summaryrefslogtreecommitdiff
path: root/old/1086-h/1086-h.htm
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:16:31 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:16:31 -0700
commit549f156f3447acda42bd1f83ef628a99b6b2ba57 (patch)
tree9a7c82d235aa15d31bd03cda71085ea09da3a3c0 /old/1086-h/1086-h.htm
initial commit of ebook 1086HEADmain
Diffstat (limited to 'old/1086-h/1086-h.htm')
-rw-r--r--old/1086-h/1086-h.htm3112
1 files changed, 3112 insertions, 0 deletions
diff --git a/old/1086-h/1086-h.htm b/old/1086-h/1086-h.htm
new file mode 100644
index 0000000..6b1536e
--- /dev/null
+++ b/old/1086-h/1086-h.htm
@@ -0,0 +1,3112 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
+<meta http-equiv="Content-Style-Type" content="text/css" />
+<title>The Project Gutenberg eBook of A Horse's Tale, by Mark Twain</title>
+<link rel="coverpage" href="images/cover.jpg" />
+<style type="text/css">
+
+body { margin-left: 20%;
+ margin-right: 20%;
+ text-align: justify; }
+
+h1, h2, h3, h4, h5 {text-align: center; font-style: normal; font-weight:
+normal; line-height: 1.5; margin-top: .5em; margin-bottom: .5em;}
+
+h1 {font-size: 300%;
+ margin-top: 0.6em;
+ margin-bottom: 0.6em;
+ letter-spacing: 0.12em;
+ word-spacing: 0.2em;
+ text-indent: 0em;}
+h2 {font-size: 150%; margin-top: 2em; margin-bottom: 1em;}
+h3 {font-size: 130%; margin-top: 1em;}
+h4 {font-size: 120%;}
+h5 {font-size: 110%;}
+
+.no-break {page-break-before: avoid;} /* for epubs */
+
+div.chapter {page-break-before: always; margin-top: 4em;}
+
+hr {width: 80%; margin-top: 2em; margin-bottom: 2em;}
+
+p {text-indent: 1em;
+ margin-top: 0.25em;
+ margin-bottom: 0.25em; }
+
+p.poem {text-indent: 0%;
+ margin-left: 10%;
+ font-size: 90%;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+.GutSmall { font-size: 0.7em; }
+
+.smcap {font-variant: small-caps;}
+
+.citation {vertical-align: super;
+ font-size: .8em;
+ text-decoration: none;}
+
+p.center {text-align: center;
+ text-indent: 0em;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+p.footnote {font-size: 90%;
+ text-indent: 0%;
+ margin-left: 10%;
+ margin-right: 10%;
+ margin-top: 1em;
+ margin-bottom: 1em; }
+
+div.fig { display:block;
+ margin:0 auto;
+ text-align:center;
+ margin-top: 1em;
+ margin-bottom: 1em;}
+
+a:link {color:blue; text-decoration:none}
+a:visited {color:blue; text-decoration:none}
+a:hover {color:red}
+
+ </style>
+</head>
+<body>
+
+<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of A Horse’s Tale, by Mark Twain</div>
+<div style='display:block; margin:1em 0'>
+This eBook is for the use of anyone anywhere in the United States and
+most other parts of the world at no cost and with almost no restrictions
+whatsoever. You may copy it, give it away or re-use it under the terms
+of the Project Gutenberg License included with this eBook or online
+at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+are not located in the United States, you will have to check the laws of the
+country where you are located before using this eBook.
+</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: A Horse’s Tale</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Mark Twain</div>
+<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Illustrator: Lucius Hitchcock</div>
+<div style='display:block; margin:1em 0'>Release Date: October 21, 1997 [eBook #1086]<br />
+[Most recently updated: August 26, 2021]</div>
+<div style='display:block; margin:1em 0'>Language: English</div>
+<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
+<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: David Price</div>
+<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK A HORSE’S TALE ***</div>
+
+<div class="fig" style="width:100%;">
+<a href="images/coverb.jpg">
+<img alt="Book cover"
+title="Book cover"
+ src="images/covers.jpg" /></a>
+</div>
+
+<div class="fig" style="width:100%;">
+<a name="fpb" href="images/fpb.jpg">
+<img alt="&ldquo;Buffalo Bill took me on Soldier Boy to
+Thunder-Bird&rsquo;s Camp&rdquo;"
+title="&ldquo;Buffalo Bill took me on Soldier Boy to
+Thunder-Bird&rsquo;s Camp&rdquo;"
+ src="images/fps.jpg" /></a>
+</div>
+
+<h1>A Horse&rsquo;s Tale</h1>
+
+<h2 class="no-break">
+<span class="GutSmall">BY</span><br />
+Mark Twain</h2>
+
+<p style="text-align: center"><span class="GutSmall">ILLUSTRATED
+BY</span><br />
+<span class="GutSmall">LUCIUS HITCHCOCK</span></p>
+
+<div class="fig" style="width:100%;">
+<a href="images/tpb.jpg">
+<img alt="Decorative graphic"
+title="Decorative graphic"
+ src="images/tps.jpg" /></a>
+</div>
+
+<p style="text-align: center">LONDON AND NEW YORK<br />
+HARPER &amp; BROTHERS<br />
+PUBLISHERS .. MCMVII</p>
+
+<p class="center"><span
+class="GutSmall">Copyright, 1906, by Harper &amp;
+Brothers.</span>
+</p>
+
+<p class="center"><span class="GutSmall"><i>All
+rights reserved</i></span></p>
+
+<p class="center"><span class="GutSmall">Published
+October, 1907.</span></p>
+
+<p class="center"><i>Printed in United States of
+America</i>.</p>
+
+<h2>Contents</h2>
+
+<table summary="" style="">
+
+<tr>
+<td><a href="#page1">Chapter I. <span class="smcap">Soldier Boy&mdash;Privately to Himself</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page12">Chapter II. <span class="smcap">Letter from Rouen&mdash;To General Alison</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page19">Chapter III. <span class="smcap">General Alison to his Mother</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page25">Chapter IV. <span class="smcap">Cathy to her Aunt Mercedes</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page33">Chapter V. <span class="smcap">General Alison to Mercedes</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page56">Chapter VI. <span class="smcap">Soldier Boy and the Mexican Plug</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page82">Chapter VII. <span class="smcap">Soldier Boy and Shekels</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page88">Chapter VIII. <span class="smcap">The Scout-start. BB and Lieutenant-General Alison</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page90">Chapter IX. <span class="smcap">Soldier Boy and Shekels Again</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page100">Chapter X. <span class="smcap">General Alison and Dorcas</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page116">Chapter XI. <span class="smcap">Several Months Later. Antonio and Thorndike</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page129">Chapter XII. <span class="smcap">Mongrel and the Other Horse</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page133">Chapter XIII. <span class="smcap">General Alison to his Mother</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page145">Chapter XIV. <span class="smcap">Soldier Boy&mdash;To Himself</span></a></td>
+</tr>
+
+<tr>
+<td><a href="#page149">Chapter XV. <span class="smcap">General Alison to Mrs. Drake, the Colonel&rsquo;s Wife</span></a></td>
+</tr>
+
+</table>
+
+<h2>Illustrations</h2>
+
+<table summary="" style="">
+
+<tr>
+<td><a href="#fpb">&ldquo;Buffalo Bill took me on Soldier Boy to Thunder-Bird&rsquo;s Camp&rdquo;</a></td>
+</tr>
+
+<tr>
+<td><a href="#image48">&ldquo;Look at that file of cats in your chair&rdquo;</a></td>
+</tr>
+
+<tr>
+<td><a href="#image66">&ldquo;Every morning they go clattering down into the plain&rdquo;</a></td>
+</tr>
+
+<tr>
+<td><a href="#image92">&ldquo;There was nothing to do but stand by&rdquo;</a></td>
+</tr>
+
+<tr>
+<td><a href="#image150">&ldquo;His strength failed and he fell at her feet&rdquo;</a></td>
+</tr>
+
+</table>
+
+<div class="chapter">
+
+<h2>Acknowledgements</h2>
+
+<p>Although I have had several opportunities to see a bull-fight,
+I have never seen one; but I needed a bull-fight in this book,
+and a trustworthy one will be found in it. I got it out of
+John Hay&rsquo;s <i>Castilian Days</i>, reducing and condensing
+it to fit the requirements of this small story. Mr. Hay and
+I were friends from early times, and if he were still with us he
+would not rebuke me for the liberty I have taken.</p>
+
+<p>The knowledge of military minuti&aelig; exhibited in this book
+will be found to be correct, but it is not mine; I took it from
+<i>Army Regulations</i>, ed. 1904; <i>Hardy&rsquo;s
+Tactics</i>&mdash;<i>Cavalry</i>, revised ed., 1861; and
+<i>Jomini&rsquo;s Handbook of Military Etiquette</i>, West Point
+ed., 1905.</p>
+
+<p>It would not be honest in me to encourage by silence the
+inference that I composed the Horse&rsquo;s private bugle-call,
+for I did not. I lifted it, as Aristotle says. It is
+the opening strain in <i>The Pizzicato</i> in <i>Sylvia</i>, by
+Delibes. When that master was composing it he did not know
+it was a bugle-call, it was I that found it out.</p>
+
+<p>Along through the book I have distributed a few anachronisms
+and unborn historical incidents and such things, so as to help
+the tale over the difficult places. This idea is not
+original with me; I got it out of Herodotus. Herodotus
+says, &ldquo;Very few things happen at the right time, and the
+rest do not happen at all: the conscientious historian will
+correct these defects.&rdquo;</p>
+
+<p>The cats in the chair do not belong to me, but to another.</p>
+
+<p>These are all the exceptions. What is left of the book
+is mine.</p>
+
+<p style="text-align: right">MARK TWAIN.</p>
+
+<p><span class="smcap">Lone Tree Hill</span>, <span
+class="smcap">Dublin</span>,<br />
+<span class="smcap">New Hampshire</span>, <i>October</i>,
+1905.</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Part I</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page1"></a>I<br />
+<span class="GutSmall">SOLDIER BOY&mdash;PRIVATELY TO
+HIMSELF</span></h2>
+
+<p>I <span class="smcap">am</span> Buffalo Bill&rsquo;s
+horse. I have spent my life under his saddle&mdash;with him
+in it, too, and he is good for two hundred pounds, without his
+clothes; and there is no telling how much he does weigh when he
+is out on the war-path and has his batteries belted on. He
+is over six feet, is young, hasn&rsquo;t an ounce of waste flesh,
+is straight, graceful, springy in his motions, quick as a cat,
+and has a handsome face, and black hair dangling down on his
+shoulders, and is beautiful to look at; and nobody is braver than
+he is, and nobody is stronger, except myself. Yes, a person
+that doubts that he is fine to see should see him in his beaded
+buck-skins, on my back and his rifle peeping above his shoulder,
+chasing a hostile trail, with me going like the wind and his hair
+streaming out behind from the shelter of his broad slouch.
+Yes, he is a sight to look at then&mdash;and I&rsquo;m part of it
+myself.</p>
+
+<p>I am his favorite horse, out of dozens. Big as he is, I
+have carried him eighty-one miles between nightfall and sunrise
+on the scout; and I am good for fifty, day in and day out, and
+all the time. I am not large, but I am built on a business
+basis. I have carried him thousands and thousands of miles
+on scout duty for the army, and there&rsquo;s not a gorge, nor a
+pass, nor a valley, nor a fort, nor a trading post, nor a
+buffalo-range in the whole sweep of the Rocky Mountains and the
+Great Plains that we don&rsquo;t know as well as we know the
+bugle-calls. He is Chief of Scouts to the Army of the
+Frontier, and it makes us very important. In such a
+position as I hold in the military service one needs to be of
+good family and possess an education much above the common to be
+worthy of the place. I am the best-educated horse outside
+of the hippodrome, everybody says, and the best-mannered.
+It may be so, it is not for me to say; modesty is the best
+policy, I think. Buffalo Bill taught me the most of what I
+know, my mother taught me much, and I taught myself the
+rest. Lay a row of moccasins before me&mdash;Pawnee, Sioux,
+Shoshone, Cheyenne, Blackfoot, and as many other tribes as you
+please&mdash;and I can name the tribe every moccasin belongs to
+by the make of it. Name it in horse-talk, and could do it
+in American if I had speech.</p>
+
+<p>I know some of the Indian signs&mdash;the signs they make with
+their hands, and by signal-fires at night and columns of smoke by
+day. Buffalo Bill taught me how to drag wounded soldiers
+out of the line of fire with my teeth; and I&rsquo;ve done it,
+too; at least I&rsquo;ve dragged <i>him</i> out of the battle
+when he was wounded. And not just once, but twice.
+Yes, I know a lot of things. I remember forms, and gaits,
+and faces; and you can&rsquo;t disguise a person that&rsquo;s
+done me a kindness so that I won&rsquo;t know him thereafter
+wherever I find him. I know the art of searching for a
+trail, and I know the stale track from the fresh. I can
+keep a trail all by myself, with Buffalo Bill asleep in the
+saddle; ask him&mdash;he will tell you so. Many a time,
+when he has ridden all night, he has said to me at dawn,
+&ldquo;Take the watch, Boy; if the trail freshens, call
+me.&rdquo; Then he goes to sleep. He knows he can
+trust me, because I have a reputation. A scout horse that
+has a reputation does not play with it.</p>
+
+<p>My mother was all American&mdash;no alkali-spider about
+<i>her</i>, I can tell you; she was of the best blood of
+Kentucky, the bluest Blue-grass aristocracy, very proud and
+acrimonious&mdash;or maybe it is ceremonious. I don&rsquo;t
+know which it is. But it is no matter; size is the main
+thing about a word, and that one&rsquo;s up to standard.
+She spent her military life as colonel of the Tenth Dragoons, and
+saw a deal of rough service&mdash;distinguished service it was,
+too. I mean, she <i>carried</i> the Colonel; but it&rsquo;s
+all the same. Where would he be without his horse? He
+wouldn&rsquo;t arrive. It takes two to make a colonel of
+dragoons. She was a fine dragoon horse, but never got above
+that. She was strong enough for the scout service, and had
+the endurance, too, but she couldn&rsquo;t quite come up to the
+speed required; a scout horse has to have steel in his muscle and
+lightning in his blood.</p>
+
+<p>My father was a bronco. Nothing as to lineage&mdash;that
+is, nothing as to recent lineage&mdash;but plenty good enough
+when you go a good way back. When Professor Marsh was out
+here hunting bones for the chapel of Yale University he found
+skeletons of horses no bigger than a fox, bedded in the rocks,
+and he said they were ancestors of my father. My mother
+heard him say it; and he said those skeletons were two million
+years old, which astonished her and made her Kentucky pretensions
+look small and pretty antiphonal, not to say oblique. Let
+me see. . . . I used to know the meaning of those words, but . .
+. well, it was years ago, and &rsquo;tisn&rsquo;t as vivid now as
+it was when they were fresh. That sort of words
+doesn&rsquo;t keep, in the kind of climate we have out
+here. Professor Marsh said those skeletons were
+fossils. So that makes me part blue grass and part fossil;
+if there is any older or better stock, you will have to look for
+it among the Four Hundred, I reckon. I am satisfied with
+it. And am a happy horse, too, though born out of
+wedlock.</p>
+
+<p>And now we are back at Fort Paxton once more, after a
+forty-day scout, away up as far as the Big Horn. Everything
+quiet. Crows and Blackfeet squabbling&mdash;as
+usual&mdash;but no outbreaks, and settlers feeling fairly
+easy.</p>
+
+<p>The Seventh Cavalry still in garrison, here; also the Ninth
+Dragoons, two artillery companies, and some infantry. All
+glad to see me, including General Alison, commandant. The
+officers&rsquo; ladies and children well, and called upon
+me&mdash;with sugar. Colonel Drake, Seventh Cavalry, said
+some pleasant things; Mrs. Drake was very complimentary; also
+Captain and Mrs. Marsh, Company B, Seventh Cavalry; also the
+Chaplain, who is always kind and pleasant to me, because I kicked
+the lungs out of a trader once. It was Tommy Drake and
+Fanny Marsh that furnished the sugar&mdash;nice children, the
+nicest at the post, I think.</p>
+
+<p>That poor orphan child is on her way from
+France&mdash;everybody is full of the subject. Her father
+was General Alison&rsquo;s brother; married a beautiful young
+Spanish lady ten years ago, and has never been in America
+since. They lived in Spain a year or two, then went to
+France. Both died some months ago. This little girl
+that is coming is the only child. General Alison is glad to
+have her. He has never seen her. He is a very nice
+old bachelor, but is an old bachelor just the same and
+isn&rsquo;t more than about a year this side of retirement by age
+limit; and so what does he know about taking care of a little
+maid nine years old? If I could have her it would be
+another matter, for I know all about children, and they adore
+me. Buffalo Bill will tell you so himself.</p>
+
+<p>I have some of this news from over-hearing the
+garrison-gossip, the rest of it I got from Potter, the
+General&rsquo;s dog. Potter is the great Dane. He is
+privileged, all over the post, like Shekels, the Seventh
+Cavalry&rsquo;s dog, and visits everybody&rsquo;s quarters and
+picks up everything that is going, in the way of news.
