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+*** START OF THE PROJECT GUTENBERG EBOOK 11528 ***
+
+THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.
+
+VOL. XII, NO. 341.] SATURDAY, NOVEMBER 15, 1828. [PRICE 2d.
+
+
+
+[Illustration: GRAND DRUIDICAL TEMPLE AT ABURY.]
+
+
+
+
+TEMPLE AT ABURY.
+
+ Sermons in stones
+ And good in every thing.--SHAKSPEARE.
+
+
+What means the mysterious circle of stocks and stones on the other
+side? Such will be the question of many a lover of fun, novel,
+fiction, and romance; and though we cannot settle their origin with
+the quickness or the humour of Munden's _Cockletop_, we will try to
+let our inquirer into the secret with the smallest show of mysticism
+possible.
+
+Our engraving represents the Temple of Abury, the most extensive of
+all the ruins in Wiltshire, attributed to the Druids. Such was its
+original state, before the Vandalism of modern times destroyed and
+levelled much of its monumental grandeur. It consisted of a grand
+circle, containing two minor circles. The outer circle contained
+upwards of 28 acres, and was surrounded by a ditch. There was a circle
+within each of the two circles, contained within the circumvallation;
+and according to Dr. Stukely, the antiquarian, the original was thus
+composed:--
+
+ Outward circle, within the vallum 100 stones
+ Northern Temple, outward circle 30 --
+ Ditto, inward circle 12 --
+ Cove, or cell 3 --
+ Southern Temple, outward circle 30 --
+ Ditto, inward circle 12 --
+ Central Obelisk 1 --
+ Ring Stone 1 --
+
+The Temple occupied a spot to which there is a gradual and
+imperceptible ascent on all sides, and was approached by two avenues
+of two hundred stones each. Its general form was that of a snake, in
+by gone ages, the symbol of eternity and omniscience. "To make the
+form still more elegant and picture-like, the head of the snake is
+carried up the southern promontory of _Hack_pen Hill--and the very
+name of the hill is derived from this circumstance."[1]
+
+ [1] Dr. Stukely, who says, that _acan_ in the Chaldee signifies
+ a serpent, and _hac_ is no other than a snake. In Yorkshire
+ they still call snakes _hags_; and in the British language
+ _pen_ denotes a head.
+
+The whole figure thus represented the circle, snake, and wings. By
+this the founders meant to picture out the nature of the Divinity;
+the circle meant the supreme fountain of all being, the Father; the
+serpent, that divine emanation from him, which was called the Son; the
+wings imported that other divine emanation from them, which was called
+the Spirit, the _Anima Mundi_. That the Temple was of a _religious_,
+and not of a warlike nature, is proved by its ditch being withinside
+the agger of earth, contrary to the mode adopted in works of defence.
+
+Of the devastation and decay of Abury, the following data will afford
+some idea:
+
+ The grand total of stones, included in the temples and avenues, was
+ 650; in the original temples, 188.
+
+ In Aubrey's time, A.D. 1663 73 stones
+ In Dr. Stukeley's time, A.D. 1722 29 --
+ In 1815 17 --
+
+Of very late years, says Sir Richard Colt Hoare, I do not imagine the
+dilapidations of the temple have been very great.
+
+It should, however, be mentioned, that the tracing of the _snake form_
+is due to Dr. Stukeley; for his predecessor Aubrey mentions the avenue
+as "a solemn walk leading to a monument upon the top of the hill,
+without any allusion to the supposed design or its connexion with the
+Grand Temple at Abury."
+
+It is a matter of greater speculation than we can here enter into,
+as to the _date and founders of Abury_; and their history is as
+dislocated as are the masses of its ruins. Antiquarians agree on the
+purpose for which it was founded, viz. for the performance of the
+religious ceremonies of the Druids. Sir R. Colt Hoare illustrates this
+point by supposing the flat ledge projecting from the vallum, to have
+been intended for the accommodation of sitting, to the spectators who
+resorted hither to the public festivals; and adds he, what a grand and
+imposing spectacle must so extensive and elevated an amphitheatre
+have presented, the vallum and its declivities lined with spectators,
+whilst the hallowed area was preserved for the officiating Druids, and
+perhaps the higher order of the people!
+
+Gentle Reader! be ye lordling or lowlier born, once more _turn back to
+the engraving_. We have a subject of yesterday rife and ready for you,
+on the next page; but _turn to the engraving_. Look again at those
+circles, and the fantastic forms that compose them, and think of the
+infatuated thousands that were wont to assemble round them, and of the
+idolized sons of power that once stood within their hallowed area.
+Think of those days of sacrifice and superstition--those orgies of
+ignorance and barbarism--and contrast them with the happy, happy
+age of religious liberty in which it is your boast and blessing to
+live--and then you may read "sermons in stones," to the masterminds of
+your own time. To us, the stones of Abury are part of the poetry of
+savage life, and of more interest than all the plaster toys of these
+days. But they may not be so with you and "FINIS." We were once
+compensated for missing Fonthill and its finery, by witnessing
+day-break from Salisbury Plain, and associating its glories with the
+time-worn relics of STONEHENGE!
+
+The _engraving_ and data are from Mr. Higgins's Celtic Druids, for
+the loan of which and a portion of this article, we thank our friend
+"JAMES SILVESTER," whose valuable note on "_Circular Temples_" must
+stand over for our next.
+
+ * * * * *
+
+We had penciled for our Supplement the following beautiful lines from
+Mr. Watts's "Literary Souvenir," but they will be more in place here.
+_Silbury_ is an immense mound adjoining the road to Devizes, and
+opposite Abury; Sir R.C. Hoare thinks it part of Abury; but H. and
+many others think it the sepulchre of a King or Arch-Druid.
+
+SILBURY HILL.
+
+ Grave of Cunedha, were it vain to call
+ For one wild lay of all that buried lie
+ Beneath thy giant mound? From Tara's hall
+ Faint warblings yet are heard, faint echoes die
+ Among the Hebrides: the ghost that sung
+ In Ossian's ear, yet wails in feeble cry
+ On Morvern: but the harmonies that rung
+ Around the grove and cromlech, never more
+ Shall visit earth: for ages have unstrung
+ The Druid's harp, and shrouded all his lore,
+ Where under the world's ruin sleep in gloom
+ The secrets of the flood,--the letter'd store,
+ Which Seth's memorial pillars from the doom
+ Preserved not, when the sleep was Nature's tomb.
+
+ H.
+
+ * * * * *
+
+
+
+
+FINE ARTS
+
+(_For the Mirror_.)
+
+ * * * * *
+
+ "The way to be an excellent painter is to be an
+ excellent man--and these united, make a character
+ that would shine even in a better world
+ than this."--JONATHAN RICHARDSON.
+
+
+The sister arts of _Painting and Engraving_ have been making great
+progress in England for some time past, and we are disposed to think
+this a subject of congratulation and importance to all classes of the
+community.
+
+The literature of the Fine Arts is likewise becoming more and more
+popular every day. They form a prominent feature in every new literary
+project, and not unfrequently literature, to use a hackneyed phrase,
+is made their vehicle--like the namby-pamby of an English opera
+for the strains of Rossini or Weber. The public are contented with
+excellence in one department and mediocrity in the other; they cannot
+be constantly admiring--that is out of the question--and it is
+probably on this account that much of what appears _below par_ is
+tolerated and even encouraged.
+
+We will not go the length of assenting to the proposal of converting
+Sir Joshua Reynolds's Lectures into Sermons, by the mere alteration of
+the terms of art into scriptural phraseology; but we venture to assert
+that much national good is likely to result from these advances of
+art, and its constant introduction into all our amusements. That it
+promotes the growth of virtue is too old an axiom to be refuted:
+
+ ----Ingenuas didicisse fideliter artes
+ Emollit mores, nec sinit esse feros.
+
+"The Italians commonly call a taste for the fine arts, or skill in
+them, by the name of Virtue. They term the productions of artists
+objects of virtue; and a person who has a taste for such things is
+denominated _a virtuoso_, that is, a virtuous man." Such is the
+language of the _Edinburgh Review_, in commencing an article on a
+recently-published translation of Lanzi's _History of Painting in
+Italy_, in six octavo volumes--and what a delightful relief is this
+from the party declamations which usually occupy so large a portion of
+that "critical journal." But this is not singular, for it is now no
+uncommon thing to see a large letter column of a newspaper, and a
+similar proportion of a printed sheet published at twopence, alike
+occupied by "the Fine Arts."
+
+Patronage, royal and noble, has already achieved much for painting,
+and even the _reported_ project for a National Gallery does much to
+foster the art. It keeps the study afloat and uppermost in the public
+mind; and the immense increase of exhibitions, not only in London, but
+in provincial towns, serves to prove that patronage now consists in
+something more substantial than tutelar notice, and unpaid promises.
