summaryrefslogtreecommitdiff
path: root/old/1222.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/1222.txt')
-rw-r--r--old/1222.txt1984
1 files changed, 1984 insertions, 0 deletions
diff --git a/old/1222.txt b/old/1222.txt
new file mode 100644
index 0000000..622009b
--- /dev/null
+++ b/old/1222.txt
@@ -0,0 +1,1984 @@
+The Project Gutenberg EBook of Cobb's Anatomy, by Irvin S. Cobb
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Cobb's Anatomy
+
+Author: Irvin S. Cobb
+
+Posting Date: August 15, 2008 [EBook #1222]
+Release Date: February, 1998
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK COBB'S ANATOMY ***
+
+
+
+
+Produced by Kirk Pearson
+
+
+
+
+
+COBB'S ANATOMY
+
+By Irvin S. Cobb
+
+
+ To G. H. L.
+
+ Who stood godfather to these contents
+
+
+
+
+Preface
+
+This Space To-Let to Any Reputable Party Desiring a Good Preface
+
+
+
+Contents
+
+ I. Tummies
+ II. Teeth
+ III. Hair
+ IV. Hands and feet
+
+
+
+
+TUMMIES
+
+
+Dr. Woods Hutchinson says that fat people are happier than other people.
+How does Dr. Woods Hutchinson know? Did he ever have to leave the two
+top buttons of his vest unfastened on account of his extra chins? Has
+the pressure from within against the waistband where the watchfob is
+located ever been so great in his case that he had partially to undress
+himself to find out what time it was? Does he have to take the tailor's
+word for it that his trousers need pressing?
+
+He does not. And that sort of a remark is only what might be
+expected from any person upward of seven feet tall and weighing about
+ninety-eight pounds with his heavy underwear on. I shall freely take Dr.
+Woods Hutchinson's statements on the joys and ills of the thin. But when
+he undertakes to tell me that fat people are happier than thin
+people, it is only hearsay evidence with him and decline to accept his
+statements unchallenged. He is going outside of his class. He is, as you
+might say, no more than an innocent bystander. Whereas I am a qualified
+authority.
+
+I will admit that at one stage of my life, I regarded fleshiness as a
+desirable asset. The incident came about in this way. There was a circus
+showing in our town and a number of us proposed to attend it. It was
+one of those one-ring, ten-cent circuses that used to go about over the
+country, and it is my present recollection that all of us had funds laid
+by sufficient to buy tickets; but if we could procure admission in the
+regular way we felt it would be a sinful waste of money to pay our way
+in.
+
+With this idea in mind we went scouting round back of the main tent to a
+comparatively secluded spot, and there we found a place where the canvas
+side-wall lifted clear of the earth for a matter of four or five inches.
+We held an informal caucus to decide who should should go first.
+The honor lay between two of us--between the present writer, who
+was reasonably skinny, and another boy, named Thompson, who was
+even skinnier. He won, as the saying is, on form. It was decided by
+practically a unanimous vote, he alone dissenting, that he should crawl
+under and see how the land lay inside. If everything was all right he
+would make it known by certain signals and we would then follow, one by
+one.
+
+Two of us lifted the canvas very gently and this Thompson boy started
+to wriggle under. He was about halfway in when--zip!--like a flash he
+bodily vanished. He was gone, leaving only the marks where his toes had
+gouged the soil. Startled, we looked at one another. There was something
+peculiar about this. Here was a boy who had started into a circus tent
+in a circumspect, indeed, a highly cautious manner, and then finished
+the trip with undue and sudden precipitancy. It was more than
+peculiar--it bordered upon the uncanny. It was sinister. Without a word
+having been spoken we decided to go away from there.
+
+Wearing expressions of intense unconcern and sterling innocence upon our
+young faces we did go away from there and drifted back in the general
+direction of the main entrance. We arrived just in time to meet our
+young friend coming out. He came hurriedly, using his hands and his
+feet both, his feet for traveling and his hands for rubbing purposes.
+Immediately behind him was a large, coarse man using language that
+stamped him as a man who had outgrown the spirit of youth and was
+preeminently out of touch with the ideals and aims of boyhood.
+
+At that period it seemed to me and to the Thompson boy, who was moved to
+speak feelingly on the subject, and in fact to all of us, that excessive
+slimness might have its drawbacks. Since that time several of us have
+had occasion to change our minds. With the passage of years we have
+fleshened up, and now we know better. The last time I saw the Thompson
+boy he was known as Excess-Baggage Thompson. His figure in profile
+suggested a man carrying a roll-top desk in his arms and his face looked
+like a face that had refused to jell and was about to run down on his
+clothes. He spoke longingly of the days of his youth and wondered if the
+shape of his knees had changed much since the last time he saw them.
+
+Yes sir, no matter what Doctor Hutchinson says, I contend that the slim
+man has all the best of it in this world. The fat man is the universal
+goat; he is humanity's standing joke. Stomachs are the curse of our
+modern civilization. When a man gets a stomach his troubles begin. If
+you doubt this ask any fat man--I started to say ask any fat woman, too.
+Only there aren't any fat women to speak of. There are women who are
+plump and will admit it; there are even women who are inclined to be
+stout. But outside of dime museums there are no fat women. But there are
+plenty of fat men. Ask one of them. Ask any one of them. Ask me.
+
+This thing of acquiring a tummy steals on one insidiously, like a thief
+in the night. You notice that you are plumping out a trifle and for the
+time being you feel a sort of small personal satisfaction in it. Your
+shirts fit you better. You love the slight strain upon the buttonholes.
+You admire the pleasant plunking sound suggestive of ripe watermelons
+when you pat yourself. Then a day comes when the persuasive odor of
+mothballs fills the autumnal air and everybody at the barber shop is
+having the back of his neck shaved also, thus betokening awakened social
+activities, and when evening is at hand you take the dress-suit, which
+fitted you so well, out of the closet where it has been hanging and
+undertake to back yourself into it. You are pained to learn that it is
+about three sizes too small. At first you are inclined to blame the
+suit for shrinking, but second thought convinces you that the fault lies
+elsewhere. It is you that have swollen, not the suit that has shrunk.
+The buttons that should adorn the front of the coat are now plainly
+visible from the rear.
+
+You buy another dress-suit and next fall you have out-grown that one
+too. You pant like a lizard when you run to catch a car. You cross your
+legs and have to hold the crossed one on with both hands to keep your
+stomach from shoving it off in space. After a while you quit crossing
+them and are content with dawdling yourself on your own lap. You are
+fat! Dog-gone it--you are fat!
+
+You are up against it and it is up against you, which is worse. You are
+something for people to laugh at. You are also expected to laugh. It
+is all right for a thin man to be grouchy; people will say the poor
+creature has dyspepsia and should be humored along. But a fat man with
+a grouch is inexcusable in any company--there is so much of him to be
+grouchy. He constitutes a wave of discontent and a period of general
+depression. He is not expected to be romantic and sentimental either. It
+is all right for a giraffe to be sentimental, but not a hippopotamus. If
+you doubt me consult any set of natural history pictures. The giraffe is
+shown with his long and sinuous neck entwined in fond embrace about the
+neck of his mate; but the amphibious, blood-sweating hippo is depicted
+as spouting and wallowing, morose and misanthropic, in a mud puddle
+off by himself. In passing I may say that I regard this comparison as
+a particularly apt one, because I know of no living creature so truly
+amphibious in hot weather as an open-pored fat man, unless it is a
+hippopotamus.
+
+Oh how true is the saying that nobody loves a fat man! When fat comes up
+on the front porch love jumps out of the third-story window. Love in
+a cottage? Yes. Love in a rendering plant? No. A fat man's heart is
+supposed to lie so far inland that the softer emotions cannot reach it
+at all. Yet the fattest are the truest, if you did but know it, and
+also they are the tenderest and a man with a double chin rarely leads a
+double life. For one thing, it requires too much moving round.
+
+A fat man cannot wear the clothes he would like to wear. As a race fat
+men are fond of bright and cheerful colors; but no fat man can indulge
+his innocent desires in this direction without grieving his family and
+friends and exciting the derisive laughter of the unthinking. If he puts
+on a fancy-flowered vest, they'll say he looks like a Hanging Garden
+of Babylon. And yet he has a figure just made for showing off a
+fancy-flowered vest to best effect. He may favor something in light
+checks for his spring suit; but if he ventures abroad in a checked suit,
+ribald strangers will look at him meaningly and remark to one another
+that the center of population appears to be shifting again. It has
+been my observation that fat men are instinctively drawn to short tan
+overcoats for the early fall. But a fat man in a short tan overcoat,
+strolling up the avenue of a sunny afternoon, will be constantly
+overhearing persons behind him wondering why they didn't wait until
+night to move the bank vault. That irks him sore; but if he turns round
+to reproach them he is liable to shove an old lady or a poor blind
+man off the sidewalk, and then, like as not, some gamin will sing out:
+"Hully gee, Chimmy, wot's become of the rest of the parade? 'Ere's the
+bass drum goin' home all by itself."
+
+I've known of just such remarks being made and I assure you they cut a
+sensitive soul to the core. Not for the fat man are the snappy clothes
+for varsity men and the patterns called by the tailors confined because
+that is what they should be but aren't. Not for him the silken shirt
+with the broad stripes. Shirts with stripes that were meant to run
+vertically but are caused to run horizontally, by reasons over which
+the wearer has no control, remind others of the awning over an Italian
+grocery. So the fat man must stick to sober navy blues and depressing
+blacks and melancholy grays. He is advised that he should wear his
+evening clothes whenever possible, because black and white lines are
+more becoming to him. But even in evening clothes, that wide expanse of
+glazed shirt and those white enamel studs will put the onlookers in mind
+of the front end of a dairy lunch or so I have been cruelly told.
+
+When planning public utilities, who thinks of a fat man? There never was
+a hansom cab made that would hold a fat man comfortably unless he left
+the doors open, and that makes him feel undressed. There never was an
+orchestra seat in a theater that would contain all of him at the same
+time--he churns up and sloshes out over the sides. Apartment houses and
+elevators and hotel towels are all constructed upon the idea that the
+world is populated by stock-size people with those double-A-last shapes.
