summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--12505-0.txt~1991
-rw-r--r--12505-8.txt2413
-rw-r--r--12505-8.zipbin0 -> 45848 bytes
-rw-r--r--12505-h.zipbin0 -> 76216 bytes
-rw-r--r--12505-h/12505-h.htm3168
-rw-r--r--12505-h/12505-h.htm~2721
-rw-r--r--12505-h/images/376.pngbin0 -> 26039 bytes
-rw-r--r--12505-h/images/376.png~bin0 -> 26039 bytes
-rw-r--r--12505.txt2413
-rw-r--r--12505.zipbin0 -> 45767 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/12505-8.txt~2413
-rw-r--r--old/12505-8.zip~bin0 -> 45848 bytes
-rw-r--r--old/12505-h.zip~bin0 -> 76216 bytes
-rw-r--r--old/12505-h/12505-h.htm~3168
-rw-r--r--old/12505-h/images/376.png~bin0 -> 26039 bytes
-rw-r--r--old/12505.txt~2413
-rw-r--r--old/12505.zip~bin0 -> 45767 bytes
20 files changed, 20716 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/12505-0.txt~ b/12505-0.txt~
new file mode 100644
index 0000000..36628f5
--- /dev/null
+++ b/12505-0.txt~
@@ -0,0 +1,1991 @@
+*** START OF THE PROJECT GUTENBERG EBOOK 12505 ***
+
+NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS,
+ANTIQUARIES, GENEALOGISTS, ETC.
+
+ * * * * *
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+ * * * * *
+
+No. 23.] SATURDAY, APRIL 6. 1850. [Price Threepence. Stamped Edition 4d.
+
+ * * * * *{361}
+
+CONTENTS.
+
+NOTES:-- Page
+ Periplus of Hanno, by R.T. Hampson 361
+ Pope Vindicated 362
+ The Supper of the Lorde 362
+ Folk Lore:--Palm Sunday Wind--Curious Symbolical Custom--The Wild
+ Huntsman 363
+ On Authors and Books, No. VI, by Bolton Corney 363
+
+QUERIES:--
+ Nicholas Breton's Crossing of Proverbs, by J.P. Collier 364
+ Sword called Curtana, by E.F. Rimbault, LL.D. 364
+ Is the Dombec the Domesday of Alfred? by George Munford 365
+ Minor Queries:--Wickliffite Versions of the Scriptures--Gloves--Law
+ Courts at St. Alban's--Milton Pedigree--Sapcote Motto--Scala Coeli,
+ &c. 366
+
+REPLIES:--
+ The Arabic Numerals and Cipher 367
+ Replies to Minor Queries, by Sir W.C. Trevelyan 368
+ Derivation of "News" 369
+ Replies to Minor Queries:--Swot--Pokership--Vox Populi--Living Dog better
+ than dead Lion--Curious Monumental Brasses--Chapels--Forthlot--Loscop--
+ Smelling of the Lamp--Anglo-Saxon MS. of Orosius--Golden Frog--Sword
+ of Charles I.--John Bull--Vertue MSS.--Lines attributed to Tom Brown,
+ &c. 369
+
+MISCELLANIES:--
+ Epigram by La Monnoye--Spur Money--Minimum de Malls--Epigram on Louis
+ XIV.--Macaulay's Young Levite--St. Martin's Lane--Charles Deering,
+ M.D. 373
+
+MISCELLANEOUS:--
+ Notes on Books, Sales, Catalogues, &c. 375
+ Books and Odd Volumes wanted 375
+ Notices to Correspondents 375
+ Advertisements 376
+
+ * * * * *
+
+PERIPLUS OF HANNO THE CARTHAGINIAN.
+
+I am not sufficiently Quixotic to attempt a defence of the
+Carthaginians on the western coast of Africa, or any where else, but
+I submit that the accusation brought against them by Mr. S. Bannister,
+formerly Attorney-General of New South Wales, is not sustained by
+the only record we possess of Hanno's colonising expedition. That
+gentleman, in his learned _Records of British Enterprise beyond Sea_,
+just published, says, in a note, p. xlvii.:--
+
+"The first nomade tribe they reached was friendly, and furnished
+Hanno with _interpreters_. At length they discovered a nation _whose
+language was unknown to the interpreters_. These strangers they
+attempted to seize; and, upon their resistance, they took three of the
+women, whom they put to death, and carried their skins to Carthage"
+(_Geogr. Græci Minores_, Paris, 1826, p. 115.).
+
+Hanno obtained interpreters from a people who dwelt on the banks
+of a large river, called the Lixus, and supposed to be the modern
+St. Cyprian. Having sailed thence for several days, and touched at
+different places, planting a colony in one of them, he came to a
+mountainous country inhabited by savages, who wore skins of wild
+beasts, [Greek: dermata thaereia enaemmenon]. At a distance of
+twelve days' sail he came to some Ethiopians, who could not endure
+the Carthaginians, and who spoke unintelligibly even to the Lixite
+interpreters. These are the people whose women, Mr. Bannister says,
+they killed. Hanno sailed from this inhospitable coast fifteen
+days, and came to a gulf which he calls [Greek: Notou Kera], or
+South Horn.
+
+ "Here," says the Dr. Hawkesworth, of Carthage, "in the gulf,
+ was an island, like the former, containing a lake, and in
+ this another island, full of wild men; but the women were
+ much more numerous, _with hairy bodies_ ([Greek: daseiai tois
+ somasin]), whom the interpreters called [Greek: gorillas].
+ We pursued the men, who, flying to precipices, defended
+ themselves with stones, and could not be taken. Three women,
+ who bit and scratched their leaders, would not follow them.
+ Having killed them, we brought their skins to Carthage."
+
+He does not so much as intimate that the creatures who so defended
+themselves with stones, or those whose bodies were covered with
+hair, spoke any language. Nothing but the words [Greek: anthropoi
+agrioi] and [Greek: gunaikes] can lead us to believe that they were
+human beings at all; while the description of the behaviour of the
+men, and the bodies of the women, is not repugnant to the supposition
+that they were large apes, baboons, or orang-outangs, common to this
+part of Africa. At all events, the voyagers do not say that they
+flayed a people having the faculty of speech.
+
+It is not, however, improbable that the Carthaginians were severe
+taskmasters of the people whom they subdued. Such I understand those
+to have been who opened the British tin mines, and who, according to
+Diodorus Siculus, excessively overworked the wretches who toiled for
+them, "wasting their bodies underground, and dying, {362} many a one,
+through extremity of suffering, while others perished under the lashes
+of the overseer." (_Bibl. Hist._ l. v. c. 38.)
+
+R.T. Hampson.
+
+ * * * * *
+
+POPE VINDICATED.
+
+"P.C.S.S." is too great an admirer of Pope not to seek to vindicate
+him from one, at least, of the blunders attributed to him by Mr. D.
+Stevens, at p. 331. of the "Notes and Queries."
+
+ "Singed are his _brows_, the scorching _lids_ grow black."
+
+Now, if Mr. S. will refer to Homer, he will find that the original
+fully justifies the use of "brows" and "lids" in the _plural_. It runs
+thus (_Od._ ix. v. 389.):
+
+ "[Greek: Panta de ui blephar amphi kai ophruas eusen autmae]."
+
+"P.C.S.S." wishes that he could equally remove from Pope the charge
+of inaccuracy respecting the _three_ cannibal meals of Polyphemus. He
+fears that nothing can be alleged to impugn Mr. Stevens's perfectly
+just criticism.
+
+While on the subject of Pope, "P.C.S.S." would wish to advert to
+a communication (No. 16. p. 246.) in which it is insinuated that
+Pope was probably indebted to Petronius Arbiter for the well-known
+passage--
+
+ "Worth makes the man, and want of it the fellow;
+ The rest is all but leather and prunella."
+
+With all respect for the ingenious author of that communication,
+"P.C.S.S." confesses that he is unable to discover such a similitude
+of expression as might warrant the notion that Pope had been a
+borrower from Petronius. He cannot suppose that Mr. F. could have been
+led away by any supposed analogy between _corium_ and _coricillum_.
+The latter, Mr. F. must know, is nothing more than a diminutive of
+a diminutive (coricillum, _not_ corcillum, from corculum); and the
+word is coined by Petronius to ridicule one of the affectations of
+Trimalchio (Nero), who was wont to indulge, to an absurd extent, in
+the use of such diminutives (_vide_ Burmann, _in loco_). "P.C.S.S."
+will now subjoin such translations of the passage in question as he
+has hitherto had opportunities of referring to. The first is from _The
+Works of Petronius Arbiter, translated by several hands_, Lond. 8vo.
+4th edit. 1714. At the beginning of the translation itself there is
+this heading--"Made English by Mr. Wilson, of the Middle Temple, and
+several others." The passage in question is thus rendered:--
+
+ "Come, my friends, let us see how merry you can be! for in my
+ time, I have been no better than yourselves; but, by my own
+ industry, I am what I am. _'Tis the heart makes the man_; all
+ the rest is but stuff!"
+
+In another translation, which, with Grub-Street audacity, the
+publisher, in his title-passage, presumes to attribute to Addison!
+and which appeared in 1736 (Lond. 8vo.), the passage is as follows:--
+
+ "I was once as you are: but now, thanks to my industry, I am
+ what I am. _It is the heart that makes the man_; all the rest
+ is but stuff!"
+
+Be the translator who he may, this version, so impudently ascribed to
+the moral Addison, is written with much spirit and power, and with a
+remarkable comprehension of the author's meaning. Some of the poetical
+fragments at the end are, indeed, singularly well done.
+
+Of the two French versions which "P.C.S.S." has examined, the one by
+Levaur (Paris, 8vo. 1726) thus translates the passage:
+
+ "Je vous prie, mes amis ... _C'est le coeur qui fait les
+ hommes; je compte le reste pour un fétu_."
+
+In that of Boispreaux (Lond. 1742), it is simply rendered--
+
+ "Mon sçavoir faire m'a tiré du pair. _C'est le coeur qui fait
+ l'homme_ ..."
+
+No attempt is made to translate the _quisquilia_.
+
+P.C.S.S.
+
+ * * * * *
+
+"THE SUPPER OF THE LORDE."
+
+I shall be glad to find that your correspondent "C.H." (No. 21. p.
+333.) receives a satisfactory answer to his inquiry, as such a reply
+would also satisfy my earlier query, No. 7. p. 109. I perceive,
+however, from his letter, that I can give him some information on
+other points noticed in it, though the absence of papers now passing
+through the press with the Parker Society's reprint of a third volume
+of Tyndale, will prevent my replying with such precision as I could
+wish. That ancient tract on "The Supper of the Lorde, after the true
+meanyng of the sixte of John," &c., of which "C.H." says he possesses
+a copy, was reprinted at different intervals with the same date, viz.,
+MCCCCCXXXIII, Apryll v., on its title-page. The original edition has a
+final colophon, stating that it was "imprinted at Nornberg, by Nielas
+Twonson," and is so rare, that I have not been able to discover the
+existence of any copy, but one recently deposited in the Bodleian.
+That "C.H.'s" copy is not a specimen of that first edition, is
+apparent from two circumstances. The first is, that he has given you
+a quotation from his copy as follows:--"And as for M. More, whom the
+verity most offendeth, and doth but mocke it," whereas the original
+edition has, "And as for M. Mocke," &c., and Sir Thomas More notices
+this mockage of his name in his reply. The next is, that his copy
+contains "Crowley's Epistle to the Reader," which does not appear in
+any edition of an earlier date than 1551. When first attached to this
+treatise, the epistle was anonymous, as may be seen in the Lambeth
+copy; but Crowley eventually {363} affixed his name to the epistle,
+as it appears in "C.H.'s" and in other copies. Robert Crowley was a
+fellow of Magdalen College, Oxford; vicar of St. Giles, Cripplegate;
+a printer and publisher; but to his singular combination of titles, we
+cannot add that of author of the treatise in question. "C.H." has seen
+that he did not enter Oxford till 1534; and in his Prefatory Epistle,
+Crowley speaks of the author of the treatise as a person distinct from
+himself.
+
+I do not wish, however, to be considered as positively affirming the
+treatise to be Tyndale's. Foxe, the martyrologist, edited Tyndale's
+works for Day, and he has only said that this treatise was "compiled,
+as some do gather, by M. Wm. Tyndale, because the method and phrase
+agree with his, and the time of writing are [sic] concurrent." On the
+other hand, the authorship is unhesitatingly assigned to Tyndale by
+Mr. C. Anderson (_Annals of the English Bible_, §ix. _ad finem_),
+and by Mr. Geo. Offer (_Mem. of Tyndale_, p. 30.), the two most
+pains-taking and best informants as to his works. But still there are
+objections of such force, that I must confess myself rather inclined
+to attribute the treatise to Joy's pen, if I could but be satisfied
+that he was capable of writing so correctly, and of keeping so clear
+of vulgarity in a controversy with a popish persecutor.
+
+H.W.
+
+ * * * * *
+
+FOLK LORE.
+
+_Palm Sunday Wind_.--It is a common idea among many of the farmers and
+labourers of this immediate neighbourhood, that, from whatever quarter
+the wind blows for the most part on Palm Sunday, it will continue
+to blow from the same quarter for the most part during the ensuing
+summer.
+
+Is this notion prevalent in other parts of the country, as a piece of
+"Folk-Lore?"
+
+R.V.
+
+Winchester, March 26.
+
+
+_Curious Symbolical Custom_.--On Saturday last I married a couple in
+the parish church. An old woman, an aunt of the bridegroom, displeased
+at the marriage, stood at the church gate and pronounced an anathema
+on the married pair. She then bought a new broom, went home, swept
+her house, and hung the broom over the door. By this she intimated her
+rejection of her nephew, and forbade him to enter her house. Is this a
+known custom? What is its origin?
+
+H. Morland Austen.
+
+St. Peter's, Thanet, March 25. 1850.
+
+
+_The Wild Huntsman_.--The interesting contributions of your
+correspondent "Seleucus," on "Folk Lore," brought to my recollection
+the "Wild Huntsman" of the German poet, Tieck; of whose verses on that
+superstitious belief, still current among the imaginative peasantry of
+Germany, I send you a translation, _done into English_ many years ago.
+The Welsh dogs of Annwn, or "couriers of the air"--the spirit-hounds
+who hunt the souls of the dead--are part of that popular belief
+existing among all nations, which delivers up the noon of night to
+ungracious influences, that "fade on the crowing of the cock."
+
+
+"THE WILD HUNTSMAN.
+
+ "At the dead of the night the Wild Huntsman awakes,
+ In the deepest recess of the dark forest's brakes;
+ He lists to the storm, and arises in scorn.
+ He summons his hounds with his far-sounding horn;
+ He mounts his black steed; like the lightning they fly
+ And sweep the hush'd forest with snort and with cry.
+ Loud neighs his black courser; hark his horn, how 'tis swelling!
+ He chases his comrades, his hounds wildly yelling.
+ Speed along! speed along! for the race is all ours;
+ Speed along! speed along! while the midnight still lours;
+ The spirits of darkness will chase him in scorn,
+ Who dreads our wild howl, and the shriek of our horn,
+ Thus yelling and belling they sweep on the wind,
+ The dread of the pious and reverent mind:
+ But all who roam gladly in forests, by night,
+ This conflict of spirits will strangely delight."
+
+J.M.
+
+Oxford, March 13.
+
+ * * * * *
+
+ON AUTHORS AND BOOKS, NO. VI.
+
+In the union of scholarship, polished manners, and amiability of
+character, we have had few men to surpass the reverend Joseph Spence.
+His career was suitable to his deserts. He was fortunate in his
+connections, fortunate in his appointments, and fortunate in his share
+of fame.
+
+His fame, however, is somewhat diminished. His _Essay on the Odyssey_,
+which procured him the friendship of Pope, has ceased to be in
+request; his _Polymetis_, once the ornament of every choice library,
+has been superseded by the publications of Millin and Smith; his poems
+are only to be met with in the collections of Dodsley and Nichols. If
+we now dwell with pleasure on his name, it is chiefly as a recorder
+of the sayings of others--it is on account of his assiduity in making
+_notes!_ I allude to the volume entitled _Anecdotes, observations,
+and characters of books and men_, which was edited by my friend Mr.
+Singer, with his wonted care and ability in 1820.
+
+The _Essay on the Odyssey_ was first published anonymously in 1726-7.
+It was reprinted in 1737 and 1747. A copy of the latter edition, now
+in my possession, contains this curious note:--
+
+ "It is remarkable that of twelve passages objected to in this
+ critique on the English Odyssey, _two_ only are found in those
+ books which were translated by Pope.
+
+ "From Mr. Langton, who had his information from Mr. Spence.
+
+ "When Spence carried his preface to Gorboduc in {364} 1736 to
+ Pope, he asked him his opinion. Pope said 'It would do very
+ well; there was nothing _pert_ or _low_ in it.' Spence was
+ satisfied with this praise, which however, was in implied
+ censure on all his other writings.--He is very fond of the
+ familiar vulgarisms of common talk, and is the very reverse of
+ Dr. Johnson.
+
+"E.M." [Edmond Malone.]
+
+The note is not signed at length, but there can be no doubt as to its
+authorship, as I purchased the volume which contains it at the sale of
+the unreserved books of Mr. Malone in 1818.
+
+Bolton Corney.
+
+ * * * * *
+
+
+QUERIES.
+
+NICHOLAS BRETON'S "CROSSING OF PROVERBS."
+
+Although my query respecting William Basse and his poem, "Great
+Britain's Sun's Set," (No. 13. p. 200), produced no positive
+information touching that production, it gave an opportunity to some
+of your correspondents to communicate valuable intelligence relating
+to the author and to other works by him, for which I, for one, was
+very much obliged. If I did not obtain exactly what I wanted, I
+obtained something that hereafter may be extremely useful; and that
+I could not, perhaps, have obtained in any other way than through the
+medium of your pleasant and welcome periodical.
+
+I am now, therefore, about to put a question regarding another writer
+of more celebrity and ability. Among our early pamphleteers, there was
+certainly none more voluminous than Nicholas Breton, who began writing
+in 1575, and did not lay down his pen until late in the reign of
+James I. A list of his pieces (by no means complete, but the fullest
+that has been compiled) may be seen in Lowndes's _Bibl. Manual_;
+it includes several not by Breton, among them Sir Philip Sidney's
+_Ourania_, 1606, which in fact is by a person of the name Backster;
+and it omits the one to which my present communication refers, and
+regarding which I am at some loss.
+
+In the late Mr. Heber's _Catalogue_, part iv. p. 10., I read as
+follows, under the name of Nicholas Breton:--
+
+ "Crossing of Proverbs. The Second Part, with certaine briefe
+ Questions and Answeres, by N.B., Gent. Extremely rare and very
+ curious, _but imperfect_. It appears to contain a portion of
+ the first part, and also of the second; but it appears to be
+ unknown."
+
+Into whose hands this fragment devolved I know not; and that is one
+point I am anxious to ascertain, because I have another fragment,
+which consists of what is evidently the first sheet of the first part
+of the tract in question, with the following title-page, which I quote
+_totidem literis_:--
+
+ "Crossing of Proverbs. Crosse-Answeres. And Crosse-Humours. By
+ B.N., Gent. At London, Printed for John Wright, and are to be
+ solde at his Shop without Newgate, at the signe of the Bible,
+ 1616."
+
+It is in 8vo., as Heber's fragment appears to have been; but then the
+initials of the author are given as N.B., whereas in my fragment they
+stand B.N., a usual inversion with Nicholas Breton; the brief address
+"To the Reader" is also subscribed B.N.; and then begins the body of
+the work, thus headed: "Crosse and Pile, or, Crossing of Proverbs." It
+opens as follows:
+
+ "_Proverb_. The more the merrier.
+ _Cross_. Not so; one hand is enough in a purse.
+ _P._ Every man loves himselfe best.
+ _C._ Not so, when man is undone by suretyship.
+ _P._ He that runnes fastest gets most ground.
+ _C._ Not so, for then foote-men would have more land than their masters.
+ _P._ He runnes far that never turnes.
+ _C._ Not so, he may breake his necke in a short course.
+ _P._ No man can call againe yesterday.
+ _C._ Yes, hee may call till his heart ake, though it never come.
+ _P._ Had I wist was a foole.
+ _C._ No, he was a foole that said so."
+
+And so it proceeds, not without humour and point, here and there
+borrowing from known sources, as in the following:--
+
+ "_Proverb._ The world is a long journey.
+ _Cros._ Not so, the sunne goes it every day.
+ _P._ It is a great way to the bottom of the sea.
+ _C._ Not so, it is but a stone's cast."
+
+However, my object is not to give specimens of the production further
+than are necessary for its identification. My queries are, 1st, Who
+bought Mr. Heber's fragment, and where is it now to be found? 2nd, Are
+any of your correspondents aware of the existence of a perfect copy of
+the work?
+
+I naturally take a peculiar interest about Nicholas Breton, because
+I have in my possession an unknown collection of amatory and pastoral
+poems by him, printed in quarto in 1604, in matter and measure obvious
+imitations of productions in "The Passionate Pilgrim," 1599, imputed
+to Shakespeare, and some of which are unquestionably by Richard
+Barnfield.
+
+Any new information regarding Breton and his works will be most
+acceptable to me. I am already in possession of undoubted proof that
+he was the Nicholas Breton whose epitaph is on the chancel-wall of the
+church of Norton, in Northamptonshire, a point Ritson seems to have
+questioned.
+
+J. Payne Collier.
+
+March 30. 1850.
+
+ * * * * *
+
+THE SWORD CALLED CURTANA.
+
+In the wardrobe account for the year 1483, are "iij swerdes, whereof
+oon with a flat poynte, {365} called _curtana_, and ij other swords,
+all iij swords covered in a yerde di of crymysym tisshue cloth of
+gold."
+
+The name of _curtana_ for many ages continued to be given to the first
+royal sword in England. It existed as long ago as the reign of Henry
+III., at whose coronation (A.D. 1236) it was carried by the Earl of
+Chester. We find it at the coronations of Edward II. and Richard II.;
+also in the time of Henry IV., Richard III., and Henry VII.; and among
+the royal arms of Edward VI. we read of "a swerde called _curtana_."
+
+Can any of your readers explain the origin of the name _curtana_,
+a sword so famous that it carries us back to the days of ancient
+chivalry, when it was wielded by the Dane _Uggiero_, or by the still
+more famed _Orlando_.
+
+Edward F. Rimbault.
+
+ * * * * *
+
+IS THE DOMBEC THE DOMESDAY OF ALFRED?
+
+I beg to propose the following "Query":--Is the _Dombec_, a work
+referred to in the Laws of Edward the Elder, the same as what has been
+called the Domesday or Winchester Book of Alfred the Great? I incline
+to think that it is not, and shall be much obliged to any of your
+correspondents, learned in the Anglo-Saxon period of our history, who
+will give himself the trouble of resolving my doubts.
+
+Sir Henry Spelman, in his Glossary _voce Dombec_, calls it the _Liber
+Judicialis_ of the Anglo-Saxons; and says it is mentioned in the first
+chapter of the laws of Edward the Elder, where the king directs his
+judges to conduct themselves in their judicial proceedings as on [Old
+English: thaere dom bec stand], that is, as _is enjoined in their Dome
+Book_.--"Quod," he continues, "an de præcedentium Regum legibus quæ
+hodie extant, intelligendum sit: an de alio quopiam libro hactenus non
+prodeunte, incertum est."
+
+But this uncertainty does not seem to have attached itself to the
+mind of Sir William Blackstone; for in the third section of the
+Introduction prefixed to his _Commentaries on the Laws of England_, he
+informs us that our antiquaries "tell us that in the time of Alfred,
+the local customs of the several provinces of the kingdom were grown
+so various, that he found it expedient to compile his _Dome Book_, or
+_Liber Judicialis_, for the general use of the whole kingdom." This
+book is said to have been extant so late as the reign of King Edward
+IV., but is now unfortunately lost. It contained, we may probably
+suppose, the principal maxims of the common law, the penalties for
+misdemeanors, and the forms of judicial proceedings. Thus much may be
+at least collected from that injunction to observe it, which we find
+in the Laws of King Edward the Elder, the son of Alfred.--"_Omnibus
+qui reipublicæ præsunt etiam atque etiam mando, ut omnibus æquos
+se præbeant judices, perinde ac in judiciali libro_ (Saxonice, [Old
+English: dom bec]) _scriptum habetur: nec quidquid formident quin
+jus commune_ (Saxonice, [Old English: folcrihte]) _audactes libereque
+dicant._"
+
+But notwithstanding this, it appears to me by no means conclusive,
+that the _Dombec_ referred to in the Laws of Edward the Elder and the
+_Liber Judicialis_ of Alfred are the same; on the contrary, Alfred's
+_Liber Judicialis_ seems to have been known not under the name
+of _Dombec_, but under that of the _Winchester Roll_, from the
+circumstance of its having been principally kept at Winchester: and
+Sir Henry Spelman says, the Domesday Book of William the Conqueror was
+sometimes called _Rotulus Wintoniæ, a similitudine antiquoris_, from
+its resemblance to an older document preserved at Winchester. And he
+quotes Ingulphus Abbot of Croyland, who says, "Iste rotulus (i.e. the
+Domesday Book of William) vocatus est Rotulus Wintoniæ, et ab Anglicis
+pro sua generalitate, omnia tenementa totius terræ integre continente
+_Domesday_ cognominatur." And the he proceeds, "Talem rotulum et
+multum similem; ediderat quondam Rex Alfredus, in quo totam terram
+Angliæ per comitatus, centurias, et decurias descripserat, sicut
+prænotatur. Qui quidem Rotulus Wintoniæ vocatus est, quia deponebatur
+apud Wintoniam conservandus," &c.
+
+Here is nothing said of this work being called [Old English: dom bec]:
+neither does Spelman, in his enumeration of the works of Alfred,
+give the least intimation that any one of his collections of laws was
+called [Old English: dom bec].
+
+We know, indeed, that Alfred compiled a code of laws for his subjects;
+but whether any part of them has been preserved, or how much of them
+is embodied in subsequent codes, cannot now be determined. Asser
+mentions that he frequently reprimanded the judges for wrong
+judgments; and Spelman, that he wrote "a book against unjust
+magistrates," but any complete body of laws, if such was ever framed
+by Alfred, is now lost; and that attributed to him in Wilkin's _Leges
+Anglo-Saxon_, is held in suspicion by most writers.
+
+For these reasons, and considering that Sir William Blackstone's
+knowledge of English history was rather superficial, I incline to the
+belief, that the [Old English: dom bec] referred to in the laws of
+Edward the Elder, was some collection of laws made _prior_ to the time
+of Alfred: this might clearly be the case, as Sharon Turner informs
+us that the Saxon laws were committed to writing as early as the
+commencement of the 7th century.
+
+The opinions of your learned correspondents on this disputed point may
+be of much interest to many of your readers, and to none more than to
+
+George Munford.
+
+East Winch.
+
+ * * * * *{366}
+
+MINOR QUERIES.
+
+_MSS. of the Wycliffite Translations of the Scriptures_.--The Add. MS.
+15,521., in the British Museum, contains a copy of Lewis's edition
+of the _Wycliffite New Testament_, printed in 1731, with manuscript
+notes by Ames and Lewis, and the former has transcribed into it some
+_additional prologues_, prefixed to each book of the New Testament,
+which had not been printed by Lewis, and were taken by Ames from a MS.
+of the New Testament, written in 1424, and in 1731 in the possession
+of Thomas Granger. It would be very desirable to learn what became of
+this MS. subsequently. Granger died in the following year, but the
+MS. does not appear in the sale catalogue of his library, nor is it
+found in the catalogue of Ames's own library, dispersed in 1760. Any
+information relative to this remarkable copy of the New Testament,
+would be very acceptable to the Editors of the _Wycliffite Versions
+of the Scriptures_, who are now, after a literary labour of more than
+twenty years, about to bring the work to a conclusion. They would
+also feel much obliged by the communication of any notices of MSS. of
+the Wycliffite versions, _existing in private hands_, exclusive of
+those copies of which they already possess descriptions, existing in
+the libraries of the following individuals:--Mrs. Allanson of Farn,
+Flintshire, the Earl of Ashburnham, Sir Thomas Phillipps, Bart., Sir
+Peregrine Ackland, Bart., Sir David Dundas, H.M. Judge Advocate, Dr.
+Cardwell, Principal of St. Alban's Hall, Oxford, and Thomas Bannister,
+Esq.
+
+F. Madden.
+
+British Museum, March 28.
+
+
+_Why are Gloves not worn before Royalty?_--Can any of your readers
+inform me what is the origin of the custom observed at Court, of
+persons in the royal presence not wearing gloves? Is it a matter of
+pure etiquette, or does the observance of it derive its origins from
+barbarous times, when chivalry was little else than barbarism in
+armour?
+
+F.E.
+
+
+_Law Courts at St. Albans_.--Can any of your correspondents give
+me the reference to a communication in the _Gentleman's Magazine_
+(between, I think, the years 1815 and 1836), in which a passage
+in Massinger, which alludes to lawyers going to St. Albans, is
+illustrated by an inscription in the nave of St. Alban's Abbey Church,
+which records that the courts were held there on account of the
+sweating-sickness in the reign of Elizabeth?
+
+[Greek: Sigma.]
+
+
+_Richard Haley, or Hales.--Milton Pedigree_.--I should feel obliged
+by any particulars respecting Richard Haley, or Hales, of Idlestreete,
+otherwise Ilstreyd, in com. Hertford, yeoman; my object being to
+ascertain the nature of some transaction he had with Milton, in July
+1674, referred to in a bond which the former executed, dated the
+27th of that month, for performance of the covenants contained in an
+indenture of even date.
+
+Is any thing known of Richard Milton, who signs his name as the
+attesting witness to the releases given by two of the poet's daughters
+for their share of his estate? Is there any pedigree of the family of
+Sir Christopher Milton, the poet's brother, drawn up with sufficient
+apparent accuracy to exclude the probability of Richard Milton being
+his son? I have referred to the pedigree in the British Museum (Harl.
+MS. 5802. fo. 19b.), which makes no mention of the letter; but it is
+evidently so imperfect a notice, as to be of little authority one way
+or other.
+
+J.F.M.
+
+
+_Sapcote Motto_.--Over the old gatehouse of Elton, co. Hunts., built
+by the family of Sapcote, is their coat of arms, namely, "three
+dove-cotes;" and upon a scroll, surrounding the lower part of the
+shield, is carved a motto, evidently French, and as evidently cut by
+a person ignorant of that language. So far as I can decypher it, the
+letters appear to be
+
+ sco toot X vinic [or umic]
+ X poncs.
+
+Possibly the first and last letters _s_ are only flourishes. I shall
+be glad of any suggestion as to its meaning.
+
+I have not been able to find the Sapcote motto on record; and I
+believe the Carysfoot family, the possessors of Elton, and the Duke
+of Bedford, the heir in blood, to be ignorant of what this scroll is
+intended to represent.
+
+Erminois.
+
+Athenæum Club.
+
+
+_Scala Coeli_.--In a will, dated 12 Hen. VIII., the testator directs
+that there shall be four trentals of Saint Gregory said for his soul
+at London at "Scala Coeli." Can any of your readers explain what place
+is meant by "Scala Coeli?"
+
+A Subscriber.
+
+
+_Illustrations of Gresset's "Vert Vert," painted on Enamel, &c._--In
+a Paris edition of Gresset's Works (Janet et Cotelle, 1823), in the
+preface is the following passage.--
+
+ "Vert-vert fut bientôt dans toutes les mains. Le suffrage de
+ la multitude se joignit à celui des connoisseurs; la mode, qui
+ est aussi en possession de donner son suffrage, s'empressa de
+ parer les ajustemens d'invention récente, du nom de l'illustre
+ perroquet; _les vases d'ornement, les vases usuels_ qui
+ sortoient des fabriques françoises, retraçoient presque tous
+ quelques épisodes du petit poëme. Un artist dont le nom est
+ venu jusqu'à nous, Raux, en _peignit sur émail les sujets
+ les plus marquants_; et tandis qu'on faisoit passer dans une
+ version latine les vers élégants du poëte jésuite, M. Bertin,
+ ministre d'état, le gratifioit d'un magnifique _cabaret_ de
+ Sèvres, dont toutes les pièces reproduisoient les aventures
+ de son héros, ce qui fit dire à Gresset, _qu'on le traduisoit
+ aussi en porcelaine de Sèvres_." {367}
+
+The _Query_ I wish to make is, Have any of these illustrations or
+designs from Gresset's poem of Vert-vert, painted on enamel china, or
+earthenware of any sort, of French or any other manufacture, come to
+light of late years? or more lately still, among the articles that
+have been dispersed among various buyers of almost all nations, in the
+sales within these few weeks effected at Paris?
+
+Robert Snow.
+
+
+_Urbanus Regius_.--A friend of mine, a delightful old lady, fresh,
+genial, and inquisitive, has in her possession an old volume, a family
+heir-loom, which is not the less dear to her for being somewhat dingy
+and dilapidated, and touching which she would gladly receive such
+information as your correspondents can supply.
+
+It is made up of three apparently distinct treatises; the first
+(of which several leaves are wanting) on the twelve articles of the
+Apostles' Creed. The second is "The ryght foundation, and pryncypall
+common places of the hole godly Scripture," &c., by Doctor Urbanus
+Regius. Prefixed is an epistle to Thomas, Archbishop of Canterbury
+(evidently Cranmer), to whom "Hys dayly oratoure, Gwalter Lynne (the
+writer of the epistle), wyssheth lyfe euerlastynge." Between this
+second treatise and the third, and apparently belonging to the latter,
+is a title-page with the following inscription:
+
+ "Imprinted for Gwalter Lynne, dwelling upon Somers Kaye, by
+ Byllinges gate. In the yeare of oure Lorde. MDXLVIII. And they
+ by [_sic_] to be solde at Poules church yarde at the north
+ doore, In the signe of the By-bell, By Richard Jugge."
+
+This last treatise is in smaller type than the others, and has no
+general designation: it contains chapters on various subjects, e.g.
+"The Signification of Baptism," &c.
+
+Query 1. Is this volume well known? 2. Who were Urbanus Regius and
+Walter Lynne?
+
+G.P.
+
+March 16. 1850.
+
+ * * * * *
+
+
+REPLIES.
+
+THE ARABIC NUMERALS AND CIPHER.
+
+I might, with a little more consideration, have referred "E.V." to
+several other authorities which he will do well to consult.
+
+9. Wallis's _Algebra_, p. 9. and p. 153. of the additions.
+
+10. _Phil. Trans._, Nos. 439. and 475.
+
+11. Montucla, _Histoire des Mathématiques_, tom. i. chap. 2.
+
+12. Baillie, _Histoire de l'Astronomie_.
+
+13. Delambre[1], _Hist. de l'Astr. du moyen age_.
+
+14. Hutton's _Tracts_ (8vo. ed. 1812.), vol. ii. (subject "History of
+Algebra")
+
+15. Huet, _Demonstratio Evangelica_.
+
+16. Dr. John Taylor's Translation of the _Lilawati_. (Bombay, 1816.)
+
+17. Strachey's Translation of the _Bija Ganita_[2].
+
+18. Colebrooke's _Algebra of the Hindus_.
+
+Would it not be worth while to give a _facsimile_ of the "Tabel for
+all manere of merchauntes," in the "Notes and Queries"? It is not only
+a curiosity, but an important element (and unique as far as is known)
+in the philosophic history of our arithmetic. It was, no doubt, an
+actual instrument in constant use in the merchant's office, as much so
+as an almanac, interest-tables, a "cambist" and a copying-press, are
+now.
+
+As regards the cipher, the difficulty only commenced with _writing
+numbers_ in the new symbology. With persons accustomed to the use
+of this instrument, there is no doubt that the mode of obviating the
+difficulty of "keeping the place," would suggest itself at once. In
+this instrument an empty hole (without its peg) _signified_ "none of
+this denomination." What then more simple than to make the outline
+of the empty hole which occupied the "local position" of any
+denomination, when none of that precise denomination occurred in the
+number itself? Under this view the process at least becomes simple
+and natural; and as the early merchants contributed so largely to the
+improvement of our arithmetical processes, such a conclusion is wholly
+divested of improbability on any other ground. The circle would then
+naturally become, as it certainly has practically become, the most
+appropriate symbol of _nothingness_.
+
+As regards the term _cipher_ or _zero_ (which are so obviously the
+same as to need no remark), it is admitted on all hands to be derived
+from one or other of the Semitic languages, the Hebrew or the Arabic.
+It is customery with the mathematical historians to refer it to the
+Arabic, they being in general more conversant with it than with the
+Hebrew. The Arabic being a smaller hand than the Hebrew, a dot was
+used instead of the circle for marking the "place" at which the hiatus
+of any "denomination" occurred. If we obtained our cipher from this,
+it would be made hollow (a mere _ceinture_, girdle, or ring) to
+save the trouble of making a dot sufficiently large to correspond in
+magnitude with our other numerals as we write them. Either is alike
+possible--probability must be sought, for either over the other, from
+a slightly different source.
+
+The root-words in Hebrew and in Arabic are precisely the same
+(_ts-ph-r_), though in the two {368} languages, and at different ages
+of the same language, they might have been vowelised differently.
+In some shape or other, this name is used in all countries that have
+derived their arithmetic from mediæval Italy, or from the Saracens. It
+is with some _cipher_, with others _chiffre_, and with all _zero_. The
+word is certainly no more Italian than it is French or English. Be it
+remembered, too, that _ezor_ (quoted at p. 268.), as a _girdle_, is
+radically the same word, somewhat mutilated. The cardinal meaning of
+the word (denuded of the conventional accretions of signification,
+which peculiar applications of it adds to the cardinal meaning)
+appears to be _emptiness_, _hollowness_, _nothingness_. It may be
+further remarked, that in the fine Chartres MS. of Boetius, described
+by Chasles, the 0 is called _sipos_:--the same name, he remarks,
+that Graves found in use in the East. The modern Turks call the 0,
+_tsifra_.
+
+It is curious enough that in all languages, the term _ciphering_ is
+popularly used to denote all arithmetical operations whatever.
+Our schoolboys do their "ciphering," and write carefully in their
+"ciphering-books." This all seems to point to the art of dispensing
+with the use of the abacus or counting table.
+
+T.S.D.
+
+Shooter's Hill, March 5.
+
+[1] The best account, because the most consistent and
+intelligible, of the Greek arithmetic, is that by Delambre, affixed to
+Peyraud's edition of Archimedes.
+
+[2] At a period of leisure I may be tempted to send you a few
+extracts, somewhat curious, from some of the papers of Mr. Strachey in
+my possession.
+
+
+_Arabic Numerals_.--I had replied to "E.V." (No. 15. p. 230.), when
+I saw by your "Notice to Correspondents," that the question was
+answered. I therefore waited the publication of the replies, which I
+find do not embrace any one of the points to which I would call the
+attention of "E.V."--Diophantus of Alexandria, who flourished about
+150 years after Christ, and who wrote thirteen books of algebra or
+arithmetic in the Greek language, is generally supposed to be the
+oldest writer on the subject that has come down to our time; but it
+was not from him that we received the knowledge of algebra in Europe.
+It appears certain that the first knowledge of this science in
+England was from Italy or Spain, after the Moors settled in the latter
+country; and the Arabians and Persians appear to have derived their
+arithmetical method of computing by ten characters from the Indians:
+who, in their turn, have most probably borrowed from the Chinese, and
+improved on their method by the adoption of a zero, which was one of
+the most important improvements effected by the Hindoos. In China,
+the words ancient and modern are almost synonymous; their usages
+and customs being so unchangeable, as appears by their instrument
+of computation, the _swanpan_, which is still used in all their
+calculations. The Oriental scholar will find much curious and
+interesting information connected with this subject in the Sanscrit
+_Vija Ganita_ and _Lilivati_ of Bhaskara Acharya: the former
+was translated into Persian at Agra, or Delhi, in 1634, and the
+latter by Fyzee in 1587; but there are also English translations,
+all of which are in the library of the Royal Asiatic Society. The
+_Khalasah-ul-Hisah_ is another work of repute in India. Mr. Strachey
+wrote and printed in India, for the _Asiatic Researches_, a valuable
+paper, which contains most conclusive evidence of the Indian (if not
+Chinese) origin of our numerals. See also _Astronomie Indienne_,
+of M. Bailly; 2d vol. _Asiatic Researches_, "On the Astronomical
+Computations of the Hindoos," by Saml. Davis; "Two Dissertations on
+Indian Astronomy and Trigonometry," by Professor Playfair, in the 2d
+and 4th vols. of the _Edinburgh Philosophical Transactions_. And many
+others might be referred to; but all tending to prove that our numbers
+came originally from China and India, through Persia, Arabia, Africa,
+Spain, and Italy, by gradual and successive changes in form, several
+of them still retaining a close resemblance to the ancient and modern
+Sanscrit, Chinese, Arabic, Persian, and Hindoo numerals.
+
+Henry Wilkinson.
+
+ * * * * *
+
+REPLIES TO MINOR QUERIES.
+
+I send you a few Notes on Queries scattered through some of the later
+numbers of your very valuable publication:
+
+_Anonymous Ravennas_.--In the library of the Royal Geographical
+Society, I believe there is a copy of an 8vo. edition of that
+cosmography.
+
+_Selago_.--This plant, I should think it probable, is the _Lycopodium
+clavatum_ of modern botanists; the seeds of which, when ripe, and when
+the plant is struck, rise like smoke ("fumum" of Pliny), and may have
+been supposed, from their remarkable inflammability when dashed into
+a flame, igniting with a sudden flash, to have possessed wonderful
+virtues. The species known as _Lycopodium selago_ is rare in
+comparison to the other.
+
+_Portugal_.--In the library of the Geographical Society are some of
+the more recent works published in Lisbon on the topography of that
+country, but they are generally very meagre and unsatisfactory. In a
+periodical published in Lisbon in numbers, on the plan of the _Penny
+Magazine_, there is a good deal of information, with engravings,
+regarding many places of interest in Portugal. I think it is called
+_The Album_, but I am sorry I have not at present the power of sending
+you more correct particulars concerning it. It is in 4to.
+
+Portugal is a country that is so little travelled in either by natives
+or foreigners, that information regarding places in the interior
+is not easily obtained; and facilities for travelling, as well as
+accommodation for travellers, is of a very limited description.
+
+_Sir Roger de Coverley_.--In one of your early numbers was a query on
+this subject, which I do not think has been yet answered. I have a MS.
+{369} account of the family of Calverley, of Calverley, in Yorkshire,
+an autograph of Ralph Thoresby in the year 1717, in which occurs the
+following passage:--
+
+ "_Roger_, so named from the Archbishop" (of York), "was
+ a person of renowned hospitality, since, at this day, the
+ obsolete known tune of _Roger a Calverley_ is referred to
+ him, who, according to the custom of those times, kept his
+ _minstrells_, from that their office named _harpers_, which
+ became a family and possessed lands till late years in and
+ about _Calverley_, called to this day _Harpersroids_ and
+ _Harper's Spring_.... He was a knight, and lived in the time
+ of K. Richard 1st. His seal, appended to one of his charters,
+ is large, with a chevalier on horseback."
+
+W. CALVERLEY TREVELYAN.
+
+ * * * * *
+
+DERIVATIONS OF "NEWS."
+
+It is not declared with what motive "Mr. GUTCH" (No. 17. p. 270.) has
+laid before the readers of "NOTES AND QUERIES" the alleged derivation
+of N.E.W.S.
+
+It must therefore be supposed, that his object was to have its
+justness and probability commented upon; and it is quite time that
+they should be so, since the derivation in question has of late become
+quite a favourite authoritative dictum with etymology compilers.
+Thus it may be found, in the very words and form adopted by your
+correspondent, in Haydn's _Dictionary of Dates_, and in other
+authorities of equal weight.
+
+This sort of initial-letter derivation was probably brought into
+fashion in England by the alleged origin of "Cabal," or, perhaps, by
+the many guesses at the much disputed word "Æra." I shall take the
+liberty of quoting a few sentences with reference to such etymologies,
+_as a class_, which I find in an unpublished manuscript upon a kindred
+subject.
+
+ "Besides, such a splitting up of a word of significant and
+ perfect meaning in itself is always a bad and suspicious mode
+ of derivation.
+
+ "It is generally an after-thought, suggested by some
+ fortuitous or fancied coincidence, that appropriateness of
+ which is by no means a sufficient proof of probability.
+
+ "Of this there can scarcely be a better example than the
+ English word 'news,' which, notwithstanding the felicity of
+ its supposed derivation from the four cardinal points, must,
+ nevertheless, so long as the corresponding words 'nova,'
+ 'nouvelles,' &c. exist, be consigned to its more sober and
+ common-place origin in the adjective '_new_.'"
+
+To this it must be added that the ancient orthography of the word
+_newes_, completely upsets the derivation Mr. Gutch has brought before
+your readers. Hone quotes from "one Burton, printed in 1614: 'if any
+one read now-a-days, it is a play-book, or _a pamphlet_ of _newes_."
+
+I had been in two minds whether or not to send this communication,
+when the scale is completely turned by the apropos occurrence of a
+corroboration of this latter objection in "NOTES AND QUERIES" of this
+day. Mr. Rimbault mentions (at p. 277.), "a rare black letter volume
+entitled _Newes from Scotland_, 1591."
+
+Here is one more proof of the usefulness of your publication, that I
+am thus enabled to strengthen the illustration of a totally different
+subject by the incidental authority of a fellow correspondent.
+
+A.E.B.
+
+Leeds, March, 1850.
+
+ * * * * *
+
+REPLIES TO MINOR QUERIES.
+
+_Swot_ is, as the querist supposes, a military cant term, and
+a sufficiently vulgar one too. It originated at the great
+slang-manufactory for the army, the Royal Military College, Sandhurst.
+You may depend upon the following account of it, which I had many
+years ago from the late Thomas Leybourne, F.R.S., Senior Professor of
+Mathematics in that college.
+
+One of the Professors, Dr. William Wallace, in addition to his being a
+Scotchman, had a bald head, and an exceedingly "broad Scotch" accent,
+besides a not very delicate discrimination in the choice of his
+English terms relating to social life. It happened on one hot summer's
+day, nearly half a century ago, that he had been teaching a class,
+and had worked himself into a considerable effusion from the skin. He
+took out his handkerchief, rubbed his head and forehead violently, and
+exclaimed in his Perthshire dialect,--"_It maks one swot_." This was
+a God-send to the "gentlemen cadets," wishing to achieve a notoriety
+as wits and slangsters; and mathematics generally ever after became
+_swot_, and mathematicians _swots_. I have often heard it said:--"I
+never could do _swot_ well, Sir;" and "these dull fellows, the
+_swots_, can talk of nothing but triangles and equations."
+
+I should have thought that the _sheer disgustingness_ of the
+idea would have shut the word out of the vocabularies of English
+_gentlemen_. It remains nevertheless a standard term in the vocabulary
+of an English soldier. It is well, at all events, that future ages
+should know its etymology.
+
+T.S.D.
+
+
+_Pokership_, (_antè_, pp. 185. 218. 269. 282. 323, 324.)--I am sorry
+to see that no progress has yet been made towards a satisfactory
+explanation of this office. I was in hopes that something better than
+mere conjecture would have been supplied from the peculiar facilities
+of "T.R.F." "W.H.C." (p. 323.) has done little more than refer to the
+same instruments as had been already adverted to by me in p. 269.,
+with the new reading {370} of _poulterer_ for poker! With repect to
+"T.R.F.'s" conjecture, I should be more ready to accept it if he
+could produce a single example of the word _pawker_, in the sense of
+a hog-warden. The quotation from the Pipe-roll of John is founded on
+a mistake. The entry occurs in other previous rolls, and is there
+clearly explained to refer to the _porter of Hereford Castle_. Thus,
+in Pipe 2 Hen. II. and 3 Hen. II. we have, under Hereford,
+
+ "In liberatione portarii castelli ... 30s. 5d."
+
+In Pipe 1 Ric. I. we have,
+
+ "In liberatione constitutâ portarii de Hereford, 30s. 5d."
+
+Again, in Pipe 3 Joh.
+
+ "In liberatione constitutâ portario de Hereford, 30s. 5d."
+
+A similar entry is to be found in other rolls, as well printed as
+inedited. I could indulge some other criticisms on the communication
+of your correspondent in Spring Gardens, but I prefer encouraging
+him to make further inquiries, and to produce from the records in
+his custody some more satisfactory solution of the difficulty. In the
+meantime, let me refer to a Survey of Wrigmore Castle in the Lansdowne
+Collection, No. 40. fo. 82. The surveyor there reports, that the
+paling, rails, &c. of the park are much decayed in many and sundry
+places, and he estimates the repairs, with allowance of timber from
+the wood there, "by good surveye and oversight of the _poker_ and
+other officers of the said parke," at 4l. The date of the survey is 13
+May, 1584.
+
+Comparing this notice of the office with the receiver's accounts
+tempore Hen. VII. and Hen. VIII. (_antè_, p. 269.), in which the
+officer is called "pocarius omnium boscorum," I cannot doubt that his
+duty, or at least one of his duties, was that of woodward, and that,
+as such, he assigned timber for repair of the premises. How he came by
+his local title and style of poker is a mystery on which we have all
+hitherto failed to throw any light.
+
+E.S.
+
+
+_Vox Populi Vox Dei_,--about the origin of which saying "QUÆSITOR"
+asks (No. 21. p. 321.),--were the words chosen by the Archbishop of
+Canterbury, Simon Mepham, as his text for the sermon which he preached
+when Edward III. was called to the throne, from which the nation had
+pulled down his father, Edward II. This we learn from Walsingham, who
+says:
+
+ "Archiepiscopus verò Cantuariæ præsenti consensit electioni,
+ ut omnes prælati et archiepiscopus quidem assumpto themate,
+ _Vox populi Vox Dei_, sermonem fecit populo, exhortans
+ omnes ut apud regem regum intercederent pro electo."--Tho.
+ Walsingham, _Hist. Angl._ ed. Camden, p. 126.
+
+DANIEL ROCK.
+
+
+_A living Dog better than a dead Lion_.--I no not know whether your
+correspondent (No. 22. p. 352.) ever goes to church; but if he is not
+prevented by rain next St. Swithin's day, he will learn who was the
+author of this proverb. It will be a good thing, if your work should
+sometimes lead your readers to search the Scriptures, and give them
+credit for wisdom that has flowed from them so long, and far, and
+wide, that its source is forgotten; but this is not the place for a
+sermon, and I now only add, "here endeth the first lesson" from
+
+ECCLESIASTES.
+
+ ["J.E.," "D.D.," and other correspondents, have also replied
+ to this Query by references to Eccl. ix. 4.]
+
+
+_Curious Monumental Brass_ (No. 16. p. 247.)--If "RAHERE" will turn to
+Mr. Boutell's _Monumental Brasses and Slabs_, p. 148., he will there
+find a description as well as an engraving of what, from his account,
+I doubt not he will discover to be the identical fragment to which he
+refers. A foot legend, and what remains of a border inscription, is
+added to it. In the above work, pp. 147 to 155, and in the Oxford
+Architectural Society's _Manual for the Study of Brasses_, p. 15.,
+"RAHERE" will find an account and references to numerous examples of
+palimpsest brasses, to which class the one in question belongs.
+
+I presume that "RAHERE" is a young brass-rubber, or the fact of a
+plate being engraved on both sides would have presented no difficulty
+to him.
+
+ARUN.
+
+ [We have received several other replies to this Query,
+ referring to Mr. Boutell's _Monumental Brasses_: one from
+ "W."; another from "A CORNISHMAN," who says,--
+
+ "The brass in question, when I saw it last, had been
+ removed from the Rectory and placed in the tomb of Abbot
+ Wheathampstead, in company with the famous one of Thomas
+ Delamere, another Abbot of St. Albans."
+
+ Another from "E.V.," who states,--
+
+ "Other examples are found at St. Margaret's, Rochester (where
+ the cause of the second engraving is found to be an error in
+ costume in the first), St. Martins at Plain, Norwich, Hedgerly
+ Church, Bucks, and Burwell Church, Cambridgeshire. Of this
+ last, an engraving and description, by Mr. A.W. Franks,
+ is given in the fourteenth part of the Publications of the
+ Cambridge Antiquarian Society."
+
+ One from "WILLIAM SPARROW SIMPSON," who says,--
+
+ "It is also described in the Oxford Architectural Society's
+ _Manual of Mon. Brasses_, No. 6. pp. 6, 7. other examples of
+ which occur at Rochester, Kent, and at Cobham, Surrey. A small
+ plate of brass, in the possession of a friend, has on one side
+ a group of children, and on the reverse the uplifted hands of
+ an earlier figure."
+
+ And lastly, one from "A.P.H." (to which we cannot do ample
+ justice, as we do not keep an engraver), from which we extract
+ the following passages:--
+
+ "A friend of mine has a shield in his possession, taken from
+ a slab, and which has been enamelled. It is of late date
+ and rudely executed. On the back is {371} seen the hands and
+ breast of a small female figure, very nearly a century earlier
+ in date. I can also remember an inscription in Cuxton Church,
+ Kent, which was loose, and had another inscription on the back
+ in the same manner.
+
+ "I am very much impressed with the idea that the destroyed
+ brasses never had been used at all; but had been engraved,
+ and then, from circumstances that of course we cannot hope to
+ fathom, thrown on one side till the metal might be used for
+ some other purpose. This, I think, is a more probable, as well
+ as a more charitable explanation than the one usually given of
+ the so-called palimpsest brasses."]
+
+
+_Chapels_ (No. 20. p. 333.).--As to the origin of the name, will you
+allow me to refer Mr. Gatty to Ducange's _Glossary_, where he will
+find much that is to his purpose.
+
+As to its being "a legal description," I will not undertake to
+give an opinion without a fee; but I will mention a fact which may
+assist him in forming one. I believe that fifty years ago the word
+_Chapel_ was very seldom used among those who formed what was termed
+the "Dissenting Interest;" that is, the three "denominations" of
+Independents, Baptists, and Presbyterians. But I well recollect
+hearing, from good authority, nearly, or quite, forty years ago, that
+an eminent barrister (whom I might now describe as a late learned
+judge), who was much looked up to by the dissenters as one of their
+body, had particularly advised that in all trust-deeds relating to
+places of dissenting worship, they should be called "Chapels." I do
+not know that he assigned any reason, but I know that the opinion was
+given, or communicated, to those who had influence; and, from my own
+observation, I believe that from about that time we must date the
+adoption of the term, which has now been long in general use.
+
+I do not imagine that there was any idea of either assistance
+or opposition to the Church of England, in the mind of him who
+recommended, or those who adopted, the alteration, or that either
+of them expected or sought any thing by this measure but to obtain
+a greater security for property, or, rather, to avoid some real
+or imagined insecurity, found or supposed to attach to the form of
+description previously in use.
+
+A BARRISTER.
+
+
+_Forlot, Forthlot_ (No. 20. p. 320.).--A measure of grain used
+throughout Scotland at present--query _fourthlot_. See Jamieson's
+_Etymological Dictionary of the Scottish Language_.
+
+ "_Firlot; Fyrlot; Furlet_.--A corn measure in S., the fourth
+ part of a boll.
+
+ "Thay ordainit the boll to mat victual with, to be devidit
+ in foure partis, _videlicet_, foure _fyrlottis_ to contene
+ a boll; and that _fyrlot_ not to be maid efter the first
+ mesoure, na efter the mesoure now usit, bot in middill mesoure
+ betwixt the twa."--_Acts Jac._ l. 1526. c. 80. edit. 1566.
+
+ "--Ane furme, ane furlet,
+ Ane pott, ane pek."
+
+ Bannatyne _Poems_, p. 159.
+
+Skinner derives it from A.-S. _feower_, quatuor; and _lot_, _hlot_,
+portio (the fourth part); Teut. "_viertel_."
+
+J.S.
+
+
+_Loscop_ (No. 20. p. 319).--To be "Louecope-free" is one of the
+immunities granted to the Cinque Ports in their charters of Liberties.
+
+Jeakes explains the term thus:--
+
+ "The Saxon word Cope (in Low Dutch still Kope or Koope), for
+ trade or merchandising, makes this as much as to trade freely
+ for love. So that by no kind of monopoly patent, or company or
+ society of traders or merchants, the portsmen be hindered from
+ merchandising; but freely and for love, be permitted to trade
+ and traffick, even by such company of merchants, whenever it
+ shall happen their concerns lie together."
+
+In my MSS., and in the print of Jeakes, it is "Louecope," with which
+"Lofcope" may be readily identified; and _f_ may easily be misread for
+_s_, especially if the roll be obscured.
+
+If Jeakes's etymology of the word be correct, the inference would
+rather be that "Lovecope" was a tax for the goodwill of the port
+at which a merchant vessel might arrive; a "port duty" in fact,
+independent of "lastage" &c., chargeable upon every trader that
+entered the port, whatever her cargo might be. And the immunities
+granted to the portsmen were that they should be "port duty free."
+
+I do not venture to offer this as any thing more than a mere guess.
+Among your contributors there are many more learned than myself in
+this branch of antiquarian lore, who will probably be able to give
+a more correct interpretation, and we shall feel obliged for any
+assistance that they can give us in elucidating the question.
+
+"Lovecope" might perhaps be the designation of the association of
+merchants itself, to which Jeakes alludes; and the liberty of forming
+such association, with powers of imposing port duties, may have been
+dependent on special grant to any port by royal charter, such as that
+which forms the subject of your correspondent's communication.
+
+After all, perhaps, "Lovecope" was the word for an association of
+merchants; and "Louecope-free" is to be freed from privileged taxation
+by this body.
+
+L.B.L.
+
+
+_Smelling of the Lamp_ (No. 21. p. 335.).--"X." will find the
+expression [Greek: Illuchnion ozein] attributed to Pytheas by Plutarch
+(_Vit. Demosth._, c. 8.).
+
+J.E.B. MAYOR.
+
+
+_Anglo-Saxon MS. of Orosius_ (No. 20. p. 313.).--It may gratify Mr.
+Singer to be informed that the Lauderdale MS., formerly in the library
+at Ham House, is now preserved, with several other {372} valuable
+manuscripts and books, in the library at Helmingham Hall, Suffolk, the
+seat of the Tollemache family.
+
+M.
+
+
+_Golden Frog_.--Ingenious as is the suggestion of "R.R." (No. 18. p.
+282.), that Sir John Poley stuck a golden frog in his ear from his
+affection for _tadpoles_, I think "R.R.'s" "Rowley Poley" may be
+dismissed with the "_gammon_ and spinach" of the amorous frog to which
+he alludes.
+
+Conceiving that the origin of so singular a badge could hardly fail to
+be commemorated by some tradition in the family, I have made inquiry
+of one of Sir John Poley's descendants, and I regret to hear from him
+that "they have no authentic tradition respecting it, but that they
+have always believed that it had some connection with the service Sir
+John rendered in the Low Countries, where he distinguished himself
+much by his military achievements." To the Low Countries, then, the
+land of frogs, we must turn for the solution of the enigma.
+
+Gastras.
+
+Cambridge, March 9.
+
+
+_Sword of Charles I._--Mr. Planché inquires (No. 12. p. 183.), "When
+did the real sword of Charles the First's time, which, but a few years
+back, hung at the side of that monarch's equestrian figure at Charing
+Cross, disappear?"--It disappeared about the time of the coronation
+of Her present Majesty, when some scaffolding was erected about the
+statue, which afforded great facilities for removing the rapier (for
+such it was); and I always understood it found its way, by some means
+or other, to the Museum, so called, of the notoriously frolicsome
+Captain D----, where, in company with the wand of the Great Wizard of
+the North, and other well-known articles, it was carefully labelled
+and numbered, and a little account appended of the circumstances of
+its acquisition and removal.
+
+John Street.
+
+ [Surely then Burke was right, and the "Age of Chivalry is
+ past!"--Otherwise the idea of _disarming a statue_ would never
+ have entered the head of any Man of Arms, even in his most
+ frolicsome of moods.]
+
+
+_John Bull_.--_Vertue MSS._--I always fancied that the familiar name
+for our countrymen, about the origin of which "R.F.H." inquires (No.
+21. p. 336.), was adopted from Swift's _History of John Bull_, first
+printed in 1712; but I have no authority for saying so.
+
+If the Vertue MSS. alluded to (No. 20. p. 319.) were ever returned by
+Mr. Steevens to Dr. Rawlinson, they may be in the Bodleian Library, to
+which the Doctor left all his collections, including a large mass of
+papers purchased by him long after Pepys' death, as he described it,
+"Thus et odores vendentibus."
+
+These "_Pepys_ papers," as far as I can recollect, were very
+voluminous, and relating to all sorts of subjects; but I saw them in
+1824, and had only then time to examine and extract for publication
+portions of the correspondence.
+
+Braybrooke.
+
+Audley End, March 25.
+
+
+_Vertue's Manuscripts_.--The MS. quoted under this title by Malone
+is printed entire, or rather all of it which refers to plays, by Mr.
+Peter Cunningham, in the _Papers of the Shakspeare Society_, vol. ii.
+p. 123., from an interleaved copy of Langbaine. Since the publication
+of that paper, the entries relating to Shakspeare's plays have been
+given from the original MS. in the Bodleian Library, in Halliwell's
+_Life of Shakspeare_, p. 272.
+
+S.L.
+
+
+_Vertue's MSS_. (No. 20. p. 319.) were in Horace Walpole's possession,
+bought by him, I think, of Vertue's widow; and his _Anecdotes of
+Painting_ were chiefly composed from them, as he states, with great
+modesty, in his dedication and his preface. I do not see in the
+Strawberry-Hill Catalogue any notice of "Vertue's MSS.," though some
+vols. of his collection of engravings were sold.
+
+C.
+
+
+_Lines attributed to Tom Brown_.--In a book entitled _Liber
+Facetiarum, being a Collection of curious and interesting Anecdotes_,
+published at Newcastle-upon-Tyne, by D. Akenhead & Sons, 1809, the
+passage attributed to Tom Brown by your correspondent "J.T." is given
+to Zacharias Boyd.
+
+The only reference given as authority for the account is the initials
+H.B.
+
+ "Zacharias Boyd, whose bust is to be seen over the entrance
+ to the Royal College in Glasgow, while Professor in that
+ university, translated the Old and New Testament into Scotch
+ Metre; and, from a laudable zeal to disseminate religious
+ knowledge among the lower classes of the community, is said to
+ have left a very considerable sum to defray the expense of the
+ said work, which, however, his executors never printed."
+
+After a few specimens, the account goes on
+
+ "But the highest flight of his Muse appears in the following
+ _beautiful Alexandrine_:
+
+ "And was not Pharaoh a saucy rascal?
+ That would not let the children of Israel, their wives
+ And their little ones, their flocks and their herds, go
+ Out into the wilderness forty days
+ To eat the Pascal.
+
+ "H.B."
+
+Speaking of Zachariah Boyd, Granger says, (vol. ii. p. 379.):
+
+ "His translation of the Scripture in such uncouth verse as to
+ amount to burlesque, has been often quoted, and the just fame
+ of a benefactor to learning has been obscured by that cloud
+ of miserable rhymes. Candour will smile at the foible, but
+ applaud the man.
+
+ "Macure, in his account of Glasgow, p. 223., informs us he
+ lived in the reign of Charles I."
+
+H.I.
+
+Sheffield, March 9. 1850. {373}
+
+
+_Passage in Frith's Works_ (No. 20. p. 319).--This passage should be
+read, as I suppose, "Ab inferiori ad suum superius confuse distribui."
+
+It means that there would be confusion, if what is said distributively
+or universally of the lower, should be applied distributively or
+universally to the higher; or, in other words, if what is said
+universally of a species, should be applied universally to the genus
+that contains that and other species: e.g., properties that are
+universally found in the human species will not be found universally
+in the genus Mammalis, and universal properties of Mammalia wil not be
+universal over the animal kingdom.
+
+T.J.
+
+
+_Martins, the Louvain Printer_.--Your correspondent "W." (No.
+12. p. 185.) is informed, that in Falkenstein's _Geschichte der
+Buchdrucherkunst_ (Leipzig, 1840, p. 257.), Theoderich Martens,
+printer in Louvain and Antwerp, is twice mentioned. I have no doubt
+but this is the correct German form of the name. Mertens, by which he
+was also known, may very possibly be the Flemish form. His Christian
+name was also written Dierik, a short form of Dietrich, which, in its
+turn, is the same as Theodorich.
+
+NORTHMAN.
+
+
+_Master of the Revels_.--"DR. RIMBAULT" states (No. 14. p. 219.), that
+Solomon Dayrolle was appointed Master of the Revels in 1744, but does
+not know the date of his decease. It may be unknown to Dr. Rimbault,
+that Solomon Dayrolle_s_ was an intimate friend and correspondent of
+the great Lord Chesterfield: the correspondence continues from 1748
+to 1755 in the selection of Chesterfield's letters to which I am
+referring.
+
+Dayrolles, during all that period, held a diplomatic appointment from
+this country at the Hague. See Lord Chesterfield's letter to him of
+the 22d Feb. 1748, where Lord C. suggests that by being cautious he
+(Dayrolles) may be put _en train d'être Monsieur l'Envoye_.
+
+In several of the letters Chesterfield warmly and familiarly commends
+his hopeful son, Mr. Stanhope, to the care and attention of Dayrolles.
+
+I have not been able to ascertain when Dayrolles died, but the above
+may lead to the discovery.
+
+W.H. LAMMIN.
+
+
+_French Maxim_.--The French saying quoted by "R.V." is the 223rd
+of _Les Réflexions morales du Duc de la Rochefoucauld_ (Pougin,
+Paris, 1839). I feel great pleasure in being able to answer your
+correspondent's query, as I hope that my reply may be the means of
+introducing to his notice one of the most delightful authors that has
+ever yet written: one who deserves far more attention than he appears
+to receive from general readers in this degenerate age, and from whom
+many of his literary successors have borrowed some of their brightest
+thoughts. I need not go far for an illustration:
+
+ "Praise undeserved, is scandal in disguise,"
+
+is merely a condensation of,
+
+ "Louer les princes des vertus qu'ils n'ont pas, c'est leur
+ dire impunément des injures."--La Rochefoucauld, Max. 327.
+
+I believe that Pope marks it as a _translation--a borrowed
+thought--not as a quotation_. He has just before used the words "your
+Majesty;" and I think the word "_scandal_" is employed "_consulto_,"
+and alludes to the offence known in English law as "scandalum
+magnatum." Your correspondent will, of course, read the work in the
+original; in fact, he _must_ do so _per force_. A good translation
+of _Les Maximes_ is still a desideratum in English literature. I
+have not yet seen one that could lay claim even to the meagre title
+of mediocrity; although I have spared neither time nor pains in the
+search. Should any of your readers have been more fortunate, I shall
+feel obliged by their referring me to it.
+
+MELANION.
+
+
+_Endeavour_.--I have just found the following instance of "endeavour"
+used as an active verb, in Dryden's translation of Maimbourg's
+_History of the League_, 1684.
+
+ "On the one side the majestique House of Bourbon,... and on
+ the other side, that of two eminent families which endeavour'd
+ their own advancement by its destruction; the one is already
+ debas'd to the lowest degree, and the other almost reduc'd to
+ nothing."--p. 3.
+
+C. FORBES.
+
+Temple.
+
+ * * * * *
+
+
+MISCELLANIES.
+
+_Epigram by La Monnoye_.--It has been ingeniously said, that "Life is
+an epigram, of which death is the point." Alas for human nature! good
+points are rare; and no wonder, according to this wicked, but witty,
+
+ EPIGRAM BY LA MONNOYE.
+
+ The world of fools has such a store,
+ That he who would not see an ass,
+ Must bide at home, and bolt his door,
+ And break his looking glass.
+
+S.W.S.
+
+Mickleham, Dec. 10. 1849.
+
+
+_Spur Money_.--Two or three years since, a party of sappers and miners
+was stationed at Peterborough, engaged in the trigonometrical survey,
+when the officer entered the cathedral with his spurs on, and was
+immediately beset by the choristers, who demanded money of him for
+treading the sacred floor with armed heels. Does any one know the
+origin of this singular custom? I inquired of some of the dignitaries
+of the Cathedral, but they were not aware even of its existence. The
+boys, however, have more tenacious memories, at least where their
+interest is concerned; but we must not look to them for the origin of
+a {374} custom which appears to have long existed. In the _Memorials
+of John Ray_, published by the Ray Society, p. 131., there is the
+following entry in his second Itinerary:--
+
+ "July the 26th, 1661, we began our journey northwards from
+ Cambridge, and that day, passing through Huntingdon and
+ Stilton, we rode as far as Peterborough twenty-five miles.
+ There I first heard the Cathedral service. The choristers made
+ us pay money for coming into the choir with our spurs on."
+
+East Winch.
+
+ [The following note from _The Book of the Court_ will serve
+ to illustrate the curious custom referred to by our
+ correspondent:
+
+ "In _The Privy Purse Expenses of King Henry VIII._ edited by
+ Sir Harris Nicolas, there occur several entries of payments
+ made to the choristers of Windsor 'in rewarde for the king's
+ spurs'; which the editor supposes to mean 'money paid to
+ redeem the king's spurs, which had become the fee of the
+ choristers at Windsor, perhaps at installations, or at the
+ annual celebration of St. George's feast.' No notice of the
+ subject occurs in Ashmole's or Anstis's _History of the Order
+ of the Garter_. Mr. Markland, quoting a note to Gifford's
+ edition of Ben Jonson, vol. ii. p. 49., says, 'In the time
+ of Ben Jonson, in consequence of the interruptions to Divine
+ Service occasioned by the ringing of the spurs worn by persons
+ walking and transacting business in cathedrals, and especially
+ in St. Paul's, a small fine was imposed on them, called
+ "spur-money," the exaction of which was committed to the
+ beadles and singing-boys.' This practice, and to which,
+ probably, the items in Henry's household-book bear reference,
+ still obtains, or, at least, did till very lately, in the
+ Chapel Royal and other choirs. Our informant himself claimed
+ the penalty, in Westminster Abbey, from Dr. Fisher, Bishop of
+ Rochester, and received from him an eighteenpenny bank token
+ as the fine. He likewise claimed the penalty from the King
+ of Hanover (then Duke of Cumberland), for entering the choir
+ of the Abbey in his spurs. But His Royal Highness, who had
+ been installed there, excused himself with great readiness,
+ pleading 'his right to wear his spurs in that church, inasmuch
+ as it was the place where they were first put on him!'--See
+ further, _European Mag._, vol. iii. p. 16."]
+
+ * * * * *
+
+MINIMUM DE MALIS.
+
+(_FROM THE LATIN OF BUCHANAN._)
+
+ Calenus owed a single pound, which yet
+ With all my dunning I could never get.
+ Tired of fair words, whose falsehood I foresaw,
+ I hied to Aulus, learned in the law.
+ He heard my story, bade me "Never fear,
+ There was no doubt--no case could be more clear:--
+ He'd do the needful in the proper place,
+ And give his best attention to the case."
+ And this he may have done--for it appears
+ To have been his business for the last ten years,
+ Though on his pains ten times ten pounds bestow'd
+ Have not regain'd that one Calenus owed.
+ Now, fearful lest this unproductive strife
+ Consume at once my fortune and my life,
+ I take the only course I can pursue,
+ And shun my debtor and my lawyer too.
+ I've no more hope from promises or laws,
+ And heartily renounce both debt and cause--
+ But if with either rogue I've more to do,
+ I'll surely choose my debtor of the two;
+ For though I credit not the lies he tells,
+ At least he _gives_ me what the other _sells_.
+
+Rufus.
+
+ * * * * *
+
+_Epigram on Louis XIV._--I find the following epigram among some old
+papers. The emperor would be Leopold I., the king Louis XIV.
+
+_Epigram by the Emperor, 1666, and the King of France._
+
+ Bella fugis, sequeris bellas, pugnæque repugnas,
+ Et bellatori sunt tibi bella tori.
+ Imbelles imbellis amas, totusque videris
+ Mars ad opus Veneris, Martis ad arma Venus.
+
+J.H.L.
+
+
+_Macaulay's Young Levite._--I met, the other day with a rather curious
+confirmation of a passage in Macaulay's _History of England_, which
+has been more assailed perhaps than any other.
+
+In his character of the clergy, Macaulay says, they frequently
+married domestics and retainers of great houses--a statement which has
+grievously excited the wrath of Mr. Babington and other champions.
+In a little book, once very popular, first published in 1628, with
+the title _Microcosmographie, or a Piece of the World discovered_,
+and which is known to have been written by John Earle, after the
+Restoration Bishop of Worcester and then of Salisbury, is the
+following passage. It occurs in what the author calls a character of
+"a young raw preacher."
+
+ "You shall know him by his narrow velvet cape and serge
+ facing, and his ruffe, next his hire, the shortest thing
+ about him.... His friends, and much painefulnesse, may
+ preferre him to thirtie pounds a yeere, and this meanes, to
+ a chamber-maide: with whom we leave him now in the bonds of
+ wedlocke. Next Sunday you shall have him againe."
+
+The same little book contains many very curious and valuable
+illustrations of contemporary manners, especially in the universities.
+
+That the usage Macaulay refers to was not uncommon, we find from a
+passage in the _Woman-Hater_, by Beaumont and Fletcher (1607), Act
+III. Sc. 3.
+
+Lazarillo says,
+
+ "Farewell ye courtly chaplains that be there!
+ All good attend you! May you never more
+ Marry your patron's lady's waiting-woman!"
+
+I.T.
+
+Trin. Coll. Camb., March 16. 1850. {375}
+
+
+_St. Martin's Lane_.--The first building leases of St. Martin's Lane
+and the adjacent courts accidentally came under my notice lately.
+They are dated in 1635 and 1636, and were granted by the then Earl of
+Bedford.
+
+Arun.
+
+ * * * * *
+
+CHARLES DEERING, M.D.
+
+"Author of the Catalogue of Plants in the neighbourhood of Nottingham.
+'Catalogus Stirpium, &c., or a Catalogue of Plants naturally growing
+and commonly cultivated in divers parts of England, and especially
+about Nottingham,' 8vo. Nottingh. 1738.
+
+"He was in the suite of the English ambassador to Russia, returned and
+practised physic in London married unfortunately, buried his wife,
+and then went to Nottingham, where he lived several years. During
+his abode there he wrote a small _Treatise on the Small Pocks_, this
+_Catalogue of Plants_, and the _History of Nottingham_, the materials
+for which John Plumtre, Esq. of Nottingham, was so obliging as to
+assist him with. He also was paid 40l. by a London bookseller for
+adding 20,000 words to an English dictionary. He was master of seven
+languages, and in 1746 he was favoured with a commission in the
+Nottinghamshire Foot, raised at that time. Soon after died, and was
+buried in St. Peter's Churchyard.
+
+"William Ayscough, father of the printer of this _Catalogus Stirpium_
+(G. Ayscough), in 1710, first introduced the art of printing at
+Nottingham.
+
+"Mr. White was the same year the first printer at Newcastle-upon-Tyne;
+and Mr. Dicey at Northampton."--_MS. Note in the Copy of the Cat.
+Stirpium, in the Library of the British Museum_.
+
+ * * * * *
+
+
+MISCELLANEOUS.
+
+NOTES ON BOOKS, CATALOGUES, SALES, ETC.
+
+Our advertising columns already show some of the good results of the
+_Exhibition of the Works of Ancient and Mediæval Art_. Mr. Williams
+announced last week his _Historic Reliques_, to be etched by
+himself. Mr. Cundall has issued proposals for _Choice Examples of Art
+Workmanship_; and, lastly, we hear that an _Illustrated Catalogue
+of the Exhibition_, prepared by Mr. Franks, the zealous Honorary
+Secretary of the Committee, and so arranged as to form a _History of
+Art_, may be expected. We mention these for the purpose of inviting
+our friends to contribute to the several editors such information as
+they may think likely to increase the value of the respective works.
+
+The second edition of our able correspondent, Mr. Peter Cunningham's
+_Handbook of London_, is on the eve of publication.
+
+There are few of our readers but will be glad to learn from
+the announcement in a previous column, that the edition of the
+_Wickliffite Versions of the Scriptures_, upon which Sir Frederick
+Madden and his fellow labourers have been engaged for a period of
+twenty years, is just completed. It forms, we believe, three quarto
+volumes.
+
+Messrs. Puttick and Simpson lately disposed of a most select and
+interesting collection of autograph letters. We unfortunately did not
+receive the catalogue in time to notice it, which we the more regret,
+because, like all their catalogues of autographs, it was drawn up with
+amateur-like intelligence and care; so as to make it worth preserving
+as a valuable record of materials for our history and biography.
+
+We have received the following Catalogues of Books:--No. XXV. of
+Thomas Cole's (15. Great Turnstile): No. 2. for 1850, of William
+Heath's (29½ Lincoln's Inn Fields); and No. 15. of Bernard Quarritch's
+(16. Castle Street, Leicester Square) Catalogue of Oriental and
+Foreign Books.
+
+ * * * * *
+
+BOOKS AND ODD VOLUMES
+
+WANTED TO PURCHASE
+
+(_IN CONTINUATION OF LISTS IN FORMER NOS._)
+
+Mills, Rev. Isaac, of Highcleer--Account of the Life and Conversation
+of, with a Sermon, 8vo., 1721.
+
+Mykur Hazem, by Marcus, London, 1846.
+
+Poems by a Bornnatural, 1849.
+
+_ODD VOLUMES_.
+
+Proceedings of the Philological Society. Vol. I.
+
+Richardson's Correspondence, Vol. I. of the Six-Volume Ed.
+
+Todd's Johnson's Dictionary, 4to., 1819. (Part X. containing Title,
+Preface, &c.)
+
+Partington's British Cyclopædia--That portion of Natural History which
+follows Vol. I.
+
+*** Letters, stating particulars and lowest price, _carriage free_,
+to be sent to Mr. Bell, Publisher of "NOTES AND QUERIES," 186. Fleet
+Street.
+
+ * * * * *
+
+NOTICES TO CORRESPONDENTS.
+
+Burning for Treason.--Can the Correspondent who furnished us with
+a curious Note upon this subject favour us with a copy of it, the
+original having been accidentally mislaid?
+
+We are again compelled, from want of space, to omit many curious
+and interesting articles; and, after this statement, must beg our
+kind friends at Leeds, Brompton, &c., who complain of delay in the
+insertion of their communications, to do us the favour to refer to the
+notice on this very subject which appeared in our early numbers.
+
+Notes and Queries may be procured by the Trade at noon on Friday:
+so that our country Subscribers ought to experience no difficulty in
+receiving it regularly. Many of the country Booksellers are probably
+not yet aware of this arrangement, which enables them to receive
+Copies in their Saturday parcels. Part V. is now ready.
+
+ * * * * *{376}
+
+THE QUARTERLY REVIEW,
+
+No. CLXXII. is Published This Day.
+
+ CONTENTS:
+ I. GIACOMO LEOPARDI AND HIS WRITINGS.
+ II. RANKE'S HOUSE OF BRANDENBURG.
+ III. QUEEN'S COLLEGE, LONDON.
+ IV. GROTE'S HISTORY OF GREECE.
+ V. URQUHART'S PILLARS OF HERCULES.
+ VI. FACTS IN FIGURES.
+ VII. THE DUTIFUL SON.
+ VIII. CUNNINGHAM'S HANDBOOK OF LONDON.
+ IX. BAXTER'S IMPRESSIONS OF EUROPE.
+ X. LORD LIEUTENANT CLARENDON.
+ XI. LOUIS PHILIPPE.
+
+John Murray, Albemarle Street.
+
+ * * * * *
+
+NEARLY READY.
+
+[Illustration: CHOICE EXAMPLES OF ART WORKMANSHIP Selected from the
+Exhibition of ANCIENT AND MEDIÆVAL ART at the Society of Arts]
+
+A Prospectus, containing a Specimen of the Illustrations, will be sent
+on receipt of two postage stamps.
+
+Joseph Cundall, 21. Old Bond Street.
+
+ * * * * *
+
+MILLER'S CATALOGUE OF ANCIENT AND MODERN BOOKS.--NUMBER FOUR is ready
+this day, and can be had Gratis, and sent, if required, Postage Free.
+Address, John Miller, 43, Chandos Street, Trafalgar Square. This List
+embraces numerous valuable and interesting Books on English Poetry,
+the Drama, History, Biography, Voyages and Travels, &c., with the
+works of a few of the best Continental writers, a selection of
+Pictorial Books of Scenery, Costume, Topography, and Drawing-room
+Table Books.
+
+Also, on forwarding Four Postage Stamps, JOHN MILLER'S CATALOGUE OF
+BOOKS FOR THE PAST QUARTER may be had stitched in a wrapper, with
+a Table of Contents, showing at one glance the range of subjects
+embraced, amongst which may be enumerated the following, viz.,
+America, Angling, Banking and Currency, Coins, Dictionaries,
+Drawing-books, Games, Sports, &c., Heraldry, Genealogy and Family
+History, Ireland, its History and Literature, Kent, its History and
+Topography, Law, Music, its History and Theory, Painting and the Fine
+Arts, Shakspeariana, and a variety of other branches of Literature
+comprised in upwards of 1500 articles.
+
+John Miller, 43. Chandos Street, Trafalgar Square.
+
+ * * * * *
+
+THE ANGLO-SAXON, for April, Price 2s. 6d. or 3s. post-free, contains
+England and her Colonies: County Colonisation, with Maps--English
+Church Music--Christian Architecture--London: a Poem, Essay II.--The
+Alfred Medals: Three Sonnets, by Martin F. Tupper--Anglo-Saxon
+Literature: the Jubilee Edition of King Alfred's Works, with Specimens
+and Translations--Wives and Mothers--Anglo-Saxon Colonies: Victoria,
+Cooksland, Port Essington, (Papua--Timor)--Original Ballads.
+
+The ANGLO-SAXON for 1849 forms a handsome volume, price One Guinea.
+
+London: T. Bosworth, 215. Regent Street.
+
+ * * * * *
+
+Published every Saturday, price 3d., or stamped, 4d., also in Monthly
+Parts. Part V. (for March), price 1s. 3d., now ready.
+
+NOTES AND QUERIES: a Medium of Inter-communication for Literary Men,
+Artists, Antiquaries, Genealogists, &c.
+
+The attention of Publishers and Booksellers is particularly
+requested to this Periodical as a medium for advertising. It contains
+communications from the most eminent Literary Men, and is circulated
+largely amongst the best class of book-buyers.
+
+In addition to the valuable matter which will be found in its columns,
+it contains notices of Book Sales, Booksellers' Catalogues, and Lists
+of Books wanted to purchase,--features which it is believed will
+be found valuable to Dealers in Old Books, as well as useful to
+Purchasers.
+
+ SCALE OF PRICES.
+ £ s. d.
+ Six lines and under . . . . 0 5 0
+ Above six lines, per line . 0 0 6
+ Half a column . . . . . . . 0 16 0
+ Column . . . . . . . . . . 1 10 0
+ Page . . . . . . . . . . . 2 10 0
+
+***Advertisements must be sent by the Wednesday previous to the
+Saturday on which they are intended to appear; Notes and Queries
+being issued to the Trade on Friday afternoon.
+
+OPINIONS OF THE PRESS.
+
+ "As good a first number as we remember to have seen. The
+ Editor exhibits a phalanx of eminent assistants. * * There can
+ be no doubt of the value of a Literary Medium of this peculiar
+ kind."--_Athenæum_.
+
+ "We like the plan much. * * We wish success to a
+ publication which promises to be agreeable, intelligent, and
+ useful."--_Literary Gazette_.
+
+ "We feel great pleasure in welcoming into the literary
+ world this publication, which promises to fill up a void
+ that has constantly been lamented by every person engaged
+ in any particular branch of study that required experience
+ and research. * * It is a publication in which all literary
+ persons must feel a deep interest, and that has our heartiest
+ wishes for its success."--_Morning Herald_.
+
+ "This is a new periodical, with a new idea, and one that
+ deserves and will be sure to receive encouragement amongst
+ scholars and readers really deserving that appellation. * *
+ It is a capital idea; and every one who makes Notes or has
+ Queries should buy it and contribute to it."--_Weekly News_.
+
+ "That valuable publication The Notes and Queries, so
+ auspiciously commenced."--_New Bell's Messenger_.
+
+ "With whomsoever the idea of publishing this useful and
+ interesting periodical first originated, that person is
+ entitled to the thanks of every author, antiquary, and
+ scholar, in the United Kingdom. * * We recommend, in all
+ sincerity, The Notes and Queries to the attention of lovers
+ of literature in general."--_Morning Post_.
+
+London: George Bell, 186. Fleet Street.
+
+ * * * * *
+
+Just Published, Parts 13 and 14, imperial quarto. Price 3_s._
+each, tinted 4s.
+
+RELIQUES OF ANCIENT ENGLISH ARCHITECTURE, from Drawings by John
+Johnson, Architect, F.S.A., Lithographed by Alfred Newman.
+
+Contents, Part 13:--Hawton Church; Notts.--St. Mary's,
+Stamford--Aldwinkle, All Saints, Northamptonshire-Wellingborough
+Church, Northamptonshire.
+
+Part 14--Skelton Church, from the South-East and South-West--Rye
+House, Herts.--Holbeach Church, Lincolnshire.
+
+This Work is intended to embrace a series of examples of
+Ecclesiastical, Collegiate, and Domestic Architecture. It will be
+completed in Twenty Monthly Parts, price 3s. each, tinted 4s.
+
+London: George Bell, 186. Fleet Street.
+
+ * * * * *
+
+Preparing for immediate Publication, in 2 vols. small octavo.
+
+THE FOLK-LORE OF ENGLAND. By William J. Thoms, F.S.A., Secretary
+of the Camden Society, Editor of "Early Prose Romances," "Lays and
+Legends of all Nations," &c. One object of the present work is to
+furnish new contributions to the History of our National Folk-Lore;
+and especially some of the more striking illustrations of the subject
+to be found in the Writings of Jacob Grimm and other Continental
+Antiquaries.
+
+Communications of inedited Legends, Notices of remarkable Customs and
+Popular Observances, Rhyming Charms, &c. are earnestly solicited, and
+will be thankfully acknowledged by the Editor. They may be addressed
+to the care of Mr. Bell, Office of "Notes and Queries," 186. Fleet
+Street.
+
+ * * * * *
+
+Printed by Thomas Clark Shaw, of No. 8. New Street Square, at No. 5.
+New Street Square, in the Parish of St. Bride, in the City of London;
+and published by George Bell, of No. 186. Fleet Street, in the Parish
+of St. Dunstan in The West, in the City of London, Publisher, at No.
+186. Fleet Street aforesaid.--Saturday, April 6, 1850.
+
+ * * * * *
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries 1850.04.06, by Various
+
+*** END OF THE PROJECT GUTENBERG EBOOK 12505 ***
diff --git a/12505-8.txt b/12505-8.txt
new file mode 100644
index 0000000..2ad3fec
--- /dev/null
+++ b/12505-8.txt
@@ -0,0 +1,2413 @@
+The Project Gutenberg EBook of Notes and Queries 1850.04.06, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries 1850.04.06
+
+Author: Various
+
+Release Date: June 3, 2004 [EBook #12505]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.04.06 ***
+
+
+
+
+Produced by Jon Ingram, William Flis, and the Online Distributed
+Proofreading Team. With thanks to Internet Library of Early Journals.
+
+
+
+
+
+NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS,
+ANTIQUARIES, GENEALOGISTS, ETC.
+
+ * * * * *
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+ * * * * *
+
+No. 23.] SATURDAY, APRIL 6. 1850. [Price Threepence. Stamped Edition 4d.
+
+ * * * * *{361}
+
+CONTENTS.
+
+NOTES:-- Page
+ Periplus of Hanno, by R.T. Hampson 361
+ Pope Vindicated 362
+ The Supper of the Lorde 362
+ Folk Lore:--Palm Sunday Wind--Curious Symbolical Custom--The Wild
+ Huntsman 363
+ On Authors and Books, No. VI, by Bolton Corney 363
+
+QUERIES:--
+ Nicholas Breton's Crossing of Proverbs, by J.P. Collier 364
+ Sword called Curtana, by E.F. Rimbault, LL.D. 364
+ Is the Dombec the Domesday of Alfred? by George Munford 365
+ Minor Queries:--Wickliffite Versions of the Scriptures--Gloves--Law
+ Courts at St. Alban's--Milton Pedigree--Sapcote Motto--Scala Coeli,
+ &c. 366
+
+REPLIES:--
+ The Arabic Numerals and Cipher 367
+ Replies to Minor Queries, by Sir W.C. Trevelyan 368
+ Derivation of "News" 369
+ Replies to Minor Queries:--Swot--Pokership--Vox Populi--Living Dog better
+ than dead Lion--Curious Monumental Brasses--Chapels--Forthlot--Loscop--
+ Smelling of the Lamp--Anglo-Saxon MS. of Orosius--Golden Frog--Sword
+ of Charles I.--John Bull--Vertue MSS.--Lines attributed to Tom Brown,
+ &c. 369
+
+MISCELLANIES:--
+ Epigram by La Monnoye--Spur Money--Minimum de Malls--Epigram on Louis
+ XIV.--Macaulay's Young Levite--St. Martin's Lane--Charles Deering,
+ M.D. 373
+
+MISCELLANEOUS:--
+ Notes on Books, Sales, Catalogues, &c. 375
+ Books and Odd Volumes wanted 375
+ Notices to Correspondents 375
+ Advertisements 376
+
+ * * * * *
+
+PERIPLUS OF HANNO THE CARTHAGINIAN.
+
+I am not sufficiently Quixotic to attempt a defence of the
+Carthaginians on the western coast of Africa, or any where else, but
+I submit that the accusation brought against them by Mr. S. Bannister,
+formerly Attorney-General of New South Wales, is not sustained by
+the only record we possess of Hanno's colonising expedition. That
+gentleman, in his learned _Records of British Enterprise beyond Sea_,
+just published, says, in a note, p. xlvii.:--
+
+"The first nomade tribe they reached was friendly, and furnished
+Hanno with _interpreters_. At length they discovered a nation _whose
+language was unknown to the interpreters_. These strangers they
+attempted to seize; and, upon their resistance, they took three of the
+women, whom they put to death, and carried their skins to Carthage"
+(_Geogr. Græci Minores_, Paris, 1826, p. 115.).
+
+Hanno obtained interpreters from a people who dwelt on the banks
+of a large river, called the Lixus, and supposed to be the modern
+St. Cyprian. Having sailed thence for several days, and touched at
+different places, planting a colony in one of them, he came to a
+mountainous country inhabited by savages, who wore skins of wild
+beasts, [Greek: dermata thaereia enaemmenon]. At a distance of
+twelve days' sail he came to some Ethiopians, who could not endure
+the Carthaginians, and who spoke unintelligibly even to the Lixite
+interpreters. These are the people whose women, Mr. Bannister says,
+they killed. Hanno sailed from this inhospitable coast fifteen
+days, and came to a gulf which he calls [Greek: Notou Kera], or
+South Horn.
+
+ "Here," says the Dr. Hawkesworth, of Carthage, "in the gulf,
+ was an island, like the former, containing a lake, and in
+ this another island, full of wild men; but the women were
+ much more numerous, _with hairy bodies_ ([Greek: daseiai tois
+ somasin]), whom the interpreters called [Greek: gorillas].
+ We pursued the men, who, flying to precipices, defended
+ themselves with stones, and could not be taken. Three women,
+ who bit and scratched their leaders, would not follow them.
+ Having killed them, we brought their skins to Carthage."
+
+He does not so much as intimate that the creatures who so defended
+themselves with stones, or those whose bodies were covered with
+hair, spoke any language. Nothing but the words [Greek: anthropoi
+agrioi] and [Greek: gunaikes] can lead us to believe that they were
+human beings at all; while the description of the behaviour of the
+men, and the bodies of the women, is not repugnant to the supposition
+that they were large apes, baboons, or orang-outangs, common to this
+part of Africa. At all events, the voyagers do not say that they
+flayed a people having the faculty of speech.
+
+It is not, however, improbable that the Carthaginians were severe
+taskmasters of the people whom they subdued. Such I understand those
+to have been who opened the British tin mines, and who, according to
+Diodorus Siculus, excessively overworked the wretches who toiled for
+them, "wasting their bodies underground, and dying, {362} many a one,
+through extremity of suffering, while others perished under the lashes
+of the overseer." (_Bibl. Hist._ l. v. c. 38.)
+
+R.T. Hampson.
+
+ * * * * *
+
+POPE VINDICATED.
+
+"P.C.S.S." is too great an admirer of Pope not to seek to vindicate
+him from one, at least, of the blunders attributed to him by Mr. D.
+Stevens, at p. 331. of the "Notes and Queries."
+
+ "Singed are his _brows_, the scorching _lids_ grow black."
+
+Now, if Mr. S. will refer to Homer, he will find that the original
+fully justifies the use of "brows" and "lids" in the _plural_. It runs
+thus (_Od._ ix. v. 389.):
+
+ "[Greek: Panta de ui blephar amphi kai ophruas eusen autmae]."
+
+"P.C.S.S." wishes that he could equally remove from Pope the charge
+of inaccuracy respecting the _three_ cannibal meals of Polyphemus. He
+fears that nothing can be alleged to impugn Mr. Stevens's perfectly
+just criticism.
+
+While on the subject of Pope, "P.C.S.S." would wish to advert to
+a communication (No. 16. p. 246.) in which it is insinuated that
+Pope was probably indebted to Petronius Arbiter for the well-known
+passage--
+
+ "Worth makes the man, and want of it the fellow;
+ The rest is all but leather and prunella."
+
+With all respect for the ingenious author of that communication,
+"P.C.S.S." confesses that he is unable to discover such a similitude
+of expression as might warrant the notion that Pope had been a
+borrower from Petronius. He cannot suppose that Mr. F. could have been
+led away by any supposed analogy between _corium_ and _coricillum_.
+The latter, Mr. F. must know, is nothing more than a diminutive of
+a diminutive (coricillum, _not_ corcillum, from corculum); and the
+word is coined by Petronius to ridicule one of the affectations of
+Trimalchio (Nero), who was wont to indulge, to an absurd extent, in
+the use of such diminutives (_vide_ Burmann, _in loco_). "P.C.S.S."
+will now subjoin such translations of the passage in question as he
+has hitherto had opportunities of referring to. The first is from _The
+Works of Petronius Arbiter, translated by several hands_, Lond. 8vo.
+4th edit. 1714. At the beginning of the translation itself there is
+this heading--"Made English by Mr. Wilson, of the Middle Temple, and
+several others." The passage in question is thus rendered:--
+
+ "Come, my friends, let us see how merry you can be! for in my
+ time, I have been no better than yourselves; but, by my own
+ industry, I am what I am. _'Tis the heart makes the man_; all
+ the rest is but stuff!"
+
+In another translation, which, with Grub-Street audacity, the
+publisher, in his title-passage, presumes to attribute to Addison!
+and which appeared in 1736 (Lond. 8vo.), the passage is as follows:--
+
+ "I was once as you are: but now, thanks to my industry, I am
+ what I am. _It is the heart that makes the man_; all the rest
+ is but stuff!"
+
+Be the translator who he may, this version, so impudently ascribed to
+the moral Addison, is written with much spirit and power, and with a
+remarkable comprehension of the author's meaning. Some of the poetical
+fragments at the end are, indeed, singularly well done.
+
+Of the two French versions which "P.C.S.S." has examined, the one by
+Levaur (Paris, 8vo. 1726) thus translates the passage:
+
+ "Je vous prie, mes amis ... _C'est le coeur qui fait les
+ hommes; je compte le reste pour un fétu_."
+
+In that of Boispreaux (Lond. 1742), it is simply rendered--
+
+ "Mon sçavoir faire m'a tiré du pair. _C'est le coeur qui fait
+ l'homme_ ..."
+
+No attempt is made to translate the _quisquilia_.
+
+P.C.S.S.
+
+ * * * * *
+
+"THE SUPPER OF THE LORDE."
+
+I shall be glad to find that your correspondent "C.H." (No. 21. p.
