summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/11059-8.txt3152
-rw-r--r--old/11059-8.zipbin0 -> 46451 bytes
-rw-r--r--old/11059-h.zipbin0 -> 49583 bytes
-rw-r--r--old/11059-h/11059-h.htm3227
-rw-r--r--old/11059.txt3152
-rw-r--r--old/11059.zipbin0 -> 46438 bytes
6 files changed, 9531 insertions, 0 deletions
diff --git a/old/11059-8.txt b/old/11059-8.txt
new file mode 100644
index 0000000..75036a7
--- /dev/null
+++ b/old/11059-8.txt
@@ -0,0 +1,3152 @@
+The Project Gutenberg EBook of The Sylphs of the Season with Other Poems
+by Washington Allston
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Sylphs of the Season with Other Poems
+
+Author: Washington Allston
+
+Release Date: February 12, 2004 [EBook #11059]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE SYLPHS ***
+
+
+
+
+Produced by Distributed Proofreaders
+
+
+
+
+[Transcriber's Note: Footnotes have been numbered and moved to the end.]
+
+
+
+The Sylphs of the Seasons with Other Poems.
+
+By
+
+W. Allston.
+
+
+
+
+Contents.
+
+
+
+The Sylphs of the Seasons; a Poet's Dream
+The Two Pointers; a Tale
+Eccentricity
+The Paint King
+Myrtilla: addressed to a Lady, who lamented that she had never been in love
+To a Lady who spoke slightingly of Poets
+Sonnet on a Falling Group in the Last Judgment of Michael Angelo, in the
+ Cappella Sistina
+Sonnet on the Group of the Three Angels before the Tent of Abraham, by
+ Raffaelle, in the Vatican
+Sonnet, on seeing the Picture of Ĉolus, by Peligrino Tibaldi, in the
+ Institute at Bologna
+Sonnet on Rembrant; occasioned by his Picture of Jacob's Dream
+Sonnet on the Luxembourg Gallery
+Sonnet to my venerable Friend, the President of the Royal Academy
+The Mad Lover at the Grave of his Mistress
+First Love: a Ballad
+The Complaint
+Will, the Maniac: a Ballad
+
+
+
+
+The Sylphs of the Seasons;
+
+_A Poet's Dream._
+
+
+
+
+Prefatory Note to The Sylphs of the Seasons.
+
+
+
+As it may be objected to the following Poem, that some of the images there
+introduced are not wholly peculiar to the Season described, the Author
+begs leave to state, that, both in their selection and disposition, he was
+guided by that, which, in his limited experience, was found to be the
+Season of their greatest impression: and, though he has not always felt
+the necessity of pointing out the collateral causes by which the effect
+was increased, he yet flatters himself that, in general, they are
+sufficiently implied either by what follows or precedes them. Thus, for
+instance, the _running brook_, though by no means peculiar, is
+appropriated to Spring; as affording by its motion and _seeming_
+exultation one of the most lively images of that spirit of renovation
+which animates the earth after its temporary suspension during the Winter.
+By the same rule, is assigned to Summer the _placid lake_, &c. not because
+that image is never seen, or enjoyed, at any other season; but on account
+of its affecting us more in Summer, than either in the Spring, or in
+Autumn; the indolence and languor generally then experienced disposing us
+to dwell with particular delight on such an object of repose, not to
+mention the grateful idea of coolness derived from a knowledge of its
+temperature. Thus also the _evening cloud_, exhibiting a fleeting
+representation of successive objects, is, perhaps, justly appropriated to
+Autumn, as in that Season the general decay of inanimate nature leads the
+mind to turn upon itself, and without effort to apply almost every image
+of sense or vision of the imagination,* to its own transitory state.
+
+If the above be admitted, it is needless to add more; if it be not, it
+would be useless.
+
+
+
+
+The Sylphs of the Seasons.
+
+
+
+Long has it been my fate to hear
+The slave of Mammon, with a sneer,
+ My indolence reprove.
+Ah, little knows he of the care,
+The toil, the hardship that I bear,
+While lolling in my elbow-chair,
+ And seeming scarce to move:
+
+For, mounted on the Poet's steed,
+I _there_ my ceaseless journey speed
+ O'er mountain, wood, and stream:
+And oft within a little day
+'Mid comets fierce 'tis mine to stray,
+And wander o'er the Milky-way
+ To catch a Poet's dream.
+
+But would the Man of Lucre know
+What riches from my labours flow?--
+ A DREAM is my reply.
+And who for wealth has ever pin'd,
+That had a World within his mind,
+Where every treasure he may find,
+ And joys that never die!
+
+One night, my task diurnal done,
+(For I had travell'd with the Sun
+ O'er burning sands, o'er snows)
+Fatigued, I sought the couch of rest;
+My wonted pray'r to Heaven address'd;
+But scarce had I my pillow press'd
+ When thus a vision rose.
+
+Methought within a desert cave,
+Cold, dark, and solemn as the grave,
+ I suddenly awoke.
+It seem'd of sable Night the cell,
+Where, save when from the ceiling fell
+An oozing drop, her silent spell
+ No sound had ever broke.
+
+There motionless I stood alone,
+Like some strange monument of stone
+ Upon a barren wild;
+Or like, (so solid and profound
+The darkness seem'd that wall'd me round)
+A man that's buried under ground,
+ Where pyramids are pil'd.
+
+Thus fix'd, a dreadful hour I past,
+And now I heard, as from a blast,
+ A voice pronounce my name:
+Nor long upon my ear it dwelt,
+When round me 'gan the air to melt.
+And motion once again I felt
+ Quick circling o'er my frame.
+
+Again it call'd; and then a ray,
+That seem'd a gushing fount of day,
+ Across the cavern stream'd.
+Half struck with terror and delight,
+I hail'd the little blessed light,
+And follow'd 'till my aching sight
+ An orb of darkness seem'd.
+
+Nor long I felt the blinding pain;
+For soon upon a mountain plain
+ I gaz'd with wonder new.
+There high a castle rear'd its head;
+And far below a region spread,
+Where every Season seem'd to shed
+ Its own peculiar hue.
+
+Now at the castle's massy gate,
+Like one that's blindly urged by fate,
+ A bugle-horn I blew.
+The mountain-plain it shook around,
+The vales return'd a hollow sound,
+And, moving with a sigh profound.
+ The portals open flew.
+
+Then ent'ring, from a glittering hall
+I heard a voice seraphic call,
+ That bade me "ever reign,
+All hail!" it said in accent wild,
+"For thou art Nature's chosen child,
+Whom wealth nor blood has e'er defil'd,
+ Hail, Lord of this Domain!"
+
+And now I paced a bright saloon,
+That seem'd illumin'd by the moon,
+ So mellow was the light.
+The walls with jetty darkness teem'd,
+While down them chrystal columns streamed,
+And each a mountain torrent seem'd.
+ High-flashing through the night.
+
+Rear'd in the midst, a double throne.
+Like burnish'd cloud of evening shone;
+ While, group'd the base around,
+Four Damsels stood of Faery race;
+Who, turning each with heavenly grace
+Upon me her immortal face,
+ Transfix'd me to the ground.
+
+And _thus_ the foremost of the tram:
+Be thine the throne, and thine to reign
+ O'er all the varying year!
+But ere thou rulest the Fates command;
+That of our chosen rival band
+A Sylph shall win thy heart and hand,
+ Thy sovereignty to share.
+
+For we, the sisters of a birth,
+Do rule by turns the subject earth
+ To serve ungrateful man;
+But since our varied toils impart
+No joy to his capricious heart,
+'Tis now ordain'd that human art
+ Shall rectify the plan.
+
+Then spake the Sylph of Spring serene,
+'Tis _I_ thy joyous heart I ween,
+ With sympathy shall move:
+For I with living melody
+Of birds in choral symphony,
+First wak'd thy soul to poesy,
+ To piety and love.
+
+When thou, at call of vernal breeze,
+And beck'ning bough of budding trees,
+ Hast left thy sullen fire;
+And stretch'd thee in some mossy dell.
+And heard the browsing wether's bell,
+Blythe echoes rousing from their cell
+ To swell the tinkling quire:
+
+Or heard from branch of flow'ring thorn
+The song of friendly cuckoo warn
+ The tardy-moving swain;
+Hast bid the purple swallow hail;
+And seen him now through ether sail,
+Now sweeping downward o'er the vale.
+ And skimming now the plain;
+
+Then, catching with a sudden glance
+The bright and silver-clear expanse
+ Of some broad river's stream.
+Beheld the boats adown it glide,
+And motion wind again the tide,
+Where, chain'd in ice by Winter's pride,
+ Late roll'd the heavy team:
+
+Or, lur'd by some fresh-scented gale,
+That woo'd the moored fisher's sail
+ To tempt the mighty main,
+Hast watch'd the dim receding shore,
+Now faintly seen the ocean o'er,
+Like hanging cloud, and now no more
+ To bound the sapphire plain;
+
+Then, wrapt in night the scudding bark,
+(That seem'd, self-pois'd amid the dark,
+ Through upper air to leap,)
+Beheld, from thy most fearful height,
+Beneath the dolphin's azure light
+Cleave, like a living meteor bright,
+ The darkness of the deep:
+
+'Twas mine the warm, awak'ning hand
+That made thy grateful heart expand,
+ And feel the high control
+Of Him, the mighty Power, that moves
+Amid the waters and the groves,
+And through his vast creation proves
+ His omnipresent soul.
+
+Or, brooding o'er some forest rill,
+Fring'd with the early daffodil,
+ And quiv'ring maiden-hair,
+When thou hast mark'd the dusky bed,
+With leaves and water-rust o'erspread,
+That seem'd an amber light to shed
+ On all was shadow'd there;
+
+And thence, as by its murmur call'd,
+The current traced to where it brawl'd
+ Beneath the noontide ray;
+And there beheld the checquer'd shade
+Of waves, in many a sinuous braid,
+That o'er the sunny channel play'd,
+ With motion ever gay:
+
+'Twas I to these the magick gave,
+That made thy heart, a willing slave,
+ To gentle Nature bend;
+And taught thee how with tree and flower,
+And whispering gale, and dropping shower,
+In converse sweet to pass the hour,
+ As with an early friend:
+
+That mid the noontide sunny haze
+Did in thy languid bosom raise
+ The raptures of the boy;
+When, wak'd as if to second birth,
+Thy soul through every pore look'd forth,
+And gaz'd upon the beauteous Earth
+ With myriad eyes of joy:
+
+That made thy heart, like HIS above,
+To flow with universal love
+ For every living thing.
+And, oh! if I, with ray divine,
+Thus tempering, did thy soul refine,
+Then let thy gentle heart be mine,
+ And bless the Sylph of Spring.
+
+And next the Sylph of Summer fair;
+The while her crisped, golden hair
+ Half veil'd her sunny eyes:
+Nor less may _I_ thy homage claim,
+At touch of whose exhaling flame
+The fog of Spring that chill'd thy frame
+ In genial vapour flies.
+
+Oft by the heat of noon opprest,
+With flowing hair and open vest,
+ Thy footsteps have I won
+To mossy couch of welling grot,
+Where thou hast bless'd thy happy lot.
+That thou in that delicious spot
+ May'st see, not feel, the sun:
+
+Thence tracing from the body's change,
+In curious philosophic range,
+ The motion of the mind;
+And how from thought to thought it flew,
+Still hoping in each vision new
+The faery land of bliss to view,
+ But ne'er that land to find.
+
+And then, as grew thy languid mood,
+To some embow'ring silent wood
+ I led thy careless way;
+Where high from tree to tree in air
+Thou saw'st the spider swing her snare.
+So bright!--as if, entangled there,
+ The sun had left a ray:
+
+Or lur'd thee to some beetling steep
+To mark the deep and quiet sleep
+ That wrapt the tarn below;
+And mountain blue and forest green
+Inverted on its plane serene,
+Dim gleaming through the filmy sheen
+ That glaz'd the painted show;
+
+Perchance, to mark the fisher's skiff
+Swift from beneath some shadowy cliff
+ Dart, like a gust of wind;
+And, as she skimm'd the sunny lake,
+In many a playful wreath her wake
+Far-trailing, like a silvery snake,
+ With sinuous length behind.
+
+Nor less when hill and dale and heath
+Still Evening wrapt in mimic death.
+ Thy spirit true I prov'd:
+Around thee, as the darkness stole,
+Before thy wild, creative soul
+I bade each faery vision roll,
+ Thine infancy had lov'd.
+
+Then o'er the silent sleeping land,
+Thy fancy, like a magick wand,
+ Forth caird the Elfin race:
+And now around the fountain's brim
+In circling dance they gaily skim;
+And now upon its surface swim,
+ And water-spiders chase;
+
+Each circumstance of sight or sound
+Peopling the vacant air around
+ With visionary life:
+For if amid a thicket stirr'd,
+Or flitting bat, or wakeful bird,
+Then straight thy eager fancy heard
+ The din of Faery strife;
+
+Now, in the passing beetle's hum
+The Elfin army's goblin drum
+ To pigmy battle sound;
+And now, where dripping dew-drops plash
+On waving grass, their bucklers clash,
+And now their quivering lances flash,
+ Wide-dealing death around:
+
+Or if the moon's effulgent form
+The passing clouds of sudden storm
+ In quick succession veil;
+Vast serpents now, their shadows glide,
+And, coursing now the mountain's side,
+A band of giants huge, they stride
+ O'er hill, and wood, and dale.
+
+And still on many a service rare
+Could I descant, if need there were,
+ My firmer claim to bind.
+But rest I most my high pretence
+On that my genial influence,
+Which made the body's indolence
+ The vigour of the mind.
+
+And now, in accents deep and low,
+Like voice of fondly-cherish'd woe,
+ The Sylph of Autumn sad:
+Though I may not of raptures sing,
+That grac'd the gentle song of Spring,
+Like Summer, playful pleasures bring,
+ Thy youthful heart to glad;
+
+Yet still may I in hope aspire
+Thy heart to touch with chaster fire,
+ And purifying love:
+For I with vision high and holy,
+And spell of quick'ning melancholy,
+Thy soul from sublunary folly
+ First rais'd to worlds above.
+
+What though be mine the treasures fair
+Of purple grape and yellow pear,
+ And fruits of various hue,
+And harvests rich of golden grain,
+That dance in waves along the plain
+To merry song of reaping swain,
+ Beneath the welkin blue;
+
+With these I may not urge my suit,
+Of Summer's patient toil the fruit,
+ For mortal purpose given:
+Nor may it fit my sober mood
+To sing of sweetly murmuring flood,
+Or dies of many-colour'd wood,
+ That mock the bow of heaven.
+
+But, know, 'twas mine the secret power
+That wak'd thee at the midnight hour,
+ In bleak November's reign:
+'Twas I the spell around thee cast,
+When thou didst hear the hollow blast
+In murmurs tell of pleasures past,
+ That ne'er would come again:
+
+And led thee, when the storm was o'er,
+To hear the sullen ocean roar,
+ By dreadful calm opprest;
+Which still, though not a breeze was there,
+Its mountain-billows heav'd in air,
+As if a living thing it were,
+ That strove in vain for rest.
+
+'Twas I, when thou, subdued by woe,
+Didst watch the leaves descending slow,
+ To each a moral gave;
+And as they mov'd in mournful train,
+With rustling sound, along the plain,
+Taught them to sing a seraph's strain
+ Of peace within the grave.
+
+And then uprais'd thy streaming eye,
+I met thee in the western sky
+ In pomp of evening cloud;
+That, while with varying form it roll'd;
+Some wizard's castle seem'd of gold,
+And now a crimson'd knight of old,
+ Or king in purple proud.
+
+And last, as sunk the setting sun,
+And Evening with her shadows dun,
+ The gorgeous pageant past,
+'Twas then of life a mimic shew,
+Of human grandeur here below,
+Which thus beneath the fatal blow
+ Of Death must fall at last.
+
+Oh, then with what aspiring gaze
+Didst thou thy tranced vision raise
+ To yonder orbs on high,
+And think how wondrous, how sublime
+'Twere upwards to their spheres to climb,
+And live, beyond the reach of Time,
+ Child of Eternity!
+
+And last the Sylph of Winter spake;
+The while her piercing voice did shake
+ The castle-vaults below.
+Oh, youth, if thou, with soul refin'd,
+Hast felt the triumph pure of mind,
+And learnt a secret joy to find
+ In deepest scenes of woe;
+
+If e'er with fearful ear at eve
+Hast heard the wailing tempest grieve
+ Through chink of shatter'd wall;
+The while it conjur'd o'er thy brain
+Of wandering ghosts a mournful train,
+That low in fitful sobs complain,
+ Of Death's untimely call:
+
+Or feeling, as the storm increas'd,
+The love of terror nerve thy breast,
+ Didst venture to the coast;
+To see the mighty war-ship leap
+From wave to wave upon the deep,
+Like chamoise goat from steep to steep,
+ 'Till low in valleys lost;
+
+Then, glancing to the angry sky,
+Behold the clouds with fury fly
+ The lurid moon athwart;
+Like armies huge in battle, throng,
+And pour in vollying ranks along,
+While piping winds in martial song
+ To rushing war exhort:
+
+Oh, then to me thy heart be given,
+To me, ordain'd by Him in heaven
+ Thy nobler powers to wake.
+And oh! if thou with poet's soul,
+High brooding o'er the frozen pole,
+Hast felt beneath my stern control
+ The desert region quake;
+
+Or from old Hecla's cloudy height,
+When o'er the dismal, half-year's night
+ He pours his sulph'rous breath,
+Hast known my petrifying wind
+Wild ocean's curling billows bind,
+Like bending sheaves by harvest hind,
+ Erect in icy-*death;
+
+Or heard adown the mountain's steep
+The northern blast with furious sweep
+ Some cliff dissever'd dash;
+And seen it spring with dreadful bound
+From rock to rock, to gulph profound,
+While echoes fierce from caves resound
+ The never-ending crash:
+
+If thus, with terror's mighty spell
+Thy soul inspir'd, was wont to swell,
+ Thy heaving frame expand;
+Oh, then to me thy heart incline;
+For know, the wondrous charm was mine
+That fear and joy did thus combine
+ In magick union bland.
+
+Nor think confin'd my native sphere
+To horrors gaunt, or ghastly fear,
+ Or desolation wild:
+For I of pleasures fair could sing,
+That steal from life its sharpest sting,
+And man have made around it cling,
+ Like mother to her child.
+
+When thou, beneath the clear blue sky,
+So calm no cloud was seen to fly,
+ Hast gaz'd on snowy plain,
+Where Nature slept so pure and sweet,
+She seem'd a corse in winding-sheet,
+Whose happy soul had gone to meet
+ The blest Angelic train;
+
+Or mark'd the sun's declining ray
+In thousand varying colours play
+ O'er ice-incrusted heath,
+In gleams of orange now, and green,
+And now in red and azure sheen,
+Like hues on dying dolphins seen,
+ Most lovely when in death;
+
+Or seen at dawn of eastern light
+The frosty toil of Fays by night
+ On pane of casement clear,
+Where bright the mimic glaciers shine,
+And Alps, with many a mountain pine,
+And armed knights from Palestine
+ In winding march appear:
+
+'Twas I on each enchanting scene
+The charm bestow'd that banished spleen
+ Thy bosom pure and light.
+But still a _nobler_ power I claim;
+That power allied to poets' fame,
+Which language vain has dar'd to name--
+ The soul's creative might.
+
+Though Autumn grave, and Summer fair,
+And joyous Spring demand a share
+ Of Fancy's hallow'd power,
+Yet these I hold of humbler kind,
+To grosser means of earth confin'd,
+Through mortal _sense_ to reach the mind,
+ By mountain, stream, or flower.
+
+But mine, of purer nature still,
+Is _that_ which to thy secret will
+ Did minister unseen,
+Unfelt, unheard; when every sense
+Did sleep in drowsy indolence,
+And Silence deep and Night intense
+ Enshrowded every scene;
+
+That o'er thy teeming brain did raise
+The spirits of departed days[1]
+ Through all the varying year;
+And images of things remote,
+And sounds that long had ceas'd to float,
+With every hue, and every note,
+ As living now they were:
+
+And taught thee from the motley mass
+Each harmonizing part to class,
+ (Like Nature's self employ'd;)
+And then, as work'd thy wayward will,
+From these with rare combining skill,
+With new-created worlds to fill
+ Of space the mighty void.
+
+Oh then to me thy heart incline;
+To me whose plastick powers combine
+ The harvest of the mind;
+To me, whose magic coffers bear
+The spoils of all the toiling year,
+That still in mental vision wear
+ A lustre more refin'd.
+
+She ceas'd--And now in doubtful mood,
+All motionless and mute I stood,
+ Like one by charm opprest:
+By turns from each to each I rov'd,
+And each by turns again I lov'd;
+For ages ne'er could one have prov'd
+ More lovely than the rest.
+
+"Oh blessed band, of birth divine,
+What mortal task is like to mine!"--
+ And further had I spoke,
+When, lo! there pour'd a flood of light
+So fiercely on my aching sight,
+I fell beneath the vision bright,
+ And with the pain I woke.
+
+
+
+
+The Two Painters: _A Tale._
+
+
+
+ Say why in every work of man
+Some imperfection mars the plan?
+Why join'd in every human art
+A perfect and imperfect part?
+Is it that life for art is short?
+Or is it nature's cruel sport?
+Or would she thus a moral teach;
+That man should see, but never reach,
+The height of excellence, and show
+The vanity of works below?
+Or consequence of Pride, or Sloth;
+Or rather the effect of both?
+Whoe'er on life his eye has cast,
+I fear, alas, will say the last!
+
+ Once on a time in Charon's wherry
+Two Painters met, on Styx's ferry.
+Good sir, said one, with bow profound,
+I joy to meet thee under ground,
+And though with zealous spite we strove
+To blast each other's fame above,
+Yet here, as neither bay nor laurel
+Can tempt us to prolong our quarrel,
+I hope the hand which I extend
+Will meet the welcome of a friend.
+Sweet sir! replied the other Shade,
+While scorn on either nostril play'd,
+Thy proffer'd love were great and kind
+Could I in thee a _rival_ find.--
+rival, sir! returned the first,
+Ready with rising wind to burst,
+Thy meekness, sure, in this I see;
+We are not rivals, I agree:
+And therefore am I more inclin'd
+To cherish one of humble mind,
+Who apprehends that one above him
+Can never condescend to love him.
+
+ Nor longer did their courteous guile,
+Like serpent, twisting through a smile,
+Each other sting in civil phrase,
+And poison with envenom'd praise;
+For now the fiend of anger rose,
+Distending each death-withered nose,
+And, rolling fierce each glassy eye,
+Like owlets' at the noonday sky,
+Such flaming vollies pour'd of ire
+As set old Charon's phlegm on fire.
+Peace! peace! the grizly boatman cried,
+You drown the roar of Styx's tide;
+Unmanner'd ghosts! if such your strife,
+'Twere better you were still in life!
+If passions such as these you show
+You'll make another Earth below;
+Which, sure, would be a viler birth,
+Than if we made a Hell on Earth.
+At which in loud defensive strain
+'Gan speak the angry Shades again.
+I'll hear no more, cried he; 'no more'
+In echoes hoarse return'd the shore.
+To Minos' court you soon shall hie,
+(Chief Justice here) 'tis he will try
+Your jealous cause, and prove at once
+That only dunce can hate a dunce.
+
+ Thus check'd, in sullen mood they sped,
+Nor more on either side was said;
+Nor aught the dismal silence broke,
+Save only when the boatman's stroke,
+Deep-whizzing through the wave was heard,
+And now and then a spectre-bird,
+Low-cow'ring, with a hungry scream.
+For spectre-fishes in the stream.
+
+ Now midway pass'd, the creaking oar
+Is heard upon the fronting shore;
+Where thronging round in many a band,
+The curious ghosts beset the strand.
+Now suddenly the boat they 'spy,
+Like gull diminish'd in the sky;
+And now, like cloud of dusky white,
+Slow sailing o'er the deep of night,
+The sheeted group within the bark
+Is seen amid the billows dark.
+Anon the keel with grating sound
+They hear upon the pebbly ground.
+And now with kind, officious hand,
+They help the ghostly crew to land.
+
+ What news? they cried with one accord
+I pray you, said a noble lord,
+Tell me if in the world above
+I still retain the people's love:
+Or whether they, like us below,
+The motives of a Patriot know?
+And me inform, another said,
+What think they of a Buck that's dead?
+Have they discerned that, being dull,
+I knock'd my wit from watchmen's skull?
+And me, cried one, of knotty front,
+With many a scar of pride upon't
+Resolve me if the world opine
+Philosophers are still divine;
+That having hearts for friends too small,
+Or rather having none at all,
+Profess'd to love, with saving grace,
+The _abstract_ of the human race?
+And I, exclaim'd a fourth, would ask
+What think they of the Critick's task?
+Perceive they now our shallow arts;
+That merely from the want of parts
+To write ourselves, we gravely taught
+How books by others should be wrought?
+Whom interrupting, then inquir'd
+A fifth, in squalid garb attir'd,
+Do now the world with much regard
+In mem'ry hold the dirty Bard,
+Who credit gain'd for genius rare
+By shabby coat and uncomb'd hair?
+Or do they, said a Shade of prose,
+With many a pimple's ghost on nose,
+Th' eccentric author still admire,
+Who wanting that same genius' fire,
+Diving in cellars underground,
+In pipe the spark ethereal found:
+Which, fann'd by many a ribbald joke,
+From brother tipplers puff'd in smoke,
+Such blaze diffused with crackling loud,
+As blinded all the staring croud?
+And last, with jealous glancing eye,
+That seem'd in all around to pry,
+A Painter's ghost in voice suppres'd,
+Thus questioning, the group address'd;
+
+ Sweet strangers, may I too demand,
+How thrive the offspring of my hand?
+Whether, as when in life I flourish'd,
+They still by puffs of fame are nourish'd?
+Or whether have the world discern'd
+The tricks by which my fame was earn'd;
+That, lacking in my pencil skill,
+I made my tongue its office fill:
+That, marking (as for love of truth)
+In others' works a limb uncouth,
+Or face too young, or face too old,
+Or colour hot, or colour cold;
+Or hinting, (if to praise betray'd)
+'Though coloured well, it yet might _fade_;'
+And 'though its grace I can't deny,
+Yet pity 'tis so hard and dry.'--
+I thus by implication show'd
+That mine were wrought in better mode;
+And talking thus superiors down,
+Obliquely raise my own renown?
+In short, I simply this would ask,--
+If Truth has stript me of the mask;
+And, chasing Fashion's mist away,
+Expos'd me to the eye of day--[2]
+A Painter false, without a heart,
+Who lov'd himself, and not his art?
+
+ At which, with fix'd and fishy
+The Strangers both express'd amaze.
+Good Sir, said they, 'tis strange you dare
+Such meanness of yourself declare.
+
+ Were I on earth, replied the Shade,
+I never had the truth betray'd;
+For there (and I suspect like you)
+I ne'er had time myself to view.
+Yet, knowing that 'bove all creation
+I held myself in estimation,
+I deem'd that what I _lov'd_ the _best_
+Of every virtue was possess'd.
+But _here_ in colours black and true,
+Men see themselves, who never knew
+Their motives in the worldly strife,
+Or real characters through life.
+And here, alas! I scarce had been
+A little day, when every sin
+That slumber'd in my living breast,
+By Minos rous'd from torpid rest,
+Like thousand adders, rushing out,
+Entwin'd my shuddering limbs about.--
+Oh, strangers, hear!--the truth I tell--
+That fearful sight I saw was Hell.
+And, oh I with what unmeasur'd wo
+Did bitterness upon me flow,
+When thund'ring through the hissing air,
+I heard the sentence of Despair--
+'Now never hope from Hell to flee;
+Yourself is all the Hell you see!'--
+
+ He ceas'd. But still with stubborn pride
+The Rival Shades each other eyed;
+When, bursting with terrifick sound,
+The voice of Minos shook the ground,
+The startled ghosts on either side,
+Like clouds before the wind, divide;
+And leaving far a passage free,
+Each, conning his defensive plea,
+With many a crafty lure for grace.
+The Painters onward hold their pace.
+Anon before the Judgement Seat,
+With sneer confronting sneer they meet:
+And now in deep and awful strain,
+Piercing like fiery darts the brain,
+Thus Minos spake. Though I am he,
+From whom no secret thought may flee;
+Who sees it ere the birth be known
+To him, that claims it for his own;
+Yet would I still with patience hear
+What each may for himself declare,
+That all in your defence may see
+The justice pure of my decree.--
+But, hold!--It ill beseems my place
+To hear debate in such a case:
+Be therefore thou, Da Vinci's shade,
+Who when on earth to men display'd
+The scattered powers of human kind
+In thy capacious soul combin'd;
+Be thou the umpire of the strife,
+And judge as thou wert still in life.
+
+ Thus bid, with grave becoming air,
+Th' appointed judge assum'd the chair.
+And now with modest-seeming air,
+The rivals straight for speech prepare:
+And thus, with hand upon his breast,
+The Senior Ghost the Judge address'd:
+The world, (if ought the world I durst
+In this believe) did call me first
+Of those, who by the magick play
+Of harmonizing colours, sway
+The gazer's sense with such surprise,
+As make him disbelieve his eyes.
+'Tis true that some of vision dim,
+Or squeamish taste, or pedant whim,
+My works assail'd with narrow spite;
+And, passing o'er my colour bright,
+Reproach'd me for my want of grace,
+And silks and velvets out of place;
+And vulgar form, and lame design,
+And want of character; in fine,
+For lack of worth of every kind
+To charm or to enlarge the mind.
+Now this, my Lord, as will appear,
+Was nothing less than malice sheer,
+To stab me, like assassins dark,
+Because I did not hit a mark,
+At which (as I have hope of fame)
+I never once design'd to aim.
+For seeing that the life of man
+Was scarcely longer than a span;
+And, knowing that the Graphic Art
+Ne'er mortal master'd but _in part_;
+I wisely deem'd 'twere labour vain,
+Should I attempt the _whole_ to gain;
+And therefore, with ambition high,
+Aspir'd to reach what pleas'd the eye;
+Which, truly, sir, must be confess'd,
+A part that far excels the rest:
+For if, as all the world agree,
+'Twixt Painting and fair Poesy
+The diff'rence in the mode be found,
+Of colour this, and that of sound,
+'Tis plain, o'er every other grace,
+That colour holds the highest place;
+As being that distinctive part,
+Which bounds it from another art.
+If therefore, with reproof severe
+I've galled my pigmy Rival here,
+'Twas only, as your Lordship knows,
+Because his foolish envy chose
+To rank his classic forms of mud
+Above my wholesome flesh and blood.
+
+ Thus ended parle the Senior Shade.
+And now, as scorning to upbraid,
+With curving, _parabolick_ smile,
+Contemptuous, eying him the while,
+His Rival thus: 'Twere vain, my Lord,
+To wound a gnat by spear or sword[3];
+If therefore _I_, of greater might,
+Would meet this _thing_ in equal fight,
+'Twere fit that I in size should be
+As mean, diminutive, as he;
+Of course, disdaining to reply,
+I pass the wretch unheeded by.
+But since your Lordship deigns to know
+What I in my behalf may show,
+With due submission, I proclaim,
+That few on earth have borne a name
+More envied or esteem'd than mine,
+For grace, expression, and design,
+For manners true of every clime,
+And composition's art sublime.
+In academick lore profound,
+I boldly took that lofty ground,
+Which, as it rais'd me near the sky,
+Was thence for vulgar eyes too high;
+Or, if beheld, to them appear'd
+By clouds of gloomy darkness blear'd.
+Yet still that misty height I chose,
+For well I knew the world had those,
+Whose sight, by learning clear'd of rheum,
+Could pierce with ease the thickest gloom.
+Thus, perch'd sublime, 'mid clouds I wrought,
+Nor heeded what the vulgar thought.
+What, though with clamour coarse and rude
+They jested on my colours crude;
+Comparing with malicious grin,
+My drapery to bronze and tin,
+My flesh to brick and earthen ware,
+And wire of various kinds my hair;
+Or (if a landscape-bit they saw)
+My trees to pitchforks crown'd with straw;
+My clouds to pewter plates of thin edge,
+And fields to dish of eggs and spinage;
+Yet this, and many a grosser rub,
+Like fam'd Diogenes in tub,
+I bore with philosophic nerve,
+Nay, gladly bore; for, here observe,
+_'Twas that which gave to them offense,
+Did constitute my excellence._
+I see, my Lord, at this you stare:
+Yet thus I'll prove it to a hair.--
+As Mind and Body are distinct,
+Though long in social union link'd,
+And as the only power they boast,
+Is merely at each other's cost;
+If both should hold an equal station,
+They'd both be kings without a nation:
+If therefore, one would paint the Mind
+In partnership with Body join'd,
+And give to each an equal place,
+With each an equal truth and grace,
+'Tis clear the picture could not fail
+To be without or head or tail.
+And therefore as the Mind alone
+I chose should fill my graphick throne,
+To fix her pow'r beyond dispute,
+I trampled Body under foot:
+That is, in more prosaick dress,
+As I the passions would express,
+And as they ne'er could be portray'd
+Without the subject Body's aid,
+I show'd no more of that than merely
+Sufficed to represent them clearly:
+As thus--by simple means and pure
+Of light and shadow, and contour:
+But since what mortals call complexion,
+Has with the mind no more connexion
+Than ethicks with a country dance,
+I left my col'ring all to chance;
+Which oft (as I may proudly state)
+With Nature war'd at such a rate,
+As left no mortal hue or stain
+Of base, corrupting flesh, to chain
+The Soul to Earth; but, free as light,
+E'en let her soar till out of sight.
+
+ Thus spake the champion bold of mind;
+And thus the Colourist rejoin'd:
+In truth, my Lord, I apprehend,
+If I by _words_ with him contend,
+My case is gone; far he, by gift
+Of what is call'd the _gab_, can shift
+The right for wrong, with such a sleight,
+That right seems wrong and wrong the right;
+Nay, by his twisting logick make
+A square the form of circle take.
+I therefore, with submission meet,
+In justice do your Grace intreat
+To let awhile your judgment pause,
+That _works_ not _words_ may plead our cause.
+Let Merc'ry then to Earth repair,
+The works of both survey with care,
+And hither bring the best of each,
+And save us further waste of speech.
+
+ Such fair demand, the Judge replied,
+Could not with justice be denied.
+Good Merc'ry, hence! I fly, my Lord,
+The Courier said. And, at the word,
+High-bounding, wings his airy flight
+So swift his form eludes the sight;
+Nor aught is seen his course to mark,
+Save when athwart the region dark
+His brazen helm is spied afar,
+Bright-trailing like a falling star.
+
+ And now for minutes ten there stole
+A silence deep o'er every soul--
+When, lo! again before them stands
+The courier's self with empty hands.
+Why, how is this? exclaim'd the twain;
+Where are the _pictures_, sir? Explain!
+Good sirs, replied the God of Post,
+I scarce had reached the other coast,
+When Charon told me, one he ferried
+Inform'd him they were dead and buried:
+Then bade me hither haste and say,
+Their ghosts were now upon the way.
+In mute amaze the Painters stood.
+But soon upon the Stygian flood,
+Behold! the spectre-pictures float,
+Like rafts behind the towing boat:
+Now reach'd the shore, in close array,
+Like armies drill'd in Homer's day,
+When marching on to meet the foe,
+By bucklers hid from top to toe,
+They move along the dusky fields,
+A grizly troop of painted shields:
+And now, arrived in order fair,
+A gallery huge they hang in air.
+
+ The ghostly croud with gay surprize
+Began to rub their stony eyes:
+Such pleasant lounge, they all averr'd,
+None saw since he had been interr'd;
+And thus, like connoisseurs on Earth,
+Began to weigh the pictures' worth:
+But first (as deem'd of higher kind)
+Examin'd they the works of _Mind_.[4]
+Pray what is this? demanded one.--
+That, sir, is Phoebus, alias, Sun:
+A classick work you can't deny;
+The car and horses in the sky,
+The clouds on which they hold their way,
+Proclaim him all the God of Day.
+Nay, learned sir, his dirty plight
+More fit beseems the God of Night.
+Besides, I cannot well divine
+How mud like this can ever shine.--
+Then look at that a little higher.--
+I see 'tis Orpheus, by his lyre.
+The beasts that listening stand around,
+Do well declare the force of sound:
+But why the fiction thus reverse,
+And make the power of song a curse?
+The ancient Orpheus soften'd rocks,
+Yours changes living things to blocks.--
+Well, this you'll sure acknowledge fine,
+Parnassus' top with all the Nine.
+Ah, _there_ is beauty, soul and fire,
+And all that human wit inspire!--
+Good sir, you're right; for being stone,
+They're each to blunted wits a hone.
+And what is that? inquir'd another.--
+That, sir, is Cupid and his Mother.--
+What, Venus? sure it cannot be:
+That skin begrim'd ne'er felt the sea;
+That Cupid too ne'er knew the sky;
+For lead, I'm sure, could never fly.--
+I'll hear no more, the Painter said,
+Your souls are, like your bodies, dead!
+
+ With secret triumph now elate,
+His grinning Rival 'gan to prate.
+Oh, fie! my friends; upon my word,
+You're too severe: he should be _heard_;
+For _Mind_ can ne'er to glory reach,
+Without the usual aid of _speech_.
+If thus howe'er, you seal his doom,
+What hope have I unknown to Rome?
+But since the _truth_ be your dominion,
+I beg to hear your just opinion.
+This picture then--which some have thought
+By far the best I ever wrought--
+Observe it well with critick ken;
+'Tis Daniel in the Lion's Den.--
+'Tis flesh itself! exclaim'd a Critick.
+But why make Daniel paralytick?
+His limbs and features are distorted.
+And then his legs are badly sorted.
+'Tis true, a miracle you've hit,
+But not as told in Holy Writ;
+For there the miracle was braving,
+With _bones unbroke_, the Lion's craving;
+But yours (what ne'er could man befall)
+That he should _live with none at all_.--
+And pray, inquir'd another spectre,
+What Mufti's that at pious lecture?
+That's Socrates, condemned to die;
+He next, in sable, standing by,
+Is Galen[5], come to save his friend,
+If possible, from such an end;
+The other figures, group'd around,
+His Scholars, wrapt in woe profound.--
+And am I like to this portray'd?
+Exclaim'd the Sage's smiling Shade.
+Good Sir, I never knew before
+That I a Turkish turban wore,
+Or mantle hemm'd with golden stitches,
+Much less a pair of satin breeches;
+But as for him in sable clad,
+Though wond'rous kind, 'twas rather mad
+To visit one like me forlorn,
+So long before himself was born.
+And what's the next? inquir'd a third;
+A jolly blade upon my word!--
+'Tis Alexander, Philip's son,
+Lamenting o'er his battles won;
+That now his mighty toils are o'er,
+The world has nought to conquer more.
+At which, forth stalking from the host,
+Before them stood the Hero's Ghost--
+Was that, said he, my earthly form,
+The Genius of the battle-storm?
+From top to toe the figure's Dutch!
