diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:38:15 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:38:15 -0700 |
| commit | 0aa0cf4ea5f0f13ba870ee1ab52e3be5e4b26ff8 (patch) | |
| tree | 2eb5b2f626cb3991aca6787b11220cab89ddb5fd /old/11868.txt | |
Diffstat (limited to 'old/11868.txt')
| -rw-r--r-- | old/11868.txt | 2336 |
1 files changed, 2336 insertions, 0 deletions
diff --git a/old/11868.txt b/old/11868.txt new file mode 100644 index 0000000..6e3143c --- /dev/null +++ b/old/11868.txt @@ -0,0 +1,2336 @@ +The Project Gutenberg eBook, Punch, or the London Charivari, Vol. 156, +Feb. 5, 1919, by Various, Edited by Owen Seamen + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Punch, or the London Charivari, Vol. 156, Feb. 5, 1919 + +Author: Various + +Release Date: April 2, 2004 [eBook #11868] + +Language: English + +Character set encoding: US-ASCII + + +***START OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, +VOL. 156, FEB. 5, 1919*** + + +E-text prepared by Malcolm Farmer, William Flis, and the Project Gutenberg +Online Distributed Proofreading Team + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 11868-h.htm or 11868-h.zip: + (http://www.ibiblio.org/gutenberg/1/1/8/6/11868/11868-h/11868-h.htm) + or + (http://www.ibiblio.org/gutenberg/1/1/8/6/11868/11868-h.zip) + + + + + +PUNCH, OR THE LONDON CHARIVARI. + +VOL. 156 + +FEBRUARY 5, 1919. + + + + + + + +CHARIVARIA. + +The Germans refer to the Armistice negotiations as +_Waffenstillstandeverhandlungen_. We hope it will be worse even than +they think. + + *** + +There is no truth in the rumour that among the many new performances +of _Hamlet_ which are promised there will be one in aid of the fund +for brightening the lives of the clergy, with the Gloomy Dean as the +Gloomy Dane. + + *** + +"We Americans do not consider ourselves the salt of the earth," says +Senator HENRY. No, but their bacon certainly is. + + *** + +In view of the fact that there is a large quantity of marmalade +in the country, it has been decided to release it. This is such a +satisfactory solution of the problem that people are wondering whether +the Food Ministry thought of that one themselves. + + *** + +Our heart goes out to the soldier who, when offered, on +demobilisation, the option of fifty-two shillings and sixpence or a +standard suit, replied that he would rather pay the fine. + + *** + +The only surprising thing about Mr. C.B. COCHRAN'S proposal for a +Peace Fair in Hyde Park, to be arranged largely by himself, is that +there is no mention of a Serpentine dance for DELYSIA. + + *** + +The Australian Government proposes to send returned Australian +soldiers to prospect for minerals in the Northern Territories. Whether +they will be interested in them after their experience in England in +failing to locate quarts is another matter. + + *** + +Sir EDWARD ELGAR has dedicated his new orchestral work, "Polonia," to +M. PADEREWSKI. The report that the distinguished pianist-politician is +thinking of retorting with a fugue, "Stiltonia," is not confirmed. + + *** + +The Aircraft Salvage branch announces that not less than one thousand +five hundred yards of the aeroplane linen which is being disposed +of to the public will be sold to one purchaser. In the event of the +purchaser deciding to use it as a pocket-handkerchief he can have it +hemstitched for a trifling sum. + + *** + +Improvement is reported in the condition of the taxi-cab driver who +had a seizure in Piccadilly Circus while attempting to say "Thank you" +to a fare. + + *** + +We are pleased to be able to announce that the Kensington man who last +week managed to board a tube train has consented to write a book about +it. + + *** + +Writing to a contemporary a Leeds correspondent says that he does not +think much of an inactive corporation. As a matter of fact, since the +introduction of rationing we didn't think active ones were being worn. + + *** + +As a result of munition work, says a health journal, quite a number of +men have given up smoking tobacco. We suppose the theory is that they +have now taken to smoking threepenny cigars. + + *** + +Mrs. MAGGIE HATHWAY of Montana is to be congratulated upon running a +six-hundred-acre farm without the help of men's labour. After all we +men must admit that her sporting effort is a distinct score for the +second oldest sex in the world. + + *** + +Anglesea Police Commission are offering one shilling and sixpence a +dozen for rats' tails to residents of the county. Some difficulty is +expected in distinguishing local from imported tails once they are +separated from the rat. + + *** + +In connection with the offers for Drury Lane Theatre it appears that +one of the would-be purchasers declares that he was more syndicate +than sinning. + + *** + +In connection with the epidemic of burglaries in London, _The Daily +Express_ has now published a leader note saying there have been too +many of late. It is hoped that this will have the desired effect. + + *** + +We are glad to report that the gentleman who, at the BURNS festival, +upon being asked if he would take a little haggis replied that he +wouldn't mind trying a wing, managed to escape with his life. + + *** + +A West Hampstead architect has designed a cottage in which there will +be no bricks in the walls, no timber in the roof, no slates or tiles +and no register grates. Too late. Jerry-builders accomplished that +trick years ago. + + *** + +While walking in Highams Park, Chingford, says a contemporary, a +postman picked up a package containing one ounce of butter. To his +eternal credit let it be said that he at once took it to the nearest +police station. + + *** + +The best brains of the country are still exercised by the alleged need +of brightening cricket. One of our own suggestions is that the bowler +should be compelled to do three Jazz-steps and two Fox-trots before +delivering the ball. + + *** + +A typist recently fell from a moving train on the Isle of Wight +railway, but was able to get up and walk towards her destination. +We hear she had a good deal to say to the guard when she overtook +the train. + + * * * * * + +[Illustration: DEPARTURE FROM DOWNING STREET 10 A.M. + +ARRIVAL AT THE QUAI D'ORSAY 10.5 A.M. + +THE NEW AERO-GUN SERVICE BETWEEN LONDON AND PARIS. + +SOLUTION OF THE PROBLEM OF HOW MR. LLOYD GEORGE CAN BE IN BOTH PLACES +MORE OR LESS AT ONCE.] + + * * * * * + +From a _feuilleton_:-- + + "He had a cleft in his chain which Rosemarie thought most + attractive."--_Evening News_. + +There is no accounting for tastes. _We_ should have thought it +suggested the Missing Link. + + * * * * * + +EVICTED. + +(_A COMMON SCANDAL, INVITING THE ATTENTION OF THE GOVERNMENT._) + +I was amazed the other day to hear that my landlord had called to +see me. Hitherto our intercourse had been by letter and we had had +heated differences on the subject of repairs. His standpoint seemed +to be that landlords were responsible for repairs only to lightning +conductors and weathercocks. My house possesses neither of these +desirable adjuncts. + +I moved an armchair so that no one sitting in it could fail to see the +dampest wall and ordered him to be shown in. + +He was a most benevolent-looking old gentleman, and I felt I had done +him an injustice in regarding him as a property shark. + +"Glad to see you," he said, shaking me warmly by the hand. + +"Do sit down," I said. "That chair is the most comfortable. Don't be +afraid. At that distance from the wall the damp won't affect you." + +"So glad to see how comfortable you are here," said the benevolent +one. + +"If we could occasionally have a hot bath we should be more +comfortable, but the kitchen range is impossible." + +"What you need, my friend, is a house of your own so that you can +adapt it to your own ideas. How would you like this house?" + +My breath was taken away. Had the kindly one come to present me with a +house? Was I to be the object of an amiable plutocrat's benevolence? + +"I should like it very much," I said. + +"You shall have it," he said, slapping me amiably on the knee. + +I gasped for breath. In my time I had had boxes of cigars given me, +but never houses. + +"For fifteen hundred pounds, as you are the tenant," continued the +benevolent one. + +I gasped for breath again. + +"But you bought it for five hundred and fifty pounds just before the +War," I said when I had recovered. + +"Ah, before the War," chuckled the philanthropist. + +"I don't think I can afford fifteen hundred pounds." + +The benevolent one looked disappointed in me. "Dear me," he said, +"and I wanted so much to sell it to you. Well, I shall have to give +you notice to quit in June. This house must be sold." + +"But I can't get another house." + +"You can have this house. But surely you have some friend who will +advance you fifteen hundred pounds?" + +"You don't know my friends. It would be very awkward to be turned +into the street." + +"You should have a house of your own and be independent. Every man +should own his home. Now can't you think of some friend who could +assist you?" + +"Could you lend me fifteen hundred pounds for a rather speculative +investment?" I inquired. + +"Since my kindly consideration for a tenant is treated with mockery I +give you written notice to leave. A 'For Sale' board will be placed +in your garden. A clause in the lease authorises me to do that. I wish +you good morning." + +Well, I am to be evicted, and, as I'm not an Irishman, no one will +care. I shall not lie in wait with a shot-gun for my landlord. But +there is no clause in the lease forbidding me from putting up my sale +announcement beside the landlord's. It will run:-- + + _FOR SALE_ + THIS UNDESIRABLE PROPERTY + COST L550 IN 1913. + Never been repaired since. + Damp guaranteed to come