+333.) receives a satisfactory answer to his inquiry, as such a reply
+would also satisfy my earlier query, No. 7. p. 109. I perceive,
+however, from his letter, that I can give him some information on
+other points noticed in it, though the absence of papers now passing
+through the press with the Parker Society's reprint of a third volume
+of Tyndale, will prevent my replying with such precision as I could
+wish. That ancient tract on "The Supper of the Lorde, after the true
+meanyng of the sixte of John," &c., of which "C.H." says he possesses
+a copy, was reprinted at different intervals with the same date, viz.,
+MCCCCCXXXIII, Apryll v., on its title-page. The original edition has a
+final colophon, stating that it was "imprinted at Nornberg, by Nielas
+Twonson," and is so rare, that I have not been able to discover the
+existence of any copy, but one recently deposited in the Bodleian.
+That "C.H.'s" copy is not a specimen of that first edition, is
+apparent from two circumstances. The first is, that he has given you
+a quotation from his copy as follows:--"And as for M. More, whom the
+verity most offendeth, and doth but mocke it," whereas the original
+edition has, "And as for M. Mocke," &c., and Sir Thomas More notices
+this mockage of his name in his reply. The next is, that his copy
+contains "Crowley's Epistle to the Reader," which does not appear in
+any edition of an earlier date than 1551. When first attached to this
+treatise, the epistle was anonymous, as may be seen in the Lambeth
+copy; but Crowley eventually {363} affixed his name to the epistle,
+as it appears in "C.H.'s" and in other copies. Robert Crowley was a
+fellow of Magdalen College, Oxford; vicar of St. Giles, Cripplegate;
+a printer and publisher; but to his singular combination of titles, we
+cannot add that of author of the treatise in question. "C.H." has seen
+that he did not enter Oxford till 1534; and in his Prefatory Epistle,
+Crowley speaks of the author of the treatise as a person distinct from
+himself.
+
+I do not wish, however, to be considered as positively affirming the
+treatise to be Tyndale's. Foxe, the martyrologist, edited Tyndale's
+works for Day, and he has only said that this treatise was "compiled,
+as some do gather, by M. Wm. Tyndale, because the method and phrase
+agree with his, and the time of writing are [sic] concurrent." On the
+other hand, the authorship is unhesitatingly assigned to Tyndale by
+Mr. C. Anderson (_Annals of the English Bible_, §ix. _ad finem_),
+and by Mr. Geo. Offer (_Mem. of Tyndale_, p. 30.), the two most
+pains-taking and best informants as to his works. But still there are
+objections of such force, that I must confess myself rather inclined
+to attribute the treatise to Joy's pen, if I could but be satisfied
+that he was capable of writing so correctly, and of keeping so clear
+of vulgarity in a controversy with a popish persecutor.
+
+H.W.
+
+ * * * * *
+
+FOLK LORE.
+
+_Palm Sunday Wind_.--It is a common idea among many of the farmers and
+labourers of this immediate neighbourhood, that, from whatever quarter
+the wind blows for the most part on Palm Sunday, it will continue
+to blow from the same quarter for the most part during the ensuing
+summer.
+
+Is this notion prevalent in other parts of the country, as a piece of
+"Folk-Lore?"
+
+R.V.
+
+Winchester, March 26.
+
+
+_Curious Symbolical Custom_.--On Saturday last I married a couple in
+the parish church. An old woman, an aunt of the bridegroom, displeased
+at the marriage, stood at the church gate and pronounced an anathema
+on the married pair. She then bought a new broom, went home, swept
+her house, and hung the broom over the door. By this she intimated her
+rejection of her nephew, and forbade him to enter her house. Is this a
+known custom? What is its origin?
+
+H. Morland Austen.
+
+St. Peter's, Thanet, March 25. 1850.
+
+
+_The Wild Huntsman_.--The interesting contributions of your
+correspondent "Seleucus," on "Folk Lore," brought to my recollection
+the "Wild Huntsman" of the German poet, Tieck; of whose verses on that
+superstitious belief, still current among the imaginative peasantry of
+Germany, I send you a translation, _done into English_ many years ago.
+The Welsh dogs of Annwn, or "couriers of the air"--the spirit-hounds
+who hunt the souls of the dead--are part of that popular belief
+existing among all nations, which delivers up the noon of night to
+ungracious influences, that "fade on the crowing of the cock."
+
+
+"THE WILD HUNTSMAN.
+
+ "At the dead of the night the Wild Huntsman awakes,
+ In the deepest recess of the dark forest's brakes;
+ He lists to the storm, and arises in scorn.
+ He summons his hounds with his far-sounding horn;
+ He mounts his black steed; like the lightning they fly
+ And sweep the hush'd forest with snort and with cry.
+ Loud neighs his black courser; hark his horn, how 'tis swelling!
+ He chases his comrades, his hounds wildly yelling.
+ Speed along! speed along! for the race is all ours;
+ Speed along! speed along! while the midnight still lours;
+ The spirits of darkness will chase him in scorn,
+ Who dreads our wild howl, and the shriek of our horn,
+ Thus yelling and belling they sweep on the wind,
+ The dread of the pious and reverent mind:
+ But all who roam gladly in forests, by night,
+ This conflict of spirits will strangely delight."
+
+J.M.
+
+Oxford, March 13.
+
+ * * * * *
+
+ON AUTHORS AND BOOKS, NO. VI.
+
+In the union of scholarship, polished manners, and amiability of
+character, we have had few men to surpass the reverend Joseph Spence.
+His career was suitable to his deserts. He was fortunate in his
+connections, fortunate in his appointments, and fortunate in his share
+of fame.
+
+His fame, however, is somewhat diminished. His _Essay on the Odyssey_,
+which procured him the friendship of Pope, has ceased to be in
+request; his _Polymetis_, once the ornament of every choice library,
+has been superseded by the publications of Millin and Smith; his poems
+are only to be met with in the collections of Dodsley and Nichols. If
+we now dwell with pleasure on his name, it is chiefly as a recorder
+of the sayings of others--it is on account of his assiduity in making
+_notes!_ I allude to the volume entitled _Anecdotes, observations,
+and characters of books and men_, which was edited by my friend Mr.
+Singer, with his wonted care and ability in 1820.
+
+The _Essay on the Odyssey_ was first published anonymously in 1726-7.
+It was reprinted in 1737 and 1747. A copy of the latter edition, now
+in my possession, contains this curious note:--
+
+ "It is remarkable that of twelve passages objected to in this
+ critique on the English Odyssey, _two_ only are found in those
+ books which were translated by Pope.
+
+ "From Mr. Langton, who had his information from Mr. Spence.
+
+ "When Spence carried his preface to Gorboduc in {364} 1736 to
+ Pope, he asked him his opinion. Pope said 'It would do very
+ well; there was nothing _pert_ or _low_ in it.' Spence was
+ satisfied with this praise, which however, was in implied
+ censure on all his other writings.--He is very fond of the
+ familiar vulgarisms of common talk, and is the very reverse of
+ Dr. Johnson.
+
+"E.M." [Edmond Malone.]
+
+The note is not signed at length, but there can be no doubt as to its
+authorship, as I purchased the volume which contains it at the sale of
+the unreserved books of Mr. Malone in 1818.
+
+Bolton Corney.
+
+ * * * * *
+
+
+QUERIES.
+
+NICHOLAS BRETON'S "CROSSING OF PROVERBS."
+
+Although my query respecting William Basse and his poem, "Great
+Britain's Sun's Set," (No. 13. p. 200), produced no positive
+information touching that production, it gave an opportunity to some
+of your correspondents to communicate valuable intelligence relating
+to the author and to other works by him, for which I, for one, was
+very much obliged. If I did not obtain exactly what I wanted, I
+obtained something that hereafter may be extremely useful; and that
+I could not, perhaps, have obtained in any other way than through the
+medium of your pleasant and welcome periodical.
+
+I am now, therefore, about to put a question regarding another writer
+of more celebrity and ability. Among our early pamphleteers, there was
+certainly none more voluminous than Nicholas Breton, who began writing
+in 1575, and did not lay down his pen until late in the reign of
+James I. A list of his pieces (by no means complete, but the fullest
+that has been compiled) may be seen in Lowndes's _Bibl. Manual_;
+it includes several not by Breton, among them Sir Philip Sidney's
+_Ourania_, 1606, which in fact is by a person of the name Backster;
+and it omits the one to which my present communication refers, and
+regarding which I am at some loss.
+
+In the late Mr. Heber's _Catalogue_, part iv. p. 10., I read as
+follows, under the name of Nicholas Breton:--
+
+ "Crossing of Proverbs. The Second Part, with certaine briefe
+ Questions and Answeres, by N.B., Gent. Extremely rare and very
+ curious, _but imperfect_. It appears to contain a portion of
+ the first part, and also of the second; but it appears to be
+ unknown."
+
+Into whose hands this fragment devolved I know not; and that is one
+point I am anxious to ascertain, because I have another fragment,
+which consists of what is evidently the first sheet of the first part
+of the tract in question, with the following title-page, which I quote
+_totidem literis_:--
+
+ "Crossing of Proverbs. Crosse-Answeres. And Crosse-Humours. By
+ B.N., Gent. At London, Printed for John Wright, and are to be
+ solde at his Shop without Newgate, at the signe of the Bible,
+ 1616."
+
+It is in 8vo., as Heber's fragment appears to have been; but then the
+initials of the author are given as N.B., whereas in my fragment they
+stand B.N., a usual inversion with Nicholas Breton; the brief address
+"To the Reader" is also subscribed B.N.; and then begins the body of
+the work, thus headed: "Crosse and Pile, or, Crossing of Proverbs." It
+opens as follows:
+
+ "_Proverb_. The more the merrier.
+ _Cross_. Not so; one hand is enough in a purse.
+ _P._ Every man loves himselfe best.
+ _C._ Not so, when man is undone by suretyship.
+ _P._ He that runnes fastest gets most ground.
+ _C._ Not so, for then foote-men would have more land than their masters.
+ _P._ He runnes far that never turnes.
+ _C._ Not so, he may breake his necke in a short course.
+ _P._ No man can call againe yesterday.
+ _C._ Yes, hee may call till his heart ake, though it never come.
+ _P._ Had I wist was a foole.
+ _C._ No, he was a foole that said so."
+
+And so it proceeds, not without humour and point, here and there
+borrowing from known sources, as in the following:--
+
+ "_Proverb._ The world is a long journey.
+ _Cros._ Not so, the sunne goes it every day.
+ _P._ It is a great way to the bottom of the sea.
+ _C._ Not so, it is but a stone's cast."
+
+However, my object is not to give specimens of the production further
+than are necessary for its identification. My queries are, 1st, Who
+bought Mr. Heber's fragment, and where is it now to be found? 2nd, Are
+any of your correspondents aware of the existence of a perfect copy of
+the work?
+
+I naturally take a peculiar interest about Nicholas Breton, because
+I have in my possession an unknown collection of amatory and pastoral
+poems by him, printed in quarto in 1604, in matter and measure obvious
+imitations of productions in "The Passionate Pilgrim," 1599, imputed
+to Shakespeare, and some of which are unquestionably by Richard
+Barnfield.
+
+Any new information regarding Breton and his works will be most
+acceptable to me. I am already in possession of undoubted proof that
+he was the Nicholas Breton whose epitaph is on the chancel-wall of the
+church of Norton, in Northamptonshire, a point Ritson seems to have
+questioned.
+
+J. Payne Collier.
+
+March 30. 1850.
+
+ * * * * *
+
+THE SWORD CALLED CURTANA.
+
+In the wardrobe account for the year 1483, are "iij swerdes, whereof
+oon with a flat poynte, {365} called _curtana_, and ij other swords,
+all iij swords covered in a yerde di of crymysym tisshue cloth of
+gold."
+
+The name of _curtana_ for many ages continued to be given to the first
+royal sword in England. It existed as long ago as the reign of Henry
+III., at whose coronation (A.D. 1236) it was carried by the Earl of
+Chester. We find it at the coronations of Edward II. and Richard II.;
+also in the time of Henry IV., Richard III., and Henry VII.; and among
+the royal arms of Edward VI. we read of "a swerde called _curtana_."
+
+Can any of your readers explain the origin of the name _curtana_,
+a sword so famous that it carries us back to the days of ancient
+chivalry, when it was wielded by the Dane _Uggiero_, or by the still
+more famed _Orlando_.
+
+Edward F. Rimbault.
+
+ * * * * *
+
+IS THE DOMBEC THE DOMESDAY OF ALFRED?
+
+I beg to propose the following "Query":--Is the _Dombec_, a work
+referred to in the Laws of Edward the Elder, the same as what has been
+called the Domesday or Winchester Book of Alfred the Great? I incline
+to think that it is not, and shall be much obliged to any of your
+correspondents, learned in the Anglo-Saxon period of our history, who
+will give himself the trouble of resolving my doubts.
+
+Sir Henry Spelman, in his Glossary _voce Dombec_, calls it the _Liber
+Judicialis_ of the Anglo-Saxons; and says it is mentioned in the first
+chapter of the laws of Edward the Elder, where the king directs his
+judges to conduct themselves in their judicial proceedings as on [Old
+English: thaere dom bec stand], that is, as _is enjoined in their Dome
+Book_.--"Quod," he continues, "an de præcedentium Regum legibus quæ
+hodie extant, intelligendum sit: an de alio quopiam libro hactenus non
+prodeunte, incertum est."
+
+But this uncertainty does not seem to have attached itself to the
+mind of Sir William Blackstone; for in the third section of the
+Introduction prefixed to his _Commentaries on the Laws of England_, he
+informs us that our antiquaries "tell us that in the time of Alfred,
+the local customs of the several provinces of the kingdom were grown
+so various, that he found it expedient to compile his _Dome Book_, or
+_Liber Judicialis_, for the general use of the whole kingdom." This
+book is said to have been extant so late as the reign of King Edward
+IV., but is now unfortunately lost. It contained, we may probably
+suppose, the principal maxims of the common law, the penalties for
+misdemeanors, and the forms of judicial proceedings. Thus much may be
+at least collected from that injunction to observe it, which we find
+in the Laws of King Edward the Elder, the son of Alfred.--"_Omnibus
+qui reipublicæ præsunt etiam atque etiam mando, ut omnibus æquos
+se præbeant judices, perinde ac in judiciali libro_ (Saxonice, [Old
+English: dom bec]) _scriptum habetur: nec quidquid formident quin
+jus commune_ (Saxonice, [Old English: folcrihte]) _audactes libereque
+dicant._"
+
+But notwithstanding this, it appears to me by no means conclusive,
+that the _Dombec_ referred to in the Laws of Edward the Elder and the
+_Liber Judicialis_ of Alfred are the same; on the contrary, Alfred's
+_Liber Judicialis_ seems to have been known not under the name
+of _Dombec_, but under that of the _Winchester Roll_, from the
+circumstance of its having been principally kept at Winchester: and
+Sir Henry Spelman says, the Domesday Book of William the Conqueror was
+sometimes called _Rotulus Wintoniæ, a similitudine antiquoris_, from
+its resemblance to an older document preserved at Winchester. And he
+quotes Ingulphus Abbot of Croyland, who says, "Iste rotulus (i.e. the
+Domesday Book of William) vocatus est Rotulus Wintoniæ, et ab Anglicis
+pro sua generalitate, omnia tenementa totius terræ integre continente
+_Domesday_ cognominatur." And the he proceeds, "Talem rotulum et
+multum similem; ediderat quondam Rex Alfredus, in quo totam terram
+Angliæ per comitatus, centurias, et decurias descripserat, sicut
+prænotatur. Qui quidem Rotulus Wintoniæ vocatus est, quia deponebatur
+apud Wintoniam conservandus," &c.
+
+Here is nothing said of this work being called [Old English: dom bec]:
+neither does Spelman, in his enumeration of the works of Alfred,
+give the least intimation that any one of his collections of laws was
+called [Old English: dom bec].
+
+We know, indeed, that Alfred compiled a code of laws for his subjects;
+but whether any part of them has been preserved, or how much of them
+is embodied in subsequent codes, cannot now be determined. Asser
+mentions that he frequently reprimanded the judges for wrong
+judgments; and Spelman, that he wrote "a book against unjust
+magistrates," but any complete body of laws, if such was ever framed
+by Alfred, is now lost; and that attributed to him in Wilkin's _Leges
+Anglo-Saxon_, is held in suspicion by most writers.
+
+For these reasons, and considering that Sir William Blackstone's
+knowledge of English history was rather superficial, I incline to the
+belief, that the [Old English: dom bec] referred to in the laws of
+Edward the Elder, was some collection of laws made _prior_ to the time
+of Alfred: this might clearly be the case, as Sharon Turner informs
+us that the Saxon laws were committed to writing as early as the
+commencement of the 7th century.
+
+The opinions of your learned correspondents on this disputed point may
+be of much interest to many of your readers, and to none more than to
+
+George Munford.
+
+East Winch.
+
+ * * * * *{366}
+
+MINOR QUERIES.
+
+_MSS. of the Wycliffite Translations of the Scriptures_.--The Add. MS.
+15,521., in the British Museum, contains a copy of Lewis's edition
+of the _Wycliffite New Testament_, printed in 1731, with manuscript
+notes by Ames and Lewis, and the former has transcribed into it some
+_additional prologues_, prefixed to each book of the New Testament,
+which had not been printed by Lewis, and were taken by Ames from a MS.
+of the New Testament, written in 1424, and in 1731 in the possession
+of Thomas Granger. It would be very desirable to learn what became of
+this MS. subsequently. Granger died in the following year, but the
+MS. does not appear in the sale catalogue of his library, nor is it
+found in the catalogue of Ames's own library, dispersed in 1760. Any
+information relative to this remarkable copy of the New Testament,
+would be very acceptable to the Editors of the _Wycliffite Versions
+of the Scriptures_, who are now, after a literary labour of more than
+twenty years, about to bring the work to a conclusion. They would
+also feel much obliged by the communication of any notices of MSS. of
+the Wycliffite versions, _existing in private hands_, exclusive of
+those copies of which they already possess descriptions, existing in
+the libraries of the following individuals:--Mrs. Allanson of Farn,
+Flintshire, the Earl of Ashburnham, Sir Thomas Phillipps, Bart., Sir
+Peregrine Ackland, Bart., Sir David Dundas, H.M. Judge Advocate, Dr.
+Cardwell, Principal of St. Alban's Hall, Oxford, and Thomas Bannister,
+Esq.
+
+F. Madden.
+
+British Museum, March 28.
+
+
+_Why are Gloves not worn before Royalty?_--Can any of your readers
+inform me what is the origin of the custom observed at Court, of
+persons in the royal presence not wearing gloves? Is it a matter of
+pure etiquette, or does the observance of it derive its origins from
+barbarous times, when chivalry was little else than barbarism in
+armour?
+
+F.E.
+
+
+_Law Courts at St. Albans_.--Can any of your correspondents give
+me the reference to a communication in the _Gentleman's Magazine_
+(between, I think, the years 1815 and 1836), in which a passage
+in Massinger, which alludes to lawyers going to St. Albans, is
+illustrated by an inscription in the nave of St. Alban's Abbey Church,
+which records that the courts were held there on account of the
+sweating-sickness in the reign of Elizabeth?
+
+[Greek: Sigma.]
+
+
+_Richard Haley, or Hales.--Milton Pedigree_.--I should feel obliged
+by any particulars respecting Richard Haley, or Hales, of Idlestreete,
+otherwise Ilstreyd, in com. Hertford, yeoman; my object being to
+ascertain the nature of some transaction he had with Milton, in July
+1674, referred to in a bond which the former executed, dated the
+27th of that month, for performance of the covenants contained in an
+indenture of even date.
+
+Is any thing known of Richard Milton, who signs his name as the
+attesting witness to the releases given by two of the poet's daughters
+for their share of his estate? Is there any pedigree of the family of
+Sir Christopher Milton, the poet's brother, drawn up with sufficient
+apparent accuracy to exclude the probability of Richard Milton being
+his son? I have referred to the pedigree in the British Museum (Harl.
+MS. 5802. fo. 19b.), which makes no mention of the letter; but it is
+evidently so imperfect a notice, as to be of little authority one way
+or other.
+
+J.F.M.
+
+
+_Sapcote Motto_.--Over the old gatehouse of Elton, co. Hunts., built
+by the family of Sapcote, is their coat of arms, namely, "three
+dove-cotes;" and upon a scroll, surrounding the lower part of the
+shield, is carved a motto, evidently French, and as evidently cut by
+a person ignorant of that language. So far as I can decypher it, the
+letters appear to be
+
+ sco toot X vinic [or umic]
+ X poncs.
+
+Possibly the first and last letters _s_ are only flourishes. I shall
+be glad of any suggestion as to its meaning.
+
+I have not been able to find the Sapcote motto on record; and I
+believe the Carysfoot family, the possessors of Elton, and the Duke
+of Bedford, the heir in blood, to be ignorant of what this scroll is
+intended to represent.
+
+Erminois.
+
+Athenæum Club.
+
+
+_Scala Coeli_.--In a will, dated 12 Hen. VIII., the testator directs
+that there shall be four trentals of Saint Gregory said for his soul
+at London at "Scala Coeli." Can any of your readers explain what place
+is meant by "Scala Coeli?"
+
+A Subscriber.
+
+
+_Illustrations of Gresset's "Vert Vert," painted on Enamel, &c._--In
+a Paris edition of Gresset's Works (Janet et Cotelle, 1823), in the
+preface is the following passage.--
+
+ "Vert-vert fut bientôt dans toutes les mains. Le suffrage de
+ la multitude se joignit à celui des connoisseurs; la mode, qui
+ est aussi en possession de donner son suffrage, s'empressa de
+ parer les ajustemens d'invention récente, du nom de l'illustre
+ perroquet; _les vases d'ornement, les vases usuels_ qui
+ sortoient des fabriques françoises, retraçoient presque tous
+ quelques épisodes du petit poëme. Un artist dont le nom est
+ venu jusqu'à nous, Raux, en _peignit sur émail les sujets
+ les plus marquants_; et tandis qu'on faisoit passer dans une
+ version latine les vers élégants du poëte jésuite, M. Bertin,
+ ministre d'état, le gratifioit d'un magnifique _cabaret_ de
+ Sèvres, dont toutes les pièces reproduisoient les aventures
+ de son héros, ce qui fit dire à Gresset, _qu'on le traduisoit
+ aussi en porcelaine de Sèvres_." {367}
+
+The _Query_ I wish to make is, Have any of these illustrations or
+designs from Gresset's poem of Vert-vert, painted on enamel china, or
+earthenware of any sort, of French or any other manufacture, come to
+light of late years? or more lately still, among the articles that
+have been dispersed among various buyers of almost all nations, in the
+sales within these few weeks effected at Paris?
+
+Robert Snow.
+
+
+_Urbanus Regius_.--A friend of mine, a delightful old lady, fresh,
+genial, and inquisitive, has in her possession an old volume, a family
+heir-loom, which is not the less dear to her for being somewhat dingy
+and dilapidated, and touching which she would gladly receive such
+information as your correspondents can supply.
+
+It is made up of three apparently distinct treatises; the first
+(of which several leaves are wanting) on the twelve articles of the
+Apostles' Creed. The second is "The ryght foundation, and pryncypall
+common places of the hole godly Scripture," &c., by Doctor Urbanus
+Regius. Prefixed is an epistle to Thomas, Archbishop of Canterbury
+(evidently Cranmer), to whom "Hys dayly oratoure, Gwalter Lynne (the
+writer of the epistle), wyssheth lyfe euerlastynge." Between this
+second treatise and the third, and apparently belonging to the latter,
+is a title-page with the following inscription:
+
+ "Imprinted for Gwalter Lynne, dwelling upon Somers Kaye, by
+ Byllinges gate. In the yeare of oure Lorde. MDXLVIII. And they
+ by [_sic_] to be solde at Poules church yarde at the north
+ doore, In the signe of the By-bell, By Richard Jugge."
+
+This last treatise is in smaller type than the others, and has no
+general designation: it contains chapters on various subjects, e.g.
+"The Signification of Baptism," &c.
+
+Query 1. Is this volume well known? 2. Who were Urbanus Regius and
+Walter Lynne?
+
+G.P.
+
+March 16. 1850.
+
+ * * * * *
+
+
+REPLIES.
+
+THE ARABIC NUMERALS AND CIPHER.
+
+I might, with a little more consideration, have referred "E.V." to
+several other authorities which he will do well to consult.
+
+9. Wallis's _Algebra_, p. 9. and p. 153. of the additions.
+
+10. _Phil. Trans._, Nos. 439. and 475.
+
+11. Montucla, _Histoire des Mathématiques_, tom. i. chap. 2.
+
+12. Baillie, _Histoire de l'Astronomie_.
+
+13. Delambre[1], _Hist. de l'Astr. du moyen age_.
+
+14. Hutton's _Tracts_ (8vo. ed. 1812.), vol. ii. (subject "History of
+Algebra")
+
+15. Huet, _Demonstratio Evangelica_.
+
+16. Dr. John Taylor's Translation of the _Lilawati_. (Bombay, 1816.)
+
+17. Strachey's Translation of the _Bija Ganita_[2].
+
+18. Colebrooke's _Algebra of the Hindus_.
+
+Would it not be worth while to give a _facsimile_ of the "Tabel for
+all manere of merchauntes," in the "Notes and Queries"? It is not only
+a curiosity, but an important element (and unique as far as is known)
+in the philosophic history of our arithmetic. It was, no doubt, an
+actual instrument in constant use in the merchant's office, as much so
+as an almanac, interest-tables, a "cambist" and a copying-press, are
+now.
+
+As regards the cipher, the difficulty only commenced with _writing
+numbers_ in the new symbology. With persons accustomed to the use
+of this instrument, there is no doubt that the mode of obviating the
+difficulty of "keeping the place," would suggest itself at once. In
+this instrument an empty hole (without its peg) _signified_ "none of
+this denomination." What then more simple than to make the outline
+of the empty hole which occupied the "local position" of any
+denomination, when none of that precise denomination occurred in the
+number itself? Under this view the process at least becomes simple
+and natural; and as the early merchants contributed so largely to the
+improvement of our arithmetical processes, such a conclusion is wholly
+divested of improbability on any other ground. The circle would then
+naturally become, as it certainly has practically become, the most
+appropriate symbol of _nothingness_.
+
+As regards the term _cipher_ or _zero_ (which are so obviously the
+same as to need no remark), it is admitted on all hands to be derived
+from one or other of the Semitic languages, the Hebrew or the Arabic.
+It is customery with the mathematical historians to refer it to the
+Arabic, they being in general more conversant with it than with the
+Hebrew. The Arabic being a smaller hand than the Hebrew, a dot was
+used instead of the circle for marking the "place" at which the hiatus
+of any "denomination" occurred. If we obtained our cipher from this,
+it would be made hollow (a mere _ceinture_, girdle, or ring) to
+save the trouble of making a dot sufficiently large to correspond in
+magnitude with our other numerals as we write them. Either is alike
+possible--probability must be sought, for either over the other, from
+a slightly different source.
+
+The root-words in Hebrew and in Arabic are precisely the same
+(_ts-ph-r_), though in the two {368} languages, and at different ages
+of the same language, they might have been vowelised differently.
+In some shape or other, this name is used in all countries that have
+derived their arithmetic from mediæval Italy, or from the Saracens. It
+is with some _cipher_, with others _chiffre_, and with all _zero_. The
+word is certainly no more Italian than it is French or English. Be it
+remembered, too, that _ezor_ (quoted at p. 268.), as a _girdle_, is
+radically the same word, somewhat mutilated. The cardinal meaning of
+the word (denuded of the conventional accretions of signification,
+which peculiar applications of it adds to the cardinal meaning)
+appears to be _emptiness_, _hollowness_, _nothingness_. It may be
+further remarked, that in the fine Chartres MS. of Boetius, described
+by Chasles, the 0 is called _sipos_:--the same name, he remarks,
+that Graves found in use in the East. The modern Turks call the 0,
+_tsifra_.
+
+It is curious enough that in all languages, the term _ciphering_ is
+popularly used to denote all arithmetical operations whatever.
+Our schoolboys do their "ciphering," and write carefully in their
+"ciphering-books." This all seems to point to the art of dispensing
+with the use of the abacus or counting table.
+
+T.S.D.
+
+Shooter's Hill, March 5.
+
+[1] The best account, because the most consistent and
+intelligible, of the Greek arithmetic, is that by Delambre, affixed to
+Peyraud's edition of Archimedes.
+
+[2] At a period of leisure I may be tempted to send you a few
+extracts, somewhat curious, from some of the papers of Mr. Strachey in
+my possession.
+
+
+_Arabic Numerals_.--I had replied to "E.V." (No. 15. p. 230.), when
+I saw by your "Notice to Correspondents," that the question was
+answered. I therefore waited the publication of the replies, which I
+find do not embrace any one of the points to which I would call the
+attention of "E.V."--Diophantus of Alexandria, who flourished about
+150 years after Christ, and who wrote thirteen books of algebra or
+arithmetic in the Greek language, is generally supposed to be the
+oldest writer on the subject that has come down to our time; but it
+was not from him that we received the knowledge of algebra in Europe.
+It appears certain that the first knowledge of this science in
+England was from Italy or Spain, after the Moors settled in the latter
+country; and the Arabians and Persians appear to have derived their
+arithmetical method of computing by ten characters from the Indians:
+who, in their turn, have most probably borrowed from the Chinese, and
+improved on their method by the adoption of a zero, which was one of
+the most important improvements effected by the Hindoos. In China,
+the words ancient and modern are almost synonymous; their usages
+and customs being so unchangeable, as appears by their instrument
+of computation, the _swanpan_, which is still used in all their
+calculations. The Oriental scholar will find much curious and
+interesting information connected with this subject in the Sanscrit
+_Vija Ganita_ and _Lilivati_ of Bhaskara Acharya: the former
+was translated into Persian at Agra, or Delhi, in 1634, and the
+latter by Fyzee in 1587; but there are also English translations,
+all of which are in the library of the Royal Asiatic Society. The
+_Khalasah-ul-Hisah_ is another work of repute in India. Mr. Strachey
+wrote and printed in India, for the _Asiatic Researches_, a valuable
+paper, which contains most conclusive evidence of the Indian (if not
+Chinese) origin of our numerals. See also _Astronomie Indienne_,
+of M. Bailly; 2d vol. _Asiatic Researches_, "On the Astronomical
+Computations of the Hindoos," by Saml. Davis; "Two Dissertations on
+Indian Astronomy and Trigonometry," by Professor Playfair, in the 2d
+and 4th vols. of the _Edinburgh Philosophical Transactions_. And many
+others might be referred to; but all tending to prove that our numbers
+came originally from China and India, through Persia, Arabia, Africa,
+Spain, and Italy, by gradual and successive changes in form, several
+of them still retaining a close resemblance to the ancient and modern
+Sanscrit, Chinese, Arabic, Persian, and Hindoo numerals.
+
+Henry Wilkinson.
+
+ * * * * *
+
+REPLIES TO MINOR QUERIES.
+
+I send you a few Notes on Queries scattered through some of the later
+numbers of your very valuable publication:
+
+_Anonymous Ravennas_.--In the library of the Royal Geographical
+Society, I believe there is a copy of an 8vo. edition of that
+cosmography.
+
+_Selago_.--This plant, I should think it probable, is the _Lycopodium
+clavatum_ of modern botanists; the seeds of which, when ripe, and when
+the plant is struck, rise like smoke ("fumum" of Pliny), and may have
+been supposed, from their remarkable inflammability when dashed into
+a flame, igniting with a sudden flash, to have possessed wonderful
+virtues. The species known as _Lycopodium selago_ is rare in
+comparison to the other.
+
+_Portugal_.--In the library of the Geographical Society are some of
+the more recent works published in Lisbon on the topography of that
+country, but they are generally very meagre and unsatisfactory. In a
+periodical published in Lisbon in numbers, on the plan of the _Penny
+Magazine_, there is a good deal of information, with engravings,
+regarding many places of interest in Portugal. I think it is called
+_The Album_, but I am sorry I have not at present the power of sending
+you more correct particulars concerning it. It is in 4to.
+
+Portugal is a country that is so little travelled in either by natives
+or foreigners, that information regarding places in the interior
+is not easily obtained; and facilities for travelling, as well as
+accommodation for travellers, is of a very limited description.
+
+_Sir Roger de Coverley_.--In one of your early numbers was a query on
+this subject, which I do not think has been yet answered. I have a MS.
+{369} account of the family of Calverley, of Calverley, in Yorkshire,
+an autograph of Ralph Thoresby in the year 1717, in which occurs the
+following passage:--
+
+ "_Roger_, so named from the Archbishop" (of York), "was
+ a person of renowned hospitality, since, at this day, the
+ obsolete known tune of _Roger a Calverley_ is referred to
+ him, who, according to the custom of those times, kept his
+ _minstrells_, from that their office named _harpers_, which
+ became a family and possessed lands till late years in and
+ about _Calverley_, called to this day _Harpersroids_ and
+ _Harper's Spring_.... He was a knight, and lived in the time
+ of K. Richard 1st. His seal, appended to one of his charters,
+ is large, with a chevalier on horseback."
+
+W. CALVERLEY TREVELYAN.
+
+ * * * * *
+
+DERIVATIONS OF "NEWS."
+
+It is not declared with what motive "Mr. GUTCH" (No. 17. p. 270.) has
+laid before the readers of "NOTES AND QUERIES" the alleged derivation
+of N.E.W.S.
+
+It must therefore be supposed, that his object was to have its
+justness and probability commented upon; and it is quite time that
+they should be so, since the derivation in question has of late become
+quite a favourite authoritative dictum with etymology compilers.
+Thus it may be found, in the very words and form adopted by your
+correspondent, in Haydn's _Dictionary of Dates_, and in other
+authorities of equal weight.
+
+This sort of initial-letter derivation was probably brought into
+fashion in England by the alleged origin of "Cabal," or, perhaps, by
+the many guesses at the much disputed word "Æra." I shall take the
+liberty of quoting a few sentences with reference to such etymologies,
+_as a class_, which I find in an unpublished manuscript upon a kindred
+subject.
+
+ "Besides, such a splitting up of a word of significant and
+ perfect meaning in itself is always a bad and suspicious mode
+ of derivation.
+
+ "It is generally an after-thought, suggested by some
+ fortuitous or fancied coincidence, that appropriateness of
+ which is by no means a sufficient proof of probability.
+
+ "Of this there can scarcely be a better example than the
+ English word 'news,' which, notwithstanding the felicity of
+ its supposed derivation from the four cardinal points, must,
+ nevertheless, so long as the corresponding words 'nova,'
+ 'nouvelles,' &c. exist, be consigned to its more sober and
+ common-place origin in the adjective '_new_.'"
+
+To this it must be added that the ancient orthography of the word
+_newes_, completely upsets the derivation Mr. Gutch has brought before
+your readers. Hone quotes from "one Burton, printed in 1614: 'if any
+one read now-a-days, it is a play-book, or _a pamphlet_ of _newes_."
+
+I had been in two minds whether or not to send this communication,
+when the scale is completely turned by the apropos occurrence of a
+corroboration of this latter objection in "NOTES AND QUERIES" of this
+day. Mr. Rimbault mentions (at p. 277.), "a rare black letter volume
+entitled _Newes from Scotland_, 1591."
+
+Here is one more proof of the usefulness of your publication, that I
+am thus enabled to strengthen the illustration of a totally different
+subject by the incidental authority of a fellow correspondent.
+
+A.E.B.
+
+Leeds, March, 1850.
+
+ * * * * *
+
+REPLIES TO MINOR QUERIES.
+
+_Swot_ is, as the querist supposes, a military cant term, and
+a sufficiently vulgar one too. It originated at the great
+slang-manufactory for the army, the Royal Military College, Sandhurst.
+You may depend upon the following account of it, which I had many
+years ago from the late Thomas Leybourne, F.R.S., Senior Professor of
+Mathematics in that college.
+
+One of the Professors, Dr. William Wallace, in addition to his being a
+Scotchman, had a bald head, and an exceedingly "broad Scotch" accent,
+besides a not very delicate discrimination in the choice of his
+English terms relating to social life. It happened on one hot summer's
+day, nearly half a century ago, that he had been teaching a class,
+and had worked himself into a considerable effusion from the skin. He
+took out his handkerchief, rubbed his head and forehead violently, and
+exclaimed in his Perthshire dialect,--"_It maks one swot_." This was
+a God-send to the "gentlemen cadets," wishing to achieve a notoriety
+as wits and slangsters; and mathematics generally ever after became
+_swot_, and mathematicians _swots_. I have often heard it said:--"I
+never could do _swot_ well, Sir;" and "these dull fellows, the
+_swots_, can talk of nothing but triangles and equations."
+
+I should have thought that the _sheer disgustingness_ of the
+idea would have shut the word out of the vocabularies of English
+_gentlemen_. It remains nevertheless a standard term in the vocabulary
+of an English soldier. It is well, at all events, that future ages
+should know its etymology.
+
+T.S.D.
+
+
+_Pokership_, (_antè_, pp. 185. 218. 269. 282. 323, 324.)--I am sorry
+to see that no progress has yet been made towards a satisfactory
+explanation of this office. I was in hopes that something better than
+mere conjecture would have been supplied from the peculiar facilities
+of "T.R.F." "W.H.C." (p. 323.) has done little more than refer to the
+same instruments as had been already adverted to by me in p. 269.,
+with the new reading {370} of _poulterer_ for poker! With repect to
+"T.R.F.'s" conjecture, I should be more ready to accept it if he
+could produce a single example of the word _pawker_, in the sense of
+a hog-warden. The quotation from the Pipe-roll of John is founded on
+a mistake. The entry occurs in other previous rolls, and is there
+clearly explained to refer to the _porter of Hereford Castle_. Thus,
+in Pipe 2 Hen. II. and 3 Hen. II. we have, under Hereford,
+
+ "In liberatione portarii castelli ... 30s. 5d."
+
+In Pipe 1 Ric. I. we have,
+
+ "In liberatione constitutâ portarii de Hereford, 30s. 5d."
+
+Again, in Pipe 3 Joh.
+
+ "In liberatione constitutâ portario de Hereford, 30s. 5d."
+
+A similar entry is to be found in other rolls, as well printed as
+inedited. I could indulge some other criticisms on the communication
+of your correspondent in Spring Gardens, but I prefer encouraging
+him to make further inquiries, and to produce from the records in
+his custody some more satisfactory solution of the difficulty. In the
+meantime, let me refer to a Survey of Wrigmore Castle in the Lansdowne
+Collection, No. 40. fo. 82. The surveyor there reports, that the
+paling, rails, &c. of the park are much decayed in many and sundry
+places, and he estimates the repairs, with allowance of timber from
+the wood there, "by good surveye and oversight of the _poker_ and
+other officers of the said parke," at 4l. The date of the survey is 13
+May, 1584.
+
+Comparing this notice of the office with the receiver's accounts
+tempore Hen. VII. and Hen. VIII. (_antè_, p. 269.), in which the
+officer is called "pocarius omnium boscorum," I cannot doubt that his
+duty, or at least one of his duties, was that of woodward, and that,
+as such, he assigned timber for repair of the premises. How he came by
+his local title and style of poker is a mystery on which we have all
+hitherto failed to throw any light.
+
+E.S.
+
+
+_Vox Populi Vox Dei_,--about the origin of which saying "QUÆSITOR"
+asks (No. 21. p. 321.),--were the words chosen by the Archbishop of
+Canterbury, Simon Mepham, as his text for the sermon which he preached
+when Edward III. was called to the throne, from which the nation had
+pulled down his father, Edward II. This we learn from Walsingham, who
+says:
+
+ "Archiepiscopus verò Cantuariæ præsenti consensit electioni,
+ ut omnes prælati et archiepiscopus quidem assumpto themate,
+ _Vox populi Vox Dei_, sermonem fecit populo, exhortans
+ omnes ut apud regem regum intercederent pro electo."--Tho.
+ Walsingham, _Hist. Angl._ ed. Camden, p. 126.
+
+DANIEL ROCK.
+
+
+_A living Dog better than a dead Lion_.--I no not know whether your
+correspondent (No. 22. p. 352.) ever goes to church; but if he is not
+prevented by rain next St. Swithin's day, he will learn who was the
+author of this proverb. It will be a good thing, if your work should
+sometimes lead your readers to search the Scriptures, and give them
+credit for wisdom that has flowed from them so long, and far, and
+wide, that its source is forgotten; but this is not the place for a
+sermon, and I now only add, "here endeth the first lesson" from
+
+ECCLESIASTES.
+
+ ["J.E.," "D.D.," and other correspondents, have also replied
+ to this Query by references to Eccl. ix. 4.]
+
+
+_Curious Monumental Brass_ (No. 16. p. 247.)--If "RAHERE" will turn to
+Mr. Boutell's _Monumental Brasses and Slabs_, p. 148., he will there
+find a description as well as an engraving of what, from his account,
+I doubt not he will discover to be the identical fragment to which he
+refers. A foot legend, and what remains of a border inscription, is
+added to it. In the above work, pp. 147 to 155, and in the Oxford
+Architectural Society's _Manual for the Study of Brasses_, p. 15.,
+"RAHERE" will find an account and references to numerous examples of
+palimpsest brasses, to which class the one in question belongs.
+
+I presume that "RAHERE" is a young brass-rubber, or the fact of a
+plate being engraved on both sides would have presented no difficulty
+to him.
+
+ARUN.
+
+ [We have received several other replies to this Query,
+ referring to Mr. Boutell's _Monumental Brasses_: one from
+ "W."; another from "A CORNISHMAN," who says,--
+
+ "The brass in question, when I saw it last, had been
+ removed from the Rectory and placed in the tomb of Abbot
+ Wheathampstead, in company with the famous one of Thomas
+ Delamere, another Abbot of St. Albans."
+
+ Another from "E.V.," who states,--
+
+ "Other examples are found at St. Margaret's, Rochester (where
+ the cause of the second engraving is found to be an error in
+ costume in the first), St. Martins at Plain, Norwich, Hedgerly
+ Church, Bucks, and Burwell Church, Cambridgeshire. Of this
+ last, an engraving and description, by Mr. A.W. Franks,
+ is given in the fourteenth part of the Publications of the
+ Cambridge Antiquarian Society."
+
+ One from "WILLIAM SPARROW SIMPSON," who says,--
+
+ "It is also described in the Oxford Architectural Society's
+ _Manual of Mon. Brasses_, No. 6. pp. 6, 7. other examples of
+ which occur at Rochester, Kent, and at Cobham, Surrey. A small
+ plate of brass, in the possession of a friend, has on one side
+ a group of children, and on the reverse the uplifted hands of
+ an earlier figure."
+
+ And lastly, one from "A.P.H." (to which we cannot do ample
+ justice, as we do not keep an engraver), from which we extract
+ the following passages:--
+
+ "A friend of mine has a shield in his possession, taken from
+ a slab, and which has been enamelled. It is of late date
+ and rudely executed. On the back is {371} seen the hands and
+ breast of a small female figure, very nearly a century earlier
+ in date. I can also remember an inscription in Cuxton Church,
+ Kent, which was loose, and had another inscription on the back
+ in the same manner.
+
+ "I am very much impressed with the idea that the destroyed
+ brasses never had been used at all; but had been engraved,
+ and then, from circumstances that of course we cannot hope to
+ fathom, thrown on one side till the metal might be used for
+ some other purpose. This, I think, is a more probable, as well
+ as a more charitable explanation than the one usually given of
+ the so-called palimpsest brasses."]
+
+
+_Chapels_ (No. 20. p. 333.).--As to the origin of the name, will you
+allow me to refer Mr. Gatty to Ducange's _Glossary_, where he will
+find much that is to his purpose.
+
+As to its being "a legal description," I will not undertake to
+give an opinion without a fee; but I will mention a fact which may
+assist him in forming one. I believe that fifty years ago the word
+_Chapel_ was very seldom used among those who formed what was termed
+the "Dissenting Interest;" that is, the three "denominations" of
+Independents, Baptists, and Presbyterians. But I well recollect
+hearing, from good authority, nearly, or quite, forty years ago, that
+an eminent barrister (whom I might now describe as a late learned
+judge), who was much looked up to by the dissenters as one of their
+body, had particularly advised that in all trust-deeds relating to
+places of dissenting worship, they should be called "Chapels." I do
+not know that he assigned any reason, but I know that the opinion was
+given, or communicated, to those who had influence; and, from my own
+observation, I believe that from about that time we must date the
+adoption of the term, which has now been long in general use.
+
+I do not imagine that there was any idea of either assistance
+or opposition to the Church of England, in the mind of him who
+recommended, or those who adopted, the alteration, or that either
+of them expected or sought any thing by this measure but to obtain
+a greater security for property, or, rather, to avoid some real
+or imagined insecurity, found or supposed to attach to the form of
+description previously in use.
+
+A BARRISTER.
+
+
+_Forlot, Forthlot_ (No. 20. p. 320.).--A measure of grain used
+throughout Scotland at present--query _fourthlot_. See Jamieson's
+_Etymological Dictionary of the Scottish Language_.
+
+ "_Firlot; Fyrlot; Furlet_.--A corn measure in S., the fourth
+ part of a boll.
+
+ "Thay ordainit the boll to mat victual with, to be devidit
+ in foure partis, _videlicet_, foure _fyrlottis_ to contene
+ a boll; and that _fyrlot_ not to be maid efter the first
+ mesoure, na efter the mesoure now usit, bot in middill mesoure
+ betwixt the twa."--_Acts Jac._ l. 1526. c. 80. edit. 1566.
+
+ "--Ane furme, ane furlet,
+ Ane pott, ane pek."
+
+ Bannatyne _Poems_, p. 159.
+
+Skinner derives it from A.-S. _feower_, quatuor; and _lot_, _hlot_,
+portio (the fourth part); Teut. "_viertel_."
+
+J.S.
+
+
+_Loscop_ (No. 20. p. 319).--To be "Louecope-free" is one of the
+immunities granted to the Cinque Ports in their charters of Liberties.
+
+Jeakes explains the term thus:--
+
+ "The Saxon word Cope (in Low Dutch still Kope or Koope), for
+ trade or merchandising, makes this as much as to trade freely
+ for love. So that by no kind of monopoly patent, or company or
+ society of traders or merchants, the portsmen be hindered from
+ merchandising; but freely and for love, be permitted to trade
+ and traffick, even by such company of merchants, whenever it
+ shall happen their concerns lie together."
+
+In my MSS., and in the print of Jeakes, it is "Louecope," with which
+"Lofcope" may be readily identified; and _f_ may easily be misread for
+_s_, especially if the roll be obscured.
+
+If Jeakes's etymology of the word be correct, the inference would
+rather be that "Lovecope" was a tax for the goodwill of the port
+at which a merchant vessel might arrive; a "port duty" in fact,
+independent of "lastage" &c., chargeable upon every trader that
+entered the port, whatever her cargo might be. And the immunities
+granted to the portsmen were that they should be "port duty free."
+
+I do not venture to offer this as any thing more than a mere guess.
+Among your contributors there are many more learned than myself in
+this branch of antiquarian lore, who will probably be able to give
+a more correct interpretation, and we shall feel obliged for any
+assistance that they can give us in elucidating the question.
+
+"Lovecope" might perhaps be the designation of the association of
+merchants itself, to which Jeakes alludes; and the liberty of forming
+such association, with powers of imposing port duties, may have been
+dependent on special grant to any port by royal charter, such as that
+which forms the subject of your correspondent's communication.
+
+After all, perhaps, "Lovecope" was the word for an association of
+merchants; and "Louecope-free" is to be freed from privileged taxation
+by this body.
+
+L.B.L.
+
+
+_Smelling of the Lamp_ (No. 21. p. 335.).--"X." will find the
+expression [Greek: Illuchnion ozein] attributed to Pytheas by Plutarch
+(_Vit. Demosth._, c. 8.).
+
+J.E.B. MAYOR.
+
+
+_Anglo-Saxon MS. of Orosius_ (No. 20. p. 313.).--It may gratify Mr.
+Singer to be informed that the Lauderdale MS., formerly in the library
+at Ham House, is now preserved, with several other {372} valuable
+manuscripts and books, in the library at Helmingham Hall, Suffolk, the
+seat of the Tollemache family.
+
+M.
+
+
+_Golden Frog_.--Ingenious as is the suggestion of "R.R." (No. 18. p.
+282.), that Sir John Poley stuck a golden frog in his ear from his
+affection for _tadpoles_, I think "R.R.'s" "Rowley Poley" may be
+dismissed with the "_gammon_ and spinach" of the amorous frog to which
+he alludes.
+
+Conceiving that the origin of so singular a badge could hardly fail to
+be commemorated by some tradition in the family, I have made inquiry
+of one of Sir John Poley's descendants, and I regret to hear from him
+that "they have no authentic tradition respecting it, but that they
+have always believed that it had some connection with the service Sir
+John rendered in the Low Countries, where he distinguished himself
+much by his military achievements." To the Low Countries, then, the
+land of frogs, we must turn for the solution of the enigma.
+
+Gastras.
+
+Cambridge, March 9.
+
+
+_Sword of Charles I._--Mr. Planché inquires (No. 12. p. 183.), "When
+did the real sword of Charles the First's time, which, but a few years
+back, hung at the side of that monarch's equestrian figure at Charing
+Cross, disappear?"--It disappeared about the time of the coronation
+of Her present Majesty, when some scaffolding was erected about the
+statue, which afforded great facilities for removing the rapier (for
+such it was); and I always understood it found its way, by some means
+or other, to the Museum, so called, of the notoriously frolicsome
+Captain D----, where, in company with the wand of the Great Wizard of
+the North, and other well-known articles, it was carefully labelled
+and numbered, and a little account appended of the circumstances of
+its acquisition and removal.
+
+John Street.
+
+ [Surely then Burke was right, and the "Age of Chivalry is
+ past!"--Otherwise the idea of _disarming a statue_ would never
+ have entered the head of any Man of Arms, even in his most
+ frolicsome of moods.]
+
+
+_John Bull_.--_Vertue MSS._--I always fancied that the familiar name
+for our countrymen, about the origin of which "R.F.H." inquires (No.
+21. p. 336.), was adopted from Swift's _History of John Bull_, first
+printed in 1712; but I have no authority for saying so.
+
+If the Vertue MSS. alluded to (No. 20. p. 319.) were ever returned by
+Mr. Steevens to Dr. Rawlinson, they may be in the Bodleian Library, to
+which the Doctor left all his collections, including a large mass of
+papers purchased by him long after Pepys' death, as he described it,
+"Thus et odores vendentibus."
+
+These "_Pepys_ papers," as far as I can recollect, were very
+voluminous, and relating to all sorts of subjects; but I saw them in
+1824, and had only then time to examine and extract for publication
+portions of the correspondence.
+
+Braybrooke.
+
+Audley End, March 25.
+
+
+_Vertue's Manuscripts_.--The MS. quoted under this title by Malone
+is printed entire, or rather all of it which refers to plays, by Mr.
+Peter Cunningham, in the _Papers of the Shakspeare Society_, vol. ii.
+p. 123., from an interleaved copy of Langbaine. Since the publication
+of that paper, the entries relating to Shakspeare's plays have been
+given from the original MS. in the Bodleian Library, in Halliwell's
+_Life of Shakspeare_, p. 272.
+
+S.L.
+
+
+_Vertue's MSS_. (No. 20. p. 319.) were in Horace Walpole's possession,
+bought by him, I think, of Vertue's widow; and his _Anecdotes of
+Painting_ were chiefly composed from them, as he states, with great
+modesty, in his dedication and his preface. I do not see in the
+Strawberry-Hill Catalogue any notice of "Vertue's MSS.," though some
+vols. of his collection of engravings were sold.
+
+C.
+
+
+_Lines attributed to Tom Brown_.--In a book entitled _Liber
+Facetiarum, being a Collection of curious and interesting Anecdotes_,
+published at Newcastle-upon-Tyne, by D. Akenhead & Sons, 1809, the
+passage attributed to Tom Brown by your correspondent "J.T." is given
+to Zacharias Boyd.
+
+The only reference given as authority for the account is the initials
+H.B.
+
+ "Zacharias Boyd, whose bust is to be seen over the entrance
+ to the Royal College in Glasgow, while Professor in that
+ university, translated the Old and New Testament into Scotch
+ Metre; and, from a laudable zeal to disseminate religious
+ knowledge among the lower classes of the community, is said to
+ have left a very considerable sum to defray the expense of the
+ said work, which, however, his executors never printed."
+
+After a few specimens, the account goes on
+
+ "But the highest flight of his Muse appears in the following
+ _beautiful Alexandrine_:
+
+ "And was not Pharaoh a saucy rascal?
+ That would not let the children of Israel, their wives
+ And their little ones, their flocks and their herds, go
+ Out into the wilderness forty days
+ To eat the Pascal.
+
+ "H.B."
+
+Speaking of Zachariah Boyd, Granger says, (vol. ii. p. 379.):
+
+ "His translation of the Scripture in such uncouth verse as to
+ amount to burlesque, has been often quoted, and the just fame
+ of a benefactor to learning has been obscured by that cloud
+ of miserable rhymes. Candour will smile at the foible, but
+ applaud the man.
+
+ "Macure, in his account of Glasgow, p. 223., informs us he
+ lived in the reign of Charles I."
+
+H.I.
+
+Sheffield, March 9. 1850. {373}
+
+
+_Passage in Frith's Works_ (No. 20. p. 319).--This passage should be
+read, as I suppose, "Ab inferiori ad suum superius confuse distribui."
+
+It means that there would be confusion, if what is said distributively
+or universally of the lower, should be applied distributively or
+universally to the higher; or, in other words, if what is said
+universally of a species, should be applied universally to the genus
+that contains that and other species: e.g., properties that are
+universally found in the human species will not be found universally
+in the genus Mammalis, and universal properties of Mammalia wil not be
+universal over the animal kingdom.
+
+T.J.
+
+
+_Martins, the Louvain Printer_.--Your correspondent "W." (No.
+12. p. 185.) is informed, that in Falkenstein's _Geschichte der
+Buchdrucherkunst_ (Leipzig, 1840, p. 257.), Theoderich Martens,
+printer in Louvain and Antwerp, is twice mentioned. I have no doubt
+but this is the correct German form of the name. Mertens, by which he
+was also known, may very possibly be the Flemish form. His Christian
+name was also written Dierik, a short form of Dietrich, which, in its
+turn, is the same as Theodorich.
+
+NORTHMAN.
+
+
+_Master of the Revels_.--"DR. RIMBAULT" states (No. 14. p. 219.), that
+Solomon Dayrolle was appointed Master of the Revels in 1744, but does
+not know the date of his decease. It may be unknown to Dr. Rimbault,
+that Solomon Dayrolle_s_ was an intimate friend and correspondent of
+the great Lord Chesterfield: the correspondence continues from 1748
+to 1755 in the selection of Chesterfield's letters to which I am
+referring.
+
+Dayrolles, during all that period, held a diplomatic appointment from
+this country at the Hague. See Lord Chesterfield's letter to him of
+the 22d Feb. 1748, where Lord C. suggests that by being cautious he
+(Dayrolles) may be put _en train d'être Monsieur l'Envoye_.
+
+In several of the letters Chesterfield warmly and familiarly commends
+his hopeful son, Mr. Stanhope, to the care and attention of Dayrolles.
+
+I have not been able to ascertain when Dayrolles died, but the above
+may lead to the discovery.
+
+W.H. LAMMIN.
+
+
+_French Maxim_.--The French saying quoted by "R.V." is the 223rd
+of _Les Réflexions morales du Duc de la Rochefoucauld_ (Pougin,
+Paris, 1839). I feel great pleasure in being able to answer your
+correspondent's query, as I hope that my reply may be the means of
+introducing to his notice one of the most delightful authors that has
+ever yet written: one who deserves far more attention than he appears
+to receive from general readers in this degenerate age, and from whom
+many of his literary successors have borrowed some of their brightest
+thoughts. I need not go far for an illustration:
+
+ "Praise undeserved, is scandal in disguise,"
+
+is merely a condensation of,
+
+ "Louer les princes des vertus qu'ils n'ont pas, c'est leur
+ dire impunément des injures."--La Rochefoucauld, Max. 327.
+
+I believe that Pope marks it as a _translation--a borrowed
+thought--not as a quotation_. He has just before used the words "your
+Majesty;" and I think the word "_scandal_" is employed "_consulto_,"
+and alludes to the offence known in English law as "scandalum
+magnatum." Your correspondent will, of course, read the work in the
+original; in fact, he _must_ do so _per force_. A good translation
+of _Les Maximes_ is still a desideratum in English literature. I
+have not yet seen one that could lay claim even to the meagre title
+of mediocrity; although I have spared neither time nor pains in the
+search. Should any of your readers have been more fortunate, I shall
+feel obliged by their referring me to it.
+
+MELANION.
+
+
+_Endeavour_.--I have just found the following instance of "endeavour"
+used as an active verb, in Dryden's translation of Maimbourg's
+_History of the League_, 1684.
+
+ "On the one side the majestique House of Bourbon,... and on
+ the other side, that of two eminent families which endeavour'd
+ their own advancement by its destruction; the one is already
+ debas'd to the lowest degree, and the other almost reduc'd to
+ nothing."--p. 3.
+
+C. FORBES.
+
+Temple.
+
+ * * * * *
+
+
+MISCELLANIES.
+
+_Epigram by La Monnoye_.--It has been ingeniously said, that "Life is
+an epigram, of which death is the point." Alas for human nature! good
+points are rare; and no wonder, according to this wicked, but witty,
+
+ EPIGRAM BY LA MONNOYE.
+
+ The world of fools has such a store,
+ That he who would not see an ass,
+ Must bide at home, and bolt his door,
+ And break his looking glass.
+
+S.W.S.
+
+Mickleham, Dec. 10. 1849.
+
+
+_Spur Money_.--Two or three years since, a party of sappers and miners
+was stationed at Peterborough, engaged in the trigonometrical survey,
+when the officer entered the cathedral with his spurs on, and was
+immediately beset by the choristers, who demanded money of him for
+treading the sacred floor with armed heels. Does any one know the
+origin of this singular custom? I inquired of some of the dignitaries
+of the Cathedral, but they were not aware even of its existence. The
+boys, however, have more tenacious memories, at least where their
+interest is concerned; but we must not look to them for the origin of
+a {374} custom which appears to have long existed. In the _Memorials
+of John Ray_, published by the Ray Society, p. 131., there is the
+following entry in his second Itinerary:--
+
+ "July the 26th, 1661, we began our journey northwards from
+ Cambridge, and that day, passing through Huntingdon and
+ Stilton, we rode as far as Peterborough twenty-five miles.
+ There I first heard the Cathedral service. The choristers made
+ us pay money for coming into the choir with our spurs on."
+
+East Winch.
+
+ [The following note from _The Book of the Court_ will serve
+ to illustrate the curious custom referred to by our
+ correspondent:
+
+ "In _The Privy Purse Expenses of King Henry VIII._ edited by
+ Sir Harris Nicolas, there occur several entries of payments
+ made to the choristers of Windsor 'in rewarde for the king's
+ spurs'; which the editor supposes to mean 'money paid to
+ redeem the king's spurs, which had become the fee of the
+ choristers at Windsor, perhaps at installations, or at the
+ annual celebration of St. George's feast.' No notice of the
+ subject occurs in Ashmole's or Anstis's _History of the Order
+ of the Garter_. Mr. Markland, quoting a note to Gifford's
+ edition of Ben Jonson, vol. ii. p. 49., says, 'In the time
+ of Ben Jonson, in consequence of the interruptions to Divine
+ Service occasioned by the ringing of the spurs worn by persons
+ walking and transacting business in cathedrals, and especially
+ in St. Paul's, a small fine was imposed on them, called
+ "spur-money," the exaction of which was committed to the
+ beadles and singing-boys.' This practice, and to which,
+ probably, the items in Henry's household-book bear reference,
+ still obtains, or, at least, did till very lately, in the
+ Chapel Royal and other choirs. Our informant himself claimed
+ the penalty, in Westminster Abbey, from Dr. Fisher, Bishop of
+ Rochester, and received from him an eighteenpenny bank token
+ as the fine. He likewise claimed the penalty from the King
+ of Hanover (then Duke of Cumberland), for entering the choir
+ of the Abbey in his spurs. But His Royal Highness, who had
+ been installed there, excused himself with great readiness,
+ pleading 'his right to wear his spurs in that church, inasmuch
+ as it was the place where they were first put on him!'--See
+ further, _European Mag._, vol. iii. p. 16."]
+
+ * * * * *
+
+MINIMUM DE MALIS.
+
+(_FROM THE LATIN OF BUCHANAN._)
+
+ Calenus owed a single pound, which yet
+ With all my dunning I could never get.
+ Tired of fair words, whose falsehood I foresaw,
+ I hied to Aulus, learned in the law.
+ He heard my story, bade me "Never fear,
+ There was no doubt--no case could be more clear:--
+ He'd do the needful in the proper place,
+ And give his best attention to the case."
+ And this he may have done--for it appears
+ To have been his business for the last ten years,
+ Though on his pains ten times ten pounds bestow'd
+ Have not regain'd that one Calenus owed.
+ Now, fearful lest this unproductive strife
+ Consume at once my fortune and my life,
+ I take the only course I can pursue,
+ And shun my debtor and my lawyer too.
+ I've no more hope from promises or laws,
+ And heartily renounce both debt and cause--
+ But if with either rogue I've more to do,
+ I'll surely choose my debtor of the two;
+ For though I credit not the lies he tells,
+ At least he _gives_ me what the other _sells_.
+
+Rufus.
+
+ * * * * *
+
+_Epigram on Louis XIV._--I find the following epigram among some old
+papers. The emperor would be Leopold I., the king Louis XIV.
+
+_Epigram by the Emperor, 1666, and the King of France._
+
+ Bella fugis, sequeris bellas, pugnæque repugnas,
+ Et bellatori sunt tibi bella tori.
+ Imbelles imbellis amas, totusque videris
+ Mars ad opus Veneris, Martis ad arma Venus.
+
+J.H.L.
+
+
+_Macaulay's Young Levite._--I met, the other day with a rather curious
+confirmation of a passage in Macaulay's _History of England_, which
+has been more assailed perhaps than any other.
+
+In his character of the clergy, Macaulay says, they frequently
+married domestics and retainers of great houses--a statement which has
+grievously excited the wrath of Mr. Babington and other champions.
+In a little book, once very popular, first published in 1628, with
+the title _Microcosmographie, or a Piece of the World discovered_,
+and which is known to have been written by John Earle, after the
+Restoration Bishop of Worcester and then of Salisbury, is the
+following passage. It occurs in what the author calls a character of
+"a young raw preacher."
+
+ "You shall know him by his narrow velvet cape and serge
+ facing, and his ruffe, next his hire, the shortest thing
+ about him.... His friends, and much painefulnesse, may
+ preferre him to thirtie pounds a yeere, and this meanes, to
+ a chamber-maide: with whom we leave him now in the bonds of
+ wedlocke. Next Sunday you shall have him againe."
+
+The same little book contains many very curious and valuable
+illustrations of contemporary manners, especially in the universities.
+
+That the usage Macaulay refers to was not uncommon, we find from a
+passage in the _Woman-Hater_, by Beaumont and Fletcher (1607), Act
+III. Sc. 3.
+
+Lazarillo says,
+
+ "Farewell ye courtly chaplains that be there!
+ All good attend you! May you never more
+ Marry your patron's lady's waiting-woman!"
+
+I.T.
+
+Trin. Coll. Camb., March 16. 1850. {375}
+
+
+_St. Martin's Lane_.--The first building leases of St. Martin's Lane
+and the adjacent courts accidentally came under my notice lately.
+They are dated in 1635 and 1636, and were granted by the then Earl of
+Bedford.
+
+Arun.
+
+ * * * * *
+
+CHARLES DEERING, M.D.
+
+"Author of the Catalogue of Plants in the neighbourhood of Nottingham.
+'Catalogus Stirpium, &c., or a Catalogue of Plants naturally growing
+and commonly cultivated in divers parts of England, and especially
+about Nottingham,' 8vo. Nottingh. 1738.
+
+"He was in the suite of the English ambassador to Russia, returned and
+practised physic in London married unfortunately, buried his wife,
+and then went to Nottingham, where he lived several years. During
+his abode there he wrote a small _Treatise on the Small Pocks_, this
+_Catalogue of Plants_, and the _History of Nottingham_, the materials
+for which John Plumtre, Esq. of Nottingham, was so obliging as to
+assist him with. He also was paid 40l. by a London bookseller for
+adding 20,000 words to an English dictionary. He was master of seven
+languages, and in 1746 he was favoured with a commission in the
+Nottinghamshire Foot, raised at that time. Soon after died, and was
+buried in St. Peter's Churchyard.
+
+"William Ayscough, father of the printer of this _Catalogus Stirpium_
+(G. Ayscough), in 1710, first introduced the art of printing at
+Nottingham.
+
+"Mr. White was the same year the first printer at Newcastle-upon-Tyne;
+and Mr. Dicey at Northampton."--_MS. Note in the Copy of the Cat.
+Stirpium, in the Library of the British Museum_.
+
+ * * * * *
+
+
+MISCELLANEOUS.
+
+NOTES ON BOOKS, CATALOGUES, SALES, ETC.
+
+Our advertising columns already show some of the good results of the
+_Exhibition of the Works of Ancient and Mediæval Art_. Mr. Williams
+announced last week his _Historic Reliques_, to be etched by
+himself. Mr. Cundall has issued proposals for _Choice Examples of Art
+Workmanship_; and, lastly, we hear that an _Illustrated Catalogue
+of the Exhibition_, prepared by Mr. Franks, the zealous Honorary
+Secretary of the Committee, and so arranged as to form a _History of
+Art_, may be expected. We mention these for the purpose of inviting
+our friends to contribute to the several editors such information as
+they may think likely to increase the value of the respective works.
+
+The second edition of our able correspondent, Mr. Peter Cunningham's
+_Handbook of London_, is on the eve of publication.
+
+There are few of our readers but will be glad to learn from
+the announcement in a previous column, that the edition of the
+_Wickliffite Versions of the Scriptures_, upon which Sir Frederick
+Madden and his fellow labourers have been engaged for a period of
+twenty years, is just completed. It forms, we believe, three quarto
+volumes.
+
+Messrs. Puttick and Simpson lately disposed of a most select and
+interesting collection of autograph letters. We unfortunately did not
+receive the catalogue in time to notice it, which we the more regret,
+because, like all their catalogues of autographs, it was drawn up with
+amateur-like intelligence and care; so as to make it worth preserving
+as a valuable record of materials for our history and biography.
+
+We have received the following Catalogues of Books:--No. XXV. of
+Thomas Cole's (15. Great Turnstile): No. 2. for 1850, of William
+Heath's (29½ Lincoln's Inn Fields); and No. 15. of Bernard Quarritch's
+(16. Castle Street, Leicester Square) Catalogue of Oriental and
+Foreign Books.
+
+ * * * * *
+
+BOOKS AND ODD VOLUMES
+
+WANTED TO PURCHASE
+
+(_IN CONTINUATION OF LISTS IN FORMER NOS._)
+
+Mills, Rev. Isaac, of Highcleer--Account of the Life and Conversation
+of, with a Sermon, 8vo., 1721.
+
+Mykur Hazem, by Marcus, London, 1846.
+
+Poems by a Bornnatural, 1849.
+
+_ODD VOLUMES_.
+
+Proceedings of the Philological Society. Vol. I.
+
+Richardson's Correspondence, Vol. I. of the Six-Volume Ed.
+
+Todd's Johnson's Dictionary, 4to., 1819. (Part X. containing Title,
+Preface, &c.)
+
+Partington's British Cyclopædia--That portion of Natural History which
+follows Vol. I.
+
+*** Letters, stating particulars and lowest price, _carriage free_,
+to be sent to Mr. Bell, Publisher of "NOTES AND QUERIES," 186. Fleet
+Street.
+
+ * * * * *
+
+NOTICES TO CORRESPONDENTS.
+
+Burning for Treason.--Can the Correspondent who furnished us with
+a curious Note upon this subject favour us with a copy of it, the
+original having been accidentally mislaid?
+
+We are again compelled, from want of space, to omit many curious
+and interesting articles; and, after this statement, must beg our
+kind friends at Leeds, Brompton, &c., who complain of delay in the
+insertion of their communications, to do us the favour to refer to the
+notice on this very subject which appeared in our early numbers.
+
+Notes and Queries may be procured by the Trade at noon on Friday:
+so that our country Subscribers ought to experience no difficulty in
+receiving it regularly. Many of the country Booksellers are probably
+not yet aware of this arrangement, which enables them to receive
+Copies in their Saturday parcels. Part V. is now ready.
+
+ * * * * *{376}
+
+THE QUARTERLY REVIEW,
+
+No. CLXXII. is Published This Day.
+
+ CONTENTS:
+ I. GIACOMO LEOPARDI AND HIS WRITINGS.
+ II. RANKE'S HOUSE OF BRANDENBURG.
+ III. QUEEN'S COLLEGE, LONDON.
+ IV. GROTE'S HISTORY OF GREECE.
+ V. URQUHART'S PILLARS OF HERCULES.
+ VI. FACTS IN FIGURES.
+ VII. THE DUTIFUL SON.
+ VIII. CUNNINGHAM'S HANDBOOK OF LONDON.
+ IX. BAXTER'S IMPRESSIONS OF EUROPE.
+ X. LORD LIEUTENANT CLARENDON.
+ XI. LOUIS PHILIPPE.
+
+John Murray, Albemarle Street.
+
+ * * * * *
+
+NEARLY READY.
+
+[Illustration: CHOICE EXAMPLES OF ART WORKMANSHIP Selected from the
+Exhibition of ANCIENT AND MEDIÆVAL ART at the Society of Arts]
+
+A Prospectus, containing a Specimen of the Illustrations, will be sent
+on receipt of two postage stamps.
+
+Joseph Cundall, 21. Old Bond Street.
+
+ * * * * *
+
+MILLER'S CATALOGUE OF ANCIENT AND MODERN BOOKS.--NUMBER FOUR is ready
+this day, and can be had Gratis, and sent, if required, Postage Free.
+Address, John Miller, 43, Chandos Street, Trafalgar Square. This List
+embraces numerous valuable and interesting Books on English Poetry,
+the Drama, History, Biography, Voyages and Travels, &c., with the
+works of a few of the best Continental writers, a selection of
+Pictorial Books of Scenery, Costume, Topography, and Drawing-room
+Table Books.
+
+Also, on forwarding Four Postage Stamps, JOHN MILLER'S CATALOGUE OF
+BOOKS FOR THE PAST QUARTER may be had stitched in a wrapper, with
+a Table of Contents, showing at one glance the range of subjects
+embraced, amongst which may be enumerated the following, viz.,
+America, Angling, Banking and Currency, Coins, Dictionaries,
+Drawing-books, Games, Sports, &c., Heraldry, Genealogy and Family
+History, Ireland, its History and Literature, Kent, its History and
+Topography, Law, Music, its History and Theory, Painting and the Fine
+Arts, Shakspeariana, and a variety of other branches of Literature
+comprised in upwards of 1500 articles.
+
+John Miller, 43. Chandos Street, Trafalgar Square.
+
+ * * * * *
+
+THE ANGLO-SAXON, for April, Price 2s. 6d. or 3s. post-free, contains
+England and her Colonies: County Colonisation, with Maps--English
+Church Music--Christian Architecture--London: a Poem, Essay II.--The
+Alfred Medals: Three Sonnets, by Martin F. Tupper--Anglo-Saxon
+Literature: the Jubilee Edition of King Alfred's Works, with Specimens
+and Translations--Wives and Mothers--Anglo-Saxon Colonies: Victoria,
+Cooksland, Port Essington, (Papua--Timor)--Original Ballads.
+
+The ANGLO-SAXON for 1849 forms a handsome volume, price One Guinea.
+
+London: T. Bosworth, 215. Regent Street.
+
+ * * * * *
+
+Published every Saturday, price 3d., or stamped, 4d., also in Monthly
+Parts. Part V. (for March), price 1s. 3d., now ready.
+
+NOTES AND QUERIES: a Medium of Inter-communication for Literary Men,
+Artists, Antiquaries, Genealogists, &c.
+
+The attention of Publishers and Booksellers is particularly
+requested to this Periodical as a medium for advertising. It contains
+communications from the most eminent Literary Men, and is circulated
+largely amongst the best class of book-buyers.
+
+In addition to the valuable matter which will be found in its columns,
+it contains notices of Book Sales, Booksellers' Catalogues, and Lists
+of Books wanted to purchase,--features which it is believed will
+be found valuable to Dealers in Old Books, as well as useful to
+Purchasers.
+
+ SCALE OF PRICES.
+ £ s. d.
+ Six lines and under . . . . 0 5 0
+ Above six lines, per line . 0 0 6
+ Half a column . . . . . . . 0 16 0
+ Column . . . . . . . . . . 1 10 0
+ Page . . . . . . . . . . . 2 10 0
+
+***Advertisements must be sent by the Wednesday previous to the
+Saturday on which they are intended to appear; Notes and Queries
+being issued to the Trade on Friday afternoon.
+
+OPINIONS OF THE PRESS.
+
+ "As good a first number as we remember to have seen. The
+ Editor exhibits a phalanx of eminent assistants. * * There can
+ be no doubt of the value of a Literary Medium of this peculiar
+ kind."--_Athenæum_.
+
+ "We like the plan much. * * We wish success to a
+ publication which promises to be agreeable, intelligent, and
+ useful."--_Literary Gazette_.
+
+ "We feel great pleasure in welcoming into the literary
+ world this publication, which promises to fill up a void
+ that has constantly been lamented by every person engaged
+ in any particular branch of study that required experience
+ and research. * * It is a publication in which all literary
+ persons must feel a deep interest, and that has our heartiest
+ wishes for its success."--_Morning Herald_.
+
+ "This is a new periodical, with a new idea, and one that
+ deserves and will be sure to receive encouragement amongst
+ scholars and readers really deserving that appellation. * *
+ It is a capital idea; and every one who makes Notes or has
+ Queries should buy it and contribute to it."--_Weekly News_.
+
+ "That valuable publication The Notes and Queries, so
+ auspiciously commenced."--_New Bell's Messenger_.
+
+ "With whomsoever the idea of publishing this useful and
+ interesting periodical first originated, that person is
+ entitled to the thanks of every author, antiquary, and
+ scholar, in the United Kingdom. * * We recommend, in all
+ sincerity, The Notes and Queries to the attention of lovers
+ of literature in general."--_Morning Post_.
+
+London: George Bell, 186. Fleet Street.
+
+ * * * * *
+
+Just Published, Parts 13 and 14, imperial quarto. Price 3_s._
+each, tinted 4s.
+
+RELIQUES OF ANCIENT ENGLISH ARCHITECTURE, from Drawings by John
+Johnson, Architect, F.S.A., Lithographed by Alfred Newman.
+
+Contents, Part 13:--Hawton Church; Notts.--St. Mary's,
+Stamford--Aldwinkle, All Saints, Northamptonshire-Wellingborough
+Church, Northamptonshire.
+
+Part 14--Skelton Church, from the South-East and South-West--Rye
+House, Herts.--Holbeach Church, Lincolnshire.
+
+This Work is intended to embrace a series of examples of
+Ecclesiastical, Collegiate, and Domestic Architecture. It will be
+completed in Twenty Monthly Parts, price 3s. each, tinted 4s.
+
+London: George Bell, 186. Fleet Street.
+
+ * * * * *
+
+Preparing for immediate Publication, in 2 vols. small octavo.
+
+THE FOLK-LORE OF ENGLAND. By William J. Thoms, F.S.A., Secretary
+of the Camden Society, Editor of "Early Prose Romances," "Lays and
+Legends of all Nations," &c. One object of the present work is to
+furnish new contributions to the History of our National Folk-Lore;
+and especially some of the more striking illustrations of the subject
+to be found in the Writings of Jacob Grimm and other Continental
+Antiquaries.
+
+Communications of inedited Legends, Notices of remarkable Customs and
+Popular Observances, Rhyming Charms, &c. are earnestly solicited, and
+will be thankfully acknowledged by the Editor. They may be addressed
+to the care of Mr. Bell, Office of "Notes and Queries," 186. Fleet
+Street.
+
+ * * * * *
+
+Printed by Thomas Clark Shaw, of No. 8. New Street Square, at No. 5.
+New Street Square, in the Parish of St. Bride, in the City of London;
+and published by George Bell, of No. 186. Fleet Street, in the Parish
+of St. Dunstan in The West, in the City of London, Publisher, at No.
+186. Fleet Street aforesaid.--Saturday, April 6, 1850.
+
+ * * * * *
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries 1850.04.06, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.04.06 ***
+
+***** This file should be named 12505-8.txt or 12505-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/2/5/0/12505/
+
+Produced by Jon Ingram, William Flis, and the Online Distributed
+Proofreading Team. With thanks to Internet Library of Early Journals.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year. For example:
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/12505-8.zip b/12505-8.zip
new file mode 100644
index 0000000..be5460b
--- /dev/null
+++ b/12505-8.zip
Binary files differ
diff --git a/12505-h.zip b/12505-h.zip
new file mode 100644
index 0000000..7eebd03
--- /dev/null
+++ b/12505-h.zip
Binary files differ
diff --git a/12505-h/12505-h.htm b/12505-h/12505-h.htm
new file mode 100644
index 0000000..b20d1b5
--- /dev/null
+++ b/12505-h/12505-h.htm
@@ -0,0 +1,3168 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+ <meta http-equiv="Content-Type"
+ content="text/html; charset=us-ascii" />
+
+ <title>Notes And Queries, Issue 23.</title>
+ <style type="text/css">
+
+ /*<![CDATA[*/
+ <!--
+ body {margin-left: 10%; margin-right: 10%;}
+ p {text-align: justify;}
+ blockquote {text-align: justify;}
+ h1,h2,h3,h4,h5,h6 {text-align: center;}
+ pre {font-size: 0.7em;}
+
+ hr {text-align: center; width: 50%;}
+ html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;}
+ hr.full {width: 100%;}
+ html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.adverts {width: 100%; height: 5px; color: black;}
+ html>body hr.adverts {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.short {text-align: center; width: 20%;}
+ html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;}
+
+
+ .note, .footnote {margin-left: 10%; margin-right: 10%;
+ font-size: 0.9em;}
+
+ .poem {margin-left:10%; margin-right:10%;
+ text-align: left;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ .poem p.i2 {margin-left: 2em;}
+ .poem p.i4 {margin-left: 4em;}
+ .poem p.i6 {margin-left: 6em;}
+ .poem p.i8 {margin-left: 8em;}
+ .poem p.i16 {margin-left: 16em;}
+ .poem .caesura {vertical-align: -200%;}
+
+ span.pagenum {position: absolute; left: 1%; right: 91%;
+ font-size: 8pt;}
+
+ p.author {text-align: right;}
+
+ .figcenter, .figright, .figleft
+ {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;}
+ .figcenter img, .figright img, .figleft img
+ {border: none;}
+ .figcenter p, .figright p, .figleft p
+ {margin: 0; text-indent: 1em;}
+ .figcenter {margin: auto;}
+ .figright {float: right;}
+ .figleft {float: left;}
+
+ -->
+ /*]]>*/
+ </style>
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Notes and Queries 1850.04.06, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries 1850.04.06
+
+Author: Various
+
+Release Date: June 3, 2004 [EBook #12505]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.04.06 ***
+
+
+
+
+Produced by Jon Ingram, William Flis, and the Online Distributed
+Proofreading Team. With thanks to Internet Library of Early Journals.
+
+
+
+
+
+
+</pre>
+
+ <span class="pagenum"><a name="page361"
+ id="page361"></a>{361}</span>
+
+ <h1>NOTES AND QUERIES:</h1>
+
+ <h2>A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS,
+ ANTIQUARIES, GENEALOGISTS, ETC.</h2>
+ <hr />
+
+ <h3><b>"When found, make a note of."</b>&mdash;CAPTAIN
+ CUTTLE.</h3>
+ <hr class="full" />
+
+ <table summary="masthead"
+ width="100%">
+ <tr>
+ <td align="left"
+ width="25%"><b>No. 23.</b></td>
+
+ <td align="center"
+ width="50%"><b>SATURDAY, APRIL 6. 1850.</b></td>
+
+ <td align="right"
+ width="25%"><b>Price Threepence.<br />
+ Stamped Edition 4d.</b></td>
+ </tr>
+ </table>
+ <hr class="full" />
+
+ <h2>CONTENTS.</h2>
+
+ <table summary="Contents"
+ align="center">
+ <tr>
+ <td align="left">NOTES:&mdash;</td>
+
+ <td align="right">Page</td>
+ </tr>
+
+ <tr>
+ <td align="left">Periplus of Hanno, by R.T.
+ Hampson</td>
+
+ <td align="right"><a href="#page361">361</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Pope Vindicated</td>
+
+ <td align="right"><a href="#page362">362</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">The Supper of the Lorde</td>
+
+ <td align="right"><a href="#page362">362</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Folk Lore:&mdash;Palm Sunday
+ Wind&mdash;Curious Symbolical Custom&mdash;The Wild
+ Huntsman</td>
+
+ <td align="right"><a href="#page363">363</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">On Authors and Books, No. VI, by
+ Bolton Corney</td>
+
+ <td align="right"><a href="#page363">363</a></td>
+ </tr>
+
+ <tr>
+ <td></td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">QUERIES:&mdash;</td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">Nicholas Breton's Crossing of
+ Proverbs, by J.P. Collier</td>
+
+ <td align="right"><a href="#page364">364</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Sword called Curtana, by E.F.
+ Rimbault, LL.D.</td>
+
+ <td align="right"><a href="#page364">364</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Is the Dombec the Domesday of Alfred?
+ by George Munford</td>
+
+ <td align="right"><a href="#page365">365</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Minor Queries:&mdash;Wickliffite
+ Versions of the Scriptures&mdash;Gloves&mdash;Law
+ Courts at St. Alban's&mdash;Milton
+ Pedigree&mdash;Sapcote Motto&mdash;Scala Coeli,
+ &amp;c.</td>
+
+ <td align="right"><a href="#page366">366</a></td>
+ </tr>
+
+ <tr>
+ <td></td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">REPLIES:&mdash;</td>
+ </tr>
+
+ <tr>
+ <td align="left">The Arabic Numerals and Cipher</td>
+
+ <td align="right"><a href="#page367">367</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Replies to Minor Queries, by Sir W.C.
+ Trevelyan</td>
+
+ <td align="right"><a href="#page368">368</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Derivation of "News"</td>
+
+ <td align="right"><a href="#page369">369</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Replies to Minor
+ Queries:&mdash;Swot&mdash;Pokership&mdash;Vox
+ Populi&mdash;Living Dog better than dead
+ Lion&mdash;Curious Monumental
+ Brasses&mdash;Chapels&mdash;Forthlot&mdash;Loscop&mdash;
+ Smelling of the Lamp&mdash;Anglo-Saxon MS. of
+ Orosius&mdash;Golden Frog&mdash;Sword of Charles
+ I.&mdash;John Bull&mdash;Vertue MSS.&mdash;Lines
+ attributed to Tom Brown, &amp;c.</td>
+
+ <td align="right"><a href="#page369">369</a></td>
+ </tr>
+
+ <tr>
+ <td></td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">MISCELLANIES:&mdash;</td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">Epigram by La Monnoye&mdash;Spur
+ Money&mdash;Minimum de Malls&mdash;Epigram on Louis
+ XIV.&mdash;Macaulay's Young Levite&mdash;St. Martin's
+ Lane&mdash;Charles Deering, M.D.</td>
+
+ <td align="right"><a href="#page373">373</a></td>
+ </tr>
+
+ <tr>
+ <td></td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">MISCELLANEOUS:&mdash;</td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">Notes on Books, Sales, Catalogues,
+ &amp;c.</td>
+
+ <td align="right"><a href="#page375">375</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Books and Odd Volumes wanted</td>
+
+ <td align="right"><a href="#page375">375</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Notices to Correspondents</td>
+
+ <td align="right"><a href="#page375">375</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Advertisements</td>
+
+ <td align="right"><a href="#page376">376</a></td>
+ </tr>
+ </table>
+ <hr />
+
+ <h3>PERIPLUS OF HANNO THE CARTHAGINIAN.</h3>
+
+ <p>I am not sufficiently Quixotic to attempt a defence of the
+ Carthaginians on the western coast of Africa, or any where
+ else, but I submit that the accusation brought against them by
+ Mr. S. Bannister, formerly Attorney-General of New South Wales,
+ is not sustained by the only record we possess of Hanno's
+ colonising expedition. That gentleman, in his learned
+ <i>Records of British Enterprise beyond Sea</i>, just
+ published, says, in a note, p. xlvii.:&mdash;</p>
+
+ <p>"The first nomade tribe they reached was friendly, and
+ furnished Hanno with <i>interpreters</i>. At length they
+ discovered a nation <i>whose language was unknown to the
+ interpreters</i>. These strangers they attempted to seize; and,
+ upon their resistance, they took three of the women, whom they
+ put to death, and carried their skins to Carthage" (<i>Geogr.
+ Gr&aelig;ci Minores</i>, Paris, 1826, p. 115.).</p>
+
+ <p>Hanno obtained interpreters from a people who dwelt on the
+ banks of a large river, called the Lixus, and supposed to be
+ the modern St. Cyprian. Having sailed thence for several days,
+ and touched at different places, planting a colony in one of
+ them, he came to a mountainous country inhabited by savages,
+ who wore skins of wild beasts,
+ &delta;&epsilon;&rho;&mu;&alpha;&tau;&alpha;
+ &theta;&eta;&rho;&epsilon;&iota;&alpha;
+ &epsilon;&nu;&eta;&mu;&mu;&epsilon;&nu;&omega;&nu;. At a
+ distance of twelve days' sail he came to some Ethiopians, who
+ could not endure the Carthaginians, and who spoke
+ unintelligibly even to the Lixite interpreters. These are the
+ people whose women, Mr. Bannister says, they killed. Hanno
+ sailed from this inhospitable coast fifteen days, and came to a
+ gulf which he calls &Nu;&omicron;&tau;&omicron;&upsilon;
+ &Kappa;&epsilon;&rho;&alpha;, or South Horn.</p>
+
+ <blockquote>
+ <p>"Here," says the Dr. Hawkesworth, of Carthage, "in the
+ gulf, was an island, like the former, containing a lake,
+ and in this another island, full of wild men; but the women
+ were much more numerous, <i>with hairy bodies</i>
+ (&delta;&alpha;&sigma;&epsilon;&iota;&alpha;&iota;
+ &tau;&omicron;&iota;&sigma;
+ &sigma;&omega;&mu;&alpha;&sigma;&iota;&nu;), whom the
+ interpreters called
+ &gamma;&omicron;&rho;&iota;&lambda;&lambda;&alpha;&sigma;.
+ We pursued the men, who, flying to precipices, defended
+ themselves with stones, and could not be taken. Three
+ women, who bit and scratched their leaders, would not
+ follow them. Having killed them, we brought their skins to
+ Carthage."</p>
+ </blockquote>
+
+ <p>He does not so much as intimate that the creatures who so
+ defended themselves with stones, or those whose bodies were
+ covered with hair, spoke any language. Nothing but the words
+ &alpha;&nu;&theta;&rho;&omega;&pi;&omicron;&iota;
+ &alpha;&gamma;&rho;&iota;&omicron;&iota; and
+ &gamma;&upsilon;&nu;&alpha;&iota;&kappa;&epsilon;&sigma; can
+ lead us to believe that they were human beings at all; while
+ the description of the behaviour of the men, and the bodies of
+ the women, is not repugnant to the supposition that they were
+ large apes, baboons, or orang-outangs, common to this part of
+ Africa. At all events, the voyagers do not say that they flayed
+ a people having the faculty of speech.</p>
+
+ <p>It is not, however, improbable that the Carthaginians were
+ severe taskmasters of the people whom they subdued. Such I
+ understand those to have been who opened the British tin mines,
+ and who, according to Diodorus Siculus, excessively overworked
+ the wretches who toiled for them, "wasting their bodies
+ underground, and dying, <span class="pagenum"><a name="page362"
+ id="page362"></a>{362}</span> many a one, through extremity
+ of suffering, while others perished under the lashes of the
+ overseer." (<i>Bibl. Hist.</i> l. v. c. 38.)</p>
+
+ <p class="author">R.T. Hampson.</p>
+ <hr />
+
+ <h3>POPE VINDICATED.</h3>
+
+ <p>"P.C.S.S." is too great an admirer of Pope not to seek to
+ vindicate him from one, at least, of the blunders attributed to
+ him by Mr. D. Stevens, at p. 331. of the "Notes and
+ Queries."</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"Singed are his <i>brows</i>, the scorching
+ <i>lids</i> grow black."</p>
+ </div>
+ </div>
+
+ <p>Now, if Mr. S. will refer to Homer, he will find that the
+ original fully justifies the use of "brows" and "lids" in the
+ <i>plural</i>. It runs thus (<i>Od.</i> ix. v. 389.):</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"&Pi;&alpha;&nu;&tau;&alpha; &delta;&epsilon;
+ &upsilon;&iota;
+ &beta;&lambda;&epsilon;&phi;&alpha;&rho;
+ &alpha;&mu;&phi;&iota; &kappa;&alpha;&iota;
+ &omicron;&phi;&rho;&upsilon;&alpha;&sigma;
+ &epsilon;&upsilon;&sigma;&epsilon;&nu;
+ &alpha;&upsilon;&tau;&mu;&eta;."</p>
+ </div>
+ </div>
+
+ <p>"P.C.S.S." wishes that he could equally remove from Pope the
+ charge of inaccuracy respecting the <i>three</i> cannibal meals
+ of Polyphemus. He fears that nothing can be alleged to impugn
+ Mr. Stevens's perfectly just criticism.</p>
+
+ <p>While on the subject of Pope, "P.C.S.S." would wish to
+ advert to a communication (No. 16. p. 246.) in which it is
+ insinuated that Pope was probably indebted to Petronius Arbiter
+ for the well-known passage&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"Worth makes the man, and want of it the fellow;</p>
+
+ <p>The rest is all but leather and prunella."</p>
+ </div>
+ </div>
+
+ <p>With all respect for the ingenious author of that
+ communication, "P.C.S.S." confesses that he is unable to
+ discover such a similitude of expression as might warrant the
+ notion that Pope had been a borrower from Petronius. He cannot
+ suppose that Mr. F. could have been led away by any supposed
+ analogy between <i>corium</i> and <i>coricillum</i>. The
+ latter, Mr. F. must know, is nothing more than a diminutive of
+ a diminutive (coricillum, <i>not</i> corcillum, from corculum);
+ and the word is coined by Petronius to ridicule one of the
+ affectations of Trimalchio (Nero), who was wont to indulge, to
+ an absurd extent, in the use of such diminutives (<i>vide</i>
+ Burmann, <i>in loco</i>). "P.C.S.S." will now subjoin such
+ translations of the passage in question as he has hitherto had
+ opportunities of referring to. The first is from <i>The Works
+ of Petronius Arbiter, translated by several hands</i>, Lond.
+ 8vo. 4th edit. 1714. At the beginning of the translation itself
+ there is this heading&mdash;"Made English by Mr. Wilson, of the
+ Middle Temple, and several others." The passage in question is
+ thus rendered:&mdash;</p>
+
+ <blockquote>
+ <p>"Come, my friends, let us see how merry you can be! for
+ in my time, I have been no better than yourselves; but, by
+ my own industry, I am what I am. <i>'Tis the heart makes
+ the man</i>; all the rest is but stuff!"</p>
+ </blockquote>
+
+ <p>In another translation, which, with Grub-Street audacity,
+ the publisher, in his title-passage, presumes to attribute to
+ Addison! and which appeared in 1736 (Lond. 8vo.), the passage
+ is as follows:&mdash;</p>
+
+ <blockquote>
+ <p>"I was once as you are: but now, thanks to my industry,
+ I am what I am. <i>It is the heart that makes the man</i>;
+ all the rest is but stuff!"</p>
+ </blockquote>
+
+ <p>Be the translator who he may, this version, so impudently
+ ascribed to the moral Addison, is written with much spirit and
+ power, and with a remarkable comprehension of the author's
+ meaning. Some of the poetical fragments at the end are, indeed,
+ singularly well done.</p>
+
+ <p>Of the two French versions which "P.C.S.S." has examined,
+ the one by Levaur (Paris, 8vo. 1726) thus translates the
+ passage:</p>
+
+ <blockquote>
+ <p>"Je vous prie, mes amis ... <i>C'est le coeur qui fait
+ les hommes; je compte le reste pour un
+ f&eacute;tu</i>."</p>
+ </blockquote>
+
+ <p>In that of Boispreaux (Lond. 1742), it is simply
+ rendered&mdash;</p>
+
+ <blockquote>
+ <p>"Mon s&ccedil;avoir faire m'a tir&eacute; du pair.
+ <i>C'est le coeur qui fait l'homme</i> ..."</p>
+ </blockquote>
+
+ <p>No attempt is made to translate the <i>quisquilia</i>.</p>
+
+ <p class="author">P.C.S.S.</p>
+ <hr />
+
+ <h3>"THE SUPPER OF THE LORDE."</h3>
+
+ <p>I shall be glad to find that your correspondent "C.H." (No.
+ 21. p. 333.) receives a satisfactory answer to his inquiry, as
+ such a reply would also satisfy my earlier query, No. 7. p.
+ 109. I perceive, however, from his letter, that I can give him
+ some information on other points noticed in it, though the
+ absence of papers now passing through the press with the Parker
+ Society's reprint of a third volume of Tyndale, will prevent my
+ replying with such precision as I could wish. That ancient
+ tract on "The Supper of the Lorde, after the true meanyng of
+ the sixte of John," &amp;c., of which "C.H." says he possesses
+ a copy, was reprinted at different intervals with the same
+ date, viz., MCCCCCXXXIII, Apryll v., on its title-page. The
+ original edition has a final colophon, stating that it was
+ "imprinted at Nornberg, by Nielas Twonson," and is so rare,
+ that I have not been able to discover the existence of any
+ copy, but one recently deposited in the Bodleian. That "C.H.'s"
+ copy is not a specimen of that first edition, is apparent from
+ two circumstances. The first is, that he has given you a
+ quotation from his copy as follows:&mdash;"And as for M. More,
+ whom the verity most offendeth, and doth but mocke it," whereas
+ the original edition has, "And as for M. Mocke," &amp;c., and
+ Sir Thomas More notices this mockage of his name in his reply.
+ The next is, that his copy contains "Crowley's Epistle to the
+ Reader," which does not appear in any edition of an earlier
+ date than 1551. When first attached to this treatise, the
+ epistle was anonymous, as may be seen in the Lambeth copy; but
+ Crowley eventually <span class="pagenum"><a name="page363"
+ id="page363"></a>{363}</span> affixed his name to the
+ epistle, as it appears in "C.H.'s" and in other copies.
+ Robert Crowley was a fellow of Magdalen College, Oxford;
+ vicar of St. Giles, Cripplegate; a printer and publisher;
+ but to his singular combination of titles, we cannot add
+ that of author of the treatise in question. "C.H." has seen
+ that he did not enter Oxford till 1534; and in his Prefatory
+ Epistle, Crowley speaks of the author of the treatise as a
+ person distinct from himself.</p>
+
+ <p>I do not wish, however, to be considered as positively
+ affirming the treatise to be Tyndale's. Foxe, the
+ martyrologist, edited Tyndale's works for Day, and he has only
+ said that this treatise was "compiled, as some do gather, by M.
+ Wm. Tyndale, because the method and phrase agree with his, and
+ the time of writing are [sic] concurrent." On the other hand,
+ the authorship is unhesitatingly assigned to Tyndale by Mr. C.
+ Anderson (<i>Annals of the English Bible</i>, &sect;ix. <i>ad
+ finem</i>), and by Mr. Geo. Offer (<i>Mem. of Tyndale</i>, p.
