summaryrefslogtreecommitdiff
path: root/1083-h
diff options
context:
space:
mode:
Diffstat (limited to '1083-h')
-rw-r--r--1083-h/1083-h.htm11814
1 files changed, 11814 insertions, 0 deletions
diff --git a/1083-h/1083-h.htm b/1083-h/1083-h.htm
new file mode 100644
index 0000000..debcd61
--- /dev/null
+++ b/1083-h/1083-h.htm
@@ -0,0 +1,11814 @@
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=US-ASCII" />
+<title>The Arrow of Gold, by Joseph Conrad</title>
+ <style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ P { margin-top: .75em;
+ margin-bottom: .75em;
+ }
+ P.gutsumm { margin-left: 5%;}
+ P.poetry {margin-left: 3%; }
+ H1, H2 {
+ text-align: center;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ }
+ H3, H4, H5 {
+ text-align: left;
+ margin-top: 1em;
+ margin-bottom: 1em;
+ }
+ BODY{margin-left: 10%;
+ margin-right: 10%;
+ }
+ table { border-collapse: collapse; }
+table {margin-left:auto; margin-right:auto;}
+ td { vertical-align: top; border: 1px solid black;}
+ td p { margin: 0.2em; }
+ .blkquot {margin-left: 4em; margin-right: 4em;} /* block indent */
+
+ .smcap {font-variant: small-caps;}
+
+ .pagenum {position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+ color: gray;
+ }
+
+ div.gapspace { height: 0.8em; }
+ div.gapline { height: 0.8em; width: 30%; }
+ div.gapdoubleline { height: 0.3em; width: 50%;
+ margin-left: 25%; border-top: 1px solid;
+ border-bottom: 1px solid;}
+ div.gapshortline { height: 0.3em; width: 20%; margin-left:40%;
+ border-top: 1px solid; }
+ .citation {vertical-align: super;
+ font-size: .8em;
+ text-decoration: none;}
+ img.floatleft { float: left;
+ margin-right: 1em;
+ margin-top: 0.5em; margin-bottom: 0.5em; }
+ img.floatright { float: right;
+ margin-left: 1em; margin-top: 0.5em;
+ margin-bottom: 0.5em; }
+ img.clearcenter {display: block;
+ margin-left: auto;
+ margin-right: auto; margin-top: 0.5em;
+ margin-bottom: 0.5em}
+ // -->
+ /* XML end ]]>*/
+ </style>
+</head>
+<body>
+<pre>
+
+The Project Gutenberg eBook, The Arrow of Gold, by Joseph Conrad
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+Title: The Arrow of Gold
+ a story between two notes
+
+
+Author: Joseph Conrad
+
+
+
+Release Date: August 3, 2009 [eBook #1083]
+[This file last updated December 27, 2010]
+
+Language: English
+
+Character set encoding: ISO-646-US (US-ASCII)
+
+
+***START OF THE PROJECT GUTENBERG EBOOK THE ARROW OF GOLD***
+</pre>
+<p>Transcribed from the 1921 T. Fisher Unwin by David Price,
+email ccx074@pglaf.org</p>
+<h1>THE<br />
+ARROW OF GOLD</h1>
+<p style="text-align: center">A STORY BETWEEN TWO NOTES</p>
+<p style="text-align: center"><span class="smcap">by</span><br />
+JOSEPH CONRAD</p>
+<blockquote><p style="text-align: center">Celui qui n&rsquo;a
+connu que des hommes<br />
+polis et raisonnables, ou ne connait pas<br />
+l&rsquo;homme, ou ne le connait qu&rsquo;a demi.</p>
+<p style="text-align: right"><span
+class="smcap">Caracteres</span>.</p>
+</blockquote>
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center">T. FISHER UNWIN, LTD.<br />
+LONDON: ADELPHI TERRACE</p>
+<div class="gapspace">&nbsp;</div>
+<table>
+<tr>
+<td><p><i>First published</i></p>
+</td>
+<td><p style="text-align: right"><i>August</i> 1919</p>
+</td>
+</tr>
+<tr>
+<td><p><i>Reprinted</i></p>
+</td>
+<td><p style="text-align: right"><i>December</i> 1919</p>
+</td>
+</tr>
+<tr>
+<td><p><i>Reprinted</i></p>
+</td>
+<td><p style="text-align: right"><i>October</i> 1921</p>
+</td>
+</tr>
+</table>
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center"><span class="smcap">all rights
+reserved</span></p>
+<div class="gapspace">&nbsp;</div>
+<p style="text-align: center"><span class="smcap">to</span><br />
+RICHARD CURLE</p>
+<div class="gapspace">&nbsp;</div>
+<h2>FIRST NOTE</h2>
+<p>The pages which follow have been extracted from a pile of
+manuscript which was apparently meant for the eye of one woman
+only.&nbsp; She seems to have been the writer&rsquo;s
+childhood&rsquo;s friend.&nbsp; They had parted as children, or
+very little more than children.&nbsp; Years passed.&nbsp; Then
+something recalled to the woman the companion of her young days
+and she wrote to him: &ldquo;I have been hearing of you
+lately.&nbsp; I know where life has brought you.&nbsp; You
+certainly selected your own road.&nbsp; But to us, left behind,
+it always looked as if you had struck out into a pathless
+desert.&nbsp; We always regarded you as a person that must be
+given up for lost.&nbsp; But you have turned up again; and though
+we may never see each other, my memory welcomes you and I confess
+to you I should like to know the incidents on the road which has
+led you to where you are now.&rdquo;</p>
+<p>And he answers her: &ldquo;I believe you are the only one now
+alive who remembers me as a child.&nbsp; I have heard of you from
+time to time, but I wonder what sort of person you are now.&nbsp;
+Perhaps if I did know I wouldn&rsquo;t dare put pen to
+paper.&nbsp; But I don&rsquo;t know.&nbsp; I only remember that
+we were great chums.&nbsp; In fact, I chummed with you even more
+than with your brothers.&nbsp; But I am like the pigeon that went
+away in the fable of the Two Pigeons.&nbsp; If I once start to
+tell you I would want you to feel that you have been there
+yourself.&nbsp; I may overtax your patience with the story of my
+life so different from yours, not only in all the facts but
+altogether in spirit.&nbsp; You may not understand.&nbsp; You may
+even be shocked.&nbsp; I say all this to myself; but I know I
+shall succumb!&nbsp; I have a distinct recollection that in the
+old days, when you were about fifteen, you always could make me
+do whatever you liked.&rdquo;</p>
+<p>He succumbed.&nbsp; He begins his story for her with the
+minute narration of this adventure which took about twelve months
+to develop.&nbsp; In the form in which it is presented here it
+has been pruned of all allusions to their common past, of all
+asides, disquisitions, and explanations addressed directly to the
+friend of his childhood.&nbsp; And even as it is the whole thing
+is of considerable length.&nbsp; It seems that he had not only a
+memory but that he also knew how to remember.&nbsp; But as to
+that opinions may differ.</p>
+<p>This, his first great adventure, as he calls it, begins in
+Marseilles.&nbsp; It ends there, too.&nbsp; Yet it might have
+happened anywhere.&nbsp; This does not mean that the people
+concerned could have come together in pure space.&nbsp; The
+locality had a definite importance.&nbsp; As to the time, it is
+easily fixed by the events at about the middle years of the
+seventies, when Don Carlos de Bourbon, encouraged by the general
+reaction of all Europe against the excesses of communistic
+Republicanism, made his attempt for the throne of Spain, arms in
+hand, amongst the hills and gorges of Guipuzcoa.&nbsp; It is
+perhaps the last instance of a Pretender&rsquo;s adventure for a
+Crown that History will have to record with the usual grave moral
+disapproval tinged by a shamefaced regret for the departing
+romance.&nbsp; Historians are very much like other people.</p>
+<p>However, History has nothing to do with this tale.&nbsp;
+Neither is the moral justification or condemnation of conduct
+aimed at here.&nbsp; If anything it is perhaps a little sympathy
+that the writer expects for his buried youth, as he lives it over
+again at the end of his insignificant course on this earth.&nbsp;
+Strange person&mdash;yet perhaps not so very different from
+ourselves.</p>
+<p>A few words as to certain facts may be added.</p>
+<p>It may seem that he was plunged very abruptly into this long
+adventure.&nbsp; But from certain passages (suppressed here
+because mixed up with irrelevant matter) it appears clearly that
+at the time of the meeting in the caf&eacute;, Mills had already
+gathered, in various quarters, a definite view of the eager youth
+who had been introduced to him in that ultra-legitimist
+salon.&nbsp; What Mills had learned represented him as a young
+gentleman who had arrived furnished with proper credentials and
+who apparently was doing his best to waste his life in an
+eccentric fashion, with a bohemian set (one poet, at least,
+emerged out of it later) on one side, and on the other making
+friends with the people of the Old Town, pilots, coasters,
+sailors, workers of all sorts.&nbsp; He pretended rather absurdly
+to be a seaman himself and was already credited with an
+ill-defined and vaguely illegal enterprise in the Gulf of
+Mexico.&nbsp; At once it occurred to Mills that this eccentric
+youngster was the very person for what the legitimist
+sympathizers had very much at heart just then: to organize a
+supply by sea of arms and ammunition to the Carlist detachments
+in the South.&nbsp; It was precisely to confer on that matter
+with Do&ntilde;a Rita that Captain Blunt had been despatched from
+Headquarters.</p>
+<p>Mills got in touch with Blunt at once and put the suggestion
+before him.&nbsp; The Captain thought this the very thing.&nbsp;
+As a matter of fact, on that evening of Carnival, those two,
+Mills and Blunt, had been actually looking everywhere for our
+man.&nbsp; They had decided that he should be drawn into the
+affair if it could be done.&nbsp; Blunt naturally wanted to see
+him first.&nbsp; He must have estimated him a promising person,
+but, from another point of view, not dangerous.&nbsp; Thus
+lightly was the notorious (and at the same time mysterious)
+Monsieur George brought into the world; out of the contact of two
+minds which did not give a single thought to his flesh and
+blood.</p>
+<p>Their purpose explains the intimate tone given to their first
+conversation and the sudden introduction of Do&ntilde;a
+Rita&rsquo;s history.&nbsp; Mills, of course, wanted to hear all
+about it.&nbsp; As to Captain Blunt&mdash;I suspect that, at the
+time, he was thinking of nothing else.&nbsp; In addition it was
+Do&ntilde;a Rita who would have to do the persuading; for, after
+all, such an enterprise with its ugly and desperate risks was not
+a trifle to put before a man&mdash;however young.</p>
+<p>It cannot be denied that Mills seems to have acted somewhat
+unscrupulously.&nbsp; He himself appears to have had some doubt
+about it, at a given moment, as they were driving to the
+Prado.&nbsp; But perhaps Mills, with his penetration, understood
+very well the nature he was dealing with.&nbsp; He might even
+have envied it.&nbsp; But it&rsquo;s not my business to excuse
+Mills.&nbsp; As to him whom we may regard as Mills&rsquo; victim
+it is obvious that he has never harboured a single reproachful
+thought.&nbsp; For him Mills is not to be criticized.&nbsp; A
+remarkable instance of the great power of mere individuality over
+the young.</p>
+<h2>PART ONE</h2>
+<h3>CHAPTER I</h3>
+<p>Certain streets have an atmosphere of their own, a sort of
+universal fame and the particular affection of their
+citizens.&nbsp; One of such streets is the Cannebi&egrave;re, and
+the jest: &ldquo;If Paris had a Cannebi&egrave;re it would be a
+little Marseilles&rdquo; is the jocular expression of municipal
+pride.&nbsp; I, too, I have been under the spell.&nbsp; For me it
+has been a street leading into the unknown.</p>
+<p>There was a part of it where one could see as many as five big
+caf&eacute;s in a resplendent row.&nbsp; That evening I strolled
+into one of them.&nbsp; It was by no means full.&nbsp; It looked
+deserted, in fact, festal and overlighted, but cheerful.&nbsp;
+The wonderful street was distinctly cold (it was an evening of
+carnival), I was very idle, and I was feeling a little
+lonely.&nbsp; So I went in and sat down.</p>
+<p>The carnival time was drawing to an end.&nbsp; Everybody, high
+and low, was anxious to have the last fling.&nbsp; Companies of
+masks with linked arms and whooping like red Indians swept the
+streets in crazy rushes while gusts of cold mistral swayed the
+gas lights as far as the eye could reach.&nbsp; There was a touch
+of bedlam in all this.</p>
+<p>Perhaps it was that which made me feel lonely, since I was
+neither masked, nor disguised, nor yelling, nor in any other way
+in harmony with the bedlam element of life.&nbsp; But I was not
+sad.&nbsp; I was merely in a state of sobriety.&nbsp; I had just
+returned from my second West Indies voyage.&nbsp; My eyes were
+still full of tropical splendour, my memory of my experiences,
+lawful and lawless, which had their charm and their thrill; for
+they had startled me a little and had amused me
+considerably.&nbsp; But they had left me untouched.&nbsp; Indeed
+they were other men&rsquo;s adventures, not mine.&nbsp; Except
+for a little habit of responsibility which I had acquired they
+had not matured me.&nbsp; I was as young as before.&nbsp;
+Inconceivably young&mdash;still beautifully
+unthinking&mdash;infinitely receptive.</p>
+<p>You may believe that I was not thinking of Don Carlos and his
+fight for a kingdom.&nbsp; Why should I?&nbsp; You don&rsquo;t
+want to think of things which you meet every day in the
+newspapers and in conversation.&nbsp; I had paid some calls since
+my return and most of my acquaintance were legitimists and
+intensely interested in the events of the frontier of Spain, for
+political, religious, or romantic reasons.&nbsp; But I was not
+interested.&nbsp; Apparently I was not romantic enough.&nbsp; Or
+was it that I was even more romantic than all those good
+people?&nbsp; The affair seemed to me commonplace.&nbsp; That man
+was attending to his business of a Pretender.</p>
+<p>On the front page of the illustrated paper I saw lying on a
+table near me, he looked picturesque enough, seated on a boulder,
+a big strong man with a square-cut beard, his hands resting on
+the hilt of a cavalry sabre&mdash;and all around him a landscape
+of savage mountains.&nbsp; He caught my eye on that spiritedly
+composed woodcut.&nbsp; (There were no inane
+snapshot-reproductions in those days.)&nbsp; It was the obvious
+romance for the use of royalists but it arrested my
+attention.</p>
+<p>Just then some masks from outside invaded the caf&eacute;,
+dancing hand in hand in a single file led by a burly man with a
+cardboard nose.&nbsp; He gambolled in wildly and behind him
+twenty others perhaps, mostly Pierrots and Pierrettes holding
+each other by the hand and winding in and out between the chairs
+and tables: eyes shining in the holes of cardboard faces, breasts
+panting; but all preserving a mysterious silence.</p>
+<p>They were people of the poorer sort (white calico with red
+spots, costumes), but amongst them there was a girl in a black
+dress sewn over with gold half moons, very high in the neck and
+very short in the skirt.&nbsp; Most of the ordinary clients of
+the caf&eacute; didn&rsquo;t even look up from their games or
+papers.&nbsp; I, being alone and idle, stared abstractedly.&nbsp;
+The girl costumed as Night wore a small black velvet mask, what
+is called in French a &ldquo;<i>loup</i>.&rdquo;&nbsp; What made
+her daintiness join that obviously rough lot I can&rsquo;t
+imagine.&nbsp; Her uncovered mouth and chin suggested refined
+prettiness.</p>
+<p>They filed past my table; the Night noticed perhaps my fixed
+gaze and throwing her body forward out of the wriggling chain
+shot out at me a slender tongue like a pink dart.&nbsp; I was not
+prepared for this, not even to the extent of an appreciative
+&ldquo;<i>Tr&egrave;s foli</i>,&rdquo; before she wriggled and
+hopped away.&nbsp; But having been thus distinguished I could do
+no less than follow her with my eyes to the door where the chain
+of hands being broken all the masks were trying to get out at
+once.&nbsp; Two gentlemen coming in out of the street stood
+arrested in the crush.&nbsp; The Night (it must have been her
+idiosyncrasy) put her tongue out at them, too.&nbsp; The taller
+of the two (he was in evening clothes under a light wide-open
+overcoat) with great presence of mind chucked her under the chin,
+giving me the view at the same time of a flash of white teeth in
+his dark, lean face.&nbsp; The other man was very different;
+fair, with smooth, ruddy cheeks and burly shoulders.&nbsp; He was
+wearing a grey suit, obviously bought ready-made, for it seemed
+too tight for his powerful frame.</p>
+<p>That man was not altogether a stranger to me.&nbsp; For the
+last week or so I had been rather on the look-out for him in all
+the public places where in a provincial town men may expect to
+meet each other.&nbsp; I saw him for the first time (wearing that
+same grey ready-made suit) in a legitimist drawing-room where,
+clearly, he was an object of interest, especially to the
+women.&nbsp; I had caught his name as Monsieur Mills.&nbsp; The
+lady who had introduced me took the earliest opportunity to
+murmur into my ear: &ldquo;A relation of Lord X.&rdquo;&nbsp;
+(<i>Un proche parent de Lord X</i>.)&nbsp; And then she added,
+casting up her eyes: &ldquo;A good friend of the
+King.&rdquo;&nbsp; Meaning Don Carlos of course.</p>
+<p>I looked at the <i>proche parent</i>; not on account of the
+parentage but marvelling at his air of ease in that cumbrous body
+and in such tight clothes, too.&nbsp; But presently the same lady
+informed me further: &ldquo;He has come here amongst us <i>un
+naufrag&eacute;</i>.&rdquo;</p>
+<p>I became then really interested.&nbsp; I had never seen a
+shipwrecked person before.&nbsp; All the boyishness in me was
+aroused.&nbsp; I considered a shipwreck as an unavoidable event
+sooner or later in my future.</p>
+<p>Meantime the man thus distinguished in my eyes glanced quietly
+about and never spoke unless addressed directly by one of the
+ladies present.&nbsp; There were more than a dozen people in that
+drawing-room, mostly women eating fine pastry and talking
+passionately.&nbsp; It might have been a Carlist committee
+meeting of a particularly fatuous character.&nbsp; Even my youth
+and inexperience were aware of that.&nbsp; And I was by a long
+way the youngest person in the room.&nbsp; That quiet Monsieur
+Mills intimidated me a little by his age (I suppose he was
+thirty-five), his massive tranquillity, his clear, watchful
+eyes.&nbsp; But the temptation was too great&mdash;and I
+addressed him impulsively on the subject of that shipwreck.</p>
+<p>He turned his big fair face towards me with surprise in his
+keen glance, which (as though he had seen through me in an
+instant and found nothing objectionable) changed subtly into
+friendliness.&nbsp; On the matter of the shipwreck he did not say
+much.&nbsp; He only told me that it had not occurred in the
+Mediterranean, but on the other side of Southern France&mdash;in
+the Bay of Biscay.&nbsp; &ldquo;But this is hardly the place to
+enter on a story of that kind,&rdquo; he observed, looking round
+at the room with a faint smile as attractive as the rest of his
+rustic but well-bred personality.</p>
+<p>I expressed my regret.&nbsp; I should have liked to hear all
+about it.&nbsp; To this he said that it was not a secret and that
+perhaps next time we met. . .</p>
+<p>&ldquo;But where can we meet?&rdquo; I cried.&nbsp; &ldquo;I
+don&rsquo;t come often to this house, you know.&rdquo;</p>
+<p>&ldquo;Where?&nbsp; Why on the Cannebi&egrave;re to be
+sure.&nbsp; Everybody meets everybody else at least once a day on
+the pavement opposite the <i>Bourse</i>.&rdquo;</p>
+<p>This was absolutely true.&nbsp; But though I looked for him on
+each succeeding day he was nowhere to be seen at the usual
+times.&nbsp; The companions of my idle hours (and all my hours
+were idle just then) noticed my preoccupation and chaffed me
+about it in a rather obvious way.&nbsp; They wanted to know
+whether she, whom I expected to see, was dark or fair; whether
+that fascination which kept me on tenterhooks of expectation was
+one of my aristocrats or one of my marine beauties: for they knew
+I had a footing in both these&mdash;shall we say circles?&nbsp;
+As to themselves they were the bohemian circle, not very
+wide&mdash;half a dozen of us led by a sculptor whom we called
+Prax for short.&nbsp; My own nick-name was &ldquo;Young
+Ulysses.&rdquo;</p>
+<p>I liked it.</p>
+<p>But chaff or no chaff they would have been surprised to see me
+leave them for the burly and sympathetic Mills.&nbsp; I was ready
+to drop any easy company of equals to approach that interesting
+man with every mental deference.&nbsp; It was not precisely
+because of that shipwreck.&nbsp; He attracted and interested me
+the more because he was not to be seen.&nbsp; The fear that he
+might have departed suddenly for England&mdash;(or for
+Spain)&mdash;caused me a sort of ridiculous depression as though
+I had missed a unique opportunity.&nbsp; And it was a joyful
+reaction which emboldened me to signal to him with a raised arm
+across that caf&eacute;.</p>
+<p>I was abashed immediately afterwards, when I saw him advance
+towards my table with his friend.&nbsp; The latter was eminently
+elegant.&nbsp; He was exactly like one of those figures one can
+see of a fine May evening in the neighbourhood of the Opera-house
+in Paris.&nbsp; Very Parisian indeed.&nbsp; And yet he struck me
+as not so perfectly French as he ought to have been, as if
+one&rsquo;s nationality were an accomplishment with varying
+degrees of excellence.&nbsp; As to Mills, he was perfectly
+insular.&nbsp; There could be no doubt about him.&nbsp; They were
+both smiling faintly at me.&nbsp; The burly Mills attended to the
+introduction: &ldquo;Captain Blunt.&rdquo;</p>
+<p>We shook hands.&nbsp; The name didn&rsquo;t tell me
+much.&nbsp; What surprised me was that Mills should have
+remembered mine so well.&nbsp; I don&rsquo;t want to boast of my
+modesty but it seemed to me that two or three days was more than
+enough for a man like Mills to forget my very existence.&nbsp; As
+to the Captain, I was struck on closer view by the perfect
+correctness of his personality.&nbsp; Clothes, slight figure,
+clear-cut, thin, sun-tanned face, pose, all this was so good that
+it was saved from the danger of banality only by the mobile black
+eyes of a keenness that one doesn&rsquo;t meet every day in the
+south of France and still less in Italy.&nbsp; Another thing was
+that, viewed as an officer in mufti, he did not look sufficiently
+professional.&nbsp; That imperfection was interesting, too.</p>
+<p>You may think that I am subtilizing my impressions on purpose,
+but you may take it from a man who has lived a rough, a very
+rough life, that it is the subtleties of personalities, and
+contacts, and events, that count for interest and
+memory&mdash;and pretty well nothing else.&nbsp; This&mdash;you
+see&mdash;is the last evening of that part of my life in which I
+did not know that woman.&nbsp; These are like the last hours of a
+previous existence.&nbsp; It isn&rsquo;t my fault that they are
+associated with nothing better at the decisive moment than the
+banal splendours of a gilded caf&eacute; and the bedlamite yells
+of carnival in the street.</p>
+<p>We three, however (almost complete strangers to each other),
+had assumed attitudes of serious amiability round our
+table.&nbsp; A waiter approached for orders and it was then, in
+relation to my order for coffee, that the absolutely first thing
+I learned of Captain Blunt was the fact that he was a sufferer
+from insomnia.&nbsp; In his immovable way Mills began charging
+his pipe.&nbsp; I felt extremely embarrassed all at once, but
+became positively annoyed when I saw our Prax enter the
+caf&eacute; in a sort of mediaeval costume very much like what
+Faust wears in the third act.&nbsp; I have no doubt it was meant
+for a purely operatic Faust.&nbsp; A light mantle floated from
+his shoulders.&nbsp; He strode theatrically up to our table and
+addressing me as &ldquo;Young Ulysses&rdquo; proposed I should go
+outside on the fields of asphalt and help him gather a few
+marguerites to decorate a truly infernal supper which was being
+organized across the road at the Maison
+Dor&eacute;e&mdash;upstairs.&nbsp; With expostulatory shakes of
+the head and indignant glances I called his attention to the fact
+that I was not alone.&nbsp; He stepped back a pace as if
+astonished by the discovery, took off his plumed velvet toque
+with a low obeisance so that the feathers swept the floor, and
+swaggered off the stage with his left hand resting on the hilt of
+the property dagger at his belt.</p>
+<p>Meantime the well-connected but rustic Mills had been busy
+lighting his briar and the distinguished Captain sat smiling to
+himself.&nbsp; I was horribly vexed and apologized for that
+intrusion, saying that the fellow was a future great sculptor and
+perfectly harmless; but he had been swallowing lots of night air
+which had got into his head apparently.</p>
+<p>Mills peered at me with his friendly but awfully searching
+blue eyes through the cloud of smoke he had wreathed about his
+big head.&nbsp; The slim, dark Captain&rsquo;s smile took on an
+amiable expression.&nbsp; Might he know why I was addressed as
+&ldquo;Young Ulysses&rdquo; by my friend? and immediately he
+added the remark with urbane playfulness that Ulysses was an
+astute person.&nbsp; Mills did not give me time for a
+reply.&nbsp; He struck in: &ldquo;That old Greek was famed as a
+wanderer&mdash;the first historical seaman.&rdquo;&nbsp; He waved
+his pipe vaguely at me.</p>
+<p>&ldquo;Ah!&nbsp; <i>Vraiment</i>!&rdquo;&nbsp; The polite
+Captain seemed incredulous and as if weary.&nbsp; &ldquo;Are you
+a seaman?&nbsp; In what sense, pray?&rdquo;&nbsp; We were talking
+French and he used the term <i>homme de mer</i>.</p>
+<p>Again Mills interfered quietly.&nbsp; &ldquo;In the same sense
+in which you are a military man.&rdquo;&nbsp; (<i>Homme de
+guerre</i>.)</p>
+<p>It was then that I heard Captain Blunt produce one of his
+striking declarations.&nbsp; He had two of them, and this was the
+first.</p>
+<p>&ldquo;I live by my sword.&rdquo;</p>
+<p>It was said in an extraordinary dandified manner which in
+conjunction with the matter made me forget my tongue in my
+head.&nbsp; I could only stare at him.&nbsp; He added more
+naturally: &ldquo;2nd Reg.&nbsp; Castille, Cavalry.&rdquo;&nbsp;
+Then with marked stress in Spanish, &ldquo;<i>En las filas
+legitimas</i>.&rdquo;</p>
+<p>Mills was heard, unmoved, like Jove in his cloud:
+&ldquo;He&rsquo;s on leave here.&rdquo;</p>
+<p>&ldquo;Of course I don&rsquo;t shout that fact on the
+housetops,&rdquo; the Captain addressed me pointedly, &ldquo;any
+more than our friend his shipwreck adventure.&nbsp; We must not
+strain the toleration of the French authorities too much!&nbsp;
+It wouldn&rsquo;t be correct&mdash;and not very safe
+either.&rdquo;</p>
+<p>I became suddenly extremely delighted with my company.&nbsp; A
+man who &ldquo;lived by his sword,&rdquo; before my eyes, close
+at my elbow!&nbsp; So such people did exist in the world
+yet!&nbsp; I had not been born too late!&nbsp; And across the
+table with his air of watchful, unmoved benevolence, enough in
+itself to arouse one&rsquo;s interest, there was the man with the
+story of a shipwreck that mustn&rsquo;t be shouted on
+housetops.&nbsp; Why?</p>
+<p>I understood very well why, when he told me that he had joined
+in the Clyde a small steamer chartered by a relative of his,
+&ldquo;a very wealthy man,&rdquo; he observed (probably Lord X, I
+thought), to carry arms and other supplies to the Carlist
+army.&nbsp; And it was not a shipwreck in the ordinary
+sense.&nbsp; Everything went perfectly well to the last moment
+when suddenly the <i>Numancia</i> (a Republican ironclad) had
+appeared and chased them ashore on the French coast below
+Bayonne.&nbsp; In a few words, but with evident appreciation of
+the adventure, Mills described to us how he swam to the beach
+clad simply in a money belt and a pair of trousers.&nbsp; Shells
+were falling all round till a tiny French gunboat came out of
+Bayonne and shooed the <i>Numancia</i> away out of territorial
+waters.</p>
+<p>He was very amusing and I was fascinated by the mental picture
+of that tranquil man rolling in the surf and emerging breathless,
+in the costume you know, on the fair land of France, in the
+character of a smuggler of war material.&nbsp; However, they had
+never arrested or expelled him, since he was there before my
+eyes.&nbsp; But how and why did he get so far from the scene of
+his sea adventure was an interesting question.&nbsp; And I put it
+to him with most na&iuml;ve indiscretion which did not shock him
+visibly.&nbsp; He told me that the ship being only stranded, not
+sunk, the contraband cargo aboard was doubtless in good
+condition.&nbsp; The French custom-house men were guarding the
+wreck.&nbsp; If their vigilance could
+be&mdash;h&rsquo;m&mdash;removed by some means, or even merely
+reduced, a lot of these rifles and cartridges could be taken off
+quietly at night by certain Spanish fishing boats.&nbsp; In fact,
+salved for the Carlists, after all.&nbsp; He thought it could be
+done. . . .</p>
+<p>I said with professional gravity that given a few perfectly
+quiet nights (rare on that coast) it could certainly be done.</p>
+<p>Mr. Mills was not afraid of the elements.&nbsp; It was the
+highly inconvenient zeal of the French custom-house people that
+had to be dealt with in some way.</p>
+<p>&ldquo;Heavens!&rdquo; I cried, astonished.&nbsp; &ldquo;You
+can&rsquo;t bribe the French Customs.&nbsp; This isn&rsquo;t a
+South-American republic.&rdquo;</p>
+<p>&ldquo;Is it a republic?&rdquo; he murmured, very absorbed in
+smoking his wooden pipe.</p>
+<p>&ldquo;Well, isn&rsquo;t it?&rdquo;</p>
+<p>He murmured again, &ldquo;Oh, so little.&rdquo;&nbsp; At this
+I laughed, and a faintly humorous expression passed over
+Mills&rsquo; face.&nbsp; No.&nbsp; Bribes were out of the
+question, he admitted.&nbsp; But there were many legitimist
+sympathies in Paris.&nbsp; A proper person could set them in
+motion and a mere hint from high quarters to the officials on the
+spot not to worry over-much about that wreck. . . .</p>
+<p>What was most amusing was the cool, reasonable tone of this
+amazing project.&nbsp; Mr. Blunt sat by very detached, his eyes
+roamed here and there all over the caf&eacute;; and it was while
+looking upward at the pink foot of a fleshy and very much
+foreshortened goddess of some sort depicted on the ceiling in an
+enormous composition in the Italian style that he let fall
+casually the words, &ldquo;She will manage it for you quite
+easily.&rdquo;</p>
+<p>&ldquo;Every Carlist agent in Bayonne assured me of
+that,&rdquo; said Mr. Mills.&nbsp; &ldquo;I would have gone
+straight to Paris only I was told she had fled here for a rest;
+tired, discontented.&nbsp; Not a very encouraging
+report.&rdquo;</p>
+<p>&ldquo;These flights are well known,&rdquo; muttered Mr.
+Blunt.&nbsp; &ldquo;You shall see her all right.&rdquo;</p>
+<p>&ldquo;Yes.&nbsp; They told me that you . . . &rdquo;</p>
+<p>I broke in: &ldquo;You mean to say that you expect a woman to
+arrange that sort of thing for you?&rdquo;</p>
+<p>&ldquo;A trifle, for her,&rdquo; Mr. Blunt remarked
+indifferently.&nbsp; &ldquo;At that sort of thing women are
+best.&nbsp; They have less scruples.&rdquo;</p>
+<p>&ldquo;More audacity,&rdquo; interjected Mr. Mills almost in a
+whisper.</p>
+<p>Mr. Blunt kept quiet for a moment, then: &ldquo;You
+see,&rdquo; he addressed me in a most refined tone, &ldquo;a mere
+man may suddenly find himself being kicked down the
+stairs.&rdquo;</p>
+<p>I don&rsquo;t know why I should have felt shocked by that
+statement.&nbsp; It could not be because it was untrue.&nbsp; The
+other did not give me time to offer any remark.&nbsp; He inquired
+with extreme politeness what did I know of South American
+republics?&nbsp; I confessed that I knew very little of
+them.&nbsp; Wandering about the Gulf of Mexico I had a look-in
+here and there; and amongst others I had a few days in Haiti
+which was of course unique, being a negro republic.&nbsp; On this
+Captain Blunt began to talk of negroes at large.&nbsp; He talked
+of them with knowledge, intelligence, and a sort of contemptuous
+affection.&nbsp; He generalized, he particularized about the
+blacks; he told anecdotes.&nbsp; I was interested, a little
+incredulous, and considerably surprised.&nbsp; What could this
+man with such a boulevardier exterior that he looked positively
+like, an exile in a provincial town, and with his drawing-room
+manner&mdash;what could he know of negroes?</p>
+<p>Mills, sitting silent with his air of watchful intelligence,
+seemed to read my thoughts, waved his pipe slightly and
+explained: &ldquo;The Captain is from South Carolina.&rdquo;</p>
+<p>&ldquo;Oh,&rdquo; I murmured, and then after the slightest of
+pauses I heard the second of Mr. J. K. Blunt&rsquo;s
+declarations.</p>
+<p>&ldquo;Yes,&rdquo; he said.&nbsp; &ldquo;<i>Je suis
+Am&eacute;ricain</i>, <i>catholique et gentil-homme</i>,&rdquo;
+in a tone contrasting so strongly with the smile, which, as it
+were, underlined the uttered words, that I was at a loss whether
+to return the smile in kind or acknowledge the words with a grave
+little bow.&nbsp; Of course I did neither and there fell on us an
+odd, equivocal silence.&nbsp; It marked our final abandonment of
+the French language.&nbsp; I was the one to speak first,
+proposing that my companions should sup with me, not across the
+way, which would be riotous with more than one
+&ldquo;infernal&rdquo; supper, but in another much more select
+establishment in a side street away from the
+Cannebi&egrave;re.&nbsp; It flattered my vanity a little to be
+able to say that I had a corner table always reserved in the
+Salon des Palmiers, otherwise Salon Blanc, where the atmosphere
+was legitimist and extremely decorous besides&mdash;even in
+Carnival time.&nbsp; &ldquo;Nine tenths of the people
+there,&rdquo; I said, &ldquo;would be of your political opinions,
+if that&rsquo;s an inducement.&nbsp; Come along.&nbsp;
+Let&rsquo;s be festive,&rdquo; I encouraged them.</p>
+<p>I didn&rsquo;t feel particularly festive.&nbsp; What I wanted
+was to remain in my company and break an inexplicable feeling of
+constraint of which I was aware.&nbsp; Mills looked at me
+steadily with a faint, kind smile.</p>
+<p>&ldquo;No,&rdquo; said Blunt.&nbsp; &ldquo;Why should we go
+there?&nbsp; They will be only turning us out in the small hours,
+to go home and face insomnia.&nbsp; Can you imagine anything more
+disgusting?&rdquo;</p>
+<p>He was smiling all the time, but his deep-set eyes did not
+lend themselves to the expression of whimsical politeness which
+he tried to achieve.&nbsp; He had another suggestion to
+offer.&nbsp; Why shouldn&rsquo;t we adjourn to his rooms?&nbsp;
+He had there materials for a dish of his own invention for which
+he was famous all along the line of the Royal Cavalry outposts,
+and he would cook it for us.&nbsp; There were also a few bottles
+of some white wine, quite possible, which we could drink out of
+Venetian cut-glass goblets.&nbsp; A <i>bivouac</i> feast, in
+fact.&nbsp; And he wouldn&rsquo;t turn us out in the small
+hours.&nbsp; Not he.&nbsp; He couldn&rsquo;t sleep.</p>
+<p>Need I say I was fascinated by the idea?&nbsp; Well,
+yes.&nbsp; But somehow I hesitated and looked towards Mills, so
+much my senior.&nbsp; He got up without a word.&nbsp; This was
+decisive; for no obscure premonition, and of something indefinite
+at that, could stand against the example of his tranquil
+personality.</p>
+<h3>CHAPTER II</h3>
+<p>The street in which Mr. Blunt lived presented itself to our
+eyes, narrow, silent, empty, and dark, but with enough gas-lamps
+in it to disclose its most striking feature: a quantity of
+flag-poles sticking out above many of its closed portals.&nbsp;
+It was the street of Consuls and I remarked to Mr. Blunt that
+coming out in the morning he could survey the flags of all
+nations almost&mdash;except his own.&nbsp; (The U. S. consulate
+was on the other side of the town.)&nbsp; He mumbled through his
+teeth that he took good care to keep clear of his own
+consulate.</p>
+<p>&ldquo;Are you afraid of the consul&rsquo;s dog?&rdquo; I
+asked jocularly.&nbsp; The consul&rsquo;s dog weighed about a
+pound and a half and was known to the whole town as exhibited on
+the consular fore-arm in all places, at all hours, but mainly at
+the hour of the fashionable promenade on the Prado.</p>
+<p>But I felt my jest misplaced when Mills growled low in my ear:
+&ldquo;They are all Yankees there.&rdquo;</p>
+<p>I murmured a confused &ldquo;Of course.&rdquo;</p>
+<p>Books are nothing.&nbsp; I discovered that I had never been
+aware before that the Civil War in America was not printed matter
+but a fact only about ten years old.&nbsp; Of course.&nbsp; He
+was a South Carolinian gentleman.&nbsp; I was a little ashamed of
+my want of tact.&nbsp; Meantime, looking like the conventional
+conception of a fashionable reveller, with his opera-hat pushed
+off his forehead, Captain Blunt was having some slight difficulty
+with his latch-key; for the house before which we had stopped was
+not one of those many-storied houses that made up the greater
+part of the street.&nbsp; It had only one row of windows above
+the ground floor.&nbsp; Dead walls abutting on to it indicated
+that it had a garden.&nbsp; Its dark front presented no marked
+architectural character, and in the flickering light of a street
+lamp it looked a little as though it had gone down in the
+world.&nbsp; The greater then was my surprise to enter a hall
+paved in black and white marble and in its dimness appearing of
+palatial proportions.&nbsp; Mr. Blunt did not turn up the small
+solitary gas-jet, but led the way across the black and white
+pavement past the end of the staircase, past a door of gleaming
+dark wood with a heavy bronze handle.&nbsp; It gave access to his
+rooms he said; but he took us straight on to the studio at the
+end of the passage.</p>
+<p>It was rather a small place tacked on in the manner of a
+lean-to to the garden side of the house.&nbsp; A large lamp was
+burning brightly there.&nbsp; The floor was of mere flag-stones
+but the few rugs scattered about though extremely worn were very
+costly.&nbsp; There was also there a beautiful sofa upholstered
+in pink figured silk, an enormous divan with many cushions, some
+splendid arm-chairs of various shapes (but all very shabby), a
+round table, and in the midst of these fine things a small common
+iron stove.&nbsp; Somebody must have been attending it lately,
+for the fire roared and the warmth of the place was very grateful
+after the bone-searching cold blasts of mistral outside.</p>
+<p>Mills without a word flung himself on the divan and, propped
+on his arm, gazed thoughtfully at a distant corner where in the
+shadow of a monumental carved wardrobe an articulated dummy
+without head or hands but with beautifully shaped limbs composed
+in a shrinking attitude, seemed to be embarrassed by his
+stare.</p>
+<p>As we sat enjoying the <i>bivouac</i> hospitality (the dish
+was really excellent and our host in a shabby grey jacket still
+looked the accomplished man-about-town) my eyes kept on straying
+towards that corner.&nbsp; Blunt noticed this and remarked that I
+seemed to be attracted by the Empress.</p>
+<p>&ldquo;It&rsquo;s disagreeable,&rdquo; I said.&nbsp; &ldquo;It
+seems to lurk there like a shy skeleton at the feast.&nbsp; But
+why do you give the name of Empress to that dummy?&rdquo;</p>
+<p>&ldquo;Because it sat for days and days in the robes of a
+Byzantine Empress to a painter. . . I wonder where he discovered
+these priceless stuffs. . . You knew him, I believe?&rdquo;</p>
+<p>Mills lowered his head slowly, then tossed down his throat
+some wine out of a Venetian goblet.</p>
+<p>&ldquo;This house is full of costly objects.&nbsp; So are all
+his other houses, so is his place in Paris&mdash;that mysterious
+Pavilion hidden away in Passy somewhere.&rdquo;</p>
+<p>Mills knew the Pavilion.&nbsp; The wine had, I suppose,
+loosened his tongue.&nbsp; Blunt, too, lost something of his
+reserve.&nbsp; From their talk I gathered the notion of an
+eccentric personality, a man of great wealth, not so much
+solitary as difficult of access, a collector of fine things, a
+painter known only to very few people and not at all to the
+public market.&nbsp; But as meantime I had been emptying my
+Venetian goblet with a certain regularity (the amount of heat
+given out by that iron stove was amazing; it parched one&rsquo;s
+throat, and the straw-coloured wine didn&rsquo;t seem much
+stronger than so much pleasantly flavoured water) the voices and
+the impressions they conveyed acquired something fantastic to my
+mind.&nbsp; Suddenly I perceived that Mills was sitting in his
+shirt-sleeves.&nbsp; I had not noticed him taking off his
+coat.&nbsp; Blunt had unbuttoned his shabby jacket, exposing a
+lot of starched shirt-front with the white tie under his dark
+shaved chin.&nbsp; He had a strange air of insolence&mdash;or so
+it seemed to me.&nbsp; I addressed him much louder than I
+intended really.</p>
+<p>&ldquo;Did you know that extraordinary man?&rdquo;</p>
+<p>&ldquo;To know him personally one had to be either very
+distinguished or very lucky.&nbsp; Mr. Mills here . .
+.&rdquo;</p>
+<p>&ldquo;Yes, I have been lucky,&rdquo; Mills struck in.&nbsp;
+&ldquo;It was my cousin who was distinguished.&nbsp; That&rsquo;s
+how I managed to enter his house in Paris&mdash;it was called the
+Pavilion&mdash;twice.&rdquo;</p>
+<p>&ldquo;And saw Do&ntilde;a Rita twice, too?&rdquo; asked Blunt
+with an indefinite smile and a marked emphasis.&nbsp; Mills was
+also emphatic in his reply but with a serious face.</p>
+<p>&ldquo;I am not an easy enthusiast where women are concerned,
+but she was without doubt the most admirable find of his amongst
+all the priceless items he had accumulated in that
+house&mdash;the most admirable. . . &rdquo;</p>
+<p>&ldquo;Ah!&nbsp; But, you see, of all the objects there she
+was the only one that was alive,&rdquo; pointed out Blunt with
+the slightest possible flavour of sarcasm.</p>
+<p>&ldquo;Immensely so,&rdquo; affirmed Mills.&nbsp; &ldquo;Not
+because she was restless, indeed she hardly ever moved from that
+couch between the windows&mdash;you know.&rdquo;</p>
+<p>&ldquo;No.&nbsp; I don&rsquo;t know.&nbsp; I&rsquo;ve never
+been in there,&rdquo; announced Blunt with that flash of white
+teeth so strangely without any character of its own that it was
+merely disturbing.</p>
+<p>&ldquo;But she radiated life,&rdquo; continued Mills.&nbsp;
+&ldquo;She had plenty of it, and it had a quality.&nbsp; My
+cousin and Henry All&egrave;gre had a lot to say to each other
+and so I was free to talk to her.&nbsp; At the second visit we
+were like old friends, which was absurd considering that all the
+chances were that we would never meet again in this world or in
+the next.&nbsp; I am not meddling with theology but it seems to
+me that in the Elysian fields she&rsquo;ll have her place in a
+very special company.&rdquo;</p>
+<p>All this in a sympathetic voice and in his unmoved
+manner.&nbsp; Blunt produced another disturbing white flash and
+muttered:</p>
+<p>&ldquo;I should say mixed.&rdquo;&nbsp; Then louder: &ldquo;As
+for instance . . . &rdquo;</p>
+<p>&ldquo;As for instance Cleopatra,&rdquo; answered Mills
+quietly.&nbsp; He added after a pause: &ldquo;Who was not exactly
+pretty.&rdquo;</p>
+<p>&ldquo;I should have thought rather a La
+Valli&egrave;re,&rdquo; Blunt dropped with an indifference of
+which one did not know what to make.&nbsp; He may have begun to
+be bored with the subject.&nbsp; But it may have been put on, for
+the whole personality was not clearly definable.&nbsp; I,
+however, was not indifferent.&nbsp; A woman is always an
+interesting subject and I was thoroughly awake to that
+interest.&nbsp; Mills pondered for a while with a sort of
+dispassionate benevolence, at last:</p>
+<p>&ldquo;Yes, Do&ntilde;a Rita as far as I know her is so varied
+in her simplicity that even that is possible,&rdquo; he
+said.&nbsp; &ldquo;Yes.&nbsp; A romantic resigned La
+Valli&egrave;re . . . who had a big mouth.&rdquo;</p>
+<p>I felt moved to make myself heard.</p>
+<p>&ldquo;Did you know La Valli&egrave;re, too?&rdquo; I asked
+impertinently.</p>
+<p>Mills only smiled at me.&nbsp; &ldquo;No.&nbsp; I am not quite
+so old as that,&rdquo; he said.&nbsp; &ldquo;But it&rsquo;s not
+very difficult to know facts of that kind about a historical
+personage.&nbsp; There were some ribald verses made at the time,
+and Louis XIV was congratulated on the possession&mdash;I really
+don&rsquo;t remember how it goes&mdash;on the possession of:</p>
+<p class="poetry">&ldquo;. . . de ce bec amoureux<br />
+Qui d&rsquo;une oreille &agrave; l&rsquo;autre va,<br />
+Tra l&agrave; l&agrave;.</p>
+<p>or something of the sort.&nbsp; It needn&rsquo;t be from ear
+to ear, but it&rsquo;s a fact that a big mouth is often a sign of
+a certain generosity of mind and feeling.&nbsp; Young man, beware
+of women with small mouths.&nbsp; Beware of the others, too, of
+course; but a small mouth is a fatal sign.&nbsp; Well, the
+royalist sympathizers can&rsquo;t charge Do&ntilde;a Rita with
+any lack of generosity from what I hear.&nbsp; Why should I judge
+her?&nbsp; I have known her for, say, six hours altogether.&nbsp;
+It was enough to feel the seduction of her native intelligence
+and of her splendid physique.&nbsp; And all that was brought home
+to me so quickly,&rdquo; he concluded, &ldquo;because she had
+what some Frenchman has called the &lsquo;terrible gift of
+familiarity&rsquo;.&rdquo;</p>
+<p>Blunt had been listening moodily.&nbsp; He nodded assent.</p>
+<p>&ldquo;Yes!&rdquo;&nbsp; Mills&rsquo; thoughts were still
+dwelling in the past.&nbsp; &ldquo;And when saying good-bye she
+could put in an instant an immense distance between herself and
+you.&nbsp; A slight stiffening of that perfect figure, a change
+of the physiognomy: it was like being dismissed by a person born
+in the purple.&nbsp; Even if she did offer you her hand&mdash;as
+she did to me&mdash;it was as if across a broad river.&nbsp;
+Trick of manner or a bit of truth peeping out?&nbsp; Perhaps
+she&rsquo;s really one of those inaccessible beings.&nbsp; What
+do you think, Blunt?&rdquo;</p>
+<p>It was a direct question which for some reason (as if my range
+of sensitiveness had been increased already) displeased or rather
+disturbed me strangely.&nbsp; Blunt seemed not to have heard
+it.&nbsp; But after a while he turned to me.</p>
+<p>&ldquo;That thick man,&rdquo; he said in a tone of perfect
+urbanity, &ldquo;is as fine as a needle.&nbsp; All these
+statements about the seduction and then this final doubt
+expressed after only two visits which could not have included
+more than six hours altogether and this some three years
+ago!&nbsp; But it is Henry All&egrave;gre that you should ask
+this question, Mr. Mills.&rdquo;</p>
+<p>&ldquo;I haven&rsquo;t the secret of raising the dead,&rdquo;
+answered Mills good humouredly.&nbsp; &ldquo;And if I had I would
+hesitate.&nbsp; It would seem such a liberty to take with a
+person one had known so slightly in life.&rdquo;</p>
+<p>&ldquo;And yet Henry All&egrave;gre is the only person to ask
+about her, after all this uninterrupted companionship of years,
+ever since he discovered her; all the time, every breathing
+moment of it, till, literally, his very last breath.&nbsp; I
+don&rsquo;t mean to say she nursed him.&nbsp; He had his
+confidential man for that.&nbsp; He couldn&rsquo;t bear women
+about his person.&nbsp; But then apparently he couldn&rsquo;t
+bear this one out of his sight.&nbsp; She&rsquo;s the only woman
+who ever sat to him, for he would never suffer a model inside his
+house.&nbsp; That&rsquo;s why the &lsquo;Girl in the Hat&rsquo;
+and the &lsquo;Byzantine Empress&rsquo; have that family air,
+though neither of them is really a likeness of Do&ntilde;a Rita.
+. . You know my mother?&rdquo;</p>
+<p>Mills inclined his body slightly and a fugitive smile vanished
+from his lips.&nbsp; Blunt&rsquo;s eyes were fastened on the very
+centre of his empty plate.</p>
+<p>&ldquo;Then perhaps you know my mother&rsquo;s artistic and
+literary associations,&rdquo; Blunt went on in a subtly changed
+tone.&nbsp; &ldquo;My mother has been writing verse since she was
+a girl of fifteen.&nbsp; She&rsquo;s still writing verse.&nbsp;
+She&rsquo;s still fifteen&mdash;a spoiled girl of genius.&nbsp;
+So she requested one of her poet friends&mdash;no less than
+Versoy himself&mdash;to arrange for a visit to Henry
+All&egrave;gre&rsquo;s house.&nbsp; At first he thought he
+hadn&rsquo;t heard aright.&nbsp; You must know that for my mother
+a man that doesn&rsquo;t jump out of his skin for any
+woman&rsquo;s caprice is not chivalrous.&nbsp; But perhaps you do
+know? . . .&rdquo;</p>
+<p>Mills shook his head with an amused air.&nbsp; Blunt, who had
+raised his eyes from his plate to look at him, started afresh
+with great deliberation.</p>
+<p>&ldquo;She gives no peace to herself or her friends.&nbsp; My
+mother&rsquo;s exquisitely absurd.&nbsp; You understand that all
+these painters, poets, art collectors (and dealers in
+bric-&agrave;-brac, he interjected through his teeth) of my
+mother are not in my way; but Versoy lives more like a man of the
+world.&nbsp; One day I met him at the fencing school.&nbsp; He
+was furious.&nbsp; He asked me to tell my mother that this was
+the last effort of his chivalry.&nbsp; The jobs she gave him to
+do were too difficult.&nbsp; But I daresay he had been pleased
+enough to show the influence he had in that quarter.&nbsp; He
+knew my mother would tell the world&rsquo;s wife all about
+it.&nbsp; He&rsquo;s a spiteful, gingery little wretch.&nbsp; The
+top of his head shines like a billiard ball.&nbsp; I believe he
+polishes it every morning with a cloth.&nbsp; Of course they
+didn&rsquo;t get further than the big drawing-room on the first
+floor, an enormous drawing-room with three pairs of columns in
+the middle.&nbsp; The double doors on the top of the staircase
+had been thrown wide open, as if for a visit from royalty.&nbsp;
+You can picture to yourself my mother, with her white hair done
+in some 18th century fashion and her sparkling black eyes,
+penetrating into those splendours attended by a sort of
+bald-headed, vexed squirrel&mdash;and Henry All&egrave;gre coming
+forward to meet them like a severe prince with the face of a
+tombstone Crusader, big white hands, muffled silken voice,
+half-shut eyes, as if looking down at them from a balcony.&nbsp;
+You remember that trick of his, Mills?&rdquo;</p>
+<p>Mills emitted an enormous cloud of smoke out of his distended
+cheeks.</p>
+<p>&ldquo;I daresay he was furious, too,&rdquo;&nbsp; Blunt
+continued dispassionately.&nbsp; &ldquo;But he was extremely
+civil.&nbsp; He showed her all the &lsquo;treasures&rsquo; in the
+room, ivories, enamels, miniatures, all sorts of monstrosities
+from Japan, from India, from Timbuctoo . . . for all I know. . .
