church and State, which he lashed with caustic satire, conveyed in +short doggerel rhyming lines peculiar to himself, in which jokes, +slang, invectives, and Latin quotations rush out pell-mell. His +best works in this line are <i>Why come ye not to Court?</i> and <i>Colin Clout</i>, +both directed against the clergy, and the former against Wolsey in +particular. Piqued at his inconstancy (for S. had previously +courted him) the Cardinal would have imprisoned him, had he not +taken sanctuary in Westminster, where he remained until his death. +Other works of his are <i>The Tunning</i> (brewing) <i>of Elynor Rummynge</i>, +a coarsely humorous picture of low life, and the tender and fanciful +<i>Death of Philip Sparrow</i>, the lament of a young lady over her pet +bird killed by a cat.</p><br /> + +<a name='SKELTON_SIR_JOHN_1831_1897'></a><p><b>SKELTON, SIR JOHN (1831-1897).</b> +—Miscellaneous writer. +<i>B.</i> in Edinburgh, <i>ed.</i> at the Univ. there, and called to the Scottish Bar +1854, he was Sec. and ultimately Chairman of the Local Government +Board for Scotland. He wrote <i>Maitland of Lethington and the Scotland +of Mary Stuart</i> (1887), <i>The Crookit Meg</i> (1880), and <i>The Table +Talk of Shirley</i>. He contributed to <i>Fraser's</i> and <i>Blackwood's +Magazines</i>. He received the degree of LL.D. from Edin. 1878, and +was made K.C.B. 1897.</p><br /> + +<a name='SKENE_WILLIAM_FORBES_1807_1892'></a><p><b>SKENE, WILLIAM FORBES (1807-1892).</b> +—Historian, 2nd <i>s.</i> +of James S. of Rubislaw, friend of Sir Walter Scott, was a Writer to +the Signet in Edinburgh, and Clerk of the Bills in the Court of Session. +He wrote and ed. historical works of considerable authority, <i>The +Highlanders of Scotland</i> (1837), and his most important work, <i>Celtic +Scotland</i> (1876-80), and ed. of <i>The Four Ancient Books of Wales</i> +(1868), and other Celtic writings.</p><br /> + +<a name='SKINNER_JOHN_1721_1807'></a><p><b>SKINNER, JOHN (1721-1807).</b> +—Historian and song-writer, +<i>s.</i> of a schoolmaster at Birse, Aberdeenshire, was <i>ed.</i> at Marischal +Coll. Brought up as a Presbyterian, he became an Episcopalian +and ministered to a congregation at Longside, near Peterhead, for +65 years. He wrote <i>The Ecclesiastical History of Scotland</i> from the +Episcopalian point of view, and several songs of which <i>The Reel of +Tullochgorum</i> and <i>The Ewie wi' the Crookit Horn</i> are the best known, +and he also rendered some of the Psalms into Latin. He kept up a +rhyming correspondence with Burns.</p><br /> + +<a name='SKIPSEY_JOSEPH_1832_1903'></a><p><b>SKIPSEY, JOSEPH (1832-1903).</b> +—Poet, <i>b.</i> near North +Shields, and from childhood worked in the mines. He <i>pub.</i> a few +pieces of poetry in 1859, and soon after left working underground +<a name='Page_346'></a>and became caretaker of Shakespeare's house at Stratford-on-Avon. +During the last 30 years of his life he <i>pub.</i> several vols. of poetry, +including <i>The Collier Lad</i> and <i>Carols from the Coal Fields</i>; and he +ed. some vols. for the "Canterbury Poets." <i>Memoir</i> by R.S. +Watson (1908).</p><br /> + +<a name='SMART_CHRISTOPHER_1722_1771'></a><p><b>SMART, CHRISTOPHER (1722-1771).</b> +—Poet, <i>s.</i> of the +steward to Lord Vane, was <i>b.</i> at Shipbourne, Kent, and by the +bounty of the Duchess of Cleveland sent to Camb. Here his ill-balanced +mind showed itself in wild folly. Leaving the Univ. he +came to London and maintained himself by conducting and writing +for periodicals. His <i>Poems on Several Occasions</i>, which contained +"The Hop Garden," was issued in 1752, and <i>The Hilliad</i> in 1753 +against "Sir" John Hill, a notoriety of the day who had attacked +him. His mind ultimately gave way, and it was in confinement +that he produced by far his most remarkable work, the <i>Song to David</i>, +a most original and powerful poem. Unfortunate to the last, he <i>d.</i> +in the King's Bench prison, to which he had been committed for +debt. He also translated Horace.</p><br /> + +<a name='SMEDLEY_FRANK_1818_1864'></a><p><b>SMEDLEY, FRANK (1818-1864).</b> +—Novelist, was the author +of several novels which had considerable popularity, including <i>Frank +Fairleigh</i> (1850), <i>Lewis Arundel</i> (1852), and <i>Harry Coverdale's +Courtship</i> (1855). S. was a life-long cripple.</p><br /> + +<a name='SMILES_SAMUEL_1812_1904'></a><p><b>SMILES, SAMUEL (1812-1904).</b> +—Biographer and miscellaneous +writer, <i>b.</i> at Haddington, <i>ed.</i> at the Grammar School there, +studied medicine at Edin., and settled in practice in his native town. +Subsequently he betook himself to journalism, and ed. a paper in +Leeds. Afterwards he was sec. to various railways. His leisure was +devoted to reading and writing, and his first publication was <i>The Life +of George Stephenson</i> (1857). <i>Self-Help</i>, his most popular work, +followed in 1859; it had an immense circulation, and was translated +into 17 languages. It was followed up by <i>Character</i> (1871), <i>Thrift</i> +(1875), and <i>Duty</i> (1880). <i>The Lives of the Engineers</i> and <i>Industrial +Biography</i> appeared in 1863, <i>The Huguenots, their Settlements, +Churches, and Industries in England and Ireland</i> (1867), and <i>The +Huguenots in France</i> a little later. He also wrote biographies of +Telford and James Watt, and of the Scottish naturalists, Edwards +the shoemaker and Dick the baker. He received the degree of +LL.D. from Edin. in 1878.</p><br /> + +<a name='SMITH_ADAM_1723_1790'></a><p><b>SMITH, ADAM (1723-1790).</b> +—Philosopher and economist, +<i>b.</i> at Kirkcaldy, Fife, the <i>s.</i> of the Controller of Customs there. His +<i>f.</i> <i>d.</i> shortly before his birth. The first and only adventure in his +tranquil life was his being kidnapped by gipsies. After being at the +Grammar School of Kirkcaldy, he went to the Univ. of Glasgow, +whence he proceeded to Oxf. On the conclusion of his Univ. course +he returned to Kirkcaldy, going subsequently to Edinburgh, where he +was soon recognised as a man of unusual intellect. In 1751 he was +appointed to the Chair of Logic at Glasgow, which he next year +exchanged for that of Moral Philosophy, and in 1759 he <i>pub.</i> his +<i>Theory of the Moral Sentiments</i>. He received in 1762 the degree of +LL.D. from his Univ., and two years later resigned his chair and +<a name='Page_347'></a>became travelling tutor to the young Duke of Buccleuch, accompanying +him to the Continent. He remained for nearly a year in +Paris, and made the acquaintance of the brilliant circle of <i>savans</i> in +that city. Returning to Kirkcaldy in 1766 he lived there with his +mother for nearly ten years in retirement and close study, the +results of which were given to the world in 1776 in the publication of +his epoch-making work, <i>Inquiry into the Nature and Causes of the +Wealth of Nations</i> (1776). This book may be said to have founded +the science of political economy, and to have created a new department +of literature; and very few works have, to the same extent, +influenced the practical history of the world. In 1778 S. was made +a Commissioner of Customs, and settled in Edinburgh; and in 1787 he +was elected Lord Rector of the Univ. of Glasgow. In addition to +the works above mentioned, he wrote various essays on philosophical +subjects, and an account of the last days of David Hume. The +style of his works was plain and lucid, and he had a remarkable +faculty of apt illustration.</p><br /> + +<a name='SMITH_ALBERT_1816_1860'></a><p><b>SMITH, ALBERT (1816-1860).</b> +—Humorous writer, studied +medicine, and for a short time assisted his <i>f.</i> in practice. He was +one of the original contributors to <i>Punch</i>, and among his books are +<i>The Adventures of Mr. Ledbury</i> and <i>The Scattergood Family</i>. He +also lectured and gave entertainments, including <i>The Ascent of Mont +Blanc</i>, which were highly popular.</p><br /> + +<a name='SMITH_ALEXANDER_1830_1867'></a><p><b>SMITH, ALEXANDER (1830-1867).</b> +—Poet and essayist, <i>s.</i> +of a Paisley pattern-designer, at first followed the same occupation +in Glasgow, but having become known as a poet of promise was, in +1854, appointed Sec. of Edin. Univ. After contributing to the +<i>Glasgow Citizen</i> he <i>pub.</i> <i>A Life Drama</i> (1853), which received much +admiration. Thereafter appeared <i>War Sonnets</i> (in conjunction, +with <a href='#DOBELL_SYDNEY_THOMPSON_1824_1874'>S. Dobell</a>, <i>q.v.</i>), <i>City Poems</i> (1857), and <i>Edwin of Deira</i> (1861). +In prose he wrote <i>Dreamthorpe</i> (essays), <i>A Summer in Skye</i>, and two +novels, <i>Alfred Hagart's Household</i> and <i>Miss Dona M'Quarrie</i>. His +poems were in a rich and glowing style, but by some good judges +were held to show fancy rather than imagination. He belonged to +what was called the "spasmodic" school of poetry.</p><br /> + +<a name='SMITH_MRS_CHARLOTTE_TURNER_1749_1806'></a><p><b>SMITH, MRS. CHARLOTTE (TURNER) (1749-1806).</b> +—Was +<i>m.</i> at 15 to a West Indian merchant, who by a series of misfortunes +and imprudences was reduced from affluence to poverty. She had +in her youth shown considerable promise as a poetess, and in her misfortunes +she was able to maintain herself and her family by her pen. +In addition to a poem, <i>Beachy Head</i>, and sonnets, she wrote several +novels of more than usual merit, including <i>Emmeline</i> (1788), and, her +best work, <i>The Old English Manor House</i>.</p><br /> + +<a name='SMITH_HORACE_1779_1849_SMITH_JAMES_1775_1839'></a><p><b>SMITH, HORACE (1779-1849), SMITH, JAMES (1775-1839).</b> +—Humorists, +<i>s.</i> of a London lawyer who was solicitor to the Board +of Ordnance. James succeeded his <i>f.</i>; Horace became a successful +stockbroker. Both brothers were distinguished for brilliant wit and +humour. Their first great hit was <i>Rejected Addresses</i> (1812), extremely +clever parodies on leading contemporary poets. To this +<i>jeu d'esprit</i> James contributed among others imitations of Wordsworth, +Coleridge, and Crabbe, while Horace's share included Scott +<a name='Page_348'></a>and Moore. James <i>pub.</i> little more, but anonymously gave Charles +Matthews assistance in his entertainments. Horace <i>pub.</i> several +novels which, with perhaps the exception of <i>Brambletye House</i>, are +now forgotten. He also wrote <i>The Address to a Mummy</i>, a remarkable +poem in which wit and true sentiment are admirably combined. +Both brothers were highly esteemed not only for their social qualities, +but for their benevolence and goodness of heart.</p><br /> + +<a name='SMITH_SYDNEY_1771_1845'></a><p><b>SMITH, SYDNEY (1771-1845).</b> +—Miscellaneous writer, <i>b.</i> at +Woodford, Essex, the <i>s.</i> of a gentleman of independent means, and <i>ed.</i> +at Winchester and Oxf., took orders 1794, becoming curate of Amesbury. +He came to Edinburgh as tutor to a gentleman's <i>s.</i>, was introduced +to the circle of brilliant young Whigs there, and assisted +in founding the <i>Edinburgh Review</i>. He then went to London, where +he was for a time preacher at the Foundling Hospital, and lectured +on moral philosophy at the Royal Institution. His brilliant wit and +general ability made him a favourite in society, while by his power +of clear and cogent argument he exercised a strong influence on the +course of politics. His <i>Plymley Letters</i> did much to advance the cause +of Catholic emancipation. He received various preferments, and became +a canon of St. Paul's. In politics he was a Whig, in his Church +views an Erastian; and in the defence of his principles he was honest +and courageous. Though not remarkable for religious devotion he +was a hard-working and, according to his lights, useful country +parson. By the death of a younger brother he in his later years +came into a considerable fortune.</p><br /> + +<a name='SMITH_WALTER_CHALMERS_1824_1908'></a><p><b>SMITH, WALTER CHALMERS (1824-1908).</b> +—<i>B.</i> in Aberdeen +and <i>ed.</i> there and at Edin., was a minister of the Free Church of Scotland +at Orwell, Glasgow, and Edinburgh successively, a distinguished +preacher and a man of kindly nature and catholic sympathies. He +attained considerable reputation as a poet. Among his works are +<i>The Bishop's Walk</i> (1861), <i>Olrig Grange</i> (1872), <i>Hilda among the +Broken Gods</i> (1878), <i>Raban</i> (1880), <i>Kildrostan</i> (1884), and <i>A Heretic</i> +(1890). Some of these were written under the names of +"Orwell" +and Hermann Kunst. He received the degrees of D.D. and LL.D.</p><br /> + +<a name='SMITH_SIR_WILLIAM_1813_1893'></a><p><b>SMITH, SIR WILLIAM (1813-1893).</b> +—Lexicographer, <i>ed.</i> +at Univ. Coll., London, was a contributor to the <i>Penny Magazine</i> and +compiled or ed. many useful works of reference, including <i>Dictionary +of Greek and Roman Antiquities</i> (1842), and dictionaries of the Bible, +of Christian Antiquities, and Christian Biography, etc., also various +school series and educational handbooks, including <i>The Classical +Dictionary</i>. He held various academical degrees, including Ph.D. +of Leipsic, and was knighted in 1892.</p><br /> + +<a name='SMITH_WILLIAM_ROBERTSON_1846_1894'></a><p><b>SMITH, WILLIAM ROBERTSON (1846-1894).</b> +—Theologian +and Semitic scholar, <i>s.</i> of the Free Church minister of Keig, Aberdeenshire, +studied for the ministry of that Church. In 1870 he was +appointed Prof. of Hebrew, etc., in its coll. at Aberdeen, a position +which he had to resign on account of his advanced critical views. +He became joint ed. of <i>The Encyclopædia Britannica</i>, and in 1883 +Prof. of Arabic at Camb. S. was a man of brilliant and versatile +talents, a mathematician as well as a scholar, somewhat uncompromising +and aggressive in the exposition and defence of his views.<a name='Page_349'></a> +His works include <i>The Old Testament in the Jewish Church</i> (1881), +and <i>The Religion of the Semites</i> (1889).</p><br /> + +<a name='SMOLLETT_TOBIAS_GEORGE_1721_1771'></a><p><b>SMOLLETT, TOBIAS GEORGE (1721-1771).</b> +—Novelist, 2nd +<i>s.</i> of Archibald S., of Dalquhurn, Dumbartonshire, and <i>ed.</i> at Glasgow, +proceeded to London in 1739 with the view of having a tragedy, +<i>The Regicide</i>, put on the stage, in which, however, he failed. In +this disappointment he took service as surgeon's mate on one of the +vessels of the Carthagena expedition, 1741, an experience which he +turned to account in his novels. On his return he settled in London, +and endeavoured to acquire practice as a physician, but was not +very successful, and having discovered where his talent lay, he +thenceforth devoted himself to literature. <i>Roderick Random</i> appeared +in 1748, <i>The History of an Atom</i> (1749), <i>Peregrine Pickle</i> in +1751, <i>Ferdinand, Count Fathom</i> in 1753, <i>Sir Lancelot Greaves</i> in 1766, +and <i>Humphrey Clinker</i>, generally considered his best novel, in 1770. +Besides these works, however, he translated Voltaire, wrote a <i>History +of England</i> in continuation of Hume's, an <i>Ode to Independence</i>, +travels and satires, and contributed to various periodicals. He was +repeatedly involved in acrimonious controversy, and on one occasion +fined and imprisoned for a libel, which, with various private +misfortunes, embittered his life, and he <i>d.</i> disappointed and worn out +near Leghorn. Had he lived four years longer he would have succeeded +to his grandfather's estate of Bonhill. The novels of S. display +great narrative power, and he has a remarkable comic vein of +a broad type, which enables him to present ludicrous scenes and +circumstances with great effect. There is, however, a strong infusion +of coarseness in his treatment of his subjects.</p><br /> + +<a name='SOMERVILLE_MRS_MARY_FAIRFAX_1780_1872'></a><p><b>SOMERVILLE, MRS. MARY (FAIRFAX) (1780-1872).</b> +—Mathematician +and writer on science, <i>dau.</i> of Admiral Sir William +G. Fairfax, <i>b.</i> at Jedburgh, was twice <i>m.</i>, first to Mr. Greig, an +officer in the Russian Navy, and second to her cousin Dr. William S. +Although she had early manifested a taste for study, and specially +for science, she had, until after the death of her first husband, little +opportunity of following out her favourite subjects. With Dr. S., +who was in full sympathy with her scientific tastes, she went to +reside in London, and there her talents made her known in scientific +circles. In 1823 she was requested by Lord Brougham to popularise +the <i>Mechanique Celeste</i> of La Place. This she did with great success, +publishing her work as <i>The Celestial Mechanism of the Heavens</i> +(1830). She also <i>pub.</i> <i>The Connection of the Physical Sciences</i> (1834), +and other works. She received a pension from Government, and <i>d.</i> +aged 92 at Naples, where she had resided for the last ten or twelve +years of her life.</p><br /> + +<a name='SOMERVILLE_WILLIAM_1675_1742'></a><p><b>SOMERVILLE, WILLIAM (1675-1742).</b> +—Poet, a Warwickshire +squire of literary tastes, wrote among others a poem, <i>The Chase</i>, +in 4 books, which has some passages of considerable descriptive +power.</p><br /> + +<a name='SOTHEBY_WILLIAM_1757_1833'></a><p><b>SOTHEBY, WILLIAM (1757-1833).</b> +—Poet and translator, +belonged to a good family, and was <i>ed.</i> at Harrow. In early life he +was in the army. He <i>pub.</i> a few dramas and books of poems, which +had no great popularity, and are now forgotten; his reputation +<a name='Page_350'></a>rests upon his admirable translations of the <i>Oberon</i> of Wieland, the +<i>Georgics</i> of Virgil, and the <i>Iliad</i> and <i>Odyssey</i>. The last two were +begun when he was upwards of 70, but he lived to complete them. +His <i>Georgics</i> is considered one of the best translations from the +classics in the language.</p><br /> + +<a name='SOUTH_ROBERT_1634_1716'></a><p><b>SOUTH, ROBERT (1634-1716).</b> +—Divine, <i>s.</i> of a London +merchant, was <i>b.</i> at Hackney, and <i>ed.</i> at Westminster School and +Oxf., where in 1660 he was appointed Univ. Orator. He became +domestic chaplain to the Lord Chancellor Clarendon, and in 1663 +the degree of D.D. was conferred upon him. After accompanying +an embassy to Poland he became Rector of Islip, and a chaplain +to Charles II. Thereafter he steadily declined higher preferment, +including the bishopric of Rochester. He was opposed to the +Romanising measures of James II., but owing to his views as to the +duty of passive obedience he declined to associate himself in any +way with the Revolution, to which nevertheless he submitted. He +was an expert controversialist, but it is chiefly by his sermons, +which are among the classics of English divinity, that he is remembered. +He has the reputation of being the wittiest of English +preachers, and this characteristic is sometimes present to a degree +not quite suitable to the subjects treated.</p><br /> + +<a name='SOUTHERNE_THOMAS_1660_1746'></a><p><b>SOUTHERNE, THOMAS (1660-1746).</b> +—Dramatist, <i>b.</i> in +Dublin, and <i>ed.</i> at Trinity Coll. there, came to London and studied +law at the Middle Temple. Afterwards he entered the army and +saw service. He wrote ten plays, of which two were long acted and +are still remembered, <i>The Fatal Marriage</i> (1694) and <i>Oroonoko</i> (1696), +in the latter of which he appeals passionately against the slave-trade. +Unlike most preceding dramatists he was a practical man, +succeeded in his theatrical management, and retired on a fortune. +Other plays are <i>The Loyal Brother</i> (1682), <i>The Disappointment</i> (1684), <i>The Wives' Excuse</i> (1692), <i>The Spartan Dame</i> (1719), etc.</p><br /> + +<a name='SOUTHEY_MRS_CAROLINE_ANNE_BOWLES_1786_1854'></a><p><b>SOUTHEY, MRS. CAROLINE ANNE (BOWLES) (1786-1854).</b> +—Poetess, +<i>dau.</i> of a captain in the navy, submitted a poem, <i>Ellen +Fitzarthur</i> to <a href='#SOUTHEY_ROBERT_1774_1843'>Southey</a> (<i>q.v.</i>), which led to a friendship, and to a proposed +joint poem on Robin Hood, not, however, carried out, and +eventually to her becoming the poet's second wife. She wrote +various other works, including <i>Chapters on Churchyards</i> and <i>Tales of +the Factories</i>.</p><br /> + +<a name='SOUTHEY_ROBERT_1774_1843'></a><p><b>SOUTHEY, ROBERT (1774-1843).</b> +—Poet, biographer, etc., +<i>s.</i> of an unsuccessful linen-draper in Bristol, where he was <i>b.</i>, was +sent to Westminster School, and in 1792 went to Oxf. His friendship +with Coleridge began in 1794, and with him he joined in the +scheme of a "pantisocracy" (<i>see</i> <a href='#COLERIDGE_SAMUEL_TAYLOR_1772_1834'>Coleridge</a>). In 1795 he <i>m.</i> his first +wife, Edith Fricker, and thus became the brother-in-law of Coleridge. +Shortly afterwards he visited Spain, and in 1800 Portugal, +and laid the foundations of his thorough knowledge of the history +and literature of the Peninsula. Between these two periods of +foreign travel he had attempted the study of law, which proved +entirely uncongenial; and in 1803 he settled at Greta Hall, Keswick, +to which neighbourhood the Coleridges had also come. Here he set +himself to a course of indefatigable literary toil which only ended +<a name='Page_351'></a>with his life. <i>Thalaba</i> had appeared in 1801, and there followed +<i>Madoc</i> (1805), <i>The Curse of Kehama</i> (1810), <i>Roderic, the Last of the +Goths</i> (1814), and <i>A Vision of Judgment</i> (1821); and in prose a <i>History +of Brazil</i>, Lives of Nelson (1813), Wesley (1820), and Bunyan +(1830), <i>The Book of the Church</i> (1824), <i>History of the Peninsular War</i> +(1823-32), <i>Naval History</i>, and <i>The Doctor</i> (1834-37). In addition to +this vast amount of work he had been from 1808 a constant contributor +to the <i>Quarterly Review</i>. In 1839 when he was failing both in +body and mind he <i>m.</i>, as his second wife, Miss Caroline Ann Bowles, +who had for 20 years been his intimate friend, and by whom his few +remaining years were soothed. Though the name of S. still bulks +somewhat largely in the history of our literature, his works, with a +few exceptions, are now little read, and those of them (his longer +poems, <i>Thalaba</i> and <i>Kehama</i>) on which he himself based his hopes of +lasting fame, least of all. To this result their length, remoteness +from living interests, and the impression that their often splendid +diction is rather eloquence than true poetry, have contributed. +Some of his shorter poems, <i>e.g.</i>, "The Holly Tree," and "The Battle +of Blenheim" still live, but his fame now rests on his vigorous prose +and especially on his classic <i>Life of Nelson</i>. Like Wordsworth and +Coleridge, S. began life as a democratic visionary, and was strongly +influenced by the French Revolution, but gradually cooled down into +a pronounced Tory. He was himself greater and better than any of +his works, his life being a noble record of devotion to duty and unselfish +benevolence. He held the office of Poet Laureate from 1813, +and had a pension from Government. He declined a baronetcy.</p> + +<p><i>Life and Correspondence</i> (6 vols., 1849-50) by his younger son, +Rev. C. Southey. <i>Life</i> by Dowden in Men of Letters (1880).</p><br /> + +<a name='SOUTHWELL_ROBERT_1561_1595'></a><p><b>SOUTHWELL, ROBERT (1561?-1595).</b> +—Poet, <i>b.</i> at Horsham +St. Faith's, Norfolk, of good Roman Catholic family, and <i>ed.</i> at +Douay, Paris, and Rome, he became a Jesuit, and showed such +learning and ability as to be appointed Prefect of the English Coll. +In 1586 he came to England with Garnett, the superior of the +English province, and became chaplain to the Countess of Arundel. +His being in England for more than 40 days then rendered him +liable to the punishment of death and disembowelment, and in 1592 +he was apprehended and imprisoned in the Tower for three years, +during which he was tortured 13 times. He was then put on trial +and executed, February 22, 1595. He was the author of <i>St. Peter's +Complaint</i> and <i>The Burning Babe</i>, a short poem of great imaginative +power, and of several prose religious works, including <i>St. Mary +Magdalene's Teares</i>, <i>A Short Rule of Good Life</i>, <i>The Triumphs over +Death</i>, etc.</p><br /> + +<a name='SPEDDING_JAMES_1808_1881'></a><p><b>SPEDDING, JAMES (1808-1881).</b> +—Editor of Bacon's works, +<i>s.</i> of a Cumberland squire, and <i>ed.</i> at Bury St. Edmunds and Camb., +was for some years in the Colonial Office. He devoted himself to +the ed. of Bacon's works, and the endeavour to clear his character +against the aspersions of Macaulay and others. The former was +done in conjunction with Ellis and Heath, his own being much the +largest share in their great ed. (1861-74); and the latter, so far as +possible, in <i>The Life and Letters</i>, entirely his own. In 1878 he +<a name='Page_352'></a>brought out an abridged <i>Life and Times of Francis Bacon</i>. He +strongly combated the theory that B. was the author of Shakespeare's +plays. His death was caused by his being run over by a +cab. He enjoyed the friendship of many of his greatest contemporaries, +including Carlyle, Tennyson, and Fitzgerald.</p><br /> + +<a name='SPEED_JOHN_1552_1629'></a><p><b>SPEED, JOHN (1552?-1629).</b> +—Historian, <i>b.</i> at Farington, +Cheshire, and brought up to the trade of a tailor, had a strong taste +for history and antiquities, and wrote a <i>History of Great Britain</i> +(1611), which was long the best in existence, in collecting material +for which he had assistance from Cotton, Spelman, and other investigators. +He also <i>pub.</i> useful maps of Great Britain and Ireland, +and of various counties, etc. In 1616 appeared his <i>Cloud of Witnesses +confirming ... the truth of God's most holie Word</i>. His maps +were <i>coll.</i> and with descriptions <i>pub.</i> in 1611 as <i>Theatre of the Empire +of Great Britain</i>.</p><br /> + +<a name='SPEKE_JH_see_under_GRANT_JA'></a><p><b>SPEKE, J.H., (<i>see under</i> <a href='#GRANT_JAMES_AUGUSTUS_1827_1892'>GRANT, J.A.</a>)</b></p><br /> + +<a name='SPELMAN_SIR_HENRY_1564_1641'></a><p><b>SPELMAN, SIR HENRY (1564?-1641).</b> +—Historian and +antiquary, <i>b.</i> at Congham, Norfolk, studied at Camb., and entered +Lincoln's Inn. He wrote valuable works on legal and ecclesiastical +antiquities, including <i>History of Sacrilege</i> (<i>pub.</i> 1698), <i>Glossarium +Archæologicum</i> (1626 and 1664), a glossary of obsolete law-terms, <i>A +History of the English Councils</i> (1639), and <i>Tenures by Knight-service</i> +(1641). His writings have furnished valuable material for subsequent +historians. He sat in Parliament and on various commissions, +and in recompense of his labours was voted a grant of £300.</p><br /> + +<a name='SPENCE_JOSEPH_1699_1768'></a><p><b>SPENCE, JOSEPH (1699-1768).</b> +—Anecdotist, <i>b.</i> at Kingsclere, +Hants, and <i>ed.</i> at Winchester and Oxf., he entered the Church, +and held various preferments, including a prebend at Durham, and +was Prof. of Poetry at Oxf. He wrote an <i>Essay on Pope's Odyssey</i>, +which gained for him the friendship of the poet, of whose conversation +he made notes, collecting likewise anecdotes of him and of other +celebrities which were <i>pub.</i> in 1820, and are of great value, inasmuch +as they preserve much matter illustrative of the literary history of +the 18th century which would otherwise have been lost.</p><br /> + +<a name='SPENCER_HERBERT_1820_1903'></a><p><b>SPENCER, HERBERT (1820-1903).</b> +—Philosopher, <i>b.</i> at +Derby, the <i>s.</i> of a teacher, from whom, and from his uncle, mentioned +below, he received most of his education. His immediate family +circle was strongly Dissenting in its theological atmosphere, his <i>f.</i>, +originally a Methodist, having become a Quaker, while his mother +remained a Wesleyan. At 13 he was sent to the care of his uncle, +Thomas S., a clergyman, near Bath, but a Radical and anti-corn-law +agitator. Declining a Univ. career he became a school assistant, +but shortly after accepted a situation under the engineer of the +London and Birmingham railway, in which he remained until the +great railway crisis of 1846 threw him out of employment. Previous +to this he had begun to write political articles in the <i>Nonconformist</i>; +he now resolved to devote himself to journalism, and in +1848 was appointed sub-ed. of the <i>Economist</i>. Thereafter he became +more and more absorbed in the consideration of the problems of +sociology and the development of the doctrine of evolution as applied +<a name='Page_353'></a>thereto, gradually leading up to the completion of a system of +philosophy which was the work of his life. His fundamental proposition +is that society, like the individual, is an organism subject to +evolution, and the scope of this idea is gradually expanded so as +to embrace in its sweep the whole range of cognisible phenomena. +Among the books which he <i>pub.</i> in exposition of his views +may be mentioned <i>Social Statics</i> (1850), <i>Principles of Psychology</i> +(1855), <i>First Principles</i> (1862), <i>Principles of Biology</i> (1867), +<i>Data of Ethics</i> (1879), <i>Principles of Sociology</i> (1877), <i>Political Institutions</i> +(1882), and <i>Man versus the State</i> (1884). His works have +been translated into most European languages—some of them into +Chinese and Japanese. The most characteristic qualities of S. as a +thinker are his powers of generalisation and analysis. He left an +autobiography, in which he subjects his own personality to analysis +with singular detachment of mind.</p> + +<p><i>Life</i> by David Duncan, LL.D., <i>Life</i> by A.J. Thompson. <i>See</i> also +<i>Outlines of Cosmic Philosophy</i>, Fishe (1874), and books on S. and his +philosophy by Hudson (1894), White (1897), and Macpherson (1890).</p><br /> + +<a name='SPENCER_WILLIAM_ROBERT_1769_1834'></a><p><b>SPENCER, WILLIAM ROBERT (1769-1834).</b> +—Poet, <i>ed.</i> at +Harrow and Oxf., belonged to the Whig set of Fox and Sheridan. +He wrote graceful <i>vers de societé</i>, made translations from Bürger, and +is best remembered by his well-known ballad of <i>Gelert</i>. After a life +of extravagance he <i>d.</i> in poverty in Paris.</p><br /> + +<a name='SPENSER_EDMUND_1552_1599'></a><p><b>SPENSER, EDMUND (1552?-1599).</b> +—Poet, was <i>b.</i> in East +Smithfield, London, the <i>s.</i> of John S., described as gentleman and +journeyman in the art of cloth-making, who had come to London +from Lancashire. In 1561 the poet was sent to Merchant Taylor's +School, then newly opened, and in 1569 he proceeded to Pembroke +Hall, Camb., as a sizar, taking his degree in 1576. Among his +friends there were Edward Kirke, who ed. the <i>Shepheard's Calendar</i>, +and Gabriel Harvey, the critic. While still at school he had contributed +14 sonnet-visions to Van de Noot's <i>Theatre for Worldlings</i> +(1569). On leaving the Univ. S. went to the north, probably to +visit his relations in Lancashire, and in 1578, through his friend +Harvey, he became known to Leicester and his brother-in-law, +Philip Sidney. The next year, 1579, saw the publication of <i>The +Shepheard's Calendar</i> in 12 eclogues. It was dedicated to Sidney, +who had become his friend and patron, and was received with acclamation, +all who had ears for poetry perceiving that a new and +great singer had arisen. The following year S. was appointed sec. +to Lord Grey of Wilton, Deputy for Ireland, a strict Puritan, and +accompanied him to Ireland. At the same time he appears to have +begun the <i>Faerie Queen</i>. In 1581 he was appointed Registrar of +Chancery, and received a grant of the Abbey and Castle of Enniscorthy, +which was followed in 1586 by a grant of the Castle of Kilcolman +in County Cork, a former possession of the Earls of Desmond +with 3000 acres attached. Simultaneously, however, a heavy blow +fell upon him in the death of Sidney at the Battle of Zutphen. The +loss of this dear friend he commemorated in his lament of <i>Astrophel</i>. +In 1590 he was visited by Sir Walter Raleigh, who persuaded him to +come to England, and presented him to the Queen, from whom he +received a pension of £50, which does not, however, appear to have +<a name='Page_354'></a>been regularly paid, and on the whole his experiences of the Court +did not yield him much satisfaction. In the same year his reputation +as a poet was vastly augmented by the publication of the first +three books of the <i>Faerie Queen</i>, dedicated to Elizabeth. The enthusiasm +with which they were received led the publisher to bring +out a collection of other writings of S. under the general title of +<i>Complaints</i>, and including <i>Mother Hubbard's Tale</i> (a satire on the +Court and on the conflict then being waged between the old faith +and the new), <i>Teares of the Muses</i>, and <i>The Ruins of Time</i>. +Having seen these ventures launched, S. returned to Kilcolman and +wrote <i>Colin Clout's come Home Again</i>, one of the brightest and most +vigorous of his poems, not, however, <i>pub.</i> until 1595. In the following +year appeared his <i>Four Hymns</i>, two on <i>Love and Beauty</i> and two +on <i>Heavenly Love and Beauty</i>, and the <i>Prothalamion</i> on the marriage +of two daughters of the Earl of Worcester. He also <i>pub.</i> in prose +his <i>View of Ireland</i>, a work full of shrewd observation and practical +statesmanship. In 1594 he was <i>m.</i> to Elizabeth Boyle, whom he +had courted in <i>Amoretti</i>, and his union with whom he now celebrated +in the magnificent <i>Epithalamion</i>, by many regarded as his most perfect +poem. In 1595 he returned to England, taking with him the +second part of the <i>Faerie Queen</i>, <i>pub.</i> in 1596. In 1598 he was made +Sheriff of Cork, and in the same year his fortunes suffered a final +eclipse. The rebellion of Tyrone broke out, his castle was burned, +and in the conflagration his youngest child, an infant, perished, he +himself with his wife and remaining children escaping with difficulty. +He joined the President, Sir T. Norris, who sent him with despatches +to London, where he suddenly <i>d.</i> on January 16, 1599, as was long believed +in extreme destitution. This, however, happily appears to be +at least doubtful. He was buried in Westminster Abbey near +Chaucer, and a monument was erected to his memory in 1620 by the +Countess of Dorset.</p> + +<p>The position of S. in English poetry is below Chaucer, Shakespeare, +and Milton only. The first far excels him in narrative and +constructive power and in humour, and the last in austere grandeur +of conception; but for richness and beauty of imagination and exquisite +sweetness of music he is unsurpassed except by Shakespeare. +He has been called the poets' poet, a title which he well merits, not +only by virtue of the homage which all the more imaginative poets +have yielded him, but because of the almost unequalled influence he +has exercised upon the whole subsequent course and expression of +English poetry, which he enriched with the stanza which bears his +name, and which none since him have used with more perfect +mastery. His faults are prolixity, indirectness, and want of constructive +power, and consequently the sustained sweetness and +sumptuousness of his verse are apt to cloy. His great work, the +<i>Faerie Queen</i>, is but a gorgeous fragment, six books out of a projected +twelve; but probably few or none of its readers have regretted +its incompleteness. In it Protestantism and Puritanism receive +their most poetic and imaginative presentation and vindication.</p> + +<p>SUMMARY.—<i>B.</i> 1552, <i>ed.</i> Merchant Taylor's School and Camb., became +known to Leicester and Sir P. Sidney 1578, <i>pub.</i> <i>Shepheard's +Calendar</i> 1579, appointed sec. to Lord Deputy of Ireland 1580, and +began <i>Faerie Queen</i>, receives various appointments and grants<a name='Page_355'></a> +1581-6, <i>pub.</i> <i>Astrophel</i> in memory of Sidney 1586, visited by Raleigh +and by him presented to Queen Elizabeth, who pensioned him 1590, +and in same year <i>pub.</i> first three books of <i>Faerie Queen</i>, <i>Teares of +Muses</i>, etc., writes <i>Colin Clout</i>, <i>pub.</i> 1595, and in 1596 <i>pub.</i> <i>Four +Hymns</i> and <i>Prothalamion</i>, <i>m.</i> E. Boyle 1594, whom he had courted in +<i>Amoretti</i>, and now celebrated in the <i>Epithalamion</i>, returned to England +1595, Sheriff of Cork 1598, in which year the rebellion broke out +and ruined his fortunes, returned to London and <i>d.</i> 1599.</p> + +<p>There have been very numerous ed. of the works, among which +may be mentioned the Globe (1899), and Dr. Grosart's (10 vols., +1882-84). There is an excellent biography by Dean Church (1879).</p><br /> + +<a name='SPOTTISWOOD_JOHN_1565_1639'></a><p><b>SPOTTISWOOD, JOHN (1565-1639).</b> +—Historian, <i>s.</i> of John +S., minister of Midcalder and Superintendent of Lothian. Entering +the Church he gained the favour of James VI., and was his chief instrument +in his endeavours to restore Episcopal church-government +in Scotland. He became Archbishop successively of Glasgow and +St. Andrews, and in 1635 Lord Chancellor of Scotland. On the +rising caused by the introduction of the service-book, he had to flee +from Scotland, and was excommunicated by the General Assembly +(1638). He wrote a <i>History of the Church and State of Scotland</i>, <i>pub.</i> +1655. It is, of course, written from the Episcopalian standpoint, as +Calderwood's is from the Presbyterian.</p><br /> + +<a name='SPRAGUE_CHARLES_1791_1875'></a><p><b>SPRAGUE, CHARLES (1791-1875).</b> +—Poet, <i>b.</i> at Boston, +Mass., had some reputation as a writer of prize poems, odes, and +domestic poems. To the first class belong <i>Curiosity</i> and <i>Shakespeare +Ode</i>, and to the latter, <i>The Family Meeting</i> and <i>I see Thee Still</i>, an +elegy on his sister.</p><br /> + +<a name='SPRAT_THOMAS_1635_1713'></a><p><b>SPRAT, THOMAS (1635-1713).</b> +—Divine and writer of +memoirs, <i>b.</i> at Beaminster, Dorset, <i>ed.</i> at Oxf., was a mathematician, +and one of the group of scientific men among whom the Royal +Society, of which he was one of the first members and the historian, +had its origin. He wrote a Life of his friend Cowley the poet, and an +account of Young's plot for the restoration of James II. His <i>History +of the Royal Society</i> is his principal work, but he also wrote poems, +and had a high reputation as a preacher. His literary style gives +him a distinguished place among English writers. He held various, +high preferments, and <i>d.</i> Bishop of Rochester.</p><br /> + +<a name='SPURGEON_CHARLES_HADDON_1834_1892'></a><p><b>SPURGEON, CHARLES HADDON (1834-1892).</b> +—<i>B.</i> at +Kelvedon, Essex, left the Independents and joined the Baptist communion +and became, at the age of 20, pastor of New Park Street +Chapel, London, where he attained an unprecedented popularity. In +1859 the Metropolitan Tabernacle was erected for him. He was a +decided Calvinist in his theological views, and was strongly opposed +to modern critical movements. He possessed in an eminent degree +two of the great requisites of effective oratory, a magnificent voice +and a command of pure idiomatic Saxon English. His sermons, +composed and <i>pub.</i> weekly, had an enormous circulation, and were +regularly translated into several languages. In addition to his +pastoral labours he superintended an almshouse, a pastor's coll., and +an orphanage; and he was likewise a voluminous author, publishing, +<a name='Page_356'></a>in addition to his sermons, numerous works, including <i>The Treasury +of David</i> (a commentary on the Psalms).</p><br /> + +<a name='STANHOPE_PHILIP_HENRY_5TH_EARL_STANHOPE_1805_1875'></a><p><b>STANHOPE, PHILIP HENRY, 5TH EARL STANHOPE (1805-1875).</b> +—Historian, +was <i>b.</i> at Walmer, and <i>ed.</i> at Oxf. He sat in the +House of Commons for Wootton Bassett and Hertford, held some +minor official appointments under Peel, and identified himself with +many useful measures, specially in regard to literature and art. +His writings, which are all remarkable for industrious collection of +facts, careful and impartial sifting and weighing of evidence, and a +clear, sober, and agreeable style, include <i>History of England from the +Peace of Utrecht to the Peace of Versailles</i> (1836-63), and histories of +the <i>War of the Spanish Succession</i> (1832), and of the <i>Reign of Queen +Anne</i> (1870), besides Lives of the younger Pitt (1861) and of Lord +'Chesterfield. As an author he is best known as Viscount Mahon.</p><br /> + +<a name='STANLEY_ARTHUR_PENRHYN_1815_1881'></a><p><b>STANLEY, ARTHUR PENRHYN (1815-1881).</b> +—Historian, +biographer, and theologian, <i>s.</i> of Edward S., Bishop of Norwich, <i>b.</i> +at Alderley, Cheshire, of which his <i>f.</i> was then rector, <i>ed.</i> at Rugby +and Oxf., became a Fellow of Univ. Coll. Taking orders in 1839 he +became Canon of Canterbury 1851, and of Christ Church 1858, and +Dean of Westminster 1864. He was also Prof. of Ecclesiastical +History at Oxf. 1856. His ecclesiastical position was Erastian and +latitudinarian, and his practical aim in Church politics comprehension. +He gave great offence to the High Church party by his championing +of Colenso, W.G. Ward, Jowett, and others, by his preaching +in the pulpits of the Church of Scotland and in other ways, and +his latitudinarianism made him equally obnoxious to many others. +On the other hand, his singular personal charm and the fascination +of his literary style secured for him a very wide popularity. He +was a prolific author, his works including <i>Life of Dr. Arnold</i> (of +Rugby) (1844), whose favourite pupil he was, and <i>Memorials of +Canterbury</i> (1854), <i>Sinai and Palestine</i> (1855), <i>Lectures on the Eastern +Church</i> (1861), <i>History of the Jewish Church</i> (1863, etc.), <i>Historical +Memorials of Westminster Abbey</i> (1867), <i>Lectures on the History of the +Church of Scotland</i> (1872), besides various commentaries. In his +historical writings he aimed rather at conveying a vivid and picturesque +general effect than at minute accuracy of detail or philosophical +views. His masterpiece is his <i>Life of Dr. Arnold</i>, which is +one of the great biographies in the language. His wife was Lady +Augusta Bruce, to whom he was <i>m.</i> in 1868.</p><br /> + +<a name='STANLEY_SIR_HENRY_MORTON_1841_1904'></a><p><b>STANLEY, SIR HENRY MORTON (1841-1904).</b> +—Traveller +in Africa, <i>b.</i> in America, went to find, and found, Livingstone, and +wrote an account of his adventures in the quest, <i>How I found +Livingstone</i>. Other works were <i>In Darkest Africa</i> and <i>Through the +Dark Continent</i>.</p><br /> + +<a name='STANLEY_THOMAS_1625_1678'></a><p><b>STANLEY, THOMAS (1625-1678).</b> +—Philosopher and +scholar, connected with the Derby family, <i>ed.</i> at Camb., was the +author of some poems and of a biographical <i>History of Philosophy</i> +(4 vols., 1655-62). He was learned in the classics, and translated +from the Latin and late Greek as well as from the Italian and Portuguese, +and ed. Æschylus. His poetry is thoughtful and gracefully +expressed<a name='Page_357'></a>.</p><br /> + +<a name='STANYHURST_RICHARD_1547_1618'></a><p><b>STANYHURST, RICHARD (1547-1618).</b> +—Translator, was +at Oxf., and studied law at Furnivall's Inn and Lincoln's Inn. He +collaborated with <a href='#HOLINSHED_or_HOLLINGSHEAD_RAPHAEL_or_RALPH_d_1580'>Holinshed</a> (<i>q.v.</i>). His principal literary achievement +was a grotesquely stiff, clumsy, and prosaic translation of the +first four books of the <i>Æneid</i> into English hexameters. He also +translated some of the Psalms.</p><br /> + +<a name='STEDMAN_EDMUND_CLARENCE_LHD_LLD_1833_1908'></a><p><b>STEDMAN, EDMUND CLARENCE, L.H.D., LL.D., (1833-1908).</b> +—American +poet and critic. <i>Poems Lyric and Idyllic</i> (1860), +<i>Alice of Monmouth</i> (1864), <i>The Blameless Prince</i> (1869), <i>Victorian +Poets</i> (1875-87), <i>Lyrics and Idylls</i> (1879), <i>Poets of America</i> (1885), +<i>Victorian Anthology</i> (1896), <i>American Anthology</i> (1896), etc.</p><br /> + +<a name='STEELE_SIR_RICHARD_1672_1729'></a><p><b>STEELE, SIR RICHARD (1672-1729).</b> +—Essayist and dramatist, +<i>s.</i> of a Dublin attorney, who <i>d.</i> when his <i>s.</i> was 5 years old, was +on the nomination of the Duke of Ormond, sent to the Charterhouse +School, where his friendship with Addison began, and thence +went to Oxf., but left without taking a degree, and enlisted in the +Horse Guards, for which he was disinherited by a rich relation. He, +however, gained the favour of his colonel, Lord Cutts, himself a poet, +and rose to the rank of captain. With the view of setting before +himself a high ideal of conduct (to which unhappily he was never +able to attain), he at this time wrote a treatise on morals entitled +<i>The Christian Hero</i> (1701). Abandoning this vein, he next produced +three comedies, <i>The Funeral, or Grief à la Mode</i> (1702), <i>The Tender +Husband</i> (1703), and <i>The Lying Lover</i> (1704). Two years later he +was appointed Gentleman Waiter to Prince George of Denmark, and +in 1707 he was made Gazetteer; and in the same year he <i>m.</i> as his +second wife Mary Scurlock, his "dear Prue," who seems, however, to +have been something of a termagant. She had considerable means, +but the incorrigible extravagance of S. soon brought on embarrassment. +In 1709 he laid the foundations of his fame by starting the +<i>Tatler</i>, the first of those periodicals which are so characteristic a +literary feature of that age. In this he had the invaluable assistance +of Addison, who contributed 42 papers out of a total of 271, and +helped with others. The <i>Tatler</i> was followed by the <i>Spectator</i>, in +which Addison co-operated to a still greater extent. It was even a +greater success, and ran to 555 numbers, exclusive of a brief revival +by Addison in which S. had no part, and in its turn was followed by +the <i>Guardian</i>. It is on his essays in these that the literary fame of +S. rests. With less refinement and delicacy of wit than Addison, he +had perhaps more knowledge of life, and a wider sympathy, and like +him he had a sincere desire for the reformation of morals and +manners. In the keen political strife of the times he fought stoutly +and honestly on the Whig side, one result of which was that he lost +his office of Gazetteer, and was in 1714 expelled from the House of +Commons to which he had just been elected. The next year +gave a favourable turn to his fortunes. The accession of George I. +brought back the Whigs, and S. was appointed to various offices, including +a commissionership on forfeited estates in Scotland, which +took him to Edinburgh, where he was welcomed by all the <i>literati</i> +there. Nothing, however, could keep him out of financial embarrassments, +and other troubles followed: his wife <i>d.</i>; differences, +arose with Addison, who <i>d.</i> before a reconciliation could be effected.<a name='Page_358'></a> +The remaining years were clouded by financial troubles and ill-health. +His last work was a play, <i>The Conscious Lovers</i> (1722). He +left London and lived at Hereford and at Carmarthen, where he <i>d.</i> +after a partial loss of his faculties from paralysis.</p> + +<p><i>Lives</i> by Austin Dobson (1886) and G.A. Aitken (1889). Ed., +<i>Plays</i> by Aitken (1893), Essays (selected) Clarendon Press (1885), +<i>Tatler</i>, Aitken (1898), <i>Spectator</i>, H. Morley (1868), Gregory Smith +(1897-8), Aitken (1898).</p><br /> + +<a name='STEEVENS_GEORGE_1736_1800'></a><p><b>STEEVENS, GEORGE (1736-1800).</b> +—Shakespearian commentator, +<i>ed.</i> at Eton and Camb. He issued various reprints of +quarto ed. of Shakespeare, and assisted Dr. Johnson in his ed., and +also in his <i>Lives of the Poets</i>. In 1793 he himself brought out a new +ed. of Shakespeare, in which he dealt somewhat freely with the text. +He was in constant controversy with Ritson and other literary +antiquaries, and was also an acute detector of literary forgeries, including +those of Chatterton and Ireland.</p><br /> + +<a name='STEEVENS_GEORGE_WARRINGTON_1869_1900'></a><p><b>STEEVENS, GEORGE WARRINGTON (1869-1900).</b> +—Journalist +and miscellaneous writer, <i>b.</i> at Sydenham, and <i>ed.</i> at City of +London School and Oxf., took to journalism, in which he distinguished +himself by his clearness of vision and vivid style. Connected +successively with the <i>National Observer</i>, the <i>Pall Mall Gazette</i>, +and the <i>Daily Mail</i>, he utilised the articles which appeared in these +and other publications in various books, such as <i>The Land of the +Dollar</i> (America) (1897), <i>With Kitchener to Kartoum</i>, and <i>The +Tragedy of Dreyfus</i>. His most striking work, however, was <i>Monologues +of the Dead</i> (1895). He went as war correspondent to South +Africa in 1900, and <i>d.</i> of enteric fever at Ladysmith.</p><br /> + +<a name='STEPHEN_SIR_JAMES_1789_1859'></a><p><b>STEPHEN, SIR JAMES (1789-1859).</b> +—Statesman and historical +writer, <i>s.</i> of James S., Master in Chancery, <i>ed.</i> at Camb., and +called to the Bar at Lincoln's Inn 1811. After practising with +success, accepted appointment of permanent counsel to Colonial +Office and Board of Trade 1825, and was subsequently, 1826-47, +permanent Under-Sec. for the Colonies, in which capacity he exercised +an immense influence on the colonial policy of the empire, and +did much to bring about the abolition of the slave trade. Impaired +health led to his resignation, when he was made K.C.B. and a +Privy Councillor. He was afterwards Prof. of Modern History at +Camb. 1849-59, and of the same subject at the East India Coll. at +Haileybury 1855-57. He wrote <i>Essays in Ecclesiastical Biography</i> +(1849) and <i>Lectures on the History of France</i> (1852).</p><br /> + +<a name='STEPHEN_SIR_LESLIE_1832_1904'></a><p><b>STEPHEN, SIR LESLIE (1832-1904).</b> +—Biographer and +critic, <i>s.</i> of the above, was <i>b.</i> in London, and <i>ed.