+ 30.), the two most pains-taking and best informants as to his
+ works. But still there are objections of such force, that I
+ must confess myself rather inclined to attribute the treatise
+ to Joy's pen, if I could but be satisfied that he was capable
+ of writing so correctly, and of keeping so clear of vulgarity
+ in a controversy with a popish persecutor.</p>
+
+ <p class="author">H.W.</p>
+ <hr />
+
+ <h3>FOLK LORE.</h3>
+
+ <p><i>Palm Sunday Wind</i>.&mdash;It is a common idea among
+ many of the farmers and labourers of this immediate
+ neighbourhood, that, from whatever quarter the wind blows for
+ the most part on Palm Sunday, it will continue to blow from the
+ same quarter for the most part during the ensuing summer.</p>
+
+ <p>Is this notion prevalent in other parts of the country, as a
+ piece of "Folk-Lore?"</p>
+
+ <p class="author">R.V.</p>
+
+ <p>Winchester, March 26.</p>
+
+ <p><i>Curious Symbolical Custom</i>.&mdash;On Saturday last I
+ married a couple in the parish church. An old woman, an aunt of
+ the bridegroom, displeased at the marriage, stood at the church
+ gate and pronounced an anathema on the married pair. She then
+ bought a new broom, went home, swept her house, and hung the
+ broom over the door. By this she intimated her rejection of her
+ nephew, and forbade him to enter her house. Is this a known
+ custom? What is its origin?</p>
+
+ <p class="author">H. Morland Austen.</p>
+
+ <p>St. Peter's, Thanet, March 25. 1850.</p>
+
+ <p><i>The Wild Huntsman</i>.&mdash;The interesting
+ contributions of your correspondent "Seleucus," on "Folk Lore,"
+ brought to my recollection the "Wild Huntsman" of the German
+ poet, Tieck; of whose verses on that superstitious belief,
+ still current among the imaginative peasantry of Germany, I
+ send you a translation, <i>done into English</i> many years
+ ago. The Welsh dogs of Annwn, or "couriers of the
+ air"&mdash;the spirit-hounds who hunt the souls of the
+ dead&mdash;are part of that popular belief existing among all
+ nations, which delivers up the noon of night to ungracious
+ influences, that "fade on the crowing of the cock."</p>
+
+ <h4>"THE WILD HUNTSMAN.</h4>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"At the dead of the night the Wild Huntsman
+ awakes,</p>
+
+ <p>In the deepest recess of the dark forest's
+ brakes;</p>
+
+ <p>He lists to the storm, and arises in scorn.</p>
+
+ <p>He summons his hounds with his far-sounding
+ horn;</p>
+
+ <p>He mounts his black steed; like the lightning they
+ fly</p>
+
+ <p>And sweep the hush'd forest with snort and with
+ cry.</p>
+
+ <p>Loud neighs his black courser; hark his horn, how
+ 'tis swelling!</p>
+
+ <p>He chases his comrades, his hounds wildly
+ yelling.</p>
+
+ <p>Speed along! speed along! for the race is all
+ ours;</p>
+
+ <p>Speed along! speed along! while the midnight still
+ lours;</p>
+
+ <p>The spirits of darkness will chase him in scorn,</p>
+
+ <p>Who dreads our wild howl, and the shriek of our
+ horn,</p>
+
+ <p>Thus yelling and belling they sweep on the wind,</p>
+
+ <p>The dread of the pious and reverent mind:</p>
+
+ <p>But all who roam gladly in forests, by night,</p>
+
+ <p>This conflict of spirits will strangely
+ delight."</p>
+ </div>
+ </div>
+
+ <p class="author">J.M.</p>
+
+ <p>Oxford, March 13.</p>
+ <hr />
+
+ <h3>ON AUTHORS AND BOOKS, NO. VI.</h3>
+
+ <p>In the union of scholarship, polished manners, and
+ amiability of character, we have had few men to surpass the
+ reverend Joseph Spence. His career was suitable to his deserts.
+ He was fortunate in his connections, fortunate in his
+ appointments, and fortunate in his share of fame.</p>
+
+ <p>His fame, however, is somewhat diminished. His <i>Essay on
+ the Odyssey</i>, which procured him the friendship of Pope, has
+ ceased to be in request; his <i>Polymetis</i>, once the
+ ornament of every choice library, has been superseded by the
+ publications of Millin and Smith; his poems are only to be met
+ with in the collections of Dodsley and Nichols. If we now dwell
+ with pleasure on his name, it is chiefly as a recorder of the
+ sayings of others&mdash;it is on account of his assiduity in
+ making <i>notes!</i> I allude to the volume entitled
+ <i>Anecdotes, observations, and characters of books and
+ men</i>, which was edited by my friend Mr. Singer, with his
+ wonted care and ability in 1820.</p>
+
+ <p>The <i>Essay on the Odyssey</i> was first published
+ anonymously in 1726-7. It was reprinted in 1737 and 1747. A
+ copy of the latter edition, now in my possession, contains this
+ curious note:&mdash;</p>
+
+ <blockquote>
+ <p>"It is remarkable that of twelve passages objected to in
+ this critique on the English Odyssey, <i>two</i> only are
+ found in those books which were translated by Pope.</p>
+
+ <p>"From Mr. Langton, who had his information from Mr.
+ Spence.</p>
+
+ <p>"When Spence carried his preface to Gorboduc in
+ <span class="pagenum"><a name="page364"
+ id="page364"></a>{364}</span> 1736 to Pope, he asked him
+ his opinion. Pope said 'It would do very well; there was
+ nothing <i>pert</i> or <i>low</i> in it.' Spence was
+ satisfied with this praise, which however, was in
+ implied censure on all his other writings.&mdash;He is
+ very fond of the familiar vulgarisms of common talk, and
+ is the very reverse of Dr. Johnson.</p>
+ </blockquote>
+
+ <p>"E.M." [Edmond Malone.]</p>
+
+ <p>The note is not signed at length, but there can be no doubt
+ as to its authorship, as I purchased the volume which contains
+ it at the sale of the unreserved books of Mr. Malone in
+ 1818.</p>
+
+ <p class="author">Bolton Corney.</p>
+ <hr class="full" />
+
+ <h2>QUERIES.</h2>
+
+ <h3>NICHOLAS BRETON'S "CROSSING OF PROVERBS."</h3>
+
+ <p>Although my query respecting William Basse and his poem,
+ "Great Britain's Sun's Set," (No. 13. p. 200), produced no
+ positive information touching that production, it gave an
+ opportunity to some of your correspondents to communicate
+ valuable intelligence relating to the author and to other works
+ by him, for which I, for one, was very much obliged. If I did
+ not obtain exactly what I wanted, I obtained something that
+ hereafter may be extremely useful; and that I could not,
+ perhaps, have obtained in any other way than through the medium
+ of your pleasant and welcome periodical.</p>
+
+ <p>I am now, therefore, about to put a question regarding
+ another writer of more celebrity and ability. Among our early
+ pamphleteers, there was certainly none more voluminous than
+ Nicholas Breton, who began writing in 1575, and did not lay
+ down his pen until late in the reign of James I. A list of his
+ pieces (by no means complete, but the fullest that has been
+ compiled) may be seen in Lowndes's <i>Bibl. Manual</i>; it
+ includes several not by Breton, among them Sir Philip Sidney's
+ <i>Ourania</i>, 1606, which in fact is by a person of the name
+ Backster; and it omits the one to which my present
+ communication refers, and regarding which I am at some
+ loss.</p>
+
+ <p>In the late Mr. Heber's <i>Catalogue</i>, part iv. p. 10., I
+ read as follows, under the name of Nicholas Breton:&mdash;</p>
+
+ <blockquote>
+ <p>"Crossing of Proverbs. The Second Part, with certaine
+ briefe Questions and Answeres, by N.B., Gent. Extremely
+ rare and very curious, <i>but imperfect</i>. It appears to
+ contain a portion of the first part, and also of the
+ second; but it appears to be unknown."</p>
+ </blockquote>
+
+ <p>Into whose hands this fragment devolved I know not; and that
+ is one point I am anxious to ascertain, because I have another
+ fragment, which consists of what is evidently the first sheet
+ of the first part of the tract in question, with the following
+ title-page, which I quote <i>totidem literis</i>:&mdash;</p>
+
+ <blockquote>
+ <p>"Crossing of Proverbs. Crosse-Answeres. And
+ Crosse-Humours. By B.N., Gent. At London, Printed for John
+ Wright, and are to be solde at his Shop without Newgate, at
+ the signe of the Bible, 1616."</p>
+ </blockquote>
+
+ <p>It is in 8vo., as Heber's fragment appears to have been; but
+ then the initials of the author are given as N.B., whereas in
+ my fragment they stand B.N., a usual inversion with Nicholas
+ Breton; the brief address "To the Reader" is also subscribed
+ B.N.; and then begins the body of the work, thus headed:
+ "Crosse and Pile, or, Crossing of Proverbs." It opens as
+ follows:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"<i>Proverb</i>. The more the merrier.</p>
+
+ <p><i>Cross</i>. Not so; one hand is enough in a
+ purse.</p>
+
+ <p><i>P.</i> Every man loves himselfe best.</p>
+
+ <p><i>C.</i> Not so, when man is undone by
+ suretyship.</p>
+
+ <p><i>P.</i> He that runnes fastest gets most
+ ground.</p>
+
+ <p><i>C.</i> Not so, for then foote-men would have more
+ land than their masters.</p>
+
+ <p><i>P.</i> He runnes far that never turnes.</p>
+
+ <p><i>C.</i> Not so, he may breake his necke in a short
+ course.</p>
+
+ <p><i>P.</i> No man can call againe yesterday.</p>
+
+ <p><i>C.</i> Yes, hee may call till his heart ake,
+ though it never come.</p>
+
+ <p><i>P.</i> Had I wist was a foole.</p>
+
+ <p><i>C.</i> No, he was a foole that said so."</p>
+ </div>
+ </div>
+
+ <p>And so it proceeds, not without humour and point, here and
+ there borrowing from known sources, as in the
+ following:&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"<i>Proverb.</i> The world is a long journey.</p>
+
+ <p><i>Cros.</i> Not so, the sunne goes it every
+ day.</p>
+
+ <p><i>P.</i> It is a great way to the bottom of the
+ sea.</p>
+
+ <p><i>C.</i> Not so, it is but a stone's cast."</p>
+ </div>
+ </div>
+
+ <p>However, my object is not to give specimens of the
+ production further than are necessary for its identification.
+ My queries are, 1st, Who bought Mr. Heber's fragment, and where
+ is it now to be found? 2nd, Are any of your correspondents
+ aware of the existence of a perfect copy of the work?</p>
+
+ <p>I naturally take a peculiar interest about Nicholas Breton,
+ because I have in my possession an unknown collection of
+ amatory and pastoral poems by him, printed in quarto in 1604,
+ in matter and measure obvious imitations of productions in "The
+ Passionate Pilgrim," 1599, imputed to Shakespeare, and some of
+ which are unquestionably by Richard Barnfield.</p>
+
+ <p>Any new information regarding Breton and his works will be
+ most acceptable to me. I am already in possession of undoubted
+ proof that he was the Nicholas Breton whose epitaph is on the
+ chancel-wall of the church of Norton, in Northamptonshire, a
+ point Ritson seems to have questioned.</p>
+
+ <p class="author">J. Payne Collier.</p>
+
+ <p>March 30. 1850.</p>
+ <hr />
+
+ <h3>THE SWORD CALLED CURTANA.</h3>
+
+ <p>In the wardrobe account for the year 1483, are "iij swerdes,
+ whereof oon with a flat poynte,
+ <span class="pagenum"><a name="page365"
+ id="page365"></a>{365}</span> called <i>curtana</i>, and ij
+ other swords, all iij swords covered in a yerde di of
+ crymysym tisshue cloth of gold."</p>
+
+ <p>The name of <i>curtana</i> for many ages continued to be
+ given to the first royal sword in England. It existed as long
+ ago as the reign of Henry III., at whose coronation (A.D. 1236)
+ it was carried by the Earl of Chester. We find it at the
+ coronations of Edward II. and Richard II.; also in the time of
+ Henry IV., Richard III., and Henry VII.; and among the royal
+ arms of Edward VI. we read of "a swerde called
+ <i>curtana</i>."</p>
+
+ <p>Can any of your readers explain the origin of the name
+ <i>curtana</i>, a sword so famous that it carries us back to
+ the days of ancient chivalry, when it was wielded by the Dane
+ <i>Uggiero</i>, or by the still more famed <i>Orlando</i>.</p>
+
+ <p class="author">Edward F. Rimbault.</p>
+ <hr />
+
+ <h3>IS THE DOMBEC THE DOMESDAY OF ALFRED?</h3>
+
+ <p>I beg to propose the following "Query":&mdash;Is the
+ <i>Dombec</i>, a work referred to in the Laws of Edward the
+ Elder, the same as what has been called the Domesday or
+ Winchester Book of Alfred the Great? I incline to think that it
+ is not, and shall be much obliged to any of your
+ correspondents, learned in the Anglo-Saxon period of our
+ history, who will give himself the trouble of resolving my
+ doubts.</p>
+
+ <p>Sir Henry Spelman, in his Glossary <i>voce Dombec</i>, calls
+ it the <i>Liber Judicialis</i> of the Anglo-Saxons; and says it
+ is mentioned in the first chapter of the laws of Edward the
+ Elder, where the king directs his judges to conduct themselves
+ in their judicial proceedings as on [Old English: thaere dom
+ bec stand], that is, as <i>is enjoined in their Dome
+ Book</i>.&mdash;"Quod," he continues, "an de pr&aelig;cedentium
+ Regum legibus qu&aelig; hodie extant, intelligendum sit: an de
+ alio quopiam libro hactenus non prodeunte, incertum est."</p>
+
+ <p>But this uncertainty does not seem to have attached itself
+ to the mind of Sir William Blackstone; for in the third section
+ of the Introduction prefixed to his <i>Commentaries on the Laws
+ of England</i>, he informs us that our antiquaries "tell us
+ that in the time of Alfred, the local customs of the several
+ provinces of the kingdom were grown so various, that he found
+ it expedient to compile his <i>Dome Book</i>, or <i>Liber
+ Judicialis</i>, for the general use of the whole kingdom." This
+ book is said to have been extant so late as the reign of King
+ Edward IV., but is now unfortunately lost. It contained, we may
+ probably suppose, the principal maxims of the common law, the
+ penalties for misdemeanors, and the forms of judicial
+ proceedings. Thus much may be at least collected from that
+ injunction to observe it, which we find in the Laws of King
+ Edward the Elder, the son of Alfred.&mdash;"<i>Omnibus qui
+ reipublic&aelig; pr&aelig;sunt etiam atque etiam mando, ut
+ omnibus &aelig;quos se pr&aelig;beant judices, perinde ac in
+ judiciali libro</i> (Saxonice, [Old English: dom bec])
+ <i>scriptum habetur: nec quidquid formident quin jus
+ commune</i> (Saxonice, [Old English: folcrihte]) <i>audactes
+ libereque dicant.</i>"</p>
+
+ <p>But notwithstanding this, it appears to me by no means
+ conclusive, that the <i>Dombec</i> referred to in the Laws of
+ Edward the Elder and the <i>Liber Judicialis</i> of Alfred are
+ the same; on the contrary, Alfred's <i>Liber Judicialis</i>
+ seems to have been known not under the name of <i>Dombec</i>,
+ but under that of the <i>Winchester Roll</i>, from the
+ circumstance of its having been principally kept at Winchester:
+ and Sir Henry Spelman says, the Domesday Book of William the
+ Conqueror was sometimes called <i>Rotulus Wintoni&aelig;, a
+ similitudine antiquoris</i>, from its resemblance to an older
+ document preserved at Winchester. And he quotes Ingulphus Abbot
+ of Croyland, who says, "Iste rotulus (<i>i.e.</i> the Domesday
+ Book of William) vocatus est Rotulus Wintoni&aelig;, et ab
+ Anglicis pro sua generalitate, omnia tenementa totius
+ terr&aelig; integre continente <i>Domesday</i> cognominatur."
+ And the he proceeds, "Talem rotulum et multum similem; ediderat
+ quondam Rex Alfredus, in quo totam terram Angli&aelig; per
+ comitatus, centurias, et decurias descripserat, sicut
+ pr&aelig;notatur. Qui quidem Rotulus Wintoni&aelig; vocatus
+ est, quia deponebatur apud Wintoniam conservandus," &amp;c.</p>
+
+ <p>Here is nothing said of this work being called [Old English:
+ dom bec]: neither does Spelman, in his enumeration of the works
+ of Alfred, give the least intimation that any one of his
+ collections of laws was called [Old English: dom bec].</p>
+
+ <p>We know, indeed, that Alfred compiled a code of laws for his
+ subjects; but whether any part of them has been preserved, or
+ how much of them is embodied in subsequent codes, cannot now be
+ determined. Asser mentions that he frequently reprimanded the
+ judges for wrong judgments; and Spelman, that he wrote "a book
+ against unjust magistrates," but any complete body of laws, if
+ such was ever framed by Alfred, is now lost; and that
+ attributed to him in Wilkin's <i>Leges Anglo-Saxon</i>, is held
+ in suspicion by most writers.</p>
+
+ <p>For these reasons, and considering that Sir William
+ Blackstone's knowledge of English history was rather
+ superficial, I incline to the belief, that the [Old English:
+ dom bec] referred to in the laws of Edward the Elder, was some
+ collection of laws made <i>prior</i> to the time of Alfred:
+ this might clearly be the case, as Sharon Turner informs us
+ that the Saxon laws were committed to writing as early as the
+ commencement of the 7th century.</p>
+
+ <p>The opinions of your learned correspondents on this disputed
+ point may be of much interest to many of your readers, and to
+ none more than to</p>
+
+ <p class="author">George Munford.</p>
+
+ <p>East Winch.</p>
+ <hr />
+ <span class="pagenum"><a name="page366"
+ id="page366"></a>{366}</span>
+
+ <h3>MINOR QUERIES.</h3>
+
+ <p><i>MSS. of the Wycliffite Translations of the
+ Scriptures</i>.&mdash;The Add. MS. 15,521., in the British
+ Museum, contains a copy of Lewis's edition of the <i>Wycliffite
+ New Testament</i>, printed in 1731, with manuscript notes by
+ Ames and Lewis, and the former has transcribed into it some
+ <i>additional prologues</i>, prefixed to each book of the New
+ Testament, which had not been printed by Lewis, and were taken
+ by Ames from a MS. of the New Testament, written in 1424, and
+ in 1731 in the possession of Thomas Granger. It would be very
+ desirable to learn what became of this MS. subsequently.
+ Granger died in the following year, but the MS. does not appear
+ in the sale catalogue of his library, nor is it found in the
+ catalogue of Ames's own library, dispersed in 1760. Any
+ information relative to this remarkable copy of the New
+ Testament, would be very acceptable to the Editors of the
+ <i>Wycliffite Versions of the Scriptures</i>, who are now,
+ after a literary labour of more than twenty years, about to
+ bring the work to a conclusion. They would also feel much
+ obliged by the communication of any notices of MSS. of the
+ Wycliffite versions, <i>existing in private hands</i>,
+ exclusive of those copies of which they already possess
+ descriptions, existing in the libraries of the following
+ individuals:&mdash;Mrs. Allanson of Farn, Flintshire, the Earl
+ of Ashburnham, Sir Thomas Phillipps, Bart., Sir Peregrine
+ Ackland, Bart., Sir David Dundas, H.M. Judge Advocate, Dr.
+ Cardwell, Principal of St. Alban's Hall, Oxford, and Thomas
+ Bannister, Esq.</p>
+
+ <p class="author">F. Madden.</p>
+
+ <p>British Museum, March 28.</p>
+
+ <p><i>Why are Gloves not worn before Royalty?</i>&mdash;Can any
+ of your readers inform me what is the origin of the custom
+ observed at Court, of persons in the royal presence not wearing
+ gloves? Is it a matter of pure etiquette, or does the
+ observance of it derive its origins from barbarous times, when
+ chivalry was little else than barbarism in armour?</p>
+
+ <p class="author">F.E.</p>
+
+ <p><i>Law Courts at St. Albans</i>.&mdash;Can any of your
+ correspondents give me the reference to a communication in the
+ <i>Gentleman's Magazine</i> (between, I think, the years 1815
+ and 1836), in which a passage in Massinger, which alludes to
+ lawyers going to St. Albans, is illustrated by an inscription
+ in the nave of St. Alban's Abbey Church, which records that the
+ courts were held there on account of the sweating-sickness in
+ the reign of Elizabeth?</p>
+
+ <p class="author">&Sigma;.</p>
+
+ <p><i>Richard Haley, or Hales.&mdash;Milton
+ Pedigree</i>.&mdash;I should feel obliged by any particulars
+ respecting Richard Haley, or Hales, of Idlestreete, otherwise
+ Ilstreyd, in com. Hertford, yeoman; my object being to
+ ascertain the nature of some transaction he had with Milton, in
+ July 1674, referred to in a bond which the former executed,
+ dated the 27th of that month, for performance of the covenants
+ contained in an indenture of even date.</p>
+
+ <p>Is any thing known of Richard Milton, who signs his name as
+ the attesting witness to the releases given by two of the
+ poet's daughters for their share of his estate? Is there any
+ pedigree of the family of Sir Christopher Milton, the poet's
+ brother, drawn up with sufficient apparent accuracy to exclude
+ the probability of Richard Milton being his son? I have
+ referred to the pedigree in the British Museum (Harl. MS. 5802.
+ fo. 19b.), which makes no mention of the letter; but it is
+ evidently so imperfect a notice, as to be of little authority
+ one way or other.</p>
+
+ <p class="author">J.F.M.</p>
+
+ <p><i>Sapcote Motto</i>.&mdash;Over the old gatehouse of Elton,
+ co. Hunts., built by the family of Sapcote, is their coat of
+ arms, namely, "three dove-cotes;" and upon a scroll,
+ surrounding the lower part of the shield, is carved a motto,
+ evidently French, and as evidently cut by a person ignorant of
+ that language. So far as I can decypher it, the letters appear
+ to be</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>sco toot X vinic [or umic]</p>
+
+ <p>X poncs.</p>
+ </div>
+ </div>
+
+ <p>Possibly the first and last letters <i>s</i> are only
+ flourishes. I shall be glad of any suggestion as to its
+ meaning.</p>
+
+ <p>I have not been able to find the Sapcote motto on record;
+ and I believe the Carysfoot family, the possessors of Elton,
+ and the Duke of Bedford, the heir in blood, to be ignorant of
+ what this scroll is intended to represent.</p>
+
+ <p class="author">Erminois.</p>
+
+ <p>Athen&aelig;um Club.</p>
+
+ <p><i>Scala Coeli</i>.&mdash;In a will, dated 12 Hen. VIII.,
+ the testator directs that there shall be four trentals of Saint
+ Gregory said for his soul at London at "Scala Coeli." Can any
+ of your readers explain what place is meant by "Scala
+ Coeli?"</p>
+
+ <p class="author">A Subscriber.</p>
+
+ <p><i>Illustrations of Gresset's "Vert Vert," painted on
+ Enamel, &amp;c.</i>&mdash;In a Paris edition of Gresset's Works
+ (Janet et Cotelle, 1823), in the preface is the following
+ passage.&mdash;</p>
+
+ <blockquote>
+ <p>"Vert-vert fut bient&ocirc;t dans toutes les mains. Le
+ suffrage de la multitude se joignit &agrave; celui des
+ connoisseurs; la mode, qui est aussi en possession de
+ donner son suffrage, s'empressa de parer les ajustemens
+ d'invention r&eacute;cente, du nom de l'illustre perroquet;
+ <i>les vases d'ornement, les vases usuels</i> qui sortoient
+ des fabriques fran&ccedil;oises, retra&ccedil;oient presque
+ tous quelques &eacute;pisodes du petit po&euml;me. Un
+ artist dont le nom est venu jusqu'&agrave; nous, Raux, en
+ <i>peignit sur &eacute;mail les sujets les plus
+ marquants</i>; et tandis qu'on faisoit passer dans une
+ version latine les vers &eacute;l&eacute;gants du
+ po&euml;te j&eacute;suite, M. Bertin, ministre
+ d'&eacute;tat, le gratifioit d'un magnifique <i>cabaret</i>
+ de S&egrave;vres, dont toutes les pi&egrave;ces
+ reproduisoient les aventures de son h&eacute;ros, ce qui
+ fit dire &agrave; Gresset, <i>qu'on le traduisoit aussi en
+ porcelaine de S&egrave;vres</i>."</p>
+ </blockquote><span class="pagenum"><a name="page367"
+ id="page367"></a>{367}</span>
+
+ <p>The <i>Query</i> I wish to make is, Have any of these
+ illustrations or designs from Gresset's poem of Vert-vert,
+ painted on enamel china, or earthenware of any sort, of French
+ or any other manufacture, come to light of late years? or more
+ lately still, among the articles that have been dispersed among
+ various buyers of almost all nations, in the sales within these
+ few weeks effected at Paris?</p>
+
+ <p class="author">Robert Snow.</p>
+
+ <p><i>Urbanus Regius</i>.&mdash;A friend of mine, a delightful
+ old lady, fresh, genial, and inquisitive, has in her possession
+ an old volume, a family heir-loom, which is not the less dear
+ to her for being somewhat dingy and dilapidated, and touching
+ which she would gladly receive such information as your
+ correspondents can supply.</p>
+
+ <p>It is made up of three apparently distinct treatises; the
+ first (of which several leaves are wanting) on the twelve
+ articles of the Apostles' Creed. The second is "The ryght
+ foundation, and pryncypall common places of the hole godly
+ Scripture," &amp;c., by Doctor Urbanus Regius. Prefixed is an
+ epistle to Thomas, Archbishop of Canterbury (evidently
+ Cranmer), to whom "Hys dayly oratoure, Gwalter Lynne (the
+ writer of the epistle), wyssheth lyfe euerlastynge." Between
+ this second treatise and the third, and apparently belonging to
+ the latter, is a title-page with the following inscription:</p>
+
+ <blockquote>
+ <p>"Imprinted for Gwalter Lynne, dwelling upon Somers Kaye,
+ by Byllinges gate. In the yeare of oure Lorde. MDXLVIII.
+ And they by [<i>sic</i>] to be solde at Poules church yarde
+ at the north doore, In the signe of the By-bell, By Richard
+ Jugge."</p>
+ </blockquote>
+
+ <p>This last treatise is in smaller type than the others, and
+ has no general designation: it contains chapters on various
+ subjects, <i>e.g.</i> "The Signification of Baptism,"
+ &amp;c.</p>
+
+ <p>Query 1. Is this volume well known? 2. Who were Urbanus
+ Regius and Walter Lynne?</p>
+
+ <p class="author">G.P.</p>
+
+ <p>March 16. 1850.</p>
+ <hr class="full" />
+
+ <h2>REPLIES.</h2>
+
+ <h3>THE ARABIC NUMERALS AND CIPHER.</h3>
+
+ <p>I might, with a little more consideration, have referred
+ "E.V." to several other authorities which he will do well to
+ consult.</p>
+
+ <p>9. Wallis's <i>Algebra</i>, p. 9. and p. 153. of the
+ additions.</p>
+
+ <p>10. <i>Phil. Trans</i>., Nos. 439. and 475.</p>
+
+ <p>11. Montucla, <i>Histoire des Math&eacute;matiques</i>, tom.
+ i. chap. 2.</p>
+
+ <p>12. Baillie, <i>Histoire de l'Astronomie</i>.</p>
+
+ <p>13. Delambre<a id="footnotetag1"
+ name="footnotetag1"></a><a href="#footnote1"><sup>1</sup></a>,
+ <i>Hist. de l'Astr. du moyen age</i>.</p>
+
+ <p>14. Hutton's <i>Tracts</i> (8vo. ed. 1812.), vol. ii.
+ (subject "History of Algebra")</p>
+
+ <p>15. Huet, <i>Demonstratio Evangelica</i>.</p>
+
+ <p>16. Dr. John Taylor's Translation of the <i>Lilawati</i>.
+ (Bombay, 1816.)</p>
+
+ <p>17. Strachey's Translation of the <i>Bija
+ Ganita</i><a id="footnotetag2"
+ name="footnotetag2"></a><a href="#footnote2"><sup>2</sup></a>.</p>
+
+ <p>18. Colebrooke's <i>Algebra of the Hindus</i>.</p>
+
+ <p>Would it not be worth while to give a <i>facsimile</i> of
+ the "Tabel for all manere of merchauntes," in the "Notes and
+ Queries"? It is not only a curiosity, but an important element
+ (and unique as far as is known) in the philosophic history of
+ our arithmetic. It was, no doubt, an actual instrument in
+ constant use in the merchant's office, as much so as an
+ almanac, interest-tables, a "cambist" and a copying-press, are
+ now.</p>
+
+ <p>As regards the cipher, the difficulty only commenced with
+ <i>writing numbers</i> in the new symbology. With persons
+ accustomed to the use of this instrument, there is no doubt
+ that the mode of obviating the difficulty of "keeping the
+ place," would suggest itself at once. In this instrument an
+ empty hole (without its peg) <i>signified</i> "none of this
+ denomination." What then more simple than to make the outline
+ of the empty hole which occupied the "local position" of any
+ denomination, when none of that precise denomination occurred
+ in the number itself? Under this view the process at least
+ becomes simple and natural; and as the early merchants
+ contributed so largely to the improvement of our arithmetical
+ processes, such a conclusion is wholly divested of
+ improbability on any other ground. The circle would then
+ naturally become, as it certainly has practically become, the
+ most appropriate symbol of <i>nothingness</i>.</p>
+
+ <p>As regards the term <i>cipher</i> or <i>zero</i> (which are
+ so obviously the same as to need no remark), it is admitted on
+ all hands to be derived from one or other of the Semitic
+ languages, the Hebrew or the Arabic. It is customery with the
+ mathematical historians to refer it to the Arabic, they being
+ in general more conversant with it than with the Hebrew. The
+ Arabic being a smaller hand than the Hebrew, a dot was used
+ instead of the circle for marking the "place" at which the
+ hiatus of any "denomination" occurred. If we obtained our
+ cipher from this, it would be made hollow (a mere
+ <i>ceinture</i>, girdle, or ring) to save the trouble of making
+ a dot sufficiently large to correspond in magnitude with our
+ other numerals as we write them. Either is alike
+ possible&mdash;probability must be sought, for either over the
+ other, from a slightly different source.</p>
+
+ <p>The root-words in Hebrew and in Arabic are precisely the
+ same (<i>ts-ph-r</i>), though in the two
+ <span class="pagenum"><a name="page368"
+ id="page368"></a>{368}</span> languages, and at different
+ ages of the same language, they might have been vowelised
+ differently. In some shape or other, this name is used in
+ all countries that have derived their arithmetic from
+ medi&aelig;val Italy, or from the Saracens. It is with some
+ <i>cipher</i>, with others <i>chiffre</i>, and with all
+ <i>zero</i>. The word is certainly no more Italian than it
+ is French or English. Be it remembered, too, that
+ <i>ezor</i> (quoted at p. 268.), as a <i>girdle</i>, is
+ radically the same word, somewhat mutilated. The cardinal
+ meaning of the word (denuded of the conventional accretions
+ of signification, which peculiar applications of it adds to
+ the cardinal meaning) appears to be <i>emptiness</i>,
+ <i>hollowness</i>, <i>nothingness</i>. It may be further
+ remarked, that in the fine Chartres MS. of Boetius,
+ described by Chasles, the 0 is called
+ <i>sipos</i>:&mdash;the same name, he remarks, that Graves
+ found in use in the East. The modern Turks call the 0,
+ <i>tsifra</i>.</p>
+
+ <p>It is curious enough that in all languages, the term
+ <i>ciphering</i> is popularly used to denote all arithmetical
+ operations whatever. Our schoolboys do their "ciphering," and
+ write carefully in their "ciphering-books." This all seems to
+ point to the art of dispensing with the use of the abacus or
+ counting table.</p>
+
+ <p class="author">T.S.D.</p>
+
+ <p>Shooter's Hill, March 5.</p>
+
+ <p><i>Arabic Numerals</i>.&mdash;I had replied to "E.V." (No.
+ 15. p. 230.), when I saw by your "Notice to Correspondents,"
+ that the question was answered. I therefore waited the
+ publication of the replies, which I find do not embrace any one
+ of the points to which I would call the attention of
+ "E.V."&mdash;Diophantus of Alexandria, who flourished about 150
+ years after Christ, and who wrote thirteen books of algebra or
+ arithmetic in the Greek language, is generally supposed to be
+ the oldest writer on the subject that has come down to our
+ time; but it was not from him that we received the knowledge of
+ algebra in Europe. It appears certain that the first knowledge
+ of this science in England was from Italy or Spain, after the
+ Moors settled in the latter country; and the Arabians and
+ Persians appear to have derived their arithmetical method of
+ computing by ten characters from the Indians: who, in their
+ turn, have most probably borrowed from the Chinese, and
+ improved on their method by the adoption of a zero, which was
+ one of the most important improvements effected by the Hindoos.
+ In China, the words ancient and modern are almost synonymous;
+ their usages and customs being so unchangeable, as appears by
+ their instrument of computation, the <i>swanpan</i>, which is
+ still used in all their calculations. The Oriental scholar will
+ find much curious and interesting information connected with
+ this subject in the Sanscrit <i>Vija Ganita</i> and
+ <i>Lilivati</i> of Bhaskara Acharya: the former was translated
+ into Persian at Agra, or Delhi, in 1634, and the latter by
+ Fyzee in 1587; but there are also English translations, all of
+ which are in the library of the Royal Asiatic Society. The
+ <i>Khalasah-ul-Hisah</i> is another work of repute in India.
+ Mr. Strachey wrote and printed in India, for the <i>Asiatic
+ Researches</i>, a valuable paper, which contains most
+ conclusive evidence of the Indian (if not Chinese) origin of
+ our numerals. See also <i>Astronomie Indienne</i>, of M.
+ Bailly; 2d vol. <i>Asiatic Researches</i>, "On the Astronomical
+ Computations of the Hindoos," by Saml. Davis; "Two
+ Dissertations on Indian Astronomy and Trigonometry," by
+ Professor Playfair, in the 2d and 4th vols. of the <i>Edinburgh
+ Philosophical Transactions</i>. And many others might be
+ referred to; but all tending to prove that our numbers came
+ originally from China and India, through Persia, Arabia,
+ Africa, Spain, and Italy, by gradual and successive changes in
+ form, several of them still retaining a close resemblance to
+ the ancient and modern Sanscrit, Chinese, Arabic, Persian, and
+ Hindoo numerals.</p>
+
+ <p class="author">Henry Wilkinson.</p>
+ <hr />
+
+ <h3>REPLIES TO MINOR QUERIES.</h3>
+
+ <p>I send you a few Notes on Queries scattered through some of
+ the later numbers of your very valuable publication:</p>
+
+ <p><i>Anonymous Ravennas</i>.&mdash;In the library of the Royal
+ Geographical Society, I believe there is a copy of an 8vo.
+ edition of that cosmography.</p>
+
+ <p><i>Selago</i>.&mdash;This plant, I should think it probable,
+ is the <i>Lycopodium clavatum</i> of modern botanists; the
+ seeds of which, when ripe, and when the plant is struck, rise
+ like smoke ("fumum" of Pliny), and may have been supposed, from
+ their remarkable inflammability when dashed into a flame,
+ igniting with a sudden flash, to have possessed wonderful
+ virtues. The species known as <i>Lycopodium selago</i> is rare
+ in comparison to the other.</p>
+
+ <p><i>Portugal</i>.&mdash;In the library of the Geographical
+ Society are some of the more recent works published in Lisbon
+ on the topography of that country, but they are generally very
+ meagre and unsatisfactory. In a periodical published in Lisbon
+ in numbers, on the plan of the <i>Penny Magazine</i>, there is
+ a good deal of information, with engravings, regarding many
+ places of interest in Portugal. I think it is called <i>The
+ Album</i>, but I am sorry I have not at present the power of
+ sending you more correct particulars concerning it. It is in
+ 4to.</p>
+
+ <p>Portugal is a country that is so little travelled in either
+ by natives or foreigners, that information regarding places in
+ the interior is not easily obtained; and facilities for
+ travelling, as well as accommodation for travellers, is of a
+ very limited description.</p>
+
+ <p><i>Sir Roger de Coverley</i>.&mdash;In one of your early
+ numbers was a query on this subject, which I do not think has
+ been yet answered. I have a MS.
+ <span class="pagenum"><a name="page369"
+ id="page369"></a>{369}</span> account of the family of
+ Calverley, of Calverley, in Yorkshire, an autograph of Ralph
+ Thoresby in the year 1717, in which occurs the following
+ passage:&mdash;</p>
+
+ <blockquote>
+ <p>"<i>Roger</i>, so named from the Archbishop" (of York),
+ "was a person of renowned hospitality, since, at this day,
+ the obsolete known tune of <i>Roger a Calverley</i> is
+ referred to him, who, according to the custom of those
+ times, kept his <i>minstrells</i>, from that their office
+ named <i>harpers</i>, which became a family and possessed
+ lands till late years in and about <i>Calverley</i>, called
+ to this day <i>Harpersroids</i> and <i>Harper's
+ Spring</i>.... He was a knight, and lived in the time of K.
+ Richard 1st. His seal, appended to one of his charters, is
+ large, with a chevalier on horseback."</p>
+ </blockquote>
+
+ <p class="author">W. CALVERLEY TREVELYAN.</p>
+ <hr />
+
+ <h3>DERIVATIONS OF "NEWS."</h3>
+
+ <p>It is not declared with what motive "Mr. GUTCH" (No. 17. p.
+ 270.) has laid before the readers of "NOTES AND QUERIES" the
+ alleged derivation of N.E.W.S.</p>
+
+ <p>It must therefore be supposed, that his object was to have
+ its justness and probability commented upon; and it is quite
+ time that they should be so, since the derivation in question
+ has of late become quite a favourite authoritative dictum with
+ etymology compilers. Thus it may be found, in the very words
+ and form adopted by your correspondent, in Haydn's
+ <i>Dictionary of Dates</i>, and in other authorities of equal
+ weight.</p>
+
+ <p>This sort of initial-letter derivation was probably brought
+ into fashion in England by the alleged origin of "Cabal," or,
+ perhaps, by the many guesses at the much disputed word
+ "&AElig;ra." I shall take the liberty of quoting a few
+ sentences with reference to such etymologies, <i>as a
+ class</i>, which I find in an unpublished manuscript upon a
+ kindred subject.</p>
+
+ <blockquote>
+ <p>"Besides, such a splitting up of a word of significant
+ and perfect meaning in itself is always a bad and
+ suspicious mode of derivation.</p>
+
+ <p>"It is generally an after-thought, suggested by some
+ fortuitous or fancied coincidence, that appropriateness of
+ which is by no means a sufficient proof of probability.</p>
+
+ <p>"Of this there can scarcely be a better example than the
+ English word 'news,' which, notwithstanding the felicity of
+ its supposed derivation from the four cardinal points,
+ must, nevertheless, so long as the corresponding words
+ 'nova,' 'nouvelles,' &amp;c. exist, be consigned to its
+ more sober and common-place origin in the adjective
+ '<i>new</i>.'"</p>
+ </blockquote>
+
+ <p>To this it must be added that the ancient orthography of the
+ word <i>newes</i>, completely upsets the derivation Mr. Gutch
+ has brought before your readers. Hone quotes from "one Burton,
+ printed in 1614: 'if any one read now-a-days, it is a
+ play-book, or <i>a pamphlet</i> of <i>newes</i>."</p>
+
+ <p>I had been in two minds whether or not to send this
+ communication, when the scale is completely turned by the
+ apropos occurrence of a corroboration of this latter objection
+ in "NOTES AND QUERIES" of this day. Mr. Rimbault mentions (at
+ p. 277.), "a rare black letter volume entitled <i>Newes from
+ Scotland</i>, 1591."</p>
+
+ <p>Here is one more proof of the usefulness of your
+ publication, that I am thus enabled to strengthen the
+ illustration of a totally different subject by the incidental
+ authority of a fellow correspondent.</p>
+
+ <p class="author">A.E.B.</p>
+
+ <p>Leeds, March, 1850.</p>
+ <hr />
+
+ <h3>REPLIES TO MINOR QUERIES.</h3>
+
+ <p><i>Swot</i> is, as the querist supposes, a military cant
+ term, and a sufficiently vulgar one too. It originated at the
+ great slang-manufactory for the army, the Royal Military
+ College, Sandhurst. You may depend upon the following account
+ of it, which I had many years ago from the late Thomas
+ Leybourne, F.R.S., Senior Professor of Mathematics in that
+ college.</p>
+
+ <p>One of the Professors, Dr. William Wallace, in addition to
+ his being a Scotchman, had a bald head, and an exceedingly
+ "broad Scotch" accent, besides a not very delicate
+ discrimination in the choice of his English terms relating to
+ social life. It happened on one hot summer's day, nearly half a
+ century ago, that he had been teaching a class, and had worked
+ himself into a considerable effusion from the skin. He took out
+ his handkerchief, rubbed his head and forehead violently, and
+ exclaimed in his Perthshire dialect,&mdash;"<i>It maks one
+ swot</i>." This was a God-send to the "gentlemen cadets,"
+ wishing to achieve a notoriety as wits and slangsters; and
+ mathematics generally ever after became <i>swot</i>, and
+ mathematicians <i>swots</i>. I have often heard it
+ said:&mdash;"I never could do <i>swot</i> well, Sir;" and
+ "these dull fellows, the <i>swots</i>, can talk of nothing but
+ triangles and equations."</p>
+
+ <p>I should have thought that the <i>sheer disgustingness</i>
+ of the idea would have shut the word out of the vocabularies of
+ English <i>gentlemen</i>. It remains nevertheless a standard
+ term in the vocabulary of an English soldier. It is well, at
+ all events, that future ages should know its etymology.</p>
+
+ <p class="author">T.S.D.</p>
+
+ <p><i>Pokership</i>, (<i>ant&egrave;</i>, pp. 185. 218. 269.
+ 282. 323, 324.)&mdash;I am sorry to see that no progress has
+ yet been made towards a satisfactory explanation of this
+ office. I was in hopes that something better than mere
+ conjecture would have been supplied from the peculiar
+ facilities of "T.R.F." "W.H.C." (p. 323.) has done little more
+ than refer to the same instruments as had been already adverted
+ to by me in p. 269., with the new reading
+ <span class="pagenum"><a name="page370"
+ id="page370"></a>{370}</span> of <i>poulterer</i> for poker!
+ With repect to "T.R.F.'s" conjecture, I should be more ready
+ to accept it if he could produce a single example of the
+ word <i>pawker</i>, in the sense of a hog-warden. The
+ quotation from the Pipe-roll of John is founded on a
+ mistake. The entry occurs in other previous rolls, and is
+ there clearly explained to refer to the <i>porter of
+ Hereford Castle</i>. Thus, in Pipe 2 Hen. II. and 3 Hen. II.
+ we have, under Hereford,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"In liberatione portarii castelli ... 30<i>s.</i>
+ 5<i>d.</i>"</p>
+ </div>
+ </div>
+
+ <p>In Pipe 1 Ric. I. we have,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"In liberatione constitut&acirc; portarii de
+ Hereford, 30<i>s.</i> 5<i>d.</i>"</p>
+ </div>
+ </div>
+
+ <p>Again, in Pipe 3 Joh.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"In liberatione constitut&acirc; portario de
+ Hereford, 30<i>s.</i> 5<i>d.</i>"</p>
+ </div>
+ </div>
+
+ <p>A similar entry is to be found in other rolls, as well
+ printed as inedited. I could indulge some other criticisms on
+ the communication of your correspondent in Spring Gardens, but
+ I prefer encouraging him to make further inquiries, and to
+ produce from the records in his custody some more satisfactory
+ solution of the difficulty. In the meantime, let me refer to a
+ Survey of Wrigmore Castle in the Lansdowne Collection, No. 40.
+ fo. 82. The surveyor there reports, that the paling, rails,
+ &amp;c. of the park are much decayed in many and sundry places,
+ and he estimates the repairs, with allowance of timber from the
+ wood there, "by good surveye and oversight of the <i>poker</i>
+ and other officers of the said parke," at 4<i>l.</i> The date
+ of the survey is 13 May, 1584.</p>
+
+ <p>Comparing this notice of the office with the receiver's
+ accounts tempore Hen. VII. and Hen. VIII. (<i>ant&egrave;</i>,
+ p. 269.), in which the officer is called "pocarius omnium
+ boscorum," I cannot doubt that his duty, or at least one of his
+ duties, was that of woodward, and that, as such, he assigned
+ timber for repair of the premises. How he came by his local
+ title and style of poker is a mystery on which we have all
+ hitherto failed to throw any light.</p>
+
+ <p class="author">E.S.</p>
+
+ <p><i>Vox Populi Vox Dei</i>,&mdash;about the origin of which
+ saying "QU&AElig;SITOR" asks (No. 21. p. 321.),&mdash;were the
+ words chosen by the Archbishop of Canterbury, Simon Mepham, as
+ his text for the sermon which he preached when Edward III. was
+ called to the throne, from which the nation had pulled down his
+ father, Edward II. This we learn from Walsingham, who says:</p>
+
+ <blockquote>
+ <p>"Archiepiscopus ver&ograve; Cantuari&aelig;
+ pr&aelig;senti consensit electioni, ut omnes pr&aelig;lati
+ et archiepiscopus quidem assumpto themate, <i>Vox populi
+ Vox Dei</i>, sermonem fecit populo, exhortans omnes ut apud
+ regem regum intercederent pro electo."&mdash;Tho.
+ Walsingham, <i>Hist. Angl.</i> ed. Camden, p. 126.</p>
+ </blockquote>
+
+ <p class="author">DANIEL ROCK.</p>
+
+ <p><i>A living Dog better than a dead Lion</i>.&mdash;I no not
+ know whether your correspondent (No. 22. p. 352.) ever goes to
+ church; but if he is not prevented by rain next St. Swithin's
+ day, he will learn who was the author of this proverb. It will
+ be a good thing, if your work should sometimes lead your
+ readers to search the Scriptures, and give them credit for
+ wisdom that has flowed from them so long, and far, and wide,
+ that its source is forgotten; but this is not the place for a
+ sermon, and I now only add, "here endeth the first lesson"
+ from</p>
+
+ <p class="author">ECCLESIASTES.</p>
+
+ <p class="note">["J.E.," "D.D.," and other correspondents, have
+ also replied to this Query by references to Eccl. ix. 4.]</p>
+
+ <p><i>Curious Monumental Brass</i> (No. 16. p. 247.)&mdash;If
+ "RAHERE" will turn to Mr. Boutell's <i>Monumental Brasses and
+ Slabs</i>, p. 148., he will there find a description as well as
+ an engraving of what, from his account, I doubt not he will
+ discover to be the identical fragment to which he refers. A
+ foot legend, and what remains of a border inscription, is added
+ to it. In the above work, pp. 147 to 155, and in the Oxford
+ Architectural Society's <i>Manual for the Study of Brasses</i>,
+ p. 15., "RAHERE" will find an account and references to
+ numerous examples of palimpsest brasses, to which class the one
+ in question belongs.</p>
+
+ <p>I presume that "RAHERE" is a young brass-rubber, or the fact
+ of a plate being engraved on both sides would have presented no
+ difficulty to him.</p>
+
+ <p class="author">ARUN.</p>
+
+ <p class="note">[We have received several other replies to this
+ Query, referring to Mr. Boutell's <i>Monumental Brasses</i>:
+ one from "W."; another from "A CORNISHMAN," who
+ says,&mdash;</p>
+
+ <p class="note">"The brass in question, when I saw it last, had
+ been removed from the Rectory and placed in the tomb of Abbot
+ Wheathampstead, in company with the famous one of Thomas
+ Delamere, another Abbot of St. Albans."</p>
+
+ <p class="note">Another from "E.V.," who states,&mdash;</p>
+
+ <p class="note">"Other examples are found at St. Margaret's,
+ Rochester (where the cause of the second engraving is found to
+ be an error in costume in the first), St. Martins at Plain,
+ Norwich, Hedgerly Church, Bucks, and Burwell Church,
+ Cambridgeshire. Of this last, an engraving and description, by
+ Mr. A.W. Franks, is given in the fourteenth part of the
+ Publications of the Cambridge Antiquarian Society."</p>
+
+ <p class="note">One from "WILLIAM SPARROW SIMPSON," who
+ says,&mdash;</p>
+
+ <p class="note">"It is also described in the Oxford
+ Architectural Society's <i>Manual of Mon. Brasses</i>, No. 6.
+ pp. 6, 7. other examples of which occur at Rochester, Kent, and
+ at Cobham, Surrey. A small plate of brass, in the possession of
+ a friend, has on one side a group of children, and on the
+ reverse the uplifted hands of an earlier figure."</p>
+
+ <p class="note">And lastly, one from "A.P.H." (to which we
+ cannot do ample justice, as we do not keep an engraver), from
+ which we extract the following passages:&mdash;</p>
+
+ <p class="note">"A friend of mine has a shield in his
+ possession, taken from a slab, and which has been enamelled. It
+ is of late date and rudely executed. On the back is
+ <span class="pagenum"><a name="page371"
+ id="page371"></a>{371}</span> seen the hands and breast of a
+ small female figure, very nearly a century earlier in date.
+ I can also remember an inscription in Cuxton Church, Kent,
+ which was loose, and had another inscription on the back in
+ the same manner.</p>
+
+ <p class="note">"I am very much impressed with the idea that
+ the destroyed brasses never had been used at all; but had been
+ engraved, and then, from circumstances that of course we cannot
+ hope to fathom, thrown on one side till the metal might be used
+ for some other purpose. This, I think, is a more probable, as
+ well as a more charitable explanation than the one usually
+ given of the so-called palimpsest brasses."]</p>
+
+ <p><i>Chapels</i> (No. 20. p. 333.).&mdash;As to the origin of
+ the name, will you allow me to refer Mr. Gatty to Ducange's
+ <i>Glossary</i>, where he will find much that is to his
+ purpose.</p>
+
+ <p>As to its being "a legal description," I will not undertake
+ to give an opinion without a fee; but I will mention a fact
+ which may assist him in forming one. I believe that fifty years
+ ago the word <i>Chapel</i> was very seldom used among those who
+ formed what was termed the "Dissenting Interest;" that is, the
+ three "denominations" of Independents, Baptists, and
+ Presbyterians. But I well recollect hearing, from good
+ authority, nearly, or quite, forty years ago, that an eminent
+ barrister (whom I might now describe as a late learned judge),
+ who was much looked up to by the dissenters as one of their
+ body, had particularly advised that in all trust-deeds relating
+ to places of dissenting worship, they should be called
+ "Chapels." I do not know that he assigned any reason, but I
+ know that the opinion was given, or communicated, to those who
+ had influence; and, from my own observation, I believe that
+ from about that time we must date the adoption of the term,
+ which has now been long in general use.</p>
+
+ <p>I do not imagine that there was any idea of either
+ assistance or opposition to the Church of England, in the mind
+ of him who recommended, or those who adopted, the alteration,
+ or that either of them expected or sought any thing by this
+ measure but to obtain a greater security for property, or,
+ rather, to avoid some real or imagined insecurity, found or
+ supposed to attach to the form of description previously in
+ use.</p>
+
+ <p class="author">A BARRISTER.</p>
+
+ <p><i>Forlot, Forthlot</i> (No. 20. p. 320.).&mdash;A measure
+ of grain used throughout Scotland at present&mdash;query
+ <i>fourthlot</i>. See Jamieson's <i>Etymological Dictionary of
+ the Scottish Language</i>.</p>
+
+ <blockquote>
+ <p>"<i>Firlot; Fyrlot; Furlet</i>.&mdash;A corn measure in
+ S., the fourth part of a boll.</p>
+
+ <p>"Thay ordainit the boll to mat victual with, to be
+ devidit in foure partis, <i>videlicet</i>, foure
+ <i>fyrlottis</i> to contene a boll; and that <i>fyrlot</i>
+ not to be maid efter the first mesoure, na efter the
+ mesoure now usit, bot in middill mesoure betwixt the
+ twa."&mdash;<i>Acts Jac.</i> l. 1526. c. 80. edit.
+ 1566.</p>
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"&mdash;Ane furme, ane furlet,</p>
+
+ <p>Ane pott, ane pek."</p>
+ </div>
+
+ <div class="stanza">
+ <p class="i4">Bannatyne <i>Poems</i>, p. 159.</p>
+ </div>
+ </div>
+
+ <p>Skinner derives it from A.-S. <i>feower</i>, quatuor; and
+ <i>lot, hlot</i>, portio (the fourth part); Teut.
+ "<i>viertel</i>."</p>
+
+ <p class="author">J.S.</p>
+
+ <p><i>Loscop</i> (No. 20. p. 319).&mdash;To be "Louecope-free"
+ is one of the immunities granted to the Cinque Ports in their
+ charters of Liberties.</p>
+
+ <p>Jeakes explains the term thus:&mdash;</p>
+
+ <blockquote>
+ <p>"The Saxon word Cope (in Low Dutch still Kope or Koope),
+ for trade or merchandising, makes this as much as to trade
+ freely for love. So that by no kind of monopoly patent, or
+ company or society of traders or merchants, the portsmen be
+ hindered from merchandising; but freely and for love, be
+ permitted to trade and traffick, even by such company of
+ merchants, whenever it shall happen their concerns lie
+ together."</p>
+ </blockquote>
+
+ <p>In my MSS., and in the print of Jeakes, it is "Louecope,"
+ with which "Lofcope" may be readily identified; and <i>f</i>
+ may easily be misread for <i>s</i>, especially if the roll be
+ obscured.</p>
+
+ <p>If Jeakes's etymology of the word be correct, the inference
+ would rather be that "Lovecope" was a tax for the goodwill of
+ the port at which a merchant vessel might arrive; a "port duty"
+ in fact, independent of "lastage" &amp;c., chargeable upon
+ every trader that entered the port, whatever her cargo might
+ be. And the immunities granted to the portsmen were that they
+ should be "port duty free."</p>
+
+ <p>I do not venture to offer this as any thing more than a mere
+ guess. Among your contributors there are many more learned than
+ myself in this branch of antiquarian lore, who will probably be
+ able to give a more correct interpretation, and we shall feel
+ obliged for any assistance that they can give us in elucidating
+ the question.</p>
+
+ <p>"Lovecope" might perhaps be the designation of the
+ association of merchants itself, to which Jeakes alludes; and
+ the liberty of forming such association, with powers of
+ imposing port duties, may have been dependent on special grant
+ to any port by royal charter, such as that which forms the
+ subject of your correspondent's communication.</p>
+
+ <p>After all, perhaps, "Lovecope" was the word for an
+ association of merchants; and "Louecope-free" is to be freed
+ from privileged taxation by this body.</p>
+
+ <p class="author">L.B.L.</p>
+
+ <p><i>Smelling of the Lamp</i> (No. 21. p. 335.).&mdash;"X."
+ will find the expression
+ &Iota;&lambda;&lambda;&upsilon;&chi;&nu;&iota;&omega;&nu;
+ &omicron;&zeta;&epsilon;&iota;&nu; attributed to Pytheas by
+ Plutarch (<i>Vit. Demosth</i>., c. 8.).</p>
+
+ <p class="author">J.E.B. MAYOR.</p>
+
+ <p><i>Anglo-Saxon MS. of Orosius</i> (No. 20. p.
+ 313.).&mdash;It may gratify Mr. Singer to be informed that the
+ Lauderdale MS., formerly in the library at Ham House, is now
+ preserved, with several other
+ <span class="pagenum"><a name="page372"
+ id="page372"></a>{372}</span> valuable manuscripts and
+ books, in the library at Helmingham Hall, Suffolk, the seat
+ of the Tollemache family.</p>
+
+ <p class="author">M.</p>
+
+ <p><i>Golden Frog</i>.&mdash;Ingenious as is the suggestion of
+ "R.R." (No. 18. p. 282.), that Sir John Poley stuck a golden
+ frog in his ear from his affection for <i>tadpoles</i>, I think
+ "R.R.'s" "Rowley Poley" may be dismissed with the
+ "<i>gammon</i> and spinach" of the amorous frog to which he
+ alludes.</p>
+
+ <p>Conceiving that the origin of so singular a badge could
+ hardly fail to be commemorated by some tradition in the family,
+ I have made inquiry of one of Sir John Poley's descendants, and
+ I regret to hear from him that "they have no authentic
+ tradition respecting it, but that they have always believed
+ that it had some connection with the service Sir John rendered
+ in the Low Countries, where he distinguished himself much by
+ his military achievements." To the Low Countries, then, the
+ land of frogs, we must turn for the solution of the enigma.</p>
+
+ <p class="author">Gastras.</p>
+
+ <p>Cambridge, March 9.</p>
+
+ <p><i>Sword of Charles I.</i>&mdash;Mr. Planch&eacute; inquires
+ (No. 12. p. 183.), "When did the real sword of Charles the
+ First's time, which, but a few years back, hung at the side of
+ that monarch's equestrian figure at Charing Cross,
+ disappear?"&mdash;It disappeared about the time of the
+ coronation of Her present Majesty, when some scaffolding was
+ erected about the statue, which afforded great facilities for
+ removing the rapier (for such it was); and I always understood
+ it found its way, by some means or other, to the Museum, so
+ called, of the notoriously frolicsome Captain D&mdash;&mdash;,
+ where, in company with the wand of the Great Wizard of the
+ North, and other well-known articles, it was carefully labelled
+ and numbered, and a little account appended of the
+ circumstances of its acquisition and removal.</p>
+
+ <p class="author">John Street.</p>
+
+ <p class="note">[Surely then Burke was right, and the "Age of
+ Chivalry is past!"&mdash;Otherwise the idea of <i>disarming a
+ statue</i> would never have entered the head of any Man of
+ Arms, even in his most frolicsome of moods.]</p>
+
+ <p><i>John Bull</i>.&mdash;<i>Vertue MSS.</i>&mdash;I always
+ fancied that the familiar name for our countrymen, about the
+ origin of which "R.F.H." inquires (No. 21. p. 336.), was
+ adopted from Swift's <i>History of John Bull</i>, first printed
+ in 1712; but I have no authority for saying so.</p>
+
+ <p>If the Vertue MSS. alluded to (No. 20. p. 319.) were ever
+ returned by Mr. Steevens to Dr. Rawlinson, they may be in the
+ Bodleian Library, to which the Doctor left all his collections,
+ including a large mass of papers purchased by him long after
+ Pepys' death, as he described it, "Thus et odores
+ vendentibus."</p>
+
+ <p>These "<i>Pepys</i> papers," as far as I can recollect, were
+ very voluminous, and relating to all sorts of subjects; but I
+ saw them in 1824, and had only then time to examine and extract
+ for publication portions of the correspondence.</p>
+
+ <p class="author">Braybrooke.</p>
+
+ <p>Audley End, March 25.</p>
+
+ <p><i>Vertue's Manuscripts</i>.&mdash;The MS. quoted under this
+ title by Malone is printed entire, or rather all of it which
+ refers to plays, by Mr. Peter Cunningham, in the <i>Papers of
+ the Shakspeare Society</i>, vol. ii. p. 123., from an
+ interleaved copy of Langbaine. Since the publication of that
+ paper, the entries relating to Shakspeare's plays have been
+ given from the original MS. in the Bodleian Library, in
+ Halliwell's <i>Life of Shakspeare</i>, p. 272.</p>
+
+ <p class="author">S.L.</p>
+
+ <p><i>Vertue's MSS</i>. (No. 20. p. 319.) were in Horace
+ Walpole's possession, bought by him, I think, of Vertue's
+ widow; and his <i>Anecdotes of Painting</i> were chiefly
+ composed from them, as he states, with great modesty, in his
+ dedication and his preface. I do not see in the Strawberry-Hill
+ Catalogue any notice of "Vertue's MSS.," though some vols. of
+ his collection of engravings were sold.</p>
+
+ <p class="author">C.</p>
+
+ <p><i>Lines attributed to Tom Brown</i>.&mdash;In a book
+ entitled <i>Liber Facetiarum, being a Collection of curious and
+ interesting Anecdotes</i>, published at Newcastle-upon-Tyne, by
+ D. Akenhead &amp; Sons, 1809, the passage attributed to Tom
+ Brown by your correspondent "J.T." is given to Zacharias
+ Boyd.</p>
+
+ <p>The only reference given as authority for the account is the
+ initials H.B.</p>
+
+ <blockquote>
+ <p>"Zacharias Boyd, whose bust is to be seen over the
+ entrance to the Royal College in Glasgow, while Professor
+ in that university, translated the Old and New Testament
+ into Scotch Metre; and, from a laudable zeal to disseminate
+ religious knowledge among the lower classes of the
+ community, is said to have left a very considerable sum to
+ defray the expense of the said work, which, however, his
+ executors never printed."</p>
+ </blockquote>
+
+ <p>After a few specimens, the account goes on</p>
+
+ <blockquote>
+ <p>"But the highest flight of his Muse appears in the
+ following <i>beautiful Alexandrine</i>:</p>
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="i4">"And was not Pharaoh a saucy rascal?</p>
+
+ <p class="i4">That would not let the children of
+ Israel, their wives</p>
+
+ <p class="i4">And their little ones, their flocks and
+ their herds, go</p>
+
+ <p class="i4">Out into the wilderness forty days</p>
+
+ <p class="i16">To eat the Pascal.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="i4">"H.B."</p>
+ </div>
+ </div>
+
+ <p>Speaking of Zachariah Boyd, Granger says, (vol. ii. p.
+ 379.):</p>
+
+ <blockquote>
+ <p>"His translation of the Scripture in such uncouth verse
+ as to amount to burlesque, has been often quoted, and the
+ just fame of a benefactor to learning has been obscured by
+ that cloud of miserable rhymes. Candour will smile at the
+ foible, but applaud the man.</p>
+
+ <p>"Macure, in his account of Glasgow, p. 223., informs us
+ he lived in the reign of Charles I."</p>
+ </blockquote>
+
+ <p class="author">H.I.</p>
+
+ <p>Sheffield, March 9.
+ 1850.</p><span class="pagenum"><a name="page373"
+ id="page373"></a>{373}</span>
+
+ <p><i>Passage in Frith's Works</i> (No. 20. p. 319).&mdash;This
+ passage should be read, as I suppose, "Ab inferiori ad suum
+ superius confuse distribui."</p>
+
+ <p>It means that there would be confusion, if what is said
+ distributively or universally of the lower, should be applied
+ distributively or universally to the higher; or, in other
+ words, if what is said universally of a species, should be
+ applied universally to the genus that contains that and other
+ species: <i>e.g.</i>, properties that are universally found in
+ the human species will not be found universally in the genus
+ Mammalis, and universal properties of Mammalia wil not be
+ universal over the animal kingdom.</p>
+
+ <p class="author">T.J.</p>
+
+ <p><i>Martins, the Louvain Printer</i>.&mdash;Your
+ correspondent "W." (No. 12. p. 185.) is informed, that in
+ Falkenstein's <i>Geschichte der Buchdrucherkunst</i> (Leipzig,
+ 1840, p. 257.), Theoderich Martens, printer in Louvain and
+ Antwerp, is twice mentioned. I have no doubt but this is the
+ correct German form of the name. Mertens, by which he was also
+ known, may very possibly be the Flemish form. His Christian
+ name was also written Dierik, a short form of Dietrich, which,
+ in its turn, is the same as Theodorich.</p>
+
+ <p class="author">NORTHMAN.</p>
+
+ <p><i>Master of the Revels</i>.&mdash;"DR. RIMBAULT" states
+ (No. 14. p. 219.), that Solomon Dayrolle was appointed Master
+ of the Revels in 1744, but does not know the date of his
+ decease. It may be unknown to Dr. Rimbault, that Solomon
+ Dayrolle<i>s</i> was an intimate friend and correspondent of
+ the great Lord Chesterfield: the correspondence continues from
+ 1748 to 1755 in the selection of Chesterfield's letters to
+ which I am referring.</p>
+
+ <p>Dayrolles, during all that period, held a diplomatic
+ appointment from this country at the Hague. See Lord
+ Chesterfield's letter to him of the 22d Feb. 1748, where Lord
+ C. suggests that by being cautious he (Dayrolles) may be put
+ <i>en train d'&ecirc;tre Monsieur l'Envoye</i>.</p>
+
+ <p>In several of the letters Chesterfield warmly and familiarly
+ commends his hopeful son, Mr. Stanhope, to the care and
+ attention of Dayrolles.</p>
+
+ <p>I have not been able to ascertain when Dayrolles died, but
+ the above may lead to the discovery.</p>
+
+ <p class="author">W.H. LAMMIN.</p>
+
+ <p><i>French Maxim</i>.&mdash;The French saying quoted by
+ "R.V." is the 223rd of <i>Les R&eacute;flexions morales du Duc
+ de la Rochefoucauld</i> (Pougin, Paris, 1839). I feel great
+ pleasure in being able to answer your correspondent's query, as
+ I hope that my reply may be the means of introducing to his
+ notice one of the most delightful authors that has ever yet
+ written: one who deserves far more attention than he appears to
+ receive from general readers in this degenerate age, and from
+ whom many of his literary successors have borrowed some of
+ their brightest thoughts. I need not go far for an
+ illustration:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"Praise undeserved, is scandal in disguise,"</p>
+ </div>
+ </div>
+
+ <p>is merely a condensation of,</p>
+
+ <blockquote>
+ <p>"Louer les princes des vertus qu'ils n'ont pas, c'est
+ leur dire impun&eacute;ment des injures."&mdash;La
+ Rochefoucauld, Max. 327.</p>
+ </blockquote>
+
+ <p>I believe that Pope marks it as a <i>translation&mdash;a
+ borrowed thought&mdash;not as a quotation</i>. He has just
+ before used the words "your Majesty;" and I think the word
+ "<i>scandal</i>" is employed "<i>consulto</i>," and alludes to
+ the offence known in English law as "scandalum magnatum." Your
+ correspondent will, of course, read the work in the original;
+ in fact, he <i>must</i> do so <i>per force</i>. A good
+ translation of <i>Les Maximes</i> is still a desideratum in
+ English literature. I have not yet seen one that could lay
+ claim even to the meagre title of mediocrity; although I have
+ spared neither time nor pains in the search. Should any of your
+ readers have been more fortunate, I shall feel obliged by their
+ referring me to it.</p>
+
+ <p class="author">MELANION.</p>
+
+ <p><i>Endeavour</i>.&mdash;I have just found the following
+ instance of "endeavour" used as an active verb, in Dryden's
+ translation of Maimbourg's <i>History of the League</i>,
+ 1684.</p>
+
+ <blockquote>
+ <p>"On the one side the majestique House of Bourbon,... and
+ on the other side, that of two eminent families which
+ endeavour'd their own advancement by its destruction; the
+ one is already debas'd to the lowest degree, and the other
+ almost reduc'd to nothing." &mdash;p. 3.</p>
+ </blockquote>
+
+ <p class="author">C. FORBES.</p>
+
+ <p>Temple.</p>
+ <hr class="full" />
+
+ <h2>MISCELLANIES.</h2>
+
+ <p><i>Epigram by La Monnoye</i>.&mdash;It has been ingeniously
+ said, that "Life is an epigram, of which death is the point."
+ Alas for human nature! good points are rare; and no wonder,
+ according to this wicked, but witty,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>EPIGRAM BY LA MONNOYE.</p>
+ </div>
+
+ <div class="stanza">
+ <p>The world of fools has such a store,</p>
+
+ <p class="i2">That he who would not see an ass,</p>
+
+ <p>Must bide at home, and bolt his door,</p>
+
+ <p class="i2">And break his looking glass.</p>
+ </div>
+ </div>
+
+ <p class="author">S.W.S.</p>
+
+ <p>Mickleham, Dec. 10. 1849.</p>
+
+ <p><i>Spur Money</i>.&mdash;Two or three years since, a party
+ of sappers and miners was stationed at Peterborough, engaged in
+ the trigonometrical survey, when the officer entered the
+ cathedral with his spurs on, and was immediately beset by the
+ choristers, who demanded money of him for treading the sacred
+ floor with armed heels. Does any one know the origin of this
+ singular custom? I inquired of some of the dignitaries of the
+ Cathedral, but they were not aware even of its existence. The
+ boys, however, have more tenacious memories, at least where
+ their interest is concerned; but we must not look to them for
+ the origin of a <span class="pagenum"><a name="page374"
+ id="page374"></a>{374}</span> custom which appears to have
+ long existed. In the <i>Memorials of John Ray</i>, published
+ by the Ray Society, p. 131., there is the following entry in
+ his second Itinerary:&mdash;</p>
+
+ <blockquote>
+ <p>"July the 26th, 1661, we began our journey northwards
+ from Cambridge, and that day, passing through Huntingdon
+ and Stilton, we rode as far as Peterborough twenty-five
+ miles. There I first heard the Cathedral service. The
+ choristers made us pay money for coming into the choir with
+ our spurs on."</p>
+ </blockquote>
+
+ <p class="author">East Winch.</p>
+
+ <p class="note">[The following note from <i>The Book of the
+ Court</i> will serve to illustrate the curious custom referred
+ to by our correspondent:</p>
+
+ <p class="note">"In <i>The Privy Purse Expenses of King Henry
+ VIII.</i> edited by Sir Harris Nicolas, there occur several
+ entries of payments made to the choristers of Windsor 'in
+ rewarde for the king's spurs'; which the editor supposes to
+ mean 'money paid to redeem the king's spurs, which had become
+ the fee of the choristers at Windsor, perhaps at installations,
+ or at the annual celebration of St. George's feast.' No notice
+ of the subject occurs in Ashmole's or Anstis's <i>History of
+ the Order of the Garter</i>. Mr. Markland, quoting a note to
+ Gifford's edition of Ben Jonson, vol. ii. p. 49., says, 'In the
+ time of Ben Jonson, in consequence of the interruptions to
+ Divine Service occasioned by the ringing of the spurs worn by
+ persons walking and transacting business in cathedrals, and
+ especially in St. Paul's, a small fine was imposed on them,
+ called "spur-money," the exaction of which was committed to the
+ beadles and singing-boys.' This practice, and to which,
+ probably, the items in Henry's household-book bear reference,
+ still obtains, or, at least, did till very lately, in the
+ Chapel Royal and other choirs. Our informant himself claimed
+ the penalty, in Westminster Abbey, from Dr. Fisher, Bishop of
+ Rochester, and received from him an eighteenpenny bank token as
+ the fine. He likewise claimed the penalty from the King of
+ Hanover (then Duke of Cumberland), for entering the choir of
+ the Abbey in his spurs. But His Royal Highness, who had been
+ installed there, excused himself with great readiness, pleading
+ 'his right to wear his spurs in that church, inasmuch as it was
+ the place where they were first put on him!'&mdash;See further,
+ <i>European Mag</i>., vol. iii. p. 16."]</p>
+ <hr />
+
+ <h3>MINIMUM DE MALIS.</h3>
+
+ <h4>(<i>From the Latin of Buchanan.</i>)</h4>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Calenus owed a single pound, which yet</p>
+
+ <p>With all my dunning I could never get.</p>
+
+ <p>Tired of fair words, whose falsehood I foresaw,</p>
+
+ <p>I hied to Aulus, learned in the law.</p>
+
+ <p>He heard my story, bade me "Never fear,</p>
+
+ <p>There was no doubt&mdash;no case could be more
+ clear:&mdash;</p>
+
+ <p>He'd do the needful in the proper place,</p>
+
+ <p>And give his best attention to the case."</p>
+
+ <p class="i2">And this he may have done&mdash;for it
+ appears</p>
+
+ <p>To have been his business for the last ten
+ years,</p>
+
+ <p>Though on his pains ten times ten pounds
+ bestow'd</p>
+
+ <p>Have not regain'd that one Calenus owed.</p>
+
+ <p class="i2">Now, fearful lest this unproductive
+ strife</p>
+
+ <p>Consume at once my fortune and my life,</p>
+
+ <p>I take the only course I can pursue,</p>
+
+ <p>And shun my debtor and my lawyer too.</p>
+
+ <p>I've no more hope from promises or laws,</p>
+
+ <p>And heartily renounce both debt and cause&mdash;</p>
+
+ <p>But if with either rogue I've more to do,</p>
+
+ <p>I'll surely choose my debtor of the two;</p>
+
+ <p>For though I credit not the lies he tells,</p>
+
+ <p>At least he <i>gives</i> me what the other
+ <i>sells</i>.</p>
+ </div>
+ </div>
+
+ <p class="author">Rufus.</p>
+ <hr />
+
+ <p><i>Epigram on Louis XIV.</i>&mdash;I find the following
+ epigram among some old papers. The emperor would be Leopold I.,
+ the king Louis XIV.</p>
+
+ <p><i>Epigram by the Emperor, 1666, and the King of
+ France.</i></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Bella fugis, sequeris bellas, pugn&aelig;que
+ repugnas,</p>
+
+ <p class="i2">Et bellatori sunt tibi bella tori.</p>
+
+ <p>Imbelles imbellis amas, totusque videris</p>
+
+ <p class="i2">Mars ad opus Veneris, Martis ad arma
+ Venus.</p>
+ </div>
+ </div>
+
+ <p class="author">J.H.L.</p>
+
+ <p><i>Macaulay's Young Levite.</i>&mdash;I met, the other day
+ with a rather curious confirmation of a passage in Macaulay's
+ <i>History of England</i>, which has been more assailed perhaps
+ than any other.</p>
+
+ <p>In his character of the clergy, Macaulay says, they
+ frequently married domestics and retainers of great
+ houses&mdash;a statement which has grievously excited the wrath
+ of Mr. Babington and other champions. In a little book, once
+ very popular, first published in 1628, with the title
+ <i>Microcosmographie, or a Piece of the World discovered</i>,
+ and which is known to have been written by John Earle, after
+ the Restoration Bishop of Worcester and then of Salisbury, is
+ the following passage. It occurs in what the author calls a
+ character of "a young raw preacher."</p>
+
+ <blockquote>
+ <p>"You shall know him by his narrow velvet cape and serge
+ facing, and his ruffe, next his hire, the shortest thing
+ about him.... His friends, and much painefulnesse, may
+ preferre him to thirtie pounds a yeere, and this meanes, to
+ a chamber-maide: with whom we leave him now in the bonds of
+ wedlocke. Next Sunday you shall have him againe."</p>
+ </blockquote>
+
+ <p>The same little book contains many very curious and valuable
+ illustrations of contemporary manners, especially in the
+ universities.</p>
+
+ <p>That the usage Macaulay refers to was not uncommon, we find
+ from a passage in the <i>Woman-Hater</i>, by Beaumont and
+ Fletcher (1607), Act III. Sc. 3.</p>
+
+ <p>Lazarillo says,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"Farewell ye courtly chaplains that be there!</p>
+
+ <p>All good attend you! May you never more</p>
+
+ <p>Marry your patron's lady's waiting-woman!"</p>
+ </div>
+ </div>
+
+ <p class="author">I.T.</p>
+
+ <p>Trin. Coll. Camb., March 16.
+ 1850.</p><span class="pagenum"><a name="page375"
+ id="page375"></a>{375}</span>
+
+ <p><i>St. Martin's Lane</i>.&mdash;The first building leases of
+ St. Martin's Lane and the adjacent courts accidentally came
+ under my notice lately. They are dated in 1635 and 1636, and
+ were granted by the then Earl of Bedford.</p>
+
+ <p class="author">Arun.</p>
+ <hr />
+
+ <h3>CHARLES DEERING, M.D.</h3>
+
+ <p>"Author of the Catalogue of Plants in the neighbourhood of
+ Nottingham. 'Catalogus Stirpium, &amp;c., or a Catalogue of
+ Plants naturally growing and commonly cultivated in divers
+ parts of England, and especially about Nottingham,' 8vo.
+ Nottingh. 1738.</p>
+
+ <p>"He was in the suite of the English ambassador to Russia,
+ returned and practised physic in London married unfortunately,
+ buried his wife, and then went to Nottingham, where he lived
+ several years. During his abode there he wrote a small
+ <i>Treatise on the Small Pocks</i>, this <i>Catalogue of
+ Plants</i>, and the <i>History of Nottingham</i>, the materials
+ for which John Plumtre, Esq. of Nottingham, was so obliging as
+ to assist him with. He also was paid 40<i>l.</i> by a London
+ bookseller for adding 20,000 words to an English dictionary. He
+ was master of seven languages, and in 1746 he was favoured with
+ a commission in the Nottinghamshire Foot, raised at that time.
+ Soon after died, and was buried in St. Peter's Churchyard.</p>
+
+ <p>"William Ayscough, father of the printer of this
+ <i>Catalogus Stirpium</i> (G. Ayscough), in 1710, first
+ introduced the art of printing at Nottingham.</p>
+
+ <p>"Mr. White was the same year the first printer at
+ Newcastle-upon-Tyne; and Mr. Dicey at
+ Northampton."&mdash;<i>MS. Note in the Copy of the Cat.
+ Stirpium, in the Library of the British Museum</i>.</p>
+ <hr class="full" />
+
+ <h2>MISCELLANEOUS.</h2>
+
+ <h3>NOTES ON BOOKS, CATALOGUES, SALES, ETC.</h3>
+
+ <p>Our advertising columns already show some of the good
+ results of the <i>Exhibition of the Works of Ancient and
+ Medi&aelig;val Art</i>. Mr. Williams announced last week his
+ <i>Historic Reliques</i>, to be etched by himself. Mr. Cundall
+ has issued proposals for <i>Choice Examples of Art
+ Workmanship</i>; and, lastly, we hear that an <i>Illustrated
+ Catalogue of the Exhibition</i>, prepared by Mr. Franks, the
+ zealous Honorary Secretary of the Committee, and so arranged as
+ to form a <i>History of Art</i>, may be expected. We mention
+ these for the purpose of inviting our friends to contribute to
+ the several editors such information as they may think likely
+ to increase the value of the respective works.</p>
+
+ <p>The second edition of our able correspondent, Mr. Peter
+ Cunningham's <i>Handbook of London</i>, is on the eve of
+ publication.</p>
+
+ <p>There are few of our readers but will be glad to learn from
+ the announcement in a previous column, that the edition of the
+ <i>Wickliffite Versions of the Scriptures</i>, upon which Sir
+ Frederick Madden and his fellow labourers have been engaged for
+ a period of twenty years, is just completed. It forms, we
+ believe, three quarto volumes.</p>
+
+ <p>Messrs. Puttick and Simpson lately disposed of a most select
+ and interesting collection of autograph letters. We
+ unfortunately did not receive the catalogue in time to notice
+ it, which we the more regret, because, like all their
+ catalogues of autographs, it was drawn up with amateur-like
+ intelligence and care; so as to make it worth preserving as a
+ valuable record of materials for our history and biography.</p>
+
+ <p>We have received the following Catalogues of
+ Books:&mdash;No. XXV. of Thomas Cole's (15. Great Turnstile):
+ No. 2. for 1850, of William Heath's (29&frac12; Lincoln's Inn
+ Fields); and No. 15. of Bernard Quarritch's (16. Castle Street,
+ Leicester Square) Catalogue of Oriental and Foreign Books.</p>
+ <hr />
+
+ <h3>BOOKS AND ODD VOLUMES</h3>
+
+ <h4>WANTED TO PURCHASE</h4>
+
+ <h4>(<i>In continuation of Lists in former Nos.</i>)</h4>
+
+ <p>Mills, Rev. Isaac, of Highcleer&mdash;Account of the Life
+ and Conversation of, with a Sermon, 8vo., 1721.</p>
+
+ <p>Mykur Hazem, by Marcus, London, 1846.</p>
+
+ <p>Poems by a Bornnatural, 1849.</p>
+
+ <h4><i>Odd Volumes</i>.</h4>
+
+ <p>Proceedings of the Philological Society. Vol. I.</p>
+
+ <p>Richardson's Correspondence, Vol. I. of the Six-Volume
+ Ed.</p>
+
+ <p>Todd's Johnson's Dictionary, 4to., 1819. (Part X. containing
+ Title, Preface, &amp;c.)</p>
+
+ <p>Partington's British Cyclop&aelig;dia&mdash;That portion of
+ Natural History which follows Vol. I.</p>
+
+ <p>*** Letters, stating particulars and lowest price,
+ <i>carriage free</i>, to be sent to Mr. Bell, Publisher of
+ "NOTES AND QUERIES," 186. Fleet Street.</p>
+ <hr />
+
+ <h3>NOTICES TO CORRESPONDENTS.</h3>
+
+ <p>Burning for Treason.&mdash;Can the Correspondent who
+ furnished us with a curious Note upon this subject favour us
+ with a copy of it, the original having been accidentally
+ mislaid?</p>
+
+ <p>We are again compelled, from want of space, to omit many
+ curious and interesting articles; and, after this statement,
+ must beg our kind friends at Leeds, Brompton, &amp;c., who
+ complain of delay in the insertion of their communications, to
+ do us the favour to refer to the notice on this very subject
+ which appeared in our early numbers.</p>
+
+ <p>Notes and Queries may be procured by the Trade at noon on
+ Friday: so that our country Subscribers ought to experience no
+ difficulty in receiving it regularly. Many of the country
+ Booksellers are probably not yet aware of this arrangement,
+ which enables them to receive Copies in their Saturday parcels.
+ Part V. is now ready.</p>
+ <hr class="adverts" />
+ <span class="pagenum"><a name="page376"
+ id="page376"></a>{376}</span>
+
+ <center>
+ THE QUARTERLY REVIEW,
+ </center>
+
+ <center>
+ No. CLXXII. is Published This Day.
+ </center>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="i2">CONTENTS:</p>
+
+ <p>I. GIACOMO LEOPARDI AND HIS WRITINGS.</p>
+
+ <p>II. RANKE'S HOUSE OF BRANDENBURG.</p>
+
+ <p>III. QUEEN'S COLLEGE, LONDON.</p>
+
+ <p>IV. GROTE'S HISTORY OF GREECE.</p>
+
+ <p>V. URQUHART'S PILLARS OF HERCULES.</p>
+
+ <p>VI. FACTS IN FIGURES.</p>
+
+ <p>VII. THE DUTIFUL SON.</p>
+
+ <p>VIII. CUNNINGHAM'S HANDBOOK OF LONDON.</p>
+
+ <p>IX. BAXTER'S IMPRESSIONS OF EUROPE.</p>
+
+ <p>X. LORD LIEUTENANT CLARENDON.</p>
+
+ <p>XI. LOUIS PHILIPPE.</p>
+ </div>
+ </div>
+
+ <center>
+ John Murray, Albemarle Street.
+ </center>
+ <hr />
+
+ <center>
+ NEARLY READY.
+ </center>
+
+ <div class="figcenter"
+ style="width:50%;">
+ <a href="images/376.png"><img width="100%"
+ src="images/376.png"
+ alt="CHOICE EXAMPLES OF ART WORKMANSHIP Selected from the Exhibition of ANCIENT AND MEDI&AElig;VAL ART at the Society of Arts" />
+ </a>
+ </div>
+
+ <center>
+ A Prospectus, containing a Specimen of the Illustrations,
+ will be sent on receipt of two postage stamps.
+ </center>
+
+ <center>
+ Joseph Cundall, 21. Old Bond Street.
+ </center>
+ <hr />
+
+ <p>MILLER'S CATALOGUE OF ANCIENT AND MODERN BOOKS.&mdash;NUMBER
+ FOUR is ready this day, and can be had Gratis, and sent, if
+ required, Postage Free. Address, John Miller, 43, Chandos
+ Street, Trafalgar Square. This List embraces numerous valuable
+ and interesting Books on English Poetry, the Drama, History,
+ Biography, Voyages and Travels, &amp;c., with the works of a
+ few of the best Continental writers, a selection of Pictorial
+ Books of Scenery, Costume, Topography, and Drawing-room Table
+ Books.</p>
+
+ <p>Also, on forwarding Four Postage Stamps, JOHN MILLER'S
+ CATALOGUE OF BOOKS FOR THE PAST QUARTER may be had stitched in
+ a wrapper, with a Table of Contents, showing at one glance the
+ range of subjects embraced, amongst which may be enumerated the
+ following, viz., America, Angling, Banking and Currency, Coins,
+ Dictionaries, Drawing-books, Games, Sports, &amp;c., Heraldry,
+ Genealogy and Family History, Ireland, its History and
+ Literature, Kent, its History and Topography, Law, Music, its
+ History and Theory, Painting and the Fine Arts, Shakspeariana,
+ and a variety of other branches of Literature comprised in
+ upwards of 1500 articles.</p>
+
+ <center>
+ John Miller, 43. Chandos Street, Trafalgar Square.
+ </center>
+ <hr />
+
+ <p>THE ANGLO-SAXON, for April, Price 2<i>s.</i> 6<i>d.</i> or
+ 3<i>s.</i> post-free, contains England and her Colonies: County
+ Colonisation, with Maps&mdash;English Church
+ Music&mdash;Christian Architecture&mdash;London: a Poem, Essay
+ II.&mdash;The Alfred Medals: Three Sonnets, by Martin F.
+ Tupper&mdash;Anglo-Saxon Literature: the Jubilee Edition of
+ King Alfred's Works, with Specimens and
+ Translations&mdash;Wives and Mothers&mdash;Anglo-Saxon
+ Colonies: Victoria, Cooksland, Port Essington,
+ (Papua&mdash;Timor)&mdash;Original Ballads.</p>
+
+ <p>The ANGLO-SAXON for 1849 forms a handsome volume, price One
+ Guinea.</p>
+
+ <center>
+ London: T. Bosworth, 215. Regent Street.
+ </center>
+ <hr />
+
+ <p>Published every Saturday, price 3<i>d.</i>, or stamped,
+ 4<i>d.</i>, also in Monthly Parts. Part V. (for March), price
+ 1<i>s.</i> 3<i>d.</i>, now ready.</p>
+
+ <p>NOTES AND QUERIES: a Medium of Inter-communication for
+ Literary Men, Artists, Antiquaries, Genealogists, &amp;c.</p>
+
+ <p>The attention of Publishers and Booksellers is particularly
+ requested to this Periodical as a medium for advertising. It
+ contains communications from the most eminent Literary Men, and
+ is circulated largely amongst the best class of
+ book-buyers.</p>
+
+ <p>In addition to the valuable matter which will be found in
+ its columns, it contains notices of Book Sales, Booksellers'
+ Catalogues, and Lists of Books wanted to
+ purchase,&mdash;features which it is believed will be found
+ valuable to Dealers in Old Books, as well as useful to
+ Purchasers.</p>
+
+ <table summary="Prices"
+ align="center">
+ <caption>
+ SCALE OF PRICES.
+ </caption>
+
+ <tr>
+ <td></td>
+
+ <td align="right">&pound;</td>
+
+ <td><i>s.</i></td>
+
+ <td><i>d.</i></td>
+ </tr>
+
+ <tr>
+ <td align="left">Six lines and under</td>
+
+ <td align="right">0</td>
+
+ <td align="right">5</td>
+
+ <td align="right">0</td>
+ </tr>
+
+ <tr>
+ <td align="left">Above six lines, per line</td>
+
+ <td align="right">0</td>
+
+ <td align="right">0</td>
+
+ <td align="right">6</td>
+ </tr>
+
+ <tr>
+ <td align="left">Half a column</td>
+
+ <td align="right">0</td>
+
+ <td align="right">16</td>
+
+ <td align="right">0</td>
+ </tr>
+
+ <tr>
+ <td align="left">Column</td>
+
+ <td align="right">1</td>
+
+ <td align="right">10</td>
+
+ <td align="right">0</td>
+ </tr>
+
+ <tr>
+ <td align="left">Page</td>
+
+ <td align="right">2</td>
+
+ <td align="right">10</td>
+
+ <td align="right">0</td>
+ </tr>
+ </table>
+
+ <p>***Advertisements must be sent by the Wednesday previous to
+ the Saturday on which they are intended to appear; Notes and
+ Queries being issued to the Trade on Friday afternoon.</p>
+
+ <center>
+ OPINIONS OF THE PRESS.
+ </center>
+
+ <blockquote>
+ <p>"As good a first number as we remember to have seen. The
+ Editor exhibits a phalanx of eminent assistants. * * There
+ can be no doubt of the value of a Literary Medium of this
+ peculiar kind."&mdash;<i>Athen&aelig;um</i>.</p>
+
+ <p>"We like the plan much. * * We wish success to a
+ publication which promises to be agreeable, intelligent,
+ and useful."&mdash;<i>Literary Gazette</i>.</p>
+
+ <p>"We feel great pleasure in welcoming into the literary
+ world this publication, which promises to fill up a void
+ that has constantly been lamented by every person engaged
+ in any particular branch of study that required experience
+ and research. * * It is a publication in which all literary
+ persons must feel a deep interest, and that has our
+ heartiest wishes for its success."&mdash;<i>Morning
+ Herald</i>.</p>
+
+ <p>"This is a new periodical, with a new idea, and one that
+ deserves and will be sure to receive encouragement amongst
+ scholars and readers really deserving that appellation. * *
+ It is a capital idea; and every one who makes Notes or has
+ Queries should buy it and contribute to
+ it."&mdash;<i>Weekly News</i>.</p>
+
+ <p>"That valuable publication The Notes and Queries, so
+ auspiciously commenced."&mdash;<i>New Bell's
+ Messenger</i>.</p>
+
+ <p>"With whomsoever the idea of publishing this useful and
+ interesting periodical first originated, that person is
+ entitled to the thanks of every author, antiquary, and
+ scholar, in the United Kingdom. * * We recommend, in all
+ sincerity, The Notes and Queries to the attention of lovers
+ of literature in general."&mdash;<i>Morning Post</i>.</p>
+ </blockquote>
+
+ <center>
+ London: George Bell, 186. Fleet Street.
+ </center>
+ <hr />
+
+ <center>
+ Just Published, Parts 13 and 14, imperial quarto. Price
+ 3<i>s.</i> each, tinted 4<i>s.</i>
+ </center>
+
+ <p>RELIQUES OF ANCIENT ENGLISH ARCHITECTURE, from Drawings by
+ John Johnson, Architect, F.S.A., Lithographed by Alfred
+ Newman.</p>
+
+ <p>Contents, Part 13:&mdash;Hawton Church; Notts.&mdash;St.
+ Mary's, Stamford&mdash;Aldwinkle, All Saints,
+ Northamptonshire-Wellingborough Church, Northamptonshire.</p>
+
+ <p>Part 14&mdash;Skelton Church, from the South-East and
+ South-West&mdash;Rye House, Herts.&mdash;Holbeach Church,
+ Lincolnshire.</p>
+
+ <p>This Work is intended to embrace a series of examples of
+ Ecclesiastical, Collegiate, and Domestic Architecture. It will
+ be completed in Twenty Monthly Parts, price 3<i>s.</i> each,
+ tinted 4<i>s.</i></p>
+
+ <center>
+ London: George Bell, 186. Fleet Street.
+ </center>
+ <hr />
+
+ <center>
+ Preparing for immediate Publication, in 2 vols. small
+ octavo.
+ </center>
+
+ <p>THE FOLK-LORE OF ENGLAND. By William J. Thoms, F.S.A.,
+ Secretary of the Camden Society, Editor of "Early Prose
+ Romances," "Lays and Legends of all Nations," &amp;c. One
+ object of the present work is to furnish new contributions to
+ the History of our National Folk-Lore; and especially some of
+ the more striking illustrations of the subject to be found in
+ the Writings of Jacob Grimm and other Continental
+ Antiquaries.</p>
+
+ <p>Communications of inedited Legends, Notices of remarkable
+ Customs and Popular Observances, Rhyming Charms, &amp;c. are
+ earnestly solicited, and will be thankfully acknowledged by the
+ Editor. They may be addressed to the care of Mr. Bell, Office
+ of "Notes and Queries," 186. Fleet Street.</p>
+ <hr class="full" />
+
+ <blockquote class="footnote">
+ <a id="footnote1"
+ name="footnote1"></a><b>Footnote
+ 1:</b><a href="#footnotetag1">(return)</a>
+
+ <p>The best account, because the most consistent and
+ intelligible, of the Greek arithmetic, is that by Delambre,
+ affixed to Peyraud's edition of Archimedes.</p>
+ </blockquote>
+
+ <blockquote class="footnote">
+ <a id="footnote2"
+ name="footnote2"></a><b>Footnote
+ 2:</b><a href="#footnotetag2">(return)</a>
+
+ <p>At a period of leisure I may be tempted to send you a
+ few extracts, somewhat curious, from some of the papers of
+ Mr. Strachey in my possession.</p>
+ </blockquote>
+ <hr class="full" />
+
+ <p>Printed by Thomas Clark Shaw, of No. 8. New Street Square,
+ at No. 5. New Street Square, in the Parish of St. Bride, in the
+ City of London; and published by George Bell, of No. 186. Fleet
+ Street, in the Parish of St. Dunstan in The West, in the City
+ of London, Publisher, at No. 186. Fleet Street
+ aforesaid.&mdash;Saturday, April 6, 1850.</p>
+ <hr class="full" />
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries 1850.04.06, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.04.06 ***
+
+***** This file should be named 12505-h.htm or 12505-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/2/5/0/12505/
+
+Produced by Jon Ingram, William Flis, and the Online Distributed
+Proofreading Team. With thanks to Internet Library of Early Journals.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year. For example:
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
+
+
+</pre>
+
+</body>
+</html>
diff --git a/12505-h/12505-h.htm~ b/12505-h/12505-h.htm~
new file mode 100644
index 0000000..58a8ce6
--- /dev/null
+++ b/12505-h/12505-h.htm~
@@ -0,0 +1,2721 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+ <meta http-equiv="Content-Type"
+ content="text/html; charset=UTF-8" />
+
+ <title>Notes And Queries, Issue 23.</title>
+ <style type="text/css">
+
+ /*<![CDATA[*/
+ <!--
+ body {margin-left: 10%; margin-right: 10%;}
+ p {text-align: justify;}
+ blockquote {text-align: justify;}
+ h1,h2,h3,h4,h5,h6 {text-align: center;}
+ pre {font-size: 0.7em;}
+
+ hr {text-align: center; width: 50%;}
+ html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;}
+ hr.full {width: 100%;}
+ html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.adverts {width: 100%; height: 5px; color: black;}
+ html>body hr.adverts {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.short {text-align: center; width: 20%;}
+ html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;}
+
+
+ .note, .footnote {margin-left: 10%; margin-right: 10%;
+ font-size: 0.9em;}
+
+ .poem {margin-left:10%; margin-right:10%;
+ text-align: left;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ .poem p.i2 {margin-left: 2em;}
+ .poem p.i4 {margin-left: 4em;}
+ .poem p.i6 {margin-left: 6em;}
+ .poem p.i8 {margin-left: 8em;}
+ .poem p.i16 {margin-left: 16em;}
+ .poem .caesura {vertical-align: -200%;}
+
+ span.pagenum {position: absolute; left: 1%; right: 91%;
+ font-size: 8pt;}
+
+ p.author {text-align: right;}
+
+ .figcenter, .figright, .figleft
+ {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;}
+ .figcenter img, .figright img, .figleft img
+ {border: none;}
+ .figcenter p, .figright p, .figleft p
+ {margin: 0; text-indent: 1em;}
+ .figcenter {margin: auto;}
+ .figright {float: right;}
+ .figleft {float: left;}
+
+ -->
+ /*]]>*/
+ </style>
+</head>
+
+<body>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 12505 ***</div>
+
+ <span class="pagenum"><a name="page361"
+ id="page361"></a>{361}</span>
+
+ <h1>NOTES AND QUERIES:</h1>
+
+ <h2>A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS,
+ ANTIQUARIES, GENEALOGISTS, ETC.</h2>
+ <hr />
+
+ <h3><b>"When found, make a note of."</b>&mdash;CAPTAIN
+ CUTTLE.</h3>
+ <hr class="full" />
+
+ <table summary="masthead"
+ width="100%">
+ <tr>
+ <td align="left"
+ width="25%"><b>No. 23.</b></td>
+
+ <td align="center"
+ width="50%"><b>SATURDAY, APRIL 6. 1850.</b></td>
+
+ <td align="right"
+ width="25%"><b>Price Threepence.<br />
+ Stamped Edition 4d.</b></td>
+ </tr>
+ </table>
+ <hr class="full" />
+
+ <h2>CONTENTS.</h2>
+
+ <table summary="Contents"
+ align="center">
+ <tr>
+ <td align="left">NOTES:&mdash;</td>
+
+ <td align="right">Page</td>
+ </tr>
+
+ <tr>
+ <td align="left">Periplus of Hanno, by R.T.
