summaryrefslogtreecommitdiff
path: root/old/12841-h
diff options
context:
space:
mode:
Diffstat (limited to 'old/12841-h')
-rw-r--r--old/12841-h/12841-h.htm5112
1 files changed, 5112 insertions, 0 deletions
diff --git a/old/12841-h/12841-h.htm b/old/12841-h/12841-h.htm
new file mode 100644
index 0000000..dcec711
--- /dev/null
+++ b/old/12841-h/12841-h.htm
@@ -0,0 +1,5112 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>The Project Gutenberg eBook of John Marr and Other Poems, by Herman Melville</title>
+
+<style type="text/css" xml:space="preserve">
+
+body { margin-left: 20%;
+ margin-right: 20%;
+ text-align: justify; }
+
+h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
+
+h1 {font-size: 300%;
+ margin-top: 0.6em;
+ margin-bottom: 0.6em;
+ letter-spacing: 0.12em;
+ word-spacing: 0.2em;
+ text-indent: 0em;}
+h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3 {font-size: 130%; margin-top: 1em;}
+h4 {font-size: 120%;}
+h5 {font-size: 110%;}
+
+.no-break {page-break-before: avoid;} /* for epubs */
+
+div.chapter {page-break-before: always; margin-top: 4em;}
+
+hr {width: 80%; margin-top: 2em; margin-bottom: 2em;}
+
+p {text-indent: 1em;
+ margin-top: 0.25em;
+ margin-bottom: 0.25em; }
+
+p.poem {text-indent: 0%;
+ margin-left: 10%;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+p.center {text-align: center;
+ text-indent: 0em;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+a:link {color:blue; text-decoration:none}
+a:visited {color:blue; text-decoration:none}
+a:hover {color:red}
+
+</style>
+ </head>
+ <body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of John Marr and Other Poems, by Herman Melville</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: John Marr and Other Poems</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Herman Melville</div>
+<div style='display:block; margin:1em 0'>Release Date: July 7, 2004 [eBook #12841]<br />
+[Most recently updated: June 17, 2022]</div>
+<div style='display:block; margin:1em 0'>Language: English</div>
+<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Geoff Palmer</div>
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK JOHN MARR AND OTHER POEMS ***</div>
+
+<h1>John Marr and Other Poems</h1>
+
+<h2 class="no-break">By Herman Melville</h2>
+
+<h3><i>With An Introductory Note By</i><br/>
+HENRY CHAPIN</h3>
+
+<h3>MCMXXII</h3>
+
+<hr />
+
+<h2>CONTENTS</h2>
+
+<table summary="" style="">
+
+<tr>
+<td> <a href="#chap01">INTRODUCTORY NOTE</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#chap02"><b>JOHN MARR AND OTHER SAILORS</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap03">JOHN MARR AND OTHER SAILORS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap04">BRIDEGROOM DICK</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap05">TOM DEADLIGHT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap06">JACK ROY</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#chap07"><b>SEA PIECES</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap08">THE HAGLETS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap09">THE AEOLIAN HARP</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap10">TO THE MASTER OF THE <i>METEOR</i></a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap11">FAR OFF-SHORE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap12">THE MAN-OF-WAR HAWK</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap13">THE FIGURE-HEAD</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap14">THE GOOD CRAFT <i>SNOW BIRD</i></a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap15">OLD COUNSEL</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap16">THE TUFT OF KELP</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap17">THE MALDIVE SHARK</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap18">TO NED</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap19">CROSSING THE TROPICS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap20">THE BERG</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap21">THE ENVIABLE ISLES</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap22">PEBBLES</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#chap23"><b>POEMS FROM TIMOLEON</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap24">LINES TRACED UNDER AN IMAGE OF AMOR THREATENING</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap25">THE NIGHT MARCH</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap26">THE RAVAGED VILLA</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap27">THE NEW ZEALOT TO THE SUN</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap28">MONODY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap29">LONE FOUNTS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap30">THE BENCH OF BOORS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap31">ART</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap32">THE ENTHUSIAST</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap33">SHELLEY&rsquo;S VISION</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap34">THE MARCHIONESS OF BRINVILLIERS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap35">THE AGE OF THE ANTONINES</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap36">HERBA SANTA</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap37">OFF CAPE COLONNA</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap38">THE APPARITION</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap39">L&rsquo;ENVOI</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap40">SUPPLEMENT</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#chap41"><b>POEMS FROM BATTLE PIECES</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap42">THE PORTENT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap43">FROM THE CONFLICT OF CONVICTIONS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap44">THE MARCH INTO VIRGINIA</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap45">BALL&rsquo;S BLUFF</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap46">THE STONE FLEET</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap47">THE TEMERAIRE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap48">A UTILITARIAN VIEW OF THE <i>MONITOR&rsquo;S</i> FIGHT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap49">MALVERN HILL</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap50">STONEWALL JACKSON</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap51">THE HOUSE-TOP</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap52">CHATTANOOGA</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap53">ON THE PHOTOGRAPH OF A CORPS COMMANDER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap54">THE SWAMP ANGEL</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap55">SHERIDAN AT CEDAR CREEK</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap56">IN THE PRISON PEN</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap57">THE COLLEGE COLONEL</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap58">THE MARTYR</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap59">REBEL COLOR-BEARERS AT SHILOH</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap60">AURORA BOREALIS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap61">THE RELEASED REBEL PRISONER</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap62">&ldquo;FORMERLY A SLAVE&rdquo;</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap63">ON THE SLAIN COLLEGIANS</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap64">AMERICA</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap65">INSCRIPTION</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap66">THE FORTITUDE OF THE NORTH</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap67">THE MOUND BY THE LAKE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap68">ON THE SLAIN AT CHICKAMAUGA</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap69">AN UNINSCRIBED MONUMENT</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap70">ON THE GRAVE OF A YOUNG CAVALRY OFFICER KILLED IN THE VALLEY OF VIRGINIA</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap71">A REQUIEM</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap72">COMMEMORATIVE OF A NAVAL VICTORY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap73">A MEDITATION</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#chap74"><b>POEMS FROM MARDI</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap75">WE FISH</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap76">INVOCATION</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap77">DIRGE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap78">MARLENA</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap79">PIPE SONG</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap80">SONG OF YOOMY</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap81">GOLD</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap82">THE LAND OF LOVE</a><br /><br /></td>
+</tr>
+
+<tr>
+<td> <a href="#chap83"><b>POEMS FROM CLAREL</b></a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap84">DIRGE</a></td>
+</tr>
+
+<tr>
+<td> <a href="#chap85">EPILOGUE</a></td>
+</tr>
+
+</table>
+
+<div class="chapter">
+
+<h2><a name="chap01"></a>
+INTRODUCTORY NOTE</h2>
+
+<p>
+Melville&rsquo;s verse printed for the most part privately in small editions
+from middle life onward after his great prose work had been written, taken as a
+whole, is of an amateurish and uneven quality. In it, however, that loveable
+freshness of personality, which his philosophical dejection never quenched, is
+everywhere in evidence. It is clear that he did not set himself to master the
+poet&rsquo;s art, yet through the mask of conventional verse which often falls
+into doggerel, the voice of a true poet is heard. In selecting the pieces for
+this volume I have put in the vigorous sea verses of <i>John Marr</i> in their
+entirety and added those others from his <i>Battle Pieces</i>, <i>Timoleon,</i>
+etc., that best indicate the quality of their author&rsquo;s personality. The
+prose supplement to battle pieces has been included because it does so much to
+explain the feeling of his war verse and further because it is such a
+remarkably wise and clear commentary upon those confused and troublous days of
+post-war reconstruction. H. C.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap02"></a>
+JOHN MARR AND OTHER SAILORS</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap03"></a>
+JOHN MARR AND OTHER SAILORS</h2>
+
+<p class="poem">
+Since as in night&rsquo;s deck-watch ye show,<br/>
+Why, lads, so silent here to me,<br/>
+Your watchmate of times long ago?<br/>
+Once, for all the darkling sea,<br/>
+You your voices raised how clearly,<br/>
+Striking in when tempest sung;<br/>
+Hoisting up the storm-sail cheerly,<br/>
+<i>Life is storm&mdash;let storm!</i> you rung.<br/>
+Taking things as fated merely,<br/>
+Childlike though the world ye spanned;<br/>
+Nor holding unto life too dearly,<br/>
+Ye who held your lives in hand&mdash;<br/>
+Skimmers, who on oceans four<br/>
+Petrels were, and larks ashore.<br/>
+<br/>
+O, not from memory lightly flung,<br/>
+Forgot, like strains no more availing,<br/>
+The heart to music haughtier strung;<br/>
+Nay, frequent near me, never staleing,<br/>
+Whose good feeling kept ye young.<br/>
+Like tides that enter creek or stream,<br/>
+Ye come, ye visit me, or seem<br/>
+Swimming out from seas of faces,<br/>
+Alien myriads memory traces,<br/>
+To enfold me in a dream!<br/>
+<br/>
+I yearn as ye. But rafts that strain,<br/>
+Parted, shall they lock again?<br/>
+Twined we were, entwined, then riven,<br/>
+Ever to new embracements driven,<br/>
+Shifting gulf-weed of the main!<br/>
+And how if one here shift no more,<br/>
+Lodged by the flinging surge ashore?<br/>
+Nor less, as now, in eve&rsquo;s decline,<br/>
+Your shadowy fellowship is mine.<br/>
+Ye float around me, form and feature:&mdash;<br/>
+Tattooings, ear-rings, love-locks curled;<br/>
+Barbarians of man&rsquo;s simpler nature,<br/>
+Unworldly servers of the world.<br/>
+Yea, present all, and dear to me,<br/>
+Though shades, or scouring China&rsquo;s sea.<br/>
+<br/>
+Whither, whither, merchant-sailors,<br/>
+Whitherward now in roaring gales?<br/>
+Competing still, ye huntsman-whalers,<br/>
+In leviathan&rsquo;s wake what boat prevails?<br/>
+And man-of-war&rsquo;s men, whereaway?<br/>
+If now no dinned drum beat to quarters<br/>
+On the wilds of midnight waters&mdash;<br/>
+Foemen looming through the spray;<br/>
+Do yet your gangway lanterns, streaming,<br/>
+Vainly strive to pierce below,<br/>
+When, tilted from the slant plank gleaming,<br/>
+A brother you see to darkness go?<br/>
+<br/>
+But, gunmates lashed in shotted canvas,<br/>
+If where long watch-below ye keep,<br/>
+Never the shrill <i>&ldquo;All hands up hammocks!&rdquo;</i><br/>
+Breaks the spell that charms your sleep,<br/>
+And summoning trumps might vainly call,<br/>
+And booming guns implore&mdash;<br/>
+A beat, a heart-beat musters all,<br/>
+One heart-beat at heart-core.<br/>
+It musters. But to clasp, retain;<br/>
+To see you at the halyards main&mdash;<br/>
+To hear your chorus once again!
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap04"></a>
+BRIDEGROOM DICK</h2>
+
+<p class="center">
+1876
+</p>
+
+<p class="poem">
+Sunning ourselves in October on a day<br/>
+Balmy as spring, though the year was in decay,<br/>
+I lading my pipe, she stirring her tea,<br/>
+My old woman she says to me,<br/>
+&ldquo;Feel ye, old man, how the season mellows?&rdquo;<br/>
+And why should I not, blessed heart alive,<br/>
+Here mellowing myself, past sixty-five,<br/>
+To think o&rsquo; the May-time o&rsquo; pennoned young fellows<br/>
+This stripped old hulk here for years may survive.<br/>
+<br/>
+Ere yet, long ago, we were spliced, Bonny Blue,<br/>
+(Silvery it gleams down the moon-glade o&rsquo; time,<br/>
+Ah, sugar in the bowl and berries in the prime!)<br/>
+Coxswain I o&rsquo; the Commodore&rsquo;s crew,&mdash;<br/>
+Under me the fellows that manned his fine gig,<br/>
+Spinning him ashore, a king in full fig.<br/>
+Chirrupy even when crosses rubbed me,<br/>
+Bridegroom Dick lieutenants dubbed me.<br/>
+Pleasant at a yarn, Bob o&rsquo; Linkum in a song,<br/>
+Diligent in duty and nattily arrayed,<br/>
+Favored I was, wife, and <i>fleeted</i> right along;<br/>
+And though but a tot for such a tall grade,<br/>
+A high quartermaster at last I was made.<br/>
+<br/>
+All this, old lassie, you have heard before,<br/>
+But you listen again for the sake e&rsquo;en o&rsquo; me;<br/>
+No babble stales o&rsquo; the good times o&rsquo; yore<br/>
+To Joan, if Darby the babbler be.<br/>
+<br/>
+Babbler?&mdash;O&rsquo; what? Addled brains, they forget!<br/>
+O&mdash;quartermaster I; yes, the signals set,<br/>
+Hoisted the ensign, mended it when frayed,<br/>
+Polished up the binnacle, minded the helm,<br/>
+And prompt every order blithely obeyed.<br/>
+To me would the officers say a word cheery&mdash;<br/>
+Break through the starch o&rsquo; the quarter-deck realm;<br/>
+His coxswain late, so the Commodore&rsquo;s pet.<br/>
+Ay, and in night-watches long and weary,<br/>
+Bored nigh to death with the navy etiquette,<br/>
+Yearning, too, for fun, some younker, a cadet,<br/>
+Dropping for time each vain bumptious trick,<br/>
+Boy-like would unbend to Bridegroom Dick.<br/>
+But a limit there was&mdash;a check, d&rsquo; ye see:<br/>
+Those fine young aristocrats knew their degree.<br/>
+<br/>
+Well, stationed aft where their lordships keep,&mdash;<br/>
+Seldom <i>going</i> forward excepting to sleep,&mdash;<br/>
+I, boozing now on by-gone years,<br/>
+My betters recall along with my peers.<br/>
+Recall them? Wife, but I see them plain:<br/>
+Alive, alert, every man stirs again.<br/>
+Ay, and again on the lee-side pacing,<br/>
+My spy-glass carrying, a truncheon in show,<br/>
+Turning at the taffrail, my footsteps retracing,<br/>
+Proud in my duty, again methinks I go.<br/>
+And Dave, Dainty Dave, I mark where he stands,<br/>
+Our trim sailing-master, to time the high-noon,<br/>
+That thingumbob sextant perplexing eyes and hands,<br/>
+Squinting at the sun, or twigging o&rsquo; the moon;<br/>
+Then, touching his cap to Old Chock-a-Block<br/>
+Commanding the quarter-deck,&mdash;&ldquo;Sir, twelve o&rsquo;clock.&rdquo;<br/>
+<br/>
+Where sails he now, that trim sailing-master,<br/>
+Slender, yes, as the ship&rsquo;s sky-s&rsquo;l pole?<br/>
+Dimly I mind me of some sad disaster&mdash;<br/>
+Dainty Dave was dropped from the navy-roll!<br/>
+And ah, for old Lieutenant Chock-a-Block&mdash;<br/>
+Fast, wife, chock-fast to death&rsquo;s black dock!<br/>
+Buffeted about the obstreperous ocean,<br/>
+Fleeted his life, if lagged his promotion.<br/>
+Little girl, they are all, all gone, I think,<br/>
+Leaving Bridegroom Dick here with lids that wink.<br/>
+<br/>
+Where is Ap Catesby? The fights fought of yore<br/>
+Famed him, and laced him with epaulets, and more.<br/>
+But fame is a wake that after-wakes cross,<br/>
+And the waters wallow all, and laugh<br/>
+          <i>Where&rsquo;s the loss?</i><br/>
+But John Bull&rsquo;s bullet in his shoulder bearing<br/>
+Ballasted Ap in his long sea-faring.<br/>
+The middies they ducked to the man who had messed<br/>
+With Decatur in the gun-room, or forward pressed<br/>
+Fighting beside Perry, Hull, Porter, and the rest.<br/>
+<br/>
+Humped veteran o&rsquo; the Heart-o&rsquo;-Oak war,<br/>
+Moored long in haven where the old heroes are,<br/>
+Never on <i>you</i> did the iron-clads jar!<br/>
+Your open deck when the boarder assailed,<br/>
+The frank old heroic hand-to-hand then availed.<br/>
+<br/>
+But where&rsquo;s Guert Gan? Still heads he the van?<br/>
+As before Vera-Cruz, when he dashed splashing through<br/>
+The blue rollers sunned, in his brave gold-and-blue,<br/>
+And, ere his cutter in keel took the strand,<br/>
+Aloft waved his sword on the hostile land!<br/>
+Went up the cheering, the quick chanticleering;<br/>
+All hands vying&mdash;all colors flying:<br/>
+&ldquo;Cock-a-doodle-doo!&rdquo; and &ldquo;Row, boys, row!&rdquo;<br/>
+&ldquo;Hey, Starry Banner!&rdquo; &ldquo;Hi, Santa Anna!&rdquo;<br/>
+Old Scott&rsquo;s young dash at Mexico.<br/>
+<br/>
+Fine forces o&rsquo; the land, fine forces o&rsquo; the sea,<br/>
+Fleet, army, and flotilla&mdash;tell, heart o&rsquo; me,<br/>
+Tell, if you can, whereaway now they be!<br/>
+<br/>
+But ah, how to speak of the hurricane unchained&mdash;<br/>
+The Union&rsquo;s strands parted in the hawser over-strained;<br/>
+Our flag blown to shreds, anchors gone altogether&mdash;<br/>
+The dashed fleet o&rsquo; States in Secession&rsquo;s foul weather.<br/>
+<br/>
+Lost in the smother o&rsquo; that wide public stress,<br/>
+In hearts, private hearts, what ties there were snapped!<br/>
+Tell, Hal&mdash;vouch, Will, o&rsquo; the ward-room mess,<br/>
+On you how the riving thunder-bolt clapped.<br/>
+With a bead in your eye and beads in your glass,<br/>
+And a grip o&rsquo; the flipper, it was part and pass:<br/>
+&ldquo;Hal, must it be: Well, if come indeed the shock,<br/>
+To North or to South, let the victory cleave,<br/>
+Vaunt it he may on his dung-hill the cock,<br/>
+But <i>Uncle Sam&rsquo;s</i> eagle never crow will, believe.&rdquo;<br/>
+<br/>
+Sentiment: ay, while suspended hung all,<br/>
+Ere the guns against Sumter opened there the ball,<br/>
+And partners were taken, and the red dance began,<br/>
+War&rsquo;s red dance o&rsquo; death!&mdash;Well, we, to a man,<br/>