+Artists need no longer journey to the metropolis to find sale for
+their works, for their genius is nourished on its native soil by the
+liberality and good taste which abound in the neighbourhood of every
+important town in the empire. It may be as well to keep up the hue and
+cry about the folly of portrait-painting, if it be only to keep down
+the vanity of wealth; but the munificent rewards which painters
+receive for this branch of their art will enable them to devote a
+greater portion of their leisure to higher studies. _Their taste_
+will not thus be impugned; for Cooke, the actor, is known to have
+entertained the meanest opinion of his own performance of Richard
+the Third, as an historical portrait, notwithstanding it was the
+corner-stone of his fame. We do not invite the comparison; but Mr.
+Hayden began with history--his want of patronage is well known; he
+then tried portraits--but his want of success was reserved for the
+style of his Mock Election pictures, and, in all probability, they
+will turn out the philosopher's stone for his future life.
+
+But it is to the splendid union of Painting, Engraving, and Literature
+that much of these beneficial effects may be traced. In every branch
+of the fine arts and literature, what a powerful influence will this
+triple advancement produce. Only compare the topographical works of
+Mr. Britton with those of his predecessors--his highly-finished
+line engravings, excellent antiquarian pieces on wood, and erudite
+descriptions, with the wretched prints and the quaintnesses of old
+topographers--or even with the lumber of some of our county
+histories. With this improvement, and that of map-work, painting has
+comparatively but little to do; and yet how evident is the progress of
+the literature of these works.[2]
+
+It would be easy to adduce hundreds of instances of the recent union
+of painting and engraving. About five years ago, a plan was started
+for illustrating the Bible from pictures of the old masters. Upwards
+of two hundred of them were transferred to wood-blocks; but the scheme
+did not repay the ingenious originator--partly from their small size,
+uncertainty of _effect_ to be produced on _wood_, and partly from the
+very cheap rate at which the engravings were sold--the whole series
+being purchaseable for three or four shillings.[3] But a similar
+design is now in progress on metal, being the idea of _La Musée_ in
+little. It consists of beautiful outline copies of the great
+masters, published at so cheap a rate as to be within the reach of
+a school-boy. Within the present year, also, two series of Views in
+Great Britain, one of Views in London, and another of Paris, have been
+publishing at the rate of threepence for each view; and when we see
+among their artists the names of Westall, Pugin, and Pye, we have a
+sufficient voucher for their excellence.
+
+A passing notice of a few of the more splendid works of art, (for the
+above are among the cheap and popular projects of the day,) and we
+must conclude.
+
+ [2] The only place in which they do not progress mutually is the
+ theatre. Look at the scenery of our patent theatres, and compare
+ it with the vulgar daubs even of John Kemble's time. Some of the
+ scenes by Stanfield, Roberts, Grieve, and Pugh, are "perfect
+ pictures." Yet the language of the stage is at a stand, and
+ insipid comedy, dull tragedy, and stupid farce are more abundant
+ than before the "march of mind".
+
+ [3] While on the subject of _wood-engraving_, perhaps we may he
+ allowed to mention our own humble plan of illustrating a sheet
+ of letter-press for twopence. Of course, perfection in the
+ engraving department would have ruined all parties concerned;
+ for each of our subjects (as the miniature painters tell you of
+ their works) might be _worked up_ to "any price". It is now six
+ years since the MIRROR was commenced, and as we are not speaking
+ of ourselves, individually, we hope we may refer to the
+ progressive improvement of the _graphic_ department without any
+ charge of vanity.
+
+It would be tedious to enumerate even a small portion of the fine
+pictures which have been engraved during the last two years; the
+mention of two or three will answer our purpose. Every printseller's
+window will attest the fact. Only let the reader step into Mr.
+Colnaghi's parlours, in Cockspur-street, and we might say the spacious
+print gallery in Pall Mall. There let him turn over a few of the host
+of fine portraits which have been transferred from the canvass to the
+copper--the excellent series of royal portraits--and of men whose
+names will shine in the history of their country, when their portraits
+shall be gathered into the portfolios of a few collectors. Among
+portraits, we ought, however, to recollect Mr. Lodge's invaluable
+collection of historical characters, the originals of which were
+exhibited a few months since, previous to their republication in a
+more economical form. The Temple of Jupiter, published a few months
+since, is perhaps one of the proudest triumphs of the year. Martin's
+Deluge, too, has lately appeared, and we look forward to the
+publication of his last splendid picture, the Fall of Nineveh, with
+high hopes.
+
+In the SUPPLEMENTARY NUMBER[4] _(published with the present)_ we have
+noticed in detail a few of the many superb engravings which embellish
+the Christmas presents for the ensuing year, as well as their literary
+talent, by a string of extracts like
+
+ "Orient pearls at random strung."
+
+The success of these elegant works has benefited our artists to the
+sum of twelve thousand pounds, in their preparation for 1829. A
+fortnight since we mentioned the cost of the plates of the Literary
+Souvenir to be 100_l._ and upwards for each subject. Another work,
+still more splendid, (being nearly double the price,) is under the
+direction of Mr. Charles Heath, whose masterly hand is visible in some
+of the finest engraving ever submitted to the world--equalled only by
+a rival in its first year--one of the best proofs of the patronage
+these works enjoy. It would be invidious to particularize--but we must
+mention the transference of two of Martin's designs--Marcus Curtius
+(in the Forget Me Not) and Christ Tempted on the Mount--as two of the
+most surprising efforts of genius we have ever witnessed. Our readers
+need not be told that all the engravings are _on steel_; and were it
+not for the adoption of this lasting metal, the
+
+ [4] The engraving is from Prout's exquisite picture of the
+ magnificent city of _Vicenza_--for which we recollect our
+ obligation to the "_Forget Me Not_."
+
+cost of half the engravings would exceed that of the whole work: all
+we hope is, that the public patronage may be as lasting as the metal;
+then it will be no idle vaunt to call this the march, or even race, of
+genius. In conclusion, we recommend all our lady friends (who have
+not done so) to place on their drawing-room table a _Print Album_, or
+_Scrap Book_, to be supported "by voluntary contributions." They may
+then form a pretty correct estimate of the taste of their visiters;
+and if taste in the fine arts be a test of virtue and integrity, they
+may even settle the claims of any two rival aspirants by this fair and
+unerring method, which should admit of no appeal.
+
+ * * * * *
+
+
+ANECDOTES OF CHRISTINA, THE YOUNG QUEEN OF SWEDEN.
+
+(_For The Mirror_.)
+
+
+Christina was the only child of the great Gustavus Adolphus, who
+succeeded to the throne of her father in 1632, when she was but five
+years of age. The young queen, at an early age, discovered but little
+taste for the society and occupations of her sex. When young, she was
+capable of reading the Greek historians. At the age of eighteen she
+assumed the reins of government. Several princes of Europe aspired
+to her hand; but she rejected them all. To prevent a renewal of
+applications on this subject, she solemnly appointed Gustavus her
+successor, but without the smallest participation in the rights of
+the crown during her own life. During her minority, Sweden enjoyed
+internal repose, but was involved in a long war with the German
+empire. She was crowned with great splendour in the year 1650. From
+this time she entertained a philosophical contempt for pomp and
+parade, and a kind of disgust for the affairs of state. She invited to
+her court men of the first reputation in various studies. She was a
+great collector of books, manuscripts, medals, paintings, &c. In 1654,
+when she was only in her 28th year, Christina abdicated the crown,
+in order that she might live a life of freedom. With her crown, she
+renounced the Lutheran and embraced the Catholic religion. In quitting
+the scene of her regal power, she proceeded to Rome, where she
+intended to fix her abode. Some disgust which she received at Rome,
+induced her, in the space of two years, to determine to visit France.
+Here she was treated with respect by Louis XIV., but the ladies were
+shocked with her masculine appearance and demeanour, and the unguarded
+freedom of her conversation. Apartments were assigned her at
+Fontainbleau, where she committed an action, which has indelibly
+stained her memory, and for which, in other countries, (says her
+biographer,) she would have paid the forfeit of her own life. This was
+the murder of an Italian, Monaldeschi, her master of the horse, who
+had betrayed some secret intrusted to him. He was summoned into a
+gallery in the palace; letters were then shown to him, at the sight of
+which he turned pale, and entreated for mercy; but he was instantly
+stabbed by two of her own domestics in an apartment adjoining that in
+which she herself was. The French court was justly offended at this
+atrocious deed; yet it met with vindicators, among whom was Leibnitz,
+whose name was disgraced by the cause which he attempted to justify.
+Christina was sensible that she was now regarded with horror in
+France, and would gladly have visited England, but she received no
+encouragement for that purpose from Cromwell. She returned to Rome,
+and resumed her amusements in the arts and sciences. In 1660, on the
+death of Charles Gustavus, she took a journey to Sweden to recover her
+crown; but her ancient subjects rejected her claims, and submitted to
+a second renunciation of the throne; after which she returned to Rome.