</i> at Eton, +King's Coll., London, and Camb., where he obtained a tutorial +Fellowship, and took orders. He came under the influence of Mill, +Darwin, and H. Spencer, and devoted himself largely to the study +of economics. His religious views having undergone a change, he +gave up the clerical character and his Fellowship, and became a pronounced +Agnostic. In 1865 he definitely adopted a literary career, +and contributed to the <i>Saturday Review</i>, <i>Fraser's Magazine</i>, and +other periodicals. In 1873 he <i>pub.</i> a collection of his essays as <i>Free +Thinking and Plain Speaking</i>, which he followed up with <i>An<a name='Page_359'></a> +Agnostic's Apology</i> (1893). He became ed. in 1871 of the <i>Cornhill +Magazine</i>, in which appeared the essays afterwards <i>coll.</i> as <i>Hours in +a Library</i> (3 series, 1874-79). His chief work was <i>The History of +English Thought in the Eighteenth Century</i> (1876-81). He also wrote +<i>Science of Ethics</i> (1882), and biographies of <i>Dr. Johnson</i> (1878), <i>Pope</i> +(1880). <i>Swift</i> (1882), and <i>George Eliot</i> (English Men of Letters +Series). In 1882 he became ed. of the <i>Dictionary of National +Biography</i>, to which he devoted much labour, besides contributing +many of the principal articles. <i>The English Utilitarians</i> appeared +in 1900. As a biographical and critical writer he holds a very high +place. His first wife was a <i>dau.</i> of Thackeray. In recognition of +his literary eminence he was made a K.C.B.</p> + +<p><i>Life and Letters</i> by F.W. Maitland (1906).</p><br /> + +<a name='STEPHENS_THOMAS_1821_1875'></a><p><b>STEPHENS, THOMAS (1821-1875).</b> +—Welsh historian and +critic, <i>b.</i> at Pont Nedd Fechan, Glamorganshire, <i>s.</i> of a shoemaker. +His works include <i>The Literature of the Kymry</i> (1849), <i>The History +of Trial by Jury in Wales</i>, and an essay in which he demolished the +claim of the Welsh under Madoc to the discovery of America. He +also wrote on the life and works of the bard Aneurin. The critical +methods which he adopted in his works often made him unpopular +with the less discriminating enthusiasts for the glory of Wales, but +he earned the respect of serious scholars.</p><br /> + +<a name='STERLING_JOHN_1806_1844'></a><p><b>STERLING, JOHN (1806-1844).</b> +—Essayist and miscellaneous +writer, <i>s.</i> of Edward S., a well-known writer in the <i>Times</i>, +was <i>b.</i> in Bute, and <i>ed.</i> at Glasgow and Camb. At the latter he +became acquainted with a group of brilliant men, including F.D. +Maurice, Trench, and Monckton Milnes. He took orders and became +curate to <a href='#HARE_JULIUS_CHARLES_1795_1855'>Julius Hare</a> (<i>q.v.</i>); but intellectual difficulties and +indifferent health led to his resignation within a year, and the rest +of his life was passed in alternating between England and warmer +climes. He wrote for <i>Blackwood's Magazine</i>, the <i>London and Westminster</i>, +and <i>Quarterly Reviews</i>, and <i>pub.</i> <i>Essays and Tales</i>, <i>The Election</i>, +a humorous poem, <i>Strafford</i>, a tragedy, and <i>Richard Cœur de +Lion</i>, a serio-comic poem of which three books out of eight were <i>pub.</i> +His memory, perpetuated in a remarkable memoir by Carlyle, lives +rather by what he was than by anything he did. His character and +intellect appear to have exercised a singular influence on the eminent +men he numbered among his friends.</p><br /> + +<a name='STERNE_LAURENCE_1713_1768'></a><p><b>STERNE, LAURENCE (1713-1768).</b> +—Novelist, <i>s.</i> of an +officer in the army, and the great-grandson of an Archbishop of +York, was <i>b.</i> at Clonmel, where his father's regiment happened to +be stationed, and passed part of his boyhood in Ireland. At the age +of 10 he was handed over to a relation, Mr. Sterne of Elvington in +Yorkshire, who put him to school at Halifax, and thereafter sent +him to Camb. He entered the Church, a profession for which he was +very indifferently fitted, and through family influence procured the +living of Sutton, Yorkshire. In 1741 he <i>m.</i> a lady—Miss Lumley—whose +influence obtained for him in addition an adjacent benefice, +and he also became a prebendary of York. It was not until 1760 +that the first two vols. of his famous novel, <i>Tristram Shandy</i>, appeared. +Its peculiar and original style of humour, its whimsicality, +<a name='Page_360'></a>and perhaps also its defiance of conventionality, and even its frequent +lapses into indecorum, achieved for it an immediate and +immense popularity. S. went up to London and became the lion of +the day. The third and fourth vols. appeared in 1761, the fifth and +sixth in 1762, the seventh and eighth in 1765, and the last in 1767. +Meanwhile he had <i>pub.</i> the <i>Sermons of Mr. Yorick</i> (1760), and his +remaining work, <i>The Sentimental Journey</i> appeared in 1768. From +the time of his finding himself a celebrity his parishioners saw but +little of him, his time being passed either in the gaieties of London +or in travelling on the Continent. Latterly he was practically +separated from his wife and only <i>dau.</i>, to the former of whom his +behaviour had been anything but exemplary. His health, which +had begun to give way soon after his literary career had commenced, +finally broke down, and he fell into a consumption, of which he <i>d.</i> in +London on March 18, 1768, utterly alone and unattended. His +body was followed to the grave by one coach containing his publisher +and another gentleman; and it was exhumed and appeared in a few +days upon the table of the anatomical professor at Camb. He <i>d.</i> in +debt, but a subscription was raised for his wife and <i>dau.</i>, the latter of +whom <i>m.</i> a Frenchman, and is said to have perished under the guillotine. +Worthless as a man, S. possessed undoubted genius. He +had wit, originality, and pathos, though the last not seldom runs into +mawkishness, and an exquisitely delicate and glancing style. He +has contributed some immortal characters to English fiction, including +Uncle Toby and Corporal Trim. His great faults as a +writer are affectation and a peculiarly deliberate kind of indecency, +which his profession renders all the more offensive; and he was by +no means scrupulous in adopting, without acknowledgment, the good +things of previous writers.</p> + +<p><i>Works</i> ed. by Prof. Saintsbury (6 vols., 1894). <i>See</i> also Macmillan's +Library of English classics. <i>Lives</i> by P. Fitzgerald (1896); +and H.D. Traill in English Men of Letters Series.</p><br /> + +<a name='STERNHOLD_THOMAS_1500_1549_HOPKINS_JOHN_d_1570'></a><p><b>STERNHOLD, THOMAS (1500-1549), HOPKINS JOHN (<i>d.</i> 1570).</b> +—Were +associated in making the metrical version of the Psalms, +which was attached to the Prayer-book, and was for 200 years the +chief hymn-book of the Church of England. It is a commonplace +and tame rendering. The collection was not completed until 1562. +It was gradually superseded by the version of Tate and Brady.</p><br /> + +<a name='STEVENSON_ROBERT_LOUIS_1850_1894'></a><p><b>STEVENSON, ROBERT LOUIS (1850-1894).</b> +—Novelist and +essayist, was <i>b.</i> at Edin., the <i>s.</i> of Thomas S., a distinguished civil +engineer. His health was extremely delicate. He was destined for +the engineering profession, in which his family had for two generations +been eminent, but having neither inclination nor physical +strength for it, he in 1871 exchanged it for law, and was called to the +Bar in 1875, but never practised. From childhood his interests had +been literary, and in 1871 he began to contribute to the <i>Edinburgh +University Magazine</i> and the <i>Portfolio</i>. A tour in a canoe in 1876 +led to the publication in 1878 of his first book, <i>An Inland Voyage</i>. In +the same year, <i>The New Arabian Nights</i>, afterwards separately <i>pub.</i> +appeared in magazines, and in 1879 he brought out <i>Travels with +a Donkey in the Cevennes</i>. In that year he went to California +and <i>m.</i> Mrs. Osbourne. Returning to Europe in 1880 he entered +<a name='Page_361'></a>upon a period of productiveness which, in view of his wretched +health, was, both as regards quantity and worth, highly remarkable. +The year 1881 was marked by his unsuccessful candidature for the +Chair of Constitutional Law and History at Edin., and by the publication +of <i>Virginibus Puerisque</i>. Other works followed in rapid succession. +<i>Treasure Island</i> (1882), <i>Prince Otto</i> and <i>The Child's Garden +of Verse</i> (1885), <i>Dr. Jekyll and Mr. Hyde</i> and <i>Kidnapped</i> (1886), +<i>Underwoods</i> (poetry), <i>Memories and Portraits</i> (essays), and <i>The +Merry Men</i>, a collection of short stories (1887), and in 1888 <i>The +Black Arrow</i>. In 1887 he went to America, and in the following year +visited the South Sea Islands where, in Samoa, he settled in 1890, +and where he <i>d.</i> and is buried. In 1889 <i>The Master of Ballantrae</i> +appeared, in 1892 <i>Across the Plains</i> and <i>The Wrecker</i>, in 1893 <i>Island +Nights Entertainments</i> and <i>Catriona</i>, and in 1894 <i>The Ebb Tide</i> in +collaboration with his step-son, Mr. Lloyd Osbourne. By this time +his health was completely broken, but to the last he continued the +struggle, and left the fragments <i>St. Ives</i> and <i>Weir of Hermiston</i>, the +latter containing some of his best work. They were <i>pub.</i> in 1897. +Though the originality and power of S.'s writings was recognised +from the first by a select few, it was only slowly that he caught the +ear of the general public. The tide may be said to have turned with +the publication of <i>Treasure Island</i> in 1882, which at once gave him +an assured place among the foremost imaginative writers of the day. +His greatest power is, however, shown in those works which deal +with Scotland in the 18th century, such as <i>Kidnapped</i>, <i>Catriona</i>, and +<i>Weir of Hermiston</i>, and in those, <i>e.g.</i>, <i>The Child's Garden of Verse</i>, +which exhibit his extraordinary insight into the psychology of child-life; +<i>Dr. Jekyll and Mr. Hyde</i> is a marvellously powerful and subtle +psychological story, and some of his short tales also are masterpieces. +Of these <i>Thrawn Janet</i> and <i>Will of the Mill</i> may be mentioned +as examples in widely different kinds. His excursions into +the drama in collaboration with W.E. Henley—<i>Deacon Brodie</i>, +<i>Macaire</i>, <i>Admiral Guinea</i>, <i>Beau Austin</i>,—added nothing to his +reputation. His style is singularly fascinating, graceful, various, +subtle, and with a charm all its own.</p> + +<p><i>Works</i>, Edinburgh ed. (28 vols., 1894-98). <i>Life</i> by Grahame +Balfour (1901), <i>Letters</i>, S. Colvin (1899).</p><br /> + +<a name='STEWART_DUGALD_1753_1828'></a><p><b>STEWART, DUGALD (1753-1828).</b> +—Philosopher, <i>s.</i> of +Matthew S., Prof. of Mathematics at Edin., was <i>b.</i> in the Coll. +buildings, and at the age of 19 began to assist his <i>f.</i> in his classes, +receiving the appointment of regular assistant two years later. In +1785 he became Prof. of Moral Philosophy, and rendered the chair +illustrious by his learning and eloquence, his pupils including Lords +Palmerston, Russell, and Lansdowne. S. was, however, rather a +brilliant expositor than an original thinker, and in the main followed +<a href='#REID_THOMAS_1710_1796'>Reid</a> (<i>q.v.</i>). His works include <i>Philosophy of the Human Mind</i>, in +three vols., <i>pub.</i> respectively in 1792, 1813, and 1827, <i>Outlines of +Moral Philosophy</i> (1793), <i>Philosophical Essays</i> (1810), <i>Dissertation +on the Progress of Metaphysical and Ethical Philosophy</i> (1815, part II. +1821), and <i>View of the Active and Moral Powers of Man</i>. He also +wrote memoirs of Robertson the historian, Adam Smith, and Reid. +The Whig party, which he had always supported, on their accession +<a name='Page_362'></a>to power, created for him the office of Gazette-writer for Scotland, +in recognition of his services to philosophy. His later years were +passed in retirement at Kinneil House on the Forth. His works were +ed. by Sir William Hamilton.</p><br /> + +<a name='STILLINGFLEET_EDWARD_1635_1699'></a><p><b>STILLINGFLEET, EDWARD (1635-1699).</b> +—Theologian, <i>b.</i> +at Cranbourne, Dorsetshire, <i>ed.</i> at Camb., entered the Church, and +held many preferments, including a Royal Chaplaincy, the Deanery +of St. Paul's (1678), and the Bishopric of Worcester (1689). He +was a frequent speaker in the House of Lords, and had considerable +influence as a Churchman. A keen controversialist, he wrote many +treatises, including <i>The Irenicum</i> (advocating compromise with the +Presbyterians), <i>Antiquities of the British Churches</i>, and <i>The Unreasonableness +of Separation</i>. S. was a good and honest man and +had the respect of his strongest opponents.</p><br /> + +<a name='STIRLING_JAMES_HUTCHISON_1820_1909'></a><p><b>STIRLING, JAMES HUTCHISON (1820-1909).</b> +—Philosopher, +<i>b.</i> in Glasgow, and <i>ed.</i> there and at Edin., where he studied medicine, +which he practised until the death of his <i>f.</i> in 1851, after which he +devoted himself to philosophy. His <i>Secret of Hegel</i> (1865) gave a +great impulse to the study and understanding of the Hegelian philosophy +both at home and in America, and was also accepted as a work +of authority in Germany and Italy. Other works, all characterised: +by keen philosophical insight and masterly power of exposition are +<i>Complete Text-book to Kant</i> (1881), <i>Philosophy and Theology</i> (1890), +<i>What is Thought? or the Problem of Philosophy</i> (1900), and <i>The +Categories</i> (1903). Less abstruse are <i>Jerrold, Tennyson, and Macaulay</i> +(1868), <i>Burns in Drama</i> (1878), and <i>Philosophy in the Poets</i> (1885).</p><br /> + +<a name='STIRLING_WILLIAM_ALEXANDER_EARL_of_1567_1640'></a><p><b>STIRLING, WILLIAM ALEXANDER, EARL of (1567-1640).</b> +—Poet, +<i>s.</i> of A. of Menstrie, and <i>cr.</i> Earl of S. by Charles I., 1633, +was a courtier, and held many offices of state. He studied at Glasgow +and Leyden, and wrote among other poems, partly in Latin, +sonnets and four <i>Monarchicke Tragedies</i>, <i>Darius</i>, <i>Crœsus</i>, <i>The Alexandræan +Tragedy</i>, and <i>Julius Cæsar</i> (1603-7), the motive of which is +the fall of ambition, and which, though dignified, have little inspiration. +He also assisted James I. in his metrical version of the Psalms. +He <i>d.</i> insolvent in London. The grant of Nova Scotia which he had +received became valueless owing to the French conquests in that +region.</p><br /> + +<a name='STIRLING_MAXWELL_SIR_WILLIAM_1818_1878'></a><p><b>STIRLING-MAXWELL, SIR WILLIAM (1818-1878).</b> +—Historian +and writer on art, <i>s.</i> of Archibald Stirling of Keir, succeeded +to the estates and title of his uncle, Sir John Maxwell of Pollok, as +well as to Keir, <i>ed.</i> at Camb., afterwards travelled much. He sat +in the House of Commons for Perthshire, which he twice represented, +1852-68 and 1874-80, served on various commissions and public +bodies, and was Lord Rector successively of the Univ. of St. +Andrews and Edin. and Chancellor of that of Glasgow. His works +include <i>Annals of the Artists of Spain</i> (1848), <i>The Cloister Life of the +Emperor Charles V.</i> (1852), and <i>Don John of Austria</i>, <i>pub.</i> posthumously +in 1885. They were all distinguished by research and full +information, and the last two are standard authorities He <i>m.</i> as +his second wife the <a href='#NORTON_CAROLINE_ELIZABETH_SARAH_SHERIDAN_1808_1877'>Hon. Mrs. Norton</a> (<i>q.v.</i>)<a name='Page_363'></a>.</p><br /> + +<a name='STOCKTON_FRANCIS_RICHARD_1834_1902'></a><p><b>STOCKTON, FRANCIS RICHARD (1834-1902).</b> +—<i>B.</i> at Philadelphia, +was an engraver and journalist. He became well known as +a writer of stories for children, and of amusing books of which +<i>Rudder Grange</i> (1879) is the best known. <i>The Lady and the Tiger</i> +was also highly popular. Others are <i>Adventures of Captain Horne</i>, +<i>Mrs. Null</i>, <i>Casting Away of Mrs. Leeks and Mrs. Aleshine</i>, <i>The Hundredth +Man</i>, <i>Great Stone of Sardis</i>, <i>Captain's Toll-gate</i>, etc. His +work was very unequal in interest.</p><br /> + +<a name='STODDARD_RICHARD_HENRY_1825_1903'></a><p><b>STODDARD, RICHARD HENRY (1825-1903).</b> +—Poet, <i>b.</i> at +Hingham, Mass., worked in a foundry, and afterwards in New York +Custom House, wrote a Life of Washington, but is chiefly known as +a poet, his poetical works including <i>Songs in Summer</i> (1857), <i>The +King's Bell</i>, <i>The Lions Cub</i>, etc.</p><br /> + +<a name='STORER_THOMAS_1571_1604'></a><p><b>STORER, THOMAS (1571-1604).</b> +—Poet, <i>b.</i> in London, and +<i>ed.</i> at Oxf., wrote a long poem, <i>The Life and Death of Thomas +Wolsey, Cardinal</i>.</p><br /> + +<a name='STORY_WILLIAM_WETMORE_1819_1895'></a><p><b>STORY, WILLIAM WETMORE (1819-1895).</b> +—Sculptor, poet, +etc., <i>b.</i> at Salem, Mass., was intended for the law, but became a +sculptor and an eminent man of letters. His writings include <i>Roba +di Roma</i> (1862), <i>The Tragedy of Nero</i> (1875), <i>The Castle of St. Angelo</i> +(1877), <i>He and She</i> (1883), <i>Conversations in a Studio</i>, <i>A Poet's +Portfolio</i> (1894), etc.</p><br /> + +<a name='STOW_JOHN_1525_1605'></a><p><b>STOW, JOHN (1525-1605).</b> +—Historian and antiquary, <i>b.</i> +in London, <i>s.</i> of a tailor, and brought up to the same trade. He +had, however, an irresistible taste for transcribing and collecting +ancient documents, and pursuing antiquarian and historical researches, +to which he ultimately entirely devoted himself. This he +was enabled to do partly through the munificence of Archbishop +Parker. He made large collections of old books and manuscripts, +and wrote and ed. several works of importance and authority, including +<i>The Woorkes of Geoffrey Chaucer</i>, <i>Summarie of Englyshe +Chronicles</i> (1561), afterwards called <i>Annales of England</i>, ed. of the +chronicles of Matthew Paris and others, of Holinshed's <i>Chronicle</i>, +and <i>A Survey of London</i> (1598). It is sad to think that the only +reward of his sacrifices and labours in the public interest was a +patent from James I. to collect "among our loving subjects their +voluntary contributions and kind gratuities."</p><br /> + +<a name='STOWE_MRS_HARRIET_BEECHER_1811_1896'></a><p><b>STOWE, MRS. HARRIET BEECHER (1811?-1896).</b> +—Novelist +and miscellaneous writer, <i>dau.</i> of Dr. Lyman Beecher, a well-known +American clergyman, and sister of Henry Ward B., one of the +most popular preachers whom America has produced, was <i>b.</i> at +Litchfield, Connecticut, in 1811 or 1812. After spending some years +as a teacher, she <i>m.</i> the Rev. Calvin E. Stowe. Up till 1852 all she +had written was a little vol. of stories which failed to attract attention. +In that year, at the suggestion of a sister-in-law, she decided +to write something against slavery, and produced <i>Uncle Tom's +Cabin</i>, which originally appeared in serial form in a magazine, <i>The +National Era</i>. It did not at the time receive much attention, but on +its appearance in a separate form it took the world by storm. Its +sale soon reached 400,000 copies, and the reprints have probably +<a name='Page_364'></a>reached a far greater number. It was translated into numerous +foreign languages, and had a powerful effect in hurrying on the +events which ultimately resulted in emancipation. Her later +works include <i>Dred</i>, <i>The Minister's Wooing</i>, <i>Agnes of Sorrento</i>, <i>The +Pearl of Orr's Island</i>, and <i>Old Town Folks</i>. Some of these, especially +the last, are in a literary sense much superior to <i>Uncle Tom's +Cabin</i>, but none of them had more than an ordinary success. In +1869 an article on Lord Byron involved her in a somewhat unfortunate +controversy.</p><br /> + +<a name='STRICKLAND_AGNES_1796_or_1806_1874'></a><p><b>STRICKLAND, AGNES (1796 or 1806-1874).</b> +—Historical +writer, <i>dau.</i> of Thomas S., of Royden Hall, Suffolk, was <i>ed.</i> by her <i>f.</i>, +and began her literary career with a poem, <i>Worcester Field</i>, followed +by <i>The Seven Ages of Woman</i> and <i>Demetrius</i>. Abandoning poetry +she next produced among others <i>Historical Tales of Illustrious +British Children</i> (1833), <i>The Pilgrims of Walsingham</i> (1835), <i>Tales and +Stories from History</i> (1836). Her chief works, however, are <i>Lives +of the Queens of England from the Norman Conquest</i>, and <i>Lives of the +Queens of Scotland</i>, and <i>English Princesses, etc.</i> (8 vols., 1850-59), +<i>Lives of the Bachelor Kings of England</i> (1861), and <i>Letters of Mary +Queen of Scots</i>, in some of which she was assisted by her sister Elizabeth. +Though laborious and conscientious she lacked the judicial +faculty, and her style does not rise above mediocrity.</p><br /> + +<a name='STRODE_WILLIAM_1600_1645'></a><p><b>STRODE, WILLIAM (1600-1645).</b> +—Poet, only <i>s.</i> of Philip S., +who belonged to an old Devonshire family, he was <i>b.</i> at Plympton, +Devonshire, and showing studious tendencies, was sent to Westminster +School and Oxf. While at the Univ. he began to manifest +his poetic talents, and generally distinguished himself, being elected +in 1629 Public Orator. He took orders and, on <a href='#CORBET_RICHARD_1582_1635'>Richard Corbet</a> +(<i>q.v.</i>) becoming Bishop of Oxf., became his chaplain. Later he was +Rector of E. Bredenham, Norfolk, and of Badley, Northants, and +Canon of Christ Church. On the outbreak of the Civil War he +attached himself warmly to the cause of the King. He was a High +Churchman, and had a reputation as "a witty and sententious +preacher, an exquisite orator, and an eminent poet." It is therefore +singular that, until the recovery of his poems by Mr. B. Dobell, he +had fallen into absolute oblivion. As a poet he shines most in lyrics +and elegies. With much of the artificiality of his age he shows +gracefulness, a feeling for the country, and occasional gleams of +tenderness. His play, <i>The Floating Island</i>, a political allegory, was +produced in 1633 and played before the Court then on a visit to Oxf., +where it was a subject of complaint that it had more moralising than +amusement. Mr. Dobell, who ed. his poems in 1907, claims for S. +the poem on "Melancholy" ("Hence all you vain delights"), +hitherto attributed to Fletcher.</p><br /> + +<a name='STRYPE_JOHN_1643_1737'></a><p><b>STRYPE, JOHN (1643-1737).</b> +—Ecclesiastical historian, <i>b.</i> +at Hackney, and <i>ed.</i> at St. Paul's School and Camb., took orders +and, among other livings, held the Rectory of Low Leyton, Essex, +for upwards of 60 years. He made a large collection of original +documents, chiefly relating to the Tudor period, and was a voluminous +author. Among his works are <i>Memorials of Archbishop +Cranmer</i> (1694), <i>Life of Sir Thomas Smith</i>, <i>Secretary of State to<a name='Page_365'></a> +Edward VI. and Elizabeth</i> (1698), <i>Annals of the Reformation</i> (1709-31), +and <i>Ecclesiastical Memorials</i> (1721); besides Lives of Bishop +Aylmer and Archbishops Grindal, Parker, and Whitgift. S., who +was a painstaking and honest, but dull and unmethodical, writer, +remains an authority.</p><br /> + +<a name='STUART_GILBERT_1742_1786'></a><p><b>STUART, GILBERT (1742-1786).</b> +—Historical writer, <i>s.</i> of +George S., Prof. of Humanity (Latin) at Edin. Among his publications +were <i>An Historical Dissertation on the English Constitution</i> +(1768), <i>Discourse on the Government and Laws of England</i> (1772), <i>A +View of Society in Europe</i> (1778), and a <i>History of Scotland</i> (1782). +He was a man of extremely jealous and implacable temper, and +made venomous attacks on the historical works of Robertson and +Henry. His own writings, though well-written, are inaccurate.</p><br /> + +<a name='STUBBS_WILLIAM_1825_1901'></a><p><b>STUBBS, WILLIAM (1825-1901).</b> +—Historian, <i>s.</i> of a +solicitor, <i>b.</i> at Knaresborough, Yorkshire, and <i>ed.</i> there and at the +Grammar School of Ripon, and Oxf. In 1848 he became a Fellow +of Trinity Coll., and in the same year took orders and was appointed +to the coll. living of Navestock in Essex, where he remained for 16 +years, during which he began his historical researches, and <i>pub.</i> his +earlier works. His first publication was <i>Hymnale Secundum Usum +Sarum</i>. In 1858 appeared <i>Registrum Sacrum Anglicanum</i>, a +calendar of English bishops from Augustine; and then followed ed. +of several Chronicles in the Rolls Series. The learning and critical +insight displayed in these works commanded the attention and admiration +of historical scholars both at home and on the Continent. +In 1862 he was appointed librarian of Lambeth Palace, and in 1866 +Prof. of Modern History at Oxf. There he <i>pub.</i> in 1870 his <i>Select +Charters</i>, and his chief work, <i>The Constitutional History of England</i> +(3 vols., 1874-78), which at once became the standard authority on +its subject. It deals with the period preceding that with which the +great work of Hallam begins. In 1879 he was appointed a Canon of +St. Paul's, and in 1884 Bishop of Chester, whence he was translated +five years later to Oxf. As an active prelate he was necessarily +largely withdrawn from his historical researches; but at Chester he +ed. two vols. of William of Malmesbury. S. was greater as a historian +than as a writer, but he brought to his work sound judgment, +insight, accuracy, and impartiality. He was a member of the +French and Prussian Academies, and had the Prussian Order "Pour +le Mérite" conferred upon him. Since his death his prefaces to the +Rolls Series have been <i>pub.</i> separately.</p><br /> + +<a name='STUKELEY_WILLIAM_1687_1765'></a><p><b>STUKELEY, WILLIAM (1687-1765).</b> +—Antiquary, <i>ed.</i> at +Camb., and after practising as a physician took orders in 1729 and +held benefices at Stamford and in London. He made antiquarian +tours through England, and was one of the founders of the Society of +Antiquaries, to which he acted as sec. He <i>pub.</i> <i>Itinerarium Curiosum</i> +(1724) and <i>Stonehenge</i> (1740). He made a special study of Druidism, +and was called "the Arch-Druid."</p><br /> + +<a name='SUCKLING_SIR_JOHN_1609_1642'></a><p><b>SUCKLING, SIR JOHN (1609-1642).</b> +—Poet, <i>s.</i> of a knight +who had held office as Sec. of State and Comptroller of the Household +to James I., was <i>b.</i> at Whitton, Middlesex, <i>ed.</i> at Camb., +and thereafter went to Gray's Inn. On the death of his <i>f.</i> in 1627, he +<a name='Page_366'></a>inherited large estates. After travelling in France and Italy, he is +said to have served for a short time under Gustavus Adolphus. On +his return he was knighted, and went to Court, where his wealth, +generosity, and wit made him a general favourite. When Charles +I. was moving against the Scots S. fitted out a gorgeously appointed +troop for his service which, however, were said to have fled at first +sight of the Scots army at Duns, an exploit which is ridiculed in the +ballad of <i>Sir John Suckling's Campaign</i>. He got into trouble in +connection with a plot to rescue Strafford from the Tower, and fled +to the Continent. He <i>d.</i> at Paris, it is now believed by his own hand. +He was a noted gambler, and has the distinction of being the inventor +of the game of cribbage. He wrote four plays, <i>Aglaura</i> +(1637), <i>Brennoralt</i> (1646), <i>The Goblins</i>, and <i>The Sad One</i> (unfinished), +now forgotten; his fame rests on his songs and ballads, +including <i>The Wedding</i>, distinguished by a gay and sparkling wit, +and a singular grace of expression.</p><br /> + +<a name='SURREY_HENRY_HOWARD_EARL_of_1517_1547'></a><p><b>SURREY, HENRY HOWARD, EARL of (1517?-1547).</b> +—Poet, +<i>s.</i> of Thomas H., 3rd Duke of Norfolk, was <i>ed.</i> by John Clerke, a +learned and travelled scholar, and sec. to his <i>f.</i> He became attached +to the Court, was cup-bearer to the King (Henry VIII.), ewerer +at the Coronation, and Earl Marshall at the trial of Anne Boleyn. +In 1542 he was made a Knight of the Garter a few weeks after the +execution of his cousin, Queen Catherine Howard. He suffered imprisonment +more than once for being implicated in quarrels and +brawls, did a good deal of fighting in Scotland and France, and was +the last victim of Henry's insensate jealousy, being beheaded on a +frivolous charge of conspiring against the succession of Edward VI. +The death of Henry saved Norfolk from the same fate. S. shares +with <a href='#WYATT_SIR_THOMAS_1503_1542'>Sir Thomas Wyatt</a> (<i>q.v.</i>) the honour of being the true successor +of Chaucer in English poetry, and he has the distinction of being, in +his translation of the <i>Æneid</i>, the first to introduce blank verse, and, +with Wyatt, the sonnet. The poems of S., though well known in +courtly circles, were not <i>pub.</i> during his life; 40 of them appeared in +<i>Tottel's Miscellany</i> in 1557. He also paraphrased part of Ecclesiastes +and a few of the Psalms. The Geraldine of his sonnets was Elizabeth +Fitzgerald, <i>dau.</i> of the Earl of Kildare, then a lonely child at Court, +her <i>f.</i> being imprisoned in the Tower.</p><br /> + +<a name='SURTEES_ROBERT_SMITH_1802_1864'></a><p><b>SURTEES, ROBERT SMITH (1802-1864).</b> +—Sporting novelist, +a country gentleman of Durham, who was in business as a solicitor, +but not succeeding, started in 1831 the <i>Sporting Magazine</i>. +Subsequently he took to writing sporting novels, which were illustrated +by John Leech. Among them are <i>Mr. Sponge's Sporting Tour</i>, <i>Ask +Mamma</i>, <i>Plain or Ringlets</i>, and <i>Mr. Facey Romford's Hounds</i>.</p><br /> + +<a name='SWIFT_JONATHAN_1667_1745'></a><p><b>SWIFT, JONATHAN (1667-1745).</b> +—Satirist, was <i>b.</i> at +Dublin of English parents. Dryden was his cousin, and he also +claimed kin with Herrick. He was a posthumous child, and was +brought up in circumstances of extreme poverty. He was sent to +school at Kilkenny, and afterwards went to Trinity Coll., Dublin, +where he gave no evidence of ability, but displayed a turbulent and +unruly temper, and only obtained a degree by "special grace." +After the Revolution he joined his mother, then resident at Leicester, +<a name='Page_367'></a>by whose influence he was admitted to the household of <a href='#TEMPLE_SIR_WILLIAM_1628_1699'>Sir William +Temple</a> (<i>q.v.</i>) at Moor Park, Lady T. being her distant kinswoman. +Here he acted as sec., and having access to a well-stocked library, +made good use of his opportunities, and became a close student. At +Moor Park he met many distinguished men, including William III., +who offered him a troop of horse; he also met Esther Johnson +(Stella), a natural <i>dau.</i> of Sir William, who was afterwards to enter +so largely into his life. Dissatisfied, apparently, that Temple did not +do more for his advancement, he left his service in 1694 and returned +to Ireland, where he took orders, and obtained the small living of Kilroot, +near Belfast. While there he wrote his <i>Tale of a Tub</i>, one of the +most consummate pieces of satire in any language, and <i>The Battle of +the Books</i>, with reference to the "Phalaris" controversy (<i>see</i> <a href='#BENTLEY_RICHARD_1662_1742'>Bentley</a>), +which were <i>pub.</i> together in 1704. In 1698 he threw up his living at +the request of Temple, who felt the want of his society and assistance, +and returned to Moor Park. On the death of his patron in 1699 he +undertook by request the publication of his works, and thereafter +returned to Ireland as chaplain to the Lord Deputy, the Earl of +Berkeley, from whom he obtained some small preferments, including +the vicarage of Laracor, and a prebend in St. Patrick's Cathedral. +At this time he made frequent visits to London and became the +friend of Addison, Steele, Congreve, and other Whig writers, and +wrote various pamphlets, chiefly on ecclesiastical subjects. In 1710, +disgusted with the neglect of the Whigs, alike of himself and of the +claims of his Church, he abandoned them and attached himself to +Harley and Bolingbroke. The next few years were filled with +political controversy. He attacked the Whigs in papers in the +<i>Examiner</i> in 1710, and in his celebrated pamphlets, <i>The Conduct of +the Allies</i> (1712), <i>The Barrier Treaty</i> (1713), and <i>The Public Spirit of +the Whigs</i> (1714). In 1713 he was made Dean of St. Patrick's, the +last piece of patronage which he received. The steady dislike of +Queen Anne had proved an insurmountable obstacle to his further +advancement, and her death proved the ruin of the Tories. On the +destruction of his hopes S. retired to Ireland, where he remained +for the rest of his life a thoroughly embittered man. In 1713 he +had begun his <i>Journal to Stella</i>, which sheds so strange a light upon +his character, and on his return to Ireland his marriage to her is +now generally believed to have taken place, though they never lived +together. Now also took place also his final rupture with Miss +Van Homrigh (Vanessa), who had been in love with him, with whom +he had maintained a lengthened correspondence, and to whom he +addressed his poem, <i>Cadenus and Vanessa</i> (1726). Though he disliked +the Irish and considered residence in Ireland as banishment, he +interested himself in Irish affairs, and attained extraordinary popularity +by his <i>Drapier's Letters</i>, directed against the introduction of +"Wood's halfpence." In 1726 he visited England and joined with +Pope and Arbuthnot in publishing <i>Miscellanies</i> (1727). In the same +year, 1726, he <i>pub.</i> <i>Gulliver's Travels</i>, his most widely and permanently +popular work. His last visit to England was paid in 1727 and +in the following year "Stella," the only being, probably, whom he +really loved, <i>d.</i> Though he had a circle of friends in Dublin, and +was, owing to his championing the people in their grievances, a +popular idol, the shadows were darkening around him. The fears of +<a name='Page_368'></a>insanity by which he had been all his life haunted, and which may +account for and perhaps partly excuse some of the least justifiable +portions of his conduct, pressed more and more upon him. He became +increasingly morose and savage in his misanthropy, and +though he had a rally in which he produced some of his most brilliant, +work—the <i>Rhapsody on Poetry</i>, <i>Verses on the Death of Dr. Swift</i>, and; +the <i>Modest Proposal</i> (a horrible but masterly piece of irony)—he gradually +sank into almost total loss of his facilities, and <i>d.</i> on +October 19, 1745.</p> + +<p>The character of S. is one of the gloomiest and least attractive among +English writers. Intensely proud, he suffered bitterly in +youth and early manhood from the humiliations of poverty and dependence, +which preyed upon a mind in which the seeds of insanity +were latent until it became dominated by a ferocious misanthropy. +As a writer he is our greatest master of grave irony, and while he +presents the most humorous ideas, the severity of his own countenance +never relaxes. The <i>Tale of a Tub</i> and <i>Gulliver's Travels</i> are the +greatest satires in the English language, although the concluding +part of the latter is a savage and almost insane attack upon +the whole human race. His history is a tragedy darkening into +catastrophe, and as Thackeray has said, "So great a man he seems that +thinking of him is like thinking of an Empire falling."</p> + +<p>S. was tall and powerfully made. His eyes, blue and flashing +under excitement, were the most remarkable part of his appearance.</p> + +<p>SUMMARY.—<i>B.</i> 1667, <i>ed.</i> at Trinity Coll., Dublin, entered household +of Sir W. Temple at Moor Park 1692, and became his sec., became +known to William III., and met E. Johnson (Stella), left T. in +1694 and returned to Ireland, took orders and wrote <i>Tale of a Tub</i> +and <i>Battle of Books</i> (<i>pub.</i> 1704), returned to Sir W.T. 1698, and on +his death in 1699 <i>pub.</i> his works, returned to Ireland and obtained +some small preferments, visits London and became one of the circle of +Addison, etc., deserts the Whigs and joins the Tories 1710, attacking +the former in various papers and pamphlets, Dean of St. Patrick's +1713, death of Anne and ruin of Tories destroyed hopes of further +preferment, and he returned to Ireland and began his <i>Journal to +Stella</i>, <i>Drapier's Letters</i> appeared 1724, visits England, and joins with +Pope and Arbuthnot in <i>Miscellanies</i> 1726, <i>pub.</i> <i>Gulliver's Travels</i> +1727, "Stella" <i>d.</i> 1728, gradually lost his faculties and <i>d.</i> 1745.</p> + +<p><i>Lives</i> by Craik (1882), Leslie Stephen (1882), Churton Collins +(1893), etc. <i>Works</i> ed. by Sir Walter Scott (19 vols., 1814, etc.) +Bonn's Standard Library (1897-1908).</p><br /> + +<a name='SWINBURNE_ALGERNON_CHARLES_1837_1909'></a><p><b>SWINBURNE, ALGERNON CHARLES (1837-1909).</b> +—Poet, <i>s.</i> +of Admiral S. and of Lady Jane Ashburnham, <i>dau.</i> of the 3rd Earl +of A., <i>b.</i> in London, received his early education in France, and +was at Eton and at Balliol Coll., Oxf., where he attracted the attention +of Jowett, and gave himself to the study of Latin, Greek, +French, and Italian, with special reference to poetic form. He left +Oxf. without graduating in 1860, and in the next year <i>pub.</i> two +plays, <i>The Queen Mother</i> and <i>Rosamund</i>, which made no impression +on the public, though a few good judges recognised their +promise. The same year he visited Italy, and there made the acquaintance +of <a href='#LANDOR_WALTER_SAVAGE_1775_1864'>Walter Savage Landor</a> (<i>q.v.</i>). On his return he lived +<a name='Page_369'></a>for some time in Cheyne Row, Chelsea, with <a href='#ROSSETTI_DANTE_GABRIEL_1828_1882'>D.G. Rossetti</a> (<i>q.v.</i>), and +<a href='#MEREDITH_GEORGE_1828_1909'>G. Meredith</a> (<i>q.v.</i>). The appearance in 1865 of <i>Atalanta in Calydon</i> +led to his immediate recognition as a poet of the first order, and +in the same year he <i>pub.</i> <i>Chastelard, a Tragedy</i>, the first part of a +trilogy relating to Mary Queen of Scots, the other two being <i>Bothwell</i> +(1874), and <i>Mary Stuart</i> (1881). <i>Poems and Ballads</i>, <i>pub.</i> in +1866, created a profound sensation alike among the critics and the +general body of readers by its daring departure from recognised standards, +alike of politics and morality, and gave rise to a prolonged and +bitter controversy, S. defending himself against his assailants in +<i>Notes on Poems and Reviews</i>. His next works were the <i>Song of Italy</i> +(1867) and <i>Songs before Sunrise</i> (1871). Returning to the Greek +models which he had followed with such brilliant success in <i>Atalanta</i> +he produced <i>Erechtheus</i> (1876), the extraordinary metrical power of +which won general admiration. <i>Poems and Ballads</i>, second series, +came out in 1878. <i>Tristram of Lyonnesse</i> in heroic couplets followed +in 1882, <i>A Midsummer Holiday</i> (1884), <i>Marino Faliero</i> (1885), +<i>Locrine</i> (1887), <i>Poems and Ballads</i>, third series (1889), <i>The Sisters</i> +(1892), <i>Astrophel</i> (1894), <i>The Tale of Balen</i> (1896), <i>Rosamund, Queen +of the Lombards</i> (1899), <i>A Channel Passage</i> (1904), and <i>The Duke of +Gandia</i> (1908). Among his prose works are <i>Love's Cross Currents</i> +(1905) (fiction), <i>William Blake, a Critical Essay</i> (1867), <i>Under the +Microscope</i> (1872), in answer to R. Buchanan's <i>Fleshly School of +Poetry</i>, <i>George Chapman, a Critical Essay</i> (1875), <i>A Study of Shakespeare</i> +(1879), <i>A Study of Victor Hugo</i> (1886), and <i>A Study of Ben Jonson</i> +(1889).</p> + +<p>S. belongs to the class of "Poets' poets." He never became +widely popular. As a master of metre he is hardly excelled by any +of our poets, but it has not seldom been questioned whether his marvellous +sense of the beauty of words and their arrangement did not +exceed the depth and mass of his thought. <i>The Hymn to Artemis</i> in +<i>Atalanta</i> beginning "When the hounds of Spring are on Winter's +traces" is certainly one of the most splendid examples of metrical +power in the language. As a prose writer he occupies a much lower +place, and here the contrast between the thought and its expression +becomes very marked, the latter often becoming turgid and even +violent. In his earlier days in London S. was closely associated with +the pre-Raphaelites, the Rossettis, Meredith, and Burne-Jones: he +was thus subjected successively to the classical and romantic influence, +and showed the traces of both in his work. He was never +<i>m.</i>, and for the last 30 years of his life lived with his friend, Mr. Theodore +Watts-Dunton, at the Pines, Putney Hill. For some time +before his death he was almost totally deaf.</p><br /> + +<a name='SYLVESTER_JOSHUA_1563_1618'></a><p><b>SYLVESTER, JOSHUA (1563-1618).</b> +—Poet and translator, +is chiefly remembered by his translation from the French of Du +Bartas' <i>Divine Weeks and Works</i>, which is said to have influenced +Milton and Shakespeare. He seconded the <i>Counterblast against +Tobacco</i> of James I. with his <i>Tobacco Battered and the Pipes Shattered ... by +a Volley of Holy Shot thundered from Mount Helicon</i> (1620), +and also wrote <i>All not Gold that Glitters</i>, <i>Panthea: Divine Wishes and +Meditations</i> (1630), and many religious, complimentary, and other +occasional pieces. S., who was originally engaged in commerce, +acted later as a sort of factor to the Earl of Essex<a name='Page_370'></a>.</p><br /> + +<a name='SYMONDS_JOHN_ADDINGTON_1840_1893'></a><p><b>SYMONDS, JOHN ADDINGTON (1840-1893).</b> +—Writer on art +and literature, <i>s.</i> of a physician in Bristol, was <i>ed.</i> at Harrow and +Oxf. His delicate health obliged him to live abroad. He <i>pub.</i> +(1875-86) <i>History of the Italian Renaissance</i>, and translated the <i>Autobiography +of Benvenuto Cellini</i>. He also <i>pub.</i> some books of poetry, +including <i>Many Moods</i> (1878) and <i>Animi Figura</i> (1882), and among +his other publications were <i>Introduction to the Study of Dante</i> (1872), +<i>Studies of the Greek Poets</i> (1873 and 1876), <i>Shakespeare's Predecessors +in the English Drama</i> (1884), and Lives of various poets, including +Ben Jonson, Shelley, and Walt Whitman. He also made remarkable +translations of the sonnets of Michelangelo and Campanella, and +wrote upon philosophical subjects in various periodicals.</p><br /> + +<a name='SYNGE_JOHN_MILLINGTON_1871_1909'></a><p><b>SYNGE, JOHN MILLINGTON (1871-1909).</b> +—Miscellaneous +writer, <i>b.</i> near Dublin, <i>ed.</i> privately and at Trinity Coll., Dublin. +He wrote <i>Riders to the Sea</i>, <i>In the Shadow of the Glen</i> (1905), <i>The Well +of the Saints</i> (1905), <i>The Play Boy of the Western World</i> (1907), and +<i>The Aran Islands</i> (1907).</p><br /> + +<a name='TABLEY_DE_JOHN_BYRON_LEICESTER_WARREN_3RD_LORD_1835_1895'></a><p><b>TABLEY DE, JOHN BYRON LEICESTER WARREN, 3RD LORD (1835-1895).</b> +—Poet, +eldest <i>s.</i> of the 2nd Lord, <i>ed.</i> at Eton and Oxf., +was for a time attached to the British Embassy at Constantinople. +He wrote poems of a very high order, some of them <i>pub.</i> under the +<i>pseudonyms</i> of "George F. Preston" and "William Lancaster." +They include <i>Ballads and Metrical Sketches</i>, <i>The Threshold of Atrides</i>, +<i>Glimpses of Antiquity</i>, etc. These were followed by two dramas, +<i>Philoctetes</i> (1866) and <i>Orestes</i> (1868). Later works in his own name +were <i>Rehearsals</i> (1870), <i>Searching the Net</i> (1873), <i>The Soldier's Fortune</i>, +a tragedy. <i>Poems, Dramatic and Lyrical</i> (1893) included selections +from former works. After his death appeared <i>Orpheus in +Thrace</i> (1901). He was a man of sensitive temperament, and was +latterly much of a recluse. He was an accomplished botanist, and +<i>pub.</i> a work on the <i>Flora of Cheshire</i>.</p><br /> + +<a name='TALFOURD_SIR_THOMAS_NOON_1795_1854'></a><p><b>TALFOURD, SIR THOMAS NOON (1795-1854).</b> +—Poet and +biographer, <i>s.</i> of a brewer at Reading, where he was <i>b.</i>, and which he +represented in Parliament, 1835-41, was <i>ed.</i> at Mill Hill School. He +studied law, was called to the Bar in 1821, and became a Judge in +1849. He <i>d.</i> suddenly of apoplexy while charging the Grand Jury +at Stafford. He wrote much for reviews, and in 1835 produced <i>Ion</i>, +a tragedy, followed by <i>The Athenian Captive</i> (1838), and <i>The Massacre +of Glencoe</i>, all of which were acted with success. T. was the friend +and literary executor of <a href='#LAMB_CHARLES_1775_1834'>Charles Lamb</a> (<i>q.v.</i>), and <i>pub.</i> in two sections +his <i>Memoirs and Letters</i>. In 1837 he introduced the Copyright Bill, +which was passed with modifications in 1842.</p><br /> + +<a name='TANNAHILL_ROBERT_1774_1810'></a><p><b>TANNAHILL, ROBERT (1774-1810).</b> +—Poet, <i>b.</i> in Paisley +where he was a weaver. In 1807 he <i>pub.</i> a small vol. of poems and +songs, which met with success, and carried his hitherto local fame +over his native country. Always delicate and sensitive, a disappointment +in regard to the publication of an enlarged ed. of his poems so +wrought upon a lowness of spirits, to which he was subject, that he +drowned himself in a canal. His longer pieces are now forgotten, +but some of his songs have achieved a popularity only second to that +<a name='Page_371'></a>of some of Burns's best. Among these are <i>The Braes of Balquhidder</i>, +<i>Gloomy Winter's now awa'</i> and <i>The Bonnie Wood o' Craigielea</i>.</p><br /> + +<a name='TATE_NAHUM_1652_1715'></a><p><b>TATE, NAHUM (1652-1715).</b> +—Poet, <i>s.</i> of a clergyman in +Dublin, was <i>ed.</i> at Trinity Coll. there. He <i>pub.</i> <i>Poems on Several +Occasions</i> (1677), <i>Panacea, or a Poem on Tea</i>, and, in collaboration +with Dryden, the second part of <i>Absalom and Achitophel</i>. He also +adapted Shakespeare's <i>Richard II.</i> and <i>Lear</i>, making what he considered +improvements. Thus in <i>Lear</i> Cordelia is made to survive +her <i>f.</i>, and marry Edgar. This desecration, which was defended by +Dr. Johnson, kept the stage till well on in the 19th century. He +also wrote various miscellaneous poems, now happily forgotten. +He is best remembered as the Tate of Tate and Brady's metrical version +of the Psalms, <i>pub.</i> in 1696. T., who succeeded Shadwell as +Poet Laureate in 1690, figures in <i>The Dunciad</i>. NICHOLAS BRADY +(1659-1726).—Tate's fellow-versifier of the Psalms, <i>b.</i> at Bandon, +and <i>ed.</i> at Westminster and Oxf., was incumbent of Stratford-on-Avon. +He wrote a tragedy, <i>The Rape</i>, a blank verse translation of +the <i>Æneid</i>, an <i>Ode</i>, and sermons, now all forgotten.</p><br /> + +<a name='TATHAM_JOHN_fl_1632_1664'></a><p><b>TATHAM, JOHN (<i>fl.</i> 1632-1664).</b> +—Dramatist. Little is +known of him. He produced pageants for the Lord Mayor's show +and some dramas, <i>Love Crowns the End</i>, <i>The Distracted State</i>, <i>The +Scots Figgaries, or a Knot of Knaves</i>, <i>The Rump</i>, etc. He was a +Cavalier, who hated the Puritans and the Scotch, and invented a +dialect which he believed to be their vernacular tongue.</p><br /> + +<a name='TAUTPHOEUS_BARONESS_MONTGOMERY_1807_1893'></a><p><b>TAUTPHOEUS, BARONESS (MONTGOMERY) (1807-1893).</b> +—<i>Dau.</i> +of an Irish gentleman, <i>m.</i> the Baron T., Chamberlain at the +Court of Bavaria. She wrote several novels dealing with German +life of which the first, <i>The Initials</i> (1850), is perhaps the best. +Others were <i>Cyrilla</i> (1883), <i>Quits</i> (1857), and <i>At Odds</i> (1863).</p><br /> + +<a name='TAYLOR_BAYARD_1825_1878'></a><p><b>TAYLOR, BAYARD (1825-1878).</b> +—Poet, <i>b.</i> in Pennsylvania +of Quaker descent, began to write by the time he was 12. Apprenticed +to a printer, he found the work uncongenial and, purchasing +his indentures, went to Europe on a walking tour, and thereafter he +was a constant and enterprising traveller. After his return from +Europe he ed. a paper, got on the staff of the <i>New York Tribune</i>, and +<i>pub.</i> several books of travel and poetry, among which are <i>Views Afoot</i> +(1846), an account of his travels in Europe, and <i>El Dorado</i> (1850), +which described the Californian gold-fields. After some experience +and some disappointments in the diplomatic sphere, he settled down +to novel-writing, his first venture in which, <i>Hannah Thurston</i> (1863), +was very successful, and was followed by <i>John Godfrey's Fortunes</i> +(1864), partly autobiographical, and <i>The Story of Kenneth</i> (1866). +His poetic works include <i>Poems of the Orient</i> (1854), <i>Poet's Journal</i> +(1862), <i>Masque of the Gods</i> (1872), <i>Lars</i> (1873), <i>The Prophet</i> (1874), +a tragedy, <i>Prince Deucalion</i>, and <i>Home Pastorals</i> (1875). In 1878 +he was appointed to the German Embassy, and <i>d.</i> in Berlin in the +following year. His translation of Goethe's <i>Faust</i> is perhaps his +best work. He was a man of untiring energy and great ability and +versatility, but tried too many avenues to fame to advance very far +in any of them<a name='Page_372'></a>.</p><br /> + +<a name='TAYLOR_SIR_HENRY_1800_1886'></a><p><b>TAYLOR, SIR HENRY (1800-1886).</b> +—Dramatist, <i>s.</i> of a +gentleman farmer in the county of Durham. After being at sea for +some months and in the Naval Stores Department, he became a +clerk in the Colonial Office, and remained there for 48 years, during +which he exercised considerable influence on the colonial policy of +the Empire. In 1872 he was made K.C.M.G. He wrote four +tragedies—<i>Isaac Comnenus</i> (1827), <i>Philip van Artevelde</i> (1834), +<i>Edwin the Fair</i> (1842), and <i>St. Clement's Eve</i> (1862); also a romantic +comedy, <i>The Virgin Widow</i>, which he renamed <i>A Sicilian Summer</i>, +<i>The Eve of the Conquest and other Poems</i> (1847). In prose he <i>pub. +The Statesman</i> (1836), <i>Notes from Life</i> (1847), <i>Notes from Books</i> +(1849), and an <i>Autobiography</i>. Of all these <i>Philip van Artevelde</i> was +perhaps the most successful. T. was a man of great ability and distinction, +but his dramas, with many of the qualities of good poetry, +lack the final touch of genius.