+Potter has no imagination, and no great deal of culture, perhaps,
+but he has a historical mind and a good memory, and so he is the
+person I depend upon mainly to post me up when I get back from a
+scout. That is, if Shekels is out on depredation and I
+can&rsquo;t get hold of him.</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page12"></a>II<br />
+<span class="GutSmall">LETTER FROM ROUEN&mdash;TO GENERAL
+ALISON</span></h2>
+
+<p><span class="smcap"><i>My</i></span><i> dear
+Brother-in-Law</i>,&mdash;Please let me write again in Spanish, I
+cannot trust my English, and I am aware, from what your brother
+used to say, that army officers educated at the Military Academy
+of the United States are taught our tongue. It is as I told
+you in my other letter: both my poor sister and her husband, when
+they found they could not recover, expressed the wish that you
+should have their little Catherine&mdash;as knowing that you
+would presently be retired from the army&mdash;rather than that
+she should remain with me, who am broken in health, or go to your
+mother in California, whose health is also frail.</p>
+
+<p>You do not know the child, therefore I must tell you something
+about her. You will not be ashamed of her looks, for she is
+a copy in little of her beautiful mother&mdash;and it is that
+Andalusian beauty which is not surpassable, even in your
+country. She has her mother&rsquo;s charm and grace and
+good heart and sense of justice, and she has her father&rsquo;s
+vivacity and cheerfulness and pluck and spirit of enterprise,
+with the affectionate disposition and sincerity of both
+parents.</p>
+
+<p>My sister pined for her Spanish home all these years of exile;
+she was always talking of Spain to the child, and tending and
+nourishing the love of Spain in the little thing&rsquo;s heart as
+a precious flower; and she died happy in the knowledge that the
+fruitage of her patriotic labors was as rich as even she could
+desire.</p>
+
+<p>Cathy is a sufficiently good little scholar, for her nine
+years; her mother taught her Spanish herself, and kept it always
+fresh upon her ear and her tongue by hardly ever speaking with
+her in any other tongue; her father was her English teacher, and
+talked with her in that language almost exclusively; French has
+been her everyday speech for more than seven years among her
+playmates here; she has a good working use of
+governess&mdash;German and Italian. It is true that there
+is always a faint foreign fragrance about her speech, no matter
+what language she is talking, but it is only just noticeable,
+nothing more, and is rather a charm than a mar, I think. In
+the ordinary child-studies Cathy is neither before nor behind the
+average child of nine, I should say. But I can say this for
+her: in love for her friends and in high-mindedness and
+good-heartedness she has not many equals, and in my opinion no
+superiors. And I beg of you, let her have her way with the
+dumb animals&mdash;they are her worship. It is an
+inheritance from her mother. She knows but little of
+cruelties and oppressions&mdash;keep them from her sight if you
+can. She would flare up at them and make trouble, in her
+small but quite decided and resolute way; for she has a character
+of her own, and lacks neither promptness nor initiative.
+Sometimes her judgment is at fault, but I think her intentions
+are always right. Once when she was a little creature of
+three or four years she suddenly brought her tiny foot down upon
+the floor in an apparent outbreak of indignation, then fetched it
+a backward wipe, and stooped down to examine the result.
+Her mother said:</p>
+
+<p>&ldquo;Why, what is it, child? What has stirred you
+so?&rdquo;</p>
+
+<p>&ldquo;Mamma, the big ant was trying to kill the little
+one.&rdquo;</p>
+
+<p>&ldquo;And so you protected the little one.&rdquo;</p>
+
+<p>&ldquo;Yes, mamma, because he had no friend, and I
+wouldn&rsquo;t let the big one kill him.&rdquo;</p>
+
+<p>&ldquo;But you have killed them both.&rdquo;</p>
+
+<p>Cathy was distressed, and her lip trembled. She picked
+up the remains and laid them upon her palm, and said:</p>
+
+<p>&ldquo;Poor little anty, I&rsquo;m so sorry; and I
+didn&rsquo;t mean to kill you, but there wasn&rsquo;t any other
+way to save you, it was such a hurry.&rdquo;</p>
+
+<p>She is a dear and sweet little lady, and when she goes it will
+give me a sore heart. But she will be happy with you, and
+if your heart is old and tired, give it into her keeping; she
+will make it young again, she will refresh it, she will make it
+sing. Be good to her, for all our sakes!</p>
+
+<p>My exile will soon be over now. As soon as I am a little
+stronger I shall see my Spain again; and that will make me young
+again!</p>
+
+<p style="text-align: right"><span
+class="smcap">Mercedes</span>.</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page19"></a>III<br
+/>
+<span class="GutSmall">GENERAL ALISON TO HIS MOTHER</span></h2>
+
+<p>I <span class="smcap">am</span> glad to know that you are all
+well, in San Bernardino.</p>
+
+<p>. . . That grandchild of yours has been here&mdash;well, I do
+not quite know how many days it is; nobody can keep account of
+days or anything else where she is! Mother, she did what
+the Indians were never able to do. She took the
+Fort&mdash;took it the first day! Took me, too; took the
+colonels, the captains, the women, the children, and the dumb
+brutes; took Buffalo Bill, and all his scouts; took the
+garrison&mdash;to the last man; and in forty-eight hours the
+Indian encampment was hers, illustrious old Thunder-Bird and
+all. Do I seem to have lost my solemnity, my gravity, my
+poise, my dignity? You would lose your own, in my
+circumstances. Mother, you never saw such a winning little
+devil. She is all energy, and spirit, and sunshine, and
+interest in everybody and everything, and pours out her prodigal
+love upon every creature that will take it, high or low,
+Christian or pagan, feathered or furred; and none has declined it
+to date, and none ever will, I think. But she has a temper,
+and sometimes it catches fire and flames up, and is likely to
+burn whatever is near it; but it is soon over, the passion goes
+as quickly as it comes. Of course she has an Indian name
+already; Indians always rechristen a stranger early.
+Thunder-Bird attended to her case. He gave her the Indian
+equivalent for firebug, or fire-fly. He said:</p>
+
+<p>&ldquo;&rsquo;Times, ver&rsquo; quiet, ver&rsquo; soft, like
+summer night, but when she mad she blaze.&rdquo;</p>
+
+<p>Isn&rsquo;t it good? Can&rsquo;t you see the
+flare? She&rsquo;s beautiful, mother, beautiful as a
+picture; and there is a touch of you in her face, and of her
+father&mdash;poor George! and in her unresting activities, and
+her fearless ways, and her sunbursts and cloudbursts, she is
+always bringing George back to me. These impulsive natures
+are dramatic. George was dramatic, so is this
+Lightning-Bug, so is Buffalo Bill. When Cathy first
+arrived&mdash;it was in the forenoon&mdash;Buffalo Bill was away,
+carrying orders to Major Fuller, at Five Forks, up in the Clayton
+Hills. At mid-afternoon I was at my desk, trying to work,
+and this sprite had been making it impossible for half an
+hour. At last I said:</p>
+
+<p>&ldquo;Oh, you bewitching little scamp, <i>can&rsquo;t</i> you
+be quiet just a minute or two, and let your poor old uncle attend
+to a part of his duties?&rdquo;</p>
+
+<p>&ldquo;I&rsquo;ll try, uncle; I will, indeed,&rdquo; she
+said.</p>
+
+<p>&ldquo;Well, then, that&rsquo;s a good child&mdash;kiss
+me. Now, then, sit up in that chair, and set your eye on
+that clock. There&mdash;that&rsquo;s right. If you
+stir&mdash;if you so much as wink&mdash;for four whole minutes,
+I&rsquo;ll bite you!&rdquo;</p>
+
+<p>It was very sweet and humble and obedient she looked, sitting
+there, still as a mouse; I could hardly keep from setting her
+free and telling her to make as much racket as she wanted
+to. During as much as two minutes there was a most
+unnatural and heavenly quiet and repose, then Buffalo Bill came
+thundering up to the door in all his scout finery, flung himself
+out of the saddle, said to his horse, &ldquo;Wait for me,
+Boy,&rdquo; and stepped in, and stopped dead in his
+tracks&mdash;gazing at the child. She forgot orders, and
+was on the floor in a moment, saying:</p>
+
+<p>&ldquo;Oh, you are so beautiful! Do you like
+me?&rdquo;</p>
+
+<p>&ldquo;No, I don&rsquo;t, I love you!&rdquo; and he gathered
+her up with a hug, and then set her on his
+shoulder&mdash;apparently nine feet from the floor.</p>
+
+<p>She was at home. She played with his long hair, and
+admired his big hands and his clothes and his carbine, and asked
+question after question, as fast as he could answer, until I
+excused them both for half an hour, in order to have a chance to
+finish my work. Then I heard Cathy exclaiming over Soldier
+Boy; and he was worthy of her raptures, for he is a wonder of a
+horse, and has a reputation which is as shining as his own silken
+hide.</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page25"></a>IV<br />
+<span class="GutSmall">CATHY TO HER AUNT MERCEDES</span></h2>
+
+<p><span class="smcap">Oh</span>, it is wonderful here, aunty
+dear, just paradise! Oh, if you could only see it!
+everything so wild and lovely; such grand plains, stretching such
+miles and miles and miles, all the most delicious velvety sand
+and sage-brush, and rabbits as big as a dog, and such tall and
+noble jackassful ears that that is what they name them by; and
+such vast mountains, and so rugged and craggy and lofty, with
+cloud-shawls wrapped around their shoulders, and looking so
+solemn and awful and satisfied; and the charming Indians, oh, how
+you would dote on them, aunty dear, and they would on you, too,
+and they would let you hold their babies, the way they do me, and
+they <i>are</i> the fattest, and brownest, and sweetest little
+things, and never cry, and wouldn&rsquo;t if they had pins
+sticking in them, which they haven&rsquo;t, because they are poor
+and can&rsquo;t afford it; and the horses and mules and cattle
+and dogs&mdash;hundreds and hundreds and hundreds, and not an
+animal that you can&rsquo;t do what you please with, except uncle
+Thomas, but <i>I</i> don&rsquo;t mind him, he&rsquo;s lovely; and
+oh, if you could hear the bugles:
+<i>too&mdash;too&mdash;too-too&mdash;too&mdash;too</i>, and so
+on&mdash;perfectly beautiful! Do you recognize that
+one? It&rsquo;s the first toots of the <i>reveille</i>; it
+goes, dear me, <i>so</i> early in the morning!&mdash;then I and
+every other soldier on the whole place are up and out in a
+minute, except uncle Thomas, who is most unaccountably lazy, I
+don&rsquo;t know why, but I have talked to him about it, and I
+reckon it will be better, now. He hasn&rsquo;t any faults
+much, and is charming and sweet, like Buffalo Bill, and
+Thunder-Bird, and Mammy Dorcas, and Soldier Boy, and Shekels, and
+Potter, and Sour-Mash, and&mdash;well, they&rsquo;re <i>all</i>
+that, just angels, as you may say.</p>
+
+<p>The very first day I came, I don&rsquo;t know how long ago it
+was, Buffalo Bill took me on Soldier Boy to Thunder-Bird&rsquo;s
+camp, not the big one which is out on the plain, which is White
+Cloud&rsquo;s, he took me to <i>that</i> one next day, but this
+one is four or five miles up in the hills and crags, where there
+is a great shut-in meadow, full of Indian lodges and dogs and
+squaws and everything that is interesting, and a brook of the
+clearest water running through it, with white pebbles on the
+bottom and trees all along the banks cool and shady and good to
+wade in, and as the sun goes down it is dimmish in there, but
+away up against the sky you see the big peaks towering up and
+shining bright and vivid in the sun, and sometimes an eagle
+sailing by them, not flapping a wing, the same as if he was
+asleep; and young Indians and girls romping and laughing and
+carrying on, around the spring and the pool, and not much clothes
+on except the girls, and dogs fighting, and the squaws busy at
+work, and the bucks busy resting, and the old men sitting in a
+bunch smoking, and passing the pipe not to the left but to the
+right, which means there&rsquo;s been a row in the camp and they
+are settling it if they can, and children playing <i>just</i> the
+same as any other children, and little boys shooting at a mark
+with bows, and I cuffed one of them because he hit a dog with a
+club that wasn&rsquo;t doing anything, and he resented it but
+before long he wished he hadn&rsquo;t: but this sentence is
+getting too long and I will start another. Thunder-Bird put
+on his Sunday-best war outfit to let me see him, and he was
+splendid to look at, with his face painted red and bright and
+intense like a fire-coal and a valance of eagle feathers from the
+top of his head all down his back, and he had his tomahawk, too,
+and his pipe, which has a stem which is longer than my arm, and I
+never had such a good time in an Indian camp in my life, and I
+learned a lot of words of the language, and next day BB took me
+to the camp out on the Plains, four miles, and I had another good
+time and got acquainted with some more Indians and dogs; and the
+big chief, by the name of White Cloud, gave me a pretty little
+bow and arrows and I gave him my red sash-ribbon, and in four
+days I could shoot very well with it and beat any white boy of my
+size at the post; and I have been to those camps plenty of times
+since; and I have learned to ride, too, BB taught me, and every
+day he practises me and praises me, and every time I do better
+than ever he lets me have a scamper on Soldier Boy, and
+<i>that&rsquo;s</i> the last agony of pleasure! for he is the
+charmingest horse, and so beautiful and shiny and black, and
+hasn&rsquo;t another color on him anywhere, except a white star
+in his forehead, not just an imitation star, but a real one, with
+four points, shaped exactly like a star that&rsquo;s hand-made,
+and if you should cover him all up but his star you would know
+him anywhere, even in Jerusalem or Australia, by that. And
+I got acquainted with a good many of the Seventh Cavalry, and the
+dragoons, and officers, and families, and horses, in the first
+few days, and some more in the next few and the next few and the
+next few, and now I know more soldiers and horses than you can
+think, no matter how hard you try. I am keeping up my
+studies every now and then, but there isn&rsquo;t much time for
+it. I love you so! and I send you a hug and a kiss.</p>
+
+<p style="text-align: right"><span
+class="smcap">Cathy</span>.</p>
+
+<p>P.S.&mdash;I belong to the Seventh Cavalry and Ninth Dragoons,
+I am an officer, too, and do not have to work on account of not
+getting any wages.</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page33"></a>>V<br />
+<span class="GutSmall">GENERAL ALISON TO MERCEDES</span></h2>
+
+<p><span class="smcap">She</span> has been with us a good nice
+long time, now. You are troubled about your sprite because
+this is such a wild frontier, hundreds of miles from
+civilization, and peopled only by wandering tribes of
+savages? You fear for her safety? Give yourself no
+uneasiness about her. Dear me, she&rsquo;s in a nursery!
+and she&rsquo;s got more than eighteen hundred nurses. It
+would distress the garrison to suspect that you think they
+can&rsquo;t take care of her. They think they can.
+They would tell you so themselves. You see, the Seventh
+Cavalry has never had a child of its very own before, and neither
+has the Ninth Dragoons; and so they are like all new mothers,
+they think there is no other child like theirs, no other child so
+wonderful, none that is so worthy to be faithfully and tenderly
+looked after and protected. These bronzed veterans of mine
+are very good mothers, I think, and wiser than some other
+mothers; for they let her take lots of risks, and it is a good
+education for her; and the more risks she takes and comes
+successfully out of, the prouder they are of her. They
+adopted her, with grave and formal military ceremonies of their
+own invention&mdash;solemnities is the truer word; solemnities
+that were so profoundly solemn and earnest, that the spectacle
+would have been comical if it hadn&rsquo;t been so
+touching. It was a good show, and as stately and complex as
+guard-mount and the trooping of the colors; and it had its own
+special music, composed for the occasion by the bandmaster of the
+Seventh; and the child was as serious as the most serious
+war-worn soldier of them all; and finally when they throned her
+upon the shoulder of the oldest veteran, and pronounced her
+&ldquo;well and truly adopted,&rdquo; and the bands struck up and
+all saluted and she saluted in return, it was better and more
+moving than any kindred thing I have seen on the stage, because
+stage things are make-believe, but this was real and the
+players&rsquo; hearts were in it.</p>
+
+<p>It happened several weeks ago, and was followed by some
+additional solemnities. The men created a couple of new
+ranks, thitherto unknown to the army regulations, and conferred
+them upon Cathy, with ceremonies suitable to a duke. So now
+she is Corporal-General of the Seventh Cavalry, and
+Flag-Lieutenant of the Ninth Dragoons, with the privilege
+(decreed by the men) of writing U.S.A. after her name!
