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diff --git a/11514-0.txt b/11514-0.txt new file mode 100644 index 0000000..1dac976 --- /dev/null +++ b/11514-0.txt @@ -0,0 +1,3877 @@ +*** START OF THE PROJECT GUTENBERG EBOOK 11514 *** + +BALCONY STORIES + +BY + +GRACE KING + + +1892 + + + +CONTENTS + + +THE BALCONY + +A DRAMA OF THREE + +LA GRANDE DEMOISELLE + +MIMI'S MARRIAGE + +THE MIRACLE CHAPEL + +THE STORY OF A DAY + +ANNE MARIE AND JEANNE MARIE + +A CRIPPLED HOPE + +"ONE OF US" + +THE LITTLE CONVENT GIRL + +GRANDMOTHER'S GRANDMOTHER + +THE OLD LADY'S RESTORATION + +A DELICATE AFFAIR + +PUPASSE + + + + +LIST OF ILLUSTRATIONS + + +"WALKING AWAY WITH A SHRUG OF THE SHOULDERS" + +"WHERE IS THAT IDIOT, THAT DOLT, THAT SLUGGARD, THAT SNAIL, WITH MY +MAIL?" + +CHAMPIGNY + +"I WEPT, I WEPT, I WEPT" + +"HER HEART DROVE HER TO THE WINDOW" + +"ALL THAT DAY WAS DESPONDENCY, DEJECTION" + +"THIS TIME WE HAVE CAUGHT IT!" + +"THE QUIET, DIM-LIGHTED ROOM OF A CONVALESCENT" + +"LITTLE MAMMY" + +"TO POSE IN ABJECT PATIENCE AND AWKWARDNESS" + +THE SISTERS BID HER GOOD-BY + +WATCHING A LANDING + +"TURNED TO HER DOMESTIC DUTIES" + +THE ROOM IN THE OLD GALLERY + +THE FIRST COMMUNION + + + + +BALCONY STORIES + + + + +THE BALCONY + + +There is much of life passed on the balcony in a country where the +summer unrolls in six moon-lengths, and where the nights have to come +with a double endowment of vastness and splendor to compensate for the +tedious, sun-parched days. + +And in that country the women love to sit and talk together of summer +nights, on balconies, in their vague, loose, white garments,--men +are not balcony sitters,--with their sleeping children within easy +hearing, the stars breaking the cool darkness, or the moon making a +show of light--oh, such a discreet show of light!--through the vines. +And the children inside, waking to go from one sleep into another, +hear the low, soft mother-voices on the balcony, talking about this +person and that, old times, old friends, old experiences; and it seems +to them, hovering a moment in wakefulness, that there is no end of the +world or time, or of the mother-knowledge; but, illimitable as it +is, the mother-voices and the mother-love and protection fill it +all,--with their mother's hand in theirs, children are not afraid even +of God,--and they drift into slumber again, their little dreams +taking all kinds of pretty reflections from the great unknown horizon +outside, as their fragile soap-bubbles take on reflections from the +sun and clouds. + +Experiences, reminiscences, episodes, picked up as only women know how +to pick them up from other women's lives,--or other women's destinies, +as they prefer to call them,--and told as only women know how to +relate them; what God has done or is doing with some other woman whom +they have known--that is what interests women once embarked on their +own lives,--the embarkation takes place at marriage, or after the +marriageable time,--or, rather, that is what interests the women who +sit of summer nights on balconies. For in those long-moon countries +life is open and accessible, and romances seem to be furnished real +and gratis, in order to save, in a languor-breeding climate, the +ennui of reading and writing books. Each woman has a different way of +picking up and relating her stories, as each one selects different +pieces, and has a personal way of playing them on the piano. + +Each story _is_ different, or appears so to her; each has some unique +and peculiar pathos in it. And so she dramatizes and inflects it, +trying to make the point visible to her apparent also to her hearers. +Sometimes the pathos and interest to the hearers lie only in +this--that the relater has observed it, and gathered it, and finds it +worth telling. For do we not gather what we have not, and is not our +own lacking our one motive? It may be so, for it often appears so. + +And if a child inside be wakeful and precocious it is not dreams +alone that take on reflections from the balcony outside: through the +half-open shutters the still, quiet eyes look across the dim forms +on the balcony to the star-spangled or the moon-brightened heavens +beyond; while memory makes stores for the future, and germs are sown, +out of which the slow, clambering vine of thought issues, one day, to +decorate or hide, as it may be, the structures or ruins of life. + + + + +A DRAMA OF THREE + + +It was a regular dramatic performance every first of the month in the +little cottage of the old General and Madame B----. + +It began with the waking up of the General by his wife, standing at +the bedside with a cup of black coffee. + +"Hé! Ah! Oh, Honorine! Yes; the first of the month, and +affairs--affairs to be transacted." + +On those mornings when affairs were to be transacted there was not +much leisure for the household; and it was Honorine who constituted +the household. Not the old dressing-gown and slippers, the old, old +trousers, and the antediluvian neck-foulard of other days! Far from +it. It was a case of warm water (with even a fling of cologne in it), +of the trimming of beard and mustache by Honorine, and the black +broadcloth suit, and the brown satin stock, and that _je ne sais quoi +de dégagé_ which no one could possess or assume like the old General. +Whether he possessed or assumed it is an uncertainty which hung over +the fine manners of all the gentlemen of his day, who were kept +through their youth in Paris to cultivate _bon ton_ and an education. + +It was also something of a gala-day for Madame la Générale too, as it +must be a gala-day for all old wives to see their husbands pranked +in the manners and graces that had conquered their maidenhood, and +exhaling once more that ambrosial fragrance which once so well +incensed their compelling presence. + +Ah, to the end a woman loves to celebrate her conquest! It is the last +touch of misfortune with her to lose in the old, the ugly, and the +commonplace her youthful lord and master. If one could look under the +gray hairs and wrinkles with which time thatches old women, one would +be surprised to see the flutterings, the quiverings, the thrills, the +emotions, the coals of the heart-fires which death alone extinguishes, +when he commands the tenant to vacate. + +Honorine's hands chilled with the ice of sixteen as she approached +scissors to the white mustache and beard. When her finger-tips brushed +those lips, still well formed and roseate, she felt it, strange to +say, on her lips. When she asperged the warm water with cologne,--it +was her secret delight and greatest effort of economy to buy this +cologne,--she always had one little moment of what she called +faintness--that faintness which had veiled her eyes, and chained her +hands, and stilled her throbbing bosom, when as a bride she came from +the church with him. It was then she noticed the faint fragrance of +the cologne bath. Her lips would open as they did then, and she would +stand for a moment and think thoughts to which, it must be confessed, +she looked forward from month to month. What a man he had been! In +truth he belonged to a period that would accept nothing less from +Nature than physical beauty; and Nature is ever subservient to the +period. If it is to-day all small men, and to-morrow gnomes and +dwarfs, we may know that the period is demanding them from Nature. + +When the General had completed--let it be called no less than the +ceremony of--his toilet, he took his chocolate and his _pain de +Paris_. Honorine could not imagine him breakfasting on anything but +_pain de Paris._ Then he sat himself in his large arm-chair before his +escritoire, and began transacting his affairs with the usual-- + +"But where is that idiot, that dolt, that sluggard, that snail, with +my mail?" Honorine, busy in the breakfast-room: + +[Illustration: "WHERE IS THAT IDIOT, THAT DOLT, THAT SLUGGARD, THAT +SNAIL, WITH MY MAIL?"] + +"In a moment, husband. In a moment." + +"But he should be here now. It is the first of the month, it is nine +o'clock, I am ready; he should be here." + +"It is not yet nine o'clock, husband." + +"Not yet nine! Not yet nine! Am I not up? Am I not dressed? Have I not +breakfasted before nine?" + +"That is so, husband. That is so." Honorine's voice, prompt in +cheerful acquiescence, came from the next room, where she was washing +his cup, saucer, and spoon. + +"It is getting worse and worse every day. I tell you, Honorine, Pompey +must be discharged. He is worthless. He is trifling. Discharge him! +Discharge him! Do not have him about! Chase him out of the yard! Chase +him as soon as he makes his appearance! Do you hear, Honorine?" + +"You must have a little patience, husband." + +It was perhaps the only reproach one could make to Madame Honorine, +that she never learned by experience. + +"Patience! Patience! Patience is the invention of dullards and +sluggards. In a well-regulated world there should be no need of such a +thing as patience. Patience should be punished as a crime, or at +least as a breach of the peace. Wherever patience is found police +investigation should be made as for smallpox. Patience! Patience! I +never heard the word--I assure you, I never heard the word in Paris. +What do you think would be said there to the messenger who craved +patience of you? Oh, they know too well in Paris--a rataplan from the +walking-stick on his back, that would be the answer; and a, 'My good +fellow, we are not hiring professors of patience, but legs.'" + +"But, husband, you must remember we do not hire Pompey. He only does +it to oblige us, out of his kindness." + +"Oblige us! Oblige me! Kindness! A negro oblige me! Kind to me! That +is it; that is it. That is the way to talk under the new régime. It is +favor, and oblige, and education, and monsieur, and madame, now. What +child's play to call this a country--a government! I would not be +surprised"--jumping to his next position on this ever-recurring first +of the month theme--"I would not be surprised if Pompey has failed to +find the letter in the box. How do I know that the mail has not +been tampered with? From day to day I expect to hear it. What is to +prevent? Who is to interpose? The honesty of the officials? Honesty of +the officials--that is good! What a farce--honesty of officials! That +is evidently what has happened. The thought has not occurred to me in +vain. Pompey has gone. He has not found the letter, and--well; that is +the end." + +But the General had still another theory to account for the delay in +the appearance of his mail which he always posed abruptly after the +exhaustion of the arraignment of the post-office. + +"And why not Journel?" Journel was their landlord, a fellow of means, +but no extraction, and a favorite aversion of the old gentleman's. +"Journel himself? You think he is above it, _hé_? You think Journel +would not do such a thing? Ha! your simplicity, Honorine--your +simplicity is incredible. It is miraculous. I tell you, I have known +the Journels, from father to son, for--yes, for seventy-five years. +Was not his grandfather the overseer on my father's plantation? I was +not five years old when I began to know the Journels. And this fellow, +I know him better than he knows himself. I know him as well as God +knows him. I have made up my mind. I have made it up carefully that +the first time that letter fails on the first of the month I +shall have Journel arrested as a thief. I shall land him in the +penitentiary. What! You think I shall submit to have my mail tampered +with by a Journel? Their contents appropriated? What! You think there +was no coincidence in Journel's offering me his post-office box just +the month--just the month, before those letters began to arrive? You +think he did not have some inkling of them? Mark my words, Honorine, +he did--by some of his subterranean methods. And all these five years +he has been arranging his plans--that is all. He was arranging theft, +which no doubt has been consummated to-day. Oh, I have regretted it--I +assure you I have regretted it, that I did not promptly reject his +proposition, that, in fact, I ever had anything to do with the +fellow." + +It was almost invariably, so regularly do events run in this +world,--it was almost invariably that the negro messenger made his +appearance at this point. For five years the General had perhaps +not been interrupted as many times, either above or below the last +sentence. The mail, or rather the letter, was opened, and the usual +amount--three ten-dollar bills--was carefully extracted and counted. +And as if he scented the bills, even as the General said he did, +within ten minutes after their delivery, Journel made his appearance +to collect the rent. + +It could only have been in Paris, among that old retired nobility, who +counted their names back, as they expressed it, "au de çà du déluge," +that could have been acquired the proper manner of treating a +"roturier" landlord: to measure him with the eyes from head to foot; +to hand the rent--the ten-dollar bill--with the tips of the fingers; +to scorn a look at the humbly tendered receipt; to say: "The cistern +needs repairing, the roof leaks; I must warn you that unless such +notifications meet with more prompt attention than in the past, +you must look for another tenant," etc., in the monotonous tone of +supremacy, and in the French, not of Journel's dictionary, nor of +the dictionary of any such as he, but in the French of Racine and +Corneille; in the French of the above suggested circle, which inclosed +the General's memory, if it had not inclosed--as he never tired of +recounting--his star-like personality. + +A sheet of paper always infolded the bank-notes. It always bore, in +fine but sexless tracery, "From one who owes you much." + +There, that was it, that sentence, which, like a locomotive, bore the +General and his wife far on these firsts of the month to two opposite +points of the horizon, in fact, one from the other--"From one who owes +you much." + +The old gentleman would toss the paper aside with the bill receipt. +In the man to whom the bright New Orleans itself almost owed its +brightness, it was a paltry act to search and pick for a debtor. +Friends had betrayed and deserted him; relatives had forgotten him; +merchants had failed with his money; bank presidents had stooped to +deceive him; for he was an old man, and had about run the gamut of +human disappointments--a gamut that had begun with a C major of trust, +hope, happiness, and money. + +His political party had thrown him aside. Neither for ambassador, +plenipotentiary, senator, congressman, not even for a clerkship, could +he be nominated by it. Certes! "From one who owed him much." He had +fitted the cap to a new head, the first of every month, for five +years, and still the list was not exhausted. Indeed, it would have +been hard for the General to look anywhere and not see some one whose +obligations to him far exceeded this thirty dollars a month. Could he +avoid being happy with such eyes? + +But poor Madame Honorine! She who always gathered up the receipts, and +the "From one who owes you much"; who could at an instant's warning +produce the particular ones for any month of the past half-decade. +She kept them filed, not only in her armoire, but the scrawled +papers--skewered, as it were, somewhere else--where women from time +immemorial have skewered such unsigned papers. She was not original in +her thoughts--no more, for the matter of that, than the General was. +Tapped at any time on the first of the month, when she would pause +in her drudgery to reimpale her heart by a sight of the written +characters on the scrap of paper, her thoughts would have been found +flowing thus, "One can give everything, and yet be sure of nothing." + +When Madame Honorine said "everything," she did not, as women in such +cases often do, exaggerate. When she married the General, she in +reality gave the youth of sixteen, the beauty (ah, do not trust the +denial of those wrinkles, the thin hair, the faded eyes!) of an angel, +the dot of an heiress. Alas! It was too little at the time. Had she in +her own person united all the youth, all the beauty, all the wealth, +sprinkled parsimoniously so far and wide over all the women in this +land, would she at that time have done aught else with this than +immolate it on the burning pyre of the General's affection? "And yet +be sure of nothing." + +It is not necessary, perhaps, to explain that last clause. It is very +little consolation for wives that their husbands have forgotten, when +some one else remembers. Some one else! Ah! there could be so many +some one Else's in the General's life, for in truth he had been +irresistible to excess. But this was one particular some one else who +had been faithful for five years. Which one? + +When Madame Honorine solves that enigma she has made up her mind how +to act. + +As for Journel, it amused him more and more. He would go away from the +little cottage rubbing his hands with pleasure (he never saw Madame +Honorine, by the way, only the General). He would have given far more +than thirty dollars a month for this drama; for he was not only rich, +but a great _farceur_. + + + + +LA GRANDE DEMOISELLE + + +That was what she was called by everybody as soon as she was seen or +described. Her name, besides baptismal titles, was Idalie Sainte Foy +Mortemart des Islets. When she came into society, in the brilliant +little world of New Orleans, it was the event of the season, and after +she came in, whatever she did became also events. Whether she went, or +did not go; what she said, or did not say; what she wore, and did not +wear--all these became important matters of discussion, quoted as much +or more than what the president said, or the governor thought. And +in those days, the days of '59, New Orleans was not, as it is now, a +one-heiress place, but it may be said that one could find heiresses +then as one finds type-writing girls now. + +Mademoiselle Idalie received her birth, and what education she had, on +her parents' plantation, the famed old Reine Sainte Foy place, and +it is no secret that, like the ancient kings of France, her birth +exceeded her education. + +It was a plantation, the Reine Sainte Foy, the richness and luxury of +which are really well described in those fervid pictures of tropical +life, at one time the passion of philanthropic imaginations, excited +and exciting over the horrors of slavery. Although these pictures were +then often accused of being purposely exaggerated, they seem now to +fall short of, instead of surpassing, the truth. Stately walls, acres +of roses, miles of oranges, unmeasured fields of cane, colossal +sugar-house--they were all there, and all the rest of it, with the +slaves, slaves, slaves everywhere, whole villages of negro cabins. And +there were also, most noticeable to the natural, as well as to +the visionary, eye--there were the ease, idleness, extravagance, +self-indulgence, pomp, pride, arrogance, in short the whole +enumeration, the moral _sine qua non_, as some people considered it, +of the wealthy slaveholder of aristocratic descent and tastes. + +What Mademoiselle Idalie cared to learn she studied, what she did not +she ignored; and she followed the same simple rule untrammeled in her +eating, drinking, dressing, and comportment generally; and whatever +discipline may have been exercised on the place, either in fact or +fiction, most assuredly none of it, even so much as in a threat, +ever attended her sacred person. When she was just turned sixteen, +Mademoiselle Idalie made up her mind to go into society. Whether she +was beautiful or not, it is hard to say. It is almost impossible +to appreciate properly the beauty of the rich, the very rich. The +unfettered development, the limitless choice of accessories, the +confidence, the self-esteem, the sureness of expression, the +simplicity of purpose, the ease of execution--all these produce a +certain effect of beauty behind which one really cannot get to measure +length of nose, or brilliancy of eye. This much can be said: there was +nothing in her that positively contradicted any assumption of beauty +on her part, or credit of it on the part of others. She was very tall +and very thin with small head, long neck, black eyes, and abundant +straight black hair,--for which her hair-dresser deserved more praise +than she,--good teeth, of course, and a mouth that, even in prayer, +talked nothing but commands; that is about all she had _en fait +d'ornements_, as the modesties say. It may be added that she walked as +if the Reine Sainte Foy plantation extended over the whole earth, and +the soil of it were too vile for her tread. Of course she did not buy +her toilets in New Orleans. Everything was ordered from Paris, and +came as regularly through the custom-house as the modes and robes to +the milliners. She was furnished by a certain house there, just as one +of a royal family would be at the present day. As this had lasted from +her layette up to her sixteenth year, it may be imagined what took +place when she determined to make her début. Then it was literally, +not metaphorically, _carte blanche_, at least so it got to the ears of +society. She took a sheet of note-paper, wrote the date at the top, +added, "I make my début in November," signed her name at the extreme +end of the sheet, addressed it to her dressmaker in Paris, and sent +it. + +It was said that in her dresses the very handsomest silks were +used for linings, and that real lace was used where others put +imitation,--around the bottoms of the skirts, for instance,--and silk +ribbons of the best quality served the purposes of ordinary tapes; and +sometimes the buttons were of real gold and silver, sometimes set +with precious stones. Not that she ordered these particulars, but the +dressmakers, when given _carte blanche_ by those who do not condescend +to details, so soon exhaust the outside limits of garments that +perforce they take to plastering them inside with gold, so to speak, +and, when the bill goes in, they depend upon the furnishings to carry +out a certain amount of the contract in justifying the price. And it +was said that these costly dresses, after being worn once or twice, +were cast aside, thrown upon the floor, given to the negroes--anything +to get them out of sight. Not an inch of the real lace, not one of the +jeweled buttons, not a scrap of ribbon, was ripped off to save. And it +was said that if she wanted to romp with her dogs in all her finery, +she did it; she was known to have ridden horseback, one moonlight +night, all around the plantation in a white silk dinner-dress flounced +with Alençon. And at night, when she came from the balls, tired, tired +to death as only balls can render one, she would throw herself down +upon her bed in her tulle skirts,--on top, or not, of the exquisite +flowers, she did not care,--and make her maid undress her in that +position; often having her bodices cut off her, because she was too +tired to turn over and have them unlaced. + +That she was admired, raved about, loved even, goes without saying. +After the first month she held the refusal of half the beaux of New +Orleans. Men did absurd, undignified, preposterous things for her; and +she? Love? Marry? The idea never occurred to her. She treated the +most exquisite of her pretenders no better than she treated her Paris +gowns, for the matter of that. She could not even bring herself to +listen to a proposal patiently; whistling to her dogs, in the middle +of the most ardent protestations, or jumping up and walking away with +a shrug of the shoulders, and a "Bah!" + +[Illustration: "WALKING AWAY WITH A SHRUG OF THE SHOULDERS."] + +Well! Every one knows what happened after '59. There is no need to +repeat. The history of one is the history of all. But there was this +difference--for there is every shade of difference in misfortune, as +there is every shade of resemblance in happiness. Mortemart des Islets +went off to fight. That was natural; his family had been doing that, +he thought, or said, ever since Charlemagne. Just as naturally he was +killed in the first engagement. They, his family, were always +among the first killed; so much so that it began to be considered +assassination to fight a duel with any of them. All that was in the +ordinary course of events. One difference in their misfortunes lay +in that after the city was captured, their plantation, so near, +convenient, and rich in all kinds of provisions, was selected to +receive a contingent of troops--a colored company. If it had been a +colored company raised in Louisiana it might have been different; and +these negroes mixed with the negroes in the neighborhood,--and negroes +are no better than whites, for the proportion of good and bad among +them,--and the officers were always off duty when they should have +been on, and on when they should have been off. + +One night the dwelling caught fire. There was an immediate rush to +save the ladies. Oh, there was no hesitation about that! They were +seized in their beds, and carried out in the very arms of their +enemies; carried away off to the sugar-house, and deposited there. No +danger of their doing anything but keep very quiet and still in their +_chemises de nuit_, and their one sheet apiece, which was about all +that was saved from the conflagration--that is, for them. But it must +be remembered that this is all hearsay. When