summaryrefslogtreecommitdiff
path: root/old/12262-h/12262-h.htm
diff options
context:
space:
mode:
Diffstat (limited to 'old/12262-h/12262-h.htm')
-rw-r--r--old/12262-h/12262-h.htm2289
1 files changed, 2289 insertions, 0 deletions
diff --git a/old/12262-h/12262-h.htm b/old/12262-h/12262-h.htm
new file mode 100644
index 0000000..3044f37
--- /dev/null
+++ b/old/12262-h/12262-h.htm
@@ -0,0 +1,2289 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+ <meta http-equiv="Content-Type"
+ content="text/html; charset=us-ascii" />
+
+ <title>The Project Gutenberg EBook of Punch, September 27, 1890.</title>
+ <style type="text/css">
+ /*<![CDATA[*/
+
+ <!--
+ body {margin-left: 10%; margin-right: 10%;}
+ p {text-align: justify;}
+ blockquote {text-align: justify;}
+ h1,h2,h3,h4,h5,h6 {text-align: center;}
+ pre {font-size: 0.7em;}
+
+ hr {text-align: center; width: 50%;}
+ html>body hr {margin-right: 25%; margin-left: 25%; width: 50%;}
+ hr.full {width: 100%;}
+ html>body hr.full {margin-right: 0%; margin-left: 0%; width: 100%;}
+ hr.short {text-align: center; width: 20%;}
+ html>body hr.short {margin-right: 40%; margin-left: 40%; width: 20%;}
+
+ .note
+ {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
+
+ span.pagenum
+ {position: absolute; left: 1%; right: 91%; font-size: 8pt;}
+
+ .poem
+ {margin-left:10%; margin-right:10%; margin-bottom: 1em; text-align: left;}
+ .poem .stanza {margin: 1em 0em 1em 0em;}
+ .poem p {margin: 0; padding-left: 3em; text-indent: -3em;}
+ .poem p.i2 {margin-left: 1em;}
+ .poem p.i4 {margin-left: 2em;}
+ .poem p.i6 {margin-left: 3em;}
+ .poem p.i8 {margin-left: 4em;}
+ .poem p.i10 {margin-left: 5em;}
+
+ .figure, .figcenter, .figright, .figleft
+ {padding: 1em; margin: 0; text-align: center; font-size: 0.8em;}
+ .figure img, .figcenter img, .figright img, .figleft img
+ {border: none;}
+ .figure p, .figcenter p, .figright p, .figleft p
+ {margin: 0; text-indent: 1em;}
+ .figcenter {margin: auto;}
+ .figright {float: right;}
+ .figleft {float: left;}
+
+ .footnote {font-size: 0.9em; margin-right: 10%; margin-left: 10%;}
+
+ .side { float:right;
+ font-size: 75%;
+ width: 25%;
+ padding-left:10px;
+ border-left: dashed thin;
+ margin-left: 10px;
+ text-align: left;
+ text-indent: 0;
+ font-weight: bold;
+ font-style: italic;}
+ -->
+ /*]]>*/
+ </style>
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Punch, or the London Charivari, Vol. 99,
+Sept. 27, 1890, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Punch, or the London Charivari, Vol. 99, Sept. 27, 1890
+
+Author: Various
+
+Release Date: May 4, 2004 [EBook #12262]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+
+
+
+Produced by Malcolm Farmer, William Flis and the Online Distributed
+Proofreading Team.
+
+
+
+
+
+
+</pre>
+
+ <h1>PUNCH,<br />
+ OR THE LONDON CHARIVARI.</h1>
+
+ <h2>Vol. 99.</h2>
+ <hr class="full" />
+
+ <h2>September 27, 1890.</h2>
+ <hr class="full" />
+ <span class="pagenum"><a name="page145"
+ id="page145"></a>[pg 145]</span>
+
+ <h2>MODERN TYPES.</h2>
+
+ <h4>(<i>By Mr. Punch's Own Type Writer.</i>)</h4>
+
+ <h3>No. XIX.&mdash;THE SERVANT OF SOCIETY.</h3>
+
+ <p>The Servant of Society is one who, having in early life
+ abdicated every claim to independent thought or action, is
+ content to attach himself to the skirts and coat-tails of the
+ great, and to exist for a long time as a mere appendage in
+ mansions selected by the unerring instinct of a professional
+ tuft-hunter. It is as common a mistake to suppose that all
+ tuft-hunters are necessarily of lowly birth and of inferior
+ social position, as it is to believe them all to be offensive
+ in manner and shallow in artifice. The coarse but honest Snob
+ still perhaps exists, and here and there he thrusts and pushes
+ in the old familiar way; but more often than not the upstart
+ who has won his way to wealth and consideration finds himself
+ to his own surprise courted and fawned upon by those whose
+ boots his abilities would have fitted him to black, and his
+ disposition prompted him to lick. Noble sportsmen are proud to
+ be seen in his company, aristocratic guinea-pigs are constantly
+ in his pocket in the congenial society of the great man's
+ purse, art willingly reproduces his features, journalism
+ enthusiastically commemorates his adventures, and even Royalty
+ does not thrust away a votary whose ministrations are as
+ acceptable as they are readily performed. Without much effort
+ on his own part he is raised to pinnacles which he imagined
+ impossible of access, and soon learns to look down with a
+ contempt that might spring of ancient lineage and assured
+ merit, upon the hungry crowd whose cry is that of the daughter
+ of the horse-leech.</p>
+
+ <p>But the genuine Servant of Society is of a different stamp.
+ Ordinarily he is of a good family, and of a competence which
+ both differs from and resembles his general character in being
+ possessed at once of the attributes of modesty and assurance.
+ From an early age he will have been noted for the qualities
+ which in after-life render him humbly celebrated in subordinate
+ positions. At school he will have had the good fortune to be
+ attached as fag to a big boy who occupied an important place as
+ an athlete, and whose condescending smiles were naturally an
+ object of greater ambition to the small fry than the approval
+ of the school authorities. For him he performed with much
+ assiduity the various duties of a fag, happy to shine amongst
+ his companions as the recipient of the great boy's favours. To
+ play the jackal without incurring universal dislike is (at
+ school) no very easy task, but he accomplishes it with
+ discretion and with a natural aptitude that many maturer
+ jackals might envy.</p>
+
+ <div class="figright"
+ style="width:25%;">
+ <a href="images/145.png"><img width="100%"
+ src="images/145.png"
+ alt="" /></a>
+ </div>
+
+ <p>At the age of seventeen he is withdrawn from school. His own
+ marked disinclination saves him from a military career, and he
+ is subsequently sent to pass a year or two upon the Continent
+ of Europe, in order that he may first of all pass the
+ examination for the Diplomatic Service, and subsequently foil
+ foreign statesmen with their own weapons, and in their own
+ language. Returning, he secures his nomination, and faces the
+ Examiners. Providence, however, reserves him for lower things.