+Alas, my friend, had I been such,
+Had I that fat and meaty skull,
+Those bloated cheeks, and eyes so dull,
+That driv'ling mouth, and bottle nose,
+Those shambling legs, and gouty toes;
+Thus form'd to snore throughout the day,--
+And eat and drink the night away;
+I ne'er had felt the fev'rish flame
+That caus'd my bloody thirst for fame;
+Nor madly claim'd immortal birth,
+Because the vilest brute on Earth:
+And, oh! I'd not been doom'd to hear,
+Still whizzing in my blister'd ear,
+The curses deep, in damning peals,
+That rose from 'neath my chariot wheels,
+When I along the embattled plain
+With furious triumph crush'd the slain:
+I should not thus be doom'd to see,
+In every shape of agony,
+The victims of my cruel wrath,
+For ever dying, strew my path;
+The grinding teeth, the lips awry,
+The inflated nose, the starting eye,
+The mangled bodies writhing round,
+Like serpents, on the bloody ground;
+I should not thus for ever seem
+A charnel house, and scent the steam
+Of black, fermenting, putrid gore,
+Rank oozing through each burning pore;
+Behold, as on a dungeon wall,
+The worms upon my body crawl,
+The which, if I would brush away,
+Around my clammy fingers play,
+And, twining fast with many a coil,
+In loathsome sport my labor foil.
+
+ Enough! the frighted Painter cried,
+And hung his head in fallen pride.
+
+ Not so the other. He, of stuff
+More stubborn, ne'er would cry enough;
+But like a soundly cudgell'd oak,
+More sturdy grew at every stroke,
+And thus again his ready tongue
+With fluent logick would have rung:
+My Lord, I'll prove, or I'm a liar--
+Whom interrupting then with ire,
+Thus check'd the Judge: Oh, proud yet mean!
+And canst thou hope from me to screen
+Thy foolish heart, and o'er it spread
+A veil to cheat th' omniscient dead?
+And canst thou hope, as once on Earth,
+Applause to gain by specious worth;
+Like those that still by sneer and taunt
+Would prove pernicious what they want;
+And claim the mastership of Art,
+Because thou only know'st a _part_?
+
+ Had'st thou from Nature, not the Schools
+Distorted by pedantic rules,
+With patience wrought, such logic vain
+Had ne'er perverted thus thy brain:
+For Genius never gave delight
+By means of what offends the sight:
+Nor hadst thou deem'd, with folly mad,
+Thou could'st to Nature's beauties _add_,
+By _taking from her that which gives
+The best assurance that she lives;
+By imperfection give attraction,
+And multiply them by subtraction._
+
+ Did Raffaelle thus, whose honour'd ghost
+Is now Elysium's fairest boast?
+Far diff'rent He. Though weak and lame
+In parts that gave to others fame,
+Yet sought not _he_ by such defect
+To swindle praise for _wise neglect_
+Of _vulgar_ charms, that only _blind_
+The dazzled eye to those of Mind.
+By Heaven impressed with Genius' seal,
+An eye to see, and heart to feel,
+His soul through boundless Nature rov'd,
+And seeing felt, and feeling lov'd.
+But weak the power of mind at will
+To give the hand the painter's skill;
+For mortal works, maturing slow,
+From patient care and labour flow:
+And hence restrain'd, his youthful hand
+Obey'd a master's dull command;
+But soon with health his sickly style
+From Leonardo learn'd to smile;
+And now from Bonarroti caught
+A nobler Form; and now it sought
+Of colour fair the magic spell,
+And trac'd her to the Friar's[6] cell.
+No foolish pride, no narrow rule
+Enslav'd his soul; from every School,
+Whatever fair, whatever grand,
+His pencil, like a potent wand,
+Transfusing, bade his canvass grace.
+Progressive thus, with giant pace.
+And energy no toil could tame,
+He climb'd the rugged mount of Fame:
+And soon had reach'd the summit bold,
+When Death, who there delights to hold
+His fatal watch, with envious blow
+Quick hurl'd him to the shades below.
+
+ Thus check'd the Judge the champion vain
+Of _Classic Form_; and thus in strain,
+By anger half and pity mov'd,
+The ghostly Colourist reprov'd.
+And what didst _Thou_ aspire to gain,
+_Who_ dar'd'st the will of Jove arraign,
+That bounded thus within a span
+The little life of little man;
+With shallow art deriving thence
+Excuses for thy indolence?
+'Tis cant and hypocritic stuff!
+The life of man is long enough:
+For did he but the half improve
+He would not quarrel thus with Jove.
+
+ But most I marvel (if it be
+That aught may wond'rous seem to me)
+That Jove's high Gift, your noble Art,
+Bestow'd to raise Man's grov'ling heart,
+Refining with ethereal ray
+Each gross and selfish thought away,
+Should pander turn of paltry pelf,
+Imprisoning each within himself;
+Or like a gorgeous serpent, be
+Your splendid source of misery,
+And, crushing with his burnish'd folds,
+Still narrower make your narrow souls.
+
+ But words can ne'er reform produce,
+In Ignorance and Pride obtuse.
+Then know, ye rain and foolish Pair!
+Your doom is fix'd a yoke to bear
+Like beasts on Earth; and, thus in tether,
+Five Centuries to paint together.
+If, thus by mutual labours join'd,
+Your jarring souls should be combin'd,
+The faults of each the other mending,
+The powers of both harmonious blending;
+Great Jove, perhaps, in gracious vein,
+May send your souls on Earth again;
+Yet there One only Painter be;
+For thus the eternal Fates decree:
+One Leg alone shall never run,
+Nor two Half-Painters make but One.
+
+
+
+
+Eccentricity.
+
+
+
+ Projecere animas. VIRG.
+
+
+ Alas, my friend! what hope have I of fame,
+Who am, as Nature made me, still the same?
+And thou, poor suitor to a bankrupt muse,
+How mad thy toil, how arrogant thy views!
+What though endued with Genius' power to move
+The magick chords of sympathy and love,
+The painter's eye, the poet's fervid heart,
+The tongue of eloquence, the vital art
+Of bold Prometheus, kindling at command
+With breathing life the labours of his hand;
+Yet shall the World thy daring high pretence
+With scorn deride, for thou--hast common sense.
+
+ But dost thou, reckless of stern honour's laws,
+Intemperate hunger for the World's applause?
+Bid Nature hence; her fresh embow'ring woods,
+Her lawns and fields, and rocks, and rushing floods,
+And limpid lakes, and health-exhaling soil,
+Elastick gales, and all the glorious toil
+Of Heaven's own hand, with courtly shame discard,
+And Fame shall triumph in her city bard.
+Then, pent secure in some commodious lane,
+Where stagnant Darkness holds her morbid reign.
+Perchance snug-roosted o'er some brazier's den,
+Or stall of nymphs, by courtesy _not_ men,
+Whose gentle trade to skin the living eel,
+The while they curse it that it dares to feel[7];
+Whilst ribbald jokes and repartees proclaim
+Their happy triumph o'er the sense of shame:
+Thy city Muse invoke, that imp of mind
+By smoke engendered on an eastern wind;
+Then, half-awake, thy patent-thinking pen
+The paper give, and blot the souls of men.
+
+ The time has been when Nature's simple face
+Perennial youth possessed and winning grace;
+But who shall dare, in this refining age,
+With Nature's praise to soil his snowy page?
+What polish'd lover, unappall'd by sneers
+Dare court a beldame of six thousand years,
+When every clown with microscopick eyes
+The gaping furrows on her forehead spies?--
+'Good sir, your pardon: In her naked state,
+Her wither'd form we cannot chuse but hate;
+But fashion's art the waste of time repairs,
+Each wrinkle fills, and dies her silver hairs;
+Thus wrought anew, our gentle bosoms low;
+We cannot chuse but love what's _comme il faut_.'
+Thy city Muse invoke, that imp of mind
+By smoke engender'd on an eastern wind;
+Then, half-awake, thy patent-thinking pen
+The paper give, and blot the souls of men.
+
+ The time has been when Nature's simple face
+Perennial youth possessed and winning grace;
+But who shall dare, in this refining age,
+With Nature's praise to soil his snowy page?
+What polish'd lover, unappall'd by sneers,
+Dare court a beldame of six thousand years,
+When every clown with microscopick eyes
+The gaping furrows on her forehead spies?--
+'Good sir, your pardon: In her naked state,
+Her withered form we cannot chuse but hate;
+But fashion's art the waste of time repairs,
+Each wrinkle fills, and dies her silver hairs;
+Thus wrought anew, our gentle bosoms low;
+We cannot chuse but love what's _comme il fauts_.'
+
+ Alas, poor Cowper! could thy chasten'd eye,
+(Awhile forgetful of thy joys on high)
+Revisit earth, what indignation strange
+Would sting thee to behold the courtly change!
+Here "velvet" lawns, there "plushy" woods that lave
+Their "silken" tresses in the "glassy" wave;
+Here "'broider'd" meads, there flow'ry "carpets" spread,
+And "downy" banks to "pillow" Nature's head;
+How wouldst thou start to find thy native soil.
+Like birth-day belle, by gross mechanick toil
+Trick'd out to charm with meretricious air,
+As though all France and Manchester were there!
+But this were luxury, were bliss refin'd,
+To view the alter'd region of the mind;
+Where whim and mystery, like wizards, rule,
+And conjure wisdom from the seeming fool;
+Where learned heads, like old cremonas, boast
+Their merit soundest that are cracked the most;
+While Genius' self, infected with the joke,
+His person decks with Folly's motley cloak.
+
+ Behold, loud-rattling like a thousand drums,
+Eccentrick Hal, the child of Nature, comes!
+Of Nature once--but _now_ he acts a part,
+And Hal is now the full grown boy of art.
+In youth's pure spring his high impetuous soul
+Nor custom own'd nor fashion's vile control.
+By Truth impelled where beck'ning Nature led,
+Through life he mov'd with firm elastic tread;
+But soon the world, with wonder-teeming eyes,
+His manners mark, and goggle with surprise.
+"He's wond'rous strange!" exclaims each gaping clod,
+"A wond'rous genius, for he's wond'rous odd!"
+Where'er he goes, there goes before his fame,
+And courts and taverns echo round his name;
+'Till, fairly knocked by admiration down,
+The petted monster cracks his wond'rous crown.
+No longer now to simple Nature true,
+He studies only to be oddly new;
+Whate'er he does, whatever he deigns to say,
+Must all be said and done the oddest way;
+Nay, e'en in dress eccentrick as in thought,
+His wardrobe seems by Lapland witches wrought,
+Himself by goblins in a whirlwind drest
+With rags of clouds from Hecla's stormy crest.
+
+ 'Has Truth no charms?' When first beheld, I grant,
+But, wanting novelty, has every want:
+For pleasure's thrill the sickly palate flies,
+Save haply pungent with a rare surprise.
+The humble toad that leaps her nightly round,
+The harmless tenant of the garden ground,
+Is loath'd, abhor'd, nay, all the reptile race
+Together join'd were never half so base;
+Yet snugly find her in some quarry pent,
+Through ages doom'd to one tremendous lent,
+Surviving still, as if "in Nature's spite,"
+Without or nourishment, or air, or light,
+What raptures then th' astonish'd gazer seize!
+What lovely creature like a toad can please!
+
+ Hence many an oaf, by Nature doom'd to shine
+The unknown father of an unknown line,
+If haply shipwreck'd on some desert shore
+Of Folly's seas, by man untrod before,
+Which, bleak and barren, to the starving mind
+Yields nought but fog, or damp, unwholesome wind,
+With loud applause the wond'ring world shall hail,
+And Fame embalm him in the marv'lous tale.
+
+ With chest erect, and bright uplifted eye,
+On tiptoe rais'd, like one prepared to fly.
+Yon wight behold, whose sole aspiring hope
+Eccentrick soars to catch the hangman's rope.
+In order rang'd, with date of place and time,
+Each owner's name, his parentage and crime,
+High on his walls, inscribed to glorious shame,
+Unnumber'd halters gibbet him to Fame.
+
+ Who next appears thus stalking by his side?
+Why that is one who'd sooner die than--ride!
+No inch of ground can maps unheard of show
+Untrac'd by him, unknown to every toe:
+As if intent this punning age to suit,
+The globe's circumf'rence meas'ring by the foot.
+
+ Nor less renown'd whom stars invet'rate doom
+To smiles eternal, or eternal gloom;
+For what's a _character_ save one confin'd
+To some unchanging sameness of the mind;
+To some strange, fix'd monotony of mien,
+Or dress forever brown, forever green?
+
+ A sample comes. Observe his sombre face,
+Twin-born with Death, without his brother's grace!
+No joy in mirth his soul perverted knows,
+Whose only joy to tell of others' woes.
+A fractur'd limb, a conflagrating fire,
+A name or fortune lost his tongue inspire:
+From house to house where'er misfortunes press,
+Like Fate, he roams, and revels in distress;
+In every ear with dismal boding moans--
+walking register of sighs and groans!
+
+ High tow'ring next, as he'd eclipse the moon,
+With pride upblown, behold yon live balloon.
+All trades above, all sciences and arts,
+To fame he climbs through very scorn of parts;
+With solemn emptiness distends his state,
+And, great in nothing, soars above the great;
+Nay stranger still, through apathy of blood,
+By candour number'd with the chaste and good:
+With wife, and child, domestic, stranger, friend,
+Alike he lives, as though his being's end
+Were o'er his house like formal guest to roam,
+And walk abroad to leave himself at home.
+
+ But who is _he_, that sweet obliging youth?
+He looks the picture of ingenuous truth.
+Oh, that's his antipode, of courteous race,
+The man of bows and ever-smiling face.
+Why Nature made him, or for what design'd,
+Never he knew, nor ever sought to find,
+'Till cunning came, blest harbinger of ease!
+And kindly whisper'd, 'thou wert born to please.'
+Rous'd by the news, behold him now expand,
+Like beaten gold, and glitter o'er the land.
+Well stored with nods and sly approving winks,
+Now first with this and now with that he thinks;
+Howe'er opposing, still assents to each,
+And claps a dovetail to each booby's speech.
+At random thus for all, for none, he lives,
+Profusely lavish though he nothing gives;
+The world he roves as living but to show
+A friendless man without a single foe;
+From bad to good, to bad from good to run,
+And find a character by seeking none.
+
+ Who covets fame should ne'er be over nice,
+Some slight distortion pays the market price.
+If haply lam'd by some propitious chance,
+Instruct in attitude, or teach to dance;
+Be still extravagant in deed, or word;
+If new, enough, no matter how absurd.
+
+ Then what is Genius? Nay, if rightly us'd,
+Some gift of Nature happily abus'd.
+Nor wrongly deem by this eccentrick rule
+That Nature favours whom she makes a fool;
+Her scorn and favour we alike despise;
+Not Nature's follies but our own we prize.
+
+ "Or what is wit?" a meteor bright and rare,
+What comes and goes we know not whence, or where;
+A brilliant nothing out of something wrought,
+A mental vacuum by condensing thought.
+
+ Behold Tortoso. There's a man of wit;
+To all things fitted, though for nothing fit;
+Scourge of the world, yet crouching for a name,
+And honour bartering for the breath of fame:
+Born to command, and yet an arrant slave;
+Through too much honesty a seeming knave;
+At all things grasping, though on nothing bent,
+And ease pursuing e'en with discontent;
+Through Nature, Arts, and Sciences he flies,
+And gathers truth to manufacture lies.
+
+ Nor only Wits, for tortur'd talents claim
+Of sov'reign mobs the glorious meed of fame;
+E'en Sages too, of grave and rev'rend air,
+Yclepp'd _Philosophers_, must have their share;
+Who deeper still in conjuration skill'd,
+_A mighty something out of nothing build._
+
+ 'Then wherefore read? why cram the youthful head
+With all the learned lumber of the dead;
+Who seeking wisdom followed Nature's laws,
+Nor dar'd effects admit without a cause?'
+Why?--Ask the sophist of our modern school;
+To foil the workman we must know the tool;
+And, that possess'd, how swiftly is defac'd
+The noblest, rarest monument of taste!
+So neatly too, the mutilations stand
+Like native errors of the artist's hand;
+Nay, what is more, the very tool betray'd
+To seem the product of the work it made.
+
+ 'Oh, monstrous slander on the human race!'
+Then read conviction in Ortuno's case.
+By Nature fashion'd in her happiest mood,
+With learning, fancy, keenest wit endued;
+To what high purpose, what exalted end
+These lofty gifts did great Ortuno bend?
+With grateful triumph did Ortuno raise
+The mighty trophies to their Author's praise;
+With skill deducing from th' harmonious whole
+Immortal proofs of One Creative soul?
+Ah, no! infatuate with the dazzling light,
+In them he saw their own creative might;
+Nay, madly deem'd, if _such_ their wond'rous _skill_,
+The phantom of a God 'twas theirs to _will_.
+
+ But granting that he _is_, he bids you show
+By what you prove it, or by what you know.
+Oh, reas'ning worm! who questions thus of Him
+That lives in all, and moves in every limb,
+Must with himself in very strangeness dwell,
+Has never heard the voice of Conscience tell
+Of right and wrong, and speak in louder tone
+Than tropick thunder of that Holy One,
+Whose pure, eternal, justice shall requite
+The deed of wrong, and justify the right.
+
+ Can such blaspheme and breathe the vital air?
+Let mad philosophy their names declare.
+Yet some there are, less daring in their aim,
+With humbler cunning butcher sense for fame;
+Who doubting still, with many a fearful pause,
+Th' existence grant of one almighty cause;
+But halting there, in bolder tone deny
+The life hereafter, when the man shall die,
+Nor mark the monstrous folly of their gain--
+That God all-wise should fashion _them_ in vain.
+
+ 'Twere labour lost in this material age,
+When school boys trample on the Inspir'd Page,
+When coblers prove by syllogistick pun
+The soal they mend, and that of man are one;
+'Twere waste of time to check the Muses' speed,
+For all the _whys_ and _wherefores_ of their creed;
+To show how prov'd the juices are the same
+That feed the body, and the mental frame.
+
+ But who, half sceptic, half afraid of wrong,
+Shall walk our streets, and mark the passing throng;
+The brawny oaf in mould herculean cast,
+The pigmy statesman trembling in his blast,
+The cumb'rous citizen of portly paunch,
+Unwont to soar beyond the smoaking haunch;
+The meagre bard behind the moving tun,
+His shadow seeming lengthen'd by the sun;
+Who forms scarce visible shall thus descry,
+Like flitting clouds athwart the mental sky;
+From giant bodies then bare gleams of mind,
+Like mountain watch-lights blinking to the wind;
+Nor blush to find his unperverted eye
+Flash on his heart, and give his tongue the lie.
+
+ 'Tis passing strange! yet, born as if to show
+Man to himself his most malignant foe,
+There are (so desperate is the madness grown)
+Who'd rather live a _lie_ than live unknown;
+Whose very tongues, with force of holy writ,
+Their doctrines damn with self-recoiling wit.
+
+ Behold yon dwarf, of visage pale and wan;
+A sketch of life, a remnant of a man!
+Whose livid lips, as now he moulds a grin,
+Like charnel doors disclose the waste within;
+Whose stiffen'd joints within their sockets grind,
+Like gibbets creaking to the passing wind;
+Whose shrivell'd skin with much adhesion clings
+His bones around in hard compacted rings,
+If veins there were, no blood beneath could force,
+Unless by miracle, its trickling course;--
+Yet even _he_ within that sapless frame,
+A mind sustained that climb'd the steeps of fame.
+Such is the form by mystic Heaven design'd,
+The earthly mansion of the rarest mind.
+But, mark his gratitude. This soul sublime,
+This soul lord paramount o'er space and time,
+This soul of fire, with impious madness sought,
+Itself to prove of mortal matter wrought;
+Nay, bred, engendered, on the grub-worm plan,
+From that vile clay which made his outward man,
+That shadowy form which dark'ning into birth,
+But seem'd a sign to mark a soul on earth.
+
+ But who shall cast an introverted eye
+Upon himself, that will not there descry
+A conscious life that shall, nor cannot die?
+E'en at our birth, when first the infant mould
+Gives it a mansion and an earthly hold,
+Th' exulting Spirit feels the heavenly fire
+That lights her tenement will ne'er expire;
+And when, in after years, disease and age,
+Our fellow-bodies sweeping from life's stage,
+Obtrude the thought of death, e'en then we seem,
+As in the revelation of a dream,
+To hear a voice, more audible than speech,
+Warn of a part which death can never reach.
+Survey the tribes of savage men that roam
+Like wand'ring herds, each wilderness their home;--
+Nay, even there th' immortal spirit stands
+Firm on the verge of death, and looks to brighter lands.
+
+ Shall human wisdom then, with beetle sight,
+Because obstructed in its blund'ring flight,
+Despise the deep conviction of our birth,
+And limit life to this degraded earth?
+
+ Oh, far from me be that insatiate pride,
+Which, turning on itself, drinks up the tide
+Of natural light; 'till one eternal gloom,
+Like walls of adamant enclose the tomb.
+Tremendous thought! that this transcendant Power,
+Fell'd with the body in one fatal hour,
+With all its faculties, should pass like air
+For ages without end as though it never were!
+
+ Say, whence, obedient, to their destin'd end
+The various tribes of living nature tend?
+Why beast, and bird, and all the countless race
+Of earth and waters, each his proper place
+Instinctive knows, and through the endless chain
+Of being moves in one harmonious strain;
+While man alone, with strange perversion, draws
+Rebellious fame from Nature's broken laws?
+Methinks I hear, in that still voice which stole
+On Horeb's mount o'er rapt Elijah's soul,
+With stern reproof indignant Heaven reply:
+'Tis o'erweening Pride, that blinds the eye
+Of reasoning man, and o'er his darkened life
+Confusion spreads and misery and strife.
+
+ With wonder fill'd and self-reflecting praise,
+The slave of pride his mighty powers surveys;
+On Reason's sun (by bounteous Nature given,
+To guide the soul upon her way to heaven)
+Adoring gazes, 'till the dazzling light,
+To darkness sears his rain presumptuous sight;
+Then bold, though blind, through error's night he runs,
+In fancy lighted by a thousand suns;
+For bloody laurels now the warrior plays,
+Now libels nature for the poet's bays;
+Now darkness drinks from metaphysic springs,
+Or follows fate on astrologick wings:
+'Mid toils at length the world's loud wonder won,
+With Persian piety, to Reason's sun
+Profound he bows, and, idolist of fame,
+Forgets the God who lighted first the flame.
+
+ All potent Reason! what thy wond'rous light?
+A shooting star athwart a polar night;
+A bubble's gleam amid the boundless main;
+A sparkling sand on waste Arabia's plain:
+E'en such, vain Power, thy limited control,
+E'en such thou art, to mans mysterious soul!
+
+ Presumptuous man! would'st thou aspiring reach
+True wisdom's height, let conscious weakness teach
+Thy feeble soul her poor dependant state,
+Nor madly war with Nature to be great.
+
+ Come then, Humility, thou surest guide!
+On earth again with frenzied men reside;
+Tear the dark film of vanity and lies,
+And inward turn their renovated eyes;
+In aspect true let each himself behold,
+By self deform'd in pride's portentous mould.
+And if thy voice, on Bethl'em's holy plain
+Once heard, can reach their flinty hearts again,
+Teach them, as fearful of a serpent's gaze,
+Teach them to shun the gloating eye of praise;
+That slightest swervings from their nature's plan
+Make them a lie, and poison all the man,
+'Till black corruption spread the soul throughout,
+Whence thick and fierce, like fabled mandrakes, sprout
+The seeds of rice with more than tropick force,
+Exhausting in the growth their very vital source.
+
+ Nor wrongly deem the cynick muse aspires,
+With monkish tears to quench our nobler fires.
+Let honest pride our humble hearts inflame,
+First to deserve, ere yet we look to, fame;
+Not fame miscall'd, the mob's applauding stare;
+This monsters have, proportion'd as they're rare;
+But that sweet praise, the tribute of the good,
+For wisdom gain'd, through love of truth pursued.
+Coeval with our birth, this pure desire
+Was given to lift our grov'ling natures higher,
+Till that high praise, by genuine merit wrung
+From men's slow justice, shall employ the tongue
+Of yon Supernal Court, from whom may flow
+Or bliss eternal or eternal wo.
+And since in all this hope exalting lives,
+Let virtuous toil improve what Nature gives:
+Each in his sphere some glorious palm may gain,
+For Heaven all-wise created nought in vain.
+
+ Oh, task sublime, to till the human soil
+Where fruits immortal crown the lab'ror's toil!
+Where deathless flowers, in everlasting bloom,
+May gales from Heaven with odorous sweets perfume;
+Whose fragrance still when man's last work is done,
+And hoary Time his final course has run,
+Thro' ages back, with fresh'ning power shall last,
+Mark his long track, and linger where he past!
+
+
+
+
+The Paint-Kings.
+
+
+
+Fair Ellen was long the delight of the young,
+ No damsel could with her compare;
+Her charms were the theme of the heart and the tongue.
+And bards without number in extacies sung,
+ The beauties of Ellen the fair.
+
+Yet cold was the maid; and tho' legions advanced,
+ All drill'd by Ovidean art,
+And languish'd, and ogled, protested and danced,
+Like shadows they came, and like shadows they glanced
+ From the hard polish'd ice of her heart.
+
+Yet still did the heart of fair Ellen implore
+ A something that could not be found;
+Like a sailor she seem'd on a desolate shore,
+With nor house, nor a tree, nor a sound but the roar
+ Of breakers high dashing around.
+
+From object to object still, still would she veer,
+ Though nothing, alas, could she find;
+Like the moon, without atmosphere, brilliant and clear,
+Yet doom'd, like the moon, with no being to cheer
+ The bright barren waste of her mind.
+
+But rather than sit like a statue so still
+ When the rain made her mansion a _pound_,
+Up and down would she go, like the sails of a mill,
+And pat every stair, like a woodpecker's bill,
+ From the tiles of the roof to the ground.
+
+One morn, as the maid from her casement inclin'd,
+ Pass'd a youth, with a frame in his hand.
+The casement she clos'd--not the eye of her mind;
+For, do all she could, no, she could not be blind;
+ Still before her she saw the youth stand.
+
+"Ah, what can he do," said the languishing maid,
+ "Ah, what with that frame can he do?"
+And she knelt to the Goddess of Secrets and pray'd,
+When the youth pass'd again, and again he display'd
+ The frame and a picture to view.
+
+"Oh, beautiful picture!" the fair Ellen cried,
+ "I must see thee again or I die."
+Then under her white chin her bonnet she tied,
+And after the youth and the picture she hied,
+ When the youth, looking back, met her eye.
+
+"Fair damsel," said he (and he chuckled the while)
+ "This picture I see you admire:
+Then take it, I pray you, perhaps 'twill beguile
+Some moments of sorrow; (nay, pardon my smile)
+ Or, at least, keep you home by the fire."
+
+Then Ellen the gift with delight and surprise
+ From the cunning young stripling receiv'd.
+But she knew not the poison that enter'd her eyes,
+When sparkling with rapture they gaz'd on her prize--
+ Thus, alas, are fair maidens deceiv'd!
+
+'Twas a youth o'er the form of a statue inclin'd,
+ And the sculptor he seem'd of the stone;
+Yet he languished as tho' for its beauty he pin'd
+And gaz'd as the eyes of the statue so blind
+ Reflected the beams of his own.
+
+Twas the tale of the sculptor Pygmalion of old;
+ Fair Ellen remember'd, and sigh'd;
+"Ah, could'st thou but lift from that marble so cold,
+Thine eyes too imploring, thy arms should enfold,
+ And press me this day as thy bride."
+
+She said: when, behold, from the canvass arose
+ The youth, and he stepp'd from the frame:
+With a furious transport his arms did enclose
+The love-plighted Ellen: and, clasping, he froze
+ The blood of the maid with his flame!
+
+She turn'd and beheld on each shoulder a wing.
+ "Oh, heaven! cried she, who art thou?"
+From the roof to the ground did his fierce answer ring,
+As frowning, he thunder'd " I am the PAINT-KING!
+ And mine, lovely maid, thou art now!"
+
+Then high from the ground did the grim monster lift
+ The loud screaming maid like a blast;
+And he sped through the air like a meteor swift,
+While the clouds, wand'ring by him, did fearfully drift
+ To the right and the left as he pass'd.
+
+Now suddenly sloping his hurricane flight,
+ With an eddying whirl he descends;
+The air all below him becomes black as night,
+And the ground where he treads, as if mov'd with affright,
+ Like the surge of the Caspian bends.
+
+"I am here!" said the Fiend, and he thundering knock'd
+ At the gates of a mountainous cave;
+The gates open flew, as by magick unlocked,
+While the peaks of the mount, reeling to and fro, rock'd
+ Like an island of ice on the wave.
+
+"Oh, mercy!" cried Ellen, and swoon'd in his arms,
+ But the PAINT-KING, he scoff'd at her pain.
+"Prithee, love," said the monster, "what mean these alarms?"
+She hears not, she sees not the terrible charms,
+ That work her to horrour again.
+
+She opens her lids, but no longer her eyes
+ Behold the fair youth she would woo;
+Now appears the PAINT-KING in his natural guise;
+His face, like a palette of villainous dies,
+ Black and white, red, and yellow, and blue.
+
+On the skull of a Titan, that Heaven defied,
+ Sat the fiend, like the grito Giant Gog,
+While aloft to his mouth a huge pipe he applied,
+Twice as big as the Eddystone Lighthouse, descried
+ As it looms through an easterly fog.
+
+And anon, as he puff'd the vast volumes, were seen,
+ In horrid festoons on the wall,
+Legs and arms, heads and bodies emerging between,
+Like the drawing-room grim of the Scotch Sawney Beane,
+ By the Devil dress'd out for a ball.
+
+"Ah me!" cried the Damsel, and fell at his feet.
+ "Must I hang on these walls to be dried?"
+"Oh, no!" said the fiend, while he sprung from his seat,
+"A far nobler fortune thy person shall meet;
+ Into paint will I grind thee, my bride!"
+
+Then, seizing the maid by her dark auburn hair,
+ An oil jug he plung'd her within.
+Seven days seven nights, with the shrieks of despair,
+Did Ellen in torment convulse the dun air,
+ All covered with oil to the chin.
+
+On the morn of the eighth on a huge sable stone
+ Then Ellen, all reeking, he laid;
+With a rock for his muller he crush'd every bone,
+But, though ground to jelly, still, still did she groan;
+ For life had forsook not the maid.
+
+Now reaching his palette, with masterly care
+ Each tint on its surface he spread;
+The blue of her eyes, and the brown of her hair,
+And the pearl and the white of her forehead so fair,
+ And her lips' and her cheeks' rosy red.
+
+Then, stamping his foot, did the monster exclaim,
+ "Now I brave, cruel Fairy, thy scorn!"
+When lo! from a chasm wide-yawning there came
+A light tiny chariot of rose-colour'd flame,
+ By a team of ten glow-worms upborne.
+
+Enthroned In the midst on an emerald bright,
+ Fair Geraldine sat without peer;
+Her robe was a gleam of the first blush of light,
+And her mantle the fleece of a noon-cloud white,
+ And a beam of the moon was her spear.
+
+In an accent that stole on the still charmed air
+ Like the first gentle language of Eve,
+Thus spake from her chariot the Fairy so fair:
+"I come at thy call, but, oh Paint-King, beware.
+ Beware if again you deceive."
+
+"Tis true," said the monster, "thou queen of my heart,
+ Thy portrait I oft have essay'd;
+Yet ne'er to the canvass could I with my art
+The least of thy wonderful beauties impart;
+ And my failure with scorn you repaid.
+
+"Now I swear by the light of the Comet-King's tail!"
+ And he tower'd with pride as he spoke,
+"If again with these magical colours I fail,
+The crater of Etna shall hence be my jail,
+ And my food shall be sulphur and smoke.
+
+"But if I succeed, then, oh, fair Geraldine!
+ Thy promise with justice I claim,
+And thou, queen of Fairies, shalt ever be mine,
+The bride of my bed; and thy portrait divine
+ Shall fill all the earth with my fame."
+
+He spake; when, behold, the fair Geraldine's form
+ On the canvass enchantingly glow'd;
+His touches--they flew like the leaves in a storm;
+And the pure pearly white and the carnation warm
+ Contending in harmony flow'd;
+
+And now did the portrait a twin-sister seem
+ To the figure of Geraldine fair:
+With the same _sweet_ expression did faithfully teem
+Each muscle; each feature; in short not a gleam
+ Was lost of her beautiful hair.
+
+Twas the Fairy herself! but, alas, her blue eyes
+ Still a pupil did ruefully lack;
+And who shall describe the terrifick surprise
+That seiz'd the PAINT-KING when, behold, he descries
+ Not a speck on his palette of black!
+
+"I am lost!" said the Fiend, and he shook like a leaf;
+ When, casting his eyes to the ground,
+He saw the lost pupils of Ellen with grief
+In the jaws of a mouse, and the sly little thief
+ Whisk away from his sight with a bound.
+
+"I am lost!" said the Fiend, and he fell like a stone;
+ Then rising the Fairy in ire
+With a touch of her finger she loosen'd her zone,
+(While the limbs on the wall gave a terrible groan,)
+ And she swelled to a column of fire.
+
+Her spear now a thunder-bolt flash'd in the air,
+ And sulphur the vault fill'd around:
+She smote the grim monster; and now by the hair
+High-lifting, she hurl'd him in speechless despair
+ Down the depths of the chasm profound.
+
+Then over the picture thrice waving her spear,
+ "Come forth!" said the good Geraldine;
+When, behold, from the canvass descending, appear
+Fair Ellen, in person more lovely than e'er,
+ With grace more than ever divine!
+
+
+
+
+Myrtilla.
+
+ _Addressed to a LADY, who lamented that she had never been in love._
+
+
+ "Al nuovo giorno,
+ Pietosa man' mi sollevo."
+
+ METASTASIO.
+
+
+
+"Ah me! how sad," Myrtilla cried,
+ "To waste alone my years!"
+While o'er a streamlet's flow'ry side
+She pensive hung, and watch'd the tide
+ That dimpled with her tears.
+
+"The world, though oft to merit blind,
+ Alas, I cannot blame;
+For they have oft the knee inclined.
+And pour'd the sigh--but, like the wind
+ Of winter, cold it came.
+
+"Ah no! neglect I cannot rue."
+ Then o'er the limpid stream
+She cast her eyes of ether blue;
+Her wat'ry eyes look'd up to view
+ Their lovelier parent's beam.
+
+And ever as the sad lament
+ Would thus her lips divide,
+Her lips, like sister roses bent
+By passing gales, elastick sent
+ Their blushes from the tide.
+
+While mournful o'er her pictur'd face
+ Did then her glances steal,
+She seem'd she thought a marble Grace,
+T' enslave with love the human race,
+ But ne'er that love to feel.
+
+"Ah, what avail those eyes replete
+ With charms without a name!
+Alas, no kindred rays they meet,
+To kindle by collision sweet
+ Of mutual love the flame!
+
+"Oh, 'tis the worst of cruel things,
+ This solitary state!
+Yon bird that trims his purple wings,
+As on the bending bow he swings.
+ Prepares to join his mate.
+
+"The little glow-worm sheds her light,
+ Nor sheds her light in vain--
+That still her tiny lover's sight
+Amid the darkness of the night
+ May trace her o'er the plain.
+
+"All living nature seems to move
+ By sympathy divine--
+The sea, the earth, the air above;
+As if one universal love
+ Did all their hearts entwine!
+
+"My heart alone of all my kind
+ No love can ever warm:
+That only can resemblance find
+With waste Arabia, where the wind
+ Ne'er breathes on human form;
+
+"A blank, embodied space, that knows
+ No changes in its reign,
+Save when the fierce tornado throws
+Its barren sands, like drifted snows,
+ In ridges o'er the plain."
+
+Thus plain'd the maid; and now her eyes
+ Slow-lifting from the tide,
+Their liquid orbs with sweet surprise
+A youth beheld in extacies,
+ Mute standing by her side.
+
+"Forbear, oh, lovely maid, forbear,"
+ The youth enamour'd cried,
+"Nor with Arabia's waste compare
+The heart of one so young and fair,
+ To every charm allied.
+
+"Or, if Arabia--rather say,
+ Where some delicious spring
+Remurmurs to the leaves that play
+Mid palm and date and flow'ret gay,
+ On zephyr's frolick wing.
+
+"And now, methinks, I cannot deem
+ The picture else but true;
+For I a wand'ring trav'ller seem
+O'er life's drear waste, without a gleam
+ Of hope--if not in _you_."
+
+Thus spake the youth; and then his tongue
+ Such converse sweet distill'd,
+It seem'd, as on his words she hung,
+As though a heavenly spirit sung,
+ And all her soul he fill'd.
+
+He told her of his cruel fate,
+ Condemn'd along to rove,
+From infancy to man's estate,
+Though courted by the fair and great,
+ Yet never once to love.
+
+And then from many a poet's page
+ The blest reverse he proved:
+How sweet to pass life's pilgrimage,
+From purple youth to sere old age,
+ Aye loving and beloved!
+
+Here ceased the youth; but still his words
+ Did o'er her fancy play;
+They seem'd the matin song of birds,
+Or like the distant low of herds
+ That welcomes in the day.
+
+The sympathetick chord she feels
+ Soft thrilling in her soul;
+And, as the sweet vibration steals
+Through every vein, in tender peals
+ She seems to hear it roll.
+
+Her alter'd heart, of late so drear,
+ Then seem'd a faery land,
+Where nymphs and rosy loves appear
+On margin green of fountain clear,
+ And frolick hand in hand.
+
+But who shall paint her crimson blush,
+ Nor think his hand of stone,
+As now the secret with a flush
+Did o'er her aching senses rush--
+ _Her heart was not her own!_
+
+The happy Lindor, with a look
+ That every hope confessed,
+Her glowing hand exulting took,
+And press'd it, as she fearful shook,
+ In silence to his breast.
+
+Myrtilla felt the spreading flame,
+ Yet knew not how to chide;
+So sweet it mantled o'er her frame,
+That, with a smile of pride and shame,
+ She own'd herself his bride.
+
+No longer then, ye fair, complain,
+ And call the fates unkind;
+The high, the low, the meek, the vain,
+Shall each a sympathetick swain,
+Another _self_ shall find.
+
+
+
+
+To a Lady Who Spoke Slightingly of Poets.
+
+
+
+Oh, censure not the Poet's art,
+Nor think it chills the feeling heart
+ To love the gentle Muses.
+Can that which in a stone or flower,
+As if by transmigrating power,
+ His gen'rous soul infuses;
+
+Can that for social joys impair
+The heart that like the lib'ral air
+ All Nature's self embraces;
+That in the cold Norwegian main,
+Or mid the tropic hurricane
+ Her varied beauty traces;
+
+That in her meanest work can find
+A fitness and a grace combin'd
+ In blest harmonious union,
+That even with the cricket holds,
+As if by sympathy of souls,
+ Mysterious communion;
+
+Can that with sordid selfishness
+His wide-expanded heart impress,
+ Whose consciousness is loving;
+Who, giving life to all he spies,
+His joyous being multiplies,
+ In youthfulness improving?
