summaryrefslogtreecommitdiff
path: root/old/11460.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/11460.txt')
-rw-r--r--old/11460.txt1873
1 files changed, 1873 insertions, 0 deletions
diff --git a/old/11460.txt b/old/11460.txt
new file mode 100644
index 0000000..c7334f3
--- /dev/null
+++ b/old/11460.txt
@@ -0,0 +1,1873 @@
+The Project Gutenberg EBook of The Mirror of Literature, Amusement, and
+Instruction, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Mirror of Literature, Amusement, and Instruction
+ Volume 14, No. 406, Saturday, December 26, 1829.
+
+Author: Various
+
+Release Date: March 5, 2004 [EBook #11460]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK MIRROR OF LITERATURE, NO. 406 ***
+
+
+
+
+Produced by Jonathan Ingram, Andy Jewell, David Garcia and the Online
+Distributed Proofreading Team.
+
+
+
+
+
+THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.
+
+VOL. XIV, NO. 406.] SATURDAY, DECEMBER 26, 1829. [PRICE 2d.
+
+
+
+
+VIRGIL'S TOMB.
+
+
+[Illustration: Virgil's Tomb.]
+
+
+This consecrated relic of genius stands on the hill of Posilipo, in the
+environs of Naples. Its recent state is so beautifully described by
+Eustace, that we shall not, like gipsys do stolen children, disfigure it
+to prevent recognition.
+
+Proceeding westward along the Chiaia and keeping towards the beach, says
+Eustace, we came to the quarter called Mergyllina. To ascend the hill of
+Posilipo we turned to the right, and followed a street winding as a
+staircase up the steep, and terminating at a garden gate. Having
+entered, we pursued a path through a vineyard and descending a little,
+came to a small square building, flat-roofed, placed on a sort of
+platform on the brow of a precipice on one side, and on the other
+sheltered by a super-incumbent rock. An aged ilex, spreading from the
+sides of the rock, and bending over the edifice, covers the roof with
+its ever verdant foliage. Numberless shrubs spring around, and
+interwoven with ivy clothe the walls and hang in festoons over the
+precipice. The edifice before us was an ancient tomb--the tomb of
+VIRGIL! We entered; a vaulted cell and two modern windows alone
+presented themselves to view: the poet's name is the only ornament of
+the place. No sarcophagus, no urn, and even no inscription to feed the
+devotion of the classical pilgrim. The epitaph which though not genuine
+is yet ancient, was inscribed by the order of the Duke of Pescolangiano,
+then proprietor of the place, on a marble slab placed in the side of the
+rock opposite the entrance of the tomb, where it still remains. Every
+body is acquainted with it--
+
+
+ Mantua me genuit, Calabri rapuere, tenet nunc Parthenope, cecini
+ pascua, rura, duces.
+
+
+But there are authors who venture to assert, that the tomb of which we
+are now speaking, is not the sepulchre of Virgil. Of this number are the
+classic Addison and the laborious and accurate Cluverius. The authority
+of two such eminent persons, without doubt, carries great weight with
+it, but that weight is upon this occasion considerably lessened by the
+weakness of the arguments on which their opinion is grounded. These
+arguments may be found in Cluverius, and Addison merely expresses his
+opinion without entering into any discussion. They are drawn from a few
+verses of Statius.
+
+In opposition to these arguments, or rather conjectures founded upon the
+vague expressions of a single poet (a poet often censured for his
+obscurity), we have the constant and uninterrupted tradition of the
+country supported by the authority of a numerous host of learned and
+ingenious antiquaries; and upon such grounds we may still continue to
+cherish the conviction, that we have visited the tomb of Virgil, and
+hailed his sacred shade on the spot where his ashes long reposed.
+
+The laurel which was once said to have sprung up at its base, and
+covered it with its luxuriant branches, now flourishes only in the
+verses of youthful bards, or in the descriptions of early travellers;
+myrtle, ivy and ilex, all plants equally agreeable to the genius of the
+place, and the subjects of the poet, now perform the office of the
+long-withered bays, and encircle the tomb with verdure and perfume.
+
+The sepulchre of Virgil, it may be imagined, must have long remained an
+object of interest and veneration, especially as his works had excited
+universal admiration even in his life-time, and were very soon after his
+death put into the hands of children, and made a part of the rudiments
+of early education. Yet Martial declares that it had been neglected in
+his time, and that Silius Italicus alone restored its long forgotten
+honours.
+
+The reader will learn with regret that Virgil's tomb, consecrated as it
+ought to be to genius and meditation, is sometimes converted into the
+retreat of assassins, or the lurking place of Sbirri. Such at least it
+was the last time we visited it, when wandering that way about sun-set
+we found it filled with armed men. We were surprised on both sides, and
+on ours not very agreeably at the unexpected rencounter; so lonely the
+place and so threatening the aspects of these strangers. Their manners
+however were courteous; and on inquiry we were informed that they were
+Sbirri, and then lying in wait for a murderer, who was supposed to
+make that spot his nightly asylum. It would be unjust to accuse the
+Neapolitans of culpable indifference towards this or any other monument
+of antiquity; but it is incumbent on the proprietor or the public, to
+secure them against such profanation. On the whole, few places are in
+themselves more picturesque, and from the recollection inseparably
+interwoven with it, no spot is more interesting than the tomb of Virgil.
+
+ * * * * *
+
+
+LAST CHRISTMAS DAY.
+
+(_For the Mirror_.)
+
+
+ "Say, if such blandishments did ever greet
+ Thy charmed soul; hast thou not crav'd to die?
+ Hast not thine immaterial seem'd but air
+ Verging to sigh itself from thee, and share
+ Beatitude? hast thou not watch'd thy breath
+ In meek, faint hope, that soon 'twould sink in death?"
+
+_MS. Poem._
+
+
+Last Christmas Day! my heart leaps with joy at its very memory; it was a
+mental _Noel_, a Christmas of the soul, (if I may thus express myself.)
+That which I am about to relate of it is strictly true, and I do relate
+it because that day is one of the very few in our brief existence which
+form a moral epoch in, and influence subsequent, life. Last Christmas
+Day, I well remember, my spirit revelled in an Eden blessedness--a bliss
+which the unholy world did not, could not, give, and consequently could
+not take away. Reader! I will hope, I will believe, that thou hast
+experienced feelings and emotions, like those high and holy ones of
+which I would endeavour now to preserve a faint transcript. Come then,
+let us unite our ideas, let us speak together, but let us yet mention as
+present, those beatific thoughts and imaginings which are indeed past.
+Let us ever remember and cherish in our heart of hearts those golden
+fore-tastes of future eternity, or (according to Platonism) those
+rapturous reminiscences of past, which prove beyond logical
+demonstration, the existence of some vital principle in man, godlike in
+faculties, in essence immaterial, in duration, immortal! It is Christmas
+Day, a deep, unearthly calm possesses our minds; all passions are
+slumbering, save the beautiful and holy ones of adoring love, mingled
+with overwhelming gratitude towards our maker, and philanthropic love,
+universal benevolence, to man. It is winter, but one of those delicious
+days in which closing our eyes, so that we behold not sad hosts of bare
+stems and branches, we may well deem that summer reigns! And a summer
+indeed reigns in our bosoms! Now nature seems new and fascinating, as it
+did to Adam when he wakened into life. Now, as for the first time, we
+discern with unspeakable emotions, that divine affection as well as
+unlimited power, which actuates and supports creation. Now we comprehend
+that the universe was designed to minister happiness to myriads of
+intelligent beings; but that man, by sin, frustrates the gracious
+intent, and produces misery. Now the glorious golden sun seems in its
+gladdening lustre, like a smile from its creator; a smile beaming
+ineffable love, and joy, and peace. Now the sky, the pale, delicate,
+sapphire sky, the soft, tender, inviting, enfolding, and immeasurable
+sky, appears to image the mercy of its maker. Let us yet gaze upon the
+sky, for it also admonishes us of other delightful things; it is
+silent--it is awful--it is holy; but its silence is beautiful, and with
+wordless eloquence it speaks unto our enraptured bosoms of deep,
+eternal, unimaginable repose! it infuses into our breasts undefinable
+ideas and sensations; it appears to our enchanted imaginations an emblem
+meet of the grand dream of eternity, and our spirits seem on the verge
+of quitting earth, in thrilling contemplations on the islands of that
+infinite abyss, and their immortal inhabitants! We gaze in hope,
+adoration, and rapture on the blue expanse, varied by delicate vapours,
+sailing calmly, wondrously through it; and then occur to our memories
+spontaneously, the exquisite lines translated from a _morceau_, by
+Gluck, (a German poet;) and our hearts respond as each of us sighs:
+
+
+ "There's peace and welcome in yon sea
+ Of endless blue tranquillity.