+ The Examiners triumph, and the career of the Servant of Society
+ begins in earnest. The position of his parents secures for him
+ an entrance into good houses. He is a young man of great tact
+ and of small accomplishments. He can warble a song, aid a great
+ lady to organise a social festivity, lead a cotillon, order a
+ dinner, and help to eat it, act in amateur theatricals, and
+ recommend French novels to inquiring matrons. His manners are
+ always easy, and his conversation has that spice of freedom
+ which renders it specially acceptable in the boudoirs of the
+ smart. The experience of a few years makes plain to him that,
+ in social matters, the serious person goes down before the
+ trifler. He therefore cultivates flippancy as a fine art, and
+ becomes noted for a certain cheap cynicism, which he sprinkles
+ like a quasi-intellectual pepper over the strong meat of risky
+ conversation. Moreover, he is constantly self-satisfied, and
+ self-possessed. Yet he manages to avoid giving offence by
+ occasionally assuming a gentle humility of manner, to which he
+ almost succeeds in imparting a natural air, and he studiously
+ refrains from saying or doing anything which, since it may
+ cause other men to provoke him, may possibly result in his
+ being forced to pretend that he himself has been ruffled. Yet
+ it must be added that he is always thoroughly harmless. He
+ flutters about innumerable dovecots, without ever fluttering
+ those who dwell in them, and, in course of time, he comes to be
+ known and accepted everywhere as a useful man. As might be
+ supposed, he is never obtrusively manly. The rough pursuits of
+ the merely athletic repel him, yet he has the knack of assuming
+ an interest where he feels it not, and is able to prattle quite
+ pleasantly about sports in which he takes little or no active
+ part. At the same time it must be admitted that he holds a gun
+ fairly straight, and does not disgrace himself when the
+ necessity of slaughtering a friend's pheasants interrupts for a
+ few hours the rehearsals of private theatricals, in company
+ with the friend's wife. Certainly he is not a fool. He gauges
+ with great accuracy his own capacities, and carefully limits
+ his ambition to those smaller desires which, since they exact
+ no vaulting power, are never likely to bring about a fall on
+ the other side. The objects of his admiration are mean; and
+ since he meanly admires them, he comes quite naturally under
+ the Thackerayan definition of a Snob.</p>
+
+ <p>Whilst he is still a year or two on the fair side of thirty,
+ it may happen that a turn of the political wheel will bring
+ into high office a statesman who is quite willing to be served
+ by those who are able to make themselves useful to him, without
+ exacting from them solidity either of character or of
+ attainments. With him the Servant of Society, with an instinct
+ that does credit to his discernment, will have established
+ friendly relations. The politician was first amused and then
+ impressed by his versatility; now, having the opportunity, he
+ offers to him the position of Assistant Private Secretary
+ (unpaid), and it is scarcely necessary to say that the young
+ man accepts it with a gratitude which proves that he believes
+ his patron capable of conferring further favours. From this
+ time forward he begins to abandon the merely frivolous air that
+ has hitherto distinguished him. He lays in a mixed stock of
+ solemnity, mystery, and importance, and occasionally awes the
+ friends of his flippant days by assuming the reticent look and
+ the shake of the head of one who is marked off from common
+ mortals by the possession of secrets the revelation of which
+ might, perhaps, imperil the peace of the world. In
+ country-houses, in London drawing-rooms, and at Clubs, where he
+ had hitherto been mentioned with a laugh as "Little So-and-So,"
+ he comes to be talked of as "So-and-So&mdash;of course you know
+ him&mdash;Lord BLANK'S Private Secretary." Thus he becomes
+ quite a personage. But he is far from abandoning the
+ <i>r&ocirc;le</i> of Servant of Society. Indeed, he only
+ enlarges and glorifies the scope of his ministrations, without
+ in any way ceasing to cultivate those smaller trifles which
+ stood him in such good stead at the outset of his career. He
+ now has the satisfaction of seeing many of those who desire
+ anything that a Cabinet Minister can give, cringing to one whom
+ they despise, and who rejoices in the knowledge that he can
+ afford to patronise them, and perhaps crush them by obtaining
+ for them that which they want.</p>
+
+ <p>When, in the course of a few years, Lord BLANK'S party
+ ceases to direct the government of the country, his Assistant
+ Private Secretary follows him into the cold shade of adversity
+ and opposition, and stands by him with exemplary usefulness and
+ fidelity. But, though he is often pressed, he never contests a
+ constituency, feeling, perhaps, that it is impossible to serve
+ both Society and the Caucus. In time his name becomes the
+ common property of all Society journals&mdash;his biography is
+ published in one, his discreet service is extolled in another,
+ while a third goes so far as to hint that, if the truth were
+ known, it would be found that the various departments of the
+ State could not possibly carry on their affairs without his
+ enlightened counsel. He adopts an antique fashion of dress, in
+ order to emphasise his personality. He wears a stock, and a
+ very wide-brimmed hat, and carries a bunch of seals dangling
+ from a fob.</p>
+
+ <p>At forty-five he marries the daughter of a powerful Peer,
+ and, shortly afterwards, insures so much of the favour of
+ Royalty as to be spoken of as a <i>persona grata</i> at Court.
+ Henceforward his services are often employed in delicate
+ negotiations, which may necessitate the climbing of many
+ back-stairs. On such occasions, and after it has been announced
+ in the papers that "Mr. So-and-so was the bearer of an
+ important communication" from one great person to another, it
+ is his custom to show himself in his Clubs and in crowded
+ haunts, so that he may enjoy the pleasure of being pointed out,
+ <i>digita pr&aelig;tereuntium</i>, and of catching the whispers
+ of those who nudge one another as they mention his name.</p>
+
+ <p>Finally, it will be rumoured that he has been collecting
+ materials for the Memoirs which he proposes shortly to publish.
+ But though he never disclaims the intention, and is even
+ understood, on more than one occasion, to allude in
+ conversation to the precise period of his life to which his
+ writing has then brought him, it is quite certain that he will
+ never carry out the intention, or bring out the book. At the
+ age of sixty he will still be a young man, with a gay style of
+ banter peculiarly his own. Towards the end of his life he will
+ often talk darkly of great events in which he has played a
+ part, and of extraordinary services which only he could have
+ performed; and when he dies, the country will be called upon to
+ mourn for one who has saved it from social degradation, and
+ from political disaster.</p>
+ <hr />
+ <span class="pagenum"><a name="page146"
+ id="page146"></a>[pg 146]</span>
+
+ <h2>A PIG IN A POKE.</h2>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/146.png"><img width="100%"
+ src="images/146.png"
+ alt="" /></a>
+ </div>
+
+ <blockquote class="note">
+ <p>[According to the <i>Standard</i>, by the new Meat
+ Inspection Law, just come into force in the United States,
+ American cattle and pigs for export to England, France, or
+ Germany, are to be inspected before leaving America, with a
+ view to removing the grounds of objection on the part of
+ those Governments to the unrestricted reception of these
+ important American exports. Should any foreign Government,
+ fearful of pleuro-pneumonia or trichinosis, refuse to trust
+ to the infallibility of the American inspectors, the
+ President of the United States is authorised to retaliate
+ by directing that such products of such foreign State as he
+ may deem proper shall be excluded from importation to the
+ United States.]</p>
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>O SENATOR EDMONDS, of verdant Vermont,</p>
+
+ <p>Of wisdom you may be a marvellous font;</p>
+
+ <p>But you'll hardly get JOHN,&mdash;'tis too much of a
+ joke!&mdash;</p>
+
+ <p>To buy in your fashion a Pig in a Poke;</p>
+
+ <p class="i10">Which nobody can expect!</p>
+ </div>
+
+ <div class="stanza">
+ <p>To slaughter your Cattle when reaching our
+ shore,</p>
+
+ <p>You probably think is no end of a bore;</p>
+
+ <p>But even your valiant Vermonters to please,</p>
+
+ <p>We cannot afford to spread Cattle-disease,</p>
+
+ <p class="i10">Which nobody can desire.</p>
+ </div>
+
+ <div class="stanza">
+ <p>A Yankee Inspector is all very fine,</p>
+
+ <p>But if pleuro-pneumonia crosses the line,</p>
+
+ <p>And with BULL'S bulls and heifers should play up the
+ deuce,</p>
+
+ <p>A Yankee Inspector won't be of much use,</p>
+
+ <p class="i10">Which nobody can dispute.</p>
+ </div>
+
+ <div class="stanza">
+ <p>A Yankee Inspector you seem to suppose is</p>
+
+ <p>A buckler and barrier against trichinosis;</p>
+
+ <p>Bat trichinae pass without passports. Bacilli</p>
+
+ <p>And microbes that Yankee <i>might</i> miss
+ willy-nilly,</p>
+
+ <p class="i10">Which nobody can deny.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Port-slaughter restrictions may limit your
+ trade.</p>
+
+ <p>Well, your Tariffs Protective to help <i>us</i>
+ aren't made,</p><span class="pagenum"><a name="page147"
+ id="page147"></a>[pg 147]</span>
+
+ <p>And we cannot run dangers to plump up your
+ wealth,</p>
+
+ <p>Until you can show us a clean bill of health,</p>
+
+ <p class="i10">Which nobody can assert.</p>
+ </div>
+
+ <div class="stanza">
+ <p>And as to that cudgel tucked under your arm,</p>
+
+ <p>You fancy, perhaps, it will act as a charm.</p>
+
+ <p>No, JONATHAN! JOHN to your argument's dull,</p>
+
+ <p>And you will not convince him by cracking his
+ skull,</p>
+
+ <p class="i10">Which nobody can suppose.</p>
+ </div>
+
+ <div class="stanza">
+ <p>The Gaul and the Teuton seem much of my mind,</p>
