summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--12466-0.txt1332
-rw-r--r--12466-h/12466-h.htm2157
-rw-r--r--12466-h/images/133-1.pngbin0 -> 12282 bytes
-rw-r--r--12466-h/images/133-2.pngbin0 -> 16246 bytes
-rw-r--r--12466-h/images/134-1.pngbin0 -> 54720 bytes
-rw-r--r--12466-h/images/134-2.pngbin0 -> 15513 bytes
-rw-r--r--12466-h/images/134-3.pngbin0 -> 30466 bytes
-rw-r--r--12466-h/images/134-4.pngbin0 -> 69632 bytes
-rw-r--r--12466-h/images/135.pngbin0 -> 61072 bytes
-rw-r--r--12466-h/images/136.pngbin0 -> 26455 bytes
-rw-r--r--12466-h/images/137-1.pngbin0 -> 9687 bytes
-rw-r--r--12466-h/images/137-2.pngbin0 -> 9954 bytes
-rw-r--r--12466-h/images/138.pngbin0 -> 153716 bytes
-rw-r--r--12466-h/images/139.pngbin0 -> 216814 bytes
-rw-r--r--12466-h/images/141.pngbin0 -> 57229 bytes
-rw-r--r--12466-h/images/142.pngbin0 -> 251670 bytes
-rw-r--r--12466-h/images/143-1.pngbin0 -> 187058 bytes
-rw-r--r--12466-h/images/143-2.pngbin0 -> 7913 bytes
-rw-r--r--12466-h/images/143-3.pngbin0 -> 12536 bytes
-rw-r--r--12466-h/images/144-1.pngbin0 -> 23798 bytes
-rw-r--r--12466-h/images/144-2.pngbin0 -> 9298 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/12466-8.txt1755
-rw-r--r--old/12466-8.zipbin0 -> 36585 bytes
-rw-r--r--old/12466-h.zipbin0 -> 1268389 bytes
-rw-r--r--old/12466-h/12466-h.htm2606
-rw-r--r--old/12466-h/images/133-1.pngbin0 -> 12282 bytes
-rw-r--r--old/12466-h/images/133-2.pngbin0 -> 16246 bytes
-rw-r--r--old/12466-h/images/134-1.pngbin0 -> 54720 bytes
-rw-r--r--old/12466-h/images/134-2.pngbin0 -> 15513 bytes
-rw-r--r--old/12466-h/images/134-3.pngbin0 -> 30466 bytes
-rw-r--r--old/12466-h/images/134-4.pngbin0 -> 69632 bytes
-rw-r--r--old/12466-h/images/135.pngbin0 -> 61072 bytes
-rw-r--r--old/12466-h/images/136.pngbin0 -> 26455 bytes
-rw-r--r--old/12466-h/images/137-1.pngbin0 -> 9687 bytes
-rw-r--r--old/12466-h/images/137-2.pngbin0 -> 9954 bytes
-rw-r--r--old/12466-h/images/138.pngbin0 -> 153716 bytes
-rw-r--r--old/12466-h/images/139.pngbin0 -> 216814 bytes
-rw-r--r--old/12466-h/images/141.pngbin0 -> 57229 bytes
-rw-r--r--old/12466-h/images/142.pngbin0 -> 251670 bytes
-rw-r--r--old/12466-h/images/143-1.pngbin0 -> 187058 bytes
-rw-r--r--old/12466-h/images/143-2.pngbin0 -> 7913 bytes
-rw-r--r--old/12466-h/images/143-3.pngbin0 -> 12536 bytes
-rw-r--r--old/12466-h/images/144-1.pngbin0 -> 23798 bytes
-rw-r--r--old/12466-h/images/144-2.pngbin0 -> 9298 bytes
-rw-r--r--old/12466.txt1755
-rw-r--r--old/12466.zipbin0 -> 36538 bytes
49 files changed, 9621 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/12466-0.txt b/12466-0.txt
new file mode 100644
index 0000000..ddfd178
--- /dev/null
+++ b/12466-0.txt
@@ -0,0 +1,1332 @@
+*** START OF THE PROJECT GUTENBERG EBOOK 12466 ***
+
+PUNCH,
+
+OR THE LONDON CHARIVARI.
+
+VOL. 99.
+
+
+
+September 20, 1890.
+
+
+
+
+OUT FOR ANOTHER HOLIDAY.
+
+(_BY OUR IMPARTIAL AND NOT-TO-BE-BIASSED CRITIC._)
+
+[Illustration]
+
+I had been told that Ostend was an excellent place. "Quite a Town of
+Palaces!" was the enthusiastic description that had reached me. So I
+determined to leave "Delicious Dover" (as the holiday Leader-writer
+in the daily papers would call it), and take boat for the Belgian
+coast. The sea was as calm as a lake, and the sun lazily touched up
+the noses of those who slumbered on the beach. There is an excellent
+service of steamers between England and Belgium. This service has
+but one drawback--a slight one: the vessels have a way with them
+of perpetrating practical jokes. Only a week or so ago one lively
+mail-carrier started prematurely, smashing a gangway, and dropping a
+portmanteau quietly into the ocean. On my return from foreign shores,
+I passed the same cheerful ship lying in mid-channel as helpless as an
+infant. However, the accident (something, I fancy, had gone wrong with
+the engines) appeared to be treated as more amusing than important.
+Still, perhaps, it would be better were the name of this luckless boat
+changed to _Le Farceur_; then travellers would know what to expect.
+But I must confess that my experiences were perfectly pleasant. The
+steamer in which I journeyed crossed the Channel in the advertised
+time, and if I wished to be hypercritical, I would merely hint that
+the official tariff of the refreshments sold on board is tantalising.
+When I wanted cutlets, I was told they were "off," and when I asked
+for "cold rosbif," that was "off" too. The _garçon_ (who looked more
+like a midshipman than a cabin-boy) took ten minutes to discover this
+fact. And as I had to rely upon him for information, I had to wait
+even longer before the desired (or rather undesired) intelligence was
+conveyed to me. I pride myself upon caring nothing about food, but
+this failure to obtain my heart's (or thereabouts') yearning caused me
+sore annoyance.
+
+Well, I reached Ostend. The town of palaces contained a Kursaal and a
+Casino. There were also a number of large hotels of the King's Road,
+Brighton, _plus_ Northumberland Avenue type. Further, there were
+several _maisons meublées_ let out in flats, and (to judge from the
+prices demanded and obtained for them) _to_ flats. The _suite_ of
+apartments on the ground floor consisted of a small bed-room, a tiny
+drawing-room, and a balcony. The balcony was used, as a _salle à
+manger_ in fine weather, and a place for the utterance of strong
+expressions (so I was informed) when the rain interfered with _al
+fresco_ comfort. There was a steam tramway, and some bathing-machines
+of the springless throw-you-down-when-you-least-expect-it sort. The
+streets, omitting the walk in front of the sea, were narrow, and the
+shops about as interesting as those at the poorer end of the Tottenham
+Court Road. But these were merely details, the pride of Ostend being
+the Kursaal, which reminded me of an engine-house near a London
+terminus. I purchased a ticket for the Kursaal and the Casino. There
+was to be a concert at the first and a ball at the last. I soon had
+enough of the concert, and started for the ball.
+
+It was then that I found a regulation in force that made my cheeks
+tingle with indignation as an Englishman. Although the tickets
+costing three francs a piece, were said to secure admittance to the
+Kursaal and the Casino, I noticed that children--good and amiable
+children--were not allowed to enter the latter place. I could
+understand the feelings of a gentleman who attempted to obtain access
+for his eldest lad--a gallant boy of some fourteen summers, and a
+baker's dozen of winters. My heart went out to that British Father
+as he disputed with the Commissaires at the doorway, and called the
+attention of the Representative of "the Control" to the fact that
+his _billet_ was misleading. "You are an Englishman," said the
+Representative of the Control, "and the English observe the law."
+"Yes," returned the angry Father; "but in England the Law would
+support one in obtaining that for which one had paid. My son has
+paid for admission to the Kursaal and the Casino! He is refused
+admittance to the Casino, therefore this ticket of his spreads false
+intelligence! It is a liar! It is a miserable! It should be called the
+traitor ticket!" But all was useless. The gallant lad had to remain
+with the umbrellas! I could not help sympathising with that father.
+I could not refrain from agreeing with him, that where such a thing
+was possible, something must be entirely wrong. I could not deny that
+under the circumstances Ostend was a sham, a delusion, and a snare!
+When he observed that Ostend was grotesquely expensive, I admitted
+that he was right. When he said that it was not a patch upon Boulogne
+or Dieppe, I again acquiesced. When he asserted that every English
+tourist would be wise to avoid the place, I acknowledged that there
+was the genuine ring of truth in his declaration. When he appealed to
+me, as a dispassionate observer, to say whether I did not consider the
+conduct of the authorities arbitrary, unjust, and absurd, I was forced
+to admit that I _did_ consider that conduct absolutely indefensible.
+Lastly, when he announced that he intended never to say another word
+in praise of Ostend, I confessed that I had come in my own mind to the
+same determination.
+
+P.S.--I may add that I was accompanied by my son, who was also refused
+admittance. But this is a matter of purely personal interest, and has
+nothing whatever to do with it.
+
+ * * * * *
+
+THE CACHET OF CASH AT DRURY LANE.
+
+[Illustration: Medal found in the Neighbourhood of Drury Lane.]
+
+_A Million of Money_, "a new military, sporting, and spectacular
+Drama," is a marvel of stage management. No better things than the
+_tableaux_ of the Derby Day, the grounds of the Welcome Club, and the
+departure of the Guards from Wellington Barracks for foreign parts
+have been seen for many a long year. In such a piece the dialogue is
+a matter of secondary consideration, and even the story is of no great
+importance. That the plot should remind one of Drury Lane successes
+in the past is not surprising, considering that one of the authors
+(who modestly places his name second on the programme, when everyone
+feels that it should come first) has been invariably associated with
+those triumphs of scenic art. AUGUSTUS DRURIOLANUS has beaten his
+own record, and the _Million of Money_ so lavishly displayed behind
+the scenes, is likely to be rivaled by the takings in front of the
+Curtain--or to be more exact, at the Box-office. The Authors, in more
+senses than one, have carried money into the house. But they have done
+more--they have inculcated a healthy moral. While Mr. HENRY ARTHUR
+JONES is teaching audiences a lessen in _Judah_, that would have
+received the enthusiastic approval of the philanthropic Earl of
+SHAFTESBURY, after whom Shaftesbury Theatre is, no doubt, called, the
+great HARRIS and the lesser PETTIT are showing us in the character of
+the _Rev. Gabriel Maythorne_, a Parson that would as certainly have
+secured the like hearty good-will at the same shadowy hands. The Rev.
+Gentleman is a clergyman that extorts the admiration of everyone
+whose good opinion is worth securing. He apparently is a "coach,"
+and (seemingly) allows his pupils so much latitude that one of them,
+_Harry Dunstable_ (Mr. WARNER), is able to run up to town with his
+(the Reverend's) daughter secretly, marry her, and stay in London for
+an indefinite period. And he (the Parson) has no absurd prejudices--no
+narrow-mindedness. He goes to the Derby, where he appears to be
+extremely popular at luncheon-time amongst the fair ladies who
+patronise the tops of the drags, and later on becomes quite at home
+at an illuminated _fête_ at the Exhibition, amidst the moonlight, and
+a thousand additional lamps. It is felt that the Derby is run with
+this good man's blessing; and everyone is glad, for, without it, in
+spite of the horses, jockeys, carriages, acrobats, gipsies, niggers,
+grooms, stable-helps, and pleasure-seekers, the _tableau_ would be
+æsthetically incomplete. And the daughter of the Reverend is quite as
+interesting as her large-hearted sire. She, too, has no prejudices (as
+instance, the little matrimonial trip to London); and when she has to
+part with her husband, on his departure (presumably _en route_ to the
+Bermudas), she requires the vigorous assistance' of a large detachment
+of Her Majesty's Guards to support her in her bereavement. Of the
+actors, Mr. CHARLES GLENNEY, as a broken-down gentleman, is certainly
+the hero of the three hours and a half. In Act III., on the night
+of the first performance, he brought down the house, and received
+two calls before the footlights after the Curtain had descended.
+He has many worthy colleagues, for instance, Mr. HARRY NICHOLLS,
+Miss MILLWARD, Mr. CHARLES WARNER, and Miss FANNY BROUGH, are all
+that could be desired in their respective lines. But, well cast as
+it undoubtedly is, the play has vitality within it that does not
+depend for existence upon the efforts of the company. It is good all
+round--scenery, dresses, properties, and effects--and will keep its
+place at Drury Lane until dislodged by the Pantomime at Christmas.
+
+ * * * * *
+
+CHANGE OF NAME À LA SUISSE.--Tessin and its quarrelsome inhabitants
+to be known in future as a Can't-get-on instead of a Canton.
+
+ * * * * *
+
+MORE FROM OUR YOTTING YORICK.
+
+[Illustration: Swedish Politeness.]
+
+STOCKHOLM approached by lovely river (that is, we approached Stockholm
+by lovely river), with banks and hills covered with pine and birch
+trees, and studded with villas, where the Stockholm people live away
+from the town. "Studded" is a good word, but phrase sounds too much
+like "studied with SASS," as so many of our best artists did. Lovely
+for boating. Why don't the Swedes row? _They don't._ Lots of islands,
+and everybody as jolly as sand-boys, especially on Sanday. By the way,
+what's a "sand-boy"? Why _toujours_ jolly?
+
+Stockholm a stunning place, all built round a huge palace, copy of
+the Pitti Palace in Florence. Lifts to take the people up-hill, and a
+circular tramway all round the town for one penny. Lots of soldiers in
+uniforms like Prussians or Russians, whichever you like. Such swagger
+policemen, all tall and handsome, with beautiful helmets and lovely
+coats. What would an English cook say to them?
+
+Cathedral with tombs of GUSTAVUS VASA, GUSTAVUS ADOLPHUS, and
+BERNADOTTE. What was BERNADOTTE doing here? Didn't like to ask. Piled
+up with kettledrums and flags taken from the Russians. I noticed in
+Russia their churches were equally piled up with drums and flags taken
+from the Swedes. Exchange is no robbery.
+
+[Illustration: Snack Sideboard. "Lax and Snax."]
+
+Lunch. First view of the Swedish snacks before lunch and dinner. A
+side-table with caviare Lax, cut reindeer tongue, sausages, brown
+bread, prawns, kippered herrings, radishes, sardines, crawfish,
+cheeses. Should spell it "Lax and Snax." Three silver tubs of
+spirit--Pommerans, Renadt, and Kummin--tried 'em all. All good. "We
+had a good time--Kummin." The Kummin was goin',--rather. Ceiling of
+_restaurant_ all mirrors--self keeping an eye on self.
+
+National Museum. Splendid collection. Stone, bronze, and iron periods.
+Poor pictures. No end of palaces to see, till one is sick of 'em.
+
+[Illustration: Fête in Honour of the Poet Bellman.]
+
+Swedes have a poet, BELLMAN, evidently who wrote Bacchanalian songs.
+They have a national holiday on July the 26th, and go to _Fête_ in
+a Wood, where bronze head of BELLMAN is, cover it with garlands and
+roses, and sing and have a good time before it, just like an old Greek
+offering to Bacchus. I saw it. And in the evening a _fête_ where
+they carry a child got up as Bacchus, and seated on a barrel with a
+wine-cup. A regular jolly drinking procession. They have a wonderful
+open air _restaurant_ called The Hasselbacken, where you dine in
+delightful little green arbours, and lots of Swedish girls about.
+Capital dinners, A 1 wine, and first-rate music with full band. No
+charge to go in; you pay before leaving, though. Very good waiting.
+
+[Illustration: Dinner in the Arbour.]
+
+The Swedes are very polite, and take their hats off on the slightest
+provocation, and keep them off a long time, specially whilst talking
+to a lady. When talking to _two_ ladies, of course they keep 'em off
+double the time.
+
+Altogether a delightful place. But they all say you should come in the
+_winter_. Wish I could. FLOTSAM, Y.A.
+
+P.S.--The Swedish girls are as a rule very handsome. Tall, with long
+legs. Men good-looking also.
+
+I can't very well do myself; I can "do myself" remarkably well, but I
+mean I cannot sketch myself in a cut; but _Mr. Punch_, in cuts I have
+done, is far more expressive than I can make anyone else.
+
+ * * * * *
+
+THE COMPLIMENTS OF THE SEASON (_with Mr. Punch's kind regards_).--The
+most Popular of Colonial Strikers--Our illustrious guests, the
+Australian Cricketers.
+
+ * * * * *
+
+"WANTED!"
+
+WANTED, by a well-travelled lady, of æsthetic and refined tastes, a
+comfortable and congenial home with a Duchess. The Advertiser, who is
+a person of much intelligence, and a most agreeable gossip, regards
+her pleasant companionship as an equivalent for the social advantages
+(including carriage-drives, and an introduction to the very best
+society), for which she is prepared to offer the very handsome
+remuneration of ten shillings a week.
+
+ * * * * *
+
+HORSE WANTED.--Must have been placed in a recent Derby, and show a
+good racing record. Thoroughly sound in wind and limb, expected to
+be equal to carrying 13 stone in the Park, or to doing any work from
+a four-in-hand down to single harness in a hearse. On the advertiser
+being furnished with a suitable beast, he will be prepared to put
+down a five-pound note for him, payable by ten-shilling monthly
+instalments.
+
+ * * * * *
+
+HOME REQUIRED FOR AN INDIAN CHIEF.--The Advertiser, who has recently
+received a consignment of Savages from Patagonia, and has had to
+entertain their Monarch in his residence at Bayswater, as he is
+about to pay a four weeks' visit to the Continent, is anxious in
+the meantime to find a suitable home for him in some quiet suburban
+family, who would not object to some fresh and lively experience
+introduced into the routine of their domestic circle, in consideration
+for a small payment to defray the slight extra cost involved in his
+support. He will give little trouble, an empty attic furnished with a
+hearth-rug supplying him with all the accommodation he will require,
+while his food has hitherto consisted of tripe, shovelled to him on a
+pitchfork, and stout mixed with inferior rum, of which he gets through
+about a horse-pailful a day. His chief recreation being a "Demon's
+War Dance," in which he will, if one be handy, hack a clothes-horse to
+pieces with his "baloo," or two-edged chopper-axe, he might be found
+an agreeable inmate by an aged and invalid couple, who would relish a
+little unusual after-dinner excitement, as a means of passing away a
+quiet evening or two. Applicants anxious to secure the Chief should
+write at once. Three-and-sixpence a-week will be paid for his keep,
+which, supplying the place of the rum in his drink (which has been
+tried with effect) with methylated spirit mixed with treacle, affords
+an ample margin for a handsome profit on the undertaking.
+
+ * * * * *
+
+[Illustration: MUCH MORE SUITABLE.
+
+NEW UNIFORM FOR HER MAJESTY'S HORSE GUARDS, SUGGESTED TO MR. PUNCH BY
+RECENT CAVALRY EVOLUTIONS ON THE THAMES.]
+
+ * * * * *
+
+DEVELOPMENT.
+
+(_WITH ACKNOWLEDGMENTS TO THE AUTHOR OF "PATIENCE."_)
+
+ ["Even a colour-sense is more important in the development
+ of the individual than a sense of right and wrong."--OSCAR
+ WILDE.]
+
+ If you're anxious to develop to a true hedonic "swell," hop on a
+ pinnacle apart,
+ Like a monkey on a stick, and your phrases quaintly pick, and then
+ prattle about Art.
+ Take some laboured paradoxes, and, like Samson's flaming foxes, let
+ them loose amidst the corn
+ (Or the honest commonplaces) of the Philistines whose graces you
+ regard with lofty scorn.
+ And every one will say,
+ As you squirm your wormy way,
+ "If this young man expresses himself in terms that stagger _me_,
+ What a very singularly smart young man this smart young man must be!"
+
+ You may be a flabby fellow, and lymphatically yellow, that will
+ matter not a mite.
+ If you take yourself in hand, in a way you'll understand, to become
+ a Son of Light.
+ On your crassness superimposing the peculiar art of glosing in sleek
+ phrases about Sin.
+ If you aim to be a Shocker, carnal theories to cocker is _the_ best way
+ to begin.
+ And every one will say,
+ As you worm your wicked way,
+ "If that's allowable for _him_ which were criminal in _me_,
+ What a very emancipated kind of youth this kind of youth must be."
+
+ Human virtues you'll abhor all, and be down upon the Moral in
+ uncompromising style.
+ Your critical analysis will reduce to prompt paralysis every _motor_
+ that's not vile.
+ You will show there's naught save virtue that can seriously hurt you,
+ or your liberty enmesh;
+ And you'll find excitement, plenty, in Art's _dolce far niente_, with a
+ flavour of the flesh.
+ And every one will say,
+ As you lounge your upward way,
+ "If he's content with a do-nothing life, which would certainly not
+ suit _me_.
+ What a most particularly subtle young man this subtle young man must be!"
+
+ Then having swamped morality in "intensified personality" (which,
+ of course, must mean your own),
+ And the "rational" abolished and "sincerity" demolished, you will
+ find that you have _grown_
+ With a "colour-sense" fresh handselled (whilst the moral ditto's
+ cancelled) you'll develop into--well,
+ What Philistia's fools malicious might esteem a _vaurien_ vicious
+ (_alias_ "hedonic swell").
+ And every one will say,
+ As you writhe your sinuous way.
+ "If the highest result of the true 'Development' is decomposition,
+ why see
+ What a very perfectly developed young man this developed young man
+ must be."
+
+ With your perky paradoxes, and your talk of "crinkled ox-eyes," and
+ of books in "Nile-green skin."
+ That show forth unholy histories, and display the "deeper mysteries"
+ of strange and subtle Sin.
+ You can squirm, and glose, and hiss on, and awake that _nouveau_
+ _frisson_ which is Art's best gift to life.
+ And "develop"--like some cancer (in the Art-sphere) whose best answer
+ is the silent surgeon's knife!
+ And every _man_ will say,
+ As you wriggle on your way,
+ "If 'emotion for the sake of emotion _is_ the aim of Art,' dear me!
+ What a morbidly muckily emotional young man the 'developed' young
+ man must be!"
+
+ * * * * *
+
+THE AMERICAN GIRL.
+
+ [An American Correspondent of _The Galignani Messenger_ is
+ very severe on the manners of his fair countrywomen.]
+
+[Illustration]
+
+ She "guesses" and she "calculates," she wears all sorts o' collars,
+ Her yellow hair is not without suspicion of a dye;
+ Her "Pappa" is a dull old man who turned pork into dollars.
+ But everyone admits that she's indubitably spry.
+
+ She did Rome in a swift two days, gave half the time to Venice,
+ But vows that she saw everything, although in awful haste;
+ She's fond of dancing, but she seems to fight shy of lawn-tennis,
+ Because it might endanger the proportions of her waist.
+
+ Her manner might be well defined as elegantly skittish;
+ She loves a Lord as only a Republican can do;
+ And quite the best of titles she's persuaded are the British,
+ And well she knows the Peerage, for she reads it through and through.
+
+ She's bediamonded superbly, and shines like a constellation,
+ You scarce can see her fingers for the multitude of rings;
+ She's just a shade too conscious, so it seems, of admiration,
+ With irritating tendencies to wriggle when she sings.
+
+ She owns she is "Amur'can," and her accent is alarming;
+ Her birthplace has an awful name you pray you may forget;
+ Yet, after all, we own "_La Belle Américaine_" is charming,
+ So let us hope she'll win at last her long-sought coronet.
+
+ * * * * *
+
+TIPS FROM THE TAPE.
+
+(_PICKED UP IN MR. PUNCH'S OWN SPECIAL CITY CORNER._)
+
+In my last I announced that I was busily giving my mind to the
+launching of a new "Combination Pool" over the satisfactory results
+of which to all concerned in it, under certain contingencies, I had no
+shadow of a doubt. This I have since managed to float on the market,
+and, though I worked it on a principle of my own, which, for want of
+a better description, I have styled amalgamated "Profit and Loss,"
+I regret to have to inform those clients who have entrusted me with
+their cheques in the hopes of getting, _as I really fully believed
+they would_, 700 per cent. for their money in three days, that I
+have had to close the speculation rather suddenly, and I fear, as the
+following illustrative figures will show in a fashion that not only
+deprives me of the pleasure of enclosing them a cheque for Profits,
+but obliges me to announce to them that their cover has disappeared.
+The Stocks with which I operated were "Drachenfonteim Catapults,"
+"Catawanga Thirty-fives," and "Blinker's Submarine Explosives." The
+ILLUSTRATION, I hoped, _would have stood as follows_:--
+
+ £100 invested in Drachenfonteim Catatpults,
+ showing profit of 1 per cent....£100
+
+ £100 invested in Catawanga Thirty-fives,
+ showing profit of 2½ per cent....£250
+
+ £300 invested in Blinker's Submarine Explosives,
+ showing profit of 3 per cent....£900
+
+ Gross Profits....£1250
+
+Unfortunately, however, the real figures came out rather differently,
+for they stood, I regret to say, as under:--
+
+ £100 invested in Drachenfonteim Catapults,
+ at a loss of 5 per cent....£500
+
+ £100 invested in Catawanga Thirty-fives,
+ at a loss of 7 per cent....£700
+
+ £300 invested in Blinker's Submarine Explosives,
+ at a loss of 4 per cent....£1200
+
+ Total loss....£2400
+
+This, I need scarcely say, has at present not only eaten up every
+halfpenny of cover, but a great deal besides; and I am not sure that I
+shall not have to come down on my clients to make good the balance. I
+cannot account for the result, except from the fact that a new clerk
+read out the wrong tape; and when I telephoned to my West-End Private
+Inquiry Agent about these very three Stocks, he appears not to have
+heard me distinctly, and thought I was asking him about Goschens, the
+old Three-per-Cents., and Bank Stock, about which, of course, he could
+only report favourably. It is an awkward mistake, but, as I point out
+to all my clients, one must not regard the Dealer as infallible. These
+things will occur. However, I am going to be more careful in future;
+and I may as well announce now, that on Monday next I am about to open
+a new Syndicate Combination Pool, with a Stock about which I have made
+the most thorough and exhaustive inquiries, with the result that I
+am convinced an enormous fortune will be at the command of anyone who
+will entrust me with a sufficiently large cheque in the shape of cover
+to enable me to realise it.
+
+For obvious reasons I keep the name of this Stock at present a dead
+secret. Suffice it to say, that the operation in question is connected
+with an old South-American Gold Mine, about to be reworked under the
+auspices of a new company who have bought it for a mere song. When I
+tell my clients that I have got all my information from the Chairman,
+_who took down under his greatcoat a carpet-bag full of crushed quartz
+carefully mixed with five ounces of gold nuggets_, and emptied this
+out at the bottom of a disused shaft, and then got a Yankee engineer
+to report the discovery of ore in "lumps as big as your fist," and
+state this in the new prospectus, they will at once see what a solid
+foundation I have for this new venture, which must inevitably fly
+upwards by leaps and bounds as soon as the shares are placed upon the
+market. Of course, when the truth comes out, there will be a reaction,
+but my clients may trust me to be on the look-out for that, and, after
+floating with all their investments to the top of the tide, to get
+out of the concern with enormous profits before the bubble eventually
+bursts. It is by a command of information of this kind that I hope to
+ensure the confidence and merit the support of my friends and patrons.
+Remember Monday next, and bear in mind a cheque for three-and-sixpence
+covers £5000. The subjoined is from my correspondence:--
+
+Sir,--I have as trustee for five orphan nieces to invest for each
+of them £3 18s. 9d., left them by a deceased maternal cousin. How
+ought I to invest this to the greatest advantage with a due regard
+to security. What do you say to Goschens? Or would you recommend Rio
+Diavolos Galvanics? These promise a dividend of 70 per cent., and
+although they have not paid one for some time, are a particularly
+cheap stock at the present market price, the scrip of the Five per
+Cent. Debenture Stock being purchased by a local butterman at seven
+pounds for a halfpenny. A Spanish Nobleman who holds some of this,
+will let me have it even cheaper. What would you advise me to do?
+Yours, &c. A TRUSTEE IN A FOG.
+
+Don't touch Goschens, they are not a speculative Stock. You certainly
+might do worse than the Rio Diavolos Galvanics. Do not hesitate, but
+put the little all of your five orphan nieces into them at once, and
+_wait for the rise_.
+
+ * * * * *
+
+ON THE CARDS.
+
+(_BY A WHIST-LOVING MALADE-IMAGINAIRE._)
+
+ Oh, where shall I hit on a "perfect cure"?
+ (What ails me I am not quite sure that I'm sure)
+ To Nice, where the weather is nice--with vagaries?
+ The Engadine soft or the sunny Canaries?
+ To Bonn or Wiesbaden? My doctor laconic
+ Declares that the Teutonic air is too tonic.
+ Shall I do Davos-Platz or go rove the Riviera?
+ Or moon for a month in romantic Madeira?
+ St. Moritz or Malaga, Aix, La Bourboule?
+ Bah! My doctor's a _farceur_ and I am--a fool.
+ I will _not_ try Switzerland, Norway, or Rome.
+ I'll go in for a rest and a rubber--at home.
+ A Windermere wander, _and_ Whist, I feel sure,
+ Will give what I'm seeking, a true "Perfect Cure."
+
+ * * * * *
+
+A BUBBLE FROM THE SUDS.--A Firm of Soap-boilers have been sending
+round a circular to "Dramatic Authors" of established reputation, and
+(no doubt) others, offering to produce gratis the best piece submitted
+to them at a "_Matinée_ performance at a West End Theatre." The only
+formality necessary to obtain this sweet boon is the purchase of a box
+of the Firm's soap, which will further contain a coupon "entitling
+the owner to send in one new and original play for reading." The idea
+that a Dramatic Author of any standing would submit his work to such a
+tribunal, even with the dazzling prospect of a _Matinée in futuro_, is
+too refreshing! However, as literary men nowadays fully appreciate the
+value of their labour, the idea, in spite of the soap with which it is
+associated, may be dismissed with the words, "Won't Wash!"
+
+ * * * * *
+
+OUR BOOKING-OFFICE.
+
+Why doesn't some publisher bring out _The Utterbosh Series_, for, upon
+my word, says the Baron, the greater part of the books sent in for
+"notice" are simply beneath it. Here's one on which I made notes as
+I went on, as far as I could get through it. It is called _Nemesis:
+a Moral Story_, by SETON CREWE. Its sole merit would have been its
+being in one volume, were it not that this form, being a bait to the
+unwary, aggravates the offence. The heroine is _Lucinda_, a milliner's
+apprentice. Being compromised by a young gentleman under age, who
+suddenly quits the country, she goes to confess her sin to the
+simple-minded Curate, who sees no way out of the difficulty except
+by marrying his penitent, which he does, and after the christening
+of her first-born, a joyous event that occurs at no great interval
+after the happy wedding-day, the Curate, the _Reverend Mr. Smith_,
+is transferred by his Bishop from this parish to somewhere else a
+considerable distance off, whence, after a variety of troubles, he
+goes abroad as a travelling watering-place clergyman. After this,
+his wife becomes a Roman Catholic for six months, and then developes
+into a thoroughpaced infidel of generally loose character. She takes
+up with a Lion Comique of the Music-Halls, who is summarily kicked
+down-stairs by the _Reverend Mr. Smith_ on his return home one
+evening. And at this point I closed the book, not caring one dump what
+became of any of the characters, or of the book, or of the writer,
+and unable to wait for the moral of this highly "moral story," which,
+I dare say, might have done me a great deal of good. So I turned to
+_Vanity Fair_, and re-read for the hundredth time, and with increased
+pleasure, the great scene where _Rawdon Crawley_, returning home
+suddenly, surprises _Becky_ in her celebrated _tête-à-tête_ with my
+_Lord Steyne_.
+
+[Illustration]
+
+With pleasure the Baron welcomes Vol. No. IV. of ROUTLEDGE's
+_Carisbrooke Library_, which contains certain _Early Prose Romances_,
+the first and foremost among them being the delightful fable of
+_Reynart the Fox_. Have patience with the old English, refer to the
+explanatory notes, and its perusal will well repay every reader. How
+came it about that modern _Uncle Remus_ had caught so thoroughly the
+true spirit of this Mediæval romance? I forget, at this moment, who
+wrote _Uncle Remus_--and I beg his pardon for so doing--but whoever
+it was, he professed only to dress up and record what he had actually
+heard from a veritable _Uncle Remus_. _Brer Rabbit_, _Brer Fox_, and
+_Old Man Bar_, are not the creatures of _Æsop's Fables_; they are the
+characters in _Reynart the Fox_. The tricks, the cunning, the villany
+of _Reynart_, unredeemed by aught except his affection for his wife
+and family, are thoroughly amusing, and his ultimate success, and
+increased prosperity; present a truer picture of actual life than
+novels in which vice is visibly punished, and virtue patiently
+rewarded. And once more I call to mind the latter days of _Becky's_
+career.
+
+Speaking of THACKERAY, Messrs. CASSELL & Co. have just brought out
+a one-and-threepenny edition ("the threepence be demmed!") of the
+_Yellowplush Papers_, with a dainty canary-coloured _Jeames_ on the
+cover. At the same time the same firm produce, in the same form, _The
+Last Days of Pompeii_, _The Last Days of Palmyra_, and _The Last of
+the Mohicans_. Odd, that the first issue of this new series should
+be nearly all "Lasts." _The Yellowplush Papers_ might have been kept
+back, and _The Last of the Barons_ been substituted, just to make the
+set of lasts perfect. The expression is suggestive of Messrs. CASSELL
+going in for the shoemaking trade. _The Last Days of Palmyra_ I have
+never read. "I will try it," says the bold Baron.
+
+But what means this new style of printing on thin double sheets? One
+advantage is that no cutting is required. If this form become the
+fashion, better thus to bring out the _Utterbosh Series_, which shall
+then escape the critics' hands,--no cutting being required. There are,
+as those who use the paper-knife to these volumes will discover, in
+this new issue of Messrs. CASSELL's, two blank pages for every two
+printed ones, so that a new novel might be written in MS. inside the
+printed one. The paper is good and clean to the touch; but I prefer
+the stiff cover to the limp, "there's more backbone about it," says
+the
+
+BARON DE BOOK-WORMS.
+
+Scarcely time to bring out a pocket edition (like those genuine
+pocketable and portable editions, the red-backed ROUTLEDGES) of _The
+Bride of Lammermoor_, between now and the date of its production, next
+Saturday, at the Lyceum. But worth while doing it as soon as possible.
+_Advice gratis_. B. DE B.-W.
+
+P.S.--(_Important to Authors and Scribblers_.)--Unfortunately the
+Baron has been compelled to take to his bed (which he doesn't "take
+to" at all--but this by the way), and there write. Once more he begs
+to testify to the excellence both of _The Hairless Author's Pad_--no
+_The Author's Hairless Pad_--and of the wooden rest and frame into
+which it fits. Nothing better for an invalid than rest for his frame,
+and here are rest and frame in one. Given these (or, if not "given,"
+purchased), and a patent indelible-ink-lead pencil (whose patent
+I don't know, as, with much use, the gold-lettering is almost
+obliterated from mine, and all I can make out is the word "Eagle"),
+and the convalescent author may do all his work in comfort, without
+mess or muddle; and hereto, once again, I set my hand and seal, so
+know all men by these presents, all to the contrary nevertheless and
+notwithstanding. B. DE B.-W.
+
+ * * * * *
+
+GREEN PASTURES _OR_ PICCADILLY?
+
+_TO THE EDITOR._
+
+[Illustration]
+
+Sir,--I see that you have opened your columns to a discussion of the
+relative advantages of life in London and the Suburbs. I don't think
+that really the two can be compared. If you want _perfect quietude_
+can you get it better than in a place where, between nine and six, not
+a single male human being is visible, all of them being in town? Some
+people may call this dull; but I like it. Then everything is so cheap
+in the Suburbs! I only pay £100 a year for a nice house in a street,
+with a small bath-room, and a garden quite as large as a full-sized
+billiard-table. People tell me I could get the same thing in London,
+but of course a suburban street must be nicer than a London one.
+We are just outside the Metropolitan main drainage system, and our
+death-rate is rather heavy, but then our rates are light. My butcher
+only charges me one-and-twopence a pound for best joints, and though
+this is a little dearer than London, the meat is probably more
+wholesome from being in such good air as we enjoy. In wintertime the
+journey to town, half-an-hour by train, has a most bracing effect on
+those capable of bearing severe cold. For the rest, the incapables
+are a real blessing to those who sell mustard-plasters and extra-sized
+pocket-handkerchiefs. Our society is so select and refined that I
+verily believe Belgravia can show nothing like it! Yours obediently,
+
+FAR FROM THE MADDING CROWD.
+
+
+Sir,--The Suburbs are certainly delightful, if you have a good train
+service; but this you seldom get. I do not complain of our Company
+taking three-quarters of an hour to perform the distance of eight and
+a half miles to the City, as this seems a good, average suburban rate,
+but I do think the "fast" train (which performs the distance in that
+time) might start a little later than 8.30 A.M. Going in to business
+at 10.30 by an "ordinary" train, which stops at sixteen stations, and
+takes an hour and a half, becomes after a time rather monotonous. It
+involves a painful "Rush in Urbe" to get through business in time to
+catch the 4.30 "express" back, a train which (theoretically) stops
+nowhere.
+
+COUNTRY CUSSIN'.
+
+
+Sir,--No more London for me! I've tried it, and know what it's like.
+I have found a delightful cottage, twenty miles from town, and mean to
+live in it always. Do we ever have one of your nasty yellow fogs here?
+Never! Nothing more than a thick white mist, which rises from the
+fields and envelopes the house every night. It is true that several
+of our family complain of rheumatism, and when I had rheumatic fever
+myself a month ago, I found it a little inconvenient being six
+miles from a doctor and a chemist's shop. But then my house is so
+picturesque, with an Early English wooden porch (which can be kept
+from falling to pieces quite easily by hammering a few nails in now
+and then, and re-painting once a week), and no end of gables, which
+only let the water into the bedrooms in case of a _very_ heavy shower.
+Then think of the delights of a garden, and a field (for which I pay
+£20 a year, and repair the hedges), and chickens! I don't think I have
+spent more than £50 above what I should have done in London, owing to
+the necessity of fitting up chicken-runs and buying a conservatory
+for my wife, who is passionately fond of flowers. Unfortunately my
+chickens are now moulting, and decline to lay again before next March;
+so I bring back fresh eggs from town, and, as my conservatory is
+not yet full, flowers from Covent Garden; and I can assure you that,
+until you try it, you cannot tell the amount of pleasure and exercise
+which walking a couple of miles (the distance of my cottage from the
+station), laden with groceries and other eatables, can be made to
+afford. Yours chirpily,
+
+FIELD-FARE.
+
+ * * * * *
+
+GOOD FOR SPORT!--A well-known chartered accountant, with a vulpine
+patronymic, complains of the unkind treatment he recently received in
+Cologne at the hands of the German police. He should be consoled
+by the thought, that his persecution marked in those latitudes the
+introduction of Fox-hunting.
+
+ * * * * *
+
+[Illustration: YANKEE EXCLUSIVENESS.
+
+_Young Britisher_. "YOUR FATHER'S NOT WITH YOU THEN, MISS VAN TROMP?"
+
+_Fair New York Millionnairess_ (_one of three_). "WHY, NO--PA'S MUCH
+TOO VULGAR! IT'S AS MUCH AS WE CAN DO TO STAND MA!"]
+
+ * * * * *
+
+THE QUICKSAND!
+
+ Is this the Eagle-hunter,
+ The valiant fate-confronter,
+ The soldier brave, and blunter
+ Of speech than BISMARCK's self?
+ This bungler all-disgracing,
+ This braggart all-debasing.
+ This spurious sportsman, chasing
+ No nobler prey than pelf?
+
+ The merest "fly in amber,"
+ _He_ after eagles clamber?
+ Nay, faction's ante-chamber
+ Were fitter place for him,
+ A trifler transitory,
+ To gasconade of "glory"!
+ He'd foul fair France's story,
+ Her lustre pale and dim.
+
+ _Les Coulisses?_ Ah, precisely!
+ They suit his nature nicely,
+ Who bravely, nobly, wisely,
+ Can hardly even "act."
+ _Histrio_ all _blague_ and blather,
+ Is it not pity, rather,
+ One Frenchman should foregather
+ With him in selfish pact?
+
+ In selfish pact--but silly.
+ _His_ neighbouring, willy-nilly,
+ Must smirch the Bee, the Lily,
+ Or stain the snow-white flag.
+ Wielder of mere stage-dagger,
+ Loud lord of empty swagger,
+ In peril's hour a lagger.
+ A Paladin of Brag!
+
+ And now his venture faileth,
+ And now his valour paleth;
+ _Et après?_ What availeth
+ His aid to those who'd use him?
+ Imperial or Royal,
+ What "patron" will prove loyal
+ Unto this "dupe"? They'll joy all
+ To mock, expose, abuse him!
+
+ But from the contest shrinking,
+ The draught of failure drinking,
+ In trickery's quicksand sinking,
+ Pulls he not others down?
+ Will PLON-PLON stand securely,
+ The COMTE pose proudly, purely,
+ Whilst slowly but most surely
+ Their tool must choke or drown?
+
+ Indifferent France sits smiling.
+ And what avails reviling?
+ Such pitch without defiling
+ Can "Prince" or "Patriot" touch?
+ This quicksand unromantic
+ Closes on him, the Antic,
+ Whose hands with gestures frantic
+ Contiguous coat-tails clutch.
+
+ The furious factions splutter,
+ Power's cheated claimants mutter,
+ And foiled fire-eaters utter
+ Most sanguinary threats.
+ "_He_ Freedom's fated suckler?
+ The traitor, trickster, truckler!"
+ So fumes the fierce swash-buckler,
+ And his toy-rapier whets.
+
+ But will that quicksand only
+ Engulph _him_ lost and lonely?
+ The fraud exposed, the known lie,
+ The bribe at length betrayed,
+ Must whelm this sham detected,
+ But what may be expected
+ From "Honour" shame-infected,
+ And "Kingship" in the shade?
+
+ * * * * *
+
+THE RAVENSTEIN.
+
+ [Mr. RAVENSTEIN, at the British Association, considered
+ the question, how long it will be before the world becomes
+ over-populated.]
+
+_Punch to the Prophet_.
+
+ Prophet of o'er-population, your ingenious calculation,
+ Causeth discombobulation only in the anxious mind
+ That forecasts exhausted fuel, or the period when the duel
+ Will have given their final gruel to French journalists; a kind
+ Of cantankerous, rancorous spitfires, blusterous, braggart, boyish, blind,
+ Who much mourning scarce would find.
+
+ Prophet of o'er-population, when the centuries in rotation
+ Shall have filled our little planet till it tends to running o'er,
+ Will this world, with souls o'erladen, be a Hades or an Aidenn?
+ Will man, woman, boy and maiden, be less civilised, or more?
+ _That's_ the question, RAVENSTEIN! What boots a billion, less or more,
+ If Man still is fool or boor?
+
+ "Seek not to proticipate" is _Mrs. Gamp's_ wise maxim. Great is
+ Mankind's number _now_, but "take 'em as they come, and as they go,"
+ Like the philosophic _Sairey_; and though the sum total vary,
+ Other things may vary likewise, things we dream not, much less know,
+ Don't you think, my RAVENSTEIN, our state ten centuries hence or so
+ We may prudently--let go?
+
+ * * * * *
+
+[Illustration: THE QUICKSAND!]
+
+ * * * * *
+
+[Illustration: PREPARING FOR BLACK MONDAY.
+
+_Paterfamilias_ (_reading School Report_). "AH, MY BOY, THIS ISN'T SO
+GOOD AS IT MIGHT BE. 'LATIN INDIFFERENT,' 'FRENCH POOR,' 'ARITHMETIC
+NOTHING'?"
+
+_Tommy._ "AH, BUT LOOK DOWN THERE, PAPA. '_HEALTH EXCELLENT'!_"]
+
+ * * * * *
+
+TO A TRUMPETING DEMOCRAT.
+
+ [MR. ANDREW CARNEGIE, the Iron King and millionnaire of
+ Pittsburg, has been addressing big audiences in Scotland.
+ Amongst his remarks were the following:--"It is said that in
+ America, although we have no aristocracy, we are cursed with
+ a plutarchy. Let me tell you about that. A man who carries a
+ million dollars on his back carries a load.... When I speak
+ against the Royal Family I do not condescend to speak of
+ the creatures who form the Royal Family--persons are so
+ insignificant.... We laugh at your ideas in this petty little
+ country having anything to say to the free and independent
+ citizens who walk through Canada, Australia, and America.
+ You know how to get rid of a Monarchy. Brazil has taught
+ you."--&c., &c.]
+
+ CARNEGIE, pray take notice, since I know that it would blister
+ The thin skin of a democrat, I drop the title "Mr.,"
+ You have talked a lot of bunkum, all mixed up with most terrific cant.
+ But you truly said that "persons are so very insignificant;"
+ And the author of a speech I read, part scum and partly dreggy,
+ Is perhaps the least significant--that windbag named CARNEGIE.
+ But your kindness most appals me, Sir; how really, truly gracious,
+ For one whose home is in the States, free, great, and most capacious,
+ To come to poor old England (where the laws but make the many fit
+ To lick a Royal person's boots), and all for England's benefit.
