summaryrefslogtreecommitdiff
path: root/old/1238.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/1238.txt')
-rw-r--r--old/1238.txt1841
1 files changed, 1841 insertions, 0 deletions
diff --git a/old/1238.txt b/old/1238.txt
new file mode 100644
index 0000000..810ca05
--- /dev/null
+++ b/old/1238.txt
@@ -0,0 +1,1841 @@
+The Project Gutenberg EBook of The City of Dreadful Night, by James Thomson
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The City of Dreadful Night
+
+Author: James Thomson
+
+Posting Date: August 16, 2008 [EBook #1238]
+Release Date: March, 1998
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE CITY OF DREADFUL NIGHT ***
+
+
+
+
+Produced by Michael C. Browning
+
+
+
+
+
+THE CITY OF DREADFUL NIGHT
+
+By James Thomson
+
+
+
+ Per me si va nella citta dolente.
+
+ --Dante
+
+
+ Poi di tanto adoprar, di tanti moti
+ D'ogni celeste, ogni terrena cosa,
+ Girando senza posa,
+ Per tornar sempre la donde son mosse;
+ Uso alcuno, alcun frutto
+ Indovinar non so.
+
+ Sola nel mondo eterna, a cui si volve
+ Ogni creata cosa,
+ In te, morte, si posa
+ Nostra ignuda natura;
+ Lieta no, ma sicura
+ Dell' antico dolor . . .
+ Pero ch' esser beato
+ Nega ai mortali e nega a' morti il fato.
+
+ --Leopardi
+
+
+
+
+
+PROEM
+
+ Lo, thus, as prostrate, "In the dust I write
+ My heart's deep languor and my soul's sad tears."
+ Yet why evoke the spectres of black night
+ To blot the sunshine of exultant years?
+ Why disinter dead faith from mouldering hidden? 5
+ Why break the seals of mute despair unbidden,
+ And wail life's discords into careless ears?
+
+ Because a cold rage seizes one at whiles
+ To show the bitter old and wrinkled truth
+ Stripped naked of all vesture that beguiles, 10
+ False dreams, false hopes, false masks and modes of youth;
+ Because it gives some sense of power and passion
+ In helpless innocence to try to fashion
+ Our woe in living words howe'er uncouth.
+
+ Surely I write not for the hopeful young, 15
+ Or those who deem their happiness of worth,
+ Or such as pasture and grow fat among
+ The shows of life and feel nor doubt nor dearth,
+ Or pious spirits with a God above them
+ To sanctify and glorify and love them, 20
+ Or sages who foresee a heaven on earth.
+
+ For none of these I write, and none of these
+ Could read the writing if they deigned to try;
+ So may they flourish in their due degrees,
+ On our sweet earth and in their unplaced sky. 25
+ If any cares for the weak words here written,
+ It must be some one desolate, Fate-smitten,
+ Whose faith and hopes are dead, and who would die.
+
+ Yes, here and there some weary wanderer
+ In that same city of tremendous night, 30
+ Will understand the speech and feel a stir
+ Of fellowship in all-disastrous fight;
+ "I suffer mute and lonely, yet another
+ Uplifts his voice to let me know a brother
+ Travels the same wild paths though out of sight." 35
+
+ O sad Fraternity, do I unfold
+ Your dolorous mysteries shrouded from of yore?
+ Nay, be assured; no secret can be told
+ To any who divined it not before: 40
+ None uninitiate by many a presage
+ Will comprehend the language of the message,
+ Although proclaimed aloud for evermore.
+
+
+
+ I
+
+ The City is of Night; perchance of Death
+ But certainly of Night; for never there
+ Can come the lucid morning's fragrant breath
+ After the dewy dawning's cold grey air:
+ The moon and stars may shine with scorn or pity 5
+ The sun has never visited that city,
+ For it dissolveth in the daylight fair.
+
+ Dissolveth like a dream of night away;
+ Though present in distempered gloom of thought
+ And deadly weariness of heart all day. 10
+ But when a dream night after night is brought
+ Throughout a week, and such weeks few or many
+ Recur each year for several years, can any
+ Discern that dream from real life in aught?
+
+ For life is but a dream whose shapes return, 15
+ Some frequently, some seldom, some by night
+ And some by day, some night and day: we learn,
+ The while all change and many vanish quite,
+ In their recurrence with recurrent changes
+ A certain seeming order; where this ranges 20
+ We count things real; such is memory's might.
+
+ A river girds the city west and south,
+ The main north channel of a broad lagoon,
+ Regurging with the salt tides from the mouth;
+ Waste marshes shine and glister to the moon 25
+ For leagues, then moorland black, then stony ridges;
+ Great piers and causeways, many noble bridges,
+ Connect the town and islet suburbs strewn.
+
+ Upon an easy slope it lies at large
+ And scarcely overlaps the long curved crest 30
+ Which swells out two leagues from the river marge.
+ A trackless wilderness rolls north and west,
+ Savannahs, savage woods, enormous mountains,
+ Bleak uplands, black ravines with torrent fountains;
+ And eastward rolls the shipless sea's unrest. 35
+
+ The city is not ruinous, although
+ Great ruins of an unremembered past,
+ With others of a few short years ago
+ More sad, are found within its precincts vast.
+ The street-lamps always burn; but scarce a casement 40
+ In house or palace front from roof to basement
+ Doth glow or gleam athwart the mirk air cast.
+
+ The street-lamps burn amid the baleful glooms,
+ Amidst the soundless solitudes immense
+ Of ranged mansions dark and still as tombs. 45
+ The silence which benumbs or strains the sense
+ Fulfils with awe the soul's despair unweeping:
+ Myriads of habitants are ever sleeping,
+ Or dead, or fled from nameless pestilence!
+
+ Yet as in some necropolis you find 50
+ Perchance one mourner to a thousand dead,
+ So there: worn faces that look deaf and blind
+ Like tragic masks of stone. With weary tread,
+ Each wrapt in his own doom, they wander, wander,
+ Or sit foredone and desolately ponder 55
+ Through sleepless hours with heavy drooping head.
+
+ Mature men chiefly, few in age or youth,
+ A woman rarely, now and then a child:
+ A child! If here the heart turns sick with ruth
+ To see a little one from birth defiled, 60
+ Or lame or blind, as preordained to languish
+ Through youthless life, think how it bleeds with anguish
+ To meet one erring in that homeless wild.