+
+Take a Pullman car, for instance. One of the saddest sights known is
+that of a fat man trying to undress on one of those closet shelves
+called upper berths without getting hopelessly entangled in the hammock
+or committing suicide by hanging himself with his own suspenders. And
+after that, the next most distressing sight is the same fat man after
+he has undressed and is lying there, spouting like a sperm-whale and
+overflowing his reservation like a crock of salt-rising dough in a warm
+kitchen, and wondering how he can turn over without bulging the side of
+the car and maybe causing a wreck. Ah me, those dark green curtains with
+the overcoat buttons on them hide many a distressful spectacle from the
+traveling public!
+
+If a fat man undertakes to reduce nobody sympathizes with him. A
+thin man trying to fatten up so he won't fall all the way through his
+trousers when he draws 'em on in the morning is an object of sympathy
+and of admiration, and people come from miles round and give him advice
+about how to do it. But suppose a fat man wants to train down to a point
+where, when he goes into a telephone booth and says "Ninety-four Broad,"
+the spectators will know he is trying to get a number and not telling
+his tailor what his waist measure is.
+
+Is he greeted with sympathetic understanding? He is not. He is greeted
+with derision and people stand round and gloat at him. The authorities
+recommend health exercises, but health exercises are almost invariably
+undignified in effect and wearing besides. Who wants to greet the dewy
+morn by lying flat on his back and lifting his feet fifty times? What
+kind of a way is that to greet the dewy morn anyhow? And bending over
+with the knees stiff and touching the tips of the toes with the tips
+of the fingers--that's no employment for a grown man with a family to
+support and a position to maintain in society. Besides which it
+cannot be done. I make the statement unequivocally and without fear
+of successful contradiction that it cannot be done. And if it could
+be done--which as I say it can't--there would be no real pleasure in
+touching a set of toes that one has known of only by common rumor for
+years. Those toes are the same as strangers to you--you knew they were
+in the neighborhood, of course, but you haven't been intimate with them.
+
+Maybe you try dieting, which is contrary to nature. Nature intended that
+a fat man should eat heartily, else why should she endow him with the
+capacity and the accommodations. Starving in the midst of plenty is not
+for him who has plenty of midst. Nature meant that a fat man should have
+an appetite and that he should gratify it at regular intervals--meant
+that he should feel like the Grand Canyon before dinner and like the
+Royal Gorge afterward. Anyhow, dieting for a fat man consists in not
+eating anything that's fit to eat. The specialist merely tells him to
+eat what a horse would eat and has the nerve to charge him for what
+he could have found out for himself at any livery stable. Of course
+he might bant in the same way that a woman bants. You know how a woman
+bants. She begins the day very resolutely, and if you are her husband
+you want to avoid irritating her or upsetting her, because hell hath no
+fury like a woman banting. For breakfast she takes a swallow of lukewarm
+water and half of a soda cracker. For luncheon she takes the other
+half of the cracker and leaves off the water. For dinner she orders
+everything on the menu except the date and the name of the proprietor.
+She does this in order to give her strength to go on with the treatment.
+
+No fat man would diet that way; but no matter which way he does diet it
+doesn't do him any good. Health exercises only make him muscle-sore and
+bring on what the Harvard ball team call the Charles W. Horse; while
+banting results in attacks of those kindred complaints--the Mollie K.
+Grubbs and the Fan J. Todds.
+
+Walking is sometimes recommended and the example of the camel is pointed
+out, the camel being a creature that can walk for days and days. But,
+as has been said by some thinking person, who in thunder wants to be a
+camel? The subject of horseback riding is also brought up frequently in
+this connection. It is one of the commonest delusions among fat men
+that horseback riding will bring them down and make them sylphlike and
+willowy. I have several fat men among my lists of acquaintances who
+labor under this fallacy. None of them was ever a natural-born horseback
+rider; none of them ever will be. I like to go out of a bright morning
+and take a comfortable seat on a park bench--one park bench is plenty
+roomy enough if nobody else is using it--and sit there and watch these
+unhappy persons passing single file along the bridle-path. I sit there
+and gloat until by rights I ought to be required to take out a gloater's
+license.
+
+Mind you, I have no prejudice against horseback riding as such.
+Horseback riding is all right for mounted policemen and Colonel W. F.
+Cody and members of the Stickney family and the party who used to play
+Mazeppa in the sterling drama of that name. That is how those persons
+make their living. They are suited for it and acclimated to it. It is
+also all right for equestrian statues of generals in the Civil War. But
+it is not a fit employment for a fat man and especially for a fat man
+who insists on trying to ride a hard-trotting horse English style, which
+really isn't riding at all when you come right down to cases, but an
+outdoor cure for neurasthenia invented, I take it, by a British subject
+who was nervous himself and hated to stay long in one place. So, as I
+was saying, I sit there on my comfortable park bench and watch
+those friends of mine bouncing by, each wearing on his face that set
+expression which is seen also on the faces of some men while waltzing,
+and on the faces of most women when entertaining their relatives by
+marriage. I have one friend who is addicted to this form of punishment
+in a violent, not to say a malignant form. He uses for his purpose a
+tall and self-willed horse of the Tudor period--a horse with those high
+dormer effects and a sloping mansard. This horse must have been raised,
+I think, in the knockabout song-and-dance business. Every time he hears
+music or thinks he hears it he stops and vamps with his feet. When
+he does this my friend bends forward and clutches him round the neck
+tightly. I think he is trying to whisper in the horse's ear and beg him
+in Heaven's name to forbear; but what he looks like is Santa Claus with
+a clean shave, sitting on the combing of a very steep house with his
+feet hanging over the eaves, peeking down the chimney to see if the
+children are asleep yet. When that horse dies he will still have finger
+marks on his throat and the authorities will suspect foul play probably.
+
+Once I tried it myself. I was induced to scale the heights of a horse
+that was built somewhat along the general idea of the Andes Mountains,
+only more rugged and steeper nearing the crest. From the ground he
+looked to be not more than sixteen hands high, but as soon as I was up
+on top of him I immediately discerned that it was not sixteen hands--it
+was sixteen miles. What I had taken for the horse's blaze face was
+a snow-capped peak. Miss Anna Peck might have felt at home up there,
+because she has had the experience and is used to that sort of thing,
+but I am no mountain climber myself.
+
+Before I could make any move to descend to the lower and less rarefied
+altitudes the horse began executing a few fancy steps, and he started
+traveling sidewise with a kind of a slanting bias movement that was
+extremely disconcerting, not to say alarming, instead of proceeding
+straight ahead as a regular horse would. I clung there astraddle of his
+ridge pole, with my fingers twined in his mane, trying to anticipate
+where he would be next, in order to be there to meet him if possible;
+and I resolved right then that, if Providence in His wisdom so willed it
+that I should get down from up there alive, I would never do so again.
+However, I did not express these longings in words--not at that time. At
+that time there were only two words in the English language which seemed
+to come to me. One of them was "Whoa" and the other was "Ouch," and
+I spoke them alternately with such rapidity that they merged into the
+compound word "Whouch," which is a very expressive word and one that I
+would freely recommend to others who may be situated as I was.
+
+At that moment, of all the places in the world that I could think
+of--and I could think of a great many because the events of my past
+life were rapidly flashing past me--as is customary, I am told, in other
+cases of grave peril, such as drowning--I say of all the places in the
+world there were just two where I least desired to be--one was up on top
+of that horse and the other was down under him. But it seemed to be a
+choice of the two evils, and so I chose the lesser and got under him. I
+did this by a simple expedient that occurred to me at the moment. I fell
+off. I was tramped on considerably, and the earth proved to be harder
+than it looked when viewed from an approximate height of sixteen miles
+up, but I lived and breathed--or at least I breathed after a time
+had elapsed--and I was satisfied. And so, having gone through this
+experience myself, I am in position to appreciate what any other man
+of my general build is going through as I see him bobbing by--the poor
+martyr, sacrificing himself as a burnt offering, or anyway a blistered
+one--on the high altar of a Gothic ruin of a horse. And, besides, I
+know that riding a horse doesn't reduce a fat man. It merely reduces the
+horse.
+
+So it goes--the fat man is always up against it. His figure is
+half-masted in regretful memory of the proportions he had once, and
+he is made to mourn. Most sports and many gainful pursuits are closed
+against him. He cannot play lawn tennis, or, at least according to my
+observation, he cannot play lawn tennis oftener than once in two weeks.
+In between games he limps round, stiff as a hat tree and sore as a
+mashed thumb. Time was when he might mingle in the mystic mazes of the
+waltz, tripping the light fantastic toe or stubbing it, as the case may
+be. But that was in the days of the old-fashioned square dance, which
+was the fat man's friend among dances, and also of the old-fashioned
+two-step, and not in these times when dancing is a cross between a
+wrestling match, a contortion act and a trip on a roller-coaster, and is
+either named for an animal, like the Bunny Hug and the Tarantula Glide,
+or for a town, like the Mobile Mop-Up, and the Far Rockaway Rock and the
+South Bend Bend. His friends would interfere--or the authorities would.
+He can go in swimming, it is true; but if he turns over and floats,
+people yell out that somebody has set the life raft adrift; and if he
+basks at the water's edge, boats will come in and try to dock alongside
+him; and if he takes a sun bath on the beach and sunburns, there's so
+everlasting much of him to be sunburned that he practically amounts to a
+conflagration. He can't shoot rapids, craps or big game with any degree
+of comfort; nor play billiards. He can't get close enough to the table
+to make the shots, and he puts all the English on himself and none of it
+on the cue ball.
+
+Consider the gainful pursuits. Think how many of them are denied to the
+man who may have energy and ability but is shut out because there are a
+few extra terraces on his front lawn. A fat man cannot be a leading man
+in a play. Nobody desires a fat hero for a novel. A fat man cannot go
+in for aeroplaning. He cannot be a wire-walker or a successful walker
+of any of the other recognized brands--track, cake, sleep or floor. He
+doesn't make a popular waiter. Nobody wants a fat waiter on a hot day.
+True, you may make him bring your order under covered dishes, but
+even so, there is still that suggestion of rain on a tin roof that is
+distasteful to so many.