+
+Oh, Lady, then, fair queen of Earth,
+Thou loveliest of mortal birth,
+ Spurn not thy truest lover;
+Nor censure _him_ whose keener sense
+Can feel thy magic influence
+ Where nought the world discover;
+
+Whose eye on that bewitching face
+Can every source unnumber'd trace
+ Of germinating blisses;
+See Sylphids o'er thy forehead weave
+The lily-fibred film, and leave
+ It fix'd with honied kisses;
+
+While some within thy liquid eyes,
+Like minnows of a thousand dies
+ Through lucid waters glancing,
+In busy motion to and fro,
+The gems of diamond-beetles sow,
+ Their lustre thus enhancing;
+
+Here some, their little vases fill'd
+With blushes for thy cheek distill'd
+ From roses newly blowing,
+Each tiny thirsting pore supply;
+And some in quick succession by
+ The down of peaches strewing;
+
+There others who from hanging bell
+Of cowslip caught the dew that fell
+ While yet the day was breaking,
+And o'er thy pouting lips diffuse
+The tincture--still its glowing hues
+ Of purple morn partaking:
+
+Here some, that in the petals prest
+Of humid honeysuckles, rest
+ From nightly fog defended,
+Flutter their fragrant wings between,
+Like humming-birds that scarce are seen,
+ They seem with air so blended!
+
+While some, in equal clusters knit.
+On either side in circles flit,
+ Like bees in April swarming,
+Their tiny weight each other lend,
+And force the yielding cheek to bend,
+ Thy laughing dimples forming.
+
+Nor, Lady, think the Poet's eye
+Can only outward charms espy,
+ Thy form alone adoring--
+Ah, Lady, no: though fair they be.
+Yet he a fairer sight may see,
+ Thy lovely _soul_ exploring:
+
+And while from part to part it flies
+The gentle Spirit he descries,
+ Through every line pursuing;
+And feels upon his nature shower
+That pure, that humanizing power,
+ Which raises by subduing.
+
+
+
+
+Sonnet
+
+_On a Falling Group in the Last Judgement of MICHAEL ANGELO, in the
+Cappella Sistina._
+
+
+
+How vast, how dread, overwhelming is the thought
+Of Space interminable! to the soul
+A circling weight that crushes into nought
+Her mighty faculties! a wond'rous whole,
+Without or parts, beginning, or an end!
+How fearful then on desp'rate wings to send
+The fancy e'en amid the waste profound!
+Yet, born as if all daring to astound,
+Thy giant hand, oh Angelo, hath hurl'd
+E'en human forms, with all their mortal weight,
+Down the dread void--fall endless as their fate!
+Already now they seem from world to world
+For ages thrown; yet doom'd, another past,
+Another still to reach, nor e'er to reach the last!
+
+
+
+
+Sonnet
+
+_On the Group of the Three Angels before the Tent of Abraham, by
+RAFFAELLE, in the Vatican._
+
+
+
+Oh, now I feel as though another sense
+From Heaven descending had informed my soul;
+I feel the pleasurable, full control
+Of Grace, harmonious, boundless, and intense.
+In thee, celestial Group, embodied lives
+The subtle mystery; that speaking gives
+Itself resolv'd: the essences combin'd
+Of Motion ceaseless, Unity complete.
+Borne like a leaf by some soft eddying wind,
+Mine eyes, impelled as by enchantment sweet,
+From part to part with circling motion rove,
+Yet seem unconscious of the power to move;
+From line to line through endless changes run,
+O'er countless shapes, yet seem to gaze on One.
+
+
+
+
+Sonnet
+
+_On seeing the Picture of Ĉolus by PELIGRINO TIBALDI, in the Institute at
+Bologna._
+
+
+
+Full well, Tibaldi, did thy kindred mind
+The mighty spell of Bonarroti own.
+Like one who, reading magick words, receives
+The gift of intercourse with worlds uknnown,
+'Twas thine, decyph'ring Nature's mystick leaves,
+To hold strange converse with the viewless wind;
+To see the Spirits, in embodied forms,
+Of gales and whirlwinds, hurricanes and storms.
+For, lo! obedient to thy bidding, teems
+Fierce into shape their stern relentless Lord:
+His form of motion ever-restless seems;
+Or, if to rest inclin'd his turbid soul,
+On Hecla's top to stretch, and give the word
+To subject Winds that sweep the desert pole.
+
+
+
+
+Sonnet
+
+_On REMBRANT; occasioned by his Picture of Jacob's Dream._
+
+
+
+As in that twilight, superstitious age
+When all beyond the narrow grasp of mind
+Seem'd fraught with meanings of supernal kind,
+When e'en the learned philosophic sage,
+Wont with the stars thro' boundless space to range.
+Listen'd with rev'rence to the changeling's tale;
+E'en so, thou strangest of all beings strange!
+E'en so thy visionary scenes I hail;
+That like the ramblings of an idiot's speech,
+No image giving of a thing on earth.
+Nor thought significant in Reason's reach,
+Yet in their random shadowings give birth
+To thoughts and things from other worlds that come,
+And fill the soul, and strike the reason dumb.
+
+
+
+
+Sonnet
+
+_On the Luxembourg Gallery._
+
+
+
+There is a Charm no vulgar mind can reach.
+No critick thwart, no mighty master teach;
+A Charm how mingled of the good and ill!
+Yet still so mingled that the mystick whole
+Shall captive hold the struggling Gazer's will,
+'Till vanquish'd reason own its full control.
+And such, oh Rubens, thy mysterious art,
+The charm that vexes, yet enslaves the heart!
+Thy lawless style, from timid systems free,
+Impetuous rolling like a troubled sea,
+High o'er the rocks of reason's lofty verge
+Impending hangs; yet, ere the foaming surge
+Breaks o'er the bound, the refluent ebb of taste
+Back from the shore impels the wat'ry waste.
+
+
+
+
+Sonnet
+
+_To my venerable Friend, the President of the Royal Academy._
+
+
+
+From one unus'd in pomp of words to raise
+A courtly monument of empty praise,
+Where self, transpiring through the flimsy pile,
+Betrays the builder's ostentatious guile,
+Accept, oh West, these unaffected lays,
+Which genius claims and grateful justice pays.
+Still green in age, thy vig'rous powers impart
+The youthful freshness of a blameless heart;
+For thine, unaided by another's pain,
+The wiles of envy, or the sordid train
+Of selfishness, has been the manly race
+Of one who felt the purifying grace
+Of honest fame; nor found the effort vain
+E'en far itself to love thy soul-ennobling art.
+
+
+
+
+The Mad Lover
+
+_At the Grave of his Mistress._
+
+
+
+Stay, gentle Stranger, softly tread!
+ Oh, trouble not this hallow'd heap.
+Vile Envy says my Julia's dead;
+ But Envy thus Will never sleep.
+
+Ye creeping Zephyrs, hist you, pray,
+ Nor press so hard yon wither'd leaves;
+For Julia sleeps beneath this clay--
+ Nay, feel it, how her bosom heaves!
+
+Oh, she was purer than the stream
+ That saw the first created morn;
+Her words were like a sick man's dream
+ That nerves with health a heart forlorn.
+
+And who their lot would hapless deem
+ Those lovely, speaking lips to view;
+That light between like rays that beam
+ Through sister clouds of rosy hue?
+
+Yet these were to her fairer soul
+ But, as yon op'ning clouds on high
+To glorious worlds that o'er them roll,
+ The portals to a brighter sky.
+
+And shall the glutton worm defile
+ This spotless tenement of love,
+That like a playful infant's smile
+ Seem'd born of purest light above?
+
+And yet I saw the sable pall
+ Dark-trailing o'er the broken ground--
+The earth did on her coffin fall--
+ I heard the heavy, hollow sound
+
+Avaunt, thou Fiend! nor tempt my brain
+ With thoughts of madness brought from Hell!
+No wo like this of all her train
+ Has Mem'ry in her blackest cell.
+
+'Tis all a tale of fiendish art--
+ Thou com'st, my love, to prove it so!
+I'll press thy hand upon my heart--
+ It chills me like a hand of snow!
+
+Thine eyes are glaz'd, thy cheeks are pale,
+ Thy lips are livid, and thy breath
+Too truly tells the dreadful tale---
+ Thou comest from the house of death!
+
+Oh, speak, Beloved! lest I rave;
+ The fatal truth I'll bravely meet,
+And I will follow to the grave,
+ And wrap me in thy winding sheet.
+
+
+
+
+First Love.
+
+_A Ballad_[8].
+
+
+
+Ah me! how hard the task to bear
+ The weight of ills we know!
+But harder still to dry the tear,
+ That mourns a nameless we.
+
+If by the side of Lucy's wheel
+ I sit to see her spin,
+My head around begins to reel,
+ My heart to beat within.
+
+Or when on harvest holliday
+ I lead the dance along,
+If Lucy chance to cross my way,
+ So sure she leads me wrong,
+
+If I attempt the pipe to play,
+ And catch my Lucy's eye,
+The trembling musick dies away,
+ And melts into a sigh.
+
+Where'er I go, where'er I turn,
+ If Lucy there be found,
+I seem to shiver, yet I burn,
+ My head goes swimming round.
+
+I cannot bear to see her smile,
+ Unless she smile on me;
+And if she frown, I sigh the while,
+ But know not whence it be.
+
+Ah, what have I to Lucy done
+ To cause me so much stir?
+From rising to the setting sun
+ I sigh, and think of her.
+
+In vain I strive to join the throng
+ In social mirth and ease;
+Now lonely woods I stray among,
+ For only woods can please.
+
+Ah, me! this restless heart I fear
+ Will never be at rest,
+'Till Lucy cease to live, or tear
+ Her image from my breast.
+
+
+
+
+The Complaint.
+
+
+
+"Oh, had I Colin's winning ease,"
+ Said Lindor with a sigh,
+"So carelessly ordained to please,
+ I'd every care defy.
+
+"If Colin but for Daphne's hair
+ A simple garland weave,
+He gives it with so sweet an air
+ He seems a crown to give.
+
+"But, though I cull the fairest flower
+ That decks the breast of spring,
+And posies from the woodland bower
+ For Daphne's bosom bring,
+
+"When I attempt to give the fair,
+ With many a speech in store,
+My half-form'd words dissolve in air,
+ I blush and dare no more.
+
+"And shall I then expect a smile
+ From Daphne on my love,
+When every word and look the while
+ My clownish weakness prove?
+
+"Oft at the close of summer day,
+ When Daphne wander'd by,
+I've left my little flock astray,
+ And follow'd with a sigh.
+
+"Yet, fearing to approach too near,
+ I lingered far behind:
+And, lest my step should reach her ear,
+ I shook at every wind.
+
+"How happy then must Colin be
+ Who never knew this fear,
+Whose sweet address at liberty
+ Commands the fair-one's ear!
+
+"A smile, a tear, a word, a sigh,
+ Stand ready at his call;
+In me unknown they live and die,
+ Who have and feel them all."
+
+Ah, simple swain, how little knows
+ The love-sick mind to scan
+Those gifts which real love bestows
+ To mark the favoured man.
+
+Secure, let fluent parrots feign
+ The musick of the dove;
+'Tis only in the eye may reign
+ The eloquence of love.
+
+
+
+
+Will, the Maniac.
+
+_A Ballad._
+
+
+
+HARK! what wild sound is on the breeze?
+ 'Tis Will, at evening fall
+Who sings to yonder waving trees
+ That shade his prison wall.
+
+Poor Will was once the gayest swain
+ At village dance was seen;
+No freer heart of wicked stain
+ E'er tripp'd the moonlight green.
+
+His flock was all his humble pride,
+ A finer ne'er was shorn;
+And only when a lambkin died
+ Had Will a cause to mourn.
+
+But now poor William's brain is turn'd,
+ He knows no more his flock;
+For when I ask'd "if them he mourn'd,"
+ He mock'd the village clock.
+
+No, William does not mourn his fold,
+ Though tenantless and drear;
+Some say, a love he never told
+ Did crush his heart with fear.
+
+And she, 'tis said, for whom he pin'd
+ Was heiress of the land,
+A lovely lady, pure of mind
+ Of open heart and hand.
+
+And others tell, as _how_ he strove
+ To win the noble fair.
+Who, scornful, jeer'd his simple love.
+ And left him to despair.
+
+Will wander'd then amid the rocks
+ Through all the live long day,
+And oft would creep where bursting shocks
+ Had rent the earth away.
+
+He lov'd to delve the darksome dell
+ Where never pierc'd a ray,
+There to the wailing night-bird tell,
+'How love was turn'd to clay.'
+
+And oft upon yon craggy mount,
+ Where threatening cliffs hang high,
+Have I observ'd him stop to count
+ With fixless stare the sky.
+
+
+
+
+
+Footnotes
+
+
+
+[1] In a late beautiful poem by Mr. Montgomery is the following lines
+"_The spirits of departed hours_." The Author, fearing that so singular a
+coincidence of thought and language might subject him to the charge of
+plagiarism, thinks it necessary to state that his poem was written long
+before he had the pleasure of reading Mr. M.'s.
+
+[2] The Author would be sorry to have it supposed that he alludes here to
+any individual; for he can say with truth, that such a character has never
+fallen under his observation: much less would he be thought to reflect on
+the Artists, as a class of men to which such baseness may be generally
+imputed. The case here is merely _supposed_, to shew how easily imbecility
+and selfishness may pervert this most innocent of all arts to the vilest
+purposes. He may be allowed also to disclaim an opinion too generally
+prevalent; namely, that envy and detraction are the natural offspring of
+the art. That Artists should possess a portion of these vices, in common
+with Poets, Musicians, and other candidates for fame, is reasonably to be
+expected; but that they should exclusively monopolise them, or even hold
+an undue proportion, 'twere ungenerous to suppose. The Author has known
+Artists in various countries; and can truly say, that, with a very few
+exceptions, he has found them candid and liberal; prompt to discover
+merit, and just in applauding it. If there have been exceptions, he has
+also generally been able to trace their cause to the unpropitious
+coincidence of narrow circumstances, a defective education, and poverty of
+intellect. Is it then surprising, that in the hands of such a triumvirate
+the art should be degraded to an imposture, to the trick of a juggler? but
+it surely would be a cause of wonder, if, with such leprous members, the
+sound and respectable body of its professors should escape the suspicion
+of partaking their contamination.
+
+[3] "Who breaks a butterfly upon a wheel?" Pope.
+
+[4] The Author having no revenge to gratify, and consequently no pleasure
+in giving pain, has purposely excluded the Works of all living Artists
+from this Gallery.
+
+[5] To those who are conversant with the Works of the Old Masters this
+piece of anachronism will hardly appear exaggerated.
+
+[6] Fra. Bartolomeo.
+
+[7] See Boswell's Life of Johnson.
+
+[8] This and the two following ballads were written at a very early age,
+and have already appeared in some of the Periodical Works of their day.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Sylphs of the Season with Other
+Poems, by Washington Allston
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE SYLPHS ***
+
+***** This file should be named 11059-8.txt or 11059-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/1/0/5/11059/
+
+Produced by Distributed Proofreaders
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/old/11059-8.zip b/old/11059-8.zip
new file mode 100644
index 0000000..e8ea212
--- /dev/null
+++ b/old/11059-8.zip
Binary files differ
diff --git a/old/11059-h.zip b/old/11059-h.zip
new file mode 100644
index 0000000..d41f6a2
--- /dev/null
+++ b/old/11059-h.zip
Binary files differ
diff --git a/old/11059-h/11059-h.htm b/old/11059-h/11059-h.htm
new file mode 100644
index 0000000..95bbb54
--- /dev/null
+++ b/old/11059-h/11059-h.htm
@@ -0,0 +1,3227 @@
+<?xml version="1.0" encoding="UTF-8" ?>
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd">
+
+<html>
+
+<head>
+<title>The Sylphs of the Seasons with Other Poems, by W. Allston</title>
+
+<style type="text/css">
+ <!--
+
+ body {
+ margin .5em;
+ font-family: Verdana, Arial, sans-serif;
+ }
+
+ h1, h2 {
+ text-align: center;
+ font-weight: bold;
+ font-variant: small-caps
+ }
+
+ .smallcaps { font-variant: small-caps }
+
+ a { text-decoration: none; }
+ a:hover { background-color: #ffffcc }
+
+ div.chapter {
+ margin-top: 4em;
+ }
+
+ hr {
+ height: 1px;
+ width: 80%;
+ }
+
+ div.note {
+ border-style: dashed;
+ border-width: 1px;
+ border-color: #000000;
+ background-color: #ccffcc;
+ font-size: .8em;
+ margin: 10px;
+ }
+
+ div.note p {
+ margin: 10px 10px 10px 10px;
+ }
+
+-->
+</style>
+</head>
+
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of The Sylphs of the Season with Other Poems
+by Washington Allston
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Sylphs of the Season with Other Poems
+
+Author: Washington Allston
+
+Release Date: February 12, 2004 [EBook #11059]
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE SYLPHS ***
+
+
+
+
+Produced by Distributed Proofreaders
+
+
+
+
+
+</pre>
+
+<div class="note"><p>[<span class="smallcaps">Transcriber's Note:</span> Footnotes have been numbered and moved to the end.]</p></div>
+
+
+<div class="tp">
+<h1 class="title">The Sylphs of the Seasons<br />
+with Other Poems.</h1>
+
+<p align="center" class="smallcaps">By</p>
+
+<h2 class="author">W. Allston.</h2>
+</div>
+
+
+<div class="chapter" id="toc">
+<h2>Contents.</h2>
+
+
+
+<p><a href="#p01">The Sylphs of the Seasons; a Poet's Dream</a></p>
+<p><a href="#p02">The Two Pointers; a Tale</a></p>
+<p><a href="#p03">Eccentricity</a></p>
+<p><a href="#p04">The Paint King</a></p>
+<p><a href="#p05">Myrtilla: addressed to a Lady, who lamented that she had never been in love</a></p>
+<p><a href="#p06">To a Lady who spoke slightingly of Poets</a></p>
+<p><a href="#p07">Sonnet on a Falling Group in the Last Judgment of Michael Angelo, in the Cappella Sistina</a></p>
+<p><a href="#p08">Sonnet on the Group of the Three Angels before the Tent of Abraham, by Raffaelle, in the Vatican</a></p>
+<p><a href="#p09">Sonnet, on seeing the Picture of &AElig;olus, by Peligrino Tibaldi, in the Institute at Bologna</a></p>
+<p><a href="#p10">Sonnet on Rembrant; occasioned by his Picture of Jacob's Dream</a></p>
+<p><a href="#p11">Sonnet on the Luxembourg Gallery</a></p>
+<p><a href="#p12">Sonnet to my venerable Friend, the President of the Royal Academy</a></p>
+<p><a href="#p13">The Mad Lover at the Grave of his Mistress</a></p>
+<p><a href="#p14">First Love: a Ballad</a></p>
+<p><a href="#p15">The Complaint</a></p>
+<p><a href="#p16">Will, the Maniac: a Ballad</a></p>
+</div>
+
+
+
+<h1 class='title'>The Sylphs of the Seasons;</h1>
+
+<h2 class="subtitle"><i>A Poet's Dream.</i></h2>
+
+
+
+<div class="chapter" id="preface">
+<h2>Prefatory Note to The Sylphs of the Seasons.</h2>
+
+
+
+<p>As it may be objected to the following Poem, that some of the images there
+introduced are not wholly peculiar to the Season described, the Author
+begs leave to state, that, both in their selection and disposition, he was
+guided by that, which, in his limited experience, was found to be the
+Season of their greatest impression: and, though he has not always felt
+the necessity of pointing out the collateral causes by which the effect
+was increased, he yet flatters himself that, in general, they are
+sufficiently implied either by what follows or precedes them. Thus, for
+instance, the <i>running brook</i>, though by no means peculiar, is
+appropriated to Spring; as affording by its motion and <i>seeming</i>
+exultation one of the most lively images of that spirit of renovation
+which animates the earth after its temporary suspension during the Winter.
+By the same rule, is assigned to Summer the <i>placid lake</i>, &amp;c. not because
+that image is never seen, or enjoyed, at any other season; but on account
+of its affecting us more in Summer, than either in the Spring, or in
+Autumn; the indolence and languor generally then experienced disposing us
+to dwell with particular delight on such an object of repose, not to
+mention the grateful idea of coolness derived from a knowledge of its
+temperature. Thus also the <i>evening cloud</i>, exhibiting a fleeting
+representation of successive objects, is, perhaps, justly appropriated to
+Autumn, as in that Season the general decay of inanimate nature leads the
+mind to turn upon itself, and without effort to apply almost every image
+of sense or vision of the imagination,* to its own transitory state.</p>
+
+<p>If the above be admitted, it is needless to add more; if it be not, it
+would be useless.</p>
+</div>
+
+
+<div class="chapter" id="p01">
+<h2>The Sylphs of the Seasons.</h2>
+
+
+
+<p>Long has it been my fate to hear<br />
+The slave of Mammon, with a sneer,<br />
+&nbsp;&nbsp;My indolence reprove.<br />
+Ah, little knows he of the care,<br />
+The toil, the hardship that I bear,<br />
+While lolling in my elbow-chair,<br />
+&nbsp;&nbsp;And seeming scarce to move:</p>
+
+<p>For, mounted on the Poet's steed,<br />
+I <i>there</i> my ceaseless journey speed<br />
+&nbsp;&nbsp;O'er mountain, wood, and stream:<br />
+And oft within a little day<br />
+'Mid comets fierce 'tis mine to stray,<br />
+And wander o'er the Milky-way<br />
+&nbsp;&nbsp;To catch a Poet's dream.</p>
+
+<p>But would the Man of Lucre know<br />
+What riches from my labours flow?--<br />
+&nbsp;&nbsp;A DREAM is my reply.<br />
+And who for wealth has ever pin'd,<br />
+That had a World within his mind,<br />
+Where every treasure he may find,<br />
+&nbsp;&nbsp;And joys that never die!</p>
+
+<p>One night, my task diurnal done,<br />
+(For I had travell'd with the Sun<br />
+&nbsp;&nbsp;O'er burning sands, o'er snows)<br />
+Fatigued, I sought the couch of rest;<br />
+My wonted pray'r to Heaven address'd;<br />
+But scarce had I my pillow press'd<br />
+&nbsp;&nbsp;When thus a vision rose.</p>
+
+<p>Methought within a desert cave,<br />
+Cold, dark, and solemn as the grave,<br />
+&nbsp;I suddenly awoke.<br />
+It seem'd of sable Night the cell,<br />
+Where, save when from the ceiling fell<br />
+An oozing drop, her silent spell<br />
+&nbsp;No sound had ever broke.</p>
+
+<p>There motionless I stood alone,<br />
+Like some strange monument of stone<br />
+&nbsp;&nbsp;Upon a barren wild;<br />
+Or like, (so solid and profound<br />
+The darkness seem'd that wall'd me round)<br />
+A man that's buried under ground,<br />
+&nbsp;&nbsp;Where pyramids are pil'd.</p>
+
+<p>Thus fix'd, a dreadful hour I past,<br />
+And now I heard, as from a blast,<br />
+&nbsp;&nbsp;A voice pronounce my name:<br />
+Nor long upon my ear it dwelt,<br />
+When round me 'gan the air to melt.<br />
+And motion once again I felt<br />
+&nbsp;&nbsp;Quick circling o'er my frame.</p>
+
+<p>Again it call'd; and then a ray,<br />
+That seem'd a gushing fount of day,<br />
+&nbsp;&nbsp;Across the cavern stream'd.<br />
+Half struck with terror and delight,<br />
+I hail'd the little blessed light,<br />
+And follow'd 'till my aching sight<br />
+&nbsp;&nbsp;An orb of darkness seem'd.</p>
+
+<p>Nor long I felt the blinding pain;<br />
+For soon upon a mountain plain<br />
+&nbsp;&nbsp;I gaz'd with wonder new.<br />
+There high a castle rear'd its head;<br />
+And far below a region spread,<br />
+Where every Season seem'd to shed<br />
+&nbsp;&nbsp;Its own peculiar hue.</p>
+
+<p>Now at the castle's massy gate,<br />
+Like one that's blindly urged by fate,<br />
+&nbsp;&nbsp;A bugle-horn I blew.<br />
+The mountain-plain it shook around,<br />
+The vales return'd a hollow sound,<br />
+And, moving with a sigh profound.<br />
+&nbsp;&nbsp;The portals open flew.</p>
+
+<p>Then ent'ring, from a glittering hall<br />
+I heard a voice seraphic call,<br />
+&nbsp;&nbsp;That bade me "ever reign,<br />
+All hail!" it said in accent wild,<br />
+"For thou art Nature's chosen child,<br />
+Whom wealth nor blood has e'er defil'd,<br />
+&nbsp;&nbsp;Hail, Lord of this Domain!"</p>
+
+<p>And now I paced a bright saloon,<br />
+That seem'd illumin'd by the moon,<br />
+&nbsp;&nbsp;So mellow was the light.<br />
+The walls with jetty darkness teem'd,<br />
+While down them chrystal columns streamed,<br />
+And each a mountain torrent seem'd.<br />
+&nbsp;&nbsp;High-flashing through the night.</p>
+
+<p>Rear'd in the midst, a double throne.<br />
+Like burnish'd cloud of evening shone;<br />
+&nbsp;&nbsp;While, group'd the base around,<br />
+Four Damsels stood of Faery race;<br />
+Who, turning each with heavenly grace<br />
+Upon me her immortal face,<br />
+&nbsp;&nbsp;Transfix'd me to the ground.</p>
+
+<p>And <i>thus</i> the foremost of the tram:<br />
+Be thine the throne, and thine to reign<br />
+&nbsp;&nbsp;O'er all the varying year!<br />
+But ere thou rulest the Fates command;<br />
+That of our chosen rival band<br />
+A Sylph shall win thy heart and hand,<br />
+&nbsp;&nbsp;Thy sovereignty to share.</p>
+
+<p>For we, the sisters of a birth,<br />
+Do rule by turns the subject earth<br />
+&nbsp;&nbsp;To serve ungrateful man;<br />
+But since our varied toils impart<br />
+No joy to his capricious heart,<br />
+'Tis now ordain'd that human art<br />
+&nbsp;&nbsp;Shall rectify the plan.</p>
+
+<p>Then spake the Sylph of Spring serene,<br />
+'Tis <i>I</i> thy joyous heart I ween,<br />
+&nbsp;&nbsp;With sympathy shall move:<br />
+For I with living melody<br />
+Of birds in choral symphony,<br />
+First wak'd thy soul to poesy,<br />
+&nbsp;&nbsp;To piety and love.</p>
+
+<p>When thou, at call of vernal breeze,<br />
+And beck'ning bough of budding trees,<br />
+&nbsp;&nbsp;Hast left thy sullen fire;<br />
+And stretch'd thee in some mossy dell.<br />
+And heard the browsing wether's bell,<br />
+Blythe echoes rousing from their cell<br />
+&nbsp;&nbsp;To swell the tinkling quire:</p>
+
+<p>Or heard from branch of flow'ring thorn<br />
+The song of friendly cuckoo warn<br />
+&nbsp;&nbsp;The tardy-moving swain;<br />
+Hast bid the purple swallow hail;<br />
+And seen him now through ether sail,<br />
+Now sweeping downward o'er the vale.<br />
+&nbsp;&nbsp;And skimming now the plain;</p>
+
+<p>Then, catching with a sudden glance<br />
+The bright and silver-clear expanse<br />
+&nbsp;&nbsp;Of some broad river's stream.<br />
+Beheld the boats adown it glide,<br />
+And motion wind again the tide,<br />
+Where, chain'd in ice by Winter's pride,<br />
+&nbsp;&nbsp;Late roll'd the heavy team:</p>
+
+<p>Or, lur'd by some fresh-scented gale,<br />
+That woo'd the moored fisher's sail<br />
+&nbsp;&nbsp;To tempt the mighty main,<br />
+Hast watch'd the dim receding shore,<br />
+Now faintly seen the ocean o'er,<br />
+Like hanging cloud, and now no more<br />
+&nbsp;&nbsp;To bound the sapphire plain;</p>
+
+<p>Then, wrapt in night the scudding bark,<br />
+(That seem'd, self-pois'd amid the dark,<br />
+&nbsp;&nbsp;Through upper air to leap,)<br />
+Beheld, from thy most fearful height,<br />
+Beneath the dolphin's azure light<br />
+Cleave, like a living meteor bright,<br />
+&nbsp;&nbsp;The darkness of the deep:</p>
+
+<p>'Twas mine the warm, awak'ning hand<br />
+That made thy grateful heart expand,<br />
+&nbsp;&nbsp;And feel the high control<br />
+Of Him, the mighty Power, that moves<br />
+Amid the waters and the groves,<br />
+And through his vast creation proves<br />
+&nbsp;&nbsp;His omnipresent soul.</p>
+
+<p>Or, brooding o'er some forest rill,<br />
+Fring'd with the early daffodil,<br />
+&nbsp;&nbsp;And quiv'ring maiden-hair,<br />
+When thou hast mark'd the dusky bed,<br />
+With leaves and water-rust o'erspread,<br />
+That seem'd an amber light to shed<br />
+&nbsp;&nbsp;On all was shadow'd there;</p>
+
+<p>And thence, as by its murmur call'd,<br />
+The current traced to where it brawl'd<br />
+&nbsp;&nbsp;Beneath the noontide ray;<br />
+And there beheld the checquer'd shade<br />
+Of waves, in many a sinuous braid,<br />
+That o'er the sunny channel play'd,<br />
+&nbsp;&nbsp;With motion ever gay:</p>
+
+<p>'Twas I to these the magick gave,<br />
+That made thy heart, a willing slave,<br />
+&nbsp;&nbsp;To gentle Nature bend;<br />
+And taught thee how with tree and flower,<br />
+And whispering gale, and dropping shower,<br />
+In converse sweet to pass the hour,<br />
+&nbsp;&nbsp;As with an early friend:</p>
+
+<p>That mid the noontide sunny haze<br />
+Did in thy languid bosom raise<br />
+&nbsp;&nbsp;The raptures of the boy;<br />
+When, wak'd as if to second birth,<br />
+Thy soul through every pore look'd forth,<br />
+And gaz'd upon the beauteous Earth<br />
+&nbsp;&nbsp;With myriad eyes of joy:</p>
+
+<p>That made thy heart, like HIS above,<br />
+To flow with universal love<br />
+&nbsp;&nbsp;For every living thing.<br />
+And, oh! if I, with ray divine,<br />
+Thus tempering, did thy soul refine,<br />
+Then let thy gentle heart be mine,<br />
+&nbsp;&nbsp;And bless the Sylph of Spring.</p>
+
+<p>And next the Sylph of Summer fair;<br />
+The while her crisped, golden hair<br />
+&nbsp;&nbsp;Half veil'd her sunny eyes:<br />
+Nor less may <i>I</i> thy homage claim,<br />
+At touch of whose exhaling flame<br />
+The fog of Spring that chill'd thy frame<br />
+&nbsp;&nbsp;In genial vapour flies.</p>
+
+<p>Oft by the heat of noon opprest,<br />
+With flowing hair and open vest,<br />
+&nbsp;&nbsp;Thy footsteps have I won<br />
+To mossy couch of welling grot,<br />
+Where thou hast bless'd thy happy lot.<br />
+That thou in that delicious spot<br />
+&nbsp;&nbsp;May'st see, not feel, the sun:</p>
+
+<p>Thence tracing from the body's change,<br />
+In curious philosophic range,<br />
+&nbsp;&nbsp;The motion of the mind;<br />
+And how from thought to thought it flew,<br />
+Still hoping in each vision new<br />
+The faery land of bliss to view,<br />
+&nbsp;&nbsp;But ne'er that land to find.</p>
+
+<p>And then, as grew thy languid mood,<br />
+To some embow'ring silent wood<br />
+&nbsp;&nbsp;I led thy careless way;<br />
+Where high from tree to tree in air<br />
+Thou saw'st the spider swing her snare.<br />
+So bright!--as if, entangled there,<br />
+&nbsp;&nbsp;The sun had left a ray:</p>
+
+<p>Or lur'd thee to some beetling steep<br />
+To mark the deep and quiet sleep<br />
+&nbsp;&nbsp;That wrapt the tarn below;<br />
+And mountain blue and forest green<br />
+Inverted on its plane serene,<br />
+Dim gleaming through the filmy sheen<br />
+&nbsp;&nbsp;That glaz'd the painted show;</p>
+
+<p>Perchance, to mark the fisher's skiff<br />
+Swift from beneath some shadowy cliff<br />
+&nbsp;&nbsp;Dart, like a gust of wind;<br />
+And, as she skimm'd the sunny lake,<br />
+In many a playful wreath her wake<br />
+Far-trailing, like a silvery snake,<br />
+&nbsp;&nbsp;With sinuous length behind.</p>
+
+<p>Nor less when hill and dale and heath<br />
+Still Evening wrapt in mimic death.<br />
+&nbsp;&nbsp;Thy spirit true I prov'd:<br />
+Around thee, as the darkness stole,<br />
+Before thy wild, creative soul<br />
+I bade each faery vision roll,<br />
+&nbsp;&nbsp;Thine infancy had lov'd.</p>
+
+<p>Then o'er the silent sleeping land,<br />
+Thy fancy, like a magick wand,<br />
+&nbsp;&nbsp;Forth caird the Elfin race:<br />
+And now around the fountain's brim<br />
+In circling dance they gaily skim;<br />
+And now upon its surface swim,<br />
+&nbsp;&nbsp;And water-spiders chase;</p>
+
+<p>Each circumstance of sight or sound<br />
+Peopling the vacant air around<br />
+&nbsp;&nbsp;With visionary life:<br />
+For if amid a thicket stirr'd,<br />
+Or flitting bat, or wakeful bird,<br />
+Then straight thy eager fancy heard<br />
+&nbsp;&nbsp;The din of Faery strife;</p>
+
+<p>Now, in the passing beetle's hum<br />
+The Elfin army's goblin drum<br />
+&nbsp;&nbsp;To pigmy battle sound;<br />
+And now, where dripping dew-drops plash<br />
+On waving grass, their bucklers clash,<br />
+And now their quivering lances flash,<br />
+&nbsp;&nbsp;Wide-dealing death around:</p>
+
+<p>Or if the moon's effulgent form<br />
+The passing clouds of sudden storm<br />
+&nbsp;&nbsp;In quick succession veil;<br />
+Vast serpents now, their shadows glide,<br />
+And, coursing now the mountain's side,<br />
+A band of giants huge, they stride<br />
+&nbsp;&nbsp;O'er hill, and wood, and dale.</p>
+
+<p>And still on many a service rare<br />
+Could I descant, if need there were,<br />
+&nbsp;&nbsp;My firmer claim to bind.<br />
+But rest I most my high pretence<br />
+On that my genial influence,<br />
+Which made the body's indolence<br />
+&nbsp;&nbsp;The vigour of the mind.</p>
+
+<p>And now, in accents deep and low,<br />
+Like voice of fondly-cherish'd woe,<br />
+&nbsp;&nbsp;The Sylph of Autumn sad:<br />
+Though I may not of raptures sing,<br />
+That grac'd the gentle song of Spring,<br />
+Like Summer, playful pleasures bring,<br />
+&nbsp;&nbsp;Thy youthful heart to glad;</p>
+
+<p>Yet still may I in hope aspire<br />
+Thy heart to touch with chaster fire,<br />
+&nbsp;&nbsp;And purifying love:<br />
+For I with vision high and holy,<br />
+And spell of quick'ning melancholy,<br />
+Thy soul from sublunary folly<br />
+&nbsp;&nbsp;First rais'd to worlds above.</p>
+
+<p>What though be mine the treasures fair<br />
+Of purple grape and yellow pear,<br />
+&nbsp;&nbsp;And fruits of various hue,<br />
+And harvests rich of golden grain,<br />
+That dance in waves along the plain<br />
+To merry song of reaping swain,<br />
+&nbsp;&nbsp;Beneath the welkin blue;</p>
+
+<p>With these I may not urge my suit,<br />
+Of Summer's patient toil the fruit,<br />
+&nbsp;&nbsp;For mortal purpose given:<br />
+Nor may it fit my sober mood<br />
+To sing of sweetly murmuring flood,<br />
+Or dies of many-colour'd wood,<br />
+&nbsp;&nbsp;That mock the bow of heaven.</p>
+
+<p>But, know, 'twas mine the secret power<br />
+That wak'd thee at the midnight hour,<br />
+&nbsp;&nbsp;In bleak November's reign:<br />
+'Twas I the spell around thee cast,<br />
+When thou didst hear the hollow blast<br />
+In murmurs tell of pleasures past,<br />
+&nbsp;&nbsp;That ne'er would come again:</p>
+
+<p>And led thee, when the storm was o'er,<br />
+To hear the sullen ocean roar,<br />
+&nbsp;&nbsp;By dreadful calm opprest;<br />
+Which still, though not a breeze was there,<br />
+Its mountain-billows heav'd in air,<br />
+As if a living thing it were,<br />
+&nbsp;&nbsp;That strove in vain for rest.</p>
+
+<p>'Twas I, when thou, subdued by woe,<br />
+Didst watch the leaves descending slow,<br />
+&nbsp;&nbsp;To each a moral gave;<br />
+And as they mov'd in mournful train,<br />
+With rustling sound, along the plain,<br />
+Taught them to sing a seraph's strain<br />
+&nbsp;&nbsp;Of peace within the grave.</p>
+
+<p>And then uprais'd thy streaming eye,<br />
+I met thee in the western sky<br />
+&nbsp;&nbsp;In pomp of evening cloud;<br />
+That, while with varying form it roll'd;<br />
+Some wizard's castle seem'd of gold,<br />
+And now a crimson'd knight of old,<br />
+&nbsp;&nbsp;Or king in purple proud.</p>
+
+<p>And last, as sunk the setting sun,<br />
+And Evening with her shadows dun,<br />
+&nbsp;&nbsp;The gorgeous pageant past,<br />
+'Twas then of life a mimic shew,<br />
+Of human grandeur here below,<br />
+Which thus beneath the fatal blow<br />
+&nbsp;&nbsp;Of Death must fall at last.</p>
+
+<p>Oh, then with what aspiring gaze<br />
+Didst thou thy tranced vision raise<br />
+&nbsp;&nbsp;To yonder orbs on high,<br />
+And think how wondrous, how sublime<br />
+'Twere upwards to their spheres to climb,<br />
+And live, beyond the reach of Time,<br />
+&nbsp;&nbsp;Child of Eternity!</p>
+
+<p>And last the Sylph of Winter spake;<br />
+The while her piercing voice did shake<br />
+&nbsp;&nbsp;The castle-vaults below.<br />
+Oh, youth, if thou, with soul refin'd,<br />
+Hast felt the triumph pure of mind,<br />
+And learnt a secret joy to find<br />
+&nbsp;&nbsp;In deepest scenes of woe;</p>
+
+<p>If e'er with fearful ear at eve<br />
+Hast heard the wailing tempest grieve<br />
+&nbsp;&nbsp;Through chink of shatter'd wall;<br />
+The while it conjur'd o'er thy brain<br />
+Of wandering ghosts a mournful train,<br />
+That low in fitful sobs complain,<br />
+&nbsp;&nbsp;Of Death's untimely call:</p>
+
+<p>Or feeling, as the storm increas'd,<br />
