1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
1623
1624
1625
1626
1627
1628
1629
1630
1631
1632
1633
1634
1635
1636
1637
1638
1639
1640
1641
1642
1643
1644
1645
1646
1647
1648
1649
1650
1651
1652
1653
1654
1655
1656
1657
1658
1659
1660
1661
1662
1663
1664
1665
1666
1667
1668
1669
1670
1671
1672
1673
1674
1675
1676
1677
1678
1679
1680
1681
1682
1683
1684
1685
1686
1687
1688
1689
1690
1691
1692
1693
1694
1695
1696
1697
1698
1699
1700
1701
1702
1703
1704
1705
1706
1707
1708
1709
1710
1711
1712
1713
1714
1715
1716
1717
1718
1719
1720
1721
1722
1723
1724
1725
1726
1727
1728
1729
1730
1731
1732
1733
1734
1735
1736
1737
1738
1739
1740
1741
1742
1743
1744
1745
1746
1747
1748
1749
1750
1751
1752
1753
1754
1755
1756
1757
1758
1759
1760
1761
1762
1763
1764
1765
1766
1767
1768
1769
1770
1771
1772
1773
1774
1775
1776
1777
1778
1779
1780
1781
1782
1783
1784
1785
1786
1787
1788
1789
1790
1791
1792
1793
1794
1795
1796
1797
1798
1799
1800
1801
1802
1803
1804
1805
1806
1807
1808
1809
1810
1811
1812
1813
1814
1815
1816
1817
1818
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
1883
1884
1885
1886
1887
1888
1889
1890
1891
1892
1893
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034
2035
2036
2037
2038
2039
2040
2041
2042
2043
2044
2045
2046
2047
2048
2049
2050
2051
2052
2053
2054
2055
2056
2057
2058
2059
2060
2061
2062
2063
2064
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
2076
2077
2078
2079
2080
2081
2082
2083
2084
2085
2086
2087
2088
2089
2090
2091
2092
2093
2094
2095
2096
2097
2098
2099
2100
2101
2102
2103
2104
2105
2106
2107
2108
2109
2110
2111
2112
2113
2114
2115
2116
2117
2118
2119
2120
2121
2122
2123
2124
2125
2126
2127
2128
2129
2130
2131
2132
2133
2134
2135
2136
2137
2138
2139
2140
2141
2142
2143
2144
2145
2146
2147
2148
2149
2150
2151
2152
2153
2154
2155
2156
2157
2158
2159
2160
2161
2162
2163
2164
2165
2166
2167
2168
2169
2170
2171
2172
2173
2174
2175
2176
2177
2178
2179
2180
2181
2182
2183
2184
2185
2186
2187
2188
2189
2190
2191
2192
2193
2194
2195
2196
2197
2198
2199
2200
2201
2202
2203
2204
2205
2206
2207
2208
2209
2210
2211
2212
2213
2214
2215
2216
2217
2218
2219
2220
2221
2222
2223
2224
2225
2226
2227
2228
2229
2230
2231
2232
2233
2234
2235
2236
2237
2238
2239
2240
2241
2242
2243
2244
2245
2246
2247
2248
2249
2250
2251
2252
2253
2254
2255
2256
2257
2258
2259
2260
2261
2262
2263
2264
2265
2266
2267
2268
2269
2270
2271
2272
2273
2274
2275
2276
2277
2278
2279
2280
2281
2282
2283
2284
2285
2286
2287
2288
2289
2290
2291
2292
2293
2294
2295
2296
2297
2298
2299
2300
2301
2302
2303
2304
2305
2306
2307
2308
2309
2310
2311
2312
2313
2314
2315
2316
2317
2318
2319
2320
2321
2322
2323
2324
2325
2326
2327
2328
2329
2330
2331
2332
2333
2334
2335
2336
2337
2338
2339
2340
2341
2342
2343
2344
2345
2346
2347
2348
2349
2350
2351
2352
2353
2354
2355
2356
2357
2358
2359
2360
2361
2362
2363
2364
2365
2366
2367
2368
2369
2370
2371
2372
2373
2374
2375
2376
2377
2378
2379
2380
2381
2382
2383
2384
2385
2386
2387
2388
2389
2390
2391
2392
2393
2394
2395
2396
2397
2398
2399
2400
2401
2402
2403
2404
2405
2406
2407
2408
2409
2410
2411
2412
2413
2414
2415
2416
2417
2418
2419
2420
2421
2422
2423
2424
2425
2426
2427
2428
2429
2430
2431
2432
2433
2434
2435
2436
2437
2438
2439
2440
2441
2442
2443
2444
2445
2446
2447
2448
2449
2450
2451
2452
2453
2454
2455
2456
2457
2458
2459
2460
2461
2462
2463
2464
2465
2466
2467
2468
2469
2470
2471
2472
2473
2474
2475
2476
2477
2478
2479
2480
2481
2482
2483
2484
2485
2486
2487
2488
2489
2490
2491
2492
2493
2494
2495
2496
2497
2498
2499
2500
2501
2502
2503
2504
2505
2506
2507
2508
2509
2510
2511
2512
2513
2514
2515
2516
2517
2518
2519
2520
2521
2522
2523
2524
2525
2526
2527
2528
2529
2530
2531
2532
2533
2534
2535
2536
2537
2538
2539
2540
2541
2542
2543
2544
2545
2546
2547
2548
2549
2550
2551
2552
2553
2554
2555
2556
2557
2558
2559
2560
2561
2562
2563
2564
2565
2566
2567
2568
2569
2570
2571
2572
2573
2574
2575
2576
2577
2578
2579
2580
2581
2582
2583
2584
2585
2586
2587
2588
2589
2590
2591
2592
2593
2594
2595
2596
2597
2598
2599
2600
2601
2602
2603
2604
2605
2606
2607
2608
2609
2610
2611
2612
2613
2614
2615
2616
2617
2618
2619
2620
2621
2622
2623
2624
2625
2626
2627
2628
2629
2630
2631
2632
2633
2634
2635
2636
2637
2638
2639
2640
2641
2642
2643
2644
2645
2646
2647
2648
2649
2650
2651
2652
2653
2654
2655
2656
2657
2658
2659
2660
2661
2662
2663
2664
2665
2666
2667
2668
2669
2670
2671
2672
2673
2674
2675
2676
2677
2678
2679
2680
2681
2682
2683
2684
2685
2686
2687
2688
2689
2690
2691
2692
2693
2694
2695
2696
2697
2698
2699
2700
2701
2702
2703
2704
2705
2706
2707
2708
2709
2710
2711
2712
2713
2714
2715
2716
2717
2718
2719
2720
2721
2722
2723
2724
2725
2726
2727
2728
2729
2730
2731
2732
2733
2734
2735
2736
2737
2738
2739
2740
2741
2742
2743
2744
2745
2746
2747
2748
2749
2750
2751
2752
2753
2754
2755
2756
2757
2758
2759
2760
2761
2762
2763
2764
2765
2766
2767
2768
2769
2770
2771
2772
2773
2774
2775
2776
2777
2778
2779
2780
2781
2782
2783
2784
2785
2786
2787
2788
2789
2790
2791
2792
2793
2794
2795
2796
2797
2798
2799
2800
2801
2802
2803
2804
2805
2806
2807
2808
2809
2810
2811
2812
2813
2814
2815
2816
2817
2818
2819
2820
2821
2822
2823
2824
2825
2826
2827
2828
2829
2830
2831
2832
2833
2834
2835
2836
2837
2838
2839
2840
2841
2842
2843
2844
2845
2846
2847
2848
2849
2850
2851
2852
2853
2854
2855
2856
2857
2858
2859
2860
2861
2862
2863
2864
2865
2866
2867
2868
2869
2870
2871
2872
2873
2874
2875
2876
2877
2878
2879
2880
2881
2882
2883
2884
2885
2886
2887
2888
2889
2890
2891
2892
2893
2894
2895
2896
2897
2898
2899
2900
2901
2902
2903
2904
2905
2906
2907
2908
2909
2910
2911
2912
2913
2914
2915
2916
2917
2918
2919
2920
2921
2922
2923
2924
2925
2926
2927
2928
2929
2930
2931
2932
2933
2934
2935
2936
2937
2938
2939
2940
2941
2942
2943
2944
2945
2946
2947
2948
2949
2950
2951
2952
2953
2954
2955
2956
2957
2958
2959
2960
2961
2962
2963
2964
2965
2966
2967
2968
2969
2970
2971
2972
2973
2974
2975
2976
2977
2978
2979
2980
2981
2982
2983
2984
2985
2986
2987
2988
2989
2990
2991
2992
2993
2994
2995
2996
2997
2998
2999
3000
3001
3002
3003
3004
3005
3006
3007
3008
3009
3010
3011
3012
3013
3014
3015
3016
3017
3018
3019
3020
3021
3022
3023
3024
3025
3026
3027
3028
3029
3030
3031
3032
3033
3034
3035
3036
3037
3038
3039
3040
3041
3042
3043
3044
3045
3046
3047
3048
3049
3050
3051
3052
3053
3054
3055
3056
3057
3058
3059
3060
3061
3062
3063
3064
3065
3066
3067
3068
3069
3070
3071
3072
3073
3074
3075
3076
3077
3078
3079
3080
3081
3082
3083
3084
3085
3086
3087
3088
3089
3090
3091
3092
3093
3094
3095
3096
3097
3098
3099
3100
3101
3102
3103
3104
3105
3106
3107
3108
3109
3110
3111
3112
3113
3114
3115
3116
3117
3118
3119
3120
3121
3122
3123
3124
3125
3126
3127
3128
3129
3130
3131
3132
3133
3134
3135
3136
3137
3138
3139
3140
3141
3142
3143
3144
3145
3146
3147
3148
3149
3150
3151
3152
3153
3154
3155
3156
3157
3158
3159
3160
3161
3162
3163
3164
3165
3166
3167
3168
3169
3170
3171
3172
3173
3174
3175
3176
3177
3178
3179
3180
3181
3182
3183
3184
3185
3186
3187
3188
3189
3190
3191
3192
3193
3194
3195
3196
3197
3198
3199
3200
3201
3202
3203
3204
3205
3206
3207
3208
3209
3210
3211
3212
3213
3214
3215
3216
3217
3218
3219
3220
3221
3222
3223
3224
3225
3226
3227
3228
3229
3230
3231
3232
3233
3234
3235
3236
3237
3238
3239
3240
3241
3242
3243
3244
3245
3246
3247
3248
3249
3250
3251
3252
3253
3254
3255
3256
3257
3258
3259
3260
3261
3262
3263
3264
3265
3266
3267
3268
3269
3270
3271
3272
3273
3274
3275
3276
3277
3278
3279
3280
3281
3282
3283
3284
3285
3286
3287
3288
3289
3290
3291
3292
3293
3294
3295
3296
3297
3298
3299
3300
3301
3302
3303
3304
3305
3306
3307
3308
3309
3310
3311
3312
3313
3314
3315
3316
3317
3318
3319
3320
3321
3322
3323
3324
3325
3326
3327
3328
3329
3330
3331
3332
3333
3334
3335
3336
3337
3338
3339
3340
3341
3342
3343
3344
3345
3346
3347
3348
3349
3350
3351
3352
3353
3354
3355
3356
3357
3358
3359
3360
3361
3362
3363
3364
3365
3366
3367
3368
3369
3370
3371
3372
3373
3374
3375
3376
3377
3378
3379
3380
3381
3382
3383
3384
3385
3386
3387
3388
3389
3390
3391
3392
3393
3394
3395
3396
3397
3398
3399
3400
3401
3402
3403
3404
3405
3406
3407
3408
3409
3410
3411
3412
3413
3414
3415
3416
3417
3418
3419
3420
3421
3422
3423
3424
3425
3426
3427
3428
3429
3430
3431
3432
3433
3434
3435
3436
3437
3438
3439
3440
3441
3442
3443
3444
3445
3446
3447
3448
3449
3450
3451
3452
3453
3454
3455
3456
3457
3458
3459
3460
3461
3462
3463
3464
3465
3466
3467
3468
3469
3470
3471
3472
3473
3474
3475
3476
3477
3478
3479
3480
3481
3482
3483
3484
3485
3486
3487
3488
3489
3490
3491
3492
3493
3494
3495
3496
3497
3498
3499
3500
3501
3502
3503
3504
3505
3506
3507
3508
3509
3510
3511
3512
3513
3514
3515
3516
3517
3518
3519
3520
3521
3522
3523
3524
3525
3526
3527
3528
3529
3530
3531
3532
3533
3534
3535
3536
3537
3538
3539
3540
3541
3542
3543
3544
3545
3546
3547
3548
3549
3550
3551
3552
3553
3554
3555
3556
3557
3558
3559
3560
3561
3562
3563
3564
3565
3566
3567
3568
3569
3570
3571
3572
3573
3574
3575
3576
3577
3578
3579
3580
3581
3582
3583
3584
3585
3586
3587
3588
3589
3590
3591
3592
3593
3594
3595
3596
3597
3598
3599
3600
3601
3602
3603
3604
3605
3606
3607
3608
3609
3610
3611
3612
3613
3614
3615
3616
3617
3618
3619
3620
3621
3622
3623
3624
3625
3626
3627
3628
3629
3630
3631
3632
3633
3634
3635
3636
3637
3638
3639
3640
3641
3642
3643
3644
3645
3646
3647
3648
3649
3650
3651
3652
3653
3654
3655
3656
3657
3658
3659
3660
3661
3662
3663
3664
3665
3666
3667
3668
3669
3670
3671
3672
3673
3674
3675
3676
3677
3678
3679
3680
3681
3682
3683
3684
3685
3686
3687
3688
3689
3690
3691
3692
3693
3694
3695
3696
3697
3698
3699
3700
3701
3702
3703
3704
3705
3706
3707
3708
3709
3710
3711
3712
3713
3714
3715
3716
3717
3718
3719
3720
3721
3722
3723
3724
3725
3726
3727
3728
3729
3730
3731
3732
3733
3734
3735
3736
3737
3738
3739
3740
3741
3742
3743
3744
3745
3746
3747
3748
3749
3750
3751
3752
3753
3754
3755
3756
3757
3758
3759
3760
3761
3762
3763
3764
3765
3766
3767
3768
3769
3770
3771
3772
3773
3774
3775
3776
3777
3778
3779
3780
3781
3782
3783
3784
3785
3786
3787
3788
3789
3790
3791
3792
3793
3794
3795
3796
3797
3798
3799
3800
3801
3802
3803
3804
3805
3806
3807
3808
3809
3810
3811
3812
3813
3814
3815
3816
3817
3818
3819
3820
3821
3822
3823
3824
3825
3826
3827
3828
3829
3830
3831
3832
3833
3834
3835
3836
3837
3838
3839
3840
3841
3842
3843
3844
3845
3846
3847
3848
3849
3850
3851
3852
3853
3854
3855
3856
3857
3858
3859
3860
3861
3862
3863
3864
3865
3866
3867
3868
3869
3870
3871
3872
3873
3874
3875
3876
3877
3878
3879
3880
3881
3882
3883
3884
3885
3886
3887
3888
3889
3890
3891
3892
3893
3894
3895
3896
3897
3898
3899
3900
3901
3902
3903
3904
3905
3906
3907
3908
3909
3910
3911
3912
3913
3914
3915
3916
3917
3918
3919
3920
3921
3922
3923
3924
3925
3926
3927
3928
3929
3930
3931
3932
3933
3934
3935
3936
3937
3938
3939
3940
3941
3942
3943
3944
3945
3946
3947
3948
3949
3950
3951
3952
3953
3954
3955
3956
3957
3958
3959
3960
3961
3962
3963
3964
3965
3966
3967
3968
3969
3970
3971
3972
3973
3974
3975
3976
3977
3978
3979
3980
3981
3982
3983
3984
3985
3986
3987
3988
3989
3990
3991
3992
3993
3994
3995
3996
3997
3998
3999
4000
4001
4002
4003
4004
4005
4006
4007
4008
4009
4010
4011
4012
4013
4014
4015
4016
4017
4018
4019
4020
4021
4022
4023
4024
4025
4026
4027
4028
4029
4030
4031
4032
4033
4034
4035
4036
4037
4038
4039
4040
4041
4042
4043
4044
4045
4046
4047
4048
4049
4050
4051
4052
4053
4054
4055
4056
4057
4058
4059
4060
4061
4062
4063
4064
4065
4066
4067
4068
4069
4070
4071
4072
4073
4074
4075
4076
4077
4078
4079
4080
4081
4082
4083
4084
4085
4086
4087
4088
4089
4090
4091
4092
4093
4094
4095
4096
4097
4098
4099
4100
4101
4102
4103
4104
4105
4106
4107
4108
4109
4110
4111
4112
4113
4114
4115
4116
4117
4118
4119
4120
4121
4122
4123
4124
4125
4126
4127
4128
4129
4130
4131
4132
4133
4134
4135
4136
4137
4138
4139
4140
4141
4142
4143
4144
4145
4146
4147
4148
4149
4150
4151
4152
4153
4154
4155
4156
4157
4158
4159
4160
4161
4162
4163
4164
4165
4166
4167
4168
4169
4170
4171
4172
4173
4174
4175
4176
4177
4178
4179
4180
4181
4182
4183
4184
4185
4186
4187
4188
4189
4190
4191
4192
4193
4194
4195
4196
4197
4198
4199
4200
4201
4202
4203
4204
4205
4206
4207
4208
4209
4210
4211
4212
4213
4214
4215
4216
4217
4218
4219
4220
4221
4222
4223
4224
4225
4226
4227
4228
4229
4230
4231
4232
4233
4234
4235
4236
4237
4238
4239
4240
4241
4242
4243
4244
4245
4246
4247
4248
4249
4250
4251
4252
4253
4254
4255
4256
4257
4258
4259
4260
4261
4262
4263
4264
4265
4266
4267
4268
4269
4270
4271
4272
4273
4274
4275
4276
4277
4278
4279
4280
4281
4282
4283
4284
4285
4286
4287
4288
4289
4290
4291
4292
4293
4294
4295
4296
4297
4298
4299
4300
4301
4302
4303
4304
4305
4306
4307
4308
4309
4310
4311
4312
4313
4314
4315
4316
4317
4318
4319
4320
4321
4322
4323
4324
4325
4326
4327
4328
4329
4330
4331
4332
4333
4334
4335
4336
4337
4338
4339
4340
4341
4342
4343
4344
4345
4346
4347
4348
4349
4350
4351
4352
4353
4354
4355
4356
4357
4358
4359
4360
4361
4362
4363
4364
4365
4366
4367
4368
4369
4370
4371
4372
4373
4374
4375
4376
4377
4378
4379
4380
4381
4382
4383
4384
4385
4386
4387
4388
4389
4390
4391
4392
4393
4394
4395
4396
4397
4398
4399
4400
4401
4402
4403
4404
4405
4406
4407
4408
4409
4410
4411
4412
4413
4414
4415
4416
4417
4418
4419
4420
4421
4422
4423
4424
4425
4426
4427
4428
4429
4430
4431
4432
4433
4434
4435
4436
4437
4438
4439
4440
4441
4442
4443
4444
4445
4446
4447
4448
4449
4450
4451
4452
4453
4454
4455
4456
4457
4458
4459
4460
4461
4462
4463
4464
4465
4466
4467
4468
4469
4470
4471
4472
4473
4474
4475
4476
4477
4478
4479
4480
4481
4482
4483
4484
4485
4486
4487
4488
4489
4490
4491
4492
4493
4494
4495
4496
4497
4498
4499
4500
4501
4502
4503
4504
4505
4506
4507
4508
4509
4510
4511
4512
4513
4514
4515
4516
4517
4518
4519
4520
4521
4522
4523
4524
4525
4526
4527
4528
4529
4530
4531
4532
4533
4534
4535
4536
4537
4538
4539
4540
4541
4542
4543
4544
4545
4546
4547
4548
4549
4550
4551
4552
4553
4554
4555
4556
4557
4558
4559
4560
4561
4562
4563
4564
4565
4566
4567
4568
4569
4570
4571
4572
4573
4574
4575
4576
4577
4578
4579
4580
4581
4582
4583
4584
4585
4586
4587
4588
4589
4590
4591
4592
4593
4594
4595
4596
4597
4598
4599
4600
4601
4602
4603
4604
4605
4606
4607
4608
4609
4610
4611
4612
4613
4614
4615
4616
4617
4618
4619
4620
4621
4622
4623
4624
4625
4626
4627
4628
4629
4630
4631
4632
4633
4634
4635
4636
4637
4638
4639
4640
4641
4642
4643
4644
4645
4646
4647
4648
4649
4650
4651
4652
4653
4654
4655
4656
4657
4658
4659
4660
4661
4662
4663
4664
4665
4666
4667
4668
4669
4670
4671
4672
4673
4674
4675
4676
4677
4678
4679
4680
4681
4682
4683
4684
4685
4686
4687
4688
4689
4690
4691
4692
4693
4694
4695
4696
4697
4698
4699
4700
4701
4702
4703
4704
4705
4706
4707
4708
4709
4710
4711
4712
4713
4714
4715
4716
4717
4718
4719
4720
4721
4722
4723
4724
4725
4726
4727
4728
4729
4730
4731
4732
4733
4734
4735
4736
4737
4738
4739
4740
4741
4742
4743
4744
4745
4746
4747
4748
4749
4750
4751
4752
4753
4754
4755
4756
4757
4758
4759
4760
4761
4762
4763
4764
4765
4766
4767
4768
4769
4770
4771
4772
4773
4774
4775
4776
4777
4778
4779
4780
4781
4782
4783
4784
4785
4786
4787
4788
4789
4790
4791
4792
4793
4794
4795
4796
4797
4798
4799
4800
4801
4802
4803
4804
4805
4806
4807
4808
4809
4810
4811
4812
4813
4814
4815
4816
4817
4818
4819
4820
4821
4822
4823
4824
4825
4826
4827
4828
4829
4830
4831
4832
4833
4834
4835
4836
4837
4838
4839
4840
4841
4842
4843
4844
4845
4846
4847
4848
4849
4850
4851
4852
4853
4854
4855
4856
4857
4858
4859
4860
4861
4862
4863
4864
4865
4866
4867
4868
4869
4870
4871
4872
4873
4874
4875
4876
4877
4878
4879
4880
4881
4882
4883
4884
4885
4886
4887
4888
4889
4890
4891
4892
4893
4894
4895
4896
4897
4898
4899
4900
4901
4902
4903
4904
4905
4906
4907
4908
4909
4910
4911
4912
4913
4914
4915
4916
4917
4918
4919
4920
4921
4922
4923
4924
4925
4926
4927
4928
4929
4930
4931
4932
4933
4934
4935
4936
4937
4938
4939
4940
4941
4942
4943
4944
4945
4946
4947
4948
4949
4950
4951
4952
4953
4954
4955
4956
4957
4958
4959
4960
4961
4962
4963
4964
4965
4966
4967
4968
4969
4970
4971
4972
4973
4974
4975
4976
4977
4978
4979
4980
4981
4982
4983
4984
4985
4986
4987
4988
4989
4990
4991
4992
4993
4994
4995
4996
4997
4998
4999
5000
5001
5002
5003
5004
5005
5006
5007
5008
5009
5010
5011
5012
5013
5014
5015
5016
5017
5018
5019
5020
5021
5022
5023
5024
5025
5026
5027
5028
5029
5030
5031
5032
5033
5034
5035
5036
5037
5038
5039
5040
5041
5042
5043
5044
5045
5046
5047
5048
5049
5050
5051
5052
5053
5054
5055
5056
5057
5058
5059
5060
5061
5062
5063
5064
5065
5066
5067
5068
5069
5070
5071
5072
5073
5074
5075
5076
5077
5078
5079
5080
5081
5082
5083
5084
5085
5086
5087
5088
5089
5090
5091
5092
5093
5094
5095
5096
5097
5098
5099
5100
5101
5102
5103
5104
5105
5106
5107
5108
5109
5110
5111
|
The Project Gutenberg EBook of On the Track, by Henry Lawson
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: On the Track
Author: Henry Lawson
Posting Date: August 26, 2008 [EBook #1231]
Release Date: March, 1998
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK ON THE TRACK ***
Produced by Alan R. Light
ON THE TRACK
by Henry Lawson
Author of "While the Billy Boils", and "When the World was Wide"
[Note on text: Italicized words or phrases are CAPITALISED. Some obvious
errors have been corrected after being confirmed.]
Preface
Of the stories in this volume many have already appeared
in (various periodicals), while several now appear in print
for the first time.
H. L.
Sydney, March 17th, 1900.
Contents
The Songs They used to Sing
A Vision of Sandy Blight
Andy Page's Rival
The Iron-Bark Chip
"Middleton's Peter"
The Mystery of Dave Regan
Mitchell on Matrimony
Mitchell on Women
No Place for a Woman
Mitchell's Jobs
Bill, the Ventriloquial Rooster
Bush Cats
Meeting Old Mates
Two Larrikins
Mr. Smellingscheck
"A Rough Shed"
Payable Gold
An Oversight of Steelman's
How Steelman told his Story
ON THE TRACK
The Songs They used to Sing
On the diggings up to twenty odd years ago--and as far back as I can
remember--on Lambing Flat, the Pipe Clays, Gulgong, Home Rule, and so
through the roaring list; in bark huts, tents, public-houses, sly grog
shanties, and--well, the most glorious voice of all belonged to a bad
girl. We were only children and didn't know why she was bad, but we
weren't allowed to play near or go near the hut she lived in, and we
were trained to believe firmly that something awful would happen to us
if we stayed to answer a word, and didn't run away as fast as our legs
could carry us, if she attempted to speak to us. We had before us the
dread example of one urchin, who got an awful hiding and went on bread
and water for twenty-four hours for allowing her to kiss him and give
him lollies. She didn't look bad--she looked to us like a grand and
beautiful lady-girl--but we got instilled into us the idea that she was
an awful bad woman, something more terrible even than a drunken man, and
one whose presence was to be feared and fled from. There were two other
girls in the hut with her, also a pretty little girl, who called her
"Auntie", and with whom we were not allowed to play--for they were all
bad; which puzzled us as much as child-minds can be puzzled. We couldn't
make out how everybody in one house could be bad. We used to wonder why
these bad people weren't hunted away or put in gaol if they were so
bad. And another thing puzzled us. Slipping out after dark, when the bad
girls happened to be singing in their house, we'd sometimes run against
men hanging round the hut by ones and twos and threes, listening. They
seemed mysterious. They were mostly good men, and we concluded they were
listening and watching the bad women's house to see that they didn't
kill anyone, or steal and run away with any bad little boys--ourselves,
for instance--who ran out after dark; which, as we were informed, those
bad people were always on the lookout for a chance to do.
