summaryrefslogtreecommitdiff
path: root/old/11743.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/11743.txt')
-rw-r--r--old/11743.txt1900
1 files changed, 1900 insertions, 0 deletions
diff --git a/old/11743.txt b/old/11743.txt
new file mode 100644
index 0000000..513a200
--- /dev/null
+++ b/old/11743.txt
@@ -0,0 +1,1900 @@
+The Project Gutenberg EBook of The Mirror of Literature, Amusement, and
+Instruction, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Mirror of Literature, Amusement, and Instruction
+ Volume 19. Issue 548 - 26 May 1832
+
+Author: Various
+
+Release Date: March 28, 2004 [EBook #11743]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE MIRROR OF LITERATURE ***
+
+
+
+
+Produced by Jonathan Ingram, Bill Walker and PG Distributed Proofreaders
+
+
+
+
+THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.
+
+Vol. 19, No. 548.] SATURDAY, MAY 26, 1832. [PRICE 2d.
+
+
+
+ * * * * *
+
+[Illustration: STAINES NEW BRIDGE.]
+
+
+This handsome structure has lately been completed, and was opened on
+Easter Monday last, April 24, by their Majesties and the Court passing
+over with suitable ceremony. This was a gala day for Staines and its
+vicinity; for, independently of the enthusiasm awakened by the visit
+of the popular Sovereign, the completion of so useful and ornamental
+a fabric must have been an occasion of no ordinary interest to every
+inhabitant of the district.
+
+The _programme_, as the French would say, of the day's _fete_ has been
+so recently given in the "chronicles of the times," that we need not
+repeat it. A few descriptive particulars of the Bridge, from _The
+Times_ Journal, may be found to possess a more permanent value:--
+
+ "It consists of three very flat segmental arches of granite. The
+ middle arch of 74 feet span, and the two side arches of 66 feet
+ each; besides two side arches of 10 feet each for the
+ towing-paths, and six brick arches of 20 feet span each, two on
+ the Surrey side, and four on the Middlesex side, to allow the
+ floods to pass off. The whole is surmounted by a plain, bold
+ cornice, and block parapet of granite, with pedestal for the
+ lamps, and a neat toll-house. The approaches to the Bridge on
+ either side form gentle curves of easy ascent. The cost of the
+ Bridge and approaches has been about 41,000l. The appearance of
+ the whole is very light and elegant. This is owing chiefly to
+ the slight dimensions of the piers, which are smaller in
+ proportion to the span of the arches they support than those of
+ any other bridge in England; but this slight appearance does
+ not, we understand, detract in any degree from their strength,
+ or from the durability of the superincumbent structure."
+
+From the same authority we gather this circumstantial account of the
+Bridges erected at Staines from the year 1262:
+
+ "The first erection mentioned in the archives of Staines, was a
+ wooden bridge, said to have been erected in the year 1262; it
+ was constructed of piles of oak driven into the bed of the river
+ and covered with planks. We hear of no new erection from that
+ period down to the year 1794; but from that year to the present,
+ there have been not less than four new bridges in succession,
+ and on nearly the same site. In the year 1794 and 1795, a new
+ bridge, of three semicircular arches of stone, from the design
+ of the celebrated Paul Sandby, was erected, but, from some
+ defect in its construction, it lasted only five years, when it
+ was replaced by a very elegant bridge of one arch, of 180 feet
+ span, of cast iron, from the design of Mr. Thomas Wilson, the
+ architect of the celebrated bridge over the river Weir, at
+ Sunderland. The design was attributed to the noted author of the
+ _Rights of Man_; but the arch designed by him was cast in the
+ year 1790, by Messrs. Walkers, at Rotherham, whence it was
+ brought to London, and erected at the bowling-green of the
+ Yorkshire Stingo public-house, where it was exhibited to the
+ public; Paine not being able to defray the expense, the arch was
+ taken down and carried back to Rotherham; part of it was
+ afterwards used in the Sunderland bridge, and part, it is
+ supposed, in the Staines bridge. This last, like its immediate
+ predecessor, was not destined to last long, for it had scarcely
+ been opened one month, when it was found necessary to close it
+ to the public, the arch having sunk in a very alarming degree.
+ His late Majesty King George the Third was said to have been
+ among the last to pass over it. In this emergency the late Mr.
+ Rennie was consulted, who pronounced the bridge altogether
+ dangerous, in consequence of the weakness of the abutments. No
+ alternative remained but to remove the iron bridge entirely, and
+ patch up the old wooden bridge until a new one of wood was
+ built. That bridge, which is the present old bridge, continued
+ to stand, with various repairs and alterations, until the year
+ 1828, when, in consequence of the decay of the piles, and the
+ continual heavy expenses required to uphold it, the
+ Commissioners determined to build a new one of more durable
+ materials. Messrs. Rennie were therefore applied to for designs,
+ and a bill was brought into Parliament to authorize the
+ Commissioners to raise funds. The works were commenced in the
+ spring of 1829, and on the 14th of September following the first
+ stone was laid by their Royal Highnesses the Duke and Duchess of
+ Clarence (their present Majesties). Since then, the works have
+ been carried on to their present completion under the direction
+ of Mr. G. Rennie and Mr. Brown, the superintendents, and Messrs.
+ Jolliffe and Banks, the contractors."
+
+The Engraving is from a Sketch by our obliging Windsor Correspondent:
+it was taken from the old bridge, whence the spectator enjoys a
+delightful view of Windsor Castle, through the centre arch of the new
+fabric.
+
+By the way, we noticed the project of this new stone bridge, in
+connexion with our Engraving of the new church at Staines, in vol.
+xii. of _The Mirror_, August 30, 1828.
+
+ * * * * *
+
+
+THE WRECK.
+
+
+_(FOR THE MIRROR.)_
+
+
+ No mare, no more, o'er the dark blue sea,
+ Will the gallant vessel bound,
+ Fearless and proud as the warrior's plume
+ At the trumpet's startling sound;
+ No more will her banner assert its claim
+ To empire on the foam,
+ And the sailors cheer as the thunder rolls
+ From the guns of their wave-girt home!
+
+ Her white sails gleam'd like the sunny dawn
+ On the brow of the sapphire sky,
+ And her thunder echoed along the cliffs,
+ Awaking the seamew's cry;
+ Oh! it was glorious to see her glide
+ Triumphantly over the sea,
+ With her blue flag fluttering in the wind,
+ The symbol of victory.
+
+ But she lies forlorn in the breakers now,
+ Her stately masts are gone,
+ And cold are the hearts of the dauntless crew
+ That yielded their swords to none;
+ The gun is hush'd in her lofty sides,
+ And the flute on her silent deck;
+ Alas! that a queenly form like hers
+ Should ever have been a wreck!
+
+ Thus Hope's illusions droop away
+ From the heart which their beauty won,
+ And leave it forlorn as the gallant ship,
+ Ere its summer of life is begun.
+ It is peopled with lovely images,
+ As o'er the sea it glides,
+ But wreck'd is its deep idolatry
+ On the dark and stormy tides.
+ _Deal._ G.R.C.
+
+ * * * * *
+
+
+THE ARBALEST OF ROBIN HOOD.
+
+
+_(TO THE EDITOR.)_
+
+
+In No. 538, of _The Mirror_, is described an elegant Cross-bow, and
+a desire expressed for information where such things are _now_ to be
+seen. I have lived many years in Yorkshire, and have seen several
+kinds of these bows at _Kirklees Hall_, the seat of Sir George
+Armitage, a few miles from Huddersfield. Amongst those bows I saw one,
+at least six feet long; but some of them were not more than two or
+three feet in length. There were also a variety of weapons of war,
+with helmets, and some curious boots, which buttoned on the leg from
+top to the bottom, and had wooden soles. They were then kept in an
+attic on the top of the leads over the hall. Many of these relics are
+said to have belonged to the famous "Robin Hood," who lies buried
+in the park; the remains of the ancient grave-stone having been
+surrounded with a handsome iron railing, by the late Sir George
+Armitage; in the wall is an old inscription on brass; it is situated
+in a very gloomy place. Not far distant from his grave are the remains
+of a Nunnery, and a burial-ground, with tombs in it; but I could find
+no date, either in the house or on these tombs. One of the tombs has
+this inscription round its edge:
+
+ "Sweet Jesus of Nazareth, show mercy to Elizabeth Stainton, late
+ Prioress of this place."
+
+If an intelligent person were to call at the Hall, he would be able
+to gather much information of an authentic nature respecting Robin
+Hood.[1]
+
+ [1] We hope this note may meet the eye of some of our Yorkshire
+ correspondents.