+We sailors o&rsquo; the North, wife, how could we lag?&mdash;<br/>
+Strike with your kin, and you stick to the flag!<br/>
+But to sailors o&rsquo; the South that easy way was barred.<br/>
+To some, dame, believe (and I speak o&rsquo; what I know),<br/>
+Wormwood the trial and the Uzzite&rsquo;s black shard;<br/>
+And the faithfuller the heart, the crueller the throe.<br/>
+Duty? It pulled with more than one string,<br/>
+This way and that, and anyhow a sting.<br/>
+The flag and your kin, how be true unto both?<br/>
+If either plight ye keep, then ye break the other troth.<br/>
+But elect here they must, though the casuists were out;<br/>
+Decide&mdash;hurry up&mdash;and throttle every doubt.<br/>
+<br/>
+Of all these thrills thrilled at keelson, and throes,<br/>
+Little felt the shoddyites a-toasting o&rsquo; their toes;<br/>
+In mart and bazar Lucre chuckled the huzza,<br/>
+Coining the dollars in the bloody mint of war.<br/>
+<br/>
+But in men, gray knights o&rsquo; the Order o&rsquo; Scars,<br/>
+And brave boys bound by vows unto Mars,<br/>
+Nature grappled honor, intertwisting in the strife:&mdash;<br/>
+But some cut the knot with a thoroughgoing knife.<br/>
+For how when the drums beat? How in the fray<br/>
+In Hampton Roads on the fine balmy day?<br/>
+<br/>
+There a lull, wife, befell&mdash;drop o&rsquo; silent in the din.<br/>
+Let us enter that silence ere the belchings re-begin.<br/>
+Through a ragged rift aslant in the cannonade&rsquo;s smoke<br/>
+An iron-clad reveals her repellent broadside<br/>
+Bodily intact. But a frigate, all oak,<br/>
+Shows honeycombed by shot, and her deck crimson-dyed.<br/>
+And a trumpet from port of the iron-clad hails,<br/>
+Summoning the other, whose flag never trails:<br/>
+&ldquo;Surrender that frigate, Will! Surrender,<br/>
+Or I will sink her&mdash;<i>ram</i>, and end her!&rdquo;<br/>
+<br/>
+&rsquo;T was Hal. And Will, from the naked heart-o&rsquo;-oak,<br/>
+Will, the old messmate, minus trumpet, spoke,<br/>
+Informally intrepid,&mdash;&ldquo;Sink her, and be damned!&rdquo;* [* Historic.]<br/>
+Enough. Gathering way, the iron-clad <i>rammed</i>.<br/>
+The frigate, heeling over, on the wave threw a dusk.<br/>
+Not sharing in the slant, the clapper of her bell<br/>
+The fixed metal struck&mdash;uinvoked struck the knell<br/>
+Of the <i>Cumberland</i> stillettoed by the <i>Merrimac&rsquo;s</i> tusk;<br/>
+While, broken in the wound underneath the gun-deck,<br/>
+Like a sword-fish&rsquo;s blade in leviathan waylaid,<br/>
+The tusk was left infixed in the fast-foundering wreck.<br/>
+There, dungeoned in the cockpit, the wounded go down,<br/>
+And the chaplain with them. But the surges uplift<br/>
+The prone dead from deck, and for moment they drift<br/>
+Washed with the swimmers, and the spent swimmers drown.<br/>
+Nine fathom did she sink,&mdash;erect, though hid from light<br/>
+Save her colors unsurrendered and spars that kept the height.<br/>
+<br/>
+Nay, pardon, old aunty! Wife, never let it fall,<br/>
+That big started tear that hovers on the brim;<br/>
+I forgot about your nephew and the <i>Merrimac&rsquo;s</i> ball;<br/>
+No more then of her, since it summons up him.<br/>
+But talk o&rsquo; fellows&rsquo; hearts in the wine&rsquo;s genial cup:&mdash;<br/>
+Trap them in the fate, jam them in the strait,<br/>
+Guns speak their hearts then, and speak right up.<br/>
+The troublous colic o&rsquo; intestine war<br/>
+It sets the bowels o&rsquo; affection ajar.<br/>
+But, lord, old dame, so spins the whizzing world,<br/>
+A humming-top, ay, for the little boy-gods<br/>
+Flogging it well with their smart little rods,<br/>
+Tittering at time and the coil uncurled.<br/>
+<br/>
+Now, now, sweetheart, you sidle away,<br/>
+No, never you like <i>that</i> kind o&rsquo; <i>gay;</i><br/>
+But sour if I get, giving truth her due,<br/>
+Honey-sweet forever, wife, will Dick be to you!<br/>
+<br/>
+But avast with the War! &lsquo;Why recall racking days<br/>
+Since set up anew are the slip&rsquo;s started stays?<br/>
+Nor less, though the gale we have left behind,<br/>
+Well may the heave o&rsquo; the sea remind.<br/>
+It irks me now, as it troubled me then,<br/>
+To think o&rsquo; the fate in the madness o&rsquo; men.<br/>
+If Dick was with Farragut on the night-river,<br/>
+When the boom-chain we burst in the fire-raft&rsquo;s glare,<br/>
+That blood-dyed the visage as red as the liver;<br/>
+In the <i>Battle for the Bay</i> too if Dick had a share,<br/>
+And saw one aloft a-piloting the war&mdash;<br/>
+Trumpet in the whirlwind, a Providence in place&mdash;<br/>
+Our Admiral old whom the captains huzza,<br/>
+Dick joys in the man nor brags about the race.<br/>
+<br/>
+But better, wife, I like to booze on the days<br/>
+Ere the Old Order foundered in these very frays,<br/>
+And tradition was lost and we learned strange ways.<br/>
+Often I think on the brave cruises then;<br/>
+Re-sailing them in memory, I hail the press o&rsquo; men<br/>
+On the gunned promenade where rolling they go,<br/>
+Ere the dog-watch expire and break up the show.<br/>
+The Laced Caps I see between forward guns;<br/>
+Away from the powder-room they puff the cigar;<br/>
+&ldquo;Three days more, hey, the donnas and the dons!&rdquo;<br/>
+&ldquo;Your Zeres widow, will you hunt her up, Starr?&rdquo;<br/>
+The Laced Caps laugh, and the bright waves too;<br/>
+Very jolly, very wicked, both sea and crew,<br/>
+Nor heaven looks sour on either, I guess,<br/>
+Nor Pecksniff he bosses the gods&rsquo; high mess.<br/>
+Wistful ye peer, wife, concerned for my head,<br/>
+And how best to get me betimes to my bed.<br/>
+<br/>
+But king o&rsquo; the club, the gayest golden spark,<br/>
+Sailor o&rsquo; sailors, what sailor do I mark?<br/>
+Tom Tight, Tom Tight, no fine fellow finer,<br/>
+A cutwater nose, ay, a spirited soul;<br/>
+But, bowsing away at the well-brewed bowl,<br/>
+He never bowled back from that last voyage to China.<br/>
+<br/>
+Tom was lieutenant in the brig-o&rsquo;-war famed<br/>
+When an officer was hung for an arch-mutineer,<br/>
+But a mystery cleaved, and the captain was blamed,<br/>
+And a rumpus too raised, though his honor it was clear.<br/>
+And Tom he would say, when the mousers would try him,<br/>
+And with cup after cup o&rsquo; Burgundy ply him:<br/>
+&ldquo;Gentlemen, in vain with your wassail you beset,<br/>
+For the more I tipple, the tighter do I get.&rdquo;<br/>
+No blabber, no, not even with the can&mdash;<br/>
+True to himself and loyal to his clan.<br/>
+<br/>
+Tom blessed us starboard and d&mdash;d us larboard,<br/>
+Right down from rail to the streak o&rsquo; the garboard.<br/>
+Nor less, wife, we liked him.&mdash;Tom was a man<br/>
+In contrast queer with Chaplain Le Fan,<br/>
+Who blessed us at morn, and at night yet again,<br/>
+D&mdash;ning us only in decorous strain;<br/>
+Preaching &rsquo;tween the guns&mdash;each cutlass in its place&mdash;<br/>
+From text that averred old Adam a hard case.<br/>
+I see him&mdash;Tom&mdash;on <i>horse-block</i> standing,<br/>
+Trumpet at mouth, thrown up all amain,<br/>
+An elephant&rsquo;s bugle, vociferous demanding<br/>
+Of topmen aloft in the hurricane of rain,<br/>
+&ldquo;Letting that sail there your faces flog?<br/>
+Manhandle it, men, and you&rsquo;ll get the good grog!&rdquo;<br/>
+O Tom, but he knew a blue-jacket&rsquo;s ways,<br/>
+And how a lieutenant may genially haze;<br/>
+Only a sailor sailors heartily praise.<br/>
+<br/>
+Wife, where be all these chaps, I wonder?<br/>
+Trumpets in the tempest, terrors in the fray,<br/>
+Boomed their commands along the deck like thunder;<br/>
+But silent is the sod, and thunder dies away.<br/>
+But Captain Turret, <i>&ldquo;Old Hemlock&rdquo;</i> tall,<br/>
+(A leaning tower when his tank brimmed all,)<br/>
+Manoeuvre out alive from the war did he?<br/>
+Or, too old for that, drift under the lee?<br/>
+Kentuckian colossal, who, touching at Madeira,<br/>
+The huge puncheon shipped o&rsquo; prime <i>Santa-Clara;</i><br/>
+Then rocked along the deck so solemnly!<br/>
+No whit the less though judicious was enough<br/>
+In dealing with the Finn who made the great huff;<br/>
+Our three-decker&rsquo;s giant, a grand boatswain&rsquo;s mate,<br/>
+Manliest of men in his own natural senses;<br/>
+But driven stark mad by the devil&rsquo;s drugged stuff,<br/>
+Storming all aboard from his run-ashore late,<br/>
+Challenging to battle, vouchsafing no pretenses,<br/>
+A reeling King Ogg, delirious in power,<br/>
+The quarter-deck carronades he seemed to make cower.<br/>
+&ldquo;Put him in <i>brig</i> there!&rdquo; said Lieutenant Marrot.<br/>
+&ldquo;Put him in <i>brig!</i>&rdquo; back he mocked like a parrot;<br/>
+&ldquo;Try it, then!&rdquo; swaying a fist like Thor&rsquo;s sledge,<br/>
+And making the pigmy constables hedge&mdash;<br/>
+Ship&rsquo;s corporals and the master-at-arms.<br/>
+&ldquo;In <i>brig</i> there, I say!&rdquo;&mdash;They dally no more;<br/>
+Like hounds let slip on a desperate boar,<br/>
+Together they pounce on the formidable Finn,<br/>
+Pinion and cripple and hustle him in.<br/>
+Anon, under sentry, between twin guns,<br/>
+He slides off in drowse, and the long night runs.<br/>
+<br/>
+Morning brings a summons. Whistling it calls,<br/>
+Shrilled through the pipes of the boatswain&rsquo;s four aids;<br/>
+Trilled down the hatchways along the dusk halls:<br/>
+<i>Muster to the Scourge!</i>&mdash;Dawn of doom and its blast!<br/>
+As from cemeteries raised, sailors swarm before the mast,<br/>
+Tumbling up the ladders from the ship&rsquo;s nether shades.<br/>
+<br/>
+Keeping in the background and taking small part,<br/>
+Lounging at their ease, indifferent in face,<br/>
+Behold the trim marines uncompromised in heart;<br/>
+Their Major, buttoned up, near the staff finds room&mdash;<br/>
+The staff o&rsquo; lieutenants standing grouped in their place.<br/>
+All the Laced Caps o&rsquo; the ward-room come,<br/>
+The Chaplain among them, disciplined and dumb.<br/>
+The blue-nosed boatswain, complexioned like slag,<br/>
+Like a blue Monday lours&mdash;his implements in bag.<br/>
+Executioners, his aids, a couple by him stand,<br/>
+At a nod there the thongs to receive from his hand.<br/>
+Never venturing a caveat whatever may betide,<br/>
+Though functionally here on humanity&rsquo;s side,<br/>
+The grave Surgeon shows, like the formal physician<br/>
+Attending the rack o&rsquo; the Spanish Inquisition.<br/>
+<br/>
+The angel o&rsquo; the &ldquo;brig&rdquo; brings his prisoner up;<br/>
+Then, steadied by his old <i>Santa-Clara</i>, a sup,<br/>
+Heading all erect, the ranged assizes there,<br/>
+Lo, Captain Turret, and under starred bunting,<br/>
+(A florid full face and fine silvered hair,)<br/>
+Gigantic the yet greater giant confronting.<br/>
+<br/>
+Now the culprit he liked, as a tall captain can<br/>
+A Titan subordinate and true <i>sailor-man;</i><br/>
+And frequent he&rsquo;d shown it&mdash;no worded advance,<br/>
+But flattering the Finn with a well-timed glance.<br/>
+But what of that now? In the martinet-mien<br/>
+Read the <i>Articles of War</i>, heed the naval routine;<br/>
+While, cut to the heart a dishonor there to win,<br/>
+Restored to his senses, stood the Anak Finn;<br/>
+In racked self-control the squeezed tears peeping,<br/>
+Scalding the eye with repressed inkeeping.<br/>
+Discipline must be; the scourge is deemed due.<br/>
+But ah for the sickening and strange heart- benumbing,<br/>
+Compassionate abasement in shipmates that view;<br/>
+Such a grand champion shamed there succumbing!<br/>
+&ldquo;Brown, tie him up.&rdquo;&mdash;The cord he brooked:<br/>
+How else?&mdash;his arms spread apart&mdash;never threaping;<br/>
+No, never he flinched, never sideways he looked,<br/>
+Peeled to the waistband, the marble flesh creeping,<br/>
+Lashed by the sleet the officious winds urge.<br/>
+<br/>
+In function his fellows their fellowship merge&mdash;<br/>
+The twain standing nigh&mdash;the two boatswain&rsquo;s mates,<br/>
+Sailors of his grade, ay, and brothers of his mess.<br/>
+With sharp thongs adroop the junior one awaits<br/>
+The word to uplift.<br/>
+          &ldquo;Untie him&mdash;so!<br/>
+Submission is enough, Man, you may go.&rdquo;<br/>
+Then, promenading aft, brushing fat Purser Smart,<br/>
+&ldquo;Flog? Never meant it&mdash;hadn&rsquo;t any heart.<br/>
+Degrade that tall fellow? &ldquo;&mdash;Such, wife, was he,<br/>
+Old Captain Turret, who the brave wine could stow.<br/>
+Magnanimous, you think?&mdash;But what does Dick see?<br/>
+Apron to your eye! Why, never fell a blow;<br/>
+Cheer up, old wifie, &rsquo;t was a long time ago.<br/>
+<br/>
+But where&rsquo;s that sore one, crabbed and-severe,<br/>
+Lieutenant Lon Lumbago, an arch scrutineer?<br/>
+Call the roll to-day, would he answer&mdash;<i>Here!</i><br/>
+When the <i>Blixum&rsquo;s</i> fellows to quarters mustered<br/>
+How he&rsquo;d lurch along the lane of gun-crews clustered,<br/>
+Testy as touchwood, to pry and to peer.<br/>
+Jerking his sword underneath larboard arm,<br/>
+He ground his worn grinders to keep himself calm.<br/>
+Composed in his nerves, from the fidgets set free,<br/>
+Tell, Sweet Wrinkles, alive now is he,<br/>
+In Paradise a parlor where the even tempers be?<br/>
+<br/>
+Where&rsquo;s Commander All-a-Tanto?<br/>
+Where&rsquo;s Orlop Bob singing up from below?<br/>
+Where&rsquo;s Rhyming Ned? has he spun his last canto?<br/>
+Where&rsquo;s Jewsharp Jim? Where&rsquo;s Ringadoon Joe?<br/>
+Ah, for the music over and done,<br/>
+The band all dismissed save the droned trombone!<br/>
+Where&rsquo;s Glenn o&rsquo; the gun-room, who loved Hot-Scotch&mdash;<br/>
+Glen, prompt and cool in a perilous watch?<br/>
+Where&rsquo;s flaxen-haired Phil? a gray lieutenant?<br/>
+Or rubicund, flying a dignified pennant?<br/>
+<br/>
+But where sleeps his brother?&mdash;the cruise it was o&rsquo;er,<br/>
+But ah, for death&rsquo;s grip that welcomed him ashore!<br/>
+Where&rsquo;s Sid, the cadet, so frank in his brag,<br/>
+Whose toast was audacious&mdash;&ldquo;<i>Here&rsquo;s Sid, and Sid&rsquo;s flag!</i>&rdquo;<br/>
+Like holiday-craft that have sunk unknown,<br/>
+May a lark of a lad go lonely down?<br/>
+Who takes the census under the sea?<br/>
+Can others like old ensigns be,<br/>
+Bunting I hoisted to flutter at the gaff&mdash;<br/>
+Rags in end that once were flags<br/>
+Gallant streaming from the staff?<br/>
+<br/>
+Such scurvy doom could the chances deal<br/>
+To Top-Gallant Harry and Jack Genteel?<br/>
+Lo, Genteel Jack in hurricane weather,<br/>
+Shagged like a bear, like a red lion roaring;<br/>
+But O, so fine in his chapeau and feather,<br/>
+In port to the ladies never once <i>jawing;</i><br/>
+All bland <i>politesse,</i> how urbane was he&mdash;<br/>
+<i>&ldquo;Oui, mademoiselle&rdquo;&mdash;&ldquo;Ma chère amie!&rdquo;</i><br/>
+<br/>
+&rsquo;T was Jack got up the ball at Naples,<br/>
+Gay in the old <i>Ohio</i> glorious;<br/>
+His hair was curled by the berth-deck barber,<br/>
+Never you&rsquo;d deemed him a cub of rude Boreas;<br/>
+In tight little pumps, with the grand dames in rout,<br/>
+A-flinging his shapely foot all about;<br/>
+His watch-chain with love&rsquo;s jeweled tokens abounding,<br/>
+Curls ambrosial shaking out odors,<br/>
+Waltzing along the batteries, astounding<br/>
+The gunner glum and the grim-visaged loaders.<br/>
+<br/>
+Wife, where be all these blades, I wonder,<br/>
+Pennoned fine fellows, so strong, so gay?<br/>
+Never their colors with a dip dived under;<br/>
+Have they hauled them down in a lack-lustre day,<br/>
+Or beached their boats in the Far, Far Away?<br/>
+Hither and thither, blown wide asunder,<br/>
+Where&rsquo;s this fleet, I wonder and wonder.<br/>
+Slipt their cables, rattled their adieu,<br/>
+(Whereaway pointing? to what rendezvous?)<br/>
+Out of sight, out of mind, like the crack <i>Constitution,</i><br/>
+And many a keel time never shall renew&mdash;<br/>
+<i>Bon Homme Dick</i> o&rsquo; the buff Revolution,<br/>
+The <i>Black Cockade</i> and the staunch <i>True-Blue.</i><br/>
+<br/>
+Doff hats to Decatur! But where is his blazon?<br/>
+Must merited fame endure time&rsquo;s wrong&mdash;<br/>
+Glory&rsquo;s ripe grape wizen up to a raisin?<br/>
+Yes! for Nature teems, and the years are strong,<br/>
+And who can keep the tally o&rsquo; the names that fleet along!<br/>
+<br/>
+But his frigate, wife, his bride? Would blacksmiths brown<br/>
+Into smithereens smite the solid old renown?<br/>
+Rivetting the bolts in the iron-clad&rsquo;s shell,<br/>
+Hark to the hammers with <i>a rat-tat-tat;</i><br/>
+&ldquo;Handier a <i>derby</i> than a laced cocked hat!<br/>
+The <i>Monitor</i> was ugly, but she served us right well,<br/>
+Better than the <i>Cumberland,</i> a beauty and the belle.&rdquo;<br/>
+<br/>
+<i>Better than the Cumberland!</i>&mdash;Heart alive in me!<br/>
+That battlemented hull, Tantallon o&rsquo; the sea,<br/>
+Kicked in, as at Boston the taxed chests o&rsquo; tea!<br/>
+Ay, spurned by the <i>ram,</i> once a tall, shapely craft,<br/>
+But lopped by the Rebs to an iron-beaked raft&mdash;<br/>
+A blacksmith&rsquo;s unicorn in armor <i>cap-a-pie</i>.<br/>
+<br/>
+Under the water-line a <i>ram&rsquo;s</i> blow is dealt:<br/>
+And foul fall the knuckles that strike below the belt.<br/>
+Nor brave the inventions that serve to replace<br/>
+The openness of valor while dismantling the grace.<br/>
+<br/>
+Aloof from all this and the never-ending game,<br/>
+Tantamount to teetering, plot and counterplot;<br/>
+Impenetrable armor&mdash;all-perforating shot;<br/>
+Aloof, bless God, ride the war-ships of old,<br/>
+A grand fleet moored in the roadstead of fame;<br/>
+Not submarine sneaks with <i>them</i> are enrolled;<br/>
+Their long shadows dwarf us, their flags are as flame.<br/>
+<br/>
+Don&rsquo;t fidget so, wife; an old man&rsquo;s passion<br/>
+Amounts to no more than this smoke that I puff;<br/>
+There, there, now, buss me in good old fashion;<br/>
+A died-down candle will flicker in the snuff.<br/>
+<br/>
+But one last thing let your old babbler say,<br/>
+What Decatur&rsquo;s coxswain said who was long ago hearsed,<br/>
+&ldquo;Take in your flying-kites, for there comes a lubber&rsquo;s day<br/>
+When gallant things will go, and the three-deckers first.&rdquo;<br/>
+<br/>
+My pipe is smoked out, and the grog runs slack;<br/>
+But bowse away, wife, at your blessed Bohea;<br/>
+This empty can here must needs solace me&mdash;<br/>
+Nay, sweetheart, nay; I take that back;<br/>
+Dick drinks from your eyes and he finds no lack!
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap05"></a>
+TOM DEADLIGHT</h2>
+
+<p>
+During a tempest encountered homeward-bound from the Mediterranean, a grizzled
+petty-officer, one of the two captains of the forecastle, dying at night in his
+hammock, swung in the sick-bay under the tiered gun-decks of the British
+<i>Dreadnaught, 98,</i> wandering in his mind, though with glimpses of sanity,
+and starting up at whiles, sings by snatches his good-bye and last injunctions
+to two messmates, his watchers, one of whom fans the fevered tar with the flap
+of his old sou&rsquo;wester. Some names and phrases, with here and there a
+line, or part of one; these, in his aberration, wrested into incoherency from
+their original connection and import, he voluntarily derives, as he does the
+measure, from a famous old sea-ditty, whose cadences, long rife, and now
+humming in the collapsing brain, attune the last flutterings of distempered
+thought.
