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+*** START OF THE PROJECT GUTENBERG EBOOK 12160 ***
+
+NIGHT WATCHES
+
+by W.W. Jacobs
+
+
+
+HIS OTHER SELF
+
+"They're as like as two peas, him and 'is brother," said the night-
+watchman, gazing blandly at the indignant face of the lighterman on the
+barge below; "and the on'y way I know this one is Sam is because Bill
+don't use bad langwidge. Twins they are, but the likeness is only
+outside; Bill's 'art is as white as snow."
+
+He cut off a plug of tobacco, and, placing it in his cheek, waited
+expectantly.
+
+"White as snow," he repeated.
+
+"That's me," said the lighterman, as he pushed his unwieldy craft from
+the jetty. "I'll tell Sam your opinion of 'im. So long."
+
+The watchman went a shade redder than usual. That's twins all over, he
+said, sourly, always deceiving people. It's Bill arter all, and,
+instead of hurting 'is feelings, I've just been flattering of 'im up.
+
+It ain't the fust time I've 'ad trouble over a likeness. I've been a
+twin myself in a manner o' speaking. It didn't last long, but it lasted
+long enough for me to always be sorry for twins, and to make a lot of
+allowance for them. It must be very 'ard to have another man going
+about with your face on 'is shoulders, and getting it into trouble.
+
+It was a year or two ago now. I was sitting one evening at the gate,
+smoking a pipe and looking at a newspaper I 'ad found in the office,
+when I see a gentleman coming along from the swing-bridge. Well-
+dressed, clean-shaved chap 'e was, smoking a cigarette. He was walking
+slow and looking about 'im casual-like, until his eyes fell on me, when
+he gave a perfect jump of surprise, and, arter looking at me very 'ard,
+walked on a little way and then turned back. He did it twice, and I was
+just going to say something to 'im, something that I 'ad been getting
+ready for 'im, when he spoke to me.
+
+"Good evening," he ses.
+
+"Good evening," I ses, folding the paper over and looking at 'im rather
+severe.
+
+"I hope you'll excuse me staring," he ses, very perlite; "but I've never
+seen such a face and figger as yours in all my life--never."
+
+"Ah, you ought to ha' seen me a few years ago," I ses. "I'm like
+everybody else--I'm getting on."
+
+"Rubbish!" he ses. "You couldn't be better if you tried. It's
+marvellous! Wonderful! It's the very thing I've been looking for.
+Why, if you'd been made to order you couldn't ha' been better."
+
+I thought at fust he was by way of trying to get a drink out o' me--I've
+been played that game afore--but instead o' that he asked me whether I'd
+do 'im the pleasure of 'aving one with 'im.
+
+We went over to the Albion, and I believe I could have 'ad it in a pail
+if I'd on'y liked to say the word. And all the time I was drinking he
+was looking me up and down, till I didn't know where to look, as the
+saying is.
+
+"I came down 'ere to look for somebody like you," he ses, "but I never
+dreamt I should have such luck as this. I'm an actor, and I've got to
+play the part of a sailor, and I've been worried some time 'ow to make
+up for the part. D'ye understand?"
+
+"No," I ses, looking at 'im.
+
+"I want to look the real thing," he ses, speaking low so the landlord
+shouldn't hear. "I want to make myself the living image of you. If
+that don't fetch 'em I'll give up the stage and grow cabbages."
+
+"Make yourself like me?" I ses. "Why, you're no more like me than I'm
+like a sea-sick monkey."
+
+"Not so much," he ses. "That's where the art comes in."
+
+He stood me another drink, and then, taking my arm in a cuddling sort o'
+way, and calling me "Dear boy," 'e led me back to the wharf and
+explained. He said 'e would come round next evening with wot 'e called
+his make-up box, and paint 'is face and make 'imself up till people
+wouldn't know one from the other.
+
+"And wot about your figger?" I ses, looking at 'im.
+
+"A cushion," he ses, winking, "or maybe a couple. And what about
+clothes? You'll 'ave to sell me those you've got on. Hat and all. And
+boots."
+
+I put a price on 'em that I thought would 'ave finished 'im then and
+there, but it didn't. And at last, arter paying me so many more
+compliments that they began to get into my 'ead, he fixed up a meeting
+for the next night and went off.
+
+"And mind," he ses, coming back, "not a word to a living soul!"
+
+He went off agin, and, arter going to the Bull's Head and 'aving a pint
+to clear my 'ead, I went and sat down in the office and thought it over.
+It seemed all right to me as far as I could see; but p'r'aps the pint
+didn't clear my 'ead enough--p'r'aps I ought to 'ave 'ad two pints.