+He pushed his condescension so far as to have the &lsquo;Girl in
+the Hat&rsquo; brought down into the drawing-room&mdash;half
+length, unframed.&nbsp; They put her on a chair for my mother to
+look at.&nbsp; The &lsquo;Byzantine Empress&rsquo; was already
+there, hung on the end wall&mdash;full length, gold frame
+weighing half a ton.&nbsp; My mother first overwhelms the
+&lsquo;Master&rsquo; with thanks, and then absorbs herself in the
+adoration of the &lsquo;Girl in the Hat.&rsquo;&nbsp; Then she
+sighs out: &lsquo;It should be called Diaphan&eacute;it&eacute;,
+if there is such a word.&nbsp; Ah!&nbsp; This is the last
+expression of modernity!&rsquo;&nbsp; She puts up suddenly her
+face-&agrave;-main and looks towards the end wall.&nbsp;
+&lsquo;And that&mdash;Byzantium itself!&nbsp; Who was she, this
+sullen and beautiful Empress?&rsquo;</p>
+<p>&ldquo;&lsquo;The one I had in my mind was
+Theodosia!&rsquo;&nbsp; All&egrave;gre consented to answer.&nbsp;
+&lsquo;Originally a slave girl&mdash;from somewhere.&rsquo;</p>
+<p>&ldquo;My mother can be marvellously indiscreet when the whim
+takes her.&nbsp; She finds nothing better to do than to ask the
+&lsquo;Master&rsquo; why he took his inspiration for those two
+faces from the same model.&nbsp; No doubt she was proud of her
+discerning eye.&nbsp; It was really clever of her.&nbsp;
+All&egrave;gre, however, looked on it as a colossal impertinence;
+but he answered in his silkiest tones:</p>
+<p>&ldquo;&lsquo;Perhaps it is because I saw in that woman
+something of the women of all time.&rsquo;</p>
+<p>&ldquo;My mother might have guessed that she was on thin ice
+there.&nbsp; She is extremely intelligent.&nbsp; Moreover, she
+ought to have known.&nbsp; But women can be miraculously dense
+sometimes.&nbsp; So she exclaims, &lsquo;Then she is a
+wonder!&rsquo;&nbsp; And with some notion of being complimentary
+goes on to say that only the eyes of the discoverer of so many
+wonders of art could have discovered something so marvellous in
+life.&nbsp; I suppose All&egrave;gre lost his temper altogether
+then; or perhaps he only wanted to pay my mother out, for all
+these &lsquo;Masters&rsquo; she had been throwing at his head for
+the last two hours.&nbsp; He insinuates with the utmost
+politeness:</p>
+<p>&ldquo;&lsquo;As you are honouring my poor collection with a
+visit you may like to judge for yourself as to the inspiration of
+these two pictures.&nbsp; She is upstairs changing her dress
+after our morning ride.&nbsp; But she wouldn&rsquo;t be very
+long.&nbsp; She might be a little surprised at first to be called
+down like this, but with a few words of preparation and purely as
+a matter of art . . .&rsquo;</p>
+<p>&ldquo;There were never two people more taken aback.&nbsp;
+Versoy himself confesses that he dropped his tall hat with a
+crash.&nbsp; I am a dutiful son, I hope, but I must say I should
+have liked to have seen the retreat down the great
+staircase.&nbsp; Ha!&nbsp; Ha!&nbsp; Ha!&rdquo;</p>
+<p>He laughed most undutifully and then his face twitched
+grimly.</p>
+<p>&ldquo;That implacable brute All&egrave;gre followed them down
+ceremoniously and put my mother into the fiacre at the door with
+the greatest deference.&nbsp; He didn&rsquo;t open his lips
+though, and made a great bow as the fiacre drove away.&nbsp; My
+mother didn&rsquo;t recover from her consternation for three
+days.&nbsp; I lunch with her almost daily and I couldn&rsquo;t
+imagine what was the matter.&nbsp; Then one day . . .&rdquo;</p>
+<p>He glanced round the table, jumped up and with a word of
+excuse left the studio by a small door in a corner.&nbsp; This
+startled me into the consciousness that I had been as if I had
+not existed for these two men.&nbsp; With his elbows propped on
+the table Mills had his hands in front of his face clasping the
+pipe from which he extracted now and then a puff of smoke,
+staring stolidly across the room.</p>
+<p>I was moved to ask in a whisper:</p>
+<p>&ldquo;Do you know him well?&rdquo;</p>
+<p>&ldquo;I don&rsquo;t know what he is driving at,&rdquo; he
+answered drily.&nbsp; &ldquo;But as to his mother she is not as
+volatile as all that.&nbsp; I suspect it was business.&nbsp; It
+may have been a deep plot to get a picture out of All&egrave;gre
+for somebody.&nbsp; My cousin as likely as not.&nbsp; Or simply
+to discover what he had.&nbsp; The Blunts lost all their property
+and in Paris there are various ways of making a little money,
+without actually breaking anything.&nbsp; Not even the law.&nbsp;
+And Mrs. Blunt really had a position once&mdash;in the days of
+the Second Empire&mdash;and so. . .&rdquo;</p>
+<p>I listened open-mouthed to these things into which my
+West-Indian experiences could not have given me an insight.&nbsp;
+But Mills checked himself and ended in a changed tone.</p>
+<p>&ldquo;It&rsquo;s not easy to know what she would be at,
+either, in any given instance.&nbsp; For the rest, spotlessly
+honourable.&nbsp; A delightful, aristocratic old lady.&nbsp; Only
+poor.&rdquo;</p>
+<p>A bump at the door silenced him and immediately Mr. John
+Blunt, Captain of Cavalry in the Army of Legitimity, first-rate
+cook (as to one dish at least), and generous host, entered
+clutching the necks of four more bottles between the fingers of
+his hand.</p>
+<p>&ldquo;I stumbled and nearly smashed the lot,&rdquo; he
+remarked casually.&nbsp; But even I, with all my innocence, never
+for a moment believed he had stumbled accidentally.&nbsp; During
+the uncorking and the filling up of glasses a profound silence
+reigned; but neither of us took it seriously&mdash;any more than
+his stumble.</p>
+<p>&ldquo;One day,&rdquo; he went on again in that curiously
+flavoured voice of his, &ldquo;my mother took a heroic decision
+and made up her mind to get up in the middle of the night.&nbsp;
+You must understand my mother&rsquo;s phraseology.&nbsp; It meant
+that she would be up and dressed by nine o&rsquo;clock.&nbsp;
+This time it was not Versoy that was commanded for attendance,
+but I.&nbsp; You may imagine how delighted I was. . .
+.&rdquo;</p>
+<p>It was very plain to me that Blunt was addressing himself
+exclusively to Mills: Mills the mind, even more than Mills the
+man.&nbsp; It was as if Mills represented something initiated and
+to be reckoned with.&nbsp; I, of course, could have no such
+pretensions.&nbsp; If I represented anything it was a perfect
+freshness of sensations and a refreshing ignorance, not so much
+of what life may give one (as to that I had some ideas at least)
+but of what it really contains.&nbsp; I knew very well that I was
+utterly insignificant in these men&rsquo;s eyes.&nbsp; Yet my
+attention was not checked by that knowledge.&nbsp; It&rsquo;s
+true they were talking of a woman, but I was yet at the age when
+this subject by itself is not of overwhelming interest.&nbsp; My
+imagination would have been more stimulated probably by the
+adventures and fortunes of a man.&nbsp; What kept my interest
+from flagging was Mr. Blunt himself.&nbsp; The play of the white
+gleams of his smile round the suspicion of grimness of his tone
+fascinated me like a moral incongruity.</p>
+<p>So at the age when one sleeps well indeed but does feel
+sometimes as if the need of sleep were a mere weakness of a
+distant old age, I kept easily awake; and in my freshness I was
+kept amused by the contrast of personalities, of the disclosed
+facts and moral outlook with the rough initiations of my
+West-Indian experience.&nbsp; And all these things were dominated
+by a feminine figure which to my imagination had only a floating
+outline, now invested with the grace of girlhood, now with the
+prestige of a woman; and indistinct in both these
+characters.&nbsp; For these two men had <i>seen</i> her, while to
+me she was only being &ldquo;presented,&rdquo; elusively, in
+vanishing words, in the shifting tones of an unfamiliar
+voice.</p>
+<p>She was being presented to me now in the Bois de Boulogne at
+the early hour of the ultra-fashionable world (so I understood),
+on a light bay &ldquo;bit of blood&rdquo; attended on the off
+side by that Henry All&egrave;gre mounted on a dark brown
+powerful weight carrier; and on the other by one of
+All&egrave;gre&rsquo;s acquaintances (the man had no real
+friends), distinguished frequenters of that mysterious
+Pavilion.&nbsp; And so that side of the frame in which that woman
+appeared to one down the perspective of the great All&eacute;e
+was not permanent.&nbsp; That morning when Mr. Blunt had to
+escort his mother there for the gratification of her irresistible
+curiosity (of which he highly disapproved) there appeared in
+succession, at that woman&rsquo;s or girl&rsquo;s bridle-hand, a
+cavalry general in red breeches, on whom she was smiling; a
+rising politician in a grey suit, who talked to her with great
+animation but left her side abruptly to join a personage in a red
+fez and mounted on a white horse; and then, some time afterwards,
+the vexed Mr. Blunt and his indiscreet mother (though I really
+couldn&rsquo;t see where the harm was) had one more chance of a
+good stare.&nbsp; The third party that time was the Royal
+Pretender (All&egrave;gre had been painting his portrait lately),
+whose hearty, sonorous laugh was heard long before the mounted
+trio came riding very slowly abreast of the Blunts.&nbsp; There
+was colour in the girl&rsquo;s face.&nbsp; She was not
+laughing.&nbsp; Her expression was serious and her eyes
+thoughtfully downcast.&nbsp; Blunt admitted that on that occasion
+the charm, brilliance, and force of her personality was
+adequately framed between those magnificently mounted,
+paladin-like attendants, one older than the other but the two
+composing together admirably in the different stages of their
+manhood.&nbsp; Mr. Blunt had never before seen Henry
+All&egrave;gre so close.&nbsp; All&egrave;gre was riding nearest
+to the path on which Blunt was dutifully giving his arm to his
+mother (they had got out of their fiacre) and wondering if that
+confounded fellow would have the impudence to take off his
+hat.&nbsp; But he did not.&nbsp; Perhaps he didn&rsquo;t
+notice.&nbsp; All&egrave;gre was not a man of wandering
+glances.&nbsp; There were silver hairs in his beard but he looked
+as solid as a statue.&nbsp; Less than three months afterwards he
+was gone.</p>
+<p>&ldquo;What was it?&rdquo; asked Mills, who had not changed
+his pose for a very long time.</p>
+<p>&ldquo;Oh, an accident.&nbsp; But he lingered.&nbsp; They were
+on their way to Corsica.&nbsp; A yearly pilgrimage.&nbsp;
+Sentimental perhaps.&nbsp; It was to Corsica that he carried her
+off&mdash;I mean first of all.&rdquo;</p>
+<p>There was the slightest contraction of Mr. Blunt&rsquo;s
+facial muscles.&nbsp; Very slight; but I, staring at the narrator
+after the manner of all simple souls, noticed it; the twitch of a
+pain which surely must have been mental.&nbsp; There was also a
+suggestion of effort before he went on: &ldquo;I suppose you know
+how he got hold of her?&rdquo; in a tone of ease which was
+astonishingly ill-assumed for such a worldly, self-controlled,
+drawing-room person.</p>
+<p>Mills changed his attitude to look at him fixedly for a
+moment.&nbsp; Then he leaned back in his chair and with
+interest&mdash;I don&rsquo;t mean curiosity, I mean interest:
+&ldquo;Does anybody know besides the two parties
+concerned?&rdquo; he asked, with something as it were renewed (or
+was it refreshed?) in his unmoved quietness.&nbsp; &ldquo;I ask
+because one has never heard any tales.&nbsp; I remember one
+evening in a restaurant seeing a man come in with a lady&mdash;a
+beautiful lady&mdash;very particularly beautiful, as though she
+had been stolen out of Mahomet&rsquo;s paradise.&nbsp; With
+Do&ntilde;a Rita it can&rsquo;t be anything as definite as
+that.&nbsp; But speaking of her in the same strain, I&rsquo;ve
+always felt that she looked as though All&egrave;gre had caught
+her in the precincts of some temple . . . in the
+mountains.&rdquo;</p>
+<p>I was delighted.&nbsp; I had never heard before a woman spoken
+about in that way, a real live woman that is, not a woman in a
+book.&nbsp; For this was no poetry and yet it seemed to put her
+in the category of visions.&nbsp; And I would have lost myself in
+it if Mr. Blunt had not, most unexpectedly, addressed himself to
+me.</p>
+<p>&ldquo;I told you that man was as fine as a needle.&rdquo;</p>
+<p>And then to Mills: &ldquo;Out of a temple?&nbsp; We know what
+that means.&rdquo;&nbsp; His dark eyes flashed: &ldquo;And must
+it be really in the mountains?&rdquo; he added.</p>
+<p>&ldquo;Or in a desert,&rdquo; conceded Mills, &ldquo;if you
+prefer that.&nbsp; There have been temples in deserts, you
+know.&rdquo;</p>
+<p>Blunt had calmed down suddenly and assumed a nonchalant
+pose.</p>
+<p>&ldquo;As a matter of fact, Henry All&egrave;gre caught her
+very early one morning in his own old garden full of thrushes and
+other small birds.&nbsp; She was sitting on a stone, a fragment
+of some old balustrade, with her feet in the damp grass, and
+reading a tattered book of some kind.&nbsp; She had on a short,
+black, two-penny frock (<i>une petite robe de deux sous</i>) and
+there was a hole in one of her stockings.&nbsp; She raised her
+eyes and saw him looking down at her thoughtfully over that
+ambrosian beard of his, like Jove at a mortal.&nbsp; They
+exchanged a good long stare, for at first she was too startled to
+move; and then he murmured, &ldquo;<i>Restez
+donc</i>.&rdquo;&nbsp; She lowered her eyes again on her book and
+after a while heard him walk away on the path.&nbsp; Her heart
+thumped while she listened to the little birds filling the air
+with their noise.&nbsp; She was not frightened.&nbsp; I am
+telling you this positively because she has told me the tale
+herself.&nbsp; What better authority can you have . . .?&rdquo;
+Blunt paused.</p>
+<p>&ldquo;That&rsquo;s true.&nbsp; She&rsquo;s not the sort of
+person to lie about her own sensations,&rdquo; murmured Mills
+above his clasped hands.</p>
+<p>&ldquo;Nothing can escape his penetration,&rdquo; Blunt
+remarked to me with that equivocal urbanity which made me always
+feel uncomfortable on Mills&rsquo; account.&nbsp;
+&ldquo;Positively nothing.&rdquo;&nbsp; He turned to Mills
+again.&nbsp; &ldquo;After some minutes of immobility&mdash;she
+told me&mdash;she arose from her stone and walked slowly on the
+track of that apparition.&nbsp; All&egrave;gre was nowhere to be
+seen by that time.&nbsp; Under the gateway of the extremely ugly
+tenement house, which hides the Pavilion and the garden from the
+street, the wife of the porter was waiting with her arms
+akimbo.&nbsp; At once she cried out to Rita: &lsquo;You were
+caught by our gentleman.&rsquo;</p>
+<p>&ldquo;As a matter of fact, that old woman, being a friend of
+Rita&rsquo;s aunt, allowed the girl to come into the garden
+whenever All&egrave;gre was away.&nbsp; But
+All&egrave;gre&rsquo;s goings and comings were sudden and
+unannounced; and that morning, Rita, crossing the narrow,
+thronged street, had slipped in through the gateway in ignorance
+of All&egrave;gre&rsquo;s return and unseen by the porter&rsquo;s
+wife.</p>
+<p>&ldquo;The child, she was but little more than that then,
+expressed her regret of having perhaps got the kind
+porter&rsquo;s wife into trouble.</p>
+<p>&ldquo;The old woman said with a peculiar smile: &lsquo;Your
+face is not of the sort that gets other people into
+trouble.&nbsp; My gentleman wasn&rsquo;t angry.&nbsp; He says you
+may come in any morning you like.&rsquo;</p>
+<p>&ldquo;Rita, without saying anything to this, crossed the
+street back again to the warehouse full of oranges where she
+spent most of her waking hours.&nbsp; Her dreaming, empty, idle,
+thoughtless, unperturbed hours, she calls them.&nbsp; She crossed
+the street with a hole in her stocking.&nbsp; She had a hole in
+her stocking not because her uncle and aunt were poor (they had
+around them never less than eight thousand oranges, mostly in
+cases) but because she was then careless and untidy and totally
+unconscious of her personal appearance.&nbsp; She told me herself
+that she was not even conscious then of her personal
+existence.&nbsp; She was a mere adjunct in the twilight life of
+her aunt, a Frenchwoman, and her uncle, the orange merchant, a
+Basque peasant, to whom her other uncle, the great man of the
+family, the priest of some parish in the hills near Tolosa, had
+sent her up at the age of thirteen or thereabouts for safe
+keeping.&nbsp; She is of peasant stock, you know.&nbsp; This is
+the true origin of the &lsquo;Girl in the Hat&rsquo; and of the
+&lsquo;Byzantine Empress&rsquo; which excited my dear mother so
+much; of the mysterious girl that the privileged personalities
+great in art, in letters, in politics, or simply in the world,
+could see on the big sofa during the gatherings in
+All&egrave;gre&rsquo;s exclusive Pavilion: the Do&ntilde;a Rita
+of their respectful addresses, manifest and mysterious, like an
+object of art from some unknown period; the Do&ntilde;a Rita of
+the initiated Paris.&nbsp; Do&ntilde;a Rita and nothing
+more&mdash;unique and indefinable.&rdquo;&nbsp; He stopped with a
+disagreeable smile.</p>
+<p>&ldquo;And of peasant stock?&rdquo; I exclaimed in the
+strangely conscious silence that fell between Mills and
+Blunt.</p>
+<p>&ldquo;Oh!&nbsp; All these Basques have been ennobled by Don
+Sanche II,&rdquo; said Captain Blunt moodily.&nbsp; &ldquo;You
+see coats of arms carved over the doorways of the most miserable
+<i>caserios</i>.&nbsp; As far as that goes she&rsquo;s
+Do&ntilde;a Rita right enough whatever else she is or is not in
+herself or in the eyes of others.&nbsp; In your eyes, for
+instance, Mills.&nbsp; Eh?&rdquo;</p>
+<p>For a time Mills preserved that conscious silence.</p>
+<p>&ldquo;Why think about it at all?&rdquo; he murmured coldly at
+last.&nbsp; &ldquo;A strange bird is hatched sometimes in a nest
+in an unaccountable way and then the fate of such a bird is bound
+to be ill-defined, uncertain, questionable.&nbsp; And so that is
+how Henry All&egrave;gre saw her first?&nbsp; And what happened
+next?&rdquo;</p>
+<p>&ldquo;What happened next?&rdquo; repeated Mr. Blunt, with an
+affected surprise in his tone.&nbsp; &ldquo;Is it necessary to
+ask that question?&nbsp; If you had asked <i>how</i> the next
+happened. . .&nbsp; But as you may imagine she hasn&rsquo;t told
+me anything about that.&nbsp; She didn&rsquo;t,&rdquo; he
+continued with polite sarcasm, &ldquo;enlarge upon the
+facts.&nbsp; That confounded All&egrave;gre, with his impudent
+assumption of princely airs, must have (I shouldn&rsquo;t wonder)
+made the fact of his notice appear as a sort of favour dropped
+from Olympus.&nbsp; I really can&rsquo;t tell how the minds and
+the imaginations of such aunts and uncles are affected by such
+rare visitations.&nbsp; Mythology may give us a hint.&nbsp; There
+is the story of Danae, for instance.&rdquo;</p>
+<p>&ldquo;There is,&rdquo; remarked Mills calmly, &ldquo;but I
+don&rsquo;t remember any aunt or uncle in that
+connection.&rdquo;</p>
+<p>&ldquo;And there are also certain stories of the discovery and
+acquisition of some unique objects of art.&nbsp; The sly
+approaches, the astute negotiations, the lying and the
+circumventing . . . for the love of beauty, you know.&rdquo;</p>
+<p>With his dark face and with the perpetual smiles playing about
+his grimness, Mr. Blunt appeared to me positively satanic.&nbsp;
+Mills&rsquo; hand was toying absently with an empty glass.&nbsp;
+Again they had forgotten my existence altogether.</p>
+<p>&ldquo;I don&rsquo;t know how an object of art would
+feel,&rdquo; went on Blunt, in an unexpectedly grating voice,
+which, however, recovered its tone immediately.&nbsp; &ldquo;I
+don&rsquo;t know.&nbsp; But I do know that Rita herself was not a
+Danae, never, not at any time of her life.&nbsp; She didn&rsquo;t
+mind the holes in her stockings.&nbsp; She wouldn&rsquo;t mind
+holes in her stockings now. . . That is if she manages to keep
+any stockings at all,&rdquo; he added, with a sort of suppressed
+fury so funnily unexpected that I would have burst into a laugh
+if I hadn&rsquo;t been lost in astonishment of the simplest
+kind.</p>
+<p>&ldquo;No&mdash;really!&rdquo;&nbsp; There was a flash of
+interest from the quiet Mills.</p>
+<p>&ldquo;Yes, really,&rdquo;&nbsp; Blunt nodded and knitted his
+brows very devilishly indeed.&nbsp; &ldquo;She may yet be left
+without a single pair of stockings.&rdquo;</p>
+<p>&ldquo;The world&rsquo;s a thief,&rdquo; declared Mills, with
+the utmost composure.&nbsp; &ldquo;It wouldn&rsquo;t mind robbing
+a lonely traveller.&rdquo;</p>
+<p>&ldquo;He is so subtle.&rdquo;&nbsp; Blunt remembered my
+existence for the purpose of that remark and as usual it made me
+very uncomfortable.&nbsp; &ldquo;Perfectly true.&nbsp; A lonely
+traveller.&nbsp; They are all in the scramble from the lowest to
+the highest.&nbsp; Heavens!&nbsp; What a gang!&nbsp; There was
+even an Archbishop in it.&rdquo;</p>
+<p>&ldquo;<i>Vous plaisantez</i>,&rdquo; said Mills, but without
+any marked show of incredulity.</p>
+<p>&ldquo;I joke very seldom,&rdquo; Blunt protested
+earnestly.&nbsp; &ldquo;That&rsquo;s why I haven&rsquo;t
+mentioned His Majesty&mdash;whom God preserve.&nbsp; That would
+have been an exaggeration. . . However, the end is not yet.&nbsp;
+We were talking about the beginning.&nbsp; I have heard that some
+dealers in fine objects, quite mercenary people of course (my
+mother has an experience in that world), show sometimes an
+astonishing reluctance to part with some specimens, even at a
+good price.&nbsp; It must be very funny.&nbsp; It&rsquo;s just
+possible that the uncle and the aunt have been rolling in tears
+on the floor, amongst their oranges, or beating their heads
+against the walls from rage and despair.&nbsp; But I doubt
+it.&nbsp; And in any case All&egrave;gre is not the sort of
+person that gets into any vulgar trouble.&nbsp; And it&rsquo;s
+just possible that those people stood open-mouthed at all that
+magnificence.&nbsp; They weren&rsquo;t poor, you know; therefore
+it wasn&rsquo;t incumbent on them to be honest.&nbsp; They are
+still there in the old respectable warehouse, I understand.&nbsp;
+They have kept their position in their <i>quartier</i>, I
+believe.&nbsp; But they didn&rsquo;t keep their niece.&nbsp; It
+might have been an act of sacrifice!&nbsp; For I seem to remember
+hearing that after attending for a while some school round the
+corner the child had been set to keep the books of that orange
+business.&nbsp; However it might have been, the first fact in
+Rita&rsquo;s and All&egrave;gre&rsquo;s common history is a
+journey to Italy, and then to Corsica.&nbsp; You know
+All&egrave;gre had a house in Corsica somewhere.&nbsp; She has it
+now as she has everything he ever had; and that Corsican palace
+is the portion that will stick the longest to Do&ntilde;a Rita, I
+imagine.&nbsp; Who would want to buy a place like that?&nbsp; I
+suppose nobody would take it for a gift.&nbsp; The fellow was
+having houses built all over the place.&nbsp; This very house
+where we are sitting belonged to him.&nbsp; Do&ntilde;a Rita has
+given it to her sister, I understand.&nbsp; Or at any rate the
+sister runs it.&nbsp; She is my landlady . . .&rdquo;</p>
+<p>&ldquo;Her sister here!&rdquo; I exclaimed.&nbsp; &ldquo;Her
+sister!&rdquo;</p>
+<p>Blunt turned to me politely, but only for a long mute
+gaze.&nbsp; His eyes were in deep shadow and it struck me for the
+first time then that there was something fatal in that
+man&rsquo;s aspect as soon as he fell silent.&nbsp; I think the
+effect was purely physical, but in consequence whatever he said
+seemed inadequate and as if produced by a commonplace, if uneasy,
+soul.</p>
+<p>&ldquo;Do&ntilde;a Rita brought her down from her mountains on
+purpose.&nbsp; She is asleep somewhere in this house, in one of
+the vacant rooms.&nbsp; She lets them, you know, at extortionate
+prices, that is, if people will pay them, for she is easily
+intimidated.&nbsp; You see, she has never seen such an enormous
+town before in her life, nor yet so many strange people.&nbsp;
+She has been keeping house for the uncle-priest in some mountain
+gorge for years and years.&nbsp; It&rsquo;s extraordinary he
+should have let her go.&nbsp; There is something mysterious
+there, some reason or other.&nbsp; It&rsquo;s either theology or
+Family.&nbsp; The saintly uncle in his wild parish would know
+nothing of any other reasons.&nbsp; She wears a rosary at her
+waist.&nbsp; Directly she had seen some real money she developed
+a love of it.&nbsp; If you stay with me long enough, and I hope
+you will (I really can&rsquo;t sleep), you will see her going out
+to mass at half-past six; but there is nothing remarkable in her;
+just a peasant woman of thirty-four or so.&nbsp; A rustic nun. .
+. .&rdquo;</p>
+<p>I may as well say at once that we didn&rsquo;t stay as long as
+that.&nbsp; It was not that morning that I saw for the first time
+Therese of the whispering lips and downcast eyes slipping out to
+an early mass from the house of iniquity into the early winter
+murk of the city of perdition, in a world steeped in sin.&nbsp;
+No.&nbsp; It was not on that morning that I saw Do&ntilde;a
+Rita&rsquo;s incredible sister with her brown, dry face, her
+gliding motion, and her really nun-like dress, with a black
+handkerchief enfolding her head tightly, with the two pointed
+ends hanging down her back.&nbsp; Yes, nun-like enough.&nbsp; And
+yet not altogether.&nbsp; People would have turned round after
+her if those dartings out to the half-past six mass hadn&rsquo;t
+been the only occasion on which she ventured into the impious
+streets.&nbsp; She was frightened of the streets, but in a
+particular way, not as if of a danger but as if of a
+contamination.&nbsp; Yet she didn&rsquo;t fly back to her
+mountains because at bottom she had an indomitable character, a
+peasant tenacity of purpose, predatory instincts. . . .</p>
+<p>No, we didn&rsquo;t remain long enough with Mr. Blunt to see
+even as much as her back glide out of the house on her prayerful
+errand.&nbsp; She was prayerful.&nbsp; She was terrible.&nbsp;
+Her one-idead peasant mind was as inaccessible as a closed iron
+safe.&nbsp; She was fatal. . . It&rsquo;s perfectly ridiculous to
+confess that they all seem fatal to me now; but writing to you
+like this in all sincerity I don&rsquo;t mind appearing
+ridiculous.&nbsp; I suppose fatality must be expressed, embodied,
+like other forces of this earth; and if so why not in such people
+as well as in other more glorious or more frightful figures?</p>
+<p>We remained, however, long enough to let Mr. Blunt&rsquo;s
+half-hidden acrimony develop itself or prey on itself in further
+talk about the man All&egrave;gre and the girl Rita.&nbsp; Mr.
+Blunt, still addressing Mills with that story, passed on to what
+he called the second act, the disclosure, with, what he called,
+the characteristic All&egrave;gre impudence&mdash;which surpassed
+the impudence of kings, millionaires, or tramps, by many
+degrees&mdash;the revelation of Rita&rsquo;s existence to the
+world at large.&nbsp; It wasn&rsquo;t a very large world, but
+then it was most choicely composed.&nbsp; How is one to describe
+it shortly?&nbsp; In a sentence it was the world that rides in
+the morning in the Bois.</p>
+<p>In something less than a year and a half from the time he
+found her sitting on a broken fragment of stone work buried in
+the grass of his wild garden, full of thrushes, starlings, and
+other innocent creatures of the air, he had given her amongst
+other accomplishments the art of sitting admirably on a horse,
+and directly they returned to Paris he took her out with him for
+their first morning ride.</p>
+<p>&ldquo;I leave you to judge of the sensation,&rdquo; continued
+Mr. Blunt, with a faint grimace, as though the words had an acrid
+taste in his mouth.&nbsp; &ldquo;And the consternation,&rdquo; he
+added venomously.&nbsp; &ldquo;Many of those men on that great
+morning had some one of their womankind with them.&nbsp; But
+their hats had to go off all the same, especially the hats of the
+fellows who were under some sort of obligation to
+All&egrave;gre.&nbsp; You would be astonished to hear the names
+of people, of real personalities in the world, who, not to mince
+matters, owed money to All&egrave;gre.&nbsp; And I don&rsquo;t
+mean in the world of art only.&nbsp; In the first rout of the
+surprise some story of an adopted daughter was set abroad
+hastily, I believe.&nbsp; You know &lsquo;adopted&rsquo; with a
+peculiar accent on the word&mdash;and it was plausible
+enough.&nbsp; I have been told that at that time she looked
+extremely youthful by his side, I mean extremely youthful in
+expression, in the eyes, in the smile.&nbsp; She must have been .
+. .&rdquo;</p>
+<p>Blunt pulled himself up short, but not so short as not to let
+the confused murmur of the word &ldquo;adorable&rdquo; reach our
+attentive ears.</p>
+<p>The heavy Mills made a slight movement in his chair.&nbsp; The
+effect on me was more inward, a strange emotion which left me
+perfectly still; and for the moment of silence Blunt looked more
+fatal than ever.</p>
+<p>&ldquo;I understand it didn&rsquo;t last very long,&rdquo; he
+addressed us politely again.&nbsp; &ldquo;And no wonder!&nbsp;
+The sort of talk she would have heard during that first
+springtime in Paris would have put an impress on a much less
+receptive personality; for of course All&egrave;gre didn&rsquo;t
+close his doors to his friends and this new apparition was not of
+the sort to make them keep away.&nbsp; After that first morning
+she always had somebody to ride at her bridle hand.&nbsp; Old
+Doyen, the sculptor, was the first to approach them.&nbsp; At
+that age a man may venture on anything.&nbsp; He rides a strange
+animal like a circus horse.&nbsp; Rita had spotted him out of the
+corner of her eye as he passed them, putting up his enormous paw
+in a still more enormous glove, airily, you know, like
+this&rdquo; (Blunt waved his hand above his head), &ldquo;to
+All&egrave;gre.&nbsp; He passes on.&nbsp; All at once he wheels
+his fantastic animal round and comes trotting after them.&nbsp;
+With the merest casual &lsquo;<i>Bonjour</i>,
+All&egrave;gre&rsquo; he ranges close to her on the other side
+and addresses her, hat in hand, in that booming voice of his like
+a deferential roar of the sea very far away.&nbsp; His
+articulation is not good, and the first words she really made out
+were &lsquo;I am an old sculptor. . . Of course there is that
+habit. . . But I can see you through all that. . . &rsquo;</p>
+<p>He put his hat on very much on one side.&nbsp; &lsquo;I am a
+great sculptor of women,&rsquo; he declared.&nbsp; &lsquo;I gave
+up my life to them, poor unfortunate creatures, the most
+beautiful, the wealthiest, the most loved. . . Two generations of
+them. . . Just look at me full in the eyes, <i>mon
+enfant</i>.&rsquo;</p>
+<p>&ldquo;They stared at each other.&nbsp; Do&ntilde;a Rita
+confessed to me that the old fellow made her heart beat with such
+force that she couldn&rsquo;t manage to smile at him.&nbsp; And
+she saw his eyes run full of tears.&nbsp; He wiped them simply
+with the back of his hand and went on booming faintly.&nbsp;
+&lsquo;Thought so.&nbsp; You are enough to make one cry.&nbsp; I
+thought my artist&rsquo;s life was finished, and here you come
+along from devil knows where with this young friend of mine, who
+isn&rsquo;t a bad smearer of canvases&mdash;but it&rsquo;s marble
+and bronze that you want. . . I shall finish my artist&rsquo;s
+life with your face; but I shall want a bit of those shoulders,
+too. . . You hear, All&egrave;gre, I must have a bit of her
+shoulders, too.&nbsp; I can see through the cloth that they are
+divine.&nbsp; If they aren&rsquo;t divine I will eat my
+hat.&nbsp; Yes, I will do your head and then&mdash;<i>nunc
+dimittis</i>.&rsquo;</p>
+<p>&ldquo;These were the first words with which the world greeted
+her, or should I say civilization did; already both her native
+mountains and the cavern of oranges belonged to a prehistoric
+age.&nbsp; &lsquo;Why don&rsquo;t you ask him to come this
+afternoon?&rsquo; All&egrave;gre&rsquo;s voice suggested
+gently.&nbsp; &lsquo;He knows the way to the house.&rsquo;</p>
+<p>&ldquo;The old man said with extraordinary fervour, &lsquo;Oh,
+yes I will,&rsquo; pulled up his horse and they went on.&nbsp;
+She told me that she could feel her heart-beats for a long
+time.&nbsp; The remote power of that voice, those old eyes full
+of tears, that noble and ruined face, had affected her
+extraordinarily she said.&nbsp; But perhaps what affected her was
+the shadow, the still living shadow of a great passion in the
+man&rsquo;s heart.</p>
+<p>&ldquo;All&egrave;gre remarked to her calmly: &lsquo;He has
+been a little mad all his life.&rsquo;&rdquo;</p>
+<h3>CHAPTER III</h3>
+<p>Mills lowered the hands holding the extinct and even cold pipe
+before his big face.</p>
+<p>&ldquo;H&rsquo;m, shoot an arrow into that old man&rsquo;s
+heart like this?&nbsp; But was there anything done?&rdquo;</p>
+<p>&ldquo;A terra-cotta bust, I believe.&nbsp; Good?&nbsp; I
+don&rsquo;t know.&nbsp; I rather think it&rsquo;s in this
+house.&nbsp; A lot of things have been sent down from Paris here,
+when she gave up the Pavilion.&nbsp; When she goes up now she
+stays in hotels, you know.&nbsp; I imagine it is locked up in one
+of these things,&rdquo; went on Blunt, pointing towards the end
+of the studio where amongst the monumental presses of dark oak
+lurked the shy dummy which had worn the stiff robes of the
+Byzantine Empress and the amazing hat of the &ldquo;Girl,&rdquo;
+rakishly.&nbsp; I wondered whether that dummy had travelled from
+Paris, too, and whether with or without its head.&nbsp; Perhaps
+that head had been left behind, having rolled into a corner of
+some empty room in the dismantled Pavilion.&nbsp; I represented
+it to myself very lonely, without features, like a turnip, with a
+mere peg sticking out where the neck should have been.&nbsp; And
+Mr. Blunt was talking on.</p>
+<p>&ldquo;There are treasures behind these locked doors,
+brocades, old jewels, unframed pictures, bronzes, chinoiseries,
+Japoneries.&rdquo;</p>
+<p>He growled as much as a man of his accomplished manner and
+voice could growl.&nbsp; &ldquo;I don&rsquo;t suppose she gave
+away all that to her sister, but I shouldn&rsquo;t be surprised
+if that timid rustic didn&rsquo;t lay a claim to the lot for the
+love of God and the good of the Church. . .</p>
+<p>&ldquo;And held on with her teeth, too,&rdquo; he added
+graphically.</p>
+<p>Mills&rsquo; face remained grave.&nbsp; Very grave.&nbsp; I
+was amused at those little venomous outbreaks of the fatal Mr.
+Blunt.&nbsp; Again I knew myself utterly forgotten.&nbsp; But I
+didn&rsquo;t feel dull and I didn&rsquo;t even feel sleepy.&nbsp;
+That last strikes me as strange at this distance of time, in
+regard of my tender years and of the depressing hour which
+precedes the dawn.&nbsp; We had been drinking that straw-coloured
+wine, too, I won&rsquo;t say like water (nobody would have drunk
+water like that) but, well . . . and the haze of tobacco smoke
+was like the blue mist of great distances seen in dreams.</p>
+<p>Yes, that old sculptor was the first who joined them in the
+sight of all Paris.&nbsp; It was that old glory that opened the
+series of companions of those morning rides; a series which
+extended through three successive Parisian spring-times and
+comprised a famous physiologist, a fellow who seemed to hint that
+mankind could be made immortal or at least everlastingly old; a
+fashionable philosopher and psychologist who used to lecture to
+enormous audiences of women with his tongue in his cheek (but
+never permitted himself anything of the kind when talking to
+Rita); that surly dandy Cabanel (but he only once, from mere
+vanity), and everybody else at all distinguished including also a
+celebrated person who turned out later to be a swindler.&nbsp;
+But he was really a genius. . . All this according to Mr. Blunt,
+who gave us all those details with a sort of languid zest
+covering a secret irritation.</p>
+<p>&ldquo;Apart from that, you know,&rdquo; went on Mr. Blunt,
+&ldquo;all she knew of the world of men and women (I mean till
+All&egrave;gre&rsquo;s death) was what she had seen of it from
+the saddle two hours every morning during four months of the year
+or so.&nbsp; Absolutely all, with All&egrave;gre self-denyingly
+on her right hand, with that impenetrable air of
+guardianship.&nbsp; Don&rsquo;t touch!&nbsp; He didn&rsquo;t like
+his treasures to be touched unless he actually put some unique
+object into your hands with a sort of triumphant murmur,
+&lsquo;Look close at that.&rsquo;&nbsp; Of course I only have
+heard all this.&nbsp; I am much too small a person, you
+understand, to even . . .&rdquo;</p>
+<p>He flashed his white teeth at us most agreeably, but the upper
+part of his face, the shadowed setting of his eyes, and the
+slight drawing in of his eyebrows gave a fatal suggestion.&nbsp;
+I thought suddenly of the definition he applied to himself:
+&ldquo;<i>Am&eacute;ricain</i>, <i>catholique et
+gentil-homme</i>&rdquo; completed by that startling &ldquo;I live
+by my sword&rdquo; uttered in a light drawing-room tone tinged by
+a flavour of mockery lighter even than air.</p>
+<p>He insisted to us that the first and only time he had seen
+All&egrave;gre a little close was that morning in the Bois with
+his mother.&nbsp; His Majesty (whom God preserve), then not even
+an active Pretender, flanked the girl, still a girl, on the other
+side, the usual companion for a month past or so.&nbsp;
+All&egrave;gre had suddenly taken it into his head to paint his
+portrait.&nbsp; A sort of intimacy had sprung up.&nbsp; Mrs.
+Blunt&rsquo;s remark was that of the two striking horsemen
+All&egrave;gre looked the more kingly.</p>
+<p>&ldquo;The son of a confounded millionaire soap-boiler,&rdquo;
+commented Mr. Blunt through his clenched teeth.&nbsp; &ldquo;A
+man absolutely without parentage.&nbsp; Without a single relation
+in the world.&nbsp; Just a freak.&rdquo;</p>
+<p>&ldquo;That explains why he could leave all his fortune to
+her,&rdquo; said Mills.</p>
+<p>&ldquo;The will, I believe,&rdquo; said Mr. Blunt moodily,
+&ldquo;was written on a half sheet of paper, with his device of
+an Assyrian bull at the head.&nbsp; What the devil did he mean by
+it?&nbsp; Anyway it was the last time that she surveyed the world
+of men and women from the saddle.&nbsp; Less than three months
+later. . .&rdquo;</p>
+<p>&ldquo;All&egrave;gre died and. . . &rdquo; murmured Mills in
+an interested manner.</p>
+<p>&ldquo;And she had to dismount,&rdquo; broke in Mr. Blunt
+grimly.&nbsp; &ldquo;Dismount right into the middle of it.&nbsp;
+Down to the very ground, you understand.&nbsp; I suppose you can
+guess what that would mean.&nbsp; She didn&rsquo;t know what to
+do with herself.&nbsp; She had never been on the ground.&nbsp;
+She . . . &rdquo;</p>
+<p>&ldquo;Aha!&rdquo; said Mills.</p>
+<p>&ldquo;Even eh! eh! if you like,&rdquo; retorted Mr. Blunt, in
+an unrefined tone, that made me open my eyes, which were well
+opened before, still wider.</p>
+<p>He turned to me with that horrible trick of his of commenting
+upon Mills as though that quiet man whom I admired, whom I
+trusted, and for whom I had already something resembling
+affection had been as much of a dummy as that other one lurking
+in the shadows, pitiful and headless in its attitude of alarmed
+chastity.</p>
+<p>&ldquo;Nothing escapes his penetration.&nbsp; He can perceive
+a haystack at an enormous distance when he is
+interested.&rdquo;</p>
+<p>I thought this was going rather too far, even to the borders
+of vulgarity; but Mills remained untroubled and only reached for
+his tobacco pouch.</p>
+<p>&ldquo;But that&rsquo;s nothing to my mother&rsquo;s
+interest.&nbsp; She can never see a haystack, therefore she is
+always so surprised and excited.&nbsp; Of course Do&ntilde;a Rita
+was not a woman about whom the newspapers insert little
+paragraphs.&nbsp; But All&egrave;gre was the sort of man.&nbsp; A
+lot came out in print about him and a lot was talked in the world
+about her; and at once my dear mother perceived a haystack and
+naturally became unreasonably absorbed in it.&nbsp; I thought her
+interest would wear out.&nbsp; But it didn&rsquo;t.&nbsp; She had
+received a shock and had received an impression by means of that
+girl.&nbsp; My mother has never been treated with impertinence
+before, and the aesthetic impression must have been of
+extraordinary strength.&nbsp; I must suppose that it amounted to
+a sort of moral revolution, I can&rsquo;t account for her
+proceedings in any other way.&nbsp; When Rita turned up in Paris
+a year and a half after All&egrave;gre&rsquo;s death some shabby
+journalist (smart creature) hit upon the notion of alluding to
+her as the heiress of Mr. All&egrave;gre.&nbsp; &lsquo;The
+heiress of Mr. All&egrave;gre has taken up her residence again
+amongst the treasures of art in that Pavilion so well known to
+the &eacute;lite of the artistic, scientific, and political
+world, not to speak of the members of aristocratic and even royal
+families. . . &rsquo;&nbsp; You know the sort of thing.&nbsp; It
+appeared first in the <i>Figaro</i>, I believe.&nbsp; And then at
+the end a little phrase: &lsquo;She is alone.&rsquo;&nbsp; She
+was in a fair way of becoming a celebrity of a sort.&nbsp; Daily
+little allusions and that sort of thing.&nbsp; Heaven only knows
+who stopped it.&nbsp; There was a rush of &lsquo;old
+friends&rsquo; into that garden, enough to scare all the little
+birds away.&nbsp; I suppose one or several of them, having
+influence with the press, did it.&nbsp; But the gossip
+didn&rsquo;t stop, and the name stuck, too, since it conveyed a
+very certain and very significant sort of fact, and of course the
+Venetian episode was talked about in the houses frequented by my
+mother.&nbsp; It was talked about from a royalist point of view
+with a kind of respect.&nbsp; It was even said that the
+inspiration and the resolution of the war going on now over the
+Pyrenees had come out from that head. . . Some of them talked as
+if she were the guardian angel of Legitimacy.&nbsp; You know what
+royalist gush is like.&rdquo;</p>
+<p>Mr. Blunt&rsquo;s face expressed sarcastic disgust.&nbsp;
+Mills moved his head the least little bit.&nbsp; Apparently he
+knew.</p>
+<p>&ldquo;Well, speaking with all possible respect, it seems to
+have affected my mother&rsquo;s brain.&nbsp; I was already with
+the royal army and of course there could be no question of
+regular postal communications with France.&nbsp; My mother hears
+or overhears somewhere that the heiress of Mr. All&egrave;gre is
+contemplating a secret journey.&nbsp; All the noble Salons were
+full of chatter about that secret naturally.&nbsp; So she sits
+down and pens an autograph: &lsquo;Madame, Informed that you are
+proceeding to the place on which the hopes of all the right
+thinking people are fixed, I trust to your womanly sympathy with
+a mother&rsquo;s anxious feelings, etc., etc.,&rsquo; and ending
+with a request to take messages to me and bring news of me. . .
+The coolness of my mother!&rdquo;</p>
+<p>Most unexpectedly Mills was heard murmuring a question which
+seemed to me very odd.</p>
+<p>&ldquo;I wonder how your mother addressed that
+note?&rdquo;</p>
+<p>A moment of silence ensued.</p>
+<p>&ldquo;Hardly in the newspaper style, I should think,&rdquo;
+retorted Mr. Blunt, with one of his grins that made me doubt the
+stability of his feelings and the consistency of his outlook in
+regard to his whole tale.&nbsp; &ldquo;My mother&rsquo;s maid
+took it in a fiacre very late one evening to the Pavilion and
+brought an answer scrawled on a scrap of paper: &lsquo;Write your
+messages at once&rsquo; and signed with a big capital R.&nbsp; So
+my mother sat down again to her charming writing desk and the
+maid made another journey in a fiacre just before midnight; and
+ten days later or so I got a letter thrust into my hand at the
+<i>avanzadas</i> just as I was about to start on a night patrol,
+together with a note asking me to call on the writer so that she
+might allay my mother&rsquo;s anxieties by telling her how I
+looked.</p>
+<p>&ldquo;It was signed R only, but I guessed at once and nearly
+fell off my horse with surprise.&rdquo;</p>
+<p>&ldquo;You mean to say that Do&ntilde;a Rita was actually at
+the Royal Headquarters lately?&rdquo; exclaimed Mills, with
+evident surprise.&nbsp; &ldquo;Why,
+we&mdash;everybody&mdash;thought that all this affair was over
+and done with.&rdquo;</p>
+<p>&ldquo;Absolutely.&nbsp; Nothing in the world could be more
+done with than that episode.&nbsp; Of course the rooms in the
+hotel at Tolosa were retained for her by an order from Royal
+Headquarters.&nbsp; Two garret-rooms, the place was so full of
+all sorts of court people; but I can assure you that for the
+three days she was there she never put her head outside the
+door.&nbsp; General Mongroviejo called on her officially from the
+King.&nbsp; A general, not anybody of the household, you
+see.&nbsp; That&rsquo;s a distinct shade of the present
+relation.&nbsp; He stayed just five minutes.&nbsp; Some personage
+from the Foreign department at Headquarters was closeted for
+about a couple of hours.&nbsp; That was of course business.&nbsp;
+Then two officers from the staff came together with some
+explanations or instructions to her.&nbsp; Then Baron H., a
+fellow with a pretty wife, who had made so many sacrifices for
+the cause, raised a great to-do about seeing her and she
+consented to receive him for a moment.&nbsp; They say he was very
+much frightened by her arrival, but after the interview went away
+all smiles.&nbsp; Who else?&nbsp; Yes, the Archbishop came.&nbsp;
+Half an hour.&nbsp; This is more than is necessary to give a
+blessing, and I can&rsquo;t conceive what else he had to give
+her.&nbsp; But I am sure he got something out of her.&nbsp; Two
+peasants from the upper valley were sent for by military
+authorities and she saw them, too.&nbsp; That friar who hangs
+about the court has been in and out several times.&nbsp; Well,
+and lastly, I myself.&nbsp; I got leave from the outposts.&nbsp;
+That was the first time I talked to her.&nbsp; I would have gone
+that evening back to the regiment, but the friar met me in the
+corridor and informed me that I would be ordered to escort that
+most loyal and noble lady back to the French frontier as a
+personal mission of the highest honour.&nbsp; I was inclined to
+laugh at him.&nbsp; He himself is a cheery and jovial person and
+he laughed with me quite readily&mdash;but I got the order before
+dark all right.&nbsp; It was rather a job, as the Alphonsists
+were attacking the right flank of our whole front and there was
+some considerable disorder there.&nbsp; I mounted her on a mule
+and her maid on another.&nbsp; We spent one night in a ruined old
+tower occupied by some of our infantry and got away at daybreak
+under the Alphonsist shells.&nbsp; The maid nearly died of fright
+and one of the troopers with us was wounded.&nbsp; To smuggle her
+back across the frontier was another job but it wasn&rsquo;t my
+job.&nbsp; It wouldn&rsquo;t have done for her to appear in sight
+of French frontier posts in the company of Carlist
+uniforms.&nbsp; She seems to have a fearless streak in her
+nature.&nbsp; At one time as we were climbing a slope absolutely
+exposed to artillery fire I asked her on purpose, being provoked
+by the way she looked about at the scenery, &lsquo;A little
+emotion, eh?&rsquo;&nbsp; And she answered me in a low voice:
+&lsquo;Oh, yes!&nbsp; I am moved.&nbsp; I used to run about these
+hills when I was little.&rsquo;&nbsp; And note, just then the
+trooper close behind us had been wounded by a shell
+fragment.&nbsp; He was swearing awfully and fighting with his
+horse.&nbsp; The shells were falling around us about two to the
+minute.</p>
+<p>&ldquo;Luckily the Alphonsist shells are not much better than
+our own.&nbsp; But women are funny.&nbsp; I was afraid the maid
+would jump down and clear out amongst the rocks, in which case we
+should have had to dismount and catch her.&nbsp; But she
+didn&rsquo;t do that; she sat perfectly still on her mule and
+shrieked.&nbsp; Just simply shrieked.&nbsp; Ultimately we came to
+a curiously shaped rock at the end of a short wooded
+valley.&nbsp; It was very still there and the sunshine was
+brilliant.&nbsp; I said to Do&ntilde;a Rita: &lsquo;We will have
+to part in a few minutes.&nbsp; I understand that my mission ends
+at this rock.&rsquo;&nbsp; And she said: &lsquo;I know this rock
+well.&nbsp; This is my country.&rsquo;</p>
+<p>&ldquo;Then she thanked me for bringing her there and
+presently three peasants appeared, waiting for us, two youths and
+one shaven old man, with a thin nose like a sword blade and
+perfectly round eyes, a character well known to the whole Carlist
+army.&nbsp; The two youths stopped under the trees at a distance,
+but the old fellow came quite close up and gazed at her, screwing
+up his eyes as if looking at the sun.&nbsp; Then he raised his
+arm very slowly and took his red <i>boina</i> off his bald
+head.&nbsp; I watched her smiling at him all the time.&nbsp; I
+daresay she knew him as well as she knew the old rock.&nbsp; Very
+old rock.&nbsp; The rock of ages&mdash;and the aged
+man&mdash;landmarks of her youth.&nbsp; Then the mules started
+walking smartly forward, with the three peasants striding
+alongside of them, and vanished between the trees.&nbsp; These
+fellows were most likely sent out by her uncle the Cura.</p>
+<p>&ldquo;It was a peaceful scene, the morning light, the bit of
+open country framed in steep stony slopes, a high peak or two in
+the distance, the thin smoke of some invisible <i>caserios</i>,
+rising straight up here and there.&nbsp; Far away behind us the
+guns had ceased and the echoes in the gorges had died out.&nbsp;
+I never knew what peace meant before. . .</p>
+<p>&ldquo;Nor since,&rdquo; muttered Mr. Blunt after a pause and
+then went on.&nbsp; &ldquo;The little stone church of her uncle,
+the holy man of the family, might have been round the corner of
+the next spur of the nearest hill.&nbsp; I dismounted to bandage
+the shoulder of my trooper.&nbsp; It was only a nasty long
+scratch.&nbsp; While I was busy about it a bell began to ring in
+the distance.&nbsp; The sound fell deliciously on the ear, clear
+like the morning light.&nbsp; But it stopped all at once.&nbsp;
+You know how a distant bell stops suddenly.&nbsp; I never knew
+before what stillness meant.&nbsp; While I was wondering at it
+the fellow holding our horses was moved to uplift his
+voice.&nbsp; He was a Spaniard, not a Basque, and he trolled out
+in Castilian that song you know,</p>
+<p class="poetry">&ldquo;&lsquo;Oh bells of my native village,<br
+/>
+I am going away . . . good-bye!&rsquo;</p>
+<p>He had a good voice.&nbsp; When the last note had floated away
+I remounted, but there was a charm in the spot, something
+particular and individual because while we were looking at it
+before turning our horses&rsquo; heads away the singer said:
+&lsquo;I wonder what is the name of this place,&rsquo; and the
+other man remarked: &lsquo;Why, there is no village here,&rsquo;
+and the first one insisted: &lsquo;No, I mean this spot, this
+very place.&rsquo;&nbsp; The wounded trooper decided that it had
+no name probably.&nbsp; But he was wrong.&nbsp; It had a
+name.&nbsp; The hill, or the rock, or the wood, or the whole had
+a name.&nbsp; I heard of it by chance later.&nbsp; It
+was&mdash;Lastaola.&rdquo;</p>
+<p>A cloud of tobacco smoke from Mills&rsquo; pipe drove between
+my head and the head of Mr. Blunt, who, strange to say, yawned
+slightly.&nbsp; It seemed to me an obvious affectation on the
+part of that man of perfect manners, and, moreover, suffering
+from distressing insomnia.</p>
+<p>&ldquo;This is how we first met and how we first
+parted,&rdquo; he said in a weary, indifferent tone.&nbsp;
+&ldquo;It&rsquo;s quite possible that she did see her uncle on
+the way.&nbsp; It&rsquo;s perhaps on this occasion that she got
+her sister to come out of the wilderness.&nbsp; I have no doubt
+she had a pass from the French Government giving her the
+completest freedom of action.&nbsp; She must have got it in Paris
+before leaving.&rdquo;</p>
+<p>Mr. Blunt broke out into worldly, slightly cynical smiles.</p>
+<p>&ldquo;She can get anything she likes in Paris.&nbsp; She
+could get a whole army over the frontier if she liked.&nbsp; She
+could get herself admitted into the Foreign Office at one
+o&rsquo;clock in the morning if it so pleased her.&nbsp; Doors
+fly open before the heiress of Mr. All&egrave;gre.&nbsp; She has
+inherited the old friends, the old connections . . . Of course,
+if she were a toothless old woman . . . But, you see, she
+isn&rsquo;t.&nbsp; The ushers in all the ministries bow down to
+the ground therefore, and voices from the innermost sanctums take
+on an eager tone when they say, &lsquo;<i>Faites
+entrer</i>.&rsquo;&nbsp; My mother knows something about
+it.&nbsp; She has followed her career with the greatest
+attention.&nbsp; And Rita herself is not even surprised.&nbsp;
+She accomplishes most extraordinary things, as naturally as
+buying a pair of gloves.&nbsp; People in the shops are very
+polite and people in the world are like people in the
+shops.&nbsp; What did she know of the world?&nbsp; She had seen
+it only from the saddle.&nbsp; Oh, she will get your cargo
+released for you all right.&nbsp; How will she do it? . . Well,
+when it&rsquo;s done&mdash;you follow me, Mills?&mdash;when
+it&rsquo;s done she will hardly know herself.&rdquo;</p>
+<p>&ldquo;It&rsquo;s hardly possible that she shouldn&rsquo;t be
+aware,&rdquo; Mills pronounced calmly.</p>
+<p>&ldquo;No, she isn&rsquo;t an idiot,&rdquo; admitted Mr.
+Blunt, in the same matter-of-fact voice.&nbsp; &ldquo;But she
+confessed to myself only the other day that she suffered from a
+sense of unreality.&nbsp; I told her that at any rate she had her
+own feelings surely.&nbsp; And she said to me: Yes, there was one
+of them at least about which she had no doubt; and you will never
+guess what it was.&nbsp; Don&rsquo;t try.&nbsp; I happen to know,
+because we are pretty good friends.&rdquo;</p>
+<p>At that moment we all changed our attitude slightly.&nbsp;
+Mills&rsquo; staring eyes moved for a glance towards Blunt, I,
+who was occupying the divan, raised myself on the cushions a
+little and Mr. Blunt, with half a turn, put his elbow on the
+table.</p>
+<p>&ldquo;I asked her what it was.&nbsp; I don&rsquo;t
+see,&rdquo; went on Mr. Blunt, with a perfectly horrible
+gentleness, &ldquo;why I should have shown particular
+consideration to the heiress of Mr. All&egrave;gre.&nbsp; I
+don&rsquo;t mean to that particular mood of hers.&nbsp; It was
+the mood of weariness.&nbsp; And so she told me.&nbsp; It&rsquo;s
+fear.&nbsp; I will say it once again: Fear. . . .&rdquo;</p>
+<p>He added after a pause, &ldquo;There can be not the slightest
+doubt of her courage.&nbsp; But she distinctly uttered the word
+fear.&rdquo;</p>
+<p>There was under the table the noise of Mills stretching his
+legs.</p>
+<p>&ldquo;A person of imagination,&rdquo; he began, &ldquo;a
+young, virgin intelligence, steeped for nearly five years in the
+talk of All&egrave;gre&rsquo;s studio, where every hard truth had
+been cracked and every belief had been worried into shreds.&nbsp;
+They were like a lot of intellectual dogs, you know . .