+
+So I repeat that fat people are always getting the worst of it, and I
+say again, of all the ills that flesh is heir to, the worst is the flesh
+itself. As the poet says--"The world, the flesh and the devil"--and
+there you have it in a sentence--the flesh in between, catching the
+devil on one side and the jeers of the world on the other. I don't care
+what Dr. Woods Hutchinson or any other thin man says! I contend that
+history is studded with instances of prominent persons who lost out
+because they got fat. Take Cleopatra now, the lady to whom Marc Antony
+said: "I am dying, Egypt, dying," and then refrained from doing so for
+about nineteen more stanzas. Cleo or Pat--she was known by both names,
+I hear--did fairly well as a queen, as a coquette and as a promoter of
+excursions on the river--until she fleshened up. Then she flivvered.
+Doctor Johnson was a fat man and he suffered from prickly heat, and from
+Boswell, and from the fact that he couldn't eat without spilling most
+of the gravy on his second mezzanine landing. As a thin and spindly
+stripling Napoleon altered the map of Europe and stood many nations on
+their heads. It was after he had grown fat and pursy that he landed
+on St. Helena and spent his last days on a barren rock, with his arms
+folded, posing for steel engravings. Nero was fat, and he had a lot of
+hard luck in keeping his relatives--they were almost constantly dying on
+him and he finally had to stab himself with one of those painful-looking
+old Roman two-handed swords, lest something really serious befall him.
+Falstaff was fat, and he lost the favor of kings in the last act. Coming
+down to our own day and turning to a point no farther away than the
+White House at Washington--but have we not enough examples without
+becoming personal? Yes, I know Julius Caesar said: "Let me have men
+about me that are fat." But you bet it wasn't in the heated period when
+J. Caesar said that!
+
+
+
+
+TEETH
+
+
+One of the most pleasant features about being born, as I conceive it,
+is that we are born without teeth. I believe there have been a few
+exceptions to this rule--Richard the Third, according to the accounts,
+came into the world equipped with all his teeth and a perfectly
+miserable disposition; and once in a while, especially during Roosevelt
+years, when the Colonel's picture is hanging on the walls of so many
+American homes, we read in the paper that a baby has just been born
+somewhere with a full set, and even, as in the case of the infant son
+of a former member of the Rough Riders, with nose glasses and a
+close-cropped mustache. This, however, may have been a pardonable
+exaggeration of the real facts. As I recall now, it was reported in a
+dispatch to the New York Tribune from Lover's Leap, Iowa, during the
+presidential campaign eight years ago.
+
+In the main, though, we are born without teeth. We are born without a
+number of things--clothes for example--although Anthony Comstock is said
+to be pushing a law requiring all children to be born with overalls on;
+but teeth is the subject which we are now discussing. This absence of
+teeth tends to give the very young of our species the appearance in the
+face of an old fashioned buckskin purse with the draw string broken, but
+be that as it may, we are generally fairly well content with life until
+the teeth begin to come.
+
+First there are the milk teeth. Right there our troubles start. To use
+the term commonly in use, we cut them, although as a matter of fact,
+they cut us--cut them with the aid of some such mussy thing as a
+toothing ring or the horny part of the nurse's thumb, or the reverse
+side of a spoon--cut them at the cost of infinite suffering, not only
+for ourselves but for everybody else in the vicinity. And about the time
+we get the last one in we begin to lose the first one out. They go one
+at a time, by falling out, or by being yanked out, or by coming out of
+their own accord when we eat molasses taffy. They were merely what
+you might call our Entered Apprentice teeth. We go in now for the full
+thirty-two degrees--one degree for each tooth and thirty-two teeth to
+a set. By arduous and painful processes, stretching over a period
+of years, we get our regular teeth--the others were only
+volunteers--concluding with the wisdom teeth, as so called, but it is a
+misnomer, because there never is room for them and they have to stand
+up in the back row and they usually arrive with holes in them, and if we
+really possessed any wisdom we would figure out some way of abolishing
+them altogether. They come late and crowd their way in and push the
+other teeth out of line and so we go about for months with the top of
+our mouths filled with braces and wires and things, so that when we
+breathe hard we sob and croon inside of ourselves like an Aeolean harp.
+
+But in any event we get them all and no sooner do we get them than we
+begin to lose them. They develop cavities and aches and extra roots and
+we spend a good part of our lives and most of our substance with the
+dentist. Nevertheless, in spite of all we can do and all he can do, we
+keep on losing them. And after awhile, they are all gone and our face
+folds up on us like a crush hat or a concertina and from our brow to our
+chin we don't look much more than a third as long as we used to look.
+We dislike this folded-up appearance naturally--who wouldn't? And we get
+tired of living on spoon victuals and the memory of past beef-steaks. So
+we go and get some false ones made. They have to be made to order;
+there appears to be no market for custom made teeth; you never see any
+hand-me-down teeth advertised, guaranteed to fit any face and withstand
+a damp climate. Getting them made to order is a long and unhappy process
+and I will pass over it briefly. Having got them, we find that they do
+not fit us or that we do not fit them, which comes to the same thing.
+The dentist makes them fit by altering us some and the teeth some, and
+after some months they quit feeling as though they didn't belong to us
+but had been borrowed temporarily from somebody's loan collection of
+ceramics.
+
+But just about the time they are becoming acclimated and we are getting
+used to them, the interior of our mouth for private reasons best known
+to itself changes around materially and we either have to go back and
+start all over and go through the whole thing again, or else haply we
+die and pass on to the bourne from which no traveller returneth either
+with his teeth or without them. If Shakespeare had only thought of
+it--and he did think of a number of things from time to time--he might
+have divided his Seven Ages of Man much better by making them the Seven
+Ages of Teeth as follows: First age--no tooth; second age--milk teeth;
+third age--losing 'em; fourth age--getting more teeth; fifth
+age--losing 'em; sixth age--getting false teeth and finding they aren't
+satisfactory; seventh age--toothless again.
+
+I knew a man once who was a gunsmith and lost all his teeth at a
+comparatively early age. He went along that way for years. He had to
+eschew the tenderloin for the reason that he couldn't chew it, and he
+had to cut out hickory nut cake and corn on the ear and such things. But
+there is nothing about the art of gunsmithing which seems to call for
+teeth, so he got along very well, living in a little house with the wife
+of his bosom and a faithful housedog named Ponto. But when he was past
+sixty he went and got himself some teeth from the dentist. He did this
+without saying anything about it at home; he was treasuring it up for a
+surprise. The corner stone was laid in May and the scaffolding was all
+up by July and in August the new teeth were dedicated with suitable
+ceremonies.
+
+They altered his appearance materially. His nose and chin which had been
+on terms of intimacy now rubbed each other a last fond good-bye and his
+face lost that accordion-pleated look and straightened out and became
+about six or seven inches longer from top to bottom. He now had a sort
+of determined aspect like the iron jawed lady in a circus, whereas
+before his face had the appearance of being folded over and wadded
+down inside of his neck band, so his hat could rest comfortably on his
+collar. He knew he was altered, but he didn't realize how much he was
+altered until he went home that evening and walked proudly in the front
+gate. His wife who was timid about strangers, slammed the door right in
+his face and faithful Ponto came out from under the porch steps and bit
+him severely in the calf of the leg. There was only one consolation
+in it for him--for the first time in a long number of years he was in
+position to bite back.
+
+And that's how it is with teeth--with your teeth let us say--for right
+here I'm going to drop the personal pronoun and speak of them as your
+teeth from now on. If anybody has to suffer it might as well be you and
+not me; I expect to be busy telling about it. As I started to say awhile
+ago, you--remember it's you from this point--you get your regular teeth
+and they start right in giving you trouble. Every little while one of
+them bursts from its cell with a horrible yell and in the lulls between
+pangs you go forth among men with the haunted look in your eye of one
+who is listening for the footfalls of a dread apparition, and one half
+of your head is puffed out of plumb as though you were engaged in the
+whimsical idea of holding an egg plant in the side of your jaw. A kind
+friend meets you, and, speaking with that high courage and that lofty
+spirit of sacrifice which a kind friend always exhibits when it's your
+tooth that is kicking up the rumpus and not his, he tells you you ought
+to have something done for it right away. You know that as well as he
+does, but you hate to have the subject brought up. It's your toothache
+anyhow. It originated with you. You are its proud parent but not so
+awfully proud at that. Mother and child doing as well as could be
+expected, but not expected to do very well.
+
+But these friends of yours keep on shoving their free advice on you and
+the tooth keeps on getting worse and worse until the pain spreads all
+through the First Ward and finally you grab your resolution in both
+hands to keep it from leaking out between your fingers and you go to the
+dentist's.
+
+This happens so many times that after awhile you lose count and so would
+the dentist, if he didn't write your name down every time in his little
+red book with pleasingly large amounts entered opposite to it. It seems
+to you that you are always doing something for your teeth? You have them
+pulled and pushed and shoved and filled and unfilled and refilled and
+excavated and blasted and sculptured and scroll-sawed and a lot of other
+things that you wouldn't think could be done legally without a building
+permit. As time passes on, the inside of your once well-tilled and
+commodious head becomes but little more than a recent site. Your vaults
+have been blown and most of your contents abstracted by Amalgam Mike
+and Dental Slim, the Demon Yeggmen of the Human Face. You are merely the
+scattered clews left behind for the authorities to work on; you are the
+faint traces of the fiendish crime. You are the point marked X.
+
+But all along there is generally one tooth that has behaved herself like
+a lady. Other teeth may have betrayed your confidence but Old Faithful
+has hung on, attending to business, asking only for standing room and
+kind treatment. The others you may view with alarm, but to this tooth
+you can point with pride. But have a care--she is deceiving you.
+
+Some night you go to bed and have a dream. In your dream it seems to you
+that a fox terrier is chasing a woodchuck around and around the inside
+of your head. In that tangled sort of fashion peculiar to dreams your
+sympathy seems to go out first to the fox terrier and then to the
+woodchuck as they circle about nimbly, leaping from your tonsils to your
+larynx and then up over the rafters in the roof of your mouth and down
+again and pattering over the sub-maxillary from side to side. But about
+then you wake up with a violent start and decide that any sympathy
+you may have in stock should be reserved for personal use exclusively,
+because at this moment the dog trees the woodchuck at the base of
+that cherished tooth of yours and starts to dig him out. He is a very
+determined dog and very active, but he needs a manicure. You are struck
+by that fact almost immediately.
