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+*** START OF THE PROJECT GUTENBERG EBOOK 11127 ***
+
+ THE CASE _of_ JENNIE BRICE
+
+ _By_
+ MARY ROBERTS RINEHART
+
+
+ _Author of_
+ THE MAN IN LOWER TEN, WHEN A MAN MARRIES
+ WHERE THERE'S A WILL, ETC.
+
+
+ _Illustrated by_
+ M. LEONE BRACKER
+
+
+
+ 1913
+
+
+
+
+CHAPTER I
+
+We have just had another flood, bad enough, but only a foot or two of
+water on the first floor. Yesterday we got the mud shoveled out of the
+cellar and found Peter, the spaniel that Mr. Ladley left when he "went
+away". The flood, and the fact that it was Mr. Ladley's dog whose body
+was found half buried in the basement fruit closet, brought back to me
+the strange events of the other flood five years ago, when the water
+reached more than half-way to the second story, and brought with
+it, to some, mystery and sudden death, and to me the worst case of
+"shingles" I have ever seen.
+
+My name is Pitman--in this narrative. It is not really Pitman, but
+that does well enough. I belong to an old Pittsburgh family. I was
+born on Penn Avenue, when that was the best part of town, and I lived,
+until I was fifteen, very close to what is now the Pittsburgh Club. It
+was a dwelling then; I have forgotten who lived there.
+
+I was a girl in seventy-seven, during the railroad riots, and I recall
+our driving in the family carriage over to one of the Allegheny hills,
+and seeing the yards burning, and a great noise of shooting from
+across the river. It was the next year that I ran away from school to
+marry Mr. Pitman, and I have not known my family since. We were never
+reconciled, although I came back to Pittsburgh after twenty years of
+wandering. Mr. Pitman was dead; the old city called me, and I came. I
+had a hundred dollars or so, and I took a house in lower Allegheny,
+where, because they are partly inundated every spring, rents are
+cheap, and I kept boarders. My house was always orderly and clean,
+and although the neighborhood had a bad name, a good many theatrical
+people stopped with me. Five minutes across the bridge, and they were
+in the theater district. Allegheny at that time, I believe, was
+still an independent city. But since then it has allied itself with
+Pittsburgh; it is now the North Side.
+
+I was glad to get back. I worked hard, but I made my rent and my
+living, and a little over. Now and then on summer evenings I went to
+one of the parks, and sitting on a bench, watched the children playing
+around, and looked at my sister's house, closed for the summer. It is
+a very large house: her butler once had his wife boarding with me--a
+nice little woman.
+
+It is curious to recall that, at that time, five years ago, I had
+never seen my niece, Lida Harvey, and then to think that only the day
+before yesterday she came in her automobile as far as she dared, and
+then sat there, waving to me, while the police patrol brought across
+in a skiff a basket of provisions she had sent me.
+
+I wonder what she would have thought had she known that the elderly
+woman in a calico wrapper with an old overcoat over it, and a pair of
+rubber boots, was her full aunt!
+
+The flood and the sight of Lida both brought back the case of Jennie
+Brice. For even then, Lida and Mr. Howell were interested in each
+other.
+
+This is April. The flood of 1907 was earlier, in March. It had been a
+long hard winter, with ice gorges in all the upper valley. Then, in
+early March, there came a thaw. The gorges broke up and began to come
+down, filling the rivers with crushing grinding ice.
+
+There are three rivers at Pittsburgh, the Allegheny and the
+Monongahela uniting there at the Point to form the Ohio. And all three
+were covered with broken ice, logs, and all sorts of debris from the
+upper valleys.
+
+A warning was sent out from the weather bureau, and I got my carpets
+ready to lift that morning. That was on the fourth of March, a Sunday.
+Mr. Ladley and his wife, Jennie Brice, had the parlor bedroom and the
+room behind it. Mrs. Ladley, or Miss Brice, as she preferred to be
+known, had a small part at a local theater that kept a permanent
+company. Her husband was in that business, too, but he had nothing to
+do. It was the wife who paid the bills, and a lot of quarreling they
+did about it.
+
+I knocked at the door at ten o'clock, and Mr. Ladley opened it. He
+was a short man, rather stout and getting bald, and he always had a
+cigarette. Even yet, the parlor carpet smells of them.
+
+"What do you want?" he asked sharply, holding the door open about an
+inch.
+
+"The water's coming up very fast, Mr. Ladley," I said. "It's up to the
+swinging-shelf in the cellar now. I'd like to take up the carpet and
+move the piano."
+
+"Come back in an hour or so," he snapped, and tried to close the door.
+But I had got my toe in the crack.
+
+"I'll have to have the piano moved, Mr. Ladley," I said. "You'd better
+put off what you are doing."
+
+I thought he was probably writing. He spent most of the day writing,
+using the wash-stand as a desk, and it kept me busy with oxalic acid
+taking ink-spots out of the splasher and the towels. He was writing a
+play, and talked a lot about the Shuberts having promised to star him
+in it when it was finished.
+
+"Hell!" he said, and turning, spoke to somebody in the room.
+
+"We can go into the back room," I heard him say, and he closed the
+door. When he opened it again, the room was empty. I called in Terry,
+the Irishman who does odd jobs for me now and then, and we both got to
+work at the tacks in the carpet, Terry working by the window, and I by
+the door into the back parlor, which the Ladleys used as a bedroom.
+
+That was how I happened to hear what I afterward told the police.
+
+Some one--a man, but not Mr. Ladley--was talking. Mrs. Ladley broke
+in: "I won't do it!" she said flatly. "Why should I help him? He
+doesn't help me. He loafs here all day, smoking and sleeping, and sits
+up all night, drinking and keeping me awake."
+
+The voice went on again, as if in reply to this, and I heard a rattle
+of glasses, as if they were pouring drinks. They always had whisky,
+even when they were behind with their board.
+
+"That's all very well," Mrs. Ladley said. I could always hear her, she
+having a theatrical sort of voice--one that carries. "But what about
+the prying she-devil that runs the house?"
+
+"Hush, for God's sake!" broke in Mr. Ladley, and after that they spoke
+in whispers. Even with my ear against the panel, I could not catch a
+word.
+
+The men came just then to move the piano, and by the time we had taken
+it and the furniture up-stairs, the water was over the kitchen floor,
+and creeping forward into the hall. I had never seen the river come up
+so fast. By noon the yard was full of floating ice, and at three that
+afternoon the police skiff was on the front street, and I was wading
+around in rubber boots, taking the pictures off the walls.
+
+I was too busy to see who the Ladleys' visitor was, and he had gone
+when I remembered him again. The Ladleys took the second-story front,
+which was empty, and Mr. Reynolds, who was in the silk department in a
+store across the river, had the room just behind.
+
+I put up a coal stove in a back room next the bathroom, and managed to
+cook the dinner there. I was washing up the dishes when Mr. Reynolds
+came in. As it was Sunday, he was in his slippers and had the colored
+supplement of a morning paper in his hand.
+
+"What's the matter with the Ladleys?" he asked. "I can't read for
+their quarreling."
+
+"Booze, probably," I said. "When you've lived in the flood district as
+long as I have, Mr. Reynolds, you'll know that the rising of the river
+is a signal for every man in the vicinity to stop work and get full.
+The fuller the river, the fuller the male population."
+
+"Then this flood will likely make 'em drink themselves to death!" he
+said. "It's a lulu."
+
+"It's the neighborhood's annual debauch. The women are busy keeping
+the babies from getting drowned in the cellars, or they'd get full,
+too. I hope, since it's come this far, it will come farther, so the
+landlord will have to paper the parlor."
+
+That was at three o'clock. At four Mr. Ladley went down the stairs,
+and I heard him getting into a skiff in the lower hall. There were
+boats going back and forth all the time, carrying crowds of curious
+people, and taking the flood sufferers to the corner grocery, where
+they were lowering groceries in a basket on a rope from an upper
+window.
+
+I had been making tea when I heard Mr. Ladley go out. I fixed a tray
+with a cup of it and some crackers, and took it to their door. I had
+never liked Mrs. Ladley, but it was chilly in the house with the gas
+shut off and the lower floor full of ice-water. And it is hard enough
+to keep boarders in the flood district.
+
+She did not answer to my knock, so I opened the door and went in.
+She was at the window, looking after him, and the brown valise, that
+figured in the case later, was opened on the floor. Over the foot of
+the bed was the black and white dress, with the red collar.
+
+When I spoke to her, she turned around quickly. She was a tall woman,
+about twenty-eight, with very white teeth and yellow hair, which she
+parted a little to one side and drew down over her ears. She had a
+sullen face and large well-shaped hands, with her nails long and very
+pointed.
+
+"The 'she-devil' has brought you some tea," I said. "Where shall she
+put it?"
+
+"'She-devil'!" she repeated, raising her eyebrows. "It's a very
+thoughtful she-devil. Who called you that?"
+
+But, with the sight of the valise and the fear that they might be
+leaving, I thought it best not to quarrel. She had left the window,
+and going to her dressing-table, had picked up her nail-file.
+
+"Never mind," I said. "I hope you are not going away. These floods
+don't last, and they're a benefit. Plenty of the people around here
+rely on 'em every year to wash out their cellars."
+
+"No, I'm not going away," she replied lazily. "I'm taking that dress
+to Miss Hope at the theater. She is going to wear it in _Charlie's
+Aunt_ next week. She hasn't half enough of a wardrobe to play leads in
+stock. Look at this thumb-nail, broken to the quick!"
+
+If I had only looked to see which thumb it was! But I was putting the
+tea-tray on the wash-stand, and moving Mr. Ladley's papers to find
+room for it. Peter, the spaniel, begged for a lump of sugar, and I
+gave it to him.
+
+"Where is Mr. Ladley?" I asked.
+
+"Gone out to see the river."
+
+"I hope he'll be careful. There's a drowning or two every year in
+these floods."
+
+"Then I hope he won't," she said calmly. "Do you know what I was doing
+when you came in? I was looking after his boat, and hoping it had a
+hole in it."
+
+"You won't feel that way to-morrow, Mrs. Ladley," I protested,
+shocked. "You're just nervous and put out. Most men have their ugly
+times. Many a time I wished Mr. Pitman was gone--until he went. Then
+I'd have given a good bit to have him back again."
+
+She was standing in front of the dresser, fixing her hair over her
+ears. She turned and looked at me over her shoulder.
+
+"Probably Mr. Pitman was a man," she said. "My husband is a fiend, a
+devil."
+
+Well, a good many women have said that to me at different times. But
+just let me say such a thing to _them_, or repeat their own words
+to them the next day, and they would fly at me in a fury. So I said
+nothing, and put the cream into her tea.
+
+I never saw her again.
+
+
+
+
+CHAPTER II
+
+There is not much sleeping done in the flood district during a spring
+flood. The gas was shut off, and I gave Mr. Reynolds and the Ladleys
+each a lamp. I sat in the back room that I had made into a temporary
+kitchen, with a candle, and with a bedquilt around my shoulders. The
+water rose fast in the lower hall, but by midnight, at the seventh
+step, it stopped rising and stood still. I always have a skiff during
+the flood season, and as the water rose, I tied it to one spindle of
+the staircase after another.
+
+I made myself a cup of tea, and at one o'clock I stretched out on a
+sofa for a few hours' sleep. I think I had been sleeping only an hour
+or so, when some one touched me on the shoulder and I started up. It
+was Mr. Reynolds, partly dressed.
+
+"Some one has been in the house, Mrs. Pitman," he said. "They went
+away just now in the boat."
+
+"Perhaps it was Peter," I suggested. "That dog is always wandering
+around at night."
+
+"Not unless Peter can row a boat," said Mr. Reynolds dryly.
+
+I got up, being already fully dressed, and taking the candle, we went
+to the staircase. I noticed that it was a minute or so after two
+o'clock as we left the room. The boat was gone, not untied, but cut
+loose. The end of the rope was still fastened to the stair-rail. I sat
+down on the stairs and looked at Mr. Reynolds.
+
+"It's gone!" I said. "If the house catches fire, we'll have to drown."
+
+"It's rather curious, when you consider it." We both spoke softly, not
+to disturb the Ladleys. "I've been awake, and I heard no boat come
+in. And yet, if no one came in a boat, and came from the street, they
+would have had to swim in."
+
+I felt queer and creepy. The street door was open, of course, and the
+lights going beyond. It gave me a strange feeling to sit there in
+the darkness on the stairs, with the arch of the front door like the
+entrance to a cavern, and see now and then a chunk of ice slide into
+view, turn around in the eddy, and pass on. It was bitter cold, too,
+and the wind was rising.
+
+"I'll go through the house," said Mr. Reynolds. "There's likely
+nothing worse the matter than some drunken mill-hand on a vacation
+while the mills are under water. But I'd better look."
+
+He left me, and I sat there alone in the darkness. I had a
+presentiment of something wrong, but I tried to think it was only
+discomfort and the cold. The water, driven in by the wind, swirled at
+my feet. And something dark floated in and lodged on the step below. I
+reached down and touched it. It was a dead kitten. I had never known a
+dead cat to bring me anything but bad luck, and here was one washed in
+at my very feet.
+
+Mr. Reynolds came back soon, and reported the house quiet and in
+order.
+
+"But I found Peter shut up in one of the third-floor rooms," he said.
+"Did you put him there?"
+
+I had not, and said so; but as the dog went everywhere, and the door
+might have blown shut, we did not attach much importance to that at
+the time.
+
+Well, the skiff was gone, and there was no use worrying about it until
+morning. I went back to the sofa to keep warm, but I left my candle
+lighted and my door open. I did not sleep: the dead cat was on my
+mind, and, as if it were not bad enough to have it washed in at my
+feet, about four in the morning Peter, prowling uneasily, discovered
+it and brought it in and put it on my couch, wet and stiff, poor
+little thing!
+
+I looked at the clock. It was a quarter after four, and except for
+the occasional crunch of one ice-cake hitting another in the yard,
+everything was quiet. And then I heard the stealthy sound of oars in
+the lower hall.
+
+I am not a brave woman. I lay there, hoping Mr. Reynolds would hear
+and open his door. But he was sleeping soundly. Peter snarled and ran
+out into the hall, and the next moment I heard Mr. Ladley speaking.
+"Down, Peter," he said. "Down. Go and lie down."
+
+I took my candle and went out into the hall. Mr. Ladley was stooping
+over the boat, trying to tie it to the staircase. The rope was short,
+having been cut, and he was having trouble. Perhaps it was the
+candle-light, but he looked ghost-white and haggard.
+
+"I borrowed your boat, Mrs. Pitman," he said, civilly enough. "Mrs.
+Ladley was not well, and I--I went to the drug store."
+
+"You've been more than two hours going to the drug store," I said.
+
+He muttered something about not finding any open at first, and went
+into his room. He closed and locked the door behind him, and although
+Peter whined and scratched, he did not let him in.
+
+He looked so agitated that I thought I had been harsh, and that
+perhaps she was really ill. I knocked at the door, and asked if I
+could do anything. But he only called "No" curtly through the door,
+and asked me to take that infernal dog away.
+
+I went back to bed and tried to sleep, for the water had dropped an
+inch or so on the stairs, and I knew the danger was over. Peter came,
+shivering, at dawn, and got on to the sofa with me. I put an end of
+the quilt over him, and he stopped shivering after a time and went to
+sleep.
+
+The dog was company. I lay there, wide awake, thinking about Mr.
+Pitman's death, and how I had come, by degrees, to be keeping a cheap
+boarding-house in the flood district, and to having to take impudence
+from everybody who chose to rent a room from me, and to being called
+a she-devil. From that I got to thinking again about the Ladleys, and
+how she had said he was a fiend, and to doubting about his having gone
+out for medicine for her. I dozed off again at daylight, and being
+worn out, I slept heavily.
+
+At seven o'clock Mr. Reynolds came to the door, dressed for the store.
+He was a tall man of about fifty, neat and orderly in his habits, and
+he always remembered that I had seen better days, and treated me as a
+lady.
+
+"Never mind about breakfast for me this morning, Mrs. Pitman," he
+said. "I'll get a cup of coffee at the other end of the bridge. I'll
+take the boat and send it back with Terry."
+
+He turned and went along the hall and down to the boat. I heard him
+push off from the stairs with an oar and row out into the street.
+Peter followed him to the stairs.
+
+At a quarter after seven Mr. Ladley came out and called to me: "Just
+bring in a cup of coffee and some toast," he said. "Enough for one."
+
+He went back and slammed his door, and I made his coffee. I steeped a
+cup of tea for Mrs. Ladley at the same time. He opened the door just
+wide enough for the tray, and took it without so much as a "thank
+you." He had a cigarette in his mouth as usual, and I could see a fire
+in the grate and smell something like scorching cloth.
+
+"I hope Mrs. Ladley is better," I said, getting my foot in the crack
+of the door, so he could not quite close it. It smelled to me as if he
+had accidentally set fire to something with his cigarette, and I tried
+to see into the room.
+
+"What about Mrs. Ladley?" he snapped.
+
+"You said she was ill last night."
+
+"Oh, yes! Well, she wasn't very sick. She's better."
+
+"Shall I bring her some tea?"
+
+"Take your foot away!" he ordered. "No. She doesn't want tea. She's
+not here."
+
+"Not here!"
+
+"Good heavens!" he snarled. "Is her going away anything to make such
+a fuss about? The Lord knows I'd be glad to get out of this infernal
+pig-wallow myself."
+
+"If you mean my house--" I began.
+
+But he had pulled himself together and was more polite when he
+answered. "I mean the neighborhood. Your house is all that could be
+desired for the money. If we do not have linen sheets and double
+cream, we are paying muslin and milk prices."
+
+Either my nose was growing accustomed to the odor, or it was dying
+away: I took my foot away from the door. "When did Mrs. Ladley leave?"
+I asked.
+
+"This morning, very early. I rowed her to Federal Street."
+
+"You couldn't have had much sleep," I said dryly. For he looked
+horrible. There were lines around his eyes, which were red, and his
+lips looked dry and cracked.
+
+"She's not in the piece this week at the theater," he said, licking
+his lips and looking past me, not at me. "She'll be back by Saturday."
+
+I did not believe him. I do not think he imagined that I did. He shut
+the door in my face, and it caught poor Peter by the nose. The dog ran
+off howling, but although Mr. Ladley had been as fond of the animal as
+it was in his nature to be fond of anything, he paid no attention.
+As I started down the hall after him, I saw what Peter had been
+carrying--a slipper of Mrs. Ladley's. It was soaked with water;
+evidently Peter had found it floating at the foot of the stairs.
+
+Although the idea of murder had not entered my head at that time, the
+slipper gave me a turn. I picked it up and looked at it--a black one
+with a beaded toe, short in the vamp and high-heeled, the sort most
+actresses wear. Then I went back and knocked at the door of the front
+room again.
+
+"What the devil do you want now?" he called from beyond the door.
+
+"Here's a slipper of Mrs. Ladley's," I said. "Peter found it floating
+in the lower hall."
+
+He opened the door wide, and let me in. The room was in tolerable
+order, much better than when Mrs. Ladley was about. He looked at the
+slipper, but he did not touch it. "I don't think that is hers," he
+said.
+
+"I've seen her wear it a hundred times."
+
+"Well, she'll never wear it again." And then, seeing me stare, he
+added: "It's ruined with the water. Throw it out. And, by the way, I'm
+sorry, but I set fire to one of the pillow-slips--dropped asleep, and
+my cigarette did the rest. Just put it on the bill."
+
+He pointed to the bed. One of the pillows had no slip, and the ticking
+cover had a scorch or two on it. I went over and looked at it.
+
+"The pillow will have to be paid for, too, Mr. Ladley," I said. "And
+there's a sign nailed on the door that forbids smoking in bed. If you
+are going to set fire to things, I shall have to charge extra."
+
+"Really!" he jeered, looking at me with his cold fishy eyes. "Is there
+any sign on the door saying that boarders are charged extra for seven
+feet of filthy river in the bedrooms?"
+
+I was never a match for him, and I make it a principle never to bandy
+words with my boarders. I took the pillow and the slipper and went
+out. The telephone was ringing on the stair landing. It was the
+theater, asking for Miss Brice.
+
+"She has gone away," I said.
+
+"What do you mean? Moved away?"
+
+"Gone for a few days' vacation," I replied. "She isn't playing this
+week, is she?"
+
+"Wait a moment," said the voice. There was a hum of conversation from
+the other end, and then another man came to the telephone.
+
+"Can you find out where Miss Brice has gone?"
+
+"I'll see."
+
+I went to Ladley's door and knocked. Mr. Ladley answered from just
+beyond.
+
+"The theater is asking where Mrs. Ladley is."
+
+"Tell them I don't know," he snarled, and shut the door. I took his
+message to the telephone.
+
+Whoever it was swore and hung up the receiver.
+
+All the morning I was uneasy--I hardly knew why. Peter felt it as I
+did. There was no sound from the Ladleys' room, and the house was
+quiet, except for the lapping water on the stairs and the police
+patrol going back and forth.
+
+At eleven o'clock a boy in the neighborhood, paddling on a raft, fell
+into the water and was drowned. I watched the police boat go past,
+carrying his little cold body, and after that I was good for nothing.
+I went and sat with Peter on the stairs. The dog's conduct had been
+strange all morning. He had sat just above the water, looking at it
+and whimpering. Perhaps he was expecting another kitten or--
+
+It is hard to say how ideas first enter one's mind. But the notion
+that Mr. Ladley had killed his wife and thrown her body into the water
+came to me as I sat there. All at once I seemed to see it all:
+the quarreling the day before, the night trip in the boat, the
+water-soaked slipper, his haggard face that morning--even the way the
+spaniel sat and stared at the flood.
+
+Terry brought the boat back at half past eleven, towing it behind
+another.
+
+"Well," I said, from the stairs, "I hope you've had a pleasant
+morning."
+
+"What doing?" he asked, not looking at me.
+
+"Rowing about the streets. You've had that boat for hours."
+
+He tied it up without a word to me, but he spoke to the dog. "Good
+morning, Peter," he said. "It's nice weather--for fishes, ain't it?"
+
+He picked out a bit of floating wood from the water, and showing it to
+the dog, flung it into the parlor. Peter went after it with a splash.
+He was pretty fat, and when he came back I heard him wheezing. But
+what he brought back was not the stick of wood. It was the knife I
+use for cutting bread. It had been on a shelf in the room where I had
+slept the night before, and now Peter brought it out of the flood
+where its wooden handle had kept it afloat. The blade was broken off
+short.