through every wall. + Mice can run under the doors but there is + not sufficient space for cats to follow them. + The Kitchen Range is unusable. + All hope of baths abandon ye who enter here. + One half of the windows won't + open--the others won't shut. + All chimneys smoke in all winds. + A unique chance for the War-rich. + + * * * * * + +THE PUFF ERRATIC. + +_The New Statesman_ contains a letter from Mr. ARNOLD BENNETT, +disclaiming all responsibility for the publisher's official +description of his new novel printed on the "jacket" or paper cover +thereof. It had not been submitted to him for approval and he knew +nothing of it. Mr. BENNETT is, of course, entitled to his protest, +but we greatly hope that publishers will not be induced thereby to +abstain from supplying these interesting summaries. If only the method +could be applied to standard works the results would be even more +illuminating. As for example: + +"HAMLET." + +This delicious comedy is the romance of the _Prince of Denmark_, +which, unlike other romances, begins after his marriage: with +_Polonia_, daughter of _Horatio_, who had been previously engaged to +both _Rosenstern_ and _Guildencranz_. _Hamlet_, by joining a troupe of +strolling players, offends his uncle, the reigning sovereign, and is +confined in a lunatic asylum. + +Brilliant pictures of society in Copenhagen, Denmark Hill and +Heligoland alternate with sparkling studies of the inner life of a +touring company on the Continent. + +"Can a woman love three men?" is the theme of this engrossing +extravaganza. + +"IDYLLS OF THE KING." + +In a series of exciting episodes, written in fluent heroic couplets, +the author gives us a thrilling picture of the manners and customs of +the Court of _King Arthur_, an early British sovereign, whose stately +home was situated on the Cornish Riviera. + +Owing to the compromising attentions which he pays to _Elaine_, +the Lady of Shalott, the _King_ alienates the affections of _Queen +Guinevere_ and is slain by one of his knights, _Lancelot_ by name. + +Winsome women, gallant paladins and mysterious magicians throng +these fascinating pages, which incidentally throw much light on the +theological problems discussed by the Knights of the Round Table, +among whom _Merlin_, _Vivien_ and _Enid_ are especially, prominent. + +"VANITY FAIR." + +_Major Dobbin_, a _beau sabreur_ of irresistible charm, is on the +point of eloping with _Amelia Osborne_, the wife of a brother-officer, +when the Battle of Waterloo breaks out and _Dobbin_ is slain. _Captain +Osborne_, in the mistaken impression that _Amelia_ has shared her +betrayer's fate, marries the beautiful _Becky Sharp_ and is tried +for bigamy, but is acquitted, as _Becky Sharp_ is proved to have been +already married to an Indian Nabob of the name of _Crawley_. On the +death of _Crawley_, _Becky_ marries the _Marquis of Steyne_, becomes +deeply religious and dies in the odour of sanctity. + +"Is marriage a failure?" is the problem of this kaleidoscopic drama, +which is handled with all the author's well-known soulful _verve_. + + * * * * * + +"SMITH MINOR" AGAIN. + + "_Apelles fuit carus Alexandro propter comitate._" + "Apples were dear in the days of Alexander on account + of the Committee." (? Food Controller.) + + * * * * * + + "A resolution was passed requesting the responsible local + authority to provide thirty new houses in accordance + with the Local Government Board's scheme. The houses + required were--first, those which were unfit for human + habitation."--_Sussex Paper_. + +And, to judge by some of the fantastic designs for rural cottages +published in the newspapers, those are what they will probably get. + + * * * * * +[Illustration: THE ORDER OF RELEASE. + +PIVOTAL PIG (_demobilised_). "SO LONG, LEAGUE OF RATIONS, SEE YOU +LATER."] + + * * * * * + +THE REAL DALRYMPLE. + +You would feel quite uncomfortable if you heard Dalrymple talk. He +conveys the impression that everything is badly in the way and ought +to be removed at once. That's his view. Dalrymple has no patience with +the social system. This includes everything, from the washing bill to +the House of Commons. + +Dalrymple said the General Election made him impatient. By the way, +Dalrymple is a fine upstanding personage, with just the coloured +hair the lady novelists dote on, and eyes in harmony; but despite his +handsome placid bearing Dalrymple is a fire-eater of the hungriest. + +"What you want to do is to make a clean sweep of everything," he said. +"Money is an anachronism, and in a perfectly ordered State would not +be required." + +Of course it is no more use arguing with Dalrymple than it would be +to attempt a controversy on naval affairs with Lord Nelson on his +pedestal. + +And then there is this about Dalrymple--you remember what some Court +poet said concerning Louis THE FOURTEENTH; it was to the effect that +_quand le Roi parle_--well, apparently everything and everybody else +had to put up the shutters. I forget exactly how the thing ran. It +is just so with Dalrymple. He comes into my room in the City and +warms himself, though no fire is needed to fan his enthusiasm for +destruction. The Bolsheviks are peaceable Sunday folk compared with +him. A Nihilist on a war footing would be considered Quaker-like in +his symptoms. + +Dalrymple is neck or nothing. He is a whole-hogger even to the most +indigestible bit of crackling. + +"What we want is a fresh start," he said. "Then you could begin anew +and everybody would have a chance. Burn things, blow them up, leave +nothing; then we should see something. Your whole scheme is faulty. +Your Underground--" Dalrymple has an irritating habit of fathering +things on me, which is unfair, for, as regards the Tubes, for +instance, I am sorry to say I have not even a share, and often not +as much as a strap. + +"But the Underground is only a bit overcrowded," I ventured to say. +"It can't help that, you know." + +"It is all wrong," said Dalrymple. "The entire gadget is defective. +Look at France, look at America, look at Germany and Russia and the +Jugo-Slavs." + +It was rather breathless work looking at all these nations and +peoples, but I did my best. Dalrymple is particularly strong when it +is a question of the Jugo-Slavs, and he always gave me the idea that +he spent his Saturday afternoons enunciating chatty pleasantries in +Trafalgar Square and on Tower Hill. + +But--you might just see the finish--Dalrymple was not doing anything +of the sort the afternoon that I was out house-hunting. Yes, it is +true. You will scarcely credit the fact that I found any difficulty +in tracking down an eligible villa, but that is the case. + +The quest took me to a pleasant semi-rural neighbourhood where +there was room for gardens with the borders edged with the nice soft +yellow-tinted box, and rose walks, and dainty little arbours, and +fandangled appurtenances which amateur gardeners love with perfect +justification. + +And there was Dalrymple. I won't deceive you. I recognised him on +the other side of a low oak fence. He was wearing an old hat of the +texture of the bit of headgear which the man who impersonates Napoleon +at the music-hall doubles up and plays tricks with, only Dalrymple's +hat had obviously been white and was now going green and other colours +with wear and tear. + +And wherever Dalrymple went a small cherub in a holland frock went +too. The cherub would be about five. Dalrymple was fashioning a +hen-coop out of two or three soap-boxes. Both he and the cherub ceased +activities when I hailed and approached; and I stopped to dinner. +Dalrymple told me he rather fancied he could wangle me a bungalow. + +"I know the agent chap," he said, as we sampled a very pleasant glass +of port. "Of course they want to keep it fairly dark or we should be +swamped. I have taken a lot of trouble myself, you know, and am just +starting gardening lectures at our club." + +So he went on--the house, his new roses, the hens, the jam his wife +made, the idea he had for a winter garden in the interests of his +wife's mother, who could then take the air in her Bath-chair. + +"But," I said, "you want to sweep everything away. You aim at sending +villages like this to pot--your own word, you remember. And then there +are the Jugo-Slavs--" + +Dalrymple winked and handed me the cigars. + +I fancy he is a fraud. + + * * * * * + + "AEROPLANE FLIGHT TO INDIA. + + "PREPARATIONS FOR DECEPTION IN DELHI."--_Englishman_ + (_Calcutta_). + +But the aviators, in order that there might be no doubt about their +_bona fides_, wisely landed at Karachi. + + * * * * * + +MY SERGEANT-MAJOR-DOMO. + + When WILSON has abolished War + And grim Bellona claims no more + The greatest of her sons, + What job has Peace to offer thee + That shall fulfil thy destiny, + O Sergeant-Major Buns? + + Shall thy great voice, at whose behests + Trembled a hundred martial breasts, + Be heard without a smile + Urging astonished Cingalese + To tap the tapering rubber trees + Upon their distant isle? + + Shall thy dread presence clothed in tweed + Be seen, O Buns, without the meed + Of some regretful sigh, + Fresh from the triumphs of the trench + Upon the Opposition Bench + Begging the SPEAKER'S eye? + + Nay, rather let thy mighty mind + At length its true vocation find + In the domestic sphere; + The trivial round, the common task + Shall furnish all thou needst to ask-- + There shalt thou earn thy beer. + + Yes, thou shalt play a worthy role, + Thou great unconquerable soul, + Within my humble flat; + For when thy voice shall thunder, "Where + Is master's cream?" what maid shall dare + Invoke the mystic cat? + + And what or volatile Miss Gripps? + The weekly notice on her lips + Shall wither at thy look. + And still one triumph waits for thee-- + And, oh! may I be there to see-- + When thou shalt face my cook! + + * * * * * + + "DATE FIXED FOR HANGING RETAILERS."