+
+ <p>And, despite your new Law, you will probably
+ find</p>
+
+ <p>That Yankee Inspectors, plus menaces big,</p>
+
+ <p>Rehabilitate not the American Pig,</p>
+
+ <p class="i10">Which nobody can affirm.</p>
+ </div>
+
+ <div class="stanza">
+ <p>No, JONATHAN, JOHNNY feels no animosity,</p>
+
+ <p>He'd like, with yourself, to have true
+ Reciprocity;</p>
+
+ <p>But neither your Law, nor a smart cudgel-stroke,</p>
+
+ <p>Will make him&mdash;or them&mdash;buy your Pig in a
+ Poke&mdash;</p>
+
+ <p class="i10">Which nobody can particularly</p>
+
+ <p class="i10">wonder at, after all; now can</p>
+
+ <p class="i10">they, JONATHAN?</p>
+ </div>
+ </div>
+ <hr />
+
+ <p>"NOMINE MUTATO."&mdash;For some weeks there was a
+ considerable amount of correspondence in the <i>Times</i>,
+ anent "Ecclesiastical Titles," which suddenly disappeared. Was
+ the topic resumed one day last week under the new heading,
+ "<i>The Symbolical Representation of Ciphers</i>?"</p>
+ <hr class="short" />
+
+ <p>LATEST FROM THE LYCEUM.&mdash;With a view to supplying the
+ entire world with the current number, <i>Mr. Punch</i> goes to
+ press at a date too early to permit of a criticism of
+ <i>Ravenswood</i>. So he contents himself (for the present) by
+ merely recording that at the initial performance on Saturday
+ last all went as happily ("merrily," with so sombre a plot, is
+ <i>not</i> the word) as a marriage-bell. There was a striking
+ situation towards the end of the drama which was both novel and
+ interesting. Mr. IRVING received and deserved a grand
+ reception, and it was generally admitted that amongst the many
+ admirable impersonations for which MISS ELLEN TERRY is
+ celebrated, her <i>Bride of Lammermoor</i> appropriately "takes
+ the cake!"</p>
+ <hr />
+
+ <h2>MY PRETTY JANE.</h2>
+
+ <h4>(<i>Latest Version</i>.)</h4>
+
+ <blockquote class="note">
+ <p>[It is said that the price of wheat and the
+ marriage-rate go together, most people getting married when
+ wheat is highest.]</p>
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>My pretty JANE, my dearest JANE,</p>
+
+ <p class="i2">Ah, never look so shy,</p>
+
+ <p>But meet me, meet me in the market,</p>
+
+ <p class="i2">When the price of wheat rules high.</p>
+
+ <p>The glut is waning fast, my love,</p>
+
+ <p class="i2">And corn is getting dear;</p>
+
+ <p>Good (Hymen) times are coming, love,</p>
+
+ <p class="i2">Ceres our hearts shall cheer.</p>
+
+ <p class="i4">Then pretty JANE, though poorish
+ JANE,</p>
+
+ <p class="i6">Ah, never pipe your eye,</p>
+
+ <p class="i4">But meet me, meet me at the Altar,</p>
+
+ <p class="i6">For the price of wheat rules high!</p>
+ </div>
+
+ <div class="stanza">
+ <p>Yes, name the day, the happy day,</p>
+
+ <p class="i2">I can afford the ring;</p>
+
+ <p>For corn rules high, the marriage rate</p>
+
+ <p class="i2">Mounts up like anything;</p>
+
+ <p>The "quarter" stands at fifty, love,</p>
+
+ <p class="i2">Which, for Mark Lane is dear.</p>
+
+ <p>Our wedding day is coming, love,</p>
+
+ <p class="i2">Our married course is clear.</p>
+
+ <p class="i4">Then, pretty JANE, if poorish JANE,</p>
+
+ <p class="i6">Ah, never look so shy;</p>
+
+ <p class="i4">But meet me, meet me at the Altar,</p>
+
+ <p class="i6">When the price of wheat rules high!</p>
+ </div>
+ </div>
+ <hr />
+
+ <div class="figcenter"
+ style="width:65%;">
+ <a href="images/147-1.png"><img width="100%"
+ src="images/147-1.png"
+ alt="" /></a>
+
+ <h3>TAKEN ON TRUST.</h3>
+
+ <p><i>Viscount Conamorey</i> (<i>whose recollections of the
+ antique are somewhat hazy</i>). "AW&mdash;A&mdash;WHAT
+ BEAUTIFUL ARMS AND HANDS YOU'VE GOT, MRS. BOUNDER! THEY
+ REMIND ME OF THE VENUS OF MILO'S!"</p>
+
+ <p><i>Mrs. B.</i> (<i>who has never even seen the Venus of
+ Milo</i>). "<i>OH</i>! YOU <i>FLATTERER</i>!"</p>
+ </div>
+ <hr />
+
+ <h2>AN INVOCATION.</h2>
+
+ <h4>(<i>By a Town Mouse.</i>)</h4>
+
+ <div class="figright"
+ style="width:15%;">
+ <a href="images/147-2.png"><img width="100%"
+ src="images/147-2.png"
+ alt="" /></a>
+ </div>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Come back to Town! Why wander where</p>
+
+ <p class="i2">The snow-clad peaks arise?</p>
+
+ <p>Our English sunsets are as fair,</p>
+
+ <p class="i2">With red September skies.</p>
+
+ <p>Soft is the matutinal mist</p>
+
+ <p class="i2">Through which the trees loom brown;</p>
+
+ <p>Come back, if only to be kist,&mdash;</p>
+
+ <p class="i10">Come back to Town!</p>
+ </div>
+
+ <div class="stanza">
+ <p>For evermore, in days like these,</p>
+
+ <p class="i2">When musing on your face,</p>
+
+ <p>My sad imagination sees</p>
+
+ <p class="i2">Another in my place.</p>
+
+ <p>Say, do you listen to his prayer,</p>
+
+ <p class="i2">Or slay him with a frown?</p>
+
+ <p>At any rate I can't be there.</p>
+
+ <p class="i10">Come back to Town!</p>
+ </div>
+
+ <div class="stanza">
+ <p>Why linger by some far-off lake</p>
+
+ <p class="i2">Or Continental strand?</p>
+
+ <p>St. Martin's Summer comes to make</p>
+
+ <p class="i2">A glory in the land.</p>
+
+ <p>The river runs a golden stream</p>
+
+ <p class="i2">Where WREN'S great dome looks down;</p>
+
+ <p>Thine eyes, methinks, have brighter gleam;</p>
+
+ <p class="i10">Come back to Town!</p>
+ </div>
+
+ <div class="stanza">
+ <p>I hear your voice upon the wind,</p>
+
+ <p class="i2">In dreamland you appear;</p>
+
+ <p>But do you wonder that I find</p>
+
+ <p class="i2">The day so long and drear?</p>
+
+ <p><i>Lentis adh&aelig;rens brachiis</i> come</p>
+
+ <p>Once more my life to crown;</p>
+
+ <p>Without thee 'tis too burdensome.</p>
+
+ <p class="i10">Come back to Town!</p>
+ </div>
+ </div>
+ <hr />
+
+ <h2>MR. PUNCH'S DICTIONARY OF PHRASES.</h2>
+
+ <h4>AT AN AFTERNOON CALL.</h4>
+
+ <p>"<i>So glad to see you at last. Now don't let me interrupt
+ your talk with Mrs. VEREKER</i>;" <i>i.e.</i>, "If I do, I
+ shall be let in for being button-holed."</p>
+
+ <p>"<i>Do let me get you some tea&mdash;you must be dying for a
+ cup</i>;" <i>i.e.</i>, "Know <i>I</i> am."</p>
+
+ <p>"<i>So sorry</i>&mdash;<i>I fear everything is cold. Do let
+ me have some fresh tea made for you</i>;" <i>i.e.</i>, "He
+ can't accept <i>that</i> offer."</p>
+
+ <h4>IN A NON-SMOKING CARRIAGE.</h4>
+
+ <p>"<i>You don't mind my cigar, do you?</i>" <i>i.e.</i>, "I
+ know he does, but I'm not going to waste it."</p>
+
+ <p>(<i>Reply to the above query.</i>)</p>
+
+ <p>"<i>Oh, not at all!</i>" <i>i.e.</i>, "Beastly thing! If he
+ wasn't so confoundedly selfish and stingy, he'd throw it
+ away."</p>
+ <hr />
+ <span class="pagenum"><a name="page148"
+ id="page148"></a>[pg 148]</span>
+
+ <h2>"I'M AFLOAT!"</h2>
+
+ <h3>(NEWCASTLE-ON-TYNE VERSION.)</h3>
+
+ <div class="figright"
+ style="width:50%;">
+ <a href="images/148-1.png"><img width="100%"
+ src="images/148-1.png"
+ alt="" /></a>
+ </div>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>I'm afloat, I'm afloat on the coaly black Tyne!</p>
+
+ <p>The draft licence sent me I begged to decline;</p>
+
+ <p>Though other chaps had 'em, they were not for
+ me;</p>
+
+ <p>I prefer a free flag, on the strictest Q.T.</p>
+
+ <p>A sly "floating factory" thus I set up</p>
+
+ <p>(I'm a mixture of RUPERT the Rover and KRUPP).</p>
+
+ <p>At Jarrow Slake moored, my trim wherry or boat</p>
+
+ <p>I rejoiced in, and sung "I'm afloat! I'm
+ afloat!"</p>
+
+ <p>For quick-firing guns ammunition I made,</p>
+
+ <p>Engaging (says FORD) in the contraband trade.</p>
+
+ <p>An inquest <i>was</i> held, but its verdict cleared
+ <i>me</i>.</p>
+
+ <p>I'm afloat, I'm afloat, and the Rover is free!</p>
+ </div>
+
+ <div class="stanza">
+ <p>I fear not the Government, heed not its law.</p>
+
+ <p>Much rumpus is made, we shall hear lots of jaw:</p>
+
+ <p>An explosion took place on October the third,</p>
+
+ <p>My sly "floating factory" blew up like a bird.</p>
+
+ <p>It killed one poor fellow, and damaged a lot,</p>
+
+ <p>But I am a Great Gun, and got off like a shot;</p>
+
+ <p>Indeed all were well, but for cold Colonel FORD,</p>
+
+ <p>Who blames <i>me</i>, the Rover! Too bad, on my
+ word!</p>
+
+ <p>The Pirate of Elswick shall not be the sport</p>
+
+ <p>of a fussy Commission's ill-tempered Report.</p>
+
+ <p>To bring me to book is all fiddlededee&mdash;</p>
+
+ <p>I'm afloat, I'm afloat, and the Rover is free!</p>
+ </div>
+
+ <div class="stanza">
+ <p>I contraband, careless? Why, everyone owns</p>
+
+ <p><i>That</i> is natural, 'neath the black flag and
+ cross-bones.</p>
+
+ <p>No mere paltry maker of fireworks am I,</p>
+
+ <p>But a Rover who's free, whose sole roof is the
+ sky.</p>
+
+ <p>The law of the land may the petty appal.</p>
+
+ <p>But frighten the Rover? Oh no, not at all!</p>
+
+ <p>And ne'er to Commissions or Colonels I'll yield,</p>
+
+ <p>Whilst there's Black Tyne to back me or Whitehall to
+ shield.</p>
+
+ <p>Unfurl the Black Flag! shake its folds to the
+ wind!</p>
+
+ <p>And I'll warrant we'll soon leave sea-lawyers
+ behind.</p>
+
+ <p>Up, up with the flag! Pirate's licence for me!</p>
+
+ <p>I'm afloat, I'm afloat, and the Rover is free!</p>
+ </div>
+ </div>
+ <hr />
+
+ <p>DEFINITION OF MILITARY MANOEUVRES.&mdash;"Peace-work."</p>
+
+ <p>DARWINITES.&mdash;"The Evolutionary Squadron."</p>
+ <hr />
+
+ <h2>OUR BOOKING-OFFICE.</h2>
+
+ <p>Speaking of <i>Reynart the Fox</i>, I was made, by a slip of
+ the printer's hand&mdash;I am accustomed to seeing slips
+ <i>from</i> his hand, which is quite another thing&mdash;to say
+ that this medi&aelig;val romance "presents a truer picture of
+ life than novels in which vice is punished and virtue patiently
+ rewarded." After considering for some time what on earth I
+ could have meant by "patiently rewarded," I remembered that I
+ had written "patently rewarded." The printer put my "i" out;
+ and without an "i" it was very difficult to perceive the sense
+ of the phrase.</p>
+
+ <div class="figright"
+ style="width:15%;">
+ <a href="images/148-2.png"><img width="100%"
+ src="images/148-2.png"
+ alt="" /></a>
+ </div>
+
+ <p><i>Nutshell Novels</i>, by that crack writer&mdash;no, not
+ "crack'd"&mdash;and poet, whose verses send a frill right
+ through us, Mr. J. ASHBY-STERRY, are coming out. Capital title.
