summaryrefslogtreecommitdiff
path: root/old/1253-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/1253-0.txt')
-rw-r--r--old/1253-0.txt1703
1 files changed, 1703 insertions, 0 deletions
diff --git a/old/1253-0.txt b/old/1253-0.txt
new file mode 100644
index 0000000..6549c12
--- /dev/null
+++ b/old/1253-0.txt
@@ -0,0 +1,1703 @@
+The Project Gutenberg EBook of A Simple Soul, by Gustave Flaubert
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: A Simple Soul
+
+Author: Gustave Flaubert
+
+Release Date: February 18, 2006 [EBook #1253]
+Last Updated: September 14, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK A SIMPLE SOUL ***
+
+
+
+
+Produced by Dagny, John Bickers and David Widger
+
+
+
+
+
+A SIMPLE SOUL
+
+By Gustave Flaubert
+
+
+
+
+CHAPTER I
+
+For half a century the housewives of Pont-l’Eveque had envied Madame
+Aubain her servant Felicite.
+
+For a hundred francs a year, she cooked and did the housework, washed,
+ironed, mended, harnessed the horse, fattened the poultry, made the
+butter and remained faithful to her mistress--although the latter was by
+no means an agreeable person.
+
+Madame Aubain had married a comely youth without any money, who died in
+the beginning of 1809, leaving her with two young children and a number
+of debts. She sold all her property excepting the farm of Toucques and
+the farm of Geffosses, the income of which barely amounted to 5,000
+francs; then she left her house in Saint-Melaine, and moved into a less
+pretentious one which had belonged to her ancestors and stood back of
+the market-place. This house, with its slate-covered roof, was built
+between a passage-way and a narrow street that led to the river. The
+interior was so unevenly graded that it caused people to stumble. A
+narrow hall separated the kitchen from the parlour, where Madame Aubain
+sat all day in a straw armchair near the window. Eight mahogany chairs
+stood in a row against the white wainscoting. An old piano, standing
+beneath a barometer, was covered with a pyramid of old books and boxes.
+On either side of the yellow marble mantelpiece, in Louis XV. style,
+stood a tapestry armchair. The clock represented a temple of Vesta;
+and the whole room smelled musty, as it was on a lower level than the
+garden.
+
+On the first floor was Madame’s bed-chamber, a large room papered in a
+flowered design and containing the portrait of Monsieur dressed in the
+costume of a dandy. It communicated with a smaller room, in which there
+were two little cribs, without any mattresses. Next, came the parlour
+(always closed), filled with furniture covered with sheets. Then a hall,
+which led to the study, where books and papers were piled on the shelves
+of a book-case that enclosed three quarters of the big black desk.
+Two panels were entirely hidden under pen-and-ink sketches, Gouache
+landscapes and Audran engravings, relics of better times and vanished
+luxury. On the second floor, a garret-window lighted Felicite’s room,
+which looked out upon the meadows.
+
+She arose at daybreak, in order to attend mass, and she worked without
+interruption until night; then, when dinner was over, the dishes cleared
+away and the door securely locked, she would bury the log under the
+ashes and fall asleep in front of the hearth with a rosary in her hand.
+Nobody could bargain with greater obstinacy, and as for cleanliness,
+the lustre on her brass sauce-pans was the envy and despair of other
+servants. She was most economical, and when she ate she would gather up
+crumbs with the tip of her finger, so that nothing should be wasted of
+the loaf of bread weighing twelve pounds which was baked especially for
+her and lasted three weeks.
+
+Summer and winter she wore a dimity kerchief fastened in the back with a
+pin, a cap which concealed her hair, a red skirt, grey stockings, and an
+apron with a bib like those worn by hospital nurses.
+
+Her face was thin and her voice shrill. When she was twenty-five, she
+looked forty. After she had passed fifty, nobody could tell her
+age; erect and silent always, she resembled a wooden figure working
+automatically.
+
+
+
+
+CHAPTER II
+
+Like every other woman, she had had an affair of the heart. Her father,
+who was a mason, was killed by falling from a scaffolding. Then her
+mother died and her sisters went their different ways; a farmer took her
+in, and while she was quite small, let her keep cows in the fields. She
+was clad in miserable rags, beaten for the slightest offence and finally
+dismissed for a theft of thirty sous which she did not commit. She took
+service on another farm where she tended the poultry; and as she was
+well thought of by her master, her fellow-workers soon grew jealous.
+
+One evening in August (she was then eighteen years old), they persuaded
+her to accompany them to the fair at Colleville. She was immediately
+dazzled by the noise, the lights in the trees, the brightness of the
+dresses, the laces and gold crosses, and the crowd of people all
+hopping at the same time. She was standing modestly at a distance, when
+presently a young man of well-to-do appearance, who had been leaning on
+the pole of a wagon and smoking his pipe, approached her, and asked her
+for a dance. He treated her to cider and cake, bought her a silk shawl,
+and then, thinking she had guessed his purpose, offered to see her home.
+When they came to the end of a field he threw her down brutally. But she
+grew frightened and screamed, and he walked off.
+
+One evening, on the road leading to Beaumont, she came upon a wagon
+loaded with hay, and when she overtook it, she recognised Theodore. He
+greeted her calmly, and asked her to forget what had happened between
+them, as it “was all the fault of the drink.”
+
+She did not know what to reply and wished to run away.
+
+Presently he began to speak of the harvest and of the notables of the
+village; his father had left Colleville and bought the farm of Les
+Ecots, so that now they would be neighbours. “Ah!” she exclaimed. He
+then added that his parents were looking around for a wife for him, but
+that he, himself, was not so anxious and preferred to wait for a girl
+who suited him. She hung her head. He then asked her whether she had
+ever thought of marrying. She replied, smilingly, that it was wrong of
+him to make fun of her. “Oh! no, I am in earnest,” he said, and put his
+left arm around her waist while they sauntered along. The air was soft,
+the stars were bright, and the huge load of hay oscillated in front of
+them, drawn by four horses whose ponderous hoofs raised clouds of dust.
+Without a word from their driver they turned to the right. He kissed her
+again and she went home. The following week, Theodore obtained meetings.
+
+They met in yards, behind walls or under isolated trees. She was not
+ignorant, as girls of well-to-do families are--for the animals had
+instructed her;--but her reason and her instinct of honour kept her from
+falling. Her resistance exasperated Theodore’s love and so in order
+to satisfy it (or perchance ingenuously), he offered to marry her. She
+would not believe him at first, so he made solemn promises. But, in a
+short time he mentioned a difficulty; the previous year, his parents had
+purchased a substitute for him; but any day he might be drafted and the
+prospect of serving in the army alarmed him greatly. To Felicite his
+cowardice appeared a proof of his love for her, and her devotion to him
+grew stronger. When she met him, he would torture her with his fears and
+his entreaties. At last, he announced that he was going to the prefect
+himself for information, and would let her know everything on the
+following Sunday, between eleven o’clock and midnight.
+
+When the time grew near, she ran to meet her lover.
+
+But instead of Theodore, one of his friends was at the meeting-place.
+
+He informed her that she would never see her sweetheart again; for,
+in order to escape the conscription, he had married a rich old woman,
+Madame Lehoussais, of Toucques.
+
+The poor girl’s sorrow was frightful. She threw herself on the ground,
+she cried and called on the Lord, and wandered around desolately until
+sunrise. Then she went back to the farm, declared her intention of
+leaving, and at the end of the month, after she had received her
+wages, she packed all her belongings in a handkerchief and started for
+Pont-l’Eveque.
+
+In front of the inn, she met a woman wearing widow’s weeds, and upon
+questioning her, learned that she was looking for a cook. The girl
+did not know very much, but appeared so willing and so modest in her
+requirements, that Madame Aubain finally said:
+
+“Very well, I will give you a trial.”
+
+And half an hour later Felicite was installed in her house.
