summaryrefslogtreecommitdiff
path: root/11481-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 04:37:02 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 04:37:02 -0700
commitbdc181bf427efa66f07ba9862046cc9f860fc432 (patch)
tree8b9a9eed490b17be8128b1885cb62a7845dd3c7b /11481-h
initial commit of ebook 11481HEADmain
Diffstat (limited to '11481-h')
-rw-r--r--11481-h/001.jpgbin0 -> 38619 bytes
-rw-r--r--11481-h/11481-h.htm1204
-rw-r--r--11481-h/cover.jpgbin0 -> 97599 bytes
-rw-r--r--11481-h/title.jpgbin0 -> 40265 bytes
4 files changed, 1204 insertions, 0 deletions
diff --git a/11481-h/001.jpg b/11481-h/001.jpg
new file mode 100644
index 0000000..f003e6a
--- /dev/null
+++ b/11481-h/001.jpg
Binary files differ
diff --git a/11481-h/11481-h.htm b/11481-h/11481-h.htm
new file mode 100644
index 0000000..321d699
--- /dev/null
+++ b/11481-h/11481-h.htm
@@ -0,0 +1,1204 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+<head>
+<meta http-equiv="Content-Type"
+ content="text/html; charset=us-ascii">
+<meta content="pg2html (binary version 0.11)"
+ name="generator">
+<title>The Project Gutenberg eBook of
+ Deep Waters: DIRTY WORK
+ by W.W. Jacobs.
+</title>
+<style type="text/css">
+ <!--
+ body {background:#faebd7}
+ * { font-family: Times;
+ }
+ P { text-indent: 1em;
+ margin: 15%;
+ margin-top: .75em;
+ font-size: 14pt;
+ text-align: justify;
+ margin-bottom: .75em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; color:#A82C28}
+ HR { width: 33%; }
+ PRE { font-family: Courier, monospaced;}
+ .toc { margin-left: 15%; font-size: 14pt; margin-bottom: 0em;}
+ CENTER { padding: 10px;}
+ // -->
+</style>
+</head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Dirty Work, by W.W. Jacobs
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Dirty Work
+ Deep Waters, Part 11.
+
+Author: W.W. Jacobs
+
+Release Date: March 6, 2004 [EBook #11481]
+
+Language: English
+
+Character set encoding: US-ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK DIRTY WORK ***
+
+
+
+
+Produced by David Widger
+
+
+
+
+
+</pre>
+
+
+
+<br><br>
+<center>
+<img alt="cover (95K)" src="cover.jpg" height="787" width="632" />
+</center>
+<br><br><br><br>
+
+
+<h1>
+ DEEP WATERS
+</h1>
+<center><h2>
+ By W.W. JACOBS
+</h2></center>
+
+<br><br><br><br>
+<center>
+<img alt="title (39K)" src="title.jpg" height="617" width="488" />
+</center>
+<br><br>
+
+
+<br><br>
+<center>
+<img alt="001 (37K)" src="001.jpg" height="670" width="480" />
+</center>
+<br><br>
+
+
+<br><br><hr><br><br>
+
+
+
+
+<a name="2H_4_11"><!-- H2 anchor --></a>
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<p>&nbsp;</p>
+<h1>
+ DIRTY WORK
+</h1>
+<br /><br />
+<p>
+ It was nearly high-water, and the night-watchman, who had stepped aboard
+ a lighter lying alongside the wharf to smoke a pipe, sat with half-closed
+ eyes enjoying the summer evening. The bustle of the day was over, the
+ wharves were deserted, and hardly a craft moved on the river. Perfumed
+ clouds of shag, hovering for a time over the lighter, floated lazily
+ towards the Surrey shore.
+</p>
+<p>
+ "There's one thing about my job," said the night-watchman, slowly, "it's
+ done all alone by yourself. There's no foreman a-hollering at you and
+ offering you a penny for your thoughts, and no mates to run into you from
+ behind with a loaded truck and then ask you why you didn't look where
+ you're going to. From six o'clock in the evening to six o'clock next
+ morning I'm my own master."