+Also, they presented her a pair of shoulder-straps&mdash;both
+dark blue, the one with F. L. on it, the other with C. G.
+Also, a sword. She wears them. Finally, they granted
+her the <i>salute</i>. I am witness that that ceremony is
+faithfully observed by both parties&mdash;and most gravely and
+decorously, too. I have never seen a soldier smile yet,
+while delivering it, nor Cathy in returning it.</p>
+
+<p>Ostensibly I was not present at these proceedings, and am
+ignorant of them; but I was where I could see. I was afraid
+of one thing&mdash;the jealousy of the other children of the
+post; but there is nothing of that, I am glad to say. On
+the contrary, they are proud of their comrade and her
+honors. It is a surprising thing, but it is true. The
+children are devoted to Cathy, for she has turned their dull
+frontier life into a sort of continuous festival; also they know
+her for a stanch and steady friend, a friend who can always be
+depended upon, and does not change with the weather.</p>
+
+<p>She has become a rather extraordinary rider, under the
+tutorship of a more than extraordinary teacher&mdash;BB, which is
+her pet name for Buffalo Bill. She pronounces it
+<i>beeby</i>. He has not only taught her seventeen ways of
+breaking her neck, but twenty-two ways of avoiding it. He
+has infused into her the best and surest protection of a
+horseman&mdash;<i>confidence</i>. He did it gradually,
+systematically, little by little, a step at a time, and each step
+made sure before the next was essayed. And so he inched her
+along up through terrors that had been discounted by training
+before she reached them, and therefore were not recognizable as
+terrors when she got to them. Well, she is a daring little
+rider, now, and is perfect in what she knows of
+horsemanship. By-and-by she will know the art like a West
+Point cadet, and will exercise it as fearlessly. She
+doesn&rsquo;t know anything about side-saddles. Does that
+distress you? And she is a fine performer, without any
+saddle at all. Does that discomfort you? Do not let
+it; she is not in any danger, I give you my word.</p>
+
+<p>You said that if my heart was old and tired she would refresh
+it, and you said truly. I do not know how I got along
+without her, before. I was a forlorn old tree, but now that
+this blossoming vine has wound itself about me and become the
+life of my life, it is very different. As a furnisher of
+business for me and for Mammy Dorcas she is exhaustlessly
+competent, but I like my share of it and of course Dorcas likes
+hers, for Dorcas &ldquo;raised&rdquo; George, and Cathy is George
+over again in so many ways that she brings back Dorcas&rsquo;s
+youth and the joys of that long-vanished time. My father
+tried to set Dorcas free twenty years ago, when we still lived in
+Virginia, but without success; she considered herself a member of
+the family, and wouldn&rsquo;t go. And so, a member of the
+family she remained, and has held that position unchallenged ever
+since, and holds it now; for when my mother sent her here from
+San Bernardino when we learned that Cathy was coming, she only
+changed from one division of the family to the other. She
+has the warm heart of her race, and its lavish affections, and
+when Cathy arrived the pair were mother and child in five
+minutes, and that is what they are to date and will
+continue. Dorcas really thinks she raised George, and that
+is one of her prides, but perhaps it was a mutual raising, for
+their ages were the same&mdash;thirteen years short of
+mine. But they were playmates, at any rate; as regards
+that, there is no room for dispute.</p>
+
+<p>Cathy thinks Dorcas is the best Catholic in America except
+herself. She could not pay any one a higher compliment than
+that, and Dorcas could not receive one that would please her
+better. Dorcas is satisfied that there has never been a
+more wonderful child than Cathy. She has conceived the
+curious idea that Cathy is <i>twins</i>, and that one of them is
+a boy-twin and failed to get segregated&mdash;got submerged, is
+the idea. To argue with her that this is nonsense is a
+waste of breath&mdash;her mind is made up, and arguments do not
+affect it. She says:</p>
+
+<p>&ldquo;Look at her; she loves dolls, and girl-plays, and
+everything a girl loves, and she&rsquo;s gentle and sweet, and
+ain&rsquo;t cruel to dumb brutes&mdash;now that&rsquo;s the
+girl-twin, but she loves boy-plays, and drums and fifes and
+soldiering, and rough-riding, and ain&rsquo;t afraid of anybody
+or anything&mdash;and that&rsquo;s the boy-twin; &rsquo;deed you
+needn&rsquo;t tell <i>me</i> she&rsquo;s only <i>one</i> child;
+no, sir, she&rsquo;s twins, and one of them got shet up out of
+sight. Out of sight, but that don&rsquo;t make any
+difference, that boy is in there, and you can see him look out of
+her eyes when her temper is up.&rdquo;</p>
+
+<p>Then Dorcas went on, in her simple and earnest way, to furnish
+illustrations.</p>
+
+<p>&ldquo;Look at that raven, Marse Tom. Would anybody
+befriend a raven but that child? Of course they
+wouldn&rsquo;t; it ain&rsquo;t natural. Well, the Injun boy
+had the raven tied up, and was all the time plaguing it and
+starving it, and she pitied the po&rsquo; thing, and tried to buy
+it from the boy, and the tears was in her eyes. That was
+the girl-twin, you see. She offered him her thimble, and he
+flung it down; she offered him all the doughnuts she had, which
+was two, and he flung them down; she offered him half a paper of
+pins, worth forty ravens, and he made a mouth at her and jabbed
+one of them in the raven&rsquo;s back. That was the limit,
+you know. It called for the other twin. Her eyes
+blazed up, and she jumped for him like a wild-cat, and when she
+was done with him she was rags and he wasn&rsquo;t anything but
+an allegory. That was most undoubtedly the other twin, you
+see, coming to the front. No, sir; don&rsquo;t tell
+<i>me</i> he ain&rsquo;t in there. I&rsquo;ve seen him with
+my own eyes&mdash;and plenty of times, at that.&rdquo;</p>
+
+<p>&ldquo;Allegory? What is an allegory?&rdquo;</p>
+
+<p>&ldquo;I don&rsquo;t know, Marse Tom, it&rsquo;s one of her
+words; she loves the big ones, you know, and I pick them up from
+her; they sound good and I can&rsquo;t help it.&rdquo;</p>
+
+<p>&ldquo;What happened after she had converted the boy into an
+allegory?&rdquo;</p>
+
+<p>&ldquo;Why, she untied the raven and confiscated him by force
+and fetched him home, and left the doughnuts and things on the
+ground. Petted him, of course, like she does with every
+creature. In two days she had him so stuck after her that
+she&mdash;well, <i>you</i> know how he follows her everywhere,
+and sets on her shoulder often when she rides her breakneck
+rampages&mdash;all of which is the girl-twin to the front, you
+see&mdash;and he does what he pleases, and is up to all kinds of
+devilment, and is a perfect nuisance in the kitchen. Well,
+they all stand it, but they wouldn&rsquo;t if it was another
+person&rsquo;s bird.&rdquo;</p>
+
+<p>Here she began to chuckle comfortably, and presently she
+said:</p>
+
+<p>&ldquo;Well, you know, she&rsquo;s a nuisance herself, Miss
+Cathy is, she <i>is</i> so busy, and into everything, like that
+bird. It&rsquo;s all just as innocent, you know, and she
+don&rsquo;t mean any harm, and is so good and dear; and it
+ain&rsquo;t her fault, it&rsquo;s her nature; her interest is
+always a-working and always red-hot, and she can&rsquo;t keep
+quiet. Well, yesterday it was &lsquo;Please, Miss Cathy,
+don&rsquo;t do that&rsquo;; and, &lsquo;Please, Miss Cathy, let
+that alone&rsquo;; and, &lsquo;Please, Miss Cathy, don&rsquo;t
+make so much noise&rsquo;; and so on and so on, till I reckon I
+had found fault fourteen times in fifteen minutes; then she
+looked up at me with her big brown eyes that can plead so, and
+said in that odd little foreign way that goes to your heart,</p>
+
+<p>&ldquo;&rsquo;Please, mammy, make me a compliment.&rdquo;</p>
+
+<p>&ldquo;And of course you did it, you old fool?&rdquo;</p>
+
+<p>&ldquo;Marse Tom, I just grabbed her up to my breast and says,
+&lsquo;Oh, you po&rsquo; dear little motherless thing, you
+ain&rsquo;t got a fault in the world, and you can do anything you
+want to, and tear the house down, and yo&rsquo; old black mammy
+won&rsquo;t say a word!&rsquo;&rdquo;</p>
+
+<p>&ldquo;Why, of course, of course&mdash;<i>I</i> knew
+you&rsquo;d spoil the child.&rdquo;</p>
+
+<p>She brushed away her tears, and said with dignity:</p>
+
+<p>&ldquo;Spoil the child? spoil <i>that</i> child, Marse
+Tom? There can&rsquo;t <i>anybody</i> spoil her.
+She&rsquo;s the king bee of this post, and everybody pets her and
+is her slave, and yet, as you know, your own self, she
+ain&rsquo;t the least little bit spoiled.&rdquo; Then she
+eased her mind with this retort: &ldquo;Marse Tom, she makes you
+do anything she wants to, and you can&rsquo;t deny it; so if she
+could be spoilt, she&rsquo;d been spoilt long ago, because you
+are the very <i>worst</i>! Look at that pile of cats in
+your chair, and you sitting on a candle-box, just as patient;
+it&rsquo;s because they&rsquo;re her cats.&rdquo;</p>
+
+<div class="fig" style="width:100%;">
+<a name="image48" href="images/p48b.jpg">
+<img alt="&ldquo;&lsquo;Look at that pile of cats in your
+chair&rsquo;&rdquo;"
+title="&ldquo;&lsquo;Look at that pile of cats in your
+chair&rsquo;&rdquo;"
+ src="images/p48s.jpg" /></a>
+</div>
+
+<p>If Dorcas were a soldier, I could punish her for such large
+frankness as that. I changed the subject, and made her
+resume her illustrations. She had scored against me fairly,
+and I wasn&rsquo;t going to cheapen her victory by disputing
+it. She proceeded to offer this incident in evidence on her
+twin theory:</p>
+
+<p>&ldquo;Two weeks ago when she got her finger mashed open, she
+turned pretty pale with the pain, but she never said a
+word. I took her in my lap, and the surgeon sponged off the
+blood and took a needle and thread and began to sew it up; it had
+to have a lot of stitches, and each one made her scrunch a
+little, but she never let go a sound. At last the surgeon
+was so full of admiration that he said, &lsquo;Well, you
+<i>are</i> a brave little thing!&rsquo; and she said, just as
+ca&rsquo;m and simple as if she was talking about the weather,
+&lsquo;There isn&rsquo;t anybody braver but the Cid!&rsquo;
+You see? it was the boy-twin that the surgeon was a-dealing
+with.</p>
+
+<p>&ldquo;Who is the Cid?&rdquo;</p>
+
+<p>&ldquo;I don&rsquo;t know, sir&mdash;at least only what she
+says. She&rsquo;s always talking about him, and says he was
+the bravest hero Spain ever had, or any other country. They
+have it up and down, the children do, she standing up for the
+Cid, and they working George Washington for all he is
+worth.&rdquo;</p>
+
+<p>&ldquo;Do they quarrel?&rdquo;</p>
+
+<p>&ldquo;No; it&rsquo;s only disputing, and bragging, the way
+children do. They want her to be an American, but she
+can&rsquo;t be anything but a Spaniard, she says. You see,
+her mother was always longing for home, po&rsquo; thing! and
+thinking about it, and so the child is just as much a Spaniard as
+if she&rsquo;d always lived there. She thinks she remembers
+how Spain looked, but I reckon she don&rsquo;t, because she was
+only a baby when they moved to France. She is very proud to
+be a Spaniard.&rdquo;</p>
+
+<p>Does that please you, Mercedes? Very well, be content;
+your niece is loyal to her allegiance: her mother laid deep the
+foundations of her love for Spain, and she will go back to you as
+good a Spaniard as you are yourself. She has made me
+promise to take her to you for a long visit when the War Office
+retires me.</p>
+
+<p>I attend to her studies myself; has she told you that?
+Yes, I am her school-master, and she makes pretty good progress,
+I think, everything considered. Everything
+considered&mdash;being translated&mdash;means holidays. But
+the fact is, she was not born for study, and it comes hard.
+Hard for me, too; it hurts me like a physical pain to see that
+free spirit of the air and the sunshine laboring and grieving
+over a book; and sometimes when I find her gazing far away
+towards the plain and the blue mountains with the longing in her
+eyes, I have to throw open the prison doors; I can&rsquo;t help
+it. A quaint little scholar she is, and makes plenty of
+blunders. Once I put the question:</p>
+
+<p>&ldquo;What does the Czar govern?&rdquo;</p>
+
+<p>She rested her elbow on her knee and her chin on her hand and
+took that problem under deep consideration. Presently she
+looked up and answered, with a rising inflection implying a shade
+of uncertainty,</p>
+
+<p>&ldquo;The dative case?&rdquo;</p>
+
+<p>Here are a couple of her expositions which were delivered with
+tranquil confidence:</p>
+
+<p>&ldquo;<i>Chaplain</i>, diminutive of chap. <i>Lass</i>
+is masculine, <i>lassie</i> is feminine.&rdquo;</p>
+
+<p>She is not a genius, you see, but just a normal child; they
+all make mistakes of that sort. There is a glad light in
+her eye which is pretty to see when she finds herself able to
+answer a question promptly and accurately, without any
+hesitation; as, for instance, this morning:</p>
+
+<p>&ldquo;Cathy dear, what is a cube?&rdquo;</p>
+
+<p>&ldquo;Why, a native of Cuba.&rdquo;</p>
+
+<p>She still drops a foreign word into her talk now and then, and
+there is still a subtle foreign flavor or fragrance about even
+her exactest English&mdash;and long may this abide! for it has
+for me a charm that is very pleasant. Sometimes her English
+is daintily prim and bookish and captivating. She has a
+child&rsquo;s sweet tooth, but for her health&rsquo;s sake I try
+to keep its inspirations under check. She is
+obedient&mdash;as is proper for a titled and recognized military
+personage, which she is&mdash;but the chain presses
+sometimes. For instance, we were out for a walk, and passed
+by some bushes that were freighted with wild goose-berries.
+Her face brightened and she put her hands together and delivered
+herself of this speech, most feelingly:</p>
+
+<p>&ldquo;Oh, if I was permitted a vice it would be the
+<i>gourmandise</i>!&rdquo;</p>
+
+<p>Could I resist that? No. I gave her a
+gooseberry.</p>
+
+<p>You ask about her languages. They take care of
+themselves; they will not get rusty here; our regiments are not
+made up of natives alone&mdash;far from it. And she is
+picking up Indian tongues diligently.</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page56"></a>VI<br />
+<span class="GutSmall">SOLDIER BOY AND THE MEXICAN
+PLUG</span></h2>
+
+<p>&ldquo;<span class="smcap">When</span> did you
+come?&rdquo;</p>
+
+<p>&ldquo;Arrived at sundown.&rdquo;</p>
+
+<p>&ldquo;Where from?&rdquo;</p>
+
+<p>&ldquo;Salt Lake.&rdquo;</p>
+
+<p>&ldquo;Are you in the service?&rdquo;</p>
+
+<p>&ldquo;No. Trade.&rdquo;</p>
+
+<p>&ldquo;Pirate trade, I reckon.&rdquo;</p>
+
+<p>&ldquo;What do you know about it?&rdquo;</p>
+
+<p>&ldquo;I saw you when you came. I recognized your
+master. He is a bad sort. Trap-robber, horse-thief,
+squaw-man, renegado&mdash;Hank Butters&mdash;I know him very
+well. Stole you, didn&rsquo;t he?&rdquo;</p>
+
+<p>&ldquo;Well, it amounted to that.&rdquo;</p>
+
+<p>&ldquo;I thought so. Where is his pard?&rdquo;</p>
+
+<p>&ldquo;He stopped at White Cloud&rsquo;s camp.&rdquo;</p>
+
+<p>&ldquo;He is another of the same stripe, is Blake
+Haskins.&rdquo; (<i>Aside</i>.) They are laying for
+Buffalo Bill again, I guess. (<i>Aloud</i>.)