+
+Uttering some of those trite and commonplace remarks that are customary
+for use under such circumstances and yet are so futile to express
+one's real sentiments, you arise and undertake to pacify the infuriated
+creature with household remedies. You try to lure him away with a wad
+of medicated cotton stuck on the end of a parlor match. But arnica is
+evidently an acquired taste with him. He doesn't seem to care for it any
+more than you do. You begin to dress, using one hand to put your clothes
+on with and the other to hold the top of your head on. At this important
+juncture, the dog tears down the last remaining partitions and nails the
+woodchuck. The woodchuck is game--say what you will about the habits and
+customs of the woodchuck you have to hand it to him there--he's game as
+a lion. He fights back desperately. Intense excitement reigns throughout
+the vicinity. While the struggle wages you get your clothes on and wait
+for daylight to come, which it does in from eight to ten weeks. Norway
+is not the only place where the nights are six months long.
+
+There is nobody waiting at the dentist's when you get there, it being
+early. You are willing to wait. At a barber shop it may be different but
+at a dentist's you are always willing to wait, like a gentleman. But the
+sinewy young man who is sitting in the front parlor reading the Hammer
+Thrower's Gazette, welcomes you with a false air of gaiety entirely out
+of keeping with the circumstances and invites you to step right in. He
+tells you that you are next. This is wrong--if you were next you would
+turn and flee like a deer. Not being next, you enter. Right from the
+start you seem to take a dislike to this young man. You catch him
+spitting in his hands and hitching his sleeves up as you are hanging up
+your hat. Besides he is too robust for a dentist. With those shoulders
+he ought to be a boiler maker or a safe mover or something of that sort.
+You resolve inwardly that next time you go to a dentist you are going to
+one of a more lady-like bearing and gentler demeanor. It seems a
+brutal thing that a big strong man should waste his years in a dental
+establishment when the world is clamoring for strong men to do the heavy
+lifting jobs. But before you can say anything, this muscular athlete has
+laid violent hands on your palpitating form and wadded it abruptly into
+the hideous embraces of a red plush chair, which looks something like
+the one they use up at Sing Sing, only it's done more quickly up there
+and with less suffering on the part of the condemned. On one side of
+you you behold quite a display of open plumbing and on the other side
+a tasty exhibit of small steel tools of assorted sizes. No matter which
+way your gaze may stray you'll be seeing something attractive.
+
+You also take notice of an electric motor about large enough, you would
+say, to run a trolley car, which is purring nearby in a sinister and
+forbidding way. They are constantly making these little improvements
+in the dental profession. I have heard that fifty years ago a dentist
+traveled about over the country from place to place, sometimes pulling a
+tooth and sometimes breaking a colt. He practiced his art with an outfit
+consisting of two pairs of iron forceps--one pair being saber-toothed
+while the other pair was merely saw-fretted--and he gave a man the same
+kind of treatment he gave a horse, only he tied the horse's legs first.
+But now electricity is in general use and no dentist's establishment is
+complete without a dynamo attachment which makes a crooning sound when
+in operation and provides instrumental accompaniment to the song of the
+official canary.
+
+I know why a barber in a country town is always learning to play on the
+guitar and I know why a man with an emotional Adam's apple always wears
+an open front collar. I know these things, but am debarred from telling
+them by reason of a solemn oath. But I have not yet been able to
+discover why every dentist keeps a canary in his office. Nor do I know
+why it is, just as you settle your neck back on a head rest that's every
+bit as comfortable as an anvil, and just as a dentist climbs into you
+as far as the arm pits and begins probing at the bottom of a tooth which
+has roots extending back behind your ears, like an old-fashioned pair of
+spectacles, that the canary bird should wipe his nose on a cuttle bone
+and dash into a melodious outburst of two hundred thousand twitters,
+all of them being twitters of the same size, shape, and color. For that
+matter, I don't even know what kind of an animal a cuttle is, although I
+should say from the shape of his bone as used by the canary instead of
+a pocket handkerchief, that he is circular and flat and stands on
+edge only with the utmost difficulty. If you will pardon my temporary
+digressions into the realm of natural history, we will now return to the
+main subject, which was your tooth.
+
+The moment the muscular young man starts up his motor and gives the
+canary its music cue and begins pawing over his tool collection to pick
+out a good sharp one, you recover. All of a sudden you feel fine, and
+so does the tooth. Neither one of you ever felt better. The fox terrier
+must have killed the woodchuck and then committed suicide. You are
+about to mention this double tragedy and beg the young man's pardon for
+causing him any trouble and excuse yourself and go away, but just then
+he quits feeling of his biceps and suddenly seizes you by your features
+and undoes them. If you are where you can catch a glimpse of yourself in
+a mirror you will immediately note how much the human face divine can be
+made to look like an old-fashioned red brick Colonial fire place.
+
+There are likely to be several things you would like to talk about. You
+are full of thoughts seeking utterance. For one thing you want to tell
+him you don't think the brand of soap he uses on his hands is going to
+agree with you at all. You probably don't care personally for the way
+your barber's thumb tastes either, but a barber's thumb is Peaches
+Melba alongside of a dentist's. Before you can say anything though he
+discovers a cavity or orifice of some sort in the base of your tooth.
+It seems to give him pleasure. Filled with intense gratification by this
+discovery and fired moreover by the impetuous ardor of the chase, he
+grabs up a crochet needle with a red hot stinger on the end of it and
+jabs it down your tooth to a point about opposite where your suspenders
+fork in the back.
+
+You have words with him then, or at least you start to have words with
+him, but he puts his knee in your chest and tells you that it really
+doesn't hurt at all, but is only your imagination, and utters other
+soothing remarks of that general nature. He then exchanges the crochet
+needle for a kind of an instrument with a burr on the end of it. This
+instrument first came into use at the time of the Spanish Inquisition
+but has since been greatly improved on and brought right up to date. He
+takes this handy little utensil and proceeds to stir up your imagination
+some more. You again try to say something, speaking in a muffled tone,
+but he is not listening. He is calling to a brother assassin in
+the adjoining room to come and see a magnificent example of a prime
+old-vatted triple X exposed nerve. So the Second Grave Digger rests his
+tools against the palate of his victim and comes in.
+
+As nearly as you can gather from hearsay evidence, you not being an eye
+witness yourself, one of them harpoons the nerve just back of the gills
+with a nutpick--remember please it is your nerve that they are taking
+all these liberties with--and pulls it out of its retreat and the other
+man takes a tack hammer and tries to beat its brains out. Any time he
+misses the nerve he hits you, so his average is still a thousand, and
+it is fine practice for him. A pleasant time is had by everybody present
+except you and the nerve. The nerve wraps its hind legs around your
+breastbone and hangs on desperately. You perspire freely and make noises
+like a drunken Zulu trying to sing a Swedish folk song while holding a
+spoonful of hot mush in his mouth.
+
+In time becoming wearied even of these congenial diversions and tiring
+of the shop talk that has been going on, the second dentist returns
+to his original prey and the party who has you in charge tries a new
+experiment. He arms himself with a kind of an automatic hammering
+machine, somewhat similar to the steam riveter used in constructing
+steel office buildings, except that this one is more compact and can
+deliver about eighty-five more blows to the second. Thus equipped, he
+descends far below your high water mark and engages in aquatic sports
+and pastimes for a considerable period of time. It seems to you that you
+never saw a man who could go down and stay down as long as this young
+man can. You begin to feel that you misjudged his real vocation in life
+when you decided that he ought to be a boiler maker. You know that he
+was intended for pearl fishing. He's a natural born deep sea diver. He
+doesn't even have to come up to breathe, but stays below, knee deep in
+your tide wash, merrily knocking chunks off your lowermost coral reefs
+with his little steam riveter and having a perfectly lovely time.
+
+You are overflowing copiously and you wish he would take the time to
+stop and bail you out. You abhor the idea of being drowned as an inside
+job. But no, he keeps right on and along about here it is customary for
+you to swoon away.
+
+On recovering, you observe that he has changed his mind again. He is now
+going in for amateur theatricals and is using you for a theatre. First
+thoughtfully draping a little rubber drop curtain across your proscenium
+arch to keep you from seeing what is going on behind your own scenes, he
+is setting the stage for the thrilling sawmill scene in Blue Jeans. You
+can distinctly feel the circular saw at work and you can taste a hod of
+mortar and a bucket of hot tar and one thing and another that have been
+left in the wings. You also judge that the insulation is burning off of
+an electric fixture somewhere up stage.
+
+All this time the tooth is still offering resistance, and eventually the
+dentist comes out in front once more and makes a little curtain speech
+to you. He has just ascertained that what the tooth really needed was
+not filling but pulling. He thought at first that it should be filled
+and that is what he has been doing--filling it--but now he knows that
+pulling is the indicated procedure. He does not understand how a tooth
+that seemed so open could have deceived him. Nevertheless he will now
+pull the tooth.
+
+He pulls her. She does her level best but he pulls her. He harvests
+small sections of the gum from time to time and occasionally he stops
+long enough to loosen up the roots as far down as your floating ribs.
+But he pulls her. He spares no pains to pull that tooth. Or if he spares
+any you are not able subsequently to remember what they were. You utter
+various loud sounds in a strange and incomprehensible language and he
+lays back and braces his knees against your lower jaw, and the tooth
+utters the death rattle and begins picking the cover-lid. And then he
+gives one final heave and breaks the roots away from the lower part of
+your spinal column to which they were adhering, and emerges into the
+open panting but triumphant, and holds his trophy up for you to look
+at. If you didn't know it was your tooth you would take it for an
+old-fashioned china cuspidor that had been neglected by the janitor.
+
+It was a tooth that you had been prizing for years, but now you wouldn't
+have it as a gracious gift. You are through with that tooth forever. You
+never want to see it again.
+
+As for the dentist, he collects the fixed charge for stumpage and
+corkage and one thing and another and you come away with a feeling in
+the side of your jaw like a vacant lot. Your tongue keeps going over
+there to see if it can recognize the old place by the hole where the
+foundations used to be. You never realized before what a basement there
+was to a tooth.
+
+As you come out you pass a fresh victim going in and you see the dentist
+welcome him and then turn to crank up his motor and you hear the canary
+tuning up with a new line of v-shaped twitters. And you are glad that he
+is the one who is going in and that you are the one who is coming out.
+
+Science tells us that the teeth are the hardest things in the human
+composition, which is all very well as far as it goes, but what science
+should do is to go on and finish the sentence. It means the hardest to
+keep.