+
+At first she lived in a constant anxiety that was caused by “the style
+of the household” and the memory of “Monsieur,” that hovered over
+everything. Paul and Virginia, the one aged seven, and the other
+barely four, seemed made of some precious material; she carried them
+pig-a-back, and was greatly mortified when Madame Aubain forbade her to
+kiss them every other minute.
+
+But in spite of all this, she was happy. The comfort of her new
+surroundings had obliterated her sadness.
+
+Every Thursday, friends of Madame Aubain dropped in for a game of
+cards, and it was Felicite’s duty to prepare the table and heat the
+foot-warmers. They arrived at exactly eight o’clock and departed before
+eleven.
+
+Every Monday morning, the dealer in second-hand goods, who lived under
+the alley-way, spread out his wares on the sidewalk. Then the city would
+be filled with a buzzing of voices in which the neighing of horses, the
+bleating of lambs, the grunting of pigs, could be distinguished, mingled
+with the sharp sound of wheels on the cobble-stones. About twelve
+o’clock, when the market was in full swing, there appeared at the front
+door a tall, middle-aged peasant, with a hooked nose and a cap on the
+back of his head; it was Robelin, the farmer of Geffosses. Shortly
+afterwards came Liebard, the farmer of Toucques, short, rotund and
+ruddy, wearing a grey jacket and spurred boots.
+
+Both men brought their landlady either chickens or cheese. Felicite
+would invariably thwart their ruses and they held her in great respect.
+
+At various times, Madame Aubain received a visit from the Marquis de
+Gremanville, one of her uncles, who was ruined and lived at Falaise on
+the remainder of his estates. He always came at dinner-time and brought
+an ugly poodle with him, whose paws soiled their furniture. In spite of
+his efforts to appear a man of breeding (he even went so far as to raise
+his hat every time he said “My deceased father”), his habits got the
+better of him, and he would fill his glass a little too often and relate
+broad stories. Felicite would show him out very politely and say: “You
+have had enough for this time, Monsieur de Gremanville! Hoping to see
+you again!” and would close the door.
+
+She opened it gladly for Monsieur Bourais, a retired lawyer. His bald
+head and white cravat, the ruffling of his shirt, his flowing brown
+coat, the manner in which he took snuff, his whole person, in fact,
+produced in her the kind of awe which we feel when we see extraordinary
+persons. As he managed Madame’s estates, he spent hours with her in
+Monsieur’s study; he was in constant fear of being compromised, had a
+great regard for the magistracy and some pretensions to learning.
+
+In order to facilitate the children’s studies, he presented them with
+an engraved geography which represented various scenes of the world;
+cannibals with feather head-dresses, a gorilla kidnapping a young girl,
+Arabs in the desert, a whale being harpooned, etc.
+
+Paul explained the pictures to Felicite. And, in fact, this was her only
+literary education.
+
+The children’s studies were under the direction of a poor devil employed
+at the town-hall, who sharpened his pocket-knife on his boots and was
+famous for his penmanship.
+
+When the weather was fine, they went to Geffosses. The house was built
+in the centre of the sloping yard; and the sea looked like a grey spot
+in the distance. Felicite would take slices of cold meat from the lunch
+basket and they would sit down and eat in a room next to the dairy. This
+room was all that remained of a cottage that had been torn down.
+The dilapidated wall-paper trembled in the drafts. Madame Aubain,
+overwhelmed by recollections, would hang her head, while the children
+were afraid to open their mouths. Then, “Why don’t you go and play?”
+ their mother would say; and they would scamper off.
+
+Paul would go to the old barn, catch birds, throw stones into the pond,
+or pound the trunks of the trees with a stick till they resounded like
+drums. Virginia would feed the rabbits and run to pick the wild flowers
+in the fields, and her flying legs would disclose her little embroidered
+pantalettes. One autumn evening, they struck out for home through the
+meadows. The new moon illumined part of the sky and a mist hovered like
+a veil over the sinuosities of the river. Oxen, lying in the pastures,
+gazed mildly at the passing persons. In the third field, however,
+several of them got up and surrounded them. “Don’t be afraid,” cried
+Felicite; and murmuring a sort of lament she passed her hand over the
+back of the nearest ox; he turned away and the others followed. But when
+they came to the next pasture, they heard frightful bellowing.
+
+It was a bull which was hidden from them by the fog. He advanced towards
+the two women, and Madame Aubain prepared to flee for her life. “No,
+no! not so fast,” warned Felicite. Still they hurried on, for they could
+hear the noisy breathing of the bull behind them. His hoofs pounded the
+grass like hammers, and presently he began to gallop! Felicite turned
+around and threw patches of grass in his eyes. He hung his head, shook
+his horns and bellowed with fury. Madame Aubain and the children,
+huddled at the end of the field, were trying to jump over the ditch.
+Felicite continued to back before the bull, blinding him with dirt,
+while she shouted to them to make haste.
+
+Madame Aubain finally slid into the ditch, after shoving first Virginia
+and then Paul into it, and though she stumbled several times she
+managed, by dint of courage, to climb the other side of it.
+
+The bull had driven Felicite up against a fence; the foam from
+his muzzle flew in her face and in another minute he would have
+disembowelled her. She had just time to slip between two bars and the
+huge animal, thwarted, paused.
+
+For years, this occurrence was a topic of conversation in Pont-l’Eveque.
+But Felicite took no credit to herself, and probably never knew that she
+had been heroic.
+
+Virginia occupied her thoughts solely, for the shock she had sustained
+gave her a nervous affection, and the physician, M. Poupart, prescribed
+the salt-water bathing at Trouville. In those days, Trouville was
+not greatly patronised. Madame Aubain gathered information, consulted
+Bourais, and made preparations as if they were going on an extended
+trip.
+
+The baggage was sent the day before on Liebard’s cart. On the following
+morning, he brought around two horses, one of which had a woman’s saddle
+with a velveteen back to it, while on the crupper of the other was a
+rolled shawl that was to be used for a seat. Madame Aubain mounted the
+second horse, behind Liebard. Felicite took charge of the little
+girl, and Paul rode M. Lechaptois’ donkey, which had been lent for the
+occasion on the condition that they should be careful of it.
+
+The road was so bad that it took two hours to cover the eight miles.
+The two horses sank knee-deep into the mud and stumbled into ditches;
+sometimes they had to jump over them. In certain places, Liebard’s mare
+stopped abruptly. He waited patiently till she started again, and talked
+of the people whose estates bordered the road, adding his own moral
+reflections to the outline of their histories. Thus, when they
+were passing through Toucques, and came to some windows draped with
+nasturtiums, he shrugged his shoulders and said: “There’s a woman,
+Madame Lehoussais, who, instead of taking a young man--” Felicite could
+not catch what followed; the horses began to trot, the donkey to gallop,
+and they turned into a lane; then a gate swung open, two farm-hands
+appeared and they all dismounted at the very threshold of the
+farm-house.
+
+Mother Liebard, when she caught sight of her mistress, was lavish with
+joyful demonstrations. She got up a lunch which comprised a leg of
+mutton, tripe, sausages, a chicken fricassee, sweet cider, a fruit tart
+and some preserved prunes; then to all this the good woman added polite
+remarks about Madame, who appeared to be in better health, Mademoiselle,
+who had grown to be “superb,” and Paul, who had become singularly
+sturdy; she spoke also of their deceased grandparents, whom the Liebards
+had known, for they had been in the service of the family for several
+generations.
+
+Like its owners, the farm had an ancient appearance. The beams of the
+ceiling were mouldy, the walls black with smoke and the windows grey
+with dust. The oak sideboard was filled with all sorts of utensils,
+plates, pitchers, tin bowls, wolf-traps. The children laughed when they
+saw a huge syringe. There was not a tree in the yard that did not have
+mushrooms growing around its foot, or a bunch of mistletoe hanging in
+its branches. Several of the trees had been blown down, but they had
+started to grow in the middle and all were laden with quantities of
+apples. The thatched roofs, which were of unequal thickness, looked like
+brown velvet and could resist the fiercest gales. But the wagon-shed was
+fast crumbling to ruins. Madame Aubain said that she would attend to it,
+and then gave orders to have the horses saddled.