+</p>
+<p>
+ He rammed down the tobacco with an experienced forefinger and puffed
+ contentedly.
+</p>
+<p>
+ People like you 'ud find it lonely (he continued, after a pause); I did
+ at fust. I used to let people come and sit 'ere with me of an evening
+ talking, but I got tired of it arter a time, and when one chap fell
+ overboard while 'e was showing me 'ow he put his wife's mother in 'er
+ place, I gave it up altogether. There was three foot o' mud in the dock
+ at the time, and arter I 'ad got 'im out, he fainted in my arms.
+</p>
+<p>
+ Arter that I kept myself to myself. Say wot you like, a man's best
+ friend is 'imself. There's nobody else'll do as much for 'im, or let 'im
+ off easier when he makes a mistake. If I felt a bit lonely I used to
+ open the wicket in the gate and sit there watching the road, and p'r'aps
+ pass a word or two with the policeman. Then something 'appened one night
+ that made me take quite a dislike to it for a time.
+</p>
+<p>
+ I was sitting there with my feet outside, smoking a quiet pipe, when I
+ 'eard a bit of a noise in the distance. Then I 'eard people running and
+ shouts of "Stop, thief!" A man came along round the corner full pelt,
+ and, just as I got up, dashed through the wicket and ran on to the wharf.
+ I was arter 'im like a shot and got up to 'im just in time to see him
+ throw something into the dock. And at the same moment I 'eard the other
+ people run past the gate.
+</p>
+<p>
+ "Wot's up?" I ses, collaring 'im.
+</p>
+<p>
+ "Nothing," he ses, breathing 'ard and struggling. "Let me go."
+</p>
+<p>
+ He was a little wisp of a man, and I shook 'im like a dog shakes a rat.
+ I remembered my own pocket being picked, and I nearly shook the breath
+ out of 'im.
+</p>
+<p>
+ "And now I'm going to give you in charge," I ses, pushing 'im along
+ towards the gate.
+</p>
+<p>
+ "Wot for?" he ses, purtending to be surprised.
+</p>
+<p>
+ "Stealing," I ses.
+</p>
+<p>
+ "You've made a mistake," he ses; "you can search me if you like."
+</p>
+<p>
+ "More use to search the dock," I ses. "I see you throw it in. Now you
+ keep quiet, else you'll get 'urt. If you get five years I shall be all
+ the more pleased."
+</p>
+<p>
+ I don't know 'ow he did it, but 'e did. He seemed to sink away between
+ my legs, and afore I knew wot was 'appening, I was standing upside down
+ with all the blood rushing to my 'ead. As I rolled over he bolted
+ through the wicket, and was off like a flash of lightning.
+</p>
+<p>
+ A couple o' minutes arterwards the people wot I 'ad 'eard run past came
+ back agin. There was a big fat policeman with 'em&mdash;a man I'd seen afore
+ on the beat&mdash;and, when they 'ad gorn on, he stopped to 'ave a word with
+ me.
+</p>
+<p>
+ "'Ot work," he ses, taking off his 'elmet and wiping his bald 'ead with a
+ large red handkerchief. "I've lost all my puff."
+</p>
+<p>
+ "Been running?" I ses, very perlite.
+</p>
+<p>
+ "Arter a pickpocket," he ses. "He snatched a lady's purse just as she
+ was stepping aboard the French boat with her 'usband. 'Twelve pounds in
+ it in gold, two peppermint lozenges, and a postage stamp.'"
+</p>
+<p>
+ He shook his 'ead, and put his 'elmet on agin.
+</p>
+<p>
+ "Holding it in her little 'and as usual," he ses. "Asking for trouble, I
+ call it. I believe if a woman 'ad one hand off and only a finger and
+ thumb left on the other, she'd carry 'er purse in it."
+</p>
+<p>
+ He knew a'most as much about wimmen as I do. When 'is fust wife died,
+ she said 'er only wish was that she could take 'im with her, and she made
+ 'im promise her faithful that 'e'd never marry agin. His second wife,
+ arter a long illness, passed away while he was playing hymns on the
+ concertina to her, and 'er mother, arter looking at 'er very hard, went
+ to the doctor and said she wanted an inquest.