+
+ They often murmur to themselves, they speak
+ To one another seldom, for their woe 65
+ Broods maddening inwardly and scorns to wreak
+ Itself abroad; and if at whiles it grow
+ To frenzy which must rave, none heeds the clamour,
+ Unless there waits some victim of like glamour,
+ To rave in turn, who lends attentive show. 70
+
+ The City is of Night, but not of Sleep;
+ There sweet sleep is not for the weary brain;
+ The pitiless hours like years and ages creep,
+ A night seems termless hell. This dreadful strain
+ Of thought and consciousness which never ceases, 75
+ Or which some moments' stupor but increases,
+ This, worse than woe, makes wretches there insane.
+
+ They leave all hope behind who enter there:
+ One certitude while sane they cannot leave,
+ One anodyne for torture and despair; 80
+ The certitude of Death, which no reprieve
+ Can put off long; and which, divinely tender,
+ But waits the outstretched hand to promptly render
+ That draught whose slumber nothing can bereave (1)
+
+ (1) Though the Garden of thy Life be wholly waste, the sweet
+ flowers withered, the fruit-trees barren, over its wall hang
+ ever the rich dark clusters of the Vine of Death, within
+ easy reach of thy hand, which may pluck of them when it
+ will.
+
+
+
+ II
+
+ Because he seemed to walk with an intent
+ I followed him; who, shadowlike and frail,
+ Unswervingly though slowly onward went,
+ Regardless, wrapt in thought as in a veil:
+ Thus step for step with lonely sounding feet 5
+ We travelled many a long dim silent street.
+
+ At length he paused: a black mass in the gloom,
+ A tower that merged into the heavy sky;
+ Around, the huddled stones of grave and tomb:
+ Some old God's-acre now corruption's sty: 10
+ He murmured to himself with dull despair,
+ Here Faith died, poisoned by this charnel air.
+
+ Then turning to the right went on once more
+ And travelled weary roads without suspense;
+ And reached at last a low wall's open door, 15
+ Whose villa gleamed beyond the foliage dense:
+ He gazed, and muttered with a hard despair,
+ Here Love died, stabbed by its own worshipped pair.
+
+ Then turning to the right resumed his march,
+ And travelled street and lanes with wondrous strength, 20
+ Until on stooping through a narrow arch
+ We stood before a squalid house at length:
+ He gazed, and whispered with a cold despair,
+ Here Hope died, starved out in its utmost lair.
+
+ When he had spoken thus, before he stirred, 25
+ I spoke, perplexed by something in the signs
+ Of desolation I had seen and heard
+ In this drear pilgrimage to ruined shrines:
+ Where Faith and Love and Hope are dead indeed,
+ Can Life still live? By what doth it proceed? 30
+
+ As whom his one intense thought overpowers,
+ He answered coldly, Take a watch, erase
+ The signs and figures of the circling hours,
+ Detach the hands, remove the dial-face;
+ The works proceed until run down; although 35
+ Bereft of purpose, void of use, still go.
+
+ Then turning to the right paced on again,
+ And traversed squares and travelled streets whose glooms
+ Seemed more and more familiar to my ken;
+ And reached that sullen temple of the tombs; 40
+ And paused to murmur with the old despair,
+ Hear Faith died, poisoned by this charnel air.
+
+ I ceased to follow, for the knot of doubt
+ Was severed sharply with a cruel knife:
+ He circled thus forever tracing out 45
+ The series of the fraction left of Life;
+ Perpetual recurrence in the scope
+ Of but three terms, dead Faith, dead Love, dead Hope. (1)
+
+ LXX
+ (1) Life divided by that persistent three = --- = .210.
+ 333
+
+
+
+ III
+
+ Although lamps burn along the silent streets,
+ Even when moonlight silvers empty squares
+ The dark holds countless lanes and close retreats;
+ But when the night its sphereless mantle wears
+ The open spaces yawn with gloom abysmal, 5
+ The sombre mansions loom immense and dismal,
+ The lanes are black as subterranean lairs.
+
+ And soon the eye a strange new vision learns:
+ The night remains for it as dark and dense,
+ Yet clearly in this darkness it discerns 10
+ As in the daylight with its natural sense;
+ Perceives a shade in shadow not obscurely,
+ Pursues a stir of black in blackness surely,
+ Sees spectres also in the gloom intense.
+
+ The ear, too, with the silence vast and deep 15
+ Becomes familiar though unreconciled;
+ Hears breathings as of hidden life asleep,
+ And muffled throbs as of pent passions wild,
+ Far murmurs, speech of pity or derision;
+ but all more dubious than the things of vision, 20
+ So that it knows not when it is beguiled.
+
+ No time abates the first despair and awe,
+ But wonder ceases soon; the weirdest thing
+ Is felt least strange beneath the lawless law
+ Where Death-in-Life is the eternal king; 25
+ Crushed impotent beneath this reign of terror,
+ Dazed with mysteries of woe and error,
+ The soul is too outworn for wondering.
+
+
+
+ IV
+
+ He stood alone within the spacious square
+ Declaiming from the central grassy mound,
+ With head uncovered and with streaming hair,
+ As if large multitudes were gathered round:
+ A stalwart shape, the gestures full of might, 5
+ The glances burning with unnatural light:--
+
+ As I came through the desert thus it was,
+ As I came through the desert: All was black,
+ In heaven no single star, on earth no track;
+ A brooding hush without a stir or note, 10
+ The air so thick it clotted in my throat;
+ And thus for hours; then some enormous things
+ Swooped past with savage cries and clanking wings:
+ But I strode on austere;
+ No hope could have no fear. 15
+
+ As I came through the desert thus it was,
+ As I came through the desert: Eyes of fire
+ Glared at me throbbing with a starved desire;
+ The hoarse and heavy and carnivorous breath
+ Was hot upon me from deep jaws of death; 20
+ Sharp claws, swift talons, fleshless fingers cold
+ Plucked at me from the bushes, tried to hold:
+ But I strode on austere;
+ No hope could have no fear.
+
+ As I came through the desert thus it was, 25
+ As I came through the desert: Lo you, there,
+ That hillock burning with a brazen glare;
+ Those myriad dusky flames with points a-glow
+ Which writhed and hissed and darted to and fro;
+ A Sabbath of the Serpents, heaped pell-mell 30
+ For Devil's roll-call and some fete of Hell:
+ Yet I strode on austere;
+ No hope could have no fear.
+
+ As I came through the desert thus it was,
+ As I came through the desert: Meteors ran 35
+ And crossed their javelins on the black sky-span;
+ The zenith opened to a gulf of flame,
+ The dreadful thunderbolts jarred earth's fixed frame;
+ The ground all heaved in waves of fire that surged
+ And weltered round me sole there unsubmerged: 40
+ Yet I strode on austere;
+ No hope could have no fear.
