summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/12124-h.zipbin0 -> 247996 bytes
-rw-r--r--old/12124-h/12124-h.htm1101
-rw-r--r--old/12124-h/cover.jpgbin0 -> 105403 bytes
-rw-r--r--old/12124-h/frontis.jpgbin0 -> 82656 bytes
-rw-r--r--old/12124-h/title.jpgbin0 -> 41600 bytes
-rw-r--r--old/12124.txt1019
-rw-r--r--old/12124.zipbin0 -> 17456 bytes
7 files changed, 2120 insertions, 0 deletions
diff --git a/old/12124-h.zip b/old/12124-h.zip
new file mode 100644
index 0000000..a54e27a
--- /dev/null
+++ b/old/12124-h.zip
Binary files differ
diff --git a/old/12124-h/12124-h.htm b/old/12124-h/12124-h.htm
new file mode 100644
index 0000000..82eae2d
--- /dev/null
+++ b/old/12124-h/12124-h.htm
@@ -0,0 +1,1101 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<title>THE LADY OF THE BARGE AND OTHERS, Book 4</title>
+<meta http-equiv="Content-Type" content="text/html; charset=us-ascii">
+<style type="text/css">
+<!--
+body {margin:10%; text-align:justify}
+img {border: 0;}
+-->
+</style>
+</head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of The Well, by W.W. Jacobs
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Well
+ The Lady of the Barge and Others, Part 4.
+
+Author: W.W. Jacobs
+
+Release Date: April 22, 2004 [EBook #12124]
+
+Language: English
+
+Character set encoding: US-ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE WELL ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+
+
+
+<br><br>
+<center>
+<img alt="cover.jpg (102K)" src="cover.jpg" height="923" width="738">
+</center>
+<br><br>
+
+
+<br><br>
+<center>
+<img alt="title.jpg (40K)" src="title.jpg" height="602" width="442">
+</center>
+<br><br>
+
+
+
+<center>
+<h1>THE LADY OF THE BARGE<br><br>
+AND OTHER STORIES</h1>
+<br><br>
+<h2>By W. W. Jacobs</h2>
+<br><br>
+<h3>BOOK 4</h3>
+<br><br>
+</center>
+
+<a name="frontis"></a>
+<br><br>
+<center>
+<img alt="frontis.jpg (80K)" src="frontis.jpg" height="742" width="503">
+</center>
+<br><br>
+
+
+<br><br><br><br>
+
+
+
+
+
+
+
+<br><br><hr><br><br>
+
+<a name="c4"></a>
+<br><br>
+<center>
+<h2>
+THE WELL
+</h2>
+</center>
+<br>
+
+
+<p>Two men stood in the billiard-room of an old country house, talking.
+Play, which had been of a half-hearted nature, was over, and they sat at
+the open window, looking out over the park stretching away beneath them,
+conversing idly.</p>
+
+<p>"Your time's nearly up, Jem," said one at length, "this time six weeks
+you'll be yawning out the honeymoon and cursing the man&mdash;woman I mean&mdash;
+who invented them."</p>
+
+<p>Jem Benson stretched his long limbs in the chair and grunted in dissent.</p>
+
+<p>"I've never understood it," continued Wilfred Carr, yawning. "It's not
+in my line at all; I never had enough money for my own wants, let alone
+for two. Perhaps if I were as rich as you or Croesus I might regard it
+differently."</p>
+
+<p>There was just sufficient meaning in the latter part of the remark for
+his cousin to forbear to reply to it. He continued to gaze out of the
+window and to smoke slowly.</p>
+
+<p>"Not being as rich as Croesus&mdash;or you," resumed Carr, regarding him from
+beneath lowered lids, "I paddle my own canoe down the stream of Time,
+and, tying it to my friends' door-posts, go in to eat their dinners."</p>
+
+<p>"Quite Venetian," said Jem Benson, still looking out of the window.
+"It's not a bad thing for you, Wilfred, that you have the doorposts and
+dinners&mdash;and friends."</p>
+
+<p>Carr grunted in his turn. "Seriously though, Jem," he said, slowly,
+"you're a lucky fellow, a very lucky fellow. If there is a better girl
+above ground than Olive, I should like to see her."</p>
+
+<p>"Yes," said the other, quietly.</p>
+
+<p>"She's such an exceptional girl," continued Carr, staring out of the
+window. "She's so good and gentle. She thinks you are a bundle of all
+the virtues."</p>
+
+<p>He laughed frankly and joyously, but the other man did not join him.
+"Strong sense&mdash;of right and wrong, though," continued Carr, musingly.
+"Do you know, I believe that if she found out that you were not&mdash;-"</p>
+
+<p>"Not what?" demanded Benson, turning upon him fiercely, "Not what?"</p>
+
+<p>"Everything that you are," returned his cousin, with a grin that belied
+his words, "I believe she'd drop you."</p>
+
+<p>"Talk about something else," said Benson, slowly; "your pleasantries are
+not always in the best taste."</p>
+
+<p>Wilfred Carr rose and taking a cue from the rack, bent over the board and
+practiced one or two favourite shots. "The only other subject I can talk
+about just at present is my own financial affairs," he said slowly, as he
+walked round the table.</p>
+
+<p>"Talk about something else," said Benson again, bluntly.</p>
+
+<p>"And the two things are connected," said Carr, and dropping his cue he
+half sat on the table and eyed his cousin.</p>
+
+<p>There was a long silence. Benson pitched the end of his cigar out of the
+window, and leaning back closed his eyes.</p>
+
+<p>"Do you follow me?" inquired Carr at length.</p>
+
+<p>Benson opened his eyes and nodded at the window.</p>
+
+<p>"Do you want to follow my cigar?" he demanded.</p>
+
+<p>"I should prefer to depart by the usual way for your sake," returned the
+other, unabashed. "If I left by the window all sorts of questions would
+be asked, and you know what a talkative chap I am."</p>
+
+<p>"So long as you don't talk about my affairs," returned the other,
+restraining himself by an obvious effort, "you can talk yourself hoarse."</p>
+
+<p>"I'm in a mess," said Carr, slowly, "a devil of a mess. If I don't raise
+fifteen hundred by this day fortnight, I may be getting my board and
+lodging free."</p>
+
+<p>"Would that be any change?" questioned Benson.</p>
+
+<p>"The quality would," retorted the other. "The address also would not be
+good. Seriously, Jem, will you let me have the fifteen hundred?"</p>
+
+<p>"No," said the other, simply.</p>
+
+<p>Carr went white. "It's to save me from ruin," he said, thickly.</p>
+
+<p>"I've helped you till I'm tired," said Benson, turning and regarding him,
+"and it is all to no good. If you've got into a mess, get out of it.
