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diff --git a/old/13057-8.txt b/old/13057-8.txt new file mode 100644 index 0000000..e555bb7 --- /dev/null +++ b/old/13057-8.txt @@ -0,0 +1,6903 @@ +The Project Gutenberg EBook of The Philanderers, by A.E.W. Mason + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Philanderers + +Author: A.E.W. Mason + +Release Date: July 30, 2004 [EBook #13057] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE PHILANDERERS *** + + + + +Produced by Mary Meehan and the Online Distributed Proofreading Team. + + + + + THE PHILANDERERS + + BY A.E.W. MASON + + Author of 'The Courtship of Morrice Buckler' + + 1897 + + + + +PROLOGUE + + +Five Englishmen were watching a camp fire in the centre of a forest +clearing in mid-Africa. They did not speak, but sat propped against logs, +smoking. One of the five knocked out the ashes of his pipe upon the +ground; a second, roused by the movement, picked up a fresh billet of +wood with a shiver and threw it on to the fire, and the light for a +moment flung a steady glow upon faces which were set with anxiety. The +man who had picked up the billet looked from one to the other of the +faces, then he turned and gazed behind him into the darkness. The floor +of the clearing was dotted with the embers of dying fires, but now and +again he would hear the crackle of a branch and see a little flame spirt +up and shine upon the barrels of rifles and the black bodies of the +sleeping troops. Round the edge of the clearing the trees rose massed and +dark like a cliff's face. He turned his head upwards. + +'Look, Drake!' he cried suddenly, and pointed an arm eastwards. The man +opposite to him took his pipe from his mouth and looked in that +direction. The purple was fading out of the sky, leaving it livid. + +'I see,' said Drake shortly, and, replacing his pipe, he rose to his +feet. His four companions looked quickly at each other and the eldest of +them spoke. + +'Look here, Drake,' said he, 'I have been thinking about this business +all night, and the more I think of it the less I like it. Of course, we +only did what we were bound to do. We couldn't get behind that evidence; +there was no choice for us; but you're the captain, and there is a +choice for you.' + +'No,' replied Drake quietly. 'I too have been thinking about it all +night, and there is no choice for me.' + +'But you can delay the execution until we get back.' + +'I can't even do that. A week ago there was a village here.' + +'It's not the man I am thinking of. I haven't lived my years in Africa to +have any feeling left for scum like that. But also I haven't lived my +years in Africa without coming to know there's one thing above all others +necessary for the white man to do, and that's to keep up the prestige of +the white man. String Gorley up if you like, but not here--not before +these blacks.' + +'But that's just what I am going to do,' answered Drake, 'and just for +your reason, too--the prestige of the white man. Every day something is +stolen by these fellows, a rifle, a bayonet, rations--something. When I +find the theft out I have to punish it, haven't I? Well, how can I punish +the black when he thieves, and let the white man off when he thieves and +murders? If I did--well, I don't think I could strike a harder blow at +the white man's prestige.' + +'I don't ask you to let him off. Only take him back to the coast. Let him +be hanged there privately.' + +'And how many of these blacks would believe that he had been hanged?' +Drake turned away from the group and walked towards a hut which stood +some fifty yards from the camp fire. Three sentries were guarding the +door. Drake pushed the door open, entered, and closed it behind him. The +hut was pitch dark since a board had been nailed across the only opening. + +'Gorley!' he said. + +There was a rustling of boughs against the opposite wall, and a voice +answered from close to the ground. + +'Damn you, what do you want?' + +'Have you anything you wish to say?' + +'That depends,' replied Gorley after a short pause, and his voice changed +to an accent of cunning. + +'There's no bargain to be made.' + +The words were spoken with a sharp precision, and again there was +a rustling of leaves as though Gorley had fallen back upon his bed +of branches. + +'But you can undo some of the harm,' continued Drake, and at that Gorley +laughed. Drake stopped on the instant, and for a while there was silence +between the pair. A gray beam of light shot through a chink between the +logs, and then another and another until the darkness of the hut changed +to a vaporous twilight. Then of a sudden the notes of a bugle sounded the +reveillé. Gorley raised himself upon his elbows and thrust forward his +head. Outside he heard the rattle of arms, the chatter of voices, all the +hum of a camp astir. + +'Drake,' he whispered across to the figure standing against the door, +'there's enough gold dust to make two men rich, but you shall have it all +if you let me go. You can--easily enough. It wouldn't be difficult for a +man to slip away into the forest on the march back if you gave the nod to +the sentries guarding him. All I ask for is a rifle and a belt of +cartridges. I'd shift for myself then.' + +He ended abruptly and crouched, listening to the orders shouted to the +troops outside. The men were being ranged in their companies. Then the +companies in succession were marched, halted, wheeled, and halted again. +Gorley traced a plan of their evolutions with his fingers upon the floor +of the hut. The companies were formed into a square. + +'Drake,' he began again, and he crawled a little way across the hut; +'Drake, do you hear what I'm saying? There's a fortune for you, mind you, +all of it; and I am the only one who can tell you where it is. I didn't +trust those black fellows--no, no,' and he wagged his head with an +attempt at an insinuating laugh. 'I had it all gathered together, and I +buried it myself at night. You gave me a chance before with nothing to +gain. Give me another; you have everything to gain this time. Drake, why +don't you speak?' + +'Because there's no bargain to be made between you and me,' replied +Drake. 'If you tell me where the gold dust's hid, it will be given back +to the people it belonged to, or rather to those of them you left +alive. You can do some good that way by telling me, but you won't save +your life.' + +Steps were heard to approach the hut; there was a rap on the door. + +'Well?' asked Drake. + +Gorley raised himself from the floor. + +'I am not making you rich and letting you kill me too,' he said; and +then, 'Who cares? I'm ready.' + +Drake opened the door and stepped out. Gorley swaggered after him. He +stood for a moment on the threshold. Here and there a wisp of fog ringed +a tree-trunk or smoked upon the ground. But for the rest, the clearing, +littered with the charred debris of a native village, lay bare and +desolate in a cold morning light. + +'It looks a bit untidy,' said Gorley, with a laugh. Two of the troopers +approached and laid their hands upon his shoulders. At first he made a +movement to shake them off. Then he checked the impulse and stood +quietly while they pinioned him. After they had finished he spat on the +ground, cast a glance at the square and the rope dangling from a branch +above it, and walked easily towards it. The square opened to receive him +and closed up again. + +On the march back two of the Englishmen sickened of ague and died. Six +months later a third was killed in a punitive expedition. The fourth was +drowned off Walfisch Bay before another year had elapsed. + + + + +CHAPTER I + + +Hugh Fielding, while speculating upon certain obscure episodes in the +history of a life otherwise familiar to an applauding public, and at a +loss to understand them, caught eagerly at a simile. Now Fielding came +second to none in his scorn for the simile as an explanation, possibly +because he was so well acquainted with its convenience. 'A fairy lamp' he +would describe it, quite conscious of the irony in his method of +description, 'effective as an ornament upon a table-cloth, but a poor +light to eat your dinner by.' + +Nevertheless Fielding hugged this particular simile, applying it as a +sort of skeleton key to the problem of Stephen Drake's career. + +He compared Drake's career, or at all events that portion of it which was +closed, to the writing of a book. So many years represent the +accumulation of material, a deliberate accumulation; at a certain date +the book is begun with a settled design, _finis_ being clearly foreseen +from the first word of the preface. But once fairly started the book +throws the writer on one side and takes the lead, drags him, panting and +protesting, after it, flings him down by-ways out of sight of his main +road, tumbles him into people he had no thought of meeting, and finally +stops him dead, Heaven knows where--in front of a blank wall, most +likely, at the end of a _cul de sac_. He may sit down then and cry if he +likes, but to that point he has come in spite of his intentions. + +The actual settling down to the work, with the material duly ticketed at +his elbow, in Drake's case Hugh Fielding dated back to a certain day +towards the close of October. + +Upon that afternoon the _Dunrobin Castle_ from Cape Town steamed into +Plymouth Harbour, and amongst the passengers one man stepped from the +tender on to the quay and stood there absolutely alone. No one had gone +out to the ship to meet him; no one came forward now on the quay-side, +and it was evident from his indifference to the bystanders that he +expected no one. The more careless of these would have accounted him a +complete stranger to the locality, the more observant an absentee who had +just returned, for while his looks expressed isolation, one significant +gesture proved familiarity with the environments. As his eyes travelled +up the tiers of houses and glanced along towards the Hoe, they paused now +and again and rested upon any prominent object as though upon a +remembered landmark, and each such recognition he emphasised with a nod +of the head. + +He turned his back towards the town, directing his glance in a circle. +The afternoon, although toning to dusk, was kept bright by the scouring +of a keen wind, and he noted the guard-ship on his right at its old +moorings, the funnels rising like solid yellow columns from within a +stockade of masts; thence he looked across the water to the yellowing +woods of Mount Edgcumbe, watched for a moment or so the brown sails of +the fishing-smacks dancing a _chassez-croisez_ in the Sound, and turned +back to face the hill-side. A fellow-passenger, hustled past him by +half a dozen importunate children, extricated a hand to wave, and +shouted a cheery 'See you in town, Drake.' Drake roused himself with a +start and took a step in the same direction; he was confronted by a man +in a Norfolk jacket and tweed knickerbockers, who, standing by, had +caught the name. + +'Captain Stephen Drake?' + +'Yes. Why?' + +The man mopped a perspiring face. + +'I was afraid I had missed you. I should have gone out on the tender, +only I was late. Can you spare me a moment? You have time.' + +'Certainly,' answered Drake, with a look of inquiry. + +The man in the knickerbockers led the way along the quay until he came to +an angle between an unused derrick and a wall. + +'We shall not be disturbed here,' he said, and he drew an oblong +note-book and a cedar-wood pencil from his pocket. + +'I begin to understand,' said Drake, with a laugh. + +'You can have no objection?' + +There was the suavity of the dentist who holds the forceps behind his +back in the tone of the speaker's voice. + +'On the contrary, a little notoriety will be helpful to me too.' + +That word 'too' jarred on the reporter, suggesting a flippancy which he +felt to be entirely out of place. The feeling, however, was quickly +swallowed up in the satisfaction which he experienced at obtaining so +easily a result which had threatened the need of diplomacy. + +'_O si sic omnes!_' he exclaimed, and made a note of the quotation upon +the top of the open leaf. + +'Surely the quotation is rather hackneyed to begin with?' suggested Drake +with a perfectly serious inquisitiveness. The reporter looked at him +suspiciously. + +'We have to consider our readers,' he replied with some asperity. + +'By the way, what paper do you represent?' + +The reporter hesitated a little. + +'The _Evening Meteor_,' he admitted reluctantly, keeping a watchful eye +upon his questioner. He saw the lips join in a hard line, and began to +wonder whether, after all, the need for diplomacy had passed. + +'I begin to appreciate the meaning of journalistic enterprise,' said +Drake. 'Your editor makes a violent attack upon me, and then sends a +member of his staff to interview me the moment I set foot in England.' + +'You hardly take the correct view, if I may say so. Our chief when he +made the attacks acted under a sense of responsibility, and he thought it +only fair that you should have the earliest possible opportunity of +making your defence.' + +'I beg your pardon,' replied Drake gravely. 'Your chief is the most +considerate of men, and I trust that his equity will leave him a margin +of profit, only I don't seem to feel that I need make any defence. I have +no objection to be interviewed, as I told you, but you must make it clear +that I intend nothing in the way of apology. Is that understood?' + +The pressman agreed, and made a note of the proviso. + +'There is another point. I have seen nothing of the paper necessarily for +the last few weeks. The _Meteor_ has, I suppose, continued its--crusade, +shall we call it?--but on what lines exactly I am, of course, ignorant. +It will be better, consequently, that you should put questions and I +answer them, upon this condition, however,--that all reference is omitted +to any point on which I am unwilling to speak.' + +The reporter demurred, but, seeing that Drake was obdurate, he was +compelled to give way. + +'The entire responsibility of the expedition rests with me,' Drake +explained, 'but there were others concerned in it. You might trench upon +private matters which only affect them.' + +He watched the questions with the vigilance of a counsel on behalf of a +client undergoing cross-examination, but they were directed solely to the +elucidation of the disputed point whether Drake had or had not, while a +captain in the service of the Matanga Republic, attacked a settlement of +Arab slave-dealers within the zone of a British Protectorate. The editor +of the _Meteor_ believed that he had, and strenuously believed it--in the +interests of his shareholders. Drake, on the other hand, and the Colonial +Office, it should be added, were dispassionately indifferent to the +question, for the very precise reason that they knew it could never be +decided. There were doubts as to the exact sphere of British influence, +and the doubts favoured Drake for the most part. Insular prehensiveness, +at its highest flight, could do no more than claim Boruwimi as its +uttermost limit, and was aware it would be hard put to it to substantiate +the claim. The editor, nevertheless, persevered, bombarded its citizen +readers with warnings about trade fleeing from lethargic empires, +published a cartoon, and reluctantly took the blackest view of Drake's +character and aims. + +Drake's march with a handful of men six hundred miles through a tangled +forest had been a handsome exploit, quickening British pride with the +spectacle of an Englishman at the head of it. Civilian blood tingled in +office and shop, claiming affinity with Drake's. It needed an Englishman +to bill-hook a path through that fretwork of branches, and fall upon his +enemy six weeks before he was expected--the true combination of daring +and endurance that stamps the race current coin across the world! Economy +also pleaded for Drake. But for him the country itself must have burned +out the hornets' nest, and the tax-payer paid, and paid dearly. For there +would have been talk of the expedition beforehand, the force would have +found an enemy prepared and fortified. The hornets could sting too! +Whereas Drake had burned them out before they had time to buzz. He need +not have said one word in exculpation of himself, and that indeed he +knew. But he had interests and ambitions of his own to serve; a hint of +them peeped out. + +'As to your future plans?' asked the reporter. 'You mean to go back, +I presume.' + +'No; London for me, if I can find a corner in it. I hold concessions +in Matanga.' + +'The land needs development, of course.' + +'Machinery too; capital most of all.' + +At the bookstall upon the platform Drake bought a copy of the _Times_, +and whilst taking his change he was attracted by a grayish-green volume +prominently displayed upon the white newspapers. The sobriety of the +binding caught his fancy. He picked it up, and read the gold-lettered +title on the back--_A Man of Influence_. The stall-keeper recommended the +novel; he had read it himself; besides, it was having a sale. Drake +turned to the title-page and glanced at the author's name--Sidney +Mallinson. He flashed into enthusiasm. + +'Selling, eh?' + +'Very well indeed.' + +'Has it been published long?' + +'Less than three months.' + +'I will take it, and everything else by the same author.' + +'It is his first book.' + +The stall-keeper glanced at his enthusiastic customer, and saw a sunburnt +face, eager as a boy's. + +'Oh!' he said doubtfully, 'I don't know whether you will like it. It's +violently modern. Perhaps this,' and he suggested with an outstretched +forefinger a crimson volume explained by its ornamentation of a couple of +assegais bound together with a necklace of teeth. Drake laughed at the +application of the homoeopathic principle to the sale of books. + +'No, I will take this,' he said, and, moving aside from the stall, stood +for a little turning the book over and over in his hands, feeling its +weight and looking incessantly at the title-page, wondering, you would +say, that the author had accomplished so much. + +He had grounds for wonder, too. His thoughts went back across the last +ten years, and he remembered Mallinson's clamouring for a reputation; a +name--that had been the essential thing, no matter what the career in +which it was to be won. Work he had classified according to the +opportunities it afforded of public recognition; and his classification +varied from day to day. A _cause célèbre_ would suggest the Bar, a +published sermon the Church, a flaming poster persuade to the stage. In a +word, he had looked upon a profession as no more than a sounding-board. + +It had always seemed to Drake that this fervid desire for fame, as a +thing apart in itself, not as a symbol of success won in a cherished +pursuit, argued some quality of weakness in the man, something unstable +which would make for failure. His surprise was increased by an inability +to recollect that Mallinson had ever considered literature as a means to +his end. Long sojourning in the wilderness, moreover, had given Drake an +exaggerated reverence for the printed page. He was inclined to set +Mallinson on a pinnacle, and scourge himself at the foot of it for his +earlier distrust of him. He opened the book again at the beginning, and +let the pages slip across beneath his thumb from cover to cover; 413 was +marked on the top corner of the last; 413 pages actually written and +printed and published; all consecutive too; something new on each page. +He turned to a porter. + +'How long have I before the train starts?' + +'Five minutes, sir.' + +'Where is the telegraph office?' + +The office was pointed out to him, and he telegraphed to Mallinson at the +address of his publishers. 'Have just reached England. Dine with me at +eight to-morrow at the Grand Hotel'; and he added after a moment's pause, +'Bring Conway, if you have not lost sight of him.--DRAKE.' + +When the train started Drake settled himself to the study of _A Man of +Influence_. The commentary of the salesman had prepared him for some +measure of perplexity. There would be hinted references and suggestions, +difficult of comprehension to the traveller out of touch with modern +developments. These, however, would only be the ornaments, but the flesh +and blood of the story would be perceptible enough. It was just, however, +this very flesh and blood which eluded him; he could not fix it in a +definite form. He did not hold the key to the author's intention. + +Drake's _vis-à-vis_ in the carriage saw him produce the book with +considerable surprise, conscious of an incongruity between the reader and +what he read. His surprise changed to amusement as he noticed Drake's +face betray his perplexity and observed him turn now and again to the +title upon the cover as though doubtful whether he had not misread it. He +gave an audible chuckle. + +Drake looked up and across the carriage at a man of about fifty years of +age with a large red face and a close-cropped pointed beard. The chuckle +swelled to a laugh. + +'You find that a hard nut to crack?' Drake noticed a thickness in the +articulation. + +'I have been some years abroad. I hardly catch its drift,' explained +Drake, and then with an effort at praise: + +'It seems a clever satire.' + +'Satire!' guffawed the other. 'Well, that's rich! Satire? Why, it's a +manifesto. Gad, sir, it's a creed. I believe in my duty to my senses and +the effectuation of me for ever and ever, Amen. The modern jargon! Topsy +Turvydom! Run the world on the comic opera principle, but be flaming +serious about it. Satire, good Lord!' + +He flung himself back on his cushions with a snort of contempt. + +'Look you, I'm not a pess--' he checked at the word and then took it at a +run, 'a pessimist, but, as things are going on--well, you have been out +of the country and--and you can't help it, I suppose. You may laugh! +P'raps you haven't got daughters--not that I have either, praise glory! +But nieces, if the father's a fool, wear you out very little less. +Satire, ho! ho!' + +The semi-intoxicated uncle of nieces relapsed vindictively into his +corner and closed his eyes. Occasionally Drake would hear a muffled +growl, and, looking in that direction, would see one inflamed eye peering +from a mountain of rugs. + +'Satire!' and a husky voice would address the passengers +indiscriminately. 'Satire! and the man's not a day under forty either.' + +Drake joined in the laugh and lit his pipe. He was not sensitive to +miscomputations of his years, and felt disinclined to provoke further +outbursts of family confidences. + +Instead, he pursued his acquaintance with _A Man of Influence_, realising +now that he must take him seriously and regard him stamped with +Mallinson's approval, a dominating being. He found the task difficult. +The character insisted upon reminding him of the nursery-maid's ideal, +the dandified breaker of hearts and bender of wills; an analytical hero +too, who traced the sentence through the thought to the emotion, which +originally prompted it; whence his success and influence. But for his +strength, plainly aimed at by the author, and to be conceded by the +reader, if the book was to convince? Drake compared him to scree and +shingle as against solid granite. Lean on him and you slip! + +The plot was the time-worn, imperishable story of the married couple and +the amorous interloper, the Influential Man, of course, figuring as the +latter, and consequently glorified. The husband was pelted with ridicule +from the first chapter to the last, though for what particular fault +Drake could not discover, unless it were for that of being a husband at +all; so that the interloper in robbing him of his wife was related to +have secured not merely the _succès d'estime_ which accompanies such +enviable feats, but the unqualified gratitude of all married women and +most unmarried men. + +There were, no doubt, redeeming qualities; Drake gave them full credit, +and perhaps more than they deserved. He noticed a glitter in the +dialogue, whether of foil or gold he refused to consider, and a lively +imagination in the interweaving of the incidents. But altogether the book +left with him a feeling of distaste, which was not allayed by the +perception that he himself was caricatured in the picture of befooled +husband, while Mallinson figured as the successful deceiver. After all, +he thought, Mallinson and he were friends, and he disliked the mere +imagining of such a relationship between them. + +Drake summed up his impressions as his hansom turned into the Bayswater +Road. The day was just beginning to break; the stems of the trees +bordering the park were black bars against the pure, colourless light, +and their mingling foliage a frayed black ribbon stretched across the +sky. One might have conceived the picture the original of a black and +white drawing by a pre-Raphaelite artist. + +Drake drew in a long breath of the keen, clear air. + +'I am glad I asked him to bring Conway,' he said to himself. + + + + +CHAPTER II + + +Waking up six hours later, Drake looked out upon a brown curtain of +London fog. The lamps were lit at the crossings in Trafalgar +Square--half-a-mile distant they seemed, opaque haloes about a pin's +point of flame, and people passing in the light of them loomed and +vanished like the figures of a galanty-show. From beneath rose the bustle +of the streets, perceptible only to Drake, upon the fourth floor, as a +subterranean rumble. 'London,' he said to himself, 'I live here,' and +laughed unappalled. Listening to the clamour, he remembered a map, seen +somewhere in a railway guide, a map of England with the foreign cables, +tiny spider-threads spun to the four quarters and thickening to a solid +column at Falmouth and Cromer, the world's arteries, he liked to think, +converging to its heart. + +The notion of messages flashing hourly along these wires brought to mind +the existence of the _Meteor_. He sent out for a copy of each number +which had appeared since he had begun his voyage, and commencing on the +task whilst he was still at breakfast, read through every article written +concerning the Boruwimi expedition. He finished the last in the +smoking-room shortly after one o'clock, and rose from his investigation +with every appearance of relief. From the first to the final paragraph, +not so much as a mention of Gorley's name! + +The reason for his relief lay in a promise which he had sent to Gorley's +father, that he would suppress the trouble as far as he could; and Drake +liked to keep his promises. + +Gorley had come out to Matanga with a cloudy reputation winging close at +his heels. There were rumours of dishonesty in the office of a private +bank in Kent; his name became a sign for silence, and you were allowed to +infer that Gorley's relatives had made good the deficit and so avoided a +criminal prosecution. It was not surprising, then, that Gorley, on +hearing of Drake's intended march to Boruwimi, should wish to take +service under his command. He called upon Drake with that request, was +confronted with the current story, and invited to disprove it. Gorley +read his man shrewdly, and confessed the truth of the charge without an +attempt at mitigation. He asked frankly for a place in the troop, the +lowest, as his chance of redemption, or rather demanded it as a grace due +from man to man. Drake was taken by his manner, noticed his build, which +was tough and wiry, and conceded the request. Nor had he reason to regret +his decision on the march out. Gorley showed himself alert, and vigilant, +a favourite with the blacks, and obedient to his officers. He was +advanced from duty to duty; a week before the force began its homeward +march from Boruwimi he was sent out with a body of men to forage for +provisions. Three days later a solitary negro rushed into camp, one of +the few survivors of his tribe, he said. He told a story of food freely +given, a village plundered and burned for thanks, of gold-dust stolen and +the owners murdered that they might the better hold their tongues. He +signified Gorley as the culprit. Drake, guided by the negro, marched +towards the spot. He met Gorley and his company half-way between Boruwimi +and the village, carried him along with him, and proved the story true. +Against Gorley's troops no charge could be sustained; they had only +obeyed orders. But Gorley he court-martialled, and the result has been +described. + +This was the incident which Drake was unwilling to commit to the +discretion of the editor of the _Meteor_. He had discovered Gorley's +relations in England, and had written to them a full account of the +affair, despatching with his letter a copy of the evidence given at the +court-martial. The reply came from the father, a heart-broken admission +of the justice of Drake's action, and a prayer that, for the sake of +those of the family who still lived, Gorley's crime should be as far as +possible kept secret. Drake gave the promise. So far he had kept it, he +realised, as he tossed aside the last copy of the _Meteor_. + +At eight o'clock Sidney Mallinson arrived. He saw Drake at the top of +the flight of steps in the vestibule, and hesitated, perceiving that he +was alone. + +'Hasn't Conway come?' he asked. 'I sent to him.' + +'Not yet. It's barely eight.' + +They shook hands limply and searched for topics of conversation. + +'You look older than you did,' said Mallinson. + +'Ah! Ten years, you know. You haven't changed much.' + +Drake was looking at a face distinguished by considerable comeliness. The +forehead, however, overhung the features beneath it and gave to a mouth +and chin, which would otherwise have aroused no criticism, an appearance +of irresolution. The one noticeable difference in Mallinson was the +addition of an air of constraint. It was due partly to a question which +had troubled him since he had received the invitation. Had Drake read _A +Man of Influence_ and recognised himself? + +'I got your telegram,' he said at length. + +'Naturally, or you wouldn't be here.' + +The answer was intended to be jocular; it sounded only _gauche_, as Drake +recognised, and the laugh which accompanied it positively rude. + +'Shall I put my coat in the cloak-room?' suggested Mallinson. + +'Oh yes, do!' replied Drake. He was inclined to look upon the proposal as +an inspiration, and his tone unfortunately betrayed his thought. + +When Mallinson returned, he saw Conway entering the hotel. The latter +looked younger by some years than either of his companions, so that, as +the three men stood together at this moment, they might have been held to +represent three separate decades. + +'Twenty minutes late, I'm afraid,' said Conway, and he shook Drake's hand +with a genuine cordiality. + +'Five,' said Drake, looking at his watch. + +'Twenty,' replied Conway. 'A quarter to, was the time Mallinson +wired me.' + +'Was it?' asked Mallinson, with a show of surprise. 'I must have made +a mistake.' + +It occurred, however, to Drake that the mistake might have been +purposely made from a prevision of the awkwardness of the meeting. The +dinner, prefaced inauspiciously, failed to remove the awkwardness, since +the reticence under which Drake and Mallinson laboured, gradually spread +and enveloped Conway. A forced conversation of a curiously impersonal +sort dragged from course to course. Absolute strangers would have +exhibited less restraint; for the ghost of an old comradeship made the +fourth at the feast and prated to them in exiguous voice of paths that +had diverged. Drake noticed, besides, an undercurrent of antagonism +between Conway and Mallinson. He inquired what each had been doing +during his absence. + +'Mallinson,' interposed Conway, 'has been absorbed in the interesting +study of his own personality.' + +'I am not certain that pursuit is not preferable to revolving +unsuccessfully through a cycle of professions,' said Mallinson in +slow sarcasm. + +The flush was upon Conway's cheek now. He set his wine glass deliberately +upon the table and leaned forward on an elbow. + +'My dear good Sidney,' he began with elaborate affection, plainly +intended as the sugar coating of an excessively unpleasant pill. Drake +hastily interrupted with an anecdote of African experiences. It sounded +bald and monstrously long, but it served its purpose as peace-maker. +Literary acquisitiveness drew Mallinson on to ask for more of the same +kind. Drake mentioned a race of pigmies and described them, speculating +whether they might be considered the originals of the human race. + +'My dear fellow, don't!' said Mallinson; 'I loathe hearing about them. +It's so degrading to us to think we sprang from them.' + +The peculiar sensitiveness of a mind ever searching, burrowing in, and +feeding upon itself struck a jarring note upon its healthier companion. + +'Why, what on earth does it matter?' asked Drake. + +'Ah! Perhaps you wouldn't understand.' + +Conway gave a shrug of the shoulder and laughed to Drake across the +table. The latter looked entreaty in reply and courageously started a +different topic. He spoke of their boyhood in the suburb on the heights +six miles to the south of London, and in particular of a certain hill, +Elm-tree Hill they called it, a favourite goal for walks and the spot +where the three had last met on the night before Drake left England. +London had lain beneath it roped with lights. + +'The enchanted city,' said Conway, catching back some flavour of those +times. 'It seemed distant as El Dorado, and as desirable.' + +Mallinson responded with the gentle smile with which a man recognises and +pities a childishness he has himself outgrown. + +Drake ordered port, having great faith in its qualities, as inducive of a +cat-like content and consequent good-fellowship. Mallinson, however, +never touched port; nothing but the lightest of French burgundies after +dinner for him. The party withdrew to the smoking-room. + +'By the way, Drake,' asked Mallinson, 'have you anything to do to-night?' + +'No, why?' + +'I was asked to take you to a sort of party.' + +Conway looked up sharply in surprise. + +'You were asked to take me!' exclaimed Drake. 'Who asked you?' + +'Oh, nobody whom you know.' He hesitated for a second, then added with +studied carelessness, 'A Miss Le Mesurier. Her mother's dead,' he +explained, noticing the look of surprise on Drake's face, 'so she keeps +house for her father. There's an aunt to act as chaperon, but she doesn't +count. I got a note from Miss Le Mesurier just before I came here asking +me to bring you.' + +'But what does she know of me?' + +'Oh, I may have mentioned your name,' he explained indifferently, and +Conway smiled. + +'Besides,' said Conway, 'the _Meteor_ has transformed you into a public +character. One knows of your movements.' + +'What I don't see is how Miss Le Mesurier could have known that you had +landed yesterday,' commented Mallinson. + +'I was interviewed by the _Meteor_ on Plymouth Quay. You received the +note, you say, this evening. She may have seen the interview.' + +Drake called to a waiter and ordered him to bring a copy of the paper. +Conway took it and glanced at the first page. + +'Yes, here it is.' + +He read a few lines to himself, and burst into a laugh. + +'Guess how it begins?' + +'I know,' said Drake. + +'A sovereign you don't.' + +Drake laid a sovereign on the table. Conway followed his example. + +'It begins,' said Drake, 'with a Latin quotation, _O si sic omnes_!' + +'It begins,' corrected Conway, pocketing the money, 'with very downright +English'; and he read, 'Drake, with the casual indifference of the +hardened filibuster, readily accorded an interview to our representative +on landing from the _Dunrobin Castle_ yesterday afternoon!' + +Drake snatched the paper out of Conway's hand, and ran his eye down the +column to see whether his words had been similarly transmuted by the +editorial alchemy. They were printed, however, as they had been spoken, +but interspersed with comments. The editor had contented himself with +stamping his own device upon the coin; he had not tried to change its +metal. Drake tossed the paper on one side. 'The man goes vitriol-throwing +with vinegar,' he said. + +Conway picked up the _Meteor_. + +'You are a captain, aren't you?' he asked. 'The omission of the title +presumes you a criminal.' + +'I don't object to the omission,' replied Drake. 'I suppose the title +belongs to me by right. But, after all, a captain in Matanga! There are +more honourable titles.' + +Mallinson looked at him suddenly, as though some fresh idea had shot into +his brain. + +'Well, will you come?' he asked carelessly. + +'I hardly feel inclined to move.' + +'I didn't imagine you would.' There was evidence of distinct relief in +the brisk tone of Mallinson's voice. He turned to Conway, 'We ought to be +starting, I fancy.' + +'I shall stay with Drake,' Conway answered, despondently to Drake's +thinking, and he lapsed into silence after Mallinson's departure, broken +by intervals of ineffective sarcasm concerning women, ineffectively +accentuated by short jerks of laughter. He roused himself in a while and +carried Drake off to his club, where he found Hugh Fielding pulling his +moustache over the _Meteor_. He introduced Drake, and left them together. + +'I was reading a list of your sins,' said Fielding, and he waved the +newspaper. + +Drake laughed in reply. + +'The vivisectionists,' said Fielding, 'may cite you as proof of the +painlessness of their work.' + +'It is my character that suffers the knife. I fancy the editor would +prefer to call the operation a _post-mortem_.' + +Fielding warmed to his new acquaintance. Whisky and potass helped them to +discover common friends, about whom Fielding supplied information with a +flavour of acid in his talk which commended him to Drake; it bit without +malice. Mallinson's name was mentioned. + +'You have read his autobiography?' asked Fielding. + +'No; but I have read his novel.' + +'That's what I mean. Most men wait till they have achieved a career +before they write their autobiographies. He anticipates his. It's rather +characteristic of the man, I think.' + +They drove from the club together in a hansom. Opposite to his rooms in +St. James's Street Fielding got out. + +'Good-night,' he said, and took a step towards the door. + +A lukewarm curiosity which had been stirring in Drake during the latter +part of the evening prompted him to a question now that he saw the +opportunity to satisfy it disappearing. + +'You know the Le Mesuriers?' he asked. + +Fielding laughed. 'Already?' he said. + +'I don't understand.' + +'Then you are not acquainted with the lady?' + +'No; that's what I'm asking. What is Miss Le Mesurier like?' + +'She is more delightfully surprising than even I had imagined. Otherwise +she's difficult to describe; a bald enumeration of features would be rank +injustice.' + +Drake's curiosity responded to the flick. + +'One might fit them together with a little trouble,' he suggested. + +'The metaphor of a puzzle is not inapt,' replied Fielding, as he opened +his door. 'Good-night!' and he went in. + +Half-way down Pall Mall Drake was smitten by a sudden impulse. The +fog had cleared from the streets; he looked up at the sky. The night +was moonless but starlit, and very clear. He lifted the trap, spoke +to the cabman, and in a few minutes was driving southwards across +Westminster Bridge. + +It was the chance recollection of a phrase dropped by Conway during +dinner which sent him in this untimely scurry to Elm-tree Hill. 'As +distant as El Dorado, and as desirable.' The sentence limned with +precision the impression which London used to produce upon Drake. The +sight of it touched upon some single chord of fancy in a nature otherwise +prosaic, of which the existence was unsuspected by his few companions and +unrealised by himself. + +Working in that tower which you could see from the summit of the Elm-tree +Hill topping the sky-line to the west, in order to complete his education +as an engineer before his meagre capital was exhausted, Drake had enjoyed +little opportunity of acquiring knowledge of London; and those +acquaintances of his who travelled thither with their shiny black bags +every morning, seemed to him to know even less than he did. There were +but two points of view from which the town was regarded in the suburb, +and the inhabitants chose this view according to their sex. To the men +London was a counting-house, and certainly some miles of yellow brick +mansions and flashing glasshouses testified that the view was a +profitable one. To the women it was the alluringly wicked abode of +society, and they held their hands before their faces when they mentioned +it, to hide their yearning. Occasionally they imagined they caught a +glimpse into it, when a minister from one of the states in the Balkan +Peninsula strayed down to shed a tallow-candle lustre over a garden +party. To both these views Drake had listened with the air of a man +listening to an impertinence, and his attitude towards the former view +showed particularly the strength of the peculiar impression which London +made on him, since he always placed the acquisition of a fortune as an +aim before himself. + +He thought of London, in fact, as a countryman might, with all a +countryman's sense of its mystery and romance, intensified in him by the +daily sight of its domes and spires. He saw it clothed by the changing +seasons, now ringed in green, now shrouded in white; on summer mornings, +when it lay clearly defined like a finished model and the sun sparkled on +the vanes, set the long lines of windows ablaze in the Houses of +Parliament, and turned the river into a riband of polished steel; or, +again, when the cupola of St. Paul's and the Clock Tower at Westminster +pierced upwards through a level of fog, as though hung in the mid-air; or +when mists, shredded by a south wind, swirled and writhed about the +rooftops until the city itself seemed to take fantastic shapes and melt +to a substance no more solid than the mists themselves. + +These pictures, deeply impressed upon him at the moment of actual vision, +remained with Drake during the whole period of his absence, changing a +little, no doubt, as his imagination more and more informed them, but +losing nothing of vividness, rather indeed waxing in it with the gradual +years. One may think of him as he marched on expeditions against hostile +tribes, dwelling upon these recollections as upon the portrait of an +inherited homestead. London, in fact, became to him a living motive, a +determining factor in any choice of action. Whatsoever ambitions he +nourished presumed London as their starting-point. It was then after all +not very singular that on this first night of his return he should make a +pilgrimage to the spot whence he had drawn such vital impressions. For a +long time he stood looking down the grass slope ragged with brambles and +stunted trees, and comprehending the whole lighted city in his glance. + +On the way home his mind, which soon tired of a plunge into sentiment, +reverted to the thought of Miss Le Mesurier, and he speculated +unsuccessfully on the motive which had prompted her to send him so +immediate an invitation. The enigmatic interest which she took in him, +gave to him in fact a very definite interest in her. He wondered again +what she was like. Fielding's description helped to pique his curiosity. +All that he knew of her was her surname, and he found it impossible to +infer a face or even a figure from this grain of knowledge. By the time +he reached the Grand Hotel, he was regretting that he had not accepted +her invitation. + + + + +CHAPTER III + + +Drake repeated his question to Fielding two days later, after a dinner +with Conway at his club, but in a tone of languid interest. + +'Why don't you ask Mallinson?' said Fielding. 'He knows her better +than I do.' + +Conway contested the assertion with some heat. + +'Besides,' added Drake, 'his imagination may have been at work. About +women, I prefer the estimate of a man of the world.' + +The phrase was distasteful to a gentleman whose ambition it was to live +and to be recognised as living within view of, but outside the world, say +just above it in a placid atmosphere of his own creation. Fielding leaned +back in his chair to mete out punishment, joining the finger-tips with an +air of ordering a detailed statement. + +'The inhabitants of Sark,' he began, 'were from immemorial times notable +not merely for their predatory instincts, but for the stay-at-home +fashion in which they gave those instincts play. They did not scour the +seas for their victims, neither did they till their island. There was no +need for so much exertion. They lay supine upon their rocks and waited +until a sail appeared above the horizon. Even then they did not stir till +nightfall. But after it was dark, they lighted bonfires upon suitable +promontories, especially towards Brecqhou and the Gouliot channel, where +snags are numerous, and gathered in their harvest in the morning. + +'But,' Drake interrupted, 'what on earth has that to do with--' + +'Miss Le Mesurier? A great deal, as you will see if you listen patiently. +Lloyd's at that time had not been invented, and the Sarkese were +consequently unpopular with the trading community, and in the reign of +Henry the--well, the particular Henry is immaterial--an irate band of +merchants sailed from Winchelsea on a trip. They depopulated Sark in a +single night, as they thought. But they were mistaken. One family escaped +their attention,--the Le Mesuriers, who were the custodians of the silver +mines--' At this point Conway broke in with an impatient laugh. Fielding +turned a quiet eye upon him and repeated in an even voice, 'Who were the +custodians of the silver mines, and lived under the shelter of a little +cliff close by the main shaft. When Helier de Carteret, who, you know,' +and he inclined suavely towards Conway, 'was Seigneur of somewhere or +other in Jersey, came a few years later to colonise Sark, he found the Le +Mesuriers in possession, and while he confiscated the mines, he allowed +them to retain their ancient dignity of custodians.' + +'Fudge!' said Conway rudely. Fielding waved a deprecating hand and +continued: + +'Living where they did, it is not to be wondered at that the Le Mesuriers +became gradually rich, and the De Carterets gradually poor, so that when +the latter family was compelled to place the Seigneurie of Sark upon the +market, the Le Mesuriers were the highest bidders. The Le Mesuriers thus +became Seigneurs of Sark. But with their position they reversed their +conduct, and, instead of taking other people's money out of mines, they +put their own in, with the result that they sustained embarrassing +losses. I mention these details incidentally to show that Miss Le +Mesurier of to-day is directly descended from ancestors of predatory +instincts, who did not go a-hunting for victims, but unobtrusively +attracted them in a passive, lazy way which was none the less effectual.' + +Conway's patience was exhausted at this period of the disquisition. + +'I never heard such a hotch-potch of nonsense in my life,' he said. + +'I admit,' returned Fielding with unruffled complacency, 'that I aimed at +an allegory rather than a pedantic narrative of facts. I was endeavouring +to explain Clarice Le Mesurier on the fashionable principle of heredity.' + +It flashed across Drake that if Fielding had described, though with some +exaggeration, an actual phase of Miss Le Mesurier's character, she must +have been driven to make the first advance towards his acquaintance by a +motive of unusual urgency. The notion, however, did but flash and flicker +out. He had no mental picture of the girl to fix her within his view; he +knew not, in fact, whether she was girl or woman. She was to him just an +abstraction, and Drake was seldom inclined for the study of abstractions. +His curiosity might, perhaps, have been stronger had Mallinson related to +him the way in which he had been received at the house of the Le +Mesuriers after his dinner with Drake. When he arrived he found the +guests staring hard at each other silently, with the vacant expression +which comes of an effort to understand a recitation in a homely dialect +from the north of the Tweed. He waited in the doorway and suddenly saw +Miss Le Mesurier rise from an embrasure in the window and take half a +step towards him. Then she paused and resumed her seat. + +'That's because I come alone,' he thought, and something more than his +vanity was hurt. + +The recitation reached its climax. Darby and Joan, quarrelling through +nineteen stanzas as to whether they had been disturbed by a rat or a +mouse, discovered in the twentieth that the animal was a ball of wool. +The company sighed their relief in a murmur of thanks, and Mallinson +crossed the room to the window. + +'And Captain Drake?' Clarice asked as she gave him her hand. The +disappointment in her voice irritated him, and he answered with a sharp +petulance. + +'He's not a captain really, you know.' + +The girl glanced at him in surprise. + +'I mean,' he went on, answering the glance, 'Of course he held the rank +over there. But a captain in Matanga!' He shrugged his shoulders. 'There +are more honourable titles.' + +'Still I asked you to bring him. You got my note, I suppose?' Her manner +signified a cold request for an explanation. + +'I couldn't,' he replied shortly. + +'You mean you did not think it worth while to take enough trouble to +find him.' + +'No; that's not the reason. In fact I dined with him to-night, but I saw +that I couldn't bring him here.' + +'Why?' + +'Well, he's changed.' + +'In what way?' + +'He has grown so hopelessly bourgeois.' + +The epithet was a light to Clarice. She knew it for the superlative in +Mallinson's grammar of abuse. Bourgeois! The term was the palm of a hand +squashed upon a lighted candle; it snuffed you out. Convicted of +bourgeoisie, you ought to tinkle a bell for the rest of your life, or at +the easiest be confined east of Temple Bar. Applied to Drake the word +connoted animosity pure and simple, animosity suddenly conceived too, for +it was not a week since Mallinson had been boasting of his friendship +with the man. What was the reason of that animosity? Clarice lowered her +eyelashes demurely and smiled. + +'I fancied he was your friend,' she said with inquiring innocence. + +'I believe I remarked that he was changed.' Mallinson looked up at a +corner of the ceiling as he spoke, and the exasperation was more than +ever pronounced in his voice. + +'Mr. Drake,' she went on, and she laid the slightest possible emphasis on +the prefix, 'Mr. Drake has travelled among the natives a good deal, I +think you told me?' + +'Yes.' + +'It's funny that that should make a man bourgeois.' + +Mallinson became flippant. + +'I am not so sure,' he said. 'The natives, I should think, are +essentially bourgeois. They love beads, and that's typical of the class. +Evil communications, you know,' and he laughed, but awkwardly and without +merriment. + +'Really?' asked Clarice, looking straight at him with grave eyes. She +seemed to be seriously deliberating the truth of his remark. Mallinson's +laughter stopped short. 'There's my aunt beckoning to you,' she said. + +Later in the evening she relented towards him, salving her disappointment +with the flattery of his jealousy. She did not, however, relinquish on +that account her intention to make Stephen Drake's acquaintance. She +merely postponed it, trusting that the tides of accident would drift them +together, as indeed they did, though after a longer delay than she had +anticipated. + +The occasion of their meeting was provided by the visit of a French +actress to one of the London theatres. Drake and Conway edged into their +stalls just before the curtain rose on a performance of _Frou-Frou_. +During the first act the theatre gradually filled, and when the lights +were turned up at its close only one box was empty. It was upon the first +tier next to the stage. A few minutes after the second act had begun +Conway nudged Drake and nodded towards the box. + +'You asked what Miss Le Mesurier was like. There's your answer.' + +Drake glanced in that direction. He saw a girl in a dress of pink silk, +standing in the front of the box, with her hands upon the ledge and +leaning her head a little forwards beyond it. The glare striking up from +the stage beneath her gave a burnish of copper to her hair and a warm +light to her face. She seemed of a fragile figure and with features +regular and delicate. Drake received a notion of unimpressive prettiness +and turned his attention to the stage. When the lights were raised again +in the auditorium, he noticed that Fielding was in the box talking to a +gentleman with white hair, and that Mallinson was seated by the side of +Miss Le Mesurier. The latter couple were gazing about the house and +apparently discussing the audience,--at all events conversing with +considerable animation. Drake commented upon their manner and drew the +conventional inference. + +'Oh dear, no!' answered Conway energetically. 'Of course Mallinson's aim +is apparent enough, poor fellow.' A touch of scorn in the voice, which +rang false, negatived the pity of the phrase. 'But I don't suppose for an +instant that she has realised it. She would be the last to do so. No, she +has a fad in her head about authors just for the moment.' + +'Oh!' said Drake, turning with some interest to his companion. 'Does that +account for _A Man of Influence_?' + +'Yes,' replied Conway reluctantly, 'I fancy it does.' + +'I wondered what set him to writing.' + +'He was at the Bar when he met her. I believe she persuaded him to write +the book and give up the Law.' + +'She is undertaking a pretty heavy responsibility.' + +Conway looked at his friend and laughed. + +'I'm afraid you won't find that she takes that view, nor indeed do I see +why she should. Mallinson was doing no good--well, not much anyway--at +the Bar. He has scored by following her advice. So if she ever had any +responsibility, which I don't admit, for there was no compulsion on him +to obey, his luck has already wiped it out.' + +'I suppose the white-haired man's her father,' said Drake. + +'Yes. There's another sister, but she's at school in Brussels.' + +'How did you come across them?' + +'Mallinson and I met them one summer when we were taking a holiday at +Sark.' + +Drake caught the eye of a man who was passing the end of his row of +stalls towards the saloon, and was beckoned out. + +'I will join you after the interval,' he said, turning to Conway, and he +saw that his companion was bowing to Miss Le Mesurier. + +Miss Le Mesurier in her box noticed Drake's movement, and she asked +Mallinson, 'Who is that speaking to Mr. Conway?' + +Mallinson put up his glasses and looked. Clarice read recognition in a +lift of eyebrows, and guessed from his hesitation to answer who it was +that he recognised. + +'Well, who is it?' + +'Where?' asked Mallinson, assuming an air of perplexity. + +'Where you were looking,' said she quietly. + +'It's Stephen Drake,' interposed Fielding, and 'Hulloa!' he added in a +voice of surprise as he observed the man whom Drake joined. + +'Drake! Stephen Drake!' exclaimed Mr. Le Mesurier, leaning forward +hurriedly. 'Point him out to me, Fielding.' + +The latter obeyed, and Mr. Le Mesurier watched Drake until he disappeared +through the doorway, with what seemed to Mallinson a singular intentness. +The father's manner waked him to a suspicion that he might possibly have +mistaken the daughter's motive in seeking Drake's acquaintance. Was it +merely a whim, a fancy, strengthened to the point of activity by the +sight of his name in print? Or was it something more? Was there some +personal connection between Drake and the Le Mesuriers of which the +former was in some way ignorant? He was still pondering the question when +Clarice spoke to him. + +'So that was the bourgeois, was it?' she said, bending forwards and +almost whispering the words. Mallinson flushed. + +'Was it?' he asked. 'I can't see. I am rather short-sighted.' + +'I begin to think you are.' + +The sentence was spoken with an ironic sympathy which deepened the flush +upon Mallinson's cheek. A knock at the door offered him escape; he rose +and admitted Conway. Conway was received with politeness by Mr. Le +Mesurier, with cordiality by his daughter. + +'I have Drake with me,' said Conway. 'I came to ask permission, since you +invited him to Beaufort Gardens, to introduce him after the next act.' + +Mr. Le Mesurier started up in his chair. + +'Did you ask him to the house?' he asked Clarice abruptly. + +'I asked Mr. Mallinson to bring him,' she replied; and then, with all +the appearance of a penitent anxiety, 'Why? Oughtn't I to have done so?' +she asked. + +Mr. Le Mesurier cast a suspicious glance at his daughter. + +'I am so sorry,' she said; 'I didn't know that--' + +'Oh well,' interrupted Mr. Le Mesurier hurriedly, 'there's no reason that +I know of why you shouldn't have asked him, except that it's surely a +trifle unusual, isn't it? You don't know him from Adam.' + +'But I assure you, Mr. Le Mesurier,' interposed Conway, 'there's nothing +to be said against Drake.' + +'Of course!' replied Mr. Le Mesurier, with a testy laugh at the other's +warmth. 'We know the length of your enthusiasms, my dear Conway. But I'll +grant all you like about Drake. I only say that my daughter isn't even +acquainted with the fellow.' + +'It is just that drawback which Mr. Conway proposes to remove,' said +Clarice demurely. 'Of course,' she went on, 'I should never have thought +of inviting him if Mr. Mallinson had not spoken of him so often as his +friend.' She directed her sweetest smile to Mallinson. 'You did, didn't +you? Yes! Mr. Drake had been away from England for so long that I thought +it would be only kind to ask you to bring him. But if I had known that +papa had any objection, I should naturally never have done it. I am very +sorry. Perhaps I am not careful enough.' She ended her speech in a tone +of self-reproach, which had its effect; for her father was roused by it +to expostulate. + +'My dear,' he said, 'I never hinted that I had an objection to him. You +are always twisting people's words and imputing wrong meanings to them.' + +Mallinson fancied that he detected a note of something more than mere +remonstrance in Mr. Le Mesurier's voice, a consciousness of some thought +in his daughter's mind which he would not openly acknowledge her to +possess. The perception quickened Mallinson's conjecture into a positive +conviction. There was evidently some fact about Drake, some incident +perhaps in his life which brought him into relations with the Le +Mesuriers,--relations ignored by Drake, but known by Mr. Le Mesurier and +suspected by Clarice. Was this fact to Drake's advantage or discredit? +The father's manner indicated rather the latter; but Mallinson put that +aside. It was more than overbalanced by the daughter's--he sought for a +word and chanced on 'forwardness.' His irritation against her prompted +him to hug it, to stamp it on his thoughts of her with a jeer of 'I have +found you out.' On the other hand, all his knowledge of her cried out +against the word. He looked into the girl's face to resolve his doubts +upon the point and found that she was watching him with some perplexity. +A question to Conway explained the reason why she was puzzled. + +'How did you know that I asked Mr. Drake to Beaufort Gardens?' she asked. + +'I was present when Mallinson asked him to go.' + +'Mr. Mallinson asked him!' she exclaimed, dropping her fan in her +surprise. 'Why, I thought--' She saw the confusion in Mallinson's face +and checked herself suddenly with a little laugh of pure enjoyment. Her +companion's jealousy was more heroical than she had given him credit for; +it had induced him to lie. + +To cover his discomfiture Mallinson dived for the fan. + +'Oh, don't trouble,' she said, sympathy shaping the words into a +positive entreaty. 'You are _so_ short-sighted, you know. Then you will +bring Mr. Drake,' she turned to Conway as he rose and moved towards the +door. Mr. Le Mesurier had resumed his conversation with Fielding, and +beyond a slight movement of impatience, he gave no sign that he had +heard the words. + +'After the next act,' said Conway, and he went out. + +Mallinson picked up the fan and laid it upon the ledge of the box. + +'I lied to you that evening,' he whispered in a low faltering tone. 'I +have no excuse--Can't you guess why I lied?' + +There was a feeling behind the words, genuine by the ring of it, and to +feeling Clarice was by nature responsive. Mallinson saw the mischief die +out of her face, the eyelids droop until the lashes touched the cheek. +Then she raised them again, tenderness flowered in her eyes. + +'Perhaps,' she said. + +She turned from him and watched Conway making his way along the row of +stalls. Drake was already in his seat. + +'Then why didn't Mr. Drake come if you asked him?' she said with a quick +change of tone. + +'He gave no reason beyond that it was his first night in London.' + +Miss Le Mesurier looked again at Drake. His indifference irritated her +and in a measure interested her in spite of herself. She was not used to +indifference, and felt a need to apologise for it to herself. 'Of +course,' she reflected, 'he had not seen me then,' and so was reinstated +in her self-esteem. The explanation, however, failed her the next +moment. For Drake, at all events, had seen her now; she had caught him +looking up into the box before Conway left. Yet when Conway communicated +his news, Drake never so much as moved his head in her direction. The +three blows of the mallet had just sounded from behind the curtain and +he sat upright in his seat, his face fixed towards the stage. Clarice +bit her lips and frowned. + +'Don't be alarmed. He is really quite interested in you.' She looked up. +Fielding was standing just behind her shoulder. 'He asked me quite often +what you were like.' + +'I don't understand you,' said she loftily; and then, 'He might be a +schoolboy at his first pantomime.' + +'He gives that kind of impression, I believe, in everything he does.' + +Miss Le Mesurier had not made the remark in order to elicit eulogy. + +'He looks old, though,' she said, and her voice defied Fielding to +contradict her. + +'Responsibility writes with the cyphers of age,' he quoted solemnly. It +was his habit to recite sentences from _A Man of Influence_ when +Mallinson was present, in a tone which never burlesqued but somehow +belittled the work. Mallinson was never able to take definite offence, +but he was none the less invariably galled by it. + +'As a matter of fact there is hardly a year to choose between the ages of +Drake, Conway, and you, Mallinson, is there?' asked Fielding. + +Mallinson admitted that the statement was correct. + +'He has lived a hard life, has anxieties enough now, I don't doubt. You +will find the explanation in that. The only people who remain young +nowadays are actors. They keep the child in them.' + +The curtain went up as he spoke. As soon as it was lowered again Conway +hurried Drake out of the stalls and up the staircase to the box. +Clarice welcomed Drake quietly. Mr. Le Mesurier vouchsafed him the +curtest of nods. + +'Didn't I see you join Israel Biedermann?' asked Fielding. The name +belonged to a speculator who had lately been raised into prominence by +the clink of his millions. + +'Yes,' replied Drake, with a laugh. 'The city makes one acquainted with +strange financiers. I have business with him.' + +Mr. Le Mesurier showed symptoms of interest. + +'Really?' he said. 'You mean to return to Africa, I suppose.' + +'If I can help it, no.' + +'You intend to stay in England?' asked Mallinson sharply. + +'Yes,' replied Drake. He addressed himself to Miss Le Mesurier. 'You were +kind enough to invite me to your house on the evening I arrived.' + +Mr. Le Mesurier's eyebrows went up at the mention of the day. + +'Mr. Mallinson had talked of you,' she explained. 'We seemed to know you +already. I saw that you had landed from an interview in the _Meteor_, and +thought you might have liked to come with your friend.' + +The words were spoken indifferently. + +'The _Meteor_?' inquired Mr. Le Mesurier. 'Isn't that the paper which +attacked you, Mr. Drake? You let yourself be interviewed by it? I didn't +know that.' + +He glanced keenly at his daughter, and Mallinson intercepted the look. +His conviction was proved certain. There was something concealed, +something maybe worth his knowing. + +'The attack was of no importance,' replied Drake, 'but I wanted it to be +known in some quarters that I had landed without losing time.' + +'You replied to the attack?' + +'Not so much that. I gave the itinerary of the march to Boruwimi.' + +Mr. Le Mesurier perceived his daughter's eyes quietly resting upon him, +and checked a movement of impatience, less at the answer than at his own +folly in provoking it. Drake turned to Clarice and was offered a seat by +her side. He realised, now that she was near, talking to him, that his +impression of her, gained from the distance between the box and the +stalls, did her injustice. She seemed now the vignette of a beautiful +woman, missing the stateliness, perhaps, too, the distinction, but +obtaining by very reason of what she missed a counterbalancing charm, to +be appreciated only at close quarters, a charm of the quiet kind, +diffused about her like a light; winsome--that was the epithet he +applied to her, and remained doubtfully content with it, for there was a +gravity too. + +Clarice invited him to speak of Matanga, but Drake was reticent on the +subject, through sheer disinclination to talk about himself, a +disinclination which the girl recognised, and gave him credit for, +shooting a comparing glance at Mallinson. + +Mr. Le Mesurier, it should be said, remarked this reticence as well, and +it gave him an idea. From Matanga Drake led the conversation back to +London, and they fell to discussing the play. + +'You are very interested in it,' she said. + +'Yes,' said he, 'I have never seen the play before.' + +'I should hardly have thought it would have suited your taste,' +Conway observed. + +'Why? It's French of course, but you can discount the sentiment. There is +a stratum of truth left, don't you think?' + +Mallinson raised pitying shoulders. 'Of the ABC order perhaps,' he +allowed. + +'I am afraid it appeals to me all the more on that account,' Drake +answered, with a genial laugh. 'But what I meant really was truth to +those people--truth to the characters presumed. Consistency is perhaps +the better word. I like to see a play run on simple lines to an end you +can't but foresee. The taste's barbarian, I don't doubt.' + +Miss Le Mesurier's lips instinctively pouted a mischievous 'bourgeois' +towards Mallinson. He remarked hastily that he thought the curtain was on +the point of rising, and Miss Le Mesurier pushed her opera-glasses +towards him with a serene 'Not yet, I think.' Mallinson understood the +suggestion of her movement and relapsed into a sullen silence. + +By the time that Conway and Drake rose to leave the box Mr. Le Mesurier +had thought out his idea. His manner changed of a sudden to one of great +cordiality; he expressed his pleasure at meeting Drake, and shook him by +the hand, but destroyed the effect of his action through weakly revealing +his diplomacy to his daughter by a triumphant glance at her. + +At the close of the performance he met Drake in the vestibule of the +theatre and lingered behind his party. Fielding, Mallinson, and Conway +meanwhile saw Miss Le Mesurier into her carriage. + +'What in the world is papa doing?' asked Clarice. + +'Exchanging cards with Drake,' replied Fielding. Mallinson turned his +head round quickly and beheld the two gentlemen affably shaking hands +again. Conway bent into the carriage. + +'Do you like him?' he asked. + +'Oh yes,' she replied indifferently. + +'Then I am glad I introduced him to you,' and some emphasis was laid +upon the 'I.' + +Mr. Le Mesurier came out to the brougham and the coachman drove off. + +'I like that young fellow, Drake,' he said, with a wave of the hand. 'I +have asked him to call.' + +Clarice did not inform her diplomatic father that unless she had foreseen +his intention she would have undertaken the discharge of that act of +courtesy herself. + +Mallinson took a hansom and drove straight from the theatre to his +chambers in South Kensington, Conway walked off in the opposite +direction, so that Drake and Fielding were left to stroll away together. +They walked across Leicester Square towards St. James's Street, each +occupied with his own thoughts. Fielding's were of an unusually +stimulating kind; he foresaw the possibility of a very diverting comedy, +to be played chiefly for his amusement and partly for Miss Le Mesurier's, +by Clarice herself, Drake, and Mallinson. From the clash of two natures +so thoroughly different as those of the two men, played off against one +another with all the delicate manipulation of Miss Le Mesurier's +experienced hand, there was much enjoyment to be anticipated for the +purely disinterested spectator which he intended to be. Of the probable +_dénouement_ he formed no conception, and in fact avoided purposely any +temptation to do so. He preferred that the play should unroll itself in a +series of delightful surprises. The one question which he asked himself +at this time was whether Drake might not decline to act his proper and +assigned part. He glanced at him as they walked along. Drake looked +thoughtful, and was certainly silent; both thought and silence were +propitious signs. On the other hand, Drake had interests in the City, had +them at heart too, and, worse still, had the City itself at heart. + +Fielding recollected an answer he had made to Mallinson. The word 'heart' +brought it to his mind. Mallinson was jeering at the journalist's +metaphor of the 'throbbing heart' as applied to London. 'The phrase,' +Drake had said, 'to me is significant of something more than cheap +phraseology. I know that half a throb could create an earthquake in +Matanga.' What if the man's established interest in this direction were +to suppress his nascent interest in Clarice! Fielding immediately asked +Drake what he thought of Miss Le Mesurier. + +'Oh!' said the latter, palpably waking from reflections of quite another +order, 'I liked her,' and he spoke of her looks. + +'She has the art of dressing well,' corrected Fielding, disappointment +spurring him to provoke advocacy of the lady. Drake, however, was +indifferent to the correction. + +'I like her eyes,' he said. + +'She is skilled in the use of them.' + +'I didn't notice that. They seemed of the quiet kind.' + +'At need she can swing a wrecker's light behind them.' + +'I like her hand too. It has the grip of a friend.' + +'A friend! Yes. There's the pitfall.' + +Drake only laughed. He was not to be persuaded to any strenuous defence, +and Fielding felt inclined to harbour a grudge against him as needlessly +a spoil-sport. Later on, however, when he was in bed it occurred to him +that the play might still be performed, though upon different lines, and +with a plot rather different from what he had imagined--his plot +inverted, in fact. Clarice Le Mesurier, he remembered, had made the first +advance to Drake. What if she for once in a while were to figure as the +pursuer! That alternative would, perhaps, be the more diverting of the +two. He must consult Mrs. Willoughby as to the effect which Drake's +bearing would produce on women--consult her cautiously, prudence warned +him. Mrs. Willoughby, a cousin and friend of Miss Le Mesurier's, was not +of the sort to lend a helping hand in the game if the girl was to provide +the sport--or indeed in the other event. The one essential thing, +however, was that there should be a comedy, and he must see to it that +there was one, with which reflection he drew the bed-clothes comfortably +about him and went to sleep. + +There was, however, one other condition equally essential to his +enjoyment, but so apparently inevitable that he did not stop to consider +it, namely, that Hugh Fielding should be a mere spectator. It did not +occur to him at all that he might be drawn into an unwilling assumption +of a part in his own play. + + + + +CHAPTER IV + + +Mallinson on reaching home unlocked a little oak cabinet which hung +against the wall beside his writing-table, and searched amongst a litter +of newspaper cuttings and incomplete manuscripts. He unearthed at last a +copy of the _Meteor_, bought between the Grand Hotel and Beaufort Gardens +on the night of Drake's dinner, and, drawing up a chair to the fire, he +read through the interview again. The something to be known was +gradually, he felt, shaping into a definite form; it had acquired +locality this very evening, as he was assured by the recollection of a +certain repressed movement upon Mr. Le Mesurier's part at the mention of +Boruwimi. Could he add to the knowledge by the help of the interview? Mr. +Le Mesurier had not known of its publication until to-night, and so +clearly had not read it; his knowledge was antedated. But on the other +hand it was immediately after the perusal of the article that Clarice had +sent through him her invitation to Drake. + +Mallinson studied the article line by line, but without result. + +He tossed the newspaper back into the cupboard, changed his coat, and +sat down to his writing-table with a feverish impulse to work. He was +unable to conceive it possible that Drake should be unaffected by Miss +Le Mesurier's attractions. The man was energetic, therefore a dangerous +rival. Miss Le Mesurier, besides, seemed bent upon pitting Drake and +himself against each other. Why? he asked. Well, whatever the reason, +he had a chance of winning--more than a chance, he reflected, +remembering a passage of tenderness that evening. His future was +promising, if only he worked. Perhaps Clarice only ranged the two men +opposite to one another in order to stimulate one of them; he reached +an answer to his question 'Why?' + +The extravagances of a lover's thoughts have often this much value: they +disclose principles of his nature working at the formation of the man, +and in Mallinson's case they betrayed his habit of drawing the energy for +application from externals, and from no sacred fire within. + +He shut his door and worked for a month. At the end of the month, lying +in bed at night and watching a planet visible through his window, he saw +the ray of light between himself and the star divide into two, and the +two beams describe outwards segments of a circle. He turned his face away +for a few moments and then looked at the planet again. The phenomenon was +repeated. He knew it for a trick of tired eyes and a warning to slacken +his labours. On the next afternoon he called at Beaufort Gardens, and was +received warmly by Clarice and her aunt. + +There was a suggestion of reproach for his long absence in the former's +voice, and suggestion of reproach from her kindled him. He explained his +plunge under surface on the ground of work. Details were immediately +demanded, the plot of the new novel discussed and praised; there was +flattery too in the diffident criticism of an incident here and there, +and the sweetest foretaste of happiness in the joint rearrangement of the +disputed chapter. Mallinson was lifted on a billow of confidence. He was +of the type which adjusts itself to the opinions his company may have of +him. Praise Mallinson and he deserved praises; ignore him and he sank +like a plummet to depths of insignificance, conscious of insignificance +and of nothing more except a dull rancour against the person who +impressed the knowledge on him. That way Drake had offended unwittingly +at the Grand Hotel; he had recognised no distinction between the +Mallinson of to-day and the Mallinson of ten years ago. + +Mallinson was asked to dinner on Friday of the next week. + +'Really,' said the aunt after his departure, 'he is very clever. I didn't +understand what he said, but he is very clever.' + +'Yes,' said Clarice reflectively, 'I suppose--I mean of course he is.' + +She spoke in a tone of hesitation which surprised her auditor, for +hitherto Clarice had been very certain as to her impressions on +the point. + +At dinner on the following Friday Mallinson was confronted by Conway and +had Mrs. Willoughby upon his right. Mallinson liked Mrs. Willoughby, the +widow of the black hair and blue eyes, now in the mauve stage of +widowhood. She drew him out of the secretiveness within which he +habitually barred himself, and he felt thankful to her for his prisoner's +hour of mid-day airing. Mrs. Willoughby spoke to Clarice, mentioning a +private view of an exhibition of pictures at which she had seen Clarice. + +'Who was the cavalier?' she added. + +'Mr. Drake,' Clarice replied serenely. 'I met him there by accident.' +Mrs. Willoughby looked puzzled, and repeated the name in an undertone. + +'You don't know him, I think,' Clarice went on. 'He comes here. Papa +asked him to call. Captain Drake, I suppose we ought to call him, but he +has dropped the Captain.' + +Mrs. Willoughby started and shot a bewildered glance at Mr. Le Mesurier. + +'I like the man very much,' said Mr. Le Mesurier, with a touch of +championship in his voice. 'You should meet him. I am sure you would +like him too.' + +Mrs. Willoughby made no answer to the suggestion, and resumed her dinner +in silence, while Conway sang his usual paean of praise. After a little +she turned to Mallinson. + +'Do you know this Mr. Drake?' + +'Yes, we were boys together in the same suburb before he went to Africa. +It was unfortunately through me that he was asked to this house. I had +mentioned him as a friend of mine at one time, and Miss Le Mesurier +invited me to bring him on the day he reached London.' + +'So soon as that! It's funny Clarice never mentioned him to me. You, of +course, told her the date of Mr. Drake's arrival.' + +'No, she found that out from an interview in the _Meteor_.' + +'I remember.' + +'You read it?' + +'Yes. So you introduced him to Clarice?' + +'No. He did not come that night. Conway brought him up to Mr. Le +Mesurier's box when _Frou-Frou_ was being played a month ago.' + +'Never mind, we will talk of something else.' + +Mrs. Willoughby had just observed Clarice. She was nodding assent to the +words of her neighbour, but plainly lending an attentive ear to Mrs. +Willoughby's conversation. Mrs. Willoughby spoke of indifferent subjects +until the ladies rose. + +When Mallinson, however, entered the drawing-room, he perceived Mrs. +Willoughby's fan motioning him to attendance, and she took up the thread +of her talk at the point where she had dropped it. + +'You said unfortunately.' + +'Well, you have read the _Meteor_.' + +'You endorse their view?' + +'From what I have seen of Drake since his return, yes.' + +'But if there's anything in their charges, why doesn't the Colonial +Office move?' + +'The Colonial Office!' Mallinson shrugged his shoulders. 