+ Those clouds are living things!
+ I trace their veins of liquid gold,
+ I see them solemnly unfold
+ Their soft and fleecy wings!
+
+ These be the angels that convey
+ Us weary children of a day
+ Life's tedious nothing o'er,
+ Where neither passions come, nor woes
+ To vex the genius of repose
+ On death's majestic shore!"
+
+
+Then do our delighted eyes wander downward; then doth earth appear a
+glorious, though but a temporary palace, the gift of a gracious God to
+man! then do we feel an unaccountable assurance that angels visit the
+beautiful domain; then that (though viewlessly) they rejoice with, they
+sorrow for, (if angels can sorrow) and they minister unto "the heirs of
+salvation," as they did in the days of old, and as they will do, to the
+end of time. Were we not assured of this blessed fact in the book of
+books, reason would assert, that for a thankless, graceless generation
+alone, earth should not have been formed so divinely fair; but it is
+heavenly, that the immortal servitors of man may even here find records
+of the divinity, and themes for undying thanksgiving. Are we indeed
+visited, watched, and ministered unto, by beatific essences? Oh, reason
+and revelation, both loudly proclaim the fact; those beneficent beings
+may be with us then, when we deem ourselves alone; they may be our
+society in the solitude of our chambers; they may pass us in the breeze,
+and they may wander beside us in our loneliest walks. Such meditations
+are calculated to inspire our bosoms with new life; to brighten all
+nature around us, and to unite us to the invisible world by ties, of the
+existence of which we were never previously sensible; ties, at once so
+sweet and so sacred, that we almost crave the blessing of death, in
+order more surely to strengthen them! Then doth the beauty of "the vale
+of tears" confound us; then doth it infuse into our bosoms such
+unalterable fore-tastes; such mysterious and undefinable sensations of
+the blessedness of "the isles of joy," that our very souls seem to have
+become but one prayer, one fervent, wordless, agonizing prayer, for
+divine repose, and unimaginable blessedness; and then doth the mere
+suggestion of final reprobation amount to insufferable torture! Oh, that
+such heavenly imaginings, such divine intimations of a transcendent
+futurity, were more frequently vouchsafed to us, and were less
+evanescent. They are glimpses of everlasting day, shining on wanderers
+in "the valley of the shadow of death;" they are droppings from the
+overflowing and ineffable cup of mercy; they are presciences of
+eternity, inestimable, unutterable! and the pen that would describe
+indescribable perceptions, droops in shame and sorrow at its own
+imbecility. Such perceptions have visited, do visit us, on this most
+rapturous of Christmas Days? Is it not a golden day? does it not remove
+us for a little space from earth, into the society of the holiest
+sentient beings, and to the beauty of a celestial, surpassing, world?
+Does it not bestow on our souls their long-lost ethereal wings? and do
+not the delighted strangers soar for a little while above the grossest
+realms of matter? Alas! even but for a little while; now do they drop,
+for now flag and droop those angelic pinions which are too humid and
+heavy with that atmosphere, from whence they could not wholly disengage
+themselves; the golden harps of heaven murmur in their entranced ears no
+longer; the smiles of the Sons of Peace fade from their enchanted sight;
+and the clouds of this nether world retain from their enamoured gaze,
+the treasures of infinity!
+
+Perhaps we have enjoyed a very enthusiastic, a very poetical, Christmas
+Day! we pretend not to deny it, though steadfastly believing it was
+neither an anti-Christian, nor an utterly unprofitable one; nay, we even
+venture to hope, that the beatitude of spirit just feebly portrayed was
+not unpleasing in His sight, unto whom, for His gift of immortal life,
+we upon Christmas Day render our peculiar thanksgivings!
+
+M.L.B.
+
+ * * * * *
+
+
+THE FALL OF ZARAGOZA.
+
+(_For the Mirror_.)
+
+
+ Awake, awake, the trumpet hath sung its lay to the sunny sky,
+ And the glorious shout from Spanish lips gives forth its wild reply.
+ Awake, awake, how the chargers foam, as to battle they dash on,
+ Oh, Zaragoza, on this proud day, must thy walls be lost or won!
+
+ His hand--the hand of the youthful chief was on his flashing sword,
+ And his plume gleam'd white thro' the smoke and flame o'er the lofty
+ city pour'd--
+ And the banners around him darkly swept like the waves of a stormy sea,
+ But Zaragoza, amid this strife, his heart was firm to thee.
+
+ "Away, away, tread her walls to dust!"--the Gallic warriors cried
+ "Defend, my bands, your hearth and home," the youthful chief replied.
+ They caught the sound of this spirit-voice as they stay'd their foes'
+ career,
+ And many a thrilling cry was heard, when the bayonet met the spear
+
+ In vain, ye heroes, do you breathe your latest vows to heaven,
+ In vain is your devoted blood in the cause of Freedom given,
+ For when the morn awakes again, your city shall not be
+ The haunt of maids who warbled deep, their sweetest songs for ye!
+
+ But the story of your hallow'd death shall not remain unsung,
+ Oh, its record shall be glorified by many a minstrel tongue
+ For Freedom's holy light hath touch'd each ruin'd shrine and wall,
+ That sadly speak unto the heart of Zaragoza's fall.
+
+_Deal_.
+
+REGINALD AUGUSTINE.
+
+ * * * * *
+
+
+THE BANQUETTING HOUSE, WHITEHALL.[1]
+
+
+ [1] For a general description of this magnificent edifice, see
+ MIRROR, No. 247.
+
+(_For the Mirror_.)
+
+
+Many persons who have visited this chapel may not have noticed or been
+aware of the splendid painted ceiling by Sir Peter Paul Rubens, which
+was executed by him when ambassador at the court of James I. This
+beautiful performance represents the apotheosis of that peaceful
+monarch, he being seated on his throne, and turning towards the deities
+of peace and commerce, having rejected the gods of war and discord. It
+is painted on canvass, and is in excellent preservation; the original
+painter had L3,000. for his labour; it has been retouched more than
+once, and the last time was by Cipriani, who had L2,000. for his
+repairs.
+
+Ralph, in his _Critical Review of Public Buildings_, observes, "that
+this picture is not so generally known as one could wish, but needs only
+to be known to be esteemed according to its merits;" and he further
+adds, "it is but an ill decoration for a place of religious worship, for
+in the first place, its contents are nowise akin to devotion, and in the
+next, the workmanship is so very extraordinary that a man must have
+abundance of zeal or no taste, that can attend to anything besides."
+
+It is almost needless to remark, that it was from a passage broken for
+the occasion through the wall of this building, that the unfortunate
+Charles was conducted by the regicides to his death; this passage still
+remains, and now serves as a doorway to an additional building in
+Scotland Yard: and nearly facing this doorway stood the ingenious Dial,
+engraved and described in No. 400, of the MIRROR. The next important and
+public event connected with this building occurred in 1811, when a very
+different and far more gratifying spectacle took place, being that of
+the ceremony of placing in the chapel, the eagles and other colours
+taken by our gallant troops during the war. There were six standards and
+the like number of regimental colours, which after having been presented
+at the altar were affixed to the places they now occupy. There is a
+singular circumstance attached to the history of one of the eagles which
+may be well introduced in this place; it may be distinguished from the
+others by its having a wreath placed round its neck, the flag itself
+being destroyed. It was the usual custom for the eagles to be attached
+to the staves on which they are borne by a screw, so that in the event
+of any imminent danger, they might be taken off and secured; but
+Napoleon on his presenting this standard to his 8th regiment, observed,
+it was impossible that it should be taken from so brave a body of men
+as they had always proved themselves to be, and desired it might be
+rivetted to the staff, which was accordingly done; and probably had it
+not been for this order the eagle might have escaped our valiant 87th,
+by whom it was taken on the heights of Barossa.
+
+On Maundy Thursday another gratifying ceremony takes place, _viz_, the
+distribution of the Maundy Money to as many poor people as the years
+of his majesty's age. This money consists of the smaller silver coins,
+being each in value from 1_d_. to 4_d_.; these are enclosed in a small,
+white kid bag, which is again enveloped in another of crimson leather.
+
+A.P.D.
+
+ * * * * *
+
+
+
+
+RETROSPECTIVE GLEANINGS.
+
+ * * * * *
+
+TOUCHING FOR THE KING'S EVIL.
+
+(_To the Editor of the Mirror_.)