+ To preach to us, and talk to us, to tell us how effete we are,
+ How like a flock of silly sheep who merely baa and bleat we are.
+ And how "this petty little land," which prates so much of loyalty,
+ Is nothing but a laughing-stock to Pittsburg Iron-Royalty.
+ How titles make a man a rake, a drunkard, and the rest of it,
+ While plain (but wealthy) democrats in Pittsburg have the best of it.
+ How, out in Pennsylvania, the millionnaires are panting
+ (Though there's something always keeps them fat) for monetary banting.
+ How free-born citizens complain, with many Yankee curses,
+ Of fate which fills, in spite of them, their coffers and their purses.
+ How, if the man be only poor, there's nothing that can stop a cit
+ In Yankeeland, while here with us the case is just the opposite.
+ How honest British working-men who fail to fill their larder
+ Should sail for peace and plenty by the very next Cunarder.
+ And how, in short, if Britishers want freedom gilt with millions,
+ They can't do wrong to imitate the chivalrous Brazilians.
+
+ Well, well, I know we have our faults, quite possibly a crowd of them,
+ And sometimes we deceive ourselves by thinking we are proud of them;
+ But we never can have merited that _you_ should set the law to us,
+ And rail at us, and sneer at us, and preach to us, and "jaw" to us.
+ We're much more tolerant than some; let those who hate the law go
+ And spout sedition in the streets of anarchist Chicago;
+ And, after that, I guarantee they'll never want to roam again,
+ Until they get a first-class hearse to take their bodies home again.
+
+ But stay, I've hit upon a plan: We'll, first of all, relieve you
+ Of all your million dollars that so onerously grieve you;
+ Then, if some loud, conceited fool wants taking down a peg, he
+ Shall spend an hour or so in talk with democrat CARNEGIE.
+ For all men must admit 'twould be an act of mere insanity
+ To try to match this Pittsburger in bluster or in vanity.
+ And oh, when next our Chancellor is anxious for a loan, Sir,
+ He'll buy you in at our price, and he'll sell you at your own, Sir.
+ And if you don't like English air, why, dash it, you may lump it,
+ Or go and blow in other climes your most offensive trumpet!
+
+ * * * * *
+
+ROBERT UP THE RIVER.
+
+I atended on a Party larst week as went up the River (our nice little
+Stream, as the aughty Amerrycanes calls it) to Ship Lake, tho' why
+it's called so I coodn't at all make out, as there ain't no Ship nor
+no Lake to be seen there, ony a werry little Werry, and a werry littel
+River, and a werry littel Hiland; and it was prinsepally to see how
+the appy yung Gents who sumtimes lives on the same littel Hiland, in
+littel Tents, was a gitting on, as injuced all on us, me and all, to
+go there. It seems that for years parst quite a littel Collony of
+yung Gents as gets their living in the grand old Citty has been in the
+habit of spending their littel summer Hollydays there, but, somehows
+or other, as I coodn't quite understand, the master of the littel
+Hiland made up his mind for to sell it, and all the yung Gents was in
+dispair, and wundered where on airth they shood spend their Hollydays
+in future. But they needn't have been afeard--there was a grand old
+hinstitushun called "The Copperashun!" as had both their ears and both
+their eyes open when they heard about it. So when the time came for it
+to be sold, they jest quietly says to one of their principel Chairmen
+(who is sich a King of Good Fellers that they all calls him by that
+name, and he arnsers to it jest as if it was the werry name as was guv
+him by his Godfathers and his Godmothers, as I myself heard with my
+own ears), "Go and buy it!" So off he goes at wunce and buys it, and
+the kindly Copperashun Gents as I went with larst week, went to take
+possesshun on it acordingly, and to see if anythink coud be done to
+make the yung Campers-out ewen more cumferabel than they ewer was
+afore! Ah, that's what I calls trew Pattriotizm, and trew Libberality,
+if you likes, and that's what makes 'em so much respeckted.
+
+Our Gents was all considrably surprized at the lots of Tents as was
+all a standing on Ship Lake Island; one on 'em, who was got up quite
+in a naughtical style, said as he was estonished to see so many on 'em
+pitched, but I think as he must ha' bin mistaken, for I didn t see not
+none on 'em pitched, tho' I dessay it might ha' been werry usefool in
+keeping out the rain on a remarkabel wet night.
+
+By sum mistake on sumboddy's part, there wasn't not no yung
+Campers-out to receeve us, and so fears was hentertaned that they wood
+have to cum again shortly; but they are bold plucky gents, is the men
+of the Copperashun, and they one and all xpressed their reddiness to
+do it at the call of dooty. Besides, we had sich a reel Commodore a
+board as made us all quite reddy to brave the foaming waves again.
+Why, he guv out the word of command, whether it was to "Port the
+Helem," or to "Titen the mane braces," as if he had bin a Hadmiral
+at the werry least, and his galliant crew obeyed him without not no
+grumbling or ewen thretening to strike!
+
+By one of them striking and remarkabel ocurrences as happens so
+offen, who shood we appen to find at Ship Lake, but one of the werry
+poplarest of the Court of Haldermen, and what shood he do but ask
+'em all in to lunch at his splendid manshun, and what shood they
+all do but jump at the hoffer, and what does he do, for a lark, I
+serppose--if so be as a reel Poplar Alderman ewer does have sich
+a thing as a lark--and give 'em all sich a gloryous spread, as I
+owerheard one henergetick Deperty describe it, as hutterly deprived
+'em all of the power of heating a bit of dinner till the werry next
+day, to which time they wisely put it off, and then thorowly injoyed
+it.
+
+In course, I'm not allowed to menshun not no names on these
+conferdential ocasions, but I did hear "the Commodore" shout to "the
+King" sumthink about "Hansum is as Hansum does," but it was rayther
+too late in the heavening for me to be able to quite unnerstand his
+elusions.
+
+I am 'appy to be able to report that we every one on us arrived in
+Town quite safe and quite happy, xcep sum of the pore hard-working
+crew who are left at Marlow till further orders. ROBERT.
+
+ * * * * *
+
+[Illustration: MEETING OF THE B.A. FOR THE ADVANCEMENT OF SCIENCE.
+LEEDS TOWN-HALL.]
+
+ * * * * *
+
+[Illustration: FAIR PROPOSAL.
+
+_Johnson_ (_at window--having offered to tame a vicious Horse for his
+Friend_). "NOW, TOM, JUST COLLAR HOLD OF HIS HEAD, AND I'LL PUT THE
+MUZZLE ON!"]
+
+ * * * * *
+
+A SPORTING STYLE.
+
+(_THIRD EXAMPLE._)
+
+Two examples of a correct sporting style have been already laid before
+the public. For convenience of reference they may be defined as the
+mixed-pugilistic and the insolent. There is, however, a third variety,
+the equine, in which everyone who aspires to wield the pen of a
+sporting reporter must necessarily be a proficient. It may be well to
+warn a beginner that he must not attempt this style until he has laid
+in a large stock of variegated metaphoric expressions. As a matter of
+fact one horse-race is very much like another in its main incidents,
+and the process of betting against or in favour of one horse
+resembles, more or less, the process of betting about any other. The
+point is, however, to impart to monotonous incidents a variety they
+do not possess; and to do this properly a luxuriant vocabulary is
+essential. For instance, in the course of a race, some horses tire,
+or, to put it less offensively, go less rapidly than others. The
+reporter will say of such a horse that he (1) "shot his bolt," or
+(2) "cried _peccavi_," or (3) "cried a go," or (4) "compounded," or
+(5) "exhibited signals of distress," or (6) "fired minute guns," or
+(7) "fell back to mend his bellows," or (8) "seemed to pause for
+reflection."
+
+Again, in recording the upward progress of horses in the betting
+market, it would be ridiculous to say of all of them merely that they
+became hot favourites. Vary, therefore, occasionally, by saying of
+one, for example, that "here was another case of one being eventually
+served up warm"; of another, that "plenty of the talent took 7 to 4
+about _Mousetrap_;" of a third, that "_Paradox_ had the call at 4 to
+1;" and of a fourth, that "a heap of money, and good money too, went
+on _Backslide_." After these preliminary instructions, _Mr. Punch_
+offers his
+
+_Third Example_.--Event to be described: A horse-race. Names of horses
+and jockeys, weights, &c., supplied.
+
+Considerable delay took place. _Little Benjy_ made a complete hole
+in his manners by bolting. Eventually, however, the flag tell to a
+capital start. _Burglar Bill_ on the right cut out the work[1] from
+_Paladin_, who soon began to blow great guns, and after a quarter of a
+mile had been negotiated yielded his pride of place to _Cudlums_ with
+_The P'liceman_ in attendance, _Sobriety_ lying fourth, and _D. T._
+close behind. Thus they raced to the bend, where _Burglar Bill_ cried
+_peccavi_, and _Cudlums_ having shot her bolt, _Sobriety_ was left in
+front, only to be challenged by _Cropeared Sue_, who had been coming
+through her horses with a wet sail. Bounding the bend SIMPSON called
+upon _Mrs. Brady_ and literally took tea with her rivals,[2] whom he
+nailed to the counter one after another. The favourite compounded at
+the distance, and _Mrs. Brady_ romped home the easiest of winners,
+four lengths ahead of _Cropeared Sue_; a bad third. The rest
+were whipped in by _Flyaway_, who once more failed to justify the
+appellation bestowed upon him.
+
+_Mr. Punch_ flatters himself that, upon the above model, the report of
+any race-meeting could be accurately constructed at home. In future,
+therefore, no reporter should go to the expense of leaving London for
+Epsom, Newmarket, Ascot, or Goodwood.
+
+[Footnote 1: Note this sentence. It is essential.]
+
+[Footnote 2: At first sight it would appear more natural that SIMPSON
+(presumably a jockey) having called upon _Mrs. Brady_, should take tea
+with _her_ rather than with her rivals. But a sporting style involves
+us in puzzles.]
+
+ * * * * *
+
+A CENTENARIAN.
+
+ "This is the centenary of the tall hat."--_Daily News_.
+
+[Illustration]
+
+ A hundred years of hideousness,
+ Constricted brows, and strain, and stress!
+ And still, despite humanity's groan,
+ The torturing, "tall-hat" holds its own!
+ What proof more sure and melancholy
+ Of the dire depths of mortal folly?
+ Mad was the hatter who invented
+ The demon "topper," and demented
+ The race that, spite of pain and jeers,
+ Has borne it--for One Hundred Years!
+
+ * * * * *
+
+HAMLET AT THE VEGETARIAN CONGRESS.
+
+[Illustration]
+
+ Yea, from the table of my dining-room,
+ I'll take away all tasty joints and _entrées_.
+ All sorts of meat, all forms of animal diet
+ That the carnivorous cook hath gathered there:
+ And, by commandment, will entirely live
+ Within the bounds of vegetable food,
+ Unmixed with savoury matters. Yes, by heaven!
+ O most pernicious Meat!
+ O Mutton, beef, and pork, digestion-spoiling!
+ My tables, my tables! Meat? I'll put it down;
+ For men may dine, and dine, and do no killing,
+ At least I'm sure it may be so--on lentils.
+ So, _gourmand_, there you are! Now to my _menu_;
+ It is, "_All Vegetables and no Meat!_"
+ I have sworn't!
+
+ * * * * *
+
+INTERVIEWING À LA MODE.
+
+(_QUITE AT THE SERVICE OF SOME OF MR. PUNCH'S CONTEMPORARIES._)
+
+One of our Representatives called a few days since upon Mr. BROWN,
+senior member of the well-known firm of Messrs. BROWN, JONES,
+AND ROBINSON. The Eminent General Dealer was seated "in his
+counting-house," as the nursery-song hath it, "counting out his
+money."
+
+"Come in, come in!" said Mr. BROWN, cordially, as he somewhat
+hurriedly looked up the coin in a safe out of our reach. "I am
+delighted to see you."
+
+"Glad to hear it," we replied, rather drily. "We want to put a few
+questions to you, in the interest of the public."
+
+"As many as you please. I am, as you know, a man of business; still,
+the resources of our establishment are so vast, that my place can be
+supplied without inconvenience to our thousands, I may say millions of
+customers. And now, Sir, what can I do for you?"
+
+"Well, Mr. BROWN, speaking in the name of civilisation, I would wish
+to ask you if you have much sale for SMASHUP's Concentrated Essence of
+Cucumbers (registered), in the larger bottles?"
+
+"Yes, Sir, we have; although the smaller sizes are, possibly, a trifle
+more popular."
+
+"What do you think of COTTONBACK's Fleur de Lyons Putney Satin?"
+
+"A most admirable material for home wear, although we do not recommend
+it for use at a party, a ball, or a reception. For festive occasions
+we do a very large trade in GIGGLEWATER's Superfine Velvet South
+American _Moiré Antique_ as advertised."
+
+"Indeed! Perhaps, you can mention a few more articles that in your
+judgment you believe it will interest our readers to learn about."
+
+"Pardon me, but don't you put that sentence a trifle clumsily?"
+
+Our Representative smiled and blushed. Then he admitted that Mr. BROWN
+might be right.
+
+"Ha! ha! ha!" laughed the Senior Partner, in great glee. "You see I
+have my head screwed on the right way! But to answer you. GOTEMON's
+Patent Alligator's Skin Braces are attracting much attention just
+now, so is WIPE's Castle 2 Imperial William Champagne, which finds
+(I may observe confidentially) a ready sale at thirty-two shillings
+the dozen. Then there are AKE's Electric Tooth-brushes, and CRAX's
+Stained-glass Solid Mahogany Brass-mounted Elizabethan Mantel-boards.
+Then, of course, I must not forget BOLTER's Washhandstands and
+BOUNDER's Anti-agony Aromatic Pills."
+
+"And all these articles sell largely?"
+
+"Very largely, indeed. And so they should; for they are well worth
+the money they cost."
+
+"Indeed they are, or I should not find them in your establishment."
+
+"You are very good. And now, _à propos_ of your journal, will you
+permit me to pay a return compliment?"
+
+"Certainly," we replied. "You have noticed an improvement in our
+columns?"
+
+"Unquestionably I have," returned Mr. BROWN, emphatically. "I have
+observed that of late you have given much interesting matter in the
+body of your paper that heretofore used to be reserved for the pages
+exclusively devoted to advertisements. I congratulate you!"
+
+And with a courteous wave of his hand and a bow of dismissal, the
+Eminent Pillar of Commerce delicately intimated to us that our
+interview was at an end.
+
+ * * * * *
+
+'ARRY ON THE SINCEREST FORM OF FLATTERY.
+
+[Illustration]
+
+ DEAR CHARLIE,--Your faviour to 'and in doo course, as the quill-drivers
+ say;
+ Likeways also the newspaper cuttins enclosed. You're on Rummikey's lay.
+ Awful good on yer, CHARLIE, old chummy, to take so much trouble for me;
+ But do keep on yer 'air, dear old pal; _I_ am still right end uppards,
+ yer see.
+
+ You are needled along of some parties,--er course you ain't fly to their
+ names,--
+ As has bin himitating Yours Truly. Way-oh! It's the oldest o' games,
+ Himitation is, CHARLIE. It makes one think DARWIN was right, anyhow,
+ And that most on us did come from monkeys, which some ain't so fur from
+ 'em now.
+
+ You start a smart game, or a paying one--something as knocks 'em, dear
+ boy,
+ No matter, mate, whether it's mustard, or rhymes, or a sixpenny toy;
+ They'll be arter you, nick over nozzle, the smuggers of notions and nips,
+ For the mugs is as 'ungry for wrinkles as broken-down bookies for tips.
+
+ Look at DICKENS, dear boy, and Lord TENNYSON--ain't they bin copied all
+ round?
+ Wy, I'm told some as liked ALFRED's verses at fust, is now sick of the
+ sound;
+ All along o' the parrots, my pippin. Ah, that's jest the wust o' sech
+ fakes!
+ People puke at the shams till they think the originals ain't no great
+ shakes.
+
+ 'Tain't fair, CHARLIE, not by a jugful, but anger's all fiddle-de-dee;
+ They may copy my style till all's blue, but they won't discombobulate me.
+ Names and metres is anyone's props; but of one thing they don't get the
+ 'ang;
+ They ain't fly to good patter, old pal, they ain't copped the straight
+ griffin on slang.
+
+ 'Tisn't grammar and spellin' makes patter, nor yet snips and snaps of
+ snide talk.
+ You may cut a moke out o' pitch-pine, mate, and paint it, but can't make
+ it walk.
+ You may chuck a whole Slang Dixionary by chunks in a stodge-pot of chat,
+ But if 'tisn't _alive_, 'tain't chin-music, but kibosh, and corpsey at
+ that.
+
+ Kerrectness be jolly well jiggered! Street slang isn't Science, dear pal,
+ And it don't need no "glossery" tips to hinterpret my chat to my gal.
+ I take wot comes 'andy permiskus, wotever runs sliok and fits in,
+ And when smugs makes me out a "philolergist,"--snuffers! it do make me
+ grin!
+
+ Still there's fitness, dear boy, and unfitness, and some of these jossers,
+ jest now,
+ Who himitate 'ARRY's few letters with weekly slapdabs of bow-wow,
+ 'Ave about as much "fit" in their "slang" as a slop-tailor's six-and-six
+ bags.
+ No, Yours Truly writes only to you, and don't spread _hisself_ out in the
+ Mags.
+
+ _Mister P._ prints my letters, occasional, once in a while like, dear boy;
+ For patter's like love-letters, CHARLIE, too long and too frequent, they
+ cloy.
+ I agree there with _Samivel Veller_. My echoes I've no wish to stop,
+ But I'd jest like to say 'tisn't _me_ as is slopping' all over the shop.
+
+ It do give me the ditherums, CHARLIE, it makes me feel quite quisby snitch,
+ To see the fair rush for a feller as soon as he's found a good pitch.
+ Jest like anglers, old man, on the river; if one on 'em spots a prime swim,
+ And is landing 'em proper, you bet arf the others'll crowd about _him_.
+
+ But there's law for the rodsters, I'm told, CHARLIE; so many foot left and
+ right;
+ And you'll see the punts spotted at distance, like squodrons of troops at
+ a fight.
+ But in Trade, Art, and Littery lines, CHARLIE, 'anged if there's any fair
+ play,
+ And the "cullerable himitation" is jest the disgrace of the day.
+
+ Sech scoots scurryfunging around on the gay old galoot, to go snacks
+ In the profits of other folks' notions, have put you, old pal, in a wax.
+ Never mind their shenanigan, CHARLIE; it don't do much hurt, anyhow;
+ I was needled a trifle at fust, but I'm pooty scroodnoodleous now.
+
+ I'm all right and a arf, mate, I am, and ain't going' to rough up, no
+ fear!
+ Becos two or three second-hand 'ARRIES is tipping the public stale beer.
+ The old tap'll turn on now and then, not too often, and as for the rest,
+ The B.P. has a taste for sound tipple, and knows when it's served with
+ the best.
+
+ If mine don't 'old its own on its merits, then way-oh! for someone's
+ as does!
+ All cop and no blue ain't my motter; that's all tommy-rot and buz-wuz.
+ The pace of a yot must depend on her lines and the canvas she'll carry;
+ If rivals can crowd on more sail, wy they're welcome to overhaul 'ARRY.
+
+ * * * * *
+
+NOTICE.--Rejected Communications or Contributions, whether MS.,
+Printed Matter, Drawings, or Pictures of any description, will in no
+case be returned, not even when accompanied by a Stamped and Addressed
+Envelope, Cover, or Wrapper. To this rule there will be no exception.
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, Or The London Charivari, Vol.
+99., September 20, 1890, by Various
+
+*** END OF THE PROJECT GUTENBERG EBOOK 12466 ***
diff --git a/12466-h/12466-h.htm b/12466-h/12466-h.htm
new file mode 100644
index 0000000..2f062df
--- /dev/null
+++ b/12466-h/12466-h.htm
@@ -0,0 +1,2157 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+ <meta http-equiv="Content-Type"
+ content="text/html; charset=UTF-8" />
+
+ <title>Punch, September 20, 1890.</title>
+ <style type="text/css">
+ /*<![CDATA[*/
+
+ <!--
+ body {margin-left: 10%; margin-right: 10%;}
+ p {text-align: justify;}
+ blockquote {text-align: justify;}
+ h1,h2,h3,h4,h5,h6 {text-align: center;}
+ pre {font-size: 0.7em;}
+
+ hr {text-align: center; width: 50%;}
+ html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;}
+ hr.full {width: 100%;}
+ html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.short {text-align: center; width: 20%;}
+ html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;}
+
+ .note
+ {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
+
+ span.pagenum
+ {position: absolute; left: 1%; right: 91%; font-size: 8pt;}
+
+ .poem
+ {margin-left:10%; margin-right:10%; margin-bottom: 1em; text-align: left;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ .poem p.i2 {margin-left: 1em;}
+ .poem p.i4 {margin-left: 2em;}
+ .poem p.i6 {margin-left: 3em;}
+ .poem p.i8 {margin-left: 4em;}
+ .poem p.i10 {margin-left: 5em;}
+
+ .figure, .figcenter, .figright, .figleft
+ {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;}
+ .figure img, .figcenter img, .figright img, .figleft img
+ {border: none;}
+ .figure p, .figcenter p, .figright p, .figleft p
+ {margin: 0; text-indent: 1em;}
+ .figcenter {margin: auto;}
+ .figright {float: right;}
+ .figleft {float: left;}
+
+ .footnote {font-size: 0.9em; margin-right: 10%; margin-left: 10%;}
+
+ .side { float:right;
+ font-size: 75%;
+ width: 25%;
+ padding-left:10px;
+ border-left: dashed thin;
+ margin-left: 10px;
+ text-align: left;
+ text-indent: 0;
+ font-weight: bold;
+ font-style: italic;}
+ -->
+ /*]]>*/
+ </style>
+</head>
+
+<body>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 12466 ***</div>
+
+ <h1>PUNCH,<br />
+ OR THE LONDON CHARIVARI.</h1>
+
+ <h2>Vol. 99.</h2>
+ <hr class="full" />
+
+ <h2>September 20, 1890.</h2>
+ <hr class="full" />
+ <span class="pagenum"><a name="page133"
+ id="page133"></a>[pg 133]</span>
+
+ <h2>OUT FOR ANOTHER HOLIDAY.</h2>
+
+ <h4>(<i>By our Impartial and Not-to-be-biassed
+ Critic.</i>)</h4>
+
+ <div class="figleft"
+ style="width:30%;">
+ <a href="images/133-1.png"><img width="100%"
+ src="images/133-1.png"
+ alt="Our critic." /></a>
+ </div>
+
+ <p>I had been told that Ostend was an excellent place. "Quite a
+ Town of Palaces!" was the enthusiastic description that had
+ reached me. So I determined to leave "Delicious Dover" (as the
+ holiday Leader-writer in the daily papers would call it), and
+ take boat for the Belgian coast. The sea was as calm as a lake,
+ and the sun lazily touched up the noses of those who slumbered
+ on the beach. There is an excellent service of steamers between
+ England and Belgium. This service has but one drawback&mdash;a
+ slight one: the vessels have a way with them of perpetrating
+ practical jokes. Only a week or so ago one lively mail-carrier
+ started prematurely, smashing a gangway, and dropping a
+ portmanteau quietly into the ocean. On my return from foreign
+ shores, I passed the same cheerful ship lying in mid-channel as
+ helpless as an infant. However, the accident (something, I
+ fancy, had gone wrong with the engines) appeared to be treated
+ as more amusing than important. Still, perhaps, it would be
+ better were the name of this luckless boat changed to <i>Le
+ Farceur</i>; then travellers would know what to expect. But I
+ must confess that my experiences were perfectly pleasant. The
+ steamer in which I journeyed crossed the Channel in the
+ advertised time, and if I wished to be hypercritical, I would
+ merely hint that the official tariff of the refreshments sold
+ on board is tantalising. When I wanted cutlets, I was told they
+ were "off," and when I asked for "cold rosbif," that was "off"
+ too. The <i>gar&ccedil;on</i> (who looked more like a
+ midshipman than a cabin-boy) took ten minutes to discover this
+ fact. And as I had to rely upon him for information, I had to
+ wait even longer before the desired (or rather undesired)
+ intelligence was conveyed to me. I pride myself upon caring
+ nothing about food, but this failure to obtain my heart's (or
+ thereabouts') yearning caused me sore annoyance.</p>
+
+ <p>Well, I reached Ostend. The town of palaces contained a
+ Kursaal and a Casino. There were also a number of large hotels
+ of the King's Road, Brighton, <i>plus</i> Northumberland Avenue
+ type. Further, there were several <i>maisons
+ meubl&eacute;es</i> let out in flats, and (to judge from the
+ prices demanded and obtained for them) <i>to</i> flats. The
+ <i>suite</i> of apartments on the ground floor consisted of a
+ small bed-room, a tiny drawing-room, and a balcony. The balcony
+ was used, as a <i>salle &agrave; manger</i> in fine weather,
+ and a place for the utterance of strong expressions (so I was
+ informed) when the rain interfered with <i>al fresco</i>
+ comfort. There was a steam tramway, and some bathing-machines
+ of the springless throw-you-down-when-you-least-expect-it sort.
+ The streets, omitting the walk in front of the sea, were
+ narrow, and the shops about as interesting as those at the
+ poorer end of the Tottenham Court Road. But these were merely
+ details, the pride of Ostend being the Kursaal, which reminded
+ me of an engine-house near a London terminus. I purchased a
+ ticket for the Kursaal and the Casino. There was to be a
+ concert at the first and a ball at the last. I soon had enough
+ of the concert, and started for the ball.</p>
+
+ <p>It was then that I found a regulation in force that made my
+ cheeks tingle with indignation as an Englishman. Although the
+ tickets costing three francs a piece, were said to secure
+ admittance to the Kursaal and the Casino, I noticed that
+ children&mdash;good and amiable children&mdash;were not allowed
+ to enter the latter place. I could understand the feelings of a
+ gentleman who attempted to obtain access for his eldest
+ lad&mdash;a gallant boy of some fourteen summers, and a baker's
+ dozen of winters. My heart went out to that British Father as
+ he disputed with the Commissaires at the doorway, and called
+ the attention of the Representative of "the Control" to the
+ fact that his <i>billet</i> was misleading. "You are an
+ Englishman," said the Representative of the Control, "and the
+ English observe the law." "Yes," returned the angry Father;
+ "but in England the Law would support one in obtaining that for
+ which one had paid. My son has paid for admission to the
+ Kursaal and the Casino! He is refused admittance to the Casino,
+ therefore this ticket of his spreads false intelligence! It is
+ a liar! It is a miserable! It should be called the traitor
+ ticket!" But all was useless. The gallant lad had to remain
+ with the umbrellas! I could not help sympathising with that
+ father. I could not refrain from agreeing with him, that where
+ such a thing was possible, something must be entirely wrong. I
+ could not deny that under the circumstances Ostend was a sham,
+ a delusion, and a snare! When he observed that Ostend was
+ grotesquely expensive, I admitted that he was right. When he
+ said that it was not a patch upon Boulogne or Dieppe, I again
+ acquiesced. When he asserted that every English tourist would
+ be wise to avoid the place, I acknowledged that there was the
+ genuine ring of truth in his declaration. When he appealed to
+ me, as a dispassionate observer, to say whether I did not
+ consider the conduct of the authorities arbitrary, unjust, and
+ absurd, I was forced to admit that I <i>did</i> consider that
+ conduct absolutely indefensible. Lastly, when he announced that
+ he intended never to say another word in praise of Ostend, I
+ confessed that I had come in my own mind to the same
+ determination.</p>
+
+ <p>P.S.&mdash;I may add that I was accompanied by my son, who
+ was also refused admittance. But this is a matter of purely
+ personal interest, and has nothing whatever to do with it.</p>
+ <hr />
+
+ <h2>THE CACHET OF CASH AT DRURY LANE.</h2>
+
+ <div class="figright"
+ style="width:40%;">
+ <a href="images/133-2.png"><img width="100%"
+ src="images/133-2.png"
+ alt="Medal inscribed 'A Million of Money.'" />
+ </a>Medal found in the Neighbourhood of Drury Lane.
+ </div>
+
+ <p><i>A Million of Money</i>, "a new military, sporting, and
+ spectacular Drama," is a marvel of stage management. No better
+ things than the <i>tableaux</i> of the Derby Day, the grounds
+ of the Welcome Club, and the departure of the Guards from
+ Wellington Barracks for foreign parts have been seen for many a
+ long year. In such a piece the dialogue is a matter of
+ secondary consideration, and even the story is of no great
+ importance. That the plot should remind one of Drury Lane
+ successes in the past is not surprising, considering that one
+ of the authors (who modestly places his name second on the
+ programme, when everyone feels that it should come first) has
+ been invariably associated with those triumphs of scenic art.
+ AUGUSTUS DRURIOLANUS has beaten his own record, and the
+ <i>Million of Money</i> so lavishly displayed behind the
+ scenes, is likely to be rivaled by the takings in front of the
+ Curtain&mdash;or to be more exact, at the Box-office. The
+ Authors, in more senses than one, have carried money into the
+ house. But they have done more&mdash;they have inculcated a
+ healthy moral. While Mr. HENRY ARTHUR JONES is teaching
+ audiences a lessen in <i>Judah</i>, that would have received
+ the enthusiastic approval of the philanthropic Earl of
+ SHAFTESBURY, after whom Shaftesbury Theatre is, no doubt,
+ called, the great HARRIS and the lesser PETTIT are showing us
+ in the character of the <i>Rev. Gabriel Maythorne</i>, a Parson
+ that would as certainly have secured the like hearty good-will
+ at the same shadowy hands. The Rev. Gentleman is a clergyman
+ that extorts the admiration of everyone whose good opinion is
+ worth securing. He apparently is a "coach," and (seemingly)
+ allows his pupils so much latitude that one of them, <i>Harry
+ Dunstable</i> (Mr. WARNER), is able to run up to town with his
+ (the Reverend's) daughter secretly, marry her, and stay in
+ London for an indefinite period. And he (the Parson) has no
+ absurd prejudices&mdash;no narrow-mindedness. He goes to the
+ Derby, where he appears to be extremely popular at
+ luncheon-time amongst the fair ladies who patronise the tops of
+ the drags, and later on becomes quite at home at an illuminated
+ <i>f&ecirc;te</i> at the Exhibition, amidst the moonlight, and
+ a thousand additional lamps. It is felt that the Derby is run
+ with this good man's blessing; and everyone is glad, for,
+ without it, in spite of the horses, jockeys, carriages,
+ acrobats, gipsies, niggers, grooms, stable-helps, and
+ pleasure-seekers, the <i>tableau</i> would be
+ &aelig;sthetically incomplete. And the daughter of the Reverend
+ is quite as interesting as her large-hearted sire. She, too,
+ has no prejudices (as instance, the little matrimonial trip to
+ London); and when she has to part with her husband, on his
+ departure (presumably <i>en route</i> to the Bermudas), she
+ requires the vigorous assistance' of a large detachment of Her
+ Majesty's Guards to support her in her bereavement. Of the
+ actors, Mr. CHARLES GLENNEY, as a broken-down gentleman, is
+ certainly the hero of the three hours and a half. In Act III.,
+ on the night of the first performance, he brought down the
+ house, and received two calls before the footlights after the
+ Curtain had descended. He has many worthy colleagues, for
+ instance, Mr. HARRY NICHOLLS, Miss MILLWARD, Mr. CHARLES
+ WARNER, and Miss FANNY BROUGH, are all that could be desired in
+ their respective lines. But, well cast as it undoubtedly is,
+ the play has vitality within it that does not depend for
+ existence upon the efforts of the company. It is good all
+ round&mdash;scenery, dresses, properties, and effects&mdash;and
+ will keep its place at Drury Lane until dislodged by the
+ Pantomime at Christmas.</p>
+ <hr />
+
+ <p>CHANGE OF NAME &Agrave; LA SUISSE.&mdash;Tessin and its
+ quarrelsome inhabitants to be known in future as a Can't-get-on
+ instead of a Canton.</p>
+ <hr />
+ <span class="pagenum"><a name="page134"
+ id="page134"></a>[pg 134]</span>
+
+ <h2>MORE FROM OUR YOTTING YORICK.</h2>
+
+ <div class="figright"
+ style="width:55%;">
+ <a href="images/134-1.png"><img width="100%"
+ src="images/134-1.png"
+ alt="" /></a>Swedish Politeness.
+ </div>
+
+ <p>STOCKHOLM approached by lovely river (that is, we approached
+ Stockholm by lovely river), with banks and hills covered with
+ pine and birch trees, and studded with villas, where the
+ Stockholm people live away from the town. "Studded" is a good
+ word, but phrase sounds too much like "studied with SASS," as
+ so many of our best artists did. Lovely for boating. Why don't
+ the Swedes row? <i>They don't.</i> Lots of islands, and
+ everybody as jolly as sand-boys, especially on Sanday. By the
+ way, what's a "sand-boy"? Why <i>toujours</i> jolly?</p>
+
+ <p>Stockholm a stunning place, all built round a huge palace,
+ copy of the Pitti Palace in Florence. Lifts to take the people
+ up-hill, and a circular tramway all round the town for one
+ penny. Lots of soldiers in uniforms like Prussians or Russians,
+ whichever you like. Such swagger policemen, all tall and
+ handsome, with beautiful helmets and lovely coats. What would
+ an English cook say to them?</p>
+
+ <p>Cathedral with tombs of GUSTAVUS VASA, GUSTAVUS ADOLPHUS,
+ and BERNADOTTE. What was BERNADOTTE doing here? Didn't like to
+ ask. Piled up with kettledrums and flags taken from the
+ Russians. I noticed in Russia their churches were equally piled
+ up with drums and flags taken from the Swedes. Exchange is no
+ robbery.</p>
+
+ <div class="figleft"
+ style="width:27%;">
+ <a href="images/134-2.png"><img width="100%"
+ src="images/134-2.png"
+ alt="" /></a>Snack Sideboard. "Lax and Snax."
+ </div>
+
+ <p>Lunch. First view of the Swedish snacks before lunch and
+ dinner. A side-table with caviare Lax, cut reindeer tongue,
+ sausages, brown bread, prawns, kippered herrings, radishes,
+ sardines, crawfish, cheeses. Should spell it "Lax and Snax."
+ Three silver tubs of spirit&mdash;Pommerans, Renadt, and
+ Kummin&mdash;tried 'em all. All good. "We had a good
+ time&mdash;Kummin." The Kummin was goin',&mdash;rather. Ceiling
+ of <i>restaurant</i> all mirrors&mdash;self keeping an eye on
+ self.</p>
+
+ <div class="figright"
+ style="width:35%;">
+ <a href="images/134-3.png"><img width="100%"
+ src="images/134-3.png"
+ alt="" /></a>F&ecirc;te in Honour of the Poet Bellman.
+ </div>
+
+ <p>National Museum. Splendid collection. Stone, bronze, and
+ iron periods. Poor pictures. No end of palaces to see, till one
+ is sick of 'em.</p>
+
+ <p>Swedes have a poet, BELLMAN, evidently who wrote
+ Bacchanalian songs. They have a national holiday on July the
+ 26th, and go to <i>F&ecirc;te</i> in a Wood, where bronze head
+ of BELLMAN is, cover it with garlands and roses, and sing and
+ have a good time before it, just like an old Greek offering to
+ Bacchus. I saw it. And in the evening a <i>f&ecirc;te</i> where
+ they carry a child got up as Bacchus, and seated on a barrel
+ with a wine-cup. A regular jolly drinking procession. They have
+ a wonderful open air <i>restaurant</i> called The Hasselbacken,
+ where you dine in delightful little green arbours, and lots of
+ Swedish girls about. Capital dinners, A 1 wine, and first-rate
+ music with full band. No charge to go in; you pay before
+ leaving, though. Very good waiting.</p>
+
+ <div class="figleft"
+ style="width:55%;">
+ <a href="images/134-4.png"><img width="100%"
+ src="images/134-4.png"
+ alt="" /></a>Dinner in the Arbour.
+ </div>
+
+ <p>The Swedes are very polite, and take their hats off on the
+ slightest provocation, and keep them off a long time, specially
+ whilst talking to a lady. When talking to <i>two</i> ladies, of
+ course they keep 'em off double the time.</p>
+
+ <p>Altogether a delightful place. But they all say you should
+ come in the <i>winter</i>. Wish I could. FLOTSAM, Y.A.</p>
+
+ <p>P.S.&mdash;The Swedish girls are as a rule very handsome.
+ Tall, with long legs. Men good-looking also.</p>
+
+ <p>I can't very well do myself; I can "do myself" remarkably
+ well, but I mean I cannot sketch myself in a cut; but <i>Mr.
+ Punch</i>, in cuts I have done, is far more expressive than I
+ can make anyone else.</p>
+ <hr />
+
+ <p>THE COMPLIMENTS OF THE SEASON (<i>with Mr. Punch's kind
+ regards</i>).&mdash;The most Popular of Colonial
+ Strikers&mdash;Our illustrious guests, the Australian
+ Cricketers.</p>
+ <hr />
+ <span class="pagenum"><a name="page135"
+ id="page135"></a>[pg 135]</span>
+
+ <h2>"WANTED!"</h2>
+
+ <p>WANTED, by a well-travelled lady, of &aelig;sthetic and
+ refined tastes, a comfortable and congenial home with a
+ Duchess. The Advertiser, who is a person of much intelligence,
+ and a most agreeable gossip, regards her pleasant companionship
+ as an equivalent for the social advantages (including
+ carriage-drives, and an introduction to the very best society),
+ for which she is prepared to offer the very handsome
+ remuneration of ten shillings a week.</p>
+ <hr class="short" />
+
+ <p>HORSE WANTED.&mdash;Must have been placed in a recent Derby,
+ and show a good racing record. Thoroughly sound in wind and
+ limb, expected to be equal to carrying 13 stone in the Park, or
+ to doing any work from a four-in-hand down to single harness in
+ a hearse. On the advertiser being furnished with a suitable
+ beast, he will be prepared to put down a five-pound note for
+ him, payable by ten-shilling monthly instalments.</p>
+ <hr class="short" />
+
+ <p>HOME REQUIRED FOR AN INDIAN CHIEF.&mdash;The Advertiser, who
+ has recently received a consignment of Savages from Patagonia,
+ and has had to entertain their Monarch in his residence at
+ Bayswater, as he is about to pay a four weeks' visit to the
+ Continent, is anxious in the meantime to find a suitable home
+ for him in some quiet suburban family, who would not object to
+ some fresh and lively experience introduced into the routine of
+ their domestic circle, in consideration for a small payment to
+ defray the slight extra cost involved in his support. He will
+ give little trouble, an empty attic furnished with a hearth-rug
+ supplying him with all the accommodation he will require, while
+ his food has hitherto consisted of tripe, shovelled to him on a
+ pitchfork, and stout mixed with inferior rum, of which he gets
+ through about a horse-pailful a day. His chief recreation being
+ a "Demon's War Dance," in which he will, if one be handy, hack
+ a clothes-horse to pieces with his "baloo," or two-edged
+ chopper-axe, he might be found an agreeable inmate by an aged
+ and invalid couple, who would relish a little unusual
+ after-dinner excitement, as a means of passing away a quiet
+ evening or two. Applicants anxious to secure the Chief should
+ write at once. Three-and-sixpence a-week will be paid for his
+ keep, which, supplying the place of the rum in his drink (which
+ has been tried with effect) with methylated spirit mixed with
+ treacle, affords an ample margin for a handsome profit on the
+ undertaking.</p>
+ <hr />
+
+ <div class="figcenter"
+ style="width:45%;">
+ <a href="images/135.png"><img width="100%"
+ src="images/135.png"
+ alt="" /></a>
+
+ <h3>MUCH MORE SUITABLE.</h3>NEW UNIFORM FOR HER MAJESTY'S
+ HORSE GUARDS, SUGGESTED TO MR. PUNCH BY RECENT CAVALRY
+ EVOLUTIONS ON THE THAMES.
+ </div>
+ <hr />
+
+ <h2>DEVELOPMENT.</h2>
+
+ <h4>(<i>With acknowledgments to the Author of
+ "Patience."</i>)</h4>
+
+ <blockquote class="note">
+ <p>["Even a colour-sense is more important in the
+ development of the individual than a sense of right and
+ wrong."&mdash;OSCAR WILDE.]</p>
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>If you're anxious to develop to a true hedonic
+ "swell," hop on a pinnacle apart,</p>
+
+ <p>Like a monkey on a stick, and your phrases quaintly
+ pick, and then prattle about Art.</p>
+
+ <p>Take some laboured paradoxes, and, like Samson's
+ flaming foxes, let them loose amidst the corn</p>
+
+ <p>(Or the honest commonplaces) of the Philistines
+ whose graces you regard with lofty scorn.</p>
+
+ <p class="i10">And every one will say,</p>
+
+ <p class="i10">As you squirm your wormy way,</p>
+
+ <p>"If this young man expresses himself in terms that
+ stagger <i>me</i>,</p>
+
+ <p>What a very singularly smart young man this smart
+ young man must be!"</p>
+ </div>
+
+ <div class="stanza">
+ <p>You may be a flabby fellow, and lymphatically
+ yellow, that will matter not a mite.</p>
+
+ <p>If you take yourself in hand, in a way you'll
+ understand, to become a Son of Light.</p>
+
+ <p>On your crassness superimposing the peculiar art of
+ glosing in sleek phrases about Sin.</p>
+
+ <p>If you aim to be a Shocker, carnal theories to
+ cocker is <i>the</i> best way to begin.</p>
+
+ <p class="i10">And every one will say,</p>
+
+ <p class="i10">As you worm your wicked way,</p>
+
+ <p>"If that's allowable for <i>him</i> which were
+ criminal in <i>me</i>,</p>
+
+ <p>What a very emancipated kind of youth this kind of
+ youth must be."</p>
+ </div>
+
+ <div class="stanza">
+ <p>Human virtues you'll abhor all, and be down upon the
+ Moral in uncompromising style.</p>
+
+ <p>Your critical analysis will reduce to prompt
+ paralysis every <i>motor</i> that's not vile.</p>
+
+ <p>You will show there's naught save virtue that can
+ seriously hurt you, or your liberty enmesh;</p>
+
+ <p>And you'll find excitement, plenty, in Art's
+ <i>dolce far niente</i>, with a flavour of the
+ flesh.</p>
+
+ <p class="i10">And every one will say,</p>
+
+ <p class="i10">As you lounge your upward way,</p>
+
+ <p>"If he's content with a do-nothing life, which would
+ certainly not suit <i>me</i>.</p>
+
+ <p>What a most particularly subtle young man this
+ subtle young man must be!"</p>
+ </div>
+
+ <div class="stanza">
+ <p>Then having swamped morality in "intensified
+ personality" (which, of course, must mean your
+ own),</p>
+
+ <p>And the "rational" abolished and "sincerity"
+ demolished, you will find that you have
+ <i>grown</i></p>
+
+ <p>With a "colour-sense" fresh handselled (whilst the
+ moral ditto's cancelled) you'll develop
+ into&mdash;well,</p>
+
+ <p>What Philistia's fools malicious might esteem a
+ <i>vaurien</i> vicious (<i>alias</i> "hedonic
+ swell").</p>
+
+ <p class="i10">And every one will say,</p>
+
+ <p class="i10">As you writhe your sinuous way.</p>
+
+ <p>"If the highest result of the true 'Development' is
+ decomposition, why see</p>
+
+ <p>What a very perfectly developed young man this
+ developed young man must be."</p>
+ </div>
+
+ <div class="stanza">
+ <p>With your perky paradoxes, and your talk of
+ "crinkled ox-eyes," and of books in "Nile-green
+ skin."</p>
+
+ <p>That show forth unholy histories, and display the
+ "deeper mysteries" of strange and subtle Sin.</p>
+
+ <p>You can squirm, and glose, and hiss on, and awake
+ that <i>nouveau frisson</i> which is Art's best gift to
+ life.</p>
+
+ <p>And "develop"&mdash;like some cancer (in the
+ Art-sphere) whose best answer is the silent surgeon's
+ knife!</p>
+
+ <p class="i10">And every <i>man</i> will say,</p>
+
+ <p class="i10">As you wriggle on your way,</p>
+
+ <p>"If 'emotion for the sake of emotion <i>is</i> the
+ aim of Art,' dear me!</p>
+
+ <p>What a morbidly muckily emotional young man the
+ 'developed' young man must be!"</p>
+ </div>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page136"
+ id="page136"></a>[pg 136]</span>
+
+ <h2>THE AMERICAN GIRL.</h2>
+
+ <blockquote class="note">
+ <p>[An American Correspondent of <i>The Galignani
+ Messenger</i> is very severe on the manners of his fair
+ countrywomen.]</p>
+ </blockquote>
+
+ <div class="figright"
+ style="width:35%;">
+ <a href="images/136.png"><img width="100%"
+ src="images/136.png"
+ alt="The American girl." /></a>
+ </div>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>She "guesses" and she "calculates," she wears all
+ sorts o' collars,</p>
+
+ <p class="i2">Her yellow hair is not without suspicion
+ of a dye;</p>
+
+ <p>Her "Pappa" is a dull old man who turned pork into
+ dollars.</p>
+
+ <p class="i2">But everyone admits that she's
+ indubitably spry.</p>
+ </div>
+
+ <div class="stanza">
+ <p>She did Rome in a swift two days, gave half the time
+ to Venice,</p>
+
+ <p class="i2">But vows that she saw everything,
+ although in awful haste;</p>
+
+ <p>She's fond of dancing, but she seems to fight shy of
+ lawn-tennis,</p>
+
+ <p class="i2">Because it might endanger the proportions
+ of her waist.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Her manner might be well defined as elegantly
+ skittish;</p>
+
+ <p class="i2">She loves a Lord as only a Republican can
+ do;</p>
+
+ <p>And quite the best of titles she's persuaded are the
+ British,</p>
+
+ <p class="i2">And well she knows the Peerage, for she
+ reads it through and through.</p>
+ </div>
+
+ <div class="stanza">
+ <p>She's bediamonded superbly, and shines like a
+ constellation,</p>
+
+ <p class="i2">You scarce can see her fingers for the
+ multitude of rings;</p>
+
+ <p>She's just a shade too conscious, so it seems, of
+ admiration,</p>
+
+ <p class="i2">With irritating tendencies to wriggle
+ when she sings.</p>
+ </div>
+
+ <div class="stanza">
+ <p>She owns she is "Amur'can," and her accent is
+ alarming;</p>
+
+ <p class="i2">Her birthplace has an awful name you pray
+ you may forget;</p>
+
+ <p>Yet, after all, we own "<i>La Belle
+ Am&eacute;ricaine</i>" is charming,</p>
+
+ <p class="i2">So let us hope she'll win at last her
+ long-sought coronet.</p>
+ </div>
+ </div>
+ <hr />
+
+ <h2>TIPS FROM THE TAPE.</h2>
+
+ <h4>(<i>Picked up in Mr. Punch's own Special City
+ Corner.</i>)</h4>
+
+ <p>In my last I announced that I was busily giving my mind to
+ the launching of a new "Combination Pool" over the satisfactory
+ results of which to all concerned in it, under certain
+ contingencies, I had no shadow of a doubt. This I have since
+ managed to float on the market, and, though I worked it on a
+ principle of my own, which, for want of a better description, I
+ have styled amalgamated "Profit and Loss," I regret to have to
+ inform those clients who have entrusted me with their cheques
+ in the hopes of getting, <i>as I really fully believed they
+ would</i>, 700 per cent. for their money in three days, that I
+ have had to close the speculation rather suddenly, and I fear,
+ as the following illustrative figures will show in a fashion
+ that not only deprives me of the pleasure of enclosing them a
+ cheque for Profits, but obliges me to announce to them that
+ their cover has disappeared. The Stocks with which I operated
+ were "Drachenfonteim Catapults," "Catawanga Thirty-fives," and
+ "Blinker's Submarine Explosives." The ILLUSTRATION, I hoped,
+ <i>would have stood as follows</i>:&mdash;</p>
+
+ <table summary="Investments, part 1."