+You should not be so fond of giving autographs away."</p>
+
+<p>"It's foolish, I admit," said Carr, deliberately. "I won't do so any
+more. By the way, I've got some to sell. You needn't sneer. They're
+not my own."</p>
+
+<p>"Whose are they?" inquired the other.</p>
+
+<p>"Yours."</p>
+
+<p>Benson got up from his chair and crossed over to him. "What is this?"
+he asked, quietly. "Blackmail?"</p>
+
+<p>"Call it what you like," said Carr. "I've got some letters for sale,
+price fifteen hundred. And I know a man who would buy them at that price
+for the mere chance of getting Olive from you. I'll give you first
+offer."</p>
+
+<p>"If you have got any letters bearing my signature, you will be good
+enough to give them to me," said Benson, very slowly.</p>
+
+<p>"They're mine," said Carr, lightly; "given to me by the lady you wrote
+them to. I must say that they are not all in the best possible taste."</p>
+
+<p>His cousin reached forward suddenly, and catching him by the collar of
+his coat pinned him down on the table.</p>
+
+<p>"Give me those letters," he breathed, sticking his face close to Carr's.</p>
+
+<p>"They're not here," said Carr, struggling. "I'm not a fool. Let me go,
+or I'll raise the price."</p>
+
+<p>The other man raised him from the table in his powerful hands, apparently
+with the intention of dashing his head against it. Then suddenly his
+hold relaxed as an astonished-looking maid-servant entered the room with
+letters. Carr sat up hastily.</p>
+
+<p>"That's how it was done," said Benson, for the girl's benefit as he took
+the letters.</p>
+
+<p>"I don't wonder at the other man making him pay for it, then," said Carr,
+blandly.</p>
+
+<p>"You will give me those letters?" said Benson, suggestively, as the girl
+left the room.</p>
+
+<p>"At the price I mentioned, yes," said Carr; "but so sure as I am a living
+man, if you lay your clumsy hands on me again, I'll double it. Now, I'll
+leave you for a time while you think it over."</p>
+
+<p>He took a cigar from the box and lighting it carefully quitted the room.
+His cousin waited until the door had closed behind him, and then turning
+to the window sat there in a fit of fury as silent as it was terrible.</p>
+
+<p>The air was fresh and sweet from the park, heavy with the scent of
+new-mown grass. The fragrance of a cigar was now added to it, and
+glancing out he saw his cousin pacing slowly by. He rose and went to the
+door, and then, apparently altering his mind, he returned to the window
+and watched the figure of his cousin as it moved slowly away into the
+moonlight. Then he rose again, and, for a long time, the room was empty.</p>
+
+<br><br>
+
+<p>It was empty when Mrs. Benson came in some time later to say good-night
+to her son on her way to bed. She walked slowly round the table, and
+pausing at the window gazed from it in idle thought, until she saw the
+figure of her son advancing with rapid strides toward the house. He
+looked up at the window.</p>
+
+<p>"Good-night," said she.</p>
+
+<p>"Good-night," said Benson, in a deep voice.</p>
+
+<p>"Where is Wilfred?"</p>
+
+<p>"Oh, he has gone," said Benson.</p>
+
+<p>"Gone?"</p>
+
+<p>"We had a few words; he was wanting money again, and I gave him a piece
+of my mind. I don't think we shall see him again."</p>
+
+<p>"Poor Wilfred!" sighed Mrs. Benson. "He is always in trouble of some
+sort. I hope that you were not too hard upon him."</p>
+
+<p>"No more than he deserved," said her son, sternly. "Good night."</p>
+
+<p>
+II.</p>
+
+<p>The well, which had long ago fallen into disuse, was almost hidden by the
+thick tangle of undergrowth which ran riot at that corner of the old
+park. It was partly covered by the shrunken half of a lid, above which a
+rusty windlass creaked in company with the music of the pines when the
+wind blew strongly. The full light of the sun never reached it, and the
+ground surrounding it was moist and green when other parts of the park
+were gaping with the heat.</p>
+
+<p>Two people walking slowly round the park in the fragrant stillness of a
+summer evening strayed in the direction of the well.</p>
+
+<p>"No use going through this wilderness, Olive," said Benson, pausing on
+the outskirts of the pines and eyeing with some disfavour the gloom
+beyond.</p>
+
+<p>"Best part of the park," said the girl briskly; "you know it's my
+favourite spot."</p>
+
+<p>"I know you're very fond of sitting on the coping," said the man slowly,
+"and I wish you wouldn't. One day you will lean back too far and fall
+in."</p>
+
+<p>"And make the acquaintance of Truth," said Olive lightly. "Come along."</p>
+
+<p>She ran from him and was lost in the shadow of the pines, the bracken
+crackling beneath her feet as she ran. Her companion followed slowly,
+and emerging from the gloom saw her poised daintily on the edge of the
+well with her feet hidden in the rank grass and nettles which surrounded
+it. She motioned her companion to take a seat by her side, and smiled
+softly as she felt a strong arm passed about her waist.</p>
+
+<p>"I like this place," said she, breaking a long silence, "it is so dismal
+&mdash;so uncanny. Do you know I wouldn't dare to sit here alone, Jem. I
+should imagine that all sorts of dreadful things were hidden behind the
+bushes and trees, waiting to spring out on me. Ugh!"</p>
+
+<p>"You'd better let me take you in," said her companion tenderly; "the well
+isn't always wholesome, especially in the hot weather.</p>
+
+<p>"Let's make a move."</p>
+
+<p>The girl gave an obstinate little shake, and settled herself more
+securely on her seat.</p>
+
+<p>"Smoke your cigar in peace," she said quietly. "I am settled here for a
+quiet talk. Has anything been heard of Wilfred yet?"</p>
+
+<p>"Nothing."</p>
+
+<p>"Quite a dramatic disappearance, isn't it?" she continued. "Another
+scrape, I suppose, and another letter for you in the same old strain;
+'Dear Jem, help me out.'"</p>
+
+<p>Jem Benson blew a cloud of fragrant smoke into the air, and holding his
+cigar between his teeth brushed away the ash from his coat sleeves.</p>
+
+<p>"I wonder what he would have done without you," said the girl, pressing
+his arm affectionately. "Gone under long ago, I suppose. When we are
+married, Jem, I shall presume upon the relationship to lecture him. He
+is very wild, but he has his good points, poor fellow."</p>
+
+<p>"I never saw them," said Benson, with startling bitterness. "God knows I
+never saw them."</p>
+
+<p>"He is nobody's enemy but his own," said the girl, startled by this
+outburst.</p>
+
+<p>"You don't know much about him," said the other, sharply. "He was not
+above blackmail; not above ruining the life of a friend to do himself a
+benefit. A loafer, a cur, and a liar!"</p>
+
+<p>The girl looked up at him soberly but timidly and took his arm without a
+word, and they both sat silent while evening deepened into night and the
+beams of the moon, filtering through the branches, surrounded them with a
+silver network. Her head sank upon his shoulder, till suddenly with a
+sharp cry she sprang to her feet.</p>
+
+<p>"What was that?" she cried breathlessly.</p>
+
+<p>"What was what?" demanded Benson, springing up and clutching her fast by
+the arm.</p>
+
+<p>She caught her breath and tried to laugh.</p>
+
+<p>"You're hurting me, Jem."</p>
+
+<p>His hold relaxed.</p>
+
+<p>"What is the matter?" he asked gently.</p>
+
+<p>"What was it startled you?"</p>
+
+<p>"I was startled," she said, slowly, putting her hands on his shoulder.