+
+It is not unusual to find one's household goods floating around during
+flood-time. More than once I've lost a chair or two, and seen it after
+the water had gone down, new scrubbed and painted, in Molly Maguire's
+kitchen next door. And perhaps now and then a bit of luck would come
+to me--a dog kennel or a chicken-house, or a kitchen table, or even,
+as happened once, a month-old baby in a wooden cradle, that lodged
+against my back fence, and had come forty miles, as it turned out,
+with no worse mishap than a cold in its head.
+
+But the knife was different. I had put it on the mantel over the stove
+I was using up-stairs the night before, and hadn't touched it since.
+As I sat staring at it, Terry took it from Peter and handed it to me.
+
+"Better give me a penny, Mrs. Pitman," he said in his impudent Irish
+way. "I hate to give you a knife. It may cut our friendship."
+
+I reached over to hit him a clout on the head, but I did not. The
+sunlight was coming in through the window at the top of the stairs,
+and shining on the rope that was tied to the banister. The end of the
+rope was covered with stains, brown, with a glint of red in them.
+
+I got up shivering. "You can get the meat at the butcher's, Terry," I
+said, "and come back for me in a half-hour." Then I turned and went
+up-stairs, weak in the knees, to put on my hat and coat. I had made up
+my mind that there had been murder done.
+
+
+
+
+CHAPTER III
+
+I looked at my clock as I went down-stairs. It was just twelve-thirty.
+I thought of telephoning for Mr. Reynolds to meet me, but it was his
+lunch hour, and besides I was afraid to telephone from the house while
+Mr. Ladley was in it.
+
+Peter had been whining again. When I came down the stairs he had
+stopped whimpering and was wagging his tail. A strange boat had put
+into the hallway and was coming back.
+
+"Now, old boy!" somebody was saying from the boat. "Steady, old chap!
+I've got something for you."
+
+A little man, elderly and alert, was standing up in the boat, poling
+it along with an oar. Peter gave vent to joyful yelps. The elderly
+gentleman brought his boat to a stop at the foot of the stairs, and
+reaching down into a tub at his feet, held up a large piece of raw
+liver. Peter almost went crazy, and I remembered suddenly that I had
+forgotten to feed the poor beast for more than a day.
+
+"Would you like it?" asked the gentleman. Peter sat up, as he had been
+taught to do, and barked. The gentleman reached down again, got a
+wooden platter from a stack of them at his feet, and placing the
+liver on it, put it on the step. The whole thing was so neat and
+businesslike that I could only gaze.
+
+"That's a well-trained dog, madam," said the elderly gentleman,
+beaming at Peter over his glasses. "You should not have neglected
+him."
+
+"The flood put him out of my mind," I explained, humbly enough, for I
+was ashamed.
+
+"Exactly. Do you know how many starving dogs and cats I have found
+this morning?" He took a note-book out of his pocket and glanced at
+it. "Forty-eight. Forty-eight, madam! And ninety-three cats! I have
+found them marooned in trees, clinging to fences, floating on barrels,
+and I have found them in comfortable houses where there was no excuse
+for their neglect. Well, I must be moving on. I have the report of a
+cat with a new litter in the loft of a stable near here."
+
+He wiped his hands carefully on a fresh paper napkin, of which also
+a heap rested on one of the seats of the boat, and picked up an oar,
+smiling benevolently at Peter. Then, suddenly, he bent over and looked
+at the stained rope end, tied to the stair-rail.
+
+"What's that?" he said.
+
+"That's what I'm going to find out," I replied. I glanced up at the
+Ladleys' door, but it was closed.
+
+The little man dropped his oar, and fumbling in his pockets, pulled
+out a small magnifying-glass. He bent over, holding to the rail, and
+inspected the stains with the glass. I had taken a fancy to him at
+once, and in spite of my excitement I had to smile a little.
+
+"Humph!" he said, and looked up at me. "That's blood. Why did you
+_cut_ the boat loose?"
+
+"I didn't," I said. "If that is blood, I want to know how it got
+there. That was a new rope last night." I glanced at the Ladleys' door
+again, and he followed my eyes.
+
+"I wonder," he said, raising his voice a little, "if I come into your
+kitchen, if you will allow me to fry a little of that liver. There's a
+wretched Maltese in a tree at the corner of Fourth Street that won't
+touch it, raw."
+
+I saw that he wanted to talk to me, so I turned around and led the way
+to the temporary kitchen I had made.
+
+"Now," he said briskly, when he had closed the door, "there's
+something wrong here. Perhaps if you tell me, I can help. If I can't,
+it will do you good to talk about it. My name's Holcombe, retired
+merchant. Apply to First National Bank for references."
+
+"I'm not sure there _is_ anything wrong," I began. "I guess I'm only
+nervous, and thinking little things are big ones. There's nothing to
+tell."
+
+"Nonsense. I come down the street in my boat. A white-faced gentleman
+with a cigarette looks out from a window when I stop at the door, and
+ducks back when I glance up. I come in and find a pet dog, obviously
+overfed at ordinary times, whining with hunger on the stairs. As
+I prepare to feed him, a pale woman comes down, trying to put a
+right-hand glove on her left hand, and with her jacket wrong side out.
+What am I to think?"
+
+I started and looked at my coat. He was right. And when, as I tried to
+take it off, he helped me, and even patted me on the shoulder--what
+with his kindness, and the long morning alone, worrying, and the
+sleepless night, I began to cry. He had a clean handkerchief in my
+hand before I had time to think of one.
+
+"That's it," he said. "It will do you good, only don't make a noise
+about it. If it's a husband on the annual flood spree, don't worry,
+madam. They always come around in time to whitewash the cellars."
+
+"It isn't a husband," I sniffled.
+
+"Tell me about it," he said. There was something so kindly in his
+face, and it was so long since I had had a bit of human sympathy, that
+I almost broke down again.
+
+I sat there, with a crowd of children paddling on a raft outside the
+window, and Molly Maguire, next door, hauling the morning's milk up in
+a pail fastened to a rope, her doorway being too narrow to admit the
+milkman's boat, and I told him the whole story.
+
+"Humph!" he exclaimed, when I had finished. "It's curious, but--you
+can't prove a murder unless you can produce a body."
+
+"When the river goes down, we'll find the body," I said, shivering.
+"It's in the parlor."
+
+"Then why doesn't he try to get away?"
+
+"He is ready to go now. He only went back when your boat came in."
+
+Mr. Holcombe ran to the door, and flinging it open, peered into the
+lower hall. He was too late. His boat was gone, tub of liver, pile of
+wooden platters and all!
+
+We hurried to the room the Ladleys had occupied. It was empty. From
+the window, as we looked out, we could see the boat, almost a square
+away. It had stopped where, the street being higher, a door-step rose
+above the flood. On the step was sitting a forlorn yellow puppy. As
+we stared, Mr. Ladley stopped the boat, looked back at us, bent over,
+placed a piece of liver on a platter, and reached it over to the dog.
+Then, rising in the boat, he bowed, with his hat over his heart, in
+our direction, sat down calmly, and rowed around the corner out of
+sight.
+
+Mr. Holcombe was in a frenzy of rage. He jumped up and down, shaking
+his fist out the window after the retreating boat. He ran down the
+staircase, only to come back and look out the window again. The police
+boat was not in sight, but the Maguire children had worked their raft
+around to the street and were under the window. He leaned out and
+called to them.
+
+"A quarter each, boys," he said, "if you'll take me on that raft to
+the nearest pavement."
+
+"Money first," said the oldest boy, holding his cap.
+
+But Mr. Holcombe did not wait. He swung out over the window-sill,
+holding by his hands, and lit fairly in the center of the raft.
+
+"Don't touch anything in that room until I come back," he called to
+me, and jerking the pole from one of the boys, propelled the raft with
+amazing speed down the street.
+
+The liver on the stove was burning. There was a smell of scorching
+through the rooms and a sort of bluish haze of smoke. I hurried back
+and took it off. By the time I had cleaned the pan, Mr. Holcombe was
+back again, in his own boat. He had found it at the end of the next
+street, where the flood ceased, but no sign of Ladley anywhere. He had
+not seen the police boat.
+
+"Perhaps that is just as well," he said philosophically. "We can't go
+to the police with a wet slipper and a blood-stained rope and accuse a
+man of murder. We have to have a body."
+
+"He killed her," I said obstinately. "She told me yesterday he was a
+fiend. He killed her and threw the body in the water."
+
+"Very likely. But he didn't throw it here."
+
+But in spite of that, he went over all the lower hall with his boat,
+feeling every foot of the floor with an oar, and finally, at the back
+end, he looked up at me as I stood on the stairs.
+
+"There's something here," he said.
+
+I went cold all over, and had to clutch the railing. But when Terry
+had come, and the two of them brought the thing to the surface, it was
+only the dining-room rug, which I had rolled up and forgotten to carry
+up-stairs!
+
+At half past one Mr. Holcombe wrote a note, and sent it off with
+Terry, and borrowing my boots, which had been Mr. Pitman's,
+investigated the dining-room and kitchen from a floating plank; the
+doors were too narrow to admit the boat. But he found nothing more
+important than a rolling-pin. He was not at all depressed by his
+failure. He came back, drenched to the skin, about three, and asked
+permission to search the Ladleys' bedroom.
+
+"I have a friend coming pretty soon, Mrs. Pitman," he said, "a young
+newspaper man, named Howell. He's a nice boy, and if there is anything
+to this, I'd like him to have it for his paper. He and I have been
+having some arguments about circumstantial evidence, too, and I know
+he'd like to work on this."
+
+I gave him a pair of Mr. Pitman's socks, for his own were saturated,
+and while he was changing them the telephone rang. It was the theater
+again, asking for Jennie Brice.
+
+"You are certain she is out of the city?" some one asked, the same
+voice as in the morning.
+
+"Her husband says so."
+
+"Ask him to come to the phone."
+
+"He is not here."
+
+"When do you expect him back?"
+
+"I'm not sure he is coming back."
+
+"Look here," said the voice angrily, "can't you give me any
+satisfaction? Or don't you care to?"
+
+"I've told you all I know."
+
+"You don't know where she is?"
+
+"No, sir."
+
+"She didn't say she was coming back to rehearse for next week's
+piece?"
+
+"Her husband said she went away for a few days' rest. He went away
+about noon and hasn't come back. That's all I know, except that they
+owe me three weeks' rent that I'd like to get hold of."
+
+The owner of the voice hung up the receiver with a snap, and left me
+pondering. It seemed to me that Mr. Ladley had been very reckless. Did
+he expect any one to believe that Jennie Brice had gone for a vacation
+without notifying the theater? Especially when she was to rehearse
+that week? I thought it curious, to say the least. I went back and
+told Mr. Holcombe, who put it down in his note-book, and together we
+went to the Ladleys' room.
+
+The room was in better order than usual, as I have said. The bed was
+made--which was out of the ordinary, for Jennie Brice never made a
+bed--but made the way a man makes one, with the blankets wrinkled and
+crooked beneath, and the white counterpane pulled smoothly over the
+top, showing every lump beneath. I showed Mr. Holcombe the splasher,
+dotted with ink as usual.
+
+"I'll take it off and soak it in milk," I said. "It's his fountain
+pen; when the ink doesn't run, he shakes it, and--"
+
+"Where's the clock?" said Mr. Holcombe, stopping in front of the
+mantel with his note-book in his hand.
+
+"The clock?"
+
+I turned and looked. My onyx clock was gone from the mantel-shelf.
+
+Perhaps it seems strange, but from the moment I missed that clock my
+rage at Mr. Ladley increased to a fury. It was all I had had left of
+my former gentility. When times were hard and I got behind with the
+rent, as happened now and then, more than once I'd been tempted to
+sell the clock, or to pawn it. But I had never done it. Its ticking
+had kept me company on many a lonely night, and its elegance had
+helped me to keep my pride and to retain the respect of my neighbors.
+For in the flood district onyx clocks are not plentiful. Mrs. Bryan,
+the saloon-keeper's wife, had one, and I had another. That is, I _had_
+had.
+
+I stood staring at the mark in the dust of the mantel-shelf, which Mr.
+Holcombe was measuring with a pocket tape-measure.
+
+"You are sure you didn't take it away yourself, Mrs. Pitman?" he
+asked.
+
+"Sure? Why, I could hardly lift it," I said.
+
+He was looking carefully at the oblong of dust where the clock had
+stood. "The key is gone, too," he said, busily making entries in his
+note-book. "What was the maker's name?"
+
+"Why, I don't think I ever noticed."
+
+He turned to me angrily. "Why didn't you notice?" he snapped. "Good
+God, woman, do you only use your eyes to cry with? How can you wind a
+clock, time after time, and not know the maker's name? It proves my
+contention: the average witness is totally unreliable."
+
+"Not at all," I snapped, "I am ordinarily both accurate and
+observing."
+
+"Indeed!" he said, putting his hands behind him. "Then perhaps you can
+tell me the color of the pencil I have been writing with."
+
+"Certainly. Red." Most pencils are red, and I thought this was safe.
+
+But he held his right hand out with a flourish. "I've been writing
+with a fountain pen," he said in deep disgust, and turned his back on
+me.
+
+But the next moment he had run to the wash-stand and pulled it out
+from the wall. Behind it, where it had fallen, lay a towel, covered
+with stains, as if some one had wiped bloody hands on it. He held it
+up, his face working with excitement. I could only cover my eyes.
+
+"This looks better," he said, and began making a quick search of the
+room, running from one piece of furniture to another, pulling out
+bureau drawers, drawing the bed out from the wall, and crawling along
+the base-board with a lighted match in his hand. He gave a shout of
+triumph finally, and reappeared from behind the bed with the broken
+end of my knife in his hand.
+
+"Very clumsy," he said. "_Very_ clumsy. Peter the dog could have done
+better."
+
+I had been examining the wall-paper about the wash-stand. Among the
+ink-spots were one or two reddish ones that made me shiver. And seeing
+a scrap of note-paper stuck between the base-board and the wall, I
+dug it out with a hairpin, and threw it into the grate, to be burned
+later. It was by the merest chance there was no fire there. The next
+moment Mr. Holcombe was on his knees by the fireplace reaching for the
+scrap.
+
+"_Never_ do that, under such circumstances," he snapped, fishing among
+the ashes. "You might throw away valuable--Hello, Howell!"
+
+I turned and saw a young man in the doorway, smiling, his hat in his
+hand. Even at that first glance, I liked Mr. Howell, and later, when
+every one was against him, and many curious things were developing, I
+stood by him through everything, and even helped him to the thing he
+wanted more than anything else in the, world. But that, of course, was
+later.
+
+"What's the trouble, Holcombe?" he asked. "Hitting the trail again?"
+
+"A very curious thing that I just happened on," said Mr. Holcombe.
+"Mrs. Pitman, this is Mr. Howell, of whom I spoke. Sit down, Howell,
+and let me read you something."
+
+With the crumpled paper still unopened in his hand, Mr. Holcombe took
+his note-book and read aloud what he had written. I have it before me
+now:
+
+"'Dog meat, two dollars, boat hire'--that's not it. Here. 'Yesterday,
+Sunday, March the 4th, Mrs. Pitman, landlady at 42 Union Street, heard
+two of her boarders quarreling, a man and his wife. Man's name, Philip
+Ladley. Wife's name, Jennie Ladley, known as Jennie Brice at the
+Liberty Stock Company, where she has been playing small parts.'"
+
+Mr. Howell nodded. "I've heard of her," he said. "Not much of an
+actress, I believe."
+
+"'The husband was also an actor, out of work, and employing his
+leisure time in writing a play.'"
+
+"Everybody's doing it," said Mr. Howell idly.
+
+"The Shuberts were to star him in this," I put in. "He said that the
+climax at the end of the second act--"
+
+Mr. Holcombe shut his note-book with a snap. "After we have finished
+gossiping," he said, "I'll go on."
+
+"'Employing his leisure time in writing a play--'" quoted Mr. Howell.
+
+"Exactly. 'The husband and wife were not on good terms. They quarreled
+frequently. On Sunday they fought all day, and Mrs. Ladley told Mrs.
+Pitman she was married to a fiend. At four o'clock Sunday afternoon,
+Philip Ladley went out, returning about five. Mrs. Pitman carried
+their supper to them at six, and both ate heartily. She did not see
+Mrs. Ladley at the time, but heard her in the next room. They were
+apparently reconciled: Mrs. Pitman reports Mr. Ladley in high good
+humor. If the quarrel recommenced during the night, the other boarder,
+named Reynolds, in the next room, heard nothing. Mrs. Pitman was up
+and down until one o'clock, when she dozed off. She heard no unusual
+sound.
+
+"'At approximately two o'clock in the morning, however, this Reynolds
+came to the room, and said he had heard some one in a boat in the
+lower hall. He and Mrs. Pitman investigated. The boat which Mrs.
+Pitman uses during a flood, and which she had tied to the stair-rail,
+was gone, having been cut loose, not untied. Everything else was
+quiet, except that Mrs. Ladley's dog had been shut in a third-story
+room.
+
+"'At a quarter after four that morning Mrs. Pitman, thoroughly awake,
+heard the boat returning, and going to the stairs, met Ladley coming
+in. He muttered something about having gone for medicine for his wife
+and went to his room, shutting the dog out. This is worth attention,
+for the dog ordinarily slept in their room.'"
+
+"What sort of a dog?" asked Mr. Howell. He had been listening
+attentively.
+
+"A water-spaniel. 'The rest of the night, or early morning, was quiet.
+At a quarter after seven, Ladley asked for coffee and toast for one,
+and on Mrs. Pitman remarking this, said that his wife was not playing
+this week, and had gone for a few days' vacation, having left early in
+the morning.' Remember, during the night he had been out for medicine
+for her. Now she was able to travel, and, in fact, had started."
+
+Mr. Howell was frowning at the floor. "If he was doing anything wrong,
+he was doing it very badly," he said.
+
+"This is where I entered the case," said Mr. Holcombe, "I rowed into
+the lower hall this morning, to feed the dog, Peter, who was whining
+on the staircase. Mrs. Pitman was coming down, pale and agitated over
+the fact that the dog, shortly before, had found floating in the
+parlor down-stairs a slipper belonging to Mrs. Ladley, and, later, a
+knife with a broken blade. She maintains that she had the knife last
+night up-stairs, that it was not broken, and that it was taken from a
+shelf in her room while she dozed. The question is, then: Why was the
+knife taken? Who took it? And why? Has this man made away with his
+wife, or has he not?"
+
+Mr. Howell looked at me and smiled. "Mr. Holcombe and I are old
+enemies," he said. "Mr. Holcombe believes that circumstantial evidence
+may probably hang a man; I do not." And to Mr. Holcombe: "So, having
+found a wet slipper and a broken knife, you are prepared for murder
+and sudden death!"
+
+"I have more evidence," Mr. Holcombe said eagerly, and proceeded to
+tell what we had found in the room. Mr. Howell listened, smiling to
+himself, but at the mention of the onyx clock he got up and went to
+the mantel.
+
+"By Jove!" he said, and stood looking at the mark in the dust. "Are
+you sure the clock was here yesterday?"
+
+"I wound it night before last, and put the key underneath. Yesterday,
+before they moved up, I wound it again."
+
+"The key is gone also. Well, what of it, Holcombe? Did he brain her
+with the clock? Or choke her with the key?"
+
+Mr. Holcombe was looking at his note-book. "To summarize," he said,
+"we have here as clues indicating a crime, the rope, the broken knife,
+the slipper, the towel, and the clock. Besides, this scrap of paper
+may contain some information." He opened it and sat gazing at it in
+his palm. Then, "Is this Ladley's writing?" he asked me in a curious
+voice.
+
+"Yes."
+
+I glanced at the slip. Mr. Holcombe had just read from his note-book:
+"Rope, knife, slipper, towel, clock."
+
+The slip I had found behind the wash-stand said "Rope, knife, shoe,
+towel. Horn--" The rest of the last word was torn off.
+
+Mr. Howell was staring at the mantel. "Clock!" he repeated.
+
+
+
+
+CHAPTER IV
+
+It was after four when Mr. Holcombe had finished going over the room.
+I offered to make both the gentlemen some tea, for Mr. Pitman had been
+an Englishman, and I had got into the habit of having a cup in the
+afternoon, with a cracker or a bit of bread. But they refused. Mr.
+Howell said he had promised to meet a lady, and to bring her through
+the flooded district in a boat. He shook hands with me, and smiled at
+Mr. Holcombe.
+
+"You will have to restrain his enthusiasm, Mrs. Pitman," he said. "He
+is a bloodhound on the scent. If his baying gets on your nerves, just
+send for me." He went down the stairs and stepped into the boat.
+"Remember, Holcombe," he called, "every well-constituted murder has
+two things: a motive and a corpse. You haven't either, only a mass of
+piffling details--"
+
+"If everybody waited until he saw flames, instead of relying on the
+testimony of the smoke," Mr. Holcombe snapped, "what would the fire
+loss be?"
+
+Mr. Howell poled his boat to the front door, and sitting down,
+prepared to row out.
+
+"You are warned, Mrs. Pitman," he called to me. "If he doesn't find a
+body to fit the clues, he's quite capable of making one to fill the
+demand."
+
+"Horn--" said Mr. Holcombe, looking at the slip again. "The tail of
+the 'n' is torn off--evidently only part of a word. Hornet, Horning,
+Horner--Mrs. Pitman, will you go with me to the police station?"
+
+I was more than anxious to go. In fact, I could not bear the idea of
+staying alone in the house, with heaven only knows what concealed
+in the depths of that muddy flood. I got on my wraps again, and Mr.
+Holcombe rowed me out. Peter plunged into the water to follow, and had
+to be sent back. He sat on the lower step and whined. Mr. Holcombe
+threw him another piece of liver, but he did not touch it.
+
+We rowed to the corner of Robinson Street and Federal--it was before
+Federal Street was raised above the flood level--and left the boat in
+charge of a boy there. And we walked to the police station. On the way
+Mr. Holcombe questioned me closely about the events of the morning,
+and I recalled the incident of the burned pillow-slip. He made a note
+of it at once, and grew very thoughtful.
+
+He left me, however, at the police station. "I'd rather not appear in
+this, Mrs. Pitman," he said apologetically, "and I think better along
+my own lines. Not that I have anything against the police; they've
+done some splendid work. But this case takes imagination, and the
+police department deals with facts. We have no facts yet. What we
+need, of course, is to have the man detained until we are sure of our
+case."