+
+ As I came through the desert thus it was,
+ As I came through the desert: Air once more,
+ And I was close upon a wild sea-shore; 45
+ Enormous cliffs arose on either hand,
+ The deep tide thundered up a league-broad strand;
+ White foambelts seethed there, wan spray swept and flew;
+ The sky broke, moon and stars and clouds and blue:
+ Yet I strode on austere; 50
+ No hope could have no fear.
+
+ As I came through the desert thus it was,
+ As I came through the desert: On the left
+ The sun arose and crowned a broad crag-cleft;
+ There stopped and burned out black, except a rim, 55
+ A bleeding eyeless socket, red and dim;
+ Whereon the moon fell suddenly south-west,
+ And stood above the right-hand cliffs at rest:
+ Yet I strode on austere;
+ No hope could have no fear. 60
+
+ As I came through the desert thus it was,
+ As I came through the desert: From the right
+ A shape came slowly with a ruddy light;
+ A woman with a red lamp in her hand,
+ Bareheaded and barefooted on that strand; 65
+ O desolation moving with such grace!
+ O anguish with such beauty in thy face!
+ I fell as on my bier,
+ Hope travailed with such fear.
+
+ As I came through the desert thus it was, 70
+ As I came through the desert: I was twain,
+ Two selves distinct that cannot join again;
+ One stood apart and knew but could not stir,
+ And watched the other stark in swoon and her;
+ And she came on, and never turned aside, 75
+ Between such sun and moon and roaring tide:
+ And as she came more near
+ My soul grew mad with fear.
+
+ As I came through the desert thus it was,
+ As I came through the desert: Hell is mild 80
+ And piteous matched with that accursed wild;
+ A large black sign was on her breast that bowed,
+ A broad black band ran down her snow-white shroud;
+ That lamp she held was her own burning heart,
+ Whose blood-drops trickled step by step apart: 85
+ The mystery was clear;
+ Mad rage had swallowed fear.
+
+ As I came through the desert thus it was,
+ As I came through the desert: By the sea
+ She knelt and bent above that senseless me; 90
+ Those lamp-drops fell upon my white brow there,
+ She tried to cleanse them with her tears and hair;
+ She murmured words of pity, love, and woe,
+ Shee heeded not the level rushing flow:
+ And mad with rage and fear, 95
+ I stood stonebound so near.
+
+ As I came through the desert thus it was,
+ As I came through the desert: When the tide
+ Swept up to her there kneeling by my side,
+ She clasped that corpse-like me, and they were borne 100
+ Away, and this vile me was left forlorn;
+ I know the whole sea cannot quench that heart,
+ Or cleanse that brow, or wash those two apart:
+ They love; their doom is drear,
+ Yet they nor hope nor fear; 105
+ But I, what do I here?
+
+
+
+ V
+
+ How he arrives there none can clearly know;
+ Athwart the mountains and immense wild tracts,
+ Or flung a waif upon that vast sea-flow,
+ Or down the river's boiling cataracts:
+ To reach it is as dying fever-stricken 5
+ To leave it, slow faint birth intense pangs quicken;
+ And memory swoons in both the tragic acts.
+
+ But being there one feels a citizen;
+ Escape seems hopeless to the heart forlorn:
+ Can Death-in-Life be brought to life again? 10
+ And yet release does come; there comes a morn
+ When he awakes from slumbering so sweetly
+ That all the world is changed for him completely,
+ And he is verily as if new-born.
+
+ He scarcely can believe the blissful change, 15
+ He weeps perchance who wept not while accurst;
+ Never again will he approach the range
+ Infected by that evil spell now burst:
+ Poor wretch! who once hath paced that dolent city
+ Shall pace it often, doomed beyond all pity, 20
+ With horror ever deepening from the first.
+
+ Though he possess sweet babes and loving wife,
+ A home of peace by loyal friendships cheered,
+ And love them more than death or happy life,
+ They shall avail not; he must dree his weird; 25
+ Renounce all blessings for that imprecation,
+ Steal forth and haunt that builded desolation,
+ Of woe and terrors and thick darkness reared.
+
+
+
+ VI
+
+ I sat forlornly by the river-side,
+ And watched the bridge-lamps glow like golden stars
+ Above the blackness of the swelling tide,
+ Down which they struck rough gold in ruddier bars;
+ And heard the heave and plashing of the flow 5
+ Against the wall a dozen feet below.
+
+ Large elm-trees stood along that river-walk;
+ And under one, a few steps from my seat,
+ I heard strange voices join in stranger talk,
+ Although I had not heard approaching feet: 10
+ These bodiless voices in my waking dream
+ Flowed dark words blending with sombre stream:--
+
+ And you have after all come back; come back.
+ I was about to follow on your track.
+ And you have failed: our spark of hope is black. 15
+
+ That I have failed is proved by my return:
+ The spark is quenched, nor ever more will burn,
+ But listen; and the story you shall learn.
+
+ I reached the portal common spirits fear,
+ And read the words above it, dark yet clear, 20
+ "Leave hope behind, all ye who enter here:"
+
+ And would have passed in, gratified to gain
+ That positive eternity of pain
+ Instead of this insufferable inane.
+
+ A demon warder clutched me, Not so fast; 25
+ First leave your hopes behind!--But years have passed
+ Since I left all behind me, to the last:
+
+ You cannot count for hope, with all your wit,
+ This bleak despair that drives me to the Pit:
+ How could I seek to enter void of it? 30
+
+ He snarled, What thing is this which apes a soul,
+ And would find entrance to our gulf of dole
+ Without the payment of the settled toll?
+
+ Outside the gate he showed an open chest:
+ Here pay their entrance fees the souls unblest; 35
+ Cast in some hope, you enter with the rest.
+
+ This is Pandora's box; whose lid shall shut,
+ And Hell-gate too, when hopes have filled it; but
+ They are so thin that it will never glut.
+
+ I stood a few steps backwards, desolate; 40
+ And watched the spirits pass me to their fate,
+ And fling off hope, and enter at the gate.
+
+ When one casts off a load he springs upright,
+ Squares back his shoulders, breathes will all his might,
+ And briskly paces forward strong and light: 45
+
+ But these, as if they took some burden, bowed;
+ The whole frame sank; however strong and proud
+ Before, they crept in quite infirm and cowed.
+
+ And as they passed me, earnestly from each
+ A morsel of his hope I did beseech, 50
+ To pay my entrance; but all mocked my speech.
+
+ No one would cede a little of his store,
+ Though knowing that in instants three or four
+ He must resign the whole for evermore.
+
+ So I returned. Our destiny is fell; 55
+ For in this Limbo we must ever dwell,
+ Shut out alike from heaven and Earth and Hell.
+
+ The other sighed back, Yea; but if we grope
+ With care through all this Limbo's dreary scope,
+ We yet may pick up some minute lost hope; 60
+
+ And sharing it between us, entrance win,
+ In spite of fiends so jealous for gross sin:
+ Let us without delay our search begin.