+
+I lay awake best part of next day thinking it over, and when I got up I
+'ad made up my mind. I put my clothes in a sack, and then I put on some
+others as much like 'em as possible, on'y p'r'aps a bit older, in case
+the missis should get asking questions; and then I sat wondering 'ow to
+get out with the sack without 'er noticing it. She's got a very
+inquiring mind, and I wasn't going to tell her any lies about it.
+Besides which I couldn't think of one.
+
+I got out at last by playing a game on her. I pertended to drop 'arf a
+dollar in the washus, and while she was busy on 'er hands and knees I
+went off as comfortable as you please.
+
+I got into the office with it all right, and, just as it was getting
+dark, a cab drove up to the wharf and the actor-chap jumped out with a
+big leather bag. I took 'im into the private office, and 'e was so
+ready with 'is money for the clothes that I offered to throw the sack
+in.
+
+He changed into my clothes fust of all, and then, asking me to sit down
+in front of 'im, he took a looking-glass and a box out of 'is bag and
+began to alter 'is face. Wot with sticks of coloured paint, and false
+eyebrows, and a beard stuck on with gum and trimmed with a pair o'
+scissors, it was more like a conjuring trick than anything else. Then
+'e took a wig out of 'is bag and pressed it on his 'ead, put on the cap,
+put some black stuff on 'is teeth, and there he was. We both looked
+into the glass together while 'e gave the finishing touches, and then he
+clapped me on the back and said I was the handsomest sailorman in
+England.
+
+"I shall have to make up a bit 'eavier when I'm behind the floats," he
+ses; "but this is enough for 'ere. Wot do you think of the imitation of
+your voice? I think I've got it exact."
+
+"If you ask me," I ses, "it sounds like a poll-parrot with a cold in the
+'ead."
+
+"And now for your walk," he ses, looking as pleased as if I'd said
+something else. "Come to the door and see me go up the wharf."
+
+I didn't like to hurt 'is feelings, but I thought I should ha' bust. He
+walked up that wharf like a dancing-bear in a pair of trousers too tight
+for it, but 'e was so pleased with 'imself that I didn't like to tell
+'im so. He went up and down two or three times, and I never saw
+anything so ridikerlous in my life.
+
+"That's all very well for us," he ses; "but wot about other people?
+That's wot I want to know. I'll go and 'ave a drink, and see whether
+anybody spots me."
+
+Afore I could stop 'im he started off to the Bull's Head and went in,
+while I stood outside and watched 'im.
+
+"'Arf a pint o' four ale," he ses, smacking down a penny.
+
+I see the landlord draw the beer and give it to 'im, but 'e didn't seem
+to take no notice of 'im. Then, just to open 'is eyes a bit, I walked
+in and put down a penny and asked for a 'arf-pint.
+
+The landlord was just wiping down the counter at the time, and when I
+gave my order he looked up and stood staring at me with the wet cloth
+'eld up in the air. He didn't say a word--not a single word. He stood
+there for a moment smiling at us foolish-like, and then 'e let go o' the
+beer-injin, wot 'e was 'olding in 'is left hand, and sat down heavy on
+the bar floor. We both put our 'eads over the counter to see wot had
+'appened to 'im, and 'e started making the most 'orrible noise I 'ave
+ever heard in my life. I wonder it didn't bring the fire-injins. The
+actor-chap bolted out as if he'd been shot, and I was just thinking of
+follering 'im when the landlord's wife and 'is two daughters came
+rushing out and asking me wot I 'ad done to him.
+
+"There--there--was two of 'im !" ses the landlord, trembling and
+holding on to 'is wife's arm, as they helped 'im up and got 'im in the
+chair. "Two of 'im!"
+
+"Two of wot?" ses his wife.
+
+"Two--two watchmen," ses the landlord; "both exac'ly alike and both
+asking for 'arf a pint o' four ale."
+
+"Yes, yes," ses 'is wife.
+
+"You come and lay down, pa," ses the gals. "I tell you there was," ses
+the landlord, getting 'is colour back, with temper.
+
+"Yes, yes; I know all about it," ses 'is wife. "You come inside for a
+bit; and, Gertie, you bring your father in a soda--a large soda."
+
+They got 'im in arter a lot o' trouble; but three times 'e came back as
+far as the door, 'olding on to them, and taking a little peep at me.
+The last time he shook his 'ead at me, and said if I did it agin I could
+go and get my 'arf-pints somewhere else.
+
+I finished the beer wot the actor 'ad left, and, arter telling the
+landlord I 'oped his eyesight 'ud be better in the morning, I went
+outside, and arter a careful look round walked back to the wharf.
+
+I pushed the wicket open a little way and peeped in. The actor was
+standing just by the fust crane talking to two of the hands off of the
+Saltram. He'd got 'is back to the light, but 'ow it was they didn't
+twig his voice I can't think.