+"I suppose the words I used just now are ringing in my ears, but I
+fancied that somebody behind us whispered 'Jem, help me out.'"</p>
+
+<p>"Fancy," repeated Benson, and his voice shook; "but these fancies are not
+good for you. You&mdash;are frightened&mdash;at the dark and the gloom of these
+trees. Let me take you back to the house."</p>
+
+<p>"No, I'm not frightened," said the girl, reseating herself. "I should
+never be really frightened of anything when you were with me, Jem. I'm
+surprised at myself for being so silly."</p>
+
+<p>The man made no reply but stood, a strong, dark figure, a yard or two
+from the well, as though waiting for her to join him.</p>
+
+<p>"Come and sit down, sir," cried Olive, patting the brickwork with her
+small, white hand, "one would think that you did not like your company."</p>
+
+<p>He obeyed slowly and took a seat by her side, drawing so hard at his
+cigar that the light of it shone upon his fare at every breath. He
+passed his arm, firm and rigid as steel, behind her, with his hand
+resting on the brickwork beyond.</p>
+
+<p>"Are you warm enough?" he asked tenderly, as she made a little movement.
+"Pretty fair," she shivered; "one oughtn't to be cold at this time of the
+year, but there's a cold, damp air comes up from the well."</p>
+
+<p>As she spoke a faint splash sounded from the depths below, and for the
+second time that evening, she sprang from the well with a little cry of
+dismay.</p>
+
+<p>"What is it now?" he asked in a fearful voice. He stood by her side and
+gazed at the well, as though half expecting to see the cause of her alarm
+emerge from it.</p>
+
+<p>"Oh, my bracelet," she cried in distress, "my poor mother's bracelet.
+I've dropped it down the well."</p>
+
+<p>"Your bracelet!" repeated Benson, dully. "Your bracelet? The diamond
+one?"</p>
+
+<p>"The one that was my mother's," said Olive. "Oh, we can get it back
+surely. We must have the water drained off."</p>
+
+<p>"Your bracelet!" repeated Benson, stupidly.</p>
+
+<p>"Jem," said the girl in terrified tones, "dear Jem, what is the matter?"</p>
+
+<p>For the man she loved was standing regarding her with horror. The moon
+which touched it was not responsible for all the whiteness of the
+distorted face, and she shrank back in fear to the edge of the well. He
+saw her fear and by a mighty effort regained his composure and took her
+hand.</p>
+
+<p>"Poor little girl," he murmured, "you frightened me. I was not looking
+when you cried, and I thought that you were slipping from my arms,
+down&mdash;down&mdash;"</p>
+
+<p>His voice broke, and the girl throwing herself into his arms clung to him
+convulsively.</p>
+
+<p>"There, there," said Benson, fondly, "don't cry, don't cry."</p>
+
+<p>"To-morrow," said Olive, half-laughing, half-crying, "we will all come
+round the well with hook and line and fish for it. It will be quite a
+new sport."</p>
+
+<p>"No, we must try some other way," said Benson. "You shall have it back."</p>
+
+<p>"How?" asked the girl.</p>
+
+<p>"You shall see," said Benson. "To-morrow morning at latest you shall
+have it back. Till then promise me that you will not mention your loss
+to anyone. Promise."</p>
+
+<p>"I promise," said Olive, wonderingly. "But why not?"</p>
+
+<p>"It is of great value, for one thing, and&mdash;But there&mdash;there are many
+reasons. For one thing it is my duty to get it for you."</p>
+
+<p>"Wouldn't you like to jump down for it?" she asked mischievously.
+"Listen."</p>
+
+<p>She stooped for a stone and dropped it down.</p>
+
+<p>"Fancy being where that is now," she said, peering into the blackness;
+"fancy going round and round like a mouse in a pail, clutching at the
+slimy sides, with the water filling your mouth, and looking up to the
+little patch of sky above."</p>
+
+<p>"You had better come in," said Benson, very quietly. "You are developing
+a taste for the morbid and horrible."</p>
+
+<p>The girl turned, and taking his arm walked slowly in the direction of the
+house; Mrs. Benson, who was sitting in the porch, rose to receive them.</p>
+
+<p>"You shouldn't have kept her out so long," she said chidingly. "Where
+have you been?"</p>
+
+<p>"Sitting on the well," said Olive, smiling, "discussing our future."</p>
+
+<p>"I don't believe that place is healthy," said Mrs. Benson, emphatically.
+"I really think it might be filled in, Jem."</p>
+
+<p>"All right," said her son, slowly. "Pity it wasn't filled in long ago."</p>
+
+<p>He took the chair vacated by his mother as she entered the house with
+Olive, and with his hands hanging limply over the sides sat in deep
+thought. After a time he rose, and going upstairs to a room which was
+set apart for sporting requisites selected a sea fishing line and some
+hooks and stole softly downstairs again. He walked swiftly across the
+park in the direction of the well, turning before he entered the shadow
+of the trees to look back at the lighted windows of the house. Then
+having arranged his line he sat on the edge of the well and cautiously
+lowered it.</p>
+
+<p>He sat with his lips compressed, occasionally looking about him in a
+startled fashion, as though he half expected to see something peering at
+him from the belt of trees. Time after time he lowered his line until at
+length in pulling it up he heard a little metallic tinkle against the
+side of the well.</p>
+
+<p>He held his breath then, and forgetting his fears drew the line in inch
+by inch, so as not to lose its precious burden. His pulse beat rapidly,
+and his eyes were bright. As the line came slowly in he saw the catch
+hanging to the hook, and with a steady hand drew the last few feet in.
