summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/11096-8.txt2782
-rw-r--r--old/11096-8.zipbin0 -> 48269 bytes
-rw-r--r--old/11096-h.zipbin0 -> 50842 bytes
-rw-r--r--old/11096-h/11096-h.htm2870
-rw-r--r--old/11096.txt2782
-rw-r--r--old/11096.zipbin0 -> 48201 bytes
6 files changed, 8434 insertions, 0 deletions
diff --git a/old/11096-8.txt b/old/11096-8.txt
new file mode 100644
index 0000000..35ad743
--- /dev/null
+++ b/old/11096-8.txt
@@ -0,0 +1,2782 @@
+The Project Gutenberg EBook of Tales of Ind, by T. Ramakrishna
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Tales of Ind
+ And Other Poems
+
+Author: T. Ramakrishna
+
+Release Date: February 15, 2004 [EBook #11096]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK TALES OF IND ***
+
+
+
+
+Produced by Christine De Ryck and the PG Online Distributed Proofreaders.
+
+
+
+
+TALES OF IND
+
+_AND OTHER POEMS_
+
+
+BY
+
+T. RAMAKRISHNA
+
+
+
+1896
+
+
+
+
+ TO
+ THE MEMORY OF
+ MY DEAR DAUGHTER
+ KAMALA.
+
+
+ The star that rose to cheer our humble life,
+ And make a little heaven of our home,
+ Shall rise again--yes, surely rise again
+ To give us everlasting joy divine.
+
+
+
+
+
+
+ CONTENTS.
+
+
+ TO MY DAUGHTER
+
+ LORD TENNYSON
+
+ SEETA AND RAMA--A TALE OF THE INDIAN FAMINE
+
+ THE STORY OF PRINCE DÉSING
+
+ THE STORY OF RUDRA
+
+ THE STORY OF THE ROYAL HUNTRESS
+
+ CHANDRA--A TALE OF THE FIELD OF TELLIKÓTA
+
+ THE KORATHY'S LULLABY
+
+
+
+
+_LORD TENNYSON._
+
+
+ A poet of my native land has said--
+ The life the good and virtuous lead on earth
+ Is like the black-eyed maiden of the East,
+ Who paints the lids to look more bright and fair.
+ The eyes may smart and water, but withal
+ She loves to please them that behold her face.
+ E'en so, my Master, thine own life has been.
+ Thy songs have pleased the world, thy thoughts divine
+ Have purified, likewise ennobled man.
+ And what are they, those songs and thoughts divine,
+ But sad experience of thy life, dipt deep
+ In thine own tears, and traced on nature's page?
+ To please and teach the world for two dear ones
+ You mourned--a friend in youth, a son in age
+ 'Tis said the life that gives one moment's joy
+ To one lone mortal is not lived in vain;
+ But lives like thine God grants as shining lights
+ That we in darkness Him aright may see.
+ Nay more, such lives the more by ills beset
+ Do shine the more and better teach His ways.
+ Alas! thou'rt gone that wert so kind to one
+ Obscure--a stranger in a distant land.
+ Accept from him this wreath uncouth of words
+ Which do but half express the grief he feels.
+
+
+
+
+_SEETA AND RAMA_.
+
+A TALE OF THE INDIAN FAMINE.
+
+
+ It was by far the loveliest scene in Ind:--
+ A deep sunk lonely vale, 'tween verdant hills
+ That, in eternal friendship, seemed to hold
+ Communion with the changing skies above;
+ Dark shady groves the haunts of shepherd boys
+ And wearied peasants in the midday noon;
+ A lake that shone in lustre clear and bright
+ Like a pure Indian diamond set amidst
+ Green emeralds, where every morn, with songs
+ Of parted lovers that tempted blooming maids
+ With pitchers on their heads to stay and hear
+ Those songs, the busy villagers of the vale
+ Their green fields watered that gave them sure hopes
+ Of future plenty and of future joys.
+ Oh, how uncertain man's sure hopes and joys!
+ In this enchanted hollow that was scooped--
+ For so it seemed--by God's own mighty hand,
+ Where Nature shower'd her richest gifts to make
+ Another paradise, stood Krishnapore
+ With her two score and seven huts reared by
+ The patient labour of her simple men.
+
+ In this blest hamlet one there was that owned
+ Its richest lands: beloved by all its men,
+ Their friend in times of need, their guide in life,
+ Partaker of their joys and woes as well,
+ The arbiter of all their petty strifes.
+ By him his friend the village master lived
+ That at his door a group of children taught;
+ A man he was well versed in ancient lore;
+ And oft at night, when ended was their toil,
+ The villagers with souls enraptured heard him
+ In fiery accents speak of Krishna's deeds
+ And Rama's warlike skill, and wondered that
+ He knew so well the deities they adored.
+ One only daughter this schoolmaster had,
+ And Seeta was her name, the prettiest maid
+ In all the village, nursed by the fond cares
+ Of her indulgent sire, and loved with all
+ The tender feelings that pure love inspires
+ By the rich villager's only son, the heir
+ Of all his father's wealth; the best at school,
+ The boldest of the village youths at play,
+ And the delight of all those that saw him;
+ And these seemed such a fitting pair that oft
+ The secret whisper round the village ran
+ That Seeta was to wed the rich man's son.
+ Thus, in this Eden, its blest inmates lived
+ And passed their days, the villagers at the fields,
+ Their busy women at the blazing hearths,
+ The village master at his cottage door,
+ And Rama and fair Seeta in true love.
+
+ Hither a monster came, that slowly sucked
+ The vigour, the very life of Krishnapore.
+ The brilliant lustre of the diamond lake,
+ The emerald greenness of the waving fields,
+ The shady groves and pleasant cottage grounds,
+ And all the beauties of the happy vale
+ Soon vanished imperceptibly, as if
+ Some unconsuming furnace underneath
+ Had baked the earth and rendered it all bare,
+ Until its inmates wandered desolate,
+ With hollow cheeks, sunk eyes, and haggard faces,
+ Like walking skeletons pasted o'er with skin.
+ No more would blooming girls with pitchers laden
+ Repair to the clear lake while curling smoke
+ Rose from their cottage roofs; no more at morn
+ Would Rama be the first at school to see
+ His Seeta deck her father's house with flowers;
+ No more at eve the village master pour
+ From Hindu lore the mighty deeds of gods
+ To the delighted ears of simple men;
+ For these have left their lands and their dear homes.
+ And Seeta with her father left her cot,
+ And cast behind, with a deep, heavy sigh,
+ One ling'ring look upon that vale where she
+ Was born and fondly nursed,--where glided on
+ Her days in pleasure and pure innocence,--
+ Where Rama lived and loved her tenderly.
+ Her father died of hunger on the way,
+ And the lone creature wandered in the streets
+ Of towns from door to door, and vainly begged
+ For food, till some, deep moved by the sad tales
+ Of the lone straggler, safely lodged her in
+ A famine camp, where, heavy laden with
+ A double sorrow (for her lover too,
+ She thought, had died), her tedious life she spent.
+ And days and weeks and months thus rolled away,
+ Until at last her love for the dead youth
+ Mysterious waned, and, like a shallow lamp,
+ Burnt in her breast with nothing to feed it.
+
+ One day the news went through the famine shed
+ That a lean youth, plucked from the very arms
+ Of cruel death, was tenderly nursed there;
+ And all its inmates hurried to the scene.
+ Poor Seeta saw the youth, and that sad sight
+ She ne'er forgot; the youth was in her mind
+ Too firmly rooted to be rooted out,
+ Who ev'ry day in strength and beauty grew, till he
+ Appeared the fairest youth in all the camp.
+ First pity for the youth, then love for him
+ Mysterious came to her, until at last
+ The flick'ring flame shone sudden in her breast.
+ "This stranger I must wed, for him I love,
+ I know not how; that pleasant face is like
+ The face of him I dearly loved; I see
+ Appearing ev'ry day upon that face,
+ As if by magic wrought, those beauties that
+ Were seated on dead Rama's face." Thus mused
+ This maiden of the camp, and the fair youth
+ Thus kindled in her breast the hidden flame
+ Of love and fed it ever with new strength,
+ Which shone again in all its purity.
+
+ As the moon whose effulgence hidden lies
+ When dimmed by clouds, suddenly blazes forth
+ And in her wonted beauty shines again
+ What time she darts into the cloudless vault,
+ So shone again in lovely Seeta's breast
+ The lamp of love by clouds of sorrow dimmed.
+ The smothered passion suddenly blazed forth
+ In brighter lustre, and to her returned
+ With double force, as when the flaming fire
+ Is smothered when more fuel is on it thrown,
+ And straightway flames and gives a brighter light.
+
+ At last the monster left the land, the camp
+ Was broke, its inmates left it for their homes.
+ England, would that one of thy sons were there
+ To hear what words, what blessings now burst from
+ Their inward hearts for nursing them when they
+ From all estranged had poured into thine arms!
+ Poor Seeta hastened to the youth she loved,
+ And to him with a gladdened heart thus spake:--
+ Her rosy lips, just oped to speak, were like
+ A half-blown rosebud blossoming all at once;
+ Such magic was wrought on her ere she spake:
+ "Kind stranger, whither goest thou? I am
+ A lonely maiden, and friends I have none;
+ And thee alone I trust as my safe guide
+ To Krishnapore."
+ "Dear maid! thy sorrows cease;
+ My way now lies through Krishnapore: fear not,
+ I shall restore thee to thy home and friends;
+ Trust me as your safe guide and dearest friend."
+ She, overjoyed, recounted to the youth
+ Her tale--how she, her father's only hope
+ And pride, reluctant left their native vale
+ And cottage home; how he died on the way,
+ And she, a lonely creature, wandered in
+ The streets from door to door and begged for food;
+ How she was taken to the famine camp;
+ How he, with hollow cheeks and sunken eyes,
+ Was brought one day and there nursed tenderly;
+ And how in beauty ev'ry day he grew
+ Until like her dead Rama he appeared.
+ The village youth, unable any more
+ Now to suppress him, suddenly exclaimed,
+ "Look here, whose name is on this arm tattooed?"
+ "O Rama, Krishna, Govinda, and all
+ Ye Gods that I adore, ye have blest me;
+ This is the happiest moment in my life,
+ And this the happiest spot in all the earth,
+ For now my long-lost Rama I have found."
+ So saying, she intently gazed on him.
+
+ As a rich mine pours forth its hidden wealth
+ To the delight of those that day and night
+ Court eagerly its treasures them t' enrich;
+ So from this lovely pair's deep mine of feelings,
+ What honeyed words escaped now through their lips
+ To their intense joy, better far than all
+ The treasures any ample mine bestows!
+ With sweet talk they beguiled their tedious way;
+ The verdant hills sublime rose to the view;
+ The broad lake glittered diamond-like again;
+ And wreathing smoke curled from the cottage roofs;
+ The lovely vale became the lovely vale
+ Again, and all the long forgotten scenes
+ In quick succession flowed before them both;
+ And never was a happier marriage seen
+ In all that happy vale of Krishnapore.
+
+
+
+
+_THE STORY OF PRINCE DÉSING_.
+
+
+ It was the month of May, and glorious rose
+ The sun on Jinji, bathing in his light
+ Her lofty hills, her ancient walls and towers,
+ Her battlements, and all the glittering scene
+ That bade the stranger tell--"here lives a prince;"
+ And greeting late, as if too long he slept
+ Upon his ocean bed, the eager crowd
+ That in their best attire at early dawn
+ Fast gathered from their hamlets far and wide,
+ And like a hive swarmed on the castled hills.
+
+ Perhaps some village poet waited there,
+ Who day and night toiled hard in metres rare
+ To sing the deeds and virtues of his prince
+ And trace them on the leaves of that lone palm
+ Which stood close by his humble cottage home.
+ Perhaps with faces that bespoke deep grief
+ A troop of farmers there had come to tell
+ To their sport-loving prince the havoc wrought
+ Upon their toiling cattle by wild beasts
+ That nightly from their hill abodes came down
+ To feast on them. And in that motley crowd
+ Were servants of the state and many more
+ Who long had waited merely for a glimpse
+ Of their just ruler Désing holding court.
+
+ But soon there echoed through the lofty hills
+ The sound of th' Indian bugle and the drum
+ Proclaiming the arrival of the prince;
+ And often, as the new flood rushing down
+ With the still waters of a sleeping stream,
+ Leaves nought behind, and all is vacancy,
+ Or as the dim light of a shallow lamp
+ Suddenly blazes forth and soon is quenched,
+ So louder rose the clamour of the crowd
+ At the sound of the bugle and the drum,
+ Then straightway in deep silence died away,
+ And perfect stillness reigned everywhere.
+
+ Upon his gorgeous throne sat Jinji's prince
+ With servants fanning him on either side;
+ And in a place of honour sate in that
+ Capacious hall his holy Brahmin priest,
+ The master of his well-trained army there,
+ The chief and trusted min'ster of the state,
+ The aged poet that his praises sang,
+ The sage that, versed in all the starry lore,
+ His royal master's fortunes daily told;
+ The painter that adorned those ancient walls,
+ And countless other servants of the prince
+ There gathered each in his accustomed seat.
+
+ Then from the gate approached a trusty page,
+ And said with folded hands and trembling lips--
+ "O royal master, at the gate there waits
+ A man of noble mien from the far north
+ Requesting audience on affairs of state."
+ "Conduct him to our presence," said the prince.
+ The stranger came,--upon the floor he knelt
+ And said--"Thou mighty prince of these fair lands,
+ I come from Arcot, and the Nabob sent
+ His humble servant to demand of thee
+ Thy dues which these five years thou hast not paid.
+ Know, then, if these are not now duly paid,
+ From thee he will these broad dominions wrest,
+ And give them those who will his rule obey."
+ The angry prince made answer--"Go and tell
+ Your master that his vain threats move us not,
+ Say we will gladly meet him on the field."
+ So saying, from his royal seat he rose,
+ And to his palace instantly withdrew.
+
+ As when a stone dropped in the middle of
+ A placid pool its slumb'ring waters wakes,
+ And the calm surface is all ruffled seen,
+ Or at the merest touch of ruthless man
+ Bent on the honeyed treasures of the hive
+ Those myriad ones leave murm'ring to the foe
+ Their hoarded wealth to which they fondly clung,
+ So scattered to their distant native homes
+ The bustling crowd that met on Jinji's hills,
+ When he of Arcot came to mar their joys.
+
+ And days and months rolled on until one day
+ To Désing came his loyal spy and said--
+ "My noble ruler, on the other side
+ Of the fair stream that runs through yonder plain,
+ There waits our foe of Arcot with his men:
+ Prepare to go and meet him on the field."
+ 'Twas even time--the warrior prince soon wrote
+ To Mamood Khan, the master of his troops,
+ To hasten to his country's duty first.
+ What though it was that soldier's bridal hour,
+ When he received his royal master's call!
+ "My country's welfare first, then my fair spouse,"
+ He said, and leapt upon his faithful steed
+ And stood, ere morn had streaked the eastern sky,
+ Before his lord his bidding to obey.
+
+ The prince rose early on that fated day
+ And to the temple of his God repaired,
+ There to invoke His blessing on the field.
+ Then to the palace hastened he to meet,
+ Ere he went forth to fight, his youthful wife,
+ Who day by day in beauty grew amidst
+ A score of maidens, like the waxing moon;
+ And, with a screen of silk between, they met.
+ As one lured by the fragrance of the rose
+ Stoops down gently to lift the truant stalk
+ That to the other side of the thick hedge
+ Shoots out alone from its own parent stem,
+ So fondly down stooped Jinji's noble prince
+ To kiss the jewelled arm of his fair spouse
+ Which through the screen she offered to her lord.
+ Prince Désing was the first who silence broke.
+ "My dear wife! on the day when we were wed
+ These eyes of mine had not e'en this arm seen,
+ Although on the same bridal seat we sat.
+ The screen which by the custom of our race
+ Was drawn by cruel hands hid thee from view.
+ So wondrous fair this arm looks that methinks
+ Rare beauties must be seated on thy face.
+ My foe hath come; fear not; I go to fight,
+ And come with honours loaded from the field,
+ A victor to rejoice with thee to-night
+ At the propitious hour which, by the aid
+ Of all his starry lore, our Brahmin sage
+ Hath for our nuptials named,--to gaze and scan
+ In silent joy what charms, what beauties rare
+ The hand divine has showered upon thy face,
+ And to recount to thee, when with thine own
+ My arm in friendship plays, what blood it shed,
+ What havoc in the Moslem camp it wrought.
+ So let me now depart." To which the Queen:
+ "I was the only daughter of my sire,
+ And cradled in his sinewy arms I grew;
+ And when upon his warrior breast I laid
+ My head to sleep, my mother by his side
+ Lulled me with songs of how in days gone by
+ The martial women of our noble race
+ Went with their husbands by their side to fight;
+ And one so nursed fears not the Moslem foe.
+ But now, alas! some evil it forebodes
+ That thou shouldst on this day go forth to fight."
+
+ And as she spoke tears trickled down his eyes,
+ And one, a pearly drop, stole to her palm.
+ She felt it: instantly her hand withdrew,
+ And then began to speak in words like these:
+ "It is not meet that Jinji's valiant prince
+ Should like a child at this last hour shed tears
+ And fear to meet his foe; fear not, my lord,
+ To meet him like a soldier on the field.
+ If thou a victor comest from the fight,
+ We shall in joy spend our first nuptial night,
+ But if thou comest routed from the field,
+ I never more will see thy timid face
+ Or think that thou art born of Kshatriya race.
+ And if thou fallest bravely fighting, then
+ Remember, Prince, thou hast in me a wife
+ Who will not let thee pass from earth alone.
+ Go forth and like a warrior meet the foe.
+ But fear not; Runga will be on our side,
+ So ere thou goest kiss this hand of mine
+ Which from thine eyes that precious tear has sought."
+ So saying, this brave Rajput girl once more
+ To Désing offered through the screen her hand.
+ He lifted it and reverently kissed,
+ Then sallied forth resolved to win or die.
+
+ Fierce raged the battle, but the hapless prince
+ Was weak to meet his foeman's myriad host;
+ And Mamood Khan fell bravely lighting there,
+ And with him many of his valiant men.
+ The faithful steed that through all perils bore
+ The prince was slain, and soon he fought on foot.
+ But ere the foe could capture him alive,
+ He hurled his heavy dagger, bared his breast,
+ And instantly a lifeless corpse he fell.
+ A few brave soldiers bore him from the field.
+ They hastened to the castle and before
+ The widowed Queen their precious burden laid.
+ She, nothing daunted, orders gave at once
+ That her attendants should prepare the pyre;
+ And then to her assembled men thus spake:
+ "My faithful men and my brave soldiers! you
+ Who with my lord fought nobly on the field,
+ I see you all weep at our hapless fate.
+ 'Tis God has willed we thus should end our lives.
+ But a worse fate shall surely soon befall
+ Our cruel foe--howe'er exulting now.
+ Weep not--there soon shall dawn another day
+ When from the farthest end of this vast globe
+ A race for valour and for virtue famed
+ Shall wrest his kingdom from his ruthless hands,
+ And everywhere your sons and your sons' sons
+ Shall lasting peace and happiness enjoy.
+ Be witness to the curse pronounced by me,
+ A widowed maiden at the hour of death,
+ Thou setting Sun and thou, O rising Moon!"
+
+ Then as a bride in all her glory decked
+ Approaches with a gladdened heart t' embrace
+ Th' expectant bridegroom on the nuptial bed,
+ E'en so ascended this fair Queen the pyre,
+ And there embracing lay by her dear lord.
+ The fire was lighted and the pyre was closed,
+ And speedily to ashes were reduced
+ The lifeless husband and the living wife.
+ The Moslem came--heard of the death she died
+ Amid the flames, repented of his deed,
+ And, it is said, he built a lordly town[1]
+ In honour of the Queen, who counted it,
+ A sin her noble husband to survive,
+ And in a moment flung her life away.
+
+FOOTNOTES:
+
+[Footnote 1: Ranipett.]
+
+
+
+
+_THE STORY OF RUDRA_.
+
+
+ A deep calm sea; on the blue waters toiled,
+ From morn till eve, the simple fishermen;
+ And, on the beach, there stood a group of huts
+ Before whose gates old men sat mending nets
+ And eyed with secret joy the little boys
+ That gaily gambolled on the sandy beach
+ Regardless of their parents' daily toils.
+ And all the busy women left their homes
+ And their young ones with baskets on their heads
+ Filled with the finny treasures of the deep.
+
+ A thousand yards to landward rose a town
+ With its broad streets, high roofs, and busy marts.
+ An ancient temple in the centre stood,
+ Where to his servant Nandi once appeared
+ Great Siva, it is said, in human frame.
+ E'en learned saints sang of the holy shrine;
+ And to this sacred spot from far-off lands
+ For adoration countless pilgrims came
+ And men to buy all rarest things that poured
+ Into her busy marts from foreign parts.
+
+ Here in this ancient port of Nundipore
+ In royal splendour lived a merchant youth,
+ Who scarce had reached his one-and-twentieth year.
+ His aged father had but lately died
+ And left him the sole heir of all his wealth.
+ And Rudra--for that was the brave youth's name--
+ Had heard from infant days full many tales
+ Of how his grandsire and his sire had braved
+ The perils of the deep in search of gold,
+ And in his bosom fondly nurtured hopes
+ To travel likewise on the dang'rous sea.
+ And oft would he to Rati, his fair wife,
+ Exulting tell how wisely he would trade
+ In foreign shores and with rare gems return;
+ How even princes, by those gems allured,
+ To court his friendship come from distant lands,
+ And he dictate his own high terms to them,
+ And thus add glory to his glorious house.
+ And often would she vainly plead in turn
+ Her desolate position and her youth.
+ And her dear lord implore upon her knees
+ For ever to dismiss his cherished thoughts
+ And turn to her and to their lordly wealth
+ Which God had given them, to live in peace.
+ Thus wrangled for some months the timid wife
+ And he whom woman's charms could not subdue
+ Until at last arrived th' appointed day.
+ The little ship was waiting in the port,
+ And Rudra to his youthful wife repaired
+ His purpose to disclose; and as at times
+ Clouds hover over us and darken all
+ The sky for days, and still no rain descends--
+ But suddenly when least expected comes--
+ So she to whom her husband's parting lay
+ In words saw it burst in reality.
+
+ He said, "Dear Rati! well thou knowest how
+ I fondly wish to trade in distant realms.
+ The time has come for me to part from thee.
+ This morn a little ship was sighted here,
+ And she is riding yonder on the sea.
+ And ere the setting sun sinks down to rest
+ Into the western waves the little bark
+ Now destined to take me will leave the port;
+ And I have therefore one, but one short hour.
+ 'Tis willed by Him above that I should soon
+ Bid farewell to the place where I was born,
+ Where all my thoughts for ever centred lie,--
+ Soon part from all that to my heart is dear,
+ But soon come richer, greater to my home,
+ To spend my days in joy and happiness.
+ Dear wife! allow me therefore to depart."
+
+ To which the wife--"Dear husband, sad it is
+ To me to think that thou shouldst part from me;
+ But sadder still the thought that thou shouldst go
+ On seas to roam in lands unknown and strange,
+ And canst not tell when to this spot return.
+ There is our lordly mansion here; there is
+ Our wealth, and here I am thy youthful wife.
+ Why go away and risk thy precious life
+ While we enjoy our days like king and queen?
+ Why leave me here to pine away in grief
+ And loneliness? Without my lord it is
+ Half death to me, and I would rather die
+ Than see him part; hence banish from thy mind
+ All thoughts of going and stay here with me."
+
+ "My wife!" he said, "why cherish idle fears?
+ The holy Brahmin whom thou knowest well,
+ So deeply versed in all the starry lore,
+ Tells me that I am fated to return.
+ It is an evil omen that thou shouldst,
+ Lamenting, hinder me at this last hour
+ And tell me not to go. Send me away
+ With thy good wishes, I will soon return.
+ By Him above that rules man's destinies,
+ By mother earth, by yonder setting sun,
+ The moon that shines up in the starry heav'ns,
+ By all that to his heart is sacred deemed,
+ And lastly by his sire whose picture hangs
+ On the wall there, thy husband Rudra swears
+ That after he returns he'll stay with thee,
+ And nevermore e'en think of leaving thee,
+ And let him therefore go in peace of mind."
+
+ "If it is true," replied the crying maid,
+ "That Sita followed Rama to the woods,
+ And that she of the Pandus also shared
+ With them their toils--if ever woman's charms
+ Had power to move the adamantine heart
+ Of man, then let thy Rati go with thee
+ To share with thee thy joys and woes as well.
+ If thou shouldst go alone, remember then,
+ Dear lord, the sin rests solely on thy head
+ That a young maiden has been left alone
+ To mourn for ever for her husband on
+ The seas--and all for gold and for a name."
+
+ "A _name_ thou sayest--never, never would
+ Thy Rudra die unhonoured and unknown
+ And bear the evil name and the reproach
+ For ever with his sons and his sons' sons,
+ That of his old illustrious family
+ He was the only one that feared to go
+ Upon the sea. The sun is going down,
+ And cruel darkness is invading fast
+ On us; and soon the ship will leave the port.
+ Within a year thou shalt see me again.
+ But if 'tis ruled by God that I should not
+ Return, to one thing listen ere I go.
+ To soothe thy spirits in a few short months
+ An infant will be lying on thy lap,
+ And if a daughter she should be, let her
+ Be married to one worthy of our race.
+ But if a son is born tend him with care;
+ When he grows old, let it be said of him
+ That he is his lost father's worthy son."
+ And when the few last awful words were spoke
+ The frighted wife that stood supported by
+ Her lord at once grew pale and motionless.
+ As one that watched with anxious care the growth
+ Of a young tendril slowly fixes it
+ Upon a new and stronger prop, e'en so
+ Brave Rudra extricated himself from
+ Her grasp and gently placed her on the couch;
+ Then gazed on her for a few moments with
+ His hands upon her throbbing temples, kissed
+ Her brow, and straightway vanished from the room.
+
+ And now the little ship in which he sailed
+ Safe bore the crew along the wat'ry waste,
+ And after twenty days' fast sailing she
+ Encountered on the way a storm, was wrecked,
+ And all save Rudra perished in the waves.
+ The shipwrecked merchant lost all that he had,
+ And wandered through a distant country with
+ No friends, no money but his hands to earn
+ For him his daily bread: the lonely youth
+ Thus dragged for years his miserable life
+ With nothing to make it worth living save
+ The hope, the only hope, to see his wife;
+ Till at the end of twenty years a ship
+ Was sighted that was bound for Nundipore.
+ In it he sailed and safely landed in
+ His native port. It was the midday noon;
+ He saw the selfsame fishing village that
+ Stood years ago upon the sandy beach,
+ And with a joyful heart he hastened to
+ His house which all deserted seemed; inside
+ With falt'ring steps he went, and on the walls
+ Of the big hall were hanging pictures of
+ His sire, of Krishna playing on the flute,
+ Of Rama, Siva, and the other gods
+ Whom in his childhood days his house adored,
+ And seemed as they were drawn but yesterday;
+ A thousand other old familiar scenes
+ In quick succession passed before his eyes,
+ Then quickly passed into a room, where lo!
+ There slept a youth and she for whom for years
+ Life's toils he patient bore. As one born blind
+ Had after years of pray'r the gift of sight
+ Vouchsafed to him by God, his Maker, to
+ Behold the beauties of the universe,
+ His wife, his children, and those dear to him,
+ But straightway feels the precious gift withdrawn;
+ Or as a lonely bird that unawares
+ Has wandered far into the deep blue sea
+ Finds nothing but a wat'ry waste all round,
+ And knows not where to rest its wearied limbs,
+ But at a distance kens at last a ship
+ To which with doubled speed it flies and flies,
+ And there discerns a seaman with his bow
+ Preventing it from sitting on the mast--
+ So Rudra felt. "Is this my wife?" he thought.
+ "Yes, by the mole upon her cheek she is;
+ And beauty, spite of age, still lingers on
+ Her face, and this fair youth, attracted by
+ Her charms, came here. Why hast Thou brought me home,
+ O God! why was I not drowned in the sea?
+ Why did I leave that distant country where
+ These twenty years I toiled for bread and lived?
+ And why was I not spared this ghastly sight?
+ No, Rati! never would thy husband bear
+ To see thee lying with another man.
+ First he will kill you both, then die himself."
+ So saying, from a sheath a blade he drew,
+ When lo! there fell the piece of a palm leaf
+ Whereon were writ--_think well before you do_.
+ "This is," he said, "my father's dying gift;
+ By the advice here giv'n I will abide,"
+ Then woke his wife, and in firm tones thus asked,
+ "Who is this youth that has defiled my bed?
+ Speak ere I strike you both." The wond'ring wife
+ The dagger and the stranger saw and cried--
+ "Kill me alone, but spare my only son."
+ "Thy only son!" he said; "now wake him up,
+ And let us all adore our Maker first,
+ Who saved us from my frenzy, which in one
+ Short moment would have shattered all our bliss."
+
+
+
+
+_THE STORY OF THE ROYAL HUNTRESS_.
+
+
+ It was a land of plenty and of wealth;
+ There God's indulgent hand made for a race
+ Supremely blest a paradise on earth.
+ A land of virtue, truth, and charity,
+ Where nature's choicest treasures man enjoyed
+ With little toil, where youth respected age,
+ Where each his neighbour's wife his sister deemed,
+ Where side by side the tiger and the lamb
+ The water drank, and sported oft in mirth.
+ A land where each man deemed him highly blest
+ When he relieved the miseries of the poor,
+ When to his roof the wearied traveller came
+ To share his proffered bounty with good cheer.
+ Such was the far-famed land of Panchala.
+
+ Here reigned a king who walked in virtue's path,
+ Who ruled his country only for his God.
+ His people's good he deemed his only care,
+ Their sorrows were his sorrows, and their joys
+ He counted as his own; such was the king
+ Whose daily prayers went up to Him on high
+ For wisdom and for strength to rule his men
+ Aright, and guard the land from foreign foes.
+ Such was the far-famed king of Panchala.
+
+ An only son he had--a noble prince,
+ The terror of his foes, the poor man's friend.
+ He mastered all the arts of peace and war,
+ And was a worthy father's worthy son.
+ What gifts and graces men as beauties deem
+ These Nature freely lavished on the youth,
+ And people loved in wonder to behold
+ The face that kindled pleasure in their minds.
+ The courage of a warrior in the field,
+ A woman's tender pity to the weak--
+ All these were centred in the royal youth.
+ His arrows killed full many a beast that wrought
+ Dread havoc on the cattle of the poor.
+ Such was the famous prince of Panchala.
+
+ The people, they were all true men and good,
+ Their ruler they adored, for by their God
+ He was ordained to rule their native land.
+ They freely to their king made known their wants,
+ And he as freely satisfied their needs,
+ And e'en the meanest of the land deemed it
+ The basest act to sin against his king.
+ Such were the people of the ancient land
+ Of Panchala, who stood one day with tears
+ Before their king to pour their plaintive tales
+ Of ruin wrought upon their cattle by
+ The tiger of the forest, that all day
+ Was safe in his impenetrable lair,
+ But every night his dreaded figure showed
+ And feasted on the flesh of toiling beasts.
+
+ The king gave ear to their sad tales of woe,
+ And straightway called his only son, and said--
+ "Dear son! my people's good I value more
+ Than thine own life. Go therefore to the woods
+ With all thine arrows and thy trusty bow,
+ And drag the dreaded tiger from his den,
+ And to their homes their wonted peace restore.
+ His spotted skin and murderous claws must soon
+ Be added to the trophies of the past,
+ Now hanging on our ancient palace walls."
+ The prince obeyed, and to the forest went:
+ Three days and nights he wandered in the woods,
+ But still found not the object of his search.
+ He missed his faithful men and lost his way,
+ Till worn and weary underneath a tree,
+ Whose shady boughs extended far and wide,
+ The lonely straggler stretched his limbs and slept,
+ And for a time forgot his dire distress.
+
+ He woke, and thus addressed himself with tears:
+ "Here I am left deserted and alone,
+ Perchance my faithful people at this hour
+ Are vainly searching for their hapless prince,
+ While I die here of hunger and of thirst.
+ And gladly would I welcome now the brute
+ That has attracted me to this strange spot,
+ To plunge his claws into my body, tear
+ My flesh, and break my bones, and feast on me
+ By gnawing them between his horrid jaws,
+ And so spare me from this slow lingering death."
+
+ So thought the royal youth of his sad doom,
+ When lo! a spotless figure, with a bow,
+ A pouch with arrows dangling on her back,
+ A hatchet in her hand for cutting wood,
+ And with a pitcher on her head, appeared.
+ Here every day she came to gather wood,
+ And, dressed in male attire, her heavy load
+ Took to the nearest town, sold it, then reached,
+ At close of day to cook the ev'ning meal,
+ Her cottage on the outskirts of the wood,
+ Where, with her sire, bent down with years, she lived,
+ And dragged her daily miserable life.
+ Such was the maid that was upon that day,
+ As if by instinct, drawn to the fair youth,
+ And such the huntress Radha he beheld.
+ A fairer woman never breathed the air--
+ No, not in all the land of Panchala.
+
+ The maid in pity saw his wretched plight,
+ Then from the pitcher took her midday meal,
+ And soon relieved his hunger and his thirst.
+ The grateful prince, delighted, told his tale,
+ And she, well pleased, thus spake: "Fair youth! grieve not,
+ Behold the brook that yonder steals along,
+ To this the tiger comes at noon to quench
+ His thirst. Then, safely perched upon a tree,
+ We can for ever check his deadly course,"
+ Both went, and saw at the expected hour
+ The monarch of the forest near the brook.
+ In quick succession, lightning-like from them
+ The arrows flew, and in a moment fell
+ His massive body lifeless on the ground.
+ Then vowing oft to meet his valiant friend,
+ The prince returned, and with the happy news
+ Appeared before the king, who blest his son
+ And said: "My son! well hast thou done the deed;
+ Thy life thou hast endangered for my men;
+ Ask anything and I will give it thee."
+ "I want not wealth nor power," the prince replied,
+ "But, noble father I one request I make.
+ I chanced to meet a huntress in the wood,
+ And Radha is her name; she saved my life.
+ I but for her had died a lingering death,
+ Her valour and her beauty I admire,
+ And therefore grant me leave to marry her."
+
+ The king spake not, but forthwith gave command
+ To banish from his home the reckless youth,
+ Who brought disgrace upon his royal house,
+ And who, he wished, should wed one worthy of
+ The noble race of ancient Panchala.
+ Poor youth! he left his country and his home,
+ He that was dreaded by his foes was gone.
+
+ Vain lust of power impelled the neighbouring king,
+ The traitor who usurped his sovereign's throne,
+ To march on Panchala with all his men.
+ He went, and to the helpless king proclaimed--
+ "Thou knowest well my armies are the best
+ On earth, and folly it will be in thee
+ To stand 'gainst them and shed thy people's blood.
+ Send forth thy greatest archer, and with him
+ My prowess I will try: this will decide
+ If you or I should sit upon the throne,
+ And whether Panchala is thine or mine."
+ The king, bewildered, knew not what to do,
+ But soon two maidens, strangers to the land,
+ Met him, and, of the two, the younger said--
+ "O righteous king! we left our distant homes
+ To visit shrines and bathe in holy streams.
+ We have been wandering in many climes,
+ And yesternight this place we reached, and heard
+ Your loyal people speak of your sad plight.
+ In early youth I learned to use the bow--
+ I pray thee, therefore, send me forth against
+ The wretch that dares to wrest this land from thee."
+
+ And ere the treacherous wretch could string his bow,
+ A pointed arrow carrying death with it,
+ Like lightning flew from forth the maiden's hands,
+ Pierced deep into his head, that plans devised
+ To kill his royal master and once more
+ Thought ill of Panchala and her good king.
+ His body lifeless lay upon the field.
+
+ Then spake the maiden to the grateful king:--
+ "Thou, noble ruler of this ancient land!
+ Before thy sacred presence and before
+ All these assembled in thy royal court,
+ I will reveal my story, sad but true.
+ I am the only child of him that ruled
+ The neighbouring state, whose kings for centuries
+ In peace and friendship lived with Panchala.
+ Alas! the villain, whom my arrow gave
+ To crows and to the eagles of the air,
+ Usurped my father's throne, and sad to tell,
+ He instant orders gave to murder us.
+ The menials sent to do the cruel deed
+ Felt pity for the fallen king and me,
+ His only daughter, in the woods left us
+ And went away, reporting they had done
+ The deed; and there, in that deserted place,
+ Unknown we lived a wretched life for years.
+ And glad I am that death ignoble, which
+ The wretch deserved, has now befallen him.
+
+ "This person standing here--I now remove
+ The veil, and, by the mole upon his breast,
+ Behold in him thine own begotten son--
+ Was by thy orders banished from the land.
+ Grant that I now may plead for him, because
+ A woman's words can sooner soothe the heart.
+ I crave your Majesty to pardon him
+ For loving me, and take him back unto
+ His father's home; grant also, gracious king,
+ That I, a princess, may be worthy deemed
+ Of being wedded to thine only son."
+
+
+
+
+_CHANDRA_.
+
+A TALE OF THE FIELD OF TELLIKÓTA, A.D. 1565.
+
+
+At length the four great Mahometan governments, A'dil Sháh, Nízám Sháh,
+Baríd, and Kútb Sháh, formed a league against Rám Rája, then ruling at
+Bijáyanagar. A great battle took place on the Kishna, near Tálicót,
+which, for the numbers engaged, the fierceness of the conflict, and the
+importance of the stake, resembled those of the early Mahometan
+invaders. The barbarous spirit of those days seemed also to be renewed
+in it; for, on the defeat of the Hindus, their old and brave rája, being
+taken prisoner, was put to death in cold blood, and his head was kept
+till lately at Bijapúr as a trophy.
+
+This battle destroyed the monarchy of Bijáyanagar, which at that time
+comprehended almost all the South of India. But it added little to the
+territories of the victors; their mutual jealousies prevented each from
+much extending his frontier; and the country fell into the hands of
+petty princes, or of those insurgent officers of the old government,
+since so well known as zemíndárs or poligars.
+
+The brother of the late rája removed his residence further east, and
+finally settled at Chandragiri, about seventy miles north-west of
+Madras, at which last place his descendant first granted a settlement to
+the English.--_Elphinstone_.
+
+
+ The setting sun sank slowly in the west,
+ The village labourer from the threshing-floor
+ Hied home full laden with the gathered corn,
+ When soon there came, as from a cage just freed,
+ Two lovely doves intent to peck the grain
+ That scattered lay upon the vacant field.
+ Between these birds, by instinct closely linked,
+ Attachment fond had grown. It seemed, indeed,
+ That God for speech denied to them had given
+ Sense exquisite to know each other's ways.
+ Not all the speech of favoured man in truth
+ Could meaning make more clear or deeply felt
+ Than one soft motion of the slender frame,
+ One gentle murmur from the tiny throat.
+ The wife more bold, yet pausing oft to scan
+ Her lord, adventurous strayed with timid steps,
+ Unconscious all of aught to mar their joys.
+ Just then with steady poise on outstretched wing
+ A hungry falcon hovered over her,
+ Resolved with one fell swoop to seize his prey,
+ His talons bury in her tender flesh,
+ Lift her away to some sequestered spot,
+ There drink her blood in leisure undisturbed,
+ And break her bones and her torn flesh devour.
+ At early morn upon that selfsame day
+ A huntsman sallied forth in search of food,
+ And, wandering luckless all day long, at last
+ Did chance upon this bird. Behind a bush
+ He quickly crept, and straightway strung his bow.
+ A gladsome vision suddenly appeared--
+ He saw his wife and children in their home
+ Enjoy the dove's well spiced and roasted flesh.
+ But lo! a gentle flutter of the leaves
+ By eagerness unconscious caused, to her
+ Revealed the huntsman take his deadly aim.
+ With head uplifted and with wings outstretched
+ She flight essayed, but saw the falcon near.
+ Thus scared and terror-struck she lay resigned
+ To fall by deadly arrow pierced, and give
+ Her lifeless form to feed the hungry bird.
+ The keen-eyed huntsman saw that lifted head
+ And open wings meant flight and sure escape.
+ He therefore quickly aimed his arrow high,
+ Which flying pierced the falcon nearing down.
+ That selfsame moment when the arrow flew,
+ When all his thoughts were centred on the bird,
+ The huntsman pressed his foot upon a snake
+ That in the bush lay coiled. Writhing with pain,
+ The snake poured deadly poison from its fangs.
+ The huntsman and the falcon both fell dead
+ Before the helpless dove; and foes that came
+ To work her woe had worked each other woe.
+ The loving pair together flew away,
+ Their life of joy and freedom to renew.
+
+ Lo such the story of two human lives!
+ To them, as happens oft, abundant share
+ Of Nature's choicest gifts brought many ills.
+ But noble lives are thus more noble made,
+ As shining gold oft-heated shines the more.