--_Provincial Paper_. + +And some of them richly deserve it. + + * * * * * + + + "The League will reconsider traety obligations from time + to time. + + "The League will reconsider traeyt obligations from time + to time."--_Evening Paper_. + +And then the printer gave it up. + + * * * * * + + "A Handley Page, with two Rolls-Royce engines, was the + first and only machine to fly to India, and was the first + and only machine to fly to India, and is the second to fly + to India."--_Daily Paper_. + +Not the third and only, as for the moment we were tempted to believe. + + * * * * * + + "Young Educated Girl Pupil Wanted, help animals; live + clergyman's family; pocket-money."--_Newcastle Journal_. + +We are glad to hear of a really live clergyman. So many parsons +nowadays are accused of being dead-alive. + + * * * * * + +[Illustration: THE SPREAD OF EDUCATION. + +_Maid_. "NO, MUM, I'M NOT GOING TO STAY IN THIS HOUSE TO BE INSULTED +BY HAVING 'SLAVEY' WRITTEN ON THE MAT."] + + * * * * * + +DAILY AND MAILY. + +Mr. Daily burst into the room, slamming the door behind him, to find +Mr. Maily seated before the fire. + +"Maily, you're not getting things done," he shouted as he walked +swiftly up and down the Turkey carpet. + +"Only buttoning my spat, Daily," said Mr. Maily. Then he too, +springing from his chair, walked rapidly to and fro. But whereas Mr. +Daily chose the route between the window and the motto, "Do something +else NOW!" Mr. Maily took the line between the fireplace and "Keep on +keeping on!" for they seldom felt compelled to stick to one direction. + +"Maily, I'm worried," exclaimed Mr. Daily in passing. "Things seem to +be easing down. Even you are not so nimble as you were. This silence +of the public troubles me--haven't been saying things about us for a +long time." + +"Some people even praise us," remarked Mr. Maily, disgust mingling +with the perspiration on his face. + +"We'll be damned if we put up with praise," Mr. Daily declared. + +"We shall. We'd give praise if they'd damn us," said Mr. Maily. + +"Never be funny, Maily, if you can help it," warned Mr. Daily. Then +he remarked wistfully, "If they'd only burn us again!" + +"Couldn't we go for the Archbishop of CANTERBURY?" asked Mr. Maily. +"To be burnt during morning service in a cathedral--" + +"No, these church-people couldn't be roused, Maily. Too much +dillydally about them. They'd never fall to it." + +Mr. Daily jabbed his thumb against a white bell-push, and a clerk +appeared. "Got enough work to do?" asked Mr. Daily. + +"And then some," said the clerk. + +"Well, get on with it," shouted Mr. Daily impatiently, and pressed a +red bell-push. + +"Plenty doing?" he asked the compositor who appeared. + +"Twice that," said the compositor. + +"Then go to it," barked Mr. Daily. Turning to behold Mr. Maily mopping +his brow, he cried, "For heaven's sake don't let anybody see you +standing still, Maily." + +"I was only thinking," said Mr. Maily. + +"Whatever for?" asked Mr. Daily. + +"Do you suppose--" + +"Suppose nothing. Know!" + +"How would it be to--to denounce beer?" asked Mr. Maily. + +"Gad, but you've still got pluck," said Mr. Daily with something like +admiration. "They'd burn us right enough. But there is such a thing as +too much pluck, Maily. Think again, if you must think." + +"No," Mr. Daily went on, "I doubt if a satisfactory burning can be +worked--it only comes by accident. Meanwhile, if the public won't +talk about us, we must boom ourselves;" and he sprinted to a yellow +bell-push to summon the editor. + +"This peace business," said Mr. Daily to him--"_Peace must be signed!_ +How's that for a new stunt? Cut out 'The Soldiers' Paper' and call +ourselves 'The Paper that gets Peace.' Get the boys together, work out +a scheme and come and show us in half-an-hour." + +"But, Daily, is there any likelihood of peace not being signed?" asked +Mr. Maily, when the editor had gone. + +"For goodness' sake, Maily, pull yourself together. Don't you +understand that one of the principles of our job is to back certs?" +said Mr. Daily. + + * * * * * + +[Illustration: _Manager of Kinema Theatre_ (_referring to the two +turbulent members of audience who have been ejected_). "HOW DID THE +QUARREL COMMENCE?" + +_Doorkeeper_. "THEY WERE FIGHTING, SIR, ABOUT WHICH OF THEM THE GIRL +IN THE PICTURE WAS WINKING AT."] + + * * * * * + +LINES TO A LEGIONARY. + +(_MEMBERS OF THE NEW CORPS OF DOMESTIC SERVANTS ARE CALLED +LEGIONARIES_.) + + Sole hope of this my household, martial maid + Whom ordered ranks and discipline austere + Have shaped (I gather) for a braver trade, + So that respect, not all unmixed with fear, + Informs my breast as I await you here, + Your title, with its stern Caesarian touch, + Does, to be frank, alarm me very much. + + Come not, I pray you, to my casual home + (Where moulting cats usurp the best arm-chair) + With the harsh practices of Ancient Rome, + The brow severe, the you-be-careful air + Which (on the film) all legionaries wear; + My dream is just a regulated ease; + Rules, if you like, but not too stringent, please. + + Come not with rude awakenings, nor request + That I at stated hours must rise and feed; + I like my morning slumber much the best + And hate a life by drastic laws decreed + (I'm not a Persian born, nor yet a Mede); + No, but with step demure and tactful come, + And if soft music greet you, oh, be dumb! + + In careless comfort let my days be spent! + And, maiden, mutual happiness shall reign; + The crash of crockery I'll not lament + Nor (when I fain would sing) will I complain + Though you should raise the far from dulcet strain; + But with a sweet content I'll bless the day + My legionary came, and came to stay. + + * * * * * + + "LOST, large retriever dog, flat-coated; when pleased or + expectant he grins, showing all his teeth; information leading + to his recovery will be rewarded."--_Glasgow Herald_. + +It is supposed that he has been studying the portraits of "Variety" +ladies in the illustrated papers. + + * * * * * + + "He must, said Mr. Thomas, urge men to recognise that, in the + present state of the country, it was imperative that soppages + should be avoided."--_Liverpool Paper_. + +Excellent advice; but in the present state of the country, unless one +wears waders, extremely difficult to follow. + + * * * * * + + "WANTED.--A suitable match for a well-connected and refined + Suri widower of 37; healthy and of good moral character; + monthly income about 500 rupees. Possesses property. Late + wife died last week."--_Indian Paper_. + +It is a sign of the truly moral character to be definitely off with +the old love before you are on with the new. + + * * * * * + + "The five main points in the Prime Minister's programme are: + (1) Punch the ex-Kaiser."--_Sunday Times_ (_Johannesburg_). + +The other four don't matter, but we wish to take the earliest +opportunity of denying this totally unfounded suggestion. Mr. Punch +is not the ex-Kaiser, and never was. + + * * * * * + +[Illustration: _Late Superintendent of Munition Canteen_ (_in dairy +where she has dealt for over three years_). "AND YOU WON'T FORGET THE +CREAM AS USUAL." + +_Dairy Girl_. "SORRY, MADAM. I REGRET YOU CANNOT HAVE ANY MORE CREAM, +AS YOU HAVE CEASED TO BE OF NATIONAL IMPORTANCE."] + + * * * * * + +A LITTLE FAVOUR. + +Maisie was terribly upset when she lost her gold curb bangle (with +padlock attached) between the hospital and the canteen. The first I +knew of it was seeing a handbill offering two pounds' reward on our +front gate, with the ink still damp, when I came home to lunch. There +was a similar bill blowing down the road. My wife had some more under +her arm and she pressed them on me. "Run round to the shops," she +said; "get them put right in the middle of the windows where they'll +catch everybody's eye." + +The first shop I entered was a hosier's. Since drilling in the V.T.O. +I have acquired rather a distinguished bearing. Shopkeepers invariably +treat me with attention. The hosier hurried forward, obviously +anticipating a princely order for tweeds at war prices. I hadn't the +courage to buy nothing. I selected the nearest thing on the counter, a +futurist necktie at two-and-six-three, and, as I was leaving the shop, +turned back carelessly. "By the by, would you mind putting this bill +in your window?" I said. + +His lip curled. "This is a high-class business. We make it a rule--no +bills," he said. + +At the butcher's next door there were several customers. They all gave +way to me. I made purchases worthy of my appearance and carriage, half +an ox tail and some chitterlings. Then I proffered a handbill. The man +in blue accepted it and, before I had opened my lips, returned it to +me wrapped round the ox tail. I was too taken aback to explain. In +fact, when he held out his hand, I mechanically gave him another bill +for the chitterlings. + +At the next shop, a fancy draper's, I acted with cunning. In the +centre of the window, on a raised background of silver paper, was +displayed a wreath of orange-blossom veiled with tulle. I bought +it. The young ladies were hysterical. "May I ask permission to put +this little handbill in its place?" I said. They appealed to the +shopwalker. "In the absence of the head of the firm I cannot see my +way to accede to your request," he said. "At present he is on the +Rhine. On his demobilisation I will place the matter before him if you +will leave the bill in my hands." I left it. + +I skipped a gramophone emporium and a baby-linen shop and entered a +fishmonger's. Here I adopted tactics of absolute candour. "Look here," +I said, "I haven't come to buy anything. I don't want any fish, flesh +or red-herring, but I should be no end grateful if you would stick +this bill up for me somewhere." + +"Certainly, Sir, as many as you like," said the proprietor heartily. + +Gleefully I gave him two. One he stuck on a hook on top of a couple of +ducks, and it flopped over face downwards on their breasts. The other +he laid in the middle of the marble counter, and the next moment his +assistant came along and slapped an outsize halibut on it. + +I went into a jeweller's next and purchased a gold curb bangle (with +padlock attached). + +"You clever old thing," said Maisie; "you'd never tell one from the +other, would you? Mine's a tiny bit heavier, don't you think? I've +just found it in the soap-dish. I'll change this for a filigree +pendant. All my life I've longed for a filigree pendant" + + * * * * * + + "For 85 tons of blackberries, gathered last autumn, + Northamptonshire elementary school children were paid + L2,380, 3d. a lb."