+Then he saw that instead of the bracelet he had hooked a bunch of keys.</p>
+
+<p>With a faint cry he shook them from the hook into the water below, and
+stood breathing heavily. Not a sound broke the stillness of the night.
+He walked up and down a bit and stretched his great muscles; then he came
+back to the well and resumed his task.</p>
+
+<p>For an hour or more the line was lowered without result. In his
+eagerness he forgot his fears, and with eyes bent down the well fished
+slowly and carefully. Twice the hook became entangled in something, and
+was with difficulty released. It caught a third time, and all his
+efforts failed' to free it. Then he dropped the line down the well,
+and with head bent walked toward the house.</p>
+
+<p>He went first to the stables at the rear, and then retiring to his room
+for some time paced restlessly up and down. Then without removing his
+clothes he flung himself upon the bed and fell into a troubled sleep.</p>
+
+<p>
+III.</p>
+
+<p>Long before anybody else was astir he arose and stole softly downstairs.
+The sunlight was stealing in at every crevice, and flashing in long
+streaks across the darkened rooms. The dining-room into which he looked
+struck chill and cheerless in the dark yellow light which came through
+the lowered blinds. He remembered that it had the same appearance when
+his father lay dead in the house; now, as then, everything seemed ghastly
+and unreal; the very chairs standing as their occupants had left them the
+night before seemed to be indulging in some dark communication of ideas.</p>
+
+<p>Slowly and noiselessly he opened the hall door and passed into the
+fragrant air beyond. The sun was shining on the drenched grass and
+trees, and a slowly vanishing white mist rolled like smoke about the
+grounds. For a moment he stood, breathing deeply the sweet air of the
+morning, and then walked slowly in the direction of the stables.</p>
+
+<p>The rusty creaking of a pump-handle and a spatter of water upon the
+red-tiled courtyard showed that somebody else was astir, and a few steps
+farther he beheld a brawny, sandy-haired man gasping wildly under severe
+self-infliction at the pump.</p>
+
+<p>"Everything ready, George?" he asked quietly.</p>
+
+<p>"Yes, sir," said the man, straightening up suddenly and touching his
+forehead. "Bob's just finishing the arrangements inside. It's a lovely
+morning for a dip. The water in that well must be just icy."</p>
+
+<p>"Be as quick as you can," said Benson, impatiently.</p>
+
+<p>"Very good, sir," said George, burnishing his face harshly with a very
+small towel which had been hanging over the top of the pump. "Hurry up,
+Bob."</p>
+
+<p>In answer to his summons a man appeared at the door of the stable with a
+coil of stout rope over his arm and a large metal candlestick in his
+hand.</p>
+
+<p>"Just to try the air, sir," said George, following his master's glance,
+"a well gets rather foul sometimes, but if a candle can live down it, a
+man can."</p>
+
+<p>His master nodded, and the man, hastily pulling up the neck of his shirt
+and thrusting his arms into his coat, followed him as he led the way
+slowly to the well.</p>
+
+<p>"Beg pardon, sir," said George, drawing up to his side, "but you are not
+looking over and above well this morning. If you'll let me go down I'd
+enjoy the bath."</p>
+
+<p>"No, no," said Benson, peremptorily.</p>
+
+<p>"You ain't fit to go down, sir," persisted his follower. "I've never
+seen you look so before. Now if&mdash;"</p>
+
+<p>"Mind your business," said his master curtly.</p>
+
+<p>George became silent and the three walked with swinging strides through
+the long wet grass to the well. Bob flung the rope on the ground and at
+a sign from his master handed him the candlestick.</p>
+
+<p>"Here's the line for it, sir," said Bob, fumbling in his pockets.</p>
+
+<p>Benson took it from him and slowly tied it to the candlestick. Then he
+placed it on the edge of the well, and striking a match, lit the candle
+and began slowly to lower it.</p>
+
+<p>"Hold hard, sir," said George, quickly, laying his hand on his arm, "you
+must tilt it or the string'll burn through."</p>
+
+<p>Even as he spoke the string parted and the candlestick fell into the
+water below.</p>
+
+<p>Benson swore quietly.</p>
+
+<p>"I'll soon get another," said George, starting up.</p>
+
+<p>"Never mind, the well's all right," said Benson.</p>
+
+<p>"It won't take a moment, sir," said the other over his shoulder.</p>
+
+<p>"Are you master here, or am I?" said Benson hoarsely.</p>
+
+<p>George came back slowly, a glance at his master's face stopping the
+protest upon his tongue, and he stood by watching him sulkily as he sat
+on the well and removed his outer garments. Both men watched him
+curiously, as having completed his preparations he stood grim and silent
+with his hands by his sides.</p>
+
+<p>"I wish you'd let me go, sir," said George, plucking up courage to
+address him. "You ain't fit to go, you've got a chill or something. I
+shouldn't wonder it's the typhoid. They've got it in the village bad."</p>
+
+<p>For a moment Benson looked at him angrily, then his gaze softened. "Not
+this time, George," he said, quietly. He took the looped end of the rope
+and placed it under his arms, and sitting down threw one leg over the
+side of the well.</p>
+
+<p>"How are you going about it, sir?" queried George, laying hold of the
+rope and signing to Bob to do the same.</p>
+
+<p>"I'll call out when I reach the water," said Benson; "then pay out three
+yards more quickly so that I can get to the bottom."</p>
+
+<p>"Very good, sir," answered both.</p>
+
+<p>Their master threw the other leg over the coping and sat motionless. His
+back was turned toward the men as he sat with head bent, looking down the
+shaft. He sat for so long that George became uneasy.</p>
+
+<p>"All right, sir?" he inquired.</p>
+
+<p>"Yes," said Benson, slowly. "If I tug at the rope, George, pull up at
+once. Lower away."</p>
+
+<p>The rope passed steadily through their hands until a hollow cry from the
+darkness below and a faint splashing warned them that he had reached the
+water. They gave him three yards more and stood with relaxed grasp and
+strained ears, waiting.</p>
+
+<p>"He's gone under," said Bob in a low voice.</p>
+
+<p>The other nodded, and moistening his huge palms took a firmer grip of the
+rope.</p>
+
+<p>Fully a minute passed, and the men began to exchange uneasy glances.