</p><br /> + +<a name='TAYLOR_ISAAC_1787_1865'></a><p><b>TAYLOR, ISAAC (1787-1865).</b> +—Philosophical and historical +writer, artist, and inventor, was the most eminent member of a +family known as the Taylors of Ongar, which has shown a remarkable +persistence of ability in various departments, but especially in +art and literature. His grandfather and <i>f.</i>, who bore the same +name, were both eminent engravers, and the latter was the author +of various books for children. T. was brought up to the hereditary +art of engraving, in which he displayed pre-eminent skill, his work +gaining the admiration of D.G. Rossetti. He decided, however, to +devote himself to literature, and for 40 years continued to produce +works of originality and value, including <i>Elements of Thought</i> (1823), +<i>Natural History of Enthusiasm</i> (1829), <i>Spiritual Despotism</i> (1831), +<i>Ancient Christianity</i> (1839), <i>Restoration of Belief</i> (1855), <i>The Physical +Theory of Another Life</i>, <i>History of Transmission of Ancient Books</i>, and +<i>Home Education</i>, besides numerous contributions to reviews and +other periodicals. Besides his literary and artistic accomplishments +T. was an important inventor, two of his inventions having done +much to develop the manufacture of calico. Two of his sisters had +considerable literary reputation. ANN T., afterwards MRS. GILBERT +(1782-1866), and JANE (1783-1824) were, like their brother, taught +the art of engraving. In 1804-5 they jointly wrote <i>Original Poems +for Infant Minds</i>, followed by <i>Rhymes for the Nursery</i> and <i>Hymns for +Infant Minds</i>. Among those are the little poems, "My Mother" +and "Twinkle, twinkle, little Star," known to all well-conditioned +children. Jane was also the author of <i>Display</i>, a tale (1815), and +other works, including several hymns, of which the best known is +"Lord, I would own Thy tender Care." The hereditary talents of +the family were represented in the next generation by CANON ISAAC +T. (1829-1901), the <i>s.</i> of Isaac last mentioned, who, in addition to +<i>The Liturgy and the Dissenters</i>, <i>pub.</i> works in philology and archæology, +including <i>Words and Places</i> and <i>Etruscan Researches</i>; and by +JOSIAH GILBERT, <i>s.</i> of Ann T., an accomplished artist, and author +of <i>The Dolomite Mountains</i>, <i>Cadore, or Titian's Country</i>, and ed. of +the <i>Autobiography</i> of his mother.</p><br /> + +<a name='TAYLOR_JEREMY_1613_1667'></a><p><b>TAYLOR, JEREMY (1613-1667).</b> +—Divine, was <i>b.</i> at Camb. +His <i>f.</i>, though of gentle descent, followed the trade of a barber, and<a name='Page_373'></a> +Jeremy entered Caius Coll. as a sizar. After his graduation in 1634 +he was asked to preach in London, where his eloquence attracted +the attention of Laud, who sent him to Oxf., caused him to be +elected a Fellow of All Souls Coll., and made him his chaplain. He +also became a chaplain to the King, and soon attaining a great reputation +as a preacher, was presented to the living of Uppingham. In +1639 he <i>m.</i> his first wife, and in 1643 he was made Rector of Overstone. +On the outbreak of the Civil War T. sided with the King, +and was present, probably as a chaplain, at the battle fought in 1645 +near Cardigan Castle, when he was taken prisoner. He was soon +released, but the Royalist cause being practically lost, he decided to +remain in Wales, and with two friends started a school at Newtonhall, +Caermarthenshire, which had some success. T. also found a +friend in Lord Carbery, whose chaplain he became. During the +period of 13 years from 1647-60, which were passed in seeming +obscurity, he laid the foundations and raised the structure of his +splendid literary fame. The <i>Liberty of Prophesying</i> (that is, of +preaching), one of the greatest pleas for toleration in the language, +was <i>pub.</i> in 1647, <i>The Life of Christ</i> in 1649, <i>Holy Living</i> in 1650, and +<i>Holy Dying</i> in 1651. These were followed by various series of +sermons, and by <i>The Golden Grove</i> (1655), a manual of devotion +which received its title from the name of the seat of his friend Lord +Carbery. For some remarks against the existing authorities T. +suffered a short imprisonment, and some controversial tracts on +<i>Original Sin</i>, <i>Unum Necessarium</i> (the one thing needful), and +<i>The Doctrine and Practice of Repentance</i> involved him in a controversy +of some warmth in which he was attacked by both High +Churchmen and Calvinists. While in Wales T. had entered into a +second marriage with a lady of some property which, however, was +seriously encroached upon by the exactions of the Parliamentarians. +In 1657 he ministered privately to an Episcopalian congregation in +London, and in 1658 accompanied Lord Conway to Ireland, and +served a cure at Lisburn. Two years later he <i>pub.</i> <i>Ductor Dubitantium, +or the Rule of Conscience in all her General Measures</i>, a learned +and subtle piece of casuistry which he dedicated to Charles II. The +Restoration brought recognition of T.'s unswerving devotion to the +Royalist cause; he was made Bishop of Down and Connor, and to +this was added the administration of the see of Dromore. In his +new position, though, as might have been expected, he showed zeal, +diligence, and benevolence, he was not happy. He did not, probably +could not, entirely practise his own views of absolute toleration, +and found himself in conflict with the Presbyterians, some of whose +ministers he had extruded from benefices which they had held, and +he longed to escape to a more private and peaceful position. He <i>d.</i> +at Lisburn of a fever caught while ministering to a parishioner. T. +is one of the great classical writers of England. Learned, original, +and impassioned, he had an enthusiasm for religion and charity, and +his writings glow with an almost unequalled wealth of illustration +and imagery, subtle argument, and fullness of thought. With a +character of stainless purity and benevolence, and gracious and +gentle manners, he was universally beloved by all who came under +the spell of his presence<a name='Page_374'></a>.</p><br /> + +<a name='TAYLOR_JOHN_1580_1653'></a><p><b>TAYLOR, JOHN (1580-1653).</b> +—Known as the "Water +Poet," <i>b.</i> at Gloucester of humble parentage, was apprenticed to a +London waterman, and pressed for the navy. Thereafter he returned +to London and resumed his occupation on the Thames, afterwards +keeping inns first at Oxf., then in London. He had a talent +for writing rollicking verses, enjoyed the acquaintance of Ben Jonson, +and other famous men, superintended the water pageant at +the marriage of the Princess Elizabeth 1613, and composed the +"triumphs" at the Lord Mayor's shows. He made a journey on foot +from London as far as to Braemar, of which he wrote an account, <i>The +Pennyless Pilgrimage ... of John Taylor</i>, <i>the King's Majesty's +Water Poet</i> (1618). He visited the Queen of Bohemia at Prague in +1620, and made other journeys, each of which was commemorated +in a book. His writings are of little literary value, but have considerable +historical and antiquarian interest.</p><br /> + +<a name='TAYLOR_PHILIP_MEADOWS_1808_1876'></a><p><b>TAYLOR, PHILIP MEADOWS (1808-1876).</b> +—Novelist, <i>b.</i> at +Liverpool, <i>s.</i> of a merchant there. When still a boy went out to a +mercantile situation in Calcutta, but in 1826 got a commission in the +army of the Nizam of Hyderabad. From this he rose to a high civil +position in the service of the Nizam, and entirely reorganised his +government. He wrote several striking novels dealing with Indian +life, including <i>Confessions of a Thug</i> (1639), <i>Tara</i>, and <i>A Noble +Queen</i>. He left an autobiography, <i>The Story of my Life</i>, ed. by his +<i>dau.</i></p><br /> + +<a name='TAYLOR_THOMAS_1758_1835'></a><p><b>TAYLOR, THOMAS (1758-1835).</b> +—Translator, <i>b.</i> in London +and <i>ed.</i> at St. Paul's School, devoted himself to the study of the +classics and of mathematics. After being a bank clerk he was appointed +Assistant Secretary to the Society for the encouragement of +Arts, etc., in which capacity he made many influential friends, who +furnished the means for publishing his various translations, which +include works of Plato, Aristotle, Proclus, Porphyry, Apuleius, etc. +His aim indeed was the translation of all the untranslated writings +of the ancient Greek philosophers.</p><br /> + +<a name='TAYLOR_TOM_1817_1880'></a><p><b>TAYLOR, TOM (1817-1880).</b> +—Dramatist, <i>b.</i> at Sunderland, +<i>ed.</i> at Glasgow and Camb., and was Prof. of English Literature in +London Univ. from 1845-47. In 1846 he was called to the Bar, +and from 1854-71 he was Sec. to the Local Government Board. +He was the author of about 100 dramatic pieces, original and +adapted, including <i>Still Waters run Deep</i>, <i>The Overland Route</i>, and +<i>Joan of Arc</i>. He was likewise a large contributor to <i>Punch</i>, of which +he was ed. 1874-80, and he ed. the autobiographies of Haydon and +Leslie, the painters, and wrote <i>Life and Times of Sir Joshua Reynolds</i>.</p><br /> + +<a name='TAYLOR_WILLIAM_1765_1836'></a><p><b>TAYLOR, WILLIAM (1765-1836).</b> +—Translator, etc., <i>s.</i> of a +merchant, travelled on the Continent, learned German, and became +an enthusiastic student of German literature, which he was one of the +first to introduce to his fellow-countrymen. His articles on the +subject were <i>coll.</i> and <i>pub.</i> as <i>Historic Survey of German Poetry</i> +(1828-30). He translated Bürger's <i>Lenore</i>, Lessing's <i>Nathan</i>, and +Goethe's <i>Iphigenia</i>. He also wrote <i>Tales of Yore</i> (1810) and <i>English +Synonyms Described</i> (1813)<a name='Page_375'></a>.</p><br /> + +<a name='TEMPLE_SIR_WILLIAM_1628_1699'></a><p><b>TEMPLE, SIR WILLIAM (1628-1699).</b> +—Statesman and +essayist, <i>s.</i> of Sir John T., Master of the Rolls in Ireland, was <i>b.</i> in +London, and <i>ed.</i> at Camb. He travelled on the Continent, was for +some time a member of the Irish Parliament, employed on various +diplomatic missions, and negotiated the marriage of the Prince of +Orange and the Princess Mary. On his return he was much consulted +by Charles II., but disapproving of the courses adopted, retired +to his house at Sheen, which he afterwards left and purchased +Moor Park, where Swift was for a time his sec. He took no part in +the Revolution, but acquiesced in the new <i>régime</i>, and was offered, +but refused, the Secretaryship of State. His works consist for the +most part of short essays <i>coll.</i> under the title of <i>Miscellanea</i>, but +longer pieces are <i>Observations upon the United Provinces</i>, and <i>Essay +on the Original and Nature of Government</i>. Apart from their immediate +interest they mark a transition to the simpler, more concise, and +more carefully arranged sentences of modern composition.</p><br /> + +<a name='TENNANT_WILLIAM_1784_1848'></a><p><b>TENNANT, WILLIAM (1784-1848).</b> +—Poet and scholar, a +cripple from his birth, was <i>b.</i> at Anstruther (commonly called Anster) +in Fife. As a youth he was clerk to his brother, a corn-merchant, +but devoted his leisure to the study of languages, and the literature +of various countries. In 1813 he became parish schoolmaster of +Lasswade, near Edinburgh, thereafter classical master at Dollar +Academy, and in 1835 Prof. of Oriental Languages at St. Andrews. +In 1812 he <i>pub.</i> <i>Anster Fair</i>, a mock-heroic poem, in <i>ottava rima</i>, full +of fancy and humour, which at once brought him reputation. In +later life he produced two tragedies, <i>Cardinal Beaton</i> and <i>John +Baliol</i>, and two poems, <i>The Thane of Fife</i> and <i>Papistry Stormed</i>. He +also issued a <i>Syriac and Chaldee Grammar</i>.</p><br /> + +<a name='TENNYSON_ALFRED_1ST_LORD_1809_1892'></a><p><b>TENNYSON, ALFRED, 1ST LORD (1809-1892).</b> +—Poet, was +the fourth <i>s.</i> of George T., Rector of Somersby, Lincolnshire, where +he was <i>b.</i> His <i>f.</i> was himself a poet of some skill, and his two elder +brothers, <a href='#TENNYSON_FREDERICK_1807_1898'>Frederick T.</a> (<i>q.v.</i>) and <a href='#TENNYSON_TURNER_CHARLES_1808_1879'>Charles T. Turner</a> (<i>q.v.</i>), were poets +of a high order. His early education was received from his <i>f.</i>, after +which he went to the Grammar School of Louth, whence in 1828 he +proceeded to Trinity Coll., Camb. In the previous year had appeared +a small vol., <i>Poems by Two Brothers</i>, chiefly the work of his +brother Charles and himself, with a few contributions from Frederick, +but it attracted little attention. At the Univ. he was one of a group +of highly gifted men, including <a href='#TRENCH_RICHARD_CHENEVIX_1807_1886'>Trench</a> (<i>q.v.</i>), Monckton Milnes, afterwards +<a href='#HOUGHTON_RICHARD_MONCKTON_MILNES_1ST_LORD_1809_1885'>Lord Houghton</a> (<i>q.v.</i>), <a href='#ALFORD_HENRY_1810_1871'>Alford</a> (<i>q.v.</i>), Lushington, his future +brother-in-law, and above all, Arthur Hallam, whose friendship and +early death were to be the inspiration of his greatest poem. In 1829 +he won the Chancellor's medal by a poem on <i>Timbuctoo</i>, and in the +following year he brought out his first independent work, <i>Poems +chiefly Lyrical</i>. It was not in general very favourably received by +the critics, though Wilson in <i>Blackwood's Magazine</i> admitted much +promise and even performance. In America it had greater popularity. +Part of 1832 was spent in travel with Hallam, and the same +year saw the publication of <i>Poems</i>, which had not much greater +success than its predecessor. In the next year Hallam <i>d.</i>, and T. +began <i>In Memoriam</i> and wrote <i>The Two Voices</i>. He also became +<a name='Page_376'></a>engaged to Emily Sellwood, his future wife, but owing to various circumstances +their marriage did not take place until 1850. The next +few years were passed with his family at various places, and, so far as +the public were concerned, he remained silent until 1842, when he <i>pub.</i> +<i>Poems</i> in two volumes, and at last achieved full recognition as a great +poet. From this time the life of T. is a record of tranquil triumph in his +art and of the conquest of fame; and the publication of his successive +works became almost the only events which mark his history. <i>The +Princess</i> appearing in 1847 added materially to his reputation: in +the lyrics with which it is interspersed, such as "The Splendour +Falls" and "Tears, idle Tears" he rises to the full mastery of this +branch of his art. The year 1850 was perhaps the most eventful +in his life, for in it took place his marriage which, as he said, "brought +the peace of God into his life," his succession to the Laureateship on +the death of Wordsworth, and the publication of his greatest poem, +<i>In Memoriam</i>. In 1852 appeared his noble <i>Ode on the Death of the +Duke of Wellington</i>; and two years later <i>The Charge of the Light +Brigade</i>. The publication of <i>Maud</i> in 1855 gave his rapidly growing +popularity a perceptible set-back, though it has since risen in +favour. But this was far more than made up for by the enthusiasm +with which the first set of <i>The Idylls of the King</i> was received on its +appearance four years later. <i>Enoch Arden</i>, with the <i>Northern +Farmer</i>, came out in 1864; <i>The Holy Grail</i> and <i>Gareth and Lynette</i>, +both belonging to the <i>Idyll</i> series, in 1869 and 1872 respectively. +Three years later in 1875 T. broke new ground by beginning a series +of dramas with <i>Queen Mary</i>, followed by <i>Harold</i> (1876), <i>The Falcon</i> +(1879), <i>The Cup</i> (1881), <i>The Promise of May</i> (1882), <i>Becket</i> (1884), +and <i>Robin Hood</i> (1891). His later poems were <i>The Lovers' Tale</i> +(1879) (an early work retouched), <i>Tiresias</i> (1885), <i>Locksley Hall—60 +Years after</i> (1886), <i>Demeter and other Poems</i> (1889), including "Crossing +the Bar," and <i>The Death of Œnone</i> (1892). T., who cared little +for general society, though he had many intimate and devoted +friends, lived at Farringford, Isle of Wight, from 1853-69, when he +built a house at Aldworth, near Haslemere, which was his home +until his death. In 1884 he was raised to the peerage. Until he had +passed the threescore years and ten he had, with occasional illnesses, +enjoyed good health on the whole. But in 1886 the younger +of his two sons <i>d.</i>, a blow which told heavily upon him; thereafter +frequent attacks of illness followed, and he <i>d.</i> on October 6, 1892, in +his 84th year, and received a public funeral in Westminster Abbey.</p> + +<p>The poetry of T. is characterised by a wide outlook, by intense +sympathy with the deepest feelings and aspirations of humanity, a +profound realisation of the problems of life and thought, a noble +patriotism finding utterance in such poems as <i>The Revenge</i>, the +<i>Charge of the Light Brigade</i>, and the <i>Ode on the Death of the Duke of +Wellington</i>, an exquisite sense of beauty, marvellous power of vivid +and minute description often achieved by a single felicitous phrase, +and often heightened by the perfect matching of sense and sound, +and a general loftiness and purity of tone. No poet has excelled +him in precision and delicacy of language and completeness of +expression. As a lyrist he has, perhaps, no superiors, and only two +or three equals in English poetry, and even of humour he possessed +no small share, as is shown in the <i>Northern Farmer</i> and in other +<a name='Page_377'></a>pieces. When the volume, variety, finish, and duration of his work +are considered, as well as the influence which he exercised on his +time, a unique place must be assigned him among the poets of his country.</p> + +<p>SUMMARY.—<i>B.</i> 1809, <i>ed.</i> Camb., <i>Poems by Two Brothers</i> 1827, +<i>Poems chiefly Lyrical</i> 1830, his chief works <i>Poems in two Volumes</i> +1842, <i>Princess</i> 1847, <i>In Memoriam</i> 1850, <i>Maud</i> 1855, <i>Idylls of the +King</i> 1869-72, Poet Laureate 1850, <i>d.</i> 1892.</p> + +<p><i>Life</i> by his <i>s.</i> (2 vols., 1897). There are also numerous books, biographical +and critical, by, among others, W.E. Wace (1881), A.C. +Benson, A. Lang, F. Harrison, Sir A. Lyell, C.F.G. Masterman (T. +as a Religious Teacher), Stopford Brooke, Waugh, etc.</p><br /> + +<a name='TENNYSON_FREDERICK_1807_1898'></a><p><b>TENNYSON, FREDERICK (1807-1898).</b> +—Poet, was the +eldest <i>s.</i> of the Rector of Somersby, Lincolnshire, and brother of +<a href='#TENNYSON_ALFRED_1ST_LORD_1809_1892'>Alfred T.</a> (<i>q.v.</i>). <i>Ed.</i> at Eton and Camb., he passed most of his life in +Italy and Jersey. He contributed to the <i>Poems by Two Brothers</i>, +and produced <i>Days and Hours</i> (lyrics) (1854), <i>The Isles of Greece</i> +(1890), <i>Daphne</i> (1891), and <i>Poems of the Day and Night</i> (1895). All +his works show passages of genuine poetic power.</p><br /> + +<a name='TENNYSON_TURNER_CHARLES_1808_1879'></a><p><b>TENNYSON TURNER, CHARLES (1808-1879).</b> +—Poet, elder brother +of <a href='#TENNYSON_ALFRED_1ST_LORD_1809_1892'>Alfred T.</a> (<i>q.v.</i>), <i>ed.</i> at Camb., entered the Church, and +became Vicar of Grasby, Lincolnshire. The name of Turner he assumed +in conformity with the will of a relation. He contributed to +<i>Poems by Two Brothers</i>, and was the author of 340 sonnets, which +were greatly admired by such critics as Coleridge, Palgrave, and his +brother Alfred.</p><br /> + +<a name='THACKERAY_WILLIAM_MAKEPEACE_1811_1863'></a><p><b>THACKERAY, WILLIAM MAKEPEACE (1811-1863).</b> +—Novelist, +<i>s.</i> of Richmond T., who held various important appointments +in the service of the East India Company, and who belonged +to an old and respectable Yorkshire family, was <i>b.</i> at Calcutta, and +soon after the death of his <i>f.</i>, which took place in 1816, sent home +to England. After being at a school at Chiswick, he was sent to +the Charterhouse School, where he remained from 1822-26, and +where he does not appear to have been very happy. Meanwhile in +1818 his mother had <i>m.</i> Major H.W.C. Smythe, who is believed to be, +in part at any rate, the original of Colonel Newcome. In 1829 +he went to Trinity Coll., Camb., where he remained for a year only, +and where he did not distinguish himself particularly as a student, +but made many life-long friends, including <a href='#SPEDDING_JAMES_1808_1881'>Spedding</a> (<i>q.v.</i>), <a href='#TENNYSON_ALFRED_1ST_LORD_1809_1892'>Tennyson</a>, +<a href='#FITZGERALD_EDWARD_1809_1883'>Fitzgerald</a> (<i>q.v.</i>), and Monckton Milnes (<i>see</i> <a href='#HOUGHTON_RICHARD_MONCKTON_MILNES_1ST_LORD_1809_1885'>Houghton</a>), and contributed +verses and caricatures to two Univ. papers, "The Snob" +and "The Gownsman." The following year, 1831, was spent +chiefly in travelling on the Continent, especially Germany, when, at +Weimar, he visited Goethe. Returning he entered the Middle +Temple, but having no liking for legal studies, he soon abandoned +them, and turning his attention to journalism, became proprietor, +wholly or in part, of two papers successively, both of which failed. +These enterprises, together with some unfortunate investments and +also, +it would seem, play, stripped him of the comfortable fortune, which +he had inherited; and he now found himself dependent on +his own exertions for a living. He thought at first of art as a +<a name='Page_378'></a>profession, and studied for a time at Paris and Rome. In 1836, while +acting as Paris correspondent for the second of his journals, he <i>m.</i> +Isabella, <i>dau.</i> of Colonel Shawe, an Irish officer, and the next year he +returned to England and became a contributor to <i>Fraser's Magazine</i>, +in which appeared <i>The Yellowplush Papers</i>, <i>The Great Hoggarty +Diamond</i>, <i>Catherine</i>, and <i>Barry Lyndon</i>, the history of an Irish +sharper, which contains some of his best work. Other works of this +period were <i>The Paris Sketch-book</i> (1840) and <i>The Irish Sketch-book</i> +(1843). His work in <i>Fraser</i>, while it was appreciated at its true +worth by a select circle, had not brought him any very wide recognition: +it was his contributions to <i>Punch</i>—the <i>Book of Snobs</i> and +<i>Jeames's Diary</i>—which first caught the ear of the wider public. +The turning point in his career, however, was the publication in +monthly numbers of <i>Vanity Fair</i> (1847-48). This extraordinary +work gave him at once a place beside Fielding at the head of English +novelists, and left him no living competitor except Dickens. <i>Pendennis</i>, +largely autobiographical, followed in 1848-50, and fully +maintained his reputation. In 1851 he broke new ground, and appeared, +with great success, as a lecturer, taking for his subject <i>The +English Humourists of the Eighteenth Century</i>, following this up in +1855 with the <i>Four Georges</i>, first delivered in America. Meanwhile +<i>Esmond</i>, perhaps his masterpiece, and probably the greatest novel of +its kind in existence, had appeared in 1852, and <i>The Newcomes</i> (1853), +<i>The Virginians</i>, a sequel to <i>Esmond</i>, which, though containing much +fine work, is generally considered to show a falling off as compared +with its two immediate predecessors, came out in 1857-59. In 1860 +the <i>Cornhill Magazine</i> was started with T. for its ed., and to it he +contributed <i>Lovell the Widower</i> (1860), <i>The Adventures of Philip</i> +(1861-62), <i>The Roundabout Papers</i>, a series of charming essays, and +<i>Denis Duval</i>, left a mere fragment by his sudden death, but which +gave promise of a return to his highest level of performance. In +addition to the works mentioned, T. for some years produced +Christmas books and burlesques, of which the best were <i>The Rose +and the Ring</i> and <i>The Kickleburys on the Rhine</i>. He also wrote +graceful verses, some of which, like <i>Bouillabaisse</i>, are in a strain of +humour shot through with pathos, while others are the purest rollicking +fun. For some years T. suffered from spasms of the heart, and +he <i>d.</i> suddenly during the night of December 23, 1863, in his 53rd +year. He was a man of the tenderest heart, and had an intense +enjoyment of domestic happiness; and the interruption of this, +caused by the permanent breakdown of his wife's health, was a +heavy calamity. This, along with his own latterly broken health, +and a sensitiveness which made him keenly alive to criticism, doubtless +fostered the tendency to what was often superficially called his +cynical view of life. He possessed an inimitable irony and a power +of sarcasm which could scorch like lightning, but the latter is almost +invariably directed against what is base and hateful. To human +weakness he is lenient and often tender, and even when weakness +passes into wickedness, he is just and compassionate. He saw +human nature "steadily and saw it whole," and paints it with a +light but sure hand. He was master of a style of great distinction +and individuality, and ranks as one of the very greatest of English +novelists.</p><a name='Page_379'></a> + +<p>SUMMARY.—<i>B.</i> 1811, <i>ed.</i> at Charterhouse and Camb., after trying +law turned to journalism, in which he lost his fortune, studied art at +Paris and Rome, wrote for <i>Fraser's Magazine</i> and <i>Punch</i>, <i>Barry +Lyndon</i>, <i>Book of Snobs</i>, and <i>Jeames's Diary</i>, <i>pub.</i> <i>Vanity Fair</i> 1847-8, +<i>Pendennis</i> (1848-50), lectured on <i>Humourists</i> 1851, and on <i>Four +Georges</i> in America 1855, <i>pub.</i> <i>Esmond</i> 1852, <i>Newcomes</i> 1853, <i>Virginians</i> +1857-59, ed. <i>Cornhill Magazine</i> 1860, his last great work, +<i>Denis Duval</i>, left unfinished, <i>d.</i> 1863.</p> + +<p><i>Lives</i> by Merivale and Marzials (Great Writers), A. Trollope (English +Men of Letters), Whibley (Modern English Writers). Article +in <i>Dictionary of National Biography</i> by Leslie Stephen.</p><br /> + +<a name='THEOBALD_LEWIS_1688_1744'></a><p><b>THEOBALD, LEWIS (1688-1744).</b> +—Editor of Shakespeare, +and translator, originally an attorney, betook himself to literature, +translated from Plato, the Greek dramatists, and Homer, and wrote +also essays, biographies, and poems. In 1715 he <i>pub.</i> <i>Shakespeare +Restored, etc.</i>, in which he severely criticised Pope's ed., and was in +consequence rewarded with the first place in <i>The Dunciad</i>, and the +adoption of most of his corrections in Pope's next ed. Though a +poor poet, he was an acute and discriminating critic, made brilliant +emendations on some of the classics, and produced in 1734 an ed. of +Shakespeare which gave him a high place among his ed.</p><br /> + +<a name='THIRWALL_CONNOP_1797_1875'></a><p><b>THIRWALL, CONNOP (1797-1875).</b> +—Historian, was <i>b.</i> at +Stepney, the <i>s.</i> of a clergyman, and <i>ed.</i> at the Charterhouse and +Camb. He studied law, was called to the Bar in 1825, and in the +same year <i>pub.</i> a translation of Schleiermacher's <i>Critical Essay on +the Gospel of St. Luke</i>. After this, having changed his mind, he took +orders in 1827, and the next year translated, with <a href='#HARE_JULIUS_CHARLES_1795_1855'>Julius Hare</a> (<i>q.v.</i>), +the first vol. of Niebuhr's <i>History of Rome</i>, and <i>pub.</i>, also with him, +<i>The Philological Museum</i> (1831-33). He was an advocate for the +admission of Dissenters to degrees, and in consequence of his action +in the matter had to resign his Univ. tutorship. Thereupon Lord +Brougham, then Lord Chancellor, presented him to the living of +Kirkby Underdale. Between 1835 and 1847 he wrote his great <i>History +of Greece</i>, which has a place among historical classics. In 1840 +he was made Bishop of St. David's, in which capacity he showed unusual +energy in administering his see. The eleven charges which he +delivered during his tenure of the see were pronouncements of exceptional +weight upon the leading questions of the time affecting the +Church. As a Broad Churchman T. was regarded with suspicion by +both High and Low Churchmen, and in the House of Lords generally +supported liberal movements such as the admission of Jews to +Parliament. He was the only Bishop who was in favour of the disestablishment +of the Irish Church.</p><br /> + +<a name='THOMS_WILLIAM_JOHN_1803_1885'></a><p><b>THOMS, WILLIAM JOHN (1803-1885).</b> +—Antiquary and +miscellaneous writer, for many years a clerk in the secretary's office +of Chelsea Hospital, was in 1845 appointed Clerk, and subsequently +Deputy Librarian to the House of Lords. He was the founder in +1849 of <i>Notes and Queries</i>, which for some years he also ed. Among +his publications are <i>Early Prose Romances</i> (1827-28), <i>Lays and +Legends</i> (1834), <i>The Book of the Court</i> (1838), <i>Gammer Gurton's Famous<a name='Page_380'></a> +Histories</i> (1846), <i>Gammer Gurton's Pleasant Stories</i> (1848). He also +<i>ed.</i> Stow's <i>London</i>, and was sec. of the Camden Society. He introduced +the word "folk-lore" into the language.</p><br /> + +<a name='THOMSON_JAMES_1700_1748'></a><p><b>THOMSON, JAMES (1700-1748).</b> +—Poet, <i>s.</i> of the minister +of Ednam, Roxburghshire, spent most of his youth, however, at +Southdean, a neighbouring parish, to which his <i>f.</i> was translated. +He was <i>ed.</i> at the parish school there, at Jedburgh, and at Edin., +whither he went with the view of studying for the ministry. The +style of one of his earliest sermons having been objected to by the +Prof. of Divinity as being too flowery and imaginative, he gave up +his clerical views and went to London in 1725, taking with him a part +of what ultimately became his poem of <i>Winter</i>. By the influence of +his friend Mallet he became tutor to Lord Binning, <i>s.</i> of the Earl of +Haddington, and was introduced to Pope, Arbuthnot, Gay, and +others. <i>Winter</i> was <i>pub.</i> in 1726, and was followed by <i>Summer</i> +(1727), <i>Spring</i> (1728), and <i>Autumn</i> (1730), when the whole were +brought together as <i>The Seasons</i>. Previous to 1730 he had produced +one or two minor poems and the tragedy of <i>Sophonisba</i>, which, +after promising some success, was killed by the unfortunate line, +"Oh! Sophonisba, Sophonisba, oh!" being parodied as "Oh! +Jemmy Thomson, Jemmy Thomson, oh!" In 1731 T. accompanied +Charles Talbot, <i>s.</i> of the Lord Chancellor, to the Continent, +as tutor, and on his return received the sinecure Secretaryship of +Briefs which, however, he lost in 1737, through omitting to apply +for its continuance to Talbot's successor. He then returned to the +drama and produced <i>Agamemnon</i> in 1738, and <i>Edward and Eleanora</i> +in 1739. The same year he received from the Prince of Wales a +pension of £100, and was made Surveyor-General of the Leeward +Islands which, after providing for a deputy to discharge the duties, +left him £300 a year. He was now in comfortable circumstances +and settled in a villa near Richmond, where he amused himself with +gardening and seeing his friends. In conjunction with Mallet he wrote, +in 1740, the masque of <i>Alfred</i>, in which appeared <i>Rule Britannia</i>, +which M. afterwards claimed, or allowed to be claimed, for him, +but which there is every reason to believe was contributed by T. In +1745 appeared <i>Tancred and Sigismunda</i>, the most successful of his +dramas, and in 1748 <i>Coriolanus</i>. In May of the latter year he <i>pub.</i> +<i>The Castle of Indolence</i>, an allegorical poem in the Spenserian stanza, +generally considered to be his masterpiece. In August following he +caught a chill which developed into a fever, and carried him off in +his 48th year. Though T. was undoubtedly a poet by nature, +his art was developed by constant and fastidious polishing. +To <i>The Seasons</i>, originally containing about 4000 lines, he +added about 1400 in his various revisions. He was the first to +give the description of nature the leading place, and in his treatment +of his theme he showed much judgment in the selection of the details +to be dwelt upon. His blank verse, though not equal to that of +a few other English poets, is musical and wielded in a manner suitable +to his subject. In all his poems he displays the genial temper +and kindly sympathies by which he was characterised as a man. +He was never <i>m.</i>, and lived an easy, indolent life, beloved by his +many friends. (<i>See also</i> Lyttelton, Lord<a name='Page_381'></a>)</p><br /> + +<a name='THOMSON_JAMES_1834_1882'></a><p><b>THOMSON, JAMES (1834-1882).</b> +—Poet, <i>b.</i> at Port Glasgow +and brought up in the Royal Caledonian Asylum, was for some years +an army teacher, but was dismissed for a breach of discipline. He +became associated with Charles Bradlaugh, the free-thought protagonist, +who introduced him to the conductors of various secularist +publications. His best known poem is <i>The City of Dreadful Night</i>, +deeply pessimistic. Others are <i>Vane's Story</i> and <i>Weddah and Omel-Bonain</i>. +His views resulted in depression, which led to dipsomania, +and he <i>d.</i> in poverty and misery. His work has a certain +gloomy power which renders it distinctly noteworthy.</p><br /> + +<a name='THOREAU_HENRY_DAVID_1817_1862'></a><p><b>THOREAU, HENRY DAVID (1817-1862).</b> +—Essayist, poet, +and naturalist, was <i>b.</i> at Concord, Massachusetts. His <i>f.</i>, of French +extraction, from Jersey, was a manufacturer of lead-pencils. He +was <i>ed.</i> at Harvard, where he became a good classical scholar. Subsequently +he was a competent Orientalist, and was deeply versed in +the history and manners of the Red Indians. No form of regular +remunerative employment commending itself to him, he spent the +10 years after leaving coll. in the study of books and nature, for the +latter of which he had exceptional qualifications in the acuteness of +his senses and his powers of observation. Though not a misanthropist, +he appears in general to have preferred solitary communion +with nature to human society. "The man I meet," he said, "is +seldom so instructive as the silence which he breaks;" and he described +himself as "a mystic, a transcendentalist, and a natural philosopher." +He made such money as his extremely simple mode of life +called for, by building boats or fences, agricultural or garden work, +and surveying, anything almost of an outdoor character which did +not involve lengthened engagement. In 1837 he began his diaries, +records of observation with which in ten years he filled 30 vols. In +1839 he made the excursion the record of which he in 1845 <i>pub.</i> as +<i>A Week on the Concord and Merrimac Rivers</i>. Two years later, in +1841, he began a residence in the household of Emerson, which +lasted for two years, when he assisted in conducting the <i>Dial</i>, and +in 1845, after some teaching in New York, he retired to a hut near the +solitary Walden Pond to write his <i>Week on the Concord</i>, etc. Later +works were <i>Walden</i> (1854), and <i>The Maine Woods</i> (1864), and <i>Cape +Cod</i> (1865), accounts of excursions and observations, both <i>pub.</i> after +his death. T. was an enthusiast in the anti-slavery cause, the triumph +of which, however, he did not live to see, as he <i>d.</i> on May 6, 1862, when +the war was still in its earlier stages. The deliberate aim of T. was to +live a life as nearly approaching naturalness as possible; and to this +end he passed his time largely in solitude and in the open air. As he +says, "I went to the woods because I wished to live deliberately, to +front only the essential facts of life, and see if I could not learn what +it had to teach." To his great powers of observation he added +great powers of reflection, and two of the most characteristic +features of his writings are immediateness and individuality in his +descriptions of nature, and a remarkable power of giving permanent +and clear form to the most subtle and evanescent mental impressions.</p><br /> + +<a name='TICKELL_THOMAS_1686_1740'></a><p><b>TICKELL, THOMAS (1686-1740).</b> +—Poet, <i>b.</i> at Bridekirk +Vicarage, Cumberland, and <i>ed.</i> at Oxf. became the friend of <a name='Page_382'></a><a href='#ADDISON_JOSEPH_1672_1719'>Joseph +Addison</a> (<i>q.v.</i>), contributed to the <i>Spectator</i> and <i>Guardian</i>, and +accompanied him when he went to Ireland as sec. to the Lord Lieutenant. +His translation of the first book of the <i>Iliad</i> came out at the +same time as Pope's, and led to a quarrel between the latter and +Addison, Pope imagining that the publication was a plot to interfere +with the success of his work. On Addison becoming Sec. of +State in 1717 he appointed T. Under-Sec. Among the writings of T. +are the well-known ballad, <i>Colin and Lucy</i>, <i>Kensington Gardens</i>, a +poem, and an <i>Elegy</i> on the death of Addison, of which Macaulay says +that it "would do honour to the greatest name in our literature." +In 1725 he became sec. to the Lords Justices of Ireland, and retained +the post until his death.</p><br /> + +<a name='TICKNOR_GEORGE_1791_1871'></a><p><b>TICKNOR, GEORGE (1791-1871).</b> +—Historian and biographer, +<i>s.</i> of a rich man, was <i>b.</i> at Boston, Mass., and <i>ed.</i> for the +law. He, however, gave himself to study and writing, and also +travelled much. After being a Prof. at Harvard, 1819-35, he went +in the latter year to Europe, where he spent some years collecting +materials for his <i>magnum opus</i>, <i>The History of Spanish Literature</i> +(1849). He also wrote Lives of Lafayette and Prescott, the historian. +His <i>Letters and Journals</i> were <i>pub.</i> in 1876, and are the +most interesting of his writings.</p><br /> + +<a name='TIGHE_MARY_BLACKFORD_1772_1810'></a><p><b>TIGHE, MARY (BLACKFORD) (1772-1810).</b> +—Poet, <i>dau.</i> of +a clergyman, made an unhappy marriage, though she had beauty +and amiable manners, and was highly popular in society. She wrote +a good deal of verse; but her chief poem was a translation in Spenserian +stanza of the tale of <i>Cupid and Psyche</i>, which won the admiration +of such men as Sir J. Mackintosh, Moore, and Keats.</p><br /> + +<a name='TILLOTSON_JOHN_1630_1694'></a><p><b>TILLOTSON, JOHN (1630-1694).</b> +—Divine, <i>s.</i> of a Presbyterian +clothier, was <i>b.</i> near Halifax, and <i>ed.</i> at Camb., where his +originally Puritan views became somewhat modified. At the Savoy +Conference in 1661 he was still a Presbyterian, but submitted to the +Act of Uniformity, and became next year Rector of Keddington, and +in 1664 preacher at Lincoln's Inn, where he became very popular. +In 1672 he was made Dean of Canterbury. He vainly endeavoured +to secure the comprehension of the Nonconformists in the Church. +After the Revolution he gained the favour of William III., who +made him Clerk of the Closet, and Dean of St. Paul's, and in 1691 he +succeeded Sancroft as Archbishop of Canterbury. His sermons, +which had extraordinary popularity, give him a place in literature, +and he was one of those writers who, by greater simplicity and +greater attention to clearness of construction, helped to introduce +the modern style of composition.</p><br /> + +<a name='TIMROD_HENRY_1829_1867'></a><p><b>TIMROD, HENRY (1829-1867).</b> +—Poet, <i>b.</i> at Charleston, +S. Carolina, of German descent, was ruined by the Civil War, and +<i>d.</i> in poverty. He wrote one vol. of poems, <i>pub.</i> 1860, which +attained wide popularity in the South. He had notable descriptive +power.</p><br /> + +<a name='TOBIN_JOHN_1770_1804'></a><p><b>TOBIN, JOHN (1770-1804).</b> +—Dramatist, was for long unsuccessful, +but in the year of his death made a hit with <i>The Honey +Moon</i>, which had great success, and maintained its place for many +years. Other plays were <i>The Curfew</i> and <i>The School for Authors</i><a name='Page_383'></a>.</p><br /> + +<a name='TOLAND_JOHN_1670_1722'></a><p><b>TOLAND, JOHN (1670?-1722).</b> +—Deistical writer, <i>b.</i> in +Ireland of Roman Catholic parentage, completed his education at +Glasgow, Edin., and Leyden. Very early in life he had become a +Protestant, and at Leyden he studied theology with the view of becoming +a Nonconformist minister, but imbibed Rationalistic views. +He then resided for some time at Oxf., and in 1696 <i>pub.</i> his first +work, <i>Christianity not Mysterious</i>, which was censured by Convocation +and gave rise to much controversy. Next year he returned to +Ireland, where, however, he was not more popular than in England, +and where his book was burned by the common hangman. Returning +to England he took to writing political pamphlets, including one, +<i>Anglia Libera</i>, in support of the Brunswick succession, which gained +him some favour at Hanover, and he was sent on some political +business to the German Courts. He then served Harley in Holland +and Germany practically as a political spy. His later years were +passed in literary drudgery and poverty. Among his numerous +writings may be mentioned <i>Account of Prussia and Hanover</i>, <i>Origines +Judaicæ</i>, <i>History of the Druids</i>, and a Life of Milton prefixed to an +ed. of his prose works.</p><br /> + +<a name='TOOKE_JOHN_HORNE_1736_1812'></a><p><b>TOOKE, JOHN HORNE (1736-1812).</b> +—Philologist, <i>s.</i> of a +poulterer called Horne, added the name of Tooke in 1782 in anticipation +of inheriting from his friend W. Tooke, of Purley. He was at +Camb. and took orders, but disliking the clerical profession, travelled +abroad. Returning he became prominent as a radical politician, and +espoused the cause of Wilkes, with whom, however, he afterwards +quarrelled. He also supported the revolted American colonists, and +was fined and imprisoned for endeavouring to raise a subscription for +them. An effort to be admitted to the Bar was unsuccessful; and +in 1786 he published his <i>Diversions of Purley</i>, a work on philology +which brought him great reputation, and which, containing muck +that has been proved to be erroneous, showed great learning and +acuteness. T. twice endeavoured unsuccessfully to enter Parliament +for Westminster, but ultimately sat for the rotten burgh of Old +Sarum, making, however, no mark in the House. He was the author +of numerous effective political pamphlets.</p><br /> + +<a name='TOPLADY_AUGUSTUS_MONTAGUE_1740_1778'></a><p><b>TOPLADY, AUGUSTUS MONTAGUE (1740-1778).</b> +—Hymn-writer, +<i>s.</i> of an officer in the army, was <i>b.</i> at Farnham, <i>ed.</i> at +Westminster and Trinity Coll., Dublin, after which he took orders +and became incumbent of Broad Hembury. He was a strong Calvinist +and entered into a bitter controversy with Wesley. His controversial +works are forgotten; but he will always be remembered +as the author of "Rock of Ages," perhaps the most widely known +of English hymns.</p><br /> + +<a name='TOURNEUR_or_TURNER_CYRIL_1575_1626'></a><p><b>TOURNEUR, or TURNER, CYRIL (1575?-1626).</b> +—Dramatist, +perhaps <i>s.</i> of Richard T., Lieutenant of the Brill, served in the Low +Countries, and was sec. to Sir Edward Cecil in his unsuccessful expedition +to Cadiz, returning from which he was disembarked with +the sick at Kinsale, where he <i>d.</i> He wrote two dramas, <i>The Revenger's +Tragedy</i> (<i>pr.</i> 1607), and <i>The Atheist's Tragedy</i> (<i>pr.</i> 1611), in +both of which, especially the former, every kind of guilt and horror +is piled up, the author displaying, however, great intensity of tragic +<a name='Page_384'></a>power. Of <i>The Revenger</i> Lamb said that it made his ears tingle. +Another play of his, <i>Transformed Metamorphosis</i>, was discovered in +1872.</p><br /> + +<a name='TRAHERNE_THOMAS_1636_1674'></a><p><b>TRAHERNE, THOMAS (1636?-1674).</b> +—Poet and theological +writer, <i>s.</i> of a shoemaker at Hereford where, or at Ledbury, he was +probably <i>b.</i> Very few facts concerning him have been preserved, +and indeed his very existence had been forgotten until some of his +MS. were discovered on a bookstall in 1896, without, however, anything +to identify the author. Their discoverer, Mr. W.T. Brooke, +was inclined to attribute them to <a href='#VAUGHAN_HENRY_1622_1695'>Henry Vaughan</a> (<i>q.v.</i>), in which he +was supported by <a href='#GROSART_ALEXANDER_BALLOCH_1827_1899'>Dr. Grosart</a> (<i>q.v.</i>), and the latter was about to +bring out a new ed. of Vaughan's poems in which they were to be included. +This was, however, prevented by his death. The credit of +identification is due to Mr. Bertram Dobell, who had become the +possessor of another vol. of MS., and who rejecting, after due consideration, +the claims of Vaughan, followed up the very slender clues +available until he had established the authorship of Traherne. All +the facts that his diligent investigations were successful in collecting +were that T. was "entered as a commoner at Brasenose Coll., Oxf., +in 1652, took one degree in arts, left the house for a time, entered into +the sacred function, and in 1661 was actually created M.A. About +that time he became Rector of Crednell, near Hereford ... and in +1669 Bachelor of Divinity;" and that after remaining there for over +9 years he was appointed private chaplain to the Lord Keeper, Sir +Orlando Bridgeman, who on his retirement from office retained him +as a member of his household at Teddington until his death in 1674, +T. himself dying three months later. T. also appears to have been +incumbent of Teddington, or perhaps more probably, curate to a +pluralist incumbent. The complete oblivion into which T. had +fallen is the more remarkable when the quality of his poetry, which +places him on a level with Herbert, Vaughan, and Crashaw, is considered; +and that he appears in his own day to have had some reputation +as a scholar and controversialist. His <i>Roman Forgeries</i> +(1673) achieved some note. His next work, <i>Christian Ethics</i>, which +was not <i>pub.</i> until after his death, appears to have fallen dead, and +is extremely rare: it is described by Mr. Dobell as "full of eloquence, +persuasiveness, sagacity, and piety." <i>Centuries of Meditations</i> consists +of short reflections on religious and moral subjects, etc. The +<i>Poems</i> constitute his main claim to remembrance and, as already +stated, are of a high order. With occasional roughness of metre +they display powerful imagination, a deep and rich vein of original +thought, and true poetic force and fire. It has been pointed out +that in some of them the author anticipates the essential doctrines +of the Berkeleian philosophy, and in them is also revealed a +personality of rare purity and fascination.</p><br /> + +<a name='TRELAWNY_EDWARD_JOHN_1792_1881'></a><p><b>TRELAWNY, EDWARD JOHN (1792-1881).</b> +—Biographer, +entered the navy, from which, however, he deserted, after which he +wandered about in the East and on the Continent. In Switzerland +he met Byron and Shelley, and was living in close friendship with +the latter when he was drowned, and was one of the witnesses at the +cremation of his remains. He took part in the Greek war of independence, +and <i>m.</i> the sister of one of the insurgent chiefs. After +<a name='Page_385'></a>various adventures in America he settled in London, where he was a +distinguished figure in society, and enjoyed the reputation of a picturesque, +but somewhat imaginative, conversationalist. He wrote +<i>The Adventures of a Younger Son</i> (1831), a work of striking distinction, +and the intensely interesting <i>Records of Shelley, Byron, and the +Author</i> (1858). The last survivor of that brilliant group, he was +buried by the side of Shelley.</p><br /> + +<a name='TRENCH_RICHARD_CHENEVIX_1807_1886'></a><p><b>TRENCH, RICHARD CHENEVIX (1807-1886).</b> +—Poet and +theologian, <i>b.</i> in Dublin, and <i>ed.</i> at Harrow and Camb., took orders, +and after serving various country parishes, became in 1847 Prof. of +Theology in King's Coll., London, in 1856 Dean of Westminster, and +in 1864 Archbishop of Dublin. As Primate of the Irish Church at +its disestablishment, he rendered valuable service at that time of +trial. In theology his best known works are his <i>Hulsean Lectures</i>, +<i>Notes on the Parables</i>, and <i>Notes on the Miracles</i>. His philological +writings, <i>English Past and Present</i> and <i>Select Glossary of English +Words</i> are extremely interesting and suggestive, though now to +some extent superseded. His <i>Sacred Latin Poetry</i> is a valuable collection +of mediæval Church hymns. He also wrote sonnets, elegies, +and lyrics, in the first of which he was specially successful, besides +longer poems, <i>Justin Martyr</i> and <i>Sabbation</i>.</p><br /> + +<a name='TREVISA_JOHN_of_1326_1412'></a><p><b>TREVISA, JOHN of (1326-1412).</b> +—Translator, a Cornishman, +<i>ed.</i> at Oxf., was Vicar of Berkeley, Gloucestershire, and chaplain +to the 4th Lord Berkeley, and Canon of Westbury. He translated +for his patron the <i>Polychronicon</i> of Ranulf Higden, adding +remarks of his own, and prefacing it with a <i>Dialogue on Translation +between a Lord and a Clerk</i>. He likewise made various other translations.</p><br /> + +<a name='TROLLOPE_ANTHONY_1815_1882'></a><p><b>TROLLOPE, ANTHONY (1815-1882).</b> +—Novelist, <i>s.</i> of +Thomas Anthony T., a barrister who ruined himself by speculation, +and of <a href='#TROLLOPE_MRS_FRANCES_MILTON_1780_1863'>Frances T.</a> (<i>q.v.</i>), a well-known writer, was <i>b.</i> in London, and +<i>ed.</i> at Harrow and Winchester. His childhood was an unhappy one, +owing to his father's misfortunes. After a short time in Belgium he +obtained an appointment in the Post Office, in which he rose to a responsible +position. His first three novels had little success; but in +1855 he found his line, and in <i>The Warden</i> produced the first of his +Barsetshire series. It was followed by <i>Barchester Towers</i> (1857), +<i>Doctor Thorne</i> (1858), <i>Framley Parsonage</i> (1861), <i>The Small House at +Allington</i> (1864), and <i>The Last Chronicle of Barset</i> (1867), which deal +with the society of a small cathedral city. Other novels are <i>Orley +Farm</i>, <i>Can you forgive Her?