+</p>
+
+<p class="poem">
+Farewell and adieu to you noble hearties,&mdash;<br/>
+    Farewell and adieu to you ladies of Spain,<br/>
+For I&rsquo;ve received orders for to sail for the Deadman,<br/>
+    But hope with the grand fleet to see you again.<br/>
+<br/>
+I have hove my ship to, with main-top-sail aback, boys;<br/>
+    I have hove my ship to, for the strike soundings clear&mdash;<br/>
+The black scud a&rsquo;flying; but, by God&rsquo;s blessing, dam&rsquo; me,<br/>
+    Right up the Channel for the Deadman I&rsquo;ll steer.<br/>
+<br/>
+I have worried through the waters that are called the Doldrums,<br/>
+    And growled at Sargasso that clogs while ye grope&mdash;<br/>
+Blast my eyes, but the light-ship is hid by the mist, lads:&mdash;<br/>
+    <i>Flying Dutchman</i>&mdash;odds bobbs&mdash;off the Cape of Good Hope!<br/>
+<br/>
+But what&rsquo;s this I feel that is fanning my cheek, Matt?<br/>
+    The white goney&rsquo;s wing?&mdash;how she rolls!&mdash; &rsquo;t is the Cape!&mdash;<br/>
+Give my kit to the mess, Jock, for kin none is mine, none;<br/>
+    And tell <i>Holy Joe</i> to avast with the crape.<br/>
+<br/>
+Dead reckoning, says <i>Joe</i>, it won&rsquo;t do to go by;<br/>
+    But they doused all the glims, Matt, in sky t&rsquo; other night.<br/>
+Dead reckoning is good for to sail for the Deadman;<br/>
+    And Tom Deadlight he thinks it may reckon near right.<br/>
+<br/>
+The signal!&mdash;it streams for the grand fleet to anchor.<br/>
+    The captains&mdash;the trumpets&mdash;the hullabaloo!<br/>
+Stand by for blue-blazes, and mind your shank-painters,<br/>
+    For the Lord High Admiral, he&rsquo;s squinting at you!<br/>
+<br/>
+But give me my <i>tot</i>, Matt, before I roll over;<br/>
+    Jock, let&rsquo;s have your flipper, it&rsquo;s good for to feel;<br/>
+And don&rsquo;t sew me up without <i>baccy</i> in mouth, boys,<br/>
+    And don&rsquo;t blubber like lubbers when I turn up my keel.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap06"></a>
+JACK ROY</h2>
+
+<p class="poem">
+Kept up by relays of generations young<br/>
+Never dies at halyards the blithe chorus sung;<br/>
+While in sands, sounds, and seas where the storm-petrels cry,<br/>
+Dropped mute around the globe, these halyard singers lie.<br/>
+Short-lived the clippers for racing-cups that run,<br/>
+And speeds in life&rsquo;s career many a lavish mother&rsquo;s-son.<br/>
+<br/>
+But thou, manly king o&rsquo; the old <i>Splendid&rsquo;s</i> crew,<br/>
+The ribbons o&rsquo; thy hat still a-fluttering, should fly&mdash;<br/>
+A challenge, and forever, nor the bravery should rue.<br/>
+Only in a tussle for the starry flag high,<br/>
+When &rsquo;tis piety to do, and privilege to die.<br/>
+Then, only then, would heaven think to lop<br/>
+Such a cedar as the captain o&rsquo; the <i>Splendid&rsquo;s</i> main-top:<br/>
+A belted sea-gentleman; a gallant, off-hand<br/>
+Mercutio indifferent in life&rsquo;s gay command.<br/>
+Magnanimous in humor; when the splintering shot fell,<br/>
+&ldquo;Tooth-picks a-plenty, lads; thank &rsquo;em with a shell!&rdquo;<br/>
+<br/>
+Sang Larry o&rsquo; the <i>Cannakin,</i> smuggler o&rsquo; the wine,<br/>
+At mess between guns, lad in jovial recline:<br/>
+&ldquo;In Limbo our Jack he would chirrup up a cheer,<br/>
+The martinet there find a chaffing mutineer;<br/>
+From a thousand fathoms down under hatches o&rsquo; your Hades,<br/>
+He&rsquo;d ascend in love-ditty, kissing fingers to your ladies!&rdquo;<br/>
+<br/>
+Never relishing the knave, though allowing for the menial,<br/>
+Nor overmuch the king, Jack, nor prodigally genial.<br/>
+Ashore on liberty he flashed in escapade,<br/>
+Vaulting over life in its levelness of grade,<br/>
+Like the dolphin off Africa in rainbow a-sweeping&mdash;<br/>
+Arch iridescent shot from seas languid sleeping.<br/>
+<br/>
+Larking with thy life, if a joy but a toy,<br/>
+Heroic in thy levity wert thou, Jack Roy.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap07"></a>
+SEA PIECES</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap08"></a>
+THE HAGLETS</h2>
+
+<p class="poem">
+By chapel bare, with walls sea-beat<br/>
+The lichened urns in wilds are lost<br/>
+About a carved memorial stone<br/>
+That shows, decayed and coral-mossed,<br/>
+A form recumbent, swords at feet,<br/>
+Trophies at head, and kelp for a winding-sheet.<br/>
+<br/>
+I invoke thy ghost, neglected fane,<br/>
+Washed by the waters&rsquo; long lament;<br/>
+I adjure the recumbent effigy<br/>
+To tell the cenotaph&rsquo;s intent&mdash;<br/>
+Reveal why fagotted swords are at feet,<br/>
+Why trophies appear and weeds are the winding-sheet.<br/>
+<br/>
+By open ports the Admiral sits,<br/>
+And shares repose with guns that tell<br/>
+Of power that smote the arm&rsquo;d Plate Fleet<br/>
+Whose sinking flag-ship&rsquo;s colors fell;<br/>
+But over the Admiral floats in light<br/>
+His squadron&rsquo;s flag, the red-cross Flag of the White.<br/>
+<br/>
+The eddying waters whirl astern,<br/>
+The prow, a seedsman, sows the spray;<br/>
+With bellying sails and buckling spars<br/>
+The black hull leaves a Milky Way;<br/>
+Her timbers thrill, her batteries roll,<br/>
+She revelling speeds exulting with pennon at pole,<br/>
+<br/>
+But ah, for standards captive trailed<br/>
+For all their scutcheoned castles&rsquo; pride&mdash;<br/>
+Castilian towers that dominate Spain,<br/>
+Naples, and either Ind beside;<br/>
+Those haughty towers, armorial ones,<br/>
+Rue the salute from the Admiral&rsquo;s dens of guns.<br/>
+<br/>
+Ensigns and arms in trophy brave,<br/>
+Braver for many a rent and scar,<br/>
+The captor&rsquo;s naval hall bedeck,<br/>
+Spoil that insures an earldom&rsquo;s star&mdash;<br/>
+Toledoes great, grand draperies, too,<br/>
+Spain&rsquo;s steel and silk, and splendors from Peru.<br/>
+<br/>
+But crippled part in splintering fight,<br/>
+The vanquished flying the victor&rsquo;s flags,<br/>
+With prize-crews, under convoy-guns,<br/>
+Heavy the fleet from Opher drags&mdash;<br/>
+The Admiral crowding sail ahead,<br/>
+Foremost with news who foremost in conflict sped.<br/>
+<br/>
+But out from cloistral gallery dim,<br/>
+In early night his glance is thrown;<br/>
+He marks the vague reserve of heaven,<br/>
+He feels the touch of ocean lone;<br/>
+Then turns, in frame part undermined,<br/>
+Nor notes the shadowing wings that fan behind.<br/>
+<br/>
+There, peaked and gray, three haglets fly,<br/>
+And follow, follow fast in wake<br/>
+Where slides the cabin-lustre shy,<br/>
+And sharks from man a glamour take,<br/>
+Seething along the line of light<br/>
+In lane that endless rules the war-ship&rsquo;s flight.<br/>
+<br/>
+The sea-fowl here, whose hearts none know,<br/>
+They followed late the flag-ship quelled,<br/>
+(As now the victor one) and long<br/>
+Above her gurgling grave, shrill held<br/>
+With screams their wheeling rites&mdash;then sped<br/>
+Direct in silence where the victor led.<br/>
+<br/>
+Now winds less fleet, but fairer, blow,<br/>
+A ripple laps the coppered side,<br/>
+While phosphor sparks make ocean gleam,<br/>
+Like camps lit up in triumph wide;<br/>
+With lights and tinkling cymbals meet<br/>
+Acclaiming seas the advancing conqueror greet.<br/>
+<br/>
+But who a flattering tide may trust,<br/>
+Or favoring breeze, or aught in end?&mdash;<br/>
+Careening under startling blasts<br/>
+The sheeted towers of sails impend;<br/>
+While, gathering bale, behind is bred<br/>
+A livid storm-bow, like a rainbow dead.<br/>
+<br/>
+At trumpet-call the topmen spring;<br/>
+And, urged by after-call in stress,<br/>
+Yet other tribes of tars ascend<br/>
+The rigging&rsquo;s howling wilderness;<br/>
+But ere yard-ends alert they win,<br/>
+Hell rules in heaven with hurricane-fire and din.<br/>
+<br/>
+The spars, athwart at spiry height,<br/>
+Like quaking Lima&rsquo;s crosses rock;<br/>
+Like bees the clustering sailors cling<br/>
+Against the shrouds, or take the shock<br/>
+Flat on the swept yard-arms aslant,<br/>
+Dipped like the wheeling condor&rsquo;s pinions gaunt.<br/>
+<br/>
+A LULL! and tongues of languid flame<br/>
+Lick every boom, and lambent show<br/>
+Electric &rsquo;gainst each face aloft;<br/>
+The herds of clouds with bellowings go:<br/>
+The black ship rears&mdash;beset&mdash;harassed,<br/>
+Then plunges far with luminous antlers vast.<br/>
+<br/>
+In trim betimes they turn from land,<br/>
+Some shivered sails and spars they stow;<br/>
+One watch, dismissed, they troll the can,<br/>
+While loud the billow thumps the bow&mdash;<br/>
+Vies with the fist that smites the board,<br/>
+Obstreperous at each reveller&rsquo;s jovial word.<br/>
+<br/>
+Of royal oak by storms confirmed,<br/>
+The tested hull her lineage shows:<br/>
+Vainly the plungings whelm her prow&mdash;<br/>
+She rallies, rears, she sturdier grows:<br/>
+Each shot-hole plugged, each storm-sail home,<br/>
+With batteries housed she rams the watery dome.<br/>
+<br/>
+DIM seen adrift through driving scud,<br/>
+The wan moon shows in plight forlorn;<br/>
+Then, pinched in visage, fades and fades<br/>
+Like to the faces drowned at morn,<br/>
+When deeps engulfed the flag-ship&rsquo;s crew,<br/>
+And, shrilling round, the inscrutable haglets flew.<br/>
+<br/>
+And still they fly, nor now they cry,<br/>
+But constant fan a second wake,<br/>
+Unflagging pinions ply and ply,<br/>
+Abreast their course intent they take;<br/>
+Their silence marks a stable mood,<br/>
+They patient keep their eager neighborhood.<br/>
+<br/>
+Plumed with a smoke, a confluent sea,<br/>
+Heaved in a combing pyramid full,<br/>
+Spent at its climax, in collapse<br/>
+Down headlong thundering stuns the hull:<br/>
+The trophy drops; but, reared again,<br/>
+Shows Mars&rsquo; high-altar and contemns the main.<br/>
+<br/>
+REBUILT it stands, the brag of arms,<br/>
+Transferred in site&mdash;no thought of where<br/>
+The sensitive needle keeps its place,<br/>
+And starts, disturbed, a quiverer there;<br/>
+The helmsman rubs the clouded glass&mdash;<br/>
+Peers in, but lets the trembling portent pass.<br/>
+<br/>
+Let pass as well his shipmates do<br/>
+(Whose dream of power no tremors jar)<br/>
+Fears for the fleet convoyed astern:<br/>
+&ldquo;Our flag they fly, they share our star;<br/>
+Spain&rsquo;s galleons great in hull are stout:<br/>
+Manned by our men&mdash;like us they&rsquo;ll ride it out.&rdquo;<br/>
+<br/>
+Tonight&rsquo;s the night that ends the week&mdash;<br/>
+Ends day and week and month and year:<br/>
+A fourfold imminent flickering time,<br/>
+For now the midnight draws anear:<br/>
+Eight bells! and passing-bells they be&mdash;<br/>
+The Old year fades, the Old Year dies at sea.<br/>
+<br/>
+He launched them well. But shall the New<br/>
+Redeem the pledge the Old Year made,<br/>
+Or prove a self-asserting heir?<br/>
+But healthy hearts few qualms invade:<br/>
+By shot-chests grouped in bays &rsquo;tween guns<br/>
+The gossips chat, the grizzled, sea-beat ones.<br/>
+<br/>
+And boyish dreams some graybeards blab:<br/>
+&ldquo;To sea, my lads, we go no more<br/>
+Who share the Acapulco prize;<br/>
+We&rsquo;ll all night in, and bang the door;<br/>
+Our ingots red shall yield us bliss:<br/>
+Lads, golden years begin to-night with this!&rdquo;<br/>
+<br/>
+Released from deck, yet waiting call,<br/>
+Glazed caps and coats baptized in storm,<br/>
+A watch of Laced Sleeves round the board<br/>
+Draw near in heart to keep them warm:<br/>
+&ldquo;Sweethearts and wives!&rdquo; clink, clink, they meet,<br/>
+And, quaffing, dip in wine their beards of sleet.<br/>
+&ldquo;Ay, let the star-light stay withdrawn,<br/>
+So here her hearth-light memory fling,<br/>
+So in this wine-light cheer be born,<br/>
+And honor&rsquo;s fellowship weld our ring&mdash;<br/>
+Honor! our Admiral&rsquo;s aim foretold:<br/>
+<br/>
+<i>A tomb or a trophy,</i> and lo, &rsquo;t is a trophy and gold!&rdquo;<br/>
+But he, a unit, sole in rank,<br/>
+Apart needs keep his lonely state,<br/>
+The sentry at his guarded door<br/>
+Mute as by vault the sculptured Fate;<br/>
+Belted he sits in drowsy light,<br/>
+And, hatted, nods&mdash;the Admiral of the White.<br/>
+<br/>
+He dozes, aged with watches passed&mdash;<br/>
+Years, years of pacing to and fro;<br/>
+He dozes, nor attends the stir<br/>
+In bullioned standards rustling low,<br/>
+Nor minds the blades whose secret thrill<br/>
+Perverts overhead the magnet&rsquo;s Polar will:&mdash;<br/>
+<br/>
+LESS heeds the shadowing three that play<br/>
+And follow, follow fast in wake,<br/>
+Untiring wing and lidless eye&mdash;<br/>
+Abreast their course intent they take;<br/>
+Or sigh or sing, they hold for good<br/>
+The unvarying flight and fixed inveterate mood.<br/>
+<br/>
+In dream at last his dozings merge,<br/>
+In dream he reaps his victor&rsquo;s fruit;<br/>
+The Flags-o&rsquo;-the-Blue, the Flags-o&rsquo;-the-Red,<br/>
+Dipped flags of his country&rsquo;s fleets salute<br/>
+His Flag-o&rsquo;-the-White in harbor proud&mdash;<br/>
+But why should it blench? Why turn to a painted shroud?<br/>
+<br/>
+The hungry seas they hound the hull,<br/>
+The sharks they dog the haglets&rsquo; flight;<br/>
+With one consent the winds, the waves<br/>
+In hunt with fins and wings unite,<br/>
+While drear the harps in cordage sound<br/>
+Remindful wails for old Armadas drowned.<br/>
+<br/>
+Ha&mdash;yonder! are they Northern Lights?<br/>
+Or signals flashed to warn or ward?<br/>
+Yea, signals lanced in breakers high;<br/>
+But doom on warning follows hard:<br/>
+While yet they veer in hope to shun,<br/>
+They strike! and thumps of hull and heart are one.<br/>
+<br/>
+But beating hearts a drum-beat calls<br/>
+And prompt the men to quarters go;<br/>
+Discipline, curbing nature, rules&mdash;<br/>
+Heroic makes who duty know:<br/>
+They execute the trump&rsquo;s command,<br/>
+Or in peremptory places wait and stand.<br/>
+<br/>
+Yet cast about in blind amaze&mdash;<br/>
+As through their watery shroud they peer:<br/>
+&ldquo;We tacked from land: then how betrayed?<br/>
+Have currents swerved us&mdash;snared us here?&rdquo;<br/>
+None heed the blades that clash in place<br/>
+Under lamps dashed down that lit the magnet&rsquo;s case.<br/>
+<br/>
+Ah, what may live, who mighty swim,<br/>
+Or boat-crew reach that shore forbid,<br/>
+Or cable span? Must victors drown&mdash;<br/>
+Perish, even as the vanquished did?<br/>
+Man keeps from man the stifled moan;<br/>
+They shouldering stand, yet each in heart how lone.<br/>
+<br/>
+Some heaven invoke; but rings of reefs<br/>
+Prayer and despair alike deride<br/>
+In dance of breakers forked or peaked,<br/>
+Pale maniacs of the maddened tide;<br/>
+While, strenuous yet some end to earn,<br/>
+The haglets spin, though now no more astern.<br/>
+<br/>
+Like shuttles hurrying in the looms<br/>
+Aloft through rigging frayed they ply&mdash;<br/>
+Cross and recross&mdash;weave and inweave,<br/>
+Then lock the web with clinching cry<br/>
+Over the seas on seas that clasp<br/>
+The weltering wreck where gurgling ends the gasp.<br/>
+<br/>
+Ah, for the Plate-Fleet trophy now,<br/>
+The victor&rsquo;s voucher, flags and arms;<br/>
+Never they&rsquo;ll hang in Abbey old<br/>
+And take Time&rsquo;s dust with holier palms;<br/>
+Nor less content, in liquid night,<br/>
+Their captor sleeps&mdash;the Admiral of the White.<br/>
+<br/>
+Imbedded deep with shells<br/>
+And drifted treasure deep,<br/>
+Forever he sinks deeper in<br/>
+Unfathomable sleep&mdash;<br/>
+His cannon round him thrown,<br/>
+His sailors at his feet,<br/>
+The wizard sea enchanting them<br/>
+Where never haglets beat.<br/>
+<br/>
+On nights when meteors play<br/>
+And light the breakers dance,<br/>
+The Oreads from the caves<br/>
+With silvery elves advance;<br/>
+And up from ocean stream,<br/>
+And down from heaven far,<br/>
+The rays that blend in dream<br/>
+The abysm and the star.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap09"></a>
+THE AEOLIAN HARP</h2>
+
+<p class="center">
+<i>At The Surf Inn</i>
+</p>
+
+<p class="poem">
+List the harp in window wailing<br/>
+    Stirred by fitful gales from sea:<br/>
+Shrieking up in mad crescendo&mdash;<br/>
+    Dying down in plaintive key!<br/>
+<br/>
+Listen: less a strain ideal<br/>
+Than Ariel&rsquo;s rendering of the Real.<br/>
+    What that Real is, let hint<br/>
+    A picture stamped in memory&rsquo;s mint.<br/>
+<br/>
+Braced well up, with beams aslant,<br/>
+Betwixt the continents sails the <i>Phocion,</i><br/>
+For Baltimore bound from Alicant.<br/>
+Blue breezy skies white fleeces fleck<br/>
+Over the chill blue white-capped ocean:<br/>
+From yard-arm comes&mdash;&ldquo;Wreck ho, a wreck!&rdquo;<br/>
+<br/>
+Dismasted and adrift,<br/>
+Longtime a thing forsaken;<br/>
+Overwashed by every wave<br/>
+Like the slumbering kraken;<br/>
+Heedless if the billow roar,<br/>
+Oblivious of the lull,<br/>
+Leagues and leagues from shoal or shore,<br/>
+It swims&mdash;a levelled hull:<br/>
+Bulwarks gone&mdash;a shaven wreck,<br/>
+Nameless and a grass-green deck.<br/>
+A lumberman: perchance, in hold<br/>
+Prostrate pines with hemlocks rolled.<br/>
+<br/>
+It has drifted, waterlogged,<br/>
+Till by trailing weeds beclogged:<br/>
+    Drifted, drifted, day by day,<br/>
+    Pilotless on pathless way.<br/>
+It has drifted till each plank<br/>
+Is oozy as the oyster-bank:<br/>
+    Drifted, drifted, night by night,<br/>
+    Craft that never shows a light;<br/>
+Nor ever, to prevent worse knell,<br/>
+Tolls in fog the warning bell.<br/>
+<br/>
+From collision never shrinking,<br/>
+Drive what may through darksome smother;<br/>
+Saturate, but never sinking,<br/>
+Fatal only to the <i>other!</i><br/>
+    Deadlier than the sunken reef<br/>
+Since still the snare it shifteth,<br/>
+    Torpid in dumb ambuscade<br/>
+Waylayingly it drifteth.<br/>
+<br/>
+O, the sailors&mdash;O, the sails!<br/>
+O, the lost crews never heard of!<br/>
+Well the harp of Ariel wails<br/>
+Thought that tongue can tell no word of!
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap10"></a>
+TO THE MASTER OF THE <i>METEOR</i></h2>
+
+<p class="poem">
+Lonesome on earth&rsquo;s loneliest deep,<br/>
+Sailor! who dost thy vigil keep&mdash;<br/>
+Off the Cape of Storms dost musing sweep<br/>
+Over monstrous waves that curl and comb;<br/>
+Of thee we think when here from brink<br/>
+We blow the mead in bubbling foam.<br/>
+<br/>
+Of thee we think, in a ring we link;<br/>
+To the shearer of ocean&rsquo;s fleece we drink,<br/>
+And the <i>Meteor</i> rolling home.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap11"></a>
+FAR OFF-SHORE</h2>
+
+<p class="poem">
+Look, the raft, a signal flying,<br/>
+    Thin&mdash;a shred;<br/>
+None upon the lashed spars lying,<br/>
+    Quick or dead.<br/>
+<br/>
+Cries the sea-fowl, hovering over,<br/>
+    &ldquo;Crew, the crew?&rdquo;<br/>
+And the billow, reckless, rover,<br/>
+    Sweeps anew!
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap12"></a>
+THE MAN-OF-WAR HAWK</h2>
+
+<p class="poem">
+Yon black man-of-war-hawk that wheels in the light<br/>
+O&rsquo;er the black ship&rsquo;s white sky-s&rsquo;l, sunned cloud to the sight,<br/>
+Have we low-flyers wings to ascend to his height?<br/>
+No arrow can reach him; nor thought can attain<br/>
+To the placid supreme in the sweep of his reign.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap13"></a>
+THE FIGURE-HEAD</h2>
+
+<p class="poem">
+The <i>Charles-and-Emma</i> seaward sped,<br/>
+(Named from the carven pair at prow,)<br/>
+He so smart, and a curly head,<br/>
+She tricked forth as a bride knows how:<br/>
+    Pretty stem for the port, I trow!<br/>
+<br/>
+But iron-rust and alum-spray<br/>
+And chafing gear, and sun and dew<br/>
+Vexed this lad and lassie gay,<br/>
+Tears in their eyes, salt tears nor few;<br/>
+    And the hug relaxed with the failing glue.<br/>
+<br/>
+But came in end a dismal night,<br/>
+With creaking beams and ribs that groan,<br/>
+A black lee-shore and waters white:<br/>
+Dropped on the reef, the pair lie prone:<br/>
+    O, the breakers dance, but the winds they moan!