+
+JOHN BATEMAN.
+
+ * * * * *
+
+
+
+SONGS, _FOUND IN THE ALBUM OF A DELIA CRUSCAN POET._
+
+
+_(FOR THE MIRROR.)_
+
+
+THE HUMMING-BIRD.
+
+
+BY T. MOORE, ESQ.
+
+
+ Thou winged gem, whose starlike splendour
+ Gleams on the bosom of the rose,
+ I lore thy light when skies are tender,
+ And winds are wandering to repose.
+ The Grecian lute, the Moorish song,
+ And Crockford's home, with all that's in it,
+ May challenge fame from many a throng,
+ But thou, _alone_, fair bird, canst win it!
+
+ I've often watch'd thy plumage glancing
+ So evanescent in thy bower,
+ And heard thy silver voice entrancing
+ Soothe me, as music soothes the flower.
+ Although diminutive as me,
+ Thy song is sweeter, who can doubt it?
+ So, as I cannot sing like thee,
+ I'll break my lute, and live without it.
+
+ G.R.C.
+
+
+THE SKYLARK.
+
+
+BY L.E.L.
+
+
+ Thou minstrel of the sunny air,
+ Thy vocal fount is rich with song,
+ And fragrant breezes softly bear
+ Its silver melody along.
+
+ I love to hear thy liquid note
+ When bees are humming on the rose,
+ And in their sapphire ocean float
+ The stars prophetic of repose.
+
+ Thou feel'st the sunny influence
+ Like Memnon's fabled lyre of old,
+ And wanderest in the beam intense
+ Which turns the liquid air to gold.
+
+ The spirit's bright imaginings
+ Ne'er soar'd to loftier spheres than thee,
+ And if I had, thy fairy wings,
+ Afar from earthly haunts I'd flee.
+
+ Insipid are the weekly themes
+ Of ----'s imbecile review,
+ Whose page with adulation teems,
+ And makes me "beautifully blue."
+
+ But cockney praise is ebbing fast,
+ And Sappho's lute has lost its power,
+ And surely my career is past
+ Like Summer's brightest, loveliest flower.
+
+ Arcades ambo, Moore and me
+ Are Delia Crusca's sweetest doves,
+ And ours too is the poetry
+ Which meditative beauty loves.
+
+ Sweet bird, farewell! and be it thine
+ To thrill the blue air with thy song;
+ But fame will wreathe this brow of mine,
+ If I am right, and _Pope_ is wrong.
+
+G.R.C.
+
+ * * * * *
+
+
+
+DOMESTIC LIFE IN AMERICA.
+
+
+_(IN A LETTER FROM A CORRESPONDENT AT CINCINNATI.)_
+
+
+This town is far superior to our late place of sojourn, Pittsburgh,
+being spacious and clean, with handsome houses and wood for fuel.
+Pittsburgh, on the contrary, is dirty and confined, abounding in iron
+works burning coal, which gives forth a denser smoke than English
+coal. The houses in this place, when we visited it in 1818, were
+mostly of wood; these have been in general removed on wheels drawn
+by oxen and horses, and placed in the suburbs, whence they are now
+removing once more. Here are four markets well supplied with the
+necessaries, and even the luxuries, of life, including almost
+everything you can think of, and many things which you have never
+thought of. Apple butter, for instance, is one of the latter, and is
+made by stewing apples in new cider, after it has been boiled down to
+one-third of its bulk. It is sold at 6-1/4 cts. per quart, and is
+very delicious. The fruits of this country are abundant: apples are
+excellent, and in profusion; peaches are plentiful in most seasons,
+but sometimes totally fail; grapes grow wild and _tame_, i.e.
+cultivated or imported; cherries are not very good, and dearer than at
+Pittsburgh; pears, strawberries, and raspberries are not so choice as
+with you; quinces are plentiful and fine; wild plums perfume the whole
+house, like jessamine or mignionette, and are excellent for pies and
+tarts. The persimon is a fruit to which you are a stranger; it may be
+ranked with the plums, but has four stones, and is not fit to eat till
+bitten by the frost, when its austere and astringent taste disappears,
+and it becomes nearly transparent, and as rich and sweet as Guava
+jelly. The May-apple, or Mandrake, a wild fruit, is a favourite with
+our young folks; it grows on a single-steemed plant, usually one foot
+high, and is about the size of a plum, but with seeds, and in taste
+resembling a highly flavoured pear. The custard-apple, or paw-paw, is
+my favourite, and my boys go with me into the woods to gather them
+when ripe. In the summer, water melons, musk melons, nutmeg melons,
+and Cantaloupes may be seen in large heaps in the market, or in carts
+or wagons, at 6-1/4 to 25 and 50 cts. each, some weighing 40 lbs.
+
+Egg-plants, which you have seen as curiosities, are here brought to
+market; some of them of purple colour, are as large as a child's
+carpet-ball: they are sliced and fried in butter, and I am told
+have the flavour of fried oysters. Cucumbers are unfortunately
+superabundant, and the free use of them induces a variety of diseases
+which are attributed to the climate. Squashes, cimolins, and cushas,
+are gourds which are mashed up with butter like turnips; pumpkins
+of this country are very sweet, and make delicious pies, or rather
+cheesecakes; cranberries are brought from a distance, and pine-apples
+are not very expensive, being brought up the river from Bermuda.
+
+Among the natural curiosities of the country, are the Stone Mountain
+in Carolina, which may rank in antiquity with Stonehenge. It is
+remarkable for a circular wall of stone of great thickness, probably
+built by a people distinct from the present race of Indians, who are
+quite incapable of erecting any building except a wigwam, or a pile of
+loose stones over a grave. Next is the Kentucky Cavern, or as it is
+called, on account of its magnitude, the Mammoth Cave. I have an
+account before me of its being explored by a party in 1826, who
+penetrated into this gloomy, though spacious, hollow for _fifteen
+miles_, and were prevented from proceeding from extreme fatigue; they
+found the names of persons written at the farthest part. There are
+numbers of rooms as they are called, which are yet unexplored. In one
+of these, a few miles from the entrance, there was discovered many
+years since, a female figure sitting with a mat wrapped round her
+shoulders; she was quite dried to a mummy, and has for many years been
+exhibited in a caravan, through the United States.
+
+The river Ohio is here a quarter of a mile wide, and, as there is no
+bridge, the traffic into Kentucky is accommodated with steam ferry
+boats. Newport and Covington opposite, are pretty objects to look
+at from this side, but will not bear a nearer inspection. _Big Bone
+Lick_, where abundance of Mammoth bones have been discovered, is not
+far hence. Mr. Bullock of the London Museum is here, and has at the
+Lick discovered many rare specimens of bones, amongst which is a
+mammoth's head, with evidence of its having been furnished with a
+trunk, and of course having been an elephant of immense size. He has
+also found hoofs of horses with their bones in a fossil state, proving
+that the horse has been indigenous. The horses in this town being
+a mixture from those of South America, where they are wild--are of
+various colours. Some are brown and white, like pointer dogs, others
+are spotted like Danish dogs, and some with curled hair. I saw one
+which was white as far us the fore-quarter, and the rest sorel.
+
+An eye-witness has just related to me the following, which lately
+occured in New Harmony:
+
+ A snake about two feet long, was seen to enter the hole
+ inhabited by a crawfish,[2] from which he soon retreated,
+ followed by the rightful tenant, who stopped in defensive
+ attitude at the mouth of his habitation, raising his claws in
+ defiance. The snake turned quickly round, and seized the head of
+ the crawfish, as if to swallow him; but the crawfish soon put an
+ end to the conflict by clasping the snake's neck with his claws,
+ and severing the head completely from his body. This may appear
+ marvellous; but Audubon tells a story of a rattle-snake chasing
+ and over-taking a squirrel, which folks in America doubt.
+
+ [2] Is not this a species of land-crab?--ED. M.
+
+ * * * * *
+
+
+
+SPIRIT OF DISCOVERY.
+
+ * * * * *
+
+POTTERY.[3]
+
+
+_(CONTINUED FROM PAGE 284.)_
+
+
+
+_CHINA._
+
+
+The name China, by which the ware that I am about to describe is known
+in England, shows sufficiently the country from which we have received
+it. The term porcelain, which is applied to it on the continent of
+Europe, is Italian; _porcellana_ being in that language the name of
+those univalve shells forming the genus _cypraea_ of the conchologist,
+which have a high arched back like that of the hog (_porco_, Ital.),
+and are remarkable for the white, smooth, vitreous glossiness of the
+surface about the mouth of the shell, and sometimes, as in the common
+cowry (_Cypraea moneta_), over the whole surface.