+.&rdquo;</p>
+<p>&ldquo;Yes, yes, of course,&rdquo; Blunt interrupted hastily,
+&ldquo;the intellectual personality altogether adrift, a soul
+without a home . . . but I, who am neither very fine nor very
+deep, I am convinced that the fear is material.&rdquo;</p>
+<p>&ldquo;Because she confessed to it being that?&rdquo;
+insinuated Mills.</p>
+<p>&ldquo;No, because she didn&rsquo;t,&rdquo; contradicted
+Blunt, with an angry frown and in an extremely suave voice.&nbsp;
+&ldquo;In fact, she bit her tongue.&nbsp; And considering what
+good friends we are (under fire together and all that) I conclude
+that there is nothing there to boast of.&nbsp; Neither is my
+friendship, as a matter of fact.&rdquo;</p>
+<p>Mills&rsquo; face was the very perfection of
+indifference.&nbsp; But I who was looking at him, in my
+innocence, to discover what it all might mean, I had a notion
+that it was perhaps a shade too perfect.</p>
+<p>&ldquo;My leave is a farce,&rdquo; Captain Blunt burst out,
+with a most unexpected exasperation.&nbsp; &ldquo;As an officer
+of Don Carlos, I have no more standing than a bandit.&nbsp; I
+ought to have been interned in those filthy old barracks in
+Avignon a long time ago. . . Why am I not?&nbsp; Because
+Do&ntilde;a Rita exists and for no other reason on earth.&nbsp;
+Of course it&rsquo;s known that I am about.&nbsp; She has only to
+whisper over the wires to the Minister of the Interior,
+&lsquo;Put that bird in a cage for me,&rsquo; and the thing would
+be done without any more formalities than that. . . Sad world
+this,&rdquo; he commented in a changed tone.&nbsp;
+&ldquo;Nowadays a gentleman who lives by his sword is exposed to
+that sort of thing.&rdquo;</p>
+<p>It was then for the first time I heard Mr. Mills laugh.&nbsp;
+It was a deep, pleasant, kindly note, not very loud and
+altogether free from that quality of derision that spoils so many
+laughs and gives away the secret hardness of hearts.&nbsp; But
+neither was it a very joyous laugh.</p>
+<p>&ldquo;But the truth of the matter is that I am &lsquo;<i>en
+mission</i>,&rsquo;&rdquo; continued Captain Blunt.&nbsp;
+&ldquo;I have been instructed to settle some things, to set other
+things going, and, by my instructions, Do&ntilde;a Rita is to be
+the intermediary for all those objects.&nbsp; And why?&nbsp;
+Because every bald head in this Republican Government gets pink
+at the top whenever her dress rustles outside the door.&nbsp;
+They bow with immense deference when the door opens, but the bow
+conceals a smirk because of those Venetian days.&nbsp; That
+confounded Versoy shoved his nose into that business; he says
+accidentally.&nbsp; He saw them together on the Lido and (those
+writing fellows are horrible) he wrote what he calls a vignette
+(I suppose accidentally, too) under that very title.&nbsp; There
+was in it a Prince and a lady and a big dog.&nbsp; He described
+how the Prince on landing from the gondola emptied his purse into
+the hands of a picturesque old beggar, while the lady, a little
+way off, stood gazing back at Venice with the dog romantically
+stretched at her feet.&nbsp; One of Versoy&rsquo;s beautiful
+prose vignettes in a great daily that has a literary
+column.&nbsp; But some other papers that didn&rsquo;t care a cent
+for literature rehashed the mere fact.&nbsp; And that&rsquo;s the
+sort of fact that impresses your political man, especially if the
+lady is, well, such as she is . . .&rdquo;</p>
+<p>He paused.&nbsp; His dark eyes flashed fatally, away from us,
+in the direction of the shy dummy; and then he went on with
+cultivated cynicism.</p>
+<p>&ldquo;So she rushes down here.&nbsp; Overdone, weary, rest
+for her nerves.&nbsp; Nonsense.&nbsp; I assure you she has no
+more nerves than I have.&rdquo;</p>
+<p>I don&rsquo;t know how he meant it, but at that moment, slim
+and elegant, he seemed a mere bundle of nerves himself, with the
+flitting expressions on his thin, well-bred face, with the
+restlessness of his meagre brown hands amongst the objects on the
+table.&nbsp; With some pipe ash amongst a little spilt wine his
+forefinger traced a capital R.&nbsp; Then he looked into an empty
+glass profoundly.&nbsp; I have a notion that I sat there staring
+and listening like a yokel at a play.&nbsp; Mills&rsquo; pipe was
+lying quite a foot away in front of him, empty, cold.&nbsp;
+Perhaps he had no more tobacco.&nbsp; Mr. Blunt assumed his
+dandified air&mdash;nervously.</p>
+<p>&ldquo;Of course her movements are commented on in the most
+exclusive drawing-rooms and also in other places, also exclusive,
+but where the gossip takes on another tone.&nbsp; There they are
+probably saying that she has got a &lsquo;<i>coup de
+coeur</i>&rsquo; for some one.&nbsp; Whereas I think she is
+utterly incapable of that sort of thing.&nbsp; That Venetian
+affair, the beginning of it and the end of it, was nothing but a
+<i>coup de t&ecirc;te</i>, and all those activities in which I am
+involved, as you see (by order of Headquarters, ha, ha, ha!), are
+nothing but that, all this connection, all this intimacy into
+which I have dropped . . . Not to speak of my mother, who is
+delightful, but as irresponsible as one of those crazy princesses
+that shock their Royal families. . . &rdquo;</p>
+<p>He seemed to bite his tongue and I observed that Mills&rsquo;
+eyes seemed to have grown wider than I had ever seen them
+before.&nbsp; In that tranquil face it was a great play of
+feature.&nbsp; &ldquo;An intimacy,&rdquo; began Mr. Blunt, with
+an extremely refined grimness of tone, &ldquo;an intimacy with
+the heiress of Mr. All&egrave;gre on the part of . . . on my
+part, well, it isn&rsquo;t exactly . . . it&rsquo;s open . . .
+well, I leave it to you, what does it look like?&rdquo;</p>
+<p>&ldquo;Is there anybody looking on?&rdquo; Mills let fall,
+gently, through his kindly lips.</p>
+<p>&ldquo;Not actually, perhaps, at this moment.&nbsp; But I
+don&rsquo;t need to tell a man of the world, like you, that such
+things cannot remain unseen.&nbsp; And that they are, well,
+compromising, because of the mere fact of the fortune.&rdquo;</p>
+<p>Mills got on his feet, looked for his jacket and after getting
+into it made himself heard while he looked for his hat.</p>
+<p>&ldquo;Whereas the woman herself is, so to speak,
+priceless.&rdquo;</p>
+<p>Mr. Blunt muttered the word &ldquo;Obviously.&rdquo;</p>
+<p>By then we were all on our feet.&nbsp; The iron stove glowed
+no longer and the lamp, surrounded by empty bottles and empty
+glasses, had grown dimmer.</p>
+<p>I know that I had a great shiver on getting away from the
+cushions of the divan.</p>
+<p>&ldquo;We will meet again in a few hours,&rdquo; said Mr.
+Blunt.</p>
+<p>&ldquo;Don&rsquo;t forget to come,&rdquo; he said, addressing
+me.&nbsp; &ldquo;Oh, yes, do.&nbsp; Have no scruples.&nbsp; I am
+authorized to make invitations.&rdquo;</p>
+<p>He must have noticed my shyness, my surprise, my
+embarrassment.&nbsp; And indeed I didn&rsquo;t know what to
+say.</p>
+<p>&ldquo;I assure you there isn&rsquo;t anything incorrect in
+your coming,&rdquo; he insisted, with the greatest
+civility.&nbsp; &ldquo;You will be introduced by two good
+friends, Mills and myself.&nbsp; Surely you are not afraid of a
+very charming woman. . . .&rdquo;</p>
+<p>I was not afraid, but my head swam a little and I only looked
+at him mutely.</p>
+<p>&ldquo;Lunch precisely at midday.&nbsp; Mills will bring you
+along.&nbsp; I am sorry you two are going.&nbsp; I shall throw
+myself on the bed for an hour or two, but I am sure I won&rsquo;t
+sleep.&rdquo;</p>
+<p>He accompanied us along the passage into the black-and-white
+hall, where the low gas flame glimmered forlornly.&nbsp; When he
+opened the front door the cold blast of the mistral rushing down
+the street of the Consuls made me shiver to the very marrow of my
+bones.</p>
+<p>Mills and I exchanged but a few words as we walked down
+towards the centre of the town.&nbsp; In the chill tempestuous
+dawn he strolled along musingly, disregarding the discomfort of
+the cold, the depressing influence of the hour, the desolation of
+the empty streets in which the dry dust rose in whirls in front
+of us, behind us, flew upon us from the side streets.&nbsp; The
+masks had gone home and our footsteps echoed on the flagstones
+with unequal sound as of men without purpose, without hope.</p>
+<p>&ldquo;I suppose you will come,&rdquo; said Mills
+suddenly.</p>
+<p>&ldquo;I really don&rsquo;t know,&rdquo; I said.</p>
+<p>&ldquo;Don&rsquo;t you?&nbsp; Well, remember I am not trying
+to persuade you; but I am staying at the H&ocirc;tel de Louvre
+and I shall leave there at a quarter to twelve for that
+lunch.&nbsp; At a quarter to twelve, not a minute later.&nbsp; I
+suppose you can sleep?&rdquo;</p>
+<p>I laughed.</p>
+<p>&ldquo;Charming age, yours,&rdquo; said Mills, as we came out
+on the quays.&nbsp; Already dim figures of the workers moved in
+the biting dawn and the masted forms of ships were coming out
+dimly, as far as the eye could reach down the old harbour.</p>
+<p>&ldquo;Well,&rdquo; Mills began again, &ldquo;you may
+oversleep yourself.&rdquo;</p>
+<p>This suggestion was made in a cheerful tone, just as we shook
+hands at the lower end of the Cannebi&egrave;re.&nbsp; He looked
+very burly as he walked away from me.&nbsp; I went on towards my
+lodgings.&nbsp; My head was very full of confused images, but I
+was really too tired to think.</p>
+<h2>PART TWO</h2>
+<h3>CHAPTER I</h3>
+<p>Sometimes I wonder yet whether Mills wished me to oversleep
+myself or not: that is, whether he really took sufficient
+interest to care.&nbsp; His uniform kindliness of manner made it
+impossible for me to tell.&nbsp; And I can hardly remember my own
+feelings.&nbsp; Did I care?&nbsp; The whole recollection of that
+time of my life has such a peculiar quality that the beginning
+and the end of it are merged in one sensation of profound
+emotion, continuous and overpowering, containing the extremes of
+exultation, full of careless joy and of an invincible
+sadness&mdash;like a day-dream.&nbsp; The sense of all this
+having been gone through as if in one great rush of imagination
+is all the stronger in the distance of time, because it had
+something of that quality even then: of fate unprovoked, of
+events that didn&rsquo;t cast any shadow before.</p>
+<p>Not that those events were in the least extraordinary.&nbsp;
+They were, in truth, commonplace.&nbsp; What to my backward
+glance seems startling and a little awful is their punctualness
+and inevitability.&nbsp; Mills was punctual.&nbsp; Exactly at a
+quarter to twelve he appeared under the lofty portal of the
+H&ocirc;tel de Louvre, with his fresh face, his ill-fitting grey
+suit, and enveloped in his own sympathetic atmosphere.</p>
+<p>How could I have avoided him?&nbsp; To this day I have a
+shadowy conviction of his inherent distinction of mind and heart,
+far beyond any man I have ever met since.&nbsp; He was
+unavoidable: and of course I never tried to avoid him.&nbsp; The
+first sight on which his eyes fell was a victoria pulled up
+before the hotel door, in which I sat with no sentiment I can
+remember now but that of some slight shyness.&nbsp; He got in
+without a moment&rsquo;s hesitation, his friendly glance took me
+in from head to foot and (such was his peculiar gift) gave me a
+pleasurable sensation.</p>
+<p>After we had gone a little way I couldn&rsquo;t help saying to
+him with a bashful laugh: &ldquo;You know, it seems very
+extraordinary that I should be driving out with you like
+this.&rdquo;</p>
+<p>He turned to look at me and in his kind voice:</p>
+<p>&ldquo;You will find everything extremely simple,&rdquo; he
+said.&nbsp; &ldquo;So simple that you will be quite able to hold
+your own.&nbsp; I suppose you know that the world is selfish, I
+mean the majority of the people in it, often unconsciously I must
+admit, and especially people with a mission, with a fixed idea,
+with some fantastic object in view, or even with only some
+fantastic illusion.&nbsp; That doesn&rsquo;t mean that they have
+no scruples.&nbsp; And I don&rsquo;t know that at this moment I
+myself am not one of them.&rdquo;</p>
+<p>&ldquo;That, of course, I can&rsquo;t say,&rdquo; I
+retorted.</p>
+<p>&ldquo;I haven&rsquo;t seen her for years,&rdquo; he said,
+&ldquo;and in comparison with what she was then she must be very
+grown up by now.&nbsp; From what we heard from Mr. Blunt she had
+experiences which would have matured her more than they would
+teach her.&nbsp; There are of course people that are not
+teachable.&nbsp; I don&rsquo;t know that she is one of
+them.&nbsp; But as to maturity that&rsquo;s quite another
+thing.&nbsp; Capacity for suffering is developed in every human
+being worthy of the name.&rdquo;</p>
+<p>&ldquo;Captain Blunt doesn&rsquo;t seem to be a very happy
+person,&rdquo; I said.&nbsp; &ldquo;He seems to have a grudge
+against everybody.&nbsp; People make him wince.&nbsp; The things
+they do, the things they say.&nbsp; He must be awfully
+mature.&rdquo;</p>
+<p>Mills gave me a sidelong look.&nbsp; It met mine of the same
+character and we both smiled without openly looking at each
+other.&nbsp; At the end of the Rue de Rome the violent chilly
+breath of the mistral enveloped the victoria in a great widening
+of brilliant sunshine without heat.&nbsp; We turned to the right,
+circling at a stately pace about the rather mean obelisk which
+stands at the entrance to the Prado.</p>
+<p>&ldquo;I don&rsquo;t know whether you are mature or
+not,&rdquo; said Mills humorously.&nbsp; &ldquo;But I think you
+will do.&nbsp; You . . . &rdquo;</p>
+<p>&ldquo;Tell me,&rdquo; I interrupted, &ldquo;what is really
+Captain Blunt&rsquo;s position there?&rdquo;</p>
+<p>And I nodded at the alley of the Prado opening before us
+between the rows of the perfectly leafless trees.</p>
+<p>&ldquo;Thoroughly false, I should think.&nbsp; It
+doesn&rsquo;t accord either with his illusions or his
+pretensions, or even with the real position he has in the
+world.&nbsp; And so what between his mother and the General
+Headquarters and the state of his own feelings he. . .
+&rdquo;</p>
+<p>&ldquo;He is in love with her,&rdquo; I interrupted again.</p>
+<p>&ldquo;That wouldn&rsquo;t make it any easier.&nbsp; I&rsquo;m
+not at all sure of that.&nbsp; But if so it can&rsquo;t be a very
+idealistic sentiment.&nbsp; All the warmth of his idealism is
+concentrated upon a certain &lsquo;<i>Am&eacute;ricain</i>,
+<i>Catholique et gentil-homme</i>. . . &rsquo;&rdquo;</p>
+<p>The smile which for a moment dwelt on his lips was not
+unkind.</p>
+<p>&ldquo;At the same time he has a very good grip of the
+material conditions that surround, as it were, the
+situation.&rdquo;</p>
+<p>&ldquo;What do you mean?&nbsp; That Do&ntilde;a Rita&rdquo;
+(the name came strangely familiar to my tongue) &ldquo;is rich,
+that she has a fortune of her own?&rdquo;</p>
+<p>&ldquo;Yes, a fortune,&rdquo; said Mills.&nbsp; &ldquo;But it
+was All&egrave;gre&rsquo;s fortune before. . . And then there is
+Blunt&rsquo;s fortune: he lives by his sword.&nbsp; And there is
+the fortune of his mother, I assure you a perfectly charming,
+clever, and most aristocratic old lady, with the most
+distinguished connections.&nbsp; I really mean it.&nbsp; She
+doesn&rsquo;t live by her sword.&nbsp; She . . . she lives by her
+wits.&nbsp; I have a notion that those two dislike each other
+heartily at times. . . Here we are.&rdquo;</p>
+<p>The victoria stopped in the side alley, bordered by the low
+walls of private grounds.&nbsp; We got out before a wrought-iron
+gateway which stood half open and walked up a circular drive to
+the door of a large villa of a neglected appearance.&nbsp; The
+mistral howled in the sunshine, shaking the bare bushes quite
+furiously.&nbsp; And everything was bright and hard, the air was
+hard, the light was hard, the ground under our feet was hard.</p>
+<p>The door at which Mills rang came open almost at once.&nbsp;
+The maid who opened it was short, dark, and slightly
+pockmarked.&nbsp; For the rest, an obvious
+&ldquo;<i>femme-de-chambre</i>,&rdquo; and very busy.&nbsp; She
+said quickly, &ldquo;Madame has just returned from her
+ride,&rdquo; and went up the stairs leaving us to shut the front
+door ourselves.</p>
+<p>The staircase had a crimson carpet.&nbsp; Mr. Blunt appeared
+from somewhere in the hall.&nbsp; He was in riding breeches and a
+black coat with ample square skirts.&nbsp; This get-up suited him
+but it also changed him extremely by doing away with the effect
+of flexible slimness he produced in his evening clothes.&nbsp; He
+looked to me not at all himself but rather like a brother of the
+man who had been talking to us the night before.&nbsp; He carried
+about him a delicate perfume of scented soap.&nbsp; He gave us a
+flash of his white teeth and said:</p>
+<p>&ldquo;It&rsquo;s a perfect nuisance.&nbsp; We have just
+dismounted.&nbsp; I will have to lunch as I am.&nbsp; A lifelong
+habit of beginning her day on horseback.&nbsp; She pretends she
+is unwell unless she does.&nbsp; I daresay, when one thinks there
+has been hardly a day for five or six years that she didn&rsquo;t
+begin with a ride.&nbsp; That&rsquo;s the reason she is always
+rushing away from Paris where she can&rsquo;t go out in the
+morning alone.&nbsp; Here, of course, it&rsquo;s different.&nbsp;
+And as I, too, am a stranger here I can go out with her.&nbsp;
+Not that I particularly care to do it.&rdquo;</p>
+<p>These last words were addressed to Mills specially, with the
+addition of a mumbled remark: &ldquo;It&rsquo;s a confounded
+position.&rdquo;&nbsp; Then calmly to me with a swift smile:
+&ldquo;We have been talking of you this morning.&nbsp; You are
+expected with impatience.&rdquo;</p>
+<p>&ldquo;Thank you very much,&rdquo; I said, &ldquo;but I
+can&rsquo;t help asking myself what I am doing here.&rdquo;</p>
+<p>The upward cast in the eyes of Mills who was facing the
+staircase made us both, Blunt and I, turn round.&nbsp; The woman
+of whom I had heard so much, in a sort of way in which I had
+never heard a woman spoken of before, was coming down the stairs,
+and my first sensation was that of profound astonishment at this
+evidence that she did really exist.&nbsp; And even then the
+visual impression was more of colour in a picture than of the
+forms of actual life.&nbsp; She was wearing a wrapper, a sort of
+dressing-gown of pale blue silk embroidered with black and gold
+designs round the neck and down the front, lapped round her and
+held together by a broad belt of the same material.&nbsp; Her
+slippers were of the same colour, with black bows at the
+instep.&nbsp; The white stairs, the deep crimson of the carpet,
+and the light blue of the dress made an effective combination of
+colour to set off the delicate carnation of that face, which,
+after the first glance given to the whole person, drew
+irresistibly your gaze to itself by an indefinable quality of
+charm beyond all analysis and made you think of remote races, of
+strange generations, of the faces of women sculptured on
+immemorial monuments and of those lying unsung in their
+tombs.&nbsp; While she moved downwards from step to step with
+slightly lowered eyes there flashed upon me suddenly the
+recollection of words heard at night, of All&egrave;gre&rsquo;s
+words about her, of there being in her &ldquo;something of the
+women of all time.&rdquo;</p>
+<p>At the last step she raised her eyelids, treated us to an
+exhibition of teeth as dazzling as Mr. Blunt&rsquo;s and looking
+even stronger; and indeed, as she approached us she brought home
+to our hearts (but after all I am speaking only for myself) a
+vivid sense of her physical perfection in beauty of limb and
+balance of nerves, and not so much of grace, probably, as of
+absolute harmony.</p>
+<p>She said to us, &ldquo;I am sorry I kept you
+waiting.&rdquo;&nbsp; Her voice was low pitched, penetrating, and
+of the most seductive gentleness.&nbsp; She offered her hand to
+Mills very frankly as to an old friend.&nbsp; Within the
+extraordinarily wide sleeve, lined with black silk, I could see
+the arm, very white, with a pearly gleam in the shadow.&nbsp; But
+to me she extended her hand with a slight stiffening, as it were
+a recoil of her person, combined with an extremely straight
+glance.&nbsp; It was a finely shaped, capable hand.&nbsp; I bowed
+over it, and we just touched fingers.&nbsp; I did not look then
+at her face.</p>
+<p>Next moment she caught sight of some envelopes lying on the
+round marble-topped table in the middle of the hall.&nbsp; She
+seized one of them with a wonderfully quick, almost feline,
+movement and tore it open, saying to us, &ldquo;Excuse me, I must
+. . . Do go into the dining-room.&nbsp; Captain Blunt, show the
+way.&rdquo;</p>
+<p>Her widened eyes stared at the paper.&nbsp; Mr. Blunt threw
+one of the doors open, but before we passed through it we heard a
+petulant exclamation accompanied by childlike stamping with both
+feet and ending in a laugh which had in it a note of
+contempt.</p>
+<p>The door closed behind us; we had been abandoned by Mr.
+Blunt.&nbsp; He had remained on the other side, possibly to
+soothe.&nbsp; The room in which we found ourselves was long like
+a gallery and ended in a rotunda with many windows.&nbsp; It was
+long enough for two fireplaces of red polished granite.&nbsp; A
+table laid out for four occupied very little space.&nbsp; The
+floor inlaid in two kinds of wood in a bizarre pattern was highly
+waxed, reflecting objects like still water.</p>
+<p>Before very long Do&ntilde;a Rita and Blunt rejoined us and we
+sat down around the table; but before we could begin to talk a
+dramatically sudden ring at the front door stilled our incipient
+animation.&nbsp; Do&ntilde;a Rita looked at us all in turn, with
+surprise and, as it were, with suspicion.&nbsp; &ldquo;How did he
+know I was here?&rdquo; she whispered after looking at the card
+which was brought to her.&nbsp;&nbsp; She passed it to Blunt, who
+passed it to Mills, who made a faint grimace, dropped it on the
+table-cloth, and only whispered to me, &ldquo;A journalist from
+Paris.&rdquo;</p>
+<p>&ldquo;He has run me to earth,&rdquo; said Do&ntilde;a
+Rita.&nbsp; &ldquo;One would bargain for peace against hard cash
+if these fellows weren&rsquo;t always ready to snatch at
+one&rsquo;s very soul with the other hand.&nbsp; It frightens
+me.&rdquo;</p>
+<p>Her voice floated mysterious and penetrating from her lips,
+which moved very little.&nbsp; Mills was watching her with
+sympathetic curiosity.&nbsp; Mr. Blunt muttered: &ldquo;Better
+not make the brute angry.&rdquo;&nbsp; For a moment Do&ntilde;a
+Rita&rsquo;s face, with its narrow eyes, its wide brow, and high
+cheek bones, became very still; then her colour was a little
+heightened.&nbsp; &ldquo;Oh,&rdquo; she said softly, &ldquo;let
+him come in.&nbsp; He would be really dangerous if he had a
+mind&mdash;you know,&rdquo; she said to Mills.</p>
+<p>The person who had provoked all those remarks and as much
+hesitation as though he had been some sort of wild beast
+astonished me on being admitted, first by the beauty of his white
+head of hair and then by his paternal aspect and the innocent
+simplicity of his manner.&nbsp; They laid a cover for him between
+Mills and Do&ntilde;a Rita, who quite openly removed the
+envelopes she had brought with her, to the other side of her
+plate.&nbsp; As openly the man&rsquo;s round china-blue eyes
+followed them in an attempt to make out the handwriting of the
+addresses.</p>
+<p>He seemed to know, at least slightly, both Mills and
+Blunt.&nbsp; To me he gave a stare of stupid surprise.&nbsp; He
+addressed our hostess.</p>
+<p>&ldquo;Resting?&nbsp; Rest is a very good thing.&nbsp; Upon my
+word, I thought I would find you alone.&nbsp; But you have too
+much sense.&nbsp; Neither man nor woman has been created to live
+alone. . . .&rdquo;&nbsp; After this opening he had all the talk
+to himself.&nbsp; It was left to him pointedly, and I verily
+believe that I was the only one who showed an appearance of
+interest.&nbsp; I couldn&rsquo;t help it.&nbsp; The others,
+including Mills, sat like a lot of deaf and dumb people.&nbsp;
+No.&nbsp; It was even something more detached.&nbsp; They sat
+rather like a very superior lot of waxworks, with the fixed but
+indetermined facial expression and with that odd air wax figures
+have of being aware of their existence being but a sham.</p>
+<p>I was the exception; and nothing could have marked better my
+status of a stranger, the completest possible stranger in the
+moral region in which those people lived, moved, enjoying or
+suffering their incomprehensible emotions.&nbsp; I was as much of
+a stranger as the most hopeless castaway stumbling in the dark
+upon a hut of natives and finding them in the grip of some
+situation appertaining to the mentalities, prejudices, and
+problems of an undiscovered country&mdash;of a country of which
+he had not even had one single clear glimpse before.</p>
+<p>It was even worse in a way.&nbsp; It ought to have been more
+disconcerting.&nbsp; For, pursuing the image of the cast-away
+blundering upon the complications of an unknown scheme of life,
+it was I, the castaway, who was the savage, the simple innocent
+child of nature.&nbsp; Those people were obviously more civilized
+than I was.&nbsp; They had more rites, more ceremonies, more
+complexity in their sensations, more knowledge of evil, more
+varied meanings to the subtle phrases of their language.&nbsp;
+Naturally!&nbsp; I was still so young!&nbsp; And yet I assure
+you, that just then I lost all sense of inferiority.&nbsp; And
+why?&nbsp; Of course the carelessness and the ignorance of youth
+had something to do with that.&nbsp; But there was something else
+besides.&nbsp; Looking at Do&ntilde;a Rita, her head leaning on
+her hand, with her dark lashes lowered on the slightly flushed
+cheek, I felt no longer alone in my youth.&nbsp; That woman of
+whom I had heard these things I have set down with all the
+exactness of unfailing memory, that woman was revealed to me
+young, younger than anybody I had ever seen, as young as myself
+(and my sensation of my youth was then very acute); revealed with
+something peculiarly intimate in the conviction, as if she were
+young exactly in the same way in which I felt myself young; and
+that therefore no misunderstanding between us was possible and
+there could be nothing more for us to know about each
+other.&nbsp; Of course this sensation was momentary, but it was
+illuminating; it was a light which could not last, but it left no
+darkness behind.&nbsp; On the contrary, it seemed to have kindled
+magically somewhere within me a glow of assurance, of
+unaccountable confidence in myself: a warm, steady, and eager
+sensation of my individual life beginning for good there, on that
+spot, in that sense of solidarity, in that seduction.</p>
+<h3>CHAPTER II</h3>
+<p>For this, properly speaking wonderful, reason I was the only
+one of the company who could listen without constraint to the
+unbidden guest with that fine head of white hair, so beautifully
+kept, so magnificently waved, so artistically arranged that
+respect could not be felt for it any more than for a very
+expensive wig in the window of a hair-dresser.&nbsp; In fact, I
+had an inclination to smile at it.&nbsp; This proves how
+unconstrained I felt.&nbsp; My mind was perfectly at liberty; and
+so of all the eyes in that room mine was the only pair able to
+look about in easy freedom.&nbsp; All the other listeners&rsquo;
+eyes were cast down, including Mills&rsquo; eyes, but that I am
+sure was only because of his perfect and delicate sympathy.&nbsp;
+He could not have been concerned otherwise.</p>
+<p>The intruder devoured the cutlets&mdash;if they were
+cutlets.&nbsp; Notwithstanding my perfect liberty of mind I was
+not aware of what we were eating.&nbsp; I have a notion that the
+lunch was a mere show, except of course for the man with the
+white hair, who was really hungry and who, besides, must have had
+the pleasant sense of dominating the situation.&nbsp; He stooped
+over his plate and worked his jaw deliberately while his blue
+eyes rolled incessantly; but as a matter of fact he never looked
+openly at any one of us.&nbsp; Whenever he laid down his knife
+and fork he would throw himself back and start retailing in a
+light tone some Parisian gossip about prominent people.</p>
+<p>He talked first about a certain politician of mark.&nbsp; His
+&ldquo;dear Rita&rdquo; knew him.&nbsp; His costume dated back to
+&rsquo;48, he was made of wood and parchment and still swathed
+his neck in a white cloth; and even his wife had never been seen
+in a low-necked dress.&nbsp; Not once in her life.&nbsp; She was
+buttoned up to the chin like her husband.&nbsp; Well, that man
+had confessed to him that when he was engaged in political
+controversy, not on a matter of principle but on some special
+measure in debate, he felt ready to kill everybody.</p>
+<p>He interrupted himself for a comment.&nbsp; &ldquo;I am
+something like that myself.&nbsp; I believe it&rsquo;s a purely
+professional feeling.&nbsp; Carry one&rsquo;s point whatever it
+is.&nbsp; Normally I couldn&rsquo;t kill a fly.&nbsp; My
+sensibility is too acute for that.&nbsp; My heart is too tender
+also.&nbsp; Much too tender.&nbsp; I am a Republican.&nbsp; I am
+a Red.&nbsp; As to all our present masters and governors, all
+those people you are trying to turn round your little finger,
+they are all horrible Royalists in disguise.&nbsp; They are
+plotting the ruin of all the institutions to which I am
+devoted.&nbsp; But I have never tried to spoil your little game,
+Rita.&nbsp; After all, it&rsquo;s but a little game.&nbsp; You
+know very well that two or three fearless articles, something in
+my style, you know, would soon put a stop to all that underhand
+backing of your king.&nbsp; I am calling him king because I want
+to be polite to you.&nbsp; He is an adventurer, a blood-thirsty,
+murderous adventurer, for me, and nothing else.&nbsp; Look here,
+my dear child, what are you knocking yourself about for?&nbsp;
+For the sake of that bandit?&nbsp; <i>Allons donc</i>!&nbsp; A
+pupil of Henry All&egrave;gre can have no illusions of that sort
+about any man.&nbsp; And such a pupil, too!&nbsp; Ah, the good
+old days in the Pavilion!&nbsp; Don&rsquo;t think I claim any
+particular intimacy.&nbsp; It was just enough to enable me to
+offer my services to you, Rita, when our poor friend died.&nbsp;
+I found myself handy and so I came.&nbsp; It so happened that I
+was the first.&nbsp; You remember, Rita?&nbsp; What made it
+possible for everybody to get on with our poor dear
+All&egrave;gre was his complete, equable, and impartial contempt
+for all mankind.&nbsp; There is nothing in that against the
+purest democratic principles; but that you, Rita, should elect to
+throw so much of your life away for the sake of a Royal
+adventurer, it really knocks me over.&nbsp; For you don&rsquo;t
+love him.&nbsp; You never loved him, you know.&rdquo;</p>
+<p>He made a snatch at her hand, absolutely pulled it away from
+under her head (it was quite startling) and retaining it in his
+grasp, proceeded to a paternal patting of the most impudent
+kind.&nbsp; She let him go on with apparent insensibility.&nbsp;
+Meanwhile his eyes strayed round the table over our faces.&nbsp;
+It was very trying.&nbsp; The stupidity of that wandering stare
+had a paralysing power.&nbsp; He talked at large with husky
+familiarity.</p>
+<p>&ldquo;Here I come, expecting to find a good sensible girl who
+had seen at last the vanity of all those things; half-light in
+the rooms; surrounded by the works of her favourite poets, and
+all that sort of thing.&nbsp; I say to myself: I must just run in
+and see the dear wise child, and encourage her in her good
+resolutions. . . And I fall into the middle of an <i>intime</i>
+lunch-party.&nbsp; For I suppose it is <i>intime</i>.&nbsp;
+Eh?&nbsp; Very?&nbsp; H&rsquo;m, yes . . . &rdquo;</p>
+<p>He was really appalling.&nbsp; Again his wandering stare went
+round the table, with an expression incredibly incongruous with
+the words.&nbsp; It was as though he had borrowed those eyes from
+some idiot for the purpose of that visit.&nbsp; He still held
+Do&ntilde;a Rita&rsquo;s hand, and, now and then, patted it.</p>
+<p>&ldquo;It&rsquo;s discouraging,&rdquo; he cooed.&nbsp;
+&ldquo;And I believe not one of you here is a Frenchman.&nbsp; I
+don&rsquo;t know what you are all about.&nbsp; It&rsquo;s beyond
+me.&nbsp; But if we were a Republic&mdash;you know I am an old
+Jacobin, sans-culotte and terrorist&mdash;if this were a real
+Republic with the Convention sitting and a Committee of Public
+Safety attending to national business, you would all get your
+heads cut off.&nbsp; Ha, ha . . . I am joking, ha, ha! . . . and
+serve you right, too.&nbsp; Don&rsquo;t mind my little
+joke.&rdquo;</p>
+<p>While he was still laughing he released her hand and she
+leaned her head on it again without haste.&nbsp; She had never
+looked at him once.</p>
+<p>During the rather humiliating silence that ensued he got a
+leather cigar case like a small valise out of his pocket, opened
+it and looked with critical interest at the six cigars it
+contained.&nbsp; The tireless <i>femme-de-chambre</i> set down a
+tray with coffee cups on the table.&nbsp; We each (glad, I
+suppose, of something to do) took one, but he, to begin with,
+sniffed at his.&nbsp; Do&ntilde;a Rita continued leaning on her
+elbow, her lips closed in a reposeful expression of peculiar
+sweetness.&nbsp; There was nothing drooping in her
+attitude.&nbsp; Her face with the delicate carnation of a rose
+and downcast eyes was as if veiled in firm immobility and was so
+appealing that I had an insane impulse to walk round and kiss the
+forearm on which it was leaning; that strong, well-shaped
+forearm, gleaming not like marble but with a living and warm
+splendour.&nbsp; So familiar had I become already with her in my
+thoughts!&nbsp; Of course I didn&rsquo;t do anything of the
+sort.&nbsp; It was nothing uncontrollable, it was but a tender
+longing of a most respectful and purely sentimental kind.&nbsp; I
+performed the act in my thought quietly, almost solemnly, while
+the creature with the silver hair leaned back in his chair,
+puffing at his cigar, and began to speak again.</p>
+<p>It was all apparently very innocent talk.&nbsp; He informed
+his &ldquo;dear Rita&rdquo; that he was really on his way to
+Monte Carlo.&nbsp; A lifelong habit of his at this time of the
+year; but he was ready to run back to Paris if he could do
+anything for his &ldquo;<i>ch&egrave;re enfant</i>,&rdquo; run
+back for a day, for two days, for three days, for any time; miss
+Monte Carlo this year altogether, if he could be of the slightest
+use and save her going herself.&nbsp; For instance he could see
+to it that proper watch was kept over the Pavilion stuffed with
+all these art treasures.&nbsp; What was going to happen to all
+those things? . . . Making herself heard for the first time
+Do&ntilde;a Rita murmured without moving that she had made
+arrangements with the police to have it properly watched.&nbsp;
+And I was enchanted by the almost imperceptible play of her
+lips.</p>
+<p>But the anxious creature was not reassured.&nbsp; He pointed
+out that things had been stolen out of the Louvre, which was, he
+dared say, even better watched.&nbsp; And there was that
+marvellous cabinet on the landing, black lacquer with silver
+herons, which alone would repay a couple of burglars.&nbsp; A
+wheelbarrow, some old sacking, and they could trundle it off
+under people&rsquo;s noses.</p>
+<p>&ldquo;Have you thought it all out?&rdquo; she asked in a cold
+whisper, while we three sat smoking to give ourselves a
+countenance (it was certainly no enjoyment) and wondering what we
+would hear next.</p>
+<p>No, he had not.&nbsp; But he confessed that for years and
+years he had been in love with that cabinet.&nbsp; And anyhow
+what was going to happen to the things?&nbsp; The world was
+greatly exercised by that problem.&nbsp; He turned slightly his
+beautifully groomed white head so as to address Mr. Blunt
+directly.</p>
+<p>&ldquo;I had the pleasure of meeting your mother
+lately.&rdquo;</p>
+<p>Mr. Blunt took his time to raise his eyebrows and flash his
+teeth at him before he dropped negligently, &ldquo;I can&rsquo;t
+imagine where you could have met my mother.&rdquo;</p>
+<p>&ldquo;Why, at Bing&rsquo;s, the curio-dealer,&rdquo; said the
+other with an air of the heaviest possible stupidity.&nbsp; And
+yet there was something in these few words which seemed to imply
+that if Mr. Blunt was looking for trouble he would certainly get
+it.&nbsp; &ldquo;Bing was bowing her out of his shop, but he was
+so angry about something that he was quite rude even to me
+afterwards.&nbsp; I don&rsquo;t think it&rsquo;s very good for
+<i>Madame votre m&egrave;re</i> to quarrel with Bing.&nbsp; He is
+a Parisian personality.&nbsp; He&rsquo;s quite a power in his
+sphere.&nbsp; All these fellows&rsquo; nerves are upset from
+worry as to what will happen to the All&egrave;gre
+collection.&nbsp; And no wonder they are nervous.&nbsp; A big art
+event hangs on your lips, my dear, great Rita.&nbsp; And by the
+way, you too ought to remember that it isn&rsquo;t wise to
+quarrel with people.&nbsp; What have you done to that poor
+Azzolati?&nbsp; Did you really tell him to get out and never come
+near you again, or something awful like that?&nbsp; I don&rsquo;t
+doubt that he was of use to you or to your king.&nbsp; A man who
+gets invitations to shoot with the President at
+Rambouillet!&nbsp; I saw him only the other evening; I heard he
+had been winning immensely at cards; but he looked perfectly
+wretched, the poor fellow.&nbsp; He complained of your
+conduct&mdash;oh, very much!&nbsp; He told me you had been
+perfectly brutal with him.&nbsp; He said to me: &lsquo;I am no
+good for anything, <i>mon cher</i>.&nbsp; The other day at
+Rambouillet, whenever I had a hare at the end of my gun I would
+think of her cruel words and my eyes would run full of
+tears.&nbsp; I missed every shot&rsquo; . . . You are not fit for
+diplomatic work, you know, <i>ma ch&egrave;re</i>.&nbsp; You are
+a mere child at it.&nbsp; When you want a middle-aged gentleman
+to do anything for you, you don&rsquo;t begin by reducing him to
+tears.&nbsp; I should have thought any woman would have known
+that much.&nbsp; A nun would have known that much.&nbsp; What do
+you say?&nbsp; Shall I run back to Paris and make it up for you
+with Azzolati?&rdquo;</p>
+<p>He waited for her answer.&nbsp; The compression of his thin
+lips was full of significance.&nbsp; I was surprised to see our
+hostess shake her head negatively the least bit, for indeed by
+her pose, by the thoughtful immobility of her face she seemed to
+be a thousand miles away from us all, lost in an infinite
+reverie.</p>
+<p>He gave it up.&nbsp; &ldquo;Well, I must be off.&nbsp; The
+express for Nice passes at four o&rsquo;clock.&nbsp; I will be
+away about three weeks and then you shall see me again.&nbsp;
+Unless I strike a run of bad luck and get cleaned out, in which
+case you shall see me before then.&rdquo;</p>
+<p>He turned to Mills suddenly.</p>
+<p>&ldquo;Will your cousin come south this year, to that
+beautiful villa of his at Cannes?&rdquo;</p>
+<p>Mills hardly deigned to answer that he didn&rsquo;t know
+anything about his cousin&rsquo;s movements.</p>
+<p>&ldquo;A <i>grand seigneur</i> combined with a great
+connoisseur,&rdquo; opined the other heavily.&nbsp; His mouth had
+gone slack and he looked a perfect and grotesque imbecile under
+his wig-like crop of white hair.&nbsp; Positively I thought he
+would begin to slobber.&nbsp; But he attacked Blunt next.</p>
+<p>&ldquo;Are you on your way down, too?&nbsp; A little flutter.
+. . It seems to me you haven&rsquo;t been seen in your usual
+Paris haunts of late.&nbsp; Where have you been all this
+time?&rdquo;</p>
+<p>&ldquo;Don&rsquo;t you know where I have been?&rdquo; said Mr.
+Blunt with great precision.</p>
+<p>&ldquo;No, I only ferret out things that may be of some use to
+me,&rdquo; was the unexpected reply, uttered with an air of
+perfect vacancy and swallowed by Mr. Blunt in blank silence.</p>
+<p>At last he made ready to rise from the table.&nbsp;
+&ldquo;Think over what I have said, my dear Rita.&rdquo;</p>
+<p>&ldquo;It&rsquo;s all over and done with,&rdquo; was
+Do&ntilde;a Rita&rsquo;s answer, in a louder tone than I had ever
+heard her use before.&nbsp; It thrilled me while she continued:
+&ldquo;I mean, this thinking.&rdquo;&nbsp; She was back from the
+remoteness of her meditation, very much so indeed.&nbsp; She rose
+and moved away from the table, inviting by a sign the other to
+follow her; which he did at once, yet slowly and as it were
+warily.</p>
+<p>It was a conference in the recess of a window.&nbsp; We three
+remained seated round the table from which the dark maid was
+removing the cups and the plates with brusque movements.&nbsp; I
+gazed frankly at Do&ntilde;a Rita&rsquo;s profile, irregular,
+animated, and fascinating in an undefinable way, at her
+well-shaped head with the hair twisted high up and apparently
+held in its place by a gold arrow with a jewelled shaft.&nbsp; We
+couldn&rsquo;t hear what she said, but the movement of her lips
+and the play of her features were full of charm, full of
+interest, expressing both audacity and gentleness.&nbsp; She
+spoke with fire without raising her voice.&nbsp; The man listened
+round-shouldered, but seeming much too stupid to
+understand.&nbsp; I could see now and then that he was speaking,
+but he was inaudible.&nbsp; At one moment Do&ntilde;a Rita turned
+her head to the room and called out to the maid, &ldquo;Give me
+my hand-bag off the sofa.&rdquo;</p>
+<p>At this the other was heard plainly, &ldquo;No, no,&rdquo; and
+then a little lower, &ldquo;You have no tact, Rita. . .
+.&rdquo;&nbsp; Then came her argument in a low, penetrating voice
+which I caught, &ldquo;Why not?&nbsp; Between such old
+friends.&rdquo;&nbsp; However, she waved away the hand-bag, he
+calmed down, and their voices sank again.&nbsp; Presently I saw
+him raise her hand to his lips, while with her back to the room
+she continued to contemplate out of the window the bare and
+untidy garden.&nbsp; At last he went out of the room, throwing to
+the table an airy &ldquo;<i>Bonjour, bonjour</i>,&rdquo; which
+was not acknowledged by any of us three.</p>
+<h3>CHAPTER III</h3>
+<p>Mills got up and approached the figure at the window.&nbsp; To
+my extreme surprise, Mr. Blunt, after a moment of obviously
+painful hesitation, hastened out after the man with the white
+hair.</p>
+<p>In consequence of these movements I was left to myself and I
+began to be uncomfortably conscious of it when Do&ntilde;a Rita,
+near the window, addressed me in a raised voice.</p>
+<p>&ldquo;We have no confidences to exchange, Mr. Mills and
+I.&rdquo;</p>
+<p>I took this for an encouragement to join them.&nbsp; They were
+both looking at me.&nbsp; Do&ntilde;a Rita added, &ldquo;Mr.
+Mills and I are friends from old times, you know.&rdquo;</p>
+<p>Bathed in the softened reflection of the sunshine, which did
+not fall directly into the room, standing very straight with her
+arms down, before Mills, and with a faint smile directed to me,
+she looked extremely young, and yet mature.&nbsp; There was even,
+for a moment, a slight dimple in her cheek.</p>
+<p>&ldquo;How old, I wonder?&rdquo; I said, with an answering
+smile.</p>
+<p>&ldquo;Oh, for ages, for ages,&rdquo; she exclaimed hastily,
+frowning a little, then she went on addressing herself to Mills,
+apparently in continuation of what she was saying before.</p>
+<p>. . .&nbsp; &ldquo;This man&rsquo;s is an extreme case, and
+yet perhaps it isn&rsquo;t the worst.&nbsp; But that&rsquo;s the
+sort of thing.&nbsp; I have no account to render to anybody, but
+I don&rsquo;t want to be dragged along all the gutters where that
+man picks up his living.&rdquo;</p>
+<p>She had thrown her head back a little but there was no scorn,
+no angry flash under the dark-lashed eyelids.&nbsp; The words did
+not ring.&nbsp; I was struck for the first time by the even,
+mysterious quality of her voice.</p>
+<p>&ldquo;Will you let me suggest,&rdquo; said Mills, with a
+grave, kindly face, &ldquo;that being what you are, you have
+nothing to fear?&rdquo;</p>
+<p>&ldquo;And perhaps nothing to lose,&rdquo; she went on without
+bitterness.&nbsp; &ldquo;No.&nbsp; It isn&rsquo;t fear.&nbsp;
+It&rsquo;s a sort of dread.&nbsp; You must remember that no nun
+could have had a more protected life.&nbsp; Henry All&egrave;gre
+had his greatness.&nbsp; When he faced the world he also masked
+it.&nbsp; He was big enough for that.&nbsp; He filled the whole
+field of vision for me.&rdquo;</p>
+<p>&ldquo;You found that enough?&rdquo; asked Mills.</p>
+<p>&ldquo;Why ask now?&rdquo; she remonstrated.&nbsp; &ldquo;The
+truth&mdash;the truth is that I never asked myself.&nbsp; Enough
+or not there was no room for anything else.&nbsp; He was the
+shadow and the light and the form and the voice.&nbsp; He would
+have it so.&nbsp; The morning he died they came to call me at
+four o&rsquo;clock.&nbsp; I ran into his room bare-footed.&nbsp;
+He recognized me and whispered, &lsquo;You are
+flawless.&rsquo;&nbsp; I was very frightened.&nbsp; He seemed to
+think, and then said very plainly, &lsquo;Such is my
+character.&nbsp; I am like that.&rsquo;&nbsp; These were the last
+words he spoke.&nbsp; I hardly noticed them then.&nbsp; I was
+thinking that he was lying in a very uncomfortable position and I
+asked him if I should lift him up a little higher on the
+pillows.&nbsp; You know I am very strong.&nbsp; I could have done
+it.&nbsp; I had done it before.&nbsp; He raised his hand off the
+blanket just enough to make a sign that he didn&rsquo;t want to
+be touched.&nbsp; It was the last gesture he made.&nbsp; I hung
+over him and then&mdash;and then I nearly ran out of the house
+just as I was, in my night-gown.&nbsp; I think if I had been
+dressed I would have run out of the garden, into the
+street&mdash;run away altogether.&nbsp; I had never seen
+death.&nbsp; I may say I had never heard of it.&nbsp; I wanted to
+run from it.&rdquo;</p>
+<p>She paused for a long, quiet breath.&nbsp; The harmonized
+sweetness and daring of her face was made pathetic by her
+downcast eyes.</p>
+<p>&ldquo;<i>Fuir la mort</i>,&rdquo; she repeated, meditatively,
+in her mysterious voice.</p>
+<p>Mills&rsquo; big head had a little movement, nothing
+more.&nbsp; Her glance glided for a moment towards me like a
+friendly recognition of my right to be there, before she began
+again.</p>
+<p>&ldquo;My life might have been described as looking at mankind
+from a fourth-floor window for years.&nbsp; When the end came it
+was like falling out of a balcony into the street.&nbsp; It was
+as sudden as that.&nbsp; Once I remember somebody was telling us
+in the Pavilion a tale about a girl who jumped down from a
+fourth-floor window. . . For love, I believe,&rdquo; she
+interjected very quickly, &ldquo;and came to no harm.&nbsp; Her
+guardian angel must have slipped his wings under her just in
+time.&nbsp; He must have.&nbsp; But as to me, all I know is that
+I didn&rsquo;t break anything&mdash;not even my heart.&nbsp;
+Don&rsquo;t be shocked, Mr. Mills.&nbsp; It&rsquo;s very likely
+that you don&rsquo;t understand.&rdquo;</p>
+<p>&ldquo;Very likely,&rdquo; Mills assented, unmoved.&nbsp;
+&ldquo;But don&rsquo;t be too sure of that.&rdquo;</p>
+<p>&ldquo;Henry All&egrave;gre had the highest opinion of your
+intelligence,&rdquo; she said unexpectedly and with evident
+seriousness.&nbsp; &ldquo;But all this is only to tell you that
+when he was gone I found myself down there unhurt, but dazed,
+bewildered, not sufficiently stunned.&nbsp; It so happened that
+that creature was somewhere in the neighbourhood.&nbsp; How he
+found out. . . But it&rsquo;s his business to find out
+things.&nbsp; And he knows, too, how to worm his way in
+anywhere.&nbsp; Indeed, in the first days he was useful and
+somehow he made it look as if Heaven itself had sent him.&nbsp;
+In my distress I thought I could never sufficiently repay. . .
+Well, I have been paying ever since.&rdquo;</p>
+<p>&ldquo;What do you mean?&rdquo; asked Mills softly.&nbsp;
+&ldquo;In hard cash?&rdquo;</p>
+<p>&ldquo;Oh, it&rsquo;s really so little,&rdquo; she said.&nbsp;
+&ldquo;I told you it wasn&rsquo;t the worst case.&nbsp; I stayed
+on in that house from which I nearly ran away in my
+nightgown.&nbsp; I stayed on because I didn&rsquo;t know what to
+do next.&nbsp; He vanished as he had come on the track of
+something else, I suppose.&nbsp; You know he really has got to
+get his living some way or other.&nbsp; But don&rsquo;t think I
+was deserted.&nbsp; On the contrary.&nbsp; People were coming and
+going, all sorts of people that Henry All&egrave;gre used to
+know&mdash;or had refused to know.&nbsp; I had a sensation of
+plotting and intriguing around me, all the time.&nbsp; I was
+feeling morally bruised, sore all over, when, one day, Don Rafael
+de Villarel sent in his card.&nbsp; A grandee.&nbsp; I
+didn&rsquo;t know him, but, as you are aware, there was hardly a
+personality of mark or position that hasn&rsquo;t been talked
+about in the Pavilion before me.&nbsp; Of him I had only heard
+that he was a very austere and pious person, always at Mass, and
+that sort of thing.&nbsp; I saw a frail little man with a long,
+yellow face and sunken fanatical eyes, an Inquisitor, an
+unfrocked monk.&nbsp; One missed a rosary from his thin
+fingers.&nbsp; He gazed at me terribly and I couldn&rsquo;t
+imagine what he might want.&nbsp; I waited for him to pull out a
+crucifix and sentence me to the stake there and then.&nbsp; But
+no; he dropped his eyes and in a cold, righteous sort of voice
+informed me that he had called on behalf of the prince&mdash;he
+called him His Majesty.&nbsp; I was amazed by the change.&nbsp; I
+wondered now why he didn&rsquo;t slip his hands into the sleeves
+of his coat, you know, as begging Friars do when they come for a
+subscription.&nbsp; He explained that the Prince asked for
+permission to call and offer me his condolences in person.&nbsp;
+We had seen a lot of him our last two months in Paris that
+year.&nbsp; Henry All&egrave;gre had taken a fancy to paint his
+portrait.&nbsp; He used to ride with us nearly every
+morning.&nbsp; Almost without thinking I said I should be
+pleased.&nbsp; Don Rafael was shocked at my want of formality,
+but bowed to me in silence, very much as a monk bows, from the
+waist.&nbsp; If he had only crossed his hands flat on his chest
+it would have been perfect.&nbsp; Then, I don&rsquo;t know why,
+something moved me to make him a deep curtsy as he backed out of
+the room, leaving me suddenly impressed, not only with him but
+with myself too.&nbsp; I had my door closed to everybody else
+that afternoon and the Prince came with a very proper sorrowful
+face, but five minutes after he got into the room he was laughing
+as usual, made the whole little house ring with it.&nbsp; You
+know his big, irresistible laugh. . . .&rdquo;</p>
+<p>&ldquo;No,&rdquo; said Mills, a little abruptly, &ldquo;I have
+never seen him.&rdquo;</p>
+<p>&ldquo;No,&rdquo; she said, surprised, &ldquo;and yet you . .
+. &rdquo;</p>
+<p>&ldquo;I understand,&rdquo; interrupted Mills.&nbsp;
+&ldquo;All this is purely accidental.&nbsp; You must know that I
+am a solitary man of books but with a secret taste for adventure
+which somehow came out; surprising even me.&rdquo;</p>
+<p>She listened with that enigmatic, still, under the eyelids
+glance, and a friendly turn of the head.</p>
+<p>&ldquo;I know you for a frank and loyal gentleman. . .