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap14"></a>
+THE GOOD CRAFT <i>SNOW BIRD</i></h2>
+
+<p class="poem">
+Strenuous need that head-wind be<br/>
+    From purposed voyage that drives at last<br/>
+The ship, sharp-braced and dogged still,<br/>
+    Beating up against the blast.<br/>
+<br/>
+Brigs that figs for market gather,<br/>
+    Homeward-bound upon the stretch,<br/>
+Encounter oft this uglier weather<br/>
+    Yet in end their port they fetch.<br/>
+<br/>
+Mark yon craft from sunny Smyrna<br/>
+    Glazed with ice in Boston Bay;<br/>
+Out they toss the fig-drums cheerly,<br/>
+    Livelier for the frosty ray.<br/>
+<br/>
+What if sleet off-shore assailed her,<br/>
+    What though ice yet plate her yards;<br/>
+In wintry port not less she renders<br/>
+    Summer&rsquo;s gift with warm regards!<br/>
+<br/>
+And, look, the underwriters&rsquo; man,<br/>
+    Timely, when the stevedore&rsquo;s done,<br/>
+Puts on his <i>specs</i> to pry and scan,<br/>
+And sets her down&mdash;<i>A, No. 1.</i><br/>
+<br/>
+Bravo, master! Bravo, brig!<br/>
+    For slanting snows out of the West<br/>
+Never the <i>Snow-Bird</i> cares one fig;<br/>
+    And foul winds steady her, though a pest.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap15"></a>
+OLD COUNSEL</h2>
+
+<p class="center">
+<i>Of The Young Master of a Wrecked California Clipper</i>
+</p>
+
+<p class="poem">
+Come out of the Golden Gate,<br/>
+    Go round the Horn with streamers,<br/>
+Carry royals early and late;<br/>
+But, brother, be not over-elate&mdash;<br/>
+    <i>All hands save ship!</i> has startled dreamers.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap16"></a>
+THE TUFT OF KELP</h2>
+
+<p class="poem">
+All dripping in tangles green,<br/>
+    Cast up by a lonely sea<br/>
+If purer for that, O Weed,<br/>
+    Bitterer, too, are ye?
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap17"></a>
+THE MALDIVE SHARK</h2>
+
+<p class="poem">
+About the Shark, phlegmatical one,<br/>
+Pale sot of the Maldive sea,<br/>
+The sleek little pilot-fish, azure and slim,<br/>
+How alert in attendance be.<br/>
+From his saw-pit of mouth, from his charnel of maw<br/>
+They have nothing of harm to dread,<br/>
+But liquidly glide on his ghastly flank<br/>
+Or before his Gorgonian head:<br/>
+Or lurk in the port of serrated teeth<br/>
+In white triple tiers of glittering gates,<br/>
+And there find a haven when peril&rsquo;s abroad,<br/>
+An asylum in jaws of the Fates!<br/>
+They are friends; and friendly they guide him to prey,<br/>
+Yet never partake of the treat&mdash;<br/>
+Eyes and brains to the dotard lethargic and dull,<br/>
+Pale ravener of horrible meat.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap18"></a>
+TO NED</h2>
+
+<p class="poem">
+Where is the world we roved, Ned Bunn?<br/>
+    Hollows thereof lay rich in shade<br/>
+By voyagers old inviolate thrown<br/>
+    Ere Paul Pry cruised with Pelf and Trade.<br/>
+To us old lads some thoughts come home<br/>
+Who roamed a world young lads no more shall roam.<br/>
+<br/>
+Nor less the satiate year impends<br/>
+    When, wearying of routine-resorts,<br/>
+The pleasure-hunter shall break loose,<br/>
+    Ned, for our Pantheistic ports:&mdash;<br/>
+Marquesas and glenned isles that be<br/>
+Authentic Edens in a Pagan sea.<br/>
+<br/>
+The charm of scenes untried shall lure,<br/>
+And, Ned, a legend urge the flight&mdash;<br/>
+The Typee-truants under stars<br/>
+Unknown to Shakespere&rsquo;s <i>Midsummer-Night;</i><br/>
+And man, if lost to Saturn&rsquo;s Age,<br/>
+Yet feeling life no Syrian pilgrimage.<br/>
+<br/>
+But, tell, shall he, the tourist, find<br/>
+    Our isles the same in violet-glow<br/>
+Enamoring us what years and years&mdash;<br/>
+    Ah, Ned, what years and years ago!<br/>
+Well, Adam advances, smart in pace,<br/>
+But scarce by violets that advance you trace.<br/>
+<br/>
+But we, in anchor-watches calm,<br/>
+    The Indian Psyche&rsquo;s languor won,<br/>
+And, musing, breathed primeval balm<br/>
+    From Edens ere yet overrun;<br/>
+Marvelling mild if mortal twice,<br/>
+Here and hereafter, touch a Paradise.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap19"></a>
+CROSSING THE TROPICS</h2>
+
+<p class="center">
+<i>From &ldquo;The Saya-y-Manto.&rdquo;</i>
+</p>
+
+<p class="poem">
+While now the Pole Star sinks from sight<br/>
+    The Southern Cross it climbs the sky;<br/>
+But losing thee, my love, my light,<br/>
+O bride but for one bridal night,<br/>
+    The loss no rising joys supply.<br/>
+<br/>
+Love, love, the Trade Winds urge abaft,<br/>
+And thee, from thee, they steadfast waft.<br/>
+<br/>
+By day the blue and silver sea<br/>
+    And chime of waters blandly fanned&mdash;<br/>
+Nor these, nor Gama&rsquo;s stars to me<br/>
+May yield delight since still for thee<br/>
+    I long as Gama longed for land.<br/>
+<br/>
+I yearn, I yearn, reverting turn,<br/>
+My heart it streams in wake astern<br/>
+When, cut by slanting sleet, we swoop<br/>
+    Where raves the world&rsquo;s inverted year,<br/>
+If roses all your porch shall loop,<br/>
+Not less your heart for me will droop<br/>
+    Doubling the world&rsquo;s last outpost drear.<br/>
+<br/>
+O love, O love, these oceans vast:<br/>
+Love, love, it is as death were past!
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap20"></a>
+THE BERG</h2>
+
+<p class="center">
+<i>A Dream</i>
+</p>
+
+<p class="poem">
+I saw a ship of martial build<br/>
+(Her standards set, her brave apparel on)<br/>
+Directed as by madness mere<br/>
+Against a stolid iceberg steer,<br/>
+Nor budge it, though the infatuate ship went down.<br/>
+The impact made huge ice-cubes fall<br/>
+Sullen, in tons that crashed the deck;<br/>
+But that one avalanche was all<br/>
+No other movement save the foundering wreck.<br/>
+<br/>
+Along the spurs of ridges pale,<br/>
+Not any slenderest shaft and frail,<br/>
+A prism over glass&mdash;green gorges lone,<br/>
+Toppled; nor lace of traceries fine,<br/>
+Nor pendant drops in grot or mine<br/>
+Were jarred, when the stunned ship went down.<br/>
+Nor sole the gulls in cloud that wheeled<br/>
+Circling one snow-flanked peak afar,<br/>
+But nearer fowl the floes that skimmed<br/>
+And crystal beaches, felt no jar.<br/>
+No thrill transmitted stirred the lock<br/>
+Of jack-straw needle-ice at base;<br/>
+Towers undermined by waves&mdash;the block<br/>
+Atilt impending&mdash;kept their place.<br/>
+Seals, dozing sleek on sliddery ledges<br/>
+Slipt never, when by loftier edges<br/>
+Through very inertia overthrown,<br/>
+The impetuous ship in bafflement went down.<br/>
+Hard Berg (methought), so cold, so vast,<br/>
+With mortal damps self-overcast;<br/>
+Exhaling still thy dankish breath&mdash;<br/>
+Adrift dissolving, bound for death;<br/>
+Though lumpish thou, a lumbering one&mdash;<br/>
+A lumbering lubbard loitering slow,<br/>
+Impingers rue thee and go down,<br/>
+Sounding thy precipice below,<br/>
+Nor stir the slimy slug that sprawls<br/>
+Along thy dense stolidity of walls.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap21"></a>
+THE ENVIABLE ISLES</h2>
+
+<p class="center">
+<i>From &ldquo;Rammon.&rdquo;</i>
+</p>
+
+<p class="poem">
+Through storms you reach them and from storms are free.<br/>
+    Afar descried, the foremost drear in hue,<br/>
+But, nearer, green; and, on the marge, the sea<br/>
+    Makes thunder low and mist of rainbowed dew.<br/>
+<br/>
+But, inland, where the sleep that folds the hills<br/>
+A dreamier sleep, the trance of God, instills&mdash;<br/>
+    On uplands hazed, in wandering airs aswoon,<br/>
+Slow-swaying palms salute love&rsquo;s cypress tree<br/>
+    Adown in vale where pebbly runlets croon<br/>
+A song to lull all sorrow and all glee.<br/>
+<br/>
+Sweet-fern and moss in many a glade are here.<br/>
+    Where, strewn in flocks, what cheek-flushed myriads lie<br/>
+Dimpling in dream&mdash;unconscious slumberers mere,<br/>
+    While billows endless round the beaches die.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap22"></a>
+PEBBLES</h2>
+
+<p class="center">
+I
+</p>
+
+<p class="poem">
+Though the Clerk of the Weather insist,<br/>
+    And lay down the weather-law,<br/>
+Pintado and gannet they wist<br/>
+That the winds blow whither they list<br/>
+    In tempest or flaw.
+</p>
+
+<p class="center">
+II
+</p>
+
+<p class="poem">
+Old are the creeds, but stale the schools,<br/>
+    Revamped as the mode may veer,<br/>
+But Orm from the schools to the beaches strays<br/>
+And, finding a Conch hoar with time, he delays<br/>
+    And reverent lifts it to ear.<br/>
+That Voice, pitched in far monotone,<br/>
+    Shall it swerve? shall it deviate ever?<br/>
+The Seas have inspired it, and Truth&mdash;<br/>
+    Truth, varying from sameness never.
+</p>
+
+<p class="center">
+III
+</p>
+
+<p class="poem">
+In hollows of the liquid hills<br/>
+    Where the long Blue Ridges run,<br/>
+The flattery of no echo thrills,<br/>
+    For echo the seas have none;<br/>
+Nor aught that gives man back man&rsquo;s strain&mdash;<br/>
+The hope of his heart, the dream in his brain.
+</p>
+
+<p class="center">
+IV
+</p>
+
+<p class="poem">
+On ocean where the embattled fleets repair,<br/>
+Man, suffering inflictor, sails on sufferance there.
+</p>
+
+<p class="center">
+V
+</p>
+
+<p class="poem">
+Implacable I, the old Implacable Sea:<br/>
+    Implacable most when most I smile serene&mdash;<br/>
+Pleased, not appeased, by myriad wrecks in me.
+</p>
+
+<p class="center">
+VI
+</p>
+
+<p class="poem">
+Curled in the comb of yon billow Andean,<br/>
+    Is it the Dragon&rsquo;s heaven-challenging crest?<br/>
+Elemental mad ramping of ravening waters&mdash;<br/>
+    Yet Christ on the Mount, and the dove in her nest!
+</p>
+
+<p class="center">
+VII
+</p>
+
+<p class="poem">
+Healed of my hurt, I laud the inhuman Sea&mdash;<br/>
+Yea, bless the Angels Four that there convene;<br/>
+For healed I am ever by their pitiless breath<br/>
+Distilled in wholesome dew named rosmarine.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap23"></a>
+POEMS FROM TIMOLEON</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap24"></a>
+LINES TRACED UNDER AN IMAGE OF AMOR THREATENING</h2>
+
+<p class="poem">
+Fear me, virgin whosoever<br/>
+Taking pride from love exempt,<br/>
+    Fear me, slighted. Never, never<br/>
+Brave me, nor my fury tempt:<br/>
+Downy wings, but wroth they beat<br/>
+Tempest even in reason&rsquo;s seat.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap25"></a>
+THE NIGHT MARCH</h2>
+
+<p class="poem">
+With banners furled and clarions mute,<br/>
+    An army passes in the night;<br/>
+And beaming spears and helms salute<br/>
+    The dark with bright.<br/>
+<br/>
+In silence deep the legions stream,<br/>
+    With open ranks, in order true;<br/>
+Over boundless plains they stream and gleam&mdash;<br/>
+    No chief in view!<br/>
+<br/>
+Afar, in twinkling distance lost,<br/>
+    (So legends tell) he lonely wends<br/>
+And back through all that shining host<br/>
+    His mandate sends.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap26"></a>
+THE RAVAGED VILLA</h2>
+
+<p class="poem">
+In shards the sylvan vases lie,<br/>
+    Their links of dance undone,<br/>
+And brambles wither by thy brim,<br/>
+    Choked fountain of the sun!<br/>
+The spider in the laurel spins,<br/>
+    The weed exiles the flower:<br/>
+And, flung to kiln, Apollo&rsquo;s bust<br/>
+    Makes lime for Mammon&rsquo;s tower.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap27"></a>
+THE NEW ZEALOT TO THE SUN</h2>
+
+<p class="poem">
+Persian, you rise<br/>
+Aflame from climes of sacrifice<br/>
+    Where adulators sue,<br/>
+And prostrate man, with brow abased,<br/>
+Adheres to rites whose tenor traced<br/>
+    All worship hitherto.<br/>
+<br/>
+    Arch type of sway,<br/>
+Meetly your over-ruling ray<br/>
+    You fling from Asia&rsquo;s plain,<br/>
+Whence flashed the javelins abroad<br/>
+Of many a wild incursive horde<br/>
+    Led by some shepherd Cain.<br/>
+<br/>
+    Mid terrors dinned<br/>
+Gods too came conquerors from your Ind,<br/>
+    The book of Brahma throve;<br/>
+They came like to the scythed car,<br/>
+Westward they rolled their empire far,<br/>
+    Of night their purple wove.<br/>
+<br/>
+    Chemist, you breed<br/>
+In orient climes each sorcerous weed<br/>
+    That energizes dream&mdash;<br/>
+Transmitted, spread in myths and creeds,<br/>
+Houris and hells, delirious screeds<br/>
+    And Calvin&rsquo;s last extreme.<br/>
+<br/>
+    What though your light<br/>
+In time&rsquo;s first dawn compelled the flight<br/>
+    Of Chaos&rsquo; startled clan,<br/>
+Shall never all your darted spears<br/>
+Disperse worse Anarchs, frauds and fears,<br/>
+    Sprung from these weeds to man?<br/>
+<br/>
+    But Science yet<br/>
+An effluence ampler shall beget,<br/>
+    And power beyond your play&mdash;<br/>
+Shall quell the shades you fail to rout,<br/>
+Yea, searching every secret out<br/>
+    Elucidate your ray.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap28"></a>
+MONODY</h2>
+
+<p class="poem">
+To have known him, to have loved him<br/>
+    After loneness long;<br/>
+And then to be estranged in life,<br/>
+    And neither in the wrong;<br/>
+And now for death to set his seal&mdash;<br/>
+    Ease me, a little ease, my song!<br/>
+<br/>
+By wintry hills his hermit-mound<br/>
+    The sheeted snow-drifts drape,<br/>
+And houseless there the snow-bird flits<br/>
+    Beneath the fir-trees&rsquo; crape:<br/>
+Glazed now with ice the cloistral vine<br/>
+    That hid the shyest grape.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap29"></a>
+LONE FOUNTS</h2>
+
+<p class="poem">
+Though fast youth&rsquo;s glorious fable flies,<br/>
+View not the world with worldling&rsquo;s eyes;<br/>
+Nor turn with weather of the time.<br/>
+Foreclose the coming of surprise:<br/>
+Stand where Posterity shall stand;<br/>
+Stand where the Ancients stood before,<br/>
+And, dipping in lone founts thy hand,<br/>
+Drink of the never-varying lore:<br/>
+Wise once, and wise thence evermore.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap30"></a>
+THE BENCH OF BOORS</h2>
+
+<p class="poem">
+In bed I muse on Tenier&rsquo;s boors,<br/>
+Embrowned and beery losels all;<br/>
+        A wakeful brain<br/>
+        Elaborates pain:<br/>
+Within low doors the slugs of boors<br/>
+Laze and yawn and doze again.<br/>
+<br/>
+In dreams they doze, the drowsy boors,<br/>
+Their hazy hovel warm and small:<br/>
+        Thought&rsquo;s ampler bound<br/>
+        But chill is found:<br/>
+Within low doors the basking boors<br/>
+Snugly hug the ember-mound.<br/>
+<br/>
+Sleepless, I see the slumberous boors<br/>
+Their blurred eyes blink, their eyelids fall:<br/>
+        Thought&rsquo;s eager sight<br/>
+        Aches&mdash;overbright!<br/>
+Within low doors the boozy boors<br/>
+Cat-naps take in pipe-bowl light.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap31"></a>
+ART</h2>
+
+<p class="poem">
+In placid hours well-pleased we dream<br/>
+Of many a brave unbodied scheme.<br/>
+But form to lend, pulsed life create,<br/>
+What unlike things must meet and mate:<br/>
+A flame to melt&mdash;a wind to freeze;<br/>
+Sad patience&mdash;joyous energies;<br/>
+Humility&mdash;yet pride and scorn;<br/>
+Instinct and study; love and hate;<br/>
+Audacity&mdash;reverence. These must mate,<br/>
+And fuse with Jacob&rsquo;s mystic heart,<br/>
+To wrestle with the angel&mdash;Art.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap32"></a>
+THE ENTHUSIAST</h2>
+
+<p class="center">
+<i>&ldquo;Though He slay me yet will I trust in Him.&rdquo;</i>
+</p>
+
+<p class="poem">
+Shall hearts that beat no base retreat<br/>
+    In youth&rsquo;s magnanimous years&mdash;<br/>
+Ignoble hold it, if discreet<br/>
+    When interest tames to fears;<br/>
+Shall spirits that worship light<br/>
+    Perfidious deem its sacred glow,<br/>
+    Recant, and trudge where worldlings go,<br/>
+Conform and own them right?<br/>
+<br/>
+Shall Time with creeping influence cold<br/>
+    Unnerve and cow? the heart<br/>
+Pine for the heartless ones enrolled<br/>
+    With palterers of the mart?<br/>
+Shall faith abjure her skies,<br/>
+    Or pale probation blench her down<br/>
+    To shrink from Truth so still, so lone<br/>
+Mid loud gregarious lies?<br/>
+<br/>
+Each burning boat in Caesar&rsquo;s rear,<br/>
+    Flames&mdash;No return through me!<br/>
+So put the torch to ties though dear,<br/>
+    If ties but tempters be.<br/>
+Nor cringe if come the night:<br/>
+    Walk through the cloud to meet the pall,<br/>
+    Though light forsake thee, never fall<br/>
+From fealty to light.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap33"></a>
+SHELLEY&rsquo;S VISION</h2>
+
+<p class="poem">
+Wandering late by morning seas<br/>
+    When my heart with pain was low&mdash;<br/>
+Hate the censor pelted me&mdash;<br/>
+    Deject I saw my shadow go.<br/>
+<br/>
+In elf-caprice of bitter tone<br/>
+I too would pelt the pelted one:<br/>
+At my shadow I cast a stone.<br/>
+<br/>
+When lo, upon that sun-lit ground<br/>
+    I saw the quivering phantom take<br/>
+The likeness of St. Stephen crowned:<br/>
+    Then did self-reverence awake.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap34"></a>
+THE MARCHIONESS OF BRINVILLIERS</h2>
+
+<p class="poem">
+He toned the sprightly beam of morning<br/>
+    With twilight meek of tender eve,<br/>
+Brightness interfused with softness,<br/>
+    Light and shade did weave:<br/>
+And gave to candor equal place<br/>
+With mystery starred in open skies;<br/>
+And, floating all in sweetness, made<br/>
+    Her fathomless mild eyes.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap35"></a>
+THE AGE OF THE ANTONINES</h2>
+
+<p class="poem">
+While faith forecasts millennial years<br/>
+    Spite Europe&rsquo;s embattled lines,<br/>
+Back to the Past one glance be cast&mdash;<br/>
+    The Age of the Antonines!<br/>
+O summit of fate, O zenith of time<br/>
+When a pagan gentleman reigned,<br/>
+And the olive was nailed to the inn of the world<br/>
+Nor the peace of the just was feigned.<br/>
+    A halcyon Age, afar it shines,<br/>
+    Solstice of Man and the Antonines.<br/>
+<br/>
+Hymns to the nations&rsquo; friendly gods<br/>
+Went up from the fellowly shrines,<br/>
+No demagogue beat the pulpit-drum<br/>
+    In the Age of the Antonines!<br/>
+The sting was not dreamed to be taken from death,<br/>
+No Paradise pledged or sought,<br/>
+But they reasoned of fate at the flowing feast,<br/>
+Nor stifled the fluent thought,<br/>
+    We sham, we shuffle while faith declines&mdash;<br/>
+    They were frank in the Age of the Antonines.<br/>
+<br/>
+Orders and ranks they kept degree,<br/>
+Few felt how the parvenu pines,<br/>
+No law-maker took the lawless one&rsquo;s fee<br/>
+    In the Age of the Antonines!<br/>
+Under law made will the world reposed<br/>
+And the ruler&rsquo;s right confessed,<br/>
+For the heavens elected the Emperor then,<br/>
+The foremost of men the best.<br/>
+    Ah, might we read in America&rsquo;s signs<br/>
+    The Age restored of the Antonines.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap36"></a>
+HERBA SANTA</h2>
+
+<p class="center">
+I
+</p>
+
+<p class="poem">
+After long wars when comes release<br/>
+Not olive wands proclaiming peace<br/>
+    Can import dearer share<br/>
+Than stems of Herba Santa hazed<br/>
+    In autumn&rsquo;s Indian air.<br/>
+Of moods they breathe that care disarm,<br/>
+They pledge us lenitive and calm.