+
+He lifted his hat and turned away, and I went slowly up the steps to
+the police station. Living, as I had, in a neighborhood where the
+police, like the poor, are always with us, and where the visits of
+the patrol wagon are one of those familiar sights that no amount
+of repetition enabled any of us to treat with contempt, I was
+uncomfortable until I remembered that my grandfather had been one of
+the first mayors of the city, and that, if the patrol had been at my
+house more than once, the entire neighborhood would testify that my
+boarders were usually orderly.
+
+At the door some one touched me on the arm. It was Mr. Holcombe again.
+
+"I have been thinking it over," he said, "and I believe you'd better
+not mention the piece of paper that you found behind the wash-stand.
+They might say the whole thing is a hoax."
+
+"Very well," I agreed, and went in.
+
+The police sergeant in charge knew me at once, having stopped at my
+house more than once in flood-time for a cup of hot coffee.
+
+"Sit down, Mrs. Pitman," he said. "I suppose you are still making the
+best coffee and doughnuts in the city of Allegheny? Well, what's the
+trouble in your district? Want an injunction against the river for
+trespass?"
+
+"The river has brought me a good bit of trouble," I said. "I'm--I'm
+worried, Mr. Sergeant. I think a woman from my house has been
+murdered, but I don't know."
+
+"Murdered," he said, and drew up his chair. "Tell me about it."
+
+I told him everything, while he sat back with his eyes half closed,
+and his fingers beating a tattoo on the arm of his chair.
+
+When I finished he got up and went into an inner room. He came back in
+a moment.
+
+"I want you to come in and tell that to the chief," he said, and led
+the way.
+
+All told, I repeated my story three times that afternoon, to the
+sergeant, to the chief of police, and the third time to both the
+others and two detectives.
+
+The second time the chief made notes of what I said.
+
+"Know this man Ladley?" he asked the others. None of them did, but
+they all knew of Jennie Brice, and some of them had seen her in the
+theater.
+
+"Get the theater, Tom," the chief said to one of the detectives.
+
+Luckily, what he learned over the telephone from the theater
+corroborated my story. Jennie Brice was not in the cast that week, but
+should have reported that morning (Monday) to rehearse the next week's
+piece. No message had been received from her, and a substitute had
+been put in her place.
+
+The chief hung up the receiver and turned to me. "You are sure about
+the clock, Mrs. Pitman?" he asked. "It was there when they moved
+up-stairs to the room?"
+
+"Yes, sir."
+
+"You are certain you will not find it on the parlor mantel when the
+water goes down?"
+
+"The mantels are uncovered now. It is not there."
+
+"You think Ladley has gone for good?"
+
+"Yes, sir."
+
+"He'd be a fool to try to run away, unless--Graves, you'd better get
+hold of the fellow, and keep him until either the woman is found or a
+body. The river is falling. In a couple of days we will know if she is
+around the premises anywhere."
+
+Before I left, I described Jennie Brice for them carefully. Asked what
+she probably wore, if she had gone away as her husband said, I had no
+idea; she had a lot of clothes, and dressed a good bit. But I recalled
+that I had seen, lying on the bed, the black and white dress with the
+red collar, and they took that down, as well as the brown valise.
+
+The chief rose and opened the door for me himself. "If she actually
+left town at the time you mention," he said, "she ought not to be hard
+to find. There are not many trains before seven in the morning, and
+most of them are locals."
+
+"And--and if she did not, if he--do you think she is in the
+house--or--or--the cellar?"
+
+"Not unless Ladley is more of a fool than I think he is," he said,
+smiling. "Personally, I believe she has gone away, as he says she did.
+But if she hasn't--He probably took the body with him when he said he
+was getting medicine, and dropped it in the current somewhere. But we
+must go slow with all this. There's no use shouting 'wolf' yet."
+
+"But--the towel?"
+
+"He may have cut himself, shaving. It _has_ been done."
+
+"And the knife?"
+
+He shrugged his shoulders good-naturedly.
+
+"I've seen a perfectly good knife spoiled opening a bottle of
+pickles."
+
+"But the slippers? And the clock?"
+
+"My good woman, enough shoes and slippers are forgotten in the bottoms
+of cupboards year after year in flood-time, and are found floating
+around the streets, to make all the old-clothesmen in town happy. I
+have seen almost everything floating about, during one of these annual
+floods."
+
+"I dare say you never saw an onyx clock floating around," I replied a
+little sharply. I had no sense of humor that day. He stopped smiling
+at once, and stood tugging at his mustache.
+
+"No," he admitted. "An onyx clock sinks, that's true. That's a very
+nice little point, that onyx clock. He may be trying to sell it, or
+perhaps--" He did not finish.
+
+I went back immediately, only stopping at the market to get meat for
+Mr. Reynolds' supper. It was after half past five and dusk was coming
+on. I got a boat and was rowed directly home. Peter was not at the
+foot of the steps. I paid the boatman and let him go, and turned to go
+up the stairs. Some one was speaking in the hall above.
+
+I have read somewhere that no two voices are exactly alike, just as no
+two violins ever produce precisely the same sound. I think it is what
+they call the timbre that is different. I have, for instance, never
+heard a voice like Mr. Pitman's, although Mr. Harry Lauder's in a
+phonograph resembles it. And voices have always done for me what odors
+do for some people, revived forgotten scenes and old memories. But the
+memory that the voice at the head of the stairs brought back was not
+very old, although I had forgotten it. I seemed to hear again, all at
+once, the lapping of the water Sunday morning as it began to come in
+over the door-sill; the sound of Terry ripping up the parlor carpet,
+and Mrs. Ladley calling me a she-devil in the next room, in reply to
+this very voice.
+
+But when I got to the top of the stairs, it was only Mr. Howell, who
+had brought his visitor to the flood district, and on getting her
+splashed with the muddy water, had taken her to my house for a towel
+and a cake of soap.
+
+I lighted the lamp in the hall, and Mr. Howell introduced the girl.
+She was a pretty girl, slim and young, and she had taken her wetting
+good-naturedly.
+
+"I know we are intruders, Mrs. Pitman," she said, holding out her
+hand. "Especially now, when you are in trouble."
+
+"I have told Miss Harvey a little," Mr. Howell said, "and I promised
+to show her Peter, but he is not here."
+
+I think I had known it was my sister's child from the moment I lighted
+the lamp. There was something of Alma in her, not Alma's hardness or
+haughtiness, but Alma's dark blue eyes with black lashes, and Alma's
+nose. Alma was always the beauty of the family. What with the day's
+excitement, and seeing Alma's child like this, in my house, I felt
+things going round and clutched at the stair-rail. Mr. Howell caught
+me.
+
+"Why, Mrs. Pitman!" he said. "What's the matter?"
+
+I got myself in hand in a moment and smiled at the girl.
+
+"Nothing at all," I said. "Indigestion, most likely. Too much tea the
+last day or two, and not enough solid food. I've been too anxious to
+eat."
+
+Lida--for she was that to me at once, although I had never seen her
+before--Lida was all sympathy and sweetness. She actually asked me to
+go with her to a restaurant and have a real dinner. I could imagine
+Alma, had she known! But I excused myself.
+
+"I have to cook something for Mr. Reynolds," I said, "and I'm better
+now, anyhow, thank you. Mr. Howell, may I speak to you for a moment?"
+
+He followed me along the back hall, which was dusk.
+
+"I have remembered something that I had forgotten, Mr. Howell," I
+said. "On Sunday morning, the Ladleys had a visitor."
+
+"Yes?"
+
+"They had very few visitors."
+
+"I see."
+
+"I did not see him, but--I heard his voice." Mr. Howell did not move,
+but I fancied he drew his breath in quickly. "It sounded--it was not
+by any chance _you_?"
+
+"I? A newspaper man, who goes to bed at three A.M. on Sunday morning,
+up and about at ten!"
+
+"I didn't say what time it was," I said sharply.
+
+But at that moment Lida called from the front hall.
+
+"I think I hear Peter," she said. "He is shut in somewhere, whining."
+
+We went forward at once. She was right. Peter was scratching at the
+door of Mr. Ladley's room, although I had left the door closed and
+Peter in the hall. I let him out, and he crawled to me on three legs,
+whimpering. Mr. Howell bent over him and felt the fourth.
+
+"Poor little beast!" he said. "His leg is broken!"
+
+He made a splint for the dog, and with Lida helping, they put him to
+bed in a clothes-basket in my up-stairs kitchen. It was easy to see
+how things lay with Mr. Howell. He was all eyes for her: he made
+excuses to touch her hand or her arm--little caressing touches
+that made her color heighten. And with it all, there was a sort of
+hopelessness in his manner, as if he knew how far the girl was out of
+his reach. Knowing Alma and her pride, I knew better than they how
+hopeless it was.
+
+I was not so sure about Lida. I wondered if she was in love with the
+boy, or only in love with love. She was very young, as I had been. God
+help her, if, like me, she sacrificed everything, to discover, too
+late, that she was only in love with love!
+
+
+
+
+CHAPTER V
+
+Mr. Reynolds did not come home to dinner after all. The water had got
+into the basement at the store, he telephoned, one of the flood-gates
+in a sewer having leaked, and they were moving some of the departments
+to an upper floor. I had expected to have him in the house that
+evening, and now I was left alone again.
+
+But, as it happened, I was not alone. Mr. Graves, one of the city
+detectives, came at half past six, and went carefully over the
+Ladleys' room. I showed him the towel and the slipper and the
+broken knife, and where we had found the knife-blade. He was very
+non-committal, and left in a half-hour, taking the articles with him
+in a newspaper.
+
+At seven the door-bell rang. I went down as far as I could on the
+staircase, and I saw a boat outside the door, with the boatman and a
+woman in it. I called to them to bring the boat back along the hall,
+and I had a queer feeling that it might be Mrs. Ladley, and that I'd
+been making a fool of myself all day for nothing. But it was not Mrs.
+Ladley.
+
+"Is this number forty-two?" asked the woman, as the boat came back.
+
+"Yes."
+
+"Does Mr. Ladley live here?"
+
+"Yes. But he is not here now."
+
+"Are you Mrs. Pittock?"
+
+"Pitman, yes."
+
+The boat bumped against the stairs, and the woman got out. She was as
+tall as Mrs. Ladley, and when I saw her in the light from the upper
+hall, I knew her instantly. It was Temple Hope, the leading woman from
+the Liberty Theater.
+
+"I would like to talk to you, Mrs. Pitman," she said. "Where can we
+go?"
+
+I led the way back to my room, and when she had followed me in, she
+turned and shut the door.
+
+"Now then," she said without any preliminary, "where is Jennie Brice?"
+
+"I don't know, Miss Hope," I answered.
+
+We looked at each other for a minute, and each of us saw what the
+other suspected.
+
+"He has killed her!" she exclaimed. "She was afraid he would do it,
+and--he has."
+
+"Killed her and thrown her into the river," I said. "That's what I
+think, and he'll go free at that. It seems there isn't any murder when
+there isn't any corpse."
+
+"Nonsense! If he has done that, the river will give her up,
+eventually."
+
+"The river doesn't always give them up," I retorted. "Not in
+flood-time, anyhow. Or when they are found it is months later, and you
+can't prove anything."
+
+She had only a little time, being due at the theater soon, but she sat
+down and told me the story she told afterward on the stand:
+
+She had known Jennie Brice for years, they having been together in the
+chorus as long before as _Nadjy_.
+
+"She was married then to a fellow on the vaudeville circuit," Miss
+Hope said. "He left her about that time, and she took up with Ladley.
+I don't think they were ever married."
+
+"What!" I said, jumping to my feet, "and they came to a respectable
+house like this! There's never been a breath of scandal about this
+house, Miss Hope, and if this comes out I'm ruined."
+
+"Well, perhaps they were married," she said. "Anyhow, they were always
+quarreling. And when he wasn't playing, it was worse. She used to come
+to my hotel, and cry her eyes out."
+
+"I knew you were friends," I said. "Almost the last thing she said to
+me was about the black and white dress of hers you were to borrow for
+the piece this week."
+
+"Black and white dress! I borrow one of Jennie Brice's dresses!"
+exclaimed Miss Hope. "I should think not. I have plenty of my own."
+
+That puzzled me; for she had said it, that was sure. And then I
+remembered that I had not seen the dress in the room that day, and I
+went in to look for it. It was gone. I came back and told Miss Hope.
+
+"A black and white dress! Did it have a red collar?" she asked.
+
+"Yes."
+
+"Then I remember it. She wore a small black hat with a red quill with
+that dress. You might look for the hat."
+
+She followed me back to the room and stood in the doorway while I
+searched. The hat was gone, too.
+
+"Perhaps, after all, he's telling the truth," she said thoughtfully.
+"Her fur coat isn't in the closet, is it?"
+
+_It_ was gone. It is strange that, all day, I had never thought of
+looking over her clothes and seeing what was missing. I hadn't known
+all she had, of course, but I had seen her all winter in her fur
+coat and admired it. It was a striped fur, brown and gray, and very
+unusual. But with the coat missing, and a dress and hat gone, it began
+to look as if I had been making a fool of myself, and stirring up a
+tempest in a teacup. Miss Hope was as puzzled as I was.
+
+"Anyhow, if he didn't kill her," she said, "it isn't because he did
+not want to. Only last week she had hysterics in my dressing-room,
+and said he had threatened to poison her. It was all Mr. Bronson, the
+business manager, and I could do to quiet her."
+
+She looked at her watch, and exclaimed that she was late, and would
+have to hurry. I saw her down to her boat. The river had been falling
+rapidly for the last hour or two, and I heard the boat scrape as it
+went over the door-sill. I did not know whether to be glad that the
+water was going down and I could live like a Christian again, or to be
+sorry, for fear of what we might find in the mud that was always left.
+
+Peter was lying where I had put him, on a folded blanket laid in a
+clothes-basket. I went back to him, and sat down beside the basket.
+
+"Peter!" I said. "Poor old Peter! Who did this to you? Who hurt you?"
+He looked at me and whined, as if he wanted to tell me, if only he
+could.
+
+"Was it Mr. Ladley?" I asked, and the poor thing cowered close to his
+bed and shivered. I wondered if it had been he, and, if it had, why he
+had come back. Perhaps he had remembered the towel. Perhaps he would
+come again and spend the night there. I was like Peter: I cowered and
+shivered at the very thought.
+
+At nine o'clock I heard a boat at the door. It had stuck there, and
+its occupant was scolding furiously at the boatman. Soon after I heard
+splashing, and I knew that whoever it was was wading back to the
+stairs through the foot and a half or so of water still in the hall. I
+ran back to my room and locked myself in, and then stood, armed with
+the stove-lid-lifter, in case it should be Ladley and he should break
+the door in.
+
+The steps came up the stairs, and Peter barked furiously. It seemed to
+me that this was to be my end, killed like a rat in a trap and thrown
+out the window, to float, like my kitchen chair, into Mollie Maguire's
+kitchen, or to be found lying in the ooze of the yard after the river
+had gone down.
+
+The steps hesitated at the top of the stairs, and turned back along
+the hall. Peter redoubled his noise; he never barked for Mr. Reynolds
+or the Ladleys. I stood still, hardly able to breathe. The door was
+thin, and the lock loose: one good blow, and--
+
+The door-knob turned, and I screamed. I recall that the light turned
+black, and that is all I _do_ remember, until I came to, a half-hour
+later, and saw Mr. Holcombe stooping over me. The door, with the lock
+broken, was standing open. I tried to move, and then I saw that my
+feet were propped up on the edge of Peter's basket.
+
+"Better leave them up." Mr. Holcombe said. "It sends the blood back to
+the head. Half the damfool people in the world stick a pillow under a
+fainting woman's shoulders. How are you now?"
+
+"All right," I said feebly. "I thought you were Mr. Ladley."
+
+He helped me up, and I sat in a chair and tried to keep my lips from
+shaking. And then I saw that Mr. Holcombe had brought a suit case with
+him, and had set it inside the door.
+
+"Ladley is safe, until he gets bail, anyhow," he said. "They picked
+him up as he was boarding a Pennsylvania train bound east."
+
+"For murder?" I asked.
+
+"As a suspicious character," he replied grimly. "That does as well
+as anything for a time." He sat down opposite me, and looked at me
+intently.
+
+"Mrs. Pitman," he said, "did you ever hear the story of the horse that
+wandered out of a village and could not be found?"
+
+I shook my head.
+
+"Well, the best wit of the village failed to locate the horse. But one
+day the village idiot walked into town, leading the missing animal by
+the bridle. When they asked him how he had done it, he said: 'Well,
+I just thought what I'd do if I was a horse, and then I went and did
+it.'"
+
+"I see," I said, humoring him.
+
+"You _don't_ see. Now, what are we trying to do?"
+
+"We're trying to find a body. Do you intend to become a corpse?"
+
+He leaned over and tapped on the table between us. "We are trying to
+prove a crime. I intend for the time to be the criminal."
+
+He looked so curious, bent forward and glaring at me from under his
+bushy eyebrows, with his shoes on his knee--for he had taken them off
+to wade to the stairs--and his trousers rolled to his knees, that I
+wondered if he was entirely sane. But Mr. Holcombe, eccentric as he
+might be, was sane enough.
+
+"Not _really_ a criminal!"
+
+"As really as lies in me. Listen, Mrs. Pitman. I want to put myself
+in Ladley's place for a day or two, live as he lived, do what he did,
+even think as he thought, if I can. I am going to sleep in his room
+to-night, with your permission."
+
+I could not see any reason for objecting, although I thought it silly
+and useless. I led the way to the front room, Mr. Holcombe following
+with his shoes and suit case. I lighted a lamp, and he stood looking
+around him.
+
+"I see you have been here since we left this afternoon," he said.
+
+"Twice," I replied. "First with Mr. Graves, and later--"
+
+The words died on my tongue. Some one had been in the room since my
+last visit there.
+
+"He has been here!" I gasped. "I left the room in tolerable order.
+Look at it!"
+
+"When were you here last?"
+
+"At seven-thirty, or thereabouts."
+
+"Where were you between seven-thirty and eight-thirty?"
+
+"In the kitchen with Peter." I told him then about the dog, and about
+finding him shut in the room.
+
+The wash-stand was pulled out. The sheets of Mr. Ladley's manuscript,
+usually an orderly pile, were half on the floor. The bed coverings had
+been jerked off and flung over the back of a chair.
+
+Peter, imprisoned, _might_ have moved the wash-stand and upset the
+manuscript--Peter had never put the bed-clothing over the chair, or
+broken his own leg.
+
+"Humph!" he said, and getting out his note-book, he made an exact
+memorandum of what I had told him, and of the condition of the room.
+That done, he turned to me.
+
+"Mrs. Pitman," he said, "I'll thank you to call me Mr. Ladley for the
+next day or so. I am an actor out of employment, forty-one years of
+age, short, stout, and bald, married to a woman I would like to be
+quit of, and I am writing myself a play in which the Shuberts intend
+to star me, or in which I intend the Shuberts to star me."
+
+"Very well, Mr. Ladley," I said, trying to enter into the spirit of
+the thing, and, God knows, seeing no humor in it. "Then you'll like
+your soda from the ice-box?"
+
+"Soda? For what?"
+
+"For your whisky and soda, before you go to bed, sir."
+
+"Oh, certainly, yes. Bring the soda. And--just a moment, Mrs. Pitman:
+Mr. Holcombe is a total abstainer, and has always been so. It is
+Ladley, not Holcombe, who takes this abominable stuff."
+
+I said I quite understood, but that Mr. Ladley could skip a night, if
+he so wished. But the little gentleman would not hear to it, and when
+I brought the soda, poured himself a double portion. He stood looking
+at it, with his face screwed up, as if the very odor revolted him.
+
+"The chances are," he said, "that Ladley--that I--having a nasty piece
+of work to do during the night, would--will take a larger drink than
+usual." He raised the glass, only to put it down. "Don't forget," he
+said, "to put a large knife where you left the one last night. I'm
+sorry the water has gone down, but I shall imagine it still at the
+seventh step. Good night, Mrs. Pitman."
+
+"Good night, Mr. Ladley," I said, smiling, "and remember, you are
+three weeks in arrears with your board."
+
+His eyes twinkled through his spectacles. "I shall imagine it paid,"
+he said.
+
+I went out, and I heard him close the door behind me. Then, through
+the door, I heard a great sputtering and coughing, and I knew he had
+got the whisky down somehow. I put the knife out, as he had asked me
+to, and went to bed. I was ready to drop. Not even the knowledge that
+an imaginary Mr. Ladley was about to commit an imaginary crime in the
+house that night could keep me awake.
+
+Mr. Reynolds came in at eleven o'clock. I was roused when he banged
+his door. That was all I knew until morning. The sun on my face
+wakened me. Peter, in his basket, lifted his head as I moved, and
+thumped his tail against his pillow in greeting. I put on a wrapper,
+and called Mr. Reynolds by knocking at his door. Then I went on to the
+front room. The door was closed, and some one beyond was groaning. My
+heart stood still, and then raced on. I opened the door and looked in.
+
+Mr. Holcombe was on the bed, fully dressed. He had a wet towel tied
+around his head, and his face looked swollen and puffy. He opened one
+eye and looked at me.
+
+"What a night!" he groaned.
+
+"What happened! What did you find?"
+
+He groaned again. "Find!" he said. "Nothing, except that there was
+something wrong with that whisky. It poisoned me. I haven't been out
+of the house!"
+
+So for that day, at least, Mr. Ladley became Mr. Holcombe again,
+and as such accepted ice in quantities, a mustard plaster over his
+stomach, and considerable nursing. By evening he was better, but
+although he clearly intended to stay on, he said nothing about
+changing his identity again, and I was glad enough. The very name of
+Ladley was horrible to me.
+
+The river went down almost entirely that day, although there was still
+considerable water in the cellars. It takes time to get rid of that.
+The lower floors showed nothing suspicious. The papers were ruined, of
+course, the doors warped and sprung, and the floors coated with mud
+and debris. Terry came in the afternoon, and together we hung the
+dining-room rug out to dry in the sun.
+
+As I was coming in, I looked over at the Maguire yard. Molly Maguire
+was there, and all her children around her, gaping. Molly was hanging
+out to dry a sodden fur coat, that had once been striped, brown and
+gray.
+
+I went over after breakfast and claimed the coat as belonging to Mrs.
+Ladley. But she refused to give it up. There is a sort of unwritten
+law concerning the salvage of flood articles, and I had to leave the
+coat, as I had my kitchen chair. But it was Mrs. Ladley's, beyond a
+doubt.
+
+I shuddered when I thought how it had probably got into the water.