+The love of terror nerve thy breast,<br />
+&nbsp;&nbsp;Didst venture to the coast;<br />
+To see the mighty war-ship leap<br />
+From wave to wave upon the deep,<br />
+Like chamoise goat from steep to steep,<br />
+&nbsp;&nbsp;'Till low in valleys lost;</p>
+
+<p>Then, glancing to the angry sky,<br />
+Behold the clouds with fury fly<br />
+&nbsp;&nbsp;The lurid moon athwart;<br />
+Like armies huge in battle, throng,<br />
+And pour in vollying ranks along,<br />
+While piping winds in martial song<br />
+&nbsp;&nbsp;To rushing war exhort:</p>
+
+<p>Oh, then to me thy heart be given,<br />
+To me, ordain'd by Him in heaven<br />
+&nbsp;&nbsp;Thy nobler powers to wake.<br />
+And oh! if thou with poet's soul,<br />
+High brooding o'er the frozen pole,<br />
+Hast felt beneath my stern control<br />
+&nbsp;&nbsp;The desert region quake;</p>
+
+<p>Or from old Hecla's cloudy height,<br />
+When o'er the dismal, half-year's night<br />
+&nbsp;&nbsp;He pours his sulph'rous breath,<br />
+Hast known my petrifying wind<br />
+Wild ocean's curling billows bind,<br />
+Like bending sheaves by harvest hind,<br />
+&nbsp;&nbsp;Erect in icy-*death;</p>
+
+<p>Or heard adown the mountain's steep<br />
+The northern blast with furious sweep<br />
+&nbsp;&nbsp;Some cliff dissever'd dash;<br />
+And seen it spring with dreadful bound<br />
+From rock to rock, to gulph profound,<br />
+While echoes fierce from caves resound<br />
+&nbsp;&nbsp;The never-ending crash:</p>
+
+<p>If thus, with terror's mighty spell<br />
+Thy soul inspir'd, was wont to swell,<br />
+&nbsp;&nbsp;Thy heaving frame expand;<br />
+Oh, then to me thy heart incline;<br />
+For know, the wondrous charm was mine<br />
+That fear and joy did thus combine<br />
+&nbsp;&nbsp;In magick union bland.</p>
+
+<p>Nor think confin'd my native sphere<br />
+To horrors gaunt, or ghastly fear,<br />
+&nbsp;&nbsp;Or desolation wild:<br />
+For I of pleasures fair could sing,<br />
+That steal from life its sharpest sting,<br />
+And man have made around it cling,<br />
+&nbsp;&nbsp;Like mother to her child.</p>
+
+<p>When thou, beneath the clear blue sky,<br />
+So calm no cloud was seen to fly,<br />
+&nbsp;&nbsp;Hast gaz'd on snowy plain,<br />
+Where Nature slept so pure and sweet,<br />
+She seem'd a corse in winding-sheet,<br />
+Whose happy soul had gone to meet<br />
+&nbsp;&nbsp;The blest Angelic train;</p>
+
+<p>Or mark'd the sun's declining ray<br />
+In thousand varying colours play<br />
+&nbsp;&nbsp;O'er ice-incrusted heath,<br />
+In gleams of orange now, and green,<br />
+And now in red and azure sheen,<br />
+Like hues on dying dolphins seen,<br />
+&nbsp;&nbsp;Most lovely when in death;</p>
+
+<p>Or seen at dawn of eastern light<br />
+The frosty toil of Fays by night<br />
+&nbsp;&nbsp;On pane of casement clear,<br />
+Where bright the mimic glaciers shine,<br />
+And Alps, with many a mountain pine,<br />
+And armed knights from Palestine<br />
+&nbsp;&nbsp;In winding march appear:</p>
+
+<p>'Twas I on each enchanting scene<br />
+The charm bestow'd that banished spleen<br />
+&nbsp;&nbsp;Thy bosom pure and light.<br />
+But still a <i>nobler</i> power I claim;<br />
+That power allied to poets' fame,<br />
+Which language vain has dar'd to name--<br />
+&nbsp;&nbsp;The soul's creative might.</p>
+
+<p>Though Autumn grave, and Summer fair,<br />
+And joyous Spring demand a share<br />
+&nbsp;&nbsp;Of Fancy's hallow'd power,<br />
+Yet these I hold of humbler kind,<br />
+To grosser means of earth confin'd,<br />
+Through mortal <i>sense</i> to reach the mind,<br />
+&nbsp;&nbsp;By mountain, stream, or flower.</p>
+
+<p>But mine, of purer nature still,<br />
+Is <i>that</i> which to thy secret will<br />
+&nbsp;&nbsp;Did minister unseen,<br />
+Unfelt, unheard; when every sense<br />
+Did sleep in drowsy indolence,<br />
+And Silence deep and Night intense<br />
+&nbsp;&nbsp;Enshrowded every scene;</p>
+
+<p>That o'er thy teeming brain did raise<br />
+The spirits of departed days[<a href="#fn1">1</a>]<br />
+&nbsp;&nbsp;Through all the varying year;<br />
+And images of things remote,<br />
+And sounds that long had ceas'd to float,<br />
+With every hue, and every note,<br />
+&nbsp;&nbsp;As living now they were:</p>
+
+<p>And taught thee from the motley mass<br />
+Each harmonizing part to class,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;(Like Nature's self employ'd;)<br />
+And then, as work'd thy wayward will,<br />
+From these with rare combining skill,<br />
+With new-created worlds to fill<br />
+&nbsp;&nbsp;&nbsp;&nbsp;Of space the mighty void.</p>
+
+<p>Oh then to me thy heart incline;<br />
+To me whose plastick powers combine<br />
+&nbsp;&nbsp;&nbsp;&nbsp;The harvest of the mind;<br />
+To me, whose magic coffers bear<br />
+The spoils of all the toiling year,<br />
+That still in mental vision wear<br />
+&nbsp;&nbsp;&nbsp;&nbsp;A lustre more refin'd.</p>
+
+<p>She ceas'd--And now in doubtful mood,<br />
+All motionless and mute I stood,<br />
+&nbsp;&nbsp;Like one by charm opprest:<br />
+By turns from each to each I rov'd,<br />
+And each by turns again I lov'd;<br />
+For ages ne'er could one have prov'd<br />
+&nbsp;&nbsp;More lovely than the rest.</p>
+
+<p>"Oh blessed band, of birth divine,<br />
+What mortal task is like to mine!"--<br />
+&nbsp;&nbsp;And further had I spoke,<br />
+When, lo! there pour'd a flood of light<br />
+So fiercely on my aching sight,<br />
+I fell beneath the vision bright,<br />
+&nbsp;&nbsp;And with the pain I woke.</p>
+</div>
+
+
+<div class="chapter" id="p02">
+<h2>The Two Painters: <i>A Tale.</i></h2>
+
+
+
+<p>&nbsp;&nbsp;Say why in every work of man<br />
+Some imperfection mars the plan?<br />
+Why join'd in every human art<br />
+A perfect and imperfect part?<br />
+Is it that life for art is short?<br />
+Or is it nature's cruel sport?<br />
+Or would she thus a moral teach;<br />
+That man should see, but never reach,<br />
+The height of excellence, and show<br />
+The vanity of works below?<br />
+Or consequence of Pride, or Sloth;<br />
+Or rather the effect of both?<br />
+Whoe'er on life his eye has cast,<br />
+I fear, alas, will say the last!</p>
+
+<p>&nbsp;&nbsp;Once on a time in Charon's wherry<br />
+Two Painters met, on Styx's ferry.<br />
+Good sir, said one, with bow profound,<br />
+I joy to meet thee under ground,<br />
+And though with zealous spite we strove<br />
+To blast each other's fame above,<br />
+Yet here, as neither bay nor laurel<br />
+Can tempt us to prolong our quarrel,<br />
+I hope the hand which I extend<br />
+Will meet the welcome of a friend.<br />
+Sweet sir! replied the other Shade,<br />
+While scorn on either nostril play'd,<br />
+Thy proffer'd love were great and kind<br />
+Could I in thee a <i>rival</i> find.--<br />
+rival, sir! returned the first,<br />
+Ready with rising wind to burst,<br />
+Thy meekness, sure, in this I see;<br />
+We are not rivals, I agree:<br />
+And therefore am I more inclin'd<br />
+To cherish one of humble mind,<br />
+Who apprehends that one above him<br />
+Can never condescend to love him.</p>
+
+<p>&nbsp;&nbsp;Nor longer did their courteous guile,<br />
+Like serpent, twisting through a smile,<br />
+Each other sting in civil phrase,<br />
+And poison with envenom'd praise;<br />
+For now the fiend of anger rose,<br />
+Distending each death-withered nose,<br />
+And, rolling fierce each glassy eye,<br />
+Like owlets' at the noonday sky,<br />
+Such flaming vollies pour'd of ire<br />
+As set old Charon's phlegm on fire.<br />
+Peace! peace! the grizly boatman cried,<br />
+You drown the roar of Styx's tide;<br />
+Unmanner'd ghosts! if such your strife,<br />
+'Twere better you were still in life!<br />
+If passions such as these you show<br />
+You'll make another Earth below;<br />
+Which, sure, would be a viler birth,<br />
+Than if we made a Hell on Earth.<br />
+At which in loud defensive strain<br />
+'Gan speak the angry Shades again.<br />
+I'll hear no more, cried he; 'no more'<br />
+In echoes hoarse return'd the shore.<br />
+To Minos' court you soon shall hie,<br />
+(Chief Justice here) 'tis he will try<br />
+Your jealous cause, and prove at once<br />
+That only dunce can hate a dunce.</p>
+
+<p>&nbsp;&nbsp;Thus check'd, in sullen mood they sped,<br />
+Nor more on either side was said;<br />
+Nor aught the dismal silence broke,<br />
+Save only when the boatman's stroke,<br />
+Deep-whizzing through the wave was heard,<br />
+And now and then a spectre-bird,<br />
+Low-cow'ring, with a hungry scream.<br />
+For spectre-fishes in the stream.</p>
+
+<p>&nbsp;&nbsp;Now midway pass'd, the creaking oar<br />
+Is heard upon the fronting shore;<br />
+Where thronging round in many a band,<br />
+The curious ghosts beset the strand.<br />
+Now suddenly the boat they 'spy,<br />
+Like gull diminish'd in the sky;<br />
+And now, like cloud of dusky white,<br />
+Slow sailing o'er the deep of night,<br />
+The sheeted group within the bark<br />
+Is seen amid the billows dark.<br />
+Anon the keel with grating sound<br />
+They hear upon the pebbly ground.<br />
+And now with kind, officious hand,<br />
+They help the ghostly crew to land.</p>
+
+<p>&nbsp;&nbsp;What news? they cried with one accord<br />
+I pray you, said a noble lord,<br />
+Tell me if in the world above<br />
+I still retain the people's love:<br />
+Or whether they, like us below,<br />
+The motives of a Patriot know?<br />
+And me inform, another said,<br />
+What think they of a Buck that's dead?<br />
+Have they discerned that, being dull,<br />
+I knock'd my wit from watchmen's skull?<br />
+And me, cried one, of knotty front,<br />
+With many a scar of pride upon't<br />
+Resolve me if the world opine<br />
+Philosophers are still divine;<br />
+That having hearts for friends too small,<br />
+Or rather having none at all,<br />
+Profess'd to love, with saving grace,<br />
+The <i>abstract</i> of the human race?<br />
+And I, exclaim'd a fourth, would ask<br />
+What think they of the Critick's task?<br />
+Perceive they now our shallow arts;<br />
+That merely from the want of parts<br />
+To write ourselves, we gravely taught<br />
+How books by others should be wrought?<br />
+Whom interrupting, then inquir'd<br />
+A fifth, in squalid garb attir'd,<br />
+Do now the world with much regard<br />
+In mem'ry hold the dirty Bard,<br />
+Who credit gain'd for genius rare<br />
+By shabby coat and uncomb'd hair?<br />
+Or do they, said a Shade of prose,<br />
+With many a pimple's ghost on nose,<br />
+Th' eccentric author still admire,<br />
+Who wanting that same genius' fire,<br />
+Diving in cellars underground,<br />
+In pipe the spark ethereal found:<br />
+Which, fann'd by many a ribbald joke,<br />
+From brother tipplers puff'd in smoke,<br />
+Such blaze diffused with crackling loud,<br />
+As blinded all the staring croud?<br />
+And last, with jealous glancing eye,<br />
+That seem'd in all around to pry,<br />
+A Painter's ghost in voice suppres'd,<br />
+Thus questioning, the group address'd;</p>
+
+<p>&nbsp;&nbsp;Sweet strangers, may I too demand,<br />
+How thrive the offspring of my hand?<br />
+Whether, as when in life I flourish'd,<br />
+They still by puffs of fame are nourish'd?<br />
+Or whether have the world discern'd<br />
+The tricks by which my fame was earn'd;<br />
+That, lacking in my pencil skill,<br />
+I made my tongue its office fill:<br />
+That, marking (as for love of truth)<br />
+In others' works a limb uncouth,<br />
+Or face too young, or face too old,<br />
+Or colour hot, or colour cold;<br />
+Or hinting, (if to praise betray'd)<br />
+'Though coloured well, it yet might <i>fade</i>;'<br />
+And 'though its grace I can't deny,<br />
+Yet pity 'tis so hard and dry.'--<br />
+I thus by implication show'd<br />
+That mine were wrought in better mode;<br />
+And talking thus superiors down,<br />
+Obliquely raise my own renown?<br />
+In short, I simply this would ask,--<br />
+If Truth has stript me of the mask;<br />
+And, chasing Fashion's mist away,<br />
+Expos'd me to the eye of day--[<a href="#fn2">2</a>]<br />
+A Painter false, without a heart,<br />
+Who lov'd himself, and not his art?</p>
+
+<p>&nbsp;&nbsp;At which, with fix'd and fishy<br />
+The Strangers both express'd amaze.<br />
+Good Sir, said they, 'tis strange you dare<br />
+Such meanness of yourself declare.</p>
+
+<p>&nbsp;&nbsp;Were I on earth, replied the Shade,<br />
+I never had the truth betray'd;<br />
+For there (and I suspect like you)<br />
+I ne'er had time myself to view.<br />
+Yet, knowing that 'bove all creation<br />
+I held myself in estimation,<br />
+I deem'd that what I <i>lov'd</i> the <i>best</i><br />
+Of every virtue was possess'd.<br />
+But <i>here</i> in colours black and true,<br />
+Men see themselves, who never knew<br />
+Their motives in the worldly strife,<br />
+Or real characters through life.<br />
+And here, alas! I scarce had been<br />
+A little day, when every sin<br />
+That slumber'd in my living breast,<br />
+By Minos rous'd from torpid rest,<br />
+Like thousand adders, rushing out,<br />
+Entwin'd my shuddering limbs about.--<br />
+Oh, strangers, hear!--the truth I tell--<br />
+That fearful sight I saw was Hell.<br />
+And, oh I with what unmeasur'd wo<br />
+Did bitterness upon me flow,<br />
+When thund'ring through the hissing air,<br />
+I heard the sentence of Despair--<br />
+'Now never hope from Hell to flee;<br />
+Yourself is all the Hell you see!'--</p>
+
+<p>&nbsp;&nbsp;He ceas'd. But still with stubborn pride<br />
+The Rival Shades each other eyed;<br />
+When, bursting with terrifick sound,<br />
+The voice of Minos shook the ground,<br />
+The startled ghosts on either side,<br />
+Like clouds before the wind, divide;<br />
+And leaving far a passage free,<br />
+Each, conning his defensive plea,<br />
+With many a crafty lure for grace.<br />
+The Painters onward hold their pace.<br />
+Anon before the Judgement Seat,<br />
+With sneer confronting sneer they meet:<br />
+And now in deep and awful strain,<br />
+Piercing like fiery darts the brain,<br />
+Thus Minos spake. Though I am he,<br />
+From whom no secret thought may flee;<br />
+Who sees it ere the birth be known<br />
+To him, that claims it for his own;<br />
+Yet would I still with patience hear<br />
+What each may for himself declare,<br />
+That all in your defence may see<br />
+The justice pure of my decree.--<br />
+But, hold!--It ill beseems my place<br />
+To hear debate in such a case:<br />
+Be therefore thou, Da Vinci's shade,<br />
+Who when on earth to men display'd<br />
+The scattered powers of human kind<br />
+In thy capacious soul combin'd;<br />
+Be thou the umpire of the strife,<br />
+And judge as thou wert still in life.</p>
+
+<p>&nbsp;&nbsp;Thus bid, with grave becoming air,<br />
+Th' appointed judge assum'd the chair.<br />
+And now with modest-seeming air,<br />
+The rivals straight for speech prepare:<br />
+And thus, with hand upon his breast,<br />
+The Senior Ghost the Judge address'd:<br />
+The world, (if ought the world I durst<br />
+In this believe) did call me first<br />
+Of those, who by the magick play<br />
+Of harmonizing colours, sway<br />
+The gazer's sense with such surprise,<br />
+As make him disbelieve his eyes.<br />
+'Tis true that some of vision dim,<br />
+Or squeamish taste, or pedant whim,<br />
+My works assail'd with narrow spite;<br />
+And, passing o'er my colour bright,<br />
+Reproach'd me for my want of grace,<br />
+And silks and velvets out of place;<br />
+And vulgar form, and lame design,<br />
+And want of character; in fine,<br />
+For lack of worth of every kind<br />
+To charm or to enlarge the mind.<br />
+Now this, my Lord, as will appear,<br />
+Was nothing less than malice sheer,<br />
+To stab me, like assassins dark,<br />
+Because I did not hit a mark,<br />
+At which (as I have hope of fame)<br />
+I never once design'd to aim.<br />
+For seeing that the life of man<br />
+Was scarcely longer than a span;<br />
+And, knowing that the Graphic Art<br />
+Ne'er mortal master'd but <i>in part</i>;<br />
+I wisely deem'd 'twere labour vain,<br />
+Should I attempt the <i>whole</i> to gain;<br />
+And therefore, with ambition high,<br />
+Aspir'd to reach what pleas'd the eye;<br />
+Which, truly, sir, must be confess'd,<br />
+A part that far excels the rest:<br />
+For if, as all the world agree,<br />
+'Twixt Painting and fair Poesy<br />
+The diff'rence in the mode be found,<br />
+Of colour this, and that of sound,<br />
+'Tis plain, o'er every other grace,<br />
+That colour holds the highest place;<br />
+As being that distinctive part,<br />
+Which bounds it from another art.<br />
+If therefore, with reproof severe<br />
+I've galled my pigmy Rival here,<br />
+'Twas only, as your Lordship knows,<br />
+Because his foolish envy chose<br />
+To rank his classic forms of mud<br />
+Above my wholesome flesh and blood.</p>
+
+<p>&nbsp;&nbsp;Thus ended parle the Senior Shade.<br />
+And now, as scorning to upbraid,<br />
+With curving, <i>parabolick</i> smile,<br />
+Contemptuous, eying him the while,<br />
+His Rival thus: 'Twere vain, my Lord,<br />
+To wound a gnat by spear or sword[<a href="#fn3">3</a>];<br />
+If therefore <i>I</i>, of greater might,<br />
+Would meet this <i>thing</i> in equal fight,<br />
+'Twere fit that I in size should be<br />
+As mean, diminutive, as he;<br />
+Of course, disdaining to reply,<br />
+I pass the wretch unheeded by.<br />
+But since your Lordship deigns to know<br />
+What I in my behalf may show,<br />
+With due submission, I proclaim,<br />
+That few on earth have borne a name<br />
+More envied or esteem'd than mine,<br />
+For grace, expression, and design,<br />
+For manners true of every clime,<br />
+And composition's art sublime.<br />
+In academick lore profound,<br />
+I boldly took that lofty ground,<br />
+Which, as it rais'd me near the sky,<br />
+Was thence for vulgar eyes too high;<br />
+Or, if beheld, to them appear'd<br />
+By clouds of gloomy darkness blear'd.<br />
+Yet still that misty height I chose,<br />
+For well I knew the world had those,<br />
+Whose sight, by learning clear'd of rheum,<br />
+Could pierce with ease the thickest gloom.<br />
+Thus, perch'd sublime, 'mid clouds I wrought,<br />
+Nor heeded what the vulgar thought.<br />
+What, though with clamour coarse and rude<br />
+They jested on my colours crude;<br />
+Comparing with malicious grin,<br />
+My drapery to bronze and tin,<br />
+My flesh to brick and earthen ware,<br />
+And wire of various kinds my hair;<br />
+Or (if a landscape-bit they saw)<br />
+My trees to pitchforks crown'd with straw;<br />
+My clouds to pewter plates of thin edge,<br />
+And fields to dish of eggs and spinage;<br />
+Yet this, and many a grosser rub,<br />
+Like fam'd Diogenes in tub,<br />
+I bore with philosophic nerve,<br />
+Nay, gladly bore; for, here observe,<br />
+<i>'Twas that which gave to them offense,<br />
+Did constitute my excellence.</i><br />
+I see, my Lord, at this you stare:<br />
+Yet thus I'll prove it to a hair.--<br />
+As Mind and Body are distinct,<br />
+Though long in social union link'd,<br />
+And as the only power they boast,<br />
+Is merely at each other's cost;<br />
+If both should hold an equal station,<br />
+They'd both be kings without a nation:<br />
+If therefore, one would paint the Mind<br />
+In partnership with Body join'd,<br />
+And give to each an equal place,<br />
+With each an equal truth and grace,<br />
+'Tis clear the picture could not fail<br />
+To be without or head or tail.<br />
+And therefore as the Mind alone<br />
+I chose should fill my graphick throne,<br />
+To fix her pow'r beyond dispute,<br />
+I trampled Body under foot:<br />
+That is, in more prosaick dress,<br />
+As I the passions would express,<br />
+And as they ne'er could be portray'd<br />
+Without the subject Body's aid,<br />
+I show'd no more of that than merely<br />
+Sufficed to represent them clearly:<br />
+As thus--by simple means and pure<br />
+Of light and shadow, and contour:<br />
+But since what mortals call complexion,<br />
+Has with the mind no more connexion<br />
+Than ethicks with a country dance,<br />
+I left my col'ring all to chance;<br />
+Which oft (as I may proudly state)<br />
+With Nature war'd at such a rate,<br />
+As left no mortal hue or stain<br />
+Of base, corrupting flesh, to chain<br />
+The Soul to Earth; but, free as light,<br />
+E'en let her soar till out of sight.</p>
+
+<p>&nbsp;&nbsp;Thus spake the champion bold of mind;<br />
+And thus the Colourist rejoin'd:<br />
+In truth, my Lord, I apprehend,<br />
+If I by <i>words</i> with him contend,<br />
+My case is gone; far he, by gift<br />
+Of what is call'd the <i>gab</i>, can shift<br />
+The right for wrong, with such a sleight,<br />
+That right seems wrong and wrong the right;<br />
+Nay, by his twisting logick make<br />
+A square the form of circle take.<br />
+I therefore, with submission meet,<br />
+In justice do your Grace intreat<br />
+To let awhile your judgment pause,<br />
+That <i>works</i> not <i>words</i> may plead our cause.<br />
+Let Merc'ry then to Earth repair,<br />
+The works of both survey with care,<br />
+And hither bring the best of each,<br />
+And save us further waste of speech.</p>
+
+<p>&nbsp;&nbsp;Such fair demand, the Judge replied,<br />
+Could not with justice be denied.<br />
+Good Merc'ry, hence! I fly, my Lord,<br />
+The Courier said. And, at the word,<br />
+High-bounding, wings his airy flight<br />
+So swift his form eludes the sight;<br />
+Nor aught is seen his course to mark,<br />
+Save when athwart the region dark<br />
+His brazen helm is spied afar,<br />
+Bright-trailing like a falling star.</p>
+
+<p>&nbsp;&nbsp;And now for minutes ten there stole<br />
+A silence deep o'er every soul--<br />
+When, lo! again before them stands<br />
+The courier's self with empty hands.<br />
+Why, how is this? exclaim'd the twain;<br />
+Where are the <i>pictures</i>, sir? Explain!<br />
+Good sirs, replied the God of Post,<br />
+I scarce had reached the other coast,<br />
+When Charon told me, one he ferried<br />
+Inform'd him they were dead and buried:<br />
+Then bade me hither haste and say,<br />
+Their ghosts were now upon the way.<br />
+In mute amaze the Painters stood.<br />
+But soon upon the Stygian flood,<br />
+Behold! the spectre-pictures float,<br />
+Like rafts behind the towing boat:<br />
+Now reach'd the shore, in close array,<br />
+Like armies drill'd in Homer's day,<br />
+When marching on to meet the foe,<br />
+By bucklers hid from top to toe,<br />
+They move along the dusky fields,<br />
+A grizly troop of painted shields:<br />
+And now, arrived in order fair,<br />
+A gallery huge they hang in air.</p>
+
+<p>&nbsp;&nbsp;The ghostly croud with gay surprize<br />
+Began to rub their stony eyes:<br />
+Such pleasant lounge, they all averr'd,<br />
+None saw since he had been interr'd;<br />
+And thus, like connoisseurs on Earth,<br />
+Began to weigh the pictures' worth:<br />
+But first (as deem'd of higher kind)<br />
+Examin'd they the works of <i>Mind</i>.[<a href="#fn4">4</a>]<br />
+Pray what is this? demanded one.--<br />
+That, sir, is Phoebus, alias, Sun:<br />
+A classick work you can't deny;<br />
+The car and horses in the sky,<br />
+The clouds on which they hold their way,<br />
+Proclaim him all the God of Day.<br />
+Nay, learned sir, his dirty plight<br />
+More fit beseems the God of Night.<br />
+Besides, I cannot well divine<br />
+How mud like this can ever shine.--<br />
+Then look at that a little higher.--<br />
+I see 'tis Orpheus, by his lyre.<br />
+The beasts that listening stand around,<br />
+Do well declare the force of sound:<br />
+But why the fiction thus reverse,<br />
+And make the power of song a curse?<br />
+The ancient Orpheus soften'd rocks,<br />
+Yours changes living things to blocks.--<br />
+Well, this you'll sure acknowledge fine,<br />
+Parnassus' top with all the Nine.<br />
+Ah, <i>there</i> is beauty, soul and fire,<br />
+And all that human wit inspire!--<br />
+Good sir, you're right; for being stone,<br />
+They're each to blunted wits a hone.<br />
+And what is that? inquir'd another.--<br />
+That, sir, is Cupid and his Mother.--<br />
+What, Venus? sure it cannot be:<br />
+That skin begrim'd ne'er felt the sea;<br />
+That Cupid too ne'er knew the sky;<br />
+For lead, I'm sure, could never fly.--<br />
+I'll hear no more, the Painter said,<br />
+Your souls are, like your bodies, dead!</p>
+
+<p>&nbsp;&nbsp;With secret triumph now elate,<br />
+His grinning Rival 'gan to prate.<br />
+Oh, fie! my friends; upon my word,<br />
+You're too severe: he should be <i>heard</i>;<br />
+For <i>Mind</i> can ne'er to glory reach,<br />
+Without the usual aid of <i>speech</i>.<br />
+If thus howe'er, you seal his doom,<br />
+What hope have I unknown to Rome?<br />
+But since the <i>truth</i> be your dominion,<br />
+I beg to hear your just opinion.<br />
+This picture then--which some have thought<br />
+By far the best I ever wrought--<br />
+Observe it well with critick ken;<br />
+'Tis Daniel in the Lion's Den.--<br />
+'Tis flesh itself! exclaim'd a Critick.<br />
+But why make Daniel paralytick?<br />
+His limbs and features are distorted.<br />
+And then his legs are badly sorted.<br />
+'Tis true, a miracle you've hit,<br />
+But not as told in Holy Writ;<br />
+For there the miracle was braving,<br />
+With <i>bones unbroke</i>, the Lion's craving;<br />
+But yours (what ne'er could man befall)<br />
+That he should <i>live with none at all</i>.--<br />
+And pray, inquir'd another spectre,<br />
+What Mufti's that at pious lecture?<br />
+That's Socrates, condemned to die;<br />
+He next, in sable, standing by,<br />
+Is Galen[<a href="#fn5">5</a>], come to save his friend,<br />
+If possible, from such an end;<br />
+The other figures, group'd around,<br />
+His Scholars, wrapt in woe profound.--<br />
+And am I like to this portray'd?<br />
+Exclaim'd the Sage's smiling Shade.<br />
+Good Sir, I never knew before<br />
+That I a Turkish turban wore,<br />
+Or mantle hemm'd with golden stitches,<br />
+Much less a pair of satin breeches;<br />
+But as for him in sable clad,<br />
+Though wond'rous kind, 'twas rather mad<br />
+To visit one like me forlorn,<br />
+So long before himself was born.<br />
+And what's the next? inquir'd a third;<br />
+A jolly blade upon my word!--<br />
+'Tis Alexander, Philip's son,<br />
+Lamenting o'er his battles won;<br />
+That now his mighty toils are o'er,<br />
+The world has nought to conquer more.<br />
+At which, forth stalking from the host,<br />
+Before them stood the Hero's Ghost--<br />
+Was that, said he, my earthly form,<br />
+The Genius of the battle-storm?<br />
+From top to toe the figure's Dutch!<br />
+Alas, my friend, had I been such,<br />
+Had I that fat and meaty skull,<br />
+Those bloated cheeks, and eyes so dull,<br />
+That driv'ling mouth, and bottle nose,<br />
+Those shambling legs, and gouty toes;<br />
+Thus form'd to snore throughout the day,--<br />
+And eat and drink the night away;<br />
+I ne'er had felt the fev'rish flame<br />
+That caus'd my bloody thirst for fame;<br />
+Nor madly claim'd immortal birth,<br />
+Because the vilest brute on Earth:<br />
+And, oh! I'd not been doom'd to hear,<br />
+Still whizzing in my blister'd ear,<br />
+The curses deep, in damning peals,<br />
+That rose from 'neath my chariot wheels,<br />
+When I along the embattled plain<br />
+With furious triumph crush'd the slain:<br />
+I should not thus be doom'd to see,<br />
+In every shape of agony,<br />
+The victims of my cruel wrath,<br />
+For ever dying, strew my path;<br />
+The grinding teeth, the lips awry,<br />
+The inflated nose, the starting eye,<br />
+The mangled bodies writhing round,<br />
+Like serpents, on the bloody ground;<br />
+I should not thus for ever seem<br />
+A charnel house, and scent the steam<br />
+Of black, fermenting, putrid gore,<br />
+Rank oozing through each burning pore;<br />
+Behold, as on a dungeon wall,<br />
+The worms upon my body crawl,<br />
+The which, if I would brush away,<br />
+Around my clammy fingers play,<br />
+And, twining fast with many a coil,<br />
+In loathsome sport my labor foil.</p>
+
+<p>&nbsp;&nbsp;Enough! the frighted Painter cried,<br />
+And hung his head in fallen pride.</p>
+
+<p>&nbsp;&nbsp;Not so the other. He, of stuff<br />
+More stubborn, ne'er would cry enough;<br />
+But like a soundly cudgell'd oak,<br />
+More sturdy grew at every stroke,<br />
+And thus again his ready tongue<br />
+With fluent logick would have rung:<br />
+My Lord, I'll prove, or I'm a liar--<br />
+Whom interrupting then with ire,<br />
+Thus check'd the Judge: Oh, proud yet mean!<br />
+And canst thou hope from me to screen<br />
+Thy foolish heart, and o'er it spread<br />
+A veil to cheat th' omniscient dead?<br />
+And canst thou hope, as once on Earth,<br />
+Applause to gain by specious worth;<br />
+Like those that still by sneer and taunt<br />
+Would prove pernicious what they want;<br />
+And claim the mastership of Art,<br />
+Because thou only know'st a <i>part</i>?</p>
+
+<p>&nbsp;&nbsp;Had'st thou from Nature, not the Schools<br />
+Distorted by pedantic rules,<br />
+With patience wrought, such logic vain<br />
+Had ne'er perverted thus thy brain:<br />
+For Genius never gave delight<br />
+By means of what offends the sight:<br />
+Nor hadst thou deem'd, with folly mad,<br />
+Thou could'st to Nature's beauties <i>add</i>,<br />
+By <i>taking from her that which gives<br />
+The best assurance that she lives;<br />
+By imperfection give attraction,<br />
+And multiply them by subtraction.</i></p>
+
+<p>&nbsp;&nbsp;Did Raffaelle thus, whose honour'd ghost<br />
+Is now Elysium's fairest boast?<br />
+Far diff'rent He. Though weak and lame<br />
+In parts that gave to others fame,<br />
+Yet sought not <i>he</i> by such defect<br />
+To swindle praise for <i>wise neglect</i><br />
+Of <i>vulgar</i> charms, that only <i>blind</i><br />
+The dazzled eye to those of Mind.<br />
+By Heaven impressed with Genius' seal,<br />
+An eye to see, and heart to feel,<br />
+His soul through boundless Nature rov'd,<br />
+And seeing felt, and feeling lov'd.<br />
+But weak the power of mind at will<br />
+To give the hand the painter's skill;<br />
+For mortal works, maturing slow,<br />
+From patient care and labour flow:<br />
+And hence restrain'd, his youthful hand<br />
+Obey'd a master's dull command;<br />
+But soon with health his sickly style<br />
+From Leonardo learn'd to smile;<br />
+And now from Bonarroti caught<br />
+A nobler Form; and now it sought<br />
+Of colour fair the magic spell,<br />
+And trac'd her to the Friar's[<a href="#fn6">6</a>] cell.<br />
+No foolish pride, no narrow rule<br />
+Enslav'd his soul; from every School,<br />
+Whatever fair, whatever grand,<br />
+His pencil, like a potent wand,<br />
+Transfusing, bade his canvass grace.<br />
+Progressive thus, with giant pace.<br />
+And energy no toil could tame,<br />
+He climb'd the rugged mount of Fame:<br />
+And soon had reach'd the summit bold,<br />
+When Death, who there delights to hold<br />
+His fatal watch, with envious blow<br />
+Quick hurl'd him to the shades below.</p>
+
+<p>&nbsp;&nbsp;Thus check'd the Judge the champion vain<br />
+Of <i>Classic Form</i>; and thus in strain,<br />
+By anger half and pity mov'd,<br />
+The ghostly Colourist reprov'd.<br />
+And what didst <i>Thou</i> aspire to gain,<br />
+<i>Who</i> dar'd'st the will of Jove arraign,<br />
+That bounded thus within a span<br />
+The little life of little man;<br />
+With shallow art deriving thence<br />
+Excuses for thy indolence?<br />
+'Tis cant and hypocritic stuff!<br />
+The life of man is long enough:<br />
+For did he but the half improve<br />
+He would not quarrel thus with Jove.</p>
+
+<p>&nbsp;&nbsp;But most I marvel (if it be<br />
+That aught may wond'rous seem to me)<br />
+That Jove's high Gift, your noble Art,<br />
+Bestow'd to raise Man's grov'ling heart,<br />
+Refining with ethereal ray<br />
+Each gross and selfish thought away,<br />
+Should pander turn of paltry pelf,<br />
+Imprisoning each within himself;<br />
+Or like a gorgeous serpent, be<br />
+Your splendid source of misery,<br />
+And, crushing with his burnish'd folds,<br />
+Still narrower make your narrow souls.</p>
+
+<p>&nbsp;&nbsp;But words can ne'er reform produce,<br />
+In Ignorance and Pride obtuse.<br />
+Then know, ye rain and foolish Pair!<br />
+Your doom is fix'd a yoke to bear<br />
+Like beasts on Earth; and, thus in tether,<br />
+Five Centuries to paint together.<br />
+If, thus by mutual labours join'd,<br />
+Your jarring souls should be combin'd,<br />
+The faults of each the other mending,<br />
+The powers of both harmonious blending;<br />
+Great Jove, perhaps, in gracious vein,<br />
+May send your souls on Earth again;<br />
+Yet there One only Painter be;<br />
+For thus the eternal Fates decree:<br />
+One Leg alone shall never run,<br />
+Nor two Half-Painters make but One.</p>
+</div>
+
+
+<div class="chapter" id="p03">
+<h2>Eccentricity.</h2>
+
+
+
+<blockquote class="epi"><p>Projecere animas. <span class="smallcaps">Virg.</span></p></blockquote>
+
+
+<p>&nbsp;&nbsp;Alas, my friend! what hope have I of fame,<br />
+Who am, as Nature made me, still the same?<br />
+And thou, poor suitor to a bankrupt muse,<br />
+How mad thy toil, how arrogant thy views!<br />
+What though endued with Genius' power to move<br />
+The magick chords of sympathy and love,<br />
+The painter's eye, the poet's fervid heart,<br />
+The tongue of eloquence, the vital art<br />
+Of bold Prometheus, kindling at command<br />
+With breathing life the labours of his hand;<br />
+Yet shall the World thy daring high pretence<br />
+With scorn deride, for thou--hast common sense.</p>
+
+<p>&nbsp;&nbsp;But dost thou, reckless of stern honour's laws,<br />
+Intemperate hunger for the World's applause?<br />
+Bid Nature hence; her fresh embow'ring woods,<br />
+Her lawns and fields, and rocks, and rushing floods,<br />
+And limpid lakes, and health-exhaling soil,<br />
+Elastick gales, and all the glorious toil<br />
+Of Heaven's own hand, with courtly shame discard,<br />
+And Fame shall triumph in her city bard.<br />
+Then, pent secure in some commodious lane,<br />
+Where stagnant Darkness holds her morbid reign.<br />
+Perchance snug-roosted o'er some brazier's den,<br />
+Or stall of nymphs, by courtesy <i>not</i> men,<br />
+Whose gentle trade to skin the living eel,<br />
+The while they curse it that it dares to feel[<a href="#fn7">7</a>];<br />
+Whilst ribbald jokes and repartees proclaim<br />
+Their happy triumph o'er the sense of shame:<br />
+Thy city Muse invoke, that imp of mind<br />
+By smoke engendered on an eastern wind;<br />
+Then, half-awake, thy patent-thinking pen<br />
+The paper give, and blot the souls of men.</p>
+
+<p> The time has been when Nature's simple face<br />
+Perennial youth possessed and winning grace;<br />
+But who shall dare, in this refining age,<br />
+With Nature's praise to soil his snowy page?<br />
+What polish'd lover, unappall'd by sneers<br />
+Dare court a beldame of six thousand years,<br />
+When every clown with microscopick eyes<br />
+The gaping furrows on her forehead spies?--<br />
