diff options
Diffstat (limited to 'old/1189-h/1189-h.htm')
| -rw-r--r-- | old/1189-h/1189-h.htm | 1080 |
1 files changed, 1080 insertions, 0 deletions
diff --git a/old/1189-h/1189-h.htm b/old/1189-h/1189-h.htm new file mode 100644 index 0000000..4e5f136 --- /dev/null +++ b/old/1189-h/1189-h.htm @@ -0,0 +1,1080 @@ +<?xml version="1.0" encoding="us-ascii"?> + +<!DOCTYPE html + PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" > + +<html xmlns="http://www.w3.org/1999/xhtml" lang="en"> + <head> + <title> + The Message, by Honore de Balzac + </title> + <style type="text/css" xml:space="preserve"> + + body { margin:5%; background:#faebd0; text-align:justify} + P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; } + H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; } + hr { width: 50%; text-align: center;} + .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; } + blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;} + .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;} + .toc { margin-left: 10%; margin-bottom: .75em;} + .toc2 { margin-left: 20%;} + div.fig { display:block; margin:0 auto; text-align:center; } + div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; } + .figleft {float: left; margin-left: 0%; margin-right: 1%;} + .figright {float: right; margin-right: 0%; margin-left: 1%;} + .pagenum {display:inline; font-size: 70%; font-style:normal; + margin: 0; padding: 0; position: absolute; right: 1%; + text-align: right;} + pre { font-style: italic; font-size: 90%; margin-left: 10%;} + +</style> + </head> + <body> +<pre xml:space="preserve"> + +The Project Gutenberg EBook of The Message, by Honore de Balzac + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Message + +Author: Honore de Balzac + +Translator: Ellen Marriage + +Release Date: February 20, 2010 [EBook #1189] +Last Updated: April 3, 2013 + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE MESSAGE *** + + + + +Produced by Dagny, and David Widger + + + + + + +</pre> + <p> + <br /><br /> + </p> + <h1> + THE MESSAGE + </h1> + <p> + <br /><br /> + </p> + <h2> + By Honore De Balzac + </h2> + <p> + <br /><br /> + </p> + <h3> + Translated by Ellen Marriage + </h3> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> + </p> + <h3> + To M. le Marquis Damaso Pareto + </h3> + <p> + <br /> <br /> + </p> + <hr /> + <p> + <br /> <br /> <br /> <br /> + </p> + <h1> + THE MESSAGE + </h1> + <p> + I have always longed to tell a simple and true story, which should strike + terror into two young lovers, and drive them to take refuge each in the + other's heart, as two children cling together at the sight of a snake by a + woodside. At the risk of spoiling my story and of being taken for a + coxcomb, I state my intention at the outset. + </p> + <p> + I myself played a part in this almost commonplace tragedy; so if it fails + to interest you, the failure will be in part my own fault, in part owing + to historical veracity. Plenty of things in real life are superlatively + uninteresting; so that it is one-half of art to select from realities + those which contain possibilities of poetry. + </p> + <p> + In 1819 I was traveling from Paris to Moulins. The state of my finances + obliged me to take an outside place. Englishmen, as you know, regard those + airy perches on the top of the coach as the best seats; and for the first + few miles I discovered abundance of excellent reasons for justifying the + opinion of our neighbors. A young fellow, apparently in somewhat better + circumstances, who came to take the seat beside me from preference, + listened to my reasoning with inoffensive smiles. An approximate nearness + of age, a similarity in ways of thinking, a common love of fresh air, and + of the rich landscape scenery through which the coach was lumbering along,—these + things, together with an indescribable magnetic something, drew us before + long into one of those short-lived traveller's intimacies, in which we + unbend with the more complacency because the intercourse is by its very + nature transient, and makes no implicit demands upon the future. + </p> + <p> + We had not come thirty leagues before we were talking of women and love. + Then, with all the circumspection demanded in such matters, we proceeded + naturally to the topic of our lady-loves. Young as we both were, we still + admired "the woman of a certain age," that is to say, the woman between + thirty-five and forty. Oh! any poet who should have listened to our talk, + for heaven knows how many stages beyond Montargis, would have reaped a + harvest of flaming epithet, rapturous description, and very tender + confidences. Our bashful fears, our silent interjections, our blushes, as + we met each other's