+
+
+
+
+HAIR
+
+
+As I remarked in the preceding chapter of this work, one of the
+pleasantest features about being born is that we are born without teeth
+and other responsibilities. Teeth, like debts and installment payments,
+come along later on. It is the same way with hair.
+
+Born, we are, hairless or comparatively so. We are in a highly
+incomplete state at that period of our lives. It takes a fond and doting
+parent to detect evidences of an actual human aspect in us. Only the
+ears and the mouth appear to be up to the plans and specifications.
+There is a mouth which when opened, as it generally is, makes the
+rest of the face look like a tire, and there is a pair of ears of
+such generous size that only a third one is needed, round at the back
+somewhere, to give us the appearance of a loving cup. And we are smocked
+and hem-stitched with a million wrinkles apiece, more or less, which
+partly accounts for the fact that every newborn infant looks to be about
+two hundred years old. And uniformly we have the nice red complexion of
+a restaurant lobster. You know that live-broiled look?
+
+As for our other features, they are more or less rudimentary. Of a
+nose there is only what a chemist would call a trace. It seems hard to
+imagine that a dinky little nubbin like that, a dimple turned inside
+out, as it were, will ever develop into a regular nose, with a capacity
+for freckling in the summer and catching cold in the winter--a nose that
+you can sneeze through and blow with. There are no eyebrows to speak of
+either, and the skull runs up to a sharp point like a pineapple cheese.
+Just back of the peak is a kind of soft, dented-in place like a Parker
+House roll, and if you touch it we die. In some cases this spot remains
+soft throughout life, and these persons grow up and go through railroad
+trains in presidential years taking straw votes.
+
+And, as I said before, there isn't any hair; only on the slopes of the
+cheese are some very pale, faint, downy lines, which look as though they
+had been sketched on lightly with a very soft drawing pencil and would
+wipe off readily. That, however is the inception and beginning of what
+afterward becomes, among our race, hair. To look at it you could hardly
+believe it, but it is. Barring accidents or backwardness, it continues
+to grow from that time on through our childhood, but its behavior is
+always a profound disappointment. If the child is a girl and, therefore,
+entitled to curly hair, her hair is sure to come in stiff and straight.
+If it's a boy, to whom curls will be a curse and a cross of affliction,
+he is morally certain to be as curly as a frizzly chicken, and until
+he gets old enough to rebel he will wear long ringlets and boys of his
+acquaintance will insert cockle-burs and chewing gum into his tresses,
+and he will be known popularly as Sissie and otherwise his life with be
+made joyous and carefree for him. If a reddish tone of hair is desired
+it is certain to grow out yellow or brown or black; and if brown is your
+favorite shade you are absolutely sure to be nice and red-headed, with
+eyebrows and lashes to match, and so many cowlicks that when you remove
+your hat people will think you're wearing two or three halos at once.
+Hair rarely or never acts up to its advance notices.
+
+One of the earliest and most painful recollections of my youth is
+associated with hair. I still tingle warmly when I think of it. I should
+say I was about eight years old at the time. My mother sent me down the
+street to the barber's to have my hair trimmed--shingled was the term
+then used. Some of my private collection of cowlicks had begun to
+stand up in a way that invited adverse criticism and reminded people
+of sunbursts. They made me look as though my hair were trying to pull
+itself out by the roots and escape. So I was sent to the barber's.
+My little cousin, two years younger, went along in my charge. It was
+thought that the performance might entertain her. I was mounted in
+a chair and had a cloth tucked in round my neck, like a self-made
+millionaire about to eat consomme. The officiating barber got out a
+shiny steel instrument with jaws--the first pair of clippers I had ever
+seen--and he ran this up the back of my neck, producing a most agreeable
+feeling. He reached the top of my head and would have paused but I told
+him to go right ahead and clip me close all over, which he did. When he
+had finished the job I was so delighted with the sensation and with the
+attendant result as viewed in a mirror that I suggested he might give my
+little cousin a similar treat. From a mere child I was ever so--willing
+always to share my simple pleasures with those about me, especially
+where it entailed no inconvenience on my part. I told him my father
+would pay the bill for both of us when he came by that night.
+
+The barber fell in with the suggestion. It has ever been my experience
+that a barber will fall in readily with any suggestion whereby the
+barber is going to get something out of it for himself. In this instance
+he was going to get another quarter, and a quarter went farther in
+those days than it does now. I dismounted from the chair and my innocent
+little cousin was installed in my place. As I now recall she made no
+protest. The barber ran his clippers conscientiously and painstakingly
+over her tender young scalp, while I stood admiringly by and watched the
+long yellow curls fall writhing upon the floor at my feet. It seemed
+to me that a great and manifest improvement was produced in her general
+appearance. Instead of being hampered by those silly curls dangling down
+all round her face, she now had a round, slick, smooth dome decorated
+with a stiff yellowish stubble, and the skin showed through nice and
+pink and the ears were well displayed, whereas before they had been
+practically hidden. She was also relieved of those foolish bangs hanging
+down in her eyes. This, I should have stated, occurred in the period
+when womankind of whatsoever age and also some men wore bangs, a disease
+from which all have since recovered with the exception of racehorses and
+princesses of the various reigning houses of Europe. And now my little
+cousin was shut of those annoying bangs, and her forehead ran up so high
+that you had to go round behind her to see where it left off.
+
+Filled with a joyous sense of achievement and conscious of a kindly
+deed worthily performed, I took my little cousin by her hand and led her
+home.
+
+My mother was waiting for us at the front door. She seemed surprised
+when I took off my hat and gave her a look, but that wasn't a
+circumstance to her surprise when I proudly took off my little cousin's
+cap. She uttered a kind of a strangled cry and my cousin's mother came
+running, and the way she carried on was scandalous and ill-timed. I will
+draw a veil over the proceedings of the next few minutes. At the time it
+would have been a source of great personal gratification and comfort to
+me if I could have drawn a number of veils, good, thick, woolen ones,
+over the proceedings. My mother wept, my aunt wept, my little cousin
+wept, and I am not ashamed to state that I wept quite copiously myself.
+But I had more provocation to weep than any of them.
+
+When this part of the affair was over my mother sent me back to the
+barber with a message. I was to say that a heart-broken woman demanded
+to have the curls of which her darling child had been denuded. I believe
+that there was some idea entertained of sewing them into a cap and
+requiring my cousin to wear the cap until new ones had sprouted. Even to
+me, a mere child of eight, this seemed a foolish and totally unnecessary
+proceeding, but the situation had already become so strained that I
+thought it the part of prudence to go at once without offering any
+arguments of my own. I felt, anyhow, that I would rather be away from
+the house for a while, until calmer second judgment had succeeded
+excitement and tumult.
+
+The man who owned the barber shop seemed surprised when I delivered the
+message, but he told me to come back in a few minutes and he'd do what
+he could. I drifted on down to the confectionery store at the corner to
+forget my sorrows for the moment in a worshipful admiration of a display
+of prize boxes and cracknels in glass-front cases--you should be able to
+fix the period by the fact that cracknels and prize boxes were still in
+vogue among the young. When I returned the head barber handed me quite a
+large box--a shoebox--with a string tied round it. It did not seem
+possible to me that my cousin could have had a whole shoebox full of
+curls, but things had been going pretty badly that afternoon and my
+motives had been misjudged and everything, so without any talk I took
+the box and hurried home with it. My mother cut the string and my aunt
+lifted the lid.
+
+I should prefer again to draw a veil over the scenes that now ensued,
+but the necessity of finishing this narrative requires me to state that
+it being a Saturday and the head barber being a busy man, he had not
+taken time to sort out my cousin's curls from among the flotsam and
+jetsam of his establishment, but had just swept up enough off the
+floor to make a good assorted boxful. I think the oldest inhabitant had
+probably dropped in that day to have himself trimmed up a little round
+the edges. I seem to remember a quantity of sandy whiskers shot with
+gray. There was enough hair in that box and enough different kinds and
+colors of hair and stuff to satisfy almost any taste, you would have
+thought, but my mother and aunt were anything but satisfied. On the
+contrary, far from it. And yet my cousin's hair was all there, if they
+had only been willing to spend a few days sorting it out and separating
+it from the other contents.
+
+In this particular instance I was the exception to the rule, that hair
+generally gives a boy no great trouble from the time he merges out of
+babyhood until he puts on long pants and begins to discern something
+strangely and subtly attractive about the sex described by Mr. Kipling
+as being the more deadly of the species. During this interim it is a
+matter of no moment to a boy whether he goes shaggy or cropped, shorn or
+unshorn. At intervals a frugal parent trims him to see if both his ears
+are still there, or else a barber does it with more thoroughness, often
+recovering small articles of household use that have been mysteriously
+missing for months; but in the main he goes along carefree and
+unbarbered, not greatly concerned with putting anything in his head or
+taking anything off of it.
+
+In due season, though, he reaches the age where adolescent whiskers and
+young romance begin to sprout out on him simultaneously--and from that
+moment on for the rest of his life his hair is giving him bother, and
+plenty of it.
+
+Your hair gives you bother as long as you have it and more bother when
+it starts to go. You are always doing something for it and it is always
+showing deep-dyed ingratitude in return; or else the dye isn't deep
+enough, which is even worse. Hair is responsible for such byproducts as
+dandruff, barbers, wigs, several comic weeklies, mental anguish, added
+expense, Chinese revolutions, and the standard joke about your wife's
+using your best razor to open a can of tomatoes with. Hair has been of
+aid to Buffalo Bill, Little Lord Fauntleroy, Samson, The Lady Godiva,
+Jo-Jo, the Dog-Faced Boy, poets, pianists, some artists and most
+mattress makers, but a drawback and a sorrow to Absalom, polar bears in
+captivity and the male sex in general.
+
+This assertion goes not only for hair on the head but for hair on the
+face. Let us consider for a moment the matter of shaving. If you shave
+yourself you excite a barber's contempt, and there is nobody whose
+contempt the average man dreads more than a barber's, unless it is
+a waiter's. And on the other hand, if you let a barber shave you he
+excites not your contempt particularly, but your rage and frequently
+your undying hatred. Once in a burst of confidence a barber told me one
+of the trade secrets of his profession--he said that among barbers every
+face fell into one of three classes, it being either a square, a round
+or a squirrel. I know not, reader, whether yours be a square or a
+round or a squirrel, but this much I will chance on a venture, sight
+unseen--that you have your periods of intense unhappiness when you are
+being shaved.