+ align="center">
+ <tr>
+ <td align="left"
+ valign="top">&pound;100 invested in Drachenfonteim
+ Catatpults, showing profit of 1 per cent.</td>
+
+ <td align="right"
+ valign="bottom">&pound;100</td>
+ </tr>
+
+ <tr>
+ <td align="left"
+ valign="top">&pound;100 invested in Catawanga
+ Thirty-fives, showing profit of 2&frac12; per
+ cent.</td>
+
+ <td align="right"
+ valign="bottom">&pound;250</td>
+ </tr>
+
+ <tr>
+ <td align="left"
+ valign="top">&pound;300 invested in Blinker's
+ Submarine Explosives, showing profit of 3 per
+ cent.</td>
+
+ <td align="right"
+ valign="bottom">&pound;900</td>
+ </tr>
+
+ <tr>
+ <td align="right"
+ valign="top">Gross Profits</td>
+
+ <td align="right"
+ valign="top">&pound;1250</td>
+ </tr>
+ </table>
+
+ <p>Unfortunately, however, the real figures came out rather
+ differently, for they stood, I regret to say, as
+ under:&mdash;</p>
+
+ <table summary="Investments, part 1."
+ align="center">
+ <tr>
+ <td align="left"
+ valign="top">&pound;100 invested in Drachenfonteim
+ Catapults, at a loss of 5 per cent.</td>
+
+ <td align="right"
+ valign="bottom">&pound;500</td>
+ </tr>
+
+ <tr>
+ <td align="left"
+ valign="top">&pound;100 invested in Catawanga
+ Thirty-fives, at a loss of 7 per cent.</td>
+
+ <td align="right"
+ valign="bottom">&pound;700</td>
+ </tr>
+
+ <tr>
+ <td align="left"
+ valign="top">&pound;300 invested in Blinker's
+ Submarine Explosives, at a loss of 4 per cent.</td>
+
+ <td align="right"
+ valign="bottom">&pound;1200</td>
+ </tr>
+
+ <tr>
+ <td align="right"
+ valign="top">Total loss</td>
+
+ <td align="right"
+ valign="top">&pound;2400</td>
+ </tr>
+ </table>
+
+ <p>This, I need scarcely say, has at present not only eaten up
+ every halfpenny of cover, but a great deal besides; and I am
+ not sure that I shall not have to come down on my clients to
+ make good the balance. I cannot account for the result, except
+ from the fact that a new clerk read out the wrong tape; and
+ when I telephoned to my West-End Private Inquiry Agent about
+ these very three Stocks, he appears not to have heard me
+ distinctly, and thought I was asking him about Goschens, the
+ old Three-per-Cents., and Bank Stock, about which, of course,
+ he could only report favourably. It is an awkward mistake, but,
+ as I point out to all my clients, one must not regard the
+ Dealer as infallible. These things will occur. However, I am
+ going to be more careful in future; and I may as well announce
+ now, that on Monday next I am about to open a new Syndicate
+ Combination Pool, with a Stock about which I have made the most
+ thorough and exhaustive inquiries, with the result that I am
+ convinced an enormous fortune will be at the command of anyone
+ who will entrust me with a sufficiently large cheque in the
+ shape of cover to enable me to realise it.</p>
+
+ <p>For obvious reasons I keep the name of this Stock at present
+ a dead secret. Suffice it to say, that the operation in
+ question is connected with an old South-American Gold Mine,
+ about to be reworked under the auspices of a new company who
+ have bought it for a mere song. When I tell my clients that I
+ have got all my information from the Chairman, <i>who took down
+ under his greatcoat a carpet-bag full of crushed quartz
+ carefully mixed with five ounces of gold nuggets</i>, and
+ emptied this out at the bottom of a disused shaft, and then got
+ a Yankee engineer to report the discovery of ore in "lumps as
+ big as your fist," and state this in the new prospectus, they
+ will at once see what a solid foundation I have for this new
+ venture, which must inevitably fly upwards by leaps and bounds
+ as soon as the shares are placed upon the market. Of course,
+ when the truth comes out, there will be a reaction, but my
+ clients may trust me to be on the look-out for that, and, after
+ floating with all their investments to the top of the tide, to
+ get out of the concern with enormous profits before the bubble
+ eventually bursts. It is by a command of information of this
+ kind that I hope to ensure the confidence and merit the support
+ of my friends and patrons. Remember Monday next, and bear in
+ mind a cheque for three-and-sixpence covers &pound;5000. The
+ subjoined is from my correspondence:&mdash;</p>
+
+ <p>Sir,&mdash;I have as trustee for five orphan nieces to
+ invest for each of them &pound;3 18<i>s.</i> 9<i>d.</i>, left
+ them by a deceased maternal cousin. How ought I to invest this
+ to the greatest advantage with a due regard to security. What
+ do you say to Goschens? Or would you recommend Rio Diavolos
+ Galvanics? These promise a dividend of 70 per cent., and
+ although they have not paid one for some time, are a
+ particularly cheap stock at the present market price, the scrip
+ of the Five per Cent. Debenture Stock being purchased by a
+ local butterman at seven pounds for a halfpenny. A Spanish
+ Nobleman who holds some of this, will let me have it even
+ cheaper. What would you advise me to do? Yours, &amp;c. A
+ TRUSTEE IN A FOG.</p>
+
+ <p>Don't touch Goschens, they are not a speculative Stock. You
+ certainly might do worse than the Rio Diavolos Galvanics. Do
+ not hesitate, but put the little all of your five orphan nieces
+ into them at once, and <i>wait for the rise</i>.</p>
+ <hr />
+
+ <h2>ON THE CARDS.</h2>
+
+ <h4>(<i>By a Whist-loving Malade-Imaginaire.</i>)</h4>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Oh, where shall I hit on a "perfect cure"?</p>
+
+ <p>(What ails me I am not quite sure that I'm sure)</p>
+
+ <p>To Nice, where the weather is nice&mdash;with
+ vagaries?</p>
+
+ <p>The Engadine soft or the sunny Canaries?</p>
+
+ <p>To Bonn or Wiesbaden? My doctor laconic</p>
+
+ <p>Declares that the Teutonic air is too tonic.</p>
+
+ <p>Shall I do Davos-Platz or go rove the Riviera?</p>
+
+ <p>Or moon for a month in romantic Madeira?</p>
+
+ <p>St. Moritz or Malaga, Aix, La Bourboule?</p>
+
+ <p>Bah! My doctor's a <i>farceur</i> and I am&mdash;a
+ fool.</p>
+
+ <p>I will <i>not</i> try Switzerland, Norway, or
+ Rome.</p>
+
+ <p>I'll go in for a rest and a rubber&mdash;at
+ home.</p>
+
+ <p>A Windermere wander, <i>and</i> Whist, I feel
+ sure,</p>
+
+ <p>Will give what I'm seeking, a true "Perfect
+ Cure."</p>
+ </div>
+ </div>
+ <hr />
+
+ <p>A BUBBLE FROM THE SUDS.&mdash;A Firm of Soap-boilers have
+ been sending round a circular to "Dramatic Authors" of
+ established reputation, and (no doubt) others, offering to
+ produce gratis the best piece submitted to them at a
+ "<i>Matin&eacute;e</i> performance at a West End Theatre." The
+ only formality necessary to obtain this sweet boon is the
+ purchase of a box of the Firm's soap, which will further
+ contain a coupon "entitling the owner to send in one new and
+ original play for reading." The idea that a Dramatic Author of
+ any standing would submit his work to such a tribunal, even
+ with the dazzling prospect of a <i>Matin&eacute;e in
+ futuro</i>, is too refreshing! However, as literary men
+ nowadays fully appreciate the value of their labour, the idea,
+ in spite of the soap with which it is associated, may be
+ dismissed with the words, "Won't Wash!"</p>
+ <hr />
+ <span class="pagenum"><a name="page137"
+ id="page137"></a>[pg 137]</span>
+
+ <h2>OUR BOOKING-OFFICE.</h2>
+
+ <p>Why doesn't some publisher bring out <i>The Utterbosh
+ Series</i>, for, upon my word, says the Baron, the greater part
+ of the books sent in for "notice" are simply beneath it. Here's
+ one on which I made notes as I went on, as far as I could get
+ through it. It is called <i>Nemesis: a Moral Story</i>, by
+ SETON CREWE. Its sole merit would have been its being in one
+ volume, were it not that this form, being a bait to the unwary,
+ aggravates the offence. The heroine is <i>Lucinda</i>, a
+ milliner's apprentice. Being compromised by a young gentleman
+ under age, who suddenly quits the country, she goes to confess
+ her sin to the simple-minded Curate, who sees no way out of the
+ difficulty except by marrying his penitent, which he does, and
+ after the christening of her first-born, a joyous event that
+ occurs at no great interval after the happy wedding-day, the
+ Curate, the <i>Reverend Mr. Smith</i>, is transferred by his
+ Bishop from this parish to somewhere else a considerable
+ distance off, whence, after a variety of troubles, he goes
+ abroad as a travelling watering-place clergyman. After this,
+ his wife becomes a Roman Catholic for six months, and then
+ developes into a thoroughpaced infidel of generally loose
+ character. She takes up with a Lion Comique of the Music-Halls,
+ who is summarily kicked down-stairs by the <i>Reverend Mr.
+ Smith</i> on his return home one evening. And at this point I
+ closed the book, not caring one dump what became of any of the
+ characters, or of the book, or of the writer, and unable to
+ wait for the moral of this highly "moral story," which, I dare
+ say, might have done me a great deal of good. So I turned to
+ <i>Vanity Fair</i>, and re-read for the hundredth time, and
+ with increased pleasure, the great scene where <i>Rawdon
+ Crawley</i>, returning home suddenly, surprises <i>Becky</i> in
+ her celebrated <i>t&ecirc;te-&agrave;-t&ecirc;te</i> with my
+ <i>Lord Steyne</i>.</p>
+
+ <div class="figleft"
+ style="width:15%;">
+ <a href="images/137-1.png"><img width="100%"
+ src="images/137-1.png"
+ alt="Books, 1/- per lb." /></a>
+ </div>
+
+ <p>With pleasure the Baron welcomes Vol. No. IV. of ROUTLEDGE's
+ <i>Carisbrooke Library</i>, which contains certain <i>Early
+ Prose Romances</i>, the first and foremost among them being the
+ delightful fable of <i>Reynart the Fox</i>. Have patience with
+ the old English, refer to the explanatory notes, and its
+ perusal will well repay every reader. How came it about that
+ modern <i>Uncle Remus</i> had caught so thoroughly the true
+ spirit of this Medi&aelig;val romance? I forget, at this
+ moment, who wrote <i>Uncle Remus</i>&mdash;and I beg his pardon
+ for so doing&mdash;but whoever it was, he professed only to
+ dress up and record what he had actually heard from a veritable
+ <i>Uncle Remus</i>. <i>Brer Rabbit</i>, <i>Brer Fox</i>, and
+ <i>Old Man Bar</i>, are not the creatures of <i>&AElig;sop's
+ Fables</i>; they are the characters in <i>Reynart the Fox</i>.
+ The tricks, the cunning, the villany of <i>Reynart</i>,
+ unredeemed by aught except his affection for his wife and
+ family, are thoroughly amusing, and his ultimate success, and
+ increased prosperity; present a truer picture of actual life
+ than novels in which vice is visibly punished, and virtue
+ patiently rewarded. And once more I call to mind the latter
+ days of <i>Becky's</i> career.</p>
+
+ <p>Speaking of THACKERAY, Messrs. CASSELL &amp; Co. have just
+ brought out a one-and-threepenny edition ("the threepence be
+ demmed!") of the <i>Yellowplush Papers</i>, with a dainty
+ canary-coloured <i>Jeames</i> on the cover. At the same time
+ the same firm produce, in the same form, <i>The Last Days of
+ Pompeii</i>, <i>The Last Days of Palmyra</i>, and <i>The Last
+ of the Mohicans</i>. Odd, that the first issue of this new
+ series should be nearly all "Lasts." <i>The Yellowplush
+ Papers</i> might have been kept back, and <i>The Last of the
+ Barons</i> been substituted, just to make the set of lasts
+ perfect. The expression is suggestive of Messrs. CASSELL going
+ in for the shoemaking trade. <i>The Last Days of Palmyra</i> I
+ have never read. "I will try it," says the bold Baron.</p>
+
+ <p>But what means this new style of printing on thin double
+ sheets? One advantage is that no cutting is required. If this
+ form become the fashion, better thus to bring out the
+ <i>Utterbosh Series</i>, which shall then escape the critics'
+ hands,&mdash;no cutting being required. There are, as those who
+ use the paper-knife to these volumes will discover, in this new
+ issue of Messrs. CASSELL's, two blank pages for every two
+ printed ones, so that a new novel might be written in MS.
+ inside the printed one. The paper is good and clean to the
+ touch; but I prefer the stiff cover to the limp, "there's more
+ backbone about it," says the</p>
+
+ <p>BARON DE BOOK-WORMS.</p>
+
+ <p>Scarcely time to bring out a pocket edition (like those
+ genuine pocketable and portable editions, the red-backed
+ ROUTLEDGES) of <i>The Bride of Lammermoor</i>, between now and
+ the date of its production, next Saturday, at the Lyceum. But
+ worth while doing it as soon as possible. <i>Advice gratis</i>.
+ B. DE B.-W.</p>
+
+ <p>P.S.&mdash;(<i>Important to Authors and
+ Scribblers</i>.)&mdash;Unfortunately the Baron has been
+ compelled to take to his bed (which he doesn't "take to" at
+ all&mdash;but this by the way), and there write. Once more he
+ begs to testify to the excellence both of <i>The Hairless
+ Author's Pad</i>&mdash;no <i>The Author's Hairless
+ Pad</i>&mdash;and of the wooden rest and frame into which it
+ fits. Nothing better for an invalid than rest for his frame,
+ and here are rest and frame in one. Given these (or, if not
+ "given," purchased), and a patent indelible-ink-lead pencil
+ (whose patent I don't know, as, with much use, the
+ gold-lettering is almost obliterated from mine, and all I can
+ make out is the word "Eagle"), and the convalescent author may
+ do all his work in comfort, without mess or muddle; and hereto,
+ once again, I set my hand and seal, so know all men by these
+ presents, all to the contrary nevertheless and notwithstanding.
+ B. DE B.-W.</p>
+ <hr />
+
+ <h2>GREEN PASTURES <i>OR</i> PICCADILLY?</h2>
+
+ <h4><i>To the Editor.</i></h4>
+
+ <div class="figright"
+ style="width:17%;">
+ <a href="images/137-2.png"><img width="100%"
+ src="images/137-2.png"
+ alt="Suburbanite." /></a>
+ </div>
+
+ <p>Sir,&mdash;I see that you have opened your columns to a
+ discussion of the relative advantages of life in London and the
+ Suburbs. I don't think that really the two can be compared. If
+ you want <i>perfect quietude</i> can you get it better than in
+ a place where, between nine and six, not a single male human
+ being is visible, all of them being in town? Some people may
+ call this dull; but I like it. Then everything is so cheap in
+ the Suburbs! I only pay &pound;100 a year for a nice house in a
+ street, with a small bath-room, and a garden quite as large as
+ a full-sized billiard-table. People tell me I could get the
+ same thing in London, but of course a suburban street must be
+ nicer than a London one. We are just outside the Metropolitan
+ main drainage system, and our death-rate is rather heavy, but
+ then our rates are light. My butcher only charges me
+ one-and-twopence a pound for best joints, and though this is a
+ little dearer than London, the meat is probably more wholesome
+ from being in such good air as we enjoy. In wintertime the
+ journey to town, half-an-hour by train, has a most bracing
+ effect on those capable of bearing severe cold. For the rest,
+ the incapables are a real blessing to those who sell
+ mustard-plasters and extra-sized pocket-handkerchiefs. Our
+ society is so select and refined that I verily believe
+ Belgravia can show nothing like it! Yours obediently,</p>
+
+ <p>FAR FROM THE MADDING CROWD.</p>
+ <hr class="short" />
+
+ <p>Sir,&mdash;The Suburbs are certainly delightful, if you have
+ a good train service; but this you seldom get. I do not
+ complain of our Company taking three-quarters of an hour to
+ perform the distance of eight and a half miles to the City, as
+ this seems a good, average suburban rate, but I do think the
+ "fast" train (which performs the distance in that time) might
+ start a little later than 8.30 A.M. Going in to business at
+ 10.30 by an "ordinary" train, which stops at sixteen stations,
+ and takes an hour and a half, becomes after a time rather
+ monotonous. It involves a painful "Rush in Urbe" to get through
+ business in time to catch the 4.30 "express" back, a train
+ which (theoretically) stops nowhere.</p>
+
+ <p>COUNTRY CUSSIN'.</p>
+ <hr class="short" />
+
+ <p>Sir,&mdash;No more London for me! I've tried it, and know
+ what it's like. I have found a delightful cottage, twenty miles
+ from town, and mean to live in it always. Do we ever have one
+ of your nasty yellow fogs here? Never! Nothing more than a
+ thick white mist, which rises from the fields and envelopes the
+ house every night. It is true that several of our family
+ complain of rheumatism, and when I had rheumatic fever myself a
+ month ago, I found it a little inconvenient being six miles
+ from a doctor and a chemist's shop. But then my house is so
+ picturesque, with an Early English wooden porch (which can be
+ kept from falling to pieces quite easily by hammering a few
+ nails in now and then, and re-painting once a week), and no end
+ of gables, which only let the water into the bedrooms in case
+ of a <i>very</i> heavy shower. Then think of the delights of a
+ garden, and a field (for which I pay &pound;20 a year, and
+ repair the hedges), and chickens! I don't think I have spent
+ more than &pound;50 above what I should have done in London,
+ owing to the necessity of fitting up chicken-runs and buying a
+ conservatory for my wife, who is passionately fond of flowers.
+ Unfortunately my chickens are now moulting, and decline to lay
+ again before next March; so I bring back fresh eggs from town,
+ and, as my conservatory is not yet full, flowers from Covent
+ Garden; and I can assure you that, until you try it, you cannot
+ tell the amount of pleasure and exercise which walking a couple
+ of miles (the distance of my cottage from the station), laden
+ with groceries and other eatables, can be made to afford. Yours
+ chirpily,</p>
+
+ <p>FIELD-FARE.</p>
+ <hr />
+
+ <p>GOOD FOR SPORT!&mdash;A well-known chartered accountant,
+ with a vulpine patronymic, complains of the unkind treatment he
+ recently received in Cologne at the hands of the German police.
+ He should be consoled by the thought, that his persecution
+ marked in those latitudes the introduction of Fox-hunting.</p>
+ <hr />
+ <span class="pagenum"><a name="page138"
+ id="page138"></a>[pg 138]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/138.png"><img width="100%"
+ src="images/138.png"
+ alt="" /></a>
+
+ <h3>YANKEE EXCLUSIVENESS.</h3>
+
+ <p><i>Young Britisher</i>. "YOUR FATHER'S NOT WITH YOU
+ THEN, MISS VAN TROMP?"</p>
+
+ <p><i>Fair New York Millionnairess</i> (<i>one of
+ three</i>). "WHY, NO&mdash;PA'S MUCH TOO VULGAR! IT'S AS
+ MUCH AS WE CAN DO TO STAND MA!"</p>
+ </div>
+ <hr />
+
+ <h2>THE QUICKSAND!</h2>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Is this the Eagle-hunter,</p>
+
+ <p>The valiant fate-confronter,</p>
+
+ <p>The soldier brave, and blunter</p>
+
+ <p class="i2">Of speech than BISMARCK's self?</p>
+
+ <p>This bungler all-disgracing,</p>
+
+ <p>This braggart all-debasing.</p>
+
+ <p>This spurious sportsman, chasing</p>
+
+ <p class="i2">No nobler prey than pelf?</p>
+ </div>
+
+ <div class="stanza">
+ <p>The merest "fly in amber,"</p>
+
+ <p><i>He</i> after eagles clamber?</p>
+
+ <p>Nay, faction's ante-chamber</p>
+
+ <p class="i2">Were fitter place for him,</p>
+
+ <p>A trifler transitory,</p>
+
+ <p>To gasconade of "glory"!</p>
+
+ <p>He'd foul fair France's story,</p>
+
+ <p class="i2">Her lustre pale and dim.</p>
+ </div>
+
+ <div class="stanza">
+ <p><i>Les Coulisses?</i> Ah, precisely!</p>
+
+ <p>They suit his nature nicely,</p>
+
+ <p>Who bravely, nobly, wisely,</p>
+
+ <p class="i2">Can hardly even "act."</p>
+
+ <p><i>Histrio</i> all <i>blague</i> and blather,</p>
+
+ <p>Is it not pity, rather,</p>
+
+ <p>One Frenchman should foregather</p>
+
+ <p class="i2">With him in selfish pact?</p>
+ </div>
+
+ <div class="stanza">
+ <p>In selfish pact&mdash;but silly.</p>
+
+ <p><i>His</i> neighbouring, willy-nilly,</p>
+
+ <p>Must smirch the Bee, the Lily,</p>
+
+ <p class="i2">Or stain the snow-white flag.</p>
+
+ <p>Wielder of mere stage-dagger,</p>
+
+ <p>Loud lord of empty swagger,</p>
+
+ <p>In peril's hour a lagger.</p>
+
+ <p class="i2">A Paladin of Brag!</p>
+ </div>
+
+ <div class="stanza">
+ <p>And now his venture faileth,</p>
+
+ <p>And now his valour paleth;</p>
+
+ <p><i>Et apr&egrave;s?</i> What availeth</p>
+
+ <p class="i2">His aid to those who'd use him?</p>
+
+ <p>Imperial or Royal,</p>
+
+ <p>What "patron" will prove loyal</p>
+
+ <p>Unto this "dupe"? They'll joy all</p>
+
+ <p class="i2">To mock, expose, abuse him!</p>
+ </div>
+
+ <div class="stanza">
+ <p>But from the contest shrinking,</p>
+
+ <p>The draught of failure drinking,</p>
+
+ <p>In trickery's quicksand sinking,</p>
+
+ <p class="i2">Pulls he not others down?</p>
+
+ <p>Will PLON-PLON stand securely,</p>
+
+ <p>The COMTE pose proudly, purely,</p>
+
+ <p>Whilst slowly but most surely</p>
+
+ <p class="i2">Their tool must choke or drown?</p>
+ </div>
+
+ <div class="stanza">
+ <p>Indifferent France sits smiling.</p>
+
+ <p>And what avails reviling?</p>
+
+ <p>Such pitch without defiling</p>
+
+ <p class="i2">Can "Prince" or "Patriot" touch?</p>
+
+ <p>This quicksand unromantic</p>
+
+ <p>Closes on him, the Antic,</p>
+
+ <p>Whose hands with gestures frantic</p>
+
+ <p class="i2">Contiguous coat-tails clutch.</p>
+ </div>
+
+ <div class="stanza">
+ <p>The furious factions splutter,</p>
+
+ <p>Power's cheated claimants mutter,</p>
+
+ <p>And foiled fire-eaters utter</p>
+
+ <p class="i2">Most sanguinary threats.</p>
+
+ <p>"<i>He</i> Freedom's fated suckler?</p>
+
+ <p>The traitor, trickster, truckler!"</p>
+
+ <p>So fumes the fierce swash-buckler,</p>
+
+ <p class="i2">And his toy-rapier whets.</p>
+ </div>
+
+ <div class="stanza">
+ <p>But will that quicksand only</p>
+
+ <p>Engulph <i>him</i> lost and lonely?</p>
+
+ <p>The fraud exposed, the known lie,</p>
+
+ <p class="i2">The bribe at length betrayed,</p>
+
+ <p>Must whelm this sham detected,</p>
+
+ <p>But what may be expected</p>
+
+ <p>From "Honour" shame-infected,</p>
+
+ <p class="i2">And "Kingship" in the shade?</p>
+ </div>
+ </div>
+ <hr />
+
+ <h2>THE RAVENSTEIN.</h2>
+
+ <blockquote class="note">
+ <p>[Mr. RAVENSTEIN, at the British Association, considered
+ the question, how long it will be before the world becomes
+ over-populated.]</p>
+ </blockquote>
+
+ <p><i>Punch to the Prophet</i>.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Prophet of o'er-population, your ingenious
+ calculation,</p>
+
+ <p>Causeth discombobulation only in the anxious
+ mind</p>
+
+ <p>That forecasts exhausted fuel, or the period when
+ the duel</p>
+
+ <p>Will have given their final gruel to French
+ journalists; a kind</p>
+
+ <p>Of cantankerous, rancorous spitfires, blusterous,
+ braggart, boyish, blind,</p>
+
+ <p class="i2">Who much mourning scarce would find.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Prophet of o'er-population, when the centuries in
+ rotation</p>
+
+ <p>Shall have filled our little planet till it tends to
+ running o'er,</p>
+
+ <p>Will this world, with souls o'erladen, be a Hades or
+ an Aidenn?</p>
+
+ <p>Will man, woman, boy and maiden, be less civilised,
+ or more?</p>
+
+ <p><i>That's</i> the question, RAVENSTEIN! What boots a
+ billion, less or more,</p>
+
+ <p class="i2">If Man still is fool or boor?</p>
+ </div>
+
+ <div class="stanza">
+ <p>"Seek not to proticipate" is <i>Mrs. Gamp's</i> wise
+ maxim. Great is</p>
+
+ <p>Mankind's number <i>now</i>, but "take 'em as they
+ come, and as they go,"</p>
+
+ <p>Like the philosophic <i>Sairey</i>; and though the
+ sum total vary,</p>
+
+ <p>Other things may vary likewise, things we dream not,
+ much less know,</p>
+
+ <p>Don't you think, my RAVENSTEIN, our state ten
+ centuries hence or so</p>
+
+ <p class="i2">We may prudently&mdash;let go?</p>
+ </div>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page139"
+ id="page139"></a>[pg 139]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/139.png"><img width="100%"
+ src="images/139.png"
+ alt="" /></a>
+
+ <h3>THE QUICKSAND!</h3>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page141"
+ id="page141"></a>[pg 141]</span>
+
+ <div class="figcenter"
+ style="width:50%;">
+ <a href="images/141.png"><img width="100%"
+ src="images/141.png"
+ alt="" /></a>
+
+ <h3>PREPARING FOR BLACK MONDAY.</h3>
+
+ <p><i>Paterfamilias</i> (<i>reading School Report</i>).
+ "AH, MY BOY, THIS ISN'T SO GOOD AS IT MIGHT BE. 'LATIN
+ INDIFFERENT,' 'FRENCH POOR,' 'ARITHMETIC NOTHING'?"</p>
+
+ <p><i>Tommy.</i> "AH, BUT LOOK DOWN THERE, PAPA. '<i>HEALTH
+ EXCELLENT'!</i>"</p>
+ </div>
+ <hr />
+
+ <h2>TO A TRUMPETING DEMOCRAT.</h2>
+
+ <blockquote class="note">
+ <p>[MR. ANDREW CARNEGIE, the Iron King and millionnaire of
+ Pittsburg, has been addressing big audiences in Scotland.
+ Amongst his remarks were the following:&mdash;"It is said
+ that in America, although we have no aristocracy, we are
+ cursed with a plutarchy. Let me tell you about that. A man
+ who carries a million dollars on his back carries a
+ load.... When I speak against the Royal Family I do not
+ condescend to speak of the creatures who form the Royal
+ Family&mdash;persons are so insignificant.... We laugh at
+ your ideas in this petty little country having anything to
+ say to the free and independent citizens who walk through
+ Canada, Australia, and America. You know how to get rid of
+ a Monarchy. Brazil has taught you."&mdash;&amp;c.,
+ &amp;c.]</p>
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>CARNEGIE, pray take notice, since I know that it
+ would blister</p>
+
+ <p>The thin skin of a democrat, I drop the title
+ "Mr.,"</p>
+
+ <p>You have talked a lot of bunkum, all mixed up with
+ most terrific cant.</p>
+
+ <p>But you truly said that "persons are so very
+ insignificant;"</p>
+
+ <p>And the author of a speech I read, part scum and
+ partly dreggy,</p>
+
+ <p>Is perhaps the least significant&mdash;that windbag
+ named CARNEGIE.</p>
+
+ <p>But your kindness most appals me, Sir; how really,
+ truly gracious,</p>
+
+ <p>For one whose home is in the States, free, great,
+ and most capacious,</p>
+
+ <p>To come to poor old England (where the laws but make
+ the many fit</p>
+
+ <p>To lick a Royal person's boots), and all for
+ England's benefit.</p>
+
+ <p>To preach to us, and talk to us, to tell us how
+ effete we are,</p>
+
+ <p>How like a flock of silly sheep who merely baa and
+ bleat we are.</p>
+
+ <p>And how "this petty little land," which prates so
+ much of loyalty,</p>
+
+ <p>Is nothing but a laughing-stock to Pittsburg
+ Iron-Royalty.</p>
+
+ <p>How titles make a man a rake, a drunkard, and the
+ rest of it,</p>
+
+ <p>While plain (but wealthy) democrats in Pittsburg
+ have the best of it.</p>
+
+ <p>How, out in Pennsylvania, the millionnaires are
+ panting</p>
+
+ <p>(Though there's something always keeps them fat) for
+ monetary banting.</p>
+
+ <p>How free-born citizens complain, with many Yankee
+ curses,</p>
+
+ <p>Of fate which fills, in spite of them, their coffers
+ and their purses.</p>
+
+ <p>How, if the man be only poor, there's nothing that
+ can stop a cit</p>
+
+ <p>In Yankeeland, while here with us the case is just
+ the opposite.</p>
+
+ <p>How honest British working-men who fail to fill
+ their larder</p>
+
+ <p>Should sail for peace and plenty by the very next
+ Cunarder.</p>
+
+ <p>And how, in short, if Britishers want freedom gilt
+ with millions,</p>
+
+ <p>They can't do wrong to imitate the chivalrous
+ Brazilians.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Well, well, I know we have our faults, quite
+ possibly a crowd of them,</p>
+
+ <p>And sometimes we deceive ourselves by thinking we
+ are proud of them;</p>
+
+ <p>But we never can have merited that <i>you</i> should
+ set the law to us,</p>
+
+ <p>And rail at us, and sneer at us, and preach to us,
+ and "jaw" to us.</p>
+
+ <p>We're much more tolerant than some; let those who
+ hate the law go</p>
+
+ <p>And spout sedition in the streets of anarchist
+ Chicago;</p>
+
+ <p>And, after that, I guarantee they'll never want to
+ roam again,</p>
+
+ <p>Until they get a first-class hearse to take their
+ bodies home again.</p>
+ </div>
+
+ <div class="stanza">
+ <p>But stay, I've hit upon a plan: We'll, first of all,
+ relieve you</p>
+
+ <p>Of all your million dollars that so onerously grieve
+ you;</p>
+
+ <p>Then, if some loud, conceited fool wants taking down
+ a peg, he</p>
+
+ <p>Shall spend an hour or so in talk with democrat
+ CARNEGIE.</p>
+
+ <p>For all men must admit 'twould be an act of mere
+ insanity</p>
+
+ <p>To try to match this Pittsburger in bluster or in
+ vanity.</p>
+
+ <p>And oh, when next our Chancellor is anxious for a
+ loan, Sir,</p>
+
+ <p>He'll buy you in at our price, and he'll sell you at
+ your own, Sir.</p>
+
+ <p>And if you don't like English air, why, dash it, you
+ may lump it,</p>
+
+ <p>Or go and blow in other climes your most offensive
+ trumpet!</p>
+ </div>
+ </div>
+ <hr />
+
+ <h2>ROBERT UP THE RIVER.</h2>
+
+ <p>I atended on a Party larst week as went up the River (our
+ nice little Stream, as the aughty Amerrycanes calls it) to Ship
+ Lake, tho' why it's called so I coodn't at all make out, as
+ there ain't no Ship nor no Lake to be seen there, ony a werry
+ little Werry, and a werry littel River, and a werry littel
+ Hiland; and it was prinsepally to see how the appy yung Gents
+ who sumtimes lives on the same littel Hiland, in littel Tents,
+ was a gitting on, as injuced all on us, me and all, to go
+ there. It seems that for years parst quite a littel Collony of
+ yung Gents as gets their living in the grand old Citty has been
+ in the habit of spending their littel summer Hollydays there,
+ but, somehows or other, as I coodn't quite understand, the
+ master of the littel Hiland made up his mind for to sell it,
+ and all the yung Gents was in dispair, and wundered where on
+ airth they shood spend their Hollydays in future. But they
+ needn't have been afeard&mdash;there was a grand old
+ hinstitushun called "The Copperashun!" as had both their ears
+ and both their eyes open when they heard about it. So when the
+ time came for it to be sold, they jest quietly says to one of
+ their principel Chairmen (who is sich a King of Good Fellers
+ that they all calls him by that name, and he arnsers to it jest
+ as if it was the werry name as was guv him by his Godfathers
+ and his Godmothers, as I myself heard with my own ears), "Go
+ and buy it!" So off he goes at wunce and buys it, and the
+ kindly Copperashun Gents as I went with larst week, went to
+ take possesshun on it acordingly, and to see if anythink coud
+ be done to make the yung Campers-out ewen more cumferabel than
+ they ewer was afore! Ah, that's what I calls trew Pattriotizm,
+ and trew Libberality, if you likes, and that's what makes 'em
+ so much respeckted.</p>
+
+ <p>Our Gents was all considrably surprized at the lots of Tents
+ as was all a standing on Ship Lake Island; one on 'em, who was
+ got up quite in a naughtical style, said as he was estonished
+ to see so many on 'em pitched, but I think as he must ha' bin
+ mistaken, for I didn t see not none on 'em pitched, tho' I
+ dessay it might ha' been werry usefool in keeping out the rain
+ on a remarkabel wet night.</p>
+
+ <p>By sum mistake on sumboddy's part, there wasn't not no yung
+ Campers-out to receeve us, and so fears was hentertaned that
+ they wood have to cum again shortly; but they are bold plucky
+ gents, is the men of the Copperashun, and they one and all
+ xpressed their reddiness to do it at the call of dooty.
+ Besides, we had sich a reel Commodore a board as made us all
+ quite reddy to brave the foaming waves again. Why, he guv out
+ the word of command, whether it was to "Port the Helem," or to
+ "Titen the mane braces," as if he had bin a Hadmiral at the
+ werry least, and his galliant crew obeyed him without not no
+ grumbling or ewen thretening to strike!</p>
+
+ <p>By one of them striking and remarkabel ocurrences as happens
+ so offen, who shood we appen to find at Ship Lake, but one of
+ the werry poplarest of the Court of Haldermen, and what shood
+ he do but ask 'em all in to lunch at his splendid manshun, and
+ what shood they all do but jump at the hoffer, and what does he
+ do, for a lark, I serppose&mdash;if so be as a reel Poplar
+ Alderman ewer does have sich a thing as a lark&mdash;and give
+ 'em all sich a gloryous spread, as I owerheard one henergetick
+ Deperty describe it, as hutterly deprived 'em all of the power
+ of heating a bit of dinner till the werry next day, to which
+ time they wisely put it off, and then thorowly injoyed it.</p>
+
+ <p>In course, I'm not allowed to menshun not no names on these
+ conferdential ocasions, but I did hear "the Commodore" shout to
+ "the King" sumthink about "Hansum is as Hansum does," but it
+ was rayther too late in the heavening for me to be able to
+ quite unnerstand his elusions.</p>
+
+ <p>I am 'appy to be able to report that we every one on us
+ arrived in Town quite safe and quite happy, xcep sum of the
+ pore hard-working crew who are left at Marlow till further
+ orders. ROBERT.</p>
+ <hr />
+ <span class="pagenum"><a name="page142"
+ id="page142"></a>[pg 142]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/142.png"><img width="100%"
+ src="images/142.png"
+ alt="" /></a>
+
+ <h3>MEETING OF THE B.A. FOR THE ADVANCEMENT OF SCIENCE.
+ LEEDS TOWN-HALL.</h3>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page143"
+ id="page143"></a>[pg 143]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/143-1.png"><img width="100%"
+ src="images/143-1.png"
+ alt="" /></a>
+
+ <h3>FAIR PROPOSAL.</h3><i>Johnson</i> (<i>at
+ window&mdash;having offered to tame a vicious Horse for his
+ Friend</i>). "NOW, TOM, JUST COLLAR HOLD OF HIS HEAD, AND
+ I'LL PUT THE MUZZLE ON!"
+ </div>
+ <hr />
+
+ <h2>A SPORTING STYLE.</h2>
+
+ <h4>(<i>Third Example.</i>)</h4>
+
+ <p>Two examples of a correct sporting style have been already
+ laid before the public. For convenience of reference they may
+ be defined as the mixed-pugilistic and the insolent. There is,
+ however, a third variety, the equine, in which everyone who
+ aspires to wield the pen of a sporting reporter must
+ necessarily be a proficient. It may be well to warn a beginner
+ that he must not attempt this style until he has laid in a
+ large stock of variegated metaphoric expressions. As a matter
+ of fact one horse-race is very much like another in its main
+ incidents, and the process of betting against or in favour of
+ one horse resembles, more or less, the process of betting about
+ any other. The point is, however, to impart to monotonous
+ incidents a variety they do not possess; and to do this
+ properly a luxuriant vocabulary is essential. For instance, in
+ the course of a race, some horses tire, or, to put it less
+ offensively, go less rapidly than others. The reporter will say
+ of such a horse that he (1) "shot his bolt," or (2) "cried
+ <i>peccavi</i>," or (3) "cried a go," or (4) "compounded," or
+ (5) "exhibited signals of distress," or (6) "fired minute
+ guns," or (7) "fell back to mend his bellows," or (8) "seemed
+ to pause for reflection."</p>
+
+ <div class="figleft"
+ style="width:10%;">
+ <a href="images/143-2.png"><img width="100%"
+ src="images/143-2.png"
+ alt="" /></a>
+ </div>
+
+ <p>Again, in recording the upward progress of horses in the
+ betting market, it would be ridiculous to say of all of them
+ merely that they became hot favourites. Vary, therefore,
+ occasionally, by saying of one, for example, that "here was
+ another case of one being eventually served up warm"; of
+ another, that "plenty of the talent took 7 to 4 about
+ <i>Mousetrap</i>;" of a third, that "<i>Paradox</i> had the
+ call at 4 to 1;" and of a fourth, that "a heap of money, and
+ good money too, went on <i>Backslide</i>." After these
+ preliminary instructions, <i>Mr. Punch</i> offers his</p>
+
+ <p><i>Third Example</i>.&mdash;Event to be described: A
+ horse-race. Names of horses and jockeys, weights, &amp;c.,
+ supplied.</p>
+
+ <p>Considerable delay took place. <i>Little Benjy</i> made a
+ complete hole in his manners by bolting. Eventually, however,
+ the flag tell to a capital start. <i>Burglar Bill</i> on the
+ right cut out the work<a id="footnotetag1"
+ name="footnotetag1"></a><a href="#footnote1"><sup>1</sup></a>
+ from <i>Paladin</i>, who soon began to blow great guns, and
+ after a quarter of a mile had been negotiated yielded his
+ pride of place to <i>Cudlums</i> with <i>The P'liceman</i>
+ in attendance, <i>Sobriety</i> lying fourth, and <i>D.
+ T.</i> close behind. Thus they raced to the bend, where
+ <i>Burglar Bill</i> cried <i>peccavi</i>, and <i>Cudlums</i>
+ having shot her bolt, <i>Sobriety</i> was left in front,
+ only to be challenged by <i>Cropeared Sue</i>, who had been
+ coming through her horses with a wet sail. Bounding the bend
+ SIMPSON called upon <i>Mrs. Brady</i> and literally took tea
+ with her rivals,<a id="footnotetag2"
+ name="footnotetag2"></a><a href="#footnote2"><sup>2</sup></a>
+ whom he nailed to the counter one after another. The
+ favourite compounded at the distance, and <i>Mrs. Brady</i>
+ romped home the easiest of winners, four lengths ahead of
+ <i>Cropeared Sue</i>; a bad third. The rest were whipped in
+ by <i>Flyaway</i>, who once more failed to justify the
+ appellation bestowed upon him.</p>
+
+ <p><i>Mr. Punch</i> flatters himself that, upon the above
+ model, the report of any race-meeting could be accurately
+ constructed at home. In future, therefore, no reporter should
+ go to the expense of leaving London for Epsom, Newmarket,
+ Ascot, or Goodwood.</p>
+
+ <blockquote class="footnote">
+ <a id="footnote1"
+ name="footnote1"></a><b>Footnote 1:</b>
+ <a href="#footnotetag1">(return)</a>
+
+ <p>Note this sentence. It is essential.</p>
+ </blockquote>
+
+ <blockquote class="footnote">
+ <a id="footnote2"
+ name="footnote2"></a><b>Footnote 2:</b>
+ <a href="#footnotetag2">(return)</a>
+
+ <p>At first sight it would appear more natural that SIMPSON
+ (presumably a jockey) having called upon <i>Mrs. Brady</i>,
+ should take tea with <i>her</i> rather than with her
+ rivals. But a sporting style involves us in puzzles.</p>
+ </blockquote>
+ <hr />
+
+ <h2>A CENTENARIAN.</h2>
+
+ <blockquote>
+ <p>"This is the centenary of the tall hat."&mdash;<i>Daily
+ News</i>.</p>
+ </blockquote>
+
+ <div class="figright"
+ style="width:15%;">
+ <a href="images/143-3.png"><img width="100%"
+ src="images/143-3.png"
+ alt="Centenarian." /></a>
+ </div>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>A hundred years of hideousness,</p>
+
+ <p>Constricted brows, and strain, and stress!</p>
+
+ <p>And still, despite humanity's groan,</p>
+
+ <p>The torturing, "tall-hat" holds its own!</p>
+
+ <p>What proof more sure and melancholy</p>
+
+ <p>Of the dire depths of mortal folly?</p>
+
+ <p>Mad was the hatter who invented</p>
+
+ <p>The demon "topper," and demented</p>
+
+ <p>The race that, spite of pain and jeers,</p>
+
+ <p>Has borne it&mdash;for One Hundred Years!</p>
+ </div>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page144"
+ id="page144"></a>[pg 144]</span>
+
+ <h2>HAMLET AT THE VEGETARIAN CONGRESS.</h2>
+
+ <div class="figright"
+ style="width:30%;">
+ <a href="images/144-1.png"><img width="100%"
+ src="images/144-1.png"
+ alt="Hamlet at the Vegetarian Congress." /></a>
+ </div>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Yea, from the table of my dining-room,</p>
+
+ <p>I'll take away all tasty joints and
+ <i>entr&eacute;es</i>.</p>
+
+ <p>All sorts of meat, all forms of animal diet</p>
+
+ <p>That the carnivorous cook hath gathered there:</p>
+
+ <p>And, by commandment, will entirely live</p>
+
+ <p>Within the bounds of vegetable food,</p>
+
+ <p>Unmixed with savoury matters. Yes, by heaven!</p>
+
+ <p>O most pernicious Meat!</p>
+
+ <p>O Mutton, beef, and pork, digestion-spoiling!</p>
+
+ <p>My tables, my tables! Meat? I'll put it down;</p>
+
+ <p>For men may dine, and dine, and do no killing,</p>
+
+ <p>At least I'm sure it may be so&mdash;on lentils.</p>
+
+ <p>So, <i>gourmand</i>, there you are! Now to my
+ <i>menu</i>;</p>
+
+ <p>It is, "<i>All Vegetables and no Meat!</i>"</p>
+
+ <p>I have sworn't!</p>
+ </div>
+ </div>
+ <hr />
+
+ <h2>INTERVIEWING &Agrave; LA MODE.</h2>
+
+ <h4>(<i>Quite at the Service of some of Mr. Punch's
+ Contemporaries.</i>)</h4>
+
+ <p>One of our Representatives called a few days since upon Mr.