+ As SHAKSPEARE says, "Sermons in stones, novels in nutshells,
+ and good in everything." SHELLEY'S poems might be brought out
+ in pocketable form under a similar title, <i>Nut-Shelley
+ Poems.</i> I have not yet seen the volume in question, only
+ heard tell of it, and should not be surprised to hear that the
+ central novel and the best was a short military novel, entitled
+ <i>The Kernel</i>. Messrs. HUTCHINSON &amp; Co. are the
+ publishers. I hope Mr. STERRY has illustrated them himself. He
+ can draw and paint, but he won't, and there's an end on't. He
+ must follow up the <i>Nutshells</i> with a volume of
+ <i>Crackers</i>, about Christmas time.</p>
+
+ <p>Just been looking through <i>London Street Arabs</i>, by
+ Mrs. H.M. STANLEY, published by CASSELL &amp; Co., which
+ firm&mdash;whose telegraphic address is "Caspeg, London," and a
+ good name too&mdash;writes to the Baron thus:&mdash;"<i>In
+ forwarding you an early copy</i>"&mdash;small and
+ early&mdash;"<i>of Mrs. Stanley's book, we will ask you to be
+ good enough</i>"&mdash;("I am 'good enough'" quoth the
+ Baron)&mdash;"to <i>confine your extracts from the Introduction
+ to an extent not exceeding one-third of the whole</i>."
+ "Willingly, my dear 'Caspeg,'" replies the Baron, who does not
+ like being dictated to, and, to gratify your wish to the
+ utmost, he will make no extracts at all from the book, a
+ proceeding which ought mightily to delight "Caspeg, London."
+ What next? Will publishers send to the Baron, and request him
+ not even to breathe the names of their books? By all means. He
+ has no objection, as, whether sent to him for review, or
+ purchased by him <i>pour se distraire</i>, the Baron only
+ mentions those he likes, or, if he mentions those he dislikes,
+ 'tis <i>pro bono publico</i>, and there's an end on't. Mrs.
+ STANLEY appreciates humour, as the following anecdote will
+ show&mdash;But, dear me, the Baron is forgetful&mdash;he begs
+ "Caspeg's" pardon; he mustn't quote. Mrs. STANLEY can be truly
+ sympathetic with sorrow, as the following story
+ proves&mdash;no, "Caspeg," the story must <i>not</i> follow.
+ Never mind&mdash;the Baron's dear readers will read it for
+ themselves if they feel "so dispoged." The Baron supposes that
+ all this was written and drawn while Mrs. STANLEY was Miss
+ DOROTHY TENNANT, because her recorded opinion, probably, as a
+ spinster, is (and here the Baron "quotes" not, but "alludes"),
+ that you can find better artistic material in this line at
+ home, than you can obtain by seeking it abroad; yet when she
+ married, off she went to Milan, Venice, and so forth. For
+ pleasure, of course, not work; but work to her is evidently
+ pleasure. May happiness have accompanied her everywhere! The
+ drawings are pretty, rather of the goody-good
+ "Sunday-at-home-readings" kind of illustrations. And what on
+ earth has a sort of pictorial advertisement for "Somebody's
+ Soap" got to do with Street Arabs? "<i>Washed Ashore; or, Happy
+ At Last</i>," might be the title of this mer-baby picture, in
+ which two naked children, not Street Arabs, or Arabs of any
+ sort, are depicted as examining the inanimate body of a
+ nondescript creature, half flesh and half fish, which has been
+ thrown up by the waves "to be left till called for" by the next
+ high-tide, when, perhaps, its sorrowing parents, Mr. and Mrs.
+ MERMAN, or its widowed mother, Mrs. MERWOMAN, arrayed in
+ sea-"weeds," may come to claim it and give it un-christian
+ burial. But that the Baron, out of deference to the wishes of
+ "Caspeg, London," does not like to quote one single line, he
+ could give Mrs. STANLEY'S own account of how this picture of
+ the Mer-baby came to be included in the Street Arab Collection.
+ For such explanation the Baron refers the reader to the book
+ itself. "Caspeg," farewell!</p>
+
+ <p>I have, the Baron says, commenced the first pages of <i>The
+ Last Days of Palmyra</i>. Good, so far; but several new books
+ have come in, and <i>Palmyra</i> cannot receive my undivided
+ attention, says</p>
+
+ <p>THE BARON DE BOOK-WORMS.</p>
+
+ <p>P.S.&mdash;My faithful "Co." has been reading <i>Ferrers
+ Court</i>, by JOHN STRANGE WINTER, author of <i>Bootle's
+ Baby</i> and a number of other
+ <span class="pagenum"><a name="page149"
+ id="page149"></a>[pg 149]</span> novelettes of like kind. He
+ says that he is getting just the least bit tired of
+ <i>Mignon</i>, and the plain-spoken girls, and the rest of
+ them. By the way, he observes that it seems to be the
+ fashion, judging from the pages of <i>Ferrers Court</i>, in
+ what he may call "Service Suckles," to talk continually of a
+ largely advertising lady's tailor. If this custom spreads,
+ he presumes that the popular topic of conversation, the
+ weather, will have to give place to the prior claims for
+ consideration of Somebody's Blacking, or Somebody-else's
+ Soap. This is to be regretted, as, in spite of the sameness
+ of subject of the <i>Bootle's Baby</i> series, JOHN STRANGE
+ WINTER is always more amusing than nine-tenths of his (or
+ should it be her?) contemporaries. B. De B.-W. &amp; Co.</p>
+
+ <p>P.S. No. 2.&mdash;The Baron wishes to add that on taking up
+ the <i>Bride of Lammermoor</i> in order to refresh his memory
+ before seeing the new drama, he was struck by a few lines in
+ the description of <i>Lucy Ashton</i>, which, during
+ rehearsals, must have been peculiarly appropriate to her
+ representative at the Lyceum, Miss ELLEN TERRY. Here they
+ are:&mdash;"To these details, however trivial, <i>Lucy</i> lent
+ patient and not indifferent attention. They moved and
+ interested <i>Henry</i>, and that was enough to secure her
+ ear." "Great Scott!" indeed! Perfectly prophetic, and
+ prophetically perfect. B. DE B.-W.</p>
+ <hr />
+
+ <div class="figcenter"
+ style="width:50%;">
+ <a href="images/149-1.png"><img width="100%"
+ src="images/149-1.png"
+ alt="" /></a>
+
+ <h3>AN EFFECTIVE MILITARY MANOEUVRE.</h3>
+
+ <p>"The day of cocked hats and plumes is past and gone.