eyes, were expressive with an eloquence, a boyish + charm, which I have ceased to feel. One must remain young, no doubt, to + understand youth. + </p> + <p> + Well, we understood one another to admiration on all the essential points + of passion. We had laid it down as an axiom at the very outset, that in + theory and practice there was no such piece of driveling nonsense in this + world as a certificate of birth; that plenty of women were younger at + forty than many a girl of twenty; and, to come to the point, that a woman + is no older than she looks. + </p> + <p> + This theory set no limits to the age of love, so we struck out, in all + good faith, into a boundless sea. At length, when we had portrayed our + mistresses as young, charming, and devoted to us, women of rank, women of + taste, intellectual and clever; when we had endowed them with little feet, + a satin, nay, a delicately fragrant skin, then came the admission—on + his part that Madame Such-an-one was thirty-eight years old, and on mine + that I worshiped a woman of forty. Whereupon, as if released on either + side from some kind of vague fear, our confidences came thick and fast, + when we found that we were in the same confraternity of love. It was which + of us should overtop the other in sentiment. + </p> + <p> + One of us had traveled six hundred miles to see his mistress for an hour. + The other, at the risk of being shot for a wolf, had prowled about her + park to meet her one night. Out came all our follies in fact. If it is + pleasant to remember past dangers, is it not at least as pleasant to + recall past delights? We live through the joy a second time. We told each + other everything, our perils, our great joys, our little pleasures, and + even the humors of the situation. My friend's countess had lighted a cigar + for him; mine made chocolate for me, and wrote to me every day when we did + not meet; his lady had come to spend three days with him at the risk of + ruin to her reputation; mine had done even better, or worse, if you will + have it so. Our countesses, moreover, were adored by their husbands; these + gentlemen were enslaved by the charm possessed by every woman who loves; + and, with even supererogatory simplicity, afforded us that just sufficient + spice of danger which increases pleasure. Ah! how quickly the wind swept + away our talk and our happy laughter! + </p> + <p> + When we reached Pouilly, I scanned my new friend with much interest, and + truly, it was not difficult to imagine him the hero of a very serious love + affair. Picture to yourselves a young man of middle height, but very well + proportioned, a bright, expressive face, dark hair, blue eyes, moist lips, + and white and even teeth. A certain not unbecoming pallor still overspread + his delicately cut features, and there were faint dark circles about his + eyes, as if he were recovering from an illness. Add, furthermore, that he + had white and shapely hands, of which he was as careful as a pretty woman + should be; add that he seemed to be very well informed, and was decidedly + clever, and it should not be difficult for you to imagine that my + traveling companion was more than worthy of a countess. Indeed, many a + girl might have wished for such a husband, for he was a Vicomte with an + income of twelve or fifteen thousand livres, "to say nothing of + expectations." + </p> + <p> + About a league out of Pouilly the coach was overturned. My luckless + comrade, thinking to save himself, jumped to the edge of a newly-ploughed + field, instead of following the fortunes of the vehicle and clinging + tightly to the roof, as I did. He either miscalculated in some way, or he + slipped; how it happened, I do not know, but the coach fell over upon him, + and he was crushed under it. + </p> + <p> + We carried him into a peasant's cottage, and there, amid the moans wrung + from him by horrible sufferings, he contrived to give me a commission—a + sacred task, in that it was laid upon me by a dying man's last wish. Poor + boy, all through his agony he was torturing himself in his young + simplicity of heart with the thought of the painful shock to his mistress + when she should suddenly read of his death in a newspaper. He begged me to + go myself to break the news to her. He bade me look for a key which he + wore on a ribbon about his neck. I found it half buried in the flesh, but + the dying boy did not utter a sound as I extricated it as gently as + possible from the wound which it had made. He had scarcely given me the + necessary directions—I was to go to his home at La Charite-sur-Loire + for his mistress' love-letters, which he conjured me to return to her—when + he grew speechless