+'Good sir, your pardon: In her naked state,<br />
+Her wither'd form we cannot chuse but hate;<br />
+But fashion's art the waste of time repairs,<br />
+Each wrinkle fills, and dies her silver hairs;<br />
+Thus wrought anew, our gentle bosoms low;<br />
+We cannot chuse but love what's <i>comme il faut</i>.'<br />
+Thy city Muse invoke, that imp of mind<br />
+By smoke engender'd on an eastern wind;<br />
+Then, half-awake, thy patent-thinking pen<br />
+The paper give, and blot the souls of men.</p>
+
+<p> The time has been when Nature's simple face<br />
+Perennial youth possessed and winning grace;<br />
+But who shall dare, in this refining age,<br />
+With Nature's praise to soil his snowy page?<br />
+What polish'd lover, unappall'd by sneers,<br />
+Dare court a beldame of six thousand years,<br />
+When every clown with microscopick eyes<br />
+The gaping furrows on her forehead spies?--<br />
+'Good sir, your pardon: In her naked state,<br />
+Her withered form we cannot chuse but hate;<br />
+But fashion's art the waste of time repairs,<br />
+Each wrinkle fills, and dies her silver hairs;<br />
+Thus wrought anew, our gentle bosoms low;<br />
+We cannot chuse but love what's <i>comme il fauts</i>.'</p>
+
+<p>&nbsp;&nbsp;Alas, poor Cowper! could thy chasten'd eye,<br />
+(Awhile forgetful of thy joys on high)<br />
+Revisit earth, what indignation strange<br />
+Would sting thee to behold the courtly change!<br />
+Here "velvet" lawns, there "plushy" woods that lave<br />
+Their "silken" tresses in the "glassy" wave;<br />
+Here "'broider'd" meads, there flow'ry "carpets" spread,<br />
+And "downy" banks to "pillow" Nature's head;<br />
+How wouldst thou start to find thy native soil.<br />
+Like birth-day belle, by gross mechanick toil<br />
+Trick'd out to charm with meretricious air,<br />
+As though all France and Manchester were there!<br />
+But this were luxury, were bliss refin'd,<br />
+To view the alter'd region of the mind;<br />
+Where whim and mystery, like wizards, rule,<br />
+And conjure wisdom from the seeming fool;<br />
+Where learned heads, like old cremonas, boast<br />
+Their merit soundest that are cracked the most;<br />
+While Genius' self, infected with the joke,<br />
+His person decks with Folly's motley cloak.</p>
+
+<p>&nbsp;&nbsp;Behold, loud-rattling like a thousand drums,<br />
+Eccentrick Hal, the child of Nature, comes!<br />
+Of Nature once--but <i>now</i> he acts a part,<br />
+And Hal is now the full grown boy of art.<br />
+In youth's pure spring his high impetuous soul<br />
+Nor custom own'd nor fashion's vile control.<br />
+By Truth impelled where beck'ning Nature led,<br />
+Through life he mov'd with firm elastic tread;<br />
+But soon the world, with wonder-teeming eyes,<br />
+His manners mark, and goggle with surprise.<br />
+"He's wond'rous strange!" exclaims each gaping clod,<br />
+"A wond'rous genius, for he's wond'rous odd!"<br />
+Where'er he goes, there goes before his fame,<br />
+And courts and taverns echo round his name;<br />
+'Till, fairly knocked by admiration down,<br />
+The petted monster cracks his wond'rous crown.<br />
+No longer now to simple Nature true,<br />
+He studies only to be oddly new;<br />
+Whate'er he does, whatever he deigns to say,<br />
+Must all be said and done the oddest way;<br />
+Nay, e'en in dress eccentrick as in thought,<br />
+His wardrobe seems by Lapland witches wrought,<br />
+Himself by goblins in a whirlwind drest<br />
+With rags of clouds from Hecla's stormy crest.</p>
+
+<p>&nbsp;&nbsp;'Has Truth no charms?' When first beheld, I grant,<br />
+But, wanting novelty, has every want:<br />
+For pleasure's thrill the sickly palate flies,<br />
+Save haply pungent with a rare surprise.<br />
+The humble toad that leaps her nightly round,<br />
+The harmless tenant of the garden ground,<br />
+Is loath'd, abhor'd, nay, all the reptile race<br />
+Together join'd were never half so base;<br />
+Yet snugly find her in some quarry pent,<br />
+Through ages doom'd to one tremendous lent,<br />
+Surviving still, as if "in Nature's spite,"<br />
+Without or nourishment, or air, or light,<br />
+What raptures then th' astonish'd gazer seize!<br />
+What lovely creature like a toad can please!</p>
+
+<p> Hence many an oaf, by Nature doom'd to shine<br />
+The unknown father of an unknown line,<br />
+If haply shipwreck'd on some desert shore<br />
+Of Folly's seas, by man untrod before,<br />
+Which, bleak and barren, to the starving mind<br />
+Yields nought but fog, or damp, unwholesome wind,<br />
+With loud applause the wond'ring world shall hail,<br />
+And Fame embalm him in the marv'lous tale.</p>
+
+<p>&nbsp;&nbsp;With chest erect, and bright uplifted eye,<br />
+On tiptoe rais'd, like one prepared to fly.<br />
+Yon wight behold, whose sole aspiring hope<br />
+Eccentrick soars to catch the hangman's rope.<br />
+In order rang'd, with date of place and time,<br />
+Each owner's name, his parentage and crime,<br />
+High on his walls, inscribed to glorious shame,<br />
+Unnumber'd halters gibbet him to Fame.</p>
+
+<p>&nbsp;&nbsp;Who next appears thus stalking by his side?<br />
+Why that is one who'd sooner die than--ride!<br />
+No inch of ground can maps unheard of show<br />
+Untrac'd by him, unknown to every toe:<br />
+As if intent this punning age to suit,<br />
+The globe's circumf'rence meas'ring by the foot.</p>
+
+<p>&nbsp;&nbsp;Nor less renown'd whom stars invet'rate doom<br />
+To smiles eternal, or eternal gloom;<br />
+For what's a <i>character</i> save one confin'd<br />
+To some unchanging sameness of the mind;<br />
+To some strange, fix'd monotony of mien,<br />
+Or dress forever brown, forever green?</p>
+
+<p>&nbsp;&nbsp;A sample comes. Observe his sombre face,<br />
+Twin-born with Death, without his brother's grace!<br />
+No joy in mirth his soul perverted knows,<br />
+Whose only joy to tell of others' woes.<br />
+A fractur'd limb, a conflagrating fire,<br />
+A name or fortune lost his tongue inspire:<br />
+From house to house where'er misfortunes press,<br />
+Like Fate, he roams, and revels in distress;<br />
+In every ear with dismal boding moans--<br />
+walking register of sighs and groans!</p>
+
+<p>&nbsp;&nbsp;High tow'ring next, as he'd eclipse the moon,<br />
+With pride upblown, behold yon live balloon.<br />
+All trades above, all sciences and arts,<br />
+To fame he climbs through very scorn of parts;<br />
+With solemn emptiness distends his state,<br />
+And, great in nothing, soars above the great;<br />
+Nay stranger still, through apathy of blood,<br />
+By candour number'd with the chaste and good:<br />
+With wife, and child, domestic, stranger, friend,<br />
+Alike he lives, as though his being's end<br />
+Were o'er his house like formal guest to roam,<br />
+And walk abroad to leave himself at home.</p>
+
+<p>&nbsp;&nbsp;But who is <i>he</i>, that sweet obliging youth?<br />
+He looks the picture of ingenuous truth.<br />
+Oh, that's his antipode, of courteous race,<br />
+The man of bows and ever-smiling face.<br />
+Why Nature made him, or for what design'd,<br />
+Never he knew, nor ever sought to find,<br />
+'Till cunning came, blest harbinger of ease!<br />
+And kindly whisper'd, 'thou wert born to please.'<br />
+Rous'd by the news, behold him now expand,<br />
+Like beaten gold, and glitter o'er the land.<br />
+Well stored with nods and sly approving winks,<br />
+Now first with this and now with that he thinks;<br />
+Howe'er opposing, still assents to each,<br />
+And claps a dovetail to each booby's speech.<br />
+At random thus for all, for none, he lives,<br />
+Profusely lavish though he nothing gives;<br />
+The world he roves as living but to show<br />
+A friendless man without a single foe;<br />
+From bad to good, to bad from good to run,<br />
+And find a character by seeking none.</p>
+
+<p>&nbsp;&nbsp;Who covets fame should ne'er be over nice,<br />
+Some slight distortion pays the market price.<br />
+If haply lam'd by some propitious chance,<br />
+Instruct in attitude, or teach to dance;<br />
+Be still extravagant in deed, or word;<br />
+If new, enough, no matter how absurd.</p>
+
+<p>&nbsp;&nbsp;Then what is Genius? Nay, if rightly us'd,<br />
+Some gift of Nature happily abus'd.<br />
+Nor wrongly deem by this eccentrick rule<br />
+That Nature favours whom she makes a fool;<br />
+Her scorn and favour we alike despise;<br />
+Not Nature's follies but our own we prize.</p>
+
+<p> "Or what is wit?" a meteor bright and rare,<br />
+What comes and goes we know not whence, or where;<br />
+A brilliant nothing out of something wrought,<br />
+A mental vacuum by condensing thought.</p>
+
+<p>&nbsp;&nbsp;Behold Tortoso. There's a man of wit;<br />
+To all things fitted, though for nothing fit;<br />
+Scourge of the world, yet crouching for a name,<br />
+And honour bartering for the breath of fame:<br />
+Born to command, and yet an arrant slave;<br />
+Through too much honesty a seeming knave;<br />
+At all things grasping, though on nothing bent,<br />
+And ease pursuing e'en with discontent;<br />
+Through Nature, Arts, and Sciences he flies,<br />
+And gathers truth to manufacture lies.</p>
+
+<p>&nbsp;&nbsp;Nor only Wits, for tortur'd talents claim<br />
+Of sov'reign mobs the glorious meed of fame;<br />
+E'en Sages too, of grave and rev'rend air,<br />
+Yclepp'd <i>Philosophers</i>, must have their share;<br />
+Who deeper still in conjuration skill'd,<br />
+<i>A mighty something out of nothing build.</i></p>
+
+<p>&nbsp;&nbsp;'Then wherefore read? why cram the youthful head<br />
+With all the learned lumber of the dead;<br />
+Who seeking wisdom followed Nature's laws,<br />
+Nor dar'd effects admit without a cause?'<br />
+Why?--Ask the sophist of our modern school;<br />
+To foil the workman we must know the tool;<br />
+And, that possess'd, how swiftly is defac'd<br />
+The noblest, rarest monument of taste!<br />
+So neatly too, the mutilations stand<br />
+Like native errors of the artist's hand;<br />
+Nay, what is more, the very tool betray'd<br />
+To seem the product of the work it made.</p>
+
+<p>&nbsp;&nbsp;'Oh, monstrous slander on the human race!'<br />
+Then read conviction in Ortuno's case.<br />
+By Nature fashion'd in her happiest mood,<br />
+With learning, fancy, keenest wit endued;<br />
+To what high purpose, what exalted end<br />
+These lofty gifts did great Ortuno bend?<br />
+With grateful triumph did Ortuno raise<br />
+The mighty trophies to their Author's praise;<br />
+With skill deducing from th' harmonious whole<br />
+Immortal proofs of One Creative soul?<br />
+Ah, no! infatuate with the dazzling light,<br />
+In them he saw their own creative might;<br />
+Nay, madly deem'd, if <i>such</i> their wond'rous <i>skill</i>,<br />
+The phantom of a God 'twas theirs to <i>will</i>.</p>
+
+<p>&nbsp;&nbsp;But granting that he <i>is</i>, he bids you show<br />
+By what you prove it, or by what you know.<br />
+Oh, reas'ning worm! who questions thus of Him<br />
+That lives in all, and moves in every limb,<br />
+Must with himself in very strangeness dwell,<br />
+Has never heard the voice of Conscience tell<br />
+Of right and wrong, and speak in louder tone<br />
+Than tropick thunder of that Holy One,<br />
+Whose pure, eternal, justice shall requite<br />
+The deed of wrong, and justify the right.</p>
+
+<p>&nbsp;&nbsp;Can such blaspheme and breathe the vital air?<br />
+Let mad philosophy their names declare.<br />
+Yet some there are, less daring in their aim,<br />
+With humbler cunning butcher sense for fame;<br />
+Who doubting still, with many a fearful pause,<br />
+Th' existence grant of one almighty cause;<br />
+But halting there, in bolder tone deny<br />
+The life hereafter, when the man shall die,<br />
+Nor mark the monstrous folly of their gain--<br />
+That God all-wise should fashion <i>them</i> in vain.</p>
+
+<p>&nbsp;&nbsp;'Twere labour lost in this material age,<br />
+When school boys trample on the Inspir'd Page,<br />
+When coblers prove by syllogistick pun<br />
+The soal they mend, and that of man are one;<br />
+'Twere waste of time to check the Muses' speed,<br />
+For all the <i>whys</i> and <i>wherefores</i> of their creed;<br />
+To show how prov'd the juices are the same<br />
+That feed the body, and the mental frame.</p>
+
+<p>&nbsp;&nbsp;But who, half sceptic, half afraid of wrong,<br />
+Shall walk our streets, and mark the passing throng;<br />
+The brawny oaf in mould herculean cast,<br />
+The pigmy statesman trembling in his blast,<br />
+The cumb'rous citizen of portly paunch,<br />
+Unwont to soar beyond the smoaking haunch;<br />
+The meagre bard behind the moving tun,<br />
+His shadow seeming lengthen'd by the sun;<br />
+Who forms scarce visible shall thus descry,<br />
+Like flitting clouds athwart the mental sky;<br />
+From giant bodies then bare gleams of mind,<br />
+Like mountain watch-lights blinking to the wind;<br />
+Nor blush to find his unperverted eye<br />
+Flash on his heart, and give his tongue the lie.</p>
+
+<p>&nbsp;&nbsp;'Tis passing strange! yet, born as if to show<br />
+Man to himself his most malignant foe,<br />
+There are (so desperate is the madness grown)<br />
+Who'd rather live a <i>lie</i> than live unknown;<br />
+Whose very tongues, with force of holy writ,<br />
+Their doctrines damn with self-recoiling wit.<br />
+&nbsp;<br />
+&nbsp;&nbsp;Behold yon dwarf, of visage pale and wan;<br />
+A sketch of life, a remnant of a man!<br />
+Whose livid lips, as now he moulds a grin,<br />
+Like charnel doors disclose the waste within;<br />
+Whose stiffen'd joints within their sockets grind,<br />
+Like gibbets creaking to the passing wind;<br />
+Whose shrivell'd skin with much adhesion clings<br />
+His bones around in hard compacted rings,<br />
+If veins there were, no blood beneath could force,<br />
+Unless by miracle, its trickling course;--<br />
+Yet even <i>he</i> within that sapless frame,<br />
+A mind sustained that climb'd the steeps of fame.<br />
+Such is the form by mystic Heaven design'd,<br />
+The earthly mansion of the rarest mind.<br />
+But, mark his gratitude. This soul sublime,<br />
+This soul lord paramount o'er space and time,<br />
+This soul of fire, with impious madness sought,<br />
+Itself to prove of mortal matter wrought;<br />
+Nay, bred, engendered, on the grub-worm plan,<br />
+From that vile clay which made his outward man,<br />
+That shadowy form which dark'ning into birth,<br />
+But seem'd a sign to mark a soul on earth.</p>
+
+<p>&nbsp;&nbsp;But who shall cast an introverted eye<br />
+Upon himself, that will not there descry<br />
+A conscious life that shall, nor cannot die?<br />
+E'en at our birth, when first the infant mould<br />
+Gives it a mansion and an earthly hold,<br />
+Th' exulting Spirit feels the heavenly fire<br />
+That lights her tenement will ne'er expire;<br />
+And when, in after years, disease and age,<br />
+Our fellow-bodies sweeping from life's stage,<br />
+Obtrude the thought of death, e'en then we seem,<br />
+As in the revelation of a dream,<br />
+To hear a voice, more audible than speech,<br />
+Warn of a part which death can never reach.<br />
+Survey the tribes of savage men that roam<br />
+Like wand'ring herds, each wilderness their home;--<br />
+Nay, even there th' immortal spirit stands<br />
+Firm on the verge of death, and looks to brighter lands.</p>
+
+<p>&nbsp;&nbsp;Shall human wisdom then, with beetle sight,<br />
+Because obstructed in its blund'ring flight,<br />
+Despise the deep conviction of our birth,<br />
+And limit life to this degraded earth?</p>
+
+<p>&nbsp;&nbsp;Oh, far from me be that insatiate pride,<br />
+Which, turning on itself, drinks up the tide<br />
+Of natural light; 'till one eternal gloom,<br />
+Like walls of adamant enclose the tomb.<br />
+Tremendous thought! that this transcendant Power,<br />
+Fell'd with the body in one fatal hour,<br />
+With all its faculties, should pass like air<br />
+For ages without end as though it never were!</p>
+
+<p>&nbsp;&nbsp;Say, whence, obedient, to their destin'd end<br />
+The various tribes of living nature tend?<br />
+Why beast, and bird, and all the countless race<br />
+Of earth and waters, each his proper place<br />
+Instinctive knows, and through the endless chain<br />
+Of being moves in one harmonious strain;<br />
+While man alone, with strange perversion, draws<br />
+Rebellious fame from Nature's broken laws?<br />
+Methinks I hear, in that still voice which stole<br />
+On Horeb's mount o'er rapt Elijah's soul,<br />
+With stern reproof indignant Heaven reply:<br />
+'Tis o'erweening Pride, that blinds the eye<br />
+Of reasoning man, and o'er his darkened life<br />
+Confusion spreads and misery and strife.</p>
+
+<p>&nbsp;&nbsp;With wonder fill'd and self-reflecting praise,<br />
+The slave of pride his mighty powers surveys;<br />
+On Reason's sun (by bounteous Nature given,<br />
+To guide the soul upon her way to heaven)<br />
+Adoring gazes, 'till the dazzling light,<br />
+To darkness sears his rain presumptuous sight;<br />
+Then bold, though blind, through error's night he runs,<br />
+In fancy lighted by a thousand suns;<br />
+For bloody laurels now the warrior plays,<br />
+Now libels nature for the poet's bays;<br />
+Now darkness drinks from metaphysic springs,<br />
+Or follows fate on astrologick wings:<br />
+'Mid toils at length the world's loud wonder won,<br />
+With Persian piety, to Reason's sun<br />
+Profound he bows, and, idolist of fame,<br />
+Forgets the God who lighted first the flame.</p>
+
+<p>&nbsp;&nbsp;All potent Reason! what thy wond'rous light?<br />
+A shooting star athwart a polar night;<br />
+A bubble's gleam amid the boundless main;<br />
+A sparkling sand on waste Arabia's plain:<br />
+E'en such, vain Power, thy limited control,<br />
+E'en such thou art, to mans mysterious soul!</p>
+
+<p>&nbsp;&nbsp;Presumptuous man! would'st thou aspiring reach<br />
+True wisdom's height, let conscious weakness teach<br />
+Thy feeble soul her poor dependant state,<br />
+Nor madly war with Nature to be great.</p>
+
+<p>&nbsp;&nbsp;Come then, Humility, thou surest guide!<br />
+On earth again with frenzied men reside;<br />
+Tear the dark film of vanity and lies,<br />
+And inward turn their renovated eyes;<br />
+In aspect true let each himself behold,<br />
+By self deform'd in pride's portentous mould.<br />
+And if thy voice, on Bethl'em's holy plain<br />
+Once heard, can reach their flinty hearts again,<br />
+Teach them, as fearful of a serpent's gaze,<br />
+Teach them to shun the gloating eye of praise;<br />
+That slightest swervings from their nature's plan<br />
+Make them a lie, and poison all the man,<br />
+'Till black corruption spread the soul throughout,<br />
+Whence thick and fierce, like fabled mandrakes, sprout<br />
+The seeds of rice with more than tropick force,<br />
+Exhausting in the growth their very vital source.</p>
+
+<p>&nbsp;&nbsp;Nor wrongly deem the cynick muse aspires,<br />
+With monkish tears to quench our nobler fires.<br />
+Let honest pride our humble hearts inflame,<br />
+First to deserve, ere yet we look to, fame;<br />
+Not fame miscall'd, the mob's applauding stare;<br />
+This monsters have, proportion'd as they're rare;<br />
+But that sweet praise, the tribute of the good,<br />
+For wisdom gain'd, through love of truth pursued.<br />
+Coeval with our birth, this pure desire<br />
+Was given to lift our grov'ling natures higher,<br />
+Till that high praise, by genuine merit wrung<br />
+From men's slow justice, shall employ the tongue<br />
+Of yon Supernal Court, from whom may flow<br />
+Or bliss eternal or eternal wo.<br />
+And since in all this hope exalting lives,<br />
+Let virtuous toil improve what Nature gives:<br />
+Each in his sphere some glorious palm may gain,<br />
+For Heaven all-wise created nought in vain.</p>
+
+<p>&nbsp;&nbsp;Oh, task sublime, to till the human soil<br />
+Where fruits immortal crown the lab'ror's toil!<br />
+Where deathless flowers, in everlasting bloom,<br />
+May gales from Heaven with odorous sweets perfume;<br />
+Whose fragrance still when man's last work is done,<br />
+And hoary Time his final course has run,<br />
+Thro' ages back, with fresh'ning power shall last,<br />
+Mark his long track, and linger where he past!</p>
+</div>
+
+
+<div class="chapter" id="p04">
+<h2>The Paint-Kings.</h2>
+
+
+
+<p>Fair Ellen was long the delight of the young,<br />
+&nbsp;&nbsp;No damsel could with her compare;<br />
+Her charms were the theme of the heart and the tongue.<br />
+And bards without number in extacies sung,<br />
+&nbsp;&nbsp;The beauties of Ellen the fair.</p>
+
+<p>Yet cold was the maid; and tho' legions advanced,<br />
+&nbsp;&nbsp;All drill'd by Ovidean art,<br />
+And languish'd, and ogled, protested and danced,<br />
+Like shadows they came, and like shadows they glanced<br />
+&nbsp;&nbsp;From the hard polish'd ice of her heart.</p>
+
+<p>Yet still did the heart of fair Ellen implore<br />
+&nbsp;&nbsp;A something that could not be found;<br />
+Like a sailor she seem'd on a desolate shore,<br />
+With nor house, nor a tree, nor a sound but the roar<br />
+&nbsp;&nbsp;Of breakers high dashing around.</p>
+
+<p>From object to object still, still would she veer,<br />
+&nbsp;&nbsp;Though nothing, alas, could she find;<br />
+Like the moon, without atmosphere, brilliant and clear,<br />
+Yet doom'd, like the moon, with no being to cheer<br />
+&nbsp;&nbsp;The bright barren waste of her mind.</p>
+
+<p>But rather than sit like a statue so still<br />
+&nbsp;&nbsp;When the rain made her mansion a <i>pound</i>,<br />
+Up and down would she go, like the sails of a mill,<br />
+And pat every stair, like a woodpecker's bill,<br />
+&nbsp;&nbsp;From the tiles of the roof to the ground.</p>
+
+<p>One morn, as the maid from her casement inclin'd,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;Pass'd a youth, with a frame in his hand.<br />
+The casement she clos'd--not the eye of her mind;<br />
+For, do all she could, no, she could not be blind;<br />
+&nbsp;&nbsp;&nbsp;&nbsp;Still before her she saw the youth stand.</p>
+
+<p>"Ah, what can he do," said the languishing maid,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;"Ah, what with that frame can he do?"<br />
+And she knelt to the Goddess of Secrets and pray'd,<br />
+When the youth pass'd again, and again he display'd<br />
+&nbsp;&nbsp;&nbsp;&nbsp;The frame and a picture to view.</p>
+
+<p>"Oh, beautiful picture!" the fair Ellen cried,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;"I must see thee again or I die."<br />
+Then under her white chin her bonnet she tied,<br />
+And after the youth and the picture she hied,<br />
+&nbsp;&nbsp;&nbsp;&nbsp;When the youth, looking back, met her eye.</p>
+
+<p>"Fair damsel," said he (and he chuckled the while)<br />
+&nbsp;&nbsp;"This picture I see you admire:<br />
+Then take it, I pray you, perhaps 'twill beguile<br />
+Some moments of sorrow; (nay, pardon my smile)<br />
+&nbsp;&nbsp;Or, at least, keep you home by the fire."</p>
+
+<p>Then Ellen the gift with delight and surprise<br />
+&nbsp;&nbsp;From the cunning young stripling receiv'd.<br />
+But she knew not the poison that enter'd her eyes,<br />
+When sparkling with rapture they gaz'd on her prize--<br />
+&nbsp;&nbsp;Thus, alas, are fair maidens deceiv'd!</p>
+
+<p>'Twas a youth o'er the form of a statue inclin'd,<br />
+&nbsp;&nbsp;And the sculptor he seem'd of the stone;<br />
+Yet he languished as tho' for its beauty he pin'd<br />
+And gaz'd as the eyes of the statue so blind<br />
+&nbsp;&nbsp;Reflected the beams of his own.</p>
+
+<p>Twas the tale of the sculptor Pygmalion of old;<br />
+&nbsp;&nbsp;Fair Ellen remember'd, and sigh'd;<br />
+"Ah, could'st thou but lift from that marble so cold,<br />
+Thine eyes too imploring, thy arms should enfold,<br />
+&nbsp;&nbsp;And press me this day as thy bride."</p>
+
+<p>She said: when, behold, from the canvass arose<br />
+&nbsp;&nbsp;The youth, and he stepp'd from the frame:<br />
+With a furious transport his arms did enclose<br />
+The love-plighted Ellen: and, clasping, he froze<br />
+&nbsp;&nbsp;The blood of the maid with his flame!</p>
+
+<p>She turn'd and beheld on each shoulder a wing.<br />
+&nbsp;&nbsp;"Oh, heaven! cried she, who art thou?"<br />
+From the roof to the ground did his fierce answer ring,<br />
+As frowning, he thunder'd " I am the PAINT-KING!<br />
+&nbsp;&nbsp;And mine, lovely maid, thou art now!"</p>
+
+<p>Then high from the ground did the grim monster lift<br />
+&nbsp;&nbsp;The loud screaming maid like a blast;<br />
+And he sped through the air like a meteor swift,<br />
+While the clouds, wand'ring by him, did fearfully drift<br />
+&nbsp;&nbsp;To the right and the left as he pass'd.</p>
+
+<p>Now suddenly sloping his hurricane flight,<br />
+&nbsp;&nbsp;With an eddying whirl he descends;<br />
+The air all below him becomes black as night,<br />
+And the ground where he treads, as if mov'd with affright,<br />
+&nbsp;&nbsp;Like the surge of the Caspian bends.</p>
+
+<p>"I am here!" said the Fiend, and he thundering knock'd<br />
+&nbsp;&nbsp;At the gates of a mountainous cave;<br />
+The gates open flew, as by magick unlocked,<br />
+While the peaks of the mount, reeling to and fro, rock'd<br />
+&nbsp;&nbsp;Like an island of ice on the wave.</p>
+
+<p>"Oh, mercy!" cried Ellen, and swoon'd in his arms,<br />
+&nbsp;&nbsp;But the PAINT-KING, he scoff'd at her pain.<br />
+"Prithee, love," said the monster, "what mean these alarms?"<br />
+She hears not, she sees not the terrible charms,<br />
+&nbsp;&nbsp;That work her to horrour again.</p>
+
+<p>She opens her lids, but no longer her eyes<br />
+&nbsp;&nbsp;Behold the fair youth she would woo;<br />
+Now appears the PAINT-KING in his natural guise;<br />
+His face, like a palette of villainous dies,<br />
+&nbsp;&nbsp;Black and white, red, and yellow, and blue.</p>
+
+<p>On the skull of a Titan, that Heaven defied,<br />
+&nbsp;&nbsp;Sat the fiend, like the grito Giant Gog,<br />
+While aloft to his mouth a huge pipe he applied,<br />
+Twice as big as the Eddystone Lighthouse, descried<br />
+&nbsp;&nbsp;As it looms through an easterly fog.</p>
+
+<p>And anon, as he puff'd the vast volumes, were seen,<br />
+&nbsp;&nbsp;In horrid festoons on the wall,<br />
+Legs and arms, heads and bodies emerging between,<br />
+Like the drawing-room grim of the Scotch Sawney Beane,<br />
+&nbsp;&nbsp;By the Devil dress'd out for a ball.</p>
+
+<p>"Ah me!" cried the Damsel, and fell at his feet.<br />
+&nbsp;&nbsp;"Must I hang on these walls to be dried?"<br />
+"Oh, no!" said the fiend, while he sprung from his seat,<br />
+"A far nobler fortune thy person shall meet;<br />
+&nbsp;&nbsp;Into paint will I grind thee, my bride!"</p>
+
+<p>Then, seizing the maid by her dark auburn hair,<br />
+&nbsp;&nbsp;An oil jug he plung'd her within.<br />
+Seven days seven nights, with the shrieks of despair,<br />
+Did Ellen in torment convulse the dun air,<br />
+&nbsp;&nbsp;All covered with oil to the chin.</p>
+
+<p>On the morn of the eighth on a huge sable stone<br />
+&nbsp;&nbsp;Then Ellen, all reeking, he laid;<br />
+With a rock for his muller he crush'd every bone,<br />
+But, though ground to jelly, still, still did she groan;<br />
+&nbsp;&nbsp;For life had forsook not the maid.</p>
+
+<p>Now reaching his palette, with masterly care<br />
+&nbsp;&nbsp;Each tint on its surface he spread;<br />
+The blue of her eyes, and the brown of her hair,<br />
+And the pearl and the white of her forehead so fair,<br />
+&nbsp;&nbsp;And her lips' and her cheeks' rosy red.</p>
+
+<p>Then, stamping his foot, did the monster exclaim,<br />
+&nbsp;&nbsp;"Now I brave, cruel Fairy, thy scorn!"<br />
+When lo! from a chasm wide-yawning there came<br />
+A light tiny chariot of rose-colour'd flame,<br />
+&nbsp;&nbsp;By a team of ten glow-worms upborne.</p>
+
+<p>Enthroned In the midst on an emerald bright,<br />
+&nbsp;&nbsp;Fair Geraldine sat without peer;<br />
+Her robe was a gleam of the first blush of light,<br />
+And her mantle the fleece of a noon-cloud white,<br />
+&nbsp;&nbsp;And a beam of the moon was her spear.</p>
+
+<p>In an accent that stole on the still charmed air<br />
+&nbsp;&nbsp;Like the first gentle language of Eve,<br />
+Thus spake from her chariot the Fairy so fair:<br />
+"I come at thy call, but, oh Paint-King, beware.<br />
+&nbsp;&nbsp;Beware if again you deceive."</p>
+
+<p>"Tis true," said the monster, "thou queen of my heart,<br />
+&nbsp;&nbsp;Thy portrait I oft have essay'd;<br />
+Yet ne'er to the canvass could I with my art<br />
+The least of thy wonderful beauties impart;<br />
+&nbsp;&nbsp;And my failure with scorn you repaid.</p>
+
+<p>"Now I swear by the light of the Comet-King's tail!"<br />
+&nbsp;&nbsp;And he tower'd with pride as he spoke,<br />
+"If again with these magical colours I fail,<br />
+The crater of Etna shall hence be my jail,<br />
+&nbsp;&nbsp;And my food shall be sulphur and smoke.</p>
+
+<p>"But if I succeed, then, oh, fair Geraldine!<br />
+&nbsp;&nbsp;Thy promise with justice I claim,<br />
+And thou, queen of Fairies, shalt ever be mine,<br />
+The bride of my bed; and thy portrait divine<br />
+&nbsp;&nbsp;Shall fill all the earth with my fame."</p>
+
+<p>He spake; when, behold, the fair Geraldine's form<br />
+&nbsp;&nbsp;On the canvass enchantingly glow'd;<br />
+His touches--they flew like the leaves in a storm;<br />
+And the pure pearly white and the carnation warm<br />
+&nbsp;&nbsp;Contending in harmony flow'd;</p>
+
+<p>And now did the portrait a twin-sister seem<br />
+&nbsp;&nbsp;To the figure of Geraldine fair:<br />
+With the same <i>sweet</i> expression did faithfully teem<br />
+Each muscle; each feature; in short not a gleam<br />
+&nbsp;&nbsp;Was lost of her beautiful hair.</p>
+
+<p>Twas the Fairy herself! but, alas, her blue eyes<br />
+&nbsp;&nbsp;Still a pupil did ruefully lack;<br />
+And who shall describe the terrifick surprise<br />
+That seiz'd the PAINT-KING when, behold, he descries<br />
+&nbsp;&nbsp;Not a speck on his palette of black!</p>
+
+<p>"I am lost!" said the Fiend, and he shook like a leaf;<br />
+&nbsp;&nbsp;When, casting his eyes to the ground,<br />
+He saw the lost pupils of Ellen with grief<br />
+In the jaws of a mouse, and the sly little thief<br />
+&nbsp;&nbsp;Whisk away from his sight with a bound.</p>
+
+<p>"I am lost!" said the Fiend, and he fell like a stone;<br />
+&nbsp;&nbsp;Then rising the Fairy in ire<br />
+With a touch of her finger she loosen'd her zone,<br />
+(While the limbs on the wall gave a terrible groan,)<br />
+&nbsp;&nbsp;And she swelled to a column of fire.</p>
+
+<p>Her spear now a thunder-bolt flash'd in the air,<br />
+&nbsp;&nbsp;And sulphur the vault fill'd around:<br />
+She smote the grim monster; and now by the hair<br />
+High-lifting, she hurl'd him in speechless despair<br />
+&nbsp;&nbsp;Down the depths of the chasm profound.</p>
+
+<p>Then over the picture thrice waving her spear,<br />
+&nbsp;&nbsp;"Come forth!" said the good Geraldine;<br />
+When, behold, from the canvass descending, appear<br />
+Fair Ellen, in person more lovely than e'er,<br />
+&nbsp;&nbsp;With grace more than ever divine!</p>
+</div>
+
+
+<div class="chapter" id="p05">
+<h2>Myrtilla.</h2>
+
+<h3> <i>Addressed to a <span class="smallcaps">Lady</span>, who lamented that she had never been in love.</i></h3>
+
+
+<blockquote class="epi"><p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;"Al nuovo giorno,<br />
+Pietosa man' mi sollevo."</p>
+
+<p><span class="smallcaps">Metastatsio.</span></p></blockquote>
+
+
+
+<p>"Ah me! how sad," Myrtilla cried,<br />
+&nbsp;&nbsp;"To waste alone my years!"<br />
+While o'er a streamlet's flow'ry side<br />
+She pensive hung, and watch'd the tide<br />
+&nbsp;&nbsp;That dimpled with her tears.</p>
+
+<p>"The world, though oft to merit blind,<br />
+&nbsp;&nbsp;Alas, I cannot blame;<br />
+For they have oft the knee inclined.<br />
+And pour'd the sigh--but, like the wind<br />
+&nbsp;&nbsp;Of winter, cold it came.</p>
+
+<p>"Ah no! neglect I cannot rue."<br />
+&nbsp;&nbsp;Then o'er the limpid stream<br />
+She cast her eyes of ether blue;<br />
+Her wat'ry eyes look'd up to view<br />
+&nbsp;&nbsp;Their lovelier parent's beam.</p>
+
+<p>And ever as the sad lament<br />
+&nbsp;&nbsp;Would thus her lips divide,<br />
+Her lips, like sister roses bent<br />
+By passing gales, elastick sent<br />
+&nbsp;&nbsp;Their blushes from the tide.</p>
+
+<p>While mournful o'er her pictur'd face<br />
+&nbsp;&nbsp;Did then her glances steal,<br />
+She seem'd she thought a marble Grace,<br />
+T' enslave with love the human race,<br />
+&nbsp;&nbsp;But ne'er that love to feel.</p>
+
+<p>"Ah, what avail those eyes replete<br />
+&nbsp;&nbsp;With charms without a name!<br />
+Alas, no kindred rays they meet,<br />
+To kindle by collision sweet<br />
+&nbsp;&nbsp;Of mutual love the flame!</p>
+
+<p>"Oh, 'tis the worst of cruel things,<br />
+&nbsp;&nbsp;This solitary state!<br />
+Yon bird that trims his purple wings,<br />
+As on the bending bow he swings.<br />
+&nbsp;&nbsp;Prepares to join his mate.</p>
+
+<p>"The little glow-worm sheds her light,<br />
+&nbsp;&nbsp;Nor sheds her light in vain--<br />
+That still her tiny lover's sight<br />
+Amid the darkness of the night<br />
+&nbsp;&nbsp;May trace her o'er the plain.</p>
+
+<p>"All living nature seems to move<br />
+&nbsp;&nbsp;By sympathy divine--<br />
+The sea, the earth, the air above;<br />
+As if one universal love<br />
+&nbsp;&nbsp;Did all their hearts entwine!</p>
+
+<p>"My heart alone of all my kind<br />
+&nbsp;&nbsp;No love can ever warm:<br />
+That only can resemblance find<br />
+With waste Arabia, where the wind<br />
+&nbsp;&nbsp;Ne'er breathes on human form;</p>
+
+<p>"A blank, embodied space, that knows<br />
+&nbsp;&nbsp;No changes in its reign,<br />
+Save when the fierce tornado throws<br />
+Its barren sands, like drifted snows,<br />
+&nbsp;&nbsp;In ridges o'er the plain."</p>
+
+<p>Thus plain'd the maid; and now her eyes<br />
+&nbsp;&nbsp;Slow-lifting from the tide,<br />
+Their liquid orbs with sweet surprise<br />
+A youth beheld in extacies,<br />
+&nbsp;&nbsp;Mute standing by her side.</p>
+
+<p>"Forbear, oh, lovely maid, forbear,"<br />
+&nbsp;&nbsp;The youth enamour'd cried,<br />
+"Nor with Arabia's waste compare<br />
+The heart of one so young and fair,<br />
+&nbsp;&nbsp;To every charm allied.</p>
+
+<p>"Or, if Arabia--rather say,<br />
+&nbsp;&nbsp;Where some delicious spring<br />
+Remurmurs to the leaves that play<br />
+Mid palm and date and flow'ret gay,<br />
+&nbsp;&nbsp;On zephyr's frolick wing.</p>
+
+<p>"And now, methinks, I cannot deem<br />
+&nbsp;&nbsp;The picture else but true;<br />
+For I a wand'ring trav'ller seem<br />
+O'er life's drear waste, without a gleam<br />
+&nbsp;&nbsp;Of hope--if not in <i>you</i>."</p>
+
+<p>Thus spake the youth; and then his tongue<br />
+&nbsp;&nbsp;Such converse sweet distill'd,<br />
+It seem'd, as on his words she hung,<br />
+As though a heavenly spirit sung,<br />
+&nbsp;&nbsp;And all her soul he fill'd.</p>
+
+<p>He told her of his cruel fate,<br />
+&nbsp;&nbsp;Condemn'd along to rove,<br />
+From infancy to man's estate,<br />
+Though courted by the fair and great,<br />
+&nbsp;&nbsp;Yet never once to love.</p>
+
+<p>And then from many a poet's page<br />