+ BROWN, senior member of the well-known firm of Messrs. BROWN,
+ JONES, AND ROBINSON. The Eminent General Dealer was seated "in
+ his counting-house," as the nursery-song hath it, "counting out
+ his money."</p>
+
+ <p>"Come in, come in!" said Mr. BROWN, cordially, as he
+ somewhat hurriedly looked up the coin in a safe out of our
+ reach. "I am delighted to see you."</p>
+
+ <p>"Glad to hear it," we replied, rather drily. "We want to put
+ a few questions to you, in the interest of the public."</p>
+
+ <p>"As many as you please. I am, as you know, a man of
+ business; still, the resources of our establishment are so
+ vast, that my place can be supplied without inconvenience to
+ our thousands, I may say millions of customers. And now, Sir,
+ what can I do for you?"</p>
+
+ <p>"Well, Mr. BROWN, speaking in the name of civilisation, I
+ would wish to ask you if you have much sale for SMASHUP's
+ Concentrated Essence of Cucumbers (registered), in the larger
+ bottles?"</p>
+
+ <p>"Yes, Sir, we have; although the smaller sizes are,
+ possibly, a trifle more popular."</p>
+
+ <p>"What do you think of COTTONBACK's Fleur de Lyons Putney
+ Satin?"</p>
+
+ <p>"A most admirable material for home wear, although we do not
+ recommend it for use at a party, a ball, or a reception. For
+ festive occasions we do a very large trade in GIGGLEWATER's
+ Superfine Velvet South American <i>Moir&eacute; Antique</i> as
+ advertised."</p>
+
+ <p>"Indeed! Perhaps, you can mention a few more articles that
+ in your judgment you believe it will interest our readers to
+ learn about."</p>
+
+ <p>"Pardon me, but don't you put that sentence a trifle
+ clumsily?"</p>
+
+ <p>Our Representative smiled and blushed. Then he admitted that
+ Mr. BROWN might be right.</p>
+
+ <p>"Ha! ha! ha!" laughed the Senior Partner, in great glee.
+ "You see I have my head screwed on the right way! But to answer
+ you. GOTEMON's Patent Alligator's Skin Braces are attracting
+ much attention just now, so is WIPE's Castle 2 Imperial William
+ Champagne, which finds (I may observe confidentially) a ready
+ sale at thirty-two shillings the dozen. Then there are AKE's
+ Electric Tooth-brushes, and CRAX's Stained-glass Solid Mahogany
+ Brass-mounted Elizabethan Mantel-boards. Then, of course, I
+ must not forget BOLTER's Washhandstands and BOUNDER's
+ Anti-agony Aromatic Pills."</p>
+
+ <p>"And all these articles sell largely?"</p>
+
+ <p>"Very largely, indeed. And so they should; for they are well
+ worth the money they cost."</p>
+
+ <p>"Indeed they are, or I should not find them in your
+ establishment."</p>
+
+ <p>"You are very good. And now, <i>&agrave; propos</i> of your
+ journal, will you permit me to pay a return compliment?"</p>
+
+ <p>"Certainly," we replied. "You have noticed an improvement in
+ our columns?"</p>
+
+ <p>"Unquestionably I have," returned Mr. BROWN, emphatically.
+ "I have observed that of late you have given much interesting
+ matter in the body of your paper that heretofore used to be
+ reserved for the pages exclusively devoted to advertisements. I
+ congratulate you!"</p>
+
+ <p>And with a courteous wave of his hand and a bow of
+ dismissal, the Eminent Pillar of Commerce delicately intimated
+ to us that our interview was at an end.</p>
+ <hr />
+
+ <h2>'ARRY ON THE SINCEREST FORM OF FLATTERY.</h2>
+
+ <div class="figright"
+ style="width:15%;">
+ <a href="images/144-2.png"><img width="100%"
+ src="images/144-2.png"
+ alt="" /></a>
+ </div>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>DEAR CHARLIE,&mdash;Your faviour to 'and in doo
+ course, as the quill-drivers say;</p>
+
+ <p>Likeways also the newspaper cuttins enclosed. You're
+ on Rummikey's lay.</p>
+
+ <p>Awful good on yer, CHARLIE, old chummy, to take so
+ much trouble for me;</p>
+
+ <p>But do keep on yer 'air, dear old pal; <i>I</i> am
+ still right end uppards, yer see.</p>
+ </div>
+
+ <div class="stanza">
+ <p>You are needled along of some parties,&mdash;er
+ course you ain't fly to their names,&mdash;</p>
+
+ <p>As has bin himitating Yours Truly. Way-oh! It's the
+ oldest o' games,</p>
+
+ <p>Himitation is, CHARLIE. It makes one think DARWIN
+ was right, anyhow,</p>
+
+ <p>And that most on us did come from monkeys, which
+ some ain't so fur from 'em now.</p>
+ </div>
+
+ <div class="stanza">
+ <p>You start a smart game, or a paying
+ one&mdash;something as knocks 'em, dear boy,</p>
+
+ <p>No matter, mate, whether it's mustard, or rhymes, or
+ a sixpenny toy;</p>
+
+ <p>They'll be arter you, nick over nozzle, the smuggers
+ of notions and nips,</p>
+
+ <p>For the mugs is as 'ungry for wrinkles as
+ broken-down bookies for tips.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Look at DICKENS, dear boy, and Lord
+ TENNYSON&mdash;ain't they bin copied all round?</p>
+
+ <p>Wy, I'm told some as liked ALFRED's verses at fust,
+ is now sick of the sound;</p>
+
+ <p>All along o' the parrots, my pippin. Ah, that's jest
+ the wust o' sech fakes!</p>
+
+ <p>People puke at the shams till they think the
+ originals ain't no great shakes.</p>
+ </div>
+
+ <div class="stanza">
+ <p>'Tain't fair, CHARLIE, not by a jugful, but anger's
+ all fiddle-de-dee;</p>
+
+ <p>They may copy my style till all's blue, but they
+ won't discombobulate me.</p>
+
+ <p>Names and metres is anyone's props; but of one thing
+ they don't get the 'ang;</p>
+
+ <p>They ain't fly to good patter, old pal, they ain't
+ copped the straight griffin on slang.</p>
+ </div>
+
+ <div class="stanza">
+ <p>'Tisn't grammar and spellin' makes patter, nor yet
+ snips and snaps of snide talk.</p>
+
+ <p>You may cut a moke out o' pitch-pine, mate, and
+ paint it, but can't make it walk.</p>
+
+ <p>You may chuck a whole Slang Dixionary by chunks in a
+ stodge-pot of chat,</p>
+
+ <p>But if 'tisn't <i>alive</i>, 'tain't chin-music, but
+ kibosh, and corpsey at that.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Kerrectness be jolly well jiggered! Street slang
+ isn't Science, dear pal,</p>
+
+ <p>And it don't need no "glossery" tips to hinterpret
+ my chat to my gal.</p>
+
+ <p>I take wot comes 'andy permiskus, wotever runs sliok
+ and fits in,</p>
+
+ <p>And when smugs makes me out a
+ "philolergist,"&mdash;snuffers! it do make me grin!</p>
+ </div>
+
+ <div class="stanza">
+ <p>Still there's fitness, dear boy, and unfitness, and
+ some of these jossers, jest now,</p>
+
+ <p>Who himitate 'ARRY's few letters with weekly
+ slapdabs of bow-wow,</p>
+
+ <p>'Ave about as much "fit" in their "slang" as a
+ slop-tailor's six-and-six bags.</p>
+
+ <p>No, Yours Truly writes only to you, and don't spread
+ <i>hisself</i> out in the Mags.</p>
+ </div>
+
+ <div class="stanza">
+ <p><i>Mister P.</i> prints my letters, occasional, once
+ in a while like, dear boy;</p>
+
+ <p>For patter's like love-letters, CHARLIE, too long
+ and too frequent, they cloy.</p>
+
+ <p>I agree there with <i>Samivel Veller</i>. My echoes
+ I've no wish to stop,</p>
+
+ <p>But I'd jest like to say 'tisn't <i>me</i> as is
+ slopping' all over the shop.</p>
+ </div>
+
+ <div class="stanza">
+ <p>It do give me the ditherums, CHARLIE, it makes me
+ feel quite quisby snitch,</p>
+
+ <p>To see the fair rush for a feller as soon as he's
+ found a good pitch.</p>
+
+ <p>Jest like anglers, old man, on the river; if one on
+ 'em spots a prime swim,</p>
+
+ <p>And is landing 'em proper, you bet arf the others'll
+ crowd about <i>him</i>.</p>
+ </div>
+
+ <div class="stanza">
+ <p>But there's law for the rodsters, I'm told, CHARLIE;
+ so many foot left and right;</p>
+
+ <p>And you'll see the punts spotted at distance, like
+ squodrons of troops at a fight.</p>
+
+ <p>But in Trade, Art, and Littery lines, CHARLIE,
+ 'anged if there's any fair play,</p>
+
+ <p>And the "cullerable himitation" is jest the disgrace
+ of the day.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Sech scoots scurryfunging around on the gay old
+ galoot, to go snacks</p>
+
+ <p>In the profits of other folks' notions, have put
+ you, old pal, in a wax.</p>
+
+ <p>Never mind their shenanigan, CHARLIE; it don't do
+ much hurt, anyhow;</p>
+
+ <p>I was needled a trifle at fust, but I'm pooty
+ scroodnoodleous now.</p>
+ </div>
+
+ <div class="stanza">
+ <p>I'm all right and a arf, mate, I am, and ain't
+ going' to rough up, no fear!</p>
+
+ <p>Becos two or three second-hand 'ARRIES is tipping
+ the public stale beer.</p>
+
+ <p>The old tap'll turn on now and then, not too often,
+ and as for the rest,</p>
+
+ <p>The B.P. has a taste for sound tipple, and knows
+ when it's served with the best.</p>
+ </div>
+
+ <div class="stanza">
+ <p>If mine don't 'old its own on its merits, then
+ way-oh! for someone's as does!</p>
+
+ <p>All cop and no blue ain't my motter; that's all
+ tommy-rot and buz-wuz.</p>
+
+ <p>The pace of a yot must depend on her lines and the
+ canvas she'll carry;</p>
+
+ <p>If rivals can crowd on more sail, wy they're welcome
+ to overhaul 'ARRY.</p>
+ </div>
+ </div>
+ <hr />
+
+ <p>NOTICE.&mdash;Rejected Communications or Contributions,
+ whether MS., Printed Matter, Drawings, or Pictures of any
+ description, will in no case be returned, not even when
+ accompanied by a Stamped and Addressed Envelope, Cover, or
+ Wrapper. To this rule there will be no exception.</p>
+ <hr class="full" />
+
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 12466 ***</div>
+</body>
+</html>
diff --git a/12466-h/images/133-1.png b/12466-h/images/133-1.png
new file mode 100644
index 0000000..b344b12
--- /dev/null
+++ b/12466-h/images/133-1.png
Binary files differ
diff --git a/12466-h/images/133-2.png b/12466-h/images/133-2.png
new file mode 100644
index 0000000..cb3d56e
--- /dev/null
+++ b/12466-h/images/133-2.png
Binary files differ
diff --git a/12466-h/images/134-1.png b/12466-h/images/134-1.png
new file mode 100644
index 0000000..d9d4272
--- /dev/null
+++ b/12466-h/images/134-1.png
Binary files differ
diff --git a/12466-h/images/134-2.png b/12466-h/images/134-2.png
new file mode 100644
index 0000000..098b7b9
--- /dev/null
+++ b/12466-h/images/134-2.png
Binary files differ
diff --git a/12466-h/images/134-3.png b/12466-h/images/134-3.png
new file mode 100644
index 0000000..0bae23e
--- /dev/null
+++ b/12466-h/images/134-3.png
Binary files differ
diff --git a/12466-h/images/134-4.png b/12466-h/images/134-4.png
new file mode 100644
index 0000000..043c7e0
--- /dev/null
+++ b/12466-h/images/134-4.png
Binary files differ
diff --git a/12466-h/images/135.png b/12466-h/images/135.png
new file mode 100644
index 0000000..fa06991
--- /dev/null
+++ b/12466-h/images/135.png
Binary files differ
diff --git a/12466-h/images/136.png b/12466-h/images/136.png
new file mode 100644
index 0000000..88b10b5
--- /dev/null
+++ b/12466-h/images/136.png
Binary files differ
diff --git a/12466-h/images/137-1.png b/12466-h/images/137-1.png
new file mode 100644
index 0000000..ccdf28c
--- /dev/null
+++ b/12466-h/images/137-1.png
Binary files differ
diff --git a/12466-h/images/137-2.png b/12466-h/images/137-2.png
new file mode 100644
index 0000000..44748e1
--- /dev/null
+++ b/12466-h/images/137-2.png
Binary files differ
diff --git a/12466-h/images/138.png b/12466-h/images/138.png
new file mode 100644
index 0000000..3d2b0d1
--- /dev/null
+++ b/12466-h/images/138.png
Binary files differ
diff --git a/12466-h/images/139.png b/12466-h/images/139.png
new file mode 100644
index 0000000..00c878a
--- /dev/null
+++ b/12466-h/images/139.png
Binary files differ
diff --git a/12466-h/images/141.png b/12466-h/images/141.png
new file mode 100644
index 0000000..1fadd63
--- /dev/null
+++ b/12466-h/images/141.png
Binary files differ
diff --git a/12466-h/images/142.png b/12466-h/images/142.png
new file mode 100644
index 0000000..ef76a58
--- /dev/null
+++ b/12466-h/images/142.png
Binary files differ
diff --git a/12466-h/images/143-1.png b/12466-h/images/143-1.png
new file mode 100644
index 0000000..5f6ff6d
--- /dev/null
+++ b/12466-h/images/143-1.png
Binary files differ
diff --git a/12466-h/images/143-2.png b/12466-h/images/143-2.png
new file mode 100644
index 0000000..9d456f7
--- /dev/null
+++ b/12466-h/images/143-2.png
Binary files differ
diff --git a/12466-h/images/143-3.png b/12466-h/images/143-3.png
new file mode 100644
index 0000000..53bbc17
--- /dev/null
+++ b/12466-h/images/143-3.png
Binary files differ
diff --git a/12466-h/images/144-1.png b/12466-h/images/144-1.png
new file mode 100644
index 0000000..acabff7
--- /dev/null
+++ b/12466-h/images/144-1.png
Binary files differ
diff --git a/12466-h/images/144-2.png b/12466-h/images/144-2.png
new file mode 100644
index 0000000..49df8af
--- /dev/null
+++ b/12466-h/images/144-2.png
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..34162fb
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #12466 (https://www.gutenberg.org/ebooks/12466)
diff --git a/old/12466-8.txt b/old/12466-8.txt
new file mode 100644
index 0000000..27b08f3
--- /dev/null
+++ b/old/12466-8.txt
@@ -0,0 +1,1755 @@
+The Project Gutenberg EBook of Punch, Or The London Charivari, Vol. 99.,
+September 20, 1890, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, Or The London Charivari, Vol. 99., September 20, 1890
+
+Author: Various
+
+Release Date: May 28, 2004 [EBook #12466]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOL. 99 ***
+
+
+
+
+Produced by Malcolm Farmer, William Flis, and the Online Distributed
+Proofreading Team.
+
+
+
+
+
+PUNCH,
+
+OR THE LONDON CHARIVARI.
+
+VOL. 99.
+
+
+
+September 20, 1890.
+
+
+
+
+OUT FOR ANOTHER HOLIDAY.
+
+(_BY OUR IMPARTIAL AND NOT-TO-BE-BIASSED CRITIC._)
+
+[Illustration]
+
+I had been told that Ostend was an excellent place. "Quite a Town of
+Palaces!" was the enthusiastic description that had reached me. So I
+determined to leave "Delicious Dover" (as the holiday Leader-writer
+in the daily papers would call it), and take boat for the Belgian
+coast. The sea was as calm as a lake, and the sun lazily touched up
+the noses of those who slumbered on the beach. There is an excellent
+service of steamers between England and Belgium. This service has
+but one drawback--a slight one: the vessels have a way with them
+of perpetrating practical jokes. Only a week or so ago one lively
+mail-carrier started prematurely, smashing a gangway, and dropping a
+portmanteau quietly into the ocean. On my return from foreign shores,
+I passed the same cheerful ship lying in mid-channel as helpless as an
+infant. However, the accident (something, I fancy, had gone wrong with
+the engines) appeared to be treated as more amusing than important.
+Still, perhaps, it would be better were the name of this luckless boat
+changed to _Le Farceur_; then travellers would know what to expect.
+But I must confess that my experiences were perfectly pleasant. The
+steamer in which I journeyed crossed the Channel in the advertised
+time, and if I wished to be hypercritical, I would merely hint that
+the official tariff of the refreshments sold on board is tantalising.
+When I wanted cutlets, I was told they were "off," and when I asked
+for "cold rosbif," that was "off" too. The _garçon_ (who looked more
+like a midshipman than a cabin-boy) took ten minutes to discover this
+fact. And as I had to rely upon him for information, I had to wait
+even longer before the desired (or rather undesired) intelligence was
+conveyed to me. I pride myself upon caring nothing about food, but
+this failure to obtain my heart's (or thereabouts') yearning caused me
+sore annoyance.
+
+Well, I reached Ostend. The town of palaces contained a Kursaal and a
+Casino. There were also a number of large hotels of the King's Road,
+Brighton, _plus_ Northumberland Avenue type. Further, there were
+several _maisons meublées_ let out in flats, and (to judge from the
+prices demanded and obtained for them) _to_ flats. The _suite_ of
+apartments on the ground floor consisted of a small bed-room, a tiny
+drawing-room, and a balcony. The balcony was used, as a _salle à
+manger_ in fine weather, and a place for the utterance of strong
+expressions (so I was informed) when the rain interfered with _al
+fresco_ comfort. There was a steam tramway, and some bathing-machines
+of the springless throw-you-down-when-you-least-expect-it sort. The
+streets, omitting the walk in front of the sea, were narrow, and the
+shops about as interesting as those at the poorer end of the Tottenham
+Court Road. But these were merely details, the pride of Ostend being
+the Kursaal, which reminded me of an engine-house near a London
+terminus. I purchased a ticket for the Kursaal and the Casino. There
+was to be a concert at the first and a ball at the last. I soon had
+enough of the concert, and started for the ball.
+
+It was then that I found a regulation in force that made my cheeks
+tingle with indignation as an Englishman. Although the tickets
+costing three francs a piece, were said to secure admittance to the
+Kursaal and the Casino, I noticed that children--good and amiable
+children--were not allowed to enter the latter place. I could
+understand the feelings of a gentleman who attempted to obtain access
+for his eldest lad--a gallant boy of some fourteen summers, and a
+baker's dozen of winters. My heart went out to that British Father
+as he disputed with the Commissaires at the doorway, and called the
+attention of the Representative of "the Control" to the fact that
+his _billet_ was misleading. "You are an Englishman," said the
+Representative of the Control, "and the English observe the law."
+"Yes," returned the angry Father; "but in England the Law would
+support one in obtaining that for which one had paid. My son has
+paid for admission to the Kursaal and the Casino! He is refused
+admittance to the Casino, therefore this ticket of his spreads false
+intelligence! It is a liar! It is a miserable! It should be called the
+traitor ticket!" But all was useless. The gallant lad had to remain
+with the umbrellas! I could not help sympathising with that father.
+I could not refrain from agreeing with him, that where such a thing
+was possible, something must be entirely wrong. I could not deny that
+under the circumstances Ostend was a sham, a delusion, and a snare!
+When he observed that Ostend was grotesquely expensive, I admitted
+that he was right. When he said that it was not a patch upon Boulogne
+or Dieppe, I again acquiesced. When he asserted that every English
+tourist would be wise to avoid the place, I acknowledged that there
+was the genuine ring of truth in his declaration. When he appealed to
+me, as a dispassionate observer, to say whether I did not consider the
+conduct of the authorities arbitrary, unjust, and absurd, I was forced
+to admit that I _did_ consider that conduct absolutely indefensible.
+Lastly, when he announced that he intended never to say another word
+in praise of Ostend, I confessed that I had come in my own mind to the
+same determination.
+
+P.S.--I may add that I was accompanied by my son, who was also refused
+admittance. But this is a matter of purely personal interest, and has
+nothing whatever to do with it.
+
+ * * * * *
+
+THE CACHET OF CASH AT DRURY LANE.
+
+[Illustration: Medal found in the Neighbourhood of Drury Lane.]
+
+_A Million of Money_, "a new military, sporting, and spectacular
+Drama," is a marvel of stage management. No better things than the
+_tableaux_ of the Derby Day, the grounds of the Welcome Club, and the
+departure of the Guards from Wellington Barracks for foreign parts
+have been seen for many a long year. In such a piece the dialogue is
+a matter of secondary consideration, and even the story is of no great
+importance. That the plot should remind one of Drury Lane successes
+in the past is not surprising, considering that one of the authors
+(who modestly places his name second on the programme, when everyone
+feels that it should come first) has been invariably associated with
+those triumphs of scenic art. AUGUSTUS DRURIOLANUS has beaten his
+own record, and the _Million of Money_ so lavishly displayed behind
+the scenes, is likely to be rivaled by the takings in front of the
+Curtain--or to be more exact, at the Box-office. The Authors, in more
+senses than one, have carried money into the house. But they have done
+more--they have inculcated a healthy moral. While Mr. HENRY ARTHUR
+JONES is teaching audiences a lessen in _Judah_, that would have
+received the enthusiastic approval of the philanthropic Earl of
+SHAFTESBURY, after whom Shaftesbury Theatre is, no doubt, called, the
+great HARRIS and the lesser PETTIT are showing us in the character of
+the _Rev. Gabriel Maythorne_, a Parson that would as certainly have
+secured the like hearty good-will at the same shadowy hands. The Rev.
+Gentleman is a clergyman that extorts the admiration of everyone
+whose good opinion is worth securing. He apparently is a "coach,"
+and (seemingly) allows his pupils so much latitude that one of them,
+_Harry Dunstable_ (Mr. WARNER), is able to run up to town with his
+(the Reverend's) daughter secretly, marry her, and stay in London for
+an indefinite period. And he (the Parson) has no absurd prejudices--no
+narrow-mindedness. He goes to the Derby, where he appears to be
+extremely popular at luncheon-time amongst the fair ladies who
+patronise the tops of the drags, and later on becomes quite at home
+at an illuminated _fête_ at the Exhibition, amidst the moonlight, and
+a thousand additional lamps. It is felt that the Derby is run with
+this good man's blessing; and everyone is glad, for, without it, in
+spite of the horses, jockeys, carriages, acrobats, gipsies, niggers,
+grooms, stable-helps, and pleasure-seekers, the _tableau_ would be
+æsthetically incomplete. And the daughter of the Reverend is quite as
+interesting as her large-hearted sire. She, too, has no prejudices (as
+instance, the little matrimonial trip to London); and when she has to
+part with her husband, on his departure (presumably _en route_ to the
+Bermudas), she requires the vigorous assistance' of a large detachment
+of Her Majesty's Guards to support her in her bereavement. Of the
+actors, Mr. CHARLES GLENNEY, as a broken-down gentleman, is certainly
+the hero of the three hours and a half. In Act III., on the night
+of the first performance, he brought down the house, and received
+two calls before the footlights after the Curtain had descended.
+He has many worthy colleagues, for instance, Mr. HARRY NICHOLLS,
+Miss MILLWARD, Mr. CHARLES WARNER, and Miss FANNY BROUGH, are all
+that could be desired in their respective lines. But, well cast as
+it undoubtedly is, the play has vitality within it that does not
+depend for existence upon the efforts of the company. It is good all
+round--scenery, dresses, properties, and effects--and will keep its
+place at Drury Lane until dislodged by the Pantomime at Christmas.
+
+ * * * * *
+
+CHANGE OF NAME À LA SUISSE.--Tessin and its quarrelsome inhabitants
+to be known in future as a Can't-get-on instead of a Canton.
+
+ * * * * *
+
+MORE FROM OUR YOTTING YORICK.
+
+[Illustration: Swedish Politeness.]
+
+STOCKHOLM approached by lovely river (that is, we approached Stockholm
+by lovely river), with banks and hills covered with pine and birch
+trees, and studded with villas, where the Stockholm people live away
+from the town. "Studded" is a good word, but phrase sounds too much
+like "studied with SASS," as so many of our best artists did. Lovely
+for boating. Why don't the Swedes row? _They don't._ Lots of islands,
+and everybody as jolly as sand-boys, especially on Sanday. By the way,
+what's a "sand-boy"? Why _toujours_ jolly?
+
+Stockholm a stunning place, all built round a huge palace, copy of
+the Pitti Palace in Florence. Lifts to take the people up-hill, and a
+circular tramway all round the town for one penny. Lots of soldiers in
+uniforms like Prussians or Russians, whichever you like. Such swagger
+policemen, all tall and handsome, with beautiful helmets and lovely
+coats. What would an English cook say to them?
+
+Cathedral with tombs of GUSTAVUS VASA, GUSTAVUS ADOLPHUS, and
+BERNADOTTE. What was BERNADOTTE doing here? Didn't like to ask. Piled
+up with kettledrums and flags taken from the Russians. I noticed in
+Russia their churches were equally piled up with drums and flags taken
+from the Swedes. Exchange is no robbery.
+
+[Illustration: Snack Sideboard. "Lax and Snax."]
+
+Lunch. First view of the Swedish snacks before lunch and dinner. A
+side-table with caviare Lax, cut reindeer tongue, sausages, brown
+bread, prawns, kippered herrings, radishes, sardines, crawfish,
+cheeses. Should spell it "Lax and Snax." Three silver tubs of
+spirit--Pommerans, Renadt, and Kummin--tried 'em all. All good. "We
+had a good time--Kummin." The Kummin was goin',--rather. Ceiling of
+_restaurant_ all mirrors--self keeping an eye on self.
+
+National Museum. Splendid collection. Stone, bronze, and iron periods.
+Poor pictures. No end of palaces to see, till one is sick of 'em.
+
+[Illustration: Fête in Honour of the Poet Bellman.]
+
+Swedes have a poet, BELLMAN, evidently who wrote Bacchanalian songs.
+They have a national holiday on July the 26th, and go to _Fête_ in
+a Wood, where bronze head of BELLMAN is, cover it with garlands and
+roses, and sing and have a good time before it, just like an old Greek
+offering to Bacchus. I saw it. And in the evening a _fête_ where
+they carry a child got up as Bacchus, and seated on a barrel with a
+wine-cup. A regular jolly drinking procession. They have a wonderful
+open air _restaurant_ called The Hasselbacken, where you dine in
+delightful little green arbours, and lots of Swedish girls about.
+Capital dinners, A 1 wine, and first-rate music with full band. No
+charge to go in; you pay before leaving, though. Very good waiting.
+
+[Illustration: Dinner in the Arbour.]
+
+The Swedes are very polite, and take their hats off on the slightest
+provocation, and keep them off a long time, specially whilst talking
+to a lady. When talking to _two_ ladies, of course they keep 'em off
+double the time.
+
+Altogether a delightful place. But they all say you should come in the
+_winter_. Wish I could. FLOTSAM, Y.A.
+
+P.S.--The Swedish girls are as a rule very handsome. Tall, with long
+legs. Men good-looking also.
+
+I can't very well do myself; I can "do myself" remarkably well, but I
+mean I cannot sketch myself in a cut; but _Mr. Punch_, in cuts I have
+done, is far more expressive than I can make anyone else.
+
+ * * * * *
+
+THE COMPLIMENTS OF THE SEASON (_with Mr. Punch's kind regards_).--The
+most Popular of Colonial Strikers--Our illustrious guests, the
+Australian Cricketers.
+
+ * * * * *
+
+"WANTED!"
+
+WANTED, by a well-travelled lady, of æsthetic and refined tastes, a
+comfortable and congenial home with a Duchess. The Advertiser, who is
+a person of much intelligence, and a most agreeable gossip, regards
+her pleasant companionship as an equivalent for the social advantages
+(including carriage-drives, and an introduction to the very best
+society), for which she is prepared to offer the very handsome
+remuneration of ten shillings a week.
+
+ * * * * *
+
+HORSE WANTED.--Must have been placed in a recent Derby, and show a
+good racing record. Thoroughly sound in wind and limb, expected to
+be equal to carrying 13 stone in the Park, or to doing any work from
+a four-in-hand down to single harness in a hearse. On the advertiser
+being furnished with a suitable beast, he will be prepared to put
+down a five-pound note for him, payable by ten-shilling monthly
+instalments.
+
+ * * * * *
+
+HOME REQUIRED FOR AN INDIAN CHIEF.--The Advertiser, who has recently
+received a consignment of Savages from Patagonia, and has had to
+entertain their Monarch in his residence at Bayswater, as he is
+about to pay a four weeks' visit to the Continent, is anxious in
+the meantime to find a suitable home for him in some quiet suburban
+family, who would not object to some fresh and lively experience
+introduced into the routine of their domestic circle, in consideration
+for a small payment to defray the slight extra cost involved in his
+support. He will give little trouble, an empty attic furnished with a
+hearth-rug supplying him with all the accommodation he will require,
+while his food has hitherto consisted of tripe, shovelled to him on a
+pitchfork, and stout mixed with inferior rum, of which he gets through
+about a horse-pailful a day. His chief recreation being a "Demon's
+War Dance," in which he will, if one be handy, hack a clothes-horse to
+pieces with his "baloo," or two-edged chopper-axe, he might be found
+an agreeable inmate by an aged and invalid couple, who would relish a
+little unusual after-dinner excitement, as a means of passing away a
+quiet evening or two. Applicants anxious to secure the Chief should
+write at once. Three-and-sixpence a-week will be paid for his keep,
+which, supplying the place of the rum in his drink (which has been
+tried with effect) with methylated spirit mixed with treacle, affords
+an ample margin for a handsome profit on the undertaking.
+
+ * * * * *
+
+[Illustration: MUCH MORE SUITABLE.
+
+NEW UNIFORM FOR HER MAJESTY'S HORSE GUARDS, SUGGESTED TO MR. PUNCH BY
+RECENT CAVALRY EVOLUTIONS ON THE THAMES.]
+
+ * * * * *
+
+DEVELOPMENT.
+
+(_WITH ACKNOWLEDGMENTS TO THE AUTHOR OF "PATIENCE."_)
+
+ ["Even a colour-sense is more important in the development
+ of the individual than a sense of right and wrong."--OSCAR
+ WILDE.]
+
+ If you're anxious to develop to a true hedonic "swell," hop on a
+ pinnacle apart,
+ Like a monkey on a stick, and your phrases quaintly pick, and then
+ prattle about Art.
+ Take some laboured paradoxes, and, like Samson's flaming foxes, let
+ them loose amidst the corn
+ (Or the honest commonplaces) of the Philistines whose graces you
+ regard with lofty scorn.
+ And every one will say,
+ As you squirm your wormy way,
+ "If this young man expresses himself in terms that stagger _me_,
+ What a very singularly smart young man this smart young man must be!"
+
+ You may be a flabby fellow, and lymphatically yellow, that will
+ matter not a mite.
+ If you take yourself in hand, in a way you'll understand, to become
+ a Son of Light.
+ On your crassness superimposing the peculiar art of glosing in sleek
+ phrases about Sin.
+ If you aim to be a Shocker, carnal theories to cocker is _the_ best way
+ to begin.
+ And every one will say,
+ As you worm your wicked way,
+ "If that's allowable for _him_ which were criminal in _me_,
+ What a very emancipated kind of youth this kind of youth must be."
+
+ Human virtues you'll abhor all, and be down upon the Moral in
+ uncompromising style.
+ Your critical analysis will reduce to prompt paralysis every _motor_
+ that's not vile.
+ You will show there's naught save virtue that can seriously hurt you,
+ or your liberty enmesh;
+ And you'll find excitement, plenty, in Art's _dolce far niente_, with a
+ flavour of the flesh.
+ And every one will say,
+ As you lounge your upward way,
+ "If he's content with a do-nothing life, which would certainly not
+ suit _me_.
+ What a most particularly subtle young man this subtle young man must be!"
+
+ Then having swamped morality in "intensified personality" (which,
+ of course, must mean your own),
+ And the "rational" abolished and "sincerity" demolished, you will
+ find that you have _grown_
+ With a "colour-sense" fresh handselled (whilst the moral ditto's
+ cancelled) you'll develop into--well,
+ What Philistia's fools malicious might esteem a _vaurien_ vicious
+ (_alias_ "hedonic swell").
+ And every one will say,
+ As you writhe your sinuous way.
+ "If the highest result of the true 'Development' is decomposition,
+ why see
+ What a very perfectly developed young man this developed young man
+ must be."
+
+ With your perky paradoxes, and your talk of "crinkled ox-eyes," and
+ of books in "Nile-green skin."
+ That show forth unholy histories, and display the "deeper mysteries"
+ of strange and subtle Sin.
+ You can squirm, and glose, and hiss on, and awake that _nouveau_
+ _frisson_ which is Art's best gift to life.
+ And "develop"--like some cancer (in the Art-sphere) whose best answer
+ is the silent surgeon's knife!
+ And every _man_ will say,
+ As you wriggle on your way,
+ "If 'emotion for the sake of emotion _is_ the aim of Art,' dear me!
+ What a morbidly muckily emotional young man the 'developed' young
+ man must be!"
+
+ * * * * *
+
+THE AMERICAN GIRL.
+
+ [An American Correspondent of _The Galignani Messenger_ is
+ very severe on the manners of his fair countrywomen.]
+
+[Illustration]
+
+ She "guesses" and she "calculates," she wears all sorts o' collars,
+ Her yellow hair is not without suspicion of a dye;
+ Her "Pappa" is a dull old man who turned pork into dollars.
+ But everyone admits that she's indubitably spry.
+
+ She did Rome in a swift two days, gave half the time to Venice,
+ But vows that she saw everything, although in awful haste;
+ She's fond of dancing, but she seems to fight shy of lawn-tennis,
+ Because it might endanger the proportions of her waist.
+
+ Her manner might be well defined as elegantly skittish;
+ She loves a Lord as only a Republican can do;
+ And quite the best of titles she's persuaded are the British,
+ And well she knows the Peerage, for she reads it through and through.
+
+ She's bediamonded superbly, and shines like a constellation,
+ You scarce can see her fingers for the multitude of rings;
+ She's just a shade too conscious, so it seems, of admiration,
+ With irritating tendencies to wriggle when she sings.
+
+ She owns she is "Amur'can," and her accent is alarming;
+ Her birthplace has an awful name you pray you may forget;
+ Yet, after all, we own "_La Belle Américaine_" is charming,
+ So let us hope she'll win at last her long-sought coronet.
+
+ * * * * *
+
+TIPS FROM THE TAPE.
+
+(_PICKED UP IN MR. PUNCH'S OWN SPECIAL CITY CORNER._)
+
+In my last I announced that I was busily giving my mind to the
+launching of a new "Combination Pool" over the satisfactory results
+of which to all concerned in it, under certain contingencies, I had no
+shadow of a doubt. This I have since managed to float on the market,
+and, though I worked it on a principle of my own, which, for want of
+a better description, I have styled amalgamated "Profit and Loss,"
+I regret to have to inform those clients who have entrusted me with
+their cheques in the hopes of getting, _as I really fully believed
+they would_, 700 per cent. for their money in three days, that I
+have had to close the speculation rather suddenly, and I fear, as the
+following illustrative figures will show in a fashion that not only
+deprives me of the pleasure of enclosing them a cheque for Profits,
+but obliges me to announce to them that their cover has disappeared.
+The Stocks with which I operated were "Drachenfonteim Catapults,"
+"Catawanga Thirty-fives," and "Blinker's Submarine Explosives." The
+ILLUSTRATION, I hoped, _would have stood as follows_:--
+
+ £100 invested in Drachenfonteim Catatpults,
+ showing profit of 1 per cent....£100
+
+ £100 invested in Catawanga Thirty-fives,
+ showing profit of 2½ per cent....£250
+
+ £300 invested in Blinker's Submarine Explosives,
+ showing profit of 3 per cent....£900
+
+ Gross Profits....£1250
+
+Unfortunately, however, the real figures came out rather differently,
+for they stood, I regret to say, as under:--
+
+ £100 invested in Drachenfonteim Catapults,
+ at a loss of 5 per cent....£500
+
+ £100 invested in Catawanga Thirty-fives,
+ at a loss of 7 per cent....£700
+
+ £300 invested in Blinker's Submarine Explosives,
+ at a loss of 4 per cent....£1200
+
+ Total loss....£2400
+
+This, I need scarcely say, has at present not only eaten up every
+halfpenny of cover, but a great deal besides; and I am not sure that I
+shall not have to come down on my clients to make good the balance. I
+cannot account for the result, except from the fact that a new clerk
+read out the wrong tape; and when I telephoned to my West-End Private
+Inquiry Agent about these very three Stocks, he appears not to have
+heard me distinctly, and thought I was asking him about Goschens, the
+old Three-per-Cents., and Bank Stock, about which, of course, he could
+only report favourably. It is an awkward mistake, but, as I point out
+to all my clients, one must not regard the Dealer as infallible. These
+things will occur. However, I am going to be more careful in future;
+and I may as well announce now, that on Monday next I am about to open
+a new Syndicate Combination Pool, with a Stock about which I have made
+the most thorough and exhaustive inquiries, with the result that I
+am convinced an enormous fortune will be at the command of anyone who
+will entrust me with a sufficiently large cheque in the shape of cover
+to enable me to realise it.
+
+For obvious reasons I keep the name of this Stock at present a dead
+secret. Suffice it to say, that the operation in question is connected
+with an old South-American Gold Mine, about to be reworked under the
+auspices of a new company who have bought it for a mere song. When I
+tell my clients that I have got all my information from the Chairman,
+_who took down under his greatcoat a carpet-bag full of crushed quartz
+carefully mixed with five ounces of gold nuggets_, and emptied this
+out at the bottom of a disused shaft, and then got a Yankee engineer
+to report the discovery of ore in "lumps as big as your fist," and
+state this in the new prospectus, they will at once see what a solid
+foundation I have for this new venture, which must inevitably fly
+upwards by leaps and bounds as soon as the shares are placed upon the
+market. Of course, when the truth comes out, there will be a reaction,
+but my clients may trust me to be on the look-out for that, and, after
+floating with all their investments to the top of the tide, to get
+out of the concern with enormous profits before the bubble eventually
+bursts. It is by a command of information of this kind that I hope to
+ensure the confidence and merit the support of my friends and patrons.
+Remember Monday next, and bear in mind a cheque for three-and-sixpence
+covers £5000. The subjoined is from my correspondence:--
+
+Sir,--I have as trustee for five orphan nieces to invest for each
+of them £3 18s. 9d., left them by a deceased maternal cousin. How
+ought I to invest this to the greatest advantage with a due regard
+to security. What do you say to Goschens? Or would you recommend Rio
+Diavolos Galvanics? These promise a dividend of 70 per cent., and
+although they have not paid one for some time, are a particularly
+cheap stock at the present market price, the scrip of the Five per
+Cent. Debenture Stock being purchased by a local butterman at seven
+pounds for a halfpenny. A Spanish Nobleman who holds some of this,
+will let me have it even cheaper. What would you advise me to do?
+Yours, &c. A TRUSTEE IN A FOG.
+
+Don't touch Goschens, they are not a speculative Stock. You certainly
+might do worse than the Rio Diavolos Galvanics. Do not hesitate, but
+put the little all of your five orphan nieces into them at once, and
+_wait for the rise_.
+
+ * * * * *
+
+ON THE CARDS.
+
+(_BY A WHIST-LOVING MALADE-IMAGINAIRE._)
+
+ Oh, where shall I hit on a "perfect cure"?
+ (What ails me I am not quite sure that I'm sure)
+ To Nice, where the weather is nice--with vagaries?
+ The Engadine soft or the sunny Canaries?
+ To Bonn or Wiesbaden? My doctor laconic
+ Declares that the Teutonic air is too tonic.
+ Shall I do Davos-Platz or go rove the Riviera?
+ Or moon for a month in romantic Madeira?
+ St. Moritz or Malaga, Aix, La Bourboule?
+ Bah! My doctor's a _farceur_ and I am--a fool.
+ I will _not_ try Switzerland, Norway, or Rome.
+ I'll go in for a rest and a rubber--at home.
+ A Windermere wander, _and_ Whist, I feel sure,
+ Will give what I'm seeking, a true "Perfect Cure."
+
+ * * * * *
+
+A BUBBLE FROM THE SUDS.--A Firm of Soap-boilers have been sending
+round a circular to "Dramatic Authors" of established reputation, and
+(no doubt) others, offering to produce gratis the best piece submitted
+to them at a "_Matinée_ performance at a West End Theatre." The only
+formality necessary to obtain this sweet boon is the purchase of a box
+of the Firm's soap, which will further contain a coupon "entitling
+the owner to send in one new and original play for reading." The idea
+that a Dramatic Author of any standing would submit his work to such a
+tribunal, even with the dazzling prospect of a _Matinée in futuro_, is
+too refreshing! However, as literary men nowadays fully appreciate the
+value of their labour, the idea, in spite of the soap with which it is
+associated, may be dismissed with the words, "Won't Wash!"
+
+ * * * * *
+
+OUR BOOKING-OFFICE.
+
+Why doesn't some publisher bring out _The Utterbosh Series_, for, upon
+my word, says the Baron, the greater part of the books sent in for
+"notice" are simply beneath it. Here's one on which I made notes as
+I went on, as far as I could get through it. It is called _Nemesis:
+a Moral Story_, by SETON CREWE. Its sole merit would have been its
+being in one volume, were it not that this form, being a bait to the
+unwary, aggravates the offence. The heroine is _Lucinda_, a milliner's
+apprentice. Being compromised by a young gentleman under age, who
+suddenly quits the country, she goes to confess her sin to the
+simple-minded Curate, who sees no way out of the difficulty except
+by marrying his penitent, which he does, and after the christening
+of her first-born, a joyous event that occurs at no great interval
+after the happy wedding-day, the Curate, the _Reverend Mr. Smith_,
+is transferred by his Bishop from this parish to somewhere else a
+considerable distance off, whence, after a variety of troubles, he
+goes abroad as a travelling watering-place clergyman. After this,
+his wife becomes a Roman Catholic for six months, and then developes
+into a thoroughpaced infidel of generally loose character. She takes
+up with a Lion Comique of the Music-Halls, who is summarily kicked
+down-stairs by the _Reverend Mr. Smith_ on his return home one
+evening. And at this point I closed the book, not caring one dump what
+became of any of the characters, or of the book, or of the writer,
+and unable to wait for the moral of this highly "moral story," which,
+I dare say, might have done me a great deal of good. So I turned to
+_Vanity Fair_, and re-read for the hundredth time, and with increased
+pleasure, the great scene where _Rawdon Crawley_, returning home
+suddenly, surprises _Becky_ in her celebrated _tête-à-tête_ with my
+_Lord Steyne_.
+
+[Illustration]
+
+With pleasure the Baron welcomes Vol. No. IV. of ROUTLEDGE's
+_Carisbrooke Library_, which contains certain _Early Prose Romances_,
+the first and foremost among them being the delightful fable of
+_Reynart the Fox_. Have patience with the old English, refer to the
+explanatory notes, and its perusal will well repay every reader. How
+came it about that modern _Uncle Remus_ had caught so thoroughly the
+true spirit of this Mediæval romance? I forget, at this moment, who
+wrote _Uncle Remus_--and I beg his pardon for so doing--but whoever
+it was, he professed only to dress up and record what he had actually
+heard from a veritable _Uncle Remus_. _Brer Rabbit_, _Brer Fox_, and
+_Old Man Bar_, are not the creatures of _Æsop's Fables_; they are the
+characters in _Reynart the Fox_. The tricks, the cunning, the villany
+of _Reynart_, unredeemed by aught except his affection for his wife
+and family, are thoroughly amusing, and his ultimate success, and
+increased prosperity; present a truer picture of actual life than
+novels in which vice is visibly punished, and virtue patiently
+rewarded. And once more I call to mind the latter days of _Becky's_
+career.