+
+
+
+ VII
+
+ Some say that phantoms haunt those shadowy streets,
+ And mingle freely there with sparse mankind;
+ And tell of ancient woes and black defeats,
+ And murmur mysteries in the grave enshrined:
+ But others think them visions of illusion, 5
+ Or even men gone far in self-confusion;
+ No man there being wholly sane in mind.
+
+ And yet a man who raves, however mad,
+ Who bares his heart and tells of his own fall,
+ Reserves some inmost secret good or bad: 10
+ The phantoms have no reticence at all:
+ The nudity of flesh will blush though tameless
+ The extreme nudity of bone grins shameless,
+ The unsexed skeleton mocks shroud and pall.
+
+ I have seen phantoms there that were as men 15
+ And men that were as phantoms flit and roam;
+ Marked shapes that were not living to my ken,
+ Caught breathings acrid as with Dead Sea foam:
+ The City rests for man so weird and awful,
+ That his intrusion there might seem unlawful, 20
+ And phantoms there may have their proper home.
+
+
+
+ VIII
+
+ While I still lingered on that river-walk,
+ And watched the tide as black as our black doom,
+ I heard another couple join in talk,
+ And saw them to the left hand in the gloom
+ Seated against an elm bole on the ground, 5
+ Their eyes intent upon the stream profound.
+
+ "I never knew another man on earth
+ But had some joy and solace in his life,
+ Some chance of triumph in the dreadful strife:
+ My doom has been unmitigated dearth." 10
+
+ "We gaze upon the river, and we note
+ The various vessels large and small that float,
+ Ignoring every wrecked and sunken boat."
+
+ "And yet I asked no splendid dower, no spoil
+ Of sway or fame or rank or even wealth; 15
+ But homely love with common food and health,
+ And nightly sleep to balance daily toil."
+
+ "This all-too-humble soul would arrogate
+ Unto itself some signalising hate
+ From the supreme indifference of Fate!" 20
+
+ "Who is most wretched in this dolorous place?
+ I think myself; yet I would rather be
+ My miserable self than He, than He
+ Who formed such creatures to His own disgrace.
+
+ "The vilest thing must be less vile than Thou 25
+ From whom it had its being, God and Lord!
+ Creator of all woe and sin! abhorred
+ Malignant and implacable! I vow
+
+ "That not for all Thy power furled and unfurled,
+ For all the temples to Thy glory built, 30
+ Would I assume the ignominious guilt
+ Of having made such men in such a world."
+
+ "As if a Being, God or Fiend, could reign,
+ At once so wicked, foolish and insane,
+ As to produce men when He might refrain! 35
+
+ "The world rolls round for ever like a mill;
+ It grinds out death and life and good and ill;
+ It has no purpose, heart or mind or will.
+
+ "While air of Space and Time's full river flow
+ The mill must blindly whirl unresting so: 40
+ It may be wearing out, but who can know?
+
+ "Man might know one thing were his sight less dim;
+ That it whirls not to suit his petty whim,
+ That it is quite indifferent to him.
+
+ "Nay, does it treat him harshly as he saith? 45
+ It grinds him some slow years of bitter breath,
+ Then grinds him back into eternal death."
+
+
+
+ IX
+
+ It is full strange to him who hears and feels,
+ When wandering there in some deserted street,
+ The booming and the jar of ponderous wheels,
+ The trampling clash of heavy ironshod feet:
+ Who in this Venice of the Black Sea rideth? 5
+ Who in this city of the stars abideth
+ To buy or sell as those in daylight sweet?
+
+ The rolling thunder seems to fill the sky
+ As it comes on; the horses snort and strain,
+ The harness jingles, as it passes by; 10
+ The hugeness of an overburthened wain:
+ A man sits nodding on the shaft or trudges
+ Three parts asleep beside his fellow-drudges:
+ And so it rolls into the night again.
+
+ What merchandise? whence, whither, and for whom? 15
+ Perchance it is a Fate-appointed hearse,
+ Bearing away to some mysterious tomb
+ Or Limbo of the scornful universe
+ The joy, the peace, the life-hope, the abortions
+ Of all things good which should have been our portions, 20
+ But have been strangled by that City's curse.
+
+
+
+ X
+
+ The mansion stood apart in its own ground;
+ In front thereof a fragrant garden-lawn,
+ High trees about it, and the whole walled round:
+ The massy iron gates were both withdrawn;
+ And every window of its front shed light, 5
+ Portentous in that City of the Night.
+
+ But though thus lighted it was deadly still
+ As all the countless bulks of solid gloom;
+ Perchance a congregation to fulfil
+ Solemnities of silence in this doom, 10
+ Mysterious rites of dolour and despair
+ Permitting not a breath or chant of prayer?
+
+ Broad steps ascended to a terrace broad
+ Whereon lay still light from the open door;
+ The hall was noble, and its aspect awed, 15
+ Hung round with heavy black from dome to floor;
+ And ample stairways rose to left and right
+ Whose balustrades were also draped with night.
+
+ I paced from room to room, from hall to hall,
+ Nor any life throughout the maze discerned; 20
+ But each was hung with its funereal pall,
+ And held a shrine, around which tapers burned,
+ With picture or with statue or with bust,
+ all copied from the same fair form of dust:
+
+ A woman very young and very fair; 25
+ Beloved by bounteous life and joy and youth,
+ And loving these sweet lovers, so that care
+ And age and death seemed not for her in sooth:
+ Alike as stars, all beautiful and bright,
+ these shapes lit up that mausolean night. 30
+
+ At length I heard a murmur as of lips,
+ And reached an open oratory hung
+ With heaviest blackness of the whole eclipse;
+ Beneath the dome a fuming censer swung;
+ And one lay there upon a low white bed, 35
+ With tapers burning at the foot and head:
+
+ The Lady of the images, supine,
+ Deathstill, lifesweet, with folded palms she lay:
+ And kneeling there as at a sacred shrine
+ A young man wan and worn who seemed to pray: 40
+ A crucifix of dim and ghostly white
+ Surmounted the large altar left in night:--
+
+ The chambers of the mansion of my heart,
+ In every one whereof thine image dwells,
+ Are black with grief eternal for thy sake. 45
+
+ The inmost oratory of my soul,
+ Wherein thou ever dwellest quick or dead,
+ Is black with grief eternal for thy sake.
+
+ I kneel beside thee and I clasp the cross,
+ With eyes forever fixed upon that face, 50
+ So beautiful and dreadful in its calm.
+
+ I kneel here patient as thou liest there;
+ As patient as a statue carved in stone,
+ Of adoration and eternal grief.