one has not been present, +one knows nothing of one's own knowledge; one can only repeat. It has +been repeated, however, that although the house was burned to +the ground, and everything in it destroyed, wherever, for a year +afterward, a man of that company or of that neighborhood was found, +there could have been found also, without search-warrant, property +that had belonged to the Des Islets. That is the story; and it is +believed or not, exactly according to prejudice. + +How the ladies ever got out of the sugar-house, history does not +relate; nor what they did. It was not a time for sociability, either +personal or epistolary. At one offensive word your letter, and you, +very likely, examined; and Ship Island for a hotel, with soldiers for +hostesses! Madame Des Islets died very soon after the accident--of +rage, they say; and that was about all the public knew. + +Indeed, at that time the society of New Orleans had other things +to think about than the fate of the Des Islets. As for _la grande +demoiselle_, she had prepared for her own oblivion in the hearts of +her female friends. And the gentlemen,--her _preux chevaliers_,--they +were burning with other passions than those which had driven them to +her knees, encountering a little more serious response than "bahs" and +shrugs. And, after all, a woman seems the quickest thing forgotten +when once the important affairs of life come to men for consideration. + +It might have been ten years according to some calculations, or ten +eternities,--the heart and the almanac never agree about time,--but +one morning old Champigny (they used to call him Champignon) was +walking along his levee front, calculating how soon the water would +come over, and drown him out, as the Louisianians say. It was before a +seven-o'clock breakfast, cold, wet, rainy, and discouraging. The road +was knee-deep in mud, and so broken up with hauling, that it was like +walking upon waves to get over it. A shower poured down. Old Champigny +was hurrying in when he saw a figure approaching. He had to stop to +look at it, for it was worth while. The head was hidden by a green +barege veil, which the showers had plentifully besprinkled with dew; a +tall, thin figure. Figure! No; not even could it be called a figure: +straight up and down, like a finger or a post; high-shouldered, and +a step--a step like a plow-man's. No umbrella; no--nothing more, in +fact. It does not sound so peculiar as when first related--something +must be forgotten. The feet--oh, yes, the feet--they were like +waffle-irons, or frying-pans, or anything of that shape. + +Old Champigny did not care for women--he never had; they simply did +not exist for him in the order of nature. He had been married once, +it is true, about a half century before; but that was not reckoned +against the existence of his prejudice, because he was _célibataire_ +to his finger-tips, as any one could see a mile away. But that woman +_intrigué'd_ him. + +He had no servant to inquire from. He performed all of his own +domestic work in the wretched little cabin that replaced his old home. +For Champigny also belonged to the great majority of the _nouveaux +pauvres_. He went out into the rice-field, where were one or two +hands that worked on shares with him, and he asked them. They knew +immediately; there is nothing connected with the parish that a +field-hand does not know at once. She was the teacher of the colored +public school some three or four miles away. "Ah," thought Champigny, +"some Northern lady on a mission." He watched to see her return in the +evening, which she did, of course; in a blinding rain. Imagine the +green barege veil then; for it remained always down over her face. + +[Illustration: CHAMPIGNY.] + +Old Champigny could not get over it that he had never seen her before. +But he must have seen her, and, with his abstraction and old age, not +have noticed her, for he found out from the negroes that she had been +teaching four or five years there. And he found out also--how, is not +important--that she was Idalie Sainte Foy Mortemart des Islets. _La +grande demoiselle_! He had never known her in the old days, owing to +his uncomplimentary attitude toward women, but he knew of her, +of course, and of her family. It should have been said that his +plantation was about fifty miles higher up the river, and on the +opposite bank to Reine Sainte Foy. It seemed terrible. The old +gentleman had had reverses of his own, which would bear the telling, +but nothing was more shocking to him than this--that Idalie Sainte +Foy Mortemart des Islets should be teaching a public colored school +for--it makes one blush to name it--seven dollars and a half a month. +For seven dollars and a half a month to teach a set of--well! He found +out where she lived, a little cabin--not so much worse than his own, +for that matter--in the corner of a field; no companion, no servant, +nothing but food and shelter. Her clothes have been described. + +Only the good God himself knows what passed in Champigny's mind on +the subject. We know only the results. He went and married _la grande +demoiselle_. How? Only the good God knows that too. Every first of the +month, when he goes to the city to buy provisions, he takes her with +him--in fact, he takes her everywhere with him. + +Passengers on the railroad know them well, and they always have a +chance to see her face. When she passes her old plantation _la grande +demoiselle_ always lifts her veil for one instant--the inevitable +green barege veil. What a face! Thin, long, sallow, petrified! And the +neck! If she would only tie something around the neck! And her plain, +coarse cottonade gown! The negro women about her were better dressed +than she. + +Poor old Champignon! It was not an act of charity to himself, no +doubt cross and disagreeable, besides being ugly. And as for love, +gratitude! + + + + +MIMI'S MARRIAGE + + +This how she told about it, sitting in her little room,--her bridal +chamber,--not larger, really not larger than sufficed for the bed +there, the armoire here, the bureau opposite, and the washstand behind +the door, the corners all touching. But a nice set of furniture, quite +_comme il faut_,--handsome, in fact,--as a bride of good family should +have. And she was dressed very prettily, too, in her long white +_negligée_, with plenty of lace and ruffles and blue ribbons,--such as +only the Creole girls can make, and brides, alas! wear,--the pretty +honeymoon costume that suggests, that suggests--well! to proceed. "The +poor little cat!" as one could not help calling her, so _mignonne_, +so blond, with the pretty black eyes, and the rosebud of a +mouth,--whenever she closed it,--a perfect kiss. + +"But you know, Louise," she said, beginning quite seriously at the +beginning, "papa would never have consented, never, never--poor papa! +Indeed, I should never have asked him; it would only have been one +humiliation more for him, poor papa! So it was well he was dead, if +it was God's will for it to be. Of course I had my dreams, like +everybody. I was so blond, so blond, and so small; it seemed like a +law I should marry a _brun_, a tall, handsome _brun_, with a mustache +and a fine barytone voice. That was how I always arranged it, and--you +will laugh--but a large, large house, and numbers of servants, and a +good cook, but a superlatively good cuisine, and wine and all that, +and long, trailing silk dresses, and theater every night, and voyages +to Europe, and--well, everything God had to give, in fact. You know, I +get that from papa, wanting everything God has to give! Poor papa! It +seemed to me I was to meet him at any time, my handsome _brun_. I used +to look for him positively on my way to school, and back home again, +and whenever I would think of him I would try and walk so prettily, +and look so pretty! _Mon Dieu!_ I was not ten years old yet! And +afterward it was only for that that I went into society. What should +girls go into society for otherwise but to meet their _brun_ or their +blond? Do you think it is amusing, to economize and economize, and sew +and sew, just to go to a party to dance? No! I assure you, I went into +society only for that; and I do not believe what girls say--they go +into society only for that too. + +"You know at school how we used to _tirer la bonne aventure._[1] Well, +every time he was not _brun, riche, avenant_, Jules, or Raoul, or Guy, +I simply would not accept it, but would go on drawing until I obtained +what I wanted. As I tell you, I thought it was my destiny. And when I +would try with a flower to see if he loved me,--_Il m'aime, un peu, +beaucoup, passionément, pas du tout_,--if it were _pas du tout_, I +would always throw the flower away, and begin tearing off the leaves +from another one immediately. _Passionément_ was what I wanted, and I +always got it in the end. + +[Footnote 1: _La bonne aventure_ is or was generally a very much +battered foolscap copy-book, which contained a list of all possible +elements of future (school-girl) happiness. Each item answered a +question, and had a number affixed to it. To draw one's fortune +consisted in asking question after question, and guessing a number, +a companion volunteering to read the answers. To avoid cheating, the +books were revised from time to time, and the numbers changed.] + +"But papa, poor papa, he never knew anything of that, of course. He +would get furious when any one would come to see me, and sometimes, +when he would take me in society, if I danced with a 'nobody,'--as he +called no matter whom I danced with,--he would come up and take me +away with such an air--such an air! It would seem that papa thought +himself better than everybody in the world. But it went worse and +worse with papa, not only in the affairs of the world, but in health. +Always thinner and thinner, always a cough; in fact, you know, I am a +little feeble-chested myself, from papa. And Clementine! Clementine +with her children--just think, Louise, eight! I thank God my mama had +only me, if papa's second wife had to have so many. And so naughty! I +assure you, they were all devils; and no correction, no punishment, no +education--but you know Clementine! I tell you, sometimes on account +of those children I used to think myself in 'ell [making the Creole's +attempt and failure to pronounce the h], and Clementine had no pride +about them. If they had shoes, well; if they had not shoes, well +also. + +[Illustration] + +"'But Clementine!' I would expostulate, I would pray-- + +"'But do not be a fool, Mimi,' she would say. 'Am I God? Can I do +miracles? Or must I humiliate your papa?' + +"That was true. Poor papa! It would have humiliated papa. When he had +money he gave; only it was a pity he had no money. As for what he +observed, he thought it was Clementine's negligence. For, it is true, +Clementine had no order, no industry, in the best of fortune as in the +worst. But to do her justice, it was not her fault this time, only she +let him believe it, to save his pride; and Clementine, you know, has a +genius for stories. I assure you, Louise, I was desperate. I prayed to +God to help me, to advise me. I could not teach--I had no education; I +could not go into a shop--that would be dishonoring papa--and _enfin_, +I was too pretty. 'And proclaim to the world,' Clementine would cry, +'that your papa does not make money for his family.' That was true. The +world is so malicious. You know, Louise, sometimes it seems to me +the world is glad to hear that a man cannot support his family; it +compliments those who can. As if papa had not intelligence, and honor, +and honesty! But they do not count now as in old times, 'before the +war.' + +"And so, when I thought of that, I laughed and talked and played the +thoughtless like Clementine, and made bills. We made bills--we had +to--for everything; we could do that, you know, on our old name and +family. But it is too long! I am sure it is too long and tiresome! +What egotism on my part! Come, we will take a glass of anisette, and +talk of something else--your trip, your family. No? no? You are only +asking me out of politeness! You are so _aimable_, so kind. Well, if +you are not _ennuyée_--in fact, I want to tell you. It was too long +to write, and I detest a pen. To me there is no instrument of torture +like a pen. + +"Well, the lady next door, she was an American, and common, very +common, according to papa. In comparison to us she had no family +whatever. Our little children were forbidden even to associate with +her little children. I thought that was ridiculous--not that I am a +democrat, but I thought it ridiculous. But the children cared; they +were so disobedient and they were always next door, and they always +had something nice to eat over there. I sometimes thought Clementine +used to encourage their disobedience, just for the good things they +got to eat over there. But papa was always making fun of them; you +know what a sharp tongue he had. The gentleman was a clerk; and, +according to papa, the only true gentlemen in the world had family +and a profession. We did not dare allow ourselves to think it, but +Clementine and I knew that they, in fact, were in more comfortable +circumstances than we. + +"The lady, who also had a great number of children, sent one day, with +all the discretion and delicacy possible, and asked me if I would +be so kind as to--guess what, Louise! But only guess! But you never +could! Well, to darn some of her children's stockings for her. It was +God who inspired her, I am sure, on account of my praying so much to +him. You will be shocked, Louise, when I tell you. It sounds like a +sin, but I was not in despair when papa died. It was a grief,--yes, +it seized the heart, but it was not despair. Men ought not to be +subjected to the humiliation of life; they are not like women, you +know. We are made to stand things; they have their pride,--their +_orgueil_, as we say in French,--and that is the point of honor with +some men. And Clementine and I, we could not have concealed it much +longer. In fact, the truth was crying out everywhere, in the children, +in the house, in our own persons, in our faces. The darning did not +provide a superfluity, I guarantee you! + +"Poor papa! He caught cold. He was condemned from the first. And so +all his fine qualities died; for he had fine qualities--they were too +fine for this age, that was all. Yes; it was a kindness of God to take +him before he found out. If it was to be, it was better. Just so with +Clementine as with me. After the funeral--crack! everything went to +pieces. We were at the four corners for the necessaries of life, and +the bills came in--my dear, the bills that came in! What memories! +what memories! Clementine and I exclaimed; there were some bills that +we had completely forgotten about. The lady next door sent her brother +over when papa died. He sat up all night, that night, and he assisted +us in all our arrangements. And he came in afterward, every evening. +If papa had been there, there would have been a fine scene over it; he +would have had to take the door, very likely. But now there was no one +to make objections. And so when, as I say, we were at the four corners +for the necessaries of life, he asked Clementine's permission to ask +me to marry him. + +"I give you my word, Louise, I had forgotten there was such a thing as +marriage in the world for me! I had forgotten it as completely as the +chronology of the Merovingian dynasty, alas! with all the other school +things forgotten. And I do not believe Clementine remembered there was +such a possibility in the world for me. _Mon Dieu!_ when a girl is +poor she may have all the beauty in the world--not that I had beauty, +only a little prettiness. But you should have seen Clementine! She +screamed for joy when she told me. Oh, there was but one answer +according to her, and according to everybody she could consult, in her +haste. They all said it was a dispensation of Providence in my favor. +He was young, he was strong; he did not make a fortune, it was true, +but he made a good living. And what an assistance to have a man in +the family!--an assistance for Clementine and the children. But the +principal thing, after all, was, he wanted to marry me. Nobody had +ever wanted that before, my dear! + +"Quick, quick, it was all arranged. All my friends did something for +me. One made my _peignoirs_ for me, one this, one that--_ma foi!_ +I did not recognize myself. One made all the toilet of the bureau, +another of the bed, and we all sewed on the wedding-dress together. +And you should have seen Clementine, going out in all her great +mourning, looking for a house, looking for a servant! But the wedding +was private on account of poor papa. But you know, Loulou, I had never +time to think, except about Clementine and the children, and when I +thought of all those poor little children, poor papa's children, I +said 'Quick, quick,' like the rest. + +"It was the next day, the morning after the wedding, I had time to +think. I was sitting here, just as you see me now, in my pretty new +_negligée_. I had been looking at all the pretty presents I have +shown you, and my trousseau, and my furniture,--it is not bad, as +you see,--my dress, my veil, my ring, and--I do not know--I do not +know--but, all of a sudden, from everywhere came the thought of my +_brun_, my handsome _brun_ with the mustache, and the _bonne aventure, +ricke, avenant_, the Jules, Raoul, Guy, and the flower leaves, and +'_il m'aime, un pen, beaucoup, pas du tout,' passionnément_, and the +way I expected to meet him walking to and from school, walking as if +I were dancing the steps, and oh, my plans, my plans, my plans,--silk +dresses, theater, voyages to Europe,--and poor papa, so fine, so tall, +so aristocratic. I cannot tell you how it all came; it seized my +heart, and, _mon Dieu!_ I cried out, and I wept, I wept, I wept. How +I wept! It pains me here now to remember it. Hours, hours it lasted, +until I had no tears in my body, and I had to weep without them, with +sobs and moans. But this, I have always observed, is the time for +reflection--after the tears are all out. And I am sure God himself +gave me my thoughts. 'Poor little Mimi!' I thought, '_fi done_! You +are going to make a fool of yourself now when it is all over, because +why? It is God who manages the world, and not you. You pray to God to +help you in your despair, and he has helped you. He has sent you a +good, kind husband who adores you; who asks only to be a brother to +your sisters and brothers, and son to Clementine; who has given you +more than you ever possessed in your life--but because he did not come +out of the _bonne aventure_--and who gets a husband out of the +_bonne aventure?_--and would your _brun_ have come to you in your +misfortune?' I am sure God inspired those thoughts in me. + +[Illustration: "I wept, I wept, I wept."] + +"I tell you, I rose from that bed--naturally I had thrown myself upon +it. Quick I washed my face, I brushed my hair, and, you see these bows +of ribbons,--look, here are the marks of the tears,--I turned them. +_Hé,_ Loulou, it occurs to me, that if you examined the blue bows on +a bride's _negligée_, you might always find tears on the other side; +for do they not all have to marry whom God sends? and am I the only +one who had dreams? It is the end of dreams, marriage; and that is the +good thing about it. God lets us dream to keep us quiet, but he knows +when to wake us up, I tell you. The blue bows knew! And now, you see, +I prefer my husband to my _brun_; in fact, Loulou, I adore him, and I +am furiously jealous about him. And he is so good to Clementine and +the poor little children; and see his photograph--a blond, and not +good-looking, and small! + +"But poor papa! If he had been alive, I am sure he never would have +agreed with God about my marriage." + + + + +THE MIRACLE CHAPEL + + +Every heart has a miracle to pray for. Every life holds that which +only a miracle can cure. To prove that there have never been, that +there can never be, miracles does not alter the matter. So long as +there is something hoped for,--that does not come in the legitimate +channel of possible events,--so long as something does come not to be +hoped or expected in the legitimate channel of possible events, just +so long will the miracle be prayed for. + +The rich and the prosperous, it would seem, do not depend upon God so +much, do not need miracles, as the poor do. They do not have to pray +for the extra crust when starvation hovers near; for the softening of +an obdurate landlord's heart; for strength in temptation, light in +darkness, salvation from vice; for a friend in friendlessness; for +that miracle of miracles, an opportunity to struggling ambition; for +the ending of a dark night, the breaking of day; and, oh! for God's +own miracle to the bedside-watchers--the change for the better, when +death is there and the apothecary's skill too far, far away. The poor, +the miserable, the unhappy, they can show their miracles by the score; +that is why God is called the poor man's friend. He does not mind, so +they say, going in the face of logic and reason to relieve them; for +often the kind and charitable are sadly hampered by the fetters of +logic and reason, which hold them, as it were, away from their own +benevolence. + +But the rich have their miracles, no doubt, even in that beautiful +empyrean of moneyed ease in which the poor place them. Their money +cannot buy all they enjoy, and God knows how much of their sorrow it +assuages. As it is, one hears now and then of accidents among them, +conversions to better thoughts, warding off of danger, rescue of life; +and heirs are sometimes born, and husbands provided, and fortunes +saved, in such surprising ways, that even the rich, feeling their +limitations in spite of their money, must ascribe it privately if not +publicly to other potencies than their own. These cathedral _tours +de force_, however, do not, if the truth be told, convince like the +miracles of the obscure little chapel. + +There is always a more and a most obscure little miracle chapel, and +as faith seems ever to lead unhesitatingly to the latter one, there is +ever rising out of humility and obscurity, as in response to a demand, +some new shrine, to replace the wear and tear and loss of other +shrines by prosperity. For, alas! it is hard even for a chapel to +remain obscure and humble in the face of prosperity and popularity. +And how to prevent such popularity and prosperity? As soon as the +noise of a real miracle in it gets abroad, every one is for hurrying +thither at once with their needs and their prayers, their candles +and their picayunes; and the little miracle chapel, perhaps despite +itself, becomes with mushroom growth a church, and the church a +cathedral, from whose resplendent altars the cheap, humble ex-voto +tablets, the modest beginnings of its ecclesiastical fortunes, are +before long banished to dimly lighted lateral shrines. + +The miracle chapel in question lay at the end of a very confusing but +still intelligible route. It is not in truth a chapel at all, but a +consecrated chamber in a very small, very lowly cottage, which stands, +or one might appropriately, if not with absolute novelty, say which +kneels, in the center of a large garden, a garden primeval in +rusticity and size, its limits being defined by no lesser boundaries +than the four intersecting streets outside, and its culture showing +only the careless, shiftless culture of nature. The streets outside +were miracles themselves in that, with their liquid contents, they +were streets and not bayous. However, they protected their island +chapel almost as well as a six-foot moat could have done. There was a +small paved space on the sidewalk that served to the pedestrian as an +indication of the spot in the tall, long, broad fence where a gate +might be sought. It was a small gate with a strong latch. It required +a strong hand to open it. At the sound of the click it made, the +little street ragamuffin, who stood near, peeping through the fence, +looked up. He had worked quite a hole between the boards with his +fingers. Such an anxious expression passed over his face that even +a casual passer-by could not help relieving it by a question--any +question: + +"Is this the miracle chapel, little boy?" + +"Yes, ma'am; yes." Then his expression changed to one of eagerness, +yet hardly less anxious. + +"Here. Take this--" + +He did not hold out his hand, the coin had to seek it. At its touch he +refused to take it. + +"I ain't begging." + +"What are you looking at so through the fence?" He was all sadness +now. + +"Just looking." + +"Is there anything to see inside?" + +He did not answer. The interrogation was repeated. + +"I can't see nothing. I'm blind," putting his eyes again to the hole, +first one, then the other. + +"Come, won't you tell me how this came to be a miracle chapel?" + +"Oh, ma'am,"--he turned his face from the fence, and clasped his hands +in excitement,--"it was a poor widow woman who come here with her baby +that was a-dying, and she prayed to the Virgin Mary, and the Virgin +Mary made the baby live--" + +He dropped his voice, the words falling slower and slower. As he +raised his face, one could see then that he was blind, and the +accident that had happened to him, in fording the street. What +sightless