+Some differences with the pope made her resolve, in 1662, once more
+to return to Sweden; but the conditions annexed by the senate to her
+residence there were now so mortifying, that she proceeded no farther
+than Hamburgh. She went back to Rome, and cultivated a correspondence
+with the learned men there, and in other parts of Europe, and died in
+1689, leaving behind her many letters, a "Collection of Miscellaneous
+Thoughts or Maxims," and "Reflections on the Life and Actions of
+Alexander the Great."
+
+P.T.W.
+
+ * * * * *
+
+
+METHOD OF ASCERTAINING THE STATE OF THE LUNGS.
+
+(_For The Mirror_.)
+
+
+Persons desirous of ascertaining the true state of their lungs, are
+directed to draw in as much breath as they conveniently can; they are
+then to count as far as they are able, in a slow and audible voice,
+without drawing in more breath. The number of seconds they can
+continue counting must be carefully observed; in a consumption, the
+time does not exceed ten, and is frequently less than six seconds; in
+pleurisy and pneumonia, it ranges from nine to four seconds. When the
+lungs are in a sound condition, the time will range as high as from
+twenty to thirty-five seconds.
+
+G.W.N.
+
+ * * * * *
+
+
+
+
+THE COSMOPOLITE.
+
+ * * * * *
+
+ARTISTICAL ERRORS.
+
+A SECOND CHAPTER OF BULLS.
+
+(_For The Mirror_.)
+
+
+I saw a picture not long since, in Edinburgh, copied from an engraving
+in Boydell's Shakspeare; subject,--"Lear (and suite) in the storm,"
+but coloured according to the imagination and taste of the artist; its
+name ought assuredly to have been _Redcap and the blue-devils_, for
+the venerable and lamented monarch had fine streaming locks of the
+real _carrot hue_, whilst his very hideous companions showed _blue_
+faces, and blue armour; and with their strangely contorted bodies
+seemed meet representatives of some of the infernal court.--In a
+highly adorned prayer book, published in the reign of William
+III., the engravings of which are from _silver-plates_, one print
+illustrates our Lord's simile of the mote and beam, by a couple of men
+aiming at each other's visual organs, ineffectually enough, one having
+a great _log of wood_ growing from his eye, and the other being blind
+in one eye from a _cataract_; at least, though I think I do not err
+in saying, a _moat_ and castle, in it--I have seen an old edition of
+Jeremy Taylor's "Life and Death of Christ," illustrated with many
+remarkably good engravings. Of one of these the subject is, the
+Impotent Man at the Pool of Bethesda; the fore ground is occupied by
+our Saviour, the cripple, and other invalids; and in the distance
+appears a small _pond_ palisaded by slender pilasters; over it hovers
+an angel, who, with _a long pole_, is, to the marvel of the beholders,
+dexterously "troubling the waters." In the same volume, some of the
+figures are clad in the garb of the time when drawn, and St. Jude is
+reading the _New Testament_ in a _pair of spectacles_!--In Holyrood
+House, and in one of the rooms added in the days of Charles II., is a
+panel-painting of "the Infant Hercules strangling the serpents;" and
+leaping up in front of the cradle, appears one of those pretty and
+rare spaniels called _King Charles's breed_. In the same palace, and
+in one of the chambers, once occupied by the unfortunate Mary, is
+a very old painting, intended, as the guide assures visitors, to
+represent St. Peter's vision of the great sheet; it may be, but if so,
+_one_ archangel in _military sandals_, holding in his hands a _small
+towel_, represents (by a _figure_ in _painting_ I presume,) St. Peter,
+the sheet, and its innumerable living contents. He must have taken a
+hint, from the artist who painted for the passage through the Red Sea
+nothing but ocean, assuring his employer, that the Israelites could
+not be seen, because they were all gone over, and the Egyptians were
+every one drowned!--"I once saw," writes a friend, "a full length
+portrait of _Wordsworth_, in a modern painting of 'Christ riding into
+Jerusalem;' it was amongst a group of Jews, and next to a likeness
+of _Voltaire_. I believe the painter intended to contrast the
+countenances of the Christian and infidel poets, and thus pay a
+handsome compliment to the former; but the taste that placed the
+ancients and moderns together, remind me of a fine old painting of the
+Flemish school; a 'David with Goliah's head,' in the fore-ground of
+which were a number of fat _Dutchmen_, dressed in _blue coats and
+leather breeches_, with _pipes_ in their mouths."--"Raphael," says a
+little French work on painting, in my possession, speaking of _unity_
+of time, "_A peché contre cette regle, dans son tableau d'Heliodore,
+ou il fait intervenir le Pape Jules 2 dans le Temple de Jerusalem
+porte sur les epaules, des Gonfalonniers_." The same work notices a
+breach of the _unity of design_ in Paul Veronese, "_qui dans la partie
+droite d'un de ses tableaux, a represente Jesus Christ benissant
+l'eau, dont il va être baptise par St. Jean Baptiste; et dans la
+partie gauche notre Seigneur tente par le diable_."--Upon the
+celebrated "Transfiguration" of Raphael, I heard an artist remark,
+"undoubtedly it is the first picture in the world, yet the painter has
+erred in these respects:--the upper portion of the picture is occupied
+by the subject, but the lower and fore-ground by the _Healing of
+the Demoniac_. Now that event did not happen until after the
+transfiguration, and we infringe upon our Saviour's _ubiquity_ by
+supposing it to occur (contrary to the sacred story) at the same time.
+_He_ may, indeed, as _God_ be _omnipresent_, but as _man_, the
+New Testament no where asserts that the Incarnate Presence was in
+different places at the same moment." Instances of erroneous judgment
+are frequent in those who illustrate holy writ. Some have attempted to
+embody _Him_, "whom no man hath seen at any time." Some have filled
+their skies with beings as little aerial as possible, or apotheoses of
+the Virgin and sundry saints. Angels, as some represent them, even in
+whole lengths, are by _anatomists_ regarded as _monsters_; but what
+then are the chubby winged heads _without bodies_, with which some
+artists etherealize their works. Some err by mingling on the same
+canvass the sacred and profane; scripture characters and the
+non-descripts of heathen mythology. Nor is poetry free from the latter
+error, as is exemplified in the major and minor epics, &c., of many
+Christian poets. The drawings of the monks, splendid in colouring and
+beautiful in finish, are mostly ludicrous in design, from glaring
+anachronisms, erroneous perspective, &c. I saw a print in Montfauçon,
+where fish were gamboling like porpusses on the surface of the sea,
+and one or two were visible _through the paddles_ of a boat. In the
+same volume was a print of the apotheosis of St. Louis, from
+an illumination. The holy prince was represented dying in the
+fore-ground, but over head were a couple of angels flying away with
+his soul, (under the figure of a wretched infant, skinny and naked,
+save the glory that covered his head,) in a kind of sheet, or rather
+sack.
+
+But to detail all the absurdities and indecencies of these revered
+artists, whether limners, or carvers in wood, were endless. Their
+anachronisms, however, have been of considerable service to the
+antiquary. Sculpture has its monstrosities, architecture its
+incongruities, though not so palpable as those of painting, because
+the art is less generally understood by the common observer, or rather
+pictorial errors are in general easily detected by the eye alone,
+and sometimes by the most commonly informed mind; but architectural
+defects are only recognisable by those who have studied the principles
+of this fine art. Poetry, I am sorry to say, is not exempt from bulls
+and blunders, of various kinds and degrees of enormity; many of which
+have been, from time to time, exposed in a very amusing manner. I
+shall therefore, in conclusion, crave the liberty of producing one
+which has lately come under my own cognizance. A modern poet, whose
+compositions are fraught with beauty and genius, sings:--
+
+ "Then swooped the winds, that hurl the _giant oak_
+ From _Snowdon's altitude_."
+
+And another, in stanzas of extreme strength and eloquent description,
+describes a storm at night "among the mountains of Snowdon," with
+these expressions:--
+
+ ----"The bird of night
+ Screams from her straw-built nest, as from the womb
+ Of infant death, and wheels her drowsy flight
+ Amid _the pine-clad rocks_, with wonder and afright."
+
+ ----"The night-breeze dies
+ Faint, on _the mountain-ash leaves that surround
+ Snowdon's dark peaks_."
+
+Now, a painful pilgrimage of eleven hours, up Snowdon and back again,
+enables me to declare that had oaks, pines, and service-trees adorned
+that appalling and volcanic chaos, five or six years since, some storm
+sufficient to have shattered the universe, must have swept them all
+away, ere I looked upon that dreary assemblage of rocks which seems
+like the _ruins of a world_. I ascended from the Capel Cerig side of
+the mountain, and therefore venture not to say what may be the aspect
+of the Llanberries; but the only verdure I beheld, was that of short,
+brown heathy grass, a few stunted furze-bushes, and patches of that
+vividly green moss, which is spongy and full of water. The only living
+inhabitants of these wilds were a few ruffian-like miners, two or
+three black slugs, and a scanty flock of straggling half-starved
+mountain sheep, with their brown, ropy coats. The guide told me, that
+even _eagles_, had for three centuries abandoned the desolate crags
+of Snowdon; and as for its being a haunt for _owls_, neither bird nor
+mouse could reside there to supply such with subsistence. Snowdon
+appeared to me too swampy to be drained for cultivation in many parts,
+and in most others its marble, granite and shingles, forbade the idea
+of spontaneous vegetation. I am sorry for the poets, having a sincere
+regard for the fraternity, but Snowdon is not adorned with pines,
+firs, larches, and service-trees, like parts of the Alps; it is _not_
+wooded like the romantic Pyrenees, nor luxuriantly fertile in fruits,
+flowers, and grain, like the terrible, but sylvan Etna.