'You forget only +natives and Arabs were killed in the Boruwimi expedition, and they don't +count. If he had killed a white man--What's the matter?' + +'Nothing,' said Mrs. Willoughby, recovering from a start; 'an idea +occurred to me, that's all.' + +'Tell me.' + +For a moment Mrs. Willoughby seemed at a loss. Then she said, with a +laugh: + +'If you will know, I was wondering whether your explanation covered +all you meant by "unfortunately."' She lowered her voice. 'You can be +frank with me.' + +Mallinson was diverted by her assurance of sympathy, and launched out +immediately into an elaborate history of the emotions which the +friendliness of Miss Le Mesurier to Drake had set bubbling within him. +Mr. Le Mesurier approached the pair before Mallinson had finished, and +the latter hurriedly broke off. + +'Well,' said Mr. Le Mesurier, 'will you meet Mr. Drake, Constance, at +lunch, say on Sunday?' + +Mrs. Willoughby stared. + +'Do you mean that?' + +'Certainly.' Mr. Le Mesurier was defiant. Mrs. Willoughby's stare changed +to a look of thoughtfulness. + +'No,' she said, 'I don't think I could.' She moved away. Mallinson +followed her. + +'You know something about Drake,' he exclaimed, 'something which +would help me.' + +'That is hardly generous rivalry,' she replied. + +'Does he deserve generosity?' he asked, with a trace of cunning in his +expression which Mrs. Willoughby found distasteful. + +'If I can help you,' she answered evasively, 'help you honourably, I +will,' and she turned away. Mallinson put out a hand to stop her. + +'I need help,' he whispered. 'There is a conspiracy to praise the man. +You heard Conway at dinner. It's the same with every one, from Mr. Le +Mesurier to Fielding.' + +'Oh,' she said, her voice kindling to an expression of interest, 'does +Mr. Fielding like him? He is fastidious too.' She paused for a second in +deliberation, her eyes searching the floor. Raising them, she perceived +Mr. Le Mesurier coming towards her. + +'I claim our privilege,' she said. 'I will lunch on Sunday, and meet your +paragon, after all.' + +'I am very glad,' he said impressively. 'Lunch at two.' + +Mrs. Willoughby waited until he was out of ear-shot, and turned again to +Mallinson. + +'It is best that I should see the man, and know something more of him +than hearsay. Don't you think so?' + +A note of apology discounted the explanation. Mallinson understood that +the reference to Fielding was the cause of her change of mind. + +'Do you value Fielding's opinion?' he asked. + +'Oh, I don't know. On some subjects I think yes. Don't you?' + +Mallinson began to wonder immediately whether Fielding's opinions might +not be valuable after all, since Mrs. Willoughby valued them. If so, the +man might be able to throw some light upon other points--for instance, +the perplexing question of Miss Le Mesurier's inclinations. Mallinson +made up his mind to call upon Fielding. He called on the Sunday morning, +and Fielding blandly related to him his history of Sark. + +Having worked Mallinson to a sufficiently amusing pitch of indignation, +and having hinted his moral that the subjugation of Miss Le Mesurier +would be effected only by the raider, Fielding complacently dismissed him +and repaired to Beaufort Gardens for lunch. He found Drake upon the +doorstep with a hand upon the knocker, and the two gentlemen exchanged +greetings. + +'I have just left Mallinson,' said Fielding. + +Drake's hand fell from the knocker. + +'Tell me!' he said. 'Mallinson perplexes me in many ways. For instance, +he shows me little good-will now--' + +'Does that surprise you?' Fielding interjected, with a laugh. + +Drake coloured and replied quickly, 'You didn't let me finish. If he +dislikes me, what made him talk about me as his friend to--to the Le +Mesuriers before I returned to England?' + +'Your name in print. You verged on--well, notoriety. You may laugh, but +that's the reason. Mallinson's always on the rack of other people's +opinions--judges himself by what he imagines to be their standard of him. +Acquaintanceship with a celebrity lifts him in their eyes, he thinks, so +really in his own.' + +Drake remained doubtfully pondering what credit acquaintanceship with him +could confer on any one. He was led back to his old view of Mallinson as +a man tottering on a rickety base. + +'Will he do something great?' he asked, his forehead puckered in an +effort to calculate the qualities which make for greatness. + +Fielding chuckled quietly, and answered: + +'Unlikely, I think. Clever, of course, the man is, but it is never the +work he does that pleases him, but the pose after the work's done. +That's fatal.' + +Drake looked at Fielding curiously. + +'That's a criticism which would never have occurred to me.' He glanced at +his watch. 'We have five minutes. Shall we walk round the Gardens?' +Fielding chuckled again and assented. He saw the curtain rising on his +comedy. For five minutes they paced up and down the pavement, with an +interchange of simple questions on Drake's part, and discriminating +answers on Fielding's--answers not wholly to encourage, but rather to +promote a state of doubt, so much more interesting to the spectator. + +When after the five minutes had elapsed they entered the house, they +found that Mrs. Willoughby had arrived. + +Clarice introduced Stephen Drake to Mrs. Willoughby. He saw a woman +apparently in the early twenties, tall, with a broad white forehead, +under masses of unruly black hair, and black eyebrows shadowing eyes of +the colour of sea-shallows on an August morning. The eyes were hard, he +noticed, and the lips pressed together; she bowed to him without a word. +Hostility was evidently to be expected, and Drake wondered at this, for +he knew Mrs. Willoughby to be Clarice's chief friend and confidante. Mrs. +Willoughby fired the first shot of the combat as soon as they had sat +down to lunch. She spoke of unscrupulous cruelty shown by African +explorers, and appealed to Drake for correction, she said, but her tone +implied corroboration. + +'I have known cases,' he admitted, 'here and there. You can't always +prevent it. The pioneer in a new country doesn't bring testimonials with +him invariably. In fact, one case of the kind happened under my own eyes, +I might almost say.' + +Mrs. Willoughby seemed put out of countenance by Drake's reply. She had +plainly expected a strenuous denial of her statement. Drake caught a +look of reproof which Mr. Le Mesurier directed towards her, and set it +down to his host's courtesy towards his guest. Clarice, however, noticed +the look too. + +'Indeed,' she said. 'Tell us about it, Mr. Drake. It will be a change +from our usual frock-coat conversation.' + +Mr. Le Mesurier imposed the interdict of paternal authority. + +'I think, my dear, stories of that class are, as a rule, a trifle crude. +Eh, Drake?' + +Miss Le Mesurier on the instant became personified submission. + +'Of course, papa,' she said, 'if you have reason for believing the story +isn't suitable, I wouldn't think of asking Mr. Drake to tell it.' + +Mr. Le Mesurier raised his hands in a gesture of despair, and looked +again at Mrs. Willoughby. His glance said, unmistakably, 'Now see what +you've done!' Fielding broke into an open laugh; and Clarice haughtily +asked him to explain the joke, so that the others present might share in +his amusement. + +'I will,' said Fielding. 'In fact, I meant you to ask me to. I laughed, +because I notice that whenever you are particularly obedient to Papa, +then you are particularly resolved to have your own way.' + +Miss Le Mesurier's foot tapped under the table. + +'Of course,' she said, with a withering shrug of her shoulders, 'that's +wit, Mr. Fielding.' Repartee was not her strong point. + +'No,' he replied, 'merely rudeness. And what's the use of being a +privileged friend of the family if you can't be rude?' + +Drake came to the rescue. 'Mr. Le Mesurier is quite right,' said he. +'Incidents of the kind I mentioned are best left untold.' + +'I don't doubt it,' said Fielding. 'A man loses all sight of humanitarian +principles the moment he's beyond view of a fireside.' + +'Oh, does he?' replied Drake. 'The man by the fireside is apt to confuse +sentiment with humanitarian principles; and sentiment, I admit, you have +to get rid of when you find yourself surrounded with savages.' + +'Exactly! You become assimilated with the savages, and retain only one +link between yourself and civilisation.' + +'And that link?' + +'Is a Maxim gun.' + +'My dear fellow, that's nonsense,' Drake answered in some heat. 'It's +easy enough to sit here and discuss humanitarian principles, but you need +a pretty accurate knowledge of what they are, and what they are not, +before you begin to apply them recklessly beyond the reach of +civilisation. When I went first to Africa, I stayed for a time at +Pretoria, and from Pretoria I went north in a pioneer company. You want +to have been engaged in an expedition of that kind to quite appreciate +what it means. We were on short rations a good part of the time, with a +fair prospect of absolute starvation ahead, and doing forced marches all +the while. When we camped of an evening, I have seen men who had eaten +nothing since breakfast, and little enough then, just slip the saddles +from the horses, and go fast asleep under the nearest tree, without +bothering about their supper. Then, perhaps, an officer would shake them +up, and they'd have to go collecting brushwood for fires. That's a pretty +bad business in the dark, when you're dead tired with the day's tramp. +You don't much care whether you pick up a snake or a stick of wood. I +remember, too,' and he gave a laugh at the recollection, 'we used to be +allowed about a thimbleful of brandy a day. Well, I have noticed men walk +twenty yards away from the camps to drink their tot, for fear some one +might jog their elbows. And it was only one mouthful after all--you +didn't need to water it. Altogether, that kind of expedition would be +something considerably more than an average strain upon a man's +endurance, if it was led through a friendly country. But add to your +difficulties the continual presence of an enemy, outnumbering you +incalculably, always on the alert for you to slacken discipline for a +second, and remember you are not marching to safety, but from it. The +odds against you are increasing all the time, and that not for one or two +days, but for eighty and a hundred. I can assure you, one would hear a +great deal less of the harmlessness of the black, if more people had +experienced that grisly hour before daybreak, when they generally make +their attacks. Your whole force--it's a mere handful--stands under arms +at attention in the dark--and it can be dark on the veld, even in the +open, on a starlight night. The veld seems to drink up and absorb the +light, as though it was so much water trickling on the parched ground. +There you stand! You have thrown out scouts to search the country round +you, but you know for certain that half of them are nodding asleep in +their saddles. For all you know, you may be surrounded on all sides. The +strain of that hour of waiting grows so intense that you actually long to +see the flash of a scout's rifle, and so be certain they are coming, or +to feel the ground shake under you, as they stamp their war-dance half a +mile away. Their battle chant, too, makes an uncanny sound, when it +swells across the veld in the night, but, upon my soul, you almost hear +it with relief.' + +Drake stopped and looked round upon faces fixed intently on his own, +faces which mirrored his own absorption in his theme. There was one +exception, however; Mrs. Willoughby sat back in her chair +constraining herself to an attitude of indifference, and as Drake +glanced at her, her lips seemed to be moving as though with the +inward repetition of some word or phrase. Even Fielding was shaken +out of his supermundane quietism. + +For the first time he saw revealed the real quality in Drake; he saw +visibly active that force of which, although it had lain hitherto latent, +he had always felt the existence and understood why he had made friends +so quickly, and compelled those friends so perpetually to count with him +in their thoughts. It was not so much in the mere words that Drake +expressed this quality as in the spirit which informed, the voice which +launched them, and the looks which gave them point. His face flashed into +mobility, enthusiasm dispelling its set habit of gravity, sloughing it, +Fielding thought, or better still, burning through it as through a crust +of lava; his eyes--eyes which listened, Fielding had not inaptly +described them--now spoke, and spoke vigorously; enthusiasm, too, rode on +his voice, deepening its tones--not enthusiasm of the febrile kind which +sends the speech wavering up and down the scale, but enthusiasm with +sobriety as its dominant note concentrated into a level flow of sound. +His description had all the freshness of an immediate occurrence. +Compared with the ordinary style of reminiscence it was the rose upon the +tree to the dried leaves of a _potpourri_. + +'But,' said Fielding, unconsciously resisting the influence which Drake +exerted, 'I thought you took a whole army of blacks with you on these +expeditions?' + +'Not on the one I speak of. In Matanga a small force of them, yes! But +even they were difficult to manage, and you could not depend upon them. +They would desert at the first opportunity, sell their guns, your +peace-offerings of brass rods, and whatever they could lay their hands +on, and straggle behind in the dusk until they got lost. It was no use +sending back for them in the morning. One would only have found their +bones, and their bones pretty well scoured too. I speak of them as a +class, of course. There were races loyal enough no doubt, the Zanzibari, +for instance. But the difficulty with them was to prevent them fighting +when there was no occasion. In fact the blacks who were loyal made up for +their loyalty by a lack of common-sense.' + +'Cause and effect, I should be inclined to call the combination,' +remarked Fielding, 'with the lack of common-sense as the cause.' + +Mrs. Willoughby looked her gratitude across the table, and again her lips +moved. Drake chanced to catch her eye, and in spite of herself she +rippled to a laugh. She had been defending herself by a repetition of the +editor's comment of "filibuster." + +But at the same moment that Drake's glance met hers she had just waked up +to the humour of her conduct, and recognised it as a veritable child's +device. She could not but laugh, and, laughing there into the eyes of the +man, she lost her hostility to him. However, Mrs. Willoughby made an +effort to recover it. + +'Well, I don't see,' she said to Drake, 'what right you have got to +marching into other people's countries even though they are black.' + +'Ah!' Drake answered. 'That's precisely what I call, if I may say so, the +fireside point of view. We obey a law of nature rather than claim a +right. One can discuss the merits of a law of nature comfortably by a +fireside. But out there one realises how academic the discussion is, one +obeys it. The white man has always spread himself over the country of the +black man, and we may take it he always will. He has the pioneer's +hankering after the uttermost corners of the earth, and in addition to +that the desire to prosper. He obeys both motives; they are of the +essence of him. Besides, if it comes to a question of abstract right, I +am not sure we couldn't set up a pretty good case. After all, a nation +holds its country primarily to benefit itself, no doubt, but also in +trust for the world; and the two things hang together. It benefits itself +by observing that trust. Now the black man seals his country up, he +doesn't develop it. In the first place he doesn't know how to, and in the +second, if he did, he would forget as soon as he could. I suppose that it +is impossible to estimate the extent of the good which the opening of +Africa has done for an overcrowded continent like Europe; and what +touches Europe touches the world, no doubt of that, is there? But I'm +preaching,' and he came abruptly to an end. + +'What I don't understand,' said Mr. Le Mesurier, and he voiced a question +the others felt an impulse to ask, 'is, how on earth you are content to +settle down as a business man in the City?' + +Drake retired into himself and replied with some diffidence: + +'Oh, the change is not as great perhaps as you think, I have always +looked forward to returning here. One has ambitions of a kind.' + +'You ought to go into Parliament,' Clarice said. + +Drake laughed, thanking her with the laugh. 'It's rather too early to +speak of that.' + +Mrs. Willoughby observed that he actually blushed. A blushing filibuster! +There was a contradiction of terms in the phrase, and he undoubtedly +blushed. A question shot through her mind. Did he blush from modesty, or +because Clarice made the suggestion? + +Mrs. Willoughby asked Fielding for an answer as he stood by the door of +her brougham, before she drove away from Beaufort Gardens. + +'For both reasons, I should say,' he replied. + +'You think, then, he's attracted? He hardly showed signs of it, except +that once, and modesty alone might account for that.' + +Mrs. Willoughby laid some insistence upon the possibility. + +'I should have been inclined to agree with you,' answered Fielding, 'but +Drake dragged me round the square before lunch to question me about +Mallinson.' + +'That makes for your view, certainly. What did you tell him?' + +'I painted the portrait which I thought he wanted, picked out +Mallinson's vices in clear colours and added a few which occurred to me +at the moment. However, Drake closed my mouth with--"He's a hard +worker, though."' + +'I like the man for that!' cried Mrs. Willoughby, and checked +herself suddenly. + +'Yes, he's honest certainly.' + +'But was he right?' + +'Quite! Mallinson works very hard; scents danger, I suppose.' + +Mrs. Willoughby heaved a sigh of relief. + +'There's some chance for him, then. Will he do anything great?' + +Fielding laughed. + +'That's one of the questions Drake put to me! I think never.' + +Mrs. Willoughby accepted the dictum without asking for the reason. She +sat for a moment disconsolately thoughtful. Then she gave a start. + +'There's Percy Conway. I had forgotten him!' + +'And wisely, I should think. He is just making a back for Drake to jump +from if he will.' + +'Yes, I noticed that,' said Mrs. Willoughby, with a sneer at the folly of +the creature. 'He seems to look upon Mallinson and himself as the two +figures which tell the weather in a Swiss clock. When one comes out of +his box the other goes in. I catch your trick, you see,' and her face +relaxed to a smile. + +'Only to improve on it in the matter of truth. For you imply a comparison +between Miss Le Mesurier and the weather, and the points of resemblance +are strong.' + +Mrs. Willoughby's smile became a laugh. 'I don't hold with you about +Clarice,' she said. 'You don't know her as I do. She can take things +seriously.' + +'Intensely so--for five minutes. I have never denied it.' + +Mrs. Willoughby did not display her usual alacrity to engage in the +oft-repeated combat as to Miss Le Mesurier's merits. Her face grew +serious again. + +'Does Clarice care for him, you think?' + +Fielding was admiring Mrs. Willoughby's eyes at the moment, and answered +absently. 'Conway, you mean?' + +'No, no! How wilfully irritating you are! This Mr. Drake, of course. By +the way, I suppose he will get on?' She spoke in a voice which implied +regret for the supposition, and almost appealed for a denial of it. + +'I should think there's no doubt of it. They tell me he has just sent a +force up country in Matanga to locate concessions. You hit harder than +you knew at lunch, for the force carries machine-guns. Oh yes, he'll get +on. He has been seen arm-in-arm with Israel Biedermann in Throgmorton +Street. You must tell that to a city man to realise what it means.' + +'But do you think Clarice cares for him?' + +'Miss Le Mesurier cares for--' he began, and broke off with a question. +'Do you read Latin?' He was answered with an exasperated shake of the +head. 'Because Miss Le Mesurier always reminds me of an ode of Horace, +Finished, exquisite to the finger-tips, but still lacking something. +Soul, is it? Perhaps that lack makes the perfection. But what's your +objection to Drake?' + +Mrs. Willoughby started a little. 'Objection?' she laughed. 'Why? I never +told you that I had one.' + +'You told not only me, but every one at lunch--Drake himself included.' + +Mrs. Willoughby looked doubtfully at Fielding. 'Well,' she said, 'there +is something. I feel inclined to explain it to you. You may be able to +advise me. Not now!' she went on as Fielding bent forward with a very +unusual interest. 'Let me see. Monday, Tuesday, Wednesday'--she ticked +off the days upon her fingers. 'Thursday afternoon. Could you come and +see me then?' + +'Yes.' + +'Thanks. Good-bye, and don't forget; five o'clock. I shall be in to +no one else.' And Mrs. Willoughby drove off with the smile again +upon her face. + + + + +CHAPTER V + + +Whether Fielding was correct in limiting Miss Le Mesurier's capacity +for continued seriousness, she was undeniably serious when she called +upon Mrs. Willoughby at half-past one on the following day. There were +dark shadows under her eyes, and the eyes themselves seemed to look +pathetic reproaches at a world which had laid upon her unmerited +distress. Mrs. Willoughby was startled at her appearance, and imagined +some family disaster. + +'Why, Clarice, what has happened?' she exclaimed. 'You look as if you +hadn't slept all night.' + +Clarice kissed her, and for answer sighed wearifully. Mrs. Willoughby was +immediately relieved. The trouble was due, she realised, to some new +shuffle of Clarice's facile emotions. She returned the kiss, and +refrained from further questions; but, being a practical woman, she rang +the bell and ordered the servant to lay two places for lunch. + +Clarice sank despondently into the most comfortable chair in the room. + +'Not for me,' she said. 'I am sure I couldn't eat anything.' + +'You may as well try, dear,' replied Mrs. Willoughby; and she crossed to +Clarice and unpinned her hat--a little straw hat, with the daintiest of +pink ribbons. She held it in her hand for a moment, weighing it with a +smile which had something of tenderness in it. She laid a light hand upon +the brown hair, touching with a caress the curls about the forehead. A +child's face was turned up to hers with a pretty appeal of melancholy. +Mrs. Willoughby was moved to kiss the girl again. In spite of a +similarity of years, she had an affection almost maternal for Clarice; +and, with an intuition, too, which was almost maternal, she was able to +appreciate the sincerity of the girl's distress, with a doubtful smile at +the gravity of its cause. + +Clarice threw her arms about Mrs. Willoughby's neck. 'Oh, Connie,' she +quavered, 'you can't guess what has happened!' The voice threatened to +break into sobs, and there were tears already brimming the eyes. + +'Never mind; you shall tell me after lunch.' + +At lunch Mrs. Willoughby industriously beguiled her with anecdotes. She +talked of an uncle of Clarice, a Philistine sea-captain with pronounced +opinions upon the advance of woman, ludicrously mimicking his efforts to +adapt a quarter-deck style of denunciation to the gentler atmosphere of a +drawing-room. To sharpen his diatribes the worthy captain was in the +habit of straining ineffectually after epigrams. Mrs. Willoughby quoted +an unsuccessful essay concerning the novels women favoured. 'A woman with +a slice of intellect likes that sort of garbage for the same reason that +a girl with a neat pair of ankles likes a little mud in the streets.' +Clarice was provoked to a reluctant smile by a mental picture of a +violent rubicund face roaring the words. She was induced to play with a +fragment of sole; she ended by eating the wing of a chicken. + +'Now,' said Mrs. Willoughby when she had set Clarice upon a sofa in front +of a cosy fire in her boudoir, 'tell me what all the trouble's about.' +She drew up a low chair and sat down with a hand upon the girl's arm. + +'It's about Sid--I mean Mr. Mallinson,' she began. 'He called yesterday +afternoon after you had left. Papa had gone out for a walk, and aunt was +lying down with a sick headache. So I saw him alone. He said he was glad +to get the opportunity of speaking to me by myself, and he--he--well, he +asked me to marry him. He was quite different from what he usually is, +else I might have stopped him before. But he made a sort of rush at it. I +told him that I was very sorry, but I didn't care for him in that kind of +way--at all events yet. And then it was horrible!' The voice began to +break again. + +Mrs. Willoughby took hold of Clarice's hand, and the latter nestled +towards her. + +'He got angry and violent, and said that I had persuaded him to give up +his profession, and must have known quite well why he did it, and that no +woman had a right to interfere with a man's life until she was prepared +to accept the responsibility of her interference. I hardly understood +what he said, because he frightened me; but I don't think that was at all +a nice thing to say, do you, Connie?' and her hand tightened upon her +friend's. 'But he said other things too, much worse than that,--I can't +tell you. And at last I felt as if I wanted to scream. I should have +screamed in a minute or two, I know, so I told him to go away. Then he +became silent all at once, and just stood looking at me--and--and--I +think that was worse than being abused. At last he said "Good-bye," so +sorrowfully, and I knew it would be for ever, and we shook hands, and he +went out into the hall and closed the door. It seemed to me that the door +would never open again.' + +The threatened tears began to fall; Mrs. Willoughby, however, did not +interrupt, and Clarice went on. + +'So as I heard the front door unlocked to let him out, I opened the door +of the room and went into the hall. Mr. Mallinson was standing on the +first step. He never looked back--he was turning up his coat-collar--and +somehow it all seemed so sad. I felt as if I hadn't a friend left in the +world. So--I--I--I--' + +'Well?' asked Mrs. Willoughby quickly. + +'I called him back into the room, and asked him if we couldn't be +friends.' + +'What did he answer?' + +'That he didn't see how that was possible since he wanted to marry me. +But I said that wouldn't matter as long as he didn't tell me so. I think +men are so inconsiderate, don't you, Connie?' she broke off in a tone of +reproach. 'I can't understand what there is to laugh at. You wouldn't +either if you had seen him then, because he just sat down and cried, not +as you and I do, you know, but with great tears running through his +fingers and heaves of his shoulders. It was heartbreaking. Then he got up +and begged my pardon for what he had said, and that was the worst of it +all. He declared that if he went the rest of his way alone the journey +would be all the easier for the mile I went along with him, and at that +somehow I began to cry too, and--and--that's all.' + +Mrs. Willoughby sat silent for a little. 'So you refused him,' she said +thoughtfully, and she bent towards Clarice. 'Is it to be Stephen Drake?' + +Clarice started up from the sofa, and stood looking into the fire. 'What +an extraordinary thing that you should ask me that,' she replied slowly, +'because Mr. Mallinson asked it too.' She paused for a second or so and +went on. 'I have never thought of him in that way, I am sure. Oh no!' and +she roused herself from her attitude of deliberation and crossed to the +window, speaking briskly as she went. 'I had quite a different reason.' + +Mrs. Willoughby looked at her sharply but said nothing, and presently +Clarice turned back into the room as though moved by a sudden impulse. +'Can I write a note here?' she asked. + +'Certainly,' replied Mrs. Willoughby, and she set some envelopes and +paper on the table. Clarice wrote a few lines and tore them up. She +repeated the process on four sheets of note-paper, and as she was +beginning the fifth attempt the door was opened and the servant +announced that Mr. Conway was waiting in the drawing-room. Clarice tore +up the fifth sheet and rose from her chair. 'I can write it when I get +home,' she said. + +'Percy Conway!' said Mrs. Willoughby when the door was closed again. +'What a funny thing! He's not in the habit of visiting me.' + +'The fact is,' said Clarice, without the least embarrassment, as +she pinned on her hat, 'I asked him to call for me here. You don't +mind, do you?' + +'Clarice!' exclaimed Mrs. Willoughby. She stared at the girl, +noticing the traces of tears still visible on her face, and then she +began to laugh. + +'Connie!' said Miss Le Mesurier, and her tone showed that she was hurt. +'You _are_ unsympathetic.' + +'I can't help it,' cried Mrs. Willoughby, and she laughed yet louder. 'I +can't help it, dear!' + +'You can't imagine how lonely I have felt since--' + +'Since yesterday,' cried Mrs. Willoughby, and her laughter increased. +'Clarice, you'll be the death of me.' + +Clarice stood gazing at her patiently, her face grave with reproach, +until Mrs. Willoughby succeeded in composing herself to a fitting +seriousness. But for all her efforts her mouth worked, and the dimples +appeared and vanished in her cheeks, and a little ripple of laughter now +and again escaped from her lips. + +'Really,' said Clarice, 'I am disappointed in you, Connie.' + +'I know it was out of place, dear,' said Mrs. Willoughby with humility, +but nevertheless her voice shook as she spoke. Fearing another access she +began, as a resource, to lecture Clarice upon the impropriety of making +appointments with young gentlemen at other people's houses. The lecture, +however, was received with disdain. + +'That seems to me still more out of place,' said Clarice. + +'Well, we had better go into the drawing-room to Mr. Conway,' said Mrs. +Willoughby. + +Clarice was indeed excessively indignant with Mrs. Willoughby, for she +was in the habit herself of treating her feelings with a tender +solicitude, and consequently disliked the want of respect shown to them +by her friend. She betrayed the extent of her indignation by a +proportionately excessive friendliness towards Conway that afternoon. He +was allowed to conduct her to four picture galleries, and a Panopticon +museum of tortures; his offer to refresh her with tea in Bond Street was +shyly accepted, and at parting he was thanked with effusion, 'for the +pleasantest afternoon she had spent for some time.' + +On reaching home, however, Miss Le Mesurier immediately wrote out the +note which she had begun in Mrs. Willoughby's boudoir. She wrote it now +without hesitation, as though she had composed the form of its message +while in the company of Conway, and addressed it to Stephen Drake. She +had a question to ask him, she stated, of some importance to herself. +Would he call on Thursday afternoon and answer it? Clarice read through +the note before she sealed up the envelope. The word _importance_ caught +her eye, and she pondered over it for a moment. She crossed it out +finally and substituted _interest_. Then she sent her letter to the post. +At breakfast on the Thursday morning, Clarice casually informed her +father of Drake's visit. 'I wrote to him, asking him to call,' she added. + +Mr. Le Mesurier looked up from the pages of his _Times_. 'Why?' he +asked quickly. + +'I want him to tell me something.' + +The _Times_ crackled in his hands and fluttered to the floor. He opened +his mouth to speak and thought better of it, and repeated the action more +than once. Then he scratched his head with a helpless air, and picked up +his newspaper. 'Silly girl!' he said at last; 'silly girl!' and relapsed +into silence. At the close of breakfast, however, he made an effort at +expostulation. 'You will make the man believe you're in love with him,' +he said, and in fact he could have chanced on no happier objection to +present to her. Clarice flushed to the temples. Sidney Mallinson, Mrs. +Willoughby, and now her father! All three had made the same suggestion, +and the repetition of it vexed her pride. There were others they might +have said it of with more appearance of truth, she thought: Sidney +Mallinson himself, for instance, or even Percy Conway. But he, Drake! For +a moment she felt inclined to telegraph to him telling him not to come. +Then she thought of the motive which had induced her to send for him. No! +She would ask her question that afternoon, and so have done with him for +good. Aloud she answered: + +'How ridiculous! I should hardly think he has that sort of conceit. +Anyhow, if he has that impression, I will take care that he does not +carry it away.' + +Mr. Le Mesurier did not pursue the argument, but he gave certain +instructions to his butler, and when Drake arrived at the house he was +shown into the library. Mr. Le Mesurier received him. + +'Pull up a chair to the fire,' he said with an uneasy geniality. 'I have +something to say to you, Drake. It won't take long.' + +Drake laid down his hat and seated himself opposite to Mr. Le Mesurier. + +'My daughter told me this morning, quite spontaneously, of course, that +she had asked you to call in order that she might get from you a certain +answer to a certain question, and I thought that I had better prepare you +for what that question will be.' He hesitated in his speech, searching +for the best way to begin his explanation, and he caught sight of a +cigar-box on the mantelshelf above his head. + +'By the way, do you smoke?' + +'Yes, but I won't just now, thank you.' + +'You had better. You can throw it away when I have done. These are in +rather a good condition.' + +Mr. Le Mesurier seemed inclined to branch off upon the quality of +different brands, but Drake gave him no assistance. He lit his cigar and +patiently waited, his eyes fixed upon his host. Mr. Le Mesurier felt +driven back upon the actual point of his explanation, and almost +compelled to fine his words down to just the needful quantity. + +'Clarice, I believe,' he said brusquely, 'means to ask you how Gorley +died. He was engaged to her.' + +Drake did not so much as stir a muscle, even his eyes maintained their +steadiness, and Mr. Le Mesurier drew a breath of relief. 'I am glad you +take it like this,' he went on. 'I was afraid that what I had to say +might have been, well, perhaps a blow to you, and if so the fault would +have been mine; for I encouraged you to come here.' + +Drake bent forward and knocked the ash off the end of his cigar. + +'Yes,' he asked; 'why did you do that?' + +Mr. Le Mesurier looked uncomfortable. + +'It is only right that I should be frank with you,' he replied. 'The mere +fact of Gorley's death, apart from its manner, upset Clarice, more, I +confess, than we expected, and made her quite ill for a time. She is not +very strong, you know. So it was deemed best, not only by me, but by +Gorley's family as well, that she should be kept in ignorance of what had +actually happened. We simply told her that Gorley had died near Boruwimi. +But I fancy that she suspected we were concealing something. Perhaps our +avoidance of the subject gave her the hint, or it may have been Mrs. +Willoughby.' + +'Mrs. Willoughby?' + +'She is related to the Gorley family as well as to us. It was through her +Clarice first met Gorley,' he explained, and went on. 'Then you returned +to England, and were interviewed in the _Meteor_. Clarice read the +interview; you had described in it your march to Boruwimi, and she sent +through Mallinson at once an invitation to you. I only found that out the +night you were introduced to us at the theatre. It made me certain that +she had suspicions, and I admit that I asked you to call in the hope of +allaying them. I believed, foolishly as it seems, that if I was cordial, +she would give up any ideas she might have, that you were connected in +any way with Gorley's death. Afterwards, Drake, I need hardly tell you, I +was glad you came here upon other grounds.' Mr. Le Mesurier leaned +forward in his chair and touched Drake upon the knee. 'It didn't take +long for me to conceive a genuine liking for you, and, of course, I knew +all the time that you had only done your duty.' + +Drake made no response whatever to Mr. Le Mesurier's sentiment. + +'I understand, then,' he said, 'that Miss Le Mesurier was engaged to +Gorley at the time of his death?' + +'Oh dear, no,' exclaimed the other, starting up from his chair. 'You are +aware, I suppose, why Gorley left England?' + +Drake nodded assent. + +'The engagement was broken off then and there. And Clarice at that time +did not seem to take it much to heart. I was inclined to believe that the +whole affair had been just a girl's whim. Indeed, in spite of her +illness, I am not certain now that that isn't the truth. She may have had +some notion of reforming him. I find Clarice rather difficult to +understand.' + +Drake stood up. 'Where is Miss Le Mesurier?' he asked. + +'Upstairs in the drawing-room.' + +He took a step towards the door, and took the step unsteadily. He +stopped for a second, bracing his shoulders; then he walked firmly +across the room. While his hand was on the handle, he heard Mr. Le +Mesurier speaking. + +'What do you mean to tell her?' + +'I hardly understand,' he answered, turning round. 'There surely is but +one thing to say--the truth. She has a right to know that.' + +'Has she? The engagement was broken off finally when Gorley left England. +They had nothing more to do with one another, no common interests, no +common future. Has she?' + +'It seems to me, yes!' + +'We have kept the knowledge from her up till now. No one could blame you +if you kept it from her a little longer.' + +The argument smacked of sophistry to Drake. He had an unreasoned +conviction that the girl had a right to learn the truth from him. + +'I think I ought to tell her if she asks me.' + +'I might forbid you to do it,' grumbled Mr. Le Mesurier. + +'Do you?' asked Drake. The question brought Mr. Le Mesurier up short. It +was a direct question, inviting a responsible decision, and Mr. Le +Mesurier was averse by nature to making such decisions out of hand. If +Drake cared for Clarice, he reflected, it was really in Drake's province +to decide the point rather than in his own. + +'I don't know enough of you,' he replied, 'to either forbid or give you +permission.' + +Drake wondered what the sentence meant. + +'In that case I must take my own course,' he said, and he went out of the +room and mounted the stairs. + + + + +CHAPTER VI + + +It was the dusk of a February afternoon. Drake had found the lamps lit in +Mr. Le Mesurier's library, and the gas was burning in the hall and on the +stairs. But within the drawing-room all the light there was came from the +fire leaping upon the hearth and from the two recessed windows which +faced it. In the farthest of these windows Drake saw Miss Le Mesurier +standing, the outline of her face relieved, as it were, against a gray +panel of twilight. As the door closed, she turned and took a step into +the room. Drake could no longer see more than the shape of her head and +the soft waves of hair crowning it; he could not distinguish a single +feature, but none the less, as she stood facing him, he felt of a sudden +his heart sink within him and his whole strength race out of his body. + +Clarice stood still; and he became possessed with a queer longing that +she would move again, forwards, within the focus of the firelight. +However, she spoke from where she stood. + +'You have seen my father.' + +Instinctively Drake walked to the fireplace, but she did not follow. + +'I have just left him,' he replied. 'He told me what the question was +which you wished me to answer.' + +'And forbade you to answer it, I suppose?' + +'No. He left the choice to me.' + +'Well?' she asked. + +'I mean to answer it to the full,' he said. 'I was not aware till a +moment ago that you had been engaged to Gorley.' Then he hesitated. +Clarice was still standing in the shadow, and his desire that she should +move out of it and within the circle of light grew upon him until it +seemed almost as though the sight of her face and the knowledge of how +she was receiving the history of the incident were necessary conditions +of its narration. + +'I suppose that is the reason,' he went on, 'which made you ask me here +at first. Why did you never put the question before?' + +'Why?' repeated Clarice slowly, as if she was putting the question to +herself. Then she moved slowly towards the fireplace and seated herself +by the side of it, bent forwards towards its glow, her elbows upon her +knees, her hands propping her chin. Drake gave a sigh of relief, and +Clarice glanced at him in surprise, and turned again to the fire. 'Tell +me your story,' she said, and left his question unanswered. + +Drake began; but now that his wish was accomplished, of a sudden all the +reality seemed to fade out of the tragic events he was to recount. His +consciousness became in some queer way centred upon the girl who was +listening, to the exclusion of the subject she was listening to. He was +intensely conscious of her face, of its changing expressions, of the ebb +and flow of the blood from time to time flushing her cheeks and temples, +and of the vivid play of lights and shadows upon them as the flames +danced and sank on the hearth. He noticed, too, with an observation new +to him, and quite involuntary, the details of the room in which he stood, +the white panelling of the walls, the engravings in their frames, the +china ranged upon a ledge near to the ceiling. Of these things his mind +took impressions with the minuteness almost of a camera. They were real +to him at this moment, because they formed the framework and setting of +the girl's face and figure. + +But Gorley's crime and his expiation of it became by contrast as remote +to his apprehension in point of all connection with Clarice as they were +in point of locality. He could not realise them to himself as events +which had actually happened and in which he had played a part, and he +spoke in the toneless voice of one who relates a fable of which, through +frequent repetition, he is tired. Instinctively, in order to make the +truth of his story palpable, he began to corroborate it with particulars +which he would otherwise have spared his auditor, but with the same +impersonal accent. He told Clarice of the condition of the village after +Gorley's raid, as he first came within view of it: here the body of a +negro stood pinned upright against the wall of his hut by an assegai +fixing his neck; there another was lying charred upon still-smouldering +embers; and as he saw her turn pale and shudder he almost wondered why. + +But in spite of his efforts to appreciate its actuality the incident grew +more unsubstantial the further he progressed in its narration, and he +ended it abruptly. + +'Gorley was properly tried,' he said--'his relations testified to +the justice of his trial--and he was executed in accordance with +the verdict.' + +Clarice sat motionless after he had ended. Drake watched the flames +sparkle in her gray eyes. At his elbow the clock ticked upon the +mantelshelf spacing the seconds, and the fire was hot upon his limbs. +That dream-world in Africa dissolved to a vapour. + +Clarice recalled him to it at last. + +'I never imagined,' she said in a low voice, 'that the truth was anything +like this. I shouldn't have asked you if I had. A long time ago I knew +that something was being concealed, but I thought it was an accident +or--well, I couldn't conceive what it was and I grew curious, I suppose. +When you came back to England I thought you might be able to tell me. +Lately, however, I began to fancy that you were concerned in it some way. +You might have sent Mr. ----' she checked herself with the name unspoken +and went on, 'you might have sent him on some fatal mission or something +of that sort. But this! Oh, why did you tell me?' + +She took her hands from beneath her chin and clenched them with a +convulsive movement upon her knees. Her memory had gone back to the days +when she and Gorley had been engaged, to their meetings, their intimate +conversations. This man, in whose hand her hands had lain, whose lips had +pressed hers, been pressed by hers, this man had been convicted of a +double crime--dastardly murder and dastardly theft--and punished for it! +Her pride cried out against her knowledge, and cried out against the man +who had vouchsafed the knowledge. + +'Why did you tell me?' she repeated, and the words were an accusation. + +'You wished to know,' he replied doggedly, 'and it seemed to me that you +had the right to know.' + +'Right!' she exclaimed, 'right! What right had I to know? What right had +you to tell me?' + +She rose to her feet suddenly as she spoke and confronted Drake. He +looked into her eyes steadily, but with a certain perplexity. + +'I felt bound to tell you,' he said simply, and his simplicity appealed +to her by its frank recognition of an obligation to her. + +'Why,' she asked herself, 'why did he feel bound? Merely because I wished +to know the truth of the matter, or because he himself was implicated in +it as the instrument of Gorley's punishment?' Either reason was +sufficient to appease her. She inclined to the latter; there were +conclusions to be inferred from it which staunched her wounded pride. + +Clarice turned away. Drake watched her set a foot upon the rail of the +fender, lay her hand upon the mantelshelf and support her forehead upon +it. After a little she raised her head and spoke with an air of +apologising for him. + +'Of course,' she said. 'You could not know that there was anything +between myself and--and him.' + +'No; I could not know that. How should I, for I did not know you? And I +am glad that I didn't know.' + +Drake spoke with some earnestness, and Clarice looked at him in surprise. + +'It would have made my duty so much harder to do,' he explained. + +With a little cry of irritation Clarice slipped her foot from the fender +and moved from him back to the couch. She had given him the opportunity +to escape from his position and he refused to make use of it; he seemed +indeed unable to perceive it. However, she clung to it obstinately and +repeated it. + +'You could not know there was anything between us'; she emphasised the +words deliberately. Drake mistook the intention of the emphasis. + +'But was there,' he exclaimed, 'at the time? I didn't think of that, Miss +Le Mesurier--' + +'Oh no, no!' she interrupted. 'Not at the time.' The man was +impracticable, and yet his very impracticability aroused in a measure her +admiration. 'So you would have shot him just the same, had you known?' + +'Shot him?' asked Drake almost absently. + +'Yes.' + +'Didn't I tell you? I beg your pardon. I didn't shoot him at all. I +hanged him.' + +Clarice was stunned by the words, and the more because of the dull, +seemingly callous accent with which they were spoken. + +'You hanged him!' she whispered, dropping the words one by one, as though +she was striving to weigh them. + +'Yes. I have been blamed for it,' he replied with no change of voice. +'People said I was damaging the prestige of the white man. The +argument bothered me, I confess, but I think they were wrong. I should +have damaged that prestige infinitely more if I had punished him +secretly or--' + +'Oh, don't!' she cried, with a sharp interruption, and she stared at him +with eyes dilating in horror, almost in fear. 'You can discuss it like +that,--the man I had been engaged to,--you hanged him!' + +She ended with a moan of actual pain and covered her face with her hands. +On the instant Drake woke to a full comprehension of all that he had +said, and understood something of the humiliation which it meant to her. + +Clarice was sitting huddled in her chair, her fingers pressed lightly on +her eyes, while now and again a shiver shot through her frame. + +'Still I was bound to tell her,' Drake thought. He waited for a little, +wondering whether she would look up, but she made no movement. An emerald +ring upon her finger caught the light and winked at him maliciously, +leering at him, he fancied. There was nothing more for him to say, and he +quietly went out of the room. + +The click of the door-handle roused Clarice. She saw that the room was +empty, and, drawing a breath of relief, started out of her chair. +Standing thus she heard Drake's footsteps descending the stairs, and +after a pause the slamming of the hall-door. Then she went to the +fireplace and knelt down close to it, warming her hands at the blaze. + +'The degradation of it!' she whispered. + + + + +CHAPTER VII + + +Bit by bit she sought to reconstruct the scene, piecing it together out +of Drake's words; but somehow that scene would not be reconstructed. She +gradually found herself considering Drake's words as a light thrown upon +the man who spoke them, rather than as the description of an actual +incident. The humiliation which she experienced made her shrink with a +certain repulsion from her recollections of Gorley and dwell instead upon +the contrasting tones in Drake's voice, the contrasting expressions upon +his face when he spoke to her and when he merely narrated his story. In +the first instance gentleness had been the dominant characteristic, in +the second indifference; and that very indifference, while it repelled +her, magnetised her thoughts. + +Something indeed of the same process which had caused that appearance of +indifference in Drake was now repeating itself in Clarice. Drake was +superseding Gorley in her mind. She struggled against the obsession and +morbidly strove to picture to herself the actual execution: the black +troops ranged in a clearing before the smouldering village, looking up at +one figure--Gorley's--spinning on a rope. But even upon that picture +Drake's face obtruded. She thrust out her hands to keep it off, as though +it was living and pressing in upon her; for a moment she tried to conjure +up Gorley's face, but it was blurred--only his form she could see +spinning on a rope, and Drake beneath it, his features clear like an +intaglio and firm-set with that same sense of duty which had forced him +sternly to recount to her the truth that afternoon. She recurred to her +recent habit of comparing him with Mallinson. She had a vision of +Mallinson, with the same experience to relate,--if that were +imaginable--fidgeting through evasions, grasping at any diversion she +might throw out for him to play with. + +But what if Drake's frankness, outspoken to the point of cruelty, sprang +from an indifference to her? Clarice had seen a good deal of Drake +lately. She caught herself almost smiling at the idea, softening at its +palpable falsity. In a last effort at resistance she fixed her thoughts +on the cruelty, the callousness, in his method of narration, and began to +feel herself on solid ground. She was consequently inspired to run over +all that he had said, in order to make her footing yet firmer, and at the +outset she was brought to a check. Why had she never questioned him upon +the matter before? he had asked. Clarice stopped and asked the question +of herself. At the beginning of their acquaintance certainly there had +always been others by, but afterwards there had been opportunities +enough. But by that time, what with her father's and Mrs. Willoughby's +hostility, she had begun to suspect that Drake was in some way implicated +in the mystery. Was it because she was afraid to know it for certain that +she had refrained? She recalled her letter to him written last Monday, +and how she had crossed out 'importance' and substituted 'interest.' Was +this knowledge important to her, really important, bearing issues in the +future? It could only be important, she realised, if she set great store +upon her acquaintanceship with Drake. Drake, in fact, had achieved +something of a triumph, though quite unknown to himself, for he had +compelled Clarice Le Mesurier to abandon the consideration of his +attitude towards her in favour of a search after the state of her +feelings towards him. + +She was still engaged in the search when the clock struck six, and, +rousing herself brusquely, she rang the bell for the lamps to be brought. + +At that moment Mrs. Willoughby had just finished telling to Fielding the +story which Drake had told to Clarice. + +'So that's what Drake was referring to on Sunday,' said Fielding. + +'Yes,' said Mrs. Willoughby. + +'What in the world made you attack him in that way, if you didn't want +Clarice to suspect?' + +'The fact was, I was a fool, I suppose. I just put my head down and +charged. But what I want your advice upon is this, ought Clarice to be +told now--before things go further?' + +'No, no!' said Fielding. He saw the curtain descending precipitately upon +his comedy before the climax was reached, and he added quite sincerely, +'I like Drake. I don't see why he shouldn't have a run for her money.' + +Mrs. Willoughby looked doubtful for a moment, and then she said, 'Very +well.' She hesitated for a second: 'I think I like him too.' + + + + +CHAPTER VIII + + +This was by no means the last occasion upon which Mrs. Willoughby thought +it prudent to take counsel with Fielding concerning the affairs of her +friend. Nor was Fielding in any degree backward to respond with his +advice. He developed, in fact, an interest in their progress quite +disproportionate to his professed attitude of the spectator in the +stalls. Mrs. Willoughby lived at Knightsbridge, in a little house, of +which the drawing-room overlooked the Park close to the barracks, and he +found it very pleasant to sit there of an afternoon and discuss in a cosy +duet the future of Clarice. + +The subject, besides, had the advantage of inexhaustibility. On the one +side Fielding ranged the suitors, or those whom he considered such; on +the other the vagaries of the girl. Playing these forces off not merely +against each other, but against themselves as well--for, as he pointed +out, there was no harmony in the separate camps--he evolved an infinite +number of endless complications. There was consequently no end to the +discussion, not even when Clarice was argued through the marriage +ceremony. For that point Fielding took to represent the one o'clock in +the morning of a carnival ball; then the fun really begins, though decent +people have to go away. + +Mrs. Willoughby was, as ever, staunch in her defence, though a +recollection of Clarice's tearful visit with Conway's arrival for a +climax prompted her now and again to laugh in the midst of it. + +'You mistake thoughtlessness for tricks,' she said. 'Clarice is only a +child as yet.' + +'She has a child's capacity for emotion, I admit,' corrected Fielding, +'but a woman's knowledge of its use. The combination is deplorable.' + +Fielding inquired about Drake, and was told that he had not been +seen lately. 'It looks as if he was declining in favour,' Mrs. +Willoughby added. + +'Not necessarily. The man's busy--there's a company coming out.' + +'A solid one?' + +'Likely to be, since Drake handles it. I am thinking of taking shares.' + +Mrs. Willoughby was surprised. Fielding seemed to her the last man +calculated by nature for dabbling in stocks. + +'You!' she exclaimed. Fielding nodded assent. + +'Then don't do it,' Mrs. Willoughby flashed out vigorously. 'Don't think +of it. Oh, I know those men in the City! Their friends get ruined, and +they--well, I mustn't say anything against them, because my husband was +one of them, poor dear,--but they move into larger offices. Mr. Drake has +been asking you to join him?' + +'He hasn't done anything of the sort. I heard of the matter through quite +an independent channel. However, I am not ruined yet, and the company +won't be floated for another four months. And, after all, it's my money.' + +Mrs. Willoughby became quiet. + +'Well,' she said, and she derived some satisfaction from the thought, 'at +all events Clarice has dropped talking about him.' + +Fielding laughed. + +'That means that it's Mallinson's turn on the roundabout and +nothing more.' + +'Sidney Mallinson has been refused.' + +'Refused! When?' + +'On the Sunday we lunched at Beaufort Gardens.' + +'Oh!' + +Fielding was silent for a moment. He was thinking that he had met +Mallinson of late with unusual frequency here at Mrs. Willoughby's house. + +'But are you sure?' he asked. + +'Certain; he told me so himself. Clarice told me too the day after.' Mrs. +Willoughby began again to laugh. 'She would have prevented him if she +could, but apparently he tried to take her by storm.' + +'Oh!' exclaimed Fielding. 'On the Sunday afternoons you say? Then I was +to blame, I am afraid, for I gave him precisely that advice on the Sunday +morning. Of course, I never thought that he would take it.' + +Fielding met Sidney Mallinson again and again at the house in +Knightsbridge. He was invited to dinner, but so was Mallinson, and the +latter had confidential talks with Mrs. Willoughby. He dined with some +friends at the Savoy and went on in a comfortable frame of mind to a +concert; there Mrs. Willoughby joined them, so did Mallinson, and the +couple sat side by side and conversed through a song. 'The height of bad +taste,' commented Fielding in an access of irritation. The fellow was +spoiling his comedy by relinquishing his part. He drew Mallinson aside as +they passed through the hall. + +'You seem to see a good deal of Mrs. Willoughby?' + +'Yes, we generally pair off together.' + +Fielding dropped plump among the coarse sensations of the ordinary human. +He wanted to kick Mallinson, and to kick him hard. He saw with an +anticipatory satisfaction the glasses flying off the supercilious +gentleman's nose, and felt the jar at the end of his boot as it dashed +into the coat-tails. The action would have been too noticeable, however, +and he only said, 'What a very _bourgeois_ thing to do!' + +Mallinson's air of complacency vanished as he heard the offensive term +levelled against himself. He did not, however, on that account change +his attitude towards Mrs. Willoughby. Fielding found him at the house a +few days later, and proceeded to sit him out. The contest drove Fielding +to the last pitch of exasperation, for, apart from the inherent +humiliation of the proceeding, Mrs. Willoughby was directly encouraging +Mallinson to stay. + +Mallinson at last was suffered to leave, and Mrs. Willoughby, instead of +resuming her seat, walked across to the window and scrutinised intently +the passers-by. + +'That creature visits you pretty often, it appears,' said Fielding. + +'Does he?' she asked. 'He comes to me for the sake of consolation, +I suppose.' + +'And makes love to you for the sake of contrast. He tells me you +generally pair off together when you meet. Pair off!' and he grimaced +the phrase to show how little he minded it. 'It'll be "keeping +company" next.' + +Mrs. Willoughby gave a little quiet laugh. Her back was towards him, so +that he could not catch her expression, but she seemed to him culpably +indifferent to the complexion which Mallinson had given to their +friendship. + +'It's rather funny,' she said, 'though I can't help feeling sorry for +him.' + +'I saw that you were sorry for him,' Fielding interrupted. + +'But he pretends,' Mrs. Willoughby went on, ignoring the interruption +with complete unconsciousness--'he pretends to himself that I am Clarice. +He talks to me as if I were. He called me "Clarice" the other day, and +never noticed the mistake, and that's not my name, is it?' She turned to +him quite seriously as she put the question. + +'No,' replied Fielding, 'your name's Constance,' and he dwelt upon the +name for a second. + +'Yes--Constance,' said Mrs. Willoughby thoughtfully. 'It sounds rather +prim, don't you think?' + +'Constance,' Fielding repeated, weighing it deliberately. 'Constance--no, +I rather like it.' + +'Clarice shortens it to Connie.' + +'Does she indeed? Connie--Constance.' Fielding contrasted the two names, +and again, 'Constance--Connie.' + +Mrs. Willoughby's mouth began to dimple at the corners. + +'Although one laughs,' she proceeded, 'it's really rather serious about +Mr. Mallinson. He told me once the colour of my eyes was--' + +'Do you let him talk to you about the colour of your eyes?' Fielding was +really indignant at the supposition. + +'He didn't ask my permission,' Mrs. Willoughby said penitently. 'But it +isn't a thing people ought to do. He said they were gray, and they +aren't, are they?' She turned her face towards him. + +'Gray? Of course not,' said Fielding, and starting from his chair, he +approached Mrs. Willoughby at the window to make sure. + +'Clarice's are, I know, but I am certain mine aren't.' She held up her +face towards the light, and the remark was pitched as a question. + +'Yours,' said Fielding, examining them, 'Neptune dipped them in the sea +at six o'clock on an August morning.' + +Mrs. Willoughby moved away from the window precipitately. 'So, if Mr. +Mallinson is so fond of Clarice,' she said, 'that he sees her in +everybody one can't help pitying him.' + +Mrs. Willoughby, however, for a short time subsequently was not seen in +the company of the discarded lover, and Fielding inferred with +satisfaction that her pity was taking a less active form. He was roused +to a perception that his inference was false one night at the opera. + +Mrs. Willoughby was present with Mr. Le Mesurier and Clarice. Percy +Conway he hardly reckoned, counting him at this time, from his constant +attendance, rather as an item of Clarice's toilette; and Fielding took +care to descend the staircase after the performance in close proximity to +the party. + +'And how's Mr. Mallinson?' he asked of Mrs. Willoughby, not without a +certain complacency in his voice. + +'Oh, poor boy!' she replied with the tenderest sympathy, 'he's in +bed, ill.' + +'Ill?' asked Clarice quickly. 'You don't mean that.' + +'Yes. I'm so concerned. He wrote to tell me all about it.' + +Fielding looked displeased, and much the same expression was to be seen +on the face of Clarice. Mrs. Willoughby was serenely unconscious of the +effect of her words. + +'I heard that he was in bed,' interposed Conway carelessly. 'But +apparently he has got something to console himself with.' + +'Yes. He wrote to me about that too,' said Mrs. Willoughby. 'Fancy, +Clarice! He has inherited quite a good income. An uncle or somebody left +it to him.' + +Clarice expressed an acid satisfaction at the news. She dropped behind +with Fielding. + +'You didn't know that Mr. Mallinson was ill?' she asked. 'Did none of his +friends know except Connie?' and then there was a perceptible accent of +pique in her voice. + +Fielding did not answer the question immediately. He had been brought of +a sudden to the vexatious conclusion that Mrs. Willoughby was a coquette +just like the rest of her trivial sex--no better, indeed, than the girl +at his side, whose first anxiety was not as to whether Mallinson was +seriously ill, but why he wrote the information to Mrs. Willoughby. He +felt that Mrs. Willoughby had no right to trifle with Mallinson. The poor +fellow had already suffered his full share of that kind of experience. + +Miss Le Mesurier repeated her question impatiently, and Fielding suddenly +realised that Miss Le Mesurier's pique might prove useful in setting +matters right. He determined to encourage it. + +'None that I'm aware of,' he replied. 'Mrs. Willoughby, of course, would +be likely to know first.' + +'Why?' + +'Haven't you noticed? They have struck up a great friendship +lately--always pair off together, you know.' + +Miss Le Mesurier's lips curled at the despicable phrase, but she blamed +Mrs. Willoughby for the fact which it described, not Sidney Mallinson. +His attitude she could understand, and make allowance for; it had been a +despairing act prompted by an instinct of self-preservation to rid +himself of the hopeless thought of her. An unsuccessful act too, for the +poor fellow had broken down. She had no doubts as to the origin of his +illness, and overflowed promptly with sympathy. Her resentment against +Mrs. Willoughby none the less remained. + +Driving homewards she asked her, 'Why didn't you tell me before that Mr. +Mallinson was ill?' + +'My dear, I never gave a thought to it until I saw Mr. Fielding. The +illness isn't serious,' and Mrs. Willoughby laughed, with peculiar +heartlessness thought Clarice. They were, however, not thinking of the +same individual. + +Mrs. Willoughby, Clarice, and Fielding in consequence suffered some such +change in their relative positions as is apt to take place amongst the +European Powers. Poor Mrs. Willoughby, in the innocent pursuit of her own +ideas, had suddenly roused two former friends into a common antagonism. +These friends, besides, had much the same grounds for resentment as the +Powers usually have, for Mrs. Willoughby's conduct was a distinct +infringement of rights which did not exist. Clarice and Fielding drew +perceptibly nearer to one another; they exchanged diplomatic +_pourparlers_. Fielding found a great deal to praise in Mallinson, and +Clarice had a word or two to say upon the score of widows. She was +doubtful whether they ought ever to re-marry. Fielding kept an open mind +on the subject, but was willing to discuss it. On the particular point, +however, whether this widow was to marry Mallinson they were both +uncompromisingly agreed, and were only hindered from an armed +demonstration by the suspicion that the sinner to the overawed would +merely laugh at it. On the whole Fielding deemed it best to address a +friendly remonstrance to Mrs. Willoughby in the interests of Clarice. He +suggested that she should see less of Sidney Mallinson. + +'But I have no grounds for slamming my door in his face,' she answered +plaintively. 'You see, Clarice has refused him, and really he's very +sweet and polite to me.' + +Fielding pointed out with the elaborate calmness of intense exasperation +that there could be no finality in a refusal given by Miss Le Mesurier. +Mrs. Willoughby replied that they had differed before in their views of +Clarice, and that the point he mentioned was one upon which Mr. Mallinson +must be left to judge for himself. 'Exactly,' said Fielding with +emphasis, 'he should be left to judge for himself,' and was for marching +off with colours flying. But Mrs. Willoughby could not refrain from +declaring that the unprecedented interest which Mr. Fielding took in his +friend Mr. Mallinson had raised that friend to a very different position +in her esteem from that which he had held before. + +The combat was renewed more than once, but with no different result, and +upon the same lines. Mrs. Willoughby received his attacks with a patient +humility, and rushed out to catch him a flout as he was retiring. +Finally, however, she shifted her position, and became the aggressor. She +suggested that Fielding was really in love with Clarice, and trying to +gain favour with her by bringing an admirer back to her feet. Fielding +was furious at the suggestion, and indignantly repudiated it. She ignored +the repudiation, and quietly insisted in pointing out the meanness of +such a system of making love. The unfortunate gentleman's dignity +constrained him to listen in silence, for he felt that he would have +spluttered had he opened his lips. The only course open to him was a +retreat with a high head, and he declared that it was no longer possible +for him to continue a discussion which he had begun as much in her true +interests as on behalf of justice and her particular friend Miss Le +Mesurier, and went home. By return of post he received a pen-and-ink +drawing of himself and Clarice 'pairing off.' He was figured in the +costermonger's dress, with his arm tucked under the girl's, and her hat +on his head. + +Meanwhile Mallinson was still in bed, completely ignorant of the battle +which had been waged for the possession of him. + +Fielding thought more than once of calling at his flat, since his +determination had been sharpened rather than overcome by the victories of +Mrs. Willoughby. He was more than ever convinced that Mallinson ought to +have a fair chance with Miss Le Mesurier--an equal chance with Drake. The +name of Drake made him pause. Miss Le Mesurier knew everything there was +to be known about Mallinson, but there were certain facts in Drake's +history of which she was ignorant. The question sprang into his mind, +'Could Mallinson have a fair chance unless she was made acquainted with +those facts?' Fielding knew Members of Parliament who had been returned +over the heads of residents in the constituency because they entered it +too late for the electors to become intimate with their defects. Drake's +career might provide an analogy unless Clarice was told. He argued to +convince himself that he felt she ought to be told, but he could not +bring himself to the point of telling. He decided finally upon an +alternative which would, he imagined, secure his purpose, while relieving +him of the responsibility. He would tell Mallinson of the Gorley episode, +for the rival surely had a right to know. Whether Clarice was to be +informed or not, Mallinson should be allowed to judge. + +Fielding assured himself of the justice of his intention for the space of +two days without putting it into execution, but on the third he chanced +to meet Conway, and was given the information that Mallinson's inherited +income amounted to a thousand pounds. The news decided him. Under these +circumstances Mallinson certainly ought to know. He jumped into a hansom +and drove down to South Kensington. + +Mallinson was still in bed, but sufficiently recovered to write up his +diary. The book lay upon the counterpane open, but as Fielding was +introduced into the room, its author shut it up and tucked it under his +pillow. It was kept entirely for his own perusal, a voluminous record of +sensations ranging from a headache to a fit of anger, without the mention +of an incident from cover to cover. + +'I hear you have had a touch of bronchitis,' said Fielding. + +'Something more than a touch, I can tell you. I have been rather ill. +However, I am going to get up to-morrow.' + +Fielding found it difficult to come to the point of his visit. + +'You must have found it dull.' + +'Not very. I can always interest myself. Drake came to see me yesterday.' + +'Drake! How did he know? Conway told him, I suppose.' + +'No, Miss Le Mesurier told him.' + +'Miss Le Mesurier?' he asked. + +'Yes. Are you surprised?' The question was put with some resentment. + +'That she told him? No, I expect she sent him.' A smirk upon the +invalid's face showed he shared the thought. + +'By the way,' Fielding continued, 'talking of Miss Le Mesurier, did you +ever meet a man called Gorley?' + +'No. There was a Gorley who was engaged to her. Is that the man?' + +'Yes. I heard rather a strange story about him. He went out to Africa, +you know.' + +Mallinson lifted himself on his elbow. + +'Africa,' he said slowly. 'Yes, I heard that. Why do you mention him?' + +'Oh, I thought perhaps you might have known the man, that's all. +He's dead.' + +Fielding spoke with a studied carelessness, looking anywhere except at +Mallinson. + +'Dead,' repeated Mallinson in the same tone, but his heart was beginning +to race, and he lifted himself higher into a sitting position. 'Gorley +was a relation of Mrs. Willoughby, I believe.' + +'A kind of cousin.' + +There was silence between the men for a second or two. Mallinson was +recalling what Mrs. Willoughby had said that evening at Beaufort Gardens, +when Mr. Le Mesurier pressed her to meet Stephen Drake at lunch. + +'So Gorley died in Africa,' he remarked. 'Where? Do you know?' + +'Yes; at Boruwimi.' + +Mallinson started. Fielding glanced at him involuntarily, and their +looks crossed. + +'A strange story, you said. Suppose you tell it me. It will while away +some of my time.' + +Fielding lit a cigarette and related the story. At the end of it +Mallinson lay back on the pillows, staring at the ceiling. Once or twice +Fielding spoke to him, but he did not hear. He was not thinking: the +knowledge that the secret to be discovered was his to use was as a sense +in him. He felt it pulsing through his veins and throbbing at his heart. +Mrs. Willoughby was forgotten. It had been after all but a fictitious +fancy which he had conceived for her, a fancy fostered in the main as +balm for his self-respect after his refusal by Clarice. + +As soon as he was sufficiently recovered he called upon Miss Le Mesurier, +confident that his hour and opportunity had come. Drake, however, had +reported to Clarice on the condition of Mallinson, and her sympathy had +in consequence to a great extent evaporated. Bronchitis was not of the +ailments which spring from a broken heart, and she was inclined to hold +it as a grievance against him that she had been so wastefully touched +with pity. Her sympathy disappeared altogether when with little +circumlocution he broached the subject of the Boruwimi expedition, and +dropped a mention of Mrs. Willoughby's relative. There was something at +the back of it, he hinted. + +Clarice wondered whence he had got his information, but made no effort to +check him. She stood looking out of the window while he retold her the +story of Gorley's death. It became more unreal to her than ever; for +while his account was correctly given, as Mrs. Willoughby had given it to +Fielding, it lacked the uncompromising details which Drake himself had +furnished. Her recollection of these details made the man who had given +them stand out in her thoughts. + +'It was a pitiful affair,' Mallinson concluded, 'but I thought you +ought to know.' + +Clarice drew a finger down the frame of glass in front of her. + +'Mr. Drake thought so too,' she said quietly. + +'Drake!' exclaimed Mallinson, utterly bewildered. 'Drake! The man +wouldn't be such a--' + +'He was though.' + +'Do you mean that he confessed to it?' + +'Confess?' she said, turning towards him. 'That is hardly the word. He +told me of his own accord the moment he knew I had been engaged to--to--' +She broke off at the name, and continued, 'and he spared himself in the +telling far less than you have spared him.' + +She spoke with a gentle dignity which Mallinson had never known in her +before, and he felt that it raised a more solid barrier between them than +even her refusal had done. + +Fielding, meanwhile, waited with an uneasy conscience which no casuistry +would lighten. He threw himself in Mallinson's way time after time in +order to ascertain whether the latter had spoken. Mallinson let no word +of the matter slip from him, and for the rest seemed utterly despondent. +Fielding threw out a feeler at last. + +'Of course,' he said, 'you would never repeat what I told you about +Gorley. I forgot to mention that.' + +Mallinson flushed. 'Of course not,' he said awkwardly. + +Fielding turned on him quickly. 'Then what made you tell Miss Le +Mesurier?' + +Mallinson was too taken aback to deny the accusation. 'Oh, Miss Le +Mesurier,' he replied, 'knew already.' + +'She knew? Who told her?' + +'Drake.' + +Fielding drew in his breath and whistled. His first feeling was one of +distinct relief, that after all he had not been the means by which +Clarice had come to her knowledge; his second was one of indignation +against Drake. He realised how a frank admission from Drake would +outweigh in the girl's susceptible nature the fact admitted. 'What on +earth induced him to reveal it?' + +'I suppose he is a little more cunning than one took him for. No doubt he +saw the thing would get known sooner or later, and thought the disclosure +had better come from himself.' + +Fielding had been leaning to the same opinion, but the moment he heard it +stated, and stated by Mallinson, he felt a certain conviction that it was +wrong. 'I don't believe that,' he said sharply. + +He was none the less, however, indignant with Drake. To intermeddle at +all in other people's concerns was averse to his whole theory of +existence. But to intermeddle, and not very creditably, and out of the +most disinterested motives of benevolence and expediency, and then to +fail! All this was nothing short of degrading. He dined that night at +his club, to which Drake had been elected, and lay in wait for him. +Drake, however, did not appear, and at ten o'clock Fielding went round +to his rooms. + +Drake was living in chambers on the Embankment, a little to the west of +Hungerford Bridge. As he was shown into the room, Fielding could not help +noticing the plainness of its furniture and adornment. The chairs were +covered with a cheap red cretonne; there was an armchair or two with the +high seat and long elbows, which seemed to have gone astray from a +Peckham drawing-room; an ormolu clock under a glass shade ornamented the +overmantel, and in the way of literature there was one book in the +room--Prescott's _Conquest of Peru_--and a copy of the _Times_. + +Drake was seated at the table engaged in the study of a map of Matanga. +'Come in!' he said cordially. Fielding drew up a chair to the fire. 'Have +a drink? The cigars are on the mantelshelf.' + +Drake fetched a syphon and a decanter of whisky and mixed two glasses. He +handed one to Fielding, and brought his map to the fire. + +'Ah!' said Fielding. 'There's likely to be a rising in Matanga, I see.' + +'Very possibly.' + +'How will that affect you?' + +'Not at all, I think. It may delay things, of course, but it won't take +long, and, besides, it won't touch the interior of the country. There +will be a certain amount of shouting in the capital and round the coast, +perhaps a gun or two fired off, and then they'll settle down under a new +President.' + +'But there are a good many Germans there, aren't there? What if they +invite the German Government to interfere?' + +'I don't fancy that's probable. The German colonist isn't over fond of +German rule. You see the first thing a German official wants to do when +he catches sight of a black, is to drill him. It's his first and often +his last idea. He wants to see him holding the palm of his hand against +the stripe of an invisible trouser, and the system doesn't work, because +the black clears over the nearest border.' + +Fielding laughed and turned to the object of his visit. 'Talking of +Matanga, what in the world made you tell Miss Le Mesurier about Gorley?' + +Drake looked up from his map. 'How did you know anything about +Gorley?' he asked. + +'Mrs. Willoughby told me. I thought it was decided Miss Le Mesurier +should not be told.' + +'Mr. Le Mesurier left the choice to me, and it seemed to me that she had +a right to know.' + +'Why?' + +Drake paused for a second in reflection. 'It seemed to me--' he +began again. + +'Well, she hadn't,' snapped Fielding. + +'Well, I think she had,' answered Drake quietly, returning to his map. + +'Then you were wrong; she hadn't. The engagement was broken off a long +while ago, and you hadn't a right to tell her unless you want to marry +her yourself.' + +Drake raised his head with a jerk and stared at the wall in front of him +fixedly. He made no answer, nor could Fielding distinguish upon his face +any expression which gave a clue to his thoughts. He got up from his +chair, and Drake turned to him. 