We were told in after years that old Peter McKenzie (a respectable,
married, hard-working digger) would sometimes steal up opposite the bad
door in the dark, and throw in money done up in a piece of paper, and
listen round until the bad girl had sung the "Bonnie Hills of Scotland"
two or three times. Then he'd go and get drunk, and stay drunk two or
three days at a time. And his wife caught him throwing the money in one
night, and there was a terrible row, and she left him; and people always
said it was all a mistake. But we couldn't see the mistake then.
But I can hear that girl's voice through the night, twenty years ago:
Oh! the bloomin' heath, and the pale blue bell,
In my bonnet then I wore;
And memory knows no brighter theme
Than those happy days of yore.
Scotland! Land of chief and song!
Oh, what charms to thee belong!
And I am old enough to understand why poor Peter McKenzie--who was
married to a Saxon, and a Tartar--went and got drunk when the bad girl
sang "The Bonnie Hills of Scotland."
His anxious eye might look in vain
For some loved form it knew!
. . . . .
And yet another thing puzzled us greatly at the time. Next door to the
bad girl's house there lived a very respectable family--a family of good
girls with whom we were allowed to play, and from whom we got lollies
(those hard old red-and-white "fish lollies" that grocers sent home with
parcels of groceries and receipted bills). Now one washing day, they
being as glad to get rid of us at home as we were to get out, we went
over to the good house and found no one at home except the grown-up
daughter, who used to sing for us, and read "Robinson Crusoe" of nights,
"out loud", and give us more lollies than any of the rest--and with
whom we were passionately in love, notwithstanding the fact that she was
engaged to a "grown-up man"--(we reckoned he'd be dead and out of the
way by the time we were old enough to marry her). She was washing.
She had carried the stool and tub over against the stick fence which
separated her house from the bad house; and, to our astonishment and
dismay, the bad girl had brought HER tub over against her side of the
fence. They stood and worked with their shoulders to the fence between
them, and heads bent down close to it. The bad girl would sing a few
words, and the good girl after her, over and over again. They sang very
low, we thought. Presently the good grown-up girl turned her head and
caught sight of us. She jumped, and her face went flaming red; she laid
hold of the stool and carried it, tub and all, away from that fence in
a hurry. And the bad grown-up girl took her tub back to her house. The
good grown-up girl made us promise never to tell what we saw--that she'd
been talking to a bad girl--else she would never, never marry us.
She told me, in after years, when she'd grown up to be a grandmother,
that the bad girl was surreptitiously teaching her to sing "Madeline"
that day.
I remember a dreadful story of a digger who went and shot himself
one night after hearing that bad girl sing. We thought then what a
frightfully bad woman she must be. The incident terrified us; and
thereafter we kept carefully and fearfully out of reach of her voice,
lest we should go and do what the digger did.
. . . . .
I have a dreamy recollection of a circus on Gulgong in the roaring days,
more than twenty years ago, and a woman (to my child-fancy a being from
another world) standing in the middle of the ring, singing:
Out in the cold world--out in the street--
Asking a penny from each one I meet;
Cheerless I wander about all the day,
Wearing my young life in sorrow away!
That last line haunted me for many years. I remember being frightened by
women sobbing (and one or two great grown-up diggers also) that night in
that circus.
"Father, Dear Father, Come Home with Me Now", was a sacred song then,
not a peg for vulgar parodies and more vulgar "business" for fourth-rate
clowns and corner-men. Then there was "The Prairie Flower". "Out on the
Prairie, in an Early Day"--I can hear the digger's wife yet: she was the
prettiest girl on the field. They married on the sly and crept into
camp after dark; but the diggers got wind of it and rolled up with
gold-dishes, shovels, &c., &c., and gave them a real good tinkettling in
the old-fashioned style, and a nugget or two to start housekeeping on.
She had a very sweet voice.
Fair as a lily, joyous and free,
Light of the prairie home was she.
She's a "granny" now, no doubt--or dead.
And I remember a poor, brutally ill-used little wife, wearing a black
eye mostly, and singing "Love Amongst the Roses" at her work. And they
sang the "Blue Tail Fly", and all the first and best coon songs--in the
days when old John Brown sank a duffer on the hill.
. . . . .
The great bark kitchen of Granny Mathews' "Redclay Inn". A fresh
back-log thrown behind the fire, which lights the room fitfully. Company
settled down to pipes, subdued yarning, and reverie.
Flash Jack--red sash, cabbage-tree hat on back of head with nothing
in it, glossy black curls bunched up in front of brim. Flash Jack
volunteers, without invitation, preparation, or warning, and through his
nose:
Hoh!--
There was a wild kerlonial youth,
John Dowlin was his name!
He bountied on his parients,
Who lived in Castlemaine!
and so on to--
He took a pistol from his breast
And waved that lit--tle toy--
"Little toy" with an enthusiastic flourish and great unction on Flash
Jack's part--
"I'll fight, but I won't surrender!" said
The wild Kerlonial Boy.
Even this fails to rouse the company's enthusiasm. "Give us a song, Abe!
Give us the 'Lowlands'!" Abe Mathews, bearded and grizzled, is lying
on the broad of his back on a bench, with his hands clasped under his
head--his favourite position for smoking, reverie, yarning, or singing.
He had a strong, deep voice, which used to thrill me through and
through, from hair to toenails, as a child.
They bother Abe till he takes his pipe out of his mouth and puts it
behind his head on the end of the stool:
The ship was built in Glasgow;
'Twas the "Golden Vanitee"--
Lines have dropped out of my memory during the thirty years gone
between--
And she ploughed in the Low Lands, Low!
The public-house people and more diggers drop into the kitchen, as all
do within hearing, when Abe sings.
"Now then, boys:
And she ploughed in the Low Lands, Low!
"Now, all together!
The Low Lands! The Low Lands!
And she ploughed in the Low Lands, Low!"
Toe and heel and flat of foot begin to stamp the clay floor, and horny
hands to slap patched knees in accompaniment.
"Oh! save me, lads!" he cried,
"I'm drifting with the current,
And I'm drifting with the tide!
And I'm sinking in the Low Lands, Low!
The Low Lands! The Low Lands!"--
The old bark kitchen is a-going now. Heels drumming on gin-cases under
stools; hands, knuckles, pipe-bowls, and pannikins keeping time on the
table.
And we sewed him in his hammock,
And we slipped him o'er the side,
And we sunk him in the Low Lands, Low!
The Low Lands! The Low Lands!
And we sunk him in the Low Lands, Low!
Old Boozer Smith--a dirty gin-sodden bundle of rags on the floor in the
corner with its head on a candle box, and covered by a horse rug--old
Boozer Smith is supposed to have been dead to the universe for hours
past, but the chorus must have disturbed his torpor; for, with a
suddenness and unexpectedness that makes the next man jump, there comes
a bellow from under the horse rug:
Wot though!--I wear!--a rag!--ged coat!
I'll wear it like a man!
and ceases as suddenly as it commenced. He struggles to bring his ruined
head and bloated face above the surface, glares round; then, no one
questioning his manhood, he sinks back and dies to creation; and
subsequent proceedings are only interrupted by a snore, as far as he is
concerned.
Little Jimmy Nowlett, the bullock-driver, is inspired. "Go on, Jimmy!
Give us a song!"
In the days when we were hard up
For want of wood and wire--
Jimmy always blunders; it should have been "food and fire"--
We used to tie our boots up
With lit--tle bits--er wire;
and--
I'm sitting in my lit--tle room,
It measures six by six;
The work-house wall is opposite,
I've counted all the bricks!
"Give us a chorus, Jimmy!"
Jimmy does, giving his head a short, jerky nod for nearly every word,
and describing a circle round his crown--as if he were stirring a pint
of hot tea--with his forefinger, at the end of every line:
Hall!--Round!--Me--Hat!
I wore a weepin' willer!
Jimmy is a Cockney.
"Now then, boys!"
Hall--round--me hat!
How many old diggers remember it?
And:
A butcher, and a baker, and a quiet-looking quaker,
All a-courting pretty Jessie at the Railway Bar.
I used to wonder as a child what the "railway bar" meant.
And:
I would, I would, I would in vain
That I were single once again!
But ah, alas, that will not be
Till apples grow on the willow tree.
A drunken gambler's young wife used to sing that song--to herself.
A stir at the kitchen door, and a cry of "Pinter," and old Poynton,
Ballarat digger, appears and is shoved in; he has several drinks aboard,
and they proceed to "git Pinter on the singin' lay," and at last talk
him round. He has a good voice, but no "theory", and blunders worse than
Jimmy Nowlett with the words. He starts with a howl--
Hoh!
Way down in Covent Gar-ar-r-dings
A-strolling I did go,
To see the sweetest flow-ow-wers
That e'er in gardings grow.
He saw the rose and lily--the red and white and blue--and he saw the
sweetest flow-ow-ers that e'er in gardings grew; for he saw two lovely
maidens (Pinter calls 'em "virgings") underneath (he must have meant on
top of) "a garding chair", sings Pinter.
And one was lovely Jessie,
With the jet black eyes and hair,
roars Pinter,
And the other was a vir-ir-ging,
I solemn-lye declare!
"Maiden, Pinter!" interjects Mr. Nowlett.
"Well, it's all the same," retorts Pinter. "A maiden IS a virging,
Jimmy. If you're singing, Jimmy, and not me, I'll leave off!" Chorus of
"Order! Shut up, Jimmy!"
I quicklye step-ped up to her,
And unto her did sa-a-y:
Do you belong to any young man,
Hoh, tell me that, I pra-a-y?
Her answer, according to Pinter, was surprisingly prompt and
unconventional; also full and concise:
No; I belong to no young man--
I solemnlye declare!
I mean to live a virging
And still my laurels wear!
Jimmy Nowlett attempts to move an amendment in favour of "maiden",
but is promptly suppressed. It seems that Pinter's suit has a happy
termination, for he is supposed to sing in the character of a "Sailor
Bold", and as he turns to pursue his stroll in "Covent Gar-ar-dings":
"Oh, no! Oh, no! Oh, no!" she cried,
"I love a Sailor Bold!"
"Hong-kore, Pinter! Give us the 'Golden Glove', Pinter!"
Thus warmed up, Pinter starts with an explanatory "spoken" to the effect
that the song he is about to sing illustrates some of the little ways of
woman, and how, no matter what you say or do, she is bound to have her
own way in the end; also how, in one instance, she set about getting it.
Hoh!
Now, it's of a young squoire near Timworth did dwell,
Who courted a nobleman's daughter so well--
The song has little or nothing to do with the "squire", except so far as
"all friends and relations had given consent," and--
The troo-soo was ordered--appointed the day,
And a farmer were appointed for to give her away--
which last seemed a most unusual proceeding, considering the wedding was
a toney affair; but perhaps there were personal interests--the nobleman
might have been hard up, and the farmer backing him. But there was an
extraordinary scene in the church, and things got mixed.
For as soon as this maiding this farmer espied:
"Hoh, my heart! Hoh, my heart!
Hoh, my heart!" then she cried.
Hysterics? Anyway, instead of being wed--
This maiden took sick and she went to her bed.
(N.B.--Pinter sticks to 'virging'.)
Whereupon friends and relations and guests left the house in a body (a
strange but perhaps a wise proceeding, after all--maybe they smelt a
rat) and left her to recover alone, which she did promptly. And then:
Shirt, breeches, and waistcoat this maiding put on,
And a-hunting she went with her dog and her gun;
She hunted all round where this farmier did dwell,
Because in her own heart she love-ed him well.
The cat's out of the bag now:
And often she fired, but no game she killed--
which was not surprising--
Till at last the young farmier came into the field--
No wonder. She put it to him straight:
"Oh, why are you not at the wedding?" she cried,
"For to wait on the squoire, and to give him his bride."
He was as prompt and as delightfully unconventional in his reply as the
young lady in Covent Gardings:
"Oh, no! and oh, no! For the truth I must sa-a-y,
I love her too well for to give her a-w-a-a-y!"
which was satisfactory to the disguised "virging".
".... and I'd take sword in hand,
And by honour I'd win her if she would command."
Which was still more satisfactory.
Now this virging, being--
(Jimmy Nowlett: "Maiden, Pinter--" Jim is thrown on a stool and sat on
by several diggers.)
Now this maiding, being please-ed to see him so bold,
She gave him her glove that was flowered with gold,
and explained that she found it in his field while hunting around with
her dog and her gun. It is understood that he promised to look up
the owner. Then she went home and put an advertisement in the local
'Herald'; and that ad. must have caused considerable sensation. She
stated that she had lost her golden glove, and
The young man that finds it and brings it to me,
Hoh! that very young man my husband shall be!
She had a saving clause in case the young farmer mislaid the glove
before he saw the ad., and an OLD bloke got holt of it and fetched it
along. But everything went all right. The young farmer turned up with
the glove. He was a very respectable young farmer, and expressed his
gratitude to her for having "honour-ed him with her love." They were
married, and the song ends with a picture of the young farmeress milking
the cow, and the young farmer going whistling to plough. The fact that
they lived and grafted on the selection proves that I hit the right nail
on the head when I guessed, in the first place, that the old nobleman
was "stony".
In after years,
... she told him of the fun,
How she hunted him up with her dog and her gun.
But whether he was pleased or otherwise to hear it, after years of
matrimonial experiences, the old song doesn't say, for it ends there.
Flash Jack is more successful with "Saint Patrick's Day".
I come to the river, I jumped it quite clever!
Me wife tumbled in, and I lost her for ever,
St. Patrick's own day in the mornin'!
This is greatly appreciated by Jimmy Nowlett, who is suspected,
especially by his wife, of being more cheerful when on the roads than
when at home.
. . . . .
"Sam Holt" was a great favourite with Jimmy Nowlett in after years.
Oh, do you remember Black Alice, Sam Holt?
Black Alice so dirty and dark--
Who'd a nose on her face--I forget how it goes--
And teeth like a Moreton Bay shark.
Sam Holt must have been very hard up for tucker as well as beauty then,
for
Do you remember the 'possums and grubs
She baked for you down by the creek?
Sam Holt was, apparently, a hardened flash Jack.
You were not quite the cleanly potato, Sam Holt.
Reference is made to his "manner of holding a flush", and he is asked
to remember several things which he, no doubt, would rather forget,
including
... the hiding you got from the boys.
The song is decidedly personal.
But Sam Holt makes a pile and goes home, leaving many a better and worse
man to pad the hoof Out Back. And--Jim Nowlett sang this with so much
feeling as to make it appear a personal affair between him and the
absent Holt--
And, don't you remember the fiver, Sam Holt,
You borrowed so careless and free?
I reckon I'll whistle a good many tunes
(with increasing feeling)
Ere you think of that fiver and me.
For the chances will be that Sam Holt's old mate
Will be humping his drum on the Hughenden Road
To the end of the chapter of fate.
. . . . .
An echo from "The Old Bark Hut", sung in the opposition camp across the
gully:
You may leave the door ajar, but if you keep it shut,
There's no need of suffocation in the Ould Barrk Hut.
. . . . .
The tucker's in the gin-case, but you'd better keep it shut--
For the flies will canther round it in the Ould Bark Hut.
However:
What's out of sight is out of mind, in the Ould Bark Hut.
. . . . .
We washed our greasy moleskins
On the banks of the Condamine.--
Somebody tackling the "Old Bullock Dray"; it must be over fifty verses
now. I saw a bushman at a country dance start to sing that song; he'd
get up to ten or fifteen verses, break down, and start afresh. At last
he sat down on his heel to it, in the centre of the clear floor, resting
his wrist on his knee, and keeping time with an index finger. It was
very funny, but the thing was taken seriously all through.
Irreverent echo from the old Lambing Flat trouble, from camp across the
gully:
Rule Britannia! Britannia rules the waves!
No more Chinamen will enter Noo South Wales!
and
Yankee Doodle came to town
On a little pony--
Stick a feather in his cap,
And call him Maccaroni!
All the camps seem to be singing to-night:
Ring the bell, watchman!
Ring! Ring! Ring!
Ring, for the good news
Is now on the wing!
Good lines, the introduction:
High on the belfry the old sexton stands,
Grasping the rope with his thin bony hands!...
Bon-fires are blazing throughout the land...
Glorious and blessed tidings! Ring! Ring the bell!
. . . . .
Granny Mathews fails to coax her niece into the kitchen, but persuades
her to sing inside. She is the girl who learnt 'sub rosa' from the bad
girl who sang "Madeline". Such as have them on instinctively take their
hats off. Diggers, &c., strolling past, halt at the first notes of the
girl's voice, and stand like statues in the moonlight:
Shall we gather at the river,
Where bright angel feet have trod?
The beautiful--the beautiful river
That flows by the throne of God!--
Diggers wanted to send that girl "Home", but Granny Mathews had the
old-fashioned horror of any of her children becoming "public"--
Gather with the saints at the river,
That flows by the throne of God!
. . . . .
But it grows late, or rather, early. The "Eyetalians" go by in the
frosty moonlight, from their last shift in the claim (for it is Saturday
night), singing a litany.
"Get up on one end, Abe!--stand up all!" Hands are clasped across the
kitchen table. Redclay, one of the last of the alluvial fields, has
petered out, and the Roaring Days are dying.... The grand old song that
is known all over the world; yet how many in ten thousand know more than
one verse and the chorus? Let Peter McKenzie lead:
Should auld acquaintance be forgot,
And never brought to min'?
And hearts echo from far back in the past and across wide, wide seas:
Should auld acquaintance be forgot,
And days o' lang syne?
Now boys! all together!
For auld lang syne, my dear,
For auld lang syne,
We'll tak' a cup o' kindness yet,
For auld lang syne.
We twa hae run about the braes,
And pu'd the gowans fine;
But we've wandered mony a weary foot,
Sin' auld lang syne.
The world was wide then.
We twa hae paidl't i' the burn,
Frae mornin' sun till dine:
the log fire seems to grow watery, for in wide, lonely Australia--
But seas between us braid hae roar'd,
Sin' auld lang syne.
The kitchen grows dimmer, and the forms of the digger-singers seemed
suddenly vague and unsubstantial, fading back rapidly through a misty
veil. But the words ring strong and defiant through hard years:
And here's a hand, my trusty frien',
And gie's a grup o' thine;
And we'll tak' a cup o' kindness yet,
For auld lang syne.
. . . . .
And the nettles have been growing for over twenty years on the spot
where Granny Mathews' big bark kitchen stood.
A Vision of Sandy Blight
I'd been humping my back, and crouching and groaning for an hour or so
in the darkest corner of the travellers' hut, tortured by the demon
of sandy blight. It was too hot to travel, and there was no one there
except ourselves and Mitchell's cattle pup. We were waiting till after
sundown, for I couldn't have travelled in the daylight, anyway. Mitchell
had tied a wet towel round my eyes, and led me for the last mile or two
by another towel--one end fastened to his belt behind, and the other in
my hand as I walked in his tracks. And oh! but this was a relief! It was
out of the dust and glare, and the flies didn't come into the dark hut,
and I could hump and stick my knees in my eyes and groan in comfort. I
didn't want a thousand a year, or anything; I only wanted relief for my
eyes--that was all I prayed for in this world. When the sun got down a
bit, Mitchell started poking round, and presently he found amongst the
rubbish a dirty-looking medicine bottle, corked tight; when he rubbed
the dirt off a piece of notepaper that was pasted on, he saw "eye-water"
written on it. He drew the cork with his teeth, smelt the water, stuck
his little finger in, turned the bottle upside down, tasted the top of
his finger, and reckoned the stuff was all right.
"Here! Wake up, Joe!" he shouted. "Here's a bottle of tears."
"A bottler wot?" I groaned.
"Eye-water," said Mitchell.
"Are you sure it's all right?" I didn't want to be poisoned or have my
eyes burnt out by mistake; perhaps some burning acid had got into
that bottle, or the label had been put on, or left on, in mistake or
carelessness.
"I dunno," said Mitchell, "but there's no harm in tryin'."
I chanced it. I lay down on my back in a bunk, and Mitchell dragged my
lids up and spilt half a bottle of eye-water over my eye-balls.
The relief was almost instantaneous. I never experienced such a quick
cure in my life. I carried the bottle in my swag for a long time
afterwards, with an idea of getting it analysed, but left it behind at
last in a camp.
Mitchell scratched his head thoughtfully, and watched me for a while.
"I think I'll wait a bit longer," he said at last, "and if it doesn't
blind you I'll put some in my eyes. I'm getting a touch of blight myself
now. That's the fault of travelling with a mate who's always catching
something that's no good to him."
As it grew dark outside we talked of sandy-blight and fly-bite, and
sand-flies up north, and ordinary flies, and branched off to Barcoo rot,
and struck the track again at bees and bee stings. When we got to bees,
Mitchell sat smoking for a while and looking dreamily backwards
along tracks and branch tracks, and round corners and circles he had
travelled, right back to the short, narrow, innocent bit of track that
ends in a vague, misty point--like the end of a long, straight, cleared
road in the moonlight--as far back as we can remember.
. . . . .
"I had about fourteen hives," said Mitchell--"we used to call them
'swarms', no matter whether they were flying or in the box--when I left
home first time. I kept them behind the shed, in the shade, on tables
of galvanised iron cases turned down on stakes; but I had to make legs
later on, and stand them in pans of water, on account of the ants. When
the bees swarmed--and some hives sent out the Lord knows how many swarms
in a year, it seemed to me--we'd tin-kettle 'em, and throw water on 'em,
to make 'em believe the biggest thunderstorm was coming to drown the
oldest inhabitant; and, if they didn't get the start of us and rise,
they'd settle on a branch--generally on one of the scraggy fruit trees.
It was rough on the bees--come to think of it; their instinct told
them it was going to be fine, and the noise and water told them it was
raining. They must have thought that nature was mad, drunk, or gone
ratty, or the end of the world had come. We'd rig up a table, with a box
upside down, under the branch, cover our face with a piece of mosquito
net, have rags burning round, and then give the branch a sudden jerk,
turn the box down, and run. If we got most of the bees in, the rest
that were hanging to the bough or flying round would follow, and then
we reckoned we'd shook the queen in. If the bees in the box came out and
joined the others, we'd reckon we hadn't shook the queen in, and go for
them again. When a hive was full of honey we'd turn the box upside down,
turn the empty box mouth down on top of it, and drum and hammer on the
lower box with a stick till all the bees went up into the top box. I
suppose it made their heads ache, and they went up on that account.
"I suppose things are done differently on proper bee-farms. I've heard
that a bee-farmer will part a hanging swarm with his fingers, take out
the queen bee and arrange matters with her; but our ways suited us,
and there was a lot of expectation and running and excitement in
it, especially when a swarm took us by surprise. The yell of 'Bees
swarmin'!' was as good to us as the yell of 'Fight!' is now, or 'Bolt!'
in town, or 'Fire' or 'Man overboard!' at sea.
"There was tons of honey. The bees used to go to the vineyards at
wine-making and get honey from the heaps of crushed grape-skins thrown
out in the sun, and get so drunk sometimes that they wobbled in their
bee-lines home. They'd fill all the boxes, and then build in between and
under the bark, and board, and tin covers. They never seemed to get the
idea out of their heads that this wasn't an evergreen country, and it
wasn't going to snow all winter. My younger brother Joe used to put
pieces of meat on the tables near the boxes, and in front of the holes
where the bees went in and out, for the dogs to grab at. But one old
dog, 'Black Bill', was a match for him; if it was worth Bill's while,
he'd camp there, and keep Joe and the other dogs from touching the
meat--once it was put down--till the bees turned in for the night. And
Joe would get the other kids round there, and when they weren't looking
or thinking, he'd brush the bees with a stick and run. I'd lam him when
I caught him at it. He was an awful young devil, was Joe, and he grew up
steady, and respectable, and respected--and I went to the bad. I never
trust a good boy now.... Ah, well!
"I remember the first swarm we got. We'd been talking of getting a few
swarms for a long time. That was what was the matter with us English
and Irish and English-Irish Australian farmers: we used to talk so much
about doing things while the Germans and Scotch did them. And we even
talked in a lazy, easy-going sort of way.
"Well, one blazing hot day I saw father coming along the road, home
to dinner (we had it in the middle of the day), with his axe over his
shoulder. I noticed the axe particularly because father was bringing it
home to grind, and Joe and I had to turn the stone; but, when I noticed
Joe dragging along home in the dust about fifty yards behind father, I
felt easier in my mind. Suddenly father dropped the axe and started
to run back along the road towards Joe, who, as soon as he saw father
coming, shied for the fence and got through. He thought he was going to
catch it for something he'd done--or hadn't done. Joe used to do so many
things and leave so many things not done that he could never be sure
of father. Besides, father had a way of starting to hammer us
unexpectedly--when the idea struck him. But father pulled himself up in
about thirty yards and started to grab up handfuls of dust and sand and
throw them into the air. My idea, in the first flash, was to get hold of
the axe, for I thought it was sun-stroke, and father might take it into
his head to start chopping up the family before I could persuade him
to put it (his head, I mean) in a bucket of water. But Joe came running
like mad, yelling:
"'Swarmer--bees! Swawmmer--bee--ee--es!
Bring--a--tin--dish--and--a--dippera--wa-a-ter!'
"I ran with a bucket of water and an old frying-pan, and pretty soon
the rest of the family were on the spot, throwing dust and water,
and banging everything, tin or iron, they could get hold of. The only
bullock bell in the district (if it was in the district) was on the old
poley cow, and she'd been lost for a fortnight. Mother brought up the
rear--but soon worked to the front--with a baking-dish and a big spoon.
The old lady--she wasn't old then--had a deep-rooted prejudice that she
could do everything better than anybody else, and that the selection
and all on it would go to the dogs if she wasn't there to look after it.
There was no jolting that idea out of her. She not only believed that
she could do anything better than anybody, and hers was the only right
or possible way, and that we'd do everything upside down if she wasn't
there to do it or show us how--but she'd try to do things herself or
insist on making us do them her way, and that led to messes and rows.
She was excited now, and took command at once. She wasn't tongue-tied,
and had no impediment in her speech.
"'Don't throw up dust!--Stop throwing up dust!--Do you want to smother
'em?--Don't throw up so much water!--Only throw up a pannikin at a
time!--D'yer want to drown 'em? Bang! Keep on banging, Joe!--Look at
that child! Run, someone!--run! you, Jack!--D'yer want the child to be
stung to death?--Take her inside!... Dy' hear me?... Stop throwing up
dust, Tom! (To father.) You're scaring 'em away! Can't you see they want
to settle?' [Father was getting mad and yelping: 'For Godsake shettup
and go inside.'] 'Throw up water, Jack! Throw up--Tom! Take that bucket
from him and don't make such a fool of yourself before the children!
Throw up water! Throw--keep on banging, children! Keep on banging!'