+Adventure&mdash;and books?&nbsp; Ah, the books!&nbsp;
+Haven&rsquo;t I turned stacks of them over!&nbsp; Haven&rsquo;t
+I? . . .&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; murmured Mills.&nbsp; &ldquo;That&rsquo;s
+what one does.&rdquo;</p>
+<p>She put out her hand and laid it lightly on Mills&rsquo;
+sleeve.</p>
+<p>&ldquo;Listen, I don&rsquo;t need to justify myself, but if I
+had known a single woman in the world, if I had only had the
+opportunity to observe a single one of them, I would have been
+perhaps on my guard.&nbsp; But you know I hadn&rsquo;t.&nbsp; The
+only woman I had anything to do with was myself, and they say
+that one can&rsquo;t know oneself.&nbsp; It never entered my head
+to be on my guard against his warmth and his terrible
+obviousness.&nbsp; You and he were the only two, infinitely
+different, people, who didn&rsquo;t approach me as if I had been
+a precious object in a collection, an ivory carving or a piece of
+Chinese porcelain.&nbsp; That&rsquo;s why I have kept you in my
+memory so well.&nbsp; Oh! you were not obvious!&nbsp; As to
+him&mdash;I soon learned to regret I was not some object, some
+beautiful, carved object of bone or bronze; a rare piece of
+porcelain, <i>p&acirc;te dure</i>, not <i>p&acirc;te
+tendre</i>.&nbsp; A pretty specimen.&rdquo;</p>
+<p>&ldquo;Rare, yes.&nbsp; Even unique,&rdquo; said Mills,
+looking at her steadily with a smile.&nbsp; &ldquo;But
+don&rsquo;t try to depreciate yourself.&nbsp; You were never
+pretty.&nbsp; You are not pretty.&nbsp; You are worse.&rdquo;</p>
+<p>Her narrow eyes had a mischievous gleam.&nbsp; &ldquo;Do you
+find such sayings in your books?&rdquo; she asked.</p>
+<p>&ldquo;As a matter of fact I have,&rdquo; said Mills, with a
+little laugh, &ldquo;found this one in a book.&nbsp; It was a
+woman who said that of herself.&nbsp; A woman far from common,
+who died some few years ago.&nbsp; She was an actress.&nbsp; A
+great artist.&rdquo;</p>
+<p>&ldquo;A great! . . . Lucky person!&nbsp; She had that refuge,
+that garment, while I stand here with nothing to protect me from
+evil fame; a naked temperament for any wind to blow upon.&nbsp;
+Yes, greatness in art is a protection.&nbsp; I wonder if there
+would have been anything in me if I had tried?&nbsp; But Henry
+All&egrave;gre would never let me try.&nbsp; He told me that
+whatever I could achieve would never be good enough for what I
+was.&nbsp; The perfection of flattery!&nbsp; Was it that he
+thought I had not talent of any sort?&nbsp; It&rsquo;s
+possible.&nbsp; He would know.&nbsp; I&rsquo;ve had the idea
+since that he was jealous.&nbsp; He wasn&rsquo;t jealous of
+mankind any more than he was afraid of thieves for his
+collection; but he may have been jealous of what he could see in
+me, of some passion that could be aroused.&nbsp; But if so he
+never repented.&nbsp; I shall never forget his last words.&nbsp;
+He saw me standing beside his bed, defenceless, symbolic and
+forlorn, and all he found to say was, &lsquo;Well, I am like
+that.&rsquo;&rdquo;</p>
+<p>I forgot myself in watching her.&nbsp; I had never seen
+anybody speak with less play of facial muscles.&nbsp; In the
+fullness of its life her face preserved a sort of
+immobility.&nbsp; The words seemed to form themselves, fiery or
+pathetic, in the air, outside her lips.&nbsp; Their design was
+hardly disturbed; a design of sweetness, gravity, and force as if
+born from the inspiration of some artist; for I had never seen
+anything to come up to it in nature before or since.</p>
+<p>All this was part of the enchantment she cast over me; and I
+seemed to notice that Mills had the aspect of a man under a
+spell.&nbsp; If he too was a captive then I had no reason to feel
+ashamed of my surrender.</p>
+<p>&ldquo;And you know,&rdquo; she began again abruptly,
+&ldquo;that I have been accustomed to all the forms of
+respect.&rdquo;</p>
+<p>&ldquo;That&rsquo;s true,&rdquo; murmured Mills, as if
+involuntarily.</p>
+<p>&ldquo;Well, yes,&rdquo; she reaffirmed.&nbsp; &ldquo;My
+instinct may have told me that my only protection was obscurity,
+but I didn&rsquo;t know how and where to find it.&nbsp; Oh, yes,
+I had that instinct . . . But there were other instincts and . .
+. How am I to tell you?&nbsp; I didn&rsquo;t know how to be on
+guard against myself, either.&nbsp; Not a soul to speak to, or to
+get a warning from.&nbsp; Some woman soul that would have known,
+in which perhaps I could have seen my own reflection.&nbsp; I
+assure you the only woman that ever addressed me directly, and
+that was in writing, was . . . &rdquo;</p>
+<p>She glanced aside, saw Mr. Blunt returning from the hall and
+added rapidly in a lowered voice,</p>
+<p>&ldquo;His mother.&rdquo;</p>
+<p>The bright, mechanical smile of Mr. Blunt gleamed at us right
+down the room, but he didn&rsquo;t, as it were, follow it in his
+body.&nbsp; He swerved to the nearest of the two big fireplaces
+and finding some cigarettes on the mantelpiece remained leaning
+on his elbow in the warmth of the bright wood fire.&nbsp; I
+noticed then a bit of mute play.&nbsp; The heiress of Henry
+All&egrave;gre, who could secure neither obscurity nor any other
+alleviation to that invidious position, looked as if she would
+speak to Blunt from a distance; but in a moment the confident
+eagerness of her face died out as if killed by a sudden
+thought.&nbsp; I didn&rsquo;t know then her shrinking from all
+falsehood and evasion; her dread of insincerity and disloyalty of
+every kind.&nbsp; But even then I felt that at the very last
+moment her being had recoiled before some shadow of a
+suspicion.&nbsp; And it occurred to me, too, to wonder what sort
+of business Mr. Blunt could have had to transact with our odious
+visitor, of a nature so urgent as to make him run out after him
+into the hall?&nbsp; Unless to beat him a little with one of the
+sticks that were to be found there?&nbsp; White hair so much like
+an expensive wig could not be considered a serious
+protection.&nbsp; But it couldn&rsquo;t have been that.&nbsp; The
+transaction, whatever it was, had been much too quiet.&nbsp; I
+must say that none of us had looked out of the window and that I
+didn&rsquo;t know when the man did go or if he was gone at
+all.&nbsp; As a matter of fact he was already far away; and I may
+just as well say here that I never saw him again in my
+life.&nbsp; His passage across my field of vision was like that
+of other figures of that time: not to be forgotten, a little
+fantastic, infinitely enlightening for my contempt, darkening for
+my memory which struggles still with the clear lights and the
+ugly shadows of those unforgotten days.</p>
+<h3>CHAPTER IV</h3>
+<p>It was past four o&rsquo;clock before I left the house,
+together with Mills.&nbsp; Mr. Blunt, still in his riding
+costume, escorted us to the very door.&nbsp; He asked us to send
+him the first fiacre we met on our way to town.&nbsp;
+&ldquo;It&rsquo;s impossible to walk in this get-up through the
+streets,&rdquo; he remarked, with his brilliant smile.</p>
+<p>At this point I propose to transcribe some notes I made at the
+time in little black books which I have hunted up in the litter
+of the past; very cheap, common little note-books that by the
+lapse of years have acquired a touching dimness of aspect, the
+frayed, worn-out dignity of documents.</p>
+<p>Expression on paper has never been my forte.&nbsp; My life had
+been a thing of outward manifestations.&nbsp; I never had been
+secret or even systematically taciturn about my simple
+occupations which might have been foolish but had never required
+either caution or mystery.&nbsp; But in those four hours since
+midday a complete change had come over me.&nbsp; For good or evil
+I left that house committed to an enterprise that could not be
+talked about; which would have appeared to many senseless and
+perhaps ridiculous, but was certainly full of risks, and, apart
+from that, commanded discretion on the ground of simple
+loyalty.&nbsp; It would not only close my lips but it would to a
+certain extent cut me off from my usual haunts and from the
+society of my friends; especially of the light-hearted, young,
+harum-scarum kind.&nbsp; This was unavoidable.&nbsp; It was
+because I felt myself thrown back upon my own thoughts and
+forbidden to seek relief amongst other lives&mdash;it was perhaps
+only for that reason at first I started an irregular, fragmentary
+record of my days.</p>
+<p>I made these notes not so much to preserve the memory (one
+cared not for any to-morrow then) but to help me to keep a better
+hold of the actuality.&nbsp; I scribbled them on shore and I
+scribbled them on the sea; and in both cases they are concerned
+not only with the nature of the facts but with the intensity of
+my sensations.&nbsp; It may be, too, that I learned to love the
+sea for itself only at that time.&nbsp; Woman and the sea
+revealed themselves to me together, as it were: two mistresses of
+life&rsquo;s values.&nbsp; The illimitable greatness of the one,
+the unfathomable seduction of the other working their immemorial
+spells from generation to generation fell upon my heart at last:
+a common fortune, an unforgettable memory of the sea&rsquo;s
+formless might and of the sovereign charm in that woman&rsquo;s
+form wherein there seemed to beat the pulse of divinity rather
+than blood.</p>
+<p>I begin here with the notes written at the end of that very
+day.</p>
+<p>&mdash;Parted with Mills on the quay.&nbsp; We had walked side
+by side in absolute silence.&nbsp; The fact is he is too old for
+me to talk to him freely.&nbsp; For all his sympathy and
+seriousness I don&rsquo;t know what note to strike and I am not
+at all certain what he thinks of all this.&nbsp; As we shook
+hands at parting, I asked him how much longer he expected to
+stay.&nbsp; And he answered me that it depended on R.&nbsp; She
+was making arrangements for him to cross the frontier.&nbsp; He
+wanted to see the very ground on which the Principle of
+Legitimacy was actually asserting itself arms in hand.&nbsp; It
+sounded to my positive mind the most fantastic thing in the
+world, this elimination of personalities from what seemed but the
+merest political, dynastic adventure.&nbsp; So it wasn&rsquo;t
+Do&ntilde;a Rita, it wasn&rsquo;t Blunt, it wasn&rsquo;t the
+Pretender with his big infectious laugh, it wasn&rsquo;t all that
+lot of politicians, archbishops, and generals, of monks,
+guerrilleros, and smugglers by sea and land, of dubious agents
+and shady speculators and undoubted swindlers, who were pushing
+their fortunes at the risk of their precious skins.&nbsp;
+No.&nbsp; It was the Legitimist Principle asserting itself!&nbsp;
+Well, I would accept the view but with one reservation.&nbsp; All
+the others might have been merged into the idea, but I, the
+latest recruit, I would not be merged in the Legitimist
+Principle.&nbsp; Mine was an act of independent assertion.&nbsp;
+Never before had I felt so intensely aware of my
+personality.&nbsp; But I said nothing of that to Mills.&nbsp; I
+only told him I thought we had better not be seen very often
+together in the streets.&nbsp; He agreed.&nbsp; Hearty
+handshake.&nbsp; Looked affectionately after his broad
+back.&nbsp; It never occurred to him to turn his head.&nbsp; What
+was I in comparison with the Principle of Legitimacy?</p>
+<p>Late that night I went in search of Dominic.&nbsp; That
+Mediterranean sailor was just the man I wanted.&nbsp; He had a
+great experience of all unlawful things that can be done on the
+seas and he brought to the practice of them much wisdom and
+audacity.&nbsp; That I didn&rsquo;t know where he lived was
+nothing since I knew where he loved.&nbsp; The proprietor of a
+small, quiet caf&eacute; on the quay, a certain Madame
+L&eacute;onore, a woman of thirty-five with an open Roman face
+and intelligent black eyes, had captivated his heart years
+ago.&nbsp; In that caf&eacute; with our heads close together over
+a marble table, Dominic and I held an earnest and endless
+confabulation while Madame L&eacute;onore, rustling a black silk
+skirt, with gold earrings, with her raven hair elaborately
+dressed and something nonchalant in her movements, would take
+occasion, in passing to and fro, to rest her hand for a moment on
+Dominic&rsquo;s shoulder.&nbsp; Later when the little caf&eacute;
+had emptied itself of its habitual customers, mostly people
+connected with the work of ships and cargoes, she came quietly to
+sit at our table and looking at me very hard with her black,
+sparkling eyes asked Dominic familiarly what had happened to his
+Signorino.&nbsp; It was her name for me.&nbsp; I was
+Dominic&rsquo;s Signorino.&nbsp; She knew me by no other; and our
+connection has always been somewhat of a riddle to her.&nbsp; She
+said that I was somehow changed since she saw me last.&nbsp; In
+her rich voice she urged Dominic only to look at my eyes.&nbsp; I
+must have had some piece of luck come to me either in love or at
+cards, she bantered.&nbsp; But Dominic answered half in scorn
+that I was not of the sort that runs after that kind of
+luck.&nbsp; He stated generally that there were some young
+gentlemen very clever in inventing new ways of getting rid of
+their time and their money.&nbsp; However, if they needed a
+sensible man to help them he had no objection himself to lend a
+hand.&nbsp; Dominic&rsquo;s general scorn for the beliefs, and
+activities, and abilities of upper-class people covered the
+Principle of Legitimacy amply; but he could not resist the
+opportunity to exercise his special faculties in a field he knew
+of old.&nbsp; He had been a desperate smuggler in his younger
+days.&nbsp; We settled the purchase of a fast sailing
+craft.&nbsp; Agreed that it must be a balancelle and something
+altogether out of the common.&nbsp; He knew of one suitable but
+she was in Corsica.&nbsp; Offered to start for Bastia by
+mail-boat in the morning.&nbsp; All the time the handsome and
+mature Madame L&eacute;onore sat by, smiling faintly, amused at
+her great man joining like this in a frolic of boys.&nbsp; She
+said the last words of that evening: &ldquo;You men never grow
+up,&rdquo; touching lightly the grey hair above his temple.</p>
+<p>A fortnight later.</p>
+<p>. . . In the afternoon to the Prado.&nbsp; Beautiful
+day.&nbsp; At the moment of ringing at the door a strong emotion
+of an anxious kind.&nbsp; Why?&nbsp; Down the length of the
+dining-room in the rotunda part full of afternoon light
+Do&ntilde;a R., sitting cross-legged on the divan in the attitude
+of a very old idol or a very young child and surrounded by many
+cushions, waves her hand from afar pleasantly surprised,
+exclaiming: &ldquo;What!&nbsp; Back already!&rdquo;&nbsp; I give
+her all the details and we talk for two hours across a large
+brass bowl containing a little water placed between us, lighting
+cigarettes and dropping them, innumerable, puffed at, yet
+untasted in the overwhelming interest of the conversation.&nbsp;
+Found her very quick in taking the points and very intelligent in
+her suggestions.&nbsp; All formality soon vanished between us and
+before very long I discovered myself sitting cross-legged, too,
+while I held forth on the qualities of different Mediterranean
+sailing craft and on the romantic qualifications of Dominic for
+the task.&nbsp; I believe I gave her the whole history of the
+man, mentioning even the existence of Madame L&eacute;onore,
+since the little caf&eacute; would have to be the headquarters of
+the marine part of the plot.</p>
+<p>She murmured, &ldquo;<i>Ah</i>! <i>Une belle
+Romaine</i>,&rdquo; thoughtfully.&nbsp; She told me that she
+liked to hear people of that sort spoken of in terms of our
+common humanity.&nbsp; She observed also that she wished to see
+Dominic some day; to set her eyes for once on a man who could be
+absolutely depended on.&nbsp; She wanted to know whether he had
+engaged himself in this adventure solely for my sake.</p>
+<p>I said that no doubt it was partly that.&nbsp; We had been
+very close associates in the West Indies from where we had
+returned together, and he had a notion that I could be depended
+on, too.&nbsp; But mainly, I suppose, it was from taste.&nbsp;
+And there was in him also a fine carelessness as to what he did
+and a love of venturesome enterprise.</p>
+<p>&ldquo;And you,&rdquo; she said.&nbsp; &ldquo;Is it
+carelessness, too?&rdquo;</p>
+<p>&ldquo;In a measure,&rdquo; I said.&nbsp; &ldquo;Within
+limits.&rdquo;</p>
+<p>&ldquo;And very soon you will get tired.&rdquo;</p>
+<p>&ldquo;When I do I will tell you.&nbsp; But I may also get
+frightened.&nbsp; I suppose you know there are risks, I mean
+apart from the risk of life.&rdquo;</p>
+<p>&ldquo;As for instance,&rdquo; she said.</p>
+<p>&ldquo;For instance, being captured, tried, and sentenced to
+what they call &lsquo;the galleys,&rsquo; in Ceuta.&rdquo;</p>
+<p>&ldquo;And all this from that love for . . .&rdquo;</p>
+<p>&ldquo;Not for Legitimacy,&rdquo; I interrupted the inquiry
+lightly.&nbsp; &ldquo;But what&rsquo;s the use asking such
+questions?&nbsp; It&rsquo;s like asking the veiled figure of
+fate.&nbsp; It doesn&rsquo;t know its own mind nor its own
+heart.&nbsp; It has no heart.&nbsp; But what if I were to start
+asking you&mdash;who have a heart and are not veiled to my
+sight?&rdquo;&nbsp; She dropped her charming adolescent head, so
+firm in modelling, so gentle in expression.&nbsp; Her uncovered
+neck was round like the shaft of a column.&nbsp; She wore the
+same wrapper of thick blue silk.&nbsp; At that time she seemed to
+live either in her riding habit or in that wrapper folded tightly
+round her and open low to a point in front.&nbsp; Because of the
+absence of all trimming round the neck and from the deep view of
+her bare arms in the wide sleeve this garment seemed to be put
+directly on her skin and gave one the impression of one&rsquo;s
+nearness to her body which would have been troubling but for the
+perfect unconsciousness of her manner.&nbsp; That day she carried
+no barbarous arrow in her hair.&nbsp; It was parted on one side,
+brushed back severely, and tied with a black ribbon, without any
+bronze mist about her forehead or temple.&nbsp; This smoothness
+added to the many varieties of her expression also that of
+child-like innocence.</p>
+<p>Great progress in our intimacy brought about unconsciously by
+our enthusiastic interest in the matter of our discourse and, in
+the moments of silence, by the sympathetic current of our
+thoughts.&nbsp; And this rapidly growing familiarity (truly, she
+had a terrible gift for it) had all the varieties of earnestness:
+serious, excited, ardent, and even gay.&nbsp; She laughed in
+contralto; but her laugh was never very long; and when it had
+ceased, the silence of the room with the light dying in all its
+many windows seemed to lie about me warmed by its vibration.</p>
+<p>As I was preparing to take my leave after a longish pause into
+which we had fallen as into a vague dream, she came out of it
+with a start and a quiet sigh.&nbsp; She said, &ldquo;I had
+forgotten myself.&rdquo;&nbsp; I took her hand and was raising it
+naturally, without premeditation, when I felt suddenly the arm to
+which it belonged become insensible, passive, like a stuffed
+limb, and the whole woman go inanimate all over!&nbsp; Brusquely
+I dropped the hand before it reached my lips; and it was so
+lifeless that it fell heavily on to the divan.</p>
+<p>I remained standing before her.&nbsp; She raised to me not her
+eyes but her whole face, inquisitively&mdash;perhaps in
+appeal.</p>
+<p>&ldquo;No!&nbsp; This isn&rsquo;t good enough for me,&rdquo; I
+said.</p>
+<p>The last of the light gleamed in her long enigmatic eyes as if
+they were precious enamel in that shadowy head which in its
+immobility suggested a creation of a distant past: immortal art,
+not transient life.&nbsp; Her voice had a profound
+quietness.&nbsp; She excused herself.</p>
+<p>&ldquo;It&rsquo;s only habit&mdash;or instinct&mdash;or what
+you like.&nbsp; I have had to practise that in self-defence lest
+I should be tempted sometimes to cut the arm off.&rdquo;</p>
+<p>I remembered the way she had abandoned this very arm and hand
+to the white-haired ruffian.&nbsp; It rendered me gloomy and
+idiotically obstinate.</p>
+<p>&ldquo;Very ingenious.&nbsp; But this sort of thing is of no
+use to me,&rdquo; I declared.</p>
+<p>&ldquo;Make it up,&rdquo; suggested her mysterious voice,
+while her shadowy figure remained unmoved, indifferent amongst
+the cushions.</p>
+<p>I didn&rsquo;t stir either.&nbsp; I refused in the same low
+tone.</p>
+<p>&ldquo;No.&nbsp; Not before you give it to me yourself some
+day.&rdquo;</p>
+<p>&ldquo;Yes&mdash;some day,&rdquo; she repeated in a breath in
+which there was no irony but rather hesitation, reluctance what
+did I know?</p>
+<p>I walked away from the house in a curious state of gloomy
+satisfaction with myself.</p>
+<div class="gapspace">&nbsp;</div>
+<p>And this is the last extract.&nbsp; A month afterwards.</p>
+<p>&mdash;This afternoon going up to the Villa I was for the
+first time accompanied in my way by some misgivings.&nbsp;
+To-morrow I sail.</p>
+<p>First trip and therefore in the nature of a trial trip; and I
+can&rsquo;t overcome a certain gnawing emotion, for it is a trip
+that <i>mustn&rsquo;t</i> fail.&nbsp; In that sort of enterprise
+there is no room for mistakes.&nbsp; Of all the individuals
+engaged in it will every one be intelligent enough, faithful
+enough, bold enough?&nbsp; Looking upon them as a whole it seems
+impossible; but as each has got only a limited part to play they
+may be found sufficient each for his particular trust.&nbsp; And
+will they be all punctual, I wonder?&nbsp; An enterprise that
+hangs on the punctuality of many people, no matter how well
+disposed and even heroic, hangs on a thread.&nbsp; This I have
+perceived to be also the greatest of Dominic&rsquo;s
+concerns.&nbsp; He, too, wonders.&nbsp; And when he breathes his
+doubts the smile lurking under the dark curl of his moustaches is
+not reassuring.</p>
+<p>But there is also something exciting in such speculations and
+the road to the Villa seemed to me shorter than ever before.</p>
+<p>Let in by the silent, ever-active, dark lady&rsquo;s maid, who
+is always on the spot and always on the way somewhere else,
+opening the door with one hand, while she passes on, turning on
+one for a moment her quick, black eyes, which just miss being
+lustrous, as if some one had breathed on them lightly.</p>
+<p>On entering the long room I perceive Mills established in an
+armchair which he had dragged in front of the divan.&nbsp; I do
+the same to another and there we sit side by side facing R.,
+tenderly amiable yet somehow distant among her cushions, with an
+immemorial seriousness in her long, shaded eyes and her fugitive
+smile hovering about but never settling on her lips.&nbsp; Mills,
+who is just back from over the frontier, must have been asking R.
+whether she had been worried again by her devoted friend with the
+white hair.&nbsp; At least I concluded so because I found them
+talking of the heart-broken Azzolati.&nbsp; And after having
+answered their greetings I sit and listen to Rita addressing
+Mills earnestly.</p>
+<p>&ldquo;No, I assure you Azzolati had done nothing to me.&nbsp;
+I knew him.&nbsp; He was a frequent visitor at the Pavilion,
+though I, personally, never talked with him very much in Henry
+All&egrave;gre&rsquo;s lifetime.&nbsp; Other men were more
+interesting, and he himself was rather reserved in his manner to
+me.&nbsp; He was an international politician and
+financier&mdash;a nobody.&nbsp; He, like many others, was
+admitted only to feed and amuse Henry All&egrave;gre&rsquo;s
+scorn of the world, which was insatiable&mdash;I tell
+you.&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; said Mills.&nbsp; &ldquo;I can
+imagine.&rdquo;</p>
+<p>&ldquo;But I know.&nbsp; Often when we were alone Henry
+All&egrave;gre used to pour it into my ears.&nbsp; If ever
+anybody saw mankind stripped of its clothes as the child sees the
+king in the German fairy tale, it&rsquo;s I!&nbsp; Into my
+ears!&nbsp; A child&rsquo;s!&nbsp; Too young to die of
+fright.&nbsp; Certainly not old enough to understand&mdash;or
+even to believe.&nbsp; But then his arm was about me.&nbsp; I
+used to laugh, sometimes.&nbsp; Laugh!&nbsp; At this
+destruction&mdash;at these ruins!&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; said Mills, very steady before her
+fire.&nbsp; &ldquo;But you have at your service the everlasting
+charm of life; you are a part of the indestructible.&rdquo;</p>
+<p>&ldquo;Am I? . . . But there is no arm about me now.&nbsp; The
+laugh!&nbsp; Where is my laugh?&nbsp; Give me back my laugh. . .
+.&rdquo;</p>
+<p>And she laughed a little on a low note.&nbsp; I don&rsquo;t
+know about Mills, but the subdued shadowy vibration of it echoed
+in my breast which felt empty for a moment and like a large space
+that makes one giddy.</p>
+<p>&ldquo;The laugh is gone out of my heart, which at any rate
+used to feel protected.&nbsp; That feeling&rsquo;s gone,
+too.&nbsp; And I myself will have to die some day.&rdquo;</p>
+<p>&ldquo;Certainly,&rdquo; said Mills in an unaltered
+voice.&nbsp; &ldquo;As to this body you . . .&rdquo;</p>
+<p>&ldquo;Oh, yes!&nbsp; Thanks.&nbsp; It&rsquo;s a very poor
+jest.&nbsp; Change from body to body as travellers used to change
+horses at post houses.&nbsp; I&rsquo;ve heard of this before. . .
+.&rdquo;</p>
+<p>&ldquo;I&rsquo;ve no doubt you have,&rdquo; Mills put on a
+submissive air.&nbsp; &ldquo;But are we to hear any more about
+Azzolati?&rdquo;</p>
+<p>&ldquo;You shall.&nbsp; Listen.&nbsp; I had heard that he was
+invited to shoot at Rambouillet&mdash;a quiet party, not one of
+these great shoots.&nbsp; I hear a lot of things.&nbsp; I wanted
+to have a certain information, also certain hints conveyed to a
+diplomatic personage who was to be there, too.&nbsp; A personage
+that would never let me get in touch with him though I had tried
+many times.&rdquo;</p>
+<p>&ldquo;Incredible!&rdquo; mocked Mills solemnly.</p>
+<p>&ldquo;The personage mistrusts his own susceptibility.&nbsp;
+Born cautious,&rdquo; explained Do&ntilde;a Rita crisply with the
+slightest possible quiver of her lips.&nbsp; &ldquo;Suddenly I
+had the inspiration to make use of Azzolati, who had been
+reminding me by a constant stream of messages that he was an old
+friend.&nbsp; I never took any notice of those pathetic appeals
+before.&nbsp; But in this emergency I sat down and wrote a note
+asking him to come and dine with me in my hotel.&nbsp; I suppose
+you know I don&rsquo;t live in the Pavilion.&nbsp; I can&rsquo;t
+bear the Pavilion now.&nbsp; When I have to go there I begin to
+feel after an hour or so that it is haunted.&nbsp; I seem to
+catch sight of somebody I know behind columns, passing through
+doorways, vanishing here and there.&nbsp; I hear light footsteps
+behind closed doors. . . My own!&rdquo;</p>
+<p>Her eyes, her half-parted lips, remained fixed till Mills
+suggested softly, &ldquo;Yes, but Azzolati.&rdquo;</p>
+<p>Her rigidity vanished like a flake of snow in the
+sunshine.&nbsp; &ldquo;Oh! Azzolati.&nbsp; It was a most solemn
+affair.&nbsp; It had occurred to me to make a very elaborate
+toilet.&nbsp; It was most successful.&nbsp; Azzolati looked
+positively scared for a moment as though he had got into the
+wrong suite of rooms.&nbsp; He had never before seen me <i>en
+toilette</i>, you understand.&nbsp; In the old days once out of
+my riding habit I would never dress.&nbsp; I draped myself, you
+remember, Monsieur Mills.&nbsp; To go about like that suited my
+indolence, my longing to feel free in my body, as at that time
+when I used to herd goats. . . But never mind.&nbsp; My aim was
+to impress Azzolati.&nbsp; I wanted to talk to him
+seriously.&rdquo;</p>
+<p>There was something whimsical in the quick beat of her eyelids
+and in the subtle quiver of her lips.&nbsp; &ldquo;And behold!
+the same notion had occurred to Azzolati.&nbsp; Imagine that for
+this t&ecirc;te-&agrave;-t&ecirc;te dinner the creature had got
+himself up as if for a reception at court.&nbsp; He displayed a
+brochette of all sorts of decorations on the lapel of his
+<i>frac</i> and had a broad ribbon of some order across his shirt
+front.&nbsp; An orange ribbon.&nbsp; Bavarian, I should
+say.&nbsp; Great Roman Catholic, Azzolati.&nbsp; It was always
+his ambition to be the banker of all the Bourbons in the
+world.&nbsp; The last remnants of his hair were dyed jet black
+and the ends of his moustache were like knitting needles.&nbsp;
+He was disposed to be as soft as wax in my hands.&nbsp;
+Unfortunately I had had some irritating interviews during the
+day.&nbsp; I was keeping down sudden impulses to smash a glass,
+throw a plate on the floor, do something violent to relieve my
+feelings.&nbsp; His submissive attitude made me still more
+nervous.&nbsp; He was ready to do anything in the world for me
+providing that I would promise him that he would never find my
+door shut against him as long as he lived.&nbsp; You understand
+the impudence of it, don&rsquo;t you?&nbsp; And his tone was
+positively abject, too.&nbsp; I snapped back at him that I had no
+door, that I was a nomad.&nbsp; He bowed ironically till his nose
+nearly touched his plate but begged me to remember that to his
+personal knowledge I had four houses of my own about the
+world.&nbsp; And you know this made me feel a homeless outcast
+more than ever&mdash;like a little dog lost in the
+street&mdash;not knowing where to go.&nbsp; I was ready to cry
+and there the creature sat in front of me with an imbecile smile
+as much as to say &lsquo;here is a poser for you. . .
+.&rsquo;&nbsp; I gnashed my teeth at him.&nbsp; Quietly, you know
+. . . I suppose you two think that I am stupid.&rdquo;</p>
+<p>She paused as if expecting an answer but we made no sound and
+she continued with a remark.</p>
+<p>&ldquo;I have days like that.&nbsp; Often one must listen to
+false protestations, empty words, strings of lies all day long,
+so that in the evening one is not fit for anything, not even for
+truth if it comes in one&rsquo;s way.&nbsp; That idiot treated me
+to a piece of brazen sincerity which I couldn&rsquo;t
+stand.&nbsp; First of all he began to take me into his
+confidence; he boasted of his great affairs, then started
+groaning about his overstrained life which left him no time for
+the amenities of existence, for beauty, or sentiment, or any sort
+of ease of heart.&nbsp; His heart!&nbsp; He wanted me to
+sympathize with his sorrows.&nbsp; Of course I ought to have
+listened.&nbsp; One must pay for service.&nbsp; Only I was
+nervous and tired.&nbsp; He bored me.&nbsp; I told him at last
+that I was surprised that a man of such immense wealth should
+still keep on going like this reaching for more and more.&nbsp; I
+suppose he must have been sipping a good deal of wine while we
+talked and all at once he let out an atrocity which was too much
+for me.&nbsp; He had been moaning and sentimentalizing but then
+suddenly he showed me his fangs.&nbsp; &lsquo;No,&rsquo; he
+cries, &lsquo;you can&rsquo;t imagine what a satisfaction it is
+to feel all that penniless, beggarly lot of the dear, honest,
+meritorious poor wriggling and slobbering under one&rsquo;s
+boots.&rsquo;&nbsp; You may tell me that he is a contemptible
+animal anyhow, but you should have heard the tone!&nbsp; I felt
+my bare arms go cold like ice.&nbsp; A moment before I had been
+hot and faint with sheer boredom.&nbsp; I jumped up from the
+table, rang for Rose, and told her to bring me my fur
+cloak.&nbsp; He remained in his chair leering at me
+curiously.&nbsp; When I had the fur on my shoulders and the girl
+had gone out of the room I gave him the surprise of his
+life.&nbsp; &lsquo;Take yourself off instantly,&rsquo; I
+said.&nbsp; &lsquo;Go trample on the poor if you like but never
+dare speak to me again.&rsquo;&nbsp; At this he leaned his head
+on his arm and sat so long at the table shading his eyes with his
+hand that I had to ask, calmly&mdash;you know&mdash;whether he
+wanted me to have him turned out into the corridor.&nbsp; He
+fetched an enormous sigh.&nbsp; &lsquo;I have only tried to be
+honest with you, Rita.&rsquo;&nbsp; But by the time he got to the
+door he had regained some of his impudence.&nbsp; &lsquo;You know
+how to trample on a poor fellow, too,&rsquo; he said.&nbsp;
+&lsquo;But I don&rsquo;t mind being made to wriggle under your
+pretty shoes, Rita.&nbsp; I forgive you.&nbsp; I thought you were
+free from all vulgar sentimentalism and that you had a more
+independent mind.&nbsp; I was mistaken in you, that&rsquo;s
+all.&rsquo;&nbsp; With that he pretends to dash a tear from his
+eye-crocodile!&mdash;and goes out, leaving me in my fur by the
+blazing fire, my teeth going like castanets. . . Did you ever
+hear of anything so stupid as this affair?&rdquo; she concluded
+in a tone of extreme candour and a profound unreadable stare that
+went far beyond us both.&nbsp; And the stillness of her lips was
+so perfect directly she ceased speaking that I wondered whether
+all this had come through them or only had formed itself in my
+mind.</p>
+<p>Presently she continued as if speaking for herself only.</p>
+<p>&ldquo;It&rsquo;s like taking the lids off boxes and seeing
+ugly toads staring at you.&nbsp; In every one.&nbsp; Every
+one.&nbsp; That&rsquo;s what it is having to do with men more
+than mere&mdash;Good-morning&mdash;Good evening.&nbsp; And if you
+try to avoid meddling with their lids, some of them will take
+them off themselves.&nbsp; And they don&rsquo;t even know, they
+don&rsquo;t even suspect what they are showing you.&nbsp; Certain
+confidences&mdash;they don&rsquo;t see it&mdash;are the bitterest
+kind of insult.&nbsp; I suppose Azzolati imagines himself a noble
+beast of prey.&nbsp; Just as some others imagine themselves to be
+most delicate, noble, and refined gentlemen.&nbsp; And as likely
+as not they would trade on a woman&rsquo;s troubles&mdash;and in
+the end make nothing of that either.&nbsp; Idiots!&rdquo;</p>
+<p>The utter absence of all anger in this spoken meditation gave
+it a character of touching simplicity.&nbsp; And as if it had
+been truly only a meditation we conducted ourselves as though we
+had not heard it.&nbsp; Mills began to speak of his experiences
+during his visit to the army of the Legitimist King.&nbsp; And I
+discovered in his speeches that this man of books could be
+graphic and picturesque.&nbsp; His admiration for the devotion
+and bravery of the army was combined with the greatest distaste
+for what he had seen of the way its great qualities were
+misused.&nbsp; In the conduct of this great enterprise he had
+seen a deplorable levity of outlook, a fatal lack of decision, an
+absence of any reasoned plan.</p>
+<p>He shook his head.</p>
+<p>&ldquo;I feel that you of all people, Do&ntilde;a Rita, ought
+to be told the truth.&nbsp; I don&rsquo;t know exactly what you
+have at stake.&rdquo;</p>
+<p>She was rosy like some impassive statue in a desert in the
+flush of the dawn.</p>
+<p>&ldquo;Not my heart,&rdquo; she said quietly.&nbsp; &ldquo;You
+must believe that.&rdquo;</p>
+<p>&ldquo;I do.&nbsp; Perhaps it would have been better if you. .
+. &rdquo;</p>
+<p>&ldquo;No, <i>Monsieur le Philosophe</i>.&nbsp; It would not
+have been better.&nbsp; Don&rsquo;t make that serious face at
+me,&rdquo; she went on with tenderness in a playful note, as if
+tenderness had been her inheritance of all time and playfulness
+the very fibre of her being.&nbsp; &ldquo;I suppose you think
+that a woman who has acted as I did and has not staked her heart
+on it is . . . How do you know to what the heart responds as it
+beats from day to day?&rdquo;</p>
+<p>&ldquo;I wouldn&rsquo;t judge you.&nbsp; What am I before the
+knowledge you were born to?&nbsp; You are as old as the
+world.&rdquo;</p>
+<p>She accepted this with a smile.&nbsp; I who was innocently
+watching them was amazed to discover how much a fleeting thing
+like that could hold of seduction without the help of any other
+feature and with that unchanging glance.</p>
+<p>&ldquo;With me it is <i>pun d&rsquo;onor</i>.&nbsp; To my
+first independent friend.&rdquo;</p>
+<p>&ldquo;You were soon parted,&rdquo; ventured Mills, while I
+sat still under a sense of oppression.</p>
+<p>&ldquo;Don&rsquo;t think for a moment that I have been scared
+off,&rdquo; she said.&nbsp; &ldquo;It is they who were
+frightened.&nbsp; I suppose you heard a lot of Headquarters
+gossip?&rdquo;</p>
+<p>&ldquo;Oh, yes,&rdquo; Mills said meaningly.&nbsp; &ldquo;The
+fair and the dark are succeeding each other like leaves blown in
+the wind dancing in and out.&nbsp; I suppose you have noticed
+that leaves blown in the wind have a look of
+happiness.&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; she said, &ldquo;that sort of leaf is
+dead.&nbsp; Then why shouldn&rsquo;t it look happy?&nbsp; And so
+I suppose there is no uneasiness, no occasion for fears amongst
+the &lsquo;responsibles.&rsquo;&rdquo;</p>
+<p>&ldquo;Upon the whole not.&nbsp; Now and then a leaf seems as
+if it would stick.&nbsp; There is for instance Madame . .
+.&rdquo;</p>
+<p>&ldquo;Oh, I don&rsquo;t want to know, I understand it all, I
+am as old as the world.&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; said Mills thoughtfully, &ldquo;you are not
+a leaf, you might have been a tornado yourself.&rdquo;</p>
+<p>&ldquo;Upon my word,&rdquo; she said, &ldquo;there was a time
+that they thought I could carry him off, away from them
+all&mdash;beyond them all.&nbsp; Verily, I am not very proud of
+their fears.&nbsp; There was nothing reckless there worthy of a
+great passion.&nbsp; There was nothing sad there worthy of a
+great tenderness.&rdquo;</p>
+<p>&ldquo;And is <i>this</i> the word of the Venetian
+riddle?&rdquo; asked Mills, fixing her with his keen eyes.</p>
+<p>&ldquo;If it pleases you to think so, Se&ntilde;or,&rdquo; she
+said indifferently.&nbsp; The movement of her eyes, their veiled
+gleam became mischievous when she asked, &ldquo;And Don Juan
+Blunt, have you seen him over there?&rdquo;</p>
+<p>&ldquo;I fancy he avoided me.&nbsp; Moreover, he is always
+with his regiment at the outposts.&nbsp; He is a most valorous
+captain.&nbsp; I heard some people describe him as
+foolhardy.&rdquo;</p>
+<p>&ldquo;Oh, he needn&rsquo;t seek death,&rdquo; she said in an
+indefinable tone.&nbsp; &ldquo;I mean as a refuge.&nbsp; There
+will be nothing in his life great enough for that.&rdquo;</p>
+<p>&ldquo;You are angry.&nbsp; You miss him, I believe,
+Do&ntilde;a Rita.&rdquo;</p>
+<p>&ldquo;Angry?&nbsp; No!&nbsp; Weary.&nbsp; But of course
+it&rsquo;s very inconvenient.&nbsp; I can&rsquo;t very well ride
+out alone.&nbsp; A solitary amazon swallowing the dust and the
+salt spray of the Corniche promenade would attract too much
+attention.&nbsp; And then I don&rsquo;t mind you two knowing that
+I am afraid of going out alone.&rdquo;</p>
+<p>&ldquo;Afraid?&rdquo; we both exclaimed together.</p>
+<p>&ldquo;You men are extraordinary.&nbsp; Why do you want me to
+be courageous?&nbsp; Why shouldn&rsquo;t I be afraid?&nbsp; Is it
+because there is no one in the world to care what would happen to
+me?&rdquo;</p>
+<p>There was a deep-down vibration in her tone for the first
+time.&nbsp; We had not a word to say.&nbsp; And she added after a
+long silence:</p>
+<p>&ldquo;There is a very good reason.&nbsp; There is a
+danger.&rdquo;</p>
+<p>With wonderful insight Mills affirmed at once:</p>
+<p>&ldquo;Something ugly.&rdquo;</p>
+<p>She nodded slightly several times.&nbsp; Then Mills said with
+conviction:</p>
+<p>&ldquo;Ah!&nbsp; Then it can&rsquo;t be anything in
+yourself.&nbsp; And if so . . . &rdquo;</p>
+<p>I was moved to extravagant advice.</p>
+<p>&ldquo;You should come out with me to sea then.&nbsp; There
+may be some danger there but there&rsquo;s nothing ugly to
+fear.&rdquo;</p>
+<p>She gave me a startled glance quite unusual with her, more
+than wonderful to me; and suddenly as though she had seen me for
+the first time she exclaimed in a tone of compunction:</p>
+<p>&ldquo;Oh!&nbsp; And there is this one, too!&nbsp; Why!&nbsp;
+Oh, why should he run his head into danger for those things that
+will all crumble into dust before long?&rdquo;</p>
+<p>I said: &ldquo;<i>You</i> won&rsquo;t crumble into
+dust.&rdquo;&nbsp; And Mills chimed in:</p>
+<p>&ldquo;That young enthusiast will always have his
+sea.&rdquo;</p>
+<p>We were all standing up now.&nbsp; She kept her eyes on me,
+and repeated with a sort of whimsical enviousness:</p>
+<p>&ldquo;The sea!&nbsp; The violet sea&mdash;and he is longing
+to rejoin it! . . . At night!&nbsp; Under the stars! . . . A
+lovers&rsquo; meeting,&rdquo; she went on, thrilling me from head
+to foot with those two words, accompanied by a wistful smile
+pointed by a suspicion of mockery.&nbsp; She turned away.</p>
+<p>&ldquo;And you, Monsieur Mills?&rdquo; she asked.</p>
+<p>&ldquo;I am going back to my books,&rdquo; he declared with a
+very serious face.&nbsp; &ldquo;My adventure is over.&rdquo;</p>
+<p>&ldquo;Each one to his love,&rdquo; she bantered us
+gently.&nbsp; &ldquo;Didn&rsquo;t I love books, too, at one
+time!&nbsp; They seemed to contain all wisdom and hold a magic
+power, too.&nbsp; Tell me, Monsieur Mills, have you found amongst
+them in some black-letter volume the power of foretelling a poor
+mortal&rsquo;s destiny, the power to look into the future?&nbsp;
+Anybody&rsquo;s future . . .&rdquo;&nbsp; Mills shook his head. .
+. &ldquo;What, not even mine?&rdquo; she coaxed as if she really
+believed in a magic power to be found in books.</p>
+<p>Mills shook his head again.&nbsp; &ldquo;No, I have not the
+power,&rdquo; he said.&nbsp; &ldquo;I am no more a great
+magician, than you are a poor mortal.&nbsp; You have your ancient
+spells.&nbsp; You are as old as the world.&nbsp; Of us two
+it&rsquo;s you that are more fit to foretell the future of the
+poor mortals on whom you happen to cast your eyes.&rdquo;</p>
+<p>At these words she cast her eyes down and in the moment of
+deep silence I watched the slight rising and falling of her
+breast.&nbsp; Then Mills pronounced distinctly: &ldquo;Good-bye,
+old Enchantress.&rdquo;</p>
+<p>They shook hands cordially.&nbsp; &ldquo;Good-bye, poor
+Magician,&rdquo; she said.</p>
+<p>Mills made as if to speak but seemed to think better of
+it.&nbsp; Do&ntilde;a Rita returned my distant bow with a slight,
+charmingly ceremonious inclination of her body.</p>
+<p>&ldquo;<i>Bon voyage</i> and a happy return,&rdquo; she said
+formally.</p>
+<p>I was following Mills through the door when I heard her voice
+behind us raised in recall:</p>
+<p>&ldquo;Oh, a moment . . . I forgot . . .&rdquo;</p>
+<p>I turned round.&nbsp; The call was for me, and I walked slowly
+back wondering what she could have forgotten.&nbsp; She waited in
+the middle of the room with lowered head, with a mute gleam in
+her deep blue eyes.&nbsp; When I was near enough she extended to
+me without a word her bare white arm and suddenly pressed the
+back of her hand against my lips.&nbsp; I was too startled to
+seize it with rapture.&nbsp; It detached itself from my lips and
+fell slowly by her side.&nbsp; We had made it up and there was
+nothing to say.&nbsp; She turned away to the window and I hurried
+out of the room.</p>
+<h2>PART THREE</h2>
+<h3>CHAPTER I</h3>
+<p>It was on our return from that first trip that I took Dominic
+up to the Villa to be presented to Do&ntilde;a Rita.&nbsp; If she
+wanted to look on the embodiment of fidelity, resource, and
+courage, she could behold it all in that man.&nbsp; Apparently
+she was not disappointed.&nbsp; Neither was Dominic
+disappointed.&nbsp; During the half-hour&rsquo;s interview they
+got into touch with each other in a wonderful way as if they had
+some common and secret standpoint in life.&nbsp; Maybe it was
+their common lawlessness, and their knowledge of things as old as
+the world.&nbsp; Her seduction, his recklessness, were both
+simple, masterful and, in a sense, worthy of each other.</p>
+<p>Dominic was, I won&rsquo;t say awed by this interview.&nbsp;
+No woman could awe Dominic.&nbsp; But he was, as it were,
+rendered thoughtful by it, like a man who had not so much an
+experience as a sort of revelation vouchsafed to him.&nbsp;
+Later, at sea, he used to refer to La Se&ntilde;ora in a
+particular tone and I knew that henceforth his devotion was not
+for me alone.&nbsp; And I understood the inevitability of it
+extremely well.&nbsp; As to Do&ntilde;a Rita she, after Dominic
+left the room, had turned to me with animation and said:
+&ldquo;But he is perfect, this man.&rdquo;&nbsp; Afterwards she
+often asked after him and used to refer to him in
+conversation.&nbsp; More than once she said to me: &ldquo;One
+would like to put the care of one&rsquo;s personal safety into
+the hands of that man.&nbsp; He looks as if he simply
+couldn&rsquo;t fail one.&rdquo;&nbsp; I admitted that this was
+very true, especially at sea.&nbsp; Dominic couldn&rsquo;t
+fail.&nbsp; But at the same time I rather chaffed Rita on her
+preoccupation as to personal safety that so often cropped up in
+her talk.</p>
+<p>&ldquo;One would think you were a crowned head in a
+revolutionary world,&rdquo; I used to tell her.</p>
+<p>&ldquo;That would be different.&nbsp; One would be standing
+then for something, either worth or not worth dying for.&nbsp;
+One could even run away then and be done with it.&nbsp; But I
+can&rsquo;t run away unless I got out of my skin and left that
+behind.&nbsp; Don&rsquo;t you understand?&nbsp; You are very
+stupid . . .&rdquo;&nbsp; But she had the grace to add, &ldquo;On
+purpose.&rdquo;</p>
+<p>I don&rsquo;t know about the on purpose.&nbsp; I am not
+certain about the stupidity.&nbsp; Her words bewildered one often
+and bewilderment is a sort of stupidity.&nbsp; I remedied it by
+simply disregarding the sense of what she said.&nbsp; The sound
+was there and also her poignant heart-gripping presence giving
+occupation enough to one&rsquo;s faculties.&nbsp; In the power of
+those things over one there was mystery enough.&nbsp; It was more
+absorbing than the mere obscurity of her speeches.&nbsp; But I
+daresay she couldn&rsquo;t understand that.</p>
+<p>Hence, at times, the amusing outbreaks of temper in word and
+gesture that only strengthened the natural, the invincible force
+of the spell.&nbsp; Sometimes the brass bowl would get upset or
+the cigarette box would fly up, dropping a shower of cigarettes
+on the floor.&nbsp; We would pick them up, re-establish
+everything, and fall into a long silence, so close that the sound
+of the first word would come with all the pain of a
+separation.</p>
+<p>It was at that time, too, that she suggested I should take up
+my quarters in her house in the street of the Consuls.&nbsp;
+There were certain advantages in that move.&nbsp; In my present
+abode my sudden absences might have been in the long run subject
+to comment.&nbsp; On the other hand, the house in the street of
+Consuls was a known out-post of Legitimacy.&nbsp; But then it was
+covered by the occult influence of her who was referred to in
+confidential talks, secret communications, and discreet whispers
+of Royalist salons as: &ldquo;Madame de Lastaola.&rdquo;</p>
+<p>That was the name which the heiress of Henry All&egrave;gre
+had decided to adopt when, according to her own expression, she
+had found herself precipitated at a moment&rsquo;s notice into
+the crowd of mankind.&nbsp; It is strange how the death of Henry
+All&egrave;gre, which certainly the poor man had not planned,
+acquired in my view the character of a heartless desertion.&nbsp;
+It gave one a glimpse of amazing egoism in a sentiment to which
+one could hardly give a name, a mysterious appropriation of one
+human being by another as if in defiance of unexpressed things
+and for an unheard-of satisfaction of an inconceivable
+pride.&nbsp; If he had hated her he could not have flung that
+enormous fortune more brutally at her head.&nbsp; And his
+unrepentant death seemed to lift for a moment the curtain on
+something lofty and sinister like an Olympian&rsquo;s
+caprice.</p>
+<p>Do&ntilde;a Rita said to me once with humorous resignation:
+&ldquo;You know, it appears that one must have a name.&nbsp;
+That&rsquo;s what Henry All&egrave;gre&rsquo;s man of business
+told me.&nbsp; He was quite impatient with me about it.&nbsp; But
+my name, <i>amigo</i>, Henry All&egrave;gre had taken from me
+like all the rest of what I had been once.&nbsp; All that is
+buried with him in his grave.&nbsp; It wouldn&rsquo;t have been
+true.&nbsp; That is how I felt about it.&nbsp; So I took that
+one.&rdquo;&nbsp; She whispered to herself:
+&ldquo;Lastaola,&rdquo; not as if to test the sound but as if in
+a dream.</p>
+<p>To this day I am not quite certain whether it was the name of
+any human habitation, a lonely <i>caserio</i> with a half-effaced
+carving of a coat of arms over its door, or of some hamlet at the
+dead end of a ravine with a stony slope at the back.&nbsp; It
+might have been a hill for all I know or perhaps a stream.&nbsp;
+A wood, or perhaps a combination of all these: just a bit of the
+earth&rsquo;s surface.&nbsp; Once I asked her where exactly it
+was situated and she answered, waving her hand cavalierly at the
+dead wall of the room: &ldquo;Oh, over there.&rdquo;&nbsp; I
+thought that this was all that I was going to hear but she added
+moodily, &ldquo;I used to take my goats there, a dozen or so of
+them, for the day.&nbsp; From after my uncle had said his Mass
+till the ringing of the evening bell.&rdquo;</p>
+<p>I saw suddenly the lonely spot, sketched for me some time ago
+by a few words from Mr. Blunt, populated by the agile, bearded
+beasts with cynical heads, and a little misty figure dark in the
+sunlight with a halo of dishevelled rust-coloured hair about its
+head.</p>
+<p>The epithet of rust-coloured comes from her.&nbsp; It was
+really tawny.&nbsp; Once or twice in my hearing she had referred
+to &ldquo;my rust-coloured hair&rdquo; with laughing
+vexation.&nbsp; Even then it was unruly, abhorring the restraints
+of civilization, and often in the heat of a dispute getting into
+the eyes of Madame de Lastaola, the possessor of coveted art
+treasures, the heiress of Henry All&egrave;gre.&nbsp; She
+proceeded in a reminiscent mood, with a faint flash of gaiety all
+over her face, except her dark blue eyes that moved so seldom out
+of their fixed scrutiny of things invisible to other human
+beings.</p>
+<p>&ldquo;The goats were very good.&nbsp; We clambered amongst
+the stones together.&nbsp; They beat me at that game.&nbsp; I
+used to catch my hair in the bushes.&rdquo;</p>
+<p>&ldquo;Your rust-coloured hair,&rdquo; I whispered.</p>
+<p>&ldquo;Yes, it was always this colour.&nbsp; And I used to
+leave bits of my frock on thorns here and there.&nbsp; It was
+pretty thin, I can tell you.&nbsp; There wasn&rsquo;t much at
+that time between my skin and the blue of the sky.&nbsp; My legs
+were as sunburnt as my face; but really I didn&rsquo;t tan very
+much.&nbsp; I had plenty of freckles though.&nbsp; There were no
+looking-glasses in the Presbytery but uncle had a piece not
+bigger than my two hands for his shaving.&nbsp; One Sunday I
+crept into his room and had a peep at myself.&nbsp; And
+wasn&rsquo;t I startled to see my own eyes looking at me!&nbsp;
+But it was fascinating, too.&nbsp; I was about eleven years old
+then, and I was very friendly with the goats, and I was as shrill
+as a cicada and as slender as a match.&nbsp; Heavens!&nbsp; When
+I overhear myself speaking sometimes, or look at my limbs, it
+doesn&rsquo;t seem to be possible.&nbsp; And yet it is the same
+one.&nbsp; I do remember every single goat.&nbsp; They were very
+clever.&nbsp; Goats are no trouble really; they don&rsquo;t
+scatter much.&nbsp; Mine never did even if I had to hide myself
+out of their sight for ever so long.&rdquo;</p>
+<p>It was but natural to ask her why she wanted to hide, and she
+uttered vaguely what was rather a comment on my question:</p>
+<p>&ldquo;It was like fate.&rdquo;&nbsp; But I chose to take it
+otherwise, teasingly, because we were often like a pair of
+children.</p>
+<p>&ldquo;Oh, really,&rdquo; I said, &ldquo;you talk like a
+pagan.&nbsp; What could you know of fate at that time?&nbsp; What
+was it like?&nbsp; Did it come down from Heaven?&rdquo;</p>
+<p>&ldquo;Don&rsquo;t be stupid.&nbsp; It used to come along a
+cart-track that was there and it looked like a boy.&nbsp;
+Wasn&rsquo;t he a little devil though.&nbsp; You understand, I
+couldn&rsquo;t know that.&nbsp; He was a wealthy cousin of
+mine.&nbsp; Round there we are all related, all cousins&mdash;as
+in Brittany.&nbsp; He wasn&rsquo;t much bigger than myself but he
+was older, just a boy in blue breeches and with good shoes on his
+feet, which of course interested and impressed me.&nbsp; He
+yelled to me from below, I screamed to him from above, he came up
+and sat down near me on a stone, never said a word, let me look
+at him for half an hour before he condescended to ask me who I
+was.&nbsp; And the airs he gave himself!&nbsp; He quite
+intimidated me sitting there perfectly dumb.&nbsp; I remember
+trying to hide my bare feet under the edge of my skirt as I sat
+below him on the ground.</p>
+<p>&ldquo;<i>C&rsquo;est comique</i>, <i>eh</i>!&rdquo; she
+interrupted herself to comment in a melancholy tone.&nbsp; I
+looked at her sympathetically and she went on:</p>
+<p>&ldquo;He was the only son from a rich farmhouse two miles
+down the slope.&nbsp; In winter they used to send him to school
+at Tolosa.&nbsp; He had an enormous opinion of himself; he was
+going to keep a shop in a town by and by and he was about the
+most dissatisfied creature I have ever seen.&nbsp; He had an
+unhappy mouth and unhappy eyes and he was always wretched about
+something: about the treatment he received, about being kept in
+the country and chained to work.&nbsp; He was moaning and
+complaining and threatening all the world, including his father
+and mother.&nbsp; He used to curse God, yes, that boy, sitting
+there on a piece of rock like a wretched little Prometheus with a
+sparrow pecking at his miserable little liver.&nbsp; And the
+grand scenery of mountains all round, ha, ha, ha!&rdquo;</p>
+<p>She laughed in contralto: a penetrating sound with something
+generous in it; not infectious, but in others provoking a
+smile.</p>
+<p>&ldquo;Of course I, poor little animal, I didn&rsquo;t know
+what to make of it, and I was even a little frightened.&nbsp; But
+at first because of his miserable eyes I was sorry for him,
+almost as much as if he had been a sick goat.&nbsp; But,
+frightened or sorry, I don&rsquo;t know how it is, I always
+wanted to laugh at him, too, I mean from the very first day when
+he let me admire him for half an hour.&nbsp; Yes, even then I had
+to put my hand over my mouth more than once for the sake of good
+manners, you understand.&nbsp; And yet, you know, I was never a
+laughing child.</p>
+<p>&ldquo;One day he came up and sat down very dignified a little
+bit away from me and told me he had been thrashed for wandering
+in the hills.</p>
+<p>&ldquo;&lsquo;To be with me?&rsquo; I asked.&nbsp; And he
+said: &lsquo;To be with you!&nbsp; No.&nbsp; My people
+don&rsquo;t know what I do.&rsquo;&nbsp; I can&rsquo;t tell why,
+but I was annoyed.&nbsp; So instead of raising a clamour of pity
+over him, which I suppose he expected me to do, I asked him if
+the thrashing hurt very much.&nbsp; He got up, he had a switch in
+his hand, and walked up to me, saying, &lsquo;I will soon show
+you.&rsquo;&nbsp; I went stiff with fright; but instead of
+slashing at me he dropped down by my side and kissed me on the
+cheek.&nbsp; Then he did it again, and by that time I was gone
+dead all over and he could have done what he liked with the
+corpse but he left off suddenly and then I came to life again and
+I bolted away.&nbsp; Not very far.&nbsp; I couldn&rsquo;t leave
+the goats altogether.&nbsp; He chased me round and about the
+rocks, but of course I was too quick for him in his nice town
+boots.&nbsp; When he got tired of that game he started throwing
+stones.&nbsp; After that he made my life very lively for
+me.&nbsp; Sometimes he used to come on me unawares and then I had
+to sit still and listen to his miserable ravings, because he
+would catch me round the waist and hold me very tight.&nbsp; And
+yet, I often felt inclined to laugh.&nbsp; But if I caught sight
+of him at a distance and tried to dodge out of the way he would
+start stoning me into a shelter I knew of and then sit outside
+with a heap of stones at hand so that I daren&rsquo;t show the
+end of my nose for hours.&nbsp; He would sit there and rave and
+abuse me till I would burst into a crazy laugh in my hole; and
+then I could see him through the leaves rolling on the ground and
+biting his fists with rage.&nbsp; Didn&rsquo;t he hate me!&nbsp;
+At the same time I was often terrified.&nbsp; I am convinced now
+that if I had started crying he would have rushed in and perhaps
+strangled me there.&nbsp; Then as the sun was about to set he
+would make me swear that I would marry him when I was grown
+up.&nbsp; &lsquo;Swear, you little wretched beggar,&rsquo; he
+would yell to me.&nbsp; And I would swear.&nbsp; I was hungry,
+and I didn&rsquo;t want to be made black and blue all over with
+stones.&nbsp; Oh, I swore ever so many times to be his
+wife.&nbsp; Thirty times a month for two months.&nbsp; I
+couldn&rsquo;t help myself.&nbsp; It was no use complaining to my
+sister Therese.&nbsp; When I showed her my bruises and tried to
+tell her a little about my trouble she was quite
+scandalized.&nbsp; She called me a sinful girl, a shameless
+creature.&nbsp; I assure you it puzzled my head so that, between
+Therese my sister and Jos&eacute; the boy, I lived in a state of
+idiocy almost.&nbsp; But luckily at the end of the two months
+they sent him away from home for good.&nbsp; Curious story to
+happen to a goatherd living all her days out under God&rsquo;s
+eye, as my uncle the Cura might have said.&nbsp; My sister
+Therese was keeping house in the Presbytery.&nbsp; She&rsquo;s a
+terrible person.&rdquo;</p>
+<p>&ldquo;I have heard of your sister Therese,&rdquo; I said.</p>
+<p>&ldquo;Oh, you have!&nbsp; Of my big sister Therese, six, ten
+years older than myself perhaps?&nbsp; She just comes a little
+above my shoulder, but then I was always a long thing.&nbsp; I
+never knew my mother.&nbsp; I don&rsquo;t even know how she
+looked.&nbsp; There are no paintings or photographs in our
+farmhouses amongst the hills.&nbsp; I haven&rsquo;t even heard
+her described to me.&nbsp; I believe I was never good enough to
+be told these things.&nbsp; Therese decided that I was a lump of
+wickedness, and now she believes that I will lose my soul
+altogether unless I take some steps to save it.&nbsp; Well, I
+have no particular taste that way.&nbsp; I suppose it is annoying
+to have a sister going fast to eternal perdition, but there are
+compensations.&nbsp; The funniest thing is that it&rsquo;s
+Therese, I believe, who managed to keep me out of the Presbytery
+when I went out of my way to look in on them on my return from my
+visit to the <i>Quartel Real</i> last year.&nbsp; I
+couldn&rsquo;t have stayed much more than half an hour with them
+anyway, but still I would have liked to get over the old
+doorstep.&nbsp; I am certain that Therese persuaded my uncle to
+go out and meet me at the bottom of the hill.&nbsp; I saw the old
+man a long way off and I understood how it was.&nbsp; I
+dismounted at once and met him on foot.&nbsp; We had half an hour
+together walking up and down the road.&nbsp; He is a peasant
+priest, he didn&rsquo;t know how to treat me.&nbsp; And of course
+I was uncomfortable, too.&nbsp; There wasn&rsquo;t a single goat
+about to keep me in countenance.&nbsp; I ought to have embraced
+him.&nbsp; I was always fond of the stern, simple old man.&nbsp;
+But he drew himself up when I approached him and actually took
+off his hat to me.&nbsp; So simple as that!&nbsp; I bowed my head
+and asked for his blessing.&nbsp; And he said &lsquo;I would
+never refuse a blessing to a good Legitimist.&rsquo;&nbsp; So
+stern as that!&nbsp; And when I think that I was perhaps the only
+girl of the family or in the whole world that he ever in his
+priest&rsquo;s life patted on the head!&nbsp; When I think of
+that I . . . I believe at that moment I was as wretched as he was
+himself.&nbsp; I handed him an envelope with a big red seal which
+quite startled him.&nbsp; I had asked the Marquis de Villarel to
+give me a few words for him, because my uncle has a great
+influence in his district; and the Marquis penned with his own
+hand some compliments and an inquiry about the spirit of the
+population.&nbsp; My uncle read the letter, looked up at me with
+an air of mournful awe, and begged me to tell his excellency that
+the people were all for God, their lawful King and their old
+privileges.&nbsp; I said to him then, after he had asked me about
+the health of His Majesty in an awfully gloomy tone&mdash;I said
+then: &lsquo;There is only one thing that remains for me to do,
+uncle, and that is to give you two pounds of the very best snuff
+I have brought here for you.&rsquo;&nbsp; What else could I have
+got for the poor old man?&nbsp; I had no trunks with me.&nbsp; I
+had to leave behind a spare pair of shoes in the hotel to make
+room in my little bag for that snuff.&nbsp; And fancy!&nbsp; That
+old priest absolutely pushed the parcel away.&nbsp; I could have
+thrown it at his head; but I thought suddenly of that hard,
+prayerful life, knowing nothing of any ease or pleasure in the
+world, absolutely nothing but a pinch of snuff now and
+then.&nbsp; I remembered how wretched he used to be when he
+lacked a copper or two to get some snuff with.&nbsp; My face was
+hot with indignation, but before I could fly out at him I
+remembered how simple he was.&nbsp; So I said with great dignity
+that as the present came from the King and as he wouldn&rsquo;t
+receive it from my hand there was nothing else for me to do but
+to throw it into the brook; and I made as if I were going to do
+it, too.&nbsp; He shouted: &lsquo;Stay, unhappy girl!&nbsp; Is it
+really from His Majesty, whom God preserve?&rsquo;&nbsp; I said
+contemptuously, &lsquo;Of course.&rsquo;&nbsp; He looked at me
+with great pity in his eyes, sighed deeply, and took the little
+tin from my hand.&nbsp; I suppose he imagined me in my abandoned
+way wheedling the necessary cash out of the King for the purchase
+of that snuff.&nbsp; You can&rsquo;t imagine how simple he
+is.&nbsp; Nothing was easier than to deceive him; but don&rsquo;t
+imagine I deceived him from the vainglory of a mere sinner.&nbsp;
+I lied to the dear man, simply because I couldn&rsquo;t bear the
+idea of him being deprived of the only gratification his big,
+ascetic, gaunt body ever knew on earth.&nbsp; As I mounted my
+mule to go away he murmured coldly: &lsquo;God guard you,
+Se&ntilde;ora!&rsquo;&nbsp; Se&ntilde;ora!&nbsp; What
+sternness!&nbsp; We were off a little way already when his heart
+softened and he shouted after me in a terrible voice: &lsquo;The
+road to Heaven is repentance!&rsquo;&nbsp; And then, after a
+silence, again the great shout &lsquo;Repentance!&rsquo;
+thundered after me.&nbsp; Was that sternness or simplicity, I
+wonder?&nbsp; Or a mere unmeaning superstition, a mechanical
+thing?&nbsp; If there lives anybody completely honest in this
+world, surely it must be my uncle.&nbsp; And yet&mdash;who
+knows?</p>
+<p>&ldquo;Would you guess what was the next thing I did?&nbsp;
+Directly I got over the frontier I wrote from Bayonne asking the
+old man to send me out my sister here.&nbsp; I said it was for
+the service of the King.&nbsp; You see, I had thought suddenly of
+that house of mine in which you once spent the night talking with
+Mr. Mills and Don Juan Blunt.&nbsp; I thought it would do
+extremely well for Carlist officers coming this way on leave or
+on a mission.&nbsp; In hotels they might have been molested, but
+I knew that I could get protection for my house.&nbsp; Just a
+word from the ministry in Paris to the Prefect.&nbsp; But I
+wanted a woman to manage it for me.&nbsp; And where was I to find
+a trustworthy woman?&nbsp; How was I to know one when I saw
+her?&nbsp; I don&rsquo;t know how to talk to women.&nbsp; Of
+course my Rose would have done for me that or anything else; but
+what could I have done myself without her?&nbsp; She has looked
+after me from the first.&nbsp; It was Henry All&egrave;gre who
+got her for me eight years ago.&nbsp; I don&rsquo;t know whether
+he meant it for a kindness but she&rsquo;s the only human being
+on whom I can lean.&nbsp; She knows . . . What doesn&rsquo;t she
+know about me!&nbsp; She has never failed to do the right thing
+for me unasked.&nbsp; I couldn&rsquo;t part with her.&nbsp; And I
+couldn&rsquo;t think of anybody else but my sister.</p>
+<p>&ldquo;After all it was somebody belonging to me.&nbsp; But it
+seemed the wildest idea.&nbsp; Yet she came at once.&nbsp; Of
+course I took care to send her some money.&nbsp; She likes
+money.&nbsp; As to my uncle there is nothing that he
+wouldn&rsquo;t have given up for the service of the King.&nbsp;
+Rose went to meet her at the railway station.&nbsp; She told me
+afterwards that there had been no need for me to be anxious about
+her recognizing Mademoiselle Therese.&nbsp; There was nobody else
+in the train that could be mistaken for her.&nbsp; I should think
+not!&nbsp; She had made for herself a dress of some brown stuff
+like a nun&rsquo;s habit and had a crooked stick and carried all
+her belongings tied up in a handkerchief.&nbsp; She looked like a
+pilgrim to a saint&rsquo;s shrine.&nbsp; Rose took her to the
+house.&nbsp; She asked when she saw it: &lsquo;And does this big
+place really belong to our Rita?&rsquo;&nbsp; My maid of course
+said that it was mine.&nbsp; &lsquo;And how long did our Rita
+live here?&rsquo;&mdash;&lsquo;Madame has never seen it unless
+perhaps the outside, as far as I know.&nbsp; I believe Mr.