+ This head-dress is utterly unsuited for active
+ service."&mdash;<i>Military Correspondent's Letter to
+ Times</i>.</p>
+
+ <p>SUGGESTION, IN CONSEQUENCE, FOR NEW COSTUME FOR GENERAL
+ OFFICERS&mdash;SO THAT THEY MIGHT BE MISTAKEN BY THE ENEMY
+ FOR HARMLESS GENTLEMEN-FARMERS ENGAGED IN AGRICULTURAL
+ PURSUITS.</p>
+ </div>
+ <hr />
+
+ <h2>STALKING THE SAGACIOUS STAG.</h2>
+
+ <h4><i>Sporting Notes from Our Special Representative</i>.</h4>
+
+ <p>I had an invite from JEPSON, a Stock Exchange acquaintance,
+ who has rented a Moor for the winter months, and who, happening
+ to hear that I and my two foreign friends were in the
+ neighbourhood, most kindly asked me to come and have a look at
+ his box, and bring them with me.</p>
+
+ <p>"I hear," he writes, "that the deer are very lively, and if
+ you want to show your foreign friends some first-rate British
+ Sport, you can't do better than bring them."</p>
+
+ <p>Need I say that I jumped at this. Coming along on the top of
+ the coach, that takes us to Spital-hoo, the place my friend has
+ rented, I have been endeavouring to describe what I
+ <i>imagine</i> to be the nature of the sport of Deer-stalking
+ to the Chief and the Bulgarian Count. The former, who has been
+ listening attentively, says that, from my description, stalking
+ a stag must be very much the same as hunting the double-humped
+ bison in Mwangumbloola, and that the only weapon he shall take
+ with him will be a pickaxe. I have pointed out to him that I
+ don't think this will be any use, as in deer-stalking I fancy
+ you follow the stag <i>at some distance</i>, but he seems
+ resolute about the pickaxe, and so, I suppose, I must let him
+ have his way. The Bulgarian Count was deeply interested in the
+ matter, and says that evidently the proper weapon to use is a
+ species of quick-firing, repeating Hotchkiss, and that he has
+ one now on its way through Edinburgh, the invention of a
+ compatriot, that will fire 2700 two-ounce bullets in a minute
+ and a-half. I fancy, if he uses this, he will surprise the
+ neighbourhood; but, of course, I have not said anything to
+ interfere with his project.</p>
+
+ <div class="figright"
+ style="width:35%;">
+ <a href="images/149-2.png"><img width="100%"
+ src="images/149-2.png"
+ alt="" /></a>
+ </div>
+
+ <p>We have arrived at Spital-hoo all safe and sound, and JEPSON
+ has given us a most cordial welcome. But I must now have once
+ more recourse to my current notes.</p>
+
+ <p>I have now been something like five hours on the tramp,
+ plodding my way through a deep glen in a pine forest, but have
+ not yet come across any sign of a stag, I started with the
+ Chief and the Count, but the former soon went off at a tangent
+ somewhere on his own hook, and the latter, who had got his
+ Hotchkiss with him and found it heavy work to drag it up and
+ down the mountain paths, I have left behind to take a rest and
+ recuperate himself. I pause in my walk and listen. The forest
+ is intensely still. Not a sign of a stag anywhere.</p>
+
+ <p>JEPSON is left at home, as he is expecting a couple of local
+ Ministers to tea, but he has told me I'm "bound to come across
+ whole herds of them," if I only tramp long enough. Well, I've
+ been at it five hours, and I certainly ought to have spotted
+ something by this time. By Jove, though, what's that moving in
+ the path ahead of me? It is! <i>It is a stag!</i> A magnificent
+ fellow&mdash;though he appears to have only one horn. But, how
+ odd! I believe he has seen me, and yet doesn't seem scared!
+ Yes, he is actually approaching in the most leisurely fashion
+ in the world. But that isn't the correct thing. In
+ deer-stalking, I'm sure you ought to stalk the deer, not the
+ deer stalk you. And this creature is absolutely coming down on
+ me. Oh! I can't stand this. I shall have a shot at him. Bang!
+ Have fired&mdash;and <i>missed</i>! And, by Jove, the stag
+ doesn't seem to mind! He is coming nearer and nearer. He
+ actually comes close to where I am kneeling, and with facetious
+ friendliness removes my Tam o'Shanter! But, hulloah! who is
+ this speaking? "Ha, and would ye blaze awa wi' your weepons
+ upon poor old Epaminondas, mon!" It is an aged Highlander who
+ is addressing me, and he has just turned out of a bye-path. He
+ is fondling the creature's nose affectionately, and the stag
+ seems to know him. I remark as much.</p>
+
+ <p>"Ha! sure he does," he replies, "Why there's nae a body doon
+ the glen but has got a friendly word for puir Old Epaminondas.
+ You see he's blind o' one 'ee, and he's lost one o' his
+ antlers, and he's a wee bit lame, and all the folk here about
+ treat him kindly, when ye thought to put that bit o' lead into
+ him just noo, sure he was just oomin' to ye for a bit o'
+ oatmeal cake."</p>
+
+ <p>I express my regret for having so nearly shot the "Favourite
+ of the Glen" through inadvertence! I explain that I came out
+ deerstalking, and did not expect, of course, to come across a
+ perfectly tame and domestic stag.</p>
+
+ <p>"A weel, there's nae mischief done," continues my
+ interlocutor; "but it's nae good a stalking Epaminondas, for
+ he's just a sagacious beastie altogether."</p>
+ <hr class="short" />
+
+ <p>Here we are at the Lodge. But, hulloah! what's this uproar
+ on the lawn? A herd of deer dashing wildly over everything,
+ flowerbeds and all, and, yes, absolutely five of them bursting
+ into the house, through one of the drawing-room windows, while
+ JEPSON and the two kirk Ministers emerge hurriedly, terrified,
+ from the other. Crash! And what's <i>that</i>? Why, surely it
+ <i>can't</i> be&mdash;but yes, I believe it is&mdash;yes, it
+ <i>positively is</i> the Chief's pickaxe that has flown through
+ the air, and just smashed through the upper panes, scattering
+ the glass in a thousand fragments in all directions!</p>
+
+ <p>And thus ends my Stalking for the Present, and (probably)
+ the Future!</p>
+ <hr />
+ <span class="pagenum"><a name="page150"
+ id="page150"></a>[pg 150]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/150.png"><img width="100%"
+ src="images/150.png"
+ alt="" /></a>
+
+ <h3>BLACK SYRENS.</h3>
+
+ <p><i>This is how the lovely and accomplished Miss
+ B&mdash;&mdash;ns (of &mdash;&mdash;, Portland Place)
+ managed to defray the expenses of their Sea-side Trip, this
+ Autumn, without anybody being any the wiser!</i></p>
+
+ <p>"O-HI-O! O-HI-HO!<br />
+ THERE NEVER WAS A FINER<br />
+ GIRL THAN DINAH,<br />
+ DOWN BY THE OHIO!"</p>
+ </div>
+ <hr />
+
+ <h2>THE BRITISH LION AND THE GERMAN FOX; OR, A MISTAKE
+ SOMEWHERE.</h2>
+
+ <h3>THE SEQUEL OF A FABLE.</h3>
+
+ <h4>(<i>See "The German Fox and the British Lion," Punch,
+ November 17, 1888.</i>)</h4>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>"When Fox with Lion hunts, one would be sorry</p>
+
+ <p>To say who gains&mdash;until they've shared the
+ quarry!"</p>
+
+ <p class="i6">Such was the Moral</p>
+
+ <p>Of the first chapter of our modern Fable.</p>
+
+ <p>Is the co-partnership still strong and stable,</p>
+
+ <p class="i6">Or are there signs of quarrel</p>
+
+ <p>More than mere querulous quidnuncs invent</p>
+
+ <p>To break companionship and mar content?</p>
+ </div>
+
+ <div class="stanza">
+ <p>Reynard has settled down into that latitude,</p>
+
+ <p class="i2">Pilgrim, perhaps, but certainly a
+ Trader.</p>
+
+ <p>Does he not show a certain change of attitude,</p>
+
+ <p class="i2">Suggestive rather less of the
+ Crusader,</p>
+
+ <p>Eager to earn the black-skinned bondsman's
+ gratitude,</p>
+
+ <p>Than of the Bagman with his sample-box?</p>
+
+ <p class="i6">Ah, Master Fox!</p>
+
+ <p>Somehow the scallop seems to slip aside,</p>
+
+ <p>And that brave banner, which, with honest pride</p>
+
+ <p>You waved, like some commercial
+ Quixote&mdash;verily</p>
+
+ <p>'Tis not to-day so valorously flaunted,</p>
+
+ <p class="i6">And scarce so cheerily.</p>
+
+ <p>You boast the pure knight-errantry so vaunted,</p>
+
+ <p class="i6">Some two years since,</p>
+
+ <p>Eh? You unfeigned Crusading zeal evince?</p>
+
+ <p class="i6">Whence, then, that rival banner</p>
+
+ <p>Which you coquet with in so cautious manner?</p>
+
+ <p>Hoisting it? Humph! Say, rather, just inspecting
+ it.</p>
+
+ <p>But whether with intention of rejecting it,</p>
+
+ <p>Or temporising with the sly temptation</p>
+
+ <p class="i6">And making Proclamation</p>
+
+ <p>Of views a trifle modified, and ardour</p>
+
+ <p>A little cooled by thoughts of purse and larder.</p>
+
+ <p class="i6">Why, that's the question.</p>
+
+ <p>Reynard will probably resent suggestion</p>
+
+ <p>Of playing renegade, in the cause of Trade,</p>
+
+ <p>To that same Holy, Noble, New Crusade.</p>
+
+ <p>"Only," he pleads, "don't fume, and fuss, and
+ worry,</p>
+
+ <p>The New Crusade is not a thing <i>to hurry</i>;</p>
+
+ <p>I never meant hot zealotry or haste&mdash;</p>
+
+ <p>Things hardly to the solid Teuton taste!"</p>
+ </div>
+
+ <div class="stanza">
+ <p>And Leo? Well, he always had his doubts,</p>
+
+ <p>Yet to indulge in fierce precipitate flouts</p>
+
+ <p class="i6">Is not his fashion.</p>
+
+ <p>The Anti-Slavery zeal, with him a passion,</p>
+
+ <p>He knows less warmly shared by other traders;</p>
+
+ <p class="i6">But <i>soi-disant</i> Crusaders</p>
+
+ <p>Caught paltering with the Infidels, like
+ traitors,</p>
+
+ <p>And hot enthusiast Emancipators</p>
+
+ <p class="i2">Who the grim Slavery-demon gently
+ tackle,</p>
+
+ <p class="i2">Wink at the scourge, and dally with the
+ shackle,</p>
+
+ <p>Such, though they vaunt their zeal and
+ orthodoxy,</p>
+
+ <p>Seem&mdash;for philanthropists&mdash;a trifle
+ foxy!</p>
+ </div>
+ </div>
+ <hr />
+
+ <p>R&eacute;clame (Gratis).&mdash;Where is the Lessee of the
+ Haymarket? He ought to have been in India. He was wanted there.