+</p>
+
+<p class="center">
+II
+</p>
+
+<p class="poem">
+Shall code or creed a lure afford<br/>
+To win all selves to Love&rsquo;s accord?<br/>
+When Love ordained a supper divine<br/>
+    For the wide world of man,<br/>
+What bickerings o&rsquo;er his gracious wine!<br/>
+    Then strange new feuds began.<br/>
+<br/>
+Effectual more in lowlier way,<br/>
+    Pacific Herb, thy sensuous plea<br/>
+The bristling clans of Adam sway<br/>
+    At least to fellowship in thee!<br/>
+Before thine altar tribal flags are furled,<br/>
+Fain wouldst thou make one hearthstone of the world.
+</p>
+
+<p class="center">
+III
+</p>
+
+<p class="poem">
+To scythe, to sceptre, pen and hod&mdash;<br/>
+    Yea, sodden laborers dumb;<br/>
+To brains overplied, to feet that plod,<br/>
+In solace of the <i>Truce of God</i><br/>
+    The Calumet has come!
+</p>
+
+<p class="center">
+IV
+</p>
+
+<p class="poem">
+Ah for the world ere Raleigh&rsquo;s find<br/>
+    Never that knew this suasive balm<br/>
+That helps when Gilead&rsquo;s fails to heal,<br/>
+    Helps by an interserted charm.<br/>
+<br/>
+Insinuous thou that through the nerve<br/>
+    Windest the soul, and so canst win<br/>
+Some from repinings, some from sin,<br/>
+    The Church&rsquo;s aim thou dost subserve.<br/>
+<br/>
+The ruffled fag fordone with care<br/>
+    And brooding, God would ease this pain:<br/>
+Him soothest thou and smoothest down<br/>
+    Till some content return again.<br/>
+<br/>
+Even ruffians feel thy influence breed<br/>
+    Saint Martin&rsquo;s summer in the mind,<br/>
+They feel this last evangel plead,<br/>
+As did the first, apart from creed,<br/>
+    Be peaceful, man&mdash;be kind!
+</p>
+
+<p class="center">
+V
+</p>
+
+<p class="poem">
+Rejected once on higher plain,<br/>
+O Love supreme, to come again<br/>
+    Can this be thine?<br/>
+Again to come, and win us too<br/>
+    In likeness of a weed<br/>
+That as a god didst vainly woo,<br/>
+    As man more vainly bleed?
+</p>
+
+<p class="center">
+VI
+</p>
+
+<p class="poem">
+Forbear, my soul! and in thine Eastern chamber<br/>
+    Rehearse the dream that brings the long release:<br/>
+Through jasmine sweet and talismanic amber<br/>
+    Inhaling Herba Santa in the passive Pipe of Peace.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap37"></a>
+OFF CAPE COLONNA</h2>
+
+<p class="poem">
+Aloof they crown the foreland lone,<br/>
+    From aloft they loftier rise&mdash;<br/>
+Fair columns, in the aureole rolled<br/>
+    From sunned Greek seas and skies.<br/>
+They wax, sublimed to fancy&rsquo;s view,<br/>
+A god-like group against the blue.<br/>
+<br/>
+Over much like gods! Serene they saw<br/>
+    The wolf-waves board the deck,<br/>
+And headlong hull of Falconer,<br/>
+    And many a deadlier wreck.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap38"></a>
+THE APPARITION</h2>
+
+<p class="center">
+<i>The Parthenon uplifted on its rock first challenging the view on the
+approach to Athens.</i>
+</p>
+
+<p class="poem">
+Abrupt the supernatural Cross,<br/>
+    Vivid in startled air,<br/>
+Smote the Emperor Constantine<br/>
+And turned his soul&rsquo;s allegiance there.<br/>
+<br/>
+With other power appealing down,<br/>
+    Trophy of Adam&rsquo;s best!<br/>
+If cynic minds you scarce convert,<br/>
+You try them, shake them, or molest.<br/>
+<br/>
+Diogenes, that honest heart,<br/>
+    Lived ere your date began;<br/>
+Thee had he seen, he might have swerved<br/>
+In mood nor barked so much at Man.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap39"></a>
+L&rsquo;ENVOI</h2>
+
+<p class="center">
+<i>The Return of the Sire de Nesle.</i><br/>
+A.D. 16
+</p>
+
+<p class="poem">
+My towers at last! These rovings end,<br/>
+Their thirst is slaked in larger dearth:<br/>
+The yearning infinite recoils,<br/>
+    For terrible is earth.<br/>
+<br/>
+Kaf thrusts his snouted crags through fog:<br/>
+Araxes swells beyond his span,<br/>
+And knowledge poured by pilgrimage<br/>
+    Overflows the banks of man.<br/>
+<br/>
+But thou, my stay, thy lasting love<br/>
+One lonely good, let this but be!<br/>
+Weary to view the wide world&rsquo;s swarm,<br/>
+    But blest to fold but thee.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap40"></a>
+SUPPLEMENT</h2>
+
+<p>
+Were I fastidiously anxious for the symmetry of this book, it would close with
+the notes. But the times are such that patriotism&mdash;not free from
+solicitude&mdash;urges a claim overriding all literary scruples.
+</p>
+
+<p>
+It is more than a year since the memorable surrender, but events have not yet
+rounded themselves into completion. Not justly can we complain of this. There
+has been an upheaval affecting the basis of things; to altered circumstances
+complicated adaptations are to be made; there are difficulties great and novel.
+But is Reason still waiting for Passion to spend itself? We have sung of the
+soldiers and sailors, but who shall hymn the politicians?
+</p>
+
+<p>
+In view of the infinite desirableness of Re-establishment, and considering
+that, so far as feeling is concerned, it depends not mainly on the temper in
+which the South regards the North, but rather conversely; one who never was a
+blind adherent feels constrained to submit some thoughts, counting on the
+indulgence of his countrymen.
+</p>
+
+<p>
+And, first, it may be said that, if among the feelings and opinions growing
+immediately out of a great civil convulsion, there are any which time shall
+modify or do away, they are presumably those of a less temperate and charitable
+cast.
+</p>
+
+<p>
+There seems no reason why patriotism and narrowness should go together, or why
+intellectual impartiality should be confounded with political trimming, or why
+serviceable truth should keep cloistered because not partisan. Yet the work of
+Reconstruction, if admitted to be feasible at all, demands little but common
+sense and Christian charity. Little but these? These are much.
+</p>
+
+<p>
+Some of us are concerned because as yet the South shows no penitence. But what
+exactly do we mean by this? Since down to the close of the war she never
+confessed any for braving it, the only penitence now left her is that which
+springs solely from the sense of discomfiture; and since this evidently would
+be a contrition hypocritical, it would be unworthy in us to demand it. Certain
+it is that penitence, in the sense of voluntary humiliation, will never be
+displayed. Nor does this afford just ground for unreserved condemnation. It is
+enough, for all practical purposes, if the South have been taught by the
+terrors of civil war to feel that Secession, like Slavery, is against Destiny;
+that both now lie buried in one grave; that her fate is linked with ours; and
+that together we comprise the Nation.
+</p>
+
+<p>
+The clouds of heroes who battled for the Union it is needless to eulogize here.
+But how of the soldiers on the other side? And when of a free community we name
+the soldiers, we thereby name the people. It was in subserviency to the
+slave-interest that Secession was plotted; but it was under the plea, plausibly
+urged, that certain inestimable rights guaranteed by the Constitution were
+directly menaced, that the people of the South were cajoled into revolution.
+Through the arts of the conspirators and the perversity of fortune, the most
+sensitive love of liberty was entrapped into the support of a war whose implied
+end was the erecting in our advanced century of an Anglo-American empire based
+upon the systematic degradation of man.
+</p>
+
+<p>
+Spite this clinging reproach, however, signal military virtues and achievements
+have conferred upon the Confederate arms historic fame, and upon certain of the
+commanders a renown extending beyond the sea&mdash;a renown which we of the
+North could not suppress, even if we would. In personal character, also, not a
+few of the military leaders of the South enforce forbearance; the memory of
+others the North refrains from disparaging; and some, with more or less of
+reluctance, she can respect. Posterity, sympathizing with our convictions, but
+removed from our passions, may perhaps go farther here. If George IV could, out
+of the graceful instinct of a gentleman, raise an honorable monument in the
+great fane of Christendom over the remains of the enemy of his dynasty, Charles
+Edward, the invader of England and victor in the rout of Preston
+Pans&mdash;upon whose head the king&rsquo;s ancestor but one reign removed had
+set a price&mdash;is it probable that the granchildren of General Grant will
+pursue with rancor, or slur by sour neglect, the memory of Stonewall Jackson?
+</p>
+
+<p>
+But the South herself is not wanting in recent histories and biographies which
+record the deeds of her chieftains&mdash;writings freely published at the North
+by loyal houses, widely read here, and with a deep though saddened interest. By
+students of the war such works are hailed as welcome accessories, and tending
+to the completeness of the record.
+</p>
+
+<p>
+Supposing a happy issue out of present perplexities, then, in the generation
+next to come, Southerners there will be yielding allegiance to the Union,
+feeling all their interests bound up in it, and yet cherishing unrebuked that
+kind of feeling for the memory of the soldiers of the fallen Confederacy that
+Burns, Scott, and the Ettrick Shepherd felt for the memory of the gallant
+clansmen ruined through their fidelity to the Stuarts&mdash;a feeling whose
+passion was tempered by the poetry imbuing it, and which in no wise affected
+their loyalty to the Georges, and which, it may be added, indirectly
+contributed excellent things to literature. But, setting this view aside,
+dishonorable would it be in the South were she willing to abandon to shame the
+memory of brave men who with signal personal disinterestedness warred in her
+behalf, though from motives, as we believe, so deplorably astray.
+</p>
+
+<p>
+Patriotism is not baseness, neither is it inhumanity. The mourners who this
+summer bear flowers to the mounds of the Virginian and Georgian dead are, in
+their domestic bereavement and proud affection, as sacred in the eye of Heaven
+as are those who go with similar offerings of tender grief and love into the
+cemeteries of our Northern martyrs. And yet, in one aspect, how needless to
+point the contrast.
+</p>
+
+<p>
+Cherishing such sentiments, it will hardly occasion surprise that, in looking
+over the battle-pieces in the foregoing collection, I have been tempted to
+withdraw or modify some of them, fearful lest in presenting, though but
+dramatically and by way of poetic record, the passions and epithets of civil
+war, I might be contributing to a bitterness which every sensible American must
+wish at an end. So, too, with the emotion of victory as reproduced on some
+pages, and particularly toward the close. It should not be construed into an
+exultation misapplied&mdash;an exultation as ungenerous as unwise, and made to
+minister, however indirectly, to that kind of censoriousness too apt to be
+produced in certain natures by success after trying reverses. Zeal is not of
+necessity religion, neither is it always of the same essence with poetry or
+patriotism.
+</p>
+
+<p>
+There are excesses which marked the conflict, most of which are perhaps
+inseparable from a civil strife so intense and prolonged, and involving warfare
+in some border countries new and imperfectly civilized. Barbarities also there
+were, for which the Southern people collectively can hardly be held
+responsible, though perpetrated by ruffians in their name. But surely other
+qualities&mdash;exalted ones&mdash;courage and fortitude matchless, were
+likewise displayed, and largely; and justly may these be held the
+characteristic traits, and not the former.
+</p>
+
+<p>
+In this view, what Northern writer, however patriotic, but must revolt from
+acting on paper a part any way akin to that of the live dog to the dead lion;
+and yet it is right to rejoice for our triumphs, so far as it may justly imply
+an advance for our whole country and for humanity.
+</p>
+
+<p>
+Let it be held no reproach to any one that he pleads for reasonable
+consideration for our late enemies, now stricken down and unavoidably debarred,
+for the time, from speaking through authorized agencies for themselves. Nothing
+has been urged here in the foolish hope of conciliating those men&mdash;few in
+number, we trust&mdash;who have resolved never to be reconciled to the Union.
+On such hearts everything is thrown away except it be religious commiseration,
+and the sincerest. Yet let them call to mind that unhappy Secessionist, not a
+military man, who with impious alacrity fired the first shot of the Civil War
+at Sumter, and a little more than four years afterward fired the last one into
+his heart at Richmond.
+</p>
+
+<p>
+Noble was the gesture into which patriotic passion surprised the people in a
+utilitarian time and country; yet the glory of the war falls short of its
+pathos&mdash;a pathos which now at last ought to disarm all animosity.
+</p>
+
+<p>
+How many and earnest thoughts still rise, and how hard to repress them. We feel
+what past years have been, and years, unretarded years, shall come. May we all
+have moderation; may we all show candor. Though, perhaps, nothing could
+ultimately have averted the strife, and though to treat of human actions is to
+deal wholly with second causes, nevertheless, let us not cover up or try to
+extenuate what, humanly speaking, is the truth&mdash;namely, that those
+unfraternal denunciations, continued through years, and which at last inflamed
+to deeds that ended in bloodshed, were reciprocal; and that, had the
+preponderating strength and the prospect of its unlimited increase lain on the
+other side, on ours might have lain those actions which now in our late
+opponents we stigmatize under the name of Rebellion. As frankly let us
+own&mdash;what it would be unbecoming to parade were foreigners
+concerned&mdash; that our triumph was won not more by skill and bravery than by
+superior resources and crushing numbers; that it was a triumph, too, over a
+people for years politically misled by designing men, and also by some
+honestly-erring men, who from their position could not have been otherwise than
+broadly influential; a people who, though, indeed, they sought to perpetuate
+the curse of slavery, and even extend it, were not the authors of it, but (less
+fortunate, not less righteous than we), were the fated inheritors; a people
+who, having a like origin with ourselves, share essentially in whatever worthy
+qualities we may possess. No one can add to the lasting reproach which hopeless
+defeat has now cast upon Secession by withholding the recognition of these
+verities.
+</p>
+
+<p>
+Surely we ought to take it to heart that that kind of pacification, based upon
+principles operating equally all over the land, which lovers of their country
+yearn for, and which our arms, though signally triumphant, did not bring about,
+and which lawmaking, however anxious, or energetic, or repressive, never by
+itself can achieve, may yet be largely aided by generosity of sentiment public
+and private. Some revisionary legislation and adaptive is indispensable; but
+with this should harmoniously work another kind of prudence, not unallied with
+entire magnanimity. Benevolence and policy&mdash;Christianity and
+Machiavelli&mdash;dissuade from penal severities toward the subdued. Abstinence
+here is as obligatory as considerate care for our unfortunate fellowmen late in
+bonds, and, if observed, would equally prove to be wise forecast. The great
+qualities of the South, those attested in the War, we can perilously alienate,
+or we may make them nationally available at need.
+</p>
+
+<p>
+The blacks, in their infant pupilage to freedom, appeal to the sympathies of
+every humane mind. The paternal guardianship which for the interval government
+exercises over them was prompted equally by duty and benevolence. Yet such
+kindliness should not be allowed to exclude kindliness to communities who stand
+nearer to us in nature. For the future of the freed slaves we may well be
+concerned; but the future of the whole country, involving the future of the
+blacks, urges a paramount claim upon our anxiety. Effective benignity, like the
+Nile, is not narrow in its bounty, and true policy is always broad. To be sure,
+it is vain to seek to glide, with moulded words, over the difficulties of the
+situation. And for them who are neither partisans, nor enthusiasts, nor
+theorists, nor cynics, there are some doubts not readily to be solved. And
+there are fears. Why is not the cessation of war now at length attended with
+the settled calm of peace? Wherefore in a clear sky do we still turn our eyes
+toward the South as the Neapolitan, months after the eruption, turns his toward
+Vesuvius? Do we dread lest the repose may be deceptive? In the recent
+convulsion has the crater but shifted Let us revere that sacred uncertainty
+which forever impends over men and nations. Those of us who always abhorred
+slavery as an atheistical iniquity, gladly we join in the exulting chorus of
+humanity over its downfall. But we should remember that emancipation was
+accomplished not by deliberate legislation; only through agonized violence
+could so mighty a result be effected. In our natural solicitude to confirm the
+benefit of liberty to the blacks, let us forbear from measures of dubious
+constitutional rightfulness toward our white countrymen&mdash;measures of a
+nature to provoke, among other of the last evils, exterminating hatred of race
+toward race. In imagination let us place ourselves in the unprecedented
+position of the Southerners&mdash;their position as regards the millions of
+ignorant manumitted slaves in their midst, for whom some of us now claim the
+suffrage. Let us be Christians toward our fellow-whites, as well as
+philanthropists toward the blacks, our fellow-men. In all things, and toward
+all, we are enjoined to do as we would be done by. Nor should we forget that
+benevolent desires, after passing a certain point, can not undertake their own
+fulfillment without incurring the risk of evils beyond those sought to be
+remedied. Something may well be left to the graduated care of future
+legislation, and to heaven. In one point of view the co-existence of the two
+races in the South, whether the negro be bond or free, seems (even as it did to
+Abraham Lincoln) a grave evil. Emancipation has ridded the country of the
+reproach, but not wholly of the calamity. Especially in the present transition
+period for both races in the South, more or less of trouble may not
+unreasonably be anticipated; but let us not hereafter be too swift to charge
+the blame exclusively in any one quarter. With certain evils men must be more
+or less patient. Our institutions have a potent digestion, and may in time
+convert and assimilate to good all elements thrown in, however originally
+alien.
+</p>
+
+<p>
+But, so far as immediate measures looking toward permanent Re- establishment
+are concerned, no consideration should tempt us to pervert the national victory
+into oppression for the vanquished. Should plausible promise of eventual good,
+or a deceptive or spurious sense of duty, lead us to essay this, count we must
+on serious consequences, not the least of which would be divisions among the
+Northern adherents of the Union. Assuredly, if any honest Catos there be who
+thus far have gone with us, no longer will they do so, but oppose us, and as
+resolutely as hitherto they have supported. But this path of thought leads
+toward those waters of bitterness from which one can only turn aside and be
+silent.
+</p>
+
+<p>
+But supposing Re-establishment so far advanced that the Southern seats in
+Congress are occupied, and by men qualified in accordance with those cardinal
+principles of representative government which hitherto have prevailed in the
+land&mdash;what then? Why, the Congressmen elected by the people of the South
+will&mdash;represent the people of the South. This may seem a flat conclusion;
+but, in view of the last five years, may there not be latent significance in
+it? What will be the temper of those Southern members? and, confronted by them,
+what will be the mood of our own representatives? In private life true
+reconciliation seldom follows a violent quarrel; but, if subsequent intercourse
+be unavoidable, nice observances and mutual are indispensable to the prevention
+of a new rupture. Amity itself can only be maintained by reciprocal respect,
+and true friends are punctilious equals. On the floor of Congress North and
+South are to come together after a passionate duel, in which the South, though
+proving her valor, has been made to bite the dust. Upon differences in debate
+shall acrimonious recriminations be exchanged? Shall censorious superiority
+assumed by one section provoke defiant self-assertion on the other? Shall
+Manassas and Chickamauga be retorted for Chattanooga and Richmond? Under the
+supposition that the full Congress will be composed of gentlemen, all this is
+impossible. Yet, if otherwise, it needs no prophet of Israel to foretell the
+end. The maintenance of Congressional decency in the future will rest mainly
+with the North. Rightly will more forbearance be required from the North than
+the South, for the North is victor.
+</p>
+
+<p>
+But some there are who may deem these latter thoughts inapplicable, and for
+this reason: Since the test-oath operatively excludes from Congress all who in
+any way participated in Secession, therefore none but Southerners wholly in
+harmony with the North are eligible to seats. This is true for the time being.
+But the oath is alterable; and in the wonted fluctuations of parties not
+improbably it will undergo alteration, assuming such a form, perhaps, as not to
+bar the admission into the National Legislature of men who represent the
+populations lately in revolt. Such a result would involve no violation of the
+principles of democratic government. Not readily can one perceive how the
+political existence of the millions of late Secessionists can permanently be
+ignored by this Republic. The years of the war tried our devotion to the Union;
+the time of peace may test the sincerity of our faith in democracy.
+</p>
+
+<p>
+In no spirit of opposition, not by way of challenge, is anything here thrown
+out. These thoughts are sincere ones; they seem natural&mdash; inevitable. Here
+and there they must have suggested themselves to many thoughtful patriots. And,
+if they be just thoughts, ere long they must have that weight with the public
+which already they have had with individuals.
+</p>
+
+<p>
+For that heroic band&mdash;those children of the furnace who, in regions like
+Texas and Tennessee, maintained their fidelity through terrible trials&mdash;we
+of the North felt for them, and profoundly we honor them. Yet passionate
+sympathy, with resentments so close as to be almost domestic in their
+bitterness, would hardly in the present juncture tend to discreet legislation.
+Were the Unionists and Secessionists but as Guelphs and Ghibellines? If not,
+then far be it from a great nation now to act in the spirit that animated a
+triumphant town-faction in the Middle Ages. But crowding thoughts must at last
+be checked; and, in times like the present, one who desires to be impartially
+just in the expression of his views, moves as among sword-points presented on
+every side.