</i>, <i>Ralph the Heir</i>, <i>The Claverings</i>, <i>Phineas +Finn</i>, <i>He knew he was Right</i>, and <i>The Golden Lion of Grandpré</i>. In +all he wrote about 50 novels, besides books about the West Indies, +North America, Australia, and South Africa, a translation of <i>Cæsar</i>, +and monographs on Cicero and Thackeray. His novels are light of +touch, pleasant, amusing, and thoroughly healthy. They make no +attempt to sound the depths of character or either to propound or +solve problems. Outside of fiction his work was generally superficial +and unsatisfactory. But he had the merit of providing a whole +generation with wholesome amusement, and enjoyed a great deal of +popularity. He is said to have received £70,000 for his writings<a name='Page_386'></a>.</p><br /> + +<a name='TROLLOPE_MRS_FRANCES_MILTON_1780_1863'></a><p><b>TROLLOPE, MRS. FRANCES (MILTON) (1780-1863).</b> +—Novelist +and miscellaneous writer, <i>b.</i> at Stapleton near Bristol, <i>m.</i> +in 1809 Thomas A.T., a barrister, who fell into financial misfortune. +She then in 1827 went with her family to Cincinnati, where the efforts +which she made to support herself were unsuccessful. On her return +to England, however, she brought herself into notice by publishing +<i>Domestic Manners of the Americans</i> (1832), in which she gave a very +unfavourable and grossly exaggerated account of the subject; and +a novel, <i>The Refugee in America</i>, pursued it on similar lines. Next +came <i>The Abbess</i> and <i>Belgium and Western Germany</i>, and other +works of the same kind on <i>Paris and the Parisians</i>, and <i>Vienna and +the Austrians</i> followed. Thereafter she continued to pour forth +novels and books on miscellaneous subjects, writing in all over 100 +vols. Though possessed of considerable powers of observation and +a sharp and caustic wit, such an output was fatal to permanent +literary success, and none of her books are now read. She spent the +last 20 years of her life at Florence, where she <i>d.</i> in 1863. Her third +<i>s.</i> was <a href='#TROLLOPE_ANTHONY_1815_1882'>Anthony T.</a>, the well-known novelist (<i>q.v.</i>). Her eldest <i>s.</i>, +Thomas Adolphus, wrote <i>The Girlhood of Catherine de Medici</i>, a <i>History +of Florence</i>, and <i>Life of Pius IX.</i>, and some novels.</p><br /> + +<a name='TRUMBULL_JOHN_1750_1831'></a><p><b>TRUMBULL, JOHN (1750-1831).</b> +—Poet, <i>b.</i> at Waterbury, +Conn., was a lawyer, and became a judge. He wrote much verse, +his principal productions being <i>The Progress of Dulness</i> (1772) and +<i>McFingal</i> (1782), written in support of the Revolution in imitation +of <i>Hudibras</i>.</p><br /> + +<a name='TUCKER_ABRAHAM_1705_1774'></a><p><b>TUCKER, ABRAHAM (1705-1774).</b> +—Philosophic writer, <i>b.</i> +in London, and <i>ed.</i> at Oxf., was a country gentleman, who devoted +himself to the study of philosophy, and wrote under the name of +Edward Search, a work in 7 vols., <i>The Light of Nature Followed</i> +(1768-78). It is rather a miscellany than a systematic treatise, but +contains much original and acute thinking.</p><br /> + +<a name='TUCKER_GEORGE_1775_1861'></a><p><b>TUCKER, GEORGE (1775-1861).</b> +—Economist, etc., <i>b.</i> in +Bermuda, became Prof., of Moral Philosophy, etc., in the Univ. of +Virginia. He wrote a <i>Life of Jefferson</i>, <i>Political History of the United +States</i>, <i>Essays Moral and Philosophical</i>, <i>The Valley of the Shenandoah</i>, +a novel, <i>A Voyage to the Moon</i> (satire), and various works on +economics.</p><br /> + +<a name='TUCKER_NATHANIEL_BEVERLY_1784_1851'></a><p><b>TUCKER, NATHANIEL BEVERLY (1784-1851).</b> +—<i>B.</i> in Virginia, +became a Prof., of Law in William and Mary Coll. He wrote +a novel, <i>The Partisan Leader</i> (1836), a prophecy of the future disunion +which led to the Civil War. It was <i>re-pub.</i> in 1861 as <i>A Key +to the Southern Conspiracy</i>. Another novel was <i>George Balcombe</i>.</p><br /> + +<a name='TUCKERMAN_HENRY_THEODORE_1813_1871'></a><p><b>TUCKERMAN, HENRY THEODORE (1813-1871).</b> +—Essayist, +etc., <i>b.</i> in Boston, Mass. He was a sympathetic and delicate critic, +with a graceful style. He lived much in Italy, which influenced his +choice of subjects in his earlier writings. These include <i>The Italian +Sketch-book</i>, <i>Isabel, or Sicily</i>, <i>Thoughts on the Poets</i>, <i>The Book of the +Artists</i>, <i>Leaves from the Diary of a Dreamer</i>, etc.</p><br /> + +<a name='TULLOCH_JOHN_1823_1886'></a><p><b>TULLOCH, JOHN (1823-1886).</b> +—Theologian and historical +writer, <i>b.</i> at Bridge of Earn, Perthshire, studied at St. Andrews and<a name='Page_387'></a> +Edin. He was ordained to the ministry of the Church of Scotland +at Dundee, whence he was translated to Kettins, Forfarshire, and +became in 1854 Principal and Prof. of Theology in St. Mary's Coll., +St. Andrews. He was a leader of the liberal party in the Church of +Scotland, and wrote <i>Literary and Intellectual Revival of Scotland in +the Eighteenth Century</i> (1883), <i>Movements of Religious Thought in the +Nineteenth Century</i> (1884-85), <i>Rational Theology and Christian Philosophy +in England in the Seventeenth Century</i>, and a book on Pascal, etc.</p><br /> + +<a name='TUPPER_MARTIN_FARQUHAR_1810_1889'></a><p><b>TUPPER, MARTIN FARQUHAR (1810-1889).</b> +—Versifier, <i>s.</i> of +a surgeon, was <i>b.</i> in London, <i>ed.</i> at Charterhouse School and Oxf., +and called to the Bar in 1835. He, however, believed that literature +was his vocation, and wrote many works in prose and verse, only one +of which, <i>Proverbial Philosophy</i>, had much success. But the vogue +which it had was enormous, especially in America. It is a singular +collection of commonplace observations set forth in a form which +bears the appearance of verse, but has neither rhyme nor metre, and +has long since found its deserved level. He also wrote <i>War Ballads</i>, +<i>Rifle Ballads</i>, and <i>Protestant Ballads</i>, various novels, and an autobiography. +T. was likewise an inventor, but his ideas in this kind +had not much success.</p><br /> + +<a name='TURBERVILLE_or_TURBERVILE_GEORGE_1540_1610'></a><p><b>TURBERVILLE, or TURBERVILE, GEORGE (1540?-1610).</b> +—Poet, +belonging to an ancient Dorsetshire family, was <i>b.</i> at Whitchurch, +and <i>ed.</i> at Winchester and Oxf. He became sec. to Thomas +Randolph, Ambassador to Russia, and made translations from the +Latin and Italian, and in 1570 <i>pub.</i> <i>Epitaphes, Epigrams, Songs, and +Sonets</i>. He also wrote books on <i>Falconrie</i> and <i>Hunting</i>, and was +one of the first to use blank verse.</p><br /> + +<a name='TURNER_SHARON_1768_1847'></a><p><b>TURNER, SHARON (1768-1847).</b> +—Historian, <i>b.</i> in London, +was a solicitor, and becoming interested in the study of Icelandic and +Anglo-Saxon literature, <i>pub.</i> the results of his researches in his <i>History +of the Anglo-Saxons</i> (1799-1805). Thereafter he continued the +narrative in <i>History of England</i> (1814-29), carrying it on to the end +of the reign of Elizabeth. These histories, especially the former, +though somewhat marred by an attempt to emulate the grandiose +style of Gibbon, were works of real research, and opened up, and to +a considerable extent developed, a new field of inquiry. T. also +wrote a <i>Sacred History of the World</i>, and a poem on Richard III.</p><br /> + +<a name='TUSSER_THOMAS_1524_1580'></a><p><b>TUSSER, THOMAS (1524?-1580).</b> +—Versifier on agriculture, +was an Essex man. Having a good voice he was trained in music, +and was a chorister in St. Paul's, and afterwards in Norwich Cathedral, +and held the post of musician to Lord Paget. He tried farming +at different places, but unsuccessfully, which did not, however, +prevent his undertaking to instruct others. This he does with much +shrewdness and point in his <i>Hundreth Goode Pointes of Husbandrie</i> +(1557), expressed in rude but lively verse; thereafter he added <i>Hundreth +Goode Pointes of Husserie</i> (Housewifery). The two joined, and +with many additions, were repeatedly reprinted as <i>Five Hundredth +Pointes of Goode Husbandrie united to as many of Goode Huswifery</i>. +Many proverbs may be traced back to the writings of T., who, in +spite of all his shrewdness and talent, <i>d.</i> in prison as a debtor<a name='Page_388'></a>.</p><br /> + +<a name='TYNDALE_WILLIAM_1484_1536'></a><p><b>TYNDALE, WILLIAM (1484?-1536).</b> +—Translator of the +Bible, belonged to a northern family which, migrating to Gloucestershire +during the Wars of the Roses, adopted the alternative name of +Huchyns or Hychins, which T. himself bore when at Oxf. in 1510. +After graduating there, he went to Camb., where the influence of +Erasmus, who had been Prof. of Theology, still operated. He took +orders, and in 1522 was a tutor in the household of Sir John Walsh of +Old Sodbury, and was preaching and disputing in the country round, +for which he was called to account by the Chancellor of the diocese. +At the same time he translated a treatise by Erasmus, the <i>Enchiridion +Militis Christiani</i> (Manual of the Christian Soldier), and in controversy +with a local disputant prophesied that he would cause that +"a boye that driveth the plough" should know the Scriptures +better than his opponent. Having formed the purpose of translating +the New Testament T. went in 1523 to London, and used means +towards his admission to the household of Tunstal, Bishop of London, +but without success; he then lived in the house of a wealthy +draper, Humphrey Monmouth, where he probably began his translation. +Finding, however, that his work was likely to be interfered +with, he proceeded in 1524 to Hamburg, whence he went to visit +Luther at Wittenberg. He began printing his translation at +Cologne the following year, but had to fly to Worms, where the work +was completed. The translation itself is entirely T.'s work, and is +that of a thorough scholar, and shows likewise an ear for the harmony +of words. The notes and introduction are partly his own, +partly literal translations, and partly the gist of the work of Luther. +From Germany the translation was introduced into England, and +largely circulated until forcible means of prevention were brought +to bear in 1528. In this year T. removed to Marburg, where he <i>pub.</i> +<i>The Parable of the Wicked Mammon</i>, a treatise on Justification by +Faith, and <i>The Obedience of a Christian Man</i>, setting forth that +Scripture is the ultimate authority in matters of faith, and the King +in matters of civil government. Thereafter, having been at Hamburg +and Antwerp, T. returned to Marburg, and in 1530 <i>pub.</i> his +translation of the <i>Pentateuch</i> and <i>The Practice of Prelates</i>, in which +he attacked Wolsey and the proposed divorce proceedings of Henry +VIII., the latter of whom endeavoured to have him apprehended. +Thereafter he was involved in a controversy with Sir Thomas More. +In 1533 he returned to Antwerp, Henry's hostility having somewhat +cooled, and was occupied in revising his translations, when he was +in 1535 betrayed into the hands of the Imperial officers and carried +off to the Castle of Vilvorde, where the next year he was strangled +and burned. T. was one of the most able and devoted of the reforming +leaders, and his, the foundation of all future translations of the +Bible, is his enduring monument. He was a small, thin man of +abstemious habits and untiring industry.</p><br /> + +<a name='TYNDALL_JOHN_1820_1893'></a><p><b>TYNDALL, JOHN (1820-1893).</b> +—Scientific writer, <i>b.</i> at +Leighlin Bridge, County Carlow, was in early life employed in the +ordnance survey and as a railway engineer. He was next teacher +of mathematics and surveying at Queenwood Coll., Hampshire, +after which he went to Marburg to study science, and while there +became joint author of a memoir <i>On the Magneto-optic Properties of<a name='Page_389'></a> +Crystals</i> (1850). After being at Berlin he returned in 1851 to Queenwood, +and in 1853 was appointed Prof. of Natural Philosophy in the +Royal Institution, which in 1867 he succeeded Faraday as Superintendent. +With <a href='#HUXLEY_THOMAS_HENRY_1825_1895'>Huxley</a> (<i>q.v.</i>) he made investigations into the Alpine +glaciers. Thereafter he did much original work on heat, sound, and +light. In addition to his discoveries T. was one of the greatest +popularisers of science. His style, remarkable for lucidity and +elegance, enabled him to expound such subjects with the minimum +of technical terminology. Among his works are <i>The Glaciers of the +Alps</i> (1860), <i>Mountaineering</i> (1861), <i>Fragments of Science</i>, two vols. +(1871), including his address to the British Association at Belfast, +which raised a storm of controversy and protest in various quarters, +<i>Hours of Exercise on the Alps</i>, etc. T. <i>d.</i> from an overdose of chloral +accidentally administered by his wife.</p><br /> + +<a name='TYTLER_ALEXANDER_FRASER_1747_1813'></a><p><b>TYTLER, ALEXANDER FRASER (1747-1813).</b> +—Historian, <i>s.</i> +of <a href='#TYTLER_WILLIAM_1711_1792'>William T.</a> (<i>q.v.</i>), studied at Edin., was called to the Bar in 1770 +and raised to the Bench as Lord Woodhouselee in 1802. He was +Prof. of History in Edin., and wrote <i>Elements of General History</i> +(1801), <i>An Essay on the Principles of Translation</i> (1791), besides +various legal treatises.</p><br /> + +<a name='TYTLER_PATRICK_FRASER_1791_1849'></a><p><b>TYTLER, PATRICK FRASER (1791-1849).</b> +—Historian, <i>s.</i> of +the above, studied at Edin., and was called to the Bar in 1813. +Among his many writings are an <i>Essay on the History of the Moors in +Spain</i>, <i>The Life of the Admirable Crichton</i> (1819), <i>History of Scotland</i> +(1828-43), and <i>England under the Reigns of Edward VI. and Mary</i> +(1839). His <i>History of Scotland</i>, which was the result of 20 years of +study and research, is still authoritative.</p><br /> + +<a name='TYTLER_WILLIAM_1711_1792'></a><p><b>TYTLER, WILLIAM (1711-1792).</b> +—Historical writer, was a +lawyer in Edin., and wrote <i>An Inquiry into the Evidence against +Mary Queen of Scots</i>, in which he combated the views of Robertson. +He discovered the <i>King's Quhair</i> of James I., and <i>pub.</i> in 1783 <i>The +Poetical Remains of James I., King of Scotland</i>, with a Life.</p><br /> + +<a name='UDALL_NICOLAS_1505_1556'></a><p><b>UDALL, NICOLAS (1505-1556).</b> +—Dramatist and scholar, <i>b.</i> +in Hampshire, and <i>ed.</i> at Oxf. In 1534 he became headmaster of +Eton, from which he was dismissed for misconduct, 1541. In 1537 +he became Vicar of Braintree, in 1551 of Calborne, Isle of Wight, and +in 1554 headmaster of Westminster School. He translated part of +the <i>Apophthegms</i> of Erasmus, and assisted in making the English +version of his <i>Paraphrase of the New Testament</i>. Other translations +were Peter Martyr's <i>Discourse on the Eucharist</i> and Thomas Gemini's +<i>Anatomia</i>, but he is best remembered by <i>Ralph Roister Doister</i> +(1553?), the first English comedy, a rude but lively piece.</p><br /> + +<a name='UNDERDOWN_THOMAS_fl_1566_1587'></a><p><b>UNDERDOWN, THOMAS (<i>fl.</i> 1566-1587).</b> +—Translator. He +translated the <i>Æthiopian History</i> of Heliodorus 1566; also from Ovid.</p><br /> + +<a name='UNDERWOOD_FRANCIS_HENRY_1825_1894'></a><p><b>UNDERWOOD, FRANCIS HENRY (1825-1894).</b> +—Critic and +biographer, <i>b.</i> in Massachusetts, was American Consul at Glasgow +and Leith. He wrote <i>Hand-books of English Literature</i>, <i>Builders of +American Literature</i>, etc., some novels, <i>Lord of Himself</i>, <i>Man Proposes</i>, +and <i>Dr. Gray's Quest</i>, and biographies of Lowell, Longfellow, +and Whittier<a name='Page_390'></a>.</p><br /> + +<a name='URQUHART_SIR_THOMAS_1611_1660'></a><p><b>URQUHART, SIR THOMAS (1611-1660).</b> +—Eccentric writer +and translator, was <i>ed.</i> at King's Coll., Aberdeen, after leaving +which he travelled in France, Spain, and Italy. He was bitterly +opposed to the Covenanters, and fought against them at Turriff in +1639. His later life was passed between Scotland, England (where +he was for some time a prisoner in the Tower), and the Continent, +where he lived, 1642-45. A man of considerable ability and learning, +his vanity and eccentricity verged upon insanity, and he is +said to have <i>d.</i> from the effects of an uncontrollable fit of joyful +laughter on hearing news of the Restoration. Among his extravagances +was a genealogy of his family traced through his <i>f.</i> to +Adam, and through his mother to Eve, he himself being the 153rd in +descent. He <i>pub.</i> <i>Trissotetras</i>, a work on trigonometry (1645), an +invective against the Presbyterians (1652), a scheme for a universal +language, <i>Logopandecteision</i> (1653), and a partial translation of +Rabelais (1653), a further portion being <i>pub.</i> in 1693. In the last he +was assisted by Peter Anthony Motteux, a Frenchman who had +established himself in England, who continued the work.</p><br /> + +<a name='USK_THOMAS_d_1388'></a><p><b>USK, THOMAS (<i>d.</i> 1388).</b> +—Poet, <i>b.</i> in London, was sec. +to John of Northampton, the Wyclifite Lord Mayor of London, +whom he betrayed to save himself, in which, however, he failed, +being executed in 1388. During his imprisonment, which lasted +from 1384 until his death, he composed <i>The Testament of Love</i>, a +didactic poem long attributed to Chaucer.</p><br /> + +<a name='USSHER_JAMES_1581_1656'></a><p><b>USSHER, JAMES (1581-1656).</b> +—Divine and scholar, <i>b.</i> in +Dublin, the <i>s.</i> of a lawyer there, and <i>ed.</i> at Trinity Coll., took orders, +and became Chancellor of St. Patrick's, Dublin, 1605, and Prof. of +Divinity, 1607-21. On the Irish clergy, in 1715, deciding to assert +themselves as an independent church, U. had the main hand in +drawing up the constitution, certain features of which led to the +suspicion of his being in favour of Puritanism. To defend himself +he went in 1619 to England, and had a conference with the King +(James I.), in which he so completely succeeded that he was in 1621 +made Bishop of Meath, and four years later Archbishop of Armagh. +He constantly used his influence in favour of reform, and endeavoured +to introduce such modifications of Episcopacy as would +conciliate and comprehend the Presbyterians. During the troubles +which led to the Civil War U. maintained the unlawfulness of taking +up arms against the King. The Rebellion in Ireland in 1641 drove +him away, and he settled first at Oxf., but ultimately at the house of +Lady Peterborough at Reigate, where he <i>d.</i> in 1656. His works +dealt chiefly with ecclesiastical antiquities and chronology, his +<i>magnum opus</i> being <i>Annales</i>, a chronology of the world from the +creation to the dispersion of the Jews in the reign of Vespasian, a +work which gained him great reputation on the Continent as well as +at home. The date of the creation was fixed as 4004 B.C., which was +long universally received. It has, of course, been altogether superseded, +alike by the discovery of ancient records, and by geology.</p><br /> + +<a name='VANBRUGH_SIR_JOHN_1664_1726'></a><p><b>VANBRUGH, SIR JOHN (1664-1726).</b> +—Dramatist and +architect, <i>b.</i> in London of Flemish descent, was in France from 1683 +to 1685, studying architecture, for which he had early shown a taste.<a name='Page_391'></a> +The next year he got a commission in the army, and in 1690 he was +a prisoner first at Vincennes and then in the Bastille. In 1696 he +began his dramatic career with <i>The Relapse</i>, which had great success. +<i>Æsop</i> followed in 1697, and <i>The Provoked Wife</i> in the same year. +The latter was severely handled by <a href='#COLLIER_JEREMY_1650_1726'>Jeremy Collier</a> (<i>q.v.</i>) in his <i>Short +View</i>, etc., which produced a vindication by the author. In addition +to these he wrote or collaborated in various other plays. His +leading features as a dramatist are the naturalness of his dialogue +and his lively humour. Like all his contemporaries he is frequently +extremely gross. He obtained great fame as an architect, as well +as a dramatist. Among his most famous designs are Castle Howard, +Blenheim Palace, and Dalkeith Palace. He was knighted by George +I., was controller of the Royal works, and succeeded Wren as architect +to Greenwich Hospital. In addition to the plays above mentioned +V. wrote <i>The Confederacy</i> and <i>The Country House</i>. He was +a handsome and jovial person, and highly popular in society.</p><br /> + +<a name='VAUGHAN_HENRY_1622_1695'></a><p><b>VAUGHAN, HENRY (1622-1695).</b> +—Poet, <i>b.</i> in the parish of +Llansaintffraed, Brecknock, and as a native of the land of the ancient +Silures, called himself "Silurist." He was at Jesus Coll., Oxf., +studied law in London, but finally settled as a physician at Brecon +and Newton-by-Usk. In his youth he was a decided Royalist and, +along with his twin brother Thomas, was imprisoned. His first book +was <i>Poems, with the Tenth Satire of Juvenal Englished</i>. It appeared +in 1646. <i>Olor Iscanus</i> (the Swan of Usk), a collection of poems and +translations, was surreptitiously <i>pub.</i> in 1651. About this time he +had a serious illness which led to deep spiritual impressions, and +thereafter his writings were almost entirely religious. <i>Silex +Scintillans</i> +(Sparks from the Flint), his best known work, consists of +short poems full of deep religious feeling, fine fancy, and exquisite +felicities of expression, mixed with a good deal that is quaint and +artificial. It contains "The Retreat," a poem of about 30 lines +which manifestly suggested to Wordsworth his <i>Ode on the Intimations +of Immortality</i>, and "Beyond the Veil," one of the finest meditative +poems in the language. <i>Flores Solitudinis</i> (Flowers of Solitude) +and <i>The Mount of Olives</i> are devout meditations in prose. The +two brothers were joint authors of <i>Thalia Rediviva: the Pastimes +and Diversions of a Country Muse</i> (1678), a collection of translations +and original poems.</p><br /> + +<a name='VAUGHAN_ROBERT_1795_1868'></a><p><b>VAUGHAN, ROBERT (1795-1868).</b> +—A minister of the Congregationalist +communion, Prof. of History in London Univ., 1830-43, +and Pres. of the Independent Coll., Manchester, 1843-57. He +founded, and for a time ed. the <i>British Quarterly</i>. He wrote, among +various other works, <i>A History of England under the Stuarts</i>, <i>Revolutions +of History</i>, and a Life of Wycliffe.</p><br /> + +<a name='VEITCH_JOHN_1829_1894'></a><p><b>VEITCH, JOHN (1829-1894).</b> +—Philosophic and miscellaneous +writer, <i>b.</i> at Peebles, <i>ed.</i> at Univ. and New Coll., Edin., was assistant +to <a href='#HAMILTON_SIR_WILLIAM_1788_1856'>Sir Wm. Hamilton</a> (<i>q.v.</i>), 1856-60, Prof. of Logic at St. Andrews, +1860-64, and Glasgow, 1864-94. He was a voluminous and accomplished +writer, his works including Lives of <i>Dugald Stewart</i> (1857) and +<i>Sir W. Hamilton</i> (1869), <i>Tweed and other Poems</i> (1875), <i>History and +Poetry of the Scottish Border</i> (1877), <i>Feeling for Nature in Scottish<a name='Page_392'></a> +Poetry</i> (1887), <i>Merlin and other Poems</i> (1889), <i>Border Essays</i> +(1896), +and <i>Dualism and Monism</i> (1895).</p><br /> + +<a name='VERY_JONES_1813_1880'></a><p><b>VERY, JONES (1813-1880).</b> +—Essayist and poet, <i>b.</i> at +Salem, Mass., where he became a clergyman and something of a +mystic. He <i>pub.</i> one small volume, <i>Essays and Poems</i>, the latter +chiefly in the form of the Shakespearian sonnet. Though never +widely popular, he appealed by his refined, still thoughtfulness to a +certain small circle of minds.</p><br /> + +<a name='WACE_fl_1170'></a><p><b>WACE (<i>fl.</i> 1170).</b> +—Chronicler, <i>b.</i> in Jersey, and <i>ed.</i> at +Caen, was influenced by the Chronicle of <a href='#GEOFFREY_of_MONMOUTH_1100_1154'>Geoffrey of Monmouth</a> +(<i>q.v.</i>), and based upon it a French metrical romance, <i>Brut</i>. Later, +at the command of Henry II., he rewrote with additions a chronicle +of the life of William the Conqueror and entitled it <i>Roman de Rou</i>.</p><br /> + +<a name='WADE_THOMAS_1805_1875'></a><p><b>WADE, THOMAS (1805-1875).</b> +—Poet, <i>b.</i> at Woodbridge, +<i>pub.</i> poems, dramas, sonnets, and a translation of Dante's <i>Inferno</i>. +Among his writings are <i>Tasso and the Sisters</i> (1825), <i>Mundi et Cordis +Carmina</i> (1835); <i>Duke Andrea</i> (1828), and <i>The Jew of Arragon</i> (1830), +both tragedies, and the <i>Phrenologists</i> (1830), a farce.</p><br /> + +<a name='WAKEFIELD_GILBERT_1756_1801'></a><p><b>WAKEFIELD, GILBERT (1756-1801).</b> +—Scholar and controversialist, +<i>b.</i> at Nottingham, <i>ed.</i> at Camb., took orders, but becoming +a Unitarian renounced them and acted as classical tutor in various +Unitarian academies. He was a strong defender of the French +Revolution, and was imprisoned for two years for writing a seditious +pamphlet. He <i>pub.</i> ed. of various classical writers, and +among his theological writings are <i>Early Christian Writers on the +Person of Christ</i> (1784), <i>An Examination of Paine's Age of Reason</i> +(1794), and <i>Silva Critica</i> (1789-95), illustrations of the Scriptures.</p><br /> + +<a name='WALLACE_LEWIS_1827_1905'></a><p><b>WALLACE, LEWIS (1827-1905).</b> +—Novelist, <i>b.</i> at Brookville, +Indiana, served with distinction in the Mexican and Civil Wars, and +rose to the rank of General. He was also a politician of some note, +and was Governor of Utah and Minister to Turkey. His novel, <i>Ben +Hur</i> (1880), dealing with the times of Christ, had great popularity, +and was followed by <i>The Fair God</i>, <i>The Prince of India</i>, and other +novels, and by a work on the <i>Boyhood of Christ</i>.</p><br /> + +<a name='WALLER_EDMUND_1606_1687'></a><p><b>WALLER, EDMUND (1606-1687).</b> +—Poet, <i>b.</i> at Coleshill, +Herts, and <i>ed.</i> at Eton and Camb., belonged to an old and wealthy +family, and in early childhood inherited the estate of Beaconsfield, +Bucks, worth £3500 a year. He was related to John Hampden, and +was distantly connected with Oliver Cromwell, his own family, +however, being staunch Royalists. He studied law at Lincoln's +Inn, and at the age of 16 became a member of Parliament, in which +he sat for various constituencies for the greater part of his life, and +in which his wit and vivacity, as well as his powers of adapting his +principles to the times, enabled him to take a prominent part. In +1631 he added to his fortune by marrying Anne Banks, a London +heiress, who <i>d.</i> in 1634, and he then paid assiduous but unsuccessful +court to Lady Dorothea Sidney, to whom, under the name of +Sacharissa, he addressed much of his best poetry. Though probably +really a Royalist in his sympathies, W. supported the popular +<a name='Page_393'></a>cause in Parliament, and in 1641 conducted the case against Sir +Francis Crawley for his opinion in favour of the legality of ship-money. +His speech, which was printed, had an enormous circulation +and brought him great fame. Two years later, however, he +was detected in a plot for seizing London for the King, was expelled +from the House, fined £10,000, and banished. On this occasion he +showed cowardice and treachery, humiliating himself in the most +abject manner, and betraying all his associates. He went to the +Continent, living chiefly in France and Switzerland, and showing +hospitality to Royalist exiles. Returning by permission in 1652 he +addressed some laudatory verses, among the best he wrote, to Cromwell, +on whose death nevertheless he wrote a new poem entitled, <i>On +the Death of the late Usurper, O.C.</i> On the Restoration the accommodating +poet was ready with a congratulatory address to Charles +II., who, pointing out its inferiority as a poem to that addressed to +Cromwell, elicited the famous reply, "Poets, Sire, succeed better in +fiction than in truth." The poem, however, whatever its demerits, +succeeded in its prime object, and the poet became a favourite at +Court, and sat in Parliament until his death. In addition to his +lighter pieces, on which his fame chiefly rests, W. wrote an epic, <i>The +Summer Islands</i> (Bermudas), and a sacred poem, <i>Divine Love</i>. His +short poems, such as "On a Girdle," often show fancy and grace +of expression, but are frequently frigid and artificial, and exhibit +absolute indifference to the charms of Nature. As a man, though +agreeable and witty, he was time-serving, selfish, and cowardly. +Clarendon has left a very unflattering "character" of him. He <i>m.</i> +a second time and had five sons and eight daughters.</p><br /> + +<a name='WALLER_JOHN_FRANCIS_1810_1894'></a><p><b>WALLER, JOHN FRANCIS (1810-1894).</b> +—Poet, <i>b.</i> at +Limerick, and <i>ed.</i> at Trinity Coll., Dublin, became a contributor to +and ultimately ed. of the <i>Dublin University Magazine</i>, usually +writing under the pseudonym of "Jonathan Freke Slingsby." His +works include <i>Ravenscroft Hall</i> (1852), <i>The Dead Bridal</i> (1856), and +<i>Peter Brown</i> (1872).</p><br /> + +<a name='WALPOLE_HORATIO_or_HORACE_1717_1797'></a><p><b>WALPOLE, HORATIO or HORACE (1717-1797).</b> +—Miscellaneous +writer, third <i>s.</i> of Sir Robert W., the great minister of George +II., was <i>b.</i> in London, and <i>ed.</i> at Eton and Camb., after which he +travelled on the Continent with <a href='#GRAY_THOMAS_1716_1771'>Gray</a>, the poet (<i>q.v.</i>). His <i>f.</i> bestowed +several lucrative appointments upon him, and he sat in +Parliament for various places, but never took any prominent part in +public business. By the death of his nephew, the 3rd Earl, he became +in 1791 4th Earl of Orford. In 1747 he purchased the villa of +Strawberry Hill, Twickenham, the conversion of which into a small +Gothic Castle and the collection of the works of art and curios with +which it was decorated was the main interest of his subsequent life. +His position in society gave him access to the best information on all +contemporary subjects of interest, and he was as successful in collecting +gossip as curios. He also erected a private press, from which +various important works, including Gray's <i>Bard</i>, as well as his own +writings, were issued. Among the latter are <i>Letter from Xo Ho to his +Friend Lien Chi at Pekin</i> (1757), <i>The Castle of Otranto</i>, the forerunner +of the romances of terror of Mrs. Radcliffe and "Monk" Lewis, <i>The +Mysterious Mother</i> (1768), a tragedy of considerable power, <i>Catalogue +<a name='Page_394'></a>of Royal and Noble Authors</i>, <i>Anecdotes of Painting</i>, <i>Catalogue of +Engravers</i> (1763), <i>Essay on Modern Gardening</i>, <i>Memoirs of the Last +Ten Years of George II.</i>, <i>Memoirs of the Reign of George III.</i>, and +above all his <i>Letters</i>, 2700 in number, vivacious, interesting, and +often brilliant. W. never <i>m.</i></p><br /> + +<a name='WALPOLE_SIR_SPENCER_1839_1907'></a><p><b>WALPOLE, SIR SPENCER (1839-1907).</b> +—Historian, <i>s.</i> of the +Right Hon. Spencer W., Home Sec. in the three Derby Cabinets, +belonged to the same family as Sir Robert W. <i>Ed.</i> at Eton he +became a clerk in the War Office, and was thereafter successively +Inspector of Fisheries 1867, Lieutenant-Governor of the Isle of Man +1882, and Sec. to the Post Office, where he made a reputation as an +efficient administrator, and was made K.C.B. in 1898. He <i>pub.</i> +<i>History of England from</i> 1815 in 6 vols., bringing the story down to +1858, and followed it up with <i>The History of Twenty-five Years</i>. He +also wrote Lives of Spencer Percival, Prime Minister 1809-12, who +was assassinated in the lobby of the House of Commons in the +latter year, and who was his maternal grandfather, and of Earl +Russell. His latest book was <i>Studies in Biography</i>. He wrote +with much knowledge, and in a clear and sober style.</p><br /> + +<a name='WALTON_IZAAK_1593_1683'></a><p><b>WALTON, IZAAK (1593-1683).</b> +—Biographer, and author of +<i>The Compleat Angler</i>, <i>s.</i> of a yeoman, was <i>b.</i> at Stafford. Of his +earlier years little is known. He carried on business as a hosier in +London, in which he made a modest competence, which enabled +him to retire at 50, the rest of his long life of 90 years being spent in +the simple country pleasures, especially angling, which he so charmingly +describes. He was twice <i>m.</i>, first to Rachel Floud, a descendant +of Archbishop Cranmer, and second to Ann Ken, half-sister of +the author of the Evening Hymn. His first book was a <i>Life of Dr. +Donne</i> (1640), followed by Lives of Sir Henry Wotton (1651), +Richard Hooker (1662), George Herbert (1670), and Bishop Sanderson +(1678). All of these, classics in their kind, short, but simple and +striking, were <i>coll.</i> into one vol. His masterpiece, however, was <i>The +Compleat Angler</i>, the first ed. of which was <i>pub.</i> in 1653. Subsequent +ed. were greatly enlarged; a second part was added by <a href='#COTTON_CHARLES_1630_1687'>Charles +Cotton</a> (<i>q.v.</i>). With its dialogues between Piscator (angler), +Venator (hunter), and Auceps (falconer), full of wisdom, kindly +humour, and charity, its charming pictures of country scenes and +pleasures, and its snatches of verse, it is one of the most delightful +and care-dispelling books in the language. His long, happy, and +innocent life ended in the house of his son-in-law, Dr. Hawkins, Prebendary +of Winchester, where in the Cathedral he lies buried.</p><br /> + +<a name='WARBURTON_BARTHOLOMEW_ELIOT_GEORGE_1810_1852'></a><p><b>WARBURTON, BARTHOLOMEW ELIOT GEORGE (1810-1852).</b> +—Miscellaneous +writer, <i>b.</i> in County Galway, travelled in the East, +and <i>pub.</i> an account of his experiences, <i>The Crescent and the Cross</i>, +which had remarkable success, brought out an historical work, +<i>Memoirs of Prince Rupert and the Cavaliers</i> (1849), and ed. +<i>Memoirs of Horace Walpole and his Contemporaries</i>. He perished in +the burning of the steamer <i>Amazon</i>.</p><br /> + +<a name='WARBURTON_WILLIAM_1698_1779'></a><p><b>WARBURTON, WILLIAM (1698-1779).</b> +—Theologian, <i>b.</i> at +Newark, where his <i>f.</i> was an attorney. Intended for the law, he was +for a few years engaged in its practice, but his intense love of, and +<a name='Page_395'></a>capacity for, study led him to enter the Church, and in 1728 he was +presented to the Rectory of Brand-Broughton, where he remained +for many years. His first important work was <i>The Alliance between +Church and State</i> (1736), which brought him into notice. But it was +entirely eclipsed by his <i>Divine Legation of Moses</i>, of which the first +part appeared in 1737, and the second in 1741. The work, though +learned and able, is somewhat paradoxical, and it plunged him into +controversies with his numerous critics, and led to his publishing a +<i>Vindication</i>. It, however, obtained for him the appointment of +chaplain to Frederick, Prince of Wales. In 1739 W. gained the +friendship of Pope by publishing a defence of <i>The Essay on Man</i>. +Through Pope he became acquainted with most of the men of letters +of the time, and he was made by the poet his literary executor, and +had the legacy of half his library, and the profits of his posthumous +works. On the strength of this he brought out an ed. of Pope's works. +He also <i>pub.</i> an ed. of Shakespeare with notes, which was somewhat +severely criticised, and his <i>Doctrine of Grace</i>, a polemic against +Wesley. He became Dean of Bristol in 1757 and Bishop of Gloucester +in 1759. W. was a man of powerful intellect, but his temper +was overbearing and arrogant.</p><br /> + +<a name='quotWARD_ARTEMUSquot_see_BROWN_CF'></a><p><b>"WARD, ARTEMUS", (<i>see</i> <a href='#BROWNE_CHARLES_FARRAR_1834_1867'>BROWN, C.F.</a>).</b></p><br /> + +<a name='WARD_ROBERT_PLUMER_1765_1846'></a><p><b>WARD, ROBERT PLUMER (1765-1846).</b> +—Novelist and +politician, <i>b.</i> in London, <i>ed.</i> at Oxf., and called to the Bar 1790, held +various political offices, and wrote some books on the law of nations; +also three novels, <i>Tremaine, or the Man of Refinement</i>, full of prolix +discussions; <i>De Vere, or the Man of Independence</i>, in which Canning +is depicted under the character of Wentworth; and <i>De Clifford, or +the Constant Man</i>.</p><br /> + +<a name='WARD_WILLIAM_GEORGE_1812_1882'></a><p><b>WARD, WILLIAM GEORGE (1812-1882).</b> +—Theologian, <i>ed.</i> +at Winchester and Oxf., and came under the influence of J.H. Newman, +whose famous Tract No. XC. he defended, and whom he +followed into the Church of Rome. In 1844 he <i>pub.</i> <i>The Ideal of a +Christian Church</i> from the Romanist point of view, whence his soubriquet +of "Ideal Ward." He was lecturer on Moral Philosophy at +St. Edward's Coll., Ware, and wrote various treatises on controversial +theology.</p><br /> + +<a name='WARDLAW_ELIZABETH_LADY_1677_1727'></a><p><b>WARDLAW, ELIZABETH, LADY (1677-1727).</b> +—Poetess, +<i>dau.</i> of Sir Charles Halkett of Pitfirrane, and wife of Sir Henry +Wardlaw of Pitreavie, is believed to have written the pseudo-ancient +ballad of "Hardyknute." The ballad of "Sir Patrick +Spens" and others have also, but doubtfully, been attributed to her.</p><br /> + +<a name='WARNER_SUSAN_1819_1885'></a><p><b>WARNER, SUSAN (1819-1885).</b> +—Writer of tales, <i>b.</i> at New +York, and wrote, under the name of "Elizabeth Wetherell," a +number of stories, of which <i>The Wide, Wide World</i> (1851) had an +extraordinary popularity. Others were <i>Queechy</i> (1852), <i>The Old +Helmet</i> (1863), and <i>Melbourne House</i> (1864). They have no particular +literary merit or truth to nature, and are rather sentimental +and "gushy."</p><br /> + +<a name='WARNER_WILLIAM_1558_1609'></a><p><b>WARNER, WILLIAM (1558-1609).</b> +—Poet, <i>b.</i> in London or +Yorkshire, studied at Oxf., and was an attorney in London. In<a name='Page_396'></a> +1585 he <i>pub.</i> a collection of seven tales in prose entitled <i>Pan his +Syrinx</i>, and in 1595 a translation of the <i>Menæchmi</i> of Plautus. His +chief work was <i>Albion's England</i>, <i>pub.</i> in 1586 in 13 books of fourteen-syllabled +verse, and republished with 3 additional books in 1606. +The title is thus explained in the dedication, "This our whole island +anciently called Britain, but more anciently Albion, presently containing +two kingdoms, England and Scotland, is cause ... that to +distinguish the former, whose only occurrants I abridge from our +history, I entitle this my book <i>Albion's England</i>." For about 20 +years it was one of the most popular poems of its size—it contains +about 10,000 lines—ever written, and he and Spenser were called +the Homer and Virgil of their age. They must, however, have appealed +to quite different classes. The plain-spoken, jolly humour, +homely, lively, direct tales, vigorous patriotic feeling, and rough-and-tumble +metre of Warner's muse, and its heterogeneous accumulation +of material—history, tales, theology, antiquities—must have +appealed to a lower and wider audience than Spenser's charmed +verse. The style is clear, spirited, and pointed, but, as has been +said, "with all its force and vivacity ... fancy at times, and +graphic descriptive power, it is poetry with as little of high imagination +in it as any that was ever written." In his narratives W. allowed +himself great latitude of expression, which may partly account for +the rapidity with which his book fell into oblivion.</p><br /> + +<a name='WARREN_SAMUEL_1807_1877'></a><p><b>WARREN, SAMUEL (1807-1877).</b> +—Novelist, <i>b.</i> in Denbighshire, +<i>s.</i> of a Nonconformist minister. After studying medicine at +Edin. he took up law, and became a barrister, wrote several legal text-books, +and in 1852 was made Recorder of Hull. He sat in the House +of Commons for Midhurst 1856-59, and was a Master in Lunacy 1859-77. +He was the author of <i>Passages from the Diary of a late Physician</i>, +which appeared (1832-37) first in <i>Blackwood's Magazine</i>, as did also +<i>Ten Thousand a Year</i> (1839). Both attracted considerable attention, +and were often reprinted and translated. His last novel, <i>Now +and Then</i>, had little success. W. entertained exaggerated ideas as +to the importance of his place in literature.</p><br /> + +<a name='WARTON_JOSEPH_1722_1800'></a><p><b>WARTON, JOSEPH (1722-1800).</b> +—Critic, elder <i>s.</i> of the Rev. +Thomas W., Prof. of Poetry at Oxf., was <i>ed.</i> at Basingstoke School, +(of which his <i>f.</i> was headmaster), Winchester, and Oxf. He took +orders, held various benefices, and became headmaster of Winchester +Coll., and Prebendary of Winchester and of St. Paul's. He +<i>pub.</i> miscellaneous verses, 2 vols. of <i>Odes</i> (1744 and 1746), in which +he displayed a then unusual feeling for nature, and revolted against +the critical rules of Pope and his followers. He was a good classical +scholar, and made an approved translation of the <i>Eclogues</i> and +<i>Georgics</i> of Virgil. He and his brother <a href='#WARTON_THOMAS_1728_1790'>Thomas</a> (<i>q.v.</i>) were friends of +Johnson, and members of the Literary Club. His last work of importance +was an <i>Essay on the Writings and Genius of Pope</i>, of which +the first vol. appeared in 1757, and the second in 1782, and which +gave an impulse to the romantic movement in English literature. +He also ed. Pope's works, and had begun an ed. of Dryden when he <i>d.</i></p><br /> + +<a name='WARTON_THOMAS_1728_1790'></a><p><b>WARTON, THOMAS (1728-1790).</b> +—Literary historian and +critic, younger <i>s.</i> of Thomas W., Prof. of Poetry at Oxf., and brother +<a name='Page_397'></a>of the above, was <i>ed.</i> under his <i>f.</i> at Basingstoke and at Oxf. At the +age of 19 he <i>pub.</i> a poem of considerable promise, <i>The Pleasures of +Melancholy</i>, and two years later attracted attention by <i>The Triumph +of Isis</i> (1749), in praise of Oxf., and in answer to Mason's <i>Isis</i>. +After various other poetical excursions he <i>pub.</i> <i>Observations on +Spenser's Faery Queen</i> (1754), which greatly increased his reputation, +and in 1757 he was made Prof. of Poetry at Oxf., which position he +held for 10 years. After bringing out one or two ed. of classics and +biographies of college benefactors, he issued, from 1774-81, his great +<i>History of English Poetry</i>, which comes down to the end of the +Elizabethan age. The research and judgment, and the stores of +learning often curious and recondite, which were brought to bear +upon its production render this work, though now in various +respects superseded, a vast magazine of information, and it did +much to restore our older poetry to the place of which it had been +unjustly deprived by the classical school. His ed. of Milton's minor +poems has been pronounced by competent critics to be the best ever +produced. W. was a clergyman, but if the tradition is to be believed +that he had only two sermons, one written by his <i>f.</i> and the other +printed, and if the love of ease and of ale which he celebrates in some +of his verses was other than poetical, he was more in his place as a +critic than as a cleric. As a poet he hardly came up to his own +standards. He was made Poet Laureate in 1785, and in the same +year Camden Prof. of History, and was one of the first to detect the +Chatterton forgeries, a task in which his antiquarian lore stood him +in good stead.</p><br /> + +<a name='WATERLAND_DANIEL_1683_1740'></a><p><b>WATERLAND, DANIEL (1683-1740).</b> +—Theologian, <i>b.</i> at +Waseley Rectory, Lincolnshire, and <i>ed.</i> at Camb., took orders, and +obtained various preferments, becoming Master of Magdalene Coll., +Camb. 1713, Chancellor of York 1722, and Archdeacon of Middlesex +1730. He was an acute and able controversialist on behalf of the +orthodox doctrine of the Trinity, on which he wrote several treatises. +He was also the author of a <i>History of the Athanasian Creed</i> (1723).</p><br /> + +<a name='WATERTON_CHARLES_1782_1865'></a><p><b>WATERTON, CHARLES (1782-1865).</b> +—Naturalist, belonged +to an old Roman Catholic family in Yorkshire, and was <i>ed.</i> at Stonyhurst +Coll. Sent out in 1804 to look after some family estates in +Demerara, he wandered through the wildest parts of Guiana and +Brazil, in search of plants and animals for his collections. His +adventures were related in his highly-spiced and entertaining <i>Wanderings +in South America, etc.</i> (1825), in which he details certain +surprising episodes in connection with the capture of serpents, and +specially of a cayman, on the back of which he rode. He also wrote +an interesting account of his family.</p><br /> + +<a name='WATSON_JOHN_1850_1907_quotIAN_MACLARENquot'></a><p><b>WATSON, JOHN (1850-1907) "IAN MACLAREN".</b> +—Novelist +and theological writer, <i>b.</i> at Manningtree, where his <i>f.</i> was an Inland +Revenue official, <i>ed.</i> at Stirling and Edin., and the New Coll. there. +He came, after serving in a country charge, to Sefton Park Presbyterian +Church, Liverpool, where he was a popular preacher, and took +a prominent part in the social and religious life of the city. He wrote, +under the name of "Ian Maclaren," several novels belonging to the +"Kailyard" school, including <i>Beside the Bonnie Briar Bush</i> and <i>The<a name='Page_398'></a> +Days of Auld Lang Syne</i>, which had great popularity both at home +and in America. He also wrote religious works, of which <i>The Mind +of the Master</i> is the best known.</p><br /> + +<a name='WATSON_ROBERT_1730_1781'></a><p><b>WATSON, ROBERT (1730-1781).</b> +—Historian, <i>s.</i> of an +apothecary in St. Andrews, where and at Edin. and Glasgow, he was +<i>ed.</i> He became Prof. of Logic, and afterwards Principal of St. Salvador's +Coll., at St. Andrews, and wrote a History of Philip II. of +Spain, and part of a continuation on Philip III., which were long +standard works.</p><br /> + +<a name='WATSON_THOMAS_1557_1592'></a><p><b>WATSON, THOMAS (1557?-1592).</b> +—Poet, <i>b.</i> in London, was +at Oxf., and studied law. He was a scholar, and made translations, +one of which was a Latin version of the <i>Antigone</i> of Sophocles. In +1582 he <i>pub.</i> <i>Hecatompathia, or The Passionate Centurie of Love</i>, consisting +of 100 eighteen-line poems, which he called sonnets. It was +followed by <i>Amyntas</i> (1585) and <i>Teares of Fansie</i> (1593).</p><br /> + +<a name='WATTS_ALARIC_ALEXANDER_1797_1864'></a><p><b>WATTS, ALARIC ALEXANDER (1797-1864).</b> +—Poet, <i>b.</i> in +London, had an active career as a journalist. He founded the +<i>United Service Gazette</i>, and ed. various newspapers and an annual, the +<i>Literary Souvenir</i>. His poems were <i>coll.</i> as <i>Lyrics of the Heart</i>. His +numerous journalistic ventures finally resulted in bankruptcy.</p><br /> + +<a name='WATTS_ISAAC_1674_1748'></a><p><b>WATTS, ISAAC (1674-1748).</b> +—Poet and theologian, <i>b.</i> at +Southampton, where his <i>f.</i> kept a school, and <i>ed.</i> at a Nonconformist +academy at Stoke Newington, became minister of an Independent +congregation in Mark Lane; but his health proving insufficient +for his pastoral duties, he resigned, and gave himself chiefly to +literary work, continuing to preach occasionally. For the last 36 +years of his life he resided at Theobald's, the house of his friend, Sir +Thomas Abney. Among his writings were various educational +treatises, including those on <i>Logic</i> and <i>The Improvement of the Mind</i>, +and some works on theological subjects. But his fame rests on his +sacred poems and his hymns, which number over 500, and with +much that is prosaic comprised "There is a Land of Pure Delight," +"O God our Help in Ages Past," and "When I survey the Wondrous +Cross," which has been called "the most majestic hymn in +English speech." His <i>Horæ Lyricæ</i> was <i>pub.</i> in 1706, <i>Hymns</i> (1707), +<i>Divine Songs</i> (for children) (1715), <i>Metrical Psalms</i> (1719). Some of +his poems, such as his exquisite cradle song, "Hush, my dear, lie +still and slumber" have a perfect beauty and tenderness.</p><br /> + +<a name='WAUGH_EDWIN_1817_1890'></a><p><b>WAUGH, EDWIN (1817-1890).</b> +—Poet, <i>s.</i> of a shoemaker, +was <i>b.</i> at Rochdale and, after a little schooling, apprenticed to a +printer. He read eagerly, and became assistant sec. to the Lancashire +Public School Association. He first attracted attention by his +sketches of Lancashire life and character in the <i>Manchester Examiner</i>. +He wrote also in prose <i>Factory Folk</i>, <i>Besom Ben Stories</i>, and <i>The +Chimney Corner</i>. His best work was, perhaps, his dialect songs, +<i>coll.</i> as <i>Poems and Songs</i> (1859), which brought him great local fame. +He was possessed of considerable literary gift, and has been called +"the Lancashire Burns."</p><br /> + +<a name='WEBBE_WILLIAM_b_1550'></a><p><b>WEBBE, WILLIAM (<i>b.</i> 1550).</b> +—Critic and translator. +Almost nothing is known of him except that he was at Camb. and +<a name='Page_399'></a>acted as tutor in certain distinguished families, and was a friend of +Spenser. He wrote a <i>Discourse of English Poetrie</i> (1586), in which +he discusses metre, rhyme (the use of which he reprehends), and +reviews English poetry up to his own day. He also translated the +first two of the <i>Eclogues</i> of Virgil in singularly unmelodious hexameters.</p><br /> + +<a name='WEBSTER_MRS_AUGUSTA_DAVIES_1837_1894'></a><p><b>WEBSTER, MRS. AUGUSTA (DAVIES) (1837-1894).</b> +—Poet +and translator, <i>dau.</i> of Admiral Davies, <i>m.</i> Mr. Thomas Webster, a +solicitor. She wrote a novel, <i>Lesley's Guardians</i>, and several books +of poetry of distinguished excellence, including <i>Blanche Lisle</i>, +<i>Dramatic Studies</i> (1866), <i>Portraits</i> (1870), <i>A Book of Rhyme</i> (1881), +and some dramas, including <i>The Auspicious Day</i> (1874), <i>Disguises</i>, +and <i>The Sentence</i> (1887). She also made translations of <i>Prometheus +Bound</i> and <i>Medea</i>.