+&nbsp;&nbsp;The blest reverse he proved:<br />
+How sweet to pass life's pilgrimage,<br />
+From purple youth to sere old age,<br />
+&nbsp;&nbsp;Aye loving and beloved!</p>
+
+<p>Here ceased the youth; but still his words<br />
+&nbsp;&nbsp;Did o'er her fancy play;<br />
+They seem'd the matin song of birds,<br />
+Or like the distant low of herds<br />
+&nbsp;&nbsp;That welcomes in the day.</p>
+
+<p>The sympathetick chord she feels<br />
+&nbsp;&nbsp;Soft thrilling in her soul;<br />
+And, as the sweet vibration steals<br />
+Through every vein, in tender peals<br />
+&nbsp;&nbsp;She seems to hear it roll.</p>
+
+<p>Her alter'd heart, of late so drear,<br />
+&nbsp;&nbsp;Then seem'd a faery land,<br />
+Where nymphs and rosy loves appear<br />
+On margin green of fountain clear,<br />
+&nbsp;&nbsp;And frolick hand in hand.</p>
+
+<p>But who shall paint her crimson blush,<br />
+&nbsp;&nbsp;Nor think his hand of stone,<br />
+As now the secret with a flush<br />
+Did o'er her aching senses rush--<br />
+&nbsp;&nbsp;<i>Her heart was not her own!</i></p>
+
+<p>The happy Lindor, with a look<br />
+&nbsp;&nbsp;That every hope confessed,<br />
+Her glowing hand exulting took,<br />
+And press'd it, as she fearful shook,<br />
+&nbsp;&nbsp;In silence to his breast.</p>
+
+<p>Myrtilla felt the spreading flame,<br />
+&nbsp;&nbsp;Yet knew not how to chide;<br />
+So sweet it mantled o'er her frame,<br />
+That, with a smile of pride and shame,<br />
+&nbsp;&nbsp;She own'd herself his bride.</p>
+
+<p>No longer then, ye fair, complain,<br />
+&nbsp;&nbsp;And call the fates unkind;<br />
+The high, the low, the meek, the vain,<br />
+Shall each a sympathetick swain,<br />
+Another <i>self</i> shall find.</p>
+</div>
+
+
+<div class="chapter" id="p06">
+<h2>To a Lady Who Spoke Slightingly of Poets.</h2>
+
+
+
+<p>Oh, censure not the Poet's art,<br />
+Nor think it chills the feeling heart<br />
+&nbsp;&nbsp;To love the gentle Muses.<br />
+Can that which in a stone or flower,<br />
+As if by transmigrating power,<br />
+&nbsp;&nbsp;His gen'rous soul infuses;</p>
+
+<p>Can that for social joys impair<br />
+The heart that like the lib'ral air<br />
+&nbsp;&nbsp;All Nature's self embraces;<br />
+That in the cold Norwegian main,<br />
+Or mid the tropic hurricane<br />
+&nbsp;&nbsp;Her varied beauty traces;</p>
+
+<p>That in her meanest work can find<br />
+A fitness and a grace combin'd<br />
+&nbsp;&nbsp;In blest harmonious union,<br />
+That even with the cricket holds,<br />
+As if by sympathy of souls,<br />
+&nbsp;&nbsp;Mysterious communion;</p>
+
+<p>Can that with sordid selfishness<br />
+His wide-expanded heart impress,<br />
+&nbsp;&nbsp;Whose consciousness is loving;<br />
+Who, giving life to all he spies,<br />
+His joyous being multiplies,<br />
+&nbsp;&nbsp;In youthfulness improving?</p>
+
+<p>Oh, Lady, then, fair queen of Earth,<br />
+Thou loveliest of mortal birth,<br />
+&nbsp;&nbsp;Spurn not thy truest lover;<br />
+Nor censure <i>him</i> whose keener sense<br />
+Can feel thy magic influence<br />
+&nbsp;&nbsp;Where nought the world discover;</p>
+
+<p>Whose eye on that bewitching face<br />
+Can every source unnumber'd trace<br />
+&nbsp;&nbsp;Of germinating blisses;<br />
+See Sylphids o'er thy forehead weave<br />
+The lily-fibred film, and leave<br />
+&nbsp;&nbsp;It fix'd with honied kisses;</p>
+
+<p>While some within thy liquid eyes,<br />
+Like minnows of a thousand dies<br />
+&nbsp;&nbsp;Through lucid waters glancing,<br />
+In busy motion to and fro,<br />
+The gems of diamond-beetles sow,<br />
+&nbsp;&nbsp;Their lustre thus enhancing;</p>
+
+<p>Here some, their little vases fill'd<br />
+With blushes for thy cheek distill'd<br />
+&nbsp;&nbsp;From roses newly blowing,<br />
+Each tiny thirsting pore supply;<br />
+And some in quick succession by<br />
+&nbsp;&nbsp;The down of peaches strewing;</p>
+
+<p>There others who from hanging bell<br />
+Of cowslip caught the dew that fell<br />
+&nbsp;&nbsp;While yet the day was breaking,<br />
+And o'er thy pouting lips diffuse<br />
+The tincture--still its glowing hues<br />
+&nbsp;&nbsp;Of purple morn partaking:</p>
+
+<p>Here some, that in the petals prest<br />
+Of humid honeysuckles, rest<br />
+&nbsp;&nbsp;From nightly fog defended,<br />
+Flutter their fragrant wings between,<br />
+Like humming-birds that scarce are seen,<br />
+&nbsp;&nbsp;They seem with air so blended!</p>
+
+<p>While some, in equal clusters knit.<br />
+On either side in circles flit,<br />
+&nbsp;&nbsp;Like bees in April swarming,<br />
+Their tiny weight each other lend,<br />
+And force the yielding cheek to bend,<br />
+&nbsp;Thy laughing dimples forming.</p>
+
+<p>Nor, Lady, think the Poet's eye<br />
+Can only outward charms espy,<br />
+&nbsp;&nbsp;Thy form alone adoring--<br />
+Ah, Lady, no: though fair they be.<br />
+Yet he a fairer sight may see,<br />
+&nbsp;&nbsp;Thy lovely <i>soul</i> exploring:</p>
+
+<p>And while from part to part it flies<br />
+The gentle Spirit he descries,<br />
+&nbsp;&nbsp;Through every line pursuing;<br />
+And feels upon his nature shower<br />
+That pure, that humanizing power,<br />
+&nbsp;&nbsp;Which raises by subduing.</p>
+</div>
+
+
+<div class="chapter" id="p07">
+<h2>Sonnet</h2>
+
+<h3><i>On a Falling Group in the Last Judgement of <span class="smallcaps">Michael Angelo</span>, in the
+Cappella Sistina.</i></h3>
+
+
+
+<p>How vast, how dread, overwhelming is the thought<br />
+Of Space interminable! to the soul<br />
+A circling weight that crushes into nought<br />
+Her mighty faculties! a wond'rous whole,<br />
+Without or parts, beginning, or an end!<br />
+How fearful then on desp'rate wings to send<br />
+The fancy e'en amid the waste profound!<br />
+Yet, born as if all daring to astound,<br />
+Thy giant hand, oh Angelo, hath hurl'd<br />
+E'en human forms, with all their mortal weight,<br />
+Down the dread void--fall endless as their fate!<br />
+Already now they seem from world to world<br />
+For ages thrown; yet doom'd, another past,<br />
+Another still to reach, nor e'er to reach the last!</p>
+</div>
+
+
+<div class="chapter" id="p08">
+<h2>Sonnet</h2>
+
+<h3><i>On the Group of the Three Angels before the Tent of Abraham, by
+<span class="smallcaps">Raffaelle</span>, in the Vatican.</i></h3>
+
+
+
+<p>Oh, now I feel as though another sense<br />
+From Heaven descending had informed my soul;<br />
+I feel the pleasurable, full control<br />
+Of Grace, harmonious, boundless, and intense.<br />
+In thee, celestial Group, embodied lives<br />
+The subtle mystery; that speaking gives<br />
+Itself resolv'd: the essences combin'd<br />
+Of Motion ceaseless, Unity complete.<br />
+Borne like a leaf by some soft eddying wind,<br />
+Mine eyes, impelled as by enchantment sweet,<br />
+From part to part with circling motion rove,<br />
+Yet seem unconscious of the power to move;<br />
+From line to line through endless changes run,<br />
+O'er countless shapes, yet seem to gaze on One.</p>
+</div>
+
+
+<div class="chapter" id="p09">
+<h2>Sonnet</h2>
+
+<h3><i>On seeing the Picture of &AElig;olus by <span class="smallcaps">Peligrino Tibaldi</span>, in the Institute at
+Bologna.</i></h3>
+
+
+
+<p>Full well, Tibaldi, did thy kindred mind<br />
+The mighty spell of Bonarroti own.<br />
+Like one who, reading magick words, receives<br />
+The gift of intercourse with worlds uknnown,<br />
+'Twas thine, decyph'ring Nature's mystick leaves,<br />
+To hold strange converse with the viewless wind;<br />
+To see the Spirits, in embodied forms,<br />
+Of gales and whirlwinds, hurricanes and storms.<br />
+For, lo! obedient to thy bidding, teems<br />
+Fierce into shape their stern relentless Lord:<br />
+His form of motion ever-restless seems;<br />
+Or, if to rest inclin'd his turbid soul,<br />
+On Hecla's top to stretch, and give the word<br />
+To subject Winds that sweep the desert pole.</p>
+</div>
+
+
+<div class="chapter" id="p10">
+<h2>Sonnet</h2>
+
+<h3><i>On <span class="smallcaps">Rembrant</span>; occasioned by his Picture of Jacob's Dream.</i></h3>
+
+
+
+<p>As in that twilight, superstitious age<br />
+When all beyond the narrow grasp of mind<br />
+Seem'd fraught with meanings of supernal kind,<br />
+When e'en the learned philosophic sage,<br />
+Wont with the stars thro' boundless space to range.<br />
+Listen'd with rev'rence to the changeling's tale;<br />
+E'en so, thou strangest of all beings strange!<br />
+E'en so thy visionary scenes I hail;<br />
+That like the ramblings of an idiot's speech,<br />
+No image giving of a thing on earth.<br />
+Nor thought significant in Reason's reach,<br />
+Yet in their random shadowings give birth<br />
+To thoughts and things from other worlds that come,<br />
+And fill the soul, and strike the reason dumb.</p>
+</div>
+
+
+<div class="chapter" id="p11">
+<h2>Sonnet</h2>
+
+<h3><i>On the Luxembourg Gallery.</i></h3>
+
+
+
+<p>There is a Charm no vulgar mind can reach.<br />
+No critick thwart, no mighty master teach;<br />
+A Charm how mingled of the good and ill!<br />
+Yet still so mingled that the mystick whole<br />
+Shall captive hold the struggling Gazer's will,<br />
+'Till vanquish'd reason own its full control.<br />
+And such, oh Rubens, thy mysterious art,<br />
+The charm that vexes, yet enslaves the heart!<br />
+Thy lawless style, from timid systems free,<br />
+Impetuous rolling like a troubled sea,<br />
+High o'er the rocks of reason's lofty verge<br />
+Impending hangs; yet, ere the foaming surge<br />
+Breaks o'er the bound, the refluent ebb of taste<br />
+Back from the shore impels the wat'ry waste.</p>
+</div>
+
+
+<div class="chapter" id="p12">
+<h2>Sonnet</h2>
+
+<h3><i>To my venerable Friend, the President of the Royal Academy.</i></h3>
+
+
+
+<p>From one unus'd in pomp of words to raise<br />
+A courtly monument of empty praise,<br />
+Where self, transpiring through the flimsy pile,<br />
+Betrays the builder's ostentatious guile,<br />
+Accept, oh West, these unaffected lays,<br />
+Which genius claims and grateful justice pays.<br />
+Still green in age, thy vig'rous powers impart<br />
+The youthful freshness of a blameless heart;<br />
+For thine, unaided by another's pain,<br />
+The wiles of envy, or the sordid train<br />
+Of selfishness, has been the manly race<br />
+Of one who felt the purifying grace<br />
+Of honest fame; nor found the effort vain<br />
+E'en far itself to love thy soul-ennobling art.</p>
+</div>
+
+
+<div class="chapter" id="p13">
+<h2>The Mad Lover</h2>
+
+<h3><i>At the Grave of his Mistress.</i></h3>
+
+
+
+<p>Stay, gentle Stranger, softly tread!<br />
+&nbsp;&nbsp;Oh, trouble not this hallow'd heap.<br />
+Vile Envy says my Julia's dead;<br />
+&nbsp;&nbsp;But Envy thus Will never sleep.</p>
+
+<p>Ye creeping Zephyrs, hist you, pray,<br />
+&nbsp;&nbsp;Nor press so hard yon wither'd leaves;<br />
+For Julia sleeps beneath this clay--<br />
+&nbsp;&nbsp;Nay, feel it, how her bosom heaves!</p>
+
+<p>Oh, she was purer than the stream<br />
+&nbsp;&nbsp;That saw the first created morn;<br />
+Her words were like a sick man's dream<br />
+&nbsp;&nbsp;That nerves with health a heart forlorn.</p>
+
+<p>And who their lot would hapless deem<br />
+&nbsp;&nbsp;Those lovely, speaking lips to view;<br />
+That light between like rays that beam<br />
+&nbsp;&nbsp;Through sister clouds of rosy hue?</p>
+
+<p>Yet these were to her fairer soul<br />
+&nbsp;&nbsp;But, as yon op'ning clouds on high<br />
+To glorious worlds that o'er them roll,<br />
+&nbsp;&nbsp;The portals to a brighter sky.</p>
+
+<p>And shall the glutton worm defile<br />
+&nbsp;&nbsp;This spotless tenement of love,<br />
+That like a playful infant's smile<br />
+&nbsp;&nbsp;Seem'd born of purest light above?</p>
+
+<p>And yet I saw the sable pall<br />
+&nbsp;&nbsp;Dark-trailing o'er the broken ground--<br />
+The earth did on her coffin fall--<br />
+&nbsp;&nbsp;I heard the heavy, hollow sound</p>
+
+<p>Avaunt, thou Fiend! nor tempt my brain<br />
+&nbsp;&nbsp;With thoughts of madness brought from Hell!<br />
+No wo like this of all her train<br />
+&nbsp;&nbsp;Has Mem'ry in her blackest cell.</p>
+
+<p>'Tis all a tale of fiendish art--<br />
+&nbsp;&nbsp;Thou com'st, my love, to prove it so!<br />
+I'll press thy hand upon my heart--<br />
+&nbsp;&nbsp;It chills me like a hand of snow!</p>
+
+<p>Thine eyes are glaz'd, thy cheeks are pale,<br />
+&nbsp;&nbsp;Thy lips are livid, and thy breath<br />
+Too truly tells the dreadful tale---<br />
+&nbsp;&nbsp;Thou comest from the house of death!</p>
+
+<p>Oh, speak, Beloved! lest I rave;<br />
+&nbsp;&nbsp;The fatal truth I'll bravely meet,<br />
+And I will follow to the grave,<br />
+&nbsp;&nbsp;And wrap me in thy winding sheet.</p>
+</div>
+
+
+<div class="chapter" id="p14">
+<h2>First Love.</h2>
+
+<h3><i>A Ballad</i>[<a href="#fn8">8</a>].</h3>
+
+
+
+<p>Ah me! how hard the task to bear<br />
+&nbsp;&nbsp;The weight of ills we know!<br />
+But harder still to dry the tear,<br />
+&nbsp;&nbsp;That mourns a nameless we.</p>
+
+<p>If by the side of Lucy's wheel<br />
+&nbsp;&nbsp;I sit to see her spin,<br />
+My head around begins to reel,<br />
+&nbsp;&nbsp;My heart to beat within.</p>
+
+<p>Or when on harvest holliday<br />
+&nbsp;&nbsp;I lead the dance along,<br />
+If Lucy chance to cross my way,<br />
+&nbsp;&nbsp;So sure she leads me wrong,</p>
+
+<p>If I attempt the pipe to play,<br />
+&nbsp;&nbsp;And catch my Lucy's eye,<br />
+The trembling musick dies away,<br />
+&nbsp;&nbsp;And melts into a sigh.</p>
+
+<p>Where'er I go, where'er I turn,<br />
+&nbsp;&nbsp;If Lucy there be found,<br />
+I seem to shiver, yet I burn,<br />
+&nbsp;&nbsp;My head goes swimming round.</p>
+
+<p>I cannot bear to see her smile,<br />
+&nbsp;&nbsp;Unless she smile on me;<br />
+And if she frown, I sigh the while,<br />
+&nbsp;&nbsp;But know not whence it be.</p>
+
+<p>Ah, what have I to Lucy done<br />
+&nbsp;&nbsp;To cause me so much stir?<br />
+From rising to the setting sun<br />
+&nbsp;&nbsp;I sigh, and think of her.</p>
+
+<p>In vain I strive to join the throng<br />
+&nbsp;&nbsp;In social mirth and ease;<br />
+Now lonely woods I stray among,<br />
+&nbsp;&nbsp;For only woods can please.</p>
+
+<p>Ah, me! this restless heart I fear<br />
+&nbsp;&nbsp;Will never be at rest,<br />
+'Till Lucy cease to live, or tear<br />
+&nbsp;&nbsp;Her image from my breast.</p>
+</div>
+
+
+<div class="chapter" id="p15">
+<h2>The Complaint.</h2>
+
+
+
+<p>"Oh, had I Colin's winning ease,"<br />
+&nbsp;&nbsp;Said Lindor with a sigh,<br />
+"So carelessly ordained to please,<br />
+&nbsp;&nbsp;I'd every care defy.</p>
+
+<p>"If Colin but for Daphne's hair<br />
+&nbsp;&nbsp;A simple garland weave,<br />
+He gives it with so sweet an air<br />
+&nbsp;&nbsp;He seems a crown to give.</p>
+
+<p>"But, though I cull the fairest flower<br />
+&nbsp;&nbsp;That decks the breast of spring,<br />
+And posies from the woodland bower<br />
+&nbsp;&nbsp;For Daphne's bosom bring,</p>
+
+<p>"When I attempt to give the fair,<br />
+&nbsp;&nbsp;With many a speech in store,<br />
+My half-form'd words dissolve in air,<br />
+&nbsp;&nbsp;I blush and dare no more.</p>
+
+<p>"And shall I then expect a smile<br />
+&nbsp;&nbsp;From Daphne on my love,<br />
+When every word and look the while<br />
+&nbsp;&nbsp;My clownish weakness prove?</p>
+
+<p>"Oft at the close of summer day,<br />
+&nbsp;&nbsp;When Daphne wander'd by,<br />
+I've left my little flock astray,<br />
+&nbsp;&nbsp;And follow'd with a sigh.</p>
+
+<p>"Yet, fearing to approach too near,<br />
+&nbsp;&nbsp;I lingered far behind:<br />
+And, lest my step should reach her ear,<br />
+&nbsp;&nbsp;I shook at every wind.</p>
+
+<p>"How happy then must Colin be<br />
+&nbsp;&nbsp;Who never knew this fear,<br />
+Whose sweet address at liberty<br />
+&nbsp;&nbsp;Commands the fair-one's ear!</p>
+
+<p>"A smile, a tear, a word, a sigh,<br />
+&nbsp;&nbsp;Stand ready at his call;<br />
+In me unknown they live and die,<br />
+&nbsp;&nbsp;Who have and feel them all."</p>
+
+<p>Ah, simple swain, how little knows<br />
+&nbsp;&nbsp;The love-sick mind to scan<br />
+Those gifts which real love bestows<br />
+&nbsp;&nbsp;To mark the favoured man.</p>
+
+<p>Secure, let fluent parrots feign<br />
+&nbsp;&nbsp;The musick of the dove;<br />
+'Tis only in the eye may reign<br />
+&nbsp;&nbsp;The eloquence of love.</p>
+</div>
+
+
+<div class="chapter" id="p16">
+<h2>Will, the Maniac.</h2>
+
+<h3><i>A Ballad.</i></h3>
+
+
+
+<p><span class="smallcaps">Hark!</span> what wild sound is on the breeze?<br />
+&nbsp;&nbsp;'Tis Will, at evening fall<br />
+Who sings to yonder waving trees<br />
+&nbsp;&nbsp;That shade his prison wall.</p>
+
+<p>Poor Will was once the gayest swain<br />
+&nbsp;&nbsp;At village dance was seen;<br />
+No freer heart of wicked stain<br />
+&nbsp;&nbsp;E'er tripp'd the moonlight green.</p>
+
+<p>His flock was all his humble pride,<br />
+&nbsp;&nbsp;A finer ne'er was shorn;<br />
+And only when a lambkin died<br />
+&nbsp;&nbsp;Had Will a cause to mourn.</p>
+
+<p>But now poor William's brain is turn'd,<br />
+&nbsp;&nbsp;He knows no more his flock;<br />
+For when I ask'd "if them he mourn'd,"<br />
+&nbsp;&nbsp;He mock'd the village clock.</p>
+
+<p>No, William does not mourn his fold,<br />
+&nbsp;&nbsp;Though tenantless and drear;<br />
+Some say, a love he never told<br />
+&nbsp;&nbsp;Did crush his heart with fear.</p>
+
+<p>And she, 'tis said, for whom he pin'd<br />
+&nbsp;&nbsp;Was heiress of the land,<br />
+A lovely lady, pure of mind<br />
+&nbsp;&nbsp;Of open heart and hand.</p>
+
+<p>And others tell, as <i>how</i> he strove<br />
+&nbsp;&nbsp;To win the noble fair.<br />
+Who, scornful, jeer'd his simple love.<br />
+&nbsp;&nbsp;And left him to despair.</p>
+
+<p>Will wander'd then amid the rocks<br />
+&nbsp;&nbsp;Through all the live long day,<br />
+And oft would creep where bursting shocks<br />
+&nbsp;&nbsp;Had rent the earth away.</p>
+
+<p>He lov'd to delve the darksome dell<br />
+&nbsp;&nbsp;Where never pierc'd a ray,<br />
+There to the wailing night-bird tell,<br />
+'How love was turn'd to clay.'</p>
+
+<p>And oft upon yon craggy mount,<br />
+&nbsp;&nbsp;Where threatening cliffs hang high,<br />
+Have I observ'd him stop to count<br />
+&nbsp;&nbsp;With fixless stare the sky.</p>
+</div>
+
+
+<div class="chapter" id="footnotes">
+<h2>Footnotes</h2>
+
+
+
+<p id="fn1">1. In a late beautiful poem by Mr. Montgomery is the following lines
+"<i>The spirits of departed hours</i>." The Author, fearing that so singular a
+coincidence of thought and language might subject him to the charge of
+plagiarism, thinks it necessary to state that his poem was written long
+before he had the pleasure of reading Mr. M.'s.</p>
+
+<p id="fn2">2. The Author would be sorry to have it supposed that he alludes here to
+any individual; for he can say with truth, that such a character has never
+fallen under his observation: much less would he be thought to reflect on
+the Artists, as a class of men to which such baseness may be generally
+imputed. The case here is merely <i>supposed</i>, to shew how easily imbecility
+and selfishness may pervert this most innocent of all arts to the vilest
+purposes. He may be allowed also to disclaim an opinion too generally
+prevalent; namely, that envy and detraction are the natural offspring of
+the art. That Artists should possess a portion of these vices, in common
+with Poets, Musicians, and other candidates for fame, is reasonably to be
+expected; but that they should exclusively monopolise them, or even hold
+an undue proportion, 'twere ungenerous to suppose. The Author has known
+Artists in various countries; and can truly say, that, with a very few
+exceptions, he has found them candid and liberal; prompt to discover
+merit, and just in applauding it. If there have been exceptions, he has
+also generally been able to trace their cause to the unpropitious
+coincidence of narrow circumstances, a defective education, and poverty of
+intellect. Is it then surprising, that in the hands of such a triumvirate
+the art should be degraded to an imposture, to the trick of a juggler? but
+it surely would be a cause of wonder, if, with such leprous members, the
+sound and respectable body of its professors should escape the suspicion
+of partaking their contamination.</p>
+
+<p id="fn3">3. "Who breaks a butterfly upon a wheel?" Pope.</p>
+
+<p id="fn4">4. The Author having no revenge to gratify, and consequently no pleasure
+in giving pain, has purposely excluded the Works of all living Artists
+from this Gallery.</p>
+
+<p id="fn5">5. To those who are conversant with the Works of the Old Masters this
+piece of anachronism will hardly appear exaggerated.</p>
+
+<p id="fn6">6. Fra. Bartolomeo.</p>
+
+<p id="fn7">7. See Boswell's Life of Johnson.</p>
+
+<p id="fn8">8. This and the two following ballads were written at a very early age,
+and have already appeared in some of the Periodical Works of their day.</p>
+</div>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Sylphs of the Season with Other
+Poems, by Washington Allston
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE SYLPHS ***
+
+***** This file should be named 11059-h.htm or 11059-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/1/0/5/11059/
+
+Produced by Distributed Proofreaders
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
+
+
+</pre>
+
+</body>
+</html>
diff --git a/old/11059.txt b/old/11059.txt
new file mode 100644
index 0000000..a279c9b
--- /dev/null
+++ b/old/11059.txt
@@ -0,0 +1,3152 @@
+The Project Gutenberg EBook of The Sylphs of the Season with Other Poems
+by Washington Allston
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Sylphs of the Season with Other Poems
+
+Author: Washington Allston
+
+Release Date: February 12, 2004 [EBook #11059]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE SYLPHS ***
+
+
+
+
+Produced by Distributed Proofreaders
+
+
+
+
+[Transcriber's Note: Footnotes have been numbered and moved to the end.]
+
+
+
+The Sylphs of the Seasons with Other Poems.
+
+By
+
+W. Allston.
+
+
+
+
+Contents.
+
+
+
+The Sylphs of the Seasons; a Poet's Dream
+The Two Pointers; a Tale
+Eccentricity
+The Paint King
+Myrtilla: addressed to a Lady, who lamented that she had never been in love
+To a Lady who spoke slightingly of Poets
+Sonnet on a Falling Group in the Last Judgment of Michael Angelo, in the
+ Cappella Sistina
+Sonnet on the Group of the Three Angels before the Tent of Abraham, by
+ Raffaelle, in the Vatican
+Sonnet, on seeing the Picture of AEolus, by Peligrino Tibaldi, in the
+ Institute at Bologna
+Sonnet on Rembrant; occasioned by his Picture of Jacob's Dream
+Sonnet on the Luxembourg Gallery
+Sonnet to my venerable Friend, the President of the Royal Academy
+The Mad Lover at the Grave of his Mistress
+First Love: a Ballad
+The Complaint
+Will, the Maniac: a Ballad
+
+
+
+
+The Sylphs of the Seasons;
+
+_A Poet's Dream._
+
+
+
+
+Prefatory Note to The Sylphs of the Seasons.
+
+
+
+As it may be objected to the following Poem, that some of the images there
+introduced are not wholly peculiar to the Season described, the Author
+begs leave to state, that, both in their selection and disposition, he was
+guided by that, which, in his limited experience, was found to be the
+Season of their greatest impression: and, though he has not always felt
+the necessity of pointing out the collateral causes by which the effect
+was increased, he yet flatters himself that, in general, they are
+sufficiently implied either by what follows or precedes them. Thus, for
+instance, the _running brook_, though by no means peculiar, is
+appropriated to Spring; as affording by its motion and _seeming_
+exultation one of the most lively images of that spirit of renovation
+which animates the earth after its temporary suspension during the Winter.
+By the same rule, is assigned to Summer the _placid lake_, &c. not because
+that image is never seen, or enjoyed, at any other season; but on account
+of its affecting us more in Summer, than either in the Spring, or in
+Autumn; the indolence and languor generally then experienced disposing us
+to dwell with particular delight on such an object of repose, not to
+mention the grateful idea of coolness derived from a knowledge of its
+temperature. Thus also the _evening cloud_, exhibiting a fleeting
+representation of successive objects, is, perhaps, justly appropriated to
+Autumn, as in that Season the general decay of inanimate nature leads the
+mind to turn upon itself, and without effort to apply almost every image
+of sense or vision of the imagination,* to its own transitory state.
+
+If the above be admitted, it is needless to add more; if it be not, it
+would be useless.
+
+
+
+
+The Sylphs of the Seasons.
+
+
+
+Long has it been my fate to hear
+The slave of Mammon, with a sneer,
+ My indolence reprove.
+Ah, little knows he of the care,
+The toil, the hardship that I bear,
+While lolling in my elbow-chair,
+ And seeming scarce to move:
+
+For, mounted on the Poet's steed,
+I _there_ my ceaseless journey speed
+ O'er mountain, wood, and stream:
+And oft within a little day
+'Mid comets fierce 'tis mine to stray,
+And wander o'er the Milky-way
+ To catch a Poet's dream.
+
+But would the Man of Lucre know
+What riches from my labours flow?--
+ A DREAM is my reply.
+And who for wealth has ever pin'd,
+That had a World within his mind,
+Where every treasure he may find,
+ And joys that never die!
+
+One night, my task diurnal done,
+(For I had travell'd with the Sun
+ O'er burning sands, o'er snows)
+Fatigued, I sought the couch of rest;
+My wonted pray'r to Heaven address'd;
+But scarce had I my pillow press'd
+ When thus a vision rose.
+
+Methought within a desert cave,
+Cold, dark, and solemn as the grave,
+ I suddenly awoke.
+It seem'd of sable Night the cell,
+Where, save when from the ceiling fell
+An oozing drop, her silent spell
+ No sound had ever broke.
+
+There motionless I stood alone,
+Like some strange monument of stone
+ Upon a barren wild;
+Or like, (so solid and profound
+The darkness seem'd that wall'd me round)
+A man that's buried under ground,
+ Where pyramids are pil'd.
+
+Thus fix'd, a dreadful hour I past,
+And now I heard, as from a blast,
+ A voice pronounce my name:
+Nor long upon my ear it dwelt,
+When round me 'gan the air to melt.
+And motion once again I felt
+ Quick circling o'er my frame.
+
+Again it call'd; and then a ray,
+That seem'd a gushing fount of day,
+ Across the cavern stream'd.
+Half struck with terror and delight,
+I hail'd the little blessed light,
+And follow'd 'till my aching sight
+ An orb of darkness seem'd.
+
+Nor long I felt the blinding pain;
+For soon upon a mountain plain
+ I gaz'd with wonder new.
+There high a castle rear'd its head;
+And far below a region spread,
+Where every Season seem'd to shed
+ Its own peculiar hue.
+
+Now at the castle's massy gate,
+Like one that's blindly urged by fate,
+ A bugle-horn I blew.
+The mountain-plain it shook around,
+The vales return'd a hollow sound,
+And, moving with a sigh profound.
+ The portals open flew.
+
+Then ent'ring, from a glittering hall
+I heard a voice seraphic call,
+ That bade me "ever reign,
+All hail!" it said in accent wild,
+"For thou art Nature's chosen child,
+Whom wealth nor blood has e'er defil'd,
+ Hail, Lord of this Domain!"
+
+And now I paced a bright saloon,
+That seem'd illumin'd by the moon,
+ So mellow was the light.
+The walls with jetty darkness teem'd,
+While down them chrystal columns streamed,
+And each a mountain torrent seem'd.
+ High-flashing through the night.
+
+Rear'd in the midst, a double throne.
+Like burnish'd cloud of evening shone;
+ While, group'd the base around,
+Four Damsels stood of Faery race;
+Who, turning each with heavenly grace
+Upon me her immortal face,
+ Transfix'd me to the ground.
+
+And _thus_ the foremost of the tram:
+Be thine the throne, and thine to reign
+ O'er all the varying year!
+But ere thou rulest the Fates command;
+That of our chosen rival band
+A Sylph shall win thy heart and hand,
+ Thy sovereignty to share.
+
+For we, the sisters of a birth,
+Do rule by turns the subject earth
+ To serve ungrateful man;
+But since our varied toils impart
+No joy to his capricious heart,
+'Tis now ordain'd that human art
+ Shall rectify the plan.
+
+Then spake the Sylph of Spring serene,
+'Tis _I_ thy joyous heart I ween,
+ With sympathy shall move:
+For I with living melody
+Of birds in choral symphony,
+First wak'd thy soul to poesy,
+ To piety and love.
+
+When thou, at call of vernal breeze,
+And beck'ning bough of budding trees,
+ Hast left thy sullen fire;
+And stretch'd thee in some mossy dell.
+And heard the browsing wether's bell,
+Blythe echoes rousing from their cell
+ To swell the tinkling quire:
+
+Or heard from branch of flow'ring thorn
+The song of friendly cuckoo warn
+ The tardy-moving swain;
+Hast bid the purple swallow hail;
+And seen him now through ether sail,
+Now sweeping downward o'er the vale.
+ And skimming now the plain;
+
+Then, catching with a sudden glance
+The bright and silver-clear expanse
+ Of some broad river's stream.
+Beheld the boats adown it glide,
+And motion wind again the tide,
+Where, chain'd in ice by Winter's pride,
+ Late roll'd the heavy team:
+
+Or, lur'd by some fresh-scented gale,
+That woo'd the moored fisher's sail
+ To tempt the mighty main,
+Hast watch'd the dim receding shore,
+Now faintly seen the ocean o'er,
+Like hanging cloud, and now no more
+ To bound the sapphire plain;
+
+Then, wrapt in night the scudding bark,
+(That seem'd, self-pois'd amid the dark,
+ Through upper air to leap,)
+Beheld, from thy most fearful height,
+Beneath the dolphin's azure light
+Cleave, like a living meteor bright,
+ The darkness of the deep:
+
+'Twas mine the warm, awak'ning hand
+That made thy grateful heart expand,
+ And feel the high control
+Of Him, the mighty Power, that moves
+Amid the waters and the groves,
+And through his vast creation proves
+ His omnipresent soul.
+
+Or, brooding o'er some forest rill,
+Fring'd with the early daffodil,
+ And quiv'ring maiden-hair,
+When thou hast mark'd the dusky bed,
+With leaves and water-rust o'erspread,
+That seem'd an amber light to shed
+ On all was shadow'd there;
+
+And thence, as by its murmur call'd,
+The current traced to where it brawl'd
+ Beneath the noontide ray;
+And there beheld the checquer'd shade
+Of waves, in many a sinuous braid,
+That o'er the sunny channel play'd,
+ With motion ever gay:
+
+'Twas I to these the magick gave,
+That made thy heart, a willing slave,
+ To gentle Nature bend;
+And taught thee how with tree and flower,
+And whispering gale, and dropping shower,
+In converse sweet to pass the hour,
+ As with an early friend:
+
+That mid the noontide sunny haze
+Did in thy languid bosom raise
+ The raptures of the boy;
+When, wak'd as if to second birth,
+Thy soul through every pore look'd forth,
+And gaz'd upon the beauteous Earth
+ With myriad eyes of joy:
+
+That made thy heart, like HIS above,
+To flow with universal love
+ For every living thing.
+And, oh! if I, with ray divine,
+Thus tempering, did thy soul refine,
+Then let thy gentle heart be mine,
+ And bless the Sylph of Spring.
+
+And next the Sylph of Summer fair;
+The while her crisped, golden hair
+ Half veil'd her sunny eyes:
+Nor less may _I_ thy homage claim,
+At touch of whose exhaling flame
+The fog of Spring that chill'd thy frame
+ In genial vapour flies.
+
+Oft by the heat of noon opprest,
+With flowing hair and open vest,
+ Thy footsteps have I won
+To mossy couch of welling grot,
+Where thou hast bless'd thy happy lot.
+That thou in that delicious spot
+ May'st see, not feel, the sun:
+
+Thence tracing from the body's change,
+In curious philosophic range,
+ The motion of the mind;
+And how from thought to thought it flew,
+Still hoping in each vision new
+The faery land of bliss to view,
+ But ne'er that land to find.
+
+And then, as grew thy languid mood,
+To some embow'ring silent wood
+ I led thy careless way;
+Where high from tree to tree in air
+Thou saw'st the spider swing her snare.
+So bright!--as if, entangled there,
+ The sun had left a ray:
+
+Or lur'd thee to some beetling steep
+To mark the deep and quiet sleep
+ That wrapt the tarn below;
+And mountain blue and forest green
+Inverted on its plane serene,
+Dim gleaming through the filmy sheen
+ That glaz'd the painted show;
+
+Perchance, to mark the fisher's skiff
+Swift from beneath some shadowy cliff
+ Dart, like a gust of wind;
+And, as she skimm'd the sunny lake,
+In many a playful wreath her wake
+Far-trailing, like a silvery snake,
+ With sinuous length behind.
+
+Nor less when hill and dale and heath
+Still Evening wrapt in mimic death.
+ Thy spirit true I prov'd:
+Around thee, as the darkness stole,
+Before thy wild, creative soul
+I bade each faery vision roll,
+ Thine infancy had lov'd.
+
+Then o'er the silent sleeping land,
+Thy fancy, like a magick wand,
+ Forth caird the Elfin race:
+And now around the fountain's brim
+In circling dance they gaily skim;
+And now upon its surface swim,
+ And water-spiders chase;
+
+Each circumstance of sight or sound
+Peopling the vacant air around
+ With visionary life:
+For if amid a thicket stirr'd,
+Or flitting bat, or wakeful bird,
+Then straight thy eager fancy heard
+ The din of Faery strife;
+
+Now, in the passing beetle's hum
+The Elfin army's goblin drum
+ To pigmy battle sound;
+And now, where dripping dew-drops plash
+On waving grass, their bucklers clash,
+And now their quivering lances flash,
+ Wide-dealing death around:
+
+Or if the moon's effulgent form
+The passing clouds of sudden storm
+ In quick succession veil;
+Vast serpents now, their shadows glide,
+And, coursing now the mountain's side,
+A band of giants huge, they stride
+ O'er hill, and wood, and dale.
+
+And still on many a service rare
+Could I descant, if need there were,
+ My firmer claim to bind.
+But rest I most my high pretence
+On that my genial influence,
+Which made the body's indolence
+ The vigour of the mind.
+
+And now, in accents deep and low,
+Like voice of fondly-cherish'd woe,
+ The Sylph of Autumn sad:
+Though I may not of raptures sing,
+That grac'd the gentle song of Spring,
+Like Summer, playful pleasures bring,
+ Thy youthful heart to glad;
+
+Yet still may I in hope aspire
+Thy heart to touch with chaster fire,
+ And purifying love:
+For I with vision high and holy,
+And spell of quick'ning melancholy,
+Thy soul from sublunary folly
+ First rais'd to worlds above.
+
+What though be mine the treasures fair
+Of purple grape and yellow pear,
+ And fruits of various hue,
+And harvests rich of golden grain,
+That dance in waves along the plain
+To merry song of reaping swain,
+ Beneath the welkin blue;
+
+With these I may not urge my suit,
+Of Summer's patient toil the fruit,
+ For mortal purpose given:
+Nor may it fit my sober mood
+To sing of sweetly murmuring flood,
+Or dies of many-colour'd wood,
+ That mock the bow of heaven.
+
+But, know, 'twas mine the secret power
+That wak'd thee at the midnight hour,
+ In bleak November's reign:
+'Twas I the spell around thee cast,
+When thou didst hear the hollow blast
+In murmurs tell of pleasures past,
+ That ne'er would come again:
+
+And led thee, when the storm was o'er,
+To hear the sullen ocean roar,
+ By dreadful calm opprest;
+Which still, though not a breeze was there,
+Its mountain-billows heav'd in air,
+As if a living thing it were,
+ That strove in vain for rest.