--_Daily Paper_. + +The young profiteers! + + * * * * * + + "Splendid imitation almond paste for cakes can be made + as follows: Take four ounces of breadcrumbs, one small + teaspoonful of almond essence, four ounces of soft + white sugar, and one well-eaten egg to bind the + mixture."--_Answers_. + +The difficulty is to get the egg. + + * * * * * + +_APRES LA GUERRE_. + +"_On ne sait jamais le dessous des cartes_," as the perplexing dialect +of the aborigines of this country would put it. William and I, when +we used to discuss after-the-war prospects o' nights in the old +days, were more or less resigned to a buckshee year or two of filling +shell-holes up and pulling barbed wire down. Instead of which we all +go about the country taking in each others' education. No one, we +gather, will be allowed to go home until he has taken his B.A. with +honours. And after that--But it would be better to begin at the +beginning. + +It began within ten days of the signing of the armistice, assuming +the shape of an official inquiry from Division, a five-barred document +wherein somebody with a talent for confusing himself (and a great +contempt for the Paper Controller) managed to ask every officer the +same question in five different ways. They cancelled each other out +after a little examination and left behind merely a desire to discover +whether or not each officer had a job waiting for him on his return +to civil life. William and I took the thing at a gallop, stuck down +a succinct "Yes. Yes, No, No. Yes," subscribed our signatures and +returned the documents--or so William proposed to do--"for your +information and necessary inaction." + +"They're getting deuced heavy about these jobs, aren't they?" observed +William a day or two later. "The Old Man wants to see us all at +orderly-room for a private interview--he's got to make a return +showing whether his officers have got jobs waiting for them, if not, +why not, and please indent at once to make good any deficiencies. +Hullo, what's this?" + +It happened to be William's mail for the day--one large +official-looking envelope. It turned out to be a document from his old +unit (he had entered the Army from an O.T.C.), headed, "Resettlement +and Employment of ex-Officers: Preliminary Enquiry." It was a +formidable catechism, ranging from inquiries as to whether William had +a job ready for him to a request for a signed statement from his C.O. +certifying that he was a sober, diligent and obliging lad and had +generally given every satisfaction in his present situation. In case +he hadn't a job or wanted another one there were convenient spaces in +which to confess the whole of his past--whether he had a liking for +animals or the Colonies, mechanical aptitude (if any), down to full +list of birth-marks and next-of-kin. William thrust the thing hastily +into the stove. But I observed that there was a cloud over him for the +rest of the day. + +However, we both of us satisfied the examiner at the orderly-room, +though the renewed evidence of a determined conspiracy to find work +for him left William a trifle more thoughtful than his wont. Shades +of the prison-house began to close about our growing joy, "These +'ere jobs," remarked William, "are going to take a bit of dodging, +dearie. Looks to me as though you might cop out for anything from +a tram-driver to Lord Chief. Wish people wouldn't be so infernally +obliging. And, anyway, what is this--an Army or a Labour Exchange?" + +As the days wore on the strain became more and more intense. William's +old school had contrived an association which begged to be allowed to +do anything in the world for him except leave him for a single day in +idleness. And what time the Army was not making inquiries about his +own civil intentions and abilities it was insisting on his extracting +the same information from the platoons. William grew haggard and +morose. He began looking under his bed every night for prospective +employers and took to sleeping with a loaded Webley under his pillow +for fear of being kidnapped by a registry office. He slept in +uneasy snatches, and when he did doze off was tormented by hideous +nightmares. + +In one of them he dreamt he was on leave and walking through the City. +At every doorway he had to run the gauntlet of lithe and implacable +managing directors, all ready to pounce on him, drag him within and +chain him permanently to a stool--with the complete approval of +the Army Council. In another he was appearing before a tribunal of +employers as a conscientious objector to all forms of work. + +The last straw was when the Brigadier caused it to be made known that +if any officer was particularly unsettled about his future he might be +granted a personal interview and it would be seen what could be done +for him. William sat down with the air of one who has established a +thumping bridgehead over his Rubicon and wrote to the Brigadier direct +and as follows:-- + +"SIR,--I have the honour to hope that this finds you a good deal +better than it leaves me at present. In case you should be in any +uncertainty over your prospects on return to half-pay, I shall be +happy to grant you a personal interview at my billet (Sheet 45; G 22a +3.7.) and see whether anything can be arranged to suit you. I may +add that I have a number of excellent appointments on my books, from +knife-boy to traveller to a firm of mineral water manufacturers. For +my own part my immediate future is firmly settled, thank you. For +at least three months after my discharge from the Army I have no +intention of taking up any form of work. + +"I have the honour to be, Sir, + +"YOUR OTHERWISE OBEDIENT SERVANT, ETC." + + * * * * * + +The court-martial was held last Thursday and sentence will be +promulgated any day now. Medical evidence certified William as sane +enough to understand the nature of his offence, but as the War is +over it is unlikely that he will be shot at dawn. William himself is +confident that he will be cashiered, a sentence which carries with +it automatic and permanent exclusion from all appointments under the +Crown. "That makes a tidy gap in the wire," says William hopefully. +"They won't even be able to make a postman of me. With a bit of luck +I'll dodge the unofficial jobs--I get that holiday after all, old +bean." + + * * * * * + + "HUNTING. THE DANGER OF KICKING HORSES."--_Times._ + +Generally the shoe is on the other foot. + + * * * * * + + "The Falkirk iron fitters, by an overwhelming majority, have + opposed the forty-hour week and have agreed to a forty-four + hour week."--_Provincial Paper_. + +Bravo, Falkirk! + + * * * * * + + "The announcement of the augmentation of the British beet + in the Mediterranean appeared exclusively in the 'Sunday + Express.'"--_Daily Express_. + +It doesn't seem anything to boast about. + + * * * * * + + "WANTED.--On a farm, two capable European young or + middle-aged girls."--_South African Paper_. + +There are lots of girls answering this description, but the difficulty +is that most of them are too shy to admit it. + + * * * * * + + "M. Clemenceau ... speaks English with rare perfection, + having spent years in the United States."--_Daily Paper_. + + "M. Clemenceau, speaking in excellent English, said + 'Yes.'"--_Sunday Paper_. + +What he really said, of course, was "Yep." + + * * * * * + +QUESTION AND ANSWER. + + "What _are_ you, Sir?" the Counsel roared. + The timid witness said, "My Lord, + A Season-ticket holder I + Where London's southern suburbs lie." + "Tut, tut," his Lordship made demur, + "He meant what is your business, Sir." + The witness sighed and shook his head, + "I get no time for that," he said. + + * * * * * + +[Illustration: SERVICE EVOLUTION. BUD. BLOSSOM. FRUIT.] + + * * * * * + +[Illustration: _Guest_ (_who has cut the cloth_). "BILLIARDS REQUIRE +CONSTANT PRACTICE."] + + * * * * * + +ANOTHER CRISIS. + +(_BY A FUTILITY RABBIT KEEPER_.) + + There is a rabbit in the pansy bed, + There is a burrow underneath the wall, + There is a rabbit everywhere you tread, + To-day I heard a rabbit in the hall, + The same that sits at evening in my shoes + And sings his usefulness, or simply chews; + There is no corner sacred to the Muse-- + And how shall man demobilise them all? + + Far back, when England was devoid of food, + Men bade me breed the coney and I bought + Timber and wire-entanglements and hewed + Fair roomy palaces of pine-wood wrought, + Wherein our first-bought sedulously gnawed + And every night escaped and ran abroad; + Yet she was lovely and we named her Maud, + And if she ate the primulas, 'twas nought. + + The months rolled onward and she multiplied, + And all her progeny resembled her; + They ate the daffodils; they seldom died; + And no one thought of them as provender; + The children fed them weekly for a treat, + And my wife said, "The _little_ things--how sweet! + If you imagine I can ever eat + A rabbit called Persephone, you err." + + Yet famine might have hardened that proud breast, + Only that victory removed the threat; + And now, if e'er I venture to suggest + That it is time that some of them were ate, + That Maud is pivotal and costing pounds, + And how the garden is a mass of mounds, + She answers me, on military grounds, + "Peace is not come. We cannot eat them yet." + + So I shall steal to yon allotment space + With a large bag of rabbits, and unseen + Demobilise them, and in that fair place + They all shall browse on cauliflower and bean; + There Smith will come on Saturday, and think + That it is shell-shock or disease or drink; + But Maud shall dwell for ever there and sink + A world of burrows in Laburnum Green. A.P.H. + + * * * * * + +SECRETS OF THE PEACE CONFERENCE. + + "The proceedings yesterday afternoon began punctually at three + o'clock. Lord Robert Cecil sat with the British delegates. M. + Leon Bourgeois sat among the French delegates."