</p><br /> + +<a name='WEBSTER_DANIEL_1782_1852'></a><p><b>WEBSTER, DANIEL (1782-1852).</b> +—Orator, <i>s.</i> of a farmer +in New Hampshire, was a distinguished advocate in Boston, and +afterwards a member of the United States Senate and Sec. of State +1841-43 and 1850-52. He was the greatest orator whom America +has produced, and has a place in literature by virtue of his <i>pub.</i> +speeches.</p><br /> + +<a name='WEBSTER_JOHN_1580_1625'></a><p><b>WEBSTER, JOHN (1580?-1625?).</b> +—Dramatist. Though in +some respects he came nearest to Shakespeare of any of his contemporaries, +almost nothing has come down to us of the life of W. +Even the dates of his birth and death are uncertain. He appears to +have been the <i>s.</i> of a London tailor, to have been a freeman of the +Merchant Taylor's Company, and clerk of the parish of St. Andrews, +Holborn. Four plays are known to be his, <i>The White Devil, or the +Life and Death of Vittoria Corombona</i> (1612), <i>Appius and Virginia</i> +(1654), <i>The Devil's Law Case</i> (1623), and <i>The Duchess of Malfi</i> (1623), +and he collaborated with Drayton, Middleton, Heywood, Dekker, etc., +in the production of others. He does not appear to have been much +regarded in his own day, and it was only in the 19th century that his +great powers began to be appreciated and expounded by such +critics as Lamb and Hazlitt, and in later days Swinburne. The +first says, "To move a horror skilfully, to touch a soul to the quick, +to lay upon fear as much as it can bear, to wean and weary a life till +it is ready to drop, and then step in with mortal instruments to take +its last forfeit, this only a Webster can do." W. revels in the +horrible, but the touch of genius saves his work from mere brutality, +and evokes pity and sorrow where, without it, there would be only +horror and disgust. His work is extremely unequal, and he had no +power of construction, but his extraordinary insight into motives +and feelings redeem all his failings and give him a place second only +to Marlowe and Ben Jonson among the contemporaries of Shakespeare.</p><br /> + +<a name='WEBSTER_NOAH_1758_1843'></a><p><b>WEBSTER, NOAH (1758-1843).</b> +—Lexicographer, etc., <i>b.</i> +at Hartford, Conn., and <i>ed.</i> at Yale. His long life was spent in unremitting +diligence as teacher, lawyer, and man of letters. His +great work is his American <i>Dictionary of the English Language</i> (1828), +for which he prepared himself by 10 years' study of philology.<a name='Page_400'></a> +Many abridgments of it have appeared, and in 1866 a new and enlarged +ed. was <i>pub.</i> His <i>Elementary Spelling Book</i> is believed to have +attained a circulation of 70,000,000 copies. He also <i>pub.</i> <i>A Philosophical +and Practical Grammar of the English Language</i> (1807), and +many other works.</p><br /> + +<a name='WELLS_CHARLES_JEREMIAH_1800_1879'></a><p><b>WELLS, CHARLES JEREMIAH (1800?-1879).</b> +—Poet, <i>b.</i> in +London, where he practised as a solicitor, <i>pub.</i> in 1822 <i>Stories after +Nature</i>, written in poetic prose, which attracted no attention, and a +biblical drama, <i>Joseph and his Brethren</i> (1824), which had an almost +similar fate until D.G. Rossetti called attention to it in 1863, giving +it a high meed of praise. In 1874, stung by want of appreciation, he +had burned his manuscripts of plays and poems; but on the new +interest excited in his <i>Joseph</i> he added some new scenes. In his +later years he lived in France. <i>Joseph and his Brethren</i> ed. in the +World's Classics, 1909.</p><br /> + +<a name='WENDOVER_ROGER_DE_d_1236'></a><p><b>WENDOVER, ROGER DE (<i>d.</i> 1236).</b> +—Chronicler, a monk +of St. Albans, became Prior of Belvoir, from which he was deposed +for extravagance, but was recalled to St. Albans, where he <i>d.</i> He +wrote <i>Flores Historiarum</i> (Flowers of History), a history of the +world in 2 books, the first from the creation to the incarnation, the +second to the reign of Henry III., his own time. The latter is of +value as a contemporary authority, and is an impartial and manly +account of his own period.</p><br /> + +<a name='WESLEY_CHARLES_1707_1788'></a><p><b>WESLEY, CHARLES (1707-1788).</b> +—Hymn-writer, younger +brother of <a href='#WESLEY_JOHN_1703_1791'>John W.</a> (<i>q.v.</i>), was <i>b.</i> at Epworth, and <i>ed.</i> at Westminster +School and Oxf. He was all his life closely associated with his elder +and greater brother, one of whose most loyal helpers he was, though +not agreeing with him in all points. His chief fame is founded upon +his hymns, of which he is said to have written the almost incredible +number of 6500, many of them among the finest in the language. +They include "Jesus, Lover of my Soul," "Love Divine all Loves +excelling," "Come, oh Thou Traveller Unknown," "Hark the +Herald Angels Sing," and "Come, let us join our Friends above."</p><br /> + +<a name='WESLEY_JOHN_1703_1791'></a><p><b>WESLEY, JOHN (1703-1791).</b> +—Theological writer, diarist, +and founder of Methodism, was the second surviving <i>s.</i> of the Rev. +Samuel W., Rector of Epworth, Lincolnshire. The name was also +written Westley and Wellesley, and the family appears to be the +same as that to which the Duke of Wellington and his brother the +Marquis Wellesley belonged. W. was <i>ed.</i> at the Charterhouse and +at Oxf., and was ordained deacon in 1725, and priest in 1728. After +assisting his <i>f.</i> for a short time as curate, he returned to Oxf., where +he found that his brother <a href='#WESLEY_CHARLES_1707_1788'>Charles</a>, along with G. Whitefield (<i>q.v.</i>) +and others, had begun that association for religious improvement +from which sprang the great religious movement known as Methodism. +About the same time the two brothers came under the influence +of <a href='#LAW_WILLIAM_1686_1761'>William Law</a> (<i>q.v.</i>), author of the <i>Serious Call</i>, and in 1735 +John went on a mission to Georgia to preach to the Indians and +colonists, and became closely associated with the Moravian Brethren. +Difficulties of a personal character, however, led to his return in +1738 to London, where he continued to associate with the Moravians.<a name='Page_401'></a> +It was at this time that, hearing Luther's preface to the Epistle to the +Romans read at a meeting, he found his religious and ecclesiastical +views revolutionised. Hitherto holding strong High Church views +in some directions, he now assumed a position which ultimately led +to his abandoning the doctrine of Apostolical succession, and ordaining +pastors and bishops, and finally creating a separate ecclesiastical +organisation. Consequences soon followed; the pulpits of the +Church were closed against him, and he began his marvellous career +of itinerant and out-of-door preaching, which was continued to the +close of his long life. He soon became a mighty power in the land; +vast crowds waited on his ministrations, which were instrumental +in producing a great revival of religious interest, and improved +morality among the people. At the same time violent opposition +was aroused, and W. was often in danger of his life from mobs. In +the end, however, he lived down this state of things to a large extent, +and in his old age was the object of extraordinary general veneration, +while in his own communion he exercised a kind of pontifical sway. +During the 50 years of his apostolic journeyings he is said to have +travelled 250,000 miles in Britain, Ireland, and the Continent; but +notwithstanding this phenomenal activity he was able, by extreme +economy of time, to write copiously, his works including educational +treatises, translations from the classics, histories of Rome and England, +a history of the Church, biblical commentaries, manifold controversial +treatises and ed. of religious classics. Most of them had +an enormous circulation and brought him in £30,000, all of which he +expended on philanthropic and religious objects. The work, however, +on which his literary fame chiefly rests is his <i>Journal</i>, extending +from 1735-90, which is one of the most graphic and interesting +records of its kind in existence. He also wrote many hymns, +largely translations from the German, and he had a considerable, +hand in giving their final form to the almost innumerable hymns of +his brother Charles. W. was a man of practical and organising +ability of the first order, of intense religious earnestness and sincerity, +benevolent feelings, and agreeable manners. At the same +time he was of an autocratic temper, and often showed keenness and +even intolerance in his controversies, which were largely against the +extreme Calvinism of his old friend and fellow-labourer, Whitefield, +and Toplady, the author of the hymn "Rock of Ages," himself a +bitter polemic. In 1740 he had formally withdrawn from association +with the Moravians. W. was <i>m.</i> in 1751 to a widow, Mrs. +Vazeille, with whom, however, he did not live happily, and who +separated from him in 1776.</p><br /> + +<a name='WESTALL_WILLIAM_1834_1903'></a><p><b>WESTALL, WILLIAM (1834-1903).</b> +—Novelist, was originally +in business, but later betook himself to journalism, and also +wrote a large number of novels, including <i>The Old Factory</i>, <i>Strange +Crimes</i>, <i>Her Ladyship's Secret</i>, etc., which, while healthy in tone and +interesting, have no literary distinction.</p><br /> + +<a name='WHARTON_THOMAS_WHARTON_1ST_MARQUIS_of_1648_1715'></a><p><b>WHARTON, THOMAS WHARTON, 1ST MARQUIS of (1648-1715).</b> +—Statesman +and writer of "Lillibullero," <i>s.</i> of the 4th Baron +W., was one of the most profligate men of his age. He was a supporter +of the Exclusion Bill, and consequently obnoxious to James +II. His only contribution to literature was the doggerel ballad,<a name='Page_402'></a> +"Lillibullero" (1688), which had so powerful a political effect that its +author claimed to have sung a King out of three kingdoms. He was +generally disliked and distrusted, but held for a short time, from +1708, the Lord Lieutenancy of Ireland, when he had Addison as his +chief sec.</p><br /> + +<a name='WHATELEY_RICHARD_1787_1863'></a><p><b>WHATELEY, RICHARD (1787-1863).</b> +—Theologian and +economist, <i>s.</i> of the Rev. Dr. Joseph W., <i>b.</i> in London, and <i>ed.</i> at a +school in Bristol, and at Oxf., where he became a coll. tutor. Taking +orders he became Rector of Halesworth, Suffolk. In 1822 he delivered +his Bampton lectures on <i>The Use and Abuse of Party Feeling +in Religion</i>. Three years later he was made Principal of St. Alban's +Hall, in 1829 Prof. of Political Economy, and in 1831 Archbishop of +Dublin. As head of a coll. and as a prelate W. showed great energy +and administrative ability. He was a vigorous, clear-headed personality, +somewhat largely endowed with contempt for views with +which he was not in sympathy, and with a vein of caustic humour, in +the use of which he was not sparing. These qualities made him far +from universally popular; but his honesty, fairness, and devotion to +duty gained for him general respect. He had no sympathy with the +Oxf. movement, was strongly anti-Calvinistic, and somewhat Latitudinarian, +so that he was exposed to a good deal of theological +odium from opposite quarters. He was a voluminous writer, and +among his best known works are his treatises on <i>Logic</i> (1826) and +<i>Rhetoric</i> (1828), his <i>Historic Doubts relative to Napoleon Buonaparte</i> +(1819), intended as a <i>reductio ad absurdum</i> of Hume's contention +that no evidence is sufficient to prove a miracle, <i>Essays on some +Peculiarities of the Christian Religion</i> (1825), <i>Christian Evidences</i> +(1837), and ed. of Bacon's <i>Essays</i> with valuable notes, and of +Paley's <i>Evidences</i>.</p><br /> + +<a name='WHETSTONE_GEORGE_1544_1587'></a><p><b>WHETSTONE, GEORGE (1544?-1587?).</b> +—Dramatist, one of +the early, roistering playwrights who frequented the Court of Elizabeth, +later served as a soldier in the Low Countries, accompanied +Sir Humphrey Gilbert's expedition to Newfoundland in 1578, and +was at the Battle of Zutphen in 1586. He was a trenchant critic of +the contemporary drama, contending for greater reality and rationality. +His play, <i>Promos and Cassandra</i>, translated from Cinthio's +<i>Hecatomithi</i>, was used by Shakespeare in <i>Measure for Measure</i>.</p><br /> + +<a name='WHEWELL_WILLIAM_1794_1866'></a><p><b>WHEWELL, WILLIAM (1794-1866).</b> +—Philosopher, theologian +and mathematician, <i>s.</i> of a joiner at Lancaster, where he +was <i>b.</i>, <i>ed.</i> at Camb., where he had a brilliant career. He became +Prof. of Mineralogy at Camb. 1828, of Moral Theology 1838, was +Master of Trinity from 1841 until his death, and he held the office of +Vice-Chancellor of the Univ. in 1843 and 1856. W. was remarkable +as the possessor of an encyclopædic fund of knowledge, perhaps unprecedented, +and he was the author of a number of works of great +importance on a variety of subjects. Among the chief of these may +be mentioned his Bridgewater Treatise on <i>Astronomy and General +Physics considered with Reference to Natural Theology</i> (1833), <i>History +of the Inductive Sciences</i> (1837), <i>The Philosophy of the Inductive +Sciences</i> (1840), <i>Essay on Plurality of Worlds</i> (anonymously), <i>Elements +of Morality</i> (1845), <i>History of Moral Philosophy in England</i><a name='Page_403'></a> +(1852), and <i>Platonic Dialogues</i>. In addition to these he wrote +innumerable articles, reviews, and scientific papers. It was as a +co-ordinator of knowledge and the researches of others that W. +excelled; he was little of an original observer or discoverer. He is +described as a large, strong, erect man with a red face and a loud +voice, and he was an overwhelming and somewhat arrogant talker.</p><br /> + +<a name='WHICHCOTE_BENJAMIN_1609_1683'></a><p><b>WHICHCOTE, BENJAMIN (1609-1683).</b> +—Divine, belonged +to a good Shropshire family, and was at Camb., where he became Provost +of King's Coll., of which office he was deprived at the Restoration. +He was of liberal views, and is reckoned among the Camb. Platonists, +over whom he exercised great influence. His works consist of <i>Discourses</i> +and <i>Moral and Religious Aphorisms</i>. In 1668 he was presented +to the living of St. Lawrence, Jewry, London, which he held +until his death.</p><br /> + +<a name='WHIPPLE_EDWIN_PERCY_1819_1886'></a><p><b>WHIPPLE, EDWIN PERCY (1819-1886).</b> +—Essayist and +critic, <i>b.</i> in Massachusetts, was a brilliant and discriminating critic. +His works include <i>Character and Characteristic Men</i>, <i>Literature and +Life</i>, <i>Success and its Conditions</i>, <i>Literature of the Age of Elizabeth</i>, +<i>Literature and Politics</i>, etc.</p><br /> + +<a name='WHISTON_WILLIAM_1667_1752'></a><p><b>WHISTON, WILLIAM (1667-1752).</b> +—Theologian, and man +of science, <i>b.</i> at Norton, Leicestershire, and <i>ed.</i> at Camb., where he +succeeded Newton as Lucasian Prof. of Mathematics, was a +prominent advocate of the Newtonian system, and wrote a <i>Theory +of the Earth</i> against the views of <a href='#BURNET_THOMAS_1635_1715'>Thomas Burnet</a> (<i>q.v.</i>). He also +wrote several theological works, <i>Primitive Christianity Revived</i> and +the <i>Primitive New Testament</i>. The Arian views promulgated in the +former led to his expulsion from the Univ. His best known work +was his translation of <i>Josephus</i>. He was a kindly and honest, but +eccentric and impracticable man, and an insatiable controversialist.</p><br /> + +<a name='WHITE_GILBERT_1720_1793'></a><p><b>WHITE, GILBERT (1720-1793).</b> +—Naturalist, <i>b.</i> at Selborne, +Hants, and <i>ed.</i> along with the <a href='#WARTON_JOSEPH_1722_1800'>Wartons</a> (<i>q.v.</i>) at their father's school +at Basingstoke, and thereafter at Oxf., entered the Church, and +after holding various curacies settled, in 1755, at Selborne. He became +the friend and correspondent of <a href='#PENNANT_THOMAS_1726_1798'>Pennant</a> the naturalist (<i>q.v.</i>), +and other men of science, and <i>pub.</i> in the form of letters the work +which has made him immortal, <i>The Natural History and Antiquities +of Selborne</i> (1789). He was never <i>m.</i>, but was in love with the well-known +bluestocking Hester Mulso, afterwards Mrs. Chapone, who +rejected him. He had four brothers, all more or less addicted to +the study of natural history.</p><br /> + +<a name='WHITE_HENRY_KIRKE_1785_1806'></a><p><b>WHITE, HENRY KIRKE (1785-1806).</b> +—Poet, <i>s.</i> of a butcher +at Nottingham. At first assisting his <i>f.</i>, next a stocking weaver, he +was afterwards placed in the office of an attorney. Some contributions +to a newspaper introduced him to the notice of Capel Lofft, a +patron of promising youths, by whose help he brought out a vol. of +poems, which fell into the hands of Southey, who wrote to him. +Thereafter friends raised a fund to send him to Camb., where he gave +brilliant promise. Overwork, however, undermined a constitution +originally delicate, and he <i>d.</i> at 21. Southey wrote a short memoir +<a name='Page_404'></a>of him with some additional poems. His chief poem was the <i>Christiad</i>, +a fragment. His best known production is the hymn, "Much +in sorrow, oft in Woe."</p><br /> + +<a name='WHITE_JOSEPH_BLANCO_1775_1841'></a><p><b>WHITE, JOSEPH BLANCO (1775-1841).</b> +—Poet, <i>s.</i> of a +merchant, an Irish Roman Catholic resident at Seville, where he was +<i>b.</i>, became a priest, but lost his religious faith and came to England, +where he conducted a Spanish newspaper having for its main object +the fanning of the flame of Spanish patriotism against the French +invasion, which was subsidised by the English Government. He +again embraced Christianity, and entered the Church of England, +but latterly became a Unitarian. He wrote, among other works, +<i>Internal Evidences against Catholicism</i> (1825), and <i>Second Travels of +an Irish Gentleman in search of a Religion</i>, in answer to T. Moore's +work, <i>Travels, etc.</i> His most permanent contribution to literature, +however, is his single sonnet on "Night", which Coleridge considered +"the finest and most grandly conceived" in our language.</p><br /> + +<a name='WHITE_RICHARD_GRANT_1822_1885'></a><p><b>WHITE, RICHARD GRANT (1822-1885).</b> +—Shakespearian +scholar, <i>b.</i> in New York State, was long Chief of the Revenue Marine +Bureau, and was one of the most acute students and critics of +Shakespeare, of whose works he <i>pub.</i> two ed., the first in 1865, and +the second (the Riverside) in 1883. He also wrote <i>Words and their +Uses</i>, <i>Memoirs of Shakespeare</i>, <i>Studies in Shakespeare</i>, <i>The New +Gospel of Peace</i> (a satire), <i>The Fate of Mansfield Humphreys</i> (novel), +etc.</p><br /> + +<a name='WHITEHEAD_CHARLES_1804_1862'></a><p><b>WHITEHEAD, CHARLES (1804-1862).</b> +—Poet, novelist, and +dramatist; is specially remembered for three works, all of which +met with popular favour: <i>The Solitary</i> (1831), a poem, <i>The Autobiography +of Jack Ketch</i> (1834), a novel, and <i>The Cavalier</i> (1836), a +play in blank verse. He recommended Dickens for the writing +of the letterpress for R. Seymour's drawings, which ultimately +developed into <i>The Pickwick Papers</i>.</p><br /> + +<a name='WHITEHEAD_WILLIAM_1715_1785'></a><p><b>WHITEHEAD, WILLIAM (1715-1785).</b> +—Poet, <i>s.</i> of a baker +at Camb., and <i>ed.</i> at Winchester School and Camb., became tutor in +the family of the Earl of Jersey, and retained the favour of the family +through life. In 1757 he succeeded Colley Cibber as Poet Laureate. +He wrote plays of only moderate quality, including <i>The Roman +Father</i> and <i>Creusa</i>, tragedies, and <i>The School for Lovers</i>, a comedy; +also poems, <i>The Enthusiast</i> and <i>Variety</i>. His official productions as +Laureate were severely attacked, which drew from him in reply <i>A +Charge to the Poets</i>.</p><br /> + +<a name='WHITMAN_WALTER_or_WALT_1819_1892'></a><p><b>WHITMAN, WALTER or WALT (1819-1892).</b> +—Poet, was <i>b.</i> +at Huntingdon, Long Island, New York. His mother was of Dutch +descent, and the farm on which he was <i>b.</i> had been in the possession +of his father's family since the early settlement. His first education +was received at Brooklyn, to which his <i>f.</i> had removed while W. was +a young child. At 13 he was in a printing office, at 17 he was teaching +and writing for the newspapers, and at 21 was editing one. The +next dozen years were passed in desultory work as a printer with +<a name='Page_405'></a>occasional literary excursions, but apparently mainly in "loafing" +and observing his fellow-creatures. It was not till 1855 that his +first really characteristic work, <i>Leaves of Grass</i>, appeared. This first +ed. contained only 12 poems. Notwithstanding its startling departures +from conventionality both in form and substance it was well +received by the leading literary reviews and, with certain reserves to +be expected, it was welcomed by Emerson. It did not, however, +achieve general acceptance, and was received with strong and not +unnatural protest in many quarters. When a later ed. was called for +Emerson unsuccessfully endeavoured to persuade the author to suppress +the more objectionable parts. On the outbreak of the Civil +War W. volunteered as a nurse for the wounded, and rendered much +useful service. The results of his experiences and observations were +given in verse in <i>Drum Taps</i> and <i>The Wound Dresser</i>, and in prose in +<i>Specimen Days</i>. From these scenes he was removed by his appointment +to a Government clerkship, from which, however, he was soon +dismissed on the ground of having written books of an immoral +tendency. This action of the authorities led to a somewhat warm +controversy, and after a short interval W. received another Government +appointment, which he held until 1873, when he had a paralytic +seizure, which rendered his retirement necessary. Other works +besides those mentioned are <i>Two Rivulets</i> and <i>Democratic Vistas</i>. In +his later years he retired to Camden, New Jersey, where he <i>d.</i> W. is +the most unconventional of writers. Revolt against all convention +was in fact his self-proclaimed mission. In his versification he discards +rhyme almost entirely, and metre as generally understood. +And in his treatment of certain passions and appetites, and of +unadulterated human nature, he is at war with what he considered +the conventions of an effeminate society, in which, however, he +adopts a mode of utterance which many people consider equally +objectionable, overlooking, as he does, the existence through all the +processes of nature of a principle of reserve and concealment. Amid +much that is prosaic and rhetorical, however, it remains true that +there is real poetic insight and an intense and singularly fresh sense +of nature in the best of his writings.</p> + +<p><i>Works</i>, 12 vols., with <i>Life</i>. <i>See</i> Stedman's <i>Poets of America</i>. +Monographs by Symonds, Clarke, and Salter.</p><br /> + +<a name='WHITNEY_WILLIAM_DWIGHT_1827_1894'></a><p><b>WHITNEY, WILLIAM DWIGHT (1827-1894).</b> +—Philologist, +<i>b.</i> at Northampton, Mass., was Prof. of Sanskrit, etc., at Yale, and +chief ed. of the <i>Century Dictionary</i>. Among his books are <i>Darwinism +and Language</i> and <i>The Life and Growth of Language</i>.</p><br /> + +<a name='WHITTIER_JOHN_GREENLEAF_1807_1892'></a><p><b>WHITTIER, JOHN GREENLEAF (1807-1892).</b> +—Poet, was <i>b.</i> +at Haverhill, Massachusetts, of a Quaker family. In early life he +worked on a farm. His later years were occupied partly in journalism, +partly in farming, and he seems also to have done a good deal +of local political work. He began to write verse at a very early age, +and continued to do so until almost his latest days. He was always +a champion of the anti-slavery cause, and by his writings both as +journalist and poet, did much to stimulate national feeling in the +direction of freedom. Among his poetical works are <i>Voices of Freedom</i> +(1836), <i>Songs of Labour</i> (1851), <i>Home Ballads</i> (1859), <i>In War +Time</i> (1863), <i>Snow Bound</i> (1866), <i>The Tent on the Beach</i> (1867),<a name='Page_406'></a> +<i>Ballads of New England</i> (1870), <i>The Pennsylvania Pilgrim</i> (1874). +W. had true feeling and was animated by high ideals. Influenced +in early life by the poems of Burns, he became a poet of nature, with +which his early upbringing brought him into close and sympathetic +contact; he was also a poet of faith and the ideal life and of liberty. +He, however, lacked concentration and intensity, and his want of +early education made him often loose in expression and faulty in +form; and probably a comparatively small portion of what he wrote +will live.</p><br /> + +<a name='WHYTE_MELVILLE_GEORGE_JOHN_1821_1878'></a><p><b>WHYTE-MELVILLE, GEORGE JOHN (1821-1878).</b> +—Novelist, +<i>s.</i> of a country gentleman of Fife, <i>ed.</i> at Eton, entered the +army, and saw service in the Crimea, retiring in 1859 as Major. +Thereafter he devoted himself to field sports, in which he was an +acknowledged authority, and to literature. He wrote a number of +novels, mainly founded on sporting subjects, though a few were +historical. They include <i>Kate Coventry</i>, <i>The Queen's Maries</i>, <i>The +Gladiators</i>, and <i>Satanella</i>. He also wrote <i>Songs and Verses</i> and <i>The +True Cross</i>, a religious poem. He <i>d.</i> from an accident in the hunting-field.</p><br /> + +<a name='WICLIF_or_WYCLIF_JOHN_1320_1384'></a><p><b>WICLIF, or WYCLIF, JOHN (1320?-1384).</b> +—Theologian +and translator of the Bible, <i>b.</i> near Richmond, Yorkshire, studied at +Balliol Coll., Oxf., of which he became in 1361 master, and taking +orders, became Vicar of Fillingham, Lincolnshire, when he resigned +his mastership, and in 1361 Prebendary of Westbury. By this time +he had written a treatise on logic, and had won some position as a +man of learning. In 1372 he took the degree of Doctor of Theology, +and became Canon of Lincoln, and in 1374 was sent to Bruges as one +of a commission to treat with Papal delegates as to certain ecclesiastical +matters in dispute, and in the same year he became Rector of +Lutterworth, where he remained until his death. His liberal and +patriotic views on the questions in dispute between England and the +Pope gained for him the favour of John of Gaunt and Lord Percy, +who accompanied him when, in 1377, he was summoned before the +ecclesiastical authorities at St. Paul's. The Court was broken up by +an inroad of the London mob, and no sentence was passed upon him. +Another trial at Lambeth in the next year was equally inconclusive. +By this time W. had taken up a position definitely antagonistic to +the Papal system. He organised his institution of poor preachers, +and initiated his great enterprise of translating the Scriptures into +English. His own share of the work was the Gospels, probably the +whole of the New Testament and possibly part of the Old. The +whole work was ed. by John Purvey, an Oxf. friend, who had joined +him at Lutterworth, the work being completed by 1400. In 1380 W. +openly rejected the doctrine of transubstantiation, and was forbidden +to teach at Oxf., where he had obtained great influence. In +1382 a Court was convened by the Archbishop of Canterbury, which +passed sentence of condemnation upon his views. It says much for +the position which he had attained, and for the power of his supporters, +that he was permitted to depart from Oxf. and retire to +Lutterworth, where, worn out by his labours and anxieties, he <i>d.</i> of a +paralytic seizure on the last day of 1384. His enemies, baffled in +their designs against him while living, consoled themselves by disinterring +<a name='Page_407'></a>his bones in 1428 and throwing them into the river Swift, of +which <a href='#FULLER_THOMAS_1608_1661'>Thomas Fuller</a> (<i>q.v.</i>) has said, "Thus this brook has conveyed +his ashes into Avon, Avon into Severn, Severn into the Narrow Seas, +they into the main ocean, and thus the ashes of Wicliffe are the +emblem of his doctrine, which now is dispersed all the world over." +The works of W. were chiefly controversial or theological and, as +literature, have no great importance, but his translation of the Bible +had indirectly a great influence not only by tending to fix the +language, but in a far greater degree by furthering the moral and +intellectual emancipation on which true literature is essentially +founded.</p><br /> + +<a name='WILBERFORCE_WILLIAM_1759_1833'></a><p><b>WILBERFORCE, WILLIAM (1759-1833).</b> +—Philanthropist +and religious writer, <i>s.</i> of a merchant, was <i>b.</i> at Hull, <i>ed.</i> at Camb., +entered Parliament as member for his native town, became the intimate +friend of Pitt, and was the leader of the crusade against the +slave-trade and slavery. His chief literary work was his <i>Practical +View of Christianity</i>, which had remarkable popularity and influence, +but he wrote continually and with effect on the religious and philanthropic +objects to which he had devoted his life.</p><br /> + +<a name='WILCOX_CARLES_1794_1827'></a><p><b>WILCOX, CARLES (1794-1827).</b> +—Poet, <i>b.</i> at Newport, +N.H., was a Congregationalist minister. He wrote a poem, <i>The Age +of Benevolence</i>, which was left unfinished, and which bears manifest +traces of the influence of Cowper.</p><br /> + +<a name='WILDE_OSCAR_OFLAHERTY_1856_1900'></a><p><b>WILDE, OSCAR O'FLAHERTY (1856-1900).</b> +—Poet and +dramatist, <i>s.</i> of Sir William W., the eminent surgeon, was <i>b.</i> at +Dublin, and <i>ed.</i> there at Trinity Coll. and at Oxf. He was one of the +founders of the modern cult of the æsthetic. Among his writings +are <i>Poems</i> (1881), <i>The Picture of Dorian Gray</i>, a novel, and several +plays, including <i>Lady Windermere's Fan</i>, <i>A Woman of no Importance</i>, +and <i>The Importance of being Earnest</i>. He was convicted of a serious +offence, and after his release from prison went abroad and <i>d.</i> at Paris. +<i>Coll.</i> ed. of his works, 12 vols., 1909.</p><br /> + +<a name='WILKES_JOHN_1727_1797'></a><p><b>WILKES, JOHN (1727-1797).</b> +—Politician, <i>s.</i> of a distiller +in London, was <i>ed.</i> at Leyden. Witty, resourceful, but unprincipled +and profligate, he became from circumstances the representative and +champion of important political principles, including that of free +representation in Parliament. His writings have nothing of the +brilliance and point of his social exhibitions, but his paper, <i>The North +Briton</i>, and especially the famous "No. 45," in which he charged +George III. with uttering a falsehood in his speech from the throne, +caused so much excitement, and led to such important results that +they give him a place in literature. He also wrote a highly offensive +<i>Essay on Woman</i>. W. was expelled from the House of Commons and outlawed, +but such was the strength of the cause which he championed +that, notwithstanding the worthlessness of his character, his right to +sit in the House was ultimately admitted in 1774, and he continued +to sit until 1790. He was also Lord Mayor of London.</p><br /> + +<a name='WILKIE_WILLIAM_1721_1772'></a><p><b>WILKIE, WILLIAM (1721-1772).</b> +—Poet, <i>b.</i>. in Linlithgowshire, +<i>s.</i> of a farmer, and <i>ed.</i> at Edin., he entered the Church, and +became minister of Ratho, Midlothian, in 1756, and Prof. of Natural<a name='Page_408'></a> +Philosophy at St. Andrews in 1759. In 1757 he <i>pub.</i> the <i>Epigoniad</i>, +dealing with the Epigoni, sons of the seven heroes who fought against +Thebes. He also wrote <i>Moral Fables in Verse</i>.</p><br /> + +<a name='WILKINS_JOHN_1614_1672'></a><p><b>WILKINS, JOHN (1614-1672).</b> +—Mathematician and divine, +<i>s.</i> of a goldsmith in Oxf., but <i>b.</i> at Daventry and <i>ed.</i> at Oxf., entered +the Church, held many preferments, and became Bishop of Chester. +He <i>m.</i> a sister of Oliver Cromwell, and being of an easy temper and +somewhat accommodating principles, he passed through troublous +times and many changes with a minimum of hardship. He was one +of the band of learned men whom Charles II. incorporated as the +Royal Society. Among his writings are <i>The Discovery of a World in +the Moon</i>, <i>Mathematical Magic</i>, and <i>An Essay towards ... a Philosophical +Language</i>.</p><br /> + +<a name='WILKINSON_SIR_JOHN_GARDNER_1797_1875'></a><p><b>WILKINSON, SIR JOHN GARDNER (1797-1875).</b> +—Egyptologist, +<i>s.</i> of a Westmoreland clergyman, studied at Oxf. In 1821 he +went to Egypt, and remained there and in Nubia exploring, surveying, +and studying the hieroglyphical inscriptions, on which he made +himself one of the great authorities. He <i>pub.</i> two important works, +of great literary as well as scholarly merit, <i>Materia Hieroglyphica</i> +(1828) and <i>Manners and Customs of the Ancient Egyptians</i> (6 vols., +1837-41). He wrote various books of travel, and was knighted in +1839.</p><br /> + +<a name='WILLIAM_of_MALMESBURY_fl_12th_cent'></a><p><b>WILLIAM of MALMESBURY (<i>fl.</i> 12th cent.).</b> +—Historian, +was an inmate of the great monastery at Malmesbury. His name is +said to have been Somerset, and he was Norman by one parent and +English by the other. The date of his birth is unknown, that of his +death has sometimes been fixed as 1142 on the ground that his +latest work stops abruptly in that year. His history, written in +Latin, falls into two parts, <i>Gesta Regum Anglorum</i> (Acts of the Kings +of the English), in five books, bringing the narrative down from the +arrival of the Saxons to 1120, and <i>Historia Novella</i> (Modern History), +carrying it on to 1142. The work is characterised by a love +of truth, much more critical faculty in sifting evidence than was +then common, and considerable attention to literary form. It is +dedicated to Robert, Earl of Gloucester, the champion of Queen +Matilda. Other works by W. are <i>De Gestis Pontificum Anglorum</i>, +Lives of the English Bishops, and a history of the Monastery of +Glastonbury.</p><br /> + +<a name='WILLIAM_of_NEWBURGH_or_NEWBURY_1136_1198'></a><p><b>WILLIAM of NEWBURGH, or NEWBURY (1136-1198?).</b> +—Historian, +belonged to the monastery of Newburgh in Yorkshire. +His own name is said to have been Little. His work, <i>Historia Rerum +Anglicarum</i> (History of English affairs), is written in good Latin, and +has some of the same qualities as that of <a href='#WILLIAM_of_MALMESBURY_fl_12th_cent'>William of Malmesbury</a> +(<i>q.v.</i>). He rejects the legend of the Trojan descent of the early +Britons, and animadverts severely on what he calls "the impudent +and impertinent lies" of <a href='#GEOFFREY_of_MONMOUTH_1100_1154'>Geoffrey of Monmouth</a> (<i>q.v.</i>). His record +of contemporary events is careful.</p><br /> + +<a name='WILLIAMS_SIR_CHARLES_HANBURY_1708_1759'></a><p><b>WILLIAMS, SIR CHARLES HANBURY (1708-1759).</b> +—Diplomatist +and satirist, <i>s.</i> of John Hanbury, a Welsh ironmaster, assumed +the name of Williams on succeeding to an estate, entered<a name='Page_409'></a> +Parliament as a supporter of Walpole, held many diplomatic posts, +and was a brilliant wit with a great contemporary reputation for +lively and biting satires and lampoons.</p><br /> + +<a name='WILLIS_BROWNE_1682_1760'></a><p><b>WILLIS, BROWNE (1682-1760).</b> +—Antiquary, <i>ed.</i> at Westminster +and Oxf., entered the Inner Temple 1700, sat in the House +of Commons 1705-8. He wrote <i>History of the Counties, Cities, and +Boroughs of England and Wales</i> (1715), <i>Notitia Parliamentaria</i>, etc.</p><br /> + +<a name='WILLIS_NATHANIEL_PARKER_1806_1867'></a><p><b>WILLIS, NATHANIEL PARKER (1806-1867).</b> +—Poet, <i>b.</i> at +Portland, and <i>ed.</i> at Yale, was mainly a journalist, and conducted +various magazines, including the <i>American Monthly</i>; but he also +wrote short poems, many of which were popular, of which perhaps +the best is "Unseen Spirits," stories, and works of a more or less +fugitive character, with such titles as <i>Pencillings by the Way</i> (1835), +<i>Inklings of Adventure</i>, <i>Letters from under a Bridge</i> (1839), <i>People I +have Met</i>, <i>The Rag-Tag</i>, <i>The Slingsby Papers</i>, etc., some of which +were originally contributed to his magazines. He travelled a good +deal in Europe, and was attached for a time to the American Embassy +in Paris. He was a favourite in society, and enjoyed a wide +popularity in uncritical circles, but is now distinctly a spent force.</p><br /> + +<a name='WILLS_JAMES_1790_1868'></a><p><b>WILLS, JAMES (1790-1868).</b> +—Poet and miscellaneous +writer, younger <i>s.</i> of a Roscommon squire, was <i>ed.</i> at Trinity Coll., +Dublin, and studied law in the Middle Temple. Deprived, however, +of the fortune destined for him and the means of pursuing a legal +career by the extravagance of his elder brother, he entered the +Church, and also wrote largely in <i>Blackwood's Magazine</i> and other +periodicals. In 1831 he <i>pub.</i> <i>The Disembodied and other Poems</i>; <i>The +Philosophy of Unbelief</i> (1835) attracted much attention. His +largest work was Lives of <i>Illustrious and Distinguished Irishmen</i>, and +his latest publication <i>The Idolatress</i> (1868). In all his writings W. +gave evidence of a powerful personality. His poems are spirited, +and in some cases show considerable dramatic qualities.</p><br /> + +<a name='WILLS_WILLIAM_GORMAN_1828_1891'></a><p><b>WILLS, WILLIAM GORMAN (1828-1891).</b> +—Dramatist, <i>s.</i> of +above, <i>b.</i> in Dublin. After writing a novel, <i>Old Times</i>, in an Irish +magazine, he went to London, and for some time wrote for periodicals +without any very marked success. He found his true vein in the +drama, and produced over 30 plays, many of which, including <i>Medea +in Corinth</i>, <i>Eugene Aram</i>, <i>Jane Shore</i>, <i>Buckingham</i>, and <i>Olivia</i>, +had great success. Besides these he wrote a poem, <i>Melchior</i>, +in blank verse, and many songs. He was also an accomplished +artist.</p><br /> + +<a name='WILSON_ALEXANDER_1766_1813'></a><p><b>WILSON, ALEXANDER (1766-1813).</b> +—Poet and ornithologist, +<i>b.</i> at Paisley, where he worked as a weaver, afterwards becoming +a pedlar. He <i>pub.</i> some poems, of which the best is <i>Watty +and Maggie</i>, and in 1794 went to America, where he worked as a +pedlar and teacher. His skill in depicting birds led to his becoming +an enthusiastic ornithologist, and he induced the publisher of <i>Rees's +Cyclopædia</i>, on which he had been employed, to undertake an +American ornithology to be written and illustrated by him. Some +vols. of the work were completed when, worn out by the labour and +exposure entailed by his journeys in search of specimens, he succumbed +<a name='Page_410'></a>to a fever. Two additional vols. appeared posthumously. +The work, both from a literary and artistic point of view, is of high +merit. He also <i>pub.</i> in America another poem, <i>The Foresters</i>.</p><br /> + +<a name='WILSON_SIR_DANIEL_1816_1892'></a><p><b>WILSON, SIR DANIEL (1816-1892).</b> +—Archæologist and miscellaneous +writer, <i>b.</i> and <i>ed.</i> in Edin., and after acting as sec. of the +Society of Antiquaries there, went to Toronto as Prof. of History +and English Literature. He was the author of <i>Memorials of Edinburgh +in the Olden Time</i>, <i>The Archeology and Pre-historic Annals of +Scotland</i> (1851), <i>Civilisation in the Old and the New World</i>, a study on +"Chatterton," and <i>Caliban, the Missing Link</i>, etc.</p><br /> + +<a name='WILSON_JOHN_quotCHRISTOPHER_NORTHquot_1785_1854'></a><p><b>WILSON, JOHN ("CHRISTOPHER NORTH") (1785-1854).</b> +—Poet, +essayist, and miscellaneous writer, <i>s.</i> of a wealthy manufacturer +in Paisley, where he was <i>b.</i>, was <i>ed.</i> at Glas. and Oxf. At +the latter he not only displayed great intellectual endowments, but +distinguished himself as an athlete. Having succeeded to a fortune of +£50,000 he purchased the small estate of Elleray in the Lake District, +where he enjoyed the friendship of Wordsworth, Southey, Coleridge, +and De Quincey. In 1812 he <i>pub.</i> <i>The Isle of Palms</i>, followed four +years later by <i>The City of the Plague</i>, which gained for him a recognised +place in literature, though they did not show his most characteristic +gifts, and are now almost unread. About this time he lost +a large portion of his fortune, had to give up continuous residence at +Elleray, came to Edinburgh, and was called to the Scottish Bar, but +never practised. The starting of <i>Blackwood's Magazine</i> brought +him his opportunity, and to the end of his life his connection with it +gave him his main employment and chief fame. In 1820 he became +Prof. of Moral Philosophy in the Univ. of Edin. where, though not +much of a philosopher in the technical sense, he exercised a highly +stimulating influence upon his students by his eloquence and the +general vigour of his intellect. The peculiar powers of W., his +wealth of ideas, felicity of expression, humour, and animal spirits, +found their full development in the famous <i>Noctes Ambrosianæ</i>, a +medley of criticism on literature, politics, philosophy, topics of the +day and what not. <i>Lights and Shadows of Scottish Life</i> and <i>The +Trials of Margaret Lyndsay</i> are contributions to fiction in which there +is an occasional tendency to run pathos into rather mawkish sentimentality. +In 1851 W. received a Government pension of £300. +The following year a paralytic seizure led to his resignation of his +professorial chair, and he <i>d.</i> in 1854. He was a man of magnificent +physique, of shining rather than profound intellectual powers, and +of generous character, though as a critic his strong feelings and prejudices +occasionally made him unfair and even savage.</p><br /> + +<a name='WILSON_JOHN_1804_1875'></a><p><b>WILSON, JOHN (1804-1875).</b> +—Missionary and orientalist, +<i>b.</i> at Lauder, Berwickshire, and <i>ed.</i> at Edin. for the ministry of the +Church of Scotland, went in 1828 to India as a missionary, where, +besides his immediate duties, he became a leader in all social reform, +such as the abolition of the slave-trade and <i>suttee</i>, and also one of +the greatest authorities on the subject of caste, and a trusted adviser +of successive Governors-General in regard to all questions affecting +the natives. He was in addition a profound Oriental scholar as to +languages, history, and religion. He was D.D., F.R.S., and Vice-Chancellor +<a name='Page_411'></a>of Bombay Univ. Among his works are <i>The Parsi +Religion</i> (1812), <i>The Lands of the Bible</i> (1847), <i>India Three Thousand +Years Ago</i>, and <i>Memoirs of the Cave Temples of India</i>.</p><br /> + +<a name='WILSON_THOMAS_1525_1581'></a><p><b>WILSON, THOMAS (1525?-1581).</b> +—Scholar and statesman, +<i>b.</i> in Lincolnshire, was at Camb., and held various high positions +under Queen Elizabeth. He was the author of <i>The Rule of Reason +containing the Arte of Logique</i> (1551), and <i>The Arte of Rhetorique</i> +(1553), and made translations from Demosthenes. He endeavoured +to maintain the purity of the language against the importation of +foreign words.</p><br /> + +<a name='WINGATE_DAVID_1828_1892'></a><p><b>WINGATE, DAVID, (1828-1892).</b> +—Poet, was employed in +the coal-pits near Hamilton from the time he was 9. He <i>pub.</i> +<i>Poems and Songs</i> (1862), which was favourably received, and followed +by <i>Annie Weir</i> (1866). After this he studied at the Glasgow +School of Mines, became a colliery manager, and devoted his increased +leisure to study and further literary work. <i>Lily Neil</i> appeared +in 1879, followed by <i>Poems and Songs</i> (1883), and <i>Selected +Poems</i> (1890). W. was a man of independent character. He was +twice <i>m.</i>, his second wife being a descendant of Burns.</p><br /> + +<a name='WINTHROP_THEODORE_1828_1861'></a><p><b>WINTHROP, THEODORE (1828-1861).</b> +—Novelist, <i>b.</i> at New +Haven, Conn., descended through his <i>f.</i> from Governor W., and +through his mother from Jonathan Edwards, <i>ed.</i> at Yale, travelled +in Great Britain and on the Continent, and far and wide in his own +country. After contributing to periodicals short sketches and +stories, which attracted little attention, he enlisted in the Federal +Army, in 1861, and was killed in the Battle of Great Bethel. His +novels, for which he had failed to find a publisher, appeared posthumously—<i>John +Brent</i>, founded on his experiences in the far West, +<i>Edwin Brothertoft</i>, a story of the Revolution War, and <i>Cecil Dreeme</i>. +Other works were <i>The Canoe and Saddle</i>, and <i>Life in the Open Air</i>. +Though somewhat spasmodic and crude, his novels had freshness, +originality, and power, and with longer life and greater concentration +he might have risen high.</p><br /> + +<a name='WITHER_GEORGE_1588_1667'></a><p><b>WITHER, GEORGE (1588-1667).</b> +—Poet, <i>b.</i> near Alton, +Hampshire, was at Oxf. for a short time, and then studied law at +Lincoln's Inn. In 1613 he <i>pub.</i> a bold and pungent satire, <i>Abuses +Stript and Whipt</i>, with the result that he was imprisoned for some +months in the Marshalsea. While there he wrote <i>The Shepheard's +Hunting</i>, a pastoral. <i>Wither's Motto</i>, <i>Nec Habeo, nec Careo, nec +Curo</i> (I have not, want not, care not) was written in 1618, and in +1622 he <i>coll.</i> his poems as <i>Juvenilia</i>. The same year he <i>pub.</i> a long +poem, <i>Faire Virtue, the Mistress of Philarete</i>, in which appears the +famous lyric, "Shall I wasting in despair." Though generally acting +with the Puritans he took arms with Charles I. against the +Scotch in 1639; but on the outbreak of the Civil War he was on the +popular side, and raised a troop of horse. He was taken prisoner by +the Royalists, and is said to have owed his life to the intercession of +a fellow-poet, Sir John Denham. After the establishment of the +Commonwealth he was considerably enriched out of sequestrated +estates and other spoils of the defeated party; but on the Restoration +<a name='Page_412'></a>was obliged to surrender his gains, was impeached, and committed +to the Tower. In his later years he wrote many religious +poems and hymns, <i>coll.</i> as <i>Hallelujah</i>. Before his death his poems +were already forgotten, and he was referred to by Pope in <i>The Dunciad</i> +as "the wretched Withers". He was, however, disinterred by +Southey, Lamb, and others, who drew attention to his poetical +merits, and he has now an established place among English poets, to +which his freshness, fancy, and delicacy of taste well entitle him.</p><br /> + +<a name='WODROW_ROBERT_1679_1734'></a><p><b>WODROW, ROBERT (1679-1734).</b> +—Church historian, <i>s.</i> of +James W., Prof. of Divinity in Glasgow. Having completed his +literary and theological education there, he entered the ministry of +the Church of Scotland, and was ordained to the parish of Eastwood, +Renfrewshire. Here he carried on the great work of his life, his +<i>History of the Sufferings of the Church of Scotland 1660 to 1688</i>. W. +wrote when the memory of the persecutions was still fresh, and his +work is naturally not free from partisan feeling and credulity. It +is, however, thoroughly honest in intention, and is a work of genuine +research, and of high value for the period with which it deals. It +was <i>pub.</i> in two folio vols. in 1721 and 1722. W. made large collections +for other works which, however, were not <i>pub.</i> in his lifetime. +<i>The Lives of the Scottish Reformers and Most Eminent Ministers</i> and +<i>Analecta, or a History of Remarkable Providences</i>, were printed for +the Maitland Club, and 3 vols. of his correspondence in 1841 for the +Wodrow Society. The <i>Analecta</i> is a most curious miscellany showing +a strong appetite for the marvellous combined with a hesitating +doubt in regard to some of the more exacting narratives.</p><br /> + +<a name='WOLCOT_JOHN_1738_1819'></a><p><b>WOLCOT, JOHN (1738-1819).</b> +—Satirist, <i>b.</i> near Kingsbridge, +Devonshire, was <i>ed.</i> by an uncle, and studied medicine. In +1767 he went as physician to Sir William Trelawny, Governor of +Jamaica, and whom he induced to present him to a Church in the +island then vacant, and was ordained in 1769. Sir William dying in +1772, W. came home and, abandoning the Church, resumed his +medical character, and settled in practice at Truro, where he discovered +the talents of Opie the painter, and assisted him. In 1780 +he went to London, and commenced writing satires. The first +objects of his attentions were the members of the Royal Academy, +and these attempts being well received, he soon began to fly at higher +game, the King and Queen being the most frequent marks for his +satirical shafts. In 1786 appeared <i>The Lousiad, a Heroi-Comic +Poem</i>, taking its name from a legend that on the King's dinner plate +there had appeared a certain insect not usually found in such exalted +quarters. Other objects of his attack were Boswell, the biographer +of Johnson, and Bruce, the Abyssinian traveller. W., who wrote +under the <i>nom-de-guerre</i> of "Peter Pindar," had a remarkable vein +of humour and wit, which, while intensely comic to persons not involved, +stung its subjects to the quick. He had likewise strong intelligence, +and a power of coining effective phrases. In other kinds +of composition, as in some ballads which he wrote, an unexpected +touch of gentleness and even tenderness appears. Among these are +<i>The Beggar Man</i> and <i>Lord Gregory</i>. Much that he wrote has now +lost all interest owing to the circumstances referred to being forgotten, +<a name='Page_413'></a>but enough still retains its peculiar relish to account for his +contemporary reputation.</p><br /> + +<a name='WOLFE_CHARLES_1791_1823'></a><p><b>WOLFE, CHARLES (1791-1823).</b> +—Poet, <i>s.