+
+ [3] By Mr. A. Aikin, in Trans. Soc. Arts.
+
+The introduction of the Chinese porcelain soon excited a strong
+desire in the various countries of Europe to imitate it; but as the
+establishment of experimental manufactories for this purpose required
+the expenditure of considerable sums, and at a risk beyond the means
+of private persons, it is chiefly to the munificence of the sovereigns
+of Europe that the public are indebted for the first steps made in
+this interesting art. In Germany, chemists and mineralogists were set
+to work; the latter to seek for the most appropriate raw materials,
+and the former to purify and to combine them in the most advantageous
+proportions. The French government adopted the very sensible plan of
+instructing some of the Jesuit missionaries, who at that time had
+penetrated to the court of China, and into most of the provinces
+of that empire, to collect on the spot specimens of the materials
+employed by the Chinese themselves, together with the particulars of
+the process. The precise result thus obtained is not known; for as a
+considerable rivalry existed between the different royal manufactories
+of this ware, the most valuable information would of course be kept as
+secret as possible.
+
+Of the European manufactories of porcelain, that established at
+Miessen, near Dresden, by Augustus Elector of Saxony and King of
+Poland, in the early part of the 17th century, was the first that
+aspired to a competition with the Chinese. In compactness of texture
+and infusibility it was reckoned perfect a hundred years ago. It is
+not quite so white as some of the French and English porcelains, but
+is inferior to none in its painting, gilding, and other decorations.
+
+The French royal manufactory at Sevres, near Paris, has been for
+several years in a gradually advancing state, with regard to the
+whiteness, compactness, and infusibility of the body, the elegance of
+the forms, the brilliancy of the colours, the elaborateness of the
+drawing, and the superb enrichments of the gilding. The private
+manufactories of porcelain in France imitate and approach more or less
+near to the royal establishment.
+
+At Berlin and at Vienna are royal porcelain manufactories in high
+esteem, as well as in some of the smaller states of Germany.
+
+_BRITISH PORCELAIN._
+
+The first manufactories of porcelain in England were those at Bow, and
+at Chelsea, near London. In these, however, nothing but soft porcelain
+was made. This was a mixture of white clay and fine white sand from
+Alum bay, in the Isle of Wight, to which such a proportion of pounded
+glass was added as, without causing the ware to soften so as to
+lose its form, would give it when exposed to a full red heat a
+semi-transparency resembling that of the fine porcelain of China. The
+Chelsea ware, besides bearing a very imperfect similarity in body to
+the Chinese, admitted only of a very fusible lead glaze; and in the
+taste of its patterns, and in the style of their execution, stood
+as low perhaps as any on the list. The china works at Derby come, I
+believe, the next in date; then those of Worcester, established in
+1751: and the most modern are those of Coalport, in Shropshire; of the
+neighbourhood of Newcastle, in Staffordshire, and in other parts of
+that county.
+
+The porcelain clay used at present in all the English works is
+obtained in Cornwall, by pounding and washing over the gray
+disintegrated granite which occurs in several parts of that county: by
+this means the quartz and mica are got rid of, and the clay resulting
+from the decomposition of the felspar is procured in the form of a
+white, somewhat gritty powder. This clay is not fusible by the highest
+heat of our furnaces, though the felspar, from the decomposition of
+which it is derived, forms a spongy milk-white glass, or enamel, at
+a low white heat. But felspar, when decomposed by the percolation of
+water, while it forms a constituent of granite, loses the potash,
+which is one of its ingredients to the amount of about 15 per cent,
+and with it the fusibility that this latter substance imparts.
+
+The siliceous ingredient is calcined flint; and in some of the
+porcelain works, (particularly, I believe, those at Worcester,) the
+soapstone from the Lizard-point, in Cornwall, is employed. These are
+all the avowed materials; but there is little doubt that the alkalies,
+or alkaline earths, either pure or in combination, are also used,
+in order to dispose the other ingredients to assume that state of
+semi-fusion characteristic of porcelain.
+
+(The principal processes are) the grinding and due mixture of the
+ingredients, in order to obtain a mass sufficiently plastic; the
+forming this mass on the wheel; the subsequent drying of the ware;
+the first firing, by which it is brought to the state of biscuit; the
+application of the firmer colours occasionally on the surface of the
+biscuit; the dipping the biscuit in the glaze; the second firing, by
+which the glaze is vitrified; the pencilling in of the more tender
+colours on the surface of the glaze; and the third and last firing
+that is given to the porcelain.
+
+It is not for me to determine which of our English porcelains is
+the best; probably, indeed, one will be found superior in hardness,
+another in whiteness, a third in the thinness and evenness of the
+glaze, a fourth in the form of the articles, a fifth in the design,
+and a sixth in the colours. In hardness and in fusibility, they are
+probably all inferior to the Dresden and to the Sevres porcelain; for
+pieces in biscuit and in white glaze, from both these manufactories,
+are imported in considerable quantities, in order to be painted and
+finished here. But it is equally certain, that the last ten years
+have seen the commencement, and, in part, the completion, of such
+improvements in this fabric, as will probably place the English
+porcelains on an equality with the best of the continental European
+ones.
+
+Advantage has recently been taken of the semi-transparency of
+porcelain biscuit to form it into plates, and to delineate upon it
+some very beautiful copies of landscapes and other drawings, by so
+adapting the various thicknesses of the plate as to produce, when held
+between the eye and the light, the effects of light and shadow in
+common drawings. The invention originated in the ingenuity of our
+French neighbours.
+
+ * * * * *
+
+
+NOTES OF A READER
+
+
+IMPROVEMENT OF LANCASHIRE.
+
+
+The west of England has considerably the advantage over the eastern
+side of the island. One way or another nature did much more for it. It
+is true, that the eastern side was civilized much earlier; yet human
+ingenuity and industry have of late years been much more successfully
+employed in turning the gifts of nature to the best possible account.
+Ireland and America are customers, for whom, though they were long in
+coming, it was worth while to wait. After all, Lancashire is the most
+remarkable and characteristic feature in the comparison. From being
+among the most backward parts of England, this county has _worked_ its
+way into the front rank. The contrast between its condition up to the
+middle of the last century, and the astonishing spectacle which it
+exhibits at present, belongs to the transformation which a hundred
+years create in a newly settled country like America, far more than to
+the gradual improvements and changes of an old English county.
+
+It would be curious to analyze the concurrent causes, and marshal
+the successive steps, by which Lancashire has advanced;--not only
+succeeding in appropriating to itself a leading interest in the
+creative inventions of Watt and Arkwright, but connecting its name
+in honourable alliance with literature and science. The very
+circumstances from which a contrary presumption would originally have
+been drawn, have (singularly enough) principally contributed to its
+extraordinary progress. Lancashire owes the canals, by which the
+commercial thoroughfare of that end of England has been turned from
+the Humber to the Mersey, to the enterprise of a _Peer_. It owes the
+docks, which have about them almost a Roman presentiment of future
+greatness, to the spirit of a _Corporation_. It owes the taste and
+accomplishments, by which the character of its wealth has been raised
+above the drudgery and fanaticism of money-getting, almost entirely to
+the zeal of a few _Dissenters_. The name of Governor Clinton is not so
+pre-eminently united with the canal policy of America, as is the name
+of the Duke of Bridgewater with the canals of England. He staked his
+last shilling on the chance of thus cutting out an inland north-west
+passage to the Atlantic. The corporation of Liverpool, by an
+enlightened application of their vast resources, have accelerated,
+consolidated, and secured the realization, of every expectation and
+contingency which fortune threw in their way. They have hastened,
+not to say, anticipated, events. There can be as little doubt of the
+effect which the light radiating from the assemblage of Priestley,
+Wakefield, Aikin, &c. at Warrington; from the presence of Percival,
+Henry, Ferriar, and Dalton, at Manchester; and from that of Roscoe
+and Currie at Liverpool, spread over their circle. The literary
+attainments and cultivation of the manufacturers and merchants of
+Lancashire, as a body, seem otherwise likely long to have lagged
+behind their general powers of understanding, and their real station
+in society.--_Edinburgh Review_.
+
+ * * * * *
+
+
+ENNUI OF FASHION.