+
+I do not refer so much to the actual process of being shaved. Indeed
+there is something restful and soothing to the average male adult in
+the feel of a sharp razor being guided over a bristly jowl by a deft
+and skillful hand, to the accompaniment of a gentle grating sound and
+followed by a sensation of transient silken smoothness. Nor do I refer
+to the barber's habit of conversation. After all, a barber is human--he
+has to talk to somebody, and it might as well be you. If he didn't have
+you to talk to he'd have to talk to another barber, and that would be no
+treat to him.
+
+What I do refer to is that which precedes a shave and more especially
+that which follows after it. You rush in for a shave. In ten minutes you
+have an engagement to be married or something else important, and you
+want a shave and you want it quick. Does the barber take cognizance of
+the emergency? He does not. Such would be contrary to the ethics of his
+calling. Knowing from your own lips that you want a shave and that's
+positively all, he nevertheless is instantly filled with a burning
+desire to equip you with a large number of other things. In this regard
+the barbering profession has much in common with the haberdashering
+or gents'-furnishing profession as practiced in our larger cities. You
+invade a haberdashering establishment for the purpose, let us say, of
+investing in a plain and simple pair of half hose, price twenty-five
+cents. That emphatically is all that you do desire. You so state in
+plain, simple language, using the shorter and uglier word socks.
+
+Does the youth in the pale mauve shirt with the marquise ring on the
+little finger of the left hand rest content with this? Need I answer
+this question? In succession he tries to sell you a fancy waistcoat with
+large pearl buttons, a broken lot of silk pajamas, a bath-robe, some
+shrimp-pink underwear--he wears this kind himself he tells you in strict
+confidence--a pair of plush suspenders and a knitted necktie that you
+wouldn't be caught wearing at twelve o'clock at night at the bottom of
+a coal mine during a total eclipse of the moon. If you resist his
+blandishments and so far forget that you are a gentleman as to use harsh
+language, and if you insist on a pair of socks and nothing else, he'll
+let you have them, but he will never feel the same toward you as he did.
+
+'Tis much the same with a barber. You need a shave in a hurry and he is
+willing that you should have a shave, he being there for that purpose,
+but first and last he can think of upward of thirty or forty other
+things that you ought to have, including a shampoo, a hair cut, a hair
+singe, a hair tonic, a hair oil, a manicure, a facial massage, a scalp
+massage, a Turkish bath, his opinion on the merits of the newest White
+Hope, a shoeshine, some kind of a skin food, and a series of comparisons
+of the weather we are having this time this month with the weather we
+were having this time last month. Not all of us are gifted with the
+power of repartee by which my friend Frisbee turned the edge of the
+barber's desires.
+
+"Your hair," said the barber, fondling a truant lock, "is long."
+
+"I know it is," said Frisbee. "I like it long. It's so Roycrofty."
+
+"It is very long," said the barber with a wistful expression.
+
+"I like it very long," said Frisbee. "I like to have people come up to
+me on the street and call me Mr. Sutherland and ask me how I left
+my sisters? I like to be mistaken for a Russian pianist. I like for
+strangers to stop me and ask me how's everything up at East Aurora. In
+short, I like it long."
+
+"Yes, sir," said the barber, "quite so, sir; but it's very long,
+particularly here in the back--it covers your coat collar."
+
+"Indeed?" said Frisbee. "You say it covers my coat collar?"
+
+"Yes, sir," said the barber. "You can't see the coat collar at all."
+
+"Have you got a good sharp pair of shears there?" said Frisbee.
+
+"Oh, yes, sir," said the barber.
+
+"All right then," said Frisbee; "cut the collar off."
+
+But not all of us, as I said before, have this ready gift of parry and
+thrust that distinguishes my friend Frisbee. Mostly we weakly surrender.
+Or if we refuse to surrender, demanding just a shave by itself and
+nothing else, what then follows? In my own case, speaking personally, I
+know exactly what follows. I do not like to have any powder dabbed on my
+face when I am through shaving. I believe in letting the bloom of youth
+show through your skin, providing you have any bloom of youth to do
+so. I always take pains to state my views in this regard at least twice
+during the operation of being shaved--once at the start when the barber
+has me all lathered up, with soapsuds dripping from the flanges of my
+shell-like ears and running down my neck, and once again toward the
+close of the operation, when he has laid aside his razor and is sousing
+my defenseless features in a liquid that smells and tastes a good deal
+like those scented pink blotters they used to give away at drug-stores
+to advertise somebody's cologne.
+
+Does the barber respect my wishes in this regard? Certainly not. He
+insists on powdering me, either before my eyes or surreptitiously and in
+a clandestine manner. If he didn't powder me up he would lose his sense
+of self-respect, and probably the union would take his card away
+from him. I think there is something in the constitution and by-laws
+requiring that I be powdered up. I have fought the good fight for
+years, but I'm always powdered. Sometimes the crafty foe dissembles. He
+pretends that he is not going to powder me up. But all of a sudden when
+my back is turned, as it were, he grabs up his powder swab and makes a
+quick swoop upon me and the hellish deed is done. I should be pleased to
+hear from other victims of this practice suggesting any practical relief
+short of homicide. I do not wish to kill a barber--there are several
+other orders in ahead, referring to the persons I intend to kill off
+first--but I may be driven to it.
+
+After he has gashed me casually hither and yen, and sluiced down my
+helpless countenance with the carefree abandon of a livery-stable hand
+washing off a buggy, and after, as above stated, he has covered up the
+traces of his crime with powder, the barber next takes a towel and folds
+it over his right hand, as prescribed in the rules and regulations, and
+then he dabs me with that towel on various parts of my face nine hundred
+and seventy-four--974--separate and distinct times. I know the exact
+number of dabs because I have taken the trouble to keep count. I may
+be in as great a hurry as you can imagine; I may be but a poor nervous
+wreck already, as I am; I may be quivering to be up and away from there,
+but he dabs me with his towel--he dabs me until reason totters on her
+throne--sometimes just a tiny tot, as the saying goes, or it may be that
+the whole cerebral structure is involved--and then when he is apparently
+all through the Demoniac Dabber comes back and dabs me one more
+fiendish, deliberate and premeditated dab, making nine hundred and
+seventy-five dabs in all. He has to do it; it's in the ritual that I and
+you and everybody must have that last dab. I wonder how many gibbering
+idiots there are in the asylum today whose reason was overthrown by
+being dabbed that last farewell dab. I know from my own experience that
+I can feel the little dark-green gibbers sloshing round inside of me
+every time it happens, and some day my mind will give away altogether
+and there'll be a hurry call sent in for the wagon with the lock on the
+back door. Yet it is of no avail to cavil or protest; we cannot hope to
+escape; we can only sit there in mute and helpless misery and be filled
+with a great envy for Mexican hairless dogs.
+
+For quite a spell now we have been speaking of hair on the face; at this
+point we revert to hair in its relation to the head. There are some few
+among us, mainly professional Southerners and leading men, who retain
+the bulk of the hair on their heads through life; but with most of us
+the circumstances are different. Your hair goes from you. You don't
+seem to notice it at first; then all of a sudden you wake up to the
+realization that your head is working its way up through the hair. You
+start in then desperately doing things for your hair in the hope of
+inducing it to stick round the old place a while longer, but it has
+heard the call of the wild and it is on its way. There's no detaining
+it. You soak your skull in lotions until your brain softens and your
+hat-band gets moldy from the damp, but your hair keeps right on going.
+
+After a while it is practically gone. If only about two-thirds of it is
+gone your head looks like a great auk's egg in a snug nest; but if
+most of it goes there is something about you that suggests the Glacial
+Period, with an icy barren peak rising high above the vegetation line,
+where a thin line of heroic strands still cling to the slopes. You are
+bald then, a subject fit for the japes of the wicked and universally
+coupled in the betting with onions, with hard-boiled eggs and with the
+front row of orchestra chairs at a musical show.
+
+At this time of writing baldness is creeping insidiously up each side of
+my head. It is executing flank movements from the temples northward, and
+some day the two columns will meet and after that I'll be considerably
+more of a highbrow than I am now. At present I am craftily combing the
+remaining thatch in the middle and smoothing it out nice and flat, so
+as to keep those bare spots covered--thinly perhaps, but nevertheless
+covered. It is my earnest desire to continue to keep them covered. I
+am not a professional beauty; I am not even what you would call a good
+amateur beauty; and I want to make what little hair I have go as far as
+it conveniently can. But does the barber to whom I repair at frequent
+intervals coincide with my desires in this respect? Again I reply he
+does not. Every time I go in I speak to him about it. I say to him:
+"Woodman, spare that hair, touch not a single strand; in youth it
+sheltered me and I'll protect it now." Or in substance that.
+
+He says yes, he will, but he doesn't mean it. He waits until he can
+catch me with my guard down. Then he seizes a comb, and using the edge
+of his left hand as a bevel and operating his right with a sort of
+free-arm Spencerian movement, he roaches my hair up in a scallop effect
+on either side, and upon reaching the crest he fights with it and
+wrestles with it until he makes it stand erect in a feather-edged
+design. I can tell by his expression that he is pleased with this
+arrangement. He loves to send his victims forth into the world tufted
+like the fretful cockatoo. He likes to see surging waves of hair dash
+high on a stern and rockbound head. His sense of the artistic demands
+such a result.
+
+What cares he how I feel about it so long as the higher cravings of
+his own nature are satisfied? But I resent it--I resent it bitterly.
+I object to having my head look like a real-estate development with an
+opening for a new street going up each side and an ornamental design in
+fancy landscape gardening across the top. If I permit this I won't be
+able to keep on saying that I was twenty-seven on my last birthday, with
+some hope of getting away with it. So I insist that he put my front
+hair right back where he found it. He does so, under protest and
+begrudgingly, it is true, but he does it. And then, watching his
+opportunity, he runs in on me and overpowers me and roaches it up some
+more.
+
+If I weaken and submit he is happy as the day is long. If he gets it
+roached up on both sides that will make me look like a horizontal-bar
+performer, which is his idea of manly beauty. Or if he gets it roached
+up on one side only there is still some consolation in it for him I'm
+liable to be mistaken anywhere for a trained-animal performer. But once
+in a very great while he doesn't get it roached up on either side, but
+has to stand there and suffer as he sees me walk forth into the world
+with my hair combed to suit me and not him. I can tell by his look that
+he is grieved and downcast, and that he will probably go home and be
+cross to the children. He has but one solace--he hopes to have better
+luck with me next time. And probably he will.