'I gather from your tone,' he said in an +indifferent voice, 'that Mrs. Willoughby resents my action.' + +'My dear fellow, no,' exclaimed Fielding energetically. 'For Heaven's +sake, don't take me for a reflex of Mrs. Willoughby!' + +No more plotting for him, he determined. He had planned and calculated +and interfered, all for other people's good, and this was the thanks he +got; to be quietly informed that he hadn't an idea of his own. + +The next afternoon Mrs. Willoughby stopped her phaeton beside him in Bond +Street. She looked very well, he thought, with her clear +complexion,--clear as those clear eyes of hers with just the hint of +azure in the whites of them--wind-whipped now to a rosy warmth. + +'May I congratulate you yet?' she asked pleasantly. + +Fielding was not to be provoked to renew the combat, and he put the +question aside. 'You remember what you told me the other day about +Gorley,' he said. + +'Yes,' she answered, becoming serious. + +'Well, Miss Le Mesurier knows.' + +'Who told her?' and she leaned forward. + +'Guess.' + +Mrs. Willoughby thought for a moment and then shook her head. 'I can't. +Her father?' + +'No; Drake himself.' + +She started back in her seat. Then she said, 'Of course, we might have +known that he would,' and the 'we' sealed their reconciliation. + + + + +CHAPTER IX + + +When Fielding had gone, Drake opened the window and stepped out on +the balcony. + +'Unless you want to marry her yourself'; the words were stamped upon his +mind in capitals. They formulated to him for the first time the cause of +that unreasoned conviction of his, and formulated it too, as he realised, +with absolute truth. Yes, it was just his desire for Clarice to which he +owed his belief that she had an unquestionable right to know his +responsibility for Gorley's death. + +He wanted her, and wanting her, was committed to scrupulous frankness. + +Drake looked out across the city. At his feet lay the quiet strip of +garden, lawn and bush; beyond, the lamps burning on the parapets of the +Embankment, and beyond them, the river shining in the starlight, polished +and lucent like a slab of black marble, with broad regular rays upon it +of a still deeper blackness, where the massive columns of Hungerford +Bridge cast shadows on the water. An engine puffed and snorted into the +station, leaving its pennant of white smoke in the air. Through the glass +walls of the signal-box above the bridge Drake could see the men in a +blaze of light working at the levers, and from the Surrey end there came +to him a clink, and at that distance a quite musical clink, of truck +against truck as some freight-train was shunted across the rails. Away to +his right the light was burning on Westminster clock-tower; on +Westminster Bridge the lamps of cabs and carriages darted to and fro like +fire-flies. Drake watched two of them start across in the same direction +a few yards apart, saw the one behind close up, the one in front spirt +forward as though each was straining for the lead. They drew level, then +flashed apart, then again drew level, and so passing and repassing raced +into the myriad lights upon the opposite bank. That bank was visible to +him through a tracery of leafless twigs, for a tree grew in front of his +window on the farther edge of the gardens, and he could see the lights +upon its roadway dancing, twirling, clashing in the clear night, just as +they clashed and twirled and danced in the roadway beneath him, sparks +from a forge, and that forge, London. In their ceaseless motion they +seemed rivulets of fire, and the black sheet of water between them the +solid highway. But even while he looked, a ruby light moved on that +highway out from the pillars of the bridge, and then another and another. +Everywhere was the glitter of lights; fixed, flashing like a star on the +curve, or again growing slowly from a pin's point to an orb, and then +dwindling to a point and vanishing. And on every side, too, Drake heard +the quick beat of horses, and the rattle of wheels struck out not from +silence, but from a dull eternal hum like the hum of a mill, sharp +particular notes emerging incessantly from a monotonous volume of sound. + +It was just this aspect and this noise of restless activity which had +always appealed to Drake, and had satisfied him with an assurance that he +was on the road to the fulfilment of his aims. He had achieved something +of his desires, however small. He was in London working at certain +schemes of which he did not doubt the ultimate success. They were built +upon a foundation of knowledge arduously gained and tested. The rising in +Matanga, if it took place, might delay success, but success would surely +come. He might then look forward with confidence to a seat in that +Parliament on which the light was burning, to a share perhaps finally in +its executive. + +But to-night he found that there was something wanting in the +contemplation of these aims, something wanting in the very outlook from +his window. He needed Clarice here in his balcony by his side, and he +pictured the shine of her eyes bent towards him in the dark. And the +perception of that need held him in check, gave him a hint of warning +that the thought of her might become as a wedge driven into the framework +of his purposes and splitting them. + +He could still draw back, he assured himself. But if he went on and won! +He felt the blood surging through his veins. He might win; there was just +a chance. The Gorley incident had made no real difference in Clarice's +friendliness. When once, indeed, she had grown used to it, she had seemed +almost to express some queer sort of sympathy with him. + +Drake closed the window and sat down to calculate the time at which he +would be sufficiently established to make known his suit. He fixed that +time definitely in July. July! The name sounded pleasantly with its +ripple of liquid syllables. Drake found himself repeating it when he +should have been at work. It began to rise to his lips the moment a date +was asked of him, as the only date at all worth mentioning. Fielding came +down to Drake's office in Old Broad Street, in order to apply for shares +in 'Matanga Concessions.' + +'You had better wait,' said Drake. 'I will let you know before they are +offered to the public.' + +'That will be soon?' + +'Not for the moment. There's the possibility of this rising. Let the +country quiet down first!' + +'But when do you propose?' + +'July.' + +'July? That's a long time to come.' + +Drake coloured to the roots of his hair. 'I beg your pardon,' he said +with evident embarrassment; 'much sooner than that of course. I was +thinking of some one else.' He made matters worse by a hurried correction +of 'some one' to 'something.' + +Fielding noticed the embarrassment and the correction, and drew +conclusions. They were conclusions, he thought, of which Mrs. Willoughby +should be advised, and he drove to her house accordingly. He had ceased +to feel displeasure at Mrs. Willoughby's conduct, for since he had +studiously refrained from betraying the slightest irritation at +Mallinson's visits, those visits had amazingly diminished. + +'Did he happen to mention the date of the month and the time of the day?' +was Mrs. Willoughby's comment. + +'It sounds cold-blooded? Hardly, if you knew the man. He looks on life as +a sort of draughtboard. So many definite moves to be made forward upon +definite lines. Then you're crowned king and can move as you please, +backwards if you like, till the end of the game.' + +'He will be crowned king in July?' + +'So I imagine.' + +Meanwhile Drake worked on through March and April, outwardly untroubled, +but inwardly asking himself ever: 'Shall I win? Shall I win?' The +question besieged him. Patient he could be, none more so, when the end in +view was to be gained by present even though gradual endeavour; but this +passive waiting was a lid shut down on him, forcing his energies inwards +to prey upon himself. His impatience, moreover, was increased by the +increasing prospects of his undertaking. Additional reports had been +received from his engineer appraising at a still higher value the quality +of the land. He spoke too of a tract of country bordering Drake's +concession on the north, and advised application for it. Biedermann, +besides, had taken up the project warmly. The company was to come out +early in May; there would be few shares open to the public, and the +revolution had not taken place. + +Why should he wait till July after all? Drake felt inclined to argue the +question one Sunday afternoon in London's lilac time, as he walked +across the green park towards Beaufort Gardens. He found Miss Le +Mesurier alone and in a melancholy mood. She was singing weariful +ballads in an undertone as he entered the room, and she rose +dispiritedly to welcome him. + +'It's seldom one finds you alone,' he said, and his face showed his +satisfaction. + +'I don't know,' she replied. 'It seems to me sometimes that I am always +alone, even when people are by,' and her eyelids drooped. + +'You?' + +Clarice's sincerity was of the artist's sort implying a sub-consciousness +of an audience. She recognised from the accent upon the _you_, that her +little speech had not failed of its effect. She continued more +cheerfully: 'Aunt has gone up to Highgate to see some relations, and +papa's asleep in the library.' + +'You were singing. I hope you won't stop.' + +'I was only passing the time.' + +'You will make me think I intrude.' + +'I'll prove to you that you don't,' and she went back to the piano. Drake +seated himself at the side of it, facing her and facing the open window. +The window-ledges were ablaze with flowers, and the scent of them poured +into the room on a flood of sunshine. + +Clarice was moved by a sudden whim to a change of humour. She sprang +from her dejection to the extreme of good spirits. Her singing proved +it, for she chose a couple of light-hearted French ballads, and sang +them with a dainty humour which matched the daintiness of the words and +music. Her shrugs and pouts, the pretty arching of her eyebrows, the +whimsical note of mockery in her voice, represented her to Drake under a +new aspect, helped to complete her in his thoughts much as her voice, +very sweet and clear for all its small compass, completed in some queer +way the flowers and sunshine. Her manner, however, did more than that; +it gave to him, conscious of a certain stiffness and inflexibility of +temperament, an inner sense of completion anticipated from his hope of a +time when their lives would join. He leaned forward in his chair, +watching the play of her face, the lights and shadows in the curls of +her hair, the nimble touch of her fingers on the keys. Clarice stopped +suddenly. 'You don't sing?' + +'I have no accomplishments at all.' + +She laughed and began to play one of Chopin's nocturnes. Her fingers +rattled against the ivory on a run up the piano. She stopped and took a +ring from her right hand; Drake noticed that it was the emerald ring +which he had seen winking in the firelight on that evening when she had +covered her face from him. She dropped the ring on the top of the piano +at Drake's side. It spun round once or twice, and then settled down with +a little tinkling whirr upon the rim of its hoop Drake fancied that the +removal of this particular ring was in some inexplicable way of hopeful +augury to him. + +Clarice resumed her playing, but as she neared the end of the nocturne, +Drake perceived that there was a growing change, a declension, in her +style. She seemed to lose the spirit of the nocturne and even her command +on the instrument; the firm touch faltered into indecision, from +indecision to absolute unsteadiness; the notes, before clear and +distinct, now slurred into one another with a tremulous wavering. + +'You are fond of music?' she asked at length, with something of an +effort. + +'Very,' he replied, 'though it puzzles me. It's like opening a book +written in a language you don't understand. You get a glimpse of a +meaning here and there, but no meaning really. I can't explain what I +feel,' he added, with a laugh. 'I want Mallinson to help me.' + +'You admire Mr. Mallinson?' asked Clarice, stopping suddenly. + +'Well, one always admires the class of work one can't do oneself, eh?' + +'That's very generous of you.' + +'Why generous?' Drake leaned suddenly forward. His habit of putting +questions abrupt and straight to the point had discomposed Miss Le +Mesurier upon an occasion before. She answered hurriedly. 'I mean--you +spoke as if you meant that class of work was above your own.' + +'Oh, there's no basis of comparison.' + +Clarice seized the opportunity, and inquired after the prospects of his +work in Matanga. + +'The place should do,' said Drake. 'The land's good, there's a river +running through, and I have got picked men to settle on it; all English, +that's the point. But you said generous. I don't see.' + +Clarice switched him on the subject of English colonisation. 'It's +necessary to have Englishmen to start it? Why?' + +'Oh, well,' said Drake. 'It's easy enough to see, if you can compare +English with the foreign colonies.' He rose from his chair and launched +forth, walking about the room. 'Look at the Germans! There are seven +hundred German colonists, all told, in the German colonies, and each of +them costs the German tax-payer little short of eight hundred a year. How +many of them are in the English colonies? And what's the reason? Why, +they want to have the institutions of the Fatherland ready-made in five +minutes. They need the colonies made before they can prosper in it. The +French are better, but they are spoilt by officialdom. The Englishman +just adapts himself to the conditions, and sets to work to adapt the +conditions to himself too. He strikes a sort of mean, and the Home +Government leaves him alone--leaves him too much alone some say, and +rightly, in cases. There's a distinction to be drawn, and it's difficult +to draw it so far away. It's this, when the colony's made, then it isn't +a bad thing for the Government to keep a fairly tight hold on it. But in +the making it's best left to itself; you can lay a cable between London +and a colony too soon for the good of that colony. There's no fear of the +colonist forgetting the mother country--he may forget the Home +Government, does at times, and then there's a mistake or two. But that's +the defect of the quality.' He checked himself abruptly. 'But I'm running +away from what we were talking about. Yes; I think we shall do all right +in Matanga.' + +'You don't mean to go back there yourself?' + +'Not to live there. To tell the truth, I think there's a man or two +wanted in England just now, who has had a practical experience of our +colonies.' Drake spoke without the least trace of boastfulness, but in a +tone of quiet self-reliance, and Clarice had a thrill of intuition that +he would not have said so much as that to any one but herself. + +Clarice began to play again, this time a waltz tune. Drake came over to +the piano, and stood leaning upon the lid of it; he took up the ring and +turned it over in his fingers. She said thoughtfully: + +'I suppose that's true of men as well'; and then, with a hesitating +correction, 'I mean of men like you.' + +'What's true?' + +'Well, that they are best without--help from any one--that they stand in +no need of it.' She spoke quite seriously, with a note almost of regret. + +'Oh, I don't know that,' he answered, with a laugh. 'It would be a rash +thing to say. Of course a man ought to depend upon himself.' + +'Oh, of course,' she agreed, and went on playing. + +Drake was still holding the ring, and he said slowly: + +'You remember that afternoon I told you about'--he hesitated for a +second--'Gorley?' Clarice looked up in surprise. + +'Yes,' she said. + +'You were wearing this ring. You hid your face in your hands. It was the +last thing I saw of you.' + +She lowered her eyes from his face, and said, with a certain timidity, +'He gave it to me.' + +Drake started and leaned on the piano. + +'And you still wear it?' he asked sharply. + +She nodded, but without looking at him. Drake rose upright, straightening +himself; for a moment or two he stood looking at her, and then he walked +away towards the window. His hat was lying on a table close by it. + +'But I don't think that I shall again,' she murmured. She heard him turn +quickly round and come back. He stood behind her; she could see his +shadow thrown across the bar of sunlight on the carpet; but he did not +speak. Clarice became anxious that he should, and yet afraid too. The +music began to falter again; once she stopped completely, and let her +fingers rest upon the keys, as though she had no power to lift them and +continue. Then she struck a chord with a loud defiance. If only he would +move, she thought--if only he would come round and stand in front of +her! It would be so much easier to speak, to divert him. So long as he +stood silent and motionless behind her, she felt, in a strange manner, +at his mercy. + +She rose from her seat suddenly, and confronted him. There was challenge +in the movement, but none the less her eyes sought the ground, and, once +face to face with him, she stood in an attitude of submission. + +'What does that mean?' she heard him ask in a low voice. 'You won't wear +it again.' + +She did not answer, but in spite of herself, against her will, she raised +her eyes until they met his. She heard a cry, hoarse and passionate; she +felt herself lifted, caught, and held against him. She saw his eyes above +hers, burning into hers; she felt the pressure of two lips upon hers, and +her own respond obediently. + +'Is it true?' The words were whispered into her ear with an accent of +wonder, almost of awe. + +'Yes,' she whispered back, compelled to the answer, subservient to his +touch, to his words, and, to the full, conscious of her subservience. She +felt the big breath he drew in answering her monosyllable. He held her +unresisting, passive in his arms, watching her cheeks fire. She realised, +in a kind of detached way, that he was holding her so that the tips of +her toes only touched the floor, and somehow that seemed of a piece with +the rest. Then he set her down, and stood apart, keeping her hands. 'It's +funny,' he said, 'how one goes on year after year, quite satisfied, +knowing nothing of this, meaning not to know.' + +She caught at the phrase and stammered, 'Perhaps that was wise.' + +'It was. For so I met you.' + +He released her hands, and she sank into the nearest chair. Drake walked +to the window and stood facing the sunlight, breathing it in. 'Clarice,' +she heard him murmur, with a shake of his shoulders like a great +Newfoundland dog; and then the cry of a newspaper boy shouting the +headlines of a special edition rasped into the room. + +Drake leaned out of the window. 'Hi!' he called, and tossed a penny into +the street. + +'Threepence,' shouted the boy from below. + +'It's a penny paper,' cried Drake. + +'Threepence. There's a corner in 'em.' + +Clarice listened to the argument. Most men, she thought helplessly, don't +buy newspapers the moment they have been accepted, and, at all events, it +is an occasion when they are disposed to throw their money about. It made +no difference of any kind to him. + +Drake finally got the better of the bargain, and the paper was brought up +to the room. Clarice saw Drake open it hurriedly, and his face cloud and +harden as he glanced down the column. + +'What's the matter?' she asked in a rising voice. + +'A rebellion in Matanga,' he said slowly. 'I thought that danger was +averted,' and there was a distinct note of self-reproach in his tone. + +Clarice felt her heart beat quicker. She rose from her chair. 'What does +that mean to you?' she asked. + +'Delay,' he replied, with the self-reproach yet more accentuated. +'Nothing more, I am sure; but it does mean that.' + +'Nothing more?' + +He noticed an expression of disappointment upon the girl's face, and, +mistaking it, repeated, 'Nothing more than that, Clarice.' He took a step +towards her. 'Of course I ought not to have spoken to you yet,--not until +everything was settled. I am sorry--of course it will come out all right, +only till then it wasn't fair. I didn't mean to,--not even when I came +this afternoon. But seeing you,--I wasn't strong enough,--I gave in.' + +Clarice felt a pulse of satisfaction, and her lips shaped to a smile. + +'Ah, you don't regret it,' he exclaimed, and the look of humiliation +passed from his face. 'Your father's in the library,' he went on; 'I had +better go and tell him. Shall I go alone, or will you come with me?' + +'No, you go; I will wait here.' + +She stood alone in the centre of the room while Drake went downstairs, +staring fixedly in front of her. Once or twice she set her hands to her +forehead and drew them down her flushed cheeks. Then she walked to the +window. There was something floating on the edge of her mind, just +eluding her. A thought was it, or a phrase? If a phrase, who had spoken +it? She began to remember; it was something Stephen Drake had said, but +about what? And then, in a flash, her recollection defined it for her. It +was about moonlight being absorbed into the darkness of an African veld, +just soaking into it like water into dry ground. She had a vision of the +wide rolling plain, black from sky's rim to sky's rim, and the moonlight +pouring a futile splendour into its lap. She moved with a quick and +almost desperate run to the door, opened it, and leaned over the +balustrade of the staircase. The hall was empty and no sound of voices +came from the library. She stepped cautiously down the stairs; as she +reached the last step the door of the library opened and Drake appeared +on the threshold. + +Clarice leaned against the wall, holding her hand to her heart. + +'Why, Clarice!' he cried, and started towards her. + +'Hush!' She tried to whisper the word, but her voice rose. She thrust out +a hand between herself and Drake, and cast a startled glance across his +shoulder, expecting to see her father come forward smiling +congratulations at her. Drake caught the outstretched hand, and, setting +an arm about her waist, drew her into the library. + +'I have not seen Mr. Le Mesurier,' he said; 'he's out, I am afraid.' + +The room was empty. Clarice looked round it, doubting her eyes, and with +a sudden revulsion of feeling dropped into a chair by the table and sat +with her face buried in her arms in a flood of tears. + + + + +CHAPTER X + + +Drake bent over her, stroking her hair with a gentle helpless movement of +his hand and occasionally varying his consolation by a pat on the +shoulders. The puffed sleeves of silk yielding under his touch gave him a +queer impression of the girl's fragility. + +'Oh don't, child!' he entreated. 'It's my fault for speaking so soon. But +really there's nothing to fear--nothing. It'll all come out right--not a +doubt of that. You'll see.' + +Consolation of this kind did but make the tears flow yet more freely. +Drake perceived the fact and stood aside, wondering perplexedly at the +reason. The sound of each sob jerked at his heart; he began to walk +restlessly about the room. The storm, from its very violence, however, +wore itself quickly out; the sobs became less convulsive, less frequent. +Clarice raised her head from her arms and stared out of the window +opposite, with just now and then a little shiver and heave of her back. + +Drake stopped his walk and advanced to her. She anticipated his speech, +turning with a start to face him. + +'You haven't seen my father?' + +'No; the servant told me he had gone out. But I wrote a note saying I +would call again this evening. It is under your elbow.' + +Clarice picked up the crumpled envelope and looked at it absently. + +'Stephen,' she said, and she tripped upon the name, 'there's something I +ought to tell you--now. But it's rather difficult.' + +Drake walked to the window and stood with his back towards her. She felt +grateful to him for the action, and was a little surprised at the tact +which had prompted it. + +'Yes?' he said. + +'We are not very well off,' she continued; 'perhaps you know that.' + +'Yes,' he interrupted. + +'But the position's more complicated than you can know'; she was speaking +carefully, weighing her words. 'Of course you know that I have a sister +younger than myself. She's at school in Brussels. Well, by the Sark laws, +the Seigneurie can't be split up between the members of a family. I think +it's the same with all land there. It must go--what's the +word?--unencumbered to the eldest child. So it must come to me--all of +it. That leaves my sister still to be provided for. Father explained the +whole thing to me. As it is, he has as much as he can do to keep the +Seigneurie up. This house we can't really afford, but father thought he +ought to take it,--well, for my sake, I suppose. So, you see, whatever +money he has he must leave to my sister, and there's still the Seigneurie +for me to keep up.' + +'Yes, I understand. You are bound by duty, if you marry, to marry some +one with means. But, Clarice, it won't be long to wait,' and he turned +back from the window into the room. + +'But till then--don't you see? Of course I know you will be successful,' +and she laid considerable emphasis on the _I_. + +Drake reflected for a moment. 'You mean there would be trouble between +your father and you. The weight of it would fall on you. He might +distrust me. Yes; after all, why should he not? But still the thing's +done, isn't it?' + +Clarice rose from her chair and walked to the grate. A fire was burning, +and she still held Drake's letter in her hand. 'We might keep it to +ourselves,' she said diffidently. She saw Drake's forehead contract. +'For my sake,' she said softly, laying a hand upon his sleeve. She lifted +a tear-stained face up to his with the prettiest appeal. 'I know you hate +it, but it will spare me so much.' + +He said nothing, and she dropped the letter into the fire. + +As Drake was leaving the house she heard, through the closed door, the +sound of her father's voice in the hall speaking to him, and felt a +momentary pang of alarm. The next instant, however, she laughed. He might +have broken his word to himself; he would not break it to her. + +Drake went home, reckoning up the harm he had done with a feeling of +degradation quite new to him. Not the least part of that harm was the +compromise finally agreed upon. But for the traces of tears upon the +girl's cheeks, he would hardly have agreed to it even in the face of +her appeal. Once alone, however, he saw clearly all--the deception +that it implied--deception which involved the girl, too, as well as +himself. He rose the next day in no more equable frame of mind, and +leaving his office at three o'clock in the afternoon, walked along +Cheapside, Holborn, and Oxford Street, and turned down Bond Street, +meaning to pass an hour in the fencing-rooms half-way down St. James +Street. At the corner of Bruton Street he came face to face with Miss +Le Mesurier. She coloured for an instant, and then came frankly +forward and held out her hand. + +'It's funny meeting you here,' she said, and laughed without the least +embarrassment. + +Drake turned and walked by her side with a puzzled conjecture at the +reason of woman's recuperative powers. Clarice's eyes were as clear, her +forehead as sunny, as though she had clean wiped yesterday from her +consciousness. The conjecture, however, brought the reality of yesterday +only yet more home to him. He stopped in the street and said abruptly, +'Clarice, I can't.' + +She stopped in her turn and drew a little pattern on the pavement with +the point of her umbrella. 'Why?' + +A passer-by jostled Drake in the back. Standing there they were blocking +the way. 'Isn't there anywhere we could go? Tea? One drinks tea at this +hour, eh?' + +'No.' + +Clarice felt more mistress of herself in the open street, more able to +cope with Drake while they walked in a throng. She remembered enough +of yesterday to avoid even the makeshift solitude of a tea-table in a +public room. 'Let us walk on,' she said. 'Can't you explain as we go? +I am late.' + +She moved forward as she spoke, and Drake kept pace with her, shortening +his strides. The need of doing that, trifle though it was, increased his +sense of responsibility towards her. 'It's so abominably deceitful, and +it's my doing. I should involve you in the deceit.' + +Clarice glanced at him sharply. The distress of his voice was repeated in +the expression of her face. There was no doubting that he spoke +sincerely. + +'I had better see your father to--day,' he added. + +'No,' she replied energetically; and, after a moment's pause, 'There's +another way.' + +'Well?' + +'Let everything be as it was before yesterday. I shall not change. It +will be better for you to be free. Come to me when you are ready.' + +She signed to a passing hansom, and it drew up by the curb. She got into +it while Drake stood with brows knitted, revolving the proposal in his +mind. 'But you see it can't be the same,' he said; 'because I kissed you, +didn't I?' + +'Yes, you did,' she replied. + +The tremble of laughter in her voice made him look up to her face. The +rose deepened in her cheeks, and the laughter rippled out. 'You are +quaint,' she said. 'I will forget--well--what you said, until you are +ready. Till then it's to be just as it was before--only not less. You are +not to stay away'; and without waiting for an answer she lifted the trap, +gave the cabman his order, and drove off. Drake watched the hansom +disappear, and absently retraced his steps down the street. He stopped +once or twice and stared vaguely into the shop-windows. One of these was +a jeweller's, and he turned sharply away from it and quickened his pace +towards the fencing-rooms. How could it be the same, he asked himself, +when the mere sparkle of an emerald ring in a jeweller's shop-window +aroused in him a feeling of distaste? + +Towards the end of this week Clarice called upon Mrs. Willoughby, and +seemed for the moment put out on finding that Mallinson and Fielding were +present. Mrs. Willoughby welcomed her all the more warmly because she was +finding it difficult to keep the peace between her two visitors. She +understood Clarice's embarrassment when Percy Conway arrived close upon +her heels. Clarice, however, quietly handed him over to Mrs. Willoughby, +and seated herself beside Mallinson in one of the windows. 'I see nothing +of you now,' she said, and she looked the reproach of the hardly-used. 'I +thought we had agreed to be friends?' + +Mallinson sighed wearily. 'I will come and call--some day,' he said +dejectedly. + +'I have not so many friends that I can afford a loss,' she answered +pathetically; and then, 'Tell me about yourself. What are you doing?' + +'Nothing.' + +'No work?' + +'No.' Mallinson shook his head. + +'Why?' + +'I have no incentive--nothing to work for.' + +'That's cruel.' + +They played out their farce of sham sentiment with a luxurious +earnestness for a little while longer, and then Mallinson went away. + +'So he's doing no work?' said Fielding maliciously to Miss Le Mesurier. +He leaned forward as he spoke from the embrasure of the second window, +which was in a line with, and but a few feet apart from, that at which +she was sitting. + +Miss Le Mesurier flushed, and asked, 'How did you hear?' + +'Both windows are open. Mallinson was leaning out.' + +The girl's confusion increased, and with it Fielding's enjoyment. He +repeated, 'So he's doing no work?' + +'A thousand a year, don't you know?' said Conway, with a sneer. 'It would +make a man like that lazy.' + +'It's not laziness,' exclaimed Clarice indignantly. She was filled with +pity for Mallinson, and experienced, too, a sort of reflex pity for +herself as the inappropriate instrument of his suffering. She was +consequently altogether tuned to tenderness for him. 'It's not laziness +at all. It's--it's--' She cast about for a laudatory explanation. + +'Well, what?' Fielding pressed genially. + +'It's the artistic temperament,' she exclaimed triumphantly. + +Fielding laughed at her vindication, and Miss Le Mesurier walked across +the room and said good-bye to Mrs. Willoughby. Conway rose at the same +time, and the pair left the house together. + +'What a liar that man is!' said Fielding. + +'What man?' asked Mrs. Willoughby. + +'Why, Mallinson. He said he was doing no work because he had no +incentive. As a matter of fact, I happen to know that he is working +rather hard.' + +'What did Clarice say?' + +'What you might expect. She melted into sympathy.' + +Mrs. Willoughby looked puzzled. 'Yet she went off with Percy Conway +immediately afterwards,' she said, and then laughed at her recollections +of a previous visit from that gentleman. + +'Yes; and absolutely unconscious of the humour of her behaviour,' said +Fielding. 'That's so delightful about her.' He paused for a second and +asked, 'Have you ever been inside a camera obscura? You get a picture, an +impression, very vivid, very accurate, of something that is actually +happening. Then some one pulls a string and you get a totally different +picture, equally vivid, equally accurate, of something else which is +actually happening. There is no trace of the first picture in the second. +Then they open a shutter and you see nothing but a plain white slab. +Somehow I always think of Miss Le Mesurier's mind.' + +After leaving Mrs. Willoughby's, Conway and Miss Le Mesurier walked +together in the direction of Beaufort Gardens. + +'Do you see much of Mr. Drake?' she asked, after a considerable silence. + +'Not as much as one would wish to. He's generally busy.' + +'You like him, then?' she asked curiously. 'Why?' + +'Don't you? There's an absence of pretension about him. Nothing of the +born-to-command air, but insensibly you find yourself believing in him, +following him. I believe even Fielding finds that as well. When Drake +first came back I used to stand up for him--well, because, perhaps, I had +a reason of my own. I am not sure that I believed all I said, but I am +sure now I should say exactly the same and believe every word of it.' + +He spoke with a quiet conviction which gave solid weight to his words, +owing to its contrast with the flighty enthusiasm which was the usual +characteristic of his eulogies. + +'You mentioned Mr. Fielding,' she said. + +'Yes; haven't you heard? He's investing in Matanga Concessions, and +largely for him. He's often seen in Drake's office.' + +Clarice walked along in silence for some way further. Then she said, with +a distinct irritation in her voice, 'I suppose it all comes from the fact +that Mr. Drake doesn't seem to need any one to rely upon, or--well--any +particular incentive to work.' + +Conway glanced at Miss Le Mesurier with a slight surprise. She was +generally given to accept facts without inquiry into their causes. 'I +shouldn't wonder if you are right. Drake, I should think, would find his +incentive in the work itself. Yes; I believe you _are_ right. It's just +his single-mindedness which influences one. There are certain ideas fixed +in his mind, combined into one aim, and he lets nothing interfere to +obscure that aim.' + +So he spoke; so, too, Clarice believed, and that picture of moonlight on +the veld became yet more vivid, yet more frequent in her thoughts. +Pondering upon it, her fancy led her to exaggerate Drake into the +likeness of some Egyptian god, that sits with huge hands resting upon +massive knees, and works out its own schemes behind indifferent eyes. The +sight of him, and the sound of commonplace words from his mouth, would at +times make her laugh at the conception and restore her to her former +familiarity with him. But the fancy returned to her, and, each time, +added a fresh layer to the colour of her thoughts. She came now and again +to betray a positive shrinking from him. Drake noticed it; he noticed +something else as well: in the first week of July the emerald ring +reappeared upon her finger. + +In the second week Mr. Le Mesurier removed his household gods to Sark. It +was his habit to spend the summer months upon the island, and to +entertain there his friends in succession. He invited both Mrs. +Willoughby and Stephen Drake. The former accepted, the latter, being on +the eve of floating the Matanga Concessions, declined for the present to +Clarice's great relief, but promised to come later. The company was +floated towards the end of the month, and with immediate success. Mr. Le +Mesurier read out at breakfast a letter which he had received from Drake, +announcing that every share had been taken up on the very day of +flotation. + +'Then he is coming,' said Clarice. 'When?' + +Mr. Le Mesurier mistook his daughter's anxiety, and smiled satisfaction +at her. 'To-morrow,' he replied; 'but only for three days at first. +There's some new development he speaks of. He will have to leave again on +Saturday for a fortnight.' + +Clarice sat thoughtfully for a minute or two. Then she asked: 'Did you +invite Mr. Mallinson this summer?' + +Mr. Le Mesurier shuffled his feet under the table. 'No, my dear,' +he said. 'I forgot all about it; and now I don't see that we shall +have room.' + +'Oh yes,' replied Clarice quickly. 'He might have Mr. Drake's room during +that fortnight. I think we ought to ask him. We always have, and it will +look rather strange if we leave him out this summer. I will get aunt to +write after breakfast.' + +Mr. Le Mesurier glanced at Mrs. Willoughby, but made no active +resistance, and Clarice took care that the letter was despatched by that +day's post. On the next day she organised a picnic in Little Sark, and +returned to the Seigneurie at an hour which gave her sufficient time to +dress for dinner, but no margin for welcoming visitors. In consequence +she only saw Drake at the dinner-table. She saw little of him afterwards, +for Mr. Le Mesurier pounced upon him after dinner. 'I want to introduce +you to Burl,' he said. 'He's Parliamentary agent for the Northern +Counties. There's a constituency in Yorkshire where my brother lives, and +I rather think Burl wants a candidate.' + +Drake was presented to a gentleman six feet three in his socks, +deep-chested, broad-shouldered, with a square rugged face on the slant +from the forehead to the chin. Mrs. Willoughby said he looked like a +pirate, and rumour made of her simile a fact. It was known that, late one +night in the smoking-room of the Seigneurie, he had owned to +silver-running on the coast of Mexico. Mr. Burl and Drake passed most of +that evening smoking together in the garden. Similarly on the next day +Clarice avoided a private interview with Drake. On the other hand, +however, he made no visible effort to secure one. Mrs. Willoughby +wondered at his reticence, and did more than wonder. She had by this time +espoused his cause, and knowing no half-measures in her enthusiasms, saw +his chances slipping from him, with considerable irritation. She was +consequently provoked to hint her advice to him on the evening before he +was to leave. + +Drake shook his head and replied frankly: 'One can be too previous. I +made that mistake once before, and I don't mean to repeat it.' + +He remained silent for a moment or two, and added: 'I think I'll tell you +about it, Mrs. Willoughby. You have guessed some part of the story, and +you are Clarice's friend, and mine too, I believe.' + +With an impulsiveness rare in him, which however served to rivet him yet +more firmly in Mrs. Willoughby's esteem, he confided to her the history +of his proposal and its lame result. 'So you see,' he concluded, 'I am +not likely to risk a repetition of the incident.' + +'But,' said she, 'surely there's no risk now?' + +'Very likely, but there is just a little. This next fortnight will, I +think, make everything secure, but I must wait that fortnight.' + +'Well, I believe you are unwise.' Drake turned to her quickly. 'Why?' + +'Mr. Mallinson takes your place for the fortnight. Of course I don't +know. Clarice has given up confiding in me. But I really think you +are unwise.' + +Drake sat staring in front of him. He was considering Mallinson's visit +in conjunction with the reappearance of the emerald ring upon Miss Le +Mesurier's finger. 'All the same,' he said at length, 'I shall wait.' + +The reason for this hesitation he explained more fully to Clarice herself +some half an hour afterwards. He found her standing by herself upon the +terrace. She started nervously as he approached, and it seemed to him +that her whole figure stiffened to a posture of defence. She said +nothing, however, and for a while they stood side by side looking +seawards across the breadth of the island. The ground stretched away +broken into little hollows and little hills,--downs in vignette. A cheery +yellow light streamed from the windows of a cottage in a dip of the +grass; the slates of a roof glistened from a group of sycamores like a +mirror in a dark frame; the whole island lay bared to the moonlight. +Towards the edge of it the land rose upwards to a ridge, but there was a +cleft in the ridge opposite to where they stood, and through the cleft +they looked downwards to the sea. + +Clarice spoke of the moonbeams broken into sparkles by the ripple of +the water. + +'Like a shoal of silver coins,' said Drake. + +'Wouldn't you like to hear them clink?' she asked petulantly. + +Then he said: 'Miss Le Mesurier'--and the change in his voice made the +girl turn swiftly to face him--'I leave Sark to-morrow morning by the +early boat, so I thought I would say good-bye to you to-night.' + +'But you are coming back,' she said quickly; 'I shall see you, of course, +when you come back. What takes you away?' + +'There's some land in Matanga which bounds my concession on the north, +and I want to get hold of it. It's, I believe, quite as good, and may be +better, than mine, and I know that some people are after it. It wouldn't +help me if another company was to be started; and as the President of the +Matanga Republic is on his way to England, I thought that I had better go +out to Madeira, catch his steamer there, and secure a concession of it +before he reaches England.' + +Clarice gave a laugh. 'Then we are to expect you in a fortnight?' + +'Yes, in a fortnight,' and he laid a significance upon the word which +Clarice did not mistake. It was spoken with an accent of entreaty. + +But indeed she needed no emphasis to fix it in her mind. The word +besieged her; she caught herself uttering it, and while she uttered it +the time itself seemed to have slipped by. She had but to say 'No' at the +end of the fortnight, she assured herself, and she knew that she would +only have to say it once. But the memory of that Sunday afternoon in +Beaufort Gardens lay upon her like a load crushing all the comfort out of +her knowledge. + +Drake caught his steamer at Southampton, and the President at Madeira. He +was received warmly as an old acquaintance, warily as a negotiator. +However, he extracted the concession as the boat passed up Southampton +Water, and disembarked with a signed memorandum in his pocket. At +Southampton post-office he received a bundle of letters which had been +forwarded to him from his chambers in London. He slipped them into his +coat, and went at once on board the Guernsey steamer. At Guernsey, the +next morning, he embarked on the little boat which runs between Guernsey +and Sark. The sun was a golden fire upon the water; the race of the tides +no more than a ripple. The island stuck out its great knees into the sea +and lolled in the heat. Half-way across Drake bethought him of the +letters. He took them out and glanced over the envelopes. One was in +Clarice's handwriting. It announced to him her engagement with Sidney +Mallinson. + + + + +CHAPTER XI + + +Of Drake's arrival at the Seigneurie Mrs. Willoughby wrote some account +to Hugh Fielding, who was taking the waters for no ailment whatever at +Marienbad. 'I was surprised to see him,' she wrote, 'because Clarice told +me that she had written to him. Clarice was running down the stairs when +he came into the hall. She stopped suddenly as she caught sight of him, +clutched at the balustrade, slipped a heel upon the edge of the step, and +with a cry pitched straight into his arms at the bottom. Mr. Mallinson +came out of the library while he was holding her. Clarice was not hurt, +however, and Mr. Drake set her down. "I didn't pass through London," he +said, and he seemed to be apologising. "My letters were forwarded to +Southampton, and I only opened them on the Sark steamer." Then he +congratulated them both. I spoke to Mr. Drake the same evening on the +terrace here, foolishly hinting the feminine consolation that he was well +free from a girl of Clarice's fickleness. He was in arms on the instant. +One gets at truth only by experiment, and through repeated mistakes. Why +except women's hearts from the same law? I give his opinion, not his +words. He doesn't talk of "women's hearts." You know his trick of +suggesting when it comes to talk of the feelings. I slid into a worse +blunder and sympathised with him. He replied that it didn't make the +difference to him which I might think. I felt as if a stream of ice-water +had been turned down my back on Christmas Day. However, he went on in a +sort of shame-faced style, like a schoolboy caught talking sentiment. +"One owes her a debt for having cared for her, and the debt remains." He +stayed out his visit and left this morning. He goes to Switzerland, and +asked for your address. His is _The Bear, Grindelwald_. Write to him +there; better, join him. He talks of going out to Matanga later in the +year for a few months. So there's the end of the business, or rather one +hopes so. I used to hope that Clarice would wake up some morning into a +real woman and find herself--isn't that the phrase? I hope the reverse +now; that she and her husband will philander along to the close of the +chapter. But I prefer your word,--to the close of the "comedy," say. It +implies something artificial. Mallinson and Clarice give me that +impression,--as of Watteau figures mincing a gavotte, and made more +unreal by the juxtaposition of a man. Let's hope they will never perceive +the flimsiness of their pretty bows and ribbons! But I think of your one +o'clock in the morning of the masquerade ball, and frankly I am afraid. I +look at the three without--well, with as little prejudice as weak woman +may. Mallinson, you know him--always on the artist's see-saw between +exaltation and despair. Doesn't that make for shiftiness generally? +Clarice I don't understand; but I incline to your idea of her as at the +mercy of every momentary emotion, and the more for what has happened this +week. Since her engagement she seems to have lost her fear of Stephen +Drake. She has been all unexpressed sympathy. And Drake? There's the +danger, I am sure--a danger not of the usual kind. Had he been +unscrupulous he might have ridden roughshod over Clarice long before now. +But he's too scrupulous for that. I think that he misses greatness as we +understand it, through excess of scruple. But there's that saying of his +about a debt incurred to Clarice by the man caring for her. Well, +convince him that he can pay it by any sacrifice; won't he pay it? +Convince him that it would benefit her if he lay in the mud; wouldn't he +do it? I don't know. I made a little prayer yesterday night, grotesque +enough, but very sincere, that there might be no fifth act of tragedy to +make a discord of your comedy.' + +Fielding received Mrs. Willoughby's command to join Drake with a grin at +her conception of him as fit company for a gentleman disappointed in his +love-affairs. He nevertheless obeyed it, and travelling to Grindelwald +found Drake waiting him on the platform with the hands of an +oakum-picker, and a face toned uniformly to the colour of a ripe pippin. +'You have been climbing mountains, I suppose?' asked Fielding. + +'Yes,' nodded Drake. + +'Well, don't ask me to join you. It produces a style of conversation I +don't like.' + +Drake laughed, and protested that nothing was further from his intention. +Certain letters, however, which Fielding wrote to Mrs. Willoughby during +this period proved that he did join him, and more than once. The two men +returned to London half-way through September. + +On the journey from Dover to Charing Cross Drake asked whether Mrs. +Willoughby was in town. He was informed that at the moment she was +visiting in Scotland, but she was expected to pass through London at the +end of a fortnight. Drake wrote a note to her address asking her to spare +him a few moments when she came south, and receiving a cordial assent +with the statement of the most favourable hour, walked across one evening +to Knightsbridge. Mrs. Willoughby remarked a certain constraint in his +manner, and awaited tentacle questions concerning Sidney Mallinson and +Clarice. She said: 'You look well. You have enjoyed your holiday.' + +'I had an amusing companion.' + +'You have given him some spark of your activity,' and the sentence was +pitched to convey thanks. + +'Then you have seen him?' Drake's embarrassment became more +pronounced. He paused for a second and then rose and walked across the +room. 'You know, I suppose,' he resumed, 'that I am going out to +Matanga in a month.' + +'I heard something of that from Mr. Fielding,' she said gently. + +'Yes,' he said, with a change in his voice to brisk cheerfulness. 'It +seemed to me that I ought to go. Our interests there are rather large +now. I consulted my fellow-directors, and they agreed with me.' + +The sudden disappearance of the constraint which had marked him surprised +Mrs. Willoughby. 'But can you leave London?' she asked. + +'Oh yes; I have made arrangements for that,' he replied. 'I have got Burl +to look after things here.' + +'Mr. Burl?' + +'Yes; it's rather funny,' said Drake, with a laugh. 'He came to ask +me whether I was disposed to take up politics. There was a +constituency in Yorkshire he could arrange for me to stand +for--Bentbridge. Do you know it?' + +'I have been there. Mr. Le Mesurier has a brother just outside the town. +It was there, I believe, that he became acquainted with Mr. Burl.' + +'So I gathered. Well, I wanted the question left open for a bit. Then +Burl made another proposal. He said they wanted a paper in the district. +There were some people ready to back the idea, but they didn't have quite +enough capital. Burl wanted me to provide the rest. He didn't get it, but +he nearly did, and it struck me that he was just the man I wanted. So +after he had had his say, I had mine, and he has thrown up politics and +joined me.' Drake ended his story with a laugh, and added, 'I think I am +lucky to have got hold of him.' + +'Then you don't mean to go away for good?' exclaimed Mrs. Willoughby. + +'Oh dear no! What on earth made you think that? But I will be away a +year, I think,--and--and, that's just the point.' His embarrassment +returned as suddenly as it had left him. + +'I don't understand.' + +'Well, I had an idea of persuading Fielding to go with me.' He blurted +the proposal brusquely. 'He's interested, you see, in the success of the +colony, and--well, altogether, I didn't think it would be a bad thing.' + +Mrs. Willoughby walked to the window and looked out of it for a few +seconds. 'What does Mr. Fielding say?' she asked. + +'I haven't broached the subject to him yet. I thought I wouldn't +before--' He stopped and made no effort to finish the sentence. + +'It's a year,' she said slowly, lengthening out the word. 'Yes, only a +year,' said he briskly, and Mrs. Willoughby smiled in spite of herself. +She thought of the new air of alertness which Fielding had worn since his +return from Switzerland. She came back to Drake and held out her hand to +him. 'You think very wisely for your friends,' she said. + +'It's an inspiriting business to see a community in the making,' +he answered; 'especially when there's money to help it to make +itself quickly.' + +He wished her good-bye and moved to the door. As he opened it he said, +'By the way, is the date of the marriage fixed?' but without turning +towards her. + +She said, 'Yes, the 8th of December,' and she saw his shoulders brace, +and the weight of his body come backwards from the ball of the foot on +to the heel. + +'Ah! I shall be in Africa by then,' he said. + +It was in fact near upon the end of February that the river-steamer +plying between the settlement and the coast of Matanga brought to Drake +and Fielding an announcement that the marriage had taken place. There +were letters for both the men, and they carried them out to a grass knoll +on the edge of the forest some quarter of a mile away from the little +village of tin huts which shone in the sunshine like a tidy kitchen, as +Fielding was used to say. Drake read his through, and said to Fielding, +'You have a letter from Mrs. Willoughby?' + +'Yes.' + +'Any news?' + +Fielding looked him in the face. 'Yes,' he said slowly, and putting the +letter in his pocket, buttoned it up. Drake understood alike from his +tone and action what news the letter conveyed, and made no further +inquiry. He fell instead to talking of some machinery which the boat had +brought up along with the letters. The letter, indeed, was written in a +vein which made it impossible for Fielding to follow the usual habit of +reading Mrs. Willoughby's letters aloud to his companion. 'The wedding,' +she wrote, 'lacked nothing but a costumier and a composer. The bride and +bridegroom should have been in fancy dress, and a new Gounod was needed +to compose the wedding-march of a marionette. One might have taken the +ceremony seriously as an artistic whole under those circumstances.' + +Mrs. Willoughby continued to keep Fielding informed of the progress or +the married couple, and in May hinted at dissensions. The hint Fielding +let slip one day to Drake. Drake, however, received the news with +apparent indifference, and indeed returned to England in September with +Fielding without having so much as referred to the subject. + +During the month which followed his return, he preserved the same +appearance of indifference, seeming, indeed, thoroughly engrossed in +working off arrears of business. The fact, however, of this dissension +was thrust before his notice one evening when he dined with Mr. Le +Mesurier, and that gentleman dealt out extravagant praise to the French +for recognising that the marriages of the children are matters which +solely concern the parents. + +'We English,' said he with a shrug of contempt at the fatuity of his +countrymen, 'men and women, or rather boys and girls, choose for +ourselves, and what's the result nine times out of ten? Well, it's the +custom, and it's no use for a man by himself trying to alter it.' + +Drake was familiar with Mr. Le Mesurier's habit of shifting +responsibilities, and while he said nothing at the moment, called upon +Mrs. Willoughby the next day and questioned her openly. Mrs. Willoughby +admitted that there were disagreements, but believed them not to be deep. + +'The first year,' she said, 'is as a rule a trying time. There are +illusions to be sloughed. People may come out all the stronger in the +end.' Mrs. Willoughby generalised to conceal the little hopefulness she +felt in regard to the particular instance. + +'I ask,' continued Drake, 'because I thought money might be at the bottom +of it. In that case something perhaps might be done. Mrs. Mallinson would +be troubled, I believe, by a need to economise.' + +'Oh no,' she returned. 'There's no trouble of that kind. You see, Mr. Le +Mesurier sold the Seigneurie, for one thing--' + +'Sold it!' exclaimed Drake. 'Why, I was told that it was strictly +entailed from father to child.' + +'In one respect it is. It can't be charged with annuities. But any one +who owns it can sell it outright. Mr. Le Mesurier always intended to sell +it if Clarice married a man only moderately well off.' + +Drake rose from his chair and walked once or twice quickly across the +room. + +'He should have told his daughter that,' he said slowly. + +Mrs. Willoughby glanced at him in surprise. + +'Well, of course he did.' + +'Oh no, he didn't,' said Drake quickly. 'You remember, I told you at Sark +why she wanted our engagement to be kept secret.' + +'Because your position wasn't altogether assured. You didn't mention the +Seigneurie.' + +'No, I thought you would understand. She believed an engagement between +us would cause trouble with her father, just because it was necessary for +her to marry a man who could keep up the Seigneurie.' + +Mrs. Willoughby started. 'Clarice told you that!' she said, +staring at him. + +'Yes,' he replied simply. 'So you see she didn't know.' + +Mrs. Willoughby sank back into her chair. She had heard Mr. Le Mesurier +announce his intention more than once in Clarice's presence. However, she +fancied that no particular good would be done by informing him of the +girl's deception, and she dropped the subject. + +'What about Conway?' asked Drake. + +'He still walks up and down London. I fancy he is secretary to +something.' + +Drake hesitated for a second. 'Does he go there very much?' + +'A good deal, I fancy,' she replied. 'But you mustn't think the +disagreement is really serious. There is no cause outside themselves. +Have you called?' + +'No; I go down to Bentbridge to-morrow. I must call when I get back.' + +'Then you are going to stand for Parliament?' she exclaimed. 'I am so +glad.' + +'Yes; they expect an election in July, I believe. You see, now that +Fielding has been made a director and has settled down to work, I have +got more time. In fact, one feels rather lonely at nights.' + +Mrs. Willoughby was willing to hear more concerning Fielding's merits. +She promptly set herself to belittle the importance of his position and +work for the sake of hearing them upheld, and she was not disappointed. + +'It's easy enough to laugh at finance, and fashionable into the bargain,' +he said. 'But here's the truth of the matter. Money does to-day what was +the work of the sword a century or so ago, and, as far as I can see, does +it better. To my thinking, it should be held in quite as high esteem. You +can put it aside and let it rust if you like, but other nations won't +follow your good example. Then the time comes when you must use it, and +you find the only men you've got to handle it are the men you can't +trust--the bandit instead of the trained soldier. No! Put the best men +you can find to finance, I say,' and with that he said good-bye. + +'Why doesn't he drop them altogether?' asked Fielding with considerable +irritation when Mrs. Willoughby informed him of Drake's intention to +renew his acquaintance with the Mallinsons. + +'It would only make matters worse if he did,' replied she. 'Clarice would +be certain to count any falling off of her friends as a new grievance +against her husband.' + +'Friends?' + +'He is willing to take his place as one.' + +'He will find it singularly uninteresting. Friendship between a man +and a woman!' + +He shrugged his shoulders; then he laughed to himself. Mrs. +Willoughby got up nervously from her chair and walked to the opposite +end of the room. + +'These things,' continued Fielding in a perfectly complacent and +unconscious tone, 'are best understood by their symbols.' + +Mrs. Willoughby swung round. 'Symbols?' she asked curiously. + +Fielding took a seat and leaned back comfortably. 'The feelings and +emotions,' he began, 'have symbols in the visible world. Of these symbols +the greater number are flowers. I won't trouble you with an enumeration +of them, for in the first place I couldn't give it, and in the second, +Shakespeare has provided a fairly comprehensive list. And by nature I am +averse to challenging comparisons. There are, however, feelings of which +the symbols are not flowers, and amongst them we must reckon friendship +between man and woman. Passion, we know, has its passion flower, but the +friendship I am speaking of has its symbol too'--he paused +impressively--'and that symbol is cold boiled mutton.' + +Mrs. Willoughby laughed awkwardly. 'What nonsense!' she said. + +'A mere _jeu d'esprit_, I admit,' said he, and he waved his hand to +signify that he could be equally witty every day in the week if he chose. +His satisfaction, indeed, blinded him to the fact that his speech might +be construed as uncommonly near to a proposal of marriage. He thought, +with a cast back to his old dilettante spirit, that it would be amusing +to repeat it, especially to a woman of the sentimental kind--Clarice +Mallinson, for instance. He pictured the look of injury in her eyes and +laughed again. + + + + +CHAPTER XII + + +Clarice was indeed even more disappointed than Mrs. Willoughby imagined. +She had looked forward to her marriage, and had indeed been persuaded to +look forward to it, as to the smiting of a rock in her husband's nature +whence a magical spring of inspiration should flow perennially. 'The +future owes us a great deal,' Mallinson had said. 'It does indeed,' +Clarice had replied in her most sentimental tones. Only she made the +mistake of believing that the date of her marriage was the time appointed +for payment. Instead of that spontaneous flow of inspiration, she had +beneath her eyes a process of arduous work, which was not limited to a +special portion of the day, like the work of a business man, and which, +in the case of a man with Mallinson's temperament, inevitably produced an +incessant fretfulness with his surroundings. Now, since this work was +done not in an office but at home, the burden of that fretfulness fell +altogether upon Clarice. + +She took to reading the _Morte d'Arthur_. Fielding found her with the +book in her hand when he called, and commented on her choice. + +'There's no romance in the world nowadays,' she replied. + +'But there has been,' he replied cheerfully; 'lots.' + +Clarice professed not to understand his meaning. He proceeded to tick off +upon his ringers those particular instances in which he knew her to have +had a share, and mentioned the names of the gentlemen. He omitted +Drake's, however, and Clarice noticed the omission. For the rest she +listened quite patiently until he came to an end. Then she asked gravely, +'Do you think that is quite a nice way to talk to a married woman?' + +'No,' he admitted frankly, 'I don't.' For a few minutes the +conversation lagged. + +This was, however, Fielding's first visit since his home-coming, and +Clarice yielded to certain promptings of curiosity. + +'I hardly expected you would be persuaded to go out to Africa, even +by--any one,' she concluded lamely. + +'Neither did I,' he replied. + +'Did you enjoy it?' she asked. + +'I went out a Remus, I return a Romulus.' + +There were points in Clarice's behaviour which never failed to excite +Fielding's admiration. Amongst these was a habit she possessed of staring +steadily into the speaker's face with all the appearance of complete +absence of mind whenever an allusion was made which she did not +understand, and then continuing the conversation as though the allusion +had never been made. 'Of course you had a companion,' she said. + +Fielding agreed that he had. + +'I have not seen him,' she added. + +'No?' + +'No.' Clarice was driven to name the companion. 'You seem to have struck +up a great friendship with Mr. Drake. I should hardly have thought that +you would have found much in common.' + +'_Arcades ambo_, don't you know?' + +Clarice did not know, and being by this time exasperated, she showed that +she did not. Fielding explained blandly, 'We both drive the same pigs to +the same market.' + +Clarice laughed shortly, and stroked the cover of her _Morte d'Arthur_. +'I suppose that's just what friendship means nowadays?' + +'Between man and man--yes. Between woman and woman it's different, and +it's, of course, different too between man and woman. But perhaps that's +best to be understood by means of its symbol,' and he worked up to his +climax of cold boiled mutton with complete satisfaction. + +'I gather, then, that you see nothing of Mrs. Willoughby now,' said +Clarice quietly as soon as he had stopped. Fielding was for the moment +taken aback. It seemed to him that the point of view was unfair. +'Widows,' he replied with great sententiousness,--'widows are different,' +and he took his leave without explaining wherein the difference lay. He +wondered, however, if Clarice's point of view had occurred to Mrs. +Willoughby. + +Fielding's visit, and in particular his teasing reticence as to his +stay in Matanga, had the effect of recalling Clarice's thoughts to the +subject of Stephen Drake. She recalled her old impression of him as one +self-centred and self-sufficing, a man to whom nothing outside himself +would make any tangible difference; but she recalled it without a trace +of the apprehension with which it had been previously coupled. She +began indeed to dwell upon that idea of him as upon something restful, +and the idea was still prominent in her mind when, a little more than a +week afterwards, Drake galloped up to her one morning as she was +crossing the Park. + +'I have been meaning to call, Mrs. Mallinson,' he said, 'but the fact is, +I have had no time. I only got back from Bentbridge last night.' + +Clarice received a sudden and yet expected impression of freshness from +him. 'Papa told me you were going to stand,' she replied. 'You stayed +with my uncle, Captain Le Mesurier, didn't you?' + +'Yes. Funnily enough, I have met him before, although I didn't know his +name. He travelled in the carriage with me from Plymouth to London when I +first landed in England.' + +Clarice wondered what made him pause for a moment in the middle of the +sentence. 'Your chances are promising?' she asked. + +'I can't say yet. I have a Radical lord against me. Burl says there's no +opponent more dangerous. It will be a close fight, I think.' He threw +back his head and opened his chest. His voice rang with a vigorous +enjoyment in the anticipation of a strenuous contest. + +'So you are glad to get back to London,' she said. + +'Rather. I feel at home here, and only here--even in January.' He looked +across the Park with a laugh. It stretched away vacant and dull in the +gray cheerlessness of a winter's morning. 'The place fascinates me; it +turns me into a child, especially at night. I like the glitter of shops +and gas-lamps, and the throng of people in the light of them. One +understands what the Roman citizen felt. I like driving about the streets +in a hansom. There are some one never gets tired of Oxford Street, for +instance, and the turn out of Leicester Square into Coventry Street, with +the blaze of Piccadilly Circus ahead. One hears that poets starve in +London, and are happy; I can believe it. Well, I am keeping you from the +shops, and myself from business.' + +He shook hands with her and mounted his horse. + +'You have not yet seen my husband,' she said, and she felt that she +forced herself to speak the word. + +'Not yet. I must look him up. You live in Regent's Park, don't you?' + +'Close by. Will you come some evening and dine?' + +The invitation was accepted, and Drake rode off. He rode well, Clarice +noticed, and his horse was finely limbed and perfectly groomed. The +perception of these details had its effect. She stood looking after him, +then she turned slowly and made her way homewards across the Park. Two of +her acquaintances passed her and lifted their hats, but she took no +notice of them; she did not see them. A picture was fixed in her mind--a +picture of a rolling plain, black as midnight, exhaling blackness, so +that the air itself was black for some feet above the ground; and into +this cool and quiet darkness the moonbeams plunged out of a fiery sky and +were lost. They dropped, she fancied, after their long flight, to their +appointed haven of repose. + +The street door of her house gave on to a garden. Clarice walked along +the pathway in front of the house towards the door of the hall. As she +passed her husband's study windows she glanced in. He was standing in +front of the fireplace, tearing across some sheets of manuscript. Clarice +hurried forwards. He was always tearing up manuscript. While she was +upstairs taking off her hat she heard his door open and his voice +complaining to the servants about some papers which had been mislaid. She +felt inclined to take the servants' part. After all, what was a man doing +in the house all day? There was a dragging shuffle of his slippers upon +the floor of the hall. The sound jarred on her. She pinned on her hat +again, ran downstairs, gave orders that she would not be in for lunch, +and drove at once to Mrs. Willoughby's. She arrived in a state little +short of hysterical. + +'Connie,' she cried, almost before the servant who announced her was out +of the room, 'I know you don't like me, but oh, I'm so unhappy!' + +Mrs. Willoughby softened at sight of her evident distress. 'Why, what's +the matter?' she asked, and made her sit down beside her on the sofa. + +'It's awful,' she said, and repeated, 'it's awful.' + +'Yes, child, but what is?' asked Mrs. Willoughby. + +'All is--I mean everything is,' sobbed Clarice. + +Mrs. Willoughby recognised that though the correction amended the +grammar, it did not simplify the meaning. She pressed for something +more precise. + +'Don't be irritable, Connie,' quavered Clarice, 'because that's just +what Sidney is--and always. It's so difficult to make you understand. +But he's just a lot of wires, and they keep twanging all day. He +nags--there's no other word for it--he nags about everything--the +servants, his publishers, the dinner, and--oh!--oh!--why can't he wear +boots in the morning?' + +The point of the question was lost on Mrs. Willoughby. She began to +expostulate with Clarice for magnifying trifles. + +'Of course,' replied Clarice, sitting up suddenly--she had been half +lying on the sofa in Mrs. Willoughby's arms--'I know they are trifles; I +know that. But make every day full of them, every day repeat them! Oh, +it's awful! I wonder I don't break down!' She turned again to Mrs. +Willoughby, lapsing from vehemence to melancholy as the notion occurred +to her. 'Connie, I believe I shall--break down altogether. You know I'm +not very strong.' She put her arms about Mrs. Willoughby, and clung to +her in the intensity of her self-compassion. 'You can't imagine the +strain it is. And if that wasn't enough, his mother comes up from Clapham +and lectures me. I wouldn't mind that, only she's not very safe about her +h's, and she stops to dinner and talks about the nobility she's had cooks +from, to impress the servants. It's so humiliating, to be lectured by any +one like that.' + +Mrs. Willoughby scented a fact. 'But what does she lecture you about? The +dinner?' she asked, with an irrelevant recollection of Drake's impression +of Clarice as one little adapted for housewifely duties, and not rightly +to be troubled by them. + +'Oh no. She says I don't give Sidney the help he expected from me. But +what more can I do? He has got me. Sidney says the same, too. He told me +that he had never had so much difficulty to work properly as since we +were married. And when his work doesn't succeed I know he blames me for +it. Oh, Connie! _is_ it my fault? I think we had better get divorced--and +I--I--c-c-can go into a convent, and never do anybody any more harm.' + +Clarice glanced as she spoke down the neatest of morning frocks, and the +mental picture which she straightway had of herself in a white-washed +cell with iron bars, clad in shapeless black, her chin swathed, her face +under eaves of starched linen, induced an access of weeping. + +For all her sympathy Mrs. Willoughby was forced to bite her lips. +Clarice, however, was not in the mood to observe the effect which her +words produced on others. She continued: 'It's much the best thing to do, +because whatever I did it would always be the same. I could never make +him content. Connie, if you only knew the strain of it all! He's always +wanting to be something different. One day a clerk, with a nice quiet +routine, another a soldier, another a ----' she hesitated, and gave +Constance an extra squeeze--'a colonist, and fire off Maxim guns. If you +could only see him! He sits in front of the fire, with his glasses on, +and talks about the roaring world of things.' + +This time Mrs. Willoughby really laughed. She turned the laugh into a +cough, and cleared her throat emphatically once or twice. Clarice sat up +and looked at her reproachfully, then she said, 'I know it's absurd. I +don't know whether to laugh or cry myself, b-b-but I usually cry. And +then in his books he's--he's always his own hero.' With that Clarice +reached at once the climax of her distress and the supreme charge of her +indictment. The rest was but sighs and sobs and disconnected phrases. +Finally she fell asleep; later she was caressed into eating lunch, taken +for a drive, and sent home subsequently greatly mollified and relieved. + +Mrs. Willoughby refrained from tendering advice that afternoon. There was +nothing sufficiently tangible in the story which she had heard. In fact +the only thing really tangible was the girl's distress in telling it, and +that Mrs. Willoughby attributed to some dispute between her and Sidney +that morning. She could not know that Clarice's outburst had been +preceded by that chance meeting in the Park with Stephen Drake, for +Clarice had made no allusion to it of any kind. She felt, besides, that +advice in any case would be of little use. The couple had to work out +their own salvation, and time and experience alone could help them. +Events seemed to justify Mrs. Willoughby's reticence, for the winter +blossomed into spring, the spring flowered into summer, and the Mallinson +household remained to the external view unshaken. + +Drake's visits to Bentbridge increased in frequency as the prospect of +the general election became more real. A snap vote in the House of +Commons on a minor question of administrative expenditure decided the +matter suddenly towards the end of June. The Government determined on a +dissolution. Fielding took Clarice Mallinson into dinner at Mr. Le +Mesurier's house on the day after the date of the dissolution was fixed. +He noticed that she looked worn. There were shadows about her eyes, her +colour had lost its freshness, and there was a melancholy droop about the +corners of her mouth. Fielding suggested the advisability of a change. + +'I'm to have one,' said she. 'I'm going down to stay with my uncle at +Bentbridge in a week's time.' + +'At Bentbridge?' asked Fielding sharply. 'For the election.' + +She saw his lips tighten. 'My husband goes with me,' she replied +quickly and stopped, flushing as she realised that she had meant and +conveyed an apology. + +'I should have thought that the Continent would have been more advisable +as a change.' + +'The Continent! I don't want to travel far. I am so tired.' She spoke in +a tone of weariness which touched Fielding in spite of himself. He looked +at her more closely. 'Yes,' he said gently, 'you look very tired. You +have been doing too much.' + +'No, it isn't that,' she replied. 'One thinks of things, that's all.' She +bent her head and was silent for a little, tracing a pattern on the +table-cloth with a finger absently. Then she added in a low voice, 'I +suppose few women ever think at all until after they are married.' + +The voice was low, and Fielding was conscious of something new in the +tone of it, a deeper vibration, a sincerity different in kind from that +surface frankness which he had always known in her. He wondered whether +she had struck down from her pinchbeck sentimentality into something that +rang solid in the depths of her nature. He looked at her again, her eyes +were turned to his. With the shadows about them, they looked bigger, +darker, more piteously appealing. She was no less a child to him, the +child looked out of her eyes, sounded in the commonplace sentiment she +had spoken, and the air of originality with which she had spoken it. But +the child seemed beginning to learn the lesson of womanhood, and from the +one mistress which could teach it her. + +'But why think then?' he asked lightly. 'It ruins a complexion no less +than before. Or does a complexion cease to count? Look!' He leaned +forward. A pink carnation was in a glass in front of him, already +withering from the heat. He touched the faded tips of the petals. 'That +is the colour which conies from thinking.' + +Clarice lifted her shoulders with more of sadness than impatience in the +gesture. 'You believe,' she said, 'no woman at all has a right to dare +to think.' + +'I notice,' he answered with the same levity, 'that the woman who thinks +generally thinks of what she ought not to.' + +Later, in the drawing-room, he looked for her again, and looked +unsuccessfully. The window, however, was open, and he advanced to +it. Clarice was on the balcony alone, her elbows on the rail, a hand +on either side of her cheek. Something in her attitude made him +almost pity her. + +'Mrs. Mallinson,' he said, 'you will probably think me intrusive, but do +you think your visit really wise?' Clarice turned towards him quickly +with something of defiance in her manner. 'You are tired,' he went on, +'you want rest. Well, an election isn't a very restful time, even for the +onlooker.' + +Clarice did not reply for a moment, and when she did she replied with an +impulsive frankness, to which his friendly tone had prompted her. 'To +tell you the truth, I am not anxious to go. I don't want to, but Sidney +wants to.' + +'Your husband?' + +'You don't believe me.' + +'Of course I do.' He left her on the balcony, and went in search of +Mallinson. 'So you go to Bentbridge for the election,' he said. + +'Yes,' replied the other, lighting up. 'I am looking forward to it like a +schoolboy to a football match. The prospect of activity exhilarates +me--bodily activity, don't you know--a town humming with excitement.' + +Fielding cut him short. 