+ The <i>Daily News</i>, last week, told us in its Morning News
+ Columns that "at a place called Beerbhoom"&mdash;clearly the
+ Indian spelling of Beerbohm&mdash;"there was a desirable piece
+ of land lying waste"&mdash;the very spot for a
+ theatre&mdash;"because it was reputed to be haunted by a
+ malignant goddess,"&mdash;that wouldn't matter as long as the
+ "gods" were well provided for. Then it continues, "They" (who?)
+ "did all they could to propitiate her, setting apart a
+ tree&mdash;." Yes; but it wasn't the right tree: of course it
+ ought to have been a BEERBHOOM TREE. His first drama might have
+ shown how a Buddhist priest couldn't keep a secret.
+ Thrilling!</p>
+ <hr />
+
+ <h3>Woman's Happiest Hour.</h3>
+
+ <h4>(<i>By a Sour old Cynic.</i>)</h4>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>A Yankee Journal raises wordy strife</p>
+
+ <p>About "the happiest hour of Woman's life."</p>
+
+ <p>I'll answer in less compass than a
+ sonnet:&mdash;</p>
+
+ <p>"When she outshines her best friend's smartest
+ bonnet!"</p>
+ </div>
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page151"
+ id="page151"></a>[pg 151]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/151.png"><img width="100%"
+ src="images/151.png"
+ alt="" /></a>
+
+ <h3>THE BRITISH LION AND THE GERMAN FOX; OR, A MISTAKE
+ SOMEWHERE!</h3>(<i>Vide Cartoon, Nov. 17, 1888.</i>)
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page153"
+ id="page153"></a>[pg 153]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <h3>THE PLEASURES OF GETTING UP EARLY TO GO
+ "CUBBING."</h3><a href="images/153-1.png"><img width="100%"
+ src="images/153-1.png"
+ alt="" /></a>
+
+ <table summary="part1">
+ <tr>
+ <td width="50%">1. The Meet was to be at Cropper's
+ Gorse, 5:30. At 4:30 Thompson called for me. He
+ said he knew the way perfectly.</td>
+
+ <td width="50%">2. After we had gone a couple of
+ miles, a steady rain came on. I didn't think much
+ of the beauties of early morning.</td>
+ </tr>
+ </table>
+ </div>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/153-2.png"><img width="100%"
+ src="images/153-2.png"
+ alt="" /></a>
+
+ <table summary="part2">
+ <tr>
+ <td width="50%">3. "Well, my man," said Thompson,
+ "seen the hounds? This is Cropper's Gorse, I
+ suppose?" "Noa, Sur; this be Cropper's Plantation.
+ The Gorse be four miles over yonder!"</td>
+
+ <td width="50%">4. "Extraordinary thing I should
+ have been mistaken," said Thompson. "Never mind.
+ Let's canter on, and we'll see some fun yet."</td>
+ </tr>
+ </table>
+ </div>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/153-3.png"><img width="100%"
+ src="images/153-3.png"
+ alt="" /></a>
+
+ <table summary="part3">
+ <tr>
+ <td width="50%">5. "Hi! my boy, is this Cropper's
+ Gorse?" asked Thompson. "Noa, Sur. This be
+ Cropper's Common. The Gorse be five miles over
+ yonder!"</td>
+
+ <td width="50%">6. Then Thompson had the decency to
+ say, "Let's go back and have breakfast."</td>
+ </tr>
+ </table>
+ </div>
+ <hr />
+
+ <h2>RATS IN COUNCIL.</h2>
+
+ <p>A mass meeting of Rats was held (unknown to the
+ Park-keepers) under the Reformer's Oak in Hyde Park, at
+ midnight of last Sunday. The object of the gathering was to
+ protest against the proposal made by a Correspondent of <i>The
+ Times</i>, that the "sewer-rats who had established themselves
+ in the sylvan retreat" known as Hyde Park Dell, should be
+ exterminated by means of "twenty ferrets and a few capable
+ dogs."</p>
+
+ <p>Mr. RODENT (Senior) was called upon to preside. He took the
+ hillock amid waving of tails and much enthusiasm, and remarked
+ that he trusted that that vast assembly, one of the most
+ magnificent demonstrations that even Hyde Park had ever known,
+ would show by its orderly behaviour, that Rats knew how to
+ conduct business. (<i>Cheers.</i>) They lived in strange times.
+ A barbarous suggestion had been made to evict them&mdash;to
+ turn them out of house and home, by means of what he might call
+ Emergency Ferrets. (<i>Groans, and cries of "Boycott
+ them!"</i>) He feared that boycotting a ferret would not do
+ much good. (<i>A squeak&mdash;"Why not try
+ rattening?"&mdash;and laughter.</i>) Arbitration seemed to him
+ the most politic course under the circumstances.
+ (<i>Cheers.</i>) They were accused of eating young moor-chicks.
+ Well, was a Rat to starve? ("<i>No, no!</i>") Did not a Rat owe
+ a duty to those dependent upon it? (<i>Cheers, and cries of
+ "Yes!"</i>) He appealed to the opinion of the civilised world
+ to put a stop&mdash;At this point in the Chair-rat's address,
+ an alarm of "Dogs!" was raised, and the meeting at once
+ dispersed in some confusion.</p>
+ <hr />
+
+ <h2>THE JOURNALIST-AT-ARMS.</h2>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>Who would not be a Journalist-at-Arms?</p>
+
+ <p>Life for that paladin hath poignant charms.</p>
+
+ <p>Whether in pretty quarrel he shall run</p>
+
+ <p>Just half an inch of rapier&mdash;in pure
+ fun&mdash;</p>
+
+ <p>In his opponent's biceps, or shall flick</p>
+
+ <p>His shoulders with a slender walking-stick.</p>
+
+ <p>The "stern joy" of the man indeed must rise</p>
+
+ <p>To raptures and heroic ecstacies.</p>
+
+ <p>Oh, glorious climax of a vulgar squabble,</p>
+
+ <p>To redden your foe's nose, or make him hobble</p>
+
+ <p>For half a week or so, as though, perchance,</p>
+
+ <p>He'd strained an ancle in a leap or dance!</p>
+
+ <p>Feeble sword-play or futile fisticuffs</p>
+
+ <p>Might be disdained by warriors&mdash;or roughs;</p>
+
+ <p>But to the squabbling scribe the farce has
+ charms.</p>
+
+ <p>Who would not be a Journalist-at-Arms?</p>
+ </div>
+ </div>
+ <hr />
+
+ <h2>"WANTED!"</h2>
+
+ <p>A thoroughly well appointed and handsomely furnished COUNTRY
+ MANSION (Elizabethan or Jacob&aelig;an period preferred) wanted
+ immediately. It must contain not less than 50 bedrooms,
+ appropriate reception-rooms, and a hall capable of being
+ utilised for <i>f&ecirc;tes</i> and gala entertainments on a
+ large scale, and must stand in the midst of extensive timbered
+ grounds, surrounded by orangeries, hot-houses, and beautifully
+ kept pleasure grounds replete with the choicest pieces of
+ statuary and ornamental fountains arranged for electrical
+ illumination, the perfect installation of which on the
+ premises, on the newest principles, is regarded as a <i>sine
+ qu&acirc; non</i> by the Advertiser. The shooting over four or
+ five hundred acres, and the meeting of not less than three
+ packs of hounds in the immediate neighbourhood, with salmon and
+ trout fishing within easy distance of the mansion, are also
+ considered indispensable. Particulars as to the surrounding
+ country gentry are requested. Write also stating whether any
+ recognised race-meeting is held in the immediate vicinity. The
+ distance of the property from town must not be more than half
+ an hour's railway journey, and the inclusive rent must not
+ exceed <i>five and twenty shillings a week</i>.</p>
+ <hr />
+ <span class="pagenum"><a name="page154"
+ id="page154"></a>[pg 154]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/154.png"><img width="100%"
+ src="images/154.png"
+ alt="" /></a>
+
+ <h3>THE POPULAR GAME OF ARTHUR GOLFOUR.</h3>AS UNDERSTOOD
+ BY THE MASS OF THE PUBLIC.