+
+
+Having read an interesting paper from your ingenious correspondent
+_P.T.W._ in your number of the 14th of November, respecting "Touching
+for the Cure of the King's Evil," it occurred to me that some farther
+information relative to the original of that "hereditary miracle," as
+Mr. Collier is pleased to term it, might not be uninteresting to some
+of your readers: I therefore send you the following:--
+
+Stowe, in his _Annals_, accounts for the origin of touching for the
+evil, in the following manner:--"A young woman who was afflicted with
+this disorder in a very alarming manner, and to a most disgusting
+degree, feeling uneasiness and pain consequent upon it in her sleep,
+dreamt that she should be cured by the simple operation of having the
+part washed with the king's hand. Application was consequently made
+to Edward, by her friends, who very humanely consented to perform
+the unpleasant request. A basin of water was brought, with which he
+carefully softened the humours, till they broke, and the contents
+discharged; the sign of the cross wound up the charm; and the female
+retired, with the assurance of his protection during the remainder
+of the cure, which was effected within a week." This is somewhat
+differently related in _Ailred's History of the Life and Miracles of
+Edward the Confessor_, an extract from which may be found in a note
+to the first volume of Rapin's _History of England_.
+
+The following curious advertisement was issued by the order of King
+Charles II. for healing the people, on the 18th of May, 1664.
+
+"Notice.
+
+"His sacred majesty having declared it to be his royal will and purpose
+to continue the healing of his people for the evil during the month of
+May, and then give over till Michaelmas next; I am commanded to give
+notice thereof, that the people may not come up to the town in the
+interim, and lose their labour."
+
+Thomas Mousewell was tried for high treason in 1684, for having spoken
+with contempt of King Charles's pretensions to cure the scrofula.
+
+In a manuscript account of the Restoration, written by Thomas Gumble,
+D.D. Chaplain to General Monck, in the year 1662, is the following
+description of the ceremony:--" There was a great chair placed for the
+king, in a place somewhat distant from the people. As soon as the king
+was sate, one of the clerks of the closet stood at the right side of his
+chair, holding on his arm as many gold angels (every one tied in a
+ribbon of white silk) as there were sick to be touched, which were in
+number, forty-eight. Dr. Brown, the chaplain of the Princess of Aurange,
+performed the place of the king's chaplain. The chaplain then read the
+sixteenth chapter of St. Mark, from the fourteenth verse to the end; and
+then the chirurgeon presented the sick, (having examined them to see
+that it was the evil) after three reverences on their knees, before the
+king, who, whilst the chaplain said these words in that gospel: 'They
+shall lay their hands upon the sick, and they shall be healed,' layed
+his hands on the two cheeks of the sick, saying, 'I touch thee, but
+_God_ healeth thee!' The chaplain then began another gospel; and whilst
+these words were pronounced out of the first chapter of St. John: 'This
+was the true light which lighteth every man that cometh into the world,'
+his majesty took the pieces of gold, and put them on the necks of the
+diseased, the chaplain repeating the words as many times as there were
+persons to receive them, concluding with a prayer, 'That Almighty God
+would bless the ceremony;' then, after the reverences as before, they
+retired. The Earls of Middlesex and St. Albans held the bason, ewer, and
+towel, whilst the king washed."
+
+Shakspeare, in his _Macbeth_, thus describes this royal, but now
+exploded gift:--
+
+
+ "Strangely visited people,
+ All swollen and ulcerous, pitiful to the eye,
+ The mere despair of surgery, he cures--
+ Hanging a golden stamp about their necks,
+ Put on with holy prayers."
+
+
+In Nicholls's _Literary Anecdotes of the Eighteenth Century_, vol. ii.
+p. 495, 505, many curious particulars relating to this ceremony are to
+be found.
+
+As the custom has now for some time been discontinued, and the credulity
+of those who believed in its efficacy, laughed at, I hope it will not be
+long ere that disgusting custom of allowing persons (of whom women in
+general form by far the greater number) afflicted with the king's evil,
+and different other disorders, to come on the scaffold immediately after
+the execution of a criminal, for the purpose of touching the part
+affected, with the hand of the _but just dead_ malefactor, will be put a
+stop to; it being the very height of absurdity to imagine that it can be
+productive of any good effect; but on the contrary, tending to divest
+the minds of the surrounding multitude of that awe with which the
+ignominious spectacle should impress them.
+
+[Greek: S.G.]
+
+In the trifling paper I sent you respecting "Cats," which you deemed
+worthy of insertion in No. 398, you have it "by some merchants from the
+Island of Cyprus, who came hither for _fur_," it should be _tin_--Fur
+being an article of importation.
+
+ * * * * *
+
+
+BOOKSELLERS' MARKS OR SIGNS.
+
+(_For the Mirror_.)
+
+
+Many books, especially those printed in the 17th century, have no other
+designation either of printer, bookseller, or even city, but merely
+marks or signs. The _anchor_ is the mark of Raphelengius, at Leyden; and
+the same with a _dolphin_ twisted round it, of the Mantuii, at Venice
+and Rome; the _Arion_ denotes a book printed by Oporrinus, at Basil; the
+_caduceus_, or _pegasus_, by the Wechelliuses, at Paris and Frankfort;
+the _cranes_, by Cramoisy; the _compass_, by Plantin, at Antwerp; the
+_fountain_, by Vascosan, at Paris; the _sphere_ in a balance, by Janson,
+or Blaew, at Amsterdam; the _lily_, by the Juntas, at Venice, Florence,
+Lyons, and Rome; the _mulberry-tree_, by Morel, at Paris; the
+_olive-tree_, by the Stephenses, at Paris and Geneva, and the Elzevirs,
+at Amsterdam and Leyden; the _bird between two serpents_, by the
+Frobeniuses, at Basil; the _truth_, by the Commelins, at Heidelberg and
+Paris; the _Saturn_, by Collinaeus; the _printing press_, by Badius
+Ascensius, &c.
+
+P.T.W.
+
+ * * * * *
+
+
+
+
+THE NATURALIST.
+
+ * * * * *
+
+
+DIFFERENT COLOURS OF THE EGGS OF BIRDS.
+
+
+It is a remarkable fact in the economy of nature, that of those birds
+whose nests are the most liable to discovery, and whose eggs are most
+exposed to observation from the form of the nests, the eggs are of that
+colour which is the least different from the surrounding objects; whilst
+those birds whose eggs are of a bright and positive colour, hide their
+nests in the hollows of trees, or never quit them, excepting in the
+night, or sit immediately that they have laid one or two eggs. It is
+also to be observed that of those species which build an exposed nest,
+and the females of which alone perform the duty of incubation, the
+colour of the female is much less bright than that of the male, and more
+in harmony with the objects by which she is surrounded during the period
+in which she sits upon her eggs. It would seem, therefore, that those
+birds which lay a brightly-coloured egg have the instinct to make a
+close nest, or to place it in the least exposed situations; while those
+which lay a sober-coloured egg are less solicitous to conceal it from
+the notice of their enemies. M. Gloger, a German naturalist, has paid
+great attention to this curious circumstance, and has very recently
+published an elaborate memoir, in a work printed at Berlin, in which he
+notices the habits of all the species of birds indigenous to Germany, in
+confirmation of the theory. Our limits will not allow us to notice the
+particular species which he enumerates; but it may be sufficient to
+excite attention to this subject, to mention, that the birds which lay
+an egg perfectly white (the most attractive of colours) make their nests
+in holes of the earth, and cavities of trees, such as the kingfisher and
+the woodpecker, or construct them with a very narrow opening, as the
+domestic swallow; that the same coloured egg is found amongst the birds
+which scarcely quit their nests in the day, as hawks and owls; and that
+such birds as doves, which only lay one or two eggs, and sit immediately
+after, have their eggs white. The bright blue or bright green egg
+belongs to birds which make their nests in holes, as the starling, or
+construct them of green moss, or place them in the midst of grass, but
+always well covered. The eggs of many gallinaceous birds, that make
+their nests carelessly in the grass, are of a pale and less decided
+green, such as those of the partridge and pheasant. Of the
+mixed-coloured eggs, those of which white forms the ground belong to
+birds that make very close nests. Speckled eggs, with a dark or dirty
+ground, belong to the largest number of species. Almost all the song
+birds lay such eggs; and building open nests, they almost invariably
+line the inside of them with materials of a harmonious colour with the
+eggs, so that no evident contrast is presented which would lead to their
+destruction.--_Companion to the Almanac._
+
+ * * * * *
+
+
+EFFECTS OF SEA AIR.