</i> of a landed +gentleman in Kildare, was <i>b.</i> in Dublin, where he completed his <i>ed.</i> +at Trinity Coll., having previously been at Winchester. He took +orders, and was Rector of Donoughmere, but his health failed, and +he <i>d.</i> of consumption at 32. He is remembered for one short, but +universally known and admired poem, <i>The Burial of Sir John +Moore</i>, which first appeared anonymously in the <i>Newry Telegraph</i> +in 1817.</p><br /> + +<a name='WOOD_or_A_WOOD_ANTHONY_1632_1695'></a><p><b>WOOD, or À WOOD, ANTHONY (1632-1695).</b> +—Antiquary, +was <i>b.</i> at Oxf., where he was <i>ed.</i> and spent most of his life. His +antiquarian enthusiasm was awakened by the collections of Leland, +and he early began to visit and study the antiquities of his native +county. This with history, heraldry, genealogies, and music occupied +his whole time. By 1669 he had written his <i>History and Antiquities +of the University of Oxford</i>, which was translated into Latin +not to his satisfaction by the Univ. authorities, and he wrote a +fresh English copy which was printed in 1786. His great work was +<i>Athenæ Oxonienses; an exact History of all the Writers and Bishops +who have had their Education in the University of Oxford, to which are +added the Fasti or Annals of the said University</i> (1691-92). For an +alleged libel on the Earl of Clarendon in that work the author was +expelled in 1694. He also wrote <i>The Ancient and Present State of +the City of Oxford</i>, and <i>Modius Salium, a Collection of Pieces of +Humour</i>, generally of an ill-natured cast.</p><br /> + +<a name='WOOD_MRS_ELLEN_PRICE_1814_1887'></a><p><b>WOOD, MRS. ELLEN (PRICE) (1814-1887).</b> +—Novelist, +writing as "Mrs. Henry Wood," was <i>b.</i> at Worcester. She wrote +over 30 novels, many of which, especially <i>East Lynne</i>, had remarkable +popularity. Though the stories are generally interesting, they +have no distinction of style. Among the best known are <i>Danesbury +House</i>, <i>Oswald Cray</i>, <i>Mrs. Halliburton's Troubles</i>, <i>The Channings</i>, +<i>Lord Oakburn's Daughters</i>, and <i>The Shadow of Ashlydyat</i>. Mrs. W. +was for some years proprietor and ed. of the <i>Argosy</i>.</p><br /> + +<a name='WOOD_JOHN_GEORGE_1827_1889'></a><p><b>WOOD, JOHN GEORGE (1827-1889).</b> +—Writer on natural +history, <i>s.</i> of a surgeon, <i>b.</i> in London, and <i>ed.</i> at home and at Oxf., +where he worked for some time in the anatomical museum. He +took orders, and among other benefices which he held was for a time +chaplain to St. Bartholomew's Hospital. He was a very prolific +writer on natural history, though rather as a populariser than as a +scientific investigator, and was in this way very successful. Among +his numerous works may be mentioned <i>Illustrated Natural History</i> +(1853), <i>Animal Traits and Characteristics</i> (1860), <i>Common Objects of +the Sea Shore</i> (1857), <i>Out of Doors</i> (1874), <i>Field Naturalist's Handbook</i> +(with T. Wood) (1879-80), books on gymnastics, sport, etc., and +an ed. of White's <i>Selborne</i>.</p><br /> + +<a name='WOOLMAN_JOHN_1720_1772'></a><p><b>WOOLMAN, JOHN (1720-1772).</b> +—Quaker diarist, <i>b.</i> at +Burlington, New Jersey, began life as a farm labourer, and then +became a clerk in a store. He underwent deep religious impressions, +and the latter part of his life was devoted to itinerant preaching and +<a name='Page_414'></a>doing whatever good came to his hand. To support himself he +worked as a tailor. He was one of the first to witness against the +evils of slavery, on which he wrote a tract, <i>Some Considerations on +the Keeping of Negroes</i> (1753). His <i>Journal</i> "reveals his life and +character with rare fidelity" and, though little known compared +with some similar works, gained the admiration of, among other +writers, Charles Lamb, who says, "Get the writings of John Woolman +by heart." In 1772 he went to England, where he <i>d.</i> of smallpox +in the same year.</p><br /> + +<a name='WOOLNER_THOMAS_1826_1892'></a><p><b>WOOLNER, THOMAS (1826-1892).</b> +—Sculptor and poet, <i>b.</i> +at Hadleigh, attained a high reputation as a sculptor. He belonged +to the pre-Raphaelite Brotherhood, and contributed poems to their +magazine, the <i>Germ</i>. He wrote several vols. of poetry, including +<i>My Beautiful Lady</i> (1863), <i>Pygmalion</i>, <i>Silenus</i>, <i>Tiresias</i>, and <i>Nelly +Dale</i>. He had a true poetic gift, though better known by his +portrait busts.</p><br /> + +<a name='WORDSWORTH_CHRISTOPHER_1774_1846'></a><p><b>WORDSWORTH, CHRISTOPHER (1774-1846).</b> +—Biographer, +etc., was a younger brother of the poet, <i>ed.</i> at Camb., took orders, +and became Chaplain to the House of Commons, and Master of +Trinity Coll., Camb. 1820-41. He was also Vice-Chancellor of the +Univ. 1820-21 and 1826-27. He <i>pub.</i> <i>Ecclesiastical Biography</i> (1810), +and <i>Who wrote Eikon Basiliké?</i> in which he argued for the authorship +of Charles I.</p><br /> + +<a name='WORDSWORTH_CHRISTOPHER_1807_1885'></a><p><b>WORDSWORTH, CHRISTOPHER (1807-1885).</b> +—<i>S.</i> of above, +<i>ed.</i> at Camb., took orders and became a Canon of Westminster 1844, +and Bishop of Lincoln 1868. He travelled in Greece, and discovered +the site of Dodona. His writings include in theology a commentary +on the Bible (1856-70), <i>Church History to A.D. 451</i> (1881-83), and +in other fields, <i>Athens and Attica</i> (1836), and <i>Theocritus</i> (1844).</p><br /> + +<a name='WORDSWORTH_DOROTHY_1771_1855'></a><p><b>WORDSWORTH, DOROTHY (1771-1855).</b> +—Diarist, etc., was +the only sister of the poet, and his lifelong and sympathetic companion, +and endowed in no small degree with the same love of and +insight into nature as is evidenced by her <i>Journals</i>. Many of her +brother's poems were suggested by scenes and incidents recorded by +her, of which that on Daffodils beginning "I wandered lonely as a +cloud" is a notable example.</p><br /> + +<a name='WORDSWORTH_WILLIAM_1770_1850'></a><p><b>WORDSWORTH, WILLIAM (1770-1850).</b> +—Poet, <i>s.</i> of John +W., attorney and agent to the 1st Lord Lonsdale, was <i>b.</i> at Cockermouth. +His boyhood was full of adventure among the hills, and he +says of himself that he showed "a stiff, moody, and violent temper." +He lost his mother when he was 8, and his <i>f.</i> in 1783 when he was 13. +The latter, prematurely cut off, left little for the support of his +family of four sons and a <i>dau.</i>, Dorothy (afterwards the worthy +companion of her illustrious brother), except a claim for £5000 +against Lord Lonsdale, which his lordship contested, and which was +not settled until his death. With the help, however, of uncles, the +family were well <i>ed.</i> and started in life. William received his earlier +education at Penrith and Hawkshead in Lancashire; and in 1787 +went to St. John's Coll., Camb., where he graduated B.A. in 1791. +In the preceding year, 1790, he had taken a walking tour on the<a name='Page_415'></a> +Continent, visiting France in the first flush of the Revolution with +which, at that stage, he was, like many of the best younger minds +of the time, in enthusiastic sympathy. So much was this the case +that he nearly involved himself with the Girondists to an extent +which might have cost him his life. His funds, however, gave out, +and he returned to England shortly before his friends fell under the +guillotine. His uncles were desirous that he should enter the +Church, but to this he was unconquerably averse; and indeed his +marked indisposition to adopt any regular employment led to their +taking not unnatural offence. In 1793 his first publication—<i>Descriptive +Sketches of a Pedestrian Tour in the Alps</i>, and <i>The Evening +Walk</i>—appeared, but attracted little attention. The beginning of +his friendship with Coleridge in 1795 tended to confirm him in his +resolution to devote himself to poetry; and a legacy of £900 from a +friend put it in his power to do so by making him for a time independent +of other employment. He settled with his sister at Racedown, +Dorsetshire, and shortly afterwards removed to Alfoxden, in the +Quantock Hills, to be near Coleridge, who was then living at Nether +Stowey in the same neighbourhood. One result of the intimacy +thus established was the planning of a joint work, <i>Lyrical Ballads</i>, to +which Coleridge contributed <i>The Ancient Mariner</i>, and W., among +other pieces, <i>Tintern Abbey</i>. The first ed. of the work appeared in +1798. With the profits of this he went, accompanied by his sister and +Coleridge, to Germany, where he lived chiefly at Goslar, and where +he began the <i>Prelude</i>, a poem descriptive of the development of his +own mind. After over a year's absence W. returned and settled +with Dorothy at Grasmere. In 1800 the second ed. of <i>Lyrical +Ballads</i>, containing W.'s contributions alone, with several additions, +appeared. In the same year Lord Lonsdale <i>d.</i>, and his successor +settled the claims already referred to with interest, and the share of +the brother and sister enabled them to live in the frugal and simple +manner which suited them. Two years later W.'s circumstances +enabled him to marry his cousin, Mary Hutchinson, to whom he had +been long attached. In 1804 he made a tour in Scotland, and began +his friendship with Scott. The year 1807 saw the publication of +<i>Poems in Two Volumes</i>, which contains much of his best work, +including the "Ode to Duty," "Intimations of Immortality," +"Yarrow Unvisited," and the "Solitary Reaper." In 1813 he migrated +to Rydal Mount, his home for the rest of his life; and in the same +year he received, through the influence of Lord Lonsdale, the appointment +of Distributor of Stamps for Westmoreland, with a salary of +£400. The next year he made another Scottish tour, when he wrote +<i>Yarrow Visited</i>, and he also <i>pub.</i> <i>The Excursion</i>, "being a portion of +<i>The Recluse</i>, a Poem." W. had now come to his own, and was regarded +by the great majority of the lovers of poetry as, notwithstanding +certain limitations and flaws, a truly great and original +poet. The rest of his life has few events beyond the publication of +his remaining works (which, however, did not materially advance his +fame), and tokens of the growing honour in which he was held. <i>The +White Doe of Rylstone</i> appeared in 1815, in which year also he made +a collection of his poems; <i>Peter Bell</i> and <i>The Waggoner</i> in 1819; <i>The +River Duddon</i> and <i>Memorials of a Tour on the Continent</i> in 1820; +<i>Ecclesiastical Sonnets</i> 1822; and <i>Yarrow Revisited</i> in 1835. In 1831 +<a name='Page_416'></a>he paid his last visit to Scott; in 1838 he received the degree of +D.C.L. from Durham, and in 1839 the same from Oxf. Three years +later he resigned his office of Distributor of Stamps in favour of his +<i>s.</i>, and received a civil list pension of £300. The following year, +1843, he succeeded Southey as Poet Laureate. His long, tranquil, +and fruitful life ended in 1850. He lies buried in the churchyard of +Grasmere. After his death the <i>Prelude</i>, finished in 1805, was <i>pub.</i> +It had been kept back because the great projected poem of which it +was to have been the preface, and of which <i>The Excursion</i> is a part, +was never completed.</p> + +<p>The work of W. is singularly unequal. When at his best, as in the +"Intimations of Immortality," "Laodamia," some passages in <i>The +Excursion</i>, and some of his short pieces, and especially his sonnets, he +rises to heights of noble inspiration and splendour of language rarely +equalled by any of our poets. But it required his poetic fire to be +at fusing point to enable him to burst through his natural tendency +to prolixity and even dulness. His extraordinary lack of humour and +the, perhaps consequent, imperfect power of self-criticism by which +it was accompanied, together with the theory of poetic theme +and diction with which he hampered himself, led him into a frequent +choice of trivial subjects and childish language which excited +not unjust ridicule, and long delayed the general recognition of his +genius. He has a marvellous felicity of phrase, an unrivalled power +of describing natural appearances and effects, and the most ennobling +views of life and duty. But his great distinguishing characteristic +is his sense of the mystic relations between man and nature. +His influence on contemporary and succeeding thought and literature +has been profound and lasting. It should be added that W., +like Milton, with whom he had many points in common, was the +master of a noble and expressive prose style.</p> + +<p>SUMMARY.—<i>B.</i> 1770, <i>ed.</i> at Camb., sympathiser with French +Revolution in earlier stages, first publication <i>Tour in the Alps</i> and +<i>Evening Walk</i> 1793, became acquainted with Coleridge 1795, <i>pub.</i> +with him <i>Lyrical Ballads</i> 1798, visits Germany and begins <i>Prelude</i>, +returns to England and settles at Grasmere, <i>pub.</i> second ed. of +<i>Lyrical Ballads</i>, entirely his own, 1800, <i>m.</i> Mary Hutchinson 1802, +visits Scotland 1804 and becomes acquainted with Scott, <i>pub.</i> <i>Poems +in Two Volumes</i> 1807, goes to Rydal Mount 1813, appointed +Distributor of Stamps, revisits Scotland, writes <i>Yarrow Visited</i> and +<i>pub.</i> <i>The Excursion</i> 1814, <i>White Doe</i> and <i>coll.</i> works 1815, <i>Waggoner</i>, +<i>Ecclesiastical Sonnets</i>, etc., 1819-35, pensioned 1842, Poet Laureate +1843, <i>d.</i> 1850.</p> + +<p>There are numerous good ed. of the poems, including his own by +Moxon (1836, 1845, and 1850), and those by Knight (1882-86), +Morley (1888), Dowden (1893), Smith (1908). Another by Knight in +16 vols. includes the prose writings and the <i>Journal</i> by Dorothy +(1896-97). <i>Lives</i> by Christopher Wordsworth (1857), Myers (1880), +and others. See also criticism by W. Raleign (1903).</p><br /> + +<a name='WOTTON_SIR_HENRY_1568_1639'></a><p><b>WOTTON, SIR HENRY (1568-1639).</b> +—Diplomatist and poet, +<i>s.</i> of a Kentish gentleman, was <i>b.</i> at Boughton Park, near Maidstone, +and <i>ed.</i> at Winchester and Oxf. After spending 7 years on the Continent, +he entered the Middle Temple. In 1595 he became sec. to +<a name='Page_417'></a>the Earl of Essex, who employed him abroad, and while at Venice he +wrote <i>The State of Christendom or a Most Exact and Curious Discovery +of many Secret Passages and Hidden Mysteries of the Times</i>, +which was not, however, printed until 1657. Afterwards he held +various diplomatic appointments, but Court favour latterly failed +him and he was recalled from Venice and made Provost of Eton in +1624, to qualify himself for which he took deacon's orders. Among +his other works were <i>Elements of Architecture</i> (1624) and <i>A Survey of +Education</i>. His writings in prose and verse were <i>pub.</i> in 1651 as +<i>Reliquiæ Wottonianæ</i>. His poems include two which are familiar to +all readers of Elizabethan verse, <i>The Character of a Happy Life</i>, +"How happy is he born and taught," and <i>On his Mistress, the Queen +of Bohemia</i>, beginning "Ye meaner Beauties of the Night." He +was the originator of many witty sayings, which have come down.</p><br /> + +<a name='WRAXALL_SIR_NATHANIEL_WILLIAM_1751_1831'></a><p><b>WRAXALL, SIR NATHANIEL WILLIAM (1751-1831).</b> +—Historical +writer, <i>b.</i> at Bristol, was for a few years in the service of the +East India Company, and thereafter employed on diplomatic missions, +and sat for some years in the House of Commons. In addition +to a book of travels and some historical works relating to the French +and other foreign Courts, he wrote <i>Historical Memories of my own +Time</i> 1772-84, <i>pub.</i> in 1815. The work was severely criticised by +both political parties, and in particular by Macaulay; but W. made a +reply which was considered to be on the whole successful. A continuation +bringing the narrative down to 1790 was <i>pub.</i> in 1836. +The <i>Memoirs</i> are valuable for the light they throw on the period, and +especially for the portraits of public men which they give.</p><br /> + +<a name='WRIGHT_THOMAS_1810_1877'></a><p><b>WRIGHT, THOMAS (1810-1877).</b> +—Antiquary, <i>b.</i> near +Ludlow, of Quaker parentage, was <i>ed.</i> at Camb. His first work was a +<i>History of Essex</i> (1831-36). In 1836 he went to London, and adopted +literature as a profession, devoting himself specially to archæology, +history, and biography. He held office in various societies such as +the "Camden," "Percy," and "Shakespeare," and ed. many works +for them. In all he was the author of over 80 publications, of which +some of the chief are <i>The Celt, the Roman, and the Saxon</i>, <i>Biographia +Britannica Literaria</i>, <i>Queen Elizabeth and her Times</i>, and <i>History of +Domestic Manners and Sentiments in England during the Middle +Ages</i>. He was superintendent of the excavation of the Roman city +at Wroxeter in 1859.</p><br /> + +<a name='WYATT_SIR_THOMAS_1503_1542'></a><p><b>WYATT, SIR THOMAS (1503-1542).</b> +—Poet, <i>s.</i> of Sir Henry +W., a servant of Henry VII., and <i>ed.</i> at St. John's Coll., Camb., +came to Court and was frequently employed by Henry VIII. on +diplomatic missions. He is said to have been an admirer of Anne +Boleyn before her marriage, and on her disgrace was thrown into the +Tower for a short time. In 1537 he was knighted, and two years +later was against his will sent on a mission to the Emperor Charles V. +On the death in 1540 of Thomas Cromwell, to whose party he belonged, +W. was accused of misdemeanours during his embassy and +again imprisoned in the Tower, where he wrote a defence which resulted +in his release. In 1542 he was sent to meet the Spanish Ambassador +at Falmouth, and conduct him to London, but on the way +caught a chill, of which he <i>d.</i> W. shares with the <a href='#SURREY_HENRY_HOWARD_EARL_of_1517_1547'>Earl of Surrey</a><a name='Page_418'></a> +(<i>q.v.</i>) the honour of being the first real successor of Chaucer, and +also of introducing the sonnet into England. In addition to his +sonnets, which are in a more correct form than those of Surrey, W. +wrote many beautiful lyrics; in fact he may be regarded as the +reviver of the lyrical spirit in English poetry which, making its +appearance in the 13th century, had fallen into abeyance. In the +anthology known as <i>Tottel's Miscellany</i>, first <i>pub.</i> in 1557, 96 pieces +by W. appear along with 40 by Surrey, and others by different +hands. W. has less smoothness and sweetness than Surrey, but his +form of the sonnet was much more difficult as well as more correct +than that invented by the latter, and afterwards adopted by Shakespeare, +and his lyrical gift is more marked.</p><br /> + +<a name='WYCHERLEY_WILLIAM_1640_1716'></a><p><b>WYCHERLEY, WILLIAM (1640?-1716).</b> +—Dramatist, was <i>b.</i> +at Clive, near Shrewsbury, where his <i>f.</i> had an estate. He was at +the Inner Temple in 1659, and at Oxf. in 1660. Part of his youth +had been spent in France, where he became a Roman Catholic, but +at the Restoration he returned to Protestantism. He wrote four +comedies, <i>Love in a Wood</i>, <i>The Gentleman Dancing Master</i>, <i>The +Country Wife</i>, and <i>The Plain Dealer</i>, all produced in the reign of +Charles II., and nothing of consequence afterwards, a vol. of poems +doing little to add to his reputation. About 1679 he <i>m.</i> the widowed +Countess of Drogheda, who <i>d.</i> in 1681, and he entered into a second +marriage eleven days before his death. In his later years he formed +a friendship with Pope, then a boy of 16. W. was one of the +founders of the Comedy of Manners. The merit of his plays lies in +smart and witty dialogue rather than in construction. <i>The Plain +Dealer</i>, his best, is founded upon Molière's <i>Misanthrope</i>. His plays +are notoriously coarse.</p><br /> + +<a name='WYNTOUN_ANDREW_of_1350_1420'></a><p><b>WYNTOUN, ANDREW of (1350?-1420?).</b> +—Chronicler, was +a canon of St. Andrews, who became Prior of St. Serf's island in Loch +Leven. His work, entitled <i>The Orygynale Cronykil</i>, begins with the +creation of angels and men and comes down to 1406. It is poetic in +form though rarely so in substance, and is of considerable historical +value in its later parts and as regards the see of St. Andrews.</p><br /> + +<a name='YALDEN_THOMAS_1670_1736'></a><p><b>YALDEN, THOMAS (1670-1736).</b> +—Poet, <i>s.</i> of an exciseman +at Oxf., and <i>ed.</i> at Magdalen Coll., entered the Church, in which he +obtained various preferments. He was the author of a considerable +number of poems, including a <i>Hymn to Darkness</i>, Pindaric Odes, and +translations from the classics.</p><br /> + +<a name='YATES_EDMUND_1831_1894'></a><p><b>YATES, EDMUND (1831-1894).</b> +—Novelist and dramatist, +<i>b.</i> at Edin., held for some years an appointment in the General Post +Office. He did much journalistic work, mainly as a dramatic writer, +and wrote many dramatic pieces and some novels, including <i>Running +the Gauntlet</i> and <i>The Black Sheep</i>. He was perhaps best known +as ed. of <i>The World</i> society journal.</p><br /> + +<a name='YONGE_CHARLOTTE_MARY_1823_1901'></a><p><b>YONGE, CHARLOTTE MARY (1823-1901).</b> +—Novelist, only +<i>dau.</i> of a landed gentleman of Hampshire, was <i>b.</i> near Winchester, +and in her girlhood came under the influence of Keble, who was a +near neighbour. She began writing in 1848, and <i>pub.</i> during her +long life about 100 works, chiefly novels, interesting and well-written, +<a name='Page_419'></a>with a High Church tendency. Among the best known are +<i>The Heir of Redclyffe</i>, <i>Heartsease</i>, and <i>The Daisy Chain</i>. She also +wrote <i>Cameos from English History</i>, and Lives of Bishop Patteson +and Hannah More. The profits of her works were devoted to +religious objects.</p><br /> + +<a name='YOUNG_ARTHUR_1741_1820'></a><p><b>YOUNG, ARTHUR (1741-1820).</b> +—Writer on agriculture, +was <i>b.</i> in London, the <i>s.</i> of a Suffolk clergyman. In his early years +he farmed, making many experiments, which though they did not +bring him financial success, gave him knowledge and experience, +afterwards turned to useful account. Various publications had +made his name known, and in 1777 he became agent to Lord Kingsborough +on his Irish estates. In 1780 he <i>pub.</i> his <i>Tour in Ireland</i>, +and four years later started the <i>Annals of Agriculture</i>, 47 vols. of +which appeared. His famous tours in France were made 1787-90, +the results of his observations being <i>pub.</i> in <i>Travels in France</i> (1792). +He was in 1793 appointed sec. to the newly founded Board of Agriculture, +and <i>pub.</i> many additional works on the subject. He is +justly regarded as the father of modern agriculture, in which, as in +all subjects affecting the public welfare, he maintained an active +interest until his death. In his later years he was blind.</p><br /> + +<a name='YOUNG_EDWARD_1683_1765'></a><p><b>YOUNG, EDWARD (1683-1765).</b> +—Poet, <i>s.</i> of the Rector of +Upham, Hampshire, where he was <i>b.</i> After being at Winchester +School and Oxf. he accompanied the Duke of Wharton to Ireland. +Y., who had always a keen eye towards preferment, and the cult of +those who had the dispensing of it, began his poetical career in 1713 +with <i>An Epistle to Lord Lansdowne</i>. Equally characteristic was the +publication in the same year of two poems, <i>The Last Day</i> and <i>The +Force of Religion</i>. The following year he produced an elegy <i>On the +Death of Queen Anne</i>, which brought him into notice. Turning next +to the drama he produced <i>Busiris</i> in 1719, and <i>The Revenge</i> in 1721. +His next work was a collection of 7 satires, <i>The Love of Fame, the +Universal Passion</i>. In 1727 he entered the Church, and was appointed +one of the Royal Chaplains, and Rector of Welwyn, Herts, +in 1730. Next year he <i>m.</i> Lady Elizabeth Lee, the widowed <i>dau.</i> of +the Earl of Lichfield, to whom, as well as to her <i>dau.</i> by her former +marriage, he was warmly attached. Both <i>d.</i>, and sad and lonely the +poet began his masterpiece, <i>The Complaint, or Night Thoughts</i> (1742-44), +which had immediate and great popularity, and which still +maintains its place as a classic. In 1753 he brought out his last +drama, <i>The Brothers</i>, and in 1761 he received his last piece of preferment, +that of Clerk to the Closet to the Princess Dowager of Wales. +Four years later, in 1765, he <i>d.</i> The poems of Y., though in style +artificial and sometimes forced, abound in passages of passion and +power which sometimes reach the sublime. But the feelings and +sentiments which he expresses with so much force as a poet form an +unpleasantly harsh contrast with the worldliness and tuft-hunting +of his life.</p><br /> + +<hr class="full" /> + +<a name='APPENDIX_OF_LIVING_WRITERS'></a><a name='Page_420'></a><a name='Page_421'></a><h2>APPENDIX OF LIVING WRITERS</h2> + +<p><i>The number of writers included in this Appendix, and their bibliographies, +are necessarily limited, but it is hoped that despite the difficulties of +selection the list will be found fairly representative</i>.</p><br /> + +<a name='ABBOTT_REV_EDWIN_ABBOTT_DD_1838'></a><p><b>ABBOTT, REV. EDWIN ABBOTT, D.D. (1838).</b> +—Writer on +Biblical and literary subjects. <i>Shakespearian Grammar</i> (1870), ed. +of <i>Bacon's Essays</i> (1876), <i>Bacon and Essex</i> (1877), <i>Francis Bacon ... his +Life and Works</i> (1885), <i>Flatland, a Romance of Many Dimensions</i> +(1884), <i>St. Thomas of Canterbury</i> (1898), <i>Paradosis</i> (1904), +<i>Johannine Vocabulary</i> (1905), <i>Silanus the Christian</i> (1906), etc.</p><br /> + +<a name='ALLEN_JAMES_LANE_1849'></a><p><b>ALLEN, JAMES LANE (1849).</b> +—American novelist. <i>A +Kentucky Cardinal</i>, <i>The Choir Invisible</i>, <i>A Summer in Arcady</i>, <i>Blue +Grass Region of Kentucky</i>, <i>The Increasing Purpose</i>, <i>Aftermath</i>, part ii. +of <i>A Kentucky Cardinal</i>, <i>The Mettle of the Pasture</i>, <i>The Reign of Law</i>.</p><br /> + +<a name='ANSON_SIR_WILLIAM_REYNELL_BART_DCL_1843'></a><p><b>ANSON, SIR WILLIAM REYNELL, BART., D.C.L. (1843).</b> +—Legaland +constitutional writer, etc., <i>Law and Custom of the +Constitution</i>, ed. <i>Memoirs of the third Duke of Grafton</i>, etc.</p><br /> + +<a name='ANSTEY_F_see_GUTHRIE'></a><p><b>ANSTEY, F., (<i>see</i> <a href='#GUTHRIE_THOMAS_ANSTEY_quotF_ANSTEYquot_1856'>GUTHRIE</a>).</b></p><br /> + +<a name='ARBER_EDWARD_DLitt'></a><p><b>ARBER, EDWARD, D.Litt.</b> +—Literary antiquary. Has +issued many reprints of rare books. <i>English Reprints</i>, <i>English +Scholars' Library</i>, ed. <i>An English Garner</i> (1880-83), <i>British Anthologies</i> +(1899-1901), <i>A Christian Library</i> (1907).</p><br /> + +<a name='ARCHER_WILLIAM_1856'></a><p><b>ARCHER, WILLIAM (1856).</b> +—Writer on the drama and +translator of Ibsen; ed. Ibsen's <i>Prose Dramas</i>, 5 vols., <i>Collected +Works of Ibsen</i>, 11 vols., translated with his brother, Major Chas. A., +Ibsen's <i>Peer Gynt</i>, <i>Life of Macready</i>, <i>Masks or Faces</i>, <i>Study and Stage</i>, +<i>Real Conversations</i> (1904), etc.</p><br /> + +<a name='ARNIM_COUNTESS_VON_BEAUCHAMP'></a><p><b>ARNIM, COUNTESS VON (BEAUCHAMP).</b> +—<i>Elizabeth and her +German Garden</i>, <i>A Solitary Summer</i>, <i>The April Baby's Book of Tunes</i>, +<i>The Benefactress</i>, <i>Elizabeth's Adventures in Ruegen</i>, <i>Fraulein Schmidt +and Mr. Anstruther</i>.</p><br /> + +<a name='ASHTON_JOHN_1834'></a><p><b>ASHTON, JOHN (1834).</b> +—Literary antiquary, etc. <i>History +of Chap-books of Eighteenth Century</i> (1882), <i>Humour, Wit, and +Satire of Seventeenth Century</i> (ed. 1883), <i>Adventures and Discoveries +of Capt. John Smith</i> (1884), <i>Romances of Chivalry</i> (1886), <i>Social +England under the Regency</i> (1890), etc.</p><br /> + +<a name='AUSTIN_ALFRED_1835'></a><p><b>AUSTIN, ALFRED (1835).</b> +—Poet Laureate 1896. +<i>The Human Tragedy</i>, <i>Lyrical Poems</i>, <i>Narrative Poems</i>, <i>Fortunatus +the Pessimist</i>, <i>Alfred the Great</i>, <i>Flodden Field: a Tragedy</i> (1903), etc.<a name='Page_422'></a> +Prose works include <i>The Garden that I Love</i>, <i>In Veronica's Garden</i>, +<i>Lamia's Winter Quarters</i>, <i>Sacred and Profane Love</i> (1908).</p><br /> + +<a name='AVEBURY_JOHN_LUBBOCK_1ST_LORD_PC_DCL_etc_1834'></a><p><b>AVEBURY, JOHN LUBBOCK, 1ST LORD, P.C., D.C.L., etc. (1834).</b> +—Miscellaneous +writer. <i>Use of Life</i>, <i>Beauties of Nature</i>, +<i>Pleasures of Life</i> (two parts), <i>British Wild Flowers considered in +relation to Insects, Ants, Bees, and Wasps</i>, <i>The Origin of Civilisation</i>, +and many other works on Natural History, Sociology, and +Economics.</p><br /> + +<a name='BAGOT_RICHARD_1860'></a><p><b>BAGOT, RICHARD (1860).</b> +—Novelist. <i>A Roman Mystery</i> +(1899), <i>Casting of Nets</i> (1901), <i>Donna Diana</i> (1903), <i>Temptation</i> +(1907), etc.</p><br /> + +<a name='BALFOUR_RIGHT_HON_ARTHUR_JAMES_PC_LLD_DCL_etc_1848'></a><p><b>BALFOUR, RIGHT HON. ARTHUR JAMES, P.C., LL.D., D.C.L., etc. (1848).</b> +—Statesman +and philosophic writer. <i>A Defence +of Philosophic Doubt</i> (1879), <i>Essays and Addresses</i> (1893), <i>The Foundations +of Belief</i> (1895), <i>Reflections suggested by the New Theory of Matter</i> +(1904).</p><br /> + +<a name='BALL_SIR_ROBERT_STAWELL_LLD_FRS_1840'></a><p><b>BALL, SIR ROBERT STAWELL, LL.D., F.R.S. (1840).</b> +—Scientific +writer. <i>The Story of the Heavens</i> (1885), <i>Starland</i> (1889), +<i>The Story of the Sun</i> (1893), <i>The Earth's Beginning</i> (1901), etc.</p><br /> + +<a name='BARING_GOULD_SABINE_1834'></a><p><b>BARING-GOULD, SABINE (1834).</b> +—Novelist and folk-lorist, +etc. <i>Iceland, its Scenes and Sagas</i> (1862), <i>Curious Myths +of the Middle Ages</i> (1866), <i>Origin and Development of Religious +Belief</i> (1869-70), <i>Lives of the Saints</i> (1872-77). Novels, <i>Mehalah</i> +(1880), <i>Richard Cable</i> (1888), <i>The Pennycomequicks</i> (1889), <i>Domitia</i> +(1898), <i>Pabo the Priest</i> (1899), <i>Crock of Gold</i> (1899), <i>Nebo the Nailer</i> +(1902), <i>Devonshire Characters</i> (1908), etc.; also books on Folk-lore.</p><br /> + +<a name='BARRIE_JAMES_MATTHEW_LLD_1860'></a><p><b>BARRIE, JAMES MATTHEW, LL.D. (1860).</b> +—Novelist and +dramatist. <i>Auld Licht Idylls</i>, <i>When a Man's Single</i> (1888), <i>A +Window in Thrums</i> (1889), <i>My Lady Nicotine</i> (1890), <i>The Little +Minister</i> (1891), <i>Sentimental Tommy</i>, <i>Margaret Ogilvy</i> (1896), <i>The +Little White Bird</i> (1902), <i>Peter Pan</i> (1906), etc. Dramatic works +include <i>The Professor's Love Story</i>, <i>The Little Minister</i>, <i>The Wedding +Guest</i> (1900), <i>The Admirable Crichton</i> (1903), <i>Peter Pan</i> (1904), <i>What +Every Woman Knows</i> (1908).</p><br /> + +<a name='BARRY_REV_WILLIAM_FRANCIS_DD_1849'></a><p><b>BARRY, REV. WILLIAM (FRANCIS), D.D. (1849).</b> +—Novelist, +etc. <i>The New Antigone</i> (1887), <i>Two Standards</i> (1898), +<i>Arden Massiter</i> (1900), <i>The Wizard's Knot</i> (1901), <i>The Dayspring</i> +(1903), etc.</p><br /> + +<a name='BATTERSBY_HARRY_FRANCIS_PREVOST_quotFRANCIS_PREVOSTquot'></a><p><b>BATTERSBY, HARRY FRANCIS PREVOST ("FRANCIS PREVOST").</b> +—Poet, novelist, and war correspondent. Poems, +<i>Melilot</i> (1886), <i>Fires of Greenwood</i> (1887). Novels, <i>Rust of Gold</i> +(1895), <i>The Avenging Hour</i> (1896), <i>False Dawn</i> (1897), <i>The Plague +of the Heart</i> (1902), etc.; joint translator of Tolstoi's <i>Christ's Christianity</i> +and <i>What to Do</i>. Plays, <i>The Way of War</i> (1902), and <i>Voice of +Duty</i> (1904).</p><br /> + +<a name='BAX_ERNEST_BELFORT_1854'></a><p><b>BAX, ERNEST BELFORT (1854).</b> +—Writer on philosophy +and socialism. <i>Kant's Prolegomena with Biography and Introduction</i><a name='Page_423'></a> +(1882), <i>Handbook to the History of Philosophy</i> (1884), <i>Religion +of Socialism</i> (1886), <i>Ethics of Socialism</i> (1889), <i>The Problem of +Reality</i> (1893), <i>Socialism, its Growth and Outcome</i> (with W. Morris) +(1894), <i>The Roots of Reality</i> (1907), etc.</p><br /> + +<a name='BEAZLEY_CHARLES_RAYMOND_FRGS_1868'></a><p><b>BEAZLEY, CHARLES RAYMOND, F.R.G.S. (1868).</b> +—Historical +geographer, <i>James of Aragon</i> (1870), <i>Henry the Navigator</i> (1895), +<i>Dawn of Modern Geography</i>, 3 vols. (1897-1906), etc.</p><br /> + +<a name='BECKE_GEORGE_LOUIS_1848'></a><p><b>BECKE, GEORGE LOUIS (1848).</b> +—Novelist. <i>By Reef and +Palm</i> (1890), <i>A First Fleet Family</i> (1896), <i>Pacific Tales</i> (1897), <i>Tom +Wallis</i> (1900), <i>Yorke, the Adventurer</i> (1901), <i>Chinkie's Flat</i> (1903), etc.; +and with W. Jeffery, <i>His Native Wife</i> (1896), <i>The Mutineer</i>, <i>Admiral +Phillip</i> (1899), <i>The Tapu of Benderah</i>, etc.</p><br /> + +<a name='BEECHING_REV_HENRY_CHARLES_DLitt_1859'></a><p><b>BEECHING, REV. HENRY CHARLES, D.Litt. (1859).</b> +—Miscellaneous +writer. <i>In a Garden and other Poems</i> (1895), <i>Pages from a +Private Diary</i> (1898), various vols. of sermons, etc., including <i>Seven +Sermons to Schoolboys</i> (1894), <i>The Grace of Episcopacy</i> (1906); has +ed. <i>A Paradise of English Poetry</i> (1892), <i>Lyra Sacra</i> (1894), and +various English classics, etc.</p><br /> + +<a name='BEERBOHM_MAX_1872'></a><p><b>BEERBOHM, MAX (1872).</b> +—Essayist and dramatic critic, +<i>The Works of Max Beerbohm</i>, <i>The Happy Hypocrite</i>, <i>Caricatures of +Twenty-five Gentlemen</i>, <i>More</i> (1898), <i>Yet Again</i> (1909), etc.</p><br /> + +<a name='BEESLY_EDWARD_SPENCER_1831'></a><p><b>BEESLY, EDWARD SPENCER (1831).</b> +—Writer on history +and philosophy. <i>Catiline, Clodius, and Tiberius</i> (1878), <i>Queen +Elizabeth</i> (1892), has translated various works of Aug. Comte, etc.</p><br /> + +<a name='BELL_HENRY_THOMAS_MACKENZIE_1856'></a><p><b>BELL, HENRY THOMAS MACKENZIE (1856).</b> +—Poet and +critic. <i>Spring's Immortality and other Poems</i>, <i>Christina Rossetti</i>, +<i>Pictures of Travel and other Poems</i> (1898), <i>Collected Poems</i> (1901).</p><br /> + +<a name='BELLOC_HILAIRE_1870'></a><p><b>BELLOC, HILAIRE (1870).</b> +—Miscellaneous writer. <i>The +Bad Child's Book of Beasts</i> (1896), <i>More Beasts for Worse Children</i> +(1897), <i>The Moral Alphabet</i>, <i>Danton</i> (1899), <i>Lambkin's Remains</i> +(1900), <i>Robespierre</i> (1901), <i>Caliban's Guide to Letters</i> (1903), <i>Mr. +Burden</i> (1904), <i>Esto Perpetua</i> (1906), <i>The Historic Thames</i> (1907), <i>The +Path to Rome</i>, etc.</p><br /> + +<a name='BENNETT_ENOCH_ARNOLD_1867'></a><p><b>BENNETT, ENOCH ARNOLD (1867).</b> +—Novelist, etc. <i>A +Man from the North</i> (1898), <i>Polite Farces</i> (1899), <i>Anna of the Five +Towns</i> (1902), <i>A Great Man</i> (1904), <i>The Grim Smile of the Five +Towns</i> (1907), <i>Buried Alive</i> (1908), <i>Old Wives' Tale</i> (1908), etc.</p><br /> + +<a name='BENSON_ARTHUR_CHRISTOPHER_1862'></a><p><b>BENSON, ARTHUR CHRISTOPHER (1862).</b> +—Poet, biographer +and miscellaneous writer. <i>Poems</i> (1893), <i>Lyrics</i> (1895), +<i>The Professor and other Poems</i> (1900), <i>The House of Quiet</i> (1903), +<i>Peace and other Poems</i> (1905), <i>From a College Window</i> (1906), <i>Beside +Still Waters</i> (1907), books on Tennyson, Rossetti, E. Fitzgerald, +Walter Pater, etc.</p><br /> + +<a name='BENSON_EDWARD_FREDERIC_1867'></a><p><b>BENSON, EDWARD FREDERIC (1867).</b> +—Novelist. <i>Dodo</i> +(1893), <i>Rubicon</i> (1894), <i>Judgment Books</i> (1895), <i>The Babe B.A.</i> (1897), +<i>Vintage</i> (1898), <i>Scarlet and Hyssop</i> (1902), <i>Image in the Sand</i> (1905). +Plays, <i>Aunt Jeannie</i> (1902), <i>House of Defence</i> (1907), etc<a name='Page_424'></a>.</p><br /> + +<a name='BERDOE_EDWARD_1836'></a><p><b>BERDOE, EDWARD (1836).</b> +—Writer on Browning, etc. +<i>Browning's Message to his Time</i> (1890), <i>Browning Cyclopædia</i> (1891), +<i>Biographical and Historical Notes to Browning's Complete Works</i> +(1894), <i>Browning and the Christian Faith</i> (1896), <i>A Browning Primer</i> +(1904), and various books on medicine, etc.</p><br /> + +<a name='BERENSON_BERNHARD_1865'></a><p><b>BERENSON, BERNHARD (1865).</b> +—Writer on art. <i>Venetian +Painters of the Renaissance</i> (1894), <i>Lorenzo Lotto, an Essay on Constructive +Art Criticism</i> (1895), <i>Florentine Painters of the +Renaissance</i> +(1896), <i>Central Italian Painters of the Renaissance</i> (1897), +<i>Study and Criticism of Italian Art</i> (1901), <i>North Italian Painters +of the Renaissance</i>, <i>A Sienese Painter of the Franciscan Legend</i> +(1910), etc.</p><br /> + +<a name='BESANT_MRS_ANNIE_1847'></a><p><b>BESANT, MRS. ANNIE (1847).</b> +—Theosophist. <i>Re-incarnation</i> +(1892), <i>Death and After</i> (1893), <i>Karma</i> (1895), <i>The Self and its +Sheaths</i> (1895), <i>Ancient Wisdom</i> (1897), <i>Dharma</i> (1899), <i>Esoteric +Christianity</i> (1901), <i>Pedigree of Man</i> (1903), <i>Wisdom of the Upanishats</i> +(1906), etc.</p><br /> + +<a name='BINYON_LAURENCE_1869'></a><p><b>BINYON, LAURENCE (1869).</b> +—Poet and art critic. <i>Lyric +Poems</i> (1894), <i>London Visions</i>, Book I. (1895), Book II. (1898), <i>The +Praise of Life</i> (1896), <i>Porphyrion and other Poems</i> (1898), <i>Odes</i> (1900), +<i>Penthesilea</i> (1905), <i>Paris and Ænone</i> (1906), etc.</p><br /> + +<a name='BIRRELL_AUGUSTINE_MP_LLD_1850'></a><p><b>BIRRELL, AUGUSTINE, M.P., LL.D. (1850).</b> +—Essayist, etc. +<i>Obiter Dicta</i> (1884), <i>Res Judicatæ</i> (1892), <i>Men, Women, and Books</i> +(1894), <i>Collected Essays</i> (1900), <i>Miscellanies</i> (1901). Books on Charlotte +Bronté, Hazlitt, etc. Ed. Boswell's <i>Johnson</i> (1907).</p><br /> + +<a name='BLAIKIE_JOHN_ARTHUR_1849'></a><p><b>BLAIKIE, JOHN ARTHUR (1849).</b> +—Poet and journalist. +<i>Madrigals, Songs, and Sonnets</i> (1870), <i>Love's Victory</i> (1890), and <i>A +Sextet of Singers</i> (1895).</p><br /> + +<a name='BLAND_MRS_HUBERT_quotE_NESBITquot_1858'></a><p><b>BLAND, MRS. HUBERT ["E. NESBIT"] (1858).</b> +—Poet +and novelist. <i>Lays and Legends</i> (1886), second series (1892), <i>A +Pomander of Verse</i> (1895), <i>In Homespun</i> (1896), <i>Secret of Kyriels</i> +(1898), <i>Book of Dragons</i> (1900), <i>Five Children and It</i> (1902), <i>The +Phœnix and the Carpet</i> (1904), <i>The Railway Children</i> (1906), <i>Salome +and the Head</i> (1908), etc.</p><br /> + +<a name='BLOUNDELLE_BURTON_JOHN_EDWARD_1850'></a><p><b>BLOUNDELLE-BURTON, JOHN EDWARD (1850).</b> +—Novelist. +<i>Silent Shore</i> (1886), <i>Desert Ship</i> (1890), <i>Denounced</i> (1896), <i>A Bitter +Heritage</i> (1899), <i>A Branded Name</i> (1903), <i>A Woman from the Sea</i> +(1907), and <i>Last of her Race</i> (1908), etc.</p><br /> + +<a name='BLUNT_WILFRID_SCAWEN_1840'></a><p><b>BLUNT, WILFRID SCAWEN (1840).</b> +—Poet, etc. <i>Love +Sonnets of Proteus</i> (1880), <i>Future of Islam</i> (1882), <i>The Wind and the +Whirlwind</i> (1883), <i>Esther</i> (1892), <i>The Stealing of the Mare</i> (1892), +<i>Seven Golden Odes of Pagan Arabia</i> (1903), <i>Secret History of the +English Occupation of Egypt</i> (1907), etc.</p><br /> + +<a name='BOAS_FREDERICK_S_1862'></a><p><b>BOAS, FREDERICK S. (1862).</b> +—Scholar. <i>Shakespeare +and his Predecessors</i> (1896), ed. works of T. Kyd, and of Giles +and Phineas Fletcher, etc<a name='Page_425'></a>.</p><br /> + +<a name='BODLEY_JOHN_EDWARD_COURTENAY_DCL_1853'></a><p><b>BODLEY, JOHN EDWARD COURTENAY, D.C.L. (1853).</b> +—Historian. +<i>France</i>, vol. i. <i>The Revolution and Modern France</i>, vol. ii. +<i>The Parliamentary System</i>, <i>The Coronation of Edward VII.</i> (1903), +<i>The Church in France</i> (1906), etc.</p><br /> + +<a name='quotBOLDREWOOD_ROLFquot_see_BROWNE'></a><p><b>"BOLDREWOOD, ROLF," (<i>see</i> <a href='#BROWNE_THOMAS_ALEXANDER_1826'>BROWNE</a>).</b></p><br /> + +<a name='BOURDILLON_FW_1852'></a><p><b>BOURDILLON, F.W. (1852).</b> +—Poet, etc. <i>Among the +Flowers</i> (1878), <i>Sursum Corda</i> (1893), <i>Nephelé</i> (1896), etc.</p><br /> + +<a name='BRADDON_MARY_ELIZABETH_1837'></a><p><b>BRADDON, MARY ELIZABETH (1837).</b> +—Novelist. <i>Lady +Audley's Secret</i>, <i>Aurora Floyd</i> (1862), <i>Henry Dunbar</i> (1864), <i>Only a +Clod</i> (1865), <i>The Lady's Mile</i> (1866), <i>Dead Sea Fruit</i> (1869), <i>Robert +Ainsleigh</i> (1872), <i>Hostages to Fortune</i> (1875), <i>Vixen</i> (1870), <i>Wyllard's +Weird</i> (1886), <i>Rough Justice</i> (1898), <i>His Darling Sin</i> (1895), <i>The +White House</i> (1906), and many others.</p><br /> + +<a name='BRADLEY_ANDREW_CECIL_LLD_LittD_etc'></a><p><b>BRADLEY, ANDREW CECIL, L.L.D., Litt.D., etc.</b> +—Critic. +<i>A Commentary on Tennyson's In Memoriam</i> (1901), <i>Shakespearian +Tragedy</i> (1904), <i>Oxford Lectures on Poetry</i> (1909).</p><br /> + +<a name='BRADLEY_FRANCIS_HERBERT_1846'></a><p><b>BRADLEY, FRANCIS HERBERT (1846).</b> +—Philosopher. +<i>The Presuppositions of Critical History</i> (1874), <i>Ethical Studies</i> (1876), +<i>The Principles of Logic</i> (1883), and <i>Appearance and Reality</i> (1893).</p><br /> + +<a name='BRIDGES_ROBERT_1844'></a><p><b>BRIDGES, ROBERT (1844).</b> +—Poet. <i>Essay on Milton's +Prosody</i>, <i>Critical Essay on Keats</i>. Poems, <i>The Growth of Love</i>, <i>Prometheus +the Firegiver</i>, <i>Eros and Psyche</i>. Plays, <i>Nero</i>, <i>Ulysses</i>, <i>Christian +Captives</i>, <i>Achilles in Scyros</i>, <i>Feast of Bacchus</i>, etc.</p><br /> + +<a name='BROOKE_REV_STOPFORD_AUGUSTUS_LLD_1832'></a><p><b>BROOKE, REV. STOPFORD AUGUSTUS, LL.D. (1832).</b> +—Writer +on English literature and theology, etc. <i>Theology of the +English Poets</i> (1874), <i>Primer of English Literature</i> (1876), <i>Riquet of +the Tuft</i> (1880), (drama), <i>Unity of God and Man</i> (1886), <i>Poems</i> +(1888), <i>History of Early English Literature</i> (1892), <i>History of +English Literature</i> (1894), and <i>Gospel of Joy</i> (1898).</p><br /> + +<a name='BROUGHTON_RHODA_1840'></a><p><b>BROUGHTON, RHODA (1840).</b> +—Novelist. <i>Cometh up as a +Flower</i> (1867), <i>Not Wisely but too Well</i> (1867), <i>Red as a Rose is She</i> +(1870), <i>Goodbye, Sweetheart, Goodbye</i> (1872), <i>Dr. Cupid</i> (1886), +<i>Scylla or Charybdis?</i> (1895), <i>Dear Faustina</i> (1897), <i>The Game and the +Candle</i> (1899), <i>Foes in Law</i> (1901), etc.</p><br /> + +<a name='BROWN_PETER_HUME_LLD_1850'></a><p><b>BROWN, PETER HUME, LL.D. (1850).</b> +—Historian. <i>George +Buchanan, Humanist and Reformer</i> (1890), <i>Early Travellers in Scotland</i> +(1891), <i>Scotland before 1700</i> (1893), <i>John Knox, a Biography</i> +(1895), <i>History of Scotland</i> (1898-1909), etc.</p><br /> + +<a name='BROWNE_THOMAS_ALEXANDER_1826'></a><p><b>BROWNE, THOMAS ALEXANDER (1826).</b> +—Australian novelist. +<i>Robbery under Arms</i> (1888), <i>The Miner's Right</i> (1890), <i>A Sydney-side +Saxon</i> (1891), <i>A Modern Buccaneer</i> (1894), <i>The Squatter's Dream</i>, +<i>The Crooked Stick</i>, <i>Old Melbourne Memories</i> (1895), <i>A Canvas Town +Romance</i> (1898), <i>Babes in the Bush</i> (1900), <i>A Tale of the Golden West</i> +(1906), etc.</p><br /> + +<a name='BROWNING_OSCAR_1837'></a><p><b>BROWNING, OSCAR (1837).</b> +—Historian, etc. <i>Modern +England</i> (1879), <i>Modern France</i> (1880), <i>England and Napoleon in +1803</i> (1887), <i>History of England</i>, in four vols. (1890), <i>True Stories +<a name='Page_426'></a>from English History</i> (1886), <i>Guelphs and Ghibellines</i> (1894), <i>Wars of +the Nineteenth Century</i> (1899), <i>History of Europe</i> 1814-1843 (1901), +and also Lives of George Eliot, Dante, Goethe, Bartolommeo +Colleoni, and Napoleon.</p><br /> + +<a name='BRYCE_RIGHT_HON_JAMES_PC_DCL_etc_1838'></a><p><b>BRYCE, RIGHT HON. JAMES, P.C., D.C.L., etc. (1838).</b> +—Historical +and political writer, etc. <i>The Holy Roman Empire</i> (1862), +<i>Transcaucasia and Ararat</i> (1877), <i>The American Commonwealth</i> (1888), +<i>Studies in History and Jurisprudence</i> (1901), <i>Studies in Contemporary +Biography</i> (1903), etc.</p><br /> + +<a name='BUCHAN_JOHN_1875'></a><p><b>BUCHAN, JOHN (1875).</b> +—Novelist, etc. <i>Musa Piscatrix</i> +(1896), <i>Scholar-Gipsies</i> (1896), <i>John Burnet of Barns</i> (1898), <i>The +Watcher by the Threshold</i> (1902), and <i>A Lodge in the Wilderness</i> (1906).</p><br /> + +<a name='BUDGE_ERNEST_A_WALLIS_LittD_etc'></a><p><b>BUDGE, ERNEST A. WALLIS, Litt.D., etc.</b> +—Orientalist, +etc. Has produced ed. of numerous Assyrian and Egyptian texts. +<i>The Dwellers on the Nile</i> (1885), <i>Excavations at Aswân</i> (1888), <i>Festival +Songs of Isis and Nephthys, etc.</i> (1891), <i>Book of the Dead</i> (1895), <i>The +Laughable Stories of Bar-Hebræus</i> (1896), <i>A History of Egypt, etc.</i> +(1902), <i>The Gods of Egypt</i> (1903), <i>The Egyptian Sûdân</i> (1907), etc.</p><br /> + +<a name='BULLEN_ARTHUR_HENRY_1857'></a><p><b>BULLEN, ARTHUR HENRY (1857).</b> +—Ed. of Old English +writers. Ed. Works of John Day, dramatist (1881), <i>Collection of Old +English Plays</i> (1882-84), <i>Selections from Poems of Michael Drayton</i> +(1883), ed. Works of Marlowe, Middleton, Marston, Peele, Campion, +<i>Lyrics from the Song Books of Elizabethan Age</i> (1886), <i>England's +Helicon</i> (1887), works of Thos. Traherne, W. Strode, etc.</p><br /> + +<a name='BULLEN_FRANK_THOMAS_1857'></a><p><b>BULLEN, FRANK THOMAS (1857).</b> +—Writer of nautical +romances. <i>The Cruise of the Cachalot</i>, <i>Idylls of the Sea</i>, <i>With Christ +at Sea</i>, <i>A Whaleman's Wife</i>, <i>Sea Wrack</i>, <i>Sea Puritans</i>, <i>A Son of the +Sea</i>, <i>Frank Brown</i>, etc.</p><br /> + +<a name='BURNAND_SIR_FRANCIS_COWLEY_1836'></a><p><b>BURNAND, SIR FRANCIS COWLEY (1836).</b> +—Humorist +and dramatist, ed. of <i>Punch</i> (1880-1906), to which he contributed +<i>Mokeanna</i>, <i>Strapmore</i>, <i>Happy Thoughts</i>, etc. Has written over 120 +plays, including <i>Black-eyed Susan</i>, <i>The Colonel</i>, <i>Contrabandista</i>, <i>His +Majesty</i>, etc.</p><br /> + +<a name='BURNETT_MRS_FRANCES_HODGSON_1849'></a><p><b>BURNETT, MRS. FRANCES HODGSON (1849).</b> +—Novelist +and dramatist. <i>That Lass o' Lowrie's</i> (1877), <i>Haworths</i> (1879), <i>A +Fair Barbarian</i> (1881), <i>Through One Administration</i> (1883), <i>Little +Lord Fauntleroy</i> (1886), <i>A Lady of Quality</i> (1896), <i>Making of a +Marchioness</i> (1901), etc. Plays, <i>Phyllis</i>, <i>The Showman's Daughter</i>, +<i>Esmeralda</i>, <i>Little Lord Fauntleroy</i>, etc.</p><br /> + +<a name='BURY_JOHN_B_LLD_etc_1861'></a><p><b>BURY, JOHN B., LL.D., etc. (1861).</b> +—Historian. <i>History</i> +<i>of the Later Roman Empire from Arcadius to Irene</i> (1889), <i>History +of Greece to Death of Alexander the Great</i> (1900), <i>Life of St. Patrick</i> +(1905); has ed. <i>Pindar's Nemean Odes</i> and <i>Isthmian Odes</i>, Gibbon's +<i>Decline and Fall</i>, and part of E.A. Freeman's works.</p><br /> + +<a name='BUTCHER_SAMUEL_HENRY_LLD_etc_1850'></a><p><b>BUTCHER, SAMUEL HENRY, LL.D., etc. (1850).</b> +—Scholar. +<i>Prose Translation of the Odyssey</i> (1879), with A. Lang, <i>Some +Aspects of the Greek Genius</i> (1891-1904), <i>Aristotle's Theory of Poetry</i>, +(1895, 1903). etc<a name='Page_427'></a>.</p><br /> + +<a name='BUTLER_SIR_WILLIAM_FRANCIS_GCB_1838'></a><p><b>BUTLER, SIR WILLIAM FRANCIS, G.C.B. (1838).</b> +—Traveller +and biographer. <i>The Great Lone Land</i> (1872), <i>The Wild +North Land</i> (1873), <i>The Campaign of the Cataracts</i> (1887), <i>From +Naboth's Vineyard</i> (1907), Lives of Gen. Gordon, Sir. C. Napier, Sir +G.P. Colley, etc.</p><br /> + +<a name='CABLE_GEORGE_WASHINGTON_1844'></a><p><b>CABLE, GEORGE WASHINGTON (1844).</b> +—American novelist. +<i>Old Creole Days</i> (1879), <i>The Grandissimes</i> (1880), <i>Madame Delphine</i> +(1881), <i>Dr. Sevier</i> (1884), <i>John March</i> (1884), <i>The Cavalier</i> (1901), +<i>Bylow Hill</i> (1902), etc.</p><br /> + +<a name='CAINE_HALL_1853mdashNovelist'></a><p><b>CAINE, HALL (1853).—Novelist.</b> +—<i>Shadow of a Crime</i> +(1885), <i>Son of Hagar</i> (1886), <i>The Deemster</i> (1887), <i>The Bondman</i> +(1890), <i>The Scapegoat</i> (1891), <i>The Manxman</i> (1894), <i>The Christian</i> +(1897), <i>The Eternal City</i> (1901), <i>The Prodigal Son</i> (1904), several +of which have been dramatised. Has also written books on Rossetti +and Coleridge.</p><br /> + +<a name='CAMBRIDGE_ADA_MRS_CROSS_1844'></a><p><b>CAMBRIDGE, ADA (MRS. CROSS) (1844).</b> +—Australian +novelist. <i>A Marked Man</i> (1891), <i>The Three Miss Kings</i> (1891), <i>A +Little Minx</i> (1893), <i>Fidelis</i> (1895), <i>Materfamilias</i> (1898), <i>The Devastators</i> +(1901), <i>A Happy Marriage</i> (1906), <i>The Eternal Feminine</i> +(1907), etc.</p><br /> + +<a name='CAMPBELL_WILFRED_LLD_1861'></a><p><b>CAMPBELL, WILFRED, LL.D. (1861).</b> +—Poet. <i>Lake Lyrics</i> +(1889), <i>Dread Voyage Poems</i> (1893), <i>Mordred and Hildebrand Tragedies</i> +(1895), <i>Beyond the Hills of Dream</i> (1899), <i>Ian of the Orcades</i> (1906) +(novel), etc.</p><br /> + +<a name='CASTLE_EGERTON_1858'></a><p><b>CASTLE, EGERTON (1858).</b> +—Novelist. <i>Consequences</i> +(1891), <i>The Light of Scarthey</i> (1895), <i>The Jerningham Letters</i> (1896), +<i>The Pride of Jennico</i> (1898), <i>Desperate Remedies</i> (play), <i>Young April</i> +(1899), <i>The Secret Orchard</i> (1899), <i>Incomparable Bellairs</i> (1904), +<i>Wroth</i> (1908) (with Agnes Castle), etc.</p><br /> + +<a name='CHAMBERS_ROBERT_WILLIAM_1865'></a><p><b>CHAMBERS, ROBERT WILLIAM (1865).</b> +—American novelist. +<i>In the Quarter</i> (1895), <i>The Red Republic</i> (1896), <i>Lorraine</i>, <i>The Cambric +Mask</i>, <i>The Maids of Paradise</i> (1903), <i>A Young Man in a Hurry</i> +(1906), <i>The Fighting Chance</i> (1907), etc.</p><br /> + +<a name='CHESTERTON_GILBERT_KEITH_1874'></a><p><b>CHESTERTON, GILBERT KEITH (1874).