+
+'Twas I, when thou, subdued by woe,
+Didst watch the leaves descending slow,
+ To each a moral gave;
+And as they mov'd in mournful train,
+With rustling sound, along the plain,
+Taught them to sing a seraph's strain
+ Of peace within the grave.
+
+And then uprais'd thy streaming eye,
+I met thee in the western sky
+ In pomp of evening cloud;
+That, while with varying form it roll'd;
+Some wizard's castle seem'd of gold,
+And now a crimson'd knight of old,
+ Or king in purple proud.
+
+And last, as sunk the setting sun,
+And Evening with her shadows dun,
+ The gorgeous pageant past,
+'Twas then of life a mimic shew,
+Of human grandeur here below,
+Which thus beneath the fatal blow
+ Of Death must fall at last.
+
+Oh, then with what aspiring gaze
+Didst thou thy tranced vision raise
+ To yonder orbs on high,
+And think how wondrous, how sublime
+'Twere upwards to their spheres to climb,
+And live, beyond the reach of Time,
+ Child of Eternity!
+
+And last the Sylph of Winter spake;
+The while her piercing voice did shake
+ The castle-vaults below.
+Oh, youth, if thou, with soul refin'd,
+Hast felt the triumph pure of mind,
+And learnt a secret joy to find
+ In deepest scenes of woe;
+
+If e'er with fearful ear at eve
+Hast heard the wailing tempest grieve
+ Through chink of shatter'd wall;
+The while it conjur'd o'er thy brain
+Of wandering ghosts a mournful train,
+That low in fitful sobs complain,
+ Of Death's untimely call:
+
+Or feeling, as the storm increas'd,
+The love of terror nerve thy breast,
+ Didst venture to the coast;
+To see the mighty war-ship leap
+From wave to wave upon the deep,
+Like chamoise goat from steep to steep,
+ 'Till low in valleys lost;
+
+Then, glancing to the angry sky,
+Behold the clouds with fury fly
+ The lurid moon athwart;
+Like armies huge in battle, throng,
+And pour in vollying ranks along,
+While piping winds in martial song
+ To rushing war exhort:
+
+Oh, then to me thy heart be given,
+To me, ordain'd by Him in heaven
+ Thy nobler powers to wake.
+And oh! if thou with poet's soul,
+High brooding o'er the frozen pole,
+Hast felt beneath my stern control
+ The desert region quake;
+
+Or from old Hecla's cloudy height,
+When o'er the dismal, half-year's night
+ He pours his sulph'rous breath,
+Hast known my petrifying wind
+Wild ocean's curling billows bind,
+Like bending sheaves by harvest hind,
+ Erect in icy-*death;
+
+Or heard adown the mountain's steep
+The northern blast with furious sweep
+ Some cliff dissever'd dash;
+And seen it spring with dreadful bound
+From rock to rock, to gulph profound,
+While echoes fierce from caves resound
+ The never-ending crash:
+
+If thus, with terror's mighty spell
+Thy soul inspir'd, was wont to swell,
+ Thy heaving frame expand;
+Oh, then to me thy heart incline;
+For know, the wondrous charm was mine
+That fear and joy did thus combine
+ In magick union bland.
+
+Nor think confin'd my native sphere
+To horrors gaunt, or ghastly fear,
+ Or desolation wild:
+For I of pleasures fair could sing,
+That steal from life its sharpest sting,
+And man have made around it cling,
+ Like mother to her child.
+
+When thou, beneath the clear blue sky,
+So calm no cloud was seen to fly,
+ Hast gaz'd on snowy plain,
+Where Nature slept so pure and sweet,
+She seem'd a corse in winding-sheet,
+Whose happy soul had gone to meet
+ The blest Angelic train;
+
+Or mark'd the sun's declining ray
+In thousand varying colours play
+ O'er ice-incrusted heath,
+In gleams of orange now, and green,
+And now in red and azure sheen,
+Like hues on dying dolphins seen,
+ Most lovely when in death;
+
+Or seen at dawn of eastern light
+The frosty toil of Fays by night
+ On pane of casement clear,
+Where bright the mimic glaciers shine,
+And Alps, with many a mountain pine,
+And armed knights from Palestine
+ In winding march appear:
+
+'Twas I on each enchanting scene
+The charm bestow'd that banished spleen
+ Thy bosom pure and light.
+But still a _nobler_ power I claim;
+That power allied to poets' fame,
+Which language vain has dar'd to name--
+ The soul's creative might.
+
+Though Autumn grave, and Summer fair,
+And joyous Spring demand a share
+ Of Fancy's hallow'd power,
+Yet these I hold of humbler kind,
+To grosser means of earth confin'd,
+Through mortal _sense_ to reach the mind,
+ By mountain, stream, or flower.
+
+But mine, of purer nature still,
+Is _that_ which to thy secret will
+ Did minister unseen,
+Unfelt, unheard; when every sense
+Did sleep in drowsy indolence,
+And Silence deep and Night intense
+ Enshrowded every scene;
+
+That o'er thy teeming brain did raise
+The spirits of departed days[1]
+ Through all the varying year;
+And images of things remote,
+And sounds that long had ceas'd to float,
+With every hue, and every note,
+ As living now they were:
+
+And taught thee from the motley mass
+Each harmonizing part to class,
+ (Like Nature's self employ'd;)
+And then, as work'd thy wayward will,
+From these with rare combining skill,
+With new-created worlds to fill
+ Of space the mighty void.
+
+Oh then to me thy heart incline;
+To me whose plastick powers combine
+ The harvest of the mind;
+To me, whose magic coffers bear
+The spoils of all the toiling year,
+That still in mental vision wear
+ A lustre more refin'd.
+
+She ceas'd--And now in doubtful mood,
+All motionless and mute I stood,
+ Like one by charm opprest:
+By turns from each to each I rov'd,
+And each by turns again I lov'd;
+For ages ne'er could one have prov'd
+ More lovely than the rest.
+
+"Oh blessed band, of birth divine,
+What mortal task is like to mine!"--
+ And further had I spoke,
+When, lo! there pour'd a flood of light
+So fiercely on my aching sight,
+I fell beneath the vision bright,
+ And with the pain I woke.
+
+
+
+
+The Two Painters: _A Tale._
+
+
+
+ Say why in every work of man
+Some imperfection mars the plan?
+Why join'd in every human art
+A perfect and imperfect part?
+Is it that life for art is short?
+Or is it nature's cruel sport?
+Or would she thus a moral teach;
+That man should see, but never reach,
+The height of excellence, and show
+The vanity of works below?
+Or consequence of Pride, or Sloth;
+Or rather the effect of both?
+Whoe'er on life his eye has cast,
+I fear, alas, will say the last!
+
+ Once on a time in Charon's wherry
+Two Painters met, on Styx's ferry.
+Good sir, said one, with bow profound,
+I joy to meet thee under ground,
+And though with zealous spite we strove
+To blast each other's fame above,
+Yet here, as neither bay nor laurel
+Can tempt us to prolong our quarrel,
+I hope the hand which I extend
+Will meet the welcome of a friend.
+Sweet sir! replied the other Shade,
+While scorn on either nostril play'd,
+Thy proffer'd love were great and kind
+Could I in thee a _rival_ find.--
+rival, sir! returned the first,
+Ready with rising wind to burst,
+Thy meekness, sure, in this I see;
+We are not rivals, I agree:
+And therefore am I more inclin'd
+To cherish one of humble mind,
+Who apprehends that one above him
+Can never condescend to love him.
+
+ Nor longer did their courteous guile,
+Like serpent, twisting through a smile,
+Each other sting in civil phrase,
+And poison with envenom'd praise;
+For now the fiend of anger rose,
+Distending each death-withered nose,
+And, rolling fierce each glassy eye,
+Like owlets' at the noonday sky,
+Such flaming vollies pour'd of ire
+As set old Charon's phlegm on fire.
+Peace! peace! the grizly boatman cried,
+You drown the roar of Styx's tide;
+Unmanner'd ghosts! if such your strife,
+'Twere better you were still in life!
+If passions such as these you show
+You'll make another Earth below;
+Which, sure, would be a viler birth,
+Than if we made a Hell on Earth.
+At which in loud defensive strain
+'Gan speak the angry Shades again.
+I'll hear no more, cried he; 'no more'
+In echoes hoarse return'd the shore.
+To Minos' court you soon shall hie,
+(Chief Justice here) 'tis he will try
+Your jealous cause, and prove at once
+That only dunce can hate a dunce.
+
+ Thus check'd, in sullen mood they sped,
+Nor more on either side was said;
+Nor aught the dismal silence broke,
+Save only when the boatman's stroke,
+Deep-whizzing through the wave was heard,
+And now and then a spectre-bird,
+Low-cow'ring, with a hungry scream.
+For spectre-fishes in the stream.
+
+ Now midway pass'd, the creaking oar
+Is heard upon the fronting shore;
+Where thronging round in many a band,
+The curious ghosts beset the strand.
+Now suddenly the boat they 'spy,
+Like gull diminish'd in the sky;
+And now, like cloud of dusky white,
+Slow sailing o'er the deep of night,
+The sheeted group within the bark
+Is seen amid the billows dark.
+Anon the keel with grating sound
+They hear upon the pebbly ground.
+And now with kind, officious hand,
+They help the ghostly crew to land.
+
+ What news? they cried with one accord
+I pray you, said a noble lord,
+Tell me if in the world above
+I still retain the people's love:
+Or whether they, like us below,
+The motives of a Patriot know?
+And me inform, another said,
+What think they of a Buck that's dead?
+Have they discerned that, being dull,
+I knock'd my wit from watchmen's skull?
+And me, cried one, of knotty front,
+With many a scar of pride upon't
+Resolve me if the world opine
+Philosophers are still divine;
+That having hearts for friends too small,
+Or rather having none at all,
+Profess'd to love, with saving grace,
+The _abstract_ of the human race?
+And I, exclaim'd a fourth, would ask
+What think they of the Critick's task?
+Perceive they now our shallow arts;
+That merely from the want of parts
+To write ourselves, we gravely taught
+How books by others should be wrought?
+Whom interrupting, then inquir'd
+A fifth, in squalid garb attir'd,
+Do now the world with much regard
+In mem'ry hold the dirty Bard,
+Who credit gain'd for genius rare
+By shabby coat and uncomb'd hair?
+Or do they, said a Shade of prose,
+With many a pimple's ghost on nose,
+Th' eccentric author still admire,
+Who wanting that same genius' fire,
+Diving in cellars underground,
+In pipe the spark ethereal found:
+Which, fann'd by many a ribbald joke,
+From brother tipplers puff'd in smoke,
+Such blaze diffused with crackling loud,
+As blinded all the staring croud?
+And last, with jealous glancing eye,
+That seem'd in all around to pry,
+A Painter's ghost in voice suppres'd,
+Thus questioning, the group address'd;
+
+ Sweet strangers, may I too demand,
+How thrive the offspring of my hand?
+Whether, as when in life I flourish'd,
+They still by puffs of fame are nourish'd?
+Or whether have the world discern'd
+The tricks by which my fame was earn'd;
+That, lacking in my pencil skill,
+I made my tongue its office fill:
+That, marking (as for love of truth)
+In others' works a limb uncouth,
+Or face too young, or face too old,
+Or colour hot, or colour cold;
+Or hinting, (if to praise betray'd)
+'Though coloured well, it yet might _fade_;'
+And 'though its grace I can't deny,
+Yet pity 'tis so hard and dry.'--
+I thus by implication show'd
+That mine were wrought in better mode;
+And talking thus superiors down,
+Obliquely raise my own renown?
+In short, I simply this would ask,--
+If Truth has stript me of the mask;
+And, chasing Fashion's mist away,
+Expos'd me to the eye of day--[2]
+A Painter false, without a heart,
+Who lov'd himself, and not his art?
+
+ At which, with fix'd and fishy
+The Strangers both express'd amaze.
+Good Sir, said they, 'tis strange you dare
+Such meanness of yourself declare.
+
+ Were I on earth, replied the Shade,
+I never had the truth betray'd;
+For there (and I suspect like you)
+I ne'er had time myself to view.
+Yet, knowing that 'bove all creation
+I held myself in estimation,
+I deem'd that what I _lov'd_ the _best_
+Of every virtue was possess'd.
+But _here_ in colours black and true,
+Men see themselves, who never knew
+Their motives in the worldly strife,
+Or real characters through life.
+And here, alas! I scarce had been
+A little day, when every sin
+That slumber'd in my living breast,
+By Minos rous'd from torpid rest,
+Like thousand adders, rushing out,
+Entwin'd my shuddering limbs about.--
+Oh, strangers, hear!--the truth I tell--
+That fearful sight I saw was Hell.
+And, oh I with what unmeasur'd wo
+Did bitterness upon me flow,
+When thund'ring through the hissing air,
+I heard the sentence of Despair--
+'Now never hope from Hell to flee;
+Yourself is all the Hell you see!'--
+
+ He ceas'd. But still with stubborn pride
+The Rival Shades each other eyed;
+When, bursting with terrifick sound,
+The voice of Minos shook the ground,
+The startled ghosts on either side,
+Like clouds before the wind, divide;
+And leaving far a passage free,
+Each, conning his defensive plea,
+With many a crafty lure for grace.
+The Painters onward hold their pace.
+Anon before the Judgement Seat,
+With sneer confronting sneer they meet:
+And now in deep and awful strain,
+Piercing like fiery darts the brain,
+Thus Minos spake. Though I am he,
+From whom no secret thought may flee;
+Who sees it ere the birth be known
+To him, that claims it for his own;
+Yet would I still with patience hear
+What each may for himself declare,
+That all in your defence may see
+The justice pure of my decree.--
+But, hold!--It ill beseems my place
+To hear debate in such a case:
+Be therefore thou, Da Vinci's shade,
+Who when on earth to men display'd
+The scattered powers of human kind
+In thy capacious soul combin'd;
+Be thou the umpire of the strife,
+And judge as thou wert still in life.
+
+ Thus bid, with grave becoming air,
+Th' appointed judge assum'd the chair.
+And now with modest-seeming air,
+The rivals straight for speech prepare:
+And thus, with hand upon his breast,
+The Senior Ghost the Judge address'd:
+The world, (if ought the world I durst
+In this believe) did call me first
+Of those, who by the magick play
+Of harmonizing colours, sway
+The gazer's sense with such surprise,
+As make him disbelieve his eyes.
+'Tis true that some of vision dim,
+Or squeamish taste, or pedant whim,
+My works assail'd with narrow spite;
+And, passing o'er my colour bright,
+Reproach'd me for my want of grace,
+And silks and velvets out of place;
+And vulgar form, and lame design,
+And want of character; in fine,
+For lack of worth of every kind
+To charm or to enlarge the mind.
+Now this, my Lord, as will appear,
+Was nothing less than malice sheer,
+To stab me, like assassins dark,
+Because I did not hit a mark,
+At which (as I have hope of fame)
+I never once design'd to aim.
+For seeing that the life of man
+Was scarcely longer than a span;
+And, knowing that the Graphic Art
+Ne'er mortal master'd but _in part_;
+I wisely deem'd 'twere labour vain,
+Should I attempt the _whole_ to gain;
+And therefore, with ambition high,
+Aspir'd to reach what pleas'd the eye;
+Which, truly, sir, must be confess'd,
+A part that far excels the rest:
+For if, as all the world agree,
+'Twixt Painting and fair Poesy
+The diff'rence in the mode be found,
+Of colour this, and that of sound,
+'Tis plain, o'er every other grace,
+That colour holds the highest place;
+As being that distinctive part,
+Which bounds it from another art.
+If therefore, with reproof severe
+I've galled my pigmy Rival here,
+'Twas only, as your Lordship knows,
+Because his foolish envy chose
+To rank his classic forms of mud
+Above my wholesome flesh and blood.
+
+ Thus ended parle the Senior Shade.
+And now, as scorning to upbraid,
+With curving, _parabolick_ smile,
+Contemptuous, eying him the while,
+His Rival thus: 'Twere vain, my Lord,
+To wound a gnat by spear or sword[3];
+If therefore _I_, of greater might,
+Would meet this _thing_ in equal fight,
+'Twere fit that I in size should be
+As mean, diminutive, as he;
+Of course, disdaining to reply,
+I pass the wretch unheeded by.
+But since your Lordship deigns to know
+What I in my behalf may show,
+With due submission, I proclaim,
+That few on earth have borne a name
+More envied or esteem'd than mine,
+For grace, expression, and design,
+For manners true of every clime,
+And composition's art sublime.
+In academick lore profound,
+I boldly took that lofty ground,
+Which, as it rais'd me near the sky,
+Was thence for vulgar eyes too high;
+Or, if beheld, to them appear'd
+By clouds of gloomy darkness blear'd.
+Yet still that misty height I chose,
+For well I knew the world had those,
+Whose sight, by learning clear'd of rheum,
+Could pierce with ease the thickest gloom.
+Thus, perch'd sublime, 'mid clouds I wrought,
+Nor heeded what the vulgar thought.
+What, though with clamour coarse and rude
+They jested on my colours crude;
+Comparing with malicious grin,
+My drapery to bronze and tin,
+My flesh to brick and earthen ware,
+And wire of various kinds my hair;
+Or (if a landscape-bit they saw)
+My trees to pitchforks crown'd with straw;
+My clouds to pewter plates of thin edge,
+And fields to dish of eggs and spinage;
+Yet this, and many a grosser rub,
+Like fam'd Diogenes in tub,
+I bore with philosophic nerve,
+Nay, gladly bore; for, here observe,
+_'Twas that which gave to them offense,
+Did constitute my excellence._
+I see, my Lord, at this you stare:
+Yet thus I'll prove it to a hair.--
+As Mind and Body are distinct,
+Though long in social union link'd,
+And as the only power they boast,
+Is merely at each other's cost;
+If both should hold an equal station,
+They'd both be kings without a nation:
+If therefore, one would paint the Mind
+In partnership with Body join'd,
+And give to each an equal place,
+With each an equal truth and grace,
+'Tis clear the picture could not fail
+To be without or head or tail.
+And therefore as the Mind alone
+I chose should fill my graphick throne,
+To fix her pow'r beyond dispute,
+I trampled Body under foot:
+That is, in more prosaick dress,
+As I the passions would express,
+And as they ne'er could be portray'd
+Without the subject Body's aid,
+I show'd no more of that than merely
+Sufficed to represent them clearly:
+As thus--by simple means and pure
+Of light and shadow, and contour:
+But since what mortals call complexion,
+Has with the mind no more connexion
+Than ethicks with a country dance,
+I left my col'ring all to chance;
+Which oft (as I may proudly state)
+With Nature war'd at such a rate,
+As left no mortal hue or stain
+Of base, corrupting flesh, to chain
+The Soul to Earth; but, free as light,
+E'en let her soar till out of sight.
+
+ Thus spake the champion bold of mind;
+And thus the Colourist rejoin'd:
+In truth, my Lord, I apprehend,
+If I by _words_ with him contend,
+My case is gone; far he, by gift
+Of what is call'd the _gab_, can shift
+The right for wrong, with such a sleight,
+That right seems wrong and wrong the right;
+Nay, by his twisting logick make
+A square the form of circle take.
+I therefore, with submission meet,
+In justice do your Grace intreat
+To let awhile your judgment pause,
+That _works_ not _words_ may plead our cause.
+Let Merc'ry then to Earth repair,
+The works of both survey with care,
+And hither bring the best of each,
+And save us further waste of speech.
+
+ Such fair demand, the Judge replied,
+Could not with justice be denied.
+Good Merc'ry, hence! I fly, my Lord,
+The Courier said. And, at the word,
+High-bounding, wings his airy flight
+So swift his form eludes the sight;
+Nor aught is seen his course to mark,
+Save when athwart the region dark
+His brazen helm is spied afar,
+Bright-trailing like a falling star.
+
+ And now for minutes ten there stole
+A silence deep o'er every soul--
+When, lo! again before them stands
+The courier's self with empty hands.
+Why, how is this? exclaim'd the twain;
+Where are the _pictures_, sir? Explain!
+Good sirs, replied the God of Post,
+I scarce had reached the other coast,
+When Charon told me, one he ferried
+Inform'd him they were dead and buried:
+Then bade me hither haste and say,
+Their ghosts were now upon the way.
+In mute amaze the Painters stood.
+But soon upon the Stygian flood,
+Behold! the spectre-pictures float,
+Like rafts behind the towing boat:
+Now reach'd the shore, in close array,
+Like armies drill'd in Homer's day,
+When marching on to meet the foe,
+By bucklers hid from top to toe,
+They move along the dusky fields,
+A grizly troop of painted shields:
+And now, arrived in order fair,
+A gallery huge they hang in air.
+
+ The ghostly croud with gay surprize
+Began to rub their stony eyes:
+Such pleasant lounge, they all averr'd,
+None saw since he had been interr'd;
+And thus, like connoisseurs on Earth,
+Began to weigh the pictures' worth:
+But first (as deem'd of higher kind)
+Examin'd they the works of _Mind_.[4]
+Pray what is this? demanded one.--
+That, sir, is Phoebus, alias, Sun:
+A classick work you can't deny;
+The car and horses in the sky,
+The clouds on which they hold their way,
+Proclaim him all the God of Day.
+Nay, learned sir, his dirty plight
+More fit beseems the God of Night.
+Besides, I cannot well divine
+How mud like this can ever shine.--
+Then look at that a little higher.--
+I see 'tis Orpheus, by his lyre.
+The beasts that listening stand around,
+Do well declare the force of sound:
+But why the fiction thus reverse,
+And make the power of song a curse?
+The ancient Orpheus soften'd rocks,
+Yours changes living things to blocks.--
+Well, this you'll sure acknowledge fine,
+Parnassus' top with all the Nine.
+Ah, _there_ is beauty, soul and fire,
+And all that human wit inspire!--
+Good sir, you're right; for being stone,
+They're each to blunted wits a hone.
+And what is that? inquir'd another.--
+That, sir, is Cupid and his Mother.--
+What, Venus? sure it cannot be:
+That skin begrim'd ne'er felt the sea;
+That Cupid too ne'er knew the sky;
+For lead, I'm sure, could never fly.--
+I'll hear no more, the Painter said,
+Your souls are, like your bodies, dead!
+
+ With secret triumph now elate,
+His grinning Rival 'gan to prate.
+Oh, fie! my friends; upon my word,
+You're too severe: he should be _heard_;
+For _Mind_ can ne'er to glory reach,
+Without the usual aid of _speech_.
+If thus howe'er, you seal his doom,
+What hope have I unknown to Rome?
+But since the _truth_ be your dominion,
+I beg to hear your just opinion.
+This picture then--which some have thought
+By far the best I ever wrought--
+Observe it well with critick ken;
+'Tis Daniel in the Lion's Den.--
+'Tis flesh itself! exclaim'd a Critick.
+But why make Daniel paralytick?
+His limbs and features are distorted.
+And then his legs are badly sorted.
+'Tis true, a miracle you've hit,
+But not as told in Holy Writ;
+For there the miracle was braving,
+With _bones unbroke_, the Lion's craving;
+But yours (what ne'er could man befall)
+That he should _live with none at all_.--
+And pray, inquir'd another spectre,
+What Mufti's that at pious lecture?
+That's Socrates, condemned to die;
+He next, in sable, standing by,
+Is Galen[5], come to save his friend,
+If possible, from such an end;
+The other figures, group'd around,
+His Scholars, wrapt in woe profound.--
+And am I like to this portray'd?
+Exclaim'd the Sage's smiling Shade.
+Good Sir, I never knew before
+That I a Turkish turban wore,
+Or mantle hemm'd with golden stitches,
+Much less a pair of satin breeches;
+But as for him in sable clad,
+Though wond'rous kind, 'twas rather mad
+To visit one like me forlorn,
+So long before himself was born.
+And what's the next? inquir'd a third;
+A jolly blade upon my word!--
+'Tis Alexander, Philip's son,
+Lamenting o'er his battles won;
+That now his mighty toils are o'er,
+The world has nought to conquer more.
+At which, forth stalking from the host,
+Before them stood the Hero's Ghost--
+Was that, said he, my earthly form,
+The Genius of the battle-storm?
+From top to toe the figure's Dutch!
+Alas, my friend, had I been such,
+Had I that fat and meaty skull,
+Those bloated cheeks, and eyes so dull,
+That driv'ling mouth, and bottle nose,
+Those shambling legs, and gouty toes;
+Thus form'd to snore throughout the day,--
+And eat and drink the night away;
+I ne'er had felt the fev'rish flame
+That caus'd my bloody thirst for fame;
+Nor madly claim'd immortal birth,
+Because the vilest brute on Earth:
+And, oh! I'd not been doom'd to hear,
+Still whizzing in my blister'd ear,
+The curses deep, in damning peals,
+That rose from 'neath my chariot wheels,
+When I along the embattled plain
+With furious triumph crush'd the slain:
+I should not thus be doom'd to see,
+In every shape of agony,
+The victims of my cruel wrath,
+For ever dying, strew my path;
+The grinding teeth, the lips awry,
+The inflated nose, the starting eye,
+The mangled bodies writhing round,
+Like serpents, on the bloody ground;
+I should not thus for ever seem
+A charnel house, and scent the steam
+Of black, fermenting, putrid gore,
+Rank oozing through each burning pore;
+Behold, as on a dungeon wall,
+The worms upon my body crawl,
+The which, if I would brush away,
+Around my clammy fingers play,
+And, twining fast with many a coil,
+In loathsome sport my labor foil.
+
+ Enough! the frighted Painter cried,
+And hung his head in fallen pride.
+
+ Not so the other. He, of stuff
+More stubborn, ne'er would cry enough;
+But like a soundly cudgell'd oak,
+More sturdy grew at every stroke,
+And thus again his ready tongue
+With fluent logick would have rung:
+My Lord, I'll prove, or I'm a liar--
+Whom interrupting then with ire,
+Thus check'd the Judge: Oh, proud yet mean!
+And canst thou hope from me to screen
+Thy foolish heart, and o'er it spread
+A veil to cheat th' omniscient dead?
+And canst thou hope, as once on Earth,
+Applause to gain by specious worth;
+Like those that still by sneer and taunt
+Would prove pernicious what they want;
+And claim the mastership of Art,
+Because thou only know'st a _part_?
+
+ Had'st thou from Nature, not the Schools
+Distorted by pedantic rules,
+With patience wrought, such logic vain
+Had ne'er perverted thus thy brain:
+For Genius never gave delight
+By means of what offends the sight:
+Nor hadst thou deem'd, with folly mad,
+Thou could'st to Nature's beauties _add_,
+By _taking from her that which gives
+The best assurance that she lives;
+By imperfection give attraction,
+And multiply them by subtraction._
+
+ Did Raffaelle thus, whose honour'd ghost
+Is now Elysium's fairest boast?
+Far diff'rent He. Though weak and lame
+In parts that gave to others fame,
+Yet sought not _he_ by such defect
+To swindle praise for _wise neglect_
+Of _vulgar_ charms, that only _blind_
+The dazzled eye to those of Mind.
+By Heaven impressed with Genius' seal,
+An eye to see, and heart to feel,
+His soul through boundless Nature rov'd,
+And seeing felt, and feeling lov'd.
+But weak the power of mind at will
+To give the hand the painter's skill;
+For mortal works, maturing slow,
+From patient care and labour flow:
+And hence restrain'd, his youthful hand
+Obey'd a master's dull command;
+But soon with health his sickly style
+From Leonardo learn'd to smile;
+And now from Bonarroti caught
+A nobler Form; and now it sought
+Of colour fair the magic spell,
+And trac'd her to the Friar's[6] cell.
+No foolish pride, no narrow rule
+Enslav'd his soul; from every School,
+Whatever fair, whatever grand,
+His pencil, like a potent wand,
+Transfusing, bade his canvass grace.
+Progressive thus, with giant pace.
+And energy no toil could tame,
+He climb'd the rugged mount of Fame:
+And soon had reach'd the summit bold,
+When Death, who there delights to hold
+His fatal watch, with envious blow
+Quick hurl'd him to the shades below.
+
+ Thus check'd the Judge the champion vain
+Of _Classic Form_; and thus in strain,
+By anger half and pity mov'd,
+The ghostly Colourist reprov'd.
+And what didst _Thou_ aspire to gain,
+_Who_ dar'd'st the will of Jove arraign,
+That bounded thus within a span
+The little life of little man;
+With shallow art deriving thence
+Excuses for thy indolence?
+'Tis cant and hypocritic stuff!
+The life of man is long enough:
+For did he but the half improve
+He would not quarrel thus with Jove.
+
+ But most I marvel (if it be
+That aught may wond'rous seem to me)
+That Jove's high Gift, your noble Art,
+Bestow'd to raise Man's grov'ling heart,
+Refining with ethereal ray
+Each gross and selfish thought away,
+Should pander turn of paltry pelf,
+Imprisoning each within himself;
+Or like a gorgeous serpent, be
+Your splendid source of misery,
+And, crushing with his burnish'd folds,
+Still narrower make your narrow souls.
+
+ But words can ne'er reform produce,
+In Ignorance and Pride obtuse.
+Then know, ye rain and foolish Pair!
+Your doom is fix'd a yoke to bear
+Like beasts on Earth; and, thus in tether,
+Five Centuries to paint together.
+If, thus by mutual labours join'd,
+Your jarring souls should be combin'd,
+The faults of each the other mending,
+The powers of both harmonious blending;
+Great Jove, perhaps, in gracious vein,
+May send your souls on Earth again;
+Yet there One only Painter be;
+For thus the eternal Fates decree:
+One Leg alone shall never run,
+Nor two Half-Painters make but One.
+
+
+
+
+Eccentricity.
+
+
+
+ Projecere animas. VIRG.
+
+
+ Alas, my friend! what hope have I of fame,
+Who am, as Nature made me, still the same?
+And thou, poor suitor to a bankrupt muse,
+How mad thy toil, how arrogant thy views!
+What though endued with Genius' power to move
+The magick chords of sympathy and love,
+The painter's eye, the poet's fervid heart,
+The tongue of eloquence, the vital art
+Of bold Prometheus, kindling at command
+With breathing life the labours of his hand;
+Yet shall the World thy daring high pretence
+With scorn deride, for thou--hast common sense.
+
+ But dost thou, reckless of stern honour's laws,
+Intemperate hunger for the World's applause?
+Bid Nature hence; her fresh embow'ring woods,
+Her lawns and fields, and rocks, and rushing floods,
+And limpid lakes, and health-exhaling soil,
+Elastick gales, and all the glorious toil
+Of Heaven's own hand, with courtly shame discard,
+And Fame shall triumph in her city bard.
+Then, pent secure in some commodious lane,
+Where stagnant Darkness holds her morbid reign.
+Perchance snug-roosted o'er some brazier's den,
+Or stall of nymphs, by courtesy _not_ men,
+Whose gentle trade to skin the living eel,
+The while they curse it that it dares to feel[7];
+Whilst ribbald jokes and repartees proclaim
+Their happy triumph o'er the sense of shame:
+Thy city Muse invoke, that imp of mind
+By smoke engendered on an eastern wind;
+Then, half-awake, thy patent-thinking pen
+The paper give, and blot the souls of men.
+
+ The time has been when Nature's simple face
+Perennial youth possessed and winning grace;
+But who shall dare, in this refining age,
+With Nature's praise to soil his snowy page?
+What polish'd lover, unappall'd by sneers
+Dare court a beldame of six thousand years,
+When every clown with microscopick eyes
+The gaping furrows on her forehead spies?--
+'Good sir, your pardon: In her naked state,
+Her wither'd form we cannot chuse but hate;
+But fashion's art the waste of time repairs,
+Each wrinkle fills, and dies her silver hairs;
+Thus wrought anew, our gentle bosoms low;
+We cannot chuse but love what's _comme il faut_.'
+Thy city Muse invoke, that imp of mind
+By smoke engender'd on an eastern wind;
+Then, half-awake, thy patent-thinking pen
+The paper give, and blot the souls of men.
+
+ The time has been when Nature's simple face
+Perennial youth possessed and winning grace;
+But who shall dare, in this refining age,
+With Nature's praise to soil his snowy page?
+What polish'd lover, unappall'd by sneers,
+Dare court a beldame of six thousand years,
+When every clown with microscopick eyes
+The gaping furrows on her forehead spies?--
+'Good sir, your pardon: In her naked state,
+Her withered form we cannot chuse but hate;
+But fashion's art the waste of time repairs,
+Each wrinkle fills, and dies her silver hairs;
+Thus wrought anew, our gentle bosoms low;
+We cannot chuse but love what's _comme il fauts_.'
+
+ Alas, poor Cowper! could thy chasten'd eye,
+(Awhile forgetful of thy joys on high)
+Revisit earth, what indignation strange
+Would sting thee to behold the courtly change!
+Here "velvet" lawns, there "plushy" woods that lave
+Their "silken" tresses in the "glassy" wave;
+Here "'broider'd" meads, there flow'ry "carpets" spread,
+And "downy" banks to "pillow" Nature's head;
+How wouldst thou start to find thy native soil.
+Like birth-day belle, by gross mechanick toil
+Trick'd out to charm with meretricious air,
+As though all France and Manchester were there!
+But this were luxury, were bliss refin'd,
+To view the alter'd region of the mind;
+Where whim and mystery, like wizards, rule,
+And conjure wisdom from the seeming fool;
+Where learned heads, like old cremonas, boast
+Their merit soundest that are cracked the most;
+While Genius' self, infected with the joke,
+His person decks with Folly's motley cloak.
+
+ Behold, loud-rattling like a thousand drums,
+Eccentrick Hal, the child of Nature, comes!
+Of Nature once--but _now_ he acts a part,
+And Hal is now the full grown boy of art.
+In youth's pure spring his high impetuous soul
+Nor custom own'd nor fashion's vile control.
+By Truth impelled where beck'ning Nature led,
+Through life he mov'd with firm elastic tread;
+But soon the world, with wonder-teeming eyes,
+His manners mark, and goggle with surprise.
+"He's wond'rous strange!" exclaims each gaping clod,
+"A wond'rous genius, for he's wond'rous odd!"
+Where'er he goes, there goes before his fame,
+And courts and taverns echo round his name;
+'Till, fairly knocked by admiration down,
+The petted monster cracks his wond'rous crown.
+No longer now to simple Nature true,
+He studies only to be oddly new;
+Whate'er he does, whatever he deigns to say,
+Must all be said and done the oddest way;
+Nay, e'en in dress eccentrick as in thought,
+His wardrobe seems by Lapland witches wrought,
+Himself by goblins in a whirlwind drest
+With rags of clouds from Hecla's stormy crest.
+
+ 'Has Truth no charms?' When first beheld, I grant,
+But, wanting novelty, has every want:
+For pleasure's thrill the sickly palate flies,
+Save haply pungent with a rare surprise.
+The humble toad that leaps her nightly round,
+The harmless tenant of the garden ground,
+Is loath'd, abhor'd, nay, all the reptile race
+Together join'd were never half so base;
+Yet snugly find her in some quarry pent,
+Through ages doom'd to one tremendous lent,
+Surviving still, as if "in Nature's spite,"
+Without or nourishment, or air, or light,
+What raptures then th' astonish'd gazer seize!
+What lovely creature like a toad can please!
+
+ Hence many an oaf, by Nature doom'd to shine
+The unknown father of an unknown line,
+If haply shipwreck'd on some desert shore
+Of Folly's seas, by man untrod before,
+Which, bleak and barren, to the starving mind
+Yields nought but fog, or damp, unwholesome wind,
+With loud applause the wond'ring world shall hail,
+And Fame embalm him in the marv'lous tale.
+
+ With chest erect, and bright uplifted eye,
+On tiptoe rais'd, like one prepared to fly.
+Yon wight behold, whose sole aspiring hope
+Eccentrick soars to catch the hangman's rope.
+In order rang'd, with date of place and time,
+Each owner's name, his parentage and crime,
+High on his walls, inscribed to glorious shame,
+Unnumber'd halters gibbet him to Fame.
+
+ Who next appears thus stalking by his side?
+Why that is one who'd sooner die than--ride!
+No inch of ground can maps unheard of show
+Untrac'd by him, unknown to every toe:
+As if intent this punning age to suit,
+The globe's circumf'rence meas'ring by the foot.
+
+ Nor less renown'd whom stars invet'rate doom
+To smiles eternal, or eternal gloom;
+For what's a _character_ save one confin'd
+To some unchanging sameness of the mind;
+To some strange, fix'd monotony of mien,
+Or dress forever brown, forever green?
+
+ A sample comes. Observe his sombre face,
+Twin-born with Death, without his brother's grace!
+No joy in mirth his soul perverted knows,
+Whose only joy to tell of others' woes.
+A fractur'd limb, a conflagrating fire,
+A name or fortune lost his tongue inspire:
+From house to house where'er misfortunes press,
+Like Fate, he roams, and revels in distress;
+In every ear with dismal boding moans--
+walking register of sighs and groans!
+
+ High tow'ring next, as he'd eclipse the moon,
+With pride upblown, behold yon live balloon.
+All trades above, all sciences and arts,
+To fame he climbs through very scorn of parts;
+With solemn emptiness distends his state,
+And, great in nothing, soars above the great;
+Nay stranger still, through apathy of blood,
+By candour number'd with the chaste and good:
+With wife, and child, domestic, stranger, friend,
+Alike he lives, as though his being's end
+Were o'er his house like formal guest to roam,
+And walk abroad to leave himself at home.
+
+ But who is _he_, that sweet obliging youth?
+He looks the picture of ingenuous truth.
+Oh, that's his antipode, of courteous race,
+The man of bows and ever-smiling face.
+Why Nature made him, or for what design'd,
+Never he knew, nor ever sought to find,
+'Till cunning came, blest harbinger of ease!
+And kindly whisper'd, 'thou wert born to please.'
+Rous'd by the news, behold him now expand,
+Like beaten gold, and glitter o'er the land.
+Well stored with nods and sly approving winks,
+Now first with this and now with that he thinks;
+Howe'er opposing, still assents to each,
+And claps a dovetail to each booby's speech.
+At random thus for all, for none, he lives,
+Profusely lavish though he nothing gives;
+The world he roves as living but to show
+A friendless man without a single foe;
+From bad to good, to bad from good to run,
+And find a character by seeking none.
+
+ Who covets fame should ne'er be over nice,
+Some slight distortion pays the market price.
+If haply lam'd by some propitious chance,
+Instruct in attitude, or teach to dance;
+Be still extravagant in deed, or word;
+If new, enough, no matter how absurd.
+
+ Then what is Genius? Nay, if rightly us'd,
+Some gift of Nature happily abus'd.
+Nor wrongly deem by this eccentrick rule
+That Nature favours whom she makes a fool;
+Her scorn and favour we alike despise;
+Not Nature's follies but our own we prize.
+
+ "Or what is wit?" a meteor bright and rare,
+What comes and goes we know not whence, or where;
+A brilliant nothing out of something wrought,
+A mental vacuum by condensing thought.
+
+ Behold Tortoso. There's a man of wit;
+To all things fitted, though for nothing fit;
+Scourge of the world, yet crouching for a name,
+And honour bartering for the breath of fame:
+Born to command, and yet an arrant slave;
+Through too much honesty a seeming knave;
+At all things grasping, though on nothing bent,
+And ease pursuing e'en with discontent;
+Through Nature, Arts, and Sciences he flies,
+And gathers truth to manufacture lies.