[Mother put her faith in banging.] 'There!--they're off! You've lost
'em! I knew you would! I told yer--keep on bang--!'
"A bee struck her in the eye, and she grabbed at it!
"Mother went home--and inside.
"Father was good at bees--could manage them like sheep when he got to
know their ideas. When the swarm settled, he sent us for the old washing
stool, boxes, bags, and so on; and the whole time he was fixing the bees
I noticed that whenever his back was turned to us his shoulders would
jerk up as if he was cold, and he seemed to shudder from inside, and now
and then I'd hear a grunting sort of whimper like a boy that was
just starting to blubber. But father wasn't weeping, and bees weren't
stinging him; it was the bee that stung mother that was tickling father.
When he went into the house, mother's other eye had bunged for sympathy.
Father was always gentle and kind in sickness, and he bathed mother's
eyes and rubbed mud on, but every now and then he'd catch inside, and
jerk and shudder, and grunt and cough. Mother got wild, but presently
the humour of it struck her, and she had to laugh, and a rum laugh it
was, with both eyes bunged up. Then she got hysterical, and started to
cry, and father put his arm round her shoulder and ordered us out of the
house.
"They were very fond of each other, the old people were, under it
all--right up to the end.... Ah, well!"
Mitchell pulled the swags out of a bunk, and started to fasten the
nose-bags on.
Andy Page's Rival
Tall and freckled and sandy,
Face of a country lout;
That was the picture of Andy--
Middleton's rouseabout.
On Middleton's wide dominions
Plied the stock-whip and shears;
Hadn't any opinions------
And he hadn't any "ideers"--at least, he said so himself--except
as regarded anything that looked to him like what he called "funny
business", under which heading he catalogued tyranny, treachery,
interference with the liberty of the subject by the subject, "blanky"
lies, or swindles--all things, in short, that seemed to his slow
understanding dishonest, mean or paltry; most especially, and above all,
treachery to a mate. THAT he could never forget. Andy was uncomfortably
"straight". His mind worked slowly and his decisions were, as a rule,
right and just; and when he once came to a conclusion concerning any
man or matter, or decided upon a course of action, nothing short of an
earthquake or a Nevertire cyclone could move him back an inch--unless a
conviction were severely shaken, and then he would require as much time
to "back" to his starting point as he did to come to the decision.
Andy had come to a conclusion with regard to a selector's
daughter--name, Lizzie Porter--who lived (and slaved) on her father's
selection, near the township corner of the run on which Andy was a
general "hand". He had been in the habit for several years of calling
casually at the selector's house, as he rode to and fro between the
station and the town, to get a drink of water and exchange the time of
day with old Porter and his "missus". The conversation concerned the
drought, and the likelihood or otherwise of their ever going to get
a little rain; or about Porter's cattle, with an occasional enquiry
concerning, or reference to, a stray cow belonging to the selection,
but preferring the run; a little, plump, saucy, white cow, by-the-way,
practically pure white, but referred to by Andy--who had eyes like a
blackfellow--as "old Speckledy". No one else could detect a spot or
speckle on her at a casual glance. Then after a long bovine silence,
which would have been painfully embarrassing in any other society, and
a tilting of his cabbage-tree hat forward, which came of tickling and
scratching the sun-blotched nape of his neck with his little finger,
Andy would slowly say: "Ah, well. I must be gettin'. So-long, Mr.
Porter. So-long, Mrs. Porter." And, if SHE were in evidence--as she
generally was on such occasions--"So-long, Lizzie." And they'd shout:
"So-long, Andy," as he galloped off from the jump. Strange that those
shy, quiet, gentle-voiced bushmen seem the hardest and most reckless
riders.
But of late his horse had been seen hanging up outside Porter's for an
hour or so after sunset. He smoked, talked over the results of the last
drought (if it happened to rain), and the possibilities of the next one,
and played cards with old Porter; who took to winking, automatically, at
his "old woman", and nudging, and jerking his thumb in the direction of
Lizzie when her back was turned, and Andy was scratching the nape of his
neck and staring at the cards.
Lizzie told a lady friend of mine, years afterwards, how Andy popped
the question; told it in her quiet way--you know Lizzie's quiet way
(something of the old, privileged house-cat about her); never a sign in
expression or tone to show whether she herself saw or appreciated the
humour of anything she was telling, no matter how comical it might be.
She had witnessed two tragedies, and had found a dead man in the bush,
and related the incidents as though they were common-place.
It happened one day--after Andy had been coming two or three times a
week for about a year--that she found herself sitting with him on a log
of the woodheap, in the cool of the evening, enjoying the sunset breeze.
Andy's arm had got round her--just as it might have gone round a post he
happened to be leaning against. They hadn't been talking about anything
in particular. Andy said he wouldn't be surprised if they had a
thunderstorm before mornin'--it had been so smotherin' hot all day.
Lizzie said, "Very likely."
Andy smoked a good while, then he said: "Ah, well! It's a weary world."
Lizzie didn't say anything.
By-and-bye Andy said: "Ah, well; it's a lonely world, Lizzie."
"Do you feel lonely, Andy?" asked Lizzie, after a while.
"Yes, Lizzie; I do."
Lizzie let herself settle, a little, against him, without either seeming
to notice it, and after another while she said, softly: "So do I, Andy."
Andy knocked the ashes from his pipe very slowly and deliberately, and
put it away; then he seemed to brighten suddenly, and said briskly:
"Well, Lizzie! Are you satisfied!"
"Yes, Andy; I'm satisfied."
"Quite sure, now?"
"Yes; I'm quite sure, Andy. I'm perfectly satisfied."
"Well, then, Lizzie--it's settled!"
. . . . .
But to-day--a couple of months after the proposal described above--Andy
had trouble on his mind, and the trouble was connected with Lizzie
Porter. He was putting up a two-rail fence along the old log-paddock on
the frontage, and working like a man in trouble, trying to work it off
his mind; and evidently not succeeding--for the last two panels were out
of line. He was ramming a post--Andy rammed honestly, from the bottom of
the hole, not the last few shovelfuls below the surface, as some do. He
was ramming the last layer of clay when a cloud of white dust came along
the road, paused, and drifted or poured off into the scrub, leaving long
Dave Bentley, the horse-breaker, on his last victim.
"'Ello, Andy! Graftin'?"
"I want to speak to you, Dave," said Andy, in a strange voice.
"All--all right!" said Dave, rather puzzled. He got down, wondering what
was up, and hung his horse to the last post but one.
Dave was Andy's opposite in one respect: he jumped to conclusions, as
women do; but, unlike women, he was mostly wrong. He was an old chum and
mate of Andy's who had always liked, admired, and trusted him. But
now, to his helpless surprise, Andy went on scraping the earth from the
surface with his long-handled shovel, and heaping it conscientiously
round the butt of the post, his face like a block of wood, and his lips
set grimly. Dave broke out first (with bush oaths):
"What's the matter with you? Spit it out! What have I been doin' to you?
What's yer got yer rag out about, anyway?"
Andy faced him suddenly, with hatred for "funny business" flashing in
his eyes.
"What did you say to my sister Mary about Lizzie Porter?"
Dave started; then he whistled long and low. "Spit it all out, Andy!" he
advised.
"You said she was travellin' with a feller!"
"Well, what's the harm in that? Everybody knows that--"
"If any crawler says a word about Lizzie Porter--look here, me and you's
got to fight, Dave Bentley!" Then, with still greater vehemence, as
though he had a share in the garment: "Take off that coat!"
"Not if I know it!" said Dave, with the sudden quietness that comes to
brave but headstrong and impulsive men at a critical moment: "Me and you
ain't goin' to fight, Andy; and" (with sudden energy) "if you try it on
I'll knock you into jim-rags!"
Then, stepping close to Andy and taking him by the arm: "Andy, this
thing will have to be fixed up. Come here; I want to talk to you." And
he led him some paces aside, inside the boundary line, which seemed a
ludicrously unnecessary precaution, seeing that there was no one within
sight or hearing save Dave's horse.
"Now, look here, Andy; let's have it over. What's the matter with you
and Lizzie Porter?"
"I'M travellin' with her, that's all; and we're going to get married in
two years!"
Dave gave vent to another long, low whistle. He seemed to think and make
up his mind.
"Now, look here, Andy: we're old mates, ain't we?"
"Yes; I know that."
"And do you think I'd tell you a blanky lie, or crawl behind your back?
Do you? Spit it out!"
"N--no, I don't!"
"I've always stuck up for you, Andy, and--why, I've fought for you
behind your back!"
"I know that, Dave."
"There's my hand on it!"
Andy took his friend's hand mechanically, but gripped it hard.
"Now, Andy, I'll tell you straight: It's Gorstruth about Lizzie Porter!"
They stood as they were for a full minute, hands clasped; Andy with his
jaw dropped and staring in a dazed sort of way at Dave. He raised his
disengaged hand helplessly to his thatch, gulped suspiciously, and asked
in a broken voice:
"How--how do you know it, Dave?"
"Know it? Andy, I SEEN 'EM MESELF!"
"You did, Dave?" in a tone that suggested sorrow more than anger at
Dave's part in the seeing of them.
"Gorstruth, Andy!"
. . . . .
"Tell me, Dave, who was the feller? That's all I want to know."
"I can't tell you that. I only seen them when I was canterin' past in
the dusk."
"Then how'd you know it was a man at all?"
"It wore trousers, anyway, and was as big as you; so it couldn't have
been a girl. I'm pretty safe to swear it was Mick Kelly. I saw his horse
hangin' up at Porter's once or twice. But I'll tell you what I'll do:
I'll find out for you, Andy. And, what's more, I'll job him for you if I
catch him!"
Andy said nothing; his hands clenched and his chest heaved. Dave laid a
friendly hand on his shoulder.
"It's red hot, Andy, I know. Anybody else but you and I wouldn't have
cared. But don't be a fool; there's any Gorsquantity of girls knockin'
round. You just give it to her straight and chuck her, and have done
with it. You must be bad off to bother about her. Gorstruth! she ain't
much to look at anyway! I've got to ride like blazes to catch the coach.
Don't knock off till I come back; I won't be above an hour. I'm goin' to
give you some points in case you've got to fight Mick; and I'll have to
be there to back you!" And, thus taking the right moment instinctively,
he jumped on his horse and galloped on towards the town.
His dust-cloud had scarcely disappeared round a corner of the paddocks
when Andy was aware of another one coming towards him. He had a
dazed idea that it was Dave coming back, but went on digging another
post-hole, mechanically, until a spring-cart rattled up, and stopped
opposite him. Then he lifted his head. It was Lizzie herself, driving
home from town. She turned towards him with her usual faint smile. Her
small features were "washed out" and rather haggard.
"'Ello, Andy!"
But, at the sight of her, all his hatred of "funny
business"--intensified, perhaps, by a sense of personal injury--came to
a head, and he exploded:
"Look here, Lizzie Porter! I know all about you. You needn't think
you're goin' to cotton on with me any more after this! I wouldn't be
seen in a paddock with yer! I'm satisfied about you! Get on out of
this!"
The girl stared at him for a moment thunderstruck; then she lammed into
the old horse with a stick she carried in place of a whip.
She cried, and wondered what she'd done, and trembled so that she could
scarcely unharness the horse, and wondered if Andy had got a touch of
the sun, and went in and sat down and cried again; and pride came to her
aid and she hated Andy; thought of her big brother, away droving, and
made a cup of tea. She shed tears over the tea, and went through it all
again.
Meanwhile Andy was suffering a reaction. He started to fill the hole
before he put the post in; then to ram the post before the rails were
in position. Dubbing off the ends of the rails, he was in danger of
amputating a toe or a foot with every stroke of the adze. And, at last,
trying to squint along the little lumps of clay which he had placed in
the centre of the top of each post for several panels back--to assist
him to take a line--he found that they swam and doubled, and ran off in
watery angles, for his eyes were too moist to see straight and single.
Then he threw down the tools hopelessly, and was standing helplessly
undecided whether to go home or go down to the creek and drown himself,
when Dave turned up again.
"Seen her?" asked Dave.
"Yes," said Andy.
"Did you chuck her?"
"Look here, Dave; are you sure the feller was Mick Kelly?"
"I never said I was. How was I to know? It was dark. You don't expect
I'd 'fox' a feller I see doing a bit of a bear-up to a girl, do you? It
might have been you, for all I knowed. I suppose she's been talking you
round?"
"No, she ain't," said Andy. "But, look here, Dave; I was properly gone
on that girl, I was, and--and I want to be sure I'm right."
The business was getting altogether too psychological for Dave Bentley.
"You might as well," he rapped out, "call me a liar at once!"
"'Taint that at all, Dave. I want to get at who the feller is; that's
what I want to get at now. Where did you see them, and when?"
"I seen them Anniversary night, along the road, near Ross' farm; and
I seen 'em Sunday night afore that--in the trees near the old
culvert--near Porter's sliprails; and I seen 'em one night outside
Porter's, on a log near the woodheap. They was thick that time, and
bearin' up proper, and no mistake. So I can swear to her. Now, are you
satisfied about her?"
But Andy was wildly pitchforking his thatch under his hat with all ten
fingers and staring at Dave, who began to regard him uneasily; then
there came to Andy's eyes an awful glare, which caused Dave to step back
hastily.
"Good God, Andy! Are yer goin' ratty?"
"No!" cried Andy, wildly.
"Then what the blazes is the matter with you? You'll have rats if you
don't look out!"
"JIMMINY FROTH!--It was ME all the time!"
"What?"
"It was me that was with her all them nights. It was me that you seen.
WHY, I POPPED ON THE WOODHEAP!"
Dave was taken too suddenly to whistle this time.
"And you went for her just now?"
"Yes!" yelled Andy.
"Well--you've done it!"
"Yes," said Andy, hopelessly; "I've done it!"
Dave whistled now--a very long, low whistle. "Well, you're a bloomin'
goat, Andy, after this. But this thing'll have to be fixed up!" and he
cantered away. Poor Andy was too badly knocked to notice the abruptness
of Dave's departure, or to see that he turned through the sliprails on
to the track that led to Porter's.
. . . . .
Half an hour later Andy appeared at Porter's back door, with an
expression on his face as though the funeral was to start in ten
minutes. In a tone befitting such an occasion, he wanted to see Lizzie.
Dave had been there with the laudable determination of fixing the
business up, and had, of course, succeeded in making it much worse than
it was before. But Andy made it all right.
The Iron-Bark Chip
Dave Regan and party--bush-fencers, tank-sinkers, rough carpenters,
&c.--were finishing the third and last culvert of their contract on
the last section of the new railway line, and had already sent in their
vouchers for the completed contract, so that there might be no excuse
for extra delay in connection with the cheque.
Now it had been expressly stipulated in the plans and specifications
that the timber for certain beams and girders was to be iron-bark and
no other, and Government inspectors were authorised to order the removal
from the ground of any timber or material they might deem inferior,
or not in accordance with the stipulations. The railway contractor's
foreman and inspector of sub-contractors was a practical man and a
bushman, but he had been a timber-getter himself; his sympathies were
bushy, and he was on winking terms with Dave Regan. Besides, extended
time was expiring, and the contractors were in a hurry to complete the
line. But the Government inspector was a reserved man who poked round
on his independent own and appeared in lonely spots at unexpected
times--with apparently no definite object in life--like a grey kangaroo
bothered by a new wire fence, but unsuspicious of the presence of
humans. He wore a grey suit, rode, or mostly led, an ashen-grey horse;
the grass was long and grey, so he was seldom spotted until he was
well within the horizon and bearing leisurely down on a party of
sub-contractors, leading his horse.
Now iron-bark was scarce and distant on those ridges, and another
timber, similar in appearance, but much inferior in grain and "standing"
quality, was plentiful and close at hand. Dave and party were "about
full of" the job and place, and wanted to get their cheque and be gone
to another "spec" they had in view. So they came to reckon they'd get
the last girder from a handy tree, and have it squared, in place, and
carefully and conscientiously tarred before the inspector happened
along, if he did. But they didn't. They got it squared, and ready to be
lifted into its place; the kindly darkness of tar was ready to cover a
fraud that took four strong men with crowbars and levers to shift; and
now (such is the regular cussedness of things) as the fraudulent piece
of timber lay its last hour on the ground, looking and smelling, to
their guilty imaginations like anything but iron-bark, they were aware
of the Government inspector drifting down upon them obliquely, with
something of the atmosphere of a casual Bill or Jim who had dropped out
of his easy-going track to see how they were getting on, and borrow a
match. They had more than half hoped that, as he had visited them pretty
frequently during the progress of the work, and knew how near it was to
completion, he wouldn't bother coming any more. But it's the way with
the Government. You might move heaven and earth in vain endeavour to
get the "Guvermunt" to flutter an eyelash over something of the most
momentous importance to yourself and mates and the district--even to
the country; but just when you are leaving authority severely alone, and
have strong reasons for not wanting to worry or interrupt it, and not
desiring it to worry about you, it will take a fancy into its head to
come along and bother.
"It's always the way!" muttered Dave to his mates. "I knew the beggar
would turn up!... And the only cronk log we've had, too!" he added, in
an injured tone. "If this had 'a' been the only blessed iron-bark in the
whole contract, it would have been all right.... Good-day, sir!" (to the
inspector). "It's hot?"
The inspector nodded. He was not of an impulsive nature. He got down
from his horse and looked at the girder in an abstracted way; and
presently there came into his eyes a dreamy, far-away, sad sort of
expression, as if there had been a very sad and painful occurrence in
his family, way back in the past, and that piece of timber in some way
reminded him of it and brought the old sorrow home to him. He blinked
three times, and asked, in a subdued tone:
"Is that iron-bark?"
Jack Bentley, the fluent liar of the party, caught his breath with a
jerk and coughed, to cover the gasp and gain time. "I--iron-bark? Of
course it is! I thought you would know iron-bark, mister." (Mister was
silent.) "What else d'yer think it is?"
The dreamy, abstracted expression was back. The inspector, by-the-way,
didn't know much about timber, but he had a great deal of instinct, and
went by it when in doubt.
"L--look here, mister!" put in Dave Regan, in a tone of innocent
puzzlement and with a blank bucolic face. "B--but don't the plans and
specifications say iron-bark? Ours does, anyway. I--I'll git the papers
from the tent and show yer, if yer like."
It was not necessary. The inspector admitted the fact slowly. He
stooped, and with an absent air picked up a chip. He looked at it
abstractedly for a moment, blinked his threefold blink; then, seeming to
recollect an appointment, he woke up suddenly and asked briskly:
"Did this chip come off that girder?"
Blank silence. The inspector blinked six times, divided in threes,
rapidly, mounted his horse, said "Day," and rode off.
Regan and party stared at each other.
"Wha--what did he do that for?" asked Andy Page, the third in the party.
"Do what for, you fool?" enquired Dave.
"Ta--take that chip for?"
"He's taking it to the office!" snarled Jack Bentley.
"What--what for? What does he want to do that for?"
"To get it blanky well analysed! You ass! Now are yer satisfied?" And
Jack sat down hard on the timber, jerked out his pipe, and said to Dave,
in a sharp, toothache tone:
"Gimmiamatch!"
"We--well! what are we to do now?" enquired Andy, who was the hardest
grafter, but altogether helpless, hopeless, and useless in a crisis like
this.
"Grain and varnish the bloomin' culvert!" snapped Bentley.
But Dave's eyes, that had been ruefully following the inspector,
suddenly dilated. The inspector had ridden a short distance along the
line, dismounted, thrown the bridle over a post, laid the chip (which
was too big to go in his pocket) on top of it, got through the fence,
and was now walking back at an angle across the line in the direction
of the fencing party, who had worked up on the other side, a little more
than opposite the culvert.
Dave took in the lay of the country at a glance and thought rapidly.
"Gimme an iron-bark chip!" he said suddenly.
Bentley, who was quick-witted when the track was shown him, as is a
kangaroo dog (Jack ran by sight, not scent), glanced in the line of
Dave's eyes, jumped up, and got a chip about the same size as that which
the inspector had taken.
Now the "lay of the country" sloped generally to the line from both
sides, and the angle between the inspector's horse, the fencing party,
and the culvert was well within a clear concave space; but a couple
of hundred yards back from the line and parallel to it (on the side on
which Dave's party worked their timber) a fringe of scrub ran to within
a few yards of a point which would be about in line with a single tree
on the cleared slope, the horse, and the fencing party.
Dave took the iron-bark chip, ran along the bed of the water-course into
the scrub, raced up the siding behind the bushes, got safely, though
without breathing, across the exposed space, and brought the tree into
line between him and the inspector, who was talking to the fencers. Then
he began to work quickly down the slope towards the tree (which was a
thin one), keeping it in line, his arms close to his sides, and working,
as it were, down the trunk of the tree, as if the fencing party were
kangaroos and Dave was trying to get a shot at them. The inspector,
by-the-bye, had a habit of glancing now and then in the direction of his
horse, as though under the impression that it was flighty and restless
and inclined to bolt on opportunity. It was an anxious moment for all
parties concerned--except the inspector. They didn't want HIM to be
perturbed. And, just as Dave reached the foot of the tree, the inspector
finished what he had to say to the fencers, turned, and started to walk
briskly back to his horse. There was a thunderstorm coming. Now was the
critical moment--there were certain prearranged signals between Dave's
party and the fencers which might have interested the inspector, but
none to meet a case like this.
Jack Bentley gasped, and started forward with an idea of intercepting
the inspector and holding him for a few minutes in bogus conversation.
Inspirations come to one at a critical moment, and it flashed on Jack's
mind to send Andy instead. Andy looked as innocent and guileless as he
was, but was uncomfortable in the vicinity of "funny business", and
must have an honest excuse. "Not that that mattered," commented Jack
afterwards; "it would have taken the inspector ten minutes to get at
what Andy was driving at, whatever it was."
"Run, Andy! Tell him there's a heavy thunderstorm coming and he'd better
stay in our humpy till it's over. Run! Don't stand staring like a blanky
fool. He'll be gone!"
Andy started. But just then, as luck would have it, one of the fencers
started after the inspector, hailing him as "Hi, mister!" He wanted to
be set right about the survey or something--or to pretend to want to be
set right--from motives of policy which I haven't time to explain here.
That fencer explained afterwards to Dave's party that he "seen what you
coves was up to," and that's why he called the inspector back. But he
told them that after they had told their yarn--which was a mistake.
"Come back, Andy!" cried Jack Bentley.
Dave Regan slipped round the tree, down on his hands and knees, and made
quick time through the grass which, luckily, grew pretty tall on the
thirty or forty yards of slope between the tree and the horse. Close to
the horse, a thought struck Dave that pulled him up, and sent a shiver
along his spine and a hungry feeling under it. The horse would
break away and bolt! But the case was desperate. Dave ventured an
interrogatory "Cope, cope, cope?" The horse turned its head wearily and
regarded him with a mild eye, as if he'd expected him to come, and come
on all fours, and wondered what had kept him so long; then he went
on thinking. Dave reached the foot of the post; the horse obligingly
leaning over on the other leg. Dave reared head and shoulders cautiously
behind the post, like a snake; his hand went up twice, swiftly--the
first time he grabbed the inspector's chip, and the second time he put
the iron-bark one in its place. He drew down and back, and scuttled off
for the tree like a gigantic tailless "goanna".
A few minutes later he walked up to the culvert from along the creek,
smoking hard to settle his nerves.
The sky seemed to darken suddenly; the first great drops of the
thunderstorm came pelting down. The inspector hurried to his horse, and
cantered off along the line in the direction of the fettlers' camp.
He had forgotten all about the chip, and left it on top of the post!
Dave Regan sat down on the beam in the rain and swore comprehensively.
"Middleton's Peter"
I.
The First Born
The struggling squatter is to be found in Australia as well as the
"struggling farmer". The Australian squatter is not always the mighty
wool king that English and American authors and other uninformed people
apparently imagine him to be. Squatting, at the best, is but a game of
chance. It depends mainly on the weather, and that, in New South Wales
at least, depends on nothing.
Joe Middleton was a struggling squatter, with a station some distance
to the westward of the furthest line reached by the ordinary "new chum".
His run, at the time of our story, was only about six miles square, and
his stock was limited in proportion. The hands on Joe's run consisted
of his brother Dave, a middle-aged man known only as "Middleton's Peter"
(who had been in the service of the Middleton family ever since Joe
Middleton could remember), and an old black shepherd, with his gin and
two boys.
It was in the first year of Joe's marriage. He had married a very
ordinary girl, as far as Australian girls go, but in his eyes she was an
angel. He really worshipped her.
One sultry afternoon in midsummer all the station hands, with the
exception of Dave Middleton, were congregated about the homestead door,
and it was evident from their solemn faces that something unusual was
the matter. They appeared to be watching for something or someone across
the flat, and the old black shepherd, who had been listening intently
with bent head, suddenly straightened himself up and cried:
"I can hear the cart. I can see it!"
You must bear in mind that our blackfellows do not always talk the
gibberish with which they are credited by story writers.
It was not until some time after Black Bill had spoken that the
white--or, rather, the brown--portion of the party could see or even
hear the approaching vehicle. At last, far out through the trunks of the
native apple-trees, the cart was seen approaching; and as it came nearer
it was evident that it was being driven at a break-neck pace, the horses
cantering all the way, while the motion of the cart, as first one
wheel and then the other sprang from a root or a rut, bore a striking
resemblance to the Highland Fling. There were two persons in the cart.
One was Mother Palmer, a stout, middle-aged party (who sometimes did the
duties of a midwife), and the other was Dave Middleton, Joe's brother.
The cart was driven right up to the door with scarcely any abatement of
speed, and was stopped so suddenly that Mrs. Palmer was sent sprawling
on to the horse's rump. She was quickly helped down, and, as soon as
she had recovered sufficient breath, she followed Black Mary into the
bedroom where young Mrs. Middleton was lying, looking very pale and
frightened. The horse which had been driven so cruelly had not done
blowing before another cart appeared, also driven very fast. It
contained old Mr. and Mrs. Middleton, who lived comfortably on a small
farm not far from Palmer's place.
As soon as he had dumped Mrs. Palmer, Dave Middleton left the cart and,
mounting a fresh horse which stood ready saddled in the yard, galloped
off through the scrub in a different direction.
Half an hour afterwards Joe Middleton came home on a horse that had been
almost ridden to death. His mother came out at the sound of his arrival,
and he anxiously asked her:
"How is she?"
"Did you find Doc. Wild?" asked the mother.
"No, confound him!" exclaimed Joe bitterly. "He promised me faithfully
to come over on Wednesday and stay until Maggie was right again. Now
he has left Dean's and gone--Lord knows where. I suppose he is drinking
again. How is Maggie?"
"It's all over now--the child is born. It's a boy; but she is very weak.