+ Hampson</td>
+
+ <td align="right"><a href="#page361">361</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Pope Vindicated</td>
+
+ <td align="right"><a href="#page362">362</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">The Supper of the Lorde</td>
+
+ <td align="right"><a href="#page362">362</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Folk Lore:&mdash;Palm Sunday
+ Wind&mdash;Curious Symbolical Custom&mdash;The Wild
+ Huntsman</td>
+
+ <td align="right"><a href="#page363">363</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">On Authors and Books, No. VI, by
+ Bolton Corney</td>
+
+ <td align="right"><a href="#page363">363</a></td>
+ </tr>
+
+ <tr>
+ <td></td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">QUERIES:&mdash;</td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">Nicholas Breton's Crossing of
+ Proverbs, by J.P. Collier</td>
+
+ <td align="right"><a href="#page364">364</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Sword called Curtana, by E.F.
+ Rimbault, LL.D.</td>
+
+ <td align="right"><a href="#page364">364</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Is the Dombec the Domesday of Alfred?
+ by George Munford</td>
+
+ <td align="right"><a href="#page365">365</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Minor Queries:&mdash;Wickliffite
+ Versions of the Scriptures&mdash;Gloves&mdash;Law
+ Courts at St. Alban's&mdash;Milton
+ Pedigree&mdash;Sapcote Motto&mdash;Scala Coeli,
+ &amp;c.</td>
+
+ <td align="right"><a href="#page366">366</a></td>
+ </tr>
+
+ <tr>
+ <td></td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">REPLIES:&mdash;</td>
+ </tr>
+
+ <tr>
+ <td align="left">The Arabic Numerals and Cipher</td>
+
+ <td align="right"><a href="#page367">367</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Replies to Minor Queries, by Sir W.C.
+ Trevelyan</td>
+
+ <td align="right"><a href="#page368">368</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Derivation of "News"</td>
+
+ <td align="right"><a href="#page369">369</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Replies to Minor
+ Queries:&mdash;Swot&mdash;Pokership&mdash;Vox
+ Populi&mdash;Living Dog better than dead
+ Lion&mdash;Curious Monumental
+ Brasses&mdash;Chapels&mdash;Forthlot&mdash;Loscop&mdash;
+ Smelling of the Lamp&mdash;Anglo-Saxon MS. of
+ Orosius&mdash;Golden Frog&mdash;Sword of Charles
+ I.&mdash;John Bull&mdash;Vertue MSS.&mdash;Lines
+ attributed to Tom Brown, &amp;c.</td>
+
+ <td align="right"><a href="#page369">369</a></td>
+ </tr>
+
+ <tr>
+ <td></td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">MISCELLANIES:&mdash;</td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">Epigram by La Monnoye&mdash;Spur
+ Money&mdash;Minimum de Malls&mdash;Epigram on Louis
+ XIV.&mdash;Macaulay's Young Levite&mdash;St. Martin's
+ Lane&mdash;Charles Deering, M.D.</td>
+
+ <td align="right"><a href="#page373">373</a></td>
+ </tr>
+
+ <tr>
+ <td></td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">MISCELLANEOUS:&mdash;</td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">Notes on Books, Sales, Catalogues,
+ &amp;c.</td>
+
+ <td align="right"><a href="#page375">375</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Books and Odd Volumes wanted</td>
+
+ <td align="right"><a href="#page375">375</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Notices to Correspondents</td>
+
+ <td align="right"><a href="#page375">375</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Advertisements</td>
+
+ <td align="right"><a href="#page376">376</a></td>
+ </tr>
+ </table>
+ <hr />
+
+ <h3>PERIPLUS OF HANNO THE CARTHAGINIAN.</h3>
+
+ <p>I am not sufficiently Quixotic to attempt a defence of the
+ Carthaginians on the western coast of Africa, or any where
+ else, but I submit that the accusation brought against them by
+ Mr. S. Bannister, formerly Attorney-General of New South Wales,
+ is not sustained by the only record we possess of Hanno's
+ colonising expedition. That gentleman, in his learned
+ <i>Records of British Enterprise beyond Sea</i>, just
+ published, says, in a note, p. xlvii.:&mdash;</p>
+
+ <p>"The first nomade tribe they reached was friendly, and
+ furnished Hanno with <i>interpreters</i>. At length they
+ discovered a nation <i>whose language was unknown to the
+ interpreters</i>. These strangers they attempted to seize; and,
+ upon their resistance, they took three of the women, whom they
+ put to death, and carried their skins to Carthage" (<i>Geogr.
+ Gr&aelig;ci Minores</i>, Paris, 1826, p. 115.).</p>
+
+ <p>Hanno obtained interpreters from a people who dwelt on the
+ banks of a large river, called the Lixus, and supposed to be
+ the modern St. Cyprian. Having sailed thence for several days,
+ and touched at different places, planting a colony in one of
+ them, he came to a mountainous country inhabited by savages,
+ who wore skins of wild beasts,
+ &delta;&epsilon;&rho;&mu;&alpha;&tau;&alpha;
+ &theta;&eta;&rho;&epsilon;&iota;&alpha;
+ &epsilon;&nu;&eta;&mu;&mu;&epsilon;&nu;&omega;&nu;. At a
+ distance of twelve days' sail he came to some Ethiopians, who
+ could not endure the Carthaginians, and who spoke
+ unintelligibly even to the Lixite interpreters. These are the
+ people whose women, Mr. Bannister says, they killed. Hanno
+ sailed from this inhospitable coast fifteen days, and came to a
+ gulf which he calls &Nu;&omicron;&tau;&omicron;&upsilon;
+ &Kappa;&epsilon;&rho;&alpha;, or South Horn.</p>
+
+ <blockquote>
+ <p>"Here," says the Dr. Hawkesworth, of Carthage, "in the
+ gulf, was an island, like the former, containing a lake,
+ and in this another island, full of wild men; but the women
+ were much more numerous, <i>with hairy bodies</i>
+ (&delta;&alpha;&sigma;&epsilon;&iota;&alpha;&iota;
+ &tau;&omicron;&iota;&sigma;
+ &sigma;&omega;&mu;&alpha;&sigma;&iota;&nu;), whom the
+ interpreters called
+ &gamma;&omicron;&rho;&iota;&lambda;&lambda;&alpha;&sigma;.
+ We pursued the men, who, flying to precipices, defended
+ themselves with stones, and could not be taken. Three
+ women, who bit and scratched their leaders, would not
+ follow them. Having killed them, we brought their skins to
+ Carthage."</p>
+ </blockquote>
+
+ <p>He does not so much as intimate that the creatures who so
+ defended themselves with stones, or those whose bodies were
+ covered with hair, spoke any language. Nothing but the words
+ &alpha;&nu;&theta;&rho;&omega;&pi;&omicron;&iota;
+ &alpha;&gamma;&rho;&iota;&omicron;&iota; and
+ &gamma;&upsilon;&nu;&alpha;&iota;&kappa;&epsilon;&sigma; can
+ lead us to believe that they were human beings at all; while
+ the description of the behaviour of the men, and the bodies of
+ the women, is not repugnant to the supposition that they were
+ large apes, baboons, or orang-outangs, common to this part of
+ Africa. At all events, the voyagers do not say that they flayed
+ a people having the faculty of speech.</p>
+
+ <p>It is not, however, improbable that the Carthaginians were
+ severe taskmasters of the people whom they subdued. Such I
+ understand those to have been who opened the British tin mines,
+ and who, according to Diodorus Siculus, excessively overworked
+ the wretches who toiled for them, "wasting their bodies
+ underground, and dying, <span class="pagenum"><a name="page362"
+ id="page362"></a>{362}</span> many a one, through extremity
+ of suffering, while others perished under the lashes of the
+ overseer." (<i>Bibl. Hist.</i> l. v. c. 38.)</p>
+
+ <p class="author">R.T. Hampson.</p>
+ <hr />
+
+ <h3>POPE VINDICATED.</h3>
+
+ <p>"P.C.S.S." is too great an admirer of Pope not to seek to
+ vindicate him from one, at least, of the blunders attributed to
+ him by Mr. D. Stevens, at p. 331. of the "Notes and
+ Queries."</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"Singed are his <i>brows</i>, the scorching
+ <i>lids</i> grow black."</p>
+ </div>
+ </div>
+
+ <p>Now, if Mr. S. will refer to Homer, he will find that the
+ original fully justifies the use of "brows" and "lids" in the
+ <i>plural</i>. It runs thus (<i>Od.</i> ix. v. 389.):</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"&Pi;&alpha;&nu;&tau;&alpha; &delta;&epsilon;
+ &upsilon;&iota;
+ &beta;&lambda;&epsilon;&phi;&alpha;&rho;
+ &alpha;&mu;&phi;&iota; &kappa;&alpha;&iota;
+ &omicron;&phi;&rho;&upsilon;&alpha;&sigma;
+ &epsilon;&upsilon;&sigma;&epsilon;&nu;
+ &alpha;&upsilon;&tau;&mu;&eta;."</p>
+ </div>
+ </div>
+
+ <p>"P.C.S.S." wishes that he could equally remove from Pope the
+ charge of inaccuracy respecting the <i>three</i> cannibal meals
+ of Polyphemus. He fears that nothing can be alleged to impugn
+ Mr. Stevens's perfectly just criticism.</p>
+
+ <p>While on the subject of Pope, "P.C.S.S." would wish to
+ advert to a communication (No. 16. p. 246.) in which it is
+ insinuated that Pope was probably indebted to Petronius Arbiter
+ for the well-known passage&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"Worth makes the man, and want of it the fellow;</p>
+
+ <p>The rest is all but leather and prunella."</p>
+ </div>
+ </div>
+
+ <p>With all respect for the ingenious author of that
+ communication, "P.C.S.S." confesses that he is unable to
+ discover such a similitude of expression as might warrant the
+ notion that Pope had been a borrower from Petronius. He cannot
+ suppose that Mr. F. could have been led away by any supposed
+ analogy between <i>corium</i> and <i>coricillum</i>. The
+ latter, Mr. F. must know, is nothing more than a diminutive of
+ a diminutive (coricillum, <i>not</i> corcillum, from corculum);
+ and the word is coined by Petronius to ridicule one of the
+ affectations of Trimalchio (Nero), who was wont to indulge, to
+ an absurd extent, in the use of such diminutives (<i>vide</i>
+ Burmann, <i>in loco</i>). "P.C.S.S." will now subjoin such
+ translations of the passage in question as he has hitherto had
+ opportunities of referring to. The first is from <i>The Works
+ of Petronius Arbiter, translated by several hands</i>, Lond.
+ 8vo. 4th edit. 1714. At the beginning of the translation itself
+ there is this heading&mdash;"Made English by Mr. Wilson, of the
+ Middle Temple, and several others." The passage in question is
+ thus rendered:&mdash;</p>
+
+ <blockquote>
+ <p>"Come, my friends, let us see how merry you can be! for
+ in my time, I have been no better than yourselves; but, by
+ my own industry, I am what I am. <i>'Tis the heart makes
+ the man</i>; all the rest is but stuff!"</p>
+ </blockquote>
+
+ <p>In another translation, which, with Grub-Street audacity,
+ the publisher, in his title-passage, presumes to attribute to
+ Addison! and which appeared in 1736 (Lond. 8vo.), the passage
+ is as follows:&mdash;</p>
+
+ <blockquote>
+ <p>"I was once as you are: but now, thanks to my industry,
+ I am what I am. <i>It is the heart that makes the man</i>;
+ all the rest is but stuff!"</p>
+ </blockquote>
+
+ <p>Be the translator who he may, this version, so impudently
+ ascribed to the moral Addison, is written with much spirit and
+ power, and with a remarkable comprehension of the author's
+ meaning. Some of the poetical fragments at the end are, indeed,
+ singularly well done.</p>
+
+ <p>Of the two French versions which "P.C.S.S." has examined,
+ the one by Levaur (Paris, 8vo. 1726) thus translates the
+ passage:</p>
+
+ <blockquote>
+ <p>"Je vous prie, mes amis ... <i>C'est le coeur qui fait
+ les hommes; je compte le reste pour un
+ f&eacute;tu</i>."</p>
+ </blockquote>
+
+ <p>In that of Boispreaux (Lond. 1742), it is simply
+ rendered&mdash;</p>
+
+ <blockquote>
+ <p>"Mon s&ccedil;avoir faire m'a tir&eacute; du pair.
+ <i>C'est le coeur qui fait l'homme</i> ..."</p>
+ </blockquote>
+
+ <p>No attempt is made to translate the <i>quisquilia</i>.</p>
+
+ <p class="author">P.C.S.S.</p>
+ <hr />
+
+ <h3>"THE SUPPER OF THE LORDE."</h3>
+
+ <p>I shall be glad to find that your correspondent "C.H." (No.
+ 21. p. 333.) receives a satisfactory answer to his inquiry, as
+ such a reply would also satisfy my earlier query, No. 7. p.
+ 109. I perceive, however, from his letter, that I can give him
+ some information on other points noticed in it, though the
+ absence of papers now passing through the press with the Parker
+ Society's reprint of a third volume of Tyndale, will prevent my
+ replying with such precision as I could wish. That ancient
+ tract on "The Supper of the Lorde, after the true meanyng of
+ the sixte of John," &amp;c., of which "C.H." says he possesses
+ a copy, was reprinted at different intervals with the same
+ date, viz., MCCCCCXXXIII, Apryll v., on its title-page. The
+ original edition has a final colophon, stating that it was
+ "imprinted at Nornberg, by Nielas Twonson," and is so rare,
+ that I have not been able to discover the existence of any
+ copy, but one recently deposited in the Bodleian. That "C.H.'s"
+ copy is not a specimen of that first edition, is apparent from
+ two circumstances. The first is, that he has given you a
+ quotation from his copy as follows:&mdash;"And as for M. More,
+ whom the verity most offendeth, and doth but mocke it," whereas
+ the original edition has, "And as for M. Mocke," &amp;c., and
+ Sir Thomas More notices this mockage of his name in his reply.
+ The next is, that his copy contains "Crowley's Epistle to the
+ Reader," which does not appear in any edition of an earlier
+ date than 1551. When first attached to this treatise, the
+ epistle was anonymous, as may be seen in the Lambeth copy; but
+ Crowley eventually <span class="pagenum"><a name="page363"
+ id="page363"></a>{363}</span> affixed his name to the
+ epistle, as it appears in "C.H.'s" and in other copies.
+ Robert Crowley was a fellow of Magdalen College, Oxford;
+ vicar of St. Giles, Cripplegate; a printer and publisher;
+ but to his singular combination of titles, we cannot add
+ that of author of the treatise in question. "C.H." has seen
+ that he did not enter Oxford till 1534; and in his Prefatory
+ Epistle, Crowley speaks of the author of the treatise as a
+ person distinct from himself.</p>
+
+ <p>I do not wish, however, to be considered as positively
+ affirming the treatise to be Tyndale's. Foxe, the
+ martyrologist, edited Tyndale's works for Day, and he has only
+ said that this treatise was "compiled, as some do gather, by M.
+ Wm. Tyndale, because the method and phrase agree with his, and
+ the time of writing are [sic] concurrent." On the other hand,
+ the authorship is unhesitatingly assigned to Tyndale by Mr. C.
+ Anderson (<i>Annals of the English Bible</i>, &sect;ix. <i>ad
+ finem</i>), and by Mr. Geo. Offer (<i>Mem. of Tyndale</i>, p.
+ 30.), the two most pains-taking and best informants as to his
+ works. But still there are objections of such force, that I
+ must confess myself rather inclined to attribute the treatise
+ to Joy's pen, if I could but be satisfied that he was capable
+ of writing so correctly, and of keeping so clear of vulgarity
+ in a controversy with a popish persecutor.</p>
+
+ <p class="author">H.W.</p>
+ <hr />
+
+ <h3>FOLK LORE.</h3>
+
+ <p><i>Palm Sunday Wind</i>.&mdash;It is a common idea among
+ many of the farmers and labourers of this immediate
+ neighbourhood, that, from whatever quarter the wind blows for
+ the most part on Palm Sunday, it will continue to blow from the
+ same quarter for the most part during the ensuing summer.</p>
+
+ <p>Is this notion prevalent in other parts of the country, as a
+ piece of "Folk-Lore?"</p>
+
+ <p class="author">R.V.</p>
+
+ <p>Winchester, March 26.</p>
+
+ <p><i>Curious Symbolical Custom</i>.&mdash;On Saturday last I
+ married a couple in the parish church. An old woman, an aunt of
+ the bridegroom, displeased at the marriage, stood at the church
+ gate and pronounced an anathema on the married pair. She then
+ bought a new broom, went home, swept her house, and hung the
+ broom over the door. By this she intimated her rejection of her
+ nephew, and forbade him to enter her house. Is this a known
+ custom? What is its origin?</p>
+
+ <p class="author">H. Morland Austen.</p>
+
+ <p>St. Peter's, Thanet, March 25. 1850.</p>
+
+ <p><i>The Wild Huntsman</i>.&mdash;The interesting
+ contributions of your correspondent "Seleucus," on "Folk Lore,"
+ brought to my recollection the "Wild Huntsman" of the German
+ poet, Tieck; of whose verses on that superstitious belief,
+ still current among the imaginative peasantry of Germany, I
+ send you a translation, <i>done into English</i> many years
+ ago. The Welsh dogs of Annwn, or "couriers of the
+ air"&mdash;the spirit-hounds who hunt the souls of the
+ dead&mdash;are part of that popular belief existing among all
+ nations, which delivers up the noon of night to ungracious
+ influences, that "fade on the crowing of the cock."</p>
+
+ <h4>"THE WILD HUNTSMAN.</h4>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"At the dead of the night the Wild Huntsman
+ awakes,</p>
+
+ <p>In the deepest recess of the dark forest's
+ brakes;</p>
+
+ <p>He lists to the storm, and arises in scorn.</p>
+
+ <p>He summons his hounds with his far-sounding
+ horn;</p>
+
+ <p>He mounts his black steed; like the lightning they
+ fly</p>
+
+ <p>And sweep the hush'd forest with snort and with
+ cry.</p>
+
+ <p>Loud neighs his black courser; hark his horn, how
+ 'tis swelling!</p>
+
+ <p>He chases his comrades, his hounds wildly
+ yelling.</p>
+
+ <p>Speed along! speed along! for the race is all
+ ours;</p>
+
+ <p>Speed along! speed along! while the midnight still
+ lours;</p>
+
+ <p>The spirits of darkness will chase him in scorn,</p>
+
+ <p>Who dreads our wild howl, and the shriek of our
+ horn,</p>
+
+ <p>Thus yelling and belling they sweep on the wind,</p>
+
+ <p>The dread of the pious and reverent mind:</p>
+
+ <p>But all who roam gladly in forests, by night,</p>
+
+ <p>This conflict of spirits will strangely
+ delight."</p>
+ </div>
+ </div>
+
+ <p class="author">J.M.</p>
+
+ <p>Oxford, March 13.</p>
+ <hr />
+
+ <h3>ON AUTHORS AND BOOKS, NO. VI.</h3>
+
+ <p>In the union of scholarship, polished manners, and
+ amiability of character, we have had few men to surpass the
+ reverend Joseph Spence. His career was suitable to his deserts.
+ He was fortunate in his connections, fortunate in his
+ appointments, and fortunate in his share of fame.</p>
+
+ <p>His fame, however, is somewhat diminished. His <i>Essay on
+ the Odyssey</i>, which procured him the friendship of Pope, has
+ ceased to be in request; his <i>Polymetis</i>, once the
+ ornament of every choice library, has been superseded by the
+ publications of Millin and Smith; his poems are only to be met
+ with in the collections of Dodsley and Nichols. If we now dwell
+ with pleasure on his name, it is chiefly as a recorder of the
+ sayings of others&mdash;it is on account of his assiduity in
+ making <i>notes!</i> I allude to the volume entitled
+ <i>Anecdotes, observations, and characters of books and
+ men</i>, which was edited by my friend Mr. Singer, with his
+ wonted care and ability in 1820.</p>
+
+ <p>The <i>Essay on the Odyssey</i> was first published
+ anonymously in 1726-7. It was reprinted in 1737 and 1747. A
+ copy of the latter edition, now in my possession, contains this
+ curious note:&mdash;</p>
+
+ <blockquote>
+ <p>"It is remarkable that of twelve passages objected to in
+ this critique on the English Odyssey, <i>two</i> only are
+ found in those books which were translated by Pope.</p>
+
+ <p>"From Mr. Langton, who had his information from Mr.
+ Spence.</p>
+
+ <p>"When Spence carried his preface to Gorboduc in
+ <span class="pagenum"><a name="page364"
+ id="page364"></a>{364}</span> 1736 to Pope, he asked him
+ his opinion. Pope said 'It would do very well; there was
+ nothing <i>pert</i> or <i>low</i> in it.' Spence was
+ satisfied with this praise, which however, was in
+ implied censure on all his other writings.&mdash;He is
+ very fond of the familiar vulgarisms of common talk, and
+ is the very reverse of Dr. Johnson.</p>
+ </blockquote>
+
+ <p>"E.M." [Edmond Malone.]</p>
+
+ <p>The note is not signed at length, but there can be no doubt
+ as to its authorship, as I purchased the volume which contains
+ it at the sale of the unreserved books of Mr. Malone in
+ 1818.</p>
+
+ <p class="author">Bolton Corney.</p>
+ <hr class="full" />
+
+ <h2>QUERIES.</h2>
+
+ <h3>NICHOLAS BRETON'S "CROSSING OF PROVERBS."</h3>
+
+ <p>Although my query respecting William Basse and his poem,
+ "Great Britain's Sun's Set," (No. 13. p. 200), produced no
+ positive information touching that production, it gave an
+ opportunity to some of your correspondents to communicate
+ valuable intelligence relating to the author and to other works
+ by him, for which I, for one, was very much obliged. If I did
+ not obtain exactly what I wanted, I obtained something that
+ hereafter may be extremely useful; and that I could not,
+ perhaps, have obtained in any other way than through the medium
+ of your pleasant and welcome periodical.</p>
+
+ <p>I am now, therefore, about to put a question regarding
+ another writer of more celebrity and ability. Among our early
+ pamphleteers, there was certainly none more voluminous than
+ Nicholas Breton, who began writing in 1575, and did not lay
+ down his pen until late in the reign of James I. A list of his
+ pieces (by no means complete, but the fullest that has been
+ compiled) may be seen in Lowndes's <i>Bibl. Manual</i>; it
+ includes several not by Breton, among them Sir Philip Sidney's
+ <i>Ourania</i>, 1606, which in fact is by a person of the name
+ Backster; and it omits the one to which my present
+ communication refers, and regarding which I am at some
+ loss.</p>
+
+ <p>In the late Mr. Heber's <i>Catalogue</i>, part iv. p. 10., I
+ read as follows, under the name of Nicholas Breton:&mdash;</p>
+
+ <blockquote>
+ <p>"Crossing of Proverbs. The Second Part, with certaine
+ briefe Questions and Answeres, by N.B., Gent. Extremely
+ rare and very curious, <i>but imperfect</i>. It appears to
+ contain a portion of the first part, and also of the
+ second; but it appears to be unknown."</p>
+ </blockquote>
+
+ <p>Into whose hands this fragment devolved I know not; and that
+ is one point I am anxious to ascertain, because I have another
+ fragment, which consists of what is evidently the first sheet
+ of the first part of the tract in question, with the following
+ title-page, which I quote <i>totidem literis</i>:&mdash;</p>
+
+ <blockquote>
+ <p>"Crossing of Proverbs. Crosse-Answeres. And
+ Crosse-Humours. By B.N., Gent. At London, Printed for John
+ Wright, and are to be solde at his Shop without Newgate, at
+ the signe of the Bible, 1616."</p>
+ </blockquote>
+
+ <p>It is in 8vo., as Heber's fragment appears to have been; but
+ then the initials of the author are given as N.B., whereas in
+ my fragment they stand B.N., a usual inversion with Nicholas
+ Breton; the brief address "To the Reader" is also subscribed
+ B.N.; and then begins the body of the work, thus headed:
+ "Crosse and Pile, or, Crossing of Proverbs." It opens as
+ follows:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"<i>Proverb</i>. The more the merrier.</p>
+
+ <p><i>Cross</i>. Not so; one hand is enough in a
+ purse.</p>
+
+ <p><i>P.</i> Every man loves himselfe best.</p>
+
+ <p><i>C.</i> Not so, when man is undone by
+ suretyship.</p>
+
+ <p><i>P.</i> He that runnes fastest gets most
+ ground.</p>
+
+ <p><i>C.</i> Not so, for then foote-men would have more
+ land than their masters.</p>
+
+ <p><i>P.</i> He runnes far that never turnes.</p>
+
+ <p><i>C.</i> Not so, he may breake his necke in a short
+ course.</p>
+
+ <p><i>P.</i> No man can call againe yesterday.</p>
+
+ <p><i>C.</i> Yes, hee may call till his heart ake,
+ though it never come.</p>
+
+ <p><i>P.</i> Had I wist was a foole.</p>
+
+ <p><i>C.</i> No, he was a foole that said so."</p>
+ </div>
+ </div>
+
+ <p>And so it proceeds, not without humour and point, here and
+ there borrowing from known sources, as in the
+ following:&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"<i>Proverb.</i> The world is a long journey.</p>
+
+ <p><i>Cros.</i> Not so, the sunne goes it every
+ day.</p>
+
+ <p><i>P.</i> It is a great way to the bottom of the
+ sea.</p>
+
+ <p><i>C.</i> Not so, it is but a stone's cast."</p>
+ </div>
+ </div>
+
+ <p>However, my object is not to give specimens of the
+ production further than are necessary for its identification.
+ My queries are, 1st, Who bought Mr. Heber's fragment, and where
+ is it now to be found? 2nd, Are any of your correspondents
+ aware of the existence of a perfect copy of the work?</p>
+
+ <p>I naturally take a peculiar interest about Nicholas Breton,
+ because I have in my possession an unknown collection of
+ amatory and pastoral poems by him, printed in quarto in 1604,
+ in matter and measure obvious imitations of productions in "The
+ Passionate Pilgrim," 1599, imputed to Shakespeare, and some of
+ which are unquestionably by Richard Barnfield.</p>
+
+ <p>Any new information regarding Breton and his works will be
+ most acceptable to me. I am already in possession of undoubted
+ proof that he was the Nicholas Breton whose epitaph is on the
+ chancel-wall of the church of Norton, in Northamptonshire, a
+ point Ritson seems to have questioned.</p>
+
+ <p class="author">J. Payne Collier.</p>
+
+ <p>March 30. 1850.</p>
+ <hr />
+
+ <h3>THE SWORD CALLED CURTANA.</h3>
+
+ <p>In the wardrobe account for the year 1483, are "iij swerdes,
+ whereof oon with a flat poynte,
+ <span class="pagenum"><a name="page365"
+ id="page365"></a>{365}</span> called <i>curtana</i>, and ij
+ other swords, all iij swords covered in a yerde di of
+ crymysym tisshue cloth of gold."</p>
+
+ <p>The name of <i>curtana</i> for many ages continued to be
+ given to the first royal sword in England. It existed as long
+ ago as the reign of Henry III., at whose coronation (A.D. 1236)
+ it was carried by the Earl of Chester. We find it at the
+ coronations of Edward II. and Richard II.; also in the time of
+ Henry IV., Richard III., and Henry VII.; and among the royal
+ arms of Edward VI. we read of "a swerde called
+ <i>curtana</i>."</p>
+
+ <p>Can any of your readers explain the origin of the name
+ <i>curtana</i>, a sword so famous that it carries us back to
+ the days of ancient chivalry, when it was wielded by the Dane
+ <i>Uggiero</i>, or by the still more famed <i>Orlando</i>.</p>
+
+ <p class="author">Edward F. Rimbault.</p>
+ <hr />
+
+ <h3>IS THE DOMBEC THE DOMESDAY OF ALFRED?</h3>
+
+ <p>I beg to propose the following "Query":&mdash;Is the
+ <i>Dombec</i>, a work referred to in the Laws of Edward the
+ Elder, the same as what has been called the Domesday or
+ Winchester Book of Alfred the Great? I incline to think that it
+ is not, and shall be much obliged to any of your
+ correspondents, learned in the Anglo-Saxon period of our
+ history, who will give himself the trouble of resolving my
+ doubts.</p>
+
+ <p>Sir Henry Spelman, in his Glossary <i>voce Dombec</i>, calls
+ it the <i>Liber Judicialis</i> of the Anglo-Saxons; and says it
+ is mentioned in the first chapter of the laws of Edward the
+ Elder, where the king directs his judges to conduct themselves
+ in their judicial proceedings as on [Old English: thaere dom
+ bec stand], that is, as <i>is enjoined in their Dome
+ Book</i>.&mdash;"Quod," he continues, "an de pr&aelig;cedentium
+ Regum legibus qu&aelig; hodie extant, intelligendum sit: an de
+ alio quopiam libro hactenus non prodeunte, incertum est."</p>
+
+ <p>But this uncertainty does not seem to have attached itself
+ to the mind of Sir William Blackstone; for in the third section
+ of the Introduction prefixed to his <i>Commentaries on the Laws
+ of England</i>, he informs us that our antiquaries "tell us
+ that in the time of Alfred, the local customs of the several
+ provinces of the kingdom were grown so various, that he found
+ it expedient to compile his <i>Dome Book</i>, or <i>Liber
+ Judicialis</i>, for the general use of the whole kingdom." This
+ book is said to have been extant so late as the reign of King
+ Edward IV., but is now unfortunately lost. It contained, we may
+ probably suppose, the principal maxims of the common law, the
+ penalties for misdemeanors, and the forms of judicial
+ proceedings. Thus much may be at least collected from that
+ injunction to observe it, which we find in the Laws of King
+ Edward the Elder, the son of Alfred.&mdash;"<i>Omnibus qui
+ reipublic&aelig; pr&aelig;sunt etiam atque etiam mando, ut
+ omnibus &aelig;quos se pr&aelig;beant judices, perinde ac in
+ judiciali libro</i> (Saxonice, [Old English: dom bec])
+ <i>scriptum habetur: nec quidquid formident quin jus
+ commune</i> (Saxonice, [Old English: folcrihte]) <i>audactes
+ libereque dicant.</i>"</p>
+
+ <p>But notwithstanding this, it appears to me by no means
+ conclusive, that the <i>Dombec</i> referred to in the Laws of
+ Edward the Elder and the <i>Liber Judicialis</i> of Alfred are
+ the same; on the contrary, Alfred's <i>Liber Judicialis</i>
+ seems to have been known not under the name of <i>Dombec</i>,
+ but under that of the <i>Winchester Roll</i>, from the
+ circumstance of its having been principally kept at Winchester:
+ and Sir Henry Spelman says, the Domesday Book of William the
+ Conqueror was sometimes called <i>Rotulus Wintoni&aelig;, a
+ similitudine antiquoris</i>, from its resemblance to an older
+ document preserved at Winchester. And he quotes Ingulphus Abbot
+ of Croyland, who says, "Iste rotulus (<i>i.e.</i> the Domesday
+ Book of William) vocatus est Rotulus Wintoni&aelig;, et ab
+ Anglicis pro sua generalitate, omnia tenementa totius
+ terr&aelig; integre continente <i>Domesday</i> cognominatur."
+ And the he proceeds, "Talem rotulum et multum similem; ediderat
+ quondam Rex Alfredus, in quo totam terram Angli&aelig; per
+ comitatus, centurias, et decurias descripserat, sicut
+ pr&aelig;notatur. Qui quidem Rotulus Wintoni&aelig; vocatus
+ est, quia deponebatur apud Wintoniam conservandus," &amp;c.</p>
+
+ <p>Here is nothing said of this work being called [Old English:
+ dom bec]: neither does Spelman, in his enumeration of the works
+ of Alfred, give the least intimation that any one of his
+ collections of laws was called [Old English: dom bec].</p>
+
+ <p>We know, indeed, that Alfred compiled a code of laws for his
+ subjects; but whether any part of them has been preserved, or
+ how much of them is embodied in subsequent codes, cannot now be
+ determined. Asser mentions that he frequently reprimanded the
+ judges for wrong judgments; and Spelman, that he wrote "a book
+ against unjust magistrates," but any complete body of laws, if
+ such was ever framed by Alfred, is now lost; and that
+ attributed to him in Wilkin's <i>Leges Anglo-Saxon</i>, is held
+ in suspicion by most writers.</p>
+
+ <p>For these reasons, and considering that Sir William
+ Blackstone's knowledge of English history was rather
+ superficial, I incline to the belief, that the [Old English:
+ dom bec] referred to in the laws of Edward the Elder, was some
+ collection of laws made <i>prior</i> to the time of Alfred:
+ this might clearly be the case, as Sharon Turner informs us
+ that the Saxon laws were committed to writing as early as the
+ commencement of the 7th century.</p>
+
+ <p>The opinions of your learned correspondents on this disputed
+ point may be of much interest to many of your readers, and to
+ none more than to</p>
+
+ <p class="author">George Munford.</p>
+
+ <p>East Winch.</p>
+ <hr />
+ <span class="pagenum"><a name="page366"
+ id="page366"></a>{366}</span>
+
+ <h3>MINOR QUERIES.</h3>
+
+ <p><i>MSS. of the Wycliffite Translations of the
+ Scriptures</i>.&mdash;The Add. MS. 15,521., in the British
+ Museum, contains a copy of Lewis's edition of the <i>Wycliffite
+ New Testament</i>, printed in 1731, with manuscript notes by
+ Ames and Lewis, and the former has transcribed into it some
+ <i>additional prologues</i>, prefixed to each book of the New
+ Testament, which had not been printed by Lewis, and were taken
+ by Ames from a MS. of the New Testament, written in 1424, and
+ in 1731 in the possession of Thomas Granger. It would be very
+ desirable to learn what became of this MS. subsequently.
+ Granger died in the following year, but the MS. does not appear
+ in the sale catalogue of his library, nor is it found in the
+ catalogue of Ames's own library, dispersed in 1760. Any
+ information relative to this remarkable copy of the New
+ Testament, would be very acceptable to the Editors of the
+ <i>Wycliffite Versions of the Scriptures</i>, who are now,
+ after a literary labour of more than twenty years, about to
+ bring the work to a conclusion. They would also feel much
+ obliged by the communication of any notices of MSS. of the
+ Wycliffite versions, <i>existing in private hands</i>,
+ exclusive of those copies of which they already possess
+ descriptions, existing in the libraries of the following
+ individuals:&mdash;Mrs. Allanson of Farn, Flintshire, the Earl
+ of Ashburnham, Sir Thomas Phillipps, Bart., Sir Peregrine
+ Ackland, Bart., Sir David Dundas, H.M. Judge Advocate, Dr.
+ Cardwell, Principal of St. Alban's Hall, Oxford, and Thomas
+ Bannister, Esq.</p>
+
+ <p class="author">F. Madden.</p>
+
+ <p>British Museum, March 28.</p>
+
+ <p><i>Why are Gloves not worn before Royalty?</i>&mdash;Can any
+ of your readers inform me what is the origin of the custom
+ observed at Court, of persons in the royal presence not wearing
+ gloves? Is it a matter of pure etiquette, or does the
+ observance of it derive its origins from barbarous times, when
+ chivalry was little else than barbarism in armour?</p>
+
+ <p class="author">F.E.</p>
+
+ <p><i>Law Courts at St. Albans</i>.&mdash;Can any of your
+ correspondents give me the reference to a communication in the
+ <i>Gentleman's Magazine</i> (between, I think, the years 1815
+ and 1836), in which a passage in Massinger, which alludes to
+ lawyers going to St. Albans, is illustrated by an inscription
+ in the nave of St. Alban's Abbey Church, which records that the
+ courts were held there on account of the sweating-sickness in
+ the reign of Elizabeth?</p>
+
+ <p class="author">&Sigma;.</p>
+
+ <p><i>Richard Haley, or Hales.&mdash;Milton
+ Pedigree</i>.&mdash;I should feel obliged by any particulars
+ respecting Richard Haley, or Hales, of Idlestreete, otherwise
+ Ilstreyd, in com. Hertford, yeoman; my object being to
+ ascertain the nature of some transaction he had with Milton, in
+ July 1674, referred to in a bond which the former executed,
+ dated the 27th of that month, for performance of the covenants
+ contained in an indenture of even date.</p>
+
+ <p>Is any thing known of Richard Milton, who signs his name as
+ the attesting witness to the releases given by two of the
+ poet's daughters for their share of his estate? Is there any
+ pedigree of the family of Sir Christopher Milton, the poet's
+ brother, drawn up with sufficient apparent accuracy to exclude
+ the probability of Richard Milton being his son? I have
+ referred to the pedigree in the British Museum (Harl. MS. 5802.
+ fo. 19b.), which makes no mention of the letter; but it is
+ evidently so imperfect a notice, as to be of little authority
+ one way or other.</p>
+
+ <p class="author">J.F.M.</p>
+
+ <p><i>Sapcote Motto</i>.&mdash;Over the old gatehouse of Elton,
+ co. Hunts., built by the family of Sapcote, is their coat of
+ arms, namely, "three dove-cotes;" and upon a scroll,
+ surrounding the lower part of the shield, is carved a motto,
+ evidently French, and as evidently cut by a person ignorant of
+ that language. So far as I can decypher it, the letters appear
+ to be</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>sco toot X vinic [or umic]</p>
+
+ <p>X poncs.</p>
+ </div>
+ </div>
+
+ <p>Possibly the first and last letters <i>s</i> are only
+ flourishes. I shall be glad of any suggestion as to its
+ meaning.</p>
+
+ <p>I have not been able to find the Sapcote motto on record;
+ and I believe the Carysfoot family, the possessors of Elton,
+ and the Duke of Bedford, the heir in blood, to be ignorant of
+ what this scroll is intended to represent.</p>
+
+ <p class="author">Erminois.</p>
+
+ <p>Athen&aelig;um Club.</p>
+
+ <p><i>Scala Coeli</i>.&mdash;In a will, dated 12 Hen. VIII.,
+ the testator directs that there shall be four trentals of Saint
+ Gregory said for his soul at London at "Scala Coeli." Can any
+ of your readers explain what place is meant by "Scala
+ Coeli?"</p>
+
+ <p class="author">A Subscriber.</p>
+
+ <p><i>Illustrations of Gresset's "Vert Vert," painted on
+ Enamel, &amp;c.</i>&mdash;In a Paris edition of Gresset's Works
+ (Janet et Cotelle, 1823), in the preface is the following
+ passage.&mdash;</p>
+
+ <blockquote>
+ <p>"Vert-vert fut bient&ocirc;t dans toutes les mains. Le
+ suffrage de la multitude se joignit &agrave; celui des
+ connoisseurs; la mode, qui est aussi en possession de
+ donner son suffrage, s'empressa de parer les ajustemens
+ d'invention r&eacute;cente, du nom de l'illustre perroquet;
+ <i>les vases d'ornement, les vases usuels</i> qui sortoient
+ des fabriques fran&ccedil;oises, retra&ccedil;oient presque
+ tous quelques &eacute;pisodes du petit po&euml;me. Un
+ artist dont le nom est venu jusqu'&agrave; nous, Raux, en
+ <i>peignit sur &eacute;mail les sujets les plus
+ marquants</i>; et tandis qu'on faisoit passer dans une
+ version latine les vers &eacute;l&eacute;gants du
+ po&euml;te j&eacute;suite, M. Bertin, ministre
+ d'&eacute;tat, le gratifioit d'un magnifique <i>cabaret</i>
+ de S&egrave;vres, dont toutes les pi&egrave;ces
+ reproduisoient les aventures de son h&eacute;ros, ce qui
+ fit dire &agrave; Gresset, <i>qu'on le traduisoit aussi en
+ porcelaine de S&egrave;vres</i>."</p>
+ </blockquote><span class="pagenum"><a name="page367"
+ id="page367"></a>{367}</span>
+
+ <p>The <i>Query</i> I wish to make is, Have any of these
+ illustrations or designs from Gresset's poem of Vert-vert,
+ painted on enamel china, or earthenware of any sort, of French
+ or any other manufacture, come to light of late years? or more
+ lately still, among the articles that have been dispersed among
+ various buyers of almost all nations, in the sales within these
+ few weeks effected at Paris?</p>
+
+ <p class="author">Robert Snow.</p>
+
+ <p><i>Urbanus Regius</i>.&mdash;A friend of mine, a delightful
+ old lady, fresh, genial, and inquisitive, has in her possession
+ an old volume, a family heir-loom, which is not the less dear
+ to her for being somewhat dingy and dilapidated, and touching
+ which she would gladly receive such information as your
+ correspondents can supply.</p>
+
+ <p>It is made up of three apparently distinct treatises; the
+ first (of which several leaves are wanting) on the twelve
+ articles of the Apostles' Creed. The second is "The ryght
+ foundation, and pryncypall common places of the hole godly
+ Scripture," &amp;c., by Doctor Urbanus Regius. Prefixed is an
+ epistle to Thomas, Archbishop of Canterbury (evidently
+ Cranmer), to whom "Hys dayly oratoure, Gwalter Lynne (the
+ writer of the epistle), wyssheth lyfe euerlastynge." Between
+ this second treatise and the third, and apparently belonging to
+ the latter, is a title-page with the following inscription:</p>
+
+ <blockquote>
+ <p>"Imprinted for Gwalter Lynne, dwelling upon Somers Kaye,
+ by Byllinges gate. In the yeare of oure Lorde. MDXLVIII.
+ And they by [<i>sic</i>] to be solde at Poules church yarde
+ at the north doore, In the signe of the By-bell, By Richard
+ Jugge."</p>
+ </blockquote>
+
+ <p>This last treatise is in smaller type than the others, and
+ has no general designation: it contains chapters on various
+ subjects, <i>e.g.</i> "The Signification of Baptism,"
+ &amp;c.</p>
+
+ <p>Query 1. Is this volume well known? 2. Who were Urbanus
+ Regius and Walter Lynne?</p>
+
+ <p class="author">G.P.</p>
+
+ <p>March 16. 1850.</p>
+ <hr class="full" />
+
+ <h2>REPLIES.</h2>
+
+ <h3>THE ARABIC NUMERALS AND CIPHER.</h3>
+
+ <p>I might, with a little more consideration, have referred
+ "E.V." to several other authorities which he will do well to
+ consult.</p>
+
+ <p>9. Wallis's <i>Algebra</i>, p. 9. and p. 153. of the
+ additions.</p>
+
+ <p>10. <i>Phil. Trans</i>., Nos. 439. and 475.</p>
+
+ <p>11. Montucla, <i>Histoire des Math&eacute;matiques</i>, tom.
+ i. chap. 2.</p>
+
+ <p>12. Baillie, <i>Histoire de l'Astronomie</i>.</p>
+
+ <p>13. Delambre<a id="footnotetag1"
+ name="footnotetag1"></a><a href="#footnote1"><sup>1</sup></a>,
+ <i>Hist. de l'Astr. du moyen age</i>.</p>
+
+ <p>14. Hutton's <i>Tracts</i> (8vo. ed. 1812.), vol. ii.
+ (subject "History of Algebra")</p>
+
+ <p>15. Huet, <i>Demonstratio Evangelica</i>.</p>
+
+ <p>16. Dr. John Taylor's Translation of the <i>Lilawati</i>.
+ (Bombay, 1816.)</p>
+
+ <p>17. Strachey's Translation of the <i>Bija
+ Ganita</i><a id="footnotetag2"
+ name="footnotetag2"></a><a href="#footnote2"><sup>2</sup></a>.</p>
+
+ <p>18. Colebrooke's <i>Algebra of the Hindus</i>.</p>
+
+ <p>Would it not be worth while to give a <i>facsimile</i> of
+ the "Tabel for all manere of merchauntes," in the "Notes and
+ Queries"? It is not only a curiosity, but an important element
+ (and unique as far as is known) in the philosophic history of
+ our arithmetic. It was, no doubt, an actual instrument in
+ constant use in the merchant's office, as much so as an
+ almanac, interest-tables, a "cambist" and a copying-press, are
+ now.</p>
+
+ <p>As regards the cipher, the difficulty only commenced with
+ <i>writing numbers</i> in the new symbology. With persons
+ accustomed to the use of this instrument, there is no doubt
+ that the mode of obviating the difficulty of "keeping the
+ place," would suggest itself at once. In this instrument an
+ empty hole (without its peg) <i>signified</i> "none of this
+ denomination." What then more simple than to make the outline
+ of the empty hole which occupied the "local position" of any
+ denomination, when none of that precise denomination occurred
+ in the number itself? Under this view the process at least
+ becomes simple and natural; and as the early merchants
+ contributed so largely to the improvement of our arithmetical
+ processes, such a conclusion is wholly divested of
+ improbability on any other ground. The circle would then
+ naturally become, as it certainly has practically become, the
+ most appropriate symbol of <i>nothingness</i>.</p>
+
+ <p>As regards the term <i>cipher</i> or <i>zero</i> (which are
+ so obviously the same as to need no remark), it is admitted on
+ all hands to be derived from one or other of the Semitic
+ languages, the Hebrew or the Arabic. It is customery with the
+ mathematical historians to refer it to the Arabic, they being
+ in general more conversant with it than with the Hebrew. The
+ Arabic being a smaller hand than the Hebrew, a dot was used
+ instead of the circle for marking the "place" at which the
+ hiatus of any "denomination" occurred. If we obtained our
+ cipher from this, it would be made hollow (a mere
+ <i>ceinture</i>, girdle, or ring) to save the trouble of making
+ a dot sufficiently large to correspond in magnitude with our
+ other numerals as we write them. Either is alike
+ possible&mdash;probability must be sought, for either over the
+ other, from a slightly different source.</p>
+
+ <p>The root-words in Hebrew and in Arabic are precisely the
+ same (<i>ts-ph-r</i>), though in the two
+ <span class="pagenum"><a name="page368"
+ id="page368"></a>{368}</span> languages, and at different
+ ages of the same language, they might have been vowelised
+ differently. In some shape or other, this name is used in
+ all countries that have derived their arithmetic from
+ medi&aelig;val Italy, or from the Saracens. It is with some
+ <i>cipher</i>, with others <i>chiffre</i>, and with all
+ <i>zero</i>. The word is certainly no more Italian than it
+ is French or English. Be it remembered, too, that
+ <i>ezor</i> (quoted at p. 268.), as a <i>girdle</i>, is
+ radically the same word, somewhat mutilated. The cardinal
+ meaning of the word (denuded of the conventional accretions
+ of signification, which peculiar applications of it adds to
+ the cardinal meaning) appears to be <i>emptiness</i>,
+ <i>hollowness</i>, <i>nothingness</i>. It may be further
+ remarked, that in the fine Chartres MS. of Boetius,
+ described by Chasles, the 0 is called
+ <i>sipos</i>:&mdash;the same name, he remarks, that Graves
+ found in use in the East. The modern Turks call the 0,
+ <i>tsifra</i>.</p>
+
+ <p>It is curious enough that in all languages, the term
+ <i>ciphering</i> is popularly used to denote all arithmetical
+ operations whatever. Our schoolboys do their "ciphering," and
+ write carefully in their "ciphering-books." This all seems to
+ point to the art of dispensing with the use of the abacus or
+ counting table.</p>
+
+ <p class="author">T.S.D.</p>
+
+ <p>Shooter's Hill, March 5.</p>
+
+ <p><i>Arabic Numerals</i>.&mdash;I had replied to "E.V." (No.
+ 15. p. 230.), when I saw by your "Notice to Correspondents,"
+ that the question was answered. I therefore waited the
+ publication of the replies, which I find do not embrace any one
+ of the points to which I would call the attention of
+ "E.V."&mdash;Diophantus of Alexandria, who flourished about 150
+ years after Christ, and who wrote thirteen books of algebra or
+ arithmetic in the Greek language, is generally supposed to be
+ the oldest writer on the subject that has come down to our
+ time; but it was not from him that we received the knowledge of
+ algebra in Europe. It appears certain that the first knowledge
+ of this science in England was from Italy or Spain, after the
+ Moors settled in the latter country; and the Arabians and
+ Persians appear to have derived their arithmetical method of
+ computing by ten characters from the Indians: who, in their
+ turn, have most probably borrowed from the Chinese, and
+ improved on their method by the adoption of a zero, which was
+ one of the most important improvements effected by the Hindoos.
+ In China, the words ancient and modern are almost synonymous;
+ their usages and customs being so unchangeable, as appears by
+ their instrument of computation, the <i>swanpan</i>, which is
+ still used in all their calculations. The Oriental scholar will
+ find much curious and interesting information connected with
+ this subject in the Sanscrit <i>Vija Ganita</i> and
+ <i>Lilivati</i> of Bhaskara Acharya: the former was translated
+ into Persian at Agra, or Delhi, in 1634, and the latter by
+ Fyzee in 1587; but there are also English translations, all of
+ which are in the library of the Royal Asiatic Society. The
+ <i>Khalasah-ul-Hisah</i> is another work of repute in India.
+ Mr. Strachey wrote and printed in India, for the <i>Asiatic
+ Researches</i>, a valuable paper, which contains most
+ conclusive evidence of the Indian (if not Chinese) origin of
+ our numerals. See also <i>Astronomie Indienne</i>, of M.
+ Bailly; 2d vol. <i>Asiatic Researches</i>, "On the Astronomical
+ Computations of the Hindoos," by Saml. Davis; "Two
+ Dissertations on Indian Astronomy and Trigonometry," by
+ Professor Playfair, in the 2d and 4th vols. of the <i>Edinburgh
+ Philosophical Transactions</i>. And many others might be
+ referred to; but all tending to prove that our numbers came
+ originally from China and India, through Persia, Arabia,
+ Africa, Spain, and Italy, by gradual and successive changes in
+ form, several of them still retaining a close resemblance to
+ the ancient and modern Sanscrit, Chinese, Arabic, Persian, and
+ Hindoo numerals.</p>
+
+ <p class="author">Henry Wilkinson.</p>
+ <hr />
+
+ <h3>REPLIES TO MINOR QUERIES.</h3>
+
+ <p>I send you a few Notes on Queries scattered through some of
+ the later numbers of your very valuable publication:</p>
+
+ <p><i>Anonymous Ravennas</i>.&mdash;In the library of the Royal
+ Geographical Society, I believe there is a copy of an 8vo.
+ edition of that cosmography.</p>
+
+ <p><i>Selago</i>.&mdash;This plant, I should think it probable,
+ is the <i>Lycopodium clavatum</i> of modern botanists; the
+ seeds of which, when ripe, and when the plant is struck, rise
+ like smoke ("fumum" of Pliny), and may have been supposed, from
+ their remarkable inflammability when dashed into a flame,
+ igniting with a sudden flash, to have possessed wonderful
+ virtues. The species known as <i>Lycopodium selago</i> is rare
+ in comparison to the other.</p>
+
+ <p><i>Portugal</i>.&mdash;In the library of the Geographical
+ Society are some of the more recent works published in Lisbon
+ on the topography of that country, but they are generally very
+ meagre and unsatisfactory. In a periodical published in Lisbon
+ in numbers, on the plan of the <i>Penny Magazine</i>, there is
+ a good deal of information, with engravings, regarding many
+ places of interest in Portugal. I think it is called <i>The
+ Album</i>, but I am sorry I have not at present the power of
+ sending you more correct particulars concerning it. It is in
+ 4to.</p>
+
+ <p>Portugal is a country that is so little travelled in either
+ by natives or foreigners, that information regarding places in
+ the interior is not easily obtained; and facilities for
+ travelling, as well as accommodation for travellers, is of a
+ very limited description.</p>
+
+ <p><i>Sir Roger de Coverley</i>.&mdash;In one of your early
+ numbers was a query on this subject, which I do not think has
+ been yet answered. I have a MS.
+ <span class="pagenum"><a name="page369"
+ id="page369"></a>{369}</span> account of the family of
+ Calverley, of Calverley, in Yorkshire, an autograph of Ralph
+ Thoresby in the year 1717, in which occurs the following
+ passage:&mdash;</p>
+
+ <blockquote>
+ <p>"<i>Roger</i>, so named from the Archbishop" (of York),
+ "was a person of renowned hospitality, since, at this day,
+ the obsolete known tune of <i>Roger a Calverley</i> is
+ referred to him, who, according to the custom of those
+ times, kept his <i>minstrells</i>, from that their office
+ named <i>harpers</i>, which became a family and possessed
+ lands till late years in and about <i>Calverley</i>, called
+ to this day <i>Harpersroids</i> and <i>Harper's
+ Spring</i>.... He was a knight, and lived in the time of K.
+ Richard 1st. His seal, appended to one of his charters, is
+ large, with a chevalier on horseback."</p>
+ </blockquote>
+
+ <p class="author">W. CALVERLEY TREVELYAN.</p>
+ <hr />
+
+ <h3>DERIVATIONS OF "NEWS."</h3>
+
+ <p>It is not declared with what motive "Mr. GUTCH" (No. 17. p.
+ 270.) has laid before the readers of "NOTES AND QUERIES" the
+ alleged derivation of N.E.W.S.</p>
+
+ <p>It must therefore be supposed, that his object was to have
+ its justness and probability commented upon; and it is quite
+ time that they should be so, since the derivation in question
+ has of late become quite a favourite authoritative dictum with
+ etymology compilers. Thus it may be found, in the very words
+ and form adopted by your correspondent, in Haydn's
+ <i>Dictionary of Dates</i>, and in other authorities of equal
+ weight.</p>
+
+ <p>This sort of initial-letter derivation was probably brought
+ into fashion in England by the alleged origin of "Cabal," or,
+ perhaps, by the many guesses at the much disputed word
+ "&AElig;ra." I shall take the liberty of quoting a few
+ sentences with reference to such etymologies, <i>as a
+ class</i>, which I find in an unpublished manuscript upon a
+ kindred subject.</p>
+
+ <blockquote>
+ <p>"Besides, such a splitting up of a word of significant
+ and perfect meaning in itself is always a bad and
+ suspicious mode of derivation.</p>
+
+ <p>"It is generally an after-thought, suggested by some
+ fortuitous or fancied coincidence, that appropriateness of
+ which is by no means a sufficient proof of probability.</p>
+
+ <p>"Of this there can scarcely be a better example than the
+ English word 'news,' which, notwithstanding the felicity of
+ its supposed derivation from the four cardinal points,
+ must, nevertheless, so long as the corresponding words
+ 'nova,' 'nouvelles,' &amp;c. exist, be consigned to its
+ more sober and common-place origin in the adjective
+ '<i>new</i>.'"</p>
+ </blockquote>
+
+ <p>To this it must be added that the ancient orthography of the
+ word <i>newes</i>, completely upsets the derivation Mr. Gutch
+ has brought before your readers. Hone quotes from "one Burton,
+ printed in 1614: 'if any one read now-a-days, it is a
+ play-book, or <i>a pamphlet</i> of <i>newes</i>."</p>
+
+ <p>I had been in two minds whether or not to send this
+ communication, when the scale is completely turned by the
+ apropos occurrence of a corroboration of this latter objection
+ in "NOTES AND QUERIES" of this day. Mr. Rimbault mentions (at
+ p. 277.), "a rare black letter volume entitled <i>Newes from
+ Scotland</i>, 1591."</p>
+
+ <p>Here is one more proof of the usefulness of your
+ publication, that I am thus enabled to strengthen the
+ illustration of a totally different subject by the incidental
+ authority of a fellow correspondent.</p>
+
+ <p class="author">A.E.B.</p>
+
+ <p>Leeds, March, 1850.</p>
+ <hr />
+
+ <h3>REPLIES TO MINOR QUERIES.</h3>
+
+ <p><i>Swot</i> is, as the querist supposes, a military cant
+ term, and a sufficiently vulgar one too. It originated at the
+ great slang-manufactory for the army, the Royal Military
+ College, Sandhurst. You may depend upon the following account
+ of it, which I had many years ago from the late Thomas
+ Leybourne, F.R.S., Senior Professor of Mathematics in that
+ college.</p>
+
+ <p>One of the Professors, Dr. William Wallace, in addition to
+ his being a Scotchman, had a bald head, and an exceedingly
+ "broad Scotch" accent, besides a not very delicate
+ discrimination in the choice of his English terms relating to
+ social life. It happened on one hot summer's day, nearly half a
+ century ago, that he had been teaching a class, and had worked
+ himself into a considerable effusion from the skin. He took out
+ his handkerchief, rubbed his head and forehead violently, and
+ exclaimed in his Perthshire dialect,&mdash;"<i>It maks one
+ swot</i>." This was a God-send to the "gentlemen cadets,"
+ wishing to achieve a notoriety as wits and slangsters; and
+ mathematics generally ever after became <i>swot</i>, and
+ mathematicians <i>swots</i>. I have often heard it
+ said:&mdash;"I never could do <i>swot</i> well, Sir;" and
+ "these dull fellows, the <i>swots</i>, can talk of nothing but
+ triangles and equations."</p>
+
+ <p>I should have thought that the <i>sheer disgustingness</i>
+ of the idea would have shut the word out of the vocabularies of
+ English <i>gentlemen</i>. It remains nevertheless a standard
+ term in the vocabulary of an English soldier. It is well, at
+ all events, that future ages should know its etymology.</p>
+
+ <p class="author">T.S.D.</p>
+
+ <p><i>Pokership</i>, (<i>ant&egrave;</i>, pp. 185. 218. 269.
+ 282. 323, 324.)&mdash;I am sorry to see that no progress has
+ yet been made towards a satisfactory explanation of this
+ office. I was in hopes that something better than mere
+ conjecture would have been supplied from the peculiar
+ facilities of "T.R.F." "W.H.C." (p. 323.) has done little more
+ than refer to the same instruments as had been already adverted
+ to by me in p. 269., with the new reading
+ <span class="pagenum"><a name="page370"
+ id="page370"></a>{370}</span> of <i>poulterer</i> for poker!
+ With repect to "T.R.F.'s" conjecture, I should be more ready
+ to accept it if he could produce a single example of the
+ word <i>pawker</i>, in the sense of a hog-warden. The
+ quotation from the Pipe-roll of John is founded on a
+ mistake. The entry occurs in other previous rolls, and is
+ there clearly explained to refer to the <i>porter of
+ Hereford Castle</i>. Thus, in Pipe 2 Hen. II. and 3 Hen. II.
+ we have, under Hereford,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"In liberatione portarii castelli ... 30<i>s.</i>
+ 5<i>d.</i>"</p>
+ </div>
+ </div>
+
+ <p>In Pipe 1 Ric. I. we have,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"In liberatione constitut&acirc; portarii de
+ Hereford, 30<i>s.</i> 5<i>d.</i>"</p>
+ </div>
+ </div>
+
+ <p>Again, in Pipe 3 Joh.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"In liberatione constitut&acirc; portario de
+ Hereford, 30<i>s.</i> 5<i>d.</i>"</p>
+ </div>
+ </div>
+
+ <p>A similar entry is to be found in other rolls, as well
+ printed as inedited. I could indulge some other criticisms on
+ the communication of your correspondent in Spring Gardens, but
+ I prefer encouraging him to make further inquiries, and to
+ produce from the records in his custody some more satisfactory
+ solution of the difficulty. In the meantime, let me refer to a
+ Survey of Wrigmore Castle in the Lansdowne Collection, No. 40.
+ fo. 82. The surveyor there reports, that the paling, rails,
+ &amp;c. of the park are much decayed in many and sundry places,
+ and he estimates the repairs, with allowance of timber from the
+ wood there, "by good surveye and oversight of the <i>poker</i>
+ and other officers of the said parke," at 4<i>l.</i> The date
+ of the survey is 13 May, 1584.</p>
+
+ <p>Comparing this notice of the office with the receiver's
+ accounts tempore Hen. VII. and Hen. VIII. (<i>ant&egrave;</i>,
+ p. 269.), in which the officer is called "pocarius omnium
+ boscorum," I cannot doubt that his duty, or at least one of his
+ duties, was that of woodward, and that, as such, he assigned
+ timber for repair of the premises. How he came by his local
+ title and style of poker is a mystery on which we have all
+ hitherto failed to throw any light.</p>
+
+ <p class="author">E.S.</p>
+
+ <p><i>Vox Populi Vox Dei</i>,&mdash;about the origin of which
+ saying "QU&AElig;SITOR" asks (No. 21. p. 321.),&mdash;were the
+ words chosen by the Archbishop of Canterbury, Simon Mepham, as
+ his text for the sermon which he preached when Edward III. was
+ called to the throne, from which the nation had pulled down his
+ father, Edward II. This we learn from Walsingham, who says:</p>
+
+ <blockquote>
+ <p>"Archiepiscopus ver&ograve; Cantuari&aelig;
+ pr&aelig;senti consensit electioni, ut omnes pr&aelig;lati
+ et archiepiscopus quidem assumpto themate, <i>Vox populi
+ Vox Dei</i>, sermonem fecit populo, exhortans omnes ut apud
+ regem regum intercederent pro electo."&mdash;Tho.
+ Walsingham, <i>Hist. Angl.</i> ed. Camden, p. 126.</p>
+ </blockquote>
+
+ <p class="author">DANIEL ROCK.</p>
+
+ <p><i>A living Dog better than a dead Lion</i>.&mdash;I no not
+ know whether your correspondent (No. 22. p. 352.) ever goes to
+ church; but if he is not prevented by rain next St. Swithin's
+ day, he will learn who was the author of this proverb. It will
+ be a good thing, if your work should sometimes lead your
+ readers to search the Scriptures, and give them credit for
+ wisdom that has flowed from them so long, and far, and wide,
+ that its source is forgotten; but this is not the place for a
+ sermon, and I now only add, "here endeth the first lesson"
+ from</p>
+
+ <p class="author">ECCLESIASTES.</p>
+
+ <p class="note">["J.E.," "D.D.," and other correspondents, have
+ also replied to this Query by references to Eccl. ix. 4.]</p>
+
+ <p><i>Curious Monumental Brass</i> (No. 16. p. 247.)&mdash;If
+ "RAHERE" will turn to Mr. Boutell's <i>Monumental Brasses and
+ Slabs</i>, p. 148., he will there find a description as well as
+ an engraving of what, from his account, I doubt not he will
+ discover to be the identical fragment to which he refers. A
+ foot legend, and what remains of a border inscription, is added
+ to it. In the above work, pp. 147 to 155, and in the Oxford
+ Architectural Society's <i>Manual for the Study of Brasses</i>,
+ p. 15., "RAHERE" will find an account and references to
+ numerous examples of palimpsest brasses, to which class the one
+ in question belongs.</p>
+
+ <p>I presume that "RAHERE" is a young brass-rubber, or the fact
+ of a plate being engraved on both sides would have presented no
+ difficulty to him.</p>
+
+ <p class="author">ARUN.</p>
+
+ <p class="note">[We have received several other replies to this
+ Query, referring to Mr. Boutell's <i>Monumental Brasses</i>:
+ one from "W."; another from "A CORNISHMAN," who
+ says,&mdash;</p>
+
+ <p class="note">"The brass in question, when I saw it last, had
+ been removed from the Rectory and placed in the tomb of Abbot
+ Wheathampstead, in company with the famous one of Thomas
+ Delamere, another Abbot of St. Albans."</p>
+
+ <p class="note">Another from "E.V.," who states,&mdash;</p>
+
+ <p class="note">"Other examples are found at St. Margaret's,
+ Rochester (where the cause of the second engraving is found to
+ be an error in costume in the first), St. Martins at Plain,
+ Norwich, Hedgerly Church, Bucks, and Burwell Church,
+ Cambridgeshire. Of this last, an engraving and description, by
+ Mr. A.W. Franks, is given in the fourteenth part of the
+ Publications of the Cambridge Antiquarian Society."</p>
+
+ <p class="note">One from "WILLIAM SPARROW SIMPSON," who
+ says,&mdash;</p>
+
+ <p class="note">"It is also described in the Oxford
+ Architectural Society's <i>Manual of Mon. Brasses</i>, No. 6.
+ pp. 6, 7. other examples of which occur at Rochester, Kent, and
+ at Cobham, Surrey. A small plate of brass, in the possession of
+ a friend, has on one side a group of children, and on the
+ reverse the uplifted hands of an earlier figure."</p>
+
+ <p class="note">And lastly, one from "A.P.H." (to which we
+ cannot do ample justice, as we do not keep an engraver), from
+ which we extract the following passages:&mdash;</p>
+
+ <p class="note">"A friend of mine has a shield in his
+ possession, taken from a slab, and which has been enamelled. It
+ is of late date and rudely executed. On the back is
+ <span class="pagenum"><a name="page371"
+ id="page371"></a>{371}</span> seen the hands and breast of a
+ small female figure, very nearly a century earlier in date.
+ I can also remember an inscription in Cuxton Church, Kent,
+ which was loose, and had another inscription on the back in
+ the same manner.</p>
+
+ <p class="note">"I am very much impressed with the idea that
+ the destroyed brasses never had been used at all; but had been
+ engraved, and then, from circumstances that of course we cannot
+ hope to fathom, thrown on one side till the metal might be used
+ for some other purpose. This, I think, is a more probable, as
+ well as a more charitable explanation than the one usually
+ given of the so-called palimpsest brasses."]</p>
+
+ <p><i>Chapels</i> (No. 20. p. 333.).&mdash;As to the origin of
+ the name, will you allow me to refer Mr. Gatty to Ducange's
+ <i>Glossary</i>, where he will find much that is to his
+ purpose.</p>
+
+ <p>As to its being "a legal description," I will not undertake
+ to give an opinion without a fee; but I will mention a fact
+ which may assist him in forming one. I believe that fifty years
+ ago the word <i>Chapel</i> was very seldom used among those who
+ formed what was termed the "Dissenting Interest;" that is, the
+ three "denominations" of Independents, Baptists, and
+ Presbyterians. But I well recollect hearing, from good
+ authority, nearly, or quite, forty years ago, that an eminent
+ barrister (whom I might now describe as a late learned judge),
+ who was much looked up to by the dissenters as one of their
+ body, had particularly advised that in all trust-deeds relating
+ to places of dissenting worship, they should be called
+ "Chapels." I do not know that he assigned any reason, but I
+ know that the opinion was given, or communicated, to those who
+ had influence; and, from my own observation, I believe that
+ from about that time we must date the adoption of the term,
+ which has now been long in general use.</p>
+
+ <p>I do not imagine that there was any idea of either
+ assistance or opposition to the Church of England, in the mind
+ of him who recommended, or those who adopted, the alteration,
+ or that either of them expected or sought any thing by this
+ measure but to obtain a greater security for property, or,
+ rather, to avoid some real or imagined insecurity, found or
+ supposed to attach to the form of description previously in
+ use.</p>
+
+ <p class="author">A BARRISTER.</p>
+
+ <p><i>Forlot, Forthlot</i> (No. 20. p. 320.).&mdash;A measure
+ of grain used throughout Scotland at present&mdash;query
+ <i>fourthlot</i>. See Jamieson's <i>Etymological Dictionary of
+ the Scottish Language</i>.</p>
+
+ <blockquote>
+ <p>"<i>Firlot; Fyrlot; Furlet</i>.&mdash;A corn measure in
+ S., the fourth part of a boll.</p>
+
+ <p>"Thay ordainit the boll to mat victual with, to be
+ devidit in foure partis, <i>videlicet</i>, foure
+ <i>fyrlottis</i> to contene a boll; and that <i>fyrlot</i>
+ not to be maid efter the first mesoure, na efter the
+ mesoure now usit, bot in middill mesoure betwixt the
+ twa."&mdash;<i>Acts Jac.</i> l. 1526. c. 80. edit.
+ 1566.</p>
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"&mdash;Ane furme, ane furlet,</p>
+
+ <p>Ane pott, ane pek."</p>
+ </div>
+
+ <div class="stanza">
+ <p class="i4">Bannatyne <i>Poems</i>, p. 159.</p>
+ </div>
+ </div>
+
+ <p>Skinner derives it from A.-S. <i>feower</i>, quatuor; and
+ <i>lot, hlot</i>, portio (the fourth part); Teut.
+ "<i>viertel</i>."</p>
+
+ <p class="author">J.S.</p>
+
+ <p><i>Loscop</i> (No. 20. p. 319).&mdash;To be "Louecope-free"
+ is one of the immunities granted to the Cinque Ports in their
+ charters of Liberties.</p>
+
+ <p>Jeakes explains the term thus:&mdash;</p>
+
+ <blockquote>
+ <p>"The Saxon word Cope (in Low Dutch still Kope or Koope),
+ for trade or merchandising, makes this as much as to trade
+ freely for love. So that by no kind of monopoly patent, or
+ company or society of traders or merchants, the portsmen be
+ hindered from merchandising; but freely and for love, be
+ permitted to trade and traffick, even by such company of
+ merchants, whenever it shall happen their concerns lie
+ together."</p>
+ </blockquote>
+
+ <p>In my MSS., and in the print of Jeakes, it is "Louecope,"
+ with which "Lofcope" may be readily identified; and <i>f</i>
+ may easily be misread for <i>s</i>, especially if the roll be
+ obscured.</p>
+
+ <p>If Jeakes's etymology of the word be correct, the inference
+ would rather be that "Lovecope" was a tax for the goodwill of
+ the port at which a merchant vessel might arrive; a "port duty"
+ in fact, independent of "lastage" &amp;c., chargeable upon
+ every trader that entered the port, whatever her cargo might
+ be. And the immunities granted to the portsmen were that they
+ should be "port duty free."</p>
+
+ <p>I do not venture to offer this as any thing more than a mere
+ guess. Among your contributors there are many more learned than
+ myself in this branch of antiquarian lore, who will probably be
+ able to give a more correct interpretation, and we shall feel
+ obliged for any assistance that they can give us in elucidating
+ the question.</p>
+
+ <p>"Lovecope" might perhaps be the designation of the
+ association of merchants itself, to which Jeakes alludes; and
+ the liberty of forming such association, with powers of
+ imposing port duties, may have been dependent on special grant
+ to any port by royal charter, such as that which forms the
+ subject of your correspondent's communication.</p>
+
+ <p>After all, perhaps, "Lovecope" was the word for an
+ association of merchants; and "Louecope-free" is to be freed
+ from privileged taxation by this body.</p>
+
+ <p class="author">L.B.L.</p>
+
+ <p><i>Smelling of the Lamp</i> (No. 21. p. 335.).&mdash;"X."
+ will find the expression
+ &Iota;&lambda;&lambda;&upsilon;&chi;&nu;&iota;&omega;&nu;
+ &omicron;&zeta;&epsilon;&iota;&nu; attributed to Pytheas by
+ Plutarch (<i>Vit. Demosth</i>., c. 8.).</p>
+
+ <p class="author">J.E.B. MAYOR.</p>
+
+ <p><i>Anglo-Saxon MS. of Orosius</i> (No. 20. p.
+ 313.).&mdash;It may gratify Mr. Singer to be informed that the
+ Lauderdale MS., formerly in the library at Ham House, is now
+ preserved, with several other
+ <span class="pagenum"><a name="page372"
+ id="page372"></a>{372}</span> valuable manuscripts and
+ books, in the library at Helmingham Hall, Suffolk, the seat
+ of the Tollemache family.</p>
+
+ <p class="author">M.</p>
+
+ <p><i>Golden Frog</i>.&mdash;Ingenious as is the suggestion of
+ "R.R." (No. 18. p. 282.), that Sir John Poley stuck a golden
+ frog in his ear from his affection for <i>tadpoles</i>, I think
+ "R.R.'s" "Rowley Poley" may be dismissed with the
+ "<i>gammon</i> and spinach" of the amorous frog to which he
+ alludes.</p>
+
+ <p>Conceiving that the origin of so singular a badge could
+ hardly fail to be commemorated by some tradition in the family,
+ I have made inquiry of one of Sir John Poley's descendants, and
+ I regret to hear from him that "they have no authentic
+ tradition respecting it, but that they have always believed
+ that it had some connection with the service Sir John rendered
+ in the Low Countries, where he distinguished himself much by
+ his military achievements." To the Low Countries, then, the
+ land of frogs, we must turn for the solution of the enigma.</p>
+
+ <p class="author">Gastras.</p>
+
+ <p>Cambridge, March 9.</p>
+
+ <p><i>Sword of Charles I.</i>&mdash;Mr. Planch&eacute; inquires
+ (No. 12. p. 183.), "When did the real sword of Charles the
+ First's time, which, but a few years back, hung at the side of
+ that monarch's equestrian figure at Charing Cross,
+ disappear?"&mdash;It disappeared about the time of the
+ coronation of Her present Majesty, when some scaffolding was
+ erected about the statue, which afforded great facilities for
+ removing the rapier (for such it was); and I always understood
+ it found its way, by some means or other, to the Museum, so
+ called, of the notoriously frolicsome Captain D&mdash;&mdash;,
+ where, in company with the wand of the Great Wizard of the
+ North, and other well-known articles, it was carefully labelled
+ and numbered, and a little account appended of the
+ circumstances of its acquisition and removal.</p>
+
+ <p class="author">John Street.</p>
+
+ <p class="note">[Surely then Burke was right, and the "Age of
+ Chivalry is past!"&mdash;Otherwise the idea of <i>disarming a
+ statue</i> would never have entered the head of any Man of
+ Arms, even in his most frolicsome of moods.]</p>
+
+ <p><i>John Bull</i>.&mdash;<i>Vertue MSS.</i>&mdash;I always
+ fancied that the familiar name for our countrymen, about the
+ origin of which "R.F.H." inquires (No. 21. p. 336.), was
+ adopted from Swift's <i>History of John Bull</i>, first printed
+ in 1712; but I have no authority for saying so.</p>
+
+ <p>If the Vertue MSS. alluded to (No. 20. p. 319.) were ever
+ returned by Mr. Steevens to Dr. Rawlinson, they may be in the
+ Bodleian Library, to which the Doctor left all his collections,
+ including a large mass of papers purchased by him long after
+ Pepys' death, as he described it, "Thus et odores
+ vendentibus."</p>
+
+ <p>These "<i>Pepys</i> papers," as far as I can recollect, were
+ very voluminous, and relating to all sorts of subjects; but I
+ saw them in 1824, and had only then time to examine and extract
+ for publication portions of the correspondence.</p>
+
+ <p class="author">Braybrooke.</p>
+
+ <p>Audley End, March 25.</p>
+
+ <p><i>Vertue's Manuscripts</i>.&mdash;The MS. quoted under this
+ title by Malone is printed entire, or rather all of it which
+ refers to plays, by Mr. Peter Cunningham, in the <i>Papers of
+ the Shakspeare Society</i>, vol. ii. p. 123., from an
+ interleaved copy of Langbaine. Since the publication of that
+ paper, the entries relating to Shakspeare's plays have been
+ given from the original MS. in the Bodleian Library, in
+ Halliwell's <i>Life of Shakspeare</i>, p. 272.</p>
+
+ <p class="author">S.L.</p>
+
+ <p><i>Vertue's MSS</i>. (No. 20. p. 319.) were in Horace
+ Walpole's possession, bought by him, I think, of Vertue's
+ widow; and his <i>Anecdotes of Painting</i> were chiefly
+ composed from them, as he states, with great modesty, in his
+ dedication and his preface. I do not see in the Strawberry-Hill
+ Catalogue any notice of "Vertue's MSS.," though some vols. of
+ his collection of engravings were sold.</p>
+
+ <p class="author">C.</p>
+
+ <p><i>Lines attributed to Tom Brown</i>.&mdash;In a book
+ entitled <i>Liber Facetiarum, being a Collection of curious and
+ interesting Anecdotes</i>, published at Newcastle-upon-Tyne, by
+ D. Akenhead &amp; Sons, 1809, the passage attributed to Tom
+ Brown by your correspondent "J.T." is given to Zacharias
+ Boyd.</p>
+
+ <p>The only reference given as authority for the account is the
+ initials H.B.</p>
+
+ <blockquote>
+ <p>"Zacharias Boyd, whose bust is to be seen over the
+ entrance to the Royal College in Glasgow, while Professor
+ in that university, translated the Old and New Testament
+ into Scotch Metre; and, from a laudable zeal to disseminate
+ religious knowledge among the lower classes of the
+ community, is said to have left a very considerable sum to
+ defray the expense of the said work, which, however, his
+ executors never printed."</p>
+ </blockquote>
+
+ <p>After a few specimens, the account goes on</p>
+
+ <blockquote>
+ <p>"But the highest flight of his Muse appears in the
+ following <i>beautiful Alexandrine</i>:</p>
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="i4">"And was not Pharaoh a saucy rascal?</p>
+
+ <p class="i4">That would not let the children of
+ Israel, their wives</p>
+
+ <p class="i4">And their little ones, their flocks and
+ their herds, go</p>
+
+ <p class="i4">Out into the wilderness forty days</p>
+
+ <p class="i16">To eat the Pascal.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="i4">"H.B."</p>
+ </div>
+ </div>
+
+ <p>Speaking of Zachariah Boyd, Granger says, (vol. ii. p.
+ 379.):</p>
+
+ <blockquote>
+ <p>"His translation of the Scripture in such uncouth verse
+ as to amount to burlesque, has been often quoted, and the
+ just fame of a benefactor to learning has been obscured by
+ that cloud of miserable rhymes. Candour will smile at the
+ foible, but applaud the man.</p>
+
+ <p>"Macure, in his account of Glasgow, p. 223., informs us
+ he lived in the reign of Charles I."</p>
+ </blockquote>
+
+ <p class="author">H.I.</p>
+
+ <p>Sheffield, March 9.
+ 1850.</p><span class="pagenum"><a name="page373"
+ id="page373"></a>{373}</span>
+
+ <p><i>Passage in Frith's Works</i> (No. 20. p. 319).&mdash;This
+ passage should be read, as I suppose, "Ab inferiori ad suum
+ superius confuse distribui."</p>
+
+ <p>It means that there would be confusion, if what is said
+ distributively or universally of the lower, should be applied
+ distributively or universally to the higher; or, in other
+ words, if what is said universally of a species, should be
+ applied universally to the genus that contains that and other
+ species: <i>e.g.</i>, properties that are universally found in
+ the human species will not be found universally in the genus
+ Mammalis, and universal properties of Mammalia wil not be
+ universal over the animal kingdom.</p>
+
+ <p class="author">T.J.</p>
+
+ <p><i>Martins, the Louvain Printer</i>.&mdash;Your
+ correspondent "W." (No. 12. p. 185.) is informed, that in
+ Falkenstein's <i>Geschichte der Buchdrucherkunst</i> (Leipzig,
+ 1840, p. 257.), Theoderich Martens, printer in Louvain and
+ Antwerp, is twice mentioned. I have no doubt but this is the
+ correct German form of the name. Mertens, by which he was also
+ known, may very possibly be the Flemish form. His Christian
+ name was also written Dierik, a short form of Dietrich, which,
+ in its turn, is the same as Theodorich.</p>
+
+ <p class="author">NORTHMAN.</p>
+
+ <p><i>Master of the Revels</i>.&mdash;"DR. RIMBAULT" states
+ (No. 14. p. 219.), that Solomon Dayrolle was appointed Master
+ of the Revels in 1744, but does not know the date of his
+ decease. It may be unknown to Dr. Rimbault, that Solomon
+ Dayrolle<i>s</i> was an intimate friend and correspondent of
+ the great Lord Chesterfield: the correspondence continues from
+ 1748 to 1755 in the selection of Chesterfield's letters to
+ which I am referring.</p>
+
+ <p>Dayrolles, during all that period, held a diplomatic
+ appointment from this country at the Hague. See Lord
+ Chesterfield's letter to him of the 22d Feb. 1748, where Lord
+ C. suggests that by being cautious he (Dayrolles) may be put
+ <i>en train d'&ecirc;tre Monsieur l'Envoye</i>.</p>
+
+ <p>In several of the letters Chesterfield warmly and familiarly
+ commends his hopeful son, Mr. Stanhope, to the care and
+ attention of Dayrolles.</p>
+
+ <p>I have not been able to ascertain when Dayrolles died, but
+ the above may lead to the discovery.</p>
+
+ <p class="author">W.H. LAMMIN.</p>
+
+ <p><i>French Maxim</i>.&mdash;The French saying quoted by
+ "R.V." is the 223rd of <i>Les R&eacute;flexions morales du Duc
+ de la Rochefoucauld</i> (Pougin, Paris, 1839). I feel great
+ pleasure in being able to answer your correspondent's query, as
+ I hope that my reply may be the means of introducing to his
+ notice one of the most delightful authors that has ever yet
+ written: one who deserves far more attention than he appears to
+ receive from general readers in this degenerate age, and from
+ whom many of his literary successors have borrowed some of
+ their brightest thoughts. I need not go far for an
+ illustration:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"Praise undeserved, is scandal in disguise,"</p>
+ </div>
+ </div>
+
+ <p>is merely a condensation of,</p>
+
+ <blockquote>
+ <p>"Louer les princes des vertus qu'ils n'ont pas, c'est
+ leur dire impun&eacute;ment des injures."&mdash;La
+ Rochefoucauld, Max. 327.</p>
+ </blockquote>
+
+ <p>I believe that Pope marks it as a <i>translation&mdash;a
+ borrowed thought&mdash;not as a quotation</i>. He has just
+ before used the words "your Majesty;" and I think the word
+ "<i>scandal</i>" is employed "<i>consulto</i>," and alludes to
+ the offence known in English law as "scandalum magnatum." Your
+ correspondent will, of course, read the work in the original;
+ in fact, he <i>must</i> do so <i>per force</i>. A good
+ translation of <i>Les Maximes</i> is still a desideratum in
+ English literature. I have not yet seen one that could lay
+ claim even to the meagre title of mediocrity; although I have
+ spared neither time nor pains in the search. Should any of your
+ readers have been more fortunate, I shall feel obliged by their
+ referring me to it.</p>
+
+ <p class="author">MELANION.</p>
+
+ <p><i>Endeavour</i>.&mdash;I have just found the following
+ instance of "endeavour" used as an active verb, in Dryden's
+ translation of Maimbourg's <i>History of the League</i>,
+ 1684.</p>
+
+ <blockquote>
+ <p>"On the one side the majestique House of Bourbon,... and
+ on the other side, that of two eminent families which
+ endeavour'd their own advancement by its destruction; the
+ one is already debas'd to the lowest degree, and the other
+ almost reduc'd to nothing." &mdash;p. 3.</p>
+ </blockquote>
+
+ <p class="author">C. FORBES.</p>
+
+ <p>Temple.</p>
+ <hr class="full" />
+
+ <h2>MISCELLANIES.</h2>
+
+ <p><i>Epigram by La Monnoye</i>.&mdash;It has been ingeniously
+ said, that "Life is an epigram, of which death is the point."
+ Alas for human nature! good points are rare; and no wonder,
+ according to this wicked, but witty,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>EPIGRAM BY LA MONNOYE.</p>
+ </div>
+
+ <div class="stanza">
+ <p>The world of fools has such a store,</p>
+
+ <p class="i2">That he who would not see an ass,</p>
+
+ <p>Must bide at home, and bolt his door,</p>
+
+ <p class="i2">And break his looking glass.</p>
+ </div>
+ </div>
+
+ <p class="author">S.W.S.</p>
+
+ <p>Mickleham, Dec. 10. 1849.</p>
+
+ <p><i>Spur Money</i>.&mdash;Two or three years since, a party
+ of sappers and miners was stationed at Peterborough, engaged in
+ the trigonometrical survey, when the officer entered the
+ cathedral with his spurs on, and was immediately beset by the
+ choristers, who demanded money of him for treading the sacred
+ floor with armed heels. Does any one know the origin of this
+ singular custom? I inquired of some of the dignitaries of the
+ Cathedral, but they were not aware even of its existence. The
+ boys, however, have more tenacious memories, at least where
+ their interest is concerned; but we must not look to them for
+ the origin of a <span class="pagenum"><a name="page374"
+ id="page374"></a>{374}</span> custom which appears to have
+ long existed. In the <i>Memorials of John Ray</i>, published
+ by the Ray Society, p. 131., there is the following entry in
+ his second Itinerary:&mdash;</p>
+
+ <blockquote>
+ <p>"July the 26th, 1661, we began our journey northwards
+ from Cambridge, and that day, passing through Huntingdon
+ and Stilton, we rode as far as Peterborough twenty-five
+ miles. There I first heard the Cathedral service. The
+ choristers made us pay money for coming into the choir with
+ our spurs on."</p>
+ </blockquote>
+
+ <p class="author">East Winch.</p>
+
+ <p class="note">[The following note from <i>The Book of the
+ Court</i> will serve to illustrate the curious custom referred
+ to by our correspondent:</p>
+
+ <p class="note">"In <i>The Privy Purse Expenses of King Henry
+ VIII.</i> edited by Sir Harris Nicolas, there occur several
+ entries of payments made to the choristers of Windsor 'in
+ rewarde for the king's spurs'; which the editor supposes to
+ mean 'money paid to redeem the king's spurs, which had become
+ the fee of the choristers at Windsor, perhaps at installations,
+ or at the annual celebration of St. George's feast.' No notice
+ of the subject occurs in Ashmole's or Anstis's <i>History of
+ the Order of the Garter</i>. Mr. Markland, quoting a note to
+ Gifford's edition of Ben Jonson, vol. ii. p. 49., says, 'In the
+ time of Ben Jonson, in consequence of the interruptions to
+ Divine Service occasioned by the ringing of the spurs worn by
+ persons walking and transacting business in cathedrals, and
+ especially in St. Paul's, a small fine was imposed on them,
+ called "spur-money," the exaction of which was committed to the
+ beadles and singing-boys.' This practice, and to which,
+ probably, the items in Henry's household-book bear reference,
+ still obtains, or, at least, did till very lately, in the
+ Chapel Royal and other choirs. Our informant himself claimed
+ the penalty, in Westminster Abbey, from Dr. Fisher, Bishop of
+ Rochester, and received from him an eighteenpenny bank token as
+ the fine. He likewise claimed the penalty from the King of
+ Hanover (then Duke of Cumberland), for entering the choir of
+ the Abbey in his spurs. But His Royal Highness, who had been
+ installed there, excused himself with great readiness, pleading
+ 'his right to wear his spurs in that church, inasmuch as it was
+ the place where they were first put on him!'&mdash;See further,
+ <i>European Mag</i>., vol. iii. p. 16."]</p>
+ <hr />
+
+ <h3>MINIMUM DE MALIS.</h3>
+
+ <h4>(<i>From the Latin of Buchanan.</i>)</h4>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Calenus owed a single pound, which yet</p>
+
+ <p>With all my dunning I could never get.</p>
+
+ <p>Tired of fair words, whose falsehood I foresaw,</p>
+
+ <p>I hied to Aulus, learned in the law.</p>
+
+ <p>He heard my story, bade me "Never fear,</p>
+
+ <p>There was no doubt&mdash;no case could be more
+ clear:&mdash;</p>
+
+ <p>He'd do the needful in the proper place,</p>
+
+ <p>And give his best attention to the case."</p>
+
+ <p class="i2">And this he may have done&mdash;for it
+ appears</p>
+
+ <p>To have been his business for the last ten
+ years,</p>
+
+ <p>Though on his pains ten times ten pounds
+ bestow'd</p>
+
+ <p>Have not regain'd that one Calenus owed.</p>
+
+ <p class="i2">Now, fearful lest this unproductive
+ strife</p>
+
+ <p>Consume at once my fortune and my life,</p>
+
+ <p>I take the only course I can pursue,</p>
+
+ <p>And shun my debtor and my lawyer too.</p>
+
+ <p>I've no more hope from promises or laws,</p>
+
+ <p>And heartily renounce both debt and cause&mdash;</p>
+
+ <p>But if with either rogue I've more to do,</p>
+
+ <p>I'll surely choose my debtor of the two;</p>
+
+ <p>For though I credit not the lies he tells,</p>
+
+ <p>At least he <i>gives</i> me what the other
+ <i>sells</i>.</p>
+ </div>
+ </div>
+
+ <p class="author">Rufus.</p>
+ <hr />
+
+ <p><i>Epigram on Louis XIV.</i>&mdash;I find the following
+ epigram among some old papers. The emperor would be Leopold I.,
+ the king Louis XIV.</p>
+
+ <p><i>Epigram by the Emperor, 1666, and the King of
+ France.</i></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Bella fugis, sequeris bellas, pugn&aelig;que
+ repugnas,</p>
+
+ <p class="i2">Et bellatori sunt tibi bella tori.</p>
+
+ <p>Imbelles imbellis amas, totusque videris</p>
+
+ <p class="i2">Mars ad opus Veneris, Martis ad arma
+ Venus.</p>
+ </div>
+ </div>
+
+ <p class="author">J.H.L.</p>
+
+ <p><i>Macaulay's Young Levite.</i>&mdash;I met, the other day
+ with a rather curious confirmation of a passage in Macaulay's
+ <i>History of England</i>, which has been more assailed perhaps
+ than any other.</p>
+
+ <p>In his character of the clergy, Macaulay says, they
+ frequently married domestics and retainers of great
+ houses&mdash;a statement which has grievously excited the wrath
+ of Mr. Babington and other champions. In a little book, once
+ very popular, first published in 1628, with the title
+ <i>Microcosmographie, or a Piece of the World discovered</i>,
+ and which is known to have been written by John Earle, after
+ the Restoration Bishop of Worcester and then of Salisbury, is
+ the following passage. It occurs in what the author calls a
+ character of "a young raw preacher."</p>
+
+ <blockquote>
+ <p>"You shall know him by his narrow velvet cape and serge
+ facing, and his ruffe, next his hire, the shortest thing
+ about him.... His friends, and much painefulnesse, may
+ preferre him to thirtie pounds a yeere, and this meanes, to
+ a chamber-maide: with whom we leave him now in the bonds of
+ wedlocke. Next Sunday you shall have him againe."</p>
+ </blockquote>
+
+ <p>The same little book contains many very curious and valuable
+ illustrations of contemporary manners, especially in the
+ universities.</p>
+
+ <p>That the usage Macaulay refers to was not uncommon, we find
+ from a passage in the <i>Woman-Hater</i>, by Beaumont and
+ Fletcher (1607), Act III. Sc. 3.</p>
+
+ <p>Lazarillo says,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"Farewell ye courtly chaplains that be there!</p>
+
+ <p>All good attend you! May you never more</p>
+
+ <p>Marry your patron's lady's waiting-woman!"</p>
+ </div>
+ </div>
+
+ <p class="author">I.T.</p>
+
+ <p>Trin. Coll. Camb., March 16.
+ 1850.</p><span class="pagenum"><a name="page375"
+ id="page375"></a>{375}</span>
+
+ <p><i>St. Martin's Lane</i>.&mdash;The first building leases of
+ St. Martin's Lane and the adjacent courts accidentally came
+ under my notice lately. They are dated in 1635 and 1636, and
+ were granted by the then Earl of Bedford.</p>
+
+ <p class="author">Arun.</p>
+ <hr />
+
+ <h3>CHARLES DEERING, M.D.</h3>
+
+ <p>"Author of the Catalogue of Plants in the neighbourhood of
+ Nottingham. 'Catalogus Stirpium, &amp;c., or a Catalogue of
+ Plants naturally growing and commonly cultivated in divers
+ parts of England, and especially about Nottingham,' 8vo.
+ Nottingh. 1738.</p>
+
+ <p>"He was in the suite of the English ambassador to Russia,
+ returned and practised physic in London married unfortunately,
+ buried his wife, and then went to Nottingham, where he lived
+ several years. During his abode there he wrote a small
+ <i>Treatise on the Small Pocks</i>, this <i>Catalogue of
+ Plants</i>, and the <i>History of Nottingham</i>, the materials
+ for which John Plumtre, Esq. of Nottingham, was so obliging as
+ to assist him with. He also was paid 40<i>l.</i> by a London
+ bookseller for adding 20,000 words to an English dictionary. He
+ was master of seven languages, and in 1746 he was favoured with
+ a commission in the Nottinghamshire Foot, raised at that time.
+ Soon after died, and was buried in St. Peter's Churchyard.</p>
+
+ <p>"William Ayscough, father of the printer of this
+ <i>Catalogus Stirpium</i> (G. Ayscough), in 1710, first
+ introduced the art of printing at Nottingham.</p>
+
+ <p>"Mr. White was the same year the first printer at
+ Newcastle-upon-Tyne; and Mr. Dicey at
+ Northampton."&mdash;<i>MS. Note in the Copy of the Cat.
+ Stirpium, in the Library of the British Museum</i>.</p>
+ <hr class="full" />
+
+ <h2>MISCELLANEOUS.</h2>
+
+ <h3>NOTES ON BOOKS, CATALOGUES, SALES, ETC.</h3>
+
+ <p>Our advertising columns already show some of the good
+ results of the <i>Exhibition of the Works of Ancient and
+ Medi&aelig;val Art</i>. Mr. Williams announced last week his
+ <i>Historic Reliques</i>, to be etched by himself. Mr. Cundall
+ has issued proposals for <i>Choice Examples of Art
+ Workmanship</i>; and, lastly, we hear that an <i>Illustrated
+ Catalogue of the Exhibition</i>, prepared by Mr. Franks, the
+ zealous Honorary Secretary of the Committee, and so arranged as
+ to form a <i>History of Art</i>, may be expected. We mention
+ these for the purpose of inviting our friends to contribute to
+ the several editors such information as they may think likely
+ to increase the value of the respective works.</p>
+
+ <p>The second edition of our able correspondent, Mr. Peter
+ Cunningham's <i>Handbook of London</i>, is on the eve of
+ publication.</p>
+
+ <p>There are few of our readers but will be glad to learn from
+ the announcement in a previous column, that the edition of the
+ <i>Wickliffite Versions of the Scriptures</i>, upon which Sir
+ Frederick Madden and his fellow labourers have been engaged for
+ a period of twenty years, is just completed. It forms, we
+ believe, three quarto volumes.</p>
+
+ <p>Messrs. Puttick and Simpson lately disposed of a most select
+ and interesting collection of autograph letters. We
+ unfortunately did not receive the catalogue in time to notice
+ it, which we the more regret, because, like all their
+ catalogues of autographs, it was drawn up with amateur-like
+ intelligence and care; so as to make it worth preserving as a
+ valuable record of materials for our history and biography.</p>
+
+ <p>We have received the following Catalogues of
+ Books:&mdash;No. XXV. of Thomas Cole's (15. Great Turnstile):
+ No. 2. for 1850, of William Heath's (29&frac12; Lincoln's Inn
+ Fields); and No. 15. of Bernard Quarritch's (16. Castle Street,
+ Leicester Square) Catalogue of Oriental and Foreign Books.</p>
+ <hr />
+
+ <h3>BOOKS AND ODD VOLUMES</h3>
+
+ <h4>WANTED TO PURCHASE</h4>
+
+ <h4>(<i>In continuation of Lists in former Nos.</i>)</h4>
+
+ <p>Mills, Rev. Isaac, of Highcleer&mdash;Account of the Life
+ and Conversation of, with a Sermon, 8vo., 1721.</p>
+
+ <p>Mykur Hazem, by Marcus, London, 1846.</p>
+
+ <p>Poems by a Bornnatural, 1849.</p>
+
+ <h4><i>Odd Volumes</i>.</h4>
+
+ <p>Proceedings of the Philological Society. Vol. I.</p>
+
+ <p>Richardson's Correspondence, Vol. I. of the Six-Volume
+ Ed.</p>
+
+ <p>Todd's Johnson's Dictionary, 4to., 1819. (Part X. containing
+ Title, Preface, &amp;c.)</p>
+
+ <p>Partington's British Cyclop&aelig;dia&mdash;That portion of
+ Natural History which follows Vol. I.</p>
+
+ <p>*** Letters, stating particulars and lowest price,
+ <i>carriage free</i>, to be sent to Mr. Bell, Publisher of
+ "NOTES AND QUERIES," 186. Fleet Street.</p>
+ <hr />
+
+ <h3>NOTICES TO CORRESPONDENTS.</h3>
+
+ <p>Burning for Treason.&mdash;Can the Correspondent who
+ furnished us with a curious Note upon this subject favour us
+ with a copy of it, the original having been accidentally
+ mislaid?</p>
+
+ <p>We are again compelled, from want of space, to omit many
+ curious and interesting articles; and, after this statement,
+ must beg our kind friends at Leeds, Brompton, &amp;c., who
+ complain of delay in the insertion of their communications, to
+ do us the favour to refer to the notice on this very subject
+ which appeared in our early numbers.</p>
+
+ <p>Notes and Queries may be procured by the Trade at noon on
+ Friday: so that our country Subscribers ought to experience no
+ difficulty in receiving it regularly. Many of the country
+ Booksellers are probably not yet aware of this arrangement,
+ which enables them to receive Copies in their Saturday parcels.