+
+The last age of hair is a wig. But wigs are not so very satisfactory
+either. I've seen all the known varieties of wigs, and I never saw one
+yet that looked as though it were even on speaking terms with the head
+that was under it. A wig always looks as though it were a total stranger
+to the head and had just lit there a minute to rest, preparatory to
+flying along to the next head. Nevertheless, I think on the whole I'll
+be happier when my time comes to wear one, because then no barber can
+roach me up.
+
+
+
+
+HANDS AND FEET
+
+
+Nearly every boy has a period in his life when he is filled with
+an envious admiration for the East India god with the extra set of
+arms--Vishnu, I think this party's name is. To a small boy it seems a
+grand thing to have a really adequate assortment of hands. He considers
+the advantage of such an arrangement in school--two hands in plain view
+above the desk holding McGuffy's Fourth Reader at the proper angle for
+study and the other two out of sight, down underneath the desk engaged
+in manufacturing paper wads or playing crack-a-loo or some other really
+worth while employment.
+
+Or for robbing birds' nests. There would be two hands for use in
+skinning up the tree, and one hand for scaring off the mother bird and
+one hand for stealing the eggs. And for hanging on behind wagons the
+combination positively could not be beaten. Then there would be the
+gaudy conspicuousness of going around with four arms weaving in and
+out in a kind of spidery effect while less favored boys were forced to
+content themselves with just an ordinary and insufficient pair. Really,
+there was only one drawback to the contemplation of this scheme--there'd
+be twice as many hands to wash when company was coming to dinner.
+
+Generally speaking a boy's hands give him no serious concern during the
+first few years of his life except at such times as his mother grows
+officious and fussy and insists that they ought to be washed up as far
+as the regular place for washing a boy's hands, to wit, about midway
+between the knuckles and the wrist. The fact that one finger is usually
+in a state of mashedness is no drawback, but a benefit. The presence
+of a soiled rag around a finger gives to a boy's hand a touch of
+distinctiveness--singles it out from ordinary unmaimed hands. Its
+presence has been known to excuse its happy possessor from such chores
+as bringing in wood for the kitchen stove or pulling dock weeds out of
+the grass in a front yard where it would be much easier and quicker to
+pull the grass out of the dock weeds. It may even be made a source of
+profit by removing the wrappings and charging two china marbles a look.
+I seem to recall that in the case of a specially attractive injury, such
+as a thumb nail knocked off or a deep cut which has refused to heal by
+first intention or an imbedded splinter in process of being drawn out
+by a scrap of fat meat, that as much as four china marbles could be
+charged.
+
+On the Fourth of July you occasionally burned your hands and in cold
+winters they chapped extensively across the knuckles but these were but
+the marks and scars of honorable endeavor and a hardy endurance. In
+our set the boy whose knuckles had the deepest cracks in them was
+a prominent and admired figure, crowned, as you might say, with an
+imaginary chaplet by reason of his chaps.
+
+With girls, of course, it was different.
+
+Girls were superfluous and unnecessary creatures with a false and
+inflated idea of the value of soap and water. Their hands weren't
+good for much anyway. Later on we discovered that a girl's hands were
+excellent for holding purposes in a hammock or while coming back from
+a straw ride, but I am speaking now of the earlier stages of our
+development, before the presence of the ostensibly weaker sex began to
+awaken responsive throbs in our several bosoms--in short when girls were
+merely nuisances and things to be ignored whenever possible. In that
+early stage of his existence hands have no altruistic or sentimental or
+ornamental value for a boy--they are for useful purposes altogether and
+are regarded as such.
+
+It is only when he has reached the age of tail coats and spike-fence
+collars that he discovers two hands are frequently too many and often
+not enough. They are too many at your first church wedding when wearing
+your first pair of white kids and they are not enough at a five o'clock
+tea. There is a type of male who can go to a five o'clock tea and not
+fall over a lot of Louie Kahn's furniture or get himself hopelessly
+tangled up in a hanging drapery and who can seem perfectly at ease while
+holding in his hands a walking stick, a pair of dove colored gloves,
+a two-quart hat, a cup of tea with a slice of lemon peel in it, a tea
+spoon, a lump of sugar, a seed cookie, an olive, and the hand of a lady
+with whom he is discussing the true meaning of the message of the late
+Ibsen but these gifted mortals are not common. They are rare and exotic.
+There are also some few who can do ushing at a church wedding with a
+pair of white kids on and not appear overly self-conscious. These are
+also the exceptions. The great majority of us suffer visibly under
+such circumstances. You have the feeling that each hand weighs fully
+twenty-four pounds and that it is hanging out of the sleeve for a
+distance of about one and three-quarters yards and you don't know what
+to do with your hands and on the whole would feel much more comfortable
+and decorative if they were both sawed off at the wrists and hidden some
+place where you couldn't find 'em. You have that feeling and you look
+it. You look as though you were working in a plaster of paris factory
+and were carrying home a couple of large sacks of samples. It would be
+grand to be a Vishnu at a five o'clock tea, but awful to be one at a
+church wedding.
+
+About the time you find yourself embarking on a career of teas and
+weddings you also begin to find yourself worrying about the appearance
+of your hands. Up until now the hands have given you no great concern
+one way or the other, but some day you wake to the realization that you
+need to be manicured. Once you catch that disease there is no hope for
+you. There are ways of curing you of almost any habit except manicuring.
+You get so that you aren't satisfied unless your nails run down about a
+quarter of an inch further than nails were originally intended to run,
+and unless they glitter freely you feel strangely distraught in company.
+Inasmuch as no male creature's finger nails will glitter with the
+desired degree of brilliancy for more than twenty-four short and
+fleeting hours after a treatment you find yourself constantly in the
+act of either just getting a manicure or just getting over one. It is
+an expensive habit, too; it takes time and it takes money. There's the
+fixed charge for manicuring in the first place and then there's the tip.
+Once there was a manicure lady who wouldn't take a tip, but she is now
+no more. Her indignant sisters stabbed her to death with hat pins and
+nail-files. Manicuring as a public profession is a comparatively recent
+development of our civilization. The fathers of the republic and the
+founders of the constitution, which was founded first and has been
+foundering ever since if you can believe what a lot of people in
+Congress say--they knew nothing of manicuring. Speaking by and large,
+they only got their thumbs wet when doing one of three things--taking a
+bath, going in swimming or turning a page in a book. Washington probably
+was never manicured nor Jefferson nor Franklin; it's a cinch that Daniel
+Boone and Israel Putnam and George Rogers Clark weren't and yet it is
+generally conceded that they got along fairly well without it. But as
+the campaign orators are forever pointing out from the hustlers and the
+forum, this is an age calling for change and advancement. And manicuring
+is one of the advancements that likewise calls for the change--for fifty
+cents in change anyhow and more if you are inclined to be generous with
+the tip.
+
+Shall you ever forget your first manicure? The shan'ts are unanimously
+in the majority. It seems an easy thing to walk into a manicure parlor
+or a barber shop and shove your hands across a little table to a strange
+young woman and tell her to go ahead and shine 'em up a bit--the way you
+hear old veteran manicurees saying it. It seems easy, I say, and looks
+easy; but it isn't as easy as it seems. Until you get hardened, it
+requires courage of a very high order. You, the abashed novice, see
+other men sitting in the front window of the manicure shop just as
+debonair and cozy as though they'd been born and raised there, swapping
+the ready repartee of the day with dashing creatures of a frequently
+blonde aspect, and you imagine they have always done so. You little know
+that these persons who are now appearing so much at home and who can
+snap out those bright, witty things like "I gotcher Steve," and "Well,
+see who's here?" without a moment's hesitation and without having to
+stop and think for the right word or the right phrase but have it right
+there on the tip of the tongue--you little reck that they too passed
+through the same initiation which you now contemplate. Yet such is the
+case.
+
+You have dress rehearsals--private ones--in your room. In the seclusion
+of your bed chamber you picture yourself opening the door of the marble
+manicure hall and stepping in with a brisk yet graceful tread--like
+James K. Hackett making an entrance in the first act--and glancing about
+you casually--like John Drew counting up the house--and saying "Hello
+girlies, how're all the little Heart's Delights this afternoon?" just
+like that, and picking out the most sumptuous and attractive of the
+flattered young ladies in waiting; and sinking easily into the chair
+opposite her--see photos of William Faversham and throwing the coat
+lapels back, at the same time resting the left hand clenched upon the
+upper thigh with the elbow well out--Donald Brian asking a lady to
+waltz--and offering the right hand to the favored female and telling her
+to go as far as she likes with it. It sounds simple when you figuring it
+out alone, but it rarely works out that way in practice. It is my belief
+that every woman longs for the novelty of a Turkish bath and every man
+for the novelty of a manicure long before either dares to tackle it.
+I may be wrong but this is my belief. And in the case of the man he
+usually makes a number of false starts.
+
+You go to the portals and hesitate and then, stumbling across the
+threshold, you either dive on through to the barber shop--if there is a
+barber shop in connection--or else you mumble something about being in
+a hurry and coming back again, and retreat with all the grace and ease
+that would be shown by a hard shell crab that was trying to back into
+the mouth of a milk-bottle. You are likely to do this several times;
+but finally some day you stick. You slump down into one of those little
+chairs and offer your hands or one of them to a calm and slightly
+arrogant looking young lady and you tell her to please shine them up
+a little. You endeavor to appear as though you had been doing this
+at frequent periods stretching through a great number of years, but
+she--bless her little heart!--she knows better than that. The female
+of the manicuring species is not to be deceived by any such cheap and
+transparent artifices. If you wore a peekaboo waist she couldn't see
+through you any easier. Your hands would give you away if your face
+didn't. In a sibulent aside, she addresses the young lady at the next
+table--the one with the nine bracelets and the hair done up delicatessen
+store mode--sausages, rolls and buns--whereupon both of them laugh in
+a significant, silvery way, and you feel the back of your neck setting
+your collar on fire. You can smell the bone button back there scorching
+and you're glad it's not celluloid, celluloid being more inflammable and
+subject to combustion when subjected to intense heat.