+ </div>
+ <hr />
+ <span class="pagenum"><a name="page155"
+ id="page155"></a>[pg 155]</span>
+
+ <div class="figcenter"
+ style="width:100%;">
+ <a href="images/155-1.png"><img width="100%"
+ src="images/155-1.png"
+ alt="" /></a>
+
+ <h3>THE DEMON ALPS</h3>
+
+ <p>(<i>Our Artist's Dream, after reading the numerous
+ Accidents to Mountain-Climbers.</i>)</p>
+ </div>
+ <hr />
+
+ <h2>ODE TO OZONE.</h2>
+
+ <h3>(<i>By a Poor Paterfamilias.</i>)</h3>
+
+ <blockquote>
+ <p>"London is a terrible consumer of
+ ozone."&mdash;<i>Standard</i>.</p>
+
+ <p>A'R&mdash;"<i>The Dutchman's Little Dog.</i>"</p>
+ </blockquote>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>O where and O where, is our treasured Ozone?</p>
+
+ <p class="i2">O where, and O where can it be?</p>
+
+ <p>From London to leeward 'tis utterly gone,</p>
+
+ <p class="i2">To windward but little floats free.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Since SCH&Ouml;NBEIN of Basle discovered the
+ stuff,</p>
+
+ <p class="i2">We've lived half a cen-tu-ree.</p>
+
+ <p>If of it we only could swallow enough,</p>
+
+ <p class="i2">How healthy, how happy were we!</p>
+ </div>
+
+ <div class="stanza">
+ <p>Condensed form of oxygen, essence of air</p>
+
+ <p class="i2">That's fresh, or electricitee,</p>
+
+ <p>Ozone is the stuff shaken health to repair.</p>
+
+ <p class="i2">'Tis for it we all fly to the sea!</p>
+ </div>
+
+ <div class="stanza">
+ <p>Solidified Ozone they talk about now,</p>
+
+ <p class="i2">To be bought in small bricks like pressed
+ tea.</p>
+
+ <p>The air that is cheering when breathed on one's
+ brow</p>
+
+ <p class="i2">In cubic foot-blocks would bring
+ glee.</p>
+ </div>
+
+ <div class="stanza">
+ <p>How pleasant to buy one's Ozone, like one's
+ coal,</p>
+
+ <p>And store it up an-nu-al-lee!</p>
+
+ <p>And not fly for it to some dull cockney hol</p>
+
+ <p class="i2">Just because it is dug by the Sea!</p>
+ </div>
+
+ <div class="stanza">
+ <p>Ah yes, let us have it, this needful Ozone,</p>
+
+ <p class="i2">In portable parcels! Ah me!</p>
+
+ <p>No longer need Paterfamilias groan</p>
+
+ <p class="i2">At the cost of that month by the Sea!</p>
+ </div>
+ </div>
+ <hr />
+
+ <p>SHAKSPEARIAN MOTTO FOR THE NEW UNIONISM.&mdash;(<i>Dedicated
+ to the Artisan left out in the cold</i>.)&mdash;"In the ambush
+ of my name, strike home!"&mdash;<i>Measure for Measure</i>.</p>
+ <hr />
+
+ <h2>TO MY UMBRELLA.</h2>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>'Twere hard indeed to try to get</p>
+
+ <p class="i2">A theme without some poem on
+ it&mdash;</p>
+
+ <p>A vilanelle, a triolet,</p>
+
+ <p class="i2">An ode, an epic, or a sonnet.</p>
+
+ <p>CASTARA'S charms were sung of old,</p>
+
+ <p class="i2">Both SWIFT and SIDNEY, wrote to
+ STELLA,</p>
+
+ <p>But mine it is to first unfold</p>
+
+ <p>The praise of my beloved Umbrella.</p>
+ </div>
+ </div>
+
+ <div class="poem">
+ <div class="stanza">
+ <p>You are not difficult to please,</p>
+
+ <p class="i2">Although no doubt a trifle "knobby;"</p>
+
+ <p>Whilst I'm reclining at mine ease,</p>
+
+ <p class="i2">I leave you standing in the lobby.</p>
+
+ <p>I ever treat you thus, and yet</p>
+
+ <p class="i2">I haven't got a friend who's firmer;</p>
+
+ <p>In point of fact, you even let</p>
+
+ <p class="i2">Me shut you up without a murmur.</p>
+ </div>
+
+ <div class="stanza">
+ <p>Now some seek solace sweet in smoke,</p>
+
+ <p class="i2">And make a pipe their AMARYLLIS;</p>
+
+ <p>So think not that I do but joke</p>
+
+ <p class="i2">In calling you my darling PHYLLIS.</p>
+
+ <p>And though the gossips never spare</p>
+
+ <p class="i2">For ill-report to seek a handle,</p>
+
+ <p>The (indiarubber) ring you wear</p>
+
+ <p class="i2">Prevents the very thought of scandal.</p>
+ </div>
+
+ <div class="stanza">
+ <p>"Fair weather, friend," we've often heard</p>
+
+ <p class="i2">Used as a term to throw discredit,</p>
+
+ <p>Though clearly it were quite absurd</p>
+
+ <p class="i2">If speaking of yourself one said it.</p>
+
+ <p>When skies are blue (a thing that's rare)</p>
+
+ <p class="i2">I in the coolest way forsake you,</p>
+
+ <p>But when the Forecast tells me "Fair,"</p>
+
+ <p class="i2">Or "Settled Sunshine," then I take
+ you.</p>
+ </div>
+
+ <div class="stanza">
+ <p>I like to think of one sweet day</p>
+
+ <p class="i2">When cats and dogs it kept on
+ raining,</p>
+
+ <p>(Why "cats and dogs," it's right to say,</p>
+
+ <p class="i2">Who will oblige me by explaining?)</p>
+
+ <p>When someone, who had golden hair,</p>
+
+ <p class="i2">And I were walking out together,</p>
+
+ <p>And underneath your sheltering care,</p>
+
+ <p class="i2">Were happy spite of wind and weather.</p>
+ </div>
+
+ <div class="stanza">
+ <p>One day I asked a friend to dine,</p>
+
+ <p class="i2">The friend I most completely trusted.</p>
+
+ <p>We sat and chatted o'er the wine,</p>
+
+ <p class="i2">He liked the port&mdash;my fine old
+ crusted.</p>
+
+ <p>At length we said "Good-night." He went</p>
+
+ <p class="i2">But not alone. For to my sorrow</p>
+
+ <p>My mind with jealousy was rent,</p>
+
+ <p class="i2">To find you missing on the morrow.</p>
+ </div>
+
+ <div class="stanza">
+ <p>You had eloped! Yet all the same</p>
+
+ <p class="i2">I felt quite sure you were his
+ victim,</p>
+
+ <p>When back a sorry wreck you came,</p>
+
+ <p class="i2">I very nearly went and kicked him!</p>
+
+ <p>Did Love take wings, and fly away?</p>
+
+ <p class="i2">Grew my affection less? No, never!</p>
+
+ <p>To tell the truth, I'm bound to say</p>
+
+ <p class="i2">I fondly loved you more than ever!</p>
+ </div>
+
+ <div class="stanza">
+ <p>With him&mdash;the man who was my friend&mdash;</p>
+
+ <p class="i2">It's pretty clear you got on badly;</p>
+
+ <p>Your ribs, somehow, seem prone to bend,</p>
+
+ <p class="i2">Your silken dress seems wearing
+ sadly.</p>
+
+ <p>It's very hard, I know, to part,</p>
+
+ <p class="i2">And sentimental feelings smother,</p>
+
+ <p>But even though it break my heart,</p>
+
+ <p class="i2">I'm going, next week, to get another.</p>
+ </div>
+ </div>
+ <hr />
+
+ <p>EPITAPH ON A PLATE OF VENISON (<i>a suggestion, at the
+ service of those who collect menu cards</i>).&mdash;"Though
+ lost to sight, to memory deer!"</p>
+ <hr />
+ <span class="pagenum"><a name="page156"
+ id="page156"></a>[pg 156]</span>
+
+ <h2>HISTORY AS SHE IS WROTE!</h2>
+
+ <blockquote class="note">
+ <p>Last week the <i>St. James's Gazette</i> published an
+ article proving that the Bastille, so far from being a
+ gloomy prison, was the most delightful of hotels. This
+ historical record has, however, caused no surprise in 85,
+ Fleet Street, because the following extract from a very old
+ diary has for years been awaiting publication. The time has
+ now arrived for it to see the light.</p>
+ </blockquote>
+
+ <h3>GAY MOMENTS AT THE ANCIENT BAILEY.</h3>
+
+ <div class="figright"
+ style="width:50%;">
+ <a href="images/156-1.png"><img width="100%"
+ src="images/156-1.png"
+ alt="" /></a>
+ </div>
+
+ <p><i>Newgate, September 29, 17&mdash;</i>.&mdash;Got up with
+ the assistance of my valet, and held my customary
+ <i>lev&eacute;e</i>. The Governor of the place asked my
+ permission to enter my luxuriously furnished apartments, to
+ show me an amusing set of irons that had been discovered in one
+ of the cells used during the last two hundred years for the
+ storage of fire-wood. The droll things were called the "Little
+ Ease," and seemingly, were intended to create merriment. One of
+ the officers was complacent enough to assume them, and caused
+ great diversion by his eccentric gestures. My
+ <i>lev&eacute;e</i> was not quite so successful, as is
+ generally the case, as that tedious old gossip, GUIDO FAUX,
+ obtained admission. As usual he had a grievance. It appears
+ that a report has got abroad that he was executed in the days
+ of our late lamented Monarch, JAMES THE FIRST of Great Britain,
+ and SIXTH of Scotland. Says GUIDO, "If this be believed by the
+ multitude there will be a demand for my expulsion, and what
+ shall I do if I be turned out?" Condoled with him, and escaped
+ his importunities by joining with Master JOHN SHEPPARD, and
+ Squire TURPIN in a game of "Lorne Ten Hys," a recreation
+ recently introduced by my good neighbour Monsieur CLAUDE DU
+ VAL. Failed in making a goal, and put out thereat. However,
+ regained my usual flow of spirits on receiving a polite request
+ from the Governor to join him and his good Dame in a visit to
+ the Tower of London, to call upon Lady JANE GREY&mdash;once
+ Queen&mdash;and now a guest in that admirable institution. Was
+ graciously received by Her Ladyship, who is now of advanced
+ age. Her Ladyship was vastly amused at the news that had
+ reached her that some chroniclers do insist that she has lost
+ her head. "I have in good sooth lost my teeth," laughed the
+ venerable gentlewoman "but my head is as firmly set upon my
+ shoulders as ever. I do verily believe that it must be some mad
+ piece of waggery of that Prince of good fellows, Sir WALTER
+ RALEIGH. The aged Knight is always up to some of his nonsense!"