+ Over the ancient land of Vijiapore[2]
+ There reigned a king for truth and valour known.
+ The lovely Chandra[3] was his only child,
+ Who like the moon among the stars of heaven
+ Shone fairest 'mong the daughters of the land.
+ The father fondly hoped his child would wed
+ A neighbouring prince, the mighty ruler of
+ An ancient kingdom richer than his own;
+ The mother she would be the worthy spouse
+ Of him who was her brother's only son
+ And trusted minister of Vijiapore.
+ But one there was, a courtier of the land,
+ A youth, yet full of counsel wise and true,
+ And ever ready to obey his master's will.
+ The terror of his foes, a hunter bold,
+ He rode the fleetest horse with ease and grace,
+ The wildest elephant his might could tame,
+ And horned bulls knew well his steady grip.
+ Him Chandra wished to wed, and in her breast
+ With silent hope her love for him kept warm.
+ The years sped on, the father fondly dreamt
+ She soon would be the queen of two proud realms,
+ The mother that her future lord would be
+ Both king and minister of state. Meanwhile
+ Fair Chandra and her noble Timmaraj
+ Longed for the consummation of their love.
+ A flower there is, the fairest flower in Ind,
+ A flower beloved by poets of all time,
+ Whose beauties lovers ever love to tell,
+ And liken oft to woman's thousand charms.
+ This flower, the stately lotus of our Ind,
+ Its petals closes to the moon at eve,
+ And all its beauties hides through silent night,
+ But with the rising of the morning sun
+ Opens and swells, its beauty full displays,
+ And sweetest fragrance breathes when fiercest beat
+ The rays. E'en so fair Chandra, though oft told
+ She womanhood had long ago attained,
+ And soon must wed one worthy of her race,
+ Nought heeded when alternate to her view
+ Were brought the prowess of the neighbouring king,
+ The wisdom of the pilot of the state.
+ To wean her love from noble Timmaraj,
+ He forth was sent against his country's foes,
+ With his small band to fall, and ne'er return.
+ But oft as he was sent, as often he
+ Returned victorious with fresh laurels gained.
+ And when the bards before the king and queen
+ Recited in the ancient palace hall
+ The battles bravely won, the glories of
+ The war, fair Chandra's face with joy, e'en like
+ The lotus, beamed, and as by magic charmed,
+ Disclosed a thousand beauties centred there.
+ Though silent she, her looks to all made known
+ Her love for Timmaraj, the author brave
+ Of all his country's good. Yet still she kept
+ A seal upon her lips, until by chance
+ An incident occurred which sealed her fate.
+ As on the sand near by the water's edge
+ One thoughtless stands to watch with eager eyes
+ The surf that beats continuous on the shore,
+ And suddenly when least expected flows
+ A wave that reaches far beyond the rest,
+ So stood the king and queen of Vijiapore
+ In parents' place, tempting their daughter fair
+ To marry whom she loved not, could not love,
+ When Chandra suddenly her mind declared.
+ Down through the stillness of a narrow vale
+ The lovely Pampa flows, whose course is shaped
+ By hills that lift their summits to the sky.
+ On either side, her course is like the life
+ Inconstant of the daughters of this land,
+ Who lived in times of old in castles set
+ Amidst rich groves and cool, pellucid streams,
+ And woodlands broad and fair to roam at will;
+ But these by moats and battlements enclosed
+ Were made impassable that the eyes impure
+ Of man might not upon their beauty gaze,
+ And so defile their virgin purity.
+ For all that here delighted woman's eyes
+ Was freely lavished by their royal sires;
+ And countless guards to watch all day were there,
+ And maidens numberless to sport with them
+ And while away their tedious hours of life
+ With tales of youth, who, bolder than the rest,
+ Leapt over moats and scaled steep battlements
+ To have a glimpse of those more dear than life,
+ But who, alas! were doomed to endless woe,
+ And sent to pine away in dungeons dark
+ For tainting with their feet forbidden ground.
+ But soon their life was changed--the royal bride,
+ Before the happy bridal hour began,
+ Was first by all her kindred freely seen,
+ And straightway taken to the palace hall
+ To choose and then make known her future lord
+ From anxious suitors there, and thenceforth spend
+ With him her days of freedom and of joy.[4]
+ E'en so, none dared, so fearful is the gorge,
+ To gaze upon the river's loveliness,
+ Except those inmates of the mountain caves,
+ That in the noontide hour, to quench their thirst,
+ Climb down, regardless of the huntsman's bow,
+ Or save the vultures of the air, those birds
+ Which, soaring on majestic wings aloft,
+ Alight, as if by instinct drawn, upon
+ Her shady margins, there to feast upon
+ The carcass of some beast that died of age.
+ But soon the valley widens, and she flows
+ At will, her waters sparkle in the sun,
+ And on her margins for grim hills are seen
+ Green fields, deep shady groves, and peaceful homes.
+ 'Tis here those mountains, that kept zealous guard
+ O'er Pampa, fade away from view, as if
+ To make amends for past unkindliness,
+ So leaving her to shoot into the plain
+ And watering Vijiapore and countless lands:
+ 'Twas here the village stood of Chengalpore,
+ The scene of many noble deeds of man
+ And woman's high devotion to her lord.
+ 'Twas here one crowded hour of Timma's life
+ Was worth his country's brightest annals, rich
+ In spoils of war and deeds of valiant men.
+ In that one hour of all his glorious life
+ He won a kingdom and a bride, for whom
+ He left that kingdom never to return;
+ And this the story of that glorious hour.
+ One day the news to Vijiapore was brought:
+ The elephant whose rich caparisoned back
+ The king, to please his subjects, once a year
+ Rode on, his keeper in a sudden fit
+ Of frenzy killed, and dreadful havoc wrought
+ Amongst the royal steeds in Chengalpore;
+ And now the mandate from the king went forth
+ That Timmaraj should slay his fav'rite beast,
+ For e'en the stoutest warrior of the land
+ Dared not approach him in his frenzied mood.
+ Then 'twas that Chandra suddenly her mind
+ Declared and boldly spake in words like these:
+ "It is not meet, dear father, that thou shouldst
+ So lightly use our only warrior's life,
+ Who won so many battles for his king
+ And added nought but glory and renown
+ Unto his country, and bid him thus fling
+ His life away before a beast insane.
+ Thou knowest well thy foes are ever bent
+ On wresting from thine hands this ancient crown,
+ And he alone it is that often curbs
+ Their pride. Yes, Timmaraj shall slay the beast,
+ But grant my pray'r that he shall marry me,
+ For often hast thou said that womanhood
+ I long ago attained, and soon should wed
+ One, therefore, worthy of our ancient house,
+ And gladly will I wed that warrior bold,
+ That shall, before to-morrow's sun has set,
+ Unto the portals of thy palace here
+ Bring dead the beast, that now at Chengalpore
+ Is working havoc on thy noble steeds."
+ The king to this his consent gladly gave,
+ Assured that Timma by the angry beast
+ Would be destroyed and never would return;
+ And so the second mandate was proclaimed
+ And sent to Chandra's other suitors too,
+ _That he shall win the daughter of the king
+ Who slays the beast before the morrow's close._
+ The morrow came, and, ere the warrior youth
+ Leapt on his faithful steed, at early morn,
+ A maiden stood before his gate and said,
+ "Brave youth! thy Chandra sent me here to say
+ Thou shouldst not fear to boldly face the beast;
+ Shouldst thou come victor back, she will be thine
+ And thine for ever even after death.
+ But shouldst thou flee from him to save thy life,
+ Think then thou art unworthy of her love,
+ And she shall not e'en see thy coward face;
+ But, if perchance thou fallest by the beast,
+ Vouchsafe to her through me with thine own hand
+ One javelin of the eight which now thou hast,
+ For she will not outlive her Timmaraj,
+ But straightway bare her breast and plunge the dart
+ And lifeless fall a corpse." The youth replied,
+ "I gladly send this javelin, but tell her
+ She shall not need its use, for Timmaraj
+ Will surely come victorious with the beast."
+ With javelins seven then he sallied forth
+ Upon his steed to win his bride or die.
+ Meanwhile the news was spread that Timmaraj
+ And that young min'ster, who these many years
+ Was seeking through her mother Chandra's hand,
+ And Bukka, ruler of the neighbouring state,
+ Whom she her father fondly wished should wed,
+ Had started on their steeds to Chengalpore;
+ Each vowed to be the first to drag the beast
+ Unto the royal city for six miles,
+ And there slay him before the palace gate.
+ The city poured her sons the sight to see,
+ For in the annals of their country's past
+ Not e'en the brightest page contained one deed
+ That could this glorious feat of man surpass;
+ And Timma was the people's fav'rite, and
+ They dearly wished that he should slay the beast,
+ Win Chandra, and become their future king.
+ But soon the thought of that mad beast unnerved
+ Both Bukka and the minister of the state.
+ The royal Bukka thus to himself said:
+ "A richer kingdom than this Vijiapore
+ I own, and why should I now madly stake
+ My life in this hard feat; 'tis easier far
+ To gain this Chandra and her father's throne.
+ I will sit hidden in the thickest bush,
+ Near yonder stream, by which the pathway runs--
+ For Timmaraj is sure to pass that way--
+ And with this arrow I will end his life.
+ Thereafter Chandra's love for him will fade
+ And die, and who is there to marry her
+ But I?" So thought this foolish youth, to whom
+ A woman's love was as inconstant as
+ His own resolve to fight a savage beast,
+ And sat within a bush to watch his prey.
+ He too, the pilot of the state, deemed it
+ A mad resolve to try the dang'rous feat,
+ And silent sat unnoticed and unknown
+ Upon the other side of that same path,
+ Within a secret bush by that same stream.
+ The one knew not the other was concealed
+ The fatal blow upon the selfsame prey
+ To deal, but fearless Timma on his horse
+ Approached the beast, which madly rushed on them,
+ To force both horse and rider to the ground
+ With his huge leg, and then to tear them both.
+ The horse was fleeter than the elephant,
+ Which thus the chase gave up, but still the youth
+ Undaunted neared the beast a second time,
+ And hurled with all his might a jav'lin, which
+ Pierced deep the temple. Thus enraged, the beast
+ Began the chase again, but still the steed
+ Was fleeter than the wearied elephant,
+ And once again he stopped, but Timma hurled
+ A second, which went deeper than the first,
+ And roused him all the more--and nevermore
+ He stopped, but towards Vijiapore the chase
+ Continued; for in due succession flew
+ Six jav'lins, lightning-like, with deadly aim.
+ Thus, by the angry beast pursued, he neared
+ At last the little stream that must perforce
+ Be crossed to reach the royal city gate.
+ Then from the pouch that dangled on his back,
+ His only jav'lin, with his utmost might,
+ Discharged, that so enraged the maddened beast,
+ With fury rushing, that his writhing trunk
+ Had all but touched the rider and his horse
+ In one embrace to crush them both; but soon
+ The keen-eyed youth the danger saw, and spurred
+ His horse, which bounded o'er the stream, when lo!
+ Two arrows crossed each other underneath.
+ One pierced the min'ster dead; the other pierced
+ The royal Bukka, who unconscious fell.
+ One moment more, and at the palace gate
+ The wearied rider on his foaming steed
+ Stood, like a warrior coming with his spoils,
+ The beast beside him, which, worn out, fell dead.
+ And as the tall and massive gate of some
+ Old fort with spikes deep driven to withstand
+ The foe, who battered it incessant, falls,
+ And, powerless to stand the shock, at last
+ Falls with a crash that far and wide was heard,
+ So fell the beast, his massive corpse all torn
+ And mangled, and with jav'lins planted deep,
+ And when he fell from his huge throat went forth
+ A wail, his last, like roaring thunder, that
+ Resounded through the hills of Vijiapore.
+ Another moment and brave Timma sat
+ Upon the bridal seat, the veil was drawn,
+ And, through the veil, the sacred knot was tied
+ Round Chandra's neck, and all was merry there.
+ And still another moment when--alas!
+ For that strange fickleness of human life
+ Whose joys and griefs each other follow like
+ The spokes of some fast-going wheel--there came
+ The wounded Bukka with a violent wail
+ That Timma had the king's adviser slain,
+ Whose body lay upon the riverside,
+ Exposed to all the carrion birds of prey,
+ And him too wounded, but the arrow pierced
+ Not deep, but laid him senseless for awhile;
+ But soon, with consciousness restored, his wound
+ He washed, and straightway hastened on his steed,
+ In time to tell the story, sad but true,
+ And stop the marriage of that coward with
+ The fairest and the noblest of the land.
+ As when upon a tree, whose boughs with fruits
+ Are laden, birds innumerable sit,
+ Them to enjoy and to be merry there,
+ The cruel hand of man to mar their joys
+ Hurls suddenly a stone, and all the air
+ Around is thick with jarring sounds of birds
+ That in confusion fly--so fell the words
+ Of Bukka on that scene, where all was joy,
+ Where, like a beehive, swarmed the surging crowd,
+ To see the marriage of their princess dear;
+ And straightway in confusion wild they ran
+ Without a purpose, but in various ways.
+ Unto their homes some ran the news t'acquaint,
+ Some to the wounded Bukka and his horse,
+ But many to the riverside to find
+ Their min'ster lying dead by arrow pierced.
+ The sorrow-stricken king spake not a word,
+ But like a lifeless figure stood awhile.
+ A sudden fit of frenzy overtook
+ The king at last, and Timma's awful doom
+ He thundered forth in accents strong like these:
+ "Be this my decree, forthwith known to all,
+ That Timma henceforth shall be banished from
+ My land for this dishonour brought on me.
+ He paved his way by murder to my throne,
+ And sullied the fair name of my dear house."
+ When these few awful words the monarch spoke,
+ Tears trickled down his eyes, and Timma from
+ The bridal seat received his doom, 'stead of
+ A blessing from the father of his bride.
+ A gentle touch, a whisper through the veil,
+ Then Timma to the royal judgment bowed,
+ And slowly moved from out those scenes of joy
+ And merriment, and reached the palace gate,
+ Where stood his horse by that dead elephant;
+ And soon in that confusion that prevailed
+ Was seen to slowly move a figure veiled,
+ T'approach the gate, and forthwith Timma swung
+ That figure on the saddle of his horse,
+ Then himself leapt and vanished straight from view.
+ The angry monarch saw their sudden flight,
+ And as some agčd lion, when sore vexed,
+ Like thunder roaring, musters all his strength
+ And stands defiant to face the foe, so stood
+ The agčd warrior, whose old strength returned,
+ His breast expanded, and his body raised
+ Erect, and for the time his age shook off.
+ Then spake he forth in angry tones like these:
+ "My only child is gone, and he that brings
+ My daughter back shall have my highest meed--
+ Nay, even half my kingdom I will give."
+ None dared save Bukka to essay the feat,
+ Who forthwith sprang upon his horse, and soon
+ O'ertook the running pair, for Timma's horse,
+ Though deemed the fleetest in the land, now felt
+ His double weight, his wonted speed decreased.
+ Then Timma said, "Our foe is nearing fast,
+ And he is armed, while weapons I have none.
+ In bridal dress I cannot face the foe,
+ And he will sure kill me and take you back
+ Unto your angry sire. Thou art a girl
+ Born of the martial Kshatriya race, and hence
+ Thou knowest well to ride the wildest horse;
+ So let me now dismount for thee t'escape."
+ "'Tis better far I die with thee," she said,
+ "But I have here the javelin thou didst give
+ Before thou went'st to kill the elephant,
+ The eighth and last, concealed within my veil.
+ Take this and stop the coming foe,--but oh!
+ Kill not the wretch who dared to follow us,
+ And sully this our happy bridal hour
+ By murder; only stay, oh, stay the chase!"
+ So said, she gave the jav'lin, which he hurled
+ Upon the chasing charger's breast with all
+ His might, and straightway horse and rider fell;
+ And, like those innocent and helpless doves,
+ The loving pair together fled away,
+ Their life of joy and freedom to renew.
+ Before the fury of an angered king
+ For full three days and nights they ran, and found
+ At last a safe and happy shelter in
+ A shepherd's cot, and in those troublous times
+ 'Twas easier for the brave to kingdoms found,
+ Rear palaces, and rulers strong become,
+ Than for the toiling peasants, from sown fields,
+ To reap their crops and safely bear them home.
+ Brave Timma was a stranger 'mongst new men;
+ The many tigers by his arrows killed
+ And neighboring clans and lawless robbers kept
+ In check gave them sure hopes of future peace
+ And future joy, and straightway they made him
+ Their king to guard their women and their homes,
+ While they their avocations of the soil
+ In peace pursued, and soon was raised a fort;
+ A stately palace too was reared within
+ By willing hands, and safe from dang'rous foes,
+ And far away from their dear native vale
+ Of Vijiapore they spent their peaceful days
+ In joy, beloved by all their loyal men.
+ But 'tis a saying often told in Ind,
+ _He hath a foe who hath a lovely wife._
+ Her very loveliness is reason deemed
+ To hate her lord, nay, murder him, and hence
+ Her husband's foe unconscious she becomes.
+ For Chandra's beauty all these evils wrought
+ Upon the youth, who for his country fought
+ So many battles, and the Moslem kept
+ In constant dread, and for his virtue's sake,
+ Though most beloved in his native land,
+ And dreaded most for valour by his foes,
+ He lived a stranger in a foreign land.
+ She, too, that maiden, 'twas her fate to share
+ Her husband's troubles for her beauty rare.
+ Still 'twas a little heav'n their new home where
+ The halcyon days of mutual love were spent.
+ 'Tis sweet to love and sweeter to be loved;
+ And thus in their new home their life of joy
+ They spent in undisturbčd solitude;
+ But ah! this even was not long to be.
+ One day the news was brought to their new king,
+ By a small troop of sorrow-stricken men,
+ That ev'ry night a tiger from his den
+ Came down and fearful havoc wrought amongst
+ Their toiling cattle, and the piteous tales
+ Of dreadful woe they poured into his ear
+ Moved Timma's heart, who took his trusty bow
+ And forthwith started with a faithful band
+ To drag the tiger from his mountain cave
+ And then for ever stop his mad career.
+ For days and nights he wandered in the woods,
+ But sad to tell found not the dreaded beast.
+ Still, nothing daunted, continued the search,
+ Until at last his faithful men he missed,
+ And wandered far into the wilds unknown,
+ When lo! the villain Bukka, who, upon
+ The outskirts of the newly-founded state,
+ Was hovering like a falcon o'er his prey,
+ Pounced suddenly upon the lonely youth
+ And safely carried him to his abode;
+ Then tidings sent to Chandra in these words:
+ "Dear maid! thy Timma is a helpless slave,
+ A humble suppliant for his life before
+ The valiant Bukka; let thy pride now cease.
+ The jav'lin which thou sentest me to slay,
+ Which killed my noble steed instead, awaits
+ To pierce his head and forthwith end his life.
+ But hearken ere I strike him dead therewith,
+ Thy matchless beauty, valour, virtue--these
+ Are fit to shine in royal courts like mine,
+ Add splendour to my household, where installed
+ As queen the daughters of my land will pay
+ Homage to thee--discard him, therefore, and
+ Love me, and I will forthwith set him free."
+ The angry maiden made reply, "Vile wretch!
+ Cursed be thy head to hold this evil thought.
+ If in my presence this request were made,
+ Sure I to fragments would have splintered it
+ With my own weapon, and the pieces thrown
+ To carrion birds to feast upon withal.
+ Tell him 'tis better far he should be like
+ A cur tied at my gate, for servants, as
+ They pass, to throw a little morsel from
+ The remnants of our feast; I fear him not,
+ And if my lord he kills, sure I am not
+ His wife, if forthwith I don't leap upon
+ The flames and then to ashes be reduced.
+ Begone! 'twere better far my husband dies
+ Than be the prisoner of a grovelling wretch."
+ Bukka, whose ire was roused, sent word at last--
+ "Beware, you foolish maid! poor Timma's life
+ Endanger not by this refusal stern,
+ Nor lightly treat my prowess, for to me
+ 'Tis easier far to take away his life
+ Than for the lordly monarch of the woods
+ To kill the puny, weakly lamb; and nought
+ Prompts me to wait thus far, but pity for
+ The daughter of a friend and neighbour-king,
+ Else Timma's body would have long ere this
+ Been given to the eagles of the air.
+ So listen now, once more, ere I kill him,
+ And, if at all thou carest for his life,
+ Let me but see the beauty of thy face,
+ And for one moment only gaze upon
+ Its loveliness--then Timma shall be free,
+ And I will pass in quietness to my home--
+ Nay, henceforth I will not molest you both.
+ Shouldst thou this last request refuse, I swear,
+ By all I sacred hold, the moment that
+ Refusal comes, the jav'lin from my hand
+ Will fly at Timma and will strike him dead."
+ Meantime brave Chandra in the audience hall
+ Of her own palace, 'midst her faithful men,
+ Received the news, and then in angry tones
+ She spurned the wild request, when there appeared
+ Her priest, who counsel gave in words like these:
+ "It is not meet, O royal lady, that
+ Thou shouldst this attitude defiant assume,
+ When Bukka in a moment may bereave
+ Us all of our dear, noble Timmaraj,
+ And drive thee, too, to fling thy life away;
+ And, if 'tis writ thou shouldst so die with him,
+ Our sad entreaties and our tears will nought
+ Avail, nor alter laws thus preordained.
+ But haply, if it is writ otherwise,
+ Why break the link that binds you both for life?
+ Call it not chance the link that binds men's hearts,
+ But Heaven's sacred gift to sweeten life.
+ It is the hand divine that guides man's life
+ From the inception to the very end;
+ Nay more, sees even after that life's end,
+ Its own appointed destiny is reached,
+ To take fresh shape, its course to run anew,
+ And reap what it had sown before, for take
+ The tree, its fruit but falls to reach its base.
+ The calf his mother easily doth find
+ Amidst a thousand cows, to suck the milk;
+ And all our deeds doth likewise follow us,
+ E'en after death, and they are not our own,
+ But preordainčd laws, that must perforce
+ Be anywise fulfilled, and He alone
+ It is that sees their strict fulfilment here.
+ For ah! why should the noblest maiden and
+ The fairest and the wisest in the land
+ Be mated to the meanest wretch through life?
+ All that is deemed the highest in the world--
+ Beauty and honour, valour, virtue, wealth--
+ All these availeth not, her mind is blank;
+ She herself knows not whom to love and wed;
+ Not e'en dear friendship kindles in her breast
+ The lamp of love, but suddenly
+ A passing stranger's glance, a simple look
+ Instinctive plants that love, which slow takes shape,
+ Despite a thousand counter forces, till
+ At last the final end is reached: a look
+ Is thus enough to bind two hearts for life,
+ And this is but the true fulfilment of
+ A preordainčd law that in the life
+ Before had all but reached perfection full,
+ Or their appointed shape had all but tak'n,
+ And in the new life easily attains
+ The end: such, then, the truth of all such things.
+ Call it what you will, simple tendency
+ Inherited, the least sign gives it life,
+ Which but leads it to its appointed end,
+ Like powder whose combustibleness sleeps,
+ The sudden spark to action rouses it.
+ And thus it was, O Chandra, thou didst share
+ A humble courtier's lot, and didst refuse
+ The premier noble's hand, or better still
+ The queenship of two mighty states, and thus
+ The many counter forces that were set
+ At work but strengthened thy true love for him.
+ And why endanger such a husband's life?
+ One wedded so to thee, and not by chance,
+ But by the preordainčd law of God;
+ For know thou livest only for thy lord.
+ Thy husband is thy lord, and, if perchance
+ It is his will thou shouldst be Bukka's queen,
+ Thou shouldst, so knowing it, obey his will,
+ Else, sure thou shalt be deemed nor pure nor chaste,
+ But counted worse than e'en a faithless wife;
+ 'Tis not in man to alter written laws;
+ 'Tis hard, nay useless too to fight 'gainst fate,
+ And if 'tis writ that Bukka should now see
+ Thy matchless face, thou canst not alter it,
+ And fate's severities good deeds alone
+ Can soften, and our holy writings say
+ 'Tis sin to let another man behold
+ Thy face, admire the beauties that enchant,
+ And thou becomest then impure; but those
+ Same holy books say, 'tis no sin to see
+ The shadow for the true reality.
+ Now, therefore, let a silken veil be drawn,
+ And underneath a bowl of oil be placed,
+ And the reflection of thy face therein
+ Let Bukka see and Timmaraj be saved."
+ To this the queen consent unwilling gave,
+ And Bukka to the palace gladly came,
+ Resolved to freedom give to Timmaraj,
+ If Chandra were like other maidens fair,
+ But sure possess her, if she shone among
+ The daughters of the earth surpassing fair,
+ And like the moon among the stars of heav'n.
+ The veil was drawn, the bowl of oil was placed,
+ And lo! was seen therein a face, whose like
+ The royal Bukka ne'er had seen before
+ In all his life; like lightning it appeared,
+ Bright'ning the surface for an instant, and
+ Like lightning vanished, planting in his breast
+ Impassioned love for Chandra, and a love
+ Too deeply rooted to be rooted out.
+ Then Chandra through the screen impatient said:
+ "Now that this deed is done, delay no more
+ My long lost husband to restore to me."
+ And Bukka made reply--"O maiden fair,
+ O Chandra! I am smitten by thy charms,
+ Thy wondrous face is ever in my mind,
+ And nought can now induce me to restore
+ Thy Timmaraj to thee, to gaze upon
+ Thy wondrous beauty and enjoy those charms.
+ My kingdom broad is at thy feet, and there
+ Enthroned as queen my riches and my all
+ Shall be at thy command, and therefore hear,--
+ If, by to-morrow eve, thou dost not reach
+ My tent pitched yonder, Timmaraj shall die,
+ And to the pyre, if thou dost follow him,
+ Sure I will myself die with thee, and thus
+ A double sin will rest upon thy head."
+ As the fond mother of an only child,
+ When sick, clings closely to it, and for days
+ And nights incessant watches it with care,
+ When he, well versed in all the healing lore,
+ Gives but to please her hopes of cure complete,
+ But suddenly the dang'rous malady
+ New shape assumes, the symptoms serious grow,
+ The healer himself breaks at last the news
+ Unto the anxious mother, who stands mute,
+ And knows not what to do in blank despair--
+ So felt the hapless Chandra when these words
+ The treach'rous Bukka spake and left the scene.
+ Now 'twas her holy Brahmin priest appeared,
+ And counsel gave again in words like these:
+ "Grieve not, but well rejoice that Bukka builds
+ His future hope on base dishonesty.
+ His fall is near, and Timma's safe return
+ Henceforth is sure, for he that hopes to win
+ By treach'ry and deceit, fails sorely in
+ This world of God, and therefore fear him not;
+ It is the foe magnan'mous thou shouldst fear.
+ Our holy ancient writings say it is
+ No sin deceit to conquer by deceit;
+ And hence fail not to send immediate word
+ That Bukka should to-morrow eve expect
+ Thee as befits a woman of thy rank,
+ And with a hundred maidens in his tent.
+ Take twenty litters, and let one appear
+ More gorgeous than the rest, for thee to sit,
+ Take but a hundred of thy faithful men,
+ All armed to fight for their dear king and queen.
+ Thou art a kshatriya girl, thou knowest well
+ To fight, and therefore take thy fav'rite bow
+ And arrows and conceal thy person with
+ A maiden's veil, armed fully as thou art,
+ And likewise let thy men be covered too,
+ To look like thine own maids of honour, let
+ Each litter, with a man inside, be borne
+ By four, go forth equipped likewise, surprise
+ The foe, bring him a prisoner, or upon
+ The field of battle die a noble death.
+ And death need have no horrors unto thee,
+ But unto those to whom this world is bright,
+ Its prospects hopeful and its pleasures keen,
+ And to the healthy and the young death's pangs
+ Are most severe when life is plucked, and from
+ Sere age, when all is ready for the end,
+ Life unperceived goes as from one that sleeps.
+ The gentlest wind brings down the serest leaf.
+ To sever from the parent stem by force
+ The freshest must be plucked, and so with man.
+ And by the righteous and the just, when sore
+ Oppressed with grief, dear death is welcomed most.
+ When the eruptions on the skin pain most,
+ By cutting them relief at once is sought;
+ E'en so, if noble Timmaraj is killed,
+ Court instant death, thy dagger hurl, and bare
+ Thy breast and lifeless by thy husband fall,
+ Like that same bird that, full up to the throat,
+ Swallows the little pebbles of the sand,
+ And, soaring high aloft upon her wings,
+ Suddenly closes them and drops down dead
+ Near her dead lover, where the body bursts.
+ But this, if you find hard, run with thy life
+ To this our safe abode, where willingly
+ The fun'ral pyre we, with our hands, will raise
+ And feed the flames thy body to consume.
+ Hence soon depart and Krishna will help thee."
+ The morrow came, and Chandra sallied forth
+ And, as directed by her Brahmin sage,
+ Went with a hundred of her armčd men,
+ All veiled, surprised the foe, who, flushed with hope,
+ Unguarded waited but to welcome her:
+ Then safely rescued her lost Timmaraj;
+ The fatal jav'lin wrung from Bukka's hands,
+ And himself too a prisoner brought in chains.
+ Then in the spacious palace hall, amidst
+ Her faithful men, the noble queen sat veiled
+ With Timmaraj, long absent from the throne,
+ And spake to Bukka, standing in the front
+ With folded hands, in angry words like these:
+ "By treach'ry thrice thou triedst to win, and thrice
+ Hast failed, and, when my noble Timmaraj
+ Went singly forth to bring the maddened beast,
+ Concealed thou didst aim at his life and failed.
+ The hand of God had otherwise decreed.
+ And when upon the bridal seat we sat,
+ And all were merry in my father's home,
+ Thou camest with a story, false and base,
+ And for our lives we had to flee, and now
+ Are strangers here, and when upon thy steed
+ Unjustly thou pursuedst us both, it was
+ My hand that stayed my husband killing thee,
+ Else long ago the worms had eaten thee;
+ Thy bones the jackals of the earth had tak'n;
+ And nothing left of thee but thine own sins.
+ It was thy charger innocent that paid
+ For them the penalty instead. Once more
+ You came, and, like a lawless thief concealed,
+ Carried my lord, when helpless and alone,
+ And for his freedom vile proposals made,
+ And for so many days these troubles wrought
+ On me and these my faithful loyal men.
+ Know well, 'tis virtue that is sure to win,
+ And truth and justice will prevail at last.
+ This very jav'lin will put thine eyes out;
+ But pity for thy present state prompts me
+ To let thee now alone--go safely home,
+ And henceforth never even sin in thought."
+ And like a criminal who, by pity freed,
+ At once goes forth worse sins to perpetrate,
+ So Bukka, vowing vengeance, left the hall,
+ And henceforth love and hate alternate played
+ In his dark breast--hate for this grave insult,
+ And by a woman offered, and love too,
+ A bestial passion for her wondrous charms;
+ And from that selfsame moment various plans
+ His head devised her pride to humble and
+ Her purity to sully, when alas!
+ The Moslems' greed of power gave him sure hopes
+ At last her Timma's ruin to complete.
+ Unto the agčd king of Vijiapore
+ His only warrior's and his only child's
+ Escape brought many toils and endless woe.
+ That Bukka, with a perjured tale, came on
+ The day of marriage was made known to all,
+ Soon after they had left their native home.
+ The agčd monarch knew not where they lived,
+ But sent his faithful servants far and wide
+ To bring them home; the cruel Moslems, too,
+ Aware that Timma's absence weakened him,
+ Combined a sudden rush to make upon
+ The royal city, kill her ruler, and
+ Divide the spoils and take his vast domains.
+ And now the wily Bukka with those foes
+ Of foreign faith conspired; what though he fought
+ As usual in the ranks of Vijiapore,
+ Under the banner of her Hindu king!
+ To them he would run in the thickest of
+ The fight and sudden turn the tide of war,
+ And, from the conquered spoils, for his own share,
+ He wanted neither lands nor riches, but
+ Demanded Chandra and her lord alive.
+ And news of instant war had travelled far
+ And wide, the princes and the chieftains poured
+ Their loyal forces, ready to avenge
+ Their Moslem foes, who, for no cause, thus dared
+ Their city to invade so suddenly.
+ And Timma hastened with his wife at last,
+ And was with joy received by all, who lost
+ All hopes of ever seeing them alive.
+ And soon a council in the royal hall
+ Was held, to name a leader and decide
+ How best to strike at once th' advancing foes.
+ Many felt proud by Timma to be led
+ To victory in the field or glorious death,
+ And many too in that assembly said
+ That Bukka should not join their Hindu ranks,
+ For he would, in the midst of battle, join
+ The Moslem ranks and surely bring defeat
+ And ruin too upon their agčd king,
+ The noble Ramaraj of Vijiapore,
+ And cause their ancient kingdom's overthrow.
+ But said one counted high for wisdom there:
+ "_Do good, and so chide him that evil does_,
+ Is the oft-quoted saying of our true
+ And ancient faith, and this is but the war
+ For mastery 'tween different creeds and faiths,
+ And hence let Bukka forthwith come to fight
+ Against the common foes, who thus combined
+ To mar our ancient faith and change our lives,
+ And let our Ramaraj himself go forth
+ And lead, and everlasting glory win,
+ And in defence of our old Hindu faith,
+ Or, if he falls, let him to _Swarga_ go
+ To join th' immortals there; and one word more
+ To thee, O Timma,--bury all the past,
+ And Bukka for his sins forgive, and both
+ Go hand in hand to fight the Moslem foes.
+ To pardon is the spirit of our faith."
+ To this consent was gladly giv'n by all,
+ And the propitious day and hour to march
+ Was soon named by the holy Brahmin priest,
+ So deeply versed in all the starry lore.
+ Brave Timma sought his anxious wife ere he
+ Went forth to fight, and thus took leave of her.
+ "Dear wife! the day to march is named at last.
+ Your agčd sire and our dear monarch leads
+ The war, and Bukka, as a Hindu true,
+ Joins us to fight against the Moslem horde,
+ And doubly glad I am that in this war,
+ With Bukka vying in the field with me,
+ And in the very presence of our king,
+ Who well rewards the val'rous and the brave,
+ The place of honour I will there attain
+ For courage true, and prove once more before
+ The world I am a worthy husband of
+ A noble wife; so let me now depart."
+ She made reply--"Some evil it forebodes
+ That Bukkaraj should thus be madly told
+ To join our ranks, for what is truth and God
+ To one so steeped in sin? And sad it is
+ My agčd father goes with him to fight.
+ Trust not in him and keep a steady eye
+ On him, e'en if within the thickest of
+ The fight thou art, for any moment he
+ May turn the tide of war; fight till the last,
+ And, if thou comest back victorious from
+ The field, I'll be the first to welcome thee,
+ But, if thou fallest fighting in the field,
+ Or if, perhaps, it chances otherwise,
+ Thou art left helpless and alone, here is
+ Our ever ready jav'lin to kill thee.
+ Thy body forthwith shall be nobly borne
+ Unto the pyre by thine own faithful men,
+ And I will gladly leap upon the flames.
+ But if thou comest routed and alive,
+ Then Chandra nevermore shall see thy face."
+ At early morn, upon th' appointed day,
+ The king his faithful servants summoned, and
+ Before them all his only brother named
+ To rule the kingdom and confided all
+ His subjects to his care; then, at the head
+ Of his brave troops, out of the city marched,
+ Amidst the royal bards recounting in
+ Sweet tones the glories of his kingdom's past,
+ His holy priests invoking Krishna's help
+ And chanting sacred hymns, and in the midst
+ Of maidens of the martial Kshatrya race,
+ Proceeding to the very city gates,
+ And singing to their fathers, brothers, and
+ Their husbands in shrill notes heard far and wide,
+ That Swarga's gates are ever ready to
+ Receive the faithful if they bravely fall,
+ The flames are ready to take their proud wives,
+ But burning hell gapes wide for to devour
+ The cowards that run routed and alive;
+ Their maidens' sweet embrace awaits them not.
+ At last, upon the plains of Tálicót,
+ The armies met, fierce raged the battle, and
+ Old Ramaraj fought nobly in the field;
+ And Timma too wrought dreadful havoc on
+ The Moslems and their ranks oft shattered, but
+ Alas! the ever treach'rous Bukka pounced
+ Sudden on his own ranks; the king was slain;
+ His ghastly head upon a pole was shown,
+ And helpless and forlorn the Hindus stood;
+ But, ere perfidious Bukka could run with
+ The Moslem foes, to capture him alive,
+ A faithful soldier Timma called, gave him
+ His Chandra's jav'lin, in his steady grip
+ To hold, then boldly ran his body through
+ And instantly fell lifeless to the ground.
+ A faithful few the body bore, and laid
+ Before the orphaned and the widowed maid
+ Their precious charge, and soon the pyre was raised.
+ Then, near the flames that brightened her bright face,
+ Her uncle and her people shedding tears,
+ Her noble husband lying cold and still,
+ The story of her father's cruel death
+ Still ringing in her ears, she took farewell.
+ "Dear uncle and my faithful men! grieve not:
+ I see a cloud, now looming yonder there,
+ No bigger than the hand of man, that shall
+ Expand and rain and water to purge all
+ The land of th' innocent blood shed on it,
+ For mother India's cup of woe is full,
+ And but three decades more,--there will come from
+ The far-off ends of this vast globe of ours,--
+ A little island planted in the sea,--
+ A handful of a noble race to trade,
+ And shall from thee ask for a plot of land,
+ And they shall prosper for their valour and
+ Shall be exalted for their righteousness.
+ They shall befriend the helpless and the poor,
+ And like the streams that seek the ocean broad,
+ The chickens that run to their mothers wings,
+ The maidens helpless and forlorn, that court
+ The succour of the chivalrous and the brave,
+ The orphans poor, the bounty of the kind,
+ All men of Ind, all races and all creeds
+ Shall to their banner flock, to live in peace
+ And amity; the tiger and the lamb
+ Their thirst shall quench both from the selfsame brook.
+ The giant brute before the weakly sage
+ Shall bow, and men shall fear to even gaze
+ Upon the maidens that go forth alone,
+ Adorned with naught but chastity, and from
+ All lands the wisest shall revere our faith.
+ He that desires our homes to plunder and
+ Sully the honour of our women, him
+ Punishment terrible shall sure await.
+ Three hundred years more and the little plot
+ Of land thou gavest shall grow and expand
+ Into an empire huge, unwritten yet
+ On hist'ry's page, and shall surpass the dreams
+ Of warriors bold in times of old, and like
+ The creepers that, entwined around the oak,
+ Luxuriant grow, safe from the storms that blow,
+ And flow'rs give forth to beautify the scene,
+ Her sons shall everlasting peace enjoy,
+ And blessings, hitherto unknown to man--
+ The grandest scene for God to ever cast
+ His loving eyes upon, and for the world
+ Of man to wonder at, and there shall be
+ One sway, the sway of reason and of truth;
+ One creed, the creed of righteousness and love;
+ And mercy for all living things on earth;
+ One brotherhood, the brotherhood of man;
+ One fatherhood, the fatherhood of God.
+ But hark! there comes a shout, and yonder runs
+ Exulting Bukka to seize me alive.
+ But these kind flames are ready to save me.
+ Run, uncle, run at once to far-off lands
+ And continue thy sway in safer climes."
+ So saying, she leapt on the fun'ral pyre,
+ And speedily to ashes were consumed
+ The faithful wife and her departed lord.
+ The monarch, who thus from the Moslem ran,
+ In honour of this noble maiden, reared
+ A princely town,[5] and here the Saxon came,
+ And mother India was for ever blest.
+
+FOOTNOTES:
+
+[Footnote 2: Vijianagar is here called Vijiapore.]
+
+[Footnote 3: Literally, the moon.]
+
+[Footnote 4: The allusion here is to the ancient custom of _Swayamvara_
+(self-choice), which is the election of a husband by a princess or a
+daughter of a kshatriya at a public assembly of suitors for the
+purpose.]
+
+[Footnote 5: Chandragiri.]
+
+
+
+
+_THE KORATHY'S LULLABY._
+
+
+The Korathy is the tattooer of the Indian village, who offers her
+services for a small fee. Hindu females are very fond of having their
+bodies tattooed. The Korathy first makes a sketch of the figure of a
+scorpion or a serpent on the part of the body offered to her for
+tattooing, then takes a number of sharp needles, dips them in some
+liquid preparation which she has ready, and pricks the flesh most
+mercilessly. In a few days the whole appears green. This is considered a
+mark of beauty among the Hindus. While the tattooing takes place the
+Korathy sings a crude song, so as to make the person undergoing the
+process forget the pain. The following is as nearly as possible a
+translation of the song which I myself heard:--
+
+
+ Stay, darling, stay--'tis only for an hour,
+ And you will be the fairest of the fair.
+ Your lotus eyes can soothe the savage beast,
+ Your lips are like the newly blossomed rose,
+ Your teeth--they shine like pearls; but what are they
+ Before the beauties of my handiwork?
+
+ Stay, darling, stay--'tis only for an hour,
+ And you will be the fairest of the fair.