+
+
+Those who frequent the sea-coast are not long in discovering that their
+best dyed black hats become of a rusty brown; and similar effects are
+produced on some other colours. The brown is, in fact, _rust_. Most, if
+not all, the usual black colours have iron for a basis, the black oxide
+of which is developed by galls, logwood, or other substances containing
+gallic acid. Now the sea-air contains a proportion of the muriates over
+which it is wafted; and these coming in contact with any thing dyed
+black, part with their hydrochloric (_muriatic_) acid, and form brown
+hydrochlorate of iron, or contribute to form the brown or red oxide,
+called rust. The gallic acid, indeed, from its superior affinity, has
+the strongest hold of the iron; but the incessant action of the sea-air,
+loaded with muriates, partially overcomes this, in the same way as any
+acid, even of inferior affinity to the gallic, when put upon black
+stuff, will turn it brown.--_Ibid._
+
+ * * * * *
+
+
+THE DUGONG, THE MERMAID OF EARLY WRITERS.
+
+
+Of all the cetacea, that which approaches the nearest in form to man is
+undoubtedly the dugong, which, when its head and breast are raised above
+the water, and its pectoral fins, resembling hands, are visible, might
+easily be taken by superstitious seamen for a semi-human
+being.--_Edinburgh Journal._
+
+ * * * * *
+
+
+SPIDERS.
+
+
+Live and grow without food. Out of fifty spiders produced on the last
+day of August, and which were kept entirely without food, three lived to
+the 8th of February following, and even visibly increased in bulk. Was
+it from the effluvia arising from the dead bodies of their companions
+that they lived so long? Other spiders were kept in glass vessels
+without food, from the 15th of July till the end of January. During that
+time they cast their skins more than once, as if they had been well
+fed.--_Redi, Generat. Insect._
+
+Spiders are excellent barometers: if the ends of their webs are found
+branching out to any length, it is a sure sign of favourable weather:
+if, on the contrary, they are found short, and the spider does not
+attend to repairing it properly, bad weather may be expected.--_Times._
+
+ * * * * *
+
+
+SWARMING OF BEES.
+
+
+The ingenious President of the Horticultural Society, Mr. T.A. Knight,
+has been led from repeated observation to infer, that, in the swarming
+of bees, not a single labourer emigrates without previously inspecting
+its proposed future habitation, as well as the temporary stations of
+rest where their numbers collect soon after swarming.--_Philosophical
+Magazine._
+
+ * * * * *
+
+
+THE CHAMELEON'S ANTIPATHY TO BLACK.
+
+
+Whatever may be the cause, the fact seems to be certain, that the
+chameleon has an antipathy to things of a black colour. One, which
+Forbes kept, uniformly avoided a black board which was hung up in the
+chamber; and, what is most remarkable, when it was forcibly brought
+before the black board, it trembled violently, and assumed a black
+colour.--_Oriental Mem_.
+
+ * * * * *
+
+
+RULES FOR THE WEATHER.
+
+
+A wet summer is always followed by a frosty winter; but it happens
+occasionally that the cold extends no farther. Two remarkable instances
+of this occurred in 1807-8 and 1813-14. With these exceptions, every
+frosty winter has been followed by a cold summer.
+
+The true cause of cold, or rather the direct cause, is to be found in
+the winter excess of west wind, every winter with excess of west wind
+being followed by a cold summer; and if there is no cold before, or
+during a first excess, then a second excess of west wind in winter
+occasions a still colder summer than the first. It also appears, by
+repeated experience, that cold does not extend to more than two years at
+a time.
+
+Again, if the winter excess of east wind be great, in the first
+instance, the winters will be mild, and followed by mild summers; while
+the summer excess of east wind is itself, in the first instance, always
+mild; but uniformly followed by cold winters and cold summers, which
+continue, more or less, for one or two years, according to
+circumstances.--_Mackenzie, Syst. of the Weather_.
+
+ * * * * *
+
+
+
+
+SPIRIT OF THE PUBLIC JOURNALS
+
+ * * * * *
+
+
+PERIODICAL LITERATURE.
+
+
+Periodical Literature--how sweet is the name! 'Tis a type of many of the
+most beautiful things and events in nature; or say, rather, that _they_
+are types of _it_--both the flowers and the stars. As to flowers, they
+are the prettiest periodicals ever published in folio--the leaves are
+wire-wove and hot-pressed by Nature's self; their circulation is wide
+over all the land; from castle to cottage they are regularly taken in;
+as old age bends over them, his youth is renewed; and you see childhood
+poring upon them, prest close to its very bosom. Some of them are
+ephemeral, and their contents are exhaled between the rising and the
+setting sun. Once a-week others break through their green, pink, or
+crimson cover; and how delightful, on the seventh day, smiles in the
+sunshine the Sabbath flower--the only Sunday publication perused without
+blame by the most religious--even before morning prayer. Each month,
+indeed, throughout the whole year, has its own flower-periodical. Some
+are annual, some biennial, some triennial, and there are perennials that
+seem to live for ever--and yet are still periodical--though our love
+will not allow us to know when they die, and phoenix-like re-appear from
+their own ashes. So much for flowers--typifying or typified;--leaves
+emblematical of pages--buds of binding dew-veils of covers--and the
+wafting away of bloom and fragrance like the dissemination of fine
+feelings, bright fancies, and winged thoughts!
+
+The flowers are the periodicals of the earth--the stars are those of
+heaven. With what unfailing regularity do the Numbers issue forth!
+Hesperus and Lucifer! ye are one concern! The pole-star is studied by
+all nations. How beautiful the poetry of the moon! On what subject does
+not the sun throw light! No fear of hurting your eyes by reading that
+fine, clear, large type on that softened page. Lo! as you turn over, one
+blue, another yellow, and another green, all, all alike delightful to
+the pupil, and dear to him as the very apple of his eye! Yes, the great
+Periodical Press of heaven is unceasingly at work--night and day; and
+though even it has been taxed, and its emanations confined, still their
+circulation is incalculable; nor have we yet heard that Ministers intend
+instituting any prosecution against it. It is yet Free, the only free
+Power all over the world. 'Tis indeed like the air we breathe--if we
+have it not, we die!
+
+Look, then, at all our paper Periodicals with pleasure, for sake of the
+flowers and the stars. Suppose them all extinct, and life would be like
+a flowerless earth, a starless heaven. We should soon forget the seasons
+themselves--the days of the week--and the weeks of the month--and the
+months of the year--and the years of the century--and the centuries of
+all Time--and all Time itself flowing away on into eternity. The
+Periodicals of external nature would soon all lose their meaning, were
+there no longer any Periodicals of the soul. These are the lights and
+shadows of life, merrily dancing or gravely stealing over the dial;
+remembrancers of the past--teachers of the present--prophets of the
+future hours. Were they all dead, spring would in vain renew her
+promise--wearisome would be the long, long, interminable
+summer-days--the fruits of autumn would taste fushionless--and the
+winter's ingle blink mournfully round the hearth. What are the blessed
+Seasons themselves, in nature and in Thomson, but Periodicals of a
+larger growth? They are the parents, or publishers, or editors, of all
+the others--principal contributors--nay, subscribers too--and may their
+pretty family live for ever, still dying, yet ever renewed, and on the
+increase every year. We should suspect him of a bad, black heart, who
+loved not the Periodical Literature of earth and sky--who would weep not
+to see one of its flowers wither--one of its stars fall--one beauty to
+die on its humble bed--one glory to drop from its lofty sphere. Let them
+bloom and burn on--flowers in which there is no poison, stars in which
+there is no disease--whose blossoms are all sweet, and whose rays are
+all sanative--both alike steeped in dew, and both, to the fine ear of
+nature's worshipper, bathed in music.
+
+Only look at Maga! One hundred and forty-eight months old! and yet
+lovely as maiden between frock and gown--even as sweet sixteen! Not a
+wrinkle on cheek or forehead! No crow-foot has touched her eyes--
+
+
+ "Her eye's blue languish, and her golden hair!"
+
+
+Like an antelope in the wilderness--or swan on the river--or eagle in
+the sky. Dream that she is dead, and oh! what a world! Yet die she must
+some day--so must the moon and stars. Meanwhile there is a blessing in
+prayers--and hark! how the nations cry, "Oh! Maga, live for ever!"
+
+We often pity our poor ancestors. How they contrived to make the ends
+meet, surpasses our conjectural powers. What a weary waste must have
+seemed expanding before their eyes, between morning and night! Don't
+tell us that the human female never longs for other pastime than
+
+
+ "To suckle fools and chronicle small beer."