+</p>
+<p>
+ He went on talking for a long time, but I was busy doing a bit of 'ead-
+ work and didn't pay much attention to 'im. I was thinking o' twelve
+ pounds, two lozenges, and a postage stamp laying in the mud at the bottom
+ of my dock, and arter a time 'e said 'e see as 'ow I was waiting to get
+ back to my night's rest, and went off&mdash;stamping.
+</p>
+<p>
+ I locked the wicket when he 'ad gorn away, and then I went to the edge of
+ the dock and stood looking down at the spot where the purse 'ad been
+ chucked in. The tide was on the ebb, but there was still a foot or two
+ of water atop of the mud. I walked up and down, thinking.
+</p>
+<p>
+ I thought for a long time, and then I made up my mind. If I got the
+ purse and took it to the police-station, the police would share the money
+ out between 'em, and tell me they 'ad given it back to the lady. If I
+ found it and put a notice in the newspaper&mdash;which would cost money&mdash;very
+ likely a dozen or two ladies would come and see me and say it was theirs.
+ Then if I gave it to the best-looking one and the one it belonged to
+ turned up, there'd be trouble. My idea was to keep it&mdash;for a time&mdash;and
+ then if the lady who lost it came to me and asked me for it I would give
+ it to 'er.
+</p>
+<p>
+ Once I had made up my mind to do wot was right I felt quite 'appy, and
+ arter a look up and down, I stepped round to the Bear's Head and 'ad a
+ couple o' goes o' rum to keep the cold out. There was nobody in there
+ but the landlord, and 'e started at once talking about the thief, and 'ow
+ he 'ad run arter him in 'is shirt-sleeves.
+</p>
+<p>
+ "My opinion is," he ses, "that 'e bolted on one of the wharves and 'id
+ 'imself. He disappeared like magic. Was that little gate o' yours
+ open?"
+</p>
+<p>
+ "I was on the wharf," I ses, very cold.
+</p>
+<p>
+ "You might ha' been on the wharf and yet not 'ave seen anybody come on,"
+ he ses, nodding.
+</p>
+<p>
+ "Wot d'ye mean?" I ses, very sharp. "Nothing," he ses. "Nothing."
+</p>
+<p>
+ "Are you trying to take my character away?" I ses, fixing 'im with my
+ eye.
+</p>
+<p>
+ "Lo' bless me, no!" he ses, staring at me. "It's no good to me."
+</p>
+<p>
+ He sat down in 'is chair behind the bar and went straight off to sleep
+ with his eyes screwed up as tight as they would go. Then 'e opened
+ his mouth and snored till the glasses shook. I suppose I've been one of
+ the best customers he ever 'ad, and that's the way he treated me. For
+ two pins I'd ha' knocked 'is ugly 'ead off, but arter waking him up very
+ sudden by dropping my glass on the floor I went off back to the wharf.
+</p>
+<p>
+ I locked up agin, and 'ad another look at the dock. The water 'ad nearly
+ gone and the mud was showing in patches. My mind went back to a
+ sailorman wot had dropped 'is watch over-board two years before, and
+ found it by walking about in the dock in 'is bare feet. He found it more
+ easy because the glass broke when he trod on it.
+</p>
+<p>
+ The evening was a trifle chilly for June, but I've been used to roughing
+ it all my life, especially when I was afloat, and I went into the office
+ and began to take my clothes off. I took off everything but my pants,
+ and I made sure o' them by making braces for 'em out of a bit of string.
+ Then I turned the gas low, and, arter slipping on my boots, went outside.
+</p>
+<p>
+ It was so cold that at fust I thought I'd give up the idea. The longer I
+ stood on the edge looking at the mud the colder it looked, but at last I
+ turned round and went slowly down the ladder. I waited a moment at the
+ bottom, and was just going to step off when I remembered that I 'ad got
+ my boots on, and I 'ad to go up agin and take 'em off.