+ Part V. is now ready.</p>
+ <hr class="adverts" />
+ <span class="pagenum"><a name="page376"
+ id="page376"></a>{376}</span>
+
+ <center>
+ THE QUARTERLY REVIEW,
+ </center>
+
+ <center>
+ No. CLXXII. is Published This Day.
+ </center>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="i2">CONTENTS:</p>
+
+ <p>I. GIACOMO LEOPARDI AND HIS WRITINGS.</p>
+
+ <p>II. RANKE'S HOUSE OF BRANDENBURG.</p>
+
+ <p>III. QUEEN'S COLLEGE, LONDON.</p>
+
+ <p>IV. GROTE'S HISTORY OF GREECE.</p>
+
+ <p>V. URQUHART'S PILLARS OF HERCULES.</p>
+
+ <p>VI. FACTS IN FIGURES.</p>
+
+ <p>VII. THE DUTIFUL SON.</p>
+
+ <p>VIII. CUNNINGHAM'S HANDBOOK OF LONDON.</p>
+
+ <p>IX. BAXTER'S IMPRESSIONS OF EUROPE.</p>
+
+ <p>X. LORD LIEUTENANT CLARENDON.</p>
+
+ <p>XI. LOUIS PHILIPPE.</p>
+ </div>
+ </div>
+
+ <center>
+ John Murray, Albemarle Street.
+ </center>
+ <hr />
+
+ <center>
+ NEARLY READY.
+ </center>
+
+ <div class="figcenter"
+ style="width:50%;">
+ <a href="images/376.png"><img width="100%"
+ src="images/376.png"
+ alt="CHOICE EXAMPLES OF ART WORKMANSHIP Selected from the Exhibition of ANCIENT AND MEDI&AElig;VAL ART at the Society of Arts" />
+ </a>
+ </div>
+
+ <center>
+ A Prospectus, containing a Specimen of the Illustrations,
+ will be sent on receipt of two postage stamps.
+ </center>
+
+ <center>
+ Joseph Cundall, 21. Old Bond Street.
+ </center>
+ <hr />
+
+ <p>MILLER'S CATALOGUE OF ANCIENT AND MODERN BOOKS.&mdash;NUMBER
+ FOUR is ready this day, and can be had Gratis, and sent, if
+ required, Postage Free. Address, John Miller, 43, Chandos
+ Street, Trafalgar Square. This List embraces numerous valuable
+ and interesting Books on English Poetry, the Drama, History,
+ Biography, Voyages and Travels, &amp;c., with the works of a
+ few of the best Continental writers, a selection of Pictorial
+ Books of Scenery, Costume, Topography, and Drawing-room Table
+ Books.</p>
+
+ <p>Also, on forwarding Four Postage Stamps, JOHN MILLER'S
+ CATALOGUE OF BOOKS FOR THE PAST QUARTER may be had stitched in
+ a wrapper, with a Table of Contents, showing at one glance the
+ range of subjects embraced, amongst which may be enumerated the
+ following, viz., America, Angling, Banking and Currency, Coins,
+ Dictionaries, Drawing-books, Games, Sports, &amp;c., Heraldry,
+ Genealogy and Family History, Ireland, its History and
+ Literature, Kent, its History and Topography, Law, Music, its
+ History and Theory, Painting and the Fine Arts, Shakspeariana,
+ and a variety of other branches of Literature comprised in
+ upwards of 1500 articles.</p>
+
+ <center>
+ John Miller, 43. Chandos Street, Trafalgar Square.
+ </center>
+ <hr />
+
+ <p>THE ANGLO-SAXON, for April, Price 2<i>s.</i> 6<i>d.</i> or
+ 3<i>s.</i> post-free, contains England and her Colonies: County
+ Colonisation, with Maps&mdash;English Church
+ Music&mdash;Christian Architecture&mdash;London: a Poem, Essay
+ II.&mdash;The Alfred Medals: Three Sonnets, by Martin F.
+ Tupper&mdash;Anglo-Saxon Literature: the Jubilee Edition of
+ King Alfred's Works, with Specimens and
+ Translations&mdash;Wives and Mothers&mdash;Anglo-Saxon
+ Colonies: Victoria, Cooksland, Port Essington,
+ (Papua&mdash;Timor)&mdash;Original Ballads.</p>
+
+ <p>The ANGLO-SAXON for 1849 forms a handsome volume, price One
+ Guinea.</p>
+
+ <center>
+ London: T. Bosworth, 215. Regent Street.
+ </center>
+ <hr />
+
+ <p>Published every Saturday, price 3<i>d.</i>, or stamped,
+ 4<i>d.</i>, also in Monthly Parts. Part V. (for March), price
+ 1<i>s.</i> 3<i>d.</i>, now ready.</p>
+
+ <p>NOTES AND QUERIES: a Medium of Inter-communication for
+ Literary Men, Artists, Antiquaries, Genealogists, &amp;c.</p>
+
+ <p>The attention of Publishers and Booksellers is particularly
+ requested to this Periodical as a medium for advertising. It
+ contains communications from the most eminent Literary Men, and
+ is circulated largely amongst the best class of
+ book-buyers.</p>
+
+ <p>In addition to the valuable matter which will be found in
+ its columns, it contains notices of Book Sales, Booksellers'
+ Catalogues, and Lists of Books wanted to
+ purchase,&mdash;features which it is believed will be found
+ valuable to Dealers in Old Books, as well as useful to
+ Purchasers.</p>
+
+ <table summary="Prices"
+ align="center">
+ <caption>
+ SCALE OF PRICES.
+ </caption>
+
+ <tr>
+ <td></td>
+
+ <td align="right">&pound;</td>
+
+ <td><i>s.</i></td>
+
+ <td><i>d.</i></td>
+ </tr>
+
+ <tr>
+ <td align="left">Six lines and under</td>
+
+ <td align="right">0</td>
+
+ <td align="right">5</td>
+
+ <td align="right">0</td>
+ </tr>
+
+ <tr>
+ <td align="left">Above six lines, per line</td>
+
+ <td align="right">0</td>
+
+ <td align="right">0</td>
+
+ <td align="right">6</td>
+ </tr>
+
+ <tr>
+ <td align="left">Half a column</td>
+
+ <td align="right">0</td>
+
+ <td align="right">16</td>
+
+ <td align="right">0</td>
+ </tr>
+
+ <tr>
+ <td align="left">Column</td>
+
+ <td align="right">1</td>
+
+ <td align="right">10</td>
+
+ <td align="right">0</td>
+ </tr>
+
+ <tr>
+ <td align="left">Page</td>
+
+ <td align="right">2</td>
+
+ <td align="right">10</td>
+
+ <td align="right">0</td>
+ </tr>
+ </table>
+
+ <p>***Advertisements must be sent by the Wednesday previous to
+ the Saturday on which they are intended to appear; Notes and
+ Queries being issued to the Trade on Friday afternoon.</p>
+
+ <center>
+ OPINIONS OF THE PRESS.
+ </center>
+
+ <blockquote>
+ <p>"As good a first number as we remember to have seen. The
+ Editor exhibits a phalanx of eminent assistants. * * There
+ can be no doubt of the value of a Literary Medium of this
+ peculiar kind."&mdash;<i>Athen&aelig;um</i>.</p>
+
+ <p>"We like the plan much. * * We wish success to a
+ publication which promises to be agreeable, intelligent,
+ and useful."&mdash;<i>Literary Gazette</i>.</p>
+
+ <p>"We feel great pleasure in welcoming into the literary
+ world this publication, which promises to fill up a void
+ that has constantly been lamented by every person engaged
+ in any particular branch of study that required experience
+ and research. * * It is a publication in which all literary
+ persons must feel a deep interest, and that has our
+ heartiest wishes for its success."&mdash;<i>Morning
+ Herald</i>.</p>
+
+ <p>"This is a new periodical, with a new idea, and one that
+ deserves and will be sure to receive encouragement amongst
+ scholars and readers really deserving that appellation. * *
+ It is a capital idea; and every one who makes Notes or has
+ Queries should buy it and contribute to
+ it."&mdash;<i>Weekly News</i>.</p>
+
+ <p>"That valuable publication The Notes and Queries, so
+ auspiciously commenced."&mdash;<i>New Bell's
+ Messenger</i>.</p>
+
+ <p>"With whomsoever the idea of publishing this useful and
+ interesting periodical first originated, that person is
+ entitled to the thanks of every author, antiquary, and
+ scholar, in the United Kingdom. * * We recommend, in all
+ sincerity, The Notes and Queries to the attention of lovers
+ of literature in general."&mdash;<i>Morning Post</i>.</p>
+ </blockquote>
+
+ <center>
+ London: George Bell, 186. Fleet Street.
+ </center>
+ <hr />
+
+ <center>
+ Just Published, Parts 13 and 14, imperial quarto. Price
+ 3<i>s.</i> each, tinted 4<i>s.</i>
+ </center>
+
+ <p>RELIQUES OF ANCIENT ENGLISH ARCHITECTURE, from Drawings by
+ John Johnson, Architect, F.S.A., Lithographed by Alfred
+ Newman.</p>
+
+ <p>Contents, Part 13:&mdash;Hawton Church; Notts.&mdash;St.
+ Mary's, Stamford&mdash;Aldwinkle, All Saints,
+ Northamptonshire-Wellingborough Church, Northamptonshire.</p>
+
+ <p>Part 14&mdash;Skelton Church, from the South-East and
+ South-West&mdash;Rye House, Herts.&mdash;Holbeach Church,
+ Lincolnshire.</p>
+
+ <p>This Work is intended to embrace a series of examples of
+ Ecclesiastical, Collegiate, and Domestic Architecture. It will
+ be completed in Twenty Monthly Parts, price 3<i>s.</i> each,
+ tinted 4<i>s.</i></p>
+
+ <center>
+ London: George Bell, 186. Fleet Street.
+ </center>
+ <hr />
+
+ <center>
+ Preparing for immediate Publication, in 2 vols. small
+ octavo.
+ </center>
+
+ <p>THE FOLK-LORE OF ENGLAND. By William J. Thoms, F.S.A.,
+ Secretary of the Camden Society, Editor of "Early Prose
+ Romances," "Lays and Legends of all Nations," &amp;c. One
+ object of the present work is to furnish new contributions to
+ the History of our National Folk-Lore; and especially some of
+ the more striking illustrations of the subject to be found in
+ the Writings of Jacob Grimm and other Continental
+ Antiquaries.</p>
+
+ <p>Communications of inedited Legends, Notices of remarkable
+ Customs and Popular Observances, Rhyming Charms, &amp;c. are
+ earnestly solicited, and will be thankfully acknowledged by the
+ Editor. They may be addressed to the care of Mr. Bell, Office
+ of "Notes and Queries," 186. Fleet Street.</p>
+ <hr class="full" />
+
+ <blockquote class="footnote">
+ <a id="footnote1"
+ name="footnote1"></a><b>Footnote
+ 1:</b><a href="#footnotetag1">(return)</a>
+
+ <p>The best account, because the most consistent and
+ intelligible, of the Greek arithmetic, is that by Delambre,
+ affixed to Peyraud's edition of Archimedes.</p>
+ </blockquote>
+
+ <blockquote class="footnote">
+ <a id="footnote2"
+ name="footnote2"></a><b>Footnote
+ 2:</b><a href="#footnotetag2">(return)</a>
+
+ <p>At a period of leisure I may be tempted to send you a
+ few extracts, somewhat curious, from some of the papers of
+ Mr. Strachey in my possession.</p>
+ </blockquote>
+ <hr class="full" />
+
+ <p>Printed by Thomas Clark Shaw, of No. 8. New Street Square,
+ at No. 5. New Street Square, in the Parish of St. Bride, in the
+ City of London; and published by George Bell, of No. 186. Fleet
+ Street, in the Parish of St. Dunstan in The West, in the City
+ of London, Publisher, at No. 186. Fleet Street
+ aforesaid.&mdash;Saturday, April 6, 1850.</p>
+ <hr class="full" />
+
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 12505 ***</div>
+</body>
+</html>
diff --git a/12505-h/images/376.png b/12505-h/images/376.png
new file mode 100644
index 0000000..c543692
--- /dev/null
+++ b/12505-h/images/376.png
Binary files differ
diff --git a/12505-h/images/376.png~ b/12505-h/images/376.png~
new file mode 100644
index 0000000..c543692
--- /dev/null
+++ b/12505-h/images/376.png~
Binary files differ
diff --git a/12505.txt b/12505.txt
new file mode 100644
index 0000000..537301d
--- /dev/null
+++ b/12505.txt
@@ -0,0 +1,2413 @@
+The Project Gutenberg EBook of Notes and Queries 1850.04.06, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries 1850.04.06
+
+Author: Various
+
+Release Date: June 3, 2004 [EBook #12505]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.04.06 ***
+
+
+
+
+Produced by Jon Ingram, William Flis, and the Online Distributed
+Proofreading Team. With thanks to Internet Library of Early Journals.
+
+
+
+
+
+NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS,
+ANTIQUARIES, GENEALOGISTS, ETC.
+
+ * * * * *
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+ * * * * *
+
+No. 23.] SATURDAY, APRIL 6. 1850. [Price Threepence. Stamped Edition 4d.
+
+ * * * * *{361}
+
+CONTENTS.
+
+NOTES:-- Page
+ Periplus of Hanno, by R.T. Hampson 361
+ Pope Vindicated 362
+ The Supper of the Lorde 362
+ Folk Lore:--Palm Sunday Wind--Curious Symbolical Custom--The Wild
+ Huntsman 363
+ On Authors and Books, No. VI, by Bolton Corney 363
+
+QUERIES:--
+ Nicholas Breton's Crossing of Proverbs, by J.P. Collier 364
+ Sword called Curtana, by E.F. Rimbault, LL.D. 364
+ Is the Dombec the Domesday of Alfred? by George Munford 365
+ Minor Queries:--Wickliffite Versions of the Scriptures--Gloves--Law
+ Courts at St. Alban's--Milton Pedigree--Sapcote Motto--Scala Coeli,
+ &c. 366
+
+REPLIES:--
+ The Arabic Numerals and Cipher 367
+ Replies to Minor Queries, by Sir W.C. Trevelyan 368
+ Derivation of "News" 369
+ Replies to Minor Queries:--Swot--Pokership--Vox Populi--Living Dog better
+ than dead Lion--Curious Monumental Brasses--Chapels--Forthlot--Loscop--
+ Smelling of the Lamp--Anglo-Saxon MS. of Orosius--Golden Frog--Sword
+ of Charles I.--John Bull--Vertue MSS.--Lines attributed to Tom Brown,
+ &c. 369
+
+MISCELLANIES:--
+ Epigram by La Monnoye--Spur Money--Minimum de Malls--Epigram on Louis
+ XIV.--Macaulay's Young Levite--St. Martin's Lane--Charles Deering,
+ M.D. 373
+
+MISCELLANEOUS:--
+ Notes on Books, Sales, Catalogues, &c. 375
+ Books and Odd Volumes wanted 375
+ Notices to Correspondents 375
+ Advertisements 376
+
+ * * * * *
+
+PERIPLUS OF HANNO THE CARTHAGINIAN.
+
+I am not sufficiently Quixotic to attempt a defence of the
+Carthaginians on the western coast of Africa, or any where else, but
+I submit that the accusation brought against them by Mr. S. Bannister,
+formerly Attorney-General of New South Wales, is not sustained by
+the only record we possess of Hanno's colonising expedition. That
+gentleman, in his learned _Records of British Enterprise beyond Sea_,
+just published, says, in a note, p. xlvii.:--
+
+"The first nomade tribe they reached was friendly, and furnished
+Hanno with _interpreters_. At length they discovered a nation _whose
+language was unknown to the interpreters_. These strangers they
+attempted to seize; and, upon their resistance, they took three of the
+women, whom they put to death, and carried their skins to Carthage"
+(_Geogr. Graeci Minores_, Paris, 1826, p. 115.).
+
+Hanno obtained interpreters from a people who dwelt on the banks
+of a large river, called the Lixus, and supposed to be the modern
+St. Cyprian. Having sailed thence for several days, and touched at
+different places, planting a colony in one of them, he came to a
+mountainous country inhabited by savages, who wore skins of wild
+beasts, [Greek: dermata thaereia enaemmenon]. At a distance of
+twelve days' sail he came to some Ethiopians, who could not endure
+the Carthaginians, and who spoke unintelligibly even to the Lixite
+interpreters. These are the people whose women, Mr. Bannister says,
+they killed. Hanno sailed from this inhospitable coast fifteen
+days, and came to a gulf which he calls [Greek: Notou Kera], or
+South Horn.
+
+ "Here," says the Dr. Hawkesworth, of Carthage, "in the gulf,
+ was an island, like the former, containing a lake, and in
+ this another island, full of wild men; but the women were
+ much more numerous, _with hairy bodies_ ([Greek: daseiai tois
+ somasin]), whom the interpreters called [Greek: gorillas].
+ We pursued the men, who, flying to precipices, defended
+ themselves with stones, and could not be taken. Three women,
+ who bit and scratched their leaders, would not follow them.
+ Having killed them, we brought their skins to Carthage."
+
+He does not so much as intimate that the creatures who so defended
+themselves with stones, or those whose bodies were covered with
+hair, spoke any language. Nothing but the words [Greek: anthropoi
+agrioi] and [Greek: gunaikes] can lead us to believe that they were
+human beings at all; while the description of the behaviour of the
+men, and the bodies of the women, is not repugnant to the supposition
+that they were large apes, baboons, or orang-outangs, common to this
+part of Africa. At all events, the voyagers do not say that they
+flayed a people having the faculty of speech.
+
+It is not, however, improbable that the Carthaginians were severe
+taskmasters of the people whom they subdued. Such I understand those
+to have been who opened the British tin mines, and who, according to
+Diodorus Siculus, excessively overworked the wretches who toiled for
+them, "wasting their bodies underground, and dying, {362} many a one,
+through extremity of suffering, while others perished under the lashes
+of the overseer." (_Bibl. Hist._ l. v. c. 38.)
+
+R.T. Hampson.
+
+ * * * * *
+
+POPE VINDICATED.
+
+"P.C.S.S." is too great an admirer of Pope not to seek to vindicate
+him from one, at least, of the blunders attributed to him by Mr. D.
+Stevens, at p. 331. of the "Notes and Queries."
+
+ "Singed are his _brows_, the scorching _lids_ grow black."
+
+Now, if Mr. S. will refer to Homer, he will find that the original
+fully justifies the use of "brows" and "lids" in the _plural_. It runs
+thus (_Od._ ix. v. 389.):
+
+ "[Greek: Panta de ui blephar amphi kai ophruas eusen autmae]."
+
+"P.C.S.S." wishes that he could equally remove from Pope the charge
+of inaccuracy respecting the _three_ cannibal meals of Polyphemus. He
+fears that nothing can be alleged to impugn Mr. Stevens's perfectly
+just criticism.
+
+While on the subject of Pope, "P.C.S.S." would wish to advert to
+a communication (No. 16. p. 246.) in which it is insinuated that
+Pope was probably indebted to Petronius Arbiter for the well-known
+passage--
+
+ "Worth makes the man, and want of it the fellow;
+ The rest is all but leather and prunella."
+
+With all respect for the ingenious author of that communication,
+"P.C.S.S." confesses that he is unable to discover such a similitude
+of expression as might warrant the notion that Pope had been a
+borrower from Petronius. He cannot suppose that Mr. F. could have been
+led away by any supposed analogy between _corium_ and _coricillum_.
+The latter, Mr. F. must know, is nothing more than a diminutive of
+a diminutive (coricillum, _not_ corcillum, from corculum); and the
+word is coined by Petronius to ridicule one of the affectations of
+Trimalchio (Nero), who was wont to indulge, to an absurd extent, in
+the use of such diminutives (_vide_ Burmann, _in loco_). "P.C.S.S."
+will now subjoin such translations of the passage in question as he
+has hitherto had opportunities of referring to. The first is from _The
+Works of Petronius Arbiter, translated by several hands_, Lond. 8vo.
+4th edit. 1714. At the beginning of the translation itself there is
+this heading--"Made English by Mr. Wilson, of the Middle Temple, and
+several others." The passage in question is thus rendered:--
+
+ "Come, my friends, let us see how merry you can be! for in my
+ time, I have been no better than yourselves; but, by my own
+ industry, I am what I am. _'Tis the heart makes the man_; all
+ the rest is but stuff!"
+
+In another translation, which, with Grub-Street audacity, the
+publisher, in his title-passage, presumes to attribute to Addison!
+and which appeared in 1736 (Lond. 8vo.), the passage is as follows:--
+
+ "I was once as you are: but now, thanks to my industry, I am
+ what I am. _It is the heart that makes the man_; all the rest
+ is but stuff!"
+
+Be the translator who he may, this version, so impudently ascribed to
+the moral Addison, is written with much spirit and power, and with a
+remarkable comprehension of the author's meaning. Some of the poetical
+fragments at the end are, indeed, singularly well done.
+
+Of the two French versions which "P.C.S.S." has examined, the one by
+Levaur (Paris, 8vo. 1726) thus translates the passage:
+
+ "Je vous prie, mes amis ... _C'est le coeur qui fait les
+ hommes; je compte le reste pour un fetu_."
+
+In that of Boispreaux (Lond. 1742), it is simply rendered--
+
+ "Mon scavoir faire m'a tire du pair. _C'est le coeur qui fait
+ l'homme_ ..."
+
+No attempt is made to translate the _quisquilia_.
+
+P.C.S.S.
+
+ * * * * *
+
+"THE SUPPER OF THE LORDE."
+
+I shall be glad to find that your correspondent "C.H." (No. 21. p.
+333.) receives a satisfactory answer to his inquiry, as such a reply
+would also satisfy my earlier query, No. 7. p. 109. I perceive,
+however, from his letter, that I can give him some information on
+other points noticed in it, though the absence of papers now passing
+through the press with the Parker Society's reprint of a third volume
+of Tyndale, will prevent my replying with such precision as I could
+wish. That ancient tract on "The Supper of the Lorde, after the true
+meanyng of the sixte of John," &c., of which "C.H." says he possesses
+a copy, was reprinted at different intervals with the same date, viz.,
+MCCCCCXXXIII, Apryll v., on its title-page. The original edition has a
+final colophon, stating that it was "imprinted at Nornberg, by Nielas
+Twonson," and is so rare, that I have not been able to discover the
+existence of any copy, but one recently deposited in the Bodleian.
+That "C.H.'s" copy is not a specimen of that first edition, is
+apparent from two circumstances. The first is, that he has given you
+a quotation from his copy as follows:--"And as for M. More, whom the
+verity most offendeth, and doth but mocke it," whereas the original
+edition has, "And as for M. Mocke," &c., and Sir Thomas More notices
+this mockage of his name in his reply. The next is, that his copy
+contains "Crowley's Epistle to the Reader," which does not appear in
+any edition of an earlier date than 1551. When first attached to this
+treatise, the epistle was anonymous, as may be seen in the Lambeth
+copy; but Crowley eventually {363} affixed his name to the epistle,
+as it appears in "C.H.'s" and in other copies. Robert Crowley was a
+fellow of Magdalen College, Oxford; vicar of St. Giles, Cripplegate;
+a printer and publisher; but to his singular combination of titles, we
+cannot add that of author of the treatise in question. "C.H." has seen
+that he did not enter Oxford till 1534; and in his Prefatory Epistle,
+Crowley speaks of the author of the treatise as a person distinct from
+himself.
+
+I do not wish, however, to be considered as positively affirming the
+treatise to be Tyndale's. Foxe, the martyrologist, edited Tyndale's
+works for Day, and he has only said that this treatise was "compiled,
+as some do gather, by M. Wm. Tyndale, because the method and phrase
+agree with his, and the time of writing are [sic] concurrent." On the
+other hand, the authorship is unhesitatingly assigned to Tyndale by
+Mr. C. Anderson (_Annals of the English Bible_, Sec.ix. _ad finem_),
+and by Mr. Geo. Offer (_Mem. of Tyndale_, p. 30.), the two most
+pains-taking and best informants as to his works. But still there are
+objections of such force, that I must confess myself rather inclined
+to attribute the treatise to Joy's pen, if I could but be satisfied
+that he was capable of writing so correctly, and of keeping so clear
+of vulgarity in a controversy with a popish persecutor.
+
+H.W.
+
+ * * * * *
+
+FOLK LORE.
+
+_Palm Sunday Wind_.--It is a common idea among many of the farmers and
+labourers of this immediate neighbourhood, that, from whatever quarter
+the wind blows for the most part on Palm Sunday, it will continue
+to blow from the same quarter for the most part during the ensuing
+summer.
+
+Is this notion prevalent in other parts of the country, as a piece of
+"Folk-Lore?"
+
+R.V.
+
+Winchester, March 26.
+
+
+_Curious Symbolical Custom_.--On Saturday last I married a couple in
+the parish church. An old woman, an aunt of the bridegroom, displeased
+at the marriage, stood at the church gate and pronounced an anathema
+on the married pair. She then bought a new broom, went home, swept
+her house, and hung the broom over the door. By this she intimated her
+rejection of her nephew, and forbade him to enter her house. Is this a
+known custom? What is its origin?
+
+H. Morland Austen.
+
+St. Peter's, Thanet, March 25. 1850.
+
+
+_The Wild Huntsman_.--The interesting contributions of your
+correspondent "Seleucus," on "Folk Lore," brought to my recollection
+the "Wild Huntsman" of the German poet, Tieck; of whose verses on that
+superstitious belief, still current among the imaginative peasantry of
+Germany, I send you a translation, _done into English_ many years ago.
+The Welsh dogs of Annwn, or "couriers of the air"--the spirit-hounds
+who hunt the souls of the dead--are part of that popular belief
+existing among all nations, which delivers up the noon of night to
+ungracious influences, that "fade on the crowing of the cock."
+
+
+"THE WILD HUNTSMAN.
+
+ "At the dead of the night the Wild Huntsman awakes,
+ In the deepest recess of the dark forest's brakes;
+ He lists to the storm, and arises in scorn.
+ He summons his hounds with his far-sounding horn;
+ He mounts his black steed; like the lightning they fly
+ And sweep the hush'd forest with snort and with cry.
+ Loud neighs his black courser; hark his horn, how 'tis swelling!
+ He chases his comrades, his hounds wildly yelling.
+ Speed along! speed along! for the race is all ours;
+ Speed along! speed along! while the midnight still lours;
+ The spirits of darkness will chase him in scorn,
+ Who dreads our wild howl, and the shriek of our horn,
+ Thus yelling and belling they sweep on the wind,
+ The dread of the pious and reverent mind:
+ But all who roam gladly in forests, by night,
+ This conflict of spirits will strangely delight."
+
+J.M.
+
+Oxford, March 13.
+
+ * * * * *
+
+ON AUTHORS AND BOOKS, NO. VI.
+
+In the union of scholarship, polished manners, and amiability of
+character, we have had few men to surpass the reverend Joseph Spence.
+His career was suitable to his deserts. He was fortunate in his
+connections, fortunate in his appointments, and fortunate in his share
+of fame.
+
+His fame, however, is somewhat diminished. His _Essay on the Odyssey_,
+which procured him the friendship of Pope, has ceased to be in
+request; his _Polymetis_, once the ornament of every choice library,
+has been superseded by the publications of Millin and Smith; his poems
+are only to be met with in the collections of Dodsley and Nichols. If
+we now dwell with pleasure on his name, it is chiefly as a recorder
+of the sayings of others--it is on account of his assiduity in making
+_notes!_ I allude to the volume entitled _Anecdotes, observations,
+and characters of books and men_, which was edited by my friend Mr.
+Singer, with his wonted care and ability in 1820.
+
+The _Essay on the Odyssey_ was first published anonymously in 1726-7.
+It was reprinted in 1737 and 1747. A copy of the latter edition, now
+in my possession, contains this curious note:--
+
+ "It is remarkable that of twelve passages objected to in this
+ critique on the English Odyssey, _two_ only are found in those
+ books which were translated by Pope.
+
+ "From Mr. Langton, who had his information from Mr. Spence.
+
+ "When Spence carried his preface to Gorboduc in {364} 1736 to
+ Pope, he asked him his opinion. Pope said 'It would do very
+ well; there was nothing _pert_ or _low_ in it.' Spence was
+ satisfied with this praise, which however, was in implied
+ censure on all his other writings.--He is very fond of the
+ familiar vulgarisms of common talk, and is the very reverse of
+ Dr. Johnson.
+
+"E.M." [Edmond Malone.]
+
+The note is not signed at length, but there can be no doubt as to its
+authorship, as I purchased the volume which contains it at the sale of
+the unreserved books of Mr. Malone in 1818.
+
+Bolton Corney.
+
+ * * * * *
+
+
+QUERIES.
+
+NICHOLAS BRETON'S "CROSSING OF PROVERBS."
+
+Although my query respecting William Basse and his poem, "Great
+Britain's Sun's Set," (No. 13. p. 200), produced no positive
+information touching that production, it gave an opportunity to some
+of your correspondents to communicate valuable intelligence relating
+to the author and to other works by him, for which I, for one, was
+very much obliged. If I did not obtain exactly what I wanted, I
+obtained something that hereafter may be extremely useful; and that
+I could not, perhaps, have obtained in any other way than through the
+medium of your pleasant and welcome periodical.
+
+I am now, therefore, about to put a question regarding another writer
+of more celebrity and ability. Among our early pamphleteers, there was
+certainly none more voluminous than Nicholas Breton, who began writing
+in 1575, and did not lay down his pen until late in the reign of
+James I. A list of his pieces (by no means complete, but the fullest
+that has been compiled) may be seen in Lowndes's _Bibl. Manual_;
+it includes several not by Breton, among them Sir Philip Sidney's
+_Ourania_, 1606, which in fact is by a person of the name Backster;
+and it omits the one to which my present communication refers, and
+regarding which I am at some loss.
+
+In the late Mr. Heber's _Catalogue_, part iv. p. 10., I read as
+follows, under the name of Nicholas Breton:--
+
+ "Crossing of Proverbs. The Second Part, with certaine briefe
+ Questions and Answeres, by N.B., Gent. Extremely rare and very
+ curious, _but imperfect_. It appears to contain a portion of
+ the first part, and also of the second; but it appears to be
+ unknown."
+
+Into whose hands this fragment devolved I know not; and that is one
+point I am anxious to ascertain, because I have another fragment,
+which consists of what is evidently the first sheet of the first part
+of the tract in question, with the following title-page, which I quote
+_totidem literis_:--
+
+ "Crossing of Proverbs. Crosse-Answeres. And Crosse-Humours. By
+ B.N., Gent. At London, Printed for John Wright, and are to be
+ solde at his Shop without Newgate, at the signe of the Bible,
+ 1616."
+
+It is in 8vo., as Heber's fragment appears to have been; but then the
+initials of the author are given as N.B., whereas in my fragment they
+stand B.N., a usual inversion with Nicholas Breton; the brief address
+"To the Reader" is also subscribed B.N.; and then begins the body of
+the work, thus headed: "Crosse and Pile, or, Crossing of Proverbs." It
+opens as follows:
+
+ "_Proverb_. The more the merrier.
+ _Cross_. Not so; one hand is enough in a purse.
+ _P._ Every man loves himselfe best.
+ _C._ Not so, when man is undone by suretyship.
+ _P._ He that runnes fastest gets most ground.
+ _C._ Not so, for then foote-men would have more land than their masters.
+ _P._ He runnes far that never turnes.
+ _C._ Not so, he may breake his necke in a short course.
+ _P._ No man can call againe yesterday.
+ _C._ Yes, hee may call till his heart ake, though it never come.
+ _P._ Had I wist was a foole.
+ _C._ No, he was a foole that said so."
+
+And so it proceeds, not without humour and point, here and there
+borrowing from known sources, as in the following:--
+
+ "_Proverb._ The world is a long journey.
+ _Cros._ Not so, the sunne goes it every day.
+ _P._ It is a great way to the bottom of the sea.
+ _C._ Not so, it is but a stone's cast."
+
+However, my object is not to give specimens of the production further
+than are necessary for its identification. My queries are, 1st, Who
+bought Mr. Heber's fragment, and where is it now to be found? 2nd, Are
+any of your correspondents aware of the existence of a perfect copy of
+the work?
+
+I naturally take a peculiar interest about Nicholas Breton, because
+I have in my possession an unknown collection of amatory and pastoral
+poems by him, printed in quarto in 1604, in matter and measure obvious
+imitations of productions in "The Passionate Pilgrim," 1599, imputed
+to Shakespeare, and some of which are unquestionably by Richard
+Barnfield.
+
+Any new information regarding Breton and his works will be most
+acceptable to me. I am already in possession of undoubted proof that
+he was the Nicholas Breton whose epitaph is on the chancel-wall of the
+church of Norton, in Northamptonshire, a point Ritson seems to have
+questioned.
+
+J. Payne Collier.
+
+March 30. 1850.
+
+ * * * * *
+
+THE SWORD CALLED CURTANA.
+
+In the wardrobe account for the year 1483, are "iij swerdes, whereof
+oon with a flat poynte, {365} called _curtana_, and ij other swords,
+all iij swords covered in a yerde di of crymysym tisshue cloth of
+gold."
+
+The name of _curtana_ for many ages continued to be given to the first
+royal sword in England. It existed as long ago as the reign of Henry
+III., at whose coronation (A.D. 1236) it was carried by the Earl of
+Chester. We find it at the coronations of Edward II. and Richard II.;
+also in the time of Henry IV., Richard III., and Henry VII.; and among
+the royal arms of Edward VI. we read of "a swerde called _curtana_."
+
+Can any of your readers explain the origin of the name _curtana_,
+a sword so famous that it carries us back to the days of ancient
+chivalry, when it was wielded by the Dane _Uggiero_, or by the still
+more famed _Orlando_.
+
+Edward F. Rimbault.
+
+ * * * * *
+
+IS THE DOMBEC THE DOMESDAY OF ALFRED?
+
+I beg to propose the following "Query":--Is the _Dombec_, a work
+referred to in the Laws of Edward the Elder, the same as what has been
+called the Domesday or Winchester Book of Alfred the Great? I incline
+to think that it is not, and shall be much obliged to any of your
+correspondents, learned in the Anglo-Saxon period of our history, who
+will give himself the trouble of resolving my doubts.
+
+Sir Henry Spelman, in his Glossary _voce Dombec_, calls it the _Liber
+Judicialis_ of the Anglo-Saxons; and says it is mentioned in the first
+chapter of the laws of Edward the Elder, where the king directs his
+judges to conduct themselves in their judicial proceedings as on [Old
+English: thaere dom bec stand], that is, as _is enjoined in their Dome
+Book_.--"Quod," he continues, "an de praecedentium Regum legibus quae
+hodie extant, intelligendum sit: an de alio quopiam libro hactenus non
+prodeunte, incertum est."
+
+But this uncertainty does not seem to have attached itself to the
+mind of Sir William Blackstone; for in the third section of the
+Introduction prefixed to his _Commentaries on the Laws of England_, he
+informs us that our antiquaries "tell us that in the time of Alfred,
+the local customs of the several provinces of the kingdom were grown
+so various, that he found it expedient to compile his _Dome Book_, or
+_Liber Judicialis_, for the general use of the whole kingdom." This
+book is said to have been extant so late as the reign of King Edward
+IV., but is now unfortunately lost. It contained, we may probably
+suppose, the principal maxims of the common law, the penalties for
+misdemeanors, and the forms of judicial proceedings. Thus much may be
+at least collected from that injunction to observe it, which we find
+in the Laws of King Edward the Elder, the son of Alfred.--"_Omnibus
+qui reipublicae praesunt etiam atque etiam mando, ut omnibus aequos
+se praebeant judices, perinde ac in judiciali libro_ (Saxonice, [Old
+English: dom bec]) _scriptum habetur: nec quidquid formident quin
+jus commune_ (Saxonice, [Old English: folcrihte]) _audactes libereque
+dicant._"
+
+But notwithstanding this, it appears to me by no means conclusive,
+that the _Dombec_ referred to in the Laws of Edward the Elder and the
+_Liber Judicialis_ of Alfred are the same; on the contrary, Alfred's
+_Liber Judicialis_ seems to have been known not under the name
+of _Dombec_, but under that of the _Winchester Roll_, from the
+circumstance of its having been principally kept at Winchester: and
+Sir Henry Spelman says, the Domesday Book of William the Conqueror was
+sometimes called _Rotulus Wintoniae, a similitudine antiquoris_, from
+its resemblance to an older document preserved at Winchester. And he
+quotes Ingulphus Abbot of Croyland, who says, "Iste rotulus (i.e. the
+Domesday Book of William) vocatus est Rotulus Wintoniae, et ab Anglicis
+pro sua generalitate, omnia tenementa totius terrae integre continente
+_Domesday_ cognominatur." And the he proceeds, "Talem rotulum et
+multum similem; ediderat quondam Rex Alfredus, in quo totam terram
+Angliae per comitatus, centurias, et decurias descripserat, sicut
+praenotatur. Qui quidem Rotulus Wintoniae vocatus est, quia deponebatur
+apud Wintoniam conservandus," &c.
+
+Here is nothing said of this work being called [Old English: dom bec]:
+neither does Spelman, in his enumeration of the works of Alfred,
+give the least intimation that any one of his collections of laws was
+called [Old English: dom bec].
+
+We know, indeed, that Alfred compiled a code of laws for his subjects;
+but whether any part of them has been preserved, or how much of them
+is embodied in subsequent codes, cannot now be determined. Asser
+mentions that he frequently reprimanded the judges for wrong
+judgments; and Spelman, that he wrote "a book against unjust
+magistrates," but any complete body of laws, if such was ever framed
+by Alfred, is now lost; and that attributed to him in Wilkin's _Leges
+Anglo-Saxon_, is held in suspicion by most writers.
+
+For these reasons, and considering that Sir William Blackstone's
+knowledge of English history was rather superficial, I incline to the
+belief, that the [Old English: dom bec] referred to in the laws of
+Edward the Elder, was some collection of laws made _prior_ to the time
+of Alfred: this might clearly be the case, as Sharon Turner informs
+us that the Saxon laws were committed to writing as early as the
+commencement of the 7th century.
+
+The opinions of your learned correspondents on this disputed point may
+be of much interest to many of your readers, and to none more than to
+
+George Munford.
+
+East Winch.
+
+ * * * * *{366}
+
+MINOR QUERIES.
+
+_MSS. of the Wycliffite Translations of the Scriptures_.--The Add. MS.
+15,521., in the British Museum, contains a copy of Lewis's edition
+of the _Wycliffite New Testament_, printed in 1731, with manuscript
+notes by Ames and Lewis, and the former has transcribed into it some
+_additional prologues_, prefixed to each book of the New Testament,
+which had not been printed by Lewis, and were taken by Ames from a MS.
+of the New Testament, written in 1424, and in 1731 in the possession
+of Thomas Granger. It would be very desirable to learn what became of
+this MS. subsequently. Granger died in the following year, but the
+MS. does not appear in the sale catalogue of his library, nor is it
+found in the catalogue of Ames's own library, dispersed in 1760. Any
+information relative to this remarkable copy of the New Testament,
+would be very acceptable to the Editors of the _Wycliffite Versions
+of the Scriptures_, who are now, after a literary labour of more than
+twenty years, about to bring the work to a conclusion. They would
+also feel much obliged by the communication of any notices of MSS. of
+the Wycliffite versions, _existing in private hands_, exclusive of
+those copies of which they already possess descriptions, existing in
+the libraries of the following individuals:--Mrs. Allanson of Farn,
+Flintshire, the Earl of Ashburnham, Sir Thomas Phillipps, Bart., Sir
+Peregrine Ackland, Bart., Sir David Dundas, H.M. Judge Advocate, Dr.
+Cardwell, Principal of St. Alban's Hall, Oxford, and Thomas Bannister,
+Esq.
+
+F. Madden.
+
+British Museum, March 28.
+
+
+_Why are Gloves not worn before Royalty?_--Can any of your readers
+inform me what is the origin of the custom observed at Court, of
+persons in the royal presence not wearing gloves? Is it a matter of
+pure etiquette, or does the observance of it derive its origins from
+barbarous times, when chivalry was little else than barbarism in
+armour?
+
+F.E.
+
+
+_Law Courts at St. Albans_.--Can any of your correspondents give
+me the reference to a communication in the _Gentleman's Magazine_
+(between, I think, the years 1815 and 1836), in which a passage
+in Massinger, which alludes to lawyers going to St. Albans, is
+illustrated by an inscription in the nave of St. Alban's Abbey Church,
+which records that the courts were held there on account of the
+sweating-sickness in the reign of Elizabeth?
+
+[Greek: Sigma.]
+
+
+_Richard Haley, or Hales.--Milton Pedigree_.--I should feel obliged
+by any particulars respecting Richard Haley, or Hales, of Idlestreete,
+otherwise Ilstreyd, in com. Hertford, yeoman; my object being to
+ascertain the nature of some transaction he had with Milton, in July
+1674, referred to in a bond which the former executed, dated the
+27th of that month, for performance of the covenants contained in an
+indenture of even date.
+
+Is any thing known of Richard Milton, who signs his name as the
+attesting witness to the releases given by two of the poet's daughters
+for their share of his estate? Is there any pedigree of the family of
+Sir Christopher Milton, the poet's brother, drawn up with sufficient
+apparent accuracy to exclude the probability of Richard Milton being
+his son? I have referred to the pedigree in the British Museum (Harl.
+MS. 5802. fo. 19b.), which makes no mention of the letter; but it is
+evidently so imperfect a notice, as to be of little authority one way
+or other.
+
+J.F.M.
+
+
+_Sapcote Motto_.--Over the old gatehouse of Elton, co. Hunts., built
+by the family of Sapcote, is their coat of arms, namely, "three
+dove-cotes;" and upon a scroll, surrounding the lower part of the
+shield, is carved a motto, evidently French, and as evidently cut by
+a person ignorant of that language. So far as I can decypher it, the
+letters appear to be
+
+ sco toot X vinic [or umic]
+ X poncs.
+
+Possibly the first and last letters _s_ are only flourishes. I shall
+be glad of any suggestion as to its meaning.
+
+I have not been able to find the Sapcote motto on record; and I
+believe the Carysfoot family, the possessors of Elton, and the Duke
+of Bedford, the heir in blood, to be ignorant of what this scroll is
+intended to represent.
+
+Erminois.
+
+Athenaeum Club.
+
+
+_Scala Coeli_.--In a will, dated 12 Hen. VIII., the testator directs
+that there shall be four trentals of Saint Gregory said for his soul
+at London at "Scala Coeli." Can any of your readers explain what place
+is meant by "Scala Coeli?"
+
+A Subscriber.
+
+
+_Illustrations of Gresset's "Vert Vert," painted on Enamel, &c._--In
+a Paris edition of Gresset's Works (Janet et Cotelle, 1823), in the
+preface is the following passage.--
+
+ "Vert-vert fut bientot dans toutes les mains. Le suffrage de
+ la multitude se joignit a celui des connoisseurs; la mode, qui
+ est aussi en possession de donner son suffrage, s'empressa de
+ parer les ajustemens d'invention recente, du nom de l'illustre
+ perroquet; _les vases d'ornement, les vases usuels_ qui
+ sortoient des fabriques francoises, retracoient presque tous
+ quelques episodes du petit poeme. Un artist dont le nom est
+ venu jusqu'a nous, Raux, en _peignit sur email les sujets
+ les plus marquants_; et tandis qu'on faisoit passer dans une
+ version latine les vers elegants du poete jesuite, M. Bertin,
+ ministre d'etat, le gratifioit d'un magnifique _cabaret_ de
+ Sevres, dont toutes les pieces reproduisoient les aventures
+ de son heros, ce qui fit dire a Gresset, _qu'on le traduisoit
+ aussi en porcelaine de Sevres_." {367}
+
+The _Query_ I wish to make is, Have any of these illustrations or
+designs from Gresset's poem of Vert-vert, painted on enamel china, or
+earthenware of any sort, of French or any other manufacture, come to
+light of late years? or more lately still, among the articles that
+have been dispersed among various buyers of almost all nations, in the
+sales within these few weeks effected at Paris?
+
+Robert Snow.
+
+
+_Urbanus Regius_.--A friend of mine, a delightful old lady, fresh,
+genial, and inquisitive, has in her possession an old volume, a family
+heir-loom, which is not the less dear to her for being somewhat dingy
+and dilapidated, and touching which she would gladly receive such
+information as your correspondents can supply.
+
+It is made up of three apparently distinct treatises; the first
+(of which several leaves are wanting) on the twelve articles of the
+Apostles' Creed. The second is "The ryght foundation, and pryncypall
+common places of the hole godly Scripture," &c., by Doctor Urbanus
+Regius. Prefixed is an epistle to Thomas, Archbishop of Canterbury
+(evidently Cranmer), to whom "Hys dayly oratoure, Gwalter Lynne (the
+writer of the epistle), wyssheth lyfe euerlastynge." Between this
+second treatise and the third, and apparently belonging to the latter,
+is a title-page with the following inscription:
+
+ "Imprinted for Gwalter Lynne, dwelling upon Somers Kaye, by
+ Byllinges gate. In the yeare of oure Lorde. MDXLVIII. And they
+ by [_sic_] to be solde at Poules church yarde at the north
+ doore, In the signe of the By-bell, By Richard Jugge."
+
+This last treatise is in smaller type than the others, and has no
+general designation: it contains chapters on various subjects, e.g.
+"The Signification of Baptism," &c.
+
+Query 1. Is this volume well known? 2. Who were Urbanus Regius and
+Walter Lynne?
+
+G.P.
+
+March 16. 1850.
+
+ * * * * *
+
+
+REPLIES.
+
+THE ARABIC NUMERALS AND CIPHER.
+
+I might, with a little more consideration, have referred "E.V." to
+several other authorities which he will do well to consult.
+
+9. Wallis's _Algebra_, p. 9. and p. 153. of the additions.
+
+10. _Phil. Trans._, Nos. 439. and 475.
+
+11. Montucla, _Histoire des Mathematiques_, tom. i. chap. 2.
+
+12. Baillie, _Histoire de l'Astronomie_.
+
+13. Delambre[1], _Hist. de l'Astr. du moyen age_.
+
+14. Hutton's _Tracts_ (8vo. ed. 1812.), vol. ii. (subject "History of
+Algebra")
+
+15. Huet, _Demonstratio Evangelica_.
+
+16. Dr. John Taylor's Translation of the _Lilawati_. (Bombay, 1816.)
+
+17. Strachey's Translation of the _Bija Ganita_[2].
+
+18. Colebrooke's _Algebra of the Hindus_.
+
+Would it not be worth while to give a _facsimile_ of the "Tabel for
+all manere of merchauntes," in the "Notes and Queries"? It is not only
+a curiosity, but an important element (and unique as far as is known)
+in the philosophic history of our arithmetic. It was, no doubt, an
+actual instrument in constant use in the merchant's office, as much so
+as an almanac, interest-tables, a "cambist" and a copying-press, are
+now.
+
+As regards the cipher, the difficulty only commenced with _writing
+numbers_ in the new symbology. With persons accustomed to the use
+of this instrument, there is no doubt that the mode of obviating the
+difficulty of "keeping the place," would suggest itself at once. In
+this instrument an empty hole (without its peg) _signified_ "none of
+this denomination." What then more simple than to make the outline
+of the empty hole which occupied the "local position" of any
+denomination, when none of that precise denomination occurred in the
+number itself? Under this view the process at least becomes simple
+and natural; and as the early merchants contributed so largely to the
+improvement of our arithmetical processes, such a conclusion is wholly
+divested of improbability on any other ground. The circle would then
+naturally become, as it certainly has practically become, the most
+appropriate symbol of _nothingness_.
+
+As regards the term _cipher_ or _zero_ (which are so obviously the
+same as to need no remark), it is admitted on all hands to be derived
+from one or other of the Semitic languages, the Hebrew or the Arabic.
+It is customery with the mathematical historians to refer it to the
+Arabic, they being in general more conversant with it than with the
+Hebrew. The Arabic being a smaller hand than the Hebrew, a dot was
+used instead of the circle for marking the "place" at which the hiatus
+of any "denomination" occurred. If we obtained our cipher from this,
+it would be made hollow (a mere _ceinture_, girdle, or ring) to
+save the trouble of making a dot sufficiently large to correspond in
+magnitude with our other numerals as we write them. Either is alike
+possible--probability must be sought, for either over the other, from
+a slightly different source.
+
+The root-words in Hebrew and in Arabic are precisely the same
+(_ts-ph-r_), though in the two {368} languages, and at different ages
+of the same language, they might have been vowelised differently.
+In some shape or other, this name is used in all countries that have
+derived their arithmetic from mediaeval Italy, or from the Saracens. It
+is with some _cipher_, with others _chiffre_, and with all _zero_. The
+word is certainly no more Italian than it is French or English. Be it
+remembered, too, that _ezor_ (quoted at p. 268.), as a _girdle_, is
+radically the same word, somewhat mutilated. The cardinal meaning of
+the word (denuded of the conventional accretions of signification,
+which peculiar applications of it adds to the cardinal meaning)
+appears to be _emptiness_, _hollowness_, _nothingness_. It may be
+further remarked, that in the fine Chartres MS. of Boetius, described
+by Chasles, the 0 is called _sipos_:--the same name, he remarks,
+that Graves found in use in the East. The modern Turks call the 0,
+_tsifra_.
+
+It is curious enough that in all languages, the term _ciphering_ is
+popularly used to denote all arithmetical operations whatever.
+Our schoolboys do their "ciphering," and write carefully in their
+"ciphering-books." This all seems to point to the art of dispensing
+with the use of the abacus or counting table.
+
+T.S.D.
+
+Shooter's Hill, March 5.
+
+[1] The best account, because the most consistent and
+intelligible, of the Greek arithmetic, is that by Delambre, affixed to
+Peyraud's edition of Archimedes.
+
+[2] At a period of leisure I may be tempted to send you a few
+extracts, somewhat curious, from some of the papers of Mr. Strachey in
+my possession.
+
+
+_Arabic Numerals_.--I had replied to "E.V." (No. 15. p. 230.), when
+I saw by your "Notice to Correspondents," that the question was
+answered. I therefore waited the publication of the replies, which I
+find do not embrace any one of the points to which I would call the
+attention of "E.V."--Diophantus of Alexandria, who flourished about
+150 years after Christ, and who wrote thirteen books of algebra or
+arithmetic in the Greek language, is generally supposed to be the
+oldest writer on the subject that has come down to our time; but it
+was not from him that we received the knowledge of algebra in Europe.
+It appears certain that the first knowledge of this science in
+England was from Italy or Spain, after the Moors settled in the latter
+country; and the Arabians and Persians appear to have derived their
+arithmetical method of computing by ten characters from the Indians:
+who, in their turn, have most probably borrowed from the Chinese, and
+improved on their method by the adoption of a zero, which was one of
+the most important improvements effected by the Hindoos. In China,
+the words ancient and modern are almost synonymous; their usages
+and customs being so unchangeable, as appears by their instrument
+of computation, the _swanpan_, which is still used in all their
+calculations. The Oriental scholar will find much curious and
+interesting information connected with this subject in the Sanscrit
+_Vija Ganita_ and _Lilivati_ of Bhaskara Acharya: the former
+was translated into Persian at Agra, or Delhi, in 1634, and the
+latter by Fyzee in 1587; but there are also English translations,
+all of which are in the library of the Royal Asiatic Society. The
+_Khalasah-ul-Hisah_ is another work of repute in India. Mr. Strachey
+wrote and printed in India, for the _Asiatic Researches_, a valuable
+paper, which contains most conclusive evidence of the Indian (if not
+Chinese) origin of our numerals. See also _Astronomie Indienne_,
+of M. Bailly; 2d vol. _Asiatic Researches_, "On the Astronomical
+Computations of the Hindoos," by Saml. Davis; "Two Dissertations on
+Indian Astronomy and Trigonometry," by Professor Playfair, in the 2d
+and 4th vols. of the _Edinburgh Philosophical Transactions_. And many
+others might be referred to; but all tending to prove that our numbers
+came originally from China and India, through Persia, Arabia, Africa,
+Spain, and Italy, by gradual and successive changes in form, several
+of them still retaining a close resemblance to the ancient and modern
+Sanscrit, Chinese, Arabic, Persian, and Hindoo numerals.
+
+Henry Wilkinson.
+
+ * * * * *
+
+REPLIES TO MINOR QUERIES.
+
+I send you a few Notes on Queries scattered through some of the later
+numbers of your very valuable publication:
+
+_Anonymous Ravennas_.--In the library of the Royal Geographical
+Society, I believe there is a copy of an 8vo. edition of that
+cosmography.
+
+_Selago_.--This plant, I should think it probable, is the _Lycopodium
+clavatum_ of modern botanists; the seeds of which, when ripe, and when
+the plant is struck, rise like smoke ("fumum" of Pliny), and may have
+been supposed, from their remarkable inflammability when dashed into
+a flame, igniting with a sudden flash, to have possessed wonderful
+virtues. The species known as _Lycopodium selago_ is rare in
+comparison to the other.
+
+_Portugal_.--In the library of the Geographical Society are some of
+the more recent works published in Lisbon on the topography of that
+country, but they are generally very meagre and unsatisfactory. In a
+periodical published in Lisbon in numbers, on the plan of the _Penny
+Magazine_, there is a good deal of information, with engravings,
+regarding many places of interest in Portugal. I think it is called
+_The Album_, but I am sorry I have not at present the power of sending
+you more correct particulars concerning it. It is in 4to.
+
+Portugal is a country that is so little travelled in either by natives
+or foreigners, that information regarding places in the interior
+is not easily obtained; and facilities for travelling, as well as
+accommodation for travellers, is of a very limited description.
+
+_Sir Roger de Coverley_.--In one of your early numbers was a query on
+this subject, which I do not think has been yet answered. I have a MS.
+{369} account of the family of Calverley, of Calverley, in Yorkshire,
+an autograph of Ralph Thoresby in the year 1717, in which occurs the
+following passage:--
+
+ "_Roger_, so named from the Archbishop" (of York), "was
+ a person of renowned hospitality, since, at this day, the
+ obsolete known tune of _Roger a Calverley_ is referred to
+ him, who, according to the custom of those times, kept his
+ _minstrells_, from that their office named _harpers_, which
+ became a family and possessed lands till late years in and
+ about _Calverley_, called to this day _Harpersroids_ and
+ _Harper's Spring_.... He was a knight, and lived in the time
+ of K. Richard 1st. His seal, appended to one of his charters,
+ is large, with a chevalier on horseback."
+
+W. CALVERLEY TREVELYAN.
+
+ * * * * *
+
+DERIVATIONS OF "NEWS."
+
+It is not declared with what motive "Mr. GUTCH" (No. 17. p. 270.) has
+laid before the readers of "NOTES AND QUERIES" the alleged derivation
+of N.E.W.S.
+
+It must therefore be supposed, that his object was to have its
+justness and probability commented upon; and it is quite time that
+they should be so, since the derivation in question has of late become
+quite a favourite authoritative dictum with etymology compilers.
+Thus it may be found, in the very words and form adopted by your
+correspondent, in Haydn's _Dictionary of Dates_, and in other
+authorities of equal weight.
+
+This sort of initial-letter derivation was probably brought into
+fashion in England by the alleged origin of "Cabal," or, perhaps, by
+the many guesses at the much disputed word "AEra." I shall take the
+liberty of quoting a few sentences with reference to such etymologies,
+_as a class_, which I find in an unpublished manuscript upon a kindred
+subject.
+
+ "Besides, such a splitting up of a word of significant and
+ perfect meaning in itself is always a bad and suspicious mode
+ of derivation.
+
+ "It is generally an after-thought, suggested by some
+ fortuitous or fancied coincidence, that appropriateness of
+ which is by no means a sufficient proof of probability.
+
+ "Of this there can scarcely be a better example than the
+ English word 'news,' which, notwithstanding the felicity of
+ its supposed derivation from the four cardinal points, must,
+ nevertheless, so long as the corresponding words 'nova,'
+ 'nouvelles,' &c. exist, be consigned to its more sober and
+ common-place origin in the adjective '_new_.'"
+
+To this it must be added that the ancient orthography of the word
+_newes_, completely upsets the derivation Mr. Gutch has brought before
+your readers. Hone quotes from "one Burton, printed in 1614: 'if any
+one read now-a-days, it is a play-book, or _a pamphlet_ of _newes_."
+
+I had been in two minds whether or not to send this communication,
+when the scale is completely turned by the apropos occurrence of a
+corroboration of this latter objection in "NOTES AND QUERIES" of this
+day. Mr. Rimbault mentions (at p. 277.), "a rare black letter volume
+entitled _Newes from Scotland_, 1591."
+
+Here is one more proof of the usefulness of your publication, that I
+am thus enabled to strengthen the illustration of a totally different
+subject by the incidental authority of a fellow correspondent.
+
+A.E.B.
+
+Leeds, March, 1850.
+
+ * * * * *
+
+REPLIES TO MINOR QUERIES.
+
+_Swot_ is, as the querist supposes, a military cant term, and
+a sufficiently vulgar one too. It originated at the great
+slang-manufactory for the army, the Royal Military College, Sandhurst.
+You may depend upon the following account of it, which I had many
+years ago from the late Thomas Leybourne, F.R.S., Senior Professor of
+Mathematics in that college.
+
+One of the Professors, Dr. William Wallace, in addition to his being a
+Scotchman, had a bald head, and an exceedingly "broad Scotch" accent,
+besides a not very delicate discrimination in the choice of his
+English terms relating to social life. It happened on one hot summer's
+day, nearly half a century ago, that he had been teaching a class,
+and had worked himself into a considerable effusion from the skin. He
+took out his handkerchief, rubbed his head and forehead violently, and
+exclaimed in his Perthshire dialect,--"_It maks one swot_." This was
+a God-send to the "gentlemen cadets," wishing to achieve a notoriety
+as wits and slangsters; and mathematics generally ever after became
+_swot_, and mathematicians _swots_. I have often heard it said:--"I
+never could do _swot_ well, Sir;" and "these dull fellows, the
+_swots_, can talk of nothing but triangles and equations."
+
+I should have thought that the _sheer disgustingness_ of the
+idea would have shut the word out of the vocabularies of English
+_gentlemen_. It remains nevertheless a standard term in the vocabulary
+of an English soldier. It is well, at all events, that future ages
+should know its etymology.
+
+T.S.D.
+
+
+_Pokership_, (_ante_, pp. 185. 218. 269. 282. 323, 324.)--I am sorry
+to see that no progress has yet been made towards a satisfactory
+explanation of this office. I was in hopes that something better than
+mere conjecture would have been supplied from the peculiar facilities
+of "T.R.F." "W.H.C." (p. 323.) has done little more than refer to the
+same instruments as had been already adverted to by me in p. 269.,
+with the new reading {370} of _poulterer_ for poker! With repect to
+"T.R.F.'s" conjecture, I should be more ready to accept it if he
+could produce a single example of the word _pawker_, in the sense of
+a hog-warden. The quotation from the Pipe-roll of John is founded on
+a mistake. The entry occurs in other previous rolls, and is there
+clearly explained to refer to the _porter of Hereford Castle_. Thus,
+in Pipe 2 Hen. II. and 3 Hen. II. we have, under Hereford,
+
+ "In liberatione portarii castelli ... 30s. 5d."
+
+In Pipe 1 Ric. I. we have,
+
+ "In liberatione constituta portarii de Hereford, 30s. 5d."
+
+Again, in Pipe 3 Joh.
+
+ "In liberatione constituta portario de Hereford, 30s. 5d."
+
+A similar entry is to be found in other rolls, as well printed as
+inedited. I could indulge some other criticisms on the communication
+of your correspondent in Spring Gardens, but I prefer encouraging
+him to make further inquiries, and to produce from the records in
+his custody some more satisfactory solution of the difficulty. In the
+meantime, let me refer to a Survey of Wrigmore Castle in the Lansdowne
+Collection, No. 40. fo. 82. The surveyor there reports, that the
+paling, rails, &c. of the park are much decayed in many and sundry
+places, and he estimates the repairs, with allowance of timber from
+the wood there, "by good surveye and oversight of the _poker_ and
+other officers of the said parke," at 4l. The date of the survey is 13
+May, 1584.
+
+Comparing this notice of the office with the receiver's accounts
+tempore Hen. VII. and Hen. VIII. (_ante_, p. 269.), in which the
+officer is called "pocarius omnium boscorum," I cannot doubt that his
+duty, or at least one of his duties, was that of woodward, and that,
+as such, he assigned timber for repair of the premises. How he came by
+his local title and style of poker is a mystery on which we have all
+hitherto failed to throw any light.
+
+E.S.
+
+
+_Vox Populi Vox Dei_,--about the origin of which saying "QUAESITOR"
+asks (No. 21. p. 321.),--were the words chosen by the Archbishop of
+Canterbury, Simon Mepham, as his text for the sermon which he preached
+when Edward III. was called to the throne, from which the nation had
+pulled down his father, Edward II. This we learn from Walsingham, who
+says:
+
+ "Archiepiscopus vero Cantuariae praesenti consensit electioni,
+ ut omnes praelati et archiepiscopus quidem assumpto themate,
+ _Vox populi Vox Dei_, sermonem fecit populo, exhortans
+ omnes ut apud regem regum intercederent pro electo."--Tho.
+ Walsingham, _Hist. Angl._ ed. Camden, p. 126.
+
+DANIEL ROCK.
+
+
+_A living Dog better than a dead Lion_.--I no not know whether your
+correspondent (No. 22. p. 352.) ever goes to church; but if he is not
+prevented by rain next St. Swithin's day, he will learn who was the
+author of this proverb. It will be a good thing, if your work should
+sometimes lead your readers to search the Scriptures, and give them
+credit for wisdom that has flowed from them so long, and far, and
+wide, that its source is forgotten; but this is not the place for a
+sermon, and I now only add, "here endeth the first lesson" from
+
+ECCLESIASTES.
+
+ ["J.E.," "D.D.," and other correspondents, have also replied
+ to this Query by references to Eccl. ix. 4.]
+
+
+_Curious Monumental Brass_ (No. 16. p. 247.)--If "RAHERE" will turn to
+Mr. Boutell's _Monumental Brasses and Slabs_, p. 148., he will there
+find a description as well as an engraving of what, from his account,
+I doubt not he will discover to be the identical fragment to which he
+refers. A foot legend, and what remains of a border inscription, is
+added to it. In the above work, pp. 147 to 155, and in the Oxford
+Architectural Society's _Manual for the Study of Brasses_, p. 15.,
+"RAHERE" will find an account and references to numerous examples of
+palimpsest brasses, to which class the one in question belongs.
+
+I presume that "RAHERE" is a young brass-rubber, or the fact of a
+plate being engraved on both sides would have presented no difficulty
+to him.
+
+ARUN.
+
+ [We have received several other replies to this Query,
+ referring to Mr. Boutell's _Monumental Brasses_: one from
+ "W."; another from "A CORNISHMAN," who says,--
+
+ "The brass in question, when I saw it last, had been
+ removed from the Rectory and placed in the tomb of Abbot
+ Wheathampstead, in company with the famous one of Thomas
+ Delamere, another Abbot of St. Albans."
+
+ Another from "E.V.," who states,--
+
+ "Other examples are found at St. Margaret's, Rochester (where
+ the cause of the second engraving is found to be an error in
+ costume in the first), St. Martins at Plain, Norwich, Hedgerly
+ Church, Bucks, and Burwell Church, Cambridgeshire. Of this
+ last, an engraving and description, by Mr. A.W. Franks,
+ is given in the fourteenth part of the Publications of the
+ Cambridge Antiquarian Society."
+
+ One from "WILLIAM SPARROW SIMPSON," who says,--
+
+ "It is also described in the Oxford Architectural Society's
+ _Manual of Mon. Brasses_, No. 6. pp. 6, 7. other examples of
+ which occur at Rochester, Kent, and at Cobham, Surrey. A small
+ plate of brass, in the possession of a friend, has on one side
+ a group of children, and on the reverse the uplifted hands of
+ an earlier figure."
+
+ And lastly, one from "A.P.H." (to which we cannot do ample
+ justice, as we do not keep an engraver), from which we extract
+ the following passages:--
+
+ "A friend of mine has a shield in his possession, taken from
+ a slab, and which has been enamelled. It is of late date
+ and rudely executed. On the back is {371} seen the hands and
+ breast of a small female figure, very nearly a century earlier
+ in date. I can also remember an inscription in Cuxton Church,
+ Kent, which was loose, and had another inscription on the back
+ in the same manner.
+
+ "I am very much impressed with the idea that the destroyed
+ brasses never had been used at all; but had been engraved,
+ and then, from circumstances that of course we cannot hope to
+ fathom, thrown on one side till the metal might be used for
+ some other purpose. This, I think, is a more probable, as well
+ as a more charitable explanation than the one usually given of
+ the so-called palimpsest brasses."]
+
+
+_Chapels_ (No. 20. p. 333.).--As to the origin of the name, will you
+allow me to refer Mr. Gatty to Ducange's _Glossary_, where he will
+find much that is to his purpose.
+
+As to its being "a legal description," I will not undertake to
+give an opinion without a fee; but I will mention a fact which may
+assist him in forming one. I believe that fifty years ago the word
+_Chapel_ was very seldom used among those who formed what was termed
+the "Dissenting Interest;" that is, the three "denominations" of
+Independents, Baptists, and Presbyterians. But I well recollect
+hearing, from good authority, nearly, or quite, forty years ago, that
+an eminent barrister (whom I might now describe as a late learned
+judge), who was much looked up to by the dissenters as one of their
+body, had particularly advised that in all trust-deeds relating to
+places of dissenting worship, they should be called "Chapels." I do
+not know that he assigned any reason, but I know that the opinion was
+given, or communicated, to those who had influence; and, from my own
+observation, I believe that from about that time we must date the
+adoption of the term, which has now been long in general use.
+
+I do not imagine that there was any idea of either assistance
+or opposition to the Church of England, in the mind of him who
+recommended, or those who adopted, the alteration, or that either
+of them expected or sought any thing by this measure but to obtain
+a greater security for property, or, rather, to avoid some real
+or imagined insecurity, found or supposed to attach to the form of
+description previously in use.
+
+A BARRISTER.
+
+
+_Forlot, Forthlot_ (No. 20. p. 320.).--A measure of grain used
+throughout Scotland at present--query _fourthlot_. See Jamieson's
+_Etymological Dictionary of the Scottish Language_.
+
+ "_Firlot; Fyrlot; Furlet_.--A corn measure in S., the fourth
+ part of a boll.
+
+ "Thay ordainit the boll to mat victual with, to be devidit
+ in foure partis, _videlicet_, foure _fyrlottis_ to contene
+ a boll; and that _fyrlot_ not to be maid efter the first
+ mesoure, na efter the mesoure now usit, bot in middill mesoure
+ betwixt the twa."--_Acts Jac._ l. 1526. c. 80. edit. 1566.
+
+ "--Ane furme, ane furlet,
+ Ane pott, ane pek."
+
+ Bannatyne _Poems_, p. 159.
+
+Skinner derives it from A.-S. _feower_, quatuor; and _lot_, _hlot_,
+portio (the fourth part); Teut. "_viertel_."
+
+J.S.
+
+
+_Loscop_ (No. 20. p. 319).--To be "Louecope-free" is one of the
+immunities granted to the Cinque Ports in their charters of Liberties.
+
+Jeakes explains the term thus:--
+
+ "The Saxon word Cope (in Low Dutch still Kope or Koope), for
+ trade or merchandising, makes this as much as to trade freely
+ for love. So that by no kind of monopoly patent, or company or
+ society of traders or merchants, the portsmen be hindered from
+ merchandising; but freely and for love, be permitted to trade
+ and traffick, even by such company of merchants, whenever it
+ shall happen their concerns lie together."
+
+In my MSS., and in the print of Jeakes, it is "Louecope," with which
+"Lofcope" may be readily identified; and _f_ may easily be misread for
+_s_, especially if the roll be obscured.
+
+If Jeakes's etymology of the word be correct, the inference would
+rather be that "Lovecope" was a tax for the goodwill of the port
+at which a merchant vessel might arrive; a "port duty" in fact,
+independent of "lastage" &c., chargeable upon every trader that
+entered the port, whatever her cargo might be. And the immunities
+granted to the portsmen were that they should be "port duty free."
+
+I do not venture to offer this as any thing more than a mere guess.
+Among your contributors there are many more learned than myself in
+this branch of antiquarian lore, who will probably be able to give
+a more correct interpretation, and we shall feel obliged for any
+assistance that they can give us in elucidating the question.
+
+"Lovecope" might perhaps be the designation of the association of
+merchants itself, to which Jeakes alludes; and the liberty of forming
+such association, with powers of imposing port duties, may have been
+dependent on special grant to any port by royal charter, such as that
+which forms the subject of your correspondent's communication.
+
+After all, perhaps, "Lovecope" was the word for an association of
+merchants; and "Louecope-free" is to be freed from privileged taxation
+by this body.
+
+L.B.L.
+
+
+_Smelling of the Lamp_ (No. 21. p. 335.).--"X." will find the
+expression [Greek: Illuchnion ozein] attributed to Pytheas by Plutarch
+(_Vit. Demosth._, c. 8.).
+
+J.E.B. MAYOR.
+
+
+_Anglo-Saxon MS. of Orosius_ (No. 20. p. 313.).--It may gratify Mr.
+Singer to be informed that the Lauderdale MS., formerly in the library
+at Ham House, is now preserved, with several other {372} valuable
+manuscripts and books, in the library at Helmingham Hall, Suffolk, the
+seat of the Tollemache family.
+
+M.
+
+
+_Golden Frog_.--Ingenious as is the suggestion of "R.R." (No. 18. p.
+282.), that Sir John Poley stuck a golden frog in his ear from his
+affection for _tadpoles_, I think "R.R.'s" "Rowley Poley" may be
+dismissed with the "_gammon_ and spinach" of the amorous frog to which
+he alludes.
+
+Conceiving that the origin of so singular a badge could hardly fail to
+be commemorated by some tradition in the family, I have made inquiry
+of one of Sir John Poley's descendants, and I regret to hear from him
+that "they have no authentic tradition respecting it, but that they
+have always believed that it had some connection with the service Sir
+John rendered in the Low Countries, where he distinguished himself
+much by his military achievements." To the Low Countries, then, the
+land of frogs, we must turn for the solution of the enigma.
+
+Gastras.
+
+Cambridge, March 9.
+
+
+_Sword of Charles I._--Mr. Planche inquires (No. 12. p. 183.), "When
+did the real sword of Charles the First's time, which, but a few years
+back, hung at the side of that monarch's equestrian figure at Charing
+Cross, disappear?"--It disappeared about the time of the coronation
+of Her present Majesty, when some scaffolding was erected about the
+statue, which afforded great facilities for removing the rapier (for
+such it was); and I always understood it found its way, by some means
+or other, to the Museum, so called, of the notoriously frolicsome
+Captain D----, where, in company with the wand of the Great Wizard of
+the North, and other well-known articles, it was carefully labelled
+and numbered, and a little account appended of the circumstances of
+its acquisition and removal.
+
+John Street.
+
+ [Surely then Burke was right, and the "Age of Chivalry is
+ past!"--Otherwise the idea of _disarming a statue_ would never
+ have entered the head of any Man of Arms, even in his most
+ frolicsome of moods.]
+
+
+_John Bull_.--_Vertue MSS._--I always fancied that the familiar name
+for our countrymen, about the origin of which "R.F.H." inquires (No.
+21. p. 336.), was adopted from Swift's _History of John Bull_, first
+printed in 1712; but I have no authority for saying so.
+
+If the Vertue MSS. alluded to (No. 20. p. 319.) were ever returned by
+Mr. Steevens to Dr. Rawlinson, they may be in the Bodleian Library, to
+which the Doctor left all his collections, including a large mass of
+papers purchased by him long after Pepys' death, as he described it,
+"Thus et odores vendentibus."
+
+These "_Pepys_ papers," as far as I can recollect, were very
+voluminous, and relating to all sorts of subjects; but I saw them in
+1824, and had only then time to examine and extract for publication
+portions of the correspondence.
+
+Braybrooke.
+
+Audley End, March 25.
+
+
+_Vertue's Manuscripts_.--The MS. quoted under this title by Malone
+is printed entire, or rather all of it which refers to plays, by Mr.
+Peter Cunningham, in the _Papers of the Shakspeare Society_, vol. ii.
+p. 123., from an interleaved copy of Langbaine. Since the publication
+of that paper, the entries relating to Shakspeare's plays have been
+given from the original MS. in the Bodleian Library, in Halliwell's
+_Life of Shakspeare_, p. 272.
+
+S.L.
+
+
+_Vertue's MSS_. (No. 20. p. 319.) were in Horace Walpole's possession,
+bought by him, I think, of Vertue's widow; and his _Anecdotes of
+Painting_ were chiefly composed from them, as he states, with great
+modesty, in his dedication and his preface. I do not see in the
+Strawberry-Hill Catalogue any notice of "Vertue's MSS.," though some
+vols. of his collection of engravings were sold.
+
+C.
+
+
+_Lines attributed to Tom Brown_.--In a book entitled _Liber
+Facetiarum, being a Collection of curious and interesting Anecdotes_,
+published at Newcastle-upon-Tyne, by D. Akenhead & Sons, 1809, the
+passage attributed to Tom Brown by your correspondent "J.T." is given
+to Zacharias Boyd.
+
+The only reference given as authority for the account is the initials
+H.B.
+
+ "Zacharias Boyd, whose bust is to be seen over the entrance
+ to the Royal College in Glasgow, while Professor in that
+ university, translated the Old and New Testament into Scotch
+ Metre; and, from a laudable zeal to disseminate religious
+ knowledge among the lower classes of the community, is said to
+ have left a very considerable sum to defray the expense of the
+ said work, which, however, his executors never printed."
+
+After a few specimens, the account goes on
+
+ "But the highest flight of his Muse appears in the following
+ _beautiful Alexandrine_:
+
+ "And was not Pharaoh a saucy rascal?
+ That would not let the children of Israel, their wives
+ And their little ones, their flocks and their herds, go
+ Out into the wilderness forty days
+ To eat the Pascal.
+
+ "H.B."
+
+Speaking of Zachariah Boyd, Granger says, (vol. ii. p. 379.):
+
+ "His translation of the Scripture in such uncouth verse as to
+ amount to burlesque, has been often quoted, and the just fame
+ of a benefactor to learning has been obscured by that cloud
+ of miserable rhymes. Candour will smile at the foible, but
+ applaud the man.
+
+ "Macure, in his account of Glasgow, p. 223., informs us he
+ lived in the reign of Charles I."
+
+H.I.
+
+Sheffield, March 9. 1850. {373}
+
+
+_Passage in Frith's Works_ (No. 20. p. 319).--This passage should be
+read, as I suppose, "Ab inferiori ad suum superius confuse distribui."
+
+It means that there would be confusion, if what is said distributively
+or universally of the lower, should be applied distributively or
+universally to the higher; or, in other words, if what is said
+universally of a species, should be applied universally to the genus
+that contains that and other species: e.g., properties that are
+universally found in the human species will not be found universally
+in the genus Mammalis, and universal properties of Mammalia wil not be
+universal over the animal kingdom.
+
+T.J.
+
+
+_Martins, the Louvain Printer_.--Your correspondent "W." (No.
+12. p. 185.) is informed, that in Falkenstein's _Geschichte der
+Buchdrucherkunst_ (Leipzig, 1840, p. 257.), Theoderich Martens,
+printer in Louvain and Antwerp, is twice mentioned. I have no doubt
+but this is the correct German form of the name. Mertens, by which he
+was also known, may very possibly be the Flemish form. His Christian
+name was also written Dierik, a short form of Dietrich, which, in its
+turn, is the same as Theodorich.
+
+NORTHMAN.
+
+
+_Master of the Revels_.--"DR. RIMBAULT" states (No. 14. p. 219.), that
+Solomon Dayrolle was appointed Master of the Revels in 1744, but does
+not know the date of his decease. It may be unknown to Dr. Rimbault,
+that Solomon Dayrolle_s_ was an intimate friend and correspondent of
+the great Lord Chesterfield: the correspondence continues from 1748
+to 1755 in the selection of Chesterfield's letters to which I am
+referring.
+
+Dayrolles, during all that period, held a diplomatic appointment from
+this country at the Hague. See Lord Chesterfield's letter to him of
+the 22d Feb. 1748, where Lord C. suggests that by being cautious he
+(Dayrolles) may be put _en train d'etre Monsieur l'Envoye_.
+
+In several of the letters Chesterfield warmly and familiarly commends
+his hopeful son, Mr. Stanhope, to the care and attention of Dayrolles.
+
+I have not been able to ascertain when Dayrolles died, but the above
+may lead to the discovery.
+
+W.H. LAMMIN.
+
+
+_French Maxim_.--The French saying quoted by "R.V." is the 223rd
+of _Les Reflexions morales du Duc de la Rochefoucauld_ (Pougin,
+Paris, 1839). I feel great pleasure in being able to answer your
+correspondent's query, as I hope that my reply may be the means of
+introducing to his notice one of the most delightful authors that has
+ever yet written: one who deserves far more attention than he appears
+to receive from general readers in this degenerate age, and from whom
+many of his literary successors have borrowed some of their brightest
+thoughts. I need not go far for an illustration:
+
+ "Praise undeserved, is scandal in disguise,"
+
+is merely a condensation of,
+
+ "Louer les princes des vertus qu'ils n'ont pas, c'est leur
+ dire impunement des injures."--La Rochefoucauld, Max. 327.
+
+I believe that Pope marks it as a _translation--a borrowed
+thought--not as a quotation_. He has just before used the words "your
+Majesty;" and I think the word "_scandal_" is employed "_consulto_,"
+and alludes to the offence known in English law as "scandalum
+magnatum." Your correspondent will, of course, read the work in the
+original; in fact, he _must_ do so _per force_. A good translation
+of _Les Maximes_ is still a desideratum in English literature. I
+have not yet seen one that could lay claim even to the meagre title
+of mediocrity; although I have spared neither time nor pains in the
+search. Should any of your readers have been more fortunate, I shall
+feel obliged by their referring me to it.
+
+MELANION.
+
+
+_Endeavour_.--I have just found the following instance of "endeavour"
+used as an active verb, in Dryden's translation of Maimbourg's
+_History of the League_, 1684.
+
+ "On the one side the majestique House of Bourbon,... and on
+ the other side, that of two eminent families which endeavour'd
+ their own advancement by its destruction; the one is already
+ debas'd to the lowest degree, and the other almost reduc'd to
+ nothing."--p. 3.
+
+C. FORBES.
+
+Temple.
+
+ * * * * *
+
+
+MISCELLANIES.
+
+_Epigram by La Monnoye_.--It has been ingeniously said, that "Life is
+an epigram, of which death is the point." Alas for human nature! good
+points are rare; and no wonder, according to this wicked, but witty,
+
+ EPIGRAM BY LA MONNOYE.
+
+ The world of fools has such a store,
+ That he who would not see an ass,
+ Must bide at home, and bolt his door,
+ And break his looking glass.
+
+S.W.S.
+
+Mickleham, Dec. 10. 1849.
+
+
+_Spur Money_.--Two or three years since, a party of sappers and miners
+was stationed at Peterborough, engaged in the trigonometrical survey,
+when the officer entered the cathedral with his spurs on, and was
+immediately beset by the choristers, who demanded money of him for
+treading the sacred floor with armed heels. Does any one know the
+origin of this singular custom? I inquired of some of the dignitaries
+of the Cathedral, but they were not aware even of its existence. The
+boys, however, have more tenacious memories, at least where their
+interest is concerned; but we must not look to them for the origin of
+a {374} custom which appears to have long existed. In the _Memorials
+of John Ray_, published by the Ray Society, p. 131., there is the
+following entry in his second Itinerary:--
+
+ "July the 26th, 1661, we began our journey northwards from
+ Cambridge, and that day, passing through Huntingdon and
+ Stilton, we rode as far as Peterborough twenty-five miles.
+ There I first heard the Cathedral service. The choristers made
+ us pay money for coming into the choir with our spurs on."
+
+East Winch.
+
+ [The following note from _The Book of the Court_ will serve
+ to illustrate the curious custom referred to by our
+ correspondent:
+
+ "In _The Privy Purse Expenses of King Henry VIII._ edited by
+ Sir Harris Nicolas, there occur several entries of payments
+ made to the choristers of Windsor 'in rewarde for the king's
+ spurs'; which the editor supposes to mean 'money paid to
+ redeem the king's spurs, which had become the fee of the
+ choristers at Windsor, perhaps at installations, or at the
+ annual celebration of St. George's feast.' No notice of the
+ subject occurs in Ashmole's or Anstis's _History of the Order
+ of the Garter_. Mr. Markland, quoting a note to Gifford's
+ edition of Ben Jonson, vol. ii. p. 49., says, 'In the time
+ of Ben Jonson, in consequence of the interruptions to Divine
+ Service occasioned by the ringing of the spurs worn by persons
+ walking and transacting business in cathedrals, and especially
+ in St. Paul's, a small fine was imposed on them, called
+ "spur-money," the exaction of which was committed to the
+ beadles and singing-boys.' This practice, and to which,
+ probably, the items in Henry's household-book bear reference,
+ still obtains, or, at least, did till very lately, in the
+ Chapel Royal and other choirs. Our informant himself claimed
+ the penalty, in Westminster Abbey, from Dr. Fisher, Bishop of
+ Rochester, and received from him an eighteenpenny bank token
+ as the fine. He likewise claimed the penalty from the King
+ of Hanover (then Duke of Cumberland), for entering the choir
+ of the Abbey in his spurs. But His Royal Highness, who had
+ been installed there, excused himself with great readiness,
+ pleading 'his right to wear his spurs in that church, inasmuch
+ as it was the place where they were first put on him!'--See
+ further, _European Mag._, vol. iii. p. 16."]
+
+ * * * * *
+
+MINIMUM DE MALIS.
+
+(_FROM THE LATIN OF BUCHANAN._)
+
+ Calenus owed a single pound, which yet
+ With all my dunning I could never get.
+ Tired of fair words, whose falsehood I foresaw,
+ I hied to Aulus, learned in the law.
+ He heard my story, bade me "Never fear,
+ There was no doubt--no case could be more clear:--
+ He'd do the needful in the proper place,
+ And give his best attention to the case."
+ And this he may have done--for it appears
+ To have been his business for the last ten years,
+ Though on his pains ten times ten pounds bestow'd
+ Have not regain'd that one Calenus owed.
+ Now, fearful lest this unproductive strife
+ Consume at once my fortune and my life,
+ I take the only course I can pursue,
+ And shun my debtor and my lawyer too.
+ I've no more hope from promises or laws,
+ And heartily renounce both debt and cause--
+ But if with either rogue I've more to do,
+ I'll surely choose my debtor of the two;
+ For though I credit not the lies he tells,
+ At least he _gives_ me what the other _sells_.
+
+Rufus.
+
+ * * * * *
+
+_Epigram on Louis XIV._--I find the following epigram among some old
+papers. The emperor would be Leopold I., the king Louis XIV.
+
+_Epigram by the Emperor, 1666, and the King of France._
+
+ Bella fugis, sequeris bellas, pugnaeque repugnas,
+ Et bellatori sunt tibi bella tori.
+ Imbelles imbellis amas, totusque videris
+ Mars ad opus Veneris, Martis ad arma Venus.
+
+J.H.L.
+
+
+_Macaulay's Young Levite._--I met, the other day with a rather curious
+confirmation of a passage in Macaulay's _History of England_, which
+has been more assailed perhaps than any other.
+
+In his character of the clergy, Macaulay says, they frequently
+married domestics and retainers of great houses--a statement which has
+grievously excited the wrath of Mr. Babington and other champions.
+In a little book, once very popular, first published in 1628, with
+the title _Microcosmographie, or a Piece of the World discovered_,
+and which is known to have been written by John Earle, after the
+Restoration Bishop of Worcester and then of Salisbury, is the
+following passage. It occurs in what the author calls a character of
+"a young raw preacher."
+
+ "You shall know him by his narrow velvet cape and serge
+ facing, and his ruffe, next his hire, the shortest thing
+ about him.... His friends, and much painefulnesse, may
+ preferre him to thirtie pounds a yeere, and this meanes, to
+ a chamber-maide: with whom we leave him now in the bonds of
+ wedlocke. Next Sunday you shall have him againe."
+
+The same little book contains many very curious and valuable
+illustrations of contemporary manners, especially in the universities.
+
+That the usage Macaulay refers to was not uncommon, we find from a
+passage in the _Woman-Hater_, by Beaumont and Fletcher (1607), Act
+III. Sc. 3.
+
+Lazarillo says,
+
+ "Farewell ye courtly chaplains that be there!
+ All good attend you! May you never more
+ Marry your patron's lady's waiting-woman!"
+
+I.T.
+
+Trin. Coll. Camb., March 16. 1850. {375}
+
+
+_St. Martin's Lane_.--The first building leases of St. Martin's Lane
+and the adjacent courts accidentally came under my notice lately.
+They are dated in 1635 and 1636, and were granted by the then Earl of
+Bedford.
+
+Arun.
+
+ * * * * *
+
+CHARLES DEERING, M.D.
+
+"Author of the Catalogue of Plants in the neighbourhood of Nottingham.
+'Catalogus Stirpium, &c., or a Catalogue of Plants naturally growing
+and commonly cultivated in divers parts of England, and especially
+about Nottingham,' 8vo. Nottingh. 1738.
+
+"He was in the suite of the English ambassador to Russia, returned and
+practised physic in London married unfortunately, buried his wife,
+and then went to Nottingham, where he lived several years. During
+his abode there he wrote a small _Treatise on the Small Pocks_, this
+_Catalogue of Plants_, and the _History of Nottingham_, the materials
+for which John Plumtre, Esq. of Nottingham, was so obliging as to
+assist him with. He also was paid 40l. by a London bookseller for
+adding 20,000 words to an English dictionary. He was master of seven
+languages, and in 1746 he was favoured with a commission in the
+Nottinghamshire Foot, raised at that time. Soon after died, and was
+buried in St. Peter's Churchyard.
+
+"William Ayscough, father of the printer of this _Catalogus Stirpium_
+(G. Ayscough), in 1710, first introduced the art of printing at
+Nottingham.
+
+"Mr. White was the same year the first printer at Newcastle-upon-Tyne;
+and Mr. Dicey at Northampton."--_MS. Note in the Copy of the Cat.
+Stirpium, in the Library of the British Museum_.
+
+ * * * * *
+
+
+MISCELLANEOUS.
+
+NOTES ON BOOKS, CATALOGUES, SALES, ETC.
+
+Our advertising columns already show some of the good results of the
+_Exhibition of the Works of Ancient and Mediaeval Art_. Mr. Williams
+announced last week his _Historic Reliques_, to be etched by
+himself. Mr. Cundall has issued proposals for _Choice Examples of Art
+Workmanship_; and, lastly, we hear that an _Illustrated Catalogue
+of the Exhibition_, prepared by Mr. Franks, the zealous Honorary
+Secretary of the Committee, and so arranged as to form a _History of
+Art_, may be expected. We mention these for the purpose of inviting
+our friends to contribute to the several editors such information as
+they may think likely to increase the value of the respective works.
+
+The second edition of our able correspondent, Mr. Peter Cunningham's
+_Handbook of London_, is on the eve of publication.
+
+There are few of our readers but will be glad to learn from
+the announcement in a previous column, that the edition of the
+_Wickliffite Versions of the Scriptures_, upon which Sir Frederick
+Madden and his fellow labourers have been engaged for a period of
+twenty years, is just completed. It forms, we believe, three quarto
+volumes.
+
+Messrs. Puttick and Simpson lately disposed of a most select and
+interesting collection of autograph letters. We unfortunately did not
+receive the catalogue in time to notice it, which we the more regret,
+because, like all their catalogues of autographs, it was drawn up with
+amateur-like intelligence and care; so as to make it worth preserving
+as a valuable record of materials for our history and biography.
+
+We have received the following Catalogues of Books:--No. XXV. of
+Thomas Cole's (15. Great Turnstile): No. 2. for 1850, of William
+Heath's (291/2 Lincoln's Inn Fields); and No. 15. of Bernard Quarritch's
+(16. Castle Street, Leicester Square) Catalogue of Oriental and
+Foreign Books.
+
+ * * * * *
+
+BOOKS AND ODD VOLUMES
+
+WANTED TO PURCHASE
+
+(_IN CONTINUATION OF LISTS IN FORMER NOS._)
+
+Mills, Rev. Isaac, of Highcleer--Account of the Life and Conversation
+of, with a Sermon, 8vo., 1721.
+
+Mykur Hazem, by Marcus, London, 1846.
+
+Poems by a Bornnatural, 1849.
+
+_ODD VOLUMES_.
+
+Proceedings of the Philological Society. Vol. I.
+
+Richardson's Correspondence, Vol. I. of the Six-Volume Ed.
+
+Todd's Johnson's Dictionary, 4to., 1819. (Part X. containing Title,
+Preface, &c.)
+
+Partington's British Cyclopaedia--That portion of Natural History which
+follows Vol. I.
+
+*** Letters, stating particulars and lowest price, _carriage free_,
+to be sent to Mr. Bell, Publisher of "NOTES AND QUERIES," 186. Fleet
+Street.
+
+ * * * * *
+
+NOTICES TO CORRESPONDENTS.
+
+Burning for Treason.--Can the Correspondent who furnished us with
+a curious Note upon this subject favour us with a copy of it, the
+original having been accidentally mislaid?
+
+We are again compelled, from want of space, to omit many curious
+and interesting articles; and, after this statement, must beg our
+kind friends at Leeds, Brompton, &c., who complain of delay in the
+insertion of their communications, to do us the favour to refer to the
+notice on this very subject which appeared in our early numbers.
+
+Notes and Queries may be procured by the Trade at noon on Friday:
+so that our country Subscribers ought to experience no difficulty in
+receiving it regularly. Many of the country Booksellers are probably
+not yet aware of this arrangement, which enables them to receive
+Copies in their Saturday parcels. Part V. is now ready.
+
+ * * * * *{376}
+
+THE QUARTERLY REVIEW,
+
+No. CLXXII. is Published This Day.
+
+ CONTENTS:
+ I. GIACOMO LEOPARDI AND HIS WRITINGS.
+ II. RANKE'S HOUSE OF BRANDENBURG.
+ III. QUEEN'S COLLEGE, LONDON.
+ IV. GROTE'S HISTORY OF GREECE.
+ V. URQUHART'S PILLARS OF HERCULES.
+ VI. FACTS IN FIGURES.
+ VII. THE DUTIFUL SON.
+ VIII. CUNNINGHAM'S HANDBOOK OF LONDON.
+ IX. BAXTER'S IMPRESSIONS OF EUROPE.
+ X. LORD LIEUTENANT CLARENDON.
+ XI. LOUIS PHILIPPE.
+
+John Murray, Albemarle Street.
+
+ * * * * *
+
+NEARLY READY.
+
+[Illustration: CHOICE EXAMPLES OF ART WORKMANSHIP Selected from the
+Exhibition of ANCIENT AND MEDIAEVAL ART at the Society of Arts]
+
+A Prospectus, containing a Specimen of the Illustrations, will be sent
+on receipt of two postage stamps.
+
+Joseph Cundall, 21. Old Bond Street.
+
+ * * * * *
+
+MILLER'S CATALOGUE OF ANCIENT AND MODERN BOOKS.--NUMBER FOUR is ready
+this day, and can be had Gratis, and sent, if required, Postage Free.
+Address, John Miller, 43, Chandos Street, Trafalgar Square. This List
+embraces numerous valuable and interesting Books on English Poetry,
+the Drama, History, Biography, Voyages and Travels, &c., with the
+works of a few of the best Continental writers, a selection of
+Pictorial Books of Scenery, Costume, Topography, and Drawing-room
+Table Books.
+
+Also, on forwarding Four Postage Stamps, JOHN MILLER'S CATALOGUE OF
+BOOKS FOR THE PAST QUARTER may be had stitched in a wrapper, with
+a Table of Contents, showing at one glance the range of subjects
+embraced, amongst which may be enumerated the following, viz.,
+America, Angling, Banking and Currency, Coins, Dictionaries,
+Drawing-books, Games, Sports, &c., Heraldry, Genealogy and Family
+History, Ireland, its History and Literature, Kent, its History and
+Topography, Law, Music, its History and Theory, Painting and the Fine
+Arts, Shakspeariana, and a variety of other branches of Literature
+comprised in upwards of 1500 articles.
+
+John Miller, 43. Chandos Street, Trafalgar Square.
+
+ * * * * *
+
+THE ANGLO-SAXON, for April, Price 2s. 6d. or 3s. post-free, contains
+England and her Colonies: County Colonisation, with Maps--English
+Church Music--Christian Architecture--London: a Poem, Essay II.--The
+Alfred Medals: Three Sonnets, by Martin F. Tupper--Anglo-Saxon
+Literature: the Jubilee Edition of King Alfred's Works, with Specimens
+and Translations--Wives and Mothers--Anglo-Saxon Colonies: Victoria,
+Cooksland, Port Essington, (Papua--Timor)--Original Ballads.
+
+The ANGLO-SAXON for 1849 forms a handsome volume, price One Guinea.
+
+London: T. Bosworth, 215. Regent Street.
+
+ * * * * *
+
+Published every Saturday, price 3d., or stamped, 4d., also in Monthly
+Parts. Part V. (for March), price 1s. 3d., now ready.
+
+NOTES AND QUERIES: a Medium of Inter-communication for Literary Men,
+Artists, Antiquaries, Genealogists, &c.
+
+The attention of Publishers and Booksellers is particularly
+requested to this Periodical as a medium for advertising. It contains
+communications from the most eminent Literary Men, and is circulated
+largely amongst the best class of book-buyers.
+
+In addition to the valuable matter which will be found in its columns,
+it contains notices of Book Sales, Booksellers' Catalogues, and Lists
+of Books wanted to purchase,--features which it is believed will
+be found valuable to Dealers in Old Books, as well as useful to
+Purchasers.
+
+ SCALE OF PRICES.
+ L s. d.
+ Six lines and under . . . . 0 5 0
+ Above six lines, per line . 0 0 6
+ Half a column . . . . . . . 0 16 0
+ Column . . . . . . . . . . 1 10 0
+ Page . . . . . . . . . . . 2 10 0
+
+***Advertisements must be sent by the Wednesday previous to the
+Saturday on which they are intended to appear; Notes and Queries
+being issued to the Trade on Friday afternoon.
+
+OPINIONS OF THE PRESS.
+
+ "As good a first number as we remember to have seen. The
+ Editor exhibits a phalanx of eminent assistants. * * There can
+ be no doubt of the value of a Literary Medium of this peculiar
+ kind."--_Athenaeum_.
+
+ "We like the plan much. * * We wish success to a
+ publication which promises to be agreeable, intelligent, and
+ useful."--_Literary Gazette_.
+
+ "We feel great pleasure in welcoming into the literary
+ world this publication, which promises to fill up a void
+ that has constantly been lamented by every person engaged
+ in any particular branch of study that required experience
+ and research. * * It is a publication in which all literary
+ persons must feel a deep interest, and that has our heartiest
+ wishes for its success."--_Morning Herald_.
+
+ "This is a new periodical, with a new idea, and one that
+ deserves and will be sure to receive encouragement amongst
+ scholars and readers really deserving that appellation. * *
+ It is a capital idea; and every one who makes Notes or has
+ Queries should buy it and contribute to it."--_Weekly News_.
+
+ "That valuable publication The Notes and Queries, so
+ auspiciously commenced."--_New Bell's Messenger_.
+
+ "With whomsoever the idea of publishing this useful and
+ interesting periodical first originated, that person is
+ entitled to the thanks of every author, antiquary, and
+ scholar, in the United Kingdom. * * We recommend, in all
+ sincerity, The Notes and Queries to the attention of lovers
+ of literature in general."--_Morning Post_.