Dave got Mrs. Palmer here just in time. I had better tell you at once
that Mrs. Palmer says if we don't get a doctor here to-night poor Maggie
won't live."
"Good God! and what am I to do?" cried Joe desperately.
"Is there any other doctor within reach?"
"No; there is only the one at B----; that's forty miles away, and he is
laid up with the broken leg he got in the buggy accident. Where's Dave?"
"Gone to Black's shanty. One of Mrs. Palmer's sons thought he remembered
someone saying that Doc. Wild was there last week. That's fifteen miles
away."
"But it is our only hope," said Joe dejectedly. "I wish to God that I
had taken Maggie to some civilised place a month ago."
Doc. Wild was a well-known character among the bushmen of New South
Wales, and although the profession did not recognise him, and denounced
him as an empiric, his skill was undoubted. Bushmen had great faith in
him, and would often ride incredible distances in order to bring him
to the bedside of a sick friend. He drank fearfully, but was seldom
incapable of treating a patient; he would, however, sometimes be found
in an obstinate mood and refuse to travel to the side of a sick person,
and then the devil himself could not make the doctor budge. But for all
this he was very generous--a fact that could, no doubt, be testified to
by many a grateful sojourner in the lonely bush.
II.
The Only Hope
Night came on, and still there was no change in the condition of
the young wife, and no sign of the doctor. Several stockmen from
the neighbouring stations, hearing that there was trouble at Joe
Middleton's, had ridden over, and had galloped off on long, hopeless
rides in search of a doctor. Being generally free from sickness
themselves, these bushmen look upon it as a serious business even in its
mildest form; what is more, their sympathy is always practical where
it is possible for it to be so. One day, while out on the run after
an "outlaw", Joe Middleton was badly thrown from his horse, and the
break-neck riding that was done on that occasion from the time the horse
came home with empty saddle until the rider was safe in bed and attended
by a doctor was something extraordinary, even for the bush.
Before the time arrived when Dave Middleton might reasonably have been
expected to return, the station people were anxiously watching for him,
all except the old blackfellow and the two boys, who had gone to yard
the sheep.
The party had been increased by Jimmy Nowlett, the bullocky, who had
just arrived with a load of fencing wire and provisions for Middleton.
Jimmy was standing in the moonlight, whip in hand, looking as anxious as
the husband himself, and endeavouring to calculate by mental arithmetic
the exact time it ought to take Dave to complete his double journey,
taking into consideration the distance, the obstacles in the way, and
the chances of horse-flesh.
But the time which Jimmy fixed for the arrival came without Dave.
Old Peter (as he was generally called, though he was not really old)
stood aside in his usual sullen manner, his hat drawn down over his
brow and eyes, and nothing visible but a thick and very horizontal
black beard, from the depth of which emerged large clouds of very strong
tobacco smoke, the product of a short, black, clay pipe.
They had almost given up all hope of seeing Dave return that night, when
Peter slowly and deliberately removed his pipe and grunted:
"He's a-comin'."
He then replaced the pipe, and smoked on as before.
All listened, but not one of them could hear a sound.
"Yer ears must be pretty sharp for yer age, Peter. We can't hear him,"
remarked Jimmy Nowlett.
"His dog ken," said Peter.
The pipe was again removed and its abbreviated stem pointed in the
direction of Dave's cattle dog, who had risen beside his kennel with
pointed ears, and was looking eagerly in the direction from which his
master was expected to come.
Presently the sound of horse's hoofs was distinctly heard.
"I can hear two horses," cried Jimmy Nowlett excitedly.
"There's only one," said old Peter quietly.
A few moments passed, and a single horseman appeared on the far side of
the flat.
"It's Doc. Wild on Dave's horse," cried Jimmy Nowlett. "Dave don't ride
like that."
"It's Dave," said Peter, replacing his pipe and looking more unsociable
than ever.
Dave rode up and, throwing himself wearily from the saddle, stood
ominously silent by the side of his horse.
Joe Middleton said nothing, but stood aside with an expression of utter
hopelessness on his face.
"Not there?" asked Jimmy Nowlett at last, addressing Dave.
"Yes, he's there," answered Dave, impatiently.
This was not the answer they expected, but nobody seemed surprised.
"Drunk?" asked Jimmy.
"Yes."
Here old Peter removed his pipe, and pronounced the one word--"How?"
"What the hell do you mean by that?" muttered Dave, whose patience had
evidently been severely tried by the clever but intemperate bush doctor.
"How drunk?" explained Peter, with great equanimity.
"Stubborn drunk, blind drunk, beastly drunk, dead drunk, and damned well
drunk, if that's what you want to know!"
"What did Doc. say?" asked Jimmy.
"Said he was sick--had lumbago--wouldn't come for the Queen of England;
said he wanted a course of treatment himself. Curse him! I have no
patience to talk about him."
"I'd give him a course of treatment," muttered Jimmy viciously, trailing
the long lash of his bullock-whip through the grass and spitting
spitefully at the ground.
Dave turned away and joined Joe, who was talking earnestly to his mother
by the kitchen door. He told them that he had spent an hour trying to
persuade Doc. Wild to come, and, that before he had left the shanty,
Black had promised him faithfully to bring the doctor over as soon as
his obstinate mood wore off.
Just then a low moan was heard from the sick room, followed by the sound
of Mother Palmer's voice calling old Mrs. Middleton, who went inside
immediately.
No one had noticed the disappearance of Peter, and when he presently
returned from the stockyard, leading the only fresh horse that remained,
Jimmy Nowlett began to regard him with some interest. Peter transferred
the saddle from Dave's horse to the other, and then went into a small
room off the kitchen, which served him as a bedroom; from it he soon
returned with a formidable-looking revolver, the chambers of which he
examined in the moonlight in full view of all the company. They thought
for a moment the man had gone mad. Old Middleton leaped quickly behind
Nowlett, and Black Mary, who had come out to the cask at the corner for
a dipper of water, dropped the dipper and was inside like a shot. One of
the black boys came softly up at that moment; as soon as his sharp eye
"spotted" the weapon, he disappeared as though the earth had swallowed
him.
"What the mischief are yer goin' ter do, Peter?" asked Jimmy.
"Goin' to fetch him," said Peter, and, after carefully emptying his pipe
and replacing it in a leather pouch at his belt, he mounted and rode off
at an easy canter.
Jimmy watched the horse until it disappeared at the edge of the flat,
and then after coiling up the long lash of his bullock-whip in the dust
until it looked like a sleeping snake, he prodded the small end of the
long pine handle into the middle of the coil, as though driving home a
point, and said in a tone of intense conviction:
"He'll fetch him."
III.
Doc. Wild
Peter gradually increased his horse's speed along the rough bush track
until he was riding at a good pace. It was ten miles to the main road,
and five from there to the shanty kept by Black.
For some time before Peter started the atmosphere had been very close
and oppressive. The great black edge of a storm-cloud had risen in the
east, and everything indicated the approach of a thunderstorm. It was
not long coming. Before Peter had completed six miles of his journey,
the clouds rolled over, obscuring the moon, and an Australian
thunderstorm came on with its mighty downpour, its blinding lightning,
and its earth-shaking thunder. Peter rode steadily on, only pausing now
and then until a flash revealed the track in front of him.
Black's shanty--or, rather, as the sign had it, "Post Office and General
Store"--was, as we have said, five miles along the main road from the
point where Middleton's track joined it. The building was of the usual
style of bush architecture. About two hundred yards nearer the creek,
which crossed the road further on, stood a large bark and slab stable,
large enough to have met the requirements of a legitimate bush "public".
The reader may doubt that a "sly grog shop" could openly carry on
business on a main Government road along which mounted troopers were
continually passing. But then, you see, mounted troopers get thirsty
like other men; moreover, they could always get their thirst quenched
'gratis' at these places; so the reader will be prepared to hear that
on this very night two troopers' horses were stowed snugly away in the
stable, and two troopers were stowed snugly away in the back room of the
shanty, sleeping off the effects of their cheap but strong potations.
There were two rooms, of a sort, attached to the stables--one at each
end. One was occupied by a man who was "generally useful", and the other
was the surgery, office, and bedroom 'pro tem.' of Doc. Wild.
Doc. Wild was a tall man, of spare proportions. He had a cadaverous
face, black hair, bushy black eyebrows, eagle nose, and eagle eyes. He
never slept while he was drinking. On this occasion he sat in front of
the fire on a low three-legged stool. His knees were drawn up, his toes
hooked round the front legs of the stool, one hand resting on one knee,
and one elbow (the hand supporting the chin) resting on the other. He
was staring intently into the fire, on which an old black saucepan
was boiling and sending forth a pungent odour of herbs. There seemed
something uncanny about the doctor as the red light of the fire fell on
his hawk-like face and gleaming eyes. He might have been Mephistopheles
watching some infernal brew.
He had sat there some time without stirring a finger, when the door
suddenly burst open and Middleton's Peter stood within, dripping wet.
The doctor turned his black, piercing eyes upon the intruder (who
regarded him silently) for a moment, and then asked quietly:
"What the hell do you want?"
"I want you," said Peter.
"And what do you want me for?"
"I want you to come to Joe Middleton's wife. She's bad," said Peter
calmly.
"I won't come," shouted the doctor. "I've brought enough horse-stealers
into the world already. If any more want to come they can go to blazes
for me. Now, you get out of this!"
"Don't get yer rag out," said Peter quietly. "The hoss-stealer's come,
an' nearly killed his mother ter begin with; an' if yer don't get yer
physic-box an' come wi' me, by the great God I'll----"
Here the revolver was produced and pointed at Doc. Wild's head. The
sight of the weapon had a sobering effect upon the doctor. He rose,
looked at Peter critically for a moment, knocked the weapon out of his
hand, and said slowly and deliberately:
"Wall, ef the case es as serious as that, I (hic) reckon I'd better
come."
Peter was still of the same opinion, so Doc. Wild proceeded to get his
medicine chest ready. He explained afterwards, in one of his softer
moments, that the shooter didn't frighten him so much as it touched his
memory--"sorter put him in mind of the old days in California, and made
him think of the man he might have been," he'd say,--"kinder touched
his heart and slid the durned old panorama in front of him like a flash;
made him think of the time when he slipped three leaden pills into 'Blue
Shirt' for winking at a new chum behind his (the Doc.'s) back when he
was telling a truthful yarn, and charged the said 'Blue Shirt' a hundred
dollars for extracting the said pills."
Joe Middleton's wife is a grandmother now.
Peter passed after the manner of his sort; he was found dead in his
bunk.
Poor Doc. Wild died in a shepherd's hut at the Dry Creeks. The shepherds
(white men) found him, "naked as he was born and with the hide half
burned off him with the sun," rounding up imaginary snakes on a dusty
clearing, one blazing hot day. The hut-keeper had some "quare" (queer)
experiences with the doctor during the next three days and used, in
after years, to tell of them, between the puffs of his pipe, calmly
and solemnly and as if the story was rather to the doctor's credit than
otherwise. The shepherds sent for the police and a doctor, and sent word
to Joe Middleton. Doc. Wild was sensible towards the end. His interview
with the other doctor was characteristic. "And, now you see how far I
am," he said in conclusion--"have you brought the brandy?" The other
doctor had. Joe Middleton came with his waggonette, and in it the
softest mattress and pillows the station afforded. He also, in his
innocence, brought a dozen of soda-water. Doc. Wild took Joe's hand
feebly, and, a little later, he "passed out" (as he would have said)
murmuring "something that sounded like poetry", in an unknown tongue.
Joe took the body to the home station. "Who's the boss bringin'?" asked
the shearers, seeing the waggonette coming very slowly and the boss
walking by the horses' heads. "Doc. Wild," said a station hand. "Take
yer hats off."
They buried him with bush honours, and chiselled his name on a slab of
bluegum--a wood that lasts.
The Mystery of Dave Regan
"And then there was Dave Regan," said the traveller. "Dave used to die
oftener than any other bushman I knew. He was always being reported
dead and turnin' up again. He seemed to like it--except once, when his
brother drew his money and drank it all to drown his grief at what he
called Dave's 'untimely end'. Well, Dave went up to Queensland once with
cattle, and was away three years and reported dead, as usual. He was
drowned in the Bogan this time while tryin' to swim his horse acrost
a flood--and his sweetheart hurried up and got spliced to a worse man
before Dave got back.
"Well, one day I was out in the bush lookin' for timber, when the
biggest storm ever knowed in that place come on. There was hail in it,
too, as big as bullets, and if I hadn't got behind a stump and crouched
down in time I'd have been riddled like a--like a bushranger. As it was,
I got soakin' wet. The storm was over in a few minutes, the water run
off down the gullies, and the sun come out and the scrub steamed--and
stunk like a new pair of moleskin trousers. I went on along the track,
and presently I seen a long, lanky chap get on to a long, lanky horse
and ride out of a bush yard at the edge of a clearin'. I knowed it was
Dave d'reckly I set eyes on him.
"Dave used to ride a tall, holler-backed thoroughbred with a body and
limbs like a kangaroo dog, and it would circle around you and sidle away
as if it was frightened you was goin' to jab a knife into it.
"''Ello! Dave!' said I, as he came spurrin' up. 'How are yer!'
"''Ello, Jim!' says he. 'How are you?'
"'All right!' says I. 'How are yer gettin' on?'
"But, before we could say any more, that horse shied away and broke off
through the scrub to the right. I waited, because I knowed Dave would
come back again if I waited long enough; and in about ten minutes he
came sidlin' in from the scrub to the left.
"'Oh, I'm all right,' says he, spurrin' up sideways; 'How are you?'
"'Right!' says I. 'How's the old people?'
"'Oh, I ain't been home yet,' says he, holdin' out his hand; but, afore
I could grip it, the cussed horse sidled off to the south end of the
clearin' and broke away again through the scrub.
"I heard Dave swearin' about the country for twenty minutes or so, and
then he came spurrin' and cursin' in from the other end of the clearin'.
"'Where have you been all this time?' I said, as the horse came curvin'
up like a boomerang.
"'Gulf country,' said Dave.
"'That was a storm, Dave,' said I.
"'My oath!' says Dave.
"'Get caught in it?'
"'Yes.'
"'Got to shelter?'
"'No.'
"'But you're as dry's a bone, Dave!'
"Dave grinned. '------and------and------the--------!' he yelled.
"He said that to the horse as it boomeranged off again and broke away
through the scrub. I waited; but he didn't come back, and I reckoned
he'd got so far away before he could pull up that he didn't think it
worth while comin' back; so I went on. By-and-bye I got thinkin'. Dave
was as dry as a bone, and I knowed that he hadn't had time to get to
shelter, for there wasn't a shed within twelve miles. He wasn't only
dry, but his coat was creased and dusty too--same as if he'd been
sleepin' in a holler log; and when I come to think of it, his face
seemed thinner and whiter than it used ter, and so did his hands and
wrists, which always stuck a long way out of his coat-sleeves; and there
was blood on his face--but I thought he'd got scratched with a twig.
(Dave used to wear a coat three or four sizes too small for him, with
sleeves that didn't come much below his elbows and a tail that scarcely
reached his waist behind.) And his hair seemed dark and lank, instead
of bein' sandy and stickin' out like an old fibre brush, as it used
ter. And then I thought his voice sounded different, too. And, when
I enquired next day, there was no one heard of Dave, and the chaps
reckoned I must have been drunk, or seen his ghost.
"It didn't seem all right at all--it worried me a lot. I couldn't make
out how Dave kept dry; and the horse and saddle and saddle-cloth was
wet. I told the chaps how he talked to me and what he said, and how he
swore at the horse; but they only said it was Dave's ghost and nobody
else's. I told 'em about him bein' dry as a bone after gettin' caught in
that storm; but they only laughed and said it was a dry place where Dave
went to. I talked and argued about it until the chaps began to tap their
foreheads and wink--then I left off talking. But I didn't leave off
thinkin'--I always hated a mystery. Even Dave's father told me that Dave
couldn't be alive or else his ghost wouldn't be round--he said he knew
Dave better than that. One or two fellers did turn up afterwards that
had seen Dave about the time that I did--and then the chaps said they
was sure that Dave was dead.
"But one fine day, as a lot of us chaps was playin' pitch and toss at
the shanty, one of the fellers yelled out:
"'By Gee! Here comes Dave Regan!'
"And I looked up and saw Dave himself, sidlin' out of a cloud of dust on
a long lanky horse. He rode into the stockyard, got down, hung his horse
up to a post, put up the rails, and then come slopin' towards us with
a half-acre grin on his face. Dave had long, thin bow-legs, and when he
was on the ground he moved as if he was on roller skates.
"''El-lo, Dave!' says I. 'How are yer?'
"''Ello, Jim!' said he. 'How the blazes are you?'
"'All right!' says I, shakin' hands. 'How are yer?'
"'Oh! I'm all right!' he says. 'How are yer poppin' up!'
"Well, when we'd got all that settled, and the other chaps had asked how
he was, he said: 'Ah, well! Let's have a drink.'
"And all the other chaps crawfished up and flung themselves round the
corner and sidled into the bar after Dave. We had a lot of talk, and he
told us that he'd been down before, but had gone away without seein' any
of us, except me, because he'd suddenly heard of a mob of cattle at a
station two hundred miles away; and after a while I took him aside and
said:
"'Look here, Dave! Do you remember the day I met you after the storm?'
"He scratched his head.
"'Why, yes,' he says.
"'Did you get under shelter that day?'
"'Why--no.'
"'Then how the blazes didn't yer get wet?'
"Dave grinned; then he says:
"'Why, when I seen the storm coming I took off me clothes and stuck 'em
in a holler log till the rain was over.'
"'Yes,' he says, after the other coves had done laughin', but before
I'd done thinking; 'I kept my clothes dry and got a good refreshin'
shower-bath into the bargain.'
"Then he scratched the back of his neck with his little finger, and
dropped his jaw, and thought a bit; then he rubbed the top of his head
and his shoulder, reflective-like, and then he said:
"'But I didn't reckon for them there blanky hailstones.'"
Mitchell on Matrimony
"I suppose your wife will be glad to see you," said Mitchell to his
mate in their camp by the dam at Hungerford. They were overhauling their
swags, and throwing away the blankets, and calico, and old clothes, and
rubbish they didn't want--everything, in fact, except their pocket-books
and letters and portraits, things which men carry about with them
always, that are found on them when they die, and sent to their
relations if possible. Otherwise they are taken in charge by the
constable who officiates at the inquest, and forwarded to the Minister
of Justice along with the depositions.
It was the end of the shearing season. Mitchell and his mate had been
lucky enough to get two good sheds in succession, and were going to take
the coach from Hungerford to Bourke on their way to Sydney. The morning
stars were bright yet, and they sat down to a final billy of tea, two
dusty Johnny-cakes, and a scrag of salt mutton.
"Yes," said Mitchell's mate, "and I'll be glad to see her too."
"I suppose you will," said Mitchell. He placed his pint-pot between his
feet, rested his arm against his knee, and stirred the tea meditatively
with the handle of his pocket-knife. It was vaguely understood that
Mitchell had been married at one period of his chequered career.
"I don't think we ever understood women properly," he said, as he took
a cautious sip to see if his tea was cool and sweet enough, for his lips
were sore; "I don't think we ever will--we never took the trouble to
try, and if we did it would be only wasted brain power that might just
as well be spent on the blackfellow's lingo; because by the time you've
learnt it they'll be extinct, and woman 'll be extinct before you've
learnt her.... The morning star looks bright, doesn't it?"
"Ah, well," said Mitchell after a while, "there's many little things
we might try to understand women in. I read in a piece of newspaper the
other day about how a man changes after he's married; how he gets short,
and impatient, and bored (which is only natural), and sticks up a wall
of newspaper between himself and his wife when he's at home; and how it
comes like a cold shock to her, and all her air-castles vanish, and
in the end she often thinks about taking the baby and the clothes she
stands in, and going home for sympathy and comfort to mother.
"Perhaps she never got a word of sympathy from her mother in her life,
nor a day's comfort at home before she was married; but that doesn't
make the slightest difference. It doesn't make any difference in your
case either, if you haven't been acting like a dutiful son-in-law.
"Somebody wrote that a woman's love is her whole existence, while a
man's love is only part of his--which is true, and only natural and
reasonable, all things considered. But women never consider as a rule. A
man can't go on talking lovey-dovey talk for ever, and listening to his
young wife's prattle when he's got to think about making a living, and
nursing her and answering her childish questions and telling her he
loves his little ownest every minute in the day, while the bills are
running up, and rent mornings begin to fly round and hustle and crowd
him.
"He's got her and he's satisfied; and if the truth is known he loves
her really more than he did when they were engaged, only she won't be
satisfied about it unless he tells her so every hour in the day. At
least that's how it is for the first few months.
"But a woman doesn't understand these things--she never will, she
can't--and it would be just as well for us to try and understand that
she doesn't and can't understand them."
Mitchell knocked the tea-leaves out of his pannikin against his boot,
and reached for the billy.
"There's many little things we might do that seem mere trifles and
nonsense to us, but mean a lot to her; that wouldn't be any trouble
or sacrifice to us, but might help to make her life happy. It's just
because we never think about these little things--don't think them worth
thinking about, in fact--they never enter our intellectual foreheads.
"For instance, when you're going out in the morning you might put your
arms round her and give her a hug and a kiss, without her having to
remind you. You may forget about it and never think any more of it--but
she will.
"It wouldn't be any trouble to you, and would only take a couple of
seconds, and would give her something to be happy about when you're
gone, and make her sing to herself for hours while she bustles about her
work and thinks up what she'll get you for dinner."
Mitchell's mate sighed, and shifted the sugar-bag over towards Mitchell.
He seemed touched and bothered over something.
"Then again," said Mitchell, "it mightn't be convenient for you to go
home to dinner--something might turn up during the morning--you might
have some important business to do, or meet some chaps and get invited
to lunch and not be very well able to refuse, when it's too late, or you
haven't a chance to send a message to your wife. But then again, chaps
and business seem very big things to you, and only little things to the
wife; just as lovey-dovey talk is important to her and nonsense to you.
And when you come to analyse it, one is not so big, nor the other so
small, after all; especially when you come to think that chaps can
always wait, and business is only an inspiration in your mind, nine
cases out of ten.
"Think of the trouble she takes to get you a good dinner, and how she
keeps it hot between two plates in the oven, and waits hour after hour
till the dinner gets dried up, and all her morning's work is wasted.
Think how it hurts her, and how anxious she'll be (especially if you're
inclined to booze) for fear that something has happened to you. You
can't get it out of the heads of some young wives that you're liable to
get run over, or knocked down, or assaulted, or robbed, or get into one
of the fixes that a woman is likely to get into. But about the dinner
waiting. Try and put yourself in her place. Wouldn't you get mad under
the same circumstances? I know I would.
"I remember once, only just after I was married, I was invited
unexpectedly to a kidney pudding and beans--which was my favourite grub
at the time--and I didn't resist, especially as it was washing day and
I told the wife not to bother about anything for dinner. I got home an
hour or so late, and had a good explanation thought out, when the wife
met me with a smile as if we had just been left a thousand pounds. She'd
got her washing finished without assistance, though I'd told her to get
somebody to help her, and she had a kidney pudding and beans, with a lot
of extras thrown in, as a pleasant surprise for me.
"Well, I kissed her, and sat down, and stuffed till I thought every
mouthful would choke me. I got through with it somehow, but I've never
cared for kidney pudding or beans since."
Mitchell felt for his pipe with a fatherly smile in his eyes.
"And then again," he continued, as he cut up his tobacco, "your wife
might put on a new dress and fix herself up and look well, and you might
think so and be satisfied with her appearance and be proud to take her
out; but you want to tell her so, and tell her so as often as you think
about it--and try to think a little oftener than men usually do, too."
. . . . .
"You should have made a good husband, Jack," said his mate, in a
softened tone.
"Ah, well, perhaps I should," said Mitchell, rubbing up his tobacco;
then he asked abstractedly: "What sort of a husband did you make, Joe?"
"I might have made a better one than I did," said Joe seriously, and
rather bitterly, "but I know one thing, I'm going to try and make up for
it when I go back this time."
"We all say that," said Mitchell reflectively, filling his pipe. "She
loves you, Joe."
"I know she does," said Joe.
Mitchell lit up.
"And so would any man who knew her or had seen her letters to you," he
said between the puffs. "She's happy and contented enough, I believe?"
"Yes," said Joe, "at least while I was there. She's never easy when I'm
away. I might have made her a good deal more happy and contented without
hurting myself much."
Mitchell smoked long, soft, measured puffs.
His mate shifted uneasily and glanced at him a couple of times, and
seemed to become impatient, and to make up his mind about something;
or perhaps he got an idea that Mitchell had been "having" him, and
felt angry over being betrayed into maudlin confidences; for he asked
abruptly:
"How is your wife now, Mitchell?"
"I don't know," said Mitchell calmly.
"Don't know?" echoed the mate. "Didn't you treat her well?"
Mitchell removed his pipe and drew a long breath.
"Ah, well, I tried to," he said wearily.
"Well, did you put your theory into practice?"
"I did," said Mitchell very deliberately.
Joe waited, but nothing came.
"Well?" he asked impatiently, "How did it act? Did it work well?"
"I don't know," said Mitchell (puff); "she left me."
"What!"
Mitchell jerked the half-smoked pipe from his mouth, and rapped the
burning tobacco out against the toe of his boot.
"She left me," he said, standing up and stretching himself. Then, with a
vicious jerk of his arm, "She left me for--another kind of a fellow!"
He looked east towards the public-house, where they were taking the
coach-horses from the stable.
"Why don't you finish your tea, Joe? The billy's getting cold."
Mitchell on Women
"All the same," said Mitchell's mate, continuing an argument by the
camp-fire; "all the same, I think that a woman can stand cold water
better than a man. Why, when I was staying in a boarding-house in
Dunedin, one very cold winter, there was a lady lodger who went down to
the shower-bath first thing every morning; never missed one; sometimes
went in freezing weather when I wouldn't go into a cold bath for a
fiver; and sometimes she'd stay under the shower for ten minutes at a
time."
"How'd you know?"
"Why, my room was near the bath-room, and I could hear the shower and
tap going, and her floundering about."
"Hear your grandmother!" exclaimed Mitchell, contemptuously. "You don't
know women yet. Was this woman married? Did she have a husband there?"
"No; she was a young widow."
"Ah! well, it would have been the same if she was a young girl--or an
old one. Were there some passable men-boarders there?"
"_I_ was there."
"Oh, yes! But I mean, were there any there beside you?"
"Oh, yes, there were three or four; there was--a clerk and a----"
"Never mind, as long as there was something with trousers on. Did it
ever strike you that she never got into the bath at all?"
"Why, no! What would she want to go there at all for, in that case?"