+</p>
+<p>
+ I went down very slow the next time, and anybody who 'as been down an
+ iron ladder with thin, cold rungs, in their bare feet, will know why,
+ and I had just dipped my left foot in, when the wharf-bell rang.
+</p>
+<p>
+ I 'oped at fust that it was a runaway-ring, but it kept on, and the
+ longer it kept on, the worse it got. I went up that ladder agin and
+ called out that I was coming, and then I went into the office and just
+ slipped on my coat and trousers and went to the gate.
+</p>
+<p>
+ "Wot d'you want?" I ses, opening the wicket three or four inches and
+ looking out at a man wot was standing there.
+</p>
+<p>
+ "Are you old Bill?" he ses.
+</p>
+<p>
+ "I'm the watchman," I ses, sharp-like. "Wot d'you want?"
+</p>
+<p>
+ "Don't bite me!" he ses, purtending to draw back. "I ain't done no 'arm.
+ I've come round about that glass you smashed at the Bear's Head."
+</p>
+<p>
+ "Glass!" I ses, 'ardly able to speak.
+</p>
+<p>
+ "Yes, glass," he ses&mdash;"thing wot yer drink out of. The landlord says
+ it'll cost you a tanner, and 'e wants it now in case you pass away in
+ your sleep. He couldn't come 'imself cos he's got nobody to mind the
+ bar, so 'e sent me. Why! Halloa! Where's your boots? Ain't you afraid
+ o' ketching cold?"
+</p>
+<p>
+ "You clear off," I ses, shouting at him. "D'ye 'ear me? Clear off while
+ you're safe, and you tell the landlord that next time 'e insults me I'll
+ smash every glass in 'is place and then sit 'im on top of 'cm! Tell 'im
+ if 'e wants a tanner out o' me, to come round 'imself, and see wot he
+ gets."
+</p>
+<p>
+ It was a silly thing to say, and I saw it arterwards, but I was in such a
+ temper I 'ardly knew wot I was saying. I slammed the wicket in 'is face
+ and turned the key and then I took off my clothes and went down that
+ ladder agin.
+</p>
+<p>
+ It seemed colder than ever, and the mud when I got fairly into it was
+ worse than I thought it could ha' been. It stuck to me like glue, and
+ every step I took seemed colder than the one before. 'Owever, when I
+ make up my mind to do a thing, I do it. I fixed my eyes on the place
+ where I thought the purse was, and every time I felt anything under my
+ foot I reached down and picked it up&mdash;and then chucked it away as far as
+ I could so as not to pick it up agin. Dirty job it was, too, and in five
+ minutes I was mud up to the neck, a'most. And I 'ad just got to wot I
+ thought was the right place, and feeling about very careful, when the
+ bell rang agin.
+</p>
+<p>
+ I thought I should ha' gorn out o' my mind. It was just a little tinkle
+ at first, then another tinkle, but, as I stood there all in the dark and
+ cold trying to make up my mind to take no notice of it, it began to ring
+ like mad. I 'ad to go&mdash;I've known men climb over the gate afore now&mdash;and
+ I didn't want to be caught in that dock.
+</p>
+<p>
+ The mud seemed stickier than ever, but I got out at last, and, arter
+ scraping some of it off with a bit o' stick, I put on my coat and
+ trousers and boots just as I was and went to the gate, with the bell
+ going its 'ardest all the time.
+</p>
+<p>
+ When I opened the gate and see the landlord of the Bear's Head standing
+ there I turned quite dizzy, and there was a noise in my ears like the
+ roaring of the sea. I should think I stood there for a couple o' minutes
+ without being able to say a word. I could think of 'em.
+</p>
+<p>
+ "Don't be frightened, Bill," ses the landlord. "I'm not going to eat
+ you."
+</p>
+<p>
+ "He looks as if he's walking in 'is sleep," ses the fat policeman, wot
+ was standing near by. "Don't startle 'im."
+</p>
+<p>
+ "He always looks like that," ses the landlord.