+
+It took another thirty minutes to reach Trouville. The little caravan
+dismounted in order to pass Les Ecores, a cliff that overhangs the bay,
+and a few minutes later, at the end of the dock, they entered the yard
+of the Golden Lamb, an inn kept by Mother David.
+
+During the first few days, Virginia felt stronger, owing to the change
+of air and the action of the sea-baths. She took them in her little
+chemise, as she had no bathing suit, and afterwards her nurse dressed
+her in the cabin of a customs officer, which was used for that purpose
+by other bathers.
+
+In the afternoon, they would take the donkey and go to the
+Roches-Noires, near Hennequeville. The path led at first through
+undulating grounds, and thence to a plateau, where pastures and tilled
+fields alternated. At the edge of the road, mingling with the brambles,
+grew holly bushes, and here and there stood large dead trees whose
+branches traced zigzags upon the blue sky.
+
+Ordinarily, they rested in a field facing the ocean, with Deauville on
+their left, and Havre on their right. The sea glittered brightly in the
+sun and was as smooth as a mirror, and so calm that they could scarcely
+distinguish its murmur; sparrows chirped joyfully and the immense canopy
+of heaven spread over it all. Madame Aubain brought out her sewing,
+and Virginia amused herself by braiding reeds; Felicite wove lavender
+blossoms, while Paul was bored and wished to go home.
+
+Sometimes they crossed the Toucques in a boat, and started to hunt for
+sea-shells. The outgoing tide exposed star-fish and sea-urchins, and the
+children tried to catch the flakes of foam which the wind blew away. The
+sleepy waves lapping the sand unfurled themselves along the shore that
+extended as far as the eye could see, but where land began, it was
+limited by the downs which separated it from the “Swamp,” a large meadow
+shaped like a hippodrome. When they went home that way, Trouville, on
+the slope of a hill below, grew larger and larger as they advanced, and,
+with all its houses of unequal height, seemed to spread out before them
+in a sort of giddy confusion.
+
+When the heat was too oppressive, they remained in their rooms. The
+dazzling sunlight cast bars of light between the shutters. Not a sound
+in the village, not a soul on the sidewalk. This silence intensified the
+tranquility of everything. In the distance, the hammers of some calkers
+pounded the hull of a ship, and the sultry breeze brought them an odour
+of tar.
+
+The principal diversion consisted in watching the return of the
+fishing-smacks. As soon as they passed the beacons, they began to ply
+to windward. The sails were lowered to one third of the masts, and with
+their fore-sails swelled up like balloons they glided over the waves and
+anchored in the middle of the harbour. Then they crept up alongside of
+the dock and the sailors threw the quivering fish over the side of the
+boat; a line of carts was waiting for them, and women with white caps
+sprang forward to receive the baskets and embrace their men-folk.
+
+One day, one of them spoke to Felicite, who, after a little while,
+returned to the house gleefully. She had found one of her sisters, and
+presently Nastasie Barette, wife of Leroux, made her appearance, holding
+an infant in her arms, another child by the hand, while on her left was
+a little cabin-boy with his hands in his pockets and his cap on his ear.
+
+At the end of fifteen minutes, Madame Aubain bade her go.
+
+They always hung around the kitchen, or approached Felicite when she
+and the children were out walking. The husband, however, did not show
+himself.
+
+Felicite developed a great fondness for them; she bought them a stove,
+some shirts and a blanket; it was evident that they exploited her.
+Her foolishness annoyed Madame Aubain, who, moreover did not like the
+nephew’s familiarity, for he called her son “thou”;--and, as Virginia
+began to cough and the season was over, she decided to return to
+Pont-l’Eveque.
+
+Monsieur Bourais assisted her in the choice of a college. The one at
+Caen was considered the best. So Paul was sent away and bravely said
+good-bye to them all, for he was glad to go to live in a house where he
+would have boy companions.
+
+Madame Aubain resigned herself to the separation from her son because
+it was unavoidable. Virginia brooded less and less over it. Felicite
+regretted the noise he made, but soon a new occupation diverted her
+mind; beginning from Christmas, she accompanied the little girl to her
+catechism lesson every day.
+
+
+
+
+CHAPTER III
+
+After she had made a curtsey at the threshold, she would walk up the
+aisle between the double lines of chairs, open Madame Aubain’s pew, sit
+down and look around.
+
+Girls and boys, the former on the right, the latter on the left-hand
+side of the church, filled the stalls of the choir; the priest stood
+beside the reading-desk; on one stained window of the side-aisle the
+Holy Ghost hovered over the Virgin; on another one, Mary knelt before
+the Child Jesus, and behind the altar, a wooden group represented Saint
+Michael felling the dragon.
+
+The priest first read a condensed lesson of sacred history. Felicite
+evoked Paradise, the Flood, the Tower of Babel, the blazing cities,
+the dying nations, the shattered idols; and out of this she developed a
+great respect for the Almighty and a great fear of His wrath. Then, when
+she had listened to the Passion, she wept. Why had they crucified Him
+who loved little children, nourished the people, made the blind see, and
+who, out of humility, had wished to be born among the poor, in a stable?
+The sowings, the harvests, the wine-presses, all those familiar things
+which the Scriptures mention, formed a part of her life; the word of God
+sanctified them; and she loved the lambs with increased tenderness for
+the sake of the Lamb, and the doves because of the Holy Ghost.
+
+She found it hard, however, to think of the latter as a person, for was
+it not a bird, a flame, and sometimes only a breath? Perhaps it is its
+light that at night hovers over swamps, its breath that propels the
+clouds, its voice that renders church-bells harmonious. And Felicite
+worshipped devoutly, while enjoying the coolness and the stillness of
+the church.
+
+As for the dogma, she could not understand it and did not even try. The
+priest discoursed, the children recited, and she went to sleep, only to
+awaken with a start when they were leaving the church and their wooden
+shoes clattered on the stone pavement.
+
+In this way, she learned her catechism, her religious education having
+been neglected in her youth; and thenceforth she imitated all Virginia’s
+religious practices, fasted when she did, and went to confession with
+her. At the Corpus-Christi Day they both decorated an altar.
+
+She worried in advance over Virginia’s first communion. She fussed about
+the shoes, the rosary, the book and the gloves. With what nervousness
+she helped the mother dress the child!
+
+During the entire ceremony, she felt anguished. Monsieur Bourais hid
+part of the choir from view, but directly in front of her, the flock
+of maidens, wearing white wreaths over their lowered veils, formed a
+snow-white field, and she recognised her darling by the slenderness of
+her neck and her devout attitude. The bell tinkled. All the heads bent
+and there was a silence. Then, at the peals of the organ the singers
+and the worshippers struck up the Agnes Dei; the boys’ procession began;
+behind them came the girls. With clasped hands, they advanced step by
+step to the lighted altar, knelt at the first step, received one by one
+the Host, and returned to their seats in the same order. When Virginia’s
+turn came, Felicite leaned forward to watch her, and through that
+imagination which springs from true affection, she at once became the
+child, whose face and dress became hers, whose heart beat in her bosom,
+and when Virginia opened her mouth and closed her lids, she did likewise
+and came very near fainting.
+
+The following day, she presented herself early at the church so as to
+receive communion from the cure. She took it with the proper feeling,
+but did not experience the same delight as on the previous day.
+
+Madame Aubain wished to make an accomplished girl of her daughter; and
+as Guyot could not teach English or music, she decided to send her to
+the Ursulines at Honfleur.
+
+The child made no objection, but Felicite sighed and thought Madame was
+heartless. Then, she thought that perhaps her mistress was right, as
+these things were beyond her sphere. Finally, one day, an old fiacre
+stopped in front of the door and a nun stepped out. Felicite put
+Virginia’s luggage on top of the carriage, gave the coachman some
+instructions, and smuggled six jars of jam, a dozen pears and a bunch of
+violets under the seat.