+
+ Nor only Wits, for tortur'd talents claim
+Of sov'reign mobs the glorious meed of fame;
+E'en Sages too, of grave and rev'rend air,
+Yclepp'd _Philosophers_, must have their share;
+Who deeper still in conjuration skill'd,
+_A mighty something out of nothing build._
+
+ 'Then wherefore read? why cram the youthful head
+With all the learned lumber of the dead;
+Who seeking wisdom followed Nature's laws,
+Nor dar'd effects admit without a cause?'
+Why?--Ask the sophist of our modern school;
+To foil the workman we must know the tool;
+And, that possess'd, how swiftly is defac'd
+The noblest, rarest monument of taste!
+So neatly too, the mutilations stand
+Like native errors of the artist's hand;
+Nay, what is more, the very tool betray'd
+To seem the product of the work it made.
+
+ 'Oh, monstrous slander on the human race!'
+Then read conviction in Ortuno's case.
+By Nature fashion'd in her happiest mood,
+With learning, fancy, keenest wit endued;
+To what high purpose, what exalted end
+These lofty gifts did great Ortuno bend?
+With grateful triumph did Ortuno raise
+The mighty trophies to their Author's praise;
+With skill deducing from th' harmonious whole
+Immortal proofs of One Creative soul?
+Ah, no! infatuate with the dazzling light,
+In them he saw their own creative might;
+Nay, madly deem'd, if _such_ their wond'rous _skill_,
+The phantom of a God 'twas theirs to _will_.
+
+ But granting that he _is_, he bids you show
+By what you prove it, or by what you know.
+Oh, reas'ning worm! who questions thus of Him
+That lives in all, and moves in every limb,
+Must with himself in very strangeness dwell,
+Has never heard the voice of Conscience tell
+Of right and wrong, and speak in louder tone
+Than tropick thunder of that Holy One,
+Whose pure, eternal, justice shall requite
+The deed of wrong, and justify the right.
+
+ Can such blaspheme and breathe the vital air?
+Let mad philosophy their names declare.
+Yet some there are, less daring in their aim,
+With humbler cunning butcher sense for fame;
+Who doubting still, with many a fearful pause,
+Th' existence grant of one almighty cause;
+But halting there, in bolder tone deny
+The life hereafter, when the man shall die,
+Nor mark the monstrous folly of their gain--
+That God all-wise should fashion _them_ in vain.
+
+ 'Twere labour lost in this material age,
+When school boys trample on the Inspir'd Page,
+When coblers prove by syllogistick pun
+The soal they mend, and that of man are one;
+'Twere waste of time to check the Muses' speed,
+For all the _whys_ and _wherefores_ of their creed;
+To show how prov'd the juices are the same
+That feed the body, and the mental frame.
+
+ But who, half sceptic, half afraid of wrong,
+Shall walk our streets, and mark the passing throng;
+The brawny oaf in mould herculean cast,
+The pigmy statesman trembling in his blast,
+The cumb'rous citizen of portly paunch,
+Unwont to soar beyond the smoaking haunch;
+The meagre bard behind the moving tun,
+His shadow seeming lengthen'd by the sun;
+Who forms scarce visible shall thus descry,
+Like flitting clouds athwart the mental sky;
+From giant bodies then bare gleams of mind,
+Like mountain watch-lights blinking to the wind;
+Nor blush to find his unperverted eye
+Flash on his heart, and give his tongue the lie.
+
+ 'Tis passing strange! yet, born as if to show
+Man to himself his most malignant foe,
+There are (so desperate is the madness grown)
+Who'd rather live a _lie_ than live unknown;
+Whose very tongues, with force of holy writ,
+Their doctrines damn with self-recoiling wit.
+
+ Behold yon dwarf, of visage pale and wan;
+A sketch of life, a remnant of a man!
+Whose livid lips, as now he moulds a grin,
+Like charnel doors disclose the waste within;
+Whose stiffen'd joints within their sockets grind,
+Like gibbets creaking to the passing wind;
+Whose shrivell'd skin with much adhesion clings
+His bones around in hard compacted rings,
+If veins there were, no blood beneath could force,
+Unless by miracle, its trickling course;--
+Yet even _he_ within that sapless frame,
+A mind sustained that climb'd the steeps of fame.
+Such is the form by mystic Heaven design'd,
+The earthly mansion of the rarest mind.
+But, mark his gratitude. This soul sublime,
+This soul lord paramount o'er space and time,
+This soul of fire, with impious madness sought,
+Itself to prove of mortal matter wrought;
+Nay, bred, engendered, on the grub-worm plan,
+From that vile clay which made his outward man,
+That shadowy form which dark'ning into birth,
+But seem'd a sign to mark a soul on earth.
+
+ But who shall cast an introverted eye
+Upon himself, that will not there descry
+A conscious life that shall, nor cannot die?
+E'en at our birth, when first the infant mould
+Gives it a mansion and an earthly hold,
+Th' exulting Spirit feels the heavenly fire
+That lights her tenement will ne'er expire;
+And when, in after years, disease and age,
+Our fellow-bodies sweeping from life's stage,
+Obtrude the thought of death, e'en then we seem,
+As in the revelation of a dream,
+To hear a voice, more audible than speech,
+Warn of a part which death can never reach.
+Survey the tribes of savage men that roam
+Like wand'ring herds, each wilderness their home;--
+Nay, even there th' immortal spirit stands
+Firm on the verge of death, and looks to brighter lands.
+
+ Shall human wisdom then, with beetle sight,
+Because obstructed in its blund'ring flight,
+Despise the deep conviction of our birth,
+And limit life to this degraded earth?
+
+ Oh, far from me be that insatiate pride,
+Which, turning on itself, drinks up the tide
+Of natural light; 'till one eternal gloom,
+Like walls of adamant enclose the tomb.
+Tremendous thought! that this transcendant Power,
+Fell'd with the body in one fatal hour,
+With all its faculties, should pass like air
+For ages without end as though it never were!
+
+ Say, whence, obedient, to their destin'd end
+The various tribes of living nature tend?
+Why beast, and bird, and all the countless race
+Of earth and waters, each his proper place
+Instinctive knows, and through the endless chain
+Of being moves in one harmonious strain;
+While man alone, with strange perversion, draws
+Rebellious fame from Nature's broken laws?
+Methinks I hear, in that still voice which stole
+On Horeb's mount o'er rapt Elijah's soul,
+With stern reproof indignant Heaven reply:
+'Tis o'erweening Pride, that blinds the eye
+Of reasoning man, and o'er his darkened life
+Confusion spreads and misery and strife.
+
+ With wonder fill'd and self-reflecting praise,
+The slave of pride his mighty powers surveys;
+On Reason's sun (by bounteous Nature given,
+To guide the soul upon her way to heaven)
+Adoring gazes, 'till the dazzling light,
+To darkness sears his rain presumptuous sight;
+Then bold, though blind, through error's night he runs,
+In fancy lighted by a thousand suns;
+For bloody laurels now the warrior plays,
+Now libels nature for the poet's bays;
+Now darkness drinks from metaphysic springs,
+Or follows fate on astrologick wings:
+'Mid toils at length the world's loud wonder won,
+With Persian piety, to Reason's sun
+Profound he bows, and, idolist of fame,
+Forgets the God who lighted first the flame.
+
+ All potent Reason! what thy wond'rous light?
+A shooting star athwart a polar night;
+A bubble's gleam amid the boundless main;
+A sparkling sand on waste Arabia's plain:
+E'en such, vain Power, thy limited control,
+E'en such thou art, to mans mysterious soul!
+
+ Presumptuous man! would'st thou aspiring reach
+True wisdom's height, let conscious weakness teach
+Thy feeble soul her poor dependant state,
+Nor madly war with Nature to be great.
+
+ Come then, Humility, thou surest guide!
+On earth again with frenzied men reside;
+Tear the dark film of vanity and lies,
+And inward turn their renovated eyes;
+In aspect true let each himself behold,
+By self deform'd in pride's portentous mould.
+And if thy voice, on Bethl'em's holy plain
+Once heard, can reach their flinty hearts again,
+Teach them, as fearful of a serpent's gaze,
+Teach them to shun the gloating eye of praise;
+That slightest swervings from their nature's plan
+Make them a lie, and poison all the man,
+'Till black corruption spread the soul throughout,
+Whence thick and fierce, like fabled mandrakes, sprout
+The seeds of rice with more than tropick force,
+Exhausting in the growth their very vital source.
+
+ Nor wrongly deem the cynick muse aspires,
+With monkish tears to quench our nobler fires.
+Let honest pride our humble hearts inflame,
+First to deserve, ere yet we look to, fame;
+Not fame miscall'd, the mob's applauding stare;
+This monsters have, proportion'd as they're rare;
+But that sweet praise, the tribute of the good,
+For wisdom gain'd, through love of truth pursued.
+Coeval with our birth, this pure desire
+Was given to lift our grov'ling natures higher,
+Till that high praise, by genuine merit wrung
+From men's slow justice, shall employ the tongue
+Of yon Supernal Court, from whom may flow
+Or bliss eternal or eternal wo.
+And since in all this hope exalting lives,
+Let virtuous toil improve what Nature gives:
+Each in his sphere some glorious palm may gain,
+For Heaven all-wise created nought in vain.
+
+ Oh, task sublime, to till the human soil
+Where fruits immortal crown the lab'ror's toil!
+Where deathless flowers, in everlasting bloom,
+May gales from Heaven with odorous sweets perfume;
+Whose fragrance still when man's last work is done,
+And hoary Time his final course has run,
+Thro' ages back, with fresh'ning power shall last,
+Mark his long track, and linger where he past!
+
+
+
+
+The Paint-Kings.
+
+
+
+Fair Ellen was long the delight of the young,
+ No damsel could with her compare;
+Her charms were the theme of the heart and the tongue.
+And bards without number in extacies sung,
+ The beauties of Ellen the fair.
+
+Yet cold was the maid; and tho' legions advanced,
+ All drill'd by Ovidean art,
+And languish'd, and ogled, protested and danced,
+Like shadows they came, and like shadows they glanced
+ From the hard polish'd ice of her heart.
+
+Yet still did the heart of fair Ellen implore
+ A something that could not be found;
+Like a sailor she seem'd on a desolate shore,
+With nor house, nor a tree, nor a sound but the roar
+ Of breakers high dashing around.
+
+From object to object still, still would she veer,
+ Though nothing, alas, could she find;
+Like the moon, without atmosphere, brilliant and clear,
+Yet doom'd, like the moon, with no being to cheer
+ The bright barren waste of her mind.
+
+But rather than sit like a statue so still
+ When the rain made her mansion a _pound_,
+Up and down would she go, like the sails of a mill,
+And pat every stair, like a woodpecker's bill,
+ From the tiles of the roof to the ground.
+
+One morn, as the maid from her casement inclin'd,
+ Pass'd a youth, with a frame in his hand.
+The casement she clos'd--not the eye of her mind;
+For, do all she could, no, she could not be blind;
+ Still before her she saw the youth stand.
+
+"Ah, what can he do," said the languishing maid,
+ "Ah, what with that frame can he do?"
+And she knelt to the Goddess of Secrets and pray'd,
+When the youth pass'd again, and again he display'd
+ The frame and a picture to view.
+
+"Oh, beautiful picture!" the fair Ellen cried,
+ "I must see thee again or I die."
+Then under her white chin her bonnet she tied,
+And after the youth and the picture she hied,
+ When the youth, looking back, met her eye.
+
+"Fair damsel," said he (and he chuckled the while)
+ "This picture I see you admire:
+Then take it, I pray you, perhaps 'twill beguile
+Some moments of sorrow; (nay, pardon my smile)
+ Or, at least, keep you home by the fire."
+
+Then Ellen the gift with delight and surprise
+ From the cunning young stripling receiv'd.
+But she knew not the poison that enter'd her eyes,
+When sparkling with rapture they gaz'd on her prize--
+ Thus, alas, are fair maidens deceiv'd!
+
+'Twas a youth o'er the form of a statue inclin'd,
+ And the sculptor he seem'd of the stone;
+Yet he languished as tho' for its beauty he pin'd
+And gaz'd as the eyes of the statue so blind
+ Reflected the beams of his own.
+
+Twas the tale of the sculptor Pygmalion of old;
+ Fair Ellen remember'd, and sigh'd;
+"Ah, could'st thou but lift from that marble so cold,
+Thine eyes too imploring, thy arms should enfold,
+ And press me this day as thy bride."
+
+She said: when, behold, from the canvass arose
+ The youth, and he stepp'd from the frame:
+With a furious transport his arms did enclose
+The love-plighted Ellen: and, clasping, he froze
+ The blood of the maid with his flame!
+
+She turn'd and beheld on each shoulder a wing.
+ "Oh, heaven! cried she, who art thou?"
+From the roof to the ground did his fierce answer ring,
+As frowning, he thunder'd " I am the PAINT-KING!
+ And mine, lovely maid, thou art now!"
+
+Then high from the ground did the grim monster lift
+ The loud screaming maid like a blast;
+And he sped through the air like a meteor swift,
+While the clouds, wand'ring by him, did fearfully drift
+ To the right and the left as he pass'd.
+
+Now suddenly sloping his hurricane flight,
+ With an eddying whirl he descends;
+The air all below him becomes black as night,
+And the ground where he treads, as if mov'd with affright,
+ Like the surge of the Caspian bends.
+
+"I am here!" said the Fiend, and he thundering knock'd
+ At the gates of a mountainous cave;
+The gates open flew, as by magick unlocked,
+While the peaks of the mount, reeling to and fro, rock'd
+ Like an island of ice on the wave.
+
+"Oh, mercy!" cried Ellen, and swoon'd in his arms,
+ But the PAINT-KING, he scoff'd at her pain.
+"Prithee, love," said the monster, "what mean these alarms?"
+She hears not, she sees not the terrible charms,
+ That work her to horrour again.
+
+She opens her lids, but no longer her eyes
+ Behold the fair youth she would woo;
+Now appears the PAINT-KING in his natural guise;
+His face, like a palette of villainous dies,
+ Black and white, red, and yellow, and blue.
+
+On the skull of a Titan, that Heaven defied,
+ Sat the fiend, like the grito Giant Gog,
+While aloft to his mouth a huge pipe he applied,
+Twice as big as the Eddystone Lighthouse, descried
+ As it looms through an easterly fog.
+
+And anon, as he puff'd the vast volumes, were seen,
+ In horrid festoons on the wall,
+Legs and arms, heads and bodies emerging between,
+Like the drawing-room grim of the Scotch Sawney Beane,
+ By the Devil dress'd out for a ball.
+
+"Ah me!" cried the Damsel, and fell at his feet.
+ "Must I hang on these walls to be dried?"
+"Oh, no!" said the fiend, while he sprung from his seat,
+"A far nobler fortune thy person shall meet;
+ Into paint will I grind thee, my bride!"
+
+Then, seizing the maid by her dark auburn hair,
+ An oil jug he plung'd her within.
+Seven days seven nights, with the shrieks of despair,
+Did Ellen in torment convulse the dun air,
+ All covered with oil to the chin.
+
+On the morn of the eighth on a huge sable stone
+ Then Ellen, all reeking, he laid;
+With a rock for his muller he crush'd every bone,
+But, though ground to jelly, still, still did she groan;
+ For life had forsook not the maid.
+
+Now reaching his palette, with masterly care
+ Each tint on its surface he spread;
+The blue of her eyes, and the brown of her hair,
+And the pearl and the white of her forehead so fair,
+ And her lips' and her cheeks' rosy red.
+
+Then, stamping his foot, did the monster exclaim,
+ "Now I brave, cruel Fairy, thy scorn!"
+When lo! from a chasm wide-yawning there came
+A light tiny chariot of rose-colour'd flame,
+ By a team of ten glow-worms upborne.
+
+Enthroned In the midst on an emerald bright,
+ Fair Geraldine sat without peer;
+Her robe was a gleam of the first blush of light,
+And her mantle the fleece of a noon-cloud white,
+ And a beam of the moon was her spear.
+
+In an accent that stole on the still charmed air
+ Like the first gentle language of Eve,
+Thus spake from her chariot the Fairy so fair:
+"I come at thy call, but, oh Paint-King, beware.
+ Beware if again you deceive."
+
+"Tis true," said the monster, "thou queen of my heart,
+ Thy portrait I oft have essay'd;
+Yet ne'er to the canvass could I with my art
+The least of thy wonderful beauties impart;
+ And my failure with scorn you repaid.
+
+"Now I swear by the light of the Comet-King's tail!"
+ And he tower'd with pride as he spoke,
+"If again with these magical colours I fail,
+The crater of Etna shall hence be my jail,
+ And my food shall be sulphur and smoke.
+
+"But if I succeed, then, oh, fair Geraldine!
+ Thy promise with justice I claim,
+And thou, queen of Fairies, shalt ever be mine,
+The bride of my bed; and thy portrait divine
+ Shall fill all the earth with my fame."
+
+He spake; when, behold, the fair Geraldine's form
+ On the canvass enchantingly glow'd;
+His touches--they flew like the leaves in a storm;
+And the pure pearly white and the carnation warm
+ Contending in harmony flow'd;
+
+And now did the portrait a twin-sister seem
+ To the figure of Geraldine fair:
+With the same _sweet_ expression did faithfully teem
+Each muscle; each feature; in short not a gleam
+ Was lost of her beautiful hair.
+
+Twas the Fairy herself! but, alas, her blue eyes
+ Still a pupil did ruefully lack;
+And who shall describe the terrifick surprise
+That seiz'd the PAINT-KING when, behold, he descries
+ Not a speck on his palette of black!
+
+"I am lost!" said the Fiend, and he shook like a leaf;
+ When, casting his eyes to the ground,
+He saw the lost pupils of Ellen with grief
+In the jaws of a mouse, and the sly little thief
+ Whisk away from his sight with a bound.
+
+"I am lost!" said the Fiend, and he fell like a stone;
+ Then rising the Fairy in ire
+With a touch of her finger she loosen'd her zone,
+(While the limbs on the wall gave a terrible groan,)
+ And she swelled to a column of fire.
+
+Her spear now a thunder-bolt flash'd in the air,
+ And sulphur the vault fill'd around:
+She smote the grim monster; and now by the hair
+High-lifting, she hurl'd him in speechless despair
+ Down the depths of the chasm profound.
+
+Then over the picture thrice waving her spear,
+ "Come forth!" said the good Geraldine;
+When, behold, from the canvass descending, appear
+Fair Ellen, in person more lovely than e'er,
+ With grace more than ever divine!
+
+
+
+
+Myrtilla.
+
+ _Addressed to a LADY, who lamented that she had never been in love._
+
+
+ "Al nuovo giorno,
+ Pietosa man' mi sollevo."
+
+ METASTASIO.
+
+
+
+"Ah me! how sad," Myrtilla cried,
+ "To waste alone my years!"
+While o'er a streamlet's flow'ry side
+She pensive hung, and watch'd the tide
+ That dimpled with her tears.
+
+"The world, though oft to merit blind,
+ Alas, I cannot blame;
+For they have oft the knee inclined.
+And pour'd the sigh--but, like the wind
+ Of winter, cold it came.
+
+"Ah no! neglect I cannot rue."
+ Then o'er the limpid stream
+She cast her eyes of ether blue;
+Her wat'ry eyes look'd up to view
+ Their lovelier parent's beam.
+
+And ever as the sad lament
+ Would thus her lips divide,
+Her lips, like sister roses bent
+By passing gales, elastick sent
+ Their blushes from the tide.
+
+While mournful o'er her pictur'd face
+ Did then her glances steal,
+She seem'd she thought a marble Grace,
+T' enslave with love the human race,
+ But ne'er that love to feel.
+
+"Ah, what avail those eyes replete
+ With charms without a name!
+Alas, no kindred rays they meet,
+To kindle by collision sweet
+ Of mutual love the flame!
+
+"Oh, 'tis the worst of cruel things,
+ This solitary state!
+Yon bird that trims his purple wings,
+As on the bending bow he swings.
+ Prepares to join his mate.
+
+"The little glow-worm sheds her light,
+ Nor sheds her light in vain--
+That still her tiny lover's sight
+Amid the darkness of the night
+ May trace her o'er the plain.
+
+"All living nature seems to move
+ By sympathy divine--
+The sea, the earth, the air above;
+As if one universal love
+ Did all their hearts entwine!
+
+"My heart alone of all my kind
+ No love can ever warm:
+That only can resemblance find
+With waste Arabia, where the wind
+ Ne'er breathes on human form;
+
+"A blank, embodied space, that knows
+ No changes in its reign,
+Save when the fierce tornado throws
+Its barren sands, like drifted snows,
+ In ridges o'er the plain."
+
+Thus plain'd the maid; and now her eyes
+ Slow-lifting from the tide,
+Their liquid orbs with sweet surprise
+A youth beheld in extacies,
+ Mute standing by her side.
+
+"Forbear, oh, lovely maid, forbear,"
+ The youth enamour'd cried,
+"Nor with Arabia's waste compare
+The heart of one so young and fair,
+ To every charm allied.
+
+"Or, if Arabia--rather say,
+ Where some delicious spring
+Remurmurs to the leaves that play
+Mid palm and date and flow'ret gay,
+ On zephyr's frolick wing.
+
+"And now, methinks, I cannot deem
+ The picture else but true;
+For I a wand'ring trav'ller seem
+O'er life's drear waste, without a gleam
+ Of hope--if not in _you_."
+
+Thus spake the youth; and then his tongue
+ Such converse sweet distill'd,
+It seem'd, as on his words she hung,
+As though a heavenly spirit sung,
+ And all her soul he fill'd.
+
+He told her of his cruel fate,
+ Condemn'd along to rove,
+From infancy to man's estate,
+Though courted by the fair and great,
+ Yet never once to love.
+
+And then from many a poet's page
+ The blest reverse he proved:
+How sweet to pass life's pilgrimage,
+From purple youth to sere old age,
+ Aye loving and beloved!
+
+Here ceased the youth; but still his words
+ Did o'er her fancy play;
+They seem'd the matin song of birds,
+Or like the distant low of herds
+ That welcomes in the day.
+
+The sympathetick chord she feels
+ Soft thrilling in her soul;
+And, as the sweet vibration steals
+Through every vein, in tender peals
+ She seems to hear it roll.
+
+Her alter'd heart, of late so drear,
+ Then seem'd a faery land,
+Where nymphs and rosy loves appear
+On margin green of fountain clear,
+ And frolick hand in hand.
+
+But who shall paint her crimson blush,
+ Nor think his hand of stone,
+As now the secret with a flush
+Did o'er her aching senses rush--
+ _Her heart was not her own!_
+
+The happy Lindor, with a look
+ That every hope confessed,
+Her glowing hand exulting took,
+And press'd it, as she fearful shook,
+ In silence to his breast.
+
+Myrtilla felt the spreading flame,
+ Yet knew not how to chide;
+So sweet it mantled o'er her frame,
+That, with a smile of pride and shame,
+ She own'd herself his bride.
+
+No longer then, ye fair, complain,
+ And call the fates unkind;
+The high, the low, the meek, the vain,
+Shall each a sympathetick swain,
+Another _self_ shall find.
+
+
+
+
+To a Lady Who Spoke Slightingly of Poets.
+
+
+
+Oh, censure not the Poet's art,
+Nor think it chills the feeling heart
+ To love the gentle Muses.
+Can that which in a stone or flower,
+As if by transmigrating power,
+ His gen'rous soul infuses;
+
+Can that for social joys impair
+The heart that like the lib'ral air
+ All Nature's self embraces;
+That in the cold Norwegian main,
+Or mid the tropic hurricane
+ Her varied beauty traces;
+
+That in her meanest work can find
+A fitness and a grace combin'd
+ In blest harmonious union,
+That even with the cricket holds,
+As if by sympathy of souls,
+ Mysterious communion;
+
+Can that with sordid selfishness
+His wide-expanded heart impress,
+ Whose consciousness is loving;
+Who, giving life to all he spies,
+His joyous being multiplies,
+ In youthfulness improving?
+
+Oh, Lady, then, fair queen of Earth,
+Thou loveliest of mortal birth,
+ Spurn not thy truest lover;
+Nor censure _him_ whose keener sense
+Can feel thy magic influence
+ Where nought the world discover;
+
+Whose eye on that bewitching face
+Can every source unnumber'd trace
+ Of germinating blisses;
+See Sylphids o'er thy forehead weave
+The lily-fibred film, and leave
+ It fix'd with honied kisses;
+
+While some within thy liquid eyes,
+Like minnows of a thousand dies
+ Through lucid waters glancing,
+In busy motion to and fro,
+The gems of diamond-beetles sow,
+ Their lustre thus enhancing;
+
+Here some, their little vases fill'd
+With blushes for thy cheek distill'd
+ From roses newly blowing,
+Each tiny thirsting pore supply;
+And some in quick succession by
+ The down of peaches strewing;
+
+There others who from hanging bell
+Of cowslip caught the dew that fell
+ While yet the day was breaking,
+And o'er thy pouting lips diffuse
+The tincture--still its glowing hues
+ Of purple morn partaking:
+
+Here some, that in the petals prest
+Of humid honeysuckles, rest
+ From nightly fog defended,
+Flutter their fragrant wings between,
+Like humming-birds that scarce are seen,
+ They seem with air so blended!
+
+While some, in equal clusters knit.
+On either side in circles flit,
+ Like bees in April swarming,
+Their tiny weight each other lend,
+And force the yielding cheek to bend,
+ Thy laughing dimples forming.
+
+Nor, Lady, think the Poet's eye
+Can only outward charms espy,
+ Thy form alone adoring--
+Ah, Lady, no: though fair they be.
+Yet he a fairer sight may see,
+ Thy lovely _soul_ exploring:
+
+And while from part to part it flies
+The gentle Spirit he descries,
+ Through every line pursuing;
+And feels upon his nature shower
+That pure, that humanizing power,
+ Which raises by subduing.
+
+
+
+
+Sonnet
+
+_On a Falling Group in the Last Judgement of MICHAEL ANGELO, in the
+Cappella Sistina._
+
+
+
+How vast, how dread, overwhelming is the thought
+Of Space interminable! to the soul
+A circling weight that crushes into nought
+Her mighty faculties! a wond'rous whole,
+Without or parts, beginning, or an end!
+How fearful then on desp'rate wings to send
+The fancy e'en amid the waste profound!
+Yet, born as if all daring to astound,
+Thy giant hand, oh Angelo, hath hurl'd
+E'en human forms, with all their mortal weight,
+Down the dread void--fall endless as their fate!
+Already now they seem from world to world
+For ages thrown; yet doom'd, another past,
+Another still to reach, nor e'er to reach the last!
+
+
+
+
+Sonnet
+
+_On the Group of the Three Angels before the Tent of Abraham, by
+RAFFAELLE, in the Vatican._
+
+
+
+Oh, now I feel as though another sense
+From Heaven descending had informed my soul;
+I feel the pleasurable, full control
+Of Grace, harmonious, boundless, and intense.
+In thee, celestial Group, embodied lives
+The subtle mystery; that speaking gives
+Itself resolv'd: the essences combin'd
+Of Motion ceaseless, Unity complete.
+Borne like a leaf by some soft eddying wind,
+Mine eyes, impelled as by enchantment sweet,
+From part to part with circling motion rove,
+Yet seem unconscious of the power to move;
+From line to line through endless changes run,
+O'er countless shapes, yet seem to gaze on One.
+
+
+
+
+Sonnet
+
+_On seeing the Picture of AEolus by PELIGRINO TIBALDI, in the Institute at
+Bologna._
+
+
+
+Full well, Tibaldi, did thy kindred mind
+The mighty spell of Bonarroti own.
+Like one who, reading magick words, receives
+The gift of intercourse with worlds uknnown,
+'Twas thine, decyph'ring Nature's mystick leaves,
+To hold strange converse with the viewless wind;
+To see the Spirits, in embodied forms,
+Of gales and whirlwinds, hurricanes and storms.
+For, lo! obedient to thy bidding, teems
+Fierce into shape their stern relentless Lord:
+His form of motion ever-restless seems;
+Or, if to rest inclin'd his turbid soul,
+On Hecla's top to stretch, and give the word
+To subject Winds that sweep the desert pole.
+
+
+
+
+Sonnet
+
+_On REMBRANT; occasioned by his Picture of Jacob's Dream._
+
+
+
+As in that twilight, superstitious age
+When all beyond the narrow grasp of mind
+Seem'd fraught with meanings of supernal kind,
+When e'en the learned philosophic sage,
+Wont with the stars thro' boundless space to range.
+Listen'd with rev'rence to the changeling's tale;
+E'en so, thou strangest of all beings strange!
+E'en so thy visionary scenes I hail;
+That like the ramblings of an idiot's speech,
+No image giving of a thing on earth.
+Nor thought significant in Reason's reach,
+Yet in their random shadowings give birth
+To thoughts and things from other worlds that come,
+And fill the soul, and strike the reason dumb.
+
+
+
+
+Sonnet
+
+_On the Luxembourg Gallery._
+
+
+
+There is a Charm no vulgar mind can reach.
+No critick thwart, no mighty master teach;
+A Charm how mingled of the good and ill!
+Yet still so mingled that the mystick whole
+Shall captive hold the struggling Gazer's will,
+'Till vanquish'd reason own its full control.
+And such, oh Rubens, thy mysterious art,
+The charm that vexes, yet enslaves the heart!
+Thy lawless style, from timid systems free,
+Impetuous rolling like a troubled sea,
+High o'er the rocks of reason's lofty verge
+Impending hangs; yet, ere the foaming surge
+Breaks o'er the bound, the refluent ebb of taste
+Back from the shore impels the wat'ry waste.
+
+
+
+
+Sonnet
+
+_To my venerable Friend, the President of the Royal Academy._
+
+
+
+From one unus'd in pomp of words to raise
+A courtly monument of empty praise,
+Where self, transpiring through the flimsy pile,
+Betrays the builder's ostentatious guile,
+Accept, oh West, these unaffected lays,
+Which genius claims and grateful justice pays.
+Still green in age, thy vig'rous powers impart
+The youthful freshness of a blameless heart;
+For thine, unaided by another's pain,
+The wiles of envy, or the sordid train
+Of selfishness, has been the manly race
+Of one who felt the purifying grace
+Of honest fame; nor found the effort vain
+E'en far itself to love thy soul-ennobling art.
+
+
+
+
+The Mad Lover
+
+_At the Grave of his Mistress._
+
+
+
+Stay, gentle Stranger, softly tread!
+ Oh, trouble not this hallow'd heap.
+Vile Envy says my Julia's dead;
+ But Envy thus Will never sleep.
+
+Ye creeping Zephyrs, hist you, pray,
+ Nor press so hard yon wither'd leaves;
+For Julia sleeps beneath this clay--
+ Nay, feel it, how her bosom heaves!
+
+Oh, she was purer than the stream
+ That saw the first created morn;
+Her words were like a sick man's dream
+ That nerves with health a heart forlorn.
+
+And who their lot would hapless deem
+ Those lovely, speaking lips to view;
+That light between like rays that beam
+ Through sister clouds of rosy hue?
+
+Yet these were to her fairer soul
+ But, as yon op'ning clouds on high
+To glorious worlds that o'er them roll,
+ The portals to a brighter sky.
+
+And shall the glutton worm defile
+ This spotless tenement of love,
+That like a playful infant's smile
+ Seem'd born of purest light above?
+
+And yet I saw the sable pall
+ Dark-trailing o'er the broken ground--
+The earth did on her coffin fall--
+ I heard the heavy, hollow sound
+
+Avaunt, thou Fiend! nor tempt my brain
+ With thoughts of madness brought from Hell!
+No wo like this of all her train
+ Has Mem'ry in her blackest cell.
+
+'Tis all a tale of fiendish art--
+ Thou com'st, my love, to prove it so!
+I'll press thy hand upon my heart--
+ It chills me like a hand of snow!
+
+Thine eyes are glaz'd, thy cheeks are pale,
+ Thy lips are livid, and thy breath
+Too truly tells the dreadful tale---
+ Thou comest from the house of death!
+
+Oh, speak, Beloved! lest I rave;
+ The fatal truth I'll bravely meet,
+And I will follow to the grave,
+ And wrap me in thy winding sheet.
+
+
+
+
+First Love.
+
+_A Ballad_[8].
+
+
+
+Ah me! how hard the task to bear
+ The weight of ills we know!
+But harder still to dry the tear,
+ That mourns a nameless we.
+
+If by the side of Lucy's wheel
+ I sit to see her spin,
+My head around begins to reel,
+ My heart to beat within.
+
+Or when on harvest holliday
+ I lead the dance along,
+If Lucy chance to cross my way,
+ So sure she leads me wrong,
+
+If I attempt the pipe to play,
+ And catch my Lucy's eye,
+The trembling musick dies away,
+ And melts into a sigh.
+
+Where'er I go, where'er I turn,
+ If Lucy there be found,
+I seem to shiver, yet I burn,
+ My head goes swimming round.
+
+I cannot bear to see her smile,
+ Unless she smile on me;
+And if she frown, I sigh the while,
+ But know not whence it be.
+
+Ah, what have I to Lucy done
+ To cause me so much stir?
+From rising to the setting sun
+ I sigh, and think of her.
+
+In vain I strive to join the throng
+ In social mirth and ease;
+Now lonely woods I stray among,
+ For only woods can please.
+
+Ah, me! this restless heart I fear
+ Will never be at rest,
+'Till Lucy cease to live, or tear
+ Her image from my breast.
+
+
+
+
+The Complaint.
+
+
+
+"Oh, had I Colin's winning ease,"
+ Said Lindor with a sigh,
+"So carelessly ordained to please,
+ I'd every care defy.
+
+"If Colin but for Daphne's hair
+ A simple garland weave,
+He gives it with so sweet an air
+ He seems a crown to give.
+
+"But, though I cull the fairest flower
+ That decks the breast of spring,
+And posies from the woodland bower
+ For Daphne's bosom bring,
+
+"When I attempt to give the fair,
+ With many a speech in store,
+My half-form'd words dissolve in air,
+ I blush and dare no more.
+
+"And shall I then expect a smile
+ From Daphne on my love,
+When every word and look the while
+ My clownish weakness prove?
+
+"Oft at the close of summer day,
+ When Daphne wander'd by,
+I've left my little flock astray,
+ And follow'd with a sigh.
+
+"Yet, fearing to approach too near,
+ I lingered far behind:
+And, lest my step should reach her ear,
+ I shook at every wind.
+
+"How happy then must Colin be
+ Who never knew this fear,
+Whose sweet address at liberty
+ Commands the fair-one's ear!
+
+"A smile, a tear, a word, a sigh,
+ Stand ready at his call;
+In me unknown they live and die,
+ Who have and feel them all."
+
+Ah, simple swain, how little knows
+ The love-sick mind to scan
+Those gifts which real love bestows
+ To mark the favoured man.
+
+Secure, let fluent parrots feign
+ The musick of the dove;
+'Tis only in the eye may reign
+ The eloquence of love.
+
+
+
+
+Will, the Maniac.
+
+_A Ballad._
+
+
+
+HARK! what wild sound is on the breeze?
+ 'Tis Will, at evening fall
+Who sings to yonder waving trees
+ That shade his prison wall.
+
+Poor Will was once the gayest swain
+ At village dance was seen;
+No freer heart of wicked stain
+ E'er tripp'd the moonlight green.
+
+His flock was all his humble pride,
+ A finer ne'er was shorn;
+And only when a lambkin died
+ Had Will a cause to mourn.
+
+But now poor William's brain is turn'd,
+ He knows no more his flock;
+For when I ask'd "if them he mourn'd,"
+ He mock'd the village clock.
+
+No, William does not mourn his fold,
+ Though tenantless and drear;
+Some say, a love he never told
+ Did crush his heart with fear.
+
+And she, 'tis said, for whom he pin'd
+ Was heiress of the land,
+A lovely lady, pure of mind
+ Of open heart and hand.
+
+And others tell, as _how_ he strove
+ To win the noble fair.
+Who, scornful, jeer'd his simple love.
+ And left him to despair.
+
+Will wander'd then amid the rocks
+ Through all the live long day,
+And oft would creep where bursting shocks
+ Had rent the earth away.
+
+He lov'd to delve the darksome dell
+ Where never pierc'd a ray,
+There to the wailing night-bird tell,
+'How love was turn'd to clay.'
+
+And oft upon yon craggy mount,
+ Where threatening cliffs hang high,
+Have I observ'd him stop to count
+ With fixless stare the sky.
+
+
+
+
+
+Footnotes
+
+
+
+[1] In a late beautiful poem by Mr. Montgomery is the following lines
+"_The spirits of departed hours_." The Author, fearing that so singular a
+coincidence of thought and language might subject him to the charge of
+plagiarism, thinks it necessary to state that his poem was written long
+before he had the pleasure of reading Mr. M.'s.
+
+[2] The Author would be sorry to have it supposed that he alludes here to
+any individual; for he can say with truth, that such a character has never
+fallen under his observation: much less would he be thought to reflect on
+the Artists, as a class of men to which such baseness may be generally
+imputed. The case here is merely _supposed_, to shew how easily imbecility
+and selfishness may pervert this most innocent of all arts to the vilest
+purposes. He may be allowed also to disclaim an opinion too generally
+prevalent; namely, that envy and detraction are the natural offspring of
+the art. That Artists should possess a portion of these vices, in common
+with Poets, Musicians, and other candidates for fame, is reasonably to be
+expected; but that they should exclusively monopolise them, or even hold
+an undue proportion, 'twere ungenerous to suppose. The Author has known
+Artists in various countries; and can truly say, that, with a very few
+exceptions, he has found them candid and liberal; prompt to discover
+merit, and just in applauding it. If there have been exceptions, he has
+also generally been able to trace their cause to the unpropitious
+coincidence of narrow circumstances, a defective education, and poverty of
+intellect. Is it then surprising, that in the hands of such a triumvirate
+the art should be degraded to an imposture, to the trick of a juggler? but
+it surely would be a cause of wonder, if, with such leprous members, the
+sound and respectable body of its professors should escape the suspicion
+of partaking their contamination.
+
+[3] "Who breaks a butterfly upon a wheel?" Pope.
+
+[4] The Author having no revenge to gratify, and consequently no pleasure
+in giving pain, has purposely excluded the Works of all living Artists
+from this Gallery.
+
+[5] To those who are conversant with the Works of the Old Masters this
+piece of anachronism will hardly appear exaggerated.
+
+[6] Fra. Bartolomeo.
+
+[7] See Boswell's Life of Johnson.
+
+[8] This and the two following ballads were written at a very early age,
+and have already appeared in some of the Periodical Works of their day.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Sylphs of the Season with Other
+Poems, by Washington Allston
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE SYLPHS ***
+
+***** This file should be named 11059.txt or 11059.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/1/0/5/11059/
+
+Produced by Distributed Proofreaders
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/old/11059.zip b/old/11059.zip
new file mode 100644
index 0000000..6bcacf3
--- /dev/null
+++ b/old/11059.zip
Binary files differ