+</p>
+<p>
+ I stood looking at 'im. I could speak then, but I couldn't think of any
+ words good enough; not with a policeman standing by with a notebook in
+ 'is pocket.
+</p>
+<p>
+ "Wot was you ringing my bell for?" I ses, at last.
+</p>
+<p>
+ "Why didn't you answer it before?" ses the landlord. "D'you think I've
+ got nothing better to do than to stand ringing your bell for three-
+ quarters of an hour? Some people would report you."
+</p>
+<p>
+ "I know my dooty," I ses; "there's no craft up to-night, and no reason
+ for anybody to come to my bell. If I was to open the gate every time a
+ parcel of overgrown boys rang my bell I should 'ave enough to do."
+</p>
+<p>
+ "Well, I'll overlook it this time, seeing as you're an old man and
+ couldn't get another sleeping-in job," he ses, looking at the policeman
+ for him to see 'ow clever 'e was. "Wot about that tanner? That's wot
+ I've come for."
+</p>
+<p>
+ "You be off," I ses, starting to shut the wicket. "You won't get no
+ tanner out of me."
+</p>
+<p>
+ "All right," he ses, "I shall stand here and go on ringing the bell till
+ you pay up, that's all."
+</p>
+<p>
+ He gave it another tug, and the policeman instead of locking 'im up for
+ it stood there laughing.
+</p>
+<p>
+ I gave 'im the tanner. It was no use standing there arguing over a
+ tanner, with a purse of twelve quid waiting for me in the dock, but I
+ told 'im wot people thought of 'im.
+</p>
+<p>
+ "Arf a second, watchman," ses the policeman, as I started to shut the
+ wicket agin. "You didn't see anything of that pickpocket, did you?"
+</p>
+<p>
+ "I did not," I ses.
+</p>
+<p>
+ "'Cos this gentleman thought he might 'ave come in here," ses the
+ policeman.
+</p>
+<p>
+ "'Ow could he 'ave come in here without me knowing it?" I ses, firing
+ up.
+</p>
+<p>
+ "Easy," ses the landlord, "and stole your boots into the bargain"
+</p>
+<p>
+ "He might 'ave come when your back was turned," ses the policeman, "and
+ if so, he might be 'iding there now. I wonder whether you'd mind me
+ having a look round?"
+</p>
+<p>
+ "I tell you he ain't 'ere," I ses, very short, "but, to ease your mind,
+ I'll 'ave a look round myself arter you've gorn."
+</p>
+<p>
+ The policeman shook his 'ead. "Well, o' course, I can't come in without
+ your permission," he ses, with a little cough, "but I 'ave an idea, that
+ if it was your guv'nor 'ere instead of you he'd ha' been on'y too pleased
+ to do anything 'e could to help the law. I'll beg his pardon tomorrow
+ for asking you, in case he might object."
+</p>
+<p>
+ That settled it. That's the police all over, and that's 'ow they get
+ their way and do as they like. I could see 'im in my mind's eye talking
+ to the guv'nor, and letting out little things about broken glasses and
+ such-like by accident. I drew back to let 'im pass, and I was so upset
+ that when that little rat of a landlord follered 'im I didn't say a word.
+</p>
+<p>
+ I stood and watched them poking and prying about the wharf as if it
+ belonged to 'em, with the light from the policeman's lantern flashing
+ about all over the place. I was shivering with cold and temper. The mud
+ was drying on me.
+</p>
+<p>
+ "If you've finished 'unting for the pickpocket I'll let you out and get
+ on with my work," I ses, drawing myself up.
+</p>
+<p>
+ "Good night," ses the policeman, moving off. "Good night, dear," ses the
+ landlord. "Mind you tuck yourself up warm."
+</p>
+<p>
+ I lost my temper for the moment and afore I knew wot I was doing I 'ad
+ got hold of him and was shoving 'im towards the gate as 'ard as I could
+ shove. He pretty near got my coat off in the struggle, and next moment
+ the police-man 'ad turned his lantern on me and they was both staring at
+ me as if they couldn't believe their eyesight.