+&ldquo;What is your name?&rdquo;</p>
+
+<p>&ldquo;Which one?&rdquo;</p>
+
+<p>&ldquo;Have you got more than one?&rdquo;</p>
+
+<p>&ldquo;I get a new one every time I&rsquo;m stolen. I
+used to have an honest name, but that was early; I&rsquo;ve
+forgotten it. Since then I&rsquo;ve had thirteen
+<i>aliases</i>.&rdquo;</p>
+
+<p>&ldquo;Aliases? What is alias?&rdquo;</p>
+
+<p>&ldquo;A false name.&rdquo;</p>
+
+<p>&ldquo;Alias. It&rsquo;s a fine large word, and is in my
+line; it has quite a learned and cerebrospinal incandescent
+sound. Are you educated?&rdquo;</p>
+
+<p>&ldquo;Well, no, I can&rsquo;t claim it. I can take down
+bars, I can distinguish oats from shoe-pegs, I can blaspheme a
+saddle-boil with the college-bred, and I know a few other
+things&mdash;not many; I have had no chance, I have always had to
+work; besides, I am of low birth and no family. You speak
+my dialect like a native, but you are not a Mexican Plug, you are
+a gentleman, I can see that; and educated, of course.&rdquo;</p>
+
+<p>&ldquo;Yes, I am of old family, and not illiterate. I am
+a fossil.&rdquo;</p>
+
+<p>&ldquo;A which?&rdquo;</p>
+
+<p>&ldquo;Fossil. The first horses were fossils. They
+date back two million years.&rdquo;</p>
+
+<p>&ldquo;Gr-eat sand and sage-brush! do you mean it?&rdquo;</p>
+
+<p>&ldquo;Yes, it is true. The bones of my ancestors are
+held in reverence and worship, even by men. They do not
+leave them exposed to the weather when they find them, but carry
+them three thousand miles and enshrine them in their temples of
+learning, and worship them.&rdquo;</p>
+
+<p>&ldquo;It is wonderful! I knew you must be a person of
+distinction, by your fine presence and courtly address, and by
+the fact that you are not subjected to the indignity of hobbles,
+like myself and the rest. Would you tell me your
+name?&rdquo;</p>
+
+<p>&ldquo;You have probably heard of it&mdash;Soldier
+Boy.&rdquo;</p>
+
+<p>&ldquo;What!&mdash;the renowned, the illustrious?&rdquo;</p>
+
+<p>&ldquo;Even so.&rdquo;</p>
+
+<p>&ldquo;It takes my breath! Little did I dream that ever
+I should stand face to face with the possessor of that great
+name. Buffalo Bill&rsquo;s horse! Known from the
+Canadian border to the deserts of Arizona, and from the eastern
+marches of the Great Plains to the foot-hills of the
+Sierra! Truly this is a memorable day. You still
+serve the celebrated Chief of Scouts?&rdquo;</p>
+
+<p>&ldquo;I am still his property, but he has lent me, for a
+time, to the most noble, the most gracious, the most excellent,
+her Excellency Catherine, Corporal-General Seventh Cavalry and
+Flag-Lieutenant Ninth Dragoons, U.S.A.,&mdash;on whom be
+peace!&rdquo;</p>
+
+<p>&ldquo;Amen. Did you say <i>her</i>
+Excellency?&rdquo;</p>
+
+<p>&ldquo;The same. A Spanish lady, sweet blossom of a
+ducal house. And truly a wonder; knowing everything,
+capable of everything; speaking all the languages, master of all
+sciences, a mind without horizons, a heart of gold, the glory of
+her race! On whom be peace!&rdquo;</p>
+
+<p>&ldquo;Amen. It is marvellous!&rdquo;</p>
+
+<p>&ldquo;Verily. I knew many things, she has taught me
+others. I am educated. I will tell you about
+her.&rdquo;</p>
+
+<p>&ldquo;I listen&mdash;I am enchanted.&rdquo;</p>
+
+<p>&ldquo;I will tell a plain tale, calmly, without excitement,
+without eloquence. When she had been here four or five
+weeks she was already erudite in military things, and they made
+her an officer&mdash;a double officer. She rode the drill
+every day, like any soldier; and she could take the bugle and
+direct the evolutions herself. Then, on a day, there was a
+grand race, for prizes&mdash;none to enter but the
+children. Seventeen children entered, and she was the
+youngest. Three girls, fourteen boys&mdash;good riders
+all. It was a steeplechase, with four hurdles, all pretty
+high. The first prize was a most cunning half-grown silver
+bugle, and mighty pretty, with red silk cord and tassels.
+Buffalo Bill was very anxious; for he had taught her to ride, and
+he did most dearly want her to win that race, for the glory of
+it. So he wanted her to ride me, but she wouldn&rsquo;t;
+and she reproached him, and said it was unfair and unright, and
+taking advantage; for what horse in this post or any other could
+stand a chance against me? and she was very severe with him, and
+said, &lsquo;You ought to be ashamed&mdash;you are proposing to
+me conduct unbecoming an officer and a gentleman.&rsquo; So
+he just tossed her up in the air about thirty feet and caught her
+as she came down, and said he was ashamed; and put up his
+handkerchief and pretended to cry, which nearly broke her heart,
+and she petted him, and begged him to forgive her, and said she
+would do anything in the world he could ask but that; but he said
+he ought to go hang himself, and he <i>must</i>, if he could get
+a rope; it was nothing but right he should, for he never, never
+could forgive himself; and then <i>she</i> began to cry, and they
+both sobbed, the way you could hear him a mile, and she clinging
+around his neck and pleading, till at last he was comforted a
+little, and gave his solemn promise he wouldn&rsquo;t hang
+himself till after the race; and wouldn&rsquo;t do it at all if
+she won it, which made her happy, and she said she would win it
+or die in the saddle; so then everything was pleasant again and
+both of them content. He can&rsquo;t help playing jokes on
+her, he is so fond of her and she is so innocent and
+unsuspecting; and when she finds it out she cuffs him and is in a
+fury, but presently forgives him because it&rsquo;s him; and
+maybe the very next day she&rsquo;s caught with another joke; you
+see she can&rsquo;t learn any better, because she hasn&rsquo;t
+any deceit in her, and that kind aren&rsquo;t ever expecting it
+in another person.</p>
+
+<p>&ldquo;It was a grand race. The whole post was there,
+and there was such another whooping and shouting when the
+seventeen kids came flying down the turf and sailing over the
+hurdles&mdash;oh, beautiful to see! Half-way down, it was
+kind of neck and neck, and anybody&rsquo;s race and
+nobody&rsquo;s. Then, what should happen but a cow steps
+out and puts her head down to munch grass, with her broadside to
+the battalion, and they a-coming like the wind; they split apart
+to flank her, but <i>she</i>?&mdash;why, she drove the spurs home
+and soared over that cow like a bird! and on she went, and
+cleared the last hurdle solitary and alone, the army letting
+loose the grand yell, and she skipped from the horse the same as
+if he had been standing still, and made her bow, and everybody
+crowded around to congratulate, and they gave her the bugle, and
+she put it to her lips and blew &lsquo;boots and saddles&rsquo;
+to see how it would go, and BB was as proud as you can&rsquo;t
+think! And he said, &lsquo;Take Soldier Boy, and
+don&rsquo;t pass him back till I ask for him!&rsquo; and I can
+tell you he wouldn&rsquo;t have said that to any other person on
+this planet. That was two months and more ago, and nobody
+has been on my back since but the Corporal-General Seventh
+Cavalry and Flag-Lieutenant of the Ninth Dragoons,
+U.S.A.,&mdash;on whom be peace!&rdquo;</p>
+
+<div class="fig" style="width:100%;">
+<a name="image66" href="images/p66b.jpg">
+<img alt="Every morning they go clattering down into the plain"
+title="Every morning they go clattering down into the plain"
+ src="images/p66s.jpg" /></a>
+</div>
+
+<p>&ldquo;Amen. I listen&mdash;tell me more.&rdquo;</p>
+
+<p>&ldquo;She set to work and organized the Sixteen, and called
+it the First Battalion Rocky Mountain Rangers, U.S.A., and she
+wanted to be bugler, but they elected her Lieutenant-General and
+Bugler. So she ranks her uncle the commandant, who is only
+a Brigadier. And doesn&rsquo;t she train those little
+people! Ask the Indians, ask the traders, ask the soldiers;
+they&rsquo;ll tell you. She has been at it from the first
+day. Every morning they go clattering down into the plain,
+and there she sits on my back with her bugle at her mouth and
+sounds the orders and puts them through the evolutions for an
+hour or more; and it is too beautiful for anything to see those
+ponies dissolve from one formation into another, and waltz about,
+and break, and scatter, and form again, always moving, always
+graceful, now trotting, now galloping, and so on, sometimes near
+by, sometimes in the distance, all just like a state ball, you
+know, and sometimes she can&rsquo;t hold herself any longer, but
+sounds the &lsquo;charge,&rsquo; and turns me loose! and you can
+take my word for it, if the battalion hasn&rsquo;t too much of a
+start we catch up and go over the breastworks with the front
+line.</p>
+
+<p>&ldquo;Yes, they are soldiers, those little people; and
+healthy, too, not ailing any more, the way they used to be
+sometimes. It&rsquo;s because of her drill.
+She&rsquo;s got a fort, now&mdash;Fort Fanny Marsh.
+Major-General Tommy Drake planned it out, and the Seventh and
+Dragoons built it. Tommy is the Colonel&rsquo;s son, and is
+fifteen and the oldest in the Battalion; Fanny Marsh is
+Brigadier-General, and is next oldest&mdash;over thirteen.
+She is daughter of Captain Marsh, Company B, Seventh
+Cavalry. Lieutenant-General Alison is the youngest by
+considerable; I think she is about nine and a half or
+three-quarters. Her military rig, as Lieutenant-General,
+isn&rsquo;t for business, it&rsquo;s for dress parade, because
+the ladies made it. They say they got it out of the Middle
+Ages&mdash;out of a book&mdash;and it is all red and blue and
+white silks and satins and velvets; tights, trunks, sword,
+doublet with slashed sleeves, short cape, cap with just one
+feather in it; I&rsquo;ve heard them name these things; they got
+them out of the book; she&rsquo;s dressed like a page, of old
+times, they say. It&rsquo;s the daintiest outfit that ever
+was&mdash;you will say so, when you see it. She&rsquo;s
+lovely in it&mdash;oh, just a dream! In some ways she is
+just her age, but in others she&rsquo;s as old as her uncle, I
+think. She is very learned. She teaches her uncle his
+book. I have seen her sitting by with the book and reciting
+to him what is in it, so that he can learn to do it himself.</p>
+
+<p>&ldquo;Every Saturday she hires little Injuns to garrison her
+fort; then she lays siege to it, and makes military approaches by
+make-believe trenches in make-believe night, and finally at
+make-believe dawn she draws her sword and sounds the assault and
+takes it by storm. It is for practice. And she has
+invented a bugle-call all by herself, out of her own head, and
+it&rsquo;s a stirring one, and the prettiest in the
+service. It&rsquo;s to call <i>me</i>&mdash;it&rsquo;s
+never used for anything else. She taught it to me, and told
+me what it says: &lsquo;<i>It is I</i>,
+<i>Soldier&mdash;come</i>!&rsquo; and when those thrilling notes
+come floating down the distance I hear them without fail, even if
+I am two miles away; and then&mdash;oh, then you should see my
+heels get down to business!</p>
+
+<p>&ldquo;And she has taught me how to say good-morning and
+good-night to her, which is by lifting my right hoof for her to
+shake; and also how to say good-bye; I do that with my left
+foot&mdash;but only for practice, because there hasn&rsquo;t been
+any but make-believe good-byeing yet, and I hope there
+won&rsquo;t ever be. It would make me cry if I ever had to
+put up my left foot in earnest. She has taught me how to
+salute, and I can do it as well as a soldier. I bow my head
+low, and lay my right hoof against my cheek. She taught me
+that because I got into disgrace once, through ignorance. I
+am privileged, because I am known to be honorable and
+trustworthy, and because I have a distinguished record in the
+service; so they don&rsquo;t hobble me nor tie me to stakes or
+shut me tight in stables, but let me wander around to suit
+myself. Well, trooping the colors is a very solemn
+ceremony, and everybody must stand uncovered when the flag goes
+by, the commandant and all; and once I was there, and ignorantly
+walked across right in front of the band, which was an awful
+disgrace: Ah, the Lieutenant-General was so ashamed, and so
+distressed that I should have done such a thing before all the
+world, that she couldn&rsquo;t keep the tears back; and then she
+taught me the salute, so that if I ever did any other unmilitary
+act through ignorance I could do my salute and she believed
+everybody would think it was apology enough and would not press
+the matter. It is very nice and distinguished; no other
+horse can do it; often the men salute me, and I return it.
+I am privileged to be present when the Rocky Mountain Rangers
+troop the colors and I stand solemn, like the children, and I
+salute when the flag goes by. Of course when she goes to
+her fort her sentries sing out &lsquo;Turn out the guard!&rsquo;
+and then . . . do you catch that refreshing early-morning whiff
+from the mountain-pines and the wild flowers? The night is
+far spent; we&rsquo;ll hear the bugles before long. Dorcas,
+the black woman, is very good and nice; she takes care of the
+Lieutenant-General, and is Brigadier-General Alison&rsquo;s
+mother, which makes her mother-in-law to the
+Lieutenant-General. That is what Shekels says. At
+least it is what I think he says, though I never can understand
+him quite clearly. He&mdash;&rdquo;</p>
+
+<p>&ldquo;Who is Shekels?&rdquo;</p>
+
+<p>&ldquo;The Seventh Cavalry dog. I mean, if he <i>is</i>
+a dog. His father was a coyote and his mother was a
+wild-cat. It doesn&rsquo;t really make a dog out of him,
+does it?&rdquo;</p>
+
+<p>&ldquo;Not a real dog, I should think. Only a kind of a
+general dog, at most, I reckon. Though this is a matter of
+ichthyology, I suppose; and if it is, it is out of my depth, and
+so my opinion is not valuable, and I don&rsquo;t claim much
+consideration for it.&rdquo;</p>
+
+<p>&ldquo;It isn&rsquo;t ichthyology; it is dogmatics, which is
+still more difficult and tangled up. Dogmatics always
+are.&rdquo;</p>
+
+<p>&ldquo;Dogmatics is quite beyond me, quite; so I am not
+competing. But on general principles it is my opinion that
+a colt out of a coyote and a wild-cat is no square dog, but
+doubtful. That is my hand, and I stand pat.&rdquo;</p>
+
+<p>&ldquo;Well, it is as far as I can go myself, and be fair and
+conscientious. I have always regarded him as a doubtful
+dog, and so has Potter. Potter is the great Dane.
+Potter says he is no dog, and not even poultry&mdash;though I do
+not go quite so far as that.</p>
+
+<p>&ldquo;And I wouldn&rsquo;t, myself. Poultry is one of
+those things which no person can get to the bottom of, there is
+so much of it and such variety. It is just wings, and
+wings, and wings, till you are weary: turkeys, and geese, and
+bats, and butterflies, and angels, and grasshoppers, and
+flying-fish, and&mdash;well, there is really no end to the tribe;
+it gives me the heaves just to think of it. But this one
+hasn&rsquo;t any wings, has he?&rdquo;</p>
+
+<p>&ldquo;No.&rdquo;</p>
+
+<p>&ldquo;Well, then, in my belief he is more likely to be dog
+than poultry. I have not heard of poultry that hadn&rsquo;t
+wings. Wings is the <i>sign</i> of poultry; it is what you
+tell poultry by. Look at the mosquito.&rdquo;</p>
+
+<p>&ldquo;What do you reckon he is, then? He must be
+something.&rdquo;</p>
+
+<p>&ldquo;Why, he could be a reptile; anything that hasn&rsquo;t
+wings is a reptile.&rdquo;</p>
+
+<p>&ldquo;Who told you that?&rdquo;</p>
+
+<p>&ldquo;Nobody told me, but I overheard it.&rdquo;</p>
+
+<p>&ldquo;Where did you overhear it?&rdquo;</p>
+
+<p>&ldquo;Years ago. I was with the Philadelphia Institute
+expedition in the Bad Lands under Professor Cope, hunting
+mastodon bones, and I overheard him say, his own self, that any
+plantigrade circumflex vertebrate bacterium that hadn&rsquo;t
+wings and was uncertain was a reptile. Well, then, has this
+dog any wings? No. Is he a plantigrade circumflex
+vertebrate bacterium? Maybe so, maybe not; but without ever
+having seen him, and judging only by his illegal and spectacular
+parentage, I will bet the odds of a bale of hay to a bran mash
+that he looks it. Finally, is he uncertain? That is
+the point&mdash;is he uncertain? I will leave it to you if
+you have ever heard of a more uncertainer dog than what this one
+is?&rdquo;</p>
+
+<p>&ldquo;No, I never have.&rdquo;</p>
+
+<p>&ldquo;Well, then, he&rsquo;s a reptile. That&rsquo;s
+settled.&rdquo;</p>
+
+<p>&ldquo;Why, look here, whatsyourname&mdash;&rdquo;</p>
+
+<p>&ldquo;Last alias, Mongrel.&rdquo;</p>
+
+<p>&ldquo;A good one, too. I was going to say, you are
+better educated than you have been pretending to be. I like
+cultured society, and I shall cultivate your acquaintance.