+
+They was so busy talking that I crept along by the side of the wall and
+got to the office without their seeing me. I went into the private
+office and turned out the gas there, and sat down to wait for 'im. Then
+I 'eard a noise outside that took me to the door agin and kept me there,
+'olding on to the door-post and gasping for my breath. The cook of the
+Saltram was sitting on a paraffin-cask playing the mouth-orgin, and the
+actor, with 'is arms folded across his stummick, was dancing a horn-pipe
+as if he'd gorn mad.
+
+I never saw anything so ridikerlous in my life, and when I recollected
+that they thought it was me, I thought I should ha' dropped.
+
+A night-watchman can't be too careful, and I knew that it 'ud be all
+over Wapping next morning that I 'ad been dancing to a tuppenny-ha'penny
+mouth-orgin played by a ship's cook. A man that does 'is dooty always
+has a lot of people ready to believe the worst of 'im.
+
+I went back into the dark office and waited, and by and by I 'eard them
+coming along to the gate and patting 'im on the back and saying he ought
+to be in a pantermime instead o' wasting 'is time night-watching. He
+left 'em at the gate, and then 'e came into the office smiling as if
+he'd done something clever.
+
+"Wot d'ye think of me for a understudy?" he ses, laughing. "They all
+thought it was you. There wasn't one of 'em 'ad the slightest suspicion
+--not one."
+
+"And wot about my character?" I ses, folding my arms acrost my chest
+and looking at him.
+
+"Character?" he ses, staring. "Why, there's no 'arm in dancing; it's a
+innercent enjoyment."
+
+"It ain't one o' my innercent enjoyments," I ses, "and I don't want to
+get the credit of it. If they hadn't been sitting in a pub all the
+evening they'd 'ave spotted you at once."
+
+"Oh!" he ses, very huffy. "How?"
+
+"Your voice," I ses. "You try and mimic a poll-parrot, and think it's
+like me. And, for another thing, you walk about as though you're
+stuffed with sawdust."
+
+"I beg your pardon," he ses; "the voice and the walk are exact. Exact."
+
+"Wot?" I ses, looking 'im up and down. "You stand there and 'ave the
+impudence to tell me that my voice is like that?"
+
+"I do," he ses.
+
+"Then I'm sorry for you," I ses. "I thought you'd got more sense."
+
+He stood looking at me and gnawing 'is finger, and by and by he ses,
+"Are you married?" he ses.
+
+"I am," I ses, very short.
+
+"Where do you live?" he ses.
+
+I told 'im.
+
+"Very good," he ses; "p'r'aps I'll be able to convince you arter all.
+By the way, wot do you call your wife? Missis?"
+
+"Yes," I ses, staring at him. "But wot's it got to do with you?"
+
+"Nothing," he ses. "Nothing. Only I'm going to try the poll-parrot
+voice and the sawdust walk on her, that's all. If I can deceive 'er
+that'll settle it."
+
+"Deceive her?" I ses. "Do you think I'm going to let you go round to
+my 'ouse and get me into trouble with the missis like that? Why, you
+must be crazy; that dancing must 'ave got into your 'ead."
+
+"Where's the 'arm?" he ses, very sulky.
+
+"'Arm?" I ses. "I won't 'ave it, that's all; and if you knew my missis
+you'd know without any telling."
+
+"I'll bet you a pound to a sixpence she wouldn't know me," he ses, very
+earnest.
+
+"She won't 'ave the chance," I ses, "so that's all about it."
+
+He stood there argufying for about ten minutes; but I was as firm as a
+rock. I wouldn't move an inch, and at last, arter we was both on the
+point of losing our tempers, he picked up his bag and said as 'ow he
+must be getting off 'ome.
+
+"But ain't you going to take those things off fust?" I ses.
+
+"No," he ses, smiling. "I'll wait till I get 'ome. Ta-ta."
+
+He put 'is bag on 'is shoulder and walked to the gate, with me follering
+of 'im.
+
+"I expect I shall see a cab soon," he ses. "Good-bye."
+
+"Wot are you laughing at?" I ses.
+
+"On'y thoughts," he ses.
+
+"'Ave you got far to go?' I ses.
+
+"No; just about the same distance as you 'ave," he ses, and he went off
+spluttering like a soda-water bottle.
+
+I took the broom and 'ad a good sweep-up arter he 'ad gorn, and I was
+just in the middle of it when the cook and the other two chaps from the
+Saltram came back, with three other sailormen and a brewer's drayman
+they 'ad brought to see me DANCE!
+
+"Same as you did a little while ago, Bill," ses the cook, taking out 'is
+beastly mouth-orgin and wiping it on 'is sleeve. "Wot toon would you
+like?"