+
+ While thou dost not awake I cannot move; 55
+ And something tells me thou wilt never wake,
+ And I alive feel turning into stone.
+
+ Most beautiful were Death to end my grief,
+ Most hateful to destroy the sight of thee,
+ Dear vision better than all death or life. 60
+
+ But I renounce all choice of life or death,
+ For either shall be ever at thy side,
+ And thus in bliss or woe be ever well.--
+
+ He murmured thus and thus in monotone,
+ Intent upon that uncorrupted face, 65
+ Entranced except his moving lips alone:
+ I glided with hushed footsteps from the place.
+ This was the festival that filled with light
+ That palace in the City of the Night.
+
+
+
+ XI
+
+ What men are they who haunt these fatal glooms,
+ And fill their living mouths with dust of death,
+ And make their habitations in the tombs,
+ And breathe eternal sighs with mortal breath,
+ And pierce life's pleasant veil of various error 5
+ To reach that void of darkness and old terror
+ Wherein expire the lamps of hope and faith?
+
+ They have much wisdom yet they are not wise,
+ They have much goodness yet they do not well,
+ (The fools we know have their own paradise, 10
+ The wicked also have their proper Hell);
+ They have much strength but still their doom is stronger,
+ Much patience but their time endureth longer,
+ Much valour but life mocks it with some spell.
+
+ They are most rational and yet insane: 15
+ And outward madness not to be controlled;
+ A perfect reason in the central brain,
+ Which has no power, but sitteth wan and cold,
+ And sees the madness, and foresees as plainly
+ The ruin in its path, and trieth vainly 20
+ To cheat itself refusing to behold.
+
+ And some are great in rank and wealth and power,
+ And some renowned for genius and for worth;
+ And some are poor and mean, who brood and cower
+ And shrink from notice, and accept all dearth 25
+ Of body, heart and soul, and leave to others
+ All boons of life: yet these and those are brothers,
+ The saddest and the weariest men on earth.
+
+
+
+ XII
+
+ Our isolated units could be brought
+ To act together for some common end?
+ For one by one, each silent with his thought,
+ I marked a long loose line approach and wend
+ Athwart the great cathedral's cloistered square, 5
+ And slowly vanish from the moonlit air.
+
+ Then I would follow in among the last:
+ And in the porch a shrouded figure stood,
+ Who challenged each one pausing ere he passed,
+ With deep eyes burning through a blank white hood: 10
+ Whence come you in the world of life and light
+ To this our City of Tremendous Night?--
+
+ From pleading in a senate of rich lords
+ For some scant justice to our countless hordes
+ Who toil half-starved with scarce a human right: 15
+ I wake from daydreams to this real night.
+
+ From wandering through many a solemn scene
+ Of opium visions, with a heart serene
+ And intellect miraculously bright:
+ I wake from daydreams to this real night. 20
+
+ From making hundreds laugh and roar with glee
+ By my transcendent feats of mimicry,
+ And humour wanton as an elvish sprite:
+ I wake from daydreams to this real night.
+
+ From prayer and fasting in a lonely cell, 25
+ Which brought an ecstasy ineffable
+ Of love and adoration and delight:
+ I wake from daydreams to this real night.
+
+ From ruling on a splendid kingly throne
+ A nation which beneath my rule has grown 30
+ Year after year in wealth and arts and might:
+ I wake from daydreams to this real night.
+
+ From preaching to an audience fired with faith
+ The Lamb who died to save our souls from death,
+ Whose blood hath washed our scarlet sins wool-white: 35
+ I wake from daydreams to this real night.
+
+ From drinking fiery poison in a den
+ Crowded with tawdry girls and squalid men,
+ Who hoarsely laugh and curse and brawl and fight:
+ I wake from daydreams to this real night. 40
+
+ From picturing with all beauty and all grace
+ First Eden and the parents of our race,
+ A luminous rapture unto all men's sight:
+ I wake from daydreams to this real night.
+
+ From writing a great work with patient plan 45
+ To justify the ways of God to man,
+ And show how ill must fade and perish quite:
+ I wake from daydreams to this real night.
+
+ From desperate fighting with a little band
+ Against the powerful tyrants of our land, 50
+ To free our brethren in their own despite:
+ I wake from daydreams to this real night.
+
+ Thus, challenged by that warder sad and stern,
+ Each one responded with his countersign,
+ Then entered the cathedral; and in turn 55
+ I entered also, having given mine;
+ But lingered near until I heard no more,
+ And marked the closing of the massive door.
+
+
+
+ XIII
+
+ Of all things human which are strange and wild
+ This is perchance the wildest and most strange,
+ And showeth man most utterly beguiled,
+ To those who haunt that sunless City's range;
+ That he bemoans himself for aye, repeating 5
+ How Time is deadly swift, how life is fleeting,
+ How naught is constant on the earth but change.
+
+ The hours are heavy on him and the days;
+ The burden of the months he scarce can bear;
+ And often in his secret soul he prays 10
+ To sleep through barren periods unaware,
+ Arousing at some longed-for date of pleasure;
+ Which having passed and yielded him small treasure,
+ He would outsleep another term of care.
+
+ Yet in his marvellous fancy he must make 15
+ Quick wings for Time, and see it fly from us;
+ This Time which crawleth like a monstrous snake,
+ Wounded and slow and very venomous;
+ Which creeps blindwormlike round the earth and ocean,
+ Distilling poison at each painful motion, 20
+ And seems condemned to circle ever thus.
+
+ And since he cannot spend and use aright
+ The little time here given him in trust,
+ But wasteth it in weary undelight
+ Of foolish toil and trouble, strife and lust, 25
+ He naturally claimeth to inherit
+ The everlasting Future, that his merit
+ May have full scope; as surely is most just.
+
+ O length of the intolerable hours,
+ O nights that are as aeons of slow pain, 30
+ O Time, too ample for our vital powers,
+ O Life, whose woeful vanities remain
+ Immutable for all of all our legions
+ Through all the centuries and in all the regions,
+ Not of your speed and variance WE complain. 35
+
+ WE do not ask a longer term of strife,
+ Weakness and weariness and nameless woes;
+ We do not claim renewed and endless life
+ When this which is our torment here shall close,
+ An everlasting conscious inanition! 40
+ We yearn for speedy death in full fruition,
+ Dateless oblivion and divine repose.
+
+
+
+ XIV
+
+ Large glooms were gathered in the mighty fane,
+ With tinted moongleams slanting here and there;
+ And all was hush: no swelling organ-strain,
+ No chant, no voice or murmuring of prayer;
+ No priests came forth, no tinkling censers fumed, 5
+ And the high altar space was unillumed.
+
+ Around the pillars and against the walls
+ Leaned men and shadows; others seemed to brood
+ Bent or recumbent in secluded stalls.