+ I've left my home, and all day hard I toil
+ So to adorn the maidens of the land
+ That erring husbands may return to them;
+ Such are the beauties of my handiwork.
+
+ Stay, darling, stay--'tis only for an hour,
+ And you will be the fairest of the fair;
+ In days of old fair Seeta laid her head
+ Upon the lap of one of our own clan,
+ When with her lord she wandered in the wilds,
+ And like the emerald shone her beauteous arms.
+
+ Stay, darling, stay--'tis only for an hour,
+ And you will be the fairest of the fair.
+ And often in the wilds, so it is said,
+ She also of the Pandus went in quest
+ Of one of us, but found not even one,
+ And sighed she was not like her sisters blest.
+
+ Stay, darling, stay--'tis only for an hour,
+ And you will be the fairest of the fair.
+ My work is done; rejoice, for you will be
+ The fairest of your sisters in the land.
+ Rejoice for evermore, among them you
+ Will shine as doth the moon among the stars.
+
+
+
+
+TALES OF IND,
+
+BY T. RAMAKRISHNA, B.A.
+
+
+With an Introduction by the Hon. the Rev. W. MILLER, M.A., LL.D.,
+C.I.E., and dedicated, by permission, to the late Lord Tennyson, Poet
+Laureate.
+
+ * * * * *
+
+OPINIONS.
+
+
+They are interesting and remarkable.--_Lord Tennyson_.
+
+It is a great pleasure to me to find that a native of South India has so
+distinguished himself.--_The Right Hon. Sir M.E. Grant Duff, G.C.S.I._
+
+It is not often that natives succeed so well as you have done in English
+versification.--_H.H. Kérala Varma, C.S.I._
+
+Krishnapore irresistibly reminds us of Auburn, the fortunes of Seeta are
+in many respects not unlike those of Evangeline, and some forms of
+expression seem to be coined in the mint of Tennyson.... These tales
+possess peculiar interest as first-fruits in poetic literature of that
+amalgamation of Eastern and Western thought that is going on before us
+at the present day in this country. They are tales of India, descriptive
+of Indian scenery, and marked by many traits both of custom and of
+feeling that are characteristic of India.... These tales--tales of
+woman's constancy and woman's heroism--are pleasing in themselves; and
+the language in which they are told is simple, imaginative, and marked
+by a well-sustained melody. The tales are dedicated to Lord Tennyson by
+"His Lordship's ardent admirer in the Far East"; and certainly they move
+in the atmosphere of the Tennysonian idyll.--_Madras Christian College
+Magazine_.
+
+Much of the versification is very pleasing, and where it is best, it
+has a decided ring of Tennyson in it.... The author possesses true
+poetical genius.--_Calcutta Statesman and Friend of India_.
+
+SEETA AND RAMA:--The story is pretty, though simple. In parts, moreover,
+the author, who is anonymous, displays the true spirit of poetry, which
+he (or she) will do well to cultivate.... The tributes of respect for
+the heroism, purity, and constancy of women which are found in Mr.
+Ramakrishna's poems are in accordance with the teaching of the
+Mahabarata, as well as the spirit of the Laureate's verse. Added to this
+very engaging feature of his work, there is a power of description that
+is very remarkable in a man to whom English is not his mother tongue.
+For example, "Seeta and Rama" commences with the following
+vignette:--... "All this is in excellent taste. And the same may be said
+of his delineations of character. He is never wearisome or trite, and
+... he succeeds in enlisting the interest and sympathy of his reader and
+in proving that--as Mrs. Grant Duff lately said--there is 'an indefinite
+amount of beauty and charm in everyday life' in Southern
+India."--_Madras Mail_.
+
+SEETA AND RAMA:--A very pretty and pathetic, though simple little story,
+told in the true poetic vein, and possesses a deep melancholy
+interest.... They are simple tales, told in English verse, which is
+characterised by a purity and a simplicity that are very noteworthy in
+an Indian writer, and which show considerable acquaintance of the
+English language, especially of Tennyson's writings. Indeed, of them all
+is true what was said of the first poem, not only according to the
+_Christian College Magazine_, that some forms of expression seemed
+coined in the mint of Tennyson, but, according to the _Statesman and
+Friend of India_, that where the versification is best it has a ring of
+Tennyson.--_Madras Times_.
+
+The style is simple and natural, and reminds us more often of Tennyson's
+"Idylls of the King" than any other English poem that we can recollect
+now.... Throughout, the book is most finely written in rhyme, and the
+learned author has minted at the forge of Tennyson, to whom the book is
+most dutifully dedicated, the sentiments of Oliver Goldsmith, Parnell,
+and Byron.--_Hindu_.
+
+We must congratulate Mr. Ramakrishna on the success which has attended
+his, no doubt, pleasing labours. He is the first Hindu graduate, so far
+as we know, who has come before the public as a poet, and well does he
+deserve every encouragement.--_Madras Standard_.
+
+This little poem is an exquisitely finished, harmonious, well-written
+story of a pair of Hindu lovers.... Mr. Ramakrishna is extremely
+felicitous in the choice of his words, and his descriptions are so
+picturesque and vivid, and his narrative so stirring, that the reader
+feels as if spell-bound by the author's great skill and power.... There
+can be no manner of doubt that the hand that wrote these poems is both
+strong and skilful, and was directed by a true spirit of poesy of a high
+order.--_People's Friend_.
+
+TENNYSON COMMEMORATION MEETING.--At the meeting held in the Christian
+College, Dr. Miller proposed that the chair should be taken by Mr. T.
+Ramakrishna Pillai, an old student of the College, who, as many of our
+readers know, has himself won no small success in the field of
+poetry.--_Christian College Magazine_.
+
+Mr. T. Ramakrishna Pillai is probably the only one in Madras, and
+certainly the only native of India in Madras, who had come into any kind
+of personal contact with Lord Tennyson.--_Speech of the Hon. the Rev.
+Dr. Miller at the Tennyson Commemoration Meeting_.
+
+
+
+
+LIFE IN AN INDIAN VILLAGE.
+
+BY T. RAMAKRISHNA, B.A.
+
+
+With an Introduction by the Right Hon. Sir M.E. GRANT DUFF, G.C.S.I.
+
+(_London: T. Fisher Unwin_, 1891.)
+
+ * * * * *
+
+OPINIONS.
+
+The Occidentals led by Macaulay had too complete a victory for the good
+of India. Much that they said and did was wise, but their system has
+failed in many ways, and was, indeed, never intended to breed up men
+interested in the past of their own land. Nearly all that has been
+learned about it has been learned by the labour of Europeans, and yet
+natives trained to European methods of research have facilities of kinds
+for prosecuting research which we have not.... I had a great deal to say
+on that subject, and on many other cognate ones in an address which I
+delivered in my capacity of Chancellor of the University of Madras,
+shortly before I left the country, but I do not know that it has had
+much effect since, though an excellent little book by Mr. Ramakrishna on
+the village life of South India is a step in the right direction. We
+want, however, quite a small library of works of that kind before the
+harvest that is ready for the sickle of intelligent native observers is
+gathered in.--_The Right Hon. Sir M.E. Grant Duff, G.C.S.I., in the
+Contemporary Review_.
+
+The subject is interesting, and I do not doubt from the specimen which I
+saw that you would treat it in a fresh and agreeable way. What we need
+in Europe is to have the reality, the actual working of these Indian
+institutions which we have so often mentioned brought home to us, and
+probably such a writer as yourself may do this better than a European
+could do.--_The Right Hon. James Bryce, D.C.L_.
+
+Ramakrishna,--a literary gentleman belonging to Madras, who has written
+a charming book called "Life in an Indian Village."--_Professor Eric
+Robertson in Macmillan's series of Orient Readers_.
+
+I can name more than a dozen Indian authors whose works can fairly rank
+with some of the best productions of Englishmen. The well-known author
+of "Maxima and Minima," viz., the late Professor Ramachundra, was
+considered by no other than De Morgan, the famous mathematician, as an
+original genius of a remarkable order. A celebrated Cambridge
+Mathematician once told me that he set a problem for the Mathematical
+Tripos, basing it upon Ramachundra's "Maxima and Minima," and with the
+exception of a few that headed the list, none were able to solve the
+problem. In the late Toru Dutt, a young Bengali native Christian lady,
+some of the leading literary men of England found a poet of no mean
+powers. Mr. Edmund Gosse writes as follows in the preface to her poems
+that have been published by an English firm: "It is difficult to
+estimate what we have lost in the premature death of Toru Dutt.
+Literature has no honours which need have been beyond the grasp of a
+girl who, at the age of twenty-one, and in languages separated from her
+own by so deep a chasm, had produced so much of lasting worth.... When
+the history of the literature of our country comes to be written, there
+is sure to be a page in it dedicated to this fragile exotic blossom of
+song." Dr. Bandarkar of Bombay is considered to be one of the best
+Orientalists of the day. A number of Bengali gentlemen have earned a
+lasting fame by literary productions in English, among whom I may
+mention the Rev. Lal Behari Day, late Professor in the Hooghly College,
+and Mr. Dutt of the Bengal Civil Service. In our own Presidency Mr.
+Ramakrishna Pillai has produced a work in English--"Village Life in
+India"--that has won the praise of Sir Grant Duff.--_Professor
+Satthianadhan's Lecture on Intellectual Results in India_.
+
+Mr. Ramakrishna takes a typical village in the Madras Presidency, "the
+most Indian part of India," and shows us in half a dozen lucid chapters
+that the wants of the villagers are all material--wells, roads, better
+breeds of cattle, and so on--and that they do not, and will not for a
+long time, care one cash for anything which happens, or which might be
+made to happen, in the great outer world beyond their palm-groves and
+rice-fields. There is nothing political in this pleasant little book, we
+are pleased to say, although we have drawn this political moral from it.
+It is a truthfully written account of native life in one of those 55,000
+villages which dot the great district--a tract much larger than the
+British Isles--the daily existence of whose peaceful, and not altogether
+unhappy, population it is intended to illustrate; and it can be dipped
+into, or read through, with equal satisfaction and advantage,--_Daily
+Telegraph_ (London).
+
+"Life in an Indian Village" is an amusing and clear portrayal of the
+manners and customs of the inhabitants of a village in the Madras
+Presidency. The author first depicts his little community, and then
+proceeds to describe the avocations of all the leading personages. As
+Kelambakam may be taken as a type of thousands of such villages, the
+book will be found particularly interesting to those who are likely to
+be brought into contact with the natives of India. Sir M.E. Grant Duff
+has written an Introduction, in which he suggests how the simple
+villagers can be benefited by their European neighbours.--_Morning Post_
+(London).
+
+The book itself is excellent, and gives a sketch of Indian village
+society from inside. It is possible, however, that the ordinary English
+reader will prefer to take his view of "the black men" from Mr. Kipling
+rather than from a representative of the natives themselves. If he
+wishes to have a native view of native life he will find it in this
+work.--_Athenaeum_ (London).
+
+India is always fertile in surprises for English readers. We know
+something of those among its peoples which have given us trouble; but
+here is a "dim population" of which many Englishmen will scarcely have
+heard the name--the Dravidians of the Madras Presidency, and we learn
+with something like astonishment that they number more than the
+inhabitants of England. The village which Mr. Ramakrishna describes for
+us is one of more than fifty thousand, averaging about five hundred
+inhabitants apiece. The first thing that strikes us in his account is
+its highly organised condition. It is a self-sufficing little
+commonwealth, in which a quite surprising variety of professions or
+occupations are represented.--_Pall Mall Gazette_ (London).
+
+We welcome this little book as a much truer picture of Indian life than
+many more ambitious works.--_St. James's Gazette_ (London).
+
+The work is written in admirable English--even the blank verse is
+perfect. The story of Harichendra alone is worth the cost of the
+volume.--_Literary World_ (London).
+
+We have read with great pleasure the book, "Life in an Indian Village,"
+as it deals with an interesting and not at all unimportant subject in a
+plain and unpretending way. Simplicity has a powerful charm of its own;
+and we recommend the book to all whose heart can still be touched by
+inartificial descriptions of idyllic, gently flowing, country life. He
+who does not assume the tone of "India, what can it teach us?" but cares
+to profit by teaching, will learn a great deal even from these simple
+village tales.--_Asiatic Quarterly Review_ (London).
+
+What more England can do for India is admirably and tersely set forth in
+the Introduction, which, with Mr. Ramakrishna's pleasant description of
+Indian village life, deserves to be widely read.--_Mr. J.B. Knight,
+C.I.E., in the Indian Magazine_ (London).
+
+Books about India by intelligent travellers have their uses, and books
+by Europeans who have lived for years in the country and studied the
+people are still more valuable, but it is only a native of India who can
+really show us Indian life as it is. There are already several books in
+English, by educated Indians, which give us valuable insight into what
+was once the unknown of Indian domestic and social life. Mr. T.
+Ramakrishna, whose "Life in an Indian Village" is introduced to the
+notice of the British public by Sir M.E. Grant Duff, has produced a
+series of very interesting sketches of the more important features of
+village life in the South of India. They will be found to be very
+readable, sometimes amusing, always interesting and instructive. Any
+one who reads this book with intelligence and care will be able to form
+for himself a very accurate picture of a Madras village, and to
+understand the composition of the village community, which is the basis
+of the whole framework of Indian social life.--_Scotsman_ (Edinburgh).
+
+Mr. Ramakrishna's book is picturesque and sympathetic.--_Manchester
+Guardian_.
+
+A well-written book, and one which gives a realistic description of a
+condition of life which is the outcome of centuries of
+isolation,--_Leeds Mercury_.
+
+It is not an easy thing to acquire a clear conception of a life and a
+civilisation other in every respect to our own, and it may be reasonably
+questioned if one Englishman in a thousand has more than a very vague
+idea of what life in an Indian village is like. Here is a pleasant and
+graphic little volume. He may acquire that knowledge from the sketches
+of an Indian gentleman who knows the subject through and through, and
+has, moreover, so much of European culture that he is able to present
+the facts in a form that will not seem strange or
+incredible.--_Birmingham Post_.
+
+A volume issued by Mr. T. Fisher Unwin, "Life in an Indian Village," is
+a sample of the kind of book relating to our Eastern Empire that we
+should like to see multiplied. It is the production of a scholarly
+native, T. Ramakrishna, B.A., who writes excellent idiomatic English
+without the slightest tendency to Johnsonian eloquence.--_Christian
+Leader_ (Glasgow).
+
+The manners and customs of the people are vividly reflected in these
+pages, and a picturesque account is given of a number of notabilities,
+such as the physician, &c.--_Speaker_ (London).
+
+The book cannot fail to fulfil the author's desire in exciting a deeper
+interest in the people whom he so sympathetically introduces to the
+British public.--_Independent_ (London).
+
+Written with much naďveté.--_British Weekly_ (London).
+
+The author of this book deserves our thanks and congratulations. Himself
+a highly educated native of the Madras Presidency, he has drawn a series
+of pictures of the village life of Southern India.... The occupations,
+the recreations, the religion, the distribution of labour, the
+recurrence of feast and festival, with much more, are all told in
+amusing style and with such graphic power as to leave a vivid impression
+upon the reader's mind.--_Bookseller_ (London).
+
+Madras should indulge some measure of pride in having turned out a
+University graduate who can write the English language better than most
+Englishmen. Ramakrishna's "Life in an Indian Village" is a charming
+account of Dravidian homes and customs. It is the work of a young man
+who has profited by Western enlightenment, and yet feels a kindly glow
+in his heart for all that belongs to the humblest folk in his native
+land. His sympathy is beautiful, because it is devoid of any pretence or
+forced pathos. His language is choice, yet simply constructed. There is
+real literary flavour about this work, which has just been published by
+Fisher Unwin. When will the Punjab give us a young man who can feel and
+think and write like this?--_Civil and Military Gazette_ (Lahore).
+
+Mr. T. Ramakrishna, a graduate of the Madras University, may be
+congratulated on the success which seems likely to attend the
+publication of his well-written little book on "Indian Village Life."
+Judging by the comments that have appeared in the English papers, it is
+just the kind of book the public at home wants, not too statistical to
+be readable, and not too ambitious in design to be trustworthy, but just
+a simple, picturesque account of the particular part of India which the
+author really knows.--_London Correspondent of the Englishman_
+(Calcutta).
+
+The great virtue of Mr. Ramakrishna's writing is the absence of pretence
+and fustian. Space is not wasted on ambitious and worthless descriptions
+of scenery, or on vague disquisitions of a sentimental character.
+Everywhere he is simple, straightforward, and effective.... Writing in
+excellent English, and in unexceptionable style, he tells plainly and
+simply what he has to say, and is the more successful because he is less
+ambitious.... It is to be hoped that Mr. Ramakrishna's interesting
+sketches of Southern Indian village life will obtain a wide circulation
+in England. He is to be congratulated on having produced a work of no
+little merit and originality.--_Madras Mail_.
+
+To doubters of the good results of Western education in this Presidency,
+better proof could hardly be given than is provided.
+
+
+
+
+
+End of the Project Gutenberg EBook of Tales of Ind, by T. Ramakrishna
+
+*** END OF THIS PROJECT GUTENBERG EBOOK TALES OF IND ***
+
+***** This file should be named 11096-8.txt or 11096-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/1/0/9/11096/
+
+Produced by Christine De Ryck and the PG Online Distributed Proofreaders.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/old/11096-8.zip b/old/11096-8.zip
new file mode 100644
index 0000000..8208c75
--- /dev/null
+++ b/old/11096-8.zip
Binary files differ
diff --git a/old/11096-h.zip b/old/11096-h.zip
new file mode 100644
index 0000000..433f4b3
--- /dev/null
+++ b/old/11096-h.zip
Binary files differ
diff --git a/old/11096-h/11096-h.htm b/old/11096-h/11096-h.htm
new file mode 100644
index 0000000..8fc0a29
--- /dev/null
+++ b/old/11096-h/11096-h.htm
@@ -0,0 +1,2870 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
+<html>
+ <head>
+ <meta http-equiv="Content-Type" content=
+ "text/html; charset=iso-8859-1">
+ <title>
+ The Project Gutenberg eBook of Tales Of Ind and Other Poems, by T. Ramakrishna.
+ </title>
+ <style type="text/css">
+ <!--
+ * { font-family: Times;}
+ P { font-size: 14pt;
+ text-indent: 1em;
+ margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; }
+ HR { width: 33%;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+ BODY { margin-left: 10%;
+ margin-right: 10%; }
+ A { color: #777777;
+ text-decoration: none }
+ BLOCKQUOTE { font-size: 14pt }
+ .poem P { padding-left: 3em; margin: 0px; text-indent: -3em }
+ .poem .stanza { margin-left: 1em }
+ .poem P.i2 { margin-left: 2em }
+ .poem P.i4 { margin-left: 4em }
+ .poem .caesura { vertical-align: -200% }
+ .note { margin-left: 2em;
+ margin-right: 2em;
+ margin-bottom: 1em; }
+ // -->
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Tales of Ind, by T. Ramakrishna
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Tales of Ind
+ And Other Poems
+
+Author: T. Ramakrishna
+
+Release Date: February 15, 2004 [EBook #11096]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK TALES OF IND ***
+
+
+
+
+Produced by Christine De Ryck and the PG Online Distributed Proofreaders.
+
+
+
+
+
+</pre>
+
+
+<h1>TALES OF IND</h1><br>
+
+<h1><i>AND OTHER POEMS</i></h1>
+
+
+<h3>BY</h3>
+
+<h2>T. RAMAKRISHNA</h2>
+
+
+
+<h4>1896</h4><br><br><br><br>
+
+<a name="kamala"></a>
+<blockquote>
+TO<br>
+THE MEMORY OF<br>
+MY DEAR DAUGHTER<br>
+KAMALA.</blockquote>
+<br>
+<br>
+<div class="poem">
+<div class="stanza">
+<p class="i4">The star that rose to cheer our humble life,</p>
+<p class="i4">And make a little heaven of our home,</p>
+<p class="i4">Shall rise again&mdash;yes, surely rise again</p>
+<p class="i4">To give us everlasting joy divine.</p>
+</div>
+</div>
+<br>
+<br>
+<br>
+<br>
+<br>
+<br>
+<h2>CONTENTS.</h2><br>
+<br>
+<p><a href="#kamala">TO MY DAUGHTER</a></p>
+<p><a href="#lordten">LORD TENNYSON</a></p>
+<p><a href="#seeta">SEETA AND RAMA&mdash;A TALE OF THE INDIAN FAMINE</a></p>
+<p><a href="#desing">THE STORY OF PRINCE D&Eacute;SING</a></p>
+<p><a href="#rudra">THE STORY OF RUDRA</a></p>
+<p><a href="#huntress">THE STORY OF THE ROYAL HUNTRESS</a></p>
+<p><a href="#chandra">CHANDRA&mdash;A TALE OF THE FIELD OF TELLIK&Oacute;TA</a></p>
+<p><a href="#korathy">THE KORATHY'S LULLABY</a></p>
+
+<br><br><br><br><br><br>
+
+<a name="lordten"></a>
+<h2><i>LORD TENNYSON</i>.</h2>
+<br><br>
+<div class="poem">
+<div class="stanza">
+<p>A poet of my native land has said&mdash;</p>
+<p>The life the good and virtuous lead on earth</p>
+<p>Is like the black-eyed maiden of the East,</p>
+<p>Who paints the lids to look more bright and fair.</p>
+<p>The eyes may smart and water, but withal</p>
+<p>She loves to please them that behold her face.</p>
+<p>E'en so, my Master, thine own life has been.</p>
+<p>Thy songs have pleased the world, thy thoughts divine</p>
+<p>Have purified, likewise ennobled man.</p>
+<p>And what are they, those songs and thoughts divine,</p>
+<p>But sad experience of thy life, dipt deep</p>
+<p>In thine own tears, and traced on nature's page?</p>
+<p>To please and teach the world for two dear ones</p>
+<p>You mourned&mdash;a friend in youth, a son in age</p>
+<p>'Tis said the life that gives one moment's joy</p>
+<p>To one lone mortal is not lived in vain;</p>
+<p>But lives like thine God grants as shining lights</p>
+<p>That we in darkness Him aright may see.</p>
+<p>Nay more, such lives the more by ills beset</p>
+<p>Do shine the more and better teach His ways.</p>
+<p>Alas! thou'rt gone that wert so kind to one</p>
+<p>Obscure&mdash;a stranger in a distant land.</p>
+<p>Accept from him this wreath uncouth of words</p>
+<p>Which do but half express the grief he feels.</p>
+</div>
+</div>
+
+
+
+<hr style="width: 65%;"><br><br><br><br>
+<a name="seeta"></a><h2><i>SEETA AND RAMA</i>.</h2>
+
+<h2>A TALE OF THE INDIAN FAMINE.</h2>
+<br>
+<br>
+
+<div class="poem">
+<div class="stanza">
+<p>It was by far the loveliest scene in Ind:&mdash;</p>
+<p>A deep sunk lonely vale, 'tween verdant hills</p>
+<p>That, in eternal friendship, seemed to hold</p>
+<p>Communion with the changing skies above;</p>
+<p>Dark shady groves the haunts of shepherd boys</p>
+<p>And wearied peasants in the midday noon;</p>
+<p>A lake that shone in lustre clear and bright</p>
+<p>Like a pure Indian diamond set amidst</p>
+<p>Green emeralds, where every morn, with songs</p>
+<p>Of parted lovers that tempted blooming maids</p>
+<p>With pitchers on their heads to stay and hear</p>
+<p>Those songs, the busy villagers of the vale</p>
+<p>Their green fields watered that gave them sure hopes</p>
+<p>Of future plenty and of future joys.</p>
+<p>Oh, how uncertain man's sure hopes and joys!</p>
+<p>In this enchanted hollow that was scooped&mdash;</p>
+<p>For so it seemed&mdash;by God's own mighty hand,</p>
+<p>Where Nature shower'd her richest gifts to make</p>
+<p>Another paradise, stood Krishnapore</p>
+<p>With her two score and seven huts reared by</p>
+<p>The patient labour of her simple men.</p>
+<br>
+<p>In this blest hamlet one there was that owned</p>
+<p>Its richest lands: beloved by all its men,</p>
+<p>Their friend in times of need, their guide in life,</p>
+<p>Partaker of their joys and woes as well,</p>
+<p>The arbiter of all their petty strifes.</p>
+<p>By him his friend the village master lived</p>
+<p>That at his door a group of children taught;</p>
+<p>A man he was well versed in ancient lore;</p>
+<p>And oft at night, when ended was their toil,</p>
+<p>The villagers with souls enraptured heard him</p>
+<p>In fiery accents speak of Krishna's deeds</p>
+<p>And Rama's warlike skill, and wondered that</p>
+<p>He knew so well the deities they adored.</p>
+<p>One only daughter this schoolmaster had,</p>
+<p>And Seeta was her name, the prettiest maid</p>
+<p>In all the village, nursed by the fond cares</p>
+<p>Of her indulgent sire, and loved with all</p>
+<p>The tender feelings that pure love inspires</p>
+<p>By the rich villager's only son, the heir</p>
+<p>Of all his father's wealth; the best at school,</p>
+<p>The boldest of the village youths at play,</p>
+<p>And the delight of all those that saw him;</p>
+<p>And these seemed such a fitting pair that oft</p>
+<p>The secret whisper round the village ran</p>
+<p>That Seeta was to wed the rich man's son.</p>
+<p>Thus, in this Eden, its blest inmates lived</p>
+<p>And passed their days, the villagers at the fields,</p>
+<p>Their busy women at the blazing hearths,</p>
+<p>The village master at his cottage door,</p>
+<p>And Rama and fair Seeta in true love.</p>
+<br>
+<p>Hither a monster came, that slowly sucked</p>
+<p>The vigour, the very life of Krishnapore.</p>
+<p>The brilliant lustre of the diamond lake,</p>
+<p>The emerald greenness of the waving fields,</p>
+<p>The shady groves and pleasant cottage grounds,</p>
+<p>And all the beauties of the happy vale</p>
+<p>Soon vanished imperceptibly, as if</p>
+<p>Some unconsuming furnace underneath</p>
+<p>Had baked the earth and rendered it all bare,</p>
+<p>Until its inmates wandered desolate,</p>
+<p>With hollow cheeks, sunk eyes, and haggard faces,</p>
+<p>Like walking skeletons pasted o'er with skin.</p>
+<p>No more would blooming girls with pitchers laden</p>
+<p>Repair to the clear lake while curling smoke</p>
+<p>Rose from their cottage roofs; no more at morn</p>
+<p>Would Rama be the first at school to see</p>
+<p>His Seeta deck her father's house with flowers;</p>
+<p>No more at eve the village master pour</p>
+<p>From Hindu lore the mighty deeds of gods</p>
+<p>To the delighted ears of simple men;</p>
+<p>For these have left their lands and their dear homes.</p>
+<p>And Seeta with her father left her cot,</p>
+<p>And cast behind, with a deep, heavy sigh,</p>
+<p>One ling'ring look upon that vale where she</p>
+<p>Was born and fondly nursed,&mdash;where glided on</p>
+<p>Her days in pleasure and pure innocence,&mdash;</p>
+<p>Where Rama lived and loved her tenderly.</p>
+<p>Her father died of hunger on the way,</p>
+<p>And the lone creature wandered in the streets</p>
+<p>Of towns from door to door, and vainly begged</p>
+<p>For food, till some, deep moved by the sad tales</p>
+<p>Of the lone straggler, safely lodged her in</p>
+<p>A famine camp, where, heavy laden with</p>
+<p>A double sorrow (for her lover too,</p>
+<p>She thought, had died), her tedious life she spent.</p>
+<p>And days and weeks and months thus rolled away,</p>
+<p>Until at last her love for the dead youth</p>
+<p>Mysterious waned, and, like a shallow lamp,</p>
+<p>Burnt in her breast with nothing to feed it.</p>
+<br>
+<p>One day the news went through the famine shed</p>
+<p>That a lean youth, plucked from the very arms</p>
+<p>Of cruel death, was tenderly nursed there;</p>
+<p>And all its inmates hurried to the scene.</p>
+<p>Poor Seeta saw the youth, and that sad sight</p>
+<p>She ne'er forgot; the youth was in her mind</p>
+<p>Too firmly rooted to be rooted out,</p>
+<p>Who ev'ry day in strength and beauty grew, till he</p>
+<p>Appeared the fairest youth in all the camp.</p>
+<p>First pity for the youth, then love for him</p>
+<p>Mysterious came to her, until at last</p>
+<p>The flick'ring flame shone sudden in her breast.</p>
+<p>&quot;This stranger I must wed, for him I love,</p>
+<p>I know not how; that pleasant face is like</p>
+<p>The face of him I dearly loved; I see</p>
+<p>Appearing ev'ry day upon that face,</p>
+<p>As if by magic wrought, those beauties that</p>
+<p>Were seated on dead Rama's face.&quot; Thus mused</p>
+<p>This maiden of the camp, and the fair youth</p>
+<p>Thus kindled in her breast the hidden flame</p>
+<p>Of love and fed it ever with new strength,</p>
+<p>Which shone again in all its purity.</p>
+<br>
+<p>As the moon whose effulgence hidden lies</p>
+<p>When dimmed by clouds, suddenly blazes forth</p>
+<p>And in her wonted beauty shines again</p>
+<p>What time she darts into the cloudless vault,</p>
+<p>So shone again in lovely Seeta's breast</p>
+<p>The lamp of love by clouds of sorrow dimmed.</p>
+<p>The smothered passion suddenly blazed forth</p>
+<p>In brighter lustre, and to her returned</p>
+<p>With double force, as when the flaming fire</p>
+<p>Is smothered when more fuel is on it thrown,</p>
+<p>And straightway flames and gives a brighter light.</p>
+<br>
+<p>At last the monster left the land, the camp</p>
+<p>Was broke, its inmates left it for their homes.</p>
+<p>England, would that one of thy sons were there</p>
+<p>To hear what words, what blessings now burst from</p>
+<p>Their inward hearts for nursing them when they</p>
+<p>From all estranged had poured into thine arms!</p>
+<p>Poor Seeta hastened to the youth she loved,</p>
+<p>And to him with a gladdened heart thus spake:&mdash;</p>
+<p>Her rosy lips, just oped to speak, were like</p>
+<p>A half-blown rosebud blossoming all at once;</p>
+<p>Such magic was wrought on her ere she spake:</p>
+<p>&quot;Kind stranger, whither goest thou? I am</p>
+<p>A lonely maiden, and friends I have none;</p>
+<p>And thee alone I trust as my safe guide</p>
+<p>To Krishnapore.&quot;<span class="caesura">&quot;Dear maid! thy sorrows cease;</span></p>
+<p>My way now lies through Krishnapore: fear not,</p>
+<p>I shall restore thee to thy home and friends;</p>
+<p>Trust me as your safe guide and dearest friend.&quot;</p>
+<p>She, overjoyed, recounted to the youth</p>
+<p>Her tale&mdash;how she, her father's only hope</p>
+<p>And pride, reluctant left their native vale</p>
+<p>And cottage home; how he died on the way,</p>
+<p>And she, a lonely creature, wandered in</p>
+<p>The streets from door to door and begged for food;</p>
+<p>How she was taken to the famine camp;</p>
+<p>How he, with hollow cheeks and sunken eyes,</p>
+<p>Was brought one day and there nursed tenderly;</p>
+<p>And how in beauty ev'ry day he grew</p>
+<p>Until like her dead Rama he appeared.</p>
+<p>The village youth, unable any more</p>
+<p>Now to suppress him, suddenly exclaimed,</p>
+<p>&quot;Look here, whose name is on this arm tattooed?&quot;</p>
+<p>&quot;O Rama, Krishna, Govinda, and all</p>
+<p>Ye Gods that I adore, ye have blest me;</p>
+<p>This is the happiest moment in my life,</p>
+<p>And this the happiest spot in all the earth,</p>
+<p>For now my long-lost Rama I have found.&quot;</p>
+<p>So saying, she intently gazed on him.</p>
+<br>
+<p>As a rich mine pours forth its hidden wealth</p>
+<p>To the delight of those that day and night</p>
+<p>Court eagerly its treasures them t' enrich;</p>
+<p>So from this lovely pair's deep mine of feelings,</p>
+<p>What honeyed words escaped now through their lips</p>
+<p>To their intense joy, better far than all</p>
+<p>The treasures any ample mine bestows!</p>
+<p>With sweet talk they beguiled their tedious way;</p>
+<p>The verdant hills sublime rose to the view;</p>
+<p>The broad lake glittered diamond-like again;</p>
+<p>And wreathing smoke curled from the cottage roofs;</p>
+<p>The lovely vale became the lovely vale</p>
+<p>Again, and all the long forgotten scenes</p>
+<p>In quick succession flowed before them both;</p>
+<p>And never was a happier marriage seen</p>
+<p>In all that happy vale of Krishnapore.</p>
+</div>
+</div>
+
+
+<hr style="width: 65%;"><br><br><br><br>
+
+<a name="desing"></a><h2><i>THE STORY OF PRINCE D&Eacute;SING</i>.</h2>
+<br><br>
+
+<div class="poem">
+<div class="stanza">
+<p>It was the month of May, and glorious rose</p>
+<p>The sun on Jinji, bathing in his light</p>
+<p>Her lofty hills, her ancient walls and towers,</p>
+<p>Her battlements, and all the glittering scene</p>
+<p>That bade the stranger tell&mdash;&quot;here lives a prince;&quot;</p>
+<p>And greeting late, as if too long he slept</p>
+<p>Upon his ocean bed, the eager crowd</p>
+<p>That in their best attire at early dawn</p>
+<p>Fast gathered from their hamlets far and wide,</p>
+<p>And like a hive swarmed on the castled hills.</p>
+<br>
+<p>Perhaps some village poet waited there,</p>
+<p>Who day and night toiled hard in metres rare</p>
+<p>To sing the deeds and virtues of his prince</p>
+<p>And trace them on the leaves of that lone palm</p>
+<p>Which stood close by his humble cottage home.</p>
+<p>Perhaps with faces that bespoke deep grief</p>
+<p>A troop of farmers there had come to tell</p>
+<p>To their sport-loving prince the havoc wrought</p>
+<p>Upon their toiling cattle by wild beasts</p>
+<p>That nightly from their hill abodes came down</p>
+<p>To feast on them. And in that motley crowd</p>
+<p>Were servants of the state and many more</p>
+<p>Who long had waited merely for a glimpse</p>
+<p>Of their just ruler D&eacute;sing holding court.</p>
+<br>
+<p>But soon there echoed through the lofty hills</p>
+<p>The sound of th' Indian bugle and the drum</p>
+<p>Proclaiming the arrival of the prince;</p>
+<p>And often, as the new flood rushing down</p>
+<p>With the still waters of a sleeping stream,</p>
+<p>Leaves nought behind, and all is vacancy,</p>
+<p>Or as the dim light of a shallow lamp</p>
+<p>Suddenly blazes forth and soon is quenched,</p>
+<p>So louder rose the clamour of the crowd</p>
+<p>At the sound of the bugle and the drum,</p>
+<p>Then straightway in deep silence died away,</p>
+<p>And perfect stillness reigned everywhere.</p>
+<br>
+<p>Upon his gorgeous throne sat Jinji's prince</p>
+<p>With servants fanning him on either side;</p>
+<p>And in a place of honour sate in that</p>
+<p>Capacious hall his holy Brahmin priest,</p>
+<p>The master of his well-trained army there,</p>
+<p>The chief and trusted min'ster of the state,</p>
+<p>The aged poet that his praises sang,</p>
+<p>The sage that, versed in all the starry lore,</p>
+<p>His royal master's fortunes daily told;</p>
+<p>The painter that adorned those ancient walls,</p>
+<p>And countless other servants of the prince</p>
+<p>There gathered each in his accustomed seat.</p>
+<br>
+<p>Then from the gate approached a trusty page,</p>
+<p>And said with folded hands and trembling lips&mdash;</p>
+<p>&quot;O royal master, at the gate there waits</p>
+<p>A man of noble mien from the far north</p>
+<p>Requesting audience on affairs of state.&quot;</p>
+<p>&quot;Conduct him to our presence,&quot; said the prince.</p>
+<p>The stranger came,&mdash;upon the floor he knelt</p>
+<p>And said&mdash;&quot;Thou mighty prince of these fair lands,</p>
+<p>I come from Arcot, and the Nabob sent</p>
+<p>His humble servant to demand of thee</p>
+<p>Thy dues which these five years thou hast not paid.</p>
+<p>Know, then, if these are not now duly paid,</p>
+<p>From thee he will these broad dominions wrest,</p>
+<p>And give them those who will his rule obey.&quot;</p>
+<p>The angry prince made answer&mdash;&quot;Go and tell</p>
+<p>Your master that his vain threats move us not,</p>
+<p>Say we will gladly meet him on the field.&quot;</p>
+<p>So saying, from his royal seat he rose,</p>
+<p>And to his palace instantly withdrew.</p>
+<br>
+<p>As when a stone dropped in the middle of</p>
+<p>A placid pool its slumb'ring waters wakes,</p>
+<p>And the calm surface is all ruffled seen,</p>
+<p>Or at the merest touch of ruthless man</p>
+<p>Bent on the honeyed treasures of the hive</p>
+<p>Those myriad ones leave murm'ring to the foe</p>
+<p>Their hoarded wealth to which they fondly clung,</p>
+<p>So scattered to their distant native homes</p>
+<p>The bustling crowd that met on Jinji's hills,</p>
+<p>When he of Arcot came to mar their joys.</p>
+<br>
+<p>And days and months rolled on until one day</p>
+<p>To D&eacute;sing came his loyal spy and said&mdash;</p>
+<p>&quot;My noble ruler, on the other side</p>
+<p>Of the fair stream that runs through yonder plain,</p>
+<p>There waits our foe of Arcot with his men:</p>
+<p>Prepare to go and meet him on the field.&quot;</p>
+<p>'Twas even time&mdash;the warrior prince soon wrote</p>
+<p>To Mamood Khan, the master of his troops,</p>
+<p>To hasten to his country's duty first.</p>
+<p>What though it was that soldier's bridal hour,</p>
+<p>When he received his royal master's call!</p>
+<p>&quot;My country's welfare first, then my fair spouse,&quot;</p>
+<p>He said, and leapt upon his faithful steed</p>
+<p>And stood, ere morn had streaked the eastern sky,</p>
+<p>Before his lord his bidding to obey.</p>
+<br>
+<p>The prince rose early on that fated day</p>
+<p>And to the temple of his God repaired,</p>
+<p>There to invoke His blessing on the field.</p>
+<p>Then to the palace hastened he to meet,</p>
+<p>Ere he went forth to fight, his youthful wife,</p>
+<p>Who day by day in beauty grew amidst</p>
+<p>A score of maidens, like the waxing moon;</p>
+<p>And, with a screen of silk between, they met.</p>
+<p>As one lured by the fragrance of the rose</p>
+<p>Stoops down gently to lift the truant stalk</p>
+<p>That to the other side of the thick hedge</p>
+<p>Shoots out alone from its own parent stem,</p>
+<p>So fondly down stooped Jinji's noble prince</p>
+<p>To kiss the jewelled arm of his fair spouse</p>
+<p>Which through the screen she offered to her lord.</p>
+<p>Prince D&eacute;sing was the first who silence broke.</p>
+<p>&quot;My dear wife! on the day when we were wed</p>
+<p>These eyes of mine had not e'en this arm seen,</p>
+<p>Although on the same bridal seat we sat.</p>
+<p>The screen which by the custom of our race</p>
+<p>Was drawn by cruel hands hid thee from view.</p>
+<p>So wondrous fair this arm looks that methinks</p>
+<p>Rare beauties must be seated on thy face.</p>
+<p>My foe hath come; fear not; I go to fight,</p>
+<p>And come with honours loaded from the field,</p>
+<p>A victor to rejoice with thee to-night</p>
+<p>At the propitious hour which, by the aid</p>
+<p>Of all his starry lore, our Brahmin sage</p>
+<p>Hath for our nuptials named,&mdash;to gaze and scan</p>
+<p>In silent joy what charms, what beauties rare</p>
+<p>The hand divine has showered upon thy face,</p>
+<p>And to recount to thee, when with thine own</p>
+<p>My arm in friendship plays, what blood it shed,</p>
+<p>What havoc in the Moslem camp it wrought.</p>
+<p>So let me now depart.&quot; To which the Queen:</p>
+<p>&quot;I was the only daughter of my sire,</p>
+<p>And cradled in his sinewy arms I grew;</p>
+<p>And when upon his warrior breast I laid</p>
+<p>My head to sleep, my mother by his side</p>
+<p>Lulled me with songs of how in days gone by</p>
+<p>The martial women of our noble race</p>
+<p>Went with their husbands by their side to fight;</p>
+<p>And one so nursed fears not the Moslem foe.</p>
+<p>But now, alas! some evil it forebodes</p>
+<p>That thou shouldst on this day go forth to fight.&quot;</p>
+<br>
+<p>And as she spoke tears trickled down his eyes,</p>
+<p>And one, a pearly drop, stole to her palm.</p>
+<p>She felt it: instantly her hand withdrew,</p>
+<p>And then began to speak in words like these:</p>
+<p>&quot;It is not meet that Jinji's valiant prince</p>
+<p>Should like a child at this last hour shed tears</p>
+<p>And fear to meet his foe; fear not, my lord,</p>
+<p>To meet him like a soldier on the field.</p>