</b> +—Essayist, etc. +<i>The Wild Knight</i>, <i>Greybeards at Play</i>, <i>Twelve Types</i>, <i>The Napoleon +of Notting Hill</i> (1904), <i>Club of Queer Trades</i> (1905), <i>Heretics</i> (1905), +<i>All Things Considered</i> (1908), books on R. Browning, Dickens, G.F. +Watts, G.B. Shaw, etc.</p><br /> + +<a name='CHOLMONDELEY_MARY'></a><p><b>CHOLMONDELEY, MARY.</b> +—Novelist. <i>Diana Tempest</i>, <i>Red +Pottage</i>, <i>Moth and Rust</i> (1902), <i>Prisoners</i> (1906), etc.</p><br /> + +<a name='CHURCHILL_WINSTON_1871'></a><p><b>CHURCHILL, WINSTON (1871).</b> +—American novelist. <i>The +Celebrity</i>, <i>Richard Carvel</i> (1899), <i>The Crisis</i> (1901), <i>The Crossing</i> +(1903), <i>Coniston</i> (1906), <i>Mr. Crewe's Career</i> (1908).</p><br /> + +<a name='CLEMENS_SAMUEL_LANGHORNE_see_quotTWAINquot'></a><p><b>CLEMENS, SAMUEL LANGHORNE, (<i>see</i> <a href='#quotTWAIN_MARKquot_SAMUEL_LANGHORNE_CLEMENS_DLitt_1835'>"TWAIN"</a>).</b></p><br /> + +<a name='CLIFFORD_MRS_WK_LANE'></a><p><b>CLIFFORD, MRS. W.K. (LANE).</b> +—Novelist, etc. <i>Mrs. +Keith's Crime</i> (1885), <i>Love Letters of a Worldly Woman</i> (1891), +<i>Aunt Anne</i> (1893), <i>A Woman Alone</i> (1901), <i>The Modern Way</i> (1906), +etc., and various plays<a name='Page_428'></a>.</p><br /> + +<a name='CLODD_EDWARD_1840'></a><p><b>CLODD, EDWARD (1840).</b> +—Scientific writer, etc. <i>The +Childhood of the World</i> (1872), <i>The Childhood of Religions</i> (1875), +<i>Myths and Dreams</i> (1885), <i>Story of Primitive Man</i> (1895), <i>Primer of +Evolution</i> (1895), <i>Animism</i> (1906), etc.</p><br /> + +<a name='COLERIDGE_CHRISTABEL_ROSE_1843'></a><p><b>COLERIDGE, CHRISTABEL ROSE (1843).</b> +—Novelist. <i>Lady +Betty</i> (1869), <i>The Face of Carlyon</i> (1875), <i>An English Squire</i> (1881), +<i>A Near Relation</i> (1886), <i>Waynflete</i> (1893), <i>The Winds of Cathrigg</i> +(1901), etc.</p><br /> + +<a name='COLVIN_SIDNEY_DLitt_1845'></a><p><b>COLVIN, SIDNEY, D.Litt. (1845).</b> +—Writer on art, etc. <i>A +Florentine Picture-Chronicle</i> (1898), <i>Early Engraving and Engravers in +England</i> (1906), Lives of Keats, Landor; ed. Letters of Keats and +R.L. Stevenson, and the Edinburgh ed. of the latter's works, etc.</p><br /> + +<a name='quotCONNOR_RALPHquot_Rev_CW_GORDON_1860'></a><p><b>"CONNOR, RALPH" (Rev. C.W. GORDON) (1860).</b> +—Novelist, +etc. <i>The Sky Pilot</i>, <i>The Man from Glengarry</i>, <i>The Doctor +of Crow's Nest</i>, etc.</p><br /> + +<a name='CONRAD_JOSEPH'></a><p><b>CONRAD, JOSEPH.</b> +—Novelist. <i>Almayer's Folly</i> (1895), +<i>An Outcast of the Islands</i> (1896), <i>Tales of Unrest</i> (1898), <i>Lord Jim</i> +(1900), <i>Typhoon</i> (1903), <i>Nostromo</i> (1904), <i>The Mirror of the Sea</i> +(1906), <i>The Secret Agent</i> (1907).</p><br /> + +<a name='CORELLI_MARIE_1864'></a><p><b>CORELLI, MARIE (1864).</b> +—Novelist. <i>A Romance of Two +Worlds</i> (1886), <i>Vendetta</i> (1886), <i>Thelma</i> (1887), <i>Soul of Lilith</i> (1892), +<i>Sorrows of Satan</i> (1895), <i>Mighty Atom</i> (1896), <i>Murder of Delicia</i> +(1896), <i>Ziska</i> (1897), <i>The Master Christian</i> (1900), <i>God's Good Man</i> +(1904), <i>The Treasure of Heaven</i> (1906), <i>Holy Orders</i> (1908).</p><br /> + +<a name='COTES_MRS_EVERARD_DUNCAN_1861'></a><p><b>COTES, MRS. EVERARD (DUNCAN) (1861).</b> +—Novelist. <i>A +Social Departure</i> (1890), <i>American Girl in London</i> (1891), <i>The Simple +Adventures of a Mem Sahib</i>, <i>Story of Sunny Sahib</i>, <i>His Honour and a +Lady</i>, <i>Pool in the Desert</i> (1903), <i>Set in Authority</i> (1906), etc.</p><br /> + +<a name='COURTHOPE_WILLIAM_JOHN_CB_LLD_etc_1842'></a><p><b>COURTHOPE, WILLIAM JOHN, C.B., LL.D., etc. (1842).</b> +—Critic, +biographer, etc. <i>Ludibria Lunæ</i> (1869), <i>Paradise of Birds</i> +(1870), <i>History of English Poetry</i> (vol. vi. 1910), and Lives of Addison +and Pope.</p><br /> + +<a name='COURTNEY_Wm_LEONARD_LLD_1850'></a><p><b>COURTNEY, Wm. LEONARD, LL.D. (1850).</b> +—Critic, etc. +<i>Studies New and Old</i> (1888), <i>Dramas and Diversions</i> (1900), <i>The +Literary Man's Bible</i> (1909), etc.</p><br /> + +<a name='CRADDOCK_CHARLES_EGBERT_see_MURFREE'></a><p><b>CRADDOCK, CHARLES EGBERT (<i>see</i> <a href='#MURFREE_MARY_NOAILLES_quotCHARLES_EGBERT_CRADDOCKquot'>MURFREE</a>).</b></p><br /> + +<a name='CROCKETT_SAMUEL_RUTHERFORD_1860'></a><p><b>CROCKETT, SAMUEL RUTHERFORD (1860).</b> +—Novelist and +poet. <i>The Stickit Minister</i> (1893), <i>The Raiders</i> (1894), <i>Lilac Sunbonnet</i> +(1894), <i>Bog, Myrtle, and Peat</i> (1895), <i>Men of the Moss Hags</i> +(1895), <i>Grey Man</i> (1896), <i>Standard Bearer</i> (1898), <i>Joan of the Sword +Hand</i> (1900), <i>Love Idylls</i> (1901), <i>Me and Myn</i> (1907), <i>Bloom of the +Heather</i> (1908).</p><br /> + +<a name='CROMMELIN_MAY_DE_LA_CHEROIS'></a><p><b>CROMMELIN, MAY DE LA CHEROIS.</b> +—Novelist. <i>Queenie</i>, +<i>My Love She's but a Lassie</i>, <i>Orange Lily</i>, <i>For the Sake of the Family</i>, +<i>Crimson Lilies</i>, <i>I Little Knew</i>, etc.</p><br /> + +<a name='CUNNINGHAM_WILLIAM_DD_1849'></a><p><b>CUNNINGHAM, WILLIAM, D.D. (1849).</b> +—Economist, etc. +<i>Growth of English Industry and Commerce</i>, <i>Western Civilisation</i>,<a name='Page_429'></a> +<i>Modern Civilisation</i>, <i>Use and Abuse of Money</i>, <i>Path Towards Knowledge</i>, +<i>Rise and Decline of Free Trade</i>, etc.</p><br /> + +<a name='CUNNINGHAME_GRAHAM_ROBERT_BONTINE_1852'></a><p><b>CUNNINGHAME-GRAHAM, ROBERT BONTINE (1852).</b> +—Traveller, +essayist, etc. <i>Father Archangel of Scotland</i> (1896), with +Mrs. C.-G. <i>Aurora la Cugini</i>, <i>Mogreb el Acksa</i>, <i>Journey in Morocco</i> +(1898), <i>Thirteen Stories</i> (1900), <i>A Vanished Arcadia</i> (1901), <i>Life of +Hernando de Soto</i> (1903), etc.</p><br /> + +<a name='DAVIS_RICHARD_HARDING_1864'></a><p><b>DAVIS, RICHARD HARDING (1864).</b> +—American novelist, +etc. <i>Soldiers of Fortune</i>, <i>The Princess Aline</i>, <i>In the Fog</i>, <i>Captain +Macklin</i>, <i>Real Soldiers of Fortune</i> (1906), also books on his adventures +in Venezuela, Cuba, South Africa, etc.</p><br /> + +<a name='DE_MORGAN_WILLIAM_FREND_1839'></a><p><b>DE MORGAN, WILLIAM FREND (1839).</b> +—Novelist. <i>Joseph +Vance: An Ill-written Autobiography</i> (1906), <i>Alice-for-short: A +Dichronism</i> (1907), <i>Somehow Good</i> (1908), <i>It Never can Happen +Again</i> (1909).</p><br /> + +<a name='DICKINSON_GOLDSWORTHY_LOWES'></a><p><b>DICKINSON, GOLDSWORTHY LOWES.</b> +—Historical writer. +<i>Revolution and Reaction in Modern France</i>, <i>The Development of Parliament +in the Nineteenth Century</i>, <i>The Greek View of Life</i>, <i>The Meaning +of Good</i>, <i>Letters of John Chinaman</i>, <i>A Modern Symposium</i>, <i>Justice +and Liberty</i> (1909), etc.</p><br /> + +<a name='DILKE_SIR_CHARLES_WENTWORTH_BART_PC_LLD_etc_1843'></a><p><b>DILKE, SIR CHARLES WENTWORTH, BART., P.C., LL.D., etc. (1843).</b> +—Political +writer. <i>Greater Britain</i> (1868), <i>The Fall of +Prince Floristan of Monaco</i>, <i>Problems of Greater Britain</i> (1890), etc.</p><br /> + +<a name='DOBSON_HENRY_AUSTIN_LLD_1840'></a><p><b>DOBSON, HENRY AUSTIN, LL.D. (1840).</b> +—Poet and +biographer. Poems, <i>Vignettes in Rhyme</i> (1873), <i>Proverbs in Porcelain</i> +(1877), <i>Old World Idylls</i> (1883), <i>At the Sign of the Lyre</i> (1885). Prose, +<i>Thomas Bewick and his Pupils</i> (1884), <i>Eighteenth Century Vignettes</i> (3 +series, 1892, 1894, and 1896), Lives of Fielding (1883), Steele (1886), +Goldsmith (1888), H. Walpole (1890), Hogarth (1891), Richardson +(1892), etc. Ed. Diaries of Madame D'Arblay, J. Evelyn, etc.</p><br /> + +<a name='DOUGHTY_ARTHUR'></a><p><b>DOUGHTY, ARTHUR.</b> +—Historical and miscellaneous +writer. <i>Life and Works of Tennyson</i> (1893), <i>Song Story of Francesca +and Beatrice</i> (1896), <i>The Siege of Quebec and Battle of the Plains +of Abraham</i> (6 vols. 1901-2), <i>The Fortress of Quebec</i> (1904), etc.</p><br /> + +<a name='DOUGHTY_CHARLES_MONTAGUE'></a><p><b>DOUGHTY, CHARLES MONTAGUE.</b> +—Traveller and poet. +<i>Wanderings in Arabia</i> (1908) (new ed. abridged from <i>Arabia Deserta</i>), +<i>The Dawn in Britain</i>, <i>Adam Cast Forth</i> (1906), <i>The Cliffs</i> (1909).</p><br /> + +<a name='DOUGLAS_SIR_GEORGE_BRISBANE_SCOTT_BART_1856'></a><p><b>DOUGLAS, SIR GEORGE BRISBANE SCOTT, BART. (1856).</b> +—Poet +and miscellaneous writer. <i>Poems</i> (1880), <i>The Fireside Tragedy</i> +(1896), <i>New Border Tales</i> (1892), <i>Poems of a Country Gentleman</i> +(1897), <i>History of Border Counties</i>, Lives of James Hogg and +General Wauchope, etc.</p><br /> + +<a name='DOUGLAS_JAMES_1869'></a><p><b>DOUGLAS, JAMES (1869).</b> +—<i>The Man in the Pulpit</i> (1905), +<i>The Unpardonable Sin</i> (1907), <i>Theodore Watts-Dunton</i>.</p><br /> + +<a name='DOWDEN_EDWARD_LLD_DCL_1843'></a><p><b>DOWDEN, EDWARD, LL.D., D.C.L. (1843).</b> +—Literary critic, +etc. <i>Shakespeare, his Mind and Art</i> (1875), <i>Shakespeare Primer</i> (1877), +<i>Studies in Literature</i> (1878), <i>The French Revolution and English<a name='Page_430'></a> +Literature</i> (1897), <i>A History of French Literature</i> (1897), books on +Shelley, Browning, Montaigne; ed. Shakespeare's Sonnets, <i>The +Passionate Pilgrim</i> (1883), the Correspondence of Henry Taylor, +Works of Shelley, Wordsworth, etc.</p><br /> + +<a name='DOYLE_SIR_ARTHUR_CONAN_LLD_1859'></a><p><b>DOYLE, SIR ARTHUR CONAN, LL.D. (1859).</b> +—Novelist. +<i>A Study in Scarlet</i> (1887), <i>Micah Clarke</i> (1888), <i>The Sign of Four</i> +(1889), <i>White Company</i> (1890), <i>Firm of Girdlestone</i> (1890), <i>Adventures +of Sherlock Holmes</i> (1891), <i>Memoirs of Sherlock Holmes</i> (1893), +<i>Exploits of Brigadier Gerard</i> (1896), <i>Uncle Bernac</i> (1897), <i>Sir Nigel</i> +(1906), etc.</p><br /> + +<a name='DUCLAUX_MADAME_see_ROBINSON_AMF'></a><p><b>DUCLAUX, MADAME, (<i>see</i> <a href='#ROBINSON_AGNES_MARY_FRANCES_MME_DUCLAUX_1857'>ROBINSON, A.M.F.</a>)</b></p><br /> + +<a name='DUDENEY_MRS_HENRY_WHIFFIN_1866'></a><p><b>DUDENEY, MRS. HENRY (WHIFFIN) (1866).</b> +—Novelist. <i>A +Man with a Maid</i> (1897), <i>Folly Corner</i>, <i>Men of Marlowe's</i>, <i>Robin +Brilliant</i>, <i>Wise Words</i>, <i>The Orchard Thief</i> (1907), etc.</p><br /> + +<a name='EDWARDS_MATILDA_BETHAM'></a><p><b>EDWARDS, MATILDA BETHAM.</b> +—Novelist, etc. <i>The +White House by the Sea</i>, <i>Dr. Jacob</i>, <i>John and I</i>, <i>The Sylvesters</i>, <i>France +of To-day</i>, <i>The Golden Bee</i> (ballads) (1896), <i>Anglo-French Reminiscences</i> +(1899), <i>A Suffolk Courtship</i> (1900), and <i>Home Life in France</i> +(1905).</p><br /> + +<a name='EDWARDS_OWEN_MORGAN_1858'></a><p><b>EDWARDS, OWEN MORGAN (1858).</b> +—Writer on Welsh +history and literature. <i>Story of Wales</i> (1902), and several books +(<i>Tro yn yr Eidal</i>, etc.) in Welsh, and has ed. various Welsh texts, etc.</p><br /> + +<a name='ELLIS_ROBINSON_1834'></a><p><b>ELLIS, ROBINSON (1834).</b> +—Scholar. <i>The Poems and +Fragments of Catullus in the Metres of the Original</i> (1871), <i>A Commentary +on Catullus</i> (1876), <i>The Ibis of Ovid, etc.</i> (1881), <i>The Fables of +Avianus</i> (1887), <i>Noctes Manilianæ</i> (1891), many separate lectures +on classical subjects, etc.</p><br /> + +<a name='ELTON_OLIVER_1861'></a><p><b>ELTON, OLIVER (1861).</b> +—Critical writer, etc. <i>The +Augustan Ages</i> (Periods of European Literature) (1890), <i>Michael +Drayton</i> (1906); has ed. some of Milton's poems and translated +Mythical Books of Saxo Grammaticus' <i>Historia Danica</i>.</p><br /> + +<a name='ESLER_MRS_ERMINDA_RENTOUL'></a><p><b>ESLER, MRS. ERMINDA (RENTOUL).</b> +—Novelist. <i>The +Way of Transgressors</i> (1890), <i>The Way they loved at Grimpat</i> (1894), +<i>'Mid Green Pastures</i> (1895), <i>Youth at the Prow</i> (1898), <i>Awakening of +Helena Thorpe</i> (1901), <i>The Trackless Way</i> (1904), etc.</p><br /> + +<a name='EVERETT_GREEN_Miss_EVELYN_1856'></a><p><b>EVERETT-GREEN, Miss EVELYN (1856).</b> +—Novelist, etc. +<i>Last of the Dacres</i> (1886), <i>Dare Lorimer's Heritage</i> (1892), <i>French and +English</i> (1898), <i>Heir of Hascombe Hall</i> (1899), <i>Dufferin's Keep</i> (1905), +etc.</p><br /> + +<a name='quotFIELD_MICHAELquot'></a><p><b>"FIELD, MICHAEL".</b> +—Poet (pen-name adopted by two +ladies, understood to be Miss Bradley and Miss Cooper). <i>Callirrhoé</i> +(1884), <i>Brutus Ultor</i> (1887), <i>Fair Rosamund</i> (1884), <i>The Father's +Tragedy</i> (1885), <i>Stephania</i> (1892), <i>Canute the Great</i> (1887), <i>Anna +Ruina</i> (1899), <i>Julia Danna</i> (1903), and <i>Wild Honey</i> (1908).</p><br /> + +<a name='FINDLATER_JANE_HELEN'></a><p><b>FINDLATER, JANE HELEN.</b> +—Novelist. <i>Green Graves of +Balgowrie</i>, <i>A Daughter of Strife</i>, <i>Rachel</i>, <i>Tales that are Told</i> (with Mary<a name='Page_431'></a> +Findlater), <i>Story of a Mother</i>, <i>Stones from a Glass House</i>, <i>The Affair +at the Inn</i> (with K.D. Wiggin), <i>The Ladder to the Stars</i> (1906), etc.</p><br /> + +<a name='FISHER_HERBERT_ALBERT_LAURENS_1865'></a><p><b>FISHER, HERBERT ALBERT LAURENS (1865).</b> +—Historian. +<i>The Mediæval Empire</i> (1898), <i>Studies in Napoleonic Statesmanship</i> +(1903), <i>A Political History of England</i> (1906), etc.</p><br /> + +<a name='FISON_LORIMER_DD_1832'></a><p><b>FISON, LORIMER, D.D. (1832).</b> +—Anthropologist. <i>Kamilaroi +and Kurnai</i>, <i>Group Marriage and Marriage by Elopement</i> (with +A.W. Hewitt), <i>Land Tenure in Fiji</i>, <i>Tales from Old Fiji</i>, etc.</p><br /> + +<a name='FITZMAURICE_KELLY_JAMES_1858'></a><p><b>FITZMAURICE-KELLY, JAMES (1858).</b> +—Writer on Spanish +literature. <i>Life of Cervantes</i> (1892), <i>History of Spanish Literature</i> +(1898), <i>Lope de Vega and the Spanish Drama</i> (1902), <i>Cervantes in +England</i> (1905), ed. complete Works of Cervantes, etc.</p><br /> + +<a name='FLEMING_DAVID_HAY_LLD_1849'></a><p><b>FLEMING, DAVID HAY, LL.D. (1849).</b> +—Historian and antiquary. +<i>Charters of St. Andrews</i> (1883), <i>Martyrs and Confessors of +St. Andrews</i> (1887), <i>Scotland after the Union of the Crowns</i> (1890), +<i>Mary Queen of Scots</i> (1897), <i>Scottish History and Life</i> (3 sections, +1902), <i>Story of the Scottish Covenants</i>.</p><br /> + +<a name='FLINT_ROBERT_DD_LLD_1838'></a><p><b>FLINT, ROBERT, D.D., LL.D. (1838).</b> +—Writer on philosophy, +sociology, and theology. <i>Philosophy of History in Europe</i> +(1874), <i>Theism</i> (1877), <i>Anti-Theistic Theories</i> (1879), <i>Historical +Philosophy in France</i> (1894), <i>Socialism</i> (1894), <i>Agnosticism</i> (1903), etc.</p><br /> + +<a name='FORMAN_HARRY_BUXTON_CB_1842'></a><p><b>FORMAN, HARRY BUXTON, C.B. (1842).</b> +—Biographer, etc. +<i>Our Living Poets</i> (1871), ed. Works of Shelley (1876-80), <i>Letters of +John Keats to Fanny Brawne</i> (1878), <i>Poetical Works of John Keats</i>, +and books on E.B. Browning, W. Morris, etc.</p><br /> + +<a name='FOWLER_ELLEN_THORNEYCROFT_MRS_FELKIN'></a><p><b>FOWLER, ELLEN THORNEYCROFT (MRS. FELKIN).</b> +—Novelist, +etc. <i>Concerning Isabel Carnaby</i> (1898), <i>A Double Thread</i> (1899), +<i>The Farringdons</i> (1900), <i>Fuel of Fire</i> (1902), and with A.L. Felkin, +<i>Kate of Kate Hall</i> (1904), <i>In Subjection</i> (1906), also some books of +verse, etc.</p><br /> + +<a name='FOX_JOHN_1863'></a><p><b>FOX, JOHN (1863).</b> +—American novelist. <i>A Cumberland +Vendetta</i>, <i>The Kentuckians</i>, <i>Blue Grass</i>, <i>Little Shepherd of Kingdom +Come</i>, etc.</p><br /> + +<a name='FRASER_ALEXANDER_CAMPBELL_LLD_DCL_1819'></a><p><b>FRASER, ALEXANDER CAMPBELL, LL.D., D.C.L. (1819).</b> +—Philosopher. +<i>Essays in Philosophy</i> (1846-56), <i>Collected Works of +Bishop Berkeley</i>, annotated (1871), <i>Life and Letters of Berkeley</i> +(1871), <i>Locke's Essay on the Human Understanding with Prolegomena, +etc.</i> (1894), <i>Philosophy of Theism</i> (1898), <i>Biographia Philosophica</i> +(1904), etc.</p><br /> + +<a name='FRAZER_JAMES_GEORGE_LLD_DCL_1854'></a><p><b>FRAZER, JAMES GEORGE, LL.D., D.C.L., (1854).</b> +—Writer +on comparative religion, etc. <i>Totemism</i> (1887), <i>The Golden Bough</i> +(1890), <i>Lectures on the Early History of the Kingship</i> (1905), <i>Adonis, +Attis, Osiris, Studies in the History of Oriental Religion</i> (1906), <i>Questions +on the Customs, Beliefs, and Languages of Savages</i> (1907), etc.</p><br /> + +<a name='FURNESS_HORACE_HOWARD_PhD_LLD_1833'></a><p><b>FURNESS, HORACE HOWARD, Ph.D., LL.D. (1833).</b> +—Shakespearian +scholar. Variorum ed. of Shakespeare (1871)<a name='Page_432'></a>.</p><br /> + +<a name='FURNIVALL_FREDERICK_JAMES_PhD_DLitt_1825'></a><p><b>FURNIVALL, FREDERICK JAMES, Ph.D., D.Litt., (1825).</b> +—Scholar. +Has ed. many publications in connection with the Early +English Text, Chaucer, Ballad, New Shakespeare, and similar Societies, +of several of which he was the founder.</p><br /> + +<a name='GAIRDNER_JAMES_CB_LLD_1828'></a><p><b>GAIRDNER, JAMES, C.B., LL.D. (1828).</b> +—Historian. Ed. +in Rolls Series <i>Memorials of Henry VII.</i>, <i>Letters and Papers of the +Reigns of Richard III. and Henry VII.</i>, <i>Calendar of Henry VIII.</i>, +vols. v. to xx., ed. the <i>Paston Letters</i> (1900), and various vols. for +the Camden Society, author of <i>England</i> in the Early Chroniclers of +Europe Series, a Life of Richard III., <i>The English Church in the +Sixteenth Century to the Death of Mary</i> (1902), etc.</p><br /> + +<a name='GALSWORTHY_JOHN_1867'></a><p><b>GALSWORTHY, JOHN (1867).</b> +—Novelist and playwright. +Novels: <i>Jocelyn</i> (1898), <i>Villa Rubein</i> (1900), <i>The Island Pharisees</i> +(1904), <i>The Man of Property</i> (1906), <i>The Country House</i> (1907), <i>A +Commentary</i> (1908), <i>Fraternity</i> (1909). Plays: <i>The Silver Box</i> (1906), +<i>Joy</i> (1907), and <i>Strife</i> (1909), <i>Justice</i> (1910).</p><br /> + +<a name='GALTON_SIR_FRANCIS_FRS_DCL_1822'></a><p><b>GALTON, SIR FRANCIS, F.R.S., D.C.L. (1822).</b> +—Traveller +and anthropologist. <i>Tropical South Africa</i> (1853), <i>Hereditary Genius</i> +(1869), <i>English Men of Science, their Nature and Nurture</i> (1874), +<i>Human Faculty</i> (1883), <i>Natural Inheritance</i> (1889), <i>Finger Prints</i> +(1893), <i>Noteworthy Families</i> (with E. Schuster) (1906), etc.</p><br /> + +<a name='GARDNER_EDMUND_GARRATT_1869'></a><p><b>GARDNER, EDMUND GARRATT (1869).</b> +—Miscellaneous +writer. <i>Dante's Ten Heavens</i> (1898), <i>Story of Florence</i> (1900), +<i>Dukes and Ports in Ferrara</i> (1904), <i>The King of Court Poets</i> (1906), +<i>Saint Catherine of Siena</i> (1907), <i>Lyrical Poetry of Dante Alighieri</i> +(1910), etc.</p><br /> + +<a name='GARDNER_ERNEST_ARTHUR_1862'></a><p><b>GARDNER, ERNEST ARTHUR (1862).</b> +—Writer on Greek +antiquities. <i>Chapter on Inscriptions in Naukratis I.</i> (1886), <i>Naukratis +II.</i> (1888), <i>Handbook of Greek Sculpture</i> (1896-97), <i>A Companion +to Greek Studies</i> (1905), etc.</p><br /> + +<a name='GARDNER_PERCY_LittD_LLD_1846'></a><p><b>GARDNER, PERCY, Litt.D., LL.D. (1846).</b> +—Writer on +Greek art, etc. Part ed. of the British Museum Coin Catalogues +(1873-86), <i>The Parthian Coinage</i> (1877), <i>Samos and Samian Coinage</i> +(1882), <i>The Types of Greek Coins</i> (1883), <i>New Chapters in Greek History</i> +(1892), <i>Sculptured Tombs of Hellas</i> (1896), <i>Historic View of the +New Testament</i> (1901). etc.</p><br /> + +<a name='GARNETT_CONSTANCE_1862'></a><p><b>GARNETT, CONSTANCE (1862).</b> +—Translator of <i>Novels and +Tales of Turgenev</i> (1895-99), etc.</p><br /> + +<a name='GARNETT_EDWARD_1868'></a><p><b>GARNETT, EDWARD (1868).</b> +—Dramatic critic, etc. <i>An +Imaged World</i> (1894), <i>The Breaking Point</i> (a censored play, 1907).</p><br /> + +<a name='GASQUET_RIGHT_REV_FRANCIS_AIDAN_DD_1846'></a><p><b>GASQUET, RIGHT REV. FRANCIS AIDAN, D.D. (1846).</b> +—Historical +writer. <i>Henry VIII. and the English Monasteries</i> (1888-89), +<i>Edward VI. and the Book of Common Prayer</i> (1890), <i>The Great Pestilence</i> +(1893), <i>Sketch of Monastic Constitutional History</i> (1896), <i>Short +History of the Catholic Church in England</i> (1903), <i>Lord Acton and his +Circle</i>, <i>Parish Life in Mediæval England</i> (1906), etc.</p><br /> + +<a name='GIBERNE_AGNES'></a><p><b>GIBERNE, AGNES.</b> +—Novelist and scientific writer. Tales, +<i>Conlyng Castle</i>, <i>Life Tangles</i>, <i>Roy</i>, <i>Stories of the Abbey Precincts</i>,<a name='Page_433'></a> +<i>Rowena</i> (1906), <i>Astronomy</i>, <i>Sun, Moon, and Stars</i>, <i>Starry Skies</i>, <i>The +World's Foundations</i>, <i>Radiant Suns</i>, etc.</p><br /> + +<a name='GILBERT_SIR_WILLIAM_SCHWENK_1836'></a><p><b>GILBERT, SIR WILLIAM SCHWENK (1836).</b> +—Dramatist +and humorist. <i>The Palace of Truth</i> (1870), <i>Pygmalion and Galatea</i> +(1871), <i>Trial by Jury</i> (1878), <i>Pinafore</i>, <i>Pirates of Penzance</i>, <i>Patience</i>, +<i>Iolanthe</i>, <i>The Mikado</i>, <i>Yeomen of the Guard</i>, <i>Bab Ballads</i>.</p><br /> + +<a name='GOLLANCZ_ISRAEL_LittD_1864'></a><p><b>GOLLANCZ, ISRAEL, Litt.D. (1864).</b> +—Scholar. Ed. <i>Cynewulf's +Christ</i> (1892), <i>Exeter Book of Anglo-Saxon Poetry</i> (Early +English Text Society), and ed. Temple Shakespeare (1894-96).</p><br /> + +<a name='GORDON_STABLES_WILLIAM_1840'></a><p><b>GORDON-STABLES, WILLIAM (1840).</b> +—Novelist and writer +of boys' books. Has written 136 books, including <i>Cruise of the +"Snowbird,"</i> <i>Every Inch a Sailor</i>, <i>Our Humble Friends and Fellow-Mortals</i>, +<i>Pirates' Gold</i>, <i>Frank Hardinge</i>, <i>The Rose o' Allandale</i>, etc.</p><br /> + +<a name='GOSSE_EDMUND_LLD_1849'></a><p><b>GOSSE, EDMUND, LL.D. (1849).</b> +—Poet and critic. <i>On +Viol and Flute</i> (1873), <i>King Erik</i> (1876), <i>New Poems</i> (1879), <i>Firdausi +in Exile</i> (1885), <i>Collected Poems</i> (1896), <i>Seventeenth Century Studies</i> +(1883), <i>History of Eighteenth Century Literature</i> (1889), <i>Secret of Narcisse</i> +(1892), <i>The Jacobean Poets</i> (1894), <i>History of Modern English +Literature</i> (1897), <i>French Profiles</i> (1905), <i>Father and Son</i> (1908), and +Lives of Gray (1882), Congreve (1888), P.H. Gosse (1890), Donne +(1899), Jeremy Taylor (1904), C. Patmore (1905), Sir Thomas +Browne (1905), etc.</p><br /> + +<a name='GOULD_NATHANIEL_1857'></a><p><b>GOULD, NATHANIEL (1857).</b> +—Sporting novelist. <i>The +Double Event</i> (1891), <i>Running it Off</i> (1892), <i>Thrown Away</i> (1894), +<i>The Miner's Cup</i> (1896), <i>A Gentleman Rider</i> (1898), <i>A Stable +Mystery</i> (1900), <i>The Rajah's Racer</i> (1904), <i>A Sporting Squatter</i> (1906), +<i>A Run of Luck</i> (1907), etc., and many others.</p><br /> + +<a name='GRAHAME_KENNETH'></a><p><b>GRAHAME, KENNETH.</b> +—Novelist. <i>Pagan Papers</i> (1893), +<i>The Golden Age</i> (1895), <i>Dream Days</i> (1898), and <i>The Headswoman</i> +(1898).</p><br /> + +<a name='GRAND_SARAH_CLARKE'></a><p><b>GRAND, SARAH (CLARKE).</b> +—Novelist. <i>Singularly Deluded</i>, +<i>Ideala</i>, <i>The Heavenly Twins</i> (1893), <i>Our Manifold Nature</i> +(1894), <i>The Modern Man and Maid</i> (1898), <i>Babs the Impossible</i> (1900), etc.</p><br /> + +<a name='GRAVES_ALFRED_PERCEVAL_1846'></a><p><b>GRAVES, ALFRED PERCEVAL (1846).</b> +—Writer of Irish +songs, etc. <i>Songs of Killarney</i> (1872), <i>Irish Songs and Ballads</i> +(1879), <i>Father O'Flynn and other Irish Lyrics</i> (1889), <i>Irish Song Book</i> +(1894), <i>The Post Bag</i> (1902), etc.</p><br /> + +<a name='quotGRAY_MAXWELLquot_TUTTIETT'></a><p><b>"GRAY, MAXWELL" (TUTTIETT).</b> +—Novelist. <i>The Silence +of Dean Maitland</i> (1886), <i>Reproach of Annesley</i> (1888), <i>An Innocent +Impostor</i> (1892), <i>Sweethearts and Friends</i> (1897), <i>Four-leaved Clover</i> +(1891), <i>The Great Refusal</i> (1906), and several vols. of poetry, etc.</p><br /> + +<a name='GRUNDY_SYDNEY_1848'></a><p><b>GRUNDY, SYDNEY (1848).</b> +—Dramatist. <i>Mammon</i> (1877), +<i>Silver Shield</i> (1885), <i>A White Lie</i> (1889), <i>A Fool's Paradise</i> (1889), +<i>Sowing the Wind</i> (1893), <i>The New Woman</i> (1894), <i>A Marriage of Convenience</i> +(1897), <i>The Black Tulip</i> (1899), etc<a name='Page_434'></a>.</p><br /> + +<a name='GUTHRIE_THOMAS_ANSTEY_quotF_ANSTEYquot_1856'></a><p><b>GUTHRIE, THOMAS ANSTEY ("F. ANSTEY") (1856).</b> +—Novelist. +<i>Vice-Versa</i> (1882), <i>The Giant's Robe</i> (1883), <i>The Black +Poodle</i> (1884), <i>The Tinted Venus</i> (1885), <i>The Pariah</i> (1889), <i>Voces +Populi</i>, <i>The Statement of Stella Maberley</i>, <i>Baboo Jabberjee</i>, <i>Love +Among the Lions</i>, <i>The Travelling Companions</i>, <i>The Brass Bottle</i> +(1900), <i>Salted Almonds</i> (1906), etc.</p><br /> + +<a name='HAGGARD_HENRY_RIDER_1856'></a><p><b>HAGGARD, HENRY RIDER (1856).</b> +—Novelist, etc. <i>The +Witch's Head</i> (1885), <i>King Solomon's Mines</i> (1886), <i>She</i> (1887), <i>Jess</i> +(1887), <i>Allan Quatermain</i> (1887), <i>Maiwa's Revenge</i> (1888), <i>Cleopatra</i> +(1889), <i>Beatrice</i> (1890), <i>Nada the Lily</i> (1892), <i>Montezuma's Daughter</i> +(1894), <i>Joan Haste</i> (1895), <i>A Farmer's Year</i> (1899), <i>Lysbeth</i> (1901), +<i>Rural England</i> (1902), <i>The Brethren</i> (1904), <i>A Gardener's Year</i> (1905), +<i>Ayesha</i> (1905), <i>The Poor and the Land</i> (1905), <i>Fair Margaret</i> (1907), +etc.</p><br /> + +<a name='HALES_JOHN_WESLEY_1836'></a><p><b>HALES, JOHN WESLEY (1836).</b> +—Scholar, co-ed. of Percy's +folio MS., ed. <i>Longer English Poems</i>, author of <i>Shakespeare Essays +and Notes</i>, etc.</p><br /> + +<a name='HARDY_ERNEST_GEORGE_DLitt_1852'></a><p><b>HARDY, ERNEST GEORGE, D.Litt. (1852).</b> +—Writer on +Roman History. <i>Christianity and the Roman Government</i>, <i>A History +of Jesus College</i>, <i>Studies in Roman History</i>, ed. Plato's <i>Republic</i>, +book i. Juvenal's <i>Satires</i>, etc.</p><br /> + +<a name='HARDY_THOMAS_LLD_1840'></a><p><b>HARDY, THOMAS, LL.D. (1840).</b> +—Novelist. <i>A Short Story</i> +(1865), <i>Desperate Remedies</i> (1871), <i>Under the Greenwood Tree</i> (1872), +<i>A Pair of Blue Eyes</i> (1872-73), <i>Far from the Madding Crowd</i> (1874), +<i>Hand of Ethelberta</i> (1876), <i>Return of the Native</i> (1878), <i>The Trumpet +Major</i> (1879), <i>A Laodicean</i> (1870-71), <i>Two on a Tower</i> (1882), <i>The +Mayor of Casterbridge</i> (1884-85), <i>The Woodlanders</i> (1886-87), <i>Wessex +Tales</i> (1888), <i>A Group of Noble Dames</i> (1891), <i>Tess of the D'Urberville's</i> +(1891), <i>Life's Little Ironies</i> (1894), <i>Jude, the Obscure</i> (1895), +<i>The Well-Beloved</i> (1897), <i>Wessex Poems</i> (1898), <i>Poems of the Past and +the Present</i> (1901), <i>The Dynasts</i> (drama), part i. (1904), and part ii. +(1906), <i>Time's Laughing Stocks</i> (1909).</p><br /> + +<a name='HARRADEN_BEATRICE_1864'></a><p><b>HARRADEN, BEATRICE (1864).</b> +—Novelist. <i>Ships that +Pass in the Night</i> (1893), <i>In Varying Moods</i> (1894), <i>Hilda Strafford</i> +(1897), <i>The Fowler</i> (1899), <i>Katharine Frensham</i> (1903), <i>The Scholar's +Daughter</i> (1903), also tales for children, etc.</p><br /> + +<a name='HARRIS_FRANK_1856'></a><p><b>HARRIS, FRANK (1856).</b> +—Novelist, etc. <i>Elder Conklin</i>, +<i>The Man William Shakespeare</i> (1898), <i>Montes the Matador</i> (1900). +Play: <i>Mr. and Mrs. Daventry</i>. Formerly editor of <i>Saturday Review</i> +and <i>Fortnightly Review</i>.</p><br /> + +<a name='HARRISON_FREDERIC_LittD_1831'></a><p><b>HARRISON, FREDERIC, Litt.D. (1831).</b> +—Historical and +miscellaneous writer. <i>Meaning of History</i> (1862), enlarged (1894), +<i>Order and Progress</i> (1875), <i>The Choice of Books</i> (1886), <i>Oliver Cromwell</i> +(1888), <i>Annals of an Old Manor-house</i> (1893), <i>Victorian Literature</i> +(1895), <i>Introduction to Comte's Positive Philosophy</i>, <i>Tennyson, +Ruskin, Mill, and Others</i> (1899), <i>Byzantine History in the Early +Middle Ages</i> (1900), <i>Life of Ruskin</i> (1902), <i>Theophano</i> (1904), +<i>Nicephorus, a Tragedy of New Rome</i> (1906), <i>The Creed of a Layman</i> +(1907), etc<a name='Page_435'></a>.</p><br /> + +<a name='HARRISON_MISS_JANE_ELLEN_LLD_etc_1850'></a><p><b>HARRISON, MISS JANE ELLEN, LL.D., etc. (1850).</b> +—Writer +on Greek art and religion. <i>Myths of the Odyssey in Art and +Literature</i> (1882), <i>Introductory Studies in Greek Art</i> (1885), <i>Mythology +and Monuments of Ancient Athens</i> (1890) (with Mrs. A.W. +Verrall), <i>Prolegomena to Study of Greek Religion</i>, etc.</p><br /> + +<a name='HARRISON_MARY_ST_LEGER_quotLUCAS_MALETquot'></a><p><b>HARRISON, MARY ST. LEGER ("LUCAS MALET").</b> +—Novelist. +<i>Mrs. Lorimer</i> (1882), <i>Colonel Enderby's Wife</i> (1885), <i>A +Counsel of Perfection</i> (1888), <i>The Wages of Sin</i> (1891), <i>The Carissima</i> +(1896), <i>History of Sir Richard Calmady</i> (1901), etc.</p><br /> + +<a name='HASSALL_ARTHUR_1853'></a><p><b>HASSALL, ARTHUR (1853).</b> +—Historian. <i>Handbook of +European History</i> (1897), <i>The Balance of Power</i> (1715-89), in Periods +of European History, of which he is ed. (1896), <i>A Class Book of +English History</i> (1901), <i>History of France</i> (1901), <i>The French People</i> +(1901), <i>The Tudor Dynasty</i> (1904), arranged Stubbs' <i>Introductions</i> +in Rolls Series, and other works of his, author of Lives of Bolingbroke, +Louis XIV., Mazarin, etc.</p><br /> + +<a name='HAWKINS_ANTHONY_HOPE_quotANTHONY_HOPEquot_1863'></a><p><b>HAWKINS, ANTHONY HOPE ("ANTHONY HOPE") (1863).</b> +—Novelist. +<i>The Prisoner of Zenda</i>, <i>The God in the Car</i>, <i>Dolly Dialogues</i>, +<i>Rupert of Hentzau</i>, <i>Tristram of Blent</i>, <i>The King's Mirror</i>, +<i>The Intrusions of Peggy</i>, <i>Double Harness</i>, <i>Sophie of Kravonia</i>, two +plays, etc.</p><br /> + +<a name='HAWTHORNE_JULIAN_1846'></a><p><b>HAWTHORNE, JULIAN (1846).</b> +—Novelist, etc. <i>Saxon +Studies</i> (1874), <i>Archibald Malmaison</i> (1878), <i>Dust</i> (1882), <i>Fortune's +Fool</i> (1883), <i>Fool of Nature</i> (1897), a Life of his <i>f.</i>, Nathaniel H., etc.</p><br /> + +<a name='HAYES_ALFRED_1857'></a><p><b>HAYES, ALFRED (1857).</b> +—Poet. <i>Death of St. Louis</i> +(1885), <i>The Last Crusade and other Poems</i> (1886), <i>The Vale of +Arden</i> (1895), etc.</p><br /> + +<a name='HAZLITT_WILLIAM_CAREW_1834'></a><p><b>HAZLITT, WILLIAM CAREW (1834).</b> +—Critic, etc. <i>The +Venetian Republic</i> (1900), ed. Warton's <i>History of English Poetry</i>, +<i>Biographical Collections and Notes</i> (8 vols. 1876-1904), ed. Letters of +Charles Lamb, <i>Memoirs of William Hazlitt</i>, <i>The Lambs</i> (1897), +<i>Shakespeare, the Man and his Works</i>, <i>Coins of Europe</i> (1893-97), etc.</p><br /> + +<a name='HERFORD_CHARLES_HAROLD_LittD_1853'></a><p><b>HERFORD, CHARLES HAROLD, Litt.D. (1853).</b> +—Scholar +and critical writer. <i>Studies in the Literary Relations of England +and Germany in the Sixteenth Century</i> (1886), <i>The Age of Wordsworth</i> +(1897), <i>English Tales in Verse</i> (1902), <i>The Social History of the +English Drama</i> (1881); has done much work on Shakespeare, ed. +<i>Eversley Shakespeare</i> (10 vols. 1899), and has made translations from +Ibsen, etc.</p><br /> + +<a name='HEWLETT_MAURICE_HENRY_1861'></a><p><b>HEWLETT, MAURICE HENRY (1861).</b> +—Poet and novelist. +<i>Earthwork out of Tuscany</i> (1895), <i>The Masque of Dead Florentines</i> +(1895), <i>Songs and Meditations</i> (1897), <i>Pan and the Young Shepherd</i> +(1898), <i>The Forest Lovers</i> (1898), <i>Little Novels of Italy</i> (1899), <i>The +Queen's Quair</i> (1904), <i>The Stooping Lady</i> (1907), etc.</p><br /> + +<a name='HICHENS_ROBERT_SMYTHE_1864'></a><p><b>HICHENS, ROBERT SMYTHE (1864).</b> +—Novelist, etc. <i>The +Green Carnation</i>, <i>An Imaginative Man</i> (1895), <i>Tongues of Conscience</i> +(1900), <i>Prophet of Berkeley Square</i> (1901), <i>The Call of the Blood</i> +(1906), and various plays, etc<a name='Page_436'></a>.</p><br /> + +<a name='HIGGINSON_THOMAS_WENTWORTH_1823'></a><p><b>HIGGINSON, THOMAS WENTWORTH (1823).</b> +—American +essayist, etc. <i>Outdoor Papers</i>, <i>Malbone</i> (a romance), <i>Army Life in +a Black Regiment</i>, <i>Oldport Days</i>, <i>Young Folks' History of the United +States</i>, <i>Common Sense about Women</i>, <i>Concerning all of Us</i>, <i>Cheerful +Yesterdays</i> (autobiography), <i>Tales of the Enchanted Islands</i>, etc.</p><br /> + +<a name='HOCKING_REV_JOSEPH'></a><p><b>HOCKING, REV. JOSEPH.</b> +—Novelist. <i>Zillah</i> (1892), <i>The +Birthright</i> (1897), <i>Esau</i> (1904), <i>Chariots of the Lord</i> (1905), <i>A Strong +Man's Vow</i> (1907), etc.</p><br /> + +<a name='HOCKING_REV_SILAS_KITTO_1850'></a><p><b>HOCKING, REV. SILAS KITTO (1850).</b> +—Novelist. <i>Ivy</i> +(1881), <i>Real Grit</i> (1887), <i>In Spite of Fate</i> (1897), <i>Gripped</i> (1902), <i>A +Modern Pharisee</i> (1907), etc.</p><br /> + +<a name='HODGKIN_THOMAS_DCL_etc_1831'></a><p><b>HODGKIN, THOMAS, D.C.L., etc. (1831).</b> +—Historian. <i>Italy +and her Invaders</i>, 8 vols. (1880-1899), <i>Letters of Cassiodorus</i> (1886), +<i>Dynasty of Theodosius</i> (1889), <i>Life of Theodoric</i> (1891), <i>Life of Charles +the Great</i> (Foreign Statesmen Series) (1897), etc.</p><br /> + +<a name='quotHOPE_ANTHONYquot_see_HAWKINS_ANTHONY_HOPE'></a><p><b>"HOPE, ANTHONY," (<i>see</i> <a href='#HAWKINS_ANTHONY_HOPE_quotANTHONY_HOPEquot_1863'>HAWKINS, ANTHONY HOPE</a>).</b></p><br /> + +<a name='HORNUNG_ERNEST_WILLIAM_1866'></a><p><b>HORNUNG, ERNEST WILLIAM (1866).</b> +—Novelist. <i>A +Bride from the Bush</i> (1890), <i>The Boss of Taroomba</i>, <i>The Unbidden +Guest</i> (1894), <i>Dead Men tell no Tales</i> (1899), <i>The Amateur Cracksman</i> +(1899), <i>The Black Mask</i>, <i>A Thief in the Night</i> (1905), etc.</p><br /> + +<a name='HOUSMAN_ALFRED_EDWARD_1859'></a><p><b>HOUSMAN, ALFRED EDWARD (1859).</b> +—Scholar, etc. <i>A +Shropshire Lad</i> (1896), ed. Juvenal and other classics.</p><br /> + +<a name='HOUSMAN_LAURENCE_1867'></a><p><b>HOUSMAN, LAURENCE (1867).</b> +—Artist, poet, etc. <i>The +Writings of William Blake</i> (1893), <i>A Farm in Fairyland</i> (1894), <i>The +House of Joy</i> (1895), <i>Green Arras</i> (1896), <i>Gods and their Makers</i> +(1897), <i>Spikenard</i> (1898), <i>The Field of Clover</i> (1898), <i>Rue</i> (1899), +<i>Sabrina Warham</i> (1904), <i>Prunella, or Love in a Dutch Garden</i> (1906); +has illustrated "Goblin Market," "The Were Wolf," "Jump to +Glory Jane," etc.</p><br /> + +<a name='HOWELLS_WILLIAM_DEAN_DLitt_1837'></a><p><b>HOWELLS, WILLIAM DEAN, D.Litt. (1837).</b> +—American +novelist, etc. <i>A Foregone Conclusion</i>, <i>A Chance Acquaintance</i>, <i>A +Counterfeit Presentment</i>, <i>The Undiscovered Country</i>, <i>Modern Italian +Poets</i>, <i>Indian Summer</i>, <i>Heroines of Fiction</i> (1901), <i>Miss Bellard's +Inspiration</i> (1905), <i>Through the Eye of the Needle</i> (1907), etc.</p><br /> + +<a name='HUDSON_WH_1862'></a><p><b>HUDSON, W.H. (1862).</b> +—Naturalist and traveller. <i>The +Purple Land</i> (1885), <i>The Naturalist in La Plata</i> (1892), <i>Idle Days in +Patagonia</i> (1893), <i>British Birds</i> (1895), <i>Green Mansions</i> +(1904), <i>A +Crystal Age</i> (1906), etc.</p><br /> + +<a name='HUEFFER_FORD_MADOX_1873'></a><p><b>HUEFFER, FORD MADOX (1873).</b> +—Novelist, etc. <i>The +Brown Owl</i>, <i>The Inheritors</i> and <i>Romance</i> (both with J. Conrad), <i>The +Face of the Night</i> (1904), <i>The Soul of London</i> (1905), <i>An English Girl</i> +(1907), <i>A Call</i> (1910), Life of Madox Brown, etc.</p><br /> + +<a name='HUTTON_EDWARD_1875'></a><p><b>HUTTON, EDWARD (1875).</b> +—Writer on Italian Art, etc. +<i>Italy and the Italians</i> (1902), <i>The Cities of Umbria</i> (1905), <i>The Cities +of Spain</i> (1906), <i>Sigismondo Malatesta</i> (1906), <i>Giovanni Boccaccio</i> +(1910), etc<a name='Page_437'></a>.</p><br /> + +<a name='HUTTON_REV_WILLIAM_HOLDEN_BD_1860'></a><p><b>HUTTON, REV. WILLIAM HOLDEN, B.D. (1860).</b> +—Historian, +<i>The Misrule of Henry III.</i>, <i>The Church of the Sixth Century</i>, <i>Short +History of the Church in Great Britain</i>, <i>The English Church</i> (1625-1714), +and Lives of Simon de Montfort, Laud, Sir T. More, etc.</p><br /> + +<a name='HYDE_DOUGLAS_LLD'></a><p><b>HYDE, DOUGLAS, LL.D.</b> +—Irish scholar. <i>Beside the Fire</i>, +<i>Love Songs of Connacht</i> (1894), <i>Three Sorrows of Story-telling</i> (1895), +<i>Story of Early Irish Literature</i> (1897), <i>A Literary History of Ireland</i> +(1899), and various works in Irish; has ed. various Irish texts, and +made translations into English.</p><br /> + +<a name='JACOBS_JOSEPH_1854'></a><p><b>JACOBS, JOSEPH (1854).</b> +—Writer on folk-lore and Jewish +history. <i>English Fairy Tales</i> (1890), <i>Celtic Fairy Tales</i> (1891), +<i>Indian Fairy Tales</i> (1892), <i>Reynard the Fox</i> (1895), <i>Jews of Angevin +England</i> (1893), <i>Sources of the History of the Jews in Spain</i> (1895); +has ed. various English classics, <i>e.g.</i>, Caxton's "Æsop" and Howell's +"Familiar Letters," and many modern works, etc.</p><br /> + +<a name='JACOBS_WILLIAM_WYMARK_1863'></a><p><b>JACOBS, WILLIAM WYMARK (1863).</b> +—Novelist. <i>Many +Cargoes</i> (1896), <i>The Skipper's Wooing</i> (1897), <i>A Master of Craft</i> +(1900), <i>At Sunwich Port</i> (1902), <i>Odd Craft</i> (1903), <i>Dialstone Lane</i> +(1904), <i>Short Cruises</i> (1907). Plays (with Louis N. Parker), <i>Beauty +and the Barge</i>, <i>The Monkey's Paw</i>, etc.</p><br /> + +<a name='JAMES_HENRY_1843'></a><p><b>JAMES, HENRY (1843).</b> +—American novelist and critic. +<i>A Passionate Pilgrim</i> (1875), <i>The American</i> (1877), <i>The Europeans</i> +(1878), <i>Daisy Miller</i> (1878), <i>A Bundle of Letters</i> (1879), <i>Washington +Square</i> (1880), <i>The Bostonians</i> (1886), <i>A London Life</i> (1889), <i>Terminations</i> +(1896), <i>What Maisie Knew</i> (1897), <i>The Two Magics</i> (1898), +<i>The Sacred Fount</i> (1901), <i>The Ambassador</i> (1903), <i>The American +Scene</i> (1907); in criticism, <i>French Poets and Novelists</i> (1878), <i>Partial +Portraits</i>, etc.</p><br /> + +<a name='JAMES_WILLIAM_LLD_etc_1842'></a><p><b>JAMES, WILLIAM, LL.D., etc. (1842).</b> +—Psychologist. +<i>Principles of Psychology</i> (1890), <i>Human Immortality</i> (1897), <i>The +Varieties of Religious Experience</i> (1902), <i>Pragmatism</i> (1907), and +<i>The Meaning of Truth</i> (1909).</p><br /> + +<a name='JEROME_JEROME_KLAPKA_1860'></a><p><b>JEROME, JEROME KLAPKA (1860).</b> +—Novelist, playwright, +etc. <i>On the Stage and Off</i> (1885), <i>Idle Thoughts of an Idle Fellow</i> +(1889), <i>Three Men in a Boat</i> (1891), <i>Sketches in Lavender</i> (1897), +<i>Paul Kelver</i> (1902), <i>Tommy & Co.</i> (1904). Plays, <i>The Passing +of the Third Floor Back</i> (1907), etc.</p><br /> + +<a name='JESSOP_REV_AUGUSTUS_DD_1824'></a><p><b>JESSOP, REV. AUGUSTUS, D.D. (1824).</b> +—Historian. <i>One +Generation of a Norfolk House</i> (1878), <i>History of the Diocese of +Norwich</i> (1879), <i>Arcady for Better or Worse</i> (1881), <i>The Coming of +the Friars</i> (1885), <i>Random Roaming</i> (1896), <i>Before the Great Pillage</i> +(1901), ed. works by Donne, etc.</p><br /> + +<a name='JEWETT_SARAH_ORME_1849'></a><p><b>JEWETT, SARAH ORME (1849).</b> +—American novelist. +<i>Deephaven</i>, <i>The Country Doctor</i>, etc.</p><br /> + +<a name='JONES_HENRY_ARTHUR_1851'></a><p><b>JONES, HENRY ARTHUR (1851).</b> +—Dramatist. <i>A Clerical +Error</i> (1879), <i>The Silver King</i> (1882), <i>Saints and Sinners</i> (1884), <i>The +Middleman</i> (1889), <i>The Case of Rebellious Susan</i> (1894), <i>The Liars</i> +(1897), <i>The Hypocrites</i> (1906), etc<a name='Page_438'></a>.</p><br /> + +<a name='KIDD_BENJAMIN_1858'></a><p><b>KIDD, BENJAMIN (1858).</b> +—Sociologist, etc. <i>Social +Evolution</i> (1894), <i>Principles of Western Civilisation</i> (1902), etc.</p><br /> + +<a name='KIPLING_RUDYARD_1865'></a><p><b>KIPLING, RUDYARD (1865).</b> +—Novelist, etc. <i>Departmental +Ditties</i> (1886), <i>Plain Tales from the Hills</i> (1887), <i>Soldiers +Three</i>, <i>The Light that Failed</i> (1891), <i>The Jungle Books</i> (1894 and +1895), <i>Kim</i> (1901), <i>Puck of Pook's Hill</i>, etc. Also poems, <i>Barrack-Room +Ballads</i>, <i>The Seven Seas</i>, and <i>The Five Nations</i>.</p><br /> + +<a name='LANG_ANDREW_DLitt_etc_1844'></a><p><b>LANG, ANDREW, D.Litt., etc. (1844).</b> +—Poet, critic, and +folklorist. <i>Ballads and Lyrics of Old France</i> (1872), <i>Ballads in Blue +China</i> (1880), <i>Custom and Myth</i> (1884), <i>Books and Bookmen</i> (1886), +<i>Mark of Cain</i> (1886), <i>Myth, Ritual, and Religion</i> (1887), "Blue," +"Red," "Green," "Yellow," "Pink," and "Olive" Fairy Books +(ed. 1889-1907), <i>Sir Stafford Northcote</i> (1890), <i>Prince Ricardo of +Pantouflia</i> (1893), <i>Homer and the Epic</i> (1893), <i>Life of J.G. Lockhart</i> +(1896), translation of <i>Odyssey</i> (with Prof. Butcher), and of <i>Iliad</i> +(with Mr. Myers and Mr. W. Leaf), <i>The Making of Religion</i> (1898), +<i>History of Scotland from the Roman Occupation</i>, vol. i., <i>Prince Charles +Edward</i> (1901), <i>The Mystery of Mary Stuart</i> (1901), <i>The Valet's +Tragedy</i> (1903), <i>John Knox and the Reformation</i> (1905), etc.</p><br /> + +<a name='LANE_POOLE_STANLEY_LittD_etc_1854'></a><p><b>LANE-POOLE, STANLEY, Litt.D., etc. (1854).</b> +—Historian +and archæologist. <i>Histories of the Moors in Spain</i> (7th ed. 1904), +<i>The Mohammedan Dynasties</i> (1893), <i>The Mogul Emperors</i> (1892), +<i>Art of the Saracens of Egypt</i> (1886), <i>The Story of Cairo</i>, <i>Lives</i> of Lord +Stratford de Redcliffe, E.W. Lane, Aurangzib Saladin, etc., edit. +Lane's <i>Arabic Lexicon</i>, etc.</p><br /> + +<a name='LAUGHTON_SIR_JOHN_KNOX_1830'></a><p><b>LAUGHTON, SIR JOHN KNOX (1830).</b> +—Writer on +naval subjects, etc. <i>Physical Geography in relation to the Prevailing +Winds and Currents</i> (1870), <i>Studies in Naval History</i> (1887), <i>Nelson</i> +(English Men of Action) (1895), <i>Nelson and his Companions in Arms</i> +(1896), <i>Sea Fights and Adventures</i> (1901); ed. <i>Letters and Dispatches +of Lord Nelson</i>, <i>From Howard to Nelson</i> (1899), etc.</p><br /> + +<a name='LAW_WILLIAM_ARTHUR_1844'></a><p><b>LAW, WILLIAM ARTHUR (1844).</b> +—Dramatic author. <i>A +Night Surprise</i> (1877), <i>Enchantment</i> (1878), <i>Castle Botherem</i> (1880), +<i>Nobody's Fault</i> (1882), <i>A Mint of Money</i> (1884), <i>The Judge</i> (1890), +<i>Country Mouse</i> (1902), <i>Three Blind Mice</i> (1906), etc.</p><br /> + +<a name='LAWLESS_THE_HON_EMILY'></a><p><b>LAWLESS, THE HON. EMILY.</b> +—Novelist. <i>Hurrish</i> (1886), +<i>Story of Ireland</i> (1887), <i>Plain Frances Mowbray</i> (1889), <i>With Essex +in Ireland</i> (1890), <i>A Garden Diary</i> (1901), <i>Book of Gilly</i> (1906), etc.</p><br /> + +<a name='LEAF_WALTER_LittD_1852'></a><p><b>LEAF, WALTER, Litt.D. (1852).</b> +—Scholar and translator. +<i>The Iliad of Homer translated into English Prose</i> (with A. Lang and +E. Myers) (1882), <i>Companion to the Iliad</i> (1892), etc.</p><br /> + +<a name='LEE_SIDNEY_DLitt_LLD_1859'></a><p><b>LEE, SIDNEY, D.Litt., LL.D. (1859).</b> +—Ed. of <i>The Dictionary +of National Biography</i> (with Sir L. Stephen), <i>Stratford on Avon +from the Earliest Times to the Death of Shakespeare</i> (1885), <i>Life of +Shakespeare</i> (1898), <i>A Life of Queen Victoria</i> (1902), <i>Shakespeare and +the Modern Stage</i> (1906), etc. Has also ed. various English texts.</p><br /> + +<a name='LE_GALLIENNE_RICHARD_1866'></a><p><b>LE GALLIENNE, RICHARD (1866).</b> +—Novelist and poet. +<i>Volumes in Folio</i> (1888), <i>The Religion of a Literary Man</i> (1893),<a name='Page_439'></a> +<i>Quest of the Golden Girl</i> (1896), <i>Romance of Zion Chapel</i> (1898), +<i>Sleeping Beauty</i> (1900), <i>New Poems</i> (1909), etc.</p><br /> + +<a name='LILLY_WILLIAM_SAMUEL_1840'></a><p><b>LILLY, WILLIAM SAMUEL (1840).</b> +—Philosopher, etc. +<i>Ancient Religion and Modern Thought</i> (1884), <i>Chapters in European +History</i> (1886), <i>A Century of Revolution</i> (1889), <i>The Great Enigma</i> +(1893), <i>Four English Humorists of the Nineteenth Century</i> (1895), +<i>Renaissance Types</i> (1901), <i>Studies in Religion and Literature</i> (1904).</p><br /> + +<a name='LOCKE_WILLIAM_JOHN_1863'></a><p><b>LOCKE, WILLIAM JOHN (1863).</b> +—Novelist. <i>At the Gate +of Samaria</i> (1895). <i>The Demagogue and Lady Phayre</i> (1896), <i>A Study +in Shadows</i> (1896), <i>The White Dove</i> (1900), <i>The Usurper</i> (1901), <i>The +Beloved Vagabond</i> (1906), etc.; also dramas, <i>The Morals of Marcus</i>, +<i>The Palace of Puck</i>, <i>Idols</i>, etc.</p><br /> + +<a name='LOCKYER_SIR_JOSEPH_NORMAN_KCB_FRS_1836'></a><p><b>LOCKYER, SIR JOSEPH NORMAN, K.C.B., F.R.S. (1836).</b> +—Astronomer. +<i>Elementary Lessons in Astronomy</i> (1870), <i>Studies in +Spectrum Analysis</i> (1878), <i>Star-gazing, Past and Present</i> (1878), <i>Chemistry +of the Sun</i> (1887), <i>Dawn of Astronomy</i> (1894), <i>The Sun's Place in +Nature</i> (1897), <i>Stonehenge and other British Stone Monuments Astronomically +Considered</i> (1906-1907), etc.</p><br /> + +<a name='LODGE_SIR_OLIVER_JOSEPH_FRS_LLD_1851'></a><p><b>LODGE, SIR OLIVER JOSEPH, F.R.S., LL.D. (1851).</b> +—Scientist +and psychologist. <i>Elementary Mechanics</i> (1881), <i>Modern +Views of Electricity</i> (1888, 1892, 1907), <i>Signalling through Space +without Wires</i> (1894), <i>Life and Matter: A Short Treatise on Fundamental +Problems</i> (1905), <i>Electrons, or the Nature of Negative Electricity</i> +(1906), <i>The Substance of Faith</i> (1907), <i>Man and the Universe: +A Study of the Influence of Modern Discoveries on our Conception of +Christianity</i> (1908), <i>The Ether of Space</i> (1909), <i>Survival of Man: A +Study in Unrecognised Human Faculty</i> (1909), etc.</p><br /> + +<a name='LODGE_RICHARD_LLD_etc_1855'></a><p><b>LODGE, RICHARD, LL.D., etc. (1855).</b> +—Historian. +<i>Students' Modern Europe</i>, <i>Richelieu</i> (Foreign Statesmen Series), <i>The +Close of the Middle Ages</i>, etc.</p><br /> + +<a name='LONDON_JACK_1876'></a><p><b>LONDON, JACK (1876).</b> +—American novelist. <i>The Son +of the Wolf</i> (1900), <i>The God of his Fathers</i>, <i>Children of the Frost</i>, +<i>People of the Abyss</i>, <i>Call of the Wild</i>, <i>Tales of the Fish Patrol</i> (1905), +<i>The Road</i> (1908), etc.</p><br /> + +<a name='LOW_SIDNEY_JAMES'></a><p><b>LOW, SIDNEY JAMES.</b> +—Journalist and miscellaneous +writer. <i>The Governance of England</i> (1904), <i>A Vision of India</i> (1906), +<i>Dictionary of English History</i>, etc.</p><br /> + +<a name='LUCAS_EDWARD_VERALL_1868'></a><p><b>LUCAS, EDWARD VERALL (1868).</b> +—Novelist. Ed. of +Lamb, etc. <i>The Open Road</i> (1899), <i>Old-fashioned Tales</i> (1905), <i>The +Friendly Town</i> (1905), <i>Forgotten Tales of Long Ago</i> (1906); ed. <i>Works of +Charles and Mary Lamb</i>, <i>Life of C. Lamb</i> (1905), books for children, etc.</p><br /> + +<a name='LYALL_SIR_ALFRED_COMYN_KCB_etc_1835'></a><p><b>LYALL, SIR ALFRED COMYN, K.C.B., etc. (1835).</b> +—Poet +and biographer. <i>Verses written in India</i>, <i>British Dominion in India</i>, +<i>Asiatic Studies</i>, <i>Lives</i> of Warren Hastings, Lord Dufferin, etc.</p><br /> + +<a name='MCARTHY_JUSTIN_1830'></a><p><b>M'CARTHY, JUSTIN (1830).</b> +—Novelist and historian. +Novels, <i>Miss Misanthrope</i>, <i>Dear Lady Disdain</i>, <i>Maid of Athens</i>, <i>Red +Diamonds</i>, <i>Mononia</i>, etc.; historical works, <i>History of our Own +Times</i>, <i>Four Georges and William IV.</i>, <i>Modern England</i>, <i>Reign of +Queen Anne</i>, <i>Lives</i> of Sir R. Peel, Pope, etc., Reminiscences, etc<a name='Page_440'></a>.</p><br /> + +<a name='MCCARTHY_JUSTIN_HUNTLY_1860'></a><p><b>MCCARTHY, JUSTIN HUNTLY (1860).</b> +—Novelist and +dramatist. Novels, <i>Dolly</i>, <i>Marjorie</i>, <i>Flower of France</i>, <i>Needles and +Pins</i>, etc.; <i>Ireland since the Union</i>; plays, <i>The candidate</i>, <i>My +Friend the Prince</i>, <i>If I were King</i>, etc.</p><br /> + +<a name='MACKAIL_JOHN_WILLIAM_LLD_etc_1859'></a><p><b>MACKAIL, JOHN WILLIAM, LL.D., etc. (1859).</b> +—Scholar, +etc. <i>Select Epigrams from the Greek Anthology</i> (1890), <i>Latin Literature</i> +(1895), <i>Life of William Morris</i> (1899), and translated Homer's +<i>Odyssey</i> in verse.</p><br /> + +<a name='MAHAFFY_JOHN_PENTLAND_LLD_DCL_etc_1839'></a><p><b>MAHAFFY, JOHN PENTLAND, LL.D., D.C.L., etc. (1839).</b> +—Scholar +and writer on philosophy. <i>Twelve Lectures on Primitive +Civilisation</i> (1868), <i>Prolegomena to Ancient History</i> (1871), <i>Kant's +Critical Philosophy for English Readers</i> (1871), <i>History of Greek +Literature</i> (1880), <i>Greek Life and Thought from Alexander to the +Roman Conquest</i> (1887), <i>Empire of the Ptolemies</i> (1896), <i>The Silver +Age of the Greek World</i> (1906), etc.</p><br /> + +<a name='MAHAN_ALFRED_THAYER_DCL_LLD_1840'></a><p><b>MAHAN, ALFRED THAYER, D.C.L., LL.D. (1840).</b> +—American +writer on naval history. <i>Influence of Sea Power upon History</i> +(1890), <i>Influence of Sea Power upon French Revolution and Empire</i> +(1892), <i>The Interest of the United States in Sea Power</i> (1897), <i>Lessons +of the War with Spain</i> (1899), etc.</p><br /> + +<a name='quotMALET_LUCASquot_see_HARRISON_MRS_MARY_ST_LEGER'></a><p><b>"MALET, LUCAS," (<i>see</i> <a href='#HARRISON_MARY_ST_LEGER_quotLUCAS_MALETquot'>HARRISON, MRS. MARY ST. LEGER</a>).</b></p><br /> + +<a name='MALLOCK_WILLIAM_HURRELL_1849'></a><p><b>MALLOCK, WILLIAM HURRELL (1849).</b> +—Novelist and +writer on politics, evolution, etc. <i>The New Republic</i> (1877), <i>The +New Paul and Virginia</i> (1878), <i>Studies of Contemporary Superstitions</i>, +<i>Social Equality</i>, <i>Property and Progress</i>, <i>Classes and Masses</i> (1896), +<i>Aristocracy and Evolution</i> (1898), <i>Religion as a Credible Doctrine</i> +(1902), <i>Reconstruction of Belief</i> (1905); novels, <i>A Romance of the +Nineteenth Century</i>, <i>The Old Order Changes</i>, <i>A Human Document</i>, <i>The +Individualist</i>, <i>The Veil of the Temple</i>.