+
+Speaking of THACKERAY, Messrs. CASSELL & Co. have just brought out
+a one-and-threepenny edition ("the threepence be demmed!") of the
+_Yellowplush Papers_, with a dainty canary-coloured _Jeames_ on the
+cover. At the same time the same firm produce, in the same form, _The
+Last Days of Pompeii_, _The Last Days of Palmyra_, and _The Last of
+the Mohicans_. Odd, that the first issue of this new series should
+be nearly all "Lasts." _The Yellowplush Papers_ might have been kept
+back, and _The Last of the Barons_ been substituted, just to make the
+set of lasts perfect. The expression is suggestive of Messrs. CASSELL
+going in for the shoemaking trade. _The Last Days of Palmyra_ I have
+never read. "I will try it," says the bold Baron.
+
+But what means this new style of printing on thin double sheets? One
+advantage is that no cutting is required. If this form become the
+fashion, better thus to bring out the _Utterbosh Series_, which shall
+then escape the critics' hands,--no cutting being required. There are,
+as those who use the paper-knife to these volumes will discover, in
+this new issue of Messrs. CASSELL's, two blank pages for every two
+printed ones, so that a new novel might be written in MS. inside the
+printed one. The paper is good and clean to the touch; but I prefer
+the stiff cover to the limp, "there's more backbone about it," says
+the
+
+BARON DE BOOK-WORMS.
+
+Scarcely time to bring out a pocket edition (like those genuine
+pocketable and portable editions, the red-backed ROUTLEDGES) of _The
+Bride of Lammermoor_, between now and the date of its production, next
+Saturday, at the Lyceum. But worth while doing it as soon as possible.
+_Advice gratis_. B. DE B.-W.
+
+P.S.--(_Important to Authors and Scribblers_.)--Unfortunately the
+Baron has been compelled to take to his bed (which he doesn't "take
+to" at all--but this by the way), and there write. Once more he begs
+to testify to the excellence both of _The Hairless Author's Pad_--no
+_The Author's Hairless Pad_--and of the wooden rest and frame into
+which it fits. Nothing better for an invalid than rest for his frame,
+and here are rest and frame in one. Given these (or, if not "given,"
+purchased), and a patent indelible-ink-lead pencil (whose patent
+I don't know, as, with much use, the gold-lettering is almost
+obliterated from mine, and all I can make out is the word "Eagle"),
+and the convalescent author may do all his work in comfort, without
+mess or muddle; and hereto, once again, I set my hand and seal, so
+know all men by these presents, all to the contrary nevertheless and
+notwithstanding. B. DE B.-W.
+
+ * * * * *
+
+GREEN PASTURES _OR_ PICCADILLY?
+
+_TO THE EDITOR._
+
+[Illustration]
+
+Sir,--I see that you have opened your columns to a discussion of the
+relative advantages of life in London and the Suburbs. I don't think
+that really the two can be compared. If you want _perfect quietude_
+can you get it better than in a place where, between nine and six, not
+a single male human being is visible, all of them being in town? Some
+people may call this dull; but I like it. Then everything is so cheap
+in the Suburbs! I only pay £100 a year for a nice house in a street,
+with a small bath-room, and a garden quite as large as a full-sized
+billiard-table. People tell me I could get the same thing in London,
+but of course a suburban street must be nicer than a London one.
+We are just outside the Metropolitan main drainage system, and our
+death-rate is rather heavy, but then our rates are light. My butcher
+only charges me one-and-twopence a pound for best joints, and though
+this is a little dearer than London, the meat is probably more
+wholesome from being in such good air as we enjoy. In wintertime the
+journey to town, half-an-hour by train, has a most bracing effect on
+those capable of bearing severe cold. For the rest, the incapables
+are a real blessing to those who sell mustard-plasters and extra-sized
+pocket-handkerchiefs. Our society is so select and refined that I
+verily believe Belgravia can show nothing like it! Yours obediently,
+
+FAR FROM THE MADDING CROWD.
+
+
+Sir,--The Suburbs are certainly delightful, if you have a good train
+service; but this you seldom get. I do not complain of our Company
+taking three-quarters of an hour to perform the distance of eight and
+a half miles to the City, as this seems a good, average suburban rate,
+but I do think the "fast" train (which performs the distance in that
+time) might start a little later than 8.30 A.M. Going in to business
+at 10.30 by an "ordinary" train, which stops at sixteen stations, and
+takes an hour and a half, becomes after a time rather monotonous. It
+involves a painful "Rush in Urbe" to get through business in time to
+catch the 4.30 "express" back, a train which (theoretically) stops
+nowhere.
+
+COUNTRY CUSSIN'.
+
+
+Sir,--No more London for me! I've tried it, and know what it's like.
+I have found a delightful cottage, twenty miles from town, and mean to
+live in it always. Do we ever have one of your nasty yellow fogs here?
+Never! Nothing more than a thick white mist, which rises from the
+fields and envelopes the house every night. It is true that several
+of our family complain of rheumatism, and when I had rheumatic fever
+myself a month ago, I found it a little inconvenient being six
+miles from a doctor and a chemist's shop. But then my house is so
+picturesque, with an Early English wooden porch (which can be kept
+from falling to pieces quite easily by hammering a few nails in now
+and then, and re-painting once a week), and no end of gables, which
+only let the water into the bedrooms in case of a _very_ heavy shower.
+Then think of the delights of a garden, and a field (for which I pay
+£20 a year, and repair the hedges), and chickens! I don't think I have
+spent more than £50 above what I should have done in London, owing to
+the necessity of fitting up chicken-runs and buying a conservatory
+for my wife, who is passionately fond of flowers. Unfortunately my
+chickens are now moulting, and decline to lay again before next March;
+so I bring back fresh eggs from town, and, as my conservatory is
+not yet full, flowers from Covent Garden; and I can assure you that,
+until you try it, you cannot tell the amount of pleasure and exercise
+which walking a couple of miles (the distance of my cottage from the
+station), laden with groceries and other eatables, can be made to
+afford. Yours chirpily,
+
+FIELD-FARE.
+
+ * * * * *
+
+GOOD FOR SPORT!--A well-known chartered accountant, with a vulpine
+patronymic, complains of the unkind treatment he recently received in
+Cologne at the hands of the German police. He should be consoled
+by the thought, that his persecution marked in those latitudes the
+introduction of Fox-hunting.
+
+ * * * * *
+
+[Illustration: YANKEE EXCLUSIVENESS.
+
+_Young Britisher_. "YOUR FATHER'S NOT WITH YOU THEN, MISS VAN TROMP?"
+
+_Fair New York Millionnairess_ (_one of three_). "WHY, NO--PA'S MUCH
+TOO VULGAR! IT'S AS MUCH AS WE CAN DO TO STAND MA!"]
+
+ * * * * *
+
+THE QUICKSAND!
+
+ Is this the Eagle-hunter,
+ The valiant fate-confronter,
+ The soldier brave, and blunter
+ Of speech than BISMARCK's self?
+ This bungler all-disgracing,
+ This braggart all-debasing.
+ This spurious sportsman, chasing
+ No nobler prey than pelf?
+
+ The merest "fly in amber,"
+ _He_ after eagles clamber?
+ Nay, faction's ante-chamber
+ Were fitter place for him,
+ A trifler transitory,
+ To gasconade of "glory"!
+ He'd foul fair France's story,
+ Her lustre pale and dim.
+
+ _Les Coulisses?_ Ah, precisely!
+ They suit his nature nicely,
+ Who bravely, nobly, wisely,
+ Can hardly even "act."
+ _Histrio_ all _blague_ and blather,
+ Is it not pity, rather,
+ One Frenchman should foregather
+ With him in selfish pact?
+
+ In selfish pact--but silly.
+ _His_ neighbouring, willy-nilly,
+ Must smirch the Bee, the Lily,
+ Or stain the snow-white flag.
+ Wielder of mere stage-dagger,
+ Loud lord of empty swagger,
+ In peril's hour a lagger.
+ A Paladin of Brag!
+
+ And now his venture faileth,
+ And now his valour paleth;
+ _Et après?_ What availeth
+ His aid to those who'd use him?
+ Imperial or Royal,
+ What "patron" will prove loyal
+ Unto this "dupe"? They'll joy all
+ To mock, expose, abuse him!
+
+ But from the contest shrinking,
+ The draught of failure drinking,
+ In trickery's quicksand sinking,
+ Pulls he not others down?
+ Will PLON-PLON stand securely,
+ The COMTE pose proudly, purely,
+ Whilst slowly but most surely
+ Their tool must choke or drown?
+
+ Indifferent France sits smiling.
+ And what avails reviling?
+ Such pitch without defiling
+ Can "Prince" or "Patriot" touch?
+ This quicksand unromantic
+ Closes on him, the Antic,
+ Whose hands with gestures frantic
+ Contiguous coat-tails clutch.
+
+ The furious factions splutter,
+ Power's cheated claimants mutter,
+ And foiled fire-eaters utter
+ Most sanguinary threats.
+ "_He_ Freedom's fated suckler?
+ The traitor, trickster, truckler!"
+ So fumes the fierce swash-buckler,
+ And his toy-rapier whets.
+
+ But will that quicksand only
+ Engulph _him_ lost and lonely?
+ The fraud exposed, the known lie,
+ The bribe at length betrayed,
+ Must whelm this sham detected,
+ But what may be expected
+ From "Honour" shame-infected,
+ And "Kingship" in the shade?
+
+ * * * * *
+
+THE RAVENSTEIN.
+
+ [Mr. RAVENSTEIN, at the British Association, considered
+ the question, how long it will be before the world becomes
+ over-populated.]
+
+_Punch to the Prophet_.
+
+ Prophet of o'er-population, your ingenious calculation,
+ Causeth discombobulation only in the anxious mind
+ That forecasts exhausted fuel, or the period when the duel
+ Will have given their final gruel to French journalists; a kind
+ Of cantankerous, rancorous spitfires, blusterous, braggart, boyish, blind,
+ Who much mourning scarce would find.
+
+ Prophet of o'er-population, when the centuries in rotation
+ Shall have filled our little planet till it tends to running o'er,
+ Will this world, with souls o'erladen, be a Hades or an Aidenn?
+ Will man, woman, boy and maiden, be less civilised, or more?
+ _That's_ the question, RAVENSTEIN! What boots a billion, less or more,
+ If Man still is fool or boor?
+
+ "Seek not to proticipate" is _Mrs. Gamp's_ wise maxim. Great is
+ Mankind's number _now_, but "take 'em as they come, and as they go,"
+ Like the philosophic _Sairey_; and though the sum total vary,
+ Other things may vary likewise, things we dream not, much less know,
+ Don't you think, my RAVENSTEIN, our state ten centuries hence or so
+ We may prudently--let go?
+
+ * * * * *
+
+[Illustration: THE QUICKSAND!]
+
+ * * * * *
+
+[Illustration: PREPARING FOR BLACK MONDAY.
+
+_Paterfamilias_ (_reading School Report_). "AH, MY BOY, THIS ISN'T SO
+GOOD AS IT MIGHT BE. 'LATIN INDIFFERENT,' 'FRENCH POOR,' 'ARITHMETIC
+NOTHING'?"
+
+_Tommy._ "AH, BUT LOOK DOWN THERE, PAPA. '_HEALTH EXCELLENT'!_"]
+
+ * * * * *
+
+TO A TRUMPETING DEMOCRAT.
+
+ [MR. ANDREW CARNEGIE, the Iron King and millionnaire of
+ Pittsburg, has been addressing big audiences in Scotland.
+ Amongst his remarks were the following:--"It is said that in
+ America, although we have no aristocracy, we are cursed with
+ a plutarchy. Let me tell you about that. A man who carries a
+ million dollars on his back carries a load.... When I speak
+ against the Royal Family I do not condescend to speak of
+ the creatures who form the Royal Family--persons are so
+ insignificant.... We laugh at your ideas in this petty little
+ country having anything to say to the free and independent
+ citizens who walk through Canada, Australia, and America.
+ You know how to get rid of a Monarchy. Brazil has taught
+ you."--&c., &c.]
+
+ CARNEGIE, pray take notice, since I know that it would blister
+ The thin skin of a democrat, I drop the title "Mr.,"
+ You have talked a lot of bunkum, all mixed up with most terrific cant.
+ But you truly said that "persons are so very insignificant;"
+ And the author of a speech I read, part scum and partly dreggy,
+ Is perhaps the least significant--that windbag named CARNEGIE.
+ But your kindness most appals me, Sir; how really, truly gracious,
+ For one whose home is in the States, free, great, and most capacious,
+ To come to poor old England (where the laws but make the many fit
+ To lick a Royal person's boots), and all for England's benefit.
+ To preach to us, and talk to us, to tell us how effete we are,
+ How like a flock of silly sheep who merely baa and bleat we are.
+ And how "this petty little land," which prates so much of loyalty,
+ Is nothing but a laughing-stock to Pittsburg Iron-Royalty.
+ How titles make a man a rake, a drunkard, and the rest of it,
+ While plain (but wealthy) democrats in Pittsburg have the best of it.
+ How, out in Pennsylvania, the millionnaires are panting
+ (Though there's something always keeps them fat) for monetary banting.
+ How free-born citizens complain, with many Yankee curses,
+ Of fate which fills, in spite of them, their coffers and their purses.
+ How, if the man be only poor, there's nothing that can stop a cit
+ In Yankeeland, while here with us the case is just the opposite.
+ How honest British working-men who fail to fill their larder
+ Should sail for peace and plenty by the very next Cunarder.
+ And how, in short, if Britishers want freedom gilt with millions,
+ They can't do wrong to imitate the chivalrous Brazilians.
+
+ Well, well, I know we have our faults, quite possibly a crowd of them,
+ And sometimes we deceive ourselves by thinking we are proud of them;
+ But we never can have merited that _you_ should set the law to us,
+ And rail at us, and sneer at us, and preach to us, and "jaw" to us.
+ We're much more tolerant than some; let those who hate the law go
+ And spout sedition in the streets of anarchist Chicago;
+ And, after that, I guarantee they'll never want to roam again,
+ Until they get a first-class hearse to take their bodies home again.
+
+ But stay, I've hit upon a plan: We'll, first of all, relieve you
+ Of all your million dollars that so onerously grieve you;
+ Then, if some loud, conceited fool wants taking down a peg, he
+ Shall spend an hour or so in talk with democrat CARNEGIE.
+ For all men must admit 'twould be an act of mere insanity
+ To try to match this Pittsburger in bluster or in vanity.
+ And oh, when next our Chancellor is anxious for a loan, Sir,
+ He'll buy you in at our price, and he'll sell you at your own, Sir.
+ And if you don't like English air, why, dash it, you may lump it,
+ Or go and blow in other climes your most offensive trumpet!
+
+ * * * * *
+
+ROBERT UP THE RIVER.
+
+I atended on a Party larst week as went up the River (our nice little
+Stream, as the aughty Amerrycanes calls it) to Ship Lake, tho' why
+it's called so I coodn't at all make out, as there ain't no Ship nor
+no Lake to be seen there, ony a werry little Werry, and a werry littel
+River, and a werry littel Hiland; and it was prinsepally to see how
+the appy yung Gents who sumtimes lives on the same littel Hiland, in
+littel Tents, was a gitting on, as injuced all on us, me and all, to
+go there. It seems that for years parst quite a littel Collony of
+yung Gents as gets their living in the grand old Citty has been in the
+habit of spending their littel summer Hollydays there, but, somehows
+or other, as I coodn't quite understand, the master of the littel
+Hiland made up his mind for to sell it, and all the yung Gents was in
+dispair, and wundered where on airth they shood spend their Hollydays
+in future. But they needn't have been afeard--there was a grand old
+hinstitushun called "The Copperashun!" as had both their ears and both
+their eyes open when they heard about it. So when the time came for it
+to be sold, they jest quietly says to one of their principel Chairmen
+(who is sich a King of Good Fellers that they all calls him by that
+name, and he arnsers to it jest as if it was the werry name as was guv
+him by his Godfathers and his Godmothers, as I myself heard with my
+own ears), "Go and buy it!" So off he goes at wunce and buys it, and
+the kindly Copperashun Gents as I went with larst week, went to take
+possesshun on it acordingly, and to see if anythink coud be done to
+make the yung Campers-out ewen more cumferabel than they ewer was
+afore! Ah, that's what I calls trew Pattriotizm, and trew Libberality,
+if you likes, and that's what makes 'em so much respeckted.
+
+Our Gents was all considrably surprized at the lots of Tents as was
+all a standing on Ship Lake Island; one on 'em, who was got up quite
+in a naughtical style, said as he was estonished to see so many on 'em
+pitched, but I think as he must ha' bin mistaken, for I didn t see not
+none on 'em pitched, tho' I dessay it might ha' been werry usefool in
+keeping out the rain on a remarkabel wet night.
+
+By sum mistake on sumboddy's part, there wasn't not no yung
+Campers-out to receeve us, and so fears was hentertaned that they wood
+have to cum again shortly; but they are bold plucky gents, is the men
+of the Copperashun, and they one and all xpressed their reddiness to
+do it at the call of dooty. Besides, we had sich a reel Commodore a
+board as made us all quite reddy to brave the foaming waves again.
+Why, he guv out the word of command, whether it was to "Port the
+Helem," or to "Titen the mane braces," as if he had bin a Hadmiral
+at the werry least, and his galliant crew obeyed him without not no
+grumbling or ewen thretening to strike!
+
+By one of them striking and remarkabel ocurrences as happens so
+offen, who shood we appen to find at Ship Lake, but one of the werry
+poplarest of the Court of Haldermen, and what shood he do but ask
+'em all in to lunch at his splendid manshun, and what shood they
+all do but jump at the hoffer, and what does he do, for a lark, I
+serppose--if so be as a reel Poplar Alderman ewer does have sich
+a thing as a lark--and give 'em all sich a gloryous spread, as I
+owerheard one henergetick Deperty describe it, as hutterly deprived
+'em all of the power of heating a bit of dinner till the werry next
+day, to which time they wisely put it off, and then thorowly injoyed
+it.
+
+In course, I'm not allowed to menshun not no names on these
+conferdential ocasions, but I did hear "the Commodore" shout to "the
+King" sumthink about "Hansum is as Hansum does," but it was rayther
+too late in the heavening for me to be able to quite unnerstand his
+elusions.
+
+I am 'appy to be able to report that we every one on us arrived in
+Town quite safe and quite happy, xcep sum of the pore hard-working
+crew who are left at Marlow till further orders. ROBERT.
+
+ * * * * *
+
+[Illustration: MEETING OF THE B.A. FOR THE ADVANCEMENT OF SCIENCE.
+LEEDS TOWN-HALL.]
+
+ * * * * *
+
+[Illustration: FAIR PROPOSAL.
+
+_Johnson_ (_at window--having offered to tame a vicious Horse for his
+Friend_). "NOW, TOM, JUST COLLAR HOLD OF HIS HEAD, AND I'LL PUT THE
+MUZZLE ON!"]
+
+ * * * * *
+
+A SPORTING STYLE.
+
+(_THIRD EXAMPLE._)
+
+Two examples of a correct sporting style have been already laid before
+the public. For convenience of reference they may be defined as the
+mixed-pugilistic and the insolent. There is, however, a third variety,
+the equine, in which everyone who aspires to wield the pen of a
+sporting reporter must necessarily be a proficient. It may be well to
+warn a beginner that he must not attempt this style until he has laid
+in a large stock of variegated metaphoric expressions. As a matter of
+fact one horse-race is very much like another in its main incidents,
+and the process of betting against or in favour of one horse
+resembles, more or less, the process of betting about any other. The
+point is, however, to impart to monotonous incidents a variety they
+do not possess; and to do this properly a luxuriant vocabulary is
+essential. For instance, in the course of a race, some horses tire,
+or, to put it less offensively, go less rapidly than others. The
+reporter will say of such a horse that he (1) "shot his bolt," or
+(2) "cried _peccavi_," or (3) "cried a go," or (4) "compounded," or
+(5) "exhibited signals of distress," or (6) "fired minute guns," or
+(7) "fell back to mend his bellows," or (8) "seemed to pause for
+reflection."
+
+Again, in recording the upward progress of horses in the betting
+market, it would be ridiculous to say of all of them merely that they
+became hot favourites. Vary, therefore, occasionally, by saying of
+one, for example, that "here was another case of one being eventually
+served up warm"; of another, that "plenty of the talent took 7 to 4
+about _Mousetrap_;" of a third, that "_Paradox_ had the call at 4 to
+1;" and of a fourth, that "a heap of money, and good money too, went
+on _Backslide_." After these preliminary instructions, _Mr. Punch_
+offers his
+
+_Third Example_.--Event to be described: A horse-race. Names of horses
+and jockeys, weights, &c., supplied.
+
+Considerable delay took place. _Little Benjy_ made a complete hole
+in his manners by bolting. Eventually, however, the flag tell to a
+capital start. _Burglar Bill_ on the right cut out the work[1] from
+_Paladin_, who soon began to blow great guns, and after a quarter of a
+mile had been negotiated yielded his pride of place to _Cudlums_ with
+_The P'liceman_ in attendance, _Sobriety_ lying fourth, and _D. T._
+close behind. Thus they raced to the bend, where _Burglar Bill_ cried
+_peccavi_, and _Cudlums_ having shot her bolt, _Sobriety_ was left in
+front, only to be challenged by _Cropeared Sue_, who had been coming
+through her horses with a wet sail. Bounding the bend SIMPSON called
+upon _Mrs. Brady_ and literally took tea with her rivals,[2] whom he
+nailed to the counter one after another. The favourite compounded at
+the distance, and _Mrs. Brady_ romped home the easiest of winners,
+four lengths ahead of _Cropeared Sue_; a bad third. The rest
+were whipped in by _Flyaway_, who once more failed to justify the
+appellation bestowed upon him.
+
+_Mr. Punch_ flatters himself that, upon the above model, the report of
+any race-meeting could be accurately constructed at home. In future,
+therefore, no reporter should go to the expense of leaving London for
+Epsom, Newmarket, Ascot, or Goodwood.
+
+[Footnote 1: Note this sentence. It is essential.]
+
+[Footnote 2: At first sight it would appear more natural that SIMPSON
+(presumably a jockey) having called upon _Mrs. Brady_, should take tea
+with _her_ rather than with her rivals. But a sporting style involves
+us in puzzles.]
+
+ * * * * *
+
+A CENTENARIAN.
+
+ "This is the centenary of the tall hat."--_Daily News_.
+
+[Illustration]
+
+ A hundred years of hideousness,
+ Constricted brows, and strain, and stress!
+ And still, despite humanity's groan,
+ The torturing, "tall-hat" holds its own!
+ What proof more sure and melancholy
+ Of the dire depths of mortal folly?
+ Mad was the hatter who invented
+ The demon "topper," and demented
+ The race that, spite of pain and jeers,
+ Has borne it--for One Hundred Years!
+
+ * * * * *
+
+HAMLET AT THE VEGETARIAN CONGRESS.
+
+[Illustration]
+
+ Yea, from the table of my dining-room,
+ I'll take away all tasty joints and _entrées_.
+ All sorts of meat, all forms of animal diet
+ That the carnivorous cook hath gathered there:
+ And, by commandment, will entirely live
+ Within the bounds of vegetable food,
+ Unmixed with savoury matters. Yes, by heaven!
+ O most pernicious Meat!
+ O Mutton, beef, and pork, digestion-spoiling!
+ My tables, my tables! Meat? I'll put it down;
+ For men may dine, and dine, and do no killing,
+ At least I'm sure it may be so--on lentils.
+ So, _gourmand_, there you are! Now to my _menu_;
+ It is, "_All Vegetables and no Meat!_"
+ I have sworn't!
+
+ * * * * *
+
+INTERVIEWING À LA MODE.
+
+(_QUITE AT THE SERVICE OF SOME OF MR. PUNCH'S CONTEMPORARIES._)
+
+One of our Representatives called a few days since upon Mr. BROWN,
+senior member of the well-known firm of Messrs. BROWN, JONES,
+AND ROBINSON. The Eminent General Dealer was seated "in his
+counting-house," as the nursery-song hath it, "counting out his
+money."
+
+"Come in, come in!" said Mr. BROWN, cordially, as he somewhat
+hurriedly looked up the coin in a safe out of our reach. "I am
+delighted to see you."
+
+"Glad to hear it," we replied, rather drily. "We want to put a few
+questions to you, in the interest of the public."
+
+"As many as you please. I am, as you know, a man of business; still,
+the resources of our establishment are so vast, that my place can be
+supplied without inconvenience to our thousands, I may say millions of
+customers. And now, Sir, what can I do for you?"
+
+"Well, Mr. BROWN, speaking in the name of civilisation, I would wish
+to ask you if you have much sale for SMASHUP's Concentrated Essence of
+Cucumbers (registered), in the larger bottles?"
+
+"Yes, Sir, we have; although the smaller sizes are, possibly, a trifle
+more popular."
+
+"What do you think of COTTONBACK's Fleur de Lyons Putney Satin?"
+
+"A most admirable material for home wear, although we do not recommend
+it for use at a party, a ball, or a reception. For festive occasions
+we do a very large trade in GIGGLEWATER's Superfine Velvet South
+American _Moiré Antique_ as advertised."
+
+"Indeed! Perhaps, you can mention a few more articles that in your
+judgment you believe it will interest our readers to learn about."
+
+"Pardon me, but don't you put that sentence a trifle clumsily?"
+
+Our Representative smiled and blushed. Then he admitted that Mr. BROWN
+might be right.
+
+"Ha! ha! ha!" laughed the Senior Partner, in great glee. "You see I
+have my head screwed on the right way! But to answer you. GOTEMON's
+Patent Alligator's Skin Braces are attracting much attention just
+now, so is WIPE's Castle 2 Imperial William Champagne, which finds
+(I may observe confidentially) a ready sale at thirty-two shillings
+the dozen. Then there are AKE's Electric Tooth-brushes, and CRAX's
+Stained-glass Solid Mahogany Brass-mounted Elizabethan Mantel-boards.
+Then, of course, I must not forget BOLTER's Washhandstands and
+BOUNDER's Anti-agony Aromatic Pills."
+
+"And all these articles sell largely?"
+
+"Very largely, indeed. And so they should; for they are well worth
+the money they cost."
+
+"Indeed they are, or I should not find them in your establishment."
+
+"You are very good. And now, _à propos_ of your journal, will you
+permit me to pay a return compliment?"
+
+"Certainly," we replied. "You have noticed an improvement in our
+columns?"
+
+"Unquestionably I have," returned Mr. BROWN, emphatically. "I have
+observed that of late you have given much interesting matter in the
+body of your paper that heretofore used to be reserved for the pages
+exclusively devoted to advertisements. I congratulate you!"
+
+And with a courteous wave of his hand and a bow of dismissal, the
+Eminent Pillar of Commerce delicately intimated to us that our
+interview was at an end.
+
+ * * * * *
+
+'ARRY ON THE SINCEREST FORM OF FLATTERY.
+
+[Illustration]
+
+ DEAR CHARLIE,--Your faviour to 'and in doo course, as the quill-drivers
+ say;
+ Likeways also the newspaper cuttins enclosed. You're on Rummikey's lay.
+ Awful good on yer, CHARLIE, old chummy, to take so much trouble for me;
+ But do keep on yer 'air, dear old pal; _I_ am still right end uppards,
+ yer see.
+
+ You are needled along of some parties,--er course you ain't fly to their
+ names,--
+ As has bin himitating Yours Truly. Way-oh! It's the oldest o' games,
+ Himitation is, CHARLIE. It makes one think DARWIN was right, anyhow,
+ And that most on us did come from monkeys, which some ain't so fur from
+ 'em now.
+
+ You start a smart game, or a paying one--something as knocks 'em, dear
+ boy,
+ No matter, mate, whether it's mustard, or rhymes, or a sixpenny toy;
+ They'll be arter you, nick over nozzle, the smuggers of notions and nips,
+ For the mugs is as 'ungry for wrinkles as broken-down bookies for tips.
+
+ Look at DICKENS, dear boy, and Lord TENNYSON--ain't they bin copied all
+ round?
+ Wy, I'm told some as liked ALFRED's verses at fust, is now sick of the
+ sound;
+ All along o' the parrots, my pippin. Ah, that's jest the wust o' sech
+ fakes!
+ People puke at the shams till they think the originals ain't no great
+ shakes.
+
+ 'Tain't fair, CHARLIE, not by a jugful, but anger's all fiddle-de-dee;
+ They may copy my style till all's blue, but they won't discombobulate me.
+ Names and metres is anyone's props; but of one thing they don't get the
+ 'ang;
+ They ain't fly to good patter, old pal, they ain't copped the straight
+ griffin on slang.
+
+ 'Tisn't grammar and spellin' makes patter, nor yet snips and snaps of
+ snide talk.
+ You may cut a moke out o' pitch-pine, mate, and paint it, but can't make
+ it walk.
+ You may chuck a whole Slang Dixionary by chunks in a stodge-pot of chat,
+ But if 'tisn't _alive_, 'tain't chin-music, but kibosh, and corpsey at
+ that.
+
+ Kerrectness be jolly well jiggered! Street slang isn't Science, dear pal,
+ And it don't need no "glossery" tips to hinterpret my chat to my gal.
+ I take wot comes 'andy permiskus, wotever runs sliok and fits in,
+ And when smugs makes me out a "philolergist,"--snuffers! it do make me
+ grin!
+
+ Still there's fitness, dear boy, and unfitness, and some of these jossers,
+ jest now,
+ Who himitate 'ARRY's few letters with weekly slapdabs of bow-wow,
+ 'Ave about as much "fit" in their "slang" as a slop-tailor's six-and-six
+ bags.
+ No, Yours Truly writes only to you, and don't spread _hisself_ out in the
+ Mags.
+
+ _Mister P._ prints my letters, occasional, once in a while like, dear boy;
+ For patter's like love-letters, CHARLIE, too long and too frequent, they
+ cloy.
+ I agree there with _Samivel Veller_. My echoes I've no wish to stop,
+ But I'd jest like to say 'tisn't _me_ as is slopping' all over the shop.
+
+ It do give me the ditherums, CHARLIE, it makes me feel quite quisby snitch,
+ To see the fair rush for a feller as soon as he's found a good pitch.
+ Jest like anglers, old man, on the river; if one on 'em spots a prime swim,
+ And is landing 'em proper, you bet arf the others'll crowd about _him_.
+
+ But there's law for the rodsters, I'm told, CHARLIE; so many foot left and
+ right;
+ And you'll see the punts spotted at distance, like squodrons of troops at
+ a fight.
+ But in Trade, Art, and Littery lines, CHARLIE, 'anged if there's any fair
+ play,
+ And the "cullerable himitation" is jest the disgrace of the day.
+
+ Sech scoots scurryfunging around on the gay old galoot, to go snacks
+ In the profits of other folks' notions, have put you, old pal, in a wax.
+ Never mind their shenanigan, CHARLIE; it don't do much hurt, anyhow;
+ I was needled a trifle at fust, but I'm pooty scroodnoodleous now.
+
+ I'm all right and a arf, mate, I am, and ain't going' to rough up, no
+ fear!
+ Becos two or three second-hand 'ARRIES is tipping the public stale beer.
+ The old tap'll turn on now and then, not too often, and as for the rest,
+ The B.P. has a taste for sound tipple, and knows when it's served with
+ the best.
+
+ If mine don't 'old its own on its merits, then way-oh! for someone's
+ as does!
+ All cop and no blue ain't my motter; that's all tommy-rot and buz-wuz.
+ The pace of a yot must depend on her lines and the canvas she'll carry;
+ If rivals can crowd on more sail, wy they're welcome to overhaul 'ARRY.
+
+ * * * * *
+
+NOTICE.--Rejected Communications or Contributions, whether MS.,
+Printed Matter, Drawings, or Pictures of any description, will in no
+case be returned, not even when accompanied by a Stamped and Addressed
+Envelope, Cover, or Wrapper. To this rule there will be no exception.
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, Or The London Charivari, Vol.
+99., September 20, 1890, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOL. 99 ***
+
+***** This file should be named 12466-8.txt or 12466-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/2/4/6/12466/
+
+Produced by Malcolm Farmer, William Flis, and the Online Distributed
+Proofreading Team.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/old/12466-8.zip b/old/12466-8.zip
new file mode 100644
index 0000000..918deb1
--- /dev/null
+++ b/old/12466-8.zip
Binary files differ
diff --git a/old/12466-h.zip b/old/12466-h.zip
new file mode 100644
index 0000000..0192b38
--- /dev/null
+++ b/old/12466-h.zip
Binary files differ
diff --git a/old/12466-h/12466-h.htm b/old/12466-h/12466-h.htm
new file mode 100644
index 0000000..66dd729
--- /dev/null
+++ b/old/12466-h/12466-h.htm
@@ -0,0 +1,2606 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+ <meta http-equiv="Content-Type"
+ content="text/html; charset=iso-8859-1" />
+
+ <title>Punch, September 20, 1890.</title>
+ <style type="text/css">
+ /*<![CDATA[*/
+
+ <!--
+ body {margin-left: 10%; margin-right: 10%;}
+ p {text-align: justify;}
+ blockquote {text-align: justify;}
+ h1,h2,h3,h4,h5,h6 {text-align: center;}
+ pre {font-size: 0.7em;}
+
+ hr {text-align: center; width: 50%;}
+ html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;}
+ hr.full {width: 100%;}
+ html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.short {text-align: center; width: 20%;}
+ html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;}
+
+ .note
+ {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
+
+ span.pagenum
+ {position: absolute; left: 1%; right: 91%; font-size: 8pt;}
+
+ .poem
+ {margin-left:10%; margin-right:10%; margin-bottom: 1em; text-align: left;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ .poem p.i2 {margin-left: 1em;}
+ .poem p.i4 {margin-left: 2em;}
+ .poem p.i6 {margin-left: 3em;}
+ .poem p.i8 {margin-left: 4em;}
+ .poem p.i10 {margin-left: 5em;}
+
+ .figure, .figcenter, .figright, .figleft
+ {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;}
+ .figure img, .figcenter img, .figright img, .figleft img
+ {border: none;}
+ .figure p, .figcenter p, .figright p, .figleft p
+ {margin: 0; text-indent: 1em;}
+ .figcenter {margin: auto;}
+ .figright {float: right;}
+ .figleft {float: left;}
+
+ .footnote {font-size: 0.9em; margin-right: 10%; margin-left: 10%;}
+
+ .side { float:right;
+ font-size: 75%;
+ width: 25%;
+ padding-left:10px;
+ border-left: dashed thin;
+ margin-left: 10px;
+ text-align: left;
+ text-indent: 0;
+ font-weight: bold;
+ font-style: italic;}
+ -->
+ /*]]>*/
+ </style>
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Punch, Or The London Charivari, Vol. 99.,
+September 20, 1890, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, Or The London Charivari, Vol. 99., September 20, 1890
+
+Author: Various
+
+Release Date: May 28, 2004 [EBook #12466]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOL. 99 ***
+
+
+
+
+Produced by Malcolm Farmer, William Flis, and the Online Distributed
+Proofreading Team.
+
+
+
+
+
+
+</pre>
+
+ <h1>PUNCH,<br />
+ OR THE LONDON CHARIVARI.</h1>
+
+ <h2>Vol. 99.</h2>
+ <hr class="full" />
+
+ <h2>September 20, 1890.</h2>
+ <hr class="full" />
+ <span class="pagenum"><a name="page133"
+ id="page133"></a>[pg 133]</span>
+
+ <h2>OUT FOR ANOTHER HOLIDAY.</h2>
+
+ <h4>(<i>By our Impartial and Not-to-be-biassed
+ Critic.</i>)</h4>
+
+ <div class="figleft"
+ style="width:30%;">
+ <a href="images/133-1.png"><img width="100%"
+ src="images/133-1.png"
+ alt="Our critic." /></a>
+ </div>
+
+ <p>I had been told that Ostend was an excellent place. "Quite a
+ Town of Palaces!" was the enthusiastic description that had
+ reached me. So I determined to leave "Delicious Dover" (as the
+ holiday Leader-writer in the daily papers would call it), and
+ take boat for the Belgian coast. The sea was as calm as a lake,
+ and the sun lazily touched up the noses of those who slumbered
+ on the beach. There is an excellent service of steamers between
+ England and Belgium. This service has but one drawback&mdash;a
+ slight one: the vessels have a way with them of perpetrating
+ practical jokes. Only a week or so ago one lively mail-carrier
+ started prematurely, smashing a gangway, and dropping a
+ portmanteau quietly into the ocean. On my return from foreign
+ shores, I passed the same cheerful ship lying in mid-channel as
+ helpless as an infant. However, the accident (something, I
+ fancy, had gone wrong with the engines) appeared to be treated
+ as more amusing than important. Still, perhaps, it would be
+ better were the name of this luckless boat changed to <i>Le
+ Farceur</i>; then travellers would know what to expect. But I
+ must confess that my experiences were perfectly pleasant. The
+ steamer in which I journeyed crossed the Channel in the
+ advertised time, and if I wished to be hypercritical, I would
+ merely hint that the official tariff of the refreshments sold
+ on board is tantalising. When I wanted cutlets, I was told they
+ were "off," and when I asked for "cold rosbif," that was "off"
+ too. The <i>gar&ccedil;on</i> (who looked more like a
+ midshipman than a cabin-boy) took ten minutes to discover this
+ fact. And as I had to rely upon him for information, I had to
+ wait even longer before the desired (or rather undesired)
+ intelligence was conveyed to me. I pride myself upon caring
+ nothing about food, but this failure to obtain my heart's (or
+ thereabouts') yearning caused me sore annoyance.</p>
+
+ <p>Well, I reached Ostend. The town of palaces contained a
+ Kursaal and a Casino. There were also a number of large hotels
+ of the King's Road, Brighton, <i>plus</i> Northumberland Avenue
+ type. Further, there were several <i>maisons
+ meubl&eacute;es</i> let out in flats, and (to judge from the
+ prices demanded and obtained for them) <i>to</i> flats. The
+ <i>suite</i> of apartments on the ground floor consisted of a
+ small bed-room, a tiny drawing-room, and a balcony. The balcony
+ was used, as a <i>salle &agrave; manger</i> in fine weather,
+ and a place for the utterance of strong expressions (so I was
+ informed) when the rain interfered with <i>al fresco</i>
+ comfort. There was a steam tramway, and some bathing-machines
+ of the springless throw-you-down-when-you-least-expect-it sort.
+ The streets, omitting the walk in front of the sea, were
+ narrow, and the shops about as interesting as those at the
+ poorer end of the Tottenham Court Road. But these were merely
+ details, the pride of Ostend being the Kursaal, which reminded
+ me of an engine-house near a London terminus. I purchased a
+ ticket for the Kursaal and the Casino. There was to be a
+ concert at the first and a ball at the last. I soon had enough
+ of the concert, and started for the ball.</p>
+
+ <p>It was then that I found a regulation in force that made my
+ cheeks tingle with indignation as an Englishman. Although the
+ tickets costing three francs a piece, were said to secure
+ admittance to the Kursaal and the Casino, I noticed that
+ children&mdash;good and amiable children&mdash;were not allowed
+ to enter the latter place. I could understand the feelings of a
+ gentleman who attempted to obtain access for his eldest
+ lad&mdash;a gallant boy of some fourteen summers, and a baker's
+ dozen of winters. My heart went out to that British Father as
+ he disputed with the Commissaires at the doorway, and called
+ the attention of the Representative of "the Control" to the
+ fact that his <i>billet</i> was misleading. "You are an
+ Englishman," said the Representative of the Control, "and the
+ English observe the law." "Yes," returned the angry Father;
+ "but in England the Law would support one in obtaining that for
+ which one had paid. My son has paid for admission to the
+ Kursaal and the Casino! He is refused admittance to the Casino,
+ therefore this ticket of his spreads false intelligence! It is
+ a liar! It is a miserable! It should be called the traitor
+ ticket!" But all was useless. The gallant lad had to remain
+ with the umbrellas! I could not help sympathising with that
+ father. I could not refrain from agreeing with him, that where
+ such a thing was possible, something must be entirely wrong. I
+ could not deny that under the circumstances Ostend was a sham,
+ a delusion, and a snare! When he observed that Ostend was
+ grotesquely expensive, I admitted that he was right. When he
+ said that it was not a patch upon Boulogne or Dieppe, I again
+ acquiesced. When he asserted that every English tourist would
+ be wise to avoid the place, I acknowledged that there was the
+ genuine ring of truth in his declaration. When he appealed to
+ me, as a dispassionate observer, to say whether I did not
+ consider the conduct of the authorities arbitrary, unjust, and
+ absurd, I was forced to admit that I <i>did</i> consider that
+ conduct absolutely indefensible. Lastly, when he announced that
+ he intended never to say another word in praise of Ostend, I
+ confessed that I had come in my own mind to the same
+ determination.</p>
+
+ <p>P.S.&mdash;I may add that I was accompanied by my son, who
+ was also refused admittance. But this is a matter of purely
+ personal interest, and has nothing whatever to do with it.</p>
+ <hr />
+
+ <h2>THE CACHET OF CASH AT DRURY LANE.</h2>
+
+ <div class="figright"
+ style="width:40%;">
+ <a href="images/133-2.png"><img width="100%"
+ src="images/133-2.png"
+ alt="Medal inscribed 'A Million of Money.'" />
+ </a>Medal found in the Neighbourhood of Drury Lane.
+ </div>
+
+ <p><i>A Million of Money</i>, "a new military, sporting, and
+ spectacular Drama," is a marvel of stage management. No better
+ things than the <i>tableaux</i> of the Derby Day, the grounds
+ of the Welcome Club, and the departure of the Guards from
+ Wellington Barracks for foreign parts have been seen for many a
+ long year. In such a piece the dialogue is a matter of
+ secondary consideration, and even the story is of no great
+ importance. That the plot should remind one of Drury Lane
+ successes in the past is not surprising, considering that one
+ of the authors (who modestly places his name second on the
+ programme, when everyone feels that it should come first) has
+ been invariably associated with those triumphs of scenic art.
+ AUGUSTUS DRURIOLANUS has beaten his own record, and the
+ <i>Million of Money</i> so lavishly displayed behind the
+ scenes, is likely to be rivaled by the takings in front of the
+ Curtain&mdash;or to be more exact, at the Box-office. The
+ Authors, in more senses than one, have carried money into the
+ house. But they have done more&mdash;they have inculcated a
+ healthy moral. While Mr. HENRY ARTHUR JONES is teaching
+ audiences a lessen in <i>Judah</i>, that would have received
+ the enthusiastic approval of the philanthropic Earl of
+ SHAFTESBURY, after whom Shaftesbury Theatre is, no doubt,
+ called, the great HARRIS and the lesser PETTIT are showing us
+ in the character of the <i>Rev. Gabriel Maythorne</i>, a Parson
+ that would as certainly have secured the like hearty good-will
+ at the same shadowy hands. The Rev. Gentleman is a clergyman
+ that extorts the admiration of everyone whose good opinion is
+ worth securing. He apparently is a "coach," and (seemingly)
+ allows his pupils so much latitude that one of them, <i>Harry
+ Dunstable</i> (Mr. WARNER), is able to run up to town with his
+ (the Reverend's) daughter secretly, marry her, and stay in
+ London for an indefinite period. And he (the Parson) has no
+ absurd prejudices&mdash;no narrow-mindedness. He goes to the
+ Derby, where he appears to be extremely popular at
+ luncheon-time amongst the fair ladies who patronise the tops of
+ the drags, and later on becomes quite at home at an illuminated
+ <i>f&ecirc;te</i> at the Exhibition, amidst the moonlight, and
+ a thousand additional lamps. It is felt that the Derby is run
+ with this good man's blessing; and everyone is glad, for,
+ without it, in spite of the horses, jockeys, carriages,
+ acrobats, gipsies, niggers, grooms, stable-helps, and
+ pleasure-seekers, the <i>tableau</i> would be
+ &aelig;sthetically incomplete. And the daughter of the Reverend
+ is quite as interesting as her large-hearted sire. She, too,
+ has no prejudices (as instance, the little matrimonial trip to
+ London); and when she has to part with her husband, on his
+ departure (presumably <i>en route</i> to the Bermudas), she
+ requires the vigorous assistance' of a large detachment of Her
+ Majesty's Guards to support her in her bereavement. Of the
+ actors, Mr. CHARLES GLENNEY, as a broken-down gentleman, is
+ certainly the hero of the three hours and a half. In Act III.,
+ on the night of the first performance, he brought down the
+ house, and received two calls before the footlights after the
+ Curtain had descended. He has many worthy colleagues, for
+ instance, Mr. HARRY NICHOLLS, Miss MILLWARD, Mr. CHARLES
+ WARNER, and Miss FANNY BROUGH, are all that could be desired in
+ their respective lines. But, well cast as it undoubtedly is,
+ the play has vitality within it that does not depend for
+ existence upon the efforts of the company. It is good all
+ round&mdash;scenery, dresses, properties, and effects&mdash;and
+ will keep its place at Drury Lane until dislodged by the
+ Pantomime at Christmas.</p>
+ <hr />
+
+ <p>CHANGE OF NAME &Agrave; LA SUISSE.&mdash;Tessin and its
+ quarrelsome inhabitants to be known in future as a Can't-get-on
+ instead of a Canton.</p>
+ <hr />
+ <span class="pagenum"><a name="page134"
+ id="page134"></a>[pg 134]</span>
+
+ <h2>MORE FROM OUR YOTTING YORICK.</h2>
+
+ <div class="figright"
+ style="width:55%;">
+ <a href="images/134-1.png"><img width="100%"
+ src="images/134-1.png"
+ alt="" /></a>Swedish Politeness.