+</p>
+
+<p>
+Let us pray that the terrible historic tragedy of our time may not have been
+enacted without instructing our whole beloved country through terror and pity;
+and may fulfillment verify in the end those expectations which kindle the bards
+of Progress and Humanity.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap41"></a>
+POEMS FROM BATTLE PIECES</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap42"></a>
+THE PORTENT</h2>
+
+<p class="center">
+1859
+</p>
+
+<p class="poem">
+Hanging from the beam,<br/>
+    Slowly swaying (such the law),<br/>
+Gaunt the shadow on your green,<br/>
+    Shenandoah!<br/>
+The cut is on the crown<br/>
+(Lo, John Brown),<br/>
+And the stabs shall heal no more.<br/>
+<br/>
+Hidden in the cap<br/>
+    Is the anguish none can draw;<br/>
+So your future veils its face,<br/>
+    Shenandoah!<br/>
+But the streaming beard is shown<br/>
+(Weird John Brown),<br/>
+The meteor of the war.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap43"></a>
+FROM THE CONFLICT OF CONVICTIONS</h2>
+
+<p class="center">
+1860-1
+</p>
+
+<p class="poem">
+The Ancient of Days forever is young,<br/>
+    Forever the scheme of Nature thrives;<br/>
+I know a wind in purpose strong&mdash;<br/>
+    It spins <i>against</i> the way it drives.<br/>
+What if the gulfs their slimed foundations bare?<br/>
+So deep must the stones be hurled<br/>
+Whereon the throes of ages rear<br/>
+The final empire and the happier world.<br/>
+<br/>
+    Power unanointed may come&mdash;<br/>
+Dominion (unsought by the free)<br/>
+    And the Iron Dome,<br/>
+Stronger for stress and strain,<br/>
+Fling her huge shadow athwart the main;<br/>
+But the Founders&rsquo; dream shall flee.<br/>
+Age after age has been,<br/>
+(From man&rsquo;s changeless heart their way they win);<br/>
+And death be busy with all who strive&mdash;<br/>
+Death, with silent negative.<br/>
+<br/>
+    <i>Yea and Nay&mdash;</i><br/>
+    <i>Each hath his say;</i><br/>
+    <i>But God He keeps the middle way.</i><br/>
+    <i>None was by</i><br/>
+    <i>When He spread the sky;</i><br/>
+    <i>Wisdom is vain, and prophecy.</i>
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap44"></a>
+THE MARCH INTO VIRGINIA</h2>
+
+<p class="center">
+<i>Ending in the First Manassas</i><br/>
+July, 1861
+</p>
+
+<p class="poem">
+Did all the lets and bars appear<br/>
+    To every just or larger end,<br/>
+Whence should come the trust and cheer?<br/>
+    Youth must its ignorant impulse lend&mdash;<br/>
+Age finds place in the rear.<br/>
+    All wars are boyish, and are fought by boys,<br/>
+The champions and enthusiasts of the state:<br/>
+    Turbid ardors and vain joys<br/>
+        Not barrenly abate&mdash;<br/>
+    Stimulants to the power mature,<br/>
+        Preparatives of fate.<br/>
+<br/>
+Who here forecasteth the event?<br/>
+What heart but spurns at precedent<br/>
+And warnings of the wise,<br/>
+Contemned foreclosures of surprise?<br/>
+The banners play, the bugles call,<br/>
+The air is blue and prodigal.<br/>
+    No berrying party, pleasure-wooed,<br/>
+No picnic party in the May,<br/>
+Ever went less loth than they<br/>
+    Into that leafy neighborhood.<br/>
+In Bacchic glee they file toward Fate,<br/>
+Moloch&rsquo;s uninitiate;<br/>
+Expectancy, and glad surmise<br/>
+Of battle&rsquo;s unknown mysteries.<br/>
+All they feel is this: &rsquo;t is glory,<br/>
+A rapture sharp, though transitory,<br/>
+Yet lasting in belaureled story.<br/>
+So they gayly go to fight,<br/>
+Chatting left and laughing right.<br/>
+<br/>
+But some who this blithe mood present,<br/>
+    As on in lightsome files they fare,<br/>
+Shall die experienced ere three days are spent&mdash;<br/>
+    Perish, enlightened by the vollied glare;<br/>
+Or shame survive, and, like to adamant,<br/>
+    The throe of Second Manassas share.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap45"></a>
+BALL&rsquo;S BLUFF</h2>
+
+<p class="center">
+<i>A Reverie</i><br/>
+October, 1861
+</p>
+
+<p class="poem">
+One noonday, at my window in the town,<br/>
+    I saw a sight&mdash;saddest that eyes can see&mdash;<br/>
+    Young soldiers marching lustily<br/>
+        Unto the wars,<br/>
+With fifes, and flags in mottoed pageantry;<br/>
+    While all the porches, walks, and doors<br/>
+Were rich with ladies cheering royally.<br/>
+<br/>
+They moved like Juny morning on the wave,<br/>
+    Their hearts were fresh as clover in its prime<br/>
+    (It was the breezy summer time),<br/>
+        Life throbbed so strong,<br/>
+How should they dream that Death in a rosy clime<br/>
+    Would come to thin their shining throng?<br/>
+Youth feels immortal, like the gods sublime.<br/>
+<br/>
+Weeks passed; and at my window, leaving bed,<br/>
+    By night I mused, of easeful sleep bereft,<br/>
+    On those &lsquo;brave boys (Ah War! thy theft);<br/>
+        Some marching feet<br/>
+Found pause at last by cliffs Potomac cleft;<br/>
+    Wakeful I mused, while in the street<br/>
+Far footfalls died away till none were left.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap46"></a>
+THE STONE FLEET</h2>
+
+<p class="center">
+<i>An Old Sailor&rsquo;s Lament</i><br/>
+December, 1861
+</p>
+
+<p class="poem">
+I have a feeling for those ships,<br/>
+    Each worn and ancient one,<br/>
+With great bluff bows, and broad in the beam:<br/>
+    Ay, it was unkindly done.<br/>
+        But so they serve the Obsolete&mdash;<br/>
+        Even so, Stone Fleet!<br/>
+<br/>
+You&rsquo;ll say I&rsquo;m doting; do you think<br/>
+    I scudded round the Horn in one&mdash;<br/>
+The <i>Tenedos,</i> a glorious<br/>
+    Good old craft as ever run&mdash;<br/>
+        Sunk (how all unmeet!)<br/>
+        With the Old Stone Fleet.<br/>
+<br/>
+An India ship of fame was she,<br/>
+    Spices and shawls and fans she bore;<br/>
+A whaler when the wrinkles came&mdash;<br/>
+    Turned off! till, spent and poor,<br/>
+        Her bones were sold (escheat)!<br/>
+        Ah! Stone Fleet.<br/>
+<br/>
+Four were erst patrician keels<br/>
+    (Names attest what families be),<br/>
+The <i>Kensington,</i> and <i>Richmond</i> too,<br/>
+    <i>Leonidas,</i> and <i>Lee</i>:<br/>
+        But now they have their seat<br/>
+        With the Old Stone Fleet.<br/>
+<br/>
+To scuttle them&mdash;a pirate deed&mdash;<br/>
+    Sack them, and dismast;<br/>
+They sunk so slow, they died so hard,<br/>
+    But gurgling dropped at last.<br/>
+        Their ghosts in gales repeat<br/>
+        <i>Woe&rsquo;s us, Stone Fleet!</i><br/>
+<br/>
+And all for naught. The waters pass&mdash;<br/>
+    Currents will have their way;<br/>
+Nature is nobody&rsquo;s ally; &rsquo;tis well;<br/>
+    The harbor is bettered&mdash;will stay.<br/>
+        A failure, and complete,<br/>
+        Was your Old Stone Fleet.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap47"></a>
+THE TEMERAIRE</h2>
+
+<p class="center">
+<i>Supposed to have been suggested to an Englishman of the old order by the
+fight of the Monitor and Merrimac</i>
+</p>
+
+<p class="poem">
+The gloomy hulls in armor grim,<br/>
+    Like clouds o&rsquo;er moors have met,<br/>
+And prove that oak, and iron, and man<br/>
+    Are tough in fibre yet.<br/>
+<br/>
+But Splendors wane. The sea-fight yields<br/>
+    No front of old display;<br/>
+The garniture, emblazonment,<br/>
+    And heraldry all decay.<br/>
+<br/>
+Towering afar in parting light,<br/>
+    The fleets like Albion&rsquo;s forelands shine&mdash;<br/>
+The full-sailed fleets, the shrouded show<br/>
+    Of Ships-of-the-Line.<br/>
+<br/>
+    The fighting <i>Temeraire,</i><br/>
+        Built of a thousand trees,<br/>
+    Lunging out her lightnings,<br/>
+        And beetling o&rsquo;er the seas&mdash;<br/>
+    O Ship, how brave and fair,<br/>
+        That fought so oft and well,<br/>
+<br/>
+On open decks you manned the gun Armorial.<br/>
+What cheerings did you share,<br/>
+    Impulsive in the van,<br/>
+When down upon leagued France and Spain<br/>
+    We English ran&mdash;<br/>
+The freshet at your bowsprit<br/>
+    Like the foam upon the can.<br/>
+Bickering, your colors<br/>
+    Licked up the Spanish air,<br/>
+You flapped with flames of battle-flags&mdash;<br/>
+    Your challenge, <i>Temeraire!</i><br/>
+The rear ones of our fleet<br/>
+    They yearned to share your place,<br/>
+Still vying with the Victory<br/>
+Throughout that earnest race&mdash;<br/>
+The Victory, whose Admiral,<br/>
+    With orders nobly won,<br/>
+Shone in the globe of the battle glow&mdash;<br/>
+    The angel in that sun.<br/>
+Parallel in story,<br/>
+    Lo, the stately pair,<br/>
+As late in grapple ranging,<br/>
+    The foe between them there&mdash;<br/>
+When four great hulls lay tiered,<br/>
+And the fiery tempest cleared,<br/>
+And your prizes twain appeared, <i>Temeraire!</i><br/>
+<br/>
+But Trafalgar is over now,<br/>
+    The quarter-deck undone;<br/>
+The carved and castled navies fire<br/>
+    Their evening-gun.<br/>
+O, Titan <i>Temeraire,</i><br/>
+    Your stern-lights fade away;<br/>
+Your bulwarks to the years must yield,<br/>
+    And heart-of-oak decay.<br/>
+A pigmy steam-tug tows you,<br/>
+    Gigantic, to the shore&mdash;<br/>
+Dismantled of your guns and spars,<br/>
+    And sweeping wings of war.<br/>
+The rivets clinch the iron clads,<br/>
+    Men learn a deadlier lore;<br/>
+But Fame has nailed your battle-flags&mdash;<br/>
+    Your ghost it sails before:<br/>
+O, the navies old and oaken,<br/>
+    O, the <i>Temeraire</i> no more!
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap48"></a>
+A UTILITARIAN VIEW OF THE <i>MONITOR&rsquo;S</i> FIGHT</h2>
+
+<p class="poem">
+Plain be the phrase, yet apt the verse,<br/>
+    More ponderous than nimble;<br/>
+For since grimed War here laid aside<br/>
+His Orient pomp, &rsquo;twould ill befit<br/>
+        Overmuch to ply<br/>
+    The rhyme&rsquo;s barbaric cymbal.<br/>
+<br/>
+Hail to victory without the gaud<br/>
+    Of glory; zeal that needs no fans<br/>
+Of banners; plain mechanic power<br/>
+Plied cogently in War now placed&mdash;<br/>
+        Where War belongs&mdash;<br/>
+    Among the trades and artisans.<br/>
+<br/>
+Yet this was battle, and intense&mdash;<br/>
+    Beyond the strife of fleets heroic;<br/>
+Deadlier, closer, calm &rsquo;mid storm;<br/>
+No passion; all went on by crank,<br/>
+        Pivot, and screw,<br/>
+    And calculations of caloric.<br/>
+<br/>
+Needless to dwell; the story&rsquo;s known.<br/>
+    The ringing of those plates on plates<br/>
+Still ringeth round the world&mdash;<br/>
+The clangor of that blacksmiths&rsquo; fray.<br/>
+        The anvil-din<br/>
+    Resounds this message from the Fates:<br/>
+<br/>
+War shall yet be, and to the end;<br/>
+    But war-paint shows the streaks of weather;<br/>
+War yet shall be, but warriors<br/>
+Are now but operatives; War&rsquo;s made<br/>
+        Less grand than Peace,<br/>
+    And a singe runs through lace and feather.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap49"></a>
+MALVERN HILL</h2>
+
+<p class="center">
+July, 1862
+</p>
+
+<p class="poem">
+Ye elms that wave on Malvern Hill<br/>
+    In prime of morn and May,<br/>
+Recall ye how McClellan&rsquo;s men<br/>
+        Here stood at bay?<br/>
+While deep within yon forest dim<br/>
+    Our rigid comrades lay&mdash;<br/>
+Some with the cartridge in their mouth,<br/>
+Others with fixed arms lifted South&mdash;<br/>
+        Invoking so&mdash;<br/>
+The cypress glades? Ah wilds of woe!<br/>
+<br/>
+The spires of Richmond, late beheld<br/>
+Through rifts in musket-haze,<br/>
+Were closed from view in clouds of dust<br/>
+        On leaf-walled ways,<br/>
+Where streamed our wagons in caravan;<br/>
+    And the Seven Nights and Days<br/>
+Of march and fast, retreat and fight,<br/>
+Pinched our grimed faces to ghastly plight&mdash;<br/>
+        Does the elm wood<br/>
+Recall the haggard beards of blood?<br/>
+<br/>
+The battle-smoked flag, with stars eclipsed,<br/>
+    We followed (it never fell!)&mdash;<br/>
+In silence husbanded our strength&mdash;<br/>
+    Received their yell;<br/>
+Till on this slope we patient turned<br/>
+    With cannon ordered well;<br/>
+Reverse we proved was not defeat;<br/>
+But ah, the sod what thousands meet!&mdash;<br/>
+        Does Malvern Wood<br/>
+Bethink itself, and muse and brood?<br/>
+    <i>We elms of Malvern Hill</i><br/>
+        <i>Remember everything;</i><br/>
+    <i>But sap the twig will fill:</i><br/>
+    <i>Wag the world how it will,</i><br/>
+        <i>Leaves must be green in Spring.</i>
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap50"></a>
+STONEWALL JACKSON</h2>
+
+<p class="center">
+<i>Mortally wounded at Chancellorsville</i><br/>
+May, 1863
+</p>
+
+<p class="poem">
+The Man who fiercest charged in fight,<br/>
+    Whose sword and prayer were long&mdash;<br/>
+        Stonewall!<br/>
+    Even him who stoutly stood for Wrong,<br/>
+How can we praise? Yet coming days<br/>
+    Shall not forget him with this song.<br/>
+<br/>
+Dead is the Man whose Cause is dead,<br/>
+    Vainly he died and set his seal&mdash;<br/>
+        Stonewall!<br/>
+    Earnest in error, as we feel;<br/>
+True to the thing he deemed was due,<br/>
+    True as John Brown or steel.<br/>
+<br/>
+Relentlessly he routed us;<br/>
+    But <i>we</i> relent, for he is low&mdash;<br/>
+        Stonewall!<br/>
+    Justly his fame we outlaw; so<br/>
+We drop a tear on the bold Virginian&rsquo;s bier,<br/>
+    Because no wreath we owe.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap51"></a>
+THE HOUSE-TOP</h2>
+
+<p class="center">
+July, 1863<br/>
+<i>A Night Piece</i>
+</p>
+
+<p class="poem">
+No sleep. The sultriness pervades the air<br/>
+And binds the brain&mdash;a dense oppression, such<br/>
+As tawny tigers feel in matted shades,<br/>
+Vexing their blood and making apt for ravage.<br/>
+Beneath the stars the roofy desert spreads<br/>
+Vacant as Libya. All is hushed near by.<br/>
+Yet fitfully from far breaks a mixed surf<br/>
+Of muffled sound, the Atheist roar of riot.<br/>
+Yonder, where parching Sirius set in drought,<br/>
+Balefully glares red Arson&mdash;there&mdash;and there.<br/>
+The Town is taken by its rats&mdash;ship-rats<br/>
+And rats of the wharves. All civil charms<br/>
+And priestly spells which late held hearts in awe&mdash;<br/>
+Fear-bound, subjected to a better sway<br/>
+Than sway of self; these like a dream dissolve,<br/>
+And man rebounds whole aeons back in nature.<br/>
+Hail to the low dull rumble, dull and dead,<br/>
+And ponderous drag that shakes the wall.<br/>
+Wise Draco comes, deep in the midnight roll<br/>
+Of black artillery; he comes, though late;<br/>
+In code corroborating Calvin&rsquo;s creed<br/>
+And cynic tyrannies of honest kings;<br/>
+He comes, nor parlies; and the Town, redeemed,<br/>
+Gives thanks devout; nor, being thankful, heeds<br/>
+The grimy slur on the Republic&rsquo;s faith implied,<br/>
+Which holds that Man is naturally good,<br/>
+And&mdash;more&mdash;is Nature&rsquo;s Roman, never to be scourged.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap52"></a>
+CHATTANOOGA</h2>
+
+<p class="center">
+November, 1863
+</p>
+
+<p class="poem">
+A kindling impulse seized the host<br/>
+    Inspired by heaven&rsquo;s elastic air;<br/>
+Their hearts outran their General&rsquo;s plan,<br/>
+    Though Grant commanded there&mdash;<br/>
+    Grant, who without reserve can dare;<br/>
+And, &ldquo;Well, go on and do your will,&rdquo;<br/>
+    He said, and measured the mountain then:<br/>
+So master-riders fling the rein&mdash;<br/>
+    But you must know your men.<br/>
+<br/>
+On yester-morn in grayish mist,<br/>
+    Armies like ghosts on hills had fought,<br/>
+And rolled from the cloud their thunders loud<br/>
+    The Cumberlands far had caught:<br/>
+    To-day the sunlit steeps are sought.<br/>
+Grant stood on cliffs whence all was plain,<br/>
+    And smoked as one who feels no cares;<br/>
+But mastered nervousness intense<br/>
+Alone such calmness wears.<br/>
+<br/>
+The summit-cannon plunge their flame<br/>
+    Sheer down the primal wall,<br/>
+But up and up each linking troop<br/>
+    In stretching festoons crawl&mdash;<br/>
+    Nor fire a shot. Such men appall<br/>
+The foe, though brave. He, from the brink,<br/>
+    Looks far along the breadth of slope,<br/>
+And sees two miles of dark dots creep,<br/>
+    And knows they mean the cope.<br/>
+<br/>
+He sees them creep. Yet here and there<br/>
+    Half hid &rsquo;mid leafless groves they go;<br/>
+As men who ply through traceries high<br/>
+    Of turreted marbles show&mdash;<br/>
+    So dwindle these to eyes below.<br/>
+But fronting shot and flanking shell<br/>
+    Sliver and rive the inwoven ways;<br/>
+High tops of oaks and high hearts fall,<br/>
+    But never the climbing stays.<br/>
+<br/>
+From right to left, from left to right<br/>
+    They roll the rallying cheer&mdash;<br/>
+Vie with each other, brother with brother,<br/>
+    Who shall the first appear&mdash;<br/>
+    What color-bearer with colors clear<br/>
+In sharp relief, like sky-drawn Grant,<br/>
+    Whose cigar must now be near the stump&mdash;<br/>
+While in solicitude his back<br/>
+    Heaps slowly to a hump.<br/>
+<br/>
+Near and more near; till now the flags<br/>
+    Run like a catching flame;<br/>
+And one flares highest, to peril nighest&mdash;<br/>
+    <i>He</i> means to make a name:<br/>
+    Salvos! they give him his fame.<br/>
+The staff is caught, and next the rush,<br/>
+    And then the leap where death has led;<br/>
+Flag answered flag along the crest,<br/>
+    And swarms of rebels fled.<br/>
+<br/>
+But some who gained the envied Alp,<br/>
+    And&mdash;eager, ardent, earnest there&mdash;<br/>
+Dropped into Death&rsquo;s wide-open arms,<br/>
+    Quelled on the wing like eagles struck in air&mdash;<br/>
+    Forever they slumber young and fair,<br/>
+The smile upon them as they died;<br/>
+    Their end attained, that end a height:<br/>
+Life was to these a dream fulfilled,<br/>
+    And death a starry night.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap53"></a>
+ON THE PHOTOGRAPH OF A CORPS COMMANDER</h2>
+
+<p class="poem">
+Ay, man is manly. Here you see<br/>
+    The warrior-carriage of the head,<br/>
+And brave dilation of the frame;<br/>
+    And lighting all, the soul that led<br/>
+In Spottsylvania&rsquo;s charge to victory,<br/>
+    Which justifies his fame.<br/>
+<br/>
+A cheering picture. It is good<br/>
+    To look upon a Chief like this,<br/>
+In whom the spirit moulds the form.<br/>
+    Here favoring Nature, oft remiss,<br/>
+With eagle mien expressive has endued<br/>
+    A man to kindle strains that warm.<br/>
+<br/>
+Trace back his lineage, and his sires,<br/>
+    Yeoman or noble, you shall find<br/>
+Enrolled with men of Agincourt,<br/>
+    Heroes who shared great Harry&rsquo;s mind.<br/>
+Down to us come the knightly Norman fires,<br/>
+    And front the Templars bore.<br/>
+<br/>
+Nothing can lift the heart of man<br/>
+    Like manhood in a fellow-man.<br/>
+The thought of heaven&rsquo;s great King afar<br/>
+But humbles us&mdash;too weak to scan;<br/>
+But manly greatness men can span,<br/>
+    And feel the bonds that draw.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap54"></a>
+THE SWAMP ANGEL</h2>