+ After playing a game of quoits with Lord BALMARINO and the
+ Tower Headsman (whose office is a well-paid sinecure), I
+ returned to Newgate, greatly pleased with my morning's
+ promenade. In the afternoon, entertained the Governor at
+ dinner, who declared that he could never get so good a meal in
+ his own quarters. "Strap me, no!" I exclaimed: "and, were it
+ not that our food was excellent, who would stay at Newgate?"
+ For I confess that, although there are pleasure-gardens, and
+ every sort of amusement and comfort, Newgate, at times, is
+ decidedly damp. Then I raised a glass of punch to my lips, and
+ wished him the same luck that I myself enjoyed. "And that I
+ had!" quoth he. "Would I were prisoner instead of Governor. But
+ it would not be meet. I am not a man of sufficient quality!"
+ And now I must bring this entry to a conclusion, for there is
+ to be a theatrical performance in the dining-hall. Little DAVID
+ GARRICK is to play the principal male character, while Mistress
+ NELLIE GWYNE, Mistress SIDDONS, and Mistress PEG WOFFINGTON,
+ are also in the cast. The title of the piece is <i>Hamlet</i>,
+ and I am told it is written by a young man new to Town. The
+ name of the author is either SHAKSPEARE or SMITH. I am not sure
+ which, but think SMITH.</p>
+ <hr class="short" />
+
+ <p>P.S.&mdash;Open my Diary once again. <i>Hamlet</i> a poor
+ piece. It is now said that it was written by BACON or BUCHANAN.
+ Of the former I know nothing, and posterity must discover the
+ identity of the latter. For the rest, if again I am pressed to
+ go to the Play&mdash;strap me! but, comfortable as I am, I will
+ pack up my traps, and be off from Newgate&mdash;for ever!</p>
+ <hr />
+
+ <h2>THE REAL GRIEVANCE OFFICE.</h2>
+
+ <h4>(<i>Before</i> Mr. COMMISSIONER PUNCH.)</h4>
+
+ <h4><i>A Shareholder in a Gas Company introduced.</i></h4>
+
+ <p><i>The Commissioner</i> (<i>sharply</i>). Well, Sir, what is
+ it?</p>
+
+ <p><i>Shareholder</i>. I have come to complain about the Gas
+ Companies&mdash;</p>
+
+ <p><i>The Com.</i> I am not surprised. They are generally
+ causing some one or other trouble.</p>
+
+ <p><i>Shareh.</i> No, I beg your pardon, Sir, but you
+ misunderstand me. I am interested in the prosperity of Gas
+ Companies&mdash;</p>
+
+ <div class="figright"
+ style="width:25%;">
+ <a href="images/156-2.png"><img width="100%"
+ src="images/156-2.png"
+ alt="" /></a>
+ </div>
+
+ <p><i>The Com.</i> Then I pity you, for they are certain,
+ sooner or later, to be superseded by the Electric Light.</p>
+
+ <p><i>Shareh.</i> Will you allow me to continue? I am annoyed
+ that some one has been complaining in the <i>Times</i> that "A
+ Chief of a Rental Department" (invariably a person of the
+ highest respectability) has a right to the title of "an
+ arbitrary cove!"</p>
+
+ <p><i>The Com.</i> No doubt someone (who showed his wisdom in
+ appealing to so powerful a tribunal) gave his reasons?</p>
+
+ <p><i>Shareh.</i> Well, yes; he certainly had been served with
+ a demand to pay &pound;1 4<i>s.</i> 10<i>d.</i> within three
+ days, to "prevent the necessity" of the gas supply to his
+ premises being discontinued at a time when he and his family
+ were out of Town, and his house was closed for the recess.</p>
+
+ <p><i>The Com.</i> <i>Prim&acirc; facie</i>, that seems a
+ strong order! And I suppose the complainant wrote to the Gas
+ Company, and got no redress?</p>
+
+ <p><i>Shareh.</i> Well, yes. But then, you see, this demand for
+ payment within three days may have been a final notice.</p>
+
+ <p><i>The Com.</i> (<i>drily</i>). Seems to have been very
+ final indeed! Was there anything on the face of the notice to
+ distinguish it from an ordinary unstamped circular?</p>
+
+ <p><i>Shareh.</i> No, I believe not. But, then, possibly, the
+ account had been submitted to him before.</p>
+
+ <p><i>The Com.</i> How do you know? Speaking from my own
+ experience, a demand-note is generally left at the house when
+ the master is away, and the Collector does not take the
+ slightest trouble to <i>collect</i> the money. He leaves it to
+ chance whether the money is <i>sent</i> or not. Surely
+ <i>you</i> must know that in your character of a
+ householder?</p>
+
+ <p><i>Shareh.</i> Well, yes; I fancy that the collector does
+ sometimes act in a very perfunctory manner.</p>
+
+ <p><i>The Com.</i> And that servants frequently are unable to
+ distinguish between the open circular of a Gas Company asking
+ for the settlement of an account, and the open circular of a
+ touting coal merchant asking for custom? And when this happens,
+ both find a home in the dust-hole. Is not that so?</p>
+
+ <p><i>Shareh.</i> Well, yes&mdash;very likely&mdash;but the law
+ is&mdash;</p>
+
+ <p><i>The Com.</i> (<i>sternly</i>). The Law and its name
+ should not be lightly taken in vain. I have seen on a Gas
+ Company's circular the terrors of a statute invoked to secure
+ prompt payment of a few shillings! After all, the Gas Companies
+ (albeit monopolists) are merely traders, and the Public are the
+ customers. If a butcher, a baker, or a candle-stick maker
+ invariably attempted to secure immediate payment by reference
+ on the invoice to the usefulness of the County Court, it is
+ more than possible that that butcher, that baker, or that
+ candle-stick maker, would speedily have to retire from business
+ <i>vi&acirc;</i> the Bankruptcy column of <i>The London
+ Gazette</i>. Thus Gas Companies, who adopt a like unpleasant
+ tone, are regarded as the natural enemies of the Public
+ generally. You have a grievance&mdash;as a shareholder of one
+ of these Associations&mdash;but this is not the place to obtain
+ redress. If you want to improve your position, keep your eye
+ upon your <i>employ&eacute;s</i>, and teach them the meaning of
+ that well-worn phrase, <i>Suaviter in modo, fortiter in re!</i>
+ You may go!</p>
+
+ <blockquote class="note">
+ <p>[<i>The Witness then retired, with difficulty repressing
+ a painful exhibition of the most acute emotion.</i>]</p>
+ </blockquote>
+ <hr />
+
+ <p>NOTICE.&mdash;Rejected Communications or Contributions,
+ whether MS., Printed Matter, Drawings, or Pictures of any
+ description, will in no case be returned, not even when
+ accompanied by a Stamped and Addressed Envelope, Cover, or
+ Wrapper. To this rule there will be no exception.</p>
+ <hr />
+
+ <hr class="full" />
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol.
+99, Sept. 27, 1890, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH ***
+
+***** This file should be named 12262-h.htm or 12262-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/2/2/6/12262/
+
+Produced by Malcolm Farmer, William Flis and the Online Distributed
+Proofreading Team.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year. For example:
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
+
+
+</pre>
+
+</body>
+</html>