+
+At the last minute, Virginia had a fit of sobbing; she embraced her
+mother again and again, while the latter kissed her on the forehead, and
+said: “Now, be brave, be brave!” The step was pulled up and the fiacre
+rumbled off.
+
+Then Madame Aubain had a fainting spell, and that evening all her
+friends, including the two Lormeaus, Madame Lechaptois, the ladies
+Rochefeuille, Messieurs de Houppeville and Bourais, called on her and
+tendered their sympathy.
+
+At first the separation proved very painful to her. But her daughter
+wrote her three times a week and the other days she, herself, wrote to
+Virginia. Then she walked in the garden, read a little, and in this way
+managed to fill out the emptiness of the hours.
+
+Each morning, out of habit, Felicite entered Virginia’s room and gazed
+at the walls. She missed combing her hair, lacing her shoes, tucking her
+in her bed, and the bright face and little hand when they used to go out
+for a walk. In order to occupy herself she tried to make lace. But her
+clumsy fingers broke the threads; she had no heart for anything, lost
+her sleep and “wasted away,” as she put it.
+
+In order to have some distraction, she asked leave to receive the visits
+of her nephew Victor.
+
+He would come on Sunday, after church, with ruddy cheeks and bared
+chest, bringing with him the scent of the country. She would set the
+table and they would sit down opposite each other, and eat their dinner;
+she ate as little as possible, herself, to avoid any extra expense, but
+would stuff him so with food that he would finally go to sleep. At the
+first stroke of vespers, she would wake him up, brush his trousers, tie
+his cravat and walk to church with him, leaning on his arm with maternal
+pride.
+
+His parents always told him to get something out of her, either a
+package of brown sugar, or soap, or brandy, and sometimes even money.
+He brought her his clothes to mend, and she accepted the task gladly,
+because it meant another visit from him.
+
+In August, his father took him on a coasting-vessel.
+
+It was vacation time and the arrival of the children consoled Felicite.
+But Paul was capricious, and Virginia was growing too old to be
+thee-and-thou’d, a fact which seemed to produce a sort of embarrassment
+in their relations.
+
+Victor went successively to Morlaix, to Dunkirk, and to Brighton;
+whenever he returned from a trip he would bring her a present. The first
+time it was a box of shells; the second, a coffee-cup; the third, a big
+doll of ginger-bread. He was growing handsome, had a good figure, a tiny
+moustache, kind eyes, and a little leather cap that sat jauntily on the
+back of his head. He amused his aunt by telling her stories mingled with
+nautical expressions.
+
+One Monday, the 14th of July, 1819 (she never forgot the date), Victor
+announced that he had been engaged on a merchant-vessel and that in two
+days he would take the steamer at Honfleur and join his sailer, which
+was going to start from Havre very soon. Perhaps he might be away two
+years.
+
+The prospect of his departure filled Felicite with despair, and in order
+to bid him farewell, on Wednesday night, after Madame’s dinner, she put
+on her pattens and trudged the four miles that separated Pont-l’Eveque
+from Honfleur.
+
+When she reached the Calvary, instead of turning to the right, she
+turned to the left and lost herself in coal-yards; she had to retrace
+her steps; some people she spoke to advised her to hasten. She walked
+helplessly around the harbour filled with vessels, and knocked against
+hawsers. Presently the ground sloped abruptly, lights flitted to and
+fro, and she thought all at once that she had gone mad when she saw some
+horses in the sky.
+
+Others, on the edge of the dock, neighed at the sight of the ocean. A
+derrick pulled them up in the air, and dumped them into a boat, where
+passengers were bustling about among barrels of cider, baskets of cheese
+and bags of meal; chickens cackled, the captain swore and a cabin-boy
+rested on the railing, apparently indifferent to his surroundings.
+Felicite, who did not recognise him, kept shouting: “Victor!” He
+suddenly raised his eyes, but while she was preparing to rush up to him,
+they withdrew the gangplank.
+
+The packet, towed by singing women, glided out of the harbour. Her hull
+squeaked and the heavy waves beat up against her sides. The sail had
+turned and nobody was visible;--and on the ocean, silvered by the light
+of the moon, the vessel formed a black spot that grew dimmer and dimmer,
+and finally disappeared.
+
+When Felicite passed the Calvary again, she felt as if she must entrust
+that which was dearest to her to the Lord; and for a long while she
+prayed, with uplifted eyes and a face wet with tears. The city was
+sleeping; some customs officials were taking the air; and the water kept
+pouring through the holes of the dam with a deafening roar. The town
+clock struck two.
+
+The parlour of the convent would not open until morning, and surely a
+delay would annoy Madame, so, in spite of her desire to see the other
+child, she went home. The maids of the inn were just arising when she
+reached Pont-l’Eveque.
+
+So the poor boy would be on the ocean for months! His previous trips
+had not alarmed her. One can come back from England and Brittany; but
+America, the colonies, the islands, were all lost in an uncertain region
+at the very end of the world.
+
+From that time on, Felicite thought solely of her nephew. On warm days
+she feared he would suffer from thirst, and when it stormed, she was
+afraid he would be struck by lightning. When she harkened to the wind
+that rattled in the chimney and dislodged the tiles on the roof, she
+imagined that he was being buffeted by the same storm, perched on top
+of a shattered mast, with his whole body bend backward and covered with
+sea-foam; or,--these were recollections of the engraved geography--he
+was being devoured by savages, or captured in a forest by apes, or dying
+on some lonely coast. She never mentioned her anxieties, however.
+
+Madame Aubain worried about her daughter.
+
+The sisters thought that Virginia was affectionate but delicate. The
+slightest emotion enervated her. She had to give up her piano lessons.
+Her mother insisted upon regular letters from the convent. One morning,
+when the postman failed to come, she grew impatient and began to pace to
+and fro, from her chair to the window. It was really extraordinary! No
+news since four days!
+
+In order to console her mistress by her own example, Felicite said:
+
+“Why, Madame, I haven’t had any news since six months!--”
+
+“From whom?--”
+
+The servant replied gently:
+
+“Why--from my nephew.”
+
+“Oh, yes, your nephew!” And shrugging her shoulders, Madame Aubain
+continued to pace the floor as if to say: “I did not think of
+it.--Besides, I do not care, a cabin-boy, a pauper!--but my
+daughter--what a difference! just think of it!--”
+
+Felicite, although she had been reared roughly, was very indignant. Then
+she forgot about it.
+
+It appeared quite natural to her that one should lose one’s head about
+Virginia.
+
+The two children were of equal importance; they were united in her heart
+and their fate was to be the same.
+
+The chemist informed her that Victor’s vessel had reached Havana. He had
+read the information in a newspaper.
+
+Felicite imagined that Havana was a place where people did nothing
+but smoke, and that Victor walked around among negroes in a cloud of
+tobacco. Could a person, in case of need, return by land? How far was
+it from Pont-l’Eveque? In order to learn these things, she questioned
+Monsieur Bourais. He reached for his map and began some explanations
+concerning longitudes, and smiled with superiority at Felicite’s
+bewilderment. At last, he took a pencil and pointed out an imperceptible
+black point in the scallops of an oval blotch, adding: “There it is.”
+ She bent over the map; the maze of coloured lines hurt her eyes without
+enlightening her; and when Bourais asked her what puzzled her, she
+requested him to show her the house Victor lived in. Bourais threw
+up his hands, sneezed, and then laughed uproariously; such ignorance
+delighted his soul; but Felicite failed to understand the cause of his
+mirth, she whose intelligence was so limited that she perhaps expected
+to see even the picture of her nephew!
+
+It was two weeks later that Liebard came into the kitchen at
+market-time, and handed her a letter from her brother-in-law. As neither
+of them could read, she called upon her mistress.