+
+<p class="poem">
+There is a coal-black Angel<br/>
+    With a thick Afric lip,<br/>
+And he dwells (like the hunted and harried)<br/>
+    In a swamp where the green frogs dip.<br/>
+But his face is against a City<br/>
+    Which is over a bay of the sea,<br/>
+And he breathes with a breath that is blastment,<br/>
+    And dooms by a far decree.<br/>
+<br/>
+By night there is fear in the City,<br/>
+    Through the darkness a star soareth on;<br/>
+There&rsquo;s a scream that screams up to the zenith,<br/>
+    Then the poise of a meteor lone&mdash;<br/>
+Lighting far the pale fright of the faces,<br/>
+    And downward the coming is seen;<br/>
+Then the rush, and the burst, and the havoc,<br/>
+    And wails and shrieks between.<br/>
+<br/>
+It comes like the thief in the gloaming;<br/>
+    It comes, and none may foretell<br/>
+The place of the coming&mdash;the glaring;<br/>
+    They live in a sleepless spell<br/>
+That wizens, and withers, and whitens;<br/>
+    It ages the young, and the bloom<br/>
+Of the maiden is ashes of roses&mdash;<br/>
+    The Swamp Angel broods in his gloom.<br/>
+<br/>
+Swift is his messengers&rsquo; going,<br/>
+    But slowly he saps their halls,<br/>
+As if by delay deluding.<br/>
+    They move from their crumbling walls<br/>
+Farther and farther away;<br/>
+    But the Angel sends after and after,<br/>
+By night with the flame of his ray&mdash;<br/>
+    By night with the voice of his screaming&mdash;<br/>
+Sends after them, stone by stone,<br/>
+    And farther walls fall, farther portals,<br/>
+And weed follows weed through the Town.<br/>
+<br/>
+Is this the proud City? the scorner<br/>
+    Which never would yield the ground?<br/>
+Which mocked at the coal-black Angel?<br/>
+    The cup of despair goes round.<br/>
+Vainly he calls upon Michael<br/>
+    (The white man&rsquo;s seraph was he,)<br/>
+For Michael has fled from his tower<br/>
+    To the Angel over the sea.<br/>
+Who weeps for the woeful City<br/>
+    Let him weep for our guilty kind;<br/>
+Who joys at her wild despairing&mdash;<br/>
+Christ, the Forgiver, convert his mind.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap55"></a>
+SHERIDAN AT CEDAR CREEK</h2>
+
+<p class="center">
+October, 1864
+</p>
+
+<p class="poem">
+Shoe the steed with silver<br/>
+    That bore him to the fray,<br/>
+When he heard the guns at dawning&mdash;<br/>
+        Miles away;<br/>
+When he heard them calling, calling&mdash;<br/>
+        Mount! nor stay:<br/>
+        Quick, or all is lost;<br/>
+        They&rsquo;ve surprised and stormed the post,<br/>
+        They push your routed host&mdash;<br/>
+Gallop! retrieve the day.<br/>
+<br/>
+House the horse in ermine&mdash;<br/>
+    For the foam-flake blew<br/>
+White through the red October;<br/>
+    He thundered into view;<br/>
+They cheered him in the looming.<br/>
+    Horseman and horse they knew.<br/>
+        The turn of the tide began,<br/>
+        The rally of bugles ran,<br/>
+        He swung his hat in the van;<br/>
+The electric hoof-spark flew.<br/>
+<br/>
+Wreathe the steed and lead him&mdash;<br/>
+    For the charge he led<br/>
+Touched and turned the cypress<br/>
+    Into amaranths for the head<br/>
+Of Philip, king of riders,<br/>
+    Who raised them from the dead.<br/>
+        The camp (at dawning lost),<br/>
+        By eve, recovered&mdash;forced,<br/>
+        Rang with laughter of the host<br/>
+At belated Early fled.<br/>
+<br/>
+Shroud the horse in sable&mdash;<br/>
+    For the mounds they heap!<br/>
+There is firing in the Valley,<br/>
+    And yet no strife they keep;<br/>
+It is the parting volley,<br/>
+    It is the pathos deep.<br/>
+        There is glory for the brave<br/>
+        Who lead, and nobly save,<br/>
+        But no knowledge in the grave<br/>
+Where the nameless followers sleep.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap56"></a>
+IN THE PRISON PEN</h2>
+
+<p class="center">
+1864
+</p>
+
+<p class="poem">
+Listless he eyes the palisades<br/>
+    And sentries in the glare;<br/>
+&rsquo;Tis barren as a pelican-beach<br/>
+    But his world is ended there.<br/>
+<br/>
+Nothing to do; and vacant hands<br/>
+    Bring on the idiot-pain;<br/>
+He tries to think&mdash;to recollect,<br/>
+    But the blur is on his brain.<br/>
+<br/>
+Around him swarm the plaining ghosts<br/>
+    Like those on Virgil&rsquo;s shore&mdash;<br/>
+A wilderness of faces dim,<br/>
+    And pale ones gashed and hoar.<br/>
+<br/>
+A smiting sun. No shed, no tree;<br/>
+    He totters to his lair&mdash;<br/>
+A den that sick hands dug in earth<br/>
+    Ere famine wasted there,<br/>
+<br/>
+Or, dropping in his place, he swoons,<br/>
+    Walled in by throngs that press,<br/>
+Till forth from the throngs they bear him dead&mdash;<br/>
+    Dead in his meagreness.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap57"></a>
+THE COLLEGE COLONEL</h2>
+
+<p class="poem">
+He rides at their head;<br/>
+    A crutch by his saddle just slants in view,<br/>
+One slung arm is in splints, you see,<br/>
+    Yet he guides his strong steed&mdash;how coldly too.<br/>
+<br/>
+He brings his regiment home&mdash;<br/>
+    Not as they filed two years before,<br/>
+But a remnant half-tattered, and battered, and worn,<br/>
+Like castaway sailors, who&mdash;stunned<br/>
+    By the surf&rsquo;s loud roar,<br/>
+    Their mates dragged back and seen no more&mdash;<br/>
+Again and again breast the surge,<br/>
+    And at last crawl, spent, to shore.<br/>
+<br/>
+A still rigidity and pale&mdash;<br/>
+    An Indian aloofness lones his brow;<br/>
+He has lived a thousand years<br/>
+Compressed in battle&rsquo;s pains and prayers,<br/>
+    Marches and watches slow.<br/>
+<br/>
+There are welcoming shouts, and flags;<br/>
+    Old men off hat to the Boy,<br/>
+Wreaths from gay balconies fall at his feet,<br/>
+But to <i>him</i>&mdash;there comes alloy.<br/>
+<br/>
+It is not that a leg is lost,<br/>
+    It is not that an arm is maimed,<br/>
+It is not that the fever has racked&mdash;<br/>
+    Self he has long disclaimed.<br/>
+<br/>
+But all through the Seven Days&rsquo; Fight,<br/>
+    And deep in the Wilderness grim,<br/>
+And in the field-hospital tent,<br/>
+    And Petersburg crater, and dim<br/>
+Lean brooding in Libby, there came&mdash;<br/>
+    Ah heaven!&mdash;what <i>truth</i> to him.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap58"></a>
+THE MARTYR</h2>
+
+<p class="center">
+<i>Indicative of the passion of the people on the 15th of April, 1865</i><br/>
+</p>
+
+<p class="poem">
+Good Friday was the day<br/>
+        Of the prodigy and crime,<br/>
+When they killed him in his pity,<br/>
+        When they killed him in his prime<br/>
+Of clemency and calm&mdash;<br/>
+    When with yearning he was filled<br/>
+    To redeem the evil-willed,<br/>
+And, though conqueror, be kind;<br/>
+        But they killed him in his kindness,<br/>
+        In their madness and their blindness,<br/>
+And they killed him from behind.<br/>
+<br/>
+    There is sobbing of the strong,<br/>
+        And a pall upon the land;<br/>
+    But the People in their weeping<br/>
+        Bare the iron hand;<br/>
+    Beware the People weeping<br/>
+        When they bare the iron hand.<br/>
+<br/>
+He lieth in his blood&mdash;<br/>
+        The father in his face;<br/>
+They have killed him, the Forgiver&mdash;<br/>
+        The Avenger takes his place,<br/>
+The Avenger wisely stern,<br/>
+    Who in righteousness shall do<br/>
+    What the heavens call him to,<br/>
+And the parricides remand;<br/>
+        For they killed him in his kindness,<br/>
+        In their madness and their blindness,<br/>
+And his blood is on their hand.<br/>
+<br/>
+    There is sobbing of the strong,<br/>
+        And a pall upon the land;<br/>
+    But the People in their weeping<br/>
+        Bare the iron hand:<br/>
+    Beware the People weeping<br/>
+        When they bare the iron hand.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap59"></a>
+REBEL COLOR-BEARERS AT SHILOH</h2>
+
+<p class="center">
+<i>A plea against the vindictive cry raised by civilians shortly after the
+surrender at Appomattox</i>
+</p>
+
+<p class="poem">
+The color-bearers facing death<br/>
+White in the whirling sulphurous wreath,<br/>
+    Stand boldly out before the line;<br/>
+Right and left their glances go,<br/>
+Proud of each other, glorying in their show;<br/>
+Their battle-flags about them blow,<br/>
+    And fold them as in flame divine:<br/>
+Such living robes are only seen<br/>
+Round martyrs burning on the green&mdash;<br/>
+And martyrs for the Wrong have been.<br/>
+<br/>
+Perish their Cause! but mark the men&mdash;<br/>
+Mark the planted statues, then<br/>
+Draw trigger on them if you can.<br/>
+<br/>
+The leader of a patriot-band<br/>
+Even so could view rebels who so could stand;<br/>
+    And this when peril pressed him sore,<br/>
+Left aidless in the shivered front of war&mdash;<br/>
+    Skulkers behind, defiant foes before,<br/>
+And fighting with a broken brand.<br/>
+The challenge in that courage rare&mdash;<br/>
+Courage defenseless, proudly bare&mdash;<br/>
+Never could tempt him; he could dare<br/>
+Strike up the leveled rifle there.<br/>
+<br/>
+Sunday at Shiloh, and the day<br/>
+When Stonewall charged&mdash;McClellan&rsquo;s crimson May,<br/>
+And Chickamauga&rsquo;s wave of death,<br/>
+And of the Wilderness the cypress wreath&mdash;<br/>
+        All these have passed away.<br/>
+The life in the veins of Treason lags,<br/>
+Her daring color-bearers drop their flags,<br/>
+    And yield. <i>Now</i> shall we fire?<br/>
+        Can poor spite be?<br/>
+    Shall nobleness in victory less aspire<br/>
+    Than in reverse? Spare Spleen her ire,<br/>
+        And think how Grant met Lee.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap60"></a>
+AURORA BOREALIS</h2>
+
+<p class="center">
+<i>Commemorative of the Dissolution of armies at the Peace</i><br/>
+May, 1865
+</p>
+
+<p class="poem">
+What power disbands the Northern Lights<br/>
+    After their steely play?<br/>
+The lonely watcher feels an awe<br/>
+    Of Nature&rsquo;s sway,<br/>
+        As when appearing,<br/>
+        He marked their flashed uprearing<br/>
+    In the cold gloom&mdash;<br/>
+    Retreatings and advancings,<br/>
+(Like dallyings of doom),<br/>
+    Transitions and enhancings,<br/>
+         And bloody ray.<br/>
+<br/>
+The phantom-host has faded quite,<br/>
+    Splendor and Terror gone<br/>
+Portent or promise&mdash;and gives way<br/>
+    To pale, meek Dawn;<br/>
+        The coming, going,<br/>
+        Alike in wonder showing&mdash;<br/>
+    Alike the God,<br/>
+    Decreeing and commanding<br/>
+The million blades that glowed,<br/>
+    The muster and disbanding&mdash;<br/>
+         Midnight and Morn.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap61"></a>
+THE RELEASED REBEL PRISONER</h2>
+
+<p class="center">
+June, 1865
+</p>
+
+<p class="poem">
+Armies he&rsquo;s seen&mdash;the herds of war,<br/>
+    But never such swarms of men<br/>
+As now in the Nineveh of the North&mdash;<br/>
+    How mad the Rebellion then!<br/>
+<br/>
+And yet but dimly he divines<br/>
+    The depth of that deceit,<br/>
+And superstitution of vast pride<br/>
+    Humbled to such defeat.<br/>
+<br/>
+Seductive shone the Chiefs in arms&mdash;<br/>
+    His steel the nearest magnet drew;<br/>
+Wreathed with its kind, the Gulf-weed drives&mdash;<br/>
+    &rsquo;Tis Nature&rsquo;s wrong they rue.<br/>
+<br/>
+His face is hidden in his beard,<br/>
+    But his heart peers out at eye&mdash;<br/>
+And such a heart! like a mountain-pool<br/>
+    Where no man passes by.<br/>
+<br/>
+He thinks of Hill&mdash;a brave soul gone;<br/>
+    And Ashby dead in pale disdain;<br/>
+And Stuart with the Rupert-plume,<br/>
+    Whose blue eye never shall laugh again.<br/>
+<br/>
+He hears the drum; he sees our boys<br/>
+From his wasted fields return;<br/>
+Ladies feast them on strawberries,<br/>
+    And even to kiss them yearn.<br/>
+<br/>
+He marks them bronzed, in soldier-trim,<br/>
+    The rifle proudly borne;<br/>
+They bear it for an heirloom home,<br/>
+    And he&mdash;disarmed&mdash;jail-worn.<br/>
+<br/>
+Home, home&mdash;his heart is full of it;<br/>
+    But home he never shall see,<br/>
+Even should he stand upon the spot:<br/>
+    &rsquo;Tis gone!&mdash;where his brothers be.<br/>
+<br/>
+The cypress-moss from tree to tree<br/>
+    Hangs in his Southern land;<br/>
+As weird, from thought to thought of his<br/>
+    Run memories hand in hand.<br/>
+<br/>
+And so he lingers&mdash;lingers on<br/>
+    In the City of the Foe&mdash;<br/>
+His cousins and his countrymen<br/>
+    Who see him listless go.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap62"></a>
+&ldquo;FORMERLY A SLAVE&rdquo;</h2>
+
+<p class="center">
+<i>An idealized Portrait, by E. Vedder, in the Spring Exhibition of the
+National Academy, 1865</i>
+</p>
+
+<p class="poem">
+The sufferance of her race is shown,<br/>
+    And retrospect of life,<br/>
+Which now too late deliverance dawns upon;<br/>
+    Yet is she not at strife.<br/>
+<br/>
+Her children&rsquo;s children they shall know<br/>
+    The good withheld from her;<br/>
+And so her reverie takes prophetic cheer&mdash;<br/>
+    In spirit she sees the stir.<br/>
+<br/>
+Far down the depth of thousand years,<br/>
+    And marks the revel shine;<br/>
+Her dusky face is lit with sober light,<br/>
+    Sibylline, yet benign.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap63"></a>
+ON THE SLAIN COLLEGIANS</h2>
+
+<p class="poem">
+Youth is the time when hearts are large,<br/>
+    And stirring wars<br/>
+Appeal to the spirit which appeals in turn<br/>
+    To the blade it draws.<br/>
+If woman incite, and duty show<br/>
+    (Though made the mask of Cain),<br/>
+Or whether it be Truth&rsquo;s sacred cause,<br/>
+    Who can aloof remain<br/>
+That shares youth&rsquo;s ardor, uncooled by the snow<br/>
+    Of wisdom or sordid gain?<br/>
+<br/>
+The liberal arts and nurture sweet<br/>
+    Which give his gentleness to man&mdash;<br/>
+        Train him to honor, lend him grace<br/>
+Through bright examples meet&mdash;<br/>
+That culture which makes never wan<br/>
+With underminings deep, but holds<br/>
+    The surface still, its fitting place,<br/>
+    And so gives sunniness to the face<br/>
+And bravery to the heart; what troops<br/>
+    Of generous boys in happiness thus bred&mdash;<br/>
+    Saturnians through life&rsquo;s Tempe led,<br/>
+Went from the North and came from the South,<br/>
+With golden mottoes in the mouth,<br/>
+    To lie down midway on a bloody bed.<br/>
+<br/>
+Woe for the homes of the North,<br/>
+And woe for the seats of the South:<br/>
+All who felt life&rsquo;s spring in prime,<br/>
+And were swept by the wind of their place and time&mdash;<br/>
+    All lavish hearts, on whichever side,<br/>
+Of birth urbane or courage high,<br/>
+Armed them for the stirring wars&mdash;<br/>
+    Armed them&mdash;some to die.<br/>
+        Apollo-like in pride.<br/>
+Each would slay his Python&mdash;caught<br/>
+The maxims in his temple taught&mdash;<br/>
+    Aflame with sympathies whose blaze<br/>
+Perforce enwrapped him&mdash;social laws,<br/>
+    Friendship and kin, and by-gone days&mdash;<br/>
+Vows, kisses&mdash;every heart unmoors,<br/>
+And launches into the seas of wars.<br/>
+What could they else&mdash;North or South?<br/>
+Each went forth with blessings given<br/>
+By priests and mothers in the name of Heaven;<br/>
+        And honor in both was chief.<br/>
+Warred one for Right, and one for Wrong?<br/>
+So be it; but they both were young&mdash;<br/>
+Each grape to his cluster clung,<br/>
+All their elegies are sung.<br/>
+The anguish of maternal hearts<br/>
+    Must search for balm divine;<br/>
+But well the striplings bore their fated parts<br/>
+    (The heavens all parts assign)&mdash;<br/>
+Never felt life&rsquo;s care or cloy.<br/>
+Each bloomed and died an unabated Boy;<br/>
+Nor dreamed what death was&mdash;thought it mere<br/>
+Sliding into some vernal sphere.<br/>
+They knew the joy, but leaped the grief,<br/>
+Like plants that flower ere comes the leaf&mdash;<br/>
+Which storms lay low in kindly doom,<br/>
+And kill them in their flush of bloom.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap64"></a>
+AMERICA</h2>
+
+<p class="center">
+I
+</p>
+
+<p class="poem">
+Where the wings of a sunny Dome expand<br/>
+I saw a Banner in gladsome air&mdash;<br/>
+Starry, like Berenice&rsquo;s Hair&mdash;<br/>
+Afloat in broadened bravery there;<br/>
+With undulating long-drawn flow,<br/>
+As tolled Brazilian billows go<br/>
+Voluminously o&rsquo;er the Line.<br/>
+The Land reposed in peace below;<br/>
+    The children in their glee<br/>
+Were folded to the exulting heart<br/>
+    Of young Maternity.
+</p>
+
+<p class="center">
+II
+</p>
+
+<p class="poem">
+Later, and it streamed in fight<br/>
+    When tempest mingled with the fray,<br/>
+And over the spear-point of the shaft<br/>
+    I saw the ambiguous lightning play.<br/>
+Valor with Valor strove, and died:<br/>
+Fierce was Despair, and cruel was Pride;<br/>
+And the lorn Mother speechless stood,<br/>
+Pale at the fury of her brood.
+</p>
+
+<p class="center">
+III
+</p>
+
+<p class="poem">
+Yet later, and the silk did wind<br/>
+    Her fair cold form;<br/>
+Little availed the shining shroud,<br/>
+    Though ruddy in hue, to cheer or warm.<br/>
+A watcher looked upon her low, and said&mdash;<br/>
+She sleeps, but sleeps, she is not dead.<br/>
+    But in that sleeps contortion showed<br/>
+The terror of the vision there&mdash;<br/>
+    A silent vision unavowed,<br/>
+Revealing earth&rsquo;s foundation bare,<br/>
+    And Gorgon in her hidden place.<br/>
+It was a thing of fear to see<br/>
+    So foul a dream upon so fair a face,<br/>
+And the dreamer lying in that starry shroud.
+</p>
+
+<p class="center">
+IV
+</p>
+
+<p class="poem">
+But from the trance she sudden broke&mdash;<br/>
+    The trance, or death into promoted life;<br/>
+At her feet a shivered yoke,<br/>
+And in her aspect turned to heaven<br/>
+    No trace of passion or of strife&mdash;<br/>
+A clear calm look. It spake of pain,<br/>
+But such as purifies from stain&mdash;<br/>
+Sharp pangs that never come again&mdash;<br/>
+    And triumph repressed by knowledge meet,<br/>
+Power dedicate, and hope grown wise,<br/>
+    And youth matured for age&rsquo;s seat&mdash;<br/>
+Law on her brow and empire in her eyes.<br/>
+    So she, with graver air and lifted flag;<br/>
+While the shadow, chased by light,<br/>
+Fled along the far-drawn height,<br/>
+    And left her on the crag.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap65"></a>
+INSCRIPTION</h2>
+
+<p class="center">
+<i>For Graves at Pea Ridge, Arkansas</i>
+</p>
+
+<p class="poem">
+Let none misgive we died amiss<br/>
+    When here we strove in furious fight:<br/>
+Furious it was; nathless was this<br/>
+    Better than tranquil plight,<br/>
+And tame surrender of the Cause<br/>
+Hallowed by hearts and by the laws.<br/>
+    We here who warred for Man and Right,<br/>
+The choice of warring never laid with us.<br/>
+    There we were ruled by the traitor&rsquo;s choice.<br/>
+    Nor long we stood to trim and poise,<br/>
+But marched and fell&mdash;victorious!