in the middle of a sentence; but from his last gesture, + I understood that the fatal key would be my passport in his mother's + house. It troubled him that he was powerless to utter a single word to + thank me, for of my wish to serve him he had no doubt. He looked wistfully + at me for a moment, then his eyelids drooped in token of farewell, and his + head sank, and he died. His death was the only fatal accident caused by + the overturn. + </p> + <p> + "But it was partly his own fault," the coachman said to me. + </p> + <p> + At La Charite, I executed the poor fellow's dying wishes. His mother was + away from home, which in a manner was fortunate for me. Nevertheless, I + had to assuage the grief of an old woman-servant, who staggered back at + the tidings of her young master's death, and sank half-dead into a chair + when she saw the blood-stained key. But I had another and more dreadful + sorrow to think of, the sorrow of a woman who had lost her last love; so I + left the old woman to her prosopopeia, and carried off the precious + correspondence, carefully sealed by my friend of the day. + </p> + <p> + The Countess' chateau was some eight leagues beyond Moulins, and then + there was some distance to walk across country. So it was not exactly an + easy matter to deliver my message. For divers reasons into which I need + not enter, I had barely sufficient money to take me to Moulins. However, + my youthful enthusiasm determined to hasten thither on foot as fast as + possible. Bad news travels swiftly, and I wished to be first at the + chateau. I asked for the shortest way, and hurried through the field paths + of the Bourbonnais, bearing, as it were, a dead man on my back. The nearer + I came to the Chateau de Montpersan, the more aghast I felt at the idea of + my strange self-imposed pilgrimage. Vast numbers of romantic fancies ran + in my head. I imagined all kinds of situations in which I might find this + Comtesse de Montpersan, or, to observe the laws of romance, this <i>Juliette</i>, + so passionately beloved of my traveling companion. I sketched out + ingenious answers to the questions which she might be supposed to put to + me. At every turn of a wood, in every beaten pathway, I rehearsed a modern + version of the scene in which Sosie describes the battle to his lantern. + To my shame be it said, I had thought at first of nothing but the part + that <i>I</i> was to play, of my own cleverness, of how I should demean + myself; but now that I was in the country, an ominous thought flashed + through my soul like a thunderbolt tearing its way through a veil of gray + cloud. + </p> + <p> + What an awful piece of news it was for a woman whose whole thoughts were + full of her young lover, who was looking forward hour by hour to a joy + which no words can express, a woman who had been at a world of pains to + invent plausible pretexts to draw him to her side. Yet, after all, it was + a cruel deed of charity to be the messenger of death! So I hurried on, + splashing and bemiring myself in the byways of the Bourbonnais. + </p> + <p> + Before very long I reached a great chestnut avenue with a pile of + buildings at the further end—the Chateau of Montpersan stood out + against the sky like a mass of brown cloud, with sharp, fantastic + outlines. All the doors of the chateau stood open. This in itself + disconcerted me, and routed all my plans; but I went in boldly, and in a + moment found myself between a couple of dogs, barking as your true + country-bred animal can bark. The sound brought out a hurrying + servant-maid; who, when informed that I wished to speak to Mme. la + Comtesse, waved a hand towards the masses of trees in the English park + which wound about the chateau with "Madame is out there——" + </p> + <p> + "Many thanks," said I ironically. I might have wandered for a couple of + hours in the park with her "out there" to guide me. + </p> + <p> + In the meantime, a pretty little girl, with curling hair, dressed in a + white frock, a rose-colored sash, and a broad frill at the throat, had + overheard or guessed the question and its answer. She gave me a glance and + vanished, calling in shrill, childish tones: + </p> + <p> + "Mother, here is a gentleman who wishes to speak to you!" + </p> + <p> + And, along the winding alleys, I followed the skipping and dancing white + frill, a sort of will-o'-the-wisp, that showed me the way among the trees. + </p> + <p> + I must make a full confession. I stopped behind the last shrub in the + avenue, pulled up my collar, rubbed my shabby hat and my trousers with the + cuffs of my sleeves, dusted my coat with the sleeves themselves, and gave + them a final cleansing rub one against the other. I