+All&egrave;gre lived here for some time when he was a young
+man.&rsquo;&mdash;&lsquo;The sinner that&rsquo;s
+dead?&rsquo;&mdash;&lsquo;Just so,&rsquo; says Rose.&nbsp; You
+know nothing ever startles Rose.&nbsp; &lsquo;Well, his sins are
+gone with him,&rsquo; said my sister, and began to make herself
+at home.</p>
+<p>&ldquo;Rose was going to stop with her for a week but on the
+third day she was back with me with the remark that Mlle. Therese
+knew her way about very well already and preferred to be left to
+herself.&nbsp; Some little time afterwards I went to see that
+sister of mine.&nbsp; The first thing she said to me, &lsquo;I
+wouldn&rsquo;t have recognized you, Rita,&rsquo; and I said,
+&lsquo;What a funny dress you have, Therese, more fit for the
+portress of a convent than for this
+house.&rsquo;&mdash;&lsquo;Yes,&rsquo; she said, &lsquo;and
+unless you give this house to me, Rita, I will go back to our
+country.&nbsp; I will have nothing to do with your life,
+Rita.&nbsp; Your life is no secret for me.&rsquo;</p>
+<p>&ldquo;I was going from room to room and Therese was following
+me.&nbsp; &lsquo;I don&rsquo;t know that my life is a secret to
+anybody,&rsquo; I said to her, &lsquo;but how do you know
+anything about it?&rsquo;&nbsp; And then she told me that it was
+through a cousin of ours, that horrid wretch of a boy, you
+know.&nbsp; He had finished his schooling and was a clerk in a
+Spanish commercial house of some kind, in Paris, and apparently
+had made it his business to write home whatever he could hear
+about me or ferret out from those relations of mine with whom I
+lived as a girl.&nbsp; I got suddenly very furious.&nbsp; I raged
+up and down the room (we were alone upstairs), and Therese
+scuttled away from me as far as the door.&nbsp; I heard her say
+to herself, &lsquo;It&rsquo;s the evil spirit in her that makes
+her like this.&rsquo;&nbsp; She was absolutely convinced of
+that.&nbsp; She made the sign of the cross in the air to protect
+herself.&nbsp; I was quite astounded.&nbsp; And then I really
+couldn&rsquo;t help myself.&nbsp; I burst into a laugh.&nbsp; I
+laughed and laughed; I really couldn&rsquo;t stop till Therese
+ran away.&nbsp; I went downstairs still laughing and found her in
+the hall with her face to the wall and her fingers in her ears
+kneeling in a corner.&nbsp; I had to pull her out by the
+shoulders from there.&nbsp; I don&rsquo;t think she was
+frightened; she was only shocked.&nbsp; But I don&rsquo;t suppose
+her heart is desperately bad, because when I dropped into a chair
+feeling very tired she came and knelt in front of me and put her
+arms round my waist and entreated me to cast off from me my evil
+ways with the help of saints and priests.&nbsp; Quite a little
+programme for a reformed sinner.&nbsp; I got away at last.&nbsp;
+I left her sunk on her heels before the empty chair looking after
+me.&nbsp; &lsquo;I pray for you every night and morning,
+Rita,&rsquo; she said.&mdash;&lsquo;Oh, yes.&nbsp; I know you are
+a good sister,&rsquo; I said to her.&nbsp; I was letting myself
+out when she called after me, &lsquo;And what about this house,
+Rita?&rsquo;&nbsp; I said to her, &lsquo;Oh, you may keep it till
+the day I reform and enter a convent.&rsquo;&nbsp; The last I saw
+of her she was still on her knees looking after me with her mouth
+open.&nbsp; I have seen her since several times, but our
+intercourse is, at any rate on her side, as of a frozen nun with
+some great lady.&nbsp; But I believe she really knows how to make
+men comfortable.&nbsp; Upon my word I think she likes to look
+after men.&nbsp; They don&rsquo;t seem to be such great sinners
+as women are.&nbsp; I think you could do worse than take up your
+quarters at number 10.&nbsp; She will no doubt develop a saintly
+sort of affection for you, too.&rdquo;</p>
+<p>I don&rsquo;t know that the prospect of becoming a favourite
+of Do&ntilde;a Rita&rsquo;s peasant sister was very fascinating
+to me.&nbsp; If I went to live very willingly at No. 10 it was
+because everything connected with Do&ntilde;a Rita had for me a
+peculiar fascination.&nbsp; She had only passed through the house
+once as far as I knew; but it was enough.&nbsp; She was one of
+those beings that leave a trace.&nbsp; I am not
+unreasonable&mdash;I mean for those that knew her.&nbsp; That is,
+I suppose, because she was so unforgettable.&nbsp; Let us
+remember the tragedy of Azzolati the ruthless, the ridiculous
+financier with a criminal soul (or shall we say heart) and facile
+tears.&nbsp; No wonder, then, that for me, who may flatter myself
+without undue vanity with being much finer than that grotesque
+international intriguer, the mere knowledge that Do&ntilde;a Rita
+had passed through the very rooms in which I was going to live
+between the strenuous times of the sea-expeditions, was enough to
+fill my inner being with a great content.&nbsp; Her glance, her
+darkly brilliant blue glance, had run over the walls of that room
+which most likely would be mine to slumber in.&nbsp; Behind me,
+somewhere near the door, Therese, the peasant sister, said in a
+funnily compassionate tone and in an amazingly
+landlady-of-a-boarding-house spirit of false persuasiveness:</p>
+<p>&ldquo;You will be very comfortable here, Se&ntilde;or.&nbsp;
+It is so peaceful here in the street.&nbsp; Sometimes one may
+think oneself in a village.&nbsp; It&rsquo;s only a hundred and
+twenty-five francs for the friends of the King.&nbsp; And I shall
+take such good care of you that your very heart will be able to
+rest.&rdquo;</p>
+<h3>CHAPTER II</h3>
+<p>Do&ntilde;a Rita was curious to know how I got on with her
+peasant sister and all I could say in return for that inquiry was
+that the peasant sister was in her own way amiable.&nbsp; At this
+she clicked her tongue amusingly and repeated a remark she had
+made before: &ldquo;She likes young men.&nbsp; The younger the
+better.&rdquo;&nbsp; The mere thought of those two women being
+sisters aroused one&rsquo;s wonder.&nbsp; Physically they were
+altogether of different design.&nbsp; It was also the difference
+between living tissue of glowing loveliness with a divine breath,
+and a hard hollow figure of baked clay.</p>
+<p>Indeed Therese did somehow resemble an achievement, wonderful
+enough in its way, in unglazed earthenware.&nbsp; The only gleam
+perhaps that one could find on her was that of her teeth, which
+one used to get between her dull lips unexpectedly, startlingly,
+and a little inexplicably, because it was never associated with a
+smile.&nbsp; She smiled with compressed mouth.&nbsp; It was
+indeed difficult to conceive of those two birds coming from the
+same nest.&nbsp; And yet . . . Contrary to what generally
+happens, it was when one saw those two women together that one
+lost all belief in the possibility of their relationship near or
+far.&nbsp; It extended even to their common humanity.&nbsp; One,
+as it were, doubted it.&nbsp; If one of the two was
+representative, then the other was either something more or less
+than human.&nbsp; One wondered whether these two women belonged
+to the same scheme of creation.&nbsp; One was secretly amazed to
+see them standing together, speaking to each other, having words
+in common, understanding each other.&nbsp; And yet! . . . Our
+psychological sense is the crudest of all; we don&rsquo;t know,
+we don&rsquo;t perceive how superficial we are.&nbsp; The
+simplest shades escape us, the secret of changes, of
+relations.&nbsp; No, upon the whole, the only feature (and yet
+with enormous differences) which Therese had in common with her
+sister, as I told Do&ntilde;a Rita, was amiability.</p>
+<p>&ldquo;For, you know, you are a most amiable person
+yourself,&rdquo; I went on.&nbsp; &ldquo;It&rsquo;s one of your
+characteristics, of course much more precious than in other
+people.&nbsp; You transmute the commonest traits into gold of
+your own; but after all there are no new names.&nbsp; You are
+amiable.&nbsp; You were most amiable to me when I first saw
+you.&rdquo;</p>
+<p>&ldquo;Really.&nbsp; I was not aware.&nbsp; Not specially . .
+. &rdquo;</p>
+<p>&ldquo;I had never the presumption to think that it was
+special.&nbsp; Moreover, my head was in a whirl.&nbsp; I was lost
+in astonishment first of all at what I had been listening to all
+night.&nbsp; Your history, you know, a wonderful tale with a
+flavour of wine in it and wreathed in clouds, with that amazing
+decapitated, mutilated dummy of a woman lurking in a corner, and
+with Blunt&rsquo;s smile gleaming through a fog, the fog in my
+eyes, from Mills&rsquo; pipe, you know.&nbsp; I was feeling quite
+inanimate as to body and frightfully stimulated as to mind all
+the time.&nbsp; I had never heard anything like that talk about
+you before.&nbsp; Of course I wasn&rsquo;t sleepy, but still I am
+not used to do altogether without sleep like Blunt . .
+.&rdquo;</p>
+<p>&ldquo;Kept awake all night listening to my
+story!&rdquo;&nbsp; She marvelled.</p>
+<p>&ldquo;Yes.&nbsp; You don&rsquo;t think I am complaining, do
+you?&nbsp; I wouldn&rsquo;t have missed it for the world.&nbsp;
+Blunt in a ragged old jacket and a white tie and that incisive
+polite voice of his seemed strange and weird.&nbsp; It seemed as
+though he were inventing it all rather angrily.&nbsp; I had
+doubts as to your existence.&rdquo;</p>
+<p>&ldquo;Mr. Blunt is very much interested in my
+story.&rdquo;</p>
+<p>&ldquo;Anybody would be,&rdquo; I said.&nbsp; &ldquo;I
+was.&nbsp; I didn&rsquo;t sleep a wink.&nbsp; I was expecting to
+see you soon&mdash;and even then I had my doubts.&rdquo;</p>
+<p>&ldquo;As to my existence?&rdquo;</p>
+<p>&ldquo;It wasn&rsquo;t exactly that, though of course I
+couldn&rsquo;t tell that you weren&rsquo;t a product of Captain
+Blunt&rsquo;s sleeplessness.&nbsp; He seemed to dread exceedingly
+to be left alone and your story might have been a device to
+detain us . . .&rdquo;</p>
+<p>&ldquo;He hasn&rsquo;t enough imagination for that,&rdquo; she
+said.</p>
+<p>&ldquo;It didn&rsquo;t occur to me.&nbsp; But there was Mills,
+who apparently believed in your existence.&nbsp; I could trust
+Mills.&nbsp; My doubts were about the propriety.&nbsp; I
+couldn&rsquo;t see any good reason for being taken to see
+you.&nbsp; Strange that it should be my connection with the sea
+which brought me here to the Villa.&rdquo;</p>
+<p>&ldquo;Unexpected perhaps.&rdquo;</p>
+<p>&ldquo;No.&nbsp; I mean particularly strange and
+significant.&rdquo;</p>
+<p>&ldquo;Why?&rdquo;</p>
+<p>&ldquo;Because my friends are in the habit of telling me (and
+each other) that the sea is my only love.&nbsp; They were always
+chaffing me because they couldn&rsquo;t see or guess in my life
+at any woman, open or secret. . .&rdquo;</p>
+<p>&ldquo;And is that really so?&rdquo; she inquired
+negligently.</p>
+<p>&ldquo;Why, yes.&nbsp; I don&rsquo;t mean to say that I am
+like an innocent shepherd in one of those interminable stories of
+the eighteenth century.&nbsp; But I don&rsquo;t throw the word
+love about indiscriminately.&nbsp; It may be all true about the
+sea; but some people would say that they love
+sausages.&rdquo;</p>
+<p>&ldquo;You are horrible.&rdquo;</p>
+<p>&ldquo;I am surprised.&rdquo;</p>
+<p>&ldquo;I mean your choice of words.&rdquo;</p>
+<p>&ldquo;And you have never uttered a word yet that didn&rsquo;t
+change into a pearl as it dropped from your lips.&nbsp; At least
+not before me.&rdquo;</p>
+<p>She glanced down deliberately and said, &ldquo;This is
+better.&nbsp; But I don&rsquo;t see any of them on the
+floor.&rdquo;</p>
+<p>&ldquo;It&rsquo;s you who are horrible in the implications of
+your language.&nbsp; Don&rsquo;t see any on the floor!&nbsp;
+Haven&rsquo;t I caught up and treasured them all in my
+heart?&nbsp; I am not the animal from which sausages are
+made.&rdquo;</p>
+<p>She looked at me suavely and then with the sweetest possible
+smile breathed out the word: &ldquo;No.&rdquo;</p>
+<p>And we both laughed very loud.&nbsp; O! days of
+innocence!&nbsp; On this occasion we parted from each other on a
+light-hearted note.&nbsp; But already I had acquired the
+conviction that there was nothing more lovable in the world than
+that woman; nothing more life-giving, inspiring, and illuminating
+than the emanation of her charm.&nbsp; I meant it
+absolutely&mdash;not excepting the light of the sun.</p>
+<p>From this there was only one step further to take.&nbsp; The
+step into a conscious surrender; the open perception that this
+charm, warming like a flame, was also all-revealing like a great
+light; giving new depth to shades, new brilliance to colours, an
+amazing vividness to all sensations and vitality to all thoughts:
+so that all that had been lived before seemed to have been lived
+in a drab world and with a languid pulse.</p>
+<p>A great revelation this.&nbsp; I don&rsquo;t mean to say it
+was soul-shaking.&nbsp; The soul was already a captive before
+doubt, anguish, or dismay could touch its surrender and its
+exaltation.&nbsp; But all the same the revelation turned many
+things into dust; and, amongst others, the sense of the careless
+freedom of my life.&nbsp; If that life ever had any purpose or
+any aim outside itself I would have said that it threw a shadow
+across its path.&nbsp; But it hadn&rsquo;t.&nbsp; There had been
+no path.&nbsp; But there was a shadow, the inseparable companion
+of all light.&nbsp; No illumination can sweep all mystery out of
+the world.&nbsp; After the departed darkness the shadows remain,
+more mysterious because as if more enduring; and one feels a
+dread of them from which one was free before.&nbsp; What if they
+were to be victorious at the last?&nbsp; They, or what perhaps
+lurks in them: fear, deception, desire, disillusion&mdash;all
+silent at first before the song of triumphant love vibrating in
+the light.&nbsp; Yes.&nbsp; Silent.&nbsp; Even desire
+itself!&nbsp; All silent.&nbsp; But not for long!</p>
+<p>This was, I think, before the third expedition.&nbsp; Yes, it
+must have been the third, for I remember that it was boldly
+planned and that it was carried out without a hitch.&nbsp; The
+tentative period was over; all our arrangements had been
+perfected.&nbsp; There was, so to speak, always an unfailing
+smoke on the hill and an unfailing lantern on the shore.&nbsp;
+Our friends, mostly bought for hard cash and therefore valuable,
+had acquired confidence in us.&nbsp; This, they seemed to say, is
+no unfathomable roguery of penniless adventurers.&nbsp; This is
+but the reckless enterprise of men of wealth and sense and
+needn&rsquo;t be inquired into.&nbsp; The young <i>caballero</i>
+has got real gold pieces in the belt he wears next his skin; and
+the man with the heavy moustaches and unbelieving eyes is indeed
+very much of a man.&nbsp; They gave to Dominic all their respect
+and to me a great show of deference; for I had all the money,
+while they thought that Dominic had all the sense.&nbsp; That
+judgment was not exactly correct.&nbsp; I had my share of
+judgment and audacity which surprises me now that the years have
+chilled the blood without dimming the memory.&nbsp; I remember
+going about the business with light-hearted, clear-headed
+recklessness which, according as its decisions were sudden or
+considered, made Dominic draw his breath through his clenched
+teeth, or look hard at me before he gave me either a slight nod
+of assent or a sarcastic &ldquo;Oh, certainly&rdquo;&mdash;just
+as the humour of the moment prompted him.</p>
+<p>One night as we were lying on a bit of dry sand under the lee
+of a rock, side by side, watching the light of our little vessel
+dancing away at sea in the windy distance, Dominic spoke suddenly
+to me.</p>
+<p>&ldquo;I suppose Alphonso and Carlos, Carlos and Alphonso,
+they are nothing to you, together or separately?&rdquo;</p>
+<p>I said: &ldquo;Dominic, if they were both to vanish from the
+earth together or separately it would make no difference to my
+feelings.&rdquo;</p>
+<p>He remarked: &ldquo;Just so.&nbsp; A man mourns only for his
+friends.&nbsp; I suppose they are no more friends to you than
+they are to me.&nbsp; Those Carlists make a great consumption of
+cartridges.&nbsp; That is well.&nbsp; But why should we do all
+those mad things that you will insist on us doing till my
+hair,&rdquo; he pursued with grave, mocking exaggeration,
+&ldquo;till my hair tries to stand up on my head? and all for
+that Carlos, let God and the devil each guard his own, for that
+Majesty as they call him, but after all a man like another
+and&mdash;no friend.&rdquo;</p>
+<p>&ldquo;Yes, why?&rdquo; I murmured, feeling my body nestled at
+ease in the sand.</p>
+<p>It was very dark under the overhanging rock on that night of
+clouds and of wind that died and rose and died again.&nbsp;
+Dominic&rsquo;s voice was heard speaking low between the short
+gusts.</p>
+<p>&ldquo;Friend of the Se&ntilde;ora, eh?&rdquo;</p>
+<p>&ldquo;That&rsquo;s what the world says, Dominic.&rdquo;</p>
+<p>&ldquo;Half of what the world says are lies,&rdquo; he
+pronounced dogmatically.&nbsp; &ldquo;For all his majesty he may
+be a good enough man.&nbsp; Yet he is only a king in the
+mountains and to-morrow he may be no more than you.&nbsp; Still a
+woman like that&mdash;one, somehow, would grudge her to a better
+king.&nbsp; She ought to be set up on a high pillar for people
+that walk on the ground to raise their eyes up to.&nbsp; But you
+are otherwise, you gentlemen.&nbsp; You, for instance, Monsieur,
+you wouldn&rsquo;t want to see her set up on a pillar.&rdquo;</p>
+<p>&ldquo;That sort of thing, Dominic,&rdquo; I said, &ldquo;that
+sort of thing, you understand me, ought to be done
+early.&rdquo;</p>
+<p>He was silent for a time.&nbsp; And then his manly voice was
+heard in the shadow of the rock.</p>
+<p>&ldquo;I see well enough what you mean.&nbsp; I spoke of the
+multitude, that only raise their eyes.&nbsp; But for kings and
+suchlike that is not enough.&nbsp; Well, no heart need despair;
+for there is not a woman that wouldn&rsquo;t at some time or
+other get down from her pillar for no bigger bribe perhaps than
+just a flower which is fresh to-day and withered to-morrow.&nbsp;
+And then, what&rsquo;s the good of asking how long any woman has
+been up there?&nbsp; There is a true saying that lips that have
+been kissed do not lose their freshness.&rdquo;</p>
+<p>I don&rsquo;t know what answer I could have made.&nbsp; I
+imagine Dominic thought himself unanswerable.&nbsp; As a matter
+of fact, before I could speak, a voice came to us down the face
+of the rock crying secretly, &ldquo;Ol&agrave;, down there!&nbsp;
+All is safe ashore.&rdquo;</p>
+<p>It was the boy who used to hang about the stable of a
+muleteer&rsquo;s inn in a little shallow valley with a shallow
+little stream in it, and where we had been hiding most of the day
+before coming down to the shore.&nbsp; We both started to our
+feet and Dominic said, &ldquo;A good boy that.&nbsp; You
+didn&rsquo;t hear him either come or go above our heads.&nbsp;
+Don&rsquo;t reward him with more than one peseta, Se&ntilde;or,
+whatever he does.&nbsp; If you were to give him two he would go
+mad at the sight of so much wealth and throw up his job at the
+Fonda, where he is so useful to run errands, in that way he has
+of skimming along the paths without displacing a
+stone.&rdquo;</p>
+<p>Meantime he was busying himself with striking a fire to set
+alight a small heap of dry sticks he had made ready beforehand on
+that spot which in all the circuit of the Bay was perfectly
+screened from observation from the land side.</p>
+<p>The clear flame shooting up revealed him in the black cloak
+with a hood of a Mediterranean sailor.&nbsp; His eyes watched the
+dancing dim light to seaward.&nbsp; And he talked the while.</p>
+<p>&ldquo;The only fault you have, Se&ntilde;or, is being too
+generous with your money.&nbsp; In this world you must give
+sparingly.&nbsp; The only things you may deal out without
+counting, in this life of ours which is but a little fight and a
+little love, is blows to your enemy and kisses to a woman. . . .
+Ah! here they are coming in.&rdquo;</p>
+<p>I noticed the dancing light in the dark west much closer to
+the shore now.&nbsp; Its motion had altered.&nbsp; It swayed
+slowly as it ran towards us, and, suddenly, the darker shadow as
+of a great pointed wing appeared gliding in the night.&nbsp;
+Under it a human voice shouted something confidently.</p>
+<p>&ldquo;<i>Bueno</i>,&rdquo; muttered Dominic.&nbsp; From some
+receptacle I didn&rsquo;t see he poured a lot of water on the
+blaze, like a magician at the end of a successful incantation
+that had called out a shadow and a voice from the immense space
+of the sea.&nbsp; And his hooded figure vanished from my sight in
+a great hiss and the warm feel of ascending steam.</p>
+<p>&ldquo;That&rsquo;s all over,&rdquo; he said, &ldquo;and now
+we go back for more work, more toil, more trouble, more exertion
+with hands and feet, for hours and hours.&nbsp; And all the time
+the head turned over the shoulder, too.&rdquo;</p>
+<p>We were climbing a precipitous path sufficiently dangerous in
+the dark, Dominic, more familiar with it, going first and I
+scrambling close behind in order that I might grab at his cloak
+if I chanced to slip or miss my footing.&nbsp; I remonstrated
+against this arrangement as we stopped to rest.&nbsp; I had no
+doubt I would grab at his cloak if I felt myself falling.&nbsp; I
+couldn&rsquo;t help doing that.&nbsp; But I would probably only
+drag him down with me.</p>
+<p>With one hand grasping a shadowy bush above his head he
+growled that all this was possible, but that it was all in the
+bargain, and urged me onwards.</p>
+<p>When we got on to the level that man whose even breathing no
+exertion, no danger, no fear or anger could disturb, remarked as
+we strode side by side:</p>
+<p>&ldquo;I will say this for us, that we are carrying out all
+this deadly foolishness as conscientiously as though the eyes of
+the Se&ntilde;ora were on us all the time.&nbsp; And as to risk,
+I suppose we take more than she would approve of, I fancy, if she
+ever gave a moment&rsquo;s thought to us out here.&nbsp; Now, for
+instance, in the next half hour, we may come any moment on three
+carabineers who would let off their pieces without asking
+questions.&nbsp; Even your way of flinging money about cannot
+make safety for men set on defying a whole big country for the
+sake of&mdash;what is it exactly?&mdash;the blue eyes, or the
+white arms of the Se&ntilde;ora.&rdquo;</p>
+<p>He kept his voice equably low.&nbsp; It was a lonely spot and
+but for a vague shape of a dwarf tree here and there we had only
+the flying clouds for company.&nbsp; Very far off a tiny light
+twinkled a little way up the seaward shoulder of an invisible
+mountain.&nbsp; Dominic moved on.</p>
+<p>&ldquo;Fancy yourself lying here, on this wild spot, with a
+leg smashed by a shot or perhaps with a bullet in your
+side.&nbsp; It might happen.&nbsp; A star might fall.&nbsp; I
+have watched stars falling in scores on clear nights in the
+Atlantic.&nbsp; And it was nothing.&nbsp; The flash of a pinch of
+gunpowder in your face may be a bigger matter.&nbsp; Yet somehow
+it&rsquo;s pleasant as we stumble in the dark to think of our
+Se&ntilde;ora in that long room with a shiny floor and all that
+lot of glass at the end, sitting on that divan, you call it,
+covered with carpets as if expecting a king indeed.&nbsp; And
+very still . . .&rdquo;</p>
+<p>He remembered her&mdash;whose image could not be
+dismissed.</p>
+<p>I laid my hand on his shoulder.</p>
+<p>&ldquo;That light on the mountain side flickers exceedingly,
+Dominic.&nbsp; Are we in the path?&rdquo;</p>
+<p>He addressed me then in French, which was between us the
+language of more formal moments.</p>
+<p>&ldquo;<i>Prenez mon bras</i>, <i>monsieur</i>.&nbsp; Take a
+firm hold, or I will have you stumbling again and falling into
+one of those beastly holes, with a good chance to crack your
+head.&nbsp; And there is no need to take offence.&nbsp; For,
+speaking with all respect, why should you, and I with you, be
+here on this lonely spot, barking our shins in the dark on the
+way to a confounded flickering light where there will be no other
+supper but a piece of a stale sausage and a draught of leathery
+wine out of a stinking skin.&nbsp; Pah!&rdquo;</p>
+<p>I had good hold of his arm.&nbsp; Suddenly he dropped the
+formal French and pronounced in his inflexible voice:</p>
+<p>&ldquo;For a pair of white arms, Se&ntilde;or.&nbsp;
+<i>Bueno</i>.&rdquo;</p>
+<p>He could understand.</p>
+<h3>CHAPTER III</h3>
+<p>On our return from that expedition we came gliding into the
+old harbour so late that Dominic and I, making for the
+caf&eacute; kept by Madame L&eacute;onore, found it empty of
+customers, except for two rather sinister fellows playing cards
+together at a corner table near the door.&nbsp; The first thing
+done by Madame L&eacute;onore was to put her hands on
+Dominic&rsquo;s shoulders and look at arm&rsquo;s length into the
+eyes of that man of audacious deeds and wild stratagems who
+smiled straight at her from under his heavy and, at that time,
+uncurled moustaches.</p>
+<p>Indeed we didn&rsquo;t present a neat appearance, our faces
+unshaven, with the traces of dried salt sprays on our smarting
+skins and the sleeplessness of full forty hours filming our
+eyes.&nbsp; At least it was so with me who saw as through a mist
+Madame L&eacute;onore moving with her mature nonchalant grace,
+setting before us wine and glasses with a faint swish of her
+ample black skirt.&nbsp; Under the elaborate structure of black
+hair her jet-black eyes sparkled like good-humoured stars and
+even I could see that she was tremendously excited at having this
+lawless wanderer Dominic within her reach and as it were in her
+power.&nbsp; Presently she sat down by us, touched lightly
+Dominic&rsquo;s curly head silvered on the temples (she
+couldn&rsquo;t really help it), gazed at me for a while with a
+quizzical smile, observed that I looked very tired, and asked
+Dominic whether for all that I was likely to sleep soundly
+to-night.</p>
+<p>&ldquo;I don&rsquo;t know,&rdquo; said Dominic,
+&ldquo;He&rsquo;s young.&nbsp; And there is always the chance of
+dreams.&rdquo;</p>
+<p>&ldquo;What do you men dream of in those little barques of
+yours tossing for months on the water?&rdquo;</p>
+<p>&ldquo;Mostly of nothing,&rdquo; said Dominic.&nbsp;
+&ldquo;But it has happened to me to dream of furious
+fights.&rdquo;</p>
+<p>&ldquo;And of furious loves, too, no doubt,&rdquo; she caught
+him up in a mocking voice.</p>
+<p>&ldquo;No, that&rsquo;s for the waking hours,&rdquo; Dominic
+drawled, basking sleepily with his head between his hands in her
+ardent gaze.&nbsp; &ldquo;The waking hours are longer.&rdquo;</p>
+<p>&ldquo;They must be, at sea,&rdquo; she said, never taking her
+eyes off him.&nbsp; &ldquo;But I suppose you do talk of your
+loves sometimes.&rdquo;</p>
+<p>&ldquo;You may be sure, Madame L&eacute;onore,&rdquo; I
+interjected, noticing the hoarseness of my voice, &ldquo;that you
+at any rate are talked about a lot at sea.&rdquo;</p>
+<p>&ldquo;I am not so sure of that now.&nbsp; There is that
+strange lady from the Prado that you took him to see,
+Signorino.&nbsp; She went to his head like a glass of wine into a
+tender youngster&rsquo;s.&nbsp; He is such a child, and I suppose
+that I am another.&nbsp; Shame to confess it, the other morning I
+got a friend to look after the caf&eacute; for a couple of hours,
+wrapped up my head, and walked out there to the other end of the
+town. . . . Look at these two sitting up!&nbsp; And I thought
+they were so sleepy and tired, the poor fellows!&rdquo;</p>
+<p>She kept our curiosity in suspense for a moment.</p>
+<p>&ldquo;Well, I have seen your marvel, Dominic,&rdquo; she
+continued in a calm voice.&nbsp; &ldquo;She came flying out of
+the gate on horseback and it would have been all I would have
+seen of her if&mdash;and this is for you, Signorino&mdash;if she
+hadn&rsquo;t pulled up in the main alley to wait for a very
+good-looking cavalier.&nbsp; He had his moustaches so, and his
+teeth were very white when he smiled at her.&nbsp; But his eyes
+are too deep in his head for my taste.&nbsp; I didn&rsquo;t like
+it.&nbsp; It reminded me of a certain very severe priest who used
+to come to our village when I was young; younger even than your
+marvel, Dominic.&rdquo;</p>
+<p>&ldquo;It was no priest in disguise, Madame
+L&eacute;onore,&rdquo; I said, amused by her expression of
+disgust.&nbsp; &ldquo;That&rsquo;s an American.&rdquo;</p>
+<p>&ldquo;Ah!&nbsp; <i>Un Americano</i>!&nbsp; Well, never mind
+him.&nbsp; It was her that I went to see.&rdquo;</p>
+<p>&ldquo;What!&nbsp; Walked to the other end of the town to see
+Do&ntilde;a Rita!&rdquo;&nbsp; Dominic addressed her in a low
+bantering tone.&nbsp; &ldquo;Why, you were always telling me you
+couldn&rsquo;t walk further than the end of the quay to save your
+life&mdash;or even mine, you said.&rdquo;</p>
+<p>&ldquo;Well, I did; and I walked back again and between the
+two walks I had a good look.&nbsp; And you may be sure&mdash;that
+will surprise you both&mdash;that on the way back&mdash;oh, Santa
+Madre, wasn&rsquo;t it a long way, too&mdash;I wasn&rsquo;t
+thinking of any man at sea or on shore in that
+connection.&rdquo;</p>
+<p>&ldquo;No.&nbsp; And you were not thinking of yourself,
+either, I suppose,&rdquo; I said.&nbsp; Speaking was a matter of
+great effort for me, whether I was too tired or too sleepy, I
+can&rsquo;t tell.&nbsp; &ldquo;No, you were not thinking of
+yourself.&nbsp; You were thinking of a woman, though.&rdquo;</p>
+<p>&ldquo;<i>Si</i>.&nbsp; As much a woman as any of us that ever
+breathed in the world.&nbsp; Yes, of her!&nbsp; Of that very
+one!&nbsp; You see, we women are not like you men, indifferent to
+each other unless by some exception.&nbsp; Men say we are always
+against one another but that&rsquo;s only men&rsquo;s
+conceit.&nbsp; What can she be to me?&nbsp; I am not afraid of
+the big child here,&rdquo; and she tapped Dominic&rsquo;s forearm
+on which he rested his head with a fascinated stare.&nbsp;
+&ldquo;With us two it is for life and death, and I am rather
+pleased that there is something yet in him that can catch fire on
+occasion.&nbsp; I would have thought less of him if he
+hadn&rsquo;t been able to get out of hand a little, for something
+really fine.&nbsp; As for you, Signorino,&rdquo; she turned on me
+with an unexpected and sarcastic sally, &ldquo;I am not in love
+with you yet.&rdquo;&nbsp; She changed her tone from sarcasm to a
+soft and even dreamy note.&nbsp; &ldquo;A head like a gem,&rdquo;
+went on that woman born in some by-street of Rome, and a
+plaything for years of God knows what obscure fates.&nbsp;
+&ldquo;Yes, Dominic!&nbsp; <i>Antica</i>.&nbsp; I haven&rsquo;t
+been haunted by a face since&mdash;since I was sixteen years
+old.&nbsp; It was the face of a young cavalier in the
+street.&nbsp; He was on horseback, too.&nbsp; He never looked at
+me, I never saw him again, and I loved him for&mdash;for days and
+days and days.&nbsp; That was the sort of face he had.&nbsp; And
+her face is of the same sort.&nbsp; She had a man&rsquo;s hat,
+too, on her head.&nbsp; So high!&rdquo;</p>
+<p>&ldquo;A man&rsquo;s hat on her head,&rdquo; remarked with
+profound displeasure Dominic, to whom this wonder, at least, of
+all the wonders of the earth, was apparently unknown.</p>
+<p>&ldquo;<i>Si</i>.&nbsp; And her face has haunted me.&nbsp; Not
+so long as that other but more touchingly because I am no longer
+sixteen and this is a woman.&nbsp; Yes, I did think of her, I
+myself was once that age and I, too, had a face of my own to show
+to the world, though not so superb.&nbsp; And I, too,
+didn&rsquo;t know why I had come into the world any more than she
+does.&rdquo;</p>
+<p>&ldquo;And now you know,&rdquo; Dominic growled softly, with
+his head still between his hands.</p>
+<p>She looked at him for a long time, opened her lips but in the
+end only sighed lightly.</p>
+<p>&ldquo;And what do you know of her, you who have seen her so
+well as to be haunted by her face?&rdquo; I asked.</p>
+<p>I wouldn&rsquo;t have been surprised if she had answered me
+with another sigh.&nbsp; For she seemed only to be thinking of
+herself and looked not in my direction.&nbsp; But suddenly she
+roused up.</p>
+<p>&ldquo;Of her?&rdquo; she repeated in a louder voice.&nbsp;
+&ldquo;Why should I talk of another woman?&nbsp; And then she is
+a great lady.&rdquo;</p>
+<p>At this I could not repress a smile which she detected at
+once.</p>
+<p>&ldquo;Isn&rsquo;t she?&nbsp; Well, no, perhaps she
+isn&rsquo;t; but you may be sure of one thing, that she is both
+flesh and shadow more than any one that I have seen.&nbsp; Keep
+that well in your mind: She is for no man!&nbsp; She would be
+vanishing out of their hands like water that cannot be
+held.&rdquo;</p>
+<p>I caught my breath.&nbsp; &ldquo;Inconstant,&rdquo; I
+whispered.</p>
+<p>&ldquo;I don&rsquo;t say that.&nbsp; Maybe too proud, too
+wilful, too full of pity.&nbsp; Signorino, you don&rsquo;t know
+much about women.&nbsp; And you may learn something yet or you
+may not; but what you learn from her you will never
+forget.&rdquo;</p>
+<p>&ldquo;Not to be held,&rdquo; I murmured; and she whom the
+quayside called Madame L&eacute;onore closed her outstretched
+hand before my face and opened it at once to show its emptiness
+in illustration of her expressed opinion.&nbsp; Dominic never
+moved.</p>
+<p>I wished good-night to these two and left the caf&eacute; for
+the fresh air and the dark spaciousness of the quays augmented by
+all the width of the old Port where between the trails of light
+the shadows of heavy hulls appeared very black, merging their
+outlines in a great confusion.&nbsp; I left behind me the end of
+the Cannebi&egrave;re, a wide vista of tall houses and
+much-lighted pavements losing itself in the distance with an
+extinction of both shapes and lights.&nbsp; I slunk past it with
+only a side glance and sought the dimness of quiet streets away
+from the centre of the usual night gaieties of the town.&nbsp;
+The dress I wore was just that of a sailor come ashore from some
+coaster, a thick blue woollen shirt or rather a sort of jumper
+with a knitted cap like a tam-o&rsquo;-shanter worn very much on
+one side and with a red tuft of wool in the centre.&nbsp; This
+was even the reason why I had lingered so long in the
+caf&eacute;.&nbsp; I didn&rsquo;t want to be recognized in the
+streets in that costume and still less to be seen entering the
+house in the street of the Consuls.&nbsp; At that hour when the
+performances were over and all the sensible citizens in their
+beds I didn&rsquo;t hesitate to cross the Place of the
+Opera.&nbsp; It was dark, the audience had already
+dispersed.&nbsp; The rare passers-by I met hurrying on their last
+affairs of the day paid no attention to me at all.&nbsp; The
+street of the Consuls I expected to find empty, as usual at that
+time of the night.&nbsp; But as I turned a corner into it I
+overtook three people who must have belonged to the
+locality.&nbsp; To me, somehow, they appeared strange.&nbsp; Two
+girls in dark cloaks walked ahead of a tall man in a top
+hat.&nbsp; I slowed down, not wishing to pass them by, the more
+so that the door of the house was only a few yards distant.&nbsp;
+But to my intense surprise those people stopped at it and the man
+in the top hat, producing a latchkey, let his two companions
+through, followed them, and with a heavy slam cut himself off
+from my astonished self and the rest of mankind.</p>
+<p>In the stupid way people have I stood and meditated on the
+sight, before it occurred to me that this was the most useless
+thing to do.&nbsp; After waiting a little longer to let the
+others get away from the hall I entered in my turn.&nbsp; The
+small gas-jet seemed not to have been touched ever since that
+distant night when Mills and I trod the black-and-white marble
+hall for the first time on the heels of Captain Blunt&mdash;who
+lived by his sword.&nbsp; And in the dimness and solitude which
+kept no more trace of the three strangers than if they had been
+the merest ghosts I seemed to hear the ghostly murmur,
+&ldquo;<i>Am&eacute;ricain</i>, <i>Catholique et
+gentilhomme</i>.&nbsp; <i>Am&eacute;r. . . </i>&rdquo;&nbsp; Unseen by
+human eye I ran up the flight of steps swiftly and on the first
+floor stepped into my sitting-room of which the door was open . .
+. &ldquo;<i>et gentilhomme</i>.&rdquo;&nbsp; I tugged at the bell
+pull and somewhere down below a bell rang as unexpected for
+Therese as a call from a ghost.</p>
+<p>I had no notion whether Therese could hear me.&nbsp; I seemed
+to remember that she slept in any bed that happened to be
+vacant.&nbsp; For all I knew she might have been asleep in
+mine.&nbsp; As I had no matches on me I waited for a while in the
+dark.&nbsp; The house was perfectly still.&nbsp; Suddenly without
+the slightest preliminary sound light fell into the room and
+Therese stood in the open door with a candlestick in her
+hand.</p>
+<p>She had on her peasant brown skirt.&nbsp; The rest of her was
+concealed in a black shawl which covered her head, her shoulders,
+arms, and elbows completely, down to her waist.&nbsp; The hand
+holding the candle protruded from that envelope which the other
+invisible hand clasped together under her very chin.&nbsp; And
+her face looked like a face in a painting.&nbsp; She said at
+once:</p>
+<p>&ldquo;You startled me, my young Monsieur.&rdquo;</p>
+<p>She addressed me most frequently in that way as though she
+liked the very word &ldquo;young.&rdquo;&nbsp; Her manner was
+certainly peasant-like with a sort of plaint in the voice, while
+the face was that of a serving Sister in some small and rustic
+convent.</p>
+<p>&ldquo;I meant to do it,&rdquo; I said.&nbsp; &ldquo;I am a
+very bad person.&rdquo;</p>
+<p>&ldquo;The young are always full of fun,&rdquo; she said as if
+she were gloating over the idea.&nbsp; &ldquo;It is very
+pleasant.&rdquo;</p>
+<p>&ldquo;But you are very brave,&rdquo; I chaffed her,
+&ldquo;for you didn&rsquo;t expect a ring, and after all it might
+have been the devil who pulled the bell.&rdquo;</p>
+<p>&ldquo;It might have been.&nbsp; But a poor girl like me is
+not afraid of the devil.&nbsp; I have a pure heart.&nbsp; I have
+been to confession last evening.&nbsp; No.&nbsp; But it might
+have been an assassin that pulled the bell ready to kill a poor
+harmless woman.&nbsp; This is a very lonely street.&nbsp; What
+could prevent you to kill me now and then walk out again free as
+air?&rdquo;</p>
+<p>While she was talking like this she had lighted the gas and
+with the last words she glided through the bedroom door leaving
+me thunderstruck at the unexpected character of her thoughts.</p>
+<p>I couldn&rsquo;t know that there had been during my absence a
+case of atrocious murder which had affected the imagination of
+the whole town; and though Therese did not read the papers (which
+she imagined to be full of impieties and immoralities invented by
+godless men) yet if she spoke at all with her kind, which she
+must have done at least in shops, she could not have helped
+hearing of it.&nbsp; It seems that for some days people could
+talk of nothing else.&nbsp; She returned gliding from the bedroom
+hermetically sealed in her black shawl just as she had gone in,
+with the protruding hand holding the lighted candle and relieved
+my perplexity as to her morbid turn of mind by telling me
+something of the murder story in a strange tone of indifference
+even while referring to its most horrible features.&nbsp;
+&ldquo;That&rsquo;s what carnal sin (<i>p&ecirc;ch&eacute; de
+chair</i>) leads to,&rdquo; she commented severely and passed her
+tongue over her thin lips.&nbsp; &ldquo;And then the devil
+furnishes the occasion.&rdquo;</p>
+<p>&ldquo;I can&rsquo;t imagine the devil inciting me to murder
+you, Therese,&rdquo; I said, &ldquo;and I didn&rsquo;t like that
+ready way you took me for an example, as it were.&nbsp; I suppose
+pretty near every lodger might be a potential murderer, but I
+expected to be made an exception.&rdquo;</p>
+<p>With the candle held a little below her face, with that face
+of one tone and without relief she looked more than ever as
+though she had come out of an old, cracked, smoky painting, the
+subject of which was altogether beyond human conception.&nbsp;
+And she only compressed her lips.</p>
+<p>&ldquo;All right,&rdquo; I said, making myself comfortable on
+a sofa after pulling off my boots.&nbsp; &ldquo;I suppose any one
+is liable to commit murder all of a sudden.&nbsp; Well, have you
+got many murderers in the house?&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; she said, &ldquo;it&rsquo;s pretty
+good.&nbsp; Upstairs and downstairs,&rdquo; she sighed.&nbsp;
+&ldquo;God sees to it.&rdquo;</p>
+<p>&ldquo;And by the by, who is that grey-headed murderer in a
+tall hat whom I saw shepherding two girls into this
+house?&rdquo;</p>
+<p>She put on a candid air in which one could detect a little of
+her peasant cunning.</p>
+<p>&ldquo;Oh, yes.&nbsp; They are two dancing girls at the Opera,
+sisters, as different from each other as I and our poor
+Rita.&nbsp; But they are both virtuous and that gentleman, their
+father, is very severe with them.&nbsp; Very severe indeed, poor
+motherless things.&nbsp; And it seems to be such a sinful
+occupation.&rdquo;</p>
+<p>&ldquo;I bet you make them pay a big rent, Therese.&nbsp; With
+an occupation like that . . .&rdquo;</p>
+<p>She looked at me with eyes of invincible innocence and began
+to glide towards the door, so smoothly that the flame of the
+candle hardly swayed.&nbsp; &ldquo;Good-night,&rdquo; she
+murmured.</p>
+<p>&ldquo;Good-night, Mademoiselle.&rdquo;</p>
+<p>Then in the very doorway she turned right round as a
+marionette would turn.</p>
+<p>&ldquo;Oh, you ought to know, my dear young Monsieur, that Mr.