+
+M.L.B.
+
+ * * * * *
+
+
+
+
+OLD POETS
+
+ * * * * *
+
+
+DRUMMOND OF HAWTHORNDEN.
+
+
+["A Lover of Old English Poetry," has, in the last _London Magazine_,
+a short paper on DRUMMOND of HAWTHORNDEN, a name dear to every
+poetical mind, and every lover of early song. His intention, he says,
+is "rather to excite than satiate" the taste of his readers for the
+poetry of Drummond,--an object in which we cordially agree, and would
+contribute our offering, had not the task, in the present instance,
+been already so ably performed. We cannot, therefore, do better than
+introduce to our readers a few of his judicious selections. They are
+exquisite specimens of the evergreen freshness of old poetry, and by
+their contrast with contemporary effusions will contribute to the
+mosaic of our sheet. By the way, we hear of a sprinkling of the
+antique world of letters in some of the "Annuals"--an introduction
+which reflects high credit on the taste of the editors, and serves
+to prove that sicklied sentimentalities, like all other sweets, when
+enjoyed to excess, will cloy the fancy, but not so as entirely to
+unfit the mind for a higher species of intellectual enjoyment. We
+would have _old and new alternate_ in the literary wreath, lest, by
+losing the comparison, the "bright lights" of other times should be
+treated with irreverence and neglect.]
+
+
+FROM THE "HYMN ON THE FAIREST FAIR."
+
+
+ I feel my bosom glow with wonted fires:
+ Raised from the vulgar press, my mind aspires,
+ _Wing'd with high thoughts_, unto His praise to climb
+ From deep Eternity who call'd forth time:--
+ That ESSENCE, which, not mov'd, makes each thing move,--
+ Uncreate beauty--all-creating love...
+ Ineffable, all-powerful GOD, all free,--
+ Thou only liv'st, and all things live by thee...
+ Perfection's sum--prime cause of every cause,
+ Midst and beginning, where all good doth pause...
+ Incomprehensible, by reachless height;
+ And unperceived, by _excessive light_.
+ O King! whose greatness none can comprehend,
+ Whose boundless goodness does to all extend,--
+ Light of all beauty, ocean without ground,
+ _That standing, flowest--giving, dost abound_...
+ Great Architect--Lord of this universe,--
+ That sight is blinded would thy greatness pierce.
+
+Then follows this noble simile, nobly sustained, and with a flow and
+harmony of verse not common in the poets of his period:--
+
+ Ah! as a pilgrim who the Alps doth pass,
+ Or Atlas' temples crown'd with winter glass,--
+ The airy Caucasus, the Apennine,
+ Pyrenees' cliffs, where sun doth never shine;--
+ When he some craggy hills hath overwent,
+ Begins to think on rest, his journey spent,
+ Till mounting some tall mountain he do find
+ More heights before him than he left behind,--
+ With halting pace so while I would me raise
+ To the unbounded limits of Thy praise,
+ Some part of way I thought to have o'errun;
+ But now I see how scarce I have begun--
+ With wonders new my spirits range possest,
+ And, wandering wayless, in a maze them rest.
+
+ Oh! that the cause which doth consume our joy
+ Would the remembrance of it too destroy!
+
+
+LIFE.
+
+ Woods cut again do grow:
+ Bud doth the rose and daisy, winter done,
+ But we, once dead, do no more see the sun!
+ What fair is wrought
+ Falls in the prime, and passeth like a thought.
+
+
+SONNET.--SPRING.
+
+ Sweet Spring, thou com'st with all thy goodly train,--
+ Thy head with flame, thy mantle bright with flowers:
+ _The zephyrs curl the green locks of the plain_,--
+ The clouds for joy in pearls weep down their showers;--
+ Sweet Spring, thou com'st--but ah! my pleasant hours,
+ And happy days, with thee come not again!
+ The sad memorials only of my pain
+ Do with thee come, which turn my sweets to sours.
+ Thou art the same which still thou wert before,
+ _Delicious, lusty, amiable, fair_,
+ But she whose breath embalmed thy wholesome air
+ Is gone--nor gold, nor gems can her restore,
+ Neglected virtue--seasons, go and come,
+ When thine, forgot, lie closed in a tomb.
+
+
+SONNET.
+
+ Sweet bird, that sing'st away the early hours,
+ Of winters past, or coming, void of care,
+ Well pleased with delights which present are,--
+ Fair seasons, budding sprays, sweet-smelling flowers,
+ To rocks, to springs, to rills, from leavy bowers
+ Thou thy Creator's goodness dost declare,
+ And what dear gifts on thee he did not spare,--
+ A stain to human sense in sin that lowers.
+ What soul can be so sick, which by thy songs
+ (Attir'd in sweetness) sweetly is not driven
+ Quite to forget earth's turmoils, spites, and wrongs,
+ And lift a reverend eye and thought to heaven?
+ Sweet artless songster, thou my mind dost raise
+ To airs of spheres--yes, and to angels lays!
+
+
+SLEEP.
+
+ Now while the Night her sable veil hath spread,
+ And silently her resty coach doth roll,
+ Rousing with her, from Thetis' azure bed,
+ Those starry nymphs which dance about the pole;
+ While Cynthia, in purest cypress clad.
+ The Latmian shepherd in a trance descries,
+ And, looking pale from height of all the skies,
+ She dyes her beauties in a blushing red;
+ While Sleep, in triumph, closed hath all eyes,
+ And birds and beasts a silence sweet do keep,
+ And Proteus' monstrous people in the deep,--
+ The winds and waves, hush'd up, to rest entice,--
+ I wake, I turn, I weep, oppress'd with pain,
+ Perplex'd in the meanders of my brain.
+
+ Sleep, Silence' child, sweet father of soft rest,
+ Prince, whose approach peace to all mortals brings,
+ Indifferent host to shepherds and to kings,
+ Sole comforter of minds which are oppress'd--
+ Lo! by thy charming rod, all breathing things
+ Lie slumb'ring, with forgetfulness possess'd,
+ And yet o'er me to spread thy drowsy wings
+ Thou spar'st, alas! who cannot be thy guest.
+ Since I am thine, O come,--but with that face
+ To inward light, which thou art wont to shew--
+ With feigned solace ease a true-felt woe;
+ Or if, deaf god, thou do deny that grace,
+ Come as thou wilt, and what thou wilt bequeath
+ I long to kiss the image of my death!
+
+ * * * * *
+
+ Hark, happy lovers, hark!
+ This first and last of joys,
+ This sweetener of annoys,
+ This nectar of the gods,
+ You call a kiss, is with itself at odds:
+ And half so sweet is not,
+ In equal measure got
+ At light of sun as it is in the dark:
+ Hark, happy lovers, hark!
+
+ * * * * *
+
+
+
+
+NOTES OF A READER
+
+ * * * * *
+
+
+INDIAN FEAST OF SOULS.
+
+
+Every three or four years, by a general agreement, the Indians
+disinter the bodies of such as have died within that time; finding the
+soft parts mouldered away, they carefully clean the bones, and each
+family wrap up the remains of their departed friends in new fur.
+They are then laid together in one mound or barrow, and the ceremony
+concludes with a feast, with dances, songs, speeches, games, and mock
+combats.
+
+ * * * * *
+
+
+PALEY.
+
+
+We think it next to impossible for a candid unbeliever to read the
+Evidences of Paley, in their proper order, unshaken. His Natural
+Theology will open the heart, that it may understand, or at least
+receive the Scriptures, if any thing can. It is philosophy in its
+highest and noblest sense; scientific, without the jargon of science;
+profound, but so clear that its depth is disguised. There is nothing
+of the "budge Doctor" here; speculations which will convince, if aught
+will, that "in the beginning _God_ created the heaven and the earth,"
+are made familiar as household words. They are brought home to the
+experience of every man, the most ordinary observer on the facts of
+nature with which he is daily conversant. A thicker clothing, for
+instance, is provided in winter for that tribe of animals which are
+covered with _fur_. Now, in these days, such an assertion would be
+backed by an appeal to some learned Rabbi of a Zoological Society,
+who had written a deep pamphlet, upon what he would probably call the
+_Theory of Hair_. But to whom does Paley refer us? To any dealer in
+rabbit skins. The curious contrivance in the bones of birds, to unite
+strength with lightness, is noticed. The bore is larger, in proportion
+to the weight of the bone, than in other animals; it is empty; the
+substance of the bone itself is of a closer texture. For these facts,
+any "operative" would quote Sir Everard Home, or Professor Cuvier,
+by way of giving a sort of philosophical éclat to the affair, and
+throwing a little learned dust in the eyes of the public. Paley,
+however, advises you to make your own observations when you happen to
+be engaged in the scientific operation of picking the leg or wing of a
+chicken. The very singular correspondence between the two sides of any
+animal, the right hand answering to the left, and so on, is touched
+upon, as a proof of a contriving Creator, and a very striking one it
+is. Well! we have a long and abstruse problem in chances worked out to
+show that it was so many millions, and so many odd thousands to one,
+that accident could not have produced the phenomenon; not a bit of it.