--_Manchester + Guardian_. + +And not, as might have been thought, _vice versa_. + + * * * * * + + "A thoroughly capable and energetic man wanted, who will look + after a family concern: Must understand management of 25 acre + farm with 10 cows, about four acres may have to be broken up. + Must be an experienced brewer, capable of mashing 10 times + a week, and taking entire charge of brewing operations with + assistance of unskilled labour. Must be conversant with + licensing laws and requirements, also present restrictions + as applying to brewing; thoroughly understand and superintend + wines and spirits department, direct repairs, capable buyer, + general manager, organiser and foreman. Must be thorough + accountant, capable of directing office and branch work, + conversant with income-tax and excess profits duty practice. + Able to drive, or willing to learn a 4-ton Commer lorry, + must be motor-cyclist to visit branches, and manage + public-houses. Absolutely essential to understand and + drive oil engines.--Further particulars apply ---- and + Sons."--_Daily Paper_. + +What we chiefly miss is any information as to how the man is to fill +up his spare time. + + * * * * * + + "ITALIAN SPELLING. + + "There are to be streets in Athens named after President Wilson + and after Mr. Lloyd George. In the 'Patris,' an Athens paper, + we read that 'Wilson' is spelt 'Ouilson,' whilst 'George' is + Tzortz,' 'Bonar Law' is 'Mponar Lo.'"--_Birmingham Mail_. + +We bow to our contemporary's erudition, but we confess it all looks +Greek to us. + + * * * * * + +[Illustration: THE PROGRESSIVE WEIGHT-LIFTER.] + + * * * * * + +[Illustration: _Betty_. "MUMMY, DOES GOD SEND US OUR FOOD?" + +_Mother_. "YES, DEAR; OF COURSE HE DOES." + +_Betty_. "BUT WHAT A PRICE!"] + + * * * * * + +ALL THE TALENTS. + +Now that hostilities are at an end it is thought by many intelligent +young subalterns that a little variety might well be introduced into +Army routine. + +For instance, at a General's Inspection why should not Officers' +duties be allotted after this fashion?-- + +The Commanding Officer will bind up the Second-in-Command with a +length of red tape, showing that no escape is possible from this +form of entanglement. + +The Adjutant will give an exhibition of paper manipulation, using +various Army Forms for this purpose. + +The Assistant-Adjutant will demonstrate how a morning's work may be +made of the changing of a pen-nib, while still creating an impression +of devoted industry. + +The Messing Officer will fry a fillet of sole by means of haybox +cookery, and during the process will publicly skin a ration rabbit +in such a way that not the slightest depreciation is caused in the +value of 21/2d. attached to a rabbit-skin. + +The Officer i/e Demobilisation will demobilise you while you wait +(provided you can wait long enough). + +The Quartermaster will make a model of Hampton Court Maze, +illustrative of the intricacies of his department, taking care that +his model appropriately differs from the original in having no means +of exit. + +The Medical Officer will demonstrate how the huge national +accumulation of No. 9 pills may be adapted to civilian purposes by +using the pill _(a)_ as a fertiliser for the Officers' tennis lawn, +and _(b)_ as a destroyer of the superfluous grass bordering thereon. + +Company Commanders will collaborate in a display of standing on +their own feet without the assistance of their respective Company +Sergeant-Majors. (N.B.--Absolute silence is requested during this +very delicate performance.) + +The Junior Subaltern will give an exhibition of stunt saluting. + + * * * * * + +TO MY DRESS SUIT. + + Old friend, well met! I've longed for this reunion; + You've been the lodestar of this storm-tossed ship + In those long hours which poets call Communion + With one's own Soul, and common folk the Pip. + + The foe might rage, the Brigadier might bluster. + Was I down-hearted? No! My spirit soared + And dreamt of you and me with blended lustre + Gracing some well-spread and convivial board. + + And what if now you fit askew where erstwhile + Fair lines bewrayed a figure not too svelte? + What if your shoulder-seams are like to burst, while + A sad hiatus shows beneath the belt? + + As April fills the buds to shapely beauty, + As cooks fill Robert with plum-cake and tea, + So, it may be, a diet rich and fruity + May fill the gap that sunders you from me. + + And if it fail, as I'm a, living sinner + I'll save you from the gaze of scornful eyes. + They say that Bolsheviks don't dress for dinner; + I'll off to Petrograd and Bolshevize. + + * * * * * + +[Illustration: _The Mayor_. "THE CONTENTS OF THE PURSE WILL IN TIME +INEVITABLY DISAPPEAR; BUT (_laying his hand on the clock_) HERE IS +SOMETHING WHICH WILL NEVER GO."] + + * * * * * + +A PLEA FOR PROPORTION. + + [Its contemporaries having told us all about Mr. Lloyd + George's hat and how President Wilson ate a banana, _The + Daily Express_ recently went one better with the headline, + "Mr. Balfour joins a Tennis Club," as the subheading of its + "Peace Conference Notes."] + + Has it always been this way, I wonder, + Did editors always display + The same disposition to blunder + O'er the weight of the news of the day? + When simpler was war and directer, + Was Athens accustomed to see + In the sheets of its _Argus_ how Hector + Had bloaters for tea? + + If so--or indeed if it's not so-- + One cannot but gently deplore + That the custom of chronicling rot so + Has not been expunged by the War. + When the world with its horrors still stunned is + And waits for vast hopes to come true, + What boots it if delegates' undies + Are scarlet or blue? + + All facts of those delegates' labours + I'm ready to read with a zest, + And they must, like myself and my neighbours, + I know, have their moments of rest; + I do not begrudge them their pleasures, + But frankly I don't care a rap + If the sport that engages their leisure's + "Up, Jenkins" or "Snap." + + Since the founts of its wisdom present us + Each morning with gems of this kind, + Such matters must strike as momentous + The news-editorial mind; + 'Tis time this delusion was done with, + High time that some voice made it clear + We don't want those fountains to run with + Such very small beer. + + * * * * * + + "A married man, aged 34 years, collided with the mail train + when riding a motorcycle into Hawera on Friday. His right + arm, collarbone, and blue hospital uniforms on Thursday + morning."--_New Zealand Herald_. + +We rather like this telescopic style of reporting. It leaves something +to the reader's imagination. + + * * * * * + + "To Parents and Pawnbrokers.--Anyone assisting to remove the + Charity Boots, marked B., from the Children's Feet, which + are the property of Mr. J. B---- and his Supporters, WILL BE + PROSECUTED."--_Irish Paper_. + +A distressful country, indeed, where the children do not own their own +feet. + + * * * * * + +WINCHESTER'S OPPORTUNITY. + +War legislation has pressed hard on many callings, and on none more +than that of the architect. But the embargo has been lifted; the +ancient art is coming to its own again, and it is of happy omen +that the new President of the Royal Academy has been chosen from the +architects. In this context we welcome the stimulating article in a +recent issue of _The Times_ _a propos_ of the Winchester War Memorial. +"Are we never," asks the writer, "to take risks in our architecture?" +and his answer, briefly summed up, is "Perish the thought. _De +l'audace, encore de l'audace, toujours de l'audace._" It is, of +course, a pity that the Winchester War Memorial scheme has not met +with the unanimous approval of Wykehamists. Possibly they have reason, +for while adding a new cloister, a new gateway and a new hall to +the existing school buildings, it involves the pulling down of the +Quingentenary Memorial Building, erected some twenty years ago, and +of some old houses in Kingsgate Street. Some consider such a drastic +destruction to be unfortunate, but, says _The Times_, it is "necessary +if any scheme worthy of the occasion is to be carried out." Moreover +it is proposed to re-erect the Quingentenary Memorial on a new site, +"where it will certainly look as well as ever." + +The greatest event in our history, as the writer finely observes, +cannot be worthily commemorated by any timid compromise. Winchester +has set a splendid example, but it is perhaps too much to expect +that it will be followed by London, owing to the inevitable clash of +conflicting interests in our unwieldy metropolis. The erection of +a new Pantheon on the site of St. Paul's and the removal of WREN'S +massive but _demode_ structure to Hampstead Heath, where it would +certainly