+Blunt, the dear handsome man, has arrived from Navarre three days
+ago or more.&nbsp; Oh,&rdquo; she added with a priceless air of
+compunction, &ldquo;he is such a charming gentleman.&rdquo;</p>
+<p>And the door shut after her.</p>
+<h3>CHAPTER IV</h3>
+<p>That night I passed in a state, mostly open-eyed, I believe,
+but always on the border between dreams and waking.&nbsp; The
+only thing absolutely absent from it was the feeling of
+rest.&nbsp; The usual sufferings of a youth in love had nothing
+to do with it.&nbsp; I could leave her, go away from her, remain
+away from her, without an added pang or any augmented
+consciousness of that torturing sentiment of distance so acute
+that often it ends by wearing itself out in a few days.&nbsp; Far
+or near was all one to me, as if one could never get any further
+but also never any nearer to her secret: the state like that of
+some strange wild faiths that get hold of mankind with the cruel
+mystic grip of unattainable perfection, robbing them of both
+liberty and felicity on earth.&nbsp; A faith presents one with
+some hope, though.&nbsp; But I had no hope, and not even desire
+as a thing outside myself, that would come and go, exhaust or
+excite.&nbsp; It was in me just like life was in me; that life of
+which a popular saying affirms that &ldquo;it is
+sweet.&rdquo;&nbsp; For the general wisdom of mankind will always
+stop short on the limit of the formidable.</p>
+<p>What is best in a state of brimful, equable suffering is that
+it does away with the gnawings of petty sensations.&nbsp; Too far
+gone to be sensible to hope and desire I was spared the inferior
+pangs of elation and impatience.&nbsp; Hours with her or hours
+without her were all alike, all in her possession!&nbsp; But
+still there are shades and I will admit that the hours of that
+morning were perhaps a little more difficult to get through than
+the others.&nbsp; I had sent word of my arrival of course.&nbsp;
+I had written a note.&nbsp; I had rung the bell.&nbsp; Therese
+had appeared herself in her brown garb and as monachal as
+ever.&nbsp; I had said to her:</p>
+<p>&ldquo;Have this sent off at once.&rdquo;</p>
+<p>She had gazed at the addressed envelope, smiled (I was looking
+up at her from my desk), and at last took it up with an effort of
+sanctimonious repugnance.&nbsp; But she remained with it in her
+hand looking at me as though she were piously gloating over
+something she could read in my face.</p>
+<p>&ldquo;Oh, that Rita, that Rita,&rdquo; she murmured.&nbsp;
+&ldquo;And you, too!&nbsp; Why are you trying, you, too, like the
+others, to stand between her and the mercy of God?&nbsp;
+What&rsquo;s the good of all this to you?&nbsp; And you such a
+nice, dear, young gentleman.&nbsp; For no earthly good only
+making all the kind saints in heaven angry, and our mother
+ashamed in her place amongst the blessed.&rdquo;</p>
+<p>&ldquo;Mademoiselle Therese,&rdquo; I said, &ldquo;<i>vous
+&ecirc;tes folle</i>.&rdquo;</p>
+<p>I believed she was crazy.&nbsp; She was cunning, too.&nbsp; I
+added an imperious: &ldquo;<i>Allez</i>,&rdquo; and with a
+strange docility she glided out without another word.&nbsp; All I
+had to do then was to get dressed and wait till eleven
+o&rsquo;clock.</p>
+<p>The hour struck at last.&nbsp; If I could have plunged into a
+light wave and been transported instantaneously to Do&ntilde;a
+Rita&rsquo;s door it would no doubt have saved me an infinity of
+pangs too complex for analysis; but as this was impossible I
+elected to walk from end to end of that long way.&nbsp; My
+emotions and sensations were childlike and chaotic inasmuch that
+they were very intense and primitive, and that I lay very
+helpless in their unrelaxing grasp.&nbsp; If one could have kept
+a record of one&rsquo;s physical sensations it would have been a
+fine collection of absurdities and contradictions.&nbsp; Hardly
+touching the ground and yet leaden-footed; with a sinking heart
+and an excited brain; hot and trembling with a secret faintness,
+and yet as firm as a rock and with a sort of indifference to it
+all, I did reach the door which was frightfully like any other
+commonplace door, but at the same time had a fateful character: a
+few planks put together&mdash;and an awful symbol; not to be
+approached without awe&mdash;and yet coming open in the ordinary
+way to the ring of the bell.</p>
+<p>It came open.&nbsp; Oh, yes, very much as usual.&nbsp; But in
+the ordinary course of events the first sight in the hall should
+have been the back of the ubiquitous, busy, silent maid hurrying
+off and already distant.&nbsp; But not at all!&nbsp; She actually
+waited for me to enter.&nbsp; I was extremely taken aback and I
+believe spoke to her for the first time in my life.</p>
+<p>&ldquo;<i>Bonjour</i>, Rose.&rdquo;</p>
+<p>She dropped her dark eyelids over those eyes that ought to
+have been lustrous but were not, as if somebody had breathed on
+them the first thing in the morning.&nbsp; She was a girl without
+smiles.&nbsp; She shut the door after me, and not only did that
+but in the incredible idleness of that morning she, who had never
+a moment to spare, started helping me off with my overcoat.&nbsp;
+It was positively embarrassing from its novelty.&nbsp; While
+busying herself with those trifles she murmured without any
+marked intention:</p>
+<p>&ldquo;Captain Blunt is with Madame.&rdquo;</p>
+<p>This didn&rsquo;t exactly surprise me.&nbsp; I knew he had
+come up to town; I only happened to have forgotten his existence
+for the moment.&nbsp; I looked at the girl also without any
+particular intention.&nbsp; But she arrested my movement towards
+the dining-room door by a low, hurried, if perfectly unemotional
+appeal:</p>
+<p>&ldquo;Monsieur George!&rdquo;</p>
+<p>That of course was not my name.&nbsp; It served me then as it
+will serve for this story.&nbsp; In all sorts of strange places I
+was alluded to as &ldquo;that young gentleman they call Monsieur
+George.&rdquo;&nbsp; Orders came from &ldquo;Monsieur
+George&rdquo; to men who nodded knowingly.&nbsp; Events pivoted
+about &ldquo;Monsieur George.&rdquo;&nbsp; I haven&rsquo;t the
+slightest doubt that in the dark and tortuous streets of the old
+Town there were fingers pointed at my back: there goes
+&ldquo;Monsieur George.&rdquo;&nbsp; I had been introduced
+discreetly to several considerable persons as &ldquo;Monsieur
+George.&rdquo;&nbsp; I had learned to answer to the name quite
+naturally; and to simplify matters I was also &ldquo;Monsieur
+George&rdquo; in the street of the Consuls and in the Villa on
+the Prado.&nbsp; I verily believe that at that time I had the
+feeling that the name of George really belonged to me.&nbsp; I
+waited for what the girl had to say.&nbsp; I had to wait some
+time, though during that silence she gave no sign of distress or
+agitation.&nbsp; It was for her obviously a moment of
+reflection.&nbsp; Her lips were compressed a little in a
+characteristic, capable manner.&nbsp; I looked at her with a
+friendliness I really felt towards her slight, unattractive, and
+dependable person.</p>
+<p>&ldquo;Well,&rdquo; I said at last, rather amused by this
+mental hesitation.&nbsp; I never took it for anything else.&nbsp;
+I was sure it was not distrust.&nbsp; She appreciated men and
+things and events solely in relation to Do&ntilde;a Rita&rsquo;s
+welfare and safety.&nbsp; And as to that I believed myself above
+suspicion.&nbsp; At last she spoke.</p>
+<p>&ldquo;Madame is not happy.&rdquo;&nbsp; This information was
+given to me not emotionally but as it were officially.&nbsp; It
+hadn&rsquo;t even a tone of warning.&nbsp; A mere
+statement.&nbsp; Without waiting to see the effect she opened the
+dining-room door, not to announce my name in the usual way but to
+go in and shut it behind her.&nbsp; In that short moment I heard
+no voices inside.&nbsp; Not a sound reached me while the door
+remained shut; but in a few seconds it came open again and Rose
+stood aside to let me pass.</p>
+<p>Then I heard something: Do&ntilde;a Rita&rsquo;s voice raised
+a little on an impatient note (a very, very rare thing) finishing
+some phrase of protest with the words &ldquo; . . . Of no
+consequence.&rdquo;</p>
+<p>I heard them as I would have heard any other words, for she
+had that kind of voice which carries a long distance.&nbsp; But
+the maid&rsquo;s statement occupied all my mind.&nbsp;
+&ldquo;<i>Madame n&rsquo;est pas heureuse</i>.&rdquo;&nbsp; It
+had a dreadful precision . . . &ldquo;Not happy . .
+.&rdquo;&nbsp; This unhappiness had almost a concrete
+form&mdash;something resembling a horrid bat.&nbsp; I was tired,
+excited, and generally overwrought.&nbsp; My head felt
+empty.&nbsp; What were the appearances of unhappiness?&nbsp; I
+was still na&iuml;ve enough to associate them with tears,
+lamentations, extraordinary attitudes of the body and some sort
+of facial distortion, all very dreadful to behold.&nbsp; I
+didn&rsquo;t know what I should see; but in what I did see there
+was nothing startling, at any rate from that nursery point of
+view which apparently I had not yet outgrown.</p>
+<p>With immense relief the apprehensive child within me beheld
+Captain Blunt warming his back at the more distant of the two
+fireplaces; and as to Do&ntilde;a Rita there was nothing
+extraordinary in her attitude either, except perhaps that her
+hair was all loose about her shoulders.&nbsp; I hadn&rsquo;t the
+slightest doubt they had been riding together that morning, but
+she, with her impatience of all costume (and yet she could dress
+herself admirably and wore her dresses triumphantly), had
+divested herself of her riding habit and sat cross-legged
+enfolded in that ample blue robe like a young savage chieftain in
+a blanket.&nbsp; It covered her very feet.&nbsp; And before the
+normal fixity of her enigmatical eyes the smoke of the cigarette
+ascended ceremonially, straight up, in a slender spiral.</p>
+<p>&ldquo;How are you,&rdquo; was the greeting of Captain Blunt
+with the usual smile which would have been more amiable if his
+teeth hadn&rsquo;t been, just then, clenched quite so
+tight.&nbsp; How he managed to force his voice through that
+shining barrier I could never understand.&nbsp; Do&ntilde;a Rita
+tapped the couch engagingly by her side but I sat down instead in
+the armchair nearly opposite her, which, I imagine, must have
+been just vacated by Blunt.&nbsp; She inquired with that
+particular gleam of the eyes in which there was something
+immemorial and gay:</p>
+<p>&ldquo;Well?&rdquo;</p>
+<p>&ldquo;Perfect success.&rdquo;</p>
+<p>&ldquo;I could hug you.&rdquo;</p>
+<p>At any time her lips moved very little but in this instance
+the intense whisper of these words seemed to form itself right in
+my very heart; not as a conveyed sound but as an imparted emotion
+vibrating there with an awful intimacy of delight.&nbsp; And yet
+it left my heart heavy.</p>
+<p>&ldquo;Oh, yes, for joy,&rdquo; I said bitterly but very low;
+&ldquo;for your Royalist, Legitimist, joy.&rdquo;&nbsp; Then with
+that trick of very precise politeness which I must have caught
+from Mr. Blunt I added:</p>
+<p>&ldquo;I don&rsquo;t want to be embraced&mdash;for the
+King.&rdquo;</p>
+<p>And I might have stopped there.&nbsp; But I
+didn&rsquo;t.&nbsp; With a perversity which should be forgiven to
+those who suffer night and day and are as if drunk with an
+exalted unhappiness, I went on: &ldquo;For the sake of an old
+cast-off glove; for I suppose a disdained love is not much more
+than a soiled, flabby thing that finds itself on a private
+rubbish heap because it has missed the fire.&rdquo;</p>
+<p>She listened to me unreadable, unmoved, narrowed eyes, closed
+lips, slightly flushed face, as if carved six thousand years ago
+in order to fix for ever that something secret and obscure which
+is in all women.&nbsp; Not the gross immobility of a Sphinx
+proposing roadside riddles but the finer immobility, almost
+sacred, of a fateful figure seated at the very source of the
+passions that have moved men from the dawn of ages.</p>
+<p>Captain Blunt, with his elbow on the high mantelpiece, had
+turned away a little from us and his attitude expressed
+excellently the detachment of a man who does not want to
+hear.&nbsp; As a matter of fact, I don&rsquo;t suppose he could
+have heard.&nbsp; He was too far away, our voices were too
+contained.&nbsp; Moreover, he didn&rsquo;t want to hear.&nbsp;
+There could be no doubt about it; but she addressed him
+unexpectedly.</p>
+<p>&ldquo;As I was saying to you, Don Juan, I have the greatest
+difficulty in getting myself, I won&rsquo;t say understood, but
+simply believed.&rdquo;</p>
+<p>No pose of detachment could avail against the warm waves of
+that voice.&nbsp; He had to hear.&nbsp; After a moment he altered
+his position as it were reluctantly, to answer her.</p>
+<p>&ldquo;That&rsquo;s a difficulty that women generally
+have.&rdquo;</p>
+<p>&ldquo;Yet I have always spoken the truth.&rdquo;</p>
+<p>&ldquo;All women speak the truth,&rdquo; said Blunt
+imperturbably.&nbsp; And this annoyed her.</p>
+<p>&ldquo;Where are the men I have deceived?&rdquo; she
+cried.</p>
+<p>&ldquo;Yes, where?&rdquo; said Blunt in a tone of alacrity as
+though he had been ready to go out and look for them outside.</p>
+<p>&ldquo;No!&nbsp; But show me one.&nbsp; I say&mdash;where is
+he?&rdquo;</p>
+<p>He threw his affectation of detachment to the winds, moved his
+shoulders slightly, very slightly, made a step nearer to the
+couch, and looked down on her with an expression of amused
+courtesy.</p>
+<p>&ldquo;Oh, I don&rsquo;t know.&nbsp; Probably nowhere.&nbsp;
+But if such a man could be found I am certain he would turn out a
+very stupid person.&nbsp; You can&rsquo;t be expected to furnish
+every one who approaches you with a mind.&nbsp; To expect that
+would be too much, even from you who know how to work wonders at
+such little cost to yourself.&rdquo;</p>
+<p>&ldquo;To myself,&rdquo; she repeated in a loud tone.</p>
+<p>&ldquo;Why this indignation?&nbsp; I am simply taking your
+word for it.&rdquo;</p>
+<p>&ldquo;Such little cost!&rdquo; she exclaimed under her
+breath.</p>
+<p>&ldquo;I mean to your person.&rdquo;</p>
+<p>&ldquo;Oh, yes,&rdquo; she murmured, glanced down, as it were
+upon herself, then added very low: &ldquo;This body.&rdquo;</p>
+<p>&ldquo;Well, it is you,&rdquo; said Blunt with visibly
+contained irritation.&nbsp; &ldquo;You don&rsquo;t pretend
+it&rsquo;s somebody else&rsquo;s.&nbsp; It can&rsquo;t be.&nbsp;
+You haven&rsquo;t borrowed it. . . . It fits you too well,&rdquo;
+he ended between his teeth.</p>
+<p>&ldquo;You take pleasure in tormenting yourself,&rdquo; she
+remonstrated, suddenly placated; &ldquo;and I would be sorry for
+you if I didn&rsquo;t think it&rsquo;s the mere revolt of your
+pride.&nbsp; And you know you are indulging your pride at my
+expense.&nbsp; As to the rest of it, as to my living, acting,
+working wonders at a little cost. . . . it has all but killed me
+morally.&nbsp; Do you hear?&nbsp; Killed.&rdquo;</p>
+<p>&ldquo;Oh, you are not dead yet,&rdquo; he muttered,</p>
+<p>&ldquo;No,&rdquo; she said with gentle patience.&nbsp;
+&ldquo;There is still some feeling left in me; and if it is any
+satisfaction to you to know it, you may be certain that I shall
+be conscious of the last stab.&rdquo;</p>
+<p>He remained silent for a while and then with a polite smile
+and a movement of the head in my direction he warned her.</p>
+<p>&ldquo;Our audience will get bored.&rdquo;</p>
+<p>&ldquo;I am perfectly aware that Monsieur George is here, and
+that he has been breathing a very different atmosphere from what
+he gets in this room.&nbsp; Don&rsquo;t you find this room
+extremely confined?&rdquo; she asked me.</p>
+<p>The room was very large but it is a fact that I felt oppressed
+at that moment.&nbsp; This mysterious quarrel between those two
+people, revealing something more close in their intercourse than
+I had ever before suspected, made me so profoundly unhappy that I
+didn&rsquo;t even attempt to answer.&nbsp; And she continued:</p>
+<p>&ldquo;More space.&nbsp; More air.&nbsp; Give me air,
+air.&rdquo;&nbsp; She seized the embroidered edges of her blue
+robe under her white throat and made as if to tear them apart, to
+fling it open on her breast, recklessly, before our eyes.&nbsp;
+We both remained perfectly still.&nbsp; Her hands dropped
+nervelessly by her side.&nbsp; &ldquo;I envy you, Monsieur
+George.&nbsp; If I am to go under I should prefer to be drowned
+in the sea with the wind on my face.&nbsp; What luck, to feel
+nothing less than all the world closing over one&rsquo;s
+head!&rdquo;</p>
+<p>A short silence ensued before Mr. Blunt&rsquo;s drawing-room
+voice was heard with playful familiarity.</p>
+<p>&ldquo;I have often asked myself whether you weren&rsquo;t
+really a very ambitious person, Do&ntilde;a Rita.&rdquo;</p>
+<p>&ldquo;And I ask myself whether you have any
+heart.&rdquo;&nbsp; She was looking straight at him and he
+gratified her with the usual cold white flash of his even teeth
+before he answered.</p>
+<p>&ldquo;Asking yourself?&nbsp; That means that you are really
+asking me.&nbsp; But why do it so publicly?&nbsp; I mean
+it.&nbsp; One single, detached presence is enough to make a
+public.&nbsp; One alone.&nbsp; Why not wait till he returns to
+those regions of space and air&mdash;from which he
+came.&rdquo;</p>
+<p>His particular trick of speaking of any third person as of a
+lay figure was exasperating.&nbsp; Yet at the moment I did not
+know how to resent it, but, in any case, Do&ntilde;a Rita would
+not have given me time.&nbsp; Without a moment&rsquo;s hesitation
+she cried out:</p>
+<p>&ldquo;I only wish he could take me out there with
+him.&rdquo;</p>
+<p>For a moment Mr. Blunt&rsquo;s face became as still as a mask
+and then instead of an angry it assumed an indulgent
+expression.&nbsp; As to me I had a rapid vision of
+Dominic&rsquo;s astonishment, awe, and sarcasm which was always
+as tolerant as it is possible for sarcasm to be.&nbsp; But what a
+charming, gentle, gay, and fearless companion she would have
+made!&nbsp; I believed in her fearlessness in any adventure that
+would interest her.&nbsp; It would be a new occasion for me, a
+new viewpoint for that faculty of admiration she had awakened in
+me at sight&mdash;at first sight&mdash;before she opened her
+lips&mdash;before she ever turned her eyes on me.&nbsp; She would
+have to wear some sort of sailor costume, a blue woollen shirt
+open at the throat. . . . Dominic&rsquo;s hooded cloak would
+envelop her amply, and her face under the black hood would have a
+luminous quality, adolescent charm, and an enigmatic
+expression.&nbsp; The confined space of the little vessel&rsquo;s
+quarterdeck would lend itself to her cross-legged attitudes, and
+the blue sea would balance gently her characteristic immobility
+that seemed to hide thoughts as old and profound as itself.&nbsp;
+As restless, too&mdash;perhaps.</p>
+<p>But the picture I had in my eye, coloured and simple like an
+illustration to a nursery-book tale of two venturesome
+children&rsquo;s escapade, was what fascinated me most.&nbsp;
+Indeed I felt that we two were like children under the gaze of a
+man of the world&mdash;who lived by his sword.&nbsp; And I said
+recklessly:</p>
+<p>&ldquo;Yes, you ought to come along with us for a trip.&nbsp;
+You would see a lot of things for yourself.&rdquo;</p>
+<p>Mr. Blunt&rsquo;s expression had grown even more indulgent if
+that were possible.&nbsp; Yet there was something ineradicably
+ambiguous about that man.&nbsp; I did not like the indefinable
+tone in which he observed:</p>
+<p>&ldquo;You are perfectly reckless in what you say, Do&ntilde;a
+Rita.&nbsp; It has become a habit with you of late.&rdquo;</p>
+<p>&ldquo;While with you reserve is a second nature, Don
+Juan.&rdquo;</p>
+<p>This was uttered with the gentlest, almost tender,
+irony.&nbsp; Mr. Blunt waited a while before he said:</p>
+<p>&ldquo;Certainly. . . . Would you have liked me to be
+otherwise?&rdquo;</p>
+<p>She extended her hand to him on a sudden impulse.</p>
+<p>&ldquo;Forgive me!&nbsp; I may have been unjust, and you may
+only have been loyal.&nbsp; The falseness is not in us.&nbsp; The
+fault is in life itself, I suppose.&nbsp; I have been always
+frank with you.&rdquo;</p>
+<p>&ldquo;And I obedient,&rdquo; he said, bowing low over her
+hand.&nbsp; He turned away, paused to look at me for some time
+and finally gave me the correct sort of nod.&nbsp; But he said
+nothing and went out, or rather lounged out with his worldly
+manner of perfect ease under all conceivable circumstances.&nbsp;
+With her head lowered Do&ntilde;a Rita watched him till he
+actually shut the door behind him.&nbsp; I was facing her and
+only heard the door close.</p>
+<p>&ldquo;Don&rsquo;t stare at me,&rdquo; were the first words
+she said.</p>
+<p>It was difficult to obey that request.&nbsp; I didn&rsquo;t
+know exactly where to look, while I sat facing her.&nbsp; So I
+got up, vaguely full of goodwill, prepared even to move off as
+far as the window, when she commanded:</p>
+<p>&ldquo;Don&rsquo;t turn your back on me.&rdquo;</p>
+<p>I chose to understand it symbolically.</p>
+<p>&ldquo;You know very well I could never do that.&nbsp; I
+couldn&rsquo;t.&nbsp; Not even if I wanted to.&rdquo;&nbsp; And I
+added: &ldquo;It&rsquo;s too late now.&rdquo;</p>
+<p>&ldquo;Well, then, sit down.&nbsp; Sit down on this
+couch.&rdquo;</p>
+<p>I sat down on the couch.&nbsp; Unwillingly?&nbsp; Yes.&nbsp; I
+was at that stage when all her words, all her gestures, all her
+silences were a heavy trial to me, put a stress on my resolution,
+on that fidelity to myself and to her which lay like a leaden
+weight on my untried heart.&nbsp; But I didn&rsquo;t sit down
+very far away from her, though that soft and billowy couch was
+big enough, God knows!&nbsp; No, not very far from her.&nbsp;
+Self-control, dignity, hopelessness itself, have their
+limits.&nbsp; The halo of her tawny hair stirred as I let myself
+drop by her side.&nbsp; Whereupon she flung one arm round my
+neck, leaned her temple against my shoulder and began to sob; but
+that I could only guess from her slight, convulsive movements
+because in our relative positions I could only see the mass of
+her tawny hair brushed back, yet with a halo of escaped hair
+which as I bent my head over her tickled my lips, my cheek, in a
+maddening manner.</p>
+<p>We sat like two venturesome children in an illustration to a
+tale, scared by their adventure.&nbsp; But not for long.&nbsp; As
+I instinctively, yet timidly, sought for her other hand I felt a
+tear strike the back of mine, big and heavy as if fallen from a
+great height.&nbsp; It was too much for me.&nbsp; I must have
+given a nervous start.&nbsp; At once I heard a murmur: &ldquo;You
+had better go away now.&rdquo;</p>
+<p>I withdrew myself gently from under the light weight of her
+head, from this unspeakable bliss and inconceivable misery, and
+had the absurd impression of leaving her suspended in the
+air.&nbsp; And I moved away on tiptoe.</p>
+<p>Like an inspired blind man led by Providence I found my way
+out of the room but really I saw nothing, till in the hall the
+maid appeared by enchantment before me holding up my
+overcoat.&nbsp; I let her help me into it.&nbsp; And then (again
+as if by enchantment) she had my hat in her hand.</p>
+<p>&ldquo;No.&nbsp; Madame isn&rsquo;t happy,&rdquo; I whispered
+to her distractedly.</p>
+<p>She let me take my hat out of her hand and while I was putting
+it on my head I heard an austere whisper:</p>
+<p>&ldquo;Madame should listen to her heart.&rdquo;</p>
+<p>Austere is not the word; it was almost freezing, this
+unexpected, dispassionate rustle of words.&nbsp; I had to repress
+a shudder, and as coldly as herself I murmured:</p>
+<p>&ldquo;She has done that once too often.&rdquo;</p>
+<p>Rose was standing very close to me and I caught distinctly the
+note of scorn in her indulgent compassion.</p>
+<p>&ldquo;Oh, that! . . . Madame is like a child.&rdquo;&nbsp; It
+was impossible to get the bearing of that utterance from that
+girl who, as Do&ntilde;a Rita herself had told me, was the most
+taciturn of human beings; and yet of all human beings the one
+nearest to herself.&nbsp; I seized her head in my hands and
+turning up her face I looked straight down into her black eyes
+which should have been lustrous.&nbsp; Like a piece of glass
+breathed upon they reflected no light, revealed no depths, and
+under my ardent gaze remained tarnished, misty, unconscious.</p>
+<p>&ldquo;Will Monsieur kindly let me go.&nbsp; Monsieur
+shouldn&rsquo;t play the child, either.&rdquo;&nbsp; (I let her
+go.)&nbsp; &ldquo;Madame could have the world at her feet.&nbsp;
+Indeed she has it there only she doesn&rsquo;t care for
+it.&rdquo;</p>
+<p>How talkative she was, this maid with unsealed lips!&nbsp; For
+some reason or other this last statement of hers brought me
+immense comfort.</p>
+<p>&ldquo;Yes?&rdquo; I whispered breathlessly.</p>
+<p>&ldquo;Yes!&nbsp; But in that case what&rsquo;s the use of
+living in fear and torment?&rdquo; she went on, revealing a
+little more of herself to my astonishment.&nbsp; She opened the
+door for me and added:</p>
+<p>&ldquo;Those that don&rsquo;t care to stoop ought at least
+make themselves happy.&rdquo;</p>
+<p>I turned in the very doorway: &ldquo;There is something which
+prevents that?&rdquo; I suggested.</p>
+<p>&ldquo;To be sure there is.&nbsp; <i>Bonjour</i>,
+Monsieur.&rdquo;</p>
+<h2>PART FOUR</h2>
+<h3>CHAPTER I</h3>
+<p>&ldquo;Such a charming lady in a grey silk dress and a hand as
+white as snow.&nbsp; She looked at me through such funny glasses
+on the end of a long handle.&nbsp; A very great lady but her
+voice was as kind as the voice of a saint.&nbsp; I have never
+seen anything like that.&nbsp; She made me feel so
+timid.&rdquo;</p>
+<p>The voice uttering these words was the voice of Therese and I
+looked at her from a bed draped heavily in brown silk curtains
+fantastically looped up from ceiling to floor.&nbsp; The glow of
+a sunshiny day was toned down by closed jalousies to a mere
+transparency of darkness.&nbsp; In this thin medium
+Therese&rsquo;s form appeared flat, without detail, as if cut out
+of black paper.&nbsp; It glided towards the window and with a
+click and a scrape let in the full flood of light which smote my
+aching eyeballs painfully.</p>
+<p>In truth all that night had been the abomination of desolation
+to me.&nbsp; After wrestling with my thoughts, if the acute
+consciousness of a woman&rsquo;s existence may be called a
+thought, I had apparently dropped off to sleep only to go on
+wrestling with a nightmare, a senseless and terrifying dream of
+being in bonds which, even after waking, made me feel powerless
+in all my limbs.&nbsp; I lay still, suffering acutely from a
+renewed sense of existence, unable to lift an arm, and wondering
+why I was not at sea, how long I had slept, how long Therese had
+been talking before her voice had reached me in that purgatory of
+hopeless longing and unanswerable questions to which I was
+condemned.</p>
+<p>It was Therese&rsquo;s habit to begin talking directly she
+entered the room with the tray of morning coffee.&nbsp; This was
+her method for waking me up.&nbsp; I generally regained the
+consciousness of the external world on some pious phrase
+asserting the spiritual comfort of early mass, or on angry
+lamentations about the unconscionable rapacity of the dealers in
+fish and vegetables; for after mass it was Therese&rsquo;s
+practice to do the marketing for the house.&nbsp; As a matter of
+fact the necessity of having to pay, to actually give money to
+people, infuriated the pious Therese.&nbsp; But the matter of
+this morning&rsquo;s speech was so extraordinary that it might
+have been the prolongation of a nightmare: a man in bonds having
+to listen to weird and unaccountable speeches against which, he
+doesn&rsquo;t know why, his very soul revolts.</p>
+<p>In sober truth my soul remained in revolt though I was
+convinced that I was no longer dreaming.&nbsp; I watched Therese
+coming away from the window with that helpless dread a man bound
+hand and foot may be excused to feel.&nbsp; For in such a
+situation even the absurd may appear ominous.&nbsp; She came up
+close to the bed and folding her hands meekly in front of her
+turned her eyes up to the ceiling.</p>
+<p>&ldquo;If I had been her daughter she couldn&rsquo;t have
+spoken more softly to me,&rdquo; she said sentimentally.</p>
+<p>I made a great effort to speak.</p>
+<p>&ldquo;Mademoiselle Therese, you are raving.&rdquo;</p>
+<p>&ldquo;She addressed me as Mademoiselle, too, so nicely.&nbsp;
+I was struck with veneration for her white hair but her face,
+believe me, my dear young Monsieur, has not so many wrinkles as
+mine.&rdquo;</p>
+<p>She compressed her lips with an angry glance at me as if I
+could help her wrinkles, then she sighed.</p>
+<p>&ldquo;God sends wrinkles, but what is our face?&rdquo; she
+digressed in a tone of great humility.&nbsp; &ldquo;We shall have
+glorious faces in Paradise.&nbsp; But meantime God has permitted
+me to preserve a smooth heart.&rdquo;</p>
+<p>&ldquo;Are you going to keep on like this much longer?&rdquo;
+I fairly shouted at her.&nbsp; &ldquo;What are you talking
+about?&rdquo;</p>
+<p>&ldquo;I am talking about the sweet old lady who came in a
+carriage.&nbsp; Not a fiacre.&nbsp; I can tell a fiacre.&nbsp; In
+a little carriage shut in with glass all in front.&nbsp; I
+suppose she is very rich.&nbsp; The carriage was very shiny
+outside and all beautiful grey stuff inside.&nbsp; I opened the
+door to her myself.&nbsp; She got out slowly like a queen.&nbsp;
+I was struck all of a heap.&nbsp; Such a shiny beautiful little
+carriage.&nbsp; There were blue silk tassels inside, beautiful
+silk tassels.&rdquo;</p>
+<p>Obviously Therese had been very much impressed by a brougham,
+though she didn&rsquo;t know the name for it.&nbsp; Of all the
+town she knew nothing but the streets which led to a neighbouring
+church frequented only by the poorer classes and the humble
+quarter around, where she did her marketing.&nbsp; Besides, she
+was accustomed to glide along the walls with her eyes cast down;
+for her natural boldness would never show itself through that
+nun-like mien except when bargaining, if only on a matter of
+threepence.&nbsp; Such a turn-out had never been presented to her
+notice before.&nbsp; The traffic in the street of the Consuls was
+mostly pedestrian and far from fashionable.&nbsp; And anyhow
+Therese never looked out of the window.&nbsp; She lurked in the
+depths of the house like some kind of spider that shuns
+attention.&nbsp; She used to dart at one from some dark recesses
+which I never explored.</p>
+<p>Yet it seemed to me that she exaggerated her raptures for some
+reason or other.&nbsp; With her it was very difficult to
+distinguish between craft and innocence.</p>
+<p>&ldquo;Do you mean to say,&rdquo; I asked suspiciously,
+&ldquo;that an old lady wants to hire an apartment here?&nbsp; I
+hope you told her there was no room, because, you know, this
+house is not exactly the thing for venerable old
+ladies.&rdquo;</p>
+<p>&ldquo;Don&rsquo;t make me angry, my dear young
+Monsieur.&nbsp; I have been to confession this morning.&nbsp;
+Aren&rsquo;t you comfortable?&nbsp; Isn&rsquo;t the house
+appointed richly enough for anybody?&rdquo;</p>
+<p>That girl with a peasant-nun&rsquo;s face had never seen the
+inside of a house other than some half-ruined <i>caserio</i> in
+her native hills.</p>
+<p>I pointed out to her that this was not a matter of splendour
+or comfort but of &ldquo;convenances.&rdquo;&nbsp; She pricked up
+her ears at that word which probably she had never heard before;
+but with woman&rsquo;s uncanny intuition I believe she understood
+perfectly what I meant.&nbsp; Her air of saintly patience became
+so pronounced that with my own poor intuition I perceived that
+she was raging at me inwardly.&nbsp; Her weather-tanned
+complexion, already affected by her confined life, took on an
+extraordinary clayey aspect which reminded me of a strange head
+painted by El Greco which my friend Prax had hung on one of his
+walls and used to rail at; yet not without a certain respect.</p>
+<p>Therese, with her hands still meekly folded about her waist,
+had mastered the feelings of anger so unbecoming to a person
+whose sins had been absolved only about three hours before, and
+asked me with an insinuating softness whether she wasn&rsquo;t an
+honest girl enough to look after any old lady belonging to a
+world which after all was sinful.&nbsp; She reminded me that she
+had kept house ever since she was &ldquo;so high&rdquo; for her
+uncle the priest: a man well-known for his saintliness in a large
+district extending even beyond Pampeluna.&nbsp; The character of
+a house depended upon the person who ruled it.&nbsp; She
+didn&rsquo;t know what impenitent wretches had been breathing
+within these walls in the time of that godless and wicked man who
+had planted every seed of perdition in &ldquo;our
+Rita&rsquo;s&rdquo; ill-disposed heart.&nbsp; But he was dead and
+she, Therese, knew for certain that wickedness perished utterly,
+because of God&rsquo;s anger (<i>la col&egrave;re du bon
+Dieu</i>).&nbsp; She would have no hesitation in receiving a
+bishop, if need be, since &ldquo;our, Rita,&rdquo; with her poor,
+wretched, unbelieving heart, had nothing more to do with the
+house.</p>
+<p>All this came out of her like an unctuous trickle of some
+acrid oil.&nbsp; The low, voluble delivery was enough by itself
+to compel my attention.</p>
+<p>&ldquo;You think you know your sister&rsquo;s heart,&rdquo; I
+asked.</p>
+<p>She made small eyes at me to discover if I was angry.&nbsp;
+She seemed to have an invincible faith in the virtuous
+dispositions of young men.&nbsp; And as I had spoken in measured
+tones and hadn&rsquo;t got red in the face she let herself
+go.</p>
+<p>&ldquo;Black, my dear young Monsieur.&nbsp; Black.&nbsp; I
+always knew it.&nbsp; Uncle, poor saintly man, was too holy to
+take notice of anything.&nbsp; He was too busy with his thoughts
+to listen to anything I had to say to him.&nbsp; For instance as
+to her shamelessness.&nbsp; She was always ready to run half
+naked about the hills. . . &rdquo;</p>
+<p>&ldquo;Yes.&nbsp; After your goats.&nbsp; All day long.&nbsp;
+Why didn&rsquo;t you mend her frocks?&rdquo;</p>
+<p>&ldquo;Oh, you know about the goats.&nbsp; My dear young
+Monsieur, I could never tell when she would fling over her
+pretended sweetness and put her tongue out at me.&nbsp; Did she
+tell you about a boy, the son of pious and rich parents, whom she
+tried to lead astray into the wildness of thoughts like her own,
+till the poor dear child drove her off because she outraged his
+modesty?&nbsp; I saw him often with his parents at Sunday
+mass.&nbsp; The grace of God preserved him and made him quite a
+gentleman in Paris.&nbsp; Perhaps it will touch Rita&rsquo;s
+heart, too, some day.&nbsp; But she was awful then.&nbsp; When I
+wouldn&rsquo;t listen to her complaints she would say: &lsquo;All
+right, sister, I would just as soon go clothed in rain and
+wind.&rsquo;&nbsp; And such a bag of bones, too, like the picture
+of a devil&rsquo;s imp.&nbsp; Ah, my dear young Monsieur, you
+don&rsquo;t know how wicked her heart is.&nbsp; You aren&rsquo;t
+bad enough for that yourself.&nbsp; I don&rsquo;t believe you are
+evil at all in your innocent little heart.&nbsp; I never heard
+you jeer at holy things.&nbsp; You are only thoughtless.&nbsp;
+For instance, I have never seen you make the sign of the cross in
+the morning.&nbsp; Why don&rsquo;t you make a practice of
+crossing yourself directly you open your eyes.&nbsp; It&rsquo;s a
+very good thing.&nbsp; It keeps Satan off for the day.&rdquo;</p>
+<p>She proffered that advice in a most matter-of-fact tone as if
+it were a precaution against a cold, compressed her lips, then
+returning to her fixed idea, &ldquo;But the house is mine,&rdquo;
+she insisted very quietly with an accent which made me feel that
+Satan himself would never manage to tear it out of her hands.</p>
+<p>&ldquo;And so I told the great lady in grey.&nbsp; I told her
+that my sister had given it to me and that surely God would not
+let her take it away again.&rdquo;</p>
+<p>&ldquo;You told that grey-headed lady, an utter
+stranger!&nbsp; You are getting more crazy every day.&nbsp; You
+have neither good sense nor good feeling, Mademoiselle Therese,
+let me tell you.&nbsp; Do you talk about your sister to the
+butcher and the greengrocer, too?&nbsp; A downright savage would
+have more restraint.&nbsp; What&rsquo;s your object?&nbsp; What
+do you expect from it?&nbsp; What pleasure do you get from
+it?&nbsp; Do you think you please God by abusing your
+sister?&nbsp; What do you think you are?&rdquo;</p>
+<p>&ldquo;A poor lone girl amongst a lot of wicked people.&nbsp;
+Do you think I wanted to go forth amongst those abominations?
+it&rsquo;s that poor sinful Rita that wouldn&rsquo;t let me be
+where I was, serving a holy man, next door to a church, and sure
+of my share of Paradise.&nbsp; I simply obeyed my uncle.&nbsp;
+It&rsquo;s he who told me to go forth and attempt to save her
+soul, bring her back to us, to a virtuous life.&nbsp; But what
+would be the good of that?&nbsp; She is given over to worldly,
+carnal thoughts.&nbsp; Of course we are a good family and my
+uncle is a great man in the country, but where is the reputable
+farmer or God-fearing man of that kind that would dare to bring
+such a girl into his house to his mother and sisters.&nbsp; No,
+let her give her ill-gotten wealth up to the deserving and devote
+the rest of her life to repentance.&rdquo;</p>
+<p>She uttered these righteous reflections and presented this
+programme for the salvation of her sister&rsquo;s soul in a
+reasonable convinced tone which was enough to give goose flesh to
+one all over.</p>
+<p>&ldquo;Mademoiselle Therese,&rdquo; I said, &ldquo;you are
+nothing less than a monster.&rdquo;</p>
+<p>She received that true expression of my opinion as though I
+had given her a sweet of a particularly delicious kind.&nbsp; She
+liked to be abused.&nbsp; It pleased her to be called
+names.&nbsp; I did let her have that satisfaction to her
+heart&rsquo;s content.&nbsp; At last I stopped because I could do
+no more, unless I got out of bed to beat her.&nbsp; I have a
+vague notion that she would have liked that, too, but I
+didn&rsquo;t try.&nbsp; After I had stopped she waited a little
+before she raised her downcast eyes.</p>
+<p>&ldquo;You are a dear, ignorant, flighty young
+gentleman,&rdquo; she said.&nbsp; &ldquo;Nobody can tell what a
+cross my sister is to me except the good priest in the church
+where I go every day.&rdquo;</p>
+<p>&ldquo;And the mysterious lady in grey,&rdquo; I suggested
+sarcastically.</p>
+<p>&ldquo;Such a person might have guessed it,&rdquo; answered
+Therese, seriously, &ldquo;but I told her nothing except that
+this house had been given me in full property by our Rita.&nbsp;
+And I wouldn&rsquo;t have done that if she hadn&rsquo;t spoken to
+me of my sister first.&nbsp; I can&rsquo;t tell too many people
+about that.&nbsp; One can&rsquo;t trust Rita.&nbsp; I know she
+doesn&rsquo;t fear God but perhaps human respect may keep her
+from taking this house back from me.&nbsp; If she doesn&rsquo;t
+want me to talk about her to people why doesn&rsquo;t she give me
+a properly stamped piece of paper for it?&rdquo;</p>
+<p>She said all this rapidly in one breath and at the end had a
+sort of anxious gasp which gave me the opportunity to voice my
+surprise.&nbsp; It was immense.</p>
+<p>&ldquo;That lady, the strange lady, spoke to you of your
+sister first!&rdquo; I cried.</p>
+<p>&ldquo;The lady asked me, after she had been in a little time,
+whether really this house belonged to Madame de Lastaola.&nbsp;
+She had been so sweet and kind and condescending that I did not
+mind humiliating my spirit before such a good Christian.&nbsp; I
+told her that I didn&rsquo;t know how the poor sinner in her mad
+blindness called herself, but that this house had been given to
+me truly enough by my sister.&nbsp; She raised her eyebrows at
+that but she looked at me at the same time so kindly, as much as
+to say, &lsquo;Don&rsquo;t trust much to that, my dear
+girl,&rsquo; that I couldn&rsquo;t help taking up her hand, soft
+as down, and kissing it.&nbsp; She took it away pretty quick but
+she was not offended.&nbsp; But she only said,
+&lsquo;That&rsquo;s very generous on your sister&rsquo;s
+part,&rsquo; in a way that made me run cold all over.&nbsp; I
+suppose all the world knows our Rita for a shameless girl.&nbsp;
+It was then that the lady took up those glasses on a long gold
+handle and looked at me through them till I felt very much
+abashed.&nbsp; She said to me, &lsquo;There is nothing to be
+unhappy about.&nbsp; Madame de Lastaola is a very remarkable
+person who has done many surprising things.&nbsp; She is not to
+be judged like other people and as far as I know she has never
+wronged a single human being. . . .&rsquo;&nbsp; That put heart
+into me, I can tell you; and the lady told me then not to disturb
+her son.&nbsp; She would wait till he woke up.&nbsp; She knew he
+was a bad sleeper.&nbsp; I said to her: &lsquo;Why, I can hear
+the dear sweet gentleman this moment having his bath in the
+fencing-room,&rsquo; and I took her into the studio.&nbsp; They
+are there now and they are going to have their lunch together at
+twelve o&rsquo;clock.&rdquo;</p>
+<p>&ldquo;Why on earth didn&rsquo;t you tell me at first that the
+lady was Mrs. Blunt?&rdquo;</p>
+<p>&ldquo;Didn&rsquo;t I?&nbsp; I thought I did,&rdquo; she said
+innocently.&nbsp; I felt a sudden desire to get out of that
+house, to fly from the reinforced Blunt element which was to me
+so oppressive.</p>
+<p>&ldquo;I want to get up and dress, Mademoiselle
+Therese,&rdquo; I said.</p>
+<p>She gave a slight start and without looking at me again glided
+out of the room, the many folds of her brown skirt remaining
+undisturbed as she moved.</p>
+<p>I looked at my watch; it was ten o&rsquo;clock.&nbsp; Therese
+had been late with my coffee.&nbsp; The delay was clearly caused
+by the unexpected arrival of Mr. Blunt&rsquo;s mother, which
+might or might not have been expected by her son.&nbsp; The
+existence of those Blunts made me feel uncomfortable in a
+peculiar way as though they had been the denizens of another
+planet with a subtly different point of view and something in the
+intelligence which was bound to remain unknown to me.&nbsp; It
+caused in me a feeling of inferiority which I intensely
+disliked.&nbsp; This did not arise from the actual fact that
+those people originated in another continent.&nbsp; I had met
+Americans before.&nbsp; And the Blunts were Americans.&nbsp; But
+so little!&nbsp; That was the trouble.&nbsp; Captain Blunt might
+have been a Frenchman as far as languages, tones, and manners
+went.&nbsp; But you could not have mistaken him for one. . . .
+Why?&nbsp; You couldn&rsquo;t tell.&nbsp; It was something
+indefinite.&nbsp; It occurred to me while I was towelling hard my
+hair, face, and the back of my neck, that I could not meet J. K.
+Blunt on equal terms in any relation of life except perhaps arms
+in hand, and in preference with pistols, which are less intimate,
+acting at a distance&mdash;but arms of some sort.&nbsp; For
+physically his life, which could be taken away from him, was
+exactly like mine, held on the same terms and of the same
+vanishing quality.</p>
+<p>I would have smiled at my absurdity if all, even the most
+intimate, vestige of gaiety had not been crushed out of my heart
+by the intolerable weight of my love for Rita.&nbsp; It crushed,
+it overshadowed, too, it was immense.&nbsp; If there were any
+smiles in the world (which I didn&rsquo;t believe) I could not
+have seen them.&nbsp; Love for Rita . . . if it was love, I asked
+myself despairingly, while I brushed my hair before a
+glass.&nbsp; It did not seem to have any sort of beginning as far
+as I could remember.&nbsp; A thing the origin of which you cannot
+trace cannot be seriously considered.&nbsp; It is an
+illusion.&nbsp; Or perhaps mine was a physical state, some sort
+of disease akin to melancholia which is a form of insanity?&nbsp;
+The only moments of relief I could remember were when she and I
+would start squabbling like two passionate infants in a nursery,
+over anything under heaven, over a phrase, a word sometimes, in
+the great light of the glass rotunda, disregarding the quiet
+entrances and exits of the ever-active Rose, in great bursts of
+voices and peals of laughter. . . .</p>
+<p>I felt tears come into my eyes at the memory of her laughter,
+the true memory of the senses almost more penetrating than the
+reality itself.&nbsp; It haunted me.&nbsp; All that appertained
+to her haunted me with the same awful intimacy, her whole form in
+the familiar pose, her very substance in its colour and texture,
+her eyes, her lips, the gleam of her teeth, the tawny mist of her
+hair, the smoothness of her forehead, the faint scent that she
+used, the very shape, feel, and warmth of her high-heeled slipper
+that would sometimes in the heat of the discussion drop on the
+floor with a crash, and which I would (always in the heat of the
+discussion) pick up and toss back on the couch without ceasing to
+argue.&nbsp; And besides being haunted by what was Rita on earth
+I was haunted also by her waywardness, her gentleness and her
+flame, by that which the high gods called Rita when speaking of
+her amongst themselves.&nbsp; Oh, yes, certainly I was haunted by
+her but so was her sister Therese&mdash;who was crazy.&nbsp; It
+proved nothing.&nbsp; As to her tears, since I had not caused
+them, they only aroused my indignation.&nbsp; To put her head on
+my shoulder, to weep these strange tears, was nothing short of an
+outrageous liberty.&nbsp; It was a mere emotional trick.&nbsp;
+She would have just as soon leaned her head against the
+over-mantel of one of those tall, red granite chimney-pieces in
+order to weep comfortably.&nbsp; And then when she had no longer
+any need of support she dispensed with it by simply telling me to
+go away.&nbsp; How convenient!&nbsp; The request had sounded
+pathetic, almost sacredly so, but then it might have been the
+exhibition of the coolest possible impudence.&nbsp; With her one
+could not tell.&nbsp; Sorrow, indifference, tears, smiles, all
+with her seemed to have a hidden meaning.&nbsp; Nothing could be
+trusted. . . Heavens!&nbsp; Am I as crazy as Therese I asked
+myself with a passing chill of fear, while occupied in equalizing
+the ends of my neck-tie.</p>
+<p>I felt suddenly that &ldquo;this sort of thing&rdquo; would
+kill me.&nbsp; The definition of the cause was vague, but the
+thought itself was no mere morbid artificiality of sentiment but
+a genuine conviction.&nbsp; &ldquo;That sort of thing&rdquo; was
+what I would have to die from.&nbsp; It wouldn&rsquo;t be from
+the innumerable doubts.&nbsp; Any sort of certitude would be also
+deadly.&nbsp; It wouldn&rsquo;t be from a stab&mdash;a kiss would
+kill me as surely.&nbsp; It would not be from a frown or from any
+particular word or any particular act&mdash;but from having to
+bear them all, together and in succession&mdash;from having to
+live with &ldquo;that sort of thing.&rdquo;&nbsp; About the time
+I finished with my neck-tie I had done with life too.&nbsp; I
+absolutely did not care because I couldn&rsquo;t tell whether,
+mentally and physically, from the roots of my hair to the soles
+of my feet&mdash;whether I was more weary or unhappy.</p>
+<p>And now my toilet was finished, my occupation was gone.&nbsp;
+An immense distress descended upon me.&nbsp; It has been observed
+that the routine of daily life, that arbitrary system of trifles,
+is a great moral support.&nbsp; But my toilet was finished, I had
+nothing more to do of those things consecrated by usage and which
+leave you no option.&nbsp; The exercise of any kind of volition
+by a man whose consciousness is reduced to the sensation that he
+is being killed by &ldquo;that sort of thing&rdquo; cannot be
+anything but mere trifling with death, an insincere pose before
+himself.&nbsp; I wasn&rsquo;t capable of it.&nbsp; It was then
+that I discovered that being killed by &ldquo;that sort of
+thing,&rdquo; I mean the absolute conviction of it, was, so to
+speak, nothing in itself.&nbsp; The horrible part was the
+waiting.&nbsp; That was the cruelty, the tragedy, the bitterness
+of it.&nbsp; &ldquo;Why the devil don&rsquo;t I drop dead
+now?&rdquo; I asked myself peevishly, taking a clean handkerchief
+out of the drawer and stuffing it in my pocket.</p>
+<p>This was absolutely the last thing, the last ceremony of an
+imperative rite.&nbsp; I was abandoned to myself now and it was
+terrible.&nbsp; Generally I used to go out, walk down to the
+port, take a look at the craft I loved with a sentiment that was
+extremely complex, being mixed up with the image of a woman;
+perhaps go on board, not because there was anything for me to do
+there but just for nothing, for happiness, simply as a man will
+sit contented in the companionship of the beloved object.&nbsp;
+For lunch I had the choice of two places, one Bohemian, the other
+select, even aristocratic, where I had still my reserved table in
+the <i>petit salon</i>, up the white staircase.&nbsp; In both
+places I had friends who treated my erratic appearances with
+discretion, in one case tinged with respect, in the other with a
+certain amused tolerance.&nbsp; I owed this tolerance to the most
+careless, the most confirmed of those Bohemians (his beard had
+streaks of grey amongst its many other tints) who, once bringing
+his heavy hand down on my shoulder, took my defence against the
+charge of being disloyal and even foreign to that milieu of
+earnest visions taking beautiful and revolutionary shapes in the
+smoke of pipes, in the jingle of glasses.</p>
+<p>&ldquo;That fellow (<i>ce gar&ccedil;on</i>) is a primitive
+nature, but he may be an artist in a sense.&nbsp; He has broken
+away from his conventions.&nbsp; He is trying to put a special
+vibration and his own notion of colour into his life; and perhaps
+even to give it a modelling according to his own ideas.&nbsp; And
+for all you know he may be on the track of a masterpiece; but
+observe: if it happens to be one nobody will see it.&nbsp; It can
+be only for himself.&nbsp; And even he won&rsquo;t be able to see
+it in its completeness except on his death-bed.&nbsp; There is
+something fine in that.&rdquo;</p>
+<p>I had blushed with pleasure; such fine ideas had never entered
+my head.&nbsp; But there was something fine. . . . How far all
+this seemed!&nbsp; How mute and how still!&nbsp; What a phantom
+he was, that man with a beard of at least seven tones of
+brown.&nbsp; And those shades of the other kind such as Baptiste
+with the shaven diplomatic face, the <i>ma&icirc;tre
+d&rsquo;h&ocirc;tel</i> in charge of the <i>petit salon</i>,
+taking my hat and stick from me with a deferential remark:
+&ldquo;Monsieur is not very often seen nowadays.&rdquo;&nbsp; And
+those other well-groomed heads raised and nodding at my
+passage&mdash;&ldquo;<i>Bonjour</i>.&rdquo;&nbsp;
+&ldquo;<i>Bonjour</i>&rdquo;&mdash;following me with interested
+eyes; these young X.s and Z.s, low-toned, markedly discreet,
+lounging up to my table on their way out with murmurs: &ldquo;Are
+you well?&rdquo;&mdash;&ldquo;Will one see you anywhere this
+evening?&rdquo;&mdash;not from curiosity, God forbid, but just
+from friendliness; and passing on almost without waiting for an
+answer.&nbsp; What had I to do with them, this elegant dust,
+these moulds of provincial fashion?</p>
+<p>I also often lunched with Do&ntilde;a Rita without
+invitation.&nbsp; But that was now unthinkable.&nbsp; What had I
+to do with a woman who allowed somebody else to make her cry and
+then with an amazing lack of good feeling did her offensive
+weeping on my shoulder?&nbsp; Obviously I could have nothing to
+do with her.&nbsp; My five minutes&rsquo; meditation in the
+middle of the bedroom came to an end without even a sigh.&nbsp;
+The dead don&rsquo;t sigh, and for all practical purposes I was
+that, except for the final consummation, the growing cold, the
+<i>rigor mortis</i>&mdash;that blessed state!&nbsp; With measured
+steps I crossed the landing to my sitting-room.</p>
+<h3>CHAPTER II</h3>
+<p>The windows of that room gave out on the street of the Consuls
+which as usual was silent.&nbsp; And the house itself below me
+and above me was soundless, perfectly still.&nbsp; In general the
+house was quiet, dumbly quiet, without resonances of any sort,
+something like what one would imagine the interior of a convent
+would be.&nbsp; I suppose it was very solidly built.&nbsp; Yet
+that morning I missed in the stillness that feeling of security
+and peace which ought to have been associated with it.&nbsp; It
+is, I believe, generally admitted that the dead are glad to be at
+rest.&nbsp; But I wasn&rsquo;t at rest.&nbsp; What was wrong with
+that silence?&nbsp; There was something incongruous in that
+peace.&nbsp; What was it that had got into that stillness?&nbsp;
+Suddenly I remembered: the mother of Captain Blunt.</p>
+<p>Why had she come all the way from Paris?&nbsp; And why should
+I bother my head about it?&nbsp; H&rsquo;m&mdash;the Blunt
+atmosphere, the reinforced Blunt vibration stealing through the
+walls, through the thick walls and the almost more solid
+stillness.&nbsp; Nothing to me, of course&mdash;the movements of
+Mme. Blunt, <i>m&egrave;re</i>.&nbsp; It was maternal affection
+which had brought her south by either the evening or morning
+Rapide, to take anxious stock of the ravages of that
+insomnia.&nbsp; Very good thing, insomnia, for a cavalry officer
+perpetually on outpost duty, a real godsend, so to speak; but on
+leave a truly devilish condition to be in.</p>
+<p>The above sequence of thoughts was entirely unsympathetic and
+it was followed by a feeling of satisfaction that I, at any rate,
+was not suffering from insomnia.&nbsp; I could always sleep in
+the end.&nbsp; In the end.&nbsp; Escape into a nightmare.&nbsp;
+Wouldn&rsquo;t he revel in that if he could!&nbsp; But that
+wasn&rsquo;t for him.&nbsp; He had to toss about open-eyed all
+night and get up weary, weary.&nbsp; But oh, wasn&rsquo;t I
+weary, too, waiting for a sleep without dreams.</p>
+<p>I heard the door behind me open.&nbsp; I had been standing
+with my face to the window and, I declare, not knowing what I was
+looking at across the road&mdash;the Desert of Sahara or a wall
+of bricks, a landscape of rivers and forests or only the
+Consulate of Paraguay.&nbsp; But I had been thinking, apparently,
+of Mr. Blunt with such intensity that when I saw him enter the
+room it didn&rsquo;t really make much difference.&nbsp; When I
+turned about the door behind him was already shut.&nbsp; He
+advanced towards me, correct, supple, hollow-eyed, and smiling;
+and as to his costume ready to go out except for the old shooting
+jacket which he must have affectioned particularly, for he never
+lost any time in getting into it at every opportunity.&nbsp; Its
+material was some tweed mixture; it had gone inconceivably
+shabby, it was shrunk from old age, it was ragged at the elbows;
+but any one could see at a glance that it had been made in London
+by a celebrated tailor, by a distinguished specialist.&nbsp;
+Blunt came towards me in all the elegance of his slimness and
+affirming in every line of his face and body, in the correct set
+of his shoulders and the careless freedom of his movements, the
+superiority, the inexpressible superiority, the unconscious, the
+unmarked, the not-to-be-described, and even not-to-be-caught,
+superiority of the naturally born and the perfectly finished man
+of the world, over the simple young man.&nbsp; He was smiling,
+easy, correct, perfectly delightful, fit to kill.</p>
+<p>He had come to ask me, if I had no other engagement, to lunch
+with him and his mother in about an hour&rsquo;s time.&nbsp; He
+did it in a most <i>d&eacute;gag&eacute;</i> tone.&nbsp; His
+mother had given him a surprise.&nbsp; The completest . . . The
+foundation of his mother&rsquo;s psychology was her delightful
+unexpectedness.&nbsp; She could never let things be (this in a
+peculiar tone which he checked at once) and he really would take
+it very kindly of me if I came to break the
+t&ecirc;te-&agrave;-t&ecirc;te for a while (that is if I had no
+other engagement.&nbsp; Flash of teeth).&nbsp; His mother was
+exquisitely and tenderly absurd.&nbsp; She had taken it into her
+head that his health was endangered in some way.&nbsp; And when
+she took anything into her head . . . Perhaps I might find
+something to say which would reassure her.&nbsp; His mother had
+two long conversations with Mills on his passage through Paris
+and had heard of me (I knew how that thick man could speak of
+people, he interjected ambiguously) and his mother, with an
+insatiable curiosity for anything that was rare (filially
+humorous accent here and a softer flash of teeth), was very
+anxious to have me presented to her (courteous intonation, but no
+teeth).&nbsp; He hoped I wouldn&rsquo;t mind if she treated me a
+little as an &ldquo;interesting young man.&rdquo;&nbsp; His
+mother had never got over her seventeenth year, and the manner of
+the spoilt beauty of at least three counties at the back of the
+Carolinas.&nbsp; That again got overlaid by the
+<i>sans-fa&ccedil;on</i> of a <i>grande dame</i> of the Second
+Empire.</p>
+<p>I accepted the invitation with a worldly grin and a perfectly
+just intonation, because I really didn&rsquo;t care what I
+did.&nbsp; I only wondered vaguely why that fellow required all
+the air in the room for himself.&nbsp; There did not seem enough
+left to go down my throat.&nbsp; I didn&rsquo;t say that I would
+come with pleasure or that I would be delighted, but I said that
+I would come.&nbsp; He seemed to forget his tongue in his head,
+put his hands in his pockets and moved about vaguely.&nbsp;
+&ldquo;I am a little nervous this morning,&rdquo; he said in
+French, stopping short and looking me straight in the eyes.&nbsp;
+His own were deep sunk, dark, fatal.&nbsp; I asked with some
+malice, that no one could have detected in my intonation,
+&ldquo;How&rsquo;s that sleeplessness?&rdquo;</p>
+<p>He muttered through his teeth, &ldquo;<i>Mal</i>.&nbsp; <i>Je
+ne dors plus</i>.&rdquo;&nbsp; He moved off to stand at the
+window with his back to the room.&nbsp; I sat down on a sofa that
+was there and put my feet up, and silence took possession of the
+room.</p>
+<p>&ldquo;Isn&rsquo;t this street ridiculous?&rdquo; said Blunt
+suddenly, and crossing the room rapidly waved his hand to me,
+&ldquo;<i>A bient&ocirc;t donc</i>,&rdquo; and was gone.&nbsp; He
+had seared himself into my mind.&nbsp; I did not understand him
+nor his mother then; which made them more impressive; but I have
+discovered since that those two figures required no mystery to
+make them memorable.&nbsp; Of course it isn&rsquo;t every day
+that one meets a mother that lives by her wits and a son that
+lives by his sword, but there was a perfect finish about their
+ambiguous personalities which is not to be met twice in a
+life-time.&nbsp; I shall never forget that grey dress with ample
+skirts and long corsage yet with infinite style, the ancient as
+if ghostly beauty of outlines, the black lace, the silver hair,
+the harmonious, restrained movements of those white, soft hands
+like the hands of a queen&mdash;or an abbess; and in the general
+fresh effect of her person the brilliant eyes like two stars with
+the calm reposeful way they had of moving on and off one, as if
+nothing in the world had the right to veil itself before their
+once sovereign beauty.&nbsp; Captain Blunt with smiling formality
+introduced me by name, adding with a certain relaxation of the
+formal tone the comment: &ldquo;The Monsieur George! whose fame
+you tell me has reached even Paris.&rdquo;&nbsp; Mrs.