+
+
+It must be owned that five years form an awful lapse in human life:--a
+lapse whose hours and minutes leave no where a trace more sharp and
+injurious than on the minds and countenances of individuals involved
+in the buzzing, stinging gnatswarms of fashionable life. Elsewhere,
+existence marches with a more dignified step, and the scenes pictured
+among the records of our memory assume a grander aspect; they lie in
+masses,--their shadows are broader,--their lights more brilliantly
+thrown out. But reminiscences of a life of ton are as vexatious as
+they are frivolous. The season of 1829 differs from that of 1830,
+only inasmuch as its quadrilles are varied with galoppes as well
+as waltzes, and danced at Lady A.'s and Lady B.'s,--instead of the
+Duchess of D.'s, and Countess E.'s. The Duchess is dead,--the Countess
+ruined;--but no matter!--there are still plenty of balls to be had.
+"Another and another still succeeds!" Since young ladies _will_ grow
+up to be presented, lady-mothers and aunts _must_ continue to project
+breakfasts, water parties, and galas, whereby to throw them in the way
+of flirtation, courtship, and marriage. Mischief, in her most smiling
+mask, sits like the beautiful witch in Thalaba at an everlasting
+spinning-wheel, weaving a mingled yarn of sin and sorrow for the
+daughters of Fashion. Although the cauldron of Hecate and her
+priestesses has vanished from the heath at Forres, it bubbles in
+nightly incantations among the elm-trees of Grosvenor Square; and
+Hopper and Hellway, Puckle and Straddling, now croak forth their
+chorus of rejoicing where golden lamps swing blazing over the ecarte
+tables, and the soft strains of the Mazurka enervate the atmosphere of
+the gorgeous temples of May Fair. Never yet was there a woman _really_
+improved in attraction by mingling with the motley throng of the _beau
+monde_. She may learn to dress better, to step more gracefully; her
+head may assume a more elegant turn, her conversation become more
+polished, her air more distinguished;--but in point of _attraction_
+she acquires nothing. Her simplicity of mind departs;--her generous,
+confiding impulses of character are lost;--she is no longer inclined
+to interpret favourably of men and things,--she listens without
+believing,--sees without admiring; has suffered persecution without
+learning mercy;--and been taught to mistrust the candour of others
+by the forfeiture of her own. The freshness of her disposition
+has vanished with the freshness of her complexion; hard lines are
+perceptible in her very soul, and crowsfeet contract her very fancy.
+No longer pure and fair as the statue of alabaster, her beauty, like
+that of some painted waxen effigy, is tawdry and meretricious. It is
+not alone the rouge upon the cheek and the false tresses adorning
+the forehead, which repel the ardour of admiration; it is the
+artificiality of mind with which such efforts are connected that
+breaks the spell of beauty.
+
+_From the Fair of May Fair._
+
+ * * * * *
+
+
+BAMBOROUGH CASTLE
+
+
+Is situate on the romantic coast of Northumberland, "over against"
+an obscure town of the same name. It stands upon a basalt rock, of a
+triangular shape, high, rugged, and abrupt on the land side; flanked
+by the German Ocean, and strong natural rampires of sand, matted
+together with sea rushes on the east; and only accessible to an enemy
+on the south-east, which is guarded by a deep, dry ditch, and a series
+of towers in the wall, on each side of the gateway. Nature has mantled
+the rock with lichens of various rich tints: its beetling brow is 150
+feet above the level of the sea, upon a stratum of mouldering rock,
+apparently scorched with violent heat, and having beneath it a close
+flinty sandstone. Its crown is girt with walls and towers, which on
+the land side have been nearly all repaired. The outer gateway stands
+between two fine old towers, with time-worn heads; twelve paces within
+it is a second gate, which is machicolated, and has a portcullis; and,
+within this, on the left hand, on a lofty point of rock, is a very
+ancient round tower of great strength; commanding a pass subject to
+every annoyance from the besieged. This fort is believed to be of
+Saxon origin. The keep stands on the area of the rock, having an open
+space around it. It is square, and of that kind of building which
+prevailed from the Conquest till about the time of our second Henry.
+It had no chimney; but fires had been made in the middle of a large
+room, which was lighted by a window near its top, three feet square.
+All the other rooms were lighted by slit or loop holes, six inches
+broad. The walls are of small stones, from a quarry at Sunderland on
+the sea, three miles distant: within them is a draw well, discovered
+in 1770, in clearing the cellar from sand and rubbish; its depth is
+145 feet, cut through solid rock, of which seventy-five feet are of
+whinstone. The remains of a chapel were discovered here, under a
+prodigious mass of land, in the year 1773; its architecture was pure
+Saxon, and the ancient font being found, was preserved in the keep.
+The chapel has been rebuilt on the old foundations.
+
+[Illustration: _(Bamborough Castle before the general repairs.)_]
+
+The founder of the Castle is stated by Matthew of Westminster to have
+been Ida, King of Northumberland. Sir Walter Scott sings
+
+ Thy tower, proud Bamborough, mark'd they
+ here,
+ King Ida's castle, huge and square,
+ From its tall rock look grimly down,
+ And on the swelling ocean frown.[4]
+
+ [4] Marmion.
+
+It was destroyed by the Danes in 993; but about the time of the
+Conquest was in good repair. In 1095, it was in the possession of
+Robert Mowbray, Earl of Northumberland, when it was besieged, and,
+after much difficulty, taken by William II. The castle lost the
+greatest part of its beauty in a siege after the battle of Hexham.
+Camden tells us "from that time it has suffered by time and winds,
+which throw up incredible quantities of sand from the sea upon its
+walls, through the windows which are open." Sir John Forster was
+governor of it in Elizabeth's reign; and his grandson John obtained
+a grant of it and the manor from James the First. His descendant,
+Thomas, forfeited it in 1715; but his maternal uncle, Nathaniel, Lord
+Crewe, bishop of Durham, purchased his estates, and bequeathed them to
+charitable purposes in 1720. The sunken rocks and shifting sands of
+this coast had long been a terror to the mariners, but under his
+lordship's will, Dr. Sharp, then archdeacon of Durham, fitted up the
+keep of the Castle, for the reception of suffering seamen, and
+of property which might be rescued from the fury of the ocean.
+Regulations were also adopted, both to prevent accidents on the coast,
+and to alleviate misfortunes when they had occurred. A nine pounder,
+placed at the bottom of the great tower, gives signals to ships in
+distress, and in case of a wreck, announces the same to the Custom
+House officers and their servants, who hasten to prevent the wreck
+being plundered. In addition to this, during a storm, horsemen patrol
+the coast, and rewards are paid for the earliest intelligence of
+vessels in distress. A flag is always hoisted when any ship is seen
+in distress on the Fern Islands or Staples; or a rocket thrown up at
+night, which gives notice to the Holy Island fishermen, who can put
+off to the spot when no boat from the main can get over the breakers.
+Life-boats have likewise been added to the establishment. The vast
+increase of the residuary rents of the Castle estates also enables
+the trustees to support within its walls two free-schools, a library,
+infirmary, thirty beds for shipwrecked sailors, and a granary, whence
+poor persons are supplied with provisions at the first price.[5]
+Altogether, the establishment of Bamborough merits the epithet of
+"princely," which it has received from the historians of the county.
+Its philanthropic endowment has not been suffered to decay with the
+romance of olden time, but the charitable intentions of the testator
+are fulfilled, so as to maintain a lasting record of his active
+benevolence. Such magnificence may be said to eclipse all the glitter
+and gleam of chivalry, and make them appear but as idle dreams.
+
+ [5] See _Mirror_, vol. xiii. p 415.--One of the best features of
+ the establishment is the gratuitous circulation of the library for
+ twenty miles round; the books being lent to any householder of
+ good report residing within twenty miles of the castle.
+
+A boundless view of the ocean presents itself from the towers of
+Bamborough Castle, studded with small islands, having the Coquet
+Island on the south, and the Holy Island on the north.
+
+ * * * * *
+
+
+
+MANNERS & CUSTOMS OF ALL NATIONS.
+
+ * * * * *
+
+ORIGIN OF EPSOM RACES.
+
+
+In a pleasant little volume modestly entitled _Some Particulars
+relating to the History of Epsom_, the following facts are collected
+with much diligence. At the present season, they may be acceptable to
+our readers.
+
+"When these races first commenced, we have not been able with
+certainty to trace. Few writers, who mention the district, do more
+than simply state the fact, that horse races are annually held at
+Epsom.
+
+"Whether they were at first periodical or occasional, we will not
+presume to determine, though the latter is, we think, the most
+probable.