+And yet it was curious, too, for if she had had it on, how did it get
+loose to go floating around Molly Maguire's yard? And if she had not
+worn it, how did it get in the water?
+
+
+
+
+CHAPTER VI
+
+The newspapers were full of the Ladley case, with its curious solution
+and many surprises. It was considered unique in many ways. Mr. Pitman
+had always read all the murder trials, and used to talk about the
+_corpus delicti_ and writs of _habeas corpus_--_corpus_ being the
+legal way, I believe, of spelling corpse. But I came out of the Ladley
+trial--for it came to trial ultimately--with only one point of law
+that I was sure of: that was, that it is mighty hard to prove a man a
+murderer unless you can show what he killed.
+
+And that was the weakness in the Ladley case. There was a body, but it
+could not be identified.
+
+The police held Mr. Ladley for a day or two, and then, nothing
+appearing, they let him go. Mr. Holcombe, who was still occupying the
+second floor front, almost wept with rage and despair when he read the
+news in the papers. He was still working on the case, in his curious
+way, wandering along the wharves at night, and writing letters all
+over the country to learn about Philip Ladley's previous life, and his
+wife's. But he did not seem to get anywhere.
+
+The newspapers had been full of the Jennie Brice disappearance. For
+disappearance it proved to be. So far as could be learned, she had not
+left the city that night, or since, and as she was a striking-looking
+woman, very blond, as I have said, with a full voice and a languid
+manner, she could hardly have taken refuge anywhere without being
+discovered. The morning after her disappearance a young woman, tall
+like Jennie Brice and fair, had been seen in the Union Station. But
+as she was accompanied by a young man, who bought her magazines and
+papers, and bade her an excited farewell, sending his love to various
+members of a family, and promising to feed the canary, this was not
+seriously considered. A sort of general alarm went over the country.
+When she was younger she had been pretty well known at the Broadway
+theaters in New York. One way or another, the Liberty Theater got
+a lot of free advertising from the case, and I believe Miss Hope's
+salary was raised.
+
+The police communicated with Jennie Brice's people--she had a sister
+in Olean, New York, but she had not heard from her. The sister
+wrote--I heard later--that Jennie had been unhappy with Philip Ladley,
+and afraid he would kill her. And Miss Hope told the same story.
+But--there was no _corpus_, as the lawyers say, and finally the police
+had to free Mr. Ladley.
+
+Beyond making an attempt to get bail, and failing, he had done
+nothing. Asked about his wife, he merely shrugged his shoulders
+and said she had left him, and would turn up all right. He was
+unconcerned: smoked cigarettes all day, ate and slept well, and looked
+better since he had had nothing to drink. And two or three days after
+the arrest, he sent for the manuscript of his play.
+
+Mr. Howell came for it on the Thursday of that week.
+
+I was on my knees scrubbing the parlor floor, when he rang the bell. I
+let him in, and it seemed to me that he looked tired and pale.
+
+"Well, Mrs. Pitman," he said, smiling, "what did you find in the
+cellar when the water went down?"
+
+"I'm glad to say that I didn't find what I feared, Mr. Howell."
+
+"Not even the onyx clock?"
+
+"Not even the clock," I replied. "And I feel as if I'd lost a friend.
+A clock is a lot of company."
+
+"Do you know what I think?" he said, looking at me closely. "I
+think you put that clock away yourself, in the excitement, and have
+forgotten all about it."
+
+"Nonsense."
+
+"Think hard." He was very much in earnest. "You knew the water was
+rising and the Ladleys would have to be moved up to the second floor
+front, where the clock stood. You went in there and looked around to
+see if the room was ready, and you saw the clock. And knowing that the
+Ladleys quarreled now and then, and were apt to throw things--"
+
+"Nothing but a soap-dish, and that only once."
+
+"--you took the clock to the attic and put it, say, in an old trunk."
+
+"I did nothing of the sort. I went in, as you say, and I put up an old
+splasher, because of the way he throws ink about. Then I wound the
+clock, put the key under it, and went out."
+
+"And the key is gone, too!" he said thoughtfully. "I wish I could find
+that clock, Mrs. Pitman."
+
+"So do I."
+
+"Ladley went out Sunday afternoon about three, didn't he--and got back
+at five?"
+
+I turned and looked at him. "Yes, Mr. Howell," I said. "Perhaps _you_
+know something about that."
+
+"I?" He changed color. Twenty years of dunning boarders has made me
+pretty sharp at reading faces, and he looked as uncomfortable as if he
+owed me money. "I!" I knew then that I had been right about the voice.
+It had been his.
+
+"You!" I retorted. "You were here Sunday morning and spent some time
+with the Ladleys. I am the old she-devil. I notice you didn't tell
+your friend, Mr. Holcombe, about having been here on Sunday."
+
+He was quick to recover. "I'll tell you all about it, Mrs. Pitman,"
+he said smilingly. "You see, all my life, I have wished for an onyx
+clock. It has been my ambition, my _Great Desire_. Leaving the house
+that Sunday morning, and hearing the ticking of the clock up-stairs, I
+recognized that it was an _onyx_ clock, clambered from my boat through
+an upper window, and so reached it. The clock showed fight, but after
+stunning it with a chair--"
+
+"Exactly!" I said. "Then the thing Mrs. Ladley said she would not do
+was probably to wind the clock?"
+
+He dropped his bantering manner at once. "Mrs. Pitman," he said, "I
+don't know what you heard or did not hear. But I want you to give me
+a little time before you tell anybody that I was here that Sunday
+morning. And, in return, I'll find your clock."
+
+I hesitated, but however put out he was, he didn't look like a
+criminal. Besides, he was a friend of my niece's, and blood is thicker
+even than flood-water.
+
+"There was nothing wrong about my being here," he went on, "but--I
+don't want it known. Don't spoil a good story, Mrs. Pitman."
+
+I did not quite understand that, although those who followed the trial
+carefully may do so. Poor Mr. Howell! I am sure he believed that it
+was only a good story. He got the description of my onyx clock and
+wrote it down, and I gave him the manuscript for Mr. Ladley. That was
+the last I saw of him for some time.
+
+That Thursday proved to be an exciting day. For late in the afternoon
+Terry, digging the mud out of the cellar, came across my missing gray
+false front near the coal vault, and brought it up, grinning. And just
+before six, Mr. Graves, the detective, rang the bell and then let
+himself in. I found him in the lower hall, looking around.
+
+"Well, Mrs. Pitman," he said, "has our friend come back yet?"
+
+"She was no friend of mine."
+
+"Not _she_. Ladley. He'll be out this evening, and he'll probably be
+around for his clothes."
+
+I felt my knees waver, as they always did when he was spoken of.
+
+"He may want to stay here," said Mr. Graves. "In fact, I think that's
+just what he _will_ want."
+
+"Not here," I protested. "The very thought of him makes me quake."
+
+"If he comes here, better take him in. I want to know where he is."
+
+I tried to say that I wouldn't have him, but the old habit of the ward
+asserted itself. From taking a bottle of beer or a slice of pie,
+to telling one where one might or might not live, the police were
+autocrats in that neighborhood. And, respectable woman that I am, my
+neighbors' fears of the front office have infected me.
+
+"All right, Mr. Graves," I said.
+
+He pushed the parlor door open and looked in, whistling. "This is the
+place, isn't it?"
+
+"Yes. But it was up-stairs that he--"
+
+"I see. Tall woman, Mrs. Ladley?"
+
+"Tall and blond. Very airy in her manner."
+
+He nodded and still stood looking in and whistling. "Never heard her
+speak of a town named Horner, did you?"
+
+"Horner? No."
+
+"I see." He turned and wandered out again into the hall, still
+whistling. At the door, however, he stopped and turned. "Look anything
+like this?" he asked, and held out one of his hands, with a small
+kodak picture on the palm.
+
+It was a snap-shot of a children's frolic in a village street, with
+some onlookers in the background. Around one of the heads had been
+drawn a circle in pencil. I took it to the gas-jet and looked at it
+closely. It was a tall woman with a hat on, not unlike Jennie Brice.
+She was looking over the crowd, and I could see only her face, and
+that in shadow. I shook my head.
+
+"I thought not," he said. "We have a lot of stage pictures of her, but
+what with false hair and their being retouched beyond recognition,
+they don't amount to much." He started out, and stopped on the
+door-step to light a cigar.
+
+"Take him on if he comes," he said. "And keep your eyes open. Feed him
+well, and he won't kill you!"
+
+I had plenty to think of when I was cooking Mr. Reynolds' supper: the
+chance that I might have Mr. Ladley again, and the woman at Horner.
+For it had come to me like a flash, as Mr. Graves left, that the
+"Horn--" on the paper slip might have been "Horner."
+
+
+
+
+CHAPTER VII
+
+After all, there was nothing sensational about Mr. Ladley's return. He
+came at eight o'clock that night, fresh-shaved and with his hair cut,
+and, although he had a latch-key, he rang the door-bell. I knew his
+ring, and I thought it no harm to carry an old razor of Mr. Pitman's
+with the blade open and folded back on the handle, the way the colored
+people use them, in my left hand.
+
+But I saw at once that he meant no mischief.
+
+"Good evening," he said, and put out his hand. I jumped back, until I
+saw there was nothing in it and that he only meant to shake hands. I
+didn't do it; I might have to take him in, and make his bed, and cook
+his meals, but I did not have to shake hands with him.
+
+"You, too!" he said, looking at me with what I suppose he meant to be
+a reproachful look. But he could no more put an expression of that
+sort in his eyes than a fish could. "I suppose, then, there is no use
+asking if I may have my old room? The front room. I won't need two."
+
+I didn't want him, and he must have seen it. But I took him. "You may
+have it, as far as I'm concerned," I said. "But you'll have to let the
+paper-hanger in to-morrow."
+
+"Assuredly." He came into the hall and stood looking around him, and I
+fancied he drew a breath of relief. "It isn't much yet," he said, "but
+it's better to look at than six feet of muddy water."
+
+"Or than stone walls," I said.
+
+He looked at me and smiled. "Or than stone walls," he repeated,
+bowing, and went into his room.
+
+So I had him again, and if I gave him only the dull knives, and locked
+up the bread-knife the moment I had finished with it, who can blame
+me? I took all the precaution I could think of: had Terry put an extra
+bolt on every door, and hid the rat poison and the carbolic acid in
+the cellar.
+
+Peter would not go near him. He hobbled around on his three legs, with
+the splint beating a sort of tattoo on the floor, but he stayed back
+in the kitchen with me, or in the yard.
+
+It was Sunday night or early Monday morning that Jennie Brice
+disappeared. On Thursday evening, her husband came back. On Friday the
+body of a woman was washed ashore at Beaver, but turned out to be that
+of a stewardess who had fallen overboard from one of the Cincinnati
+packets. Mr. Ladley himself showed me the article in the morning
+paper, when I took in his breakfast.
+
+"Public hysteria has killed a man before this," he said, when I had
+read it. "Suppose that woman had been mangled, or the screw of the
+steamer had cut her head off! How many people do you suppose would
+have been willing to swear that it was my--was Mrs. Ladley?"
+
+"Even without a head, I should know Mrs. Ladley," I retorted.
+
+He shrugged his shoulders. "Let's trust she's still alive, for my
+sake," he said. "But I'm glad, anyhow, that this woman had a head.
+You'll allow me to be glad, won't you?"
+
+"You can be anything you want, as far as I'm concerned," I snapped,
+and went out.
+
+Mr. Holcombe still retained the second-story front room. I think,
+although he said nothing more about it, that he was still "playing
+horse." He wrote a good bit at the wash-stand, and, from the loose
+sheets of manuscript he left, I believe actually tried to begin a
+play. But mostly he wandered along the water-front, or stood on one
+or another of the bridges, looking at the water and thinking. It is
+certain that he tried to keep in the part by smoking cigarettes, but
+he hated them, and usually ended by throwing the cigarette away and
+lighting an old pipe he carried.
+
+On that Thursday evening he came home and sat down to supper with
+Mr. Reynolds. He ate little and seemed much excited. The talk ran on
+crime, as it always did when he was around, and Mr. Holcombe quoted
+Spencer a great deal--Herbert Spencer. Mr. Reynolds was impressed, not
+knowing much beyond silks and the National League.
+
+"Spencer," Mr. Holcombe would say--"Spencer shows that every
+occurrence is the inevitable result of what has gone before, and
+carries in its train an equally inevitable series of results. Try to
+interrupt this chain in the smallest degree, and what follows? Chaos,
+my dear sir, chaos."
+
+"We see that at the store," Mr. Reynolds would say. "Accustom a lot of
+women to a silk sale on Fridays and then make it toothbrushes. That's
+chaos, all right."
+
+Well, Mr. Holcombe came in that night about ten o'clock, and I told
+him Ladley was back. He was almost wild with excitement; wanted to
+have the back parlor, so he could watch him through the keyhole, and
+was terribly upset when I told him there was no keyhole, that the
+door fastened with a thumb bolt. On learning that the room was to
+be papered the next morning, he grew calmer, however, and got the
+paper-hanger's address from me. He went out just after that.
+
+Friday, as I say, was very quiet. Mr. Ladley moved to the back parlor
+to let the paper-hanger in the front room, smoked and fussed with
+his papers all day, and Mr. Holcombe stayed in his room, which was
+unusual. In the afternoon Molly Maguire put on the striped fur coat
+and went out, going slowly past the house so that I would be sure to
+see her. Beyond banging the window down, I gave her no satisfaction.
+
+At four o'clock Mr. Holcombe came to my kitchen, rubbing his hands
+together. He had a pasteboard tube in his hand about a foot long, with
+an arrangement of small mirrors in it. He said it was modeled after
+the something or other that is used on a submarine, and that he and
+the paper-hanger had fixed a place for it between his floor and the
+ceiling of Mr. Ladley's room, so that the chandelier would hide it
+from below. He thought he could watch Mr. Ladley through it; and as it
+turned out, he could.
+
+"I want to find his weak moment," he said excitedly. "I want to know
+what he does when the door is closed and he can take off his mask. And
+I want to know if he sleeps with a light."
+
+"If he does," I replied, "I hope you'll let me know, Mr. Holcombe. The
+gas bills are a horror to me as it is. I think he kept it on all last
+night. I turned off all the other lights and went to the cellar. The
+meter was going around."
+
+"Fine!" he said. "Every murderer fears the dark. And our friend of the
+parlor bedroom is a murderer, Mrs. Pitman. Whether he hangs or not,
+he's a murderer."
+
+The mirror affair, which Mr. Holcombe called a periscope, was put in
+that day and worked amazingly well. I went with him to try it out, and
+I distinctly saw the paper-hanger take a cigarette from Mr. Ladley's
+case and put it in his pocket. Just after that, Mr. Ladley sauntered
+into the room and looked at the new paper. I could both see and hear
+him. It was rather weird.
+
+"God, what a wall-paper!" he said.
+
+
+
+
+CHAPTER VIII
+
+That was Friday afternoon. All that evening, and most of Saturday and
+Sunday, Mr. Holcombe sat on the floor, with his eye to the reflecting
+mirror and his note-book beside him. I have it before me.
+
+On the first page is the "dog meat--two dollars" entry. On the next,
+the description of what occurred on Sunday night, March fourth, and
+Monday morning, the fifth. Following that came a sketch, made with a
+carbon sheet, of the torn paper found behind the wash-stand:
+
+And then came the entries for Friday, Saturday and Sunday. Friday
+evening:
+
+6:30--Eating hearty supper.
+
+7:00--Lights cigarette and paces floor. Notice that when Mrs. P.
+knocks, he goes to desk and pretends to be writing.
+
+8:00--Is examining book. Looks like a railway guide.
+
+8:30--It is a steamship guide.
+
+8:45--Tailor's boy brings box. Gives boy fifty cents. Query. Where
+does he get money, now that J.B. is gone?
+
+9:00--Tries on new suit, brown.
+
+9:30--Has been spending a quarter of an hour on his knees looking
+behind furniture and examining base-board.
+
+10:00--He has the key to the onyx clock. Has hidden it twice, once up
+the chimney flue, once behind base-board.
+
+10:15--He has just thrown key or similar small article outside window
+into yard.
+
+11:00--Has gone to bed. Light burning. Shall sleep here on floor.
+
+11:30--He can not sleep. Is up walking the floor and smoking.
+
+2:00 A.M.--Saturday. Disturbance below. He had had nightmare and was
+calling "Jennie!" He got up, took a drink, and is now reading.
+
+8:00 A.M.--Must have slept. He is shaving.
+
+12:00 M.--Nothing this morning. He wrote for four hours, sometimes
+reading aloud what he had written.
+
+2:00 P.M.--He has a visitor, a man. Can not hear all--word now and
+then. "Llewellyn is the very man." "Devil of a risk--" "We'll see you
+through." "Lost the slip--" "Didn't go to the hotel. She went to a
+private house." "Eliza Shaeffer."
+
+Who went to a private house? Jennie Brice?
+
+2:30--Can not hear. Are whispering. The visitor has given Ladley roll
+of bills.
+
+4:00--Followed the visitor, a tall man with a pointed beard. He went
+to the Liberty Theater. Found it was Bronson, business manager there.
+Who is Llewellyn, and who is Eliza Shaeffer?
+
+4:15--Had Mrs. P. bring telephone book: six Llewellyns in the book; no
+Eliza Shaeffer. Ladley appears more cheerful since Bronson's visit. He
+has bought all the evening papers and is searching for something. Has
+not found it.
+
+7:00--Ate well. Have asked Mrs. P. to take my place here, while I
+interview the six Llewellyns.
+
+11:00--Mrs. P. reports a quiet evening. He read and smoked. Has gone
+to bed. Light burning. Saw five Llewellyns. None of them knew Bronson
+or Ladley. Sixth--a lawyer--out at revival meeting. Went to the church
+and walked home with him. He knows something. Acknowledged he knew
+Bronson. Had met Ladley. Did not believe Mrs. Ladley dead. Regretted
+I had not been to the meeting. Good sermon. Asked me for a dollar for
+missions.
+
+9:00 A.M.--Sunday. Ladley in bad shape. Apparently been drinking all
+night. Can not eat. Sent out early for papers, and has searched them
+all. Found entry on second page, stared at it, then flung the paper
+away. Have sent out for same paper.
+
+10:00 A.M.--Paper says: "Body of woman washed ashore yesterday at
+Sewickley. Much mutilated by flood débris." Ladley in bed, staring at
+ceiling. Wonder if he sees tube? He is ghastly.
+
+That is the last entry in the note-book for that day. Mr. Holcombe
+called me in great excitement shortly after ten and showed me the
+item. Neither of us doubted for a moment that it was Jennie Brice who
+had been found. He started for Sewickley that same afternoon, and he
+probably communicated with the police before he left. For once or
+twice I saw Mr. Graves, the detective, sauntering past the house.
+
+Mr. Ladley ate no dinner. He went out at four, and I had Mr. Reynolds
+follow him. But they were both back in a half-hour. Mr. Reynolds
+reported that Mr. Ladley had bought some headache tablets and some
+bromide powders to make him sleep.
+
+Mr. Holcombe came back that evening. He thought the body was that of
+Jennie Brice, but the head was gone. He was much depressed, and did
+not immediately go back to the periscope. I asked if the head had been
+cut off or taken off by a steamer; he was afraid the latter, as a hand
+was gone, too.
+
+It was about eleven o'clock that night that the door-bell rang. It was
+Mr. Graves, with a small man behind him. I knew the man; he lived in a
+shanty-boat not far from my house--a curious affair with shelves
+full of dishes and tinware. In the spring he would be towed up
+the Monongahela a hundred miles or so and float down, tying up at
+different landings and selling his wares. Timothy Senft was his name.
+We called him Tim.
+
+Mr. Graves motioned me to be quiet. Both of us knew that behind the
+parlor door Ladley was probably listening.
+
+"Sorry to get you up, Mrs. Pitman," said Mr. Graves, "but this man
+says he has bought beer here to-day. That won't do, Mrs. Pitman."
+
+"Beer! I haven't such a thing in the house. Come in and look," I
+snapped. And the two of them went back to the kitchen.
+
+"Now," said Mr. Graves, when I had shut the door, "where's the
+dog's-meat man?"
+
+"Up-stairs."
+
+"Bring him quietly."
+
+I called Mr. Holcombe, and he came eagerly, note-book and all. "Ah!"
+he said, when he saw Tim. "So you've turned up!"
+
+"Yes, sir."
+
+"It seems, Mr. Dog's--Mr. Holcombe," said Mr. Graves, "that you are
+right, partly, anyhow. Tim here _did_ help a man with a boat that
+night--"
+
+"Threw him a rope, sir," Tim broke in. "He'd got out in the current,
+and what with the ice, and his not knowing much about a boat, he'd
+have kept on to New Orleans if I hadn't caught him--or Kingdom Come."
+
+"Exactly. And what time did you say this was?"
+
+"Between three and four last Sunday night--or Monday morning. He said
+he couldn't sleep and went out in a boat, meaning to keep in close to
+shore. But he got drawn out in the current."
+
+"Where did you see him first?"
+
+"By the Ninth Street bridge."
+
+"Did you hail him?"
+
+"He saw my light and hailed me. I was making fast to a coal barge
+after one of my ropes had busted."
+
+"You threw the line to him there?"
+
+"No, sir. He tried to work in to shore. I ran along River Avenue to
+below the Sixth Street bridge. He got pretty close in there and I
+threw him a rope. He was about done up."
+
+"Would you know him again?"
+
+"Yes, sir. He gave me five dollars, and said to say nothing about it.
+He didn't want anybody to know he had been such a fool."
+
+They took him quietly up stairs then and let him look through the
+periscope. _He identified Mr. Ladley absolutely_.
+
+When Tim and Mr. Graves had gone, Mr. Holcombe and I were left alone
+in the kitchen. Mr. Holcombe leaned over and patted Peter as he lay in
+his basket.
+
+"We've got him, old boy," he said. "The chain is just about complete.
+He'll never kick you again."
+
+But Mr. Holcombe was wrong, not about kicking Peter,--although I don't
+believe Mr. Ladley ever did that again,--but in thinking we had him.
+
+I washed that next morning, Monday, but all the time I was rubbing and
+starching and hanging out, my mind was with Jennie Brice. The sight of
+Molly Maguire, next door, at the window, rubbing and brushing at the
+fur coat, only made things worse.
+
+At noon when the Maguire youngsters came home from school, I bribed
+Tommy, the youngest, into the kitchen, with the promise of a doughnut.
+
+"I see your mother has a new fur coat," I said, with the plate of
+doughnuts just beyond his reach.