+Then a sudden tremendous jerk followed by a series of feebler ones nearly
+tore the rope from their grasp.</p>
+
+<p>"Pull!" shouted George, placing one foot on the side and hauling
+desperately. "Pull! pull! He's stuck fast; he's not coming; PULL!"</p>
+
+<p>In response to their terrific exertions the rope came slowly in, inch by
+inch, until at length a violent splashing was heard, and at the same
+moment a scream of unutterable horror came echoing up the shaft.</p>
+
+<p>"What a weight he is !" panted Bob. "He's stuck fast or something.
+Keep still, sir; for heaven's sake, keep still."</p>
+
+<p>For the taut rope was being jerked violently by the struggles of the
+weight at the end of it. Both men with grunts and sighs hauled it in
+foot by foot.</p>
+
+<p>"All right, sir," cried George, cheerfully.</p>
+
+<p>He had one foot against the well, and was pulling manfully; the burden
+was nearing the top. A long pull and a strong pull, and the face of a
+dead man with mud in the eyes and nostrils came peering over the edge.
+Behind it was the ghastly face of his master; but this he saw too late,
+for with a great cry he let go his hold of the rope and stepped back.
+The suddenness overthrew his assistant, and the rope tore through his
+hands. There was a frightful splash.</p>
+
+<p>"You fool!" stammered Bob, and ran to the well helplessly.</p>
+
+<p>"Run!" cried George. "Run for another line."</p>
+
+<p>He bent over the coping and called eagerly down as his assistant sped
+back to the stables shouting wildly. His voice re-echoed down the shaft,
+but all else was silence.</p>
+
+
+
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Well, by W.W. Jacobs
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE WELL ***
+
+***** This file should be named 12124-h.htm or 12124-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/2/1/2/12124/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
+
+
+</pre>
+
+</body>
+</html>
diff --git a/old/12124-h/cover.jpg b/old/12124-h/cover.jpg
new file mode 100644
index 0000000..2276c69
--- /dev/null
+++ b/old/12124-h/cover.jpg
Binary files differ
diff --git a/old/12124-h/frontis.jpg b/old/12124-h/frontis.jpg
new file mode 100644
index 0000000..ed2eb44
--- /dev/null
+++ b/old/12124-h/frontis.jpg
Binary files differ
diff --git a/old/12124-h/title.jpg b/old/12124-h/title.jpg
new file mode 100644
index 0000000..3eb7cc3
--- /dev/null
+++ b/old/12124-h/title.jpg
Binary files differ
diff --git a/old/12124.txt b/old/12124.txt
new file mode 100644
index 0000000..1530537
--- /dev/null
+++ b/old/12124.txt
@@ -0,0 +1,1019 @@
+The Project Gutenberg EBook of The Well, by W.W. Jacobs
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Well
+ The Lady of the Barge and Others, Part 4.
+
+Author: W.W. Jacobs
+
+Release Date: April 22, 2004 [EBook #12124]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE WELL ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+THE LADY OF THE BARGE
+
+AND OTHER STORIES
+
+By W. W. Jacobs
+
+
+
+
+THE WELL
+
+
+Two men stood in the billiard-room of an old country house, talking.
+Play, which had been of a half-hearted nature, was over, and they sat at
+the open window, looking out over the park stretching away beneath them,
+conversing idly.
+
+"Your time's nearly up, Jem," said one at length, "this time six weeks
+you'll be yawning out the honeymoon and cursing the man--woman I mean--
+who invented them."
+
+Jem Benson stretched his long limbs in the chair and grunted in dissent.
+
+"I've never understood it," continued Wilfred Carr, yawning. "It's not
+in my line at all; I never had enough money for my own wants, let alone
+for two. Perhaps if I were as rich as you or Croesus I might regard it
+differently."
+
+There was just sufficient meaning in the latter part of the remark for
+his cousin to forbear to reply to it. He continued to gaze out of the
+window and to smoke slowly.
+
+"Not being as rich as Croesus--or you," resumed Carr, regarding him from
+beneath lowered lids, "I paddle my own canoe down the stream of Time,
+and, tying it to my friends' door-posts, go in to eat their dinners."
+
+"Quite Venetian," said Jem Benson, still looking out of the window.
+"It's not a bad thing for you, Wilfred, that you have the doorposts and
+dinners--and friends."
+
+Carr grunted in his turn. "Seriously though, Jem," he said, slowly,
+"you're a lucky fellow, a very lucky fellow. If there is a better girl
+above ground than Olive, I should like to see her."
+
+"Yes," said the other, quietly.
+
+"She's such an exceptional girl," continued Carr, staring out of the
+window. "She's so good and gentle. She thinks you are a bundle of all
+the virtues."
+
+He laughed frankly and joyously, but the other man did not join him.
+"Strong sense--of right and wrong, though," continued Carr, musingly.
+"Do you know, I believe that if she found out that you were not----"
+
+"Not what?" demanded Benson, turning upon him fiercely, "Not what?"
+
+"Everything that you are," returned his cousin, with a grin that belied
+his words, "I believe she'd drop you."
+
+"Talk about something else," said Benson, slowly; "your pleasantries are
+not always in the best taste."
+
+Wilfred Carr rose and taking a cue from the rack, bent over the board and
+practiced one or two favourite shots. "The only other subject I can talk
+about just at present is my own financial affairs," he said slowly, as he
+walked round the table.
+
+"Talk about something else," said Benson again, bluntly.
+
+"And the two things are connected," said Carr, and dropping his cue he
+half sat on the table and eyed his cousin.
+
+There was a long silence. Benson pitched the end of his cigar out of the
+window, and leaning back closed his eyes.
+
+"Do you follow me?" inquired Carr at length.
+
+Benson opened his eyes and nodded at the window.
+
+"Do you want to follow my cigar?" he demanded.
+
+"I should prefer to depart by the usual way for your sake," returned the
+other, unabashed. "If I left by the window all sorts of questions would
+be asked, and you know what a talkative chap I am."
+
+"So long as you don't talk about my affairs," returned the other,
+restraining himself by an obvious effort, "you can talk yourself hoarse."
+
+"I'm in a mess," said Carr, slowly, "a devil of a mess. If I don't raise
+fifteen hundred by this day fortnight, I may be getting my board and
+lodging free."
+
+"Would that be any change?" questioned Benson.