'My dear fellow, you're a damned fool,' he said. + + + + +CHAPTER XIII + + +Stephen Drake had decided to stay during the period of the election at a +hotel in the centre of the town, rather than to accept an invitation from +Captain Le Mesurier, who lived some miles beyond the outskirts. He +travelled down to Bentbridge on the day that the dissolution was +announced, and during the journey Mr. Burl gave him much sage advice. + +'Keep the arguments for buildings; they're in place there. Mass-meetings +in the open air want something different. Many a good man has lost his +seat from not observing that rule. In the open air pitch out a fact or +two--not too many--or a couple of round sums of figures first of all, +just to give them confidence in you, and then go straight for your +opponent. No rapier play--it's lost then--but crack him on the top-knot +with a bludgeon. They'll want to hear his skull ring before they'll +believe that you have touched him. Phrases! Those are the things to get +you in, not arguments. Pin a label on his coat-tails. You'll see them +laugh as he squirms round to pull it off. And, mind you, there'll be no +walking over, you'll want all you know. The man's a Radical and a Lord! +The combination satisfies their democratic judgments and their snobbish +instincts at the same time. People forget to count the snob in the +democrat, but he's there all the same, as in most Englishmen. A veneer of +snobbishness over solid independence. That's our characteristic. Lord +Cranston! Can't you hear their tongues licking it? Luckily, there are +things against him. He's a carpet-bagger like yourself, and he's been +more than once separated from his wife. His fault, too--once it was an +opera dancer. I've got up the facts. He only joined his wife again a few +months ago--probably for the purpose of this election.' + +Mr. Burl pulled out a pocket-book, and began to turn over the leaves in +search of the damning details, when Drake interrupted him. 'You don't +expect me to discuss the man's private life?' + +'My dear Drake, do be practical. It's no use being finicking. The +essential thing is to win the seat.' + +'Whatever the price?' + +'Look here; I am not asking you to do anything so crude as to make +platform speeches about the man's disgraceful conduct to his wife.' Mr. +Burl assumed the look of a Rhadamanthus. 'But'--and again he relaxed into +the tactician--'you might take a strong social line on morals generally, +and the domestic hearth, and that sort of thing.' He looked critically at +Drake. 'You're one of the few chaps I know who look as if they could do +that and make people believe they really mean it.' + +He finally discredited his advice by adding impressibly, 'You needn't +go into the instance at all, you know. They'll understand what you're +alluding to, never fear'; and Drake flatly refused to dance into +Parliament to that tune, however persuasively Mr. Burl played upon +the pipes. + +The hotel at which Drake put up was situated in a short broad street +which ran from the Market Square. From the balcony of his sitting-room on +the first floor he could see the market sheds at the end of the street to +his left. The opposite end was closed in by the Town Hall, which was +built upon an ancient gate of the town. From Drake's windows you got a +glimpse through the archway of green fields and trees. Almost facing him +was a second hotel on the opposite side of the street, the 'Yellow Boar.' +It was tricked out, he noticed, with the colours of his opponent. While +he was standing at the window an open carriage turned out of the +market-place, and drove up to the 'Yellow Boar.' Lord Cranston got down +from it, and a lady. The candidate was of a short and slight build; a +pencil--line of black moustache crossed a pallid and indecisive face, and +he seemed a year or two more than thirty. The lady looked the younger, +and was certainly the taller of the two. Drake was impressed by her face, +which bore womanly gentleness, stamped on features of a marked +intellectuality. The couple disappeared into the hall, and appeared again +in a large room with big windows upon the first floor. From where he +stood Drake could see every corner of the room. Lord and Lady Cranston, +the land-lord informed him, were staying at the 'Yellow Boar.' The two +candidates overlooked each other. + +In this street, morning and evening, they met for a moment or two, and +took a breath of friendly intercourse. Drake was introduced to Lady +Cranston, but she would have none of the truce. To her he was the enemy, +and to be treated as such consistently, with a heart-and-soul hostility, +until he confessed himself beaten. Drake liked her all the better for her +attitude. Meanwhile he made headway in the constituency. He was in +earnest, with a big theme to descant upon--the responsibility of the +constituency to the empire. His fervour brought it home to his audiences +as a fact; he set the recognition of that responsibility forwards as the +prime duty of the citizen, sneering at the parochial notion of politics. +Mr. Burl shook his head over Drake's method of fighting the battle, and +hinted more than once at the necessity of that lecture upon morals. Drake +not only refused to reconsider it, but flatly forbade Mr. Burl to allude +to the subject in any speech which he might make. Burl shrugged his +shoulders and confided his doubts to Captain Le Mesurier. Said the +Captain, 'I think he's wise; a speech might offend. What's wanted is an +epigram--a good stinging epigram. We could set it about, and, if it's +sharp enough, no need to fear it won't travel.' He paused dubiously. +'After all, though, it's a bit unfair on Cranston. Hang it, I've been a +married man myself,' and he chuckled in unregenerate enjoyment. 'However, +the seat's got to be won. Let's think of an epigram,' and he scratched +his head and slapped his thigh. It was the Captain's way of thinking. The +satisfactory epigram would not emerge. He could fashion nothing better as +a description of Cranston than, 'A refreshment-room sandwich; two great +chunks of sin and a little slice of repentance between.' Mr. Burl +condemned it as crude, and for the moment the epigram was dropped. + +The Mallinsons arrived a week after the contest had begun. Captain Le +Mesurier welcomed Clarice with boisterous effusion, and her husband with +quarter-deck dignity. 'You look ill,' he said to Clarice. 'It's your +husband worrying you. Ah, I know, I know! Those writing chaps!' + +To Mallinson, however, he suddenly showed excessive friendliness, and +took the opportunity of saying to him loudly in a full room, 'There's +something I must tell you. I know it'll make you laugh. It does me +whenever I think of it. You know Drake? Well, we travelled up from +Plymouth together when he came back from Africa. He bought your book at +the bookstall, and sat opposite me reading it. What was it called? I +know, _A Man of Influence_. You should have seen Drake's face. Lord, he +couldn't make head or tail of it. How should he? I asked him what he +thought of it, and imagine what he answered! You can't, though. It's the +funniest thing I ever heard. He said it was a very clever satire. Satire! +Good Lord, I almost rolled off the seat. It is funny, isn't it?' + +Mallinson, with a wry face, agreed that the story was funny. + +'I knew you would think so,' pursued the Captain relentlessly. +'Everybody does I have told it to, and that's everybody I know. Satire! +Lord help us!' and he shook with laughter and clapped Mallinson in the +small of the back. + +Mallinson felt the fool that he was intended to look, with the result +that his dormant resentment against Drake sprang again into activity. +That resentment became intensified, as the date of the election drew +nearer, by an unconfessed jealousy. They both made speeches, but +Mallinson chiefly at the smaller meetings. And when they stood upon the +same platform he was continually forced to compare the difference in the +acclamation with which their speeches were severally received. As a +matter of fact, Drake spoke from a fire of conviction, and the conviction +not merely burnt through his words, but minted them for him, gave him +spontaneously the short homely phrase which sank his meaning into the +minds of his hearers. Mallinson took refuge in a criticism of Drake's +speeches from the standpoint of literary polish. He recast them in his +thoughts, turning this sentence more deftly, whittling that repartee to a +finer point. The process consoled him for Drake's misreckoning of his +purpose in the matter of _A Man of Influence_, since it pointed to a +certain lack of delicacy, say at once to crassness in the man's +intellect. + +Mallinson began immediately to imagine himself in Drake's position, the +candidate for whom brass bands played, and hats went spinning into the +air. And it needed no conscious effort for one so agile in egotistical +leaps to spring thence to the fancy that Drake was a kind of vicarious +substitute for himself, doing his work, too, not without blemishes. + +Ten days before the polling-day Fielding ran down from town, and attended +a meeting at the Town Hall, at which both Drake and Mallinson were to +speak. He sat on the platform by Clarice's side and paid some attention +to her manner during the evening. He noticed the colour mount in her +cheeks and her eyes kindle, as on first entering the room she looked down +upon the crowded floor. The chairs had been removed, and the audience +stood packed beneath the flaring gas-jets--artificers for the most part, +their white faces smeared and stained with the grime of their factories. +The roar of applause as Drake rose by the table swelled up to three +cheers in consonance, and a subsequent singing of 'For he's a jolly good +fellow' stirred even Fielding to enthusiasm. He noted that feeling of +enthusiasm as strange in himself, and had a thought in consequence that +such scenes were hardly of the kind to help Clarice to the rest she +needed. The hall for a moment became a sea of tossing handkerchiefs. He +took a glance at Clarice. She sat bent forward with parted lips and a +bosom that heaved. Fielding turned on his cold-water tap of flippancy. + +'It's a bad omen,' said he, with a nod towards the waving handkerchiefs. +'They hang out flags of surrender.' + +'Hardly,' she replied, with a smile. 'I can't recognise that the flags +are white'; and she added, 'I should like it less if they were. These men +are the workers.' + +'The workers.' Fielding could hear Drake uttering the word in just the +same tone, and his compassion for Clarice deepened. Why? he asked +himself. The girl was undergoing not a jot more punishment than a not +over-rigid political justice would have meted out to her. The question +inexplicably raised to view a pair of the clearest blue eyes, laughing +from between the blackest of eyelashes. He promptly turned his attention +to the speaker at the table. + +Drake commenced that night with an apology. It was necessary that he +should speak about himself. An utterly baseless story had, within the +last few days, and doubtless with a view to this election, been revived +by the London evening paper which originally made it. He regretted also +to notice that his opponent had accepted the story, and was making use of +it to prejudice him in the eyes of the electors. Accordingly he felt +bound to put the facts simply and briefly before his audience, although +the indifference of the Colonial Office to what, if true, was a crime +committed by an Englishman on English soil, and against practically +English subjects, in effect acquitted him of the charge. + +Drake thereupon proceeded to describe his march to Boruwimi. The story, +modestly recited in simple nervous English, did more to forward his +candidature than all the political speeches he could have made during a +twelvemonth. It came pat at the right time, when arguments were growing +stale. His listeners hung upon the words; in the intense silence Fielding +could feel the sympathy between speaker and audience flowing to and fro +between them like a current. Drake instinctively lowered his voice; it +thrilled through the hall the more convincingly. There was a perceptible +sway of heads forwards, which started at the back and ran from line to +line towards the platform like a quick ripple across a smooth sea. It was +as though this crowded pack of men and women was drawn to move towards +the speaker, where indeed there was no room at all to move. + +And in truth the subject was one to stir the blood. Drake prefaced his +account by a description of the geography of Boruwimi; he instanced +briefly the iniquities of the Arab slave-dealers whom he was attacking. +Thereupon he contrasted the numbers of his little force with the horde of +his enemies, and dwelt for a second upon their skill as marksmen; so that +his auditors, following him as he hewed his path through the tangle of an +untrodden forest, felt that each obstacle he stopped at might mean not +merely failure to the expedition, but death to all who shared in it. +Success and life were one and the same thing, and the condition of that +thing was speed. He must fall upon the Arabs unawares, like a bolt from +the blue. They forgot that he who led that expedition was speaking to +them now; they were with him in the obscure depths of the undergrowth, +surging against gigantic barriers of fallen tree-trunks, twenty, thirty +feet high; they were marching behind him, like him at grips with nature +in a six-weeks' struggle of life and death; and when finally he burst +into the clearing on the river's bank the ripple went backwards across +the hall, and a cheer of relief rang out, as though their lives, too, +were saved. + +Upon Fielding the relation produced a somewhat peculiar effect. He was +fascinated, not so much by the incident described or by the earnestness +of the man who described it,--for with both he was familiar,--but by the +strangeness of the conditions under which it was told--this story of +Africa, before these serried rows of white eager faces, in this stifling +hall, where the gaslight struggled with the waning day. From the raised +platform on which he sat he could see through the open windows away +across green fields to where the sun was setting in a clear sky behind +quiet Yorkshire wolds. The combination of circumstances made the episode +bizarre to him; he was, in fact, paying an unconscious tribute to the +orator's vividness. + +Clarice paid the same tribute, but she phrased it differently, and the +difference was significant. She said, 'Isn't it strange that he should +_be here_--in a frock-coat? I half thought the room would dissolve and we +should find ourselves at Boruwimi.' Fielding started. Coming from her +lips the name sounded strange; yet she spoke it without the least +hesitation. For the moment it had plainly one association in her +thoughts, and only one. It sounded as though every recollection of Gorley +had vanished from her mind. 'Oh, he must get in!' she whispered, clasping +her hands upon her knees. + +After Drake had concluded, Mallinson moved a resolution. He spoke +fluently, Fielding remarked, and with a finished phrasing. The very +finish, however, imparted an academic effect; he was, besides, hampered +by the speech which had preceded his. The audience began to shuffle +restlessly; they were capping a rich Burgundy with _vin ordinaire_, and +found the liquor tasteless to the palate. Fielding perceived from certain +movements at his side that Clarice shared in the general restlessness. +She gave an audible sigh of relief and patted her hands with the most +perfunctory applause when her husband sat down. 'You are staying with Mr. +Drake at the Three Nuns?' she asked, turning to Fielding. + +'Only till to-morrow. I leave by the night-train.' + +'Oh, you are going back!' + +'Yes. You see Drake and Burl are both here. Somebody must keep the shop +open, if it's only to politely put the customers off.' He interpreted the +look of surprise upon Mrs. Mallinson's face. 'Yes, I have been gradually +sucked into the whirlpool,' and he laughed with a nod towards Drake. + +She turned to him with her eyes shining. 'And you are proud of it.' + +Fielding smiled indulgently. 'That's a woman's thought.' + +'But you don't deny it's truth.' + +Clarice said nothing more until the meeting had terminated and the +party was in the street. They walked from the Town Hall to Drake's +hotel, Clarice and Fielding a few paces behind the rest. The first +words which she spoke showed to him that her thoughts had not altered +their drift. 'Yes, you have changed,' she said, and implied +unmistakably, 'for the better.' + +'You only mean,' laughed Fielding, 'that I have given up provoking you.' + +'No, no,' she said. 'Besides, you evidently haven't given that up.' + +'Then in what way?' + +'I shall offend you.' + +'I can hardly think so.' + +'Well, you were becoming a kind of--' + +'Say it.' + +'Paul Pry.' + +To a gentleman whose ambition it had been to combine the hermit's +indifference to social obligations with an indulgence in social +festivities, the blow was a cruel one; and the more cruel because he +realised that Clarice's criticism contained a grain of truth. He hit back +cruelly. 'Drake tells me he thinks of taking a place here. I suppose he +means to marry.' + +'I believe he does,' replied Clarice promptly. 'Mrs. Willoughby.' + +Fielding stopped and apostrophised the stars. 'That is perfectly untrue,' +he said. He walked on again as soon as he perceived that he had stopped, +adding, with a grumble, 'I pity the woman who marries Drake.' + +'Why?' asked Clarice in a tone of complete surprise, as though the idea +was incomprehensible to her, and she repeated insistently, 'Why?' + +'Well,' he said, inventing a reason, 'I think he would never stand in +actual need of her.' Clarice drew a sharp breath--a sigh of longing, it +seemed to her companion, as for something desirable beyond all blessings. +He continued in the tone of argument, 'And she would come to know that. +Surely she would feel it.' + +'Yes, but feel proud of it perhaps,' replied Clarice, 'proud of him just +for that reason. All her woman's tricks she would know useless to move +him. Nothing she could do would make him swerve. Oh yes, she would feel +proud--proud of him and proud of herself because he stooped to choose +her.' She corrected the ardency of her voice of a sudden; it dropped +towards indifference. 'At all events I can imagine that possible.' + +They were within fifty yards of the hotel, and walked silently the rest +of the way. At the door, however, she said, turning weary eyes upon +Fielding, 'And think! The repose of it for her.' + +'Ah, here you are!' The robustious voice of Captain Le Mesurier sounded +from the hall. 'Look here,' to Fielding, 'we are going to take you back +with us. Drake won't come. He's tired--so we don't miss him.' + +Fielding protested vainly that he would crowd the waggonette. Besides, he +had business matters to discuss with Drake before he left for London. + +'Well, you can talk them over to-morrow. You don't go until to-morrow +night. And as to crowding the waggonette, I have ordered a trap here; so +you can drive it back again to-night, if you like, from Garples. +Otherwise we'll be happy to put you up. You must come; we want to talk to +you particularly. Mallinson will drive his wife in the trap, so there'll +be plenty of room.' + +The party in the waggonette consisted of Captain Le Mesurier, Burl, +Fielding, and five country gentlemen belonging to the district. +Clarice, riding some yards behind them through the dark fragrant lanes, +saw eight glowing cigars draw together in a bunch. The cigars were +fixed points of red light for a little. Then they danced as though +heads were wagging, retired this side and that and set to partners. A +minute more and the figure was repeated: cigars to the centre, dance, +retire, set to partners. A laugh from the Captain sounded as though he +laughed from duty, and Mr. Burl was heard to say, 'Not too subtle, old +man, you know.' At the third repetition the Captain bellowed +satisfaction from a full heart, and Mr. Burl cried, 'Capital!' The +country gentlemen could be understood to agree in the commendation. +Whence it was to be inferred that the dance of the cigars was to have a +practical result upon the election. + +Clarice, however, paid no great attention to the proceedings in the +waggonette. She was almost oblivious to the husband at her side. The +night was about her, cool with soft odours, wrapping her in solitude. +Love at last veritably possessed her, so she believed; it had invaded her +last citadel to-night. That it sat throned on ruins she had no eyes to +see. It sat throned in quiescence, and that was enough. Clarice, in fact, +was in that compressed fever-heat of the mushroom passions which takes on +the semblance of intense and penetrating calm. And her very consciousness +of this calm seemed to ally her to Drake, to give to them both something +in common. She was troubled by no plans for the future; she had no regret +for anything which had happened in the past. The vague questions which +had stirred her--why had she been afraid of him?--was the failure of her +marriage her fault?--for these questions she had no room. She did not +think at all, she only felt that her heart was anchored to a rock. + + + + +CHAPTER XIV + + +Given a driver who is at once inexperienced and short-sighted, a fresh +horse harnessed to a light dog-cart, a dark night and a narrow gateway, +and the result may be forecast without much rashness. Mallinson upset his +wife and the cart just within the entrance to Garples. Luckily the drive +was bordered by thick shrubs of laurel, so that Clarice was only shaken +and dazed. She sat in the middle of a bush vaguely reflecting that her +heart was anchored to a rock and yet her husband had spilled her out of a +dog-cart. Between the incident and her state of mind immediately +preceding it, she recognised an incongruity which she merely felt to be +in some way significant. Fielding and Captain Le Mesurier picked her out +of the bush before she had time to examine into its significance. All she +said was, 'It's so like him.' + +'Yes, hang the fellow!' said the Captain, and under his breath he +launched imprecations at all 'those writer chaps.' + +Mallinson raised himself from a bed of mould upon the opposite side of +the drive and apologised. Captain Le Mesurier bluntly cut short the +apology. 'Why didn't you say you couldn't drive? I can't. Who's ashamed +of it? You might have broken your wife's neck.' + +'I might, and my own too,' replied Mallinson in a tone not a whit less +aggrieved. + +Captain Le Mesurier raised his eyes to the heavens with the apoplectic +look which comes of an intense desire to swear, and the repressive +presence of ladies. 'Will you kindly sit on the horse's head until you +are told to get up? I want the groom to help here,' he said, as soon as +he found words tolerable to feminine ears. A groom was already occupying +the position designated, but he rose with alacrity and Mallinson silently +took his place and sat there until the harness was loosed. + +Fielding's visit, however, had another consequence beyond the upsetting +of a gig. A few days later an epigram was circulating through the +constituency. The squires passed it on with a smack of the tongue; it had +a flavour, to their thinking, which was of the town. The epigram was +this: 'Lord Cranston lives a business life of vice, with rare holidays of +repentance, but being a dutiful husband he always takes his wife with him +on his holidays.' From the squires it descended through the grades of +society. Lord Cranston, at the close of a speech, was invited to mention +the precise date at which he intended to end his holidays. Believing that +the question sprang out of an objection to a do-nothing aristocracy, he +answered with emphatic earnestness, 'The moment I am returned for +Bentbridge.' The shout of laughter which greeted the remark he attributed +at first to political opposition. + +Subsequently, however, a sympathiser explained to him delicately the true +meaning of the question, and, as a counter-move, Lord Cranston made a +violent attack upon 'Empire building plus finance.' He drew distinctions +between governing men and making money. + +Drake accepted the distinctions as obvious platitudes, but failed to see +that the capacity for one could not coexist with the capacity for the +other. He asserted, on the contrary, that money was not as a rule made +without the exercise of tact, and some aptitude for the management of +men. He was, consequently, not disinclined to believe that money-making +afforded a good preliminary lesson in the art of government. Lord +Cranston's argument, in fact, did little more then alienate a few of his +own supporters, who, having raised themselves to affluence, felt quite +capable of doing the same for the nation. + +On the night of the polling-day Captain Le Mesurier brought his +house-party into Bentbridge to dine with Drake, and after dinner the +ladies remained in the room overlooking the street, while the gentlemen +repaired to the Town Hall, where the votes were being counted. It seemed +to Clarice as she gazed down that all the seven thousand electors had +gathered to hear the result announced. The street was paved with heads as +with black cobble-stones. Occasionally some one would look up and direct +now a cheer, now a shout of derision towards the 'Three Nuns' or the +'Yellow Boar.' But the rooms of both candidates were darkened, and the +attention of the crowd was for the most part riveted upon the red blinds +of the Town Hall. + +For Clarice, the time limped by on crutches. She barely heard the +desultory conversation about her: she felt as if her life was beating +itself out against those red windows. A clock in the market-place chimed +the hour of nine: she counted the strokes, with a sense of wonder when +they stopped. She seemed to have been waiting for a century. + +Across the street she could see the glimmer of a light summer dress in +Lord Cranston's apartment. It moved restlessly backwards and forwards +from one window to the other: now it shone out in the balcony above the +street: now it retired into the darkness of the room. Clarice gauged Lady +Cranston's impatience by her own, and experienced a fellow-feeling of +sympathy. 'During this suspense,' she thought, 'you and I ought to be +together.' As the thought flashed into her mind, her husband spoke to +her. She set a hand before her eyes and did not answer him. She realised +that she had been thinking of herself as Drake's wife. On the instant +every force within her seemed to concentrate and fuse into one passionate +longing. 'If only that were true!' She felt the longing throb through +every vein: she acknowledged it: she expressed it clearly to herself. If +only that were true! And then in a second the longing was displaced by an +equally passionate regret. + +'It might have been,' she thought. + +Again her husband spoke to her. She turned towards him almost fiercely, +and saw that he was offering her a shawl. She steadied her voice to +decline it, and turned back again to the window. But now as she looked +across the street, she was filled with a new and very bitter envy. The +woman over there had the right to suffer for her suspense. + +At last the clock doled out ten strokes with a grudging deliberation, and +less than five minutes later the shadow of a man was seen upon one of the +red blinds. In the street below the people surged forward: there was a +running flash of white as their heads were thrown back and their faces +upturned to the Hall; and the shouts and cries swelled to a Babel, +tearing the air. The blind was withdrawn, the window thrown open: Clarice +could see people pressing forward in the room. They looked in the glare +of yellow light like black ninepins. A gleam of bright scarlet shot out +from amongst them, and the Mayor stepped on to the balcony above the +archway. The tumult died rapidly to absolute silence, a silence deeper +than the silence of desolate places, because one saw the crowd and one's +ears were still tingling with the echo of its shouts. It was as though +all sound, all motion had been arrested by some enchantment, and in the +midst of that silence one word was launched down the street. + +'Drake!' + +The announcement of the numbers was lost in the sudden renewal of +conflicting shouts. Clarice made no effort to ascertain them. That one +word 'Drake' filled the world for her. The very noise in the street came +to her ears with a dull muffled sound as though it had travelled across a +wide space, and it seemed no more than an undertone to the ringing name. + +She saw Stephen Drake come forward and give place to his opponent, and +after a little the street began to clear. The number thirty-five, +incessantly repeated by the retiring crowd, penetrated to her mind and +informed her of the actual majority. In about half an hour a little +stream of people trickled from the porch of the Town Hall, and, gathering +in volume, flowed into a narrow passage which led to the Conservative +Club, a few yards to the right of the hotel. Clarice caught a glimpse of +Drake's face at the head of the procession as he passed under a gas-lamp +above the mouth of the passage, and was surprised by its expression of +despondency. A fear sprang up in her mind that some mistake had been made +in the announcement, but the fear was dispelled by the tone of her +uncle's voice as he shouted an invitation to some one across the street +to join them at the Club. It was a tone of boisterous exultation. There +could be no doubt that Drake had been elected, and she wondered at the +cause of his dejection. + +A few minutes later a second stream flowed along the opposite pavement +towards the Liberal Club in the Market Square, and drew most of the +remaining loiterers into its current. The noise and bustle grew fainter +and died away: the lights were extinguished in the houses, and only one +small group, clustering excitedly about the passage, relieved the quarter +of its native sleepiness. + +Clarice turned with a certain reluctance into the room. It was empty, and +the voices of her companions rose from the hall below. She did not follow +them, however. There was time enough, for the party could not leave until +Captain Le Mesurier returned from the Conservative Club. She went back to +her post. Through the open window opposite to her she perceived the +glimmer of a light dress in the dark of the room, but it was motionless +now, a fixed patch of white. Clarice experienced a revulsion of pity for +Lady Cranston. 'What must be her thoughts?' she asked herself. + +She remained at the window until the party from the Club emerged again +from the passage and turned towards the hotel. + +Clarice heard her husband's voice asking where Drake was, and what in +the world was the matter with him. Captain Le Mesurier replied, and the +reply rang boisterously. 'He's behind. He's a bit unstrung, I fancy, +and reason enough too, after all his work, eh? You see, Drake's +not in the habit of taking holidays,' and the Captain grew hilarious +over his allusion. + +Across the street Clarice saw the light dress flutter and move abruptly. +It was evident that Lady Cranston had heard and understood the words. + +Drake followed some few minutes later, and alone. He walked slowly to the +hotel with an air of utter weariness, as though the springs of his +activity had been broken. A moment after, he had entered it; she heard +him ascending the staircase, and she drew instinctively close within the +curtains. He pushed open the door, walked forward into the embrasure of +the window, and stood within a foot of Clarice, apparently gazing into +the street. A pale light from the gas-lamp over the front door flickered +upon his face. It was haggard and drawn, the lips were pressed closely +together, the eyelids shut tightly over the eyes--a white mask of pain. +Or was this the real face, Clarice wondered, and that which he showed to +the world the mask? + +She was almost afraid to move; she even held her breath. + +Suddenly the echoes of the street were reawakened. Drake roused himself +and opened his eyes. A small group of people strolled out of the +market-place and stopped in front of the 'Yellow Boar.' There was +interchange of farewells, a voice said encouragingly, 'Better luck next +time,' and one man entered the hotel. + +In the room opposite a match flared up and Lady Cranston lit the gas. She +stood for a moment underneath the chandelier, in the full light, +listening. Then she walked quickly to the mirror above the mantelpiece +and appeared to dry her eyes and cheeks with her handkerchief. She turned +to the door almost guiltily, just as it opened. Lord Cranston advanced +into the room, and his wife moved towards him. The whole scene, every +movement, every corner of the room was visible to Clarice like a scene on +the stage of a theatre; it was visible also to Drake. + +Clarice could note the disconsolate attitude of Lord Cranston, the smile +of tenderness upon his wife's face. She saw Lady Cranston set her arms +gently about his neck, and her lips move, and then a low hoarse cry burst +from Drake at her side. + +It sounded to her articulate with all the anguish and all the suffering +of which she had ever heard. There was a harsh note of irony in it too, +which deepened its sadness. It seemed almost an acknowledgment of defeat +in the actual moment of victory--a recognition that after all his +opponent had really won. + +The cry was a revelation to Clarice; it struck her like a blow, and she +started under it, so that the rings of the curtain rattled upon the pole. + +Drake bent sharply towards her; she caught a gleam of his eyes in the +darkness. Then with a catch of his breath he started back. Clarice heard +the click of a match-box, the scraping of a lucifer, and Drake held the +lighted match above his head. + +'You!' he said. + +Clarice moved out from the curtain and confronted him. She did not +answer, and he did not speak again. Clarice was in no doubt as to the +meaning of his cry. His eyes even in that unsteady light told it to her +only too clearly. + +And this was the man whom she had believed to stand in no need of a +woman's companionship. The thought at the actual moment of its occurrence +sent a strange thrill of disappointment through her; she had built up her +pride in him so confidently upon this notion of his independence. And +having built up her pride, she had lived in it, using this very notion as +her excuse and justification. She ran no risk, she had felt. + +'Clarice!' + +The name was shouted impatiently from the hall, and came to them quite +audibly through the half-opened door. But neither she nor Drake seemed to +hear it. They stood looking silently into each other's eyes. + +At last she began to speak, and as she spoke, her sense of disappointment +diminished and died. She became conscious again of the suffering which +his cry had confessed. The contrast between this one outburst and his +ordinary self-control enforced its meaning upon her. It seemed still to +be ringing in her ears, stretched out to a continuous note, and her voice +gradually took a tone as of one pleading for forgiveness. + +'I did not know,' she said. 'I always thought of you as--' and she gave a +queer little laugh, 'as driving about London in hansoms, and working +quite contentedly. I never imagined that you cared at all--really, I +mean, as I know now. Even right at the beginning--that afternoon in +Beaufort Gardens, I never imagined that. Indeed, I was afraid of you.' + +'Afraid!' Drake echoed the word with an accent of wonderment. + +'Yes, yes, afraid. I believed that I should mean so little to you, that I +should be of no use or help to you. And that's why--I--I--married--' + +Drake straightened his shoulders with a jerk as Clarice uttered the word. +He became aware of the tell-tale look in his eyes, and lowered them from +the girl's face to the ground. + +'You mustn't fancy,' he began in a hesitating tone. 'You mustn't +misunderstand. I was thinking what men owe to women--that's all--that's +all, indeed--and how vilely they repay it. That way, like Cranston'--he +nodded in the direction of the house across the street--'or worse--or +worse,' he clung to the word on a lift of his voice, as though he found +some protection in it, as though he appealed to Clarice to agree with and +second him, 'or worse.' + +The match burned down to his fingers, and he dropped it on the floor and +set his foot on it. Once in the darkness he repeated 'or worse,' with a +note almost of despair, and then he was silent. Clarice simply waited. +She stood, feeling the darkness throb about her, listening to the sharp +irregular breathing which told her where Drake stood. In a few moments +he stirred, and she stretched out her hands towards him. But again she +heard the click of a match-box, and again the thin flame of light flared +up in the room. + +'Clarice!' + +Her name was shouted up a second time. There was a sound of quicker +footsteps upon the stairs, the door was flung back, and Sidney Mallinson +entered the room. Drake lighted the gas. + +'We have been waiting for you,' said Mallinson to his wife. 'I couldn't +think where you had got to,' and he glanced from her to Drake. + +'I have been here all the time,' she said with a certain defiance. + +Mallinson turned and walked down the stairs again, without as much as a +word to Drake. Clarice followed him, and after her came Drake. + +'Ah, here you are!' said Captain Le Mesurier. 'Now we're ready. Drake, +you are coming back with us?' + +Drake hesitated. + +'You said you would at the Town Hall. So I have had your bag packed, and +put in the waggonette.' + +'Very well,' he assented; and the party went outside the hotel. + +'Now, how shall we go?' asked the Captain. 'Mallinson, you of course in +the waggonette,' and he chuckled with a cheery maliciousness. 'Clarice, +will you get in?' + +'No!' she said with an involuntary vehemence. The idea of driving back +wedged in amongst a number of people, listening to their chatter, and +forced to take her share in it, became suddenly repugnant to her. 'I +would rather drive in the trap, if I might.' + +'Very well! But who is to drive you?' Captain Le Mesurier turned to +Drake. 'You can drive, of course.' + +Drake replied absently. 'I have driven the coach from Johannesburg to +Pretoria, ten mules and a couple of ponies, and a man beside you swinging +a sixty-foot lash.' + +Captain Le Mesurier laughed out. 'Then there'll be no upset to-night. +Come along.' + +The guests took their seats, while Drake stood on the pavement. + +'Come along, Drake,' shouted the Captain from the box seat of the +waggonette. + +Drake roused himself with a start. 'I beg your pardon,' he said, and he +went to the side of the dog-cart. He drew back when he saw Clarice +already in it, and looked from cart to waggonette. 'I am so sorry,' he +said in a low voice. 'I was not listening, I am afraid.' + +He mounted beside her, whipped up the horse, and drove ahead of the +waggonette. They passed out of the town into the open country. Behind +them the sounds of wheels grew fainter and fainter and died away. In +front the road gleamed through the night like a white riband; the +hedgerows flung out a homely scent of honeysuckle and wild roses; above, +the stars rode in a clear sky. To Clarice this was the perfect hour of +her life. All her speculations had dropped from her; she had but one +thought, that this man driving her cared for her, as she cared for him. +It was, in truth, more than a thought; she felt it as a glory about her. +Accidentally, as the trap swung round a bend of the road, she leaned her +weight upon his arm and she felt the muscles brace beneath his sleeve. +The sensation confirmed her thought, and she repeated her action +deliberately and more than once. She had but one wish, that this drive +should never end, that they should go forward always side by side through +a starlit night, in a stillness unbroken by the sound of voices. And that +wish was more a belief than a wish. + +They ascended the slope and came out upon an open moor. It stretched +around them, dark with heather as far as they could see. The night +covered it like a tent. It seemed the platform of the world. Clarice +suddenly recollected her old image of the veld, and she laughed at the +recollection as one laughs at some queer fancy one has held in childhood. + +Across the moor the wind blew freshly into their faces. Drake quickened +the horse's paces, and Clarice imagined a lyrical note in the ringing +beat of its hooves. The road dipped towards a valley. A stream wound +along the bed of it, and as they reached the crest of the moor they could +see below them the stars mirrored in the stream. Upon one of the banks a +factory was built, and its six tiers of windows were so many golden spots +of light like the flames of candles. Drake stopped the trap and sat +watching the factory. + +'Night and day,' he said, 'night and day. There is no end to it. It +is the law.' + +He spoke not so much dispiritedly, but rather as though he was teaching +himself a lesson which he must needs surely get by heart. He lifted the +reins and drove down the hill, past the factory and along the valley to +the gates of Garples. There he stopped the trap again. For a moment +Clarice fancied that the gates must be shut, but as she bent forward and +looked across Drake, she saw that they were open. She turned her eyes to +her companion. He was sitting bolt upright with an unfamiliar expression +of irresolution upon his face, and he was doubtfully drawing the lash of +the whip to and fro across the horse's back. + +Clarice felt that her life was in the balance. 'Yes,' she whispered. + +'No!' Drake almost shouted the word. He turned the horse through the +gates and drove in a gallop to the door of the house. Clarice heard him +draw a deep breath of relief as he jumped to the ground. As he was +pulling off his gloves in the hall, Clarice brushed past him and ran +quickly up the stairs. He was roused from his reverie by the arrival of +the rest of the party. + +Clarice sent word downstairs that she was tired and would not appear +at supper. + +But an hour later Sidney Mallinson found her seated by the open window. +She had not even taken off her hat or gloves. Once or twice he seemed on +the point of speaking, but she faced him steadily and her manner even +invited his questions. Mallinson turned away with the questions unasked. +But he lay long awake that night, thinking; and his resentment against +Drake gained new fuel from his thoughts. The frankness of his wife's +admiration for Drake had before this awakened his suspicions, and the +suspicions had become certain knowledge. He guessed, too, that to some +degree Drake returned his wife's inclination, and he began immediately on +that account to set a higher value upon the possession of her than he had +lately done. + +Once Clarice heard him laugh aloud harshly. He was thinking of the +relationship in which he had set Drake to himself in that first novel +which he had written. Actually the relationship was reversed. 'No, not +yet,' he said to himself. But it would be, unless he could hit upon some +plan. The day was breaking when his plan came to him. + + + + +CHAPTER XV + + +The next morning Drake's seat at the breakfast table was empty. + +'He caught the early train from Bentbridge,' Captain Le Mesurier +explained. 'Business, I suppose. He told me last thing yesterday night +that he had to go.' + +Clarice coloured and lowered her eyes to her plate. Mallinson noticed her +embarrassment, and took it for evidence of some secret understanding +between her and Drake. He became yet more firmly resolved to put his idea +into action. + +'You are not in a hurry,' said Captain Le Mesurier. 'You had better stay +the week out.' + +Mallinson saw his wife raise her head quickly as though she was about to +object, and immediately accepted the invitation. Parliament would not +meet for three weeks, he reckoned, since there were still the county +members to be elected. + +Clarice spent the week in defining the relationship in which she and +Drake were henceforth to stand towards each other. They were to be +animated by a stern spirit of duty,--by the same spirit, in fact, which +had compelled Drake to court-martial Gorley in Africa, and subsequently +to detail the episode to her. Duty was to keep them apart. She came to +think of duty as a row of footlights across which they could from time to +time look into each other's eyes. + +Clarice felt that there was something very reassuring and protective in +this notion of duty. It justified her in buying a copy of _Frou-Frou_, +which lay upon the bookstall at Bentbridge railway station, and in +studying it continuously all the way from Bentbridge to London. She was +impelled to purchase it by a recollection that Drake had first been +introduced to her at a performance of that play, and his criticisms +returned to her thoughts as she read the dialogue. The play had seemed +true to him, the disaster inevitable--given the particular characters, +and she bore the qualification particularly in mind. There was a +difference between _Frou-Frou_ and a woman animated by a sense of duty; a +difference of kind, rather than of degree. Sidney Mallinson remarked the +book which she was reading, but he made no comment whatsoever. + +The next morning he paid a long call upon the editor of the _Meteor_. + +Meanwhile, Drake was devoting himself to the business of the Matanga +Company, with an assiduity unusual even for him. Fielding discovered that +he seldom left the city before ten at night, and felt it incumbent to +expostulate with him. 'You can't go on like this for much longer, you +know. You had better take a rest. There's no need for all this work.' + +'There is,' replied Drake. 'I want to clear off arrears, because I am not +sure that I oughtn't to go out again to Matanga. You see I can do it +quite easily. Parliament meets in a fortnight to vote supplies. It will +adjourn, it's thought, three weeks later. I could leave England in +September, and get back easily in time for the regular sessions.' + +'But why should you go at all?' asked Fielding. 'You haven't been back a +year as it is.' + +'I know,' said Drake slowly. 'But it seems to me that it would inspire +confidence, and that sort of thing, if one of us were out there as much +as possible. You see, thanks to you and Burl, I can leave everything +here quite safely,' and he returned to his desk as though the discussion +was ended. + +A week later he received an invitation to dinner from Mr. Le Mesurier, +and the invitation was so worded that he could find no becoming excuse to +decline it. The dinner was given, the note stated, in order to celebrate +his victory at Bentbridge. Fielding and he went together, and when they +arrived, they found Mallinson taking off his coat in the hall. + +'Where have you been all this time?' asked Fielding. 'I haven't seen +you about.' + +'At Clapham,' replied Mallinson. + +'I don't know it.' + +'It's a suburb to the south-west.' + +'That's why.' + +'My mother lives there.' + +'I am very sorry.' + +The words might have been intended to convey either an apology, or an +expression of sympathy with his mother. Mallinson preferred to take them +in the former sense. 'I took my wife down there,' he continued. 'She +wanted more quiet than one can get in London.' + +Fielding noticed, however, that Clapham quiet had not materially +benefited Mrs. Mallinson. He commented on her worn appearance to Mrs. +Willoughby, when they were seated at the dinner-table. + +'She has been staying, she tells me, with her husband's people,' replied +Mrs. Willoughby. 'I fancy she finds them trying.' + +Clarice was placed next to Drake, upon the opposite side to Mrs. +Willoughby, and out of ear-shot, and was endeavouring to talk to him +indifferently. 'You never take a holiday, I suppose. Where are you going +this year?' she asked. + +'To Matanga,' said Drake. + +'Matanga! Oh no.' The words slipped from her lips before she was able to +check them. + +'I think that my place is there,' returned Drake, 'at all events for the +moment. I shall go as soon as the House rises.' + +'I thought you didn't mean to leave London again.' + +'One gets over ideas of that kind. After all, my interests lie in +Matanga, and one gets a kind of affection for the place which makes +your fortune.' + +The recantation was uttered with sufficient awkwardness. But Clarice was +too engrossed in her own thoughts to notice his embarrassment. 'Do you +remember when I first met you?' she asked. 'It was at a performance of +_Frou-Frou_.' + +'I remember quite well,' said he. 'I was rather struck with the play.' + +'I have been reading it lately.' + +Drake started at the significant tone in which the words were spoken. +'Really?' he said, with an uneasy laugh. 'What impressed me was that +scene at Venice, where Gilberte and De Valréas read over the list of +plays in the Paris newspapers, and realise what they have thrown away, +and for how little. It seemed to me the saddest scene I had ever +witnessed.' + +'Yes,' interposed Clarice quickly. 'But because Paris and its theatres +meant so much to them. I remember what you said, that everything in the +play seemed so true just to those characters, Gilberte and De Valréas.' + +She glanced at him as she uttered the last name. Drake understood that +she was drawing a distinction between him and the fashionable lounger +of the play. + +'Besides,' she went on, dropping her voice, 'Gilberte left a child behind +her. Her unhappiness turned on that.' + +'In a way, no doubt, but the loss of friends, station, home, counts +for something--for enough to destroy her liking for De Valréas at +all events.' + +'For De Valréas!' insisted Clarice. 'He was not worth the sacrifice.' She +paused for a moment, and then continued diffidently. 'There's something +else; I hardly like to tell you it. You wouldn't notice it from seeing +the play. I didn't; but it came to me when I read the book. I think the +play's absolutely untrue, yes, even to those characters, in one respect.' + +'And what's that?' asked Drake. + +Clarice glanced round. Her neighbours, she perceived, were talking. +Mrs. Willoughby was too far off to hear. She dropped her voice to a yet +lower key and said, 'They make the husband kill the lover in the duel. +It's always the end in books and plays; but really the opposite of that +would happen.' + +Drake leant back in his chair and stared at her. 'What do you mean?' + +'Hush!' she said warningly, and turning away she spoke for a little +to the man on the other side of her. Then she turned back. 'I mean,' +she said, 'if two people really care for one another, their love +would triumph over everything--everything. De Valréas would have +killed the husband.' She spoke with an intense conviction of the +truth of what she said. + +'But, my dear child!' replied Drake. 'You--oh, you don't really +believe that.' + +'I do,' she answered. 'You see, there are so few people who really care +for one another. If you find two who do, I am sure they would conquer, +whatever stood in the way.' + +The conversation was interrupted, to Drake's relief, by Captain Le +Mesurier. He rose from the corner of the table to propose the health of +the guest of the evening. He said that he was proud to be represented in +Parliament by a man of Stephen Drake's calibre. If there was anything of +which he was prouder, it was the way in which the election had been +fought at Bentbridge. That election was the triumph not merely of a man +or a cause, but of a method; and that method was honesty and fair-play. +'We never indulged in personalities,' he continued, with shameless +sincerity. 'I have always myself been very strong on that point. Fight of +course for all you're worth, but never indulge in personalities. It's a +good rule. It's a rule that helped Stephen Drake to win his seat. We +followed it. We left the lies for the opponent to tell, and he told them. +But we never did and never will indulge in contemptible personalities.' + +The Captain subsided to a gentle rapping of forks and spoons upon the +table, while Fielding said pointedly, 'Yes, Captain, you deserve your +holidays,' and he emphasised the word. The Captain caught the allusion +and laughed heartily. It was evident that he saw no inconsistency between +the epigram and his professed method of contesting an election. + +Drake replied shortly, and the ladies retired. Mallinson moved round the +table, and seated himself in the chair which Clarice had left. + +'Do you think of speaking at all during this session?' he asked. + +'I am not quite sure,' replied Drake; 'but I rather think I shall on the +colonial vote. You see there's first-class wheat-growing land in Africa, +quite near to the west coast. We import practically all that we use in +England. Well, why shouldn't we import it from our own dominions? +Besides, the route would be so much safer in times of war, unless, of +course, we were at war with France. Ships could slip up the coast of +Africa, across the bay and into Plymouth with much less risk than if they +have to sail from the Argentines or some place like that. I believe, if +the Colonial Office could be induced to move in the matter, the idea +might be carried out. What do you think?' + +Mallinson carelessly assented and returned to his seat. + +For the remainder of the evening Drake avoided Clarice. As he was taking +his leave, however, she came up to him. He shook her by the hand and she +whispered one word to him, 'Matanga.' Drake could not mistake the note of +longing in her voice, and as he drove to his chambers the temptation with +which he had wrestled at the gates of Garples assailed him again, and +with double force. He had but to speak, he knew, and she would come. The +loneliness of his rooms made the struggle yet harder, yet more doubtful. +He pictured to himself what he had never had, a home, and he located that +home in Matanga. The arid plain blossomed in his imagination, for he saw +the weariness die out of Clarice's face. + +He tossed restlessly through the night, until one thought emerged from +the turmoil of his ideas, fashioned itself into a fact, and stood framed +there before his eyes. He held the future of Clarice in the hollow of his +hand. Her fate rested upon his decision, and he must decide. + +Drake rose and walked out on to the balcony, as the dawn was breaking +over London. A white mist was crawling above the Thames; he could see +a glimpse of the water here and there as the mist shredded. He turned +to the west and looked towards Westminster, recollecting how his name +and purposes had centred there as though drawn by a magnet. But in +that clear morning light they seemed unreal and purposeless. One +immediate responsibility invaded him, and, contrasted with that, his +ambitions dwindled into vanities. He filled no place, he realised, +which would be vacant unless he occupied it. He had to decide for +Clarice and solely for her. + +Drake took up his hat and walked out of London to Elm Tree Hill. There, +gazing down upon its spires asparkle in the early sunlight, while the +city gradually awoke and the hum of its stirring began to swell through +the air, he came to his decision. Clarice belonged to London; he did not. +In Matanga she would be content--for how long? The roughness, the absence +of her kind and class, the makeshift air of transition, would soon +destroy its charm of novelty. Every instinct would draw her back to +London, and the way would be barred, whilst for him Matanga was a +province in which every capacity he possessed could find employment and +exercise. He would leave England for Matanga when this short session was +over; he would resign his seat and settle there for good. For if he +stayed in London, every step which he took, every advance which he made, +would only add to Clarice's miseries. + +Thus he decided, and walked back with his mind at rest, without regret +for the loss of his ambitions, without, indeed, any real consciousness of +the sacrifice which he had it in his thoughts to make. + +Thus he decided, but as he left his office on the afternoon of the day +whereon he was to make his speech in the House of Commons, Fielding +rushed up to him with a copy of the _Meteor_. + +'Look!' he said, and pointed to an article. Drake took the paper and read +the article through. His face darkened as he read. The article had a +headline which puzzled Drake for a moment. It was entitled _The Drabious +Duke_, and it proceeded to set out the episode of Gorley's court-martial +and execution. The facts, Drake recognised, were not exaggerated, but the +sting lay in the suggestion with which it concluded. + +'We have no doubt,' the leader-writer stated, 'that both the +court-martial and execution were in accordance with the letter of the +law, but, since Mr. Stephen Drake is now one of the legislators of this +country, we feel it our duty to submit two facts for the consideration of +our readers. In the first place we would call attention to the secrecy in +which the incident has been carefully shrouded. In the second, Gorley +undoubtedly secured a considerable quantity of gold-dust. Now, it is +perfectly well known that the Government of Matanga pays a commission on +all gold-dust brought down to the coast. We have gone into the matter +carefully, and we positively assert that no commission whatever was paid +in any such plunder during the two months which followed Mr. Drake's +return from Boruwimi. What, then, became of it? We ask our readers to +weigh these two facts dispassionately, and we feel justified in adding +that Mr. Drake would have been quite within his rights in showing +clemency to Gorley, or in bringing him back to undergo a regular trial. +However, he preferred to execute him on the spot.' + +'He makes me out a thief and a murderer,' said Drake. 'I wonder where he +got the story from?' + +Fielding answered slowly, 'I am afraid that I can throw some light on +that. I told Mallinson some time ago, before he was married.' + +'Mallinson!' exclaimed Drake, stopping in the street. 'Oh, you think the +article comes from him?' Then he turned to Fielding. 'And how did you +know of it?' + +'Well,' said Fielding with some hesitation, 'Mrs. Willoughby told me.' + +'Why?' + +'We neither of us, of course, knew you very well then. Mrs. Willoughby +had only just met you, and she didn't feel quite certain that Clarice +ought to be kept in ignorance of the matter, so she asked my advice.' + +'Quite so,' answered Drake. 'I understand. You thought Clarice ought to +be informed, and you were right. I told her of the matter myself.' + +'No,' exclaimed Fielding; 'I'll tell you the whole truth while I am about +it. I advised Mrs. Willoughby to say nothing, but I behaved like a damned +cad, and told Mallinson myself afterwards. I had quite another reason for +telling him.' + +'Oh, never mind!' broke in Drake. 'The question is, what's to be +done now?' + +'You must sue the paper!' + +'Of course. I was thinking whether I couldn't mention the matter to-night +in the House of Commons. You see it has got into the papers that I mean +to speak, and perhaps I ought to make use of the opportunity.' + +Fielding jumped at the idea. 'By Jove, yes,' he said. 'I should think, in +fact, the directors of the Company will rather expect it.' + +They walked together until they reached the corner of Parliament Street; +there they stopped. + +'I am awfully sorry, Drake,' said Fielding. 'I behaved like a +blackguard.' + +Drake again cut him short. 'Oh, I don't see that. The thing looked fishy, +I don't doubt, and you weren't bound to me in any way. Good-bye,' and he +held out his hand with a cordial smile. + +'Good-bye,' said Fielding, and they separated. + +On reaching his flat Drake was informed that a lady was waiting to see +him. He crossed the passage and opened the door of his sitting-room. Mrs. +Mallinson was standing by the window. + + + + +CHAPTER XVI + + +She turned quickly as the door closed and took a step towards the centre +of the room. Drake perceived that she had a copy of the _Meteor_ in her +hand. 'You have seen this?' she asked. + +'Yes.' He remained by the door with his hand on the knob. + +'And you guessed who wrote it?' + +'I have been told.' He answered her coldly and quietly. + +'I know what you think,' she replied. 'But it's not true. I never told +him the story. He knew it long ago--before you went back to +Matanga--before I married him.' Her voice took a pleading tone. 'You will +believe that, won't you?' + +'It never occurred to me that you had told him. I know, in fact, who did. +But even if you had--well, you had the right to tell him.' Clarice gave a +stamp of impatience. 'He is your husband.' + +'My husband!' she interrupted, and she tore the newspaper across and +dropped it on to the floor. 'My husband! Ah, I wouldn't have believed +that even he could have done a thing so mean. And, to add to the meanness +of it, he went away yesterday, for a week. I know why, now; he dared not +face me.' Then of a sudden her voice softened. 'But it's my fault too, in +a way,' she went on. 'He knew the story a long time ago, and never used +it. I don't suppose he would have used it now, if I hadn't--since your +election--let him see--' She broke off the sentence, and took a step +nearer to Drake. 'Stephen, I meant to let him see.' + +Drake drew himself up against the door. It would be no longer of any +service to her, he thought, if he left England and returned to Matanga. +Something more trenchant was needed. + +He reflected again that he filled no place which another could not fill, +and the reflection took a wider meaning than it had done before. 'Yes,' +he said; 'it's very awkward that it should all come out just now.' + +Clarice stared at him in perplexity. 'Awkward that it should all come +out,' she repeated vaguely; and then, with an accent of relief, 'You mean +that it will injure the Company?' + +'Not so much that. The Company can run without me--quite well now--I am +certain of it.' He spoke as though he was endeavouring to assure himself +of what he said. + +'But it won't hurt you, really,' she exclaimed. 'You can disprove the +charges, and of course you must, I know you hesitate--for my sake--to +bring an action and expose the writer. But you must, and I don't think,' +she lowered her eyes to the ground, 'you would hurt me by doing that.' +For a moment she was silent. Drake made no answer, and she raised her +eyes again to his face. 'You can disprove it--oh, of course,' she said, +with a little anxious laugh. + +'That depends,' he answered slowly, 'upon how much the _Meteor_ knows.' + +Clarice drew back and caught at the table to steady herself. Once or +twice she pressed her hand across her forehead. 'Oh, don't stand like +that,' she burst out, 'as if it was all true.' + +'But they can't prove it's true,' exclaimed Drake, with a trace of +cunning in his voice. 'No; they can't prove it's true.' + +'But is it?' Clarice stood in front of him, her hands clenched. Drake +dropped his eyes from her face, raised them again, and again lowered +them. 'Is it?' she repeated, and her voice rose to the tone of a demand. + +'Yes,' and he answered her in a whisper. + +Clarice recoiled from him with a cry of disgust. She noticed that he drew +a long breath--of relief, it seemed--like the criminal when his crime is +at last brought home to him. 'Then all that story,' she began, 'you told +me at Beaufort Gardens about--about Boruwimi was just meant to deceive +me. You talked about duty! Duty compelled you! You would have hanged +Gorley just the same had you known that he had been engaged to me.' She +began to laugh hysterically. 'It was all duty,--duty from beginning to +end, and I believed you. Heaven help me, I came to honour you for it. And +in reality it was a lie!' She lashed the words at him, but he stood +patiently, and made no rejoinder. 'I always wondered why you told me the +story,' she continued. 'You felt that I had a right to know, I remember. +And you felt bound to tell me. It's clear enough now why you felt bound. +You had found out, I suppose, that my husband knew--' She stopped +suddenly, as though some new thought had flashed into her mind. 'And I +came here to give up everything--just for your sake. Oh, suppose that I +hadn't found you out!' + +She stooped and picked up from the floor the torn pages of the _Meteor_. +She folded them carefully and then moved towards the door. Drake opened +it and stood aside. + +Clarice went out, called a hansom and drove home. When she arrived there +she ordered tea to be brought to the drawing-room and sat down and again +read the article in the _Meteor_. When the tea was brought, she ordered +it to be taken into Sidney's study. She walked restlessly about that +room, as though she was trying to habituate herself to it. A green shade +lay upon the writing-table, which her husband was accustomed to wear over +his eyes. She took it up, looked at it for a little, and then threw it +down again with an air of weariness and distaste. A few minutes later +Percy Conway called and was admitted. + + + + +CHAPTER XVII + + +Fielding opened his newspaper the next morning with unusual eagerness, +and, turning to the Parliamentary reports, glanced down column after +column in search of Drake's speech. The absence of it threw him into some +consternation. He tossed the newspaper on to the breakfast-table and rose +from his seat. As he moved, however, he caught sight of Drake's name at +the beginning of a leader, and he read the leader through. It dealt with +the accusation of the _Meteor_, and expressed considerable surprise that +Drake had not seized the opportunity of denying it in the House of +Commons. It was mentioned that Drake had not been seen there at any time +during the course of the evening. + +Fielding jumped to the conclusion that he had met with an accident, +and set out for his chambers on the instant. He found Drake quietly +eating his breakfast. Only half the table, however, was laid for the +meal; the other half was littered with papers and correspondence, +while a pile of stamped letters stood on one corner. 'I was expecting +you,' said Drake quietly. + +'Why, what on earth has happened?' asked Fielding. 'Why didn't you speak +last night?' + +'I thought it would be the wisest plan to leave the matter alone.' + +'But you can't,' exclaimed Fielding. 'Read this!' and he handed to him +the newspaper. 'You can't leave it alone.' + +'I can, and shall,' replied Drake, and he returned to his breakfast. + +'But, my dear fellow, you can't understand what that means! Read the +leader, then.' Drake glanced quickly down it. 'Now, do you understand? It +means utter ruin, utter disgrace, unless you answer this charge, and +answer it at once. You will have created a false enough impression +already.' Drake, however, made no response beyond a shrug of his +shoulders. 'But, good Lord, man,' continued Fielding, 'your name's at +stake. You can't sit quiet as if this was an irresponsible piece of +paragraph-writing. You would have to resign your seat in Parliament, your +connection with the Matanga Company--everything. You couldn't possibly +live in England.' + +'Do you think I haven't counted up precisely what inaction is going to +cost me?' interrupted Drake. 'Look here!' and he took a couple of letters +from the pile and handed them to Fielding. One was addressed to the whip +of his party, and the other to the directors of the Matanga Concessions. +'And I leave Charing Cross at ten o'clock this morning.' + +Fielding looked at his watch; it was half-past nine. 'Then you mean to +run away?' he gasped. 'But, in Heaven's name, why?' + +'For an obvious reason. Yesterday I believed that I could meet the +charge. But something has happened since then, and I know now that I +can't.' + +Fielding started back. 'Do you mean to tell me, as man to man, that the +accusation's true.' + +'As man to man,' repeated Drake steadily, 'I tell you that it is true.' + +Fielding stared at him for a minute. Then he said, 'Drake, you're a +damned liar.' + +'We haven't much time,' said Drake, 'and I would like to say something to +you about the future of the Matanga settlement. You will take my place, I +suppose. You can, and ought to'; and he entered at once into details on +administration. + +The advice, however, was lost upon Fielding. Once he interrupted Drake. +'How many white men were with you on the Boruwimi expedition?' he asked. + +'Four,' answered Drake, and he gave the names. 'They are dead, though. +Two died of fever on the way back; one was killed in a subsequent +expedition, and the fourth was drowned about eighteen months ago off +Walfisch Bay.' A noise of portmanteaux being dragged along the passage +penetrated through the closed door. Drake looked at his watch, and +started to his feet. 'I must be off,' he said; 'I am late as it is. You +might do something for me, and that is to post these letters.' + +'But, man, you are not really going?' + +Drake for answer put on his hat and took up his stick. 'Good-bye,' he +said. + +'But, look here! Do you ask me to believe that you would have been giving +me all this advice, if you had really done what that infernal paper makes +you out to have done?' + +'I'll give you a final piece of advice too. Give up philandering and +get married!' + +With that he opened the door and went out, and a few seconds later +Fielding heard the sound of his cab-wheels rattle on the pavement. + +Drake, on reaching Charing Cross, found that he had more time to spare +than he had reckoned. He was walking slowly along the train in search of +an empty compartment when, from a window a few paces ahead of him, a face +flashed out, and as suddenly withdrew. The face was Conway's, and Drake +felt that the sudden withdrawal meant a distinct desire to avoid +recognition. He set the desire down to the unrepulsed attack of the +_Meteor_, and since he had no inclination to force his company upon +Conway, he turned on his heel and moved towards the other end of the +train. He was just opposite the archway of the booking-office when a +woman, heavily veiled and of a slight figure, came out of it. At the +sight of Drake she came to a dead stop, and so attracted his attention. +Then she quickly turned her back to him, walked to the bookstall, and +slipped round the side of it into the waiting-room. Drake wheeled about +again. Conway's head was stretched out of the window; and he was gazing +towards the bookstall. + +Drake was in no doubt as to who the woman was, and he felt his heart turn +to stone. He walked quickly back until he reached Conway's compartment. +It was empty save for him, but there was a reserved label in the window. + +'Holloa!' said Conway, awkwardly enough. 'Are you going by this train? +You had better find a seat if you are.' + +'But I'm not,' said Drake; 'I thought of going, but I have changed my +mind.' He leaned against the door of the carriage chatting incessantly to +Conway, with an eye upon the waiting-room. Once he saw the woman appear +at the door, but she retired again. Meanwhile Conway's embarrassment +increased. He said 'Good-bye' to Drake at least half-a-dozen times, but +on each occasion Drake had something new to say to him. At last the +whistle sounded and the train began to move. 'I say,' cried Drake, +running along by the carriage. 'My luggage is in the van. You might bring +it back with you from Dover, if you will,' and he stood watching the +train until it disappeared under the shed. + +Then he walked into the waiting-room. He saw Clarice seated in a +corner, and went straight to her. She noticed that his face was white +and set, and she rose with some instinct of defiance. 'I owe you an +apology,' he said abruptly. 'The _Meteor_ is untrue from the first word +to the last. I mean to stay in London, and fight it; yesterday +afternoon I told you lies.' + +'Why?' she asked. + +'Sheer lunacy,' said he; and he got into a cab and drove to the offices +of his solicitor. + + + + +CHAPTER XVIII + + +Meanwhile Fielding picked up the pile of letters from the table in +Drake's chambers and went down into the street. He paused for a moment or +two at the pillar-box weighing the letters in his hand. Then he slipped +them into his pocket and hurried to Mrs. Willoughby's. + +Mrs. Willoughby was moving restlessly about the drawing-room as he was +shown in. She turned impulsively towards him, holding out both hands. 'I +so hoped you would come,' she said. 'Well? You have seen him?' + +'Yes.' + +'What does he mean to do?' she asked anxiously, taking from a chair a +copy of the _Meteor_. + +'Nothing,' replied Fielding. 'He resigns his seat; he gives up his +directorship; he is leaving England.' + +Mrs. Willoughby's first look was of sheer incredulity. 'It's impossible!' +she exclaimed. + +'I have just returned from his chambers. He has started from Charing +Cross already.' + +Mrs. Willoughby sat down in the window-seat, and her look of incredulity +gradually changed to one of comprehension. 'And he took such delight in +London,' she said, with a break in her voice; 'just like a schoolboy.' + +Fielding nodded gloomily. 'I did my best to dissuade him,' he said. 'I +practically told him he was a coward to run away. But you know the man. +He had made up his mind not to face the charge. And yet I can't believe +it's true.' + +'Believe it!' exclaimed Mrs. Willoughby, with a hint of something +dangerously near to scorn in her voice. + +'I know, I know,' answered Fielding. 'Still Drake pleads guilty. He +sacrifices everything, an established position, unusual +prospects--everything, by pleading guilty. You see, that's the point. He +has every imaginable inducement to make him face the accusation, even if +he has only the merest chance of winning, and yet he runs away. He runs +away--Drake does. There's only one inference--' + +'For the world to draw,' interrupted Mrs. Willoughby; 'and doubtless he +meant the world to draw it. But you and I should know him better.' + +'Yes,' Fielding admitted. 'Yes.' He began to walk about the room. 'But +what's the reason? Drake's action, if this statement is a libel, is the +action of a madman.' + +'A madman? Yes! Don Quixote was mad even in his century,' replied Mrs. +Willoughby. 'I can give you the reason. Clarice was with him yesterday +afternoon.' + +'Yesterday?' said Fielding. 'Why, I walked home with Drake from the +City myself.' + +'But you didn't go in with him.' + +'No; I left him alone to arrange his speech. He meant to mention this +very charge.' + +Mrs. Willoughby started to her feet. 'Then that settles it,' she said. +'Clarice was waiting for him in his rooms. Oh, if you had only gone in +with him! You remember what I wrote to you, that he would lie in the +mud if he thought it would save her. Well, that is what he has done. +Clarice came here this very morning and told me what had happened. She +went to his chambers, determined never to return to her husband, +prepared to sacrifice--I give you her words, not mine--to sacrifice +herself, her name, and for his sake. But when she showed him the +_Meteor_ her suspicions were aroused by his manner, and she forced the +truth out of him.' + +Fielding gave a short, contemptuous laugh. 'Forced the truth out of him! +She actually told you that?' + +'And what's more, she believes it. Oh the waste, the waste of a man like +that upon a doll like her. I suppose there's nothing to be done?' + +'Nothing; if he won't defend himself, our defence won't carry any +weight,' he went on, with a change of tone. 'But I don't see what real +good he does, even to her. She goes back to her husband now, but next +month or next year there'll be somebody else.' + +'Yes,' replied Mrs. Willoughby; 'but I hardly fancy Stephen Drake would +consider that. I believe he would feel that he had no right to speculate +on what may not happen. He would just see this one clear, definite, +immediate thing to do, and simply do it.' She spoke the sentence with a +slow emphasis upon each word, and Fielding moved uneasily. It seemed to +strike an accusation at him. He braced himself to make the same +confession to Mrs. Willoughby which he had made that afternoon before to +Drake. But, before he could speak it, Mrs. Willoughby put to him a +question. 'Tell me, did he seem to mind much?' + +'No,' Fielding answered with an air of relief. His confession was +deferred, if only for a minute. 'He seemed cheerful enough. The last +thing he did,' and he paused for a second, 'was to give me advice about +the management of the Matanga Company.' + +'That's so like him,' she said gently. Then she looked up with a start of +interest. 'You are going to take his place?' she asked. + +'He said I ought to. I know more about it than the other directors. Of +course they mayn't appoint me, but I expect they will.' Mrs. Willoughby +was silent. She moved away from the window and stood by the fireplace. +Fielding crossed to her. 'Drake gave me one other piece of advice,' he +said hesitatingly,--'not about business. It concerned me and just one +other person.' He pitched the remark in an interrogative key. + +Mrs. Willoughby glanced quickly towards him with just the hint of a smile +dimpling about the corners of her lips. Fielding found it very difficult +to go on, but there was one clear, definite, immediate thing for him to +do as well, he said. 'Before I act on it there is something I ought to +tell you.' He paused for a second, and the trouble in his voice perplexed +Mrs. Willoughby. 'Whom do you think Mallinson got his knowledge about +Gorley from?' + +Mrs. Willoughby took a step forward. 'Whom? Why,' and she gave a little +anxious laugh, 'from Clarice, of course.' + +'No.' + +Mrs. Willoughby looked at him for a moment in silence. Then she drew back +again. 'You told him?' she asked with a quiet wonder. 'Yes,' Fielding +nodded. 'But I only told you,' she said, 'because I wanted your advice. +What made you tell him? There must have been some reason, some good +reason, some necessity.' + +'No; there was no necessity, no good reason, no reason at all,' Fielding +replied doggedly. 'I told him because--' he stopped abruptly; the reason +seemed too pitiful for him even to relate. + +'Well, because?' asked Mrs. Willoughby. There was a note of hardness +in the utterance. Fielding raised his eyes and glanced at her face. +'It comes too late,' he said unconsciously, and he was thinking of +Drake's advice. + +'The reason!' she insisted, taking no notice of the sentence. 'The +reason!' + +'I told Mallinson at the time when I was always meeting him here.' + +Mrs. Willoughby gave a start. 'And because of that?' she cried. + +'Yes,' said he. 'I thought the knowledge might give him a fairer,' he +changed the word, 'a better, chance with Clarice.' + +'Oh, how mean!' exclaimed Mrs. Willoughby, not so much in anger as in +absolute disappointment. She turned away from him, and stood for a little +looking out of the window. Then she said, 'Good-bye.' + +And Fielding took his hat and left the house. He went down to the office, +and was told that Drake wanted to see him. + +'Drake!' he exclaimed. He pushed open the door of Drake's private office, +and the latter looked up from his papers. + +'You called me a damned liar this morning,' he said, 'and you were +right.' + +Fielding dropped into a chair. 'What do you mean?' + +'That there's not a word of truth in the _Meteor's_ charges, and I am +prosecuting the editor. Did you post those letters?' + +Fielding pulled them out of his pocket and threw them on to the table. +'Thanks,' said Drake, 'that's fortunate.' + +Fielding did not inquire into the cause of Drake's change of purpose, and +it was some while before he understood it. For Mrs. Willoughby held no +further discussions with him in the drawing-room at Knightsbridge. + +THE END + + + + + +End of the Project Gutenberg EBook of The Philanderers, by A.E.W. 