+</p>
+<p>
+ "He&mdash;he's turning black!" ses the landlord.
+</p>
+<p>
+ "He's turned black!" ses the policeman.
+</p>
+<p>
+ They both stood there looking at me with their mouths open, and then
+ afore I knew wot he was up to, the policeman came close up to me and
+ scratched my chest with his finger-nail.
+</p>
+<p>
+ "It's mud!" he ses.
+</p>
+<p>
+ "You keep your nails to yourself," I ses. "It's nothing to do with you."
+ and I couldn't 'elp noticing the smell of it. Nobody could. And wot was
+ worse than all was, that the tide 'ad turned and was creeping over the
+ mud in the dock.
+</p>
+<p>
+ They got tired of it at last and came back to where I was and stood there
+ shaking their 'eads at me.
+</p>
+<p>
+ "If he was on the wharf 'e must 'ave made his escape while you was in the
+ Bear's Head," ses the policeman.
+</p>
+<p>
+ "He was in my place a long time," ses the landlord.
+</p>
+<p>
+ "Well, it's no use crying over spilt milk," ses the policeman. "Funny
+ smell about 'ere, ain't there?" he ses, sniffing, and turning to the
+ landlord. "Wot is it?"
+</p>
+<p>
+ "I dunno," ses the landlord. "I noticed it while we was talking to 'im
+ at the gate. It seems to foller 'im about."
+</p>
+<p>
+ "I've smelt things I like better," ses the policeman, sniffing agin.
+ "It's just like the foreshore when somebody 'as been stirring the mud up
+ a bit."
+</p>
+<p>
+ "Unless it's a case of 'tempted suicide," he ses, looking at me very
+ 'ard.
+</p>
+<p>
+ "Ah!" ses the landlord.
+</p>
+<p>
+ "There's no mud on 'is clothes," ses the policeman, looking me over with
+ his lantern agin.
+</p>
+<p>
+ "He must 'ave gone in naked, but I should like to see 'is legs to make&mdash;
+ All right! All right! Keep your 'air on."
+</p>
+<p>
+ "You look arter your own legs, then," I ses, very sharp, "and mind your
+ own business."
+</p>
+<p>
+ "It is my business," he ses, turning to the landlord. "Was 'e strange in
+ his manner at all when 'e was in your place to-night?"
+</p>
+<p>
+ "He smashed one o' my best glasses," ses the landlord.
+</p>
+<p>
+ "So he did," ses the policeman. "So he did. I'd forgot that. Do you
+ know 'im well?"
+</p>
+<p>
+ "Not more than I can 'elp," ses the landlord. "He's been in my place a
+ good bit, but I never knew of any reason why 'e should try and do away
+ with 'imself. If he's been disappointed in love, he ain't told me
+ anything about it."
+</p>
+<p>
+ I suppose that couple o' fools 'ud 'ave stood there talking about me all
+ night if I'd ha' let 'em, but I had about enough of it.
+</p>
+<p>
+ "Look 'ere," I ses, "you're very clever, both of you, but you needn't
+ worry your 'eads about me. I've just been having a mud-bath, that's
+ all."
+</p>
+<p>
+ "A mud-bath!" ses both of 'em, squeaking like a couple o' silly parrots.
+</p>
+<p>
+ "For rheumatics," I ses. "I 'ad it some-thing cruel to-night, and I
+ thought that p'r'aps the mud 'ud do it good. I read about it in the
+ papers. There's places where you pay pounds and pounds for 'em, but,
+ being a pore man, I 'ad to 'ave mine on the cheap."
+</p>
+<p>
+ The policeman stood there looking at me for a moment, and then 'e began
+ to laugh till he couldn't stop 'imself.
+</p>
+<p>
+ "Love-a-duck!" he ses, at last, wiping his eyes. "I wish I'd seen it."
+</p>
+<p>
+ "Must ha' looked like a fat mermaid," ses the landlord, wagging his silly
+ 'ead at me. "I can just see old Bill sitting in the mud a-combing his
+ 'air and singing."