+
+Madame Aubain, who was counting the stitches of her knitting, laid her
+work down beside her, opened the letter, started, and in a low tone
+and with a searching look said: “They tell you of a--misfortune. Your
+nephew--”
+
+He had died. The letter told nothing more.
+
+Felicite dropped on a chair, leaned her head against the back, and
+closed her lids; presently they grew pink. Then, with drooping head,
+inert hands and staring eyes she repeated at intervals:
+
+“Poor little chap! poor little chap!”
+
+Liebard watched her and sighed. Madame Aubain was trembling.
+
+She proposed to the girl to go to see her sister in Trouville.
+
+With a single motion, Felicite replied that it was not necessary.
+
+There was a silence. Old Liebard thought it about time for him to take
+leave.
+
+Then Felicite uttered:
+
+“They have no sympathy, they do not care!”
+
+Her head fell forward again, and from time to time, mechanically, she
+toyed with the long knitting-needles on the work-table.
+
+Some women passed through the yard with a basket of wet clothes.
+
+When she saw them through the window, she suddenly remembered her own
+wash; as she had soaked it the day before, she must go and rinse it now.
+So she arose and left the room.
+
+Her tub and her board were on the bank of the Toucques. She threw a heap
+of clothes on the ground, rolled up her sleeves and grasped her bat;
+and her loud pounding could be heard in the neighbouring gardens. The
+meadows were empty, the breeze wrinkled the stream, at the bottom of
+which were long grasses that looked like the hair of corpses floating
+in the water. She restrained her sorrow and was very brave until night;
+but, when she had gone to her own room, she gave way to it, burying her
+face in the pillow and pressing her two fists against her temples.
+
+A long while afterward, she learned through Victor’s captain, the
+circumstances which surrounded his death. At the hospital they had bled
+him too much, treating him for yellow fever. Four doctors held him at
+one time. He died almost instantly, and the chief surgeon had said:
+
+“Here goes another one!”
+
+His parents had always treated him barbarously; she preferred not to see
+them again, and they made no advances, either from forgetfulness or out
+of innate hardness.
+
+Virginia was growing weaker.
+
+A cough, continual fever, oppressive breathing and spots on her cheeks
+indicated some serious trouble. Monsieur Popart had advised a sojourn in
+Provence. Madame Aubain decided that they would go, and she would have
+had her daughter come home at once, had it not been for the climate of
+Pont-l’Eveque.
+
+She made an arrangement with a livery-stable man who drove her over to
+the convent every Tuesday. In the garden there was a terrace, from which
+the view extends to the Seine. Virginia walked in it, leaning on her
+mother’s arm and treading the dead vine leaves. Sometimes the sun,
+shining through the clouds, made her blink her lids, when she gazed at
+the sails in the distance, and let her eyes roam over the horizon from
+the chateau of Tancarville to the lighthouses of Havre. Then they rested
+on the arbour. Her mother had bought a little cask of fine Malaga wine,
+and Virginia, laughing at the idea of becoming intoxicated, would drink
+a few drops of it, but never more.
+
+Her strength returned. Autumn passed. Felicite began to reassure Madame
+Aubain. But, one evening, when she returned home after an errand, she
+met M. Boupart’s coach in front of the door; M. Boupart himself was
+standing in the vestibule and Madame Aubain was tying the strings of her
+bonnet. “Give me my foot-warmer, my purse and my gloves; and be quick
+about it,” she said.
+
+Virginia had congestion of the lungs; perhaps it was desperate.
+
+“Not yet,” said the physician, and both got into the carriage, while the
+snow fell in thick flakes. It was almost night and very cold.
+
+Felicite rushed to the church to light a candle. Then she ran after the
+coach which she overtook after an hour’s chase, sprang up behind and
+held on to the straps. But suddenly a thought crossed her mind: “The
+yard had been left open; supposing that burglars got in!” And down she
+jumped.
+
+The next morning, at daybreak, she called at the doctor’s. He had been
+home, but had left again. Then she waited at the inn, thinking that
+strangers might bring her a letter. At last, at daylight she took the
+diligence for Lisieux.
+
+The convent was at the end of a steep and narrow street. When she
+arrived about at the middle of it, she heard strange noises, a funeral
+knell. “It must be for some one else,” thought she; and she pulled the
+knocker violently.
+
+After several minutes had elapsed, she heard footsteps, the door
+was half opened and a nun appeared. The good sister, with an air of
+compunction, told her that “she had just passed away.” And at the same
+time the tolling of Saint-Leonard’s increased.
+
+Felicite reached the second floor. Already at the threshold, she caught
+sight of Virginia lying on her back, with clasped hands, her mouth open
+and her head thrown back, beneath a black crucifix inclined toward her,
+and stiff curtains which were less white than her face. Madame Aubain
+lay at the foot of the couch, clasping it with her arms and uttering
+groans of agony. The Mother Superior was standing on the right side of
+the bed. The three candles on the bureau made red blurs, and the windows
+were dimmed by the fog outside. The nuns carried Madame Aubain from the
+room.
+
+For two nights, Felicite never left the corpse. She would repeat the
+same prayers, sprinkle holy water over the sheets, get up, come back
+to the bed and contemplate the body. At the end of the first vigil, she
+noticed that the face had taken on a yellow tinge, the lips grew blue,
+the nose grew pinched, the eyes were sunken. She kissed them several
+times and would not have been greatly astonished had Virginia opened
+them; to souls like this the supernatural is always quite simple. She
+washed her, wrapped her in a shroud, put her into the casket, laid a
+wreath of flowers on her head and arranged her curls. They were blond
+and of an extraordinary length for her age. Felicite cut off a big lock
+and put half of it into her bosom, resolving never to part with it.
+
+The body was taken to Pont-l’Eveque, according to Madame Aubain’s
+wishes; she followed the hearse in a closed carriage.
+
+After the ceremony it took three quarters of an hour to reach the
+cemetery. Paul, sobbing, headed the procession; Monsieur Bourais
+followed, and then came the principal inhabitants of the town, the women
+covered with black capes, and Felicite. The memory of her nephew, and
+the thought that she had not been able to render him these honours,
+made her doubly unhappy, and she felt as if he were being buried with
+Virginia.
+
+Madame Aubain’s grief was uncontrollable. At first she rebelled against
+God, thinking that he was unjust to have taken away her child--she who
+had never done anything wrong, and whose conscience was so pure! But no!
+she ought to have taken her South. Other doctors would have saved her.
+She accused herself, prayed to be able to join her child, and cried in
+the midst of her dreams. Of the latter, one more especially haunted her.
+Her husband, dressed like a sailor, had come back from a long voyage,
+and with tears in his eyes told her that he had received the order to
+take Virginia away. Then they both consulted about a hiding-place.
+
+Once she came in from the garden, all upset. A moment before (and she
+showed the place), the father and daughter had appeared to her, one
+after the other; they did nothing but look at her.
+
+During several months she remained inert in her room. Felicite scolded
+her gently; she must keep up for her son and also for the other one, for
+“her memory.”
+
+“Her memory!” replied Madame Aubain, as if she were just awakening, “Oh!
+yes, yes, you do not forget her!” This was an allusion to the cemetery
+where she had been expressly forbidden to go.
+
+But Felicite went there every day. At four o’clock exactly, she would go
+through the town, climb the hill, open the gate and arrive at Virginia’s
+tomb. It was a small column of pink marble with a flat stone at its
+base, and it was surrounded by a little plot enclosed by chains. The
+flower-beds were bright with blossoms. Felicite watered their leaves,
+renewed the gravel, and knelt on the ground in order to till the earth
+properly. When Madame Aubain was able to visit the cemetery she felt
+very much relieved and consoled.
+
+Years passed, all alike and marked by no other events than the return
+of the great church holidays: Easter, Assumption, All Saints’ Day.