+
+"Races, it is generally agreed, took their origin from, if they did
+not give birth to, the Olympic games. The first information we have of
+their existence in this country is in the reign of Henry II. At that
+time, and for many ages afterwards, the sport must have been merely
+a rude pastime, perhaps as destitute of the science of the present
+system, as of the vices, which are too generally engendered by it.
+
+"There can be no doubt, that Epsom downs (or as they are frequently,
+though erroneously written in old writings, Banstead downs) early
+became the spot, upon which the lovers of racing indulged their fancy.
+And, perhaps, the known partiality of King James I., for this species
+of diversion, will justify us in ascribing their commencement to the
+period when he resided at the palace of Nonsuch.
+
+"The following extract from Clarendon's History of the Rebellion, will
+shew, that during the troubles of his unfortunate successor,
+Charles I., races upon Epsom downs, were viewed as no uncommon
+occurrence.--'Soon after the meeting, which was held at Guildford,
+18th May, 1648, to address the two Houses of Parliament, that the
+King, their only lawful sovereign, might be restored to his due
+honors, and might come to his parliament for a personal treaty, &c.--a
+meeting of the royalists was held on Banstead (Epsom) downs, under the
+pretence of a horse race, and six hundred horses were collected and
+marched to Reigate.'
+
+"King James had imbibed a predilection for horse races, before he
+ascended the English throne; they were in high estimation in Scotland
+during his minority, previously to which, the English parliament seem
+to have turned their attention to the subject.
+
+"We find, that in the time of Henry VII. and his successors, Henry
+VIII. and Elizabeth, several acts of parliament were made to prevent
+the exportation of horses to Scotland, and other parts.
+
+"There is an entry in the Lord's Journal, June 15th, 1540--'At length,
+the bill is read this day, for encouraging the breed of horses, of a
+larger stature, and despatched with unanimous consent, and without a
+dissenting voice.'
+
+"The great men of Elizabeth's reign, appear to have been fully
+disposed to profit by the example and injunctions of her father.
+Italian masters were invited over; the art of managing horses became
+an universal accomplishment, among the nobility and gentry of England;
+but most of the professors, both of equitation and farriery, were
+foreigners.
+
+"Horses were not yet kept exclusively for the purpose of running
+races, but gentlemen matched their hunters or hacknies, and usually
+rode the race themselves.
+
+"The most fashionable trial, however, of the speed and goodness of
+their horses, was hunting red herrings, or 'the train scent,' as
+it was then called, from the body of some animal, which had been
+previously drawn across hedge and ditch. Here the scent was certain
+and strong, and the hounds would run upon it to the end, with their
+utmost speed. The matched horses followed these hounds, and to be
+in with them, was generally accounted a very satisfactory proof of
+goodness.
+
+"Markham, and that celebrated riding master, Michael Baret, describe,
+also, another mode of running matches across the country in those days
+denominated the wild goose chase; an imitation of which has continued
+in occasional use, to the present time, under the name of steeple
+hunting; that is to say, two horsemen, drunk or sober, in or out of
+their wits, fix upon a steeple or some other conspicuous distant
+object, to which they make a straight cut over hedge, ditch, and gate.
+We think our readers will do any thing but smile, at this rational
+pastime for reasonable creatures.
+
+"The wild goose chase, however, at last became more regular and better
+conducted. It was prescribed, that after the horse had run twelve
+score yards, he was to be followed wherever he went by the others,
+within a certain distance agreed upon, as twice or thrice his length.
+A horse being left behind twelve score, or any limited number of
+yards, was deemed beaten, and lost the match.
+
+"These rude and barbarous modes of horse-racing gave way, in the
+reign of James I., to the more scientific, accurate, and satisfactory
+trials, of the horses carrying stated weights, over measured and even
+ground.
+
+"That monarch, as has before been intimated, brought with him from
+Scotland, a strong predilection for the turf, which must have
+prevailed to a considerable degree in that country, for we find, that
+during his reign there, and before his accession to the crown of
+England, it was deemed necessary to restrain, by an express law, the
+passion of the Scots for horse-racing, and laying large bets on the
+events.
+
+"The reign of James I. may be fairly stated, as the period when
+horse-racing first became a general and national amusement. The races
+appear to have been at that time conducted nearly in the same style,
+as to essentials, as in the present day.
+
+"They were then called bell courses, the prize being a silver bell;
+the winner was said to bear or carry the bell.
+
+"Regular prizes were now run for in various parts of England. The king
+and his court, frequently attended races at Croydon and Enfield, in
+the vicinity of London.
+
+"The first match, upon record, in this country, was one against time,
+which occurred in the year 1604, when John Lepton,[6] a groom, in the
+service of King James I., undertook to ride five times between London
+and York, from Monday morning until Saturday night, and actually
+performed the task within five days.
+
+ [6] This should be John Lenton, and the year 1603,--See _Mirror_,
+ vol. xvii, p. 181.
+
+"At this period, much attention was paid to the pedigrees of horses,
+for the purpose of enhancing their reputation and worth. The training
+discipline, in all its variety of regular food, clothing, physic,
+airing, and gallops, was in full use; and the weights that race horses
+had to carry were adjusted; the most usual of which were ten stone.
+
+"We find that, soon after the accession of Charles I., an ordinance
+was issued, enjoining the substitution of bits or curbs, instead of
+snaffles, which had probably been of late introduction in the army.
+Not long afterwards, the king granted a special licence to William
+Smith and others, to import into this kingdom, horses, mares and
+geldings; further enjoining them to provide coach horses of the height
+of fourteen hands and above, and not less than three, nor exceeding
+seven years of age.
+
+"During the civil wars, amusements of the turf were partially
+suspended, but not forgotten; for we find that Mr. Place, stud-master
+to Cromwell, was proprietor of the famous horse, White Turk, (the sire
+of Wormwood and Commoner) and of several capital brood mares, one of
+which, a great favourite, he concealed in a vault, during the search
+after Cromwell's effects, at the time of the Restoration, from which
+circumstance, she took the name of the Coffin Mare, and is designated
+as such in various pedigrees.
+
+"King Charles II., soon after his restoration, re-established the
+races at Newmarket, which had been instituted by James I. He divided
+them into regular meetings, and substituted, both there and at other
+places, silver cups or bowls, of the value of one hundred pounds,
+for the royal gift of the ancient bells, which were in consequence
+generally dropped, both in name and effect.
+
+"William III., though not fond of the turf, paid much attention to the
+breed of horses for martial service; and in his reign some of the most
+celebrated stallions were imported.
+
+"George, Prince of Denmark, was a great amateur of horse-racing. He
+obtained from his royal consort, Queen Anne, grants of royal plates
+for several places, among which Epsom is, however, not mentioned.
+
+"King George I. is not handed down to us as a sporting character; but
+towards the latter end of his reign, the change of the royal plates
+into purses of hundred guineas each took place.
+
+"In the 13th year of the reign of King George II., an act, cap. 19.
+was passed, 'to restrain and prevent the excessive increase of horse
+races.'
+
+"By this act, after reciting 'that the great number of horse races for
+small plates, prizes, or sums of money had contributed very much to
+the encouragement of idleness, to the impoverishment of many of the
+meaner sort of the subjects of this kingdom, and to the prejudice of
+the breed of strong and useful horses;' it was enacted that no person
+should, thenceforth, enter and start more than one horse, mare or
+gelding, for one and the same plate, prize, or sum of money. And that
+no plate, or prize of a less value than 50l. should be run for,
+under the penalty of 200l.
+
+"It was also by the same act further enacted, that at every such race,
+for a plate or prize of the value of 50l. and upwards, each horse,
+if five years old, should carry ten stone; if six years old, eleven
+stone; and if seven years old, twelve stone. And that the owner of any
+horse, carrying less than the specified weight, should forfeit his
+horse, and pay the penalty of 200l."
+
+(_TO BE CONCLUDED IN OUR NEXT_.)
+
+ * * * * *
+
+
+
+THE SELECTOR; AND LITERARY NOTICES OF NEW WORKS.
+
+ * * * * *
+
+THE FAIR OF MAY FAIR.
+
+
+The volumes of sketches of fashionable life with this quaint title
+will serve to amuse a few inveterate novel-readers; while occasional
+pages may induce others to take up the thread of the narrative. The
+flying follies of high life, or rather, we think, of affected ton,
+are hit off with truth and vigour, and there is a pleasantry in
+the writer's style which is an acceptable relief to the dulness of
+common-place details. We shall endeavour to detach a scene or two,
+one, as a specimen of "the art of ingeniously tormenting," and the
+incipient waywardness of a newly-married pair.