"To make an impression on the men," replied Mitchell promptly. "She
wanted to make out she was nice, and wholesome, and well-washed,
and particular. Made an impression on YOU, it seems, or you wouldn't
remember it."
"Well, yes, I suppose so; and, now I come to think of it, the bath
didn't seem to injure her make-up or wet her hair; but I supposed she
held her head from under the shower somehow."
"Did she make-up so early in the morning?" asked Mitchell.
"Yes--I'm sure."
"That's unusual; but it might have been so where there was a lot of
boarders. And about the hair--that didn't count for anything, because
washing-the-head ain't supposed to be always included in a lady's bath;
it's only supposed to be washed once a fortnight, and some don't do it
once a month. The hair takes so long to dry; it don't matter so much if
the woman's got short, scraggy hair; but if a girl's hair was down to
her waist it would take hours to dry."
"Well, how do they manage it without wetting their heads?"
"Oh, that's easy enough. They have a little oilskin cap that fits tight
over the forehead, and they put it on, and bunch their hair up in it
when they go under the shower. Did you ever see a woman sit in a sunny
place with her hair down after having a wash?"
"Yes, I used to see one do that regular where I was staying; but I
thought she only did it to show off."
"Not at all--she was drying her hair; though perhaps she was showing
off at the same time, for she wouldn't sit where you--or even a
Chinaman--could see her, if she didn't think she had a good head of
hair. Now, I'LL tell you a yarn about a woman's bath. I was stopping
at a shabby-genteel boarding-house in Melbourne once, and one very cold
winter, too; and there was a rather good-looking woman there, looking
for a husband. She used to go down to the bath every morning, no matter
how cold it was, and flounder and splash about as if she enjoyed it,
till you'd feel as though you'd like to go and catch hold of her and
wrap her in a rug and carry her in to the fire and nurse her till she
was warm again."
Mitchell's mate moved uneasily, and crossed the other leg; he seemed
greatly interested.
"But she never went into the water at all!" continued Mitchell. "As soon
as one or two of the men was up in the morning she'd come down from her
room in a dressing-gown. It was a toney dressing-gown, too, and set her
off properly. She knew how to dress, anyway; most of that sort of women
do. The gown was a kind of green colour, with pink and white flowers
all over it, and red lining, and a lot of coffee-coloured lace round the
neck and down the front. Well, she'd come tripping downstairs and along
the passage, holding up one side of the gown to show her little
bare white foot in a slipper; and in the other hand she carried her
tooth-brush and bath-brush, and soap--like this--so's we all could see
'em; trying to make out she was too particular to use soap after anyone
else. She could afford to buy her own soap, anyhow; it was hardly ever
wet.
"Well, she'd go into the bathroom and turn on the tap and shower; when
she got about three inches of water in the bath, she'd step in, holding
up her gown out of the water, and go slithering and kicking up and down
the bath, like this, making a tremendous splashing. Of course she'd turn
off the shower first, and screw it off very tight--wouldn't do to let
that leak, you know; she might get wet; but she'd leave the other tap
on, so as to make all the more noise."
"But how did you come to know all about this?"
"Oh, the servant girl told me. One morning she twigged her through a
corner of the bathroom window that the curtain didn't cover."
"You seem to have been pretty thick with servant girls."
"So do you with landladies! But never mind--let me finish the yarn. When
she thought she'd splashed enough, she'd get out, wipe her feet, wash
her face and hands, and carefully unbutton the two top buttons of her
gown; then throw a towel over her head and shoulders, and listen at the
door till she thought she heard some of the men moving about. Then
she'd start for her room, and, if she met one of the men-boarders in the
passage or on the stairs, she'd drop her eyes, and pretend to see for
the first time that the top of her dressing-gown wasn't buttoned--and
she'd give a little start and grab the gown and scurry off to her room
buttoning it up.
"And sometimes she'd come skipping into the breakfast-room late, looking
awfully sweet in her dressing-gown; and if she saw any of us there,
she'd pretend to be much startled, and say that she thought all the men
had gone out, and make as though she was going to clear; and someone 'd
jump up and give her a chair, while someone else said, 'Come in, Miss
Brown! come in! Don't let us frighten you. Come right in, and have
your breakfast before it gets cold.' So she'd flutter a bit in pretty
confusion, and then make a sweet little girly-girly dive for her chair,
and tuck her feet away under the table; and she'd blush, too, but I
don't know how she managed that.
"I know another trick that women have; it's mostly played by private
barmaids. That is, to leave a stocking by accident in the bathroom for
the gentlemen to find. If the barmaid's got a nice foot and ankle, she
uses one of her own stockings; but if she hasn't she gets hold of
a stocking that belongs to a girl that has. Anyway, she'll have one
readied up somehow. The stocking must be worn and nicely darned; one
that's been worn will keep the shape of the leg and foot--at least
till it's washed again. Well, the barmaid generally knows what time the
gentlemen go to bath, and she'll make it a point of going down just as
a gentleman's going. Of course he'll give her the preference--let her go
first, you know--and she'll go in and accidentally leave the stocking
in a place where he's sure to see it, and when she comes out he'll go in
and find it; and very likely he'll be a jolly sort of fellow, and when
they're all sitting down to breakfast he'll come in and ask them to
guess what he's found, and then he'll hold up the stocking. The barmaid
likes this sort of thing; but she'll hold down her head, and pretend
to be confused, and keep her eyes on her plate, and there'll be much
blushing and all that sort of thing, and perhaps she'll gammon to be
mad at him, and the landlady'll say, 'Oh, Mr. Smith! how can yer? At the
breakfast table, too!' and they'll all laugh and look at the barmaid,
and she'll get more embarrassed than ever, and spill her tea, and make
out as though the stocking didn't belong to her."
No Place for a Woman
He had a selection on a long box-scrub siding of the ridges, about half
a mile back and up from the coach road. There were no neighbours that
I ever heard of, and the nearest "town" was thirty miles away. He grew
wheat among the stumps of his clearing, sold the crop standing to a
Cockie who lived ten miles away, and had some surplus sons; or, some
seasons, he reaped it by hand, had it thrashed by travelling "steamer"
(portable steam engine and machine), and carried the grain, a few bags
at a time, into the mill on his rickety dray.
He had lived alone for upwards of 15 years, and was known to those who
knew him as "Ratty Howlett".
Trav'lers and strangers failed to see anything uncommonly ratty about
him. It was known, or, at least, it was believed, without question, that
while at work he kept his horse saddled and bridled, and hung up to the
fence, or grazing about, with the saddle on--or, anyway, close handy
for a moment's notice--and whenever he caught sight, over the scrub and
through the quarter-mile break in it, of a traveller on the road, he
would jump on his horse and make after him. If it was a horseman
he usually pulled him up inside of a mile. Stories were told of
unsuccessful chases, misunderstandings, and complications arising out of
Howlett's mania for running down and bailing up travellers. Sometimes he
caught one every day for a week, sometimes not one for weeks--it was a
lonely track.
The explanation was simple, sufficient, and perfectly natural--from a
bushman's point of view. Ratty only wanted to have a yarn. He and the
traveller would camp in the shade for half an hour or so and yarn and
smoke. The old man would find out where the traveller came from, and
how long he'd been there, and where he was making for, and how long
he reckoned he'd be away; and ask if there had been any rain along the
traveller's back track, and how the country looked after the drought;
and he'd get the traveller's ideas on abstract questions--if he had any.
If it was a footman (swagman), and he was short of tobacco, old Howlett
always had half a stick ready for him. Sometimes, but very rarely, he'd
invite the swagman back to the hut for a pint of tea, or a bit of meat,
flour, tea, or sugar, to carry him along the track.
And, after the yarn by the road, they said, the old man would ride back,
refreshed, to his lonely selection, and work on into the night as long
as he could see his solitary old plough horse, or the scoop of his
long-handled shovel.
And so it was that I came to make his acquaintance--or, rather, that he
made mine. I was cantering easily along the track--I was making for the
north-west with a pack horse--when about a mile beyond the track to the
selection I heard, "Hi, Mister!" and saw a dust cloud following me. I
had heard of "Old Ratty Howlett" casually, and so was prepared for him.
A tall gaunt man on a little horse. He was clean-shaven, except for
a frill beard round under his chin, and his long wavy, dark hair
was turning grey; a square, strong-faced man, and reminded me of one
full-faced portrait of Gladstone more than any other face I had seen.
He had large reddish-brown eyes, deep set under heavy eyebrows, and with
something of the blackfellow in them--the sort of eyes that will peer
at something on the horizon that no one else can see. He had a way of
talking to the horizon, too--more than to his companion; and he had a
deep vertical wrinkle in his forehead that no smile could lessen.
I got down and got out my pipe, and we sat on a log and yarned awhile on
bush subjects; and then, after a pause, he shifted uneasily, it seemed
to me, and asked rather abruptly, and in an altered tone, if I was
married. A queer question to ask a traveller; more especially in my
case, as I was little more than a boy then.
He talked on again of old things and places where we had both been, and
asked after men he knew, or had known--drovers and others--and whether
they were living yet. Most of his inquiries went back before my time;
but some of the drovers, one or two overlanders with whom he had been
mates in his time, had grown old into mine, and I knew them. I notice
now, though I didn't then--and if I had it would not have seemed
strange from a bush point of view--that he didn't ask for news, nor seem
interested in it.
Then after another uneasy pause, during which he scratched crosses in
the dust with a stick, he asked me, in the same queer tone and without
looking at me or looking up, if I happened to know anything about
doctoring--if I'd ever studied it.
I asked him if anyone was sick at his place. He hesitated, and said
"No." Then I wanted to know why he had asked me that question, and
he was so long about answering that I began to think he was hard of
hearing, when, at last, he muttered something about my face reminding
him of a young fellow he knew of who'd gone to Sydney to "study for a
doctor". That might have been, and looked natural enough; but why didn't
he ask me straight out if I was the chap he "knowed of"? Travellers do
not like beating about the bush in conversation.
He sat in silence for a good while, with his arms folded, and looking
absently away over the dead level of the great scrubs that spread
from the foot of the ridge we were on to where a blue peak or two of a
distant range showed above the bush on the horizon.
I stood up and put my pipe away and stretched. Then he seemed to wake
up. "Better come back to the hut and have a bit of dinner," he said.
"The missus will about have it ready, and I'll spare you a handful of
hay for the horses."
The hay decided it. It was a dry season. I was surprised to hear of a
wife, for I thought he was a hatter--I had always heard so; but
perhaps I had been mistaken, and he had married lately; or had got a
housekeeper. The farm was an irregularly-shaped clearing in the scrub,
with a good many stumps in it, with a broken-down two-rail fence
along the frontage, and logs and "dog-leg" the rest. It was about
as lonely-looking a place as I had seen, and I had seen some
out-of-the-way, God-forgotten holes where men lived alone. The hut was
in the top corner, a two-roomed slab hut, with a shingle roof, which
must have been uncommon round there in the days when that hut was built.
I was used to bush carpentering, and saw that the place had been put
up by a man who had plenty of life and hope in front of him, and for
someone else beside himself. But there were two unfinished skilling
rooms built on to the back of the hut; the posts, sleepers, and
wall-plates had been well put up and fitted, and the slab walls were
up, but the roof had never been put on. There was nothing but burrs
and nettles inside those walls, and an old wooden bullock plough and a
couple of yokes were dry-rotting across the back doorway. The remains of
a straw-stack, some hay under a bark humpy, a small iron plough, and an
old stiff coffin-headed grey draught horse, were all that I saw about
the place.
But there was a bit of a surprise for me inside, in the shape of a clean
white tablecloth on the rough slab table which stood on stakes driven
into the ground. The cloth was coarse, but it was a tablecloth--not
a spare sheet put on in honour of unexpected visitors--and perfectly
clean. The tin plates, pannikins, and jam tins that served as sugar
bowls and salt cellars were polished brightly. The walls and fireplace
were whitewashed, the clay floor swept, and clean sheets of newspaper
laid on the slab mantleshelf under the row of biscuit tins that held the
groceries. I thought that his wife, or housekeeper, or whatever she was,
was a clean and tidy woman about a house. I saw no woman; but on the
sofa--a light, wooden, batten one, with runged arms at the ends--lay a
woman's dress on a lot of sheets of old stained and faded newspapers.
He looked at it in a puzzled way, knitting his forehead, then took it
up absently and folded it. I saw then that it was a riding skirt and
jacket. He bundled them into the newspapers and took them into the
bedroom.
"The wife was going on a visit down the creek this afternoon," he said
rapidly and without looking at me, but stooping as if to have another
look through the door at those distant peaks. "I suppose she got tired
o' waitin', and went and took the daughter with her. But, never mind,
the grub is ready." There was a camp-oven with a leg of mutton and
potatoes sizzling in it on the hearth, and billies hanging over the
fire. I noticed the billies had been scraped, and the lids polished.
There seemed to be something queer about the whole business, but then he
and his wife might have had a "breeze" during the morning. I thought
so during the meal, when the subject of women came up, and he said one
never knew how to take a woman, etc.; but there was nothing in what he
said that need necessarily have referred to his wife or to any woman in
particular. For the rest he talked of old bush things, droving, digging,
and old bushranging--but never about live things and living men, unless
any of the old mates he talked about happened to be alive by accident.
He was very restless in the house, and never took his hat off.
There was a dress and a woman's old hat hanging on the wall near the
door, but they looked as if they might have been hanging there for a
lifetime. There seemed something queer about the whole place--something
wanting; but then all out-of-the-way bush homes are haunted by that
something wanting, or, more likely, by the spirits of the things that
should have been there, but never had been.
As I rode down the track to the road I looked back and saw old Howlett
hard at work in a hole round a big stump with his long-handled shovel.
I'd noticed that he moved and walked with a slight list to port, and put
his hand once or twice to the small of his back, and I set it down to
lumbago, or something of that sort.
Up in the Never Never I heard from a drover who had known Howlett that
his wife had died in the first year, and so this mysterious woman, if
she was his wife, was, of course, his second wife. The drover seemed
surprised and rather amused at the thought of old Howlett going in for
matrimony again.
. . . . .
I rode back that way five years later, from the Never Never. It was
early in the morning--I had ridden since midnight. I didn't think the
old man would be up and about; and, besides, I wanted to get on home,
and have a look at the old folk, and the mates I'd left behind--and the
girl. But I hadn't got far past the point where Howlett's track joined
the road, when I happened to look back, and saw him on horseback,
stumbling down the track. I waited till he came up.
He was riding the old grey draught horse this time, and it looked very
much broken down. I thought it would have come down every step, and
fallen like an old rotten humpy in a gust of wind. And the old man was
not much better off. I saw at once that he was a very sick man. His face
was drawn, and he bent forward as if he was hurt. He got down stiffly
and awkwardly, like a hurt man, and as soon as his feet touched the
ground he grabbed my arm, or he would have gone down like a man who
steps off a train in motion. He hung towards the bank of the road,
feeling blindly, as it were, for the ground, with his free hand, as I
eased him down. I got my blanket and calico from the pack saddle to make
him comfortable.
"Help me with my back agen the tree," he said. "I must sit up--it's no
use lyin' me down."
He sat with his hand gripping his side, and breathed painfully.
"Shall I run up to the hut and get the wife?" I asked.
"No." He spoke painfully. "No!" Then, as if the words were jerked out of
him by a spasm: "She ain't there."
I took it that she had left him.
"How long have you been bad? How long has this been coming on?"
He took no notice of the question. I thought it was a touch of rheumatic
fever, or something of that sort. "It's gone into my back and sides
now--the pain's worse in me back," he said presently.
I had once been mates with a man who died suddenly of heart disease,
while at work. He was washing a dish of dirt in the creek near a claim
we were working; he let the dish slip into the water, fell back, crying,
"O, my back!" and was gone. And now I felt by instinct that it was poor
old Howlett's heart that was wrong. A man's heart is in his back as well
as in his arms and hands.
The old man had turned pale with the pallor of a man who turns faint in
a heat wave, and his arms fell loosely, and his hands rocked helplessly
with the knuckles in the dust. I felt myself turning white, too, and the
sick, cold, empty feeling in my stomach, for I knew the signs. Bushmen
stand in awe of sickness and death.
But after I'd fixed him comfortably and given him a drink from the water
bag the greyness left his face, and he pulled himself together a bit; he
drew up his arms and folded them across his chest. He let his head rest
back against the tree--his slouch hat had fallen off revealing a broad,
white brow, much higher than I expected. He seemed to gaze on the azure
fin of the range, showing above the dark blue-green bush on the horizon.
Then he commenced to speak--taking no notice of me when I asked him if
he felt better now--to talk in that strange, absent, far-away tone that
awes one. He told his story mechanically, monotonously--in set words, as
I believe now, as he had often told it before; if not to others, then to
the loneliness of the bush. And he used the names of people and places
that I had never heard of--just as if I knew them as well as he did.
"I didn't want to bring her up the first year. It was no place for a
woman. I wanted her to stay with her people and wait till I'd got the
place a little more ship-shape. The Phippses took a selection down the
creek. I wanted her to wait and come up with them so's she'd have some
company--a woman to talk to. They came afterwards, but they didn't stop.
It was no place for a woman.
"But Mary would come. She wouldn't stop with her people down country.
She wanted to be with me, and look after me, and work and help me."
He repeated himself a great deal--said the same thing over and over
again sometimes. He was only mad on one track. He'd tail off and
sit silent for a while; then he'd become aware of me in a hurried,
half-scared way, and apologise for putting me to all that trouble, and
thank me. "I'll be all right d'reckly. Best take the horses up to the
hut and have some breakfast; you'll find it by the fire. I'll foller
you, d'reckly. The wife'll be waitin' an'----" He would drop off, and be
going again presently on the old track:--
"Her mother was coming up to stay awhile at the end of the year, but the
old man hurt his leg. Then her married sister was coming, but one of the
youngsters got sick and there was trouble at home. I saw the doctor in
the town--thirty miles from here--and fixed it up with him. He was a
boozer--I'd 'a shot him afterwards. I fixed up with a woman in the town
to come and stay. I thought Mary was wrong in her time. She must have
been a month or six weeks out. But I listened to her.... Don't argue
with a woman. Don't listen to a woman. Do the right thing. We should
have had a mother woman to talk to us. But it was no place for a woman!"
He rocked his head, as if from some old agony of mind, against the
tree-trunk.
"She was took bad suddenly one night, but it passed off. False alarm. I
was going to ride somewhere, but she said to wait till daylight. Someone
was sure to pass. She was a brave and sensible girl, but she had a
terror of being left alone. It was no place for a woman!
"There was a black shepherd three or four miles away. I rode over while
Mary was asleep, and started the black boy into town. I'd 'a shot him
afterwards if I'd 'a caught him. The old black gin was dead the week
before, or Mary would a' bin alright. She was tied up in a bunch with
strips of blanket and greenhide, and put in a hole. So there wasn't even
a gin near the place. It was no place for a woman!
"I was watchin' the road at daylight, and I was watchin' the road at
dusk. I went down in the hollow and stooped down to get the gap agen the
sky, so's I could see if anyone was comin' over.... I'd get on the horse
and gallop along towards the town for five miles, but something would
drag me back, and then I'd race for fear she'd die before I got to the
hut. I expected the doctor every five minutes.
"It come on about daylight next morning. I ran back'ards and for'ards
between the hut and the road like a madman. And no one come. I was
running amongst the logs and stumps, and fallin' over them, when I saw
a cloud of dust agen sunrise. It was her mother an' sister in the
spring-cart, an' just catchin' up to them was the doctor in his buggy
with the woman I'd arranged with in town. The mother and sister was
staying at the town for the night, when they heard of the black boy. It
took him a day to ride there. I'd 'a shot him if I'd 'a caught him ever
after. The doctor'd been on the drunk. If I'd had the gun and known she
was gone I'd have shot him in the buggy. They said she was dead. And the
child was dead, too.
"They blamed me, but I didn't want her to come; it was no place for a
woman. I never saw them again after the funeral. I didn't want to see
them any more."
He moved his head wearily against the tree, and presently drifted on
again in a softer tone--his eyes and voice were growing more absent and
dreamy and far away.
"About a month after--or a year, I lost count of the time long ago--she
came back to me. At first she'd come in the night, then sometimes when
I was at work--and she had the baby--it was a girl--in her arms. And
by-and-bye she came to stay altogether.... I didn't blame her for going
away that time--it was no place for a woman.... She was a good wife to
me. She was a jolly girl when I married her. The little girl grew up
like her. I was going to send her down country to be educated--it was no
place for a girl.
"But a month, or a year, ago, Mary left me, and took the daughter, and
never came back till last night--this morning, I think it was. I thought
at first it was the girl with her hair done up, and her mother's skirt
on, to surprise her old dad. But it was Mary, my wife--as she was when
I married her. She said she couldn't stay, but she'd wait for me on the
road; on--the road...."
His arms fell, and his face went white. I got the water-bag. "Another
turn like that and you'll be gone," I thought, as he came to again. Then
I suddenly thought of a shanty that had been started, when I came that
way last, ten or twelve miles along the road, towards the town. There
was nothing for it but to leave him and ride on for help, and a cart of
some kind.
"You wait here till I come back," I said. "I'm going for the doctor."
He roused himself a little. "Best come up to the hut and get some grub.
The wife'll be waiting...." He was off the track again.
"Will you wait while I take the horse down to the creek?"
"Yes--I'll wait by the road."
"Look!" I said, "I'll leave the water-bag handy. Don't move till I come
back."
"I won't move--I'll wait by the road," he said.
I took the packhorse, which was the freshest and best, threw the
pack-saddle and bags into a bush, left the other horse to take care of
itself, and started for the shanty, leaving the old man with his back to
the tree, his arms folded, and his eyes on the horizon.
One of the chaps at the shanty rode on for the doctor at once, while the
other came back with me in a spring-cart. He told me that old Howlett's
wife had died in child-birth the first year on the selection--"she was a
fine girl he'd heered!" He told me the story as the old man had told it,
and in pretty well the same words, even to giving it as his opinion that
it was no place for a woman. "And he 'hatted' and brooded over it till
he went ratty."
I knew the rest. He not only thought that his wife, or the ghost of his
wife, had been with him all those years, but that the child had lived
and grown up, and that the wife did the housework; which, of course, he
must have done himself.
When we reached him his knotted hands had fallen for the last time, and
they were at rest. I only took one quick look at his face, but could
have sworn that he was gazing at the blue fin of the range on the
horizon of the bush.
Up at the hut the table was set as on the first day I saw it, and
breakfast in the camp-oven by the fire.
Mitchell's Jobs
"I'm going to knock off work and try to make some money," said Mitchell,
as he jerked the tea-leaves out of his pannikin and reached for the
billy. "It's been the great mistake of my life--if I hadn't wasted all
my time and energy working and looking for work I might have been an
independent man to-day."
"Joe!" he added in a louder voice, condescendingly adapting his language
to my bushed comprehension. "I'm going to sling graft and try and get
some stuff together."
I didn't feel in a responsive humour, but I lit up and settled back
comfortably against the tree, and Jack folded his arms on his knees and
presently continued, reflectively:
"I remember the first time I went to work. I was a youngster then.
Mother used to go round looking for jobs for me. She reckoned, perhaps,
that I was too shy to go in where there was a boy wanted and barrack for
myself properly, and she used to help me and see me through to the best
of her ability. I'm afraid I didn't always feel as grateful to her as I
should have felt. I was a thankless kid at the best of times--most kids
are--but otherwise I was a straight enough little chap as nippers go.
Sometimes I almost wish I hadn't been. My relations would have thought
a good deal more of me and treated me better--and, besides, it's a
comfort, at times, to sit and watch the sun going down in the bed of the
bush, and think of your wicked childhood and wasted life, and the way
you treated your parents and broke their hearts, and feel just properly
repentant and bitter and remorseful and low-spirited about it when it's
too late.
"Ah, well!... I generally did feel a bit backward in going in when I
came to the door of an office or shop where there was a 'Strong Lad', or
a 'Willing Youth', wanted inside to make himself generally useful. I
was a strong lad and a willing youth enough, in some things, for that
matter; but I didn't like to see it written up on a card in a shop
window, and I didn't want to make myself generally useful in a close
shop in a hot dusty street on mornings when the weather was fine and the
great sunny rollers were coming in grand on the Bondi Beach and down at
Coogee, and I could swim.... I'd give something to be down along there
now."
Mitchell looked away out over the sultry sandy plain that we were to
tackle next day, and sighed.
"The first job I got was in a jam factory. They only had 'Boy Wanted' on
the card in the window, and I thought it would suit me. They set me to
work to peel peaches, and, as soon as the foreman's back was turned,
I picked out a likely-looking peach and tried it. They soaked those
peaches in salt or acid or something--it was part of the process--and
I had to spit it out. Then I got an orange from a boy who was slicing
them, but it was bitter, and I couldn't eat it. I saw that I'd been had
properly. I was in a fix, and had to get out of it the best way I could.
I'd left my coat down in the front shop, and the foreman and boss were
there, so I had to work in that place for two mortal hours. It was about
the longest two hours I'd ever spent in my life. At last the foreman
came up, and I told him I wanted to go down to the back for a minute. I
slipped down, watched my chance till the boss' back was turned, got my
coat, and cleared.
"The next job I got was in a mat factory; at least, Aunt got that for
me. I didn't want to have anything to do with mats or carpets. The worst
of it was the boss didn't seem to want me to go, and I had a job to get
him to sack me, and when he did he saw some of my people and took me
back again next week. He sacked me finally the next Saturday.
"I got the next job myself. I didn't hurry; I took my time and picked
out a good one. It was in a lolly factory. I thought it would suit
me--and it did, for a while. They put me on stirring up and mixing stuff
in the jujube department; but I got so sick of the smell of it and so
full of jujube and other lollies that I soon wanted a change; so I had
a row with the chief of the jujube department and the boss gave me the
sack.
"I got a job in a grocery then. I thought I'd have more variety there.
But one day the boss was away, sick or something, all the afternoon, and
I sold a lot of things too cheap. I didn't know. When a customer came in
and asked for something I'd just look round in the window till I saw
a card with the price written up on it, and sell the best quality
according to that price; and once or twice I made a mistake the other
way about and lost a couple of good customers. It was a hot, drowsy
afternoon, and by-and-bye I began to feel dull and sleepy. So I looked
round the corner and saw a Chinaman coming. I got a big tin garden
syringe and filled it full of brine from the butter keg, and, when he
came opposite the door, I let him have the full force of it in the ear.
"That Chinaman put down his baskets and came for me. I was strong for my
age, and thought I could fight, but he gave me a proper mauling.
"It was like running up against a thrashing machine, and it wouldn't
have been well for me if the boss of the shop next door hadn't
interfered. He told my boss, and my boss gave me the sack at once.