+
+London: George Bell, 186. Fleet Street.
+
+ * * * * *
+
+Just Published, Parts 13 and 14, imperial quarto. Price 3_s._
+each, tinted 4s.
+
+RELIQUES OF ANCIENT ENGLISH ARCHITECTURE, from Drawings by John
+Johnson, Architect, F.S.A., Lithographed by Alfred Newman.
+
+Contents, Part 13:--Hawton Church; Notts.--St. Mary's,
+Stamford--Aldwinkle, All Saints, Northamptonshire-Wellingborough
+Church, Northamptonshire.
+
+Part 14--Skelton Church, from the South-East and South-West--Rye
+House, Herts.--Holbeach Church, Lincolnshire.
+
+This Work is intended to embrace a series of examples of
+Ecclesiastical, Collegiate, and Domestic Architecture. It will be
+completed in Twenty Monthly Parts, price 3s. each, tinted 4s.
+
+London: George Bell, 186. Fleet Street.
+
+ * * * * *
+
+Preparing for immediate Publication, in 2 vols. small octavo.
+
+THE FOLK-LORE OF ENGLAND. By William J. Thoms, F.S.A., Secretary
+of the Camden Society, Editor of "Early Prose Romances," "Lays and
+Legends of all Nations," &c. One object of the present work is to
+furnish new contributions to the History of our National Folk-Lore;
+and especially some of the more striking illustrations of the subject
+to be found in the Writings of Jacob Grimm and other Continental
+Antiquaries.
+
+Communications of inedited Legends, Notices of remarkable Customs and
+Popular Observances, Rhyming Charms, &c. are earnestly solicited, and
+will be thankfully acknowledged by the Editor. They may be addressed
+to the care of Mr. Bell, Office of "Notes and Queries," 186. Fleet
+Street.
+
+ * * * * *
+
+Printed by Thomas Clark Shaw, of No. 8. New Street Square, at No. 5.
+New Street Square, in the Parish of St. Bride, in the City of London;
+and published by George Bell, of No. 186. Fleet Street, in the Parish
+of St. Dunstan in The West, in the City of London, Publisher, at No.
+186. Fleet Street aforesaid.--Saturday, April 6, 1850.
+
+ * * * * *
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries 1850.04.06, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.04.06 ***
+
+***** This file should be named 12505.txt or 12505.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/2/5/0/12505/
+
+Produced by Jon Ingram, William Flis, and the Online Distributed
+Proofreading Team. With thanks to Internet Library of Early Journals.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year. For example:
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/12505.zip b/12505.zip
new file mode 100644
index 0000000..79ae6ce
--- /dev/null
+++ b/12505.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..d569844
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #12505 (https://www.gutenberg.org/ebooks/12505)
diff --git a/old/12505-8.txt~ b/old/12505-8.txt~
new file mode 100644
index 0000000..2ad3fec
--- /dev/null
+++ b/old/12505-8.txt~
@@ -0,0 +1,2413 @@
+The Project Gutenberg EBook of Notes and Queries 1850.04.06, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries 1850.04.06
+
+Author: Various
+
+Release Date: June 3, 2004 [EBook #12505]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.04.06 ***
+
+
+
+
+Produced by Jon Ingram, William Flis, and the Online Distributed
+Proofreading Team. With thanks to Internet Library of Early Journals.
+
+
+
+
+
+NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS,
+ANTIQUARIES, GENEALOGISTS, ETC.
+
+ * * * * *
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+ * * * * *
+
+No. 23.] SATURDAY, APRIL 6. 1850. [Price Threepence. Stamped Edition 4d.
+
+ * * * * *{361}
+
+CONTENTS.
+
+NOTES:-- Page
+ Periplus of Hanno, by R.T. Hampson 361
+ Pope Vindicated 362
+ The Supper of the Lorde 362
+ Folk Lore:--Palm Sunday Wind--Curious Symbolical Custom--The Wild
+ Huntsman 363
+ On Authors and Books, No. VI, by Bolton Corney 363
+
+QUERIES:--
+ Nicholas Breton's Crossing of Proverbs, by J.P. Collier 364
+ Sword called Curtana, by E.F. Rimbault, LL.D. 364
+ Is the Dombec the Domesday of Alfred? by George Munford 365
+ Minor Queries:--Wickliffite Versions of the Scriptures--Gloves--Law
+ Courts at St. Alban's--Milton Pedigree--Sapcote Motto--Scala Coeli,
+ &c. 366
+
+REPLIES:--
+ The Arabic Numerals and Cipher 367
+ Replies to Minor Queries, by Sir W.C. Trevelyan 368
+ Derivation of "News" 369
+ Replies to Minor Queries:--Swot--Pokership--Vox Populi--Living Dog better
+ than dead Lion--Curious Monumental Brasses--Chapels--Forthlot--Loscop--
+ Smelling of the Lamp--Anglo-Saxon MS. of Orosius--Golden Frog--Sword
+ of Charles I.--John Bull--Vertue MSS.--Lines attributed to Tom Brown,
+ &c. 369
+
+MISCELLANIES:--
+ Epigram by La Monnoye--Spur Money--Minimum de Malls--Epigram on Louis
+ XIV.--Macaulay's Young Levite--St. Martin's Lane--Charles Deering,
+ M.D. 373
+
+MISCELLANEOUS:--
+ Notes on Books, Sales, Catalogues, &c. 375
+ Books and Odd Volumes wanted 375
+ Notices to Correspondents 375
+ Advertisements 376
+
+ * * * * *
+
+PERIPLUS OF HANNO THE CARTHAGINIAN.
+
+I am not sufficiently Quixotic to attempt a defence of the
+Carthaginians on the western coast of Africa, or any where else, but
+I submit that the accusation brought against them by Mr. S. Bannister,
+formerly Attorney-General of New South Wales, is not sustained by
+the only record we possess of Hanno's colonising expedition. That
+gentleman, in his learned _Records of British Enterprise beyond Sea_,
+just published, says, in a note, p. xlvii.:--
+
+"The first nomade tribe they reached was friendly, and furnished
+Hanno with _interpreters_. At length they discovered a nation _whose
+language was unknown to the interpreters_. These strangers they
+attempted to seize; and, upon their resistance, they took three of the
+women, whom they put to death, and carried their skins to Carthage"
+(_Geogr. Græci Minores_, Paris, 1826, p. 115.).
+
+Hanno obtained interpreters from a people who dwelt on the banks
+of a large river, called the Lixus, and supposed to be the modern
+St. Cyprian. Having sailed thence for several days, and touched at
+different places, planting a colony in one of them, he came to a
+mountainous country inhabited by savages, who wore skins of wild
+beasts, [Greek: dermata thaereia enaemmenon]. At a distance of
+twelve days' sail he came to some Ethiopians, who could not endure
+the Carthaginians, and who spoke unintelligibly even to the Lixite
+interpreters. These are the people whose women, Mr. Bannister says,
+they killed. Hanno sailed from this inhospitable coast fifteen
+days, and came to a gulf which he calls [Greek: Notou Kera], or
+South Horn.
+
+ "Here," says the Dr. Hawkesworth, of Carthage, "in the gulf,
+ was an island, like the former, containing a lake, and in
+ this another island, full of wild men; but the women were
+ much more numerous, _with hairy bodies_ ([Greek: daseiai tois
+ somasin]), whom the interpreters called [Greek: gorillas].
+ We pursued the men, who, flying to precipices, defended
+ themselves with stones, and could not be taken. Three women,
+ who bit and scratched their leaders, would not follow them.
+ Having killed them, we brought their skins to Carthage."
+
+He does not so much as intimate that the creatures who so defended
+themselves with stones, or those whose bodies were covered with
+hair, spoke any language. Nothing but the words [Greek: anthropoi
+agrioi] and [Greek: gunaikes] can lead us to believe that they were
+human beings at all; while the description of the behaviour of the
+men, and the bodies of the women, is not repugnant to the supposition
+that they were large apes, baboons, or orang-outangs, common to this
+part of Africa. At all events, the voyagers do not say that they
+flayed a people having the faculty of speech.
+
+It is not, however, improbable that the Carthaginians were severe
+taskmasters of the people whom they subdued. Such I understand those
+to have been who opened the British tin mines, and who, according to
+Diodorus Siculus, excessively overworked the wretches who toiled for
+them, "wasting their bodies underground, and dying, {362} many a one,
+through extremity of suffering, while others perished under the lashes
+of the overseer." (_Bibl. Hist._ l. v. c. 38.)
+
+R.T. Hampson.
+
+ * * * * *
+
+POPE VINDICATED.
+
+"P.C.S.S." is too great an admirer of Pope not to seek to vindicate
+him from one, at least, of the blunders attributed to him by Mr. D.
+Stevens, at p. 331. of the "Notes and Queries."
+
+ "Singed are his _brows_, the scorching _lids_ grow black."
+
+Now, if Mr. S. will refer to Homer, he will find that the original
+fully justifies the use of "brows" and "lids" in the _plural_. It runs
+thus (_Od._ ix. v. 389.):
+
+ "[Greek: Panta de ui blephar amphi kai ophruas eusen autmae]."
+
+"P.C.S.S." wishes that he could equally remove from Pope the charge
+of inaccuracy respecting the _three_ cannibal meals of Polyphemus. He
+fears that nothing can be alleged to impugn Mr. Stevens's perfectly
+just criticism.
+
+While on the subject of Pope, "P.C.S.S." would wish to advert to
+a communication (No. 16. p. 246.) in which it is insinuated that
+Pope was probably indebted to Petronius Arbiter for the well-known
+passage--
+
+ "Worth makes the man, and want of it the fellow;
+ The rest is all but leather and prunella."
+
+With all respect for the ingenious author of that communication,
+"P.C.S.S." confesses that he is unable to discover such a similitude
+of expression as might warrant the notion that Pope had been a
+borrower from Petronius. He cannot suppose that Mr. F. could have been
+led away by any supposed analogy between _corium_ and _coricillum_.
+The latter, Mr. F. must know, is nothing more than a diminutive of
+a diminutive (coricillum, _not_ corcillum, from corculum); and the
+word is coined by Petronius to ridicule one of the affectations of
+Trimalchio (Nero), who was wont to indulge, to an absurd extent, in
+the use of such diminutives (_vide_ Burmann, _in loco_). "P.C.S.S."
+will now subjoin such translations of the passage in question as he
+has hitherto had opportunities of referring to. The first is from _The
+Works of Petronius Arbiter, translated by several hands_, Lond. 8vo.
+4th edit. 1714. At the beginning of the translation itself there is
+this heading--"Made English by Mr. Wilson, of the Middle Temple, and
+several others." The passage in question is thus rendered:--
+
+ "Come, my friends, let us see how merry you can be! for in my
+ time, I have been no better than yourselves; but, by my own
+ industry, I am what I am. _'Tis the heart makes the man_; all
+ the rest is but stuff!"
+
+In another translation, which, with Grub-Street audacity, the
+publisher, in his title-passage, presumes to attribute to Addison!
+and which appeared in 1736 (Lond. 8vo.), the passage is as follows:--
+
+ "I was once as you are: but now, thanks to my industry, I am
+ what I am. _It is the heart that makes the man_; all the rest
+ is but stuff!"
+
+Be the translator who he may, this version, so impudently ascribed to
+the moral Addison, is written with much spirit and power, and with a
+remarkable comprehension of the author's meaning. Some of the poetical
+fragments at the end are, indeed, singularly well done.
+
+Of the two French versions which "P.C.S.S." has examined, the one by
+Levaur (Paris, 8vo. 1726) thus translates the passage:
+
+ "Je vous prie, mes amis ... _C'est le coeur qui fait les
+ hommes; je compte le reste pour un fétu_."
+
+In that of Boispreaux (Lond. 1742), it is simply rendered--
+
+ "Mon sçavoir faire m'a tiré du pair. _C'est le coeur qui fait
+ l'homme_ ..."
+
+No attempt is made to translate the _quisquilia_.
+
+P.C.S.S.
+
+ * * * * *
+
+"THE SUPPER OF THE LORDE."
+
+I shall be glad to find that your correspondent "C.H." (No. 21. p.
+333.) receives a satisfactory answer to his inquiry, as such a reply
+would also satisfy my earlier query, No. 7. p. 109. I perceive,
+however, from his letter, that I can give him some information on
+other points noticed in it, though the absence of papers now passing
+through the press with the Parker Society's reprint of a third volume
+of Tyndale, will prevent my replying with such precision as I could
+wish. That ancient tract on "The Supper of the Lorde, after the true
+meanyng of the sixte of John," &c., of which "C.H." says he possesses
+a copy, was reprinted at different intervals with the same date, viz.,
+MCCCCCXXXIII, Apryll v., on its title-page. The original edition has a
+final colophon, stating that it was "imprinted at Nornberg, by Nielas
+Twonson," and is so rare, that I have not been able to discover the
+existence of any copy, but one recently deposited in the Bodleian.
+That "C.H.'s" copy is not a specimen of that first edition, is
+apparent from two circumstances. The first is, that he has given you
+a quotation from his copy as follows:--"And as for M. More, whom the
+verity most offendeth, and doth but mocke it," whereas the original
+edition has, "And as for M. Mocke," &c., and Sir Thomas More notices
+this mockage of his name in his reply. The next is, that his copy
+contains "Crowley's Epistle to the Reader," which does not appear in
+any edition of an earlier date than 1551. When first attached to this
+treatise, the epistle was anonymous, as may be seen in the Lambeth
+copy; but Crowley eventually {363} affixed his name to the epistle,
+as it appears in "C.H.'s" and in other copies. Robert Crowley was a
+fellow of Magdalen College, Oxford; vicar of St. Giles, Cripplegate;
+a printer and publisher; but to his singular combination of titles, we
+cannot add that of author of the treatise in question. "C.H." has seen
+that he did not enter Oxford till 1534; and in his Prefatory Epistle,
+Crowley speaks of the author of the treatise as a person distinct from
+himself.
+
+I do not wish, however, to be considered as positively affirming the
+treatise to be Tyndale's. Foxe, the martyrologist, edited Tyndale's
+works for Day, and he has only said that this treatise was "compiled,
+as some do gather, by M. Wm. Tyndale, because the method and phrase
+agree with his, and the time of writing are [sic] concurrent." On the
+other hand, the authorship is unhesitatingly assigned to Tyndale by
+Mr. C. Anderson (_Annals of the English Bible_, §ix. _ad finem_),
+and by Mr. Geo. Offer (_Mem. of Tyndale_, p. 30.), the two most
+pains-taking and best informants as to his works. But still there are
+objections of such force, that I must confess myself rather inclined
+to attribute the treatise to Joy's pen, if I could but be satisfied
+that he was capable of writing so correctly, and of keeping so clear
+of vulgarity in a controversy with a popish persecutor.
+
+H.W.
+
+ * * * * *
+
+FOLK LORE.
+
+_Palm Sunday Wind_.--It is a common idea among many of the farmers and
+labourers of this immediate neighbourhood, that, from whatever quarter
+the wind blows for the most part on Palm Sunday, it will continue
+to blow from the same quarter for the most part during the ensuing
+summer.
+
+Is this notion prevalent in other parts of the country, as a piece of
+"Folk-Lore?"
+
+R.V.
+
+Winchester, March 26.
+
+
+_Curious Symbolical Custom_.--On Saturday last I married a couple in
+the parish church. An old woman, an aunt of the bridegroom, displeased
+at the marriage, stood at the church gate and pronounced an anathema
+on the married pair. She then bought a new broom, went home, swept
+her house, and hung the broom over the door. By this she intimated her
+rejection of her nephew, and forbade him to enter her house. Is this a
+known custom? What is its origin?
+
+H. Morland Austen.
+
+St. Peter's, Thanet, March 25. 1850.
+
+
+_The Wild Huntsman_.--The interesting contributions of your
+correspondent "Seleucus," on "Folk Lore," brought to my recollection
+the "Wild Huntsman" of the German poet, Tieck; of whose verses on that
+superstitious belief, still current among the imaginative peasantry of
+Germany, I send you a translation, _done into English_ many years ago.
+The Welsh dogs of Annwn, or "couriers of the air"--the spirit-hounds
+who hunt the souls of the dead--are part of that popular belief
+existing among all nations, which delivers up the noon of night to
+ungracious influences, that "fade on the crowing of the cock."
+
+
+"THE WILD HUNTSMAN.
+
+ "At the dead of the night the Wild Huntsman awakes,
+ In the deepest recess of the dark forest's brakes;
+ He lists to the storm, and arises in scorn.
+ He summons his hounds with his far-sounding horn;
+ He mounts his black steed; like the lightning they fly
+ And sweep the hush'd forest with snort and with cry.
+ Loud neighs his black courser; hark his horn, how 'tis swelling!
+ He chases his comrades, his hounds wildly yelling.
+ Speed along! speed along! for the race is all ours;
+ Speed along! speed along! while the midnight still lours;
+ The spirits of darkness will chase him in scorn,
+ Who dreads our wild howl, and the shriek of our horn,
+ Thus yelling and belling they sweep on the wind,
+ The dread of the pious and reverent mind:
+ But all who roam gladly in forests, by night,
+ This conflict of spirits will strangely delight."
+
+J.M.
+
+Oxford, March 13.
+
+ * * * * *
+
+ON AUTHORS AND BOOKS, NO. VI.
+
+In the union of scholarship, polished manners, and amiability of
+character, we have had few men to surpass the reverend Joseph Spence.
+His career was suitable to his deserts. He was fortunate in his
+connections, fortunate in his appointments, and fortunate in his share
+of fame.
+
+His fame, however, is somewhat diminished. His _Essay on the Odyssey_,
+which procured him the friendship of Pope, has ceased to be in
+request; his _Polymetis_, once the ornament of every choice library,
+has been superseded by the publications of Millin and Smith; his poems
+are only to be met with in the collections of Dodsley and Nichols. If
+we now dwell with pleasure on his name, it is chiefly as a recorder
+of the sayings of others--it is on account of his assiduity in making
+_notes!_ I allude to the volume entitled _Anecdotes, observations,
+and characters of books and men_, which was edited by my friend Mr.
+Singer, with his wonted care and ability in 1820.
+
+The _Essay on the Odyssey_ was first published anonymously in 1726-7.
+It was reprinted in 1737 and 1747. A copy of the latter edition, now
+in my possession, contains this curious note:--
+
+ "It is remarkable that of twelve passages objected to in this
+ critique on the English Odyssey, _two_ only are found in those
+ books which were translated by Pope.
+
+ "From Mr. Langton, who had his information from Mr. Spence.
+
+ "When Spence carried his preface to Gorboduc in {364} 1736 to
+ Pope, he asked him his opinion. Pope said 'It would do very
+ well; there was nothing _pert_ or _low_ in it.' Spence was
+ satisfied with this praise, which however, was in implied
+ censure on all his other writings.--He is very fond of the
+ familiar vulgarisms of common talk, and is the very reverse of
+ Dr. Johnson.
+
+"E.M." [Edmond Malone.]
+
+The note is not signed at length, but there can be no doubt as to its
+authorship, as I purchased the volume which contains it at the sale of
+the unreserved books of Mr. Malone in 1818.
+
+Bolton Corney.
+
+ * * * * *
+
+
+QUERIES.
+
+NICHOLAS BRETON'S "CROSSING OF PROVERBS."
+
+Although my query respecting William Basse and his poem, "Great
+Britain's Sun's Set," (No. 13. p. 200), produced no positive
+information touching that production, it gave an opportunity to some
+of your correspondents to communicate valuable intelligence relating
+to the author and to other works by him, for which I, for one, was
+very much obliged. If I did not obtain exactly what I wanted, I
+obtained something that hereafter may be extremely useful; and that
+I could not, perhaps, have obtained in any other way than through the
+medium of your pleasant and welcome periodical.
+
+I am now, therefore, about to put a question regarding another writer
+of more celebrity and ability. Among our early pamphleteers, there was
+certainly none more voluminous than Nicholas Breton, who began writing
+in 1575, and did not lay down his pen until late in the reign of
+James I. A list of his pieces (by no means complete, but the fullest
+that has been compiled) may be seen in Lowndes's _Bibl. Manual_;
+it includes several not by Breton, among them Sir Philip Sidney's
+_Ourania_, 1606, which in fact is by a person of the name Backster;
+and it omits the one to which my present communication refers, and
+regarding which I am at some loss.
+
+In the late Mr. Heber's _Catalogue_, part iv. p. 10., I read as
+follows, under the name of Nicholas Breton:--
+
+ "Crossing of Proverbs. The Second Part, with certaine briefe
+ Questions and Answeres, by N.B., Gent. Extremely rare and very
+ curious, _but imperfect_. It appears to contain a portion of
+ the first part, and also of the second; but it appears to be
+ unknown."
+
+Into whose hands this fragment devolved I know not; and that is one
+point I am anxious to ascertain, because I have another fragment,
+which consists of what is evidently the first sheet of the first part
+of the tract in question, with the following title-page, which I quote
+_totidem literis_:--
+
+ "Crossing of Proverbs. Crosse-Answeres. And Crosse-Humours. By
+ B.N., Gent. At London, Printed for John Wright, and are to be
+ solde at his Shop without Newgate, at the signe of the Bible,
+ 1616."
+
+It is in 8vo., as Heber's fragment appears to have been; but then the
+initials of the author are given as N.B., whereas in my fragment they
+stand B.N., a usual inversion with Nicholas Breton; the brief address
+"To the Reader" is also subscribed B.N.; and then begins the body of
+the work, thus headed: "Crosse and Pile, or, Crossing of Proverbs." It
+opens as follows:
+
+ "_Proverb_. The more the merrier.
+ _Cross_. Not so; one hand is enough in a purse.
+ _P._ Every man loves himselfe best.
+ _C._ Not so, when man is undone by suretyship.
+ _P._ He that runnes fastest gets most ground.
+ _C._ Not so, for then foote-men would have more land than their masters.
+ _P._ He runnes far that never turnes.
+ _C._ Not so, he may breake his necke in a short course.
+ _P._ No man can call againe yesterday.
+ _C._ Yes, hee may call till his heart ake, though it never come.
+ _P._ Had I wist was a foole.
+ _C._ No, he was a foole that said so."
+
+And so it proceeds, not without humour and point, here and there
+borrowing from known sources, as in the following:--
+
+ "_Proverb._ The world is a long journey.
+ _Cros._ Not so, the sunne goes it every day.
+ _P._ It is a great way to the bottom of the sea.
+ _C._ Not so, it is but a stone's cast."
+
+However, my object is not to give specimens of the production further
+than are necessary for its identification. My queries are, 1st, Who
+bought Mr. Heber's fragment, and where is it now to be found? 2nd, Are
+any of your correspondents aware of the existence of a perfect copy of
+the work?
+
+I naturally take a peculiar interest about Nicholas Breton, because
+I have in my possession an unknown collection of amatory and pastoral
+poems by him, printed in quarto in 1604, in matter and measure obvious
+imitations of productions in "The Passionate Pilgrim," 1599, imputed
+to Shakespeare, and some of which are unquestionably by Richard
+Barnfield.
+
+Any new information regarding Breton and his works will be most
+acceptable to me. I am already in possession of undoubted proof that
+he was the Nicholas Breton whose epitaph is on the chancel-wall of the
+church of Norton, in Northamptonshire, a point Ritson seems to have
+questioned.
+
+J. Payne Collier.
+
+March 30. 1850.
+
+ * * * * *
+
+THE SWORD CALLED CURTANA.
+
+In the wardrobe account for the year 1483, are "iij swerdes, whereof
+oon with a flat poynte, {365} called _curtana_, and ij other swords,
+all iij swords covered in a yerde di of crymysym tisshue cloth of
+gold."
+
+The name of _curtana_ for many ages continued to be given to the first
+royal sword in England. It existed as long ago as the reign of Henry
+III., at whose coronation (A.D. 1236) it was carried by the Earl of
+Chester. We find it at the coronations of Edward II. and Richard II.;
+also in the time of Henry IV., Richard III., and Henry VII.; and among
+the royal arms of Edward VI. we read of "a swerde called _curtana_."
+
+Can any of your readers explain the origin of the name _curtana_,
+a sword so famous that it carries us back to the days of ancient
+chivalry, when it was wielded by the Dane _Uggiero_, or by the still
+more famed _Orlando_.
+
+Edward F. Rimbault.
+
+ * * * * *
+
+IS THE DOMBEC THE DOMESDAY OF ALFRED?
+
+I beg to propose the following "Query":--Is the _Dombec_, a work
+referred to in the Laws of Edward the Elder, the same as what has been
+called the Domesday or Winchester Book of Alfred the Great? I incline
+to think that it is not, and shall be much obliged to any of your
+correspondents, learned in the Anglo-Saxon period of our history, who
+will give himself the trouble of resolving my doubts.
+
+Sir Henry Spelman, in his Glossary _voce Dombec_, calls it the _Liber
+Judicialis_ of the Anglo-Saxons; and says it is mentioned in the first
+chapter of the laws of Edward the Elder, where the king directs his
+judges to conduct themselves in their judicial proceedings as on [Old
+English: thaere dom bec stand], that is, as _is enjoined in their Dome
+Book_.--"Quod," he continues, "an de præcedentium Regum legibus quæ
+hodie extant, intelligendum sit: an de alio quopiam libro hactenus non
+prodeunte, incertum est."
+
+But this uncertainty does not seem to have attached itself to the
+mind of Sir William Blackstone; for in the third section of the
+Introduction prefixed to his _Commentaries on the Laws of England_, he
+informs us that our antiquaries "tell us that in the time of Alfred,
+the local customs of the several provinces of the kingdom were grown
+so various, that he found it expedient to compile his _Dome Book_, or
+_Liber Judicialis_, for the general use of the whole kingdom." This
+book is said to have been extant so late as the reign of King Edward
+IV., but is now unfortunately lost. It contained, we may probably
+suppose, the principal maxims of the common law, the penalties for
+misdemeanors, and the forms of judicial proceedings. Thus much may be
+at least collected from that injunction to observe it, which we find
+in the Laws of King Edward the Elder, the son of Alfred.--"_Omnibus
+qui reipublicæ præsunt etiam atque etiam mando, ut omnibus æquos
+se præbeant judices, perinde ac in judiciali libro_ (Saxonice, [Old
+English: dom bec]) _scriptum habetur: nec quidquid formident quin
+jus commune_ (Saxonice, [Old English: folcrihte]) _audactes libereque
+dicant._"
+
+But notwithstanding this, it appears to me by no means conclusive,
+that the _Dombec_ referred to in the Laws of Edward the Elder and the
+_Liber Judicialis_ of Alfred are the same; on the contrary, Alfred's
+_Liber Judicialis_ seems to have been known not under the name
+of _Dombec_, but under that of the _Winchester Roll_, from the
+circumstance of its having been principally kept at Winchester: and
+Sir Henry Spelman says, the Domesday Book of William the Conqueror was
+sometimes called _Rotulus Wintoniæ, a similitudine antiquoris_, from
+its resemblance to an older document preserved at Winchester. And he
+quotes Ingulphus Abbot of Croyland, who says, "Iste rotulus (i.e. the
+Domesday Book of William) vocatus est Rotulus Wintoniæ, et ab Anglicis
+pro sua generalitate, omnia tenementa totius terræ integre continente
+_Domesday_ cognominatur." And the he proceeds, "Talem rotulum et
+multum similem; ediderat quondam Rex Alfredus, in quo totam terram
+Angliæ per comitatus, centurias, et decurias descripserat, sicut
+prænotatur. Qui quidem Rotulus Wintoniæ vocatus est, quia deponebatur
+apud Wintoniam conservandus," &c.
+
+Here is nothing said of this work being called [Old English: dom bec]:
+neither does Spelman, in his enumeration of the works of Alfred,
+give the least intimation that any one of his collections of laws was
+called [Old English: dom bec].
+
+We know, indeed, that Alfred compiled a code of laws for his subjects;
+but whether any part of them has been preserved, or how much of them
+is embodied in subsequent codes, cannot now be determined. Asser
+mentions that he frequently reprimanded the judges for wrong
+judgments; and Spelman, that he wrote "a book against unjust
+magistrates," but any complete body of laws, if such was ever framed
+by Alfred, is now lost; and that attributed to him in Wilkin's _Leges
+Anglo-Saxon_, is held in suspicion by most writers.
+
+For these reasons, and considering that Sir William Blackstone's
+knowledge of English history was rather superficial, I incline to the
+belief, that the [Old English: dom bec] referred to in the laws of
+Edward the Elder, was some collection of laws made _prior_ to the time
+of Alfred: this might clearly be the case, as Sharon Turner informs
+us that the Saxon laws were committed to writing as early as the
+commencement of the 7th century.
+
+The opinions of your learned correspondents on this disputed point may
+be of much interest to many of your readers, and to none more than to
+
+George Munford.
+
+East Winch.
+
+ * * * * *{366}
+
+MINOR QUERIES.
+
+_MSS. of the Wycliffite Translations of the Scriptures_.--The Add. MS.
+15,521., in the British Museum, contains a copy of Lewis's edition
+of the _Wycliffite New Testament_, printed in 1731, with manuscript
+notes by Ames and Lewis, and the former has transcribed into it some
+_additional prologues_, prefixed to each book of the New Testament,
+which had not been printed by Lewis, and were taken by Ames from a MS.
+of the New Testament, written in 1424, and in 1731 in the possession
+of Thomas Granger. It would be very desirable to learn what became of
+this MS. subsequently. Granger died in the following year, but the
+MS. does not appear in the sale catalogue of his library, nor is it
+found in the catalogue of Ames's own library, dispersed in 1760. Any
+information relative to this remarkable copy of the New Testament,
+would be very acceptable to the Editors of the _Wycliffite Versions
+of the Scriptures_, who are now, after a literary labour of more than
+twenty years, about to bring the work to a conclusion. They would
+also feel much obliged by the communication of any notices of MSS. of
+the Wycliffite versions, _existing in private hands_, exclusive of
+those copies of which they already possess descriptions, existing in
+the libraries of the following individuals:--Mrs. Allanson of Farn,
+Flintshire, the Earl of Ashburnham, Sir Thomas Phillipps, Bart., Sir
+Peregrine Ackland, Bart., Sir David Dundas, H.M. Judge Advocate, Dr.
+Cardwell, Principal of St. Alban's Hall, Oxford, and Thomas Bannister,
+Esq.
+
+F. Madden.
+
+British Museum, March 28.
+
+
+_Why are Gloves not worn before Royalty?_--Can any of your readers
+inform me what is the origin of the custom observed at Court, of
+persons in the royal presence not wearing gloves? Is it a matter of
+pure etiquette, or does the observance of it derive its origins from
+barbarous times, when chivalry was little else than barbarism in
+armour?
+
+F.E.
+
+
+_Law Courts at St. Albans_.--Can any of your correspondents give
+me the reference to a communication in the _Gentleman's Magazine_
+(between, I think, the years 1815 and 1836), in which a passage
+in Massinger, which alludes to lawyers going to St. Albans, is
+illustrated by an inscription in the nave of St. Alban's Abbey Church,
+which records that the courts were held there on account of the
+sweating-sickness in the reign of Elizabeth?
+
+[Greek: Sigma.]
+
+
+_Richard Haley, or Hales.--Milton Pedigree_.--I should feel obliged
+by any particulars respecting Richard Haley, or Hales, of Idlestreete,
+otherwise Ilstreyd, in com. Hertford, yeoman; my object being to
+ascertain the nature of some transaction he had with Milton, in July
+1674, referred to in a bond which the former executed, dated the
+27th of that month, for performance of the covenants contained in an
+indenture of even date.
+
+Is any thing known of Richard Milton, who signs his name as the
+attesting witness to the releases given by two of the poet's daughters
+for their share of his estate? Is there any pedigree of the family of
+Sir Christopher Milton, the poet's brother, drawn up with sufficient
+apparent accuracy to exclude the probability of Richard Milton being
+his son? I have referred to the pedigree in the British Museum (Harl.
+MS. 5802. fo. 19b.), which makes no mention of the letter; but it is
+evidently so imperfect a notice, as to be of little authority one way
+or other.
+
+J.F.M.
+
+
+_Sapcote Motto_.--Over the old gatehouse of Elton, co. Hunts., built
+by the family of Sapcote, is their coat of arms, namely, "three
+dove-cotes;" and upon a scroll, surrounding the lower part of the
+shield, is carved a motto, evidently French, and as evidently cut by
+a person ignorant of that language. So far as I can decypher it, the
+letters appear to be
+
+ sco toot X vinic [or umic]
+ X poncs.
+
+Possibly the first and last letters _s_ are only flourishes. I shall
+be glad of any suggestion as to its meaning.
+
+I have not been able to find the Sapcote motto on record; and I
+believe the Carysfoot family, the possessors of Elton, and the Duke
+of Bedford, the heir in blood, to be ignorant of what this scroll is
+intended to represent.
+
+Erminois.
+
+Athenæum Club.
+
+
+_Scala Coeli_.--In a will, dated 12 Hen. VIII., the testator directs
+that there shall be four trentals of Saint Gregory said for his soul
+at London at "Scala Coeli." Can any of your readers explain what place
+is meant by "Scala Coeli?"
+
+A Subscriber.
+
+
+_Illustrations of Gresset's "Vert Vert," painted on Enamel, &c._--In
+a Paris edition of Gresset's Works (Janet et Cotelle, 1823), in the
+preface is the following passage.--
+
+ "Vert-vert fut bientôt dans toutes les mains. Le suffrage de
+ la multitude se joignit à celui des connoisseurs; la mode, qui
+ est aussi en possession de donner son suffrage, s'empressa de
+ parer les ajustemens d'invention récente, du nom de l'illustre
+ perroquet; _les vases d'ornement, les vases usuels_ qui
+ sortoient des fabriques françoises, retraçoient presque tous
+ quelques épisodes du petit poëme. Un artist dont le nom est
+ venu jusqu'à nous, Raux, en _peignit sur émail les sujets
+ les plus marquants_; et tandis qu'on faisoit passer dans une
+ version latine les vers élégants du poëte jésuite, M. Bertin,
+ ministre d'état, le gratifioit d'un magnifique _cabaret_ de
+ Sèvres, dont toutes les pièces reproduisoient les aventures
+ de son héros, ce qui fit dire à Gresset, _qu'on le traduisoit
+ aussi en porcelaine de Sèvres_." {367}
+
+The _Query_ I wish to make is, Have any of these illustrations or
+designs from Gresset's poem of Vert-vert, painted on enamel china, or
+earthenware of any sort, of French or any other manufacture, come to
+light of late years? or more lately still, among the articles that
+have been dispersed among various buyers of almost all nations, in the
+sales within these few weeks effected at Paris?
+
+Robert Snow.
+
+
+_Urbanus Regius_.--A friend of mine, a delightful old lady, fresh,
+genial, and inquisitive, has in her possession an old volume, a family
+heir-loom, which is not the less dear to her for being somewhat dingy
+and dilapidated, and touching which she would gladly receive such
+information as your correspondents can supply.
+
+It is made up of three apparently distinct treatises; the first
+(of which several leaves are wanting) on the twelve articles of the
+Apostles' Creed. The second is "The ryght foundation, and pryncypall
+common places of the hole godly Scripture," &c., by Doctor Urbanus
+Regius. Prefixed is an epistle to Thomas, Archbishop of Canterbury
+(evidently Cranmer), to whom "Hys dayly oratoure, Gwalter Lynne (the
+writer of the epistle), wyssheth lyfe euerlastynge." Between this
+second treatise and the third, and apparently belonging to the latter,
+is a title-page with the following inscription:
+
+ "Imprinted for Gwalter Lynne, dwelling upon Somers Kaye, by
+ Byllinges gate. In the yeare of oure Lorde. MDXLVIII. And they
+ by [_sic_] to be solde at Poules church yarde at the north
+ doore, In the signe of the By-bell, By Richard Jugge."
+
+This last treatise is in smaller type than the others, and has no
+general designation: it contains chapters on various subjects, e.g.
+"The Signification of Baptism," &c.
+
+Query 1. Is this volume well known? 2. Who were Urbanus Regius and
+Walter Lynne?
+
+G.P.
+
+March 16. 1850.
+
+ * * * * *
+
+
+REPLIES.
+
+THE ARABIC NUMERALS AND CIPHER.
+
+I might, with a little more consideration, have referred "E.V." to
+several other authorities which he will do well to consult.
+
+9. Wallis's _Algebra_, p. 9. and p. 153. of the additions.
+
+10. _Phil. Trans._, Nos. 439. and 475.
+
+11. Montucla, _Histoire des Mathématiques_, tom. i. chap. 2.
+
+12. Baillie, _Histoire de l'Astronomie_.
+
+13. Delambre[1], _Hist. de l'Astr. du moyen age_.
+
+14. Hutton's _Tracts_ (8vo. ed. 1812.), vol. ii. (subject "History of
+Algebra")
+
+15. Huet, _Demonstratio Evangelica_.
+
+16. Dr. John Taylor's Translation of the _Lilawati_. (Bombay, 1816.)
+
+17. Strachey's Translation of the _Bija Ganita_[2].
+
+18. Colebrooke's _Algebra of the Hindus_.
+
+Would it not be worth while to give a _facsimile_ of the "Tabel for
+all manere of merchauntes," in the "Notes and Queries"? It is not only
+a curiosity, but an important element (and unique as far as is known)
+in the philosophic history of our arithmetic. It was, no doubt, an
+actual instrument in constant use in the merchant's office, as much so
+as an almanac, interest-tables, a "cambist" and a copying-press, are
+now.
+
+As regards the cipher, the difficulty only commenced with _writing
+numbers_ in the new symbology. With persons accustomed to the use
+of this instrument, there is no doubt that the mode of obviating the
+difficulty of "keeping the place," would suggest itself at once. In
+this instrument an empty hole (without its peg) _signified_ "none of
+this denomination." What then more simple than to make the outline
+of the empty hole which occupied the "local position" of any
+denomination, when none of that precise denomination occurred in the
+number itself? Under this view the process at least becomes simple
+and natural; and as the early merchants contributed so largely to the
+improvement of our arithmetical processes, such a conclusion is wholly
+divested of improbability on any other ground. The circle would then
+naturally become, as it certainly has practically become, the most
+appropriate symbol of _nothingness_.
+
+As regards the term _cipher_ or _zero_ (which are so obviously the
+same as to need no remark), it is admitted on all hands to be derived
+from one or other of the Semitic languages, the Hebrew or the Arabic.
+It is customery with the mathematical historians to refer it to the
+Arabic, they being in general more conversant with it than with the
+Hebrew. The Arabic being a smaller hand than the Hebrew, a dot was
+used instead of the circle for marking the "place" at which the hiatus
+of any "denomination" occurred. If we obtained our cipher from this,
+it would be made hollow (a mere _ceinture_, girdle, or ring) to
+save the trouble of making a dot sufficiently large to correspond in
+magnitude with our other numerals as we write them. Either is alike
+possible--probability must be sought, for either over the other, from
+a slightly different source.
+
+The root-words in Hebrew and in Arabic are precisely the same
+(_ts-ph-r_), though in the two {368} languages, and at different ages
+of the same language, they might have been vowelised differently.
+In some shape or other, this name is used in all countries that have
+derived their arithmetic from mediæval Italy, or from the Saracens. It
+is with some _cipher_, with others _chiffre_, and with all _zero_. The
+word is certainly no more Italian than it is French or English. Be it
+remembered, too, that _ezor_ (quoted at p. 268.), as a _girdle_, is
+radically the same word, somewhat mutilated. The cardinal meaning of
+the word (denuded of the conventional accretions of signification,
+which peculiar applications of it adds to the cardinal meaning)
+appears to be _emptiness_, _hollowness_, _nothingness_. It may be
+further remarked, that in the fine Chartres MS. of Boetius, described
+by Chasles, the 0 is called _sipos_:--the same name, he remarks,
+that Graves found in use in the East. The modern Turks call the 0,
+_tsifra_.
+
+It is curious enough that in all languages, the term _ciphering_ is
+popularly used to denote all arithmetical operations whatever.
+Our schoolboys do their "ciphering," and write carefully in their
+"ciphering-books." This all seems to point to the art of dispensing
+with the use of the abacus or counting table.
+
+T.S.D.
+
+Shooter's Hill, March 5.
+
+[1] The best account, because the most consistent and
+intelligible, of the Greek arithmetic, is that by Delambre, affixed to
+Peyraud's edition of Archimedes.
+
+[2] At a period of leisure I may be tempted to send you a few
+extracts, somewhat curious, from some of the papers of Mr. Strachey in
+my possession.
+
+
+_Arabic Numerals_.--I had replied to "E.V." (No. 15. p. 230.), when
+I saw by your "Notice to Correspondents," that the question was
+answered. I therefore waited the publication of the replies, which I
+find do not embrace any one of the points to which I would call the
+attention of "E.V."--Diophantus of Alexandria, who flourished about
+150 years after Christ, and who wrote thirteen books of algebra or
+arithmetic in the Greek language, is generally supposed to be the
+oldest writer on the subject that has come down to our time; but it
+was not from him that we received the knowledge of algebra in Europe.
+It appears certain that the first knowledge of this science in
+England was from Italy or Spain, after the Moors settled in the latter
+country; and the Arabians and Persians appear to have derived their
+arithmetical method of computing by ten characters from the Indians:
+who, in their turn, have most probably borrowed from the Chinese, and
+improved on their method by the adoption of a zero, which was one of
+the most important improvements effected by the Hindoos. In China,
+the words ancient and modern are almost synonymous; their usages
+and customs being so unchangeable, as appears by their instrument
+of computation, the _swanpan_, which is still used in all their
+calculations. The Oriental scholar will find much curious and
+interesting information connected with this subject in the Sanscrit
+_Vija Ganita_ and _Lilivati_ of Bhaskara Acharya: the former
+was translated into Persian at Agra, or Delhi, in 1634, and the
+latter by Fyzee in 1587; but there are also English translations,
+all of which are in the library of the Royal Asiatic Society. The
+_Khalasah-ul-Hisah_ is another work of repute in India. Mr. Strachey
+wrote and printed in India, for the _Asiatic Researches_, a valuable
+paper, which contains most conclusive evidence of the Indian (if not
+Chinese) origin of our numerals. See also _Astronomie Indienne_,
+of M. Bailly; 2d vol. _Asiatic Researches_, "On the Astronomical
+Computations of the Hindoos," by Saml. Davis; "Two Dissertations on
+Indian Astronomy and Trigonometry," by Professor Playfair, in the 2d
+and 4th vols. of the _Edinburgh Philosophical Transactions_. And many
+others might be referred to; but all tending to prove that our numbers
+came originally from China and India, through Persia, Arabia, Africa,
+Spain, and Italy, by gradual and successive changes in form, several
+of them still retaining a close resemblance to the ancient and modern
+Sanscrit, Chinese, Arabic, Persian, and Hindoo numerals.
+
+Henry Wilkinson.
+
+ * * * * *
+
+REPLIES TO MINOR QUERIES.
+
+I send you a few Notes on Queries scattered through some of the later
+numbers of your very valuable publication:
+
+_Anonymous Ravennas_.--In the library of the Royal Geographical
+Society, I believe there is a copy of an 8vo. edition of that
+cosmography.
+
+_Selago_.--This plant, I should think it probable, is the _Lycopodium
+clavatum_ of modern botanists; the seeds of which, when ripe, and when
+the plant is struck, rise like smoke ("fumum" of Pliny), and may have
+been supposed, from their remarkable inflammability when dashed into
+a flame, igniting with a sudden flash, to have possessed wonderful
+virtues. The species known as _Lycopodium selago_ is rare in
+comparison to the other.
+
+_Portugal_.--In the library of the Geographical Society are some of
+the more recent works published in Lisbon on the topography of that
+country, but they are generally very meagre and unsatisfactory. In a
+periodical published in Lisbon in numbers, on the plan of the _Penny
+Magazine_, there is a good deal of information, with engravings,
+regarding many places of interest in Portugal. I think it is called
+_The Album_, but I am sorry I have not at present the power of sending
+you more correct particulars concerning it. It is in 4to.
+
+Portugal is a country that is so little travelled in either by natives
+or foreigners, that information regarding places in the interior
+is not easily obtained; and facilities for travelling, as well as
+accommodation for travellers, is of a very limited description.
+
+_Sir Roger de Coverley_.--In one of your early numbers was a query on
+this subject, which I do not think has been yet answered. I have a MS.
+{369} account of the family of Calverley, of Calverley, in Yorkshire,
+an autograph of Ralph Thoresby in the year 1717, in which occurs the
+following passage:--
+
+ "_Roger_, so named from the Archbishop" (of York), "was
+ a person of renowned hospitality, since, at this day, the
+ obsolete known tune of _Roger a Calverley_ is referred to
+ him, who, according to the custom of those times, kept his
+ _minstrells_, from that their office named _harpers_, which
+ became a family and possessed lands till late years in and
+ about _Calverley_, called to this day _Harpersroids_ and
+ _Harper's Spring_.... He was a knight, and lived in the time
+ of K. Richard 1st. His seal, appended to one of his charters,
+ is large, with a chevalier on horseback."
+
+W. CALVERLEY TREVELYAN.
+
+ * * * * *
+
+DERIVATIONS OF "NEWS."
+
+It is not declared with what motive "Mr. GUTCH" (No. 17. p. 270.) has
+laid before the readers of "NOTES AND QUERIES" the alleged derivation
+of N.E.W.S.
+
+It must therefore be supposed, that his object was to have its
+justness and probability commented upon; and it is quite time that
+they should be so, since the derivation in question has of late become
+quite a favourite authoritative dictum with etymology compilers.
+Thus it may be found, in the very words and form adopted by your
+correspondent, in Haydn's _Dictionary of Dates_, and in other
+authorities of equal weight.
+
+This sort of initial-letter derivation was probably brought into
+fashion in England by the alleged origin of "Cabal," or, perhaps, by
+the many guesses at the much disputed word "Æra." I shall take the
+liberty of quoting a few sentences with reference to such etymologies,
+_as a class_, which I find in an unpublished manuscript upon a kindred
+subject.
+
+ "Besides, such a splitting up of a word of significant and
+ perfect meaning in itself is always a bad and suspicious mode
+ of derivation.
+
+ "It is generally an after-thought, suggested by some
+ fortuitous or fancied coincidence, that appropriateness of
+ which is by no means a sufficient proof of probability.
+
+ "Of this there can scarcely be a better example than the
+ English word 'news,' which, notwithstanding the felicity of
+ its supposed derivation from the four cardinal points, must,
+ nevertheless, so long as the corresponding words 'nova,'
+ 'nouvelles,' &c. exist, be consigned to its more sober and
+ common-place origin in the adjective '_new_.'"
+
+To this it must be added that the ancient orthography of the word
+_newes_, completely upsets the derivation Mr. Gutch has brought before
+your readers. Hone quotes from "one Burton, printed in 1614: 'if any
+one read now-a-days, it is a play-book, or _a pamphlet_ of _newes_."
+
+I had been in two minds whether or not to send this communication,
+when the scale is completely turned by the apropos occurrence of a
+corroboration of this latter objection in "NOTES AND QUERIES" of this
+day. Mr. Rimbault mentions (at p. 277.), "a rare black letter volume
+entitled _Newes from Scotland_, 1591."
+
+Here is one more proof of the usefulness of your publication, that I
+am thus enabled to strengthen the illustration of a totally different
+subject by the incidental authority of a fellow correspondent.
+
+A.E.B.
+
+Leeds, March, 1850.
+
+ * * * * *
+
+REPLIES TO MINOR QUERIES.
+
+_Swot_ is, as the querist supposes, a military cant term, and
+a sufficiently vulgar one too. It originated at the great
+slang-manufactory for the army, the Royal Military College, Sandhurst.
+You may depend upon the following account of it, which I had many
+years ago from the late Thomas Leybourne, F.R.S., Senior Professor of
+Mathematics in that college.
+
+One of the Professors, Dr. William Wallace, in addition to his being a
+Scotchman, had a bald head, and an exceedingly "broad Scotch" accent,
+besides a not very delicate discrimination in the choice of his
+English terms relating to social life. It happened on one hot summer's
+day, nearly half a century ago, that he had been teaching a class,
+and had worked himself into a considerable effusion from the skin. He
+took out his handkerchief, rubbed his head and forehead violently, and
+exclaimed in his Perthshire dialect,--"_It maks one swot_." This was
+a God-send to the "gentlemen cadets," wishing to achieve a notoriety
+as wits and slangsters; and mathematics generally ever after became
+_swot_, and mathematicians _swots_. I have often heard it said:--"I
+never could do _swot_ well, Sir;" and "these dull fellows, the
+_swots_, can talk of nothing but triangles and equations."
+
+I should have thought that the _sheer disgustingness_ of the
+idea would have shut the word out of the vocabularies of English
+_gentlemen_. It remains nevertheless a standard term in the vocabulary
+of an English soldier. It is well, at all events, that future ages
+should know its etymology.
+
+T.S.D.
+
+
+_Pokership_, (_antè_, pp. 185. 218. 269. 282. 323, 324.)--I am sorry
+to see that no progress has yet been made towards a satisfactory
+explanation of this office. I was in hopes that something better than
+mere conjecture would have been supplied from the peculiar facilities
+of "T.R.F." "W.H.C." (p. 323.) has done little more than refer to the
+same instruments as had been already adverted to by me in p. 269.,
+with the new reading {370} of _poulterer_ for poker! With repect to
+"T.R.F.'s" conjecture, I should be more ready to accept it if he
+could produce a single example of the word _pawker_, in the sense of
+a hog-warden. The quotation from the Pipe-roll of John is founded on
+a mistake. The entry occurs in other previous rolls, and is there
+clearly explained to refer to the _porter of Hereford Castle_. Thus,
+in Pipe 2 Hen. II. and 3 Hen. II. we have, under Hereford,
+
+ "In liberatione portarii castelli ... 30s. 5d."
+
+In Pipe 1 Ric. I. we have,
+
+ "In liberatione constitutâ portarii de Hereford, 30s. 5d."
+
+Again, in Pipe 3 Joh.
+
+ "In liberatione constitutâ portario de Hereford, 30s. 5d."
+
+A similar entry is to be found in other rolls, as well printed as
+inedited. I could indulge some other criticisms on the communication
+of your correspondent in Spring Gardens, but I prefer encouraging
+him to make further inquiries, and to produce from the records in
+his custody some more satisfactory solution of the difficulty. In the
+meantime, let me refer to a Survey of Wrigmore Castle in the Lansdowne
+Collection, No. 40. fo. 82. The surveyor there reports, that the
+paling, rails, &c. of the park are much decayed in many and sundry
+places, and he estimates the repairs, with allowance of timber from
+the wood there, "by good surveye and oversight of the _poker_ and
+other officers of the said parke," at 4l. The date of the survey is 13
+May, 1584.
+
+Comparing this notice of the office with the receiver's accounts
+tempore Hen. VII. and Hen. VIII. (_antè_, p. 269.), in which the
+officer is called "pocarius omnium boscorum," I cannot doubt that his
+duty, or at least one of his duties, was that of woodward, and that,
+as such, he assigned timber for repair of the premises. How he came by
+his local title and style of poker is a mystery on which we have all
+hitherto failed to throw any light.
+
+E.S.
+
+
+_Vox Populi Vox Dei_,--about the origin of which saying "QUÆSITOR"
+asks (No. 21. p. 321.),--were the words chosen by the Archbishop of
+Canterbury, Simon Mepham, as his text for the sermon which he preached
+when Edward III. was called to the throne, from which the nation had
+pulled down his father, Edward II. This we learn from Walsingham, who
+says:
+
+ "Archiepiscopus verò Cantuariæ præsenti consensit electioni,
+ ut omnes prælati et archiepiscopus quidem assumpto themate,
+ _Vox populi Vox Dei_, sermonem fecit populo, exhortans
+ omnes ut apud regem regum intercederent pro electo."--Tho.
+ Walsingham, _Hist. Angl._ ed. Camden, p. 126.
+
+DANIEL ROCK.
+
+
+_A living Dog better than a dead Lion_.--I no not know whether your
+correspondent (No. 22. p. 352.) ever goes to church; but if he is not
+prevented by rain next St. Swithin's day, he will learn who was the
+author of this proverb. It will be a good thing, if your work should
+sometimes lead your readers to search the Scriptures, and give them
+credit for wisdom that has flowed from them so long, and far, and
+wide, that its source is forgotten; but this is not the place for a
+sermon, and I now only add, "here endeth the first lesson" from
+
+ECCLESIASTES.
+
+ ["J.E.," "D.D.," and other correspondents, have also replied
+ to this Query by references to Eccl. ix. 4.]
+
+
+_Curious Monumental Brass_ (No. 16. p. 247.)--If "RAHERE" will turn to
+Mr. Boutell's _Monumental Brasses and Slabs_, p. 148., he will there
+find a description as well as an engraving of what, from his account,
+I doubt not he will discover to be the identical fragment to which he
+refers. A foot legend, and what remains of a border inscription, is
+added to it. In the above work, pp. 147 to 155, and in the Oxford
+Architectural Society's _Manual for the Study of Brasses_, p. 15.,
+"RAHERE" will find an account and references to numerous examples of
+palimpsest brasses, to which class the one in question belongs.
+
+I presume that "RAHERE" is a young brass-rubber, or the fact of a
+plate being engraved on both sides would have presented no difficulty
+to him.
+
+ARUN.
+
+ [We have received several other replies to this Query,
+ referring to Mr. Boutell's _Monumental Brasses_: one from
+ "W."; another from "A CORNISHMAN," who says,--
+
+ "The brass in question, when I saw it last, had been
+ removed from the Rectory and placed in the tomb of Abbot
+ Wheathampstead, in company with the famous one of Thomas
+ Delamere, another Abbot of St. Albans."
+
+ Another from "E.V.," who states,--
+
+ "Other examples are found at St. Margaret's, Rochester (where
+ the cause of the second engraving is found to be an error in
+ costume in the first), St. Martins at Plain, Norwich, Hedgerly
+ Church, Bucks, and Burwell Church, Cambridgeshire. Of this
+ last, an engraving and description, by Mr. A.W. Franks,
+ is given in the fourteenth part of the Publications of the
+ Cambridge Antiquarian Society."
+
+ One from "WILLIAM SPARROW SIMPSON," who says,--
+
+ "It is also described in the Oxford Architectural Society's
+ _Manual of Mon. Brasses_, No. 6. pp. 6, 7. other examples of
+ which occur at Rochester, Kent, and at Cobham, Surrey. A small
+ plate of brass, in the possession of a friend, has on one side
+ a group of children, and on the reverse the uplifted hands of
+ an earlier figure."
+
+ And lastly, one from "A.P.H." (to which we cannot do ample
+ justice, as we do not keep an engraver), from which we extract
+ the following passages:--
+
+ "A friend of mine has a shield in his possession, taken from
+ a slab, and which has been enamelled. It is of late date
+ and rudely executed. On the back is {371} seen the hands and
+ breast of a small female figure, very nearly a century earlier
+ in date. I can also remember an inscription in Cuxton Church,
+ Kent, which was loose, and had another inscription on the back
+ in the same manner.
+
+ "I am very much impressed with the idea that the destroyed
+ brasses never had been used at all; but had been engraved,
+ and then, from circumstances that of course we cannot hope to
+ fathom, thrown on one side till the metal might be used for
+ some other purpose. This, I think, is a more probable, as well
+ as a more charitable explanation than the one usually given of
+ the so-called palimpsest brasses."]
+
+
+_Chapels_ (No. 20. p. 333.).--As to the origin of the name, will you
+allow me to refer Mr. Gatty to Ducange's _Glossary_, where he will
+find much that is to his purpose.
+
+As to its being "a legal description," I will not undertake to
+give an opinion without a fee; but I will mention a fact which may
+assist him in forming one. I believe that fifty years ago the word
+_Chapel_ was very seldom used among those who formed what was termed
+the "Dissenting Interest;" that is, the three "denominations" of
+Independents, Baptists, and Presbyterians. But I well recollect
+hearing, from good authority, nearly, or quite, forty years ago, that
+an eminent barrister (whom I might now describe as a late learned
+judge), who was much looked up to by the dissenters as one of their
+body, had particularly advised that in all trust-deeds relating to
+places of dissenting worship, they should be called "Chapels." I do
+not know that he assigned any reason, but I know that the opinion was
+given, or communicated, to those who had influence; and, from my own
+observation, I believe that from about that time we must date the
+adoption of the term, which has now been long in general use.
+
+I do not imagine that there was any idea of either assistance
+or opposition to the Church of England, in the mind of him who
+recommended, or those who adopted, the alteration, or that either
+of them expected or sought any thing by this measure but to obtain
+a greater security for property, or, rather, to avoid some real
+or imagined insecurity, found or supposed to attach to the form of
+description previously in use.
+
+A BARRISTER.
+
+
+_Forlot, Forthlot_ (No. 20. p. 320.).--A measure of grain used
+throughout Scotland at present--query _fourthlot_. See Jamieson's
+_Etymological Dictionary of the Scottish Language_.
+
+ "_Firlot; Fyrlot; Furlet_.--A corn measure in S., the fourth
+ part of a boll.
+
+ "Thay ordainit the boll to mat victual with, to be devidit
+ in foure partis, _videlicet_, foure _fyrlottis_ to contene
+ a boll; and that _fyrlot_ not to be maid efter the first
+ mesoure, na efter the mesoure now usit, bot in middill mesoure
+ betwixt the twa."--_Acts Jac._ l. 1526. c. 80. edit. 1566.
+
+ "--Ane furme, ane furlet,
+ Ane pott, ane pek."
+
+ Bannatyne _Poems_, p. 159.
+
+Skinner derives it from A.-S. _feower_, quatuor; and _lot_, _hlot_,
+portio (the fourth part); Teut. "_viertel_."
+
+J.S.
+
+
+_Loscop_ (No. 20. p. 319).--To be "Louecope-free" is one of the
+immunities granted to the Cinque Ports in their charters of Liberties.
+
+Jeakes explains the term thus:--
+
+ "The Saxon word Cope (in Low Dutch still Kope or Koope), for
+ trade or merchandising, makes this as much as to trade freely
+ for love. So that by no kind of monopoly patent, or company or
+ society of traders or merchants, the portsmen be hindered from
+ merchandising; but freely and for love, be permitted to trade
+ and traffick, even by such company of merchants, whenever it
+ shall happen their concerns lie together."
+
+In my MSS., and in the print of Jeakes, it is "Louecope," with which
+"Lofcope" may be readily identified; and _f_ may easily be misread for
+_s_, especially if the roll be obscured.
+
+If Jeakes's etymology of the word be correct, the inference would
+rather be that "Lovecope" was a tax for the goodwill of the port
+at which a merchant vessel might arrive; a "port duty" in fact,
+independent of "lastage" &c., chargeable upon every trader that
+entered the port, whatever her cargo might be. And the immunities
+granted to the portsmen were that they should be "port duty free."
+
+I do not venture to offer this as any thing more than a mere guess.
+Among your contributors there are many more learned than myself in
+this branch of antiquarian lore, who will probably be able to give
+a more correct interpretation, and we shall feel obliged for any
+assistance that they can give us in elucidating the question.
+
+"Lovecope" might perhaps be the designation of the association of
+merchants itself, to which Jeakes alludes; and the liberty of forming
+such association, with powers of imposing port duties, may have been
+dependent on special grant to any port by royal charter, such as that
+which forms the subject of your correspondent's communication.
+
+After all, perhaps, "Lovecope" was the word for an association of
+merchants; and "Louecope-free" is to be freed from privileged taxation
+by this body.
+
+L.B.L.
+
+
+_Smelling of the Lamp_ (No. 21. p. 335.).--"X." will find the
+expression [Greek: Illuchnion ozein] attributed to Pytheas by Plutarch
+(_Vit. Demosth._, c. 8.).
+
+J.E.B. MAYOR.
+
+
+_Anglo-Saxon MS. of Orosius_ (No. 20. p. 313.).--It may gratify Mr.
+Singer to be informed that the Lauderdale MS., formerly in the library
+at Ham House, is now preserved, with several other {372} valuable
+manuscripts and books, in the library at Helmingham Hall, Suffolk, the
+seat of the Tollemache family.
+
+M.
+
+
+_Golden Frog_.--Ingenious as is the suggestion of "R.R." (No. 18. p.
+282.), that Sir John Poley stuck a golden frog in his ear from his
+affection for _tadpoles_, I think "R.R.'s" "Rowley Poley" may be
+dismissed with the "_gammon_ and spinach" of the amorous frog to which
+he alludes.
+
+Conceiving that the origin of so singular a badge could hardly fail to
+be commemorated by some tradition in the family, I have made inquiry
+of one of Sir John Poley's descendants, and I regret to hear from him
+that "they have no authentic tradition respecting it, but that they
+have always believed that it had some connection with the service Sir
+John rendered in the Low Countries, where he distinguished himself
+much by his military achievements." To the Low Countries, then, the
+land of frogs, we must turn for the solution of the enigma.
+
+Gastras.
+
+Cambridge, March 9.
+
+
+_Sword of Charles I._--Mr. Planché inquires (No. 12. p. 183.), "When
+did the real sword of Charles the First's time, which, but a few years
+back, hung at the side of that monarch's equestrian figure at Charing
+Cross, disappear?"--It disappeared about the time of the coronation
+of Her present Majesty, when some scaffolding was erected about the
+statue, which afforded great facilities for removing the rapier (for
+such it was); and I always understood it found its way, by some means
+or other, to the Museum, so called, of the notoriously frolicsome
+Captain D----, where, in company with the wand of the Great Wizard of
+the North, and other well-known articles, it was carefully labelled
+and numbered, and a little account appended of the circumstances of
+its acquisition and removal.
+
+John Street.
+
+ [Surely then Burke was right, and the "Age of Chivalry is
+ past!"--Otherwise the idea of _disarming a statue_ would never
+ have entered the head of any Man of Arms, even in his most
+ frolicsome of moods.]
+
+
+_John Bull_.--_Vertue MSS._--I always fancied that the familiar name
+for our countrymen, about the origin of which "R.F.H." inquires (No.
+21. p. 336.), was adopted from Swift's _History of John Bull_, first
+printed in 1712; but I have no authority for saying so.
+
+If the Vertue MSS. alluded to (No. 20. p. 319.) were ever returned by
+Mr. Steevens to Dr. Rawlinson, they may be in the Bodleian Library, to
+which the Doctor left all his collections, including a large mass of
+papers purchased by him long after Pepys' death, as he described it,
+"Thus et odores vendentibus."
+
+These "_Pepys_ papers," as far as I can recollect, were very
+voluminous, and relating to all sorts of subjects; but I saw them in
+1824, and had only then time to examine and extract for publication
+portions of the correspondence.
+
+Braybrooke.
+
+Audley End, March 25.
+
+
+_Vertue's Manuscripts_.--The MS. quoted under this title by Malone
+is printed entire, or rather all of it which refers to plays, by Mr.
+Peter Cunningham, in the _Papers of the Shakspeare Society_, vol. ii.
+p. 123., from an interleaved copy of Langbaine. Since the publication
+of that paper, the entries relating to Shakspeare's plays have been
+given from the original MS. in the Bodleian Library, in Halliwell's
+_Life of Shakspeare_, p. 272.
+
+S.L.
+
+
+_Vertue's MSS_. (No. 20. p. 319.) were in Horace Walpole's possession,
+bought by him, I think, of Vertue's widow; and his _Anecdotes of
+Painting_ were chiefly composed from them, as he states, with great
+modesty, in his dedication and his preface. I do not see in the
+Strawberry-Hill Catalogue any notice of "Vertue's MSS.," though some
+vols. of his collection of engravings were sold.
+
+C.
+
+
+_Lines attributed to Tom Brown_.--In a book entitled _Liber
+Facetiarum, being a Collection of curious and interesting Anecdotes_,
+published at Newcastle-upon-Tyne, by D. Akenhead & Sons, 1809, the
+passage attributed to Tom Brown by your correspondent "J.T." is given
+to Zacharias Boyd.
+
+The only reference given as authority for the account is the initials
+H.B.
+
+ "Zacharias Boyd, whose bust is to be seen over the entrance
+ to the Royal College in Glasgow, while Professor in that
+ university, translated the Old and New Testament into Scotch
+ Metre; and, from a laudable zeal to disseminate religious
+ knowledge among the lower classes of the community, is said to
+ have left a very considerable sum to defray the expense of the
+ said work, which, however, his executors never printed."
+
+After a few specimens, the account goes on
+
+ "But the highest flight of his Muse appears in the following
+ _beautiful Alexandrine_:
+
+ "And was not Pharaoh a saucy rascal?
+ That would not let the children of Israel, their wives
+ And their little ones, their flocks and their herds, go
+ Out into the wilderness forty days
+ To eat the Pascal.
+
+ "H.B."
+
+Speaking of Zachariah Boyd, Granger says, (vol. ii. p. 379.):
+
+ "His translation of the Scripture in such uncouth verse as to
+ amount to burlesque, has been often quoted, and the just fame
+ of a benefactor to learning has been obscured by that cloud
+ of miserable rhymes. Candour will smile at the foible, but
+ applaud the man.
+
+ "Macure, in his account of Glasgow, p. 223., informs us he
+ lived in the reign of Charles I."
+
+H.I.
+
+Sheffield, March 9. 1850. {373}
+
+
+_Passage in Frith's Works_ (No. 20. p. 319).--This passage should be
+read, as I suppose, "Ab inferiori ad suum superius confuse distribui."
+
+It means that there would be confusion, if what is said distributively
+or universally of the lower, should be applied distributively or
+universally to the higher; or, in other words, if what is said
+universally of a species, should be applied universally to the genus
+that contains that and other species: e.g., properties that are
+universally found in the human species will not be found universally
+in the genus Mammalis, and universal properties of Mammalia wil not be
+universal over the animal kingdom.
+
+T.J.
+
+
+_Martins, the Louvain Printer_.--Your correspondent "W." (No.
+12. p. 185.) is informed, that in Falkenstein's _Geschichte der
+Buchdrucherkunst_ (Leipzig, 1840, p. 257.), Theoderich Martens,
+printer in Louvain and Antwerp, is twice mentioned. I have no doubt
+but this is the correct German form of the name. Mertens, by which he
+was also known, may very possibly be the Flemish form. His Christian
+name was also written Dierik, a short form of Dietrich, which, in its
+turn, is the same as Theodorich.
+
+NORTHMAN.
+
+
+_Master of the Revels_.--"DR. RIMBAULT" states (No. 14. p. 219.), that
+Solomon Dayrolle was appointed Master of the Revels in 1744, but does
+not know the date of his decease. It may be unknown to Dr. Rimbault,
+that Solomon Dayrolle_s_ was an intimate friend and correspondent of
+the great Lord Chesterfield: the correspondence continues from 1748
+to 1755 in the selection of Chesterfield's letters to which I am
+referring.
+
+Dayrolles, during all that period, held a diplomatic appointment from
+this country at the Hague. See Lord Chesterfield's letter to him of
+the 22d Feb. 1748, where Lord C. suggests that by being cautious he
+(Dayrolles) may be put _en train d'être Monsieur l'Envoye_.
+
+In several of the letters Chesterfield warmly and familiarly commends
+his hopeful son, Mr. Stanhope, to the care and attention of Dayrolles.
+
+I have not been able to ascertain when Dayrolles died, but the above
+may lead to the discovery.
+
+W.H. LAMMIN.
+
+
+_French Maxim_.--The French saying quoted by "R.V." is the 223rd
+of _Les Réflexions morales du Duc de la Rochefoucauld_ (Pougin,
+Paris, 1839). I feel great pleasure in being able to answer your
+correspondent's query, as I hope that my reply may be the means of
+introducing to his notice one of the most delightful authors that has
+ever yet written: one who deserves far more attention than he appears
+to receive from general readers in this degenerate age, and from whom
+many of his literary successors have borrowed some of their brightest
+thoughts. I need not go far for an illustration:
+
+ "Praise undeserved, is scandal in disguise,"
+
+is merely a condensation of,
+
+ "Louer les princes des vertus qu'ils n'ont pas, c'est leur
+ dire impunément des injures."--La Rochefoucauld, Max. 327.
+
+I believe that Pope marks it as a _translation--a borrowed
+thought--not as a quotation_. He has just before used the words "your
+Majesty;" and I think the word "_scandal_" is employed "_consulto_,"
+and alludes to the offence known in English law as "scandalum
+magnatum." Your correspondent will, of course, read the work in the
+original; in fact, he _must_ do so _per force_. A good translation
+of _Les Maximes_ is still a desideratum in English literature. I
+have not yet seen one that could lay claim even to the meagre title
+of mediocrity; although I have spared neither time nor pains in the
+search. Should any of your readers have been more fortunate, I shall
+feel obliged by their referring me to it.
+
+MELANION.
+
+
+_Endeavour_.--I have just found the following instance of "endeavour"
+used as an active verb, in Dryden's translation of Maimbourg's
+_History of the League_, 1684.
+
+ "On the one side the majestique House of Bourbon,... and on
+ the other side, that of two eminent families which endeavour'd
+ their own advancement by its destruction; the one is already
+ debas'd to the lowest degree, and the other almost reduc'd to
+ nothing."--p. 3.
+
+C. FORBES.
+
+Temple.
+
+ * * * * *
+
+
+MISCELLANIES.
+
+_Epigram by La Monnoye_.--It has been ingeniously said, that "Life is
+an epigram, of which death is the point." Alas for human nature! good
+points are rare; and no wonder, according to this wicked, but witty,
+
+ EPIGRAM BY LA MONNOYE.
+
+ The world of fools has such a store,
+ That he who would not see an ass,
+ Must bide at home, and bolt his door,
+ And break his looking glass.
+
+S.W.S.
+
+Mickleham, Dec. 10. 1849.
+
+
+_Spur Money_.--Two or three years since, a party of sappers and miners
+was stationed at Peterborough, engaged in the trigonometrical survey,
+when the officer entered the cathedral with his spurs on, and was
+immediately beset by the choristers, who demanded money of him for
+treading the sacred floor with armed heels. Does any one know the
+origin of this singular custom? I inquired of some of the dignitaries
+of the Cathedral, but they were not aware even of its existence. The
+boys, however, have more tenacious memories, at least where their
+interest is concerned; but we must not look to them for the origin of
+a {374} custom which appears to have long existed. In the _Memorials
+of John Ray_, published by the Ray Society, p. 131., there is the
+following entry in his second Itinerary:--
+
+ "July the 26th, 1661, we began our journey northwards from
+ Cambridge, and that day, passing through Huntingdon and
+ Stilton, we rode as far as Peterborough twenty-five miles.
+ There I first heard the Cathedral service. The choristers made
+ us pay money for coming into the choir with our spurs on."
+
+East Winch.
+
+ [The following note from _The Book of the Court_ will serve
+ to illustrate the curious custom referred to by our
+ correspondent:
+
+ "In _The Privy Purse Expenses of King Henry VIII._ edited by
+ Sir Harris Nicolas, there occur several entries of payments
+ made to the choristers of Windsor 'in rewarde for the king's
+ spurs'; which the editor supposes to mean 'money paid to
+ redeem the king's spurs, which had become the fee of the
+ choristers at Windsor, perhaps at installations, or at the
+ annual celebration of St. George's feast.' No notice of the
+ subject occurs in Ashmole's or Anstis's _History of the Order
+ of the Garter_. Mr. Markland, quoting a note to Gifford's
+ edition of Ben Jonson, vol. ii. p. 49., says, 'In the time
+ of Ben Jonson, in consequence of the interruptions to Divine
+ Service occasioned by the ringing of the spurs worn by persons
+ walking and transacting business in cathedrals, and especially
+ in St. Paul's, a small fine was imposed on them, called
+ "spur-money," the exaction of which was committed to the
+ beadles and singing-boys.' This practice, and to which,
+ probably, the items in Henry's household-book bear reference,
+ still obtains, or, at least, did till very lately, in the
+ Chapel Royal and other choirs. Our informant himself claimed
+ the penalty, in Westminster Abbey, from Dr. Fisher, Bishop of
+ Rochester, and received from him an eighteenpenny bank token
+ as the fine. He likewise claimed the penalty from the King
+ of Hanover (then Duke of Cumberland), for entering the choir
+ of the Abbey in his spurs. But His Royal Highness, who had
+ been installed there, excused himself with great readiness,
+ pleading 'his right to wear his spurs in that church, inasmuch
+ as it was the place where they were first put on him!'--See
+ further, _European Mag._, vol. iii. p. 16."]
+
+ * * * * *
+
+MINIMUM DE MALIS.
+
+(_FROM THE LATIN OF BUCHANAN._)
+
+ Calenus owed a single pound, which yet
+ With all my dunning I could never get.
+ Tired of fair words, whose falsehood I foresaw,
+ I hied to Aulus, learned in the law.
+ He heard my story, bade me "Never fear,
+ There was no doubt--no case could be more clear:--
+ He'd do the needful in the proper place,
+ And give his best attention to the case."
+ And this he may have done--for it appears
+ To have been his business for the last ten years,
+ Though on his pains ten times ten pounds bestow'd
+ Have not regain'd that one Calenus owed.
+ Now, fearful lest this unproductive strife
+ Consume at once my fortune and my life,
+ I take the only course I can pursue,
+ And shun my debtor and my lawyer too.
+ I've no more hope from promises or laws,
+ And heartily renounce both debt and cause--
+ But if with either rogue I've more to do,
+ I'll surely choose my debtor of the two;
+ For though I credit not the lies he tells,
+ At least he _gives_ me what the other _sells_.
+
+Rufus.
+
+ * * * * *
+
+_Epigram on Louis XIV._--I find the following epigram among some old
+papers. The emperor would be Leopold I., the king Louis XIV.
+
+_Epigram by the Emperor, 1666, and the King of France._
+
+ Bella fugis, sequeris bellas, pugnæque repugnas,
+ Et bellatori sunt tibi bella tori.
+ Imbelles imbellis amas, totusque videris
+ Mars ad opus Veneris, Martis ad arma Venus.
+
+J.H.L.
+
+
+_Macaulay's Young Levite._--I met, the other day with a rather curious
+confirmation of a passage in Macaulay's _History of England_, which
+has been more assailed perhaps than any other.
+
+In his character of the clergy, Macaulay says, they frequently
+married domestics and retainers of great houses--a statement which has
+grievously excited the wrath of Mr. Babington and other champions.
+In a little book, once very popular, first published in 1628, with
+the title _Microcosmographie, or a Piece of the World discovered_,
+and which is known to have been written by John Earle, after the
+Restoration Bishop of Worcester and then of Salisbury, is the
+following passage. It occurs in what the author calls a character of
+"a young raw preacher."
+
+ "You shall know him by his narrow velvet cape and serge
+ facing, and his ruffe, next his hire, the shortest thing
+ about him.... His friends, and much painefulnesse, may
+ preferre him to thirtie pounds a yeere, and this meanes, to
+ a chamber-maide: with whom we leave him now in the bonds of
+ wedlocke. Next Sunday you shall have him againe."
+
+The same little book contains many very curious and valuable
+illustrations of contemporary manners, especially in the universities.
+
+That the usage Macaulay refers to was not uncommon, we find from a
+passage in the _Woman-Hater_, by Beaumont and Fletcher (1607), Act
+III. Sc. 3.
+
+Lazarillo says,
+
+ "Farewell ye courtly chaplains that be there!
+ All good attend you! May you never more
+ Marry your patron's lady's waiting-woman!"
+
+I.T.
+
+Trin. Coll. Camb., March 16. 1850. {375}
+
+
+_St. Martin's Lane_.--The first building leases of St. Martin's Lane
+and the adjacent courts accidentally came under my notice lately.
+They are dated in 1635 and 1636, and were granted by the then Earl of
+Bedford.
+
+Arun.
+
+ * * * * *
+
+CHARLES DEERING, M.D.
+
+"Author of the Catalogue of Plants in the neighbourhood of Nottingham.
+'Catalogus Stirpium, &c., or a Catalogue of Plants naturally growing
+and commonly cultivated in divers parts of England, and especially
+about Nottingham,' 8vo. Nottingh. 1738.
+
+"He was in the suite of the English ambassador to Russia, returned and
+practised physic in London married unfortunately, buried his wife,
+and then went to Nottingham, where he lived several years. During
+his abode there he wrote a small _Treatise on the Small Pocks_, this
+_Catalogue of Plants_, and the _History of Nottingham_, the materials
+for which John Plumtre, Esq. of Nottingham, was so obliging as to
+assist him with. He also was paid 40l. by a London bookseller for
+adding 20,000 words to an English dictionary. He was master of seven
+languages, and in 1746 he was favoured with a commission in the
+Nottinghamshire Foot, raised at that time. Soon after died, and was
+buried in St. Peter's Churchyard.
+
+"William Ayscough, father of the printer of this _Catalogus Stirpium_
+(G. Ayscough), in 1710, first introduced the art of printing at
+Nottingham.
+
+"Mr. White was the same year the first printer at Newcastle-upon-Tyne;
+and Mr. Dicey at Northampton."--_MS. Note in the Copy of the Cat.
+Stirpium, in the Library of the British Museum_.
+
+ * * * * *
+
+
+MISCELLANEOUS.
+
+NOTES ON BOOKS, CATALOGUES, SALES, ETC.
+
+Our advertising columns already show some of the good results of the
+_Exhibition of the Works of Ancient and Mediæval Art_. Mr. Williams
+announced last week his _Historic Reliques_, to be etched by
+himself. Mr. Cundall has issued proposals for _Choice Examples of Art
+Workmanship_; and, lastly, we hear that an _Illustrated Catalogue
+of the Exhibition_, prepared by Mr. Franks, the zealous Honorary
+Secretary of the Committee, and so arranged as to form a _History of
+Art_, may be expected. We mention these for the purpose of inviting
+our friends to contribute to the several editors such information as
+they may think likely to increase the value of the respective works.
+
+The second edition of our able correspondent, Mr. Peter Cunningham's
+_Handbook of London_, is on the eve of publication.
+
+There are few of our readers but will be glad to learn from
+the announcement in a previous column, that the edition of the
+_Wickliffite Versions of the Scriptures_, upon which Sir Frederick
+Madden and his fellow labourers have been engaged for a period of
+twenty years, is just completed. It forms, we believe, three quarto
+volumes.
+
+Messrs. Puttick and Simpson lately disposed of a most select and
+interesting collection of autograph letters. We unfortunately did not
+receive the catalogue in time to notice it, which we the more regret,
+because, like all their catalogues of autographs, it was drawn up with
+amateur-like intelligence and care; so as to make it worth preserving
+as a valuable record of materials for our history and biography.
+
+We have received the following Catalogues of Books:--No. XXV. of
+Thomas Cole's (15. Great Turnstile): No. 2. for 1850, of William
+Heath's (29½ Lincoln's Inn Fields); and No. 15. of Bernard Quarritch's
+(16. Castle Street, Leicester Square) Catalogue of Oriental and
+Foreign Books.
+
+ * * * * *
+
+BOOKS AND ODD VOLUMES
+
+WANTED TO PURCHASE
+
+(_IN CONTINUATION OF LISTS IN FORMER NOS._)
+
+Mills, Rev. Isaac, of Highcleer--Account of the Life and Conversation
+of, with a Sermon, 8vo., 1721.
+
+Mykur Hazem, by Marcus, London, 1846.
+
+Poems by a Bornnatural, 1849.
+
+_ODD VOLUMES_.
+
+Proceedings of the Philological Society. Vol. I.
+
+Richardson's Correspondence, Vol. I. of the Six-Volume Ed.
+
+Todd's Johnson's Dictionary, 4to., 1819. (Part X. containing Title,
+Preface, &c.)
+
+Partington's British Cyclopædia--That portion of Natural History which
+follows Vol. I.
+
+*** Letters, stating particulars and lowest price, _carriage free_,
+to be sent to Mr. Bell, Publisher of "NOTES AND QUERIES," 186. Fleet
+Street.
+
+ * * * * *
+
+NOTICES TO CORRESPONDENTS.
+
+Burning for Treason.--Can the Correspondent who furnished us with
+a curious Note upon this subject favour us with a copy of it, the
+original having been accidentally mislaid?
+
+We are again compelled, from want of space, to omit many curious
+and interesting articles; and, after this statement, must beg our
+kind friends at Leeds, Brompton, &c., who complain of delay in the
+insertion of their communications, to do us the favour to refer to the
+notice on this very subject which appeared in our early numbers.
+
+Notes and Queries may be procured by the Trade at noon on Friday:
+so that our country Subscribers ought to experience no difficulty in
+receiving it regularly. Many of the country Booksellers are probably
+not yet aware of this arrangement, which enables them to receive
+Copies in their Saturday parcels. Part V. is now ready.
+
+ * * * * *{376}
+
+THE QUARTERLY REVIEW,
+
+No. CLXXII. is Published This Day.
+
+ CONTENTS:
+ I. GIACOMO LEOPARDI AND HIS WRITINGS.
+ II. RANKE'S HOUSE OF BRANDENBURG.
+ III. QUEEN'S COLLEGE, LONDON.
+ IV. GROTE'S HISTORY OF GREECE.
+ V. URQUHART'S PILLARS OF HERCULES.
+ VI. FACTS IN FIGURES.
+ VII. THE DUTIFUL SON.
+ VIII. CUNNINGHAM'S HANDBOOK OF LONDON.
+ IX. BAXTER'S IMPRESSIONS OF EUROPE.
+ X. LORD LIEUTENANT CLARENDON.
+ XI. LOUIS PHILIPPE.
+
+John Murray, Albemarle Street.
+
+ * * * * *
+
+NEARLY READY.
+
+[Illustration: CHOICE EXAMPLES OF ART WORKMANSHIP Selected from the
+Exhibition of ANCIENT AND MEDIÆVAL ART at the Society of Arts]
+
+A Prospectus, containing a Specimen of the Illustrations, will be sent
+on receipt of two postage stamps.
+
+Joseph Cundall, 21. Old Bond Street.
+
+ * * * * *
+
+MILLER'S CATALOGUE OF ANCIENT AND MODERN BOOKS.--NUMBER FOUR is ready
+this day, and can be had Gratis, and sent, if required, Postage Free.
+Address, John Miller, 43, Chandos Street, Trafalgar Square. This List
+embraces numerous valuable and interesting Books on English Poetry,
+the Drama, History, Biography, Voyages and Travels, &c., with the
+works of a few of the best Continental writers, a selection of
+Pictorial Books of Scenery, Costume, Topography, and Drawing-room
+Table Books.
+
+Also, on forwarding Four Postage Stamps, JOHN MILLER'S CATALOGUE OF
+BOOKS FOR THE PAST QUARTER may be had stitched in a wrapper, with
+a Table of Contents, showing at one glance the range of subjects
+embraced, amongst which may be enumerated the following, viz.,
+America, Angling, Banking and Currency, Coins, Dictionaries,
+Drawing-books, Games, Sports, &c., Heraldry, Genealogy and Family
+History, Ireland, its History and Literature, Kent, its History and
+Topography, Law, Music, its History and Theory, Painting and the Fine
+Arts, Shakspeariana, and a variety of other branches of Literature
+comprised in upwards of 1500 articles.
+
+John Miller, 43. Chandos Street, Trafalgar Square.
+
+ * * * * *
+
+THE ANGLO-SAXON, for April, Price 2s. 6d. or 3s. post-free, contains
+England and her Colonies: County Colonisation, with Maps--English
+Church Music--Christian Architecture--London: a Poem, Essay II.--The
+Alfred Medals: Three Sonnets, by Martin F. Tupper--Anglo-Saxon
+Literature: the Jubilee Edition of King Alfred's Works, with Specimens
+and Translations--Wives and Mothers--Anglo-Saxon Colonies: Victoria,
+Cooksland, Port Essington, (Papua--Timor)--Original Ballads.
+
+The ANGLO-SAXON for 1849 forms a handsome volume, price One Guinea.
+
+London: T. Bosworth, 215. Regent Street.
+
+ * * * * *
+
+Published every Saturday, price 3d., or stamped, 4d., also in Monthly
+Parts. Part V. (for March), price 1s. 3d., now ready.
+
+NOTES AND QUERIES: a Medium of Inter-communication for Literary Men,
+Artists, Antiquaries, Genealogists, &c.
+
+The attention of Publishers and Booksellers is particularly
+requested to this Periodical as a medium for advertising. It contains
+communications from the most eminent Literary Men, and is circulated
+largely amongst the best class of book-buyers.
+
+In addition to the valuable matter which will be found in its columns,
+it contains notices of Book Sales, Booksellers' Catalogues, and Lists
+of Books wanted to purchase,--features which it is believed will
+be found valuable to Dealers in Old Books, as well as useful to
+Purchasers.
+
+ SCALE OF PRICES.
+ £ s. d.
+ Six lines and under . . . . 0 5 0
+ Above six lines, per line . 0 0 6
+ Half a column . . . . . . . 0 16 0
+ Column . . . . . . . . . . 1 10 0
+ Page . . . . . . . . . . . 2 10 0
+
+***Advertisements must be sent by the Wednesday previous to the
+Saturday on which they are intended to appear; Notes and Queries
+being issued to the Trade on Friday afternoon.
+
+OPINIONS OF THE PRESS.
+
+ "As good a first number as we remember to have seen. The
+ Editor exhibits a phalanx of eminent assistants. * * There can
+ be no doubt of the value of a Literary Medium of this peculiar
+ kind."--_Athenæum_.
+
+ "We like the plan much. * * We wish success to a
+ publication which promises to be agreeable, intelligent, and
+ useful."--_Literary Gazette_.
+
+ "We feel great pleasure in welcoming into the literary
+ world this publication, which promises to fill up a void
+ that has constantly been lamented by every person engaged
+ in any particular branch of study that required experience
+ and research. * * It is a publication in which all literary
+ persons must feel a deep interest, and that has our heartiest
+ wishes for its success."--_Morning Herald_.
+
+ "This is a new periodical, with a new idea, and one that
+ deserves and will be sure to receive encouragement amongst
+ scholars and readers really deserving that appellation. * *
+ It is a capital idea; and every one who makes Notes or has
+ Queries should buy it and contribute to it."--_Weekly News_.
+
+ "That valuable publication The Notes and Queries, so
+ auspiciously commenced."--_New Bell's Messenger_.
+
+ "With whomsoever the idea of publishing this useful and
+ interesting periodical first originated, that person is
+ entitled to the thanks of every author, antiquary, and
+ scholar, in the United Kingdom. * * We recommend, in all
+ sincerity, The Notes and Queries to the attention of lovers
+ of literature in general."--_Morning Post_.
+
+London: George Bell, 186. Fleet Street.
+
+ * * * * *
+
+Just Published, Parts 13 and 14, imperial quarto. Price 3_s._
+each, tinted 4s.
+
+RELIQUES OF ANCIENT ENGLISH ARCHITECTURE, from Drawings by John
+Johnson, Architect, F.S.A., Lithographed by Alfred Newman.
+
+Contents, Part 13:--Hawton Church; Notts.--St. Mary's,
+Stamford--Aldwinkle, All Saints, Northamptonshire-Wellingborough
+Church, Northamptonshire.
+
+Part 14--Skelton Church, from the South-East and South-West--Rye
+House, Herts.--Holbeach Church, Lincolnshire.
+
+This Work is intended to embrace a series of examples of
+Ecclesiastical, Collegiate, and Domestic Architecture. It will be
+completed in Twenty Monthly Parts, price 3s. each, tinted 4s.
+
+London: George Bell, 186. Fleet Street.
+
+ * * * * *
+
+Preparing for immediate Publication, in 2 vols. small octavo.
+
+THE FOLK-LORE OF ENGLAND. By William J. Thoms, F.S.A., Secretary
+of the Camden Society, Editor of "Early Prose Romances," "Lays and
+Legends of all Nations," &c. One object of the present work is to
+furnish new contributions to the History of our National Folk-Lore;
+and especially some of the more striking illustrations of the subject
+to be found in the Writings of Jacob Grimm and other Continental
+Antiquaries.
+
+Communications of inedited Legends, Notices of remarkable Customs and
+Popular Observances, Rhyming Charms, &c. are earnestly solicited, and
+will be thankfully acknowledged by the Editor. They may be addressed
+to the care of Mr. Bell, Office of "Notes and Queries," 186. Fleet
+Street.
+
+ * * * * *
+
+Printed by Thomas Clark Shaw, of No. 8. New Street Square, at No. 5.
+New Street Square, in the Parish of St. Bride, in the City of London;
+and published by George Bell, of No. 186. Fleet Street, in the Parish
+of St. Dunstan in The West, in the City of London, Publisher, at No.
+186. Fleet Street aforesaid.--Saturday, April 6, 1850.
+
+ * * * * *
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries 1850.04.06, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.04.06 ***
+
+***** This file should be named 12505-8.txt or 12505-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/2/5/0/12505/
+
+Produced by Jon Ingram, William Flis, and the Online Distributed
+Proofreading Team. With thanks to Internet Library of Early Journals.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year. For example:
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/old/12505-8.zip~ b/old/12505-8.zip~
new file mode 100644
index 0000000..be5460b
--- /dev/null
+++ b/old/12505-8.zip~
Binary files differ
diff --git a/old/12505-h.zip~ b/old/12505-h.zip~
new file mode 100644
index 0000000..7eebd03
--- /dev/null
+++ b/old/12505-h.zip~
Binary files differ
diff --git a/old/12505-h/12505-h.htm~ b/old/12505-h/12505-h.htm~
new file mode 100644
index 0000000..b20d1b5
--- /dev/null
+++ b/old/12505-h/12505-h.htm~
@@ -0,0 +1,3168 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+ <meta http-equiv="Content-Type"
+ content="text/html; charset=us-ascii" />
+
+ <title>Notes And Queries, Issue 23.</title>
+ <style type="text/css">
+
+ /*<![CDATA[*/
+ <!--
+ body {margin-left: 10%; margin-right: 10%;}
+ p {text-align: justify;}
+ blockquote {text-align: justify;}
+ h1,h2,h3,h4,h5,h6 {text-align: center;}
+ pre {font-size: 0.7em;}
+
+ hr {text-align: center; width: 50%;}
+ html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;}
+ hr.full {width: 100%;}
+ html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.adverts {width: 100%; height: 5px; color: black;}
+ html>body hr.adverts {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.short {text-align: center; width: 20%;}
+ html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;}
+
+
+ .note, .footnote {margin-left: 10%; margin-right: 10%;
+ font-size: 0.9em;}
+
+ .poem {margin-left:10%; margin-right:10%;
+ text-align: left;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ .poem p.i2 {margin-left: 2em;}
+ .poem p.i4 {margin-left: 4em;}
+ .poem p.i6 {margin-left: 6em;}
+ .poem p.i8 {margin-left: 8em;}
+ .poem p.i16 {margin-left: 16em;}
+ .poem .caesura {vertical-align: -200%;}
+
+ span.pagenum {position: absolute; left: 1%; right: 91%;
+ font-size: 8pt;}
+
+ p.author {text-align: right;}
+
+ .figcenter, .figright, .figleft
+ {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;}
+ .figcenter img, .figright img, .figleft img
+ {border: none;}
+ .figcenter p, .figright p, .figleft p
+ {margin: 0; text-indent: 1em;}
+ .figcenter {margin: auto;}
+ .figright {float: right;}
+ .figleft {float: left;}
+
+ -->
+ /*]]>*/
+ </style>
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Notes and Queries 1850.04.06, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries 1850.04.06
+
+Author: Various
+
+Release Date: June 3, 2004 [EBook #12505]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.04.06 ***
+
+
+
+
+Produced by Jon Ingram, William Flis, and the Online Distributed
+Proofreading Team. With thanks to Internet Library of Early Journals.
+
+
+
+
+
+
+</pre>
+
+ <span class="pagenum"><a name="page361"
+ id="page361"></a>{361}</span>
+
+ <h1>NOTES AND QUERIES:</h1>
+
+ <h2>A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS,
+ ANTIQUARIES, GENEALOGISTS, ETC.</h2>
+ <hr />
+
+ <h3><b>"When found, make a note of."</b>&mdash;CAPTAIN
+ CUTTLE.</h3>
+ <hr class="full" />
+
+ <table summary="masthead"
+ width="100%">
+ <tr>
+ <td align="left"
+ width="25%"><b>No. 23.</b></td>
+
+ <td align="center"
+ width="50%"><b>SATURDAY, APRIL 6. 1850.</b></td>
+
+ <td align="right"
+ width="25%"><b>Price Threepence.<br />
+ Stamped Edition 4d.</b></td>
+ </tr>
+ </table>
+ <hr class="full" />
+
+ <h2>CONTENTS.</h2>
+
+ <table summary="Contents"
+ align="center">
+ <tr>
+ <td align="left">NOTES:&mdash;</td>
+
+ <td align="right">Page</td>
+ </tr>
+
+ <tr>
+ <td align="left">Periplus of Hanno, by R.T.
+ Hampson</td>
+
+ <td align="right"><a href="#page361">361</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Pope Vindicated</td>
+
+ <td align="right"><a href="#page362">362</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">The Supper of the Lorde</td>
+
+ <td align="right"><a href="#page362">362</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Folk Lore:&mdash;Palm Sunday
+ Wind&mdash;Curious Symbolical Custom&mdash;The Wild
+ Huntsman</td>
+
+ <td align="right"><a href="#page363">363</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">On Authors and Books, No. VI, by
+ Bolton Corney</td>
+
+ <td align="right"><a href="#page363">363</a></td>
+ </tr>
+
+ <tr>
+ <td></td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">QUERIES:&mdash;</td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">Nicholas Breton's Crossing of
+ Proverbs, by J.P. Collier</td>
+
+ <td align="right"><a href="#page364">364</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Sword called Curtana, by E.F.
+ Rimbault, LL.D.</td>
+
+ <td align="right"><a href="#page364">364</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Is the Dombec the Domesday of Alfred?
+ by George Munford</td>
+
+ <td align="right"><a href="#page365">365</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Minor Queries:&mdash;Wickliffite
+ Versions of the Scriptures&mdash;Gloves&mdash;Law
+ Courts at St. Alban's&mdash;Milton
+ Pedigree&mdash;Sapcote Motto&mdash;Scala Coeli,
+ &amp;c.</td>
+
+ <td align="right"><a href="#page366">366</a></td>
+ </tr>
+
+ <tr>
+ <td></td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">REPLIES:&mdash;</td>
+ </tr>
+
+ <tr>
+ <td align="left">The Arabic Numerals and Cipher</td>
+
+ <td align="right"><a href="#page367">367</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Replies to Minor Queries, by Sir W.C.
+ Trevelyan</td>
+
+ <td align="right"><a href="#page368">368</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Derivation of "News"</td>
+
+ <td align="right"><a href="#page369">369</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Replies to Minor
+ Queries:&mdash;Swot&mdash;Pokership&mdash;Vox
+ Populi&mdash;Living Dog better than dead
+ Lion&mdash;Curious Monumental
+ Brasses&mdash;Chapels&mdash;Forthlot&mdash;Loscop&mdash;
+ Smelling of the Lamp&mdash;Anglo-Saxon MS. of
+ Orosius&mdash;Golden Frog&mdash;Sword of Charles
+ I.&mdash;John Bull&mdash;Vertue MSS.&mdash;Lines
+ attributed to Tom Brown, &amp;c.</td>
+
+ <td align="right"><a href="#page369">369</a></td>
+ </tr>
+
+ <tr>
+ <td></td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">MISCELLANIES:&mdash;</td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">Epigram by La Monnoye&mdash;Spur
+ Money&mdash;Minimum de Malls&mdash;Epigram on Louis
+ XIV.&mdash;Macaulay's Young Levite&mdash;St. Martin's
+ Lane&mdash;Charles Deering, M.D.</td>
+
+ <td align="right"><a href="#page373">373</a></td>
+ </tr>
+
+ <tr>
+ <td></td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">MISCELLANEOUS:&mdash;</td>
+
+ <td></td>
+ </tr>
+
+ <tr>
+ <td align="left">Notes on Books, Sales, Catalogues,
+ &amp;c.</td>
+
+ <td align="right"><a href="#page375">375</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Books and Odd Volumes wanted</td>
+
+ <td align="right"><a href="#page375">375</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Notices to Correspondents</td>
+
+ <td align="right"><a href="#page375">375</a></td>
+ </tr>
+
+ <tr>
+ <td align="left">Advertisements</td>
+
+ <td align="right"><a href="#page376">376</a></td>
+ </tr>
+ </table>
+ <hr />
+
+ <h3>PERIPLUS OF HANNO THE CARTHAGINIAN.</h3>
+
+ <p>I am not sufficiently Quixotic to attempt a defence of the
+ Carthaginians on the western coast of Africa, or any where
+ else, but I submit that the accusation brought against them by
+ Mr. S. Bannister, formerly Attorney-General of New South Wales,
+ is not sustained by the only record we possess of Hanno's
+ colonising expedition. That gentleman, in his learned
+ <i>Records of British Enterprise beyond Sea</i>, just
+ published, says, in a note, p. xlvii.:&mdash;</p>
+
+ <p>"The first nomade tribe they reached was friendly, and
+ furnished Hanno with <i>interpreters</i>. At length they
+ discovered a nation <i>whose language was unknown to the
+ interpreters</i>. These strangers they attempted to seize; and,
+ upon their resistance, they took three of the women, whom they
+ put to death, and carried their skins to Carthage" (<i>Geogr.