+<p>If thou a victor comest from the fight,</p>
+<p>We shall in joy spend our first nuptial night,</p>
+<p>But if thou comest routed from the field,</p>
+<p>I never more will see thy timid face</p>
+<p>Or think that thou art born of Kshatriya race.</p>
+<p>And if thou fallest bravely fighting, then</p>
+<p>Remember, Prince, thou hast in me a wife</p>
+<p>Who will not let thee pass from earth alone.</p>
+<p>Go forth and like a warrior meet the foe.</p>
+<p>But fear not; Runga will be on our side,</p>
+<p>So ere thou goest kiss this hand of mine</p>
+<p>Which from thine eyes that precious tear has sought.&quot;</p>
+<p>So saying, this brave Rajput girl once more</p>
+<p>To D&eacute;sing offered through the screen her hand.</p>
+<p>He lifted it and reverently kissed,</p>
+<p>Then sallied forth resolved to win or die.</p>
+<br>
+<p>Fierce raged the battle, but the hapless prince</p>
+<p>Was weak to meet his foeman's myriad host;</p>
+<p>And Mamood Khan fell bravely lighting there,</p>
+<p>And with him many of his valiant men.</p>
+<p>The faithful steed that through all perils bore</p>
+<p>The prince was slain, and soon he fought on foot.</p>
+<p>But ere the foe could capture him alive,</p>
+<p>He hurled his heavy dagger, bared his breast,</p>
+<p>And instantly a lifeless corpse he fell.</p>
+<p>A few brave soldiers bore him from the field.</p>
+<p>They hastened to the castle and before</p>
+<p>The widowed Queen their precious burden laid.</p>
+<p>She, nothing daunted, orders gave at once</p>
+<p>That her attendants should prepare the pyre;</p>
+<p>And then to her assembled men thus spake:</p>
+<p>&quot;My faithful men and my brave soldiers! you</p>
+<p>Who with my lord fought nobly on the field,</p>
+<p>I see you all weep at our hapless fate.</p>
+<p>'Tis God has willed we thus should end our lives.</p>
+<p>But a worse fate shall surely soon befall</p>
+<p>Our cruel foe&mdash;howe'er exulting now.</p>
+<p>Weep not&mdash;there soon shall dawn another day</p>
+<p>When from the farthest end of this vast globe</p>
+<p>A race for valour and for virtue famed</p>
+<p>Shall wrest his kingdom from his ruthless hands,</p>
+<p>And everywhere your sons and your sons' sons</p>
+<p>Shall lasting peace and happiness enjoy.</p>
+<p>Be witness to the curse pronounced by me,</p>
+<p>A widowed maiden at the hour of death,</p>
+<p>Thou setting Sun and thou, O rising Moon!&quot;</p>
+<br>
+<p>Then as a bride in all her glory decked</p>
+<p>Approaches with a gladdened heart t' embrace</p>
+<p>Th' expectant bridegroom on the nuptial bed,</p>
+<p>E'en so ascended this fair Queen the pyre,</p>
+<p>And there embracing lay by her dear lord.</p>
+<p>The fire was lighted and the pyre was closed,</p>
+<p>And speedily to ashes were reduced</p>
+<p>The lifeless husband and the living wife.</p>
+<p>The Moslem came&mdash;heard of the death she died</p>
+<p>Amid the flames, repented of his deed,</p>
+<p>And, it is said, he built a lordly town<a name="FNanchor1"></a><a href="#Footnote_1"><sup>[1]</sup></a></p>
+<p>In honour of the Queen, who counted it,</p>
+<p>A sin her noble husband to survive,</p>
+<p>And in a moment flung her life away.</p>
+</div>
+</div>
+
+<p>FOOTNOTES:</p>
+
+<a name="Footnote_1"></a><a href="#FNanchor1">[1]</a><div class=note> Ranipett.</div><br>
+
+
+
+
+
+<hr style="width: 65%;"><br><br><br><br>
+
+<a name="rudra"></a><h2><i>THE STORY OF RUDRA</i>.</h2>
+<br><br>
+
+<div class="poem">
+<div class="stanza">
+<p>A deep calm sea; on the blue waters toiled,</p>
+<p>From morn till eve, the simple fishermen;</p>
+<p>And, on the beach, there stood a group of huts</p>
+<p>Before whose gates old men sat mending nets</p>
+<p>And eyed with secret joy the little boys</p>
+<p>That gaily gambolled on the sandy beach</p>
+<p>Regardless of their parents' daily toils.</p>
+<p>And all the busy women left their homes</p>
+<p>And their young ones with baskets on their heads</p>
+<p>Filled with the finny treasures of the deep.</p>
+<br>
+<p>A thousand yards to landward rose a town</p>
+<p>With its broad streets, high roofs, and busy marts.</p>
+<p>An ancient temple in the centre stood,</p>
+<p>Where to his servant Nandi once appeared</p>
+<p>Great Siva, it is said, in human frame.</p>
+<p>E'en learned saints sang of the holy shrine;</p>
+<p>And to this sacred spot from far-off lands</p>
+<p>For adoration countless pilgrims came</p>
+<p>And men to buy all rarest things that poured</p>
+<p>Into her busy marts from foreign parts.</p>
+<br>
+<p>Here in this ancient port of Nundipore</p>
+<p>In royal splendour lived a merchant youth,</p>
+<p>Who scarce had reached his one-and-twentieth year.</p>
+<p>His aged father had but lately died</p>
+<p>And left him the sole heir of all his wealth.</p>
+<p>And Rudra&mdash;for that was the brave youth's name&mdash;</p>
+<p>Had heard from infant days full many tales</p>
+<p>Of how his grandsire and his sire had braved</p>
+<p>The perils of the deep in search of gold,</p>
+<p>And in his bosom fondly nurtured hopes</p>
+<p>To travel likewise on the dang'rous sea.</p>
+<p>And oft would he to Rati, his fair wife,</p>
+<p>Exulting tell how wisely he would trade</p>
+<p>In foreign shores and with rare gems return;</p>
+<p>How even princes, by those gems allured,</p>
+<p>To court his friendship come from distant lands,</p>
+<p>And he dictate his own high terms to them,</p>
+<p>And thus add glory to his glorious house.</p>
+<p>And often would she vainly plead in turn</p>
+<p>Her desolate position and her youth.</p>
+<p>And her dear lord implore upon her knees</p>
+<p>For ever to dismiss his cherished thoughts</p>
+<p>And turn to her and to their lordly wealth</p>
+<p>Which God had given them, to live in peace.</p>
+<p>Thus wrangled for some months the timid wife</p>
+<p>And he whom woman's charms could not subdue</p>
+<p>Until at last arrived th' appointed day.</p>
+<p>The little ship was waiting in the port,</p>
+<p>And Rudra to his youthful wife repaired</p>
+<p>His purpose to disclose; and as at times</p>
+<p>Clouds hover over us and darken all</p>
+<p>The sky for days, and still no rain descends&mdash;</p>
+<p>But suddenly when least expected comes&mdash;</p>
+<p>So she to whom her husband's parting lay</p>
+<p>In words saw it burst in reality.</p>
+<br>
+<p>He said, &quot;Dear Rati! well thou knowest how</p>
+<p>I fondly wish to trade in distant realms.</p>
+<p>The time has come for me to part from thee.</p>
+<p>This morn a little ship was sighted here,</p>
+<p>And she is riding yonder on the sea.</p>
+<p>And ere the setting sun sinks down to rest</p>
+<p>Into the western waves the little bark</p>
+<p>Now destined to take me will leave the port;</p>
+<p>And I have therefore one, but one short hour.</p>
+<p>'Tis willed by Him above that I should soon</p>
+<p>Bid farewell to the place where I was born,</p>
+<p>Where all my thoughts for ever centred lie,&mdash;</p>
+<p>Soon part from all that to my heart is dear,</p>
+<p>But soon come richer, greater to my home,</p>
+<p>To spend my days in joy and happiness.</p>
+<p>Dear wife! allow me therefore to depart.&quot;</p>
+<br>
+<p>To which the wife&mdash;&quot;Dear husband, sad it is</p>
+<p>To me to think that thou shouldst part from me;</p>
+<p>But sadder still the thought that thou shouldst go</p>
+<p>On seas to roam in lands unknown and strange,</p>
+<p>And canst not tell when to this spot return.</p>
+<p>There is our lordly mansion here; there is</p>
+<p>Our wealth, and here I am thy youthful wife.</p>
+<p>Why go away and risk thy precious life</p>
+<p>While we enjoy our days like king and queen?</p>
+<p>Why leave me here to pine away in grief</p>
+<p>And loneliness? Without my lord it is</p>
+<p>Half death to me, and I would rather die</p>
+<p>Than see him part; hence banish from thy mind</p>
+<p>All thoughts of going and stay here with me.&quot;</p>
+<br>
+<p>&quot;My wife!&quot; he said, &quot;why cherish idle fears?</p>
+<p>The holy Brahmin whom thou knowest well,</p>
+<p>So deeply versed in all the starry lore,</p>
+<p>Tells me that I am fated to return.</p>
+<p>It is an evil omen that thou shouldst,</p>
+<p>Lamenting, hinder me at this last hour</p>
+<p>And tell me not to go. Send me away</p>
+<p>With thy good wishes, I will soon return.</p>
+<p>By Him above that rules man's destinies,</p>
+<p>By mother earth, by yonder setting sun,</p>
+<p>The moon that shines up in the starry heav'ns,</p>
+<p>By all that to his heart is sacred deemed,</p>
+<p>And lastly by his sire whose picture hangs</p>
+<p>On the wall there, thy husband Rudra swears</p>
+<p>That after he returns he'll stay with thee,</p>
+<p>And nevermore e'en think of leaving thee,</p>
+<p>And let him therefore go in peace of mind.&quot;</p>
+<br>
+<p>&quot;If it is true,&quot; replied the crying maid,</p>
+<p>&quot;That Sita followed Rama to the woods,</p>
+<p>And that she of the Pandus also shared</p>
+<p>With them their toils&mdash;if ever woman's charms</p>
+<p>Had power to move the adamantine heart</p>
+<p>Of man, then let thy Rati go with thee</p>
+<p>To share with thee thy joys and woes as well.</p>
+<p>If thou shouldst go alone, remember then,</p>
+<p>Dear lord, the sin rests solely on thy head</p>
+<p>That a young maiden has been left alone</p>
+<p>To mourn for ever for her husband on</p>
+<p>The seas&mdash;and all for gold and for a name.&quot;</p>
+<br>
+<p>&quot;A <i>name</i> thou sayest&mdash;never, never would</p>
+<p>Thy Rudra die unhonoured and unknown</p>
+<p>And bear the evil name and the reproach</p>
+<p>For ever with his sons and his sons' sons,</p>
+<p>That of his old illustrious family</p>
+<p>He was the only one that feared to go</p>
+<p>Upon the sea. The sun is going down,</p>
+<p>And cruel darkness is invading fast</p>
+<p>On us; and soon the ship will leave the port.</p>
+<p>Within a year thou shalt see me again.</p>
+<p>But if 'tis ruled by God that I should not</p>
+<p>Return, to one thing listen ere I go.</p>
+<p>To soothe thy spirits in a few short months</p>
+<p>An infant will be lying on thy lap,</p>
+<p>And if a daughter she should be, let her</p>
+<p>Be married to one worthy of our race.</p>
+<p>But if a son is born tend him with care;</p>
+<p>When he grows old, let it be said of him</p>
+<p>That he is his lost father's worthy son.&quot;</p>
+<p>And when the few last awful words were spoke</p>
+<p>The frighted wife that stood supported by</p>
+<p>Her lord at once grew pale and motionless.</p>
+<p>As one that watched with anxious care the growth</p>
+<p>Of a young tendril slowly fixes it</p>
+<p>Upon a new and stronger prop, e'en so</p>
+<p>Brave Rudra extricated himself from</p>
+<p>Her grasp and gently placed her on the couch;</p>
+<p>Then gazed on her for a few moments with</p>
+<p>His hands upon her throbbing temples, kissed</p>
+<p>Her brow, and straightway vanished from the room.</p>
+<br>
+<p>And now the little ship in which he sailed</p>
+<p>Safe bore the crew along the wat'ry waste,</p>
+<p>And after twenty days' fast sailing she</p>
+<p>Encountered on the way a storm, was wrecked,</p>
+<p>And all save Rudra perished in the waves.</p>
+<p>The shipwrecked merchant lost all that he had,</p>
+<p>And wandered through a distant country with</p>
+<p>No friends, no money but his hands to earn</p>
+<p>For him his daily bread: the lonely youth</p>
+<p>Thus dragged for years his miserable life</p>
+<p>With nothing to make it worth living save</p>
+<p>The hope, the only hope, to see his wife;</p>
+<p>Till at the end of twenty years a ship</p>
+<p>Was sighted that was bound for Nundipore.</p>
+<p>In it he sailed and safely landed in</p>
+<p>His native port. It was the midday noon;</p>
+<p>He saw the selfsame fishing village that</p>
+<p>Stood years ago upon the sandy beach,</p>
+<p>And with a joyful heart he hastened to</p>
+<p>His house which all deserted seemed; inside</p>
+<p>With falt'ring steps he went, and on the walls</p>
+<p>Of the big hall were hanging pictures of</p>
+<p>His sire, of Krishna playing on the flute,</p>
+<p>Of Rama, Siva, and the other gods</p>
+<p>Whom in his childhood days his house adored,</p>
+<p>And seemed as they were drawn but yesterday;</p>
+<p>A thousand other old familiar scenes</p>
+<p>In quick succession passed before his eyes,</p>
+<p>Then quickly passed into a room, where lo!</p>
+<p>There slept a youth and she for whom for years</p>
+<p>Life's toils he patient bore. As one born blind</p>
+<p>Had after years of pray'r the gift of sight</p>
+<p>Vouchsafed to him by God, his Maker, to</p>
+<p>Behold the beauties of the universe,</p>
+<p>His wife, his children, and those dear to him,</p>
+<p>But straightway feels the precious gift withdrawn;</p>
+<p>Or as a lonely bird that unawares</p>
+<p>Has wandered far into the deep blue sea</p>
+<p>Finds nothing but a wat'ry waste all round,</p>
+<p>And knows not where to rest its wearied limbs,</p>
+<p>But at a distance kens at last a ship</p>
+<p>To which with doubled speed it flies and flies,</p>
+<p>And there discerns a seaman with his bow</p>
+<p>Preventing it from sitting on the mast&mdash;</p>
+<p>So Rudra felt. &quot;Is this my wife?&quot; he thought.</p>
+<p>&quot;Yes, by the mole upon her cheek she is;</p>
+<p>And beauty, spite of age, still lingers on</p>
+<p>Her face, and this fair youth, attracted by</p>
+<p>Her charms, came here. Why hast Thou brought me home,</p>
+<p>O God! why was I not drowned in the sea?</p>
+<p>Why did I leave that distant country where</p>
+<p>These twenty years I toiled for bread and lived?</p>
+<p>And why was I not spared this ghastly sight?</p>
+<p>No, Rati! never would thy husband bear</p>
+<p>To see thee lying with another man.</p>
+<p>First he will kill you both, then die himself.&quot;</p>
+<p>So saying, from a sheath a blade he drew,</p>
+<p>When lo! there fell the piece of a palm leaf</p>
+<p>Whereon were writ&mdash;<i>think well before you do</i>.</p>
+<p>&quot;This is,&quot; he said, &quot;my father's dying gift;</p>
+<p>By the advice here giv'n I will abide,&quot;</p>
+<p>Then woke his wife, and in firm tones thus asked,</p>
+<p>&quot;Who is this youth that has defiled my bed?</p>
+<p>Speak ere I strike you both.&quot; The wond'ring wife</p>
+<p>The dagger and the stranger saw and cried&mdash;</p>
+<p>&quot;Kill me alone, but spare my only son.&quot;</p>
+<p>&quot;Thy only son!&quot; he said; &quot;now wake him up,</p>
+<p>And let us all adore our Maker first,</p>
+<p>Who saved us from my frenzy, which in one</p>
+<p>Short moment would have shattered all our bliss.&quot;</p>
+</div>
+</div>
+
+
+<hr style="width: 65%;"><br><br><br><br>
+
+<a name="huntress"></a><h2><i>THE STORY OF THE ROYAL HUNTRESS</i>.</h2>
+<br><br>
+
+<div class="poem">
+<div class="stanza">
+<p>It was a land of plenty and of wealth;</p>
+<p>There God's indulgent hand made for a race</p>
+<p>Supremely blest a paradise on earth.</p>
+<p>A land of virtue, truth, and charity,</p>
+<p>Where nature's choicest treasures man enjoyed</p>
+<p>With little toil, where youth respected age,</p>
+<p>Where each his neighbour's wife his sister deemed,</p>
+<p>Where side by side the tiger and the lamb</p>
+<p>The water drank, and sported oft in mirth.</p>
+<p>A land where each man deemed him highly blest</p>
+<p>When he relieved the miseries of the poor,</p>
+<p>When to his roof the wearied traveller came</p>
+<p>To share his proffered bounty with good cheer.</p>
+<p>Such was the far-famed land of Panchala.</p>
+<br>
+<p>Here reigned a king who walked in virtue's path,</p>
+<p>Who ruled his country only for his God.</p>
+<p>His people's good he deemed his only care,</p>
+<p>Their sorrows were his sorrows, and their joys</p>
+<p>He counted as his own; such was the king</p>
+<p>Whose daily prayers went up to Him on high</p>
+<p>For wisdom and for strength to rule his men</p>
+<p>Aright, and guard the land from foreign foes.</p>
+<p>Such was the far-famed king of Panchala.</p>
+<br>
+<p>An only son he had&mdash;a noble prince,</p>
+<p>The terror of his foes, the poor man's friend.</p>
+<p>He mastered all the arts of peace and war,</p>
+<p>And was a worthy father's worthy son.</p>
+<p>What gifts and graces men as beauties deem</p>
+<p>These Nature freely lavished on the youth,</p>
+<p>And people loved in wonder to behold</p>
+<p>The face that kindled pleasure in their minds.</p>
+<p>The courage of a warrior in the field,</p>
+<p>A woman's tender pity to the weak&mdash;</p>
+<p>All these were centred in the royal youth.</p>
+<p>His arrows killed full many a beast that wrought</p>
+<p>Dread havoc on the cattle of the poor.</p>
+<p>Such was the famous prince of Panchala.</p>
+<br>
+<p>The people, they were all true men and good,</p>
+<p>Their ruler they adored, for by their God</p>
+<p>He was ordained to rule their native land.</p>
+<p>They freely to their king made known their wants,</p>
+<p>And he as freely satisfied their needs,</p>
+<p>And e'en the meanest of the land deemed it</p>
+<p>The basest act to sin against his king.</p>
+<p>Such were the people of the ancient land</p>
+<p>Of Panchala, who stood one day with tears</p>
+<p>Before their king to pour their plaintive tales</p>
+<p>Of ruin wrought upon their cattle by</p>
+<p>The tiger of the forest, that all day</p>
+<p>Was safe in his impenetrable lair,</p>
+<p>But every night his dreaded figure showed</p>
+<p>And feasted on the flesh of toiling beasts.</p>
+<br>
+<p>The king gave ear to their sad tales of woe,</p>
+<p>And straightway called his only son, and said&mdash;</p>
+<p>&quot;Dear son! my people's good I value more</p>
+<p>Than thine own life. Go therefore to the woods</p>
+<p>With all thine arrows and thy trusty bow,</p>
+<p>And drag the dreaded tiger from his den,</p>
+<p>And to their homes their wonted peace restore.</p>
+<p>His spotted skin and murderous claws must soon</p>
+<p>Be added to the trophies of the past,</p>
+<p>Now hanging on our ancient palace walls.&quot;</p>
+<p>The prince obeyed, and to the forest went:</p>
+<p>Three days and nights he wandered in the woods,</p>
+<p>But still found not the object of his search.</p>
+<p>He missed his faithful men and lost his way,</p>
+<p>Till worn and weary underneath a tree,</p>
+<p>Whose shady boughs extended far and wide,</p>
+<p>The lonely straggler stretched his limbs and slept,</p>
+<p>And for a time forgot his dire distress.</p>
+<br>
+<p>He woke, and thus addressed himself with tears:</p>
+<p>&quot;Here I am left deserted and alone,</p>
+<p>Perchance my faithful people at this hour</p>
+<p>Are vainly searching for their hapless prince,</p>
+<p>While I die here of hunger and of thirst.</p>
+<p>And gladly would I welcome now the brute</p>
+<p>That has attracted me to this strange spot,</p>
+<p>To plunge his claws into my body, tear</p>
+<p>My flesh, and break my bones, and feast on me</p>
+<p>By gnawing them between his horrid jaws,</p>
+<p>And so spare me from this slow lingering death.&quot;</p>
+<br>
+<p>So thought the royal youth of his sad doom,</p>
+<p>When lo! a spotless figure, with a bow,</p>
+<p>A pouch with arrows dangling on her back,</p>
+<p>A hatchet in her hand for cutting wood,</p>
+<p>And with a pitcher on her head, appeared.</p>
+<p>Here every day she came to gather wood,</p>
+<p>And, dressed in male attire, her heavy load</p>
+<p>Took to the nearest town, sold it, then reached,</p>
+<p>At close of day to cook the ev'ning meal,</p>
+<p>Her cottage on the outskirts of the wood,</p>
+<p>Where, with her sire, bent down with years, she lived,</p>
+<p>And dragged her daily miserable life.</p>
+<p>Such was the maid that was upon that day,</p>
+<p>As if by instinct, drawn to the fair youth,</p>
+<p>And such the huntress Radha he beheld.</p>
+<p>A fairer woman never breathed the air&mdash;</p>
+<p>No, not in all the land of Panchala.</p>
+<br>
+<p>The maid in pity saw his wretched plight,</p>
+<p>Then from the pitcher took her midday meal,</p>
+<p>And soon relieved his hunger and his thirst.</p>
+<p>The grateful prince, delighted, told his tale,</p>
+<p>And she, well pleased, thus spake: &quot;Fair youth! grieve not,</p>
+<p>Behold the brook that yonder steals along,</p>
+<p>To this the tiger comes at noon to quench</p>
+<p>His thirst. Then, safely perched upon a tree,</p>
+<p>We can for ever check his deadly course,&quot;</p>
+<p>Both went, and saw at the expected hour</p>
+<p>The monarch of the forest near the brook.</p>
+<p>In quick succession, lightning-like from them</p>
+<p>The arrows flew, and in a moment fell</p>
+<p>His massive body lifeless on the ground.</p>
+<p>Then vowing oft to meet his valiant friend,</p>
+<p>The prince returned, and with the happy news</p>
+<p>Appeared before the king, who blest his son</p>
+<p>And said: &quot;My son! well hast thou done the deed;</p>
+<p>Thy life thou hast endangered for my men;</p>
+<p>Ask anything and I will give it thee.&quot;</p>
+<p>&quot;I want not wealth nor power,&quot; the prince replied,</p>
+<p>&quot;But, noble father I one request I make.</p>
+<p>I chanced to meet a huntress in the wood,</p>
+<p>And Radha is her name; she saved my life.</p>
+<p>I but for her had died a lingering death,</p>
+<p>Her valour and her beauty I admire,</p>
+<p>And therefore grant me leave to marry her.&quot;</p>
+<br>
+<p>The king spake not, but forthwith gave command</p>
+<p>To banish from his home the reckless youth,</p>
+<p>Who brought disgrace upon his royal house,</p>
+<p>And who, he wished, should wed one worthy of</p>
+<p>The noble race of ancient Panchala.</p>
+<p>Poor youth! he left his country and his home,</p>
+<p>He that was dreaded by his foes was gone.</p>
+<br>
+<p>Vain lust of power impelled the neighbouring king,</p>
+<p>The traitor who usurped his sovereign's throne,</p>
+<p>To march on Panchala with all his men.</p>
+<p>He went, and to the helpless king proclaimed&mdash;</p>
+<p>&quot;Thou knowest well my armies are the best</p>
+<p>On earth, and folly it will be in thee</p>
+<p>To stand 'gainst them and shed thy people's blood.</p>
+<p>Send forth thy greatest archer, and with him</p>
+<p>My prowess I will try: this will decide</p>
+<p>If you or I should sit upon the throne,</p>
+<p>And whether Panchala is thine or mine.&quot;</p>
+<p>The king, bewildered, knew not what to do,</p>
+<p>But soon two maidens, strangers to the land,</p>
+<p>Met him, and, of the two, the younger said&mdash;</p>
+<p>&quot;O righteous king! we left our distant homes</p>
+<p>To visit shrines and bathe in holy streams.</p>
+<p>We have been wandering in many climes,</p>
+<p>And yesternight this place we reached, and heard</p>
+<p>Your loyal people speak of your sad plight.</p>
+<p>In early youth I learned to use the bow&mdash;</p>
+<p>I pray thee, therefore, send me forth against</p>
+<p>The wretch that dares to wrest this land from thee.&quot;</p>
+<br>
+<p>And ere the treacherous wretch could string his bow,</p>
+<p>A pointed arrow carrying death with it,</p>
+<p>Like lightning flew from forth the maiden's hands,</p>
+<p>Pierced deep into his head, that plans devised</p>
+<p>To kill his royal master and once more</p>
+<p>Thought ill of Panchala and her good king.</p>
+<p>His body lifeless lay upon the field.</p>
+<br>
+<p class="i2">Then spake the maiden to the grateful king:&mdash;</p>
+<p>&quot;Thou, noble ruler of this ancient land!</p>
+<p>Before thy sacred presence and before</p>
+<p>All these assembled in thy royal court,</p>
+<p>I will reveal my story, sad but true.</p>
+<p>I am the only child of him that ruled</p>
+<p>The neighbouring state, whose kings for centuries</p>
+<p>In peace and friendship lived with Panchala.</p>
+<p>Alas! the villain, whom my arrow gave</p>
+<p>To crows and to the eagles of the air,</p>
+<p>Usurped my father's throne, and sad to tell,</p>
+<p>He instant orders gave to murder us.</p>
+<p>The menials sent to do the cruel deed</p>
+<p>Felt pity for the fallen king and me,</p>
+<p>His only daughter, in the woods left us</p>
+<p>And went away, reporting they had done</p>
+<p>The deed; and there, in that deserted place,</p>
+<p>Unknown we lived a wretched life for years.</p>
+<p>And glad I am that death ignoble, which</p>
+<p>The wretch deserved, has now befallen him.</p>
+<br>
+<p>This person standing here&mdash;I now remove</p>
+<p>The veil, and, by the mole upon his breast,</p>
+<p>Behold in him thine own begotten son&mdash;</p>
+<p>Was by thy orders banished from the land.</p>
+<p>Grant that I now may plead for him, because</p>
+<p>A woman's words can sooner soothe the heart.</p>
+<p>I crave your Majesty to pardon him</p>
+<p>For loving me, and take him back unto</p>
+<p>His father's home; grant also, gracious king,</p>
+<p>That I, a princess, may be worthy deemed</p>
+<p>Of being wedded to thine only son.&quot;</p>
+</div>
+</div>
+
+
+<hr style="width: 65%;"><br><br><br><br>
+
+<a name="chandra"></a><h2><i>CHANDRA</i>.</h2>
+
+<h2>A TALE OF THE FIELD OF TELLIK&Oacute;TA, A.D. 1565.</h2>
+<br><br>
+
+<p>At length the four great Mahometan governments, A'dil Sh&aacute;h, N&iacute;z&aacute;m Sh&aacute;h,
+Bar&iacute;d, and K&uacute;tb Sh&aacute;h, formed a league against R&aacute;m R&aacute;ja, then ruling at
+Bij&aacute;yanagar. A great battle took place on the Kishna, near T&aacute;lic&oacute;t,
+which, for the numbers engaged, the fierceness of the conflict, and the
+importance of the stake, resembled those of the early Mahometan
+invaders. The barbarous spirit of those days seemed also to be renewed
+in it; for, on the defeat of the Hindus, their old and brave r&aacute;ja, being
+taken prisoner, was put to death in cold blood, and his head was kept
+till lately at Bijap&uacute;r as a trophy.</p>
+
+<p>This battle destroyed the monarchy of Bij&aacute;yanagar, which at that time
+comprehended almost all the South of India. But it added little to the
+territories of the victors; their mutual jealousies prevented each from
+much extending his frontier; and the country fell into the hands of
+petty princes, or of those insurgent officers of the old government,
+since so well known as zem&iacute;nd&aacute;rs or poligars.</p>
+
+<p>The brother of the late r&aacute;ja removed his residence further east, and
+finally settled at Chandragiri, about seventy miles north-west of
+Madras, at which last place his descendant first granted a settlement to
+the English.&mdash;<i>Elphinstone</i>.</p>
+<br>
+
+<div class="poem">
+<div class="stanza">
+<p>The setting sun sank slowly in the west,</p>
+<p>The village labourer from the threshing-floor</p>
+<p>Hied home full laden with the gathered corn,</p>
+<p>When soon there came, as from a cage just freed,</p>
+<p>Two lovely doves intent to peck the grain</p>
+<p>That scattered lay upon the vacant field.</p>
+<p>Between these birds, by instinct closely linked,</p>
+<p>Attachment fond had grown. It seemed, indeed,</p>
+<p>That God for speech denied to them had given</p>
+<p>Sense exquisite to know each other's ways.</p>
+<p>Not all the speech of favoured man in truth</p>
+<p>Could meaning make more clear or deeply felt</p>
+<p>Than one soft motion of the slender frame,</p>
+<p>One gentle murmur from the tiny throat.</p>
+<p>The wife more bold, yet pausing oft to scan</p>
+<p>Her lord, adventurous strayed with timid steps,</p>
+<p>Unconscious all of aught to mar their joys.</p>
+<p>Just then with steady poise on outstretched wing</p>
+<p>A hungry falcon hovered over her,</p>
+<p>Resolved with one fell swoop to seize his prey,</p>
+<p>His talons bury in her tender flesh,</p>
+<p>Lift her away to some sequestered spot,</p>
+<p>There drink her blood in leisure undisturbed,</p>
+<p>And break her bones and her torn flesh devour.</p>
+<p class="i2">At early morn upon that selfsame day</p>
+<p>A huntsman sallied forth in search of food,</p>
+<p>And, wandering luckless all day long, at last</p>
+<p>Did chance upon this bird. Behind a bush</p>
+<p>He quickly crept, and straightway strung his bow.</p>
+<p>A gladsome vision suddenly appeared&mdash;</p>
+<p>He saw his wife and children in their home</p>
+<p>Enjoy the dove's well spiced and roasted flesh.</p>
+<p>But lo! a gentle flutter of the leaves</p>
+<p>By eagerness unconscious caused, to her</p>
+<p>Revealed the huntsman take his deadly aim.</p>
+<p>With head uplifted and with wings outstretched</p>
+<p>She flight essayed, but saw the falcon near.</p>
+<p>Thus scared and terror-struck she lay resigned</p>
+<p>To fall by deadly arrow pierced, and give</p>
+<p>Her lifeless form to feed the hungry bird.</p>
+<p>The keen-eyed huntsman saw that lifted head</p>
+<p>And open wings meant flight and sure escape.</p>
+<p>He therefore quickly aimed his arrow high,</p>
+<p>Which flying pierced the falcon nearing down.</p>
+<p>That selfsame moment when the arrow flew,</p>
+<p>When all his thoughts were centred on the bird,</p>
+<p>The huntsman pressed his foot upon a snake</p>
+<p>That in the bush lay coiled. Writhing with pain,</p>
+<p>The snake poured deadly poison from its fangs.</p>
+<p>The huntsman and the falcon both fell dead</p>
+<p>Before the helpless dove; and foes that came</p>
+<p>To work her woe had worked each other woe.</p>
+<p>The loving pair together flew away,</p>
+<p>Their life of joy and freedom to renew.</p>
+<br>
+<p>Lo such the story of two human lives!</p>
+<p>To them, as happens oft, abundant share</p>
+<p>Of Nature's choicest gifts brought many ills.</p>
+<p>But noble lives are thus more noble made,</p>
+<p>As shining gold oft-heated shines the more.</p>
+<p class="i2">Over the ancient land of Vijiapore<a name="FNanchor2"></a><a href="#Footnote_2"><sup>[2]</sup></a></p>
+<p>There reigned a king for truth and valour known.</p>
+<p>The lovely Chandra<a name="FNanchor3"></a><a href="#Footnote_3"><sup>[3]</sup></a> was his only child,</p>
+<p>Who like the moon among the stars of heaven</p>
+<p>Shone fairest 'mong the daughters of the land.</p>
+<p>The father fondly hoped his child would wed</p>
+<p>A neighbouring prince, the mighty ruler of</p>
+<p>An ancient kingdom richer than his own;</p>
+<p>The mother she would be the worthy spouse</p>
+<p>Of him who was her brother's only son</p>
+<p>And trusted minister of Vijiapore.</p>
+<p>But one there was, a courtier of the land,</p>
+<p>A youth, yet full of counsel wise and true,</p>
+<p>And ever ready to obey his master's will.</p>
+<p>The terror of his foes, a hunter bold,</p>
+<p>He rode the fleetest horse with ease and grace,</p>
+<p>The wildest elephant his might could tame,</p>
+<p>And horned bulls knew well his steady grip.</p>
+<p>Him Chandra wished to wed, and in her breast</p>
+<p>With silent hope her love for him kept warm.</p>
+<p>The years sped on, the father fondly dreamt</p>
+<p>She soon would be the queen of two proud realms,</p>
+<p>The mother that her future lord would be</p>
+<p>Both king and minister of state. Meanwhile</p>
+<p>Fair Chandra and her noble Timmaraj</p>
+<p>Longed for the consummation of their love.</p>
+<p class="i2">A flower there is, the fairest flower in Ind,</p>
+<p>A flower beloved by poets of all time,</p>
+<p>Whose beauties lovers ever love to tell,</p>
+<p>And liken oft to woman's thousand charms.</p>
+<p>This flower, the stately lotus of our Ind,</p>
+<p>Its petals closes to the moon at eve,</p>
+<p>And all its beauties hides through silent night,</p>
+<p>But with the rising of the morning sun</p>
+<p>Opens and swells, its beauty full displays,</p>
+<p>And sweetest fragrance breathes when fiercest beat</p>
+<p>The rays. E'en so fair Chandra, though oft told</p>
+<p>She womanhood had long ago attained,</p>
+<p>And soon must wed one worthy of her race,</p>
+<p>Nought heeded when alternate to her view</p>
+<p>Were brought the prowess of the neighbouring king,</p>
+<p>The wisdom of the pilot of the state.</p>
+<p class="i2">To wean her love from noble Timmaraj,</p>
+<p>He forth was sent against his country's foes,</p>
+<p>With his small band to fall, and ne'er return.</p>
+<p>But oft as he was sent, as often he</p>
+<p>Returned victorious with fresh laurels gained.</p>
+<p>And when the bards before the king and queen</p>
+<p>Recited in the ancient palace hall</p>
+<p>The battles bravely won, the glories of</p>
+<p>The war, fair Chandra's face with joy, e'en like</p>
+<p>The lotus, beamed, and as by magic charmed,</p>
+<p>Disclosed a thousand beauties centred there.</p>
+<p>Though silent she, her looks to all made known</p>
+<p>Her love for Timmaraj, the author brave</p>
+<p>Of all his country's good. Yet still she kept</p>
+<p>A seal upon her lips, until by chance</p>
+<p>An incident occurred which sealed her fate.</p>
+<p class="i2">As on the sand near by the water's edge</p>
+<p>One thoughtless stands to watch with eager eyes</p>
+<p>The surf that beats continuous on the shore,</p>
+<p>And suddenly when least expected flows</p>
+<p>A wave that reaches far beyond the rest,</p>
+<p>So stood the king and queen of Vijiapore</p>
+<p>In parents' place, tempting their daughter fair</p>
+<p>To marry whom she loved not, could not love,</p>
+<p>When Chandra suddenly her mind declared.</p>
+<p>Down through the stillness of a narrow vale</p>
+<p>The lovely Pampa flows, whose course is shaped</p>
+<p>By hills that lift their summits to the sky.</p>
+<p>On either side, her course is like the life</p>
+<p>Inconstant of the daughters of this land,</p>
+<p>Who lived in times of old in castles set</p>
+<p>Amidst rich groves and cool, pellucid streams,</p>
+<p>And woodlands broad and fair to roam at will;</p>
+<p>But these by moats and battlements enclosed</p>
+<p>Were made impassable that the eyes impure</p>
+<p>Of man might not upon their beauty gaze,</p>
+<p>And so defile their virgin purity.</p>
+<p>For all that here delighted woman's eyes</p>
+<p>Was freely lavished by their royal sires;</p>
+<p>And countless guards to watch all day were there,</p>
+<p>And maidens numberless to sport with them</p>
+<p>And while away their tedious hours of life</p>
+<p>With tales of youth, who, bolder than the rest,</p>
+<p>Leapt over moats and scaled steep battlements</p>
+<p>To have a glimpse of those more dear than life,</p>
+<p>But who, alas! were doomed to endless woe,</p>
+<p>And sent to pine away in dungeons dark</p>
+<p>For tainting with their feet forbidden ground.</p>
+<p>But soon their life was changed&mdash;the royal bride,</p>
+<p>Before the happy bridal hour began,</p>
+<p>Was first by all her kindred freely seen,</p>
+<p>And straightway taken to the palace hall</p>
+<p>To choose and then make known her future lord</p>
+<p>From anxious suitors there, and thenceforth spend</p>
+<p>With him her days of freedom and of joy.<a name="FNanchor4"></a><a href="#Footnote_4"><sup>[4]</sup></a></p>
+<p class="i2">E'en so, none dared, so fearful is the gorge,</p>
+<p>To gaze upon the river's loveliness,</p>
+<p>Except those inmates of the mountain caves,</p>
+<p>That in the noontide hour, to quench their thirst,</p>
+<p>Climb down, regardless of the huntsman's bow,</p>
+<p>Or save the vultures of the air, those birds</p>
+<p>Which, soaring on majestic wings aloft,</p>
+<p>Alight, as if by instinct drawn, upon</p>
+<p>Her shady margins, there to feast upon</p>
+<p>The carcass of some beast that died of age.</p>
+<p>But soon the valley widens, and she flows</p>
+<p>At will, her waters sparkle in the sun,</p>
+<p>And on her margins for grim hills are seen</p>
+<p>Green fields, deep shady groves, and peaceful homes.</p>
+<p>'Tis here those mountains, that kept zealous guard</p>
+<p>O'er Pampa, fade away from view, as if</p>
+<p>To make amends for past unkindliness,</p>
+<p>So leaving her to shoot into the plain</p>
+<p>And watering Vijiapore and countless lands:</p>
+<p>'Twas here the village stood of Chengalpore,</p>
+<p>The scene of many noble deeds of man</p>
+<p>And woman's high devotion to her lord.</p>
+<p>'Twas here one crowded hour of Timma's life</p>
+<p>Was worth his country's brightest annals, rich</p>
+<p>In spoils of war and deeds of valiant men.</p>
+<p>In that one hour of all his glorious life</p>
+<p>He won a kingdom and a bride, for whom</p>
+<p>He left that kingdom never to return;</p>
+<p>And this the story of that glorious hour.</p>
+<p class="i2">One day the news to Vijiapore was brought:</p>
+<p>The elephant whose rich caparisoned back</p>
+<p>The king, to please his subjects, once a year</p>
+<p>Rode on, his keeper in a sudden fit</p>
+<p>Of frenzy killed, and dreadful havoc wrought</p>
+<p>Amongst the royal steeds in Chengalpore;</p>
+<p>And now the mandate from the king went forth</p>
+<p>That Timmaraj should slay his fav'rite beast,</p>
+<p>For e'en the stoutest warrior of the land</p>
+<p>Dared not approach him in his frenzied mood.</p>
+<p>Then 'twas that Chandra suddenly her mind</p>
+<p>Declared and boldly spake in words like these:</p>
+<p>&quot;It is not meet, dear father, that thou shouldst</p>
+<p>So lightly use our only warrior's life,</p>
+<p>Who won so many battles for his king</p>
+<p>And added nought but glory and renown</p>
+<p>Unto his country, and bid him thus fling</p>
+<p>His life away before a beast insane.</p>
+<p>Thou knowest well thy foes are ever bent</p>
+<p>On wresting from thine hands this ancient crown,</p>
+<p>And he alone it is that often curbs</p>
+<p>Their pride. Yes, Timmaraj shall slay the beast,</p>
+<p>But grant my pray'r that he shall marry me,</p>
+<p>For often hast thou said that womanhood</p>
+<p>I long ago attained, and soon should wed</p>
+<p>One, therefore, worthy of our ancient house,</p>
+<p>And gladly will I wed that warrior bold,</p>
+<p>That shall, before to-morrow's sun has set,</p>
+<p>Unto the portals of thy palace here</p>
+<p>Bring dead the beast, that now at Chengalpore</p>
+<p>Is working havoc on thy noble steeds.&quot;</p>
+<p>The king to this his consent gladly gave,</p>
+<p>Assured that Timma by the angry beast</p>
+<p>Would be destroyed and never would return;</p>
+<p>And so the second mandate was proclaimed</p>
+<p>And sent to Chandra's other suitors too,</p>
+<p><i>That he shall win the daughter of the king<br>
+Who slays the beast before the morrow's close.</i></p>
+<p>The morrow came, and, ere the warrior youth</p>
+<p>Leapt on his faithful steed, at early morn,</p>
+<p>A maiden stood before his gate and said,</p>
+<p>&quot;Brave youth! thy Chandra sent me here to say</p>
+<p>Thou shouldst not fear to boldly face the beast;</p>
+<p>Shouldst thou come victor back, she will be thine</p>
+<p>And thine for ever even after death.</p>
+<p>But shouldst thou flee from him to save thy life,</p>
+<p>Think then thou art unworthy of her love,</p>
+<p>And she shall not e'en see thy coward face;</p>
+<p>But, if perchance thou fallest by the beast,</p>
+<p>Vouchsafe to her through me with thine own hand</p>
+<p>One javelin of the eight which now thou hast,</p>
+<p>For she will not outlive her Timmaraj,</p>
+<p>But straightway bare her breast and plunge the dart</p>
+<p>And lifeless fall a corpse.&quot; The youth replied,</p>
+<p>&quot;I gladly send this javelin, but tell her</p>
+<p>She shall not need its use, for Timmaraj</p>
+<p>Will surely come victorious with the beast.&quot;</p>
+<p>With javelins seven then he sallied forth</p>
+<p>Upon his steed to win his bride or die.</p>
+<p class="i2">Meanwhile the news was spread that Timmaraj</p>
+<p>And that young min'ster, who these many years</p>
+<p>Was seeking through her mother Chandra's hand,</p>
+<p>And Bukka, ruler of the neighbouring state,</p>
+<p>Whom she her father fondly wished should wed,</p>
+<p>Had started on their steeds to Chengalpore;</p>
+<p>Each vowed to be the first to drag the beast</p>
+<p>Unto the royal city for six miles,</p>
+<p>And there slay him before the palace gate.</p>
+<p>The city poured her sons the sight to see,</p>
+<p>For in the annals of their country's past</p>
+<p>Not e'en the brightest page contained one deed</p>
+<p>That could this glorious feat of man surpass;</p>
+<p>And Timma was the people's fav'rite, and</p>
+<p>They dearly wished that he should slay the beast,</p>
+<p>Win Chandra, and become their future king.</p>
+<p class="i2">But soon the thought of that mad beast unnerved</p>
+<p>Both Bukka and the minister of the state.</p>
+<p>The royal Bukka thus to himself said:</p>
+<p>&quot;A richer kingdom than this Vijiapore</p>
+<p>I own, and why should I now madly stake</p>
+<p>My life in this hard feat; 'tis easier far</p>
+<p>To gain this Chandra and her father's throne.</p>
+<p>I will sit hidden in the thickest bush,</p>
+<p>Near yonder stream, by which the pathway runs&mdash;</p>
+<p>For Timmaraj is sure to pass that way&mdash;</p>
+<p>And with this arrow I will end his life.</p>
+<p>Thereafter Chandra's love for him will fade</p>
+<p>And die, and who is there to marry her</p>
+<p>But I?&quot; So thought this foolish youth, to whom</p>
+<p>A woman's love was as inconstant as</p>
+<p>His own resolve to fight a savage beast,</p>
+<p>And sat within a bush to watch his prey.</p>
+<p class="i2">He too, the pilot of the state, deemed it</p>
+<p>A mad resolve to try the dang'rous feat,</p>
+<p>And silent sat unnoticed and unknown</p>
+<p>Upon the other side of that same path,</p>