"I took a spell of eighteen months or so after that, and was growing
up happy and contented when a married sister of mine must needs come
to live in town and interfere. I didn't like married sisters, though I
always got on grand with my brothers-in-law, and wished there were more
of them. The married sister comes round and cleans up the place and
pulls your things about and finds your pipe and tobacco and things, and
cigarette portraits, and "Deadwood Dicks", that you've got put away all
right, so's your mother and aunt wouldn't find them in a generation of
cats, and says:
"'Mother, why don't you make that boy go to work. It's a scandalous
shame to see a big boy like that growing up idle. He's going to the bad
before your eyes.' And she's always trying to make out that you're a
liar, and trying to make mother believe it, too. My married sister got
me a job with a chemist, whose missus she knew.
"I got on pretty well there, and by-and-bye I was put upstairs in the
grinding and mixing department; but, after a while, they put another
boy that I was chummy with up there with me, and that was a mistake.
I didn't think so at the time, but I can see it now. We got up to all
sorts of tricks. We'd get mixing together chemicals that weren't related
to see how they'd agree, and we nearly blew up the shop several times,
and set it on fire once. But all the chaps liked us, and fixed things up
for us. One day we got a big black dog--that we meant to take home that
evening--and sneaked him upstairs and put him on a flat roof outside the
laboratory. He had a touch of the mange and didn't look well, so we gave
him a dose of something; and he scrambled over the parapet and slipped
down a steep iron roof in front, and fell on a respected townsman that
knew my people. We were awfully frightened, and didn't say anything.
Nobody saw it but us. The dog had the presence of mind to leave at once,
and the respected townsman was picked up and taken home in a cab; and
he got it hot from his wife, too, I believe, for being in that drunken,
beastly state in the main street in the middle of the day.
"I don't think he was ever quite sure that he hadn't been drunk or
what had happened, for he had had one or two that morning; so it didn't
matter much. Only we lost the dog.
"One day I went downstairs to the packing-room and saw a lot of
phosphorus in jars of water. I wanted to fix up a ghost for Billy, my
mate, so I nicked a bit and slipped it into my trouser pocket.
"I stood under the tap and let it pour on me. The phosphorus burnt clean
through my pocket and fell on the ground. I was sent home that night
with my leg dressed with lime-water and oil, and a pair of the boss's
pants on that were about half a yard too long for me, and I felt
miserable enough, too. They said it would stop my tricks for a while,
and so it did. I'll carry the mark to my dying day--and for two or three
days after, for that matter."
. . . . .
I fell asleep at this point, and left Mitchell's cattle pup to hear it
out.
Bill, the Ventriloquial Rooster
"When we were up country on the selection, we had a rooster at our
place, named Bill," said Mitchell; "a big mongrel of no particular
breed, though the old lady said he was a 'brammer'--and many an argument
she had with the old man about it too; she was just as stubborn and
obstinate in her opinion as the governor was in his. But, anyway, we
called him Bill, and didn't take any particular notice of him till a
cousin of some of us came from Sydney on a visit to the country, and
stayed at our place because it was cheaper than stopping at a pub. Well,
somehow this chap got interested in Bill, and studied him for two or
three days, and at last he says:
"'Why, that rooster's a ventriloquist!'
"'A what?'
"'A ventriloquist!'
"'Go along with yer!'
"'But he is. I've heard of cases like this before; but this is the first
I've come across. Bill's a ventriloquist right enough.'
"Then we remembered that there wasn't another rooster within five
miles--our only neighbour, an Irishman named Page, didn't have one at
the time--and we'd often heard another cock crow, but didn't think
to take any notice of it. We watched Bill, and sure enough he WAS
a ventriloquist. The 'ka-cocka' would come all right, but the
'co-ka-koo-oi-oo' seemed to come from a distance. And sometimes the
whole crow would go wrong, and come back like an echo that had been lost
for a year. Bill would stand on tiptoe, and hold his elbows out, and
curve his neck, and go two or three times as if he was swallowing
nest-eggs, and nearly break his neck and burst his gizzard; and then
there'd be no sound at all where he was--only a cock crowing in the
distance.
"And pretty soon we could see that Bill was in great trouble about it
himself. You see, he didn't know it was himself--thought it was another
rooster challenging him, and he wanted badly to find that other bird.
He would get up on the wood-heap, and crow and listen--crow and listen
again--crow and listen, and then he'd go up to the top of the paddock,
and get up on the stack, and crow and listen there. Then down to the
other end of the paddock, and get up on a mullock-heap, and crow and
listen there. Then across to the other side and up on a log among the
saplings, and crow 'n' listen some more. He searched all over the place
for that other rooster, but, of course, couldn't find him. Sometimes
he'd be out all day crowing and listening all over the country, and then
come home dead tired, and rest and cool off in a hole that the hens had
scratched for him in a damp place under the water-cask sledge.
"Well, one day Page brought home a big white rooster, and when he let
it go it climbed up on Page's stack and crowed, to see if there was any
more roosters round there. Bill had come home tired; it was a hot day,
and he'd rooted out the hens, and was having a spell-oh under the cask
when the white rooster crowed. Bill didn't lose any time getting out and
on to the wood-heap, and then he waited till he heard the crow again;
then he crowed, and the other rooster crowed again, and they crowed at
each other for three days, and called each other all the wretches they
could lay their tongues to, and after that they implored each other
to come out and be made into chicken soup and feather pillows. But
neither'd come. You see, there were THREE crows--there was Bill's crow,
and the ventriloquist crow, and the white rooster's crow--and each
rooster thought that there was TWO roosters in the opposition camp, and
that he mightn't get fair play, and, consequently, both were afraid to
put up their hands.
"But at last Bill couldn't stand it any longer. He made up his mind to
go and have it out, even if there was a whole agricultural show of prize
and honourable-mention fighting-cocks in Page's yard. He got down from
the wood-heap and started off across the ploughed field, his head down,
his elbows out, and his thick awkward legs prodding away at the furrows
behind for all they were worth.
"I wanted to go down badly and see the fight, and barrack for Bill. But
I daren't, because I'd been coming up the road late the night before
with my brother Joe, and there was about three panels of turkeys
roosting along on the top rail of Page's front fence; and we brushed 'em
with a bough, and they got up such a blessed gobbling fuss about it that
Page came out in his shirt and saw us running away; and I knew he was
laying for us with a bullock whip. Besides, there was friction between
the two families on account of a thoroughbred bull that Page borrowed
and wouldn't lend to us, and that got into our paddock on account of me
mending a panel in the party fence, and carelessly leaving the top
rail down after sundown while our cows was moving round there in the
saplings.
"So there was too much friction for me to go down, but I climbed a tree
as near the fence as I could and watched. Bill reckoned he'd found that
rooster at last. The white rooster wouldn't come down from the stack,
so Bill went up to him, and they fought there till they tumbled down the
other side, and I couldn't see any more. Wasn't I wild? I'd have given
my dog to have seen the rest of the fight. I went down to the far side
of Page's fence and climbed a tree there, but, of course, I couldn't
see anything, so I came home the back way. Just as I got home Page came
round to the front and sung out, 'Insoid there!' And me and Jim went
under the house like snakes and looked out round a pile. But Page was
all right--he had a broad grin on his face, and Bill safe under his arm.
He put Bill down on the ground very carefully, and says he to the old
folks:
"'Yer rooster knocked the stuffin' out of my rooster, but I bear no
malice. 'Twas a grand foight.'
"And then the old man and Page had a yarn, and got pretty friendly after
that. And Bill didn't seem to bother about any more ventriloquism; but
the white rooster spent a lot of time looking for that other rooster.
Perhaps he thought he'd have better luck with him. But Page was on the
look-out all the time to get a rooster that would lick ours. He did
nothing else for a month but ride round and enquire about roosters; and
at last he borrowed a game-bird in town, left five pounds deposit on
him, and brought him home. And Page and the old man agreed to have a
match--about the only thing they'd agreed about for five years. And they
fixed it up for a Sunday when the old lady and the girls and kids were
going on a visit to some relations, about fifteen miles away--to stop
all night. The guv'nor made me go with them on horseback; but I knew
what was up, and so my pony went lame about a mile along the road, and
I had to come back and turn him out in the top paddock, and hide the
saddle and bridle in a hollow log, and sneak home and climb up on the
roof of the shed. It was a awful hot day, and I had to keep climbing
backward and forward over the ridge-pole all the morning to keep out of
sight of the old man, for he was moving about a good deal.
"Well, after dinner, the fellows from roundabout began to ride in and
hang up their horses round the place till it looked as if there was
going to be a funeral. Some of the chaps saw me, of course, but I tipped
them the wink, and they gave me the office whenever the old man happened
around.
"Well, Page came along with his game-rooster. Its name was Jim. It
wasn't much to look at, and it seemed a good deal smaller and weaker
than Bill. Some of the chaps were disgusted, and said it wasn't a
game-rooster at all; Bill'd settle it in one lick, and they wouldn't
have any fun.
"Well, they brought the game one out and put him down near the
wood-heap, and rousted Bill out from under his cask. He got interested
at once. He looked at Jim, and got up on the wood-heap and crowed and
looked at Jim again. He reckoned THIS at last was the fowl that had been
humbugging him all along. Presently his trouble caught him, and then
he'd crow and take a squint at the game 'un, and crow again, and
have another squint at gamey, and try to crow and keep his eye on the
game-rooster at the same time. But Jim never committed himself, until
at last he happened to gape just after Bill's whole crow went wrong, and
Bill spotted him. He reckoned he'd caught him this time, and he got down
off that wood-heap and went for the foe. But Jim ran away--and Bill ran
after him.
"Round and round the wood-heap they went, and round the shed, and round
the house and under it, and back again, and round the wood-heap and over
it and round the other way, and kept it up for close on an hour. Bill's
bill was just within an inch or so of the game-rooster's tail feathers
most of the time, but he couldn't get any nearer, do how he liked. And
all the time the fellers kept chyackin Page and singing out, 'What price
yer game 'un, Page! Go it, Bill! Go it, old cock!' and all that sort of
thing. Well, the game-rooster went as if it was a go-as-you-please, and
he didn't care if it lasted a year. He didn't seem to take any interest
in the business, but Bill got excited, and by-and-by he got mad. He held
his head lower and lower and his wings further and further out from his
sides, and prodded away harder and harder at the ground behind, but it
wasn't any use. Jim seemed to keep ahead without trying. They stuck
to the wood-heap towards the last. They went round first one way for a
while, and then the other for a change, and now and then they'd go over
the top to break the monotony; and the chaps got more interested in the
race than they would have been in the fight--and bet on it, too. But
Bill was handicapped with his weight. He was done up at last; he slowed
down till he couldn't waddle, and then, when he was thoroughly knocked
up, that game-rooster turned on him, and gave him the father of a
hiding.
"And my father caught me when I'd got down in the excitement, and wasn't
thinking, and HE gave ME the step-father of a hiding. But he had a
lively time with the old lady afterwards, over the cock-fight.
"Bill was so disgusted with himself that he went under the cask and
died."
Bush Cats
"Domestic cats" we mean--the descendants of cats who came from the
northern world during the last hundred odd years. We do not know the
name of the vessel in which the first Thomas and his Maria came out
to Australia, but we suppose that it was one of the ships of the
First Fleet. Most likely Maria had kittens on the voyage--two lots,
perhaps--the majority of which were buried at sea; and no doubt the
disembarkation caused her much maternal anxiety.
. . . . .
The feline race has not altered much in Australia, from a physical point
of view--not yet. The rabbit has developed into something like a cross
between a kangaroo and a possum, but the bush has not begun to develop
the common cat. She is just as sedate and motherly as the mummy cats
of Egypt were, but she takes longer strolls of nights, climbs gum-trees
instead of roofs, and hunts stranger vermin than ever came under the
observation of her northern ancestors. Her views have widened. She is
mostly thinner than the English farm cat--which is, they say, on account
of eating lizards.
English rats and English mice--we say "English" because everything which
isn't Australian in Australia, IS English (or British)--English rats and
English mice are either rare or non-existent in the bush; but the hut
cat has a wider range for game. She is always dragging in things which
are unknown in the halls of zoology; ugly, loathsome, crawling abortions
which have not been classified yet--and perhaps could not be.
The Australian zoologist ought to rake up some more dead languages, and
then go Out Back with a few bush cats.
The Australian bush cat has a nasty, unpleasant habit of dragging
a long, wriggling, horrid, black snake--she seems to prefer black
snakes--into a room where there are ladies, proudly laying it down in
a conspicuous place (usually in front of the exit), and then looking up
for approbation. She wonders, perhaps, why the visitors are in such a
hurry to leave.
Pussy doesn't approve of live snakes round the place, especially if
she has kittens; and if she finds a snake in the vicinity of her
progeny--well, it is bad for that particular serpent.
This brings recollections of a neighbour's cat who went out in the
scrub, one midsummer's day, and found a brown snake. Her name--the cat's
name--was Mary Ann. She got hold of the snake all right, just within an
inch of its head; but it got the rest of its length wound round her body
and squeezed about eight lives out of her. She had the presence of mind
to keep her hold; but it struck her that she was in a fix, and that if
she wanted to save her ninth life, it wouldn't be a bad idea to go home
for help. So she started home, snake and all.
The family were at dinner when Mary Ann came in, and, although she
stood on an open part of the floor, no one noticed her for a while. She
couldn't ask for help, for her mouth was too full of snake. By-and-bye
one of the girls glanced round, and then went over the table, with a
shriek, and out of the back door. The room was cleared very quickly. The
eldest boy got a long-handled shovel, and in another second would have
killed more cat than snake; but his father interfered. The father was
a shearer, and Mary Ann was a favourite cat with him. He got a pair of
shears from the shelf and deftly shore off the snake's head, and one
side of Mary Ann's whiskers. She didn't think it safe to let go yet. She
kept her teeth in the neck until the selector snipped the rest of the
snake off her. The bits were carried out on a shovel to die at sundown.
Mary Ann had a good drink of milk, and then got her tongue out and
licked herself back into the proper shape for a cat; after which she
went out to look for that snake's mate. She found it, too, and dragged
it home the same evening.
Cats will kill rabbits and drag them home. We knew a fossicker whose cat
used to bring him a bunny nearly every night. The fossicker had rabbits
for breakfast until he got sick of them, and then he used to swap them
with a butcher for meat. The cat was named Ingersoll, which indicates
his sex and gives an inkling to his master's religious and political
opinions. Ingersoll used to prospect round in the gloaming until he
found some rabbit holes which showed encouraging indications. He would
shepherd one hole for an hour or so every evening until he found it was
a duffer, or worked it out; then he would shift to another. One day he
prospected a big hollow log with a lot of holes in it, and more going
down underneath. The indications were very good, but Ingersoll had no
luck. The game had too many ways of getting out and in. He found that he
could not work that claim by himself, so he floated it into a company.
He persuaded several cats from a neighbouring selection to take shares,
and they watched the holes together, or in turns--they worked shifts.
The dividends more than realised even their wildest expectations, for
each cat took home at least one rabbit every night for a week.
A selector started a vegetable garden about the time when rabbits were
beginning to get troublesome up country. The hare had not shown itself
yet. The farmer kept quite a regiment of cats to protect his garden--and
they protected it. He would shut the cats up all day with nothing to
eat, and let them out about sundown; then they would mooch off to the
turnip patch like farm-labourers going to work. They would drag the
rabbits home to the back door, and sit there and watch them until the
farmer opened the door and served out the ration of milk. Then the cats
would turn in. He nearly always found a semi-circle of dead rabbits and
watchful cats round the door in the morning. They sold the product of
their labour direct to the farmer for milk. It didn't matter if one cat
had been unlucky--had not got a rabbit--each had an equal share in the
general result. They were true socialists, those cats.
One of those cats was a mighty big Tom, named Jack. He was death on
rabbits; he would work hard all night, laying for them and dragging them
home. Some weeks he would graft every night, and at other times every
other night, but he was generally pretty regular. When he reckoned he
had done an extra night's work, he would take the next night off and go
three miles to the nearest neighbour's to see his Maria and take her out
for a stroll. Well, one evening Jack went into the garden and chose a
place where there was good cover, and lay low. He was a bit earlier than
usual, so he thought he would have a doze till rabbit time. By-and-bye
he heard a noise, and slowly, cautiously opening one eye, he saw two big
ears sticking out of the leaves in front of him. He judged that it was
an extra big bunny, so he put some extra style into his manoeuvres. In
about five minutes he made his spring. He must have thought (if cats
think) that it was a whopping, old-man rabbit, for it was a pioneer
hare--not an ordinary English hare, but one of those great coarse, lanky
things which the bush is breeding. The selector was attracted by an
unusual commotion and a cloud of dust among his cabbages, and came along
with his gun in time to witness the fight. First Jack would drag the
hare, and then the hare would drag Jack; sometimes they would be down
together, and then Jack would use his hind claws with effect; finally he
got his teeth in the right place, and triumphed. Then he started to drag
the corpse home, but he had to give it best and ask his master to lend a
hand. The selector took up the hare, and Jack followed home, much to
the family's surprise. He did not go back to work that night; he took
a spell. He had a drink of milk, licked the dust off himself, washed it
down with another drink, and sat in front of the fire and thought for a
goodish while. Then he got up, walked over to the corner where the hare
was lying, had a good look at it, came back to the fire, sat down again,
and thought hard. He was still thinking when the family retired.
Meeting Old Mates
I.
Tom Smith
You are getting well on in the thirties, and haven't left off being a
fool yet. You have been away in another colony or country for a year or
so, and have now come back again. Most of your chums have gone away or
got married, or, worse still, signed the pledge--settled down and got
steady; and you feel lonely and desolate and left-behind enough for
anything. While drifting aimlessly round town with an eye out for some
chance acquaintance to have a knock round with, you run against an old
chum whom you never dreamt of meeting, or whom you thought to be in some
other part of the country--or perhaps you knock up against someone who
knows the old chum in question, and he says:
"I suppose you know Tom Smith's in Sydney?"
"Tom Smith! Why, I thought he was in Queensland! I haven't seen him for
more than three years. Where's the old joker hanging out at all? Why,
except you, there's no one in Australia I'd sooner see than Tom Smith.
Here I've been mooning round like an unemployed for three weeks, looking
for someone to have a knock round with, and Tom in Sydney all the time.
I wish I'd known before. Where'll I run against him--where does he
live?"
"Oh, he's living at home."
"But where's his home? I was never there."
"Oh, I'll give you his address.... There, I think that's it. I'm not
sure about the number, but you'll soon find out in that street--most of
'em'll know Tom Smith."
"Thanks! I rather think they will. I'm glad I met you. I'll hunt Tom up
to-day."
So you put a few shillings in your pocket, tell your landlady that
you're going to visit an old aunt of yours or a sick friend, and mayn't
be home that night; and then you start out to hunt up Tom Smith and have
at least one more good night, if you die for it.
. . . . .
This is the first time you have seen Tom at home; you knew of his home
and people in the old days, but only in a vague, indefinite sort of way.
Tom has changed! He is stouter and older-looking; he seems solemn and
settled down. You intended to give him a surprise and have a good old
jolly laugh with him, but somehow things get suddenly damped at the
beginning. He grins and grips your hand right enough, but there seems
something wanting. You can't help staring at him, and he seems to look
at you in a strange, disappointing way; it doesn't strike you that you
also have changed, and perhaps more in his eyes than he in yours. He
introduces you to his mother and sisters and brothers, and the rest of
the family; or to his wife, as the case may be; and you have to suppress
your feelings and be polite and talk common-place. You hate to be polite
and talk common-place. You aren't built that way--and Tom wasn't either,
in the old days. The wife (or the mother and sisters) receives you
kindly, for Tom's sake, and makes much of you; but they don't know you
yet. You want to get Tom outside, and have a yarn and a drink and a
laugh with him--you are bursting to tell him all about yourself, and get
him to tell you all about himself, and ask him if he remembers things;
and you wonder if he is bursting the same way, and hope he is. The old
lady and sisters (or the wife) bore you pretty soon, and you wonder
if they bore Tom; you almost fancy, from his looks, that they do. You
wonder whether Tom is coming out to-night, whether he wants to get out,
and if he wants to and wants to get out by himself, whether he'll be
able to manage it; but you daren't broach the subject, it wouldn't be
polite. You've got to be polite. Then you get worried by the thought
that Tom is bursting to get out with you and only wants an excuse; is
waiting, in fact, and hoping for you to ask him in an off-hand sort of
way to come out for a stroll. But you're not quite sure; and besides, if
you were, you wouldn't have the courage. By-and-bye you get tired of
it all, thirsty, and want to get out in the open air. You get tired of
saying, "Do you really, Mrs. Smith?" or "Do you think so, Miss Smith?"
or "You were quite right, Mrs. Smith," and "Well, I think so too, Mrs.
Smith," or, to the brother, "That's just what I thought, Mr. Smith."
You don't want to "talk pretty" to them, and listen to their wishy-washy
nonsense; you want to get out and have a roaring spree with Tom, as you
had in the old days; you want to make another night of it with your
old mate, Tom Smith; and pretty soon you get the blues badly, and feel
nearly smothered in there, and you've got to get out and have a beer
anyway--Tom or no Tom; and you begin to feel wild with Tom himself; and
at last you make a bold dash for it and chance Tom. You get up, look
at your hat, and say: "Ah, well, I must be going, Tom; I've got to meet
someone down the street at seven o'clock. Where'll I meet you in town
next week?"
But Tom says:
"Oh, dash it; you ain't going yet. Stay to tea, Joe, stay to tea. It'll
be on the table in a minute. Sit down--sit down, man! Here, gimme your
hat."
And Tom's sister, or wife, or mother comes in with an apron on and her
hands all over flour, and says:
"Oh, you're not going yet, Mr. Brown? Tea'll be ready in a minute. Do
stay for tea." And if you make excuses, she cross-examines you about the
time you've got to keep that appointment down the street, and tells you
that their clock is twenty minutes fast, and that you have got plenty of
time, and so you have to give in. But you are mightily encouraged by
a winksome expression which you see, or fancy you see, on your side of
Tom's face; also by the fact of his having accidentally knocked his foot
against your shins. So you stay.
One of the females tells you to "Sit there, Mr. Brown," and you take
your place at the table, and the polite business goes on. You've got to
hold your knife and fork properly, and mind your p's and q's, and when
she says, "Do you take milk and sugar, Mr. Brown?" you've got to say,
"Yes, please, Miss Smith--thanks--that's plenty." And when they press
you, as they will, to have more, you've got to keep on saying, "No,
thanks, Mrs. Smith; no, thanks, Miss Smith; I really couldn't; I've done
very well, thank you; I had a very late dinner, and so on"--bother such
tommy-rot. And you don't seem to have any appetite, anyway. And you
think of the days out on the track when you and Tom sat on your
swags under a mulga at mid-day, and ate mutton and johnny-cake with
clasp-knives, and drank by turns out of the old, battered, leaky billy.
And after tea you have to sit still while the precious minutes are
wasted, and listen and sympathize, while all the time you are on the
fidget to get out with Tom, and go down to a private bar where you know
some girls.
And perhaps by-and-bye the old lady gets confidential, and seizes an
opportunity to tell you what a good steady young fellow Tom is now that
he never touches drink, and belongs to a temperance society (or the
Y.M.C.A.), and never stays out of nights.
Consequently you feel worse than ever, and lonelier, and sorrier that
you wasted your time coming. You are encouraged again by a glimpse of
Tom putting on a clean collar and fixing himself up a bit; but when you
are ready to go, and ask him if he's coming a bit down the street
with you, he says he thinks he will in such a disinterested,
don't-mind-if-I-do sort of tone, that he makes you mad.
At last, after promising to "drop in again, Mr. Brown, whenever you're
passing," and to "don't forget to call," and thanking them for their
assurance that they'll "be always glad to see you," and telling them
that you've spent a very pleasant evening and enjoyed yourself, and are
awfully sorry you couldn't stay--you get away with Tom.
You don't say much to each other till you get round the corner and
down the street a bit, and then for a while your conversation is mostly
common-place, such as, "Well, how have you been getting on all this
time, Tom?" "Oh, all right. How have you been getting on?" and so on.
But presently, and perhaps just as you have made up your mind to chance
the alleged temperance business and ask Tom in to have a drink, he
throws a glance up and down the street, nudges your shoulder, says "Come
on," and disappears sideways into a pub.
. . . . .
"What's yours, Tom?" "What's yours, Joe?" "The same for me." "Well,
here's luck, old man." "Here's luck." You take a drink, and look over
your glass at Tom. Then the old smile spreads over his face, and it
makes you glad--you could swear to Tom's grin in a hundred years. Then
something tickles him--your expression, perhaps, or a recollection of
the past--and he sets down his glass on the bar and laughs. Then you
laugh. Oh, there's no smile like the smile that old mates favour each
other with over the tops of their glasses when they meet again after
years. It is eloquent, because of the memories that give it birth.
"Here's another. Do you remember----? Do you remember----?" Oh, it all
comes back again like a flash. Tom hasn't changed a bit; just the same
good-hearted, jolly idiot he always was. Old times back again! "It's
just like old times," says Tom, after three or four more drinks.
. . . . .
And so you make a night of it and get uproariously jolly. You get as
"glorious" as Bobby Burns did in the part of Tam O'Shanter, and have a
better "time" than any of the times you had in the old days. And you see
Tom as nearly home in the morning as you dare, and he reckons he'll get
it hot from his people--which no doubt he will--and he explains that
they are very particular up at home--church people, you know--and, of
course, especially if he's married, it's understood between you that
you'd better not call for him up at home after this--at least, not till
things have cooled down a bit. It's always the way. The friend of the
husband always gets the blame in cases like this. But Tom fixes up a
yarn to tell them, and you aren't to "say anything different" in case
you run against any of them. And he fixes up an appointment with you for
next Saturday night, and he'll get there if he gets divorced for it.
But he MIGHT have to take the wife out shopping, or one of the girls
somewhere; and if you see her with him you've got to lay low, and be
careful, and wait--at another hour and place, perhaps, all of which is
arranged--for if she sees you she'll smell a rat at once, and he won't
be able to get off at all.
And so, as far as you and Tom are concerned, the "old times" have come
back once more.
. . . . .
But, of course (and we almost forgot it), you might chance to fall in
love with one of Tom's sisters, in which case there would be another and
a totally different story to tell.
II.
Jack Ellis
Things are going well with you. You have escaped from "the track", so to
speak, and are in a snug, comfortable little billet in the city. Well,
while doing the block you run against an old mate of other days--VERY
other days--call him Jack Ellis. Things have gone hard with Jack. He
knows you at once, but makes no advance towards a greeting; he acts as
though he thinks you might cut him--which, of course, if you are a true
mate, you have not the slightest intention of doing. His coat is yellow
and frayed, his hat is battered and green, his trousers "gone" in
various places, his linen very cloudy, and his boots burst and innocent
of polish. You try not to notice these things--or rather, not to seem
to notice them--but you cannot help doing so, and you are afraid he'll
notice that you see these things, and put a wrong construction on it.