+Now as to Shekels, whenever you want to know about any private
+thing that is going on at this post or in White Cloud&rsquo;s
+camp or Thunder-Bird&rsquo;s, he can tell you; and if you make
+friends with him he&rsquo;ll be glad to, for he is a born gossip,
+and picks up all the tittle-tattle. Being the whole Seventh
+Cavalry&rsquo;s reptile, he doesn&rsquo;t belong to anybody in
+particular, and hasn&rsquo;t any military duties; so he comes and
+goes as he pleases, and is popular with all the house cats and
+other authentic sources of private information. He
+understands all the languages, and talks them all, too.
+With an accent like gritting your teeth, it is true, and with a
+grammar that is no improvement on blasphemy&mdash;still, with
+practice you get at the meat of what he says, and it serves. . .
+Hark! That&rsquo;s the reveille. . . .</p>
+
+<div class="fig" style="width:100%;">
+<a href="images/p80b.jpg">
+<img alt="Music score for The Reveille"
+title="Music score for The Reveille"
+ src="images/p80s.jpg" /></a>
+<a name="citation80"></a><a href="#footnote80"
+class="citation">[80]</a>
+</div>
+
+<p>&ldquo;Faint and far, but isn&rsquo;t it clear, isn&rsquo;t it
+sweet? There&rsquo;s no music like the bugle to stir the
+blood, in the still solemnity of the morning twilight, with the
+dim plain stretching away to nothing and the spectral mountains
+slumbering against the sky. You&rsquo;ll hear another note
+in a minute&mdash;faint and far and clear, like the other one,
+and sweeter still, you&rsquo;ll notice. Wait . . .
+listen. There it goes! It says, &lsquo;<i>It is
+I</i>, <i>Soldier&mdash;come</i>!&rsquo; . . .</p>
+
+<div class="fig" style="width:100%;">
+<a href="images/p81b.jpg">
+<img alt="Soldier Boy&rsquo;s Bugle Call [music score]"
+title="Soldier Boy&rsquo;s Bugle Call [music score]"
+ src="images/p81s.jpg" /></a>
+</div>
+
+<p>. . . Now then, watch me leave a blue streak
+behind!&rdquo;</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page82"></a>VII<br />
+<span class="GutSmall">SOLDIER BOY AND SHEKELS</span></h2>
+
+<p>&ldquo;<span class="smcap">Did</span> you do as I told
+you? Did you look up the Mexican Plug?&rdquo;</p>
+
+<p>&ldquo;Yes, I made his acquaintance before night and got his
+friendship.&rdquo;</p>
+
+<p>&ldquo;I liked him. Did you?&rdquo;</p>
+
+<p>&ldquo;Not at first. He took me for a reptile, and it
+troubled me, because I didn&rsquo;t know whether it was a
+compliment or not. I couldn&rsquo;t ask him, because it
+would look ignorant. So I didn&rsquo;t say anything, and
+soon liked him very well indeed. Was it a compliment, do
+you think?&rdquo;</p>
+
+<p>&ldquo;Yes, that is what it was. They are very rare, the
+reptiles; very few left, now-a-days.&rdquo;</p>
+
+<p>&ldquo;Is that so? What is a reptile?&rdquo;</p>
+
+<p>&ldquo;It is a plantigrade circumflex vertebrate bacterium
+that hasn&rsquo;t any wings and is uncertain.&rdquo;</p>
+
+<p>&ldquo;Well, it&mdash;it sounds fine, it surely
+does.&rdquo;</p>
+
+<p>&ldquo;And it <i>is</i> fine. You may be thankful you
+are one.&rdquo;</p>
+
+<p>&ldquo;I am. It seems wonderfully grand and elegant for
+a person that is so humble as I am; but I am thankful, I am
+indeed, and will try to live up to it. It is hard to
+remember. Will you say it again, please, and say it
+slow?&rdquo;</p>
+
+<p>&ldquo;Plantigrade circumflex vertebrate bacterium that
+hasn&rsquo;t any wings and is uncertain.&rdquo;</p>
+
+<p>&ldquo;It is beautiful, anybody must grant it; beautiful, and
+of a noble sound. I hope it will not make me proud and
+stuck-up&mdash;I should not like to be that. It is much
+more distinguished and honorable to be a reptile than a dog,
+don&rsquo;t you think, Soldier?&rdquo;</p>
+
+<p>&ldquo;Why, there&rsquo;s no comparison. It is awfully
+aristocratic. Often a duke is called a reptile; it is set
+down so, in history.&rdquo;</p>
+
+<p>&ldquo;Isn&rsquo;t that grand! Potter wouldn&rsquo;t
+ever associate with me, but I reckon he&rsquo;ll be glad to when
+he finds out what I am.&rdquo;</p>
+
+<p>&ldquo;You can depend upon it.&rdquo;</p>
+
+<p>&ldquo;I will thank Mongrel for this. He is a very good sort,
+for a Mexican Plug. Don&rsquo;t you think he is?&rdquo;</p>
+
+<p>&ldquo;It is my opinion of him; and as for his birth, he
+cannot help that. We cannot all be reptiles, we cannot all
+be fossils; we have to take what comes and be thankful it is no
+worse. It is the true philosophy.&rdquo;</p>
+
+<p>&ldquo;For those others?&rdquo;</p>
+
+<p>&ldquo;Stick to the subject, please. Did it turn out
+that my suspicions were right?&rdquo;</p>
+
+<p>&ldquo;Yes, perfectly right. Mongrel has heard them
+planning. They are after BB&rsquo;s life, for running them
+out of Medicine Bow and taking their stolen horses away from
+them.&rdquo;</p>
+
+<p>&ldquo;Well, they&rsquo;ll get him yet, for sure.&rdquo;</p>
+
+<p>&ldquo;Not if he keeps a sharp look-out.&rdquo;</p>
+
+<p>&ldquo;<i>He</i> keep a sharp lookout! He never does; he
+despises them, and all their kind. His life is always being
+threatened, and so it has come to be monotonous.&rdquo;</p>
+
+<p>&ldquo;Does he know they are here?&rdquo;</p>
+
+<p>&ldquo;Oh yes, he knows it. He is always the earliest to
+know who comes and who goes. But he cares nothing for them
+and their threats; he only laughs when people warn him.
+They&rsquo;ll shoot him from behind a tree the first he
+knows. Did Mongrel tell you their plans?&rdquo;</p>
+
+<p>&ldquo;Yes. They have found out that he starts for Fort
+Clayton day after to-morrow, with one of his scouts; so they will
+leave to-morrow, letting on to go south, but they will fetch
+around north all in good time.&rdquo;</p>
+
+<p>&ldquo;Shekels, I don&rsquo;t like the look of it.&rdquo;</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page88"></a>VIII<br />
+<span class="GutSmall">THE SCOUT-START. BB AND
+LIEUTENANT-GENERAL ALISON</span></h2>
+
+<p>BB (<i>saluting</i>). &ldquo;Good! handsomely
+done! The Seventh couldn&rsquo;t beat it! You do
+certainly handle your Rangers like an expert, General. And
+where are you bound?&rdquo;</p>
+
+<p>&ldquo;Four miles on the trail to Fort Clayton.&rdquo;</p>
+
+<p>&ldquo;Glad am I, dear! What&rsquo;s the idea of
+it?&rdquo;</p>
+
+<p>&ldquo;Guard of honor for you and Thorndike.&rdquo;</p>
+
+<p>&ldquo;Bless&mdash;your&mdash;<i>heart</i>! I&rsquo;d
+rather have it from you than from the Commander-in-Chief of the
+armies of the United States, you incomparable little
+soldier!&mdash;and I don&rsquo;t need to take any oath to that,
+for you to believe it.&rdquo;</p>
+
+<p>&ldquo;I <i>thought</i> you&rsquo;d like it, BB.&rdquo;</p>
+
+<p>&ldquo;<i>Like</i> it? Well, I should say so! Now
+then&mdash;all ready&mdash;sound the advance, and away we
+go!&rdquo;</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page90"></a>IX<br />
+<span class="GutSmall">SOLDIER BOY AND SHEKELS AGAIN</span></h2>
+
+<p>&ldquo;<span class="smcap">Well</span>, this is the way it
+happened. We did the escort duty; then we came back and
+struck for the plain and put the Rangers through a rousing
+drill&mdash;oh, for hours! Then we sent them home under
+Brigadier-General Fanny Marsh; then the Lieutenant-General and I
+went off on a gallop over the plains for about three hours, and
+were lazying along home in the middle of the afternoon, when we
+met Jimmy Slade, the drummer-boy, and he saluted and asked the
+Lieutenant-General if she had heard the news, and she said no,
+and he said:</p>
+
+<p>&ldquo;&lsquo;Buffalo Bill has been ambushed and badly shot
+this side of Clayton, and Thorndike the scout, too; Bill
+couldn&rsquo;t travel, but Thorndike could, and he brought the
+news, and Sergeant Wilkes and six men of Company B are gone, two
+hours ago, hotfoot, to get Bill. And they
+say&mdash;&rsquo;</p>
+
+<p>&ldquo;&lsquo;<i>Go</i>!&rsquo; she shouts to me&mdash;and I
+went.&rdquo;</p>
+
+<p>&ldquo;Fast?&rdquo;</p>
+
+<p>&ldquo;Don&rsquo;t ask foolish questions. It was an
+awful pace. For four hours nothing happened, and not a word
+said, except that now and then she said, &lsquo;Keep it up, Boy,
+keep it up, sweetheart; we&rsquo;ll save him!&rsquo; I kept
+it up. Well, when the dark shut down, in the rugged hills,
+that poor little chap had been tearing around in the saddle all
+day, and I noticed by the slack knee-pressure that she was tired
+and tottery, and I got dreadfully afraid; but every time I tried
+to slow down and let her go to sleep, so I could stop, she
+hurried me up again; and so, sure enough, at last over she
+went!</p>
+
+<div class="fig" style="width:100%;">
+<a name="image92" href="images/p92b.jpg">
+<img alt="&ldquo;There was nothing to do but stand by&rdquo;"
+title="&ldquo;There was nothing to do but stand by&rdquo;"
+ src="images/p92s.jpg" /></a>
+</div>
+
+<p>&ldquo;Ah, that was a fix to be in I for she lay there and
+didn&rsquo;t stir, and what was I to do? I couldn&rsquo;t
+leave her to fetch help, on account of the wolves. There
+was nothing to do but stand by. It was dreadful. I
+was afraid she was killed, poor little thing! But she
+wasn&rsquo;t. She came to, by-and-by, and said, &lsquo;Kiss
+me, Soldier,&rsquo; and those were blessed words. I kissed
+her&mdash;often; I am used to that, and we like it. But she
+didn&rsquo;t get up, and I was worried. She fondled my nose
+with her hand, and talked to me, and called me endearing
+names&mdash;which is her way&mdash;but she caressed with the same
+hand all the time. The other arm was broken, you see, but I
+didn&rsquo;t know it, and she didn&rsquo;t mention it. She
+didn&rsquo;t want to distress me, you know.</p>
+
+<p>&ldquo;Soon the big gray wolves came, and hung around, and you
+could hear them snarl, and snap at each other, but you
+couldn&rsquo;t see anything of them except their eyes, which
+shone in the dark like sparks and stars. The
+Lieutenant-General said, &lsquo;If I had the Rocky Mountain
+Rangers here, we would make those creatures climb a
+tree.&rsquo; Then she made believe that the Rangers were in
+hearing, and put up her bugle and blew the
+&lsquo;assembly&rsquo;; and then, &lsquo;boots and
+saddles&rsquo;; then the &lsquo;trot&rsquo;;
+&lsquo;gallop&rsquo;; &lsquo;charge!&rsquo; Then she blew
+the &lsquo;retreat,&rsquo; and said, &lsquo;That&rsquo;s for you,
+you rebels; the Rangers don&rsquo;t ever retreat!&rsquo;</p>
+
+<p>&ldquo;The music frightened them away, but they were hungry,
+and kept coming back. And of course they got bolder and
+bolder, which is their way. It went on for an hour, then
+the tired child went to sleep, and it was pitiful to hear her
+moan and nestle, and I couldn&rsquo;t do anything for her.
+All the time I was laying for the wolves. They are in my
+line; I have had experience. At last the boldest one
+ventured within my lines, and I landed him among his friends with
+some of his skull still on him, and they did the rest. In
+the next hour I got a couple more, and they went the way of the
+first one, down the throats of the detachment. That
+satisfied the survivors, and they went away and left us in
+peace.</p>
+
+<p>&ldquo;We hadn&rsquo;t any more adventures, though I kept
+awake all night and was ready. From midnight on the child
+got very restless, and out of her head, and moaned, and said,
+&lsquo;Water, water&mdash;thirsty&rsquo;; and now and then,
+&lsquo;Kiss me, Soldier&rsquo;; and sometimes she was in her fort
+and giving orders to her garrison; and once she was in Spain, and
+thought her mother was with her. People say a horse
+can&rsquo;t cry; but they don&rsquo;t know, because we cry
+inside.</p>
+
+<p>&ldquo;It was an hour after sunup that I heard the boys
+coming, and recognized the hoof-beats of Pomp and C&aelig;sar and
+Jerry, old mates of mine; and a welcomer sound there
+couldn&rsquo;t ever be.</p>
+
+<p>Buffalo Bill was in a horse-litter, with his leg broken by a
+bullet, and Mongrel and Blake Haskins&rsquo;s horse were doing
+the work. Buffalo Bill and Thorndike had lolled both of
+those toughs.</p>
+
+<p>&ldquo;When they got to us, and Buffalo Bill saw the child
+lying there so white, he said, &lsquo;My God!&rsquo; and the
+sound of his voice brought her to herself, and she gave a little
+cry of pleasure and struggled to get up, but couldn&rsquo;t, and
+the soldiers gathered her up like the tenderest women, and their
+eyes were wet and they were not ashamed, when they saw her arm
+dangling; and so were Buffalo Bill&rsquo;s, and when they laid
+her in his arms he said, &lsquo;My darling, how does this
+come?&rsquo; and she said, &lsquo;We came to save you, but I was
+tired, and couldn&rsquo;t keep awake, and fell off and hurt
+myself, and couldn&rsquo;t get on again.&rsquo; &lsquo;You
+came to save me, you dear little rat? It was too lovely of
+you!&rsquo; &lsquo;Yes, and Soldier stood by me, which you
+know he would, and protected me from the wolves; and if he got a
+chance he kicked the life out of some of them&mdash;for you know
+he would, BB.&rsquo; The sergeant said, &lsquo;He laid out
+three of them, sir, and here&rsquo;s the bones to show for
+it.&rsquo; &lsquo;He&rsquo;s a grand horse,&rsquo; said BB;
+&lsquo;he&rsquo;s the grandest horse that ever was! and has saved
+your life, Lieutenant-General Alison, and shall protect it the
+rest of his life&mdash;he&rsquo;s yours for a kiss!&rsquo;
+He got it, along with a passion of delight, and he said,
+&lsquo;You are feeling better now, little Spaniard&mdash;do you
+think you could blow the advance?&rsquo; She put up the
+bugle to do it, but he said wait a minute first. Then he
+and the sergeant set her arm and put it in splints, she wincing
+but not whimpering; then we took up the march for home, and
+that&rsquo;s the end of the tale; and I&rsquo;m her horse.