+
+"From the first months of his domestication with his wife at Wellwood
+Abbey, Sir Henry Wellwood had intended, had _longed_, to commence his
+little system of tender remonstrance; but the slightest insinuation
+of a difference of opinion was sufficient to fan the embers of
+Henrietta's distemperature into a conflagration. The blaze was not
+strong, indeed; for the lady had always been accustomed to find a fit
+of wilfulness, or of affected despondency, more available and becoming
+than one of hasty anger. But she was tolerably expert in those piquant
+flippancies of speech which harass the enemy like a straggling fire;
+and could contrive, when it suited her purpose, to make herself as
+disagreeable as if her face had not been that of a cherub, or her
+voice seraphic.
+
+"'A woman,' quoth La Bruyere, 'must be charming indeed, whose husband
+does not repent, ten times a day, that he is a married man.' Sir Henry
+Wellwood would have scoffed at the axiom. The 'idol of his soul' was
+still an idol; although, like the votaries of old, he had managed to
+discover that it was not wholly formed of precious metals; that its
+feet were of clay! He still fancied himself the happiest of mortals;
+particularly when Henrietta, in her best looks and spirits, was riding
+by his side through the Wellwood plantations, listening to the project
+of his intended improvements;--or seated in her boudoir sketching
+designs and modelling plans for his two new lodges. Sometimes after
+dinner she would busy herself with her guitar, and insist on his
+attempting a second to her Italian notturno; sometimes she persuaded
+him to lend her his arm towards the village, to assist in executing
+that easy work of benevolence, the deplenishment of her silken purse.
+At such, moments she was indeed enchanting;--and the fascinated
+Wellwood was quite willing to echo the chorus of Mrs. Delafield's
+visiters, that he had 'drawn a prize.'
+
+"But the sands of life are not formed exclusively of diamond sparks.
+Flint and granite mingle in the contents of the hour-glass; and Sir
+Henry often found himself required to listen to fractious complaints
+of old Roddington's innovations, of Lawford's negligence--of roses
+that would not blow at the gardener's bidding,--of London booksellers,
+who would not send down the new novels in proper time,--of old women
+who refused to be cured of their rheumatism, and young ones
+who declined becoming scholars at her platting school. His own
+misdemeanours, too, were frequent and unpardonable. He had a knack of
+carrying off the very volume she was reading,--of losing _her_ place,
+and leaving his own marked by leaving the unfortunate book sprawling
+upon its face on the table, like a drunkard on the ground. He often
+kept her waiting five minutes for her ride, or twenty for dinner;
+would stop and detain her, in their walks, while he corrected the
+practical blunders of some superannuated hedger and ditcher; had a
+trick of whipping off the thistle-tops while driving her in the garden
+chair, to the imminent indignation of her ponies; was sometimes seen
+to nod after dinner, when the morning's run had been a good one; and
+had an opinion of his own in politics, which precisely reversed those
+of Lady Mandeville and her coterie.--In a word, he was often very
+'tiresome!' and whenever the fair Henrietta was excited into
+pronouncing that sentence on his proceedings, it was a signal for
+ill-humour for the remainder of the day; or rather till the spoiled
+child would condescend to be coaxed into a more satisfactory mood of
+mind."
+
+But we are more struck with the appalling fidelity of the following
+scene in a tale named _the Divorcee_. The heroine, Amelia, is married
+in early life to a Mr. Allanby, "a man with 10,000l. per annum,
+and a grey pigtail:" the match turns out a miserable one: Amelia's
+dishonour by Vavasor Kendal, her divorce, and Mr. Allanby's death are
+told in a few pages--the guilty pair, Vavasor and Amelia, flee to
+Paris, and we are introduced to this faithful picture of Parisian
+vice:--
+
+"The infirmity of Amelia's health served at least to release her from
+those forced efforts of gaiety which had recoiled so heavily on her
+feelings. Her day for vivacity was gone.--In an atmosphere whose
+buoyancy is exhausted, the feather falls as heavily as the plummet.
+
+"But instead of commiserating the languor and feebleness extending
+from the physical to the moral existence of the invalid, Vavasor only
+made her dulness an excuse for flying to the relief of society more
+congenial with his own tendency to vice and folly. Lady Emlyn who
+in London was the leader of a coterie devoted to the excitements of
+high-play,--a coterie that felt privileged to inveigh with horror
+against 'gambling,' because its members ventured their thousands
+on games where cunning tempers the fortuities of chance,--on the
+manoeuvres of ecarte and whist instead of the dare-all risks of
+hazard and rouge-et-noir,--had now removed her card-table from
+Grosvenor-square to a splendid hotel in the Rue Rivoli; where she had
+the honour of assembling, twice a week, a larger proportion of the
+idle and licentious of the exclusive caste, than could be found in any
+other suite of drawing-rooms in civilized Europe. Her _salon_ was in
+fact crowded with busy ranks of those swindlers of distinction who,
+in opposition to their brethren of lower pretensions, (the chevaliers
+d'industrie), ought surely to be termed the chevaliers de la paresse.
+Among these, the brilliant air and lively effrontery of Captain Kendal
+secured him a warm acceptance; and by frequenting the circle of Lady
+Emlyn, he had not only the gratification of escaping from the insipid
+mediocrity of the home his vices had created, but acquired the power
+of indulging in others which were now still dearer to his heart.
+
+"Vavasor Kendal was an expert player. Like other frigid egotists, his
+head and heart were always at leisure; and his successes had been
+the means, on more than one occasion, of extending his means of
+disgraceful enjoyment. At least, however, his career lay on the
+verge of a precipice; for playing at a stake beyond the limit of his
+fortune, a single faltering step might at any hour precipitate him
+into an abyss of shame and ruin. Amelia was often tempted to doubt
+whether she had more cause to dread that intoxication of triumph,
+which induced him to still further excesses, or the reverses tending
+to aggravate the violence of temper to which she was an habitual
+victim. The fluctuating fortunes of the gamester,--his losses or
+gains,--were equally a source of suffering to herself. But the
+Carnival was drawing to a close; she soon began ardently to wish that
+his sister might grow weary of the increasing dulness of the French
+capital, and migrate among other swallows of the season, in search of
+new pleasures.
+
+"Long had she been in expectation of an announcement to this effect,
+when one night,--a cold cheerless night in March,--Vavasor exceeded
+even his ordinary period of absence. The habitually dissolute of Paris
+rarely keep late hours. Vice does not form with _them_, as with the
+English _roue_, an occasional excess, but is consistent and regular
+in its habits. Captain Kendal usually returned home between two and
+three; and Amelia was accustomed to sit up, and by her own services
+lighten the labours of their scanty establishment. It was _she_, the
+invalid, who was careful to keep up light and fire for the tyrant of
+the domestic hearth.
+
+"But on this occasion two o'clock came,--three, four, five
+o'clock,--and no Vavasor. Hour after hour she listened to the chime of
+the gaudy timepiece decorating their shabby apartment; and while the
+night advanced, in all its chilly, lonely, comfortless protraction,
+shivered as she added new logs to the dying embers, and as she hoped
+or despaired of his return, alternately replaced the veilleuse by
+candles, the candles by a veilleuse. She had already assumed her
+night-apparel; and alter wandering like an unquiet spirit from her own
+apartment to the sitting-room and back again, a thousand, thousand
+times,--after reclining her exhausted frame and throbbing head against
+the door of the ante-room, in the trust of catching the sound of his
+well-known step upon the stairs, she threw herself down on the
+sofa for a moment's respite. But in a few minutes she started up
+again.--Surely that was _his_ voice, which reached her from some
+passenger in the street below, some passenger humming an air from the
+new Opera, according to Vavasor's custom, when returning flushed with
+the excitement of success? Again and hurriedly did she prepare for his
+reception,--again place his chair by the fire, his slippers beside
+it; and stand with a beating heart and suspended breath, to await the
+entrance of the truant. But, no! it was _not_ him. The wanderer had
+hastened onwards to some happier home. The street was quiet again. She
+would take a book and strive to beguile the tediousness of suspense.