+ </div>
+
+ <p>STOCKHOLM approached by lovely river (that is, we approached
+ Stockholm by lovely river), with banks and hills covered with
+ pine and birch trees, and studded with villas, where the
+ Stockholm people live away from the town. "Studded" is a good
+ word, but phrase sounds too much like "studied with SASS," as
+ so many of our best artists did. Lovely for boating. Why don't
+ the Swedes row? <i>They don't.</i> Lots of islands, and
+ everybody as jolly as sand-boys, especially on Sanday. By the
+ way, what's a "sand-boy"? Why <i>toujours</i> jolly?</p>
+
+ <p>Stockholm a stunning place, all built round a huge palace,
+ copy of the Pitti Palace in Florence. Lifts to take the people
+ up-hill, and a circular tramway all round the town for one
+ penny. Lots of soldiers in uniforms like Prussians or Russians,
+ whichever you like. Such swagger policemen, all tall and
+ handsome, with beautiful helmets and lovely coats. What would
+ an English cook say to them?</p>
+
+ <p>Cathedral with tombs of GUSTAVUS VASA, GUSTAVUS ADOLPHUS,
+ and BERNADOTTE. What was BERNADOTTE doing here? Didn't like to
+ ask. Piled up with kettledrums and flags taken from the
+ Russians. I noticed in Russia their churches were equally piled
+ up with drums and flags taken from the Swedes. Exchange is no
+ robbery.</p>
+
+ <div class="figleft"
+ style="width:27%;">
+ <a href="images/134-2.png"><img width="100%"
+ src="images/134-2.png"
+ alt="" /></a>Snack Sideboard. "Lax and Snax."
+ </div>
+
+ <p>Lunch. First view of the Swedish snacks before lunch and
+ dinner. A side-table with caviare Lax, cut reindeer tongue,
+ sausages, brown bread, prawns, kippered herrings, radishes,
+ sardines, crawfish, cheeses. Should spell it "Lax and Snax."
+ Three silver tubs of spirit&mdash;Pommerans, Renadt, and
+ Kummin&mdash;tried 'em all. All good. "We had a good
+ time&mdash;Kummin." The Kummin was goin',&mdash;rather. Ceiling
+ of <i>restaurant</i> all mirrors&mdash;self keeping an eye on
+ self.</p>
+
+ <div class="figright"
+ style="width:35%;">
+ <a href="images/134-3.png"><img width="100%"
+ src="images/134-3.png"
+ alt="" /></a>F&ecirc;te in Honour of the Poet Bellman.
+ </div>
+
+ <p>National Museum. Splendid collection. Stone, bronze, and
+ iron periods. Poor pictures. No end of palaces to see, till one
+ is sick of 'em.</p>
+
+ <p>Swedes have a poet, BELLMAN, evidently who wrote
+ Bacchanalian songs. They have a national holiday on July the
+ 26th, and go to <i>F&ecirc;te</i> in a Wood, where bronze head
+ of BELLMAN is, cover it with garlands and roses, and sing and
+ have a good time before it, just like an old Greek offering to
+ Bacchus. I saw it. And in the evening a <i>f&ecirc;te</i> where
+ they carry a child got up as Bacchus, and seated on a barrel
+ with a wine-cup. A regular jolly drinking procession. They have
+ a wonderful open air <i>restaurant</i> called The Hasselbacken,
+ where you dine in delightful little green arbours, and lots of
+ Swedish girls about. Capital dinners, A 1 wine, and first-rate
+ music with full band. No charge to go in; you pay before
+ leaving, though. Very good waiting.</p>
+
+ <div class="figleft"
+ style="width:55%;">
+ <a href="images/134-4.png"><img width="100%"
+ src="images/134-4.png"
+ alt="" /></a>Dinner in the Arbour.
+ </div>
+
+ <p>The Swedes are very polite, and take their hats off on the
+ slightest provocation, and keep them off a long time, specially
+ whilst talking to a lady. When talking to <i>two</i> ladies, of
+ course they keep 'em off double the time.</p>
+
+ <p>Altogether a delightful place. But they all say you should
+ come in the <i>winter</i>. Wish I could. FLOTSAM, Y.A.</p>
+
+ <p>P.S.&mdash;The Swedish girls are as a rule very handsome.
+ Tall, with long legs. Men good-looking also.</p>
+
+ <p>I can't very well do myself; I can "do myself" remarkably
+ well, but I mean I cannot sketch myself in a cut; but <i>Mr.
+ Punch</i>, in cuts I have done, is far more expressive than I
+ can make anyone else.</p>
+ <hr />
+
+ <p>THE COMPLIMENTS OF THE SEASON (<i>with Mr. Punch's kind
+ regards</i>).&mdash;The most Popular of Colonial
+ Strikers&mdash;Our illustrious guests, the Australian
+ Cricketers.</p>
+ <hr />
+ <span class="pagenum"><a name="page135"
+ id="page135"></a>[pg 135]</span>
+
+ <h2>"WANTED!"</h2>
+
+ <p>WANTED, by a well-travelled lady, of &aelig;sthetic and
+ refined tastes, a comfortable and congenial home with a
+ Duchess. The Advertiser, who is a person of much intelligence,
+ and a most agreeable gossip, regards her pleasant companionship
+ as an equivalent for the social advantages (including
+ carriage-drives, and an introduction to the very best society),
+ for which she is prepared to offer the very handsome
+ remuneration of ten shillings a week.</p>
+ <hr class="short" />
+
+ <p>HORSE WANTED.&mdash;Must have been placed in a recent Derby,
+ and show a good racing record. Thoroughly sound in wind and
+ limb, expected to be equal to carrying 13 stone in the Park, or
+ to doing any work from a four-in-hand down to single harness in
+ a hearse. On the advertiser being furnished with a suitable
+ beast, he will be prepared to put down a five-pound note for
+ him, payable by ten-shilling monthly instalments.</p>
+ <hr class="short" />
+
+ <p>HOME REQUIRED FOR AN INDIAN CHIEF.&mdash;The Advertiser, who
+ has recently received a consignment of Savages from Patagonia,
+ and has had to entertain their Monarch in his residence at
+ Bayswater, as he is about to pay a four weeks' visit to the
+ Continent, is anxious in the meantime to find a suitable home
+ for him in some quiet suburban family, who would not object to
+ some fresh and lively experience introduced into the routine of
+ their domestic circle, in consideration for a small payment to
+ defray the slight extra cost involved in his support. He will
+ give little trouble, an empty attic furnished with a hearth-rug
+ supplying him with all the accommodation he will require, while
+ his food has hitherto consisted of tripe, shovelled to him on a
+ pitchfork, and stout mixed with inferior rum, of which he gets
+ through about a horse-pailful a day. His chief recreation being
+ a "Demon's War Dance," in which he will, if one be handy, hack
+ a clothes-horse to pieces with his "baloo," or two-edged
+ chopper-axe, he might be found an agreeable inmate by an aged
+ and invalid couple, who would relish a little unusual
+ after-dinner excitement, as a means of passing away a quiet
+ evening or two. Applicants anxious to secure the Chief should
+ write at once. Three-and-sixpence a-week will be paid for his
+ keep, which, supplying the place of the rum in his drink (which
+ has been tried with effect) with methylated spirit mixed with
+ treacle, affords an ample margin for a handsome profit on the
+ undertaking.</p>
+ <hr />
+
+ <div class="figcenter"
+ style="width:45%;">
+ <a href="images/135.png"><img width="100%"
+ src="images/135.png"
+ alt="" /></a>
+
+ <h3>MUCH MORE SUITABLE.</h3>NEW UNIFORM FOR HER MAJESTY'S
+ HORSE GUARDS, SUGGESTED TO MR. PUNCH BY RECENT CAVALRY
+ EVOLUTIONS ON THE THAMES.
+ </div>
+ <hr />
+
+ <h2>DEVELOPMENT.</h2>
+
+ <h4>(<i>With acknowledgments to the Author of
+ "Patience."</i>)</h4>
+
+ <blockquote class="note">
+ <p>["Even a colour-sense is more important in the
+ development of the individual than a sense of right and
+ wrong."&mdash;OSCAR WILDE.]</p>
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>If you're anxious to develop to a true hedonic
+ "swell," hop on a pinnacle apart,</p>
+
+ <p>Like a monkey on a stick, and your phrases quaintly
+ pick, and then prattle about Art.</p>
+
+ <p>Take some laboured paradoxes, and, like Samson's
+ flaming foxes, let them loose amidst the corn</p>
+
+ <p>(Or the honest commonplaces) of the Philistines
+ whose graces you regard with lofty scorn.</p>
+
+ <p class="i10">And every one will say,</p>
+
+ <p class="i10">As you squirm your wormy way,</p>
+
+ <p>"If this young man expresses himself in terms that
+ stagger <i>me</i>,</p>
+
+ <p>What a very singularly smart young man this smart
+ young man must be!"</p>
+ </div>
+
+ <div class="stanza">
+ <p>You may be a flabby fellow, and lymphatically
+ yellow, that will matter not a mite.</p>
+
+ <p>If you take yourself in hand, in a way you'll
+ understand, to become a Son of Light.</p>
+
+ <p>On your crassness superimposing the peculiar art of
+ glosing in sleek phrases about Sin.</p>
+
+ <p>If you aim to be a Shocker, carnal theories to
+ cocker is <i>the</i> best way to begin.</p>
+
+ <p class="i10">And every one will say,</p>
+
+ <p class="i10">As you worm your wicked way,</p>
+
+ <p>"If that's allowable for <i>him</i> which were
+ criminal in <i>me</i>,</p>
+
+ <p>What a very emancipated kind of youth this kind of
+ youth must be."</p>
+ </div>
+
+ <div class="stanza">
+ <p>Human virtues you'll abhor all, and be down upon the
+ Moral in uncompromising style.</p>
+
+ <p>Your critical analysis will reduce to prompt
+ paralysis every <i>motor</i> that's not vile.</p>
+
+ <p>You will show there's naught save virtue that can
+ seriously hurt you, or your liberty enmesh;</p>
+
+ <p>And you'll find excitement, plenty, in Art's
+ <i>dolce far niente</i>, with a flavour of the
+ flesh.</p>
+
+ <p class="i10">And every one will say,</p>
+
+ <p class="i10">As you lounge your upward way,</p>
+
+ <p>"If he's content with a do-nothing life, which would
+ certainly not suit <i>me</i>.</p>
+
+ <p>What a most particularly subtle young man this
+ subtle young man must be!"</p>
+ </div>
+
+ <div class="stanza">
+ <p>Then having swamped morality in "intensified
+ personality" (which, of course, must mean your
+ own),</p>
+
+ <p>And the "rational" abolished and "sincerity"
+ demolished, you will find that you have
+ <i>grown</i></p>
+
+ <p>With a "colour-sense" fresh handselled (whilst the
+ moral ditto's cancelled) you'll develop
+ into&mdash;well,</p>
+
+ <p>What Philistia's fools malicious might esteem a
+ <i>vaurien</i> vicious (<i>alias</i> "hedonic
+ swell").</p>
+
+ <p class="i10">And every one will say,</p>
+
+ <p class="i10">As you writhe your sinuous way.</p>
+
+ <p>"If the highest result of the true 'Development' is
+ decomposition, why see</p>
+
+ <p>What a very perfectly developed young man this
+ developed young man must be."</p>
+ </div>
+
+ <div class="stanza">
+ <p>With your perky paradoxes, and your talk of
+ "crinkled ox-eyes," and of books in "Nile-green
+ skin."</p>
+
+ <p>That show forth unholy histories, and display the
+ "deeper mysteries" of strange and subtle Sin.</p>
+
+ <p>You can squirm, and glose, and hiss on, and awake
+ that <i>nouveau frisson</i> which is Art's best gift to
+ life.</p>
+
+ <p>And "develop"&mdash;like some cancer (in the
+ Art-sphere) whose best answer is the silent surgeon's
+ knife!</p>
+
+ <p class="i10">And every <i>man</i> will say,</p>
+
+ <p class="i10">As you wriggle on your way,</p>
+
+ <p>"If 'emotion for the sake of emotion <i>is</i> the
+ aim of Art,' dear me!</p>
+
+ <p>What a morbidly muckily emotional young man the
+ 'developed' young man must be!"</p>
+ </div>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page136"
+ id="page136"></a>[pg 136]</span>
+
+ <h2>THE AMERICAN GIRL.</h2>
+
+ <blockquote class="note">
+ <p>[An American Correspondent of <i>The Galignani
+ Messenger</i> is very severe on the manners of his fair
+ countrywomen.]</p>
+ </blockquote>
+
+ <div class="figright"
+ style="width:35%;">
+ <a href="images/136.png"><img width="100%"
+ src="images/136.png"
+ alt="The American girl." /></a>
+ </div>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>She "guesses" and she "calculates," she wears all
+ sorts o' collars,</p>
+
+ <p class="i2">Her yellow hair is not without suspicion
+ of a dye;</p>
+
+ <p>Her "Pappa" is a dull old man who turned pork into
+ dollars.</p>
+
+ <p class="i2">But everyone admits that she's
+ indubitably spry.</p>
+ </div>
+
+ <div class="stanza">
+ <p>She did Rome in a swift two days, gave half the time
+ to Venice,</p>
+
+ <p class="i2">But vows that she saw everything,
+ although in awful haste;</p>
+
+ <p>She's fond of dancing, but she seems to fight shy of
+ lawn-tennis,</p>
+
+ <p class="i2">Because it might endanger the proportions
+ of her waist.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Her manner might be well defined as elegantly
+ skittish;</p>
+
+ <p class="i2">She loves a Lord as only a Republican can
+ do;</p>
+
+ <p>And quite the best of titles she's persuaded are the
+ British,</p>
+
+ <p class="i2">And well she knows the Peerage, for she
+ reads it through and through.</p>
+ </div>
+
+ <div class="stanza">
+ <p>She's bediamonded superbly, and shines like a
+ constellation,</p>
+
+ <p class="i2">You scarce can see her fingers for the
+ multitude of rings;</p>
+
+ <p>She's just a shade too conscious, so it seems, of
+ admiration,</p>
+
+ <p class="i2">With irritating tendencies to wriggle
+ when she sings.</p>
+ </div>
+
+ <div class="stanza">
+ <p>She owns she is "Amur'can," and her accent is
+ alarming;</p>
+
+ <p class="i2">Her birthplace has an awful name you pray
+ you may forget;</p>
+
+ <p>Yet, after all, we own "<i>La Belle
+ Am&eacute;ricaine</i>" is charming,</p>
+
+ <p class="i2">So let us hope she'll win at last her
+ long-sought coronet.</p>
+ </div>
+ </div>
+ <hr />
+
+ <h2>TIPS FROM THE TAPE.</h2>
+
+ <h4>(<i>Picked up in Mr. Punch's own Special City
+ Corner.</i>)</h4>
+
+ <p>In my last I announced that I was busily giving my mind to
+ the launching of a new "Combination Pool" over the satisfactory
+ results of which to all concerned in it, under certain
+ contingencies, I had no shadow of a doubt. This I have since
+ managed to float on the market, and, though I worked it on a
+ principle of my own, which, for want of a better description, I
+ have styled amalgamated "Profit and Loss," I regret to have to
+ inform those clients who have entrusted me with their cheques
+ in the hopes of getting, <i>as I really fully believed they
+ would</i>, 700 per cent. for their money in three days, that I
+ have had to close the speculation rather suddenly, and I fear,
+ as the following illustrative figures will show in a fashion
+ that not only deprives me of the pleasure of enclosing them a
+ cheque for Profits, but obliges me to announce to them that
+ their cover has disappeared. The Stocks with which I operated
+ were "Drachenfonteim Catapults," "Catawanga Thirty-fives," and
+ "Blinker's Submarine Explosives." The ILLUSTRATION, I hoped,
+ <i>would have stood as follows</i>:&mdash;</p>
+
+ <table summary="Investments, part 1."
+ align="center">
+ <tr>
+ <td align="left"
+ valign="top">&pound;100 invested in Drachenfonteim
+ Catatpults, showing profit of 1 per cent.</td>
+
+ <td align="right"
+ valign="bottom">&pound;100</td>
+ </tr>
+
+ <tr>
+ <td align="left"
+ valign="top">&pound;100 invested in Catawanga
+ Thirty-fives, showing profit of 2&frac12; per
+ cent.</td>
+
+ <td align="right"
+ valign="bottom">&pound;250</td>
+ </tr>
+
+ <tr>
+ <td align="left"
+ valign="top">&pound;300 invested in Blinker's
+ Submarine Explosives, showing profit of 3 per
+ cent.</td>
+
+ <td align="right"
+ valign="bottom">&pound;900</td>
+ </tr>
+
+ <tr>
+ <td align="right"
+ valign="top">Gross Profits</td>
+
+ <td align="right"
+ valign="top">&pound;1250</td>
+ </tr>
+ </table>
+
+ <p>Unfortunately, however, the real figures came out rather
+ differently, for they stood, I regret to say, as
+ under:&mdash;</p>
+
+ <table summary="Investments, part 1."
+ align="center">
+ <tr>
+ <td align="left"
+ valign="top">&pound;100 invested in Drachenfonteim
+ Catapults, at a loss of 5 per cent.</td>
+
+ <td align="right"
+ valign="bottom">&pound;500</td>
+ </tr>
+
+ <tr>
+ <td align="left"
+ valign="top">&pound;100 invested in Catawanga
+ Thirty-fives, at a loss of 7 per cent.</td>
+
+ <td align="right"
+ valign="bottom">&pound;700</td>
+ </tr>
+
+ <tr>
+ <td align="left"
+ valign="top">&pound;300 invested in Blinker's
+ Submarine Explosives, at a loss of 4 per cent.</td>
+
+ <td align="right"
+ valign="bottom">&pound;1200</td>
+ </tr>
+
+ <tr>
+ <td align="right"
+ valign="top">Total loss</td>
+
+ <td align="right"
+ valign="top">&pound;2400</td>
+ </tr>
+ </table>
+
+ <p>This, I need scarcely say, has at present not only eaten up
+ every halfpenny of cover, but a great deal besides; and I am
+ not sure that I shall not have to come down on my clients to
+ make good the balance. I cannot account for the result, except
+ from the fact that a new clerk read out the wrong tape; and
+ when I telephoned to my West-End Private Inquiry Agent about
+ these very three Stocks, he appears not to have heard me
+ distinctly, and thought I was asking him about Goschens, the
+ old Three-per-Cents., and Bank Stock, about which, of course,
+ he could only report favourably. It is an awkward mistake, but,
+ as I point out to all my clients, one must not regard the
+ Dealer as infallible. These things will occur. However, I am
+ going to be more careful in future; and I may as well announce
+ now, that on Monday next I am about to open a new Syndicate
+ Combination Pool, with a Stock about which I have made the most
+ thorough and exhaustive inquiries, with the result that I am
+ convinced an enormous fortune will be at the command of anyone
+ who will entrust me with a sufficiently large cheque in the
+ shape of cover to enable me to realise it.</p>
+
+ <p>For obvious reasons I keep the name of this Stock at present
+ a dead secret. Suffice it to say, that the operation in
+ question is connected with an old South-American Gold Mine,
+ about to be reworked under the auspices of a new company who
+ have bought it for a mere song. When I tell my clients that I
+ have got all my information from the Chairman, <i>who took down
+ under his greatcoat a carpet-bag full of crushed quartz
+ carefully mixed with five ounces of gold nuggets</i>, and
+ emptied this out at the bottom of a disused shaft, and then got
+ a Yankee engineer to report the discovery of ore in "lumps as
+ big as your fist," and state this in the new prospectus, they
+ will at once see what a solid foundation I have for this new
+ venture, which must inevitably fly upwards by leaps and bounds
+ as soon as the shares are placed upon the market. Of course,
+ when the truth comes out, there will be a reaction, but my
+ clients may trust me to be on the look-out for that, and, after
+ floating with all their investments to the top of the tide, to
+ get out of the concern with enormous profits before the bubble
+ eventually bursts. It is by a command of information of this
+ kind that I hope to ensure the confidence and merit the support
+ of my friends and patrons. Remember Monday next, and bear in
+ mind a cheque for three-and-sixpence covers &pound;5000. The
+ subjoined is from my correspondence:&mdash;</p>
+
+ <p>Sir,&mdash;I have as trustee for five orphan nieces to
+ invest for each of them &pound;3 18<i>s.</i> 9<i>d.</i>, left
+ them by a deceased maternal cousin. How ought I to invest this
+ to the greatest advantage with a due regard to security. What
+ do you say to Goschens? Or would you recommend Rio Diavolos
+ Galvanics? These promise a dividend of 70 per cent., and
+ although they have not paid one for some time, are a
+ particularly cheap stock at the present market price, the scrip
+ of the Five per Cent. Debenture Stock being purchased by a
+ local butterman at seven pounds for a halfpenny. A Spanish
+ Nobleman who holds some of this, will let me have it even
+ cheaper. What would you advise me to do? Yours, &amp;c. A
+ TRUSTEE IN A FOG.</p>
+
+ <p>Don't touch Goschens, they are not a speculative Stock. You
+ certainly might do worse than the Rio Diavolos Galvanics. Do
+ not hesitate, but put the little all of your five orphan nieces
+ into them at once, and <i>wait for the rise</i>.</p>
+ <hr />
+
+ <h2>ON THE CARDS.</h2>
+
+ <h4>(<i>By a Whist-loving Malade-Imaginaire.</i>)</h4>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Oh, where shall I hit on a "perfect cure"?</p>
+
+ <p>(What ails me I am not quite sure that I'm sure)</p>
+
+ <p>To Nice, where the weather is nice&mdash;with
+ vagaries?</p>
+
+ <p>The Engadine soft or the sunny Canaries?</p>
+
+ <p>To Bonn or Wiesbaden? My doctor laconic</p>
+
+ <p>Declares that the Teutonic air is too tonic.</p>
+
+ <p>Shall I do Davos-Platz or go rove the Riviera?</p>
+
+ <p>Or moon for a month in romantic Madeira?</p>
+
+ <p>St. Moritz or Malaga, Aix, La Bourboule?</p>
+
+ <p>Bah! My doctor's a <i>farceur</i> and I am&mdash;a
+ fool.</p>
+
+ <p>I will <i>not</i> try Switzerland, Norway, or
+ Rome.</p>
+
+ <p>I'll go in for a rest and a rubber&mdash;at
+ home.</p>
+
+ <p>A Windermere wander, <i>and</i> Whist, I feel
+ sure,</p>
+
+ <p>Will give what I'm seeking, a true "Perfect
+ Cure."</p>
+ </div>
+ </div>
+ <hr />
+
+ <p>A BUBBLE FROM THE SUDS.&mdash;A Firm of Soap-boilers have
+ been sending round a circular to "Dramatic Authors" of
+ established reputation, and (no doubt) others, offering to
+ produce gratis the best piece submitted to them at a
+ "<i>Matin&eacute;e</i> performance at a West End Theatre." The
+ only formality necessary to obtain this sweet boon is the
+ purchase of a box of the Firm's soap, which will further
+ contain a coupon "entitling the owner to send in one new and
+ original play for reading." The idea that a Dramatic Author of
+ any standing would submit his work to such a tribunal, even
+ with the dazzling prospect of a <i>Matin&eacute;e in
+ futuro</i>, is too refreshing! However, as literary men
+ nowadays fully appreciate the value of their labour, the idea,
+ in spite of the soap with which it is associated, may be
+ dismissed with the words, "Won't Wash!"</p>
+ <hr />
+ <span class="pagenum"><a name="page137"
+ id="page137"></a>[pg 137]</span>
+
+ <h2>OUR BOOKING-OFFICE.</h2>
+
+ <p>Why doesn't some publisher bring out <i>The Utterbosh
+ Series</i>, for, upon my word, says the Baron, the greater part
+ of the books sent in for "notice" are simply beneath it. Here's
+ one on which I made notes as I went on, as far as I could get
+ through it. It is called <i>Nemesis: a Moral Story</i>, by
+ SETON CREWE. Its sole merit would have been its being in one
+ volume, were it not that this form, being a bait to the unwary,
+ aggravates the offence. The heroine is <i>Lucinda</i>, a
+ milliner's apprentice. Being compromised by a young gentleman
+ under age, who suddenly quits the country, she goes to confess
+ her sin to the simple-minded Curate, who sees no way out of the
+ difficulty except by marrying his penitent, which he does, and
+ after the christening of her first-born, a joyous event that
+ occurs at no great interval after the happy wedding-day, the
+ Curate, the <i>Reverend Mr. Smith</i>, is transferred by his
+ Bishop from this parish to somewhere else a considerable
+ distance off, whence, after a variety of troubles, he goes
+ abroad as a travelling watering-place clergyman. After this,
+ his wife becomes a Roman Catholic for six months, and then
+ developes into a thoroughpaced infidel of generally loose
+ character. She takes up with a Lion Comique of the Music-Halls,
+ who is summarily kicked down-stairs by the <i>Reverend Mr.
+ Smith</i> on his return home one evening. And at this point I
+ closed the book, not caring one dump what became of any of the
+ characters, or of the book, or of the writer, and unable to
+ wait for the moral of this highly "moral story," which, I dare
+ say, might have done me a great deal of good. So I turned to
+ <i>Vanity Fair</i>, and re-read for the hundredth time, and
+ with increased pleasure, the great scene where <i>Rawdon
+ Crawley</i>, returning home suddenly, surprises <i>Becky</i> in
+ her celebrated <i>t&ecirc;te-&agrave;-t&ecirc;te</i> with my
+ <i>Lord Steyne</i>.</p>
+
+ <div class="figleft"
+ style="width:15%;">
+ <a href="images/137-1.png"><img width="100%"
+ src="images/137-1.png"
+ alt="Books, 1/- per lb." /></a>
+ </div>
+
+ <p>With pleasure the Baron welcomes Vol. No. IV. of ROUTLEDGE's
+ <i>Carisbrooke Library</i>, which contains certain <i>Early
+ Prose Romances</i>, the first and foremost among them being the
+ delightful fable of <i>Reynart the Fox</i>. Have patience with
+ the old English, refer to the explanatory notes, and its
+ perusal will well repay every reader. How came it about that
+ modern <i>Uncle Remus</i> had caught so thoroughly the true
+ spirit of this Medi&aelig;val romance? I forget, at this
+ moment, who wrote <i>Uncle Remus</i>&mdash;and I beg his pardon
+ for so doing&mdash;but whoever it was, he professed only to
+ dress up and record what he had actually heard from a veritable
+ <i>Uncle Remus</i>. <i>Brer Rabbit</i>, <i>Brer Fox</i>, and
+ <i>Old Man Bar</i>, are not the creatures of <i>&AElig;sop's
+ Fables</i>; they are the characters in <i>Reynart the Fox</i>.
+ The tricks, the cunning, the villany of <i>Reynart</i>,
+ unredeemed by aught except his affection for his wife and
+ family, are thoroughly amusing, and his ultimate success, and
+ increased prosperity; present a truer picture of actual life
+ than novels in which vice is visibly punished, and virtue
+ patiently rewarded. And once more I call to mind the latter
+ days of <i>Becky's</i> career.</p>
+
+ <p>Speaking of THACKERAY, Messrs. CASSELL &amp; Co. have just
+ brought out a one-and-threepenny edition ("the threepence be
+ demmed!") of the <i>Yellowplush Papers</i>, with a dainty
+ canary-coloured <i>Jeames</i> on the cover. At the same time
+ the same firm produce, in the same form, <i>The Last Days of
+ Pompeii</i>, <i>The Last Days of Palmyra</i>, and <i>The Last
+ of the Mohicans</i>. Odd, that the first issue of this new
+ series should be nearly all "Lasts." <i>The Yellowplush
+ Papers</i> might have been kept back, and <i>The Last of the
+ Barons</i> been substituted, just to make the set of lasts
+ perfect. The expression is suggestive of Messrs. CASSELL going
+ in for the shoemaking trade. <i>The Last Days of Palmyra</i> I
+ have never read. "I will try it," says the bold Baron.</p>
+
+ <p>But what means this new style of printing on thin double
+ sheets? One advantage is that no cutting is required. If this
+ form become the fashion, better thus to bring out the
+ <i>Utterbosh Series</i>, which shall then escape the critics'
+ hands,&mdash;no cutting being required. There are, as those who
+ use the paper-knife to these volumes will discover, in this new
+ issue of Messrs. CASSELL's, two blank pages for every two
+ printed ones, so that a new novel might be written in MS.
+ inside the printed one. The paper is good and clean to the
+ touch; but I prefer the stiff cover to the limp, "there's more
+ backbone about it," says the</p>
+
+ <p>BARON DE BOOK-WORMS.</p>
+
+ <p>Scarcely time to bring out a pocket edition (like those
+ genuine pocketable and portable editions, the red-backed
+ ROUTLEDGES) of <i>The Bride of Lammermoor</i>, between now and
+ the date of its production, next Saturday, at the Lyceum. But
+ worth while doing it as soon as possible. <i>Advice gratis</i>.
+ B. DE B.-W.</p>
+
+ <p>P.S.&mdash;(<i>Important to Authors and
+ Scribblers</i>.)&mdash;Unfortunately the Baron has been
+ compelled to take to his bed (which he doesn't "take to" at
+ all&mdash;but this by the way), and there write. Once more he
+ begs to testify to the excellence both of <i>The Hairless
+ Author's Pad</i>&mdash;no <i>The Author's Hairless
+ Pad</i>&mdash;and of the wooden rest and frame into which it
+ fits. Nothing better for an invalid than rest for his frame,
+ and here are rest and frame in one. Given these (or, if not
+ "given," purchased), and a patent indelible-ink-lead pencil
+ (whose patent I don't know, as, with much use, the
+ gold-lettering is almost obliterated from mine, and all I can
+ make out is the word "Eagle"), and the convalescent author may
+ do all his work in comfort, without mess or muddle; and hereto,
+ once again, I set my hand and seal, so know all men by these
+ presents, all to the contrary nevertheless and notwithstanding.
+ B. DE B.-W.</p>
+ <hr />
+
+ <h2>GREEN PASTURES <i>OR</i> PICCADILLY?</h2>
+
+ <h4><i>To the Editor.</i></h4>
+
+ <div class="figright"
+ style="width:17%;">
+ <a href="images/137-2.png"><img width="100%"
+ src="images/137-2.png"
+ alt="Suburbanite." /></a>
+ </div>
+
+ <p>Sir,&mdash;I see that you have opened your columns to a
+ discussion of the relative advantages of life in London and the
+ Suburbs. I don't think that really the two can be compared. If
+ you want <i>perfect quietude</i> can you get it better than in
+ a place where, between nine and six, not a single male human
+ being is visible, all of them being in town? Some people may
+ call this dull; but I like it. Then everything is so cheap in
+ the Suburbs! I only pay &pound;100 a year for a nice house in a
+ street, with a small bath-room, and a garden quite as large as
+ a full-sized billiard-table. People tell me I could get the
+ same thing in London, but of course a suburban street must be
+ nicer than a London one. We are just outside the Metropolitan
+ main drainage system, and our death-rate is rather heavy, but
+ then our rates are light. My butcher only charges me
+ one-and-twopence a pound for best joints, and though this is a
+ little dearer than London, the meat is probably more wholesome
+ from being in such good air as we enjoy. In wintertime the
+ journey to town, half-an-hour by train, has a most bracing
+ effect on those capable of bearing severe cold. For the rest,
+ the incapables are a real blessing to those who sell
+ mustard-plasters and extra-sized pocket-handkerchiefs. Our
+ society is so select and refined that I verily believe
+ Belgravia can show nothing like it! Yours obediently,</p>
+
+ <p>FAR FROM THE MADDING CROWD.</p>
+ <hr class="short" />
+
+ <p>Sir,&mdash;The Suburbs are certainly delightful, if you have
+ a good train service; but this you seldom get. I do not
+ complain of our Company taking three-quarters of an hour to
+ perform the distance of eight and a half miles to the City, as
+ this seems a good, average suburban rate, but I do think the
+ "fast" train (which performs the distance in that time) might
+ start a little later than 8.30 A.M. Going in to business at
+ 10.30 by an "ordinary" train, which stops at sixteen stations,
+ and takes an hour and a half, becomes after a time rather
+ monotonous. It involves a painful "Rush in Urbe" to get through
+ business in time to catch the 4.30 "express" back, a train
+ which (theoretically) stops nowhere.</p>
+
+ <p>COUNTRY CUSSIN'.</p>
+ <hr class="short" />
+
+ <p>Sir,&mdash;No more London for me! I've tried it, and know
+ what it's like. I have found a delightful cottage, twenty miles
+ from town, and mean to live in it always. Do we ever have one
+ of your nasty yellow fogs here? Never! Nothing more than a
+ thick white mist, which rises from the fields and envelopes the
+ house every night. It is true that several of our family
+ complain of rheumatism, and when I had rheumatic fever myself a
+ month ago, I found it a little inconvenient being six miles
+ from a doctor and a chemist's shop. But then my house is so
+ picturesque, with an Early English wooden porch (which can be
+ kept from falling to pieces quite easily by hammering a few
+ nails in now and then, and re-painting once a week), and no end
+ of gables, which only let the water into the bedrooms in case
+ of a <i>very</i> heavy shower. Then think of the delights of a
+ garden, and a field (for which I pay &pound;20 a year, and
+ repair the hedges), and chickens! I don't think I have spent
+ more than &pound;50 above what I should have done in London,
+ owing to the necessity of fitting up chicken-runs and buying a
+ conservatory for my wife, who is passionately fond of flowers.
+ Unfortunately my chickens are now moulting, and decline to lay
+ again before next March; so I bring back fresh eggs from town,
+ and, as my conservatory is not yet full, flowers from Covent
+ Garden; and I can assure you that, until you try it, you cannot
+ tell the amount of pleasure and exercise which walking a couple
+ of miles (the distance of my cottage from the station), laden
+ with groceries and other eatables, can be made to afford. Yours
+ chirpily,</p>
+
+ <p>FIELD-FARE.</p>
+ <hr />
+
+ <p>GOOD FOR SPORT!&mdash;A well-known chartered accountant,
+ with a vulpine patronymic, complains of the unkind treatment he
+ recently received in Cologne at the hands of the German police.
+ He should be consoled by the thought, that his persecution
+ marked in those latitudes the introduction of Fox-hunting.</p>
+ <hr />
+ <span class="pagenum"><a name="page138"
+ id="page138"></a>[pg 138]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/138.png"><img width="100%"
+ src="images/138.png"
+ alt="" /></a>
+
+ <h3>YANKEE EXCLUSIVENESS.</h3>
+
+ <p><i>Young Britisher</i>. "YOUR FATHER'S NOT WITH YOU
+ THEN, MISS VAN TROMP?"</p>
+
+ <p><i>Fair New York Millionnairess</i> (<i>one of
+ three</i>). "WHY, NO&mdash;PA'S MUCH TOO VULGAR! IT'S AS
+ MUCH AS WE CAN DO TO STAND MA!"</p>
+ </div>
+ <hr />
+
+ <h2>THE QUICKSAND!</h2>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Is this the Eagle-hunter,</p>
+
+ <p>The valiant fate-confronter,</p>
+
+ <p>The soldier brave, and blunter</p>
+
+ <p class="i2">Of speech than BISMARCK's self?</p>
+
+ <p>This bungler all-disgracing,</p>
+
+ <p>This braggart all-debasing.</p>
+
+ <p>This spurious sportsman, chasing</p>
+
+ <p class="i2">No nobler prey than pelf?</p>
+ </div>
+
+ <div class="stanza">
+ <p>The merest "fly in amber,"</p>
+
+ <p><i>He</i> after eagles clamber?</p>
+
+ <p>Nay, faction's ante-chamber</p>
+
+ <p class="i2">Were fitter place for him,</p>
+
+ <p>A trifler transitory,</p>
+
+ <p>To gasconade of "glory"!</p>
+
+ <p>He'd foul fair France's story,</p>
+
+ <p class="i2">Her lustre pale and dim.</p>
+ </div>
+
+ <div class="stanza">
+ <p><i>Les Coulisses?</i> Ah, precisely!</p>
+
+ <p>They suit his nature nicely,</p>
+
+ <p>Who bravely, nobly, wisely,</p>
+
+ <p class="i2">Can hardly even "act."</p>
+
+ <p><i>Histrio</i> all <i>blague</i> and blather,</p>
+
+ <p>Is it not pity, rather,</p>
+
+ <p>One Frenchman should foregather</p>
+
+ <p class="i2">With him in selfish pact?</p>
+ </div>
+
+ <div class="stanza">
+ <p>In selfish pact&mdash;but silly.</p>
+
+ <p><i>His</i> neighbouring, willy-nilly,</p>
+
+ <p>Must smirch the Bee, the Lily,</p>
+
+ <p class="i2">Or stain the snow-white flag.</p>
+
+ <p>Wielder of mere stage-dagger,</p>
+
+ <p>Loud lord of empty swagger,</p>
+
+ <p>In peril's hour a lagger.</p>
+
+ <p class="i2">A Paladin of Brag!</p>
+ </div>
+
+ <div class="stanza">
+ <p>And now his venture faileth,</p>
+
+ <p>And now his valour paleth;</p>
+
+ <p><i>Et apr&egrave;s?</i> What availeth</p>
+
+ <p class="i2">His aid to those who'd use him?</p>
+
+ <p>Imperial or Royal,</p>
+
+ <p>What "patron" will prove loyal</p>
+
+ <p>Unto this "dupe"? They'll joy all</p>
+
+ <p class="i2">To mock, expose, abuse him!</p>
+ </div>
+
+ <div class="stanza">
+ <p>But from the contest shrinking,</p>
+
+ <p>The draught of failure drinking,</p>
+
+ <p>In trickery's quicksand sinking,</p>
+
+ <p class="i2">Pulls he not others down?</p>
+
+ <p>Will PLON-PLON stand securely,</p>
+
+ <p>The COMTE pose proudly, purely,</p>
+
+ <p>Whilst slowly but most surely</p>
+
+ <p class="i2">Their tool must choke or drown?</p>
+ </div>
+
+ <div class="stanza">
+ <p>Indifferent France sits smiling.</p>
+
+ <p>And what avails reviling?</p>
+
+ <p>Such pitch without defiling</p>
+
+ <p class="i2">Can "Prince" or "Patriot" touch?</p>
+
+ <p>This quicksand unromantic</p>
+
+ <p>Closes on him, the Antic,</p>
+
+ <p>Whose hands with gestures frantic</p>
+
+ <p class="i2">Contiguous coat-tails clutch.</p>
+ </div>
+
+ <div class="stanza">
+ <p>The furious factions splutter,</p>
+
+ <p>Power's cheated claimants mutter,</p>
+
+ <p>And foiled fire-eaters utter</p>
+
+ <p class="i2">Most sanguinary threats.</p>
+
+ <p>"<i>He</i> Freedom's fated suckler?</p>
+
+ <p>The traitor, trickster, truckler!"</p>
+
+ <p>So fumes the fierce swash-buckler,</p>
+
+ <p class="i2">And his toy-rapier whets.</p>
+ </div>
+
+ <div class="stanza">
+ <p>But will that quicksand only</p>
+
+ <p>Engulph <i>him</i> lost and lonely?</p>
+
+ <p>The fraud exposed, the known lie,</p>
+
+ <p class="i2">The bribe at length betrayed,</p>
+
+ <p>Must whelm this sham detected,</p>
+
+ <p>But what may be expected</p>
+
+ <p>From "Honour" shame-infected,</p>
+
+ <p class="i2">And "Kingship" in the shade?</p>
+ </div>
+ </div>
+ <hr />
+
+ <h2>THE RAVENSTEIN.</h2>
+
+ <blockquote class="note">
+ <p>[Mr. RAVENSTEIN, at the British Association, considered
+ the question, how long it will be before the world becomes
+ over-populated.]</p>
+ </blockquote>
+
+ <p><i>Punch to the Prophet</i>.</p>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Prophet of o'er-population, your ingenious
+ calculation,</p>
+
+ <p>Causeth discombobulation only in the anxious
+ mind</p>
+
+ <p>That forecasts exhausted fuel, or the period when
+ the duel</p>
+
+ <p>Will have given their final gruel to French
+ journalists; a kind</p>
+
+ <p>Of cantankerous, rancorous spitfires, blusterous,
+ braggart, boyish, blind,</p>
+
+ <p class="i2">Who much mourning scarce would find.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Prophet of o'er-population, when the centuries in
+ rotation</p>
+
+ <p>Shall have filled our little planet till it tends to
+ running o'er,</p>
+
+ <p>Will this world, with souls o'erladen, be a Hades or
+ an Aidenn?</p>
+
+ <p>Will man, woman, boy and maiden, be less civilised,
+ or more?</p>
+
+ <p><i>That's</i> the question, RAVENSTEIN! What boots a
+ billion, less or more,</p>
+
+ <p class="i2">If Man still is fool or boor?</p>
+ </div>
+
+ <div class="stanza">
+ <p>"Seek not to proticipate" is <i>Mrs. Gamp's</i> wise
+ maxim. Great is</p>
+
+ <p>Mankind's number <i>now</i>, but "take 'em as they
+ come, and as they go,"</p>
+
+ <p>Like the philosophic <i>Sairey</i>; and though the
+ sum total vary,</p>
+
+ <p>Other things may vary likewise, things we dream not,
+ much less know,</p>
+
+ <p>Don't you think, my RAVENSTEIN, our state ten
+ centuries hence or so</p>
+
+ <p class="i2">We may prudently&mdash;let go?</p>
+ </div>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page139"
+ id="page139"></a>[pg 139]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/139.png"><img width="100%"
+ src="images/139.png"
+ alt="" /></a>
+
+ <h3>THE QUICKSAND!</h3>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page141"
+ id="page141"></a>[pg 141]</span>
+
+ <div class="figcenter"
+ style="width:50%;">
+ <a href="images/141.png"><img width="100%"
+ src="images/141.png"
+ alt="" /></a>
+
+ <h3>PREPARING FOR BLACK MONDAY.</h3>
+
+ <p><i>Paterfamilias</i> (<i>reading School Report</i>).
+ "AH, MY BOY, THIS ISN'T SO GOOD AS IT MIGHT BE. 'LATIN
+ INDIFFERENT,' 'FRENCH POOR,' 'ARITHMETIC NOTHING'?"</p>
+
+ <p><i>Tommy.</i> "AH, BUT LOOK DOWN THERE, PAPA. '<i>HEALTH
+ EXCELLENT'!</i>"</p>
+ </div>
+ <hr />
+
+ <h2>TO A TRUMPETING DEMOCRAT.</h2>
+
+ <blockquote class="note">
+ <p>[MR. ANDREW CARNEGIE, the Iron King and millionnaire of
+ Pittsburg, has been addressing big audiences in Scotland.