buttoned my coat + carefully so as to exhibit the inner, always the least worn, side of the + cloth, and finally had turned down the tops of my trousers over my boots, + artistically cleaned in the grass. Thanks to this Gascon toilet, I could + hope that the lady would not take me for the local rate collector; but now + when my thoughts travel back to that episode of my youth, I sometimes + laugh at my own expense. + </p> + <p> + Suddenly, just as I was composing myself, at a turning in the green walk, + among a wilderness of flowers lighted up by a hot ray of sunlight, I saw + Juliette—Juliette and her husband. The pretty little girl held her + mother by the hand, and it was easy to see that the lady had quickened her + pace somewhat at the child's ambiguous phrase. Taken aback by the sight of + a total stranger, who bowed with a tolerably awkward air, she looked at me + with a coolly courteous expression and an adorable pout, in which I, who + knew her secret, could read the full extent of her disappointment. I + sought, but sought in vain, to remember any of the elegant phrases so + laboriously prepared. + </p> + <p> + This momentary hesitation gave the lady's husband time to come forward. + Thoughts by the myriad flitted through my brain. To give myself a + countenance, I got out a few sufficiently feeble inquiries, asking whether + the persons present were really M. le Comte and Mme. la Comtesse de + Montpersan. These imbecilities gave me time to form my own conclusions at + a glance, and, with a perspicacity rare at that age, to analyze the + husband and wife whose solitude was about to be so rudely disturbed. + </p> + <p> + The husband seemed to be a specimen of a certain type of nobleman, the + fairest ornaments of the provinces of our day. He wore big shoes with + stout soles to them. I put the shoes first advisedly, for they made an + even deeper impression upon me than a seedy black coat, a pair of + threadbare trousers, a flabby cravat, or a crumpled shirt collar. There + was a touch of the magistrate in the man, a good deal more of the + Councillor of the Prefecture, all the self-importance of the mayor of the + arrondissement, the local autocrat, and the soured temper of the + unsuccessful candidate who has never been returned since the year 1816. As + to countenance—a wizened, wrinkled, sunburned face, and long, sleek + locks of scanty gray hair; as to character—an incredible mixture of + homely sense and sheer silliness; of a rich man's overbearing ways, and a + total lack of manners; just the kind of husband who is almost entirely led + by his wife, yet imagines himself to be the master; apt to domineer in + trifles, and to let more important things slip past unheeded—there + you have the man! + </p> + <p> + But the Countess! Ah, how sharp and startling the contrast between husband + and wife! The Countess was a little woman, with a flat, graceful figure + and enchanting shape; so fragile, so dainty was she, that you would have + feared to break some bone if you so much as touched her. She wore a white + muslin dress, a rose-colored sash, and rose-colored ribbons in the pretty + cap on her head; her chemisette was moulded so deliciously by her + shoulders and the loveliest rounded contours, that the sight of her + awakened an irresistible desire of possession in the depths of the heart. + Her eyes were bright and dark and expressive, her movements graceful, her + foot charming. An experienced man of pleasure would not have given her + more than thirty years, her forehead was so girlish. She had all the most + transient delicate detail of youth in her face. In character she seemed to + me to resemble the Comtesse de Lignolles and the Marquise de B——, + two feminine types always fresh in the memory of any young man who has + read Louvet's romance. + </p> + <p> + In a moment I saw how things stood, and took a diplomatic course that + would have done credit to an old ambassador. For once, and perhaps for the + only time in my life, I used tact, and knew in what the special skill of + courtiers and men of the world consists. + </p> + <p> + I have had so many battles to fight since those heedless days, that they + have left me no time to distil all the least actions of daily life, and to + do everything so that it falls in with those rules of etiquette and good + taste which wither the most generous emotions. + </p> + <p> + "M. le Comte," I said with an air of mystery, "I should like a few words + with you," and I fell back a pace or two. + </p> + <p> + He followed my example. Juliette left us together, going away + unconcernedly, like a wife who knew that she can learn her husband's + secrets as soon as she chooses to know