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Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/old/13057-8.zip b/old/13057-8.zip Binary files differnew file mode 100644 index 0000000..52b050a --- /dev/null +++ b/old/13057-8.zip diff --git a/old/13057.txt b/old/13057.txt new file mode 100644 index 0000000..cf0f7f1 --- /dev/null +++ b/old/13057.txt @@ -0,0 +1,6903 @@ +The Project Gutenberg EBook of The Philanderers, by A.E.W. Mason + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Philanderers + +Author: A.E.W. Mason + +Release Date: July 30, 2004 [EBook #13057] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE PHILANDERERS *** + + + + +Produced by Mary Meehan and the Online Distributed Proofreading Team. + + + + + THE PHILANDERERS + + BY A.E.W. MASON + + Author of 'The Courtship of Morrice Buckler' + + 1897 + + + + +PROLOGUE + + +Five Englishmen were watching a camp fire in the centre of a forest +clearing in mid-Africa. They did not speak, but sat propped against logs, +smoking. One of the five knocked out the ashes of his pipe upon the +ground; a second, roused by the movement, picked up a fresh billet of +wood with a shiver and threw it on to the fire, and the light for a +moment flung a steady glow upon faces which were set with anxiety. The +man who had picked up the billet looked from one to the other of the +faces, then he turned and gazed behind him into the darkness. The floor +of the clearing was dotted with the embers of dying fires, but now and +again he would hear the crackle of a branch and see a little flame spirt +up and shine upon the barrels of rifles and the black bodies of the +sleeping troops. Round the edge of the clearing the trees rose massed and +dark like a cliff's face. He turned his head upwards. + +'Look, Drake!' he cried suddenly, and pointed an arm eastwards. The man +opposite to him took his pipe from his mouth and looked in that +direction. The purple was fading out of the sky, leaving it livid. + +'I see,' said Drake shortly, and, replacing his pipe, he rose to his +feet. His four companions looked quickly at each other and the eldest of +them spoke. + +'Look here, Drake,' said he, 'I have been thinking about this business +all night, and the more I think of it the less I like it. Of course, we +only did what we were bound to do. We couldn't get behind that evidence; +there was no choice for us; but you're the captain, and there is a +choice for you.' + +'No,' replied Drake quietly. 'I too have been thinking about it all +night, and there is no choice for me.' + +'But you can delay the execution until we get back.' + +'I can't even do that. A week ago there was a village here.' + +'It's not the man I am thinking of. I haven't lived my years in Africa to +have any feeling left for scum like that. But also I haven't lived my +years in Africa without coming to know there's one thing above all others +necessary for the white man to do, and that's to keep up the prestige of +the white man. String Gorley up if you like, but not here--not before +these blacks.' + +'But that's just what I am going to do,' answered Drake, 'and just for +your reason, too--the prestige of the white man. Every day something is +stolen by these fellows, a rifle, a bayonet, rations--something. When I +find the theft out I have to punish it, haven't I? Well, how can I punish +the black when he thieves, and let the white man off when he thieves and +murders? If I did--well, I don't think I could strike a harder blow at +the white man's prestige.' + +'I don't ask you to let him off. Only take him back to the coast. Let him +be hanged there privately.' + +'And how many of these blacks would believe that he had been hanged?' +Drake turned away from the group and walked towards a hut which stood +some fifty yards from the camp fire. Three sentries were guarding the +door. Drake pushed the door open, entered, and closed it behind him. The +hut was pitch dark since a board had been nailed across the only opening. + +'Gorley!' he said. + +There was a rustling of boughs against the opposite wall, and a voice +answered from close to the ground. + +'Damn you, what do you want?' + +'Have you anything you wish to say?' + +'That depends,' replied Gorley after a short pause, and his voice changed +to an accent of cunning. + +'There's no bargain to be made.' + +The words were spoken with a sharp precision, and again there was +a rustling of leaves as though Gorley had fallen back upon his bed +of branches. + +'But you can undo some of the harm,' continued Drake, and at that Gorley +laughed. Drake stopped on the instant, and for a while there was silence +between the pair. A gray beam of light shot through a chink between the +logs, and then another and another until the darkness of the hut changed +to a vaporous twilight. Then of a sudden the notes of a bugle sounded the +reveille. Gorley raised himself upon his elbows and thrust forward his +head. Outside he heard the rattle of arms, the chatter of voices, all the +hum of a camp astir. + +'Drake,' he whispered across to the figure standing against the door, +'there's enough gold dust to make two men rich, but you shall have it all +if you let me go. You can--easily enough. It wouldn't be difficult for a +man to slip away into the forest on the march back if you gave the nod to +the sentries guarding him. All I ask for is a rifle and a belt of +cartridges. I'd shift for myself then.' + +He ended abruptly and crouched, listening to the orders shouted to the +troops outside. The men were being ranged in their companies. Then the +companies in succession were marched, halted, wheeled, and halted again. +Gorley traced a plan of their evolutions with his fingers upon the floor +of the hut. The companies were formed into a square. + +'Drake,' he began again, and he crawled a little way across the hut; +'Drake, do you hear what I'm saying? There's a fortune for you, mind you, +all of it; and I am the only one who can tell you where it is. I didn't +trust those black fellows--no, no,' and he wagged his head with an +attempt at an insinuating laugh. 'I had it all gathered together, and I +buried it myself at night. You gave me a chance before with nothing to +gain. Give me another; you have everything to gain this time. Drake, why +don't you speak?' + +'Because there's no bargain to be made between you and me,' replied +Drake. 'If you tell me where the gold dust's hid, it will be given back +to the people it belonged to, or rather to those of them you left +alive. You can do some good that way by telling me, but you won't save +your life.' + +Steps were heard to approach the hut; there was a rap on the door. + +'Well?' asked Drake. + +Gorley raised himself from the floor. + +'I am not making you rich and letting you kill me too,' he said; and +then, 'Who cares? I'm ready.' + +Drake opened the door and stepped out. Gorley swaggered after him. He +stood for a moment on the threshold. Here and there a wisp of fog ringed +a tree-trunk or smoked upon the ground. But for the rest, the clearing, +littered with the charred debris of a native village, lay bare and +desolate in a cold morning light. + +'It looks a bit untidy,' said Gorley, with a laugh. Two of the troopers +approached and laid their hands upon his shoulders. At first he made a +movement to shake them off. Then he checked the impulse and stood +quietly while they pinioned him. After they had finished he spat on the +ground, cast a glance at the square and the rope dangling from a branch +above it, and walked easily towards it. The square opened to receive him +and closed up again. + +On the march back two of the Englishmen sickened of ague and died. Six +months later a third was killed in a punitive expedition. The fourth was +drowned off Walfisch Bay before another year had elapsed. + + + + +CHAPTER I + + +Hugh Fielding, while speculating upon certain obscure episodes in the +history of a life otherwise familiar to an applauding public, and at a +loss to understand them, caught eagerly at a simile. Now Fielding came +second to none in his scorn for the simile as an explanation, possibly +because he was so well acquainted with its convenience. 'A fairy lamp' he +would describe it, quite conscious of the irony in his method of +description, 'effective as an ornament upon a table-cloth, but a poor +light to eat your dinner by.' + +Nevertheless Fielding hugged this particular simile, applying it as a +sort of skeleton key to the problem of Stephen Drake's career. + +He compared Drake's career, or at all events that portion of it which was +closed, to the writing of a book. So many years represent the +accumulation of material, a deliberate accumulation; at a certain date +the book is begun with a settled design, _finis_ being clearly foreseen +from the first word of the preface. But once fairly started the book +throws the writer on one side and takes the lead, drags him, panting and +protesting, after it, flings him down by-ways out of sight of his main +road, tumbles him into people he had no thought of meeting, and finally +stops him dead, Heaven knows where--in front of a blank wall, most +likely, at the end of a _cul de sac_. He may sit down then and cry if he +likes, but to that point he has come in spite of his intentions. + +The actual settling down to the work, with the material duly ticketed at +his elbow, in Drake's case Hugh Fielding dated back to a certain day +towards the close of October. + +Upon that afternoon the _Dunrobin Castle_ from Cape Town steamed into +Plymouth Harbour, and amongst the passengers one man stepped from the +tender on to the quay and stood there absolutely alone. No one had gone +out to the ship to meet him; no one came forward now on the quay-side, +and it was evident from his indifference to the bystanders that he +expected no one. The more careless of these would have accounted him a +complete stranger to the locality, the more observant an absentee who had +just returned, for while his looks expressed isolation, one significant +gesture proved familiarity with the environments. As his eyes travelled +up the tiers of houses and glanced along towards the Hoe, they paused now +and again and rested upon any prominent object as though upon a +remembered landmark, and each such recognition he emphasised with a nod +of the head. + +He turned his back towards the town, directing his glance in a circle. +The afternoon, although toning to dusk, was kept bright by the scouring +of a keen wind, and he noted the guard-ship on his right at its old +moorings, the funnels rising like solid yellow columns from within a +stockade of masts; thence he looked across the water to the yellowing +woods of Mount Edgcumbe, watched for a moment or so the brown sails of +the fishing-smacks dancing a _chassez-croisez_ in the Sound, and turned +back to face the hill-side. A fellow-passenger, hustled past him by +half a dozen importunate children, extricated a hand to wave, and +shouted a cheery 'See you in town, Drake.' Drake roused himself with a +start and took a step in the same direction; he was confronted by a man +in a Norfolk jacket and tweed knickerbockers, who, standing by, had +caught the name. + +'Captain Stephen Drake?' + +'Yes. Why?' + +The man mopped a perspiring face. + +'I was afraid I had missed you. I should have gone out on the tender, +only I was late. Can you spare me a moment? You have time.' + +'Certainly,' answered Drake, with a look of inquiry. + +The man in the knickerbockers led the way along the quay until he came to +an angle between an unused derrick and a wall. + +'We shall not be disturbed here,' he said, and he drew an oblong +note-book and a cedar-wood pencil from his pocket. + +'I begin to understand,' said Drake, with a laugh. + +'You can have no objection?' + +There was the suavity of the dentist who holds the forceps behind his +back in the tone of the speaker's voice. + +'On the contrary, a little notoriety will be helpful to me too.' + +That word 'too' jarred on the reporter, suggesting a flippancy which he +felt to be entirely out of place. The feeling, however, was quickly +swallowed up in the satisfaction which he experienced at obtaining so +easily a result which had threatened the need of diplomacy. + +'_O si sic omnes!_' he exclaimed, and made a note of the quotation upon +the top of the open leaf. + +'Surely the quotation is rather hackneyed to begin with?' suggested Drake +with a perfectly serious inquisitiveness. The reporter looked at him +suspiciously. + +'We have to consider our readers,' he replied with some asperity. + +'By the way, what paper do you represent?' + +The reporter hesitated a little. + +'The _Evening Meteor_,' he admitted reluctantly, keeping a watchful eye +upon his questioner. He saw the lips join in a hard line, and began to +wonder whether, after all, the need for diplomacy had passed. + +'I begin to appreciate the meaning of journalistic enterprise,' said +Drake. 'Your editor makes a violent attack upon me, and then sends a +member of his staff to interview me the moment I set foot in England.' + +'You hardly take the correct view, if I may say so. Our chief when he +made the attacks acted under a sense of responsibility, and he thought it +only fair that you should have the earliest possible opportunity of +making your defence.' + +'I beg your pardon,' replied Drake gravely. 'Your chief is the most +considerate of men, and I trust that his equity will leave him a margin +of profit, only I don't seem to feel that I need make any defence. I have +no objection to be interviewed, as I told you, but you must make it clear +that I intend nothing in the way of apology. Is that understood?' + +The pressman agreed, and made a note of the proviso. + +'There is another point. I have seen nothing of the paper necessarily for +the last few weeks. The _Meteor_ has, I suppose, continued its--crusade, +shall we call it?--but on what lines exactly I am, of course, ignorant. +It will be better, consequently, that you should put questions and I +answer them, upon this condition, however,--that all reference is omitted +to any point on which I am unwilling to speak.' + +The reporter demurred, but, seeing that Drake was obdurate, he was +compelled to give way. + +'The entire responsibility of the expedition rests with me,' Drake +explained, 'but there were others concerned in it. You might trench upon +private matters which only affect them.' + +He watched the questions with the vigilance of a counsel on behalf of a +client undergoing cross-examination, but they were directed solely to the +elucidation of the disputed point whether Drake had or had not, while a +captain in the service of the Matanga Republic, attacked a settlement of +Arab slave-dealers within the zone of a British Protectorate. The editor +of the _Meteor_ believed that he had, and strenuously believed it--in the +interests of his shareholders. Drake, on the other hand, and the Colonial +Office, it should be added, were dispassionately indifferent to the +question, for the very precise reason that they knew it could never be +decided. There were doubts as to the exact sphere of British influence, +and the doubts favoured Drake for the most part. Insular prehensiveness, +at its highest flight, could do no more than claim Boruwimi as its +uttermost limit, and was aware it would be hard put to it to substantiate +the claim. The editor, nevertheless, persevered, bombarded its citizen +readers with warnings about trade fleeing from lethargic empires, +published a cartoon, and reluctantly took the blackest view of Drake's +character and aims. + +Drake's march with a handful of men six hundred miles through a tangled +forest had been a handsome exploit, quickening British pride with the +spectacle of an Englishman at the head of it. Civilian blood tingled in +office and shop, claiming affinity with Drake's. It needed an Englishman +to bill-hook a path through that fretwork of branches, and fall upon his +enemy six weeks before he was expected--the true combination of daring +and endurance that stamps the race current coin across the world! Economy +also pleaded for Drake. But for him the country itself must have burned +out the hornets' nest, and the tax-payer paid, and paid dearly. For there +would have been talk of the expedition beforehand, the force would have +found an enemy prepared and fortified. The hornets could sting too! +Whereas Drake had burned them out before they had time to buzz. He need +not have said one word in exculpation of himself, and that indeed he +knew. But he had interests and ambitions of his own to serve; a hint of +them peeped out. + +'As to your future plans?' asked the reporter. 'You mean to go back, +I presume.' + +'No; London for me, if I can find a corner in it. I hold concessions +in Matanga.' + +'The land needs development, of course.' + +'Machinery too; capital most of all.' + +At the bookstall upon the platform Drake bought a copy of the _Times_, +and whilst taking his change he was attracted by a grayish-green volume +prominently displayed upon the white newspapers. The sobriety of the +binding caught his fancy. He picked it up, and read the gold-lettered +title on the back--_A Man of Influence_. The stall-keeper recommended the +novel; he had read it himself; besides, it was having a sale. Drake +turned to the title-page and glanced at the author's name--Sidney +Mallinson. He flashed into enthusiasm. + +'Selling, eh?' + +'Very well indeed.' + +'Has it been published long?' + +'Less than three months.' + +'I will take it, and everything else by the same author.' + +'It is his first book.' + +The stall-keeper glanced at his enthusiastic customer, and saw a sunburnt +face, eager as a boy's. + +'Oh!' he said doubtfully, 'I don't know whether you will like it. It's +violently modern. Perhaps this,' and he suggested with an outstretched +forefinger a crimson volume explained by its ornamentation of a couple of +assegais bound together with a necklace of teeth. Drake laughed at the +application of the homoeopathic principle to the sale of books. + +'No, I will take this,' he said, and, moving aside from the stall, stood +for a little turning the book over and over in his hands, feeling its +weight and looking incessantly at the title-page, wondering, you would +say, that the author had accomplished so much. + +He had grounds for wonder, too. His thoughts went back across the last +ten years, and he remembered Mallinson's clamouring for a reputation; a +name--that had been the essential thing, no matter what the career in +which it was to be won. Work he had classified according to the +opportunities it afforded of public recognition; and his classification +varied from day to day. A _cause celebre_ would suggest the Bar, a +published sermon the Church, a flaming poster persuade to the stage. In a +word, he had looked upon a profession as no more than a sounding-board. + +It had always seemed to Drake that this fervid desire for fame, as a +thing apart in itself, not as a symbol of success won in a cherished +pursuit, argued some quality of weakness in the man, something unstable +which would make for failure. His surprise was increased by an inability +to recollect that Mallinson had ever considered literature as a means to +his end. Long sojourning in the wilderness, moreover, had given Drake an +exaggerated reverence for the printed page. He was inclined to set +Mallinson on a pinnacle, and scourge himself at the foot of it for his +earlier distrust of him. He opened the book again at the beginning, and +let the pages slip across beneath his thumb from cover to cover; 413 was +marked on the top corner of the last; 413 pages actually written and +printed and published; all consecutive too; something new on each page. +He turned to a porter. + +'How long have I before the train starts?' + +'Five minutes, sir.' + +'Where is the telegraph office?' + +The office was pointed out to him, and he telegraphed to Mallinson at the +address of his publishers. 'Have just reached England. Dine with me at +eight to-morrow at the Grand Hotel'; and he added after a moment's pause, +'Bring Conway, if you have not lost sight of him.--DRAKE.' + +When the train started Drake settled himself to the study of _A Man of +Influence_. The commentary of the salesman had prepared him for some +measure of perplexity. There would be hinted references and suggestions, +difficult of comprehension to the traveller out of touch with modern +developments. These, however, would only be the ornaments, but the flesh +and blood of the story would be perceptible enough. It was just, however, +this very flesh and blood which eluded him; he could not fix it in a +definite form. He did not hold the key to the author's intention. + +Drake's _vis-a-vis_ in the carriage saw him produce the book with +considerable surprise, conscious of an incongruity between the reader and +what he read. His surprise changed to amusement as he noticed Drake's +face betray his perplexity and observed him turn now and again to the +title upon the cover as though doubtful whether he had not misread it. He +gave an audible chuckle. + +Drake looked up and across the carriage at a man of about fifty years of +age with a large red face and a close-cropped pointed beard. The chuckle +swelled to a laugh. + +'You find that a hard nut to crack?' Drake noticed a thickness in the +articulation. + +'I have been some years abroad. I hardly catch its drift,' explained +Drake, and then with an effort at praise: + +'It seems a clever satire.' + +'Satire!' guffawed the other. 'Well, that's rich! Satire? Why, it's a +manifesto. Gad, sir, it's a creed. I believe in my duty to my senses and +the effectuation of me for ever and ever, Amen. The modern jargon! Topsy +Turvydom! Run the world on the comic opera principle, but be flaming +serious about it. Satire, good Lord!' + +He flung himself back on his cushions with a snort of contempt. + +'Look you, I'm not a pess--' he checked at the word and then took it at a +run, 'a pessimist, but, as things are going on--well, you have been out +of the country and--and you can't help it, I suppose. You may laugh! +P'raps you haven't got daughters--not that I have either, praise glory! +But nieces, if the father's a fool, wear you out very little less. +Satire, ho! ho!' + +The semi-intoxicated uncle of nieces relapsed vindictively into his +corner and closed his eyes. Occasionally Drake would hear a muffled +growl, and, looking in that direction, would see one inflamed eye peering +from a mountain of rugs. + +'Satire!' and a husky voice would address the passengers +indiscriminately. 'Satire! and the man's not a day under forty either.' + +Drake joined in the laugh and lit his pipe. He was not sensitive to +miscomputations of his years, and felt disinclined to provoke further +outbursts of family confidences. + +Instead, he pursued his acquaintance with _A Man of Influence_, realising +now that he must take him seriously and regard him stamped with +Mallinson's approval, a dominating being. He found the task difficult. +The character insisted upon reminding him of the nursery-maid's ideal, +the dandified breaker of hearts and bender of wills; an analytical hero +too, who traced the sentence through the thought to the emotion, which +originally prompted it; whence his success and influence. But for his +strength, plainly aimed at by the author, and to be conceded by the +reader, if the book was to convince? Drake compared him to scree and +shingle as against solid granite. Lean on him and you slip! + +The plot was the time-worn, imperishable story of the married couple and +the amorous interloper, the Influential Man, of course, figuring as the +latter, and consequently glorified. The husband was pelted with ridicule +from the first chapter to the last, though for what particular fault +Drake could not discover, unless it were for that of being a husband at +all; so that the interloper in robbing him of his wife was related to +have secured not merely the _succes d'estime_ which accompanies such +enviable feats, but the unqualified gratitude of all married women and +most unmarried men. + +There were, no doubt, redeeming qualities; Drake gave them full credit, +and perhaps more than they deserved. He noticed a glitter in the +dialogue, whether of foil or gold he refused to consider, and a lively +imagination in the interweaving of the incidents. But altogether the book +left with him a feeling of distaste, which was not allayed by the +perception that he himself was caricatured in the picture of befooled +husband, while Mallinson figured as the successful deceiver. After all, +he thought, Mallinson and he were friends, and he disliked the mere +imagining of such a relationship between them. + +Drake summed up his impressions as his hansom turned into the Bayswater +Road. The day was just beginning to break; the stems of the trees +bordering the park were black bars against the pure, colourless light, +and their mingling foliage a frayed black ribbon stretched across the +sky. One might have conceived the picture the original of a black and +white drawing by a pre-Raphaelite artist. + +Drake drew in a long breath of the keen, clear air. + +'I am glad I asked him to bring Conway,' he said to himself. + + + + +CHAPTER II + + +Waking up six hours later, Drake looked out upon a brown curtain of +London fog. The lamps were lit at the crossings in Trafalgar +Square--half-a-mile distant they seemed, opaque haloes about a pin's +point of flame, and people passing in the light of them loomed and +vanished like the figures of a galanty-show. From beneath rose the bustle +of the streets, perceptible only to Drake, upon the fourth floor, as a +subterranean rumble. 'London,' he said to himself, 'I live here,' and +laughed unappalled. Listening to the clamour, he remembered a map, seen +somewhere in a railway guide, a map of England with the foreign cables, +tiny spider-threads spun to the four quarters and thickening to a solid +column at Falmouth and Cromer, the world's arteries, he liked to think, +converging to its heart. + +The notion of messages flashing hourly along these wires brought to mind +the existence of the _Meteor_. He sent out for a copy of each number +which had appeared since he had begun his voyage, and commencing on the +task whilst he was still at breakfast, read through every article written +concerning the Boruwimi expedition. He finished the last in the +smoking-room shortly after one o'clock, and rose from his investigation +with every appearance of relief. From the first to the final paragraph, +not so much as a mention of Gorley's name! + +The reason for his relief lay in a promise which he had sent to Gorley's +father, that he would suppress the trouble as far as he could; and Drake +liked to keep his promises. + +Gorley had come out to Matanga with a cloudy reputation winging close at +his heels. There were rumours of dishonesty in the office of a private +bank in Kent; his name became a sign for silence, and you were allowed to +infer that Gorley's relatives had made good the deficit and so avoided a +criminal prosecution. It was not surprising, then, that Gorley, on +hearing of Drake's intended march to Boruwimi, should wish to take +service under his command. He called upon Drake with that request, was +confronted with the current story, and invited to disprove it. Gorley +read his man shrewdly, and confessed the truth of the charge without an +attempt at mitigation. He asked frankly for a place in the troop, the +lowest, as his chance of redemption, or rather demanded it as a grace due +from man to man. Drake was taken by his manner, noticed his build, which +was tough and wiry, and conceded the request. Nor had he reason to regret +his decision on the march out. Gorley showed himself alert, and vigilant, +a favourite with the blacks, and obedient to his officers. He was +advanced from duty to duty; a week before the force began its homeward +march from Boruwimi he was sent out with a body of men to forage for +provisions. Three days later a solitary negro rushed into camp, one of +the few survivors of his tribe, he said. He told a story of food freely +given, a village plundered and burned for thanks, of gold-dust stolen and +the owners murdered that they might the better hold their tongues. He +signified Gorley as the culprit. Drake, guided by the negro, marched +towards the spot. He met Gorley and his company half-way between Boruwimi +and the village, carried him along with him, and proved the story true. +Against Gorley's troops no charge could be sustained; they had only +obeyed orders. But Gorley he court-martialled, and the result has been +described. + +This was the incident which Drake was unwilling to commit to the +discretion of the editor of the _Meteor_. He had discovered Gorley's +relations in England, and had written to them a full account of the +affair, despatching with his letter a copy of the evidence given at the +court-martial. The reply came from the father, a heart-broken admission +of the justice of Drake's action, and a prayer that, for the sake of +those of the family who still lived, Gorley's crime should be as far as +possible kept secret. Drake gave the promise. So far he had kept it, he +realised, as he tossed aside the last copy of the _Meteor_. + +At eight o'clock Sidney Mallinson arrived. He saw Drake at the top of +the flight of steps in the vestibule, and hesitated, perceiving that he +was alone. + +'Hasn't Conway come?' he asked. 'I sent to him.' + +'Not yet. It's barely eight.' + +They shook hands limply and searched for topics of conversation. + +'You look older than you did,' said Mallinson. + +'Ah! Ten years, you know. You haven't changed much.' + +Drake was looking at a face distinguished by considerable comeliness. The +forehead, however, overhung the features beneath it and gave to a mouth +and chin, which would otherwise have aroused no criticism, an appearance +of irresolution. The one noticeable difference in Mallinson was the +addition of an air of constraint. It was due partly to a question which +had troubled him since he had received the invitation. Had Drake read _A +Man of Influence_ and recognised himself? + +'I got your telegram,' he said at length. + +'Naturally, or you wouldn't be here.' + +The answer was intended to be jocular; it sounded only _gauche_, as Drake +recognised, and the laugh which accompanied it positively rude. + +'Shall I put my coat in the cloak-room?' suggested Mallinson. + +'Oh yes, do!' replied Drake. He was inclined to look upon the proposal as +an inspiration, and his tone unfortunately betrayed his thought. + +When Mallinson returned, he saw Conway entering the hotel. The latter +looked younger by some years than either of his companions, so that, as +the three men stood together at this moment, they might have been held to +represent three separate decades. + +'Twenty minutes late, I'm afraid,' said Conway, and he shook Drake's hand +with a genuine cordiality. + +'Five,' said Drake, looking at his watch. + +'Twenty,' replied Conway. 'A quarter to, was the time Mallinson +wired me.' + +'Was it?' asked Mallinson, with a show of surprise. 'I must have made +a mistake.' + +It occurred, however, to Drake that the mistake might have been +purposely made from a prevision of the awkwardness of the meeting. The +dinner, prefaced inauspiciously, failed to remove the awkwardness, since +the reticence under which Drake and Mallinson laboured, gradually spread +and enveloped Conway. A forced conversation of a curiously impersonal +sort dragged from course to course. Absolute strangers would have +exhibited less restraint; for the ghost of an old comradeship made the +fourth at the feast and prated to them in exiguous voice of paths that +had diverged. Drake noticed, besides, an undercurrent of antagonism +between Conway and Mallinson. He inquired what each had been doing +during his absence. + +'Mallinson,' interposed Conway, 'has been absorbed in the interesting +study of his own personality.' + +'I am not certain that pursuit is not preferable to revolving +unsuccessfully through a cycle of professions,' said Mallinson in +slow sarcasm. + +The flush was upon Conway's cheek now. He set his wine glass deliberately +upon the table and leaned forward on an elbow. + +'My dear good Sidney,' he began with elaborate affection, plainly +intended as the sugar coating of an excessively unpleasant pill. Drake +hastily interrupted with an anecdote of African experiences. It sounded +bald and monstrously long, but it served its purpose as peace-maker. +Literary acquisitiveness drew Mallinson on to ask for more of the same +kind. Drake mentioned a race of pigmies and described them, speculating +whether they might be considered the originals of the human race. + +'My dear fellow, don't!' said Mallinson; 'I loathe hearing about them. +It's so degrading to us to think we sprang from them.' + +The peculiar sensitiveness of a mind ever searching, burrowing in, and +feeding upon itself struck a jarring note upon its healthier companion. + +'Why, what on earth does it matter?' asked Drake. + +'Ah! Perhaps you wouldn't understand.' + +Conway gave a shrug of the shoulder and laughed to Drake across the +table. The latter looked entreaty in reply and courageously started a +different topic. He spoke of their boyhood in the suburb on the heights +six miles to the south of London, and in particular of a certain hill, +Elm-tree Hill they called it, a favourite goal for walks and the spot +where the three had last met on the night before Drake left England. +London had lain beneath it roped with lights. + +'The enchanted city,' said Conway, catching back some flavour of those +times. 'It seemed distant as El Dorado, and as desirable.' + +Mallinson responded with the gentle smile with which a man recognises and +pities a childishness he has himself outgrown. + +Drake ordered port, having great faith in its qualities, as inducive of a +cat-like content and consequent good-fellowship. Mallinson, however, +never touched port; nothing but the lightest of French burgundies after +dinner for him. The party withdrew to the smoking-room. + +'By the way, Drake,' asked Mallinson, 'have you anything to do to-night?' + +'No, why?' + +'I was asked to take you to a sort of party.' + +Conway looked up sharply in surprise. + +'You were asked to take me!' exclaimed Drake. 'Who asked you?' + +'Oh, nobody whom you know.' He hesitated for a second, then added with +studied carelessness, 'A Miss Le Mesurier. Her mother's dead,' he +explained, noticing the look of surprise on Drake's face, 'so she keeps +house for her father. There's an aunt to act as chaperon, but she doesn't +count. I got a note from Miss Le Mesurier just before I came here asking +me to bring you.' + +'But what does she know of me?' + +'Oh, I may have mentioned your name,' he explained indifferently, and +Conway smiled. + +'Besides,' said Conway, 'the _Meteor_ has transformed you into a public +character. One knows of your movements.' + +'What I don't see is how Miss Le Mesurier could have known that you had +landed yesterday,' commented Mallinson. + +'I was interviewed by the _Meteor_ on Plymouth Quay. You received the +note, you say, this evening. She may have seen the interview.' + +Drake called to a waiter and ordered him to bring a copy of the paper. +Conway took it and glanced at the first page. + +'Yes, here it is.' + +He read a few lines to himself, and burst into a laugh. + +'Guess how it begins?' + +'I know,' said Drake. + +'A sovereign you don't.' + +Drake laid a sovereign on the table. Conway followed his example. + +'It begins,' said Drake, 'with a Latin quotation, _O si sic omnes_!' + +'It begins,' corrected Conway, pocketing the money, 'with very downright +English'; and he read, 'Drake, with the casual indifference of the +hardened filibuster, readily accorded an interview to our representative +on landing from the _Dunrobin Castle_ yesterday afternoon!' + +Drake snatched the paper out of Conway's hand, and ran his eye down the +column to see whether his words had been similarly transmuted by the +editorial alchemy. They were printed, however, as they had been spoken, +but interspersed with comments. The editor had contented himself with +stamping his own device upon the coin; he had not tried to change its +metal. Drake tossed the paper on one side. 'The man goes vitriol-throwing +with vinegar,' he said. + +Conway picked up the _Meteor_. + +'You are a captain, aren't you?' he asked. 'The omission of the title +presumes you a criminal.' + +'I don't object to the omission,' replied Drake. 'I suppose the title +belongs to me by right. But, after all, a captain in Matanga! There are +more honourable titles.' + +Mallinson looked at him suddenly, as though some fresh idea had shot into +his brain. + +'Well, will you come?' he asked carelessly. + +'I hardly feel inclined to move.' + +'I didn't imagine you would.' There was evidence of distinct relief in +the brisk tone of Mallinson's voice. He turned to Conway, 'We ought to be +starting, I fancy.' + +'I shall stay with Drake,' Conway answered, despondently to Drake's +thinking, and he lapsed into silence after Mallinson's departure, broken +by intervals of ineffective sarcasm concerning women, ineffectively +accentuated by short jerks of laughter. He roused himself in a while and +carried Drake off to his club, where he found Hugh Fielding pulling his +moustache over the _Meteor_. He introduced Drake, and left them together. + +'I was reading a list of your sins,' said Fielding, and he waved the +newspaper. + +Drake laughed in reply. + +'The vivisectionists,' said Fielding, 'may cite you as proof of the +painlessness of their work.' + +'It is my character that suffers the knife. I fancy the editor would +prefer to call the operation a _post-mortem_.' + +Fielding warmed to his new acquaintance. Whisky and potass helped them to +discover common friends, about whom Fielding supplied information with a +flavour of acid in his talk which commended him to Drake; it bit without +malice. Mallinson's name was mentioned. + +'You have read his autobiography?' asked Fielding. + +'No; but I have read his novel.' + +'That's what I mean. Most men wait till they have achieved a career +before they write their autobiographies. He anticipates his. It's rather +characteristic of the man, I think.' + +They drove from the club together in a hansom. Opposite to his rooms in +St. James's Street Fielding got out. + +'Good-night,' he said, and took a step towards the door. + +A lukewarm curiosity which had been stirring in Drake during the latter +part of the evening prompted him to a question now that he saw the +opportunity to satisfy it disappearing. + +'You know the Le Mesuriers?' he asked. + +Fielding laughed. 'Already?' he said. + +'I don't understand.' + +'Then you are not acquainted with the lady?' + +'No; that's what I'm asking. What is Miss Le Mesurier like?' + +'She is more delightfully surprising than even I had imagined. Otherwise +she's difficult to describe; a bald enumeration of features would be rank +injustice.' + +Drake's curiosity responded to the flick. + +'One might fit them together with a little trouble,' he suggested. + +'The metaphor of a puzzle is not inapt,' replied Fielding, as he opened +his door. 'Good-night!' and he went in. + +Half-way down Pall Mall Drake was smitten by a sudden impulse. The +fog had cleared from the streets; he looked up at the sky. The night +was moonless but starlit, and very clear. He lifted the trap, spoke +to the cabman, and in a few minutes was driving southwards across +Westminster Bridge. + +It was the chance recollection of a phrase dropped by Conway during +dinner which sent him in this untimely scurry to Elm-tree Hill. 'As +distant as El Dorado, and as desirable.' The sentence limned with +precision the impression which London used to produce upon Drake. The +sight of it touched upon some single chord of fancy in a nature otherwise +prosaic, of which the existence was unsuspected by his few companions and +unrealised by himself. + +Working in that tower which you could see from the summit of the Elm-tree +Hill topping the sky-line to the west, in order to complete his education +as an engineer before his meagre capital was exhausted, Drake had enjoyed +little opportunity of acquiring knowledge of London; and those +acquaintances of his who travelled thither with their shiny black bags +every morning, seemed to him to know even less than he did. There were +but two points of view from which the town was regarded in the suburb, +and the inhabitants chose this view according to their sex. To the men +London was a counting-house, and certainly some miles of yellow brick +mansions and flashing glasshouses testified that the view was a +profitable one. To the women it was the alluringly wicked abode of +society, and they held their hands before their faces when they mentioned +it, to hide their yearning. Occasionally they imagined they caught a +glimpse into it, when a minister from one of the states in the Balkan +Peninsula strayed down to shed a tallow-candle lustre over a garden +party. To both these views Drake had listened with the air of a man +listening to an impertinence, and his attitude towards the former view +showed particularly the strength of the peculiar impression which London +made on him, since he always placed the acquisition of a fortune as an +aim before himself. + +He thought of London, in fact, as a countryman might, with all a +countryman's sense of its mystery and romance, intensified in him by the +daily sight of its domes and spires. He saw it clothed by the changing +seasons, now ringed in green, now shrouded in white; on summer mornings, +when it lay clearly defined like a finished model and the sun sparkled on +the vanes, set the long lines of windows ablaze in the Houses of +Parliament, and turned the river into a riband of polished steel; or, +again, when the cupola of St. Paul's and the Clock Tower at Westminster +pierced upwards through a level of fog, as though hung in the mid-air; or +when mists, shredded by a south wind, swirled and writhed about the +rooftops until the city itself seemed to take fantastic shapes and melt +to a substance no more solid than the mists themselves. + +These pictures, deeply impressed upon him at the moment of actual vision, +remained with Drake during the whole period of his absence, changing a +little, no doubt, as his imagination more and more informed them, but +losing nothing of vividness, rather indeed waxing in it with the gradual +years. One may think of him as he marched on expeditions against hostile +tribes, dwelling upon these recollections as upon the portrait of an +inherited homestead. London, in fact, became to him a living motive, a +determining factor in any choice of action. Whatsoever ambitions he +nourished presumed London as their starting-point. It was then after all +not very singular that on this first night of his return he should make a +pilgrimage to the spot whence he had drawn such vital impressions. For a +long time he stood looking down the grass slope ragged with brambles and +stunted trees, and comprehending the whole lighted city in his glance. + +On the way home his mind, which soon tired of a plunge into sentiment, +reverted to the thought of Miss Le Mesurier, and he speculated +unsuccessfully on the motive which had prompted her to send him so +immediate an invitation. The enigmatic interest which she took in him, +gave to him in fact a very definite interest in her. He wondered again +what she was like. Fielding's description helped to pique his curiosity. +All that he knew of her was her surname, and he found it impossible to +infer a face or even a figure from this grain of knowledge. By the time +he reached the Grand Hotel, he was regretting that he had not accepted +her invitation. + + + + +CHAPTER III + + +Drake repeated his question to Fielding two days later, after a dinner +with Conway at his club, but in a tone of languid interest. + +'Why don't you ask Mallinson?' said Fielding. 'He knows her better +than I do.' + +Conway contested the assertion with some heat. + +'Besides,' added Drake, 'his imagination may have been at work. About +women, I prefer the estimate of a man of the world.' + +The phrase was distasteful to a gentleman whose ambition it was to live +and to be recognised as living within view of, but outside the world, say +just above it in a placid atmosphere of his own creation. Fielding leaned +back in his chair to mete out punishment, joining the finger-tips with an +air of ordering a detailed statement. + +'The inhabitants of Sark,' he began, 'were from immemorial times notable +not merely for their predatory instincts, but for the stay-at-home +fashion in which they gave those instincts play. They did not scour the +seas for their victims, neither did they till their island. There was no +need for so much exertion. They lay supine upon their rocks and waited +until a sail appeared above the horizon. Even then they did not stir till +nightfall. But after it was dark, they lighted bonfires upon suitable +promontories, especially towards Brecqhou and the Gouliot channel, where +snags are numerous, and gathered in their harvest in the morning. + +'But,' Drake interrupted, 'what on earth has that to do with--' + +'Miss Le Mesurier? A great deal, as you will see if you listen patiently. +Lloyd's at that time had not been invented, and the Sarkese were +consequently unpopular with the trading community, and in the reign of +Henry the--well, the particular Henry is immaterial--an irate band of +merchants sailed from Winchelsea on a trip. They depopulated Sark in a +single night, as they thought. But they were mistaken. One family escaped +their attention,--the Le Mesuriers, who were the custodians of the silver +mines--' At this point Conway broke in with an impatient laugh. Fielding +turned a quiet eye upon him and repeated in an even voice, 'Who were the +custodians of the silver mines, and lived under the shelter of a little +cliff close by the main shaft. When Helier de Carteret, who, you know,' +and he inclined suavely towards Conway, 'was Seigneur of somewhere or +other in Jersey, came a few years later to colonise Sark, he found the Le +Mesuriers in possession, and while he confiscated the mines, he allowed +them to retain their ancient dignity of custodians.' + +'Fudge!' said Conway rudely. Fielding waved a deprecating hand and +continued: + +'Living where they did, it is not to be wondered at that the Le Mesuriers +became gradually rich, and the De Carterets gradually poor, so that when +the latter family was compelled to place the Seigneurie of Sark upon the +market, the Le Mesuriers were the highest bidders. The Le Mesuriers thus +became Seigneurs of Sark. But with their position they reversed their +conduct, and, instead of taking other people's money out of mines, they +put their own in, with the result that they sustained embarrassing +losses. I mention these details incidentally to show that Miss Le +Mesurier of to-day is directly descended from ancestors of predatory +instincts, who did not go a-hunting for victims, but unobtrusively +attracted them in a passive, lazy way which was none the less effectual.' + +Conway's patience was exhausted at this period of the disquisition. + +'I never heard such a hotch-potch of nonsense in my life,' he said. + +'I admit,' returned Fielding with unruffled complacency, 'that I aimed at +an allegory rather than a pedantic narrative of facts. I was endeavouring +to explain Clarice Le Mesurier on the fashionable principle of heredity.' + +It flashed across Drake that if Fielding had described, though with some +exaggeration, an actual phase of Miss Le Mesurier's character, she must +have been driven to make the first advance towards his acquaintance by a +motive of unusual urgency. The notion, however, did but flash and flicker +out. He had no mental picture of the girl to fix her within his view; he +knew not, in fact, whether she was girl or woman. She was to him just an +abstraction, and Drake was seldom inclined for the study of abstractions. +His curiosity might, perhaps, have been stronger had Mallinson related to +him the way in which he had been received at the house of the Le +Mesuriers after his dinner with Drake. When he arrived he found the +guests staring hard at each other silently, with the vacant expression +which comes of an effort to understand a recitation in a homely dialect +from the north of the Tweed. He waited in the doorway and suddenly saw +Miss Le Mesurier rise from an embrasure in the window and take half a +step towards him. Then she paused and resumed her seat. + +'That's because I come alone,' he thought, and something more than his +vanity was hurt. + +The recitation reached its climax. Darby and Joan, quarrelling through +nineteen stanzas as to whether they had been disturbed by a rat or a +mouse, discovered in the twentieth that the animal was a ball of wool. +The company sighed their relief in a murmur of thanks, and Mallinson +crossed the room to the window. + +'And Captain Drake?' Clarice asked as she gave him her hand. The +disappointment in her voice irritated him, and he answered with a sharp +petulance. + +'He's not a captain really, you know.' + +The girl glanced at him in surprise. + +'I mean,' he went on, answering the glance, 'Of course he held the rank +over there. But a captain in Matanga!' He shrugged his shoulders. 'There +are more honourable titles.' + +'Still I asked you to bring him. You got my note, I suppose?' Her manner +signified a cold request for an explanation. + +'I couldn't,' he replied shortly. + +'You mean you did not think it worth while to take enough trouble to +find him.' + +'No; that's not the reason. In fact I dined with him to-night, but I saw +that I couldn't bring him here.' + +'Why?' + +'Well, he's changed.' + +'In what way?' + +'He has grown so hopelessly bourgeois.' + +The epithet was a light to Clarice. She knew it for the superlative in +Mallinson's grammar of abuse. Bourgeois! The term was the palm of a hand +squashed upon a lighted candle; it snuffed you out. Convicted of +bourgeoisie, you ought to tinkle a bell for the rest of your life, or at +the easiest be confined east of Temple Bar. Applied to Drake the word +connoted animosity pure and simple, animosity suddenly conceived too, for +it was not a week since Mallinson had been boasting of his friendship +with the man. What was the reason of that animosity? Clarice lowered her +eyelashes demurely and smiled. + +'I fancied he was your friend,' she said with inquiring innocence. + +'I believe I remarked that he was changed.' Mallinson looked up at a +corner of the ceiling as he spoke, and the exasperation was more than +ever pronounced in his voice. + +'Mr. Drake,' she went on, and she laid the slightest possible emphasis on +the prefix, 'Mr. Drake has travelled among the natives a good deal, I +think you told me?' + +'Yes.' + +'It's funny that that should make a man bourgeois.' + +Mallinson became flippant. + +'I am not so sure,' he said. 'The natives, I should think, are +essentially bourgeois. They love beads, and that's typical of the class. +Evil communications, you know,' and he laughed, but awkwardly and without +merriment. + +'Really?' asked Clarice, looking straight at him with grave eyes. She +seemed to be seriously deliberating the truth of his remark. Mallinson's +laughter stopped short. 'There's my aunt beckoning to you,' she said. + +Later in the evening she relented towards him, salving her disappointment +with the flattery of his jealousy. She did not, however, relinquish on +that account her intention to make Stephen Drake's acquaintance. She +merely postponed it, trusting that the tides of accident would drift them +together, as indeed they did, though after a longer delay than she had +anticipated. + +The occasion of their meeting was provided by the visit of a French +actress to one of the London theatres. Drake and Conway edged into their +stalls just before the curtain rose on a performance of _Frou-Frou_. +During the first act the theatre gradually filled, and when the lights +were turned up at its close only one box was empty. It was upon the first +tier next to the stage. A few minutes after the second act had begun +Conway nudged Drake and nodded towards the box. + +'You asked what Miss Le Mesurier was like. There's your answer.' + +Drake glanced in that direction. He saw a girl in a dress of pink silk, +standing in the front of the box, with her hands upon the ledge and +leaning her head a little forwards beyond it. The glare striking up from +the stage beneath her gave a burnish of copper to her hair and a warm +light to her face. She seemed of a fragile figure and with features +regular and delicate. Drake received a notion of unimpressive prettiness +and turned his attention to the stage. When the lights were raised again +in the auditorium, he noticed that Fielding was in the box talking to a +gentleman with white hair, and that Mallinson was seated by the side of +Miss Le Mesurier. The latter couple were gazing about the house and +apparently discussing the audience,--at all events conversing with +considerable animation. Drake commented upon their manner and drew the +conventional inference. + +'Oh dear, no!' answered Conway energetically. 'Of course Mallinson's aim +is apparent enough, poor fellow.' A touch of scorn in the voice, which +rang false, negatived the pity of the phrase. 'But I don't suppose for an +instant that she has realised it. She would be the last to do so. No, she +has a fad in her head about authors just for the moment.' + +'Oh!' said Drake, turning with some interest to his companion. 'Does that +account for _A Man of Influence_?' + +'Yes,' replied Conway reluctantly, 'I fancy it does.' + +'I wondered what set him to writing.' + +'He was at the Bar when he met her. I believe she persuaded him to write +the book and give up the Law.' + +'She is undertaking a pretty heavy responsibility.' + +Conway looked at his friend and laughed. + +'I'm afraid you won't find that she takes that view, nor indeed do I see +why she should. Mallinson was doing no good--well, not much anyway--at +the Bar. He has scored by following her advice. So if she ever had any +responsibility, which I don't admit, for there was no compulsion on him +to obey, his luck has already wiped it out.' + +'I suppose the white-haired man's her father,' said Drake. + +'Yes. There's another sister, but she's at school in Brussels.' + +'How did you come across them?' + +'Mallinson and I met them one summer when we were taking a holiday at +Sark.' + +Drake caught the eye of a man who was passing the end of his row of +stalls towards the saloon, and was beckoned out. + +'I will join you after the interval,' he said, turning to Conway, and he +saw that his companion was bowing to Miss Le Mesurier. + +Miss Le Mesurier in her box noticed Drake's movement, and she asked +Mallinson, 'Who is that speaking to Mr. Conway?' + +Mallinson put up his glasses and looked. Clarice read recognition in a +lift of eyebrows, and guessed from his hesitation to answer who it was +that he recognised. + +'Well, who is it?' + +'Where?' asked Mallinson, assuming an air of perplexity. + +'Where you were looking,' said she quietly. + +'It's Stephen Drake,' interposed Fielding, and 'Hulloa!' he added in a +voice of surprise as he observed the man whom Drake joined. + +'Drake! Stephen Drake!' exclaimed Mr. Le Mesurier, leaning forward +hurriedly. 'Point him out to me, Fielding.' + +The latter obeyed, and Mr. Le Mesurier watched Drake until he disappeared +through the doorway, with what seemed to Mallinson a singular intentness. +The father's manner waked him to a suspicion that he might possibly have +mistaken the daughter's motive in seeking Drake's acquaintance. Was it +merely a whim, a fancy, strengthened to the point of activity by the +sight of his name in print? Or was it something more? Was there some +personal connection between Drake and the Le Mesuriers of which the +former was in some way ignorant? He was still pondering the question when +Clarice spoke to him. + +'So that was the bourgeois, was it?' she said, bending forwards and +almost whispering the words. Mallinson flushed. + +'Was it?' he asked. 'I can't see. I am rather short-sighted.' + +'I begin to think you are.' + +The sentence was spoken with an ironic sympathy which deepened the flush +upon Mallinson's cheek. A knock at the door offered him escape; he rose +and admitted Conway. Conway was received with politeness by Mr. Le +Mesurier, with cordiality by his daughter. + +'I have Drake with me,' said Conway. 'I came to ask permission, since you +invited him to Beaufort Gardens, to introduce him after the next act.' + +Mr. Le Mesurier started up in his chair. + +'Did you ask him to the house?' he asked Clarice abruptly. + +'I asked Mr. Mallinson to bring him,' she replied; and then, with all +the appearance of a penitent anxiety, 'Why? Oughtn't I to have done so?' +she asked. + +Mr. Le Mesurier cast a suspicious glance at his daughter. + +'I am so sorry,' she said; 'I didn't know that--' + +'Oh well,' interrupted Mr. Le Mesurier hurriedly, 'there's no reason that +I know of why you shouldn't have asked him, except that it's surely a +trifle unusual, isn't it? You don't know him from Adam.' + +'But I assure you, Mr. Le Mesurier,' interposed Conway, 'there's nothing +to be said against Drake.' + +'Of course!' replied Mr. Le Mesurier, with a testy laugh at the other's +warmth. 'We know the length of your enthusiasms, my dear Conway. But I'll +grant all you like about Drake. I only say that my daughter isn't even +acquainted with the fellow.' + +'It is just that drawback which Mr. Conway proposes to remove,' said +Clarice demurely. 'Of course,' she went on, 'I should never have thought +of inviting him if Mr. Mallinson had not spoken of him so often as his +friend.' She directed her sweetest smile to Mallinson. 'You did, didn't +you? Yes! Mr. Drake had been away from England for so long that I thought +it would be only kind to ask you to bring him. But if I had known that +papa had any objection, I should naturally never have done it. I am very +sorry. Perhaps I am not careful enough.' She ended her speech in a tone +of self-reproach, which had its effect; for her father was roused by it +to expostulate. + +'My dear,' he said, 'I never hinted that I had an objection to him. You +are always twisting people's words and imputing wrong meanings to them.' + +Mallinson fancied that he detected a note of something more than mere +remonstrance in Mr. Le Mesurier's voice, a consciousness of some thought +in his daughter's mind which he would not openly acknowledge her to +possess. The perception quickened Mallinson's conjecture into a positive +conviction. There was evidently some fact about Drake, some incident +perhaps in his life which brought him into relations with the Le +Mesuriers,--relations ignored by Drake, but known by Mr. Le Mesurier and +suspected by Clarice. Was this fact to Drake's advantage or discredit? +The father's manner indicated rather the latter; but Mallinson put that +aside. It was more than overbalanced by the daughter's--he sought for a +word and chanced on 'forwardness.' His irritation against her prompted +him to hug it, to stamp it on his thoughts of her with a jeer of 'I have +found you out.' On the other hand, all his knowledge of her cried out +against the word. He looked into the girl's face to resolve his doubts +upon the point and found that she was watching him with some perplexity. +A question to Conway explained the reason why she was puzzled. + +'How did you know that I asked Mr. Drake to Beaufort Gardens?' she asked. + +'I was present when Mallinson asked him to go.' + +'Mr. Mallinson asked him!' she exclaimed, dropping her fan in her +surprise. 'Why, I thought--' She saw the confusion in Mallinson's face +and checked herself suddenly with a little laugh of pure enjoyment. Her +companion's jealousy was more heroical than she had given him credit for; +it had induced him to lie. + +To cover his discomfiture Mallinson dived for the fan. + +'Oh, don't trouble,' she said, sympathy shaping the words into a +positive entreaty. 'You are _so_ short-sighted, you know. Then you will +bring Mr. Drake,' she turned to Conway as he rose and moved towards the +door. Mr. Le Mesurier had resumed his conversation with Fielding, and +beyond a slight movement of impatience, he gave no sign that he had +heard the words. + +'After the next act,' said Conway, and he went out. + +Mallinson picked up the fan and laid it upon the ledge of the box. + +'I lied to you that evening,' he whispered in a low faltering tone. 'I +have no excuse--Can't you guess why I lied?' + +There was a feeling behind the words, genuine by the ring of it, and to +feeling Clarice was by nature responsive. Mallinson saw the mischief die +out of her face, the eyelids droop until the lashes touched the cheek. +Then she raised them again, tenderness flowered in her eyes. + +'Perhaps,' she said. + +She turned from him and watched Conway making his way along the row of +stalls. Drake was already in his seat. + +'Then why didn't Mr. Drake come if you asked him?' she said with a quick +change of tone. + +'He gave no reason beyond that it was his first night in London.' + +Miss Le Mesurier looked again at Drake. His indifference irritated her +and in a measure interested her in spite of herself. She was not used to +indifference, and felt a need to apologise for it to herself. 'Of +course,' she reflected, 'he had not seen me then,' and so was reinstated +in her self-esteem. The explanation, however, failed her the next +moment. For Drake, at all events, had seen her now; she had caught him +looking up into the box before Conway left. Yet when Conway communicated +his news, Drake never so much as moved his head in her direction. The +three blows of the mallet had just sounded from behind the curtain and +he sat upright in his seat, his face fixed towards the stage. Clarice +bit her lips and frowned. + +'Don't be alarmed. He is really quite interested in you.' She looked up. +Fielding was standing just behind her shoulder. 'He asked me quite often +what you were like.' + +'I don't understand you,' said she loftily; and then, 'He might be a +schoolboy at his first pantomime.' + +'He gives that kind of impression, I believe, in everything he does.' + +Miss Le Mesurier had not made the remark in order to elicit eulogy. + +'He looks old, though,' she said, and her voice defied Fielding to +contradict her. + +'Responsibility writes with the cyphers of age,' he quoted solemnly. It +was his habit to recite sentences from _A Man of Influence_ when +Mallinson was present, in a tone which never burlesqued but somehow +belittled the work. Mallinson was never able to take definite offence, +but he was none the less invariably galled by it. + +'As a matter of fact there is hardly a year to choose between the ages of +Drake, Conway, and you, Mallinson, is there?' asked Fielding. + +Mallinson admitted that the statement was correct. + +'He has lived a hard life, has anxieties enough now, I don't doubt. You +will find the explanation in that. The only people who remain young +nowadays are actors. They keep the child in them.' + +The curtain went up as he spoke. As soon as it was lowered again Conway +hurried Drake out of the stalls and up the staircase to the box. +Clarice welcomed Drake quietly. Mr. Le Mesurier vouchsafed him the +curtest of nods. + +'Didn't I see you join Israel Biedermann?' asked Fielding. The name +belonged to a speculator who had lately been raised into prominence by +the clink of his millions. + +'Yes,' replied Drake, with a laugh. 'The city makes one acquainted with +strange financiers. I have business with him.' + +Mr. Le Mesurier showed symptoms of interest. + +'Really?' he said. 'You mean to return to Africa, I suppose.' + +'If I can help it, no.' + +'You intend to stay in England?' asked Mallinson sharply. + +'Yes,' replied Drake. He addressed himself to Miss Le Mesurier. 'You were +kind enough to invite me to your house on the evening I arrived.' + +Mr. Le Mesurier's eyebrows went up at the mention of the day. + +'Mr. Mallinson had talked of you,' she explained. 'We seemed to know you +already. I saw that you had landed from an interview in the _Meteor_, and +thought you might have liked to come with your friend.' + +The words were spoken indifferently. + +'The _Meteor_?' inquired Mr. Le Mesurier. 'Isn't that the paper which +attacked you, Mr. Drake? You let yourself be interviewed by it? I didn't +know that.' + +He glanced keenly at his daughter, and Mallinson intercepted the look. +His conviction was proved certain. There was something concealed, +something maybe worth his knowing. + +'The attack was of no importance,' replied Drake, 'but I wanted it to be +known in some quarters that I had landed without losing time.' + +'You replied to the attack?' + +'Not so much that. I gave the itinerary of the march to Boruwimi.' + +Mr. Le Mesurier perceived his daughter's eyes quietly resting upon him, +and checked a movement of impatience, less at the answer than at his own +folly in provoking it. Drake turned to Clarice and was offered a seat by +her side. He realised, now that she was near, talking to him, that his +impression of her, gained from the distance between the box and the +stalls, did her injustice. She seemed now the vignette of a beautiful +woman, missing the stateliness, perhaps, too, the distinction, but +obtaining by very reason of what she missed a counterbalancing charm, to +be appreciated only at close quarters, a charm of the quiet kind, +diffused about her like a light; winsome--that was the epithet he +applied to her, and remained doubtfully content with it, for there was a +gravity too. + +Clarice invited him to speak of Matanga, but Drake was reticent on the +subject, through sheer disinclination to talk about himself, a +disinclination which the girl recognised, and gave him credit for, +shooting a comparing glance at Mallinson. + +Mr. Le Mesurier, it should be said, remarked this reticence as well, and +it gave him an idea. From Matanga Drake led the conversation back to +London, and they fell to discussing the play. + +'You are very interested in it,' she said. + +'Yes,' said he, 'I have never seen the play before.' + +'I should hardly have thought it would have suited your taste,' +Conway observed. + +'Why? It's French of course, but you can discount the sentiment. There is +a stratum of truth left, don't you think?' + +Mallinson raised pitying shoulders. 'Of the ABC order perhaps,' he +allowed. + +'I am afraid it appeals to me all the more on that account,' Drake +answered, with a genial laugh. 'But what I meant really was truth to +those people--truth to the characters presumed. Consistency is perhaps +the better word. I like to see a play run on simple lines to an end you +can't but foresee. The taste's barbarian, I don't doubt.' + +Miss Le Mesurier's lips instinctively pouted a mischievous 'bourgeois' +towards Mallinson. He remarked hastily that he thought the curtain was on +the point of rising, and Miss Le Mesurier pushed her opera-glasses +towards him with a serene 'Not yet, I think.' Mallinson understood the +suggestion of her movement and relapsed into a sullen silence. + +By the time that Conway and Drake rose to leave the box Mr. Le Mesurier +had thought out his idea. His manner changed of a sudden to one of great +cordiality; he expressed his pleasure at meeting Drake, and shook him by +the hand, but destroyed the effect of his action through weakly revealing +his diplomacy to his daughter by a triumphant glance at her. + +At the close of the performance he met Drake in the vestibule of the +theatre and lingered behind his party. Fielding, Mallinson, and Conway +meanwhile saw Miss Le Mesurier into her carriage. + +'What in the world is papa doing?' asked Clarice. + +'Exchanging cards with Drake,' replied Fielding. Mallinson turned his +head round quickly and beheld the two gentlemen affably shaking hands +again. Conway bent into the carriage. + +'Do you like him?' he asked. + +'Oh yes,' she replied indifferently. + +'Then I am glad I introduced him to you,' and some emphasis was laid +upon the 'I.' + +Mr. Le Mesurier came out to the brougham and the coachman drove off. + +'I like that young fellow, Drake,' he said, with a wave of the hand. 'I +have asked him to call.' + +Clarice did not inform her diplomatic father that unless she had foreseen +his intention she would have undertaken the discharge of that act of +courtesy herself. + +Mallinson took a hansom and drove straight from the theatre to his +chambers in South Kensington, Conway walked off in the opposite +direction, so that Drake and Fielding were left to stroll away together. +They walked across Leicester Square towards St. James's Street, each +occupied with his own thoughts. Fielding's were of an unusually +stimulating kind; he foresaw the possibility of a very diverting comedy, +to be played chiefly for his amusement and partly for Miss Le Mesurier's, +by Clarice herself, Drake, and Mallinson. From the clash of two natures +so thoroughly different as those of the two men, played off against one +another with all the delicate manipulation of Miss Le Mesurier's +experienced hand, there was much enjoyment to be anticipated for the +purely disinterested spectator which he intended to be. Of the probable +_denouement_ he formed no conception, and in fact avoided purposely any +temptation to do so. He preferred that the play should unroll itself in a +series of delightful surprises. The one question which he asked himself +at this time was whether Drake might not decline to act his proper and +assigned part. He glanced at him as they walked along. Drake looked +thoughtful, and was certainly silent; both thought and silence were +propitious signs. On the other hand, Drake had interests in the City, had +them at heart too, and, worse still, had the City itself at heart. + +Fielding recollected an answer he had made to Mallinson. The word 'heart' +brought it to his mind. Mallinson was jeering at the journalist's +metaphor of the 'throbbing heart' as applied to London. 'The phrase,' +Drake had said, 'to me is significant of something more than cheap +phraseology. I know that half a throb could create an earthquake in +Matanga.' What if the man's established interest in this direction were +to suppress his nascent interest in Clarice! Fielding immediately asked +Drake what he thought of Miss Le Mesurier. + +'Oh!' said the latter, palpably waking from reflections of quite another +order, 'I liked her,' and he spoke of her looks. + +'She has the art of dressing well,' corrected Fielding, disappointment +spurring him to provoke advocacy of the lady. Drake, however, was +indifferent to the correction. + +'I like her eyes,' he said. + +'She is skilled in the use of them.' + +'I didn't notice that. They seemed of the quiet kind.' + +'At need she can swing a wrecker's light behind them.' + +'I like her hand too. It has the grip of a friend.' + +'A friend! Yes. There's the pitfall.' + +Drake only laughed. He was not to be persuaded to any strenuous defence, +and Fielding felt inclined to harbour a grudge against him as needlessly +a spoil-sport. Later on, however, when he was in bed it occurred to him +that the play might still be performed, though upon different lines, and +with a plot rather different from what he had imagined--his plot +inverted, in fact. Clarice Le Mesurier, he remembered, had made the first +advance to Drake. What if she for once in a while were to figure as the +pursuer! That alternative would, perhaps, be the more diverting of the +two. He must consult Mrs. Willoughby as to the effect which Drake's +bearing would produce on women--consult her cautiously, prudence warned +him. Mrs. Willoughby, a cousin and friend of Miss Le Mesurier's, was not +of the sort to lend a helping hand in the game if the girl was to provide +the sport--or indeed in the other event. The one essential thing, +however, was that there should be a comedy, and he must see to it that +there was one, with which reflection he drew the bed-clothes comfortably +about him and went to sleep. + +There was, however, one other condition equally essential to his +enjoyment, but so apparently inevitable that he did not stop to consider +it, namely, that Hugh Fielding should be a mere spectator. It did not +occur to him at all that he might be drawn into an unwilling assumption +of a part in his own play. + + + + +CHAPTER IV + + +Mallinson on reaching home unlocked a little oak cabinet which hung +against the wall beside his writing-table, and searched amongst a litter +of newspaper cuttings and incomplete manuscripts. He unearthed at last a +copy of the _Meteor_, bought between the Grand Hotel and Beaufort Gardens +on the night of Drake's dinner, and, drawing up a chair to the fire, he +read through the interview again. The something to be known was +gradually, he felt, shaping into a definite form; it had acquired +locality this very evening, as he was assured by the recollection of a +certain repressed movement upon Mr. Le Mesurier's part at the mention of +Boruwimi. Could he add to the knowledge by the help of the interview? Mr. +Le Mesurier had not known of its publication until to-night, and so +clearly had not read it; his knowledge was antedated. But on the other +hand it was immediately after the perusal of the article that Clarice had +sent through him her invitation to Drake. + +Mallinson studied the article line by line, but without result. + +He tossed the newspaper back into the cupboard, changed his coat, and +sat down to his writing-table with a feverish impulse to work. He was +unable to conceive it possible that Drake should be unaffected by Miss +Le Mesurier's attractions. The man was energetic, therefore a dangerous +rival. Miss Le Mesurier, besides, seemed bent upon pitting Drake and +himself against each other. Why? he asked. Well, whatever the reason, +he had a chance of winning--more than a chance, he reflected, +remembering a passage of tenderness that evening. His future was +promising, if only he worked. Perhaps Clarice only ranged the two men +opposite to one another in order to stimulate one of them; he reached +an answer to his question 'Why?' + +The extravagances of a lover's thoughts have often this much value: they +disclose principles of his nature working at the formation of the man, +and in Mallinson's case they betrayed his habit of drawing the energy for +application from externals, and from no sacred fire within. + +He shut his door and worked for a month. At the end of the month, lying +in bed at night and watching a planet visible through his window, he saw +the ray of light between himself and the star divide into two, and the +two beams describe outwards segments of a circle. He turned his face away +for a few moments and then looked at the planet again. The phenomenon was +repeated. He knew it for a trick of tired eyes and a warning to slacken +his labours. On the next afternoon he called at Beaufort Gardens, and was +received warmly by Clarice and her aunt. + +There was a suggestion of reproach for his long absence in the former's +voice, and suggestion of reproach from her kindled him. He explained his +plunge under surface on the ground of work. Details were immediately +demanded, the plot of the new novel discussed and praised; there was +flattery too in the diffident criticism of an incident here and there, +and the sweetest foretaste of happiness in the joint rearrangement of the +disputed chapter. Mallinson was lifted on a billow of confidence. He was +of the type which adjusts itself to the opinions his company may have of +him. Praise Mallinson and he deserved praises; ignore him and he sank +like a plummet to depths of insignificance, conscious of insignificance +and of nothing more except a dull rancour against the person who +impressed the knowledge on him. That way Drake had offended unwittingly +at the Grand Hotel; he had recognised no distinction between the +Mallinson of to-day and the Mallinson of ten years ago. + +Mallinson was asked to dinner on Friday of the next week. + +'Really,' said the aunt after his departure, 'he is very clever. I didn't +understand what he said, but he is very clever.' + +'Yes,' said Clarice reflectively, 'I suppose--I mean of course he is.' + +She spoke in a tone of hesitation which surprised her auditor, for +hitherto Clarice had been very certain as to her impressions on +the point. + +At dinner on the following Friday Mallinson was confronted by Conway and +had Mrs. Willoughby upon his right. Mallinson liked Mrs. Willoughby, the +widow of the black hair and blue eyes, now in the mauve stage of +widowhood. She drew him out of the secretiveness within which he +habitually barred himself, and he felt thankful to her for his prisoner's +hour of mid-day airing. Mrs. Willoughby spoke to Clarice, mentioning a +private view of an exhibition of pictures at which she had seen Clarice. + +'Who was the cavalier?' she added. + +'Mr. Drake,' Clarice replied serenely. 'I met him there by accident.' +Mrs. Willoughby looked puzzled, and repeated the name in an undertone. + +'You don't know him, I think,' Clarice went on. 'He comes here. Papa +asked him to call. Captain Drake, I suppose we ought to call him, but he +has dropped the Captain.' + +Mrs. Willoughby started and shot a bewildered glance at Mr. Le Mesurier. + +'I like the man very much,' said Mr. Le Mesurier, with a touch of +championship in his voice. 'You should meet him. I am sure you would +like him too.' + +Mrs. Willoughby made no answer to the suggestion, and resumed her dinner +in silence, while Conway sang his usual paean of praise. After a little +she turned to Mallinson. + +'Do you know this Mr. Drake?' + +'Yes, we were boys together in the same suburb before he went to Africa. +It was unfortunately through me that he was asked to this house. I had +mentioned him as a friend of mine at one time, and Miss Le Mesurier +invited me to bring him on the day he reached London.' + +'So soon as that! It's funny Clarice never mentioned him to me. You, of +course, told her the date of Mr. Drake's arrival.' + +'No, she found that out from an interview in the _Meteor_.' + +'I remember.' + +'You read it?' + +'Yes. So you introduced him to Clarice?' + +'No. He did not come that night. Conway brought him up to Mr. Le +Mesurier's box when _Frou-Frou_ was being played a month ago.' + +'Never mind, we will talk of something else.' + +Mrs. Willoughby had just observed Clarice. She was nodding assent to the +words of her neighbour, but plainly lending an attentive ear to Mrs. +Willoughby's conversation. Mrs. Willoughby spoke of indifferent subjects +until the ladies rose. + +When Mallinson, however, entered the drawing-room, he perceived Mrs. +Willoughby's fan motioning him to attendance, and she took up the thread +of her talk at the point where she had dropped it. + +'You said unfortunately.' + +'Well, you have read the _Meteor_.' + +'You endorse their view?' + +'From what I have seen of Drake since his return, yes.' + +'But if there's anything in their charges, why doesn't the Colonial +Office move?' + +'The Colonial Office!' Mallinson shrugged his shoulders. 