+
+When both have laughed their merry fill, the young woman who has you in
+charge looks you right in the eye and says:
+
+"Dearie me; you'll pardon me saying so, but your nails are in a
+perfectly turrible state. I don't think I've seen a jumpman's nails in
+such a state for ever so long. Pardon me again--but how long has it been
+since you had them did?"
+
+To which you reply in what is meant to be a jaunty and off-hand tone:
+
+"Oh quite some little while. I've--I've been out of town."
+
+"That's what I thought," she says with a slight shrug. It isn't so much
+what she says--it's the way she says it, the tone and all that, which
+makes you feel smaller and smaller until you could crawl into your own
+watch pocket and live happily there ever after. There'd be slews of
+room and when you wanted the air of an evening you could climb up in a
+buttonhole of your vest and be quite cosy and comfortable. But shrink
+as you may, there is now no hope of escape, for she has reached out and
+grabbed you firmly by the wrist. She has you fast. You have a feeling
+that eight or nine thousand people have assembled behind you and are all
+gazing fixedly into the small of your back. The only things about you
+that haven't shrivelled up are your hands. You can feel them growing
+larger and larger and redder and redder and more prominent and
+conspicuous every instant.
+
+The lady begins operations. You are astonished to note how many tools
+and implements it takes to manicure a pair of hands properly. The top of
+her little table is full of them and she pulls open a drawer and shows
+you some more, ranged in rows. There are files and steel biters and
+pigeon-toed scissors and scrapers and polishers and things; and wads of
+cotton with which to staunch the blood of the wounded, and bottles of
+liquid and little medicinal looking jars full of red paste; and a cut
+glass crock with soap suds in it and a whole lot of little orange wood
+stobbers.
+
+In the interest of truth I have taken the pains to enquire and I have
+ascertained that these stobbers are invariably of orange wood. Say what
+you will, the orange tree is a hardy growth. Every February you read in
+the papers that the Florida orange crop, for the third consecutive time
+since Christmas has been entirely and totally destroyed by frost and yet
+there is always an adequate supply on hand of the principal products
+of the orange-phosphate for the soda fountains, blossoms for the bride,
+political sentiment for the North of Ireland and little sharp stobbers
+for the manicure lady. Speaking as an outsider I would say that there
+ought to be other varieties of wood that would serve as well and bring
+about the desired results as readily--a good thorny variety of poison
+ivy ought to fill the bill, I should think. But it seems that orange
+wood is absolutely essential. A manicure lady could no more do a
+manicure properly without using an orange wood stobber at certain
+periods than a cartoonist could draw a picture of a man in jail without
+putting a ball and chain on him or a summer resort could get along
+without a Lover's Leap within easy walking distance of the hotel. It
+simply isn't done, that's all.
+
+Well, as I was saying, she gets out her tool kit and goes to work
+on you. You didn't dream that there were so many things--mainly of
+a painful nature--that could be done to a single finger nail and you
+flinch as you suddenly remember that you have ten of them in all,
+counting thumbs in with fingers. She takes a finger nail in hand and she
+files it and she trims it and she softens it with hot water and hardens
+it with chemicals and parboils it a little while and then she cuts off
+the hang nails--if there aren't any hang nails there already she'll
+make a few--and she shears away enough extra cuticle to cover quite a
+good-sized little boy. She goes over you with a bristle brush, and warms
+up your nerve ends until you tingle clear back to your dorsal fin and
+then she takes one of those orange wood stobbers previously referred to,
+and goes on an exploring expedition down under the nail, looking for the
+quick. She always finds it. There is no record of a failure to find
+the quick. Having found it she proceeds to wake it up and teach it some
+parlor tricks. I may not have set forth all these various details in the
+exact order in which they take place, but I know she does them all. And
+somewhere along about the time when she is half way through with the
+first hand she makes you put the other hand in the suds.
+
+Later on when you have had more practice at this thing you learn to wait
+for the signal before plunging the second hand into the suds, but being
+green on this occasion, you are apt to mistake the moving of the crock
+of suds over from the right hand side to the left hand side as a notice
+and to poke your untouched hand right in without further orders, hoping
+to get it softened up well so as to save her trouble in trimming it down
+to a size which will suit her. But this is wrong--this is very wrong,
+as she tells you promptly, with a pitying smile for your ignorance.
+Manicure girls are as careful about boiling a hand as some particular
+people are about bailing their eggs for breakfast of a morning. A two
+minute hand is no pleasure to her absolutely if she has diagnosed your
+hand as one calling for six minutes, or vice versa. So, should you err
+in this regard she will snatch the offending hand out and wipe it off
+and give it back to you and tell you to keep it in a dry place until she
+calls for it. Manicure girls are very funny that way.
+
+Thus time passes on and on and by degrees you begin to feel more and
+more at home. Your bashfulness is wearing off. The coherent power of
+speech has returned to you and you have exchanged views with her on the
+relative merits of the better known brands of chewing gum and which kind
+holds the flavor longest, and you have swapped ideas on the issue of
+whether ladies should or should not smoke cigarettes in public and she
+knows how much your stick pin cost you and you know what her favorite
+flower is. You are getting along fine, when all of a sudden she dabs
+your nails with a red paste and then snatches up a kind of a polishing
+tool and ferociously rubs your fingers until they catch on fire. Just
+when the conflagration threatens to become general she stops using the
+polisher and proceeds to cool down the ruins by gently burnishing your
+nails against the soft, pink palm of her hand. You like this better than
+the other way. You could ignite yourself by friction almost any time,
+if you got hold of the right kind of a chamois skin rubber, but this is
+quite different and highly soothing. You are beginning to really enjoy
+the sensation when she roguishly pats the back of your hand--pitty
+pat--as a signal that the operation is now over. You pay the check and
+tip the lady--tip her fifty cents if you wish to be regarded as a lovely
+jumpman or only twenty-five cents if you are satisfied with being a
+vurry nice fella--and you secure your hat and step forth into the open
+with the feeling of one who has taken a trip into a distant domain and
+on the whole has rather enjoyed it.
+
+You stand in the sunlight and waggle your fingers and you are struck
+with the desirable glitter that flits from finger tip to finger tip
+like a heleograph winking on a mountain top. It is indeed a pleasing
+spectacle. You decide that hereafter you will always glitter so. It is
+cheaper than wearing diamonds and much more refined, and so you take
+good care of your fingers all that day and carefully refrain from
+dipping them in the brine while engaged in the well known indoor sport
+of spearing for dill pickles at the business men's lunch.
+
+But the next morning when you wake up the desirable glitter is gone.
+You only glimmer dully--your fingers do not sparkle and dazzle and
+scintillate as they did. As Francois Villon, the French poet would
+undoubtedly have said had manicures been known at the time he was
+writing his poems, "Where are the manicures of yesterday?" instead of
+making it, "Where are the snows of yesteryear?" there being no answer
+ready for either question, except that the manicures of yesterday like
+the snows of yesteryear are never there when you start looking for them.
+They have just naturally got up and gone away, leaving no forwarding
+address.
+
+You have now been launched upon your career as a manicuree. You never
+get over it. You either get married and your wife does your nails for
+you, thus saving you large sums of money, but failing to impart the high
+degree of polish and the spice of romance noticed in connection with
+the same job when done away from home, or you continue to patronize the
+regular establishments and become known in time as Polished Percival,
+the Pet of the Manicure Parlor. But in either event your hands which
+once were hands and nothing more, have become a source of added trouble
+and expense to you.
+
+Speaking of hands naturally brings one to the subject of feet, which was
+intended originally to be the theme for the last half of this chapter,
+but unfortunately I find I have devoted so much space to your hands that
+there is but little room left for your feet and so far as your feet are
+concerned, we must content ourselves on this occasion with a few general
+statements.
+
+Feet, I take it, speaking both from experience and observation, are even
+more trouble to us than hands are. There are still a good many of us
+left who go through life without doing anything much for our hands but
+with our feet it is different. They thrust themselves upon us so to
+speak, demanding care and attention. This goes for all sizes and all
+ages of feet. From the time you are a small boy and suffer from stone
+bruises in the summer and chilblains in the winter, on through life
+you're beset with corns and callouses and falling of the instep and all
+the other ills that feet are heir to.
+
+The rich limp with the gout, the moderately well to do content
+themselves with an active ingrown nail or so, and the poor man goes out
+and drops an iron casting on his toe. Nearly every male who lives to
+reach the voting age has a period of mental weakness in his youth when
+he wears those pointed shoes that turn up at the ends, like sleigh
+runners; and spends the rest of his life regretting it. Feet are
+certainly ungrateful things. I might say that they are proverbially
+ungrateful. You do for them and they do you. You get one corn, hard or
+soft, cured up or removed bodily and a whole crowd of its relatives
+come to take its place. I imagine that Nature intended we should go
+barefooted and is now getting even with us because we didn't. Our poor,
+painful feet go with us through all the years and every step in life is
+marked by a pang of some sort. And right on up to the end of our days,
+our feet are getting more infirm and more troublesome and more crotchety
+and harder to bear with all the time. How many are there right now
+who have one foot in the grave and the other at the chiropodist's?
+Thousands, I reckon.
+
+Napoleon said an army traveled on its stomach. I don't blame the army,
+far from it; I've often wished I could travel that way myself, and
+I've no doubt so has every other man who ever crowded a number nine and
+three-quarters foot into a number eight patent-leather shoe, and then
+went to call on friends residing in a steam-heated apartment. As what
+man has not? Once the green-corn dance was an exclusive thing with the
+Sioux Indians, but it may now be witnessed when one man steps on another
+man's toes in a crowd.
+
+We are accustomed to make fun of the humble worm of the dust but in
+one respect the humble worm certainly has it on us. He goes through
+existence without any hands and any feet to bother him. Indeed in this
+regard I can think of but one creature in all creation who is worse off
+than we poor humans are. That is the lowly ear wig. Think of being an
+ear wig, that suffers from fallen arches himself and has a wife that
+suffers from cold feet!
+
+
+
+
+
+End of the Project Gutenberg EBook of Cobb's Anatomy, by Irvin S. Cobb
+
+*** END OF THIS PROJECT GUTENBERG EBOOK COBB'S ANATOMY ***
+
+***** This file should be named 1222.txt or 1222.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/1/2/2/1222/
+
+Produced by Kirk Pearson
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.