+
+"The quality would," retorted the other. "The address also would not be
+good. Seriously, Jem, will you let me have the fifteen hundred?"
+
+"No," said the other, simply.
+
+Carr went white. "It's to save me from ruin," he said, thickly.
+
+"I've helped you till I'm tired," said Benson, turning and regarding him,
+"and it is all to no good. If you've got into a mess, get out of it.
+You should not be so fond of giving autographs away."
+
+"It's foolish, I admit," said Carr, deliberately. "I won't do so any
+more. By the way, I've got some to sell. You needn't sneer. They're
+not my own."
+
+"Whose are they?" inquired the other.
+
+"Yours."
+
+Benson got up from his chair and crossed over to him. "What is this?"
+he asked, quietly. "Blackmail?"
+
+"Call it what you like," said Carr. "I've got some letters for sale,
+price fifteen hundred. And I know a man who would buy them at that price
+for the mere chance of getting Olive from you. I'll give you first
+offer."
+
+"If you have got any letters bearing my signature, you will be good
+enough to give them to me," said Benson, very slowly.
+
+"They're mine," said Carr, lightly; "given to me by the lady you wrote
+them to. I must say that they are not all in the best possible taste."
+
+His cousin reached forward suddenly, and catching him by the collar of
+his coat pinned him down on the table.
+
+"Give me those letters," he breathed, sticking his face close to Carr's.
+
+"They're not here," said Carr, struggling. "I'm not a fool. Let me go,
+or I'll raise the price."
+
+The other man raised him from the table in his powerful hands, apparently
+with the intention of dashing his head against it. Then suddenly his
+hold relaxed as an astonished-looking maid-servant entered the room with
+letters. Carr sat up hastily.
+
+"That's how it was done," said Benson, for the girl's benefit as he took
+the letters.
+
+"I don't wonder at the other man making him pay for it, then," said Carr,
+blandly.
+
+"You will give me those letters?" said Benson, suggestively, as the girl
+left the room.
+
+"At the price I mentioned, yes," said Carr; "but so sure as I am a living
+man, if you lay your clumsy hands on me again, I'll double it. Now, I'll
+leave you for a time while you think it over."
+
+He took a cigar from the box and lighting it carefully quitted the room.
+His cousin waited until the door had closed behind him, and then turning
+to the window sat there in a fit of fury as silent as it was terrible.
+
+The air was fresh and sweet from the park, heavy with the scent of
+new-mown grass. The fragrance of a cigar was now added to it, and
+glancing out he saw his cousin pacing slowly by. He rose and went to the
+door, and then, apparently altering his mind, he returned to the window
+and watched the figure of his cousin as it moved slowly away into the
+moonlight. Then he rose again, and, for a long time, the room was empty.
+
+ * * * * *
+
+It was empty when Mrs. Benson came in some time later to say good-night
+to her son on her way to bed. She walked slowly round the table, and
+pausing at the window gazed from it in idle thought, until she saw the
+figure of her son advancing with rapid strides toward the house. He
+looked up at the window.
+
+"Good-night," said she.
+
+"Good-night," said Benson, in a deep voice.
+
+"Where is Wilfred?"
+
+"Oh, he has gone," said Benson.
+
+"Gone?"
+
+"We had a few words; he was wanting money again, and I gave him a piece
+of my mind. I don't think we shall see him again."
+
+"Poor Wilfred!" sighed Mrs. Benson. "He is always in trouble of some
+sort. I hope that you were not too hard upon him."
+
+"No more than he deserved," said her son, sternly. "Good night."
+
+
+II.
+
+The well, which had long ago fallen into disuse, was almost hidden by the
+thick tangle of undergrowth which ran riot at that corner of the old
+park. It was partly covered by the shrunken half of a lid, above which a
+rusty windlass creaked in company with the music of the pines when the
+wind blew strongly. The full light of the sun never reached it, and the
+ground surrounding it was moist and green when other parts of the park
+were gaping with the heat.
+
+Two people walking slowly round the park in the fragrant stillness of a
+summer evening strayed in the direction of the well.
+
+"No use going through this wilderness, Olive," said Benson, pausing on
+the outskirts of the pines and eyeing with some disfavour the gloom
+beyond.
+
+"Best part of the park," said the girl briskly; "you know it's my
+favourite spot."
+
+"I know you're very fond of sitting on the coping," said the man slowly,
+"and I wish you wouldn't. One day you will lean back too far and fall
+in."
+
+"And make the acquaintance of Truth," said Olive lightly. "Come along."
+
+She ran from him and was lost in the shadow of the pines, the bracken
+crackling beneath her feet as she ran. Her companion followed slowly,
+and emerging from the gloom saw her poised daintily on the edge of the
+well with her feet hidden in the rank grass and nettles which surrounded
+it. She motioned her companion to take a seat by her side, and smiled
+softly as she felt a strong arm passed about her waist.
+
+"I like this place," said she, breaking a long silence, "it is so dismal
+--so uncanny. Do you know I wouldn't dare to sit here alone, Jem. I
+should imagine that all sorts of dreadful things were hidden behind the
+bushes and trees, waiting to spring out on me. Ugh!"
+
+"You'd better let me take you in," said her companion tenderly; "the well
+isn't always wholesome, especially in the hot weather.
+
+"Let's make a move."
+
+The girl gave an obstinate little shake, and settled herself more
+securely on her seat.
+
+"Smoke your cigar in peace," she said quietly. "I am settled here for a
+quiet talk. Has anything been heard of Wilfred yet?"
+
+"Nothing."
+
+"Quite a dramatic disappearance, isn't it?" she continued. "Another
+scrape, I suppose, and another letter for you in the same old strain;
+'Dear Jem, help me out.'"
+
+Jem Benson blew a cloud of fragrant smoke into the air, and holding his
+cigar between his teeth brushed away the ash from his coat sleeves.
+
+"I wonder what he would have done without you," said the girl, pressing
+his arm affectionately. "Gone under long ago, I suppose. When we are
+married, Jem, I shall presume upon the relationship to lecture him. He
+is very wild, but he has his good points, poor fellow."
+
+"I never saw them," said Benson, with startling bitterness. "God knows I
+never saw them."
+
+"He is nobody's enemy but his own," said the girl, startled by this
+outburst.
+
+"You don't know much about him," said the other, sharply. "He was not
+above blackmail; not above ruining the life of a friend to do himself a
+benefit. A loafer, a cur, and a liar!"