+ Perchance they were not a great multitude 10
+ Save in that city of so lonely streets
+ Where one may count up every face he meets.
+
+ All patiently awaited the event
+ Without a stir or sound, as if no less
+ Self-occupied, doomstricken while attent. 15
+ And then we heard a voice of solemn stress
+ From the dark pulpit, and our gaze there met
+ Two eyes which burned as never eyes burned yet:
+
+ Two steadfast and intolerable eyes
+ Burning beneath a broad and rugged brow; 20
+ The head behind it of enormous size.
+ And as black fir-groves in a large wind bow,
+ Our rooted congregation, gloom-arrayed,
+ By that great sad voice deep and full were swayed:--
+
+ O melancholy Brothers, dark, dark, dark! 25
+ O battling in black floods without an ark!
+ O spectral wanderers of unholy Night!
+ My soul hath bled for you these sunless years,
+ With bitter blood-drops running down like tears:
+ Oh dark, dark, dark, withdrawn from joy and light! 30
+
+ My heart is sick with anguish for your bale;
+ Your woe hath been my anguish; yea, I quail
+ And perish in your perishing unblest.
+ And I have searched the highths and depths, the scope
+ Of all our universe, with desperate hope 35
+ To find some solace for your wild unrest.
+
+ And now at last authentic word I bring,
+ Witnessed by every dead and living thing;
+ Good tidings of great joy for you, for all:
+ There is no God; no Fiend with names divine 40
+ Made us and tortures us; if we must pine,
+ It is to satiate no Being's gall.
+
+ It was the dark delusion of a dream,
+ That living Person conscious and supreme,
+ Whom we must curse for cursing us with life; 45
+ Whom we must curse because the life he gave
+ Could not be buried in the quiet grave,
+ Could not be killed by poison or the knife.
+
+ This little life is all we must endure,
+ The grave's most holy peace is ever sure, 50
+ We fall asleep and never wake again;
+ Nothing is of us but the mouldering flesh,
+ Whose elements dissolve and merge afresh
+ In earth, air, water, plants, and other men.
+
+ We finish thus; and all our wretched race 55
+ Shall finish with its cycle, and give place
+ To other beings with their own time-doom:
+ Infinite aeons ere our kind began;
+ Infinite aeons after the last man
+ Has joined the mammoth in earth's tomb and womb. 60
+
+ We bow down to the universal laws,
+ Which never had for man a special clause
+ Of cruelty or kindness, love or hate:
+ If toads and vultures are obscene to sight,
+ If tigers burn with beauty and with might, 65
+ Is it by favour or by wrath of Fate?
+
+ All substance lives and struggles evermore
+ Through countless shapes continually at war,
+ By countless interactions interknit:
+ If one is born a certain day on earth, 70
+ All times and forces tended to that birth,
+ Not all the world could change or hinder it.
+
+ I find no hint throughout the Universe
+ Of good or ill, of blessing or of curse;
+ I find alone Necessity Supreme; 75
+ With infinite Mystery, abysmal, dark,
+ Unlighted ever by the faintest spark
+ For us the flitting shadows of a dream.
+
+ O Brothers of sad lives! they are so brief;
+ A few short years must bring us all relief: 80
+ Can we not bear these years of laboring breath?
+ But if you would not this poor life fulfil,
+ Lo, you are free to end it when you will,
+ Without the fear of waking after death.--
+
+ The organ-like vibrations of his voice 85
+ Thrilled through the vaulted aisles and died away;
+ The yearning of the tones which bade rejoice
+ Was sad and tender as a requiem lay:
+ Our shadowy congregation rested still
+ As brooding on that "End it when you will." 90
+
+
+
+ XV
+
+ Wherever men are gathered, all the air
+ Is charged with human feeling, human thought;
+ Each shout and cry and laugh, each curse and prayer,
+ Are into its vibrations surely wrought;
+ Unspoken passion, wordless meditation, 5
+ Are breathed into it with our respiration
+ It is with our life fraught and overfraught.
+
+ So that no man there breathes earth's simple breath,
+ As if alone on mountains or wide seas;
+ But nourishes warm life or hastens death 10
+ With joys and sorrows, health and foul disease,
+ Wisdom and folly, good and evil labours,
+ Incessant of his multitudinous neighbors;
+ He in his turn affecting all of these.
+
+ That City's atmosphere is dark and dense, 15
+ Although not many exiles wander there,
+ With many a potent evil influence,
+ Each adding poison to the poisoned air;
+ Infections of unutterable sadness,
+ Infections of incalculable madness, 20
+ Infections of incurable despair.
+
+
+
+ XVI
+
+ Our shadowy congregation rested still,
+ As musing on that message we had heard
+ And brooding on that "End it when you will;"
+ Perchance awaiting yet some other word;
+ When keen as lightning through a muffled sky 5
+ Sprang forth a shrill and lamentable cry:--
+
+ The man speaks sooth, alas! the man speaks sooth:
+ We have no personal life beyond the grave;
+ There is no God; Fate knows nor wrath nor ruth:
+ Can I find here the comfort which I crave? 10
+
+ In all eternity I had one chance,
+ One few years' term of gracious human life:
+ The splendours of the intellect's advance,
+ The sweetness of the home with babes and wife;
+
+ The social pleasures with their genial wit: 15
+ The fascination of the worlds of art,
+ The glories of the worlds of nature, lit
+ By large imagination's glowing heart;
+
+ The rapture of mere being, full of health;
+ The careless childhood and the ardent youth, 20
+ The strenuous manhood winning various wealth,
+ The reverend age serene with life's long truth:
+
+ All the sublime prerogatives of Man;
+ The storied memories of the times of old,
+ The patient tracking of the world's great plan 25
+ Through sequences and changes myriadfold.
+
+ This chance was never offered me before;
+ For me this infinite Past is blank and dumb:
+ This chance recurreth never, nevermore;
+ Blank, blank for me the infinite To-come. 30
+
+ And this sole chance was frustrate from my birth,
+ A mockery, a delusion; and my breath
+ Of noble human life upon this earth
+ So racks me that I sigh for senseless death.
+
+ My wine of life is poison mixed with gall, 35
+ My noonday passes in a nightmare dream,
+ I worse than lose the years which are my all:
+ What can console me for the loss supreme?
+
+ Speak not of comfort where no comfort is,
+ Speak not at all: can words make foul things fair? 40
+ Our life's a cheat, our death a black abyss:
+ Hush and be mute envisaging despair.--
+
+ This vehement voice came from the northern aisle
+ Rapid and shrill to its abrupt harsh close;
+ And none gave answer for a certain while, 45
+ For words must shrink from these most wordless woes;
+ At last the pulpit speaker simply said,
+ With humid eyes and thoughtful drooping head:--
+
+ My Brother, my poor Brothers, it is thus;
+ This life itself holds nothing good for us, 50
+ But ends soon and nevermore can be;
+ And we knew nothing of it ere our birth,
+ And shall know nothing when consigned to earth:
+ I ponder these thoughts and they comfort me.