+ Gr&aelig;ci Minores</i>, Paris, 1826, p. 115.).</p>
+
+ <p>Hanno obtained interpreters from a people who dwelt on the
+ banks of a large river, called the Lixus, and supposed to be
+ the modern St. Cyprian. Having sailed thence for several days,
+ and touched at different places, planting a colony in one of
+ them, he came to a mountainous country inhabited by savages,
+ who wore skins of wild beasts,
+ &delta;&epsilon;&rho;&mu;&alpha;&tau;&alpha;
+ &theta;&eta;&rho;&epsilon;&iota;&alpha;
+ &epsilon;&nu;&eta;&mu;&mu;&epsilon;&nu;&omega;&nu;. At a
+ distance of twelve days' sail he came to some Ethiopians, who
+ could not endure the Carthaginians, and who spoke
+ unintelligibly even to the Lixite interpreters. These are the
+ people whose women, Mr. Bannister says, they killed. Hanno
+ sailed from this inhospitable coast fifteen days, and came to a
+ gulf which he calls &Nu;&omicron;&tau;&omicron;&upsilon;
+ &Kappa;&epsilon;&rho;&alpha;, or South Horn.</p>
+
+ <blockquote>
+ <p>"Here," says the Dr. Hawkesworth, of Carthage, "in the
+ gulf, was an island, like the former, containing a lake,
+ and in this another island, full of wild men; but the women
+ were much more numerous, <i>with hairy bodies</i>
+ (&delta;&alpha;&sigma;&epsilon;&iota;&alpha;&iota;
+ &tau;&omicron;&iota;&sigma;
+ &sigma;&omega;&mu;&alpha;&sigma;&iota;&nu;), whom the
+ interpreters called
+ &gamma;&omicron;&rho;&iota;&lambda;&lambda;&alpha;&sigma;.
+ We pursued the men, who, flying to precipices, defended
+ themselves with stones, and could not be taken. Three
+ women, who bit and scratched their leaders, would not
+ follow them. Having killed them, we brought their skins to
+ Carthage."</p>
+ </blockquote>
+
+ <p>He does not so much as intimate that the creatures who so
+ defended themselves with stones, or those whose bodies were
+ covered with hair, spoke any language. Nothing but the words
+ &alpha;&nu;&theta;&rho;&omega;&pi;&omicron;&iota;
+ &alpha;&gamma;&rho;&iota;&omicron;&iota; and
+ &gamma;&upsilon;&nu;&alpha;&iota;&kappa;&epsilon;&sigma; can
+ lead us to believe that they were human beings at all; while
+ the description of the behaviour of the men, and the bodies of
+ the women, is not repugnant to the supposition that they were
+ large apes, baboons, or orang-outangs, common to this part of
+ Africa. At all events, the voyagers do not say that they flayed
+ a people having the faculty of speech.</p>
+
+ <p>It is not, however, improbable that the Carthaginians were
+ severe taskmasters of the people whom they subdued. Such I
+ understand those to have been who opened the British tin mines,
+ and who, according to Diodorus Siculus, excessively overworked
+ the wretches who toiled for them, "wasting their bodies
+ underground, and dying, <span class="pagenum"><a name="page362"
+ id="page362"></a>{362}</span> many a one, through extremity
+ of suffering, while others perished under the lashes of the
+ overseer." (<i>Bibl. Hist.</i> l. v. c. 38.)</p>
+
+ <p class="author">R.T. Hampson.</p>
+ <hr />
+
+ <h3>POPE VINDICATED.</h3>
+
+ <p>"P.C.S.S." is too great an admirer of Pope not to seek to
+ vindicate him from one, at least, of the blunders attributed to
+ him by Mr. D. Stevens, at p. 331. of the "Notes and
+ Queries."</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"Singed are his <i>brows</i>, the scorching
+ <i>lids</i> grow black."</p>
+ </div>
+ </div>
+
+ <p>Now, if Mr. S. will refer to Homer, he will find that the
+ original fully justifies the use of "brows" and "lids" in the
+ <i>plural</i>. It runs thus (<i>Od.</i> ix. v. 389.):</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"&Pi;&alpha;&nu;&tau;&alpha; &delta;&epsilon;
+ &upsilon;&iota;
+ &beta;&lambda;&epsilon;&phi;&alpha;&rho;
+ &alpha;&mu;&phi;&iota; &kappa;&alpha;&iota;
+ &omicron;&phi;&rho;&upsilon;&alpha;&sigma;
+ &epsilon;&upsilon;&sigma;&epsilon;&nu;
+ &alpha;&upsilon;&tau;&mu;&eta;."</p>
+ </div>
+ </div>
+
+ <p>"P.C.S.S." wishes that he could equally remove from Pope the
+ charge of inaccuracy respecting the <i>three</i> cannibal meals
+ of Polyphemus. He fears that nothing can be alleged to impugn
+ Mr. Stevens's perfectly just criticism.</p>
+
+ <p>While on the subject of Pope, "P.C.S.S." would wish to
+ advert to a communication (No. 16. p. 246.) in which it is
+ insinuated that Pope was probably indebted to Petronius Arbiter
+ for the well-known passage&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"Worth makes the man, and want of it the fellow;</p>
+
+ <p>The rest is all but leather and prunella."</p>
+ </div>
+ </div>
+
+ <p>With all respect for the ingenious author of that
+ communication, "P.C.S.S." confesses that he is unable to
+ discover such a similitude of expression as might warrant the
+ notion that Pope had been a borrower from Petronius. He cannot
+ suppose that Mr. F. could have been led away by any supposed
+ analogy between <i>corium</i> and <i>coricillum</i>. The
+ latter, Mr. F. must know, is nothing more than a diminutive of
+ a diminutive (coricillum, <i>not</i> corcillum, from corculum);
+ and the word is coined by Petronius to ridicule one of the
+ affectations of Trimalchio (Nero), who was wont to indulge, to
+ an absurd extent, in the use of such diminutives (<i>vide</i>
+ Burmann, <i>in loco</i>). "P.C.S.S." will now subjoin such
+ translations of the passage in question as he has hitherto had
+ opportunities of referring to. The first is from <i>The Works
+ of Petronius Arbiter, translated by several hands</i>, Lond.
+ 8vo. 4th edit. 1714. At the beginning of the translation itself
+ there is this heading&mdash;"Made English by Mr. Wilson, of the
+ Middle Temple, and several others." The passage in question is
+ thus rendered:&mdash;</p>
+
+ <blockquote>
+ <p>"Come, my friends, let us see how merry you can be! for
+ in my time, I have been no better than yourselves; but, by
+ my own industry, I am what I am. <i>'Tis the heart makes
+ the man</i>; all the rest is but stuff!"</p>
+ </blockquote>
+
+ <p>In another translation, which, with Grub-Street audacity,
+ the publisher, in his title-passage, presumes to attribute to
+ Addison! and which appeared in 1736 (Lond. 8vo.), the passage
+ is as follows:&mdash;</p>
+
+ <blockquote>
+ <p>"I was once as you are: but now, thanks to my industry,
+ I am what I am. <i>It is the heart that makes the man</i>;
+ all the rest is but stuff!"</p>
+ </blockquote>
+
+ <p>Be the translator who he may, this version, so impudently
+ ascribed to the moral Addison, is written with much spirit and
+ power, and with a remarkable comprehension of the author's
+ meaning. Some of the poetical fragments at the end are, indeed,
+ singularly well done.</p>
+
+ <p>Of the two French versions which "P.C.S.S." has examined,
+ the one by Levaur (Paris, 8vo. 1726) thus translates the
+ passage:</p>
+
+ <blockquote>
+ <p>"Je vous prie, mes amis ... <i>C'est le coeur qui fait
+ les hommes; je compte le reste pour un
+ f&eacute;tu</i>."</p>
+ </blockquote>
+
+ <p>In that of Boispreaux (Lond. 1742), it is simply
+ rendered&mdash;</p>
+
+ <blockquote>
+ <p>"Mon s&ccedil;avoir faire m'a tir&eacute; du pair.
+ <i>C'est le coeur qui fait l'homme</i> ..."</p>
+ </blockquote>
+
+ <p>No attempt is made to translate the <i>quisquilia</i>.</p>
+
+ <p class="author">P.C.S.S.</p>
+ <hr />
+
+ <h3>"THE SUPPER OF THE LORDE."</h3>
+
+ <p>I shall be glad to find that your correspondent "C.H." (No.
+ 21. p. 333.) receives a satisfactory answer to his inquiry, as
+ such a reply would also satisfy my earlier query, No. 7. p.
+ 109. I perceive, however, from his letter, that I can give him
+ some information on other points noticed in it, though the
+ absence of papers now passing through the press with the Parker
+ Society's reprint of a third volume of Tyndale, will prevent my
+ replying with such precision as I could wish. That ancient
+ tract on "The Supper of the Lorde, after the true meanyng of
+ the sixte of John," &amp;c., of which "C.H." says he possesses
+ a copy, was reprinted at different intervals with the same
+ date, viz., MCCCCCXXXIII, Apryll v., on its title-page. The
+ original edition has a final colophon, stating that it was
+ "imprinted at Nornberg, by Nielas Twonson," and is so rare,
+ that I have not been able to discover the existence of any
+ copy, but one recently deposited in the Bodleian. That "C.H.'s"
+ copy is not a specimen of that first edition, is apparent from
+ two circumstances. The first is, that he has given you a
+ quotation from his copy as follows:&mdash;"And as for M. More,
+ whom the verity most offendeth, and doth but mocke it," whereas
+ the original edition has, "And as for M. Mocke," &amp;c., and
+ Sir Thomas More notices this mockage of his name in his reply.
+ The next is, that his copy contains "Crowley's Epistle to the
+ Reader," which does not appear in any edition of an earlier
+ date than 1551. When first attached to this treatise, the
+ epistle was anonymous, as may be seen in the Lambeth copy; but
+ Crowley eventually <span class="pagenum"><a name="page363"
+ id="page363"></a>{363}</span> affixed his name to the
+ epistle, as it appears in "C.H.'s" and in other copies.
+ Robert Crowley was a fellow of Magdalen College, Oxford;
+ vicar of St. Giles, Cripplegate; a printer and publisher;
+ but to his singular combination of titles, we cannot add
+ that of author of the treatise in question. "C.H." has seen
+ that he did not enter Oxford till 1534; and in his Prefatory
+ Epistle, Crowley speaks of the author of the treatise as a
+ person distinct from himself.</p>
+
+ <p>I do not wish, however, to be considered as positively
+ affirming the treatise to be Tyndale's. Foxe, the
+ martyrologist, edited Tyndale's works for Day, and he has only
+ said that this treatise was "compiled, as some do gather, by M.
+ Wm. Tyndale, because the method and phrase agree with his, and
+ the time of writing are [sic] concurrent." On the other hand,
+ the authorship is unhesitatingly assigned to Tyndale by Mr. C.
+ Anderson (<i>Annals of the English Bible</i>, &sect;ix. <i>ad
+ finem</i>), and by Mr. Geo. Offer (<i>Mem. of Tyndale</i>, p.
+ 30.), the two most pains-taking and best informants as to his
+ works. But still there are objections of such force, that I
+ must confess myself rather inclined to attribute the treatise
+ to Joy's pen, if I could but be satisfied that he was capable
+ of writing so correctly, and of keeping so clear of vulgarity
+ in a controversy with a popish persecutor.</p>
+
+ <p class="author">H.W.</p>
+ <hr />
+
+ <h3>FOLK LORE.</h3>
+
+ <p><i>Palm Sunday Wind</i>.&mdash;It is a common idea among
+ many of the farmers and labourers of this immediate
+ neighbourhood, that, from whatever quarter the wind blows for
+ the most part on Palm Sunday, it will continue to blow from the
+ same quarter for the most part during the ensuing summer.</p>
+
+ <p>Is this notion prevalent in other parts of the country, as a
+ piece of "Folk-Lore?"</p>
+
+ <p class="author">R.V.</p>
+
+ <p>Winchester, March 26.</p>
+
+ <p><i>Curious Symbolical Custom</i>.&mdash;On Saturday last I
+ married a couple in the parish church. An old woman, an aunt of
+ the bridegroom, displeased at the marriage, stood at the church
+ gate and pronounced an anathema on the married pair. She then
+ bought a new broom, went home, swept her house, and hung the
+ broom over the door. By this she intimated her rejection of her
+ nephew, and forbade him to enter her house. Is this a known
+ custom? What is its origin?</p>
+
+ <p class="author">H. Morland Austen.</p>
+
+ <p>St. Peter's, Thanet, March 25. 1850.</p>
+
+ <p><i>The Wild Huntsman</i>.&mdash;The interesting
+ contributions of your correspondent "Seleucus," on "Folk Lore,"
+ brought to my recollection the "Wild Huntsman" of the German
+ poet, Tieck; of whose verses on that superstitious belief,
+ still current among the imaginative peasantry of Germany, I
+ send you a translation, <i>done into English</i> many years
+ ago. The Welsh dogs of Annwn, or "couriers of the
+ air"&mdash;the spirit-hounds who hunt the souls of the
+ dead&mdash;are part of that popular belief existing among all
+ nations, which delivers up the noon of night to ungracious
+ influences, that "fade on the crowing of the cock."</p>
+
+ <h4>"THE WILD HUNTSMAN.</h4>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"At the dead of the night the Wild Huntsman
+ awakes,</p>
+
+ <p>In the deepest recess of the dark forest's
+ brakes;</p>
+
+ <p>He lists to the storm, and arises in scorn.</p>
+
+ <p>He summons his hounds with his far-sounding
+ horn;</p>
+
+ <p>He mounts his black steed; like the lightning they
+ fly</p>
+
+ <p>And sweep the hush'd forest with snort and with
+ cry.</p>
+
+ <p>Loud neighs his black courser; hark his horn, how
+ 'tis swelling!</p>
+
+ <p>He chases his comrades, his hounds wildly
+ yelling.</p>
+
+ <p>Speed along! speed along! for the race is all
+ ours;</p>
+
+ <p>Speed along! speed along! while the midnight still
+ lours;</p>
+
+ <p>The spirits of darkness will chase him in scorn,</p>
+
+ <p>Who dreads our wild howl, and the shriek of our
+ horn,</p>
+
+ <p>Thus yelling and belling they sweep on the wind,</p>
+
+ <p>The dread of the pious and reverent mind:</p>
+
+ <p>But all who roam gladly in forests, by night,</p>
+
+ <p>This conflict of spirits will strangely
+ delight."</p>
+ </div>
+ </div>
+
+ <p class="author">J.M.</p>
+
+ <p>Oxford, March 13.</p>
+ <hr />
+
+ <h3>ON AUTHORS AND BOOKS, NO. VI.</h3>
+
+ <p>In the union of scholarship, polished manners, and
+ amiability of character, we have had few men to surpass the
+ reverend Joseph Spence. His career was suitable to his deserts.
+ He was fortunate in his connections, fortunate in his
+ appointments, and fortunate in his share of fame.</p>
+
+ <p>His fame, however, is somewhat diminished. His <i>Essay on
+ the Odyssey</i>, which procured him the friendship of Pope, has
+ ceased to be in request; his <i>Polymetis</i>, once the
+ ornament of every choice library, has been superseded by the
+ publications of Millin and Smith; his poems are only to be met
+ with in the collections of Dodsley and Nichols. If we now dwell
+ with pleasure on his name, it is chiefly as a recorder of the
+ sayings of others&mdash;it is on account of his assiduity in
+ making <i>notes!</i> I allude to the volume entitled
+ <i>Anecdotes, observations, and characters of books and
+ men</i>, which was edited by my friend Mr. Singer, with his
+ wonted care and ability in 1820.</p>
+
+ <p>The <i>Essay on the Odyssey</i> was first published
+ anonymously in 1726-7. It was reprinted in 1737 and 1747. A
+ copy of the latter edition, now in my possession, contains this
+ curious note:&mdash;</p>
+
+ <blockquote>
+ <p>"It is remarkable that of twelve passages objected to in
+ this critique on the English Odyssey, <i>two</i> only are
+ found in those books which were translated by Pope.</p>
+
+ <p>"From Mr. Langton, who had his information from Mr.
+ Spence.</p>
+
+ <p>"When Spence carried his preface to Gorboduc in
+ <span class="pagenum"><a name="page364"
+ id="page364"></a>{364}</span> 1736 to Pope, he asked him
+ his opinion. Pope said 'It would do very well; there was
+ nothing <i>pert</i> or <i>low</i> in it.' Spence was
+ satisfied with this praise, which however, was in
+ implied censure on all his other writings.&mdash;He is
+ very fond of the familiar vulgarisms of common talk, and
+ is the very reverse of Dr. Johnson.</p>
+ </blockquote>
+
+ <p>"E.M." [Edmond Malone.]</p>
+
+ <p>The note is not signed at length, but there can be no doubt
+ as to its authorship, as I purchased the volume which contains
+ it at the sale of the unreserved books of Mr. Malone in
+ 1818.</p>
+
+ <p class="author">Bolton Corney.</p>
+ <hr class="full" />
+
+ <h2>QUERIES.</h2>
+
+ <h3>NICHOLAS BRETON'S "CROSSING OF PROVERBS."</h3>
+
+ <p>Although my query respecting William Basse and his poem,
+ "Great Britain's Sun's Set," (No. 13. p. 200), produced no
+ positive information touching that production, it gave an
+ opportunity to some of your correspondents to communicate
+ valuable intelligence relating to the author and to other works
+ by him, for which I, for one, was very much obliged. If I did
+ not obtain exactly what I wanted, I obtained something that
+ hereafter may be extremely useful; and that I could not,
+ perhaps, have obtained in any other way than through the medium
+ of your pleasant and welcome periodical.</p>
+
+ <p>I am now, therefore, about to put a question regarding
+ another writer of more celebrity and ability. Among our early
+ pamphleteers, there was certainly none more voluminous than
+ Nicholas Breton, who began writing in 1575, and did not lay
+ down his pen until late in the reign of James I. A list of his
+ pieces (by no means complete, but the fullest that has been
+ compiled) may be seen in Lowndes's <i>Bibl. Manual</i>; it
+ includes several not by Breton, among them Sir Philip Sidney's
+ <i>Ourania</i>, 1606, which in fact is by a person of the name
+ Backster; and it omits the one to which my present
+ communication refers, and regarding which I am at some
+ loss.</p>
+
+ <p>In the late Mr. Heber's <i>Catalogue</i>, part iv. p. 10., I
+ read as follows, under the name of Nicholas Breton:&mdash;</p>
+
+ <blockquote>
+ <p>"Crossing of Proverbs. The Second Part, with certaine
+ briefe Questions and Answeres, by N.B., Gent. Extremely
+ rare and very curious, <i>but imperfect</i>. It appears to
+ contain a portion of the first part, and also of the
+ second; but it appears to be unknown."</p>
+ </blockquote>
+
+ <p>Into whose hands this fragment devolved I know not; and that
+ is one point I am anxious to ascertain, because I have another
+ fragment, which consists of what is evidently the first sheet
+ of the first part of the tract in question, with the following
+ title-page, which I quote <i>totidem literis</i>:&mdash;</p>
+
+ <blockquote>
+ <p>"Crossing of Proverbs. Crosse-Answeres. And
+ Crosse-Humours. By B.N., Gent. At London, Printed for John
+ Wright, and are to be solde at his Shop without Newgate, at
+ the signe of the Bible, 1616."</p>
+ </blockquote>
+
+ <p>It is in 8vo., as Heber's fragment appears to have been; but
+ then the initials of the author are given as N.B., whereas in
+ my fragment they stand B.N., a usual inversion with Nicholas
+ Breton; the brief address "To the Reader" is also subscribed
+ B.N.; and then begins the body of the work, thus headed:
+ "Crosse and Pile, or, Crossing of Proverbs." It opens as
+ follows:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"<i>Proverb</i>. The more the merrier.</p>
+
+ <p><i>Cross</i>. Not so; one hand is enough in a
+ purse.</p>
+
+ <p><i>P.</i> Every man loves himselfe best.</p>
+
+ <p><i>C.</i> Not so, when man is undone by
+ suretyship.</p>
+
+ <p><i>P.</i> He that runnes fastest gets most
+ ground.</p>
+
+ <p><i>C.</i> Not so, for then foote-men would have more
+ land than their masters.</p>
+
+ <p><i>P.</i> He runnes far that never turnes.</p>
+
+ <p><i>C.</i> Not so, he may breake his necke in a short
+ course.</p>
+
+ <p><i>P.</i> No man can call againe yesterday.</p>
+
+ <p><i>C.</i> Yes, hee may call till his heart ake,
+ though it never come.</p>
+
+ <p><i>P.</i> Had I wist was a foole.</p>
+
+ <p><i>C.</i> No, he was a foole that said so."</p>
+ </div>
+ </div>
+
+ <p>And so it proceeds, not without humour and point, here and
+ there borrowing from known sources, as in the
+ following:&mdash;</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"<i>Proverb.</i> The world is a long journey.</p>
+
+ <p><i>Cros.</i> Not so, the sunne goes it every
+ day.</p>
+
+ <p><i>P.</i> It is a great way to the bottom of the
+ sea.</p>
+
+ <p><i>C.</i> Not so, it is but a stone's cast."</p>
+ </div>
+ </div>
+
+ <p>However, my object is not to give specimens of the
+ production further than are necessary for its identification.
+ My queries are, 1st, Who bought Mr. Heber's fragment, and where
+ is it now to be found? 2nd, Are any of your correspondents
+ aware of the existence of a perfect copy of the work?</p>
+
+ <p>I naturally take a peculiar interest about Nicholas Breton,
+ because I have in my possession an unknown collection of
+ amatory and pastoral poems by him, printed in quarto in 1604,
+ in matter and measure obvious imitations of productions in "The
+ Passionate Pilgrim," 1599, imputed to Shakespeare, and some of
+ which are unquestionably by Richard Barnfield.</p>
+
+ <p>Any new information regarding Breton and his works will be
+ most acceptable to me. I am already in possession of undoubted
+ proof that he was the Nicholas Breton whose epitaph is on the
+ chancel-wall of the church of Norton, in Northamptonshire, a
+ point Ritson seems to have questioned.</p>
+
+ <p class="author">J. Payne Collier.</p>
+
+ <p>March 30. 1850.</p>
+ <hr />
+
+ <h3>THE SWORD CALLED CURTANA.</h3>
+
+ <p>In the wardrobe account for the year 1483, are "iij swerdes,
+ whereof oon with a flat poynte,
+ <span class="pagenum"><a name="page365"
+ id="page365"></a>{365}</span> called <i>curtana</i>, and ij
+ other swords, all iij swords covered in a yerde di of
+ crymysym tisshue cloth of gold."</p>
+
+ <p>The name of <i>curtana</i> for many ages continued to be
+ given to the first royal sword in England. It existed as long
+ ago as the reign of Henry III., at whose coronation (A.D. 1236)
+ it was carried by the Earl of Chester. We find it at the
+ coronations of Edward II. and Richard II.; also in the time of
+ Henry IV., Richard III., and Henry VII.; and among the royal
+ arms of Edward VI. we read of "a swerde called
+ <i>curtana</i>."</p>
+
+ <p>Can any of your readers explain the origin of the name
+ <i>curtana</i>, a sword so famous that it carries us back to
+ the days of ancient chivalry, when it was wielded by the Dane
+ <i>Uggiero</i>, or by the still more famed <i>Orlando</i>.</p>
+
+ <p class="author">Edward F. Rimbault.</p>
+ <hr />
+
+ <h3>IS THE DOMBEC THE DOMESDAY OF ALFRED?</h3>
+
+ <p>I beg to propose the following "Query":&mdash;Is the
+ <i>Dombec</i>, a work referred to in the Laws of Edward the
+ Elder, the same as what has been called the Domesday or
+ Winchester Book of Alfred the Great? I incline to think that it
+ is not, and shall be much obliged to any of your
+ correspondents, learned in the Anglo-Saxon period of our
+ history, who will give himself the trouble of resolving my
+ doubts.</p>
+
+ <p>Sir Henry Spelman, in his Glossary <i>voce Dombec</i>, calls
+ it the <i>Liber Judicialis</i> of the Anglo-Saxons; and says it
+ is mentioned in the first chapter of the laws of Edward the
+ Elder, where the king directs his judges to conduct themselves
+ in their judicial proceedings as on [Old English: thaere dom
+ bec stand], that is, as <i>is enjoined in their Dome
+ Book</i>.&mdash;"Quod," he continues, "an de pr&aelig;cedentium
+ Regum legibus qu&aelig; hodie extant, intelligendum sit: an de
+ alio quopiam libro hactenus non prodeunte, incertum est."</p>
+
+ <p>But this uncertainty does not seem to have attached itself
+ to the mind of Sir William Blackstone; for in the third section
+ of the Introduction prefixed to his <i>Commentaries on the Laws
+ of England</i>, he informs us that our antiquaries "tell us
+ that in the time of Alfred, the local customs of the several
+ provinces of the kingdom were grown so various, that he found
+ it expedient to compile his <i>Dome Book</i>, or <i>Liber
+ Judicialis</i>, for the general use of the whole kingdom." This
+ book is said to have been extant so late as the reign of King
+ Edward IV., but is now unfortunately lost. It contained, we may
+ probably suppose, the principal maxims of the common law, the
+ penalties for misdemeanors, and the forms of judicial
+ proceedings. Thus much may be at least collected from that
+ injunction to observe it, which we find in the Laws of King
+ Edward the Elder, the son of Alfred.&mdash;"<i>Omnibus qui
+ reipublic&aelig; pr&aelig;sunt etiam atque etiam mando, ut
+ omnibus &aelig;quos se pr&aelig;beant judices, perinde ac in
+ judiciali libro</i> (Saxonice, [Old English: dom bec])
+ <i>scriptum habetur: nec quidquid formident quin jus
+ commune</i> (Saxonice, [Old English: folcrihte]) <i>audactes
+ libereque dicant.</i>"</p>
+
+ <p>But notwithstanding this, it appears to me by no means
+ conclusive, that the <i>Dombec</i> referred to in the Laws of
+ Edward the Elder and the <i>Liber Judicialis</i> of Alfred are
+ the same; on the contrary, Alfred's <i>Liber Judicialis</i>
+ seems to have been known not under the name of <i>Dombec</i>,
+ but under that of the <i>Winchester Roll</i>, from the
+ circumstance of its having been principally kept at Winchester:
+ and Sir Henry Spelman says, the Domesday Book of William the
+ Conqueror was sometimes called <i>Rotulus Wintoni&aelig;, a
+ similitudine antiquoris</i>, from its resemblance to an older
+ document preserved at Winchester. And he quotes Ingulphus Abbot
+ of Croyland, who says, "Iste rotulus (<i>i.e.</i> the Domesday
+ Book of William) vocatus est Rotulus Wintoni&aelig;, et ab
+ Anglicis pro sua generalitate, omnia tenementa totius
+ terr&aelig; integre continente <i>Domesday</i> cognominatur."
+ And the he proceeds, "Talem rotulum et multum similem; ediderat
+ quondam Rex Alfredus, in quo totam terram Angli&aelig; per
+ comitatus, centurias, et decurias descripserat, sicut
+ pr&aelig;notatur. Qui quidem Rotulus Wintoni&aelig; vocatus
+ est, quia deponebatur apud Wintoniam conservandus," &amp;c.</p>
+
+ <p>Here is nothing said of this work being called [Old English:
+ dom bec]: neither does Spelman, in his enumeration of the works
+ of Alfred, give the least intimation that any one of his
+ collections of laws was called [Old English: dom bec].</p>
+
+ <p>We know, indeed, that Alfred compiled a code of laws for his
+ subjects; but whether any part of them has been preserved, or
+ how much of them is embodied in subsequent codes, cannot now be
+ determined. Asser mentions that he frequently reprimanded the
+ judges for wrong judgments; and Spelman, that he wrote "a book
+ against unjust magistrates," but any complete body of laws, if
+ such was ever framed by Alfred, is now lost; and that
+ attributed to him in Wilkin's <i>Leges Anglo-Saxon</i>, is held
+ in suspicion by most writers.</p>
+
+ <p>For these reasons, and considering that Sir William
+ Blackstone's knowledge of English history was rather
+ superficial, I incline to the belief, that the [Old English:
+ dom bec] referred to in the laws of Edward the Elder, was some
+ collection of laws made <i>prior</i> to the time of Alfred:
+ this might clearly be the case, as Sharon Turner informs us
+ that the Saxon laws were committed to writing as early as the
+ commencement of the 7th century.</p>
+
+ <p>The opinions of your learned correspondents on this disputed
+ point may be of much interest to many of your readers, and to
+ none more than to</p>
+
+ <p class="author">George Munford.</p>
+
+ <p>East Winch.</p>
+ <hr />
+ <span class="pagenum"><a name="page366"
+ id="page366"></a>{366}</span>
+
+ <h3>MINOR QUERIES.</h3>
+
+ <p><i>MSS. of the Wycliffite Translations of the
+ Scriptures</i>.&mdash;The Add. MS. 15,521., in the British
+ Museum, contains a copy of Lewis's edition of the <i>Wycliffite
+ New Testament</i>, printed in 1731, with manuscript notes by
+ Ames and Lewis, and the former has transcribed into it some
+ <i>additional prologues</i>, prefixed to each book of the New
+ Testament, which had not been printed by Lewis, and were taken
+ by Ames from a MS. of the New Testament, written in 1424, and
+ in 1731 in the possession of Thomas Granger. It would be very
+ desirable to learn what became of this MS. subsequently.
+ Granger died in the following year, but the MS. does not appear
+ in the sale catalogue of his library, nor is it found in the
+ catalogue of Ames's own library, dispersed in 1760. Any
+ information relative to this remarkable copy of the New
+ Testament, would be very acceptable to the Editors of the
+ <i>Wycliffite Versions of the Scriptures</i>, who are now,
+ after a literary labour of more than twenty years, about to
+ bring the work to a conclusion. They would also feel much
+ obliged by the communication of any notices of MSS. of the
+ Wycliffite versions, <i>existing in private hands</i>,
+ exclusive of those copies of which they already possess
+ descriptions, existing in the libraries of the following
+ individuals:&mdash;Mrs. Allanson of Farn, Flintshire, the Earl
+ of Ashburnham, Sir Thomas Phillipps, Bart., Sir Peregrine
+ Ackland, Bart., Sir David Dundas, H.M. Judge Advocate, Dr.
+ Cardwell, Principal of St. Alban's Hall, Oxford, and Thomas
+ Bannister, Esq.</p>
+
+ <p class="author">F. Madden.</p>
+
+ <p>British Museum, March 28.</p>
+
+ <p><i>Why are Gloves not worn before Royalty?</i>&mdash;Can any
+ of your readers inform me what is the origin of the custom
+ observed at Court, of persons in the royal presence not wearing
+ gloves? Is it a matter of pure etiquette, or does the
+ observance of it derive its origins from barbarous times, when
+ chivalry was little else than barbarism in armour?</p>
+
+ <p class="author">F.E.</p>
+
+ <p><i>Law Courts at St. Albans</i>.&mdash;Can any of your
+ correspondents give me the reference to a communication in the
+ <i>Gentleman's Magazine</i> (between, I think, the years 1815
+ and 1836), in which a passage in Massinger, which alludes to
+ lawyers going to St. Albans, is illustrated by an inscription
+ in the nave of St. Alban's Abbey Church, which records that the
+ courts were held there on account of the sweating-sickness in
+ the reign of Elizabeth?</p>
+
+ <p class="author">&Sigma;.</p>
+
+ <p><i>Richard Haley, or Hales.&mdash;Milton
+ Pedigree</i>.&mdash;I should feel obliged by any particulars
+ respecting Richard Haley, or Hales, of Idlestreete, otherwise
+ Ilstreyd, in com. Hertford, yeoman; my object being to
+ ascertain the nature of some transaction he had with Milton, in
+ July 1674, referred to in a bond which the former executed,
+ dated the 27th of that month, for performance of the covenants
+ contained in an indenture of even date.</p>
+
+ <p>Is any thing known of Richard Milton, who signs his name as
+ the attesting witness to the releases given by two of the
+ poet's daughters for their share of his estate? Is there any
+ pedigree of the family of Sir Christopher Milton, the poet's
+ brother, drawn up with sufficient apparent accuracy to exclude
+ the probability of Richard Milton being his son? I have
+ referred to the pedigree in the British Museum (Harl. MS. 5802.
+ fo. 19b.), which makes no mention of the letter; but it is
+ evidently so imperfect a notice, as to be of little authority
+ one way or other.</p>
+
+ <p class="author">J.F.M.</p>
+
+ <p><i>Sapcote Motto</i>.&mdash;Over the old gatehouse of Elton,
+ co. Hunts., built by the family of Sapcote, is their coat of
+ arms, namely, "three dove-cotes;" and upon a scroll,
+ surrounding the lower part of the shield, is carved a motto,
+ evidently French, and as evidently cut by a person ignorant of
+ that language. So far as I can decypher it, the letters appear
+ to be</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>sco toot X vinic [or umic]</p>
+
+ <p>X poncs.</p>
+ </div>
+ </div>
+
+ <p>Possibly the first and last letters <i>s</i> are only
+ flourishes. I shall be glad of any suggestion as to its
+ meaning.</p>
+
+ <p>I have not been able to find the Sapcote motto on record;
+ and I believe the Carysfoot family, the possessors of Elton,
+ and the Duke of Bedford, the heir in blood, to be ignorant of
+ what this scroll is intended to represent.</p>
+
+ <p class="author">Erminois.</p>
+
+ <p>Athen&aelig;um Club.</p>
+
+ <p><i>Scala Coeli</i>.&mdash;In a will, dated 12 Hen. VIII.,
+ the testator directs that there shall be four trentals of Saint
+ Gregory said for his soul at London at "Scala Coeli." Can any
+ of your readers explain what place is meant by "Scala
+ Coeli?"</p>
+
+ <p class="author">A Subscriber.</p>
+
+ <p><i>Illustrations of Gresset's "Vert Vert," painted on
+ Enamel, &amp;c.</i>&mdash;In a Paris edition of Gresset's Works
+ (Janet et Cotelle, 1823), in the preface is the following
+ passage.&mdash;</p>
+
+ <blockquote>
+ <p>"Vert-vert fut bient&ocirc;t dans toutes les mains. Le
+ suffrage de la multitude se joignit &agrave; celui des
+ connoisseurs; la mode, qui est aussi en possession de
+ donner son suffrage, s'empressa de parer les ajustemens
+ d'invention r&eacute;cente, du nom de l'illustre perroquet;
+ <i>les vases d'ornement, les vases usuels</i> qui sortoient
+ des fabriques fran&ccedil;oises, retra&ccedil;oient presque
+ tous quelques &eacute;pisodes du petit po&euml;me. Un
+ artist dont le nom est venu jusqu'&agrave; nous, Raux, en
+ <i>peignit sur &eacute;mail les sujets les plus
+ marquants</i>; et tandis qu'on faisoit passer dans une
+ version latine les vers &eacute;l&eacute;gants du
+ po&euml;te j&eacute;suite, M. Bertin, ministre
+ d'&eacute;tat, le gratifioit d'un magnifique <i>cabaret</i>
+ de S&egrave;vres, dont toutes les pi&egrave;ces
+ reproduisoient les aventures de son h&eacute;ros, ce qui
+ fit dire &agrave; Gresset, <i>qu'on le traduisoit aussi en
+ porcelaine de S&egrave;vres</i>."</p>
+ </blockquote><span class="pagenum"><a name="page367"
+ id="page367"></a>{367}</span>
+
+ <p>The <i>Query</i> I wish to make is, Have any of these
+ illustrations or designs from Gresset's poem of Vert-vert,
+ painted on enamel china, or earthenware of any sort, of French
+ or any other manufacture, come to light of late years? or more
+ lately still, among the articles that have been dispersed among
+ various buyers of almost all nations, in the sales within these
+ few weeks effected at Paris?</p>
+
+ <p class="author">Robert Snow.</p>
+
+ <p><i>Urbanus Regius</i>.&mdash;A friend of mine, a delightful
+ old lady, fresh, genial, and inquisitive, has in her possession
+ an old volume, a family heir-loom, which is not the less dear
+ to her for being somewhat dingy and dilapidated, and touching
+ which she would gladly receive such information as your
+ correspondents can supply.</p>
+
+ <p>It is made up of three apparently distinct treatises; the
+ first (of which several leaves are wanting) on the twelve
+ articles of the Apostles' Creed. The second is "The ryght
+ foundation, and pryncypall common places of the hole godly
+ Scripture," &amp;c., by Doctor Urbanus Regius. Prefixed is an
+ epistle to Thomas, Archbishop of Canterbury (evidently
+ Cranmer), to whom "Hys dayly oratoure, Gwalter Lynne (the
+ writer of the epistle), wyssheth lyfe euerlastynge." Between
+ this second treatise and the third, and apparently belonging to
+ the latter, is a title-page with the following inscription:</p>
+
+ <blockquote>
+ <p>"Imprinted for Gwalter Lynne, dwelling upon Somers Kaye,
+ by Byllinges gate. In the yeare of oure Lorde. MDXLVIII.
+ And they by [<i>sic</i>] to be solde at Poules church yarde
+ at the north doore, In the signe of the By-bell, By Richard
+ Jugge."</p>
+ </blockquote>
+
+ <p>This last treatise is in smaller type than the others, and
+ has no general designation: it contains chapters on various
+ subjects, <i>e.g.</i> "The Signification of Baptism,"
+ &amp;c.</p>
+
+ <p>Query 1. Is this volume well known? 2. Who were Urbanus
+ Regius and Walter Lynne?</p>
+
+ <p class="author">G.P.</p>
+
+ <p>March 16. 1850.</p>
+ <hr class="full" />
+
+ <h2>REPLIES.</h2>
+
+ <h3>THE ARABIC NUMERALS AND CIPHER.</h3>
+
+ <p>I might, with a little more consideration, have referred
+ "E.V." to several other authorities which he will do well to
+ consult.</p>
+
+ <p>9. Wallis's <i>Algebra</i>, p. 9. and p. 153. of the
+ additions.</p>
+
+ <p>10. <i>Phil. Trans</i>., Nos. 439. and 475.</p>
+
+ <p>11. Montucla, <i>Histoire des Math&eacute;matiques</i>, tom.
+ i. chap. 2.</p>
+
+ <p>12. Baillie, <i>Histoire de l'Astronomie</i>.</p>
+
+ <p>13. Delambre<a id="footnotetag1"
+ name="footnotetag1"></a><a href="#footnote1"><sup>1</sup></a>,
+ <i>Hist. de l'Astr. du moyen age</i>.</p>
+
+ <p>14. Hutton's <i>Tracts</i> (8vo. ed. 1812.), vol. ii.
+ (subject "History of Algebra")</p>
+
+ <p>15. Huet, <i>Demonstratio Evangelica</i>.</p>
+
+ <p>16. Dr. John Taylor's Translation of the <i>Lilawati</i>.
+ (Bombay, 1816.)</p>
+
+ <p>17. Strachey's Translation of the <i>Bija
+ Ganita</i><a id="footnotetag2"
+ name="footnotetag2"></a><a href="#footnote2"><sup>2</sup></a>.</p>
+
+ <p>18. Colebrooke's <i>Algebra of the Hindus</i>.</p>
+
+ <p>Would it not be worth while to give a <i>facsimile</i> of
+ the "Tabel for all manere of merchauntes," in the "Notes and
+ Queries"? It is not only a curiosity, but an important element
+ (and unique as far as is known) in the philosophic history of
+ our arithmetic. It was, no doubt, an actual instrument in
+ constant use in the merchant's office, as much so as an
+ almanac, interest-tables, a "cambist" and a copying-press, are
+ now.</p>
+
+ <p>As regards the cipher, the difficulty only commenced with
+ <i>writing numbers</i> in the new symbology. With persons
+ accustomed to the use of this instrument, there is no doubt
+ that the mode of obviating the difficulty of "keeping the
+ place," would suggest itself at once. In this instrument an
+ empty hole (without its peg) <i>signified</i> "none of this
+ denomination." What then more simple than to make the outline
+ of the empty hole which occupied the "local position" of any
+ denomination, when none of that precise denomination occurred
+ in the number itself? Under this view the process at least
+ becomes simple and natural; and as the early merchants
+ contributed so largely to the improvement of our arithmetical
+ processes, such a conclusion is wholly divested of
+ improbability on any other ground. The circle would then
+ naturally become, as it certainly has practically become, the
+ most appropriate symbol of <i>nothingness</i>.</p>
+
+ <p>As regards the term <i>cipher</i> or <i>zero</i> (which are
+ so obviously the same as to need no remark), it is admitted on
+ all hands to be derived from one or other of the Semitic
+ languages, the Hebrew or the Arabic. It is customery with the
+ mathematical historians to refer it to the Arabic, they being
+ in general more conversant with it than with the Hebrew. The
+ Arabic being a smaller hand than the Hebrew, a dot was used
+ instead of the circle for marking the "place" at which the
+ hiatus of any "denomination" occurred. If we obtained our
+ cipher from this, it would be made hollow (a mere
+ <i>ceinture</i>, girdle, or ring) to save the trouble of making
+ a dot sufficiently large to correspond in magnitude with our
+ other numerals as we write them. Either is alike
+ possible&mdash;probability must be sought, for either over the
+ other, from a slightly different source.</p>
+
+ <p>The root-words in Hebrew and in Arabic are precisely the
+ same (<i>ts-ph-r</i>), though in the two
+ <span class="pagenum"><a name="page368"
+ id="page368"></a>{368}</span> languages, and at different
+ ages of the same language, they might have been vowelised
+ differently. In some shape or other, this name is used in
+ all countries that have derived their arithmetic from
+ medi&aelig;val Italy, or from the Saracens. It is with some
+ <i>cipher</i>, with others <i>chiffre</i>, and with all
+ <i>zero</i>. The word is certainly no more Italian than it
+ is French or English. Be it remembered, too, that
+ <i>ezor</i> (quoted at p. 268.), as a <i>girdle</i>, is
+ radically the same word, somewhat mutilated. The cardinal
+ meaning of the word (denuded of the conventional accretions
+ of signification, which peculiar applications of it adds to
+ the cardinal meaning) appears to be <i>emptiness</i>,
+ <i>hollowness</i>, <i>nothingness</i>. It may be further
+ remarked, that in the fine Chartres MS. of Boetius,
+ described by Chasles, the 0 is called
+ <i>sipos</i>:&mdash;the same name, he remarks, that Graves
+ found in use in the East. The modern Turks call the 0,
+ <i>tsifra</i>.</p>
+
+ <p>It is curious enough that in all languages, the term
+ <i>ciphering</i> is popularly used to denote all arithmetical
+ operations whatever. Our schoolboys do their "ciphering," and
+ write carefully in their "ciphering-books." This all seems to
+ point to the art of dispensing with the use of the abacus or
+ counting table.</p>
+
+ <p class="author">T.S.D.</p>
+
+ <p>Shooter's Hill, March 5.</p>
+
+ <p><i>Arabic Numerals</i>.&mdash;I had replied to "E.V." (No.
+ 15. p. 230.), when I saw by your "Notice to Correspondents,"
+ that the question was answered. I therefore waited the
+ publication of the replies, which I find do not embrace any one
+ of the points to which I would call the attention of
+ "E.V."&mdash;Diophantus of Alexandria, who flourished about 150
+ years after Christ, and who wrote thirteen books of algebra or
+ arithmetic in the Greek language, is generally supposed to be
+ the oldest writer on the subject that has come down to our
+ time; but it was not from him that we received the knowledge of
+ algebra in Europe. It appears certain that the first knowledge
+ of this science in England was from Italy or Spain, after the
+ Moors settled in the latter country; and the Arabians and
+ Persians appear to have derived their arithmetical method of
+ computing by ten characters from the Indians: who, in their
+ turn, have most probably borrowed from the Chinese, and
+ improved on their method by the adoption of a zero, which was
+ one of the most important improvements effected by the Hindoos.
+ In China, the words ancient and modern are almost synonymous;
+ their usages and customs being so unchangeable, as appears by
+ their instrument of computation, the <i>swanpan</i>, which is
+ still used in all their calculations. The Oriental scholar will
+ find much curious and interesting information connected with
+ this subject in the Sanscrit <i>Vija Ganita</i> and
+ <i>Lilivati</i> of Bhaskara Acharya: the former was translated
+ into Persian at Agra, or Delhi, in 1634, and the latter by
+ Fyzee in 1587; but there are also English translations, all of
+ which are in the library of the Royal Asiatic Society. The
+ <i>Khalasah-ul-Hisah</i> is another work of repute in India.
+ Mr. Strachey wrote and printed in India, for the <i>Asiatic
+ Researches</i>, a valuable paper, which contains most
+ conclusive evidence of the Indian (if not Chinese) origin of
+ our numerals. See also <i>Astronomie Indienne</i>, of M.
+ Bailly; 2d vol. <i>Asiatic Researches</i>, "On the Astronomical
+ Computations of the Hindoos," by Saml. Davis; "Two
+ Dissertations on Indian Astronomy and Trigonometry," by
+ Professor Playfair, in the 2d and 4th vols. of the <i>Edinburgh
+ Philosophical Transactions</i>. And many others might be
+ referred to; but all tending to prove that our numbers came
+ originally from China and India, through Persia, Arabia,
+ Africa, Spain, and Italy, by gradual and successive changes in
+ form, several of them still retaining a close resemblance to
+ the ancient and modern Sanscrit, Chinese, Arabic, Persian, and
+ Hindoo numerals.</p>
+
+ <p class="author">Henry Wilkinson.</p>
+ <hr />
+
+ <h3>REPLIES TO MINOR QUERIES.</h3>
+
+ <p>I send you a few Notes on Queries scattered through some of
+ the later numbers of your very valuable publication:</p>
+
+ <p><i>Anonymous Ravennas</i>.&mdash;In the library of the Royal
+ Geographical Society, I believe there is a copy of an 8vo.
+ edition of that cosmography.</p>
+
+ <p><i>Selago</i>.&mdash;This plant, I should think it probable,
+ is the <i>Lycopodium clavatum</i> of modern botanists; the
+ seeds of which, when ripe, and when the plant is struck, rise
+ like smoke ("fumum" of Pliny), and may have been supposed, from
+ their remarkable inflammability when dashed into a flame,
+ igniting with a sudden flash, to have possessed wonderful
+ virtues. The species known as <i>Lycopodium selago</i> is rare
+ in comparison to the other.</p>
+
+ <p><i>Portugal</i>.&mdash;In the library of the Geographical
+ Society are some of the more recent works published in Lisbon
+ on the topography of that country, but they are generally very
+ meagre and unsatisfactory. In a periodical published in Lisbon
+ in numbers, on the plan of the <i>Penny Magazine</i>, there is
+ a good deal of information, with engravings, regarding many
+ places of interest in Portugal. I think it is called <i>The
+ Album</i>, but I am sorry I have not at present the power of
+ sending you more correct particulars concerning it. It is in
+ 4to.</p>
+
+ <p>Portugal is a country that is so little travelled in either
+ by natives or foreigners, that information regarding places in
+ the interior is not easily obtained; and facilities for
+ travelling, as well as accommodation for travellers, is of a
+ very limited description.</p>
+
+ <p><i>Sir Roger de Coverley</i>.&mdash;In one of your early
+ numbers was a query on this subject, which I do not think has
+ been yet answered. I have a MS.
+ <span class="pagenum"><a name="page369"
+ id="page369"></a>{369}</span> account of the family of
+ Calverley, of Calverley, in Yorkshire, an autograph of Ralph
+ Thoresby in the year 1717, in which occurs the following
+ passage:&mdash;</p>
+
+ <blockquote>
+ <p>"<i>Roger</i>, so named from the Archbishop" (of York),
+ "was a person of renowned hospitality, since, at this day,
+ the obsolete known tune of <i>Roger a Calverley</i> is
+ referred to him, who, according to the custom of those
+ times, kept his <i>minstrells</i>, from that their office
+ named <i>harpers</i>, which became a family and possessed
+ lands till late years in and about <i>Calverley</i>, called
+ to this day <i>Harpersroids</i> and <i>Harper's
+ Spring</i>.... He was a knight, and lived in the time of K.
+ Richard 1st. His seal, appended to one of his charters, is
+ large, with a chevalier on horseback."</p>
+ </blockquote>
+
+ <p class="author">W. CALVERLEY TREVELYAN.</p>
+ <hr />
+
+ <h3>DERIVATIONS OF "NEWS."</h3>
+
+ <p>It is not declared with what motive "Mr. GUTCH" (No. 17. p.
+ 270.) has laid before the readers of "NOTES AND QUERIES" the
+ alleged derivation of N.E.W.S.</p>
+
+ <p>It must therefore be supposed, that his object was to have
+ its justness and probability commented upon; and it is quite
+ time that they should be so, since the derivation in question
+ has of late become quite a favourite authoritative dictum with
+ etymology compilers. Thus it may be found, in the very words
+ and form adopted by your correspondent, in Haydn's
+ <i>Dictionary of Dates</i>, and in other authorities of equal
+ weight.</p>
+
+ <p>This sort of initial-letter derivation was probably brought
+ into fashion in England by the alleged origin of "Cabal," or,
+ perhaps, by the many guesses at the much disputed word
+ "&AElig;ra." I shall take the liberty of quoting a few
+ sentences with reference to such etymologies, <i>as a
+ class</i>, which I find in an unpublished manuscript upon a
+ kindred subject.</p>
+
+ <blockquote>
+ <p>"Besides, such a splitting up of a word of significant
+ and perfect meaning in itself is always a bad and
+ suspicious mode of derivation.</p>
+
+ <p>"It is generally an after-thought, suggested by some
+ fortuitous or fancied coincidence, that appropriateness of
+ which is by no means a sufficient proof of probability.</p>
+
+ <p>"Of this there can scarcely be a better example than the
+ English word 'news,' which, notwithstanding the felicity of
+ its supposed derivation from the four cardinal points,
+ must, nevertheless, so long as the corresponding words
+ 'nova,' 'nouvelles,' &amp;c. exist, be consigned to its
+ more sober and common-place origin in the adjective
+ '<i>new</i>.'"</p>
+ </blockquote>
+
+ <p>To this it must be added that the ancient orthography of the
+ word <i>newes</i>, completely upsets the derivation Mr. Gutch
+ has brought before your readers. Hone quotes from "one Burton,
+ printed in 1614: 'if any one read now-a-days, it is a
+ play-book, or <i>a pamphlet</i> of <i>newes</i>."</p>
+
+ <p>I had been in two minds whether or not to send this
+ communication, when the scale is completely turned by the
+ apropos occurrence of a corroboration of this latter objection
+ in "NOTES AND QUERIES" of this day. Mr. Rimbault mentions (at
+ p. 277.), "a rare black letter volume entitled <i>Newes from
+ Scotland</i>, 1591."</p>
+
+ <p>Here is one more proof of the usefulness of your
+ publication, that I am thus enabled to strengthen the
+ illustration of a totally different subject by the incidental
+ authority of a fellow correspondent.</p>
+
+ <p class="author">A.E.B.</p>
+
+ <p>Leeds, March, 1850.</p>
+ <hr />
+
+ <h3>REPLIES TO MINOR QUERIES.</h3>
+
+ <p><i>Swot</i> is, as the querist supposes, a military cant
+ term, and a sufficiently vulgar one too. It originated at the
+ great slang-manufactory for the army, the Royal Military
+ College, Sandhurst. You may depend upon the following account
+ of it, which I had many years ago from the late Thomas
+ Leybourne, F.R.S., Senior Professor of Mathematics in that
+ college.</p>
+
+ <p>One of the Professors, Dr. William Wallace, in addition to
+ his being a Scotchman, had a bald head, and an exceedingly
+ "broad Scotch" accent, besides a not very delicate
+ discrimination in the choice of his English terms relating to
+ social life. It happened on one hot summer's day, nearly half a
+ century ago, that he had been teaching a class, and had worked
+ himself into a considerable effusion from the skin. He took out
+ his handkerchief, rubbed his head and forehead violently, and
+ exclaimed in his Perthshire dialect,&mdash;"<i>It maks one
+ swot</i>." This was a God-send to the "gentlemen cadets,"
+ wishing to achieve a notoriety as wits and slangsters; and
+ mathematics generally ever after became <i>swot</i>, and
+ mathematicians <i>swots</i>. I have often heard it
+ said:&mdash;"I never could do <i>swot</i> well, Sir;" and
+ "these dull fellows, the <i>swots</i>, can talk of nothing but
+ triangles and equations."</p>
+
+ <p>I should have thought that the <i>sheer disgustingness</i>
+ of the idea would have shut the word out of the vocabularies of
+ English <i>gentlemen</i>. It remains nevertheless a standard
+ term in the vocabulary of an English soldier. It is well, at
+ all events, that future ages should know its etymology.</p>
+
+ <p class="author">T.S.D.</p>
+
+ <p><i>Pokership</i>, (<i>ant&egrave;</i>, pp. 185. 218. 269.
+ 282. 323, 324.)&mdash;I am sorry to see that no progress has
+ yet been made towards a satisfactory explanation of this
+ office. I was in hopes that something better than mere
+ conjecture would have been supplied from the peculiar
+ facilities of "T.R.F." "W.H.C." (p. 323.) has done little more
+ than refer to the same instruments as had been already adverted
+ to by me in p. 269., with the new reading
+ <span class="pagenum"><a name="page370"
+ id="page370"></a>{370}</span> of <i>poulterer</i> for poker!
+ With repect to "T.R.F.'s" conjecture, I should be more ready
+ to accept it if he could produce a single example of the
+ word <i>pawker</i>, in the sense of a hog-warden. The
+ quotation from the Pipe-roll of John is founded on a
+ mistake. The entry occurs in other previous rolls, and is
+ there clearly explained to refer to the <i>porter of
+ Hereford Castle</i>. Thus, in Pipe 2 Hen. II. and 3 Hen. II.
+ we have, under Hereford,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"In liberatione portarii castelli ... 30<i>s.</i>
+ 5<i>d.</i>"</p>
+ </div>
+ </div>
+
+ <p>In Pipe 1 Ric. I. we have,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"In liberatione constitut&acirc; portarii de
+ Hereford, 30<i>s.</i> 5<i>d.</i>"</p>
+ </div>
+ </div>
+
+ <p>Again, in Pipe 3 Joh.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"In liberatione constitut&acirc; portario de
+ Hereford, 30<i>s.</i> 5<i>d.</i>"</p>
+ </div>
+ </div>
+
+ <p>A similar entry is to be found in other rolls, as well
+ printed as inedited. I could indulge some other criticisms on
+ the communication of your correspondent in Spring Gardens, but
+ I prefer encouraging him to make further inquiries, and to
+ produce from the records in his custody some more satisfactory
+ solution of the difficulty. In the meantime, let me refer to a
+ Survey of Wrigmore Castle in the Lansdowne Collection, No. 40.
+ fo. 82. The surveyor there reports, that the paling, rails,
+ &amp;c. of the park are much decayed in many and sundry places,
+ and he estimates the repairs, with allowance of timber from the
+ wood there, "by good surveye and oversight of the <i>poker</i>
+ and other officers of the said parke," at 4<i>l.</i> The date
+ of the survey is 13 May, 1584.</p>
+
+ <p>Comparing this notice of the office with the receiver's
+ accounts tempore Hen. VII. and Hen. VIII. (<i>ant&egrave;</i>,
+ p. 269.), in which the officer is called "pocarius omnium
+ boscorum," I cannot doubt that his duty, or at least one of his
+ duties, was that of woodward, and that, as such, he assigned
+ timber for repair of the premises. How he came by his local
+ title and style of poker is a mystery on which we have all
+ hitherto failed to throw any light.</p>
+
+ <p class="author">E.S.</p>
+
+ <p><i>Vox Populi Vox Dei</i>,&mdash;about the origin of which
+ saying "QU&AElig;SITOR" asks (No. 21. p. 321.),&mdash;were the
+ words chosen by the Archbishop of Canterbury, Simon Mepham, as
+ his text for the sermon which he preached when Edward III. was
+ called to the throne, from which the nation had pulled down his
+ father, Edward II. This we learn from Walsingham, who says:</p>
+
+ <blockquote>
+ <p>"Archiepiscopus ver&ograve; Cantuari&aelig;
+ pr&aelig;senti consensit electioni, ut omnes pr&aelig;lati
+ et archiepiscopus quidem assumpto themate, <i>Vox populi
+ Vox Dei</i>, sermonem fecit populo, exhortans omnes ut apud
+ regem regum intercederent pro electo."&mdash;Tho.
+ Walsingham, <i>Hist. Angl.</i> ed. Camden, p. 126.</p>
+ </blockquote>
+
+ <p class="author">DANIEL ROCK.</p>
+
+ <p><i>A living Dog better than a dead Lion</i>.&mdash;I no not
+ know whether your correspondent (No. 22. p. 352.) ever goes to
+ church; but if he is not prevented by rain next St. Swithin's
+ day, he will learn who was the author of this proverb. It will
+ be a good thing, if your work should sometimes lead your
+ readers to search the Scriptures, and give them credit for
+ wisdom that has flowed from them so long, and far, and wide,
+ that its source is forgotten; but this is not the place for a
+ sermon, and I now only add, "here endeth the first lesson"
+ from</p>
+
+ <p class="author">ECCLESIASTES.</p>
+
+ <p class="note">["J.E.," "D.D.," and other correspondents, have
+ also replied to this Query by references to Eccl. ix. 4.]</p>
+
+ <p><i>Curious Monumental Brass</i> (No. 16. p. 247.)&mdash;If
+ "RAHERE" will turn to Mr. Boutell's <i>Monumental Brasses and
+ Slabs</i>, p. 148., he will there find a description as well as
+ an engraving of what, from his account, I doubt not he will
+ discover to be the identical fragment to which he refers. A
+ foot legend, and what remains of a border inscription, is added
+ to it. In the above work, pp. 147 to 155, and in the Oxford
+ Architectural Society's <i>Manual for the Study of Brasses</i>,
+ p. 15., "RAHERE" will find an account and references to
+ numerous examples of palimpsest brasses, to which class the one
+ in question belongs.</p>
+
+ <p>I presume that "RAHERE" is a young brass-rubber, or the fact
+ of a plate being engraved on both sides would have presented no
+ difficulty to him.</p>
+
+ <p class="author">ARUN.</p>
+
+ <p class="note">[We have received several other replies to this
+ Query, referring to Mr. Boutell's <i>Monumental Brasses</i>:
+ one from "W."; another from "A CORNISHMAN," who
+ says,&mdash;</p>
+
+ <p class="note">"The brass in question, when I saw it last, had
+ been removed from the Rectory and placed in the tomb of Abbot
+ Wheathampstead, in company with the famous one of Thomas
+ Delamere, another Abbot of St. Albans."</p>
+
+ <p class="note">Another from "E.V.," who states,&mdash;</p>
+
+ <p class="note">"Other examples are found at St. Margaret's,
+ Rochester (where the cause of the second engraving is found to
+ be an error in costume in the first), St. Martins at Plain,
+ Norwich, Hedgerly Church, Bucks, and Burwell Church,
+ Cambridgeshire. Of this last, an engraving and description, by
+ Mr. A.W. Franks, is given in the fourteenth part of the
+ Publications of the Cambridge Antiquarian Society."</p>
+
+ <p class="note">One from "WILLIAM SPARROW SIMPSON," who
+ says,&mdash;</p>
+
+ <p class="note">"It is also described in the Oxford
+ Architectural Society's <i>Manual of Mon. Brasses</i>, No. 6.
+ pp. 6, 7. other examples of which occur at Rochester, Kent, and
+ at Cobham, Surrey. A small plate of brass, in the possession of
+ a friend, has on one side a group of children, and on the
+ reverse the uplifted hands of an earlier figure."</p>
+
+ <p class="note">And lastly, one from "A.P.H." (to which we
+ cannot do ample justice, as we do not keep an engraver), from
+ which we extract the following passages:&mdash;</p>
+
+ <p class="note">"A friend of mine has a shield in his
+ possession, taken from a slab, and which has been enamelled. It
+ is of late date and rudely executed. On the back is
+ <span class="pagenum"><a name="page371"
+ id="page371"></a>{371}</span> seen the hands and breast of a
+ small female figure, very nearly a century earlier in date.
+ I can also remember an inscription in Cuxton Church, Kent,
+ which was loose, and had another inscription on the back in
+ the same manner.</p>
+
+ <p class="note">"I am very much impressed with the idea that
+ the destroyed brasses never had been used at all; but had been
+ engraved, and then, from circumstances that of course we cannot
+ hope to fathom, thrown on one side till the metal might be used
+ for some other purpose. This, I think, is a more probable, as
+ well as a more charitable explanation than the one usually
+ given of the so-called palimpsest brasses."]</p>
+
+ <p><i>Chapels</i> (No. 20. p. 333.).&mdash;As to the origin of
+ the name, will you allow me to refer Mr. Gatty to Ducange's
+ <i>Glossary</i>, where he will find much that is to his
+ purpose.</p>
+
+ <p>As to its being "a legal description," I will not undertake
+ to give an opinion without a fee; but I will mention a fact
+ which may assist him in forming one. I believe that fifty years
+ ago the word <i>Chapel</i> was very seldom used among those who
+ formed what was termed the "Dissenting Interest;" that is, the
+ three "denominations" of Independents, Baptists, and
+ Presbyterians. But I well recollect hearing, from good
+ authority, nearly, or quite, forty years ago, that an eminent
+ barrister (whom I might now describe as a late learned judge),
+ who was much looked up to by the dissenters as one of their
+ body, had particularly advised that in all trust-deeds relating
+ to places of dissenting worship, they should be called
+ "Chapels." I do not know that he assigned any reason, but I
+ know that the opinion was given, or communicated, to those who
+ had influence; and, from my own observation, I believe that
+ from about that time we must date the adoption of the term,
+ which has now been long in general use.</p>
+
+ <p>I do not imagine that there was any idea of either
+ assistance or opposition to the Church of England, in the mind
+ of him who recommended, or those who adopted, the alteration,
+ or that either of them expected or sought any thing by this
+ measure but to obtain a greater security for property, or,
+ rather, to avoid some real or imagined insecurity, found or
+ supposed to attach to the form of description previously in
+ use.</p>
+
+ <p class="author">A BARRISTER.</p>
+
+ <p><i>Forlot, Forthlot</i> (No. 20. p. 320.).&mdash;A measure
+ of grain used throughout Scotland at present&mdash;query
+ <i>fourthlot</i>. See Jamieson's <i>Etymological Dictionary of
+ the Scottish Language</i>.</p>
+
+ <blockquote>
+ <p>"<i>Firlot; Fyrlot; Furlet</i>.&mdash;A corn measure in
+ S., the fourth part of a boll.</p>
+
+ <p>"Thay ordainit the boll to mat victual with, to be
+ devidit in foure partis, <i>videlicet</i>, foure
+ <i>fyrlottis</i> to contene a boll; and that <i>fyrlot</i>
+ not to be maid efter the first mesoure, na efter the
+ mesoure now usit, bot in middill mesoure betwixt the
+ twa."&mdash;<i>Acts Jac.</i> l. 1526. c. 80. edit.
+ 1566.</p>
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"&mdash;Ane furme, ane furlet,</p>
+
+ <p>Ane pott, ane pek."</p>
+ </div>
+
+ <div class="stanza">
+ <p class="i4">Bannatyne <i>Poems</i>, p. 159.</p>
+ </div>
+ </div>
+
+ <p>Skinner derives it from A.-S. <i>feower</i>, quatuor; and
+ <i>lot, hlot</i>, portio (the fourth part); Teut.
+ "<i>viertel</i>."</p>
+
+ <p class="author">J.S.</p>
+
+ <p><i>Loscop</i> (No. 20. p. 319).&mdash;To be "Louecope-free"
+ is one of the immunities granted to the Cinque Ports in their
+ charters of Liberties.</p>
+
+ <p>Jeakes explains the term thus:&mdash;</p>
+
+ <blockquote>
+ <p>"The Saxon word Cope (in Low Dutch still Kope or Koope),
+ for trade or merchandising, makes this as much as to trade
+ freely for love. So that by no kind of monopoly patent, or
+ company or society of traders or merchants, the portsmen be
+ hindered from merchandising; but freely and for love, be
+ permitted to trade and traffick, even by such company of
+ merchants, whenever it shall happen their concerns lie
+ together."</p>
+ </blockquote>
+
+ <p>In my MSS., and in the print of Jeakes, it is "Louecope,"
+ with which "Lofcope" may be readily identified; and <i>f</i>
+ may easily be misread for <i>s</i>, especially if the roll be
+ obscured.</p>
+
+ <p>If Jeakes's etymology of the word be correct, the inference
+ would rather be that "Lovecope" was a tax for the goodwill of
+ the port at which a merchant vessel might arrive; a "port duty"
+ in fact, independent of "lastage" &amp;c., chargeable upon
+ every trader that entered the port, whatever her cargo might
+ be. And the immunities granted to the portsmen were that they
+ should be "port duty free."</p>
+
+ <p>I do not venture to offer this as any thing more than a mere
+ guess. Among your contributors there are many more learned than
+ myself in this branch of antiquarian lore, who will probably be
+ able to give a more correct interpretation, and we shall feel
+ obliged for any assistance that they can give us in elucidating
+ the question.</p>
+
+ <p>"Lovecope" might perhaps be the designation of the
+ association of merchants itself, to which Jeakes alludes; and
+ the liberty of forming such association, with powers of
+ imposing port duties, may have been dependent on special grant
+ to any port by royal charter, such as that which forms the
+ subject of your correspondent's communication.</p>
+
+ <p>After all, perhaps, "Lovecope" was the word for an
+ association of merchants; and "Louecope-free" is to be freed
+ from privileged taxation by this body.</p>
+
+ <p class="author">L.B.L.</p>
+
+ <p><i>Smelling of the Lamp</i> (No. 21. p. 335.).&mdash;"X."
+ will find the expression
+ &Iota;&lambda;&lambda;&upsilon;&chi;&nu;&iota;&omega;&nu;
+ &omicron;&zeta;&epsilon;&iota;&nu; attributed to Pytheas by
+ Plutarch (<i>Vit. Demosth</i>., c. 8.).</p>
+
+ <p class="author">J.E.B. MAYOR.</p>
+
+ <p><i>Anglo-Saxon MS. of Orosius</i> (No. 20. p.
+ 313.).&mdash;It may gratify Mr. Singer to be informed that the
+ Lauderdale MS., formerly in the library at Ham House, is now
+ preserved, with several other
+ <span class="pagenum"><a name="page372"
+ id="page372"></a>{372}</span> valuable manuscripts and
+ books, in the library at Helmingham Hall, Suffolk, the seat
+ of the Tollemache family.</p>
+
+ <p class="author">M.</p>
+
+ <p><i>Golden Frog</i>.&mdash;Ingenious as is the suggestion of
+ "R.R." (No. 18. p. 282.), that Sir John Poley stuck a golden
+ frog in his ear from his affection for <i>tadpoles</i>, I think
+ "R.R.'s" "Rowley Poley" may be dismissed with the
+ "<i>gammon</i> and spinach" of the amorous frog to which he
+ alludes.</p>
+
+ <p>Conceiving that the origin of so singular a badge could
+ hardly fail to be commemorated by some tradition in the family,
+ I have made inquiry of one of Sir John Poley's descendants, and
+ I regret to hear from him that "they have no authentic
+ tradition respecting it, but that they have always believed
+ that it had some connection with the service Sir John rendered
+ in the Low Countries, where he distinguished himself much by
+ his military achievements." To the Low Countries, then, the
+ land of frogs, we must turn for the solution of the enigma.</p>
+
+ <p class="author">Gastras.</p>
+
+ <p>Cambridge, March 9.</p>
+
+ <p><i>Sword of Charles I.</i>&mdash;Mr. Planch&eacute; inquires
+ (No. 12. p. 183.), "When did the real sword of Charles the
+ First's time, which, but a few years back, hung at the side of
+ that monarch's equestrian figure at Charing Cross,
+ disappear?"&mdash;It disappeared about the time of the
+ coronation of Her present Majesty, when some scaffolding was
+ erected about the statue, which afforded great facilities for
+ removing the rapier (for such it was); and I always understood
+ it found its way, by some means or other, to the Museum, so
+ called, of the notoriously frolicsome Captain D&mdash;&mdash;,
+ where, in company with the wand of the Great Wizard of the
+ North, and other well-known articles, it was carefully labelled
+ and numbered, and a little account appended of the
+ circumstances of its acquisition and removal.</p>
+
+ <p class="author">John Street.</p>
+
+ <p class="note">[Surely then Burke was right, and the "Age of
+ Chivalry is past!"&mdash;Otherwise the idea of <i>disarming a
+ statue</i> would never have entered the head of any Man of
+ Arms, even in his most frolicsome of moods.]</p>
+
+ <p><i>John Bull</i>.&mdash;<i>Vertue MSS.</i>&mdash;I always
+ fancied that the familiar name for our countrymen, about the
+ origin of which "R.F.H." inquires (No. 21. p. 336.), was
+ adopted from Swift's <i>History of John Bull</i>, first printed
+ in 1712; but I have no authority for saying so.</p>
+
+ <p>If the Vertue MSS. alluded to (No. 20. p. 319.) were ever
+ returned by Mr. Steevens to Dr. Rawlinson, they may be in the
+ Bodleian Library, to which the Doctor left all his collections,
+ including a large mass of papers purchased by him long after
+ Pepys' death, as he described it, "Thus et odores
+ vendentibus."</p>
+
+ <p>These "<i>Pepys</i> papers," as far as I can recollect, were
+ very voluminous, and relating to all sorts of subjects; but I
+ saw them in 1824, and had only then time to examine and extract
+ for publication portions of the correspondence.</p>
+
+ <p class="author">Braybrooke.</p>
+
+ <p>Audley End, March 25.</p>
+
+ <p><i>Vertue's Manuscripts</i>.&mdash;The MS. quoted under this
+ title by Malone is printed entire, or rather all of it which
+ refers to plays, by Mr. Peter Cunningham, in the <i>Papers of
+ the Shakspeare Society</i>, vol. ii. p. 123., from an
+ interleaved copy of Langbaine. Since the publication of that
+ paper, the entries relating to Shakspeare's plays have been
+ given from the original MS. in the Bodleian Library, in
+ Halliwell's <i>Life of Shakspeare</i>, p. 272.</p>
+
+ <p class="author">S.L.</p>
+
+ <p><i>Vertue's MSS</i>. (No. 20. p. 319.) were in Horace
+ Walpole's possession, bought by him, I think, of Vertue's
+ widow; and his <i>Anecdotes of Painting</i> were chiefly
+ composed from them, as he states, with great modesty, in his
+ dedication and his preface. I do not see in the Strawberry-Hill
+ Catalogue any notice of "Vertue's MSS.," though some vols. of
+ his collection of engravings were sold.</p>
+
+ <p class="author">C.</p>
+
+ <p><i>Lines attributed to Tom Brown</i>.&mdash;In a book
+ entitled <i>Liber Facetiarum, being a Collection of curious and
+ interesting Anecdotes</i>, published at Newcastle-upon-Tyne, by
+ D. Akenhead &amp; Sons, 1809, the passage attributed to Tom
+ Brown by your correspondent "J.T." is given to Zacharias
+ Boyd.</p>
+
+ <p>The only reference given as authority for the account is the
+ initials H.B.</p>
+
+ <blockquote>
+ <p>"Zacharias Boyd, whose bust is to be seen over the
+ entrance to the Royal College in Glasgow, while Professor
+ in that university, translated the Old and New Testament
+ into Scotch Metre; and, from a laudable zeal to disseminate
+ religious knowledge among the lower classes of the
+ community, is said to have left a very considerable sum to
+ defray the expense of the said work, which, however, his
+ executors never printed."</p>
+ </blockquote>
+
+ <p>After a few specimens, the account goes on</p>
+
+ <blockquote>
+ <p>"But the highest flight of his Muse appears in the
+ following <i>beautiful Alexandrine</i>:</p>
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="i4">"And was not Pharaoh a saucy rascal?</p>
+
+ <p class="i4">That would not let the children of
+ Israel, their wives</p>
+
+ <p class="i4">And their little ones, their flocks and
+ their herds, go</p>
+
+ <p class="i4">Out into the wilderness forty days</p>
+
+ <p class="i16">To eat the Pascal.</p>
+ </div>
+
+ <div class="stanza">
+ <p class="i4">"H.B."</p>
+ </div>
+ </div>
+
+ <p>Speaking of Zachariah Boyd, Granger says, (vol. ii. p.
+ 379.):</p>
+
+ <blockquote>
+ <p>"His translation of the Scripture in such uncouth verse
+ as to amount to burlesque, has been often quoted, and the
+ just fame of a benefactor to learning has been obscured by
+ that cloud of miserable rhymes. Candour will smile at the
+ foible, but applaud the man.</p>
+
+ <p>"Macure, in his account of Glasgow, p. 223., informs us
+ he lived in the reign of Charles I."</p>
+ </blockquote>
+
+ <p class="author">H.I.</p>
+
+ <p>Sheffield, March 9.
+ 1850.</p><span class="pagenum"><a name="page373"
+ id="page373"></a>{373}</span>
+
+ <p><i>Passage in Frith's Works</i> (No. 20. p. 319).&mdash;This
+ passage should be read, as I suppose, "Ab inferiori ad suum
+ superius confuse distribui."</p>
+
+ <p>It means that there would be confusion, if what is said
+ distributively or universally of the lower, should be applied
+ distributively or universally to the higher; or, in other
+ words, if what is said universally of a species, should be
+ applied universally to the genus that contains that and other
+ species: <i>e.g.</i>, properties that are universally found in
+ the human species will not be found universally in the genus
+ Mammalis, and universal properties of Mammalia wil not be
+ universal over the animal kingdom.</p>
+
+ <p class="author">T.J.</p>
+
+ <p><i>Martins, the Louvain Printer</i>.&mdash;Your
+ correspondent "W." (No. 12. p. 185.) is informed, that in
+ Falkenstein's <i>Geschichte der Buchdrucherkunst</i> (Leipzig,
+ 1840, p. 257.), Theoderich Martens, printer in Louvain and
+ Antwerp, is twice mentioned. I have no doubt but this is the
+ correct German form of the name. Mertens, by which he was also
+ known, may very possibly be the Flemish form. His Christian
+ name was also written Dierik, a short form of Dietrich, which,
+ in its turn, is the same as Theodorich.</p>
+
+ <p class="author">NORTHMAN.</p>
+
+ <p><i>Master of the Revels</i>.&mdash;"DR. RIMBAULT" states
+ (No. 14. p. 219.), that Solomon Dayrolle was appointed Master
+ of the Revels in 1744, but does not know the date of his
+ decease. It may be unknown to Dr. Rimbault, that Solomon
+ Dayrolle<i>s</i> was an intimate friend and correspondent of
+ the great Lord Chesterfield: the correspondence continues from
+ 1748 to 1755 in the selection of Chesterfield's letters to
+ which I am referring.</p>
+
+ <p>Dayrolles, during all that period, held a diplomatic
+ appointment from this country at the Hague. See Lord
+ Chesterfield's letter to him of the 22d Feb. 1748, where Lord
+ C. suggests that by being cautious he (Dayrolles) may be put
+ <i>en train d'&ecirc;tre Monsieur l'Envoye</i>.</p>
+
+ <p>In several of the letters Chesterfield warmly and familiarly
+ commends his hopeful son, Mr. Stanhope, to the care and
+ attention of Dayrolles.</p>
+
+ <p>I have not been able to ascertain when Dayrolles died, but
+ the above may lead to the discovery.</p>
+
+ <p class="author">W.H. LAMMIN.</p>
+
+ <p><i>French Maxim</i>.&mdash;The French saying quoted by
+ "R.V." is the 223rd of <i>Les R&eacute;flexions morales du Duc
+ de la Rochefoucauld</i> (Pougin, Paris, 1839). I feel great
+ pleasure in being able to answer your correspondent's query, as
+ I hope that my reply may be the means of introducing to his
+ notice one of the most delightful authors that has ever yet
+ written: one who deserves far more attention than he appears to
+ receive from general readers in this degenerate age, and from
+ whom many of his literary successors have borrowed some of
+ their brightest thoughts. I need not go far for an
+ illustration:</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"Praise undeserved, is scandal in disguise,"</p>
+ </div>
+ </div>
+
+ <p>is merely a condensation of,</p>
+
+ <blockquote>
+ <p>"Louer les princes des vertus qu'ils n'ont pas, c'est
+ leur dire impun&eacute;ment des injures."&mdash;La
+ Rochefoucauld, Max. 327.</p>
+ </blockquote>
+
+ <p>I believe that Pope marks it as a <i>translation&mdash;a
+ borrowed thought&mdash;not as a quotation</i>. He has just
+ before used the words "your Majesty;" and I think the word
+ "<i>scandal</i>" is employed "<i>consulto</i>," and alludes to
+ the offence known in English law as "scandalum magnatum." Your
+ correspondent will, of course, read the work in the original;
+ in fact, he <i>must</i> do so <i>per force</i>. A good
+ translation of <i>Les Maximes</i> is still a desideratum in
+ English literature. I have not yet seen one that could lay
+ claim even to the meagre title of mediocrity; although I have
+ spared neither time nor pains in the search. Should any of your
+ readers have been more fortunate, I shall feel obliged by their
+ referring me to it.</p>
+
+ <p class="author">MELANION.</p>
+
+ <p><i>Endeavour</i>.&mdash;I have just found the following
+ instance of "endeavour" used as an active verb, in Dryden's
+ translation of Maimbourg's <i>History of the League</i>,
+ 1684.</p>
+
+ <blockquote>
+ <p>"On the one side the majestique House of Bourbon,... and
+ on the other side, that of two eminent families which
+ endeavour'd their own advancement by its destruction; the
+ one is already debas'd to the lowest degree, and the other
+ almost reduc'd to nothing." &mdash;p. 3.</p>
+ </blockquote>
+
+ <p class="author">C. FORBES.</p>
+
+ <p>Temple.</p>
+ <hr class="full" />
+
+ <h2>MISCELLANIES.</h2>
+
+ <p><i>Epigram by La Monnoye</i>.&mdash;It has been ingeniously
+ said, that "Life is an epigram, of which death is the point."
+ Alas for human nature! good points are rare; and no wonder,
+ according to this wicked, but witty,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>EPIGRAM BY LA MONNOYE.</p>
+ </div>
+
+ <div class="stanza">
+ <p>The world of fools has such a store,</p>
+
+ <p class="i2">That he who would not see an ass,</p>
+
+ <p>Must bide at home, and bolt his door,</p>
+
+ <p class="i2">And break his looking glass.</p>
+ </div>
+ </div>
+
+ <p class="author">S.W.S.</p>
+
+ <p>Mickleham, Dec. 10. 1849.</p>
+
+ <p><i>Spur Money</i>.&mdash;Two or three years since, a party
+ of sappers and miners was stationed at Peterborough, engaged in
+ the trigonometrical survey, when the officer entered the
+ cathedral with his spurs on, and was immediately beset by the
+ choristers, who demanded money of him for treading the sacred
+ floor with armed heels. Does any one know the origin of this
+ singular custom? I inquired of some of the dignitaries of the
+ Cathedral, but they were not aware even of its existence. The
+ boys, however, have more tenacious memories, at least where
+ their interest is concerned; but we must not look to them for
+ the origin of a <span class="pagenum"><a name="page374"
+ id="page374"></a>{374}</span> custom which appears to have
+ long existed. In the <i>Memorials of John Ray</i>, published
+ by the Ray Society, p. 131., there is the following entry in
+ his second Itinerary:&mdash;</p>
+
+ <blockquote>
+ <p>"July the 26th, 1661, we began our journey northwards
+ from Cambridge, and that day, passing through Huntingdon
+ and Stilton, we rode as far as Peterborough twenty-five
+ miles. There I first heard the Cathedral service. The
+ choristers made us pay money for coming into the choir with
+ our spurs on."</p>
+ </blockquote>
+
+ <p class="author">East Winch.</p>
+
+ <p class="note">[The following note from <i>The Book of the
+ Court</i> will serve to illustrate the curious custom referred
+ to by our correspondent:</p>
+
+ <p class="note">"In <i>The Privy Purse Expenses of King Henry
+ VIII.</i> edited by Sir Harris Nicolas, there occur several
+ entries of payments made to the choristers of Windsor 'in
+ rewarde for the king's spurs'; which the editor supposes to
+ mean 'money paid to redeem the king's spurs, which had become
+ the fee of the choristers at Windsor, perhaps at installations,
+ or at the annual celebration of St. George's feast.' No notice
+ of the subject occurs in Ashmole's or Anstis's <i>History of
+ the Order of the Garter</i>. Mr. Markland, quoting a note to
+ Gifford's edition of Ben Jonson, vol. ii. p. 49., says, 'In the
+ time of Ben Jonson, in consequence of the interruptions to
+ Divine Service occasioned by the ringing of the spurs worn by
+ persons walking and transacting business in cathedrals, and
+ especially in St. Paul's, a small fine was imposed on them,
+ called "spur-money," the exaction of which was committed to the
+ beadles and singing-boys.' This practice, and to which,
+ probably, the items in Henry's household-book bear reference,
+ still obtains, or, at least, did till very lately, in the
+ Chapel Royal and other choirs. Our informant himself claimed
+ the penalty, in Westminster Abbey, from Dr. Fisher, Bishop of
+ Rochester, and received from him an eighteenpenny bank token as
+ the fine. He likewise claimed the penalty from the King of
+ Hanover (then Duke of Cumberland), for entering the choir of
+ the Abbey in his spurs. But His Royal Highness, who had been
+ installed there, excused himself with great readiness, pleading
+ 'his right to wear his spurs in that church, inasmuch as it was
+ the place where they were first put on him!'&mdash;See further,
+ <i>European Mag</i>., vol. iii. p. 16."]</p>
+ <hr />
+
+ <h3>MINIMUM DE MALIS.</h3>
+
+ <h4>(<i>From the Latin of Buchanan.</i>)</h4>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Calenus owed a single pound, which yet</p>
+
+ <p>With all my dunning I could never get.</p>
+
+ <p>Tired of fair words, whose falsehood I foresaw,</p>
+
+ <p>I hied to Aulus, learned in the law.</p>
+
+ <p>He heard my story, bade me "Never fear,</p>
+
+ <p>There was no doubt&mdash;no case could be more
+ clear:&mdash;</p>
+
+ <p>He'd do the needful in the proper place,</p>
+
+ <p>And give his best attention to the case."</p>
+
+ <p class="i2">And this he may have done&mdash;for it
+ appears</p>
+
+ <p>To have been his business for the last ten
+ years,</p>
+
+ <p>Though on his pains ten times ten pounds
+ bestow'd</p>
+
+ <p>Have not regain'd that one Calenus owed.</p>
+
+ <p class="i2">Now, fearful lest this unproductive
+ strife</p>
+
+ <p>Consume at once my fortune and my life,</p>
+
+ <p>I take the only course I can pursue,</p>
+
+ <p>And shun my debtor and my lawyer too.</p>
+
+ <p>I've no more hope from promises or laws,</p>
+
+ <p>And heartily renounce both debt and cause&mdash;</p>
+
+ <p>But if with either rogue I've more to do,</p>
+
+ <p>I'll surely choose my debtor of the two;</p>
+
+ <p>For though I credit not the lies he tells,</p>
+
+ <p>At least he <i>gives</i> me what the other
+ <i>sells</i>.</p>
+ </div>
+ </div>
+
+ <p class="author">Rufus.</p>
+ <hr />
+
+ <p><i>Epigram on Louis XIV.</i>&mdash;I find the following
+ epigram among some old papers. The emperor would be Leopold I.,
+ the king Louis XIV.</p>
+
+ <p><i>Epigram by the Emperor, 1666, and the King of
+ France.</i></p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Bella fugis, sequeris bellas, pugn&aelig;que
+ repugnas,</p>
+
+ <p class="i2">Et bellatori sunt tibi bella tori.</p>
+
+ <p>Imbelles imbellis amas, totusque videris</p>
+
+ <p class="i2">Mars ad opus Veneris, Martis ad arma
+ Venus.</p>
+ </div>
+ </div>
+
+ <p class="author">J.H.L.</p>
+
+ <p><i>Macaulay's Young Levite.</i>&mdash;I met, the other day
+ with a rather curious confirmation of a passage in Macaulay's
+ <i>History of England</i>, which has been more assailed perhaps
+ than any other.</p>
+
+ <p>In his character of the clergy, Macaulay says, they
+ frequently married domestics and retainers of great
+ houses&mdash;a statement which has grievously excited the wrath
+ of Mr. Babington and other champions. In a little book, once
+ very popular, first published in 1628, with the title
+ <i>Microcosmographie, or a Piece of the World discovered</i>,
+ and which is known to have been written by John Earle, after
+ the Restoration Bishop of Worcester and then of Salisbury, is
+ the following passage. It occurs in what the author calls a
+ character of "a young raw preacher."</p>
+
+ <blockquote>
+ <p>"You shall know him by his narrow velvet cape and serge
+ facing, and his ruffe, next his hire, the shortest thing
+ about him.... His friends, and much painefulnesse, may
+ preferre him to thirtie pounds a yeere, and this meanes, to
+ a chamber-maide: with whom we leave him now in the bonds of
+ wedlocke. Next Sunday you shall have him againe."</p>
+ </blockquote>
+
+ <p>The same little book contains many very curious and valuable
+ illustrations of contemporary manners, especially in the
+ universities.</p>
+
+ <p>That the usage Macaulay refers to was not uncommon, we find
+ from a passage in the <i>Woman-Hater</i>, by Beaumont and
+ Fletcher (1607), Act III. Sc. 3.</p>
+
+ <p>Lazarillo says,</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"Farewell ye courtly chaplains that be there!</p>
+
+ <p>All good attend you! May you never more</p>
+
+ <p>Marry your patron's lady's waiting-woman!"</p>
+ </div>
+ </div>
+
+ <p class="author">I.T.</p>
+
+ <p>Trin. Coll. Camb., March 16.
+ 1850.</p><span class="pagenum"><a name="page375"
+ id="page375"></a>{375}</span>
+
+ <p><i>St. Martin's Lane</i>.&mdash;The first building leases of
+ St. Martin's Lane and the adjacent courts accidentally came
+ under my notice lately. They are dated in 1635 and 1636, and
+ were granted by the then Earl of Bedford.</p>
+
+ <p class="author">Arun.</p>
+ <hr />
+
+ <h3>CHARLES DEERING, M.D.</h3>
+
+ <p>"Author of the Catalogue of Plants in the neighbourhood of
+ Nottingham. 'Catalogus Stirpium, &amp;c., or a Catalogue of
+ Plants naturally growing and commonly cultivated in divers
+ parts of England, and especially about Nottingham,' 8vo.
+ Nottingh. 1738.</p>
+
+ <p>"He was in the suite of the English ambassador to Russia,
+ returned and practised physic in London married unfortunately,
+ buried his wife, and then went to Nottingham, where he lived
+ several years. During his abode there he wrote a small
+ <i>Treatise on the Small Pocks</i>, this <i>Catalogue of
+ Plants</i>, and the <i>History of Nottingham</i>, the materials
+ for which John Plumtre, Esq. of Nottingham, was so obliging as
+ to assist him with. He also was paid 40<i>l.</i> by a London
+ bookseller for adding 20,000 words to an English dictionary. He
+ was master of seven languages, and in 1746 he was favoured with
+ a commission in the Nottinghamshire Foot, raised at that time.
+ Soon after died, and was buried in St. Peter's Churchyard.</p>
+
+ <p>"William Ayscough, father of the printer of this
+ <i>Catalogus Stirpium</i> (G. Ayscough), in 1710, first
+ introduced the art of printing at Nottingham.</p>
+
+ <p>"Mr. White was the same year the first printer at
+ Newcastle-upon-Tyne; and Mr. Dicey at
+ Northampton."&mdash;<i>MS. Note in the Copy of the Cat.
+ Stirpium, in the Library of the British Museum</i>.</p>
+ <hr class="full" />
+
+ <h2>MISCELLANEOUS.</h2>
+
+ <h3>NOTES ON BOOKS, CATALOGUES, SALES, ETC.</h3>
+
+ <p>Our advertising columns already show some of the good
+ results of the <i>Exhibition of the Works of Ancient and
+ Medi&aelig;val Art</i>. Mr. Williams announced last week his
+ <i>Historic Reliques</i>, to be etched by himself. Mr. Cundall
+ has issued proposals for <i>Choice Examples of Art
+ Workmanship</i>; and, lastly, we hear that an <i>Illustrated
+ Catalogue of the Exhibition</i>, prepared by Mr. Franks, the
+ zealous Honorary Secretary of the Committee, and so arranged as
+ to form a <i>History of Art</i>, may be expected. We mention
+ these for the purpose of inviting our friends to contribute to
+ the several editors such information as they may think likely
+ to increase the value of the respective works.</p>
+
+ <p>The second edition of our able correspondent, Mr. Peter
+ Cunningham's <i>Handbook of London</i>, is on the eve of
+ publication.</p>
+
+ <p>There are few of our readers but will be glad to learn from
+ the announcement in a previous column, that the edition of the
+ <i>Wickliffite Versions of the Scriptures</i>, upon which Sir
+ Frederick Madden and his fellow labourers have been engaged for
+ a period of twenty years, is just completed. It forms, we
+ believe, three quarto volumes.</p>
+
+ <p>Messrs. Puttick and Simpson lately disposed of a most select
+ and interesting collection of autograph letters. We
+ unfortunately did not receive the catalogue in time to notice
+ it, which we the more regret, because, like all their
+ catalogues of autographs, it was drawn up with amateur-like
+ intelligence and care; so as to make it worth preserving as a
+ valuable record of materials for our history and biography.</p>
+
+ <p>We have received the following Catalogues of
+ Books:&mdash;No. XXV. of Thomas Cole's (15. Great Turnstile):
+ No. 2. for 1850, of William Heath's (29&frac12; Lincoln's Inn
+ Fields); and No. 15. of Bernard Quarritch's (16. Castle Street,
+ Leicester Square) Catalogue of Oriental and Foreign Books.</p>
+ <hr />
+
+ <h3>BOOKS AND ODD VOLUMES</h3>
+
+ <h4>WANTED TO PURCHASE</h4>
+
+ <h4>(<i>In continuation of Lists in former Nos.</i>)</h4>
+
+ <p>Mills, Rev. Isaac, of Highcleer&mdash;Account of the Life
+ and Conversation of, with a Sermon, 8vo., 1721.</p>
+
+ <p>Mykur Hazem, by Marcus, London, 1846.</p>
+
+ <p>Poems by a Bornnatural, 1849.</p>
+
+ <h4><i>Odd Volumes</i>.</h4>
+
+ <p>Proceedings of the Philological Society. Vol. I.</p>
+
+ <p>Richardson's Correspondence, Vol. I. of the Six-Volume
+ Ed.</p>
+
+ <p>Todd's Johnson's Dictionary, 4to., 1819. (Part X. containing
+ Title, Preface, &amp;c.)</p>
+
+ <p>Partington's British Cyclop&aelig;dia&mdash;That portion of
+ Natural History which follows Vol. I.</p>
+
+ <p>*** Letters, stating particulars and lowest price,
+ <i>carriage free</i>, to be sent to Mr. Bell, Publisher of
+ "NOTES AND QUERIES," 186. Fleet Street.</p>
+ <hr />
+
+ <h3>NOTICES TO CORRESPONDENTS.</h3>
+
+ <p>Burning for Treason.&mdash;Can the Correspondent who
+ furnished us with a curious Note upon this subject favour us
+ with a copy of it, the original having been accidentally
+ mislaid?</p>
+
+ <p>We are again compelled, from want of space, to omit many
+ curious and interesting articles; and, after this statement,
+ must beg our kind friends at Leeds, Brompton, &amp;c., who
+ complain of delay in the insertion of their communications, to
+ do us the favour to refer to the notice on this very subject
+ which appeared in our early numbers.</p>
+
+ <p>Notes and Queries may be procured by the Trade at noon on
+ Friday: so that our country Subscribers ought to experience no
+ difficulty in receiving it regularly. Many of the country
+ Booksellers are probably not yet aware of this arrangement,
+ which enables them to receive Copies in their Saturday parcels.
+ Part V. is now ready.</p>
+ <hr class="adverts" />
+ <span class="pagenum"><a name="page376"
+ id="page376"></a>{376}</span>
+
+ <center>
+ THE QUARTERLY REVIEW,
+ </center>
+
+ <center>
+ No. CLXXII. is Published This Day.
+ </center>
+
+ <div class="poem">
+ <div class="stanza">
+ <p class="i2">CONTENTS:</p>
+
+ <p>I. GIACOMO LEOPARDI AND HIS WRITINGS.</p>
+
+ <p>II. RANKE'S HOUSE OF BRANDENBURG.</p>
+
+ <p>III. QUEEN'S COLLEGE, LONDON.</p>
+
+ <p>IV. GROTE'S HISTORY OF GREECE.</p>
+
+ <p>V. URQUHART'S PILLARS OF HERCULES.</p>
+
+ <p>VI. FACTS IN FIGURES.</p>
+
+ <p>VII. THE DUTIFUL SON.</p>
+
+ <p>VIII. CUNNINGHAM'S HANDBOOK OF LONDON.</p>
+
+ <p>IX. BAXTER'S IMPRESSIONS OF EUROPE.</p>
+
+ <p>X. LORD LIEUTENANT CLARENDON.</p>
+
+ <p>XI. LOUIS PHILIPPE.</p>
+ </div>
+ </div>
+
+ <center>
+ John Murray, Albemarle Street.
+ </center>
+ <hr />
+
+ <center>
+ NEARLY READY.
+ </center>
+
+ <div class="figcenter"
+ style="width:50%;">
+ <a href="images/376.png"><img width="100%"
+ src="images/376.png"
+ alt="CHOICE EXAMPLES OF ART WORKMANSHIP Selected from the Exhibition of ANCIENT AND MEDI&AElig;VAL ART at the Society of Arts" />
+ </a>
+ </div>
+
+ <center>
+ A Prospectus, containing a Specimen of the Illustrations,
+ will be sent on receipt of two postage stamps.
+ </center>
+
+ <center>
+ Joseph Cundall, 21. Old Bond Street.
+ </center>
+ <hr />
+
+ <p>MILLER'S CATALOGUE OF ANCIENT AND MODERN BOOKS.&mdash;NUMBER
+ FOUR is ready this day, and can be had Gratis, and sent, if
+ required, Postage Free. Address, John Miller, 43, Chandos
+ Street, Trafalgar Square. This List embraces numerous valuable
+ and interesting Books on English Poetry, the Drama, History,
+ Biography, Voyages and Travels, &amp;c., with the works of a
+ few of the best Continental writers, a selection of Pictorial
+ Books of Scenery, Costume, Topography, and Drawing-room Table
+ Books.</p>
+
+ <p>Also, on forwarding Four Postage Stamps, JOHN MILLER'S
+ CATALOGUE OF BOOKS FOR THE PAST QUARTER may be had stitched in
+ a wrapper, with a Table of Contents, showing at one glance the
+ range of subjects embraced, amongst which may be enumerated the
+ following, viz., America, Angling, Banking and Currency, Coins,
+ Dictionaries, Drawing-books, Games, Sports, &amp;c., Heraldry,
+ Genealogy and Family History, Ireland, its History and
+ Literature, Kent, its History and Topography, Law, Music, its
+ History and Theory, Painting and the Fine Arts, Shakspeariana,
+ and a variety of other branches of Literature comprised in
+ upwards of 1500 articles.</p>
+
+ <center>
+ John Miller, 43. Chandos Street, Trafalgar Square.