eyes! What a wet, muddy little skeleton! Ten? No; hardly ten +years of age. + +"The widow woman she picked up her baby, and she run down the walk +here, and out into the street screaming--she was so glad,"--putting +his eyes to the peep-hole again,--"and the Virgin Mary come down the +walk after her, and come through the gate, too; and that was all she +seed--the widow woman." + +"Did you know the widow woman?" + +He shook his head. + +"How do you know it?" + +"That was what they told me. And they told me, the birds all begun to +sing at once, and the flowers all lighted up like the sun was shining +on them. They seed her. And she come down the walk, and through the +gate," his voice lowering again to a whisper. + +Aye, how the birds must have sung, and the flowers shone, to the +widowed mother as she ran, nay, leaped, down that rose-hedged walk, +with her restored baby clasped to her bosom! + +"_They_ seed her," repeated the little fellow. "And that is why you +stand here--to see her, too?" + +His shoulder turned uneasily in the clasp upon it. + +"They seed her, and they ain't got no eyes." + +"Have you no mother?" + +"Ain't never had no mother." A thought struck him. "Would that count, +ma'am? Would that count? The little baby that was dying--yes, ma'am, +it had a mother; and it's the mothers that come here constant with +their children; I sometimes hear 'em dragging them in by the hand." + +"How long have you been coming here?" + +"Ever since the first time I heard it, ma'am." + +Street ragamuffins do not cry: it would be better if they did so, when +they are so young and so blind; it would be easier for the spectator, +the auditor. + +"They seed her--I might see her ef--ef I could see her once--ef--ef +I could see anything once." His voice faltered; but he stiffened it +instantly. "She might see me. She can't pass through this gate without +seeing me; and--and--ef she seed me--and I didn't even see her--oh, +I'm so tired of being blind!" + +"Did you never go inside to pray?" How embarrassing such a question +is, even to a child! + +"No, ma'am. Does that count, too? The little baby didn't pray, the +flowers didn't go inside, nor the birds. And they say the birds broke +out singing all at once, and the flowers shined, like the sun was +shining on 'em--like the sun was shining in 'em," he corrected +himself. "The birds they can see, and the flowers they can't see, and +they seed her." He shivered with the damp cold--and perhaps too with +hunger. + +"Where do you live?" + +He wouldn't answer. + +"What do you live on?" + +He shook his head. + +"Come with me." He could not resist the grasp on his shoulder, and the +firm directing of his bare, muddy feet through the gate, up the walk, +and into the chamber which the Virgin found that day. He was turned to +the altar, and pressed down on his knees. + +One should not look at the face of a blind child praying to the Virgin +for sight. Only the Virgin herself should see that--and if she once +saw that little boy! There were hearts, feet, hands, and eyes enough +hanging around to warrant hope at least, if not faith; the effigies of +the human aches and pains that had here found relief, if not surcease; +feet and hands beholden to no physician for their exorcism of +rheumatism; eyes and ears indebted to no oculist or aurist; and the +hearts,--they are always in excess,--and, to the most skeptical, there +is something sweetly comforting in the sight of so many cured hearts, +with their thanks cut deep, as they should be, in the very marble +thereof. Where the bed must have stood was the altar, rising by easy +gradations, brave in ecclesiastical deckings, to the plaster figure of +her whom those yearning hearts were seeing, whom those murmuring lips +were addressing. Hearts must be all alike to her at such a distance, +but the faces to the looker-on were so different. The eyes straining +to look through all the experiences and troubles that their life has +held to plead, as only eyes can plead, to one who can, if she will, +perform their miracle for them. And the mouths,--the sensitive human +mouths,--each one distorted by the tragedy against which it was +praying. + +Their miracles! their miracles! what trifles to divinity! Perhaps +hardly more to humanity! How far a simple looker-on could supply them +if so minded! Perhaps a liberal exercise of love and charity by not +more than half a dozen well-to-do people could answer every prayer in +the room! But what a miracle that would be, and how the Virgin's heart +would gladden thereat, and jubilate over her restored heart-dying +children, even as the widowed mother did over her one dying babe! + +And the little boy had stopped praying. The futility of it--perhaps +his own impotence--had overcome him. He was crying, and past the shame +of showing it--crying helplessly, hopelessly. Tears were rolling out +of his sightless eyes over his wordless lips. He could not pray; he +could only cry. What better, after all, can any of us do? But what +a prayer to a woman--to even the plaster figure of a woman! And the +Virgin did hear him; for she had him taken without loss of a moment to +the hospital, and how easy she made it for the physician to remove the +disability! To her be the credit. + + + + +THE STORY OF A DAY + + +It is really not much, the story; it is only the arrangement of it, as +we would say of our dresses and our drawing-rooms. + +It began with the dawn, of course; and the skiff for our voyage, +silvered with dew, waiting in the mist for us, as if it had floated +down in a cloud from heaven to the bayou. When repeated, this sounds +like poor poetry; but that is the way one thinks at day dawn, when the +dew is yet, as it were, upon our brains, and our ideas are still half +dreams, and our waking hearts, alas! as innocent as waking babies +playing with their toes. + +Our oars waked the waters of the bayou, as motionless as a sleeping +snake under its misty covert--to continue the poetical language or +thought. The ripples ran frightened and shivering into the rooty +thicknesses of the sedge-grown banks, startling the little birds +bathing there into darting to the nearest, highest rush-top, where, +without losing their hold on their swaying, balancing perches, they +burst into all sorts of incoherent songs, in their excitement to +divert attention from the near-hidden nests: bird mothers are so much +like women mothers! + +It soon became day enough for the mist to rise. The eyes that saw it +ought to be able to speak to tell fittingly about it. + +Not all at once, nor all together, but a thinning, a lifting, a +breaking, a wearing away; a little withdrawing here, a little +withdrawing there; and now a peep, and now a peep; a bride lifting her +veil to her husband! Blue! White! Lilies! Blue lilies! White lilies! +Blue and white lilies! And still blue and white lilies! And still! And +still! Wherever the veil lifted, still and always the bride! + +Not in clumps and bunches, not in spots and patches, not in banks, +meadows, acres, but in--yes; for still it lifted beyond and beyond and +beyond; the eye could not touch the limit of them, for the eye can +touch only the limit of vision; and the lilies filled the whole +sea-marsh, for that is the way spring comes to the sea-marshes. + +The sedge-roots might have been unsightly along the water's edge, +but there were morning-glories, all colors, all shades--oh, such +morning-glories as we of the city never see! Our city morning-glories +must dream of them, as we dream of angels. Only God could be so +lavish! Dropping from the tall spear-heads to the water, into the +water, under the water. And then, the reflection of them, in all their +colors, blue, white, pink, purple, red, rose, violet! + +To think of an obscure little Acadian bayou waking to flow the +first thing in the morning not only through banks of new-blown +morning-glories, but sown also to its depths with such reflections as +must make it think itself a bayou in heaven, instead of in Paroisse +St. Martin. Perhaps that is the reason the poor poets think themselves +poets, on account of the beautiful things that are only reflected into +their minds from what is above? Besides the reflections, there were +alligators in the bayou, trying to slip away before we could see them, +and watching us with their stupid, senile eyes, sometimes from under +the thickest, prettiest flowery bowers; and turtles splashing into +the water ahead of us; and fish (silver-sided perch), looking like +reflections themselves, floating through the flower reflections, +nibbling their breakfast. + +Our bayou had been running through swamp only a little more solid than +itself; in fact, there was no solidity but what came from the roots of +grasses. Now, the banks began to get firmer, from real soil in them. +We could see cattle in the distance, up to their necks in the lilies, +their heads and sharp-pointed horns coming up and going down in the +blue and white. Nothing makes cattle's heads appear handsomer, with +the sun just rising far, far away on the other side of them. +The sea-marsh cattle turned loose to pasture in the lush spring +beauty--turned loose in Elysium! + +But the land was only partly land yet, and the cattle still cattle to +us. The rising sun made revelations, as our bayou carried us through a +drove in their Elysium, or it might have always been an Elysium to +us. It was not all pasturage, all enjoyment. The rising and falling +feeding head was entirely different, as we could now see, from the +rising and falling agonized head of the bogged--the buried alive. +It is well that the lilies grow taller and thicker over the more +treacherous places; but, misery! misery! not much of the process was +concealed from us, for the cattle have to come to the bayou for +water. Such a splendid black head that had just yielded breath! The +wide-spreading ebony horns thrown back among the morning-glories, the +mouth open from the last sigh, the glassy eyes staring straight at the +beautiful blue sky above, where a ghostly moon still lingered, the +velvet neck ridged with veins and muscles, the body already buried in +black ooze. And such a pretty red-and-white-spotted heifer, lying on +her side, opening and shutting her eyes, breathing softly in meek +resignation to her horrible calamity! And, again, another one was +plunging and battling in the act of realizing her doom: a fierce, +furious, red cow, glaring and bellowing at the soft, yielding +inexorable abysm under her, the bustards settling afar off, and her +own species browsing securely just out of reach. + +They understand that much, the sea-marsh cattle, to keep out of reach +of the dead combatant. In the delirium of anguish, relief cannot be +distinguished from attack, and rescue of the victim has been proved to +mean goring of the rescuer. + +The bayou turned from it at last, from our beautiful lily world about +which our pleasant thoughts had ceased to flow even in bad poetry. + +Our voyage was for information, which might be obtained at a certain +habitation; if not there, at a second one, or surely at a third and +most distant settlement. + +The bayou narrowed into a canal, then widened into a bayou again, and +the low, level swamp and prairie advanced into woodland and forest. +Oak-trees began, our beautiful oak-trees! Great branches bent down +almost to the water,--quite even with high water,--covered with +forests of oak, parasites, lichens, and with vines that swept our +heads as we passed under them, drooping now and then to trail in the +water, a plaything for the fishes, and a landing-place for amphibious +insects. The sun speckled the water with its flickering patterns, +showering us with light and heat. We have no spring suns; our sun, +even in December, is a summer one. + +And so, with all its grace of curve and bend, and so--the description +is longer than the voyage--we come to our first stopping-place. To the +side, in front of the well-kept fertile fields, like a proud little +showman, stood the little house. Its pointed shingle roof covered it +like the top of a chafing-dish, reaching down to the windows, which +peeped out from under it like little eyes. + +A woman came out of the door to meet us. She had had time during our +graceful winding approach to prepare for us. What an irrevocable +vow to old maidenhood! At least twenty-five, almost a possible +grandmother, according to Acadian computation, and well in the grip +of advancing years. She was dressed in a stiff, dark red calico gown, +with a white apron. Her black hair, smooth and glossy under a varnish +of grease, was plaited high in the back, and dropped regular ringlets, +six in all, over her forehead. That was the epoch when her calamity +came to her, when the hair was worn in that fashion. A woman seldom +alters her coiffure after a calamity of a certain nature happens +to her. The figure had taken a compact rigidity, an unfaltering +inflexibility, all the world away from the elasticity of matronhood; +and her eyes were clear and fixed like her figure, neither falling, +nor rising, nor puzzling under other eyes. Her lips, her hands, her +slim feet, were conspicuously single, too, in their intent, neither +reaching, nor feeling, nor running for those other lips, hands, and +feet which should have doubled their single life. + +That was Adorine Mérionaux, otherwise the most industrious Acadian and +the best cottonade-weaver in the parish. It had been short, her story. +A woman's love is still with those people her story. She was thirteen +when she met him. That is the age for an Acadian girl to meet him, +because, you know, the large families--the thirteen, fourteen, +fifteen, twenty children--take up the years; and when one wishes +to know one's great-great-grandchildren (which is the dream of the +Acadian girl) one must not delay one's story. + +She had one month to love him in, and in one week they were to have +the wedding. The Acadians believe that marriage must come _au point_, +as cooks say their sauces must be served. Standing on the bayou-bank +in front of the Mérionaux, one could say "Good day" with the eyes to +the Zévérin Theriots--that was the name of the parents of the young +bridegroom. Looking under the branches of the oaks, one could see +across the prairie,--prairie and sea-marsh it was,--and clearly +distinguish another little red-washed house like the Mérionaux, with +a painted roof hanging over the windows, and a staircase going up +outside to the garret. With the sun shining in the proper direction, +one might distinguish more, and with love shining like the sun in the +eyes, one might see, one might see--a heart full. + +It was only the eyes, however, which could make such a quick voyage to +the Zévérin Theriots; a skiff had a long day's journey to reach them. +The bayou sauntered along over the country like a negro on a Sunday's +pleasuring, trusting to God for time, and to the devil for means. + +Oh, nothing can travel quickly over a bayou! Ask any one who has +waited on a bayou-bank for a physician or a life-and-death message. +Thought refuses to travel and turn and double over it; thought, like +the eye, takes the shortest cut--straight over the sea-marsh; and in +the spring of the year, when the lilies are in bloom, thought could +not take a more heavenly way, even from beloved to beloved. + +It was the week before marriage, that week when, more than one's whole +life afterward, one's heart feels most longing--most--well, in fact, +it was the week before marriage. From Sunday to Sunday, that was all +the time to be passed. Adorine--women live through this week by +the grace of God, or perhaps they would be as unreasonable as the +men--Adorine could look across the prairie to the little red roof +during the day, and could think across it during the night, and get +up before day to look across again--longing, longing all the time. +Of course one must supply all this from one's own imagination or +experience. + +But Adorine could sing, and she sang. One might hear, in a favorable +wind, a gunshot, or the barking of a dog from one place to the other, +so that singing, as to effect, was nothing more than the voicing of +her looking and thinking and longing. + +When one loves, it is as if everything was known of and seen by the +other; not only all that passes in the head and heart, which would +in all conscience be more than enough to occupy the other, but the +talking, the dressing, the conduct. It was then that the back hair was +braided and the front curled more and more beautifully every day, and +that the calico dresses became stiffer and stiffer, and the white +crochet lace collar broader and lower in the neck. At thirteen she was +beautiful enough to startle one, they say, but that was nothing; she +spent time and care upon these things, as if, like other women, her +fate seriously depended upon them. There is no self-abnegation like +that of a woman in love. + +It was her singing, however, which most showed that other existence +in her existence. When she sang at her spinning-wheel or her loom, or +knelt battling clothes on the bank of the bayou, her lips would kiss +out the words, and the tune would rise and fall and tremble, as if +Zepherin were just across there, anywhere; in fact, as if every blue +and white lily might hide an ear of him. + +It was the time of the new moon, fortunately, when all sit up late in +the country. The family would stop in their talking about the +wedding to listen to her. She did not know it herself, but it--the +singing--was getting louder and clearer, and, poor little thing, it +told everything. And after the family went to bed they could still +hear her, sitting on the bank of the bayou, or up in her window, +singing and looking at the moon traveling across the lily prairie--for +all its beauty and brightness no more beautiful and bright than a +heart in love. + +It was just past the middle of the week, a Thursday night. The moon +was so bright the colors of the lilies could be seen, and the singing, +so sweet, so far-reaching--it was the essence of the longing of love. +Then it was that the miracle happened to her. Miracles are always +happening to the Acadians. She could not sleep, she could not stay in +bed. Her heart drove her to the window, and kept her there, and--among +the civilized it could not take place, but here she could sing as she +pleased in the middle of the night; it was nobody's affair, nobody's +disturbance. "Saint Ann! Saint Joseph! Saint Mary!" She heard her song +answered! She held her heart, she bent forward, she sang again. Oh, +the air was full of music! It was all music! She fell on her knees; +she listened, looking at the moon; and, with her face in her hands, +looking at Zepherin. It was God's choir of angels, she thought, and +one with a voice like Zepherin! Whenever it died away she would sing +again, and again, and again-- + +[Illustration: "HER HEART DROVE HER TO THE WINDOW".] + +But the sun came, and the sun is not created, like the moon, for +lovers, and whatever happened in the night, there was work to be done +in the day. Adorine worked like one in a trance, her face as radiant +as the upturned face of a saint. They did not know what it was, or +rather they thought it was love. Love is so different out there, they +make all kinds of allowances for it. But, in truth, Adorine was +still hearing her celestial voices or voice. If the cackling of the +chickens, the whir of the spinning-wheel, or the "bum bum" of the loom +effaced it a moment, she had only to go to some still place, round +her hand over her ear, and give the line of a song, and--it was +Zepherin--Zepherin she heard. + +She walked in a dream until night. When the moon came up she was at +the window, and still it continued, so faint, so sweet, that answer to +her song. Echo never did anything more exquisite, but she knew nothing +of such a heathen as Echo. Human nature became exhausted. She fell +asleep where she was, in the window, and dreamed as only a bride can +dream of her groom. When she awoke, "Adorine! Adorine!" the beautiful +angel voices called to her; "Zepherin! Zepherin!" she answered, as if +she, too, were an angel, signaling another angel in heaven. It was too +much. She wept, and that broke the charm. She could hear nothing more +after that. All that day was despondency, dejection, tear-bedewed +eyes, and tremulous lips, the commonplace reaction, as all know, of +love exaltation. Adorine's family, Acadian peasants though they were, +knew as much about it as any one else, and all that any one knows +about it is that marriage is the cure-all, and the only cure-all, for +love. + +[Illustration: "ALL THAT DAY WAS DESPONDENCY, DEJECTION."] + +And Zepherin? A man could better describe his side of that week; for +it, too, has mostly to be described from imagination or experience. +What is inferred is that what Adorine longed and thought and looked +in silence and resignation, according to woman's way, he suffered +equally, but in a man's way, which is not one of silence or +resignation,--at least when one is a man of eighteen,--the last +interview, the near wedding, her beauty, his love, her house in sight, +the full moon, the long, wakeful nights. + +He took his pirogue; but the bayou played with his impatience, +maddened his passion, bringing him so near, to meander with him again +so far away. There was only a short prairie between him and ----, a +prairie thick with lily-roots--one could almost walk over their +heads, so close, and gleaming in the moonlight. But this is all only +inference. + +The pirogue was found tethered to the paddle stuck upright in the soft +bank, and--Adorine's parents related the rest. Nothing else was found +until the summer drought had bared the swamp. + +There was a little girl in the house when we arrived--all else were in +the field--a stupid, solemn, pretty child, the child of a brother. How +she kept away from Adorine, and how much that testified! + +It would have been too painful. The little arms around her neck, the +head nestling to her bosom, sleepily pressing against it. And the +little one might ask to be sung to sleep. Sung to sleep! + +The little bed-chamber, with its high mattressed bed, covered with +the Acadian home-spun quilt, trimmed with netting fringe, its bit of +mirror over the bureau, the bottle of perfumed grease to keep the +locks black and glossy, the prayer-beads and blessed palms hanging +on the wall, the low, black polished spinning-wheel, the loom,--the +_métier d' Adorine_ famed throughout the parish,--the ever goodly +store of cotton and yarn hanks swinging from the ceiling, and the +little square, open window which looked under the mossy oak-branches +to look over the prairie; and once again all blue and white +lilies--they were all there, as Adorine was there; but there was +more--not there. + + + + +ANNE MARIE AND JEANNE MARIE + + +Old Jeanne Marie leaned her hand against the house, and the tears +rolled down her cheeks. She had not wept since she buried her last +child. With her it was one trouble, one weeping, no more; and her +wrinkled, hard, polished skin so far had known only the tears that +come after death. The trouble in her heart now was almost exactly like +the trouble caused by death; although she knew it was not so bad as +death, yet, when she thought of this to console herself, the tears +rolled all the faster. She took the end of the red cotton kerchief +tied over her head, and wiped them away; for the furrows in her face +did not merely run up and down--they ran in all directions, and +carried her tears all over her face at once. She could understand +death, but she could not understand this. + +It came about in this way: Anne Marie and she lived in the little +red-washed cabin against which she leaned; had lived there alone with +each other for fifty years, ever since Jeanne Marie's husband had died, +and the three children after him, in the fever epidemic. + +The little two-roomed cabin, the stable where there used to be a cow, +the patch of ground planted with onions, had all been bought and paid +for by the husband; for he was a thrifty, hard-working Gascon, and had +he lived there would not have been one better off, or with a larger +family, either in that quarter or in any of the red-washed +suburbs with which Gascony has surrounded New Orleans. His women, +however,--the wife and sister-in-law,--had done their share in the +work: a man's share apiece, for with the Gascon women there is no +discrimination of sex when it comes to work. + +And they worked on just the same after he died, tending the cow, +digging, hoeing, planting, watering. The day following the funeral, by +daylight Jeanne Marie was shouldering around the yoke of milk-cans to +his patrons, while Anne Marie carried the vegetables to market; and so +on for fifty years. + +They were old women now,--seventy-five years old,--and, as they +expressed it, they had always been twins. In twins there is always one +lucky and one unlucky one: Jeanne Marie was the lucky one, Anne Marie +the unlucky one. So much so, that it was even she who had to catch the +rheumatism, and to lie now bedridden, months at a time, while Jeanne +Marie was as active in her sabots as she had ever been. + +In spite of the age of both, and the infirmity of one, every Saturday +night there was some little thing to put under the brick in the +hearth, for taxes and license, and the never-to-be-forgotten funeral +provision. In the husband's time gold pieces used to go in, but they +had all gone to pay for the four funerals and the quadrupled doctor's +bill. The women laid in silver pieces; the coins, however, grew +smaller and smaller, and represented more and more not so much the +gain from onions as the saving from food. + +It had been explained to them how they might, all at once, make a +year's gain in the lottery; and it had become their custom always, at +the end of every month, to put aside one silver coin apiece, to buy a +lottery ticket with--one ticket each, not for the great, but for the +twenty-five-cent, prizes. Anne Marie would buy hers round about the +market; Jeanne Marie would stop anywhere along her milk course and buy +hers, and they would go together in the afternoon to stand with the +little crowd watching the placard upon which the winning numbers were +to be written. And when they were written, it was curious, Jeanne +Marie's numbers would come out twice as often as Anne Marie's. Not +that she ever won anything, for she was not lucky enough to have them +come out in the order to win; they only came out here and there, +singly: but it was sufficient to make old Anne Marie cross and ugly +for a day or two, and injure the sale of the onion-basket. When she +became bedridden, Jeanne Marie bought the ticket for both, on the +numbers, however, that Anne Marie gave her; and Anne Marie had to lie +in bed and wait, while Jeanne Marie went out to watch the placard. + +One evening, watching it, Jeanne Marie saw the ticket-agent write out +the numbers as they came on her ticket, in such a way that they drew +a prize--forty dollars. + +When the old woman saw it she felt such a happiness; just as she used +to feel in the old times right after the birth of a baby. She thought +of that instantly. Without saying a word to any one, she clattered +over the _banquette_ as fast as she could in her sabots, to tell the +good news to Anne Marie. But she did not go so fast as not to have +time to dispose of her forty dollars over and over again. Forty +dollars! That was a great deal of money. She had often in her mind, +when she was expecting a prize, spent twenty dollars; for she had +never thought it could be more than that. But forty dollars! A new +gown apiece, and black silk kerchiefs to tie over their heads instead +of red cotton, and the little cabin new red-washed, and soup in the +pot, and a garlic sausage, and a bottle of good, costly liniment for +Anne Marie's legs; and still a pile of gold to go under the +hearth-brick--a pile of gold that would have made the eyes of the +defunct husband glisten. + +She pushed open the picket-gate, and came into the room where her +sister lay in bed. + +"Eh, Anne Marie, my girl," she called in her thick, pebbly voice, +apparently made purposely to suit her rough Gascon accent; "this time +we have caught it!" + +[Illustration: "THIS TIME WE HAVE CAUGHT IT!"] + +"Whose ticket?" asked Anne Marie, instantly. + +In a flash all Anne Marie's ill luck ran through Jeanne Marie's mind; +how her promised husband had proved unfaithful, and Jeanne Marie's +faithful; and how, ever since, even to the coming out of her lottery +numbers, even to the selling of vegetables, even to the catching of +the rheumatism, she had been the loser. But above all, as she looked +at Anne Marie in the bed, all the misery came over Jeanne Marie of her +sister's not being able, in all her poor old seventy-five years of +life, to remember the pressure of the arms of a husband about her +waist, nor the mouth of a child on her breast. + +As soon as Anne Marie had asked her question, Jeanne Marie answered +it. + +"But your ticket, _Coton-Maï!