</p><br /> + +<a name='quotMATHERS_HELENquot_MRS_HENRY_REEVES_1853'></a><p><b>"MATHERS, HELEN" (MRS. HENRY REEVES) (1853).</b> +—Novelist. +<i>Comin' through the Rye</i>, <i>Cherry Ripe</i>, <i>My Lady Green-sleeves</i>, +<i>Venus Victrix</i>, <i>Griff of Griffiths Court</i>, <i>The Ferryman</i>, etc.</p><br /> + +<a name='MATTHEWS_JAMES_BRANDER_LittD_DCL_etc_1852'></a><p><b>MATTHEWS, JAMES BRANDER, Litt.D., D.C.L., etc. (1852).</b> +—American +critic, etc. <i>French Dramatists of the Nineteenth Century</i>, +<i>Introduction to the Study of American Literature</i>, <i>Aspects of Fiction</i>, +<i>His Father's Son</i>, etc.</p><br /> + +<a name='MAUGHAM_WILLIAM_SOMERSET_1874'></a><p><b>MAUGHAM, WILLIAM SOMERSET (1874).</b> +—Novelist. <i>Liza +of Lambeth</i> (1897), <i>The Making of a Saint</i> (1898), <i>The Hero</i> (1901), +<i>Mrs. Craddock</i> (1902), <i>The Land of the Blessed Virgin</i> (1905), <i>The +Bishop's Apron</i> (1906). Plays: <i>Lady Frederick</i>, <i>Mrs. Dot</i>, <i>Smith</i>, etc.</p><br /> + +<a name='MAXWELL_SIR_HERBERT_EUSTACE_FRS_LLD_etc_1845'></a><p><b>MAXWELL, SIR HERBERT EUSTACE, F.R.S., LL.D., etc. (1845).</b> +—Novelist, essayist, etc. Novels, <i>Sir Lucian Elphin</i> (1889), +<i>The Letter of the Law</i> (1890), <i>A Duke of Britain</i> (1895), <i>Chevalier of +the Splendid Crest</i> (1905), etc.; other writings, <i>Meridiana</i>, <i>Noontide +Essays</i> (1892), <i>Scottish Land Names</i> (1894), <i>Afternoon Essays</i> (1895),<a name='Page_441'></a> +<i>Rainy Days in a Library</i> (1896), <i>Bruce and the Struggle for Scottish +Independence</i>, <i>Memories of the Months</i> (4 series), <i>Story of the Tweed</i> +(1905), <i>Lives</i> of W.H. Smith, Wellington, Romney, etc.</p><br /> + +<a name='quotMEADE_LTquot_MRS_TOULMIN_SMITH'></a><p><b>"MEADE, L.T." (MRS. TOULMIN SMITH).</b> +—Novelist. +<i>Scamp and I</i>, <i>A World of Girls</i>, <i>The Medicine Lady</i>, <i>Wild Kitty</i>, +<i>Brotherhood of the Seven Kings</i>, <i>From the Hand of the Hunter</i>, etc.</p><br /> + +<a name='MEYNELL_MRS_ALICE_THOMPSON'></a><p><b>MEYNELL, MRS. ALICE (THOMPSON).</b> +—Poet and essayist. +<i>Preludes</i>, <i>The Rhythm of Life</i> (1893), <i>The Colour of Life</i> (1896), <i>The +Flower of the Mind</i>, <i>Anthology of English Poetry</i> (ed.), <i>The Spirit of +Place</i> (1898), <i>Later Poems</i> (1901), a book on Ruskin, etc.</p><br /> + +<a name='MITCHELL_SILAS_WEIR_MD_LLD_1830'></a><p><b>MITCHELL, SILAS WEIR, M.D., LL.D. (1830).</b> +—American +poet, novelist, and physician. <i>Hephzibah Guinness</i> (1880), <i>Roland +Blake</i> (1886), <i>Masque and other Poems</i> (1888), <i>Cup of Youth</i> (poems), +<i>Characteristics</i> (1892), <i>When all the Woods are Green</i> (1894), <i>Adventures +of François</i>, etc., besides various medical works.</p><br /> + +<a name='MITFORD_BERTRAM'></a><p><b>MITFORD, BERTRAM.</b> +—Novelist. <i>Romance of the Cape +Frontier</i>, <i>Wind of Deadly Hollow</i>, <i>A Veldt Official</i>, <i>Ruby Sword</i>, <i>A +Veldt Vendetta</i>, etc.</p><br /> + +<a name='MOLESWORTH_MRS_MARY_LOUISA_STEWART_1839'></a><p><b>MOLESWORTH, MRS. MARY LOUISA (STEWART) (1839).</b> +—Novelist +and writer for children. <i>Carrots</i>, <i>Cuckoo Clock</i>, <i>Herr Baby</i>, +<i>The Boys</i>, etc.; novels, <i>Hathercourt Rectory</i>, <i>The Laurel Walk</i>, etc.</p><br /> + +<a name='MOORE_FRANK_FRANKFORT_1855'></a><p><b>MOORE, FRANK FRANKFORT (1855).</b> +—Novelist and +dramatist. <i>Dawn</i> (verse), <i>Told by the Sea</i>, <i>I forbid the Banns</i> (1893), +<i>The Jessamy Bride</i> (1897), <i>A Damsel or Two</i> (1902), <i>The King's +Messenger</i> (1907), etc.; plays, <i>A March Hare</i>, <i>The Queen's Room</i>, +<i>Kitty Clive</i>, <i>The Food of Love</i> (1909), etc.</p><br /> + +<a name='MOORE_GEORGE_1857'></a><p><b>MOORE, GEORGE (1857).</b> +—Novelist, playwright, and art +critic. <i>Flowers of Passion</i> (verse) (1877), <i>A Mummer's Wife</i> (1884), +<i>Literature at Nurse</i> (1885), <i>Vain Fortune</i> (1890), <i>Ideals in Ireland</i> +(1891), <i>Modern Painting</i> (1893), <i>Esther Waters</i> (1894), <i>The Bending +of the Bough</i> (play), etc.</p><br /> + +<a name='MORLEY_JOHN_1ST_LORD_MORLEY_of_BLACKBURN_PC_OM_FRS_etc_1838'></a><p><b>MORLEY, JOHN, 1ST LORD MORLEY of BLACKBURN, P.C., O.M., F.R.S., etc. (1838).</b> +—Biographer +and essayist. <i>Edmund Burke</i> +(1867), <i>Critical Miscellanies</i> (1871-77) (two series), <i>Voltaire</i> (1871), +<i>Rousseau</i> (1873), <i>On Compromise</i> (1874), <i>Diderot and the Encyclopædists</i> +(1878), <i>Studies in Literature</i> (1891), <i>Oliver Cromwell</i> (1900), +<i>Life of Gladstone</i> (1903), etc.</p><br /> + +<a name='MORRISON_ARTHUR_1863'></a><p><b>MORRISON, ARTHUR (1863).</b> +—Novelist. <i>Tales of Mean +Streets</i> (1894), <i>Martin Hewitt</i> (1894), <i>A Child of the Jago</i> (1896), <i>The +Hole in the Wall</i> (1902), etc.</p><br /> + +<a name='MULLINGER_JAMES_BASS_1834'></a><p><b>MULLINGER, JAMES BASS (1834).</b> +—Historian. <i>Cambridge +Characteristics in the Seventeenth Century</i> (1867), <i>The Ancient +African Church</i> (1869), <i>The New Reformation</i> (1875), <i>The Schools +<a name='Page_442'></a>of Charles the Great</i> (1876), <i>The University of Cambridge from the +Earliest Times to the Accession of Charles I.</i>, <i>Introduction to English +History</i> (with S.R. Gardiner), <i>History of St. John's College, Cambridge</i> +(1901), etc.</p><br /> + +<a name='MUNRO_NEIL_1864'></a><p><b>MUNRO, NEIL (1864).</b> +—Novelist, etc. <i>The Lost Pibroch</i> +(1896), <i>John Splendid</i> (1898), <i>Gillian the Dreamer</i> (1899), <i>Doom +Castle</i> (1901), <i>The Shoes of Fortune</i> (1901), <i>Children of the Tempest</i> +(1903), <i>The Daft Days</i> (1907), etc.</p><br /> + +<a name='MURFREE_MARY_NOAILLES_quotCHARLES_EGBERT_CRADDOCKquot'></a><p><b>MURFREE, MARY NOAILLES ("CHARLES EGBERT CRADDOCK").</b> +—American +novelist. <i>In the Tennessee Mountains</i> (1884), +<i>Down the Ravine</i> (1885), <i>The Prophet of the Great Smoky Mountains</i> +(1886), <i>Story of Keedar Bluffs</i> (1887), <i>His Vanished Star</i> +(1894), <i>The Juggler</i> (1897), <i>The Bushwhackers</i> (1899), etc.</p><br /> + +<a name='MURRAY_GEORGE_GILBERT_AIMEE_LLD_1866'></a><p><b>MURRAY, GEORGE GILBERT AIMEE, LL.D. (1866).</b> +—Scholar. +<i>History of Ancient Greek Literature</i> (1897), <i>Euripidis Fabulæ +adnotatione critica instructæ</i> (1901 and 1904), <i>Euripides, Verse +Translations</i>, <i>Rise of the Greek Epic</i> (1907), etc.</p><br /> + +<a name='MURRAY_SIR_JAMES_AUGUSTUS_HENRY_LLD_DCL_etc_1837'></a><p><b>MURRAY, SIR JAMES AUGUSTUS HENRY, LL.D., D.C.L., etc. (1837).</b> +—Philologist. +Ed. of <i>New English Dictionary</i>, <i>Dialect +of the Southern Counties of Scotland</i>, has ed. various works for the +Early English Text Society, etc.</p><br /> + +<a name='quotNESBIT_Equot_see_BLAND_MRS_HUBERT'></a><p><b>"NESBIT, E.," (<i>see</i> <a href='#BLAND_MRS_HUBERT_quotE_NESBITquot_1858'>BLAND, MRS. HUBERT</a>).</b></p><br /> + +<a name='NICOLL_SIR_WILLIAM_ROBERTSON_LLD_1851'></a><p><b>NICOLL, SIR WILLIAM ROBERTSON, LL.D. (1851).</b> +—Journalist, +poet, and essayist, etc. <i>Literary Anecdotes of the Nineteenth +Century</i> (1895), <i>Songs of Rest</i> (two series), ed. <i>Letters on Life</i>, +<i>The Church's One Foundation</i>; has ed. <i>Works of C. Bronté</i>, +<i>Expositors' Greek Testament</i>, etc. Editor of <i>British Weekly</i>.</p><br /> + +<a name='NORRIS_WILLIAM_EDWARD_1846'></a><p><b>NORRIS, WILLIAM EDWARD (1846).</b> +—Novelist. <i>Heaps of +Money</i> (1877), <i>Mademoiselle de Mersac</i>, <i>My Friend Jim</i>, <i>The Dancer +in Yellow</i> (1896), <i>An Octave</i> (1900), <i>The Credit of the County</i> (1902), +<i>Harry and Ursula</i> (1907), etc.</p><br /> + +<a name='NOYES_ALFRED_1880'></a><p><b>NOYES, ALFRED (1880).</b> +—Poet, etc. <i>The Loom of Years</i> +(1902), <i>The Flower of Old Japan</i> (1903), <i>Poems</i> (1904), <i>The Forest of +Wild Thyme</i> (1905), <i>Drake</i> (an English epic) (1906), <i>William +Morris</i> (1907), <i>The Enchanted Island</i> (1909).</p><br /> + +<a name='OGRADY_STANDISH_1846'></a><p><b>O'GRADY, STANDISH (1846).</b> +—Writer on Irish history and +literature. <i>History of Ireland, Heroic Period</i>, vols. i. and ii., <i>History +of Ireland, Critical and Philosophical</i>, vol. i., <i>The Flight of the Eagle</i>, +<i>The Bog of Stars</i>, <i>Finn and his Companions</i>, <i>Ulrick the Ready</i>, <i>The +Chain of Gold</i>, <i>The Coming of Cuculain</i>, etc.</p><br /> + +<a name='OKEY_THOMAS'></a><p><b>OKEY, THOMAS.</b> +—Writer on topography and art. <i>Venice +and its Story</i>, <i>Paris and its Story</i>, <i>Venetian Palaces and Old Venetian +Folk</i>, Translator of Dante's <i>Purgatorio</i>.</p><br /> + +<a name='OMAN_CHARLES_WILLIAM_CHADWICK_1860'></a><p><b>OMAN, CHARLES WILLIAM CHADWICK, (1860).</b> +—Historian. +<i>A History of Greece</i> (1888), <i>Warwick the Kingmaker</i> (1891), <i>Short<a name='Page_443'></a> +History of the Byzantine Empire</i> (1892), <i>A History of Europe</i>, 476-918 +(1893), <i>Short History of England</i> (1895), <i>History of the Peninsular +War</i>, vols. i. and ii., etc.</p><br /> + +<a name='OPPENHEIM_E_PHILLIPS_1866'></a><p><b>OPPENHEIM, E. PHILLIPS (1866).</b> +—Novelist. <i>The Master +Mummer</i>, <i>Mysterious Mr. Sabin</i>, <i>A Prince of Sinners</i>, <i>Conspirators</i>, +etc.</p><br /> + +<a name='quotORCZY_BARONESSquot_MRS_MONTAGU_BARSTOW'></a><p><b>"ORCZY, BARONESS" (MRS. MONTAGU BARSTOW).</b> +—Novelist +and playwright. <i>The Emperor's Candlesticks</i>, <i>The Scarlet +Pimpernel</i> (1905), <i>A Son of the People</i> (1906), <i>I will Repay</i> (1906), etc.</p><br /> + +<a name='OXENHAM_JOHN'></a><p><b>OXENHAM, JOHN.</b> +—Novelist. <i>God's Prisoner</i> (1898), +<i>John of Gerisau</i> (1902), <i>White Fire</i> (1905), <i>Giant Circumstance</i>, <i>The +Long Road</i>, etc.</p><br /> + +<a name='PATRICK_DAVID_LLD_1849'></a><p><b>PATRICK, DAVID, LL.D. (1849).</b> +—Ed. of <i>Chambers' Encyclopædia</i> +(1888-92), <i>Chambers' Cyclopædia of English Literature</i> +(1901-3), and <i>Chambers's Biographical Dictionary</i> (with F.H. +Groome) (1897).</p><br /> + +<a name='PAIN_BARRY_1868'></a><p><b>PAIN, BARRY (1868).</b> +—Novelist, etc. <i>In a Canadian +Canoe</i> (1891), <i>Stories and Interludes</i> (1892), <i>Graeme and Cyril</i> (1893), +<i>Kindness of the Celestial</i> (1894), <i>The Romantic History of Robin Hood</i> +(1898), <i>Lindley Kays</i> (1904), <i>Wilhelmina in London</i> (1906), <i>Shadow +of the Unseen</i> (1907), etc.</p><br /> + +<a name='PASTURE_MRS_HENRY_DE_LA_BONHAM'></a><p><b>PASTURE, MRS. HENRY DE LA (BONHAM).</b> +—Novelist and +dramatist. <i>The Little Squire</i> (1894), <i>A Toy Tragedy</i>, <i>Deborah of +Tod's</i> (1897), <i>Catherine of Calais</i> (1901), <i>Peter's Mother</i> (1905), <i>The +Tyrant</i> (1909).</p><br /> + +<a name='PAUL_HERBERT_WOODFIELD_1853'></a><p><b>PAUL, HERBERT WOODFIELD (1853).</b> +—Historian and +biographer. <i>Men and Letters</i> (1901), <i>History of Modern England</i>, +<i>Stray Leaves</i> (1906), <i>Queen Anne</i> (1906), <i>Lives</i> of W.E. Gladstone, +Matthew Arnold (English Men of Letters), Lord Acton, and Froude.</p><br /> + +<a name='PEARS_SIR_EDWIN_1835'></a><p><b>PEARS, SIR EDWIN (1835).</b> +—War correspondent, etc, +<i>Fall of Constantinople</i> (1885), <i>The Destruction of the Greek Empire</i> +(1903), etc.</p><br /> + +<a name='PEMBERTON_MAX_1863'></a><p><b>PEMBERTON, MAX (1863).</b> +—Novelist. <i>The Sea Wolves</i> +(1894), <i>The Impregnable City</i> (1895), <i>Christine of the Hills</i> (1897), <i>Pro +Patria</i> (1901), <i>Dr. Xavier</i> (1903), <i>Red Morn</i> (1904), <i>The Hundred +Days</i> (1905), <i>The Fortunate Prisoner</i> (1909), etc.</p><br /> + +<a name='PHELPS_ELIZABETH_STUART_MRS_HD_WARD_1844'></a><p><b>PHELPS, ELIZABETH STUART (MRS. H.D. WARD) (1844).</b> +—American +novelist. <i>The Gates Ajar</i> (1869), <i>Hedged In</i> (1870), +<i>Story of Avis</i> (1877), <i>An Old Maid's Paradise</i> (1879), <i>Beyond the +Gates</i> (1883), <i>The Madonna of the Tubs</i> (1887), <i>The Gates Between</i> +(1887), <i>Struggle for Immortality</i> (1889), <i>Come Forth</i> (with H.D. Ward, +1890), <i>Avery</i>, <i>Trixy</i> (1904), etc.</p><br /> + +<a name='PHILLIPS_CLAUDE'></a><p><b>PHILLIPS, CLAUDE.</b> +—Writer on art. <i>Picture Gallery of +Charles I.</i>, <i>The Earlier Work of Titian</i>, <i>The Later Work of Titian</i>, +<i>Lives</i> of Reynolds, Watteau, etc<a name='Page_444'></a>.</p><br /> + +<a name='PHILLIPS_STEPHEN_1868'></a><p><b>PHILLIPS, STEPHEN (1868).</b> +—Poet. <i>Marpessa</i> (1890), +<i>Eremus</i> (1894), <i>Christ in Hades</i> (1896), <i>Poems</i> (1897), <i>Paolo and +Francesca</i> (1899), <i>Herod</i> (1900), <i>Ulysses</i> (1902), <i>The Sin of David</i> (1904), +<i>Nero</i> (1906), etc.</p><br /> + +<a name='PHILLPOTTS_EDEN_1862'></a><p><b>PHILLPOTTS, EDEN (1862).</b> +—Novelist. <i>Down Dartmoor +Way</i> (1894), <i>Lying Prophets</i> (1896), <i>Children of the Mist</i> (1898), <i>Sons +of the Morning</i> (1900), <i>The River</i> (1902), <i>The Secret Woman</i> (1905), +<i>The Whirlwind</i> (1907), etc.</p><br /> + +<a name='PINERO_SIR_ARTHUR_WING_1855'></a><p><b>PINERO, SIR ARTHUR WING (1855).</b> +—Dramatist. +<i>The Magistrate</i>, <i>Sweet Lavender</i>, <i>The Profligate</i>, <i>The Weaker Sex</i>, +<i>Lady Bountiful</i>, <i>The Second Mrs. Tanqueray</i>, <i>The Notorious Mrs. +Ebbsmith</i>, <i>The Benefit of the Doubt</i>, <i>The Princess and the Butterfly</i>, +<i>The Gay Lord Quex</i>, <i>His House in Order</i>, <i>Mid Channel</i>, etc.</p><br /> + +<a name='POLLARD_ALBERT_FREDERICK_FRHistS_1869'></a><p><b>POLLARD, ALBERT FREDERICK, F.R.Hist.S. (1869).</b> +—Historical +writer. <i>The Jesuits in Poland</i> (1892), <i>England under Protector +Somerset</i> (1900), <i>Henry VIII.</i> (Gougiel Series, 1902), <i>Life of Thomas +Cranmer</i> (1904), etc., and has contributed largely to <i>The Dictionary of +National Biography</i>, and to the <i>Cambridge Modern History</i>, and ed. +<i>Political Pamphlets</i>, <i>Tudor Tracts</i>, etc.</p><br /> + +<a name='POLLARD_ALFRED_WILLIAM_1859'></a><p><b>POLLARD, ALFRED WILLIAM (1859).</b> +—Bibliographer, etc. +<i>Books about Books</i> (1893), <i>Bibliographica</i> (1894-96), <i>Early Illustrated +Books</i> (1893), <i>Italian Book Illustrations</i> (1894), etc.; and has ed. +<i>English Miracle Plays</i> (1890), Herrick, Chaucer (Globe ed.), etc.</p><br /> + +<a name='POLLOCK_WALTER_HERRIES_1850'></a><p><b>POLLOCK, WALTER HERRIES (1850).</b> +—Poet and miscellaneous +writer. <i>The Modern French Theatre</i> (1878), <i>Verse, Old and +New</i>, <i>Sealed Orders and other Poems</i>, <i>Lectures on French Poets</i>, <i>A +Nine Men's Morrice</i>, <i>King Zub</i>, <i>Jane Austen, her Contemporaries and +Herself</i>, etc.</p><br /> + +<a name='POOLE_REGINALD_LANE_PhD_1857'></a><p><b>POOLE, REGINALD LANE, Ph.D. (1857).</b> +—Historical +writer. <i>History of the Huguenots of the Dispersion</i> (1880), <i>Illustrations +of the History of Modern Thought</i> (1884), <i>Wycliffe and +Movements for Reform</i> (1889), <i>Historical Atlas of Modern Europe</i> +(1897-1902), etc.</p><br /> + +<a name='PRAED_MRS_ROSA_CAROLINE_MACKWORTH_quotMRS_CAMPBELL_PRAEDquot_1851'></a><p><b>PRAED, MRS. ROSA CAROLINE MACKWORTH ("MRS. CAMPBELL PRAED") (1851).</b> +—Australian +novelist. <i>Policy and +Passion</i> (1881), <i>Nadine</i> (1882), <i>The Head Station</i> (1885), <i>Miss +Jacobsen's Chance</i> (1887), <i>December Roses</i> (1893), <i>The Insane Root</i>, +<i>The Luck of the Leura</i> (1907), etc.</p><br /> + +<a name='PREVOST_FRANCIS_see_BATTERSBY'></a><p><b>PREVOST, FRANCIS, (<i>see</i> <a href='#BATTERSBY_HARRY_FRANCIS_PREVOST_quotFRANCIS_PREVOSTquot'>BATTERSBY</a>).</b></p><br /> + +<a name='PROTHERO_GEORGE_WALTER_LittD_LLD_etc_1848'></a><p><b>PROTHERO, GEORGE WALTER, Litt.D., LL.D., etc. (1848).</b> +—Historian. +<i>Life and Times of Simon de Montfort</i> (1877), <i>Memoir of +Henry Bradshaw</i> (1889), ed. Voltaire's <i>Louis Quatorze</i>, <i>Select Statutes, +etc., of Elizabeth and James I.</i>, co-ed. of <i>Cambridge Modern History</i>, +etc.</p><br /> + +<a name='PROTHERO_ROWLAND_EDMUND_MVO_1852'></a><p><b>PROTHERO, ROWLAND EDMUND, M.V.O. (1852).</b> +—Biographer, +etc. <i>Life and Correspondence of Dean Stanley</i> (1893), ed. +<i>Letters of Edward Gibbon</i>, <i>Letters and Journals of Lord Byron</i>, <i>The +Psalms in Human Life</i>, etc<a name='Page_445'></a>.</p><br /> + +<a name='QUILLER_COUCH_ARTHUR_THOMAS_quotQquot_1863'></a><p><b>QUILLER-COUCH, ARTHUR THOMAS ("Q") (1863).</b> +—Novelist. +<i>Dead Man's Rock</i> (1887), <i>Troy Town</i> (1888), <i>The Splendid +Spur</i> (1889), <i>The Blue Pavilions</i> (1891), <i>The Golden Pomp</i> (1895), <i>The +Ship of Stars</i> (1899), <i>Shining Ferry</i> (1905), finished R.L. Stevenson's +<i>St. Ives</i>, etc.</p><br /> + +<a name='quotRAIMOND_CEquot_see_ROBINS_ELIZABETH'></a><p><b>"RAIMOND, C.E.," (<i>see</i> <a href='#ROBINS_ELIZABETH_quotCE_RAIMONDquot'>ROBINS, ELIZABETH</a>).</b></p><br /> + +<a name='RALEIGH_WALTER_1861'></a><p><b>RALEIGH, WALTER (1861).</b> +—Biographer and critic. <i>The +English Novel</i> (1894), <i>Robert Louis Stevenson</i> (1895), <i>Style</i> (1897), +books on Shakespeare, Milton, and Wordsworth, etc.</p><br /> + +<a name='REEVES_MRS_H_see_MATHERS_HELEN'></a><p><b>REEVES, MRS. H., (<i>see</i> <a href='#quotMATHERS_HELENquot_MRS_HENRY_REEVES_1853'>MATHERS, HELEN</a>).</b></p><br /> + +<a name='RHYS_ERNEST_1859'></a><p><b>RHYS, ERNEST (1859).</b> +—Poet, novelist, etc. <i>A London +Rose</i> (verse), <i>The Fiddler of Carne</i> (1896), <i>Welsh Ballads</i> (1898), <i>The +Whistling Maid</i> (1900), <i>The Man at Odds</i>, <i>Gwenevere</i> (play); has ed. +the Camelot Series (1886-91), <i>Dekker's Plays</i> in Mermaid Series, etc.</p><br /> + +<a name='RHYS_MRS_GRACE_1865'></a><p><b>RHYS, MRS. GRACE (1865).</b> +—Novelist and essayist. <i>Mary +Dominic</i> (1898), <i>The Wooing of Sheila</i> (1901), <i>The Bride</i> (1909), <i>Five +Beads on a String</i> (essays) (1907), etc.</p><br /> + +<a name='RHYS_SIR_JOHN_DLitt_1840'></a><p><b>RHYS, SIR JOHN, D.Litt. (1840).</b> +—Celtic philologist. +<i>Celtic Britain</i> (1882), <i>Studies in the Arthurian Legend</i> (1891), <i>Celtic +Folklore</i> (1901), etc.</p><br /> + +<a name='RIDGE_WILLIAM_PETT'></a><p><b>RIDGE, WILLIAM PETT.</b> +—Novelist. <i>A Clever Wife</i> (1895), +<i>Mord Em'ly</i> (1898), <i>A Son of the State</i> (1899), <i>Erb</i> (1903), <i>Mrs. Galer's +Business</i> (1905), <i>The Wickhamses</i> (1906), <i>Name of Garland</i> (1907), etc.</p><br /> + +<a name='RILEY_JAMES_WHITCOMB_1858'></a><p><b>RILEY, JAMES WHITCOMB (1858).</b> +—American poet and +humorist. <i>The Old Swimmin' Hole</i> (1883), <i>Pipes o' Pan at Zekesbury</i> +(1887), <i>Rhymes of Childhood</i> (1889), <i>Old-fashioned Roses</i> (1891), +<i>Green Fields and Running Brooks</i> (1893), <i>A Child World</i> (1896), +<i>While the Heart beats Young</i> (1906), etc.</p><br /> + +<a name='RITCHIE_MRS_ANNE_ISABELLA_THACKERAY_1837'></a><p><b>RITCHIE, MRS. ANNE ISABELLA (THACKERAY) (1837).</b> +—Novelist, +etc. <i>The Story of Elizabeth</i> (1863), <i>The Village on the +Cliff</i> (1865), <i>To Esther</i> (1869), <i>Old Kensington</i> (1873), <i>Blue Beard's +Keys</i> (1874), <i>Miss Angel</i> (1875), <i>Mrs. Dymond</i> (1885), etc.</p><br /> + +<a name='ROBERTS_CHARLES_GEORGE_DOUGLAS_1860'></a><p><b>ROBERTS, CHARLES GEORGE DOUGLAS (1860).</b> +—Canadian +poet and naturalist. In verse, <i>Orion</i> (1880), <i>In Divers Tones</i> (1887), +<i>Songs of the Common Day</i> (1893), <i>New York Nocturnes</i> (1898), <i>Book +of the Rose</i> (1903); prose, <i>The Raid from Beauséjour</i> (1894), <i>Around +the Camp Fire</i> (1896), <i>The Forge in the Forest</i> (1897), <i>The Kindred of +the Wild</i> (1902), <i>Haunters of the Silences</i> (1907), etc.</p><br /> + +<a name='ROBERTSON_JOHN_MACKINNON_1856'></a><p><b>ROBERTSON, JOHN MACKINNON (1856).</b> +—Critic, etc. +<i>Buckle and his Critics</i>, <i>Montaigne and Shakespeare</i>, <i>The Dynamics of +Religion</i>, <i>History of Free Thought</i>, <i>Christianity and Mythology</i>, <i>Introduction +to English Politics</i>, <i>Short History of Christianity</i>, <i>Essays in +Ethics and Sociology</i>, etc.</p><br /> + +<a name='ROBINS_ELIZABETH_quotCE_RAIMONDquot'></a><p><b>ROBINS, ELIZABETH ("C.E. RAIMOND").</b> +—American +novelist and actress. <i>New Moon</i> (1895), <i>Below the Salt</i> (1896), <i>The +Open Question</i> (1898), <i>The Convert</i> (1907), etc<a name='Page_446'></a>.</p><br /> + +<a name='ROBINSON_AGNES_MARY_FRANCES_MME_DUCLAUX_1857'></a><p><b>ROBINSON, AGNES MARY FRANCES (MME. DUCLAUX) (1857).</b> +—Poetess. <i>A Handful of Honeysuckles</i> (1878), <i>The Crowned +Hippolytus</i> (1881), <i>Arden</i> (novel) (1883), <i>The New Arcadia</i> (1884), +<i>Italian Garden</i> (songs) (1886), <i>A Mediæval Garland</i> (1897), <i>The Fields +of France</i> (1903), <i>The End of the Middle Ages</i>, books in French on +Froissart, Renan, etc.</p><br /> + +<a name='ROSE_JOHN_HOLLAND_LittD_1855'></a><p><b>ROSE, JOHN HOLLAND, Litt.D. (1855).</b> +—Historical and +biographical writer. <i>A Century of Continental History</i>, <i>The Revolutionary +and Napoleonic Era</i>, <i>Napoleonic Studies</i>, <i>Life of Napoleon I.</i> +(1902), <i>The Development of the European Nations</i>, 1870-1900 (1905), +etc.</p><br /> + +<a name='ROSEBERY_ARCHIBALD_PHILIP_PRIMROSE_5TH_EARL_of_KG_KT_LLD_etc_1847'></a><p><b>ROSEBERY (ARCHIBALD PHILIP PRIMROSE), 5TH EARL of, K.G., K.T., LL.D., etc. (1847).</b> +—Statesman +and biographical writer. +<i>Pitt</i> (1891), <i>Appreciations and Addresses</i> (1899), <i>Sir Robert Peel</i> +(1899), <i>Napoleon, the Last Phase</i> (1900), and <i>Oliver Cromwell</i> (1900).</p><br /> + +<a name='ROSSETTI_WILLIAM_MICHAEL_1829'></a><p><b>ROSSETTI, WILLIAM MICHAEL (1829).</b> +—Biographer, ed., +etc. Translator of Dante's <i>Hell</i> (1865), <i>Lives of Famous Poets</i> (1878), +<i>Life of Keats</i> (1887), <i>Memoir of Dante G. Rossetti</i>, and has ed. many +poets, etc.</p><br /> + +<a name='RUSSELL_WILLIAM_CLARK_1844'></a><p><b>RUSSELL, WILLIAM CLARK (1844).</b> +—Novelist. <i>John +Holdsworth</i>, <i>Chief Mate</i> (1874), <i>A Sailor's Sweetheart</i> (1877), <i>An +Ocean Tragedy</i> (1881), <i>The Convict Ship</i> (1895), <i>List, ye Landsmen</i> +(1897), <i>Overdue</i> (1903), <i>The Yarn of Old Harbour Town</i> (1905), etc.</p><br /> + +<a name='SAINTSBURY_GEORGE_EDWARD_BATEMAN_LLD_DLitt_etc_1845'></a><p><b>SAINTSBURY, GEORGE EDWARD BATEMAN, LL.D., D.Litt., etc. (1845).</b> +—Critic and biographer. <i>Short History of French +Literature, etc.</i> (1882), <i>Essays in English Literature</i> (1890), <i>Nineteenth +Century Literature</i> (1896), <i>A History of Criticism</i> (1900-4), <i>History of +English Prosody</i>, vol. i. (1906), etc., <i>Lives</i> of Dryden (English Men of +Letters) and Sir W. Scott, etc.</p><br /> + +<a name='SANDYS_JOHN_EDWIN_LittD_1844'></a><p><b>SANDYS, JOHN EDWIN, Litt.D. (1844).</b> +—Scholar; joint +ed. of <i>Dictionary of Classical Mythology, Religion, etc.</i> (1891), <i>History +of Classical Scholarship from Sixth Century</i>, B.C., <i>to the End of the +Middle Ages</i> (1903), <i>History of Classical Scholarship from Revival of +Learning to Present Day</i> (1907), etc.; has produced many ed. of +classics.</p><br /> + +<a name='SAYCE_ARCHIBALD_HENRY_DLitt_LLD_etc_1846'></a><p><b>SAYCE, ARCHIBALD HENRY, D.Litt., LL.D., etc. (1846).</b> +—Orientalist +and philologist, etc. <i>Principles of Comparative Philology</i> +(1874), <i>Babylonian Literature</i> (1877), <i>Monuments of the Hittites</i> +(1881), <i>Ancient Empires of the East</i> (1884), <i>Races of the Old Testament</i> +(1891), <i>Babylonians and Assyrians</i> (1900), <i>Archæology of Cuneiform +Inscriptions</i> (1907), etc.</p><br /> + +<a name='SEAMAN_OWEN_1861'></a><p><b>SEAMAN, OWEN (1861).</b> +—Parodist, etc. <i>Œdipus and the +Wreck</i> (1888), <i>Horace at Cambridge</i> (1894), <i>In Cap and Bells</i> (1899), +<i>A Harvest of Chaff</i> (1904), etc. Ed. of <i>Punch</i> since 1906.</p><br /> + +<a name='SECCOMBE_THOMAS_1866'></a><p><b>SECCOMBE, THOMAS (1866).</b> +—Miscellaneous writer. +<i>Twelve Bad Men</i> (1894), <i>The Age of Johnson</i> (1900), <i>The Age of +Shakespeare</i> (with J.W. Allen, 1903), <i>Bookman History of English<a name='Page_447'></a> +Literature</i> (1905-6), <i>In Praise of Oxford</i>, etc.; was assistant ed. of +<i>The Dictionary of National Biography</i>.</p><br /> + +<a name='SETON_ERNEST_THOMPSON_quotSETON_THOMPSONquot_1860'></a><p><b>SETON, ERNEST THOMPSON ("SETON THOMPSON") (1860).</b> +—Naturalist. +<i>Wild Animals I have Known</i> (1898), <i>Biography of a +Grizzly</i>, <i>Two Little Savages</i>, books on natural history of Manitoba, etc.</p><br /> + +<a name='SHAW_GEORGE_BERNARD_1856'></a><p><b>SHAW, GEORGE BERNARD (1856).</b> +—Novelist, critic, and +dramatist. Novels, <i>The Irrational Knot</i>, <i>Cashel Byron's Profession</i>, +etc.; <i>Plays Pleasant and Unpleasant</i> (1898), <i>Three Plays for Puritans</i> +(1900), <i>Man and Superman</i> (1903), <i>The Doctor's Dilemma</i> (1906), +<i>The Devil's Disciple</i> (1907), etc.</p><br /> + +<a name='SHIEL_MATTHEW_PHIPPS_1865'></a><p><b>SHIEL, MATTHEW PHIPPS (1865).</b> +—Novelist. <i>The +Rajah's Sapphire</i>, <i>Shapes in the Fire</i>, <i>The Yellow Danger</i>, <i>Unto the +Third Generation</i>, etc.</p><br /> + +<a name='SHORTER_CLEMENT_KING_1858'></a><p><b>SHORTER, CLEMENT KING (1858).</b> +—Journalist and biographer. +<i>Charlotte Bronté and her Circle</i> (1896), <i>Sixty Years of +Victorian Literature</i> (1897), <i>Charlotte Bronté and her Sisters</i> (1905), +<i>The Brontés and their Correspondents</i> (1907), <i>Life of George Borrow</i> +(1907); is ed. of the <i>Sphere</i>.</p><br /> + +<a name='SHORTER_DORA_SIGERSON'></a><p><b>SHORTER, DORA SIGERSON.</b> +—Poetess. <i>The Fairy Changeling +and other Poems</i> (1897), <i>Ballads and Poems</i> (1899), <i>The Father +Confessor</i> (1900), <i>As the Sparks Fly Upward</i> (1904), <i>Through Wintry +Terrors</i> (1907), etc.</p><br /> + +<a name='SIMS_GEORGE_ROBERT_1847'></a><p><b>SIMS, GEORGE ROBERT (1847).</b> +—Novelist and dramatist, +etc. <i>The Dagonet Ballads</i>, <i>Memoirs of Mary Jane</i>, <i>Ten Commandments</i>, +<i>Once upon a Christmas Time</i> (1898), <i>Joyce Pleasantry</i>, etc.; +plays, <i>Crutch and Tooth-pick</i>, <i>Mother-in-Law</i>, <i>The Lights o' London</i>, +<i>Harbour Lights</i>, etc.</p><br /> + +<a name='SINCLAIR_MISS_MAY'></a><p><b>SINCLAIR, MISS MAY.</b> +—Novelist, etc. <i>Nakietas and other +Poems</i>, <i>Audrey Craven</i>, <i>Two Sides of a Question</i>, <i>The Divine Fire</i>, +<i>The Helpmate</i>, etc.</p><br /> + +<a name='SKEAT_REV_WALTER_WILLIAM_LittD_LLD_1835'></a><p><b>SKEAT, REV. WALTER WILLIAM, Litt.D., LL.D. (1835).</b> +—Philologist +and Early English scholar; has ed. Langland's <i>Piers +Plowman</i>, <i>The Lay of Havelock</i>, Barbour's <i>Bruce</i>, and other early +English texts, a complete ed. of Chaucer, 6 vols. (1894), and of many +of his works separately, and is author of <i>An Etymological Dictionary +of the English Language</i>, <i>Principles of English Etymology</i>, and books +on the place-names of the counties of Cambridge, Huntingdon, +Herts, and Bedford, etc.</p><br /> + +<a name='SMEATON_WM_HENRY_OLIPHANT_MA_1856'></a><p><b>SMEATON, WM. HENRY OLIPHANT, M.A. (1856).</b> +—Novelist, +etc. <i>By Adverse Winds</i> (1895), <i>Our Laddie</i> (1897), <i>Treasure +Cave of the Blue Mountains</i> (1899), <i>A Mystery of the Pacific</i> (1899), +<i>William Dunbar and his Times</i> (1898), <i>English Satires and Satirists</i> +(Warwick Library, 1899), <i>The Medici and the Italian Renaissance</i> +(1901), and has ed. numerous English classics.</p><br /> + +<a name='SMITH_MRS_BURNETT_quotANNIE_S_SWANquot'></a><p><b>SMITH, MRS. BURNETT ("ANNIE S. SWAN").</b> +—Novelist. +<i>Aldersyde</i>, <i>Carlowrie</i>, <i>A Lost Ideal</i>, <i>A Divided House</i>, <i>Not Yet</i> (1898), +etc<a name='Page_448'></a>.</p><br /> + +<a name='SMITH_GEORGE_ADAM_DD_LLD_1856'></a><p><b>SMITH, GEORGE ADAM, D.D., LL.D. (1856).</b> +—Biblical +scholar, etc. <i>The Book of Isaiah</i> (1888-90), <i>Historical Geography of +the Holy Land</i> (1894), <i>Jerusalem</i> (1907), etc.</p><br /> + +<a name='SMITH_GEORGE_GREGORY_1865'></a><p><b>SMITH, GEORGE GREGORY (1865).</b> +—Critic, etc. <i>The +Days of James IV., The Transition Period</i> (of European literature of +the fifteenth century), <i>Specimens of Middle Scots</i> (1902), <i>Elizabethan +Critical Essays</i> (1904), etc.</p><br /> + +<a name='SMITH_GOLDWIN_DCL_1823'></a><p><b>SMITH, GOLDWIN, D.C.L. (1823).</b> +—Essayist and writer on +politics, etc. <i>Three English Statesmen</i>, <i>Lectures on the Study of History</i>, +<i>Rational Religion and Rationalistic Objections</i>, <i>The Political Destiny of +Canada</i>, <i>Guesses at the Riddle of Existence</i>, <i>Revolution or Progress</i>, +etc.; books on Cowper, Miss Austen, etc.</p><br /> + +<a name='SMITH_MRS_TOULMIN_see_quotLT_MEADEquot'></a><p><b>SMITH, MRS. TOULMIN, (<i>see</i> <a href='#quotMEADE_LTquot_MRS_TOULMIN_SMITH'>"L.T. MEADE"</a>).</b></p><br /> + +<a name='STACPOOLE_H_DE_VERE'></a><p><b>STACPOOLE, H. DE VERE.</b> +—Novelist. <i>Fanny Lambert</i>, +<i>The Crimson Azaleas</i>, <i>The Blue Lagoon</i> (1907), <i>Patsy</i> (1908), <i>The +Pools of Silence</i> (1909).</p><br /> + +<a name='STANNARD_MRS_ARTHUR_quotJOHN_STRANGE_WINTERquot_1856'></a><p><b>STANNARD, MRS. ARTHUR ("JOHN STRANGE WINTER") (1856).</b> +—Novelist. <i>Bootle's Baby</i>, <i>Army Society</i>, <i>Beautiful Jim</i>, <i>The +Soul of the Bishop</i>, <i>Grip</i>, <i>He went for a Soldier</i>, <i>The Truth-tellers</i>, +<i>A Name to Conjure With</i>, <i>A Blaze of Glory</i>, <i>Marty</i>, <i>Jimmy</i>, <i>The Ivory +Box</i> (1909), etc.</p><br /> + +<a name='STEEL_MRS_FLORA_ANNIE_WEBSTER_1847'></a><p><b>STEEL, MRS. FLORA ANNIE (WEBSTER) (1847).</b> +—Novelist. +<i>Wide-awake Stories</i> (1884), <i>From the Five Rivers</i> (1893), <i>The Potter's +Thumb</i> (1894), <i>Tales from the Punjab</i> (1894), <i>Red Rowans</i> (1895), <i>On +the Face of the Waters</i> (1896), <i>Voices in the Night</i> (1900), <i>A Sovereign +Remedy</i> (1906), etc.</p><br /> + +<a name='STEWART_JOHN_ALEXANDER_LLD_1846'></a><p><b>STEWART, JOHN ALEXANDER, LL.D. (1846).</b> +—Scholar. +<i>The English MSS. of the Nicomachean Ethics</i> (1882), <i>Notes on the Nicomachean +Ethics</i> (1902), article <i>Ethics</i> in <i>Encyclopædia Britannica</i> (1902), and <i>The Myths of Plato</i> (1905).</p><br /> + +<a name='quotSWAN_ANNIE_Squot_see_MRS_BURNETT_SMITH'></a><p><b>"SWAN, ANNIE S.," (<i>see</i> <a href='#SMITH_MRS_BURNETT_quotANNIE_S_SWANquot'>MRS. BURNETT SMITH</a>).</b></p><br /> + +<a name='SYMONDS_MISS_EM_quotGEORGE_PASTONquot'></a><p><b>SYMONDS, MISS E.M. ("GEORGE PASTON").</b> +—Novelist, +etc. <i>A Modern Amazon</i> (1894), <i>A Bread and Butter Miss</i> (1894), +<i>The Career of Candida</i> (1896), <i>A Fair Deceiver</i> (1897), <i>Little Memoirs +of the Eighteenth Century</i> (1901), <i>Little Memoirs of the Nineteenth +Century</i> (1902), <i>Side-Lights on the Georgian Period</i> (1902), books on +Mrs. Delaney, G. Romney, Lady Mary Wortley Montagu, etc.</p><br /> + +<a name='SYMONS_ARTHUR_1865'></a><p><b>SYMONS, ARTHUR (1865).</b> +—Poet and critic. <i>An Introduction +to the Study of Browning</i> (1886), <i>Days and Nights</i> (1889), +<i>London Nights</i> (1895), <i>The Symbolist Movement in Literature</i> (1899), +<i>Images of Good and Evil</i> (1900), <i>Studies in Seven Arts</i> (1906), etc.</p><br /> + +<a name='TEMPLE_SIR_RICHARD_CARNAC_CIE_1850'></a><p><b>TEMPLE, SIR RICHARD CARNAC, C.I.E. (1850).</b> +—Orientalist, +etc. <i>Wide-awake Stories</i> (Punjab Folk Tales) (1884), with Mrs. F.A. +Steel, <i>Legends of the Punjab</i> (1883-90), ed. various works dealing +with the religions and geography of India, etc.</p><br /> + +<a name='THOMAS_ANNIE_MRS_PENDER_CUDLIP'></a><p><b>THOMAS, ANNIE (MRS. PENDER CUDLIP).</b> +—Novelist. +<i>Sir Victor's Choice</i>, <i>Denis Doune</i> (1862), <i>Comrades True</i> (1900), <i>The<a name='Page_449'></a> +Diva</i> (1901), <i>The Cleavers of Cleaver</i> (1902), <i>Social Ghosts</i> (1903), etc.; +has written over 100 novels and tales.</p><br /> + +<a name='THOMAS_EDWARD'></a><p><b>THOMAS, EDWARD.</b> +—Reviewer and miscellaneous writer. +<i>Book of the Open Air</i>, <i>Horæ Solitaræ</i>, <i>Oxford</i>, <i>Beautiful Wales</i>, <i>The +Heart of England</i>, <i>Life and Writings of Richard Jefferies</i>.</p><br /> + +<a name='TOUT_THOMAS_FREDERICK_1855'></a><p><b>TOUT, THOMAS FREDERICK (1855).</b> +—Historian. <i>Analysis +of English History</i> (1891), <i>Edward I.</i> (12 English Statesmen series) +(1893), <i>The Empire and the Papacy</i> (1898), <i>History of Great Britain</i> +(1902-6), <i>Germany and the Empire</i> (Cambridge Modern History), etc.</p><br /> + +<a name='TRENCH_HERBERT_1865'></a><p><b>TRENCH, HERBERT (1865).</b> +—Poet, etc. <i>Deirdre Wedded</i> +(1901), <i>Apollo and the Seaman</i>, <i>The Questioners</i> (1907), etc.</p><br /> + +<a name='TREVELYAN_GEORGE_MACAULAY_1876'></a><p><b>TREVELYAN, GEORGE MACAULAY (1876).</b> +—Historical +writer. <i>England in the Age of Wycliffe</i> (1899), <i>England under the +Stuarts</i> (1904), <i>The Poetry and Philosophy of George Meredith</i> (1906), +<i>Garibaldi's Defence of the Roman Republic</i> (1907), etc.</p><br /> + +<a name='TREVELYAN_SIR_GEORGE_OTTO_PC_LLD_etc_1838'></a><p><b>TREVELYAN, SIR GEORGE OTTO, P.C., LL.D., etc. (1838).</b> +—Statesman, +biographer, etc. <i>The Competition Wallah</i> (1864), <i>Life +and Letters of Lord Macaulay</i> (1876), <i>The Early History of C.J. Fox</i> (1880), <i>Interludes in Prose and Verse</i> (1905).</p><br /> + +<a name='TROWBRIDGE_JOHN_TOWNSEND_1827'></a><p><b>TROWBRIDGE, JOHN TOWNSEND (1827).</b> +—American poet, +etc. Poems, <i>The Vagabonds</i>, <i>The Book of Gold</i>, <i>The Emigrant's +Story</i>, <i>A Home Idyll</i>, <i>The Lost Earl</i>; books for the young, <i>The Little +Master</i>, <i>Tide Mill</i>, <i>The Pocket Rifle</i>, <i>The Kelp Gatherers</i>, <i>Jack Hazard +Stories</i>, <i>Fortunes of Toby Trafford</i>, etc.; novels, <i>Neighbours' Wives</i>, +<i>Coupon Bonds</i>, etc.</p><br /> + +<a name='quotTWAIN_MARKquot_SAMUEL_LANGHORNE_CLEMENS_DLitt_1835'></a><p><b>"TWAIN, MARK" (SAMUEL LANGHORNE CLEMENS), D.Litt. (1835).</b> +—American humorist. <i>The Jumping Frog</i> (1867), <i>The Innocents +Abroad</i> (1869), <i>Roughing It</i> (1872), <i>Sketches New and Old</i> (1873), +<i>Adventures of Tom Sawyer</i> (1876), <i>A Tramp Abroad</i> (1880), <i>The +Prince and the Pauper</i> (1880), <i>Life on the Mississippi</i> (1883), <i>Huckleberry +Finn</i> (1885), <i>The American Claimant</i> (1892), <i>Tom Sawyer +Abroad</i> (1894), <i>Christian Science</i> (1907), etc.</p><br /> + +<a name='TYLOR_EDWARD_BURNETT_LLD_FRS_1832'></a><p><b>TYLOR, EDWARD BURNETT, LL.D., F.R.S. (1832).</b> +—Anthropologist. +<i>Anahuac</i>, <i>Mexico, and the Mexicans</i> (1859), <i>Researches +into the Early History of Mankind</i> (1865), <i>Primitive Culture</i> +(1871), and <i>Anthropology</i> (1881).</p><br /> + +<a name='quotTYNAN_KATHARINEquot_MRS_TYNAN_HINKSON_1861'></a><p><b>"TYNAN, KATHARINE" (MRS. TYNAN HINKSON) (1861).</b> +—Novelist +and verse writer. <i>Louise de la Vallière</i> (1885), <i>Shamrocks</i> (1887), <i>Ballads and Lyrics</i> (1890), <i>Cuckoo Songs</i> (1894), <i>A Cluster of +Nuts</i> (1894), <i>An Isle in the Water</i>, <i>The Way of a Maid</i> (1895), <i>Miracle +Plays</i> (1896), <i>A Lover's Breast Knot</i> (1896), <i>The Handsome Brandons</i>, +<i>The Wind in the Trees</i> (poems) (1898), <i>The Dear Irish Girl</i>, <i>She Walks +in Beauty</i> (1899), <i>Three Fair Maids</i> (1900), <i>That Sweet Enemy</i> (1901), +<i>Love of Sisters</i> (1902), <i>A Red Red Rose</i> (1903), <i>Judy's Lovers</i> (1905), +<i>A Yellow Domino</i> (1906), <i>For Maisie</i> (1907), <i>Her Mother's Daughter</i> (1909), etc.</p><br /> + +<a name='TYRRELL_ROBERT_YELVERTON_LLD_DCL_1844'></a><p><b>TYRRELL, ROBERT YELVERTON, LL.D., D.C.L. (1844).</b> +—Scholar. +Has translated <i>Acharnians</i> of Aristophanes into English +<a name='Page_450'></a>verse (1883), author of <i>Cicero in his Letters</i> (1896), <i>Latin Poetry</i> +(1893), <i>Echoes of Kottabos</i> (with Sir E. Sullivan) (1906), has ed. +various classics.</p><br /> + +<a name='UPWARD_ALLEN_1863'></a><p><b>UPWARD, ALLEN (1863).</b> +—Novelist, etc. <i>Songs in +Zïklag</i> (1888), <i>The Prince of Balkistan</i> (1895), <i>A Crown of Straw</i> +(1896), <i>Secrets of the Courts of Europe</i> (1897), <i>A Day's Tragedy</i> (1897), +<i>Treason</i> (1903), <i>Secret History of To-day</i> (1904), <i>A Flash in the Pan</i> +(comedy) (1896).</p><br /> + +<a name='VACHELL_HORACE_ANNESLEY_1861'></a><p><b>VACHELL, HORACE ANNESLEY (1861).</b> +—Novelist. +<i>Romance of Judge Kitchener</i> (1894), <i>Quicksands of Pactolus</i> (1896), <i>A +Drama in Sunshine</i> (1897), <i>The Procession of Life</i> (1899), <i>John +Charity</i> (1900), <i>The Pinch of Prosperity</i> (1903), <i>The Hill</i> (1905), <i>The +Face of Clay</i> (1906), and <i>Her Son</i> (1907).</p><br /> + +<a name='VAMBERY_ARMINIUS_CVO_etc_1832'></a><p><b>VAMBERY, ARMINIUS, C.V.O., etc. (1832).</b> +—Traveller, etc. +<i>Travels in Central Asia</i> (1864), <i>Sketches of Central Asia</i> (1867), <i>History +of Bokhara</i> (1873), <i>The Coming Struggle for India</i> (1885), <i>Western +Culture in Eastern Lands</i> (1906), <i>Arminius Vambery, his Life and +Adventures</i> (1883).</p><br /> + +<a name='VIZETELLY_ERNEST_ALFRED_1853'></a><p><b>VIZETELLY, ERNEST ALFRED (1853).</b> +—Novelist, etc. +<i>The Scorpion</i> (1894), <i>A Path of Thorns</i> (1901), <i>The Lover's Progress</i> +(1902), has ed. most of E. Zola's works, etc.</p><br /> + +<a name='WALFORD_MRS_LUCY_BETHIA_1845'></a><p><b>WALFORD, MRS. LUCY BETHIA (1845).</b> +—Novelist. <i>Mr. +Smith</i> (1874), <i>Pauline</i> (1877), <i>Troublesome Daughters</i> (1880), <i>The +Baby's Grandmother</i> (1885), <i>The History of a Week</i> (1886), <i>A Stiff-necked +Generation</i> (1888), <i>A Sage of Sixteen</i> (1889), <i>The Mischief of +Monica</i> (1891), <i>The Matchmaker</i> (1893), <i>Frederick</i> (1895), <i>The Intruders</i> +(1898), <i>A Dream's Fulfilment</i> (1892), <i>The Enlightenment of +Olivia</i> (1907), etc.</p><br /> + +<a name='WALLACE_ALFRED_RUSSEL_FRS_LLD_etc_1823'></a><p><b>WALLACE, ALFRED RUSSEL, F.R.S., LL.D., etc. (1823).</b> +—Naturalist +and evolutionist. <i>Travels on the Amazon</i> (1853), <i>Palm +Trees of the Amazon</i> (1853), <i>The Malay Archipelago</i> (1869), <i>Natural +Selection</i> (1870), <i>The Geographical Distribution of Animals</i> (1876), +<i>Tropical Nature</i> (1878), <i>Australasia</i> (1879), <i>Island Life</i> (1880), +<i>Darwinism</i> (1889), <i>Studies Scientific and Social</i> (1900), <i>Man's Place +in the Universe</i> (1903), <i>My Life</i> (1905), etc.</p><br /> + +<a name='WARD_ADOLPHUS_WILLIAM_LittD_LLD_1837'></a><p><b>WARD, ADOLPHUS WILLIAM, Litt.D., LL.D. (1837).</b> +—Historian +and critic. <i>The House of Austria in the Thirty Years' +War</i> (1869), <i>A History of English Dramatic Literature to the Death of +Queen Anne</i> (1875), <i>Lives</i> of Chaucer (1880) and Dickens (1882) +(English Men of Letters Series), <i>The Counter Reformation</i> (1888), +translated Curtius's <i>History of Greece</i>, ed. Pope's poetical works +(Globe), Poems of John Byrom, and various other works, etc.</p><br /> + +<a name='WARD_MRS_HUMPHREY_ARNOLD_1851'></a><p><b>WARD, MRS. HUMPHREY (ARNOLD) (1851).</b> +—Novelist. +<i>Milly and Olly</i> (1881), <i>Miss Bretherton</i> (1886), <i>Robert Elsmere</i> (1888), +<i>The History of David Grieve</i> (1892), <i>Marcella</i> (1894), <i>Sir George +Tressady</i> (1896), <i>Helbeck of Bannisdale</i> (1898), <i>Lady Rose's Daughter</i> +(1903), <i>The Marriage of William Ashe</i> (1905) <i>Fenwick's Career</i> (1906); +plays, <i>Eleanor</i> (1902), <i>Agatha</i> (1905), etc<a name='Page_451'></a>.</p><br /> + +<a name='WATSON_HENRY_BRERETON_MARRIOTT_1863'></a><p><b>WATSON, HENRY BRERETON MARRIOTT (1863).</b> +—Novelist, +etc. <i>Lady Faintheart</i> (1890), <i>The Web of the Spider</i> (1891), <i>Diogenes +of London</i> (1893), <i>At the First Corner</i> (1895), <i>The Heart of Miranda</i> +(1897), <i>The Princess Xenia</i> (1899), <i>The House Divided</i> (1901), +<i>Captain Fortune</i> (1904), <i>Twisted Eglantine</i> (1905), <i>The Privateers</i> +(1907), etc.</p><br /> + +<a name='WATSON_WILLIAM_LLD_1858'></a><p><b>WATSON, WILLIAM, LL.D. (1858).</b> +—Poet. <i>The Prince's +Quest</i> (1880), <i>Epigrams of Art, Life and Nature</i> (1884), <i>Wordsworth's +Grave</i> (1890), <i>Lachrymæ Musarum</i> (1892), <i>Lyric Love</i> (1892), <i>The Eloping +Angels</i> (1893), <i>Excursions in Criticism</i> (1893), <i>Odes and other Poems</i> +(1894), <i>The Father of the Forest</i> (1895), <i>The Purple East</i> (1896), <i>The +Year of Shame</i> (1896), <i>The Hope of the World</i> (1897), <i>Collected Poems</i> +(1898), <i>Ode on the Coronation of King Edward VII.</i> (1902), <i>For +England</i> (1903), and <i>New Poems</i> (1909).</p><br /> + +<a name='WATTS_DUNTON_THEODORE_1832'></a><p><b>WATTS-DUNTON, THEODORE (1832).</b> +—Poet, novelist, and +critic. <i>The Coming of Love</i>, <i>Rhona Boswell's Story</i> (1897), <i>Aylwin</i> +(1898), <i>Christmas at the Mermaid</i>, <i>The Renascence of Wonder</i> (1903), +ed. Borrow's <i>Lavengro</i> and <i>Romany Rye</i>; article <i>Poetry</i> in <i>Encyclopædia +Britannica</i>, and many other articles in the same.</p><br /> + +<a name='WAUGH_ARTHUR_1866'></a><p><b>WAUGH, ARTHUR (1866).</b> +—Critic. <i>Alfred, Lord Tennyson, +a Study</i> (1892), <i>Robert Browning</i> (in Westminster Biographies), +has ed. Johnson's <i>Lives of the Poets</i>, Dickens, Milton, Lamb, Tennyson, +etc.</p><br /> + +<a name='WEDMORE_FREDERICK_1844'></a><p><b>WEDMORE, FREDERICK (1844).</b> +—Writer on art, etc. +<i>Pastorals of France</i>, <i>Renunciations</i>, <i>English Episodes</i>, <i>Orgeás and +Miradou</i>, <i>Studies in English Art</i>, <i>Méryon</i>, <i>Etching in England</i>, +<i>Whistler's Etchings</i>, <i>Fine Prints</i>, <i>On Books and Arts</i>, <i>The Collapse of +the Penitent</i> (novel), etc.</p><br /> + +<a name='WELLS_HERBERT_GEORGE_BSc_etc_1866'></a><p><b>WELLS, HERBERT GEORGE, B.Sc., etc. (1866).</b> +—Novelist. +<i>Select Conversations with an Uncle</i> (1895), <i>The Time Machine</i> (1895), +<i>The Stolen Bacillus</i> (1895), <i>The Wonderful Visit</i>, <i>The Wheels of +Chance</i>, <i>The Island of Dr. Moreau</i> (1896), <i>The Invisible Man</i> (1897), +<i>The War of the Worlds</i> (1898), <i>When the Sleeper Wakes</i> (1899), <i>The +First Men in the Moon</i> (1901), <i>Mankind in the Making</i> (1903), <i>The +Food of the Gods</i> (1904), <i>A Modern Utopia</i> (1905), <i>The War in the Air</i> +(1908), <i>Tono-Bungay</i>, <i>Ann Veronica</i> (1909), etc.</p><br /> + +<a name='WENDELL_BARRETT_1855'></a><p><b>WENDELL, BARRETT (1855).</b> +—American critic, etc. +<i>William Shakespeare</i> (1894), <i>A Literary History of America</i> (1900), +<i>Raleigh in Guiana</i>, etc. (1902), <i>The Temper of the Seventeenth Century +in English Literature</i> (1904), <i>The France of To-day</i> (1907), etc.</p><br /> + +<a name='WERNER_ALICE_1859'></a><p><b>WERNER, ALICE (1859).</b> +—Miscellaneous writer. <i>A Time +and Times</i> (poems) (1886), <i>O'Driscoll's Weird</i> (1892), <i>The Humour of +Italy</i> (1892), <i>The Humour of Holland</i> (1893), <i>The Captain of the +Locusts</i> (1899), <i>Chapinga's While Man</i> (1901), <i>Native Races of British +Central Africa</i> (1906).</p><br /> + +<a name='WEYMAN_STANLEY_JOHN_1855'></a><p><b>WEYMAN, STANLEY JOHN (1855).</b> +—Novelist. <i>The House +of the Wolf</i> (1890), <i>Francis Cludde</i> (1891), <i>A Gentleman of France</i> +(1893), <i>Under the Red Robe</i> (1894), <i>My Lady Rotha</i> (1894), <i>The Red<a name='Page_452'></a> +Cockade</i> (1895), <i>The Man in Black</i> (1896), <i>Shrewsbury</i> (1897), <i>The +Castle Inn</i> (1898), <i>Sophia</i> (1900), <i>The Long Night</i> (1903), <i>The Abbess +of Vlaye</i> (1904), <i>Starvecrow Farm</i> (1905), <i>Laid up in Lavender</i> (1907).</p><br /> + +<a name='WHARTON_EDITH_JONES_1862'></a><p><b>WHARTON, EDITH (JONES) (1862).</b> +—American novelist. +<i>The Great Inclination</i> (1889), <i>A Gift from the Grave</i>, <i>Crucial Instances</i> +(1901), <i>The Valley of Decision</i> (1902), <i>Sanctuary</i> (1903), <i>Italian +Backgrounds</i> (1905), <i>The House of Mirth</i> (1905), <i>Madame de Treymes</i> +(1907), <i>The Fruit of the Tree</i> (1907).</p><br /> + +<a name='WHIBLEY_CHARLES'></a><p><b>WHIBLEY, CHARLES.</b> +—Critic and reviewer. <i>A Book of +Scoundrels</i>, <i>Studies in Frankness</i>, <i>The Pageantry of Life</i>, <i>Thackeray</i> +(1903), <i>William Pitt</i> (1906).</p><br /> + +<a name='WHISHAW_FRED'></a><p><b>WHISHAW, FRED.</b> +—Novelist. <i>The Emperor's Englishman</i>, +<i>Out of Doors in Tsarland</i>, <i>Boris the Bear-Hunter</i>, <i>The Romance +of the Woods</i>, <i>Harold the Norseman</i> (1896), <i>The White Witch</i> (1897), <i>A +Race for Life</i> (1898), <i>The Diamond of Evil</i> (1902), <i>A Splendid Impostor</i> +(1903), <i>The Great Green God</i> (1906), <i>The Secret Syndicate</i> (1907).</p><br /> + +<a name='WHITE_WILLIAM_HALE_c_1830'></a><p><b>WHITE, WILLIAM HALE (<i>c.</i> 1830).</b> +—Novelist, etc. <i>The +Autobiography of Mark Rutherford</i> (1885), <i>Mark Rutherford's Deliverance</i> +(1885), <i>The Revolution in Tanner's Lane</i> (1887), <i>Miriam's +Schooling</i> (1890), <i>Catherine Furze</i> (1889), <i>Clara Hopgood</i> (1896), +translated Spinoza's <i>Ethics</i>, <i>Pages from a Journal</i> (1900).</p><br /> + +<a name='WHITEING_RICHARD_1840'></a><p><b>WHITEING, RICHARD (1840).</b> +—Novelist, etc. <i>The Democracy</i> +(1876), <i>No. 5 John Street</i> (1899), <i>The Yellow Van</i> (1903), <i>Ring +in the New</i> (1906), <i>All Moonshine</i> (1907).</p><br /> + +<a name='WHITNEY_ADELINE_DUTTON_TRAIN_1824'></a><p><b>WHITNEY, ADELINE DUTTON (TRAIN) (1824).</b> +—American +novelist. <i>Faith Gartney's Girlhood</i>, <i>The Gayworthys</i>, <i>Hitherto</i>, <i>Leslie +Goldthwaite</i>, <i>Real Folks</i>, <i>Homespun Yarns</i>; poems, <i>Pansies</i>, +<i>Daffodils</i>, <i>Holy Tides</i>, <i>Bird Talk</i>, etc.</p><br /> + +<a name='WICKSTEED_REV_PHILIP_HENRY_1844'></a><p><b>WICKSTEED, REV. PHILIP HENRY (1844).</b> +—Writer on +Dante, political economy, etc. <i>Translation of the Bible for Young +People</i> (1882), <i>Alphabet of Economic Science</i> (1888), <i>Henrik Ibsen</i> +(1892), <i>Dante, Six Sermons</i> (1895), <i>Trans.: De Witte's Select Essays +on Dante</i> (with C.M. Laurence) (1898), <i>Trans.: Dante's Paradiso</i> +(1899), <i>Dante and Del Virgilio</i> (with E.G. Gardner) (1901), <i>Studies +in Theology</i> (with J.E. Carpenter) (1903), <i>Further Translations of +Dante's Convivio</i> (1903), <i>Early Lives of Dante</i> (1904), <i>Dante's Latin +Works</i> (1904), etc.</p><br /> + +<a name='WIGGIN_KATE_DOUGLAS_MRS_GEORGE_C_RIGGS'></a><p><b>WIGGIN, KATE DOUGLAS (MRS. GEORGE C. RIGGS).</b> +—American +novelist. <i>Timothy's Quest</i>, <i>Polly Oliver's Problem</i>, <i>The +Story of Patsy</i>, <i>Penelope's Experiences</i>, <i>Rebecca of Sunnybrook +Farm</i>, <i>Mrs. Wiggs of the Cabbage Patch</i>, etc.</p><br /> + +<a name='WILKINS_MARY_ELEANOR_MRS_CM_FREEMAN_1862'></a><p><b>WILKINS, MARY ELEANOR (MRS. C.M. FREEMAN) (1862).</b> +—American +story-writer. <i>A New England Nun</i>, <i>Young Lucretia</i>, <i>A +Humble Romance</i>, <i>A Faraway Melody</i>, <i>Giles Cory</i>, <i>The Wind in the +Rosebush</i>, <i>The Debtor</i>, etc.</p><br /> + +<a name='quotWINTER_JOHN_STRANGEquot_see_MRS_ARTHUR_STANNARD'></a><p><b>"WINTER, JOHN STRANGE," (<i>see</i> <a href='#STANNARD_MRS_ARTHUR_quotJOHN_STRANGE_WINTERquot_1856'>MRS. ARTHUR STANNARD</a>).</b></p><br /> + +<a name='WINTER_WILLIAM_1836'></a><p><b>WINTER, WILLIAM (1836).</b> +—American critic, etc. +<i>Shakespeare's England</i>, <i>Grey Days and Gold</i>, <i>Old Shrines and Ivy<a name='Page_453'></a> +Brown Heath and Blue Bells</i>, <i>Life and Art of Edwin Booth</i>, <i>The Stage +Life of Mary Anderson</i>, etc.</p><br /> + +<a name='WRIGHT_WILLIAM_ALDIS_LLD_etc'></a><p><b>WRIGHT, WILLIAM ALDIS, LL.D., etc.</b> +—English scholar. +Joint ed. of Globe Shakespeare and of the Cambridge Shakespeare. +<i>Bible Word-Book</i> and many other English Classics, <i>Letters and Literary +Remains of Edward Fitzgerald</i> (1889), <i>The Works of Edward Fitzgerald</i> +(7 vols. 1903), etc.</p><br /> + +<a name='YEATS_WILLIAM_BUTLER_1865'></a><p><b>YEATS, WILLIAM BUTLER (1865).</b> +—Poet. <i>The Wanderings +of Oisin</i> (1889), <i>The Countess Kathleen</i> (1892), <i>The Celtic Twilight</i> +(1893), <i>A Book of Irish Verse</i> (1895), <i>Poems</i> (1895), <i>The Secret Rose</i> +(1897), <i>The Wind Among the Reeds</i> (1899), <i>The Shadowy Waters</i> (1900), +<i>Ideas of Good and Evil</i> (1903), etc.</p><br /> + +<a name='ZANGWILL_ISRAEL_1864'></a><p><b>ZANGWILL, ISRAEL (1864).</b> +—Novelist. <i>Children of the +Ghetto</i> (1892), <i>Merely Mary Ann</i> (1893), <i>Ghetto Tragedies</i> (1893), <i>The +King of Schnorrers</i> (1894), <i>Dreamers of the Ghetto</i> (1898), <i>They that +Walk in Darkness</i> (1899), <i>The Mantle of Elijah</i> (1900), <i>The Grey Wig</i> +(1903), <i>Blind Children</i> (verse) (1903), <i>Ghetto Comedies</i> (1907); plays, +<i>Children of the Ghetto</i>, <i>The Moment of Death</i>, <i>The Revolted Daughter</i>, +<i>Merely Mary Ann</i>, <i>The Serio-Comic Governess</i>, etc.</p> + + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of A Short Biographical Dictionary of +English Literature, by John W. 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