How men will misunderstand each other! You greet him with more than the
necessary enthusiasm. In your anxiety to set him at his ease and make
him believe that nothing--not even money--can make a difference in your
friendship, you over-act the business; and presently you are afraid that
he'll notice that too, and put a wrong construction on it. You wish that
your collar was not so clean, nor your clothes so new. Had you known you
would meet him, you would have put on some old clothes for the occasion.
You are both embarrassed, but it is YOU who feel ashamed--you are
almost afraid to look at him lest he'll think you are looking at his
shabbiness. You ask him in to have a drink, but he doesn't respond
so heartily as you wish, as he did in the old days; he doesn't like
drinking with anybody when he isn't "fixed", as he calls it--when he
can't shout.
It didn't matter in the old days who held the money so long as there was
plenty of "stuff" in the camp. You think of the days when Jack stuck to
you through thick and thin. You would like to give him money now, but
he is so proud; he always was; he makes you mad with his beastly pride.
There wasn't any pride of that sort on the track or in the camp in
those days; but times have changed--your lives have drifted too widely
apart--you have taken different tracks since then; and Jack, without
intending to, makes you feel that it is so.
You have a drink, but it isn't a success; it falls flat, as far as Jack
is concerned; he won't have another; he doesn't "feel on", and presently
he escapes under plea of an engagement, and promises to see you again.
And you wish that the time was come when no one could have more or less
to spend than another.
. . . . .
P.S.--I met an old mate of that description once, and so successfully
persuaded him out of his beastly pride that he borrowed two pounds off
me till Monday. I never got it back since, and I want it badly at
the present time. In future I'll leave old mates with their pride
unimpaired.
Two Larrikins
"Y'orter do something, Ernie. Yer know how I am. YOU don't seem to care.
Y'orter to do something."
Stowsher slouched at a greater angle to the greasy door-post, and
scowled under his hat-brim. It was a little, low, frowsy room opening
into Jones' Alley. She sat at the table, sewing--a thin, sallow girl
with weak, colourless eyes. She looked as frowsy as her surroundings.
"Well, why don't you go to some of them women, and get fixed up?"
She flicked the end of the table-cloth over some tiny, unfinished
articles of clothing, and bent to her work.
"But you know very well I haven't got a shilling, Ernie," she said,
quietly. "Where am I to get the money from?"
"Who asked yer to get it?"
She was silent, with the exasperating silence of a woman who has
determined to do a thing in spite of all reasons and arguments that may
be brought against it.
"Well, wot more do yer want?" demanded Stowsher, impatiently.
She bent lower. "Couldn't we keep it, Ernie?"
"Wot next?" asked Stowsher, sulkily--he had half suspected what was
coming. Then, with an impatient oath, "You must be gettin' ratty."
She brushed the corner of the cloth further over the little clothes.
"It wouldn't cost anything, Ernie. I'd take a pride in him, and keep him
clean, and dress him like a little lord. He'll be different from all the
other youngsters. He wouldn't be like those dirty, sickly little brats
out there. He'd be just like you, Ernie; I know he would. I'll look
after him night and day, and bring him up well and strong. We'd train
his little muscles from the first, Ernie, and he'd be able to knock 'em
all out when he grew up. It wouldn't cost much, and I'd work hard and be
careful if you'd help me. And you'd be proud of him, too, Ernie--I know
you would."
Stowsher scraped the doorstep with his foot; but whether he was
"touched", or feared hysterics and was wisely silent, was not apparent.
"Do you remember the first day I met you, Ernie?" she asked, presently.
Stowsher regarded her with an uneasy scowl: "Well--wot o' that?"
"You came into the bar-parlour at the 'Cricketers' Arms' and caught a
push of 'em chyacking your old man."
"Well, I altered that."
"I know you did. You done for three of them, one after another, and two
was bigger than you."
"Yes! and when the push come up we done for the rest," said Stowsher,
softening at the recollection.
"And the day you come home and caught the landlord bullying your old
mother like a dog----"
"Yes; I got three months for that job. But it was worth it!" he
reflected. "Only," he added, "the old woman might have had the knocker
to keep away from the lush while I was in quod.... But wot's all this
got to do with it?"
"HE might barrack and fight for you, some day, Ernie," she said softly,
"when you're old and out of form and ain't got no push to back you."
The thing was becoming decidedly embarrassing to Stowsher; not that he
felt any delicacy on the subject, but because he hated to be drawn into
a conversation that might be considered "soft".
"Oh, stow that!" he said, comfortingly. "Git on yer hat, and I'll take
yer for a trot."
She rose quickly, but restrained herself, recollecting that it was not
good policy to betray eagerness in response to an invitation from Ernie.
"But--you know--I don't like to go out like this. You can't--you
wouldn't like to take me out the way I am, Ernie!"
"Why not? Wot rot!"
"The fellows would see me, and--and----"
"And... wot?"
"They might notice----"
"Well, wot o' that? I want 'em to. Are yer comin' or are yer ain't?
Fling round now. I can't hang on here all day."
They walked towards Flagstaff Hill.
One or two, slouching round a pub. corner, saluted with "Wotcher,
Stowsher!"
"Not too stinkin'," replied Stowsher. "Soak yer heads."
"Stowsher's goin' to stick," said one privately.
"An' so he orter," said another. "Wish I had the chanst."
The two turned up a steep lane.
"Don't walk so fast up hill, Ernie; I can't, you know."
"All right, Liz. I forgot that. Why didn't yer say so before?"
She was contentedly silent most of the way, warned by instinct, after
the manner of women when they have gained their point by words.
Once he glanced over his shoulder with a short laugh. "Gorblime!" he
said, "I nearly thought the little beggar was a-follerin' along behind!"
When he left her at the door he said: "Look here, Liz. 'Ere's half a
quid. Git what yer want. Let her go. I'm goin' to graft again in the
mornin', and I'll come round and see yer to-morrer night."
Still she seemed troubled and uneasy.
"Ernie."
"Well. Wot now?"
"S'posin' it's a girl, Ernie."
Stowsher flung himself round impatiently.
"Oh, for God's sake, stow that! Yer always singin' out before yer
hurt.... There's somethin' else, ain't there--while the bloomin' shop's
open?"
"No, Ernie. Ain't you going to kiss me?... I'm satisfied."
"Satisfied! Yer don't want the kid to be arst 'oo 'is father was, do
yer? Yer'd better come along with me some day this week and git spliced.
Yer don't want to go frettin' or any of that funny business while it's
on."
"Oh, Ernie! do you really mean it?"--and she threw her arms round his
neck, and broke down at last.
. . . . .
"So-long, Liz. No more funny business now--I've had enough of it. Keep
yer pecker up, old girl. To-morrer night, mind." Then he added suddenly:
"Yer might have known I ain't that sort of a bloke"--and left abruptly.
Liz was very happy.
Mr. Smellingscheck
I met him in a sixpenny restaurant--"All meals, 6d.--Good beds, 1s."
That was before sixpenny restaurants rose to a third-class position,
and became possibly respectable places to live in, through the
establishment, beneath them, of fourpenny hash-houses (good beds, 6d.),
and, beneath THEM again, of THREE-penny "dining-rooms--CLEAN beds, 4d."
There were five beds in our apartment, the head of one against the foot
of the next, and so on round the room, with a space where the door and
washstand were. I chose the bed the head of which was near the foot of
his, because he looked like a man who took his bath regularly. I
should like, in the interests of sentiment, to describe the place as a
miserable, filthy, evil-smelling garret; but I can't--because it wasn't.
The room was large and airy; the floor was scrubbed and the windows
cleaned at least once a week, and the beds kept fresh and neat, which
is more--a good deal more--than can be said of many genteel private
boarding-houses. The lodgers were mostly respectable unemployed, and
one or two--fortunate men!--in work; it was the casual boozer,
the professional loafer, and the occasional spieler--the
one-shilling-bed-men--who made the place objectionable, not the
hard-working people who paid ten pounds a week for the house; and, but
for the one-night lodgers and the big gilt black-and-red bordered and
"shaded" "6d." in the window--which made me glance guiltily up and down
the street, like a burglar about to do a job, before I went in--I was
pretty comfortable there.
They called him "Mr. Smellingscheck", and treated him with a peculiar
kind of deference, the reason for which they themselves were doubtless
unable to explain or even understand. The haggard woman who made the
beds called him "Mr. Smell-'is-check". Poor fellow! I didn't think, by
the look of him, that he'd smelt his cheque, or anyone else's, or that
anyone else had smelt his, for many a long day. He was a fat man, slow
and placid. He looked like a typical monopolist who had unaccountably
got into a suit of clothes belonging to a Domain unemployed, and hadn't
noticed, or had entirely forgotten, the circumstance in his business
cares--if such a word as care could be connected with such a calm,
self-contained nature. He wore a suit of cheap slops of some kind of
shoddy "tweed". The coat was too small and the trousers too short, and
they were drawn up to meet the waistcoat--which they did with painful
difficulty, now and then showing, by way of protest, two pairs of brass
buttons and the ends of the brace-straps; and they seemed to blame the
irresponsive waistcoat or the wearer for it all. Yet he never gave way
to assist them. A pair of burst elastic-sides were in full evidence, and
a rim of cloudy sock, with a hole in it, showed at every step.
But he put on his clothes and wore them like--like a gentleman. He had
two white shirts, and they were both dirty. He'd lay them out on
the bed, turn them over, regard them thoughtfully, choose that which
appeared to his calm understanding to be the cleaner, and put it on, and
wear it until it was unmistakably dirtier than the other; then he'd
wear the other till it was dirtier than the first. He managed his three
collars the same way. His handkerchiefs were washed in the bathroom, and
dried, without the slightest disguise, in the bedroom. He never hurried
in anything. The way he cleaned his teeth, shaved, and made his toilet
almost transformed the place, in my imagination, into a gentleman's
dressing-room.
He talked politics and such things in the abstract--always in the
abstract--calmly in the abstract. He was an old-fashioned Conservative
of the Sir Leicester Deadlock style. When he was moved by an extra
shower of aggressive democratic cant--which was seldom--he defended
Capital, but only as if it needed no defence, and as if its opponents
were merely thoughtless, ignorant children whom he condescended to set
right because of their inexperience and for their own good. He stuck
calmly to his own order--the order which had dropped him like a foul
thing when the bottom dropped out of his boom, whatever that was. He
never talked of his misfortunes.
He took his meals at the little greasy table in the dark corner
downstairs, just as if he were dining at the Exchange. He had a
chop--rather well-done--and a sheet of the 'Herald' for breakfast. He
carried two handkerchiefs; he used one for a handkerchief and the other
for a table-napkin, and sometimes folded it absently and laid it on the
table. He rose slowly, putting his chair back, took down his battered
old green hat, and regarded it thoughtfully--as though it had just
occurred to him in a calm, casual way that he'd drop into his hatter's,
if he had time, on his way down town, and get it blocked, or else send
the messenger round with it during business hours. He'd draw his stick
out from behind the next chair, plant it, and, if you hadn't quite
finished your side of the conversation, stand politely waiting until you
were done. Then he'd look for a suitable reply into his hat, put it
on, give it a twitch to settle it on his head--as gentlemen do a
"chimney-pot"--step out into the gangway, turn his face to the door, and
walk slowly out on to the middle of the pavement--looking more placidly
well-to-do than ever. The saying is that clothes make a man, but HE
made his almost respectable just by wearing them. Then he'd consult his
watch--(he stuck to the watch all through, and it seemed a good one--I
often wondered why he didn't pawn it); then he'd turn slowly, right
turn, and look down the street. Then slowly back, left-about turn, and
take a cool survey in that direction, as if calmly undecided whether to
take a cab and drive to the Exchange, or (as it was a very fine morning,
and he had half an hour to spare) walk there and drop in at his club
on the way. He'd conclude to walk. I never saw him go anywhere in
particular, but he walked and stood as if he could.
Coming quietly into the room one day, I surprised him sitting at the
table with his arms lying on it and his face resting on them. I heard
something like a sob. He rose hastily, and gathered up some papers which
were on the table; then he turned round, rubbing his forehead and
eyes with his forefinger and thumb, and told me that he suffered
from--something, I forget the name of it, but it was a well-to-do
ailment. His manner seemed a bit jolted and hurried for a minute or so,
and then he was himself again. He told me he was leaving for Melbourne
next day. He left while I was out, and left an envelope downstairs for
me. There was nothing in it except a pound note.
I saw him in Brisbane afterwards, well-dressed, getting out of a cab at
the entrance of one of the leading hotels. But his manner was no more
self-contained and well-to-do than it had been in the old sixpenny
days--because it couldn't be. We had a well-to-do whisky together, and
he talked of things in the abstract. He seemed just as if he'd met me in
the Australia.
"A Rough Shed"
A hot, breathless, blinding sunrise--the sun having appeared suddenly
above the ragged edge of the barren scrub like a great disc of molten
steel. No hint of a morning breeze before it, no sign on earth or sky to
show that it is morning--save the position of the sun.
A clearing in the scrub--bare as though the surface of the earth were
ploughed and harrowed, and dusty as the road. Two oblong huts--one for
the shearers and one for the rouseabouts--in about the centre of the
clearing (as if even the mongrel scrub had shrunk away from them) built
end-to-end, of weatherboards, and roofed with galvanised iron. Little
ventilation; no verandah; no attempt to create, artificially, a breath
of air through the buildings. Unpainted, sordid--hideous. Outside, heaps
of ashes still hot and smoking. Close at hand, "butcher's shop"--a bush
and bag breakwind in the dust, under a couple of sheets of iron, with
offal, grease and clotted blood blackening the surface of the
ground about it. Greasy, stinking sheepskins hanging everywhere with
blood-blotched sides out. Grease inches deep in great black patches
about the fireplace ends of the huts, where wash-up and "boiling" water
is thrown.
Inside, a rough table on supports driven into the black, greasy ground
floor, and formed of flooring boards, running on uneven lines the length
of the hut from within about 6ft. of the fire-place. Lengths of single
six-inch boards or slabs on each side, supported by the projecting ends
of short pieces of timber nailed across the legs of the table to serve
as seats.
On each side of the hut runs a rough framework, like the partitions in a
stable; each compartment battened off to about the size of a manger, and
containing four bunks, one above the other, on each side--their ends,
of course, to the table. Scarcely breathing space anywhere between.
Fireplace, the full width of the hut in one end, where all the cooking
and baking for forty or fifty men is done, and where flour, sugar, etc.,
are kept in open bags. Fire, like a very furnace. Buckets of tea and
coffee on roasting beds of coals and ashes on the hearth. Pile of
"brownie" on the bare black boards at the end of the table. Unspeakable
aroma of forty or fifty men who have little inclination and less
opportunity to wash their skins, and who soak some of the grease out
of their clothes--in buckets of hot water--on Saturday afternoons or
Sundays. And clinging to all, and over all, the smell of the dried,
stale yolk of wool--the stink of rams!
. . . . .
"I am a rouseabout of the rouseabouts. I have fallen so far that it
is beneath me to try to climb to the proud position of 'ringer' of the
shed. I had that ambition once, when I was the softest of green hands;
but then I thought I could work out my salvation and go home. I've got
used to hell since then. I only get twenty-five shillings a week (less
station store charges) and tucker here. I have been seven years west of
the Darling and never shore a sheep. Why don't I learn to shear, and
so make money? What should I do with more money? Get out of this and go
home? I would never go home unless I had enough money to keep me for
the rest of my life, and I'll never make that Out Back. Otherwise, what
should I do at home? And how should I account for the seven years, if
I were to go home? Could I describe shed life to them and explain how
I lived. They think shearing only takes a few days of the year--at the
beginning of summer. They'd want to know how I lived the rest of the
year. Could I explain that I 'jabbed trotters' and was a 'tea-and-sugar
burglar' between sheds. They'd think I'd been a tramp and a beggar all
the time. Could I explain ANYTHING so that they'd understand? I'd have
to be lying all the time and would soon be tripped up and found out.
For, whatever else I have been I was never much of a liar. No, I'll
never go home.
"I become momentarily conscious about daylight. The flies on the track
got me into that habit, I think; they start at day-break--when the
mosquitoes give over.
"The cook rings a bullock bell.
"The cook is fire-proof. He is as a fiend from the nethermost sheol
and needs to be. No man sees him sleep, for he makes bread--or worse,
brownie--at night, and he rings a bullock bell loudly at half-past
five in the morning to rouse us from our animal torpors. Others, the
sheep-ho's or the engine-drivers at the shed or wool-wash, call him, if
he does sleep. They manage it in shifts, somehow, and sleep somewhere,
sometime. We haven't time to know. The cook rings the bullock bell and
yells the time. It was the same time five minutes ago--or a year ago.
No time to decide which. I dash water over my head and face and slap
handfuls on my eyelids--gummed over aching eyes--still blighted by the
yolk o' wool--grey, greasy-feeling water from a cut-down kerosene
tin which I sneaked from the cook and hid under my bunk and had the
foresight to refill from the cask last night, under cover of warm,
still, suffocating darkness. Or was it the night before last? Anyhow, it
will be sneaked from me to-day, and from the crawler who will collar it
to-morrow, and 'touched' and 'lifted' and 'collared' and recovered by
the cook, and sneaked back again, and cause foul language, and fights,
maybe, till we 'cut-out'.
"No; we didn't have sweet dreams of home and mother, gentle poet--nor
yet of babbling brooks and sweethearts, and love's young dream. We are
too dirty and dog-tired when we tumble down, and have too little time to
sleep it off. We don't want to dream those dreams out here--they'd only
be nightmares for us, and we'd wake to remember. We MUSTN'T remember
here.
"At the edge of the timber a great galvanised-iron shed, nearly all
roof, coming down to within 6ft. 6in. of the 'board' over the 'shoots'.
Cloud of red dust in the dead timber behind, going up--noon-day dust.
Fence covered with skins; carcases being burned; blue smoke going
straight up as in noonday. Great glossy (greasy-glossy) black crows
'flopping' around.
"The first syren has gone. We hurry in single files from opposite ends
of rouseabouts' and shearers' huts (as the paths happen to run to the
shed) gulping hot tea or coffee from a pint-pot in one hand and biting
at a junk of brownie in the other.
"Shed of forty hands. Shearers rush the pens and yank out sheep and
throw them like demons; grip them with their knees, take up machines,
jerk the strings; and with a rattling whirring roar the great
machine-shed starts for the day.
"'Go it, you----tigers!' yells a tar-boy. 'Wool away!' 'Tar!' 'Sheep
Ho!' We rush through with a whirring roar till breakfast time.
"We seize our tin plate from the pile, knife and fork from the
candle-box, and crowd round the camp-oven to jab out lean chops, dry as
chips, boiled in fat. Chops or curry-and-rice. There is some growling
and cursing. We slip into our places without removing our hats. There's
no time to hunt for mislaid hats when the whistle goes. Row of hat
brims, level, drawn over eyes, or thrust back--according to characters
or temperaments. Thrust back denotes a lucky absence of brains, I fancy.
Row of forks going up, or jabbing, or poised, loaded, waiting for last
mouthful to be bolted.
"We pick up, sweep, tar, sew wounds, catch sheep that break from the
pens, jump down and pick up those that can't rise at the bottom of
the shoots, 'bring-my-combs-from-the-grinder-will-yer,' laugh at dirty
jokes, and swear--and, in short, are the 'will-yer' slaves, body and
soul, of seven, six, five, or four shearers, according to the distance
from the rolling tables.
"The shearer on the board at the shed is a demon. He gets so much a
hundred; we, 25s. a week. He is not supposed, by the rules of the shed,
the Union, and humanity, to take a sheep out of the pen AFTER the bell
goes (smoke-ho, meals, or knock-off), but his watch is hanging on the
post, and he times himself to get so many sheep out of the pen BEFORE
the bell goes, and ONE MORE--the 'bell-sheep'--as it is ringing. We have
to take the last fleece to the table and leave our board clean. We go
through the day of eight hours in runs of about an hour and 20 minutes
between smoke-ho's--from 6 to 6. If the shearers shore 200 instead of
100, they'd get 2 Pounds a day instead of 1 Pound, and we'd have twice
as much work to do for our 25s. per week. But the shearers are racing
each other for tallies. And it's no use kicking. There is no God here
and no Unionism (though we all have tickets). But what am I growling
about? I've worked from 6 to 6 with no smoke-ho's for half the wages,
and food we wouldn't give the sheep-ho dog. It's the bush growl, born of
heat, flies, and dust. I'd growl now if I had a thousand a year. We MUST
growl, swear, and some of us drink to d.t.'s, or go mad sober.
"Pants and shirts stiff with grease as though a couple of pounds of soft
black putty were spread on with a painter's knife.
"No, gentle bard!--we don't sing at our work. Over the whirr and roar
and hum all day long, and with iteration that is childish and irritating
to the intelligent greenhand, float unthinkable adjectives and adverbs,
addressed to jumbucks, jackaroos, and mates indiscriminately. And worse
words for the boss over the board--behind his back.
"I came of a Good Christian Family--perhaps that's why I went to the
Devil. When I came out here I'd shrink from the man who used foul
language. In a short time I used it with the worst. I couldn't help it.
"That's the way of it. If I went back to a woman's country again I
wouldn't swear. I'd forget this as I would a nightmare. That's the
way of it. There's something of the larrikin about us. We don't exist
individually. Off the board, away from the shed (and each other) we are
quiet--even gentle.
"A great-horned ram, in poor condition, but shorn of a heavy fleece,
picks himself up at the foot of the 'shoot', and hesitates, as if
ashamed to go down to the other end where the ewes are. The most
ridiculous object under Heaven.
"A tar-boy of fifteen, of the bush, with a mouth so vile that
a street-boy, same age (up with a shearing uncle), kicks him
behind--having proved his superiority with his fists before the shed
started. Of which unspeakable little fiend the roughest shearer of a
rough shed was heard to say, in effect, that if he thought there was
the slightest possibility of his becoming the father of such a boy
he'd----take drastic measures to prevent the possibility of his becoming
a proud parent at all.
"Twice a day the cooks and their familiars carry buckets of
oatmeal-water and tea to the shed, two each on a yoke. We cry, 'Where
are you coming to, my pretty maids?'
"In ten minutes the surfaces of the buckets are black with flies. We
have given over trying to keep them clear. We stir the living cream
aside with the bottoms of the pints, and guzzle gallons, and sweat it
out again. Occasionally a shearer pauses and throws the perspiration
from his forehead in a rain.
"Shearers live in such a greedy rush of excitement that often a strong
man will, at a prick of the shears, fall in a death-like faint on the
board.
"We hate the Boss-of-the-Board as the shearers' 'slushy' hates the
shearers' cook. I don't know why. He's a very fair boss.
"He refused to put on a traveller yesterday, and the traveller knocked
him down. He walked into the shed this morning with his hat back and
thumbs in waistcoat--a tribute to man's weakness. He threatened to
dismiss the traveller's mate, a bigger man, for rough shearing--a
tribute to man's strength. The shearer said nothing. We hate the boss
because he IS boss, but we respect him because he is a strong man. He is
as hard up as any of us, I hear, and has a sick wife and a large, small
family in Melbourne. God judge us all!
"There is a gambling-school here, headed by the shearers' cook. After
tea they head-'em, and advance cheques are passed from hand to hand, and
thrown in the dust until they are black. When it's too dark to see with
nose to the ground, they go inside and gamble with cards. Sometimes
they start on Saturday afternoon, heading 'em till dark, play cards all
night, start again heading 'em Sunday afternoon, play cards all Sunday
night, and sleep themselves sane on Monday, or go to work ghastly--like
dead men.
"Cry of 'Fight'; we all rush out. But there isn't much fighting. Afraid
of murdering each other. I'm beginning to think that most bush crime is
due to irritation born of dust, heat, and flies.
"The smothering atmosphere shudders when the sun goes down. We call it
the sunset breeze.
"Saturday night or Sunday we're invited into the shearers' hut. There
are songs that are not hymns and recitations and speeches that are not
prayers.
"Last Sunday night: Slush lamps at long intervals on table. Men playing
cards, sewing on patches--(nearly all smoking)--some writing, and
the rest reading Deadwood Dick. At one end of the table a Christian
Endeavourer endeavouring; at the other a cockney Jew, from the hawker's
boat, trying to sell rotten clothes. In response to complaints, direct
and not chosen generally for Sunday, the shearers' rep. requests both
apostles to shut up or leave.
"He couldn't be expected to take the Christian and leave the Jew, any
more than he could take the Jew and leave the Christian. We are just
amongst ourselves in our hell.
. . . . .
"Fiddle at the end of rouseabouts' hut. Voice of Jackeroo, from upper
bunk with apologetic oaths: 'For God's sake chuck that up; it makes a
man think of blanky old things!'
"A lost soul laughs (mine) and dreadful night smothers us."
Payable Gold
Among the crowds who left the Victorian side for New South Wales about
the time Gulgong broke out was an old Ballarat digger named Peter
McKenzie. He had married and retired from the mining some years
previously and had made a home for himself and family at the village of
St. Kilda, near Melbourne; but, as was often the case with old diggers,
the gold fever never left him, and when the fields of New South Wales
began to blaze he mortgaged his little property in order to raise funds
for another campaign, leaving sufficient behind him to keep his wife and
family in comfort for a year or so.
As he often remarked, his position was now very different from what it
had been in the old days when he first arrived from Scotland, in the
height of the excitement following on the great discovery. He was a
young man then with only himself to look out for, but now that he was
getting old and had a family to provide for he had staked too much on
this venture to lose. His position did certainly look like a forlorn
hope, but he never seemed to think so.
Peter must have been very lonely and low-spirited at times. A young
or unmarried man can form new ties, and even make new sweethearts if
necessary, but Peter's heart was with his wife and little ones at home,
and they were mortgaged, as it were, to Dame Fortune. Peter had to lift
this mortgage off.
Nevertheless he was always cheerful, even at the worst of times, and
his straight grey beard and scrubby brown hair encircled a smile which
appeared to be a fixture. He had to make an effort in order to look
grave, such as some men do when they want to force a smile.
It was rumoured that Peter had made a vow never to return home until
he could take sufficient wealth to make his all-important family
comfortable, or, at least, to raise the mortgage from the property, for
the sacrifice of which to his mad gold fever he never forgave himself.
But this was one of the few things which Peter kept to himself.
The fact that he had a wife and children at St. Kilda was well known to
all the diggers. They had to know it, and if they did not know the age,
complexion, history and peculiarities of every child and of the "old
woman" it was not Peter's fault.