+
+I couldn't get away from 'em, and when I told them I 'ad never danced in
+my life the cook asked me where I expected to go to. He told the
+drayman that I'd been dancing like a fairy in sea-boots, and they all
+got in front of me and wouldn't let me pass. I lost my temper at last,
+and, arter they 'ad taken the broom away from me and the drayman and one
+o' the sailormen 'ad said wot they'd do to me if I was on'y fifty years
+younger, they sheered off.
+
+I locked the gate arter 'em and went back to the office, and I 'adn't
+been there above 'arf an hour when somebody started ringing the gate-
+bell as if they was mad. I thought it was the cook's lot come back at
+fust, so I opened the wicket just a trifle and peeped out. There was a
+'ansom-cab standing outside, and I 'ad hardly got my nose to the crack
+when the actor-chap, still in my clothes, pushed the door open and
+nipped in.
+
+"You've lost," he ses, pushing the door to and smiling all over.
+"Where's your sixpence?"
+
+"Lost?" I ses, hardly able to speak. "D'ye mean to tell me you've been
+to my wife arter all--arter all I said to you?"
+
+"I do," he ses, nodding, and smiling agin. "They were both deceived as
+easy as easy."
+
+"Both?" I ses, staring at 'im. "Both wot? 'Ow many wives d'ye think
+I've got? Wot d'ye mean by it?"
+
+"Arter I left you," he ses, giving me a little poke in the ribs, "I
+picked up a cab and, fust leaving my bag at Aldgate, I drove on to your
+'ouse and knocked at the door. I knocked twice, and then an angry-
+looking woman opened it and asked me wot I wanted.
+
+"'It's all right, missis,' I ses. 'I've got 'arf an hour off, and I've
+come to take you out for a walk.'
+
+"'Wot?' she ses, drawing back with a start.
+
+"'Just a little turn round to see the shops,' I ses; 'and if there's
+anything particler you'd like and it don't cost too much, you shall 'ave
+it.'
+
+"I thought at fust, from the way she took it, she wasn't used to you
+giving 'er things.
+
+"'Ow dare you!' she ses. 'I'll 'ave you locked up. 'Ow dare you insult
+a respectable married woman! You wait till my 'usband comes 'ome.'
+
+"'But I am your 'usband,' I ses. 'Don't you know me, my pretty? Don't
+you know your pet sailor-boy?'
+
+"She gave a screech like a steam-injin, and then she went next door and
+began knocking away like mad. Then I see that I 'ad gorn to number
+twelve instead of number fourteen. Your wife, your real wife, came out
+of number fourteen--and she was worse than the other. But they both
+thought it was you--there's no doubt of that. They chased me all the
+way up the road, and if it 'adn't ha' been for this cab that was just
+passing I don't know wot would 'ave 'appened to me."
+
+He shook his 'ead and smiled agin, and, arter opening the wicket a
+trifle and telling the cabman he shouldn't be long, he turned to me and
+asked me for the sixpence, to wear on his watch-chain.
+
+"Sixpence!" I ses. "SIXPENCE!" Wot do you think is going to 'appen to
+me when I go 'ome?"
+
+"Oh, I 'adn't thought o' that," he ses. "Yes, o' course."
+
+"Wot about my wife's jealousy?" I ses. "Wot about the other, and her
+'usband, a cooper as big as a 'ouse?"
+
+"Well, well," he ses, "one can't think of everything. It'll be all the
+same a hundred years hence."
+
+"Look 'ere," I ses, taking 'is shoulder in a grip of iron. "You come
+back with me now in that cab and explain. D'ye see? That's wot you've
+got to do."
+
+"All right," he ses; "certainly. Is--is the husband bad-tempered?"
+
+"You'll see," I ses; "but that's your business. Come along."
+
+"With pleasure," he ses, 'elping me in. "'Arf a mo' while I tell the
+cabby where to drive to."
+
+He went to the back o' the cab, and afore I knew wot had 'appened the
+'orse had got a flick over the head with the whip and was going along at
+a gallop. I kept putting the little flap up and telling the cabby to
+stop, but he didn't take the slightest notice. Arter I'd done it three
+times he kept it down so as I couldn't open it.
+
+There was a crowd round my door when the cab drove up, and in the middle
+of it was my missis, the woman next door, and 'er husband, wot 'ad just
+come 'ome. 'Arf a dozen of 'em helped me out, and afore I could say a
+word the cabman drove off and left me there.
+
+I dream of it now sometimes: standing there explaining and explaining,
+until, just as I feel I can't bear it any longer, two policemen come up
+and 'elp me indoors. If they had 'elped my missis outside it would be a
+easier dream to have.
+
+
+
+
+
+End of the Project Gutenberg EBook of His Other Self, by W.W. Jacobs
+
+*** END OF THE PROJECT GUTENBERG EBOOK 12160 ***