+</p>
+<p>
+ They 'ad some more talk o' that sort, just to show each other 'ow funny
+ they was, but they went off at last, and I fastened up the gate and went
+ into the office to clean myself up as well as I could. One comfort was
+ they 'adn't got the least idea of wot I was arter, and I 'ad a fancy that
+ the one as laughed last would be the one as got that twelve quid.
+</p>
+<p>
+ I was so tired that I slept nearly all day arter I 'ad got 'ome, and I
+ 'ad no sooner got back to the wharf in the evening than I see that the
+ landlord 'ad been busy. If there was one silly fool that asked me the
+ best way of making mud-pies, I should think there was fifty. Little
+ things please little minds, and the silly way some of 'em went on made me
+ feel sorry for my sects.
+</p>
+<p>
+ By eight o'clock, 'owever, they 'ad all sheered off, and I got a broom
+ and began to sweep up to 'elp pass the time away until low-water. On'y
+ one craft 'ad come up that day&mdash;a ketch called the Peewit&mdash;and as she was
+ berthed at the end of the jetty she wasn't in my way at all.
+</p>
+<p>
+ Her skipper came on to the wharf just afore ten. Fat, silly old man 'e
+ was, named Fogg. Always talking about 'is 'ealth and taking medicine to
+ do it good. He came up to me slow like, and, when 'e stopped and asked
+ me about the rheumatics, the broom shook in my 'and.
+</p>
+<p>
+ "Look here," I ses, "if you want to be funny, go and be funny with them
+ as likes it. I'm fair sick of it, so I give you warning."
+</p>
+<p>
+ "Funny?" he ses, staring at me with eyes like a cow. "Wot d'ye mean?
+ There's nothing funny about rheumatics; I ought to know; I'm a martyr to
+ it. Did you find as 'ow the mud did you any good?"
+</p>
+<p>
+ I looked at 'im hard, but 'e stood there looking at me with his fat baby-
+ face, and I knew he didn't mean any harm; so I answered 'im perlite and
+ wished 'im good night.
+</p>
+<p>
+ "I've 'ad pretty near everything a man can have," he ses, casting anchor
+ on a empty box, "but I think the rheumatics was about the worst of 'em
+ all. I even tried bees for it once."
+</p>
+<p>
+ "Bees!" I ses. "<i>Bees!</i>"
+</p>
+<p>
+ "Bee-stings," he ses. "A man told me that if I could on'y persuade a few
+ bees to sting me, that 'ud cure me. I don't know what 'e meant by
+ persuading! they didn't want no persuading. I took off my coat and shirt
+ and went and rocked one of my neighbour's bee-hives next door, and I
+ thought my last hour 'ad come."
+</p>
+<p>
+ He sat on that box and shivered at the memory of it.
+</p>
+<p>
+ "Now I take Dr. Pepper's pellets instead," he ses. "I've got a box in my
+ state-room, and if you'd like to try 'em you're welcome."
+</p>
+<p>
+ He sat there talking about the complaints he had 'ad and wot he 'ad done
+ for them till I thought I should never have got rid of 'im. He got up at
+ last, though, and, arter telling me to always wear flannel next to my
+ skin, climbed aboard and went below.
+</p>
+<p>
+ I knew the hands was aboard, and arter watching 'is cabin-skylight until
+ the light was out, I went and undressed. Then I crept back on to the
+ jetty, and arter listening by the Peewit to make sure that they was all
+ asleep, I went back and climbed down the ladder.
+</p>
+<p>
+ It was colder than ever. The cold seemed to get into my bones, but I
+ made up my mind to 'ave that twelve quid if I died for it. I trod round
+ and round the place where I 'ad seen that purse chucked in until I was
+ tired, and the rubbish I picked up by mistake you wouldn't believe.
+</p>
+<p>
+ I suppose I 'ad been in there arf an hour, and I was standing up with my
+ teeth clenched to keep them from chattering, when I 'appened to look
+ round and see something like a white ball coming down the ladder. My
+ 'art seemed to stand still for a moment, and then it began to beat as
+ though it would burst. The white thing came down lower and lower, and
+ then all of a sudden it stood in the mud and said, "Ow!"