+
+
+True, ladies sighed not then for periodicals--but there, in the depths
+of their ignorance, lay their utter wretchedness. What! keep pickling
+and preserving during the whole mortal life of an immortal being! Except
+when at jelly, everlastingly at jam! The soul sickens at the monotonous
+sweetness of such a wersh existence. True that many sat all life-long at
+needlework; but is not that a very sew-sew sort of life? Then oh! the
+miserable males! We speak of times after the invention, it is true, of
+printing--but who read what were called books then? Books! no more like
+our periodicals, than dry, rotten, worm-eaten, fungous logs are like
+green living leafy trees, laden with dews, bees, and birds, in the
+musical sunshine. What could males do then but yawn, sleep, snore,
+guzzle, guttle, and drink till they grew dead and got buried?
+Fox-hunting won't always do--and often it is not to be had; who can be
+happy with his gun through good report and bad report in an a' day's
+rain? Small amusement in fishing in muddy water; palls upon the sense
+quarrelling with neighbours on points of etiquette and the disputed
+property of hedgerow trees; a fever in the family ceases to raise the
+pulse of any inmate, except the patient; death itself is no relief to
+the dulness; a funeral is little better; the yawn of the grave seems a
+sort of unhallowed mockery; the scutcheon hung out on the front of the
+old dismal hall, is like a sign on a deserted Spittal; along with sables
+is worn a suitable stupidity by all the sad survivors.--And such, before
+the era of Periodicals, such was the life in--merry England. Oh!
+dear!--oh! dear me!
+
+We shall not enter into any historical details--for this is not a
+Monologue for the Quarterly--but we simply assert, that in the times we
+allude to (don't mention dates) there was little or no reading in
+England. There was neither the Reading Fly nor the Reading Public. What
+could this be owing to, but the non-existence of Periodicals? What
+elderly-young lady could be expected to turn from house affairs, for
+example, to Spenser's Fairy Queen? It is a long, long, long poem, that
+Fairy Queen of Spenser's; nobody, of course, ever dreamt of getting
+through it; but though you may have given up all hope of getting through
+a poem or a wood, you expect to be able to find your way back again to
+the spot where you unluckily got in; not so, however, with the Fairy
+Queen. Beautiful it is indeed, most exquisitely and unapproachably
+beautiful in many passages, especially about ladies and ladies' love
+more than celestial, for Venus loses in comparison her lustre in the
+sky; but still people were afraid to get into it then as now; and
+"heavenly Una, with her milk-white lamb," lay buried in dust. As
+to Shakspeare, we cannot find many traces of him in the domestic
+occupations of the English gentry during the times alluded to; nor do we
+believe that the character of Hamlet was at all relished in their halls,
+though perhaps an occasional squire chuckled at the humours of Sir John
+Falstaff. We have Mr. Wordsworth's authority for believing that Paradise
+Lost was a dead letter, and John Milton virtually anonymous. We need say
+no more. Books like these, huge heavy vols. lay with other lumber in the
+garrets and libraries. As yet, Periodical Literature was not; and the
+art of printing seems long to have preceded the art of reading. It did
+not occur to those generations that books were intended to be read by
+people in general, but only by the select few. Whereas now, reading is
+not only one of the luxuries, but absolutely one of the necessaries of
+life, and we now no more think of going without our book than without
+our breakfast; lunch consists now of veal-pies and Venetian
+Bracelets--we still dine on Roast-beef, but with it, instead of
+Yorkshire pudding, a Scotch novel--Thomas Campbell and Thomas Moore
+sweeten tea for us--and in "Course of Time" we sup on a Welsh rabbit
+and a Religious Poem.
+
+We have not time--how can we?--to trace the history of the great
+revolution. But a great revolution there has been, from nobody's reading
+anything, to every body's reading all things; and perhaps it began with
+that good old proser Richardson, the father of Pamela, Clarissa, and
+Sir Charles Grandison. He seems to have been a sort of idiot, who had
+a strange insight into some parts of human nature, and a tolerable
+acquaintance with most parts of speech. He set the public a-reading, and
+Fielding and Smollett shoved her on--till the Minerva Press took her in
+hand--and then--the Periodicals. But such Periodicals! The Gentleman's
+Magazine--God bless it then, now, and for ever!--the Monthly Review,
+the Critical and the British Critic! The age had been for some years
+literary, and was now fast becoming periodical. Magazines multiplied.
+Arose in glory the Edinburgh, and then the Quarterly Review--Maga,
+like a new sun, looked out from heaven--from her golden urn a hundred
+satellites drew light--and last of all, "the Planetary Five," the
+Annuals, hung their lamps on high; other similar luminous bodies emerged
+from the clouds, till the whole circumference was bespangled, and
+astronomy became the favourite study with all ranks of people, from the
+King upon the throne to the meanest of his subjects. Now, will any one
+presume to deny, that this has been a great change to the better, and
+that there is now something worth living for in the world? Look at our
+literature now, and it is all periodical together. A thousand daily,
+thrice-a-week, twice-a week, weekly newspapers, a hundred monthlies,
+fifty quarterlies, and twenty-five annuals! No mouth looks up now and is
+not fed; on the contrary, we are in danger of being crammed; an empty
+head is as rare as an empty stomach; the whole day is one meal, one
+physical, moral, and intellectual feast; the Public goes to bed with a
+Periodical in her hand, and falls asleep with it beneath her pillow.
+
+What blockhead thinks now of reading Milton, or Pope, or Gray? Paradise
+Lost is lost; it has gone to the devil. Pope's Epistles are returned to
+the dead-letter office; the age is too loyal for "ruin seize thee,
+ruthless king," and the oldest inhabitant has forgotten "the curfew
+tolls."--_Blackwood's Magazine._
+
+ * * * * *
+
+
+
+
+THE SELECTOR, AND LITERARY NOTICES OF _NEW WORKS._
+
+ * * * * *
+
+
+DR. LARDNER'S CYCLOPAEDIA.
+
+
+_History of Scotland. By Sir Walter Scott, Bart._ Vol. I.
+
+The rapid and sketchy page just quoted from _Blackwood's Magazine_ will
+illustrate the high ground which periodical literature is daily
+attaining in this country. Of this ascendancy, the volume before us is
+indeed a fine specimen, and one of which we have reason to entertain a
+national pride. We know it to be a common practice with publishers on
+the continent to produce long works volume by volume, so that Dr.
+Lardner's plan is by no means novel; but we should also bear in mind
+that, compared with our family and cabinet libraries, the majority of
+similar foreign works are mere flimsy productions; and the _Encyclopedie
+Methodique_, published in monthly volumes, in Paris, both in quantity
+and execution, will not reach our literary standards of 1829. As Dr.
+Lardner's plan is well known, it need not here be repeated; neither need
+we remark upon the high qualifications of Sir Walter Scott, as an
+historian of Scotland. An extract shall speak for itself; and perhaps we
+cannot do better than select one of the battle-pieces, which has all the
+vividness of the finest historical painting: say
+
+BANNOCKBURN.
+
+"Robert Bruce summoned the array of his kingdom to rendezvous in the
+Tor-wood, about four miles from Stirling, and by degrees prepared the
+field of battle which he had selected for the contest. It was a space of
+ground then called the New Park--perhaps reserved for the chase, since
+Stirling was frequently a royal residence. This ground was partly open,
+partly encumbered with trees, in groups or separate. It was occupied by
+the Scottish line of battle, extending from south to north, and fronting
+to the east. In this position, Bruce's left flank and rear might have
+been exposed to a sally from the castle of Stirling; but Mowbray
+the governor's faith was beyond suspicion, and the king was not in
+apprehension that he would violate the tenour of the treaty, by which
+he was bound to remain in passive expectation of his fate. The direct
+approach to the Scottish front was protected in a great measure by a
+morass called the New-miln Bog. A brook, called Bannockburn, running to
+the eastward, between rocky and precipitous banks, effectually covered
+the Scottish right wing, which rested upon it, and was totally
+inaccessible. Their left flank was apparently bare, but was, in fact,
+formidably protected in front by a peculiar kind of field-works. As
+the ground in that part of the field was adapted for the manoeuvres of
+cavalry Bruce caused many rows of pits, three feet deep, to be dug in
+it, so close together, as to suggest the appearance of a honeycomb, with
+its ranges of cells. In these pits sharp stakes were strongly pitched,
+and the apertures covered with sod so carefully, as that the condition
+of the ground might escape observation. Calthrops, or spikes contrived
+to lame the horses, were also scattered in different directions.