+<p>Within a secret bush by that same stream.</p>
+<p>The one knew not the other was concealed</p>
+<p>The fatal blow upon the selfsame prey</p>
+<p>To deal, but fearless Timma on his horse</p>
+<p>Approached the beast, which madly rushed on them,</p>
+<p>To force both horse and rider to the ground</p>
+<p>With his huge leg, and then to tear them both.</p>
+<p>The horse was fleeter than the elephant,</p>
+<p>Which thus the chase gave up, but still the youth</p>
+<p>Undaunted neared the beast a second time,</p>
+<p>And hurled with all his might a jav'lin, which</p>
+<p>Pierced deep the temple. Thus enraged, the beast</p>
+<p>Began the chase again, but still the steed</p>
+<p>Was fleeter than the wearied elephant,</p>
+<p>And once again he stopped, but Timma hurled</p>
+<p>A second, which went deeper than the first,</p>
+<p>And roused him all the more&mdash;and nevermore</p>
+<p>He stopped, but towards Vijiapore the chase</p>
+<p>Continued; for in due succession flew</p>
+<p>Six jav'lins, lightning-like, with deadly aim.</p>
+<p>Thus, by the angry beast pursued, he neared</p>
+<p>At last the little stream that must perforce</p>
+<p>Be crossed to reach the royal city gate.</p>
+<p>Then from the pouch that dangled on his back,</p>
+<p>His only jav'lin, with his utmost might,</p>
+<p>Discharged, that so enraged the maddened beast,</p>
+<p>With fury rushing, that his writhing trunk</p>
+<p>Had all but touched the rider and his horse</p>
+<p>In one embrace to crush them both; but soon</p>
+<p>The keen-eyed youth the danger saw, and spurred</p>
+<p>His horse, which bounded o'er the stream, when lo!</p>
+<p>Two arrows crossed each other underneath.</p>
+<p>One pierced the min'ster dead; the other pierced</p>
+<p>The royal Bukka, who unconscious fell.</p>
+<p>One moment more, and at the palace gate</p>
+<p>The wearied rider on his foaming steed</p>
+<p>Stood, like a warrior coming with his spoils,</p>
+<p>The beast beside him, which, worn out, fell dead.</p>
+<p>And as the tall and massive gate of some</p>
+<p>Old fort with spikes deep driven to withstand</p>
+<p>The foe, who battered it incessant, falls,</p>
+<p>And, powerless to stand the shock, at last</p>
+<p>Falls with a crash that far and wide was heard,</p>
+<p>So fell the beast, his massive corpse all torn</p>
+<p>And mangled, and with jav'lins planted deep,</p>
+<p>And when he fell from his huge throat went forth</p>
+<p>A wail, his last, like roaring thunder, that</p>
+<p>Resounded through the hills of Vijiapore.</p>
+<p class="i2">Another moment and brave Timma sat</p>
+<p>Upon the bridal seat, the veil was drawn,</p>
+<p>And, through the veil, the sacred knot was tied</p>
+<p>Round Chandra's neck, and all was merry there.</p>
+<p class="i2">And still another moment when&mdash;alas!</p>
+<p>For that strange fickleness of human life</p>
+<p>Whose joys and griefs each other follow like</p>
+<p>The spokes of some fast-going wheel&mdash;there came</p>
+<p>The wounded Bukka with a violent wail</p>
+<p>That Timma had the king's adviser slain,</p>
+<p>Whose body lay upon the riverside,</p>
+<p>Exposed to all the carrion birds of prey,</p>
+<p>And him too wounded, but the arrow pierced</p>
+<p>Not deep, but laid him senseless for awhile;</p>
+<p>But soon, with consciousness restored, his wound</p>
+<p>He washed, and straightway hastened on his steed,</p>
+<p>In time to tell the story, sad but true,</p>
+<p>And stop the marriage of that coward with</p>
+<p>The fairest and the noblest of the land.</p>
+<p>As when upon a tree, whose boughs with fruits</p>
+<p>Are laden, birds innumerable sit,</p>
+<p>Them to enjoy and to be merry there,</p>
+<p>The cruel hand of man to mar their joys</p>
+<p>Hurls suddenly a stone, and all the air</p>
+<p>Around is thick with jarring sounds of birds</p>
+<p>That in confusion fly&mdash;so fell the words</p>
+<p>Of Bukka on that scene, where all was joy,</p>
+<p>Where, like a beehive, swarmed the surging crowd,</p>
+<p>To see the marriage of their princess dear;</p>
+<p>And straightway in confusion wild they ran</p>
+<p>Without a purpose, but in various ways.</p>
+<p>Unto their homes some ran the news t'acquaint,</p>
+<p>Some to the wounded Bukka and his horse,</p>
+<p>But many to the riverside to find</p>
+<p>Their min'ster lying dead by arrow pierced.</p>
+<p class="i2">The sorrow-stricken king spake not a word,</p>
+<p>But like a lifeless figure stood awhile.</p>
+<p>A sudden fit of frenzy overtook</p>
+<p>The king at last, and Timma's awful doom</p>
+<p>He thundered forth in accents strong like these:</p>
+<p>&quot;Be this my decree, forthwith known to all,</p>
+<p>That Timma henceforth shall be banished from</p>
+<p>My land for this dishonour brought on me.</p>
+<p>He paved his way by murder to my throne,</p>
+<p>And sullied the fair name of my dear house.&quot;</p>
+<p class="i2">When these few awful words the monarch spoke,</p>
+<p>Tears trickled down his eyes, and Timma from</p>
+<p>The bridal seat received his doom, 'stead of</p>
+<p>A blessing from the father of his bride.</p>
+<p>A gentle touch, a whisper through the veil,</p>
+<p>Then Timma to the royal judgment bowed,</p>
+<p>And slowly moved from out those scenes of joy</p>
+<p>And merriment, and reached the palace gate,</p>
+<p>Where stood his horse by that dead elephant;</p>
+<p>And soon in that confusion that prevailed</p>
+<p>Was seen to slowly move a figure veiled,</p>
+<p>T'approach the gate, and forthwith Timma swung</p>
+<p>That figure on the saddle of his horse,</p>
+<p>Then himself leapt and vanished straight from view.</p>
+<p class="i2">The angry monarch saw their sudden flight,</p>
+<p>And as some ag&egrave;d lion, when sore vexed,</p>
+<p>Like thunder roaring, musters all his strength</p>
+<p>And stands defiant to face the foe, so stood</p>
+<p>The ag&egrave;d warrior, whose old strength returned,</p>
+<p>His breast expanded, and his body raised</p>
+<p>Erect, and for the time his age shook off.</p>
+<p>Then spake he forth in angry tones like these:</p>
+<p>&quot;My only child is gone, and he that brings</p>
+<p>My daughter back shall have my highest meed&mdash;</p>
+<p>Nay, even half my kingdom I will give.&quot;</p>
+<p>None dared save Bukka to essay the feat,</p>
+<p>Who forthwith sprang upon his horse, and soon</p>
+<p>O'ertook the running pair, for Timma's horse,</p>
+<p>Though deemed the fleetest in the land, now felt</p>
+<p>His double weight, his wonted speed decreased.</p>
+<p>Then Timma said, &quot;Our foe is nearing fast,</p>
+<p>And he is armed, while weapons I have none.</p>
+<p>In bridal dress I cannot face the foe,</p>
+<p>And he will sure kill me and take you back</p>
+<p>Unto your angry sire. Thou art a girl</p>
+<p>Born of the martial Kshatriya race, and hence</p>
+<p>Thou knowest well to ride the wildest horse;</p>
+<p>So let me now dismount for thee t'escape.&quot;</p>
+<p>&quot;'Tis better far I die with thee,&quot; she said,</p>
+<p>&quot;But I have here the javelin thou didst give</p>
+<p>Before thou went'st to kill the elephant,</p>
+<p>The eighth and last, concealed within my veil.</p>
+<p>Take this and stop the coming foe,&mdash;but oh!</p>
+<p>Kill not the wretch who dared to follow us,</p>
+<p>And sully this our happy bridal hour</p>
+<p>By murder; only stay, oh, stay the chase!&quot;</p>
+<p>So said, she gave the jav'lin, which he hurled</p>
+<p>Upon the chasing charger's breast with all</p>
+<p>His might, and straightway horse and rider fell;</p>
+<p>And, like those innocent and helpless doves,</p>
+<p>The loving pair together fled away,</p>
+<p>Their life of joy and freedom to renew.</p>
+<p class="i2">Before the fury of an angered king</p>
+<p>For full three days and nights they ran, and found</p>
+<p>At last a safe and happy shelter in</p>
+<p>A shepherd's cot, and in those troublous times</p>
+<p>'Twas easier for the brave to kingdoms found,</p>
+<p>Rear palaces, and rulers strong become,</p>
+<p>Than for the toiling peasants, from sown fields,</p>
+<p>To reap their crops and safely bear them home.</p>
+<p>Brave Timma was a stranger 'mongst new men;</p>
+<p>The many tigers by his arrows killed</p>
+<p>And neighboring clans and lawless robbers kept</p>
+<p>In check gave them sure hopes of future peace</p>
+<p>And future joy, and straightway they made him</p>
+<p>Their king to guard their women and their homes,</p>
+<p>While they their avocations of the soil</p>
+<p>In peace pursued, and soon was raised a fort;</p>
+<p>A stately palace too was reared within</p>
+<p>By willing hands, and safe from dang'rous foes,</p>
+<p>And far away from their dear native vale</p>
+<p>Of Vijiapore they spent their peaceful days</p>
+<p>In joy, beloved by all their loyal men.</p>
+<p class="i2">But 'tis a saying often told in Ind,</p>
+<p><i>He hath a foe who hath a lovely wife.</i></p>
+<p>Her very loveliness is reason deemed</p>
+<p>To hate her lord, nay, murder him, and hence</p>
+<p>Her husband's foe unconscious she becomes.</p>
+<p>For Chandra's beauty all these evils wrought</p>
+<p>Upon the youth, who for his country fought</p>
+<p>So many battles, and the Moslem kept</p>
+<p>In constant dread, and for his virtue's sake,</p>
+<p>Though most beloved in his native land,</p>
+<p>And dreaded most for valour by his foes,</p>
+<p>He lived a stranger in a foreign land.</p>
+<p>She, too, that maiden, 'twas her fate to share</p>
+<p>Her husband's troubles for her beauty rare.</p>
+<p>Still 'twas a little heav'n their new home where</p>
+<p>The halcyon days of mutual love were spent.</p>
+<p>'Tis sweet to love and sweeter to be loved;</p>
+<p>And thus in their new home their life of joy</p>
+<p>They spent in undisturb&egrave;d solitude;</p>
+<p>But ah! this even was not long to be.</p>
+<p class="i2">One day the news was brought to their new king,</p>
+<p>By a small troop of sorrow-stricken men,</p>
+<p>That ev'ry night a tiger from his den</p>
+<p>Came down and fearful havoc wrought amongst</p>
+<p>Their toiling cattle, and the piteous tales</p>
+<p>Of dreadful woe they poured into his ear</p>
+<p>Moved Timma's heart, who took his trusty bow</p>
+<p>And forthwith started with a faithful band</p>
+<p>To drag the tiger from his mountain cave</p>
+<p>And then for ever stop his mad career.</p>
+<p>For days and nights he wandered in the woods,</p>
+<p>But sad to tell found not the dreaded beast.</p>
+<p>Still, nothing daunted, continued the search,</p>
+<p>Until at last his faithful men he missed,</p>
+<p>And wandered far into the wilds unknown,</p>
+<p>When lo! the villain Bukka, who, upon</p>
+<p>The outskirts of the newly-founded state,</p>
+<p>Was hovering like a falcon o'er his prey,</p>
+<p>Pounced suddenly upon the lonely youth</p>
+<p>And safely carried him to his abode;</p>
+<p>Then tidings sent to Chandra in these words:</p>
+<p>&quot;Dear maid! thy Timma is a helpless slave,</p>
+<p>A humble suppliant for his life before</p>
+<p>The valiant Bukka; let thy pride now cease.</p>
+<p>The jav'lin which thou sentest me to slay,</p>
+<p>Which killed my noble steed instead, awaits</p>
+<p>To pierce his head and forthwith end his life.</p>
+<p>But hearken ere I strike him dead therewith,</p>
+<p>Thy matchless beauty, valour, virtue&mdash;these</p>
+<p>Are fit to shine in royal courts like mine,</p>
+<p>Add splendour to my household, where installed</p>
+<p>As queen the daughters of my land will pay</p>
+<p>Homage to thee&mdash;discard him, therefore, and</p>
+<p>Love me, and I will forthwith set him free.&quot;</p>
+<p>The angry maiden made reply, &quot;Vile wretch!</p>
+<p>Cursed be thy head to hold this evil thought.</p>
+<p>If in my presence this request were made,</p>
+<p>Sure I to fragments would have splintered it</p>
+<p>With my own weapon, and the pieces thrown</p>
+<p>To carrion birds to feast upon withal.</p>
+<p>Tell him 'tis better far he should be like</p>
+<p>A cur tied at my gate, for servants, as</p>
+<p>They pass, to throw a little morsel from</p>
+<p>The remnants of our feast; I fear him not,</p>
+<p>And if my lord he kills, sure I am not</p>
+<p>His wife, if forthwith I don't leap upon</p>
+<p>The flames and then to ashes be reduced.</p>
+<p>Begone! 'twere better far my husband dies</p>
+<p>Than be the prisoner of a grovelling wretch.&quot;</p>
+<p>Bukka, whose ire was roused, sent word at last&mdash;</p>
+<p>&quot;Beware, you foolish maid! poor Timma's life</p>
+<p>Endanger not by this refusal stern,</p>
+<p>Nor lightly treat my prowess, for to me</p>
+<p>'Tis easier far to take away his life</p>
+<p>Than for the lordly monarch of the woods</p>
+<p>To kill the puny, weakly lamb; and nought</p>
+<p>Prompts me to wait thus far, but pity for</p>
+<p>The daughter of a friend and neighbour-king,</p>
+<p>Else Timma's body would have long ere this</p>
+<p>Been given to the eagles of the air.</p>
+<p>So listen now, once more, ere I kill him,</p>
+<p>And, if at all thou carest for his life,</p>
+<p>Let me but see the beauty of thy face,</p>
+<p>And for one moment only gaze upon</p>
+<p>Its loveliness&mdash;then Timma shall be free,</p>
+<p>And I will pass in quietness to my home&mdash;</p>
+<p>Nay, henceforth I will not molest you both.</p>
+<p>Shouldst thou this last request refuse, I swear,</p>
+<p>By all I sacred hold, the moment that</p>
+<p>Refusal comes, the jav'lin from my hand</p>
+<p>Will fly at Timma and will strike him dead.&quot;</p>
+<p>Meantime brave Chandra in the audience hall</p>
+<p>Of her own palace, 'midst her faithful men,</p>
+<p>Received the news, and then in angry tones</p>
+<p>She spurned the wild request, when there appeared</p>
+<p>Her priest, who counsel gave in words like these:</p>
+<p>&quot;It is not meet, O royal lady, that</p>
+<p>Thou shouldst this attitude defiant assume,</p>
+<p>When Bukka in a moment may bereave</p>
+<p>Us all of our dear, noble Timmaraj,</p>
+<p>And drive thee, too, to fling thy life away;</p>
+<p>And, if 'tis writ thou shouldst so die with him,</p>
+<p>Our sad entreaties and our tears will nought</p>
+<p>Avail, nor alter laws thus preordained.</p>
+<p>But haply, if it is writ otherwise,</p>
+<p>Why break the link that binds you both for life?</p>
+<p>Call it not chance the link that binds men's hearts,</p>
+<p>But Heaven's sacred gift to sweeten life.</p>
+<p>It is the hand divine that guides man's life</p>
+<p>From the inception to the very end;</p>
+<p>Nay more, sees even after that life's end,</p>
+<p>Its own appointed destiny is reached,</p>
+<p>To take fresh shape, its course to run anew,</p>
+<p>And reap what it had sown before, for take</p>
+<p>The tree, its fruit but falls to reach its base.</p>
+<p>The calf his mother easily doth find</p>
+<p>Amidst a thousand cows, to suck the milk;</p>
+<p>And all our deeds doth likewise follow us,</p>
+<p>E'en after death, and they are not our own,</p>
+<p>But preordain&egrave;d laws, that must perforce</p>
+<p>Be anywise fulfilled, and He alone</p>
+<p>It is that sees their strict fulfilment here.</p>
+<p>For ah! why should the noblest maiden and</p>
+<p>The fairest and the wisest in the land</p>
+<p>Be mated to the meanest wretch through life?</p>
+<p>All that is deemed the highest in the world&mdash;</p>
+<p>Beauty and honour, valour, virtue, wealth&mdash;</p>
+<p>All these availeth not, her mind is blank;</p>
+<p>She herself knows not whom to love and wed;</p>
+<p>Not e'en dear friendship kindles in her breast</p>
+<p>The lamp of love, but suddenly</p>
+<p>A passing stranger's glance, a simple look</p>
+<p>Instinctive plants that love, which slow takes shape,</p>
+<p>Despite a thousand counter forces, till</p>
+<p>At last the final end is reached: a look</p>
+<p>Is thus enough to bind two hearts for life,</p>
+<p>And this is but the true fulfilment of</p>
+<p>A preordain&egrave;d law that in the life</p>
+<p>Before had all but reached perfection full,</p>
+<p>Or their appointed shape had all but tak'n,</p>
+<p>And in the new life easily attains</p>
+<p>The end: such, then, the truth of all such things.</p>
+<p>Call it what you will, simple tendency</p>
+<p>Inherited, the least sign gives it life,</p>
+<p>Which but leads it to its appointed end,</p>
+<p>Like powder whose combustibleness sleeps,</p>
+<p>The sudden spark to action rouses it.</p>
+<p>And thus it was, O Chandra, thou didst share</p>
+<p>A humble courtier's lot, and didst refuse</p>
+<p>The premier noble's hand, or better still</p>
+<p>The queenship of two mighty states, and thus</p>
+<p>The many counter forces that were set</p>
+<p>At work but strengthened thy true love for him.</p>
+<p>And why endanger such a husband's life?</p>
+<p>One wedded so to thee, and not by chance,</p>
+<p>But by the preordain&egrave;d law of God;</p>
+<p>For know thou livest only for thy lord.</p>
+<p>Thy husband is thy lord, and, if perchance</p>
+<p>It is his will thou shouldst be Bukka's queen,</p>
+<p>Thou shouldst, so knowing it, obey his will,</p>
+<p>Else, sure thou shalt be deemed nor pure nor chaste,</p>
+<p>But counted worse than e'en a faithless wife;</p>
+<p>'Tis not in man to alter written laws;</p>
+<p>'Tis hard, nay useless too to fight 'gainst fate,</p>
+<p>And if 'tis writ that Bukka should now see</p>
+<p>Thy matchless face, thou canst not alter it,</p>
+<p>And fate's severities good deeds alone</p>
+<p>Can soften, and our holy writings say</p>
+<p>'Tis sin to let another man behold</p>
+<p>Thy face, admire the beauties that enchant,</p>
+<p>And thou becomest then impure; but those</p>
+<p>Same holy books say, 'tis no sin to see</p>
+<p>The shadow for the true reality.</p>
+<p>Now, therefore, let a silken veil be drawn,</p>
+<p>And underneath a bowl of oil be placed,</p>
+<p>And the reflection of thy face therein</p>
+<p>Let Bukka see and Timmaraj be saved.&quot;</p>
+<p>To this the queen consent unwilling gave,</p>
+<p>And Bukka to the palace gladly came,</p>
+<p>Resolved to freedom give to Timmaraj,</p>
+<p>If Chandra were like other maidens fair,</p>
+<p>But sure possess her, if she shone among</p>
+<p>The daughters of the earth surpassing fair,</p>
+<p>And like the moon among the stars of heav'n.</p>
+<p>The veil was drawn, the bowl of oil was placed,</p>
+<p>And lo! was seen therein a face, whose like</p>
+<p>The royal Bukka ne'er had seen before</p>
+<p>In all his life; like lightning it appeared,</p>
+<p>Bright'ning the surface for an instant, and</p>
+<p>Like lightning vanished, planting in his breast</p>
+<p>Impassioned love for Chandra, and a love</p>
+<p>Too deeply rooted to be rooted out.</p>
+<p>Then Chandra through the screen impatient said:</p>
+<p>&quot;Now that this deed is done, delay no more</p>
+<p>My long lost husband to restore to me.&quot;</p>
+<p>And Bukka made reply&mdash;&quot;O maiden fair,</p>
+<p>O Chandra! I am smitten by thy charms,</p>
+<p>Thy wondrous face is ever in my mind,</p>
+<p>And nought can now induce me to restore</p>
+<p>Thy Timmaraj to thee, to gaze upon</p>
+<p>Thy wondrous beauty and enjoy those charms.</p>
+<p>My kingdom broad is at thy feet, and there</p>
+<p>Enthroned as queen my riches and my all</p>
+<p>Shall be at thy command, and therefore hear,&mdash;</p>
+<p>If, by to-morrow eve, thou dost not reach</p>
+<p>My tent pitched yonder, Timmaraj shall die,</p>
+<p>And to the pyre, if thou dost follow him,</p>
+<p>Sure I will myself die with thee, and thus</p>
+<p>A double sin will rest upon thy head.&quot;</p>
+<p>As the fond mother of an only child,</p>
+<p>When sick, clings closely to it, and for days</p>
+<p>And nights incessant watches it with care,</p>
+<p>When he, well versed in all the healing lore,</p>
+<p>Gives but to please her hopes of cure complete,</p>
+<p>But suddenly the dang'rous malady</p>
+<p>New shape assumes, the symptoms serious grow,</p>
+<p>The healer himself breaks at last the news</p>
+<p>Unto the anxious mother, who stands mute,</p>
+<p>And knows not what to do in blank despair&mdash;</p>
+<p>So felt the hapless Chandra when these words</p>
+<p>The treach'rous Bukka spake and left the scene.</p>
+<p>Now 'twas her holy Brahmin priest appeared,</p>
+<p>And counsel gave again in words like these:</p>
+<p>&quot;Grieve not, but well rejoice that Bukka builds</p>
+<p>His future hope on base dishonesty.</p>
+<p>His fall is near, and Timma's safe return</p>
+<p>Henceforth is sure, for he that hopes to win</p>
+<p>By treach'ry and deceit, fails sorely in</p>
+<p>This world of God, and therefore fear him not;</p>
+<p>It is the foe magnan'mous thou shouldst fear.</p>
+<p>Our holy ancient writings say it is</p>
+<p>No sin deceit to conquer by deceit;</p>
+<p>And hence fail not to send immediate word</p>
+<p>That Bukka should to-morrow eve expect</p>
+<p>Thee as befits a woman of thy rank,</p>
+<p>And with a hundred maidens in his tent.</p>
+<p>Take twenty litters, and let one appear</p>
+<p>More gorgeous than the rest, for thee to sit,</p>
+<p>Take but a hundred of thy faithful men,</p>
+<p>All armed to fight for their dear king and queen.</p>
+<p>Thou art a kshatriya girl, thou knowest well</p>
+<p>To fight, and therefore take thy fav'rite bow</p>
+<p>And arrows and conceal thy person with</p>
+<p>A maiden's veil, armed fully as thou art,</p>
+<p>And likewise let thy men be covered too,</p>
+<p>To look like thine own maids of honour, let</p>
+<p>Each litter, with a man inside, be borne</p>
+<p>By four, go forth equipped likewise, surprise</p>
+<p>The foe, bring him a prisoner, or upon</p>
+<p>The field of battle die a noble death.</p>
+<p>And death need have no horrors unto thee,</p>
+<p>But unto those to whom this world is bright,</p>
+<p>Its prospects hopeful and its pleasures keen,</p>
+<p>And to the healthy and the young death's pangs</p>
+<p>Are most severe when life is plucked, and from</p>
+<p>Sere age, when all is ready for the end,</p>
+<p>Life unperceived goes as from one that sleeps.</p>
+<p>The gentlest wind brings down the serest leaf.</p>
+<p>To sever from the parent stem by force</p>
+<p>The freshest must be plucked, and so with man.</p>
+<p>And by the righteous and the just, when sore</p>
+<p>Oppressed with grief, dear death is welcomed most.</p>
+<p>When the eruptions on the skin pain most,</p>
+<p>By cutting them relief at once is sought;</p>
+<p>E'en so, if noble Timmaraj is killed,</p>
+<p>Court instant death, thy dagger hurl, and bare</p>
+<p>Thy breast and lifeless by thy husband fall,</p>
+<p>Like that same bird that, full up to the throat,</p>
+<p>Swallows the little pebbles of the sand,</p>
+<p>And, soaring high aloft upon her wings,</p>
+<p>Suddenly closes them and drops down dead</p>
+<p>Near her dead lover, where the body bursts.</p>
+<p>But this, if you find hard, run with thy life</p>
+<p>To this our safe abode, where willingly</p>
+<p>The fun'ral pyre we, with our hands, will raise</p>
+<p>And feed the flames thy body to consume.</p>
+<p>Hence soon depart and Krishna will help thee.&quot;</p>
+<p>The morrow came, and Chandra sallied forth</p>
+<p>And, as directed by her Brahmin sage,</p>
+<p>Went with a hundred of her arm&egrave;d men,</p>
+<p>All veiled, surprised the foe, who, flushed with hope,</p>
+<p>Unguarded waited but to welcome her:</p>
+<p>Then safely rescued her lost Timmaraj;</p>
+<p>The fatal jav'lin wrung from Bukka's hands,</p>
+<p>And himself too a prisoner brought in chains.</p>
+<p>Then in the spacious palace hall, amidst</p>
+<p>Her faithful men, the noble queen sat veiled</p>
+<p>With Timmaraj, long absent from the throne,</p>
+<p>And spake to Bukka, standing in the front</p>
+<p>With folded hands, in angry words like these:</p>
+<p>&quot;By treach'ry thrice thou triedst to win, and thrice</p>
+<p>Hast failed, and, when my noble Timmaraj</p>
+<p>Went singly forth to bring the maddened beast,</p>
+<p>Concealed thou didst aim at his life and failed.</p>
+<p>The hand of God had otherwise decreed.</p>
+<p>And when upon the bridal seat we sat,</p>
+<p>And all were merry in my father's home,</p>
+<p>Thou camest with a story, false and base,</p>
+<p>And for our lives we had to flee, and now</p>
+<p>Are strangers here, and when upon thy steed</p>
+<p>Unjustly thou pursuedst us both, it was</p>
+<p>My hand that stayed my husband killing thee,</p>
+<p>Else long ago the worms had eaten thee;</p>
+<p>Thy bones the jackals of the earth had tak'n;</p>
+<p>And nothing left of thee but thine own sins.</p>
+<p>It was thy charger innocent that paid</p>
+<p>For them the penalty instead. Once more</p>
+<p>You came, and, like a lawless thief concealed,</p>
+<p>Carried my lord, when helpless and alone,</p>
+<p>And for his freedom vile proposals made,</p>
+<p>And for so many days these troubles wrought</p>
+<p>On me and these my faithful loyal men.</p>
+<p>Know well, 'tis virtue that is sure to win,</p>
+<p>And truth and justice will prevail at last.</p>
+<p>This very jav'lin will put thine eyes out;</p>
+<p>But pity for thy present state prompts me</p>
+<p>To let thee now alone&mdash;go safely home,</p>
+<p>And henceforth never even sin in thought.&quot;</p>
+<p>And like a criminal who, by pity freed,</p>
+<p>At once goes forth worse sins to perpetrate,</p>
+<p>So Bukka, vowing vengeance, left the hall,</p>
+<p>And henceforth love and hate alternate played</p>
+<p>In his dark breast&mdash;hate for this grave insult,</p>
+<p>And by a woman offered, and love too,</p>
+<p>A bestial passion for her wondrous charms;</p>
+<p>And from that selfsame moment various plans</p>
+<p>His head devised her pride to humble and</p>
+<p>Her purity to sully, when alas!</p>
+<p>The Moslems' greed of power gave him sure hopes</p>
+<p>At last her Timma's ruin to complete.</p>
+<p class="i2">Unto the ag&egrave;d king of Vijiapore</p>
+<p>His only warrior's and his only child's</p>
+<p>Escape brought many toils and endless woe.</p>
+<p>That Bukka, with a perjured tale, came on</p>
+<p>The day of marriage was made known to all,</p>
+<p>Soon after they had left their native home.</p>
+<p>The ag&egrave;d monarch knew not where they lived,</p>
+<p>But sent his faithful servants far and wide</p>
+<p>To bring them home; the cruel Moslems, too,</p>
+<p>Aware that Timma's absence weakened him,</p>
+<p>Combined a sudden rush to make upon</p>
+<p>The royal city, kill her ruler, and</p>
+<p>Divide the spoils and take his vast domains.</p>
+<p>And now the wily Bukka with those foes</p>
+<p>Of foreign faith conspired; what though he fought</p>
+<p>As usual in the ranks of Vijiapore,</p>
+<p>Under the banner of her Hindu king!</p>
+<p>To them he would run in the thickest of</p>
+<p>The fight and sudden turn the tide of war,</p>
+<p>And, from the conquered spoils, for his own share,</p>
+<p>He wanted neither lands nor riches, but</p>
+<p>Demanded Chandra and her lord alive.</p>
+<p>And news of instant war had travelled far</p>
+<p>And wide, the princes and the chieftains poured</p>
+<p>Their loyal forces, ready to avenge</p>
+<p>Their Moslem foes, who, for no cause, thus dared</p>
+<p>Their city to invade so suddenly.</p>
+<p>And Timma hastened with his wife at last,</p>
+<p>And was with joy received by all, who lost</p>
+<p>All hopes of ever seeing them alive.</p>
+<p>And soon a council in the royal hall</p>
+<p>Was held, to name a leader and decide</p>
+<p>How best to strike at once th' advancing foes.</p>
+<p>Many felt proud by Timma to be led</p>
+<p>To victory in the field or glorious death,</p>
+<p>And many too in that assembly said</p>
+<p>That Bukka should not join their Hindu ranks,</p>
+<p>For he would, in the midst of battle, join</p>
+<p>The Moslem ranks and surely bring defeat</p>
+<p>And ruin too upon their ag&egrave;d king,</p>
+<p>The noble Ramaraj of Vijiapore,</p>
+<p>And cause their ancient kingdom's overthrow.</p>
+<p>But said one counted high for wisdom there:</p>
+<p>&quot;<i>Do good, and so chide him that evil does</i>,</p>
+<p>Is the oft-quoted saying of our true</p>
+<p>And ancient faith, and this is but the war</p>
+<p>For mastery 'tween different creeds and faiths,</p>
+<p>And hence let Bukka forthwith come to fight</p>
+<p>Against the common foes, who thus combined</p>
+<p>To mar our ancient faith and change our lives,</p>
+<p>And let our Ramaraj himself go forth</p>
+<p>And lead, and everlasting glory win,</p>
+<p>And in defence of our old Hindu faith,</p>
+<p>Or, if he falls, let him to <i>Swarga</i> go</p>
+<p>To join th' immortals there; and one word more</p>
+<p>To thee, O Timma,&mdash;bury all the past,</p>
+<p>And Bukka for his sins forgive, and both</p>
+<p>Go hand in hand to fight the Moslem foes.</p>
+<p>To pardon is the spirit of our faith.&quot;</p>
+<p>To this consent was gladly giv'n by all,</p>
+<p>And the propitious day and hour to march</p>
+<p>Was soon named by the holy Brahmin priest,</p>
+<p>So deeply versed in all the starry lore.</p>
+<p>Brave Timma sought his anxious wife ere he</p>
+<p>Went forth to fight, and thus took leave of her.</p>
+<p>&quot;Dear wife! the day to march is named at last.</p>
+<p>Your ag&egrave;d sire and our dear monarch leads</p>
+<p>The war, and Bukka, as a Hindu true,</p>
+<p>Joins us to fight against the Moslem horde,</p>
+<p>And doubly glad I am that in this war,</p>
+<p>With Bukka vying in the field with me,</p>
+<p>And in the very presence of our king,</p>
+<p>Who well rewards the val'rous and the brave,</p>
+<p>The place of honour I will there attain</p>
+<p>For courage true, and prove once more before</p>
+<p>The world I am a worthy husband of</p>
+<p>A noble wife; so let me now depart.&quot;</p>
+<p>She made reply&mdash;&quot;Some evil it forebodes</p>
+<p>That Bukkaraj should thus be madly told</p>
+<p>To join our ranks, for what is truth and God</p>
+<p>To one so steeped in sin? And sad it is</p>
+<p>My ag&egrave;d father goes with him to fight.</p>
+<p>Trust not in him and keep a steady eye</p>
+<p>On him, e'en if within the thickest of</p>
+<p>The fight thou art, for any moment he</p>
+<p>May turn the tide of war; fight till the last,</p>
+<p>And, if thou comest back victorious from</p>
+<p>The field, I'll be the first to welcome thee,</p>
+<p>But, if thou fallest fighting in the field,</p>
+<p>Or if, perhaps, it chances otherwise,</p>
+<p>Thou art left helpless and alone, here is</p>
+<p>Our ever ready jav'lin to kill thee.</p>
+<p>Thy body forthwith shall be nobly borne</p>
+<p>Unto the pyre by thine own faithful men,</p>
+<p>And I will gladly leap upon the flames.</p>
+<p>But if thou comest routed and alive,</p>
+<p>Then Chandra nevermore shall see thy face.&quot;</p>
+<p>At early morn, upon th' appointed day,</p>
+<p>The king his faithful servants summoned, and</p>
+<p>Before them all his only brother named</p>
+<p>To rule the kingdom and confided all</p>
+<p>His subjects to his care; then, at the head</p>
+<p>Of his brave troops, out of the city marched,</p>
+<p>Amidst the royal bards recounting in</p>
+<p>Sweet tones the glories of his kingdom's past,</p>
+<p>His holy priests invoking Krishna's help</p>
+<p>And chanting sacred hymns, and in the midst</p>
+<p>Of maidens of the martial Kshatrya race,</p>
+<p>Proceeding to the very city gates,</p>
+<p>And singing to their fathers, brothers, and</p>
+<p>Their husbands in shrill notes heard far and wide,</p>
+<p>That Swarga's gates are ever ready to</p>
+<p>Receive the faithful if they bravely fall,</p>
+<p>The flames are ready to take their proud wives,</p>
+<p>But burning hell gapes wide for to devour</p>
+<p>The cowards that run routed and alive;</p>
+<p>Their maidens' sweet embrace awaits them not.</p>
+<p>At last, upon the plains of T&aacute;lic&oacute;t,</p>
+<p>The armies met, fierce raged the battle, and</p>
+<p>Old Ramaraj fought nobly in the field;</p>
+<p>And Timma too wrought dreadful havoc on</p>
+<p>The Moslems and their ranks oft shattered, but</p>
+<p>Alas! the ever treach'rous Bukka pounced</p>
+<p>Sudden on his own ranks; the king was slain;</p>
+<p>His ghastly head upon a pole was shown,</p>
+<p>And helpless and forlorn the Hindus stood;</p>
+<p>But, ere perfidious Bukka could run with</p>
+<p>The Moslem foes, to capture him alive,</p>
+<p>A faithful soldier Timma called, gave him</p>
+<p>His Chandra's jav'lin, in his steady grip</p>
+<p>To hold, then boldly ran his body through</p>
+<p>And instantly fell lifeless to the ground.</p>
+<p>A faithful few the body bore, and laid</p>
+<p>Before the orphaned and the widowed maid</p>
+<p>Their precious charge, and soon the pyre was raised.</p>
+<p>Then, near the flames that brightened her bright face,</p>
+<p>Her uncle and her people shedding tears,</p>
+<p>Her noble husband lying cold and still,</p>
+<p>The story of her father's cruel death</p>
+<p>Still ringing in her ears, she took farewell.</p>
+<p>&quot;Dear uncle and my faithful men! grieve not:</p>
+<p>I see a cloud, now looming yonder there,</p>
+<p>No bigger than the hand of man, that shall</p>
+<p>Expand and rain and water to purge all</p>
+<p>The land of th' innocent blood shed on it,</p>
+<p>For mother India's cup of woe is full,</p>
+<p>And but three decades more,&mdash;there will come from</p>
+<p>The far-off ends of this vast globe of ours,&mdash;</p>
+<p>A little island planted in the sea,&mdash;</p>
+<p>A handful of a noble race to trade,</p>
+<p>And shall from thee ask for a plot of land,</p>
+<p>And they shall prosper for their valour and</p>
+<p>Shall be exalted for their righteousness.</p>
+<p>They shall befriend the helpless and the poor,</p>
+<p>And like the streams that seek the ocean broad,</p>
+<p>The chickens that run to their mothers wings,</p>
+<p>The maidens helpless and forlorn, that court</p>
+<p>The succour of the chivalrous and the brave,</p>
+<p>The orphans poor, the bounty of the kind,</p>
+<p>All men of Ind, all races and all creeds</p>
+<p>Shall to their banner flock, to live in peace</p>
+<p>And amity; the tiger and the lamb</p>
+<p>Their thirst shall quench both from the selfsame brook.</p>
+<p>The giant brute before the weakly sage</p>
+<p>Shall bow, and men shall fear to even gaze</p>
+<p>Upon the maidens that go forth alone,</p>
+<p>Adorned with naught but chastity, and from</p>
+<p>All lands the wisest shall revere our faith.</p>
+<p>He that desires our homes to plunder and</p>
+<p>Sully the honour of our women, him</p>
+<p>Punishment terrible shall sure await.</p>
+<p>Three hundred years more and the little plot</p>
+<p>Of land thou gavest shall grow and expand</p>
+<p>Into an empire huge, unwritten yet</p>
+<p>On hist'ry's page, and shall surpass the dreams</p>
+<p>Of warriors bold in times of old, and like</p>
+<p>The creepers that, entwined around the oak,</p>
+<p>Luxuriant grow, safe from the storms that blow,</p>
+<p>And flow'rs give forth to beautify the scene,</p>
+<p>Her sons shall everlasting peace enjoy,</p>
+<p>And blessings, hitherto unknown to man&mdash;</p>
+<p>The grandest scene for God to ever cast</p>
+<p>His loving eyes upon, and for the world</p>
+<p>Of man to wonder at, and there shall be</p>
+<p>One sway, the sway of reason and of truth;</p>
+<p>One creed, the creed of righteousness and love;</p>
+<p>And mercy for all living things on earth;</p>
+<p>One brotherhood, the brotherhood of man;</p>
+<p>One fatherhood, the fatherhood of God.</p>
+<p>But hark! there comes a shout, and yonder runs</p>
+<p>Exulting Bukka to seize me alive.</p>
+<p>But these kind flames are ready to save me.</p>
+<p>Run, uncle, run at once to far-off lands</p>
+<p>And continue thy sway in safer climes.&quot;</p>
+<p>So saying, she leapt on the fun'ral pyre,</p>
+<p>And speedily to ashes were consumed</p>
+<p>The faithful wife and her departed lord.</p>
+<p>The monarch, who thus from the Moslem ran,</p>
+<p>In honour of this noble maiden, reared</p>
+<p>A princely town,<a name="FNanchor5"></a><a href="#Footnote_5"><sup>[5]</sup></a> and here the Saxon came,</p>
+<p>And mother India was for ever blest.</p>
+
+</div>
+</div>
+<p>FOOTNOTES:</p>
+
+<a name="Footnote_2"></a><a href="#FNanchor2">[2]</a><div class=note> Vijianagar is here called Vijiapore.</div><br>
+
+<a name="Footnote_3"></a><a href="#FNanchor3">[3]</a><div class=note> Literally, the moon.</div><br>
+
+<a name="Footnote_4"></a><a href="#FNanchor4">[4]</a><div class=note> The allusion here is to the ancient custom of <i>Swayamvara</i>
+(self-choice), which is the election of a husband by a princess or a
+daughter of a kshatriya at a public assembly of suitors for the
+purpose.</div><br>
+
+<a name="Footnote_5"></a><a href="#FNanchor5">[5]</a><div class=note> Chandragiri.</div><br>
+
+
+
+<hr style="width: 65%;"><br><br><br><br>
+
+<a name="korathy"></a><h2><i>THE KORATHY'S LULLABY.</i></h2>
+<br><br>
+
+<p>The Korathy is the tattooer of the Indian village, who offers her
+services for a small fee. Hindu females are very fond of having their
+bodies tattooed. The Korathy first makes a sketch of the figure of a
+scorpion or a serpent on the part of the body offered to her for
+tattooing, then takes a number of sharp needles, dips them in some
+liquid preparation which she has ready, and pricks the flesh most
+mercilessly. In a few days the whole appears green. This is considered a
+mark of beauty among the Hindus. While the tattooing takes place the
+Korathy sings a crude song, so as to make the person undergoing the
+process forget the pain. The following is as nearly as possible a
+translation of the song which I myself heard:&mdash;</p>
+<br>
+
+<div class="poem">
+<div class="stanza">
+<p>Stay, darling, stay&mdash;'tis only for an hour,</p>
+<p>And you will be the fairest of the fair.</p>
+<p>Your lotus eyes can soothe the savage beast,</p>
+<p>Your lips are like the newly blossomed rose,</p>
+<p>Your teeth&mdash;they shine like pearls; but what are they</p>
+<p>Before the beauties of my handiwork?</p>
+<br>
+<p>Stay, darling, stay&mdash;'tis only for an hour,</p>
+<p>And you will be the fairest of the fair.</p>
+<p>I've left my home, and all day hard I toil</p>
+<p>So to adorn the maidens of the land</p>
+<p>That erring husbands may return to them;</p>
+<p>Such are the beauties of my handiwork.</p>
+<br>
+<p>Stay, darling, stay&mdash;'tis only for an hour,</p>
+<p>And you will be the fairest of the fair;</p>
+<p>In days of old fair Seeta laid her head</p>
+<p>Upon the lap of one of our own clan,</p>
+<p>When with her lord she wandered in the wilds,</p>
+<p>And like the emerald shone her beauteous arms.</p>
+<br>
+<p>Stay, darling, stay&mdash;'tis only for an hour,</p>
+<p>And you will be the fairest of the fair.</p>
+<p>And often in the wilds, so it is said,</p>
+<p>She also of the Pandus went in quest</p>
+<p>Of one of us, but found not even one,</p>
+<p>And sighed she was not like her sisters blest.</p>
+<br>
+<p>Stay, darling, stay&mdash;'tis only for an hour,</p>
+<p>And you will be the fairest of the fair.</p>
+<p>My work is done; rejoice, for you will be</p>
+<p>The fairest of your sisters in the land.</p>
+<p>Rejoice for evermore, among them you</p>
+<p>Will shine as doth the moon among the stars.</p>
+</div>
+</div>
+
+
+<hr style="width: 65%;"><br><br><br><br>
+
+<h2>TALES OF IND,</h2>
+
+<h2>BY T. RAMAKRISHNA, B.A.</h2>
+<br>
+
+<p>With an Introduction by the Hon. the Rev. W. MILLER, M.A., LL.D.,
+C.I.E., and dedicated, by permission, to the late Lord Tennyson, Poet
+Laureate.</p>
+
+<hr style="width: 45%;">
+
+<p>OPINIONS.</p>
+<br>
+
+<p>They are interesting and remarkable.&mdash;<i>Lord Tennyson</i>.</p>
+
+<p>It is a great pleasure to me to find that a native of South India has so
+distinguished himself.&mdash;<i>The Right Hon. Sir M.E. Grant Duff, G.C.S.I.</i></p>
+
+<p>It is not often that natives succeed so well as you have done in English
+versification.&mdash;<i>H.H. K&eacute;rala Varma, C.S.I.</i></p>
+
+<p>Krishnapore irresistibly reminds us of Auburn, the fortunes of Seeta are
+in many respects not unlike those of Evangeline, and some forms of
+expression seem to be coined in the mint of Tennyson.... These tales
+possess peculiar interest as first-fruits in poetic literature of that
+amalgamation of Eastern and Western thought that is going on before us
+at the present day in this country. They are tales of India, descriptive
+of Indian scenery, and marked by many traits both of custom and of
+feeling that are characteristic of India.... These tales&mdash;tales of
+woman's constancy and woman's heroism&mdash;are pleasing in themselves; and
+the language in which they are told is simple, imaginative, and marked
+by a well-sustained melody. The tales are dedicated to Lord Tennyson by
+&quot;His Lordship's ardent admirer in the Far East&quot;; and certainly they move
+in the atmosphere of the Tennysonian idyll.&mdash;<i>Madras Christian College
+Magazine</i>.</p>
+
+<p>Much of the versification is very pleasing, and where it is best, it
+has a decided ring of Tennyson in it.... The author possesses true
+poetical genius.&mdash;<i>Calcutta Statesman and Friend of India</i>.</p>
+
+<p>SEETA AND RAMA:&mdash;The story is pretty, though simple. In parts, moreover,
+the author, who is anonymous, displays the true spirit of poetry, which
+he (or she) will do well to cultivate.... The tributes of respect for
+the heroism, purity, and constancy of women which are found in Mr.