+
+The girl looked up at him soberly but timidly and took his arm without a
+word, and they both sat silent while evening deepened into night and the
+beams of the moon, filtering through the branches, surrounded them with a
+silver network. Her head sank upon his shoulder, till suddenly with a
+sharp cry she sprang to her feet.
+
+"What was that?" she cried breathlessly.
+
+"What was what?" demanded Benson, springing up and clutching her fast by
+the arm.
+
+She caught her breath and tried to laugh.
+
+"You're hurting me, Jem."
+
+His hold relaxed.
+
+"What is the matter?" he asked gently.
+
+"What was it startled you?"
+
+"I was startled," she said, slowly, putting her hands on his shoulder.
+"I suppose the words I used just now are ringing in my ears, but I
+fancied that somebody behind us whispered 'Jem, help me out.'"
+
+"Fancy," repeated Benson, and his voice shook; "but these fancies are not
+good for you. You--are frightened--at the dark and the gloom of these
+trees. Let me take you back to the house."
+
+"No, I'm not frightened," said the girl, reseating herself. "I should
+never be really frightened of anything when you were with me, Jem. I'm
+surprised at myself for being so silly."
+
+The man made no reply but stood, a strong, dark figure, a yard or two
+from the well, as though waiting for her to join him.
+
+"Come and sit down, sir," cried Olive, patting the brickwork with her
+small, white hand, "one would think that you did not like your company."
+
+He obeyed slowly and took a seat by her side, drawing so hard at his
+cigar that the light of it shone upon his fare at every breath. He
+passed his arm, firm and rigid as steel, behind her, with his hand
+resting on the brickwork beyond.
+
+"Are you warm enough?" he asked tenderly, as she made a little movement.
+"Pretty fair," she shivered; "one oughtn't to be cold at this time of the
+year, but there's a cold, damp air comes up from the well."
+
+As she spoke a faint splash sounded from the depths below, and for the
+second time that evening, she sprang from the well with a little cry of
+dismay.
+
+"What is it now?" he asked in a fearful voice. He stood by her side and
+gazed at the well, as though half expecting to see the cause of her alarm
+emerge from it.
+
+"Oh, my bracelet," she cried in distress, "my poor mother's bracelet.
+I've dropped it down the well."
+
+"Your bracelet!" repeated Benson, dully. "Your bracelet? The diamond
+one?"
+
+"The one that was my mother's," said Olive. "Oh, we can get it back
+surely. We must have the water drained off."
+
+"Your bracelet!" repeated Benson, stupidly.
+
+"Jem," said the girl in terrified tones, "dear Jem, what is the matter?"
+
+For the man she loved was standing regarding her with horror. The moon
+which touched it was not responsible for all the whiteness of the
+distorted face, and she shrank back in fear to the edge of the well. He
+saw her fear and by a mighty effort regained his composure and took her
+hand.
+
+"Poor little girl," he murmured, "you frightened me. I was not looking
+when you cried, and I thought that you were slipping from my arms,
+down--down--"
+
+His voice broke, and the girl throwing herself into his arms clung to him
+convulsively.
+
+"There, there," said Benson, fondly, "don't cry, don't cry."
+
+"To-morrow," said Olive, half-laughing, half-crying, "we will all come
+round the well with hook and line and fish for it. It will be quite a
+new sport."
+
+"No, we must try some other way," said Benson. "You shall have it back."
+
+"How?" asked the girl.
+
+"You shall see," said Benson. "To-morrow morning at latest you shall
+have it back. Till then promise me that you will not mention your loss
+to anyone. Promise."
+
+"I promise," said Olive, wonderingly. "But why not?"
+
+"It is of great value, for one thing, and--But there--there are many
+reasons. For one thing it is my duty to get it for you."
+
+"Wouldn't you like to jump down for it?" she asked mischievously.
+"Listen."
+
+She stooped for a stone and dropped it down.
+
+"Fancy being where that is now," she said, peering into the blackness;
+"fancy going round and round like a mouse in a pail, clutching at the
+slimy sides, with the water filling your mouth, and looking up to the
+little patch of sky above."
+
+"You had better come in," said Benson, very quietly. "You are developing
+a taste for the morbid and horrible."
+
+The girl turned, and taking his arm walked slowly in the direction of the
+house; Mrs. Benson, who was sitting in the porch, rose to receive them.
+
+"You shouldn't have kept her out so long," she said chidingly. "Where
+have you been?"
+
+"Sitting on the well," said Olive, smiling, "discussing our future."
+
+"I don't believe that place is healthy," said Mrs. Benson, emphatically.
+"I really think it might be filled in, Jem."
+
+"All right," said her son, slowly. "Pity it wasn't filled in long ago."
+
+He took the chair vacated by his mother as she entered the house with
+Olive, and with his hands hanging limply over the sides sat in deep
+thought. After a time he rose, and going upstairs to a room which was
+set apart for sporting requisites selected a sea fishing line and some
+hooks and stole softly downstairs again. He walked swiftly across the
+park in the direction of the well, turning before he entered the shadow
+of the trees to look back at the lighted windows of the house. Then
+having arranged his line he sat on the edge of the well and cautiously
+lowered it.
+
+He sat with his lips compressed, occasionally looking about him in a
+startled fashion, as though he half expected to see something peering at
+him from the belt of trees. Time after time he lowered his line until at
+length in pulling it up he heard a little metallic tinkle against the
+side of the well.
+
+He held his breath then, and forgetting his fears drew the line in inch
+by inch, so as not to lose its precious burden. His pulse beat rapidly,
+and his eyes were bright. As the line came slowly in he saw the catch
+hanging to the hook, and with a steady hand drew the last few feet in.
+Then he saw that instead of the bracelet he had hooked a bunch of keys.
+
+With a faint cry he shook them from the hook into the water below, and
+stood breathing heavily. Not a sound broke the stillness of the night.
+He walked up and down a bit and stretched his great muscles; then he came
+back to the well and resumed his task.
+
+For an hour or more the line was lowered without result. In his
+eagerness he forgot his fears, and with eyes bent down the well fished
+slowly and carefully. Twice the hook became entangled in something, and
+was with difficulty released. It caught a third time, and all his
+efforts failed' to free it. Then he dropped the line down the well,
+and with head bent walked toward the house.
+
+He went first to the stables at the rear, and then retiring to his room
+for some time paced restlessly up and down. Then without removing his
+clothes he flung himself upon the bed and fell into a troubled sleep.
+
+
+III.
+
+Long before anybody else was astir he arose and stole softly downstairs.