them. + </p> + <p> + I told the Count briefly of the death of my traveling companion. The + effect produced by my news convinced me that his affection for his young + collaborator was cordial enough, and this emboldened me to make reply as I + did. + </p> + <p> + "My wife will be in despair," cried he; "I shall be obliged to break the + news of this unhappy event with great caution." + </p> + <p> + "Monsieur," said I, "I addressed myself to you in the first instance, as + in duty bound. I could not, without first informing you, deliver a message + to Mme. la Comtesse, a message intrusted to me by an entire stranger; but + this commission is a sort of sacred trust, a secret of which I have no + power to dispose. From the high idea of your character which he gave me, I + felt sure that you would not oppose me in the fulfilment of a dying + request. Mme. la Comtesse will be at liberty to break the silence which is + imposed upon me." + </p> + <p> + At this eulogy, the Count swung his head very amiably, responded with a + tolerably involved compliment, and finally left me a free field. We + returned to the house. The bell rang, and I was invited to dinner. As we + came up to the house, a grave and silent couple, Juliette stole a glance + at us. Not a little surprised to find her husband contriving some + frivolous excuse for leaving us together, she stopped short, giving me a + glance—such a glance as women only can give you. In that look of + hers there was the pardonable curiosity of the mistress of the house + confronted with a guest dropped down upon her from the skies and + innumerable doubts, certainly warranted by the state of my clothes, by my + youth and my expression, all singularly at variance; there was all the + disdain of the adored mistress, in whose eyes all men save one are as + nothing; there were involuntary tremors and alarms; and, above all, the + thought that it was tiresome to have an unexpected guest just now, when, + no doubt, she had been scheming to enjoy full solitude for her love. This + mute eloquence I understood in her eyes, and all the pity and compassion + in me made answer in a sad smile. I thought of her, as I had seen her for + one moment, in the pride of her beauty; standing in the sunny afternoon in + the narrow alley with the flowers on either hand; and as that fair + wonderful picture rose before my eyes, I could not repress a sigh. + </p> + <p> + "Alas, madame, I have just made a very arduous journey——, + undertaken solely on your account." + </p> + <p> + "Sir!" + </p> + <p> + "Oh! it is on behalf of one who calls you Juliette that I am come," I + continued. Her face grew white. + </p> + <p> + "You will not see him to-day." + </p> + <p> + "Is he ill?" she asked, and her voice sank lower. + </p> + <p> + "Yes. But for pity's sake, control yourself.... He intrusted me with + secrets that concern you, and you may be sure that never messenger could + be more discreet nor more devoted than I." + </p> + <p> + "What is the matter with him?" + </p> + <p> + "How if he loved you no longer?" + </p> + <p> + "Oh! that is impossible!" she cried, and a faint smile, nothing less than + frank, broke over her face. Then all at once a kind of shudder ran through + her, and she reddened, and she gave me a wild, swift glance as she asked: + </p> + <p> + "Is he alive?" + </p> + <p> + Great God! What a terrible phrase! I was too young to bear that tone in + her voice; I made no reply, only looked at the unhappy woman in helpless + bewilderment. + </p> + <p> + "Monsieur, monsieur, give me an answer!" she cried. + </p> + <p> + "Yes, madame." + </p> + <p> + "Is it true? Oh! tell me the truth; I can hear the truth. Tell me the + truth! Any pain would be less keen than this suspense." + </p> + <p> + I answered by two tears wrung from me by that strange tone of hers. She + leaned against a tree with a faint, sharp cry. + </p> + <p> + "Madame, here comes your husband!" + </p> + <p> + "Have I a husband?" and with those words she fled away out of sight. + </p> + <p> + "Well," cried the Count, "dinner is growing cold.