+Isn&rsquo;t she a brick, Shekels?</p>
+
+<p>&ldquo;Brick? She&rsquo;s more than a brick, more than a
+thousand bricks&mdash;she&rsquo;s a reptile!&rdquo;</p>
+
+<p>&ldquo;It&rsquo;s a compliment out of your heart,
+Shekels. God bless you for it!&rdquo;</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page100"></a>X<br />
+<span class="GutSmall">GENERAL ALISON AND DORCAS</span></h2>
+
+<p>&ldquo;<span class="smcap">Too</span> much company for her,
+Marse Tom. Betwixt you, and Shekels, the Colonel&rsquo;s
+wife, and the Cid&mdash;&rdquo;</p>
+
+<p>&ldquo;The Cid? Oh, I remember&mdash;the
+raven.&rdquo;</p>
+
+<p>&ldquo;&mdash;and Mrs. Captain Marsh and Famine and Pestilence
+the baby <i>coyotes</i>, and Sour-Mash and her pups, and
+Sardanapalus and her kittens&mdash;hang these names she gives the
+creatures, they warp my jaw&mdash;and Potter: you&mdash;all
+sitting around in the house, and Soldier Boy at the window the
+entire time, it&rsquo;s a wonder to me she comes along as well as
+she does. She&mdash;&rdquo;</p>
+
+<p>&ldquo;You want her all to yourself, you stingy old
+thing!&rdquo;</p>
+
+<p>&ldquo;Marse Tom, you know better. It&rsquo;s too much
+company. And then the idea of her receiving reports all the
+time from her officers, and acting upon them, and giving orders,
+the same as if she was well! It ain&rsquo;t good for her,
+and the surgeon don&rsquo;t like it, and tried to persuade her
+not to and couldn&rsquo;t; and when he <i>ordered</i> her, she
+was that outraged and indignant, and was very severe on him, and
+accused him of insubordination, and said it didn&rsquo;t become
+him to give orders to an officer of her rank. Well, he saw
+he had excited her more and done more harm than all the rest put
+together, so he was vexed at himself and wished he had kept
+still. Doctors <i>don&rsquo;t</i> know much, and
+that&rsquo;s a fact. She&rsquo;s too much interested in
+things&mdash;she ought to rest more. She&rsquo;s all the
+time sending messages to BB, and to soldiers and Injuns and
+whatnot, and to the animals.&rdquo;</p>
+
+<p>&ldquo;To the animals?&rdquo;</p>
+
+<p>&ldquo;Yes, sir.&rdquo;</p>
+
+<p>&ldquo;Who carries them?&rdquo;</p>
+
+<p>&ldquo;Sometimes Potter, but mostly it&rsquo;s
+Shekels.&rdquo;</p>
+
+<p>&ldquo;Now come! who can find fault with such pretty
+make-believe as that?&rdquo;</p>
+
+<p>&ldquo;But it ain&rsquo;t make-believe, Marse Tom. She
+does send them.&rdquo;</p>
+
+<p>&ldquo;Yes, I don&rsquo;t doubt that part of it.&rdquo;</p>
+
+<p>&ldquo;Do you doubt they get them, sir?&rdquo;</p>
+
+<p>&ldquo;Certainly. Don&rsquo;t you?&rdquo;</p>
+
+<p>&ldquo;No, sir. Animals talk to one another. I
+know it perfectly well, Marse Tom, and I ain&rsquo;t saying it by
+guess.&rdquo;</p>
+
+<p>&ldquo;What a curious superstition!&rdquo;</p>
+
+<p>&ldquo;It ain&rsquo;t a superstition, Marse Tom. Look at
+that Shekels&mdash;look at him, <i>now</i>. Is he
+listening, or ain&rsquo;t he? <i>Now</i> you see!
+he&rsquo;s turned his head away. It&rsquo;s because he was
+caught&mdash;caught in the act. I&rsquo;ll ask
+you&mdash;could a Christian look any more ashamed than what he
+looks now?&mdash;<i>lay down</i>! You see? he was going to
+sneak out. Don&rsquo;t tell <i>me</i>, Marse Tom! If
+animals don&rsquo;t talk, I miss <i>my</i> guess. And
+Shekels is the worst. He goes and tells the animals
+everything that happens in the officers&rsquo; quarters; and if
+he&rsquo;s short of facts, he invents them. He hasn&rsquo;t
+any more principle than a blue jay; and as for morals, he&rsquo;s
+empty. Look at him now; look at him grovel. He knows
+what I am saying, and he knows it&rsquo;s the truth. You
+see, yourself, that he can feel shame; it&rsquo;s the only virtue
+he&rsquo;s got. It&rsquo;s wonderful how they find out
+everything that&rsquo;s going on&mdash;the animals.
+They&mdash;&rdquo;</p>
+
+<p>&ldquo;Do you really believe they do, Dorcas?&rdquo;</p>
+
+<p>&ldquo;I don&rsquo;t only just believe it, Marse Tom, I know
+it. Day before yesterday they knew something was going to
+happen. They were that excited, and whispering around
+together; why, anybody could see that they&mdash; But my! I must
+get back to her, and I haven&rsquo;t got to my errand
+yet.&rdquo;</p>
+
+<p>&ldquo;What is it, Dorcas?&rdquo;</p>
+
+<p>&ldquo;Well, it&rsquo;s two or three things. One is, the
+doctor don&rsquo;t salute when he comes . . . Now, Marse Tom, it
+ain&rsquo;t anything to laugh at, and so&mdash;&rdquo;</p>
+
+<p>&ldquo;Well, then, forgive me; I didn&rsquo;t mean to
+laugh&mdash;I got caught unprepared.&rdquo;</p>
+
+<p>&ldquo;You see, she don&rsquo;t want to hurt the
+doctor&rsquo;s feelings, so she don&rsquo;t say anything to him
+about it; but she is always polite, herself, and it hurts that
+kind for people to be rude to them.&rdquo;</p>
+
+<p>&ldquo;I&rsquo;ll have that doctor hanged.&rdquo;</p>
+
+<p>&ldquo;Marse Tom, she don&rsquo;t <i>want</i> him
+hanged. She&mdash;&rdquo;</p>
+
+<p>&ldquo;Well, then, I&rsquo;ll have him boiled in
+oil.&rdquo;</p>
+
+<p>&ldquo;But she don&rsquo;t <i>want</i> him boiled.
+I&mdash;&rdquo;</p>
+
+<p>&ldquo;Oh, very well, very well, I only want to please her;
+I&rsquo;ll have him skinned.&rdquo;</p>
+
+<p>&ldquo;Why, <i>she</i> don&rsquo;t want him skinned; it would
+break her heart. Now&mdash;&rdquo;</p>
+
+<p>&ldquo;Woman, this is perfectly unreasonable. What in
+the nation <i>does</i> she want?&rdquo;</p>
+
+<p>&ldquo;Marse Tom, if you would only be a little patient, and
+not fly off the handle at the least little thing. Why, she
+only wants you to speak to him.&rdquo;</p>
+
+<p>&ldquo;Speak to him! Well, upon my word! All this
+unseemly rage and row about such a&mdash;a&mdash; Dorcas, I never
+saw you carry on like this before. You have alarmed the
+sentry; he thinks I am being assassinated; he thinks
+there&rsquo;s a mutiny, a revolt, an insurrection;
+he&mdash;&rdquo;</p>
+
+<p>&ldquo;Marse Tom, you are just putting on; you know it
+perfectly well; I don&rsquo;t know what makes you act like
+that&mdash;but you always did, even when you was little, and you
+can&rsquo;t get over it, I reckon. Are you over it now,
+Marse Tom?&rdquo;</p>
+
+<p>&ldquo;Oh, well, yes; but it would try anybody to be doing the
+best he could, offering every kindness he could think of, only to
+have it rejected with contumely and . . . Oh, well, let it go;
+it&rsquo;s no matter&mdash;I&rsquo;ll talk to the doctor.
+Is that satisfactory, or are you going to break out
+again?&rdquo;</p>
+
+<p>&ldquo;Yes, sir, it is; and it&rsquo;s only right to talk to
+him, too, because it&rsquo;s just as she says; she&rsquo;s trying
+to keep up discipline in the Rangers, and this insubordination of
+his is a bad example for them&mdash;now ain&rsquo;t it so, Marse
+Tom?&rdquo;</p>
+
+<p>&ldquo;Well, there <i>is</i> reason in it, I can&rsquo;t deny
+it; so I will speak to him, though at bottom I think hanging
+would be more lasting. What is the rest of your errand,
+Dorcas?&rdquo;</p>
+
+<p>&ldquo;Of course her room is Ranger headquarters now, Marse
+Tom, while she&rsquo;s sick. Well, soldiers of the cavalry
+and the dragoons that are off duty come and get her sentries to
+let them relieve them and serve in their place. It&rsquo;s
+only out of affection, sir, and because they know military honors
+please her, and please the children too, for her sake; and they
+don&rsquo;t bring their muskets; and so&mdash;&rdquo;</p>
+
+<p>&ldquo;I&rsquo;ve noticed them there, but didn&rsquo;t twig
+the idea. They are standing guard, are they?&rdquo;</p>
+
+<p>&ldquo;Yes, sir, and she is afraid you will reprove them and
+hurt their feelings, if you see them there; so she begs,
+if&mdash;if you don&rsquo;t mind coming in the back
+way&mdash;&rdquo;</p>
+
+<p>&ldquo;Bear me up, Dorcas; don&rsquo;t let me
+faint.&rdquo;</p>
+
+<p>&ldquo;There&mdash;sit up and behave, Marse Tom. You are
+not going to faint; you are only pretending&mdash;you used to act
+just so when you was little; it does seem a long time for you to
+get grown up.&rdquo;</p>
+
+<p>&ldquo;Dorcas, the way the child is progressing, I shall be
+out of my job before long&mdash;she&rsquo;ll have the whole post
+in her hands. I must make a stand, I must not go down
+without a struggle. These encroachments. . . . Dorcas, what
+do you think she will think of next?&rdquo;</p>
+
+<p>&ldquo;Marse Tom, she don&rsquo;t mean any harm.&rdquo;</p>
+
+<p>&ldquo;Are you sure of it?&rdquo;</p>
+
+<p>&ldquo;Yes, Marse Tom.&rdquo;</p>
+
+<p>&ldquo;You feel sure she has no ulterior designs?&rdquo;</p>
+
+<p>&ldquo;I don&rsquo;t know what that is, Marse Tom, but I know
+she hasn&rsquo;t.&rdquo;</p>
+
+<p>&ldquo;Very well, then, for the present I am satisfied.
+What else have you come about?&rdquo;</p>
+
+<p>&ldquo;I reckon I better tell you the whole thing first, Marse
+Tom, then tell you what she wants. There&rsquo;s been an
+emeute, as she calls it. It was before she got back with
+BB. The officer of the day reported it to her this
+morning. It happened at her fort. There was a fuss
+betwixt Major-General Tommy Drake and Lieutenant-Colonel Agnes
+Frisbie, and he snatched her doll away, which is made of white
+kid stuffed with sawdust, and tore every rag of its clothes off,
+right before them all, and is under arrest, and the charge is
+conduct un&mdash;&rdquo;</p>
+
+<p>&ldquo;Yes, I know&mdash;conduct unbecoming an officer and a
+gentleman&mdash;a plain case, too, it seems to me. This is
+a serious matter. Well, what is her pleasure?&rdquo;</p>
+
+<p>&ldquo;Well, Marse Tom, she has summoned a court-martial, but
+the doctor don&rsquo;t think she is well enough to preside over
+it, and she says there ain&rsquo;t anybody competent but her,
+because there&rsquo;s a major-general concerned; and so
+she&mdash;she&mdash;well, she says, would you preside over it for
+her? . . . Marse Tom, <i>sit</i> up! You ain&rsquo;t any
+more going to faint than Shekels is.&rdquo;</p>
+
+<p>&ldquo;Look here, Dorcas, go along back, and be tactful.
+Be persuasive; don&rsquo;t fret her; tell her it&rsquo;s all
+right, the matter is in my hands, but it isn&rsquo;t good form to
+hurry so grave a matter as this. Explain to her that we
+have to go by precedents, and that I believe this one to be
+new. In fact, you can say I know that nothing just like it
+has happened in our army, therefore I must be guided by European
+precedents, and must go cautiously and examine them
+carefully. Tell her not to be impatient, it will take me
+several days, but it will all come out right, and I will come
+over and report progress as I go along. Do you get the
+idea, Dorcas?&rdquo;</p>
+
+<p>&ldquo;I don&rsquo;t know as I do, sir.&rdquo;</p>
+
+<p>&ldquo;Well, it&rsquo;s this. You see, it won&rsquo;t
+ever do for me, a brigadier in the regular army, to preside over
+that infant court-martial&mdash;there isn&rsquo;t any precedent
+for it, don&rsquo;t you see. Very well. I will go on
+examining authorities and reporting progress until she is well
+enough to get me out of this scrape by presiding herself.
+Do you get it now?&rdquo;</p>
+
+<p>&ldquo;Oh, yes, sir, I get it, and it&rsquo;s good, I&rsquo;ll
+go and fix it with her. <i>Lay down</i>! and stay where you
+are.&rdquo;</p>
+
+<p>&ldquo;Why, what harm is he doing?&rdquo;</p>
+
+<p>&ldquo;Oh, it ain&rsquo;t any harm, but it just vexes me to
+see him act so.&rdquo;</p>
+
+<p>&ldquo;What was he doing?&rdquo;</p>
+
+<p>&ldquo;Can&rsquo;t you see, and him in such a sweat? He
+was starting out to spread it all over the post. <i>Now</i>
+I reckon you won&rsquo;t deny, any more, that they go and tell
+everything they hear, now that you&rsquo;ve seen it with
+yo&rsquo; own eyes.&rdquo;</p>
+
+<p>&ldquo;Well, I don&rsquo;t like to acknowledge it, Dorcas, but
+I don&rsquo;t see how I can consistently stick to my doubts in
+the face of such overwhelming proof as this dog is
+furnishing.&rdquo;</p>
+
+<p>&ldquo;There, now, you&rsquo;ve got in yo&rsquo; right mind at
+last! I wonder you can be so stubborn, Marse Tom. But
+you always was, even when you was little. I&rsquo;m going
+now.&rdquo;</p>
+
+<p>&ldquo;Look here; tell her that in view of the delay, it is my
+judgment that she ought to enlarge the accused on his
+parole.&rdquo;</p>
+
+<p>&ldquo;Yes, sir, I&rsquo;ll tell her. Marse
+Tom?&rdquo;</p>
+
+<p>&ldquo;Well?&rdquo;</p>
+
+<p>&ldquo;She can&rsquo;t get to Soldier Boy, and he stands there
+all the time, down in the mouth and lonesome; and she says will
+you shake hands with him and comfort him? Everybody
+does.&rdquo;</p>
+
+<p>&ldquo;It&rsquo;s a curious kind of lonesomeness; but, all
+right, I will.&rdquo;</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page116"></a>XI<br />
+<span class="GutSmall">SEVERAL MONTHS LATER. ANTONIO AND
+THORNDIKE</span></h2>
+
+<p>&ldquo;<span class="smcap">Thorndike</span>, isn&rsquo;t that
+Plug you&rsquo;re riding an asset of the scrap you and Buffalo
+Bill had with the late Blake Haskins and his pal a few months
+back?&rdquo;</p>
+
+<p>&ldquo;Yes, this is Mongrel&mdash;and not a half-bad horse,
+either.&rdquo;</p>
+
+<p>&ldquo;I&rsquo;ve noticed he keeps up his lick
+first-rate. Say&mdash;isn&rsquo;t it a gaudy
+morning?&rdquo;</p>
+
+<p>&ldquo;Right you are!&rdquo;</p>
+
+<p>&ldquo;Thorndike, it&rsquo;s Andalusian! and when that&rsquo;s
+said, all&rsquo;s said.&rdquo;</p>
+
+<p>&ldquo;Andalusian <i>and</i> Oregonian, Antonio! Put it
+that way, and you have my vote. Being a native up there, I
+know. You being Andalusian-born&mdash;&rdquo;</p>
+
+<p>&ldquo;Can speak with authority for that patch of
+paradise? Well, I can. Like the Don! like
+Sancho! This is the correct Andalusian dawn
+now&mdash;crisp, fresh, dewy, fragrant, pungent&mdash;&rdquo;</p>
+<blockquote><p>&ldquo;&lsquo;What though the spicy breezes<br />
+Blow soft o&rsquo;er Ceylon&rsquo;s isle&mdash;&rsquo;</p>
+</blockquote>
+<p>&mdash;<i>git</i> up, you old cow! stumbling like that when
+we&rsquo;ve just been praising you! out on a scout and
+can&rsquo;t live up to the honor any better than that?