+Paley, who was probably scratching his head at the moment, offers
+no other confirmation of his assertion, than that it is the most
+difficult thing in the world to get a _wig made even_, seldom as it is
+that the _face_ is made awry. The circulation of the blood, and the
+provision for its getting from the heart to the extremities, and back
+again, affords a singular demonstration of the Maker of the body being
+an admirable Master both of mechanics and hydrostatics. But what is
+the language in which Paley talks of this process?--technical?--that
+mystical nomenclature of Diaforius, which frightens country patients
+out of their wits, thinking, as they very naturally do, that a disease
+must be very horrid which involves such very horrid names? Hear our
+anatomist from Giggleswick.
+
+"The aorta of a whale is larger in the bore than the main-pipe of the
+water-works at London Bridge; and the roaring in the passage through
+that pipe is inferior, in impetus and velocity, to the blood gushing
+from the whale's heart."
+
+He cares not whence he fetches his illustrations, provided they are to
+the purpose. The laminae of the feathers of birds are kept together by
+teeth that hook into one another, "as a _latch_ enters into the catch,
+and fastens a door." The eyes of the mole are protected by being very
+small, and buried deep in a cushion of skin, so that the apertures
+leading to them are like _pin-holes in a piece of velvet_, scarcely
+pervious to loose particles of earth. The snail without wings, feet,
+or thread, adheres to a stalk by a provision of _sticking-plaster_.
+The lobster, as he grows, is furnished with a way of uncasing himself
+of his buckler, and drawing his legs out of _his boots_ when they
+become too small for him.
+
+In this unambitious manner does Paley prosecute his high theme,
+drawing, as it were, philosophy from the clouds. But it is not
+merely the fund of entertaining knowledge which the Natural Theology
+contains, or the admirable address displayed in the adaption of it,
+which fits it for working conviction; the "sunshine of the breast,"
+the cheerful spirit with which its benevolent author goes on his way
+([Greek: kudei gaion],) this it is that carries the coldest reader
+captive, and constrains him to confess within himself, and even in
+spite of himself, "it is good for me to be here."
+
+...We mourn over the leaves of our peaches and plum-trees, as they
+wither under a blight. What does Paley see in this? A legion of
+animated beings (for such is a _blight_) claiming their portion of
+the bounty of Nature, and made happy by our comparatively trifling
+privation, We are tortured by bodily _pain_,--Paley himself was so,
+even at the moment that he was thus nobly vindicating God's wisdom
+and ways. What of that? Pain is not the object of contrivance--no
+anatomist ever dreamt of explaining any organ of the body on the
+principle of the thumb screw; it is itself productive of good; it
+is seldom both violent, and long continued; and then its pauses and
+intermissions become positive pleasures. "It has the power of shedding
+a satisfaction over intervals of ease, which I believe," says this
+true philosopher, "few enjoyments exceed." The returns of an hospital
+in his neighbourhood lie before him. Does he conjure up the images of
+Milton's lazar-house, and sicken at the spectacle of human suffering?
+No--he finds the admitted 6,420--the dead, 234--the _cured_, 5,476;
+his eye settles upon the last, and he is content.
+
+There is nothing in the world which has not more handles than one; and
+it is of the greatest consequence to get a habit of taking hold by the
+best. The bells speak as we make them; "how many a tale their music
+tells!" Hogarth's industrious apprentice might hear in them that he
+should be "Lord Mayor of London"--the idle apprentice that he should
+be hanged at Tyburn. The landscape looks as we see it; if we go to
+meet a friend, every distant object assumes his shape--
+
+ "In great and small, and round and square,
+ 'Tis Johnny, Johnny, every where."
+
+Crabbe's lover passed over the very same heath to his mistress and
+from her; yet as he went, all was beauty--as he returned all was
+blank. The world does not more surely provide different kinds of food
+for different animals, than it furnishes doubts to the sceptic and
+hopes to the believer, as he takes it. The one, in an honest and good
+heart, pours out the box of ointment on a Saviour's head--the other,
+in the pride of his philosophy, only searches into it for a dead
+fly.--_Q. Rev._
+
+ * * * * *
+
+
+"ALL FOR THE BEST."
+
+
+When Bernard Gilpin was summoned up to London to give an account of
+himself and his creed before Bonner, he chanced to break his leg on
+the way; and, on some persons retorting upon him a favourite saying
+of his own, "that nothing happens to us but what is intended for our
+good," and asking him whether it was for his good that he had broken
+his leg, he answered, "that he made no question but it was." And so it
+turned out, for before he was able to travel again, Queen Mary died,
+and he was set at liberty.
+
+ * * * * *
+
+Men keep their word simply because it is _right_ to do so. They feel
+it is right, and ask no further questions. Conscience carries along
+with it its own authority--its own credentials. The depraved appetites
+may rebel against it, but they are aware that it is rebellion.--_Q.
+Rev._
+
+ * * * * *
+
+
+ARAB HOSPITALITY.
+
+
+M. Pacho, the African traveller, lately arrived at Marmorica, when the
+rains had commenced, and the ground was preparing for the seed, and
+was admitted to all the rites of Arab hospitality. Invited to a great
+feast, he was regaled with the usual dainty of a sheep roasted whole,
+and eaten with the fingers; while girls, dressed as Caryatides,
+presented a large vase of milk, which was passed round to the company.
+All that was expected in return was to cover bits of paper with
+writing, and thus convert them into amulets; for, in his capacity
+of sorcerer, the Christian is supposed to possess supernatural
+powers.--_Edinburgh Rev._
+
+ * * * * *
+
+
+IMPROMPTU ON WASTE.
+
+_By the late Edward Knight, Esq. of Drury-Lane Theatre._
+
+
+ Oh! waste thou not the smallest thing
+ Created by Divinity;
+ For grains of sand the mountains make,
+ And atomics infinity.
+ Waste thou not, then, the smallest time--
+ 'Tis imbecile infirmity;
+ For well thou know'st, if aught thou know'st,
+ That seconds form eternity.
+
+_Forget Me Not_--1829.
+
+ * * * * *
+
+
+AN ELECTION.
+
+
+G.A. Steevens says an election is "madman's holiday;" but in the
+last _Quarterly Review_ we find the following ludicrous supplemental
+illustration.
+
+Let a stranger be introduced, for the first time, to an election,
+let him be shown a multitude of men reeling about the streets of a
+borough-town, fighting within an inch of their lives, smashing windows
+at the Black Bear, or where
+
+ "High in the street, o'erlooking all the place,
+ The Rampant Lion shows his kingly face;"
+
+and yelling like those animals in Exeter 'Change at supper time; and
+then let him be told that these worthies are choosing the senate of
+England--persons to make the laws that are to bind them and their
+children, property, limb, and life, and he would certainly think the
+process unpropitious. Yet, in spite of it all, a number of individuals
+are thus collected, who transact the business of the nation, and
+represent its various interests tolerably well. The machinery is
+hideous but it produces not a bad article.
+
+ * * * * *
+
+
+SPANISH COMFORTS.
+
+
+In Spain, there are few or no schools in the villages and small towns,
+that would have the effect of releasing the minds of the natives from
+monkish tyranny, which at present influences their principles, and
+biasses their choice, with regard to political, and indeed almost all
+other pursuits. Nor is any attention paid to trade. The peasantry
+simply exist, like cattle, without any other signs of exertion, than
+such as the necessity of food requires. They have no idea of rising in
+the world; and where there is no interest there is no activity.
+
+It appears, that in the North of Spain, so little encouragement
+is given to the arts, that even physicians are not able to obtain
+support; that prints are unsaleable, and no new publications appear
+but newspapers; that the tradesmen neglect their persons, very seldom
+shaving, and having frequently a cigar in their mouths; that the
+breath of the ladies smells of garlick; that the gentlemen smoke
+cigars in bed; that there is hardly a single manufactory in the
+kingdom belonging to a native in a flourishing state; that, from
+recent political events, the flocks have been neglected, and the
+wool deteriorated; that cleanliness is neglected, and rats and mice
+unmolested; that the porters of the most respectable houses are
+cobblers, who work at their trades at their doors; that women are
+employed in loading and unloading ships; and that they, as well as the
+servants in houses, carry every thing on their heads, even lighted
+candles, without the least fear of their being extinguished; that oxen
+are tied to carts by their horns; that in the inns, generally, no one
+can read or write but the landlords; that the constitutional soldiers,
+for their fare, generally took a leathern bag, (_barracho_,) and got
+it filled with red wine as sour as vinegar; not appearing to wish for
+meat, bread and cheese, with boiled soup, onions, and garlick, forming
+the substance of their frugal repasts; that no memorial is erected on
+the spot where the battle of Vittoria was fought in 1813; and that, in
+fact, there is no national feeling in the country.