+
+"Having led his troops into the field of combat, on the tidings of the
+English approach, the 23d of June, 1314, the King of Scotland ordered
+his soldiers to arm themselves, and making proclamation that those who
+were not prepared to conquer or die with their sovereign were at liberty
+to depart, he was answered by a cheerful and general expression of their
+determination to take their fate with him. The King proceeded to draw
+up the army in the following order: Three oblong columns or masses of
+infantry, armed with lances, arranged on the same front, with intervals
+betwixt them formed his first line. Of these Edward Bruce had the
+guidance of the right wing, James Douglas and Walter, the Steward of
+Scotland, of the left, and Thomas Randolph of the central division.
+These three commanders had their orders to permit no English troops to
+pass their front, in order to gain Stirling. The second line, forming
+one column or mass, consisted of the men of the isles, under Bruce's
+faithful friend and ally, the insular prince Angus, his own men of
+Carrick, and those of Argyle and Cantire. With these the king posted
+himself in order to carry support and assistance wherever it might be
+required. With himself also he kept in the rear a select body of horse,
+the greater part of whom he designed for executing a particular service.
+The followers of the camp were dismissed with the baggage, to station
+themselves behind an eminence to the rear of the Scottish army, still
+called the Gillies' (that is, the servants') hill....
+
+"On the morning of St. Barnaby, called the Bright, being the 24th of
+June, 1314, Edward advanced in full form to the attack of the Scots,
+whom he found in their position of the preceding evening. The Vanguard
+of the English, consisting of the archers and bill-men, or lancers,
+comprehending almost all the infantry of the army, advanced, under the
+command of the Earls of Gloucester and Hereford, who also had a fine
+body of men at arms to support their column. All the remainder of the
+English troops, consisting of nine battles, or separate divisions, were
+so straitened by the narrowness of the ground, that, to the eye of the
+Scots, they seemed to form one very large body, gleaming with flashes of
+armour, and dark with the number of banners which floated over them.
+Edward himself commanded this tremendous array, and, in order to guard
+his person, was attended by four hundred chosen men at arms. Immediately
+around the King waited Sir Aymer de Valence, that Earl of Pembroke who
+defeated Bruce at Methven Wood, but was now to see a very different day;
+Sir Giles de Argentine, a Knight of St. John of Jerusalem, who was
+accounted, for his deeds in Palestine and elsewhere, one of the best
+Knights that lived; and Sir Ingram Umfraville, an Anglicised
+Scottishman, also famed for his skill in arms.
+
+"As the Scottish saw the immense display of their enemies rolling
+towards them like a surging ocean, they were called on to join in an
+appeal to Heaven against the strength of human foes.--Maurice, the Abbot
+of Inchaffray, bare-headed and bare-footed, walked along the Scottish
+line, and conferred his benediction on the soldiers, who knelt to
+receive it, and to worship the power in whose name it was bestowed.
+
+"During this time the King of England was questioning Umfraville
+about the purpose of his opponents. "Will they," said Edward, "abide
+battle?"--"They assuredly will," replied Umfraville; "and to engage them
+with advantage, your Highness were best order a seeming retreat, and
+draw them out of their strong ground." Edward rejected this counsel,
+and observing the Scottish soldiers kneel down, joyfully exclaimed,
+"They crave mercy."--"It is from Heaven, not from your Highness,"
+answered Umfraville: "on that field they will win or die." The King
+then commanded the charge to be sounded, and the attack to take place.
+
+"The Earls of Gloucester and Hereford charged the Scots left wing, under
+Edward Bruce, with their men at arms; but some rivalry between these two
+great Lords induced them to hurry to the charge with more of emulation
+than of discretion, and arriving at the shock disordered and out of
+breath, they were unable to force the deep ranks of the spearmen; many
+horses were thrown down, and their masters left at the mercy of the
+enemy. The other three divisions of the Scottish army attacked the mass
+of the English infantry, who resisted courageously. The English archers,
+as at the battle of Falkirk, now began to show their formidable skill,
+at the expense of the Scottish spearmen; but for this Bruce was
+prepared. He commanded Sir Robert Keith, the Marshal of Scotland, with
+those four hundred men at arms whom he had kept in reserve for the
+purpose, to make a circuit, and charge the English bowmen in the flank.
+This was done with a celerity and precision which dispersed the whole
+archery, who, having neither stakes nor other barrier to keep off the
+horse, nor long weapons to repel them, were cut down at pleasure, and
+almost without resistance.
+
+"The battle continued to rage, but with disadvantage to the English.
+The Scottish archers had now an opportunity of galling their infantry
+without opposition; and it would appear that King Edward could find no
+means of bringing any part of his numerous centre or rear-guard to the
+support of those in the front, who were engaged at disadvantage.
+
+"Bruce, seeing the confusion thicken, now placed himself at the head of
+the reserve, and addressing Angus of the Isles in the words, "My hope is
+constant in thee," rushed into the engagement followed by all the troops
+he had hitherto kept in reserve. The effect of such an effort, reserved
+for a favourable moment, failed not to be decisive. Those of the English
+who had been staggered were now constrained to retreat; those who were
+already in retreat took to actual flight. At this critical moment, the
+camp-followers of the Scottish army, seized with curiosity to see how
+the day went, or perhaps desirous to have a share of the plunder,
+suddenly showed themselves on the ridge of the Gillies'-hill, in the
+rear of the Scottish line of battle; and as they displayed cloths and
+horse-coverings upon poles for ensigns, they bore in the eyes of the
+English the terrors of an army with banners. The belief that they beheld
+the rise of an ambuscade, or the arrival of a new army of Scots, gave
+the last impulse of terror, and all fled now, even those who had before
+resisted. The slaughter was immense; the deep ravine of Bannockburn, to
+the south of the field of battle, lying in the direction taken by most
+of the fugitives, was almost choked and bridged over with the slain,
+the difficulty of the ground retarding the fugitive horsemen till the
+lancers were upon them. Others, and in great numbers, rushed into the
+river Forth, in the blindness of terror, and perished there. No less
+than twenty-seven Barons fell in the field; the Earl of Gloucester was
+at the head of the fatal list: young, brave, and high-born, when he saw
+the day was lost, he rode headlong on the Scottish spears, and was
+slain. Sir Robert Clifford, renowned in the Scottish wars, was also
+killed. Two hundred Knights and seven hundred Esquires, of high birth
+and blood, graced the list of slaughter with the noblest names of
+England; and thirty thousand of the common file filled up the fatal
+roll.
+
+"Edward, among whose weaknesses we cannot number cowardice, was
+reluctantly forced from the bloody field by the Earl of Pembroke. The
+noble Sir Giles de Argentine considered it as his duty to attend the
+King until he saw him in personal safety, then observing that "it was
+not his own wont to fly," turned back, rushed again into the battle,
+cried his war-cry, galloped boldly against the victorious Scots, and was
+slain, according to his wish, with his face to the enemy. Edward must
+have been bewildered in the confusion of the field, for instead of
+directing his course southerly to Linlithgow, from which he came, he
+rode northward to Stirling, and demanded admittance. Philip de Mowbray,
+the governor, remonstrated against this rash step, reminding the
+unfortunate Prince that he was obliged by his treaty to surrender the
+castle next day, as not having been relieved according to the
+conditions.
+
+"Edward was therefore obliged to take the southern road; and he must
+have made a considerable circuit to avoid the Scottish army. He was,
+however, discovered on his retreat, and pursued by Douglas with sixty
+horse, who were all that could be mustered for the service. The King, by
+a rapid and continued flight through a country in which his misfortunes
+must have changed many friends into enemies, at length gained the castle
+of Dunbar, where he was hospitably received by the Earl of March. From
+Dunbar Edward escaped almost alone to Berwick in a fishing skiff, having
+left behind him the finest army a King of England ever commanded.
+
+"The quantity of spoil gained by the victors at the battle of
+Bannockburn was inestimable, and the ransoms paid by the prisoners
+largely added to the mass of treasure. Five near relations to the
+Bruce--namely, his wife, her sister Christian, his daughter Marjory,
+the Bishop of Glasgow (Wishart), and the young Earl of Mar, the King's
+nephew, were exchanged against the Earl of Hereford, High Constable of
+England.
+
+"The Scottish loss was very small: Sir William Vipont and Sir Walter
+Ross were the only persons of consideration slain. Sir Edward Bruce is
+said to have been so much attached to the last of these knights as to
+have expressed his wish that the battle had remained unfought, so Ross
+had not died."