_"[1] + +[Footnote 1: _Coton-Maï_ is an innocent oath invented by the good, +pious priest as a substitute for one more harmful.] + +"Where? Give it here! Give it here!" + +The old woman, who had not been able to move her back for weeks, sat +bolt upright in bed, and stretched out her great bony fingers, with +the long nails as hard and black as rake-prongs from groveling in the +earth. + + +Jeanne Marie poured the money out of her cotton handkerchief into +them. + +Anne Marie counted it, looked at it; looked at it, counted it; and +if she had not been so old, so infirm, so toothless, the smile that +passed over her face would have made it beautiful. + +Jeanne Marie had to leave her to draw water from the well to water the +plants, and to get her vegetables ready for next morning. She felt +even happier now than if she had just had a child, happier even than +if her husband had just returned to her. + +"Ill luck! _Coton-Maï!_ Ill luck! There's a way to turn ill luck!" +And her smile also should have beautified her face, wrinkled and ugly +though it was. + +She did not think any more of the spending of the money, only of the +pleasure Anne Marie would take in spending it. + +The water was low in the well, and there had been a long drought. +There are not many old women of seventy-five who could have watered so +much ground as abundantly as she did; but whenever she thought of the +forty dollars and Anne Marie's smile she would give the thirsting +plant an extra bucketful. + +The twilight was gaining. She paused. "_Coton-Maï_" she exclaimed +aloud. "But I must see the old woman smile again over her good luck." + +Although it was "my girl" face to face, it was always "the old woman" +behind each other's back. + +There was a knot-hole in the plank walls of the house. In spite of +Anne Marie's rheumatism they would never stop it up, needing it, they +said, for light and air. Jeanne Marie slipped her feet out of her +sabots and crept easily toward it, smiling, and saying "_Coton-Maï_!" +to herself all the way. She put her eye to the hole. Anne Marie was +not in the bed, she who had not left her bed for two months! Jeanne +Marie looked through the dim light of the room until she found her. + +Anne Marie, in her short petticoat and nightsack, with bare legs +and feet, was on her knees in the corner, pulling up a plank, +hiding--peasants know hiding when they see it--hiding her money +away--away--away from whom?--muttering to herself and shaking her old +grayhaired head. Hiding her money away from Jeanne Marie! + +And this was why Jeanne Marie leaned her head against the side of the +house and wept. It seemed to her that she had never known her twin +sister at all. + + + + +A CRIPPLED HOPE + + +You must picture to yourself the quiet, dim-lighted room of a +convalescent; outside, the dreary, bleak days of winter in a sparsely +settled, distant country parish; inside, a slow, smoldering log-fire, +a curtained bed, the infant sleeping well enough, the mother wakeful, +restless, thought-driven, as a mother must be, unfortunately, +nowadays, particularly in that parish, where cotton worms and +overflows have acquired such a monopoly of one's future. + +[Illustration: "THE QUIET, DIM-LIGHTED ROOM OF A CONVALESCENT."] + +God is always pretty near a sick woman's couch; but nearer even than +God seems the sick-nurse--at least in that part of the country, under +those circumstances. It is so good to look through the dimness and +uncertainty, moral and physical, and to meet those little black, +steadfast, all-seeing eyes; to feel those smooth, soft, all-soothing +hands; to hear, across one's sleep, that three-footed step--the +flat-soled left foot, the tiptoe right, and the padded end of +the broomstick; and when one is so wakeful and restless and +thought-driven, to have another's story given one. God, depend upon +it, grows stories and lives as he does herbs, each with a mission of +balm to some woe. + +She said she had, and in truth she had, no other name than "little +Mammy"; and that was the name of her nature. Pure African, but bronze +rather than pure black, and full-sized only in width, her growth +having been hampered as to height by an injury to her hip, which +had lamed her, pulling her figure awry, and burdening her with a +protuberance of the joint. Her mother caused it by dropping her when a +baby, and concealing it, for fear of punishment, until the dislocation +became irremediable. All the animosity of which little Mammy was +capable centered upon this unknown but never-to-be-forgotten mother of +hers; out of this hatred had grown her love--that is, her destiny, a +woman's love being her destiny. Little Mammy's love was for children. + +The birth and infancy (the one as accidental as the other, one would +infer) took place in--it sounds like the "Arabian Nights" now!--took +place in the great room, caravansary, stable, behind a negro-trader's +auction-mart, where human beings underwent literally the daily buying +and selling of which the world now complains in a figure of speech--a +great, square, dusty chamber where, sitting cross-legged, leaning +against the wall, or lying on foul blanket pallets on the floor, the +bargains of to-day made their brief sojourn, awaiting transformation +into the profits of the morrow. + +The place can be pointed out now, is often pointed out; but no emotion +arises at sight of it. It is so plain, so matter-of-fact an edifice +that emotion only comes afterward in thinking about it, and then in +the reflection that such an edifice could be, then as now, plain and +matter-of-fact. + +For the slave-trader there was no capital so valuable as the physical +soundness of his stock; the moral was easily enough forged or +counterfeited. Little Mammy's good-for-nothing mother was sold as +readily as a vote, in the parlance of to-day; but no one would pay +for a crippled baby. The mother herself would not have taken her as +a gift, had it been in the nature of a negro-trader to give +away anything. Some doctoring was done,--so little Mammy heard +traditionally,--some effort made to get her marketable. There were +attempts to pair her off as a twin sister of various correspondencies +in age, size, and color, and to palm her off, as a substitute, +at migratory, bereaved, overfull breasts. Nothing equaled a +negro-trader's will and power for fraud, except the hereditary +distrust and watchfulness which it bred and maintained. And so, in the +even balance between the two categories, the little cripple remained a +fixture in the stream of life that passed through that back room, +in the fluxes and refluxes of buying and selling; not valueless, +however--rely upon a negro-trader for discovering values as +substitutes, as panaceas. She earned her nourishment, and Providence +did not let it kill the little animal before the emancipation of +weaning arrived. + +[Illustration: "LITTLE MAMMY."] + +How much circumstances evoked, how much instinct responded, belongs to +the secrets which nature seems to intend keeping. As a baby she had +eyes, attention, solely for other babies. One cannot say while she was +still crawling, for she could only crawl years after she should have +been walking, but, before even precocious walking-time, tradition or +the old gray-haired negro janitor relates, she would creep from baby +to baby to play with it, put it to sleep, pat it, rub its stomach (a +negro baby, you know, is all stomach, and generally aching stomach at +that). And before she had a lap, she managed to force one for some +ailing nursling. It was then that they began to call her "little +Mammy." In the transitory population of the "pen" no one stayed long +enough to give her another name; and no one ever stayed short enough +to give her another one. + +Her first recollection of herself was that she could not walk--she was +past crawling; she cradled herself along, as she called sitting down +flat, and working herself about with her hands and her one strong +leg. Babbling babies walked all around her,--many walking before they +babbled,--and still she did not walk, imitate them as she might and +did. She would sit and "study" about it, make another trial, fall; +sit and study some more, make another trial, fall again. Negroes, who +believe that they must give a reason for everything even if they have +to invent one, were convinced that it was all this studying upon her +lameness that gave her such a large head. + +And now she began secretly turning up the clothes of every negro +child that came into that pen, and examining its legs, and still more +secretly examining her own, stretched out before her on the ground. +How long it took she does not remember; in fact, she could not have +known, for she had no way of measuring time except by her thoughts and +feelings. But in her own way and time the due process of deliberation +was fulfilled, and the quotient made clear that, bowed or not, all +children's legs were of equal length except her own, and all were +alike, not one full, strong, hard, the other soft, flabby, wrinkled, +growing out of a knot at the hip. A whole psychological period +apparently lay between that conclusion and--a broom-handle +walking-stick; but the broomstick came, as it was bound to +come,--thank heaven!--from that premise, and what with stretching one +limb to make it longer, and doubling up the other to make it shorter, +she invented that form of locomotion which is still carrying her +through life, and with no more exaggerated leg-crookedness than many +careless negroes born with straight limbs display. This must have been +when she was about eight or nine. Hobbling on a broomstick, with, no +doubt, the same weird, wizened face as now, an innate sense of the +fitness of things must have suggested the kerchief tied around her big +head, and the burlaps rag of an apron in front of her linsey-woolsey +rag of a gown, and the bit of broken pipe-stem in the corner of her +mouth, where the pipe should have been, and where it was in after +years. That is the way she recollected herself, and that is the way +one recalls her now, with a few modifications. + +The others came and went, but she was always there. It wasn't long +before she became "little Mammy" to the grown folks too; and the +newest inmates soon learned to cry: "Where's little Mammy?" "Oh, +little Mammy! little Mammy! Such a misery in my head [or my back, or +my stomach]! Can't you help me, little Mammy?" It was curious what a +quick eye she had for symptoms and ailments, and what a quick ear +for suffering, and how apt she was at picking up, remembering, and +inventing remedies. It never occurred to her not to crouch at the +head or the foot of a sick pallet, day and night through. As for the +nights, she said she dared not close her eyes of nights. The room they +were in was so vast, and sometimes the negroes lay so thick on the +floor, rolled in their blankets (you know, even in the summer they +sleep under blankets), all snoring so loudly, she would never have +heard a groan or a whimper any more than they did, if she had slept, +too. And negro mothers are so careless and such heavy sleepers. All +night she would creep at regular intervals to the different pallets, +and draw the little babies from under, or away from, the heavy, inert +impending mother forms. There is no telling how many she thus saved +from being overlaid and smothered, or, what was worse, maimed and +crippled. + +Whenever a physician came in, as he was sometimes called, to look at +a valuable investment or to furbish up some piece of damaged goods, +she always managed to get near to hear the directions; and she +generally was the one to apply them also, for negroes always would +steal medicines most scurvily one from the other. And when death at +times would slip into the pen, despite the trader's utmost alertness +and precautions,--as death often "had to do," little Mammy said,--when +the time of some of them came to die, and when the rest of the +negroes, with African greed of eye for the horrible, would press +around the lowly couch where the agonizing form of a slave lay +writhing out of life, she would always to the last give medicines, +and wipe the cold forehead, and soothe the clutching, fearsome hands, +hoping to the end, and trying to inspire the hope that his or her +"time" had not come yet; for, as she said, "Our time doesn't come just +as often as it does come." + +And in those sad last offices, which somehow have always been under +reproach as a kind of shame, no matter how young she was, she was +always too old to have the childish avoidance of them. On the +contrary, to her a corpse was only a kind of baby, and she always +strove, she said, to make one, like the other, easy and comfortable. + +And in other emergencies she divined the mysteries of the flesh, as +other precocities divine the mysteries of painting and music, and so +become child wonders. + +Others came and went. She alone remained there. Babies of her +babyhood--the toddlers she, a toddler, had nursed--were having babies +themselves now; the middle-aged had had time to grow old and die. +Every week new families were coming into the great back chamber; every +week they passed out: babies, boys, girls, buxom wenches, stalwart +youths, and the middle-aged--the grave, serious ones whom misfortune +had driven from their old masters, and the ill-reputed ones, the +trickish, thievish, lazy, whom the cunning of the negro-trader alone +could keep in circulation. All were marketable, all were bought and +sold, all passed in one door and out the other--all except her, little +Mammy. As with her lameness, it took time for her to recognize, to +understand, the fact. She could study over her lameness, she could in +the dull course of time think out the broomstick way of palliation. +It would have been almost better, under the circumstances, for God to +have kept the truth from her; only--God keeps so little of the truth +from us women. It is his system. + +Poor little thing! It was not now that her master _could_ not sell +her, but he _would_ not! Out of her own intelligence she had forged +her chains; the lameness was a hobble merely in comparison. She had +become too valuable to the negro-trader by her services among his +crew, and offers only solidified his determination not to sell her. +Visiting physicians, after short acquaintance with her capacities, +would offer what were called fancy prices for her. Planters who heard +of her through their purchases would come to the city purposely to +secure, at any cost, so inestimable an adjunct to their plantations. +Even ladies--refined, delicate ladies--sometimes came to the pen +personally to back money with influence. In vain. Little Mammy was +worth more to the negro-trader, simply as a kind of insurance against +accidents, than any sum, however glittering the figure, and he was no +ignorant expert in human wares. She can tell it; no one else can for +her. Remember that at times she had seen the streets outside. Remember +that she could hear of the outside world daily from the passing +chattels--of the plantations, farms, families; the green fields, +Sunday woods, running streams; the camp-meetings, corn-shuckings, +cotton-pickings, sugar-grindings; the baptisms, marriages, funerals, +prayer-meetings; the holidays and holy days. Remember that, whether +for liberty or whether for love, passion effloresces in the human +being--no matter when, where, or how--with every spring's return. +Remember that she was, even in middle age, young and vigorous. But no; +do not remember anything. There is no need to heighten the coloring. + +It would be tedious to relate, although it was not tedious to hear her +relate it, the desperations and hopes of her life then. Hardly a day +passed that she did not see, looking for purchases (rummaging among +goods on a counter for bargains), some master whom she could have +loved, some mistress whom she could have adored. Always her favorite +mistresses were there--tall, delicate matrons, who came themselves, +with great fatigue, to select kindly-faced women for nurses; +languid-looking ladies with smooth hair standing out in wide +_bandeaux_ from their heads, and lace shawls dropping from their +sloping shoulders, silk dresses carelessly held up in thumb and finger +from embroidered petticoats that were spread out like tents over huge +hoops which covered whole groups of swarming piccaninnies on the dirty +floor; ladies, pale from illnesses that she might have nursed, and +over-burdened with children whom she might have reared! And not a lady +of that kind saw her face but wanted her, yearned for her, pleaded for +her, coming back secretly to slip silver, and sometimes gold, pieces +into her hand, patting her turbaned head, calling her "little Mammy" +too, instantly, by inspiration, and making the negro-trader give them, +with all sorts of assurances, the refusal of her. She had no need for +the whispered "Buy me, master!" "Buy me, mistress!" "You'll see how I +can work, master!" "You'll never be sorry, mistress!" of the others. +The negro-trader--like hangmen, negro-traders are fitted by nature for +their profession--it came into his head--he had no heart, not even a +negro-trader's heart--that it would be more judicious to seclude her +during these shopping visits, so to speak. She could not have had any +hopes then at all; it must have been all desperations. + +That auction-block, that executioner's block, about which so much has +been written--Jacob's ladder, in his dream, was nothing to what that +block appeared nightly in her dreams to her; and the climbers up and +down--well, perhaps Jacob's angels were his hopes, too. + +At times she determined to depreciate her usefulness, mar her value, +by renouncing her heart, denying her purpose. For days she would +tie her kerchief over her ears and eyes, and crouch in a corner, +strangling her impulses. She even malingered, refused food, became +dumb. And she might have succeeded in making herself salable through +incipient lunacy, if through no other way, had she been able to +maintain her role long enough. But some woman or baby always was +falling into some emergency of pain and illness. + +How it might have ended one does not like to think. Fortunately, one +does not need to think. + +There came a night. She sat alone in the vast, dark caravansary--alone +for the first time in her life. Empty rags and blankets lay strewn +over the floor, no snoring, no tossing in them more. A sacrificial +sale that day had cleared the counters. Alarm-bells rang in the +streets, but she did not know them for alarm-bells; alarm brooded in +the dim space around her, but she did not even recognize that. Her +protracted tension of heart had made her fear-blind to all but one +peradventure. + +Once or twice she forgot herself, and limped over to some heap to +relieve an imaginary struggling babe or moaning sleeper. Morning came. +She had dozed. She looked to see the rag-heaps stir; they lay as still +as corpses. The alarm-bells had ceased. She looked to see a new gang +enter the far door. She listened for the gathering buzzing of voices +in the next room, around the auction-block. She waited for the trader. +She waited for the janitor. At nightfall a file of soldiers entered. +They drove her forth, ordering her in the voice, in the tone, of +the negro-trader. That was the only familiar thing in the chaos of +incomprehensibility about her. She hobbled through the auction-room. +Posters, advertisements, papers, lay on the floor, and in the +torch-light glared from the wall. Her Jacob's ladder, her +stepping-stone to her hopes, lay overturned in a corner. + +You divine it. The negro-trader's trade was abolished, and he had +vanished in the din and smoke of a war which he had not been entirely +guiltless of producing, leaving little Mammy locked up behind him. Had +he forgotten her? One cannot even hope so. She hobbled out into the +street, leaning on her nine-year-old broomstick (she had grown only +slightly beyond it; could still use it by bending over it), her head +tied in a rag kerchief, a rag for a gown, a rag for an apron. + +Free, she was free! But she had not hoped for freedom. The plantation, +the household, the delicate ladies, the teeming children,--broomsticks +they were in comparison to freedom, but,--that was what she had asked, +what she had prayed for. God, she said, had let her drop, just as her +mother had done. More than ever she grieved, as she crept down +the street, that she had never mounted the auctioneer's block. An +ownerless free negro! She knew no one whose duty it was to help her; +no one knew her to help her. In the whole world (it was all she had +asked) there was no white child to call her mammy, no white lackey or +gentleman (it was the extent of her dreams) beholden to her as to a +nurse. And all her innumerable black beneficiaries! Even the janitor, +whom she had tended as the others, had deserted her like his white +prototype. + +She tried to find a place for herself, but she had no indorsers, no +recommenders. She dared not mention the name of the negro-trader; it +banished her not only from the households of the whites, but from +those of the genteel of her own color. And everywhere soldiers +sentineled the streets--soldiers whose tone and accent reminded her of +the negro-trader. + +Her sufferings, whether imaginary or real, were sufficiently acute to +drive her into the only form of escape which once had been possible to +friendless negroes. She became a runaway. With a bundle tied to the +end of a stick over her shoulder, just as the old prints represent it, +she fled from her homelessness and loneliness, from her ignoble past, +and the heart-disappointing termination of it. Following a railroad +track, journeying afoot, sleeping by the roadside, she lived on until +she came to the one familiar landmark in life to her--a sick woman, +but a white one. And so, progressing from patient to patient (it was a +time when sick white women studded the country like mile-posts), she +arrived at a little town, a kind of a refuge for soldiers' wives and +widows. She never traveled further. She could not. Always, as in the +pen, some emergency of pain and illness held her. + +That is all. She is still there. The poor, poor women of that stricken +region say that little Mammy was the only alleviation God left them +after Sheridan passed through; and the richer ones say very much the +same thing-- + +But one should hear her tell it herself, as has been said, on a cold, +gloomy winter day in the country, the fire glimmering on the hearth; +the overworked husband in the fields; the baby quiet at last; the +mother uneasy, restless, thought-driven; the soft black hand rubbing +backward and forward, rubbing out aches and frets and nervousness. + +The eyelids droop; the firelight plays fantasies on the bed-curtains; +the ear drops words, sentences; one gets confused--one sleeps--one +dreams. + + + + +"ONE OF US" + + +At the first glance one might have been inclined to doubt; but at +the second anybody would have recognized her--that is, with a little +mental rehabilitation: the bright little rouge spots in the hollow of +her cheek, the eyebrows well accentuated with paint, the thin lips +rose-tinted, and the dull, straight hair frizzed and curled and +twisted and turned by that consummate rascal and artist, the official +beautifier and rectifier of stage humanity, Robert, the opera +_coiffeur_. Who in the world knows better than he the gulf between +the real and the ideal, the limitations between the natural and the +romantic? + +Yes, one could see her, in that time-honored thin silk dress of hers +stiffened into brocade by buckram underneath; the high, low-necked +waist, hiding any evidences of breast, if there were such evidences to +hide, and bringing the long neck into such faulty prominence; and the +sleeves, crisp puffs of tulle divided by bands of red velvet, through +which the poor lean arm runs like a wire, stringing them together like +beads. Yes, it was she, the whilom _dugazon_ of the opera troupe. +Not that she ever was a _dugazon_, but that was what her voice once +aspired to be: a _dugazon manquée_ would better describe her. + +What a ghost! But they always appeared like mere evaporations of +real women. For what woman of flesh and blood can seriously maintain +through life the rôle of sham attendant on sham sensations, and play +public celebrant of other women's loves and lovers, singing, or rather +saying, nothing more enlivening than: "Oh, madame!" and "Ah, madame!" +and "_Quelle ivresse!