+
+ * * * * *
+
+
+THE EQUIVOCAL GENTLEMAN
+
+
+Must always keep his dignity, for his dignity will not keep him. We
+have no objection to meet him at a dress party, or at the quarter
+sessions, nor to read his articles in the Edinburgh, the Quarterly, or
+the British Critic; but we request not his contributions for Maga,
+nor will Mr. North send him a general invitation to the
+Noctes.--_Blackwood's Mag._
+
+ * * * * *
+
+
+INTENSE COLD.
+
+
+The lowest temperature witnessed by Capt. Franklin in North America
+was on the 7th of February, of the second winter passed on the shores
+of Bear Lake. At eight in the morning, the mercury in the thermometer
+descended to 58° below zero; it had stood at -57.5°, and -57.3° in the
+course of that and the preceding day; between the 5th and the 8th, its
+general state was from -48° to -52°, though it occasionally rose to
+-43°. At the temperature of -52.2°, Mr. Kendall froze some mercury
+in the mould of a pistol-bullet, and fired it against a door at the
+distance of six paces. A small portion of the mercury penetrated to
+the depth of one-eighth of an inch, but the remainder only just lodged
+in the wood. The extreme height of the mercury in the tube was from
+71° at noon to 73° at three o'clock.--_Quarterly Rev._
+
+ * * * * *
+
+
+PARR'S PUNNING.
+
+
+Of all the species of wit, punning was one which Dr. Parr disliked,
+and in which he seldom indulged; and yet some instances of it have
+been related. Reaching a book from a high shelf in his library, two
+other books came tumbling down; of which one, a critical work of
+Lambert Bos, fell upon the other, which was a volume of Hume. "See!"
+said he, "what has happened--_procumbit humi bos_." On another
+occasion, sitting in his room, suffering under the effects of a slight
+cold, when too strong a current was let in upon him, he cried out,
+"Stop, stop, that is too much. I am at present only _par levibus
+ventis_." At another time, a gentleman having asked him to subscribe
+to Dr. Busby's translation of Lucretius, he declined to do so,
+saying it would cost too much money; it would indeed be "Lucretius
+_carus_."--_Field's Memoirs_.
+
+ * * * * *
+
+
+HOUBRAKEN'S HEADS.
+
+
+Houbraken, as the late Lord Orford justly observes, "was ignorant of
+our history, uninquisitive into the authenticity of the drawings which
+were transmitted to him, and engraved whatever was sent;" adducing two
+instances, namely, Carr, Earl of Somerset, and Secretary Thurloe, as
+not only spurious, but not having the least resemblance to the persons
+they pretend to represent. An anonymous but evidently well informed
+writer (in the Gentleman's Magazine) further states, that "Thurloe's,
+and about _thirty_ of the others, are copied from heads painted for no
+one knows whom."--_Lodge's Illustrated Biography_.
+
+ * * * * *
+
+
+VIRGIL'S GEORGICS.
+
+
+Every reader of taste knows that "glance from earth to heaven" which
+pervades the Georgics throughout, and that poetical almanack which
+the poet has made use of for pointing out the various seasons for
+the different operations of husbandry. Will it be believed that his
+Spanish translator has actually taken the trouble to convert these
+indications into days of the month, and inserted the result of his
+labours in the text?
+
+ * * * * *
+
+
+WOMAN'S EYE.
+
+
+ The light that beams from woman's eye.
+ And sparkles through her tear,
+ Responds to that impassion'd sigh
+ Which love delights to hear.
+ 'Tis the sweet language of the soul,
+ On which a voice is hung,
+ More eloquent than ever stole
+ From saint's or poet's tongue.
+
+_Forget Me Not_--1829.
+
+ * * * * *
+
+
+"NIMIUM NE CREDE COLORI."
+
+
+Jack Taylor once said to a water-drinking person, with a purple face,
+"better things might _prima facie_ be expected."
+
+ * * * * *
+
+
+
+
+SPIRIT OF THE PUBLIC JOURNALS.
+
+ * * * * *
+
+
+MR. ABERNETHY.
+
+
+Of Mr. Abernethy's independence and strict veneration of what
+is right, we have many examples. Among others, the following is
+characteristic:--A certain noble personage, now enjoying a situation
+of great responsibility in the Sister Kingdom, had been waiting for
+a long time in the surgeon's anteroom, when, seeing those who had
+arrived before him, successively called in, he became somewhat
+impatient, and sent his card in. No notice was taken of the hint; he
+sent another card--another--another--and another; still no answer.
+At length he gained admission in his turn; and, full of nobility
+and choler, he asked, rather aristocratically, why he had been kept
+waiting so long?--"Wh--ew!" responded the professor; "because you
+didn't come sooner, to be sure. And now, if your lordship will sit
+down, I will hear what you have to say."
+
+One thing Mr. Abernethy cannot abide, that is, any interruption to his
+discourse. This it is, in fact, which so often irritates him, so often
+causes him to snarl.--"People come here," he has often said to us,
+"to consult me, and they will torture me with their long and foolish
+fiddle-de-dee stories; so we quarrel, and then they blackguard me all
+about this large town; but I can't help that."
+
+That Abernethy is odd all the world knows, but his oddity is far more
+amusing than repulsive, far more playful than bearish. Yates's picture
+of him last year was not bad; neither was it good--it wanted the
+raciness of the original. Let the reader imagine a smug, elderly,
+sleek, and venerable-looking man, approaching seventy years of age,
+rather (as novel-writers say) below than above the middle height,
+somewhat inclined to corpulency, and upright in his carriage withal;
+with his hair most primly powdered, and nicely curled round his brow
+and temples: let them imagine such a person habited in sober black,
+with his feet thrust carelessly into a pair of unlaced half-boots,
+and his hands into the pockets of his "peculiars," and they have the
+"glorious John" of the profession before their eyes. The following
+colloquy, which occurred not many days since, between him and a friend
+of ours, is so characteristic of the professor, that we cannot resist
+its insertion:--
+
+Having entered the room, our friend "opened the proceedings." "I wish
+you to ascertain what is the matter with my eye, sir. It is very
+painful, and I am afraid there is some great mischief going
+on."--"Which I can't see," said Abernethy, placing the patient before
+the window, and looking closely at the eye.--"But--" interposed
+our friend.--"Which I can't see," again said, or rather sung the
+professor. "Perhaps not, sir, but--"--"Now don't bother!" ejaculated
+the other; "but sit down, and I'll tell you all about it." Our friend
+sat down accordingly, while Abernethy, standing with his back against
+the table, thus began: "I take it for granted that, in consulting me,
+you wish to know what I should do for myself, were I in a predicament
+similar to yourself. Now, I have no reason to suppose that you are
+in any particular predicament; and the terrible mischief which you
+apprehend, depends, I take it, altogether upon the stomach. Mind,--at
+present I have no reason to believe that there is any thing else
+the matter with you." (Here my friend was about to disclose sundry
+dreadful maladies with which he believed himself afflicted, but he was
+interrupted with "Diddle-dum, diddle-dum, diddle-dum dee!" uttered in
+the same smooth tone as the previous part of the address--and he was
+silent.)--"Now, your stomach being out of order, it is my duty to
+explain to you how to put it to rights again; and, in my whimsical
+way, I shall give you an illustration of my position; for I like to
+tell people something that they will remember. The kitchen, that is,
+your stomach, being out of order, the garret (pointing to the head)
+cannot be right, and egad! every room in the house becomes affected.
+Repair the injury in the kitchen,--remedy the evil there,--(_now don't
+bother_,) and all will be right. This you must do by diet. If you put
+improper food into your stomach, by Gad you play the very devil with
+it, and with the whole machine besides. Vegetable matter ferments, and
+becomes gaseous; while animal substances are changed into a putrid,
+abominable, and acrid stimulus. (_Don't bother again!_) You are going
+to ask, 'What has all this to do with my eye?' I will tell you.
+Anatomy teaches us, that the skin is a continuation of the membrane
+which lines the stomach; and your own observation will inform you,
+that the delicate linings of the mouth, throat, nose, and eyes, are
+nothing more. Now some people acquire preposterous noses, others
+blotches on the face and different parts of the body, others
+inflammation of the eyes--all arising from irritation of the stomach.
+People laugh at me for talking so much about the stomach. I sometimes
+tell this story to forty different people of a morning, and some won't
+listen to me; so we quarrel, and they go and abuse me all over the
+town. I can't help it--they came to me for my advice, and I give it
+them, if they will take it. I can't do any more. Well, sir, as to the
+question of diet. I must refer you to my book. (Here the professor
+smiled, and continued smiling as he proceeded.) There are only about a
+dozen pages--and you will find, beginning at page 73, all that it
+is necessary for you to know. I am christened 'Doctor My-Book,' and
+satirized under that name all over England; but who would sit and
+listen to a long lecture of twelve pages, or remember one-half of it
+when it was done? So I have reduced my directions into writing, and
+there they are for any body to follow, if they please.