look as well as ever, is, we fear, however much _The Times_ +may desire it, beyond the range of practical politics. But example is +infectious, and if only the Winchester authorities would expand their +scheme and carry it out with Dantonesque audacity to its full logical +conclusion, other towns and cities might ultimately fall into line. + +Winchester Cathedral, as we need hardly remind our readers, has only +been rescued from subsidence and collapse at an immense cost by a +lavish use of the resources of modern engineering. The building itself +is not without merits, but its site is inconspicuous and the swampy +nature of the soil is a constant menace to its durability. The scheme +which we venture with all humility to suggest is that it should be +removed and re-erected, in the same spirit though in the architectural +language of our own day, on the summit of St. Catherine's Hill, +where it would look better than ever, and be connected by a scenic +neo-Gothic railway with Meads. This would not only add to the +amenities of the landscape, but enable the present cathedral site to +be utilized for a purpose more in consonance with the needs of the +age. We do not presume to dictate, but may point out that if the +deanery and the canons' houses were pulled down and re-erected on the +golf-links, where they would look better than ever, space would be +available for a majestic aerodrome, or, better still, an experimental +water-stadium for submarines, in memory of KING ALFRED, the founder of +our Fleet. + +Into the question of details, design and cost it is not for us to +enter. We confine ourselves to appealing with all the force at our +command to Winchester, fortunate, as _The Times_ reminds us, in the +choice of an architect of genius and ingenuity, to persevere, to +rise to the occasion, to cast compromise to the winds and above all +to remember that the greatest compliment which can be paid to the +architects of the past is to remove their buildings to sites where +they look better than ever and do not suffer from the immediate +neighbourhood of the masterpieces of their successors. Architecture +has been defined as "frozen music." But on great occasions such as +this it needs to be taken out of its cold-storage and judiciously +thawed. + + * * * * * + +[Illustration: THE SOFT ANSWER. + +_Navvy_ (_to person who has accidentally bumped him_). "GO TO +BLANKETY--BLANK--BLANK--BLAZES." + +_Person_. "GENTLE STRANGER, YOUR LIGHTEST WISH, EXPRESSED IN SUCH +COURTEOUS LANGUAGE, IS TO ME A COMMAND." + +(_Ambulance call_.)] + + * * * * * + + "Lost, sulky inflate."--_Glasgow Citizen_. + + * * * * * + +CIVIL EDUCATION FOR SOLDIERS. + +When the armistice was signed and the close season for Germans set in, +it occurred to the authorities that it would be a waste of labour to +continue to train some few million good men for a shooting season that +might never re-open, and the weekly programme became rather a sketchy +affair till some brain more brilliant than the rest conceived the +idea of giving a good sound education in the arts of peace to this +promising and waiting multitude. The idea was joyfully accepted, and +gradually filtered through its authorised channels, suffering some +office change or other at each stage till it finally reached one of +our ancient seats of learning. It arrived rather like the peremptory +order of a newly-gazetted and bewildered subaltern, who, having got +his platoon hopelessly tied up, falls back on the time-honoured and +usually infallible "Carry on, Sergeant." + +There were some six-hundred white-hatted cadets stationed at this +spot, all thirsting (presumably) for information on gas, and Mills +bombs, and studs on the cocking-piece, and forming fours, and vertical +intervals and District Courts-martial; and when the order came to +"carry on" with education it caused something like a panic. A council +of war nearly caused Head-quarters to cancel a battalion parade, but +they pulled themselves together and held the drill, and the appointed +Jack as "Battalion Education Officer," and empowered him to draft a +scheme of work. + +When produced it consisted of fourteen paragraphs, each of which +finished up with the sentence, "This is obviously a problem for the +Company Commander." Jack had nothing to learn as to the duties of a +battalion specialist and realised that his responsibility lay simply +in providing Company Commanders, and then finding problems for them +to solve. As the Company Commanders were already in being his work +was simplified. + +However, the Company Commanders, being men of merit, cheerfully +accepted the situation and approached their victims. "We are going to +teach you," they said. "What would you like to be taught?" + +"Well," said the victims, "what have you got?" + +"Oh, anything you like," said the Company Commanders. "Just you choose +your subject and we'll do the rest." + +Now that was very generous, but rather rash. For the victims took them +at their word, and so by the time the perspiring Platoon Commanders +had produced their returns (in triplicate) it was found that there +were forty-three subjects to be provided for, including seven +languages, six branches of science, four kinds of engineering, +six commercial subjects and various sundries, such as metaphysics, +wool-classing and coker-nut planting. + +The way the Company Commanders dealt with this problem was quite +simple and ingenious. They sent for all junior officers and asked +what they were prepared to teach. The result seemed really rather +good. Tom said he would take French, having spent three months in +Northern France before they sent him to Salonika. Dick's father +has an allotment and Dick himself occasionally hunts, so he chose +Agriculture, Oswald chose Mathematics, on the strength of having been +a Quartermaster-Sergeant in the Public Schools Brigade in September, +1914. Wilfred once went to a gas course for ten days, so of course +his subject was Science. Arthur really does know something about +Architecture and can also enlarge a map quite nicely, so he put down +Drawing. John chose Theology. He said he once read the lessons in +church; really he thought he was safe to draw a blank. + +Once more the Company Commanders were equal to the emergency. They +looked at it in this way. French is a foreign language; Spanish is +also a foreign language. Tom offers to teach a foreign language; +therefore Tom shall teach Spanish. Corn-growing in Western Canada, +sheep-raising in Australia and coker-nut planting are all obviously +agriculture. Dick says he can teach Agriculture; so he shall. The +science of manures caused some discussion as to whether it should +be agriculture or science, but it was finally settled in favour of +science, which also included physics, electricity and crystallography. +John got four theological students, but, when he investigated, he +found that one was a Jew and one a Presbyterian minister, while the +other two, like himself, thought that no one else would have thought +of it. And these touch only the fringe of the subject. + +The indent sent in for materials was a rather formidable one, but the +article most in demand was a sheep, which was wanted at the same time +by Dick for his Agriculture and Arthur for his Drawing, and also by +Mac, who is O.C. the Butchery class. Mac wrote a polite little note +saying he must have at least one a week, and he'd like "a pig to be +going on with, if you please," promising to hand, the latter over +complete and in good order, when he'd done with it, to Jones for his +bacon-curing class, "upon receipt of signature for same." + + * * * * * + +[Illustration: _Politically inclined Nurse_ (_exhibiting new daughter +to M.P._). "LET US 'OPE, SIR, THAT SHE MAY LIVE TO BE CALLED THE +MOTHER OF THE 'OUSE OF COMMONS."] + + * * * * * + +COMMERCIAL CANDOUR. + + "120 Pairs Unbleached Calico Sheets, 2 x 23/4 yards. Sale price, + 12/11 per pair; present value, 1/- per pair."--_Yorkshire + Paper_. + + * * * * * + + "Including new enlistments there are about 1,000 men + concentrated in and around Berlin."--_Manchester Guardian_. + +Let FOCH be warned. + + * * * * * + + "BAD BOYS AND THE BIRCH. + + "We are glad to observe that the Recorder has decided to adopt + stern measures with juvenile offenders who are brought before + him in future."--_Irish Times_. + +"Stern measures" is good. + + * * * * * + + "NON-STOP WAIST DRIVES, Every Wednesday Evening at 8.30. L10 + Top, and Six other Special Prizes."