_" or "_Quelle horreur!_" or, in recitative, +detailing whatever dreary platitudes and inanities the librettist and +Heaven connive to put upon the tongues of confidantes and attendants? + +[Illustration: "TO POSE IN ABJECT PATIENCE AND AWKWARDNESS."] + +Looking at her--how it came over one! The music, the lights, the +scene; the fat soprano confiding to her the fact of the "amour +extrême" she bears for the tenor, to which she, the _dugazon_, does +not even try to listen; her eyes wandering listlessly over the +audience. The calorous secret out, and in her possession, how she +stumbles over her train to the back of the stage, there to pose in +abject patience and awkwardness, while the gallant baritone, touching +his sword, and flinging his cape over his shoulder, defies the world +and the tenor, who is just recovering from his "ut de poitrine" behind +the scenes. + +She was talking to me all the time, apologizing for the intrusion, +explaining her mission, which involved a short story of her life, as +women's intrusions and missions usually do. But my thoughts, also as +usual, distracted me from listening, as so often they have distracted +me from following what was perhaps more profitable. + +The composer, of course, wastes no music upon her; flinging to her +only an occasional recitative in two notes, but always ending in a +reef of a scale, trill, or roulade, for her to wreck her voice on +before the audience. The _chef d'orchestre_, if he is charitable, +starts her off with a contribution from his own lusty lungs, and then +she--oh, her voice is always thinner and more osseous than her arms, +and her smile no more graceful than her train! + +As well think of the simulated trees, water-falls, and chateaux +leaving the stage, as the _dugazon_! One always imagines them singing +on into dimness, dustiness, unsteadiness, and uselessness, until, like +any other piece of stage property, they are at last put aside and +simply left there at the end of some season--there seems to be a +superstition against selling or burning useless and dilapidated stage +property. As it came to me, the idea was not an impossibility. +The last representation of the season is over. She, tired beyond +judgment--haply, beyond feeling--by her tireless rôle, sinks upon her +chair to rest in her dressing-room; sinks, further, to sleep. She has +no maid. The troupe, hurrying away to France on the special train +waiting not half a dozen blocks away, forget her--the insignificant +are so easily forgotten! The porter, more tired, perhaps, than any +one of the beautiful ideal world about him, and savoring already in +advance the good onion-flavored _grillade_ awaiting him at home, locks +up everything fast and tight; the tighter and faster for the good +fortnight's vacation he has promised himself. + +No doubt if the old opera-house were ever cleaned out, just such a +heap of stiff, wire-strung bones would be found, in some such hole +as the _dugazon's_ dressing-room, desiccating away in its last +costume--perhaps in that very costume of _Inez_; and if one were +venturesome enough to pass Allhallowe'en there, the spirit of those +bones might be seen availing itself of the privilege of unasperged +corpses to roam. Not singing, not talking--it is an anachronism to say +that ghosts talk: their medium of communication must be pure thought; +and one should be able to see their thoughts working, just as one sees +the working of the digestive organs in the clear viscera of +transparent animalcule. The hard thing of it is that ghosts are +chained to the same scenes that chained their bodies, and when they +sleep-walk, so to speak, it must be through phases of former +existence. What a nightmare for them to go over once again the lived +and done, the suffered and finished! What a comfort to wake up and +find one's self dead, well dead! + +I could have continued and put the whole opera troupe in "costume de +ghost," but I think it was the woman's eyes that drew me back to her +face and her story. She had a sensible face, now that I observed her +naturally, as it were; and her hands,--how I have agonized over those +hands on the stage!--all knuckles and exaggerated veins, clutching her +dress as she sang, or, petrified, outstretched to _Leonore's_ "Pourquoi +ces larmes?"--her hands were the hands of an honest, hard-working +woman who buckrams her own skirts, and at need could scrub her own +floor. Her face (my description following my wandering glance)--her +face was careworn, almost to desuetude; not dissipation-worn, as, +alas! the faces of the more gifted ladies of opera troupes too often +are. There was no fattening in it of pastry, truffles, and bonbons; +upon it none of the tracery left by nightly champagne tides and +ripples; and consequently her figure, under her plain dress, had not +that for display which the world has conventioned to call charms. +Where a window-cord would hardly have sufficed to girdle _Leonore_, a +necklace would have served her. She had not beauty enough to fear the +flattering dangers of masculine snares and temptations,--or there may +have been other reasons,--but as a wife--there was something about her +that guaranteed it--she would have blossomed love and children as a +fig-tree does figs. + +In truth, she was just talking about children. The first part of her +story had passed: her birthplace, education, situation; and now she +was saying: + +"I have always had the temptation, but I have always resisted it. +Now,"--with a blush at her excuse,--"it may be your spring weather, +your birds, your flowers, your sky--and your children in the streets. +The longing came over me yesterday: I thought of it on the stage, +I thought of it afterward--it was better than sleeping; and this +morning"--her eyes moistened, she breathed excitedly--"I was +determined. I gave up, I made inquiry, I was sent to you. Would it be +possible? Would there be any place" ("any rôle," she said first) "in +any of your asylums, in any of your charitable institutions, for me? +I would ask nothing but my clothes and food, and very little of that; +the recompense would be the children--the little girl children," with +a smile--can you imagine the smile of a woman dreaming of children +that might be? "Think! Never to have held a child in my arms more than +a moment, never to have felt a child's arms about my neck! Never to +have known a child! Born on a stage, my mother born on a stage!" Ah, +there were tragic possibilities in that voice and movement! "Pardon, +madam. You see how I repeat. And you must be very wearied hearing +about me. But I could be their nurse and their servant. I would bathe +and dress them, play with them, teach them their prayers; and when +they are sick they would see no difference. They would not know but +what their mother was there!" + +Oh, she had her program all prepared; one could see that. + +"And I would sing to them--no! no!" with a quick gesture, "nothing +from the stage; little songs and lullabys I have picked up +traveling around, and," hesitating, "little things I have composed +myself--little things that I thought children would like to hear some +day." What did she not unconsciously throw into those last words? "I +dream of it," she pursued, talking with as little regard to me as +on the stage she sang to the prima donna. "Their little arms, their +little faces, their little lips! And in an asylum there would be so +many of them! When they cried and were in trouble I would take them in +my lap, and I would say to them, with all sorts of tenderness--" She +had arranged that in her program, too--all the minutiae of what she +would say to them in their distress. But women are that way. When once +they begin to love, their hearts are magnifying-lenses for them to +feel through. "And my heart hungers to commence right here, now, at +once! It seems to me I cannot wait. Ah, madam, no more stage, no more +opera!" speaking quickly, feverishly. "As I said, it may be your +beautiful spring, your flowers, your birds, and your numbers of +children. I have always loved that place most where there are most +children; and you have more children here than I ever saw anywhere. +Children are so beautiful! It is strange, is it not, when you consider +my life and my rearing?" + +Her life, her rearing, how interesting they must have been! What a +pity I had not listened more attentively! + +"They say you have much to do with asylums here." + +Evidently, when rôles do not exist in life for certain characters, God +has to create them. And thus He had to create a rôle in an asylum for +my friend, for so she became from the instant she spoke of children +as she did. It was the poorest and neediest of asylums; and the poor +little orphaned wretches--but it is better not to speak of them. How +can God ever expect to rear children without their mothers! + +But the rôle I craved to create for my friend was far different--some +good, honest bourgeois interior, where lips are coarse and cheeks are +ruddy, and where life is composed of real scenes, set to the real +music of life, the homely successes and failures, and loves and hates, +and embraces and tears, that fill out the orchestra of the heart; +where romance and poetry abound _au naturel_; and where--yes, where +children grow as thick as nature permits: the domestic interior of the +opera porter, for instance, or the clockmaker over the way. But what +a loss the orphan-asylum would have suffered, and the dreary lacking +there would have been in the lives of the children! For there must +have been moments in the lives of the children in that asylum when +they felt, awake, as they felt in their sleep when they dreamed their +mothers were about them. + + + + +THE LITTLE CONVENT GIRL + +She was coming down on the boat from Cincinnati, the little convent +girl. Two sisters had brought her aboard. They gave her in charge of +the captain, got her a state-room, saw that the new little trunk was +put into it, hung the new little satchel up on the wall, showed her +how to bolt the door at night, shook hands with her for good-by +(good-bys have really no significance for sisters), and left her +there. After a while the bells all rang, and the boat, in the awkward +elephantine fashion of boats, got into midstream. The chambermaid +found her sitting on the chair in the state-room where the sisters +had left her, and showed her how to sit on a chair in the saloon. And +there she sat until the captain came and hunted her up for supper. +She could not do anything of herself; she had to be initiated into +everything by some one else. + +She was known on the boat only as "the little convent girl." Her name, +of course, was registered in the clerk's office, but on a steamboat no +one thinks of consulting the clerk's ledger. It is always the little +widow, the fat madam, the tall colonel, the parson, etc. The captain, +who pronounced by the letter, always called her the little _convent_ +girl. She was the beau-ideal of the little convent girl. She never +raised her eyes except when spoken to. Of course she never spoke +first, even to the chambermaid, and when she did speak it was in the +wee, shy, furtive voice one might imagine a just-budding violet to +have; and she walked with such soft, easy, carefully calculated steps +that one naturally felt the penalties that must have secured +them--penalties dictated by a black code of deportment. + +[Illustration: THE SISTERS BID HER GOOD-BY.] + +She was dressed in deep mourning. Her black straw hat was trimmed with +stiff new crape, and her stiff new bombazine dress had crape collar +and cuffs. She wore her hair in two long plaits fastened around her +head tight and fast. Her hair had a strong inclination to curl, but +that had been taken out of it as austerely as the noise out of her +footfalls. Her hair was as black as her dress; her eyes, when one saw +them, seemed blacker than either, on account of the bluishness of the +white surrounding the pupil. Her eyelashes were almost as thick as the +black veil which the sisters had fastened around her hat with an extra +pin the very last thing before leaving. She had a round little face, +and a tiny pointed chin; her mouth was slightly protuberant from the +teeth, over which she tried to keep her lips well shut, the effort +giving them a pathetic little forced expression. Her complexion was +sallow, a pale sallow, the complexion of a brunette bleached in +darkened rooms. The only color about her was a blue taffeta ribbon +from which a large silver medal of the Virgin hung over the place +where a breast pin should have been. She was so little, so little, +although she was eighteen, as the sisters told the captain; otherwise +they would not have permitted her to travel all the way to New Orleans +alone. + +Unless the captain or the clerk remembered to fetch her out in front, +she would sit all day in the cabin, in the same place, crocheting +lace, her spool of thread and box of patterns in her lap, on the +handkerchief spread to save her new dress. Never leaning back--oh, no! +always straight and stiff, as if the conventual back board were there +within call. She would eat only convent fare at first, notwithstanding +the importunities of the waiters, and the jocularities of the captain, +and particularly of the clerk. Every one knows the fund of humor +possessed by a steamboat clerk, and what a field for display the table +at meal-times affords. On Friday she fasted rigidly, and she never +began to eat, or finished, without a little Latin movement of the lips +and a sign of the cross. And always at six o'clock of the evening she +remembered the angelus, although there was no church bell to remind +her of it. + +She was in mourning for her father, the sisters told the captain, +and she was going to New Orleans to her mother. She had not seen +her mother since she was an infant, on account of some disagreement +between the parents, in consequence of which the father had brought +her to Cincinnati, and placed her in the convent. There she had been +for twelve years, only going to her father for vacations and holidays. +So long as the father lived he would never let the child have any +communication with her mother. Now that he was dead all that was +changed, and the first thing that the girl herself wanted to do was to +go to her mother. + +The mother superior had arranged it all with the mother of the girl, +who was to come personally to the boat in New Orleans, and receive her +child from the captain, presenting a letter from the mother superior, +a facsimile of which the sisters gave the captain. + +It is a long voyage from Cincinnati to New Orleans, the rivers doing +their best to make it interminable, embroidering themselves _ad +libitum_ all over the country. Every five miles, and sometimes +oftener, the boat would stop to put off or take on freight, if not +both. The little convent girl, sitting in the cabin, had her +terrible frights at first from the hideous noises attendant on these +landings--the whistles, the ringings of the bells, the running to and +fro, the shouting. Every time she thought it was shipwreck, death, +judgment, purgatory; and her sins! her sins! She would drop her +crochet, and clutch her prayer-beads from her pocket, and relax the +constraint over her lips, which would go to rattling off prayers with +the velocity of a relaxed windlass. That was at first, before the +captain took to fetching her out in front to see the boat make a +landing. Then she got to liking it so much that she would stay all day +just where the captain put her, going inside only for her meals. She +forgot herself at times so much that she would draw her chair a little +closer to the railing, and put up her veil, actually, to see better. +No one ever usurped her place, quite in front, or intruded upon her +either with word or look; for every one learned to know her shyness, +and began to feel a personal interest in her, and all wanted the +little convent girl to see everything that she possibly could. + +[Illustration: WATCHING A LANDING.] + +And it was worth seeing--the balancing and _chasséeing_ and waltzing +of the cumbersome old boat to make a landing. It seemed to be +always attended with the difficulty and the improbability of a new +enterprise; and the relief when it did sidle up anywhere within +rope's-throw of the spot aimed at! And the roustabout throwing the +rope from the perilous end of the dangling gang-plank! And the +dangling roustabouts hanging like drops of water from it--dropping +sometimes twenty feet to the land, and not infrequently into the river +itself. And then what a rolling of barrels, and shouldering of sacks, +and singing of Jim Crow songs, and pacing of Jim Crow steps; and black +skins glistening through torn shirts, and white teeth gleaming through +red lips, and laughing, and talking and--bewildering! entrancing! +Surely the little convent girl in her convent walls never dreamed of +so much unpunished noise and movement in the world! + +The first time she heard the mate--it must have been like the first +time woman ever heard man--curse and swear, she turned pale, and ran +quickly, quickly into the saloon, and--came out again? No, indeed! +not with all the soul she had to save, and all the other sins on her +conscience. She shook her head resolutely, and was not seen in her +chair on deck again until the captain not only reassured her, but +guaranteed his reassurance. And after that, whenever the boat was +about to make a landing, the mate would first glance up to the guards, +and if the little convent girl was sitting there he would change his +invective to sarcasm, and politely request the colored gentlemen not +to hurry themselves--on no account whatever; to take their time about +shoving out the plank; to send the rope ashore by post-office--write +him when it got there; begging them not to strain their backs; calling +them mister, colonel, major, general, prince, and your royal highness, +which was vastly amusing. At night, however, or when the little +convent girl was not there, language flowed in its natural curve, the +mate swearing like a pagan to make up for lost time. + +The captain forgot himself one day: it was when the boat ran aground +in the most unexpected manner and place, and he went to work to +express his opinion, as only steamboat captains can, of the pilot, +mate, engineer, crew, boat, river, country, and the world in general, +ringing the bell, first to back, then to head, shouting himself +hoarser than his own whistle--when he chanced to see the little black +figure hurrying through the chaos on the deck; and the captain stuck +as fast aground in midstream as the boat had done. + +In the evening the little convent girl would be taken on the upper +deck, and going up the steep stairs there was such confusion, to keep +the black skirts well over the stiff white petticoats; and, coming +down, such blushing when suspicion would cross the unprepared face +that a rim of white stocking might be visible; and the thin feet, +laced so tightly in the glossy new leather boots, would cling to each +successive step as if they could never, never make another venture; +and then one boot would (there is but that word) hesitate out, and +feel and feel around, and have such a pause of helpless agony as if +indeed the next step must have been wilfully removed, or was nowhere +to be found on the wide, wide earth. + +It was a miracle that the pilot ever got her up into the pilot-house; +but pilots have a lonely time, and do not hesitate even at miracles +when there is a chance for company. He would place a box for her to +climb to the tall bench behind the wheel, and he would arrange the +cushions, and open a window here to let in air, and shut one there to +cut off a draft, as if there could be no tenderer consideration in +life for him than her comfort. And he would talk of the river to her, +explain the chart, pointing out eddies, whirlpools, shoals, depths, +new beds, old beds, cut-offs, caving banks, and making banks, as +exquisitely and respectfully as if she had been the River Commission. + +It was his opinion that there was as great a river as the Mississippi +flowing directly under it--an underself of a river, as much a +counterpart of the other as the second story of a house is of the +first; in fact, he said they were navigating through the upper story. +Whirlpools were holes in the floor of the upper river, so to speak; +eddies were rifts and cracks. And deep under the earth, hurrying +toward the subterranean stream, were other streams, small and +great, but all deep, hurrying to and from that great mother-stream +underneath, just as the small and great overground streams hurry to +and from their mother Mississippi. It was almost more than the little +convent girl could take in: at least such was the expression of her +eyes; for they opened as all eyes have to open at pilot stories. And +he knew as much of astronomy as he did of hydrology, could call the +stars by name, and define the shapes of the constellations; and she, +who had studied astronomy at the convent, was charmed to find that +what she had learned was all true. It was in the pilot-house, one +night, that she forgot herself for the first time in her life, and +stayed up until after nine o'clock. Although she appeared almost +intoxicated at the wild pleasure, she was immediately overwhelmed +at the wickedness of it, and observed much more rigidity of conduct +thereafter. The engineer, the boiler-men, the firemen, the stokers, +they all knew when the little convent girl was up in the pilot-house: +the speaking-tube became so mild and gentle. + +With all the delays of river and boat, however, there is an end to the +journey from Cincinnati to New Orleans. The latter city, which at one +time to the impatient seemed at the terminus of the never, began, +all of a sudden, one day to make its nearingness felt; and from that +period every other interest paled before the interest in the immanence +of arrival into port, and the whole boat was seized with a panic of +preparation, the little convent girl with the others. Although so +immaculate was she in person and effects that she might have been +struck with a landing, as some good people might be struck with death, +at any moment without fear of results, her trunk was packed and +repacked, her satchel arranged and rearranged, and, the last day, her +hair was brushed and plaited and smoothed over and over again until +the very last glimmer of a curl disappeared. Her dress was whisked, +as if for microscopic inspection; her face was washed; and her +finger-nails were scrubbed with the hard convent nail-brush, until +the disciplined little tips ached with a pristine soreness. And still +there were hours to wait, and still the boat added up delays. But she +arrived at last, after all, with not more than the usual and expected +difference between the actual and the advertised time of arrival. + +There was extra blowing and extra ringing, shouting, commanding, +rushing up the gangway and rushing down the gangway. The clerks, +sitting behind tables on the first deck, were plied, in the twinkling +of an eye, with estimates, receipts, charges, countercharges, claims, +reclaims, demands, questions, accusations, threats, all at topmost +voices. None but steamboat clerks could have stood it. And there were +throngs composed of individuals every one of whom wanted to see the +captain first and at once: and those who could not get to him shouted +over the heads of the others; and as usual he lost his temper and +politeness, and began to do what he termed "hustle." + +"Captain! Captain!" a voice called him to where a hand plucked his +sleeve, and a letter was thrust toward him. "The cross, and the name +of the convent." He recognized the envelop of the mother superior. He +read the duplicate of the letter given by the sisters. He looked at +the woman--the mother--casually, then again and again. + +The little convent girl saw him coming, leading some one toward her. +She rose. The captain took her hand first, before the other greeting, +"Good-by, my dear," he said. He tried to add something else, but +seemed undetermined what. "Be a good little girl--" It was evidently +all he could think of. Nodding to the woman behind him, he turned on +his heel, and left. + +One of the deck-hands was sent to fetch her trunk. He walked out +behind them, through the cabin, and the crowd on deck, down the +stairs, and out over the gangway. The little convent girl and her +mother went with hands tightly clasped. She did not turn her eyes to +the right or left, or once (what all passengers do) look backward at +the boat which, however slowly, had carried her surely over dangers +that she wot not of. All looked at her as she passed. All wanted to +say good-by to the little convent girl, to see the mother who had been +deprived of her so long. Some expressed surprise in a whistle; some +in other ways. All exclaimed audibly, or to themselves, "Colored!" + +It takes about a month to make the round trip from New Orleans to +Cincinnati and back, counting five days' stoppage in New Orleans. It +was a month to a day when the steamboat came puffing and blowing up to +the wharf again, like a stout dowager after too long a walk; and the +same scene of confusion was enacted, as it had been enacted twelve +times a year, at almost the same wharf for twenty years; and the +same calm, a death calmness by contrast, followed as usual the next +morning. + +The decks were quiet and clean; one cargo had just been delivered, +part of another stood ready on the levee to be shipped. The captain +was there waiting for his business to begin, the clerk was in his +office getting his books ready, the voice of the mate could be heard +below, mustering the old crew out and a new crew in; for if steamboat +crews have a single principle,--and there are those who deny them +any,--it is never to ship twice in succession on the same boat. It was +too early yet for any but roustabouts, marketers, and church-goers; +so early that even the river was still partly mist-covered; only in +places could the swift, dark current be seen rolling swiftly along. + +"Captain!" A hand plucked at his elbow, as if not confident that the +mere calling would secure attention. The captain turned. The mother of +the little convent girl stood there, and she held the little convent +girl by the hand. "I have brought her to see you," the woman said. +"You were so kind--and she is so quiet, so still, all the time, I +thought it would do her a pleasure." + +She spoke with an accent, and with embarrassment; otherwise one would +have said that she was bold and assured enough. + +"She don't go nowhere, she don't do nothing but make her crochet and +her prayers, so I thought I would bring her for a little visit of 'How +d' ye do' to you." + +There was, perhaps, some inflection in the woman's voice that might +have made known, or at least awakened, the suspicion of some latent +hope or intention, had the captain's ear been fine enough to detect +it. There might have been something in the little convent girl's face, +had his eye been more sensitive--trifle paler, maybe, the lips a +little tighter drawn, the blue ribbon a shade faded. He may have +noticed that, but-- And the visit of "How d' ye do" came to an end. + +They walked down the stairway, the woman in front, the little convent +girl--her hand released to shake hands with the captain--following, +across the bared deck, out to the gangway, over to the middle of +it. No one was looking, no one saw more than a flutter of white +petticoats, a show of white stockings, as the little convent girl went +under the water. + +The roustabout dived, as the roustabouts always do, after the +drowning, even at the risk of their good-for-nothing lives. The mate +himself jumped overboard; but she had gone down in a whirlpool. +Perhaps, as the pilot had told her whirlpools always did, it may have +carried her through to the underground river, to that vast, hidden, +dark Mississippi that flows beneath the one we see; for her body was +never found. + + + + +GRANDMOTHER'S GRANDMOTHER + + +As the grandmother related it fresh from the primeval sources that +feed a grandmother's memory, it happened thus: + +In the early days of the settlement of Georgia--ah, how green and +rustic appears to us now the world in the early days of the settlement +of Georgia! Sometimes to women, listening to the stories of their +grandmothers, it seems better to have lived then than now--her +grandmother was at that time a young wife. It was the day of arduous, +if not of long, courtship before marriage, when every wedding +celebrated the close of an original romance; and when young couples, +for bridal trips, went out to settle new States, riding on a pillion +generally, with their trousseaux following as best they could on +sumpter mules; to hear the grandmother describe it made one long to be +a bride of those days. + +The young husband had the enumeration of qualities that went to the +making of a man of that period, and if the qualities were in the +proportion of ten physical to one intellectual, it does not follow +that the grandmother's grandfather was not a man of parts. For, to +obtain the hand of his bride, an only child and an heiress, he had to +give test of his mettle by ignoring his fortune, studying law, and +getting his license before marriage, and binding himself to live the +first year afterward on the proceeds of his practice; a device of the +time thought to be a wholesome corrective of the corrupting influence +of over-wealth in young domesticities. + +Although he had already chosen the sea for his profession, and was a +midshipman at the time, with more of a reputation for living than for +learning, such was he, and such, it may be said, was the incentive +genius of his choice, that almost before his resignation as midshipman +was accepted, his license as a lawyer was signed. As for practice, it +was currently remarked at his wedding, at the sight of him flying down +the room in the reel with his bride for partner, that his tongue was +as nimble as his heels, and that if he only turned his attention to +criminal practice, there was no man in the country who would make +a better prosecuting attorney for the State. And with him for +prosecuting attorney, it was warranted that sirrahs the highwaymen +would not continue to hold Georgia judge-and-jury justice in quite +such contemptible estimation, and that the gallows would not be left +so long bereft of their legitimate swingings. As for fees, it was +predicted that the young fellow as he stood, or rather "chassé'd," +could snap his fingers at both his and his bride's trustees. + +He did turn his attention to criminal law, was made prosecuting +attorney for the State in his county, and, before his six months +had passed, was convincing the hitherto high and mighty, lordly, +independent knights of the road that other counties in Georgia +furnished more secure pasturage for them. + +It was a beautiful spring morning. The young wife bade him a hearty +good-by, and stood in the doorway watching him, gay and _debonair_, +riding off, on his stout black charger Beetle, in the direction of the +town in which court was to be held that week. + +She herself feeling as full of ambition and work as if she also were +prosecuting attorney, with a perennial spring of eloquence bubbling in +her brain, turned to her domestic duties, and, without going into +the detail of them, it suffices to say that, according to the +grandmother's estimation, one morning's list of duties for a healthy +young bride of that period would shame the week's work of a syndicate +of them to-day. Finding herself nearing the limit of diminution of +several household necessities, and the spring suggesting the beginning +of new ones, she made up her mind to profit by her husband's absence +and the fair weather to make a trading visit to the neighboring town +next day. + +[Illustration: "TURNED TO HER DOMESTIC DUTIES."] + +So, early in a morning as beautiful as the preceding one, mounted on +her own stanch mare Maid Marion, she ambled down the green over-hung +forest-road, in the vista of which she had watched her husband +disappear the day before; thinking about what she had to buy, and +thinking, no doubt, much more, as brides will, of the absent lord and +master--as brides of those days loved to consider and denominate their +husbands. + +Coming into the little town, the freshly painted, swinging sign-board +of the new tavern, "The Honest Georgian," as usual was the thing to +catch her eye; but the instant after what should she see but Black +Beetle hitched to the rack under the tree that shadowed the hostelry! + +It was not decorous; but she was young, and the day of her first +separation from her husband had been so long; and was he not also, +against the firmest of resolutions and plans, hastening back to her, +the separation being too long for him also? + +Slipping her foot from the stirrup, she jumped to the ground, and ran +into the tavern. There he stood calling hastily for a drink; and +her heart more than her eyes took in his, to her, consecrated +signalment--the riding-boots, short clothes, blue coat, cocked hat, +ruffles. She crept up behind to surprise him, her face, with its +delight and smiles, beyond her control. She crept, until she saw his +watch-fob dangling against the counter, and then her heart made a +call. He turned. He was not her husband! Another man was in her +husband's clothes, a man with a villainous countenance! With a scream +she gave the alarm. The stranger turned, dropped his drink, bounded to +the door and out, leaped to the back of Beetle, gave rein and spur, +and the black horse made good his reputation. In a second all was +hue-and-cry and pursuit. While men and horses made, for all they were +worth, down the road after Beetle, she on Maid Marion galloped for +her life in the opposite direction, the direction of the court town +whither her husband had journeyed. The mare's hide made acquaintance +with the whip that day if never before, for not even the willing Maid +Marion could keep pace with the apprehensions on her back. + +Scouring with her eyes the highway ahead of her, shooting hawk's +glances into the forest on each side of her, the wife rode through +the distance all, all day, praying that the day might be long enough, +might equal the distance. The sun set, and night began to fall; but +she and Maid Marion were none the less fresh, except in the heart. + +The moon rose straight before them down the road, lighting it and them +through the threatened obscurity. And so they came to trampled earth +and torn grass, and so she uncovered concealed footsteps, and so, +creeping on her hands and knees, she followed traces of blood, through +thicket and glade, into the deep forest, to a hastily piled hillock of +earth, gravel, and leaves. Burrowing with her hands, she came to it, +the naked body of her young husband, cold and stiff, foully murdered. +Maid Marion approached at her call. She wrapped him in her cloak, +and--a young wife of those times alone would do it--put him in the +saddle before her: the good mare Maid Marion alone knows the rest. In +the early gray dawn, from one highway there rode into the town the +baffled pursuers, from the other the grandmother's grandmother, +clasping the corpse of her husband with arms as stiff as his own; +loving him, so the grandmother used to say, with a love which, if ever +love could do so, would have effected a resurrection. + + + + +THE OLD LADY'S RESTORATION + + +The news came out in the papers that the old lady had been restored +to her fortune. She had been deprived of it so long ago that the real +manner of her dispossession had become lost, or at least hidden under +the many versions that had been invented to replace lapses of memory, +or to remedy the unpicturesqueness of the original truth. The face of +truth, like the face of many a good woman, is liable to the accident +of ugliness, and the desire to embellish one as well as the other +need not necessarily proceed from anything more harmful than an +overweighted love of the beautiful. + +If the old lady had not been restored to her fortune, her _personalia_ +would have remained in the oblivion which, as one might say, had +accumulated upon everything belonging to her. But after that newspaper +paragraph, there was such a flowering of memory around her name as +would have done credit to a whole cemetery on All Saints. It took +three generations to do justice to the old lady, for so long and so +slow had been her descent into poverty that a grandmother was needed +to remember her setting out upon the road to it. + +She set out as most people do, well provided with money, diamonds, +pretty clothing, handsome residence, equipage, opera-box, beaus (for +she was a widow), and so many, many friends that she could never +indulge in a small party--she always had to give a grand ball +to accommodate them. She made quite an occasion of her first +reverse,--some litigation decided against her,--and said it came from +the court's' having only one ear, and that preempted by the other +party. + +She always said whatever she thought, regardless of the consequences, +because she averred truth was so much more interesting than falsehood. +Nothing annoyed her more in society than to have to listen to the +compositions women make as a substitute for the original truth. It was +as if, when she went to the theater to hear Shakspere and Molière, +the actors should try to impose upon the audience by reciting lines +of their own. Truth was the wit of life and the wit of books. She +traveled her road from affluence so leisurely that nothing escaped her +eyes or her feelings, and she signaled unhesitatingly every stage in +it. + +"My dear, do you know there is really such a thing as existence +without a carriage and horses?"--"I assure you it is perfectly new to +me to find that an opera-box is not a necessity. It is a luxury. In +theory one can really never tell the distinction between luxuries and +necessities."--"How absurd! At one time I thought hair was given +us only to furnish a profession to hair-dressers; just as we wear +artificial flowers to support the flower-makers."--"Upon my word, +it is not uninteresting. There is always some _haute nouveauté_ in +economy. The ways of depriving one's self are infinite. There is wine, +now."--"Not own your residence! As soon not own your tomb as your +residence! My mama used to scream that in my ears. According to her, +it was not _comme il faut_ to board or live in a rented house. +How little she knew!" + +When her friends, learning her increasing difficulties, which they did +from the best authority (herself), complimented her, as they were +forced to do, upon her still handsome appearance, pretty laces, +feathers, jewelry, silks, "Fat," she would answer--"fat. I am living +off my fat, as bears do in winter. In truth, I remind myself of an +animal in more ways than one." + +And so every one had something to contribute to the conversation about +her--bits which, they said, affection and admiration had kept alive in +their memory. + +Each city has its own roads to certain ends, its ways of Calvary, so +to speak. In New Orleans the victim seems ever to walk down Royal +street and up Chartres, or _vice versa_. One would infer so, at least, +from the display in the shops and windows of those thorough-fares. +Old furniture, cut glass, pictures, books, jewelry, lace, china--the +fleece (sometimes the flesh still sticking to it) left on the +brambles by the driven herd. If there should some day be a trump of +resurrection for defunct fortunes, those shops would be emptied in +the same twinkling of the eye allowed to tombs for their rendition of +property. + +The old lady must have made that promenade many, many times, to judge +by the samples of her "fat or fleece" displayed in the windows. She +took to hobbling, as if from tired or sore feet. + +"It is nothing," in answer to an inquiry. "Made-to-order feet learning +to walk in ready-made shoes: that is all. One's feet, after all, are +the most unintelligent part of one's body." Tea was her abomination, +coffee her adoration; but she explained: "Tea, you know, is so +detestable that the very worst is hardly worse than the very best; +while coffee is so perfect that the smallest shade of impurity is not +to be tolerated. The truly economical, I observe, always drink tea." +"At one time I thought if all the luxuries of the world were exposed +to me, and but one choice allowed, I should select gloves. Believe me, +there is no superfluity in the world so easily dispensed with." + +As may be supposed, her path led her farther and farther away from her +old friends. Even her intimates became scarce; so much so, that these +observations, which, of course, could be made only to intimates, +became fewer and fewer, unfortunately, for her circumstances were +becoming such that the remarks became increasingly valuable. The last +thing related of her was apropos of friends. + +"My friends! My dear, I cannot tell you just so, on the spur of the +moment, but with a little reflection and calculation I could tell you, +to a picayune, the rent of every friend in the market. You can lease, +rent, or hire them, like horses, carriages, opera-boxes, servants, by +year, month, day, or hour; and the tariff is just as fixed. + +"Christians! Christians are the most discreet people in the world. If +you should ask me what Christianity has most promoted in the world, I +should answer without hesitation, discretion. Of course, when I say +the world I mean society, and when I say Christianity I mean our +interpretation of it. If only duns could be pastors, and pastors duns! +But of course you do not know what duns are; they are the guardian +angels of the creditor, the pursuing fiends of the debtor." + +After that, the old lady made her disappearance under the waves of +that sea into the depths of which it is very improbable that a single +friend ever attempted to pursue her. And there she remained until the +news came that she was restored to fortune. + +A week passed, two weeks; no sight or sound of her. It was during this +period that her old friends were so occupied resuscitating their old +friendships for her--when all her antique sayings and doings became +current ball-room and dinner-table gossip--that she arose from her +obscurity like Cinderella from her ashes, to be decked with every gift +that fairy minds could suggest. Those who had known her intimately +made no effort to conceal their importance. Those who did not know her +personally put forward claims of inherited friendship, and those who +did not know her traditionally or otherwise--the _nouveaux riches_ +and _parvenus_, who alone feel the moneyed value of such social +connections--began making their resolutions to capture her as soon as +she came in sight of society. + +The old residence was to be re-bought, and refurnished from France; +the _avant scène_ at the opera had been engaged; the old cook was to +be hired back from the club at a fabulous price; the old balls and the +old dinners were to gladden the city--so said they who seemed to know. +Nothing was to be spared, nothing stinted--at her age, with no child +or relative, and life running short for pleasure. Diamonds, laces, +velvets, champagne, Château Yquem--"Grand Dieu Seigneur!" the old +Creole servants exclaimed, raising their hands at the enumeration of +it. + +Where the news came from nobody knew, but everything was certified +and accepted as facts, although, as between women, the grain of salt +should have been used. Impatience waxed, until nearly every day some +one would ring the bell of the old residence, to ask when the mistress +was going to move in. And such affectionate messages! And people would +not, simply could not, be satisfied with the incomprehensible answers. +And then it leaked out. The old lady was simply waiting for everything +to arrive--furniture, toilets, carriage, etc.--to make a grand +_entrée_ into her old sphere; to come riding on a throne, as it were. +And still the time passed, and she did not come. Finally two of the +clever-heads penetrated the enigma: _mauvaise honte_, shyness--so long +out of the world, so old; perhaps not sure of her welcome. So they +determined to seek her out. + +[Illustration: THE ROOM IN THE OLD GALLERY.] + +"We will go to her, like children to a grandmother, etc. The others +have no delicacy of sentiment, etc. And she will thus learn who really +remember, really love her, etc." + +Provided with congratulatory bouquets, they set forth. It is very hard +to find a dweller on the very sea-bottom of poverty. Perhaps that is +why the effort is so seldom made. One has to ask at grocers' shops, +groggeries, market-stalls, Chinese restaurants; interview corner +cobblers, ragpickers, gutter children. But nothing is impossible to +the determined. The two ladies overcame all obstacles, and needled +their way along, where under other circumstances they would not have +glanced, would have thought it improper to glance. + +They were directed through an old, old house, out on an old, old +gallery, to a room at the very extreme end. + +"Poor thing! Evidently she has not heard the good news yet. We will +be the first to communicate it," they whispered, standing before the +dilapidated, withered-looking door. + +Before knocking, they listened, as it is the very wisdom of discretion +to do. There was life inside, a little kind of voice, like some one +trying to hum a song with a very cracked old throat. + +The ladies opened the door. "Ah, my friend!" + +"Ah, my friend!" + +"Restored!" + +"Restored!" + +"At last!" + +"At last!" + +"Just the same!" + +"Exactly the same!" + +It was which one would get to her first with bouquet and kiss, +competition almost crowding friendship. + +"The good news!" + +"The good news!" + +"We could not stay!" + +"We had to come!" + +"It has arrived at last!" + +"At last it has arrived!" + +The old lady was very much older, but still the same. + +"You will again have a chance!" + +"Restored to your friends!" + +"The world!" + +"Your luxuries!" + +"Your comforts!" + +"Comforts! Luxuries!" At last the old lady had an opportunity to slip +in a word. "And friends! You say right." + +There was a pause--a pause which held not a small measure of +embarrassment. But the two visitors, although they were women of the +world, and so dreaded an embarrassment more than they did sin, had +prepared themselves even to stand this. + +The old lady standing there--she was very much thinner, very much +bent, but still the same--appeared to be looking not at them, but at +their enumeration. + +"Comfort!" She opened a pot bubbling on the fire. "Bouillon! A good +five-cent bouillon. Luxury!" She picked up something from a chair, +a handful of new cotton chemises. "Luxury!" She turned back her +bedspread: new cotton sheets. "Did you ever lie in your bed at night +and dream of sheets? Comfort! Luxury! I should say so! And friends! My +dear, look!" Opening her door, pointing to an opposite gallery, to +the yard, her own gallery; to the washing, ironing, sewing women, the +cobbling, chair-making, carpentering men; to the screaming, laughing, +crying, quarreling, swarming children. "Friends! All friends--friends +for fifteen years. Ah, yes, indeed! We are all glad--elated in fact. +As you say. I am restored." + +The visitors simply reported that they had found the old lady, and +that she was imbecile; mind completely gone under stress of poverty +and old age. Their opinion was that she should be interdicted. + + + + +A DELICATE AFFAIR + + +"But what does this extraordinary display of light mean?" ejaculated +my aunt, the moment she entered the parlor from the dining-room. "It +looks like the kingdom of heaven in here! Jules! Jules!" she called, +"come and put out some of the light!" + +Jules was at the front door letting in the usual Wednesday-evening +visitor, but now he came running in immediately with his own invention +in the way of a gas-stick,--a piece of broom-handle notched at the +end,--and began turning one tap after the other, until the room was +reduced to complete darkness. + +"But what do you mean now, Jules?" screamed the old lady again. + +"Pardon, madame," answered Jules, with dignity; "it is an accident. I +thought there was one still lighted." + +"An accident! An accident! Do you think I hire you to perform +accidents for me? You are just through telling me that it was accident +made you give me both soup and gumbo for dinner today." + +"But accidents can always happen, madame," persisted Jules, adhering +to his position. + +The chandelier, a design of originality in its day, gave light by what +purported to be wax candles standing each in a circlet of pendent +crystals. The usual smile of ecstatic admiration spread over Jules's +features as he touched the match to the simulated wicks, and lighted +into life the rainbows in the prisms underneath. It was a smile that +did not heighten the intelligence of his features, revealing as it did +the toothless condition of his gums. + +"What will madame have for her dinner tomorrow," looking benignantly +at his mistress, and still standing under his aureole. + +"Do I ever give orders for one dinner, with the other one still on my +lips?" + +"I only asked madame; there is no harm in asking." He walked away, his +long stiff white apron rattling like a petticoat about him. Catching +sight of the visitor still standing at the threshold: "Oh, madame, +here is Mr. Horace. Shall I let him in?" + +"Idiot! Every Wednesday you ask me that question, and every Wednesday +I answer the same way. Don't you think I could tell you when not to let +him in without your asking?" + +"Oh, well, madame, one never knows; it is always safe to ask." + +The appearance of the gentleman started a fresh subject of excitement. + +"Jules! Jules! You have left that front door unlocked again!" + +"Excuse me," said Mr. Horace; "Jules did not leave the front door +unlocked. It was locked when I rang, and he locked it again most +carefully after letting me in. I have been standing outside all the +while the gas was being extinguished and relighted." + +"Ah, very well, then. And what is the news?" She sank into her +arm-chair, pulled her little card-table closer, and began shuffling +the cards upon it for her game of solitaire. "I never hear any news, +you know. She [nodding toward me] goes out, but she never learns +anything. She is as stupid tonight as an empty bottle." + +After a few passes her hands, which were slightly tremulous, regained +some of their wonted steadiness and brilliancy of movement, and the +cards dropped rapidly on the table. Mr. Horace, as he had got into +the habit of doing, watched her mechanically, rather absent-mindedly +retailing what he imagined would interest her, from his week's +observation and hearsay. And madame's little world revolved, complete +for her, in time, place, and personality. + +It was an old-fashioned square room with long ceiling, and broad, low +windows heavily curtained with stiff silk brocade, faded by time into +mellowness. The tall white-painted mantel carried its obligation of +ornaments well: a gilt clock which under a glass case related some +brilliant poetical idyl, and told the hours only in an insignificant +aside, according to the delicate politeness of bygone French taste; +flanked by duplicate continuations of the same idyl in companion +candelabra, also under glass; Sèvres, or imitation Sèvres vases, and +a crowd of smaller objects to which age and rarity were slowly +contributing an artistic value. An oval mirror behind threw replicas +of them into another mirror, receiving in exchange the reflected +portrait of madame in her youth, and in the partial nudity in which +innocence was limned in madame's youth. There were besides mirrors on +the other three walls of the room, all hung with such careful intent +for the exercise of their vocation that the apartment, in spots, +extended indefinitely; the brilliant chandelier was thereby +quadrupled, and the furniture and ornaments multiplied everywhere +and most unexpectedly into twins and triplets, producing such +sociabilities among them, and forcing such correspondences between +inanimate objects with such hospitable insistence, that the effect was +full of gaiety and life, although the interchange in reality was the +mere repetition of one original, a kind of phonographic echo. + +The portrait of monsieur, madame's handsome young husband, hung out +of the circle of radiance, in the isolation that, wherever they hang, +always seems to surround the portraits of the dead. + +Old as the parlors appeared, madame antedated them by the sixteen +years she had lived before her marriage, which had been the occasion +of their furnishment. She had traveled a considerable distance over +the sands of time since the epoch commemorated by the portrait. +Indeed, it would require almost documentary evidence to prove that +she, who now was arriving at eighty, was the same Atalanta that had +started out so buoyantly at sixteen. + +Instead of a cap, she wore black lace over her head, pinned with gold +brooches. Her white hair curled naturally over a low forehead. Her +complexion showed care--and powder. Her eyes were still bright, not +with the effete intelligence of old age, but with actual potency. She +wore a loose black sack flowered in purple, and over that a black lace +mantle, fastened with more gold brooches. + +She played her game of solitaire rapidly, impatiently, and always won; +for she never hesitated to cheat to get out of a tight place, or +into a favorable one, cheating with the quickness of a flash, and +forgetting it the moment afterward. + +Mr. Horace was as old as she, but he looked much younger, although +his dress and appearance betrayed no evidence of an effort in that +direction. Whenever his friend cheated, he would invariably call her +attention to it; and as usual she would shrug her shoulders, and say, +"Bah! lose a game for a card!" and pursue the conversation. + +He happened to mention mushrooms--fresh mushrooms. She threw down +her cards before the words were out of his mouth, and began to call, +"Jules! Jules!" Mr. Horace pulled the bell-cord, but madame was +too excitable for that means of communication. She ran into the +antechamber, and put her head over the banisters, calling, "Jules! +Jules!" louder and louder. She might have heard Jules's slippered feet +running from the street into the corridor and up-stairs, had she not +been so deaf. He appeared at the door. + +"But where have you been? Here I have been raising the house a +half-hour, calling you. You have been in the street. I am sure you +have been in the street." + +"Madame is very much mistaken," answered Jules, with resentful +dignity. He had taken off his white apron of waiter, and was +disreputable in all the shabbiness of his attire as cook. "When madame +forbids me to go into the street, I do not go into the street. I was +in the kitchen; I had fallen asleep. What does madame desire?" smiling +benevolently. + +"What is this I hear? Fresh mushrooms in the market!" + +"Eh, madame?" + +"Fresh mushrooms in the market, and you have not brought me any!" + +"Madame, there are fresh mushrooms everywhere in the market," waving +his hand to show their universality. + +"Everybody is eating them--" + +"Old Pomponnette," Jules continued, "only this morning offered me a +plate, piled up high, for ten cents." + +"Idiot! Why did you not buy them?" + +"If madame had said so; but madame did not say so. Madame said, 'Soup, +Jules; carrots, rice,'" counting on his fingers. + +"And the gumbo?" + +"I have explained that that was an accident. Madame said 'Soup,'" +enumerating his menu again; "madame never once said mushrooms." + +"But how could I know there were mushrooms in the market? Do I go to +market?" + +"That is it!" and Jules smiled at the question thus settled. + +"If you had told me there were mushrooms in the market--" pursued +madame, persisting in treating Jules as a reasonable being. + +"Why did not madame ask me? If madame had asked me, surely I would +have told madame. Yesterday Caesar brought them to the door--a whole +bucketful for twenty-five cents. I had to shut the door in his face to +get rid of him," triumphantly. + +"And you brought me yesterday those detestable peas!" + +"Ah," shrugging his shoulders, "madame told me to buy what I saw. I +saw peas. I bought them." + +"Well, understand now, once for all: whenever you see mushrooms, no +matter what I ordered, you buy them. Do you hear?" + +"No, madame. Surely I cannot buy mushrooms unless madame orders them. +Madame's disposition is too quick." + +"But I do order them. Stupid! I do order them. I tell you to buy them +every day." + +"And if there are none in the market every day?" + +"Go away! Get out of my sight! I do not want to see you. Ah, it is +unendurable! I must--I must get rid of him!" This last was not +a threat, as Jules knew only too well. It was merely a habitual +exclamation. + +During the colloquy Mr. Horace, leaning back in his arm-chair, raised +his eyes, and caught the reflected portrait of madame in the mirror +before him--the reflection so much softer and prettier, so much more +ethereal, than the original painting. Indeed, seen in the mirror, that +way, the portrait was as refreshing as the most charming memory. He +pointed to it when madame, with considerable loss of temper, regained +her seat. + +"It is as beautiful as the past," he explained most unnaturally, for +he and his friend had a horror of looking at the long, long past, +which could not fail to remind them of--what no one cares to +contemplate out of church. Making an effort toward some determination +which a subtle observer might have noticed weighing upon him all the +evening, he added: "And, apropos of the past--" + +"_Hein_?" interrogated the old lady, impatiently, still under the +influence of her irascibility about the mushrooms. + +He moved his chair closer, and bent forward, as if his communication +were to be confidential. + +"Ah, bah! Speak louder!" she cried. "One would suppose you had some +secret to tell. What secrets can there be at our age?" She took up her +cards and began to play. There could be no one who bothered herself +less about the forms of politeness. + +"Yes, yes," answered Mr. Horace, throwing himself back into his chair; +"what secrets can there be at our age?" + +The remark seemed a pregnant one to him; he gave himself up to it. One +must evidently be the age of one's thoughts. Mr. Horace's thoughts +revealed him the old man he was. The lines in his face deepened into +wrinkles; his white mustache could not pretend to conceal his mouth, +worsened by the loss of a tooth or two; and the long, thin hand that +propped his head was crossed with blue, distended veins. "At the last +judgment"--it was a favorite quotation with him--"the book of our +conscience will be read aloud before the whole company." + +But the old lady, deep in her game, paid no more heed to his quotation +than to him. He made a gesture toward her portrait. + +"When that was painted, Josephine--" + +Madame threw a glance after the gesture. The time was so long ago, the +mythology of Greece hardly more distant! At eighty the golden age of +youth must indeed appear an evanescent myth. Madame's ideas seemed to +take that direction. + +"Ah, at that time we were all nymphs, and you all demigods." + +"Demigods and nymphs, yes; but there was one among us who was a god +with you all." + +The allusion--a frequent one with Mr. Horace--was to madame's husband, +who in his day, it is said, had indeed played the god in the little +Arcadia of society. She shrugged her shoulders. The truth is so little +of a compliment The old gentleman sighed in an abstracted way, and +madame, although apparently absorbed in her game, lent her ear. It is +safe to say that a woman is never too old to hear a sigh wafted in her +direction. + +"Josephine, do you remember--in your memory--" + +She pretended not to hear. Remember? Who ever heard of her forgetting? +But she was not the woman to say, at a moment's notice, what she +remembered or what she forgot. + +"A woman's memory! When I think of a woman's memory--in fact, I do not +like to think of a woman's memory. One can intrude in imagination into +many places; but a woman's memory--" + +Mr. Horace seemed to lose his thread. It had been said of him in +his youth that he wrote poetry--and it was said against him. It was +evidently such lapses as these that had given rise to the accusation. +And as there was no one less impatient under sentiment or poetry +than madame, her feet began to agitate themselves as if Jules were +perorating some of his culinary inanities before her. + +"And a man's memory!" totally misunderstanding him. "It is not there +that I either would penetrate, my friend. A man--" + +When madame began to talk about men she was prompted by imagination +just as much as was Mr. Horace when he talked about women. But what a +difference in their sentiments! And yet he had received so little, and +she so much, from the subjects of their inspiration. But that seems to +be the way in life--or in imagination. + +"That you should"--he paused with the curious shyness of the old +before the word "love"--"that you two should--marry--seemed natural, +inevitable, at the time." + +Tradition records exactly the same comment by society at the time on +the marriage in question. Society is ever fatalistic in its comments. + +"But the natural--the inevitable--do we not sometimes, I wonder, +perform them as Jules does his accidents?" + +"Ah, do not talk about that idiot! An idiot born and bred! I won't +have him about me! He is a monstrosity! I tell his grandmother that +every day when she comes to comb me. What a farce--what a ridiculous +farce comfortable existence has become with us! Fresh mushrooms in +market, and bring me carrots!" + +The old gentleman, partly from long knowledge of her habit, or from an +equally persistent bend of his own, quietly held on to his idea. + +"One cannot tell. It seems so at the time. We like to think it so; it +makes it easier. And yet, looking back on our future as we once looked +forward to it--" + +"Eh! but who wants to look back on it, my friend? Who in the world +wants to look back on it?" One could not doubt madame's energy of +opinion on that question to hear her voice. "We have done our future, +we have performed it, if you will. Our future! It is like the dinners +we have eaten; of course we cannot remember the good without becoming +exasperated over the bad: but"--shrugging her shoulders--"since we +cannot beat the cooks, we must submit to fate," forcing a queen that +she needed at the critical point of her game. + +"At sixteen and twenty-one it is hard to realize that one is arranging +one's life to last until sixty, seventy, forever," correcting himself +as he thought of his friend, the dead husband. If madame had ever +possessed the art of self-control, it was many a long day since she +had exercised it; now she frankly began to show ennui. + +"When I look back to that time,"--Mr. Horace leaned back in his chair +and half closed his eyes, perhaps to avoid the expression of her +face,--"I see nothing but lights and flowers, I hear nothing but music +and laughter; and all--lights and flowers and music and laughter--seem +to meet in this room, where we met so often to arrange +our--inevitabilities." The word appeared to attract him. +"Josephine,"--with a sudden change of voice and manner,--"Josephine, +how beautiful you were!" + +The old lady nodded her head without looking from her cards. + +"They used to say," with sad conviction of the truth of his +testimony--"the men used to say that your beauty was irresistible. +None ever withstood you. None ever could." + +That, after all, was Mr. Horace's great charm with madame; he was so +faithful to the illusions of his youth. As he looked now at her, one +could almost feel the irresistibility of which he spoke. + +"It was only their excuse, perhaps; we could not tell at the time; we +cannot tell even now when we think about it. They said then, talking +as men talk over such things, that you were the only one who could +remain yourself under the circumstances; you were the only one who +could know, who could will, under the circumstances. It was their +theory; men can have only theories about such things." His voice +dropped, and he seemed to drop too, into some abysm of thought. + +Madame looked into the mirror, where she could see the face of the one +who alone could retain her presence of mind under the circumstances +suggested by Mr. Horace. She could also have seen, had she wished it, +among the reflected bric-a-brac of the mantel, the corner of the frame +that held the picture of her husband, but peradventure, classing it +with the past which held so many unavenged bad dinners, she never +thought to link it even by a look with her emotions of the present. +Indeed, it had been said of her that in past, present, and future +there had ever been but the one picture to interest her eyes--the +one she was looking at now. This, however, was the remark of the +uninitiated, for the true passion of a beautiful woman is never so +much for her beauty as for its booty; as the passion of a gamester is +for his game, not for his luck. + +"How beautiful _she_ was!" + +It was apparently down in the depths of his abysm that he found the +connection between this phrase and his last, and it was evidently to +himself he said it. Madame, however, heard and understood too; in +fact, traced back to a certain period, her thoughts and Mr. Horace's +must have been fed by pretty much the same subjects. But she had +so carefully barricaded certain issues in her memory as almost to +obstruct their flow into her life; if she were a cook, one would +say that it was her bad dinners which she was trying to keep out of +remembrance. + +"You there, he there, she there, I there." He pointed to the places on +the carpet, under the chandelier; he could have touched them with a +walking-stick, and the recollection seemed just as close. + +"She was, in truth, what we men called her then; it was her eyes +that first suggested it--Myosotis, the little blue flower, the +for-get-me-not. It suited her better than her own name. We always +called her that among ourselves. How beautiful she was!" He leaned his +head on his hand and looked where he had seen her last--so long, such +an eternity, ago. + +It must be explained for the benefit of those who do not live in the +little world where an allusion is all that is necessary to put one in +full possession of any drama, domestic or social, that Mr. Horace was +speaking of the wedding-night of madame, when the bridal party stood +as he described under the chandelier; the bride and groom, with each +one's best friend. It may be said that it was the last night or time +that madame had a best friend of her own sex. Social gossip, with +characteristic kindness, had furnished reasons to suit all tastes, why +madame had ceased that night to have a best friend of her own sex. If +gossip had not done so, society would still be left to its imagination +for information, for madame never tolerated the smallest appeal to her +for enlightenment. What the general taste seemed most to relish as a +version was that madame in her marriage had triumphed, not conquered; +and that the night of her wedding she had realized the fact, and, to +be frank, had realized it ever since. In short, madame had played then +to gain at love, as she played now to gain at solitaire; and hearts +were no more than cards to her--and, "Bah! Lose a game for a card!" +must have been always her motto. It is hard to explain it delicately +enough, for these are the most delicate affairs in life; but the image +of Myosotis had passed through monsieur's heart, and Myosotis does +mean "forget me not." And madame well knew that to love monsieur once +was to love him always, in spite of jealousy, doubt, distrust, nay, +unhappiness (for to love him meant all this and more). He was that +kind of man, they said, whom women could love even against conscience. +Madame never forgave that moment. Her friend, at least, she could put +aside out of her intercourse; unfortunately, we cannot put people out +of our lives. God alone can do that, and so far he had interfered in +the matter only by removing monsieur. It was known to notoriety that +since her wedding madame had abandoned, destroyed, all knowledge of +her friend. And the friend? She had disappeared as much as is possible +for one in her position and with her duties. + +"What there is in blue eyes, light hair, and a fragile form to impress +one, I cannot tell; but for us men it seems to me it is blue-eyed, +light-haired, and fragile-formed women that are the hardest to +forget." + +"The less easy to forget," corrected madam. He paid no attention +to the remark. + +"They are the women that attach themselves in one's memory. If +necessary to keep from being forgotten, they come back into one's +dreams. And as life rolls on, one wonders about them,--'Is she happy? +Is she miserable? Goes life well or ill with her?'" + +Madame played her cards slowly, one would say, for her, prosaically. + +"And there is always a pang when, as one is so wondering, the response +comes,--that is, the certainty in one's heart responds,--'She is +miserable, and life goes ill with her.' Then, if ever, men envy the +power of God." + +Madame threw over the game she was in, and began a new one. + +"Such women should not be unhappy; they are too fragile, too +sensitive, too trusting. I could never understand the infliction +of misery upon them. I could send death to them, but not--not +misfortune." + +Madame, forgetting again to cheat in time, and losing her game, began +impatiently to shuffle her cards for a new deal. + +"And yet, do you know, Josephine, those women are the unhappy ones of +life. They seem predestined to it, as others"--looking at madame's +full-charmed portrait--"are predestined to triumph and victory. +They"--unconscious, in his abstraction, of the personal nature of his +simile--"never know how to handle their cards, and they always play a +losing game." + +"Ha!" came from madame, startled into an irate ejaculation. + +"It is their love always that is sacrificed, their hearts always that +are bruised. One might say that God himself favors the black-haired +ones!" + +As his voice sank lower and lower, the room seemed to become stiller +and stiller. A passing vehicle in the street, however, now and then +drew a shiver of sound from the pendent prisms of the chandelier. + +"She was so slight, so fragile, and always in white, with blue in her +hair to match her eyes--and--God knows what in her heart, all the +time. And yet they stand it, they bear it, they do not die, they live +along with the strongest, the happiest, the most fortunate of us," +bitterly; "and"--raising his eyes to his old friend, who thereupon +immediately began to fumble her cards--"whenever in the street I see +a poor, bent, broken woman's figure, I know, without verifying it +any more by a glance, that it is the wreck of a fair woman's figure; +whenever I hear of a bent, broken existence, I know, without asking +any more, that it is the wreck of a fair woman's life." + +Poor Mr. Horace spoke with the unreason of a superstitious bigot. + +"I have often thought, since, in large assemblies, particularly in +weddings, Josephine, of what was going on in the women's hearts there, +and I have felt sorry for them; and when I think of God's knowing what +is in their hearts, I have felt sorry for the men. And I often think +now, Josephine,--think oftener and oftener of it,--that if the +resurrection trumpet of our childhood should sound some day, no matter +when, out there, over the old St. Louis cemetery, and we should all +have to rise from our long rest of oblivion, what would be the first +thing we should do? And though there were a God and a heaven awaiting +us,--by that same God, Josephine, I believe that our first thought in +awakening would be the last in dying,--confession,--and that our first +rush would be to the feet of one another for forgiveness. For there +are some offenses that must outlast the longest oblivion, and a +forgiveness that will be more necessary than God's own. Then our +hearts will be bared to one another; for if, as you say, there are +no secrets at our age, there can still be less cause for them after +death." + +His voice ended in the faintest whisper. The table crashed over, and +the cards flew wide-spread on the floor. Before we could recover, +madame was in the antechamber, screaming for Jules. + +One would have said that, from her face, the old lady had witnessed +the resurrection described by Mr. Horace, the rush of the spirits with +their burdens of remorse, the one to the feet of the other; and she +must have seen herself and her husband, with a unanimity of purpose +never apparent in their short married life, rising from their common +tomb and hastening to that other tomb at the end of the alley, and +falling at the feet of the one to whom in life he had been recreant in +love, she in friendship. + +Of course Jules answered through the wrong door, rushing in with his +gas-stick, and turning off the gas. In a moment we were involved in +darkness and dispute. + +"But what does he mean? What does the idiot mean? He--" It was +impossible for her to find a word to do justice to him and to her +exasperation at the same time. + +"Pardon, madame; it is not I. It is the cathedral bell; it is ringing +nine o'clock." + +"But--" + +"Madame can hear it herself. Listen!" We could not see it, but we were +conscious of the benign, toothless smile spreading over his face as +the bell-tones fell in the room. + +"But it is not the gas. I--" + +"Pardon, madame; but it is the gas. Madame said, 'Jules, put out the +gas every night when the bell rings.' Madame told me that only last +night. The bell rings: I put out the gas." + +"Will you be silent? Will you listen?" + +"If madame wishes; just as madame says." + +But the old lady had turned to Mr. Horace. "Horace, you have seen--you +know--" and it was a question now of overcoming emotion. "I--I--I--a +carriage, my friend, a carriage." + +"Madame--" Jules interrupted his smile to interrupt her. + +She was walking around the room, picking up a shawl here, a lace +there; for she was always prepared against draughts. + +"Madame--" continued Jules, pursuing her. + +"A carriage." + +"If madame would only listen, I was going to say--but madame is too +quick in her disposition--the carriage has been waiting since a long +hour ago. Mr. Horace said to have it there in a half hour." + +It was then she saw for the first time that it had all been prepared +by Mr. Horace. The rest was easy enough: getting into the carriage, +and finding the place of which Mr. Horace had heard, as he said, only +that afternoon. In it, on her bed of illness, poverty, and suffering, +lay the patient, wasted form of the beautiful fair one whom men had +called in her youth Myosotis. + +But she did not call her Myosotis. + +"_Mon Amour!