+Ramakrishna's poems are in accordance with the teaching of the
+Mahabarata, as well as the spirit of the Laureate's verse. Added to this
+very engaging feature of his work, there is a power of description that
+is very remarkable in a man to whom English is not his mother tongue.
+For example, &quot;Seeta and Rama&quot; commences with the following
+vignette:&mdash;... &quot;All this is in excellent taste. And the same may be said
+of his delineations of character. He is never wearisome or trite, and
+... he succeeds in enlisting the interest and sympathy of his reader and
+in proving that&mdash;as Mrs. Grant Duff lately said&mdash;there is 'an indefinite
+amount of beauty and charm in everyday life' in Southern
+India.&quot;&mdash;<i>Madras Mail</i>.</p>
+
+<p>SEETA AND RAMA:&mdash;A very pretty and pathetic, though simple little story,
+told in the true poetic vein, and possesses a deep melancholy
+interest.... They are simple tales, told in English verse, which is
+characterised by a purity and a simplicity that are very noteworthy in
+an Indian writer, and which show considerable acquaintance of the
+English language, especially of Tennyson's writings. Indeed, of them all
+is true what was said of the first poem, not only according to the
+<i>Christian College Magazine</i>, that some forms of expression seemed
+coined in the mint of Tennyson, but, according to the <i>Statesman and
+Friend of India</i>, that where the versification is best it has a ring of
+Tennyson.&mdash;<i>Madras Times</i>.</p>
+
+<p>The style is simple and natural, and reminds us more often of Tennyson's
+&quot;Idylls of the King&quot; than any other English poem that we can recollect
+now.... Throughout, the book is most finely written in rhyme, and the
+learned author has minted at the forge of Tennyson, to whom the book is
+most dutifully dedicated, the sentiments of Oliver Goldsmith, Parnell,
+and Byron.&mdash;<i>Hindu</i>.</p>
+
+<p>We must congratulate Mr. Ramakrishna on the success which has attended
+his, no doubt, pleasing labours. He is the first Hindu graduate, so far
+as we know, who has come before the public as a poet, and well does he
+deserve every encouragement.&mdash;<i>Madras Standard</i>.</p>
+
+<p>This little poem is an exquisitely finished, harmonious, well-written
+story of a pair of Hindu lovers.... Mr. Ramakrishna is extremely
+felicitous in the choice of his words, and his descriptions are so
+picturesque and vivid, and his narrative so stirring, that the reader
+feels as if spell-bound by the author's great skill and power.... There
+can be no manner of doubt that the hand that wrote these poems is both
+strong and skilful, and was directed by a true spirit of poesy of a high
+order.&mdash;<i>People's Friend</i>.</p>
+
+<p>TENNYSON COMMEMORATION MEETING.&mdash;At the meeting held in the Christian
+College, Dr. Miller proposed that the chair should be taken by Mr. T.
+Ramakrishna Pillai, an old student of the College, who, as many of our
+readers know, has himself won no small success in the field of
+poetry.&mdash;<i>Christian College Magazine</i>.</p>
+
+<p>Mr. T. Ramakrishna Pillai is probably the only one in Madras, and
+certainly the only native of India in Madras, who had come into any kind
+of personal contact with Lord Tennyson.&mdash;<i>Speech of the Hon. the Rev.
+Dr. Miller at the Tennyson Commemoration Meeting</i>.</p>
+
+
+
+<hr style="width: 65%;"><br><br><br><br>
+
+<h2>LIFE IN AN INDIAN VILLAGE.</h2>
+
+<h2>BY T. RAMAKRISHNA, B.A.</h2>
+<br><br>
+
+<p>With an Introduction by the Right Hon. Sir M.E. GRANT DUFF, G.C.S.I.</p>
+
+<p>(<i>London: T. Fisher Unwin</i>, 1891.)</p>
+
+<hr style="width: 45%;">
+
+<p>OPINIONS.</p>
+
+<p>The Occidentals led by Macaulay had too complete a victory for the good
+of India. Much that they said and did was wise, but their system has
+failed in many ways, and was, indeed, never intended to breed up men
+interested in the past of their own land. Nearly all that has been
+learned about it has been learned by the labour of Europeans, and yet
+natives trained to European methods of research have facilities of kinds
+for prosecuting research which we have not.... I had a great deal to say
+on that subject, and on many other cognate ones in an address which I
+delivered in my capacity of Chancellor of the University of Madras,
+shortly before I left the country, but I do not know that it has had
+much effect since, though an excellent little book by Mr. Ramakrishna on
+the village life of South India is a step in the right direction. We
+want, however, quite a small library of works of that kind before the
+harvest that is ready for the sickle of intelligent native observers is
+gathered in.&mdash;<i>The Right Hon. Sir M.E. Grant Duff, G.C.S.I., in the
+Contemporary Review</i>.</p>
+
+<p>The subject is interesting, and I do not doubt from the specimen which I
+saw that you would treat it in a fresh and agreeable way. What we need
+in Europe is to have the reality, the actual working of these Indian
+institutions which we have so often mentioned brought home to us, and
+probably such a writer as yourself may do this better than a European
+could do.&mdash;<i>The Right Hon. James Bryce, D.C.L</i>.</p>
+
+<p>Ramakrishna,&mdash;a literary gentleman belonging to Madras, who has written
+a charming book called &quot;Life in an Indian Village.&quot;&mdash;<i>Professor Eric
+Robertson in Macmillan's series of Orient Readers</i>.</p>
+
+<p>I can name more than a dozen Indian authors whose works can fairly rank
+with some of the best productions of Englishmen. The well-known author
+of &quot;Maxima and Minima,&quot; viz., the late Professor Ramachundra, was
+considered by no other than De Morgan, the famous mathematician, as an
+original genius of a remarkable order. A celebrated Cambridge
+Mathematician once told me that he set a problem for the Mathematical
+Tripos, basing it upon Ramachundra's &quot;Maxima and Minima,&quot; and with the
+exception of a few that headed the list, none were able to solve the
+problem. In the late Toru Dutt, a young Bengali native Christian lady,
+some of the leading literary men of England found a poet of no mean
+powers. Mr. Edmund Gosse writes as follows in the preface to her poems
+that have been published by an English firm: &quot;It is difficult to
+estimate what we have lost in the premature death of Toru Dutt.
+Literature has no honours which need have been beyond the grasp of a
+girl who, at the age of twenty-one, and in languages separated from her
+own by so deep a chasm, had produced so much of lasting worth.... When
+the history of the literature of our country comes to be written, there
+is sure to be a page in it dedicated to this fragile exotic blossom of
+song.&quot; Dr. Bandarkar of Bombay is considered to be one of the best
+Orientalists of the day. A number of Bengali gentlemen have earned a
+lasting fame by literary productions in English, among whom I may
+mention the Rev. Lal Behari Day, late Professor in the Hooghly College,
+and Mr. Dutt of the Bengal Civil Service. In our own Presidency Mr.
+Ramakrishna Pillai has produced a work in English&mdash;&quot;Village Life in
+India&quot;&mdash;that has won the praise of Sir Grant Duff.&mdash;<i>Professor
+Satthianadhan's Lecture on Intellectual Results in India</i>.</p>
+
+<p>Mr. Ramakrishna takes a typical village in the Madras Presidency, &quot;the
+most Indian part of India,&quot; and shows us in half a dozen lucid chapters
+that the wants of the villagers are all material&mdash;wells, roads, better
+breeds of cattle, and so on&mdash;and that they do not, and will not for a
+long time, care one cash for anything which happens, or which might be
+made to happen, in the great outer world beyond their palm-groves and
+rice-fields. There is nothing political in this pleasant little book, we
+are pleased to say, although we have drawn this political moral from it.
+It is a truthfully written account of native life in one of those 55,000
+villages which dot the great district&mdash;a tract much larger than the
+British Isles&mdash;the daily existence of whose peaceful, and not altogether
+unhappy, population it is intended to illustrate; and it can be dipped
+into, or read through, with equal satisfaction and advantage,&mdash;<i>Daily
+Telegraph</i> (London).</p>
+
+<p>&quot;Life in an Indian Village&quot; is an amusing and clear portrayal of the
+manners and customs of the inhabitants of a village in the Madras
+Presidency. The author first depicts his little community, and then
+proceeds to describe the avocations of all the leading personages. As
+Kelambakam may be taken as a type of thousands of such villages, the
+book will be found particularly interesting to those who are likely to
+be brought into contact with the natives of India. Sir M.E. Grant Duff
+has written an Introduction, in which he suggests how the simple
+villagers can be benefited by their European neighbours.&mdash;<i>Morning Post</i>
+(London).</p>
+
+<p>The book itself is excellent, and gives a sketch of Indian village
+society from inside. It is possible, however, that the ordinary English
+reader will prefer to take his view of &quot;the black men&quot; from Mr. Kipling
+rather than from a representative of the natives themselves. If he
+wishes to have a native view of native life he will find it in this
+work.&mdash;<i>Athenaeum</i> (London).</p>
+
+<p>India is always fertile in surprises for English readers. We know
+something of those among its peoples which have given us trouble; but
+here is a &quot;dim population&quot; of which many Englishmen will scarcely have
+heard the name&mdash;the Dravidians of the Madras Presidency, and we learn
+with something like astonishment that they number more than the
+inhabitants of England. The village which Mr. Ramakrishna describes for
+us is one of more than fifty thousand, averaging about five hundred
+inhabitants apiece. The first thing that strikes us in his account is
+its highly organised condition. It is a self-sufficing little
+commonwealth, in which a quite surprising variety of professions or
+occupations are represented.&mdash;<i>Pall Mall Gazette</i> (London).</p>
+
+<p>We welcome this little book as a much truer picture of Indian life than
+many more ambitious works.&mdash;<i>St. James's Gazette</i> (London).</p>
+
+<p>The work is written in admirable English&mdash;even the blank verse is
+perfect. The story of Harichendra alone is worth the cost of the
+volume.&mdash;<i>Literary World</i> (London).</p>
+
+<p>We have read with great pleasure the book, &quot;Life in an Indian Village,&quot;
+as it deals with an interesting and not at all unimportant subject in a
+plain and unpretending way. Simplicity has a powerful charm of its own;
+and we recommend the book to all whose heart can still be touched by
+inartificial descriptions of idyllic, gently flowing, country life. He
+who does not assume the tone of &quot;India, what can it teach us?&quot; but cares
+to profit by teaching, will learn a great deal even from these simple
+village tales.&mdash;<i>Asiatic Quarterly Review</i> (London).</p>
+
+<p>What more England can do for India is admirably and tersely set forth in
+the Introduction, which, with Mr. Ramakrishna's pleasant description of
+Indian village life, deserves to be widely read.&mdash;<i>Mr. J.B. Knight,
+C.I.E., in the Indian Magazine</i> (London).</p>
+
+<p>Books about India by intelligent travellers have their uses, and books
+by Europeans who have lived for years in the country and studied the
+people are still more valuable, but it is only a native of India who can
+really show us Indian life as it is. There are already several books in
+English, by educated Indians, which give us valuable insight into what
+was once the unknown of Indian domestic and social life. Mr. T.
+Ramakrishna, whose &quot;Life in an Indian Village&quot; is introduced to the
+notice of the British public by Sir M.E. Grant Duff, has produced a
+series of very interesting sketches of the more important features of
+village life in the South of India. They will be found to be very
+readable, sometimes amusing, always interesting and instructive. Any
+one who reads this book with intelligence and care will be able to form
+for himself a very accurate picture of a Madras village, and to
+understand the composition of the village community, which is the basis
+of the whole framework of Indian social life.&mdash;<i>Scotsman</i> (Edinburgh).</p>
+
+<p>Mr. Ramakrishna's book is picturesque and sympathetic.&mdash;<i>Manchester
+Guardian</i>.</p>
+
+<p>A well-written book, and one which gives a realistic description of
+a condition of life which is the outcome of centuries of
+isolation,&mdash;<i>Leeds Mercury</i>.</p>
+
+<p>It is not an easy thing to acquire a clear conception of a life and a
+civilisation other in every respect to our own, and it may be reasonably
+questioned if one Englishman in a thousand has more than a very vague
+idea of what life in an Indian village is like. Here is a pleasant and
+graphic little volume. He may acquire that knowledge from the sketches
+of an Indian gentleman who knows the subject through and through, and
+has, moreover, so much of European culture that he is able to present
+the facts in a form that will not seem strange or
+incredible.&mdash;<i>Birmingham Post</i>.</p>
+
+<p>A volume issued by Mr. T. Fisher Unwin, &quot;Life in an Indian Village,&quot; is
+a sample of the kind of book relating to our Eastern Empire that we
+should like to see multiplied. It is the production of a scholarly
+native, T. Ramakrishna, B.A., who writes excellent idiomatic English
+without the slightest tendency to Johnsonian eloquence.&mdash;<i>Christian
+Leader</i> (Glasgow).</p>
+
+<p>The manners and customs of the people are vividly reflected in these
+pages, and a picturesque account is given of a number of notabilities,
+such as the physician, &amp;c.&mdash;<i>Speaker</i> (London).</p>
+
+<p>The book cannot fail to fulfil the author's desire in exciting a deeper
+interest in the people whom he so sympathetically introduces to the
+British public.&mdash;<i>Independent</i> (London).</p>
+
+<p>Written with much na&iuml;vet&eacute;.&mdash;<i>British Weekly</i> (London).</p>
+
+<p>The author of this book deserves our thanks and congratulations. Himself
+a highly educated native of the Madras Presidency, he has drawn a series
+of pictures of the village life of Southern India.... The occupations,
+the recreations, the religion, the distribution of labour, the
+recurrence of feast and festival, with much more, are all told in
+amusing style and with such graphic power as to leave a vivid impression
+upon the reader's mind.&mdash;<i>Bookseller</i> (London).</p>
+
+<p>Madras should indulge some measure of pride in having turned out a
+University graduate who can write the English language better than most
+Englishmen. Ramakrishna's &quot;Life in an Indian Village&quot; is a charming
+account of Dravidian homes and customs. It is the work of a young man
+who has profited by Western enlightenment, and yet feels a kindly glow
+in his heart for all that belongs to the humblest folk in his native
+land. His sympathy is beautiful, because it is devoid of any pretence or
+forced pathos. His language is choice, yet simply constructed. There is
+real literary flavour about this work, which has just been published by
+Fisher Unwin. When will the Punjab give us a young man who can feel and
+think and write like this?&mdash;<i>Civil and Military Gazette</i> (Lahore).</p>
+
+<p>Mr. T. Ramakrishna, a graduate of the Madras University, may be
+congratulated on the success which seems likely to attend the
+publication of his well-written little book on &quot;Indian Village Life.&quot;
+Judging by the comments that have appeared in the English papers, it is
+just the kind of book the public at home wants, not too statistical to
+be readable, and not too ambitious in design to be trustworthy, but just
+a simple, picturesque account of the particular part of India which the
+author really knows.&mdash;<i>London Correspondent of the Englishman</i>
+(Calcutta).</p>
+
+<p>The great virtue of Mr. Ramakrishna's writing is the absence of pretence
+and fustian. Space is not wasted on ambitious and worthless descriptions
+of scenery, or on vague disquisitions of a sentimental character.
+Everywhere he is simple, straightforward, and effective.... Writing in
+excellent English, and in unexceptionable style, he tells plainly and
+simply what he has to say, and is the more successful because he is less
+ambitious.... It is to be hoped that Mr. Ramakrishna's interesting
+sketches of Southern Indian village life will obtain a wide circulation
+in England. He is to be congratulated on having produced a work of no
+little merit and originality.&mdash;<i>Madras Mail</i>.</p>
+
+<p>To doubters of the good results of Western education in this Presidency,
+better proof could hardly be given than is provided.</p>
+
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Tales of Ind, by T. Ramakrishna
+
+*** END OF THIS PROJECT GUTENBERG EBOOK TALES OF IND ***
+
+***** This file should be named 11096-h.htm or 11096-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/1/0/9/11096/
+
+Produced by Christine De Ryck and the PG Online Distributed Proofreaders.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
+
+
+</pre>
+
+</body>
+</html>
diff --git a/old/11096.txt b/old/11096.txt
new file mode 100644
index 0000000..1ddab44
--- /dev/null
+++ b/old/11096.txt
@@ -0,0 +1,2782 @@
+The Project Gutenberg EBook of Tales of Ind, by T. Ramakrishna
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Tales of Ind
+ And Other Poems
+
+Author: T. Ramakrishna
+
+Release Date: February 15, 2004 [EBook #11096]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK TALES OF IND ***
+
+
+
+
+Produced by Christine De Ryck and the PG Online Distributed Proofreaders.
+
+
+
+
+TALES OF IND
+
+_AND OTHER POEMS_
+
+
+BY
+
+T. RAMAKRISHNA
+
+
+
+1896
+
+
+
+
+ TO
+ THE MEMORY OF
+ MY DEAR DAUGHTER
+ KAMALA.
+
+
+ The star that rose to cheer our humble life,
+ And make a little heaven of our home,
+ Shall rise again--yes, surely rise again
+ To give us everlasting joy divine.
+
+
+
+
+
+
+ CONTENTS.
+
+
+ TO MY DAUGHTER
+
+ LORD TENNYSON
+
+ SEETA AND RAMA--A TALE OF THE INDIAN FAMINE
+
+ THE STORY OF PRINCE DESING
+
+ THE STORY OF RUDRA
+
+ THE STORY OF THE ROYAL HUNTRESS
+
+ CHANDRA--A TALE OF THE FIELD OF TELLIKOTA
+
+ THE KORATHY'S LULLABY
+
+
+
+
+_LORD TENNYSON._
+
+
+ A poet of my native land has said--
+ The life the good and virtuous lead on earth
+ Is like the black-eyed maiden of the East,
+ Who paints the lids to look more bright and fair.
+ The eyes may smart and water, but withal
+ She loves to please them that behold her face.
+ E'en so, my Master, thine own life has been.
+ Thy songs have pleased the world, thy thoughts divine
+ Have purified, likewise ennobled man.
+ And what are they, those songs and thoughts divine,
+ But sad experience of thy life, dipt deep
+ In thine own tears, and traced on nature's page?
+ To please and teach the world for two dear ones
+ You mourned--a friend in youth, a son in age
+ 'Tis said the life that gives one moment's joy
+ To one lone mortal is not lived in vain;
+ But lives like thine God grants as shining lights
+ That we in darkness Him aright may see.
+ Nay more, such lives the more by ills beset
+ Do shine the more and better teach His ways.
+ Alas! thou'rt gone that wert so kind to one
+ Obscure--a stranger in a distant land.
+ Accept from him this wreath uncouth of words
+ Which do but half express the grief he feels.
+
+
+
+
+_SEETA AND RAMA_.
+
+A TALE OF THE INDIAN FAMINE.
+
+
+ It was by far the loveliest scene in Ind:--
+ A deep sunk lonely vale, 'tween verdant hills
+ That, in eternal friendship, seemed to hold
+ Communion with the changing skies above;
+ Dark shady groves the haunts of shepherd boys
+ And wearied peasants in the midday noon;
+ A lake that shone in lustre clear and bright
+ Like a pure Indian diamond set amidst
+ Green emeralds, where every morn, with songs
+ Of parted lovers that tempted blooming maids
+ With pitchers on their heads to stay and hear
+ Those songs, the busy villagers of the vale
+ Their green fields watered that gave them sure hopes
+ Of future plenty and of future joys.
+ Oh, how uncertain man's sure hopes and joys!
+ In this enchanted hollow that was scooped--
+ For so it seemed--by God's own mighty hand,
+ Where Nature shower'd her richest gifts to make
+ Another paradise, stood Krishnapore
+ With her two score and seven huts reared by
+ The patient labour of her simple men.
+
+ In this blest hamlet one there was that owned
+ Its richest lands: beloved by all its men,
+ Their friend in times of need, their guide in life,
+ Partaker of their joys and woes as well,
+ The arbiter of all their petty strifes.
+ By him his friend the village master lived
+ That at his door a group of children taught;
+ A man he was well versed in ancient lore;
+ And oft at night, when ended was their toil,
+ The villagers with souls enraptured heard him
+ In fiery accents speak of Krishna's deeds
+ And Rama's warlike skill, and wondered that
+ He knew so well the deities they adored.
+ One only daughter this schoolmaster had,
+ And Seeta was her name, the prettiest maid
+ In all the village, nursed by the fond cares
+ Of her indulgent sire, and loved with all
+ The tender feelings that pure love inspires
+ By the rich villager's only son, the heir
+ Of all his father's wealth; the best at school,
+ The boldest of the village youths at play,
+ And the delight of all those that saw him;
+ And these seemed such a fitting pair that oft
+ The secret whisper round the village ran
+ That Seeta was to wed the rich man's son.
+ Thus, in this Eden, its blest inmates lived
+ And passed their days, the villagers at the fields,
+ Their busy women at the blazing hearths,
+ The village master at his cottage door,
+ And Rama and fair Seeta in true love.
+
+ Hither a monster came, that slowly sucked
+ The vigour, the very life of Krishnapore.
+ The brilliant lustre of the diamond lake,
+ The emerald greenness of the waving fields,
+ The shady groves and pleasant cottage grounds,
+ And all the beauties of the happy vale
+ Soon vanished imperceptibly, as if
+ Some unconsuming furnace underneath
+ Had baked the earth and rendered it all bare,
+ Until its inmates wandered desolate,
+ With hollow cheeks, sunk eyes, and haggard faces,
+ Like walking skeletons pasted o'er with skin.
+ No more would blooming girls with pitchers laden
+ Repair to the clear lake while curling smoke
+ Rose from their cottage roofs; no more at morn
+ Would Rama be the first at school to see
+ His Seeta deck her father's house with flowers;
+ No more at eve the village master pour
+ From Hindu lore the mighty deeds of gods
+ To the delighted ears of simple men;
+ For these have left their lands and their dear homes.
+ And Seeta with her father left her cot,
+ And cast behind, with a deep, heavy sigh,
+ One ling'ring look upon that vale where she
+ Was born and fondly nursed,--where glided on
+ Her days in pleasure and pure innocence,--
+ Where Rama lived and loved her tenderly.
+ Her father died of hunger on the way,
+ And the lone creature wandered in the streets
+ Of towns from door to door, and vainly begged
+ For food, till some, deep moved by the sad tales
+ Of the lone straggler, safely lodged her in
+ A famine camp, where, heavy laden with
+ A double sorrow (for her lover too,
+ She thought, had died), her tedious life she spent.
+ And days and weeks and months thus rolled away,
+ Until at last her love for the dead youth
+ Mysterious waned, and, like a shallow lamp,
+ Burnt in her breast with nothing to feed it.
+
+ One day the news went through the famine shed
+ That a lean youth, plucked from the very arms
+ Of cruel death, was tenderly nursed there;
+ And all its inmates hurried to the scene.
+ Poor Seeta saw the youth, and that sad sight
+ She ne'er forgot; the youth was in her mind
+ Too firmly rooted to be rooted out,
+ Who ev'ry day in strength and beauty grew, till he
+ Appeared the fairest youth in all the camp.
+ First pity for the youth, then love for him
+ Mysterious came to her, until at last
+ The flick'ring flame shone sudden in her breast.
+ "This stranger I must wed, for him I love,
+ I know not how; that pleasant face is like
+ The face of him I dearly loved; I see
+ Appearing ev'ry day upon that face,
+ As if by magic wrought, those beauties that
+ Were seated on dead Rama's face." Thus mused
+ This maiden of the camp, and the fair youth
+ Thus kindled in her breast the hidden flame
+ Of love and fed it ever with new strength,
+ Which shone again in all its purity.
+
+ As the moon whose effulgence hidden lies
+ When dimmed by clouds, suddenly blazes forth
+ And in her wonted beauty shines again
+ What time she darts into the cloudless vault,
+ So shone again in lovely Seeta's breast
+ The lamp of love by clouds of sorrow dimmed.
+ The smothered passion suddenly blazed forth
+ In brighter lustre, and to her returned
+ With double force, as when the flaming fire
+ Is smothered when more fuel is on it thrown,
+ And straightway flames and gives a brighter light.
+
+ At last the monster left the land, the camp
+ Was broke, its inmates left it for their homes.
+ England, would that one of thy sons were there
+ To hear what words, what blessings now burst from
+ Their inward hearts for nursing them when they
+ From all estranged had poured into thine arms!
+ Poor Seeta hastened to the youth she loved,
+ And to him with a gladdened heart thus spake:--
+ Her rosy lips, just oped to speak, were like
+ A half-blown rosebud blossoming all at once;
+ Such magic was wrought on her ere she spake:
+ "Kind stranger, whither goest thou? I am
+ A lonely maiden, and friends I have none;
+ And thee alone I trust as my safe guide
+ To Krishnapore."
+ "Dear maid! thy sorrows cease;
+ My way now lies through Krishnapore: fear not,
+ I shall restore thee to thy home and friends;
+ Trust me as your safe guide and dearest friend."
+ She, overjoyed, recounted to the youth
+ Her tale--how she, her father's only hope
+ And pride, reluctant left their native vale
+ And cottage home; how he died on the way,
+ And she, a lonely creature, wandered in
+ The streets from door to door and begged for food;
+ How she was taken to the famine camp;
+ How he, with hollow cheeks and sunken eyes,
+ Was brought one day and there nursed tenderly;
+ And how in beauty ev'ry day he grew
+ Until like her dead Rama he appeared.
+ The village youth, unable any more
+ Now to suppress him, suddenly exclaimed,
+ "Look here, whose name is on this arm tattooed?"
+ "O Rama, Krishna, Govinda, and all
+ Ye Gods that I adore, ye have blest me;
+ This is the happiest moment in my life,
+ And this the happiest spot in all the earth,
+ For now my long-lost Rama I have found."
+ So saying, she intently gazed on him.
+
+ As a rich mine pours forth its hidden wealth
+ To the delight of those that day and night
+ Court eagerly its treasures them t' enrich;
+ So from this lovely pair's deep mine of feelings,
+ What honeyed words escaped now through their lips
+ To their intense joy, better far than all
+ The treasures any ample mine bestows!
+ With sweet talk they beguiled their tedious way;
+ The verdant hills sublime rose to the view;
+ The broad lake glittered diamond-like again;
+ And wreathing smoke curled from the cottage roofs;
+ The lovely vale became the lovely vale
+ Again, and all the long forgotten scenes
+ In quick succession flowed before them both;
+ And never was a happier marriage seen
+ In all that happy vale of Krishnapore.
+
+
+
+
+_THE STORY OF PRINCE DESING_.
+
+
+ It was the month of May, and glorious rose
+ The sun on Jinji, bathing in his light
+ Her lofty hills, her ancient walls and towers,
+ Her battlements, and all the glittering scene
+ That bade the stranger tell--"here lives a prince;"
+ And greeting late, as if too long he slept
+ Upon his ocean bed, the eager crowd
+ That in their best attire at early dawn
+ Fast gathered from their hamlets far and wide,
+ And like a hive swarmed on the castled hills.
+
+ Perhaps some village poet waited there,
+ Who day and night toiled hard in metres rare
+ To sing the deeds and virtues of his prince
+ And trace them on the leaves of that lone palm
+ Which stood close by his humble cottage home.
+ Perhaps with faces that bespoke deep grief
+ A troop of farmers there had come to tell
+ To their sport-loving prince the havoc wrought
+ Upon their toiling cattle by wild beasts
+ That nightly from their hill abodes came down
+ To feast on them. And in that motley crowd
+ Were servants of the state and many more
+ Who long had waited merely for a glimpse
+ Of their just ruler Desing holding court.
+
+ But soon there echoed through the lofty hills
+ The sound of th' Indian bugle and the drum
+ Proclaiming the arrival of the prince;
+ And often, as the new flood rushing down
+ With the still waters of a sleeping stream,
+ Leaves nought behind, and all is vacancy,
+ Or as the dim light of a shallow lamp
+ Suddenly blazes forth and soon is quenched,
+ So louder rose the clamour of the crowd
+ At the sound of the bugle and the drum,
+ Then straightway in deep silence died away,
+ And perfect stillness reigned everywhere.
+
+ Upon his gorgeous throne sat Jinji's prince
+ With servants fanning him on either side;
+ And in a place of honour sate in that
+ Capacious hall his holy Brahmin priest,
+ The master of his well-trained army there,
+ The chief and trusted min'ster of the state,
+ The aged poet that his praises sang,
+ The sage that, versed in all the starry lore,
+ His royal master's fortunes daily told;
+ The painter that adorned those ancient walls,
+ And countless other servants of the prince
+ There gathered each in his accustomed seat.
+
+ Then from the gate approached a trusty page,
+ And said with folded hands and trembling lips--
+ "O royal master, at the gate there waits
+ A man of noble mien from the far north
+ Requesting audience on affairs of state."
+ "Conduct him to our presence," said the prince.
+ The stranger came,--upon the floor he knelt
+ And said--"Thou mighty prince of these fair lands,
+ I come from Arcot, and the Nabob sent
+ His humble servant to demand of thee
+ Thy dues which these five years thou hast not paid.
+ Know, then, if these are not now duly paid,
+ From thee he will these broad dominions wrest,
+ And give them those who will his rule obey."
+ The angry prince made answer--"Go and tell
+ Your master that his vain threats move us not,
+ Say we will gladly meet him on the field."
+ So saying, from his royal seat he rose,
+ And to his palace instantly withdrew.
+
+ As when a stone dropped in the middle of
+ A placid pool its slumb'ring waters wakes,
+ And the calm surface is all ruffled seen,
+ Or at the merest touch of ruthless man
+ Bent on the honeyed treasures of the hive
+ Those myriad ones leave murm'ring to the foe
+ Their hoarded wealth to which they fondly clung,
+ So scattered to their distant native homes
+ The bustling crowd that met on Jinji's hills,
+ When he of Arcot came to mar their joys.
+
+ And days and months rolled on until one day
+ To Desing came his loyal spy and said--
+ "My noble ruler, on the other side
+ Of the fair stream that runs through yonder plain,
+ There waits our foe of Arcot with his men:
+ Prepare to go and meet him on the field."
+ 'Twas even time--the warrior prince soon wrote
+ To Mamood Khan, the master of his troops,
+ To hasten to his country's duty first.
+ What though it was that soldier's bridal hour,
+ When he received his royal master's call!
+ "My country's welfare first, then my fair spouse,"
+ He said, and leapt upon his faithful steed
+ And stood, ere morn had streaked the eastern sky,
+ Before his lord his bidding to obey.
+
+ The prince rose early on that fated day
+ And to the temple of his God repaired,
+ There to invoke His blessing on the field.
+ Then to the palace hastened he to meet,
+ Ere he went forth to fight, his youthful wife,
+ Who day by day in beauty grew amidst
+ A score of maidens, like the waxing moon;
+ And, with a screen of silk between, they met.
+ As one lured by the fragrance of the rose
+ Stoops down gently to lift the truant stalk
+ That to the other side of the thick hedge
+ Shoots out alone from its own parent stem,
+ So fondly down stooped Jinji's noble prince
+ To kiss the jewelled arm of his fair spouse
+ Which through the screen she offered to her lord.
+ Prince Desing was the first who silence broke.
+ "My dear wife! on the day when we were wed
+ These eyes of mine had not e'en this arm seen,
+ Although on the same bridal seat we sat.
+ The screen which by the custom of our race
+ Was drawn by cruel hands hid thee from view.
+ So wondrous fair this arm looks that methinks
+ Rare beauties must be seated on thy face.
+ My foe hath come; fear not; I go to fight,
+ And come with honours loaded from the field,
+ A victor to rejoice with thee to-night
+ At the propitious hour which, by the aid
+ Of all his starry lore, our Brahmin sage
+ Hath for our nuptials named,--to gaze and scan
+ In silent joy what charms, what beauties rare
+ The hand divine has showered upon thy face,
+ And to recount to thee, when with thine own
+ My arm in friendship plays, what blood it shed,
+ What havoc in the Moslem camp it wrought.
+ So let me now depart." To which the Queen:
+ "I was the only daughter of my sire,
+ And cradled in his sinewy arms I grew;
+ And when upon his warrior breast I laid
+ My head to sleep, my mother by his side
+ Lulled me with songs of how in days gone by
+ The martial women of our noble race
+ Went with their husbands by their side to fight;
+ And one so nursed fears not the Moslem foe.
+ But now, alas! some evil it forebodes
+ That thou shouldst on this day go forth to fight."
+
+ And as she spoke tears trickled down his eyes,
+ And one, a pearly drop, stole to her palm.
+ She felt it: instantly her hand withdrew,
+ And then began to speak in words like these:
+ "It is not meet that Jinji's valiant prince
+ Should like a child at this last hour shed tears
+ And fear to meet his foe; fear not, my lord,
+ To meet him like a soldier on the field.