+
+The present volume contains 350 pages, in a very pleasing type, and a
+vignette title; and the style in which it is produced is uniformly
+worthy of the very responsible quarter whence it emanates.
+
+ * * * * *
+
+
+THE YOUNG LADY'S BOOK.
+
+
+This is indeed a _golden gift_ for any _demoiselle_ of our readers'
+acquaintance, for it blends the unusual qualities of elegance and
+usefulness of the highest order. It is described in the title as "A
+Manual of Elegant Recreations, Exercises and Pursuits," and numbers in
+its contents, Moral deportment--the Florist--Mineralogy, Conchology,
+Entomology, the Aviary, the Toilet, Embroidery, the Escrutoire,
+Painting, Music, Dancing, Archery, Riding, and the Ornamental Artist.
+Each of these subjects is treated of in separate chapters, in a neat
+style, slightly scientific, and highly amusive; and the whole are
+illustrated with upwards of _Six Hundred Engravings_, which are
+appropriately chosen and admirably executed. Botany, Conchology,
+Entomology, and the Aviary thus admit of scores of little cuts worked in
+with the type; the female accomplishments of Embroidery, ornamental card
+and basket work, contain many beautiful devices; and the "elegant
+recreations" of Dancing, Riding, &c. are equally well illustrated by the
+various forms, positions, &c.--Each subject has been treated of by a
+master or mistress of the respective art, but the uniformity with which
+the editor has marshalled them in his work, almost makes them resemble
+the productions of one hand. We need not point out the merit of this
+individual contribution; for the lady-pen must be omnipotent indeed
+which could write equally well on every branch of female accomplishment.
+By way of a seasonable extract we take part of a brief historical sketch
+prefixed to the Dancing instructions, and a few of the hints:--
+
+"From the death of Elizabeth, until after the restoration of Charles
+II., the turbulence of the times, and the peculiar character of the age,
+prevented this art, which flourishes only in 'the bowers of peace and
+joy,' from making much progress; but in the days of the merry monarch
+it began to revive, and advanced more, or less, in all the succeeding
+reigns. The celebrated Beau Nash, who was, for a long time, M.C. at
+Bath, may be considered the founder of modern ball-room dancing; which,
+however, has been divested of much of its cold formality, and improved
+in various other respects since the time of that singular person. It is,
+nevertheless, a matter of regret, that the graceful and stately Minuet
+has been entirely abandoned in favour of the more recently-invented
+dances.
+
+"The French country dances, or Contre-Danses (from the parties being
+placed opposite to each other,) since called Quadrilles (from their
+having four sides) which approximate nearly to the Cotillon, were
+first introduced to France about the middle of Lewis the Fifteenth's
+reign. Previously to this period, the dances most in vogue were La
+Perigourdine, La Matelotte, La Pavane, Les Forlanes, Minuets, &c.
+Quadrilles, when first introduced, were danced by four persons only:
+four more were soon added, and thus the complete square was formed; but
+the figures were materially different from those of the present period.
+The gentlemen advanced with the opposite ladies, menaced each other with
+the fore-finger, and retired clapping their hands three times; they then
+turned hands of four, turned their own partners, and grand rond of all
+concluded the figure. The Vauxhall d'Hiver was, at that time, the most
+fashionable place of resort: the pupils of the Royal Academy were
+engaged to execute new dances; a full and effective band performed the
+most fashionable airs, and new figures were at length introduced and
+announced as a source of attraction; but this place was soon pulled
+down, and re-built on the ground now occupied by the Theatre du
+Vaudeville. The establishment failed, and the proprietor became a
+bankrupt. A short time after, it was re-opened by another speculator;
+but on such a scale, as merely to attract the working classes of the
+community. The band was now composed of a set of miserable scrapers, who
+played in unison, and continually in the key of G sharp; amid the sounds
+which emanated from their instruments, the jangling of a tambourin, and
+the shrill notes of a fife were occasionally heard. Thus did things
+continue until the French Revolution; when, about the time the Executive
+Directory was formed, the splendid apartments of the Hotel de Richelieu
+were opened for the reception of the higher classes, who had then but
+few opportunities of meeting to 'trip it on the light fantastic toe.'
+Monsieur Hullin, then of the Opera, was selected to form a band of
+twenty-four musicians, from among those of the highest talent in the
+various theatres: he found no difficulty in this, as they were paid in
+paper-money, then of little or no value; whereas, the administrators of
+the Richelieu establishment paid in specie. The tunes were composed in
+different keys, with full orchestral accompaniments, by Monsieur Hullin;
+and the contrast thus produced to the abominable style which had so long
+existed, commenced a new era in dancing: the old figures were abolished,
+and stage-steps were adopted;--Pas de Zephyrs, Pas de Bourres, Ballotes,
+Jetes Battus, &c. were among the most popular. Minuets and Forlanes were
+still continued; but Monsieur Vestris displaced the latter by the
+Gavotte, which he taught to Monsieur Trenis and Madame de Choiseul, who
+first danced it at a fete given by a lady of celebrity, at the Hotel de
+Valentinois, Rue St. Lazar, on the 16th of August, 1797; at this fete,
+Monsieur Hullin introduced an entirely new set of figures of his own
+composition.--These elicited general approbation: they were danced at
+all parties, and still retain pre-eminence. The names of Pantalon,
+L'Ete, La Poule, La Trenis, &c. which were given to the tunes, have been
+applied to the figures. The figure of La Trenis, was introduced by
+Monsieur Trenis's desire, it being part of the figure from a Gavotte,
+danced in the then favourite ballet of Nina.
+
+"To the French we are indebted for rather an ingenious, but in the
+opinion of many professional dancers, an useless invention, by which it
+was proposed, that as the steps in dancing are not very numerous,
+although they may be infinitely combined, that characters might be made
+use of to express the various steps and figures of a dance, in the same
+manner as words and sentences are expressed by letters; or what is more
+closely analogous, as the musical characters are employed to represent
+to the eye the sounds of an air. The well-known Monsieur Beauchamp, and
+a French dancing-master, each laid claim to be the original inventer
+of this art; and the consequence was a law suit, in which, however,
+judgment was pronounced in favour of the former. The art has been
+introduced into this country, but without success. An English
+dancing-master has also, we believe, with considerable labour and
+ingenuity, devised a plan somewhat similar to that of the French author:
+diagrams being proposed to represent the figures, or steps, instead of
+characters.
+
+"There are a variety of dances to which the term National may, with some
+propriety, be applied. Among the most celebrated of these are,--the
+Italian Tarantula, the German Waltz, and the Spanish Bolero. To dwell on
+their peculiarities would, however, as it appears to us, be useless: the
+first is rarely exhibited, even on the stage: the second, although it
+still retains much of its original character, has, in this country, been
+modified into the Waltz Country Dance, and all the objections which it
+encountered, on its first introduction, seem to have been gradually
+overcome, since it assumed its present popular form; and the graceful
+Bolero is restricted to the theatre only, being never introduced to the
+English ball-room.
+
+"The manner of walking well is an object which all young ladies should
+be anxious to acquire; but, unfortunately, it is a point too much
+neglected. In the drawing-room, the ball-room, or during the promenade,
+an elegant deportment, a 'poetry of motion,'--is, and ever will be,
+appreciated. The step ought not to exceed the length of the foot; the
+leg should be put forward, without stiffness, in about the fourth
+position; but without any effort to turn the foot out, as it will tend
+to throw the body awry, and give the person an appearance of being a
+professional dancer. The head should be kept up and the chest open: the
+body will then attain an advantageous position, and that steadiness so
+much required in good walking. The arms should fall in their natural
+position, and all their movements and oppositions to the feet be easy
+and unconstrained. The employment of soldiers to teach young ladies how
+to walk, which, we are sorry to say, is a practice adopted by many
+parents and heads of seminaries, is much to be deprecated. The stiffness
+acquired under regimental tuition, is adverse to all the principles of
+grace, and annihilates that buoyant lightness which is so conducive to
+ease and elegance in the young."
+
+Besides the host of cuts incorporated with the text, each art has a
+whole page embellishment exquisitely engraved on wood; the designs of
+which are the very acme of taste. The head and tail, and letter pieces
+of the chapters are in equally good taste; and taken altogether,
+the "Young Lady's Book," either as a production of usefulness or
+illustratration of art, is the finest production of its day. It has
+been erroneously noticed, from its publication at this season, as an
+"Annual," but it displays infinitely more pains-taking than either of
+those elaborate productions--and is, we should judge, neither the labour
+of one or two years.
+
+We had almost overlooked the imitative Mechlin lace-facings, which would
+deceive any Nottingham factor.