'You forget only +natives and Arabs were killed in the Boruwimi expedition, and they don't +count. If he had killed a white man--What's the matter?' + +'Nothing,' said Mrs. Willoughby, recovering from a start; 'an idea +occurred to me, that's all.' + +'Tell me.' + +For a moment Mrs. Willoughby seemed at a loss. Then she said, with a +laugh: + +'If you will know, I was wondering whether your explanation covered +all you meant by "unfortunately."' She lowered her voice. 'You can be +frank with me.' + +Mallinson was diverted by her assurance of sympathy, and launched out +immediately into an elaborate history of the emotions which the +friendliness of Miss Le Mesurier to Drake had set bubbling within him. +Mr. Le Mesurier approached the pair before Mallinson had finished, and +the latter hurriedly broke off. + +'Well,' said Mr. Le Mesurier, 'will you meet Mr. Drake, Constance, at +lunch, say on Sunday?' + +Mrs. Willoughby stared. + +'Do you mean that?' + +'Certainly.' Mr. Le Mesurier was defiant. Mrs. Willoughby's stare changed +to a look of thoughtfulness. + +'No,' she said, 'I don't think I could.' She moved away. Mallinson +followed her. + +'You know something about Drake,' he exclaimed, 'something which +would help me.' + +'That is hardly generous rivalry,' she replied. + +'Does he deserve generosity?' he asked, with a trace of cunning in his +expression which Mrs. Willoughby found distasteful. + +'If I can help you,' she answered evasively, 'help you honourably, I +will,' and she turned away. Mallinson put out a hand to stop her. + +'I need help,' he whispered. 'There is a conspiracy to praise the man. +You heard Conway at dinner. It's the same with every one, from Mr. Le +Mesurier to Fielding.' + +'Oh,' she said, her voice kindling to an expression of interest, 'does +Mr. Fielding like him? He is fastidious too.' She paused for a second in +deliberation, her eyes searching the floor. Raising them, she perceived +Mr. Le Mesurier coming towards her. + +'I claim our privilege,' she said. 'I will lunch on Sunday, and meet your +paragon, after all.' + +'I am very glad,' he said impressively. 'Lunch at two.' + +Mrs. Willoughby waited until he was out of ear-shot, and turned again to +Mallinson. + +'It is best that I should see the man, and know something more of him +than hearsay. Don't you think so?' + +A note of apology discounted the explanation. Mallinson understood that +the reference to Fielding was the cause of her change of mind. + +'Do you value Fielding's opinion?' he asked. + +'Oh, I don't know. On some subjects I think yes. Don't you?' + +Mallinson began to wonder immediately whether Fielding's opinions might +not be valuable after all, since Mrs. Willoughby valued them. If so, the +man might be able to throw some light upon other points--for instance, +the perplexing question of Miss Le Mesurier's inclinations. Mallinson +made up his mind to call upon Fielding. He called on the Sunday morning, +and Fielding blandly related to him his history of Sark. + +Having worked Mallinson to a sufficiently amusing pitch of indignation, +and having hinted his moral that the subjugation of Miss Le Mesurier +would be effected only by the raider, Fielding complacently dismissed him +and repaired to Beaufort Gardens for lunch. He found Drake upon the +doorstep with a hand upon the knocker, and the two gentlemen exchanged +greetings. + +'I have just left Mallinson,' said Fielding. + +Drake's hand fell from the knocker. + +'Tell me!' he said. 'Mallinson perplexes me in many ways. For instance, +he shows me little good-will now--' + +'Does that surprise you?' Fielding interjected, with a laugh. + +Drake coloured and replied quickly, 'You didn't let me finish. If he +dislikes me, what made him talk about me as his friend to--to the Le +Mesuriers before I returned to England?' + +'Your name in print. You verged on--well, notoriety. You may laugh, but +that's the reason. Mallinson's always on the rack of other people's +opinions--judges himself by what he imagines to be their standard of him. +Acquaintanceship with a celebrity lifts him in their eyes, he thinks, so +really in his own.' + +Drake remained doubtfully pondering what credit acquaintanceship with him +could confer on any one. He was led back to his old view of Mallinson as +a man tottering on a rickety base. + +'Will he do something great?' he asked, his forehead puckered in an +effort to calculate the qualities which make for greatness. + +Fielding chuckled quietly, and answered: + +'Unlikely, I think. Clever, of course, the man is, but it is never the +work he does that pleases him, but the pose after the work's done. +That's fatal.' + +Drake looked at Fielding curiously. + +'That's a criticism which would never have occurred to me.' He glanced at +his watch. 'We have five minutes. Shall we walk round the Gardens?' +Fielding chuckled again and assented. He saw the curtain rising on his +comedy. For five minutes they paced up and down the pavement, with an +interchange of simple questions on Drake's part, and discriminating +answers on Fielding's--answers not wholly to encourage, but rather to +promote a state of doubt, so much more interesting to the spectator. + +When after the five minutes had elapsed they entered the house, they +found that Mrs. Willoughby had arrived. + +Clarice introduced Stephen Drake to Mrs. Willoughby. He saw a woman +apparently in the early twenties, tall, with a broad white forehead, +under masses of unruly black hair, and black eyebrows shadowing eyes of +the colour of sea-shallows on an August morning. The eyes were hard, he +noticed, and the lips pressed together; she bowed to him without a word. +Hostility was evidently to be expected, and Drake wondered at this, for +he knew Mrs. Willoughby to be Clarice's chief friend and confidante. Mrs. +Willoughby fired the first shot of the combat as soon as they had sat +down to lunch. She spoke of unscrupulous cruelty shown by African +explorers, and appealed to Drake for correction, she said, but her tone +implied corroboration. + +'I have known cases,' he admitted, 'here and there. You can't always +prevent it. The pioneer in a new country doesn't bring testimonials with +him invariably. In fact, one case of the kind happened under my own eyes, +I might almost say.' + +Mrs. Willoughby seemed put out of countenance by Drake's reply. She had +plainly expected a strenuous denial of her statement. Drake caught a +look of reproof which Mr. Le Mesurier directed towards her, and set it +down to his host's courtesy towards his guest. Clarice, however, noticed +the look too. + +'Indeed,' she said. 'Tell us about it, Mr. Drake. It will be a change +from our usual frock-coat conversation.' + +Mr. Le Mesurier imposed the interdict of paternal authority. + +'I think, my dear, stories of that class are, as a rule, a trifle crude. +Eh, Drake?' + +Miss Le Mesurier on the instant became personified submission. + +'Of course, papa,' she said, 'if you have reason for believing the story +isn't suitable, I wouldn't think of asking Mr. Drake to tell it.' + +Mr. Le Mesurier raised his hands in a gesture of despair, and looked +again at Mrs. Willoughby. His glance said, unmistakably, 'Now see what +you've done!' Fielding broke into an open laugh; and Clarice haughtily +asked him to explain the joke, so that the others present might share in +his amusement. + +'I will,' said Fielding. 'In fact, I meant you to ask me to. I laughed, +because I notice that whenever you are particularly obedient to Papa, +then you are particularly resolved to have your own way.' + +Miss Le Mesurier's foot tapped under the table. + +'Of course,' she said, with a withering shrug of her shoulders, 'that's +wit, Mr. Fielding.' Repartee was not her strong point. + +'No,' he replied, 'merely rudeness. And what's the use of being a +privileged friend of the family if you can't be rude?' + +Drake came to the rescue. 'Mr. Le Mesurier is quite right,' said he. +'Incidents of the kind I mentioned are best left untold.' + +'I don't doubt it,' said Fielding. 'A man loses all sight of humanitarian +principles the moment he's beyond view of a fireside.' + +'Oh, does he?' replied Drake. 'The man by the fireside is apt to confuse +sentiment with humanitarian principles; and sentiment, I admit, you have +to get rid of when you find yourself surrounded with savages.' + +'Exactly! You become assimilated with the savages, and retain only one +link between yourself and civilisation.' + +'And that link?' + +'Is a Maxim gun.' + +'My dear fellow, that's nonsense,' Drake answered in some heat. 'It's +easy enough to sit here and discuss humanitarian principles, but you need +a pretty accurate knowledge of what they are, and what they are not, +before you begin to apply them recklessly beyond the reach of +civilisation. When I went first to Africa, I stayed for a time at +Pretoria, and from Pretoria I went north in a pioneer company. You want +to have been engaged in an expedition of that kind to quite appreciate +what it means. We were on short rations a good part of the time, with a +fair prospect of absolute starvation ahead, and doing forced marches all +the while. When we camped of an evening, I have seen men who had eaten +nothing since breakfast, and little enough then, just slip the saddles +from the horses, and go fast asleep under the nearest tree, without +bothering about their supper. Then, perhaps, an officer would shake them +up, and they'd have to go collecting brushwood for fires. That's a pretty +bad business in the dark, when you're dead tired with the day's tramp. +You don't much care whether you pick up a snake or a stick of wood. I +remember, too,' and he gave a laugh at the recollection, 'we used to be +allowed about a thimbleful of brandy a day. Well, I have noticed men walk +twenty yards away from the camps to drink their tot, for fear some one +might jog their elbows. And it was only one mouthful after all--you +didn't need to water it. Altogether, that kind of expedition would be +something considerably more than an average strain upon a man's +endurance, if it was led through a friendly country. But add to your +difficulties the continual presence of an enemy, outnumbering you +incalculably, always on the alert for you to slacken discipline for a +second, and remember you are not marching to safety, but from it. The +odds against you are increasing all the time, and that not for one or two +days, but for eighty and a hundred. I can assure you, one would hear a +great deal less of the harmlessness of the black, if more people had +experienced that grisly hour before daybreak, when they generally make +their attacks. Your whole force--it's a mere handful--stands under arms +at attention in the dark--and it can be dark on the veld, even in the +open, on a starlight night. The veld seems to drink up and absorb the +light, as though it was so much water trickling on the parched ground. +There you stand! You have thrown out scouts to search the country round +you, but you know for certain that half of them are nodding asleep in +their saddles. For all you know, you may be surrounded on all sides. The +strain of that hour of waiting grows so intense that you actually long to +see the flash of a scout's rifle, and so be certain they are coming, or +to feel the ground shake under you, as they stamp their war-dance half a +mile away. Their battle chant, too, makes an uncanny sound, when it +swells across the veld in the night, but, upon my soul, you almost hear +it with relief.' + +Drake stopped and looked round upon faces fixed intently on his own, +faces which mirrored his own absorption in his theme. There was one +exception, however; Mrs. Willoughby sat back in her chair +constraining herself to an attitude of indifference, and as Drake +glanced at her, her lips seemed to be moving as though with the +inward repetition of some word or phrase. Even Fielding was shaken +out of his supermundane quietism. + +For the first time he saw revealed the real quality in Drake; he saw +visibly active that force of which, although it had lain hitherto latent, +he had always felt the existence and understood why he had made friends +so quickly, and compelled those friends so perpetually to count with him +in their thoughts. It was not so much in the mere words that Drake +expressed this quality as in the spirit which informed, the voice which +launched them, and the looks which gave them point. His face flashed into +mobility, enthusiasm dispelling its set habit of gravity, sloughing it, +Fielding thought, or better still, burning through it as through a crust +of lava; his eyes--eyes which listened, Fielding had not inaptly +described them--now spoke, and spoke vigorously; enthusiasm, too, rode on +his voice, deepening its tones--not enthusiasm of the febrile kind which +sends the speech wavering up and down the scale, but enthusiasm with +sobriety as its dominant note concentrated into a level flow of sound. +His description had all the freshness of an immediate occurrence. +Compared with the ordinary style of reminiscence it was the rose upon the +tree to the dried leaves of a _potpourri_. + +'But,' said Fielding, unconsciously resisting the influence which Drake +exerted, 'I thought you took a whole army of blacks with you on these +expeditions?' + +'Not on the one I speak of. In Matanga a small force of them, yes! But +even they were difficult to manage, and you could not depend upon them. +They would desert at the first opportunity, sell their guns, your +peace-offerings of brass rods, and whatever they could lay their hands +on, and straggle behind in the dusk until they got lost. It was no use +sending back for them in the morning. One would only have found their +bones, and their bones pretty well scoured too. I speak of them as a +class, of course. There were races loyal enough no doubt, the Zanzibari, +for instance. But the difficulty with them was to prevent them fighting +when there was no occasion. In fact the blacks who were loyal made up for +their loyalty by a lack of common-sense.' + +'Cause and effect, I should be inclined to call the combination,' +remarked Fielding, 'with the lack of common-sense as the cause.' + +Mrs. Willoughby looked her gratitude across the table, and again her lips +moved. Drake chanced to catch her eye, and in spite of herself she +rippled to a laugh. She had been defending herself by a repetition of the +editor's comment of "filibuster." + +But at the same moment that Drake's glance met hers she had just waked up +to the humour of her conduct, and recognised it as a veritable child's +device. She could not but laugh, and, laughing there into the eyes of the +man, she lost her hostility to him. However, Mrs. Willoughby made an +effort to recover it. + +'Well, I don't see,' she said to Drake, 'what right you have got to +marching into other people's countries even though they are black.' + +'Ah!' Drake answered. 'That's precisely what I call, if I may say so, the +fireside point of view. We obey a law of nature rather than claim a +right. One can discuss the merits of a law of nature comfortably by a +fireside. But out there one realises how academic the discussion is, one +obeys it. The white man has always spread himself over the country of the +black man, and we may take it he always will. He has the pioneer's +hankering after the uttermost corners of the earth, and in addition to +that the desire to prosper. He obeys both motives; they are of the +essence of him. Besides, if it comes to a question of abstract right, I +am not sure we couldn't set up a pretty good case. After all, a nation +holds its country primarily to benefit itself, no doubt, but also in +trust for the world; and the two things hang together. It benefits itself +by observing that trust. Now the black man seals his country up, he +doesn't develop it. In the first place he doesn't know how to, and in the +second, if he did, he would forget as soon as he could. I suppose that it +is impossible to estimate the extent of the good which the opening of +Africa has done for an overcrowded continent like Europe; and what +touches Europe touches the world, no doubt of that, is there? But I'm +preaching,' and he came abruptly to an end. + +'What I don't understand,' said Mr. Le Mesurier, and he voiced a question +the others felt an impulse to ask, 'is, how on earth you are content to +settle down as a business man in the City?' + +Drake retired into himself and replied with some diffidence: + +'Oh, the change is not as great perhaps as you think, I have always +looked forward to returning here. One has ambitions of a kind.' + +'You ought to go into Parliament,' Clarice said. + +Drake laughed, thanking her with the laugh. 'It's rather too early to +speak of that.' + +Mrs. Willoughby observed that he actually blushed. A blushing filibuster! +There was a contradiction of terms in the phrase, and he undoubtedly +blushed. A question shot through her mind. Did he blush from modesty, or +because Clarice made the suggestion? + +Mrs. Willoughby asked Fielding for an answer as he stood by the door of +her brougham, before she drove away from Beaufort Gardens. + +'For both reasons, I should say,' he replied. + +'You think, then, he's attracted? He hardly showed signs of it, except +that once, and modesty alone might account for that.' + +Mrs. Willoughby laid some insistence upon the possibility. + +'I should have been inclined to agree with you,' answered Fielding, 'but +Drake dragged me round the square before lunch to question me about +Mallinson.' + +'That makes for your view, certainly. What did you tell him?' + +'I painted the portrait which I thought he wanted, picked out +Mallinson's vices in clear colours and added a few which occurred to me +at the moment. However, Drake closed my mouth with--"He's a hard +worker, though."' + +'I like the man for that!' cried Mrs. Willoughby, and checked +herself suddenly. + +'Yes, he's honest certainly.' + +'But was he right?' + +'Quite! Mallinson works very hard; scents danger, I suppose.' + +Mrs. Willoughby heaved a sigh of relief. + +'There's some chance for him, then. Will he do anything great?' + +Fielding laughed. + +'That's one of the questions Drake put to me! I think never.' + +Mrs. Willoughby accepted the dictum without asking for the reason. She +sat for a moment disconsolately thoughtful. Then she gave a start. + +'There's Percy Conway. I had forgotten him!' + +'And wisely, I should think. He is just making a back for Drake to jump +from if he will.' + +'Yes, I noticed that,' said Mrs. Willoughby, with a sneer at the folly of +the creature. 'He seems to look upon Mallinson and himself as the two +figures which tell the weather in a Swiss clock. When one comes out of +his box the other goes in. I catch your trick, you see,' and her face +relaxed to a smile. + +'Only to improve on it in the matter of truth. For you imply a comparison +between Miss Le Mesurier and the weather, and the points of resemblance +are strong.' + +Mrs. Willoughby's smile became a laugh. 'I don't hold with you about +Clarice,' she said. 'You don't know her as I do. She can take things +seriously.' + +'Intensely so--for five minutes. I have never denied it.' + +Mrs. Willoughby did not display her usual alacrity to engage in the +oft-repeated combat as to Miss Le Mesurier's merits. Her face grew +serious again. + +'Does Clarice care for him, you think?' + +Fielding was admiring Mrs. Willoughby's eyes at the moment, and answered +absently. 'Conway, you mean?' + +'No, no! How wilfully irritating you are! This Mr. Drake, of course. By +the way, I suppose he will get on?' She spoke in a voice which implied +regret for the supposition, and almost appealed for a denial of it. + +'I should think there's no doubt of it. They tell me he has just sent a +force up country in Matanga to locate concessions. You hit harder than +you knew at lunch, for the force carries machine-guns. Oh yes, he'll get +on. He has been seen arm-in-arm with Israel Biedermann in Throgmorton +Street. You must tell that to a city man to realise what it means.' + +'But do you think Clarice cares for him?' + +'Miss Le Mesurier cares for--' he began, and broke off with a question. +'Do you read Latin?' He was answered with an exasperated shake of the +head. 'Because Miss Le Mesurier always reminds me of an ode of Horace, +Finished, exquisite to the finger-tips, but still lacking something. +Soul, is it? Perhaps that lack makes the perfection. But what's your +objection to Drake?' + +Mrs. Willoughby started a little. 'Objection?' she laughed. 'Why? I never +told you that I had one.' + +'You told not only me, but every one at lunch--Drake himself included.' + +Mrs. Willoughby looked doubtfully at Fielding. 'Well,' she said, 'there +is something. I feel inclined to explain it to you. You may be able to +advise me. Not now!' she went on as Fielding bent forward with a very +unusual interest. 'Let me see. Monday, Tuesday, Wednesday'--she ticked +off the days upon her fingers. 'Thursday afternoon. Could you come and +see me then?' + +'Yes.' + +'Thanks. Good-bye, and don't forget; five o'clock. I shall be in to +no one else.' And Mrs. Willoughby drove off with the smile again +upon her face. + + + + +CHAPTER V + + +Whether Fielding was correct in limiting Miss Le Mesurier's capacity +for continued seriousness, she was undeniably serious when she called +upon Mrs. Willoughby at half-past one on the following day. There were +dark shadows under her eyes, and the eyes themselves seemed to look +pathetic reproaches at a world which had laid upon her unmerited +distress. Mrs. Willoughby was startled at her appearance, and imagined +some family disaster. + +'Why, Clarice, what has happened?' she exclaimed. 'You look as if you +hadn't slept all night.' + +Clarice kissed her, and for answer sighed wearifully. Mrs. Willoughby was +immediately relieved. The trouble was due, she realised, to some new +shuffle of Clarice's facile emotions. She returned the kiss, and +refrained from further questions; but, being a practical woman, she rang +the bell and ordered the servant to lay two places for lunch. + +Clarice sank despondently into the most comfortable chair in the room. + +'Not for me,' she said. 'I am sure I couldn't eat anything.' + +'You may as well try, dear,' replied Mrs. Willoughby; and she crossed to +Clarice and unpinned her hat--a little straw hat, with the daintiest of +pink ribbons. She held it in her hand for a moment, weighing it with a +smile which had something of tenderness in it. She laid a light hand upon +the brown hair, touching with a caress the curls about the forehead. A +child's face was turned up to hers with a pretty appeal of melancholy. +Mrs. Willoughby was moved to kiss the girl again. In spite of a +similarity of years, she had an affection almost maternal for Clarice; +and, with an intuition, too, which was almost maternal, she was able to +appreciate the sincerity of the girl's distress, with a doubtful smile at +the gravity of its cause. + +Clarice threw her arms about Mrs. Willoughby's neck. 'Oh, Connie,' she +quavered, 'you can't guess what has happened!' The voice threatened to +break into sobs, and there were tears already brimming the eyes. + +'Never mind; you shall tell me after lunch.' + +At lunch Mrs. Willoughby industriously beguiled her with anecdotes. She +talked of an uncle of Clarice, a Philistine sea-captain with pronounced +opinions upon the advance of woman, ludicrously mimicking his efforts to +adapt a quarter-deck style of denunciation to the gentler atmosphere of a +drawing-room. To sharpen his diatribes the worthy captain was in the +habit of straining ineffectually after epigrams. Mrs. Willoughby quoted +an unsuccessful essay concerning the novels women favoured. 'A woman with +a slice of intellect likes that sort of garbage for the same reason that +a girl with a neat pair of ankles likes a little mud in the streets.' +Clarice was provoked to a reluctant smile by a mental picture of a +violent rubicund face roaring the words. She was induced to play with a +fragment of sole; she ended by eating the wing of a chicken. + +'Now,' said Mrs. Willoughby when she had set Clarice upon a sofa in front +of a cosy fire in her boudoir, 'tell me what all the trouble's about.' +She drew up a low chair and sat down with a hand upon the girl's arm. + +'It's about Sid--I mean Mr. Mallinson,' she began. 'He called yesterday +afternoon after you had left. Papa had gone out for a walk, and aunt was +lying down with a sick headache. So I saw him alone. He said he was glad +to get the opportunity of speaking to me by myself, and he--he--well, he +asked me to marry him. He was quite different from what he usually is, +else I might have stopped him before. But he made a sort of rush at it. I +told him that I was very sorry, but I didn't care for him in that kind of +way--at all events yet. And then it was horrible!' The voice began to +break again. + +Mrs. Willoughby took hold of Clarice's hand, and the latter nestled +towards her. + +'He got angry and violent, and said that I had persuaded him to give up +his profession, and must have known quite well why he did it, and that no +woman had a right to interfere with a man's life until she was prepared +to accept the responsibility of her interference. I hardly understood +what he said, because he frightened me; but I don't think that was at all +a nice thing to say, do you, Connie?' and her hand tightened upon her +friend's. 'But he said other things too, much worse than that,--I can't +tell you. And at last I felt as if I wanted to scream. I should have +screamed in a minute or two, I know, so I told him to go away. Then he +became silent all at once, and just stood looking at me--and--and--I +think that was worse than being abused. At last he said "Good-bye," so +sorrowfully, and I knew it would be for ever, and we shook hands, and he +went out into the hall and closed the door. It seemed to me that the door +would never open again.' + +The threatened tears began to fall; Mrs. Willoughby, however, did not +interrupt, and Clarice went on. + +'So as I heard the front door unlocked to let him out, I opened the door +of the room and went into the hall. Mr. Mallinson was standing on the +first step. He never looked back--he was turning up his coat-collar--and +somehow it all seemed so sad. I felt as if I hadn't a friend left in the +world. So--I--I--I--' + +'Well?' asked Mrs. Willoughby quickly. + +'I called him back into the room, and asked him if we couldn't be +friends.' + +'What did he answer?' + +'That he didn't see how that was possible since he wanted to marry me. +But I said that wouldn't matter as long as he didn't tell me so. I think +men are so inconsiderate, don't you, Connie?' she broke off in a tone of +reproach. 'I can't understand what there is to laugh at. You wouldn't +either if you had seen him then, because he just sat down and cried, not +as you and I do, you know, but with great tears running through his +fingers and heaves of his shoulders. It was heartbreaking. Then he got up +and begged my pardon for what he had said, and that was the worst of it +all. He declared that if he went the rest of his way alone the journey +would be all the easier for the mile I went along with him, and at that +somehow I began to cry too, and--and--that's all.' + +Mrs. Willoughby sat silent for a little. 'So you refused him,' she said +thoughtfully, and she bent towards Clarice. 'Is it to be Stephen Drake?' + +Clarice started up from the sofa, and stood looking into the fire. 'What +an extraordinary thing that you should ask me that,' she replied slowly, +'because Mr. Mallinson asked it too.' She paused for a second or so and +went on. 'I have never thought of him in that way, I am sure. Oh no!' and +she roused herself from her attitude of deliberation and crossed to the +window, speaking briskly as she went. 'I had quite a different reason.' + +Mrs. Willoughby looked at her sharply but said nothing, and presently +Clarice turned back into the room as though moved by a sudden impulse. +'Can I write a note here?' she asked. + +'Certainly,' replied Mrs. Willoughby, and she set some envelopes and +paper on the table. Clarice wrote a few lines and tore them up. She +repeated the process on four sheets of note-paper, and as she was +beginning the fifth attempt the door was opened and the servant +announced that Mr. Conway was waiting in the drawing-room. Clarice tore +up the fifth sheet and rose from her chair. 'I can write it when I get +home,' she said. + +'Percy Conway!' said Mrs. Willoughby when the door was closed again. +'What a funny thing! He's not in the habit of visiting me.' + +'The fact is,' said Clarice, without the least embarrassment, as +she pinned on her hat, 'I asked him to call for me here. You don't +mind, do you?' + +'Clarice!' exclaimed Mrs. Willoughby. She stared at the girl, +noticing the traces of tears still visible on her face, and then she +began to laugh. + +'Connie!' said Miss Le Mesurier, and her tone showed that she was hurt. +'You _are_ unsympathetic.' + +'I can't help it,' cried Mrs. Willoughby, and she laughed yet louder. 'I +can't help it, dear!' + +'You can't imagine how lonely I have felt since--' + +'Since yesterday,' cried Mrs. Willoughby, and her laughter increased. +'Clarice, you'll be the death of me.' + +Clarice stood gazing at her patiently, her face grave with reproach, +until Mrs. Willoughby succeeded in composing herself to a fitting +seriousness. But for all her efforts her mouth worked, and the dimples +appeared and vanished in her cheeks, and a little ripple of laughter now +and again escaped from her lips. + +'Really,' said Clarice, 'I am disappointed in you, Connie.' + +'I know it was out of place, dear,' said Mrs. Willoughby with humility, +but nevertheless her voice shook as she spoke. Fearing another access she +began, as a resource, to lecture Clarice upon the impropriety of making +appointments with young gentlemen at other people's houses. The lecture, +however, was received with disdain. + +'That seems to me still more out of place,' said Clarice. + +'Well, we had better go into the drawing-room to Mr. Conway,' said Mrs. +Willoughby. + +Clarice was indeed excessively indignant with Mrs. Willoughby, for she +was in the habit herself of treating her feelings with a tender +solicitude, and consequently disliked the want of respect shown to them +by her friend. She betrayed the extent of her indignation by a +proportionately excessive friendliness towards Conway that afternoon. He +was allowed to conduct her to four picture galleries, and a Panopticon +museum of tortures; his offer to refresh her with tea in Bond Street was +shyly accepted, and at parting he was thanked with effusion, 'for the +pleasantest afternoon she had spent for some time.' + +On reaching home, however, Miss Le Mesurier immediately wrote out the +note which she had begun in Mrs. Willoughby's boudoir. She wrote it now +without hesitation, as though she had composed the form of its message +while in the company of Conway, and addressed it to Stephen Drake. She +had a question to ask him, she stated, of some importance to herself. +Would he call on Thursday afternoon and answer it? Clarice read through +the note before she sealed up the envelope. The word _importance_ caught +her eye, and she pondered over it for a moment. She crossed it out +finally and substituted _interest_. Then she sent her letter to the post. +At breakfast on the Thursday morning, Clarice casually informed her +father of Drake's visit. 'I wrote to him, asking him to call,' she added. + +Mr. Le Mesurier looked up from the pages of his _Times_. 'Why?' he +asked quickly. + +'I want him to tell me something.' + +The _Times_ crackled in his hands and fluttered to the floor. He opened +his mouth to speak and thought better of it, and repeated the action more +than once. Then he scratched his head with a helpless air, and picked up +his newspaper. 'Silly girl!' he said at last; 'silly girl!' and relapsed +into silence. At the close of breakfast, however, he made an effort at +expostulation. 'You will make the man believe you're in love with him,' +he said, and in fact he could have chanced on no happier objection to +present to her. Clarice flushed to the temples. Sidney Mallinson, Mrs. +Willoughby, and now her father! All three had made the same suggestion, +and the repetition of it vexed her pride. There were others they might +have said it of with more appearance of truth, she thought: Sidney +Mallinson himself, for instance, or even Percy Conway. But he, Drake! For +a moment she felt inclined to telegraph to him telling him not to come. +Then she thought of the motive which had induced her to send for him. No! +She would ask her question that afternoon, and so have done with him for +good. Aloud she answered: + +'How ridiculous! I should hardly think he has that sort of conceit. +Anyhow, if he has that impression, I will take care that he does not +carry it away.' + +Mr. Le Mesurier did not pursue the argument, but he gave certain +instructions to his butler, and when Drake arrived at the house he was +shown into the library. Mr. Le Mesurier received him. + +'Pull up a chair to the fire,' he said with an uneasy geniality. 'I have +something to say to you, Drake. It won't take long.' + +Drake laid down his hat and seated himself opposite to Mr. Le Mesurier. + +'My daughter told me this morning, quite spontaneously, of course, that +she had asked you to call in order that she might get from you a certain +answer to a certain question, and I thought that I had better prepare you +for what that question will be.' He hesitated in his speech, searching +for the best way to begin his explanation, and he caught sight of a +cigar-box on the mantelshelf above his head. + +'By the way, do you smoke?' + +'Yes, but I won't just now, thank you.' + +'You had better. You can throw it away when I have done. These are in +rather a good condition.' + +Mr. Le Mesurier seemed inclined to branch off upon the quality of +different brands, but Drake gave him no assistance. He lit his cigar and +patiently waited, his eyes fixed upon his host. Mr. Le Mesurier felt +driven back upon the actual point of his explanation, and almost +compelled to fine his words down to just the needful quantity. + +'Clarice, I believe,' he said brusquely, 'means to ask you how Gorley +died. He was engaged to her.' + +Drake did not so much as stir a muscle, even his eyes maintained their +steadiness, and Mr. Le Mesurier drew a breath of relief. 'I am glad you +take it like this,' he went on. 'I was afraid that what I had to say +might have been, well, perhaps a blow to you, and if so the fault would +have been mine; for I encouraged you to come here.' + +Drake bent forward and knocked the ash off the end of his cigar. + +'Yes,' he asked; 'why did you do that?' + +Mr. Le Mesurier looked uncomfortable. + +'It is only right that I should be frank with you,' he replied. 'The mere +fact of Gorley's death, apart from its manner, upset Clarice, more, I +confess, than we expected, and made her quite ill for a time. She is not +very strong, you know. So it was deemed best, not only by me, but by +Gorley's family as well, that she should be kept in ignorance of what had +actually happened. We simply told her that Gorley had died near Boruwimi. +But I fancy that she suspected we were concealing something. Perhaps our +avoidance of the subject gave her the hint, or it may have been Mrs. +Willoughby.' + +'Mrs. Willoughby?' + +'She is related to the Gorley family as well as to us. It was through her +Clarice first met Gorley,' he explained, and went on. 'Then you returned +to England, and were interviewed in the _Meteor_. Clarice read the +interview; you had described in it your march to Boruwimi, and she sent +through Mallinson at once an invitation to you. I only found that out the +night you were introduced to us at the theatre. It made me certain that +she had suspicions, and I admit that I asked you to call in the hope of +allaying them. I believed, foolishly as it seems, that if I was cordial, +she would give up any ideas she might have, that you were connected in +any way with Gorley's death. Afterwards, Drake, I need hardly tell you, I +was glad you came here upon other grounds.' Mr. Le Mesurier leaned +forward in his chair and touched Drake upon the knee. 'It didn't take +long for me to conceive a genuine liking for you, and, of course, I knew +all the time that you had only done your duty.' + +Drake made no response whatever to Mr. Le Mesurier's sentiment. + +'I understand, then,' he said, 'that Miss Le Mesurier was engaged to +Gorley at the time of his death?' + +'Oh dear, no,' exclaimed the other, starting up from his chair. 'You are +aware, I suppose, why Gorley left England?' + +Drake nodded assent. + +'The engagement was broken off then and there. And Clarice at that time +did not seem to take it much to heart. I was inclined to believe that the +whole affair had been just a girl's whim. Indeed, in spite of her +illness, I am not certain now that that isn't the truth. She may have had +some notion of reforming him. I find Clarice rather difficult to +understand.' + +Drake stood up. 'Where is Miss Le Mesurier?' he asked. + +'Upstairs in the drawing-room.' + +He took a step towards the door, and took the step unsteadily. He +stopped for a second, bracing his shoulders; then he walked firmly +across the room. While his hand was on the handle, he heard Mr. Le +Mesurier speaking. + +'What do you mean to tell her?' + +'I hardly understand,' he answered, turning round. 'There surely is but +one thing to say--the truth. She has a right to know that.' + +'Has she? The engagement was broken off finally when Gorley left England. +They had nothing more to do with one another, no common interests, no +common future. Has she?' + +'It seems to me, yes!' + +'We have kept the knowledge from her up till now. No one could blame you +if you kept it from her a little longer.' + +The argument smacked of sophistry to Drake. He had an unreasoned +conviction that the girl had a right to learn the truth from him. + +'I think I ought to tell her if she asks me.' + +'I might forbid you to do it,' grumbled Mr. Le Mesurier. + +'Do you?' asked Drake. The question brought Mr. Le Mesurier up short. It +was a direct question, inviting a responsible decision, and Mr. Le +Mesurier was averse by nature to making such decisions out of hand. If +Drake cared for Clarice, he reflected, it was really in Drake's province +to decide the point rather than in his own. + +'I don't know enough of you,' he replied, 'to either forbid or give you +permission.' + +Drake wondered what the sentence meant. + +'In that case I must take my own course,' he said, and he went out of the +room and mounted the stairs. + + + + +CHAPTER VI + + +It was the dusk of a February afternoon. Drake had found the lamps lit in +Mr. Le Mesurier's library, and the gas was burning in the hall and on the +stairs. But within the drawing-room all the light there was came from the +fire leaping upon the hearth and from the two recessed windows which +faced it. In the farthest of these windows Drake saw Miss Le Mesurier +standing, the outline of her face relieved, as it were, against a gray +panel of twilight. As the door closed, she turned and took a step into +the room. Drake could no longer see more than the shape of her head and +the soft waves of hair crowning it; he could not distinguish a single +feature, but none the less, as she stood facing him, he felt of a sudden +his heart sink within him and his whole strength race out of his body. + +Clarice stood still; and he became possessed with a queer longing that +she would move again, forwards, within the focus of the firelight. +However, she spoke from where she stood. + +'You have seen my father.' + +Instinctively Drake walked to the fireplace, but she did not follow. + +'I have just left him,' he replied. 'He told me what the question was +which you wished me to answer.' + +'And forbade you to answer it, I suppose?' + +'No. He left the choice to me.' + +'Well?' she asked. + +'I mean to answer it to the full,' he said. 'I was not aware till a +moment ago that you had been engaged to Gorley.' Then he hesitated. +Clarice was still standing in the shadow, and his desire that she should +move out of it and within the circle of light grew upon him until it +seemed almost as though the sight of her face and the knowledge of how +she was receiving the history of the incident were necessary conditions +of its narration. + +'I suppose that is the reason,' he went on, 'which made you ask me here +at first. Why did you never put the question before?' + +'Why?' repeated Clarice slowly, as if she was putting the question to +herself. Then she moved slowly towards the fireplace and seated herself +by the side of it, bent forwards towards its glow, her elbows upon her +knees, her hands propping her chin. Drake gave a sigh of relief, and +Clarice glanced at him in surprise, and turned again to the fire. 'Tell +me your story,' she said, and left his question unanswered. + +Drake began; but now that his wish was accomplished, of a sudden all the +reality seemed to fade out of the tragic events he was to recount. His +consciousness became in some queer way centred upon the girl who was +listening, to the exclusion of the subject she was listening to. He was +intensely conscious of her face, of its changing expressions, of the ebb +and flow of the blood from time to time flushing her cheeks and temples, +and of the vivid play of lights and shadows upon them as the flames +danced and sank on the hearth. He noticed, too, with an observation new +to him, and quite involuntary, the details of the room in which he stood, +the white panelling of the walls, the engravings in their frames, the +china ranged upon a ledge near to the ceiling. Of these things his mind +took impressions with the minuteness almost of a camera. They were real +to him at this moment, because they formed the framework and setting of +the girl's face and figure. + +But Gorley's crime and his expiation of it became by contrast as remote +to his apprehension in point of all connection with Clarice as they were +in point of locality. He could not realise them to himself as events +which had actually happened and in which he had played a part, and he +spoke in the toneless voice of one who relates a fable of which, through +frequent repetition, he is tired. Instinctively, in order to make the +truth of his story palpable, he began to corroborate it with particulars +which he would otherwise have spared his auditor, but with the same +impersonal accent. He told Clarice of the condition of the village after +Gorley's raid, as he first came within view of it: here the body of a +negro stood pinned upright against the wall of his hut by an assegai +fixing his neck; there another was lying charred upon still-smouldering +embers; and as he saw her turn pale and shudder he almost wondered why. + +But in spite of his efforts to appreciate its actuality the incident grew +more unsubstantial the further he progressed in its narration, and he +ended it abruptly. + +'Gorley was properly tried,' he said--'his relations testified to +the justice of his trial--and he was executed in accordance with +the verdict.' + +Clarice sat motionless after he had ended. Drake watched the flames +sparkle in her gray eyes. At his elbow the clock ticked upon the +mantelshelf spacing the seconds, and the fire was hot upon his limbs. +That dream-world in Africa dissolved to a vapour. + +Clarice recalled him to it at last. + +'I never imagined,' she said in a low voice, 'that the truth was anything +like this. I shouldn't have asked you if I had. A long time ago I knew +that something was being concealed, but I thought it was an accident +or--well, I couldn't conceive what it was and I grew curious, I suppose. +When you came back to England I thought you might be able to tell me. +Lately, however, I began to fancy that you were concerned in it some way. +You might have sent Mr. ----' she checked herself with the name unspoken +and went on, 'you might have sent him on some fatal mission or something +of that sort. But this! Oh, why did you tell me?' + +She took her hands from beneath her chin and clenched them with a +convulsive movement upon her knees. Her memory had gone back to the days +when she and Gorley had been engaged, to their meetings, their intimate +conversations. This man, in whose hand her hands had lain, whose lips had +pressed hers, been pressed by hers, this man had been convicted of a +double crime--dastardly murder and dastardly theft--and punished for it! +Her pride cried out against her knowledge, and cried out against the man +who had vouchsafed the knowledge. + +'Why did you tell me?' she repeated, and the words were an accusation. + +'You wished to know,' he replied doggedly, 'and it seemed to me that you +had the right to know.' + +'Right!' she exclaimed, 'right! What right had I to know? What right had +you to tell me?' + +She rose to her feet suddenly as she spoke and confronted Drake. He +looked into her eyes steadily, but with a certain perplexity. + +'I felt bound to tell you,' he said simply, and his simplicity appealed +to her by its frank recognition of an obligation to her. + +'Why,' she asked herself, 'why did he feel bound? Merely because I wished +to know the truth of the matter, or because he himself was implicated in +it as the instrument of Gorley's punishment?' Either reason was +sufficient to appease her. She inclined to the latter; there were +conclusions to be inferred from it which staunched her wounded pride. + +Clarice turned away. Drake watched her set a foot upon the rail of the +fender, lay her hand upon the mantelshelf and support her forehead upon +it. After a little she raised her head and spoke with an air of +apologising for him. + +'Of course,' she said. 'You could not know that there was anything +between myself and--and him.' + +'No; I could not know that. How should I, for I did not know you? And I +am glad that I didn't know.' + +Drake spoke with some earnestness, and Clarice looked at him in surprise. + +'It would have made my duty so much harder to do,' he explained. + +With a little cry of irritation Clarice slipped her foot from the fender +and moved from him back to the couch. She had given him the opportunity +to escape from his position and he refused to make use of it; he seemed +indeed unable to perceive it. However, she clung to it obstinately and +repeated it. + +'You could not know there was anything between us'; she emphasised the +words deliberately. Drake mistook the intention of the emphasis. + +'But was there,' he exclaimed, 'at the time? I didn't think of that, Miss +Le Mesurier--' + +'Oh no, no!' she interrupted. 'Not at the time.' The man was +impracticable, and yet his very impracticability aroused in a measure her +admiration. 'So you would have shot him just the same, had you known?' + +'Shot him?' asked Drake almost absently. + +'Yes.' + +'Didn't I tell you? I beg your pardon. I didn't shoot him at all. I +hanged him.' + +Clarice was stunned by the words, and the more because of the dull, +seemingly callous accent with which they were spoken. + +'You hanged him!' she whispered, dropping the words one by one, as though +she was striving to weigh them. + +'Yes. I have been blamed for it,' he replied with no change of voice. +'People said I was damaging the prestige of the white man. The +argument bothered me, I confess, but I think they were wrong. I should +have damaged that prestige infinitely more if I had punished him +secretly or--' + +'Oh, don't!' she cried, with a sharp interruption, and she stared at him +with eyes dilating in horror, almost in fear. 'You can discuss it like +that,--the man I had been engaged to,--you hanged him!' + +She ended with a moan of actual pain and covered her face with her hands. +On the instant Drake woke to a full comprehension of all that he had +said, and understood something of the humiliation which it meant to her. + +Clarice was sitting huddled in her chair, her fingers pressed lightly on +her eyes, while now and again a shiver shot through her frame. + +'Still I was bound to tell her,' Drake thought. He waited for a little, +wondering whether she would look up, but she made no movement. An emerald +ring upon her finger caught the light and winked at him maliciously, +leering at him, he fancied. There was nothing more for him to say, and he +quietly went out of the room. + +The click of the door-handle roused Clarice. She saw that the room was +empty, and, drawing a breath of relief, started out of her chair. +Standing thus she heard Drake's footsteps descending the stairs, and +after a pause the slamming of the hall-door. Then she went to the +fireplace and knelt down close to it, warming her hands at the blaze. + +'The degradation of it!' she whispered. + + + + +CHAPTER VII + + +Bit by bit she sought to reconstruct the scene, piecing it together out +of Drake's words; but somehow that scene would not be reconstructed. She +gradually found herself considering Drake's words as a light thrown upon +the man who spoke them, rather than as the description of an actual +incident. The humiliation which she experienced made her shrink with a +certain repulsion from her recollections of Gorley and dwell instead upon +the contrasting tones in Drake's voice, the contrasting expressions upon +his face when he spoke to her and when he merely narrated his story. In +the first instance gentleness had been the dominant characteristic, in +the second indifference; and that very indifference, while it repelled +her, magnetised her thoughts. + +Something indeed of the same process which had caused that appearance of +indifference in Drake was now repeating itself in Clarice. Drake was +superseding Gorley in her mind. She struggled against the obsession and +morbidly strove to picture to herself the actual execution: the black +troops ranged in a clearing before the smouldering village, looking up at +one figure--Gorley's--spinning on a rope. But even upon that picture +Drake's face obtruded. She thrust out her hands to keep it off, as though +it was living and pressing in upon her; for a moment she tried to conjure +up Gorley's face, but it was blurred--only his form she could see +spinning on a rope, and Drake beneath it, his features clear like an +intaglio and firm-set with that same sense of duty which had forced him +sternly to recount to her the truth that afternoon. She recurred to her +recent habit of comparing him with Mallinson. She had a vision of +Mallinson, with the same experience to relate,--if that were +imaginable--fidgeting through evasions, grasping at any diversion she +might throw out for him to play with. + +But what if Drake's frankness, outspoken to the point of cruelty, sprang +from an indifference to her? Clarice had seen a good deal of Drake +lately. She caught herself almost smiling at the idea, softening at its +palpable falsity. In a last effort at resistance she fixed her thoughts +on the cruelty, the callousness, in his method of narration, and began to +feel herself on solid ground. She was consequently inspired to run over +all that he had said, in order to make her footing yet firmer, and at the +outset she was brought to a check. Why had she never questioned him upon +the matter before? he had asked. Clarice stopped and asked the question +of herself. At the beginning of their acquaintance certainly there had +always been others by, but afterwards there had been opportunities +enough. But by that time, what with her father's and Mrs. Willoughby's +hostility, she had begun to suspect that Drake was in some way implicated +in the mystery. Was it because she was afraid to know it for certain that +she had refrained? She recalled her letter to him written last Monday, +and how she had crossed out 'importance' and substituted 'interest.' Was +this knowledge important to her, really important, bearing issues in the +future? It could only be important, she realised, if she set great store +upon her acquaintanceship with Drake. Drake, in fact, had achieved +something of a triumph, though quite unknown to himself, for he had +compelled Clarice Le Mesurier to abandon the consideration of his +attitude towards her in favour of a search after the state of her +feelings towards him. + +She was still engaged in the search when the clock struck six, and, +rousing herself brusquely, she rang the bell for the lamps to be brought. + +At that moment Mrs. Willoughby had just finished telling to Fielding the +story which Drake had told to Clarice. + +'So that's what Drake was referring to on Sunday,' said Fielding. + +'Yes,' said Mrs. Willoughby. + +'What in the world made you attack him in that way, if you didn't want +Clarice to suspect?' + +'The fact was, I was a fool, I suppose. I just put my head down and +charged. But what I want your advice upon is this, ought Clarice to be +told now--before things go further?' + +'No, no!' said Fielding. He saw the curtain descending precipitately upon +his comedy before the climax was reached, and he added quite sincerely, +'I like Drake. I don't see why he shouldn't have a run for her money.' + +Mrs. Willoughby looked doubtful for a moment, and then she said, 'Very +well.' She hesitated for a second: 'I think I like him too.' + + + + +CHAPTER VIII + + +This was by no means the last occasion upon which Mrs. Willoughby thought +it prudent to take counsel with Fielding concerning the affairs of her +friend. Nor was Fielding in any degree backward to respond with his +advice. He developed, in fact, an interest in their progress quite +disproportionate to his professed attitude of the spectator in the +stalls. Mrs. Willoughby lived at Knightsbridge, in a little house, of +which the drawing-room overlooked the Park close to the barracks, and he +found it very pleasant to sit there of an afternoon and discuss in a cosy +duet the future of Clarice. + +The subject, besides, had the advantage of inexhaustibility. On the one +side Fielding ranged the suitors, or those whom he considered such; on +the other the vagaries of the girl. Playing these forces off not merely +against each other, but against themselves as well--for, as he pointed +out, there was no harmony in the separate camps--he evolved an infinite +number of endless complications. There was consequently no end to the +discussion, not even when Clarice was argued through the marriage +ceremony. For that point Fielding took to represent the one o'clock in +the morning of a carnival ball; then the fun really begins, though decent +people have to go away. + +Mrs. Willoughby was, as ever, staunch in her defence, though a +recollection of Clarice's tearful visit with Conway's arrival for a +climax prompted her now and again to laugh in the midst of it. + +'You mistake thoughtlessness for tricks,' she said. 'Clarice is only a +child as yet.' + +'She has a child's capacity for emotion, I admit,' corrected Fielding, +'but a woman's knowledge of its use. The combination is deplorable.' + +Fielding inquired about Drake, and was told that he had not been +seen lately. 'It looks as if he was declining in favour,' Mrs. +Willoughby added. + +'Not necessarily. The man's busy--there's a company coming out.' + +'A solid one?' + +'Likely to be, since Drake handles it. I am thinking of taking shares.' + +Mrs. Willoughby was surprised. Fielding seemed to her the last man +calculated by nature for dabbling in stocks. + +'You!' she exclaimed. Fielding nodded assent. + +'Then don't do it,' Mrs. Willoughby flashed out vigorously. 'Don't think +of it. Oh, I know those men in the City! Their friends get ruined, and +they--well, I mustn't say anything against them, because my husband was +one of them, poor dear,--but they move into larger offices. Mr. Drake has +been asking you to join him?' + +'He hasn't done anything of the sort. I heard of the matter through quite +an independent channel. However, I am not ruined yet, and the company +won't be floated for another four months. And, after all, it's my money.' + +Mrs. Willoughby became quiet. + +'Well,' she said, and she derived some satisfaction from the thought, 'at +all events Clarice has dropped talking about him.' + +Fielding laughed. + +'That means that it's Mallinson's turn on the roundabout and +nothing more.' + +'Sidney Mallinson has been refused.' + +'Refused! When?' + +'On the Sunday we lunched at Beaufort Gardens.' + +'Oh!' + +Fielding was silent for a moment. He was thinking that he had met +Mallinson of late with unusual frequency here at Mrs. Willoughby's house. + +'But are you sure?' he asked. + +'Certain; he told me so himself. Clarice told me too the day after.' Mrs. +Willoughby began again to laugh. 'She would have prevented him if she +could, but apparently he tried to take her by storm.' + +'Oh!' exclaimed Fielding. 'On the Sunday afternoons you say? Then I was +to blame, I am afraid, for I gave him precisely that advice on the Sunday +morning. Of course, I never thought that he would take it.' + +Fielding met Sidney Mallinson again and again at the house in +Knightsbridge. He was invited to dinner, but so was Mallinson, and the +latter had confidential talks with Mrs. Willoughby. He dined with some +friends at the Savoy and went on in a comfortable frame of mind to a +concert; there Mrs. Willoughby joined them, so did Mallinson, and the +couple sat side by side and conversed through a song. 'The height of bad +taste,' commented Fielding in an access of irritation. The fellow was +spoiling his comedy by relinquishing his part. He drew Mallinson aside as +they passed through the hall. + +'You seem to see a good deal of Mrs. Willoughby?' + +'Yes, we generally pair off together.' + +Fielding dropped plump among the coarse sensations of the ordinary human. +He wanted to kick Mallinson, and to kick him hard. He saw with an +anticipatory satisfaction the glasses flying off the supercilious +gentleman's nose, and felt the jar at the end of his boot as it dashed +into the coat-tails. The action would have been too noticeable, however, +and he only said, 'What a very _bourgeois_ thing to do!' + +Mallinson's air of complacency vanished as he heard the offensive term +levelled against himself. He did not, however, on that account change +his attitude towards Mrs. Willoughby. Fielding found him at the house a +few days later, and proceeded to sit him out. The contest drove Fielding +to the last pitch of exasperation, for, apart from the inherent +humiliation of the proceeding, Mrs. Willoughby was directly encouraging +Mallinson to stay. + +Mallinson at last was suffered to leave, and Mrs. Willoughby, instead of +resuming her seat, walked across to the window and scrutinised intently +the passers-by. + +'That creature visits you pretty often, it appears,' said Fielding. + +'Does he?' she asked. 'He comes to me for the sake of consolation, +I suppose.' + +'And makes love to you for the sake of contrast. He tells me you +generally pair off together when you meet. Pair off!' and he grimaced +the phrase to show how little he minded it. 'It'll be "keeping +company" next.' + +Mrs. Willoughby gave a little quiet laugh. Her back was towards him, so +that he could not catch her expression, but she seemed to him culpably +indifferent to the complexion which Mallinson had given to their +friendship. + +'It's rather funny,' she said, 'though I can't help feeling sorry for +him.' + +'I saw that you were sorry for him,' Fielding interrupted. + +'But he pretends,' Mrs. Willoughby went on, ignoring the interruption +with complete unconsciousness--'he pretends to himself that I am Clarice. +He talks to me as if I were. He called me "Clarice" the other day, and +never noticed the mistake, and that's not my name, is it?' She turned to +him quite seriously as she put the question. + +'No,' replied Fielding, 'your name's Constance,' and he dwelt upon the +name for a second. + +'Yes--Constance,' said Mrs. Willoughby thoughtfully. 'It sounds rather +prim, don't you think?' + +'Constance,' Fielding repeated, weighing it deliberately. 'Constance--no, +I rather like it.' + +'Clarice shortens it to Connie.' + +'Does she indeed? Connie--Constance.' Fielding contrasted the two names, +and again, 'Constance--Connie.' + +Mrs. Willoughby's mouth began to dimple at the corners. + +'Although one laughs,' she proceeded, 'it's really rather serious about +Mr. Mallinson. He told me once the colour of my eyes was--' + +'Do you let him talk to you about the colour of your eyes?' Fielding was +really indignant at the supposition. + +'He didn't ask my permission,' Mrs. Willoughby said penitently. 'But it +isn't a thing people ought to do. He said they were gray, and they +aren't, are they?' She turned her face towards him. + +'Gray? Of course not,' said Fielding, and starting from his chair, he +approached Mrs. Willoughby at the window to make sure. + +'Clarice's are, I know, but I am certain mine aren't.' She held up her +face towards the light, and the remark was pitched as a question. + +'Yours,' said Fielding, examining them, 'Neptune dipped them in the sea +at six o'clock on an August morning.' + +Mrs. Willoughby moved away from the window precipitately. 'So, if Mr. +Mallinson is so fond of Clarice,' she said, 'that he sees her in +everybody one can't help pitying him.' + +Mrs. Willoughby, however, for a short time subsequently was not seen in +the company of the discarded lover, and Fielding inferred with +satisfaction that her pity was taking a less active form. He was roused +to a perception that his inference was false one night at the opera. + +Mrs. Willoughby was present with Mr. Le Mesurier and Clarice. Percy +Conway he hardly reckoned, counting him at this time, from his constant +attendance, rather as an item of Clarice's toilette; and Fielding took +care to descend the staircase after the performance in close proximity to +the party. + +'And how's Mr. Mallinson?' he asked of Mrs. Willoughby, not without a +certain complacency in his voice. + +'Oh, poor boy!' she replied with the tenderest sympathy, 'he's in +bed, ill.' + +'Ill?' asked Clarice quickly. 'You don't mean that.' + +'Yes. I'm so concerned. He wrote to tell me all about it.' + +Fielding looked displeased, and much the same expression was to be seen +on the face of Clarice. Mrs. Willoughby was serenely unconscious of the +effect of her words. + +'I heard that he was in bed,' interposed Conway carelessly. 'But +apparently he has got something to console himself with.' + +'Yes. He wrote to me about that too,' said Mrs. Willoughby. 'Fancy, +Clarice! He has inherited quite a good income. An uncle or somebody left +it to him.' + +Clarice expressed an acid satisfaction at the news. She dropped behind +with Fielding. + +'You didn't know that Mr. Mallinson was ill?' she asked. 'Did none of his +friends know except Connie?' and then there was a perceptible accent of +pique in her voice. + +Fielding did not answer the question immediately. He had been brought of +a sudden to the vexatious conclusion that Mrs. Willoughby was a coquette +just like the rest of her trivial sex--no better, indeed, than the girl +at his side, whose first anxiety was not as to whether Mallinson was +seriously ill, but why he wrote the information to Mrs. Willoughby. He +felt that Mrs. Willoughby had no right to trifle with Mallinson. The poor +fellow had already suffered his full share of that kind of experience. + +Miss Le Mesurier repeated her question impatiently, and Fielding suddenly +realised that Miss Le Mesurier's pique might prove useful in setting +matters right. He determined to encourage it. + +'None that I'm aware of,' he replied. 'Mrs. Willoughby, of course, would +be likely to know first.' + +'Why?' + +'Haven't you noticed? They have struck up a great friendship +lately--always pair off together, you know.' + +Miss Le Mesurier's lips curled at the despicable phrase, but she blamed +Mrs. Willoughby for the fact which it described, not Sidney Mallinson. +His attitude she could understand, and make allowance for; it had been a +despairing act prompted by an instinct of self-preservation to rid +himself of the hopeless thought of her. An unsuccessful act too, for the +poor fellow had broken down. She had no doubts as to the origin of his +illness, and overflowed promptly with sympathy. Her resentment against +Mrs. Willoughby none the less remained. + +Driving homewards she asked her, 'Why didn't you tell me before that Mr. +Mallinson was ill?' + +'My dear, I never gave a thought to it until I saw Mr. Fielding. The +illness isn't serious,' and Mrs. Willoughby laughed, with peculiar +heartlessness thought Clarice. They were, however, not thinking of the +same individual. + +Mrs. Willoughby, Clarice, and Fielding in consequence suffered some such +change in their relative positions as is apt to take place amongst the +European Powers. Poor Mrs. Willoughby, in the innocent pursuit of her own +ideas, had suddenly roused two former friends into a common antagonism. +These friends, besides, had much the same grounds for resentment as the +Powers usually have, for Mrs. Willoughby's conduct was a distinct +infringement of rights which did not exist. Clarice and Fielding drew +perceptibly nearer to one another; they exchanged diplomatic +_pourparlers_. Fielding found a great deal to praise in Mallinson, and +Clarice had a word or two to say upon the score of widows. She was +doubtful whether they ought ever to re-marry. Fielding kept an open mind +on the subject, but was willing to discuss it. On the particular point, +however, whether this widow was to marry Mallinson they were both +uncompromisingly agreed, and were only hindered from an armed +demonstration by the suspicion that the sinner to the overawed would +merely laugh at it. On the whole Fielding deemed it best to address a +friendly remonstrance to Mrs. Willoughby in the interests of Clarice. He +suggested that she should see less of Sidney Mallinson. + +'But I have no grounds for slamming my door in his face,' she answered +plaintively. 'You see, Clarice has refused him, and really he's very +sweet and polite to me.' + +Fielding pointed out with the elaborate calmness of intense exasperation +that there could be no finality in a refusal given by Miss Le Mesurier. +Mrs. Willoughby replied that they had differed before in their views of +Clarice, and that the point he mentioned was one upon which Mr. Mallinson +must be left to judge for himself. 'Exactly,' said Fielding with +emphasis, 'he should be left to judge for himself,' and was for marching +off with colours flying. But Mrs. Willoughby could not refrain from +declaring that the unprecedented interest which Mr. Fielding took in his +friend Mr. Mallinson had raised that friend to a very different position +in her esteem from that which he had held before. + +The combat was renewed more than once, but with no different result, and +upon the same lines. Mrs. Willoughby received his attacks with a patient +humility, and rushed out to catch him a flout as he was retiring. +Finally, however, she shifted her position, and became the aggressor. She +suggested that Fielding was really in love with Clarice, and trying to +gain favour with her by bringing an admirer back to her feet. Fielding +was furious at the suggestion, and indignantly repudiated it. She ignored +the repudiation, and quietly insisted in pointing out the meanness of +such a system of making love. The unfortunate gentleman's dignity +constrained him to listen in silence, for he felt that he would have +spluttered had he opened his lips. The only course open to him was a +retreat with a high head, and he declared that it was no longer possible +for him to continue a discussion which he had begun as much in her true +interests as on behalf of justice and her particular friend Miss Le +Mesurier, and went home. By return of post he received a pen-and-ink +drawing of himself and Clarice 'pairing off.' He was figured in the +costermonger's dress, with his arm tucked under the girl's, and her hat +on his head. + +Meanwhile Mallinson was still in bed, completely ignorant of the battle +which had been waged for the possession of him. + +Fielding thought more than once of calling at his flat, since his +determination had been sharpened rather than overcome by the victories of +Mrs. Willoughby. He was more than ever convinced that Mallinson ought to +have a fair chance with Miss Le Mesurier--an equal chance with Drake. The +name of Drake made him pause. Miss Le Mesurier knew everything there was +to be known about Mallinson, but there were certain facts in Drake's +history of which she was ignorant. The question sprang into his mind, +'Could Mallinson have a fair chance unless she was made acquainted with +those facts?' Fielding knew Members of Parliament who had been returned +over the heads of residents in the constituency because they entered it +too late for the electors to become intimate with their defects. Drake's +career might provide an analogy unless Clarice was told. He argued to +convince himself that he felt she ought to be told, but he could not +bring himself to the point of telling. He decided finally upon an +alternative which would, he imagined, secure his purpose, while relieving +him of the responsibility. He would tell Mallinson of the Gorley episode, +for the rival surely had a right to know. Whether Clarice was to be +informed or not, Mallinson should be allowed to judge. + +Fielding assured himself of the justice of his intention for the space of +two days without putting it into execution, but on the third he chanced +to meet Conway, and was given the information that Mallinson's inherited +income amounted to a thousand pounds. The news decided him. Under these +circumstances Mallinson certainly ought to know. He jumped into a hansom +and drove down to South Kensington. + +Mallinson was still in bed, but sufficiently recovered to write up his +diary. The book lay upon the counterpane open, but as Fielding was +introduced into the room, its author shut it up and tucked it under his +pillow. It was kept entirely for his own perusal, a voluminous record of +sensations ranging from a headache to a fit of anger, without the mention +of an incident from cover to cover. + +'I hear you have had a touch of bronchitis,' said Fielding. + +'Something more than a touch, I can tell you. I have been rather ill. +However, I am going to get up to-morrow.' + +Fielding found it difficult to come to the point of his visit. + +'You must have found it dull.' + +'Not very. I can always interest myself. Drake came to see me yesterday.' + +'Drake! How did he know? Conway told him, I suppose.' + +'No, Miss Le Mesurier told him.' + +'Miss Le Mesurier?' he asked. + +'Yes. Are you surprised?' The question was put with some resentment. + +'That she told him? No, I expect she sent him.' A smirk upon the +invalid's face showed he shared the thought. + +'By the way,' Fielding continued, 'talking of Miss Le Mesurier, did you +ever meet a man called Gorley?' + +'No. There was a Gorley who was engaged to her. Is that the man?' + +'Yes. I heard rather a strange story about him. He went out to Africa, +you know.' + +Mallinson lifted himself on his elbow. + +'Africa,' he said slowly. 'Yes, I heard that. Why do you mention him?' + +'Oh, I thought perhaps you might have known the man, that's all. +He's dead.' + +Fielding spoke with a studied carelessness, looking anywhere except at +Mallinson. + +'Dead,' repeated Mallinson in the same tone, but his heart was beginning +to race, and he lifted himself higher into a sitting position. 'Gorley +was a relation of Mrs. Willoughby, I believe.' + +'A kind of cousin.' + +There was silence between the men for a second or two. Mallinson was +recalling what Mrs. Willoughby had said that evening at Beaufort Gardens, +when Mr. Le Mesurier pressed her to meet Stephen Drake at lunch. + +'So Gorley died in Africa,' he remarked. 'Where? Do you know?' + +'Yes; at Boruwimi.' + +Mallinson started. Fielding glanced at him involuntarily, and their +looks crossed. + +'A strange story, you said. Suppose you tell it me. It will while away +some of my time.' + +Fielding lit a cigarette and related the story. At the end of it +Mallinson lay back on the pillows, staring at the ceiling. Once or twice +Fielding spoke to him, but he did not hear. He was not thinking: the +knowledge that the secret to be discovered was his to use was as a sense +in him. He felt it pulsing through his veins and throbbing at his heart. +Mrs. Willoughby was forgotten. It had been after all but a fictitious +fancy which he had conceived for her, a fancy fostered in the main as +balm for his self-respect after his refusal by Clarice. + +As soon as he was sufficiently recovered he called upon Miss Le Mesurier, +confident that his hour and opportunity had come. Drake, however, had +reported to Clarice on the condition of Mallinson, and her sympathy had +in consequence to a great extent evaporated. Bronchitis was not of the +ailments which spring from a broken heart, and she was inclined to hold +it as a grievance against him that she had been so wastefully touched +with pity. Her sympathy disappeared altogether when with little +circumlocution he broached the subject of the Boruwimi expedition, and +dropped a mention of Mrs. Willoughby's relative. There was something at +the back of it, he hinted. + +Clarice wondered whence he had got his information, but made no effort to +check him. She stood looking out of the window while he retold her the +story of Gorley's death. It became more unreal to her than ever; for +while his account was correctly given, as Mrs. Willoughby had given it to +Fielding, it lacked the uncompromising details which Drake himself had +furnished. Her recollection of these details made the man who had given +them stand out in her thoughts. + +'It was a pitiful affair,' Mallinson concluded, 'but I thought you +ought to know.' + +Clarice drew a finger down the frame of glass in front of her. + +'Mr. Drake thought so too,' she said quietly. + +'Drake!' exclaimed Mallinson, utterly bewildered. 'Drake! The man +wouldn't be such a--' + +'He was though.' + +'Do you mean that he confessed to it?' + +'Confess?' she said, turning towards him. 'That is hardly the word. He +told me of his own accord the moment he knew I had been engaged to--to--' +She broke off at the name, and continued, 'and he spared himself in the +telling far less than you have spared him.' + +She spoke with a gentle dignity which Mallinson had never known in her +before, and he felt that it raised a more solid barrier between them than +even her refusal had done. + +Fielding, meanwhile, waited with an uneasy conscience which no casuistry +would lighten. He threw himself in Mallinson's way time after time in +order to ascertain whether the latter had spoken. Mallinson let no word +of the matter slip from him, and for the rest seemed utterly despondent. +Fielding threw out a feeler at last. + +'Of course,' he said, 'you would never repeat what I told you about +Gorley. I forgot to mention that.' + +Mallinson flushed. 'Of course not,' he said awkwardly. + +Fielding turned on him quickly. 'Then what made you tell Miss Le +Mesurier?' + +Mallinson was too taken aback to deny the accusation. 'Oh, Miss Le +Mesurier,' he replied, 'knew already.' + +'She knew? Who told her?' + +'Drake.' + +Fielding drew in his breath and whistled. His first feeling was one of +distinct relief, that after all he had not been the means by which +Clarice had come to her knowledge; his second was one of indignation +against Drake. He realised how a frank admission from Drake would +outweigh in the girl's susceptible nature the fact admitted. 'What on +earth induced him to reveal it?' + +'I suppose he is a little more cunning than one took him for. No doubt he +saw the thing would get known sooner or later, and thought the disclosure +had better come from himself.' + +Fielding had been leaning to the same opinion, but the moment he heard it +stated, and stated by Mallinson, he felt a certain conviction that it was +wrong. 'I don't believe that,' he said sharply. + +He was none the less, however, indignant with Drake. To intermeddle at +all in other people's concerns was averse to his whole theory of +existence. But to intermeddle, and not very creditably, and out of the +most disinterested motives of benevolence and expediency, and then to +fail! All this was nothing short of degrading. He dined that night at +his club, to which Drake had been elected, and lay in wait for him. +Drake, however, did not appear, and at ten o'clock Fielding went round +to his rooms. + +Drake was living in chambers on the Embankment, a little to the west of +Hungerford Bridge. As he was shown into the room, Fielding could not help +noticing the plainness of its furniture and adornment. The chairs were +covered with a cheap red cretonne; there was an armchair or two with the +high seat and long elbows, which seemed to have gone astray from a +Peckham drawing-room; an ormolu clock under a glass shade ornamented the +overmantel, and in the way of literature there was one book in the +room--Prescott's _Conquest of Peru_--and a copy of the _Times_. + +Drake was seated at the table engaged in the study of a map of Matanga. +'Come in!' he said cordially. Fielding drew up a chair to the fire. 'Have +a drink? The cigars are on the mantelshelf.' + +Drake fetched a syphon and a decanter of whisky and mixed two glasses. He +handed one to Fielding, and brought his map to the fire. + +'Ah!' said Fielding. 'There's likely to be a rising in Matanga, I see.' + +'Very possibly.' + +'How will that affect you?' + +'Not at all, I think. It may delay things, of course, but it won't take +long, and, besides, it won't touch the interior of the country. There +will be a certain amount of shouting in the capital and round the coast, +perhaps a gun or two fired off, and then they'll settle down under a new +President.' + +'But there are a good many Germans there, aren't there? What if they +invite the German Government to interfere?' + +'I don't fancy that's probable. The German colonist isn't over fond of +German rule. You see the first thing a German official wants to do when +he catches sight of a black, is to drill him. It's his first and often +his last idea. He wants to see him holding the palm of his hand against +the stripe of an invisible trouser, and the system doesn't work, because +the black clears over the nearest border.' + +Fielding laughed and turned to the object of his visit. 'Talking of +Matanga, what in the world made you tell Miss Le Mesurier about Gorley?' + +Drake looked up from his map. 'How did you know anything about +Gorley?' he asked. + +'Mrs. Willoughby told me. I thought it was decided Miss Le Mesurier +should not be told.' + +'Mr. Le Mesurier left the choice to me, and it seemed to me that she had +a right to know.' + +'Why?' + +Drake paused for a second in reflection. 'It seemed to me--' he +began again. + +'Well, she hadn't,' snapped Fielding. + +'Well, I think she had,' answered Drake quietly, returning to his map. + +'Then you were wrong; she hadn't. The engagement was broken off a long +while ago, and you hadn't a right to tell her unless you want to marry +her yourself.' + +Drake raised his head with a jerk and stared at the wall in front of him +fixedly. He made no answer, nor could Fielding distinguish upon his face +any expression which gave a clue to his thoughts. He got up from his +chair, and Drake turned to him. 