—Come, monsieur." + </p> + <p> + Thereupon I followed the master of the house into the dining-room. Dinner + was served with all the luxury which we have learned to expect in Paris. + There were five covers laid, three for the Count and Countess and their + little daughter; my own, which should have been HIS; and another for the + canon of Saint-Denis, who said grace, and then asked: + </p> + <p> + "Why, where can our dear Countess be?" + </p> + <p> + "Oh! she will be here directly," said the Count. He had hastily helped us + to the soup, and was dispatching an ample plateful with portentous speed. + </p> + <p> + "Oh! nephew," exclaimed the canon, "if your wife were here, you would + behave more rationally." + </p> + <p> + "Papa will make himself ill!" said the child with a mischievous look. + </p> + <p> + Just after this extraordinary gastronomical episode, as the Count was + eagerly helping himself to a slice of venison, a housemaid came in with, + "We cannot find madame anywhere, sir!" + </p> + <p> + I sprang up at the words with a dread in my mind, my fears written so + plainly in my face, that the old canon came out after me into the garden. + The Count, for the sake of appearances, came as far as the threshold. + </p> + <p> + "Don't go, don't go!" called he. "Don't trouble yourselves in the least," + but he did not offer to accompany us. + </p> + <p> + We three—the canon, the housemaid, and I—hurried through the + garden walks and over the bowling-green in the park, shouting, listening + for an answer, growing more uneasy every moment. As we hurried along, I + told the story of the fatal accident, and discovered how strongly the maid + was attached to her mistress, for she took my secret dread far more + seriously than the canon. We went along by the pools of water; all over + the park we went; but we neither found the Countess nor any sign that she + had passed that way. At last we turned back, and under the walls of some + outbuildings I heard a smothered, wailing cry, so stifled that it was + scarcely audible. The sound seemed to come from a place that might have + been a granary. I went in at all risks, and there we found Juliette. With + the instinct of despair, she had buried herself deep in the hay, hiding + her face in it to deaden those dreadful cries—pudency even stronger + than grief. She was sobbing and crying like a child, but there was a more + poignant, more piteous sound in the sobs. There was nothing left in the + world for her. The maid pulled the hay from her, her mistress submitting + with the supine listlessness of a dying animal. The maid could find + nothing to say but "There! madame; there, there——" + </p> + <p> + "What is the matter with her? What is it, niece?" the old canon kept on + exclaiming. + </p> + <p> + At last, with the girl's help, I carried Juliette to her room, gave orders + that she was not to be disturbed, and that every one must be told that the + Countess was suffering from a sick headache. Then we came down to the + dining-room, the canon and I. + </p> + <p> + Some little time had passed since we left the dinner-table; I had scarcely + given a thought to the Count since we left him under the peristyle; his + indifference had surprised me, but my amazement increased when we came + back and found him seated philosophically at table. He had eaten pretty + nearly all the dinner, to the huge delight of his little daughter; the + child was smiling at her father's flagrant infraction of the Countess' + rules. The man's odd indifference was explained to me by a mild + altercation which at once arose with the canon. The Count was suffering + from some serious complaint. I cannot remember now what it was, but his + medical advisers had put him on a very severe regimen, and the ferocious + hunger familiar to convalescents, sheer animal appetite, had overpowered + all human sensibilities. In that little space I had seen frank and + undisguised human nature under two very different aspects, in such a sort + that there was a certain grotesque element in the very midst of a most + terrible tragedy. + </p> + <p> + The evening that followed was dreary. I was tired. The canon racked his + brains to discover a reason for his niece's tears. The lady's husband + silently digested his dinner; content, apparently, with the Countess' + rather vague explanation, sent through the maid, putting forward some + feminine ailment as her excuse. We all went early to bed. + </p> + <p> + As I passed the door of the Countess' room on the way to my night's + lodging, I asked the servant timidly for news of her. She heard my voice, + and would have me come in, and tried to talk, but in vain—she could + not utter a sound. She bent her head, and I withdrew. In spite of the + painful agitation, which I had felt to the full as youth can feel, I fell + asleep, tired out with my forced march. + </p> + <p> + It was late in the night when I was awakened by the grating sound of + curtain rings drawn sharply over the metal rods. There sat the Countess at + the foot of my bed. The light from a lamp set on my table fell full upon + her face. + </p> + <p> + "Is it really true, monsieur, quite true?" she asked. "I do not know how I + can live after that awful blow which struck me down a little while since; + but just now I feel calm. I want to know