+Household happenings constituted the only data to which in later years
+they often referred. Thus, in 1825, workmen painted the vestibule; in
+1827, a portion of the roof almost killed a man by falling into the
+yard. In the summer of 1828, it was Madame’s turn to offer the hallowed
+bread; at that time, Bourais disappeared mysteriously; and the
+old acquaintances, Guyot, Liebard, Madame Lechaptois, Robelin, old
+Gremanville, paralysed since a long time, passed away one by one. One
+night, the driver of the mail in Pont-l’Eveque announced the Revolution
+of July. A few days afterward a new sub-prefect was nominated, the Baron
+de Larsonniere, ex-consul in America, who, besides his wife, had his
+sister-in-law and her three grown daughters with him. They were often
+seen on their lawn, dressed in loose blouses, and they had a parrot
+and a negro servant. Madame Aubain received a call, which she returned
+promptly. As soon as she caught sight of them, Felicite would run and
+notify her mistress. But only one thing was capable of arousing her: a
+letter from her son.
+
+He could not follow any profession as he was absorbed in drinking. His
+mother paid his debts and he made fresh ones; and the sighs that she
+heaved while she knitted at the window reached the ears of Felicite who
+was spinning in the kitchen.
+
+They walked in the garden together, always speaking of Virginia, and
+asking each other if such and such a thing would have pleased her, and
+what she would probably have said on this or that occasion.
+
+All her little belongings were put away in a closet of the room which
+held the two little beds. But Madame Aubain looked them over as little
+as possible. One summer day, however, she resigned herself to the task
+and when she opened the closet the moths flew out.
+
+Virginia’s frocks were hung under a shelf where there were three dolls,
+some hoops, a doll-house, and a basic which she had used. Felicite
+and Madame Aubain also took out the skirts, the handkerchiefs, and the
+stockings and spread them on the beds, before putting them away again.
+The sun fell on the piteous things, disclosing their spots and the
+creases formed by the motions of the body. The atmosphere was warm and
+blue, and a blackbird trilled in the garden; everything seemed to live
+in happiness. They found a little hat of soft brown plush, but it was
+entirely moth-eaten. Felicite asked for it. Their eyes met and filled
+with tears; at last the mistress opened her arms and the servant threw
+herself against her breast and they hugged each other and giving vent to
+their grief in a kiss which equalised them for a moment.
+
+It was the first time that this had ever happened, for Madame Aubain was
+not of an expansive nature. Felicite was as grateful for it as if it had
+been some favour, and thenceforth loved her with animal-like devotion
+and a religious veneration.
+
+Her kind-heartedness developed. When she heard the drums of a marching
+regiment passing through the street, she would stand in the doorway
+with a jug of cider and give the soldiers a drink. She nursed cholera
+victims. She protected Polish refugees, and one of them even declared
+that he wished to marry her. But they quarrelled, for one morning when
+she returned from the Angelus she found him in the kitchen coolly eating
+a dish which he had prepared for himself during her absence.
+
+After the Polish refugees, came Colmiche, an old man who was credited
+with having committed frightful misdeeds in ‘93. He lived near the river
+in the ruins of a pig-sty. The urchins peeped at him through the cracks
+in the walls and threw stones that fell on his miserable bed, where he
+lay gasping with catarrh, with long hair, inflamed eyelids, and a tumour
+as big as his head on one arm.
+
+She got him some linen, tried to clean his hovel and dreamed of
+installing him in the bake-house without his being in Madame’s way. When
+the cancer broke, she dressed it every day; sometimes she brought him
+some cake and placed him in the sun on a bundle of hay; and the poor old
+creature, trembling and drooling, would thank her in his broken voice,
+and put out his hands whenever she left him. Finally he died; and she
+had a mass said for the repose of his soul.
+
+That day a great joy came to her: at dinner-time, Madame de
+Larsonniere’s servant called with the parrot, the cage, and the perch
+and chain and lock. A note from the baroness told Madame Aubain that as
+her husband had been promoted to a prefecture, they were leaving that
+night, and she begged her to accept the bird as a remembrance and a
+token of her esteem.
+
+Since a long time the parrot had been on Felicite’s mind, because he
+came from America, which reminded her of Victor, and she had approached
+the negro on the subject.
+
+Once even, she had said:
+
+“How glad Madame would be to have him!”
+
+The man had repeated this remark to his mistress who, not being able to
+keep the bird, took this means of getting rid of it.
+
+
+
+
+CHAPTER IV
+
+He was called Loulou. His body was green, his head blue, the tips of his
+wings were pink and his breast was golden.
+
+But he had the tiresome tricks of biting his perch, pulling his feathers
+out, scattering refuse and spilling the water of his bath. Madame Aubain
+grew tired of him and gave him to Felicite for good.
+
+She undertook his education, and soon he was able to repeat: “Pretty
+boy! Your servant, sir! I salute you, Marie!” His perch was placed near
+the door and several persons were astonished that he did not answer to
+the name of “Jacquot,” for every parrot is called Jacquot. They called
+him a goose and a log, and these taunts were like so many dagger thrusts
+to Felicite. Strange stubbornness of the bird which would not talk when
+people watched him!
+
+Nevertheless, he sought society; for on Sunday, when the ladies
+Rochefeuille, Monsieur de Houppeville and the new habitues, Onfroy, the
+chemist, Monsieur Varin and Captain Mathieu, dropped in for their game
+of cards, he struck the window-panes with his wings and made such a
+racket that it was impossible to talk.
+
+Bourais’ face must have appeared very funny to Loulou. As soon as he
+saw him he would begin to roar. His voice re-echoed in the yard, and
+the neighbours would come to the windows and begin to laugh, too; and
+in order that the parrot might not see him, Monsieur Bourais edged along
+the wall, pushed his hat over his eyes to hide his profile, and entered
+by the garden door, and the looks he gave the bird lacked affection.
+Loulou, having thrust his head into the butcher-boy’s basket, received
+a slap, and from that time he always tried to nip his enemy. Fabu
+threatened to ring his neck, although he was not cruelly inclined,
+notwithstanding his big whiskers and tattooings. On the contrary, he
+rather liked the bird, and, out of devilry, tried to teach him oaths.
+Felicite, whom his manner alarmed, put Loulou in the kitchen, took off
+his chain and let him walk all over the house.
+
+When he went downstairs, he rested his beak on the steps, lifted his
+right foot and then his left one; but his mistress feared that such
+feats would give him vertigo. He became ill and was unable to eat. There
+was a small growth under his tongue like those chickens are sometimes
+afflicted with. Felicite pulled it off with her nails and cured him.
+One day, Paul was imprudent enough to blow the smoke of his cigar in his
+face; another time, Madame Lormeau was teasing him with the tip of her
+umbrella and he swallowed the tip. Finally he got lost.
+
+She had put him on the grass to cool him and went away only for a
+second; when she returned, she found no parrot! She hunted among the
+bushes, on the bank of the river, and on the roofs, without paying any
+attention to Madame Aubain who screamed at her: “Take care! you must be
+insane!” Then she searched every garden in Pont-l’Eveque and stopped the
+passers-by to inquire of them: “Haven’t you perhaps seen my parrot?”
+ To those who had never seen the parrot, she described him minutely.
+Suddenly she thought she saw something green fluttering behind the mills
+at the foot of the hill. But when she was at the top of the hill she
+could not see it. A hod-carrier told her that he had just seen the bird
+in Saint-Melaine, in Mother Simon’s store. She rushed to the place. The
+people did not know what she was talking about. At last she came home,
+exhausted, with her slippers worn to shreds, and despair in her heart.
+She sat down on the bench near Madame and was telling of her search when
+presently a light weight dropped on her shoulder--Loulou! What the deuce
+had he been doing? Perhaps he had just taken a little walk around the
+town!
+
+She did not easily forget her scare; in fact, she never got over it. In
+consequence of a cold, she caught a sore throat; and some time later
+she had an earache. Three years later she was stone deaf, and spoke in
+a very loud voice even in church. Although her sins might have been
+proclaimed throughout the diocese without any shame to herself, or ill
+effects to the community, the cure thought it advisable to receive her
+confession in the vestry-room.