+Antonio, how long have you been out here in the Plains and the
+Rockies?&rdquo;</p>
+
+<p>&ldquo;More than thirteen years.&rdquo;</p>
+
+<p>&ldquo;It&rsquo;s a long time. Don&rsquo;t you ever get
+homesick?&rdquo;</p>
+
+<p>&ldquo;Not till now.&rdquo;</p>
+
+<p>&ldquo;Why <i>now</i>?&mdash;after such a long
+cure.&rdquo;</p>
+
+<p>&ldquo;These preparations of the retiring commandant&rsquo;s
+have started it up.&rdquo;</p>
+
+<p>&ldquo;Of course. It&rsquo;s natural.&rdquo;</p>
+
+<p>&ldquo;It keeps me thinking about Spain. I know the
+region where the Seventh&rsquo;s child&rsquo;s aunt lives; I know
+all the lovely country for miles around; I&rsquo;ll bet
+I&rsquo;ve seen her aunt&rsquo;s villa many a time; I&rsquo;ll
+bet I&rsquo;ve been in it in those pleasant old times when I was
+a Spanish gentleman.&rdquo;</p>
+
+<p>&ldquo;They say the child is wild to see Spain.&rdquo;</p>
+
+<p>&ldquo;It&rsquo;s so; I know it from what I hear.&rdquo;</p>
+
+<p>&ldquo;Haven&rsquo;t you talked with her about it?&rdquo;</p>
+
+<p>&ldquo;No. I&rsquo;ve avoided it. I should soon be
+as wild as she is. That would not be
+comfortable.&rdquo;</p>
+
+<p>&ldquo;I wish I was going, Antonio. There&rsquo;s two
+things I&rsquo;d give a lot to see. One&rsquo;s a
+railroad.&rdquo;</p>
+
+<p>&ldquo;She&rsquo;ll see one when she strikes
+Missouri.&rdquo;</p>
+
+<p>&ldquo;The other&rsquo;s a bull-fight.&rdquo;</p>
+
+<p>&ldquo;I&rsquo;ve seen lots of them; I wish I could see
+another.&rdquo;</p>
+
+<p>&ldquo;I don&rsquo;t know anything about it, except in a
+mixed-up, foggy way, Antonio, but I know enough to know
+it&rsquo;s grand sport.&rdquo;</p>
+
+<p>&ldquo;The grandest in the world! There&rsquo;s no other
+sport that begins with it. I&rsquo;ll tell you what
+I&rsquo;ve seen, then you can judge. It was my first, and
+it&rsquo;s as vivid to me now as it was when I saw it. It
+was a Sunday afternoon, and beautiful weather, and my uncle, the
+priest, took me as a reward for being a good boy and because of
+my own accord and without anybody asking me I had bankrupted my
+savings-box and given the money to a mission that was civilizing
+the Chinese and sweetening their lives and softening their hearts
+with the gentle teachings of our religion, and I wish you could
+have seen what we saw that day, Thorndike.</p>
+
+<p>&ldquo;The amphitheatre was packed, from the bull-ring to the
+highest row&mdash;twelve thousand people in one circling mass,
+one slanting, solid mass&mdash;royalties, nobles, clergy, ladies,
+gentlemen, state officials, generals, admirals, soldiers,
+sailors, lawyers, thieves, merchants, brokers, cooks, housemaids,
+scullery-maids, doubtful women, dudes, gamblers, beggars,
+loafers, tramps, American ladies, gentlemen, preachers, English
+ladies, gentlemen, preachers, German ditto, French ditto, and so
+on and so on, all the world represented: Spaniards to admire and
+praise, foreigners to enjoy and go home and find
+fault&mdash;there they were, one solid, sloping, circling sweep
+of rippling and flashing color under the downpour of the summer
+sun&mdash;just a garden, a gaudy, gorgeous flower-garden!
+Children munching oranges, six thousand fans fluttering and
+glimmering, everybody happy, everybody chatting gayly with their
+intimates, lovely girl-faces smiling recognition and salutation
+to other lovely girl-faces, gray old ladies and gentlemen dealing
+in the like exchanges with each other&mdash;ah, such a picture of
+cheery contentment and glad anticipation! not a mean spirit, nor
+a sordid soul, nor a sad heart there&mdash;ah, Thorndike, I wish
+I could see it again.</p>
+
+<p>&ldquo;Suddenly, the martial note of a bugle cleaves the hum
+and murmur&mdash;clear the ring!</p>
+
+<p>&ldquo;They clear it. The great gate is flung open, and
+the procession marches in, splendidly costumed and glittering:
+the marshals of the day, then the picadores on horseback, then
+the matadores on foot, each surrounded by his quadrille of
+<i>chulos</i>. They march to the box of the city fathers,
+and formally salute. The key is thrown, the bull-gate is
+unlocked. Another bugle blast&mdash;the gate flies open,
+the bull plunges in, furious, trembling, blinking in the blinding
+light, and stands there, a magnificent creature, centre of those
+multitudinous and admiring eyes, brave, ready for battle, his
+attitude a challenge. He sees his enemy: horsemen sitting
+motionless, with long spears in rest, upon blindfolded
+broken-down nags, lean and starved, fit only for sport and
+sacrifice, then the carrion-heap.</p>
+
+<p>&ldquo;The bull makes a rush, with murder in his eye, but a
+picador meets him with a spear-thrust in the shoulder. He
+flinches with the pain, and the picador skips out of
+danger. A burst of applause for the picador, hisses for the
+bull. Some shout &lsquo;Cow!&rsquo; at the bull, and call
+him offensive names. But he is not listening to them, he is
+there for business; he is not minding the cloak-bearers that come
+fluttering around to confuse him; he chases this way, he chases
+that way, and hither and yon, scattering the nimble banderillos
+in every direction like a spray, and receiving their maddening
+darts in his neck as they dodge and fly&mdash;oh, but it&rsquo;s
+a lively spectacle, and brings down the house! Ah, you
+should hear the thundering roar that goes up when the game is at
+its wildest and brilliant things are done!</p>
+
+<p>&ldquo;Oh, that first bull, that day, was great! From
+the moment the spirit of war rose to flood-tide in him and he got
+down to his work, he began to do wonders. He tore his way
+through his persecutors, flinging one of them clear over the
+parapet; he bowled a horse and his rider down, and plunged
+straight for the next, got home with his horns, wounding both
+horse and man; on again, here and there and this way and that;
+and one after another he tore the bowels out of two horses so
+that they gushed to the ground, and ripped a third one so badly
+that although they rushed him to cover and shoved his bowels back
+and stuffed the rents with tow and rode him against the bull
+again, he couldn&rsquo;t make the trip; he tried to gallop, under
+the spur, but soon reeled and tottered and fell, all in a
+heap. For a while, that bull-ring was the most thrilling
+and glorious and inspiring sight that ever was seen. The
+bull absolutely cleared it, and stood there alone! monarch of the
+place. The people went mad for pride in him, and joy and
+delight, and you couldn&rsquo;t hear yourself think, for the roar
+and boom and crash of applause.&rdquo;</p>
+
+<p>&ldquo;Antonio, it carries me clear out of myself just to hear
+you tell it; it must have been perfectly splendid. If I
+live, I&rsquo;ll see a bull-fight yet before I die. Did
+they kill him?&rdquo;</p>
+
+<p>&ldquo;Oh yes; that is what the bull is for. They tired
+him out, and got him at last. He kept rushing the matador,
+who always slipped smartly and gracefully aside in time, waiting
+for a sure chance; and at last it came; the bull made a deadly
+plunge for him&mdash;was avoided neatly, and as he sped by, the
+long sword glided silently into him, between left shoulder and
+spine&mdash;in and in, to the hilt. He crumpled down,
+dying.&rdquo;</p>
+
+<p>&ldquo;Ah, Antonio, it <i>is</i> the noblest sport that ever
+was. I would give a year of my life to see it. Is the
+bull always killed?&rdquo;</p>
+
+<p>&ldquo;Yes. Sometimes a bull is timid, finding himself
+in so strange a place, and he stands trembling, or tries to
+retreat. Then everybody despises him for his cowardice and
+wants him punished and made ridiculous; so they hough him from
+behind, and it is the funniest thing in the world to see him
+hobbling around on his severed legs; the whole vast house goes
+into hurricanes of laughter over it; I have laughed till the
+tears ran down my cheeks to see it. When he has furnished
+all the sport he can, he is not any longer useful, and is
+killed.&rdquo;</p>
+
+<p>&ldquo;Well, it is perfectly grand, Antonio, perfectly
+beautiful. Burning a nigger don&rsquo;t begin.&rdquo;</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page129"></a>XII<br />
+<span class="GutSmall">MONGREL AND THE OTHER HORSE</span></h2>
+
+<p>&ldquo;<span class="smcap">Sage-Brush</span>, you have been
+listening?&rdquo;</p>
+
+<p>&ldquo;Yes.&rdquo;</p>
+
+<p>&ldquo;Isn&rsquo;t it strange?&rdquo;</p>
+
+<p>&ldquo;Well, no, Mongrel, I don&rsquo;t know that it
+is.&rdquo;</p>
+
+<p>&ldquo;Why don&rsquo;t you?&rdquo;</p>
+
+<p>&ldquo;I&rsquo;ve seen a good many human beings in my
+time. They are created as they are; they cannot help
+it. They are only brutal because that is their make; brutes
+would be brutal if it was <i>their</i> make.&rdquo;</p>
+
+<p>&ldquo;To me, Sage-Brush, man is most strange and
+unaccountable. Why should he treat dumb animals that way
+when they are not doing any harm?&rdquo;</p>
+
+<p>&ldquo;Man is not always like that, Mongrel; he is kind enough
+when he is not excited by religion.&rdquo;</p>
+
+<p>&ldquo;Is the bull-fight a religious service?&rdquo;</p>
+
+<p>&ldquo;I think so. I have heard so. It is held on
+Sunday.&rdquo;</p>
+
+<p>(<i>A reflective pause</i>, <i>lasting some
+moments</i>.) Then:</p>
+
+<p>&ldquo;When we die, Sage-Brush, do we go to heaven and dwell
+with man?&rdquo;</p>
+
+<p>&ldquo;My father thought not. He believed we do not have
+to go there unless we deserve it.&rdquo;</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>Part II<br />
+IN SPAIN</h2>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page133"></a>XIII<br />
+<span class="GutSmall">GENERAL ALISON TO HIS MOTHER</span></h2>
+
+<p><span class="smcap">It</span> was a prodigious trip, but
+delightful, of course, through the Rockies and the Black Hills
+and the mighty sweep of the Great Plains to civilization and the
+Missouri border&mdash;where the railroading began and the
+delightfulness ended. But no one is the worse for the
+journey; certainly not Cathy, nor Dorcas, nor Soldier Boy; and as
+for me, I am not complaining.</p>
+
+<p>Spain is all that Cathy had pictured it&mdash;and more, she
+says. She is in a fury of delight, the maddest little
+animal that ever was, and all for joy. She thinks she
+remembers Spain, but that is not very likely, I suppose.
+The two&mdash;Mercedes and Cathy&mdash;devour each other.
+It is a rapture of love, and beautiful to see. It is
+Spanish; that describes it. Will this be a short visit?</p>
+
+<p>No. It will be permanent. Cathy has elected to
+abide with Spain and her aunt. Dorcas says she (Dorcas)
+foresaw that this would happen; and also says that she wanted it
+to happen, and says the child&rsquo;s own country is the right
+place for her, and that she ought not to have been sent to me, I
+ought to have gone to her. I thought it insane to take
+Soldier Boy to Spain, but it was well that I yielded to
+Cathy&rsquo;s pleadings; if he had been left behind, half of her
+heart would have remained with him, and she would not have been
+contented. As it is, everything has fallen out for the
+best, and we are all satisfied and comfortable. It may be
+that Dorcas and I will see America again some day; but also it is
+a case of maybe not.</p>
+
+<p>We left the post in the early morning. It was an
+affecting time. The women cried over Cathy, so did even
+those stern warriors, the Rocky Mountain Rangers; Shekels was
+there, and the Cid, and Sardanapalus, and Potter, and Mongrel,
+and Sour-Mash, Famine, and Pestilence, and Cathy kissed them all
+and wept; details of the several arms of the garrison were
+present to represent the rest, and say good-bye and God bless you
+for all the soldiery; and there was a special squad from the
+Seventh, with the oldest veteran at its head, to speed the
+Seventh&rsquo;s Child with grand honors and impressive
+ceremonies; and the veteran had a touching speech by heart, and
+put up his hand in salute and tried to say it, but his lips
+trembled and his voice broke, but Cathy bent down from the saddle
+and kissed him on the mouth and turned his defeat to victory, and
+a cheer went up.</p>
+
+<p>The next act closed the ceremonies, and was a moving
+surprise. It may be that you have discovered, before this,
+that the rigors of military law and custom melt insensibly away
+and disappear when a soldier or a regiment or the garrison wants
+to do something that will please Cathy. The bands conceived
+the idea of stirring her soldierly heart with a farewell which
+would remain in her memory always, beautiful and unfading, and
+bring back the past and its love for her whenever she should
+think of it; so they got their project placed before General
+Burnaby, my successor, who is Cathy&rsquo;s newest slave, and in
+spite of poverty of precedents they got his permission. The
+bands knew the child&rsquo;s favorite military airs. By
+this hint you know what is coming, but Cathy didn&rsquo;t.
+She was asked to sound the &ldquo;reveille,&rdquo; which she
+did.</p>
+
+<div class="fig" style="width:100%;">
+<a href="images/p138b.jpg">
+<img alt="Reveille [music score]"
+title="Reveille [music score]"
+ src="images/p138s.jpg" /></a>
+</div>
+
+<p>With the last note the bands burst out with a crash: and woke
+the mountains with the &ldquo;Star-Spangled Banner&rdquo; in a
+way to make a body&rsquo;s heart swell and thump and his hair
+rise! It was enough to break a person all up, to see
+Cathy&rsquo;s radiant face shining out through her gladness and
+tears. By request she blew the &ldquo;assembly,&rdquo; now.