_" The old pet name, although it had to be fetched across +more than half a century of disuse, flashed like lightning from +madame's heart into the dim chamber. + +"_Ma Divine!_" came in counter-flash from the curtained bed. + +In the old days women, or at least young girls, could hazard such pet +names one upon the other. These--think of it!--dated from the first +communion class, the dating period of so much of friendship. + +"My poor Amour!" + +"My poor, poor Divine!" + +The voices were together, close beside the pillow. + +"I--I--" began Divine. + +"It could not have happened if God had not wished it," interrupted +poor Amour, with the resignation that comes, alas! only with the last +drop of the bitter cup. + +And that was about all. If Mr. Horace had not slipped away, he might +have noticed the curious absence of monsieur's name, and of his own +name, in the murmuring that followed. It would have given him some +more ideas on the subject of woman. + +At any rate, the good God must thank him for having one affair the +less to arrange when the trumpet sounds out there over the old St. +Louis cemetery. And he was none too premature; for the old St. Louis +cemetery, as was shortly enough proved, was a near reach for all three +of the old friends. + + + + +PUPASSE + + +Every day, every day, it was the same overture in Madame Joubert's +room in the Institute St. Denis; the strident: + +"Mesdemoiselles; à vos places! Notre Père qui est dans le ciel--Qui a +fait ce bruit?" + +"It's Pupasse, madame! It's Pupasse!" The answer invariably was +unanimous. + +"But, Madame Joubert,--I assure you, Madame Joubert,--I could not help +it! They know I could not help it!" + +By this time the fresh new fool's cap made from yesterday's "Bee" +would have been pinned on her head. + +"Quelle injustice! Quelle injustice!" + +This last apostrophe in a high, whining nasal voice, always procured +Pupasse's elevation on the tall three-legged stool in the corner. + +It was a theory of the little girls in the primary class that Madame +Joubert would be much more lenient to their own little inevitabilities +of bad conduct and lessons if Pupasse did not invariably comb her +the wrong way every morning after prayers, by dropping something, +or sniffling, or sneezing. Therefore, while they distractedly got +together books, slates, and copy-books, their infantile eyes found +time to dart deadly reproaches toward the corner of penitence, and +their little lips, still shaped from their first nourishment, pouted +anything but sympathy for the occupant of it. + +Indeed, it would have been a most startling unreality to have ever +entered Madame Joubert's room and not seen Pupasse in that corner, on +that stool, her tall figure shooting up like a post, until her tall, +pointed _bonnet d' âne_ came within an inch or two of the ceiling. +It was her hoop-skirt that best testified to her height. It was the +period of those funnel-shaped hoop-skirts that spread out with such +nice mathematical proportions, from the waist down, that it seemed +they must have emanated from the brains of astronomers, like the +orbits, and diameters, and other things belonging to the heavenly +bodies. Pupasse could not have come within three feet of the wall with +her hoop-skirt distended. To have forced matters was not to be thought +of an instant. So even in her greatest grief and indignation, she had +to pause before the three-legged black stool, and gather up steel +after steel of her circumference in her hands behind, until her calico +skirt careened and flattened; and so she could manage to accommodate +herself to the limited space of her punishment, the circles drooping +far over her feet as she stood there, looking like the costumed stick +of a baby's rattle. + +Her thinness continued into her face, which, unfortunately, had +nothing in the way of toilet to assist it. Two little black eyes fixed +in the sides of a mere fence of a nose, and a mouth with the shape and +expression of all mouths made to go over sharp-pointed teeth planted +very far apart; the smallest amount possible of fine, dry, black +hair--a perfect rat-tail when it was plaited in one, as almost all +wore their hair. But sometimes Pupasse took it into her head to plait +it in two braids, as none but the thick-haired ventured to wear it. +As the little girls said, it was a petition to Heaven for "eau +Quinquina." When Marcelite, the hair-dresser, came at her regular +periods to visit the hair of the boarders, she would make an effort +with Pupasse, plaiting her hundred hairs in a ten-strand braid. The +effect was a half yard of black worsted galloon; nothing more, or +better. Had Pupasse possessed as many heads as the hydra, she could +have "coiffe'd" them all with fools' caps during one morning's +recitations. She entirely monopolized the "Daily Bee." Madame Joubert +was forced to borrow from "madame" the stale weekly "Courrier des +Etats-Unis" for the rest of the room. From grammar, through sacred +history, arithmetic, geography, mythology, down to dictation, Pupasse +could pile up an accumulation of penitences that would have tasked the +limits of the current day had not recreation been wisely set as a term +which disbarred, by proscription, previous offenses. But even after +recreation, with that day's lessons safely out, punished and expiated, +Pupasse's doom seemed scarcely lightened; there was still a whole +criminal code of conduct to infract. The only difference was that +instead of books, slates, or copy-books, leathern medals, bearing +various legends and mottos, were hung around her neck--a travestied +decoration worse than the books for humiliation. + +The "abécédaires," their torment for the day over, thankful for any +distraction from the next day's lessons, and eager for any relief +from the intolerable ennui of goodness, were thankful enough now for +Pupasse. They naturally watched her in preference to Madame Joubert, +holding their books and slates quite cunningly to hide their faces. +Pupasse had not only the genius, but that which sometimes fails +genius, the means for grimacing: little eyes, long nose, foolish +mouth, and pointed tongue. And she was so amusing, when Madame +Joubert's head was turned, that the little girls, being young and +innocent, would forget themselves and all burst out laughing. It +sounded like a flight of singing birds through the hot, close, stupid +little room; but not so to Madame Joubert. + +"Young ladies! But what does this mean?" + +And, terror-stricken, the innocents would call out with one voice, +"It's Pupasse, madame! It's Pupasse who made us laugh!" There was +nothing but fools' caps to be gained by prevaricating, and there was +frequently nothing less gained by confession. And oh, the wails and +the sobs as the innocents would be stood up, one by one, in their +places! Even the pigtails at the backs of their little heads were +convulsed with grief. Oh, how they hated Pupasse then! When their +_bonnes_ came for them at three o'clock,--washing their tear-stained +faces at the cistern before daring to take them through the +streets,--how passionately they would cry out, the tears breaking +afresh into the wet handkerchiefs: + +"It's that Pupasse! It's that _vilaine_ Pupasse!" + +To Pupasse herself would be meted out that "peine forte et dure," that +acme of humiliation and disgrace, so intensely horrible that many a +little girl in that room solemnly averred and believed she would kill +herself before submitting to it. Pupasse's voluminous calico skirt +would be gathered up by the hem and tied up over her head! Oh, the +horrible monstrosity on the stool in the corner then! There were no +eyes in that room that had any desire to look upon it. And the cries +and the "Quelle injustice!" that fell on the ears then from the hidden +feelings had all the weirdness of the unseen, but heard. And all the +other girls in the room, in fear and trembling, would begin to move +their lips in a perfect whirlwind of study, or write violently +on their slates, or begin at that very instant to rule off their +copy-books for the next day's verb. + +Pupasse--her name was Marie Pupasse but no one thought of calling +her anything but Pupasse, with emphasis on the first syllable and +sibilance on the last--had no parents only a grandmother, to describe +whom, all that is necessary to say is that she was as short as Pupasse +was tall, and that her face resembled nothing so much as a little +yellow apple shriveling from decay. The old lady came but once a week, +to fetch Pupasse fresh clothes, and a great brown paper bag of nice +things to eat. There was no boarder in the school who received +handsomer bags of cake and fruit than Pupasse. And although, not two +hours before, a girl might have been foremost in the shrill cry, "It +is Pupasse who made the noise! It is Pupasse who made me laugh!" there +was nothing in that paper bag reserved even from such a one. When the +girl herself with native delicacy would, under the circumstances, +judge it discreet to refuse, Pupasse would plead, "Oh, but take it to +give me pleasure!" And if still the refusal continued, Pupasse would +take her bag and go into the summer-house in the corner of the garden, +and cry until the unforgiving one would relent. But the first offering +of the bag was invariably to the stern dispenser of fools' caps and +the unnamed humiliation of the reversed skirt: Madame Joubert. + +Pupasse was in the fifth class. The sixth--the abécédaires--was +the lowest in the school. Green was the color of the fifth; +white--innocence--of the abécédaires. Exhibition after exhibition, the +same green sash and green ribbons appeared on Pupasse's white muslin, +the white muslin getting longer and longer every year, trying to keep +up with her phenomenal growth; and always, from all over the room, +buzzed the audience's suppressed merriment at Pupasse's appearance +in the ranks of the little ones of nine and ten. It was that very +merriment that brought about the greatest change in the Institute +St. Denis. The sitting order of the classes was reversed. The first +class--the graduates--went up to the top step of the _estrade_; and +the little ones put on the lowest, behind the pianos. The graduates +grumbled that it was not _comme il faut_ to have young ladies of their +position stepping like camels up and down those great steps; and the +little girls said it was a shame to hide them behind the pianos after +their mamas had taken so much pains to make them look pretty. But +madame said--going also to natural history for her comparison--that +one must be a rhinoceros to continue the former routine. + +Religion cannot be kept waiting forever on the intelligence. It was +always in the fourth class that the first communion was made; that is, +when the girls stayed one year in each class. But Pupasse had spent +three years in the sixth class, and had already been four in +the fifth, and Madame Joubert felt that longer delay would be +disrespectful to the good Lord. It was true that Pupasse could not +yet distinguish the ten commandments from the seven capital sins, and +still would answer that Jeanne d'Arc was the foundress of the "Little +Sisters of the Poor." But, as Madame Joubert always said in the little +address she made to the catechism class every year before handing it +over to Father Dolomier, God judged from the heart, and not from the +mind. + +Father Dolomier--from his face he would have been an able contestant +of _bonnets d'âne_ with Pupasse, if subjected to Madame Joubert's +discipline--evidently had the same method of judging as God, although +the catechism class said they could dance a waltz on the end of his +long nose without his perceiving it. + +There is always a little air of mystery about the first communion: not +that there is any in reality, but the little ones assume it to render +themselves important. The going to early mass, the holding their +dog-eared catechisms as if they were relics, the instruction from the +priest, even if he were only old Father Dolomier--it all put such a +little air of devotion into their faces that it imposed (as it did +every year) upon their companions, which was a vastly gratifying +effect. No matter how young and innocent she may be, a woman's +devotion always seems to have two aims--God and her own sex. + +The week of retreat came. Oh, the week of retreat! That was the _bonne +bouche_ of it all, for themselves and for the others. It was the same +every year. By the time the week of retreat arrived, interest and +mystery had been frothed to the point of indiscretion; so that the +little girls would stand on tiptoe to peep through the shutters at the +postulants inside, and even the larger girls, to whom first communion +was a thing of an infantile past, would condescend to listen to their +reports with ill-feigned indifference. + +As the day of the first communion neared, the day of the general +confession naturally neared too, leading it. And then the little +girls, peeping through the shutters, and holding their breath to see +better, saw what they beheld every year; but it was always new and +awesome--mysterious scribbling in corners with lead-pencils on scraps +of paper; consultations; rewritings; copyings; the list of their sins, +of all the sins of their lives. + +"_Ma chère!_"--pigtails and sunbonnets hiving outside would shudder. +"Oh, _Mon Dieu!_ To have to confess all--but _all_ your sins! As for +me, it would kill me, sure!" + +And the frightful recoils of their consciences would make all +instantly blanch and cross themselves. + +"And look at Pupasse's sins! Oh, but they are long! _Ma chère_, but +look! But look, I ask you, at them!" + +The longest record was of course the most complimentary and honorable +to the possessor, as each girl naturally worked not only for +absolution but for fame. + +Between catechisms and instructions Madame Joubert would have "La Vie +des Saints" read aloud, to stimulate their piety and to engage their +thoughts; for the thoughts of first communicants are worse than flies +for buzzing around the forbidden. The lecture must have been a great +quickener of conscience; for they would dare punishment and cheat +Madame Joubert, under her own eyes, in order surreptitiously to add a +new sin to their list. Of course the one hour's recreation could not +afford time enough for observation now, and the little girls were +driven to all sorts of excuses to get out of the classroom for one +moment's peep through the shutters; at which whole swarms of them +would sometimes be caught and sent into punishment. + +Only two days more. Madame Joubert put them through the rehearsal, +a most important part of the preparation, almost as important as +catechism--how to enter the church, how to hold the candle, how to +advance, how to kneel, retire--everything, in fact. + +Only one day more, the quietest, most devotional day of all. Pupasse +lost her sins! + +Of course every year the same accident happened to some one. But it +was a new accident to Pupasse. And such a long list! + +The commotion inside that retreat! Pupasse's nasal whine, carrying her +lament without any mystery to the outside garden. Such searching of +pockets, rummaging of corners, microscopic examination of the floor! +Such crimination and recrimination, protestation, asseveration, +assurances, backed by divine and saintly invocations! Pupasse accused +companion after companion of filching her sins, which each after +each would violently deny, producing each her own list from her own +pocket,--proof to conviction of innocence, and, we may say, of guilt +also. + +Pupasse declared they had niched it to copy, because her list was the +longest and most complete. She could not go to confession without her +sins; she could not go to communion without confession. The tears +rolled down her long thin nose unchecked, for she never could remember +to use her handkerchief until reminded by Madame Joubert. + +She had committed it to memory, as all the others had done theirs; +but how was she to know without the list if she had not forgotten +something? And to forget one thing in a general confession they knew +was a mortal sin. + +"I shall tell Madame Joubert! I shall tell Madame Joubert!" + +"_Ma chère_!'" whispered the little ones outside. "Oh, but look at +them! _Elles font les quatre cents coups_!" which is equivalent to +"cutting up like the mischief." + +And with reason. As if such an influx of the world upon them at this +moment were not sufficient of itself to damn them. But to tell Madame +Joubert! With all their dresses made and ready, wreaths, veils, +candles, prayer-books, picture-cards, mother-of-pearl prayer-beads, +and festival breakfasts with admiring family and friends prepared. +Tell Madame Joubert! She would simply cancel it all. In a body they +chorused: + +"But, Pupasse!" + +"_Chère_ Pupasse!" + +"_Voyons_, Pupasse!" + +"I assure you, Pupasse!" + +"On the cross, Pupasse!" + +"Ah, Pupasse!" + +"We implore you, Pupasse!" + +The only response--tears, and "I shall tell Madame Joubert." + +Consultations, caucuses, individual appeals, general outbursts. +Pupasse stood in the corner. Curiously, she always sought refuge in +the very sanctum of punishment, her face hidden in her bended arms, +her hoops standing out behind, vouchsafing nothing but tears, and the +promise to tell Madame Joubert. And three o'clock approaching! And +Madame Joubert imminent! But Pupasse really could not go to confession +without her sins. They all recognized that; they were reasonable, as +they assured her. + +A crisis quickens the wits. They heard the cathedral clock strike the +quarter to three. They whispered, suggested, argued--bunched in the +farthest corner from Pupasse. + +"Console yourself, Pupasse! We will help you, Pupasse! Say no more +about it! We will help you!" + +A delegate was sent to say that. She was only four feet and a half +high, and had to stand on tiptoe to pluck the six-foot Pupasse's dress +to gain her attention. + +And they did help her generously. A new sheet of fool's-cap was +procured, and torn in two, lengthwise, and pinned in a long strip. One +by one, each little girl took it, and, retiring as far as possible, +would put her hand into her pocket, and, extracting her list, would +copy it in full on the new paper. Then she would fold it down, and +give it to the next one, until all had written. + +"Here, Pupasse; here are all our sins. We give them to you; you can +have them." + +Pupasse was radiant; she was more than delighted, and the more she +read the better pleased she was. Such a handsome long list, and so +many sins she had never thought of--never dreamed of! She set herself +with zeal to commit them to memory. But a hand on the door--Madame +Joubert! You never could have told that those little girls had not +been sitting during the whole time, with their hands clasped and eyes +cast up to the ceiling, or moving their lips as the prayer-beads +glided through their fingers. Their versatility was really marvelous. + +[Illustration: THE FIRST COMMUNION.] + +Poor Pupasse! God solved the dilemma of her education, and madame's +increasing sensitiveness about her appearance in the fifth class, by +the death of the old grandmother. She went home to the funeral, and +never returned--or at least she returned, but only for madame. There +was a little scene in the parlor: Pupasse, all dressed in black, with +her bag of primary books in her hand, ready and eager to get back to +her classes and fools' caps; madame, hesitating between her interests +and her fear of ridicule; Madame Joubert, between her loyalty to +school and her conscience. Pupasse the only one free and untrammeled, +simple and direct. + +That little school parlor had been the stage for so many scenes! +Madame Joubert detested acting--the comedy, as she called it. There +was nothing she punished with more pleasure up in her room. And +yet-- + +"Pupasse, _ma fille_, give me your grammar." + +The old battered, primitive book was gotten out of the bag, the string +still tied between the leaves for convenience in hanging around the +neck. + +"Your last punishment: the rule for irregular verbs. Commence!" + +"I know it, Madame Joubert; I know it perfectly, I assure you." + +"Commence!" + +"Irregular verbs--but I assure you I know it--I know it by heart--" + +"Commence, _ma fille!_" + +"Irregular verbs--irregular verbs--I know it, Madame Joubert--one +moment--" and she shook her right hand, as girls do to get +inspiration, they say. "Irregular verbs--give me one word, Madame +Joubert; only one word!" + +"That--" + +"Irregular verbs, that--irregular verbs, that--" + +"See here, Pupasse; you do not know that lesson any more than a cat +does"--Madame Joubert's favorite comparison. + +"Yes, I do, Madame Joubert! Yes, I do!" + +"Silence!" + +"But, Madame Joubert--" + +"Will you be silent!" + +"Yes, Madame Joubert; only--" + +"Pupasse, one more word--and--" Madame Joubert was forgetting her +comedy--"Listen, Pupasse, and obey! You go home and learn that lesson. +When you know it, you can reënter your class. That is the punishment I +have thought of to correct your 'want of attention.'" + +That was the way Madame Joubert put it--"want of attention." + +Pupasse looked at her--at madame, a silent but potent spectator. To +be sent from home because she did not know the rule of the irregular +verbs! To be sent from home, family, friends!--for that was the +way Pupasse put it. She had been in that school--it may only be +whispered--fifteen years. Madame Joubert knew it; so did madame, +although they accounted for only four or five years in each class. +That school was her home; Madame Joubert--God help her!--her mother; +madame, her divinity; fools' caps and turned-up skirts, her life. +The old grandmother--she it was who had done everything for her (a +_ci-devant_ rag-picker, they say); she it was who was nothing to her. + +Madame must have felt something of it besides the loss of the +handsome salary for years from the little old withered woman. +But conventionality is inexorable; and the St. Denis's great +recommendation was its conventionality. Madame Joubert must have felt +something of it,--she must have felt something of it,--for why should +she volunteer? Certainly madame could not have imposed _that_ upon +_her. It must_ have been an inspiration of the moment, or a movement, +a _tressaillement_, of the heart. + +"Listen, Pupasse, my child. Go home, study your lesson well. I shall +come every evening myself and hear it; and as soon as you know it, I +shall fetch you back myself. You know I always keep my word." + +Keep her word! That she did. Could the inanimate past testify, what a +fluttering of fools' caps in that parlor--"Daily Bees," and "Weekly +Couriers," by the year-full! + +What could Pupasse say or do? It settled the question, as Madame +Joubert assured madame, when the tall, thin black figure with the bag +of books disappeared through the gate. + +Madame Joubert was never known to break her word; that is all one +knows about her part of the bargain. + +One day, not three years ago, ringing a bell to inquire for a servant, +a familiar murmuring fell upon the ear, and an old abécédaire's eyes +could not resist the temptation to look through the shutters. There +sat Pupasse; there was her old grammar; there were both fingers +stopping her ears--as all studious girls do, or used to do; and there +sounded the old words composing the rule for irregular verbs. + +And you all remember how long it is since we wore funnel-shaped +hoop-skirts! + + + + + +End of the Project Gutenberg EBook of Balcony Stories, by Grace E. King + +*** END OF THE PROJECT GUTENBERG EBOOK 11514 *** |