+
+
+
+ XVII
+
+ How the moon triumphs through the endless nights!
+ How the stars throb and glitter as they wheel
+ Their thick processions of supernal lights
+ Around the blue vault obdurate as steel!
+ And men regard with passionate awe and yearning 5
+ The mighty marching and the golden burning,
+ And think the heavens respond to what they feel.
+
+ Boats gliding like dark shadows of a dream
+ Are glorified from vision as they pass
+ The quivering moonbridge on the deep black stream; 10
+ Cold windows kindle their dead glooms of glass
+ To restless crystals; cornice dome and column
+ Emerge from chaos in the splendour solemn;
+ Like faery lakes gleam lawns of dewy grass.
+
+ With such a living light these dead eyes shine, 15
+ These eyes of sightless heaven, that as we gaze
+ We read a pity, tremulous, divine,
+ Or cold majestic scorn in their pure rays:
+ Fond man! they are not haughty, are not tender;
+ There is no heart or mind in all their splendour, 20
+ They thread mere puppets all their marvellous maze.
+
+ If we could near them with the flight unflown,
+ We should but find them worlds as sad as this,
+ Or suns all self-consuming like our own
+ Enringed by planet worlds as much amiss: 25
+ They wax and wane through fusion and confusion;
+ The spheres eternal are a grand illusion,
+ The empyrean is a void abyss.
+
+
+
+ XVIII
+
+ I wandered in a suburb of the north,
+ And reached a spot whence three close lanes led down,
+ Beneath thick trees and hedgerows winding forth
+ Like deep brook channels, deep and dark and lown:
+ The air above was wan with misty light, 5
+ The dull grey south showed one vague blur of white.
+
+ I took the left-hand path and slowly trod
+ Its earthen footpath, brushing as I went
+ The humid leafage; and my feet were shod
+ With heavy languor, and my frame downbent, 10
+ With infinite sleepless weariness outworn,
+ So many nights I thus had paced forlorn.
+
+ After a hundred steps I grew aware
+ Of something crawling in the lane below;
+ It seemed a wounded creature prostrate there 15
+ That sobbed with pangs in making progress slow,
+ The hind limbs stretched to push, the fore limbs then
+ To drag; for it would die in its own den.
+
+ But coming level with it I discerned
+ That it had been a man; for at my tread 20
+ It stopped in its sore travail and half-turned,
+ Leaning upon its right, and raised its head,
+ And with the left hand twitched back as in ire
+ Long grey unreverend locks befouled with mire.
+
+ A haggard filthy face with bloodshot eyes, 25
+ An infamy for manhood to behold.
+ He gasped all trembling, What, you want my prize?
+ You leave, to rob me, wine and lust and gold
+ And all that men go mad upon, since you
+ Have traced my sacred secret of the clue? 30
+
+ You think that I am weak and must submit
+ Yet I but scratch you with this poisoned blade,
+ And you are dead as if I clove with it
+ That false fierce greedy heart. Betrayed! betrayed!
+ I fling this phial if you seek to pass, 35
+ And you are forthwith shrivelled up like grass.
+
+ And then with sudden change, Take thought! take thought!
+ Have pity on me! it is mine alone.
+ If you could find, it would avail you naught;
+ Seek elsewhere on the pathway of your own: 40
+ For who of mortal or immortal race
+ The lifetrack of another can retrace?
+
+ Did you but know my agony and toil!
+ Two lanes diverge up yonder from this lane;
+ My thin blood marks the long length of their soil; 45
+ Such clue I left, who sought my clue in vain:
+ My hands and knees are worn both flesh and bone;
+ I cannot move but with continual moan.
+
+ But I am in the very way at last
+ To find the long-lost broken golden thread 50
+ Which unites my present with my past,
+ If you but go your own way. And I said,
+ I will retire as soon as you have told
+ Whereunto leadeth this lost thread of gold.
+
+ And so you know it not! he hissed with scorn; 55
+ I feared you, imbecile! It leads me back
+ From this accursed night without a morn,
+ And through the deserts which have else no track,
+ And through vast wastes of horror-haunted time,
+ To Eden innocence in Eden's clime: 60
+
+ And I become a nursling soft and pure,
+ An infant cradled on its mother's knee,
+ Without a past, love-cherished and secure;
+ Which if it saw this loathsome present Me,
+ Would plunge its face into the pillowing breast, 65
+ And scream abhorrence hard to lull to rest.
+
+ He turned to grope; and I retiring brushed
+ Thin shreds of gossamer from off my face,
+ And mused, His life would grow, the germ uncrushed;
+ He should to antenatal night retrace, 70
+ And hide his elements in that large womb
+ Beyond the reach of man-evolving Doom.
+
+ And even thus, what weary way were planned,
+ To seek oblivion through the far-off gate
+ Of birth, when that of death is close at hand! 75
+ For this is law, if law there be in Fate:
+ What never has been, yet may have its when;
+ The thing which has been, never is again.
+
+
+
+ XIX
+
+ The mighty river flowing dark and deep,
+ With ebb and flood from the remote sea-tides
+ Vague-sounding through the City's sleepless sleep,
+ Is named the River of the Suicides;
+ For night by night some lorn wretch overweary, 5
+ And shuddering from the future yet more dreary,
+ Within its cold secure oblivion hides.
+
+ One plunges from a bridge's parapet,
+ As if by some blind and sudden frenzy hurled;
+ Another wades in slow with purpose set 10
+ Until the waters are above him furled;
+ Another in a boat with dreamlike motion
+ Glides drifting down into the desert ocean,
+ To starve or sink from out the desert world.
+
+ They perish from their suffering surely thus, 15
+ For none beholding them attempts to save,
+ The while thinks how soon, solicitous,
+ He may seek refuge in the self-same wave;
+ Some hour when tired of ever-vain endurance
+ Impatience will forerun the sweet assurance 20
+ Of perfect peace eventual in the grave.
+
+ When this poor tragic-farce has palled us long,
+ Why actors and spectators do we stay?--
+ To fill our so-short roles out right or wrong;
+ To see what shifts are yet in the dull play 25
+ For our illusion; to refrain from grieving
+ Dear foolish friends by our untimely leaving:
+ But those asleep at home, how blest are they!