--_Local Paper_. + +Believed to be under the patronage of the FOOD-CONTROLLER. + + * * * * * + +THE FOOD PROBLEM IN PARIS. + +The cost of living in the vicinity of the Peace Conference has been +enormously exaggerated. Likewise the difficulty of reorganizing Europe +on a truly ethnic basis. By combining the two questions I have found +them immensely simplified, and I have been in Paris only three days. + +My meaning will be clearly illustrated by the record of a single day's +experience--with the representative of the Dodopeloponnesians for +_dejeuner_ and the delegate of the Pan-Deuteronomaniads for dinner. + +I made the acquaintance of the first in the lift. On the way down +it came out that I was _journaliste_ assisting at the Conference of +the Peace, whereupon the other introduced himself as secretary of +the Dodopeloponnesian delegation and eager for the pleasure of +entertaining me at _dejeuner_. + +Nothing international arose in connection with the _hors d'oeuvres_. +It was between the soup and the fish that my host inquired whether +I had yet found time to look into the just claim of the +Dodopeloponnesian people to the neighbouring island of Funicula. + +"You mean," I said, "on the ground that the island of Funicula was +brought under the Dodopeloponnesian sceptre on September 11th, 1405, +by Blagoslav the Splay-fingered, from whom it was wrested on February +3rd, 1406, by the Seljuks?" + +"Precisely," he said. "But also because the people of Funicula are +originally of Dodopeloponnesian stock." + +"Yet they speak the language of Pan-Deuteronomania," I said. + +"A debased dialect," he said, "foisted upon them by a remission of +ten per cent. in taxes for every hundred words of the lingo learned +by heart, with double votes for irregular verbs." + +The _entree_, something with eggs and jelly, was excellent. + +"Far be it from me to deny," I said, "the fact that Funicula is by +right a part of the inheritance of the Octo-syllabarians"--and I bowed +gracefully to my host, who raised his glass in return--"and I agree +in advance with every argument you put forward in favour of a restored +Sesquicentennial commonwealth by bringing together the scattered +members of the Duodecimal race from all over the world. In fact," I +added as the waiter poured out the champagne, "it seems to me that +in addition to the Island of Funicula there properly belongs, in the +realm of your Greater Anti-Vivisectoria, the adjacent promontory, +geyser and natural bridge of Pneumobronchia, from which the last +Seljuk ruler, Didyffius the Forty-fifth, leaped in front of a +machete wielded by his eldest son, who therefore became Didymus the +Forty-sixth." + +He was delighted to find so much sympathy and understanding in an +alien journalist from far across the seas. His bill, so far as a +hurried and discreet glance could reveal, was 89 francs 50 centimes, +not including the _taxe_. + +On the other hand, the _sous-secretaire_ of the Pan-Deuteronomaniad +delegation, who took me out to dinner that same night, paid 127 francs +(including theatre tickets) before he proved to my satisfaction +that the basic civilization of Funicula Island is after all +Pan-whatever-you-call-it. + +At any rate my point is made. My expenditure on food these three +days in Paris has been negligible, and there is rumour that the +Supra-Zambesian delegation is thinking of opening a hotel with running +water, h. and c., in every room. + + * * * * * + +[Illustration: _Gunner_. "DO YOU PLAY THE PIANO?" + +_Jack_. "NO, SIR." + +_Gunner_. "NOR THE 'CELLO?" + +_Jack_. "NO, SIR." + +_Gunner_. "WELL, THE NEXT TIME YOU HEAR RUMOURS OF A BARBER JUST +FOLLOW THE MATTER UP."] + + * * * * * + +_DULCE DOMUM_. + + The air is full of rain and sleet, + A dingy fog obscures the street; + I watch the pane and wonder will + The sun be shining on Boar's Hill, + Rekindling on his western course + The dying splendour of the gorse + And kissing hands in joyous mood + To primroses in Bagley Wood. + I wish that when old Phoebus drops + Behind yon hedgehog-haunted copse + And high and bright the Northern Crown + Is standing over White Horse Down + I could be sitting by the fire + In that my Land of Heart's Desire-- + A fire of fir-cones and a log + And at my feet a fubsy dog + In Robinwood! In Robinwood! + I think the angels, if they could, + Would trade their harps for railway tickets + Or hang their crowns upon the thickets + And walk the highways of the world + Through eves of gold and dawns empearled, + Could they be sure the road led on + Twixt Oxford spires and Abingdon + To where above twin valleys stands + Boar's Hill, the best of promised lands; + That at the journey's end there stood + A heaven on earth like Robinwood. + + Heigho! The sleet still whips the pane + And I must turn to work again + Where the brown stout of Erin hums + Through Dublin's aromatic slums + And Sinn Fein youths with shifty faces + Hold "Parliaments" in public places + And, heaping curse on mountainous curse + In unintelligible Erse, + Harass with threats of war and arson + Base Briton and still baser CARSON. + But some day when the powers that be + Demobilise the likes of me + (Some seven years hence, as I infer, + My actual exit will occur) + Swift o'er the Irish Sea I'll fly, + Yea, though each wave be mountains high, + Nor pause till I descend to grab + Oxford's surviving taxicab. + Then "Home!" (Ah, HOME! my heart be still!) + I'll say, and, when we reach Boar's Hill, + I'll fill my lungs with heaven's own air + And pay the cabman twice his fare, + Then, looking far and looking nigh, + Bare-headed and with hand on high, + "Hear ye," I'll cry, "the vow I make, + Familiar sprites of byre and brake, + _J'y suis, j'y reste_. Let Bolshevicks + Sweep from the Volga to the Styx; + Let internecine carnage vex + The gathering hosts of Poles and Czechs, + And Jugo-Slavs and Tyrolese + Impair the swart Italian's ease-- + Me for Boar's Hill! These war-worn ears + Are deaf to cries for volunteers; + No Samuel Browne or British warm + Shall drape this svelte Apolline form + Till over Cumnor's outraged top + The actual shells begin to drop; + Till below Youlberry's stately pines + Echo the whiskered Bolshy's lines + And General TROTSKY'S baggage blocks + The snug bar-parlour of 'The Fox.'" + + ALGOL. + + * * * * * + +ROMANCE WHILE YOU WAIT. + +My friend and I occupied facing seats in a railway-carriage on a +tedious journey. Having nothing to read and not much to say, I gazed +through the windows at the sodden English winter landscape, while +my friend's eyes were fixed on the opposite wall of the compartment, +above my head. + +"What a country!" I exclaimed at last. "Good heavens, what a country, +to spend one's life in!" + +"Yes," he said, withdrawing his eyes from the space above my head. +"And why do we stay in it when there are such glorious paradises to go +to? Hawaii now. If you really want divine laziness--sun and warmth and +the absence of all fretful ambition--you should go to the South Seas. +You can't get it anywhere else. I remember when I was in Hawaii--" + +"Hawaii!" I interrupted. "You never told me you had been to Hawaii." + +"I don't tell everything," he replied. "But the happiest hours of +my existence were spent in a little village two or three miles +from Honolulu, on the coast, where we used to go now and then for +a day's fun. It was called--let me get it right--it was called +Tormo Tonitui--and there were pleasure-gardens there and the most +fascinating girls." His eyes took on a far-away wistfulness. + +"Yes, yes?" I said. + +"Fascinating brown girls," he said, "who played that banjo-mandolin +thing they all play, and sang mournful luxurious songs, and danced +under the lanterns at night. And the bathing! There's no bathing here +at all. There you can stay in the sea air day if you like. It's like +bathing in champagne. Sun and surf and sands--there's nothing like +it." He sighed rapturously. + +"Well, I can't help saying again," I interrupted, "that it's a most +extraordinary thing that, after knowing you all these years, you +have never told me a word about Honolulu or the South Seas or this +wonderful pleasure-garden place called--what was the name of it?" + +He hesitated for a moment. "Morto Notitui," he then replied. + +"I don't think that's how you had it before," I said; "surely it was +Tormo Tonitui?" + +"Perhaps it was," he said. "I forget. Those Hawaiian names are very +much alike and all rather confusing. But you really ought to go out +there. Why don't you cut everything for a year and get some sunshine +into your system? You're fossilising here. We all are. Let's be +gamblers and chance it." + +"I wish I could," I said. "Tell me some more about your life there." + +"It was wonderful," he went on--wonderful. I'm not surprised that +STEVENSON found it a paradise." + +"By the way," I asked, "did you hear anything of STEVENSON?" + +"Oh, yes, lots. I met several men who had known him--Tusitala he +was called there, you know--and several natives. There was one +extraordinary old fellow who had helped him make the road up the +mountain. He and I had some great evenings together, yarning and +drinking copra." + +"Did he tell you anything particularly personal about STEVENSON?" I +asked. + +"Nothing that I remember," he said; "but he was a fine old fellow and +as thirsty as they make 'em." + +"What is copra like?" I asked. + +"Great," he said. "Like--what shall I say?--well, like Audit ale and +Veuve Clicquot mixed. But it got to your head. You had to be careful. +I remember one night after a day's bathing at--at Tromo Titonui--" + +"Where was that?" I asked. + +"Oh, that little village I was telling you about," he said. "I +remember one night--" + +"Look here," I said, "you began by calling it Tormo Tonitui, then you +called it Morto Notitui and now it's Tromo Titonui. I'm going to say +again, quite seriously, that I don't believe you ever were in Hawaii +at all." + +"Of course I wasn't," he replied. "But what is one to do in a railway +carriage, with nothing to read, and a drenched world and those two +words staring one in the face?" and he pointed to a placard above my +head advertising a firm which provided the best and cheapest Motor +Tuition. + + * * * * * + +DEMOBILISED. + + Daddy's got his civvies on: + In his room upstairs + You should have heard him stamping round, + Throwing down the chairs; + When I went to peep at him + Daddy banged his door.... + Well, I think I'll hide from Daddy + Till the next Great War! + + * * * * * + +[Illustration: _Exhausted Shopman_. "WELL, SIR, YOU'VE HAD ON EVERY +HAT IN THE PLACE. I'M SURE I DON'T KNOW WHAT TO SUGGEST." + +_Fastidious Warrior_ (_hopelessly_). "NO, I SEE NOTHING FOR IT BUT +TO REMAIN IN THE ARMY."] + + * * * * * + +OUR BOOKING-OFFICE. + +(_BY MR. PUNCH'S STAFF OF LEARNED CLERKS._) + +MR. ARNOLD BENNETT'S new novel, _The Roll Call_ (HUTCHINSON), is +a continuation of the _Clayhanger_ series to the extent that its +hero, _George Cannon_, is the stepson of _Edwin_, who himself makes +a perfunctory appearance at the