+
+"Having settled the question of diet, we now come to medicine. It is,
+or ought to be, the province of a medical man to soothe and assist
+Nature, not to force her. Now, the only medicine I should advise you
+to take, is a dose of a slight aperient medicine every morning the
+first thing. I won't stipulate for the dose, as that must be regulated
+by circumstances, but you must take some; for without it, by Gad; your
+stomach will never be right. People go to Harrowgate, and Buxton, and
+Bath, and the devil knows where, to drink the waters, and they return
+full of admiration at their surpassing efficacy. Now these waters
+contain next to nothing of purgative medicine; but they are taken
+readily, regularly, and in such quantities, as to produce the desired
+effect. You must persevere in this plan, sir, until you experience
+relief, which you certainly will do. I am often asked--'Well, but
+Mr. Abernethy, why don't you practise what you preach?' I answer, by
+reminding the inquirer of the parson and the signpost: both point
+the way, but neither follow its course."--And thus ended a
+colloquy, wherein is mingled much good sense, useful advice, and
+whimsicality.--_New Monthly Magazine_.
+
+ * * * * *
+
+
+GIPSIES.
+
+
+ Whether from India's burning plains,
+ Or wild Bohemia's domains
+ Your steps were first directed:--
+ Or whether ye be Egypt's sons,
+ Whose stream, like Nile's for ever runs
+ With sources undetected,--
+
+ Arab's of Europe! Gipsy race!
+ Your Eastern manners, garb, and face
+ Appear a strange chimera;
+ None, none but you can now be styled
+ Romantic, picturesque, and wild,
+ In this prosaic era.
+
+ Ye sole freebooters of the wood
+ Since Adam Bell and Robin Hood--
+ Kept every where asunder
+ From other tribes--King, Church, and State
+ Spurning, and only dedicate
+ To freedom, sloth, and plunder.
+ Your forest-camp--the forms one sees
+ Banditti like amid the trees,
+ The ragged donkies grazing,
+ The Sibyl's eye prophetic, bright
+ With flashes of the fitful light,
+ Beneath the caldron blazing,--
+
+ O'er my young mind strange terrors threw:
+ Thy history gave me Moore Carew!
+ A more exalted notion
+ Of Gipsy life, nor can I yet
+ Gaze on your tents, and quite forget
+ My former deep emotion.
+
+ For "auld lang syne" I'll not maltreat
+ Yon pseudo-Tinker, though the Cheat,
+ Ay sly as thievish Reynard,
+ Instead of mending kettles, prowls
+ To make foul havock of my fowls,
+ And decimate my hen-yard.
+
+ Come thou, too, black-eyed lass, and try
+ That potent skill in palmistry.
+ Which sixpences can wheedle;
+ Mine is a friendly cottage--here
+ No snarling mastiff need you fear,
+ No Constable or Beadle.
+
+ 'Tis yours, I know, to draw at will
+ Upon Futurity a bill,
+ And Plutus to importune:--
+ Discount the bill--take half yourself
+ Give me the balance of the pelf.
+ And both may laugh at fortune.
+
+_Ibid_.
+
+ * * * * *
+
+
+GEORGE HARVEST.
+
+
+The Rev. George Harvest, of Trinity College, Cambridge, having been
+private tutor to the Duke of Richmond, was invited to dine with the
+old duchess, and to accompany her party to the play. He used to travel
+with a night-cap in his pocket, and having occasion for a handkerchief
+at the theatre, made use of his cap for that purpose. In one of his
+reveries, however, it fell from the side-box, where he was sitting,
+into the pit, where a wag, who picked it up, hoisted it upon the end
+of a stick, that it might be claimed by its rightful proprietor. Judge
+of the consternation of a large party of ladies of rank and fashion,
+when George Harvest rose in the midst of them, and claimed the
+night-cap (which was somewhat greasy from use) by the initials G.H.,
+which were legibly marked on it. The cap was restored to him amidst
+shouts of laughter, that ran through the pit to the great discomfiture
+of the duchess and the rest of the party.--Ibid.
+
+ * * * * *
+
+
+
+
+SCIENTIFIC RECREATIONS.
+
+ * * * * *
+
+
+ELECTRICAL PHENOMENA.
+
+(_From the Treatise on Electricity--in the Library of Useful
+Knowledge_.)
+
+
+The colours produced by the electric explosion of metals have been
+applied to impress letters or ornamental devices on silk and on paper.
+For this purpose Mr. Singer directs that the outline of the required
+figure should be first traced on thick drawing paper, and afterwards
+cut out in the manner of stencil plates. The drawing paper is then
+placed on the silk or paper intended to be marked; a leaf of gold is
+laid upon it, and a card over that; the whole is then placed in a
+press or under a weight, and a charge from a battery sent through the
+gold leaf. The stain is confined by the interposition of the drawing
+paper to the limit of the design, and in this way a profile, a flower,
+or any other outline figure may be very neatly impressed.
+
+Most combustible bodies are capable of being inflamed by electricity,
+but more especially if it be made to strike against them in the form
+of a spark or shock obtained by an interrupted circuit, as by the
+interposition of a stratum of air. In this way may alcohol, ether,
+camphor, powdered resin, phosphorus, or gunpowder be set fire to. The
+inflammation of oil of turpentine will be promoted by strewing upon it
+fine particles of brass filings. If the spirit of wine be not highly
+rectified, it will generally be necessary previously to warm it, and
+the same precaution must be taken with other fluids, as oil and
+pitch; but it is not required with ether, which usually inflames
+very readily. But on the other hand, it is to be remarked that the
+temperature of the body which communicates the spark appears to have
+no sensible influence on the heat produced by it. Thus the sparks
+taken from a piece of ice are as capable of inflaming bodies as those
+from a piece of red-hot iron. Nor is the heating power of electricity
+in the smallest degree diminished by its being conducted through any
+number of freezing mixtures which are rapidly absorbing heat from
+surrounding bodies.
+
+ * * * * *
+
+
+HEATING ROOMS.
+
+
+A new invention for heating rooms has met with much encouragement in
+Paris. A piece of quick-lime dipped into water, and shut hermetically
+into a box constructed for the purpose, is said to give almost
+a purgatory-heat, and prevent the necessity of fire during
+winter.--_Lit. Gaz_.
+
+ * * * * *
+
+
+
+
+THE SELECTOR;
+
+AND LITERARY NOTICES OF _NEW WORKS_
+
+ * * * * *
+
+
+GOLDEN RULES.
+
+TO RENDER MEN HONEST, RESPECTABLE, AND HAPPY.
+
+_By Sir Richard Phillips_.
+
+
+All members of the human family should remember, that the human race
+is, as to time and nature, but as one totality; for, since every man
+and woman had two parents, each parent two parents, and so on in
+geometrical progression, hence every individual, high or low, must
+necessarily be descended from every individual of the whole population
+as it existed but a few hundred years before, whether they were high
+or low, virtuous or abandoned; while every procreative individual of
+the existing race must be the actual progenitor of the entire race
+which may exist at the same distance of future time. What motives for
+charity, for forbearing from injuries, for benevolence, for universal
+love.
+
+ * * * * *
+
+The bed of sickness, with its increased sensibility of nerves, is
+a delicate test of man's conscience, and of self-approbation or
+reprobation. Requiring sympathy himself, he now sympathizes with
+others; and, unable to direct his thoughts to external things, they
+are forced upon himself. Great is then his solace, and efficacious his
+medicines, if he has no other reflections than such as are supplied by
+his justice, liberality, and benevolence; but accumulated will be his
+sufferings, and dangerous the result, if crimes and misdeeds force
+themselves at such a time on his mind; while in any delirium of fever
+he will rave on those subjects, and, without vision, will often
+perceive, by the mere excitement of his brain, the spectres of the
+injured making grimaces before him.
+
+ * * * * *
+
+If you are rich, and want to enjoy the exalted luxury of relieving
+distress, go to the Bankrupt Court, to the Court for Insolvent
+Debtors, to the gaols, the work-houses, and the hospitals. If you are
+rich and childless, and want heirs, look to the same assemblages of
+misfortune; for all are not culpable who appear in the Bankrupt and
+Insolvent Lists; nor all criminal who are found in gaols; nor all
+improvident who are inmates of work-houses and hospitals. On the
+contrary, in these situations, an alloy of vice is mixed with virtue
+enough to afford materials for as deep tragedies as ever poet fancied
+or stage exhibited; and visiters of relief would act the part of
+angels descending from Heaven among men, whose chief affliction is the
+neglect of unthinking affluence.