+The sunlight was stealing in at every crevice, and flashing in long
+streaks across the darkened rooms. The dining-room into which he looked
+struck chill and cheerless in the dark yellow light which came through
+the lowered blinds. He remembered that it had the same appearance when
+his father lay dead in the house; now, as then, everything seemed ghastly
+and unreal; the very chairs standing as their occupants had left them the
+night before seemed to be indulging in some dark communication of ideas.
+
+Slowly and noiselessly he opened the hall door and passed into the
+fragrant air beyond. The sun was shining on the drenched grass and
+trees, and a slowly vanishing white mist rolled like smoke about the
+grounds. For a moment he stood, breathing deeply the sweet air of the
+morning, and then walked slowly in the direction of the stables.
+
+The rusty creaking of a pump-handle and a spatter of water upon the
+red-tiled courtyard showed that somebody else was astir, and a few steps
+farther he beheld a brawny, sandy-haired man gasping wildly under severe
+self-infliction at the pump.
+
+"Everything ready, George?" he asked quietly.
+
+"Yes, sir," said the man, straightening up suddenly and touching his
+forehead. "Bob's just finishing the arrangements inside. It's a lovely
+morning for a dip. The water in that well must be just icy."
+
+"Be as quick as you can," said Benson, impatiently.
+
+"Very good, sir," said George, burnishing his face harshly with a very
+small towel which had been hanging over the top of the pump. "Hurry up,
+Bob."
+
+In answer to his summons a man appeared at the door of the stable with a
+coil of stout rope over his arm and a large metal candlestick in his
+hand.
+
+"Just to try the air, sir," said George, following his master's glance,
+"a well gets rather foul sometimes, but if a candle can live down it, a
+man can."
+
+His master nodded, and the man, hastily pulling up the neck of his shirt
+and thrusting his arms into his coat, followed him as he led the way
+slowly to the well.
+
+"Beg pardon, sir," said George, drawing up to his side, "but you are not
+looking over and above well this morning. If you'll let me go down I'd
+enjoy the bath."
+
+"No, no," said Benson, peremptorily.
+
+"You ain't fit to go down, sir," persisted his follower. "I've never
+seen you look so before. Now if--"
+
+"Mind your business," said his master curtly.
+
+George became silent and the three walked with swinging strides through
+the long wet grass to the well. Bob flung the rope on the ground and at
+a sign from his master handed him the candlestick.
+
+"Here's the line for it, sir," said Bob, fumbling in his pockets.
+
+Benson took it from him and slowly tied it to the candlestick. Then he
+placed it on the edge of the well, and striking a match, lit the candle
+and began slowly to lower it.
+
+"Hold hard, sir," said George, quickly, laying his hand on his arm, "you
+must tilt it or the string'll burn through."
+
+Even as he spoke the string parted and the candlestick fell into the
+water below.
+
+Benson swore quietly.
+
+"I'll soon get another," said George, starting up.
+
+"Never mind, the well's all right," said Benson.
+
+"It won't take a moment, sir," said the other over his shoulder.
+
+"Are you master here, or am I?" said Benson hoarsely.
+
+George came back slowly, a glance at his master's face stopping the
+protest upon his tongue, and he stood by watching him sulkily as he sat
+on the well and removed his outer garments. Both men watched him
+curiously, as having completed his preparations he stood grim and silent
+with his hands by his sides.
+
+"I wish you'd let me go, sir," said George, plucking up courage to
+address him. "You ain't fit to go, you've got a chill or something. I
+shouldn't wonder it's the typhoid. They've got it in the village bad."
+
+For a moment Benson looked at him angrily, then his gaze softened. "Not
+this time, George," he said, quietly. He took the looped end of the rope
+and placed it under his arms, and sitting down threw one leg over the
+side of the well.
+
+"How are you going about it, sir?" queried George, laying hold of the
+rope and signing to Bob to do the same.
+
+"I'll call out when I reach the water," said Benson; "then pay out three
+yards more quickly so that I can get to the bottom."
+
+"Very good, sir," answered both.
+
+Their master threw the other leg over the coping and sat motionless. His
+back was turned toward the men as he sat with head bent, looking down the
+shaft. He sat for so long that George became uneasy.
+
+"All right, sir?" he inquired.
+
+"Yes," said Benson, slowly. "If I tug at the rope, George, pull up at
+once. Lower away."
+
+The rope passed steadily through their hands until a hollow cry from the
+darkness below and a faint splashing warned them that he had reached the
+water. They gave him three yards more and stood with relaxed grasp and
+strained ears, waiting.
+
+"He's gone under," said Bob in a low voice.
+
+The other nodded, and moistening his huge palms took a firmer grip of the
+rope.
+
+Fully a minute passed, and the men began to exchange uneasy glances.
+Then a sudden tremendous jerk followed by a series of feebler ones nearly
+tore the rope from their grasp.
+
+"Pull!" shouted George, placing one foot on the side and hauling
+desperately. "Pull! pull! He's stuck fast; he's not coming; PULL!"
+
+In response to their terrific exertions the rope came slowly in, inch by
+inch, until at length a violent splashing was heard, and at the same
+moment a scream of unutterable horror came echoing up the shaft.
+
+"What a weight he is !" panted Bob. "He's stuck fast or something.
+Keep still, sir; for heaven's sake, keep still."
+
+For the taut rope was being jerked violently by the struggles of the
+weight at the end of it. Both men with grunts and sighs hauled it in
+foot by foot.
+
+"All right, sir," cried George, cheerfully.
+
+He had one foot against the well, and was pulling manfully; the burden
+was nearing the top. A long pull and a strong pull, and the face of a
+dead man with mud in the eyes and nostrils came peering over the edge.
+Behind it was the ghastly face of his master; but this he saw too late,
+for with a great cry he let go his hold of the rope and stepped back.
+The suddenness overthrew his assistant, and the rope tore through his
+hands. There was a frightful splash.
+
+"You fool!" stammered Bob, and ran to the well helplessly.
+
+"Run!" cried George. "Run for another line."
+
+He bent over the coping and called eagerly down as his assistant sped
+back to the stables shouting wildly. His voice re-echoed down the shaft,
+but all else was silence.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Well, by W.W. Jacobs
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE WELL ***
+
+***** This file should be named 12124.txt or 12124.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/2/1/2/12124/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/old/12124.zip b/old/12124.zip
new file mode 100644
index 0000000..15bde42
--- /dev/null
+++ b/old/12124.zip
Binary files differ