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap66"></a>
+THE FORTITUDE OF THE NORTH</h2>
+
+<p class="center">
+<i>Under the Disaster of the Second Manassas</i>
+</p>
+
+<p class="poem">
+They take no shame for dark defeat<br/>
+    While prizing yet each victory won,<br/>
+Who fight for the Right through all retreat,<br/>
+    Nor pause until their work is done.<br/>
+The Cape-of-Storms is proof to every throe;<br/>
+    Vainly against that foreland beat<br/>
+Wild winds aloft and wilder waves below:<br/>
+The black cliffs gleam through rents in sleet<br/>
+When the livid Antarctic storm-clouds glow.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap67"></a>
+THE MOUND BY THE LAKE</h2>
+
+<p class="poem">
+The grass shall never forget this grave.<br/>
+When homeward footing it in the sun<br/>
+    After the weary ride by rail,<br/>
+The stripling soldiers passed her door,<br/>
+    Wounded perchance, or wan and pale,<br/>
+She left her household work undone&mdash;<br/>
+Duly the wayside table spread,<br/>
+    With evergreens shaded, to regale<br/>
+Each travel-spent and grateful one.<br/>
+So warm her heart&mdash;childless&mdash;unwed,<br/>
+Who like a mother comforted.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap68"></a>
+ON THE SLAIN AT CHICKAMAUGA</h2>
+
+<p class="poem">
+Happy are they and charmed in life<br/>
+    Who through long wars arrive unscarred<br/>
+At peace. To such the wreath be given,<br/>
+If they unfalteringly have striven&mdash;<br/>
+    In honor, as in limb, unmarred.<br/>
+Let cheerful praise be rife,<br/>
+    And let them live their years at ease,<br/>
+Musing on brothers who victorious died&mdash;<br/>
+    Loved mates whose memory shall ever please.<br/>
+<br/>
+And yet mischance is honorable too&mdash;<br/>
+    Seeming defeat in conflict justified<br/>
+Whose end to closing eyes is hid from view.<br/>
+The will, that never can relent&mdash;<br/>
+The aim, survivor of the bafflement,<br/>
+    Make this memorial due.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap69"></a>
+AN UNINSCRIBED MONUMENT</h2>
+
+<p class="center">
+<i>On one of the Battle-fields of the Wilderness</i>
+</p>
+
+<p class="poem">
+Silence and solitude may hint<br/>
+    (Whose home is in yon piney wood)<br/>
+What I, though tableted, could never tell&mdash;<br/>
+The din which here befell,<br/>
+    And striving of the multitude.<br/>
+The iron cones and spheres of death<br/>
+    Set round me in their rust,<br/>
+        These, too, if just,<br/>
+Shall speak with more than animated breath.<br/>
+    Thou who beholdest, if thy thought,<br/>
+Not narrowed down to personal cheer,<br/>
+Take in the import of the quiet here&mdash;<br/>
+    The after-quiet&mdash;the calm full fraught;<br/>
+Thou too wilt silent stand&mdash;<br/>
+Silent as I, and lonesome as the land.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap70"></a>
+ON THE GRAVE OF A YOUNG CAVALRY OFFICER KILLED IN THE VALLEY OF VIRGINIA</h2>
+
+<p class="poem">
+Beauty and youth, with manners sweet, and friends&mdash;<br/>
+    Gold, yet a mind not unenriched had he<br/>
+Whom here low violets veil from eyes.<br/>
+    But all these gifts transcended be:<br/>
+His happier fortune in this mound you see.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap71"></a>
+A REQUIEM</h2>
+
+<p class="center">
+<i>For Soldiers lost in Ocean Transports</i>
+</p>
+
+<p class="poem">
+When, after storms that woodlands rue,<br/>
+    To valleys comes atoning dawn,<br/>
+The robins blithe their orchard-sports renew;<br/>
+    And meadow-larks, no more withdrawn<br/>
+Caroling fly in the languid blue;<br/>
+The while, from many a hid recess,<br/>
+Alert to partake the blessedness,<br/>
+The pouring mites their airy dance pursue.<br/>
+    So, after ocean&rsquo;s ghastly gales,<br/>
+When laughing light of hoyden morning breaks,<br/>
+        Every finny hider wakes&mdash;<br/>
+    From vaults profound swims up with glittering scales;<br/>
+    Through the delightsome sea he sails,<br/>
+With shoals of shining tiny things<br/>
+Frolic on every wave that flings<br/>
+    Against the prow its showery spray;<br/>
+All creatures joying in the morn,<br/>
+Save them forever from joyance torn,<br/>
+    Whose bark was lost where now the dolphins play;<br/>
+Save them that by the fabled shore,<br/>
+    Down the pale stream are washed away,<br/>
+Far to the reef of bones are borne;<br/>
+    And never revisits them the light,<br/>
+Nor sight of long-sought land and pilot more;<br/>
+    Nor heed they now the lone bird&rsquo;s flight<br/>
+Round the lone spar where mid-sea surges pour.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap72"></a>
+COMMEMORATIVE OF A NAVAL VICTORY</h2>
+
+<p class="poem">
+Sailors there are of the gentlest breed,<br/>
+    Yet strong, like every goodly thing;<br/>
+The discipline of arms refines,<br/>
+    And the wave gives tempering.<br/>
+    The damasked blade its beam can fling;<br/>
+It lends the last grave grace:<br/>
+The hawk, the hound, and sworded nobleman<br/>
+    In Titian&rsquo;s picture for a king,<br/>
+Are of hunter or warrior race.<br/>
+<br/>
+In social halls a favored guest<br/>
+    In years that follow victory won,<br/>
+How sweet to feel your festal fame<br/>
+    In woman&rsquo;s glance instinctive thrown:<br/>
+    Repose is yours&mdash;your deed is known,<br/>
+It musks the amber wine;<br/>
+It lives, and sheds a light from storied days<br/>
+    Rich as October sunsets brown,<br/>
+Which make the barren place to shine.<br/>
+<br/>
+But seldom the laurel wreath is seen<br/>
+    Unmixed with pensive pansies dark;<br/>
+There&rsquo;s a light and a shadow on every man<br/>
+    Who at last attains his lifted mark&mdash;<br/>
+    Nursing through night the ethereal spark.<br/>
+Elate he never can be;<br/>
+He feels that spirit which glad had hailed his worth,<br/>
+    Sleep in oblivion.&mdash;The shark<br/>
+Glides white through the phosphorus sea.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap73"></a>
+A MEDITATION</h2>
+
+<p class="poem">
+How often in the years that close,<br/>
+    When truce had stilled the sieging gun,<br/>
+The soldiers, mounting on their works,<br/>
+    With mutual curious glance have run<br/>
+From face to face along the fronting show,<br/>
+And kinsman spied, or friend&mdash;even in a foe.<br/>
+<br/>
+What thoughts conflicting then were shared,<br/>
+    While sacred tenderness perforce<br/>
+Welled from the heart and wet the eye;<br/>
+    And something of a strange remorse<br/>
+Rebelled against the sanctioned sin of blood,<br/>
+And Christian wars of natural brotherhood.<br/>
+<br/>
+Then stirred the god within the breast&mdash;<br/>
+    The witness that is man&rsquo;s at birth;<br/>
+A deep misgiving undermined<br/>
+    Each plea and subterfuge of earth;<br/>
+They felt in that rapt pause, with warning rife,<br/>
+Horror and anguish for the civil strife.<br/>
+<br/>
+Of North or South they reeked not then,<br/>
+    Warm passion cursed the cause of war:<br/>
+Can Africa pay back this blood<br/>
+    Spilt on Potomac&rsquo;s shore?<br/>
+Yet doubts, as pangs, were vain the strife to stay,<br/>
+And hands that fain had clasped again could slay.<br/>
+<br/>
+How frequent in the camp was seen<br/>
+    The herald from the hostile one,<br/>
+A guest and frank companion there<br/>
+    When the proud formal talk was done;<br/>
+The pipe of peace was smoked even &rsquo;mid the war,<br/>
+And fields in Mexico again fought o&rsquo;er.<br/>
+<br/>
+In Western battle long they lay<br/>
+    So near opposed in trench or pit,<br/>
+That foeman unto foeman called<br/>
+    As men who screened in tavern sit:<br/>
+&ldquo;You bravely fight&rdquo; each to the other said&mdash;<br/>
+&ldquo;Toss us a biscuit!&rdquo; o&rsquo;er the wall it sped.<br/>
+<br/>
+And pale on those same slopes, a boy&mdash;<br/>
+    A stormer, bled in noon-day glare;<br/>
+No aid the Blue-coats then could bring,<br/>
+    He cried to them who nearest were,<br/>
+And out there came &rsquo;mid howling shot and shell<br/>
+A daring foe who him befriended well.<br/>
+<br/>
+Mark the great Captains on both sides,<br/>
+    The soldiers with the broad renown&mdash;<br/>
+They all were messmates on the Hudson&rsquo;s marge,<br/>
+    Beneath one roof they laid them down;<br/>
+And, free from hate in many an after pass,<br/>
+Strove as in school-boy rivalry of the class.<br/>
+<br/>
+A darker side there is; but doubt<br/>
+    In Nature&rsquo;s charity hovers there:<br/>
+If men for new agreement yearn,<br/>
+    Then old upbraiding best forbear:<br/>
+&ldquo;The South&rsquo;s the sinner!&rdquo; Well, so let it be;<br/>
+But shall the North sin worse, and stand the Pharisee?<br/>
+<br/>
+O, now that brave men yield the sword,<br/>
+    Mine be the manful soldier-view;<br/>
+By how much more they boldly warred,<br/>
+    By so much more is mercy due:<br/>
+When Vicksburg fell, and the moody files marched out,<br/>
+Silent the victors stood, scorning to raise a shout.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap74"></a>
+POEMS FROM MARDI</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap75"></a>
+WE FISH</h2>
+
+<p class="poem">
+We fish, we fish, we merrily swim,<br/>
+We care not for friend nor for foe.<br/>
+        Our fins are stout,<br/>
+        Our tails are out,<br/>
+As through the seas we go.<br/>
+<br/>
+Fish, Fish, we are fish with red gills;<br/>
+    Naught disturbs us, our blood is at zero:<br/>
+We are buoyant because of our bags,<br/>
+    Being many, each fish is a hero.<br/>
+We care not what is it, this life<br/>
+    That we follow, this phantom unknown;<br/>
+To swim, it&rsquo;s exceedingly pleasant,&mdash;<br/>
+    So swim away, making a foam.<br/>
+This strange looking thing by our side,<br/>
+    Not for safety, around it we flee:&mdash;<br/>
+Its shadow&rsquo;s so shady, that&rsquo;s all,&mdash;<br/>
+    We only swim under its lee.<br/>
+And as for the eels there above,<br/>
+    And as for the fowls of the air,<br/>
+We care not for them nor their ways,<br/>
+    As we cheerily glide afar!<br/>
+<br/>
+We fish, we fish, we merrily swim,<br/>
+We care not for friend nor for foe:<br/>
+        Our fins are stout,<br/>
+        Our tails are out,<br/>
+As through the seas we go.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap76"></a>
+INVOCATION</h2>
+
+<p class="poem">
+Ha, ha, gods and kings; fill high, one and all;<br/>
+Drink, drink! shout and drink! mad respond to the call!<br/>
+Fill fast, and fill full; &rsquo;gainst the goblet ne&rsquo;er sin;<br/>
+Quaff there, at high tide, to the uttermost rim:&mdash;<br/>
+        Flood-tide, and soul-tide to the brim!<br/>
+<br/>
+Who with wine in him fears? who thinks of his cares?<br/>
+Who sighs to be wise, when wine in him flares?<br/>
+Water sinks down below, in currents full slow;<br/>
+But wine mounts on high with its genial glow:&mdash;<br/>
+        Welling up, till the brain overflow!<br/>
+<br/>
+As the spheres, with a roll, some fiery of soul,<br/>
+Others golden, with music, revolve round the pole;<br/>
+So let our cups, radiant with many hued wines,<br/>
+Round and round in groups circle, our Zodiac&rsquo;s Signs:&mdash;<br/>
+        Round reeling, and ringing their chimes!<br/>
+<br/>
+Then drink, gods and kings; wine merriment brings;<br/>
+It bounds through the veins; there, jubilant sings.<br/>
+Let it ebb, then, and flow; wine never grows dim;<br/>
+Drain down that bright tide at the foam beaded rim:&mdash;<br/>
+        Fill up, every cup, to the brim!
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap77"></a>
+DIRGE</h2>
+
+<p class="poem">
+We drop our dead in the sea,<br/>
+    The bottomless, bottomless sea;<br/>
+Each bubble a hollow sigh,<br/>
+    As it sinks forever and aye.<br/>
+<br/>
+We drop our dead in the sea,&mdash;<br/>
+    The dead reek not of aught;<br/>
+We drop our dead in the sea,&mdash;<br/>
+    The sea ne&rsquo;er gives it a thought.<br/>
+<br/>
+Sink, sink, oh corpse, still sink,<br/>
+    Far down in the bottomless sea,<br/>
+Where the unknown forms do prowl,<br/>
+    Down, down in the bottomless sea.<br/>
+<br/>
+&rsquo;Tis night above, and night all round,<br/>
+    And night will it be with thee;<br/>
+As thou sinkest, and sinkest for aye,<br/>
+    Deeper down in the bottomless sea.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap78"></a>
+MARLENA</h2>
+
+<p class="poem">
+Far off in the sea is Marlena,<br/>
+A land of shades and streams,<br/>
+A land of many delights,<br/>
+Dark and bold, thy shores, Marlena;<br/>
+But green, and timorous, thy soft knolls,<br/>
+Crouching behind the woodlands.<br/>
+All shady thy hills; all gleaming thy springs,<br/>
+Like eyes in the earth looking at you.<br/>
+How charming thy haunts, Marlena!&mdash;<br/>
+Oh, the waters that flow through Onimoo;<br/>
+Oh, the leaves that rustle through Ponoo:<br/>
+Oh, the roses that blossom in Tarma.<br/>
+Come, and see the valley of Vina:<br/>
+How sweet, how sweet, the Isles from Hina:<br/>
+&rsquo;Tis aye afternoon of the full, full moon,<br/>
+And ever the season of fruit,<br/>
+And ever the hour of flowers,<br/>
+And never the time of rains and gales,<br/>
+All in and about Marlena.<br/>
+Soft sigh the boughs in the stilly air,<br/>
+Soft lap the beach the billows there;<br/>
+And in the woods or by the streams,<br/>
+You needs must nod in the Land of Dreams.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap79"></a>
+PIPE SONG</h2>
+
+<p class="poem">
+Care is all stuff:&mdash;<br/>
+        Puff! Puff!<br/>
+To puff is enough:&mdash;<br/>
+        Puff! Puff<br/>
+More musky than snuff,<br/>
+And warm is a puff:&mdash;<br/>
+        Puff! Puff<br/>
+Here we sit mid our puffs,<br/>
+Like old lords in their ruffs,<br/>
+Snug as bears in their muffs:&mdash;<br/>
+        Puff! Puff<br/>
+Then puff, puff, puff,<br/>
+For care is all stuff,<br/>
+Puffed off in a puff&mdash;<br/>
+        Puff! Puff!
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap80"></a>
+SONG OF YOOMY</h2>
+
+<p class="poem">
+Departed the pride, and the glory of Mardi:<br/>
+The vaunt of her isles sleeps deep in the sea,<br/>
+    That rolls o&rsquo;er his corse with a hush,<br/>
+    His warriors bend over their spears,<br/>
+    His sisters gaze upward and mourn.<br/>
+        Weep, weep, for Adondo is dead!<br/>
+    The sun has gone down in a shower;<br/>
+    Buried in clouds the face of the moon;<br/>
+Tears stand in the eyes of the starry skies,<br/>
+    And stand in the eyes of the flowers;<br/>
+And streams of tears are the trickling brooks,<br/>
+        Coursing adown the mountains.&mdash;<br/>
+    Departed the pride, and the glory of Mardi:<br/>
+    The vaunt of her isles sleeps deep in the sea.<br/>
+Fast falls the small rain on its bosom that sobs,&mdash;<br/>
+    Not showers of rain, but the tears of Oro.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap81"></a>
+GOLD</h2>
+
+<p class="poem">
+         We rovers bold,<br/>
+    To the land of Gold,<br/>
+Over the bowling billows are gliding:<br/>
+    Eager to toil,<br/>
+    For the golden spoil,<br/>
+And every hardship biding.<br/>
+    See! See!<br/>
+Before our prows&rsquo; resistless dashes<br/>
+The gold-fish fly in golden flashes!<br/>
+    &rsquo;Neath a sun of gold,<br/>
+    We rovers bold,<br/>
+On the golden land are gaining;<br/>
+    And every night,<br/>
+    We steer aright,<br/>
+By golden stars unwaning!<br/>
+All fires burn a golden glare:<br/>
+No locks so bright as golden hair!<br/>
+    All orange groves have golden gushings;<br/>
+    All mornings dawn with golden flushings!<br/>
+In a shower of gold, say fables old,<br/>
+A maiden was won by the god of gold!<br/>
+    In golden goblets wine is beaming:<br/>
+    On golden couches kings are dreaming!<br/>
+    The Golden Rule dries many tears!<br/>
+    The Golden Number rules the spheres!<br/>
+Gold, gold it is, that sways the nations:<br/>
+Gold! gold! the center of all rotations!<br/>
+    On golden axles worlds are turning:<br/>
+    With phosphorescence seas are burning!<br/>
+    All fire-flies flame with golden gleamings!<br/>
+    Gold-hunters&rsquo; hearts with golden dreamings!<br/>
+    With golden arrows kings are slain:<br/>
+    With gold we&rsquo;ll buy a freeman&rsquo;s name!<br/>
+In toilsome trades, for scanty earnings,<br/>
+At home we&rsquo;ve slaved, with stifled yearnings:<br/>
+No light! no hope! Oh, heavy woe!<br/>
+When nights fled fast, and days dragged slow.<br/>
+        But joyful now, with eager eye,<br/>
+        Fast to the Promised Land we fly:<br/>
+            Where in deep mines,<br/>
+            The treasure shines;<br/>
+        Or down in beds of golden streams,<br/>
+        The gold-flakes glance in golden gleams!<br/>
+            How we long to sift,<br/>
+            That yellow drift!<br/>
+        Rivers! Rivers! cease your goings!<br/>
+            Sand-bars! rise, and stay the tide!<br/>
+            &rsquo;Till we&rsquo;ve gained the golden flowing;<br/>
+            And in the golden haven ride!
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap82"></a>
+THE LAND OF LOVE</h2>
+
+<p class="poem">
+Hail! voyagers, hail!<br/>
+Whence e&rsquo;er ye come, where&rsquo;er ye rove,<br/>
+        No calmer strand,<br/>
+        No sweeter land,<br/>
+Will e&rsquo;er ye view, than the Land of Love!<br/>
+<br/>
+        Hail! voyagers, hail!<br/>
+To these, our shores, soft gales invite:<br/>
+        The palm plumes wave,<br/>
+        The billows lave,<br/>
+And hither point fix&rsquo;d stars of light!<br/>
+<br/>
+        Hail! voyagers, hail!<br/>
+Think not our groves wide brood with gloom;<br/>
+        In this, our isle,<br/>
+        Bright flowers smile:<br/>
+Full urns, rose-heaped, these valleys bloom.<br/>
+<br/>
+        Hail! voyagers, hail!<br/>
+Be not deceived; renounce vain things;<br/>
+        Ye may not find<br/>
+        A tranquil mind,<br/>
+Though hence ye sail with swiftest wings.<br/>
+<br/>
+        Hail! voyagers, hail!<br/>
+Time flies full fast; life soon is o&rsquo;er;<br/>
+        And ye may mourn,<br/>
+        That hither borne,<br/>
+Ye left behind our pleasant shore.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap83"></a>
+POEMS FROM CLAREL</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap84"></a>
+DIRGE</h2>
+
+<p class="poem">
+Stay, Death, Not mine the Christus-wand<br/>
+Wherewith to charge thee and command:<br/>
+I plead. Most gently hold the hand<br/>
+Of her thou leadest far away;<br/>
+Fear thou to let her naked feet<br/>
+Tread ashes&mdash;but let mosses sweet<br/>
+Her footing tempt, where&rsquo;er ye stray.<br/>
+Shun Orcus; win the moonlit land<br/>
+Belulled&mdash;the silent meadows lone,<br/>
+Where never any leaf is blown<br/>
+From lily-stem in Azrael&rsquo;s hand.<br/>
+There, till her love rejoin her lowly<br/>
+(Pensive, a shade, but all her own)<br/>
+On honey feed her, wild and holy;<br/>
+Or trance her with thy choicest charm.<br/>
+And if, ere yet the lover&rsquo;s free,<br/>
+Some added dusk thy rule decree&mdash;<br/>
+That shadow only let it be<br/>
+Thrown in the moon-glade by the palm.
+</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="chap85"></a>
+EPILOGUE</h2>
+
+<p class="center">
+<i>If Luther&rsquo;s day expand to Darwin&rsquo;s year,</i><br/>
+<i>Shall that exclude the hope&mdash;foreclose the fear?</i>
+</p>
+
+<p class="poem">
+Unmoved by all the claims our times avow,<br/>
+The ancient Sphinx still keeps the porch of shade;<br/>
+And comes Despair, whom not her calm may cow,<br/>
+And coldly on that adamantine brow<br/>
+Scrawls undeterred his bitter pasquinade.<br/>
+But Faith (who from the scrawl indignant turns)<br/>
+With blood warm oozing from her wounded trust,<br/>
+Inscribes even on her shards of broken urns<br/>
+The sign o&rsquo; the cross&mdash;<i>the spirit above the dust!</i><br/>
+<br/>
+    Yea, ape and angel, strife and old debate&mdash;<br/>
+The harps of heaven and dreary gongs of hell;<br/>
+Science the feud can only aggravate&mdash;<br/>
+No umpire she betwixt the chimes and knell:<br/>
+The running battle of the star and clod<br/>
+Shall run forever&mdash;if there be no God.<br/>
+<br/>
+    Degrees we know, unknown in days before;<br/>
+The light is greater, hence the shadow more;<br/>
+And tantalized and apprehensive Man<br/>
+Appealing&mdash;Wherefore ripen us to pain?<br/>
+Seems there the spokesman of dumb Nature&rsquo;s train.<br/>
+<br/>
+    But through such strange illusions have they passed<br/>
+Who in life&rsquo;s pilgrimage have baffled striven&mdash;<br/>
+Even death may prove unreal at the last,<br/>
+And stoics be astounded into heaven.<br/>
+<br/>
+    Then keep thy heart, though yet but ill-resigned&mdash;<br/>
+Clarel, thy heart, the issues there but mind;<br/>
+That like the crocus budding through the snow&mdash;<br/>
+That like a swimmer rising from the deep&mdash;<br/>
+That like a burning secret which doth go<br/>
+Even from the bosom that would hoard and keep;<br/>
+Emerge thou mayst from the last whelming sea,<br/>
+And prove that death but routs life into victory.
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK JOHN MARR AND OTHER POEMS ***</div>
+<div style='text-align:left'>
+
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &#8226; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &#8226; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</div>
+
+ </body>
+</html>