+
+Imaginary buzzings also added to her bewilderment. Her mistress often
+said to her: “My goodness, how stupid you are!” and she would answer:
+“Yes, Madame,” and look for something.
+
+The narrow circle of her ideas grew more restricted than it already was;
+the bellowing of the oxen, the chime of the bells no longer reached her
+intelligence. All things moved silently, like ghosts. Only one noise
+penetrated her ears; the parrot’s voice.
+
+As if to divert her mind, he reproduced for her the tick-tack of the
+spit in the kitchen, the shrill cry of the fish-vendors, the saw of the
+carpenter who had a shop opposite, and when the door-bell rang, he would
+imitate Madame Aubain: “Felicite! go to the front door.”
+
+They held conversations together, Loulou repeating the three phrases
+of his repertory over and over, Felicite replying by words that had
+no greater meaning, but in which she poured out her feelings. In her
+isolation, the parrot was almost a son, a love. He climbed upon her
+fingers, pecked at her lips, clung to her shawl, and when she rocked her
+head to and fro like a nurse, the big wings of her cap and the wings of
+the bird flapped in unison. When clouds gathered on the horizon and the
+thunder rumbled, Loulou would scream, perhaps because he remembered the
+storms in his native forests. The dripping of the rain would excite him
+to frenzy; he flapped around, struck the ceiling with his wings, upset
+everything, and would finally fly into the garden to play. Then he would
+come back into the room, light on one of the andirons, and hop around in
+order to get dry.
+
+One morning during the terrible winter of 1837, when she had put him in
+front of the fire-place on account of the cold, she found him dead in
+his cage, hanging to the wire bars with his head down. He had probably
+died of congestion. But she believed that he had been poisoned, and
+although she had no proofs whatever, her suspicion rested on Fabu.
+
+She wept so sorely that her mistress said: “Why don’t you have him
+stuffed?”
+
+She asked the advice of the chemist, who had always been kind to the
+bird.
+
+He wrote to Havre for her. A certain man named Fellacher consented to do
+the work. But, as the diligence driver often lost parcels entrusted to
+him, Felicite resolved to take her pet to Honfleur herself.
+
+Leafless apple-trees lined the edges of the road. The ditches were
+covered with ice. The dogs on the neighbouring farms barked; and
+Felicite, with her hands beneath her cape, her little black sabots and
+her basket, trotted along nimbly in the middle of the sidewalk. She
+crossed the forest, passed by the Haut-Chene, and reached Saint-Gatien.
+
+Behind her, in a cloud of dust and impelled by the steep incline, a
+mail-coach drawn by galloping horses advanced like a whirlwind. When he
+saw a woman in the middle of the road, who did not get out of the
+way, the driver stood up in his seat and shouted to her and so did
+the postilion, while the four horses, which he could not hold back,
+accelerated their pace; the two leaders were almost upon her; with
+a jerk of the reins he threw them to one side, but, furious at the
+incident, he lifted his big whip and lashed her from her head to her
+feet with such violence that she fell to the ground unconscious.
+
+Her first thought, when she recovered her senses, was to open the
+basket. Loulou was unharmed. She felt a sting on her right cheek; when
+she took her hand away it was red, for the blood was flowing.
+
+She sat down on a pile of stones, and sopped her cheek with her
+handkerchief; then she ate a crust of bread she had put in her basket,
+and consoled herself by looking at the bird.
+
+Arriving at the top of Ecquemanville, she saw the lights of Honfleur
+shining in the distance like so many stars; further on, the ocean spread
+out in a confused mass. Then a weakness came over her; the misery of her
+childhood, the disappointment of her first love, the departure of her
+nephew, the death of Virginia; all these things came back to her at
+once, and, rising like a swelling tide in her throat, almost choked her.
+
+Then she wished to speak to the captain of the vessel, and without
+stating what she was sending, she gave him some instructions.
+
+Fellacher kept the parrot a long time. He always promised that it would
+be ready for the following week; after six months he announced the
+shipment of a case, and that was the end of it. Really, it seemed as
+if Loulou would never come back to his home. “They have stolen him,”
+ thought Felicite.
+
+Finally he arrived, sitting bold upright on a branch which could be
+screwed into a mahogany pedestal, with his foot in the air, his head on
+one side, and in his beak a nut which the naturalist, from love of the
+sumptuous, had gilded. She put him in her room.
+
+This place, to which only a chosen few were admitted, looked like a
+chapel and a second-hand shop, so filled was it with devotional and
+heterogeneous things. The door could not be opened easily on account of
+the presence of a large wardrobe. Opposite the window that looked out
+into the garden, a bull’s-eye opened on the yard; a table was placed by
+the cot and held a wash-basin, two combs, and a piece of blue soap in
+a broken saucer. On the walls were rosaries, medals, a number of Holy
+Virgins, and a holy-water basin made out of a cocoanut; on the bureau,
+which was covered with a napkin like an altar, stood the box of
+shells that Victor had given her; also a watering-can and a balloon,
+writing-books, the engraved geography and a pair of shoes; on the
+nail which held the mirror, hung Virginia’s little plush hat! Felicite
+carried this sort of respect so far that she even kept one of Monsieur’s
+old coats. All the things which Madame Aubain discarded, Felicite begged
+for her own room. Thus, she had artificial flowers on the edge of the
+bureau, and the picture of the Comte d’Artois in the recess of the
+window. By means of a board, Loulou was set on a portion of the chimney
+which advanced into the room. Every morning when she awoke, she saw
+him in the dim light of dawn and recalled bygone days and the smallest
+details of insignificant actions, without any sense of bitterness or
+grief.
+
+As she was unable to communicate with people, she lived in a sort of
+somnambulistic torpor. The processions of Corpus-Christi Day seemed to
+wake her up. She visited the neighbours to beg for candlesticks and mats
+so as to adorn the temporary altars in the street.
+
+In church, she always gazed at the Holy Ghost, and noticed that there
+was something about it that resembled a parrot. The likenesses appeared
+even more striking on a coloured picture by Espinal, representing the
+baptism of our Saviour. With his scarlet wings and emerald body, it was
+really the image of Loulou. Having bought the picture, she hung it near
+the one of the Comte d’Artois so that she could take them in at one
+glance.
+
+They associated in her mind, the parrot becoming sanctified through the
+neighbourhood of the Holy Ghost, and the latter becoming more lifelike
+in her eyes, and more comprehensible. In all probability the Father had
+never chosen as messenger a dove, as the latter has no voice, but rather
+one of Loulou’s ancestors. And Felicite said her prayers in front of the
+coloured picture, though from time to time she turned slightly towards
+the bird.
+
+She desired very much to enter in the ranks of the “Daughters of the
+Virgin.” But Madame Aubain dissuaded her from it.
+
+A most important event occurred: Paul’s marriage.
+
+After being first a notary’s clerk, then in business, then in the
+customs, and a tax collector, and having even applied for a position
+in the administration of woods and forests, he had at last, when he
+was thirty-six years old, by a divine inspiration, found his vocation:
+registrature! and he displayed such a high ability that an inspector had
+offered him his daughter and his influence.
+
+Paul, who had become quite settled, brought his bride to visit his
+mother.
+
+But she looked down upon the customs of Pont-l’Eveque, put on airs, and
+hurt Felicite’s feelings. Madame Aubain felt relieved when she left.
+
+The following week they learned of Monsieur Bourais’ death in an inn.
+There were rumours of suicide, which were confirmed; doubts concerning
+his integrity arose. Madame Aubain looked over her accounts and soon
+discovered his numerous embezzlements; sales of wood which had been
+concealed from her, false receipts, etc. Furthermore, he had an
+illegitimate child, and entertained a friendship for “a person in
+Dozule.”