'I gather from your tone,' he said in an +indifferent voice, 'that Mrs. Willoughby resents my action.' + +'My dear fellow, no,' exclaimed Fielding energetically. 'For Heaven's +sake, don't take me for a reflex of Mrs. Willoughby!' + +No more plotting for him, he determined. He had planned and calculated +and interfered, all for other people's good, and this was the thanks he +got; to be quietly informed that he hadn't an idea of his own. + +The next afternoon Mrs. Willoughby stopped her phaeton beside him in Bond +Street. She looked very well, he thought, with her clear +complexion,--clear as those clear eyes of hers with just the hint of +azure in the whites of them--wind-whipped now to a rosy warmth. + +'May I congratulate you yet?' she asked pleasantly. + +Fielding was not to be provoked to renew the combat, and he put the +question aside. 'You remember what you told me the other day about +Gorley,' he said. + +'Yes,' she answered, becoming serious. + +'Well, Miss Le Mesurier knows.' + +'Who told her?' and she leaned forward. + +'Guess.' + +Mrs. Willoughby thought for a moment and then shook her head. 'I can't. +Her father?' + +'No; Drake himself.' + +She started back in her seat. Then she said, 'Of course, we might have +known that he would,' and the 'we' sealed their reconciliation. + + + + +CHAPTER IX + + +When Fielding had gone, Drake opened the window and stepped out on +the balcony. + +'Unless you want to marry her yourself'; the words were stamped upon his +mind in capitals. They formulated to him for the first time the cause of +that unreasoned conviction of his, and formulated it too, as he realised, +with absolute truth. Yes, it was just his desire for Clarice to which he +owed his belief that she had an unquestionable right to know his +responsibility for Gorley's death. + +He wanted her, and wanting her, was committed to scrupulous frankness. + +Drake looked out across the city. At his feet lay the quiet strip of +garden, lawn and bush; beyond, the lamps burning on the parapets of the +Embankment, and beyond them, the river shining in the starlight, polished +and lucent like a slab of black marble, with broad regular rays upon it +of a still deeper blackness, where the massive columns of Hungerford +Bridge cast shadows on the water. An engine puffed and snorted into the +station, leaving its pennant of white smoke in the air. Through the glass +walls of the signal-box above the bridge Drake could see the men in a +blaze of light working at the levers, and from the Surrey end there came +to him a clink, and at that distance a quite musical clink, of truck +against truck as some freight-train was shunted across the rails. Away to +his right the light was burning on Westminster clock-tower; on +Westminster Bridge the lamps of cabs and carriages darted to and fro like +fire-flies. Drake watched two of them start across in the same direction +a few yards apart, saw the one behind close up, the one in front spirt +forward as though each was straining for the lead. They drew level, then +flashed apart, then again drew level, and so passing and repassing raced +into the myriad lights upon the opposite bank. That bank was visible to +him through a tracery of leafless twigs, for a tree grew in front of his +window on the farther edge of the gardens, and he could see the lights +upon its roadway dancing, twirling, clashing in the clear night, just as +they clashed and twirled and danced in the roadway beneath him, sparks +from a forge, and that forge, London. In their ceaseless motion they +seemed rivulets of fire, and the black sheet of water between them the +solid highway. But even while he looked, a ruby light moved on that +highway out from the pillars of the bridge, and then another and another. +Everywhere was the glitter of lights; fixed, flashing like a star on the +curve, or again growing slowly from a pin's point to an orb, and then +dwindling to a point and vanishing. And on every side, too, Drake heard +the quick beat of horses, and the rattle of wheels struck out not from +silence, but from a dull eternal hum like the hum of a mill, sharp +particular notes emerging incessantly from a monotonous volume of sound. + +It was just this aspect and this noise of restless activity which had +always appealed to Drake, and had satisfied him with an assurance that he +was on the road to the fulfilment of his aims. He had achieved something +of his desires, however small. He was in London working at certain +schemes of which he did not doubt the ultimate success. They were built +upon a foundation of knowledge arduously gained and tested. The rising in +Matanga, if it took place, might delay success, but success would surely +come. He might then look forward with confidence to a seat in that +Parliament on which the light was burning, to a share perhaps finally in +its executive. + +But to-night he found that there was something wanting in the +contemplation of these aims, something wanting in the very outlook from +his window. He needed Clarice here in his balcony by his side, and he +pictured the shine of her eyes bent towards him in the dark. And the +perception of that need held him in check, gave him a hint of warning +that the thought of her might become as a wedge driven into the framework +of his purposes and splitting them. + +He could still draw back, he assured himself. But if he went on and won! +He felt the blood surging through his veins. He might win; there was just +a chance. The Gorley incident had made no real difference in Clarice's +friendliness. When once, indeed, she had grown used to it, she had seemed +almost to express some queer sort of sympathy with him. + +Drake closed the window and sat down to calculate the time at which he +would be sufficiently established to make known his suit. He fixed that +time definitely in July. July! The name sounded pleasantly with its +ripple of liquid syllables. Drake found himself repeating it when he +should have been at work. It began to rise to his lips the moment a date +was asked of him, as the only date at all worth mentioning. Fielding came +down to Drake's office in Old Broad Street, in order to apply for shares +in 'Matanga Concessions.' + +'You had better wait,' said Drake. 'I will let you know before they are +offered to the public.' + +'That will be soon?' + +'Not for the moment. There's the possibility of this rising. Let the +country quiet down first!' + +'But when do you propose?' + +'July.' + +'July? That's a long time to come.' + +Drake coloured to the roots of his hair. 'I beg your pardon,' he said +with evident embarrassment; 'much sooner than that of course. I was +thinking of some one else.' He made matters worse by a hurried correction +of 'some one' to 'something.' + +Fielding noticed the embarrassment and the correction, and drew +conclusions. They were conclusions, he thought, of which Mrs. Willoughby +should be advised, and he drove to her house accordingly. He had ceased +to feel displeasure at Mrs. Willoughby's conduct, for since he had +studiously refrained from betraying the slightest irritation at +Mallinson's visits, those visits had amazingly diminished. + +'Did he happen to mention the date of the month and the time of the day?' +was Mrs. Willoughby's comment. + +'It sounds cold-blooded? Hardly, if you knew the man. He looks on life as +a sort of draughtboard. So many definite moves to be made forward upon +definite lines. Then you're crowned king and can move as you please, +backwards if you like, till the end of the game.' + +'He will be crowned king in July?' + +'So I imagine.' + +Meanwhile Drake worked on through March and April, outwardly untroubled, +but inwardly asking himself ever: 'Shall I win? Shall I win?' The +question besieged him. Patient he could be, none more so, when the end in +view was to be gained by present even though gradual endeavour; but this +passive waiting was a lid shut down on him, forcing his energies inwards +to prey upon himself. His impatience, moreover, was increased by the +increasing prospects of his undertaking. Additional reports had been +received from his engineer appraising at a still higher value the quality +of the land. He spoke too of a tract of country bordering Drake's +concession on the north, and advised application for it. Biedermann, +besides, had taken up the project warmly. The company was to come out +early in May; there would be few shares open to the public, and the +revolution had not taken place. + +Why should he wait till July after all? Drake felt inclined to argue the +question one Sunday afternoon in London's lilac time, as he walked +across the green park towards Beaufort Gardens. He found Miss Le +Mesurier alone and in a melancholy mood. She was singing weariful +ballads in an undertone as he entered the room, and she rose +dispiritedly to welcome him. + +'It's seldom one finds you alone,' he said, and his face showed his +satisfaction. + +'I don't know,' she replied. 'It seems to me sometimes that I am always +alone, even when people are by,' and her eyelids drooped. + +'You?' + +Clarice's sincerity was of the artist's sort implying a sub-consciousness +of an audience. She recognised from the accent upon the _you_, that her +little speech had not failed of its effect. She continued more +cheerfully: 'Aunt has gone up to Highgate to see some relations, and +papa's asleep in the library.' + +'You were singing. I hope you won't stop.' + +'I was only passing the time.' + +'You will make me think I intrude.' + +'I'll prove to you that you don't,' and she went back to the piano. Drake +seated himself at the side of it, facing her and facing the open window. +The window-ledges were ablaze with flowers, and the scent of them poured +into the room on a flood of sunshine. + +Clarice was moved by a sudden whim to a change of humour. She sprang +from her dejection to the extreme of good spirits. Her singing proved +it, for she chose a couple of light-hearted French ballads, and sang +them with a dainty humour which matched the daintiness of the words and +music. Her shrugs and pouts, the pretty arching of her eyebrows, the +whimsical note of mockery in her voice, represented her to Drake under a +new aspect, helped to complete her in his thoughts much as her voice, +very sweet and clear for all its small compass, completed in some queer +way the flowers and sunshine. Her manner, however, did more than that; +it gave to him, conscious of a certain stiffness and inflexibility of +temperament, an inner sense of completion anticipated from his hope of a +time when their lives would join. He leaned forward in his chair, +watching the play of her face, the lights and shadows in the curls of +her hair, the nimble touch of her fingers on the keys. Clarice stopped +suddenly. 'You don't sing?' + +'I have no accomplishments at all.' + +She laughed and began to play one of Chopin's nocturnes. Her fingers +rattled against the ivory on a run up the piano. She stopped and took a +ring from her right hand; Drake noticed that it was the emerald ring +which he had seen winking in the firelight on that evening when she had +covered her face from him. She dropped the ring on the top of the piano +at Drake's side. It spun round once or twice, and then settled down with +a little tinkling whirr upon the rim of its hoop Drake fancied that the +removal of this particular ring was in some inexplicable way of hopeful +augury to him. + +Clarice resumed her playing, but as she neared the end of the nocturne, +Drake perceived that there was a growing change, a declension, in her +style. She seemed to lose the spirit of the nocturne and even her command +on the instrument; the firm touch faltered into indecision, from +indecision to absolute unsteadiness; the notes, before clear and +distinct, now slurred into one another with a tremulous wavering. + +'You are fond of music?' she asked at length, with something of an +effort. + +'Very,' he replied, 'though it puzzles me. It's like opening a book +written in a language you don't understand. You get a glimpse of a +meaning here and there, but no meaning really. I can't explain what I +feel,' he added, with a laugh. 'I want Mallinson to help me.' + +'You admire Mr. Mallinson?' asked Clarice, stopping suddenly. + +'Well, one always admires the class of work one can't do oneself, eh?' + +'That's very generous of you.' + +'Why generous?' Drake leaned suddenly forward. His habit of putting +questions abrupt and straight to the point had discomposed Miss Le +Mesurier upon an occasion before. She answered hurriedly. 'I mean--you +spoke as if you meant that class of work was above your own.' + +'Oh, there's no basis of comparison.' + +Clarice seized the opportunity, and inquired after the prospects of his +work in Matanga. + +'The place should do,' said Drake. 'The land's good, there's a river +running through, and I have got picked men to settle on it; all English, +that's the point. But you said generous. I don't see.' + +Clarice switched him on the subject of English colonisation. 'It's +necessary to have Englishmen to start it? Why?' + +'Oh, well,' said Drake. 'It's easy enough to see, if you can compare +English with the foreign colonies.' He rose from his chair and launched +forth, walking about the room. 'Look at the Germans! There are seven +hundred German colonists, all told, in the German colonies, and each of +them costs the German tax-payer little short of eight hundred a year. How +many of them are in the English colonies? And what's the reason? Why, +they want to have the institutions of the Fatherland ready-made in five +minutes. They need the colonies made before they can prosper in it. The +French are better, but they are spoilt by officialdom. The Englishman +just adapts himself to the conditions, and sets to work to adapt the +conditions to himself too. He strikes a sort of mean, and the Home +Government leaves him alone--leaves him too much alone some say, and +rightly, in cases. There's a distinction to be drawn, and it's difficult +to draw it so far away. It's this, when the colony's made, then it isn't +a bad thing for the Government to keep a fairly tight hold on it. But in +the making it's best left to itself; you can lay a cable between London +and a colony too soon for the good of that colony. There's no fear of the +colonist forgetting the mother country--he may forget the Home +Government, does at times, and then there's a mistake or two. But that's +the defect of the quality.' He checked himself abruptly. 'But I'm running +away from what we were talking about. Yes; I think we shall do all right +in Matanga.' + +'You don't mean to go back there yourself?' + +'Not to live there. To tell the truth, I think there's a man or two +wanted in England just now, who has had a practical experience of our +colonies.' Drake spoke without the least trace of boastfulness, but in a +tone of quiet self-reliance, and Clarice had a thrill of intuition that +he would not have said so much as that to any one but herself. + +Clarice began to play again, this time a waltz tune. Drake came over to +the piano, and stood leaning upon the lid of it; he took up the ring and +turned it over in his fingers. She said thoughtfully: + +'I suppose that's true of men as well'; and then, with a hesitating +correction, 'I mean of men like you.' + +'What's true?' + +'Well, that they are best without--help from any one--that they stand in +no need of it.' She spoke quite seriously, with a note almost of regret. + +'Oh, I don't know that,' he answered, with a laugh. 'It would be a rash +thing to say. Of course a man ought to depend upon himself.' + +'Oh, of course,' she agreed, and went on playing. + +Drake was still holding the ring, and he said slowly: + +'You remember that afternoon I told you about'--he hesitated for a +second--'Gorley?' Clarice looked up in surprise. + +'Yes,' she said. + +'You were wearing this ring. You hid your face in your hands. It was the +last thing I saw of you.' + +She lowered her eyes from his face, and said, with a certain timidity, +'He gave it to me.' + +Drake started and leaned on the piano. + +'And you still wear it?' he asked sharply. + +She nodded, but without looking at him. Drake rose upright, straightening +himself; for a moment or two he stood looking at her, and then he walked +away towards the window. His hat was lying on a table close by it. + +'But I don't think that I shall again,' she murmured. She heard him turn +quickly round and come back. He stood behind her; she could see his +shadow thrown across the bar of sunlight on the carpet; but he did not +speak. Clarice became anxious that he should, and yet afraid too. The +music began to falter again; once she stopped completely, and let her +fingers rest upon the keys, as though she had no power to lift them and +continue. Then she struck a chord with a loud defiance. If only he would +move, she thought--if only he would come round and stand in front of +her! It would be so much easier to speak, to divert him. So long as he +stood silent and motionless behind her, she felt, in a strange manner, +at his mercy. + +She rose from her seat suddenly, and confronted him. There was challenge +in the movement, but none the less her eyes sought the ground, and, once +face to face with him, she stood in an attitude of submission. + +'What does that mean?' she heard him ask in a low voice. 'You won't wear +it again.' + +She did not answer, but in spite of herself, against her will, she raised +her eyes until they met his. She heard a cry, hoarse and passionate; she +felt herself lifted, caught, and held against him. She saw his eyes above +hers, burning into hers; she felt the pressure of two lips upon hers, and +her own respond obediently. + +'Is it true?' The words were whispered into her ear with an accent of +wonder, almost of awe. + +'Yes,' she whispered back, compelled to the answer, subservient to his +touch, to his words, and, to the full, conscious of her subservience. She +felt the big breath he drew in answering her monosyllable. He held her +unresisting, passive in his arms, watching her cheeks fire. She realised, +in a kind of detached way, that he was holding her so that the tips of +her toes only touched the floor, and somehow that seemed of a piece with +the rest. Then he set her down, and stood apart, keeping her hands. 'It's +funny,' he said, 'how one goes on year after year, quite satisfied, +knowing nothing of this, meaning not to know.' + +She caught at the phrase and stammered, 'Perhaps that was wise.' + +'It was. For so I met you.' + +He released her hands, and she sank into the nearest chair. Drake walked +to the window and stood facing the sunlight, breathing it in. 'Clarice,' +she heard him murmur, with a shake of his shoulders like a great +Newfoundland dog; and then the cry of a newspaper boy shouting the +headlines of a special edition rasped into the room. + +Drake leaned out of the window. 'Hi!' he called, and tossed a penny into +the street. + +'Threepence,' shouted the boy from below. + +'It's a penny paper,' cried Drake. + +'Threepence. There's a corner in 'em.' + +Clarice listened to the argument. Most men, she thought helplessly, don't +buy newspapers the moment they have been accepted, and, at all events, it +is an occasion when they are disposed to throw their money about. It made +no difference of any kind to him. + +Drake finally got the better of the bargain, and the paper was brought up +to the room. Clarice saw Drake open it hurriedly, and his face cloud and +harden as he glanced down the column. + +'What's the matter?' she asked in a rising voice. + +'A rebellion in Matanga,' he said slowly. 'I thought that danger was +averted,' and there was a distinct note of self-reproach in his tone. + +Clarice felt her heart beat quicker. She rose from her chair. 'What does +that mean to you?' she asked. + +'Delay,' he replied, with the self-reproach yet more accentuated. +'Nothing more, I am sure; but it does mean that.' + +'Nothing more?' + +He noticed an expression of disappointment upon the girl's face, and, +mistaking it, repeated, 'Nothing more than that, Clarice.' He took a step +towards her. 'Of course I ought not to have spoken to you yet,--not until +everything was settled. I am sorry--of course it will come out all right, +only till then it wasn't fair. I didn't mean to,--not even when I came +this afternoon. But seeing you,--I wasn't strong enough,--I gave in.' + +Clarice felt a pulse of satisfaction, and her lips shaped to a smile. + +'Ah, you don't regret it,' he exclaimed, and the look of humiliation +passed from his face. 'Your father's in the library,' he went on; 'I had +better go and tell him. Shall I go alone, or will you come with me?' + +'No, you go; I will wait here.' + +She stood alone in the centre of the room while Drake went downstairs, +staring fixedly in front of her. Once or twice she set her hands to her +forehead and drew them down her flushed cheeks. Then she walked to the +window. There was something floating on the edge of her mind, just +eluding her. A thought was it, or a phrase? If a phrase, who had spoken +it? She began to remember; it was something Stephen Drake had said, but +about what? And then, in a flash, her recollection defined it for her. It +was about moonlight being absorbed into the darkness of an African veld, +just soaking into it like water into dry ground. She had a vision of the +wide rolling plain, black from sky's rim to sky's rim, and the moonlight +pouring a futile splendour into its lap. She moved with a quick and +almost desperate run to the door, opened it, and leaned over the +balustrade of the staircase. The hall was empty and no sound of voices +came from the library. She stepped cautiously down the stairs; as she +reached the last step the door of the library opened and Drake appeared +on the threshold. + +Clarice leaned against the wall, holding her hand to her heart. + +'Why, Clarice!' he cried, and started towards her. + +'Hush!' She tried to whisper the word, but her voice rose. She thrust out +a hand between herself and Drake, and cast a startled glance across his +shoulder, expecting to see her father come forward smiling +congratulations at her. Drake caught the outstretched hand, and, setting +an arm about her waist, drew her into the library. + +'I have not seen Mr. Le Mesurier,' he said; 'he's out, I am afraid.' + +The room was empty. Clarice looked round it, doubting her eyes, and with +a sudden revulsion of feeling dropped into a chair by the table and sat +with her face buried in her arms in a flood of tears. + + + + +CHAPTER X + + +Drake bent over her, stroking her hair with a gentle helpless movement of +his hand and occasionally varying his consolation by a pat on the +shoulders. The puffed sleeves of silk yielding under his touch gave him a +queer impression of the girl's fragility. + +'Oh don't, child!' he entreated. 'It's my fault for speaking so soon. But +really there's nothing to fear--nothing. It'll all come out right--not a +doubt of that. You'll see.' + +Consolation of this kind did but make the tears flow yet more freely. +Drake perceived the fact and stood aside, wondering perplexedly at the +reason. The sound of each sob jerked at his heart; he began to walk +restlessly about the room. The storm, from its very violence, however, +wore itself quickly out; the sobs became less convulsive, less frequent. +Clarice raised her head from her arms and stared out of the window +opposite, with just now and then a little shiver and heave of her back. + +Drake stopped his walk and advanced to her. She anticipated his speech, +turning with a start to face him. + +'You haven't seen my father?' + +'No; the servant told me he had gone out. But I wrote a note saying I +would call again this evening. It is under your elbow.' + +Clarice picked up the crumpled envelope and looked at it absently. + +'Stephen,' she said, and she tripped upon the name, 'there's something I +ought to tell you--now. But it's rather difficult.' + +Drake walked to the window and stood with his back towards her. She felt +grateful to him for the action, and was a little surprised at the tact +which had prompted it. + +'Yes?' he said. + +'We are not very well off,' she continued; 'perhaps you know that.' + +'Yes,' he interrupted. + +'But the position's more complicated than you can know'; she was speaking +carefully, weighing her words. 'Of course you know that I have a sister +younger than myself. She's at school in Brussels. Well, by the Sark laws, +the Seigneurie can't be split up between the members of a family. I think +it's the same with all land there. It must go--what's the +word?--unencumbered to the eldest child. So it must come to me--all of +it. That leaves my sister still to be provided for. Father explained the +whole thing to me. As it is, he has as much as he can do to keep the +Seigneurie up. This house we can't really afford, but father thought he +ought to take it,--well, for my sake, I suppose. So, you see, whatever +money he has he must leave to my sister, and there's still the Seigneurie +for me to keep up.' + +'Yes, I understand. You are bound by duty, if you marry, to marry some +one with means. But, Clarice, it won't be long to wait,' and he turned +back from the window into the room. + +'But till then--don't you see? Of course I know you will be successful,' +and she laid considerable emphasis on the _I_. + +Drake reflected for a moment. 'You mean there would be trouble between +your father and you. The weight of it would fall on you. He might +distrust me. Yes; after all, why should he not? But still the thing's +done, isn't it?' + +Clarice rose from her chair and walked to the grate. A fire was burning, +and she still held Drake's letter in her hand. 'We might keep it to +ourselves,' she said diffidently. She saw Drake's forehead contract. +'For my sake,' she said softly, laying a hand upon his sleeve. She lifted +a tear-stained face up to his with the prettiest appeal. 'I know you hate +it, but it will spare me so much.' + +He said nothing, and she dropped the letter into the fire. + +As Drake was leaving the house she heard, through the closed door, the +sound of her father's voice in the hall speaking to him, and felt a +momentary pang of alarm. The next instant, however, she laughed. He might +have broken his word to himself; he would not break it to her. + +Drake went home, reckoning up the harm he had done with a feeling of +degradation quite new to him. Not the least part of that harm was the +compromise finally agreed upon. But for the traces of tears upon the +girl's cheeks, he would hardly have agreed to it even in the face of +her appeal. Once alone, however, he saw clearly all--the deception +that it implied--deception which involved the girl, too, as well as +himself. He rose the next day in no more equable frame of mind, and +leaving his office at three o'clock in the afternoon, walked along +Cheapside, Holborn, and Oxford Street, and turned down Bond Street, +meaning to pass an hour in the fencing-rooms half-way down St. James +Street. At the corner of Bruton Street he came face to face with Miss +Le Mesurier. She coloured for an instant, and then came frankly +forward and held out her hand. + +'It's funny meeting you here,' she said, and laughed without the least +embarrassment. + +Drake turned and walked by her side with a puzzled conjecture at the +reason of woman's recuperative powers. Clarice's eyes were as clear, her +forehead as sunny, as though she had clean wiped yesterday from her +consciousness. The conjecture, however, brought the reality of yesterday +only yet more home to him. He stopped in the street and said abruptly, +'Clarice, I can't.' + +She stopped in her turn and drew a little pattern on the pavement with +the point of her umbrella. 'Why?' + +A passer-by jostled Drake in the back. Standing there they were blocking +the way. 'Isn't there anywhere we could go? Tea? One drinks tea at this +hour, eh?' + +'No.' + +Clarice felt more mistress of herself in the open street, more able to +cope with Drake while they walked in a throng. She remembered enough +of yesterday to avoid even the makeshift solitude of a tea-table in a +public room. 'Let us walk on,' she said. 'Can't you explain as we go? +I am late.' + +She moved forward as she spoke, and Drake kept pace with her, shortening +his strides. The need of doing that, trifle though it was, increased his +sense of responsibility towards her. 'It's so abominably deceitful, and +it's my doing. I should involve you in the deceit.' + +Clarice glanced at him sharply. The distress of his voice was repeated in +the expression of her face. There was no doubting that he spoke +sincerely. + +'I had better see your father to--day,' he added. + +'No,' she replied energetically; and, after a moment's pause, 'There's +another way.' + +'Well?' + +'Let everything be as it was before yesterday. I shall not change. It +will be better for you to be free. Come to me when you are ready.' + +She signed to a passing hansom, and it drew up by the curb. She got into +it while Drake stood with brows knitted, revolving the proposal in his +mind. 'But you see it can't be the same,' he said; 'because I kissed you, +didn't I?' + +'Yes, you did,' she replied. + +The tremble of laughter in her voice made him look up to her face. The +rose deepened in her cheeks, and the laughter rippled out. 'You are +quaint,' she said. 'I will forget--well--what you said, until you are +ready. Till then it's to be just as it was before--only not less. You are +not to stay away'; and without waiting for an answer she lifted the trap, +gave the cabman his order, and drove off. Drake watched the hansom +disappear, and absently retraced his steps down the street. He stopped +once or twice and stared vaguely into the shop-windows. One of these was +a jeweller's, and he turned sharply away from it and quickened his pace +towards the fencing-rooms. How could it be the same, he asked himself, +when the mere sparkle of an emerald ring in a jeweller's shop-window +aroused in him a feeling of distaste? + +Towards the end of this week Clarice called upon Mrs. Willoughby, and +seemed for the moment put out on finding that Mallinson and Fielding were +present. Mrs. Willoughby welcomed her all the more warmly because she was +finding it difficult to keep the peace between her two visitors. She +understood Clarice's embarrassment when Percy Conway arrived close upon +her heels. Clarice, however, quietly handed him over to Mrs. Willoughby, +and seated herself beside Mallinson in one of the windows. 'I see nothing +of you now,' she said, and she looked the reproach of the hardly-used. 'I +thought we had agreed to be friends?' + +Mallinson sighed wearily. 'I will come and call--some day,' he said +dejectedly. + +'I have not so many friends that I can afford a loss,' she answered +pathetically; and then, 'Tell me about yourself. What are you doing?' + +'Nothing.' + +'No work?' + +'No.' Mallinson shook his head. + +'Why?' + +'I have no incentive--nothing to work for.' + +'That's cruel.' + +They played out their farce of sham sentiment with a luxurious +earnestness for a little while longer, and then Mallinson went away. + +'So he's doing no work?' said Fielding maliciously to Miss Le Mesurier. +He leaned forward as he spoke from the embrasure of the second window, +which was in a line with, and but a few feet apart from, that at which +she was sitting. + +Miss Le Mesurier flushed, and asked, 'How did you hear?' + +'Both windows are open. Mallinson was leaning out.' + +The girl's confusion increased, and with it Fielding's enjoyment. He +repeated, 'So he's doing no work?' + +'A thousand a year, don't you know?' said Conway, with a sneer. 'It would +make a man like that lazy.' + +'It's not laziness,' exclaimed Clarice indignantly. She was filled with +pity for Mallinson, and experienced, too, a sort of reflex pity for +herself as the inappropriate instrument of his suffering. She was +consequently altogether tuned to tenderness for him. 'It's not laziness +at all. It's--it's--' She cast about for a laudatory explanation. + +'Well, what?' Fielding pressed genially. + +'It's the artistic temperament,' she exclaimed triumphantly. + +Fielding laughed at her vindication, and Miss Le Mesurier walked across +the room and said good-bye to Mrs. Willoughby. Conway rose at the same +time, and the pair left the house together. + +'What a liar that man is!' said Fielding. + +'What man?' asked Mrs. Willoughby. + +'Why, Mallinson. He said he was doing no work because he had no +incentive. As a matter of fact, I happen to know that he is working +rather hard.' + +'What did Clarice say?' + +'What you might expect. She melted into sympathy.' + +Mrs. Willoughby looked puzzled. 'Yet she went off with Percy Conway +immediately afterwards,' she said, and then laughed at her recollections +of a previous visit from that gentleman. + +'Yes; and absolutely unconscious of the humour of her behaviour,' said +Fielding. 'That's so delightful about her.' He paused for a second and +asked, 'Have you ever been inside a camera obscura? You get a picture, an +impression, very vivid, very accurate, of something that is actually +happening. Then some one pulls a string and you get a totally different +picture, equally vivid, equally accurate, of something else which is +actually happening. There is no trace of the first picture in the second. +Then they open a shutter and you see nothing but a plain white slab. +Somehow I always think of Miss Le Mesurier's mind.' + +After leaving Mrs. Willoughby's, Conway and Miss Le Mesurier walked +together in the direction of Beaufort Gardens. + +'Do you see much of Mr. Drake?' she asked, after a considerable silence. + +'Not as much as one would wish to. He's generally busy.' + +'You like him, then?' she asked curiously. 'Why?' + +'Don't you? There's an absence of pretension about him. Nothing of the +born-to-command air, but insensibly you find yourself believing in him, +following him. I believe even Fielding finds that as well. When Drake +first came back I used to stand up for him--well, because, perhaps, I had +a reason of my own. I am not sure that I believed all I said, but I am +sure now I should say exactly the same and believe every word of it.' + +He spoke with a quiet conviction which gave solid weight to his words, +owing to its contrast with the flighty enthusiasm which was the usual +characteristic of his eulogies. + +'You mentioned Mr. Fielding,' she said. + +'Yes; haven't you heard? He's investing in Matanga Concessions, and +largely for him. He's often seen in Drake's office.' + +Clarice walked along in silence for some way further. Then she said, with +a distinct irritation in her voice, 'I suppose it all comes from the fact +that Mr. Drake doesn't seem to need any one to rely upon, or--well--any +particular incentive to work.' + +Conway glanced at Miss Le Mesurier with a slight surprise. She was +generally given to accept facts without inquiry into their causes. 'I +shouldn't wonder if you are right. Drake, I should think, would find his +incentive in the work itself. Yes; I believe you _are_ right. It's just +his single-mindedness which influences one. There are certain ideas fixed +in his mind, combined into one aim, and he lets nothing interfere to +obscure that aim.' + +So he spoke; so, too, Clarice believed, and that picture of moonlight on +the veld became yet more vivid, yet more frequent in her thoughts. +Pondering upon it, her fancy led her to exaggerate Drake into the +likeness of some Egyptian god, that sits with huge hands resting upon +massive knees, and works out its own schemes behind indifferent eyes. The +sight of him, and the sound of commonplace words from his mouth, would at +times make her laugh at the conception and restore her to her former +familiarity with him. But the fancy returned to her, and, each time, +added a fresh layer to the colour of her thoughts. She came now and again +to betray a positive shrinking from him. Drake noticed it; he noticed +something else as well: in the first week of July the emerald ring +reappeared upon her finger. + +In the second week Mr. Le Mesurier removed his household gods to Sark. It +was his habit to spend the summer months upon the island, and to +entertain there his friends in succession. He invited both Mrs. +Willoughby and Stephen Drake. The former accepted, the latter, being on +the eve of floating the Matanga Concessions, declined for the present to +Clarice's great relief, but promised to come later. The company was +floated towards the end of the month, and with immediate success. Mr. Le +Mesurier read out at breakfast a letter which he had received from Drake, +announcing that every share had been taken up on the very day of +flotation. + +'Then he is coming,' said Clarice. 'When?' + +Mr. Le Mesurier mistook his daughter's anxiety, and smiled satisfaction +at her. 'To-morrow,' he replied; 'but only for three days at first. +There's some new development he speaks of. He will have to leave again on +Saturday for a fortnight.' + +Clarice sat thoughtfully for a minute or two. Then she asked: 'Did you +invite Mr. Mallinson this summer?' + +Mr. Le Mesurier shuffled his feet under the table. 'No, my dear,' +he said. 'I forgot all about it; and now I don't see that we shall +have room.' + +'Oh yes,' replied Clarice quickly. 'He might have Mr. Drake's room during +that fortnight. I think we ought to ask him. We always have, and it will +look rather strange if we leave him out this summer. I will get aunt to +write after breakfast.' + +Mr. Le Mesurier glanced at Mrs. Willoughby, but made no active +resistance, and Clarice took care that the letter was despatched by that +day's post. On the next day she organised a picnic in Little Sark, and +returned to the Seigneurie at an hour which gave her sufficient time to +dress for dinner, but no margin for welcoming visitors. In consequence +she only saw Drake at the dinner-table. She saw little of him afterwards, +for Mr. Le Mesurier pounced upon him after dinner. 'I want to introduce +you to Burl,' he said. 'He's Parliamentary agent for the Northern +Counties. There's a constituency in Yorkshire where my brother lives, and +I rather think Burl wants a candidate.' + +Drake was presented to a gentleman six feet three in his socks, +deep-chested, broad-shouldered, with a square rugged face on the slant +from the forehead to the chin. Mrs. Willoughby said he looked like a +pirate, and rumour made of her simile a fact. It was known that, late one +night in the smoking-room of the Seigneurie, he had owned to +silver-running on the coast of Mexico. Mr. Burl and Drake passed most of +that evening smoking together in the garden. Similarly on the next day +Clarice avoided a private interview with Drake. On the other hand, +however, he made no visible effort to secure one. Mrs. Willoughby +wondered at his reticence, and did more than wonder. She had by this time +espoused his cause, and knowing no half-measures in her enthusiasms, saw +his chances slipping from him, with considerable irritation. She was +consequently provoked to hint her advice to him on the evening before he +was to leave. + +Drake shook his head and replied frankly: 'One can be too previous. I +made that mistake once before, and I don't mean to repeat it.' + +He remained silent for a moment or two, and added: 'I think I'll tell you +about it, Mrs. Willoughby. You have guessed some part of the story, and +you are Clarice's friend, and mine too, I believe.' + +With an impulsiveness rare in him, which however served to rivet him yet +more firmly in Mrs. Willoughby's esteem, he confided to her the history +of his proposal and its lame result. 'So you see,' he concluded, 'I am +not likely to risk a repetition of the incident.' + +'But,' said she, 'surely there's no risk now?' + +'Very likely, but there is just a little. This next fortnight will, I +think, make everything secure, but I must wait that fortnight.' + +'Well, I believe you are unwise.' Drake turned to her quickly. 'Why?' + +'Mr. Mallinson takes your place for the fortnight. Of course I don't +know. Clarice has given up confiding in me. But I really think you +are unwise.' + +Drake sat staring in front of him. He was considering Mallinson's visit +in conjunction with the reappearance of the emerald ring upon Miss Le +Mesurier's finger. 'All the same,' he said at length, 'I shall wait.' + +The reason for this hesitation he explained more fully to Clarice herself +some half an hour afterwards. He found her standing by herself upon the +terrace. She started nervously as he approached, and it seemed to him +that her whole figure stiffened to a posture of defence. She said +nothing, however, and for a while they stood side by side looking +seawards across the breadth of the island. The ground stretched away +broken into little hollows and little hills,--downs in vignette. A cheery +yellow light streamed from the windows of a cottage in a dip of the +grass; the slates of a roof glistened from a group of sycamores like a +mirror in a dark frame; the whole island lay bared to the moonlight. +Towards the edge of it the land rose upwards to a ridge, but there was a +cleft in the ridge opposite to where they stood, and through the cleft +they looked downwards to the sea. + +Clarice spoke of the moonbeams broken into sparkles by the ripple of +the water. + +'Like a shoal of silver coins,' said Drake. + +'Wouldn't you like to hear them clink?' she asked petulantly. + +Then he said: 'Miss Le Mesurier'--and the change in his voice made the +girl turn swiftly to face him--'I leave Sark to-morrow morning by the +early boat, so I thought I would say good-bye to you to-night.' + +'But you are coming back,' she said quickly; 'I shall see you, of course, +when you come back. What takes you away?' + +'There's some land in Matanga which bounds my concession on the north, +and I want to get hold of it. It's, I believe, quite as good, and may be +better, than mine, and I know that some people are after it. It wouldn't +help me if another company was to be started; and as the President of the +Matanga Republic is on his way to England, I thought that I had better go +out to Madeira, catch his steamer there, and secure a concession of it +before he reaches England.' + +Clarice gave a laugh. 'Then we are to expect you in a fortnight?' + +'Yes, in a fortnight,' and he laid a significance upon the word which +Clarice did not mistake. It was spoken with an accent of entreaty. + +But indeed she needed no emphasis to fix it in her mind. The word +besieged her; she caught herself uttering it, and while she uttered it +the time itself seemed to have slipped by. She had but to say 'No' at the +end of the fortnight, she assured herself, and she knew that she would +only have to say it once. But the memory of that Sunday afternoon in +Beaufort Gardens lay upon her like a load crushing all the comfort out of +her knowledge. + +Drake caught his steamer at Southampton, and the President at Madeira. He +was received warmly as an old acquaintance, warily as a negotiator. +However, he extracted the concession as the boat passed up Southampton +Water, and disembarked with a signed memorandum in his pocket. At +Southampton post-office he received a bundle of letters which had been +forwarded to him from his chambers in London. He slipped them into his +coat, and went at once on board the Guernsey steamer. At Guernsey, the +next morning, he embarked on the little boat which runs between Guernsey +and Sark. The sun was a golden fire upon the water; the race of the tides +no more than a ripple. The island stuck out its great knees into the sea +and lolled in the heat. Half-way across Drake bethought him of the +letters. He took them out and glanced over the envelopes. One was in +Clarice's handwriting. It announced to him her engagement with Sidney +Mallinson. + + + + +CHAPTER XI + + +Of Drake's arrival at the Seigneurie Mrs. Willoughby wrote some account +to Hugh Fielding, who was taking the waters for no ailment whatever at +Marienbad. 'I was surprised to see him,' she wrote, 'because Clarice told +me that she had written to him. Clarice was running down the stairs when +he came into the hall. She stopped suddenly as she caught sight of him, +clutched at the balustrade, slipped a heel upon the edge of the step, and +with a cry pitched straight into his arms at the bottom. Mr. Mallinson +came out of the library while he was holding her. Clarice was not hurt, +however, and Mr. Drake set her down. "I didn't pass through London," he +said, and he seemed to be apologising. "My letters were forwarded to +Southampton, and I only opened them on the Sark steamer." Then he +congratulated them both. I spoke to Mr. Drake the same evening on the +terrace here, foolishly hinting the feminine consolation that he was well +free from a girl of Clarice's fickleness. He was in arms on the instant. +One gets at truth only by experiment, and through repeated mistakes. Why +except women's hearts from the same law? I give his opinion, not his +words. He doesn't talk of "women's hearts." You know his trick of +suggesting when it comes to talk of the feelings. I slid into a worse +blunder and sympathised with him. He replied that it didn't make the +difference to him which I might think. I felt as if a stream of ice-water +had been turned down my back on Christmas Day. However, he went on in a +sort of shame-faced style, like a schoolboy caught talking sentiment. +"One owes her a debt for having cared for her, and the debt remains." He +stayed out his visit and left this morning. He goes to Switzerland, and +asked for your address. His is _The Bear, Grindelwald_. Write to him +there; better, join him. He talks of going out to Matanga later in the +year for a few months. So there's the end of the business, or rather one +hopes so. I used to hope that Clarice would wake up some morning into a +real woman and find herself--isn't that the phrase? I hope the reverse +now; that she and her husband will philander along to the close of the +chapter. But I prefer your word,--to the close of the "comedy," say. It +implies something artificial. Mallinson and Clarice give me that +impression,--as of Watteau figures mincing a gavotte, and made more +unreal by the juxtaposition of a man. Let's hope they will never perceive +the flimsiness of their pretty bows and ribbons! But I think of your one +o'clock in the morning of the masquerade ball, and frankly I am afraid. I +look at the three without--well, with as little prejudice as weak woman +may. Mallinson, you know him--always on the artist's see-saw between +exaltation and despair. Doesn't that make for shiftiness generally? +Clarice I don't understand; but I incline to your idea of her as at the +mercy of every momentary emotion, and the more for what has happened this +week. Since her engagement she seems to have lost her fear of Stephen +Drake. She has been all unexpressed sympathy. And Drake? There's the +danger, I am sure--a danger not of the usual kind. Had he been +unscrupulous he might have ridden roughshod over Clarice long before now. +But he's too scrupulous for that. I think that he misses greatness as we +understand it, through excess of scruple. But there's that saying of his +about a debt incurred to Clarice by the man caring for her. Well, +convince him that he can pay it by any sacrifice; won't he pay it? +Convince him that it would benefit her if he lay in the mud; wouldn't he +do it? I don't know. I made a little prayer yesterday night, grotesque +enough, but very sincere, that there might be no fifth act of tragedy to +make a discord of your comedy.' + +Fielding received Mrs. Willoughby's command to join Drake with a grin at +her conception of him as fit company for a gentleman disappointed in his +love-affairs. He nevertheless obeyed it, and travelling to Grindelwald +found Drake waiting him on the platform with the hands of an +oakum-picker, and a face toned uniformly to the colour of a ripe pippin. +'You have been climbing mountains, I suppose?' asked Fielding. + +'Yes,' nodded Drake. + +'Well, don't ask me to join you. It produces a style of conversation I +don't like.' + +Drake laughed, and protested that nothing was further from his intention. +Certain letters, however, which Fielding wrote to Mrs. Willoughby during +this period proved that he did join him, and more than once. The two men +returned to London half-way through September. + +On the journey from Dover to Charing Cross Drake asked whether Mrs. +Willoughby was in town. He was informed that at the moment she was +visiting in Scotland, but she was expected to pass through London at the +end of a fortnight. Drake wrote a note to her address asking her to spare +him a few moments when she came south, and receiving a cordial assent +with the statement of the most favourable hour, walked across one evening +to Knightsbridge. Mrs. Willoughby remarked a certain constraint in his +manner, and awaited tentacle questions concerning Sidney Mallinson and +Clarice. She said: 'You look well. You have enjoyed your holiday.' + +'I had an amusing companion.' + +'You have given him some spark of your activity,' and the sentence was +pitched to convey thanks. + +'Then you have seen him?' Drake's embarrassment became more +pronounced. He paused for a second and then rose and walked across the +room. 'You know, I suppose,' he resumed, 'that I am going out to +Matanga in a month.' + +'I heard something of that from Mr. Fielding,' she said gently. + +'Yes,' he said, with a change in his voice to brisk cheerfulness. 'It +seemed to me that I ought to go. Our interests there are rather large +now. I consulted my fellow-directors, and they agreed with me.' + +The sudden disappearance of the constraint which had marked him surprised +Mrs. Willoughby. 'But can you leave London?' she asked. + +'Oh yes; I have made arrangements for that,' he replied. 'I have got Burl +to look after things here.' + +'Mr. Burl?' + +'Yes; it's rather funny,' said Drake, with a laugh. 'He came to ask +me whether I was disposed to take up politics. There was a +constituency in Yorkshire he could arrange for me to stand +for--Bentbridge. Do you know it?' + +'I have been there. Mr. Le Mesurier has a brother just outside the town. +It was there, I believe, that he became acquainted with Mr. Burl.' + +'So I gathered. Well, I wanted the question left open for a bit. Then +Burl made another proposal. He said they wanted a paper in the district. +There were some people ready to back the idea, but they didn't have quite +enough capital. Burl wanted me to provide the rest. He didn't get it, but +he nearly did, and it struck me that he was just the man I wanted. So +after he had had his say, I had mine, and he has thrown up politics and +joined me.' Drake ended his story with a laugh, and added, 'I think I am +lucky to have got hold of him.' + +'Then you don't mean to go away for good?' exclaimed Mrs. Willoughby. + +'Oh dear no! What on earth made you think that? But I will be away a +year, I think,--and--and, that's just the point.' His embarrassment +returned as suddenly as it had left him. + +'I don't understand.' + +'Well, I had an idea of persuading Fielding to go with me.' He blurted +the proposal brusquely. 'He's interested, you see, in the success of the +colony, and--well, altogether, I didn't think it would be a bad thing.' + +Mrs. Willoughby walked to the window and looked out of it for a few +seconds. 'What does Mr. Fielding say?' she asked. + +'I haven't broached the subject to him yet. I thought I wouldn't +before--' He stopped and made no effort to finish the sentence. + +'It's a year,' she said slowly, lengthening out the word. 'Yes, only a +year,' said he briskly, and Mrs. Willoughby smiled in spite of herself. +She thought of the new air of alertness which Fielding had worn since his +return from Switzerland. She came back to Drake and held out her hand to +him. 'You think very wisely for your friends,' she said. + +'It's an inspiriting business to see a community in the making,' +he answered; 'especially when there's money to help it to make +itself quickly.' + +He wished her good-bye and moved to the door. As he opened it he said, +'By the way, is the date of the marriage fixed?' but without turning +towards her. + +She said, 'Yes, the 8th of December,' and she saw his shoulders brace, +and the weight of his body come backwards from the ball of the foot on +to the heel. + +'Ah! I shall be in Africa by then,' he said. + +It was in fact near upon the end of February that the river-steamer +plying between the settlement and the coast of Matanga brought to Drake +and Fielding an announcement that the marriage had taken place. There +were letters for both the men, and they carried them out to a grass knoll +on the edge of the forest some quarter of a mile away from the little +village of tin huts which shone in the sunshine like a tidy kitchen, as +Fielding was used to say. Drake read his through, and said to Fielding, +'You have a letter from Mrs. Willoughby?' + +'Yes.' + +'Any news?' + +Fielding looked him in the face. 'Yes,' he said slowly, and putting the +letter in his pocket, buttoned it up. Drake understood alike from his +tone and action what news the letter conveyed, and made no further +inquiry. He fell instead to talking of some machinery which the boat had +brought up along with the letters. The letter, indeed, was written in a +vein which made it impossible for Fielding to follow the usual habit of +reading Mrs. Willoughby's letters aloud to his companion. 'The wedding,' +she wrote, 'lacked nothing but a costumier and a composer. The bride and +bridegroom should have been in fancy dress, and a new Gounod was needed +to compose the wedding-march of a marionette. One might have taken the +ceremony seriously as an artistic whole under those circumstances.' + +Mrs. Willoughby continued to keep Fielding informed of the progress or +the married couple, and in May hinted at dissensions. The hint Fielding +let slip one day to Drake. Drake, however, received the news with +apparent indifference, and indeed returned to England in September with +Fielding without having so much as referred to the subject. + +During the month which followed his return, he preserved the same +appearance of indifference, seeming, indeed, thoroughly engrossed in +working off arrears of business. The fact, however, of this dissension +was thrust before his notice one evening when he dined with Mr. Le +Mesurier, and that gentleman dealt out extravagant praise to the French +for recognising that the marriages of the children are matters which +solely concern the parents. + +'We English,' said he with a shrug of contempt at the fatuity of his +countrymen, 'men and women, or rather boys and girls, choose for +ourselves, and what's the result nine times out of ten? Well, it's the +custom, and it's no use for a man by himself trying to alter it.' + +Drake was familiar with Mr. Le Mesurier's habit of shifting +responsibilities, and while he said nothing at the moment, called upon +Mrs. Willoughby the next day and questioned her openly. Mrs. Willoughby +admitted that there were disagreements, but believed them not to be deep. + +'The first year,' she said, 'is as a rule a trying time. There are +illusions to be sloughed. People may come out all the stronger in the +end.' Mrs. Willoughby generalised to conceal the little hopefulness she +felt in regard to the particular instance. + +'I ask,' continued Drake, 'because I thought money might be at the bottom +of it. In that case something perhaps might be done. Mrs. Mallinson would +be troubled, I believe, by a need to economise.' + +'Oh no,' she returned. 'There's no trouble of that kind. You see, Mr. Le +Mesurier sold the Seigneurie, for one thing--' + +'Sold it!' exclaimed Drake. 'Why, I was told that it was strictly +entailed from father to child.' + +'In one respect it is. It can't be charged with annuities. But any one +who owns it can sell it outright. Mr. Le Mesurier always intended to sell +it if Clarice married a man only moderately well off.' + +Drake rose from his chair and walked once or twice quickly across the +room. + +'He should have told his daughter that,' he said slowly. + +Mrs. Willoughby glanced at him in surprise. + +'Well, of course he did.' + +'Oh no, he didn't,' said Drake quickly. 'You remember, I told you at Sark +why she wanted our engagement to be kept secret.' + +'Because your position wasn't altogether assured. You didn't mention the +Seigneurie.' + +'No, I thought you would understand. She believed an engagement between +us would cause trouble with her father, just because it was necessary for +her to marry a man who could keep up the Seigneurie.' + +Mrs. Willoughby started. 'Clarice told you that!' she said, +staring at him. + +'Yes,' he replied simply. 'So you see she didn't know.' + +Mrs. Willoughby sank back into her chair. She had heard Mr. Le Mesurier +announce his intention more than once in Clarice's presence. However, she +fancied that no particular good would be done by informing him of the +girl's deception, and she dropped the subject. + +'What about Conway?' asked Drake. + +'He still walks up and down London. I fancy he is secretary to +something.' + +Drake hesitated for a second. 'Does he go there very much?' + +'A good deal, I fancy,' she replied. 'But you mustn't think the +disagreement is really serious. There is no cause outside themselves. +Have you called?' + +'No; I go down to Bentbridge to-morrow. I must call when I get back.' + +'Then you are going to stand for Parliament?' she exclaimed. 'I am so +glad.' + +'Yes; they expect an election in July, I believe. You see, now that +Fielding has been made a director and has settled down to work, I have +got more time. In fact, one feels rather lonely at nights.' + +Mrs. Willoughby was willing to hear more concerning Fielding's merits. +She promptly set herself to belittle the importance of his position and +work for the sake of hearing them upheld, and she was not disappointed. + +'It's easy enough to laugh at finance, and fashionable into the bargain,' +he said. 'But here's the truth of the matter. Money does to-day what was +the work of the sword a century or so ago, and, as far as I can see, does +it better. To my thinking, it should be held in quite as high esteem. You +can put it aside and let it rust if you like, but other nations won't +follow your good example. Then the time comes when you must use it, and +you find the only men you've got to handle it are the men you can't +trust--the bandit instead of the trained soldier. No! Put the best men +you can find to finance, I say,' and with that he said good-bye. + +'Why doesn't he drop them altogether?' asked Fielding with considerable +irritation when Mrs. Willoughby informed him of Drake's intention to +renew his acquaintance with the Mallinsons. + +'It would only make matters worse if he did,' replied she. 'Clarice would +be certain to count any falling off of her friends as a new grievance +against her husband.' + +'Friends?' + +'He is willing to take his place as one.' + +'He will find it singularly uninteresting. Friendship between a man +and a woman!' + +He shrugged his shoulders; then he laughed to himself. Mrs. +Willoughby got up nervously from her chair and walked to the opposite +end of the room. + +'These things,' continued Fielding in a perfectly complacent and +unconscious tone, 'are best understood by their symbols.' + +Mrs. Willoughby swung round. 'Symbols?' she asked curiously. + +Fielding took a seat and leaned back comfortably. 'The feelings and +emotions,' he began, 'have symbols in the visible world. Of these symbols +the greater number are flowers. I won't trouble you with an enumeration +of them, for in the first place I couldn't give it, and in the second, +Shakespeare has provided a fairly comprehensive list. And by nature I am +averse to challenging comparisons. There are, however, feelings of which +the symbols are not flowers, and amongst them we must reckon friendship +between man and woman. Passion, we know, has its passion flower, but the +friendship I am speaking of has its symbol too'--he paused +impressively--'and that symbol is cold boiled mutton.' + +Mrs. Willoughby laughed awkwardly. 'What nonsense!' she said. + +'A mere _jeu d'esprit_, I admit,' said he, and he waved his hand to +signify that he could be equally witty every day in the week if he chose. +His satisfaction, indeed, blinded him to the fact that his speech might +be construed as uncommonly near to a proposal of marriage. He thought, +with a cast back to his old dilettante spirit, that it would be amusing +to repeat it, especially to a woman of the sentimental kind--Clarice +Mallinson, for instance. He pictured the look of injury in her eyes and +laughed again. + + + + +CHAPTER XII + + +Clarice was indeed even more disappointed than Mrs. Willoughby imagined. +She had looked forward to her marriage, and had indeed been persuaded to +look forward to it, as to the smiting of a rock in her husband's nature +whence a magical spring of inspiration should flow perennially. 'The +future owes us a great deal,' Mallinson had said. 'It does indeed,' +Clarice had replied in her most sentimental tones. Only she made the +mistake of believing that the date of her marriage was the time appointed +for payment. Instead of that spontaneous flow of inspiration, she had +beneath her eyes a process of arduous work, which was not limited to a +special portion of the day, like the work of a business man, and which, +in the case of a man with Mallinson's temperament, inevitably produced an +incessant fretfulness with his surroundings. Now, since this work was +done not in an office but at home, the burden of that fretfulness fell +altogether upon Clarice. + +She took to reading the _Morte d'Arthur_. Fielding found her with the +book in her hand when he called, and commented on her choice. + +'There's no romance in the world nowadays,' she replied. + +'But there has been,' he replied cheerfully; 'lots.' + +Clarice professed not to understand his meaning. He proceeded to tick off +upon his ringers those particular instances in which he knew her to have +had a share, and mentioned the names of the gentlemen. He omitted +Drake's, however, and Clarice noticed the omission. For the rest she +listened quite patiently until he came to an end. Then she asked gravely, +'Do you think that is quite a nice way to talk to a married woman?' + +'No,' he admitted frankly, 'I don't.' For a few minutes the +conversation lagged. + +This was, however, Fielding's first visit since his home-coming, and +Clarice yielded to certain promptings of curiosity. + +'I hardly expected you would be persuaded to go out to Africa, even +by--any one,' she concluded lamely. + +'Neither did I,' he replied. + +'Did you enjoy it?' she asked. + +'I went out a Remus, I return a Romulus.' + +There were points in Clarice's behaviour which never failed to excite +Fielding's admiration. Amongst these was a habit she possessed of staring +steadily into the speaker's face with all the appearance of complete +absence of mind whenever an allusion was made which she did not +understand, and then continuing the conversation as though the allusion +had never been made. 'Of course you had a companion,' she said. + +Fielding agreed that he had. + +'I have not seen him,' she added. + +'No?' + +'No.' Clarice was driven to name the companion. 'You seem to have struck +up a great friendship with Mr. Drake. I should hardly have thought that +you would have found much in common.' + +'_Arcades ambo_, don't you know?' + +Clarice did not know, and being by this time exasperated, she showed that +she did not. Fielding explained blandly, 'We both drive the same pigs to +the same market.' + +Clarice laughed shortly, and stroked the cover of her _Morte d'Arthur_. +'I suppose that's just what friendship means nowadays?' + +'Between man and man--yes. Between woman and woman it's different, and +it's, of course, different too between man and woman. But perhaps that's +best to be understood by means of its symbol,' and he worked up to his +climax of cold boiled mutton with complete satisfaction. + +'I gather, then, that you see nothing of Mrs. Willoughby now,' said +Clarice quietly as soon as he had stopped. Fielding was for the moment +taken aback. It seemed to him that the point of view was unfair. +'Widows,' he replied with great sententiousness,--'widows are different,' +and he took his leave without explaining wherein the difference lay. He +wondered, however, if Clarice's point of view had occurred to Mrs. +Willoughby. + +Fielding's visit, and in particular his teasing reticence as to his +stay in Matanga, had the effect of recalling Clarice's thoughts to the +subject of Stephen Drake. She recalled her old impression of him as one +self-centred and self-sufficing, a man to whom nothing outside himself +would make any tangible difference; but she recalled it without a trace +of the apprehension with which it had been previously coupled. She +began indeed to dwell upon that idea of him as upon something restful, +and the idea was still prominent in her mind when, a little more than a +week afterwards, Drake galloped up to her one morning as she was +crossing the Park. + +'I have been meaning to call, Mrs. Mallinson,' he said, 'but the fact is, +I have had no time. I only got back from Bentbridge last night.' + +Clarice received a sudden and yet expected impression of freshness from +him. 'Papa told me you were going to stand,' she replied. 'You stayed +with my uncle, Captain Le Mesurier, didn't you?' + +'Yes. Funnily enough, I have met him before, although I didn't know his +name. He travelled in the carriage with me from Plymouth to London when I +first landed in England.' + +Clarice wondered what made him pause for a moment in the middle of the +sentence. 'Your chances are promising?' she asked. + +'I can't say yet. I have a Radical lord against me. Burl says there's no +opponent more dangerous. It will be a close fight, I think.' He threw +back his head and opened his chest. His voice rang with a vigorous +enjoyment in the anticipation of a strenuous contest. + +'So you are glad to get back to London,' she said. + +'Rather. I feel at home here, and only here--even in January.' He looked +across the Park with a laugh. It stretched away vacant and dull in the +gray cheerlessness of a winter's morning. 'The place fascinates me; it +turns me into a child, especially at night. I like the glitter of shops +and gas-lamps, and the throng of people in the light of them. One +understands what the Roman citizen felt. I like driving about the streets +in a hansom. There are some one never gets tired of Oxford Street, for +instance, and the turn out of Leicester Square into Coventry Street, with +the blaze of Piccadilly Circus ahead. One hears that poets starve in +London, and are happy; I can believe it. Well, I am keeping you from the +shops, and myself from business.' + +He shook hands with her and mounted his horse. + +'You have not yet seen my husband,' she said, and she felt that she +forced herself to speak the word. + +'Not yet. I must look him up. You live in Regent's Park, don't you?' + +'Close by. Will you come some evening and dine?' + +The invitation was accepted, and Drake rode off. He rode well, Clarice +noticed, and his horse was finely limbed and perfectly groomed. The +perception of these details had its effect. She stood looking after him, +then she turned slowly and made her way homewards across the Park. Two of +her acquaintances passed her and lifted their hats, but she took no +notice of them; she did not see them. A picture was fixed in her mind--a +picture of a rolling plain, black as midnight, exhaling blackness, so +that the air itself was black for some feet above the ground; and into +this cool and quiet darkness the moonbeams plunged out of a fiery sky and +were lost. They dropped, she fancied, after their long flight, to their +appointed haven of repose. + +The street door of her house gave on to a garden. Clarice walked along +the pathway in front of the house towards the door of the hall. As she +passed her husband's study windows she glanced in. He was standing in +front of the fireplace, tearing across some sheets of manuscript. Clarice +hurried forwards. He was always tearing up manuscript. While she was +upstairs taking off her hat she heard his door open and his voice +complaining to the servants about some papers which had been mislaid. She +felt inclined to take the servants' part. After all, what was a man doing +in the house all day? There was a dragging shuffle of his slippers upon +the floor of the hall. The sound jarred on her. She pinned on her hat +again, ran downstairs, gave orders that she would not be in for lunch, +and drove at once to Mrs. Willoughby's. She arrived in a state little +short of hysterical. + +'Connie,' she cried, almost before the servant who announced her was out +of the room, 'I know you don't like me, but oh, I'm so unhappy!' + +Mrs. Willoughby softened at sight of her evident distress. 'Why, what's +the matter?' she asked, and made her sit down beside her on the sofa. + +'It's awful,' she said, and repeated, 'it's awful.' + +'Yes, child, but what is?' asked Mrs. Willoughby. + +'All is--I mean everything is,' sobbed Clarice. + +Mrs. Willoughby recognised that though the correction amended the +grammar, it did not simplify the meaning. She pressed for something +more precise. + +'Don't be irritable, Connie,' quavered Clarice, 'because that's just +what Sidney is--and always. It's so difficult to make you understand. +But he's just a lot of wires, and they keep twanging all day. He +nags--there's no other word for it--he nags about everything--the +servants, his publishers, the dinner, and--oh!--oh!--why can't he wear +boots in the morning?' + +The point of the question was lost on Mrs. Willoughby. She began to +expostulate with Clarice for magnifying trifles. + +'Of course,' replied Clarice, sitting up suddenly--she had been half +lying on the sofa in Mrs. Willoughby's arms--'I know they are trifles; I +know that. But make every day full of them, every day repeat them! Oh, +it's awful! I wonder I don't break down!' She turned again to Mrs. +Willoughby, lapsing from vehemence to melancholy as the notion occurred +to her. 'Connie, I believe I shall--break down altogether. You know I'm +not very strong.' She put her arms about Mrs. Willoughby, and clung to +her in the intensity of her self-compassion. 'You can't imagine the +strain it is. And if that wasn't enough, his mother comes up from Clapham +and lectures me. I wouldn't mind that, only she's not very safe about her +h's, and she stops to dinner and talks about the nobility she's had cooks +from, to impress the servants. It's so humiliating, to be lectured by any +one like that.' + +Mrs. Willoughby scented a fact. 'But what does she lecture you about? The +dinner?' she asked, with an irrelevant recollection of Drake's impression +of Clarice as one little adapted for housewifely duties, and not rightly +to be troubled by them. + +'Oh no. She says I don't give Sidney the help he expected from me. But +what more can I do? He has got me. Sidney says the same, too. He told me +that he had never had so much difficulty to work properly as since we +were married. And when his work doesn't succeed I know he blames me for +it. Oh, Connie! _is_ it my fault? I think we had better get divorced--and +I--I--c-c-can go into a convent, and never do anybody any more harm.' + +Clarice glanced as she spoke down the neatest of morning frocks, and the +mental picture which she straightway had of herself in a white-washed +cell with iron bars, clad in shapeless black, her chin swathed, her face +under eaves of starched linen, induced an access of weeping. + +For all her sympathy Mrs. Willoughby was forced to bite her lips. +Clarice, however, was not in the mood to observe the effect which her +words produced on others. She continued: 'It's much the best thing to do, +because whatever I did it would always be the same. I could never make +him content. Connie, if you only knew the strain of it all! He's always +wanting to be something different. One day a clerk, with a nice quiet +routine, another a soldier, another a ----' she hesitated, and gave +Constance an extra squeeze--'a colonist, and fire off Maxim guns. If you +could only see him! He sits in front of the fire, with his glasses on, +and talks about the roaring world of things.' + +This time Mrs. Willoughby really laughed. She turned the laugh into a +cough, and cleared her throat emphatically once or twice. Clarice sat up +and looked at her reproachfully, then she said, 'I know it's absurd. I +don't know whether to laugh or cry myself, b-b-but I usually cry. And +then in his books he's--he's always his own hero.' With that Clarice +reached at once the climax of her distress and the supreme charge of her +indictment. The rest was but sighs and sobs and disconnected phrases. +Finally she fell asleep; later she was caressed into eating lunch, taken +for a drive, and sent home subsequently greatly mollified and relieved. + +Mrs. Willoughby refrained from tendering advice that afternoon. There was +nothing sufficiently tangible in the story which she had heard. In fact +the only thing really tangible was the girl's distress in telling it, and +that Mrs. Willoughby attributed to some dispute between her and Sidney +that morning. She could not know that Clarice's outburst had been +preceded by that chance meeting in the Park with Stephen Drake, for +Clarice had made no allusion to it of any kind. She felt, besides, that +advice in any case would be of little use. The couple had to work out +their own salvation, and time and experience alone could help them. +Events seemed to justify Mrs. Willoughby's reticence, for the winter +blossomed into spring, the spring flowered into summer, and the Mallinson +household remained to the external view unshaken. + +Drake's visits to Bentbridge increased in frequency as the prospect of +the general election became more real. A snap vote in the House of +Commons on a minor question of administrative expenditure decided the +matter suddenly towards the end of June. The Government determined on a +dissolution. Fielding took Clarice Mallinson into dinner at Mr. Le +Mesurier's house on the day after the date of the dissolution was fixed. +He noticed that she looked worn. There were shadows about her eyes, her +colour had lost its freshness, and there was a melancholy droop about the +corners of her mouth. Fielding suggested the advisability of a change. + +'I'm to have one,' said she. 'I'm going down to stay with my uncle at +Bentbridge in a week's time.' + +'At Bentbridge?' asked Fielding sharply. 'For the election.' + +She saw his lips tighten. 'My husband goes with me,' she replied +quickly and stopped, flushing as she realised that she had meant and +conveyed an apology. + +'I should have thought that the Continent would have been more advisable +as a change.' + +'The Continent! I don't want to travel far. I am so tired.' She spoke in +a tone of weariness which touched Fielding in spite of himself. He looked +at her more closely. 'Yes,' he said gently, 'you look very tired. You +have been doing too much.' + +'No, it isn't that,' she replied. 'One thinks of things, that's all.' She +bent her head and was silent for a little, tracing a pattern on the +table-cloth with a finger absently. Then she added in a low voice, 'I +suppose few women ever think at all until after they are married.' + +The voice was low, and Fielding was conscious of something new in the +tone of it, a deeper vibration, a sincerity different in kind from that +surface frankness which he had always known in her. He wondered whether +she had struck down from her pinchbeck sentimentality into something that +rang solid in the depths of her nature. He looked at her again, her eyes +were turned to his. With the shadows about them, they looked bigger, +darker, more piteously appealing. She was no less a child to him, the +child looked out of her eyes, sounded in the commonplace sentiment she +had spoken, and the air of originality with which she had spoken it. But +the child seemed beginning to learn the lesson of womanhood, and from the +one mistress which could teach it her. + +'But why think then?' he asked lightly. 'It ruins a complexion no less +than before. Or does a complexion cease to count? Look!' He leaned +forward. A pink carnation was in a glass in front of him, already +withering from the heat. He touched the faded tips of the petals. 'That +is the colour which conies from thinking.' + +Clarice lifted her shoulders with more of sadness than impatience in the +gesture. 'You believe,' she said, 'no woman at all has a right to dare +to think.' + +'I notice,' he answered with the same levity, 'that the woman who thinks +generally thinks of what she ought not to.' + +Later, in the drawing-room, he looked for her again, and looked +unsuccessfully. The window, however, was open, and he advanced to +it. Clarice was on the balcony alone, her elbows on the rail, a hand +on either side of her cheek. Something in her attitude made him +almost pity her. + +'Mrs. Mallinson,' he said, 'you will probably think me intrusive, but do +you think your visit really wise?' Clarice turned towards him quickly +with something of defiance in her manner. 'You are tired,' he went on, +'you want rest. Well, an election isn't a very restful time, even for the +onlooker.' + +Clarice did not reply for a moment, and when she did she replied with an +impulsive frankness, to which his friendly tone had prompted her. 'To +tell you the truth, I am not anxious to go. I don't want to, but Sidney +wants to.' + +'Your husband?' + +'You don't believe me.' + +'Of course I do.' He left her on the balcony, and went in search of +Mallinson. 'So you go to Bentbridge for the election,' he said. + +'Yes,' replied the other, lighting up. 'I am looking forward to it like a +schoolboy to a football match. The prospect of activity exhilarates +me--bodily activity, don't you know--a town humming with excitement.' + +Fielding cut him short. 