+. . .</p>
+
+<div class="fig" style="width:100%;">
+<a href="images/p139ab.jpg">
+<img alt="The Assembly [music score]"
+title="The Assembly [music score]"
+ src="images/p139as.jpg" /></a>
+</div>
+
+<p>. . . Then the bands thundered in, with &ldquo;Rally round the
+flag, boys, rally once again!&rdquo; Next, she blew another
+call (&ldquo;to the Standard&rdquo;) . . .</p>
+
+<div class="fig" style="width:100%;">
+<a href="images/p139bb.jpg">
+<img alt="To the Standard [music score]"
+title="To the Standard [music score]"
+ src="images/p139bs.jpg" /></a>
+</div>
+
+<p>. . . and the bands responded with &ldquo;When we were
+marching through Georgia.&rdquo; Straightway she sounded
+&ldquo;boots and saddles,&rdquo; that thrilling and most
+expediting call. . . .</p>
+
+<div class="fig" style="width:100%;">
+<a href="images/p140b.jpg">
+<img alt="Boots and Saddles [music score]"
+title="Boots and Saddles [music score]"
+ src="images/p140s.jpg" /></a>
+</div>
+
+<p>and the bands could hardly hold in for the final note; then
+they turned their whole strength loose on &ldquo;Tramp, tramp,
+tramp, the boys are marching,&rdquo; and everybody&rsquo;s
+excitement rose to blood-heat.</p>
+
+<p>Now an impressive pause&mdash;then the bugle sang &ldquo;<span
+class="smcap">Taps</span>&rdquo;&mdash;translatable, this time,
+into &ldquo;Good-bye, and God keep us all!&rdquo; for taps is the
+soldier&rsquo;s nightly release from duty, and farewell:
+plaintive, sweet, pathetic, for the morning is never sure, for
+him; always it is possible that he is hearing it for the last
+time. . . .</p>
+
+<div class="fig" style="width:100%;">
+<a href="images/p141b.jpg">
+<img alt="Taps [music score]"
+title="Taps [music score]"
+ src="images/p141s.jpg" /></a>
+</div>
+
+<p>. . . Then the bands turned their instruments towards Cathy
+and burst in with that rollicking frenzy of a tune, &ldquo;Oh,
+we&rsquo;ll all get blind drunk when Johnny comes marching
+home&mdash;yes, we&rsquo;ll all get blind drunk when Johnny comes
+marching home!&rdquo; and followed it instantly with
+&ldquo;Dixie,&rdquo; that antidote for melancholy, merriest and
+gladdest of all military music on any side of the ocean&mdash;and
+that was the end. And so&mdash;farewell!</p>
+
+<p>I wish you could have been there to see it all, hear it all,
+and feel it: and get yourself blown away with the hurricane huzza
+that swept the place as a finish.</p>
+
+<p>When we rode away, our main body had already been on the road
+an hour or two&mdash;I speak of our camp equipage; but we
+didn&rsquo;t move off alone: when Cathy blew the
+&ldquo;advance&rdquo; the Rangers cantered out in column of
+fours, and gave us escort, and were joined by White Cloud and
+Thunder-Bird in all their gaudy bravery, and by Buffalo Bill and
+four subordinate scouts. Three miles away, in the Plains,
+the Lieutenant-General halted, sat her horse like a military
+statue, the bugle at her lips, and put the Rangers through the
+evolutions for half an hour; and finally, when she blew the
+&ldquo;charge,&rdquo; she led it herself. &ldquo;Not for
+the last time,&rdquo; she said, and got a cheer, and we said
+good-bye all around, and faced eastward and rode away.</p>
+
+<p><i>Postscript</i>. <i>A Day Later</i>. Soldier Boy
+was stolen last night. Cathy is almost beside herself, and
+we cannot comfort her. Mercedes and I are not much alarmed
+about the horse, although this part of Spain is in something of a
+turmoil, politically, at present, and there is a good deal of
+lawlessness. In ordinary times the thief and the horse
+would soon be captured. We shall have them before long, I
+think.</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page145"></a>XIV<br />
+<span class="GutSmall">SOLDIER BOY&mdash;TO HIMSELF</span></h2>
+
+<p><span class="smcap">It</span> is five months. Or is it
+six? My troubles have clouded my memory. I have been
+all over this land, from end to end, and now I am back again
+since day before yesterday, to that city which we passed through,
+that last day of our long journey, and which is near her country
+home. I am a tottering ruin and my eyes are dim, but I
+recognized it. If she could see me she would know me and
+sound my call. I wish I could hear it once more; it would
+revive me, it would bring back her face and the mountains and the
+free life, and I would come&mdash;if I were dying I would
+come! She would not know <i>me</i>, looking as I do, but
+she would know me by my star. But she will never see me,
+for they do not let me out of this shabby stable&mdash;a foul and
+miserable place, with most two wrecks like myself for
+company.</p>
+
+<p>How many times have I changed hands? I think it is
+twelve times&mdash;I cannot remember; and each time it was down a
+step lower, and each time I got a harder master. They have
+been cruel, every one; they have worked me night and day in
+degraded employments, and beaten me; they have fed me ill, and
+some days not at all. And so I am but bones, now, with a
+rough and frowsy skin humped and cornered upon my shrunken
+body&mdash;that skin which was once so glossy, that skin which
+she loved to stroke with her hand. I was the pride of the
+mountains and the Great Plains; now I am a scarecrow and
+despised. These piteous wrecks that are my comrades here
+say we have reached the bottom of the scale, the final
+humiliation; they say that when a horse is no longer worth the
+weeds and discarded rubbish they feed to him, they sell him to
+the bull-ring for a glass of brandy, to make sport for the people
+and perish for their pleasure.</p>
+
+<p>To die&mdash;that does not disturb me; we of the service never
+care for death. But if I could see her once more! if I
+could hear her bugle sing again and say, &ldquo;It is I,
+Soldier&mdash;come!&rdquo;</p>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2><a name="page149"></a>XV<br />
+<span class="GutSmall">GENERAL ALISON TO MRS. DRAKE, THE
+COLONEL&rsquo;S WIFE</span></h2>
+
+<p><span class="smcap">To</span> return, now, to where I was, and
+tell you the rest. We shall never know how she came to be
+there; there is no way to account for it. She was always
+watching for black and shiny and spirited horses&mdash;watching,
+hoping, despairing, hoping again; always giving chase and
+sounding her call, upon the meagrest chance of a response, and
+breaking her heart over the disappointment; always inquiring,
+always interested in sales-stables and horse accumulations in
+general. How she got there must remain a mystery.</p>
+
+<p>At the point which I had reached in a preceding paragraph of
+this account, the situation was as follows: two horses lay dying;
+the bull had scattered his persecutors for the moment, and stood
+raging, panting, pawing the dust in clouds over his back, when
+the man that had been wounded returned to the ring on a remount,
+a poor blindfolded wreck that yet had something ironically
+military about his bearing&mdash;and the next moment the bull had
+ripped him open and his bowls were dragging upon the ground: and
+the bull was charging his swarm of pests again. Then came
+pealing through the air a bugle-call that froze my
+blood&mdash;&ldquo;<i>It is I</i>,
+<i>Soldier&mdash;come</i>!&rdquo; I turned; Cathy was
+flying down through the massed people; she cleared the parapet at
+a bound, and sped towards that riderless horse, who staggered
+forward towards the remembered sound; but his strength failed,
+and he fell at her feet, she lavishing kisses upon him and
+sobbing, the house rising with one impulse, and white with
+horror! Before help could reach her the bull was back
+again&mdash;</p>
+
+<div class="fig" style="width:100%;">
+<a name="image150" href="images/p150b.jpg">
+<img alt="His strength failed, and he fell at her feet"
+title="His strength failed, and he fell at her feet"
+ src="images/p150s.jpg" /></a>
+</div>
+
+<p>She was never conscious again in life. We bore her home,
+all mangled and drenched in blood, and knelt by her and listened
+to her broken and wandering words, and prayed for her passing
+spirit, and there was no comfort&mdash;nor ever will be, I
+think. But she was happy, for she was far away under
+another sky, and comrading again with her Rangers, and her animal
+friends, and the soldiers. Their names fell softly and
+caressingly from her lips, one by one, with pauses between.
+She was not in pain, but lay with closed eyes, vacantly
+murmuring, as one who dreams. Sometimes she smiled, saying
+nothing; sometimes she smiled when she uttered a name&mdash;such
+as Shekels, or BB, or Potter. Sometimes she was at her
+fort, issuing commands; sometimes she was careering over the
+plain at the head of her men; sometimes she was training her
+horse; once she said, reprovingly, &ldquo;You are giving me the
+wrong foot; give me the left&mdash;don&rsquo;t you know it is
+good-bye?&rdquo;</p>
+
+<p>After this, she lay silent some time; the end was near.
+By-and-by she murmured, &ldquo;Tired . . . sleepy . . . take
+Cathy, mamma.&rdquo; Then, &ldquo;Kiss me,
+Soldier.&rdquo; For a little time, she lay so still that we
+were doubtful if she breathed. Then she put out her hand
+and began to feel gropingly about; then said, &ldquo;I cannot
+find it; blow &lsquo;taps.&rsquo;&rdquo; It was the
+end.</p>
+
+<div class="fig" style="width:100%;">
+<a href="images/p153b.jpg">
+<img alt="Taps [music score]"
+title="Taps [music score]"
+ src="images/p153s.jpg" /></a>
+</div>
+
+</div><!--end chapter-->
+
+<div class="chapter">
+
+<h2>FOOTNOTES</h2>
+
+<p class="footnote">
+<a name="footnote80"></a><a href="#citation80">[80]</a> At West Point the bugle
+is supposed to be saying:</p>
+
+<p class="poem">
+&ldquo;I can&rsquo;t get &rsquo;em up,<br />
+I can&rsquo;t get &rsquo;em up,<br />
+I can&rsquo;t get &rsquo;em up in the morning!&rdquo;
+</p>
+
+</div><!--end chapter-->
+
+<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK A HORSE’S TALE ***</div>
+<div style='text-align:left'>
+
+<div style='display:block; margin:1em 0'>
+Updated editions will replace the previous one&#8212;the old editions will
+be renamed.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Creating the works from print editions not protected by U.S. copyright
+law means that no one owns a United States copyright in these works,
+so the Foundation (and you!) can copy and distribute it in the United
+States without permission and without paying copyright
+royalties. Special rules, set forth in the General Terms of Use part
+of this license, apply to copying and distributing Project
+Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
+concept and trademark. Project Gutenberg is a registered trademark,
+and may not be used if you charge for an eBook, except by following
+the terms of the trademark license, including paying royalties for use
+of the Project Gutenberg trademark. If you do not charge anything for
+copies of this eBook, complying with the trademark license is very
+easy. You may use this eBook for nearly any purpose such as creation
+of derivative works, reports, performances and research. Project
+Gutenberg eBooks may be modified and printed and given away--you may
+do practically ANYTHING in the United States with eBooks not protected
+by U.S. copyright law. Redistribution is subject to the trademark
+license, especially commercial redistribution.
+</div>
+
+<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
+<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
+</div>
+
+<div style='display:block; margin:1em 0'>
+To protect the Project Gutenberg&#8482; mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &#8220;Project
+Gutenberg&#8221;), you agree to comply with all the terms of the Full
+Project Gutenberg&#8482; License available with this file or online at
+www.gutenberg.org/license.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.A. By reading or using any part of this Project Gutenberg&#8482;
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or
+destroy all copies of Project Gutenberg&#8482; electronic works in your
+possession. If you paid a fee for obtaining a copy of or access to a
+Project Gutenberg&#8482; electronic work and you do not agree to be bound
+by the terms of this agreement, you may obtain a refund from the person
+or entity to whom you paid the fee as set forth in paragraph 1.E.8.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg&#8482; electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg&#8482; electronic works if you follow the terms of this
+agreement and help preserve free future access to Project Gutenberg&#8482;
+electronic works. See paragraph 1.E below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
+Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
+of Project Gutenberg&#8482; electronic works. Nearly all the individual
+works in the collection are in the public domain in the United
+States. If an individual work is unprotected by copyright law in the
+United States and you are located in the United States, we do not
+claim a right to prevent you from copying, distributing, performing,
+displaying or creating derivative works based on the work as long as
+all references to Project Gutenberg are removed. Of course, we hope
+that you will support the Project Gutenberg&#8482; mission of promoting
+free access to electronic works by freely sharing Project Gutenberg&#8482;
+works in compliance with the terms of this agreement for keeping the
+Project Gutenberg&#8482; name associated with the work. You can easily
+comply with the terms of this agreement by keeping this work in the
+same format with its attached full Project Gutenberg&#8482; License when
+you share it without charge with others.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are
+in a constant state of change. If you are outside the United States,
+check the laws of your country in addition to the terms of this
+agreement before downloading, copying, displaying, performing,
+distributing or creating derivative works based on this work or any
+other Project Gutenberg&#8482; work. The Foundation makes no
+representations concerning the copyright status of any work in any
+country other than the United States.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E. Unless you have removed all references to Project Gutenberg:
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.1. The following sentence, with active links to, or other
+immediate access to, the full Project Gutenberg&#8482; License must appear
+prominently whenever any copy of a Project Gutenberg&#8482; work (any work
+on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
+phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
+performed, viewed, copied or distributed:
+</div>
+
+<blockquote>
+ <div style='display:block; margin:1em 0'>
+ This eBook is for the use of anyone anywhere in the United States and most
+ other parts of the world at no cost and with almost no restrictions
+ whatsoever. You may copy it, give it away or re-use it under the terms
+ of the Project Gutenberg License included with this eBook or online
+ at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
+ are not located in the United States, you will have to check the laws
+ of the country where you are located before using this eBook.
+ </div>
+</blockquote>
+
+<div style='display:block; margin:1em 0'>
+1.E.2. If an individual Project Gutenberg&#8482; electronic work is
+derived from texts not protected by U.S. copyright law (does not
+contain a notice indicating that it is posted with permission of the
+copyright holder), the work can be copied and distributed to anyone in
+the United States without paying any fees or charges. If you are
+redistributing or providing access to a work with the phrase &#8220;Project
+Gutenberg&#8221; associated with or appearing on the work, you must comply
+either with the requirements of paragraphs 1.E.1 through 1.E.7 or
+obtain permission for the use of the work and the Project Gutenberg&#8482;
+trademark as set forth in paragraphs 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any
+additional terms imposed by the copyright holder. Additional terms
+will be linked to the Project Gutenberg&#8482; License for all works
+posted with the permission of the copyright holder found at the
+beginning of this work.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg&#8482;.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg&#8482; License.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including
+any word processing or hypertext form. However, if you provide access
+to or distribute copies of a Project Gutenberg&#8482; work in a format
+other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
+version posted on the official Project Gutenberg&#8482; website
+(www.gutenberg.org), you must, at no additional cost, fee or expense
+to the user, provide a copy, a means of exporting a copy, or a means
+of obtaining a copy upon request, of the work in its original &#8220;Plain
+Vanilla ASCII&#8221; or other form. Any alternate format must include the
+full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg&#8482; works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg&#8482; electronic works
+provided that:
+</div>
+
+<div style='margin-left:0.7em;'>
+ <div style='text-indent:-0.7em'>
+ &bull; You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg&#8482; works calculated using the method
+ you already use to calculate your applicable taxes. The fee is owed
+ to the owner of the Project Gutenberg&#8482; trademark, but he has
+ agreed to donate royalties under this paragraph to the Project
+ Gutenberg Literary Archive Foundation. Royalty payments must be paid
+ within 60 days following each date on which you prepare (or are
+ legally required to prepare) your periodic tax returns. Royalty
+ payments should be clearly marked as such and sent to the Project
+ Gutenberg Literary Archive Foundation at the address specified in
+ Section 4, &#8220;Information about donations to the Project Gutenberg
+ Literary Archive Foundation.&#8221;
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg&#8482;
+ License. You must require such a user to return or destroy all
+ copies of the works possessed in a physical medium and discontinue
+ all use of and all access to other copies of Project Gutenberg&#8482;
+ works.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You provide, in accordance with paragraph 1.F.3, a full refund of
+ any money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days of
+ receipt of the work.
+ </div>
+
+ <div style='text-indent:-0.7em'>
+ &bull; You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg&#8482; works.
+ </div>
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.E.9. If you wish to charge a fee or distribute a Project
+Gutenberg&#8482; electronic work or group of works on different terms than
+are set forth in this agreement, you must obtain permission in writing
+from the Project Gutenberg Literary Archive Foundation, the manager of
+the Project Gutenberg&#8482; trademark. Contact the Foundation as set
+forth in Section 3 below.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+works not protected by U.S. copyright law in creating the Project
+Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
+electronic works, and the medium on which they may be stored, may
+contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
+or corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged disk or
+other medium, a computer virus, or computer codes that damage or
+cannot be read by your equipment.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
+of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg&#8482; trademark, and any other party distributing a Project
+Gutenberg&#8482; electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium
+with your written explanation. The person or entity that provided you
+with the defective work may elect to provide a replacement copy in
+lieu of a refund. If you received the work electronically, the person
+or entity providing it to you may choose to give you a second
+opportunity to receive the work electronically in lieu of a refund. If
+the second copy is also defective, you may demand a refund in writing
+without further opportunities to fix the problem.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
+OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of
+damages. If any disclaimer or limitation set forth in this agreement
+violates the law of the state applicable to this agreement, the
+agreement shall be interpreted to make the maximum disclaimer or
+limitation permitted by the applicable state law. The invalidity or
+unenforceability of any provision of this agreement shall not void the
+remaining provisions.
+</div>
+
+<div style='display:block; margin:1em 0'>
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg&#8482; electronic works in
+accordance with this agreement, and any volunteers associated with the
+production, promotion and distribution of Project Gutenberg&#8482;
+electronic works, harmless from all liability, costs and expenses,
+including legal fees, that arise directly or indirectly from any of
+the following which you do or cause to occur: (a) distribution of this
+or any Project Gutenberg&#8482; work, (b) alteration, modification, or
+additions or deletions to any Project Gutenberg&#8482; work, and (c) any
+Defect you cause.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 2. Information about the Mission of Project Gutenberg&#8482;
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of
+computers including obsolete, old, middle-aged and new computers. It
+exists because of the efforts of hundreds of volunteers and donations
+from people in all walks of life.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
+goals and ensuring that the Project Gutenberg&#8482; collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg&#8482; and future
+generations. To learn more about the Project Gutenberg Literary
+Archive Foundation and how your efforts and donations can help, see
+Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 3. Information about the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Project Gutenberg Literary Archive Foundation is a non-profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&#8217;s EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg Literary
+Archive Foundation are tax deductible to the full extent permitted by
+U.S. federal laws and your state&#8217;s laws.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation&#8217;s business office is located at 809 North 1500 West,
+Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
+to date contact information can be found at the Foundation&#8217;s website
+and official page at www.gutenberg.org/contact
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; depends upon and cannot survive without widespread
+public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine-readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+</div>
+
+<div style='display:block; margin:1em 0'>
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To SEND
+DONATIONS or determine the status of compliance for any particular state
+visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+</div>
+
+<div style='display:block; margin:1em 0'>
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Please check the Project Gutenberg web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations. To
+donate, please visit: www.gutenberg.org/donate
+</div>
+
+<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
+Section 5. General Information About Project Gutenberg&#8482; electronic works
+</div>
+
+<div style='display:block; margin:1em 0'>
+Professor Michael S. Hart was the originator of the Project
+Gutenberg&#8482; concept of a library of electronic works that could be
+freely shared with anyone. For forty years, he produced and
+distributed Project Gutenberg&#8482; eBooks with only a loose network of
+volunteer support.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Project Gutenberg&#8482; eBooks are often created from several printed
+editions, all of which are confirmed as not protected by copyright in
+the U.S. unless a copyright notice is included. Thus, we do not
+necessarily keep eBooks in compliance with any particular paper
+edition.
+</div>
+
+<div style='display:block; margin:1em 0'>
+Most people start at our website which has the main PG search
+facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
+</div>
+
+<div style='display:block; margin:1em 0'>
+This website includes information about Project Gutenberg&#8482;,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+</div>
+
+</div>
+
+</body>
+</html>