+
+"Yes'm."
+
+"She didn't buy it?"
+
+"She didn't buy it. Say, Mrs. Pitman, gimme that doughnut."
+
+"Oh, so the coat washed in!"
+
+"No'm. Pap found it, down by the Point, on a cake of ice. He thought
+it was a dog, and rowed out for it."
+
+Well, I hadn't wanted the coat, as far as that goes; I'd managed
+well enough without furs for twenty years or more. But it was a
+satisfaction to know that it had not floated into Mrs. Maguire's
+kitchen and spread itself at her feet, as one may say. However, that
+was not the question, after all. The real issue was that if it was
+Jennie Brice's coat, and was found across the river on a cake of ice,
+then one of two things was certain: either Jennie Brice's body wrapped
+in the coat had been thrown into the water, out in the current, or she
+herself, hoping to incriminate her husband, had flung her coat into
+the river.
+
+I told Mr. Holcombe, and he interviewed Joe Maguire that afternoon.
+The upshot of it was that Tommy had been correctly informed. Joe had
+witnesses who had lined up to see him rescue a dog, and had beheld his
+return in triumph with a wet and soggy fur coat. At three o'clock
+Mrs. Maguire, instructed by Mr. Graves, brought the coat to me for
+identification, turning it about for my inspection, but refusing to
+take her hands off it.
+
+"If her husband says to me that he wants it back, well and good," she
+said, "but I don't give it up to nobody but him. Some folks I know of
+would be glad enough to have it."
+
+I was certain it was Jennie Brice's coat, but the maker's name had
+been ripped out. With Molly holding one arm and I the other, we took
+it to Mr. Ladley's door and knocked. He opened it, grumbling.
+
+"I have asked you not to interrupt me," he said, with his pen in his
+hand. His eyes fell on the coat. "What's that?" he asked, changing
+color.
+
+"I think it's Mrs. Ladley's fur coat," I said.
+
+He stood there looking at it and thinking. Then: "It can't be hers,"
+he said. "She wore hers when she went away."
+
+"Perhaps she dropped it in the water."
+
+He looked at me and smiled. "And why would she do that?" he asked
+mockingly. "Was it out of fashion?"
+
+"That's Mrs. Ladley's coat," I persisted, but Molly Maguire jerked it
+from me and started away. He stood there looking at me and smiling in
+his nasty way.
+
+"This excitement is telling on you, Mrs. Pitman," he said coolly.
+"You're too emotional for detective work." Then he went in and shut
+the door.
+
+When I went down-stairs, Molly Maguire was waiting in the kitchen, and
+had the audacity to ask me if I thought the coat needed a new lining!
+
+It was on Monday evening that the strangest event in years happened to
+me. I went to my sister's house! And the fact that I was admitted at a
+side entrance made it even stranger. It happened in this way:
+
+Supper was over, and I was cleaning up, when an automobile came to the
+door. It was Alma's car. The chauffeur gave me a note:
+
+ "DEAR MRS PITMAN--I am not at all well, and very anxious. Will
+ you come to see me at once? My mother is out to dinner, and I am
+ alone. The car will bring you. Cordially,
+ "LIDA HARVEY."
+
+I put on my best dress at once and got into the limousine. Half the
+neighborhood was out watching. I leaned back in the upholstered seat,
+fairly quivering with excitement. This was Alma's car; that was Alma's
+card-case; the little clock had her monogram on it. Even the flowers
+in the flower holder, yellow tulips, reminded me of Alma--a trifle
+showy, but good to look at! And I was going to her house!
+
+I was not taken to the main entrance, but to a side door. The queer
+dream-like feeling was still there. In this back hall, relegated from
+the more conspicuous part of the house, there were even pieces of
+furniture from the old home, and my father's picture, in an oval gilt
+frame, hung over my head. I had not seen a picture of him for twenty
+years. I went over and touched it gently.
+
+"Father, father!" I said.
+
+Under it was the tall hall chair that I had climbed over as a child,
+and had stood on many times, to see myself in the mirror above. The
+chair was newly finished and looked the better for its age. I glanced
+in the old glass. The chair had stood time better than I. I was a
+middle-aged woman, lined with poverty and care, shabby, prematurely
+gray, a little hard. I had thought my father an old man when that
+picture was taken, and now I was even older. "Father!" I whispered
+again, and fell to crying in the dimly lighted hall.
+
+Lida sent for me at once. I had only time to dry my eyes and
+straighten my hat. Had I met Alma on the stairs, I would have passed
+her without a word. She would not have known me. But I saw no one.
+
+Lida was in bed. She was lying there with a rose-shaded lamp beside
+her, and a great bowl of spring flowers on a little stand at her
+elbow. She sat up when I went in, and had a maid place a chair for me
+beside the bed. She looked very childish, with her hair in a braid on
+the pillow, and her slim young arms and throat bare.
+
+"I'm so glad you came!" she said, and would not be satisfied until the
+light was just right for my eyes, and my coat unfastened and thrown
+open.
+
+"I'm not really ill," she informed me. "I'm--I'm just tired and
+nervous, and--and unhappy, Mrs. Pitman."
+
+"I am sorry," I said. I wanted to lean over and pat her hand, to draw
+the covers around her and mother her a little,--I had had no one to
+mother for so long,--but I could not. She would have thought it queer
+and presumptuous--or no, not that. She was too sweet to have thought
+that.
+
+"Mrs. Pitman," she said suddenly, "_who was_ this Jennie Brice?"
+
+"She was an actress. She and her husband lived at my house."
+
+"Was she--was she beautiful?"
+
+"Well," I said slowly, "I never thought of that. She was handsome, in
+a large way."
+
+"Was she young?"
+
+"Yes. Twenty-eight or so."
+
+"That isn't very young," she said, looking relieved. "But I don't
+think men like very young women. Do you?"
+
+"I know one who does," I said, smiling. But she sat up in bed suddenly
+and looked at me with her clear childish eyes.
+
+"I don't want him to like me!" she flashed. "I--I want him to hate
+me."
+
+"Tut, tut! You want nothing of the sort."
+
+"Mrs. Pitman," she said, "I sent for you because I'm nearly crazy. Mr.
+Howell was a friend of that woman. He has acted like a maniac since
+she disappeared. He doesn't come to see me, he has given up his work
+on the paper, and I saw him to-day on the street--he looks like a
+ghost."
+
+That put me to thinking.
+
+"He might have been a friend," I admitted. "Although, as far as I
+know, he was never at the house but once, and then he saw both of
+them."
+
+"When was that?"
+
+"Sunday morning, the day before she disappeared. They were arguing
+something."
+
+She was looking at me attentively. "You know more than you are telling
+me, Mrs. Pitman," she said. "You--do you think Jennie Brice is dead,
+and that Mr. Howell knows--who did it?"
+
+"I think she is dead, and I think possibly Mr. Howell suspects who did
+it. He does not _know_, or he would have told the police."
+
+"You do not think he was--was in love with Jennie Brice, do you?"
+
+"I'm certain of that," I said. "He is very much in love with a foolish
+girl, who ought to have more faith in him than she has."
+
+[Illustration: She sat up in bed suddenly.]
+
+She colored a little, and smiled at that, but the next moment she was
+sitting forward, tense and questioning again.
+
+"If that is true, Mrs. Pitman," she said, "who was the veiled woman
+he met that Monday morning at daylight, and took across the bridge to
+Pittsburgh? I believe it was Jennie Brice. If it was not, who was it?"
+
+"I don't believe he took any woman across the bridge at that hour. Who
+says he did?"
+
+"Uncle Jim saw him. He had been playing cards all night at one of the
+clubs, and was walking home. He says he met Mr. Howell face to face,
+and spoke to him. The woman was tall and veiled. Uncle Jim sent for
+him, a day or two later, and he refused to explain. Then they forbade
+him the house. Mama objected to him, anyhow, and he only came on
+sufferance. He is a college man of good family, but without any money
+at all save what he earns.. And now--"
+
+I had had some young newspaper men with me, and I knew what they got.
+They were nice boys, but they made fifteen dollars a week. I'm
+afraid I smiled a little as I looked around the room, with its gray
+grass-cloth walls, its toilet-table spread with ivory and gold, and
+the maid in attendance in her black dress and white apron, collar and
+cuffs. Even the little nightgown Lida was wearing would have taken a
+week's salary or more. She saw my smile.
+
+"It was to be his chance," she said. "If he made good, he was to have
+something better. My Uncle Jim owns the paper, and he promised me to
+help him. But--"
+
+So Jim was running a newspaper! That was a curious career for Jim to
+choose. Jim, who was twice expelled from school, and who could never
+write a letter without a dictionary beside him! I had a pang when I
+heard his name again, after all the years. For I had written to Jim
+from Oklahoma, after Mr. Pitman died, asking for money to bury him,
+and had never even had a reply.
+
+"And you haven't seen him since?"
+
+"Once. I--didn't hear from him, and I called him up. We--we met in the
+park. He said everything was all right, but he couldn't tell me just
+then. The next day he resigned from the paper and went away. Mrs.
+Pitman, it's driving me crazy! For they have found a body, and they
+think it is hers. If it is, and he was with her--"
+
+"Don't be a foolish girl," I protested. "If he was with Jennie Brice,
+she is still living, and if he was _not_ with Jennie Brice--"
+
+"If it was _not_ Jennie Brice, then I have a right to know who it
+was," she declared. "He was not like himself when I met him. He said
+such queer things: he talked about an onyx clock, and said he had been
+made a fool of, and that no matter what came out, I was always to
+remember that he had done what he did for the best, and that--that he
+cared for me more than for anything in this world or the next."
+
+"That wasn't so foolish!" I couldn't help it; I leaned over and
+drew her nightgown up over her bare white shoulder. "You won't help
+anything or anybody by taking cold, my dear," I said. "Call your maid
+and have her put a dressing-gown around you."
+
+I left soon after. There was little I could do. But I comforted her as
+best I could, and said good night. My heart was heavy as I went down
+the stairs. For, twist things as I might, it was clear that in some
+way the Howell boy was mixed up in the Brice case. Poor little
+troubled Lida! Poor distracted boy!
+
+I had a curious experience down-stairs. I had reached the foot of the
+staircase and was turning to go back and along the hall to the side
+entrance, when I came face to face with Isaac, the old colored man
+who had driven the family carriage when I was a child, and whom I had
+seen, at intervals since I came back, pottering around Alma's house.
+The old man was bent and feeble; he came slowly down the hall, with
+a bunch of keys in his hand. I had seen him do the same thing many
+times.
+
+He stopped when he saw me, and I shrank back from the light, but he
+had seen me. "Miss Bess!" he said. "Foh Gawd's sake, Miss Bess!"
+
+"You are making a mistake, my friend," I said, quivering. "I am not
+'Miss Bess'!"
+
+He came close to me and stared into my face. And from that he looked
+at my cloth gloves, at my coat, and he shook his white head. "I sure
+thought you was Miss Bess," he said, and made no further effort to
+detain me. He led the way back to the door where the machine waited,
+his head shaking with the palsy of age, muttering as he went. He
+opened the door with his best manner, and stood aside.
+
+"Good night, ma'am," he quavered.
+
+I had tears in my eyes. I tried to keep them back. "Good night," I
+said. "Good night, _Ikkie_."
+
+It had slipped out, my baby name for old Isaac!
+
+"Miss Bess!" he cried. "Oh, praise Gawd, it's Miss Bess again!"
+
+He caught my arm and pulled me back into the hall, and there he held
+me, crying over me, muttering praises for my return, begging me to
+come back, recalling little tender things out of the past that almost
+killed me to hear again.
+
+But I had made my bed and must lie in it. I forced him to swear
+silence about my visit; I made him promise not to reveal my identity
+to Lida; and I told him--Heaven forgive me!--that I was well and
+prosperous and happy.
+
+Dear old Isaac! I would not let him come to see me, but the next
+day there came a basket, with six bottles of wine, and an old
+daguerreotype of my mother, that had been his treasure. Nor was that
+basket the last.
+
+
+
+
+CHAPTER IX
+
+The coroner held an inquest over the headless body the next day,
+Tuesday. Mr. Graves telephoned me in the morning, and I went to the
+morgue with him.
+
+I do not like the morgue, although some of my neighbors pay it weekly
+visits. It is by way of excursion, like nickelodeons or watching the
+circus put up its tents. I have heard them threaten the children that
+if they misbehaved they would not be taken to the morgue that week!
+
+I failed to identify the body. How could I? It had been a tall woman,
+probably five feet eight, and I thought the nails looked like those of
+Jennie Brice. The thumb-nail of one was broken short off. I told
+Mr. Graves about her speaking of a broken nail, but he shrugged his
+shoulders and said nothing.
+
+There was a curious scar over the heart, and he was making a sketch
+of it. It reached from the center of the chest for about six inches
+across the left breast, a narrow thin line that one could hardly see.
+It was shaped like this:
+
+I felt sure that Jennie Brice had had no such scar, and Mr. Graves
+thought as I did. Temple Hope, called to the inquest, said she had
+never heard of one, and Mr. Ladley himself, at the inquest, swore that
+his wife had had nothing of the sort. I was watching him, and I
+did not think he was lying. And yet--the hand was very like Jennie
+Brice's. It was all bewildering.
+
+Mr. Ladley's testimoney at the inquest was disappointing. He was cool
+and collected: said he had no reason to believe that his wife was
+dead, and less reason to think she had been drowned; she had left him
+in a rage, and if she found out that by hiding she was putting him in
+an unpleasant position, she would probably hide indefinitely.
+
+To the disappointment of everybody, the identity of the woman remained
+a mystery. No one with such a scar was missing. A small woman of
+my own age, a Mrs. Murray, whose daughter, a stenographer, had
+disappeared, attended the inquest. But her daughter had had no such
+scar, and had worn her nails short, because of using the typewriter.
+Alice Murray was the missing girl's name. Her mother sat beside me,
+and cried most of the time.
+
+One thing was brought out at the inquest: the body had been thrown
+into the river _after_ death. There was no water in the lungs. The
+verdict was "death by the hands of some person or persons unknown."
+
+Mr. Holcombe was not satisfied. In some way or other he had got
+permission to attend the autopsy, and had brought away a tracing of
+the scar. All the way home in the street-car he stared at the drawing,
+holding first one eye shut and then the other. But, like the coroner,
+he got nowhere. He folded the paper and put it in his note-book.
+
+"None the less, Mrs. Pitman," he said, "that is the body of Jennie
+Brice; her husband killed her, probably by strangling her; he took the
+body out in the boat and dropped it into the swollen river above the
+Ninth Street bridge."
+
+"Why do you think he strangled her?"
+
+"There was no mark on the body, and no poison was found."
+
+"Then if he strangled her, where did the blood come from?"
+
+"I didn't limit myself to strangulation," he said irritably. "He may
+have cut her throat."
+
+"Or brained her with my onyx clock," I added with a sigh. For I missed
+the clock more and more.
+
+He went down in his pockets and brought up a key. "I'd forgotten
+this," he said. "It shows you were right--that the clock was there
+when the Ladleys took the room. I found this in the yard this
+morning."
+
+It was when I got home from the inquest that I found old Isaac's
+basket waiting. I am not a crying woman, but I could hardly see my
+mother's picture for tears.--Well, after all, that is not the Brice
+story. I am not writing the sordid tragedy of my life.
+
+That was on Tuesday. Jennie Brice had been missing nine days. In all
+that time, although she was cast for the piece at the theater that
+week, no one there had heard from her. Her relatives had had no word.
+She had gone away, if she had gone, on a cold March night, in a
+striped black and white dress with a red collar, and a red and black
+hat, without her fur coat, which she had worn all winter. She had gone
+very early in the morning, or during the night. How had she gone? Mr.
+Ladley said he had rowed her to Federal Street at half after six and
+had brought the boat back. After they had quarreled violently all
+night, and when she was leaving him, wouldn't he have allowed her to
+take herself away? Besides, the police had found no trace of her on
+an early train. And then at daylight, between five and six, my own
+brother had seen a woman with Mr. Howell, a woman who might have been
+Jennie Brice. But if it was, why did not Mr. Howell say so?
+
+Mr. Ladley claimed she was hiding, in revenge. But Jennie Brice was
+not that sort of woman; there was something big about her, something
+that is found often in large women--a lack of spite. She was not petty
+or malicious. Her faults, like her virtues, were for all to see.
+
+In spite of the failure to identify the body, Mr. Ladley was arrested
+that night, Tuesday, and this time it was for murder. I know now that
+the police were taking long chances. They had no strong motive for the
+crime. As Mr. Holcombe said, they had provocation, but not motive,
+which is different. They had opportunity, and they had a lot of
+straggling links of clues, which in the total made a fair chain of
+circumstantial evidence. But that was all.
+
+That is the way the case stood on Tuesday night, March the thirteenth.
+
+Mr. Ladley was taken away at nine o'clock. He was perfectly cool,
+asked me to help him pack a suit case, and whistled while it was
+being done. He requested to be allowed to walk to the jail, and went
+quietly, with a detective on one side and I think a sheriff's officer
+on the other.
+
+Just before he left, he asked for a word or two with me, and when he
+paid his bill up to date, and gave me an extra dollar for taking care
+of Peter, I was almost overcome. He took the manuscript of his play
+with him, and I remember his asking if he could have any typing done
+in the jail. I had never seen a man arrested for murder before, but I
+think he was probably the coolest suspect the officers had ever seen.
+They hardly knew what to make of it.
+
+Mr. Reynolds and I had a cup of tea after all the excitement, and were
+sitting at the dining-room table drinking it, when the bell rang. It
+was Mr. Howell! He half staggered into the hall when I opened the
+door, and was for going into the parlor bedroom without a word.
+
+"Mr. Ladley's gone, if you want him," I said. I thought his face
+cleared.
+
+"Gone!" he said. "Where?"
+
+"To jail."
+
+He did not reply at once. He stood there, tapping the palm of one
+hand with the forefinger of the other. He was dirty and unshaven. His
+clothes looked as if he had been sleeping in them.
+
+"So they've got him!" he muttered finally, and turning, was about to
+go out the front door without another word, but I caught his arm.
+
+"You're sick, Mr. Howell," I said. "You'd better not go out just yet."
+
+"Oh, I'm all right." He took his handkerchief out and wiped his face.
+I saw that his hands were shaking.
+
+"Come back and have a cup of tea, and a slice of home-made bread."
+
+He hesitated and looked at his watch. "I'll do it, Mrs. Pitman," he
+said. "I suppose I'd better throw a little fuel into this engine of
+mine. It's been going hard for several days."
+
+He ate like a wolf. I cut half a loaf into slices for him, and he
+drank the rest of the tea. Mr. Reynolds creaked up to bed and left him
+still eating, and me still cutting and spreading. Now that I had a
+chance to see him, I was shocked. The rims of his eyes were red, his
+collar was black, and his hair hung over his forehead. But when he
+finally sat back and looked at me, his color was better.
+
+"So they've canned him!" he said.
+
+"Time enough, too," said I.
+
+He leaned forward and put both his elbows on the table. "Mrs. Pitman,"
+he said earnestly, "I don't like him any more than you do. But he
+never killed that woman."
+
+"Somebody killed her."
+
+"How do you know? How do you know she is dead?"
+
+Well, I didn't, of course--I only felt it.
+
+"The police haven't even proved a crime. They can't hold a man for a
+supposititious murder."
+
+"Perhaps they can't but they're doing it," I retorted. "If the woman's
+alive, she won't let him hang."
+
+"I'm not so sure of that," he said heavily, and got up. He looked in
+the little mirror over the sideboard, and brushed back his hair. "I
+look bad enough," he said, "but I feel worse. Well, you've saved my
+life, Mrs. Pitman. Thank you."
+
+"How is my--how is Miss Harvey?" I asked, as we started out. He turned
+and smiled at me in his boyish way.
+
+"The best ever!" he said. "I haven't seen her for days, and it seems
+like centuries. She--she is the only girl in the world for me, Mrs.
+Pitman, although I--" He stopped and drew a long breath. "She is
+beautiful, isn't she?"
+
+"Very beautiful," I answered. "Her mother was always--"
+
+"Her mother!" He looked at me curiously.
+
+"I knew her mother years ago," I said, putting the best face on my
+mistake that I could.
+
+"Then I'll remember you to her, if she ever allows me to see her
+again. Just now I'm _persona non grata_."
+
+"If you'll do the kindly thing, Mr. Howell," I said, "you'll _forget_
+me to her."
+
+He looked into my eyes and then thrust out his hand.
+
+"All right," he said. "I'll not ask any questions. I guess there are
+some curious stories hidden in these old houses."
+
+Peter hobbled to the front door with him. He had not gone so far as
+the parlor once while Mr. Ladley was in the house.
+
+ * * * * *
+
+They had had a sale of spring flowers at the store that day, and Mr.
+Reynolds had brought me a pot of white tulips. That night I hung my
+mother's picture over the mantel in the dining-room, and put the
+tulips beneath it. It gave me a feeling of comfort; I had never seen
+my mother's grave, or put flowers on it.
+
+
+
+
+CHAPTER X
+
+I have said before that I do not know anything about the law. I
+believe that the Ladley case was unusual, in several ways. Mr. Ladley
+had once been well known in New York among the people who frequent the
+theaters, and Jennie Brice was even better known. A good many lawyers,
+I believe, said that the police had not a leg to stand on, and I know
+the case was watched with much interest by the legal profession.
+People wrote letters to the newspapers, protesting against Mr. Ladley
+being held. And I believe that the district attorney, in taking him
+before the grand jury, hardly hoped to make a case.
+
+But he did, to his own surprise, I fancy, and the trial was set for
+May. But in the meantime, many curious things happened.
+
+In the first place, the week following Mr. Ladley's arrest my house
+was filled up with eight or ten members of a company from the Gaiety
+Theater, very cheerful and jolly, and well behaved. Three men, I
+think, and the rest girls. One of the men was named Bellows, John
+Bellows, and it turned out that he had known Jennie Brice very well.
+
+From the moment he learned that, Mr. Holcombe hardly left him. He
+walked to the theater with him and waited to walk home again. He took
+him out to restaurants and for long street-car rides in the mornings,
+and on the last night of their stay, Saturday, they got gloriously
+drunk together--Mr. Holcombe, no doubt, in his character of
+Ladley--and came reeling in at three in the morning, singing. Mr.
+Holcombe was very sick the next day, but by Monday he was all right,
+and he called me into the room.
+
+"We've got him, Mrs. Pitman," he said, looking mottled but cheerful.