+ Amongst his remarks were the following:&mdash;"It is said
+ that in America, although we have no aristocracy, we are
+ cursed with a plutarchy. Let me tell you about that. A man
+ who carries a million dollars on his back carries a
+ load.... When I speak against the Royal Family I do not
+ condescend to speak of the creatures who form the Royal
+ Family&mdash;persons are so insignificant.... We laugh at
+ your ideas in this petty little country having anything to
+ say to the free and independent citizens who walk through
+ Canada, Australia, and America. You know how to get rid of
+ a Monarchy. Brazil has taught you."&mdash;&amp;c.,
+ &amp;c.]</p>
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>CARNEGIE, pray take notice, since I know that it
+ would blister</p>
+
+ <p>The thin skin of a democrat, I drop the title
+ "Mr.,"</p>
+
+ <p>You have talked a lot of bunkum, all mixed up with
+ most terrific cant.</p>
+
+ <p>But you truly said that "persons are so very
+ insignificant;"</p>
+
+ <p>And the author of a speech I read, part scum and
+ partly dreggy,</p>
+
+ <p>Is perhaps the least significant&mdash;that windbag
+ named CARNEGIE.</p>
+
+ <p>But your kindness most appals me, Sir; how really,
+ truly gracious,</p>
+
+ <p>For one whose home is in the States, free, great,
+ and most capacious,</p>
+
+ <p>To come to poor old England (where the laws but make
+ the many fit</p>
+
+ <p>To lick a Royal person's boots), and all for
+ England's benefit.</p>
+
+ <p>To preach to us, and talk to us, to tell us how
+ effete we are,</p>
+
+ <p>How like a flock of silly sheep who merely baa and
+ bleat we are.</p>
+
+ <p>And how "this petty little land," which prates so
+ much of loyalty,</p>
+
+ <p>Is nothing but a laughing-stock to Pittsburg
+ Iron-Royalty.</p>
+
+ <p>How titles make a man a rake, a drunkard, and the
+ rest of it,</p>
+
+ <p>While plain (but wealthy) democrats in Pittsburg
+ have the best of it.</p>
+
+ <p>How, out in Pennsylvania, the millionnaires are
+ panting</p>
+
+ <p>(Though there's something always keeps them fat) for
+ monetary banting.</p>
+
+ <p>How free-born citizens complain, with many Yankee
+ curses,</p>
+
+ <p>Of fate which fills, in spite of them, their coffers
+ and their purses.</p>
+
+ <p>How, if the man be only poor, there's nothing that
+ can stop a cit</p>
+
+ <p>In Yankeeland, while here with us the case is just
+ the opposite.</p>
+
+ <p>How honest British working-men who fail to fill
+ their larder</p>
+
+ <p>Should sail for peace and plenty by the very next
+ Cunarder.</p>
+
+ <p>And how, in short, if Britishers want freedom gilt
+ with millions,</p>
+
+ <p>They can't do wrong to imitate the chivalrous
+ Brazilians.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Well, well, I know we have our faults, quite
+ possibly a crowd of them,</p>
+
+ <p>And sometimes we deceive ourselves by thinking we
+ are proud of them;</p>
+
+ <p>But we never can have merited that <i>you</i> should
+ set the law to us,</p>
+
+ <p>And rail at us, and sneer at us, and preach to us,
+ and "jaw" to us.</p>
+
+ <p>We're much more tolerant than some; let those who
+ hate the law go</p>
+
+ <p>And spout sedition in the streets of anarchist
+ Chicago;</p>
+
+ <p>And, after that, I guarantee they'll never want to
+ roam again,</p>
+
+ <p>Until they get a first-class hearse to take their
+ bodies home again.</p>
+ </div>
+
+ <div class="stanza">
+ <p>But stay, I've hit upon a plan: We'll, first of all,
+ relieve you</p>
+
+ <p>Of all your million dollars that so onerously grieve
+ you;</p>
+
+ <p>Then, if some loud, conceited fool wants taking down
+ a peg, he</p>
+
+ <p>Shall spend an hour or so in talk with democrat
+ CARNEGIE.</p>
+
+ <p>For all men must admit 'twould be an act of mere
+ insanity</p>
+
+ <p>To try to match this Pittsburger in bluster or in
+ vanity.</p>
+
+ <p>And oh, when next our Chancellor is anxious for a
+ loan, Sir,</p>
+
+ <p>He'll buy you in at our price, and he'll sell you at
+ your own, Sir.</p>
+
+ <p>And if you don't like English air, why, dash it, you
+ may lump it,</p>
+
+ <p>Or go and blow in other climes your most offensive
+ trumpet!</p>
+ </div>
+ </div>
+ <hr />
+
+ <h2>ROBERT UP THE RIVER.</h2>
+
+ <p>I atended on a Party larst week as went up the River (our
+ nice little Stream, as the aughty Amerrycanes calls it) to Ship
+ Lake, tho' why it's called so I coodn't at all make out, as
+ there ain't no Ship nor no Lake to be seen there, ony a werry
+ little Werry, and a werry littel River, and a werry littel
+ Hiland; and it was prinsepally to see how the appy yung Gents
+ who sumtimes lives on the same littel Hiland, in littel Tents,
+ was a gitting on, as injuced all on us, me and all, to go
+ there. It seems that for years parst quite a littel Collony of
+ yung Gents as gets their living in the grand old Citty has been
+ in the habit of spending their littel summer Hollydays there,
+ but, somehows or other, as I coodn't quite understand, the
+ master of the littel Hiland made up his mind for to sell it,
+ and all the yung Gents was in dispair, and wundered where on
+ airth they shood spend their Hollydays in future. But they
+ needn't have been afeard&mdash;there was a grand old
+ hinstitushun called "The Copperashun!" as had both their ears
+ and both their eyes open when they heard about it. So when the
+ time came for it to be sold, they jest quietly says to one of
+ their principel Chairmen (who is sich a King of Good Fellers
+ that they all calls him by that name, and he arnsers to it jest
+ as if it was the werry name as was guv him by his Godfathers
+ and his Godmothers, as I myself heard with my own ears), "Go
+ and buy it!" So off he goes at wunce and buys it, and the
+ kindly Copperashun Gents as I went with larst week, went to
+ take possesshun on it acordingly, and to see if anythink coud
+ be done to make the yung Campers-out ewen more cumferabel than
+ they ewer was afore! Ah, that's what I calls trew Pattriotizm,
+ and trew Libberality, if you likes, and that's what makes 'em
+ so much respeckted.</p>
+
+ <p>Our Gents was all considrably surprized at the lots of Tents
+ as was all a standing on Ship Lake Island; one on 'em, who was
+ got up quite in a naughtical style, said as he was estonished
+ to see so many on 'em pitched, but I think as he must ha' bin
+ mistaken, for I didn t see not none on 'em pitched, tho' I
+ dessay it might ha' been werry usefool in keeping out the rain
+ on a remarkabel wet night.</p>
+
+ <p>By sum mistake on sumboddy's part, there wasn't not no yung
+ Campers-out to receeve us, and so fears was hentertaned that
+ they wood have to cum again shortly; but they are bold plucky
+ gents, is the men of the Copperashun, and they one and all
+ xpressed their reddiness to do it at the call of dooty.
+ Besides, we had sich a reel Commodore a board as made us all
+ quite reddy to brave the foaming waves again. Why, he guv out
+ the word of command, whether it was to "Port the Helem," or to
+ "Titen the mane braces," as if he had bin a Hadmiral at the
+ werry least, and his galliant crew obeyed him without not no
+ grumbling or ewen thretening to strike!</p>
+
+ <p>By one of them striking and remarkabel ocurrences as happens
+ so offen, who shood we appen to find at Ship Lake, but one of
+ the werry poplarest of the Court of Haldermen, and what shood
+ he do but ask 'em all in to lunch at his splendid manshun, and
+ what shood they all do but jump at the hoffer, and what does he
+ do, for a lark, I serppose&mdash;if so be as a reel Poplar
+ Alderman ewer does have sich a thing as a lark&mdash;and give
+ 'em all sich a gloryous spread, as I owerheard one henergetick
+ Deperty describe it, as hutterly deprived 'em all of the power
+ of heating a bit of dinner till the werry next day, to which
+ time they wisely put it off, and then thorowly injoyed it.</p>
+
+ <p>In course, I'm not allowed to menshun not no names on these
+ conferdential ocasions, but I did hear "the Commodore" shout to
+ "the King" sumthink about "Hansum is as Hansum does," but it
+ was rayther too late in the heavening for me to be able to
+ quite unnerstand his elusions.</p>
+
+ <p>I am 'appy to be able to report that we every one on us
+ arrived in Town quite safe and quite happy, xcep sum of the
+ pore hard-working crew who are left at Marlow till further
+ orders. ROBERT.</p>
+ <hr />
+ <span class="pagenum"><a name="page142"
+ id="page142"></a>[pg 142]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/142.png"><img width="100%"
+ src="images/142.png"
+ alt="" /></a>
+
+ <h3>MEETING OF THE B.A. FOR THE ADVANCEMENT OF SCIENCE.
+ LEEDS TOWN-HALL.</h3>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page143"
+ id="page143"></a>[pg 143]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/143-1.png"><img width="100%"
+ src="images/143-1.png"
+ alt="" /></a>
+
+ <h3>FAIR PROPOSAL.</h3><i>Johnson</i> (<i>at
+ window&mdash;having offered to tame a vicious Horse for his
+ Friend</i>). "NOW, TOM, JUST COLLAR HOLD OF HIS HEAD, AND
+ I'LL PUT THE MUZZLE ON!"
+ </div>
+ <hr />
+
+ <h2>A SPORTING STYLE.</h2>
+
+ <h4>(<i>Third Example.</i>)</h4>
+
+ <p>Two examples of a correct sporting style have been already
+ laid before the public. For convenience of reference they may
+ be defined as the mixed-pugilistic and the insolent. There is,
+ however, a third variety, the equine, in which everyone who
+ aspires to wield the pen of a sporting reporter must
+ necessarily be a proficient. It may be well to warn a beginner
+ that he must not attempt this style until he has laid in a
+ large stock of variegated metaphoric expressions. As a matter
+ of fact one horse-race is very much like another in its main
+ incidents, and the process of betting against or in favour of
+ one horse resembles, more or less, the process of betting about
+ any other. The point is, however, to impart to monotonous
+ incidents a variety they do not possess; and to do this
+ properly a luxuriant vocabulary is essential. For instance, in
+ the course of a race, some horses tire, or, to put it less
+ offensively, go less rapidly than others. The reporter will say
+ of such a horse that he (1) "shot his bolt," or (2) "cried
+ <i>peccavi</i>," or (3) "cried a go," or (4) "compounded," or
+ (5) "exhibited signals of distress," or (6) "fired minute
+ guns," or (7) "fell back to mend his bellows," or (8) "seemed
+ to pause for reflection."</p>
+
+ <div class="figleft"
+ style="width:10%;">
+ <a href="images/143-2.png"><img width="100%"
+ src="images/143-2.png"
+ alt="" /></a>
+ </div>
+
+ <p>Again, in recording the upward progress of horses in the
+ betting market, it would be ridiculous to say of all of them
+ merely that they became hot favourites. Vary, therefore,
+ occasionally, by saying of one, for example, that "here was
+ another case of one being eventually served up warm"; of
+ another, that "plenty of the talent took 7 to 4 about
+ <i>Mousetrap</i>;" of a third, that "<i>Paradox</i> had the
+ call at 4 to 1;" and of a fourth, that "a heap of money, and
+ good money too, went on <i>Backslide</i>." After these
+ preliminary instructions, <i>Mr. Punch</i> offers his</p>
+
+ <p><i>Third Example</i>.&mdash;Event to be described: A
+ horse-race. Names of horses and jockeys, weights, &amp;c.,
+ supplied.</p>
+
+ <p>Considerable delay took place. <i>Little Benjy</i> made a
+ complete hole in his manners by bolting. Eventually, however,
+ the flag tell to a capital start. <i>Burglar Bill</i> on the
+ right cut out the work<a id="footnotetag1"
+ name="footnotetag1"></a><a href="#footnote1"><sup>1</sup></a>
+ from <i>Paladin</i>, who soon began to blow great guns, and
+ after a quarter of a mile had been negotiated yielded his
+ pride of place to <i>Cudlums</i> with <i>The P'liceman</i>
+ in attendance, <i>Sobriety</i> lying fourth, and <i>D.
+ T.</i> close behind. Thus they raced to the bend, where
+ <i>Burglar Bill</i> cried <i>peccavi</i>, and <i>Cudlums</i>
+ having shot her bolt, <i>Sobriety</i> was left in front,
+ only to be challenged by <i>Cropeared Sue</i>, who had been
+ coming through her horses with a wet sail. Bounding the bend
+ SIMPSON called upon <i>Mrs. Brady</i> and literally took tea
+ with her rivals,<a id="footnotetag2"
+ name="footnotetag2"></a><a href="#footnote2"><sup>2</sup></a>
+ whom he nailed to the counter one after another. The
+ favourite compounded at the distance, and <i>Mrs. Brady</i>
+ romped home the easiest of winners, four lengths ahead of
+ <i>Cropeared Sue</i>; a bad third. The rest were whipped in
+ by <i>Flyaway</i>, who once more failed to justify the
+ appellation bestowed upon him.</p>
+
+ <p><i>Mr. Punch</i> flatters himself that, upon the above
+ model, the report of any race-meeting could be accurately
+ constructed at home. In future, therefore, no reporter should
+ go to the expense of leaving London for Epsom, Newmarket,
+ Ascot, or Goodwood.</p>
+
+ <blockquote class="footnote">
+ <a id="footnote1"
+ name="footnote1"></a><b>Footnote 1:</b>
+ <a href="#footnotetag1">(return)</a>
+
+ <p>Note this sentence. It is essential.</p>
+ </blockquote>
+
+ <blockquote class="footnote">
+ <a id="footnote2"
+ name="footnote2"></a><b>Footnote 2:</b>
+ <a href="#footnotetag2">(return)</a>
+
+ <p>At first sight it would appear more natural that SIMPSON
+ (presumably a jockey) having called upon <i>Mrs. Brady</i>,
+ should take tea with <i>her</i> rather than with her
+ rivals. But a sporting style involves us in puzzles.</p>
+ </blockquote>
+ <hr />
+
+ <h2>A CENTENARIAN.</h2>
+
+ <blockquote>
+ <p>"This is the centenary of the tall hat."&mdash;<i>Daily
+ News</i>.</p>
+ </blockquote>
+
+ <div class="figright"
+ style="width:15%;">
+ <a href="images/143-3.png"><img width="100%"
+ src="images/143-3.png"
+ alt="Centenarian." /></a>
+ </div>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>A hundred years of hideousness,</p>
+
+ <p>Constricted brows, and strain, and stress!</p>
+
+ <p>And still, despite humanity's groan,</p>
+
+ <p>The torturing, "tall-hat" holds its own!</p>
+
+ <p>What proof more sure and melancholy</p>
+
+ <p>Of the dire depths of mortal folly?</p>
+
+ <p>Mad was the hatter who invented</p>
+
+ <p>The demon "topper," and demented</p>
+
+ <p>The race that, spite of pain and jeers,</p>
+
+ <p>Has borne it&mdash;for One Hundred Years!</p>
+ </div>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page144"
+ id="page144"></a>[pg 144]</span>
+
+ <h2>HAMLET AT THE VEGETARIAN CONGRESS.</h2>
+
+ <div class="figright"
+ style="width:30%;">
+ <a href="images/144-1.png"><img width="100%"
+ src="images/144-1.png"
+ alt="Hamlet at the Vegetarian Congress." /></a>
+ </div>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Yea, from the table of my dining-room,</p>
+
+ <p>I'll take away all tasty joints and
+ <i>entr&eacute;es</i>.</p>
+
+ <p>All sorts of meat, all forms of animal diet</p>
+
+ <p>That the carnivorous cook hath gathered there:</p>
+
+ <p>And, by commandment, will entirely live</p>
+
+ <p>Within the bounds of vegetable food,</p>
+
+ <p>Unmixed with savoury matters. Yes, by heaven!</p>
+
+ <p>O most pernicious Meat!</p>
+
+ <p>O Mutton, beef, and pork, digestion-spoiling!</p>
+
+ <p>My tables, my tables! Meat? I'll put it down;</p>
+
+ <p>For men may dine, and dine, and do no killing,</p>
+
+ <p>At least I'm sure it may be so&mdash;on lentils.</p>
+
+ <p>So, <i>gourmand</i>, there you are! Now to my
+ <i>menu</i>;</p>
+
+ <p>It is, "<i>All Vegetables and no Meat!</i>"</p>
+
+ <p>I have sworn't!</p>
+ </div>
+ </div>
+ <hr />
+
+ <h2>INTERVIEWING &Agrave; LA MODE.</h2>
+
+ <h4>(<i>Quite at the Service of some of Mr. Punch's
+ Contemporaries.</i>)</h4>
+
+ <p>One of our Representatives called a few days since upon Mr.
+ BROWN, senior member of the well-known firm of Messrs. BROWN,
+ JONES, AND ROBINSON. The Eminent General Dealer was seated "in
+ his counting-house," as the nursery-song hath it, "counting out
+ his money."</p>
+
+ <p>"Come in, come in!" said Mr. BROWN, cordially, as he
+ somewhat hurriedly looked up the coin in a safe out of our
+ reach. "I am delighted to see you."</p>
+
+ <p>"Glad to hear it," we replied, rather drily. "We want to put
+ a few questions to you, in the interest of the public."</p>
+
+ <p>"As many as you please. I am, as you know, a man of
+ business; still, the resources of our establishment are so
+ vast, that my place can be supplied without inconvenience to
+ our thousands, I may say millions of customers. And now, Sir,
+ what can I do for you?"</p>
+
+ <p>"Well, Mr. BROWN, speaking in the name of civilisation, I
+ would wish to ask you if you have much sale for SMASHUP's
+ Concentrated Essence of Cucumbers (registered), in the larger
+ bottles?"</p>
+
+ <p>"Yes, Sir, we have; although the smaller sizes are,
+ possibly, a trifle more popular."</p>
+
+ <p>"What do you think of COTTONBACK's Fleur de Lyons Putney
+ Satin?"</p>
+
+ <p>"A most admirable material for home wear, although we do not
+ recommend it for use at a party, a ball, or a reception. For
+ festive occasions we do a very large trade in GIGGLEWATER's
+ Superfine Velvet South American <i>Moir&eacute; Antique</i> as
+ advertised."</p>
+
+ <p>"Indeed! Perhaps, you can mention a few more articles that
+ in your judgment you believe it will interest our readers to
+ learn about."</p>
+
+ <p>"Pardon me, but don't you put that sentence a trifle
+ clumsily?"</p>
+
+ <p>Our Representative smiled and blushed. Then he admitted that
+ Mr. BROWN might be right.</p>
+
+ <p>"Ha! ha! ha!" laughed the Senior Partner, in great glee.
+ "You see I have my head screwed on the right way! But to answer
+ you. GOTEMON's Patent Alligator's Skin Braces are attracting
+ much attention just now, so is WIPE's Castle 2 Imperial William
+ Champagne, which finds (I may observe confidentially) a ready
+ sale at thirty-two shillings the dozen. Then there are AKE's
+ Electric Tooth-brushes, and CRAX's Stained-glass Solid Mahogany
+ Brass-mounted Elizabethan Mantel-boards. Then, of course, I
+ must not forget BOLTER's Washhandstands and BOUNDER's
+ Anti-agony Aromatic Pills."</p>
+
+ <p>"And all these articles sell largely?"</p>
+
+ <p>"Very largely, indeed. And so they should; for they are well
+ worth the money they cost."</p>
+
+ <p>"Indeed they are, or I should not find them in your
+ establishment."</p>
+
+ <p>"You are very good. And now, <i>&agrave; propos</i> of your
+ journal, will you permit me to pay a return compliment?"</p>
+
+ <p>"Certainly," we replied. "You have noticed an improvement in
+ our columns?"</p>
+
+ <p>"Unquestionably I have," returned Mr. BROWN, emphatically.
+ "I have observed that of late you have given much interesting
+ matter in the body of your paper that heretofore used to be
+ reserved for the pages exclusively devoted to advertisements. I
+ congratulate you!"</p>
+
+ <p>And with a courteous wave of his hand and a bow of
+ dismissal, the Eminent Pillar of Commerce delicately intimated
+ to us that our interview was at an end.</p>
+ <hr />
+
+ <h2>'ARRY ON THE SINCEREST FORM OF FLATTERY.</h2>
+
+ <div class="figright"
+ style="width:15%;">
+ <a href="images/144-2.png"><img width="100%"
+ src="images/144-2.png"
+ alt="" /></a>
+ </div>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>DEAR CHARLIE,&mdash;Your faviour to 'and in doo
+ course, as the quill-drivers say;</p>
+
+ <p>Likeways also the newspaper cuttins enclosed. You're
+ on Rummikey's lay.</p>
+
+ <p>Awful good on yer, CHARLIE, old chummy, to take so
+ much trouble for me;</p>
+
+ <p>But do keep on yer 'air, dear old pal; <i>I</i> am
+ still right end uppards, yer see.</p>
+ </div>
+
+ <div class="stanza">
+ <p>You are needled along of some parties,&mdash;er
+ course you ain't fly to their names,&mdash;</p>
+
+ <p>As has bin himitating Yours Truly. Way-oh! It's the
+ oldest o' games,</p>
+
+ <p>Himitation is, CHARLIE. It makes one think DARWIN
+ was right, anyhow,</p>
+
+ <p>And that most on us did come from monkeys, which
+ some ain't so fur from 'em now.</p>
+ </div>
+
+ <div class="stanza">
+ <p>You start a smart game, or a paying
+ one&mdash;something as knocks 'em, dear boy,</p>
+
+ <p>No matter, mate, whether it's mustard, or rhymes, or
+ a sixpenny toy;</p>
+
+ <p>They'll be arter you, nick over nozzle, the smuggers
+ of notions and nips,</p>
+
+ <p>For the mugs is as 'ungry for wrinkles as
+ broken-down bookies for tips.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Look at DICKENS, dear boy, and Lord
+ TENNYSON&mdash;ain't they bin copied all round?</p>
+
+ <p>Wy, I'm told some as liked ALFRED's verses at fust,
+ is now sick of the sound;</p>
+
+ <p>All along o' the parrots, my pippin. Ah, that's jest
+ the wust o' sech fakes!</p>
+
+ <p>People puke at the shams till they think the
+ originals ain't no great shakes.</p>
+ </div>
+
+ <div class="stanza">
+ <p>'Tain't fair, CHARLIE, not by a jugful, but anger's
+ all fiddle-de-dee;</p>
+
+ <p>They may copy my style till all's blue, but they
+ won't discombobulate me.</p>
+
+ <p>Names and metres is anyone's props; but of one thing
+ they don't get the 'ang;</p>
+
+ <p>They ain't fly to good patter, old pal, they ain't
+ copped the straight griffin on slang.</p>
+ </div>
+
+ <div class="stanza">
+ <p>'Tisn't grammar and spellin' makes patter, nor yet
+ snips and snaps of snide talk.</p>
+
+ <p>You may cut a moke out o' pitch-pine, mate, and
+ paint it, but can't make it walk.</p>
+
+ <p>You may chuck a whole Slang Dixionary by chunks in a
+ stodge-pot of chat,</p>
+
+ <p>But if 'tisn't <i>alive</i>, 'tain't chin-music, but
+ kibosh, and corpsey at that.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Kerrectness be jolly well jiggered! Street slang
+ isn't Science, dear pal,</p>
+
+ <p>And it don't need no "glossery" tips to hinterpret
+ my chat to my gal.</p>
+
+ <p>I take wot comes 'andy permiskus, wotever runs sliok
+ and fits in,</p>
+
+ <p>And when smugs makes me out a
+ "philolergist,"&mdash;snuffers! it do make me grin!</p>
+ </div>
+
+ <div class="stanza">
+ <p>Still there's fitness, dear boy, and unfitness, and
+ some of these jossers, jest now,</p>
+
+ <p>Who himitate 'ARRY's few letters with weekly
+ slapdabs of bow-wow,</p>
+
+ <p>'Ave about as much "fit" in their "slang" as a
+ slop-tailor's six-and-six bags.</p>
+
+ <p>No, Yours Truly writes only to you, and don't spread
+ <i>hisself</i> out in the Mags.</p>
+ </div>
+
+ <div class="stanza">
+ <p><i>Mister P.</i> prints my letters, occasional, once
+ in a while like, dear boy;</p>
+
+ <p>For patter's like love-letters, CHARLIE, too long
+ and too frequent, they cloy.</p>
+
+ <p>I agree there with <i>Samivel Veller</i>. My echoes
+ I've no wish to stop,</p>
+
+ <p>But I'd jest like to say 'tisn't <i>me</i> as is
+ slopping' all over the shop.</p>
+ </div>
+
+ <div class="stanza">
+ <p>It do give me the ditherums, CHARLIE, it makes me
+ feel quite quisby snitch,</p>
+
+ <p>To see the fair rush for a feller as soon as he's
+ found a good pitch.</p>
+
+ <p>Jest like anglers, old man, on the river; if one on
+ 'em spots a prime swim,</p>
+
+ <p>And is landing 'em proper, you bet arf the others'll
+ crowd about <i>him</i>.</p>
+ </div>
+
+ <div class="stanza">
+ <p>But there's law for the rodsters, I'm told, CHARLIE;
+ so many foot left and right;</p>
+
+ <p>And you'll see the punts spotted at distance, like
+ squodrons of troops at a fight.</p>
+
+ <p>But in Trade, Art, and Littery lines, CHARLIE,
+ 'anged if there's any fair play,</p>
+
+ <p>And the "cullerable himitation" is jest the disgrace
+ of the day.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Sech scoots scurryfunging around on the gay old
+ galoot, to go snacks</p>
+
+ <p>In the profits of other folks' notions, have put
+ you, old pal, in a wax.</p>
+
+ <p>Never mind their shenanigan, CHARLIE; it don't do
+ much hurt, anyhow;</p>
+
+ <p>I was needled a trifle at fust, but I'm pooty
+ scroodnoodleous now.</p>
+ </div>
+
+ <div class="stanza">
+ <p>I'm all right and a arf, mate, I am, and ain't
+ going' to rough up, no fear!</p>
+
+ <p>Becos two or three second-hand 'ARRIES is tipping
+ the public stale beer.</p>
+
+ <p>The old tap'll turn on now and then, not too often,
+ and as for the rest,</p>
+
+ <p>The B.P. has a taste for sound tipple, and knows
+ when it's served with the best.</p>
+ </div>
+
+ <div class="stanza">
+ <p>If mine don't 'old its own on its merits, then
+ way-oh! for someone's as does!</p>
+
+ <p>All cop and no blue ain't my motter; that's all
+ tommy-rot and buz-wuz.</p>
+
+ <p>The pace of a yot must depend on her lines and the
+ canvas she'll carry;</p>
+
+ <p>If rivals can crowd on more sail, wy they're welcome
+ to overhaul 'ARRY.</p>
+ </div>
+ </div>
+ <hr />
+
+ <p>NOTICE.&mdash;Rejected Communications or Contributions,
+ whether MS., Printed Matter, Drawings, or Pictures of any
+ description, will in no case be returned, not even when
+ accompanied by a Stamped and Addressed Envelope, Cover, or
+ Wrapper. To this rule there will be no exception.</p>
+ <hr class="full" />
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, Or The London Charivari, Vol.
+99., September 20, 1890, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOL. 99 ***
+
+***** This file should be named 12466-h.htm or 12466-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/2/4/6/12466/
+
+Produced by Malcolm Farmer, William Flis, and the Online Distributed
+Proofreading Team.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
+
+
+</pre>
+
+</body>
+</html>
diff --git a/old/12466-h/images/133-1.png b/old/12466-h/images/133-1.png
new file mode 100644
index 0000000..b344b12
--- /dev/null
+++ b/old/12466-h/images/133-1.png
Binary files differ
diff --git a/old/12466-h/images/133-2.png b/old/12466-h/images/133-2.png
new file mode 100644
index 0000000..cb3d56e
--- /dev/null
+++ b/old/12466-h/images/133-2.png
Binary files differ
diff --git a/old/12466-h/images/134-1.png b/old/12466-h/images/134-1.png
new file mode 100644
index 0000000..d9d4272
--- /dev/null
+++ b/old/12466-h/images/134-1.png
Binary files differ
diff --git a/old/12466-h/images/134-2.png b/old/12466-h/images/134-2.png
new file mode 100644
index 0000000..098b7b9
--- /dev/null
+++ b/old/12466-h/images/134-2.png
Binary files differ
diff --git a/old/12466-h/images/134-3.png b/old/12466-h/images/134-3.png
new file mode 100644
index 0000000..0bae23e
--- /dev/null
+++ b/old/12466-h/images/134-3.png
Binary files differ
diff --git a/old/12466-h/images/134-4.png b/old/12466-h/images/134-4.png
new file mode 100644
index 0000000..043c7e0
--- /dev/null
+++ b/old/12466-h/images/134-4.png
Binary files differ
diff --git a/old/12466-h/images/135.png b/old/12466-h/images/135.png
new file mode 100644
index 0000000..fa06991
--- /dev/null
+++ b/old/12466-h/images/135.png
Binary files differ
diff --git a/old/12466-h/images/136.png b/old/12466-h/images/136.png
new file mode 100644
index 0000000..88b10b5
--- /dev/null
+++ b/old/12466-h/images/136.png
Binary files differ
diff --git a/old/12466-h/images/137-1.png b/old/12466-h/images/137-1.png
new file mode 100644
index 0000000..ccdf28c
--- /dev/null
+++ b/old/12466-h/images/137-1.png
Binary files differ
diff --git a/old/12466-h/images/137-2.png b/old/12466-h/images/137-2.png
new file mode 100644
index 0000000..44748e1
--- /dev/null
+++ b/old/12466-h/images/137-2.png
Binary files differ
diff --git a/old/12466-h/images/138.png b/old/12466-h/images/138.png
new file mode 100644
index 0000000..3d2b0d1
--- /dev/null
+++ b/old/12466-h/images/138.png
Binary files differ
diff --git a/old/12466-h/images/139.png b/old/12466-h/images/139.png
new file mode 100644
index 0000000..00c878a
--- /dev/null
+++ b/old/12466-h/images/139.png
Binary files differ
diff --git a/old/12466-h/images/141.png b/old/12466-h/images/141.png
new file mode 100644
index 0000000..1fadd63
--- /dev/null
+++ b/old/12466-h/images/141.png
Binary files differ
diff --git a/old/12466-h/images/142.png b/old/12466-h/images/142.png
new file mode 100644
index 0000000..ef76a58
--- /dev/null
+++ b/old/12466-h/images/142.png
Binary files differ
diff --git a/old/12466-h/images/143-1.png b/old/12466-h/images/143-1.png
new file mode 100644
index 0000000..5f6ff6d
--- /dev/null
+++ b/old/12466-h/images/143-1.png
Binary files differ
diff --git a/old/12466-h/images/143-2.png b/old/12466-h/images/143-2.png
new file mode 100644
index 0000000..9d456f7
--- /dev/null
+++ b/old/12466-h/images/143-2.png
Binary files differ
diff --git a/old/12466-h/images/143-3.png b/old/12466-h/images/143-3.png
new file mode 100644
index 0000000..53bbc17
--- /dev/null
+++ b/old/12466-h/images/143-3.png
Binary files differ
diff --git a/old/12466-h/images/144-1.png b/old/12466-h/images/144-1.png
new file mode 100644
index 0000000..acabff7
--- /dev/null
+++ b/old/12466-h/images/144-1.png
Binary files differ
diff --git a/old/12466-h/images/144-2.png b/old/12466-h/images/144-2.png
new file mode 100644
index 0000000..49df8af
--- /dev/null
+++ b/old/12466-h/images/144-2.png
Binary files differ
diff --git a/old/12466.txt b/old/12466.txt
new file mode 100644
index 0000000..73d48ff
--- /dev/null
+++ b/old/12466.txt
@@ -0,0 +1,1755 @@
+The Project Gutenberg EBook of Punch, Or The London Charivari, Vol. 99.,
+September 20, 1890, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, Or The London Charivari, Vol. 99., September 20, 1890
+
+Author: Various
+
+Release Date: May 28, 2004 [EBook #12466]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOL. 99 ***
+
+
+
+
+Produced by Malcolm Farmer, William Flis, and the Online Distributed
+Proofreading Team.
+
+
+
+
+
+PUNCH,
+
+OR THE LONDON CHARIVARI.
+
+VOL. 99.
+
+
+
+September 20, 1890.
+
+
+
+
+OUT FOR ANOTHER HOLIDAY.
+
+(_BY OUR IMPARTIAL AND NOT-TO-BE-BIASSED CRITIC._)
+
+[Illustration]
+
+I had been told that Ostend was an excellent place. "Quite a Town of
+Palaces!" was the enthusiastic description that had reached me. So I
+determined to leave "Delicious Dover" (as the holiday Leader-writer
+in the daily papers would call it), and take boat for the Belgian
+coast. The sea was as calm as a lake, and the sun lazily touched up
+the noses of those who slumbered on the beach. There is an excellent
+service of steamers between England and Belgium. This service has
+but one drawback--a slight one: the vessels have a way with them
+of perpetrating practical jokes. Only a week or so ago one lively
+mail-carrier started prematurely, smashing a gangway, and dropping a
+portmanteau quietly into the ocean. On my return from foreign shores,
+I passed the same cheerful ship lying in mid-channel as helpless as an
+infant. However, the accident (something, I fancy, had gone wrong with
+the engines) appeared to be treated as more amusing than important.
+Still, perhaps, it would be better were the name of this luckless boat
+changed to _Le Farceur_; then travellers would know what to expect.
+But I must confess that my experiences were perfectly pleasant. The
+steamer in which I journeyed crossed the Channel in the advertised
+time, and if I wished to be hypercritical, I would merely hint that
+the official tariff of the refreshments sold on board is tantalising.
+When I wanted cutlets, I was told they were "off," and when I asked
+for "cold rosbif," that was "off" too. The _garcon_ (who looked more
+like a midshipman than a cabin-boy) took ten minutes to discover this
+fact. And as I had to rely upon him for information, I had to wait
+even longer before the desired (or rather undesired) intelligence was
+conveyed to me. I pride myself upon caring nothing about food, but
+this failure to obtain my heart's (or thereabouts') yearning caused me
+sore annoyance.
+
+Well, I reached Ostend. The town of palaces contained a Kursaal and a
+Casino. There were also a number of large hotels of the King's Road,
+Brighton, _plus_ Northumberland Avenue type. Further, there were
+several _maisons meublees_ let out in flats, and (to judge from the
+prices demanded and obtained for them) _to_ flats. The _suite_ of
+apartments on the ground floor consisted of a small bed-room, a tiny
+drawing-room, and a balcony. The balcony was used, as a _salle a
+manger_ in fine weather, and a place for the utterance of strong
+expressions (so I was informed) when the rain interfered with _al
+fresco_ comfort. There was a steam tramway, and some bathing-machines
+of the springless throw-you-down-when-you-least-expect-it sort. The
+streets, omitting the walk in front of the sea, were narrow, and the
+shops about as interesting as those at the poorer end of the Tottenham
+Court Road. But these were merely details, the pride of Ostend being
+the Kursaal, which reminded me of an engine-house near a London
+terminus. I purchased a ticket for the Kursaal and the Casino. There
+was to be a concert at the first and a ball at the last. I soon had
+enough of the concert, and started for the ball.
+
+It was then that I found a regulation in force that made my cheeks
+tingle with indignation as an Englishman. Although the tickets
+costing three francs a piece, were said to secure admittance to the
+Kursaal and the Casino, I noticed that children--good and amiable
+children--were not allowed to enter the latter place. I could
+understand the feelings of a gentleman who attempted to obtain access
+for his eldest lad--a gallant boy of some fourteen summers, and a
+baker's dozen of winters. My heart went out to that British Father
+as he disputed with the Commissaires at the doorway, and called the
+attention of the Representative of "the Control" to the fact that
+his _billet_ was misleading. "You are an Englishman," said the
+Representative of the Control, "and the English observe the law."
+"Yes," returned the angry Father; "but in England the Law would
+support one in obtaining that for which one had paid. My son has
+paid for admission to the Kursaal and the Casino! He is refused
+admittance to the Casino, therefore this ticket of his spreads false
+intelligence! It is a liar! It is a miserable! It should be called the
+traitor ticket!" But all was useless. The gallant lad had to remain
+with the umbrellas! I could not help sympathising with that father.
+I could not refrain from agreeing with him, that where such a thing
+was possible, something must be entirely wrong. I could not deny that
+under the circumstances Ostend was a sham, a delusion, and a snare!
+When he observed that Ostend was grotesquely expensive, I admitted
+that he was right. When he said that it was not a patch upon Boulogne
+or Dieppe, I again acquiesced. When he asserted that every English
+tourist would be wise to avoid the place, I acknowledged that there
+was the genuine ring of truth in his declaration. When he appealed to
+me, as a dispassionate observer, to say whether I did not consider the
+conduct of the authorities arbitrary, unjust, and absurd, I was forced
+to admit that I _did_ consider that conduct absolutely indefensible.
+Lastly, when he announced that he intended never to say another word
+in praise of Ostend, I confessed that I had come in my own mind to the
+same determination.
+
+P.S.--I may add that I was accompanied by my son, who was also refused
+admittance. But this is a matter of purely personal interest, and has
+nothing whatever to do with it.
+
+ * * * * *
+
+THE CACHET OF CASH AT DRURY LANE.
+
+[Illustration: Medal found in the Neighbourhood of Drury Lane.]
+
+_A Million of Money_, "a new military, sporting, and spectacular
+Drama," is a marvel of stage management. No better things than the
+_tableaux_ of the Derby Day, the grounds of the Welcome Club, and the
+departure of the Guards from Wellington Barracks for foreign parts
+have been seen for many a long year. In such a piece the dialogue is
+a matter of secondary consideration, and even the story is of no great
+importance. That the plot should remind one of Drury Lane successes
+in the past is not surprising, considering that one of the authors
+(who modestly places his name second on the programme, when everyone
+feels that it should come first) has been invariably associated with
+those triumphs of scenic art. AUGUSTUS DRURIOLANUS has beaten his
+own record, and the _Million of Money_ so lavishly displayed behind
+the scenes, is likely to be rivaled by the takings in front of the
+Curtain--or to be more exact, at the Box-office. The Authors, in more
+senses than one, have carried money into the house. But they have done
+more--they have inculcated a healthy moral. While Mr. HENRY ARTHUR
+JONES is teaching audiences a lessen in _Judah_, that would have
+received the enthusiastic approval of the philanthropic Earl of
+SHAFTESBURY, after whom Shaftesbury Theatre is, no doubt, called, the
+great HARRIS and the lesser PETTIT are showing us in the character of
+the _Rev. Gabriel Maythorne_, a Parson that would as certainly have
+secured the like hearty good-will at the same shadowy hands. The Rev.
+Gentleman is a clergyman that extorts the admiration of everyone
+whose good opinion is worth securing. He apparently is a "coach,"
+and (seemingly) allows his pupils so much latitude that one of them,
+_Harry Dunstable_ (Mr. WARNER), is able to run up to town with his
+(the Reverend's) daughter secretly, marry her, and stay in London for
+an indefinite period. And he (the Parson) has no absurd prejudices--no
+narrow-mindedness. He goes to the Derby, where he appears to be
+extremely popular at luncheon-time amongst the fair ladies who
+patronise the tops of the drags, and later on becomes quite at home
+at an illuminated _fete_ at the Exhibition, amidst the moonlight, and
+a thousand additional lamps. It is felt that the Derby is run with
+this good man's blessing; and everyone is glad, for, without it, in
+spite of the horses, jockeys, carriages, acrobats, gipsies, niggers,
+grooms, stable-helps, and pleasure-seekers, the _tableau_ would be
+aesthetically incomplete. And the daughter of the Reverend is quite as
+interesting as her large-hearted sire. She, too, has no prejudices (as
+instance, the little matrimonial trip to London); and when she has to
+part with her husband, on his departure (presumably _en route_ to the
+Bermudas), she requires the vigorous assistance' of a large detachment
+of Her Majesty's Guards to support her in her bereavement. Of the
+actors, Mr. CHARLES GLENNEY, as a broken-down gentleman, is certainly
+the hero of the three hours and a half. In Act III., on the night
+of the first performance, he brought down the house, and received
+two calls before the footlights after the Curtain had descended.
+He has many worthy colleagues, for instance, Mr. HARRY NICHOLLS,
+Miss MILLWARD, Mr. CHARLES WARNER, and Miss FANNY BROUGH, are all
+that could be desired in their respective lines. But, well cast as
+it undoubtedly is, the play has vitality within it that does not
+depend for existence upon the efforts of the company. It is good all
+round--scenery, dresses, properties, and effects--and will keep its
+place at Drury Lane until dislodged by the Pantomime at Christmas.
+
+ * * * * *
+
+CHANGE OF NAME A LA SUISSE.--Tessin and its quarrelsome inhabitants
+to be known in future as a Can't-get-on instead of a Canton.
+
+ * * * * *
+
+MORE FROM OUR YOTTING YORICK.
+
+[Illustration: Swedish Politeness.]
+
+STOCKHOLM approached by lovely river (that is, we approached Stockholm
+by lovely river), with banks and hills covered with pine and birch
+trees, and studded with villas, where the Stockholm people live away
+from the town. "Studded" is a good word, but phrase sounds too much
+like "studied with SASS," as so many of our best artists did. Lovely
+for boating. Why don't the Swedes row? _They don't._ Lots of islands,
+and everybody as jolly as sand-boys, especially on Sanday. By the way,
+what's a "sand-boy"? Why _toujours_ jolly?
+
+Stockholm a stunning place, all built round a huge palace, copy of
+the Pitti Palace in Florence. Lifts to take the people up-hill, and a
+circular tramway all round the town for one penny. Lots of soldiers in
+uniforms like Prussians or Russians, whichever you like. Such swagger
+policemen, all tall and handsome, with beautiful helmets and lovely
+coats. What would an English cook say to them?
+
+Cathedral with tombs of GUSTAVUS VASA, GUSTAVUS ADOLPHUS, and
+BERNADOTTE. What was BERNADOTTE doing here? Didn't like to ask. Piled
+up with kettledrums and flags taken from the Russians. I noticed in
+Russia their churches were equally piled up with drums and flags taken
+from the Swedes. Exchange is no robbery.
+
+[Illustration: Snack Sideboard. "Lax and Snax."]
+
+Lunch. First view of the Swedish snacks before lunch and dinner. A
+side-table with caviare Lax, cut reindeer tongue, sausages, brown
+bread, prawns, kippered herrings, radishes, sardines, crawfish,
+cheeses. Should spell it "Lax and Snax." Three silver tubs of
+spirit--Pommerans, Renadt, and Kummin--tried 'em all. All good. "We
+had a good time--Kummin." The Kummin was goin',--rather. Ceiling of
+_restaurant_ all mirrors--self keeping an eye on self.
+
+National Museum. Splendid collection. Stone, bronze, and iron periods.
+Poor pictures. No end of palaces to see, till one is sick of 'em.
+
+[Illustration: Fete in Honour of the Poet Bellman.]
+
+Swedes have a poet, BELLMAN, evidently who wrote Bacchanalian songs.
+They have a national holiday on July the 26th, and go to _Fete_ in
+a Wood, where bronze head of BELLMAN is, cover it with garlands and
+roses, and sing and have a good time before it, just like an old Greek
+offering to Bacchus. I saw it. And in the evening a _fete_ where
+they carry a child got up as Bacchus, and seated on a barrel with a
+wine-cup. A regular jolly drinking procession. They have a wonderful
+open air _restaurant_ called The Hasselbacken, where you dine in
+delightful little green arbours, and lots of Swedish girls about.
+Capital dinners, A 1 wine, and first-rate music with full band. No
+charge to go in; you pay before leaving, though. Very good waiting.
+
+[Illustration: Dinner in the Arbour.]
+
+The Swedes are very polite, and take their hats off on the slightest
+provocation, and keep them off a long time, specially whilst talking
+to a lady. When talking to _two_ ladies, of course they keep 'em off
+double the time.
+
+Altogether a delightful place. But they all say you should come in the
+_winter_. Wish I could. FLOTSAM, Y.A.
+
+P.S.--The Swedish girls are as a rule very handsome. Tall, with long
+legs. Men good-looking also.
+
+I can't very well do myself; I can "do myself" remarkably well, but I
+mean I cannot sketch myself in a cut; but _Mr. Punch_, in cuts I have
+done, is far more expressive than I can make anyone else.
+
+ * * * * *
+
+THE COMPLIMENTS OF THE SEASON (_with Mr. Punch's kind regards_).--The
+most Popular of Colonial Strikers--Our illustrious guests, the
+Australian Cricketers.
+
+ * * * * *
+
+"WANTED!"
+
+WANTED, by a well-travelled lady, of aesthetic and refined tastes, a
+comfortable and congenial home with a Duchess. The Advertiser, who is
+a person of much intelligence, and a most agreeable gossip, regards
+her pleasant companionship as an equivalent for the social advantages
+(including carriage-drives, and an introduction to the very best
+society), for which she is prepared to offer the very handsome
+remuneration of ten shillings a week.
+
+ * * * * *
+
+HORSE WANTED.--Must have been placed in a recent Derby, and show a
+good racing record. Thoroughly sound in wind and limb, expected to
+be equal to carrying 13 stone in the Park, or to doing any work from
+a four-in-hand down to single harness in a hearse. On the advertiser
+being furnished with a suitable beast, he will be prepared to put
+down a five-pound note for him, payable by ten-shilling monthly
+instalments.
+
+ * * * * *
+
+HOME REQUIRED FOR AN INDIAN CHIEF.--The Advertiser, who has recently
+received a consignment of Savages from Patagonia, and has had to
+entertain their Monarch in his residence at Bayswater, as he is
+about to pay a four weeks' visit to the Continent, is anxious in
+the meantime to find a suitable home for him in some quiet suburban
+family, who would not object to some fresh and lively experience
+introduced into the routine of their domestic circle, in consideration
+for a small payment to defray the slight extra cost involved in his
+support. He will give little trouble, an empty attic furnished with a
+hearth-rug supplying him with all the accommodation he will require,
+while his food has hitherto consisted of tripe, shovelled to him on a
+pitchfork, and stout mixed with inferior rum, of which he gets through
+about a horse-pailful a day. His chief recreation being a "Demon's
+War Dance," in which he will, if one be handy, hack a clothes-horse to
+pieces with his "baloo," or two-edged chopper-axe, he might be found
+an agreeable inmate by an aged and invalid couple, who would relish a
+little unusual after-dinner excitement, as a means of passing away a
+quiet evening or two. Applicants anxious to secure the Chief should
+write at once. Three-and-sixpence a-week will be paid for his keep,
+which, supplying the place of the rum in his drink (which has been
+tried with effect) with methylated spirit mixed with treacle, affords
+an ample margin for a handsome profit on the undertaking.
+
+ * * * * *
+
+[Illustration: MUCH MORE SUITABLE.
+
+NEW UNIFORM FOR HER MAJESTY'S HORSE GUARDS, SUGGESTED TO MR. PUNCH BY
+RECENT CAVALRY EVOLUTIONS ON THE THAMES.]
+
+ * * * * *
+
+DEVELOPMENT.
+
+(_WITH ACKNOWLEDGMENTS TO THE AUTHOR OF "PATIENCE."_)
+
+ ["Even a colour-sense is more important in the development
+ of the individual than a sense of right and wrong."--OSCAR
+ WILDE.]
+
+ If you're anxious to develop to a true hedonic "swell," hop on a
+ pinnacle apart,
+ Like a monkey on a stick, and your phrases quaintly pick, and then
+ prattle about Art.
+ Take some laboured paradoxes, and, like Samson's flaming foxes, let
+ them loose amidst the corn
+ (Or the honest commonplaces) of the Philistines whose graces you
+ regard with lofty scorn.
+ And every one will say,
+ As you squirm your wormy way,
+ "If this young man expresses himself in terms that stagger _me_,
+ What a very singularly smart young man this smart young man must be!"