+
+ * * * * *
+
+
+THE ZOOLOGICAL KEEPSAKE.
+
+
+The design of this "Annual" is good, we may say, very good; but we are
+alike bound to confess that the execution falls short of the idea. It
+contains an account of the Gardens and Museum of the Zoological Society,
+but this is too much interlarded with digressions. All the introductory
+matter might have been omitted with advantage to the author as well as
+the public. The descriptions are divided by poetical pieces, which serve
+as _reliefs_, one of which we extract:--
+
+
+THE LOST LAMB; OR, THE CHILD SAVED.
+
+BY H.C. DEAKIN, ESQ.
+
+_Author of "Portraits of the Dead."_
+
+
+ Morn rose upon the purple hills,
+ In all his pomp display'd;
+ Flash'd forth like stars a hundred rills,
+ In valley, plain, and glade.
+ The foaming mist, day's chilly shrine,
+ Into the clouds upcurl'd,
+ Forth broke in majesty divine
+ The Grampians' giant world.
+
+ It was a glorious sight to view
+ Those mountain forms unfold,--
+ The Heavens above intensely blue,
+ The plains beneath like gold.
+ Day woke, a thousand songs arose,
+ Morn's orisons on high,
+ Earth's universal heart o'erflows
+ To Him beyond the sky.
+
+ The shepherd roused him from his sleep,
+ And down the vale be hied,
+ Like guardian good, to count his sheep,
+ His _firstling_ by his side.
+ His firstling! 'twas his only child--
+ A boy of three years old,
+ The father's weary hours beguiled
+ Whilst watching o'er his fold.
+
+ And many an hour the child and he
+ Joy'd o'er the vale together;
+ It was a lovely thing to see
+ That child among the heather.
+ The vale is pass'd, the mountains rear
+ Their rugged cliffs in air,
+ He must ascend to view more near
+ His distant fleecy care.
+
+ "My child! the flowers are bright for thee,
+ The daisy's pearl'd with dew;
+ Go, share them with the honey-bee,
+ Till I return for you,
+ Thy dog and mine with thee shall stay
+ Whilst I the flock am counting,"--
+ He said, and took his tedious way,
+ The hilly green sward mounting.
+
+ O'er crag and cliff the father toil'd,
+ Unconscious pass'd the hours:
+ He for a time forgot the child
+ He'd left among the flowers.
+ The boiling clouds come down and veil
+ Valley, and wood, and plain;
+ Then fears the father's heart assail,
+ He will descend again.
+
+ Morn melted into noon, and night
+ Dark on the shepherd shone,
+ Terror in vain impels his flight,
+ His child!--his child is gone!
+ He calls upon his darling's name,
+ His dog in vain he calls;
+ He hears naught but the eagle's scream,
+ Or roar of waterfalls.
+
+ He rushes home--he is not there--
+ With agony and woe;
+ He hunts him in the cold night air,
+ O'er hill and vale below.
+ Morn rose--the faithful dog appears,
+ He whines for food so mild,
+ The father hied him through his tears,
+ And said, "Tray, where's my child?"
+
+ Thrice rose the morn--the father's heart
+ With grief was almost dead;
+ But every morn the dog appeared,
+ And whined and begged for bread.
+ Yet through the night and through the day,
+ The dog was never seen--
+ "He is not wont to stay away,
+ Where can the dog have been?"
+
+ On the fourth morn this faithful friend,
+ As usual whined for meat--
+ They mark the way his footsteps tend,
+ And follow his retreat.
+ They watch him to a cave beside
+ The Grampians' craggy base--
+ Behold! the shepherd's wandering child
+ Within the dog's embrace.
+
+ He springs--he weeps away his cares,
+ He cries aloud with joy--
+ He kneels, he sobs to heaven his prayers,
+ For his redeemed boy.
+ Then, turning, hugs his favourite hound,
+ The trusty, true, and bold,
+ By whom was saved, through whom was found
+ The _firstling_ of his fold!
+
+
+The Engravings, which are very numerous, are exclusively on wood. A few
+of them are views in the Regent's Park Gardens; but in point of
+execution, we think the best is a Portrait of the Satyr, or "_Happy_
+Jerry," at Cross's Menagerie. Though by no means one of nature's
+favourites, he appears to possess the companionable qualities of
+sitting in a chair, smoking a pipe, and drinking spirits and water, and
+appearing to understand every look, word, and action of his keeper;
+indeed, so thoroughly contented is the creature, that he has obtained
+the name of "Happy Jerry."
+
+To speak _zoologically_, next year we hope the artist and editor will
+put their best feet foremost, and improve upon the present volume. The
+design is one of the best for a Juvenile Annual--for who does not
+recollect the very amusing game of "Birds, Beasts, and Fishes, and
+sometimes Insects and Reptiles." What a menagerie of guessing novelties
+would have been a _Zoological Keepsake_ in our school days.
+
+ * * * * *
+
+
+
+
+THE GATHERER.
+
+ A snapper up of unconsidered trifles.
+SHAKSPEARE.
+
+ * * * * *
+
+
+SPILLING THE SALT.
+
+
+It is a curious fact, though not generally known, that the popular
+superstition of overturning the salt at table being unlucky, originated
+in a picture of the Last Supper, by Leonardo da Vinci, in which Judas
+Iscariot is represented as overturning the salt.
+
+ * * * * *
+
+
+KANGAROOS.
+
+
+"I have been much entertained during my wanderings through the country
+adjoining this town, in observing the singular habits and extreme
+sagacity of the kangaroos. I have noticed several who carried in their
+fore paws a sort of umbrella, or fan, which they held so as to protect
+their head and shoulders from the violence of the sun. One day I slipped
+a brace of large greyhounds at a female who carried one of these useful
+appendages, which she soon dropped and escaped: it was formed of a large
+bough, over which some large leaves were spread, and fastened on simply
+by the shoots of the bough sticking into the leaf."--_From a letter
+dated Hobart's Town, February_, 1829.
+
+ * * * * *
+
+
+THE EARL OF MANSFIELD.
+
+
+"When he was at Westminster School, Lady Kinnoul, in one of the
+vacations, invited him to her home, where, observing him with a pen in
+his hand, and seemingly thoughtful, she asked him if he was writing his
+theme, and what in plain English the theme was? The school-boy's smart
+answer rather surprised her Ladyship--'What is that to you?' She
+replied--'How can you be so rude? I asked you very civilly a plain
+question, and did not expect from a school-boy such a pert answer.' The
+reply was, 'Indeed, my Lady, I can only answer once more, 'What is that
+to you?' In reality the theme was--_Quid ad te pertinet!"--From
+Holliday's Life of the Earl of Mansfield_.
+
+ * * * * *
+
+
+"IN SPITE OF HIS TEETH."
+
+
+King John once demanded of a certain Jew ten thousand marks, on refusal
+of which, he ordered one of the Israelite's teeth to be drawn every day
+till he should consent. The Jew lost seven, and then paid the required
+sum. Hence the phrase--"In spite of his teeth."
+
+ * * * * *
+
+
+SWAN RIVER.
+
+
+A gentleman who had just arrived in town met an Hibernian friend, and
+with anxious solicitude asked him "where the best bed was to be got?"
+"By my soul," said the Emeralder, with a Kilmainham look, "I'm tould at
+the _Swan River_, where there's nothing but _down_."
+
+W.C.R.R.
+
+ * * * * *
+
+
+SIAMESE YOUTHS.
+
+
+QUERY.--Would not the _law_ be the most profitable profession for the
+Siamese Youths? They might plead _pro_ and _con_, and take _fees_ from
+_plaintiff_ and _defendant_. If raised to the Bench, they might receive
+the salary of _one_ Judge, but act as _two_, thereby saving the nation
+some money in these _hard_ times of _cash_ payments, and please all
+parties, _one_ summing up for plaintiff and the _other_ for defendant.
+
+P.T.W.
+
+N.B. They appear very good natured, although they _huffed_ me _twice_ at
+draughts.
+
+ * * * * *
+
+WITH the present Number is published a SUPPLEMENT, containing a
+Steel-plate PORTRAIT of THOMAS CAMPBELL, ESQ. and a copious MEMOIR; with
+Title, Preface, and Index to Vol. xiv.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Mirror of Literature, Amusement,
+and Instruction, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK MIRROR OF LITERATURE, NO. 406 ***
+
+***** This file should be named 11460.txt or 11460.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/1/4/6/11460/
+
+Produced by Jonathan Ingram, Andy Jewell, David Garcia and the Online
+Distributed Proofreading Team.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+