+"As sure as God made little fishes, we've got him." That was all he
+would say, however. It seemed he was going to New York, and might be
+gone for a month. "I've no family," he said, "and enough money to keep
+me. If I find my relaxation in hunting down criminals, it's a harmless
+and cheap amusement, and--it's my own business."
+
+He went away that night, and I must admit I missed him. I rented the
+parlor bedroom the next day to a school-teacher, and I found the
+periscope affair very handy. I could see just how much gas she used;
+and although the notice on each door forbids cooking and washing in
+rooms, I found she was doing both: making coffee and boiling an egg
+in the morning, and rubbing out stockings and handkerchiefs in her
+wash-bowl. I'd much rather have men as boarders than women. The women
+are always lighting alcohol lamps on the bureau, and wanting the bed
+turned into a cozy corner so they can see their gentlemen friends in
+their rooms.
+
+Well, with Mr. Holcombe gone, and Mr. Reynolds busy all day and half
+the night getting out the summer silks and preparing for remnant day,
+and with Mr. Ladley in jail and Lida out of the city--for I saw in
+the papers that she was not well, and her mother had taken her to
+Bermuda--I had a good bit of time on my hands. And so I got in the
+habit of thinking things over, and trying to draw conclusions, as I
+had seen Mr. Holcombe do. I would sit down and write things out as
+they had happened, and study them over, and especially I worried over
+how we could have found a slip of paper in Mr. Ladley's room with a
+list, almost exact, of the things we had discovered there. I used to
+read it over, "rope, knife, shoe, towel, Horn--" and get more and more
+bewildered. "Horn"--might have been a town, or it might not have been.
+There _was_ such a town, according to Mr. Graves, but apparently he
+had made nothing of it. _Was_ it a town that was meant?
+
+The dictionary gave only a few words beginning with "horn"--hornet,
+hornblende, hornpipe, and horny--none of which was of any assistance.
+And then one morning I happened to see in the personal column of one
+of the newspapers that a woman named Eliza Shaeffer, of Horner, had
+day-old Buff Orpington and Plymouth Rock chicks for sale, and it
+started me to puzzling again. Perhaps it had been Horner, and possibly
+this very Eliza Shaeffer--
+
+I suppose my lack of experience was in my favor, for, after all, Eliza
+Shaeffer is a common enough name, and the "Horn" might have stood for
+"hornswoggle," for all I knew. The story of the man who thought of
+what he would do if he were a horse, came back to me, and for an hour
+or so I tried to think I was Jennie Brice, trying to get away and hide
+from my rascal of a husband. But I made no headway. I would never have
+gone to Horner, or to any small town, if I had wanted to hide. I
+think I should have gone around the corner and taken a room in my own
+neighborhood, or have lost myself in some large city.
+
+It was that same day that, since I did not go to Horner, Horner came
+to me. The bell rang about three o'clock, and I answered it myself.
+For, with times hard and only two or three roomers all winter, I had
+not had a servant, except Terry to do odd jobs, for some months.
+
+There stood a fresh-faced young girl, with a covered basket in her
+hand.
+
+"Are you Mrs. Pitman?" she asked.
+
+"I don't need anything to-day," I said, trying to shut the door. And
+at that minute something in the basket cheeped. Young women selling
+poultry are not common in our neighborhood. "What have you there?" I
+asked more agreeably.
+
+"Chicks, day-old chicks, but I'm not trying to sell you any. I--may I
+come in?"
+
+It was dawning on me then that perhaps this was Eliza Shaeffer. I led
+her back to the dining-room, with Peter sniffing at the basket.
+
+"My name is Shaeffer," she said. "I've seen your name in the papers,
+and I believe I know something about Jennie Brice."
+
+Eliza Shaeffer's story was curious. She said that she was postmistress
+at Horner, and lived with her mother on a farm a mile out of the town,
+driving in and out each day in a buggy.
+
+On Monday afternoon, March the fifth, a woman had alighted at the
+station from a train, and had taken luncheon at the hotel. She
+told the clerk she was on the road, selling corsets, and was much
+disappointed to find no store of any size in the town. The woman, who
+had registered as Mrs. Jane Bellows, said she was tired and would like
+to rest for a day or two on a farm. She was told to see Eliza Shaeffer
+at the post-office, and, as a result, drove out with her to the farm
+after the last mail came in that evening.
+
+Asked to describe her--she was over medium height, light-haired, quick
+in her movements, and wore a black and white striped dress with a red
+collar, and a hat to match. She carried a small brown valise that Miss
+Shaeffer presumed contained her samples.
+
+Mrs. Shaeffer had made her welcome, although they did not usually take
+boarders until June. She had not eaten much supper, and that night she
+had asked for pen and ink, and had written a letter. The letter was
+not mailed until Wednesday. All of Tuesday Mrs. Bellows had spent in
+her room, and Mrs. Shaeffer had driven to the village in the afternoon
+with word that she had been crying all day, and bought some headache
+medicine for her.
+
+On Wednesday morning, however, she had appeared at breakfast, eaten
+heartily, and had asked Miss Shaeffer to take her letter to the
+post-office. It was addressed to Mr. Ellis Howell, in care of a
+Pittsburgh newspaper!
+
+That night when Miss Eliza went home, about half past eight, the woman
+was gone. She had paid for her room and had been driven as far as
+Thornville, where all trace of her had been lost. On account of the
+disappearance of Jennie Brice being published shortly after that, she
+and her mother had driven to Thornville, but the station agent there
+was surly as well as stupid. They had learned nothing about the woman.
+
+Since that time, three men had made inquiries about the woman in
+question. One had a pointed Vandyke beard; the second, from the
+description, I fancied must have been Mr. Graves. The third without
+doubt was Mr. Howell. Eliza Shaeffer said that this last man had
+seemed half frantic. I brought her a photograph of Jennie Brice as
+"Topsy" and another one as "Juliet". She said there was a resemblance,
+but that it ended there. But of course, as Mr. Graves had said, by the
+time an actress gets her photograph retouched to suit her, it doesn't
+particularly resemble her. And unless I had known Jennie Brice myself,
+I should hardly have recognized the pictures.
+
+Well, in spite of all that, there seemed no doubt that Jennie Brice
+had been living three days after her disappearance, and that would
+clear Mr. Ladley. But what had Mr. Howell to do with it all? Why had
+he not told the police of the letter from Horner? Or about the woman
+on the bridge? Why had Mr. Bronson, who was likely the man with the
+pointed beard, said nothing about having traced Jennie Brice to
+Horner?
+
+I did as I thought Mr. Holcombe would have wished me to do. I wrote
+down on a clean sheet of note-paper all that Eliza Shaeffer said: the
+description of the black and white dress, the woman's height, and the
+rest, and then I took her to the court-house, chicks and all, and she
+told her story there to one of the assistant district attorneys.
+
+The young man was interested, but not convinced. He had her story
+taken down, and she signed it. He was smiling as he bowed us out. I
+turned in the doorway.
+
+"This will free Mr. Ladley, I suppose?" I asked.
+
+"Not just yet," he said pleasantly. "This makes just eleven places
+where Jennie Brice spent the first three days after her death."
+
+"But I can positively identify the dress."
+
+"My good woman, that dress has been described, to the last stilted
+arch and Colonial volute, in every newspaper in the United States!"
+
+That evening the newspapers announced that during a conference at the
+jail between Mr. Ladley and James Bronson, business manager at the
+Liberty Theater, Mr. Ladley had attacked Mr. Bronson with a chair, and
+almost brained him.
+
+
+
+
+CHAPTER XI
+
+Eliza Shaeffer went back to Horner, after delivering her chicks
+somewhere in the city. Things went on as before. The trial was set for
+May. The district attorney's office had all the things we had found in
+the house that Monday afternoon--the stained towel, the broken knife
+and its blade, the slipper that had been floating in the parlor,
+and the rope that had fastened my boat to the staircase.
+Somewhere--wherever they keep such things--was the headless body of
+a woman with a hand missing, and with a curious scar across the left
+breast. The slip of paper, however, which I had found behind the
+base-board, was still in Mr. Holcombe's possession, nor had he
+mentioned it to the police.
+
+Mr. Holcombe had not come back. He wrote me twice asking me to hold
+his room, once from New York and once from Chicago. To the second
+letter he added a postscript:
+
+ "Have not found what I wanted, but am getting warm. If any news,
+ address me at Des Moines, Iowa, General Delivery. H."
+
+It was nearly the end of April when I saw Lida again. I had seen by
+the newspapers that she and her mother were coming home. I wondered if
+she had heard from Mr. Howell, for I had not, and I wondered, too, if
+she would send for me again.
+
+But she came herself, on foot, late one afternoon, and the
+school-teacher being out, I took her into the parlor bedroom. She
+looked thinner than before, and rather white. My heart ached for her.
+
+"I have been away," she explained. "I thought you might wonder why
+you did not hear from me. But, you see, my mother--" she stopped
+and flushed. "I would have written you from Bermuda, but--my mother
+watched my correspondence, so I could not."
+
+No. I knew she could not. Alma had once found a letter of mine to Mr.
+Pitman. Very little escaped Alma.
+
+"I wondered if you have heard anything?" she asked.
+
+"I have heard nothing. Mr. Howell was here once, just after I saw you.
+I do not believe he is in the city.
+
+"Perhaps not, although--Mrs. Pitman, I believe he is in the city,
+hiding!"
+
+"Hiding! Why?"
+
+"I don't know. But last night I thought I saw him below my window. I
+opened the window, so if it were he, he could make some sign. But he
+moved on without a word. Later, whoever it was came back. I put out my
+light and watched. Some one stood there, in the shadow, until after
+two this morning. Part of the time he was looking up."
+
+"Don't you think, had it been he, he would have spoken when he saw
+you?"
+
+She shook her head. "He is in trouble," she said. "He has not heard
+from me, and he--thinks I don't care any more. Just look at me, Mrs.
+Pitman! Do I look as if I don't care?"
+
+She looked half killed, poor lamb.
+
+"He may be out of town, searching for a better position," I tried to
+comfort her. "He wants to have something to offer more than himself."
+
+"I only want him," she said, looking at me frankly. "I don't know why
+I tell you all this, but you are so kind, and I _must_ talk to some
+one."
+
+She sat there, in the cozy corner the school-teacher had made with a
+portière and some cushions, and I saw she was about ready to break
+down and cry. I went over to her and took her hand, for she was my own
+niece, although she didn't suspect it, and I had never had a child of
+my own.
+
+But after all, I could not help her much. I could only assure her that
+he would come back and explain everything, and that he was all right,
+and that the last time I had seen him he had spoken of her, and had
+said she was "the best ever." My heart fairly yearned over the girl,
+and I think she felt it. For she kissed me, shyly, when she was
+leaving.
+
+With the newspaper files before me, it is not hard to give the details
+of that sensational trial. It commenced on Monday, the seventh of May,
+but it was late Wednesday when the jury was finally selected. I was at
+the court-house early on Thursday, and so was Mr. Reynolds.
+
+The district attorney made a short speech. "We propose, gentlemen, to
+prove that the prisoner, Philip Ladley, murdered his wife," he said
+in part. "We will show first that a crime was committed; then we will
+show a motive for this crime, and, finally, we expect to show that the
+body washed ashore at Sewickley is the body of the murdered woman, and
+thus establish beyond doubt the prisoner's guilt."
+
+Mr. Ladley listened with attention. He wore the brown suit, and looked
+well and cheerful. He was much more like a spectator than a prisoner,
+and he was not so nervous as I was.
+
+Of that first day I do not recall much. I was called early in the day.
+The district attorney questioned me.
+
+"Your name?"
+
+"Elizabeth Marie Pitman."
+
+"Your occupation?"
+
+"I keep a boarding-house at 42 Union Street."
+
+"You know the prisoner?"
+
+"Yes. He was a boarder in my house."
+
+"For how long?"
+
+"From December first. He and his wife came at that time."
+
+"Was his wife the actress, Jennie Brice?"
+
+"Yes, sir."
+
+"Were they living together at your house the night of March fourth?"
+
+"Yes, sir."
+
+"In what part of the house?"
+
+"They rented the double parlors down-stairs, but on account of the
+flood I moved them up-stairs to the second floor front."
+
+"That was on Sunday? You moved them on Sunday?"
+
+"Yes, sir."
+
+"At what time did you retire that night?"
+
+"Not at all. The water was very high. I lay down, dressed, at one
+o'clock, and dropped into a doze."
+
+"How long did you sleep?"
+
+"An hour or so. Mr. Reynolds, a boarder, roused me to say he had heard
+some one rowing a boat in the lower hall."
+
+"Do you keep a boat around during flood times?"
+
+"Yes, sir."
+
+"What did you do when Mr. Reynolds roused you?"
+
+"I went to the top of the stairs. My boat was gone."
+
+"Was the boat secured?"
+
+"Yes, sir. Anyhow, there was no current in the hall."
+
+"What did you do then?"
+
+"I waited a time and went back to my room."
+
+"What examination of the house did you make--if any?"
+
+"Mr. Reynolds looked around."
+
+"What did he find?"
+
+"He found Peter, the Ladleys' dog, shut in a room on the third floor."
+
+"Was there anything unusual about that?"
+
+"I had never known it to happen before."
+
+"State what happened later."
+
+"I did not go to sleep again. At a quarter after four, I heard the
+boat come back. I took a candle and went to the stairs. It was Mr.
+Ladley. He said he had been out getting medicine for his wife."
+
+"Did you see him tie up the boat?"
+
+"Yes."
+
+"Did you observe any stains on the rope?"
+
+"I did not notice any."
+
+"What was the prisoner's manner at that time?"
+
+"I thought he was surly."
+
+"Now, Mrs. Pitman, tell us about the following morning."
+
+"I saw Mr. Ladley at a quarter before seven. He said to bring
+breakfast for one. His wife had gone away. I asked if she was not ill,
+and he said no; that she had gone away early; that he had rowed her to
+Federal Street, and that she would be back Saturday. It was shortly
+after that that the dog Peter brought in one of Mrs. Ladley's
+slippers, water-soaked."
+
+"You recognized the slipper?"
+
+"Positively. I had seen it often."
+
+"What did you do with it?"
+
+"I took it to Mr. Ladley."
+
+"What did he say?"
+
+"He said at first that it was not hers. Then he said if it was, she
+would never wear it again--and then added--because it was ruined."
+
+"Did he offer any statement as to where his wife was?"
+
+"No, sir. Not at that time. Before, he had said she had gone away for
+a few days."
+
+"Tell the jury about the broken knife."
+
+"The dog found it floating in the parlor, with the blade broken."
+
+"You had not left it down-stairs?"
+
+"No, sir. I had used it up-stairs, the night before, and left it on a
+mantel of the room I was using as a temporary kitchen."
+
+"Was the door of this room locked?"
+
+"No. It was standing open."
+
+"Were you not asleep in this room?"
+
+"Yes."
+
+"You heard no one come in?"
+
+"No one--until Mr. Reynolds roused me."
+
+"Where did you find the blade?"
+
+"Behind the bed in Mr. Ladley's room."
+
+"What else did you find in the room?"
+
+"A blood-stained towel behind the wash-stand. Also, my onyx clock was
+missing."
+
+"Where was the clock when the Ladleys were moved up into this room?"
+
+"On the mantel. I wound it just before they came up-stairs."
+
+"When you saw Mrs. Ladley on Sunday, did she say she was going away?"
+
+"No, sir."
+
+"Did you see any preparation for a journey?"
+
+"The black and white dress was laid out on the bed, and a small bag.
+She said she was taking the dress to the theater to lend to Miss
+Hope."
+
+"Is that all she said?"
+
+"No. She said she'd been wishing her husband would drown; that he was
+a fiend."
+
+I could see that my testimony had made an impression.
+
+
+
+
+CHAPTER XII
+
+The slipper, the rope, the towel, and the knife and blade were
+produced in court, and I identified them all. They made a noticeable
+impression on the jury. Then Mr. Llewellyn, the lawyer for the
+defense, cross-examined me.
+
+"Is it not true, Mrs. Pitman," he said, "that many articles,
+particularly shoes and slippers, are found floating around during a
+flood?"
+
+"Yes," I admitted.
+
+"Now, you say the dog found this slipper floating in the hall and
+brought it to you. Are you sure this slipper belonged to Jennie
+Brice?"
+
+"She wore it. I presume it belonged to her."
+
+"Ahem. Now, Mrs. Pitman, after the Ladleys had been moved to the
+upper floor, did you search their bedroom and the connecting room
+down-stairs?"
+
+"No, sir."
+
+"Ah. Then, how do you know that this slipper was not left on the floor
+or in a closet?"
+
+"It is possible, but not likely. Anyhow, it was not the slipper alone.
+It was the other things _and_ the slipper. It was--"
+
+"Exactly. Now, Mrs. Pitman, this knife. Can you identify it
+positively?"
+
+"I can."
+
+"But isn't it true that this is a very common sort of knife? One that
+nearly every housewife has in her possession?"
+
+"Yes, sir. But that knife handle has three notches in it. I put the
+notches there myself."
+
+"Before this presumed crime?"
+
+"Yes, sir."
+
+"For what purpose?"
+
+"My neighbors were constantly borrowing things. It was a means of
+identification."
+
+"Then this knife is yours?"
+
+"Yes."
+
+"Tell again where you left it the night before it was found floating
+down-stairs."
+
+"On a shelf over the stove."
+
+"Could the dog have reached it there?"
+
+"Not without standing on a hot stove."
+
+"Is it not possible that Mr. Ladley, unable to untie the boat,
+borrowed your knife to cut the boat's painter?"
+
+"No painter was cut that I heard about The paper-hanger--"
+
+"No, no. The boat's painter--the rope."
+
+"Oh! Well, he might have. He never said."
+
+"Now then, this towel, Mrs. Pitman. Did not the prisoner, on the
+following day, tell you that he had cut his wrist in freeing the boat,
+and ask you for some court-plaster?"
+
+"He did not," I said firmly.
+
+"You have not seen a scar on his wrist?"
+
+"No." I glanced at Mr. Ladley: he was smiling, as if amused. It made
+me angry. "And what's more," I flashed, "if he has a cut on his wrist,
+he put it there himself, to account for the towel."
+
+I was sorry the next moment that I had said it, but it was too late.
+The counsel for the defense moved to exclude the answer and I received
+a caution that I deserved. Then:
+
+"You saw Mr. Ladley when he brought your boat back?"
+
+"Yes."
+
+"What time was that?"
+
+"A quarter after four Monday morning."
+
+"Did he come in quietly, like a man trying to avoid attention?"
+
+"Not particularly. It would have been of no use. The dog was barking."
+
+"What did he say?"
+
+"That he had been out for medicine. That his wife was sick."
+
+"Do you know a pharmacist named Alexander--Jonathan Alexander?"
+
+"There is such a one, but I don't know him."
+
+I was excused, and Mr. Reynolds was called. He had heard no quarreling
+that Sunday night; had even heard Mrs. Ladley laughing. This was
+about nine o'clock. Yes, they had fought in the afternoon. He had not
+overheard any words, but their voices were quarrelsome, and once he
+heard a chair or some article of furniture overthrown. Was awakened
+about two by footsteps on the stairs, followed by the sound of oars
+in the lower hall. He told his story plainly and simply. Under
+cross-examination admitted that he was fond of detective stories and
+had tried to write one himself; that he had said at the store that
+he would like to see that "conceited ass" swing, referring to the
+prisoner; that he had sent flowers to Jennie Brice at the theater, and
+had made a few advances to her, without success.
+
+My head was going round. I don't know yet how the police learned it
+all, but by the time poor Mr. Reynolds left the stand, half the people
+there believed that he had been in love with Jennie Brice, that she
+had spurned his advances, and that there was more to the story than
+any of them had suspected.
+
+Miss Hope's story held without any alteration under the
+cross-examination. She was perfectly at ease, looked handsome and well
+dressed, and could not be shaken. She told how Jennie Brice had been
+in fear of her life, and had asked her, only the week before she
+disappeared, to allow her to go home with her--Miss Hope. She told
+of the attack of hysteria in her dressing-room, and that the missing
+woman had said that her husband would kill her some day. There was
+much wrangling over her testimony, and I believe at least a part of it
+was not allowed to go to the jury. But I am not a lawyer, and I repeat
+what I recall.
+
+"Did she say that he had attacked her?"
+
+"Yes, more than once. She was a large woman, fairly muscular, and had
+always held her own."
+
+"Did she say that these attacks came when he had been drinking?"
+
+"I believe he was worse then."
+
+"Did she give any reason for her husband's attitude to her?"
+
+"She said he wanted to marry another woman."
+
+There was a small sensation at this. If proved, it established a
+motive.
+
+"Did she know who the other woman was?"
+
+"I believe not. She was away most of the day, and he put in his time
+as he liked."
+
+"Did Miss Brice ever mention the nature of the threats he made against
+her?"
+
+"No, I think not."
+
+"Have you examined the body washed ashore at Sewickley?"
+
+"Yes--" in a low voice.
+
+"Is it the body of Jennie Brice?"
+
+"I can not say."
+
+"Does the remaining hand look like the hand of Jennie Brice?"
+
+"Very much. The nails are filed to points, as she wore hers."
+
+"Did you ever know of Jennie Brice having a scar on her breast?"
+
+"No, but that would be easily concealed."
+
+"Just what do you mean?"
+
+"Many actresses conceal defects. She could have worn flesh-colored
+plaster and covered it with powder. Also, such a scar would not
+necessarily be seen."
+
+"Explain that."
+
+"Most of Jennie Brice's décolleté gowns were cut to a point. This
+would conceal such a scar."
+
+Miss Hope was excused, and Jennie Brice's sister from Olean was
+called. She was a smaller woman than Jennie Brice had been, very
+lady-like in her manner. She said she was married and living in Olean;
+she had not seen her sister for several years, but had heard from her
+often. The witness had discouraged the marriage to the prisoner.
+
+"Why?"
+
+"She had had bad luck before."
+
+"She had been married before?"
+
+"Yes, to a man named John Bellows. They were in vaudeville together,
+on the Keith Circuit. They were known as The Pair of Bellows."
+
+I sat up at this for John Bellows had boarded at my house.
+
+"Mr. Bellows is dead?"
+
+"I think not. She divorced him."
+
+"Did you know of any scar on your sister's body?"
+
+"I never heard of one."
+
+"Have you seen the body found at Sewickley?"
+
+"Yes"--faintly.
+
+"Can you identify it?"
+
+"No, sir."