+ </center>
+ <hr />
+
+ <p>THE ANGLO-SAXON, for April, Price 2<i>s.</i> 6<i>d.</i> or
+ 3<i>s.</i> post-free, contains England and her Colonies: County
+ Colonisation, with Maps&mdash;English Church
+ Music&mdash;Christian Architecture&mdash;London: a Poem, Essay
+ II.&mdash;The Alfred Medals: Three Sonnets, by Martin F.
+ Tupper&mdash;Anglo-Saxon Literature: the Jubilee Edition of
+ King Alfred's Works, with Specimens and
+ Translations&mdash;Wives and Mothers&mdash;Anglo-Saxon
+ Colonies: Victoria, Cooksland, Port Essington,
+ (Papua&mdash;Timor)&mdash;Original Ballads.</p>
+
+ <p>The ANGLO-SAXON for 1849 forms a handsome volume, price One
+ Guinea.</p>
+
+ <center>
+ London: T. Bosworth, 215. Regent Street.
+ </center>
+ <hr />
+
+ <p>Published every Saturday, price 3<i>d.</i>, or stamped,
+ 4<i>d.</i>, also in Monthly Parts. Part V. (for March), price
+ 1<i>s.</i> 3<i>d.</i>, now ready.</p>
+
+ <p>NOTES AND QUERIES: a Medium of Inter-communication for
+ Literary Men, Artists, Antiquaries, Genealogists, &amp;c.</p>
+
+ <p>The attention of Publishers and Booksellers is particularly
+ requested to this Periodical as a medium for advertising. It
+ contains communications from the most eminent Literary Men, and
+ is circulated largely amongst the best class of
+ book-buyers.</p>
+
+ <p>In addition to the valuable matter which will be found in
+ its columns, it contains notices of Book Sales, Booksellers'
+ Catalogues, and Lists of Books wanted to
+ purchase,&mdash;features which it is believed will be found
+ valuable to Dealers in Old Books, as well as useful to
+ Purchasers.</p>
+
+ <table summary="Prices"
+ align="center">
+ <caption>
+ SCALE OF PRICES.
+ </caption>
+
+ <tr>
+ <td></td>
+
+ <td align="right">&pound;</td>
+
+ <td><i>s.</i></td>
+
+ <td><i>d.</i></td>
+ </tr>
+
+ <tr>
+ <td align="left">Six lines and under</td>
+
+ <td align="right">0</td>
+
+ <td align="right">5</td>
+
+ <td align="right">0</td>
+ </tr>
+
+ <tr>
+ <td align="left">Above six lines, per line</td>
+
+ <td align="right">0</td>
+
+ <td align="right">0</td>
+
+ <td align="right">6</td>
+ </tr>
+
+ <tr>
+ <td align="left">Half a column</td>
+
+ <td align="right">0</td>
+
+ <td align="right">16</td>
+
+ <td align="right">0</td>
+ </tr>
+
+ <tr>
+ <td align="left">Column</td>
+
+ <td align="right">1</td>
+
+ <td align="right">10</td>
+
+ <td align="right">0</td>
+ </tr>
+
+ <tr>
+ <td align="left">Page</td>
+
+ <td align="right">2</td>
+
+ <td align="right">10</td>
+
+ <td align="right">0</td>
+ </tr>
+ </table>
+
+ <p>***Advertisements must be sent by the Wednesday previous to
+ the Saturday on which they are intended to appear; Notes and
+ Queries being issued to the Trade on Friday afternoon.</p>
+
+ <center>
+ OPINIONS OF THE PRESS.
+ </center>
+
+ <blockquote>
+ <p>"As good a first number as we remember to have seen. The
+ Editor exhibits a phalanx of eminent assistants. * * There
+ can be no doubt of the value of a Literary Medium of this
+ peculiar kind."&mdash;<i>Athen&aelig;um</i>.</p>
+
+ <p>"We like the plan much. * * We wish success to a
+ publication which promises to be agreeable, intelligent,
+ and useful."&mdash;<i>Literary Gazette</i>.</p>
+
+ <p>"We feel great pleasure in welcoming into the literary
+ world this publication, which promises to fill up a void
+ that has constantly been lamented by every person engaged
+ in any particular branch of study that required experience
+ and research. * * It is a publication in which all literary
+ persons must feel a deep interest, and that has our
+ heartiest wishes for its success."&mdash;<i>Morning
+ Herald</i>.</p>
+
+ <p>"This is a new periodical, with a new idea, and one that
+ deserves and will be sure to receive encouragement amongst
+ scholars and readers really deserving that appellation. * *
+ It is a capital idea; and every one who makes Notes or has
+ Queries should buy it and contribute to
+ it."&mdash;<i>Weekly News</i>.</p>
+
+ <p>"That valuable publication The Notes and Queries, so
+ auspiciously commenced."&mdash;<i>New Bell's
+ Messenger</i>.</p>
+
+ <p>"With whomsoever the idea of publishing this useful and
+ interesting periodical first originated, that person is
+ entitled to the thanks of every author, antiquary, and
+ scholar, in the United Kingdom. * * We recommend, in all
+ sincerity, The Notes and Queries to the attention of lovers
+ of literature in general."&mdash;<i>Morning Post</i>.</p>
+ </blockquote>
+
+ <center>
+ London: George Bell, 186. Fleet Street.
+ </center>
+ <hr />
+
+ <center>
+ Just Published, Parts 13 and 14, imperial quarto. Price
+ 3<i>s.</i> each, tinted 4<i>s.</i>
+ </center>
+
+ <p>RELIQUES OF ANCIENT ENGLISH ARCHITECTURE, from Drawings by
+ John Johnson, Architect, F.S.A., Lithographed by Alfred
+ Newman.</p>
+
+ <p>Contents, Part 13:&mdash;Hawton Church; Notts.&mdash;St.
+ Mary's, Stamford&mdash;Aldwinkle, All Saints,
+ Northamptonshire-Wellingborough Church, Northamptonshire.</p>
+
+ <p>Part 14&mdash;Skelton Church, from the South-East and
+ South-West&mdash;Rye House, Herts.&mdash;Holbeach Church,
+ Lincolnshire.</p>
+
+ <p>This Work is intended to embrace a series of examples of
+ Ecclesiastical, Collegiate, and Domestic Architecture. It will
+ be completed in Twenty Monthly Parts, price 3<i>s.</i> each,
+ tinted 4<i>s.</i></p>
+
+ <center>
+ London: George Bell, 186. Fleet Street.
+ </center>
+ <hr />
+
+ <center>
+ Preparing for immediate Publication, in 2 vols. small
+ octavo.
+ </center>
+
+ <p>THE FOLK-LORE OF ENGLAND. By William J. Thoms, F.S.A.,
+ Secretary of the Camden Society, Editor of "Early Prose
+ Romances," "Lays and Legends of all Nations," &amp;c. One
+ object of the present work is to furnish new contributions to
+ the History of our National Folk-Lore; and especially some of
+ the more striking illustrations of the subject to be found in
+ the Writings of Jacob Grimm and other Continental
+ Antiquaries.</p>
+
+ <p>Communications of inedited Legends, Notices of remarkable
+ Customs and Popular Observances, Rhyming Charms, &amp;c. are
+ earnestly solicited, and will be thankfully acknowledged by the
+ Editor. They may be addressed to the care of Mr. Bell, Office
+ of "Notes and Queries," 186. Fleet Street.</p>
+ <hr class="full" />
+
+ <blockquote class="footnote">
+ <a id="footnote1"
+ name="footnote1"></a><b>Footnote
+ 1:</b><a href="#footnotetag1">(return)</a>
+
+ <p>The best account, because the most consistent and
+ intelligible, of the Greek arithmetic, is that by Delambre,
+ affixed to Peyraud's edition of Archimedes.</p>
+ </blockquote>
+
+ <blockquote class="footnote">
+ <a id="footnote2"
+ name="footnote2"></a><b>Footnote
+ 2:</b><a href="#footnotetag2">(return)</a>
+
+ <p>At a period of leisure I may be tempted to send you a
+ few extracts, somewhat curious, from some of the papers of
+ Mr. Strachey in my possession.</p>
+ </blockquote>
+ <hr class="full" />
+
+ <p>Printed by Thomas Clark Shaw, of No. 8. New Street Square,
+ at No. 5. New Street Square, in the Parish of St. Bride, in the
+ City of London; and published by George Bell, of No. 186. Fleet
+ Street, in the Parish of St. Dunstan in The West, in the City
+ of London, Publisher, at No. 186. Fleet Street
+ aforesaid.&mdash;Saturday, April 6, 1850.</p>
+ <hr class="full" />
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries 1850.04.06, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.04.06 ***
+
+***** This file should be named 12505-h.htm or 12505-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/2/5/0/12505/
+
+Produced by Jon Ingram, William Flis, and the Online Distributed
+Proofreading Team. With thanks to Internet Library of Early Journals.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year. For example:
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
+
+
+</pre>
+
+</body>
+</html>
diff --git a/old/12505-h/images/376.png~ b/old/12505-h/images/376.png~
new file mode 100644
index 0000000..c543692
--- /dev/null
+++ b/old/12505-h/images/376.png~
Binary files differ
diff --git a/old/12505.txt~ b/old/12505.txt~
new file mode 100644
index 0000000..537301d
--- /dev/null
+++ b/old/12505.txt~
@@ -0,0 +1,2413 @@
+The Project Gutenberg EBook of Notes and Queries 1850.04.06, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Notes and Queries 1850.04.06
+
+Author: Various
+
+Release Date: June 3, 2004 [EBook #12505]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.04.06 ***
+
+
+
+
+Produced by Jon Ingram, William Flis, and the Online Distributed
+Proofreading Team. With thanks to Internet Library of Early Journals.
+
+
+
+
+
+NOTES AND QUERIES:
+
+A MEDIUM OF INTER-COMMUNICATION FOR LITERARY MEN, ARTISTS,
+ANTIQUARIES, GENEALOGISTS, ETC.
+
+ * * * * *
+
+"When found, make a note of."--CAPTAIN CUTTLE.
+
+ * * * * *
+
+No. 23.] SATURDAY, APRIL 6. 1850. [Price Threepence. Stamped Edition 4d.
+
+ * * * * *{361}
+
+CONTENTS.
+
+NOTES:-- Page
+ Periplus of Hanno, by R.T. Hampson 361
+ Pope Vindicated 362
+ The Supper of the Lorde 362
+ Folk Lore:--Palm Sunday Wind--Curious Symbolical Custom--The Wild
+ Huntsman 363
+ On Authors and Books, No. VI, by Bolton Corney 363
+
+QUERIES:--
+ Nicholas Breton's Crossing of Proverbs, by J.P. Collier 364
+ Sword called Curtana, by E.F. Rimbault, LL.D. 364
+ Is the Dombec the Domesday of Alfred? by George Munford 365
+ Minor Queries:--Wickliffite Versions of the Scriptures--Gloves--Law
+ Courts at St. Alban's--Milton Pedigree--Sapcote Motto--Scala Coeli,
+ &c. 366
+
+REPLIES:--
+ The Arabic Numerals and Cipher 367
+ Replies to Minor Queries, by Sir W.C. Trevelyan 368
+ Derivation of "News" 369
+ Replies to Minor Queries:--Swot--Pokership--Vox Populi--Living Dog better
+ than dead Lion--Curious Monumental Brasses--Chapels--Forthlot--Loscop--
+ Smelling of the Lamp--Anglo-Saxon MS. of Orosius--Golden Frog--Sword
+ of Charles I.--John Bull--Vertue MSS.--Lines attributed to Tom Brown,
+ &c. 369
+
+MISCELLANIES:--
+ Epigram by La Monnoye--Spur Money--Minimum de Malls--Epigram on Louis
+ XIV.--Macaulay's Young Levite--St. Martin's Lane--Charles Deering,
+ M.D. 373
+
+MISCELLANEOUS:--
+ Notes on Books, Sales, Catalogues, &c. 375
+ Books and Odd Volumes wanted 375
+ Notices to Correspondents 375
+ Advertisements 376
+
+ * * * * *
+
+PERIPLUS OF HANNO THE CARTHAGINIAN.
+
+I am not sufficiently Quixotic to attempt a defence of the
+Carthaginians on the western coast of Africa, or any where else, but
+I submit that the accusation brought against them by Mr. S. Bannister,
+formerly Attorney-General of New South Wales, is not sustained by
+the only record we possess of Hanno's colonising expedition. That
+gentleman, in his learned _Records of British Enterprise beyond Sea_,
+just published, says, in a note, p. xlvii.:--
+
+"The first nomade tribe they reached was friendly, and furnished
+Hanno with _interpreters_. At length they discovered a nation _whose
+language was unknown to the interpreters_. These strangers they
+attempted to seize; and, upon their resistance, they took three of the
+women, whom they put to death, and carried their skins to Carthage"
+(_Geogr. Graeci Minores_, Paris, 1826, p. 115.).
+
+Hanno obtained interpreters from a people who dwelt on the banks
+of a large river, called the Lixus, and supposed to be the modern
+St. Cyprian. Having sailed thence for several days, and touched at
+different places, planting a colony in one of them, he came to a
+mountainous country inhabited by savages, who wore skins of wild
+beasts, [Greek: dermata thaereia enaemmenon]. At a distance of
+twelve days' sail he came to some Ethiopians, who could not endure
+the Carthaginians, and who spoke unintelligibly even to the Lixite
+interpreters. These are the people whose women, Mr. Bannister says,
+they killed. Hanno sailed from this inhospitable coast fifteen
+days, and came to a gulf which he calls [Greek: Notou Kera], or
+South Horn.
+
+ "Here," says the Dr. Hawkesworth, of Carthage, "in the gulf,
+ was an island, like the former, containing a lake, and in
+ this another island, full of wild men; but the women were
+ much more numerous, _with hairy bodies_ ([Greek: daseiai tois
+ somasin]), whom the interpreters called [Greek: gorillas].
+ We pursued the men, who, flying to precipices, defended
+ themselves with stones, and could not be taken. Three women,
+ who bit and scratched their leaders, would not follow them.
+ Having killed them, we brought their skins to Carthage."
+
+He does not so much as intimate that the creatures who so defended
+themselves with stones, or those whose bodies were covered with
+hair, spoke any language. Nothing but the words [Greek: anthropoi
+agrioi] and [Greek: gunaikes] can lead us to believe that they were
+human beings at all; while the description of the behaviour of the
+men, and the bodies of the women, is not repugnant to the supposition
+that they were large apes, baboons, or orang-outangs, common to this
+part of Africa. At all events, the voyagers do not say that they
+flayed a people having the faculty of speech.
+
+It is not, however, improbable that the Carthaginians were severe
+taskmasters of the people whom they subdued. Such I understand those
+to have been who opened the British tin mines, and who, according to
+Diodorus Siculus, excessively overworked the wretches who toiled for
+them, "wasting their bodies underground, and dying, {362} many a one,
+through extremity of suffering, while others perished under the lashes
+of the overseer." (_Bibl. Hist._ l. v. c. 38.)
+
+R.T. Hampson.
+
+ * * * * *
+
+POPE VINDICATED.
+
+"P.C.S.S." is too great an admirer of Pope not to seek to vindicate
+him from one, at least, of the blunders attributed to him by Mr. D.
+Stevens, at p. 331. of the "Notes and Queries."
+
+ "Singed are his _brows_, the scorching _lids_ grow black."
+
+Now, if Mr. S. will refer to Homer, he will find that the original
+fully justifies the use of "brows" and "lids" in the _plural_. It runs
+thus (_Od._ ix. v. 389.):
+
+ "[Greek: Panta de ui blephar amphi kai ophruas eusen autmae]."
+
+"P.C.S.S." wishes that he could equally remove from Pope the charge
+of inaccuracy respecting the _three_ cannibal meals of Polyphemus. He
+fears that nothing can be alleged to impugn Mr. Stevens's perfectly
+just criticism.
+
+While on the subject of Pope, "P.C.S.S." would wish to advert to
+a communication (No. 16. p. 246.) in which it is insinuated that
+Pope was probably indebted to Petronius Arbiter for the well-known
+passage--
+
+ "Worth makes the man, and want of it the fellow;
+ The rest is all but leather and prunella."
+
+With all respect for the ingenious author of that communication,
+"P.C.S.S." confesses that he is unable to discover such a similitude
+of expression as might warrant the notion that Pope had been a
+borrower from Petronius. He cannot suppose that Mr. F. could have been
+led away by any supposed analogy between _corium_ and _coricillum_.
+The latter, Mr. F. must know, is nothing more than a diminutive of
+a diminutive (coricillum, _not_ corcillum, from corculum); and the
+word is coined by Petronius to ridicule one of the affectations of
+Trimalchio (Nero), who was wont to indulge, to an absurd extent, in
+the use of such diminutives (_vide_ Burmann, _in loco_). "P.C.S.S."
+will now subjoin such translations of the passage in question as he
+has hitherto had opportunities of referring to. The first is from _The
+Works of Petronius Arbiter, translated by several hands_, Lond. 8vo.
+4th edit. 1714. At the beginning of the translation itself there is
+this heading--"Made English by Mr. Wilson, of the Middle Temple, and
+several others." The passage in question is thus rendered:--
+
+ "Come, my friends, let us see how merry you can be! for in my
+ time, I have been no better than yourselves; but, by my own
+ industry, I am what I am. _'Tis the heart makes the man_; all
+ the rest is but stuff!"
+
+In another translation, which, with Grub-Street audacity, the
+publisher, in his title-passage, presumes to attribute to Addison!
+and which appeared in 1736 (Lond. 8vo.), the passage is as follows:--
+
+ "I was once as you are: but now, thanks to my industry, I am
+ what I am. _It is the heart that makes the man_; all the rest
+ is but stuff!"
+
+Be the translator who he may, this version, so impudently ascribed to
+the moral Addison, is written with much spirit and power, and with a
+remarkable comprehension of the author's meaning. Some of the poetical
+fragments at the end are, indeed, singularly well done.
+
+Of the two French versions which "P.C.S.S." has examined, the one by
+Levaur (Paris, 8vo. 1726) thus translates the passage:
+
+ "Je vous prie, mes amis ... _C'est le coeur qui fait les
+ hommes; je compte le reste pour un fetu_."
+
+In that of Boispreaux (Lond. 1742), it is simply rendered--
+
+ "Mon scavoir faire m'a tire du pair. _C'est le coeur qui fait
+ l'homme_ ..."
+
+No attempt is made to translate the _quisquilia_.
+
+P.C.S.S.
+
+ * * * * *
+
+"THE SUPPER OF THE LORDE."
+
+I shall be glad to find that your correspondent "C.H." (No. 21. p.
+333.) receives a satisfactory answer to his inquiry, as such a reply
+would also satisfy my earlier query, No. 7. p. 109. I perceive,
+however, from his letter, that I can give him some information on
+other points noticed in it, though the absence of papers now passing
+through the press with the Parker Society's reprint of a third volume
+of Tyndale, will prevent my replying with such precision as I could
+wish. That ancient tract on "The Supper of the Lorde, after the true
+meanyng of the sixte of John," &c., of which "C.H." says he possesses
+a copy, was reprinted at different intervals with the same date, viz.,
+MCCCCCXXXIII, Apryll v., on its title-page. The original edition has a
+final colophon, stating that it was "imprinted at Nornberg, by Nielas
+Twonson," and is so rare, that I have not been able to discover the
+existence of any copy, but one recently deposited in the Bodleian.
+That "C.H.'s" copy is not a specimen of that first edition, is
+apparent from two circumstances. The first is, that he has given you
+a quotation from his copy as follows:--"And as for M. More, whom the
+verity most offendeth, and doth but mocke it," whereas the original
+edition has, "And as for M. Mocke," &c., and Sir Thomas More notices
+this mockage of his name in his reply. The next is, that his copy
+contains "Crowley's Epistle to the Reader," which does not appear in
+any edition of an earlier date than 1551. When first attached to this
+treatise, the epistle was anonymous, as may be seen in the Lambeth
+copy; but Crowley eventually {363} affixed his name to the epistle,
+as it appears in "C.H.'s" and in other copies. Robert Crowley was a
+fellow of Magdalen College, Oxford; vicar of St. Giles, Cripplegate;
+a printer and publisher; but to his singular combination of titles, we
+cannot add that of author of the treatise in question. "C.H." has seen
+that he did not enter Oxford till 1534; and in his Prefatory Epistle,
+Crowley speaks of the author of the treatise as a person distinct from
+himself.
+
+I do not wish, however, to be considered as positively affirming the
+treatise to be Tyndale's. Foxe, the martyrologist, edited Tyndale's
+works for Day, and he has only said that this treatise was "compiled,
+as some do gather, by M. Wm. Tyndale, because the method and phrase
+agree with his, and the time of writing are [sic] concurrent." On the
+other hand, the authorship is unhesitatingly assigned to Tyndale by
+Mr. C. Anderson (_Annals of the English Bible_, Sec.ix. _ad finem_),
+and by Mr. Geo. Offer (_Mem. of Tyndale_, p. 30.), the two most
+pains-taking and best informants as to his works. But still there are
+objections of such force, that I must confess myself rather inclined
+to attribute the treatise to Joy's pen, if I could but be satisfied
+that he was capable of writing so correctly, and of keeping so clear
+of vulgarity in a controversy with a popish persecutor.
+
+H.W.
+
+ * * * * *
+
+FOLK LORE.
+
+_Palm Sunday Wind_.--It is a common idea among many of the farmers and
+labourers of this immediate neighbourhood, that, from whatever quarter
+the wind blows for the most part on Palm Sunday, it will continue
+to blow from the same quarter for the most part during the ensuing
+summer.
+
+Is this notion prevalent in other parts of the country, as a piece of
+"Folk-Lore?"
+
+R.V.
+
+Winchester, March 26.
+
+
+_Curious Symbolical Custom_.--On Saturday last I married a couple in
+the parish church. An old woman, an aunt of the bridegroom, displeased
+at the marriage, stood at the church gate and pronounced an anathema
+on the married pair. She then bought a new broom, went home, swept
+her house, and hung the broom over the door. By this she intimated her
+rejection of her nephew, and forbade him to enter her house. Is this a
+known custom? What is its origin?
+
+H. Morland Austen.
+
+St. Peter's, Thanet, March 25. 1850.
+
+
+_The Wild Huntsman_.--The interesting contributions of your
+correspondent "Seleucus," on "Folk Lore," brought to my recollection
+the "Wild Huntsman" of the German poet, Tieck; of whose verses on that
+superstitious belief, still current among the imaginative peasantry of
+Germany, I send you a translation, _done into English_ many years ago.
+The Welsh dogs of Annwn, or "couriers of the air"--the spirit-hounds
+who hunt the souls of the dead--are part of that popular belief
+existing among all nations, which delivers up the noon of night to
+ungracious influences, that "fade on the crowing of the cock."
+
+
+"THE WILD HUNTSMAN.
+
+ "At the dead of the night the Wild Huntsman awakes,
+ In the deepest recess of the dark forest's brakes;
+ He lists to the storm, and arises in scorn.
+ He summons his hounds with his far-sounding horn;
+ He mounts his black steed; like the lightning they fly
+ And sweep the hush'd forest with snort and with cry.
+ Loud neighs his black courser; hark his horn, how 'tis swelling!
+ He chases his comrades, his hounds wildly yelling.
+ Speed along! speed along! for the race is all ours;
+ Speed along! speed along! while the midnight still lours;
+ The spirits of darkness will chase him in scorn,
+ Who dreads our wild howl, and the shriek of our horn,
+ Thus yelling and belling they sweep on the wind,
+ The dread of the pious and reverent mind:
+ But all who roam gladly in forests, by night,
+ This conflict of spirits will strangely delight."
+
+J.M.
+
+Oxford, March 13.
+
+ * * * * *
+
+ON AUTHORS AND BOOKS, NO. VI.
+
+In the union of scholarship, polished manners, and amiability of
+character, we have had few men to surpass the reverend Joseph Spence.
+His career was suitable to his deserts. He was fortunate in his
+connections, fortunate in his appointments, and fortunate in his share
+of fame.
+
+His fame, however, is somewhat diminished. His _Essay on the Odyssey_,
+which procured him the friendship of Pope, has ceased to be in
+request; his _Polymetis_, once the ornament of every choice library,
+has been superseded by the publications of Millin and Smith; his poems
+are only to be met with in the collections of Dodsley and Nichols. If
+we now dwell with pleasure on his name, it is chiefly as a recorder
+of the sayings of others--it is on account of his assiduity in making
+_notes!_ I allude to the volume entitled _Anecdotes, observations,
+and characters of books and men_, which was edited by my friend Mr.
+Singer, with his wonted care and ability in 1820.
+
+The _Essay on the Odyssey_ was first published anonymously in 1726-7.
+It was reprinted in 1737 and 1747. A copy of the latter edition, now
+in my possession, contains this curious note:--
+
+ "It is remarkable that of twelve passages objected to in this
+ critique on the English Odyssey, _two_ only are found in those
+ books which were translated by Pope.
+
+ "From Mr. Langton, who had his information from Mr. Spence.
+
+ "When Spence carried his preface to Gorboduc in {364} 1736 to
+ Pope, he asked him his opinion. Pope said 'It would do very
+ well; there was nothing _pert_ or _low_ in it.' Spence was
+ satisfied with this praise, which however, was in implied
+ censure on all his other writings.--He is very fond of the
+ familiar vulgarisms of common talk, and is the very reverse of
+ Dr. Johnson.
+
+"E.M." [Edmond Malone.]
+
+The note is not signed at length, but there can be no doubt as to its
+authorship, as I purchased the volume which contains it at the sale of
+the unreserved books of Mr. Malone in 1818.
+
+Bolton Corney.
+
+ * * * * *
+
+
+QUERIES.
+
+NICHOLAS BRETON'S "CROSSING OF PROVERBS."
+
+Although my query respecting William Basse and his poem, "Great
+Britain's Sun's Set," (No. 13. p. 200), produced no positive
+information touching that production, it gave an opportunity to some
+of your correspondents to communicate valuable intelligence relating
+to the author and to other works by him, for which I, for one, was
+very much obliged. If I did not obtain exactly what I wanted, I
+obtained something that hereafter may be extremely useful; and that
+I could not, perhaps, have obtained in any other way than through the
+medium of your pleasant and welcome periodical.
+
+I am now, therefore, about to put a question regarding another writer
+of more celebrity and ability. Among our early pamphleteers, there was
+certainly none more voluminous than Nicholas Breton, who began writing
+in 1575, and did not lay down his pen until late in the reign of
+James I. A list of his pieces (by no means complete, but the fullest
+that has been compiled) may be seen in Lowndes's _Bibl. Manual_;
+it includes several not by Breton, among them Sir Philip Sidney's
+_Ourania_, 1606, which in fact is by a person of the name Backster;
+and it omits the one to which my present communication refers, and
+regarding which I am at some loss.
+
+In the late Mr. Heber's _Catalogue_, part iv. p. 10., I read as
+follows, under the name of Nicholas Breton:--
+
+ "Crossing of Proverbs. The Second Part, with certaine briefe
+ Questions and Answeres, by N.B., Gent. Extremely rare and very
+ curious, _but imperfect_. It appears to contain a portion of
+ the first part, and also of the second; but it appears to be
+ unknown."
+
+Into whose hands this fragment devolved I know not; and that is one
+point I am anxious to ascertain, because I have another fragment,
+which consists of what is evidently the first sheet of the first part
+of the tract in question, with the following title-page, which I quote
+_totidem literis_:--
+
+ "Crossing of Proverbs. Crosse-Answeres. And Crosse-Humours. By
+ B.N., Gent. At London, Printed for John Wright, and are to be
+ solde at his Shop without Newgate, at the signe of the Bible,
+ 1616."
+
+It is in 8vo., as Heber's fragment appears to have been; but then the
+initials of the author are given as N.B., whereas in my fragment they
+stand B.N., a usual inversion with Nicholas Breton; the brief address
+"To the Reader" is also subscribed B.N.; and then begins the body of
+the work, thus headed: "Crosse and Pile, or, Crossing of Proverbs." It
+opens as follows:
+
+ "_Proverb_. The more the merrier.
+ _Cross_. Not so; one hand is enough in a purse.
+ _P._ Every man loves himselfe best.
+ _C._ Not so, when man is undone by suretyship.
+ _P._ He that runnes fastest gets most ground.
+ _C._ Not so, for then foote-men would have more land than their masters.
+ _P._ He runnes far that never turnes.
+ _C._ Not so, he may breake his necke in a short course.
+ _P._ No man can call againe yesterday.
+ _C._ Yes, hee may call till his heart ake, though it never come.
+ _P._ Had I wist was a foole.
+ _C._ No, he was a foole that said so."
+
+And so it proceeds, not without humour and point, here and there
+borrowing from known sources, as in the following:--
+
+ "_Proverb._ The world is a long journey.
+ _Cros._ Not so, the sunne goes it every day.
+ _P._ It is a great way to the bottom of the sea.
+ _C._ Not so, it is but a stone's cast."
+
+However, my object is not to give specimens of the production further
+than are necessary for its identification. My queries are, 1st, Who
+bought Mr. Heber's fragment, and where is it now to be found? 2nd, Are
+any of your correspondents aware of the existence of a perfect copy of
+the work?
+
+I naturally take a peculiar interest about Nicholas Breton, because
+I have in my possession an unknown collection of amatory and pastoral
+poems by him, printed in quarto in 1604, in matter and measure obvious
+imitations of productions in "The Passionate Pilgrim," 1599, imputed
+to Shakespeare, and some of which are unquestionably by Richard
+Barnfield.
+
+Any new information regarding Breton and his works will be most
+acceptable to me. I am already in possession of undoubted proof that
+he was the Nicholas Breton whose epitaph is on the chancel-wall of the
+church of Norton, in Northamptonshire, a point Ritson seems to have
+questioned.
+
+J. Payne Collier.
+
+March 30. 1850.
+
+ * * * * *
+
+THE SWORD CALLED CURTANA.
+
+In the wardrobe account for the year 1483, are "iij swerdes, whereof
+oon with a flat poynte, {365} called _curtana_, and ij other swords,
+all iij swords covered in a yerde di of crymysym tisshue cloth of
+gold."
+
+The name of _curtana_ for many ages continued to be given to the first
+royal sword in England. It existed as long ago as the reign of Henry
+III., at whose coronation (A.D. 1236) it was carried by the Earl of
+Chester. We find it at the coronations of Edward II. and Richard II.;
+also in the time of Henry IV., Richard III., and Henry VII.; and among
+the royal arms of Edward VI. we read of "a swerde called _curtana_."
+
+Can any of your readers explain the origin of the name _curtana_,
+a sword so famous that it carries us back to the days of ancient
+chivalry, when it was wielded by the Dane _Uggiero_, or by the still
+more famed _Orlando_.
+
+Edward F. Rimbault.
+
+ * * * * *
+
+IS THE DOMBEC THE DOMESDAY OF ALFRED?
+
+I beg to propose the following "Query":--Is the _Dombec_, a work
+referred to in the Laws of Edward the Elder, the same as what has been
+called the Domesday or Winchester Book of Alfred the Great? I incline
+to think that it is not, and shall be much obliged to any of your
+correspondents, learned in the Anglo-Saxon period of our history, who
+will give himself the trouble of resolving my doubts.
+
+Sir Henry Spelman, in his Glossary _voce Dombec_, calls it the _Liber
+Judicialis_ of the Anglo-Saxons; and says it is mentioned in the first
+chapter of the laws of Edward the Elder, where the king directs his
+judges to conduct themselves in their judicial proceedings as on [Old
+English: thaere dom bec stand], that is, as _is enjoined in their Dome
+Book_.--"Quod," he continues, "an de praecedentium Regum legibus quae
+hodie extant, intelligendum sit: an de alio quopiam libro hactenus non
+prodeunte, incertum est."
+
+But this uncertainty does not seem to have attached itself to the
+mind of Sir William Blackstone; for in the third section of the
+Introduction prefixed to his _Commentaries on the Laws of England_, he
+informs us that our antiquaries "tell us that in the time of Alfred,
+the local customs of the several provinces of the kingdom were grown
+so various, that he found it expedient to compile his _Dome Book_, or
+_Liber Judicialis_, for the general use of the whole kingdom." This
+book is said to have been extant so late as the reign of King Edward
+IV., but is now unfortunately lost. It contained, we may probably
+suppose, the principal maxims of the common law, the penalties for
+misdemeanors, and the forms of judicial proceedings. Thus much may be
+at least collected from that injunction to observe it, which we find
+in the Laws of King Edward the Elder, the son of Alfred.--"_Omnibus
+qui reipublicae praesunt etiam atque etiam mando, ut omnibus aequos
+se praebeant judices, perinde ac in judiciali libro_ (Saxonice, [Old
+English: dom bec]) _scriptum habetur: nec quidquid formident quin
+jus commune_ (Saxonice, [Old English: folcrihte]) _audactes libereque
+dicant._"
+
+But notwithstanding this, it appears to me by no means conclusive,
+that the _Dombec_ referred to in the Laws of Edward the Elder and the
+_Liber Judicialis_ of Alfred are the same; on the contrary, Alfred's
+_Liber Judicialis_ seems to have been known not under the name
+of _Dombec_, but under that of the _Winchester Roll_, from the
+circumstance of its having been principally kept at Winchester: and
+Sir Henry Spelman says, the Domesday Book of William the Conqueror was
+sometimes called _Rotulus Wintoniae, a similitudine antiquoris_, from
+its resemblance to an older document preserved at Winchester. And he
+quotes Ingulphus Abbot of Croyland, who says, "Iste rotulus (i.e. the
+Domesday Book of William) vocatus est Rotulus Wintoniae, et ab Anglicis
+pro sua generalitate, omnia tenementa totius terrae integre continente
+_Domesday_ cognominatur." And the he proceeds, "Talem rotulum et
+multum similem; ediderat quondam Rex Alfredus, in quo totam terram
+Angliae per comitatus, centurias, et decurias descripserat, sicut
+praenotatur. Qui quidem Rotulus Wintoniae vocatus est, quia deponebatur
+apud Wintoniam conservandus," &c.
+
+Here is nothing said of this work being called [Old English: dom bec]:
+neither does Spelman, in his enumeration of the works of Alfred,
+give the least intimation that any one of his collections of laws was
+called [Old English: dom bec].
+
+We know, indeed, that Alfred compiled a code of laws for his subjects;
+but whether any part of them has been preserved, or how much of them
+is embodied in subsequent codes, cannot now be determined. Asser
+mentions that he frequently reprimanded the judges for wrong
+judgments; and Spelman, that he wrote "a book against unjust
+magistrates," but any complete body of laws, if such was ever framed
+by Alfred, is now lost; and that attributed to him in Wilkin's _Leges
+Anglo-Saxon_, is held in suspicion by most writers.
+
+For these reasons, and considering that Sir William Blackstone's
+knowledge of English history was rather superficial, I incline to the
+belief, that the [Old English: dom bec] referred to in the laws of
+Edward the Elder, was some collection of laws made _prior_ to the time
+of Alfred: this might clearly be the case, as Sharon Turner informs
+us that the Saxon laws were committed to writing as early as the
+commencement of the 7th century.
+
+The opinions of your learned correspondents on this disputed point may
+be of much interest to many of your readers, and to none more than to
+
+George Munford.
+
+East Winch.
+
+ * * * * *{366}
+
+MINOR QUERIES.
+
+_MSS. of the Wycliffite Translations of the Scriptures_.--The Add. MS.
+15,521., in the British Museum, contains a copy of Lewis's edition
+of the _Wycliffite New Testament_, printed in 1731, with manuscript
+notes by Ames and Lewis, and the former has transcribed into it some
+_additional prologues_, prefixed to each book of the New Testament,
+which had not been printed by Lewis, and were taken by Ames from a MS.
+of the New Testament, written in 1424, and in 1731 in the possession
+of Thomas Granger. It would be very desirable to learn what became of
+this MS. subsequently. Granger died in the following year, but the
+MS. does not appear in the sale catalogue of his library, nor is it
+found in the catalogue of Ames's own library, dispersed in 1760. Any
+information relative to this remarkable copy of the New Testament,
+would be very acceptable to the Editors of the _Wycliffite Versions
+of the Scriptures_, who are now, after a literary labour of more than
+twenty years, about to bring the work to a conclusion. They would
+also feel much obliged by the communication of any notices of MSS. of
+the Wycliffite versions, _existing in private hands_, exclusive of
+those copies of which they already possess descriptions, existing in
+the libraries of the following individuals:--Mrs. Allanson of Farn,
+Flintshire, the Earl of Ashburnham, Sir Thomas Phillipps, Bart., Sir
+Peregrine Ackland, Bart., Sir David Dundas, H.M. Judge Advocate, Dr.
+Cardwell, Principal of St. Alban's Hall, Oxford, and Thomas Bannister,
+Esq.
+
+F. Madden.
+
+British Museum, March 28.
+
+
+_Why are Gloves not worn before Royalty?_--Can any of your readers
+inform me what is the origin of the custom observed at Court, of
+persons in the royal presence not wearing gloves? Is it a matter of
+pure etiquette, or does the observance of it derive its origins from
+barbarous times, when chivalry was little else than barbarism in
+armour?
+
+F.E.
+
+
+_Law Courts at St. Albans_.--Can any of your correspondents give
+me the reference to a communication in the _Gentleman's Magazine_
+(between, I think, the years 1815 and 1836), in which a passage
+in Massinger, which alludes to lawyers going to St. Albans, is
+illustrated by an inscription in the nave of St. Alban's Abbey Church,
+which records that the courts were held there on account of the
+sweating-sickness in the reign of Elizabeth?
+
+[Greek: Sigma.]
+
+
+_Richard Haley, or Hales.--Milton Pedigree_.--I should feel obliged
+by any particulars respecting Richard Haley, or Hales, of Idlestreete,
+otherwise Ilstreyd, in com. Hertford, yeoman; my object being to
+ascertain the nature of some transaction he had with Milton, in July
+1674, referred to in a bond which the former executed, dated the
+27th of that month, for performance of the covenants contained in an
+indenture of even date.
+
+Is any thing known of Richard Milton, who signs his name as the
+attesting witness to the releases given by two of the poet's daughters
+for their share of his estate? Is there any pedigree of the family of
+Sir Christopher Milton, the poet's brother, drawn up with sufficient
+apparent accuracy to exclude the probability of Richard Milton being
+his son? I have referred to the pedigree in the British Museum (Harl.
+MS. 5802. fo. 19b.), which makes no mention of the letter; but it is
+evidently so imperfect a notice, as to be of little authority one way
+or other.
+
+J.F.M.
+
+
+_Sapcote Motto_.--Over the old gatehouse of Elton, co. Hunts., built
+by the family of Sapcote, is their coat of arms, namely, "three
+dove-cotes;" and upon a scroll, surrounding the lower part of the
+shield, is carved a motto, evidently French, and as evidently cut by
+a person ignorant of that language. So far as I can decypher it, the
+letters appear to be
+
+ sco toot X vinic [or umic]
+ X poncs.
+
+Possibly the first and last letters _s_ are only flourishes. I shall
+be glad of any suggestion as to its meaning.
+
+I have not been able to find the Sapcote motto on record; and I
+believe the Carysfoot family, the possessors of Elton, and the Duke
+of Bedford, the heir in blood, to be ignorant of what this scroll is
+intended to represent.
+
+Erminois.
+
+Athenaeum Club.
+
+
+_Scala Coeli_.--In a will, dated 12 Hen. VIII., the testator directs
+that there shall be four trentals of Saint Gregory said for his soul
+at London at "Scala Coeli." Can any of your readers explain what place
+is meant by "Scala Coeli?"
+
+A Subscriber.
+
+
+_Illustrations of Gresset's "Vert Vert," painted on Enamel, &c._--In
+a Paris edition of Gresset's Works (Janet et Cotelle, 1823), in the
+preface is the following passage.--
+
+ "Vert-vert fut bientot dans toutes les mains. Le suffrage de
+ la multitude se joignit a celui des connoisseurs; la mode, qui
+ est aussi en possession de donner son suffrage, s'empressa de
+ parer les ajustemens d'invention recente, du nom de l'illustre
+ perroquet; _les vases d'ornement, les vases usuels_ qui
+ sortoient des fabriques francoises, retracoient presque tous
+ quelques episodes du petit poeme. Un artist dont le nom est
+ venu jusqu'a nous, Raux, en _peignit sur email les sujets
+ les plus marquants_; et tandis qu'on faisoit passer dans une
+ version latine les vers elegants du poete jesuite, M. Bertin,
+ ministre d'etat, le gratifioit d'un magnifique _cabaret_ de
+ Sevres, dont toutes les pieces reproduisoient les aventures
+ de son heros, ce qui fit dire a Gresset, _qu'on le traduisoit
+ aussi en porcelaine de Sevres_." {367}
+
+The _Query_ I wish to make is, Have any of these illustrations or
+designs from Gresset's poem of Vert-vert, painted on enamel china, or
+earthenware of any sort, of French or any other manufacture, come to
+light of late years? or more lately still, among the articles that
+have been dispersed among various buyers of almost all nations, in the
+sales within these few weeks effected at Paris?
+
+Robert Snow.
+
+
+_Urbanus Regius_.--A friend of mine, a delightful old lady, fresh,
+genial, and inquisitive, has in her possession an old volume, a family
+heir-loom, which is not the less dear to her for being somewhat dingy
+and dilapidated, and touching which she would gladly receive such
+information as your correspondents can supply.
+
+It is made up of three apparently distinct treatises; the first
+(of which several leaves are wanting) on the twelve articles of the
+Apostles' Creed. The second is "The ryght foundation, and pryncypall
+common places of the hole godly Scripture," &c., by Doctor Urbanus
+Regius. Prefixed is an epistle to Thomas, Archbishop of Canterbury
+(evidently Cranmer), to whom "Hys dayly oratoure, Gwalter Lynne (the
+writer of the epistle), wyssheth lyfe euerlastynge." Between this
+second treatise and the third, and apparently belonging to the latter,
+is a title-page with the following inscription:
+
+ "Imprinted for Gwalter Lynne, dwelling upon Somers Kaye, by
+ Byllinges gate. In the yeare of oure Lorde. MDXLVIII. And they
+ by [_sic_] to be solde at Poules church yarde at the north
+ doore, In the signe of the By-bell, By Richard Jugge."
+
+This last treatise is in smaller type than the others, and has no
+general designation: it contains chapters on various subjects, e.g.
+"The Signification of Baptism," &c.
+
+Query 1. Is this volume well known? 2. Who were Urbanus Regius and
+Walter Lynne?
+
+G.P.
+
+March 16. 1850.
+
+ * * * * *
+
+
+REPLIES.
+
+THE ARABIC NUMERALS AND CIPHER.
+
+I might, with a little more consideration, have referred "E.V." to
+several other authorities which he will do well to consult.
+
+9. Wallis's _Algebra_, p. 9. and p. 153. of the additions.
+
+10. _Phil. Trans._, Nos. 439. and 475.
+
+11. Montucla, _Histoire des Mathematiques_, tom. i. chap. 2.
+
+12. Baillie, _Histoire de l'Astronomie_.
+
+13. Delambre[1], _Hist. de l'Astr. du moyen age_.
+
+14. Hutton's _Tracts_ (8vo. ed. 1812.), vol. ii. (subject "History of
+Algebra")
+
+15. Huet, _Demonstratio Evangelica_.
+
+16. Dr. John Taylor's Translation of the _Lilawati_. (Bombay, 1816.)
+
+17. Strachey's Translation of the _Bija Ganita_[2].
+
+18. Colebrooke's _Algebra of the Hindus_.
+
+Would it not be worth while to give a _facsimile_ of the "Tabel for
+all manere of merchauntes," in the "Notes and Queries"? It is not only
+a curiosity, but an important element (and unique as far as is known)
+in the philosophic history of our arithmetic. It was, no doubt, an
+actual instrument in constant use in the merchant's office, as much so
+as an almanac, interest-tables, a "cambist" and a copying-press, are
+now.
+
+As regards the cipher, the difficulty only commenced with _writing
+numbers_ in the new symbology. With persons accustomed to the use
+of this instrument, there is no doubt that the mode of obviating the
+difficulty of "keeping the place," would suggest itself at once. In
+this instrument an empty hole (without its peg) _signified_ "none of
+this denomination." What then more simple than to make the outline
+of the empty hole which occupied the "local position" of any
+denomination, when none of that precise denomination occurred in the
+number itself? Under this view the process at least becomes simple
+and natural; and as the early merchants contributed so largely to the
+improvement of our arithmetical processes, such a conclusion is wholly
+divested of improbability on any other ground. The circle would then
+naturally become, as it certainly has practically become, the most
+appropriate symbol of _nothingness_.
+
+As regards the term _cipher_ or _zero_ (which are so obviously the
+same as to need no remark), it is admitted on all hands to be derived
+from one or other of the Semitic languages, the Hebrew or the Arabic.
+It is customery with the mathematical historians to refer it to the
+Arabic, they being in general more conversant with it than with the
+Hebrew. The Arabic being a smaller hand than the Hebrew, a dot was
+used instead of the circle for marking the "place" at which the hiatus
+of any "denomination" occurred. If we obtained our cipher from this,
+it would be made hollow (a mere _ceinture_, girdle, or ring) to
+save the trouble of making a dot sufficiently large to correspond in
+magnitude with our other numerals as we write them. Either is alike
+possible--probability must be sought, for either over the other, from
+a slightly different source.
+
+The root-words in Hebrew and in Arabic are precisely the same
+(_ts-ph-r_), though in the two {368} languages, and at different ages
+of the same language, they might have been vowelised differently.
+In some shape or other, this name is used in all countries that have
+derived their arithmetic from mediaeval Italy, or from the Saracens. It
+is with some _cipher_, with others _chiffre_, and with all _zero_. The
+word is certainly no more Italian than it is French or English. Be it
+remembered, too, that _ezor_ (quoted at p. 268.), as a _girdle_, is
+radically the same word, somewhat mutilated. The cardinal meaning of
+the word (denuded of the conventional accretions of signification,
+which peculiar applications of it adds to the cardinal meaning)
+appears to be _emptiness_, _hollowness_, _nothingness_. It may be
+further remarked, that in the fine Chartres MS. of Boetius, described
+by Chasles, the 0 is called _sipos_:--the same name, he remarks,
+that Graves found in use in the East. The modern Turks call the 0,
+_tsifra_.
+
+It is curious enough that in all languages, the term _ciphering_ is
+popularly used to denote all arithmetical operations whatever.
+Our schoolboys do their "ciphering," and write carefully in their
+"ciphering-books." This all seems to point to the art of dispensing
+with the use of the abacus or counting table.
+
+T.S.D.
+
+Shooter's Hill, March 5.
+
+[1] The best account, because the most consistent and
+intelligible, of the Greek arithmetic, is that by Delambre, affixed to
+Peyraud's edition of Archimedes.
+
+[2] At a period of leisure I may be tempted to send you a few
+extracts, somewhat curious, from some of the papers of Mr. Strachey in
+my possession.
+
+
+_Arabic Numerals_.--I had replied to "E.V." (No. 15. p. 230.), when
+I saw by your "Notice to Correspondents," that the question was
+answered. I therefore waited the publication of the replies, which I
+find do not embrace any one of the points to which I would call the
+attention of "E.V."--Diophantus of Alexandria, who flourished about
+150 years after Christ, and who wrote thirteen books of algebra or
+arithmetic in the Greek language, is generally supposed to be the
+oldest writer on the subject that has come down to our time; but it
+was not from him that we received the knowledge of algebra in Europe.
+It appears certain that the first knowledge of this science in
+England was from Italy or Spain, after the Moors settled in the latter
+country; and the Arabians and Persians appear to have derived their
+arithmetical method of computing by ten characters from the Indians:
+who, in their turn, have most probably borrowed from the Chinese, and
+improved on their method by the adoption of a zero, which was one of
+the most important improvements effected by the Hindoos. In China,
+the words ancient and modern are almost synonymous; their usages
+and customs being so unchangeable, as appears by their instrument
+of computation, the _swanpan_, which is still used in all their
+calculations. The Oriental scholar will find much curious and
+interesting information connected with this subject in the Sanscrit
+_Vija Ganita_ and _Lilivati_ of Bhaskara Acharya: the former
+was translated into Persian at Agra, or Delhi, in 1634, and the
+latter by Fyzee in 1587; but there are also English translations,
+all of which are in the library of the Royal Asiatic Society. The
+_Khalasah-ul-Hisah_ is another work of repute in India. Mr. Strachey
+wrote and printed in India, for the _Asiatic Researches_, a valuable
+paper, which contains most conclusive evidence of the Indian (if not
+Chinese) origin of our numerals. See also _Astronomie Indienne_,
+of M. Bailly; 2d vol. _Asiatic Researches_, "On the Astronomical
+Computations of the Hindoos," by Saml. Davis; "Two Dissertations on
+Indian Astronomy and Trigonometry," by Professor Playfair, in the 2d
+and 4th vols. of the _Edinburgh Philosophical Transactions_. And many
+others might be referred to; but all tending to prove that our numbers
+came originally from China and India, through Persia, Arabia, Africa,
+Spain, and Italy, by gradual and successive changes in form, several
+of them still retaining a close resemblance to the ancient and modern
+Sanscrit, Chinese, Arabic, Persian, and Hindoo numerals.
+
+Henry Wilkinson.
+
+ * * * * *
+
+REPLIES TO MINOR QUERIES.
+
+I send you a few Notes on Queries scattered through some of the later
+numbers of your very valuable publication:
+
+_Anonymous Ravennas_.--In the library of the Royal Geographical
+Society, I believe there is a copy of an 8vo. edition of that
+cosmography.
+
+_Selago_.--This plant, I should think it probable, is the _Lycopodium
+clavatum_ of modern botanists; the seeds of which, when ripe, and when
+the plant is struck, rise like smoke ("fumum" of Pliny), and may have
+been supposed, from their remarkable inflammability when dashed into
+a flame, igniting with a sudden flash, to have possessed wonderful
+virtues. The species known as _Lycopodium selago_ is rare in
+comparison to the other.
+
+_Portugal_.--In the library of the Geographical Society are some of
+the more recent works published in Lisbon on the topography of that
+country, but they are generally very meagre and unsatisfactory. In a
+periodical published in Lisbon in numbers, on the plan of the _Penny
+Magazine_, there is a good deal of information, with engravings,
+regarding many places of interest in Portugal. I think it is called
+_The Album_, but I am sorry I have not at present the power of sending
+you more correct particulars concerning it. It is in 4to.
+
+Portugal is a country that is so little travelled in either by natives
+or foreigners, that information regarding places in the interior
+is not easily obtained; and facilities for travelling, as well as
+accommodation for travellers, is of a very limited description.
+
+_Sir Roger de Coverley_.--In one of your early numbers was a query on
+this subject, which I do not think has been yet answered. I have a MS.
+{369} account of the family of Calverley, of Calverley, in Yorkshire,
+an autograph of Ralph Thoresby in the year 1717, in which occurs the
+following passage:--
+
+ "_Roger_, so named from the Archbishop" (of York), "was
+ a person of renowned hospitality, since, at this day, the
+ obsolete known tune of _Roger a Calverley_ is referred to
+ him, who, according to the custom of those times, kept his
+ _minstrells_, from that their office named _harpers_, which
+ became a family and possessed lands till late years in and
+ about _Calverley_, called to this day _Harpersroids_ and
+ _Harper's Spring_.... He was a knight, and lived in the time
+ of K. Richard 1st. His seal, appended to one of his charters,
+ is large, with a chevalier on horseback."
+
+W. CALVERLEY TREVELYAN.
+
+ * * * * *
+
+DERIVATIONS OF "NEWS."
+
+It is not declared with what motive "Mr. GUTCH" (No. 17. p. 270.) has
+laid before the readers of "NOTES AND QUERIES" the alleged derivation
+of N.E.W.S.
+
+It must therefore be supposed, that his object was to have its
+justness and probability commented upon; and it is quite time that
+they should be so, since the derivation in question has of late become
+quite a favourite authoritative dictum with etymology compilers.
+Thus it may be found, in the very words and form adopted by your
+correspondent, in Haydn's _Dictionary of Dates_, and in other
+authorities of equal weight.
+
+This sort of initial-letter derivation was probably brought into
+fashion in England by the alleged origin of "Cabal," or, perhaps, by
+the many guesses at the much disputed word "AEra." I shall take the
+liberty of quoting a few sentences with reference to such etymologies,
+_as a class_, which I find in an unpublished manuscript upon a kindred
+subject.
+
+ "Besides, such a splitting up of a word of significant and
+ perfect meaning in itself is always a bad and suspicious mode
+ of derivation.
+
+ "It is generally an after-thought, suggested by some
+ fortuitous or fancied coincidence, that appropriateness of
+ which is by no means a sufficient proof of probability.
+
+ "Of this there can scarcely be a better example than the
+ English word 'news,' which, notwithstanding the felicity of
+ its supposed derivation from the four cardinal points, must,
+ nevertheless, so long as the corresponding words 'nova,'
+ 'nouvelles,' &c. exist, be consigned to its more sober and
+ common-place origin in the adjective '_new_.'"
+
+To this it must be added that the ancient orthography of the word
+_newes_, completely upsets the derivation Mr. Gutch has brought before
+your readers. Hone quotes from "one Burton, printed in 1614: 'if any
+one read now-a-days, it is a play-book, or _a pamphlet_ of _newes_."
+
+I had been in two minds whether or not to send this communication,
+when the scale is completely turned by the apropos occurrence of a
+corroboration of this latter objection in "NOTES AND QUERIES" of this
+day. Mr. Rimbault mentions (at p. 277.), "a rare black letter volume
+entitled _Newes from Scotland_, 1591."
+
+Here is one more proof of the usefulness of your publication, that I
+am thus enabled to strengthen the illustration of a totally different
+subject by the incidental authority of a fellow correspondent.
+
+A.E.B.
+
+Leeds, March, 1850.
+
+ * * * * *
+
+REPLIES TO MINOR QUERIES.
+
+_Swot_ is, as the querist supposes, a military cant term, and
+a sufficiently vulgar one too. It originated at the great
+slang-manufactory for the army, the Royal Military College, Sandhurst.
+You may depend upon the following account of it, which I had many
+years ago from the late Thomas Leybourne, F.R.S., Senior Professor of
+Mathematics in that college.
+
+One of the Professors, Dr. William Wallace, in addition to his being a
+Scotchman, had a bald head, and an exceedingly "broad Scotch" accent,
+besides a not very delicate discrimination in the choice of his
+English terms relating to social life. It happened on one hot summer's
+day, nearly half a century ago, that he had been teaching a class,
+and had worked himself into a considerable effusion from the skin. He
+took out his handkerchief, rubbed his head and forehead violently, and
+exclaimed in his Perthshire dialect,--"_It maks one swot_." This was
+a God-send to the "gentlemen cadets," wishing to achieve a notoriety
+as wits and slangsters; and mathematics generally ever after became
+_swot_, and mathematicians _swots_. I have often heard it said:--"I
+never could do _swot_ well, Sir;" and "these dull fellows, the
+_swots_, can talk of nothing but triangles and equations."
+
+I should have thought that the _sheer disgustingness_ of the
+idea would have shut the word out of the vocabularies of English
+_gentlemen_. It remains nevertheless a standard term in the vocabulary
+of an English soldier. It is well, at all events, that future ages
+should know its etymology.
+
+T.S.D.
+
+
+_Pokership_, (_ante_, pp. 185. 218. 269. 282. 323, 324.)--I am sorry
+to see that no progress has yet been made towards a satisfactory
+explanation of this office. I was in hopes that something better than
+mere conjecture would have been supplied from the peculiar facilities
+of "T.R.F." "W.H.C." (p. 323.) has done little more than refer to the
+same instruments as had been already adverted to by me in p. 269.,
+with the new reading {370} of _poulterer_ for poker! With repect to
+"T.R.F.'s" conjecture, I should be more ready to accept it if he
+could produce a single example of the word _pawker_, in the sense of
+a hog-warden. The quotation from the Pipe-roll of John is founded on
+a mistake. The entry occurs in other previous rolls, and is there
+clearly explained to refer to the _porter of Hereford Castle_. Thus,
+in Pipe 2 Hen. II. and 3 Hen. II. we have, under Hereford,
+
+ "In liberatione portarii castelli ... 30s. 5d."
+
+In Pipe 1 Ric. I. we have,
+
+ "In liberatione constituta portarii de Hereford, 30s. 5d."
+
+Again, in Pipe 3 Joh.
+
+ "In liberatione constituta portario de Hereford, 30s. 5d."
+
+A similar entry is to be found in other rolls, as well printed as
+inedited. I could indulge some other criticisms on the communication
+of your correspondent in Spring Gardens, but I prefer encouraging
+him to make further inquiries, and to produce from the records in
+his custody some more satisfactory solution of the difficulty. In the
+meantime, let me refer to a Survey of Wrigmore Castle in the Lansdowne
+Collection, No. 40. fo. 82. The surveyor there reports, that the
+paling, rails, &c. of the park are much decayed in many and sundry
+places, and he estimates the repairs, with allowance of timber from
+the wood there, "by good surveye and oversight of the _poker_ and
+other officers of the said parke," at 4l. The date of the survey is 13
+May, 1584.
+
+Comparing this notice of the office with the receiver's accounts
+tempore Hen. VII. and Hen. VIII. (_ante_, p. 269.), in which the
+officer is called "pocarius omnium boscorum," I cannot doubt that his
+duty, or at least one of his duties, was that of woodward, and that,
+as such, he assigned timber for repair of the premises. How he came by
+his local title and style of poker is a mystery on which we have all
+hitherto failed to throw any light.
+
+E.S.
+
+
+_Vox Populi Vox Dei_,--about the origin of which saying "QUAESITOR"
+asks (No. 21. p. 321.),--were the words chosen by the Archbishop of
+Canterbury, Simon Mepham, as his text for the sermon which he preached
+when Edward III. was called to the throne, from which the nation had
+pulled down his father, Edward II. This we learn from Walsingham, who
+says:
+
+ "Archiepiscopus vero Cantuariae praesenti consensit electioni,
+ ut omnes praelati et archiepiscopus quidem assumpto themate,
+ _Vox populi Vox Dei_, sermonem fecit populo, exhortans
+ omnes ut apud regem regum intercederent pro electo."--Tho.
+ Walsingham, _Hist. Angl._ ed. Camden, p. 126.
+
+DANIEL ROCK.
+
+
+_A living Dog better than a dead Lion_.--I no not know whether your
+correspondent (No. 22. p. 352.) ever goes to church; but if he is not
+prevented by rain next St. Swithin's day, he will learn who was the
+author of this proverb. It will be a good thing, if your work should
+sometimes lead your readers to search the Scriptures, and give them
+credit for wisdom that has flowed from them so long, and far, and
+wide, that its source is forgotten; but this is not the place for a
+sermon, and I now only add, "here endeth the first lesson" from
+
+ECCLESIASTES.
+
+ ["J.E.," "D.D.," and other correspondents, have also replied
+ to this Query by references to Eccl. ix. 4.]
+
+
+_Curious Monumental Brass_ (No. 16. p. 247.)--If "RAHERE" will turn to
+Mr. Boutell's _Monumental Brasses and Slabs_, p. 148., he will there
+find a description as well as an engraving of what, from his account,
+I doubt not he will discover to be the identical fragment to which he
+refers. A foot legend, and what remains of a border inscription, is
+added to it. In the above work, pp. 147 to 155, and in the Oxford
+Architectural Society's _Manual for the Study of Brasses_, p. 15.,
+"RAHERE" will find an account and references to numerous examples of
+palimpsest brasses, to which class the one in question belongs.
+
+I presume that "RAHERE" is a young brass-rubber, or the fact of a
+plate being engraved on both sides would have presented no difficulty
+to him.
+
+ARUN.
+
+ [We have received several other replies to this Query,
+ referring to Mr. Boutell's _Monumental Brasses_: one from
+ "W."; another from "A CORNISHMAN," who says,--
+
+ "The brass in question, when I saw it last, had been
+ removed from the Rectory and placed in the tomb of Abbot
+ Wheathampstead, in company with the famous one of Thomas
+ Delamere, another Abbot of St. Albans."
+
+ Another from "E.V.," who states,--
+
+ "Other examples are found at St. Margaret's, Rochester (where
+ the cause of the second engraving is found to be an error in
+ costume in the first), St. Martins at Plain, Norwich, Hedgerly
+ Church, Bucks, and Burwell Church, Cambridgeshire. Of this
+ last, an engraving and description, by Mr. A.W. Franks,
+ is given in the fourteenth part of the Publications of the
+ Cambridge Antiquarian Society."
+
+ One from "WILLIAM SPARROW SIMPSON," who says,--
+
+ "It is also described in the Oxford Architectural Society's
+ _Manual of Mon. Brasses_, No. 6. pp. 6, 7. other examples of
+ which occur at Rochester, Kent, and at Cobham, Surrey. A small
+ plate of brass, in the possession of a friend, has on one side
+ a group of children, and on the reverse the uplifted hands of
+ an earlier figure."
+
+ And lastly, one from "A.P.H." (to which we cannot do ample
+ justice, as we do not keep an engraver), from which we extract
+ the following passages:--
+
+ "A friend of mine has a shield in his possession, taken from
+ a slab, and which has been enamelled. It is of late date
+ and rudely executed. On the back is {371} seen the hands and
+ breast of a small female figure, very nearly a century earlier
+ in date. I can also remember an inscription in Cuxton Church,
+ Kent, which was loose, and had another inscription on the back
+ in the same manner.
+
+ "I am very much impressed with the idea that the destroyed
+ brasses never had been used at all; but had been engraved,
+ and then, from circumstances that of course we cannot hope to
+ fathom, thrown on one side till the metal might be used for
+ some other purpose. This, I think, is a more probable, as well
+ as a more charitable explanation than the one usually given of
+ the so-called palimpsest brasses."]
+
+
+_Chapels_ (No. 20. p. 333.).--As to the origin of the name, will you
+allow me to refer Mr. Gatty to Ducange's _Glossary_, where he will
+find much that is to his purpose.
+
+As to its being "a legal description," I will not undertake to
+give an opinion without a fee; but I will mention a fact which may
+assist him in forming one. I believe that fifty years ago the word
+_Chapel_ was very seldom used among those who formed what was termed
+the "Dissenting Interest;" that is, the three "denominations" of
+Independents, Baptists, and Presbyterians. But I well recollect
+hearing, from good authority, nearly, or quite, forty years ago, that
+an eminent barrister (whom I might now describe as a late learned
+judge), who was much looked up to by the dissenters as one of their
+body, had particularly advised that in all trust-deeds relating to
+places of dissenting worship, they should be called "Chapels." I do
+not know that he assigned any reason, but I know that the opinion was
+given, or communicated, to those who had influence; and, from my own
+observation, I believe that from about that time we must date the
+adoption of the term, which has now been long in general use.
+
+I do not imagine that there was any idea of either assistance
+or opposition to the Church of England, in the mind of him who
+recommended, or those who adopted, the alteration, or that either
+of them expected or sought any thing by this measure but to obtain
+a greater security for property, or, rather, to avoid some real
+or imagined insecurity, found or supposed to attach to the form of
+description previously in use.
+
+A BARRISTER.
+
+
+_Forlot, Forthlot_ (No. 20. p. 320.).--A measure of grain used
+throughout Scotland at present--query _fourthlot_. See Jamieson's
+_Etymological Dictionary of the Scottish Language_.
+
+ "_Firlot; Fyrlot; Furlet_.--A corn measure in S., the fourth
+ part of a boll.
+
+ "Thay ordainit the boll to mat victual with, to be devidit
+ in foure partis, _videlicet_, foure _fyrlottis_ to contene
+ a boll; and that _fyrlot_ not to be maid efter the first
+ mesoure, na efter the mesoure now usit, bot in middill mesoure
+ betwixt the twa."--_Acts Jac._ l. 1526. c. 80. edit. 1566.
+
+ "--Ane furme, ane furlet,
+ Ane pott, ane pek."
+
+ Bannatyne _Poems_, p. 159.
+
+Skinner derives it from A.-S. _feower_, quatuor; and _lot_, _hlot_,
+portio (the fourth part); Teut. "_viertel_."
+
+J.S.
+
+
+_Loscop_ (No. 20. p. 319).--To be "Louecope-free" is one of the
+immunities granted to the Cinque Ports in their charters of Liberties.
+
+Jeakes explains the term thus:--
+
+ "The Saxon word Cope (in Low Dutch still Kope or Koope), for
+ trade or merchandising, makes this as much as to trade freely
+ for love. So that by no kind of monopoly patent, or company or
+ society of traders or merchants, the portsmen be hindered from
+ merchandising; but freely and for love, be permitted to trade
+ and traffick, even by such company of merchants, whenever it
+ shall happen their concerns lie together."
+
+In my MSS., and in the print of Jeakes, it is "Louecope," with which
+"Lofcope" may be readily identified; and _f_ may easily be misread for
+_s_, especially if the roll be obscured.
+
+If Jeakes's etymology of the word be correct, the inference would
+rather be that "Lovecope" was a tax for the goodwill of the port
+at which a merchant vessel might arrive; a "port duty" in fact,
+independent of "lastage" &c., chargeable upon every trader that
+entered the port, whatever her cargo might be. And the immunities
+granted to the portsmen were that they should be "port duty free."
+
+I do not venture to offer this as any thing more than a mere guess.
+Among your contributors there are many more learned than myself in
+this branch of antiquarian lore, who will probably be able to give
+a more correct interpretation, and we shall feel obliged for any
+assistance that they can give us in elucidating the question.
+
+"Lovecope" might perhaps be the designation of the association of
+merchants itself, to which Jeakes alludes; and the liberty of forming
+such association, with powers of imposing port duties, may have been
+dependent on special grant to any port by royal charter, such as that
+which forms the subject of your correspondent's communication.
+
+After all, perhaps, "Lovecope" was the word for an association of
+merchants; and "Louecope-free" is to be freed from privileged taxation
+by this body.
+
+L.B.L.
+
+
+_Smelling of the Lamp_ (No. 21. p. 335.).--"X." will find the
+expression [Greek: Illuchnion ozein] attributed to Pytheas by Plutarch
+(_Vit. Demosth._, c. 8.).
+
+J.E.B. MAYOR.
+
+
+_Anglo-Saxon MS. of Orosius_ (No. 20. p. 313.).--It may gratify Mr.
+Singer to be informed that the Lauderdale MS., formerly in the library
+at Ham House, is now preserved, with several other {372} valuable
+manuscripts and books, in the library at Helmingham Hall, Suffolk, the
+seat of the Tollemache family.
+
+M.
+
+
+_Golden Frog_.--Ingenious as is the suggestion of "R.R." (No. 18. p.
+282.), that Sir John Poley stuck a golden frog in his ear from his
+affection for _tadpoles_, I think "R.R.'s" "Rowley Poley" may be
+dismissed with the "_gammon_ and spinach" of the amorous frog to which
+he alludes.
+
+Conceiving that the origin of so singular a badge could hardly fail to
+be commemorated by some tradition in the family, I have made inquiry
+of one of Sir John Poley's descendants, and I regret to hear from him
+that "they have no authentic tradition respecting it, but that they
+have always believed that it had some connection with the service Sir
+John rendered in the Low Countries, where he distinguished himself
+much by his military achievements." To the Low Countries, then, the
+land of frogs, we must turn for the solution of the enigma.
+
+Gastras.
+
+Cambridge, March 9.
+
+
+_Sword of Charles I._--Mr. Planche inquires (No. 12. p. 183.), "When
+did the real sword of Charles the First's time, which, but a few years
+back, hung at the side of that monarch's equestrian figure at Charing
+Cross, disappear?"--It disappeared about the time of the coronation
+of Her present Majesty, when some scaffolding was erected about the
+statue, which afforded great facilities for removing the rapier (for
+such it was); and I always understood it found its way, by some means
+or other, to the Museum, so called, of the notoriously frolicsome
+Captain D----, where, in company with the wand of the Great Wizard of
+the North, and other well-known articles, it was carefully labelled
+and numbered, and a little account appended of the circumstances of
+its acquisition and removal.
+
+John Street.
+
+ [Surely then Burke was right, and the "Age of Chivalry is
+ past!"--Otherwise the idea of _disarming a statue_ would never
+ have entered the head of any Man of Arms, even in his most
+ frolicsome of moods.]
+
+
+_John Bull_.--_Vertue MSS._--I always fancied that the familiar name
+for our countrymen, about the origin of which "R.F.H." inquires (No.
+21. p. 336.), was adopted from Swift's _History of John Bull_, first
+printed in 1712; but I have no authority for saying so.
+
+If the Vertue MSS. alluded to (No. 20. p. 319.) were ever returned by
+Mr. Steevens to Dr. Rawlinson, they may be in the Bodleian Library, to
+which the Doctor left all his collections, including a large mass of
+papers purchased by him long after Pepys' death, as he described it,
+"Thus et odores vendentibus."
+
+These "_Pepys_ papers," as far as I can recollect, were very
+voluminous, and relating to all sorts of subjects; but I saw them in
+1824, and had only then time to examine and extract for publication
+portions of the correspondence.
+
+Braybrooke.
+
+Audley End, March 25.
+
+
+_Vertue's Manuscripts_.--The MS. quoted under this title by Malone
+is printed entire, or rather all of it which refers to plays, by Mr.
+Peter Cunningham, in the _Papers of the Shakspeare Society_, vol. ii.
+p. 123., from an interleaved copy of Langbaine. Since the publication
+of that paper, the entries relating to Shakspeare's plays have been
+given from the original MS. in the Bodleian Library, in Halliwell's
+_Life of Shakspeare_, p. 272.
+
+S.L.
+
+
+_Vertue's MSS_. (No. 20. p. 319.) were in Horace Walpole's possession,
+bought by him, I think, of Vertue's widow; and his _Anecdotes of
+Painting_ were chiefly composed from them, as he states, with great
+modesty, in his dedication and his preface. I do not see in the
+Strawberry-Hill Catalogue any notice of "Vertue's MSS.," though some
+vols. of his collection of engravings were sold.
+
+C.
+
+
+_Lines attributed to Tom Brown_.--In a book entitled _Liber
+Facetiarum, being a Collection of curious and interesting Anecdotes_,
+published at Newcastle-upon-Tyne, by D. Akenhead & Sons, 1809, the
+passage attributed to Tom Brown by your correspondent "J.T." is given
+to Zacharias Boyd.
+
+The only reference given as authority for the account is the initials
+H.B.
+
+ "Zacharias Boyd, whose bust is to be seen over the entrance
+ to the Royal College in Glasgow, while Professor in that
+ university, translated the Old and New Testament into Scotch
+ Metre; and, from a laudable zeal to disseminate religious
+ knowledge among the lower classes of the community, is said to
+ have left a very considerable sum to defray the expense of the
+ said work, which, however, his executors never printed."
+
+After a few specimens, the account goes on
+
+ "But the highest flight of his Muse appears in the following
+ _beautiful Alexandrine_:
+
+ "And was not Pharaoh a saucy rascal?
+ That would not let the children of Israel, their wives
+ And their little ones, their flocks and their herds, go
+ Out into the wilderness forty days
+ To eat the Pascal.
+
+ "H.B."
+
+Speaking of Zachariah Boyd, Granger says, (vol. ii. p. 379.):
+
+ "His translation of the Scripture in such uncouth verse as to
+ amount to burlesque, has been often quoted, and the just fame
+ of a benefactor to learning has been obscured by that cloud
+ of miserable rhymes. Candour will smile at the foible, but
+ applaud the man.
+
+ "Macure, in his account of Glasgow, p. 223., informs us he
+ lived in the reign of Charles I."
+
+H.I.
+
+Sheffield, March 9. 1850. {373}
+
+
+_Passage in Frith's Works_ (No. 20. p. 319).--This passage should be
+read, as I suppose, "Ab inferiori ad suum superius confuse distribui."
+
+It means that there would be confusion, if what is said distributively
+or universally of the lower, should be applied distributively or
+universally to the higher; or, in other words, if what is said
+universally of a species, should be applied universally to the genus
+that contains that and other species: e.g., properties that are
+universally found in the human species will not be found universally
+in the genus Mammalis, and universal properties of Mammalia wil not be
+universal over the animal kingdom.
+
+T.J.
+
+
+_Martins, the Louvain Printer_.--Your correspondent "W." (No.
+12. p. 185.) is informed, that in Falkenstein's _Geschichte der
+Buchdrucherkunst_ (Leipzig, 1840, p. 257.), Theoderich Martens,
+printer in Louvain and Antwerp, is twice mentioned. I have no doubt
+but this is the correct German form of the name. Mertens, by which he
+was also known, may very possibly be the Flemish form. His Christian
+name was also written Dierik, a short form of Dietrich, which, in its
+turn, is the same as Theodorich.
+
+NORTHMAN.
+
+
+_Master of the Revels_.--"DR. RIMBAULT" states (No. 14. p. 219.), that
+Solomon Dayrolle was appointed Master of the Revels in 1744, but does
+not know the date of his decease. It may be unknown to Dr. Rimbault,
+that Solomon Dayrolle_s_ was an intimate friend and correspondent of
+the great Lord Chesterfield: the correspondence continues from 1748
+to 1755 in the selection of Chesterfield's letters to which I am
+referring.
+
+Dayrolles, during all that period, held a diplomatic appointment from
+this country at the Hague. See Lord Chesterfield's letter to him of
+the 22d Feb. 1748, where Lord C. suggests that by being cautious he
+(Dayrolles) may be put _en train d'etre Monsieur l'Envoye_.
+
+In several of the letters Chesterfield warmly and familiarly commends
+his hopeful son, Mr. Stanhope, to the care and attention of Dayrolles.
+
+I have not been able to ascertain when Dayrolles died, but the above
+may lead to the discovery.
+
+W.H. LAMMIN.
+
+
+_French Maxim_.--The French saying quoted by "R.V." is the 223rd
+of _Les Reflexions morales du Duc de la Rochefoucauld_ (Pougin,
+Paris, 1839). I feel great pleasure in being able to answer your
+correspondent's query, as I hope that my reply may be the means of
+introducing to his notice one of the most delightful authors that has
+ever yet written: one who deserves far more attention than he appears
+to receive from general readers in this degenerate age, and from whom
+many of his literary successors have borrowed some of their brightest
+thoughts. I need not go far for an illustration:
+
+ "Praise undeserved, is scandal in disguise,"
+
+is merely a condensation of,
+
+ "Louer les princes des vertus qu'ils n'ont pas, c'est leur
+ dire impunement des injures."--La Rochefoucauld, Max. 327.
+
+I believe that Pope marks it as a _translation--a borrowed
+thought--not as a quotation_. He has just before used the words "your
+Majesty;" and I think the word "_scandal_" is employed "_consulto_,"
+and alludes to the offence known in English law as "scandalum
+magnatum." Your correspondent will, of course, read the work in the
+original; in fact, he _must_ do so _per force_. A good translation
+of _Les Maximes_ is still a desideratum in English literature. I
+have not yet seen one that could lay claim even to the meagre title
+of mediocrity; although I have spared neither time nor pains in the
+search. Should any of your readers have been more fortunate, I shall
+feel obliged by their referring me to it.
+
+MELANION.
+
+
+_Endeavour_.--I have just found the following instance of "endeavour"
+used as an active verb, in Dryden's translation of Maimbourg's
+_History of the League_, 1684.
+
+ "On the one side the majestique House of Bourbon,... and on
+ the other side, that of two eminent families which endeavour'd
+ their own advancement by its destruction; the one is already
+ debas'd to the lowest degree, and the other almost reduc'd to
+ nothing."--p. 3.
+
+C. FORBES.
+
+Temple.
+
+ * * * * *
+
+
+MISCELLANIES.
+
+_Epigram by La Monnoye_.--It has been ingeniously said, that "Life is
+an epigram, of which death is the point." Alas for human nature! good
+points are rare; and no wonder, according to this wicked, but witty,
+
+ EPIGRAM BY LA MONNOYE.
+
+ The world of fools has such a store,
+ That he who would not see an ass,
+ Must bide at home, and bolt his door,
+ And break his looking glass.
+
+S.W.S.
+
+Mickleham, Dec. 10. 1849.
+
+
+_Spur Money_.--Two or three years since, a party of sappers and miners
+was stationed at Peterborough, engaged in the trigonometrical survey,
+when the officer entered the cathedral with his spurs on, and was
+immediately beset by the choristers, who demanded money of him for
+treading the sacred floor with armed heels. Does any one know the
+origin of this singular custom? I inquired of some of the dignitaries
+of the Cathedral, but they were not aware even of its existence. The
+boys, however, have more tenacious memories, at least where their
+interest is concerned; but we must not look to them for the origin of
+a {374} custom which appears to have long existed. In the _Memorials
+of John Ray_, published by the Ray Society, p. 131., there is the
+following entry in his second Itinerary:--
+
+ "July the 26th, 1661, we began our journey northwards from
+ Cambridge, and that day, passing through Huntingdon and
+ Stilton, we rode as far as Peterborough twenty-five miles.
+ There I first heard the Cathedral service. The choristers made
+ us pay money for coming into the choir with our spurs on."
+
+East Winch.
+
+ [The following note from _The Book of the Court_ will serve
+ to illustrate the curious custom referred to by our
+ correspondent:
+
+ "In _The Privy Purse Expenses of King Henry VIII._ edited by
+ Sir Harris Nicolas, there occur several entries of payments
+ made to the choristers of Windsor 'in rewarde for the king's
+ spurs'; which the editor supposes to mean 'money paid to
+ redeem the king's spurs, which had become the fee of the
+ choristers at Windsor, perhaps at installations, or at the
+ annual celebration of St. George's feast.' No notice of the
+ subject occurs in Ashmole's or Anstis's _History of the Order
+ of the Garter_. Mr. Markland, quoting a note to Gifford's
+ edition of Ben Jonson, vol. ii. p. 49., says, 'In the time
+ of Ben Jonson, in consequence of the interruptions to Divine
+ Service occasioned by the ringing of the spurs worn by persons
+ walking and transacting business in cathedrals, and especially
+ in St. Paul's, a small fine was imposed on them, called
+ "spur-money," the exaction of which was committed to the
+ beadles and singing-boys.' This practice, and to which,
+ probably, the items in Henry's household-book bear reference,
+ still obtains, or, at least, did till very lately, in the
+ Chapel Royal and other choirs. Our informant himself claimed
+ the penalty, in Westminster Abbey, from Dr. Fisher, Bishop of
+ Rochester, and received from him an eighteenpenny bank token
+ as the fine. He likewise claimed the penalty from the King
+ of Hanover (then Duke of Cumberland), for entering the choir
+ of the Abbey in his spurs. But His Royal Highness, who had
+ been installed there, excused himself with great readiness,
+ pleading 'his right to wear his spurs in that church, inasmuch
+ as it was the place where they were first put on him!'--See
+ further, _European Mag._, vol. iii. p. 16."]
+
+ * * * * *
+
+MINIMUM DE MALIS.
+
+(_FROM THE LATIN OF BUCHANAN._)
+
+ Calenus owed a single pound, which yet
+ With all my dunning I could never get.
+ Tired of fair words, whose falsehood I foresaw,
+ I hied to Aulus, learned in the law.
+ He heard my story, bade me "Never fear,
+ There was no doubt--no case could be more clear:--
+ He'd do the needful in the proper place,
+ And give his best attention to the case."
+ And this he may have done--for it appears
+ To have been his business for the last ten years,
+ Though on his pains ten times ten pounds bestow'd
+ Have not regain'd that one Calenus owed.
+ Now, fearful lest this unproductive strife
+ Consume at once my fortune and my life,
+ I take the only course I can pursue,
+ And shun my debtor and my lawyer too.
+ I've no more hope from promises or laws,
+ And heartily renounce both debt and cause--
+ But if with either rogue I've more to do,
+ I'll surely choose my debtor of the two;
+ For though I credit not the lies he tells,
+ At least he _gives_ me what the other _sells_.
+
+Rufus.
+
+ * * * * *
+
+_Epigram on Louis XIV._--I find the following epigram among some old
+papers. The emperor would be Leopold I., the king Louis XIV.
+
+_Epigram by the Emperor, 1666, and the King of France._
+
+ Bella fugis, sequeris bellas, pugnaeque repugnas,
+ Et bellatori sunt tibi bella tori.
+ Imbelles imbellis amas, totusque videris
+ Mars ad opus Veneris, Martis ad arma Venus.
+
+J.H.L.
+
+
+_Macaulay's Young Levite._--I met, the other day with a rather curious
+confirmation of a passage in Macaulay's _History of England_, which
+has been more assailed perhaps than any other.
+
+In his character of the clergy, Macaulay says, they frequently
+married domestics and retainers of great houses--a statement which has
+grievously excited the wrath of Mr. Babington and other champions.
+In a little book, once very popular, first published in 1628, with
+the title _Microcosmographie, or a Piece of the World discovered_,
+and which is known to have been written by John Earle, after the
+Restoration Bishop of Worcester and then of Salisbury, is the
+following passage. It occurs in what the author calls a character of
+"a young raw preacher."
+
+ "You shall know him by his narrow velvet cape and serge
+ facing, and his ruffe, next his hire, the shortest thing
+ about him.... His friends, and much painefulnesse, may
+ preferre him to thirtie pounds a yeere, and this meanes, to
+ a chamber-maide: with whom we leave him now in the bonds of
+ wedlocke. Next Sunday you shall have him againe."
+
+The same little book contains many very curious and valuable
+illustrations of contemporary manners, especially in the universities.
+
+That the usage Macaulay refers to was not uncommon, we find from a
+passage in the _Woman-Hater_, by Beaumont and Fletcher (1607), Act
+III. Sc. 3.
+
+Lazarillo says,
+
+ "Farewell ye courtly chaplains that be there!
+ All good attend you! May you never more
+ Marry your patron's lady's waiting-woman!"
+
+I.T.
+
+Trin. Coll. Camb., March 16. 1850. {375}
+
+
+_St. Martin's Lane_.--The first building leases of St. Martin's Lane
+and the adjacent courts accidentally came under my notice lately.
+They are dated in 1635 and 1636, and were granted by the then Earl of
+Bedford.
+
+Arun.
+
+ * * * * *
+
+CHARLES DEERING, M.D.
+
+"Author of the Catalogue of Plants in the neighbourhood of Nottingham.
+'Catalogus Stirpium, &c., or a Catalogue of Plants naturally growing
+and commonly cultivated in divers parts of England, and especially
+about Nottingham,' 8vo. Nottingh. 1738.
+
+"He was in the suite of the English ambassador to Russia, returned and
+practised physic in London married unfortunately, buried his wife,
+and then went to Nottingham, where he lived several years. During
+his abode there he wrote a small _Treatise on the Small Pocks_, this
+_Catalogue of Plants_, and the _History of Nottingham_, the materials
+for which John Plumtre, Esq. of Nottingham, was so obliging as to
+assist him with. He also was paid 40l. by a London bookseller for
+adding 20,000 words to an English dictionary. He was master of seven
+languages, and in 1746 he was favoured with a commission in the
+Nottinghamshire Foot, raised at that time. Soon after died, and was
+buried in St. Peter's Churchyard.
+
+"William Ayscough, father of the printer of this _Catalogus Stirpium_
+(G. Ayscough), in 1710, first introduced the art of printing at
+Nottingham.
+
+"Mr. White was the same year the first printer at Newcastle-upon-Tyne;
+and Mr. Dicey at Northampton."--_MS. Note in the Copy of the Cat.
+Stirpium, in the Library of the British Museum_.
+
+ * * * * *
+
+
+MISCELLANEOUS.
+
+NOTES ON BOOKS, CATALOGUES, SALES, ETC.
+
+Our advertising columns already show some of the good results of the
+_Exhibition of the Works of Ancient and Mediaeval Art_. Mr. Williams
+announced last week his _Historic Reliques_, to be etched by
+himself. Mr. Cundall has issued proposals for _Choice Examples of Art
+Workmanship_; and, lastly, we hear that an _Illustrated Catalogue
+of the Exhibition_, prepared by Mr. Franks, the zealous Honorary
+Secretary of the Committee, and so arranged as to form a _History of
+Art_, may be expected. We mention these for the purpose of inviting
+our friends to contribute to the several editors such information as
+they may think likely to increase the value of the respective works.
+
+The second edition of our able correspondent, Mr. Peter Cunningham's
+_Handbook of London_, is on the eve of publication.
+
+There are few of our readers but will be glad to learn from
+the announcement in a previous column, that the edition of the
+_Wickliffite Versions of the Scriptures_, upon which Sir Frederick
+Madden and his fellow labourers have been engaged for a period of
+twenty years, is just completed. It forms, we believe, three quarto
+volumes.
+
+Messrs. Puttick and Simpson lately disposed of a most select and
+interesting collection of autograph letters. We unfortunately did not
+receive the catalogue in time to notice it, which we the more regret,
+because, like all their catalogues of autographs, it was drawn up with
+amateur-like intelligence and care; so as to make it worth preserving
+as a valuable record of materials for our history and biography.
+
+We have received the following Catalogues of Books:--No. XXV. of
+Thomas Cole's (15. Great Turnstile): No. 2. for 1850, of William
+Heath's (291/2 Lincoln's Inn Fields); and No. 15. of Bernard Quarritch's
+(16. Castle Street, Leicester Square) Catalogue of Oriental and
+Foreign Books.
+
+ * * * * *
+
+BOOKS AND ODD VOLUMES
+
+WANTED TO PURCHASE
+
+(_IN CONTINUATION OF LISTS IN FORMER NOS._)
+
+Mills, Rev. Isaac, of Highcleer--Account of the Life and Conversation
+of, with a Sermon, 8vo., 1721.
+
+Mykur Hazem, by Marcus, London, 1846.
+
+Poems by a Bornnatural, 1849.
+
+_ODD VOLUMES_.
+
+Proceedings of the Philological Society. Vol. I.
+
+Richardson's Correspondence, Vol. I. of the Six-Volume Ed.
+
+Todd's Johnson's Dictionary, 4to., 1819. (Part X. containing Title,
+Preface, &c.)
+
+Partington's British Cyclopaedia--That portion of Natural History which
+follows Vol. I.
+
+*** Letters, stating particulars and lowest price, _carriage free_,
+to be sent to Mr. Bell, Publisher of "NOTES AND QUERIES," 186. Fleet
+Street.
+
+ * * * * *
+
+NOTICES TO CORRESPONDENTS.
+
+Burning for Treason.--Can the Correspondent who furnished us with
+a curious Note upon this subject favour us with a copy of it, the
+original having been accidentally mislaid?
+
+We are again compelled, from want of space, to omit many curious
+and interesting articles; and, after this statement, must beg our
+kind friends at Leeds, Brompton, &c., who complain of delay in the
+insertion of their communications, to do us the favour to refer to the
+notice on this very subject which appeared in our early numbers.
+
+Notes and Queries may be procured by the Trade at noon on Friday:
+so that our country Subscribers ought to experience no difficulty in
+receiving it regularly. Many of the country Booksellers are probably
+not yet aware of this arrangement, which enables them to receive
+Copies in their Saturday parcels. Part V. is now ready.
+
+ * * * * *{376}
+
+THE QUARTERLY REVIEW,
+
+No. CLXXII. is Published This Day.
+
+ CONTENTS:
+ I. GIACOMO LEOPARDI AND HIS WRITINGS.
+ II. RANKE'S HOUSE OF BRANDENBURG.
+ III. QUEEN'S COLLEGE, LONDON.
+ IV. GROTE'S HISTORY OF GREECE.
+ V. URQUHART'S PILLARS OF HERCULES.
+ VI. FACTS IN FIGURES.
+ VII. THE DUTIFUL SON.
+ VIII. CUNNINGHAM'S HANDBOOK OF LONDON.
+ IX. BAXTER'S IMPRESSIONS OF EUROPE.
+ X. LORD LIEUTENANT CLARENDON.
+ XI. LOUIS PHILIPPE.
+
+John Murray, Albemarle Street.
+
+ * * * * *
+
+NEARLY READY.
+
+[Illustration: CHOICE EXAMPLES OF ART WORKMANSHIP Selected from the
+Exhibition of ANCIENT AND MEDIAEVAL ART at the Society of Arts]
+
+A Prospectus, containing a Specimen of the Illustrations, will be sent
+on receipt of two postage stamps.
+
+Joseph Cundall, 21. Old Bond Street.
+
+ * * * * *
+
+MILLER'S CATALOGUE OF ANCIENT AND MODERN BOOKS.--NUMBER FOUR is ready
+this day, and can be had Gratis, and sent, if required, Postage Free.
+Address, John Miller, 43, Chandos Street, Trafalgar Square. This List
+embraces numerous valuable and interesting Books on English Poetry,
+the Drama, History, Biography, Voyages and Travels, &c., with the
+works of a few of the best Continental writers, a selection of
+Pictorial Books of Scenery, Costume, Topography, and Drawing-room
+Table Books.
+
+Also, on forwarding Four Postage Stamps, JOHN MILLER'S CATALOGUE OF
+BOOKS FOR THE PAST QUARTER may be had stitched in a wrapper, with
+a Table of Contents, showing at one glance the range of subjects
+embraced, amongst which may be enumerated the following, viz.,
+America, Angling, Banking and Currency, Coins, Dictionaries,
+Drawing-books, Games, Sports, &c., Heraldry, Genealogy and Family
+History, Ireland, its History and Literature, Kent, its History and
+Topography, Law, Music, its History and Theory, Painting and the Fine
+Arts, Shakspeariana, and a variety of other branches of Literature
+comprised in upwards of 1500 articles.
+
+John Miller, 43. Chandos Street, Trafalgar Square.
+
+ * * * * *
+
+THE ANGLO-SAXON, for April, Price 2s. 6d. or 3s. post-free, contains
+England and her Colonies: County Colonisation, with Maps--English
+Church Music--Christian Architecture--London: a Poem, Essay II.--The
+Alfred Medals: Three Sonnets, by Martin F. Tupper--Anglo-Saxon
+Literature: the Jubilee Edition of King Alfred's Works, with Specimens
+and Translations--Wives and Mothers--Anglo-Saxon Colonies: Victoria,
+Cooksland, Port Essington, (Papua--Timor)--Original Ballads.
+
+The ANGLO-SAXON for 1849 forms a handsome volume, price One Guinea.
+
+London: T. Bosworth, 215. Regent Street.
+
+ * * * * *
+
+Published every Saturday, price 3d., or stamped, 4d., also in Monthly
+Parts. Part V. (for March), price 1s. 3d., now ready.
+
+NOTES AND QUERIES: a Medium of Inter-communication for Literary Men,
+Artists, Antiquaries, Genealogists, &c.
+
+The attention of Publishers and Booksellers is particularly
+requested to this Periodical as a medium for advertising. It contains
+communications from the most eminent Literary Men, and is circulated
+largely amongst the best class of book-buyers.
+
+In addition to the valuable matter which will be found in its columns,
+it contains notices of Book Sales, Booksellers' Catalogues, and Lists
+of Books wanted to purchase,--features which it is believed will
+be found valuable to Dealers in Old Books, as well as useful to
+Purchasers.
+
+ SCALE OF PRICES.
+ L s. d.
+ Six lines and under . . . . 0 5 0
+ Above six lines, per line . 0 0 6
+ Half a column . . . . . . . 0 16 0
+ Column . . . . . . . . . . 1 10 0
+ Page . . . . . . . . . . . 2 10 0
+
+***Advertisements must be sent by the Wednesday previous to the
+Saturday on which they are intended to appear; Notes and Queries
+being issued to the Trade on Friday afternoon.
+
+OPINIONS OF THE PRESS.
+
+ "As good a first number as we remember to have seen. The
+ Editor exhibits a phalanx of eminent assistants. * * There can
+ be no doubt of the value of a Literary Medium of this peculiar
+ kind."--_Athenaeum_.
+
+ "We like the plan much. * * We wish success to a
+ publication which promises to be agreeable, intelligent, and
+ useful."--_Literary Gazette_.
+
+ "We feel great pleasure in welcoming into the literary
+ world this publication, which promises to fill up a void
+ that has constantly been lamented by every person engaged
+ in any particular branch of study that required experience
+ and research. * * It is a publication in which all literary
+ persons must feel a deep interest, and that has our heartiest
+ wishes for its success."--_Morning Herald_.
+
+ "This is a new periodical, with a new idea, and one that
+ deserves and will be sure to receive encouragement amongst
+ scholars and readers really deserving that appellation. * *
+ It is a capital idea; and every one who makes Notes or has
+ Queries should buy it and contribute to it."--_Weekly News_.
+
+ "That valuable publication The Notes and Queries, so
+ auspiciously commenced."--_New Bell's Messenger_.
+
+ "With whomsoever the idea of publishing this useful and
+ interesting periodical first originated, that person is
+ entitled to the thanks of every author, antiquary, and
+ scholar, in the United Kingdom. * * We recommend, in all
+ sincerity, The Notes and Queries to the attention of lovers
+ of literature in general."--_Morning Post_.
+
+London: George Bell, 186. Fleet Street.
+
+ * * * * *
+
+Just Published, Parts 13 and 14, imperial quarto. Price 3_s._
+each, tinted 4s.
+
+RELIQUES OF ANCIENT ENGLISH ARCHITECTURE, from Drawings by John
+Johnson, Architect, F.S.A., Lithographed by Alfred Newman.
+
+Contents, Part 13:--Hawton Church; Notts.--St. Mary's,
+Stamford--Aldwinkle, All Saints, Northamptonshire-Wellingborough
+Church, Northamptonshire.
+
+Part 14--Skelton Church, from the South-East and South-West--Rye
+House, Herts.--Holbeach Church, Lincolnshire.
+
+This Work is intended to embrace a series of examples of
+Ecclesiastical, Collegiate, and Domestic Architecture. It will be
+completed in Twenty Monthly Parts, price 3s. each, tinted 4s.
+
+London: George Bell, 186. Fleet Street.
+
+ * * * * *
+
+Preparing for immediate Publication, in 2 vols. small octavo.
+
+THE FOLK-LORE OF ENGLAND. By William J. Thoms, F.S.A., Secretary
+of the Camden Society, Editor of "Early Prose Romances," "Lays and
+Legends of all Nations," &c. One object of the present work is to
+furnish new contributions to the History of our National Folk-Lore;
+and especially some of the more striking illustrations of the subject
+to be found in the Writings of Jacob Grimm and other Continental
+Antiquaries.
+
+Communications of inedited Legends, Notices of remarkable Customs and
+Popular Observances, Rhyming Charms, &c. are earnestly solicited, and
+will be thankfully acknowledged by the Editor. They may be addressed
+to the care of Mr. Bell, Office of "Notes and Queries," 186. Fleet
+Street.
+
+ * * * * *
+
+Printed by Thomas Clark Shaw, of No. 8. New Street Square, at No. 5.
+New Street Square, in the Parish of St. Bride, in the City of London;
+and published by George Bell, of No. 186. Fleet Street, in the Parish
+of St. Dunstan in The West, in the City of London, Publisher, at No.
+186. Fleet Street aforesaid.--Saturday, April 6, 1850.
+
+ * * * * *
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Notes and Queries 1850.04.06, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK NOTES AND QUERIES 1850.04.06 ***
+
+***** This file should be named 12505.txt or 12505.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/2/5/0/12505/
+
+Produced by Jon Ingram, William Flis, and the Online Distributed
+Proofreading Team. With thanks to Internet Library of Early Journals.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year. For example:
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/old/12505.zip~ b/old/12505.zip~
new file mode 100644
index 0000000..79ae6ce
--- /dev/null
+++ b/old/12505.zip~
Binary files differ