+
+These base actions affected her very much. In March, 1853, she developed
+a pain in her chest; her tongue looked as if it were coated with smoke,
+and the leeches they applied did not relieve her oppression; and on the
+ninth evening she died, being just seventy-two years old.
+
+People thought that she was younger, because her hair, which she wore in
+bands framing her pale face, was brown. Few friends regretted her loss,
+for her manner was so haughty that she did not attract them. Felicite
+mourned for her as servants seldom mourn for their masters. The fact
+that Madame should die before herself perplexed her mind and seemed
+contrary to the order of things, and absolutely monstrous and
+inadmissible. Ten days later (the time to journey from Besancon), the
+heirs arrived. Her daughter-in-law ransacked the drawers, kept some of
+the furniture, and sold the rest; then they went back to their own home.
+
+Madame’s armchair, foot-warmer, work-table, the eight chairs, everything
+was gone! The places occupied by the pictures formed yellow squares on
+the walls. They had taken the two little beds, and the wardrobe had been
+emptied of Virginia’s belongings! Felicite went upstairs, overcome with
+grief.
+
+The following day a sign was posted on the door; the chemist screamed in
+her ear that the house was for sale.
+
+For a moment she tottered, and had to sit down.
+
+What hurt her most was to give up her room,--so nice for poor Loulou!
+She looked at him in despair and implored the Holy Ghost, and it was
+this way that she contracted the idolatrous habit of saying her prayers
+kneeling in front of the bird. Sometimes the sun fell through the window
+on his glass eye, and lighted a spark in it which sent Felicite into
+ecstasy.
+
+Her mistress had left her an income of three hundred and eighty francs.
+The garden supplied her with vegetables. As for clothes, she had enough
+to last her till the end of her days, and she economised on the light by
+going to bed at dusk.
+
+She rarely went out, in order to avoid passing in front of the
+second-hand dealer’s shop where there was some of the old furniture.
+Since her fainting spell, she dragged her leg, and as her strength was
+failing rapidly, old Mother Simon, who had lost her money in the grocery
+business, came very morning to chop the wood and pump the water.
+
+Her eyesight grew dim. She did not open the shutters after that. Many
+years passed. But the house did not sell or rent. Fearing that she would
+be put out, Felicite did not ask for repairs. The laths of the roof were
+rotting away, and during one whole winter her bolster was wet. After
+Easter she spit blood.
+
+Then Mother Simon went for a doctor. Felicite wished to know what her
+complaint was. But, being too deaf to hear, she caught only one word:
+“Pneumonia.” She was familiar with it and gently answered:--“Ah! like
+Madame,” thinking it quite natural that she should follow her mistress.
+
+The time for the altars in the street drew near.
+
+The first one was always erected at the foot of the hill, the second
+in front of the post-office, and the third in the middle of the street.
+This position occasioned some rivalry among the women and they finally
+decided upon Madame Aubain’s yard.
+
+Felicite’s fever grew worse. She was sorry that she could not do
+anything for the altar. If she could, at least, have contributed
+something towards it! Then she thought of the parrot. Her neighbours
+objected that it would not be proper. But the cure gave his consent
+and she was so grateful for it that she begged him to accept after her
+death, her only treasure, Loulou. From Tuesday until Saturday, the day
+before the event, she coughed more frequently. In the evening her face
+was contracted, her lips stuck to her gums and she began to vomit; and
+on the following day, she felt so low that she called for a priest.
+
+Three neighbours surrounded her when the dominie administered the
+Extreme Unction. Afterwards she said that she wished to speak to Fabu.
+
+He arrived in his Sunday clothes, very ill at ease among the funereal
+surroundings.
+
+“Forgive me,” she said, making an effort to extend her arm, “I believed
+it was you who killed him!”
+
+What did such accusations mean? Suspect a man like him of murder! And
+Fabu became excited and was about to make trouble.
+
+“Don’t you see she is not in her right mind?”
+
+From time to time Felicite spoke to shadows. The women left her and
+Mother Simon sat down to breakfast.
+
+A little later, she took Loulou and holding him up to Felicite:
+
+“Say good-bye to him, now!” she commanded.
+
+Although he was not a corpse, he was eaten up by worms; one of his wings
+was broken and the wadding was coming out of his body. But Felicite was
+blind now, and she took him and laid him against her cheek. Then Mother
+Simon removed him in order to set him on the altar.
+
+
+
+
+CHAPTER V
+
+The grass exhaled an odour of summer; flies buzzed in the air, the sun
+shone on the river and warmed the slated roof. Old Mother Simon had
+returned to Felicite and was peacefully falling asleep.
+
+The ringing of bells woke her; the people were coming out of church.
+Felicite’s delirium subsided. By thinking of the procession, she was
+able to see it as if she had taken part in it. All the school-children,
+the singers and the firemen walked on the sidewalks, while in the middle
+of the street came first the custodian of the church with his halberd,
+then the beadle with a large cross, the teacher in charge of the boys
+and a sister escorting the little girls; three of the smallest ones,
+with curly heads, threw rose leaves into the air; the deacon with
+outstretched arms conducted the music; and two incense-bearers turned
+with each step they took toward the Holy Sacrament, which was carried by
+M. le Cure, attired in his handsome chasuble and walking under a canopy
+of red velvet supported by four men. A crowd of people followed, jammed
+between the walls of the houses hung with white sheets; at last the
+procession arrived at the foot of the hill.
+
+A cold sweat broke out on Felicite’s forehead. Mother Simon wiped it
+away with a cloth, saying inwardly that some day she would have to go
+through the same thing herself.
+
+The murmur of the crowd grew louder, was very distinct for a moment and
+then died away. A volley of musketry shook the window-panes. It was the
+postilions saluting the Sacrament. Felicite rolled her eyes, and said as
+loudly as she could:
+
+“Is he all right?” meaning the parrot.
+
+Her death agony began. A rattle that grew more and more rapid shook her
+body. Froth appeared at the corners of her mouth, and her whole frame
+trembled. In a little while could be heard the music of the bass
+horns, the clear voices of the children and the men’s deeper notes. At
+intervals all was still, and their shoes sounded like a herd of cattle
+passing over the grass.
+
+The clergy appeared in the yard. Mother Simon climbed on a chair to
+reach the bull’s-eye, and in this manner could see the altar. It was
+covered with a lace cloth and draped with green wreaths. In the middle
+stood a little frame containing relics; at the corners were two little
+orange-trees, and all along the edge were silver candlesticks, porcelain
+vases containing sun-flowers, lilies, peonies, and tufts of hydrangeas.
+This mount of bright colours descended diagonally from the first floor
+to the carpet that covered the sidewalk. Rare objects arrested one’s
+eye. A golden sugar-bowl was crowned with violets, earrings set with
+Alencon stones were displayed on green moss, and two Chinese screens
+with their bright landscapes were near by. Loulou, hidden beneath
+roses, showed nothing but his blue head which looked like a piece of
+lapis-lazuli.
+
+The singers, the canopy-bearers and the children lined up against the
+sides of the yard. Slowly the priest ascended the steps and placed his
+shining sun on the lace cloth. Everybody knelt. There was deep silence;
+and the censers slipping on their chains were swung high in the air. A
+blue vapour rose in Felicite’s room. She opened her nostrils and inhaled
+with a mystic sensuousness; then she closed her lids. Her lips smiled.
+The beats of her heart grew fainter and fainter, and vaguer, like a
+fountain giving out, like an echo dying away;--and when she exhaled her
+last breath, she thought she saw in the half-opened heavens a gigantic
+parrot hovering above her head.
+
+
+
+
+
+End of the Project Gutenberg EBook of A Simple Soul, by Gustave Flaubert
+
+*** END OF THIS PROJECT GUTENBERG EBOOK A SIMPLE SOUL ***
+
+***** This file should be named 1253-0.txt or 1253-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/2/5/1253/
+
+Produced by Dagny, John Bickers and David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm’s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation’s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state’s laws.
+
+The Foundation’s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation’s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.