+</p>
+<p>
+ "Who is it?" I ses. "Who are you?" "Halloa, Bill!" it ses. "Ain't it
+ perishing cold?"
+</p>
+<p>
+ It was the voice o' Cap'n Fogg, and if ever I wanted to kill a fellow-
+ creetur, I wanted to then.
+</p>
+<p>
+ "'Ave you been in long, Bill?" he ses. "About ten minutes," I ses,
+ grinding my teeth.
+</p>
+<p>
+ "Is it doing you good?" he ses.
+</p>
+<p>
+ I didn't answer 'im.
+</p>
+<p>
+ "I was just going off to sleep," he ses, "when I felt a sort of hot pain
+ in my left knee. O' course, I knew what it meant at once, and instead o'
+ taking some of the pellets I thought I'd try your remedy instead. It's a
+ bit nippy, but I don't mind that if it does me good."
+</p>
+<p>
+ He laughed a silly sort o' laugh, and then I'm blest if 'e didn't sit
+ down in that mud and waller in it. Then he'd get up and come for'ard two
+ or three steps and sit down agin.
+</p>
+<p>
+ "Ain't you sitting down, Bill?" he ses, arter a time.
+</p>
+<p>
+ "No," I ses, "I'm not."
+</p>
+<p>
+ "I don't think you can expect to get the full benefit unless you do," he
+ ses, coming up close to me and sitting down agin. "It's a bit of a shock
+ at fust, but Halloa!"
+</p>
+<p>
+ "Wot's up?" I ses.
+</p>
+<p>
+ "Sitting on something hard," he ses. "I wish people 'ud be more
+ careful."
+</p>
+<p>
+ He took a list to port and felt under the star-board side. Then he
+ brought his 'and up and tried to wipe the mud off and see wot he 'ad got.
+</p>
+<p>
+ "Wot is it?" I ses, with a nasty sinking sort o' feeling inside me.
+</p>
+<p>
+ "I don't know," he ses, going on wiping. "It's soft outside and 'ard
+ inside. It&mdash;&mdash;"
+</p>
+<p>
+ "Let's 'ave a look at it," I ses, holding out my 'and.
+</p>
+<p>
+ "It's nothing," he ses, in a queer voice, getting up and steering for the
+ ladder. "Bit of oyster-shell, I think."
+</p>
+<p>
+ He was up that ladder hand over fist, with me close behind 'im, and as
+ soon as he 'ad got on to the wharf started to run to 'is ship.
+</p>
+<p>
+ "Good night, Bill," he ses, over 'is shoulder.
+</p>
+<p>
+ "Arf a moment." I ses, follering 'im.
+</p>
+<p>
+ "I must get aboard," he ses; "I believe I've got a chill," and afore I
+ could stop 'im he 'ad jumped on and run down to 'is cabin.
+</p>
+<p>
+ I stood on the jetty for a minute or two, trembling all over with cold
+ and temper. Then I saw he 'ad got a light in 'is cabin, and I crept
+ aboard and peeped down the skylight. And I just 'ad time to see some
+ sovereigns on the table, when he looked up and blew out the light.
+</p>
+
+
+
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Dirty Work, by W.W. Jacobs
+
+*** END OF THIS PROJECT GUTENBERG EBOOK DIRTY WORK ***
+
+***** This file should be named 11481-h.htm or 11481-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/1/4/8/11481/
+
+Produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
+
+
+</pre>
+
+</body>
+</html>
diff --git a/11481-h/cover.jpg b/11481-h/cover.jpg
new file mode 100644
index 0000000..89580a1
--- /dev/null
+++ b/11481-h/cover.jpg
Binary files differ
diff --git a/11481-h/title.jpg b/11481-h/title.jpg
new file mode 100644
index 0000000..6f25786
--- /dev/null
+++ b/11481-h/title.jpg
Binary files differ