+
+"Dreary indeed is that hour of the twenty-four which may be said to
+afford the true division between night and day; when even the latest
+watcher has retired to rest, while the earliest artisans scarcely
+yet rouse themselves for the renewal of their struggle with
+existence;--when even the studious, the sorrowing, and the dissipated,
+close their over-wearied eyes;--and when those who 'do lack, and
+suffer hunger,' enjoy that Heaven-vouchsafed stupor affording the only
+interim to their consciousness of want and woe. The winds whistle more
+shrilly in the stillness of that lonely hour. Man and beast are in
+their lair, and unearthly things alone seem stirring;--the good genius
+glides with a holy and hallowing influence through the tranquil
+dwelling of virtue; the demon grins and gibbers in the deserted but
+reeking chambers of the vicious. Even sorrow has phantoms of its own;
+and when Amelia found herself a lonely watcher in the stillness of
+night, the kind voice of old Allanby,--the voice that was wont of yore
+to bid her speak her bosom's wish that it might be granted,--often
+seemed creeping into the inmost cell of her ear. She could fancy him
+close beside her,--taunting her,--touching her,--till, starting from
+her seat, she strove to shake off the hideous delusion. Sometimes
+the soft cordial tones of her mother,--her mother, who was in the
+grave,--seemed again dispensing those lessons of virtue of which
+her own life had afforded so pure an example: sometimes the playful
+caresses of her boys seemed to grow warm upon her lips--around her
+neck. Yes! she could hear them, see them:--little Charles, who, in
+his very babyhood, had been accustomed to uplift his tiny arm in
+championship of his own dear mother;--Digby, the soft, tender,
+loving infant, whose every look was a smile, whose every action an
+endearment!--And now they appeared to pass before her as strangers;
+changed--matured--enlightened;--without one word of fondness--one
+gesture of recognition!
+
+"From such meditations, how horrible to start up amid the dreariness
+of night, nor find a human heart unto which to appeal for comfort,--a
+human voice from which to claim reply in annihilation of the spell
+that transfixed her mind. The cold cheerless room, the flickering
+light, the desolation that was around her, struck more heavily than
+ever on her heart. 'Oh! that this were an omen!' she cried, with
+clasping hands, as she listened to the howling of the wind upon the
+lofty staircase leading to their remote apartments. Drawing closer
+over her bosom the wrapper by which she attempted to exclude the
+piercing night-air, Amelia smiled at the thought of the chilliness of
+the grave,--of the grave, where the heart beats not, and the fixed
+glassy eye is incapable of tears.
+
+"'I shall lie among the multitudes of a strange country,' faltered
+she; 'there will be no one to point out with officious finger to my
+sons, the dishonoured resting-place of their mother,--their _divorced_
+mother! Vavasor will be freed from his bondage--free to choose anew,
+and commence H more auspicious career. But for me he might have been a
+different being. It is _I_ who have hardened his heart and seared his
+mind. And oh! may Heaven in its mercy touch them,--that he may deal
+gently with me during the last short remnant of our union!'
+
+"A harsh sound interrupted her contemplations;--the grating of his key
+in the outer door,--of his step in the ante-room. Mechanically she
+rose, and advanced to meet the truant who had kept her watching,--who
+had so _often_ kept her watching,--so often been forgiven. A momentary
+glimpse of his countenance convinced her that he was in no mood even
+to wish for indulgence. His brow was black--his eyes red and glaring.
+After a terrified pause, she tendered him her assistance to unclasp
+his cloak; but with a deadly execration he rejected the offer.
+
+"'Are the servants up?' said he sullenly.
+
+"'Not yet.'
+
+"'So much the better! I must be off before they are on the move.'
+
+"'Off? Vavasor!--for the love of Heaven--'
+
+"'Be still! Do not harass me with your nonsense. I was a fool to come
+here at all; only it may be necessary for you to know explicitly to
+what you may trust for the future.'
+
+"Amelia sank stupefied into a chair.
+
+"'In one word, I am a ruined man. To-night's losses have made me
+as hopeless as I ought to have been long ago. I have lost--but no
+matter!--I know I played like a fool. What is to be expected from
+a miserable dog like me, who has thrown away his prospects, and
+is harassed with all sorts of cares and annoyances?--No
+matter!--To-morrow the thing will be blown; and before my creditors
+get wind of the business I shall be half way to Brussels.'
+
+"'To Brussels?' faltered Amelia.
+
+"'Of course it is out of the question hampering myself with companions
+of any kind at such a moment. Besides, my sister has only afforded me
+the means of getting out of the scrape, on condition that _you_ return
+to England to your family. I have no longer the power of maintaining
+you; but if you are inclined to co-operate in the only plan that can
+save us both from starving, Sophia will secure you an allowance of
+fifty or sixty pounds a year.'
+
+"Amelia was silent.
+
+"If not, you must take your chance; for I can do nothing further for
+you. For Heaven's sake don't treat me with a scene; for I have only a
+few minutes to pack up my property! The fiacre is waiting; there
+is not a moment to lose. Well, Amelia! what do you say?--I want an
+answer. Do you, or do you not choose to go to England?'
+
+"Amelia made an affirmative movement;--she could not utter a
+syllable. And Vavasor instantly passed into his own room to make his
+preparations for immediate flight.--She never knew in what manner
+he took his last leave of her. When the servants proceeded to their
+occupations on the following morning, they found her insensible on the
+ground; but when restored to consciousness, the continued absence of
+her husband and a note of five hundred franks which he had deposited
+in her work-box for the purpose of enabling her to quit Paris, served
+to prove that the dreadful impression on her mind was not a mere
+delusion of the night. Alas! she was soon compelled to admit that she
+had looked upon him for the last time."
+
+ * * * * *
+
+
+THE CABINET ANNUAL REGISTER FOR 1831
+
+
+Is a well-arranged digest of the history of the past year, in a more
+concise and compact form than such matters are chronicled in that
+woolly work--the Annual Register. The Parliamentary Summary is brief
+but satisfactory, and the Occurrences are copious enough for the most
+gossipping reader. The volume has been produced in truly good style,
+is, in all respects, cheap, and deserves encouragement.
+
+ * * * * *
+
+
+
+RETROSPECTIVE GLEANINGS.
+
+ * * * * *
+
+ORIGIN OF THE HOUSE OF RUSSEL.
+
+
+"The Russel family (say Britton and Brayley,) may date the era of
+their greatness to a violent storm, which happened about the year
+1500, on the coast of Dorset; a county which appears to have been the
+birthplace of their ancestors, one of whom was Constable of Corfe
+Castle, in the year 1221. Philip, Archduke of Austria, son of the
+Emperor Maximilian, being on a voyage to Spain, was obliged by the
+fury of a sudden tempest, to take refuge in the harbour of Weymouth.
+He was received on shore, and accommodated by Sir Thomas Trenchard,
+who invited his relation, _Mr. John Russel_, to wait upon the
+Archduke. Philip was so much pleased with the polite manners and
+cultivated talents of Mr. Russel, who was conversant with both the
+French and German languages, that on arriving at court, he recommended
+him to the notice of Henry VII., who immediately sent for him to his
+palace, where he remained in great favour till the king's death. In
+the estimation of Henry VIII. he rose still higher; by that monarch he
+was made Lord Warden of the Stannaries, Lord Admiral of England and
+Ireland, Knight of the Garter, and Lord Privy Seal, and on the 9th of
+March, 1538, created Baron Russel, of Cheneys, in the county of Bucks,
+which estate he afterwards acquired by marriage. At the Coronation
+of Edward VI. he officiated as Lord High Steward, and two years
+afterwards, in the year 1549, was created Earl of Bedford. He died in
+1554, and was buried at Cheneys, where many of his descendants have
+also been interred," &c. &c.
+
+"Henry VII. (says Pennant,) often resided at Baynard Castle, and from
+hence made several of his solemn processions. Here, in 1505, he lodged
+Philip of Austria,[7] the matrimonial King of Castille, tempest-driven
+into his dominions, and showed him the pomp and glory of his capital."
+
+P.T.W.
+
+ [7] There is an old (full-length) engraving of this personage, and
+ I am in the possession of one.
+
+ * * * * *
+
+
+COVENTRY CHARITY.
+
+
+_(FOR THE MIRROR.)_
+
+
+Bablake Hospital, in the city of Coventry, was originally founded
+in 1506, by Thomas Bond, Mayor. Part of this hospital furnishes a
+residence for a number of boys, who are educated and clothed in blue,
+through the _justice_ and benevolence of Thomas Wheatley, Mayor, in
+1556, whose servant, sent to Spain by him to purchase some barrels of
+steel gads, brought home through an unaccountable mistake, a number of
+casks filled with ingots of silver and cochineal, which were offered
+for sale in an open fair, as the articles alluded to, and bought as
+such. This worthy ironmonger and card-maker made every possible effort
+to discover the person who sold them, but without success. He then
+honourably converted the profits to this charity, to which he added
+part of his own property. P.T.W.