close of the tale. The scene is, +however, now London, where we watch _George_ winning fame and fortune, +quite in the masterful Five-Towns manner, as an architect. The change +is, I think, beneficial. That quality of unstalable astonishment, +native to Mr. BENNETT's folk, accords better with the complexities +of the wonderful city than to places where it had at times only +indifferent matter upon which to work. But it is noticeable that Mr. +BENNETT can communicate this surprise not only to his characters but +to his readers. There is an enthusiasm, real or apparent, in his art +which, like the beam celestial, "evermore makes all things new," so +that when he tells us, as here, that there are studios in Chelsea +or that the lamps in the Queen's Hall have red shades, these facts +acquire the thrill of sudden and almost startling discovery. I suppose +this to be one reason for the pleasure that I always have in his +books; another is certainly the intense, even passionate sympathy +that he lavishes upon the central character. In the present example +the affairs of _George Cannon_ are shown developing largely under the +stimulus of four women, of whom the least seen is certainly the most +interesting, while _Lois_, the masterful young female whom _George_ +marries, promises as a personality more than she fulfils. We conduct +_George's_ fortunes as far as the crisis produced in them by the +War, and leave him contemplating a changed life as a subaltern in +the R.F.A. It is therefore permissible to hope that in a year or +two we may expect the story of his reconstruction. I shall read it +with delight. + + * * * * * + +_Iron Times with the Guards_ (MURRAY), by an O.E., is emphatically +one of the books which one won't turn out from one's war-book shelf. +It fills in blanks which appear in more ambitious and more orderly +narratives. This particular old Etonian, entering the new Army by way +of the Territorials in the first days of the War, was transferred, in +the March of 1915, to the Coldstreams and was in the fighting line +in April of the same year. A way they had in the Army of those great +days. Details of the routine of training, reported barrack-square +jests and dug-out conversations, vignettes of trench and field, +disquisitions on many strictly relevant and less relevant topics, +reflections of that fine pride in the regiment which marks the best +of soldiers, an occasional more ambitious survey of a battle or a +campaign--all this from a ready but not pretentious pen, guided by a +sound intelligence and some power of observation, makes an admirable +commentary. Our author's narrative carries us to those days of the +great hopes of the Spring of 1917, hopes so tragically deferred. +Perhaps the best thing in an interesting sheaf is the description +of the attack of the Guards Division--as it had become--on the +Transloy-Lesboeufs-Ginchy road, with its glory and its carnage. + + * * * * * + +It is to be feared that _Battle Days_ (BLACKWOOD), a new work by Mr. +ARTHUR FETTERLESS, author of _Gog_, will lose a good many readers as +the result of the armistice. There are battle stories and battle books +that are not stories that will live far into the piping times of peace +because they are human documents or have the stamp of genius. These +attractions are not present in _Battle Days_, which in truth is rather +a prosy affair, though ambitious withal. It is not fiction in the +ordinary sense. Mr. FETTERLESS essays to conduct the reader through +every phase of a big "Push." Pushes were complicated affairs, and the +author does not spare us many of the complications. And unless the +reader happens to be an ardent militarist he is apt to push off into +slumberland. Cadets should be made to read this book as a matter of +instruction; for, though it lacks the subtle humour that endeared +_Duffer's Drift_ to us, it provides a striking analysis of modern +trench warfare. + + * * * * * + +_The Curtain of Steel_ (HODDER AND STOUGHTON) is the fourth book which +the author of _In the Northern Mists_ has given us during the War, and +in essentials it is the most valuable of the quartette. For here we +have real history, served, it is true, with some trimmings, but none +the less a true record of the doings of our Grand Fleet since the day +when the "curtain" was lowered. "Nothing," our author says, "nauseates +a naval man so much as the attempt to represent him as a hero or to +theatricalise him and his profession." It behoves me then to choose +my words with the utmost circumspection, and I beg him to forgive my +audacity when I say that, if I were Book-Controller, a copy of _The +Curtain of Steel_ would be in (and out of) the library of every +school in the Empire. I find courage to make this statement because I +see that he does not deny that a part of our "disease of ignorance" +concerning the Senior Service is due to the modesty of Naval men. +If he will please go on correcting that ignorance, and in the same +inspiring style, I wish an even greater access of power to his elbow. + + * * * * * + +"I am allowed the reputation of a tolerable guide in writing and +style, and I can certainly help you to produce clear English." These +words, written in 1881, are to be found in a letter of GEORGE MEREDITH +to his eldest son. They show how wildly mistaken even the best of us +may be with regard to our own qualities and gifts; for if there is one +thing that MEREDITH could not produce, that thing is clear English. +Mr. S.M. ELLIS agrees with me in this particular point, and has +written _George Meredith: His Life and Friends in Relation to his +Work_ (GRANT RICHARDS) to prove that this is so. The book is a curious +compound. At one moment Mr. ELLIS sets out in detail the Meredithian +genealogy, and shows that MEREDITH was the son and grandson of tailors +and did not relish the relationship; at another moment he describes +MEREDITH'S delightful and exuberantly youthful characteristics as a +friend; and again he shows how badly MEREDITH behaved in regard to his +first wife (though she was much more in fault), and also in regard to +his first son, Arthur. Still the book is extremely interesting and, +though it does not profess to deal in elaborate criticism, it contains +some very shrewd comments on MEREDITH'S work and the reasons that made +his novels so many sealed books to the British public. Here and there +Mr. ELLIS allows himself almost to write a passage or two in the style +of the master. This is one of them: "As he [Maurice Fitzgerald] was +the gourmetic instrument that brought Mrs. Ockenden's art to perfect +expression, he appropriately attained immortalisation jointly with her +at the hands of the friend who had shared with him the joys of that +good woman's superlative cookery in Seaford days." + + * * * * * + +[Illustration: THE PAY-TABLE. (THE END OF A PERFECT WAR.) "JOHN SMITH, +A.B., THREE POUNDS TEN--IN DEBT."] + + * * * * * + + "Wanted, half-governess for boy aged nine, girl aged six; + wages L30 per year."--_Morning Post_. + +A half-governess is, we suppose, the feminine equivalent of two +quartermasters. + + * * * * * + + "Lady Nurse, nursery college trained, wanted, under 34; + very experienced babies."--_Provincial Paper_. + +Perhaps they will know too much for her. + + * * * * * + + "Will gentleman, navy mackintosh, who spoke to lady, blue + hat, vicinity Park Station, Tuesday, 6 o'clock, speak again + same time?"--_Liverpool Echo_. + +The gentleman will doubtless beg a ride on Mr. H.G. WELLS'S "Time +Machine" in order to get back in time for the appointment. + + * * * * * + + [Sir WILLIAM BEVERIDGE. K.O.B., has been appointed Permanent + Secretary to the Ministry of Food.] + + To skimp its daily bread for beer + Was not this nation's mood; + But now with lightened hearts we hear + That BEVERIDGE turns to Food. + + + +***END OF THE PROJECT GUTENBERG EBOOK PUNCH, OR THE LONDON CHARIVARI, VOL. +156, FEB. 5, 1919*** + + +******* This file should be named 11868.txt or 11868.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/1/1/8/6/11868 + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + +Each eBook is in a subdirectory of the same number as the eBook's +eBook number, often in several formats including plain vanilla ASCII, +compressed (zipped), HTML and others. + +Corrected EDITIONS of our eBooks replace the old file and take over +the old filename and etext number. The replaced older file is renamed. +VERSIONS based on separate sources are treated as new eBooks receiving +new filenames and etext numbers. + +Most people start at our Web site which has the main PG search facility: + +https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + +EBooks posted prior to November 2003, with eBook numbers BELOW #10000, +are filed in directories based on their release date. If you want to +download any of these eBooks directly, rather than using the regular +search system you may utilize the following addresses and just +download by the etext year. + +http://www.ibiblio.org/gutenberg/etext06 + + (Or /etext 05, 04, 03, 02, 01, 00, 99, + 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) + +EBooks posted since November 2003, with etext numbers OVER #10000, are +filed in a different way. The year of a release date is no longer part +of the directory path. The path is based on the etext number (which is +identical to the filename). The path to the file is made up of single +digits corresponding to all but the last digit in the filename. For +example an eBook of filename 10234 would be found at: + +https://www.gutenberg.org/1/0/2/3/10234 + +or filename 24689 would be found at: +https://www.gutenberg.org/2/4/6/8/24689 + +An alternative method of locating eBooks: +https://www.gutenberg.org/GUTINDEX.ALL + +*** END: FULL LICENSE *** |