+
+A flurry was caused during the afternoon by Timothy Senft. He
+testified to what I already knew--that between three and four on
+Monday morning, during the height of the flood, he had seen from his
+shanty-boat a small skiff caught in the current near the Ninth Street
+bridge. He had shouted encouragingly to the man in the boat, running
+out a way on the ice to make him hear. He had told him to row with the
+current, and to try to steer in toward shore. He had followed close to
+the river bank in his own boat. Below Sixth Street the other boat was
+within rope-throwing distance. He had pulled it in, and had towed it
+well back out of the current. The man in the boat was the prisoner.
+Asked if the prisoner gave any explanation--yes, he said he couldn't
+sleep, and had thought to tire himself rowing. Had been caught in the
+current before he knew it. Saw nothing suspicious in or about the
+boat. As they passed the police patrol boat, prisoner had called to
+ask if there was much distress, and expressed regret when told there
+was.
+
+Tim was excused. He had made a profound impression. I would not have
+given a dollar for Mr. Ladley's chance with the jury, at that time.
+
+
+
+
+CHAPTER XIII
+
+The prosecution produced many witnesses during the next two days:
+Shanty-boat Tim's story withstood the most vigorous cross-examination.
+After him, Mr. Bronson from the theater corroborated Miss Hope's story
+of Jennie Brice's attack of hysteria in the dressing-room, and told of
+taking her home that night.
+
+He was a poor witness, nervous and halting. He weighed each word
+before he said it, and he made a general unfavorable impression. I
+thought he was holding something back. In view of what Mr. Pitman
+would have called the denouement, his attitude is easily explained.
+But I was puzzled then.
+
+So far, the prosecution had touched but lightly on the possible motive
+for a crime--the woman. But on the third day, to my surprise, a Mrs.
+Agnes Murray was called. It was the Mrs. Murray I had seen at the
+morgue.
+
+I have lost the clipping of that day's trial, but I remember her
+testimony perfectly.
+
+She was a widow, living above a small millinery shop on Federal
+Street, Allegheny. She had one daughter, Alice, who did stenography
+and typing as a means of livelihood. She had no office, and worked at
+home. Many of the small stores in the neighborhood employed her to
+send out their bills. There was a card at the street entrance beside
+the shop, and now and then strangers brought her work.
+
+Early in December the prisoner had brought her the manuscript of a
+play to type, and from that time on he came frequently, sometimes
+every day, bringing a few sheets of manuscript at a time. Sometimes he
+came without any manuscript, and would sit and talk while he smoked a
+cigarette. They had thought him unmarried.
+
+On Wednesday, February twenty-eighth, Alice Murray had disappeared.
+She had taken some of her clothing--not all, and had left a note. The
+witness read the note aloud in a trembling voice:
+
+ "DEAR MOTHER: When you get this I shall be married to Mr. Ladley.
+ Don't worry. Will write again from N.Y. Lovingly,
+
+ "ALICE."
+
+From that time until a week before, she had not heard from her
+daughter. Then she had a card, mailed from Madison Square Station, New
+York City. The card merely said:
+
+ "Am well and working. ALICE."
+
+The defense was visibly shaken. They had not expected this, and I
+thought even Mr. Ladley, whose calm had continued unbroken, paled.
+
+So far, all had gone well for the prosecution. They had proved a
+crime, as nearly as circumstantial evidence could prove a crime, and
+they had established a motive. But in the identification of the
+body, so far they had failed. The prosecution "rested," as they say,
+although they didn't rest much, on the afternoon of the third day.
+
+The defense called, first of all, Eliza Shaeffer. She told of a woman
+answering the general description of Jennie Brice having spent two
+days at the Shaeffer farm at Horner. Being shown photographs of
+Jennie Brice, she said she thought it was the same woman, but was
+not certain. She told further of the woman leaving unexpectedly on
+Wednesday of that week from Thornville. On cross-examination, being
+shown the small photograph which Mr. Graves had shown me, she
+identified the woman in the group as being the woman in question.
+As the face was in shadow, knew it more by the dress and hat: she
+described the black and white dress and the hat with red trimming.
+
+The defense then called me. I had to admit that the dress and hat as
+described were almost certainly the ones I had seen on the bed in
+Jennie Brice's room the day before she disappeared. I could not say
+definitely whether the woman in the photograph was Jennie Brice or
+not; under a magnifying-glass thought it might be.
+
+Defense called Jonathan Alexander, a druggist who testified that on
+the night in question he had been roused at half past three by the
+prisoner, who had said his wife was ill, and had purchased a bottle of
+a proprietary remedy from him. His identification was absolute.
+
+The defense called Jennie Brice's sister, and endeavored to prove
+that Jennie Brice had had no such scar. It was shown that she was on
+intimate terms with her family and would hardly have concealed an
+operation of any gravity from them.
+
+The defense scored that day. They had shown that the prisoner had told
+the truth when he said he had gone to a pharmacy for medicine that
+night for his wife; and they had shown that a woman, answering the
+description of Jennie Brice, spent two days in a town called Horner,
+and had gone from there on Wednesday after the crime. And they had
+shown that this woman was attired as Jennie Brice had been.
+
+That was the way things stood on the afternoon of the fourth day, when
+court adjourned.
+
+Mr. Reynolds was at home when I got there. He had been very much
+subdued since the developments of that first day of the trial, sat
+mostly in his own room, and had twice brought me a bunch of jonquils
+as a peace-offering. He had the kettle boiling when I got home.
+
+"You have had a number of visitors," he said. "Our young friend Howell
+has been here, and Mr. Holcombe has arrived and has a man in his
+room."
+
+Mr. Holcombe came down a moment after, with his face beaming.
+
+"I think we've got him, Mrs. Pitman," he said. "The jury won't even go
+out of the box."
+
+But further than that he would not explain. He said he had a witness
+locked in his room, and he'd be glad of supper for him, as they'd both
+come a long ways. And he went out and bought some oysters and a bottle
+or two of beer. But as far as I know, he kept him locked up all that
+night in the second-story front room. I don't think the man knew he
+was a prisoner. I went in to turn down the bed, and he was sitting
+by the window, reading the evening paper's account of the trial--an
+elderly gentleman, rather professional-looking.
+
+Mr. Holcombe slept on the upper landing of the hall that night, rolled
+in a blanket--not that I think his witness even thought of escaping,
+but the little man was taking no chances.
+
+At eight o'clock that night the bell rang. It was Mr. Howell. I
+admitted him myself, and he followed me back to the dining-room. I had
+not seen him for several weeks, and the change in him startled me. He
+was dressed carefully, but his eyes were sunken in his head, and he
+looked as if he had not slept for days.
+
+Mr. Reynolds had gone up-stairs, not finding me socially inclined.
+
+"You haven't been sick, Mr. Howell, have you?" I asked.
+
+"Oh, no, I'm well enough, I've been traveling about. Those infernal
+sleeping-cars--"
+
+His voice trailed off, and I saw him looking at my mother's picture,
+with the jonquils beneath.
+
+"That's curious!" he said, going closer. "It--it looks almost like
+Lida Harvey."
+
+"My mother," I said simply.
+
+"Have you seen her lately?"
+
+"My mother?" I asked, startled.
+
+"No, Lida."
+
+"I saw her a few days ago."
+
+"Here?"
+
+"Yes. She came here, Mr. Howell, two weeks ago. She looks badly--as if
+she is worrying."
+
+"Not--about me?" he asked eagerly.
+
+"Yes, about you. What possessed you to go away as you did? When
+my--bro--when her uncle accused you of something, you ran away,
+instead of facing things like a man."
+
+"I was trying to find the one person who could clear me, Mrs. Pitman."
+He sat back, with his eyes closed; he looked ill enough to be in bed.
+
+"And you succeeded?"
+
+"No."
+
+I thought perhaps he had not been eating and I offered him food, as
+I had once before. But he refused it, with the ghost of his boyish
+smile.
+
+"I'm hungry, but it's not food I want. I want to see _her_," he said.
+
+I sat down across from him and tried to mend a table-cloth, but I
+could not sew. I kept seeing those two young things, each sick for
+a sight of the other, and, from wishing they could have a minute
+together, I got to planning it for them.
+
+"Perhaps," I said finally, "if you want it very much--"
+
+"Very much!"
+
+"And if you will sit quiet, and stop tapping your fingers together
+until you drive me crazy, I might contrive it for you. For five
+minutes," I said. "Not a second longer."
+
+He came right over and put his arms around me.
+
+"Who are you, anyhow?" he said. "You who turn to the world the frozen
+mask of a Union Street boarding-house landlady, who are a gentlewoman
+by every instinct and training, and a girl at heart? Who are you?"
+
+"I'll tell you what I am," I said. "I'm a romantic old fool, and you'd
+better let me do this quickly, before I change my mind."
+
+He freed me at that, but he followed to the telephone, and stood by
+while I got Lida. He was in a perfect frenzy of anxiety, turning red
+and white by turns, and in the middle of the conversation taking the
+receiver bodily from me and holding it to his own ear.
+
+She said she thought she could get away; she spoke guardedly, as if
+Alma were near, but I gathered that she would come as soon as she
+could, and, from the way her voice broke, I knew she was as excited as
+the boy beside me.
+
+She came, heavily coated and veiled, at a quarter after ten that
+night, and I took her back to the dining-room, where he was waiting.
+He did not make a move toward her, but stood there with his very lips
+white, looking at her. And, at first, she did not make a move either,
+but stood and gazed at him, thin and white, a wreck of himself. Then:
+
+"Ell!" she cried, and ran around the table to him, as he held out his
+arms.
+
+The school-teacher was out. I went into the parlor bedroom and sat in
+the cozy corner in the dark. I had done a wrong thing, and I was glad
+of it. And sitting there in the darkness, I went over my own life
+again. After all, it had been my own life; I had lived it; no one else
+had shaped it for me. And if it was cheerless and colorless now, it
+had had its big moments. Life is measured by big moments.
+
+If I let the two children in the dining-room have fifteen big moments,
+instead of five, who can blame me?
+
+
+
+
+CHAPTER XIV
+
+The next day was the sensational one of the trial. We went through
+every phase of conviction: Jennie Brice was living. Jennie Brice was
+dead. The body found at Sewickley could not be Jennie Brice's. The
+body found at Sewickley _was_ Jennie Brice's. And so it went on.
+
+The defense did an unexpected thing in putting Mr. Ladley on the
+stand. That day, for the first time, he showed the wear and tear of
+the ordeal. He had no flower in his button-hole, and the rims of his
+eyes were red. But he was quite cool. His stage training had taught
+him not only to endure the eyes of the crowd, but to find in its gaze
+a sort of stimulant. He made a good witness, I must admit.
+
+He replied to the usual questions easily. After five minutes or so Mr.
+Llewellyn got down to work.
+
+"Mr. Ladley, you have said that your wife was ill the night of March
+fourth?"
+
+"Yes."
+
+"What was the nature of her illness?"
+
+"She had a functional heart trouble, not serious."
+
+"Will you tell us fully the events of that night?"
+
+"I had been asleep when my wife wakened me. She asked for a medicine
+she used in these attacks. I got up and found the bottle, but it was
+empty. As she was nervous and frightened, I agreed to try to get some
+at a drug store. I went down-stairs, took Mrs. Pitman's boat, and went
+to several stores before I could awaken a pharmacist."
+
+"You cut the boat loose?"
+
+"Yes. It was tied in a woman's knot, or series of knots. I could not
+untie it, and I was in a hurry."
+
+"How did you cut it?"
+
+"With my pocket-knife."
+
+"You did not use Mrs. Pitman's bread-knife?"
+
+"I did not."
+
+"And in cutting it, you cut your wrist, did you?"
+
+"Yes. The knife slipped. I have the scar still."
+
+"What did you do then?"
+
+"I went back to the room, and stanched the blood with a towel."
+
+"From whom did you get the medicine?"
+
+"From Alexander's Pharmacy."
+
+"At what time?"
+
+"I am not certain. About three o'clock, probably."
+
+"You went directly back home?"
+
+Mr. Ladley hesitated. "No," he said finally. "My wife had had these
+attacks, but they were not serious. I was curious to see how the
+river-front looked and rowed out too far. I was caught in the current
+and nearly carried away."
+
+"You came home after that?"
+
+"Yes, at once. Mrs. Ladley was better and had dropped asleep. She
+wakened as I came in. She was disagreeable about the length of time I
+had been gone, and would not let me explain. We--quarreled, and she
+said she was going to leave me. I said that as she had threatened this
+before and had never done it, I would see that she really started. At
+daylight I rowed her to Federal Street."
+
+"What had she with her?"
+
+"A small brown valise."
+
+"How was she dressed?"
+
+"In a black and white dress and hat, with a long black coat."
+
+"What was the last you saw of her?"
+
+"She was going across the Sixth Street bridge."
+
+"Alone?"
+
+"No. She went with a young man we knew."
+
+There was a stir in the court room at this.
+
+"Who was the young man?"
+
+"A Mr. Howell, a reporter on a newspaper here."
+
+"Have you seen Mr. Howell since your arrest?"
+
+"No, sir. He has been out of the city."
+
+I was so excited by this time that I could hardly hear. I missed some
+of the cross-examination. The district attorney pulled Mr. Ladley's
+testimony to pieces.
+
+"You cut the boat's painter with your pocket-knife?"
+
+"I did."
+
+"Then how do you account for Mrs. Pitman's broken knife, with the
+blade in your room?"
+
+"I have no theory about it. She may have broken it herself. She had
+used it the day before to lift tacks out of a carpet."
+
+That was true; I had.
+
+"That early Monday morning was cold, was it not?"
+
+"Yes. Very."
+
+"Why did your wife leave without her fur coat?"
+
+"I did not know she had until we had left the house. Then I did not
+ask her. She would not speak to me."
+
+"I see. But is it not true that, upon a wet fur coat being shown you
+as your wife's, you said it could not be hers, as she had taken hers
+with her?"
+
+"I do not recall such a statement."
+
+"You recall a coat being shown you?"
+
+"Yes. Mrs. Pitman brought a coat to my door, but I was working on a
+play I am writing, and I do not remember what I said. The coat was
+ruined. I did not want it. I probably said the first thing I thought
+of to get rid of the woman."
+
+I got up at that. I'd held my peace about the bread-knife, but this
+was too much. However, the moment I started to speak, somebody pushed
+me back into my chair and told me to be quiet.
+
+"Now, you say you were in such a hurry to get this medicine for your
+wife that you cut the rope, thus cutting your wrist."
+
+"Yes. I have the scar still."
+
+"You could not wait to untie the boat, and yet you went along the
+river-front to see how high the water was?"
+
+"Her alarm had excited me. But when I got out, and remembered that
+the doctors had told us she would never die in an attack, I grew more
+composed."
+
+"You got the medicine first, you say?"
+
+"Yes."
+
+"Mr. Alexander has testified that you got the medicine at
+three-thirty. It has been shown that you left the house at two, and
+got back about four. Does not this show that with all your alarm you
+went to the river-front first?"
+
+"I was gone from two to four," he replied calmly. "Mr. Alexander must
+be wrong about the time I wakened him. I got the medicine first."
+
+"When your wife left you at the bridge, did she say where she was
+going?"
+
+"No."
+
+"You claim that this woman at Horner was your wife?"
+
+"I think it likely."
+
+"Was there an onyx clock in the second-story room when you moved into
+it?"
+
+"I do not recall the clock."
+
+"Your wife did not take an onyx clock away with her?"
+
+Mr. Ladley smiled. "No."
+
+The defense called Mr. Howell next. He looked rested, and the happier
+for having seen Lida, but he was still pale and showed the strain of
+some hidden anxiety. What that anxiety was, the next two days were to
+tell us all.
+
+"Mr. Howell," Mr. Llewellyn asked, "you know the prisoner?"
+
+"Slightly."
+
+"State when you met him."
+
+"On Sunday morning, March the fourth. I went to see him."
+
+"Will you tell us the nature of that visit?"
+
+"My paper had heard he was writing a play for himself. I was to get an
+interview, with photographs, if possible."
+
+"You saw his wife at that time?"
+
+"Yes."
+
+"When did you see her again?"
+
+"The following morning, at six o'clock, or a little later. I walked
+across the Sixth Street bridge with her, and put her on a train for
+Horner, Pennsylvania."
+
+"You are positive it was Jennie Brice?"
+
+"Yes. I watched her get out of the boat, while her husband steadied
+it."
+
+"If you knew this, why did you not come forward sooner?"
+
+"I have been out of the city."
+
+"But you knew the prisoner had been arrested, and that this testimony
+of yours would be invaluable to him."
+
+"Yes. But I thought it necessary to produce Jennie Brice herself. My
+unsupported word--"
+
+"You have been searching for Jennie Brice?"
+
+"Yes. Since March the eighth."
+
+"How was she dressed when you saw her last?"
+
+"She wore a red and black hat and a black coat. She carried a small
+brown valise."
+
+"Thank you."
+
+The cross-examination did not shake his testimony. But it brought out
+some curious things. Mr. Howell refused to say how he happened to be
+at the end of the Sixth Street bridge at that hour, or why he had
+thought it necessary, on meeting a woman he claimed to have known only
+twenty-four hours, to go with her to the railway station and put her
+on a train.
+
+The jury was visibly impressed and much shaken. For Mr. Howell carried
+conviction in every word he said; he looked the district attorney
+in the eye, and once when our glances crossed he even smiled at me
+faintly. But I saw why he had tried to find Jennie Brice, and had
+dreaded testifying. Not a woman in that court room, and hardly a man,
+but believed when he left the stand, that he was, or had been, Jennie
+Brice's lover, and as such was assisting her to leave her husband.
+
+"Then you believe," the district attorney said at the end,--"you
+believe, Mr. Howell, that Jennie Brice is living?"
+
+"Jennie Brice was living on Monday morning, March the fifth," he said
+firmly.
+
+"Miss Shaeffer has testified that on Wednesday this woman, who you
+claim was Jennie Brice, sent a letter to you from Horner. Is that the
+case?"
+
+"Yes."
+
+"The letter was signed 'Jennie Brice'?"
+
+"It was signed 'J.B.'"
+
+"Will you show the court that letter?"
+
+"I destroyed it."
+
+"It was a personal letter?"
+
+"It merely said she had arrived safely, and not to let any one know
+where she was."
+
+"And yet you destroyed it?"
+
+"A postscript said to do so."
+
+"Why?"
+
+"I do not know. An extra precaution probably."
+
+"You were under the impression that she was going to stay there?"
+
+"She was to have remained for a week."
+
+"And you have been searching for this woman for two months?"
+
+He quailed, but his voice was steady. "Yes," he admitted.
+
+He was telling the truth, even if it was not all the truth. I believe,
+had it gone to the jury then, Mr. Ladley would have been acquitted.
+But, late that afternoon, things took a new turn. Counsel for the
+prosecution stated to the court that he had a new and important
+witness, and got permission to introduce this further evidence. The
+witness was a Doctor Littlefield, and proved to be my one-night tenant
+of the second-story front. Holcombe's prisoner of the night before
+took the stand. The doctor was less impressive in full daylight; he
+was a trifle shiny, a bit bulbous as to nose and indifferent as to
+finger-nails. But his testimony was given with due professional
+weight.
+
+"You are a doctor of medicine, Doctor Littlefield?" asked the district
+attorney.
+
+"Yes."
+
+"In active practise?"
+
+"I have a Cure for Inebriates in Des Moines, Iowa. I was formerly in
+general practise in New York City."
+
+"You knew Jennie Ladley?"
+
+"I had seen her at different theaters. And she consulted me
+professionally at one time in New York."
+
+"You operated on her, I believe?"
+
+"Yes. She came to me to have a name removed. It had been tattooed over
+her heart."
+
+"You removed it?"
+
+"Not at once. I tried fading the marks with goat's milk, but she was
+impatient. On the third visit to my office she demanded that the name
+be cut out."
+
+"You did it?"
+
+"Yes. She refused a general anesthetic and I used cocaine. The name
+was John--I believe a former husband. She intended to marry again."
+
+A titter ran over the court room. People strained to the utmost are
+always glad of an excuse to smile. The laughter of a wrought-up crowd
+always seems to me half hysterical.
+
+"Have you seen photographs of the scar on the body found at Sewickley?
+Or the body itself?"
+
+"No, I have not."
+
+"Will you describe the operation?"
+
+"I made a transverse incision for the body of the name, and two
+vertical ones--one longer for the _J_, the other shorter, for the
+stem of the _h_. There was a dot after the name. I made a half-inch
+incision for it."
+
+"Will you sketch the cicatrix as you recall it?"
+
+The doctor made a careful drawing on a pad that was passed to him. The
+drawing was much like this.
+
+Line for line, dot for dot, it was the scar on the body found at
+Sewickley.
+
+"You are sure the woman was Jennie Brice?"
+
+"She sent me tickets for the theater shortly after. And I had an
+announcement of her marriage to the prisoner, some weeks later."
+
+"Were there any witnesses to the operation?"
+
+"My assistant; I can produce him at any time."
+
+That was not all of the trial, but it was the decisive moment. Shortly
+after, the jury withdrew, and for twenty-four hours not a word was
+heard from them.
+
+
+
+
+CHAPTER XV
+
+After twenty-four hours' deliberation, the jury brought in a verdict
+of guilty. It was a first-degree verdict. Mr. Howell's unsupported
+word had lost out against a scar.
+
+Contrary to my expectation, Mr. Holcombe was not jubilant over the
+verdict. He came into the dining-room that night and stood by the
+window, looking out into the yard.
+
+"It isn't logical," he said. "In view of Howell's testimony, it's
+ridiculous! Heaven help us under this jury system, anyhow! Look at the
+facts! Howell knows the woman: he sees her on Monday morning, and
+puts her on a train out of town. The boy is telling the truth. He has
+nothing to gain by coming forward, and everything to lose. Very
+well: she was alive on Monday. We know where she was on Tuesday and
+Wednesday. Anyhow, during those days her gem of a husband was in jail.
+He was freed Thursday night, and from that time until his rearrest on
+the following Tuesday, I had him under observation every moment. He
+left the jail Thursday night, and on Saturday the body floated in at
+Sewickley. If it was done by Ladley, it must have been done on Friday,
+and on Friday he was in view through the periscope all day!"
+
+Mr. Reynolds came in and joined us. "There's only one way out that I
+see," he said mildly. "Two women have been fool enough to have a name
+tattooed over their hearts. No woman ever thought enough of me to have
+_my_ name put on her."
+
+"I hope not," I retorted. Mr. Reynold's first name is Zachariah.