+Blunt&rsquo;s reception of me, glance, tones, even to the
+attitude of the admirably corseted figure, was most friendly,
+approaching the limit of half-familiarity.&nbsp; I had the
+feeling that I was beholding in her a captured ideal.&nbsp; No
+common experience!&nbsp; But I didn&rsquo;t care.&nbsp; It was
+very lucky perhaps for me that in a way I was like a very sick
+man who has yet preserved all his lucidity.&nbsp; I was not even
+wondering to myself at what on earth I was doing there.&nbsp; She
+breathed out: &ldquo;<i>Comme c&rsquo;est romantique</i>,&rdquo;
+at large to the dusty studio as it were; then pointing to a chair
+at her right hand, and bending slightly towards me she said:</p>
+<p>&ldquo;I have heard this name murmured by pretty lips in more
+than one royalist salon.&rdquo;</p>
+<p>I didn&rsquo;t say anything to that ingratiating speech.&nbsp;
+I had only an odd thought that she could not have had such a
+figure, nothing like it, when she was seventeen and wore snowy
+muslin dresses on the family plantation in South Carolina, in
+pre-abolition days.</p>
+<p>&ldquo;You won&rsquo;t mind, I am sure, if an old woman whose
+heart is still young elects to call you by it,&rdquo; she
+declared.</p>
+<p>&ldquo;Certainly, Madame.&nbsp; It will be more
+romantic,&rdquo; I assented with a respectful bow.</p>
+<p>She dropped a calm: &ldquo;Yes&mdash;there is nothing like
+romance while one is young.&nbsp; So I will call you Monsieur
+George,&rdquo; she paused and then added, &ldquo;I could never
+get old,&rdquo; in a matter-of-fact final tone as one would
+remark, &ldquo;I could never learn to swim,&rdquo; and I had the
+presence of mind to say in a tone to match, &ldquo;<i>C&rsquo;est
+&eacute;vident</i>, Madame.&rdquo;&nbsp; It was evident.&nbsp;
+She couldn&rsquo;t get old; and across the table her
+thirty-year-old son who couldn&rsquo;t get sleep sat listening
+with courteous detachment and the narrowest possible line of
+white underlining his silky black moustache.</p>
+<p>&ldquo;Your services are immensely appreciated,&rdquo; she
+said with an amusing touch of importance as of a great official
+lady.&nbsp; &ldquo;Immensely appreciated by people in a position
+to understand the great significance of the Carlist movement in
+the South.&nbsp; There it has to combat anarchism, too.&nbsp; I
+who have lived through the Commune . . .&rdquo;</p>
+<p>Therese came in with a dish, and for the rest of the lunch the
+conversation so well begun drifted amongst the most appalling
+inanities of the religious-royalist-legitimist order.&nbsp; The
+ears of all the Bourbons in the world must have been
+burning.&nbsp; Mrs. Blunt seemed to have come into personal
+contact with a good many of them and the marvellous insipidity of
+her recollections was astonishing to my inexperience.&nbsp; I
+looked at her from time to time thinking: She has seen slavery,
+she has seen the Commune, she knows two continents, she has seen
+a civil war, the glory of the Second Empire, the horrors of two
+sieges; she has been in contact with marked personalities, with
+great events, she has lived on her wealth, on her personality,
+and there she is with her plumage unruffled, as glossy as ever,
+unable to get old:&mdash;a sort of Phoenix free from the
+slightest signs of ashes and dust, all complacent amongst those
+inanities as if there had been nothing else in the world.&nbsp;
+In my youthful haste I asked myself what sort of airy soul she
+had.</p>
+<p>At last Therese put a dish of fruit on the table, a small
+collection of oranges, raisins, and nuts.&nbsp; No doubt she had
+bought that lot very cheap and it did not look at all
+inviting.&nbsp; Captain Blunt jumped up.&nbsp; &ldquo;My mother
+can&rsquo;t stand tobacco smoke.&nbsp; Will you keep her company,
+<i>mon cher</i>, while I take a turn with a cigar in that
+ridiculous garden.&nbsp; The brougham from the hotel will be here
+very soon.&rdquo;</p>
+<p>He left us in the white flash of an apologetic grin.&nbsp;
+Almost directly he reappeared, visible from head to foot through
+the glass side of the studio, pacing up and down the central path
+of that &ldquo;ridiculous&rdquo; garden: for its elegance and its
+air of good breeding the most remarkable figure that I have ever
+seen before or since.&nbsp; He had changed his coat.&nbsp; Madame
+Blunt <i>m&egrave;re</i> lowered the long-handled glasses through
+which she had been contemplating him with an appraising, absorbed
+expression which had nothing maternal in it.&nbsp; But what she
+said to me was:</p>
+<p>&ldquo;You understand my anxieties while he is campaigning
+with the King.&rdquo;</p>
+<p>She had spoken in French and she had used the expression
+&ldquo;<i>mes transes</i>&rdquo; but for all the rest,
+intonation, bearing, solemnity, she might have been referring to
+one of the Bourbons.&nbsp; I am sure that not a single one of
+them looked half as aristocratic as her son.</p>
+<p>&ldquo;I understand perfectly, Madame.&nbsp; But then that
+life is so romantic.&rdquo;</p>
+<p>&ldquo;Hundreds of young men belonging to a certain sphere are
+doing that,&rdquo; she said very distinctly, &ldquo;only their
+case is different.&nbsp; They have their positions, their
+families to go back to; but we are different.&nbsp; We are
+exiles, except of course for the ideals, the kindred spirit, the
+friendships of old standing we have in France.&nbsp; Should my
+son come out unscathed he has no one but me and I have no one but
+him.&nbsp; I have to think of his life.&nbsp; Mr. Mills (what a
+distinguished mind that is!) has reassured me as to my
+son&rsquo;s health.&nbsp; But he sleeps very badly, doesn&rsquo;t
+he?&rdquo;</p>
+<p>I murmured something affirmative in a doubtful tone and she
+remarked quaintly, with a certain curtness, &ldquo;It&rsquo;s so
+unnecessary, this worry!&nbsp; The unfortunate position of an
+exile has its advantages.&nbsp; At a certain height of social
+position (wealth has got nothing to do with it, we have been
+ruined in a most righteous cause), at a certain established
+height one can disregard narrow prejudices.&nbsp; You see
+examples in the aristocracies of all the countries.&nbsp; A
+chivalrous young American may offer his life for a remote ideal
+which yet may belong to his familial tradition.&nbsp; We, in our
+great country, have every sort of tradition.&nbsp; But a young
+man of good connections and distinguished relations must settle
+down some day, dispose of his life.&rdquo;</p>
+<p>&ldquo;No doubt, Madame,&rdquo; I said, raising my eyes to the
+figure outside&mdash;&ldquo;<i>Am&eacute;ricain</i>,
+<i>Catholique et gentilhomme</i>&rdquo;&mdash;walking up and down
+the path with a cigar which he was not smoking.&nbsp; &ldquo;For
+myself, I don&rsquo;t know anything about those
+necessities.&nbsp; I have broken away for ever from those
+things.&rdquo;</p>
+<p>&ldquo;Yes, Mr. Mills talked to me about you.&nbsp; What a
+golden heart that is.&nbsp; His sympathies are
+infinite.&rdquo;</p>
+<p>I thought suddenly of Mills pronouncing on Mme. Blunt,
+whatever his text on me might have been: &ldquo;She lives by her
+wits.&rdquo;&nbsp; Was she exercising her wits on me for some
+purpose of her own?&nbsp; And I observed coldly:</p>
+<p>&ldquo;I really know your son so very little.&rdquo;</p>
+<p>&ldquo;Oh, <i>voyons</i>,&rdquo; she protested.&nbsp; &ldquo;I
+am aware that you are very much younger, but the similitudes of
+opinions, origins and perhaps at bottom, faintly, of character,
+of chivalrous devotion&mdash;no, you must be able to understand
+him in a measure.&nbsp; He is infinitely scrupulous and
+recklessly brave.&rdquo;</p>
+<p>I listened deferentially to the end yet with every nerve in my
+body tingling in hostile response to the Blunt vibration, which
+seemed to have got into my very hair.</p>
+<p>&ldquo;I am convinced of it, Madame.&nbsp; I have even heard
+of your son&rsquo;s bravery.&nbsp; It&rsquo;s extremely natural
+in a man who, in his own words, &lsquo;lives by his
+sword.&rsquo;&rdquo;</p>
+<p>She suddenly departed from her almost inhuman perfection,
+betrayed &ldquo;nerves&rdquo; like a common mortal, of course
+very slightly, but in her it meant more than a blaze of fury from
+a vessel of inferior clay.&nbsp; Her admirable little foot,
+marvellously shod in a black shoe, tapped the floor
+irritably.&nbsp; But even in that display there was something
+exquisitely delicate.&nbsp; The very anger in her voice was
+silvery, as it were, and more like the petulance of a
+seventeen-year-old beauty.</p>
+<p>&ldquo;What nonsense!&nbsp; A Blunt doesn&rsquo;t hire
+himself.&rdquo;</p>
+<p>&ldquo;Some princely families,&rdquo; I said, &ldquo;were
+founded by men who have done that very thing.&nbsp; The great
+Condottieri, you know.&rdquo;</p>
+<p>It was in an almost tempestuous tone that she made me observe
+that we were not living in the fifteenth century.&nbsp; She gave
+me also to understand with some spirit that there was no question
+here of founding a family.&nbsp; Her son was very far from being
+the first of the name.&nbsp; His importance lay rather in being
+the last of a race which had totally perished, she added in a
+completely drawing-room tone, &ldquo;in our Civil War.&rdquo;</p>
+<p>She had mastered her irritation and through the glass side of
+the room sent a wistful smile to his address, but I noticed the
+yet unextinguished anger in her eyes full of fire under her
+beautiful white eyebrows.&nbsp; For she was growing old!&nbsp;
+Oh, yes, she was growing old, and secretly weary, and perhaps
+desperate.</p>
+<h3>CHAPTER III</h3>
+<p>Without caring much about it I was conscious of sudden
+illumination.&nbsp; I said to myself confidently that these two
+people had been quarrelling all the morning.&nbsp; I had
+discovered the secret of my invitation to that lunch.&nbsp; They
+did not care to face the strain of some obstinate, inconclusive
+discussion for fear, maybe, of it ending in a serious
+quarrel.&nbsp; And so they had agreed that I should be fetched
+downstairs to create a diversion.&nbsp; I cannot say I felt
+annoyed.&nbsp; I didn&rsquo;t care.&nbsp; My perspicacity did not
+please me either.&nbsp; I wished they had left me alone&mdash;but
+nothing mattered.&nbsp; They must have been in their superiority
+accustomed to make use of people, without compunction.&nbsp; From
+necessity, too.&nbsp; She especially.&nbsp; She lived by her
+wits.&nbsp; The silence had grown so marked that I had at last to
+raise my eyes; and the first thing I observed was that Captain
+Blunt was no longer to be seen in the garden.&nbsp; Must have
+gone indoors.&nbsp; Would rejoin us in a moment.&nbsp; Then I
+would leave mother and son to themselves.</p>
+<p>The next thing I noticed was that a great mellowness had
+descended upon the mother of the last of his race.&nbsp; But
+these terms, irritation, mellowness, appeared gross when applied
+to her.&nbsp; It is impossible to give an idea of the refinement
+and subtlety of all her transformations.&nbsp; She smiled faintly
+at me.</p>
+<p>&ldquo;But all this is beside the point.&nbsp; The real point
+is that my son, like all fine natures, is a being of strange
+contradictions which the trials of life have not yet reconciled
+in him.&nbsp; With me it is a little different.&nbsp; The trials
+fell mainly to my share&mdash;and of course I have lived
+longer.&nbsp; And then men are much more complex than women, much
+more difficult, too.&nbsp; And you, Monsieur George?&nbsp; Are
+you complex, with unexpected resistances and difficulties in your
+<i>&ecirc;tre intime</i>&mdash;your inner self?&nbsp; I wonder
+now . . .&rdquo;</p>
+<p>The Blunt atmosphere seemed to vibrate all over my skin.&nbsp;
+I disregarded the symptom.&nbsp; &ldquo;Madame,&rdquo; I said,
+&ldquo;I have never tried to find out what sort of being I
+am.&rdquo;</p>
+<p>&ldquo;Ah, that&rsquo;s very wrong.&nbsp; We ought to reflect
+on what manner of beings we are.&nbsp; Of course we are all
+sinners.&nbsp; My John is a sinner like the others,&rdquo; she
+declared further, with a sort of proud tenderness as though our
+common lot must have felt honoured and to a certain extent
+purified by this condescending recognition.</p>
+<p>&ldquo;You are too young perhaps as yet . . . But as to my
+John,&rdquo; she broke off, leaning her elbow on the table and
+supporting her head on her old, impeccably shaped, white fore-arm
+emerging from a lot of precious, still older, lace trimming the
+short sleeve.&nbsp; &ldquo;The trouble is that he suffers from a
+profound discord between the necessary reactions to life and even
+the impulses of nature and the lofty idealism of his feelings; I
+may say, of his principles.&nbsp; I assure you that he
+won&rsquo;t even let his heart speak uncontradicted.&rdquo;</p>
+<p>I am sure I don&rsquo;t know what particular devil looks after
+the associations of memory, and I can&rsquo;t even imagine the
+shock which it would have been for Mrs. Blunt to learn that the
+words issuing from her lips had awakened in me the visual
+perception of a dark-skinned, hard-driven lady&rsquo;s maid with
+tarnished eyes; even of the tireless Rose handing me my hat while
+breathing out the enigmatic words: &ldquo;Madame should listen to
+her heart.&rdquo;&nbsp; A wave from the atmosphere of another
+house rolled in, overwhelming and fiery, seductive and cruel,
+through the Blunt vibration, bursting through it as through
+tissue paper and filling my heart with sweet murmurs and
+distracting images, till it seemed to break, leaving an empty
+stillness in my breast.</p>
+<p>After that for a long time I heard Mme. Blunt
+<i>m&egrave;re</i> talking with extreme fluency and I even caught
+the individual words, but I could not in the revulsion of my
+feelings get hold of the sense.&nbsp; She talked apparently of
+life in general, of its difficulties, moral and physical, of its
+surprising turns, of its unexpected contacts, of the choice and
+rare personalities that drift on it as if on the sea; of the
+distinction that letters and art gave to it, the nobility and
+consolations there are in aesthetics, of the privileges they
+confer on individuals and (this was the first connected statement
+I caught) that Mills agreed with her in the general point of view
+as to the inner worth of individualities and in the particular
+instance of it on which she had opened to him her innermost
+heart.&nbsp; Mills had a universal mind.&nbsp; His sympathy was
+universal, too.&nbsp; He had that large comprehension&mdash;oh,
+not cynical, not at all cynical, in fact rather
+tender&mdash;which was found in its perfection only in some rare,
+very rare Englishmen.&nbsp; The dear creature was romantic,
+too.&nbsp; Of course he was reserved in his speech but she
+understood Mills perfectly.&nbsp; Mills apparently liked me very
+much.</p>
+<p>It was time for me to say something.&nbsp; There was a
+challenge in the reposeful black eyes resting upon my face.&nbsp;
+I murmured that I was very glad to hear it.&nbsp; She waited a
+little, then uttered meaningly, &ldquo;Mr. Mills is a little bit
+uneasy about you.&rdquo;</p>
+<p>&ldquo;It&rsquo;s very good of him,&rdquo; I said.&nbsp; And
+indeed I thought that it was very good of him, though I did ask
+myself vaguely in my dulled brain why he should be uneasy.</p>
+<p>Somehow it didn&rsquo;t occur to me to ask Mrs. Blunt.&nbsp;
+Whether she had expected me to do so or not I don&rsquo;t know
+but after a while she changed the pose she had kept so long and
+folded her wonderfully preserved white arms.&nbsp; She looked a
+perfect picture in silver and grey, with touches of black here
+and there.&nbsp; Still I said nothing more in my dull
+misery.&nbsp; She waited a little longer, then she woke me up
+with a crash.&nbsp; It was as if the house had fallen, and yet
+she had only asked me:</p>
+<p>&ldquo;I believe you are received on very friendly terms by
+Madame de Lastaola on account of your common exertions for the
+cause.&nbsp; Very good friends, are you not?&rdquo;</p>
+<p>&ldquo;You mean Rita,&rdquo; I said stupidly, but I felt
+stupid, like a man who wakes up only to be hit on the head.</p>
+<p>&ldquo;Oh, Rita,&rdquo; she repeated with unexpected acidity,
+which somehow made me feel guilty of an incredible breach of good
+manners.&nbsp; &ldquo;H&rsquo;m, Rita. . . . Oh, well, let it be
+Rita&mdash;for the present.&nbsp; Though why she should be
+deprived of her name in conversation about her, really I
+don&rsquo;t understand.&nbsp; Unless a very special intimacy . .
+.&rdquo;</p>
+<p>She was distinctly annoyed.&nbsp; I said sulkily, &ldquo;It
+isn&rsquo;t her name.&rdquo;</p>
+<p>&ldquo;It is her choice, I understand, which seems almost a
+better title to recognition on the part of the world.&nbsp; It
+didn&rsquo;t strike you so before?&nbsp; Well, it seems to me
+that choice has got more right to be respected than heredity or
+law.&nbsp; Moreover, Mme. de Lastaola,&rdquo; she continued in an
+insinuating voice, &ldquo;that most rare and fascinating young
+woman is, as a friend like you cannot deny, outside legality
+altogether.&nbsp; Even in that she is an exceptional
+creature.&nbsp; For she is exceptional&mdash;you
+agree?&rdquo;</p>
+<p>I had gone dumb, I could only stare at her.</p>
+<p>&ldquo;Oh, I see, you agree.&nbsp; No friend of hers could
+deny.&rdquo;</p>
+<p>&ldquo;Madame,&rdquo; I burst out, &ldquo;I don&rsquo;t know
+where a question of friendship comes in here with a person whom
+you yourself call so exceptional.&nbsp; I really don&rsquo;t know
+how she looks upon me.&nbsp; Our intercourse is of course very
+close and confidential.&nbsp; Is that also talked about in
+Paris?&rdquo;</p>
+<p>&ldquo;Not at all, not in the least,&rdquo; said Mrs. Blunt,
+easy, equable, but with her calm, sparkling eyes holding me in
+angry subjection.&nbsp; &ldquo;Nothing of the sort is being
+talked about.&nbsp; The references to Mme. de Lastaola are in a
+very different tone, I can assure you, thanks to her discretion
+in remaining here.&nbsp; And, I must say, thanks to the discreet
+efforts of her friends.&nbsp; I am also a friend of Mme. de
+Lastaola, you must know.&nbsp; Oh, no, I have never spoken to her
+in my life and have seen her only twice, I believe.&nbsp; I wrote
+to her though, that I admit.&nbsp; She or rather the image of her
+has come into my life, into that part of it where art and letters
+reign undisputed like a sort of religion of beauty to which I
+have been faithful through all the vicissitudes of my
+existence.&nbsp; Yes, I did write to her and I have been
+preoccupied with her for a long time.&nbsp; It arose from a
+picture, from two pictures and also from a phrase pronounced by a
+man, who in the science of life and in the perception of
+aesthetic truth had no equal in the world of culture.&nbsp; He
+said that there was something in her of the women of all
+time.&nbsp; I suppose he meant the inheritance of all the gifts
+that make up an irresistible fascination&mdash;a great
+personality.&nbsp; Such women are not born often.&nbsp; Most of
+them lack opportunities.&nbsp; They never develop.&nbsp; They end
+obscurely.&nbsp; Here and there one survives to make her mark
+even in history. . . . And even that is not a very enviable
+fate.&nbsp; They are at another pole from the so-called dangerous
+women who are merely coquettes.&nbsp; A coquette has got to work
+for her success.&nbsp; The others have nothing to do but simply
+exist.&nbsp; You perceive the view I take of the
+difference?&rdquo;</p>
+<p>I perceived the view.&nbsp; I said to myself that nothing in
+the world could be more aristocratic.&nbsp; This was the
+slave-owning woman who had never worked, even if she had been
+reduced to live by her wits.&nbsp; She was a wonderful old
+woman.&nbsp; She made me dumb.&nbsp; She held me fascinated by
+the well-bred attitude, something sublimely aloof in her air of
+wisdom.</p>
+<p>I just simply let myself go admiring her as though I had been
+a mere slave of aesthetics: the perfect grace, the amazing poise
+of that venerable head, the assured as if royal&mdash;yes, royal
+even flow of the voice. . . . But what was it she was talking
+about now?&nbsp; These were no longer considerations about fatal
+women.&nbsp; She was talking about her son again.&nbsp; My
+interest turned into mere bitterness of contemptuous
+attention.&nbsp; For I couldn&rsquo;t withhold it though I tried
+to let the stuff go by.&nbsp; Educated in the most aristocratic
+college in Paris . . . at eighteen . . . call of duty . . . with
+General Lee to the very last cruel minute . . . after that
+catastrophe end of the world&mdash;return to France&mdash;to old
+friendships, infinite kindness&mdash;but a life hollow, without
+occupation. . . Then 1870&mdash;and chivalrous response to
+adopted country&rsquo;s call and again emptiness, the chafing of
+a proud spirit without aim and handicapped not exactly by poverty
+but by lack of fortune.&nbsp; And she, the mother, having to look
+on at this wasting of a most accomplished man, of a most
+chivalrous nature that practically had no future before it.</p>
+<p>&ldquo;You understand me well, Monsieur George.&nbsp; A nature
+like this!&nbsp; It is the most refined cruelty of fate to look
+at.&nbsp; I don&rsquo;t know whether I suffered more in times of
+war or in times of peace.&nbsp; You understand?&rdquo;</p>
+<p>I bowed my head in silence.&nbsp; What I couldn&rsquo;t
+understand was why he delayed so long in joining us again.&nbsp;
+Unless he had had enough of his mother?&nbsp; I thought without
+any great resentment that I was being victimized; but then it
+occurred to me that the cause of his absence was quite
+simple.&nbsp; I was familiar enough with his habits by this time
+to know that he often managed to snatch an hour&rsquo;s sleep or
+so during the day.&nbsp; He had gone and thrown himself on his
+bed.</p>
+<p>&ldquo;I admire him exceedingly,&rdquo; Mrs. Blunt was saying
+in a tone which was not at all maternal.&nbsp; &ldquo;His
+distinction, his fastidiousness, the earnest warmth of his
+heart.&nbsp; I know him well.&nbsp; I assure you that I would
+never have dared to suggest,&rdquo; she continued with an
+extraordinary haughtiness of attitude and tone that aroused my
+attention, &ldquo;I would never have dared to put before him my
+views of the extraordinary merits and the uncertain fate of the
+exquisite woman of whom we speak, if I had not been certain that,
+partly by my fault, I admit, his attention has been attracted to
+her and his&mdash;his&mdash;his heart engaged.&rdquo;</p>
+<p>It was as if some one had poured a bucket of cold water over
+my head.&nbsp; I woke up with a great shudder to the acute
+perception of my own feelings and of that aristocrat&rsquo;s
+incredible purpose.&nbsp; How it could have germinated, grown and
+matured in that exclusive soil was inconceivable.&nbsp; She had
+been inciting her son all the time to undertake wonderful salvage
+work by annexing the heiress of Henry All&egrave;gre&mdash;the
+woman and the fortune.</p>
+<p>There must have been an amazed incredulity in my eyes, to
+which her own responded by an unflinching black brilliance which
+suddenly seemed to develop a scorching quality even to the point
+of making me feel extremely thirsty all of a sudden.&nbsp; For a
+time my tongue literally clove to the roof of my mouth.&nbsp; I
+don&rsquo;t know whether it was an illusion but it seemed to me
+that Mrs. Blunt had nodded at me twice as if to say: &ldquo;You
+are right, that&rsquo;s so.&rdquo;&nbsp; I made an effort to
+speak but it was very poor.&nbsp; If she did hear me it was
+because she must have been on the watch for the faintest
+sound.</p>
+<p>&ldquo;His heart engaged.&nbsp; Like two hundred others, or
+two thousand, all around,&rdquo; I mumbled.</p>
+<p>&ldquo;Altogether different.&nbsp; And it&rsquo;s no
+disparagement to a woman surely.&nbsp; Of course her great
+fortune protects her in a certain measure.&rdquo;</p>
+<p>&ldquo;Does it?&rdquo; I faltered out and that time I really
+doubt whether she heard me.&nbsp; Her aspect in my eyes had
+changed.&nbsp; Her purpose being disclosed, her well-bred ease
+appeared sinister, her aristocratic repose a treacherous device,
+her venerable graciousness a mask of unbounded contempt for all
+human beings whatever.&nbsp; She was a terrible old woman with
+those straight, white wolfish eye-brows.&nbsp; How blind I had
+been!&nbsp; Those eyebrows alone ought to have been enough to
+give her away.&nbsp; Yet they were as beautifully smooth as her
+voice when she admitted: &ldquo;That protection naturally is only
+partial.&nbsp; There is the danger of her own self, poor
+girl.&nbsp; She requires guidance.&rdquo;</p>
+<p>I marvelled at the villainy of my tone as I spoke, but it was
+only assumed.</p>
+<p>&ldquo;I don&rsquo;t think she has done badly for herself, so
+far,&rdquo; I forced myself to say.&nbsp; &ldquo;I suppose you
+know that she began life by herding the village goats.&rdquo;</p>
+<p>In the course of that phrase I noticed her wince just the
+least bit.&nbsp; Oh, yes, she winced; but at the end of it she
+smiled easily.</p>
+<p>&ldquo;No, I didn&rsquo;t know.&nbsp; So she told you her
+story!&nbsp; Oh, well, I suppose you are very good friends.&nbsp;
+A goatherd&mdash;really?&nbsp; In the fairy tale I believe the
+girl that marries the prince is&mdash;what is it?&mdash;a
+<i>gardeuse d&rsquo;oies</i>.&nbsp; And what a thing to drag out
+against a woman.&nbsp; One might just as soon reproach any of
+them for coming unclothed into the world.&nbsp; They all do, you
+know.&nbsp; And then they become&mdash;what you will discover
+when you have lived longer, Monsieur George&mdash;for the most
+part futile creatures, without any sense of truth and beauty,
+drudges of all sorts, or else dolls to dress.&nbsp; In a
+word&mdash;ordinary.&rdquo;</p>
+<p>The implication of scorn in her tranquil manner was
+immense.&nbsp; It seemed to condemn all those that were not born
+in the Blunt connection.&nbsp; It was the perfect pride of
+Republican aristocracy, which has no gradations and knows no
+limit, and, as if created by the grace of God, thinks it ennobles
+everything it touches: people, ideas, even passing tastes!</p>
+<p>&ldquo;How many of them,&rdquo; pursued Mrs. Blunt,
+&ldquo;have had the good fortune, the leisure to develop their
+intelligence and their beauty in aesthetic conditions as this
+charming woman had?&nbsp; Not one in a million.&nbsp; Perhaps not
+one in an age.&rdquo;</p>
+<p>&ldquo;The heiress of Henry All&egrave;gre,&rdquo; I
+murmured.</p>
+<p>&ldquo;Precisely.&nbsp; But John wouldn&rsquo;t be marrying
+the heiress of Henry All&egrave;gre.&rdquo;</p>
+<p>It was the first time that the frank word, the clear idea,
+came into the conversation and it made me feel ill with a sort of
+enraged faintness.</p>
+<p>&ldquo;No,&rdquo; I said.&nbsp; &ldquo;It would be Mme. de
+Lastaola then.&rdquo;</p>
+<p>&ldquo;Mme. la Comtesse de Lastaola as soon as she likes after
+the success of this war.&rdquo;</p>
+<p>&ldquo;And you believe in its success?&rdquo;</p>
+<p>&ldquo;Do you?&rdquo;</p>
+<p>&ldquo;Not for a moment,&rdquo; I declared, and was surprised
+to see her look pleased.</p>
+<p>She was an aristocrat to the tips of her fingers; she really
+didn&rsquo;t care for anybody.&nbsp; She had passed through the
+Empire, she had lived through a siege, had rubbed shoulders with
+the Commune, had seen everything, no doubt, of what men are
+capable in the pursuit of their desires or in the extremity of
+their distress, for love, for money, and even for honour; and in
+her precarious connection with the very highest spheres she had
+kept her own honourability unscathed while she had lost all her
+prejudices.&nbsp; She was above all that.&nbsp; Perhaps
+&ldquo;the world&rdquo; was the only thing that could have the
+slightest checking influence; but when I ventured to say
+something about the view it might take of such an alliance she
+looked at me for a moment with visible surprise.</p>
+<p>&ldquo;My dear Monsieur George, I have lived in the great
+world all my life.&nbsp; It&rsquo;s the best that there is, but
+that&rsquo;s only because there is nothing merely decent
+anywhere.&nbsp; It will accept anything, forgive anything, forget
+anything in a few days.&nbsp; And after all who will he be
+marrying?&nbsp; A charming, clever, rich and altogether uncommon
+woman.&nbsp; What did the world hear of her?&nbsp; Nothing.&nbsp;
+The little it saw of her was in the Bois for a few hours every
+year, riding by the side of a man of unique distinction and of
+exclusive tastes, devoted to the cult of aesthetic impressions; a
+man of whom, as far as aspect, manner, and behaviour goes, she
+might have been the daughter.&nbsp; I have seen her myself.&nbsp;
+I went on purpose.&nbsp; I was immensely struck.&nbsp; I was even
+moved.&nbsp; Yes.&nbsp; She might have been&mdash;except for that
+something radiant in her that marked her apart from all the other
+daughters of men.&nbsp; The few remarkable personalities that
+count in society and who were admitted into Henry
+All&egrave;gre&rsquo;s Pavilion treated her with punctilious
+reserve.&nbsp; I know that, I have made enquiries.&nbsp; I know
+she sat there amongst them like a marvellous child, and for the
+rest what can they say about her?&nbsp; That when abandoned to
+herself by the death of All&egrave;gre she has made a
+mistake?&nbsp; I think that any woman ought to be allowed one
+mistake in her life.&nbsp; The worst they can say of her is that
+she discovered it, that she had sent away a man in love directly
+she found out that his love was not worth having; that she had
+told him to go and look for his crown, and that, after dismissing
+him she had remained generously faithful to his cause, in her
+person and fortune.&nbsp; And this, you will allow, is rather
+uncommon upon the whole.&rdquo;</p>
+<p>&ldquo;You make her out very magnificent,&rdquo;&nbsp; I
+murmured, looking down upon the floor.</p>
+<p>&ldquo;Isn&rsquo;t she?&rdquo; exclaimed the aristocratic Mrs.
+Blunt, with an almost youthful ingenuousness, and in those black
+eyes which looked at me so calmly there was a flash of the
+Southern beauty, still na&iuml;ve and romantic, as if altogether
+untouched by experience.&nbsp; &ldquo;I don&rsquo;t think there
+is a single grain of vulgarity in all her enchanting
+person.&nbsp; Neither is there in my son.&nbsp; I suppose you
+won&rsquo;t deny that he is uncommon.&rdquo;&nbsp; She
+paused.</p>
+<p>&ldquo;Absolutely,&rdquo; I said in a perfectly conventional
+tone, I was now on my mettle that she should not discover what
+there was humanly common in my nature.&nbsp; She took my answer
+at her own valuation and was satisfied.</p>
+<p>&ldquo;They can&rsquo;t fail to understand each other on the
+very highest level of idealistic perceptions.&nbsp; Can you
+imagine my John thrown away on some enamoured white goose out of
+a stuffy old salon?&nbsp; Why, she couldn&rsquo;t even begin to
+understand what he feels or what he needs.&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; I said impenetrably, &ldquo;he is not easy
+to understand.&rdquo;</p>
+<p>&ldquo;I have reason to think,&rdquo; she said with a
+suppressed smile, &ldquo;that he has a certain power over
+women.&nbsp; Of course I don&rsquo;t know anything about his
+intimate life but a whisper or two have reached me, like that,
+floating in the air, and I could hardly suppose that he would
+find an exceptional resistance in that quarter of all
+others.&nbsp; But I should like to know the exact
+degree.&rdquo;</p>
+<p>I disregarded an annoying tendency to feel dizzy that came
+over me and was very careful in managing my voice.</p>
+<p>&ldquo;May I ask, Madame, why you are telling me all
+this?&rdquo;</p>
+<p>&ldquo;For two reasons,&rdquo; she condescended
+graciously.&nbsp; &ldquo;First of all because Mr. Mills told me
+that you were much more mature than one would expect.&nbsp; In
+fact you look much younger than I was prepared for.&rdquo;</p>
+<p>&ldquo;Madame,&rdquo; I interrupted her, &ldquo;I may have a
+certain capacity for action and for responsibility, but as to the
+regions into which this very unexpected conversation has taken me
+I am a great novice.&nbsp; They are outside my interest.&nbsp; I
+have had no experience.&rdquo;</p>
+<p>&ldquo;Don&rsquo;t make yourself out so hopeless,&rdquo; she
+said in a spoilt-beauty tone.&nbsp; &ldquo;You have your
+intuitions.&nbsp; At any rate you have a pair of eyes.&nbsp; You
+are everlastingly over there, so I understand.&nbsp; Surely you
+have seen how far they are . . .&rdquo;</p>
+<p>I interrupted again and this time bitterly, but always in a
+tone of polite enquiry:</p>
+<p>&ldquo;You think her facile, Madame?&rdquo;</p>
+<p>She looked offended.&nbsp; &ldquo;I think her most
+fastidious.&nbsp; It is my son who is in question
+here.&rdquo;</p>
+<p>And I understood then that she looked on her son as
+irresistible.&nbsp; For my part I was just beginning to think
+that it would be impossible for me to wait for his return.&nbsp;
+I figured him to myself lying dressed on his bed sleeping like a
+stone.&nbsp; But there was no denying that the mother was holding
+me with an awful, tortured interest.&nbsp; Twice Therese had
+opened the door, had put her small head in and drawn it back like
+a tortoise.&nbsp; But for some time I had lost the sense of us
+two being quite alone in the studio.&nbsp; I had perceived the
+familiar dummy in its corner but it lay now on the floor as if
+Therese had knocked it down angrily with a broom for a heathen
+idol.&nbsp; It lay there prostrate, handless, without its head,
+pathetic, like the mangled victim of a crime.</p>
+<p>&ldquo;John is fastidious, too,&rdquo; began Mrs. Blunt
+again.&nbsp; &ldquo;Of course you wouldn&rsquo;t suppose anything
+vulgar in his resistances to a very real sentiment.&nbsp; One has
+got to understand his psychology.&nbsp; He can&rsquo;t leave
+himself in peace.&nbsp; He is exquisitely absurd.&rdquo;</p>
+<p>I recognized the phrase.&nbsp; Mother and son talked of each
+other in identical terms.&nbsp; But perhaps &ldquo;exquisitely
+absurd&rdquo; was the Blunt family saying?&nbsp; There are such
+sayings in families and generally there is some truth in
+them.&nbsp; Perhaps this old woman was simply absurd.&nbsp; She
+continued:</p>
+<p>&ldquo;We had a most painful discussion all this
+morning.&nbsp; He is angry with me for suggesting the very thing
+his whole being desires.&nbsp; I don&rsquo;t feel guilty.&nbsp;
+It&rsquo;s he who is tormenting himself with his infinite
+scrupulosity.&rdquo;</p>
+<p>&ldquo;Ah,&rdquo; I said, looking at the mangled dummy like
+the model of some atrocious murder.&nbsp; &ldquo;Ah, the
+fortune.&nbsp; But that can be left alone.&rdquo;</p>
+<p>&ldquo;What nonsense!&nbsp; How is it possible?&nbsp; It
+isn&rsquo;t contained in a bag, you can&rsquo;t throw it into the
+sea.&nbsp; And moreover, it isn&rsquo;t her fault.&nbsp; I am
+astonished that you should have thought of that vulgar
+hypocrisy.&nbsp; No, it isn&rsquo;t her fortune that cheeks my
+son; it&rsquo;s something much more subtle.&nbsp; Not so much her
+history as her position.&nbsp; He is absurd.&nbsp; It isn&rsquo;t
+what has happened in her life.&nbsp; It&rsquo;s her very freedom
+that makes him torment himself and her, too&mdash;as far as I can
+understand.&rdquo;</p>
+<p>I suppressed a groan and said to myself that I must really get
+away from there.</p>
+<p>Mrs. Blunt was fairly launched now.</p>
+<p>&ldquo;For all his superiority he is a man of the world and
+shares to a certain extent its current opinions.&nbsp; He has no
+power over her.&nbsp; She intimidates him.&nbsp; He wishes he had
+never set eyes on her.&nbsp; Once or twice this morning he looked
+at me as if he could find it in his heart to hate his old
+mother.&nbsp; There is no doubt about it&mdash;he loves her,
+Monsieur George.&nbsp; He loves her, this poor, luckless, perfect
+<i>homme du monde</i>.&rdquo;</p>
+<p>The silence lasted for some time and then I heard a murmur:
+&ldquo;It&rsquo;s a matter of the utmost delicacy between two
+beings so sensitive, so proud.&nbsp; It has to be
+managed.&rdquo;</p>
+<p>I found myself suddenly on my feet and saying with the utmost
+politeness that I had to beg her permission to leave her alone as
+I had an engagement; but she motioned me simply to sit
+down&mdash;and I sat down again.</p>
+<p>&ldquo;I told you I had a request to make,&rdquo; she
+said.&nbsp; &ldquo;I have understood from Mr. Mills that you have
+been to the West Indies, that you have some interests
+there.&rdquo;</p>
+<p>I was astounded.&nbsp; &ldquo;Interests!&nbsp; I certainly
+have been there,&rdquo; I said, &ldquo;but . . .&rdquo;</p>
+<p>She caught me up.&nbsp; &ldquo;Then why not go there
+again?&nbsp; I am speaking to you frankly because . .