+
+ * * * * *
+
+
+CURIOUS PARLIAMENT.
+
+
+_(FOR THE MIRROR.)_
+
+
+Acton Burnel, is a village in Shropshire, about three miles from Great
+Wenlock, where a Parliament was held in the reign of Edward I., 1284.
+Many of the Welsh nobles who had taken up arms were pardoned by this
+Parliament, and the famous act, entitled _Statutum de Mercatoribus_,
+was passed here, by which debtors in London, York, and Bristol, were
+obliged to appear before the different Mayors, and agree upon a
+certain day of payment, otherwise an execution was issued against
+their goods. The Lords sat in the castle, and the Commons in a large
+barn, the remains of which are still to be seen. P.T.W.
+
+ * * * * *
+
+
+FOUR LEARNED SISTERS.
+
+
+_(FOR THE MIRROR.)_
+
+
+Sir Anthony Cooke, who was preceptor to King Edward VI., and great
+grandson to Sir Thomas Cooke, Lord Mayor of London, in the year 1462,
+was particularly fortunate in his four daughters, who were all eminent
+for their great literary attainments.
+
+Mildred, the eldest, married William Cecil, Lord Burleigh. She was
+learned in the Greek tongue, and wrote a letter in that language to
+the University of Cambridge.
+
+Anne, the second, was the second wife of Sir Nicholas Bacon, Lord
+Keeper, and mother of the great Lord St. Alban's. She was greatly
+skilled in Greek, Latin, and Italian, and had the honour of being
+appointed governess to King Edward VI.
+
+Elizabeth, the third, was first the wife of Sir Thomas Hobby,
+ambassador to France, and afterwards, of John, Lord Russel, son and
+heir of Francis Russel, Earl of Bedford. Such was her progress in the
+learned languages, that she gained the applause of the most eminent
+scholars of the age, and for the tombs of both her husbands, she wrote
+epitaphs in Greek, Latin, and English.
+
+Catherine, the fourth, who was the wife of Sir Henry Killegrew, was
+famous for her knowledge in the Hebrew, Greek, and Latin tongues, and
+her skill in poetry. She was buried in the chancel of the church of
+St. Thomas Apostle, in Vintry Ward, London, where there is an elegant
+monument erected to her memory, with an inscription composed by
+herself. Sir Anthony Cooke lived at Gidea Hall, near Romford, in
+Essex, and had the honour of entertaining Queen Elizabeth here, in the
+year 1568. Mary de Medicis, mother of Queen Henrietta Maria, was also
+entertained in this mansion, the night before her arrival in London.
+
+P.T.W.
+
+ * * * * *
+
+
+PARISH REGISTERS OF ST. BRIDE'S.
+
+
+At the great fire of London, nearly all the churches and records were
+consumed, wherefore scarcely any registers are to be found in the city
+of an earlier date than the above period. In searching the muniments
+preserved in St. Bride's Church, Fleet-street, for a history of that
+parish, Mr. Elmes, the architect, discovered a few days since, that,
+although the church was destroyed, the records were left uninjured. He
+has accordingly brought to light a series of vestry books from 1653,
+embracing regular accounts and entries of the calamitous fire, and the
+proceedings of the parish authorities during that eventful period,
+till the re-opening of the church for public worship; together with
+register books of baptisms, burials, &c. from 1587, nearly eighty
+years before the fire, continued without interruption to the present
+day. One of them is a complete record of every meeting of the
+Committee for rebuilding the present splendid church, from its
+commencement to its completion, containing many curious items relative
+to contracts with the workmen, their prices, &c.; meetings with Sir
+Christopher Wren, Mr. Hooke, and other eminent persons, and the
+arrangement entered into for accommodating the parishioners with
+pews and seats after the completion of the church. There are also
+adjudications of property, settlements of boundaries, and many other
+interesting documents of that eventful period.
+
+From the _Globe_ journal.--(Mr. Elmes will be recollected as the author
+of a valuable Life of Sir Christopher Wren, published a few years since
+in quarto, and of several practical works on architecture. We are happy
+to learn that a kindred enthusiasm to that shown in this great
+biographical labour, has led him to undertake the history of one of the
+proudest monuments of Wren's genius--the church of St. Bride. Mr. Elmes
+may therefore be considered peculiarly fortunate in his discovery of
+these relics, and his work will be looked for with additional
+curiosity.)
+
+ * * * * *
+
+
+
+THE GATHERER.
+
+ * * * * *
+
+_Oriental Apologue_.--A blind man having contracted a violent passion
+for a certain female, married her, contrary to the advice of all his
+friends, who told him that she was exceedingly ugly. A celebrated
+physician at length undertook to restore him to sight. The blind man,
+however, refused his assistance. "If I should recover my sight," said
+he, "I should be deprived of the love I have for my wife, which alone
+renders me happy." "Man of God," replied the physician, "tell me
+which is of most consequence to a rational being, the attainment of
+happiness or the attainment of truth?" S.H.
+
+_Honour_.--William the Third having insisted on Lord H----n's giving
+him his _honour_ not to fight a man who had given him a box on the
+ear, his lordship was obliged seemingly to comply; but as soon us he
+was out of the king's presence he fought the man. The king was, at
+first, highly incensed at his breaking his word with him, and asked
+him how he came to do so, when he had just given him his honour.
+"Sire," replied his lordship, "you were in the wrong to take such a
+pledge, for at the time I gave it you, I had no honour to give." S.H.
+
+_Doll's Eyes_.--Insignificant as may appear this petty article of
+commerce, it is well known to keep in employ several thousand hands,
+and goes to show the vast importance of trifles to a country of
+decided commercialists. Mr. Osler, an intelligent manufacturer of
+Birmingham, gave the following statement before the Committee of the
+House of Commons, in 1824. "Eighteen years ago, on my first journey
+to London, a respectable looking man in the city asked me if I could
+supply him with doll's eyes, and I was foolish enough to feel half
+offended; I thought it derogatory to my new dignity as a manufacturer,
+to make doll's eyes. He took me into a room quite as wide, and twice
+the length of this, (one of the large rooms for Committees in the
+House of Commons,) and we had just room to walk between the stacks,
+from the floor to the ceiling, of parts of dolls. He said these are
+only the legs and arms, the trunks are below, but I saw enough to
+convince me that he wanted a great many eyes; and as the article
+appeared quite in my own line of business, I said I would take an
+order by way of experiment, and he showed me several specimens. I
+copied the order, and on returning to the Tavistock Hotel I found it
+amounted to upwards of five hundred pounds.'" SWAINE.
+
+_Eggs_.--The duty paid on eggs imported at Ramsgate within the last
+three months, exceeds the sum of 2,000l.--_(Morning Herald.)_ The
+rate of duty is, as stated in our last, 10d. on every 120 eggs.
+
+_The Druids and the Mistletoe_--Pliny, in his _Natural History_, tells
+us, "The Druids held nothing so sacred as the mistletoe of the oak,
+as this is very scarce and rarely to be found, when any of it is
+discovered, they go with great pomp and ceremony on a certain day to
+gather it. When they have got everything in readiness under the oak,
+both for the sacrifice and the banquet, which they make on this great
+festival, they begin by tying two white bulls to it by the horns, then
+one of the Druids, clothed in white, mounts the tree, and with a knife
+of gold, cuts the mistletoe, which is received in a white sagum; this
+done, they proceed to their sacrifices and feastings." This festival
+is said to have been kept as near as the age of the moon permitted
+to the 10th of March, which was their New Year's Day. The common
+mistletoe was the golden bough of Virgil, and was Aenea's passport to
+the infernal regions. P.T.W.
+
+ * * * * *
+
+
+SPIRIT OF NEW BOOKS.
+
+
+With the Next Number, A SUPPLEMENT of UNIQUE EXTRACTS from NEW BOOKS
+of the last Six Weeks: with TWO ENGRAVINGS Illustrating Washington
+Irving's NEW SKETCH BOOK.
+
+ * * * * *
+
+_Printed and published by J. LIMBIRD, 143, Strand, (near Somerset
+House,) London; sold by ERNEST FLEISCHER, 620, New Market, Leipsic;
+G.G. BENNIS, 55, Rue Neuve, St. Augustin, Paris; and by all Newsmen
+and Booksellers._
+
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Mirror of Literature, Amusement,
+and Instruction, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE MIRROR OF LITERATURE ***
+
+***** This file should be named 11743.txt or 11743.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/1/7/4/11743/
+
+Produced by Jonathan Ingram, Bill Walker and PG Distributed Proofreaders
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year. For example:
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+