+ If thou a victor comest from the fight,
+ We shall in joy spend our first nuptial night,
+ But if thou comest routed from the field,
+ I never more will see thy timid face
+ Or think that thou art born of Kshatriya race.
+ And if thou fallest bravely fighting, then
+ Remember, Prince, thou hast in me a wife
+ Who will not let thee pass from earth alone.
+ Go forth and like a warrior meet the foe.
+ But fear not; Runga will be on our side,
+ So ere thou goest kiss this hand of mine
+ Which from thine eyes that precious tear has sought."
+ So saying, this brave Rajput girl once more
+ To Desing offered through the screen her hand.
+ He lifted it and reverently kissed,
+ Then sallied forth resolved to win or die.
+
+ Fierce raged the battle, but the hapless prince
+ Was weak to meet his foeman's myriad host;
+ And Mamood Khan fell bravely lighting there,
+ And with him many of his valiant men.
+ The faithful steed that through all perils bore
+ The prince was slain, and soon he fought on foot.
+ But ere the foe could capture him alive,
+ He hurled his heavy dagger, bared his breast,
+ And instantly a lifeless corpse he fell.
+ A few brave soldiers bore him from the field.
+ They hastened to the castle and before
+ The widowed Queen their precious burden laid.
+ She, nothing daunted, orders gave at once
+ That her attendants should prepare the pyre;
+ And then to her assembled men thus spake:
+ "My faithful men and my brave soldiers! you
+ Who with my lord fought nobly on the field,
+ I see you all weep at our hapless fate.
+ 'Tis God has willed we thus should end our lives.
+ But a worse fate shall surely soon befall
+ Our cruel foe--howe'er exulting now.
+ Weep not--there soon shall dawn another day
+ When from the farthest end of this vast globe
+ A race for valour and for virtue famed
+ Shall wrest his kingdom from his ruthless hands,
+ And everywhere your sons and your sons' sons
+ Shall lasting peace and happiness enjoy.
+ Be witness to the curse pronounced by me,
+ A widowed maiden at the hour of death,
+ Thou setting Sun and thou, O rising Moon!"
+
+ Then as a bride in all her glory decked
+ Approaches with a gladdened heart t' embrace
+ Th' expectant bridegroom on the nuptial bed,
+ E'en so ascended this fair Queen the pyre,
+ And there embracing lay by her dear lord.
+ The fire was lighted and the pyre was closed,
+ And speedily to ashes were reduced
+ The lifeless husband and the living wife.
+ The Moslem came--heard of the death she died
+ Amid the flames, repented of his deed,
+ And, it is said, he built a lordly town[1]
+ In honour of the Queen, who counted it,
+ A sin her noble husband to survive,
+ And in a moment flung her life away.
+
+FOOTNOTES:
+
+[Footnote 1: Ranipett.]
+
+
+
+
+_THE STORY OF RUDRA_.
+
+
+ A deep calm sea; on the blue waters toiled,
+ From morn till eve, the simple fishermen;
+ And, on the beach, there stood a group of huts
+ Before whose gates old men sat mending nets
+ And eyed with secret joy the little boys
+ That gaily gambolled on the sandy beach
+ Regardless of their parents' daily toils.
+ And all the busy women left their homes
+ And their young ones with baskets on their heads
+ Filled with the finny treasures of the deep.
+
+ A thousand yards to landward rose a town
+ With its broad streets, high roofs, and busy marts.
+ An ancient temple in the centre stood,
+ Where to his servant Nandi once appeared
+ Great Siva, it is said, in human frame.
+ E'en learned saints sang of the holy shrine;
+ And to this sacred spot from far-off lands
+ For adoration countless pilgrims came
+ And men to buy all rarest things that poured
+ Into her busy marts from foreign parts.
+
+ Here in this ancient port of Nundipore
+ In royal splendour lived a merchant youth,
+ Who scarce had reached his one-and-twentieth year.
+ His aged father had but lately died
+ And left him the sole heir of all his wealth.
+ And Rudra--for that was the brave youth's name--
+ Had heard from infant days full many tales
+ Of how his grandsire and his sire had braved
+ The perils of the deep in search of gold,
+ And in his bosom fondly nurtured hopes
+ To travel likewise on the dang'rous sea.
+ And oft would he to Rati, his fair wife,
+ Exulting tell how wisely he would trade
+ In foreign shores and with rare gems return;
+ How even princes, by those gems allured,
+ To court his friendship come from distant lands,
+ And he dictate his own high terms to them,
+ And thus add glory to his glorious house.
+ And often would she vainly plead in turn
+ Her desolate position and her youth.
+ And her dear lord implore upon her knees
+ For ever to dismiss his cherished thoughts
+ And turn to her and to their lordly wealth
+ Which God had given them, to live in peace.
+ Thus wrangled for some months the timid wife
+ And he whom woman's charms could not subdue
+ Until at last arrived th' appointed day.
+ The little ship was waiting in the port,
+ And Rudra to his youthful wife repaired
+ His purpose to disclose; and as at times
+ Clouds hover over us and darken all
+ The sky for days, and still no rain descends--
+ But suddenly when least expected comes--
+ So she to whom her husband's parting lay
+ In words saw it burst in reality.
+
+ He said, "Dear Rati! well thou knowest how
+ I fondly wish to trade in distant realms.
+ The time has come for me to part from thee.
+ This morn a little ship was sighted here,
+ And she is riding yonder on the sea.
+ And ere the setting sun sinks down to rest
+ Into the western waves the little bark
+ Now destined to take me will leave the port;
+ And I have therefore one, but one short hour.
+ 'Tis willed by Him above that I should soon
+ Bid farewell to the place where I was born,
+ Where all my thoughts for ever centred lie,--
+ Soon part from all that to my heart is dear,
+ But soon come richer, greater to my home,
+ To spend my days in joy and happiness.
+ Dear wife! allow me therefore to depart."
+
+ To which the wife--"Dear husband, sad it is
+ To me to think that thou shouldst part from me;
+ But sadder still the thought that thou shouldst go
+ On seas to roam in lands unknown and strange,
+ And canst not tell when to this spot return.
+ There is our lordly mansion here; there is
+ Our wealth, and here I am thy youthful wife.
+ Why go away and risk thy precious life
+ While we enjoy our days like king and queen?
+ Why leave me here to pine away in grief
+ And loneliness? Without my lord it is
+ Half death to me, and I would rather die
+ Than see him part; hence banish from thy mind
+ All thoughts of going and stay here with me."
+
+ "My wife!" he said, "why cherish idle fears?
+ The holy Brahmin whom thou knowest well,
+ So deeply versed in all the starry lore,
+ Tells me that I am fated to return.
+ It is an evil omen that thou shouldst,
+ Lamenting, hinder me at this last hour
+ And tell me not to go. Send me away
+ With thy good wishes, I will soon return.
+ By Him above that rules man's destinies,
+ By mother earth, by yonder setting sun,
+ The moon that shines up in the starry heav'ns,
+ By all that to his heart is sacred deemed,
+ And lastly by his sire whose picture hangs
+ On the wall there, thy husband Rudra swears
+ That after he returns he'll stay with thee,
+ And nevermore e'en think of leaving thee,
+ And let him therefore go in peace of mind."
+
+ "If it is true," replied the crying maid,
+ "That Sita followed Rama to the woods,
+ And that she of the Pandus also shared
+ With them their toils--if ever woman's charms
+ Had power to move the adamantine heart
+ Of man, then let thy Rati go with thee
+ To share with thee thy joys and woes as well.
+ If thou shouldst go alone, remember then,
+ Dear lord, the sin rests solely on thy head
+ That a young maiden has been left alone
+ To mourn for ever for her husband on
+ The seas--and all for gold and for a name."
+
+ "A _name_ thou sayest--never, never would
+ Thy Rudra die unhonoured and unknown
+ And bear the evil name and the reproach
+ For ever with his sons and his sons' sons,
+ That of his old illustrious family
+ He was the only one that feared to go
+ Upon the sea. The sun is going down,
+ And cruel darkness is invading fast
+ On us; and soon the ship will leave the port.
+ Within a year thou shalt see me again.
+ But if 'tis ruled by God that I should not
+ Return, to one thing listen ere I go.
+ To soothe thy spirits in a few short months
+ An infant will be lying on thy lap,
+ And if a daughter she should be, let her
+ Be married to one worthy of our race.
+ But if a son is born tend him with care;
+ When he grows old, let it be said of him
+ That he is his lost father's worthy son."
+ And when the few last awful words were spoke
+ The frighted wife that stood supported by
+ Her lord at once grew pale and motionless.
+ As one that watched with anxious care the growth
+ Of a young tendril slowly fixes it
+ Upon a new and stronger prop, e'en so
+ Brave Rudra extricated himself from
+ Her grasp and gently placed her on the couch;
+ Then gazed on her for a few moments with
+ His hands upon her throbbing temples, kissed
+ Her brow, and straightway vanished from the room.
+
+ And now the little ship in which he sailed
+ Safe bore the crew along the wat'ry waste,
+ And after twenty days' fast sailing she
+ Encountered on the way a storm, was wrecked,
+ And all save Rudra perished in the waves.
+ The shipwrecked merchant lost all that he had,
+ And wandered through a distant country with
+ No friends, no money but his hands to earn
+ For him his daily bread: the lonely youth
+ Thus dragged for years his miserable life
+ With nothing to make it worth living save
+ The hope, the only hope, to see his wife;
+ Till at the end of twenty years a ship
+ Was sighted that was bound for Nundipore.
+ In it he sailed and safely landed in
+ His native port. It was the midday noon;
+ He saw the selfsame fishing village that
+ Stood years ago upon the sandy beach,
+ And with a joyful heart he hastened to
+ His house which all deserted seemed; inside
+ With falt'ring steps he went, and on the walls
+ Of the big hall were hanging pictures of
+ His sire, of Krishna playing on the flute,
+ Of Rama, Siva, and the other gods
+ Whom in his childhood days his house adored,
+ And seemed as they were drawn but yesterday;
+ A thousand other old familiar scenes
+ In quick succession passed before his eyes,
+ Then quickly passed into a room, where lo!
+ There slept a youth and she for whom for years
+ Life's toils he patient bore. As one born blind
+ Had after years of pray'r the gift of sight
+ Vouchsafed to him by God, his Maker, to
+ Behold the beauties of the universe,
+ His wife, his children, and those dear to him,
+ But straightway feels the precious gift withdrawn;
+ Or as a lonely bird that unawares
+ Has wandered far into the deep blue sea
+ Finds nothing but a wat'ry waste all round,
+ And knows not where to rest its wearied limbs,
+ But at a distance kens at last a ship
+ To which with doubled speed it flies and flies,
+ And there discerns a seaman with his bow
+ Preventing it from sitting on the mast--
+ So Rudra felt. "Is this my wife?" he thought.
+ "Yes, by the mole upon her cheek she is;
+ And beauty, spite of age, still lingers on
+ Her face, and this fair youth, attracted by
+ Her charms, came here. Why hast Thou brought me home,
+ O God! why was I not drowned in the sea?
+ Why did I leave that distant country where
+ These twenty years I toiled for bread and lived?
+ And why was I not spared this ghastly sight?
+ No, Rati! never would thy husband bear
+ To see thee lying with another man.
+ First he will kill you both, then die himself."
+ So saying, from a sheath a blade he drew,
+ When lo! there fell the piece of a palm leaf
+ Whereon were writ--_think well before you do_.
+ "This is," he said, "my father's dying gift;
+ By the advice here giv'n I will abide,"
+ Then woke his wife, and in firm tones thus asked,
+ "Who is this youth that has defiled my bed?
+ Speak ere I strike you both." The wond'ring wife
+ The dagger and the stranger saw and cried--
+ "Kill me alone, but spare my only son."
+ "Thy only son!" he said; "now wake him up,
+ And let us all adore our Maker first,
+ Who saved us from my frenzy, which in one
+ Short moment would have shattered all our bliss."
+
+
+
+
+_THE STORY OF THE ROYAL HUNTRESS_.
+
+
+ It was a land of plenty and of wealth;
+ There God's indulgent hand made for a race
+ Supremely blest a paradise on earth.
+ A land of virtue, truth, and charity,
+ Where nature's choicest treasures man enjoyed
+ With little toil, where youth respected age,
+ Where each his neighbour's wife his sister deemed,
+ Where side by side the tiger and the lamb
+ The water drank, and sported oft in mirth.
+ A land where each man deemed him highly blest
+ When he relieved the miseries of the poor,
+ When to his roof the wearied traveller came
+ To share his proffered bounty with good cheer.
+ Such was the far-famed land of Panchala.
+
+ Here reigned a king who walked in virtue's path,
+ Who ruled his country only for his God.
+ His people's good he deemed his only care,
+ Their sorrows were his sorrows, and their joys
+ He counted as his own; such was the king
+ Whose daily prayers went up to Him on high
+ For wisdom and for strength to rule his men
+ Aright, and guard the land from foreign foes.
+ Such was the far-famed king of Panchala.
+
+ An only son he had--a noble prince,
+ The terror of his foes, the poor man's friend.
+ He mastered all the arts of peace and war,
+ And was a worthy father's worthy son.
+ What gifts and graces men as beauties deem
+ These Nature freely lavished on the youth,
+ And people loved in wonder to behold
+ The face that kindled pleasure in their minds.
+ The courage of a warrior in the field,
+ A woman's tender pity to the weak--
+ All these were centred in the royal youth.
+ His arrows killed full many a beast that wrought
+ Dread havoc on the cattle of the poor.
+ Such was the famous prince of Panchala.
+
+ The people, they were all true men and good,
+ Their ruler they adored, for by their God
+ He was ordained to rule their native land.
+ They freely to their king made known their wants,
+ And he as freely satisfied their needs,
+ And e'en the meanest of the land deemed it
+ The basest act to sin against his king.
+ Such were the people of the ancient land
+ Of Panchala, who stood one day with tears
+ Before their king to pour their plaintive tales
+ Of ruin wrought upon their cattle by
+ The tiger of the forest, that all day
+ Was safe in his impenetrable lair,
+ But every night his dreaded figure showed
+ And feasted on the flesh of toiling beasts.
+
+ The king gave ear to their sad tales of woe,
+ And straightway called his only son, and said--
+ "Dear son! my people's good I value more
+ Than thine own life. Go therefore to the woods
+ With all thine arrows and thy trusty bow,
+ And drag the dreaded tiger from his den,
+ And to their homes their wonted peace restore.
+ His spotted skin and murderous claws must soon
+ Be added to the trophies of the past,
+ Now hanging on our ancient palace walls."
+ The prince obeyed, and to the forest went:
+ Three days and nights he wandered in the woods,
+ But still found not the object of his search.
+ He missed his faithful men and lost his way,
+ Till worn and weary underneath a tree,
+ Whose shady boughs extended far and wide,
+ The lonely straggler stretched his limbs and slept,
+ And for a time forgot his dire distress.
+
+ He woke, and thus addressed himself with tears:
+ "Here I am left deserted and alone,
+ Perchance my faithful people at this hour
+ Are vainly searching for their hapless prince,
+ While I die here of hunger and of thirst.
+ And gladly would I welcome now the brute
+ That has attracted me to this strange spot,
+ To plunge his claws into my body, tear
+ My flesh, and break my bones, and feast on me
+ By gnawing them between his horrid jaws,
+ And so spare me from this slow lingering death."
+
+ So thought the royal youth of his sad doom,
+ When lo! a spotless figure, with a bow,
+ A pouch with arrows dangling on her back,
+ A hatchet in her hand for cutting wood,
+ And with a pitcher on her head, appeared.
+ Here every day she came to gather wood,
+ And, dressed in male attire, her heavy load
+ Took to the nearest town, sold it, then reached,
+ At close of day to cook the ev'ning meal,
+ Her cottage on the outskirts of the wood,
+ Where, with her sire, bent down with years, she lived,
+ And dragged her daily miserable life.
+ Such was the maid that was upon that day,
+ As if by instinct, drawn to the fair youth,
+ And such the huntress Radha he beheld.
+ A fairer woman never breathed the air--
+ No, not in all the land of Panchala.
+
+ The maid in pity saw his wretched plight,
+ Then from the pitcher took her midday meal,
+ And soon relieved his hunger and his thirst.
+ The grateful prince, delighted, told his tale,
+ And she, well pleased, thus spake: "Fair youth! grieve not,
+ Behold the brook that yonder steals along,
+ To this the tiger comes at noon to quench
+ His thirst. Then, safely perched upon a tree,
+ We can for ever check his deadly course,"
+ Both went, and saw at the expected hour
+ The monarch of the forest near the brook.
+ In quick succession, lightning-like from them
+ The arrows flew, and in a moment fell
+ His massive body lifeless on the ground.
+ Then vowing oft to meet his valiant friend,
+ The prince returned, and with the happy news
+ Appeared before the king, who blest his son
+ And said: "My son! well hast thou done the deed;
+ Thy life thou hast endangered for my men;
+ Ask anything and I will give it thee."
+ "I want not wealth nor power," the prince replied,
+ "But, noble father I one request I make.
+ I chanced to meet a huntress in the wood,
+ And Radha is her name; she saved my life.
+ I but for her had died a lingering death,
+ Her valour and her beauty I admire,
+ And therefore grant me leave to marry her."
+
+ The king spake not, but forthwith gave command
+ To banish from his home the reckless youth,
+ Who brought disgrace upon his royal house,
+ And who, he wished, should wed one worthy of
+ The noble race of ancient Panchala.
+ Poor youth! he left his country and his home,
+ He that was dreaded by his foes was gone.
+
+ Vain lust of power impelled the neighbouring king,
+ The traitor who usurped his sovereign's throne,
+ To march on Panchala with all his men.
+ He went, and to the helpless king proclaimed--
+ "Thou knowest well my armies are the best
+ On earth, and folly it will be in thee
+ To stand 'gainst them and shed thy people's blood.
+ Send forth thy greatest archer, and with him
+ My prowess I will try: this will decide
+ If you or I should sit upon the throne,
+ And whether Panchala is thine or mine."
+ The king, bewildered, knew not what to do,
+ But soon two maidens, strangers to the land,
+ Met him, and, of the two, the younger said--
+ "O righteous king! we left our distant homes
+ To visit shrines and bathe in holy streams.
+ We have been wandering in many climes,
+ And yesternight this place we reached, and heard
+ Your loyal people speak of your sad plight.
+ In early youth I learned to use the bow--
+ I pray thee, therefore, send me forth against
+ The wretch that dares to wrest this land from thee."
+
+ And ere the treacherous wretch could string his bow,
+ A pointed arrow carrying death with it,
+ Like lightning flew from forth the maiden's hands,
+ Pierced deep into his head, that plans devised
+ To kill his royal master and once more
+ Thought ill of Panchala and her good king.
+ His body lifeless lay upon the field.
+
+ Then spake the maiden to the grateful king:--
+ "Thou, noble ruler of this ancient land!
+ Before thy sacred presence and before
+ All these assembled in thy royal court,
+ I will reveal my story, sad but true.
+ I am the only child of him that ruled
+ The neighbouring state, whose kings for centuries
+ In peace and friendship lived with Panchala.
+ Alas! the villain, whom my arrow gave
+ To crows and to the eagles of the air,
+ Usurped my father's throne, and sad to tell,
+ He instant orders gave to murder us.
+ The menials sent to do the cruel deed
+ Felt pity for the fallen king and me,
+ His only daughter, in the woods left us
+ And went away, reporting they had done
+ The deed; and there, in that deserted place,
+ Unknown we lived a wretched life for years.
+ And glad I am that death ignoble, which
+ The wretch deserved, has now befallen him.
+
+ "This person standing here--I now remove
+ The veil, and, by the mole upon his breast,
+ Behold in him thine own begotten son--
+ Was by thy orders banished from the land.
+ Grant that I now may plead for him, because
+ A woman's words can sooner soothe the heart.
+ I crave your Majesty to pardon him
+ For loving me, and take him back unto
+ His father's home; grant also, gracious king,
+ That I, a princess, may be worthy deemed
+ Of being wedded to thine only son."
+
+
+
+
+_CHANDRA_.
+
+A TALE OF THE FIELD OF TELLIKOTA, A.D. 1565.
+
+
+At length the four great Mahometan governments, A'dil Shah, Nizam Shah,
+Barid, and Kutb Shah, formed a league against Ram Raja, then ruling at
+Bijayanagar. A great battle took place on the Kishna, near Talicot,
+which, for the numbers engaged, the fierceness of the conflict, and the
+importance of the stake, resembled those of the early Mahometan
+invaders. The barbarous spirit of those days seemed also to be renewed
+in it; for, on the defeat of the Hindus, their old and brave raja, being
+taken prisoner, was put to death in cold blood, and his head was kept
+till lately at Bijapur as a trophy.
+
+This battle destroyed the monarchy of Bijayanagar, which at that time
+comprehended almost all the South of India. But it added little to the
+territories of the victors; their mutual jealousies prevented each from
+much extending his frontier; and the country fell into the hands of
+petty princes, or of those insurgent officers of the old government,
+since so well known as zemindars or poligars.
+
+The brother of the late raja removed his residence further east, and
+finally settled at Chandragiri, about seventy miles north-west of
+Madras, at which last place his descendant first granted a settlement to
+the English.--_Elphinstone_.
+
+
+ The setting sun sank slowly in the west,
+ The village labourer from the threshing-floor
+ Hied home full laden with the gathered corn,
+ When soon there came, as from a cage just freed,
+ Two lovely doves intent to peck the grain
+ That scattered lay upon the vacant field.
+ Between these birds, by instinct closely linked,
+ Attachment fond had grown. It seemed, indeed,
+ That God for speech denied to them had given
+ Sense exquisite to know each other's ways.
+ Not all the speech of favoured man in truth
+ Could meaning make more clear or deeply felt
+ Than one soft motion of the slender frame,
+ One gentle murmur from the tiny throat.
+ The wife more bold, yet pausing oft to scan
+ Her lord, adventurous strayed with timid steps,
+ Unconscious all of aught to mar their joys.
+ Just then with steady poise on outstretched wing
+ A hungry falcon hovered over her,
+ Resolved with one fell swoop to seize his prey,
+ His talons bury in her tender flesh,
+ Lift her away to some sequestered spot,
+ There drink her blood in leisure undisturbed,
+ And break her bones and her torn flesh devour.
+ At early morn upon that selfsame day
+ A huntsman sallied forth in search of food,
+ And, wandering luckless all day long, at last
+ Did chance upon this bird. Behind a bush
+ He quickly crept, and straightway strung his bow.
+ A gladsome vision suddenly appeared--
+ He saw his wife and children in their home
+ Enjoy the dove's well spiced and roasted flesh.
+ But lo! a gentle flutter of the leaves
+ By eagerness unconscious caused, to her
+ Revealed the huntsman take his deadly aim.
+ With head uplifted and with wings outstretched
+ She flight essayed, but saw the falcon near.
+ Thus scared and terror-struck she lay resigned
+ To fall by deadly arrow pierced, and give
+ Her lifeless form to feed the hungry bird.
+ The keen-eyed huntsman saw that lifted head
+ And open wings meant flight and sure escape.
+ He therefore quickly aimed his arrow high,
+ Which flying pierced the falcon nearing down.
+ That selfsame moment when the arrow flew,
+ When all his thoughts were centred on the bird,
+ The huntsman pressed his foot upon a snake
+ That in the bush lay coiled. Writhing with pain,
+ The snake poured deadly poison from its fangs.
+ The huntsman and the falcon both fell dead
+ Before the helpless dove; and foes that came
+ To work her woe had worked each other woe.
+ The loving pair together flew away,
+ Their life of joy and freedom to renew.
+
+ Lo such the story of two human lives!
+ To them, as happens oft, abundant share
+ Of Nature's choicest gifts brought many ills.
+ But noble lives are thus more noble made,
+ As shining gold oft-heated shines the more.
+ Over the ancient land of Vijiapore[2]
+ There reigned a king for truth and valour known.
+ The lovely Chandra[3] was his only child,
+ Who like the moon among the stars of heaven
+ Shone fairest 'mong the daughters of the land.
+ The father fondly hoped his child would wed
+ A neighbouring prince, the mighty ruler of
+ An ancient kingdom richer than his own;
+ The mother she would be the worthy spouse
+ Of him who was her brother's only son
+ And trusted minister of Vijiapore.
+ But one there was, a courtier of the land,
+ A youth, yet full of counsel wise and true,
+ And ever ready to obey his master's will.
+ The terror of his foes, a hunter bold,
+ He rode the fleetest horse with ease and grace,
+ The wildest elephant his might could tame,
+ And horned bulls knew well his steady grip.
+ Him Chandra wished to wed, and in her breast
+ With silent hope her love for him kept warm.
+ The years sped on, the father fondly dreamt
+ She soon would be the queen of two proud realms,
+ The mother that her future lord would be
+ Both king and minister of state. Meanwhile
+ Fair Chandra and her noble Timmaraj
+ Longed for the consummation of their love.
+ A flower there is, the fairest flower in Ind,
+ A flower beloved by poets of all time,
+ Whose beauties lovers ever love to tell,
+ And liken oft to woman's thousand charms.
+ This flower, the stately lotus of our Ind,
+ Its petals closes to the moon at eve,
+ And all its beauties hides through silent night,
+ But with the rising of the morning sun
+ Opens and swells, its beauty full displays,
+ And sweetest fragrance breathes when fiercest beat
+ The rays. E'en so fair Chandra, though oft told
+ She womanhood had long ago attained,
+ And soon must wed one worthy of her race,
+ Nought heeded when alternate to her view
+ Were brought the prowess of the neighbouring king,
+ The wisdom of the pilot of the state.
+ To wean her love from noble Timmaraj,
+ He forth was sent against his country's foes,
+ With his small band to fall, and ne'er return.
+ But oft as he was sent, as often he
+ Returned victorious with fresh laurels gained.
+ And when the bards before the king and queen
+ Recited in the ancient palace hall
+ The battles bravely won, the glories of
+ The war, fair Chandra's face with joy, e'en like
+ The lotus, beamed, and as by magic charmed,
+ Disclosed a thousand beauties centred there.
+ Though silent she, her looks to all made known
+ Her love for Timmaraj, the author brave
+ Of all his country's good. Yet still she kept
+ A seal upon her lips, until by chance
+ An incident occurred which sealed her fate.
+ As on the sand near by the water's edge
+ One thoughtless stands to watch with eager eyes
+ The surf that beats continuous on the shore,
+ And suddenly when least expected flows
+ A wave that reaches far beyond the rest,
+ So stood the king and queen of Vijiapore
+ In parents' place, tempting their daughter fair
+ To marry whom she loved not, could not love,
+ When Chandra suddenly her mind declared.
+ Down through the stillness of a narrow vale
+ The lovely Pampa flows, whose course is shaped
+ By hills that lift their summits to the sky.
+ On either side, her course is like the life
+ Inconstant of the daughters of this land,
+ Who lived in times of old in castles set
+ Amidst rich groves and cool, pellucid streams,
+ And woodlands broad and fair to roam at will;
+ But these by moats and battlements enclosed
+ Were made impassable that the eyes impure
+ Of man might not upon their beauty gaze,
+ And so defile their virgin purity.
+ For all that here delighted woman's eyes
+ Was freely lavished by their royal sires;
+ And countless guards to watch all day were there,
+ And maidens numberless to sport with them
+ And while away their tedious hours of life
+ With tales of youth, who, bolder than the rest,
+ Leapt over moats and scaled steep battlements
+ To have a glimpse of those more dear than life,
+ But who, alas! were doomed to endless woe,
+ And sent to pine away in dungeons dark
+ For tainting with their feet forbidden ground.
+ But soon their life was changed--the royal bride,
+ Before the happy bridal hour began,
+ Was first by all her kindred freely seen,
+ And straightway taken to the palace hall
+ To choose and then make known her future lord
+ From anxious suitors there, and thenceforth spend
+ With him her days of freedom and of joy.[4]
+ E'en so, none dared, so fearful is the gorge,
+ To gaze upon the river's loveliness,
+ Except those inmates of the mountain caves,
+ That in the noontide hour, to quench their thirst,
+ Climb down, regardless of the huntsman's bow,
+ Or save the vultures of the air, those birds
+ Which, soaring on majestic wings aloft,
+ Alight, as if by instinct drawn, upon
+ Her shady margins, there to feast upon
+ The carcass of some beast that died of age.
+ But soon the valley widens, and she flows
+ At will, her waters sparkle in the sun,
+ And on her margins for grim hills are seen
+ Green fields, deep shady groves, and peaceful homes.
+ 'Tis here those mountains, that kept zealous guard
+ O'er Pampa, fade away from view, as if
+ To make amends for past unkindliness,
+ So leaving her to shoot into the plain
+ And watering Vijiapore and countless lands:
+ 'Twas here the village stood of Chengalpore,
+ The scene of many noble deeds of man
+ And woman's high devotion to her lord.
+ 'Twas here one crowded hour of Timma's life
+ Was worth his country's brightest annals, rich
+ In spoils of war and deeds of valiant men.
+ In that one hour of all his glorious life
+ He won a kingdom and a bride, for whom
+ He left that kingdom never to return;
+ And this the story of that glorious hour.
+ One day the news to Vijiapore was brought:
+ The elephant whose rich caparisoned back
+ The king, to please his subjects, once a year
+ Rode on, his keeper in a sudden fit
+ Of frenzy killed, and dreadful havoc wrought
+ Amongst the royal steeds in Chengalpore;
+ And now the mandate from the king went forth
+ That Timmaraj should slay his fav'rite beast,
+ For e'en the stoutest warrior of the land
+ Dared not approach him in his frenzied mood.
+ Then 'twas that Chandra suddenly her mind
+ Declared and boldly spake in words like these:
+ "It is not meet, dear father, that thou shouldst
+ So lightly use our only warrior's life,
+ Who won so many battles for his king
+ And added nought but glory and renown
+ Unto his country, and bid him thus fling
+ His life away before a beast insane.
+ Thou knowest well thy foes are ever bent
+ On wresting from thine hands this ancient crown,
+ And he alone it is that often curbs
+ Their pride. Yes, Timmaraj shall slay the beast,
+ But grant my pray'r that he shall marry me,
+ For often hast thou said that womanhood
+ I long ago attained, and soon should wed
+ One, therefore, worthy of our ancient house,
+ And gladly will I wed that warrior bold,
+ That shall, before to-morrow's sun has set,
+ Unto the portals of thy palace here
+ Bring dead the beast, that now at Chengalpore
+ Is working havoc on thy noble steeds."
+ The king to this his consent gladly gave,
+ Assured that Timma by the angry beast
+ Would be destroyed and never would return;
+ And so the second mandate was proclaimed
+ And sent to Chandra's other suitors too,
+ _That he shall win the daughter of the king
+ Who slays the beast before the morrow's close._
+ The morrow came, and, ere the warrior youth
+ Leapt on his faithful steed, at early morn,
+ A maiden stood before his gate and said,
+ "Brave youth! thy Chandra sent me here to say
+ Thou shouldst not fear to boldly face the beast;
+ Shouldst thou come victor back, she will be thine
+ And thine for ever even after death.
+ But shouldst thou flee from him to save thy life,
+ Think then thou art unworthy of her love,
+ And she shall not e'en see thy coward face;
+ But, if perchance thou fallest by the beast,
+ Vouchsafe to her through me with thine own hand
+ One javelin of the eight which now thou hast,
+ For she will not outlive her Timmaraj,
+ But straightway bare her breast and plunge the dart
+ And lifeless fall a corpse." The youth replied,
+ "I gladly send this javelin, but tell her
+ She shall not need its use, for Timmaraj
+ Will surely come victorious with the beast."
+ With javelins seven then he sallied forth
+ Upon his steed to win his bride or die.
+ Meanwhile the news was spread that Timmaraj
+ And that young min'ster, who these many years
+ Was seeking through her mother Chandra's hand,
+ And Bukka, ruler of the neighbouring state,
+ Whom she her father fondly wished should wed,
+ Had started on their steeds to Chengalpore;
+ Each vowed to be the first to drag the beast
+ Unto the royal city for six miles,
+ And there slay him before the palace gate.
+ The city poured her sons the sight to see,
+ For in the annals of their country's past
+ Not e'en the brightest page contained one deed
+ That could this glorious feat of man surpass;
+ And Timma was the people's fav'rite, and
+ They dearly wished that he should slay the beast,
+ Win Chandra, and become their future king.
+ But soon the thought of that mad beast unnerved
+ Both Bukka and the minister of the state.
+ The royal Bukka thus to himself said:
+ "A richer kingdom than this Vijiapore
+ I own, and why should I now madly stake
+ My life in this hard feat; 'tis easier far
+ To gain this Chandra and her father's throne.
+ I will sit hidden in the thickest bush,
+ Near yonder stream, by which the pathway runs--
+ For Timmaraj is sure to pass that way--
+ And with this arrow I will end his life.
+ Thereafter Chandra's love for him will fade
+ And die, and who is there to marry her
+ But I?" So thought this foolish youth, to whom
+ A woman's love was as inconstant as
+ His own resolve to fight a savage beast,
+ And sat within a bush to watch his prey.
+ He too, the pilot of the state, deemed it
+ A mad resolve to try the dang'rous feat,
+ And silent sat unnoticed and unknown
+ Upon the other side of that same path,
+ Within a secret bush by that same stream.
+ The one knew not the other was concealed
+ The fatal blow upon the selfsame prey
+ To deal, but fearless Timma on his horse
+ Approached the beast, which madly rushed on them,
+ To force both horse and rider to the ground
+ With his huge leg, and then to tear them both.
+ The horse was fleeter than the elephant,
+ Which thus the chase gave up, but still the youth
+ Undaunted neared the beast a second time,
+ And hurled with all his might a jav'lin, which
+ Pierced deep the temple. Thus enraged, the beast
+ Began the chase again, but still the steed
+ Was fleeter than the wearied elephant,
+ And once again he stopped, but Timma hurled
+ A second, which went deeper than the first,
+ And roused him all the more--and nevermore
+ He stopped, but towards Vijiapore the chase
+ Continued; for in due succession flew
+ Six jav'lins, lightning-like, with deadly aim.
+ Thus, by the angry beast pursued, he neared
+ At last the little stream that must perforce
+ Be crossed to reach the royal city gate.
+ Then from the pouch that dangled on his back,
+ His only jav'lin, with his utmost might,
+ Discharged, that so enraged the maddened beast,
+ With fury rushing, that his writhing trunk
+ Had all but touched the rider and his horse
+ In one embrace to crush them both; but soon
+ The keen-eyed youth the danger saw, and spurred
+ His horse, which bounded o'er the stream, when lo!
+ Two arrows crossed each other underneath.
+ One pierced the min'ster dead; the other pierced
+ The royal Bukka, who unconscious fell.
+ One moment more, and at the palace gate
+ The wearied rider on his foaming steed
+ Stood, like a warrior coming with his spoils,
+ The beast beside him, which, worn out, fell dead.
+ And as the tall and massive gate of some
+ Old fort with spikes deep driven to withstand
+ The foe, who battered it incessant, falls,
+ And, powerless to stand the shock, at last
+ Falls with a crash that far and wide was heard,
+ So fell the beast, his massive corpse all torn
+ And mangled, and with jav'lins planted deep,
+ And when he fell from his huge throat went forth
+ A wail, his last, like roaring thunder, that
+ Resounded through the hills of Vijiapore.
+ Another moment and brave Timma sat
+ Upon the bridal seat, the veil was drawn,
+ And, through the veil, the sacred knot was tied
+ Round Chandra's neck, and all was merry there.
+ And still another moment when--alas!
+ For that strange fickleness of human life
+ Whose joys and griefs each other follow like
+ The spokes of some fast-going wheel--there came
+ The wounded Bukka with a violent wail
+ That Timma had the king's adviser slain,
+ Whose body lay upon the riverside,
+ Exposed to all the carrion birds of prey,
+ And him too wounded, but the arrow pierced
+ Not deep, but laid him senseless for awhile;
+ But soon, with consciousness restored, his wound
+ He washed, and straightway hastened on his steed,
+ In time to tell the story, sad but true,
+ And stop the marriage of that coward with
+ The fairest and the noblest of the land.
+ As when upon a tree, whose boughs with fruits
+ Are laden, birds innumerable sit,
+ Them to enjoy and to be merry there,
+ The cruel hand of man to mar their joys
+ Hurls suddenly a stone, and all the air
+ Around is thick with jarring sounds of birds
+ That in confusion fly--so fell the words
+ Of Bukka on that scene, where all was joy,
+ Where, like a beehive, swarmed the surging crowd,
+ To see the marriage of their princess dear;
+ And straightway in confusion wild they ran
+ Without a purpose, but in various ways.
+ Unto their homes some ran the news t'acquaint,
+ Some to the wounded Bukka and his horse,
+ But many to the riverside to find
+ Their min'ster lying dead by arrow pierced.
+ The sorrow-stricken king spake not a word,
+ But like a lifeless figure stood awhile.
+ A sudden fit of frenzy overtook
+ The king at last, and Timma's awful doom
+ He thundered forth in accents strong like these:
+ "Be this my decree, forthwith known to all,
+ That Timma henceforth shall be banished from
+ My land for this dishonour brought on me.
+ He paved his way by murder to my throne,
+ And sullied the fair name of my dear house."
+ When these few awful words the monarch spoke,
+ Tears trickled down his eyes, and Timma from
+ The bridal seat received his doom, 'stead of
+ A blessing from the father of his bride.
+ A gentle touch, a whisper through the veil,
+ Then Timma to the royal judgment bowed,
+ And slowly moved from out those scenes of joy
+ And merriment, and reached the palace gate,
+ Where stood his horse by that dead elephant;
+ And soon in that confusion that prevailed
+ Was seen to slowly move a figure veiled,
+ T'approach the gate, and forthwith Timma swung
+ That figure on the saddle of his horse,
+ Then himself leapt and vanished straight from view.
+ The angry monarch saw their sudden flight,
+ And as some aged lion, when sore vexed,
+ Like thunder roaring, musters all his strength
+ And stands defiant to face the foe, so stood
+ The aged warrior, whose old strength returned,
+ His breast expanded, and his body raised
+ Erect, and for the time his age shook off.
+ Then spake he forth in angry tones like these:
+ "My only child is gone, and he that brings
+ My daughter back shall have my highest meed--
+ Nay, even half my kingdom I will give."
+ None dared save Bukka to essay the feat,
+ Who forthwith sprang upon his horse, and soon
+ O'ertook the running pair, for Timma's horse,
+ Though deemed the fleetest in the land, now felt
+ His double weight, his wonted speed decreased.
+ Then Timma said, "Our foe is nearing fast,
+ And he is armed, while weapons I have none.
+ In bridal dress I cannot face the foe,
+ And he will sure kill me and take you back
+ Unto your angry sire. Thou art a girl
+ Born of the martial Kshatriya race, and hence
+ Thou knowest well to ride the wildest horse;
+ So let me now dismount for thee t'escape."
+ "'Tis better far I die with thee," she said,
+ "But I have here the javelin thou didst give
+ Before thou went'st to kill the elephant,
+ The eighth and last, concealed within my veil.
+ Take this and stop the coming foe,--but oh!
+ Kill not the wretch who dared to follow us,
+ And sully this our happy bridal hour
+ By murder; only stay, oh, stay the chase!"
+ So said, she gave the jav'lin, which he hurled
+ Upon the chasing charger's breast with all
+ His might, and straightway horse and rider fell;
+ And, like those innocent and helpless doves,
+ The loving pair together fled away,
+ Their life of joy and freedom to renew.
+ Before the fury of an angered king
+ For full three days and nights they ran, and found
+ At last a safe and happy shelter in
+ A shepherd's cot, and in those troublous times
+ 'Twas easier for the brave to kingdoms found,
+ Rear palaces, and rulers strong become,
+ Than for the toiling peasants, from sown fields,
+ To reap their crops and safely bear them home.
+ Brave Timma was a stranger 'mongst new men;
+ The many tigers by his arrows killed
+ And neighboring clans and lawless robbers kept
+ In check gave them sure hopes of future peace
+ And future joy, and straightway they made him
+ Their king to guard their women and their homes,
+ While they their avocations of the soil
+ In peace pursued, and soon was raised a fort;
+ A stately palace too was reared within
+ By willing hands, and safe from dang'rous foes,
+ And far away from their dear native vale
+ Of Vijiapore they spent their peaceful days
+ In joy, beloved by all their loyal men.
+ But 'tis a saying often told in Ind,
+ _He hath a foe who hath a lovely wife._
+ Her very loveliness is reason deemed
+ To hate her lord, nay, murder him, and hence
+ Her husband's foe unconscious she becomes.
+ For Chandra's beauty all these evils wrought
+ Upon the youth, who for his country fought
+ So many battles, and the Moslem kept
+ In constant dread, and for his virtue's sake,
+ Though most beloved in his native land,
+ And dreaded most for valour by his foes,
+ He lived a stranger in a foreign land.
+ She, too, that maiden, 'twas her fate to share
+ Her husband's troubles for her beauty rare.