+
+ Yet it is but for one night after all:
+ What matters one brief night of dreary pain? 30
+ When after it the weary eyelids fall
+ Upon the weary eyes and wasted brain;
+ And all sad scenes and thoughts and feelings vanish
+ In that sweet sleep no power can ever banish,
+ That one best sleep which never wakes again. 35
+
+
+
+ XX
+
+ I sat me weary on a pillar's base,
+ And leaned against the shaft; for broad moonlight
+ O'erflowed the peacefulness of cloistered space,
+ A shore of shadow slanting from the right:
+ The great cathedral's western front stood there, 5
+ A wave-worn rock in that calm sea of air.
+
+ Before it, opposite my place of rest,
+ Two figures faced each other, large, austere;
+ A couchant sphinx in shadow to the breast,
+ An angel standing in the moonlight clear; 10
+ So mighty by magnificence of form,
+ They were not dwarfed beneath that mass enorm.
+
+ Upon the cross-hilt of the naked sword
+ The angel's hands, as prompt to smite, were held;
+ His vigilant intense regard was poured 15
+ Upon the creature placidly unquelled,
+ Whose front was set at level gaze which took
+ No heed of aught, a solemn trance-like look.
+
+ And as I pondered these opposed shapes
+ My eyelids sank in stupor, that dull swoon 20
+ Which drugs and with a leaden mantle drapes
+ The outworn to worse weariness. But soon
+ A sharp and clashing noise the stillness broke,
+ And from the evil lethargy I woke.
+
+ The angel's wings had fallen, stone on stone, 25
+ And lay there shattered; hence the sudden sound:
+ A warrior leaning on his sword alone
+ Now watched the sphinx with that regard profound;
+ The sphinx unchanged looked forthright, as aware
+ Of nothing in the vast abyss of air. 30
+
+ Again I sank in that repose unsweet,
+ Again a clashing noise my slumber rent;
+ The warrior's sword lay broken at his feet:
+ An unarmed man with raised hands impotent
+ Now stood before the sphinx, which ever kept 35
+ Such mien as if open eyes it slept.
+
+ My eyelids sank in spite of wonder grown;
+ A louder crash upstartled me in dread:
+ The man had fallen forward, stone on stone,
+ And lay there shattered, with his trunkless head 40
+ Between the monster's large quiescent paws,
+ Beneath its grand front changeless as life's laws.
+
+ The moon had circled westward full and bright,
+ And made the temple-front a mystic dream,
+ And bathed the whole enclosure with its light, 45
+ The sworded angel's wrecks, the sphinx supreme:
+ I pondered long that cold majestic face
+ Whose vision seemed of infinite void space.
+
+
+
+ XXI
+
+ Anear the centre of that northern crest
+ Stands out a level upland bleak and bare,
+ From which the city east and south and west
+ Sinks gently in long waves; and throned there
+ An Image sits, stupendous, superhuman, 5
+ The bronze colossus of a winged Woman,
+ Upon a graded granite base foursquare.
+
+ Low-seated she leans forward massively,
+ With cheek on clenched left hand, the forearm's might
+ Erect, its elbow on her rounded knee; 10
+ Across a clasped book in her lap the right
+ Upholds a pair of compasses; she gazes
+ With full set eyes, but wandering in thick mazes
+ Of sombre thought beholds no outward sight.
+
+ Words cannot picture her; but all men know 15
+ That solemn sketch the pure sad artist wrought
+ Three centuries and threescore years ago,
+ With phantasies of his peculiar thought:
+ The instruments of carpentry and science
+ Scattered about her feet, in strange alliance 20
+ With the keen wolf-hound sleeping undistraught;
+
+ Scales, hour-glass, bell, and magic-square above;
+ The grave and solid infant perched beside,
+ With open winglets that might bear a dove,
+ Intent upon its tablets, heavy-eyed; 25
+ Her folded wings as of a mighty eagle,
+ But all too impotent to lift the regal
+ Robustness of her earth-born strength and pride;
+
+ And with those wings, and that light wreath which seems
+ To mock her grand head and the knotted frown 30
+ Of forehead charged with baleful thoughts and dreams,
+ The household bunch of keys, the housewife's gown
+ Voluminous, indented, and yet rigid
+ As if a shell of burnished metal frigid,
+ The feet thick-shod to tread all weakness down; 35
+
+ The comet hanging o'er the waste dark seas,
+ The massy rainbow curved in front of it
+ Beyond the village with the masts and trees;
+ The snaky imp, dog-headed, from the Pit,
+ Bearing upon its batlike leathern pinions 40
+ Her name unfolded in the sun's dominions,
+ The "MELENCOLIA" that transcends all wit.
+
+ Thus has the artist copied her, and thus
+ Surrounded to expound her form sublime,
+ Her fate heroic and calamitous; 45
+ Fronting the dreadful mysteries of Time,
+ Unvanquished in defeat and desolation,
+ Undaunted in the hopeless conflagration
+ Of the day setting on her baffled prime.
+
+ Baffled and beaten back she works on still, 50
+ Weary and sick of soul she works the more,
+ Sustained by her indomitable will:
+ The hands shall fashion and the brain shall pore,
+ And all her sorrow shall be turned to labour,
+ Till Death the friend-foe piercing with his sabre 55
+ That mighty heart of hearts ends bitter war.
+
+ But as if blacker night could dawn on night,
+ With tenfold gloom on moonless night unstarred,
+ A sense more tragic than defeat and blight,
+ More desperate than strife with hope debarred, 60
+ More fatal than the adamantine Never
+ Encompassing her passionate endeavour,
+ Dawns glooming in her tenebrous regard:
+
+ To sense that every struggle brings defeat
+ Because Fate holds no prize to crown success; 65
+ That all the oracles are dumb or cheat
+ Because they have no secret to express;
+ That none can pierce the vast black veil uncertain
+ Because there is no light beyond the curtain;
+ That all is vanity and nothingness. 70
+
+ Titanic from her high throne in the north,
+ That City's sombre Patroness and Queen,
+ In bronze sublimity she gazes forth
+ Over her Capital of teen and threne,
+ Over the river with its isles and bridges, 75
+ The marsh and moorland, to the stern rock-bridges,
+ Confronting them with a coeval mien.
+
+ The moving moon and stars from east to west
+ Circle before her in the sea of air;
+ Shadows and gleams glide round her solemn rest. 80
+ Her subjects often gaze up to her there:
+ The strong to drink new strength of iron endurance,
+ The weak new terrors; all, renewed assurance
+ And confirmation of the old despair.
+
+
+
+
+
+End of Project Gutenberg's The City of Dreadful Night, by James Thomson
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE CITY OF DREADFUL NIGHT ***
+
+***** This file should be named 1238.txt or 1238.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/2/3/1238/
+
+Produced by Michael C. Browning
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.