everything." + </p> + <p> + "What calm!" I said to myself as I saw the ghastly pallor of her face + contrasting with her brown hair, and heard the guttural tones of her + voice. The havoc wrought in her drawn features filled me with dumb + amazement. + </p> + <p> + Those few hours had bleached her; she had lost a woman's last glow of + autumn color. Her eyes were red and swollen, nothing of their beauty + remained, nothing looked out of them save her bitter and exceeding grief; + it was as if a gray cloud covered the place through which the sun had + shone. + </p> + <p> + I gave her the story of the accident in a few words, without laying too + much stress on some too harrowing details. I told her about our first + day's journey, and how it had been filled with recollections of her and of + love. And she listened eagerly, without shedding a tear, leaning her face + towards me, as some zealous doctor might lean to watch any change in a + patient's face. When she seemed to me to have opened her whole heart to + pain, to be deliberately plunging herself into misery with the first + delirious frenzy of despair, I caught at my opportunity, and told her of + the fears that troubled the poor dying man, told her how and why it was + that he had given me this fatal message. Then her tears were dried by the + fires that burned in the dark depths within her. She grew even paler. When + I drew the letters from beneath my pillow and held them out to her, she + took them mechanically; then, trembling from head to foot, she said in a + hollow voice: + </p> + <p> + "And <i>I</i> burned all his letters!—I have nothing of him left!—Nothing! + nothing!" + </p> + <p> + She struck her hand against her forehead. + </p> + <p> + "Madame——" I began. + </p> + <p> + She glanced at me in the convulsion of grief. + </p> + <p> + "I cut this from his head, this lock of his hair." + </p> + <p> + And I gave her that last imperishable token that had been a very part of + him she loved. Ah! if you had felt, as I felt then, her burning tears + falling on your hands, you would know what gratitude is, when it follows + so closely upon the benefit. Her eyes shone with a feverish glitter, a + faint ray of happiness gleamed out of her terrible suffering, as she + grasped my hands in hers, and said, in a choking voice: + </p> + <p> + "Ah! you love! May you be happy always. May you never lose her whom you + love." + </p> + <p> + She broke off, and fled away with her treasure. + </p> + <p> + Next morning, this night-scene among my dreams seemed like a dream; to + make sure of the piteous truth, I was obliged to look fruitlessly under my + pillow for the packet of letters. There is no need to tell you how the + next day went. I spent several hours of it with the Juliette whom my poor + comrade had so praised to me. In her lightest words, her gestures, in all + that she did and said, I saw proofs of the nobleness of soul, the delicacy + of feeling which made her what she was, one of those beloved, loving, and + self-sacrificing natures so rarely found upon this earth. + </p> + <p> + In the evening the Comte de Montpersan came himself as far as Moulins with + me. There he spoke with a kind of embarrassment: + </p> + <p> + "Monsieur, if it is not abusing your good-nature, and acting very + inconsiderately towards a stranger to whom we are already under + obligations, would you have the goodness, as you are going to Paris, to + remit a sum of money to M. de —— (I forget the name), in the + Rue du Sentier; I owe him an amount, and he asked me to send it as soon as + possible." + </p> + <p> + "Willingly," said I. And in the innocence of my heart, I took charge of a + rouleau of twenty-five louis d'or, which paid the expenses of my journey + back to Paris; and only when, on my arrival, I went to the address + indicated to repay the amount to M. de Montpersan's correspondent, did I + understand the ingenious delicacy with which Juliette had obliged me. Was + not all the genius of a loving woman revealed in such a way of lending, in + her reticence with regard to a poverty easily guessed? + </p> + <p> + And what rapture to have this adventure to tell to a woman who clung to + you more closely in dread, saying, "Oh, my dear, not you! <i>You</i> must + not die!" + </p> + <p> + <br /><br /><br /><br /> + </p> +<pre xml:space="preserve"> + + + + + +End of the Project Gutenberg EBook of The Message, by Honore de Balzac + +*** END OF THIS PROJECT GUTENBERG EBOOK THE MESSAGE *** + +***** This file should be named 1189-h.htm or 1189-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/1/1/8/1189/ + +Produced by Dagny, and David Widger + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + </body> +</html> |