+
+But, as Mr. Holcombe said, all that had been proved was that Jennie
+Brice was dead, probably murdered. He could not understand the defense
+letting the case go to the jury without their putting more stress on
+Mr. Howell's story. But we were to understand that soon, and many
+other things. Mr. Holcombe told me that evening of learning from John
+Bellows of the tattooed name on Jennie Brice and of how, after an
+almost endless search, he had found the man who had cut the name away.
+
+At eight o'clock the door-bell rang. Mr. Reynolds had gone to lodge,
+he being an Elk and several other things, and much given to regalia
+in boxes, and having his picture in the newspapers in different
+outlandish costumes. Mr. Pitman used to say that man, being denied his
+natural love for barbaric adornment in his every-day clothing, took to
+the different fraternities as an excuse for decking himself out. But
+this has nothing to do with the door-bell.
+
+It was old Isaac. He had a basket in his hand, and he stepped into the
+hall and placed it on the floor.
+
+"Evening, Miss Bess," he said. "Can you see a bit of company
+to-night?"
+
+"I can always see you," I replied. But he had not meant himself. He
+stepped to the door, and opening it, beckoned to some one across the
+street. It was Lida!
+
+She came in, her color a little heightened, and old Isaac stood back,
+beaming at us both; I believe it was one of the crowning moments
+of the old man's life--thus to see his Miss Bess and Alma's child
+together.
+
+"Is--is he here yet?" she asked me nervously.
+
+"I did not know he was coming." There was no need to ask which "he."
+There was only one for Lida.
+
+"He telephoned me, and asked me to come here. Oh, Mrs. Pitman, I'm
+so afraid for him!" She had quite forgotten Isaac. I turned to the
+school-teacher's room and opened the door. "The woman who belongs here
+is out at a lecture," I said. "Come in here, Ikkie, and I'll find the
+evening paper for you.
+
+"'Ikkie'!" said Lida, and stood staring at me. I think I went white.
+
+"The lady heah and I is old friends," Isaac said, with his splendid
+manner. "Her mothah, Miss Lida, her mothah--"
+
+But even old Isaac choked up at that, and I closed the door on him.
+
+"How queer!" Lida said, looking at me. "So Isaac knew your mother?
+Have you lived always in Allegheny, Mrs. Pitman?"
+
+"I was born in Pittsburgh," I evaded. "I went away for a long time,
+but I always longed for the hurry and activity of the old home town.
+So here I am again."
+
+Fortunately, like all the young, her own affairs engrossed her. She
+was flushed with the prospect of meeting her lover, tremulous over
+what the evening might bring. The middle-aged woman who had come back
+to the hurry of the old town, and who, pushed back into an eddy of the
+flood district, could only watch the activity and the life from behind
+a "Rooms to Let" sign, did not concern her much. Nor should she have.
+
+Mr. Howell came soon after. He asked for her, and going back to the
+dining-room, kissed her quietly. He had an air of resolve, a sort of
+grim determination, that was a relief from the half-frantic look he
+had worn before. He asked to have Mr. Holcombe brought down, and so
+behold us all, four of us, sitting around the table--Mr. Holcombe with
+his note-book, I with my mending, and the boy with one of Lida's hands
+frankly under his on the red table-cloth.
+
+"I want to tell all of you the whole story," he began. "To-morrow I
+shall go to the district attorney and confess, but--I want you all to
+have it first. I can't sleep again until I get it off my chest. Mrs.
+Pitman has suffered through me, and Mr. Holcombe here has spent money
+and time--"
+
+Lida did not speak, but she drew her chair closer, and put her other
+hand over his.
+
+"I want to get it straight, if I can. Let me see. It was on Sunday,
+the fourth, that the river came up, wasn't it? Yes. Well, on the
+Thursday before that I met you, Mr. Holcombe, in a restaurant in
+Pittsburgh. Do you remember?"
+
+Mr. Holcombe nodded.
+
+"We were talking of crime, and I said no man should be hanged on
+purely circumstantial evidence. You affirmed that a well-linked chain
+of circumstantial evidence could properly hang a man. We had a long
+argument, in which I was worsted. There was a third man at the
+table--Bronson, the business manager of the Liberty Theater."
+
+"Who sided with you," put in Mr. Holcombe, "and whose views I refused
+to entertain because, as publicity man for a theater, he dealt in
+fiction rather than in fact."
+
+"Precisely. You may recall, Mr. Holcombe, that you offered to hang any
+man we would name, given a proper chain of circumstantial evidence
+against him?"
+
+"Yes."
+
+"After you left, Bronson spoke to me. He said business at the theater
+was bad, and complained of the way the papers used, or would not use,
+his stuff. He said the Liberty Theater had not had a proper deal, and
+that he was tempted to go over and bang one of the company on the
+head, and so get a little free advertising.
+
+"I said he ought to be able to fake a good story; but he maintained
+that a newspaper could smell a faked story a mile away, and that,
+anyhow, all the good stunts had been pulled off. I agreed with him. I
+remember saying that nothing but a railroad wreck or a murder hit the
+public very hard these days, and that I didn't feel like wrecking the
+Pennsylvania Limited.
+
+"He leaned over the table and looked at me. 'Well, how about a murder,
+then?' he said. 'You get the story for your paper, and I get some
+advertising for the theater. We need it, that's sure.'
+
+"I laughed it off, and we separated. But at two o'clock Bronson called
+me up again. I met him in his office at the theater, and he told me
+that Jennie Brice, who was out of the cast that week, had asked for a
+week's vacation. She had heard of a farm at a town called Horner, and
+she wanted to go there to rest.
+
+"'Now the idea is this,' he said. 'She's living with her husband, and
+he has threatened her life more than once. It would be easy enough to
+frame up something to look as if he'd made away with her. We'd get a
+week of excitement, more advertising than we'd ordinarily get in a
+year; you get a corking news story, and find Jennie Brice at the end,
+getting the credit for that. Jennie gets a hundred dollars and a rest,
+and Ladley, her husband, gets, say, two hundred.'
+
+"Mr. Bronson offered to put up the money, and I agreed. The flood came
+just then, and was considerable help. It made a good setting. I went
+to my city editor, and got an assignment to interview Ladley about
+this play of his. Then Bronson and I went together to see the Ladleys
+on Sunday morning, and as they needed money, they agreed. But Ladley
+insisted on fifty dollars a week extra if he had to go to jail. We
+promised it, but we did not intend to let things go so far as that.
+
+"In the Ladleys' room that Sunday morning, we worked it all out. The
+hardest thing was to get Jennie Brice's consent; but she agreed,
+finally. We arranged a list of clues, to be left around, and Ladley
+was to go out in the night and to be heard coming back. I told him to
+quarrel with his wife that afternoon,--although I don't believe
+they needed to be asked to do it,--and I suggested also the shoe or
+slipper, to be found floating around."
+
+"Just a moment," said Mr. Holcombe, busy with his note-book. "Did you
+suggest the onyx clock?"
+
+"No. No clock was mentioned. The--the clock has puzzled me."
+
+"The towel?"
+
+"Yes. I said no murder was complete without blood, but he kicked on
+that--said he didn't mind the rest, but he'd be hanged if he was going
+to slash himself. But, as it happened, he cut his wrist while cutting
+the boat loose, and so we had the towel."
+
+"Pillow-slip?" asked Mr. Holcombe.
+
+"Well, no. There was nothing said about a pillow-slip. Didn't he say
+he burned it accidentally?"
+
+"So he claimed." Mr. Holcombe made another entry in his book.
+
+"Then I said every murder had a weapon. He was to have a pistol at
+first, but none of us owned one. Mrs. Ladley undertook to get a knife
+from Mrs. Pitman's kitchen, and to leave it around, not in full view,
+but where it could be found."
+
+"A broken knife?"
+
+"No. Just a knife."
+
+"He was to throw the knife into the water?"
+
+"That was not arranged. I only gave him a general outline. He was to
+add any interesting details that might occur to him. The idea, of
+course, was to give the police plenty to work on, and just when
+they thought they had it all, and when the theater had had a lot of
+booming, and I had got a good story, to produce Jennie Brice, safe
+and well. We were not to appear in it at all. It would have worked
+perfectly, but we forgot to count on one thing--Jennie Brice hated her
+husband."
+
+"Not really hated him!" cried Lida.
+
+"_Hated_ him. She is letting him hang. She could save him by coming
+forward now, and she won't do it. She is hiding so he will go to the
+gallows."
+
+There was a pause at that. It seemed too incredible, too inhuman.
+
+"Then, early that Monday morning, you smuggled Jennie Brice out of the
+city?"
+
+"Yes. That was the only thing we bungled. We fixed the hour a little
+too late, and I was seen by Miss Harvey's uncle, walking across the
+bridge with a woman."
+
+"Why did you meet her openly, and take her to the train?"
+
+Mr. Howell bent forward and smiled across at the little man. "One
+of your own axioms, sir," he said. "Do the natural thing; upset the
+customary order of events as little as possible. Jennie Brice went to
+the train, because that was where she wanted to go. But as Ladley was
+to protest that his wife had left town, and as the police would
+be searching for a solitary woman, I went with her. We went in a
+leisurely manner. I bought her a magazine and a morning paper, asked
+the conductor to fix her window, and, in general, acted the devoted
+husband seeing his wife off on a trip. I even"--he smiled--"I even
+promised to feed the canary."
+
+Lida took her hands away. "Did you kiss her good-by?" she demanded.
+
+"Not even a chaste salute," he said. His spirits were rising. It was,
+as often happens, as if the mere confession removed the guilt. I have
+seen little boys who have broken a window show the same relief after
+telling about it.
+
+"For a day or two Bronson and I sat back, enjoying the stir-up. Things
+turned out as we had expected. Business boomed at the theater. I got
+a good story, and some few kind words from my city editor. Then--the
+explosion came. I got a letter from Jennie Brice saying she was going
+away, and that we need not try to find her. I went to Horner, but I
+had lost track of her completely. Even then, we did not believe things
+so bad as they turned out to be. We thought she was giving us a bad
+time, but that she would show up.
+
+"Ladley was in a blue funk for a time. Bronson and I went to him. We
+told him how the thing had slipped up. We didn't want to go to the
+police and confess if we could help it. Finally, he agreed to stick it
+out until she was found, at a hundred dollars a week. It took all we
+could beg, borrow and steal. But now--we have to come out with the
+story anyhow."
+
+Mr. Holcombe sat up and closed his note-book with a snap. "I'm not so
+sure of that," he said impressively. "I wonder if you realize, young
+man, that, having provided a perfect defense for this man Ladley, you
+provided him with every possible inducement to make away with his
+wife? Secure in your coming forward at the last minute and confessing
+the hoax to save him, was there anything he might not have dared with
+impunity?"
+
+"But I tell you I took Jennie Brice out of town on Monday morning."
+
+"_Did you_?" asked Mr. Holcombe sternly.
+
+But at that, the school-teacher, having come home and found old Isaac
+sound asleep in her cozy corner, set up such a screaming for the
+police that our meeting broke up. Nor would Mr. Holcombe explain any
+further.
+
+
+
+
+CHAPTER XVI
+
+Mr. Holcombe was up very early the next morning. I heard him moving
+around at five o'clock, and at six he banged at my door and demanded
+to know at what time the neighborhood rose: he had been up for an hour
+and there were no signs of life. He was more cheerful after he had had
+a cup of coffee, commented on Lida's beauty, and said that Howell was
+a lucky chap.
+
+"That is what worries me, Mr. Holcombe," I said. "I am helping the
+affair along and--what if it turns out badly?"
+
+He looked at me over his glasses. "It isn't likely to turn out badly,"
+he said. "I have never married, Mrs. Pitman, and I have missed a great
+deal out of life."
+
+"Perhaps you're better off: if you had married and lost your wife--" I
+was thinking of Mr. Pitman.
+
+"Not at all," he said with emphasis. "It's better to have married and
+lost than never to have married at all. Every man needs a good woman,
+and it doesn't matter how old he is. The older he is, the more he
+needs her. I am nearly sixty."
+
+I was rather startled, and I almost dropped the fried potatoes. But
+the next moment he had got out his note-book and was going over
+the items again. "Pillow-slip," he said, "knife _broken_, onyx
+clock--wouldn't think so much of the clock if he hadn't been so
+damnably anxious to hide the key, the discrepancy in time as revealed
+by the trial--yes, it is as clear as a bell. Mrs. Pitman, does that
+Maguire woman next door sleep all day?"
+
+"She's up now," I said, looking out the window.
+
+He was in the hall in a moment, only to come to the door later, hat in
+hand. "Is she the only other woman on the street who keeps boarders?"
+
+"She's the only woman who doesn't," I snapped. "She'll keep anything
+that doesn't belong to her--except boarders."
+
+"Ah!"
+
+He lighted his corn-cob pipe and stood puffing at it and watching me.
+He made me uneasy: I thought he was going to continue the subject of
+every man needing a wife, and I'm afraid I had already decided to take
+him if he offered, and to put the school-teacher out and have a real
+parlor again, but to keep Mr. Reynolds, he being tidy and no bother.
+
+But when he spoke, he was back to the crime again: "Did you ever work
+a typewriter?" he asked.
+
+What with the surprise, I was a little sharp. "I don't play any
+instrument except an egg-beater," I replied shortly, and went on
+clearing the table.
+
+"I wonder--do you remember about the village idiot and the horse? But
+of course you do, Mrs. Pitman; you are a woman of imagination. Don't
+you think you could be Alice Murray for a few moments? Now think--you
+are a stenographer with theatrical ambitions: you meet an actor and
+you fall in love with him, and he with you."
+
+"That's hard to imagine, that last."
+
+"Not so hard," he said gently. "Now the actor is going to put you on
+the stage, perhaps in this new play, and some day he is going to marry
+you."
+
+"Is that what he promised the girl?"
+
+"According to some letters her mother found, yes. The actor is
+married, but he tells you he will divorce the wife; you are to wait
+for him, and in the meantime he wants you near him; away from the
+office, where other men are apt to come in with letters to be typed,
+and to chaff you. You are a pretty girl."
+
+"It isn't necessary to overwork my imagination," I said, with a little
+bitterness. I had been a pretty girl, but work and worry--
+
+"Now you are going to New York very soon, and in the meantime you have
+cut yourself off from all your people. You have no one but this man.
+What would you do? Where would you go?"
+
+"How old was the girl?"
+
+"Nineteen."
+
+"I think," I said slowly, "that if I were nineteen, and in love with a
+man, and hiding, I would hide as near him as possible. I'd be likely
+to get a window that could see his going out and coming in, a place so
+near that he could come often to see me."
+
+"Bravo!" he exclaimed. "Of course, with your present wisdom and
+experience, you would do nothing so foolish. But this girl was in her
+teens; she was not very far away, for he probably saw her that Sunday
+afternoon, when he was out for two hours. And as the going was slow
+that day, and he had much to tell and explain, I figure she was not
+far off. Probably in this very neighborhood."
+
+During the remainder of that morning I saw Mr. Holcombe, at intervals,
+going from house to house along Union Street, making short excursions
+into side thoroughfares, coming back again and taking up his door-bell
+ringing with unflagging energy. I watched him off and on for two
+hours. At the end of that time he came back flushed and excited.
+
+"I found the house," he said, wiping his glasses. "She was there, all
+right, not so close as we had thought, but as close as she could get."
+
+"And can you trace her?" I asked.
+
+His face changed and saddened. "Poor child!" he said. "She is dead,
+Mrs. Pitman!"
+
+"Not she--at Sewickley!"
+
+"No," he said patiently. "That was Jennie Brice."
+
+"But--Mr. Howell--"
+
+"Mr. Howell is a young ass," he said with irritation. "He did not take
+Jennie Brice out of the city that morning. He took Alice Murray in
+Jennie Brice's clothing, and veiled."
+
+Well, that is five years ago. Five times since then the Allegheny
+River, from being a mild and inoffensive stream, carrying a few boats
+and a great deal of sewage, has become, a raging destroyer, and has
+filled our hearts with fear and our cellars with mud. Five times since
+then Molly Maguire has appropriated all that the flood carried from my
+premises to hers, and five times have I lifted my carpets and moved
+Mr. Holcombe, who occupies the parlor bedroom, to a second-floor room.
+
+A few days ago, as I said at the beginning, we found Peter's body
+floating in the cellar, and as soon as the yard was dry, I buried him.
+He had grown fat and lazy, but I shall miss him.
+
+Yesterday a riverman fell off a barge along the water-front and was
+drowned. They dragged the river for his body, but they did not find
+him. But they found something--an onyx clock, with the tattered
+remnant of a muslin pillow-slip wrapped around it. It only bore out
+the story, as we had known it for five years.
+
+The Murray girl had lived long enough to make a statement to the
+police, although Mr. Holcombe only learned this later. On the
+statement being shown to Ladley in the jail, and his learning of the
+girl's death, he collapsed. He confessed before he was hanged, and his
+confession, briefly, was like this:
+
+He had met the Murray girl in connection with the typing of his play,
+and had fallen in love with her. He had never cared for his wife, and
+would have been glad to get rid of her in any way possible. He had not
+intended to kill her, however. He had planned to elope with the Murray
+girl, and awaiting an opportunity, had persuaded her to leave home and
+to take a room near my house.
+
+Here he had visited her daily, while his wife was at the theater.
+
+They had planned to go to New York together on Monday, March the
+fifth. On Sunday, the fourth, however, Mr. Bronson and Mr. Howell
+had made their curious proposition. When he accepted, Philip Ladley
+maintained that he meant only to carry out the plan as suggested. But
+the temptation was too strong for him. That night, while his wife
+slept, he had strangled her.
+
+I believe he was frantic with fear, after he had done it. Then it
+occurred to him that if he made the body unrecognizable, he would be
+safe enough. On that quiet Sunday night, when Mr. Reynolds reported
+all peaceful in the Ladley room, he had cut off the poor wretch's head
+and had tied it up in a pillow-slip weighted with my onyx clock!
+
+It is a curious fact about the case that the scar which his wife
+incurred to enable her to marry him was the means of his undoing. He
+insisted, and I believe he was telling the truth, that he did not know
+of the scar: that is, his wife had never told him of it, and had been
+able to conceal it. He thought she had probably used paraffin in some
+way.
+
+In his final statement, written with great care and no little literary
+finish, he told the story in detail: of arranging the clues as Mr.
+Howell and Mr. Bronson had suggested; of going out in the boat, with
+the body, covered with a fur coat, in the bottom of the skiff: of
+throwing it into the current above the Ninth Street bridge, and of
+seeing the fur coat fall from the boat and carried beyond his reach;
+of disposing of the head near the Seventh Street bridge: of going to a
+drug store, as per the Howell instructions, and of coming home at four
+o'clock, to find me at the head of the stairs.
+
+[Illustration: While his wife slept.]
+
+Several points of confusion remained. One had been caused by Temple
+Hope's refusal to admit that the dress and hat that figured in the
+case were to be used by her the next week at the theater. Mr. Ladley
+insisted that this was the case, and that on that Sunday afternoon
+his wife had requested him to take them to Miss Hope; that they had
+quarreled as to whether they should be packed in a box or in the brown
+valise, and that he had visited Alice Murray instead. It was on the
+way there that the idea of finally getting rid of Jennie Brice came
+to him. And a way--using the black and white striped dress of the
+dispute.
+
+Another point of confusion had been the dismantling of his room that
+Monday night, some time between the visit of Temple Hope and the
+return of Mr. Holcombe. This was to obtain the scrap of paper
+containing the list of clues as suggested by Mr. Howell, a clue that
+might have brought about a premature discovery of the so-called hoax.
+
+To the girl he had told nothing of his plan. But he had told her she
+was to leave town on an early train the next morning, going as his
+wife; that he wished her to wear the black and white dress and hat,
+for reasons that he would explain later, and to be veiled heavily,
+that to the young man who would put her on the train, and who had seen
+Jennie Brice only once, she was to be Jennie Brice; to say as little
+as possible and not to raise her veil. Her further instructions were
+simple: to go to the place at Horner where Jennie Brice had planned
+to go, but to use the name of "Bellows" there. And after she had been
+there for a day or two, to go as quietly as possible to New York. He
+gave her the address of a boarding-house where he could write her, and
+where he would join her later.
+
+He reasoned in this way: That as Alice Murray was to impersonate
+Jennie Brice, and Jennie Brice hiding from her husband, she would
+naturally discard her name. The name "Bellows" had been hers by a
+previous marriage and she might easily resume it. Thus, to establish
+his innocence, he had not only the evidence of Howell and Bronson that
+the whole thing was a gigantic hoax; he had the evidence of Howell
+that he had started Jennie Brice to Horner that Monday morning, that
+she had reached Horner, had there assumed an incognito, as Mr.
+Pitman would say, and had later disappeared from there, maliciously
+concealing herself to work his undoing.
+
+In all probability he would have gone free, seeing no one in the
+church in all that throng but the boy who waited at the end of the
+long church aisle--I wanted to run out and claim her, my own blood, my
+more than child.
+
+I sat down and covered my face. And from the pew behind me some one
+leaned over and patted my shoulder.
+
+"Miss Bess!" old Isaac said gently. "Don't take on, Miss Bess!"
+
+He came the next day and brought me some lilies from the bride's
+bouquet, that she had sent me, and a bottle of champagne from the
+wedding supper. I had not tasted champagne for twenty years!
+
+That is all of the story. On summer afternoons sometimes, when the
+house is hot, I go to the park and sit. I used to take Peter, but now
+he is dead. I like to see Lida's little boy; the nurse knows me
+by sight, and lets me talk to the child. He can say "Peter" quite
+plainly. But he does not call Alma "Grandmother." The nurse says she
+does not like it. He calls her "Nana."
+
+Lida does not forget me. Especially at flood-times, apologies, the
+chiffon gown her mother had worn at her wedding. Alma had never worn
+it but once, and now she was too stout for it. I took it; I am not
+proud, and I should like Molly Maguire to see it.
+
+Mr. Holcombe asked me last night to marry him. He says he needs me,
+and that I need him.
+
+I am a lonely woman, and getting old, and I'm tired of watching the
+gas meter; and besides, with Peter dead, I need a man in the house all
+the time. The flood district is none too orderly. Besides, when I have
+a wedding dress laid away and a bottle of good wine, it seems a pity
+not to use them.
+
+I think I shall do it.
+
+
+THE END
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's The Case of Jennie Brice, by Mary Roberts Rinehart
+
+*** END OF THE PROJECT GUTENBERG EBOOK 11127 ***