He would cross over to our place and talk to the mother for hours about
his wife and children. And nothing pleased him better than to discover
peculiarities in us children wherein we resembled his own. It pleased us
also for mercenary reasons. "It's just the same with my old woman,"
or "It's just the same with my youngsters," Peter would exclaim
boisterously, for he looked upon any little similarity between the two
families as a remarkable coincidence. He liked us all, and was always
very kind to us, often standing between our backs and the rod that
spoils the child--that is, I mean, if it isn't used. I was very
short-tempered, but this failing was more than condoned by the fact that
Peter's "eldest" was given that way also. Mother's second son was very
good-natured; so was Peter's third. Her "third" had a great aversion
for any duty that threatened to increase his muscles; so had Peter's
"second". Our baby was very fat and heavy and was given to sucking her
own thumb vigorously, and, according to the latest bulletins from home,
it was just the same with Peter's "last".
I think we knew more about Peter's family than we did about our own.
Although we had never seen them, we were as familiar with their features
as the photographer's art could make us, and always knew their domestic
history up to the date of the last mail.
We became interested in the McKenzie family. Instead of getting bored by
them as some people were, we were always as much pleased when Peter got
a letter from home as he was himself, and if a mail were missed, which
seldom happened--we almost shared his disappointment and anxiety. Should
one of the youngsters be ill, we would be quite uneasy, on Peter's
account, until the arrival of a later bulletin removed his anxiety, and
ours.
It must have been the glorious power of a big true heart that gained for
Peter the goodwill and sympathy of all who knew him.
Peter's smile had a peculiar fascination for us children. We would
stand by his pointing forge when he'd be sharpening picks in the early
morning, and watch his face for five minutes at a time, wondering
sometimes whether he was always SMILING INSIDE, or whether the smile
went on externally irrespective of any variation in Peter's condition of
mind.
I think it was the latter case, for often when he had received bad news
from home we have heard his voice quaver with anxiety, while the old
smile played on his round, brown features just the same.
Little Nelse (one of those queer old-man children who seem to come into
the world by mistake, and who seldom stay long) used to say that Peter
"cried inside".
Once, on Gulgong, when he attended the funeral of an old Ballarat
mate, a stranger who had been watching his face curiously remarked that
McKenzie seemed as pleased as though the dead digger had bequeathed him
a fortune. But the stranger had soon reason to alter his opinion, for
when another old mate began in a tremulous voice to repeat the words
"Ashes to ashes, an' dust to dust," two big tears suddenly burst from
Peter's eyes, and hurried down to get entrapped in his beard.
Peter's goldmining ventures were not successful. He sank three duffers
in succession on Gulgong, and the fourth shaft, after paying expenses,
left a little over a hundred to each party, and Peter had to send the
bulk of his share home. He lived in a tent (or in a hut when he could
get one) after the manner of diggers, and he "did for himself", even to
washing his own clothes. He never drank nor "played", and he took little
enjoyment of any kind, yet there was not a digger on the field who would
dream of calling old Peter McKenzie "a mean man". He lived, as we know
from our own observations, in a most frugal manner. He always tried to
hide this, and took care to have plenty of good things for us when he
invited us to his hut; but children's eyes are sharp. Some said that
Peter half-starved himself, but I don't think his family ever knew,
unless he told them so afterwards.
Ah, well! the years go over. Peter was now three years from home, and he
and Fortune were enemies still. Letters came by the mail, full of little
home troubles and prayers for Peter's return, and letters went back by
the mail, always hopeful, always cheerful. Peter never gave up. When
everything else failed he would work by the day (a sad thing for a
digger), and he was even known to do a job of fencing until such time
as he could get a few pounds and a small party together to sink another
shaft.
Talk about the heroic struggles of early explorers in a hostile country;
but for dogged determination and courage in the face of poverty,
illness, and distance, commend me to the old-time digger--the truest
soldier Hope ever had!
In the fourth year of his struggle Peter met with a terrible
disappointment. His party put down a shaft called the Forlorn Hope near
Happy Valley, and after a few weeks' fruitless driving his mates jibbed
on it. Peter had his own opinion about the ground--an old digger's
opinion, and he used every argument in his power to induce his mates to
put a few days' more work in the claim. In vain he pointed out that the
quality of the wash and the dip of the bottom exactly resembled that of
the "Brown Snake", a rich Victorian claim. In vain he argued that in the
case of the abovementioned claim, not a colour could be got until the
payable gold was actually reached. Home Rule and The Canadian and that
cluster of fields were going ahead, and his party were eager to shift.
They remained obstinate, and at last, half-convinced against his
opinion, Peter left with them to sink the "Iawatha", in Log Paddock,
which turned out a rank duffer--not even paying its own expenses.
A party of Italians entered the old claim and, after driving it a few
feet further, made their fortune.
. . . . .
We all noticed the change in Peter McKenzie when he came to "Log
Paddock", whither we had shifted before him. The old smile still
flickered, but he had learned to "look" grave for an hour at a time
without much effort. He was never quite the same after the affair of
Forlorn Hope, and I often think how he must have "cried" sometimes
"inside".
However, he still read us letters from home, and came and smoked in
the evening by our kitchen-fire. He showed us some new portraits of his
family which he had received by a late mail, but something gave me
the impression that the portraits made him uneasy. He had them in his
possession for nearly a week before showing them to us, and to the best
of our knowledge he never showed them to anybody else. Perhaps they
reminded him of the flight of time--perhaps he would have preferred his
children to remain just as he left them until he returned.
But stay! there was one portrait that seemed to give Peter infinite
pleasure. It was the picture of a chubby infant of about three years
or more. It was a fine-looking child taken in a sitting position on
a cushion, and arrayed in a very short shirt. On its fat, soft, white
face, which was only a few inches above the ten very podgy toes, was a
smile something like Peter's. Peter was never tired of looking at and
showing the picture of his child--the child he had never seen. Perhaps
he cherished a wild dream of making his fortune and returning home
before THAT child grew up.
. . . . .
McKenzie and party were sinking a shaft at the upper end of Log Paddock,
generally called "The other end". We were at the lower end.
One day Peter came down from "the other end" and told us that his party
expected to "bottom" during the following week, and if they got no
encouragement from the wash they intended to go prospecting at the
"Happy Thought", near Specimen Flat.
The shaft in Log Paddock was christened "Nil Desperandum". Towards the
end of the week we heard that the wash in the "Nil" was showing good
colours.
Later came the news that "McKenzie and party" had bottomed on payable
gold, and the red flag floated over the shaft. Long before the first
load of dirt reached the puddling machine on the creek, the news was all
round the diggings. The "Nil Desperandum" was a "Golden Hole"!
. . . . .
We will not forget the day when Peter went home. He hurried down in the
morning to have an hour or so with us before Cobb and Co. went by. He
told us all about his little cottage by the bay at St. Kilda. He had
never spoken of it before, probably because of the mortgage. He told us
how it faced the bay--how many rooms it had, how much flower garden, and
how on a clear day he could see from the window all the ships that came
up to the Yarra, and how with a good telescope he could even distinguish
the faces of the passengers on the big ocean liners.
And then, when the mother's back was turned, he hustled us children
round the corner, and surreptitiously slipped a sovereign into each
of our dirty hands, making great pantomimic show for silence, for the
mother was very independent.
And when we saw the last of Peter's face setting like a good-humoured
sun on the top of Cobb and Co.'s, a great feeling of discontent and
loneliness came over all our hearts. Little Nelse, who had been Peter's
favourite, went round behind the pig-stye, where none might disturb him,
and sat down on the projecting end of a trough to "have a cry", in his
usual methodical manner. But old "Alligator Desolation", the dog, had
suspicions of what was up, and, hearing the sobs, went round to offer
whatever consolation appertained to a damp and dirty nose and a pair of
ludicrously doleful yellow eyes.
An Oversight of Steelman's
Steelman and Smith--professional wanderers--were making back for
Wellington, down through the wide and rather dreary-looking Hutt Valley.
They were broke. They carried their few remaining belongings in two
skimpy, amateurish-looking swags. Steelman had fourpence left. They were
very tired and very thirsty--at least Steelman was, and he answered for
both. It was Smith's policy to feel and think just exactly as Steelman
did. Said Steelman:
"The landlord of the next pub. is not a bad sort. I won't go in--he
might remember me. You'd best go in. You've been tramping round in the
Wairarapa district for the last six months, looking for work. You're
going back to Wellington now, to try and get on the new corporation
works just being started there--the sewage works. You think you've got a
show. You've got some mates in Wellington, and they're looking out for
a chance for you. You did get a job last week on a sawmill at
Silverstream, and the boss sacked you after three days and wouldn't pay
you a penny. That's just his way. I know him--at least a mate of mine
does. I've heard of him often enough. His name's Cowman. Don't forget
the name, whatever you do. The landlord here hates him like poison;
he'll sympathize with you. Tell him you've got a mate with you; he's
gone ahead--took a short cut across the paddocks. Tell him you've got
only fourpence left, and see if he'll give you a drop in a bottle. Says
you: 'Well, boss, the fact is we've only got fourpence, but you might
let us have a drop in a bottle'; and very likely he'll stand you a
couple of pints in a gin-bottle. You can fling the coppers on the
counter, but the chances are he won't take them. He's not a bad sort.
Beer's fourpence a pint out here, same's in Wellington. See that
gin-bottle lying there by the stump; get it and we'll take it down to
the river with us and rinse it out."
They reached the river bank.
"You'd better take my swag--it looks more decent," said Steelman. "No,
I'll tell you what we'll do: we'll undo both swags and make them into
one--one decent swag, and I'll cut round through the lanes and wait for
you on the road ahead of the pub."
He rolled up the swag with much care and deliberation and considerable
judgment. He fastened Smith's belt round one end of it, and
the handkerchiefs round the other, and made a towel serve as a
shoulder-strap.
"I wish we had a canvas bag to put it in," he said, "or a cover of some
sort. But never mind. The landlord's an old Australian bushman, now
I come to think of it; the swag looks Australian enough, and it might
appeal to his feelings, you know--bring up old recollections. But you'd
best not say you come from Australia, because he's been there, and he'd
soon trip you up. He might have been where you've been, you know, so
don't try to do too much. You always do mug-up the business when you
try to do more than I tell you. You might tell him your mate came from
Australia--but no, he might want you to bring me in. Better stick to
Maoriland. I don't believe in too much ornamentation. Plain lies are the
best."
"What's the landlord's name?" asked Smith.
"Never mind that. You don't want to know that. You are not supposed to
know him at all. It might look suspicious if you called him by his name,
and lead to awkward questions; then you'd be sure to put your foot into
it."
"I could say I read it over the door."
"Bosh. Travellers don't read the names over the doors, when they go into
pubs. You're an entire stranger to him. Call him 'Boss'. Say 'Good-day,
Boss,' when you go in, and swing down your swag as if you're used to
it. Ease it down like this. Then straighten yourself up, stick your hat
back, and wipe your forehead, and try to look as hearty and independent
and cheerful as you possibly can. Curse the Government, and say the
country's done. It don't matter what Government it is, for he's always
against it. I never knew a real Australian that wasn't. Say that you're
thinking about trying to get over to Australia, and then listen to
him talking about it--and try to look interested, too! Get that damned
stone-deaf expression off your face!... He'll run Australia down most
likely (I never knew an Other-sider that had settled down over here who
didn't). But don't you make any mistake and agree with him, because,
although successful Australians over here like to run their own country
down, there's very few of them that care to hear anybody else do it....
Don't come away as soon as you get your beer. Stay and listen to him for
a while, as if you're interested in his yarning, and give him time to
put you on to a job, or offer you one. Give him a chance to ask how you
and your mate are off for tobacco or tucker. Like as not he'll sling you
half a crown when you come away--that is, if you work it all right.
Now try to think of something to say to him, and make yourself a bit
interesting--if you possibly can. Tell him about the fight we saw back
at the pub. the other day. He might know some of the chaps. This is a
sleepy hole, and there ain't much news knocking round.... I wish I could
go in myself, but he's sure to remember ME. I'm afraid he got left the
last time I stayed there (so did one or two others); and, besides, I
came away without saying good-bye to him, and he might feel a bit sore
about it. That's the worst of travelling on the old road. Come on now,
wake up!"
"Bet I'll get a quart," said Smith, brightening up, "and some tucker for
it to wash down."
"If you don't," said Steelman, "I'll stoush you. Never mind the bottle;
fling it away. It doesn't look well for a traveller to go into a pub.
with an empty bottle in his hand. A real swagman never does. It looks
much better to come out with a couple of full ones. That's what you've
got to do. Now, come along."
Steelman turned off into a lane, cut across the paddocks to the road
again, and waited for Smith. He hadn't long to wait.
Smith went on towards the public-house, rehearsing his part as
he walked--repeating his "lines" to himself, so as to be sure of
remembering all that Steelman had told him to say to the landlord, and
adding, with what he considered appropriate gestures, some fancy touches
of his own, which he determined to throw in in spite of Steelman's
advice and warning. "I'll tell him (this)--I'll tell him (that). Well,
look here, boss, I'll say you're pretty right and I quite agree with you
as far as that's concerned, but," &c. And so, murmuring and mumbling
to himself, Smith reached the hotel. The day was late, and the bar was
small, and low, and dark. Smith walked in with all the assurance he
could muster, eased down his swag in a corner in what he no doubt
considered the true professional style, and, swinging round to the bar,
said in a loud voice which he intended to be cheerful, independent, and
hearty:
"Good-day, boss!"
But it wasn't a "boss". It was about the hardest-faced old woman that
Smith had ever seen. The pub. had changed hands.
"I--I beg your pardon, missus," stammered poor Smith.
It was a knock-down blow for Smith. He couldn't come to time. He and
Steelman had had a landlord in their minds all the time, and laid
their plans accordingly; the possibility of having a she--and one like
this--to deal with never entered into their calculations. Smith had no
time to reorganise, even if he had had the brains to do so, without the
assistance of his mate's knowledge of human nature.
"I--I beg your pardon, missus," he stammered.
Painful pause. She sized him up.
"Well, what do you want?"
"Well, missus--I--the fact is--will you give me a bottle of beer for
fourpence?"
"Wha--what?"
"I mean----. The fact is, we've only got fourpence left, and--I've got a
mate outside, and you might let us have a quart or so, in a bottle, for
that. I mean--anyway, you might let us have a pint. I'm very sorry to
bother you, missus."
But she couldn't do it. No. Certainly not. Decidedly not! All her drinks
were sixpence. She had her license to pay, and the rent, and a family to
keep. It wouldn't pay out there--it wasn't worth her while. It wouldn't
pay the cost of carting the liquor out, &c., &c.
"Well, missus," poor Smith blurted out at last, in sheer desperation,
"give me what you can in a bottle for this. I've--I've got a mate
outside." And he put the four coppers on the bar.
"Have you got a bottle?"
"No--but----"
"If I give you one, will you bring it back? You can't expect me to give
you a bottle as well as a drink."
"Yes, mum; I'll bring it back directly."
She reached out a bottle from under the bar, and very deliberately
measured out a little over a pint and poured it into the bottle, which
she handed to Smith without a cork.
Smith went his way without rejoicing. It struck him forcibly that he
should have saved the money until they reached Petone, or the city,
where Steelman would be sure to get a decent drink. But how was he to
know? He had chanced it, and lost; Steelman might have done the same.
What troubled Smith most was the thought of what Steelman would say; he
already heard him, in imagination, saying: "You're a mug, Smith--Smith,
you ARE a mug."
But Steelman didn't say much. He was prepared for the worst by seeing
Smith come along so soon. He listened to his story with an air of gentle
sadness, even as a stern father might listen to the voluntary confession
of a wayward child; then he held the bottle up to the fading light of
departing day, looked through it (the bottle), and said:
"Well--it ain't worth while dividing it."
Smith's heart shot right down through a hole in the sole of his left
boot into the hard road.
"Here, Smith," said Steelman, handing him the bottle, "drink it, old
man; you want it. It wasn't altogether your fault; it was an oversight
of mine. I didn't bargain for a woman of that kind, and, of course, YOU
couldn't be expected to think of it. Drink it! Drink it down, Smith.
I'll manage to work the oracle before this night is out."
Smith was forced to believe his ears, and, recovering from his surprise,
drank.
"I promised to take back the bottle," he said, with the ghost of a
smile.
Steelman took the bottle by the neck and broke it on the fence.
"Come on, Smith; I'll carry the swag for a while."
And they tramped on in the gathering starlight.
How Steelman told his Story
It was Steelman's humour, in some of his moods, to take Smith into his
confidence, as some old bushmen do their dogs.
"You're nearly as good as an intelligent sheep-dog to talk to,
Smith--when a man gets tired of thinking to himself and wants a relief.
You're a bit of a mug and a good deal of an idiot, and the chances are
that you don't know what I'm driving at half the time--that's the main
reason why I don't mind talking to you. You ought to consider yourself
honoured; it ain't every man I take into my confidence, even that far."
Smith rubbed his head.
"I'd sooner talk to you--or a stump--any day than to one of those
silent, suspicious, self-contained, worldly-wise chaps that listen to
everything you say--sense and rubbish alike--as if you were trying to
get them to take shares in a mine. I drop the man who listens to me all
the time and doesn't seem to get bored. He isn't safe. He isn't to be
trusted. He mostly wants to grind his axe against yours, and there's
too little profit for me where there are two axes to grind, and no
stone--though I'd manage it once, anyhow."
"How'd you do it?" asked Smith.
"There are several ways. Either you join forces, for instance, and find
a grindstone--or make one of the other man's axe. But the last way is
too slow, and, as I said, takes too much brain-work--besides, it doesn't
pay. It might satisfy your vanity or pride, but I've got none. I had
once, when I was younger, but it--well, it nearly killed me, so I
dropped it.
"You can mostly trust the man who wants to talk more than you do; he'll
make a safe mate--or a good grindstone."
Smith scratched the nape of his neck and sat blinking at the fire, with
the puzzled expression of a woman pondering over a life-question or the
trimming of a hat. Steelman took his chin in his hand and watched Smith
thoughtfully.
"I--I say, Steely," exclaimed Smith, suddenly, sitting up and scratching
his head and blinking harder than ever--"wha--what am I?"
"How do you mean?"
"Am I the axe or the grindstone?"
"Oh! your brain seems in extra good working order to-night, Smith. Well,
you turn the grindstone and I grind." Smith settled. "If you could
grind better than I, I'd turn the stone and let YOU grind, I'd never go
against the interests of the firm--that's fair enough, isn't it?"
"Ye-es," admitted Smith; "I suppose so."
"So do I. Now, Smith, we've got along all right together for years, off
and on, but you never know what might happen. I might stop breathing,
for instance--and so might you."
Smith began to look alarmed.
"Poetical justice might overtake one or both of us--such things have
happened before, though not often. Or, say, misfortune or death might
mistake us for honest, hard-working mugs with big families to keep, and
cut us off in the bloom of all our wisdom. You might get into trouble,
and, in that case, I'd be bound to leave you there, on principle; or
I might get into trouble, and you wouldn't have the brains to get me
out--though I know you'd be mug enough to try. I might make a rise and
cut you, or you might be misled into showing some spirit, and clear out
after I'd stoushed you for it. You might get tired of me calling you a
mug, and bossing you and making a tool or convenience of you, you know.
You might go in for honest graft (you were always a bit weak-minded) and
then I'd have to wash my hands of you (unless you agreed to keep me)
for an irreclaimable mug. Or it might suit me to become a respected and
worthy fellow townsman, and then, if you came within ten miles of me
or hinted that you ever knew me, I'd have you up for vagrancy, or
soliciting alms, or attempting to levy blackmail. I'd have to fix
you--so I give you fair warning. Or we might get into some desperate
fix (and it needn't be very desperate, either) when I'd be obliged to
sacrifice you for my own personal safety, comfort, and convenience.
Hundreds of things might happen.
"Well, as I said, we've been at large together for some years, and I've
found you sober, trustworthy, and honest; so, in case we do part--as we
will sooner or later--and you survive, I'll give you some advice from my
own experience.
"In the first place: If you ever happen to get born again--and it
wouldn't do you much harm--get born with the strength of a bullock and
the hide of one as well, and a swelled head, and no brains--at least
no more brains than you've got now. I was born with a skin like
tissue-paper, and brains; also a heart.
"Get born without relatives, if you can: if you can't help it, clear out
on your own just as soon after you're born as you possibly can. I hung
on.
"If you have relations, and feel inclined to help them any time when
you're flush (and there's no telling what a weak-minded man like you
might take it into his head to do)--don't do it. They'll get a down on
you if you do. It only causes family troubles and bitterness. There's
no dislike like that of a dependant. You'll get neither gratitude
nor civility in the end, and be lucky if you escape with a character.
(You've got NO character, Smith; I'm only just supposing you have.)
There's no hatred too bitter for, and nothing too bad to be said of, the
mug who turns. The worst yarns about a man are generally started by his
own tribe, and the world believes them at once on that very account.
Well, the first thing to do in life is to escape from your friends.
"If you ever go to work--and miracles have happened before--no matter
what your wages are, or how you are treated, you can take it for granted
that you're sweated; act on that to the best of your ability, or you'll
never rise in the world. If you go to see a show on the nod you'll be
found a comfortable seat in a good place; but if you pay the chances
are the ticket clerk will tell you a lie, and you'll have to hustle for
standing room. The man that doesn't ante gets the best of this world;
anything he'll stand is good enough for the man that pays. If you try to
be too sharp you'll get into gaol sooner or later; if you try to be too
honest the chances are that the bailiff will get into your house--if you
have one--and make a holy show of you before the neighbours. The honest
softy is more often mistaken for a swindler, and accused of being one,
than the out-and-out scamp; and the man that tells the truth too much
is set down as an irreclaimable liar. But most of the time crow low
and roost high, for it's a funny world, and you never know what might
happen.
"And if you get married (and there's no accounting for a woman's taste)
be as bad as you like, and then moderately good, and your wife will
love you. If you're bad all the time she can't stand it for ever, and if
you're good all the time she'll naturally treat you with contempt. Never
explain what you're going to do, and don't explain afterwards, if you
can help it. If you find yourself between two stools, strike hard for
your own self, Smith--strike hard, and you'll be respected more than if
you fought for all the world. Generosity isn't understood nowadays, and
what the people don't understand is either 'mad' or 'cronk'. Failure has
no case, and you can't build one for it.... I started out in life very
young--and very soft."
. . . . .
"I thought you were going to tell me your story, Steely," remarked
Smith.
Steelman smiled sadly.
[End of original text.]
About the author:
Henry Lawson was born near Grenfell, New South Wales, Australia on
17 June 1867. Although he has since become Australia's most acclaimed
writer, in his own lifetime his writing was often "on the side"--his
"real" work being whatever he could find. His writing was frequently
taken from memories of his childhood, especially at Pipeclay/Eurunderee.
In his autobiography, he states that many of his characters were
taken from the better class of diggers and bushmen he knew there.
His experiences at this time deeply influenced his work, for it is
interesting to note a number of descriptions and phrases that are
identical in his autobiography and in his stories and poems. He died at
Sydney, 2 September 1922. He is most famous for his short stories.
"On the Track" and "Over the Sliprails" were both published at Sydney
in 1900, the prefaces being dated March and June respectively--and so,
though printed separately, a combined edition was printed the same
year (the two separate, complete works were simply put together in one
binding); hence they are sometimes referred to as "On the Track and Over
the Sliprails".
. . . . .
An incomplete Glossary of Australian terms and concepts which may prove
helpful to understanding this book:
Anniversary Day: Alluded to in the text, is now known as Australia
Day. It commemorates the establishment of the first English
settlement in Australia, at Port Jackson (Sydney Harbour), on 26
January 1788.
Billy: A kettle used for camp cooking, especially to boil water for
tea.
Cabbage-tree/Cabbage-tree hat: A wide-brimmed hat made with the
leaves of the cabbage tree palm (Livistona australis). It was a
common hat in early colonial days, and later became associated with
patriotism.
Gin: An aboriginal woman; use of the term is analogous to "squaw"
in N. America. May be considered derogatory in modern usage.
Graft: Work; hard work.
Humpy: (Aboriginal) A rough or temporary hut or shelter in the bush,
especially one built from bark, branches, and the like. A gunyah,
wurley, or mia-mia.
Jackeroo/Jackaroo: At the time Lawson wrote, a Jackeroo was a "new
chum" or newcomer to Australia, who sought work on a station to
gain experience. The term now applies to any young man working as a
station hand. A female station hand is a Jillaroo.
Jumbuck: A sheep.
Larrikin: A hoodlum.
Lollies: Candy, sweets.
'Possum/Possum: In Australia, a class of marsupials that were
originally mistaken for the American animal of the same name. They
are not especially related to the possums of North and South
America, other than being marsupials.
Public/Pub.: The traditional pub. in Australia was a hotel with a
"public" bar--hence the name. The modern pub has often (not always)
dispensed with the lodging, and concentrated on the bar.
Push: A group of people sharing something in common; Lawson uses the
word in an older and more particular sense, as a gang of violent
city hoodlums.
Ratty: Shabby, dilapidated; somewhat eccentric, perhaps even
slightly mad.
Selector: A free selector, a farmer who selected and settled land
by lease or license from the government.
Shout: To buy a round of drinks.
Sliprails/slip-rails: movable rails, forming a section of fence,
which can be taken down in lieu of a gate.
Sly grog shop or shanty: An unlicensed bar or liquor-store,
especially one selling cheap or poor-quality liquor.
Squatter: A person who first settled on land without government
permission, and later continued by lease or license, generally to
raise stock; a wealthy rural landowner.
Station: A farm or ranch, especially one devoted to cattle or sheep.
Stoush: Violence; to do violence to.
Tea: In addition to the regular meaning, Tea can also mean a light
snack or a meal (i.e., where Tea is served). In particular, Morning
Tea (about 10 AM) and Afternoon Tea (about 3 PM) are nothing more
than a snack, but Evening Tea (about 6 PM) is a meal. When just
"Tea" is used, it usually means the evening meal. Variant: Tea-
time.
Tucker: Food.
Also: a hint with the seasons--remember that the seasons are
reversed from those in the northern hemisphere, hence June may be
hot, but December is even hotter. Australia is at a lower latitude
than the United States, so the winters are not harsh by US
standards, and are not even mild in the north. In fact, large parts
of Australia are governed more by "dry" versus "wet" than by Spring-
Summer-Fall-Winter.
(Alan Light, Monroe, North Carolina, March 1998.)
End of the Project Gutenberg EBook of On the Track, by Henry Lawson
*** END OF THIS PROJECT GUTENBERG EBOOK ON THE TRACK ***
***** This file should be named 1231.txt or 1231.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/1/2/3/1231/
Produced by Alan R. Light
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
|