+
+ * * * * *
+
+Marriage is a circumstance of life, which, in its actual course,
+involves the feelings and fortunes of human beings more than any
+other event of their lives. It is a connexion generally formed by
+inexperience, under the blindness and caprice of passion; and, though
+these conditions cannot be avoided, as forming the bases of the
+connexion, yet it is so important, that a man is never ruined who
+has an interesting, faithful, and virtuous wife; while he is lost
+to comfort, fortune, and even to hope, who has united himself to
+a vicious and unprincipled one. The fate of woman is still more
+intimately blended with that of her husband; for, being in the eyes
+of the law and the world but second to him, she is the victim of his
+follies and vices at home, and of his ill success and degradation
+abroad. Rules are useless, where passions, founded on trifling
+associations and accidents, govern; but much mischief often results
+from fathers expecting young men to be in the social position of
+old ones, and from present fortune being preferred to virtues; for
+industry and talent, stimulated by affection, and fostered by family
+interests, soon create competency and fortune; while a connexion
+founded on mere wealth, which is often speedily wasted by dissipation,
+habits of extravagance, and the chances of life, necessarily ends in
+disappointment, disgust, and misery.
+
+ * * * * *
+
+Wretched is the man who has no employment but to watch his own
+digestions; and who, on waking in the morning, has no useful
+occupation of the day presented to his mind. To such a one respiration
+is a toil, and existence a continued disease. Self-oblivion is his
+only resource, indulgence in alcohol in various disguises his remedy,
+and death or superstition his only comfort and hope. For what was he
+born, and why does he live? are questions which he constantly asks
+himself; and his greatest enigmas are the smiling faces of habitual
+industry, stimulated by the wants of the day, or fears for the future.
+If he is excited to exertion, it is commonly to indulge some vicious
+propensity, or display his scorn of those pursuits which render others
+happier than himself. If he seek to relieve his inanity in books, his
+literature ascends no higher than the romances, the newspapers, or the
+scandal, of the day; and all the nobler pursuits of mind, as well as
+body, are utterly lost in regard to him. His passage through life
+is like that of a bird through the air, and his final cause appears
+merely to be that of sustaining the worms in his costly tomb.
+
+ * * * * *
+
+The decline of life, and the retrospections of old age, furnish
+unequivocal tests of worthiness and unworthiness. Happy is the man,
+who, after a well-spent life, can contemplate the rapid approach of
+his last year with the consciousness that, if he were born again, he
+could not, under all the circumstances of his worldly position, have
+done better, and who has inflicted no injuries for which it is too
+late to atone. Wretched, on the contrary, is he, who is obliged to
+look back on a youth of idleness and profligacy, on a manhood
+of selfishness and sensuality, and on a career of hypocrisy, of
+insensibility, of concealed crime, and of injustice above the reach
+of law. Visit both during the decay of their systems, observe their
+feelings and tempers, view the followers at their funerals, count the
+tears on their graves; and, after such a comparison, in good time make
+your own choice.
+
+ * * * * *
+
+Constant change is the feature of society. The world is like a magic
+lantern, or the shifting scenes in a pantomime. TEN YEARS convert the
+population of schools into men and women, the young into fathers and
+matrons, make and mar fortunes, and bury the last generation but one.
+TWENTY YEARS convert infants into lovers, and fathers and mothers,
+render youth the operative generation, decide men's fortunes and
+distinctions, convert active men into crawling drivellers, and bury
+all the preceding generation. THIRTY YEARS raise an active generation
+from nonentity, change fascinating beauties into merely bearable old
+women, convert lovers into grandfathers and grandmothers, and bury the
+active generation, or reduce them to decrepitude and imbecility. FORTY
+YEARS, alas! change the face of all society; infants are growing old,
+the bloom of youth and beauty has passed away, two active generations
+have been swept from the stage of life, names so cherished are
+forgotten, and unsuspected candidates for fame have started from the
+exhaustless womb of nature. FIFTY YEARS! why should any desire to
+retain their affections from maturity for fifty years? It is to behold
+a world which they do not know, and to which they are unknown; it
+is to live to weep for the generations passed away, for lovers, for
+parents, for children, for friends, in the grave; it is to see every
+thing turned upside down by the fickle hand of fortune, and the
+absolute despotism of time; it is, in a word, to behold the vanity of
+human life in all its varieties of display!
+
+_Social Philosophy_.
+
+ * * * * *
+
+
+
+
+THE GATHERER
+
+ A snapper up of unconsidered trifles.
+SHAKSPEARE.
+
+ * * * * *
+
+
+SHERRY.
+
+
+Commentators have puzzled themselves to find out Falstaff's sherries
+sack: there can be no doubt but that it was _dry sherry_, and the
+French word _sec_ dry, corrupted into sack. In a poem printed in 1619,
+sack and sherry are noted throughout as synonymous, every stanza of
+twelve ending--
+
+ Give me sack, old sack, boys,
+ To make the muses merry,
+ The life of mirth, and the joy of the earth,
+ Is a cup of old sherry.
+
+ * * * * *
+
+
+CURIOUS WILL.
+
+
+ _By a Student of the University of Dublin.
+ Cum ita semper me amares_,
+ How to reward you all my care is,
+ _Consilium tibi do imprimis_
+ For I believe that short my time is;
+ _Amice Admodum amande_,
+ Pray thee leave off thy drinking brandy,
+ _Video qua sorte jaceo hic_,
+ 'Tis all for that, O sick! O sick!
+ _Mors mea, vexat matrem piam_,
+ No dog was e'er so sick as I am.
+ _Secundo mi amice bone_,
+ My breeches take, but there's no money,
+ _Et vestes etiam tibi dentur_,
+ If such old things to wear you'll venture;
+ _Pediculos si potes pellas_,
+ But they are sometimes prince's fellows;
+ _Accipe libros etiam musam_,
+ If I had lived I ne'er had used them,
+ _Spero quod his contentus eris_,
+ For I've a friend almost as dear is,
+ _Vale ne plus tibi detur_.
+ But send her up, Jack, if you meet her.
+
+C.K.W.
+
+ * * * * *
+
+
+OLD ST. PAUL'S.
+
+
+In the old cathedral of St. Paul, walks were laid out for merchants,
+as in the Royal Exchange. Thus, "the south alley for usurye, and
+poperye; the north for simony and the horse fair; in the middest for
+all kinds of bargains, meetings, brawlings, murthers, conspiracies;
+and the font for ordinary paiements of money, are so well knowne to
+all menne as the beggar knows his dishe."
+
+ * * * * *
+
+
+THE LINCOLNSHIRE EEL,
+
+_A bit of Munchausen._
+
+
+In the year 1702, there was a universal complaint among the feeders
+of cattle in the fens, that they frequently lost a horse, an ox, or
+a cow, and could not discover by what means; when watching more
+narrowly, they observed a horse, and presently after a cow, go to the
+river to drink, and suddenly disappear. On going to the river-side
+they saw an eel, the body of which was as large as an elephant. They
+could not doubt but this was the thief who had so often robbed them of
+their cattle, and they very reasonably concluded if they could catch
+the eel, their cattle would henceforth drink in safety. A council
+being called among the farmers, they determined upon the following
+expedient:--They sent to London and purchased a cable and anchor, by
+way of fishing-line and hook, and roasted a young bullock, with which
+they baited the hook, and fastened the end of the cable round a barn,
+which stood about a hundred feet from the river, and then waited to
+see what the morning would produce. At break of day they repaired to
+the riverside, when, to their great astonishment, they found that the
+eel had been there and swallowed the bait, but in endeavouring to
+disengage himself, had pulled the barn after him into the river, and
+having broken the cable, made his escape.
+
+ * * * * *
+
+With the present is published a SUPPLEMENTARY NUMBER, containing
+the SPIRIT of "the ANNUALS" for 1829--with Critical Notices of their
+Engravings and Literary Contents, copious Selections, and Unique
+Extracts, and a FINE ENGRAVING from a splendid subject; in one of the
+most popular of these elegant works.
+
+ * * * * *
+
+LIMBIRD'S EDITION OF THE FOLLOWING NOVELS ARE ALREADY PUBLISHED:
+
+ s. d.
+ Mackenzie's Man of Feeling 0 6
+ Paul and Virginia 0 6
+ The Castle of Otranto 0 6
+ Almoran and Hamet 0 6
+ Elizabeth, or the Exiles of Siberia 0 6
+ The Castles of Athlin and Dunbayne 0 6
+ Rasselas 0 8
+ The Old English Baron 0 8
+ Nature and Art 0 8
+ Goldsmith's Vicar of Wakefield 0 10
+ Sicilian Romance 1 0
+ The Man of the World 1 0
+ A Simple Story 1 4
+ Joseph Andrews 1 6
+ Humphry Clinker 1 8
+ The Romance of the Forest 1 8
+ The Italian 2 0
+ Zeluco, by Dr. Moore 2 6
+ Edward, by Dr. Moore 2 0
+ Roderick Random 2 6
+ The Mysteries of Udolpho 3 6
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Mirror of Literature, Amusement,
+and Instruction, by Various
+
+*** END OF THE PROJECT GUTENBERG EBOOK 11528 ***