'My dear fellow, you're a damned fool,' he said. + + + + +CHAPTER XIII + + +Stephen Drake had decided to stay during the period of the election at a +hotel in the centre of the town, rather than to accept an invitation from +Captain Le Mesurier, who lived some miles beyond the outskirts. He +travelled down to Bentbridge on the day that the dissolution was +announced, and during the journey Mr. Burl gave him much sage advice. + +'Keep the arguments for buildings; they're in place there. Mass-meetings +in the open air want something different. Many a good man has lost his +seat from not observing that rule. In the open air pitch out a fact or +two--not too many--or a couple of round sums of figures first of all, +just to give them confidence in you, and then go straight for your +opponent. No rapier play--it's lost then--but crack him on the top-knot +with a bludgeon. They'll want to hear his skull ring before they'll +believe that you have touched him. Phrases! Those are the things to get +you in, not arguments. Pin a label on his coat-tails. You'll see them +laugh as he squirms round to pull it off. And, mind you, there'll be no +walking over, you'll want all you know. The man's a Radical and a Lord! +The combination satisfies their democratic judgments and their snobbish +instincts at the same time. People forget to count the snob in the +democrat, but he's there all the same, as in most Englishmen. A veneer of +snobbishness over solid independence. That's our characteristic. Lord +Cranston! Can't you hear their tongues licking it? Luckily, there are +things against him. He's a carpet-bagger like yourself, and he's been +more than once separated from his wife. His fault, too--once it was an +opera dancer. I've got up the facts. He only joined his wife again a few +months ago--probably for the purpose of this election.' + +Mr. Burl pulled out a pocket-book, and began to turn over the leaves in +search of the damning details, when Drake interrupted him. 'You don't +expect me to discuss the man's private life?' + +'My dear Drake, do be practical. It's no use being finicking. The +essential thing is to win the seat.' + +'Whatever the price?' + +'Look here; I am not asking you to do anything so crude as to make +platform speeches about the man's disgraceful conduct to his wife.' Mr. +Burl assumed the look of a Rhadamanthus. 'But'--and again he relaxed into +the tactician--'you might take a strong social line on morals generally, +and the domestic hearth, and that sort of thing.' He looked critically at +Drake. 'You're one of the few chaps I know who look as if they could do +that and make people believe they really mean it.' + +He finally discredited his advice by adding impressibly, 'You needn't +go into the instance at all, you know. They'll understand what you're +alluding to, never fear'; and Drake flatly refused to dance into +Parliament to that tune, however persuasively Mr. Burl played upon +the pipes. + +The hotel at which Drake put up was situated in a short broad street +which ran from the Market Square. From the balcony of his sitting-room on +the first floor he could see the market sheds at the end of the street to +his left. The opposite end was closed in by the Town Hall, which was +built upon an ancient gate of the town. From Drake's windows you got a +glimpse through the archway of green fields and trees. Almost facing him +was a second hotel on the opposite side of the street, the 'Yellow Boar.' +It was tricked out, he noticed, with the colours of his opponent. While +he was standing at the window an open carriage turned out of the +market-place, and drove up to the 'Yellow Boar.' Lord Cranston got down +from it, and a lady. The candidate was of a short and slight build; a +pencil--line of black moustache crossed a pallid and indecisive face, and +he seemed a year or two more than thirty. The lady looked the younger, +and was certainly the taller of the two. Drake was impressed by her face, +which bore womanly gentleness, stamped on features of a marked +intellectuality. The couple disappeared into the hall, and appeared again +in a large room with big windows upon the first floor. From where he +stood Drake could see every corner of the room. Lord and Lady Cranston, +the land-lord informed him, were staying at the 'Yellow Boar.' The two +candidates overlooked each other. + +In this street, morning and evening, they met for a moment or two, and +took a breath of friendly intercourse. Drake was introduced to Lady +Cranston, but she would have none of the truce. To her he was the enemy, +and to be treated as such consistently, with a heart-and-soul hostility, +until he confessed himself beaten. Drake liked her all the better for her +attitude. Meanwhile he made headway in the constituency. He was in +earnest, with a big theme to descant upon--the responsibility of the +constituency to the empire. His fervour brought it home to his audiences +as a fact; he set the recognition of that responsibility forwards as the +prime duty of the citizen, sneering at the parochial notion of politics. +Mr. Burl shook his head over Drake's method of fighting the battle, and +hinted more than once at the necessity of that lecture upon morals. Drake +not only refused to reconsider it, but flatly forbade Mr. Burl to allude +to the subject in any speech which he might make. Burl shrugged his +shoulders and confided his doubts to Captain Le Mesurier. Said the +Captain, 'I think he's wise; a speech might offend. What's wanted is an +epigram--a good stinging epigram. We could set it about, and, if it's +sharp enough, no need to fear it won't travel.' He paused dubiously. +'After all, though, it's a bit unfair on Cranston. Hang it, I've been a +married man myself,' and he chuckled in unregenerate enjoyment. 'However, +the seat's got to be won. Let's think of an epigram,' and he scratched +his head and slapped his thigh. It was the Captain's way of thinking. The +satisfactory epigram would not emerge. He could fashion nothing better as +a description of Cranston than, 'A refreshment-room sandwich; two great +chunks of sin and a little slice of repentance between.' Mr. Burl +condemned it as crude, and for the moment the epigram was dropped. + +The Mallinsons arrived a week after the contest had begun. Captain Le +Mesurier welcomed Clarice with boisterous effusion, and her husband with +quarter-deck dignity. 'You look ill,' he said to Clarice. 'It's your +husband worrying you. Ah, I know, I know! Those writing chaps!' + +To Mallinson, however, he suddenly showed excessive friendliness, and +took the opportunity of saying to him loudly in a full room, 'There's +something I must tell you. I know it'll make you laugh. It does me +whenever I think of it. You know Drake? Well, we travelled up from +Plymouth together when he came back from Africa. He bought your book at +the bookstall, and sat opposite me reading it. What was it called? I +know, _A Man of Influence_. You should have seen Drake's face. Lord, he +couldn't make head or tail of it. How should he? I asked him what he +thought of it, and imagine what he answered! You can't, though. It's the +funniest thing I ever heard. He said it was a very clever satire. Satire! +Good Lord, I almost rolled off the seat. It is funny, isn't it?' + +Mallinson, with a wry face, agreed that the story was funny. + +'I knew you would think so,' pursued the Captain relentlessly. +'Everybody does I have told it to, and that's everybody I know. Satire! +Lord help us!' and he shook with laughter and clapped Mallinson in the +small of the back. + +Mallinson felt the fool that he was intended to look, with the result +that his dormant resentment against Drake sprang again into activity. +That resentment became intensified, as the date of the election drew +nearer, by an unconfessed jealousy. They both made speeches, but +Mallinson chiefly at the smaller meetings. And when they stood upon the +same platform he was continually forced to compare the difference in the +acclamation with which their speeches were severally received. As a +matter of fact, Drake spoke from a fire of conviction, and the conviction +not merely burnt through his words, but minted them for him, gave him +spontaneously the short homely phrase which sank his meaning into the +minds of his hearers. Mallinson took refuge in a criticism of Drake's +speeches from the standpoint of literary polish. He recast them in his +thoughts, turning this sentence more deftly, whittling that repartee to a +finer point. The process consoled him for Drake's misreckoning of his +purpose in the matter of _A Man of Influence_, since it pointed to a +certain lack of delicacy, say at once to crassness in the man's +intellect. + +Mallinson began immediately to imagine himself in Drake's position, the +candidate for whom brass bands played, and hats went spinning into the +air. And it needed no conscious effort for one so agile in egotistical +leaps to spring thence to the fancy that Drake was a kind of vicarious +substitute for himself, doing his work, too, not without blemishes. + +Ten days before the polling-day Fielding ran down from town, and attended +a meeting at the Town Hall, at which both Drake and Mallinson were to +speak. He sat on the platform by Clarice's side and paid some attention +to her manner during the evening. He noticed the colour mount in her +cheeks and her eyes kindle, as on first entering the room she looked down +upon the crowded floor. The chairs had been removed, and the audience +stood packed beneath the flaring gas-jets--artificers for the most part, +their white faces smeared and stained with the grime of their factories. +The roar of applause as Drake rose by the table swelled up to three +cheers in consonance, and a subsequent singing of 'For he's a jolly good +fellow' stirred even Fielding to enthusiasm. He noted that feeling of +enthusiasm as strange in himself, and had a thought in consequence that +such scenes were hardly of the kind to help Clarice to the rest she +needed. The hall for a moment became a sea of tossing handkerchiefs. He +took a glance at Clarice. She sat bent forward with parted lips and a +bosom that heaved. Fielding turned on his cold-water tap of flippancy. + +'It's a bad omen,' said he, with a nod towards the waving handkerchiefs. +'They hang out flags of surrender.' + +'Hardly,' she replied, with a smile. 'I can't recognise that the flags +are white'; and she added, 'I should like it less if they were. These men +are the workers.' + +'The workers.' Fielding could hear Drake uttering the word in just the +same tone, and his compassion for Clarice deepened. Why? he asked +himself. The girl was undergoing not a jot more punishment than a not +over-rigid political justice would have meted out to her. The question +inexplicably raised to view a pair of the clearest blue eyes, laughing +from between the blackest of eyelashes. He promptly turned his attention +to the speaker at the table. + +Drake commenced that night with an apology. It was necessary that he +should speak about himself. An utterly baseless story had, within the +last few days, and doubtless with a view to this election, been revived +by the London evening paper which originally made it. He regretted also +to notice that his opponent had accepted the story, and was making use of +it to prejudice him in the eyes of the electors. Accordingly he felt +bound to put the facts simply and briefly before his audience, although +the indifference of the Colonial Office to what, if true, was a crime +committed by an Englishman on English soil, and against practically +English subjects, in effect acquitted him of the charge. + +Drake thereupon proceeded to describe his march to Boruwimi. The story, +modestly recited in simple nervous English, did more to forward his +candidature than all the political speeches he could have made during a +twelvemonth. It came pat at the right time, when arguments were growing +stale. His listeners hung upon the words; in the intense silence Fielding +could feel the sympathy between speaker and audience flowing to and fro +between them like a current. Drake instinctively lowered his voice; it +thrilled through the hall the more convincingly. There was a perceptible +sway of heads forwards, which started at the back and ran from line to +line towards the platform like a quick ripple across a smooth sea. It was +as though this crowded pack of men and women was drawn to move towards +the speaker, where indeed there was no room at all to move. + +And in truth the subject was one to stir the blood. Drake prefaced his +account by a description of the geography of Boruwimi; he instanced +briefly the iniquities of the Arab slave-dealers whom he was attacking. +Thereupon he contrasted the numbers of his little force with the horde of +his enemies, and dwelt for a second upon their skill as marksmen; so that +his auditors, following him as he hewed his path through the tangle of an +untrodden forest, felt that each obstacle he stopped at might mean not +merely failure to the expedition, but death to all who shared in it. +Success and life were one and the same thing, and the condition of that +thing was speed. He must fall upon the Arabs unawares, like a bolt from +the blue. They forgot that he who led that expedition was speaking to +them now; they were with him in the obscure depths of the undergrowth, +surging against gigantic barriers of fallen tree-trunks, twenty, thirty +feet high; they were marching behind him, like him at grips with nature +in a six-weeks' struggle of life and death; and when finally he burst +into the clearing on the river's bank the ripple went backwards across +the hall, and a cheer of relief rang out, as though their lives, too, +were saved. + +Upon Fielding the relation produced a somewhat peculiar effect. He was +fascinated, not so much by the incident described or by the earnestness +of the man who described it,--for with both he was familiar,--but by the +strangeness of the conditions under which it was told--this story of +Africa, before these serried rows of white eager faces, in this stifling +hall, where the gaslight struggled with the waning day. From the raised +platform on which he sat he could see through the open windows away +across green fields to where the sun was setting in a clear sky behind +quiet Yorkshire wolds. The combination of circumstances made the episode +bizarre to him; he was, in fact, paying an unconscious tribute to the +orator's vividness. + +Clarice paid the same tribute, but she phrased it differently, and the +difference was significant. She said, 'Isn't it strange that he should +_be here_--in a frock-coat? I half thought the room would dissolve and we +should find ourselves at Boruwimi.' Fielding started. Coming from her +lips the name sounded strange; yet she spoke it without the least +hesitation. For the moment it had plainly one association in her +thoughts, and only one. It sounded as though every recollection of Gorley +had vanished from her mind. 'Oh, he must get in!' she whispered, clasping +her hands upon her knees. + +After Drake had concluded, Mallinson moved a resolution. He spoke +fluently, Fielding remarked, and with a finished phrasing. The very +finish, however, imparted an academic effect; he was, besides, hampered +by the speech which had preceded his. The audience began to shuffle +restlessly; they were capping a rich Burgundy with _vin ordinaire_, and +found the liquor tasteless to the palate. Fielding perceived from certain +movements at his side that Clarice shared in the general restlessness. +She gave an audible sigh of relief and patted her hands with the most +perfunctory applause when her husband sat down. 'You are staying with Mr. +Drake at the Three Nuns?' she asked, turning to Fielding. + +'Only till to-morrow. I leave by the night-train.' + +'Oh, you are going back!' + +'Yes. You see Drake and Burl are both here. Somebody must keep the shop +open, if it's only to politely put the customers off.' He interpreted the +look of surprise upon Mrs. Mallinson's face. 'Yes, I have been gradually +sucked into the whirlpool,' and he laughed with a nod towards Drake. + +She turned to him with her eyes shining. 'And you are proud of it.' + +Fielding smiled indulgently. 'That's a woman's thought.' + +'But you don't deny it's truth.' + +Clarice said nothing more until the meeting had terminated and the +party was in the street. They walked from the Town Hall to Drake's +hotel, Clarice and Fielding a few paces behind the rest. The first +words which she spoke showed to him that her thoughts had not altered +their drift. 'Yes, you have changed,' she said, and implied +unmistakably, 'for the better.' + +'You only mean,' laughed Fielding, 'that I have given up provoking you.' + +'No, no,' she said. 'Besides, you evidently haven't given that up.' + +'Then in what way?' + +'I shall offend you.' + +'I can hardly think so.' + +'Well, you were becoming a kind of--' + +'Say it.' + +'Paul Pry.' + +To a gentleman whose ambition it had been to combine the hermit's +indifference to social obligations with an indulgence in social +festivities, the blow was a cruel one; and the more cruel because he +realised that Clarice's criticism contained a grain of truth. He hit back +cruelly. 'Drake tells me he thinks of taking a place here. I suppose he +means to marry.' + +'I believe he does,' replied Clarice promptly. 'Mrs. Willoughby.' + +Fielding stopped and apostrophised the stars. 'That is perfectly untrue,' +he said. He walked on again as soon as he perceived that he had stopped, +adding, with a grumble, 'I pity the woman who marries Drake.' + +'Why?' asked Clarice in a tone of complete surprise, as though the idea +was incomprehensible to her, and she repeated insistently, 'Why?' + +'Well,' he said, inventing a reason, 'I think he would never stand in +actual need of her.' Clarice drew a sharp breath--a sigh of longing, it +seemed to her companion, as for something desirable beyond all blessings. +He continued in the tone of argument, 'And she would come to know that. +Surely she would feel it.' + +'Yes, but feel proud of it perhaps,' replied Clarice, 'proud of him just +for that reason. All her woman's tricks she would know useless to move +him. Nothing she could do would make him swerve. Oh yes, she would feel +proud--proud of him and proud of herself because he stooped to choose +her.' She corrected the ardency of her voice of a sudden; it dropped +towards indifference. 'At all events I can imagine that possible.' + +They were within fifty yards of the hotel, and walked silently the rest +of the way. At the door, however, she said, turning weary eyes upon +Fielding, 'And think! The repose of it for her.' + +'Ah, here you are!' The robustious voice of Captain Le Mesurier sounded +from the hall. 'Look here,' to Fielding, 'we are going to take you back +with us. Drake won't come. He's tired--so we don't miss him.' + +Fielding protested vainly that he would crowd the waggonette. Besides, he +had business matters to discuss with Drake before he left for London. + +'Well, you can talk them over to-morrow. You don't go until to-morrow +night. And as to crowding the waggonette, I have ordered a trap here; so +you can drive it back again to-night, if you like, from Garples. +Otherwise we'll be happy to put you up. You must come; we want to talk to +you particularly. Mallinson will drive his wife in the trap, so there'll +be plenty of room.' + +The party in the waggonette consisted of Captain Le Mesurier, Burl, +Fielding, and five country gentlemen belonging to the district. +Clarice, riding some yards behind them through the dark fragrant lanes, +saw eight glowing cigars draw together in a bunch. The cigars were +fixed points of red light for a little. Then they danced as though +heads were wagging, retired this side and that and set to partners. A +minute more and the figure was repeated: cigars to the centre, dance, +retire, set to partners. A laugh from the Captain sounded as though he +laughed from duty, and Mr. Burl was heard to say, 'Not too subtle, old +man, you know.' At the third repetition the Captain bellowed +satisfaction from a full heart, and Mr. Burl cried, 'Capital!' The +country gentlemen could be understood to agree in the commendation. +Whence it was to be inferred that the dance of the cigars was to have a +practical result upon the election. + +Clarice, however, paid no great attention to the proceedings in the +waggonette. She was almost oblivious to the husband at her side. The +night was about her, cool with soft odours, wrapping her in solitude. +Love at last veritably possessed her, so she believed; it had invaded her +last citadel to-night. That it sat throned on ruins she had no eyes to +see. It sat throned in quiescence, and that was enough. Clarice, in fact, +was in that compressed fever-heat of the mushroom passions which takes on +the semblance of intense and penetrating calm. And her very consciousness +of this calm seemed to ally her to Drake, to give to them both something +in common. She was troubled by no plans for the future; she had no regret +for anything which had happened in the past. The vague questions which +had stirred her--why had she been afraid of him?--was the failure of her +marriage her fault?--for these questions she had no room. She did not +think at all, she only felt that her heart was anchored to a rock. + + + + +CHAPTER XIV + + +Given a driver who is at once inexperienced and short-sighted, a fresh +horse harnessed to a light dog-cart, a dark night and a narrow gateway, +and the result may be forecast without much rashness. Mallinson upset his +wife and the cart just within the entrance to Garples. Luckily the drive +was bordered by thick shrubs of laurel, so that Clarice was only shaken +and dazed. She sat in the middle of a bush vaguely reflecting that her +heart was anchored to a rock and yet her husband had spilled her out of a +dog-cart. Between the incident and her state of mind immediately +preceding it, she recognised an incongruity which she merely felt to be +in some way significant. Fielding and Captain Le Mesurier picked her out +of the bush before she had time to examine into its significance. All she +said was, 'It's so like him.' + +'Yes, hang the fellow!' said the Captain, and under his breath he +launched imprecations at all 'those writer chaps.' + +Mallinson raised himself from a bed of mould upon the opposite side of +the drive and apologised. Captain Le Mesurier bluntly cut short the +apology. 'Why didn't you say you couldn't drive? I can't. Who's ashamed +of it? You might have broken your wife's neck.' + +'I might, and my own too,' replied Mallinson in a tone not a whit less +aggrieved. + +Captain Le Mesurier raised his eyes to the heavens with the apoplectic +look which comes of an intense desire to swear, and the repressive +presence of ladies. 'Will you kindly sit on the horse's head until you +are told to get up? I want the groom to help here,' he said, as soon as +he found words tolerable to feminine ears. A groom was already occupying +the position designated, but he rose with alacrity and Mallinson silently +took his place and sat there until the harness was loosed. + +Fielding's visit, however, had another consequence beyond the upsetting +of a gig. A few days later an epigram was circulating through the +constituency. The squires passed it on with a smack of the tongue; it had +a flavour, to their thinking, which was of the town. The epigram was +this: 'Lord Cranston lives a business life of vice, with rare holidays of +repentance, but being a dutiful husband he always takes his wife with him +on his holidays.' From the squires it descended through the grades of +society. Lord Cranston, at the close of a speech, was invited to mention +the precise date at which he intended to end his holidays. Believing that +the question sprang out of an objection to a do-nothing aristocracy, he +answered with emphatic earnestness, 'The moment I am returned for +Bentbridge.' The shout of laughter which greeted the remark he attributed +at first to political opposition. + +Subsequently, however, a sympathiser explained to him delicately the true +meaning of the question, and, as a counter-move, Lord Cranston made a +violent attack upon 'Empire building plus finance.' He drew distinctions +between governing men and making money. + +Drake accepted the distinctions as obvious platitudes, but failed to see +that the capacity for one could not coexist with the capacity for the +other. He asserted, on the contrary, that money was not as a rule made +without the exercise of tact, and some aptitude for the management of +men. He was, consequently, not disinclined to believe that money-making +afforded a good preliminary lesson in the art of government. Lord +Cranston's argument, in fact, did little more then alienate a few of his +own supporters, who, having raised themselves to affluence, felt quite +capable of doing the same for the nation. + +On the night of the polling-day Captain Le Mesurier brought his +house-party into Bentbridge to dine with Drake, and after dinner the +ladies remained in the room overlooking the street, while the gentlemen +repaired to the Town Hall, where the votes were being counted. It seemed +to Clarice as she gazed down that all the seven thousand electors had +gathered to hear the result announced. The street was paved with heads as +with black cobble-stones. Occasionally some one would look up and direct +now a cheer, now a shout of derision towards the 'Three Nuns' or the +'Yellow Boar.' But the rooms of both candidates were darkened, and the +attention of the crowd was for the most part riveted upon the red blinds +of the Town Hall. + +For Clarice, the time limped by on crutches. She barely heard the +desultory conversation about her: she felt as if her life was beating +itself out against those red windows. A clock in the market-place chimed +the hour of nine: she counted the strokes, with a sense of wonder when +they stopped. She seemed to have been waiting for a century. + +Across the street she could see the glimmer of a light summer dress in +Lord Cranston's apartment. It moved restlessly backwards and forwards +from one window to the other: now it shone out in the balcony above the +street: now it retired into the darkness of the room. Clarice gauged Lady +Cranston's impatience by her own, and experienced a fellow-feeling of +sympathy. 'During this suspense,' she thought, 'you and I ought to be +together.' As the thought flashed into her mind, her husband spoke to +her. She set a hand before her eyes and did not answer him. She realised +that she had been thinking of herself as Drake's wife. On the instant +every force within her seemed to concentrate and fuse into one passionate +longing. 'If only that were true!' She felt the longing throb through +every vein: she acknowledged it: she expressed it clearly to herself. If +only that were true! And then in a second the longing was displaced by an +equally passionate regret. + +'It might have been,' she thought. + +Again her husband spoke to her. She turned towards him almost fiercely, +and saw that he was offering her a shawl. She steadied her voice to +decline it, and turned back again to the window. But now as she looked +across the street, she was filled with a new and very bitter envy. The +woman over there had the right to suffer for her suspense. + +At last the clock doled out ten strokes with a grudging deliberation, and +less than five minutes later the shadow of a man was seen upon one of the +red blinds. In the street below the people surged forward: there was a +running flash of white as their heads were thrown back and their faces +upturned to the Hall; and the shouts and cries swelled to a Babel, +tearing the air. The blind was withdrawn, the window thrown open: Clarice +could see people pressing forward in the room. They looked in the glare +of yellow light like black ninepins. A gleam of bright scarlet shot out +from amongst them, and the Mayor stepped on to the balcony above the +archway. The tumult died rapidly to absolute silence, a silence deeper +than the silence of desolate places, because one saw the crowd and one's +ears were still tingling with the echo of its shouts. It was as though +all sound, all motion had been arrested by some enchantment, and in the +midst of that silence one word was launched down the street. + +'Drake!' + +The announcement of the numbers was lost in the sudden renewal of +conflicting shouts. Clarice made no effort to ascertain them. That one +word 'Drake' filled the world for her. The very noise in the street came +to her ears with a dull muffled sound as though it had travelled across a +wide space, and it seemed no more than an undertone to the ringing name. + +She saw Stephen Drake come forward and give place to his opponent, and +after a little the street began to clear. The number thirty-five, +incessantly repeated by the retiring crowd, penetrated to her mind and +informed her of the actual majority. In about half an hour a little +stream of people trickled from the porch of the Town Hall, and, gathering +in volume, flowed into a narrow passage which led to the Conservative +Club, a few yards to the right of the hotel. Clarice caught a glimpse of +Drake's face at the head of the procession as he passed under a gas-lamp +above the mouth of the passage, and was surprised by its expression of +despondency. A fear sprang up in her mind that some mistake had been made +in the announcement, but the fear was dispelled by the tone of her +uncle's voice as he shouted an invitation to some one across the street +to join them at the Club. It was a tone of boisterous exultation. There +could be no doubt that Drake had been elected, and she wondered at the +cause of his dejection. + +A few minutes later a second stream flowed along the opposite pavement +towards the Liberal Club in the Market Square, and drew most of the +remaining loiterers into its current. The noise and bustle grew fainter +and died away: the lights were extinguished in the houses, and only one +small group, clustering excitedly about the passage, relieved the quarter +of its native sleepiness. + +Clarice turned with a certain reluctance into the room. It was empty, and +the voices of her companions rose from the hall below. She did not follow +them, however. There was time enough, for the party could not leave until +Captain Le Mesurier returned from the Conservative Club. She went back to +her post. Through the open window opposite to her she perceived the +glimmer of a light dress in the dark of the room, but it was motionless +now, a fixed patch of white. Clarice experienced a revulsion of pity for +Lady Cranston. 'What must be her thoughts?' she asked herself. + +She remained at the window until the party from the Club emerged again +from the passage and turned towards the hotel. + +Clarice heard her husband's voice asking where Drake was, and what in +the world was the matter with him. Captain Le Mesurier replied, and the +reply rang boisterously. 'He's behind. He's a bit unstrung, I fancy, +and reason enough too, after all his work, eh? You see, Drake's +not in the habit of taking holidays,' and the Captain grew hilarious +over his allusion. + +Across the street Clarice saw the light dress flutter and move abruptly. +It was evident that Lady Cranston had heard and understood the words. + +Drake followed some few minutes later, and alone. He walked slowly to the +hotel with an air of utter weariness, as though the springs of his +activity had been broken. A moment after, he had entered it; she heard +him ascending the staircase, and she drew instinctively close within the +curtains. He pushed open the door, walked forward into the embrasure of +the window, and stood within a foot of Clarice, apparently gazing into +the street. A pale light from the gas-lamp over the front door flickered +upon his face. It was haggard and drawn, the lips were pressed closely +together, the eyelids shut tightly over the eyes--a white mask of pain. +Or was this the real face, Clarice wondered, and that which he showed to +the world the mask? + +She was almost afraid to move; she even held her breath. + +Suddenly the echoes of the street were reawakened. Drake roused himself +and opened his eyes. A small group of people strolled out of the +market-place and stopped in front of the 'Yellow Boar.' There was +interchange of farewells, a voice said encouragingly, 'Better luck next +time,' and one man entered the hotel. + +In the room opposite a match flared up and Lady Cranston lit the gas. She +stood for a moment underneath the chandelier, in the full light, +listening. Then she walked quickly to the mirror above the mantelpiece +and appeared to dry her eyes and cheeks with her handkerchief. She turned +to the door almost guiltily, just as it opened. Lord Cranston advanced +into the room, and his wife moved towards him. The whole scene, every +movement, every corner of the room was visible to Clarice like a scene on +the stage of a theatre; it was visible also to Drake. + +Clarice could note the disconsolate attitude of Lord Cranston, the smile +of tenderness upon his wife's face. She saw Lady Cranston set her arms +gently about his neck, and her lips move, and then a low hoarse cry burst +from Drake at her side. + +It sounded to her articulate with all the anguish and all the suffering +of which she had ever heard. There was a harsh note of irony in it too, +which deepened its sadness. It seemed almost an acknowledgment of defeat +in the actual moment of victory--a recognition that after all his +opponent had really won. + +The cry was a revelation to Clarice; it struck her like a blow, and she +started under it, so that the rings of the curtain rattled upon the pole. + +Drake bent sharply towards her; she caught a gleam of his eyes in the +darkness. Then with a catch of his breath he started back. Clarice heard +the click of a match-box, the scraping of a lucifer, and Drake held the +lighted match above his head. + +'You!' he said. + +Clarice moved out from the curtain and confronted him. She did not +answer, and he did not speak again. Clarice was in no doubt as to the +meaning of his cry. His eyes even in that unsteady light told it to her +only too clearly. + +And this was the man whom she had believed to stand in no need of a +woman's companionship. The thought at the actual moment of its occurrence +sent a strange thrill of disappointment through her; she had built up her +pride in him so confidently upon this notion of his independence. And +having built up her pride, she had lived in it, using this very notion as +her excuse and justification. She ran no risk, she had felt. + +'Clarice!' + +The name was shouted impatiently from the hall, and came to them quite +audibly through the half-opened door. But neither she nor Drake seemed to +hear it. They stood looking silently into each other's eyes. + +At last she began to speak, and as she spoke, her sense of disappointment +diminished and died. She became conscious again of the suffering which +his cry had confessed. The contrast between this one outburst and his +ordinary self-control enforced its meaning upon her. It seemed still to +be ringing in her ears, stretched out to a continuous note, and her voice +gradually took a tone as of one pleading for forgiveness. + +'I did not know,' she said. 'I always thought of you as--' and she gave a +queer little laugh, 'as driving about London in hansoms, and working +quite contentedly. I never imagined that you cared at all--really, I +mean, as I know now. Even right at the beginning--that afternoon in +Beaufort Gardens, I never imagined that. Indeed, I was afraid of you.' + +'Afraid!' Drake echoed the word with an accent of wonderment. + +'Yes, yes, afraid. I believed that I should mean so little to you, that I +should be of no use or help to you. And that's why--I--I--married--' + +Drake straightened his shoulders with a jerk as Clarice uttered the word. +He became aware of the tell-tale look in his eyes, and lowered them from +the girl's face to the ground. + +'You mustn't fancy,' he began in a hesitating tone. 'You mustn't +misunderstand. I was thinking what men owe to women--that's all--that's +all, indeed--and how vilely they repay it. That way, like Cranston'--he +nodded in the direction of the house across the street--'or worse--or +worse,' he clung to the word on a lift of his voice, as though he found +some protection in it, as though he appealed to Clarice to agree with and +second him, 'or worse.' + +The match burned down to his fingers, and he dropped it on the floor and +set his foot on it. Once in the darkness he repeated 'or worse,' with a +note almost of despair, and then he was silent. Clarice simply waited. +She stood, feeling the darkness throb about her, listening to the sharp +irregular breathing which told her where Drake stood. In a few moments +he stirred, and she stretched out her hands towards him. But again she +heard the click of a match-box, and again the thin flame of light flared +up in the room. + +'Clarice!' + +Her name was shouted up a second time. There was a sound of quicker +footsteps upon the stairs, the door was flung back, and Sidney Mallinson +entered the room. Drake lighted the gas. + +'We have been waiting for you,' said Mallinson to his wife. 'I couldn't +think where you had got to,' and he glanced from her to Drake. + +'I have been here all the time,' she said with a certain defiance. + +Mallinson turned and walked down the stairs again, without as much as a +word to Drake. Clarice followed him, and after her came Drake. + +'Ah, here you are!' said Captain Le Mesurier. 'Now we're ready. Drake, +you are coming back with us?' + +Drake hesitated. + +'You said you would at the Town Hall. So I have had your bag packed, and +put in the waggonette.' + +'Very well,' he assented; and the party went outside the hotel. + +'Now, how shall we go?' asked the Captain. 'Mallinson, you of course in +the waggonette,' and he chuckled with a cheery maliciousness. 'Clarice, +will you get in?' + +'No!' she said with an involuntary vehemence. The idea of driving back +wedged in amongst a number of people, listening to their chatter, and +forced to take her share in it, became suddenly repugnant to her. 'I +would rather drive in the trap, if I might.' + +'Very well! But who is to drive you?' Captain Le Mesurier turned to +Drake. 'You can drive, of course.' + +Drake replied absently. 'I have driven the coach from Johannesburg to +Pretoria, ten mules and a couple of ponies, and a man beside you swinging +a sixty-foot lash.' + +Captain Le Mesurier laughed out. 'Then there'll be no upset to-night. +Come along.' + +The guests took their seats, while Drake stood on the pavement. + +'Come along, Drake,' shouted the Captain from the box seat of the +waggonette. + +Drake roused himself with a start. 'I beg your pardon,' he said, and he +went to the side of the dog-cart. He drew back when he saw Clarice +already in it, and looked from cart to waggonette. 'I am so sorry,' he +said in a low voice. 'I was not listening, I am afraid.' + +He mounted beside her, whipped up the horse, and drove ahead of the +waggonette. They passed out of the town into the open country. Behind +them the sounds of wheels grew fainter and fainter and died away. In +front the road gleamed through the night like a white riband; the +hedgerows flung out a homely scent of honeysuckle and wild roses; above, +the stars rode in a clear sky. To Clarice this was the perfect hour of +her life. All her speculations had dropped from her; she had but one +thought, that this man driving her cared for her, as she cared for him. +It was, in truth, more than a thought; she felt it as a glory about her. +Accidentally, as the trap swung round a bend of the road, she leaned her +weight upon his arm and she felt the muscles brace beneath his sleeve. +The sensation confirmed her thought, and she repeated her action +deliberately and more than once. She had but one wish, that this drive +should never end, that they should go forward always side by side through +a starlit night, in a stillness unbroken by the sound of voices. And that +wish was more a belief than a wish. + +They ascended the slope and came out upon an open moor. It stretched +around them, dark with heather as far as they could see. The night +covered it like a tent. It seemed the platform of the world. Clarice +suddenly recollected her old image of the veld, and she laughed at the +recollection as one laughs at some queer fancy one has held in childhood. + +Across the moor the wind blew freshly into their faces. Drake quickened +the horse's paces, and Clarice imagined a lyrical note in the ringing +beat of its hooves. The road dipped towards a valley. A stream wound +along the bed of it, and as they reached the crest of the moor they could +see below them the stars mirrored in the stream. Upon one of the banks a +factory was built, and its six tiers of windows were so many golden spots +of light like the flames of candles. Drake stopped the trap and sat +watching the factory. + +'Night and day,' he said, 'night and day. There is no end to it. It +is the law.' + +He spoke not so much dispiritedly, but rather as though he was teaching +himself a lesson which he must needs surely get by heart. He lifted the +reins and drove down the hill, past the factory and along the valley to +the gates of Garples. There he stopped the trap again. For a moment +Clarice fancied that the gates must be shut, but as she bent forward and +looked across Drake, she saw that they were open. She turned her eyes to +her companion. He was sitting bolt upright with an unfamiliar expression +of irresolution upon his face, and he was doubtfully drawing the lash of +the whip to and fro across the horse's back. + +Clarice felt that her life was in the balance. 'Yes,' she whispered. + +'No!' Drake almost shouted the word. He turned the horse through the +gates and drove in a gallop to the door of the house. Clarice heard him +draw a deep breath of relief as he jumped to the ground. As he was +pulling off his gloves in the hall, Clarice brushed past him and ran +quickly up the stairs. He was roused from his reverie by the arrival of +the rest of the party. + +Clarice sent word downstairs that she was tired and would not appear +at supper. + +But an hour later Sidney Mallinson found her seated by the open window. +She had not even taken off her hat or gloves. Once or twice he seemed on +the point of speaking, but she faced him steadily and her manner even +invited his questions. Mallinson turned away with the questions unasked. +But he lay long awake that night, thinking; and his resentment against +Drake gained new fuel from his thoughts. The frankness of his wife's +admiration for Drake had before this awakened his suspicions, and the +suspicions had become certain knowledge. He guessed, too, that to some +degree Drake returned his wife's inclination, and he began immediately on +that account to set a higher value upon the possession of her than he had +lately done. + +Once Clarice heard him laugh aloud harshly. He was thinking of the +relationship in which he had set Drake to himself in that first novel +which he had written. Actually the relationship was reversed. 'No, not +yet,' he said to himself. But it would be, unless he could hit upon some +plan. The day was breaking when his plan came to him. + + + + +CHAPTER XV + + +The next morning Drake's seat at the breakfast table was empty. + +'He caught the early train from Bentbridge,' Captain Le Mesurier +explained. 'Business, I suppose. He told me last thing yesterday night +that he had to go.' + +Clarice coloured and lowered her eyes to her plate. Mallinson noticed her +embarrassment, and took it for evidence of some secret understanding +between her and Drake. He became yet more firmly resolved to put his idea +into action. + +'You are not in a hurry,' said Captain Le Mesurier. 'You had better stay +the week out.' + +Mallinson saw his wife raise her head quickly as though she was about to +object, and immediately accepted the invitation. Parliament would not +meet for three weeks, he reckoned, since there were still the county +members to be elected. + +Clarice spent the week in defining the relationship in which she and +Drake were henceforth to stand towards each other. They were to be +animated by a stern spirit of duty,--by the same spirit, in fact, which +had compelled Drake to court-martial Gorley in Africa, and subsequently +to detail the episode to her. Duty was to keep them apart. She came to +think of duty as a row of footlights across which they could from time to +time look into each other's eyes. + +Clarice felt that there was something very reassuring and protective in +this notion of duty. It justified her in buying a copy of _Frou-Frou_, +which lay upon the bookstall at Bentbridge railway station, and in +studying it continuously all the way from Bentbridge to London. She was +impelled to purchase it by a recollection that Drake had first been +introduced to her at a performance of that play, and his criticisms +returned to her thoughts as she read the dialogue. The play had seemed +true to him, the disaster inevitable--given the particular characters, +and she bore the qualification particularly in mind. There was a +difference between _Frou-Frou_ and a woman animated by a sense of duty; a +difference of kind, rather than of degree. Sidney Mallinson remarked the +book which she was reading, but he made no comment whatsoever. + +The next morning he paid a long call upon the editor of the _Meteor_. + +Meanwhile, Drake was devoting himself to the business of the Matanga +Company, with an assiduity unusual even for him. Fielding discovered that +he seldom left the city before ten at night, and felt it incumbent to +expostulate with him. 'You can't go on like this for much longer, you +know. You had better take a rest. There's no need for all this work.' + +'There is,' replied Drake. 'I want to clear off arrears, because I am not +sure that I oughtn't to go out again to Matanga. You see I can do it +quite easily. Parliament meets in a fortnight to vote supplies. It will +adjourn, it's thought, three weeks later. I could leave England in +September, and get back easily in time for the regular sessions.' + +'But why should you go at all?' asked Fielding. 'You haven't been back a +year as it is.' + +'I know,' said Drake slowly. 'But it seems to me that it would inspire +confidence, and that sort of thing, if one of us were out there as much +as possible. You see, thanks to you and Burl, I can leave everything +here quite safely,' and he returned to his desk as though the discussion +was ended. + +A week later he received an invitation to dinner from Mr. Le Mesurier, +and the invitation was so worded that he could find no becoming excuse to +decline it. The dinner was given, the note stated, in order to celebrate +his victory at Bentbridge. Fielding and he went together, and when they +arrived, they found Mallinson taking off his coat in the hall. + +'Where have you been all this time?' asked Fielding. 'I haven't seen +you about.' + +'At Clapham,' replied Mallinson. + +'I don't know it.' + +'It's a suburb to the south-west.' + +'That's why.' + +'My mother lives there.' + +'I am very sorry.' + +The words might have been intended to convey either an apology, or an +expression of sympathy with his mother. Mallinson preferred to take them +in the former sense. 'I took my wife down there,' he continued. 'She +wanted more quiet than one can get in London.' + +Fielding noticed, however, that Clapham quiet had not materially +benefited Mrs. Mallinson. He commented on her worn appearance to Mrs. +Willoughby, when they were seated at the dinner-table. + +'She has been staying, she tells me, with her husband's people,' replied +Mrs. Willoughby. 'I fancy she finds them trying.' + +Clarice was placed next to Drake, upon the opposite side to Mrs. +Willoughby, and out of ear-shot, and was endeavouring to talk to him +indifferently. 'You never take a holiday, I suppose. Where are you going +this year?' she asked. + +'To Matanga,' said Drake. + +'Matanga! Oh no.' The words slipped from her lips before she was able to +check them. + +'I think that my place is there,' returned Drake, 'at all events for the +moment. I shall go as soon as the House rises.' + +'I thought you didn't mean to leave London again.' + +'One gets over ideas of that kind. After all, my interests lie in +Matanga, and one gets a kind of affection for the place which makes +your fortune.' + +The recantation was uttered with sufficient awkwardness. But Clarice was +too engrossed in her own thoughts to notice his embarrassment. 'Do you +remember when I first met you?' she asked. 'It was at a performance of +_Frou-Frou_.' + +'I remember quite well,' said he. 'I was rather struck with the play.' + +'I have been reading it lately.' + +Drake started at the significant tone in which the words were spoken. +'Really?' he said, with an uneasy laugh. 'What impressed me was that +scene at Venice, where Gilberte and De Valreas read over the list of +plays in the Paris newspapers, and realise what they have thrown away, +and for how little. It seemed to me the saddest scene I had ever +witnessed.' + +'Yes,' interposed Clarice quickly. 'But because Paris and its theatres +meant so much to them. I remember what you said, that everything in the +play seemed so true just to those characters, Gilberte and De Valreas.' + +She glanced at him as she uttered the last name. Drake understood that +she was drawing a distinction between him and the fashionable lounger +of the play. + +'Besides,' she went on, dropping her voice, 'Gilberte left a child behind +her. Her unhappiness turned on that.' + +'In a way, no doubt, but the loss of friends, station, home, counts +for something--for enough to destroy her liking for De Valreas at +all events.' + +'For De Valreas!' insisted Clarice. 'He was not worth the sacrifice.' She +paused for a moment, and then continued diffidently. 'There's something +else; I hardly like to tell you it. You wouldn't notice it from seeing +the play. I didn't; but it came to me when I read the book. I think the +play's absolutely untrue, yes, even to those characters, in one respect.' + +'And what's that?' asked Drake. + +Clarice glanced round. Her neighbours, she perceived, were talking. +Mrs. Willoughby was too far off to hear. She dropped her voice to a yet +lower key and said, 'They make the husband kill the lover in the duel. +It's always the end in books and plays; but really the opposite of that +would happen.' + +Drake leant back in his chair and stared at her. 'What do you mean?' + +'Hush!' she said warningly, and turning away she spoke for a little +to the man on the other side of her. Then she turned back. 'I mean,' +she said, 'if two people really care for one another, their love +would triumph over everything--everything. De Valreas would have +killed the husband.' She spoke with an intense conviction of the +truth of what she said. + +'But, my dear child!' replied Drake. 'You--oh, you don't really +believe that.' + +'I do,' she answered. 'You see, there are so few people who really care +for one another. If you find two who do, I am sure they would conquer, +whatever stood in the way.' + +The conversation was interrupted, to Drake's relief, by Captain Le +Mesurier. He rose from the corner of the table to propose the health of +the guest of the evening. He said that he was proud to be represented in +Parliament by a man of Stephen Drake's calibre. If there was anything of +which he was prouder, it was the way in which the election had been +fought at Bentbridge. That election was the triumph not merely of a man +or a cause, but of a method; and that method was honesty and fair-play. +'We never indulged in personalities,' he continued, with shameless +sincerity. 'I have always myself been very strong on that point. Fight of +course for all you're worth, but never indulge in personalities. It's a +good rule. It's a rule that helped Stephen Drake to win his seat. We +followed it. We left the lies for the opponent to tell, and he told them. +But we never did and never will indulge in contemptible personalities.' + +The Captain subsided to a gentle rapping of forks and spoons upon the +table, while Fielding said pointedly, 'Yes, Captain, you deserve your +holidays,' and he emphasised the word. The Captain caught the allusion +and laughed heartily. It was evident that he saw no inconsistency between +the epigram and his professed method of contesting an election. + +Drake replied shortly, and the ladies retired. Mallinson moved round the +table, and seated himself in the chair which Clarice had left. + +'Do you think of speaking at all during this session?' he asked. + +'I am not quite sure,' replied Drake; 'but I rather think I shall on the +colonial vote. You see there's first-class wheat-growing land in Africa, +quite near to the west coast. We import practically all that we use in +England. Well, why shouldn't we import it from our own dominions? +Besides, the route would be so much safer in times of war, unless, of +course, we were at war with France. Ships could slip up the coast of +Africa, across the bay and into Plymouth with much less risk than if they +have to sail from the Argentines or some place like that. I believe, if +the Colonial Office could be induced to move in the matter, the idea +might be carried out. What do you think?' + +Mallinson carelessly assented and returned to his seat. + +For the remainder of the evening Drake avoided Clarice. As he was taking +his leave, however, she came up to him. He shook her by the hand and she +whispered one word to him, 'Matanga.' Drake could not mistake the note of +longing in her voice, and as he drove to his chambers the temptation with +which he had wrestled at the gates of Garples assailed him again, and +with double force. He had but to speak, he knew, and she would come. The +loneliness of his rooms made the struggle yet harder, yet more doubtful. +He pictured to himself what he had never had, a home, and he located that +home in Matanga. The arid plain blossomed in his imagination, for he saw +the weariness die out of Clarice's face. + +He tossed restlessly through the night, until one thought emerged from +the turmoil of his ideas, fashioned itself into a fact, and stood framed +there before his eyes. He held the future of Clarice in the hollow of his +hand. Her fate rested upon his decision, and he must decide. + +Drake rose and walked out on to the balcony, as the dawn was breaking +over London. A white mist was crawling above the Thames; he could see +a glimpse of the water here and there as the mist shredded. He turned +to the west and looked towards Westminster, recollecting how his name +and purposes had centred there as though drawn by a magnet. But in +that clear morning light they seemed unreal and purposeless. One +immediate responsibility invaded him, and, contrasted with that, his +ambitions dwindled into vanities. He filled no place, he realised, +which would be vacant unless he occupied it. He had to decide for +Clarice and solely for her. + +Drake took up his hat and walked out of London to Elm Tree Hill. There, +gazing down upon its spires asparkle in the early sunlight, while the +city gradually awoke and the hum of its stirring began to swell through +the air, he came to his decision. Clarice belonged to London; he did not. +In Matanga she would be content--for how long? The roughness, the absence +of her kind and class, the makeshift air of transition, would soon +destroy its charm of novelty. Every instinct would draw her back to +London, and the way would be barred, whilst for him Matanga was a +province in which every capacity he possessed could find employment and +exercise. He would leave England for Matanga when this short session was +over; he would resign his seat and settle there for good. For if he +stayed in London, every step which he took, every advance which he made, +would only add to Clarice's miseries. + +Thus he decided, and walked back with his mind at rest, without regret +for the loss of his ambitions, without, indeed, any real consciousness of +the sacrifice which he had it in his thoughts to make. + +Thus he decided, but as he left his office on the afternoon of the day +whereon he was to make his speech in the House of Commons, Fielding +rushed up to him with a copy of the _Meteor_. + +'Look!' he said, and pointed to an article. Drake took the paper and read +the article through. His face darkened as he read. The article had a +headline which puzzled Drake for a moment. It was entitled _The Drabious +Duke_, and it proceeded to set out the episode of Gorley's court-martial +and execution. The facts, Drake recognised, were not exaggerated, but the +sting lay in the suggestion with which it concluded. + +'We have no doubt,' the leader-writer stated, 'that both the +court-martial and execution were in accordance with the letter of the +law, but, since Mr. Stephen Drake is now one of the legislators of this +country, we feel it our duty to submit two facts for the consideration of +our readers. In the first place we would call attention to the secrecy in +which the incident has been carefully shrouded. In the second, Gorley +undoubtedly secured a considerable quantity of gold-dust. Now, it is +perfectly well known that the Government of Matanga pays a commission on +all gold-dust brought down to the coast. We have gone into the matter +carefully, and we positively assert that no commission whatever was paid +in any such plunder during the two months which followed Mr. Drake's +return from Boruwimi. What, then, became of it? We ask our readers to +weigh these two facts dispassionately, and we feel justified in adding +that Mr. Drake would have been quite within his rights in showing +clemency to Gorley, or in bringing him back to undergo a regular trial. +However, he preferred to execute him on the spot.' + +'He makes me out a thief and a murderer,' said Drake. 'I wonder where he +got the story from?' + +Fielding answered slowly, 'I am afraid that I can throw some light on +that. I told Mallinson some time ago, before he was married.' + +'Mallinson!' exclaimed Drake, stopping in the street. 'Oh, you think the +article comes from him?' Then he turned to Fielding. 'And how did you +know of it?' + +'Well,' said Fielding with some hesitation, 'Mrs. Willoughby told me.' + +'Why?' + +'We neither of us, of course, knew you very well then. Mrs. Willoughby +had only just met you, and she didn't feel quite certain that Clarice +ought to be kept in ignorance of the matter, so she asked my advice.' + +'Quite so,' answered Drake. 'I understand. You thought Clarice ought to +be informed, and you were right. I told her of the matter myself.' + +'No,' exclaimed Fielding; 'I'll tell you the whole truth while I am about +it. I advised Mrs. Willoughby to say nothing, but I behaved like a damned +cad, and told Mallinson myself afterwards. I had quite another reason for +telling him.' + +'Oh, never mind!' broke in Drake. 'The question is, what's to be +done now?' + +'You must sue the paper!' + +'Of course. I was thinking whether I couldn't mention the matter to-night +in the House of Commons. You see it has got into the papers that I mean +to speak, and perhaps I ought to make use of the opportunity.' + +Fielding jumped at the idea. 'By Jove, yes,' he said. 'I should think, in +fact, the directors of the Company will rather expect it.' + +They walked together until they reached the corner of Parliament Street; +there they stopped. + +'I am awfully sorry, Drake,' said Fielding. 'I behaved like a +blackguard.' + +Drake again cut him short. 'Oh, I don't see that. The thing looked fishy, +I don't doubt, and you weren't bound to me in any way. Good-bye,' and he +held out his hand with a cordial smile. + +'Good-bye,' said Fielding, and they separated. + +On reaching his flat Drake was informed that a lady was waiting to see +him. He crossed the passage and opened the door of his sitting-room. Mrs. +Mallinson was standing by the window. + + + + +CHAPTER XVI + + +She turned quickly as the door closed and took a step towards the centre +of the room. Drake perceived that she had a copy of the _Meteor_ in her +hand. 'You have seen this?' she asked. + +'Yes.' He remained by the door with his hand on the knob. + +'And you guessed who wrote it?' + +'I have been told.' He answered her coldly and quietly. + +'I know what you think,' she replied. 'But it's not true. I never told +him the story. He knew it long ago--before you went back to +Matanga--before I married him.' Her voice took a pleading tone. 'You will +believe that, won't you?' + +'It never occurred to me that you had told him. I know, in fact, who did. +But even if you had--well, you had the right to tell him.' Clarice gave a +stamp of impatience. 'He is your husband.' + +'My husband!' she interrupted, and she tore the newspaper across and +dropped it on to the floor. 'My husband! Ah, I wouldn't have believed +that even he could have done a thing so mean. And, to add to the meanness +of it, he went away yesterday, for a week. I know why, now; he dared not +face me.' Then of a sudden her voice softened. 'But it's my fault too, in +a way,' she went on. 'He knew the story a long time ago, and never used +it. I don't suppose he would have used it now, if I hadn't--since your +election--let him see--' She broke off the sentence, and took a step +nearer to Drake. 'Stephen, I meant to let him see.' + +Drake drew himself up against the door. It would be no longer of any +service to her, he thought, if he left England and returned to Matanga. +Something more trenchant was needed. + +He reflected again that he filled no place which another could not fill, +and the reflection took a wider meaning than it had done before. 'Yes,' +he said; 'it's very awkward that it should all come out just now.' + +Clarice stared at him in perplexity. 'Awkward that it should all come +out,' she repeated vaguely; and then, with an accent of relief, 'You mean +that it will injure the Company?' + +'Not so much that. The Company can run without me--quite well now--I am +certain of it.' He spoke as though he was endeavouring to assure himself +of what he said. + +'But it won't hurt you, really,' she exclaimed. 'You can disprove the +charges, and of course you must, I know you hesitate--for my sake--to +bring an action and expose the writer. But you must, and I don't think,' +she lowered her eyes to the ground, 'you would hurt me by doing that.' +For a moment she was silent. Drake made no answer, and she raised her +eyes again to his face. 'You can disprove it--oh, of course,' she said, +with a little anxious laugh. + +'That depends,' he answered slowly, 'upon how much the _Meteor_ knows.' + +Clarice drew back and caught at the table to steady herself. Once or +twice she pressed her hand across her forehead. 'Oh, don't stand like +that,' she burst out, 'as if it was all true.' + +'But they can't prove it's true,' exclaimed Drake, with a trace of +cunning in his voice. 'No; they can't prove it's true.' + +'But is it?' Clarice stood in front of him, her hands clenched. Drake +dropped his eyes from her face, raised them again, and again lowered +them. 'Is it?' she repeated, and her voice rose to the tone of a demand. + +'Yes,' and he answered her in a whisper. + +Clarice recoiled from him with a cry of disgust. She noticed that he drew +a long breath--of relief, it seemed--like the criminal when his crime is +at last brought home to him. 'Then all that story,' she began, 'you told +me at Beaufort Gardens about--about Boruwimi was just meant to deceive +me. You talked about duty! Duty compelled you! You would have hanged +Gorley just the same had you known that he had been engaged to me.' She +began to laugh hysterically. 'It was all duty,--duty from beginning to +end, and I believed you. Heaven help me, I came to honour you for it. And +in reality it was a lie!' She lashed the words at him, but he stood +patiently, and made no rejoinder. 'I always wondered why you told me the +story,' she continued. 'You felt that I had a right to know, I remember. +And you felt bound to tell me. It's clear enough now why you felt bound. +You had found out, I suppose, that my husband knew--' She stopped +suddenly, as though some new thought had flashed into her mind. 'And I +came here to give up everything--just for your sake. Oh, suppose that I +hadn't found you out!' + +She stooped and picked up from the floor the torn pages of the _Meteor_. +She folded them carefully and then moved towards the door. Drake opened +it and stood aside. + +Clarice went out, called a hansom and drove home. When she arrived there +she ordered tea to be brought to the drawing-room and sat down and again +read the article in the _Meteor_. When the tea was brought, she ordered +it to be taken into Sidney's study. She walked restlessly about that +room, as though she was trying to habituate herself to it. A green shade +lay upon the writing-table, which her husband was accustomed to wear over +his eyes. She took it up, looked at it for a little, and then threw it +down again with an air of weariness and distaste. A few minutes later +Percy Conway called and was admitted. + + + + +CHAPTER XVII + + +Fielding opened his newspaper the next morning with unusual eagerness, +and, turning to the Parliamentary reports, glanced down column after +column in search of Drake's speech. The absence of it threw him into some +consternation. He tossed the newspaper on to the breakfast-table and rose +from his seat. As he moved, however, he caught sight of Drake's name at +the beginning of a leader, and he read the leader through. It dealt with +the accusation of the _Meteor_, and expressed considerable surprise that +Drake had not seized the opportunity of denying it in the House of +Commons. It was mentioned that Drake had not been seen there at any time +during the course of the evening. + +Fielding jumped to the conclusion that he had met with an accident, +and set out for his chambers on the instant. He found Drake quietly +eating his breakfast. Only half the table, however, was laid for the +meal; the other half was littered with papers and correspondence, +while a pile of stamped letters stood on one corner. 'I was expecting +you,' said Drake quietly. + +'Why, what on earth has happened?' asked Fielding. 'Why didn't you speak +last night?' + +'I thought it would be the wisest plan to leave the matter alone.' + +'But you can't,' exclaimed Fielding. 'Read this!' and he handed to him +the newspaper. 'You can't leave it alone.' + +'I can, and shall,' replied Drake, and he returned to his breakfast. + +'But, my dear fellow, you can't understand what that means! Read the +leader, then.' Drake glanced quickly down it. 'Now, do you understand? It +means utter ruin, utter disgrace, unless you answer this charge, and +answer it at once. You will have created a false enough impression +already.' Drake, however, made no response beyond a shrug of his +shoulders. 'But, good Lord, man,' continued Fielding, 'your name's at +stake. You can't sit quiet as if this was an irresponsible piece of +paragraph-writing. You would have to resign your seat in Parliament, your +connection with the Matanga Company--everything. You couldn't possibly +live in England.' + +'Do you think I haven't counted up precisely what inaction is going to +cost me?' interrupted Drake. 'Look here!' and he took a couple of letters +from the pile and handed them to Fielding. One was addressed to the whip +of his party, and the other to the directors of the Matanga Concessions. +'And I leave Charing Cross at ten o'clock this morning.' + +Fielding looked at his watch; it was half-past nine. 'Then you mean to +run away?' he gasped. 'But, in Heaven's name, why?' + +'For an obvious reason. Yesterday I believed that I could meet the +charge. But something has happened since then, and I know now that I +can't.' + +Fielding started back. 'Do you mean to tell me, as man to man, that the +accusation's true.' + +'As man to man,' repeated Drake steadily, 'I tell you that it is true.' + +Fielding stared at him for a minute. Then he said, 'Drake, you're a +damned liar.' + +'We haven't much time,' said Drake, 'and I would like to say something to +you about the future of the Matanga settlement. You will take my place, I +suppose. You can, and ought to'; and he entered at once into details on +administration. + +The advice, however, was lost upon Fielding. Once he interrupted Drake. +'How many white men were with you on the Boruwimi expedition?' he asked. + +'Four,' answered Drake, and he gave the names. 'They are dead, though. +Two died of fever on the way back; one was killed in a subsequent +expedition, and the fourth was drowned about eighteen months ago off +Walfisch Bay.' A noise of portmanteaux being dragged along the passage +penetrated through the closed door. Drake looked at his watch, and +started to his feet. 'I must be off,' he said; 'I am late as it is. You +might do something for me, and that is to post these letters.' + +'But, man, you are not really going?' + +Drake for answer put on his hat and took up his stick. 'Good-bye,' he +said. + +'But, look here! Do you ask me to believe that you would have been giving +me all this advice, if you had really done what that infernal paper makes +you out to have done?' + +'I'll give you a final piece of advice too. Give up philandering and +get married!' + +With that he opened the door and went out, and a few seconds later +Fielding heard the sound of his cab-wheels rattle on the pavement. + +Drake, on reaching Charing Cross, found that he had more time to spare +than he had reckoned. He was walking slowly along the train in search of +an empty compartment when, from a window a few paces ahead of him, a face +flashed out, and as suddenly withdrew. The face was Conway's, and Drake +felt that the sudden withdrawal meant a distinct desire to avoid +recognition. He set the desire down to the unrepulsed attack of the +_Meteor_, and since he had no inclination to force his company upon +Conway, he turned on his heel and moved towards the other end of the +train. He was just opposite the archway of the booking-office when a +woman, heavily veiled and of a slight figure, came out of it. At the +sight of Drake she came to a dead stop, and so attracted his attention. +Then she quickly turned her back to him, walked to the bookstall, and +slipped round the side of it into the waiting-room. Drake wheeled about +again. Conway's head was stretched out of the window; and he was gazing +towards the bookstall. + +Drake was in no doubt as to who the woman was, and he felt his heart turn +to stone. He walked quickly back until he reached Conway's compartment. +It was empty save for him, but there was a reserved label in the window. + +'Holloa!' said Conway, awkwardly enough. 'Are you going by this train? +You had better find a seat if you are.' + +'But I'm not,' said Drake; 'I thought of going, but I have changed my +mind.' He leaned against the door of the carriage chatting incessantly to +Conway, with an eye upon the waiting-room. Once he saw the woman appear +at the door, but she retired again. Meanwhile Conway's embarrassment +increased. He said 'Good-bye' to Drake at least half-a-dozen times, but +on each occasion Drake had something new to say to him. At last the +whistle sounded and the train began to move. 'I say,' cried Drake, +running along by the carriage. 'My luggage is in the van. You might bring +it back with you from Dover, if you will,' and he stood watching the +train until it disappeared under the shed. + +Then he walked into the waiting-room. He saw Clarice seated in a +corner, and went straight to her. She noticed that his face was white +and set, and she rose with some instinct of defiance. 'I owe you an +apology,' he said abruptly. 'The _Meteor_ is untrue from the first word +to the last. I mean to stay in London, and fight it; yesterday +afternoon I told you lies.' + +'Why?' she asked. + +'Sheer lunacy,' said he; and he got into a cab and drove to the offices +of his solicitor. + + + + +CHAPTER XVIII + + +Meanwhile Fielding picked up the pile of letters from the table in +Drake's chambers and went down into the street. He paused for a moment or +two at the pillar-box weighing the letters in his hand. Then he slipped +them into his pocket and hurried to Mrs. Willoughby's. + +Mrs. Willoughby was moving restlessly about the drawing-room as he was +shown in. She turned impulsively towards him, holding out both hands. 'I +so hoped you would come,' she said. 'Well? You have seen him?' + +'Yes.' + +'What does he mean to do?' she asked anxiously, taking from a chair a +copy of the _Meteor_. + +'Nothing,' replied Fielding. 'He resigns his seat; he gives up his +directorship; he is leaving England.' + +Mrs. Willoughby's first look was of sheer incredulity. 'It's impossible!' +she exclaimed. + +'I have just returned from his chambers. He has started from Charing +Cross already.' + +Mrs. Willoughby sat down in the window-seat, and her look of incredulity +gradually changed to one of comprehension. 'And he took such delight in +London,' she said, with a break in her voice; 'just like a schoolboy.' + +Fielding nodded gloomily. 'I did my best to dissuade him,' he said. 'I +practically told him he was a coward to run away. But you know the man. +He had made up his mind not to face the charge. And yet I can't believe +it's true.' + +'Believe it!' exclaimed Mrs. Willoughby, with a hint of something +dangerously near to scorn in her voice. + +'I know, I know,' answered Fielding. 'Still Drake pleads guilty. He +sacrifices everything, an established position, unusual +prospects--everything, by pleading guilty. You see, that's the point. He +has every imaginable inducement to make him face the accusation, even if +he has only the merest chance of winning, and yet he runs away. He runs +away--Drake does. There's only one inference--' + +'For the world to draw,' interrupted Mrs. Willoughby; 'and doubtless he +meant the world to draw it. But you and I should know him better.' + +'Yes,' Fielding admitted. 'Yes.' He began to walk about the room. 'But +what's the reason? Drake's action, if this statement is a libel, is the +action of a madman.' + +'A madman? Yes! Don Quixote was mad even in his century,' replied Mrs. +Willoughby. 'I can give you the reason. Clarice was with him yesterday +afternoon.' + +'Yesterday?' said Fielding. 'Why, I walked home with Drake from the +City myself.' + +'But you didn't go in with him.' + +'No; I left him alone to arrange his speech. He meant to mention this +very charge.' + +Mrs. Willoughby started to her feet. 'Then that settles it,' she said. +'Clarice was waiting for him in his rooms. Oh, if you had only gone in +with him! You remember what I wrote to you, that he would lie in the +mud if he thought it would save her. Well, that is what he has done. +Clarice came here this very morning and told me what had happened. She +went to his chambers, determined never to return to her husband, +prepared to sacrifice--I give you her words, not mine--to sacrifice +herself, her name, and for his sake. But when she showed him the +_Meteor_ her suspicions were aroused by his manner, and she forced the +truth out of him.' + +Fielding gave a short, contemptuous laugh. 'Forced the truth out of him! +She actually told you that?' + +'And what's more, she believes it. Oh the waste, the waste of a man like +that upon a doll like her. I suppose there's nothing to be done?' + +'Nothing; if he won't defend himself, our defence won't carry any +weight,' he went on, with a change of tone. 'But I don't see what real +good he does, even to her. She goes back to her husband now, but next +month or next year there'll be somebody else.' + +'Yes,' replied Mrs. Willoughby; 'but I hardly fancy Stephen Drake would +consider that. I believe he would feel that he had no right to speculate +on what may not happen. He would just see this one clear, definite, +immediate thing to do, and simply do it.' She spoke the sentence with a +slow emphasis upon each word, and Fielding moved uneasily. It seemed to +strike an accusation at him. He braced himself to make the same +confession to Mrs. Willoughby which he had made that afternoon before to +Drake. But, before he could speak it, Mrs. Willoughby put to him a +question. 'Tell me, did he seem to mind much?' + +'No,' Fielding answered with an air of relief. His confession was +deferred, if only for a minute. 'He seemed cheerful enough. The last +thing he did,' and he paused for a second, 'was to give me advice about +the management of the Matanga Company.' + +'That's so like him,' she said gently. Then she looked up with a start of +interest. 'You are going to take his place?' she asked. + +'He said I ought to. I know more about it than the other directors. Of +course they mayn't appoint me, but I expect they will.' Mrs. Willoughby +was silent. She moved away from the window and stood by the fireplace. +Fielding crossed to her. 'Drake gave me one other piece of advice,' he +said hesitatingly,--'not about business. It concerned me and just one +other person.' He pitched the remark in an interrogative key. + +Mrs. Willoughby glanced quickly towards him with just the hint of a smile +dimpling about the corners of her lips. Fielding found it very difficult +to go on, but there was one clear, definite, immediate thing for him to +do as well, he said. 'Before I act on it there is something I ought to +tell you.' He paused for a second, and the trouble in his voice perplexed +Mrs. Willoughby. 'Whom do you think Mallinson got his knowledge about +Gorley from?' + +Mrs. Willoughby took a step forward. 'Whom? Why,' and she gave a little +anxious laugh, 'from Clarice, of course.' + +'No.' + +Mrs. Willoughby looked at him for a moment in silence. Then she drew back +again. 'You told him?' she asked with a quiet wonder. 'Yes,' Fielding +nodded. 'But I only told you,' she said, 'because I wanted your advice. +What made you tell him? There must have been some reason, some good +reason, some necessity.' + +'No; there was no necessity, no good reason, no reason at all,' Fielding +replied doggedly. 'I told him because--' he stopped abruptly; the reason +seemed too pitiful for him even to relate. + +'Well, because?' asked Mrs. Willoughby. There was a note of hardness +in the utterance. Fielding raised his eyes and glanced at her face. +'It comes too late,' he said unconsciously, and he was thinking of +Drake's advice. + +'The reason!' she insisted, taking no notice of the sentence. 'The +reason!' + +'I told Mallinson at the time when I was always meeting him here.' + +Mrs. Willoughby gave a start. 'And because of that?' she cried. + +'Yes,' said he. 'I thought the knowledge might give him a fairer,' he +changed the word, 'a better, chance with Clarice.' + +'Oh, how mean!' exclaimed Mrs. Willoughby, not so much in anger as in +absolute disappointment. She turned away from him, and stood for a little +looking out of the window. Then she said, 'Good-bye.' + +And Fielding took his hat and left the house. He went down to the office, +and was told that Drake wanted to see him. + +'Drake!' he exclaimed. He pushed open the door of Drake's private office, +and the latter looked up from his papers. + +'You called me a damned liar this morning,' he said, 'and you were +right.' + +Fielding dropped into a chair. 'What do you mean?' + +'That there's not a word of truth in the _Meteor's_ charges, and I am +prosecuting the editor. Did you post those letters?' + +Fielding pulled them out of his pocket and threw them on to the table. +'Thanks,' said Drake, 'that's fortunate.' + +Fielding did not inquire into the cause of Drake's change of purpose, and +it was some while before he understood it. For Mrs. Willoughby held no +further discussions with him in the drawing-room at Knightsbridge. + +THE END + + + + + +End of the Project Gutenberg EBook of The Philanderers, by A.E.W. 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