+ Still 'twas a little heav'n their new home where
+ The halcyon days of mutual love were spent.
+ 'Tis sweet to love and sweeter to be loved;
+ And thus in their new home their life of joy
+ They spent in undisturbed solitude;
+ But ah! this even was not long to be.
+ One day the news was brought to their new king,
+ By a small troop of sorrow-stricken men,
+ That ev'ry night a tiger from his den
+ Came down and fearful havoc wrought amongst
+ Their toiling cattle, and the piteous tales
+ Of dreadful woe they poured into his ear
+ Moved Timma's heart, who took his trusty bow
+ And forthwith started with a faithful band
+ To drag the tiger from his mountain cave
+ And then for ever stop his mad career.
+ For days and nights he wandered in the woods,
+ But sad to tell found not the dreaded beast.
+ Still, nothing daunted, continued the search,
+ Until at last his faithful men he missed,
+ And wandered far into the wilds unknown,
+ When lo! the villain Bukka, who, upon
+ The outskirts of the newly-founded state,
+ Was hovering like a falcon o'er his prey,
+ Pounced suddenly upon the lonely youth
+ And safely carried him to his abode;
+ Then tidings sent to Chandra in these words:
+ "Dear maid! thy Timma is a helpless slave,
+ A humble suppliant for his life before
+ The valiant Bukka; let thy pride now cease.
+ The jav'lin which thou sentest me to slay,
+ Which killed my noble steed instead, awaits
+ To pierce his head and forthwith end his life.
+ But hearken ere I strike him dead therewith,
+ Thy matchless beauty, valour, virtue--these
+ Are fit to shine in royal courts like mine,
+ Add splendour to my household, where installed
+ As queen the daughters of my land will pay
+ Homage to thee--discard him, therefore, and
+ Love me, and I will forthwith set him free."
+ The angry maiden made reply, "Vile wretch!
+ Cursed be thy head to hold this evil thought.
+ If in my presence this request were made,
+ Sure I to fragments would have splintered it
+ With my own weapon, and the pieces thrown
+ To carrion birds to feast upon withal.
+ Tell him 'tis better far he should be like
+ A cur tied at my gate, for servants, as
+ They pass, to throw a little morsel from
+ The remnants of our feast; I fear him not,
+ And if my lord he kills, sure I am not
+ His wife, if forthwith I don't leap upon
+ The flames and then to ashes be reduced.
+ Begone! 'twere better far my husband dies
+ Than be the prisoner of a grovelling wretch."
+ Bukka, whose ire was roused, sent word at last--
+ "Beware, you foolish maid! poor Timma's life
+ Endanger not by this refusal stern,
+ Nor lightly treat my prowess, for to me
+ 'Tis easier far to take away his life
+ Than for the lordly monarch of the woods
+ To kill the puny, weakly lamb; and nought
+ Prompts me to wait thus far, but pity for
+ The daughter of a friend and neighbour-king,
+ Else Timma's body would have long ere this
+ Been given to the eagles of the air.
+ So listen now, once more, ere I kill him,
+ And, if at all thou carest for his life,
+ Let me but see the beauty of thy face,
+ And for one moment only gaze upon
+ Its loveliness--then Timma shall be free,
+ And I will pass in quietness to my home--
+ Nay, henceforth I will not molest you both.
+ Shouldst thou this last request refuse, I swear,
+ By all I sacred hold, the moment that
+ Refusal comes, the jav'lin from my hand
+ Will fly at Timma and will strike him dead."
+ Meantime brave Chandra in the audience hall
+ Of her own palace, 'midst her faithful men,
+ Received the news, and then in angry tones
+ She spurned the wild request, when there appeared
+ Her priest, who counsel gave in words like these:
+ "It is not meet, O royal lady, that
+ Thou shouldst this attitude defiant assume,
+ When Bukka in a moment may bereave
+ Us all of our dear, noble Timmaraj,
+ And drive thee, too, to fling thy life away;
+ And, if 'tis writ thou shouldst so die with him,
+ Our sad entreaties and our tears will nought
+ Avail, nor alter laws thus preordained.
+ But haply, if it is writ otherwise,
+ Why break the link that binds you both for life?
+ Call it not chance the link that binds men's hearts,
+ But Heaven's sacred gift to sweeten life.
+ It is the hand divine that guides man's life
+ From the inception to the very end;
+ Nay more, sees even after that life's end,
+ Its own appointed destiny is reached,
+ To take fresh shape, its course to run anew,
+ And reap what it had sown before, for take
+ The tree, its fruit but falls to reach its base.
+ The calf his mother easily doth find
+ Amidst a thousand cows, to suck the milk;
+ And all our deeds doth likewise follow us,
+ E'en after death, and they are not our own,
+ But preordained laws, that must perforce
+ Be anywise fulfilled, and He alone
+ It is that sees their strict fulfilment here.
+ For ah! why should the noblest maiden and
+ The fairest and the wisest in the land
+ Be mated to the meanest wretch through life?
+ All that is deemed the highest in the world--
+ Beauty and honour, valour, virtue, wealth--
+ All these availeth not, her mind is blank;
+ She herself knows not whom to love and wed;
+ Not e'en dear friendship kindles in her breast
+ The lamp of love, but suddenly
+ A passing stranger's glance, a simple look
+ Instinctive plants that love, which slow takes shape,
+ Despite a thousand counter forces, till
+ At last the final end is reached: a look
+ Is thus enough to bind two hearts for life,
+ And this is but the true fulfilment of
+ A preordained law that in the life
+ Before had all but reached perfection full,
+ Or their appointed shape had all but tak'n,
+ And in the new life easily attains
+ The end: such, then, the truth of all such things.
+ Call it what you will, simple tendency
+ Inherited, the least sign gives it life,
+ Which but leads it to its appointed end,
+ Like powder whose combustibleness sleeps,
+ The sudden spark to action rouses it.
+ And thus it was, O Chandra, thou didst share
+ A humble courtier's lot, and didst refuse
+ The premier noble's hand, or better still
+ The queenship of two mighty states, and thus
+ The many counter forces that were set
+ At work but strengthened thy true love for him.
+ And why endanger such a husband's life?
+ One wedded so to thee, and not by chance,
+ But by the preordained law of God;
+ For know thou livest only for thy lord.
+ Thy husband is thy lord, and, if perchance
+ It is his will thou shouldst be Bukka's queen,
+ Thou shouldst, so knowing it, obey his will,
+ Else, sure thou shalt be deemed nor pure nor chaste,
+ But counted worse than e'en a faithless wife;
+ 'Tis not in man to alter written laws;
+ 'Tis hard, nay useless too to fight 'gainst fate,
+ And if 'tis writ that Bukka should now see
+ Thy matchless face, thou canst not alter it,
+ And fate's severities good deeds alone
+ Can soften, and our holy writings say
+ 'Tis sin to let another man behold
+ Thy face, admire the beauties that enchant,
+ And thou becomest then impure; but those
+ Same holy books say, 'tis no sin to see
+ The shadow for the true reality.
+ Now, therefore, let a silken veil be drawn,
+ And underneath a bowl of oil be placed,
+ And the reflection of thy face therein
+ Let Bukka see and Timmaraj be saved."
+ To this the queen consent unwilling gave,
+ And Bukka to the palace gladly came,
+ Resolved to freedom give to Timmaraj,
+ If Chandra were like other maidens fair,
+ But sure possess her, if she shone among
+ The daughters of the earth surpassing fair,
+ And like the moon among the stars of heav'n.
+ The veil was drawn, the bowl of oil was placed,
+ And lo! was seen therein a face, whose like
+ The royal Bukka ne'er had seen before
+ In all his life; like lightning it appeared,
+ Bright'ning the surface for an instant, and
+ Like lightning vanished, planting in his breast
+ Impassioned love for Chandra, and a love
+ Too deeply rooted to be rooted out.
+ Then Chandra through the screen impatient said:
+ "Now that this deed is done, delay no more
+ My long lost husband to restore to me."
+ And Bukka made reply--"O maiden fair,
+ O Chandra! I am smitten by thy charms,
+ Thy wondrous face is ever in my mind,
+ And nought can now induce me to restore
+ Thy Timmaraj to thee, to gaze upon
+ Thy wondrous beauty and enjoy those charms.
+ My kingdom broad is at thy feet, and there
+ Enthroned as queen my riches and my all
+ Shall be at thy command, and therefore hear,--
+ If, by to-morrow eve, thou dost not reach
+ My tent pitched yonder, Timmaraj shall die,
+ And to the pyre, if thou dost follow him,
+ Sure I will myself die with thee, and thus
+ A double sin will rest upon thy head."
+ As the fond mother of an only child,
+ When sick, clings closely to it, and for days
+ And nights incessant watches it with care,
+ When he, well versed in all the healing lore,
+ Gives but to please her hopes of cure complete,
+ But suddenly the dang'rous malady
+ New shape assumes, the symptoms serious grow,
+ The healer himself breaks at last the news
+ Unto the anxious mother, who stands mute,
+ And knows not what to do in blank despair--
+ So felt the hapless Chandra when these words
+ The treach'rous Bukka spake and left the scene.
+ Now 'twas her holy Brahmin priest appeared,
+ And counsel gave again in words like these:
+ "Grieve not, but well rejoice that Bukka builds
+ His future hope on base dishonesty.
+ His fall is near, and Timma's safe return
+ Henceforth is sure, for he that hopes to win
+ By treach'ry and deceit, fails sorely in
+ This world of God, and therefore fear him not;
+ It is the foe magnan'mous thou shouldst fear.
+ Our holy ancient writings say it is
+ No sin deceit to conquer by deceit;
+ And hence fail not to send immediate word
+ That Bukka should to-morrow eve expect
+ Thee as befits a woman of thy rank,
+ And with a hundred maidens in his tent.
+ Take twenty litters, and let one appear
+ More gorgeous than the rest, for thee to sit,
+ Take but a hundred of thy faithful men,
+ All armed to fight for their dear king and queen.
+ Thou art a kshatriya girl, thou knowest well
+ To fight, and therefore take thy fav'rite bow
+ And arrows and conceal thy person with
+ A maiden's veil, armed fully as thou art,
+ And likewise let thy men be covered too,
+ To look like thine own maids of honour, let
+ Each litter, with a man inside, be borne
+ By four, go forth equipped likewise, surprise
+ The foe, bring him a prisoner, or upon
+ The field of battle die a noble death.
+ And death need have no horrors unto thee,
+ But unto those to whom this world is bright,
+ Its prospects hopeful and its pleasures keen,
+ And to the healthy and the young death's pangs
+ Are most severe when life is plucked, and from
+ Sere age, when all is ready for the end,
+ Life unperceived goes as from one that sleeps.
+ The gentlest wind brings down the serest leaf.
+ To sever from the parent stem by force
+ The freshest must be plucked, and so with man.
+ And by the righteous and the just, when sore
+ Oppressed with grief, dear death is welcomed most.
+ When the eruptions on the skin pain most,
+ By cutting them relief at once is sought;
+ E'en so, if noble Timmaraj is killed,
+ Court instant death, thy dagger hurl, and bare
+ Thy breast and lifeless by thy husband fall,
+ Like that same bird that, full up to the throat,
+ Swallows the little pebbles of the sand,
+ And, soaring high aloft upon her wings,
+ Suddenly closes them and drops down dead
+ Near her dead lover, where the body bursts.
+ But this, if you find hard, run with thy life
+ To this our safe abode, where willingly
+ The fun'ral pyre we, with our hands, will raise
+ And feed the flames thy body to consume.
+ Hence soon depart and Krishna will help thee."
+ The morrow came, and Chandra sallied forth
+ And, as directed by her Brahmin sage,
+ Went with a hundred of her armed men,
+ All veiled, surprised the foe, who, flushed with hope,
+ Unguarded waited but to welcome her:
+ Then safely rescued her lost Timmaraj;
+ The fatal jav'lin wrung from Bukka's hands,
+ And himself too a prisoner brought in chains.
+ Then in the spacious palace hall, amidst
+ Her faithful men, the noble queen sat veiled
+ With Timmaraj, long absent from the throne,
+ And spake to Bukka, standing in the front
+ With folded hands, in angry words like these:
+ "By treach'ry thrice thou triedst to win, and thrice
+ Hast failed, and, when my noble Timmaraj
+ Went singly forth to bring the maddened beast,
+ Concealed thou didst aim at his life and failed.
+ The hand of God had otherwise decreed.
+ And when upon the bridal seat we sat,
+ And all were merry in my father's home,
+ Thou camest with a story, false and base,
+ And for our lives we had to flee, and now
+ Are strangers here, and when upon thy steed
+ Unjustly thou pursuedst us both, it was
+ My hand that stayed my husband killing thee,
+ Else long ago the worms had eaten thee;
+ Thy bones the jackals of the earth had tak'n;
+ And nothing left of thee but thine own sins.
+ It was thy charger innocent that paid
+ For them the penalty instead. Once more
+ You came, and, like a lawless thief concealed,
+ Carried my lord, when helpless and alone,
+ And for his freedom vile proposals made,
+ And for so many days these troubles wrought
+ On me and these my faithful loyal men.
+ Know well, 'tis virtue that is sure to win,
+ And truth and justice will prevail at last.
+ This very jav'lin will put thine eyes out;
+ But pity for thy present state prompts me
+ To let thee now alone--go safely home,
+ And henceforth never even sin in thought."
+ And like a criminal who, by pity freed,
+ At once goes forth worse sins to perpetrate,
+ So Bukka, vowing vengeance, left the hall,
+ And henceforth love and hate alternate played
+ In his dark breast--hate for this grave insult,
+ And by a woman offered, and love too,
+ A bestial passion for her wondrous charms;
+ And from that selfsame moment various plans
+ His head devised her pride to humble and
+ Her purity to sully, when alas!
+ The Moslems' greed of power gave him sure hopes
+ At last her Timma's ruin to complete.
+ Unto the aged king of Vijiapore
+ His only warrior's and his only child's
+ Escape brought many toils and endless woe.
+ That Bukka, with a perjured tale, came on
+ The day of marriage was made known to all,
+ Soon after they had left their native home.
+ The aged monarch knew not where they lived,
+ But sent his faithful servants far and wide
+ To bring them home; the cruel Moslems, too,
+ Aware that Timma's absence weakened him,
+ Combined a sudden rush to make upon
+ The royal city, kill her ruler, and
+ Divide the spoils and take his vast domains.
+ And now the wily Bukka with those foes
+ Of foreign faith conspired; what though he fought
+ As usual in the ranks of Vijiapore,
+ Under the banner of her Hindu king!
+ To them he would run in the thickest of
+ The fight and sudden turn the tide of war,
+ And, from the conquered spoils, for his own share,
+ He wanted neither lands nor riches, but
+ Demanded Chandra and her lord alive.
+ And news of instant war had travelled far
+ And wide, the princes and the chieftains poured
+ Their loyal forces, ready to avenge
+ Their Moslem foes, who, for no cause, thus dared
+ Their city to invade so suddenly.
+ And Timma hastened with his wife at last,
+ And was with joy received by all, who lost
+ All hopes of ever seeing them alive.
+ And soon a council in the royal hall
+ Was held, to name a leader and decide
+ How best to strike at once th' advancing foes.
+ Many felt proud by Timma to be led
+ To victory in the field or glorious death,
+ And many too in that assembly said
+ That Bukka should not join their Hindu ranks,
+ For he would, in the midst of battle, join
+ The Moslem ranks and surely bring defeat
+ And ruin too upon their aged king,
+ The noble Ramaraj of Vijiapore,
+ And cause their ancient kingdom's overthrow.
+ But said one counted high for wisdom there:
+ "_Do good, and so chide him that evil does_,
+ Is the oft-quoted saying of our true
+ And ancient faith, and this is but the war
+ For mastery 'tween different creeds and faiths,
+ And hence let Bukka forthwith come to fight
+ Against the common foes, who thus combined
+ To mar our ancient faith and change our lives,
+ And let our Ramaraj himself go forth
+ And lead, and everlasting glory win,
+ And in defence of our old Hindu faith,
+ Or, if he falls, let him to _Swarga_ go
+ To join th' immortals there; and one word more
+ To thee, O Timma,--bury all the past,
+ And Bukka for his sins forgive, and both
+ Go hand in hand to fight the Moslem foes.
+ To pardon is the spirit of our faith."
+ To this consent was gladly giv'n by all,
+ And the propitious day and hour to march
+ Was soon named by the holy Brahmin priest,
+ So deeply versed in all the starry lore.
+ Brave Timma sought his anxious wife ere he
+ Went forth to fight, and thus took leave of her.
+ "Dear wife! the day to march is named at last.
+ Your aged sire and our dear monarch leads
+ The war, and Bukka, as a Hindu true,
+ Joins us to fight against the Moslem horde,
+ And doubly glad I am that in this war,
+ With Bukka vying in the field with me,
+ And in the very presence of our king,
+ Who well rewards the val'rous and the brave,
+ The place of honour I will there attain
+ For courage true, and prove once more before
+ The world I am a worthy husband of
+ A noble wife; so let me now depart."
+ She made reply--"Some evil it forebodes
+ That Bukkaraj should thus be madly told
+ To join our ranks, for what is truth and God
+ To one so steeped in sin? And sad it is
+ My aged father goes with him to fight.
+ Trust not in him and keep a steady eye
+ On him, e'en if within the thickest of
+ The fight thou art, for any moment he
+ May turn the tide of war; fight till the last,
+ And, if thou comest back victorious from
+ The field, I'll be the first to welcome thee,
+ But, if thou fallest fighting in the field,
+ Or if, perhaps, it chances otherwise,
+ Thou art left helpless and alone, here is
+ Our ever ready jav'lin to kill thee.
+ Thy body forthwith shall be nobly borne
+ Unto the pyre by thine own faithful men,
+ And I will gladly leap upon the flames.
+ But if thou comest routed and alive,
+ Then Chandra nevermore shall see thy face."
+ At early morn, upon th' appointed day,
+ The king his faithful servants summoned, and
+ Before them all his only brother named
+ To rule the kingdom and confided all
+ His subjects to his care; then, at the head
+ Of his brave troops, out of the city marched,
+ Amidst the royal bards recounting in
+ Sweet tones the glories of his kingdom's past,
+ His holy priests invoking Krishna's help
+ And chanting sacred hymns, and in the midst
+ Of maidens of the martial Kshatrya race,
+ Proceeding to the very city gates,
+ And singing to their fathers, brothers, and
+ Their husbands in shrill notes heard far and wide,
+ That Swarga's gates are ever ready to
+ Receive the faithful if they bravely fall,
+ The flames are ready to take their proud wives,
+ But burning hell gapes wide for to devour
+ The cowards that run routed and alive;
+ Their maidens' sweet embrace awaits them not.
+ At last, upon the plains of Talicot,
+ The armies met, fierce raged the battle, and
+ Old Ramaraj fought nobly in the field;
+ And Timma too wrought dreadful havoc on
+ The Moslems and their ranks oft shattered, but
+ Alas! the ever treach'rous Bukka pounced
+ Sudden on his own ranks; the king was slain;
+ His ghastly head upon a pole was shown,
+ And helpless and forlorn the Hindus stood;
+ But, ere perfidious Bukka could run with
+ The Moslem foes, to capture him alive,
+ A faithful soldier Timma called, gave him
+ His Chandra's jav'lin, in his steady grip
+ To hold, then boldly ran his body through
+ And instantly fell lifeless to the ground.
+ A faithful few the body bore, and laid
+ Before the orphaned and the widowed maid
+ Their precious charge, and soon the pyre was raised.
+ Then, near the flames that brightened her bright face,
+ Her uncle and her people shedding tears,
+ Her noble husband lying cold and still,
+ The story of her father's cruel death
+ Still ringing in her ears, she took farewell.
+ "Dear uncle and my faithful men! grieve not:
+ I see a cloud, now looming yonder there,
+ No bigger than the hand of man, that shall
+ Expand and rain and water to purge all
+ The land of th' innocent blood shed on it,
+ For mother India's cup of woe is full,
+ And but three decades more,--there will come from
+ The far-off ends of this vast globe of ours,--
+ A little island planted in the sea,--
+ A handful of a noble race to trade,
+ And shall from thee ask for a plot of land,
+ And they shall prosper for their valour and
+ Shall be exalted for their righteousness.
+ They shall befriend the helpless and the poor,
+ And like the streams that seek the ocean broad,
+ The chickens that run to their mothers wings,
+ The maidens helpless and forlorn, that court
+ The succour of the chivalrous and the brave,
+ The orphans poor, the bounty of the kind,
+ All men of Ind, all races and all creeds
+ Shall to their banner flock, to live in peace
+ And amity; the tiger and the lamb
+ Their thirst shall quench both from the selfsame brook.
+ The giant brute before the weakly sage
+ Shall bow, and men shall fear to even gaze
+ Upon the maidens that go forth alone,
+ Adorned with naught but chastity, and from
+ All lands the wisest shall revere our faith.
+ He that desires our homes to plunder and
+ Sully the honour of our women, him
+ Punishment terrible shall sure await.
+ Three hundred years more and the little plot
+ Of land thou gavest shall grow and expand
+ Into an empire huge, unwritten yet
+ On hist'ry's page, and shall surpass the dreams
+ Of warriors bold in times of old, and like
+ The creepers that, entwined around the oak,
+ Luxuriant grow, safe from the storms that blow,
+ And flow'rs give forth to beautify the scene,
+ Her sons shall everlasting peace enjoy,
+ And blessings, hitherto unknown to man--
+ The grandest scene for God to ever cast
+ His loving eyes upon, and for the world
+ Of man to wonder at, and there shall be
+ One sway, the sway of reason and of truth;
+ One creed, the creed of righteousness and love;
+ And mercy for all living things on earth;
+ One brotherhood, the brotherhood of man;
+ One fatherhood, the fatherhood of God.
+ But hark! there comes a shout, and yonder runs
+ Exulting Bukka to seize me alive.
+ But these kind flames are ready to save me.
+ Run, uncle, run at once to far-off lands
+ And continue thy sway in safer climes."
+ So saying, she leapt on the fun'ral pyre,
+ And speedily to ashes were consumed
+ The faithful wife and her departed lord.
+ The monarch, who thus from the Moslem ran,
+ In honour of this noble maiden, reared
+ A princely town,[5] and here the Saxon came,
+ And mother India was for ever blest.
+
+FOOTNOTES:
+
+[Footnote 2: Vijianagar is here called Vijiapore.]
+
+[Footnote 3: Literally, the moon.]
+
+[Footnote 4: The allusion here is to the ancient custom of _Swayamvara_
+(self-choice), which is the election of a husband by a princess or a
+daughter of a kshatriya at a public assembly of suitors for the
+purpose.]
+
+[Footnote 5: Chandragiri.]
+
+
+
+
+_THE KORATHY'S LULLABY._
+
+
+The Korathy is the tattooer of the Indian village, who offers her
+services for a small fee. Hindu females are very fond of having their
+bodies tattooed. The Korathy first makes a sketch of the figure of a
+scorpion or a serpent on the part of the body offered to her for
+tattooing, then takes a number of sharp needles, dips them in some
+liquid preparation which she has ready, and pricks the flesh most
+mercilessly. In a few days the whole appears green. This is considered a
+mark of beauty among the Hindus. While the tattooing takes place the
+Korathy sings a crude song, so as to make the person undergoing the
+process forget the pain. The following is as nearly as possible a
+translation of the song which I myself heard:--
+
+
+ Stay, darling, stay--'tis only for an hour,
+ And you will be the fairest of the fair.
+ Your lotus eyes can soothe the savage beast,
+ Your lips are like the newly blossomed rose,
+ Your teeth--they shine like pearls; but what are they
+ Before the beauties of my handiwork?
+
+ Stay, darling, stay--'tis only for an hour,
+ And you will be the fairest of the fair.
+ I've left my home, and all day hard I toil
+ So to adorn the maidens of the land
+ That erring husbands may return to them;
+ Such are the beauties of my handiwork.
+
+ Stay, darling, stay--'tis only for an hour,
+ And you will be the fairest of the fair;
+ In days of old fair Seeta laid her head
+ Upon the lap of one of our own clan,
+ When with her lord she wandered in the wilds,
+ And like the emerald shone her beauteous arms.
+
+ Stay, darling, stay--'tis only for an hour,
+ And you will be the fairest of the fair.
+ And often in the wilds, so it is said,
+ She also of the Pandus went in quest
+ Of one of us, but found not even one,
+ And sighed she was not like her sisters blest.
+
+ Stay, darling, stay--'tis only for an hour,
+ And you will be the fairest of the fair.
+ My work is done; rejoice, for you will be
+ The fairest of your sisters in the land.
+ Rejoice for evermore, among them you
+ Will shine as doth the moon among the stars.
+
+
+
+
+TALES OF IND,
+
+BY T. RAMAKRISHNA, B.A.
+
+
+With an Introduction by the Hon. the Rev. W. MILLER, M.A., LL.D.,
+C.I.E., and dedicated, by permission, to the late Lord Tennyson, Poet
+Laureate.
+
+ * * * * *
+
+OPINIONS.
+
+
+They are interesting and remarkable.--_Lord Tennyson_.
+
+It is a great pleasure to me to find that a native of South India has so
+distinguished himself.--_The Right Hon. Sir M.E. Grant Duff, G.C.S.I._
+
+It is not often that natives succeed so well as you have done in English
+versification.--_H.H. Kerala Varma, C.S.I._
+
+Krishnapore irresistibly reminds us of Auburn, the fortunes of Seeta are
+in many respects not unlike those of Evangeline, and some forms of
+expression seem to be coined in the mint of Tennyson.... These tales
+possess peculiar interest as first-fruits in poetic literature of that
+amalgamation of Eastern and Western thought that is going on before us
+at the present day in this country. They are tales of India, descriptive
+of Indian scenery, and marked by many traits both of custom and of
+feeling that are characteristic of India.... These tales--tales of
+woman's constancy and woman's heroism--are pleasing in themselves; and
+the language in which they are told is simple, imaginative, and marked
+by a well-sustained melody. The tales are dedicated to Lord Tennyson by
+"His Lordship's ardent admirer in the Far East"; and certainly they move
+in the atmosphere of the Tennysonian idyll.--_Madras Christian College
+Magazine_.
+
+Much of the versification is very pleasing, and where it is best, it
+has a decided ring of Tennyson in it.... The author possesses true
+poetical genius.--_Calcutta Statesman and Friend of India_.
+
+SEETA AND RAMA:--The story is pretty, though simple. In parts, moreover,
+the author, who is anonymous, displays the true spirit of poetry, which
+he (or she) will do well to cultivate.... The tributes of respect for
+the heroism, purity, and constancy of women which are found in Mr.
+Ramakrishna's poems are in accordance with the teaching of the
+Mahabarata, as well as the spirit of the Laureate's verse. Added to this
+very engaging feature of his work, there is a power of description that
+is very remarkable in a man to whom English is not his mother tongue.
+For example, "Seeta and Rama" commences with the following
+vignette:--... "All this is in excellent taste. And the same may be said
+of his delineations of character. He is never wearisome or trite, and
+... he succeeds in enlisting the interest and sympathy of his reader and
+in proving that--as Mrs. Grant Duff lately said--there is 'an indefinite
+amount of beauty and charm in everyday life' in Southern
+India."--_Madras Mail_.
+
+SEETA AND RAMA:--A very pretty and pathetic, though simple little story,
+told in the true poetic vein, and possesses a deep melancholy
+interest.... They are simple tales, told in English verse, which is
+characterised by a purity and a simplicity that are very noteworthy in
+an Indian writer, and which show considerable acquaintance of the
+English language, especially of Tennyson's writings. Indeed, of them all
+is true what was said of the first poem, not only according to the
+_Christian College Magazine_, that some forms of expression seemed
+coined in the mint of Tennyson, but, according to the _Statesman and
+Friend of India_, that where the versification is best it has a ring of
+Tennyson.--_Madras Times_.
+
+The style is simple and natural, and reminds us more often of Tennyson's
+"Idylls of the King" than any other English poem that we can recollect
+now.... Throughout, the book is most finely written in rhyme, and the
+learned author has minted at the forge of Tennyson, to whom the book is
+most dutifully dedicated, the sentiments of Oliver Goldsmith, Parnell,
+and Byron.--_Hindu_.
+
+We must congratulate Mr. Ramakrishna on the success which has attended
+his, no doubt, pleasing labours. He is the first Hindu graduate, so far
+as we know, who has come before the public as a poet, and well does he
+deserve every encouragement.--_Madras Standard_.
+
+This little poem is an exquisitely finished, harmonious, well-written
+story of a pair of Hindu lovers.... Mr. Ramakrishna is extremely
+felicitous in the choice of his words, and his descriptions are so
+picturesque and vivid, and his narrative so stirring, that the reader
+feels as if spell-bound by the author's great skill and power.... There
+can be no manner of doubt that the hand that wrote these poems is both
+strong and skilful, and was directed by a true spirit of poesy of a high
+order.--_People's Friend_.
+
+TENNYSON COMMEMORATION MEETING.--At the meeting held in the Christian
+College, Dr. Miller proposed that the chair should be taken by Mr. T.
+Ramakrishna Pillai, an old student of the College, who, as many of our
+readers know, has himself won no small success in the field of
+poetry.--_Christian College Magazine_.
+
+Mr. T. Ramakrishna Pillai is probably the only one in Madras, and
+certainly the only native of India in Madras, who had come into any kind
+of personal contact with Lord Tennyson.--_Speech of the Hon. the Rev.
+Dr. Miller at the Tennyson Commemoration Meeting_.
+
+
+
+
+LIFE IN AN INDIAN VILLAGE.
+
+BY T. RAMAKRISHNA, B.A.
+
+
+With an Introduction by the Right Hon. Sir M.E. GRANT DUFF, G.C.S.I.
+
+(_London: T. Fisher Unwin_, 1891.)
+
+ * * * * *
+
+OPINIONS.
+
+The Occidentals led by Macaulay had too complete a victory for the good
+of India. Much that they said and did was wise, but their system has
+failed in many ways, and was, indeed, never intended to breed up men
+interested in the past of their own land. Nearly all that has been
+learned about it has been learned by the labour of Europeans, and yet
+natives trained to European methods of research have facilities of kinds
+for prosecuting research which we have not.... I had a great deal to say
+on that subject, and on many other cognate ones in an address which I
+delivered in my capacity of Chancellor of the University of Madras,
+shortly before I left the country, but I do not know that it has had
+much effect since, though an excellent little book by Mr. Ramakrishna on
+the village life of South India is a step in the right direction. We
+want, however, quite a small library of works of that kind before the
+harvest that is ready for the sickle of intelligent native observers is
+gathered in.--_The Right Hon. Sir M.E. Grant Duff, G.C.S.I., in the
+Contemporary Review_.
+
+The subject is interesting, and I do not doubt from the specimen which I
+saw that you would treat it in a fresh and agreeable way. What we need
+in Europe is to have the reality, the actual working of these Indian
+institutions which we have so often mentioned brought home to us, and
+probably such a writer as yourself may do this better than a European
+could do.--_The Right Hon. James Bryce, D.C.L_.
+
+Ramakrishna,--a literary gentleman belonging to Madras, who has written
+a charming book called "Life in an Indian Village."--_Professor Eric
+Robertson in Macmillan's series of Orient Readers_.
+
+I can name more than a dozen Indian authors whose works can fairly rank
+with some of the best productions of Englishmen. The well-known author
+of "Maxima and Minima," viz., the late Professor Ramachundra, was
+considered by no other than De Morgan, the famous mathematician, as an
+original genius of a remarkable order. A celebrated Cambridge
+Mathematician once told me that he set a problem for the Mathematical
+Tripos, basing it upon Ramachundra's "Maxima and Minima," and with the
+exception of a few that headed the list, none were able to solve the
+problem. In the late Toru Dutt, a young Bengali native Christian lady,
+some of the leading literary men of England found a poet of no mean
+powers. Mr. Edmund Gosse writes as follows in the preface to her poems
+that have been published by an English firm: "It is difficult to
+estimate what we have lost in the premature death of Toru Dutt.
+Literature has no honours which need have been beyond the grasp of a
+girl who, at the age of twenty-one, and in languages separated from her
+own by so deep a chasm, had produced so much of lasting worth.... When
+the history of the literature of our country comes to be written, there
+is sure to be a page in it dedicated to this fragile exotic blossom of
+song." Dr. Bandarkar of Bombay is considered to be one of the best
+Orientalists of the day. A number of Bengali gentlemen have earned a
+lasting fame by literary productions in English, among whom I may
+mention the Rev. Lal Behari Day, late Professor in the Hooghly College,
+and Mr. Dutt of the Bengal Civil Service. In our own Presidency Mr.
+Ramakrishna Pillai has produced a work in English--"Village Life in
+India"--that has won the praise of Sir Grant Duff.--_Professor
+Satthianadhan's Lecture on Intellectual Results in India_.
+
+Mr. Ramakrishna takes a typical village in the Madras Presidency, "the
+most Indian part of India," and shows us in half a dozen lucid chapters
+that the wants of the villagers are all material--wells, roads, better
+breeds of cattle, and so on--and that they do not, and will not for a
+long time, care one cash for anything which happens, or which might be
+made to happen, in the great outer world beyond their palm-groves and
+rice-fields. There is nothing political in this pleasant little book, we
+are pleased to say, although we have drawn this political moral from it.
+It is a truthfully written account of native life in one of those 55,000
+villages which dot the great district--a tract much larger than the
+British Isles--the daily existence of whose peaceful, and not altogether
+unhappy, population it is intended to illustrate; and it can be dipped
+into, or read through, with equal satisfaction and advantage,--_Daily
+Telegraph_ (London).
+
+"Life in an Indian Village" is an amusing and clear portrayal of the
+manners and customs of the inhabitants of a village in the Madras
+Presidency. The author first depicts his little community, and then
+proceeds to describe the avocations of all the leading personages. As
+Kelambakam may be taken as a type of thousands of such villages, the
+book will be found particularly interesting to those who are likely to
+be brought into contact with the natives of India. Sir M.E. Grant Duff
+has written an Introduction, in which he suggests how the simple
+villagers can be benefited by their European neighbours.--_Morning Post_
+(London).
+
+The book itself is excellent, and gives a sketch of Indian village
+society from inside. It is possible, however, that the ordinary English
+reader will prefer to take his view of "the black men" from Mr. Kipling
+rather than from a representative of the natives themselves. If he
+wishes to have a native view of native life he will find it in this
+work.--_Athenaeum_ (London).
+
+India is always fertile in surprises for English readers. We know
+something of those among its peoples which have given us trouble; but
+here is a "dim population" of which many Englishmen will scarcely have
+heard the name--the Dravidians of the Madras Presidency, and we learn
+with something like astonishment that they number more than the
+inhabitants of England. The village which Mr. Ramakrishna describes for
+us is one of more than fifty thousand, averaging about five hundred
+inhabitants apiece. The first thing that strikes us in his account is
+its highly organised condition. It is a self-sufficing little
+commonwealth, in which a quite surprising variety of professions or
+occupations are represented.--_Pall Mall Gazette_ (London).
+
+We welcome this little book as a much truer picture of Indian life than
+many more ambitious works.--_St. James's Gazette_ (London).
+
+The work is written in admirable English--even the blank verse is
+perfect. The story of Harichendra alone is worth the cost of the
+volume.--_Literary World_ (London).
+
+We have read with great pleasure the book, "Life in an Indian Village,"
+as it deals with an interesting and not at all unimportant subject in a
+plain and unpretending way. Simplicity has a powerful charm of its own;
+and we recommend the book to all whose heart can still be touched by
+inartificial descriptions of idyllic, gently flowing, country life. He
+who does not assume the tone of "India, what can it teach us?" but cares
+to profit by teaching, will learn a great deal even from these simple
+village tales.--_Asiatic Quarterly Review_ (London).
+
+What more England can do for India is admirably and tersely set forth in
+the Introduction, which, with Mr. Ramakrishna's pleasant description of
+Indian village life, deserves to be widely read.--_Mr. J.B. Knight,
+C.I.E., in the Indian Magazine_ (London).
+
+Books about India by intelligent travellers have their uses, and books
+by Europeans who have lived for years in the country and studied the
+people are still more valuable, but it is only a native of India who can
+really show us Indian life as it is. There are already several books in
+English, by educated Indians, which give us valuable insight into what
+was once the unknown of Indian domestic and social life. Mr. T.
+Ramakrishna, whose "Life in an Indian Village" is introduced to the
+notice of the British public by Sir M.E. Grant Duff, has produced a
+series of very interesting sketches of the more important features of
+village life in the South of India. They will be found to be very
+readable, sometimes amusing, always interesting and instructive. Any
+one who reads this book with intelligence and care will be able to form
+for himself a very accurate picture of a Madras village, and to
+understand the composition of the village community, which is the basis
+of the whole framework of Indian social life.--_Scotsman_ (Edinburgh).
+
+Mr. Ramakrishna's book is picturesque and sympathetic.--_Manchester
+Guardian_.
+
+A well-written book, and one which gives a realistic description of a
+condition of life which is the outcome of centuries of
+isolation,--_Leeds Mercury_.
+
+It is not an easy thing to acquire a clear conception of a life and a
+civilisation other in every respect to our own, and it may be reasonably
+questioned if one Englishman in a thousand has more than a very vague
+idea of what life in an Indian village is like. Here is a pleasant and
+graphic little volume. He may acquire that knowledge from the sketches
+of an Indian gentleman who knows the subject through and through, and
+has, moreover, so much of European culture that he is able to present
+the facts in a form that will not seem strange or
+incredible.--_Birmingham Post_.
+
+A volume issued by Mr. T. Fisher Unwin, "Life in an Indian Village," is
+a sample of the kind of book relating to our Eastern Empire that we
+should like to see multiplied. It is the production of a scholarly
+native, T. Ramakrishna, B.A., who writes excellent idiomatic English
+without the slightest tendency to Johnsonian eloquence.--_Christian
+Leader_ (Glasgow).
+
+The manners and customs of the people are vividly reflected in these
+pages, and a picturesque account is given of a number of notabilities,
+such as the physician, &c.--_Speaker_ (London).
+
+The book cannot fail to fulfil the author's desire in exciting a deeper
+interest in the people whom he so sympathetically introduces to the
+British public.--_Independent_ (London).
+
+Written with much naivete.--_British Weekly_ (London).
+
+The author of this book deserves our thanks and congratulations. Himself
+a highly educated native of the Madras Presidency, he has drawn a series
+of pictures of the village life of Southern India.... The occupations,
+the recreations, the religion, the distribution of labour, the
+recurrence of feast and festival, with much more, are all told in
+amusing style and with such graphic power as to leave a vivid impression
+upon the reader's mind.--_Bookseller_ (London).
+
+Madras should indulge some measure of pride in having turned out a
+University graduate who can write the English language better than most
+Englishmen. Ramakrishna's "Life in an Indian Village" is a charming
+account of Dravidian homes and customs. It is the work of a young man
+who has profited by Western enlightenment, and yet feels a kindly glow
+in his heart for all that belongs to the humblest folk in his native
+land. His sympathy is beautiful, because it is devoid of any pretence or
+forced pathos. His language is choice, yet simply constructed. There is
+real literary flavour about this work, which has just been published by
+Fisher Unwin. When will the Punjab give us a young man who can feel and
+think and write like this?--_Civil and Military Gazette_ (Lahore).
+
+Mr. T. Ramakrishna, a graduate of the Madras University, may be
+congratulated on the success which seems likely to attend the
+publication of his well-written little book on "Indian Village Life."
+Judging by the comments that have appeared in the English papers, it is
+just the kind of book the public at home wants, not too statistical to
+be readable, and not too ambitious in design to be trustworthy, but just
+a simple, picturesque account of the particular part of India which the
+author really knows.--_London Correspondent of the Englishman_
+(Calcutta).
+
+The great virtue of Mr. Ramakrishna's writing is the absence of pretence
+and fustian. Space is not wasted on ambitious and worthless descriptions
+of scenery, or on vague disquisitions of a sentimental character.
+Everywhere he is simple, straightforward, and effective.... Writing in
+excellent English, and in unexceptionable style, he tells plainly and
+simply what he has to say, and is the more successful because he is less
+ambitious.... It is to be hoped that Mr. Ramakrishna's interesting
+sketches of Southern Indian village life will obtain a wide circulation
+in England. He is to be congratulated on having produced a work of no
+little merit and originality.--_Madras Mail_.
+
+To doubters of the good results of Western education in this Presidency,
+better proof could hardly be given than is provided.
+
+
+
+
+
+End of the Project Gutenberg EBook of Tales of Ind, by T. Ramakrishna
+
+*** END OF THIS PROJECT GUTENBERG EBOOK TALES OF IND ***
+
+***** This file should be named 11096.txt or 11096.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/1/0/9/11096/
+
+Produced by Christine De Ryck and the PG Online Distributed Proofreaders.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/old/11096.zip b/old/11096.zip
new file mode 100644
index 0000000..ae019cb
--- /dev/null
+++ b/old/11096.zip
Binary files differ