+
+ You may be a flabby fellow, and lymphatically yellow, that will
+ matter not a mite.
+ If you take yourself in hand, in a way you'll understand, to become
+ a Son of Light.
+ On your crassness superimposing the peculiar art of glosing in sleek
+ phrases about Sin.
+ If you aim to be a Shocker, carnal theories to cocker is _the_ best way
+ to begin.
+ And every one will say,
+ As you worm your wicked way,
+ "If that's allowable for _him_ which were criminal in _me_,
+ What a very emancipated kind of youth this kind of youth must be."
+
+ Human virtues you'll abhor all, and be down upon the Moral in
+ uncompromising style.
+ Your critical analysis will reduce to prompt paralysis every _motor_
+ that's not vile.
+ You will show there's naught save virtue that can seriously hurt you,
+ or your liberty enmesh;
+ And you'll find excitement, plenty, in Art's _dolce far niente_, with a
+ flavour of the flesh.
+ And every one will say,
+ As you lounge your upward way,
+ "If he's content with a do-nothing life, which would certainly not
+ suit _me_.
+ What a most particularly subtle young man this subtle young man must be!"
+
+ Then having swamped morality in "intensified personality" (which,
+ of course, must mean your own),
+ And the "rational" abolished and "sincerity" demolished, you will
+ find that you have _grown_
+ With a "colour-sense" fresh handselled (whilst the moral ditto's
+ cancelled) you'll develop into--well,
+ What Philistia's fools malicious might esteem a _vaurien_ vicious
+ (_alias_ "hedonic swell").
+ And every one will say,
+ As you writhe your sinuous way.
+ "If the highest result of the true 'Development' is decomposition,
+ why see
+ What a very perfectly developed young man this developed young man
+ must be."
+
+ With your perky paradoxes, and your talk of "crinkled ox-eyes," and
+ of books in "Nile-green skin."
+ That show forth unholy histories, and display the "deeper mysteries"
+ of strange and subtle Sin.
+ You can squirm, and glose, and hiss on, and awake that _nouveau_
+ _frisson_ which is Art's best gift to life.
+ And "develop"--like some cancer (in the Art-sphere) whose best answer
+ is the silent surgeon's knife!
+ And every _man_ will say,
+ As you wriggle on your way,
+ "If 'emotion for the sake of emotion _is_ the aim of Art,' dear me!
+ What a morbidly muckily emotional young man the 'developed' young
+ man must be!"
+
+ * * * * *
+
+THE AMERICAN GIRL.
+
+ [An American Correspondent of _The Galignani Messenger_ is
+ very severe on the manners of his fair countrywomen.]
+
+[Illustration]
+
+ She "guesses" and she "calculates," she wears all sorts o' collars,
+ Her yellow hair is not without suspicion of a dye;
+ Her "Pappa" is a dull old man who turned pork into dollars.
+ But everyone admits that she's indubitably spry.
+
+ She did Rome in a swift two days, gave half the time to Venice,
+ But vows that she saw everything, although in awful haste;
+ She's fond of dancing, but she seems to fight shy of lawn-tennis,
+ Because it might endanger the proportions of her waist.
+
+ Her manner might be well defined as elegantly skittish;
+ She loves a Lord as only a Republican can do;
+ And quite the best of titles she's persuaded are the British,
+ And well she knows the Peerage, for she reads it through and through.
+
+ She's bediamonded superbly, and shines like a constellation,
+ You scarce can see her fingers for the multitude of rings;
+ She's just a shade too conscious, so it seems, of admiration,
+ With irritating tendencies to wriggle when she sings.
+
+ She owns she is "Amur'can," and her accent is alarming;
+ Her birthplace has an awful name you pray you may forget;
+ Yet, after all, we own "_La Belle Americaine_" is charming,
+ So let us hope she'll win at last her long-sought coronet.
+
+ * * * * *
+
+TIPS FROM THE TAPE.
+
+(_PICKED UP IN MR. PUNCH'S OWN SPECIAL CITY CORNER._)
+
+In my last I announced that I was busily giving my mind to the
+launching of a new "Combination Pool" over the satisfactory results
+of which to all concerned in it, under certain contingencies, I had no
+shadow of a doubt. This I have since managed to float on the market,
+and, though I worked it on a principle of my own, which, for want of
+a better description, I have styled amalgamated "Profit and Loss,"
+I regret to have to inform those clients who have entrusted me with
+their cheques in the hopes of getting, _as I really fully believed
+they would_, 700 per cent. for their money in three days, that I
+have had to close the speculation rather suddenly, and I fear, as the
+following illustrative figures will show in a fashion that not only
+deprives me of the pleasure of enclosing them a cheque for Profits,
+but obliges me to announce to them that their cover has disappeared.
+The Stocks with which I operated were "Drachenfonteim Catapults,"
+"Catawanga Thirty-fives," and "Blinker's Submarine Explosives." The
+ILLUSTRATION, I hoped, _would have stood as follows_:--
+
+ L100 invested in Drachenfonteim Catatpults,
+ showing profit of 1 per cent....L100
+
+ L100 invested in Catawanga Thirty-fives,
+ showing profit of 21/2 per cent....L250
+
+ L300 invested in Blinker's Submarine Explosives,
+ showing profit of 3 per cent....L900
+
+ Gross Profits....L1250
+
+Unfortunately, however, the real figures came out rather differently,
+for they stood, I regret to say, as under:--
+
+ L100 invested in Drachenfonteim Catapults,
+ at a loss of 5 per cent....L500
+
+ L100 invested in Catawanga Thirty-fives,
+ at a loss of 7 per cent....L700
+
+ L300 invested in Blinker's Submarine Explosives,
+ at a loss of 4 per cent....L1200
+
+ Total loss....L2400
+
+This, I need scarcely say, has at present not only eaten up every
+halfpenny of cover, but a great deal besides; and I am not sure that I
+shall not have to come down on my clients to make good the balance. I
+cannot account for the result, except from the fact that a new clerk
+read out the wrong tape; and when I telephoned to my West-End Private
+Inquiry Agent about these very three Stocks, he appears not to have
+heard me distinctly, and thought I was asking him about Goschens, the
+old Three-per-Cents., and Bank Stock, about which, of course, he could
+only report favourably. It is an awkward mistake, but, as I point out
+to all my clients, one must not regard the Dealer as infallible. These
+things will occur. However, I am going to be more careful in future;
+and I may as well announce now, that on Monday next I am about to open
+a new Syndicate Combination Pool, with a Stock about which I have made
+the most thorough and exhaustive inquiries, with the result that I
+am convinced an enormous fortune will be at the command of anyone who
+will entrust me with a sufficiently large cheque in the shape of cover
+to enable me to realise it.
+
+For obvious reasons I keep the name of this Stock at present a dead
+secret. Suffice it to say, that the operation in question is connected
+with an old South-American Gold Mine, about to be reworked under the
+auspices of a new company who have bought it for a mere song. When I
+tell my clients that I have got all my information from the Chairman,
+_who took down under his greatcoat a carpet-bag full of crushed quartz
+carefully mixed with five ounces of gold nuggets_, and emptied this
+out at the bottom of a disused shaft, and then got a Yankee engineer
+to report the discovery of ore in "lumps as big as your fist," and
+state this in the new prospectus, they will at once see what a solid
+foundation I have for this new venture, which must inevitably fly
+upwards by leaps and bounds as soon as the shares are placed upon the
+market. Of course, when the truth comes out, there will be a reaction,
+but my clients may trust me to be on the look-out for that, and, after
+floating with all their investments to the top of the tide, to get
+out of the concern with enormous profits before the bubble eventually
+bursts. It is by a command of information of this kind that I hope to
+ensure the confidence and merit the support of my friends and patrons.
+Remember Monday next, and bear in mind a cheque for three-and-sixpence
+covers L5000. The subjoined is from my correspondence:--
+
+Sir,--I have as trustee for five orphan nieces to invest for each
+of them L3 18s. 9d., left them by a deceased maternal cousin. How
+ought I to invest this to the greatest advantage with a due regard
+to security. What do you say to Goschens? Or would you recommend Rio
+Diavolos Galvanics? These promise a dividend of 70 per cent., and
+although they have not paid one for some time, are a particularly
+cheap stock at the present market price, the scrip of the Five per
+Cent. Debenture Stock being purchased by a local butterman at seven
+pounds for a halfpenny. A Spanish Nobleman who holds some of this,
+will let me have it even cheaper. What would you advise me to do?
+Yours, &c. A TRUSTEE IN A FOG.
+
+Don't touch Goschens, they are not a speculative Stock. You certainly
+might do worse than the Rio Diavolos Galvanics. Do not hesitate, but
+put the little all of your five orphan nieces into them at once, and
+_wait for the rise_.
+
+ * * * * *
+
+ON THE CARDS.
+
+(_BY A WHIST-LOVING MALADE-IMAGINAIRE._)
+
+ Oh, where shall I hit on a "perfect cure"?
+ (What ails me I am not quite sure that I'm sure)
+ To Nice, where the weather is nice--with vagaries?
+ The Engadine soft or the sunny Canaries?
+ To Bonn or Wiesbaden? My doctor laconic
+ Declares that the Teutonic air is too tonic.
+ Shall I do Davos-Platz or go rove the Riviera?
+ Or moon for a month in romantic Madeira?
+ St. Moritz or Malaga, Aix, La Bourboule?
+ Bah! My doctor's a _farceur_ and I am--a fool.
+ I will _not_ try Switzerland, Norway, or Rome.
+ I'll go in for a rest and a rubber--at home.
+ A Windermere wander, _and_ Whist, I feel sure,
+ Will give what I'm seeking, a true "Perfect Cure."
+
+ * * * * *
+
+A BUBBLE FROM THE SUDS.--A Firm of Soap-boilers have been sending
+round a circular to "Dramatic Authors" of established reputation, and
+(no doubt) others, offering to produce gratis the best piece submitted
+to them at a "_Matinee_ performance at a West End Theatre." The only
+formality necessary to obtain this sweet boon is the purchase of a box
+of the Firm's soap, which will further contain a coupon "entitling
+the owner to send in one new and original play for reading." The idea
+that a Dramatic Author of any standing would submit his work to such a
+tribunal, even with the dazzling prospect of a _Matinee in futuro_, is
+too refreshing! However, as literary men nowadays fully appreciate the
+value of their labour, the idea, in spite of the soap with which it is
+associated, may be dismissed with the words, "Won't Wash!"
+
+ * * * * *
+
+OUR BOOKING-OFFICE.
+
+Why doesn't some publisher bring out _The Utterbosh Series_, for, upon
+my word, says the Baron, the greater part of the books sent in for
+"notice" are simply beneath it. Here's one on which I made notes as
+I went on, as far as I could get through it. It is called _Nemesis:
+a Moral Story_, by SETON CREWE. Its sole merit would have been its
+being in one volume, were it not that this form, being a bait to the
+unwary, aggravates the offence. The heroine is _Lucinda_, a milliner's
+apprentice. Being compromised by a young gentleman under age, who
+suddenly quits the country, she goes to confess her sin to the
+simple-minded Curate, who sees no way out of the difficulty except
+by marrying his penitent, which he does, and after the christening
+of her first-born, a joyous event that occurs at no great interval
+after the happy wedding-day, the Curate, the _Reverend Mr. Smith_,
+is transferred by his Bishop from this parish to somewhere else a
+considerable distance off, whence, after a variety of troubles, he
+goes abroad as a travelling watering-place clergyman. After this,
+his wife becomes a Roman Catholic for six months, and then developes
+into a thoroughpaced infidel of generally loose character. She takes
+up with a Lion Comique of the Music-Halls, who is summarily kicked
+down-stairs by the _Reverend Mr. Smith_ on his return home one
+evening. And at this point I closed the book, not caring one dump what
+became of any of the characters, or of the book, or of the writer,
+and unable to wait for the moral of this highly "moral story," which,
+I dare say, might have done me a great deal of good. So I turned to
+_Vanity Fair_, and re-read for the hundredth time, and with increased
+pleasure, the great scene where _Rawdon Crawley_, returning home
+suddenly, surprises _Becky_ in her celebrated _tete-a-tete_ with my
+_Lord Steyne_.
+
+[Illustration]
+
+With pleasure the Baron welcomes Vol. No. IV. of ROUTLEDGE's
+_Carisbrooke Library_, which contains certain _Early Prose Romances_,
+the first and foremost among them being the delightful fable of
+_Reynart the Fox_. Have patience with the old English, refer to the
+explanatory notes, and its perusal will well repay every reader. How
+came it about that modern _Uncle Remus_ had caught so thoroughly the
+true spirit of this Mediaeval romance? I forget, at this moment, who
+wrote _Uncle Remus_--and I beg his pardon for so doing--but whoever
+it was, he professed only to dress up and record what he had actually
+heard from a veritable _Uncle Remus_. _Brer Rabbit_, _Brer Fox_, and
+_Old Man Bar_, are not the creatures of _AEsop's Fables_; they are the
+characters in _Reynart the Fox_. The tricks, the cunning, the villany
+of _Reynart_, unredeemed by aught except his affection for his wife
+and family, are thoroughly amusing, and his ultimate success, and
+increased prosperity; present a truer picture of actual life than
+novels in which vice is visibly punished, and virtue patiently
+rewarded. And once more I call to mind the latter days of _Becky's_
+career.
+
+Speaking of THACKERAY, Messrs. CASSELL & Co. have just brought out
+a one-and-threepenny edition ("the threepence be demmed!") of the
+_Yellowplush Papers_, with a dainty canary-coloured _Jeames_ on the
+cover. At the same time the same firm produce, in the same form, _The
+Last Days of Pompeii_, _The Last Days of Palmyra_, and _The Last of
+the Mohicans_. Odd, that the first issue of this new series should
+be nearly all "Lasts." _The Yellowplush Papers_ might have been kept
+back, and _The Last of the Barons_ been substituted, just to make the
+set of lasts perfect. The expression is suggestive of Messrs. CASSELL
+going in for the shoemaking trade. _The Last Days of Palmyra_ I have
+never read. "I will try it," says the bold Baron.
+
+But what means this new style of printing on thin double sheets? One
+advantage is that no cutting is required. If this form become the
+fashion, better thus to bring out the _Utterbosh Series_, which shall
+then escape the critics' hands,--no cutting being required. There are,
+as those who use the paper-knife to these volumes will discover, in
+this new issue of Messrs. CASSELL's, two blank pages for every two
+printed ones, so that a new novel might be written in MS. inside the
+printed one. The paper is good and clean to the touch; but I prefer
+the stiff cover to the limp, "there's more backbone about it," says
+the
+
+BARON DE BOOK-WORMS.
+
+Scarcely time to bring out a pocket edition (like those genuine
+pocketable and portable editions, the red-backed ROUTLEDGES) of _The
+Bride of Lammermoor_, between now and the date of its production, next
+Saturday, at the Lyceum. But worth while doing it as soon as possible.
+_Advice gratis_. B. DE B.-W.
+
+P.S.--(_Important to Authors and Scribblers_.)--Unfortunately the
+Baron has been compelled to take to his bed (which he doesn't "take
+to" at all--but this by the way), and there write. Once more he begs
+to testify to the excellence both of _The Hairless Author's Pad_--no
+_The Author's Hairless Pad_--and of the wooden rest and frame into
+which it fits. Nothing better for an invalid than rest for his frame,
+and here are rest and frame in one. Given these (or, if not "given,"
+purchased), and a patent indelible-ink-lead pencil (whose patent
+I don't know, as, with much use, the gold-lettering is almost
+obliterated from mine, and all I can make out is the word "Eagle"),
+and the convalescent author may do all his work in comfort, without
+mess or muddle; and hereto, once again, I set my hand and seal, so
+know all men by these presents, all to the contrary nevertheless and
+notwithstanding. B. DE B.-W.
+
+ * * * * *
+
+GREEN PASTURES _OR_ PICCADILLY?
+
+_TO THE EDITOR._
+
+[Illustration]
+
+Sir,--I see that you have opened your columns to a discussion of the
+relative advantages of life in London and the Suburbs. I don't think
+that really the two can be compared. If you want _perfect quietude_
+can you get it better than in a place where, between nine and six, not
+a single male human being is visible, all of them being in town? Some
+people may call this dull; but I like it. Then everything is so cheap
+in the Suburbs! I only pay L100 a year for a nice house in a street,
+with a small bath-room, and a garden quite as large as a full-sized
+billiard-table. People tell me I could get the same thing in London,
+but of course a suburban street must be nicer than a London one.
+We are just outside the Metropolitan main drainage system, and our
+death-rate is rather heavy, but then our rates are light. My butcher
+only charges me one-and-twopence a pound for best joints, and though
+this is a little dearer than London, the meat is probably more
+wholesome from being in such good air as we enjoy. In wintertime the
+journey to town, half-an-hour by train, has a most bracing effect on
+those capable of bearing severe cold. For the rest, the incapables
+are a real blessing to those who sell mustard-plasters and extra-sized
+pocket-handkerchiefs. Our society is so select and refined that I
+verily believe Belgravia can show nothing like it! Yours obediently,
+
+FAR FROM THE MADDING CROWD.
+
+
+Sir,--The Suburbs are certainly delightful, if you have a good train
+service; but this you seldom get. I do not complain of our Company
+taking three-quarters of an hour to perform the distance of eight and
+a half miles to the City, as this seems a good, average suburban rate,
+but I do think the "fast" train (which performs the distance in that
+time) might start a little later than 8.30 A.M. Going in to business
+at 10.30 by an "ordinary" train, which stops at sixteen stations, and
+takes an hour and a half, becomes after a time rather monotonous. It
+involves a painful "Rush in Urbe" to get through business in time to
+catch the 4.30 "express" back, a train which (theoretically) stops
+nowhere.
+
+COUNTRY CUSSIN'.
+
+
+Sir,--No more London for me! I've tried it, and know what it's like.
+I have found a delightful cottage, twenty miles from town, and mean to
+live in it always. Do we ever have one of your nasty yellow fogs here?
+Never! Nothing more than a thick white mist, which rises from the
+fields and envelopes the house every night. It is true that several
+of our family complain of rheumatism, and when I had rheumatic fever
+myself a month ago, I found it a little inconvenient being six
+miles from a doctor and a chemist's shop. But then my house is so
+picturesque, with an Early English wooden porch (which can be kept
+from falling to pieces quite easily by hammering a few nails in now
+and then, and re-painting once a week), and no end of gables, which
+only let the water into the bedrooms in case of a _very_ heavy shower.
+Then think of the delights of a garden, and a field (for which I pay
+L20 a year, and repair the hedges), and chickens! I don't think I have
+spent more than L50 above what I should have done in London, owing to
+the necessity of fitting up chicken-runs and buying a conservatory
+for my wife, who is passionately fond of flowers. Unfortunately my
+chickens are now moulting, and decline to lay again before next March;
+so I bring back fresh eggs from town, and, as my conservatory is
+not yet full, flowers from Covent Garden; and I can assure you that,
+until you try it, you cannot tell the amount of pleasure and exercise
+which walking a couple of miles (the distance of my cottage from the
+station), laden with groceries and other eatables, can be made to
+afford. Yours chirpily,
+
+FIELD-FARE.
+
+ * * * * *
+
+GOOD FOR SPORT!--A well-known chartered accountant, with a vulpine
+patronymic, complains of the unkind treatment he recently received in
+Cologne at the hands of the German police. He should be consoled
+by the thought, that his persecution marked in those latitudes the
+introduction of Fox-hunting.
+
+ * * * * *
+
+[Illustration: YANKEE EXCLUSIVENESS.
+
+_Young Britisher_. "YOUR FATHER'S NOT WITH YOU THEN, MISS VAN TROMP?"
+
+_Fair New York Millionnairess_ (_one of three_). "WHY, NO--PA'S MUCH
+TOO VULGAR! IT'S AS MUCH AS WE CAN DO TO STAND MA!"]
+
+ * * * * *
+
+THE QUICKSAND!
+
+ Is this the Eagle-hunter,
+ The valiant fate-confronter,
+ The soldier brave, and blunter
+ Of speech than BISMARCK's self?
+ This bungler all-disgracing,
+ This braggart all-debasing.
+ This spurious sportsman, chasing
+ No nobler prey than pelf?
+
+ The merest "fly in amber,"
+ _He_ after eagles clamber?
+ Nay, faction's ante-chamber
+ Were fitter place for him,
+ A trifler transitory,
+ To gasconade of "glory"!
+ He'd foul fair France's story,
+ Her lustre pale and dim.
+
+ _Les Coulisses?_ Ah, precisely!
+ They suit his nature nicely,
+ Who bravely, nobly, wisely,
+ Can hardly even "act."
+ _Histrio_ all _blague_ and blather,
+ Is it not pity, rather,
+ One Frenchman should foregather
+ With him in selfish pact?
+
+ In selfish pact--but silly.
+ _His_ neighbouring, willy-nilly,
+ Must smirch the Bee, the Lily,
+ Or stain the snow-white flag.
+ Wielder of mere stage-dagger,
+ Loud lord of empty swagger,
+ In peril's hour a lagger.
+ A Paladin of Brag!
+
+ And now his venture faileth,
+ And now his valour paleth;
+ _Et apres?_ What availeth
+ His aid to those who'd use him?
+ Imperial or Royal,
+ What "patron" will prove loyal
+ Unto this "dupe"? They'll joy all
+ To mock, expose, abuse him!
+
+ But from the contest shrinking,
+ The draught of failure drinking,
+ In trickery's quicksand sinking,
+ Pulls he not others down?
+ Will PLON-PLON stand securely,
+ The COMTE pose proudly, purely,
+ Whilst slowly but most surely
+ Their tool must choke or drown?
+
+ Indifferent France sits smiling.
+ And what avails reviling?
+ Such pitch without defiling
+ Can "Prince" or "Patriot" touch?
+ This quicksand unromantic
+ Closes on him, the Antic,
+ Whose hands with gestures frantic
+ Contiguous coat-tails clutch.
+
+ The furious factions splutter,
+ Power's cheated claimants mutter,
+ And foiled fire-eaters utter
+ Most sanguinary threats.
+ "_He_ Freedom's fated suckler?
+ The traitor, trickster, truckler!"
+ So fumes the fierce swash-buckler,
+ And his toy-rapier whets.
+
+ But will that quicksand only
+ Engulph _him_ lost and lonely?
+ The fraud exposed, the known lie,
+ The bribe at length betrayed,
+ Must whelm this sham detected,
+ But what may be expected
+ From "Honour" shame-infected,
+ And "Kingship" in the shade?
+
+ * * * * *
+
+THE RAVENSTEIN.
+
+ [Mr. RAVENSTEIN, at the British Association, considered
+ the question, how long it will be before the world becomes
+ over-populated.]
+
+_Punch to the Prophet_.
+
+ Prophet of o'er-population, your ingenious calculation,
+ Causeth discombobulation only in the anxious mind
+ That forecasts exhausted fuel, or the period when the duel
+ Will have given their final gruel to French journalists; a kind
+ Of cantankerous, rancorous spitfires, blusterous, braggart, boyish, blind,
+ Who much mourning scarce would find.
+
+ Prophet of o'er-population, when the centuries in rotation
+ Shall have filled our little planet till it tends to running o'er,
+ Will this world, with souls o'erladen, be a Hades or an Aidenn?
+ Will man, woman, boy and maiden, be less civilised, or more?
+ _That's_ the question, RAVENSTEIN! What boots a billion, less or more,
+ If Man still is fool or boor?
+
+ "Seek not to proticipate" is _Mrs. Gamp's_ wise maxim. Great is
+ Mankind's number _now_, but "take 'em as they come, and as they go,"
+ Like the philosophic _Sairey_; and though the sum total vary,
+ Other things may vary likewise, things we dream not, much less know,
+ Don't you think, my RAVENSTEIN, our state ten centuries hence or so
+ We may prudently--let go?
+
+ * * * * *
+
+[Illustration: THE QUICKSAND!]
+
+ * * * * *
+
+[Illustration: PREPARING FOR BLACK MONDAY.
+
+_Paterfamilias_ (_reading School Report_). "AH, MY BOY, THIS ISN'T SO
+GOOD AS IT MIGHT BE. 'LATIN INDIFFERENT,' 'FRENCH POOR,' 'ARITHMETIC
+NOTHING'?"
+
+_Tommy._ "AH, BUT LOOK DOWN THERE, PAPA. '_HEALTH EXCELLENT'!_"]
+
+ * * * * *
+
+TO A TRUMPETING DEMOCRAT.
+
+ [MR. ANDREW CARNEGIE, the Iron King and millionnaire of
+ Pittsburg, has been addressing big audiences in Scotland.
+ Amongst his remarks were the following:--"It is said that in
+ America, although we have no aristocracy, we are cursed with
+ a plutarchy. Let me tell you about that. A man who carries a
+ million dollars on his back carries a load.... When I speak
+ against the Royal Family I do not condescend to speak of
+ the creatures who form the Royal Family--persons are so
+ insignificant.... We laugh at your ideas in this petty little
+ country having anything to say to the free and independent
+ citizens who walk through Canada, Australia, and America.
+ You know how to get rid of a Monarchy. Brazil has taught
+ you."--&c., &c.]
+
+ CARNEGIE, pray take notice, since I know that it would blister
+ The thin skin of a democrat, I drop the title "Mr.,"
+ You have talked a lot of bunkum, all mixed up with most terrific cant.
+ But you truly said that "persons are so very insignificant;"
+ And the author of a speech I read, part scum and partly dreggy,
+ Is perhaps the least significant--that windbag named CARNEGIE.
+ But your kindness most appals me, Sir; how really, truly gracious,
+ For one whose home is in the States, free, great, and most capacious,
+ To come to poor old England (where the laws but make the many fit
+ To lick a Royal person's boots), and all for England's benefit.
+ To preach to us, and talk to us, to tell us how effete we are,
+ How like a flock of silly sheep who merely baa and bleat we are.
+ And how "this petty little land," which prates so much of loyalty,
+ Is nothing but a laughing-stock to Pittsburg Iron-Royalty.
+ How titles make a man a rake, a drunkard, and the rest of it,
+ While plain (but wealthy) democrats in Pittsburg have the best of it.
+ How, out in Pennsylvania, the millionnaires are panting
+ (Though there's something always keeps them fat) for monetary banting.
+ How free-born citizens complain, with many Yankee curses,
+ Of fate which fills, in spite of them, their coffers and their purses.
+ How, if the man be only poor, there's nothing that can stop a cit
+ In Yankeeland, while here with us the case is just the opposite.
+ How honest British working-men who fail to fill their larder
+ Should sail for peace and plenty by the very next Cunarder.
+ And how, in short, if Britishers want freedom gilt with millions,
+ They can't do wrong to imitate the chivalrous Brazilians.
+
+ Well, well, I know we have our faults, quite possibly a crowd of them,
+ And sometimes we deceive ourselves by thinking we are proud of them;
+ But we never can have merited that _you_ should set the law to us,
+ And rail at us, and sneer at us, and preach to us, and "jaw" to us.
+ We're much more tolerant than some; let those who hate the law go
+ And spout sedition in the streets of anarchist Chicago;
+ And, after that, I guarantee they'll never want to roam again,
+ Until they get a first-class hearse to take their bodies home again.
+
+ But stay, I've hit upon a plan: We'll, first of all, relieve you
+ Of all your million dollars that so onerously grieve you;
+ Then, if some loud, conceited fool wants taking down a peg, he
+ Shall spend an hour or so in talk with democrat CARNEGIE.
+ For all men must admit 'twould be an act of mere insanity
+ To try to match this Pittsburger in bluster or in vanity.
+ And oh, when next our Chancellor is anxious for a loan, Sir,
+ He'll buy you in at our price, and he'll sell you at your own, Sir.
+ And if you don't like English air, why, dash it, you may lump it,
+ Or go and blow in other climes your most offensive trumpet!
+
+ * * * * *
+
+ROBERT UP THE RIVER.
+
+I atended on a Party larst week as went up the River (our nice little
+Stream, as the aughty Amerrycanes calls it) to Ship Lake, tho' why
+it's called so I coodn't at all make out, as there ain't no Ship nor
+no Lake to be seen there, ony a werry little Werry, and a werry littel
+River, and a werry littel Hiland; and it was prinsepally to see how
+the appy yung Gents who sumtimes lives on the same littel Hiland, in
+littel Tents, was a gitting on, as injuced all on us, me and all, to
+go there. It seems that for years parst quite a littel Collony of
+yung Gents as gets their living in the grand old Citty has been in the
+habit of spending their littel summer Hollydays there, but, somehows
+or other, as I coodn't quite understand, the master of the littel
+Hiland made up his mind for to sell it, and all the yung Gents was in
+dispair, and wundered where on airth they shood spend their Hollydays
+in future. But they needn't have been afeard--there was a grand old
+hinstitushun called "The Copperashun!" as had both their ears and both
+their eyes open when they heard about it. So when the time came for it
+to be sold, they jest quietly says to one of their principel Chairmen
+(who is sich a King of Good Fellers that they all calls him by that
+name, and he arnsers to it jest as if it was the werry name as was guv
+him by his Godfathers and his Godmothers, as I myself heard with my
+own ears), "Go and buy it!" So off he goes at wunce and buys it, and
+the kindly Copperashun Gents as I went with larst week, went to take
+possesshun on it acordingly, and to see if anythink coud be done to
+make the yung Campers-out ewen more cumferabel than they ewer was
+afore! Ah, that's what I calls trew Pattriotizm, and trew Libberality,
+if you likes, and that's what makes 'em so much respeckted.
+
+Our Gents was all considrably surprized at the lots of Tents as was
+all a standing on Ship Lake Island; one on 'em, who was got up quite
+in a naughtical style, said as he was estonished to see so many on 'em
+pitched, but I think as he must ha' bin mistaken, for I didn t see not
+none on 'em pitched, tho' I dessay it might ha' been werry usefool in
+keeping out the rain on a remarkabel wet night.
+
+By sum mistake on sumboddy's part, there wasn't not no yung
+Campers-out to receeve us, and so fears was hentertaned that they wood
+have to cum again shortly; but they are bold plucky gents, is the men
+of the Copperashun, and they one and all xpressed their reddiness to
+do it at the call of dooty. Besides, we had sich a reel Commodore a
+board as made us all quite reddy to brave the foaming waves again.
+Why, he guv out the word of command, whether it was to "Port the
+Helem," or to "Titen the mane braces," as if he had bin a Hadmiral
+at the werry least, and his galliant crew obeyed him without not no
+grumbling or ewen thretening to strike!
+
+By one of them striking and remarkabel ocurrences as happens so
+offen, who shood we appen to find at Ship Lake, but one of the werry
+poplarest of the Court of Haldermen, and what shood he do but ask
+'em all in to lunch at his splendid manshun, and what shood they
+all do but jump at the hoffer, and what does he do, for a lark, I
+serppose--if so be as a reel Poplar Alderman ewer does have sich
+a thing as a lark--and give 'em all sich a gloryous spread, as I
+owerheard one henergetick Deperty describe it, as hutterly deprived
+'em all of the power of heating a bit of dinner till the werry next
+day, to which time they wisely put it off, and then thorowly injoyed
+it.
+
+In course, I'm not allowed to menshun not no names on these
+conferdential ocasions, but I did hear "the Commodore" shout to "the
+King" sumthink about "Hansum is as Hansum does," but it was rayther
+too late in the heavening for me to be able to quite unnerstand his
+elusions.
+
+I am 'appy to be able to report that we every one on us arrived in
+Town quite safe and quite happy, xcep sum of the pore hard-working
+crew who are left at Marlow till further orders. ROBERT.
+
+ * * * * *
+
+[Illustration: MEETING OF THE B.A. FOR THE ADVANCEMENT OF SCIENCE.
+LEEDS TOWN-HALL.]
+
+ * * * * *
+
+[Illustration: FAIR PROPOSAL.
+
+_Johnson_ (_at window--having offered to tame a vicious Horse for his
+Friend_). "NOW, TOM, JUST COLLAR HOLD OF HIS HEAD, AND I'LL PUT THE
+MUZZLE ON!"]
+
+ * * * * *
+
+A SPORTING STYLE.
+
+(_THIRD EXAMPLE._)
+
+Two examples of a correct sporting style have been already laid before
+the public. For convenience of reference they may be defined as the
+mixed-pugilistic and the insolent. There is, however, a third variety,
+the equine, in which everyone who aspires to wield the pen of a
+sporting reporter must necessarily be a proficient. It may be well to
+warn a beginner that he must not attempt this style until he has laid
+in a large stock of variegated metaphoric expressions. As a matter of
+fact one horse-race is very much like another in its main incidents,
+and the process of betting against or in favour of one horse
+resembles, more or less, the process of betting about any other. The
+point is, however, to impart to monotonous incidents a variety they
+do not possess; and to do this properly a luxuriant vocabulary is
+essential. For instance, in the course of a race, some horses tire,
+or, to put it less offensively, go less rapidly than others. The
+reporter will say of such a horse that he (1) "shot his bolt," or
+(2) "cried _peccavi_," or (3) "cried a go," or (4) "compounded," or
+(5) "exhibited signals of distress," or (6) "fired minute guns," or
+(7) "fell back to mend his bellows," or (8) "seemed to pause for
+reflection."
+
+Again, in recording the upward progress of horses in the betting
+market, it would be ridiculous to say of all of them merely that they
+became hot favourites. Vary, therefore, occasionally, by saying of
+one, for example, that "here was another case of one being eventually
+served up warm"; of another, that "plenty of the talent took 7 to 4
+about _Mousetrap_;" of a third, that "_Paradox_ had the call at 4 to
+1;" and of a fourth, that "a heap of money, and good money too, went
+on _Backslide_." After these preliminary instructions, _Mr. Punch_
+offers his
+
+_Third Example_.--Event to be described: A horse-race. Names of horses
+and jockeys, weights, &c., supplied.
+
+Considerable delay took place. _Little Benjy_ made a complete hole
+in his manners by bolting. Eventually, however, the flag tell to a
+capital start. _Burglar Bill_ on the right cut out the work[1] from
+_Paladin_, who soon began to blow great guns, and after a quarter of a
+mile had been negotiated yielded his pride of place to _Cudlums_ with
+_The P'liceman_ in attendance, _Sobriety_ lying fourth, and _D. T._
+close behind. Thus they raced to the bend, where _Burglar Bill_ cried
+_peccavi_, and _Cudlums_ having shot her bolt, _Sobriety_ was left in
+front, only to be challenged by _Cropeared Sue_, who had been coming
+through her horses with a wet sail. Bounding the bend SIMPSON called
+upon _Mrs. Brady_ and literally took tea with her rivals,[2] whom he
+nailed to the counter one after another. The favourite compounded at
+the distance, and _Mrs. Brady_ romped home the easiest of winners,
+four lengths ahead of _Cropeared Sue_; a bad third. The rest
+were whipped in by _Flyaway_, who once more failed to justify the
+appellation bestowed upon him.
+
+_Mr. Punch_ flatters himself that, upon the above model, the report of
+any race-meeting could be accurately constructed at home. In future,
+therefore, no reporter should go to the expense of leaving London for
+Epsom, Newmarket, Ascot, or Goodwood.
+
+[Footnote 1: Note this sentence. It is essential.]
+
+[Footnote 2: At first sight it would appear more natural that SIMPSON
+(presumably a jockey) having called upon _Mrs. Brady_, should take tea
+with _her_ rather than with her rivals. But a sporting style involves
+us in puzzles.]
+
+ * * * * *
+
+A CENTENARIAN.
+
+ "This is the centenary of the tall hat."--_Daily News_.
+
+[Illustration]
+
+ A hundred years of hideousness,
+ Constricted brows, and strain, and stress!
+ And still, despite humanity's groan,
+ The torturing, "tall-hat" holds its own!
+ What proof more sure and melancholy
+ Of the dire depths of mortal folly?
+ Mad was the hatter who invented
+ The demon "topper," and demented
+ The race that, spite of pain and jeers,
+ Has borne it--for One Hundred Years!
+
+ * * * * *
+
+HAMLET AT THE VEGETARIAN CONGRESS.
+
+[Illustration]
+
+ Yea, from the table of my dining-room,
+ I'll take away all tasty joints and _entrees_.
+ All sorts of meat, all forms of animal diet
+ That the carnivorous cook hath gathered there:
+ And, by commandment, will entirely live
+ Within the bounds of vegetable food,
+ Unmixed with savoury matters. Yes, by heaven!
+ O most pernicious Meat!
+ O Mutton, beef, and pork, digestion-spoiling!
+ My tables, my tables! Meat? I'll put it down;
+ For men may dine, and dine, and do no killing,
+ At least I'm sure it may be so--on lentils.
+ So, _gourmand_, there you are! Now to my _menu_;
+ It is, "_All Vegetables and no Meat!_"
+ I have sworn't!
+
+ * * * * *
+
+INTERVIEWING A LA MODE.
+
+(_QUITE AT THE SERVICE OF SOME OF MR. PUNCH'S CONTEMPORARIES._)
+
+One of our Representatives called a few days since upon Mr. BROWN,
+senior member of the well-known firm of Messrs. BROWN, JONES,
+AND ROBINSON. The Eminent General Dealer was seated "in his
+counting-house," as the nursery-song hath it, "counting out his
+money."
+
+"Come in, come in!" said Mr. BROWN, cordially, as he somewhat
+hurriedly looked up the coin in a safe out of our reach. "I am
+delighted to see you."
+
+"Glad to hear it," we replied, rather drily. "We want to put a few
+questions to you, in the interest of the public."
+
+"As many as you please. I am, as you know, a man of business; still,
+the resources of our establishment are so vast, that my place can be
+supplied without inconvenience to our thousands, I may say millions of
+customers. And now, Sir, what can I do for you?"
+
+"Well, Mr. BROWN, speaking in the name of civilisation, I would wish
+to ask you if you have much sale for SMASHUP's Concentrated Essence of
+Cucumbers (registered), in the larger bottles?"
+
+"Yes, Sir, we have; although the smaller sizes are, possibly, a trifle
+more popular."
+
+"What do you think of COTTONBACK's Fleur de Lyons Putney Satin?"
+
+"A most admirable material for home wear, although we do not recommend
+it for use at a party, a ball, or a reception. For festive occasions
+we do a very large trade in GIGGLEWATER's Superfine Velvet South
+American _Moire Antique_ as advertised."
+
+"Indeed! Perhaps, you can mention a few more articles that in your
+judgment you believe it will interest our readers to learn about."
+
+"Pardon me, but don't you put that sentence a trifle clumsily?"
+
+Our Representative smiled and blushed. Then he admitted that Mr. BROWN
+might be right.
+
+"Ha! ha! ha!" laughed the Senior Partner, in great glee. "You see I
+have my head screwed on the right way! But to answer you. GOTEMON's
+Patent Alligator's Skin Braces are attracting much attention just
+now, so is WIPE's Castle 2 Imperial William Champagne, which finds
+(I may observe confidentially) a ready sale at thirty-two shillings
+the dozen. Then there are AKE's Electric Tooth-brushes, and CRAX's
+Stained-glass Solid Mahogany Brass-mounted Elizabethan Mantel-boards.
+Then, of course, I must not forget BOLTER's Washhandstands and
+BOUNDER's Anti-agony Aromatic Pills."
+
+"And all these articles sell largely?"
+
+"Very largely, indeed. And so they should; for they are well worth
+the money they cost."
+
+"Indeed they are, or I should not find them in your establishment."
+
+"You are very good. And now, _a propos_ of your journal, will you
+permit me to pay a return compliment?"
+
+"Certainly," we replied. "You have noticed an improvement in our
+columns?"
+
+"Unquestionably I have," returned Mr. BROWN, emphatically. "I have
+observed that of late you have given much interesting matter in the
+body of your paper that heretofore used to be reserved for the pages
+exclusively devoted to advertisements. I congratulate you!"
+
+And with a courteous wave of his hand and a bow of dismissal, the
+Eminent Pillar of Commerce delicately intimated to us that our
+interview was at an end.
+
+ * * * * *
+
+'ARRY ON THE SINCEREST FORM OF FLATTERY.
+
+[Illustration]
+
+ DEAR CHARLIE,--Your faviour to 'and in doo course, as the quill-drivers
+ say;
+ Likeways also the newspaper cuttins enclosed. You're on Rummikey's lay.
+ Awful good on yer, CHARLIE, old chummy, to take so much trouble for me;
+ But do keep on yer 'air, dear old pal; _I_ am still right end uppards,
+ yer see.
+
+ You are needled along of some parties,--er course you ain't fly to their
+ names,--
+ As has bin himitating Yours Truly. Way-oh! It's the oldest o' games,
+ Himitation is, CHARLIE. It makes one think DARWIN was right, anyhow,
+ And that most on us did come from monkeys, which some ain't so fur from
+ 'em now.
+
+ You start a smart game, or a paying one--something as knocks 'em, dear
+ boy,
+ No matter, mate, whether it's mustard, or rhymes, or a sixpenny toy;
+ They'll be arter you, nick over nozzle, the smuggers of notions and nips,
+ For the mugs is as 'ungry for wrinkles as broken-down bookies for tips.
+
+ Look at DICKENS, dear boy, and Lord TENNYSON--ain't they bin copied all
+ round?
+ Wy, I'm told some as liked ALFRED's verses at fust, is now sick of the
+ sound;
+ All along o' the parrots, my pippin. Ah, that's jest the wust o' sech
+ fakes!
+ People puke at the shams till they think the originals ain't no great
+ shakes.
+
+ 'Tain't fair, CHARLIE, not by a jugful, but anger's all fiddle-de-dee;
+ They may copy my style till all's blue, but they won't discombobulate me.
+ Names and metres is anyone's props; but of one thing they don't get the
+ 'ang;
+ They ain't fly to good patter, old pal, they ain't copped the straight
+ griffin on slang.
+
+ 'Tisn't grammar and spellin' makes patter, nor yet snips and snaps of
+ snide talk.
+ You may cut a moke out o' pitch-pine, mate, and paint it, but can't make
+ it walk.
+ You may chuck a whole Slang Dixionary by chunks in a stodge-pot of chat,
+ But if 'tisn't _alive_, 'tain't chin-music, but kibosh, and corpsey at
+ that.
+
+ Kerrectness be jolly well jiggered! Street slang isn't Science, dear pal,
+ And it don't need no "glossery" tips to hinterpret my chat to my gal.
+ I take wot comes 'andy permiskus, wotever runs sliok and fits in,
+ And when smugs makes me out a "philolergist,"--snuffers! it do make me
+ grin!
+
+ Still there's fitness, dear boy, and unfitness, and some of these jossers,
+ jest now,
+ Who himitate 'ARRY's few letters with weekly slapdabs of bow-wow,
+ 'Ave about as much "fit" in their "slang" as a slop-tailor's six-and-six
+ bags.
+ No, Yours Truly writes only to you, and don't spread _hisself_ out in the
+ Mags.
+
+ _Mister P._ prints my letters, occasional, once in a while like, dear boy;
+ For patter's like love-letters, CHARLIE, too long and too frequent, they
+ cloy.
+ I agree there with _Samivel Veller_. My echoes I've no wish to stop,
+ But I'd jest like to say 'tisn't _me_ as is slopping' all over the shop.
+
+ It do give me the ditherums, CHARLIE, it makes me feel quite quisby snitch,
+ To see the fair rush for a feller as soon as he's found a good pitch.
+ Jest like anglers, old man, on the river; if one on 'em spots a prime swim,
+ And is landing 'em proper, you bet arf the others'll crowd about _him_.
+
+ But there's law for the rodsters, I'm told, CHARLIE; so many foot left and
+ right;
+ And you'll see the punts spotted at distance, like squodrons of troops at
+ a fight.
+ But in Trade, Art, and Littery lines, CHARLIE, 'anged if there's any fair
+ play,
+ And the "cullerable himitation" is jest the disgrace of the day.
+
+ Sech scoots scurryfunging around on the gay old galoot, to go snacks
+ In the profits of other folks' notions, have put you, old pal, in a wax.
+ Never mind their shenanigan, CHARLIE; it don't do much hurt, anyhow;
+ I was needled a trifle at fust, but I'm pooty scroodnoodleous now.
+
+ I'm all right and a arf, mate, I am, and ain't going' to rough up, no
+ fear!
+ Becos two or three second-hand 'ARRIES is tipping the public stale beer.
+ The old tap'll turn on now and then, not too often, and as for the rest,
+ The B.P. has a taste for sound tipple, and knows when it's served with
+ the best.
+
+ If mine don't 'old its own on its merits, then way-oh! for someone's
+ as does!
+ All cop and no blue ain't my motter; that's all tommy-rot and buz-wuz.
+ The pace of a yot must depend on her lines and the canvas she'll carry;
+ If rivals can crowd on more sail, wy they're welcome to overhaul 'ARRY.
+
+ * * * * *
+
+NOTICE.--Rejected Communications or Contributions, whether MS.,
+Printed Matter, Drawings, or Pictures of any description, will in no
+case be returned, not even when accompanied by a Stamped and Addressed
+Envelope, Cover, or Wrapper. To this rule there will be no exception.
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, Or The London Charivari, Vol.
+99., September 20, 1890, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOL. 99 ***
+
+***** This file should be named 12466.txt or 12466.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/2/4/6/12466/
+
+Produced by Malcolm Farmer, William Flis, and the Online Distributed
+Proofreading Team.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/old/12466.zip b/old/12466.zip
new file mode 100644
index 0000000..fc3c849
--- /dev/null
+++ b/old/12466.zip
Binary files differ