+.&rdquo;</p>
+<p>&ldquo;But, Madame, I am engaged in this affair with
+Do&ntilde;a Rita, even if I had any interests elsewhere.&nbsp; I
+won&rsquo;t tell you about the importance of my work.&nbsp; I
+didn&rsquo;t suspect it but you brought the news of it to me, and
+so I needn&rsquo;t point it out to you.&rdquo;</p>
+<p>And now we were frankly arguing with each other.</p>
+<p>&ldquo;But where will it lead you in the end?&nbsp; You have
+all your life before you, all your plans, prospects, perhaps
+dreams, at any rate your own tastes and all your life-time before
+you.&nbsp; And would you sacrifice all this to&mdash;the
+Pretender?&nbsp; A mere figure for the front page of illustrated
+papers.&rdquo;&rsquo;</p>
+<p>&ldquo;I never think of him,&rdquo;&nbsp; I said curtly,
+&ldquo;but I suppose Do&ntilde;a Rita&rsquo;s feelings,
+instincts, call it what you like&mdash;or only her chivalrous
+fidelity to her mistakes&mdash;&rdquo;</p>
+<p>&ldquo;Do&ntilde;a Rita&rsquo;s presence here in this town,
+her withdrawal from the possible complications of her life in
+Paris has produced an excellent effect on my son.&nbsp; It
+simplifies infinite difficulties, I mean moral as well as
+material.&nbsp; It&rsquo;s extremely to the advantage of her
+dignity, of her future, and of her peace of mind.&nbsp; But I am
+thinking, of course, mainly of my son.&nbsp; He is most
+exacting.&rdquo;</p>
+<p>I felt extremely sick at heart.&nbsp; &ldquo;And so I am to
+drop everything and vanish,&rdquo; I said, rising from my chair
+again.&nbsp; And this time Mrs. Blunt got up, too, with a lofty
+and inflexible manner but she didn&rsquo;t dismiss me yet.</p>
+<p>&ldquo;Yes,&rdquo; she said distinctly.&nbsp; &ldquo;All this,
+my dear Monsieur George, is such an accident.&nbsp; What have you
+got to do here?&nbsp; You look to me like somebody who would find
+adventures wherever he went as interesting and perhaps less
+dangerous than this one.&rdquo;</p>
+<p>She slurred over the word dangerous but I picked it up.</p>
+<p>&ldquo;What do you know of its dangers, Madame, may I
+ask?&rdquo;&nbsp; But she did not condescend to hear.</p>
+<p>&ldquo;And then you, too, have your chivalrous
+feelings,&rdquo; she went on, unswerving, distinct, and
+tranquil.&nbsp; &ldquo;You are not absurd.&nbsp; But my son
+is.&nbsp; He would shut her up in a convent for a time if he
+could.&rdquo;</p>
+<p>&ldquo;He isn&rsquo;t the only one,&rdquo; I muttered.</p>
+<p>&ldquo;Indeed!&rdquo; she was startled, then lower,
+&ldquo;Yes.&nbsp; That woman must be the centre of all sorts of
+passions,&rdquo; she mused audibly.&nbsp; &ldquo;But what have
+you got to do with all this?&nbsp; It&rsquo;s nothing to
+you.&rdquo;</p>
+<p>She waited for me to speak.</p>
+<p>&ldquo;Exactly, Madame,&rdquo; I said, &ldquo;and therefore I
+don&rsquo;t see why I should concern myself in all this one way
+or another.&rdquo;</p>
+<p>&ldquo;No,&rdquo; she assented with a weary air, &ldquo;except
+that you might ask yourself what is the good of tormenting a man
+of noble feelings, however absurd.&nbsp; His Southern blood makes
+him very violent sometimes.&nbsp; I fear&mdash;&rdquo;&nbsp; And
+then for the first time during this conversation, for the first
+time since I left Do&ntilde;a Rita the day before, for the first
+time I laughed.</p>
+<p>&ldquo;Do you mean to hint, Madame, that Southern gentlemen
+are dead shots?&nbsp; I am aware of that&mdash;from
+novels.&rdquo;</p>
+<p>I spoke looking her straight in the face and I made that
+exquisite, aristocratic old woman positively blink by my
+directness.&nbsp; There was a faint flush on her delicate old
+cheeks but she didn&rsquo;t move a muscle of her face.&nbsp; I
+made her a most respectful bow and went out of the studio.</p>
+<h3>CHAPTER IV</h3>
+<p>Through the great arched window of the hall I saw the hotel
+brougham waiting at the door.&nbsp; On passing the door of the
+front room (it was originally meant for a drawing-room but a bed
+for Blunt was put in there) I banged with my fist on the panel
+and shouted: &ldquo;I am obliged to go out.&nbsp; Your
+mother&rsquo;s carriage is at the door.&rdquo;&nbsp; I
+didn&rsquo;t think he was asleep.&nbsp; My view now was that he
+was aware beforehand of the subject of the conversation, and if
+so I did not wish to appear as if I had slunk away from him after
+the interview.&nbsp; But I didn&rsquo;t stop&mdash;I didn&rsquo;t
+want to see him&mdash;and before he could answer I was already
+half way up the stairs running noiselessly up the thick carpet
+which also covered the floor of the landing.&nbsp; Therefore
+opening the door of my sitting-room quickly I caught by surprise
+the person who was in there watching the street half concealed by
+the window curtain.&nbsp; It was a woman.&nbsp; A totally
+unexpected woman.&nbsp; A perfect stranger.&nbsp; She came away
+quickly to meet me.&nbsp; Her face was veiled and she was dressed
+in a dark walking costume and a very simple form of hat.&nbsp;
+She murmured: &ldquo;I had an idea that Monsieur was in the
+house,&rdquo; raising a gloved hand to lift her veil.&nbsp; It
+was Rose and she gave me a shock.&nbsp; I had never seen her
+before but with her little black silk apron and a white cap with
+ribbons on her head.&nbsp; This outdoor dress was like a
+disguise.&nbsp; I asked anxiously:</p>
+<p>&ldquo;What has happened to Madame?&rdquo;</p>
+<p>&ldquo;Nothing.&nbsp; I have a letter,&rdquo; she murmured,
+and I saw it appear between the fingers of her extended hand, in
+a very white envelope which I tore open impatiently.&nbsp; It
+consisted of a few lines only.&nbsp; It began abruptly:</p>
+<p>&ldquo;If you are gone to sea then I can&rsquo;t forgive you
+for not sending the usual word at the last moment.&nbsp; If you
+are not gone why don&rsquo;t you come?&nbsp; Why did you leave me
+yesterday?&nbsp; You leave me crying&mdash;I who haven&rsquo;t
+cried for years and years, and you haven&rsquo;t the sense to
+come back within the hour, within twenty hours!&nbsp; This
+conduct is idiotic&rdquo;&mdash;and a sprawling signature of the
+four magic letters at the bottom.</p>
+<p>While I was putting the letter in my pocket the girl said in
+an earnest undertone: &ldquo;I don&rsquo;t like to leave Madame
+by herself for any length of time.&rdquo;</p>
+<p>&ldquo;How long have you been in my room?&rdquo; I asked.</p>
+<p>&ldquo;The time seemed long.&nbsp; I hope Monsieur won&rsquo;t
+mind the liberty.&nbsp; I sat for a little in the hall but then
+it struck me I might be seen.&nbsp; In fact, Madame told me not
+to be seen if I could help it.&rdquo;</p>
+<p>&ldquo;Why did she tell you that?&rdquo;</p>
+<p>&ldquo;I permitted myself to suggest that to Madame.&nbsp; It
+might have given a false impression.&nbsp; Madame is frank and
+open like the day but it won&rsquo;t do with everybody.&nbsp;
+There are people who would put a wrong construction on
+anything.&nbsp; Madame&rsquo;s sister told me Monsieur was
+out.&rdquo;</p>
+<p>&ldquo;And you didn&rsquo;t believe her?&rdquo;</p>
+<p>&ldquo;<i>Non</i>, Monsieur.&nbsp; I have lived with
+Madame&rsquo;s sister for nearly a week when she first came into
+this house.&nbsp; She wanted me to leave the message, but I said
+I would wait a little.&nbsp; Then I sat down in the big
+porter&rsquo;s chair in the hall and after a while, everything
+being very quiet, I stole up here.&nbsp; I know the disposition
+of the apartments.&nbsp; I reckoned Madame&rsquo;s sister would
+think that I got tired of waiting and let myself out.&rdquo;</p>
+<p>&ldquo;And you have been amusing yourself watching the street
+ever since?&rdquo;</p>
+<p>&ldquo;The time seemed long,&rdquo; she answered
+evasively.&nbsp; &ldquo;An empty <i>coup&eacute;</i> came to the
+door about an hour ago and it&rsquo;s still waiting,&rdquo; she
+added, looking at me inquisitively.</p>
+<p>&ldquo;It seems strange.&rdquo;</p>
+<p>&ldquo;There are some dancing girls staying in the
+house,&rdquo; I said negligently.&nbsp; &ldquo;Did you leave
+Madame alone?&rdquo;</p>
+<p>&ldquo;There&rsquo;s the gardener and his wife in the
+house.&rdquo;</p>
+<p>&ldquo;Those people keep at the back.&nbsp; Is Madame
+alone?&nbsp; That&rsquo;s what I want to know.&rdquo;</p>
+<p>&ldquo;Monsieur forgets that I have been three hours away; but
+I assure Monsieur that here in this town it&rsquo;s perfectly
+safe for Madame to be alone.&rdquo;</p>
+<p>&ldquo;And wouldn&rsquo;t it be anywhere else?&nbsp;
+It&rsquo;s the first I hear of it.&rdquo;</p>
+<p>&ldquo;In Paris, in our apartments in the hotel, it&rsquo;s
+all right, too; but in the Pavilion, for instance, I
+wouldn&rsquo;t leave Madame by herself, not for half an
+hour.&rdquo;</p>
+<p>&ldquo;What is there in the Pavilion?&rdquo; I asked.</p>
+<p>&ldquo;It&rsquo;s a sort of feeling I have,&rdquo; she
+murmured reluctantly . . . &ldquo;Oh!&nbsp; There&rsquo;s that
+<i>coup&eacute;</i> going away.&rdquo;</p>
+<p>She made a movement towards the window but checked
+herself.&nbsp; I hadn&rsquo;t moved.&nbsp; The rattle of wheels
+on the cobble-stones died out almost at once.</p>
+<p>&ldquo;Will Monsieur write an answer?&rdquo; Rose suggested
+after a short silence.</p>
+<p>&ldquo;Hardly worth while,&rdquo; I said.&nbsp; &ldquo;I will
+be there very soon after you.&nbsp; Meantime, please tell Madame
+from me that I am not anxious to see any more tears.&nbsp; Tell
+her this just like that, you understand.&nbsp; I will take the
+risk of not being received.&rdquo;</p>
+<p>She dropped her eyes, said: &ldquo;<i>Oui</i>,
+Monsieur,&rdquo; and at my suggestion waited, holding the door of
+the room half open, till I went downstairs to see the road
+clear.</p>
+<p>It was a kind of deaf-and-dumb house.&nbsp; The
+black-and-white hall was empty and everything was perfectly
+still.&nbsp; Blunt himself had no doubt gone away with his mother
+in the brougham, but as to the others, the dancing girls,
+Therese, or anybody else that its walls may have contained, they
+might have been all murdering each other in perfect assurance
+that the house would not betray them by indulging in any unseemly
+murmurs.&nbsp; I emitted a low whistle which didn&rsquo;t seem to
+travel in that peculiar atmosphere more than two feet away from
+my lips, but all the same Rose came tripping down the stairs at
+once.&nbsp; With just a nod to my whisper: &ldquo;Take a
+fiacre,&rdquo; she glided out and I shut the door noiselessly
+behind her.</p>
+<p>The next time I saw her she was opening the door of the house
+on the Prado to me, with her cap and the little black silk apron
+on, and with that marked personality of her own, which had been
+concealed so perfectly in the dowdy walking dress, very much to
+the fore.</p>
+<p>&ldquo;I have given Madame the message,&rdquo; she said in her
+contained voice, swinging the door wide open.&nbsp; Then after
+relieving me of my hat and coat she announced me with the simple
+words: &ldquo;<i>Voil&agrave;</i> Monsieur,&rdquo; and hurried
+away.&nbsp; Directly I appeared Do&ntilde;a Rita, away there on
+the couch, passed the tips of her fingers over her eyes and
+holding her hands up palms outwards on each side of her head,
+shouted to me down the whole length of the room: &ldquo;The dry
+season has set in.&rdquo;&nbsp; I glanced at the pink tips of her
+fingers perfunctorily and then drew back.&nbsp; She let her hands
+fall negligently as if she had no use for them any more and put
+on a serious expression.</p>
+<p>&ldquo;So it seems,&rdquo; I said, sitting down opposite
+her.&nbsp; &ldquo;For how long, I wonder.&rdquo;</p>
+<p>&ldquo;For years and years.&nbsp; One gets so little
+encouragement.&nbsp; First you bolt away from my tears, then you
+send an impertinent message, and then when you come at last you
+pretend to behave respectfully, though you don&rsquo;t know how
+to do it.&nbsp; You should sit much nearer the edge of the chair
+and hold yourself very stiff, and make it quite clear that you
+don&rsquo;t know what to do with your hands.&rdquo;</p>
+<p>All this in a fascinating voice with a ripple of badinage that
+seemed to play upon the sober surface of her thoughts.&nbsp; Then
+seeing that I did not answer she altered the note a bit.</p>
+<p>&ldquo;<i>Amigo</i> George,&rdquo; she said, &ldquo;I take the
+trouble to send for you and here I am before you, talking to you
+and you say nothing.&rdquo;</p>
+<p>&ldquo;What am I to say?&rdquo;</p>
+<p>&ldquo;How can I tell?&nbsp; You might say a thousand
+things.&nbsp; You might, for instance, tell me that you were
+sorry for my tears.&rdquo;</p>
+<p>&ldquo;I might also tell you a thousand lies.&nbsp; What do I
+know about your tears?&nbsp; I am not a susceptible idiot.&nbsp;
+It all depends upon the cause.&nbsp; There are tears of quiet
+happiness.&nbsp; Peeling onions also will bring tears.&rdquo;</p>
+<p>&ldquo;Oh, you are not susceptible,&rdquo; she flew out at
+me.&nbsp; &ldquo;But you are an idiot all the same.&rdquo;</p>
+<p>&ldquo;Is it to tell me this that you have written to me to
+come?&rdquo; I asked with a certain animation.</p>
+<p>&ldquo;Yes.&nbsp; And if you had as much sense as the talking
+parrot I owned once you would have read between the lines that
+all I wanted you here for was to tell you what I think of
+you.&rdquo;</p>
+<p>&ldquo;Well, tell me what you think of me.&rdquo;</p>
+<p>&ldquo;I would in a moment if I could be half as impertinent
+as you are.&rdquo;</p>
+<p>&ldquo;What unexpected modesty,&rdquo; I said.</p>
+<p>&ldquo;These, I suppose, are your sea manners.&rdquo;</p>
+<p>&ldquo;I wouldn&rsquo;t put up with half that nonsense from
+anybody at sea.&nbsp; Don&rsquo;t you remember you told me
+yourself to go away?&nbsp; What was I to do?&rdquo;</p>
+<p>&ldquo;How stupid you are.&nbsp; I don&rsquo;t mean that you
+pretend.&nbsp; You really are.&nbsp; Do you understand what I
+say?&nbsp; I will spell it for you.&nbsp; S-t-u-p-i-d.&nbsp; Ah,
+now I feel better.&nbsp; Oh, <i>amigo</i> George, my dear
+fellow-conspirator for the king&mdash;the king.&nbsp; Such a
+king!&nbsp; <i>Vive le Roi</i>!&nbsp; Come, why don&rsquo;t you
+shout <i>Vive le Roi</i>, too?&rdquo;</p>
+<p>&ldquo;I am not your parrot,&rdquo; I said.</p>
+<p>&ldquo;No, he never sulked.&nbsp; He was a charming,
+good-mannered bird, accustomed to the best society, whereas you,
+I suppose, are nothing but a heartless vagabond like
+myself.&rdquo;</p>
+<p>&ldquo;I daresay you are, but I suppose nobody had the
+insolence to tell you that to your face.&rdquo;</p>
+<p>&ldquo;Well, very nearly.&nbsp; It was what it amounted
+to.&nbsp; I am not stupid.&nbsp; There is no need to spell out
+simple words for me.&nbsp; It just came out.&nbsp; Don Juan
+struggled desperately to keep the truth in.&nbsp; It was most
+pathetic.&nbsp; And yet he couldn&rsquo;t help himself.&nbsp; He
+talked very much like a parrot.&rdquo;</p>
+<p>&ldquo;Of the best society,&rdquo; I suggested.</p>
+<p>&ldquo;Yes, the most honourable of parrots.&nbsp; I
+don&rsquo;t like parrot-talk.&nbsp; It sounds so uncanny.&nbsp;
+Had I lived in the Middle Ages I am certain I would have believed
+that a talking bird must be possessed by the devil.&nbsp; I am
+sure Therese would believe that now.&nbsp; My own sister!&nbsp;
+She would cross herself many times and simply quake with
+terror.&rdquo;</p>
+<p>&ldquo;But you were not terrified,&rdquo; I said.&nbsp;
+&ldquo;May I ask when that interesting communication took
+place?&rdquo;</p>
+<p>&ldquo;Yesterday, just before you blundered in here of all
+days in the year.&nbsp; I was sorry for him.&rdquo;</p>
+<p>&ldquo;Why tell me this?&nbsp; I couldn&rsquo;t help noticing
+it.&nbsp; I regretted I hadn&rsquo;t my umbrella with
+me.&rdquo;</p>
+<p>&ldquo;Those unforgiven tears!&nbsp; Oh, you simple
+soul!&nbsp; Don&rsquo;t you know that people never cry for
+anybody but themselves? . . . <i>Amigo</i> George, tell
+me&mdash;what are we doing in this world?&rdquo;</p>
+<p>&ldquo;Do you mean all the people, everybody?&rdquo;</p>
+<p>&ldquo;No, only people like you and me.&nbsp; Simple people,
+in this world which is eaten up with charlatanism of all sorts so
+that even we, the simple, don&rsquo;t know any longer how to
+trust each other.&rdquo;</p>
+<p>&ldquo;Don&rsquo;t we?&nbsp; Then why don&rsquo;t you trust
+him?&nbsp; You are dying to do so, don&rsquo;t you
+know?&rdquo;</p>
+<p>She dropped her chin on her breast and from under her straight
+eyebrows the deep blue eyes remained fixed on me, impersonally,
+as if without thought.</p>
+<p>&ldquo;What have you been doing since you left me
+yesterday?&rdquo; she asked.</p>
+<p>&ldquo;The first thing I remember I abused your sister
+horribly this morning.&rdquo;</p>
+<p>&ldquo;And how did she take it?&rdquo;</p>
+<p>&ldquo;Like a warm shower in spring.&nbsp; She drank it all in
+and unfolded her petals.&rdquo;</p>
+<p>&ldquo;What poetical expressions he uses!&nbsp; That girl is
+more perverted than one would think possible, considering what
+she is and whence she came.&nbsp; It&rsquo;s true that I, too,
+come from the same spot.&rdquo;</p>
+<p>&ldquo;She is slightly crazy.&nbsp; I am a great favourite
+with her.&nbsp; I don&rsquo;t say this to boast.&rdquo;</p>
+<p>&ldquo;It must be very comforting.&rdquo;</p>
+<p>&ldquo;Yes, it has cheered me immensely.&nbsp; Then after a
+morning of delightful musings on one thing and another I went to
+lunch with a charming lady and spent most of the afternoon
+talking with her.&rdquo;</p>
+<p>Do&ntilde;a Rita raised her head.</p>
+<p>&ldquo;A lady!&nbsp; Women seem such mysterious creatures to
+me.&nbsp; I don&rsquo;t know them.&nbsp; Did you abuse her?&nbsp;
+Did she&mdash;how did you say that?&mdash;unfold her petals,
+too?&nbsp; Was she really and truly . . .?&rdquo;</p>
+<p>&ldquo;She is simply perfection in her way and the
+conversation was by no means banal.&nbsp; I fancy that if your
+late parrot had heard it, he would have fallen off his
+perch.&nbsp; For after all, in that All&egrave;gre Pavilion, my
+dear Rita, you were but a crowd of glorified
+<i>bourgeois</i>.&rdquo;</p>
+<p>She was beautifully animated now.&nbsp; In her motionless blue
+eyes like melted sapphires, around those red lips that almost
+without moving could breathe enchanting sounds into the world,
+there was a play of light, that mysterious ripple of gaiety that
+seemed always to run and faintly quiver under her skin even in
+her gravest moods; just as in her rare moments of gaiety its
+warmth and radiance seemed to come to one through infinite
+sadness, like the sunlight of our life hiding the invincible
+darkness in which the universe must work out its impenetrable
+destiny.</p>
+<p>&ldquo;Now I think of it! . . . Perhaps that&rsquo;s the
+reason I never could feel perfectly serious while they were
+demolishing the world about my ears.&nbsp; I fancy now that I
+could tell beforehand what each of them was going to say.&nbsp;
+They were repeating the same words over and over again, those
+great clever men, very much like parrots who also seem to know
+what they say.&nbsp; That doesn&rsquo;t apply to the master of
+the house, who never talked much.&nbsp; He sat there mostly
+silent and looming up three sizes bigger than any of
+them.&rdquo;</p>
+<p>&ldquo;The ruler of the aviary,&rdquo; I muttered
+viciously.</p>
+<p>&ldquo;It annoys you that I should talk of that time?&rdquo;
+she asked in a tender voice.&nbsp; &ldquo;Well, I won&rsquo;t,
+except for once to say that you must not make a mistake: in that
+aviary he was the man.&nbsp; I know because he used to talk to me
+afterwards sometimes.&nbsp; Strange!&nbsp; For six years he
+seemed to carry all the world and me with it in his hand. . . .
+&rdquo;</p>
+<p>&ldquo;He dominates you yet,&rdquo; I shouted.</p>
+<p>She shook her head innocently as a child would do.</p>
+<p>&ldquo;No, no.&nbsp; You brought him into the conversation
+yourself.&nbsp; You think of him much more than I
+do.&rdquo;&nbsp; Her voice drooped sadly to a hopeless
+note.&nbsp; &ldquo;I hardly ever do.&nbsp; He is not the sort of
+person to merely flit through one&rsquo;s mind and so I have no
+time.&nbsp; Look.&nbsp; I had eleven letters this morning and
+there were also five telegrams before midday, which have tangled
+up everything.&nbsp; I am quite frightened.&rdquo;</p>
+<p>And she explained to me that one of them&mdash;the long one on
+the top of the pile, on the table over there&mdash;seemed to
+contain ugly inferences directed at herself in a menacing
+way.&nbsp; She begged me to read it and see what I could make of
+it.</p>
+<p>I knew enough of the general situation to see at a glance that
+she had misunderstood it thoroughly and even amazingly.&nbsp; I
+proved it to her very quickly.&nbsp; But her mistake was so
+ingenious in its wrongheadedness and arose so obviously from the
+distraction of an acute mind, that I couldn&rsquo;t help looking
+at her admiringly.</p>
+<p>&ldquo;Rita,&rdquo; I said, &ldquo;you are a marvellous
+idiot.&rdquo;</p>
+<p>&ldquo;Am I?&nbsp; Imbecile,&rdquo; she retorted with an
+enchanting smile of relief.&nbsp; &ldquo;But perhaps it only
+seems so to you in contrast with the lady so perfect in her
+way.&nbsp; What is her way?&rdquo;</p>
+<p>&ldquo;Her way, I should say, lies somewhere between her
+sixtieth and seventieth year, and I have walked
+t&ecirc;te-&agrave;-t&ecirc;te with her for some little distance
+this afternoon.&rdquo;</p>
+<p>&ldquo;Heavens,&rdquo; she whispered, thunderstruck.&nbsp;
+&ldquo;And meantime I had the son here.&nbsp; He arrived about
+five minutes after Rose left with that note for you,&rdquo; she
+went on in a tone of awe.&nbsp; &ldquo;As a matter of fact, Rose
+saw him across the street but she thought she had better go on to
+you.&rdquo;</p>
+<p>&ldquo;I am furious with myself for not having guessed that
+much,&rdquo; I said bitterly.&nbsp; &ldquo;I suppose you got him
+out of the house about five minutes after you heard I was coming
+here.&nbsp; Rose ought to have turned back when she saw him on
+his way to cheer your solitude.&nbsp; That girl is stupid after
+all, though she has got a certain amount of low cunning which no
+doubt is very useful at times.&rdquo;</p>
+<p>&ldquo;I forbid you to talk like this about Rose.&nbsp; I
+won&rsquo;t have it.&nbsp; Rose is not to be abused before
+me.&rdquo;</p>
+<p>&ldquo;I only mean to say that she failed in this instance to
+read your mind, that&rsquo;s all.&rdquo;</p>
+<p>&ldquo;This is, without exception, the most unintelligent
+thing you have said ever since I have known you.&nbsp; You may
+understand a lot about running contraband and about the minds of
+a certain class of people, but as to Rose&rsquo;s mind let me
+tell you that in comparison with hers yours is absolutely
+infantile, my adventurous friend.&nbsp; It would be contemptible
+if it weren&rsquo;t so&mdash;what shall I call
+it?&mdash;babyish.&nbsp; You ought to be slapped and put to
+bed.&rdquo;&nbsp; There was an extraordinary earnestness in her
+tone and when she ceased I listened yet to the seductive
+inflexions of her voice, that no matter in what mood she spoke
+seemed only fit for tenderness and love.&nbsp; And I thought
+suddenly of Azzolati being ordered to take himself off from her
+presence for ever, in that voice the very anger of which seemed
+to twine itself gently round one&rsquo;s heart.&nbsp; No wonder
+the poor wretch could not forget the scene and couldn&rsquo;t
+restrain his tears on the plain of Rambouillet.&nbsp; My moods of
+resentment against Rita, hot as they were, had no more duration
+than a blaze of straw.&nbsp; So I only said:</p>
+<p>&ldquo;Much <i>you</i> know about the management of
+children.&rdquo;&nbsp; The corners of her lips stirred quaintly;
+her animosity, especially when provoked by a personal attack upon
+herself, was always tinged by a sort of wistful humour of the
+most disarming kind.</p>
+<p>&ldquo;Come, <i>amigo</i> George, let us leave poor Rose
+alone.&nbsp; You had better tell me what you heard from the lips
+of the charming old lady.&nbsp; Perfection, isn&rsquo;t
+she?&nbsp; I have never seen her in my life, though she says she
+has seen me several times.&nbsp; But she has written to me on
+three separate occasions and every time I answered her as if I
+were writing to a queen.&nbsp; <i>Amigo</i> George, how does one
+write to a queen?&nbsp; How should a goatherd that could have
+been mistress of a king, how should she write to an old queen
+from very far away; from over the sea?&rdquo;</p>
+<p>&ldquo;I will ask you as I have asked the old queen: why do
+you tell me all this, Do&ntilde;a Rita?&rdquo;</p>
+<p>&ldquo;To discover what&rsquo;s in your mind,&rdquo; she said,
+a little impatiently.</p>
+<p>&ldquo;If you don&rsquo;t know that yet!&rdquo; I exclaimed
+under my breath.</p>
+<p>&ldquo;No, not in your mind.&nbsp; Can any one ever tell what
+is in a man&rsquo;s mind?&nbsp; But I see you won&rsquo;t
+tell.&rdquo;</p>
+<p>&ldquo;What&rsquo;s the good?&nbsp; You have written to her
+before, I understand.&nbsp; Do you think of continuing the
+correspondence?&rdquo;</p>
+<p>&ldquo;Who knows?&rdquo; she said in a profound tone.&nbsp;
+&ldquo;She is the only woman that ever wrote to me.&nbsp; I
+returned her three letters to her with my last answer, explaining
+humbly that I preferred her to burn them herself.&nbsp; And I
+thought that would be the end of it.&nbsp; But an occasion may
+still arise.&rdquo;</p>
+<p>&ldquo;Oh, if an occasion arises,&rdquo; I said, trying to
+control my rage, &ldquo;you may be able to begin your letter by
+the words &lsquo;<i>Ch&egrave;re Maman</i>.&rsquo;&rdquo;</p>
+<p>The cigarette box, which she had taken up without removing her
+eyes from me, flew out of her hand and opening in mid-air
+scattered cigarettes for quite a surprising distance all over the
+room.&nbsp; I got up at once and wandered off picking them up
+industriously.&nbsp; Do&ntilde;a Rita&rsquo;s voice behind me
+said indifferently:</p>
+<p>&ldquo;Don&rsquo;t trouble, I will ring for Rose.&rdquo;</p>
+<p>&ldquo;No need,&rdquo; I growled, without turning my head,
+&ldquo;I can find my hat in the hall by myself, after I&rsquo;ve
+finished picking up . . . &rdquo;</p>
+<p>&ldquo;Bear!&rdquo;</p>
+<p>I returned with the box and placed it on the divan near
+her.&nbsp; She sat cross-legged, leaning back on her arms, in the
+blue shimmer of her embroidered robe and with the tawny halo of
+her unruly hair about her face which she raised to mine with an
+air of resignation.</p>
+<p>&ldquo;George, my friend,&rdquo; she said, &ldquo;we have no
+manners.&rdquo;</p>
+<p>&ldquo;You would never have made a career at court,
+Do&ntilde;a Rita,&rdquo; I observed.&nbsp; &ldquo;You are too
+impulsive.&rdquo;</p>
+<p>&ldquo;This is not bad manners, that&rsquo;s sheer
+insolence.&nbsp; This has happened to you before.&nbsp; If it
+happens again, as I can&rsquo;t be expected to wrestle with a
+savage and desperate smuggler single-handed, I will go upstairs
+and lock myself in my room till you leave the house.&nbsp; Why
+did you say this to me?&rdquo;</p>
+<p>&ldquo;Oh, just for nothing, out of a full heart.&rdquo;</p>
+<p>&ldquo;If your heart is full of things like that, then my dear
+friend, you had better take it out and give it to the
+crows.&nbsp; No! you said that for the pleasure of appearing
+terrible.&nbsp; And you see you are not terrible at all, you are
+rather amusing.&nbsp; Go on, continue to be amusing.&nbsp; Tell
+me something of what you heard from the lips of that aristocratic
+old lady who thinks that all men are equal and entitled to the
+pursuit of happiness.&rdquo;</p>
+<p>&ldquo;I hardly remember now.&nbsp; I heard something about
+the unworthiness of certain white geese out of stuffy
+drawing-rooms.&nbsp; It sounds mad, but the lady knows exactly
+what she wants.&nbsp; I also heard your praises sung.&nbsp; I sat
+there like a fool not knowing what to say.&rdquo;</p>
+<p>&ldquo;Why?&nbsp; You might have joined in the
+singing.&rdquo;</p>
+<p>&ldquo;I didn&rsquo;t feel in the humour, because, don&rsquo;t
+you see, I had been incidentally given to understand that I was
+an insignificant and superfluous person who had better get out of
+the way of serious people.&rdquo;</p>
+<p>&ldquo;Ah, <i>par exemple</i>!&rdquo;</p>
+<p>&ldquo;In a sense, you know, it was flattering; but for the
+moment it made me feel as if I had been offered a pot of mustard
+to sniff.&rdquo;</p>
+<p>She nodded with an amused air of understanding and I could see
+that she was interested.&nbsp; &ldquo;Anything more?&rdquo; she
+asked, with a flash of radiant eagerness in all her person and
+bending slightly forward towards me.</p>
+<p>&ldquo;Oh, it&rsquo;s hardly worth mentioning.&nbsp; It was a
+sort of threat wrapped up, I believe, in genuine anxiety as to
+what might happen to my youthful insignificance.&nbsp; If I
+hadn&rsquo;t been rather on the alert just then I wouldn&rsquo;t
+even have perceived the meaning.&nbsp; But really an allusion to
+&lsquo;hot Southern blood&rsquo; I could have only one
+meaning.&nbsp; Of course I laughed at it, but only &lsquo;<i>pour
+l&rsquo;honneur</i>&rsquo; and to show I understood
+perfectly.&nbsp; In reality it left me completely
+indifferent.&rdquo;</p>
+<p>Do&ntilde;a Rita looked very serious for a minute.</p>
+<p>&ldquo;Indifferent to the whole conversation?&rdquo;</p>
+<p>I looked at her angrily.</p>
+<p>&ldquo;To the whole . . . You see I got up rather out of sorts
+this morning.&nbsp; Unrefreshed, you know.&nbsp; As if tired of
+life.&rdquo;</p>
+<p>The liquid blue in her eyes remained directed at me without
+any expression except that of its usual mysterious immobility,
+but all her face took on a sad and thoughtful cast.&nbsp; Then as
+if she had made up her mind under the pressure of necessity:</p>
+<p>&ldquo;Listen, <i>amigo</i>,&rdquo; she said, &ldquo;I have
+suffered domination and it didn&rsquo;t crush me because I have
+been strong enough to live with it; I have known caprice, you may
+call it folly if you like, and it left me unharmed because I was
+great enough not to be captured by anything that wasn&rsquo;t
+really worthy of me.&nbsp; My dear, it went down like a house of
+cards before my breath.&nbsp; There is something in me that will
+not be dazzled by any sort of prestige in this world, worthy or
+unworthy.&nbsp; I am telling you this because you are younger
+than myself.&rdquo;</p>
+<p>&ldquo;If you want me to say that there is nothing petty or
+mean about you, Do&ntilde;a Rita, then I do say it.&rdquo;</p>
+<p>She nodded at me with an air of accepting the rendered justice
+and went on with the utmost simplicity.</p>
+<p>&ldquo;And what is it that is coming to me now with all the
+airs of virtue?&nbsp; All the lawful conventions are coming to
+me, all the glamours of respectability!&nbsp; And nobody can say
+that I have made as much as the slightest little sign to
+them.&nbsp; Not so much as lifting my little finger.&nbsp; I
+suppose you know that?&rdquo;</p>
+<p>&ldquo;I don&rsquo;t know.&nbsp; I do not doubt your sincerity
+in anything you say.&nbsp; I am ready to believe.&nbsp; You are
+not one of those who have to work.&rdquo;</p>
+<p>&ldquo;Have to work&mdash;what do you mean?&rdquo;</p>
+<p>&ldquo;It&rsquo;s a phrase I have heard.&nbsp; What I meant
+was that it isn&rsquo;t necessary for you to make any
+signs.&rdquo;</p>
+<p>She seemed to meditate over this for a while.</p>
+<p>&ldquo;Don&rsquo;t be so sure of that,&rdquo; she said, with a
+flash of mischief, which made her voice sound more melancholy
+than before.&nbsp; &ldquo;I am not so sure myself,&rdquo; she
+continued with a curious, vanishing, intonation of despair.&nbsp;
+&ldquo;I don&rsquo;t know the truth about myself because I never
+had an opportunity to compare myself to anything in the
+world.&nbsp; I have been offered mock adulation, treated with
+mock reserve or with mock devotion, I have been fawned upon with
+an appalling earnestness of purpose, I can tell you; but these
+later honours, my dear, came to me in the shape of a very loyal
+and very scrupulous gentleman.&nbsp; For he is all that.&nbsp;
+And as a matter of fact I was touched.&rdquo;</p>
+<p>&ldquo;I know.&nbsp; Even to tears,&rdquo; I said
+provokingly.&nbsp; But she wasn&rsquo;t provoked, she only shook
+her head in negation (which was absurd) and pursued the trend of
+her spoken thoughts.</p>
+<p>&ldquo;That was yesterday,&rdquo; she said.&nbsp; &ldquo;And
+yesterday he was extremely correct and very full of extreme
+self-esteem which expressed itself in the exaggerated delicacy
+with which he talked.&nbsp; But I know him in all his
+moods.&nbsp; I have known him even playful.&nbsp; I didn&rsquo;t
+listen to him.&nbsp; I was thinking of something else.&nbsp; Of
+things that were neither correct nor playful and that had to be
+looked at steadily with all the best that was in me.&nbsp; And
+that was why, in the end&mdash;I
+cried&mdash;yesterday.&rdquo;</p>
+<p>&ldquo;I saw it yesterday and I had the weakness of being
+moved by those tears for a time.&rdquo;</p>
+<p>&ldquo;If you want to make me cry again I warn you you
+won&rsquo;t succeed.&rdquo;</p>
+<p>&ldquo;No, I know.&nbsp; He has been here to-day and the dry
+season has set in.&rdquo;</p>
+<p>&ldquo;Yes, he has been here.&nbsp; I assure you it was
+perfectly unexpected.&nbsp; Yesterday he was railing at the world
+at large, at me who certainly have not made it, at himself and
+even at his mother.&nbsp; All this rather in parrot language, in
+the words of tradition and morality as understood by the members
+of that exclusive club to which he belongs.&nbsp; And yet when I
+thought that all this, those poor hackneyed words, expressed a
+sincere passion I could have found in my heart to be sorry for
+him.&nbsp; But he ended by telling me that one couldn&rsquo;t
+believe a single word I said, or something like that.&nbsp; You
+were here then, you heard it yourself.&rdquo;</p>
+<p>&ldquo;And it cut you to the quick,&rdquo; I said.&nbsp;
+&ldquo;It made you depart from your dignity to the point of
+weeping on any shoulder that happened to be there.&nbsp; And
+considering that it was some more parrot talk after all (men have
+been saying that sort of thing to women from the beginning of the
+world) this sensibility seems to me childish.&rdquo;</p>
+<p>&ldquo;What perspicacity,&rdquo; she observed, with an
+indulgent, mocking smile, then changed her tone.&nbsp;
+&ldquo;Therefore he wasn&rsquo;t expected to-day when he turned
+up, whereas you, who were expected, remained subject to the
+charms of conversation in that studio.&nbsp; It never occurred to
+you . . . did it?&nbsp; No!&nbsp; What had become of your
+perspicacity?&rdquo;</p>
+<p>&ldquo;I tell you I was weary of life,&rdquo; I said in a
+passion.</p>
+<p>She had another faint smile of a fugitive and unrelated kind
+as if she had been thinking of far-off things, then roused
+herself to grave animation.</p>
+<p>&ldquo;He came in full of smiling playfulness.&nbsp; How well
+I know that mood!&nbsp; Such self-command has its beauty; but
+it&rsquo;s no great help for a man with such fateful eyes.&nbsp;
+I could see he was moved in his correct, restrained way, and in
+his own way, too, he tried to move me with something that would
+be very simple.&nbsp; He told me that ever since we became
+friends, we two, he had not an hour of continuous sleep, unless
+perhaps when coming back dead-tired from outpost duty, and that
+he longed to get back to it and yet hadn&rsquo;t the courage to
+tear himself away from here.&nbsp; He was as simple as
+that.&nbsp; He&rsquo;s a <i>tr&egrave;s galant homme</i> of
+absolute probity, even with himself.&nbsp; I said to him: The
+trouble is, Don Juan, that it isn&rsquo;t love but mistrust that
+keeps you in torment.&nbsp; I might have said jealousy, but I
+didn&rsquo;t like to use that word.&nbsp; A parrot would have
+added that I had given him no right to be jealous.&nbsp; But I am
+no parrot.&nbsp; I recognized the rights of his passion which I
+could very well see.&nbsp; He is jealous.&nbsp; He is not jealous
+of my past or of the future; but he is jealously mistrustful of
+me, of what I am, of my very soul.&nbsp; He believes in a soul in
+the same way Therese does, as something that can be touched with
+grace or go to perdition; and he doesn&rsquo;t want to be damned
+with me before his own judgment seat.&nbsp; He is a most noble
+and loyal gentleman, but I have my own Basque peasant soul and
+don&rsquo;t want to think that every time he goes away from my
+feet&mdash;yes, <i>mon cher</i>, on this carpet, look for the
+marks of scorching&mdash;that he goes away feeling tempted to
+brush the dust off his moral sleeve.&nbsp; That!&nbsp;
+Never!&rdquo;</p>
+<p>With brusque movements she took a cigarette out of the box,
+held it in her fingers for a moment, then dropped it
+unconsciously.</p>
+<p>&ldquo;And then, I don&rsquo;t love him,&rdquo; she uttered
+slowly as if speaking to herself and at the same time watching
+the very quality of that thought.&nbsp; &ldquo;I never did.&nbsp;
+At first he fascinated me with his fatal aspect and his cold
+society smiles.&nbsp; But I have looked into those eyes too
+often.&nbsp; There are too many disdains in this aristocratic
+republican without a home.&nbsp; His fate may be cruel, but it
+will always be commonplace.&nbsp; While he sat there trying in a
+worldly tone to explain to me the problems, the scruples, of his
+suffering honour, I could see right into his heart and I was
+sorry for him.&nbsp; I was sorry enough for him to feel that if
+he had suddenly taken me by the throat and strangled me slowly,
+<i>avec d&eacute;lices</i>, I could forgive him while I
+choked.&nbsp; How correct he was!&nbsp; But bitterness against me
+peeped out of every second phrase.&nbsp; At last I raised my hand
+and said to him, &lsquo;Enough.&rsquo;&nbsp; I believe he was
+shocked by my plebeian abruptness but he was too polite to show
+it.&nbsp; His conventions will always stand in the way of his
+nature.&nbsp; I told him that everything that had been said and
+done during the last seven or eight months was inexplicable
+unless on the assumption that he was in love with me,&mdash;and
+yet in everything there was an implication that he couldn&rsquo;t
+forgive me my very existence.&nbsp; I did ask him whether he
+didn&rsquo;t think that it was absurd on his part . . .
+&rdquo;</p>
+<p>&ldquo;Didn&rsquo;t you say that it was exquisitely
+absurd?&rdquo; I asked.</p>
+<p>&ldquo;Exquisitely! . . . &rdquo; Do&ntilde;a Rita was
+surprised at my question.&nbsp; &ldquo;No.&nbsp; Why should I say
+that?&rdquo;</p>
+<p>&ldquo;It would have reconciled him to your abruptness.&nbsp;
+It&rsquo;s their family expression.&nbsp; It would have come with
+a familiar sound and would have been less offensive.&rdquo;</p>
+<p>&ldquo;Offensive,&rdquo; Do&ntilde;a Rita repeated
+earnestly.&nbsp; &ldquo;I don&rsquo;t think he was offended; he
+suffered in another way, but I didn&rsquo;t care for that.&nbsp;
+It was I that had become offended in the end, without spite, you
+understand, but past bearing.&nbsp; I didn&rsquo;t spare
+him.&nbsp; I told him plainly that to want a woman formed in mind
+and body, mistress of herself, free in her choice, independent in
+her thoughts; to love her apparently for what she is and at the
+same time to demand from her the candour and the innocence that
+could be only a shocking pretence; to know her such as life had
+made her and at the same time to despise her secretly for every
+touch with which her life had fashioned her&mdash;that was
+neither generous nor high minded; it was positively
+frantic.&nbsp; He got up and went away to lean against the
+mantelpiece, there, on his elbow and with his head in his
+hand.&nbsp; You have no idea of the charm and the distinction of
+his pose.&nbsp; I couldn&rsquo;t help admiring him: the
+expression, the grace, the fatal suggestion of his
+immobility.&nbsp; Oh, yes, I am sensible to aesthetic
+impressions, I have been educated to believe that there is a soul
+in them.&rdquo;</p>
+<p>With that enigmatic, under the eyebrows glance fixed on me she
+laughed her deep contralto laugh without mirth but also without
+irony, and profoundly moving by the mere purity of the sound.</p>
+<p>&ldquo;I suspect he was never so disgusted and appalled in his
+life.&nbsp; His self-command is the most admirable worldly thing
+I have ever seen.&nbsp; What made it beautiful was that one could
+feel in it a tragic suggestion as in a great work of
+art.&rdquo;</p>
+<p>She paused with an inscrutable smile that a great painter
+might have put on the face of some symbolic figure for the
+speculation and wonder of many generations.&nbsp; I said:</p>
+<p>&ldquo;I always thought that love for you could work great
+wonders.&nbsp; And now I am certain.&rdquo;</p>
+<p>&ldquo;Are you trying to be ironic?&rdquo; she said sadly and
+very much as a child might have spoken.</p>
+<p>&ldquo;I don&rsquo;t know,&rdquo; I answered in a tone of the
+same simplicity.&nbsp; &ldquo;I find it very difficult to be
+generous.&rdquo;</p>
+<p>&ldquo;I, too,&rdquo; she said with a sort of funny
+eagerness.&nbsp; &ldquo;I didn&rsquo;t treat him very
+generously.&nbsp; Only I didn&rsquo;t say much more.&nbsp; I
+found I didn&rsquo;t care what I said&mdash;and it would have
+been like throwing insults at a beautiful composition.&nbsp; He
+was well inspired not to move.&nbsp; It has spared him some
+disagreeable truths and perhaps I would even have said more than
+the truth.&nbsp; I am not fair.&nbsp; I am no more fair than
+other people.&nbsp; I would have been harsh.&nbsp; My very
+admiration was making me more angry.&nbsp; It&rsquo;s ridiculous
+to say of a man got up in correct tailor clothes, but there was a
+funereal grace in his attitude so that he might have been
+reproduced in marble on a monument to some woman in one of those
+atrocious Campo Santos: the bourgeois conception of an
+aristocratic mourning lover.&nbsp; When I came to that conclusion
+I became glad that I was angry or else I would have laughed right
+out before him.&rdquo;</p>
+<p>&ldquo;I have heard a woman say once, a woman of the
+people&mdash;do you hear me, Do&ntilde;a Rita?&mdash;therefore
+deserving your attention, that one should never laugh at
+love.&rdquo;</p>
+<p>&ldquo;My dear,&rdquo; she said gently, &ldquo;I have been
+taught to laugh at most things by a man who never laughed
+himself; but it&rsquo;s true that he never spoke of love to me,
+love as a subject that is.&nbsp; So perhaps . . . But
+why?&rdquo;</p>
+<p>&ldquo;Because (but maybe that old woman was crazy), because,
+she said, there was death in the mockery of love.&rdquo;</p>
+<p>Do&ntilde;a Rita moved slightly her beautiful shoulders and
+went on:</p>
+<p>&ldquo;I am glad, then, I didn&rsquo;t laugh.&nbsp; And I am
+also glad I said nothing more.&nbsp; I was feeling so little
+generous that if I had known something then of his mother&rsquo;s
+allusion to &lsquo;white geese&rsquo; I would have advised him to
+get one of them and lead it away on a beautiful blue
+ribbon.&nbsp; Mrs. Blunt was wrong, you know, to be so
+scornful.&nbsp; A white goose is exactly what her son
+wants.&nbsp; But look how badly the world is arranged.&nbsp; Such
+white birds cannot be got for nothing and he has not enough money
+even to buy a ribbon.&nbsp; Who knows!&nbsp; Maybe it was this
+which gave that tragic quality to his pose by the mantelpiece
+over there.&nbsp; Yes, that was it.&nbsp; Though no doubt I
+didn&rsquo;t see it then.&nbsp; As he didn&rsquo;t offer to move
+after I had done speaking I became quite unaffectedly sorry and
+advised him very gently to dismiss me from his mind
+definitely.&nbsp; He moved forward then and said to me in his
+usual voice and with his usual smile that it would have been
+excellent advice but unfortunately I was one of those women who
+can&rsquo;t be dismissed at will.&nbsp; And as I shook my head he
+insisted rather darkly: &lsquo;Oh, yes, Do&ntilde;a Rita, it is
+so.&nbsp; Cherish no illusions about that fact.&rsquo;&nbsp; It
+sounded so threatening that in my surprise I didn&rsquo;t even
+acknowledge his parting bow.&nbsp; He went out of that false
+situation like a wounded man retreating after a fight.&nbsp; No,
+I have nothing to reproach myself with.&nbsp; I did
+nothing.&nbsp; I led him into nothing.&nbsp; Whatever illusions
+have passed through my head I kept my distance, and he was so
+loyal to what he seemed to think the redeeming proprieties of the
+situation that he has gone from me for good without so much as
+kissing the tips of my fingers.&nbsp; He must have felt like a
+man who had betrayed himself for nothing.&nbsp; It&rsquo;s
+horrible.&nbsp; It&rsquo;s the fault of that enormous fortune of
+mine, and I wish with all my heart that I could give it to him;
+for he couldn&rsquo;t help his hatred of the thing that is: and
+as to his love, which is just as real, well&mdash;could I have
+rushed away from him to shut myself up in a convent?&nbsp; Could
+I?&nbsp; After all I have a right to my share of
+daylight.&rdquo;</p>
+<h3>CHAPTER V</h3>
+<p>I took my eyes from her face and became aware that dusk was
+beginning to steal into the room.&nbsp; How strange it
+seemed.&nbsp; Except for the glazed rotunda part its long walls,
+divided into narrow panels separated by an order of flat
+pilasters, presented, depicted on a black background and in vivid
+colours, slender women with butterfly wings and lean youths with
+narrow birds&rsquo; wings.&nbsp; The effect was supposed to be
+Pompeiian and Rita and I had often laughed at the delirious fancy
+of some enriched shopkeeper.&nbsp; But still it was a display of
+fancy, a sign of grace; but at that moment these figures appeared
+to me weird and intrusive and strangely alive in their attenuated
+grace of unearthly beings concealing a power to see and hear.</p>
+<p>Without words, without gestures, Do&ntilde;a Rita was heard
+again.&nbsp; &ldquo;It may have been as near coming to pass as
+this.&rdquo;&nbsp; She showed me the breadth of her little finger
+nail.&nbsp; &ldquo;Yes, as near as that.&nbsp; Why?&nbsp;
+How?&nbsp; Just like that, for nothing.&nbsp; Because it had come
+up.&nbsp; Because a wild notion had entered a practical old
+woman&rsquo;s head.&nbsp; Yes.&nbsp; And the best of it is that I
+have nothing to complain of.&nbsp; Had I surrendered I would have
+been perfectly safe with these two.&nbsp; It is they or rather he
+who couldn&rsquo;t trust me, or rather that something which I
+express, which I stand for.&nbsp; Mills would never tell me what
+it was.&nbsp; Perhaps he didn&rsquo;t know exactly himself.&nbsp;
+He said it was something like genius.&nbsp; My genius!&nbsp; Oh,
+I am not conscious of it, believe me, I am not conscious of
+it.&nbsp; But if I were I wouldn&rsquo;t pluck it out and cast it
+away.&nbsp; I am ashamed of nothing, of nothing!&nbsp;
+Don&rsquo;t be stupid enough to think that I have the slightest
+regret.&nbsp; There is no regret.&nbsp; First of all because I am
+I&mdash;and then because . . . My dear, believe me, I have had a
+horrible time of it myself lately.&rdquo;</p>
+<p>This seemed to be the last word.&nbsp; Outwardly quiet, all
+the time, it was only then that she became composed enough to
+light an enormous cigarette of the same pattern as those made
+specially for the king&mdash;<i>por el Rey</i>! After a time,
+tipping the ash into the bowl on her left hand, she asked me in a
+friendly, almost tender, tone:</p>
+<p>&ldquo;What are you thinking of, <i>amigo</i>?&rdquo;</p>
+<p>&ldquo;I was thinking of your immense generosity.&nbsp; You
+want to give a crown to one man, a fortune to another.&nbsp; That
+is very fine.&nbsp; But I suppose there is a limit to your
+generosity somewhere.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t see why there should be any
+limit&mdash;to fine intentions!&nbsp; Yes, one would like to pay
+ransom and be done with it all.&rdquo;</p>
+<p>&ldquo;That&rsquo;s the feeling of a captive; and yet somehow
+I can&rsquo;t think of you as ever having been anybody&rsquo;s
+captive.&rdquo;</p>
+<p>&ldquo;You do display some wonderful insight sometimes.&nbsp;
+My dear, I begin to suspect that men are rather conceited about
+their powers.&nbsp; They think they dominate us.&nbsp; Even
+exceptional men will think that; men too great for mere vanity,
+men like Henry All&egrave;gre for instance, who by his consistent
+and serene detachment was certainly fit to dominate all sorts of
+people.&nbsp; Yet for the most part they can only do it because
+women choose more or less consciously to let them do so.&nbsp;
+Henry All&egrave;gre, if any man, might have been certain of his
+own power; and yet, look: I was a chit of a girl, I was sitting
+with a book where I had no business to be, in his own garden,
+when he suddenly came upon me, an ignorant girl of seventeen, a
+most uninviting creature with a tousled head, in an old black
+frock and shabby boots.&nbsp; I could have run away.&nbsp; I was
+perfectly capable of it.&nbsp; But I stayed looking up at him
+and&mdash;in the end it was <span class="smcap">he</span> who
+went away and it was I who stayed.&rdquo;</p>
+<p>&ldquo;Consciously?&rdquo; I murmured.</p>
+<p>&ldquo;Consciously?&nbsp; You may just as well ask my shadow
+that lay so still by me on the young grass in that morning
+sunshine.&nbsp; I never knew before how still I could keep.&nbsp;
+It wasn&rsquo;t the stillness of terror.&nbsp; I remained,
+knowing perfectly well that if I ran he was not the man to run
+after me.&nbsp; I remember perfectly his deep-toned, politely
+indifferent &lsquo;<i>Restez donc</i>.&rsquo;&nbsp; He was
+mistaken.&nbsp; Already then I hadn&rsquo;t the slightest
+intention to move.&nbsp; And if you ask me again how far
+conscious all this was the nearest answer I can make you is this:
+that I remained on purpose, but I didn&rsquo;t know for what
+purpose I remained.&nbsp; Really, that couldn&rsquo;t be
+expected. . . . Why do you sigh like this?&nbsp; Would you have
+preferred me to be idiotically innocent or abominably
+wise?&rdquo;</p>
+<p>&ldquo;These are not the questions that trouble me,&rdquo; I
+said.&nbsp; &ldquo;If I sighed it is because I am
+weary.&rdquo;</p>
+<p>&ldquo;And getting stiff, too, I should say, in this Pompeiian
+armchair.&nbsp; You had better get out of it and sit on this
+couch as you always used to do.&nbsp; That, at any rate, is not
+Pompeiian.&nbsp; You have been growing of late extremely formal,
+I don&rsquo;t know why.&nbsp; If it is a pose then for
+goodness&rsquo; sake drop it.&nbsp; Are you going to model
+yourself on Captain Blunt?&nbsp; You couldn&rsquo;t, you
+know.&nbsp; You are too young.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t want to model myself on anybody,&rdquo; I
+said.&nbsp; &ldquo;And anyway Blunt is too romantic; and,
+moreover, he has been and is yet in love with you&mdash;a thing
+that requires some style, an attitude, something of which I am
+altogether incapable.&rdquo;</p>
+<p>&ldquo;You know it isn&rsquo;t so stupid, this what you have
+just said.&nbsp; Yes, there is something in this.&rdquo;</p>
+<p>&ldquo;I am not stupid,&rdquo; I protested, without much
+heat.</p>
+<p>&ldquo;Oh, yes, you are.&nbsp; You don&rsquo;t know the world
+enough to judge.&nbsp; You don&rsquo;t know how wise men can
+be.&nbsp; Owls are nothing to them.&nbsp; Why do you try to look
+like an owl?&nbsp; There are thousands and thousands of them
+waiting for me outside the door: the staring, hissing
+beasts.&nbsp; You don&rsquo;t know what a relief of mental ease
+and intimacy you have been to me in the frankness of gestures and
+speeches and thoughts, sane or insane, that we have been throwing
+at each other.&nbsp; I have known nothing of this in my life but
+with you.&nbsp; There had always been some fear, some constraint,
+lurking in the background behind everybody,
+everybody&mdash;except you, my friend.&rdquo;</p>
+<p>&ldquo;An unmannerly, Arcadian state of affairs.&nbsp; I am
+glad you like it.&nbsp; Perhaps it&rsquo;s because you were
+intelligent enough to perceive that I was not in love with you in
+any sort of style.&rdquo;</p>
+<p>&ldquo;No, you were always your own self, unwise and reckless
+and with something in it kindred to mine, if I may say so without
+offence.&rdquo;</p>
+<p>&ldquo;You may say anything without offence.&nbsp; But has it
+never occurred to your sagacity that I just, simply, loved
+you?&rdquo;</p>
+<p>&ldquo;Just&mdash;simply,&rdquo; she repeated in a wistful
+tone.</p>
+<p>&ldquo;You didn&rsquo;t want to trouble your head about it, is
+that it?&rdquo;</p>
+<p>&ldquo;My poor head.&nbsp; From your tone one might think you
+yearned to cut it off.&nbsp; No, my dear, I have made up my mind
+not to lose my head.&rdquo;</p>
+<p>&ldquo;You would be astonished to know how little I care for
+your mind.&rdquo;</p>
+<p>&ldquo;Would I?&nbsp; Come and sit on the couch all the
+same,&rdquo; she said after a moment of hesitation.&nbsp; Then,
+as I did not move at once, she added with indifference:
+&ldquo;You may sit as far away as you like, it&rsquo;s big
+enough, goodness knows.&rdquo;</p>
+<p>The light was ebbing slowly out of the rotunda and to my
+bodily eyes she was beginning to grow shadowy.&nbsp; I sat down
+on the couch and for a long time no word passed between us.&nbsp;
+We made no movement.&nbsp; We did not even turn towards each
+other.&nbsp; All I was conscious of was the softness of the seat
+which seemed somehow to cause a relaxation of my stern mood, I
+won&rsquo;t say against my will but without any will on my
+part.&nbsp; Another thing I was conscious of, strangely enough,
+was the enormous brass bowl for cigarette ends.&nbsp; Quietly,
+with the least possible action, Do&ntilde;a Rita moved it to the
+other side of her motionless person.&nbsp; Slowly, the fantastic
+women with butterflies&rsquo; wings and the slender-limbed youths
+with the gorgeous pinions on their shoulders were vanishing into
+their black backgrounds with an effect of silent discretion,
+leaving us to ourselves.</p>
+<p>I felt suddenly extremely exhausted, absolutely overcome with
+fatigue since I had moved; as if to sit on that Pompeiian chair
+had been a task almost beyond human strength, a sort of labour
+that must end in collapse.&nbsp; I fought against it for a moment
+and then my resistance gave way.&nbsp; Not all at once but as if
+yielding to an irresistible pressure (for I was not conscious of
+any irresistible attraction) I found myself with my head resting,
+with a weight I felt must be crushing, on Do&ntilde;a
+Rita&rsquo;s shoulder which yet did not give way, did not flinch
+at all.&nbsp; A faint scent of violets filled the tragic
+emptiness of my head and it seemed impossible to me that I should
+not cry from sheer weakness.&nbsp; But I remained dry-eyed.&nbsp;
+I only felt myself slipping lower and lower and I caught her
+round the waist clinging to her not from any intention but purely
+by instinct.&nbsp; All that time she hadn&rsquo;t stirred.&nbsp;
+There was only the slight movement of her breathing that showed
+her to be alive; and with closed eyes I imagined her to be lost
+in thought, removed by an incredible meditation while I clung to
+her, to an immense distance from the earth.&nbsp; The distance
+must have been immense because the silence was so perfect, the
+feeling as if of eternal stillness.&nbsp; I had a distinct
+impression of being in contact with an infinity that had the
+slightest possible rise and fall, was pervaded by a warm,
+delicate scent of violets and through which came a hand from
+somewhere to rest lightly on my head.&nbsp; Presently my ear
+caught the faint and regular pulsation of her heart, firm and
+quick, infinitely touching in its persistent mystery, disclosing
+itself into my very ear&mdash;and my felicity became
+complete.</p>
+<p>It was a dreamlike state combined with a dreamlike sense of
+insecurity.&nbsp; Then in that warm and scented infinity, or
+eternity, in which I rested lost in bliss but ready for any
+catastrophe, I heard the distant, hardly audible, and fit to
+strike terror into the heart, ringing of a bell.&nbsp; At this
+sound the greatness of spaces departed.&nbsp; I felt the world
+close about me; the world of darkened walls, of very deep grey
+dusk against the panes, and I asked in a pained voice:</p>
+<p>&ldquo;Why did you ring, Rita?&rdquo;</p>
+<p>There was a bell rope within reach of her hand.&nbsp; I had
+not felt her move, but she said very low:</p>
+<p>&ldquo;I rang for the lights.&rdquo;</p>
+<p>&ldquo;You didn&rsquo;t want the lights.&rdquo;</p>
+<p>&ldquo;It was time,&rdquo; she whispered secretly.</p>
+<p>Somewhere within the house a door slammed.&nbsp; I got away
+from her feeling small and weak as if the best part of me had
+been torn away and irretrievably lost.&nbsp; Rose must have been
+somewhere near the door.</p>
+<p>&ldquo;It&rsquo;s abominable,&rdquo; I murmured to the still,
+idol-like shadow on the couch.</p>
+<p>The answer was a hurried, nervous whisper: &ldquo;I tell you
+it was time.&nbsp; I rang because I had no strength to push you
+away.&rdquo;</p>
+<p>I suffered a moment of giddiness before the door opened, light
+streamed in, and Rose entered, preceding a man in a green baize
+apron whom I had never seen, carrying on an enormous tray three
+Argand lamps fitted into vases of Pompeiian form.&nbsp; Rose
+distributed them over the room.&nbsp; In the flood of soft light
+the winged youths and the butterfly women reappeared on the
+panels, affected, gorgeous, callously unconscious of anything
+having happened during their absence.&nbsp; Rose attended to the
+lamp on the nearest mantelpiece, then turned about and asked in a
+confident undertone.</p>
+<p>&ldquo;<i>Monsieur d&icirc;ne</i>?&rdquo;</p>
+<p>I had lost myself with my elbows on my knees and my head in my
+hands, but I heard the words distinctly.&nbsp; I heard also the
+silence which ensued.&nbsp; I sat up and took the responsibility
+of the answer on myself.</p>
+<p>&ldquo;Impossible.&nbsp; I am going to sea this
+evening.&rdquo;</p>
+<p>This was perfectly true only I had totally forgotten it till
+then.&nbsp; For the last two days my being was no longer composed
+of memories but exclusively of sensations of the most absorbing,
+disturbing, exhausting nature.&nbsp; I was like a man who has
+been buffeted by the sea or by a mob till he loses all hold on
+the world in the misery of his helplessness.&nbsp; But now I was
+recovering.&nbsp; And naturally the first thing I remembered was
+the fact that I was going to sea.</p>
+<p>&ldquo;You have heard, Rose,&rdquo; Do&ntilde;a Rita said at
+last with some impatience.</p>
+<p>The girl waited a moment longer before she said:</p>
+<p>&ldquo;Oh, yes!&nbsp; There is a man waiting for Monsieur in
+the hall.&nbsp; A seaman.&rdquo;</p>
+<p>It could be no one but Dominic.&nbsp; It dawned upon me that
+since the evening of our return I had not been near him or the
+ship, which was completely unusual, unheard of, and well
+calculated to startle Dominic.</p>
+<p>&ldquo;I have seen him before,&rdquo; continued Rose,
+&ldquo;and as he told me he has been pursuing Monsieur all the
+afternoon and didn&rsquo;t like to go away without seeing
+Monsieur for a moment, I proposed to him to wait in the hall till
+Monsieur was at liberty.&rdquo;</p>
+<p>I said: &ldquo;Very well,&rdquo; and with a sudden resumption
+of her extremely busy, not-a-moment-to-lose manner Rose departed
+from the room.&nbsp; I lingered in an imaginary world full of
+tender light, of unheard-of colours, with a mad riot of flowers
+and an inconceivable happiness under the sky arched above its
+yawning precipices, while a feeling of awe enveloped me like its
+own proper atmosphere.&nbsp; But everything vanished at the sound
+of Do&ntilde;a Rita&rsquo;s loud whisper full of boundless
+dismay, such as to make one&rsquo;s hair stir on one&rsquo;s
+head.</p>
+<p>&ldquo;<i>Mon Dieu</i>!&nbsp; And what is going to happen
+now?&rdquo;</p>
+<p>She got down from the couch and walked to a window.&nbsp; When
+the lights had been brought into the room all the panes had
+turned inky black; for the night had come and the garden was full
+of tall bushes and trees screening off the gas lamps of the main
+alley of the Prado.&nbsp; Whatever the question meant she was not
+likely to see an answer to it outside.&nbsp; But her whisper had
+offended me, had hurt something infinitely deep, infinitely
+subtle and infinitely clear-eyed in my nature.&nbsp; I said after
+her from the couch on which I had remained, &ldquo;Don&rsquo;t
+lose your composure.&nbsp; You will always have some sort of bell
+at hand.&rdquo;</p>
+<p>I saw her shrug her uncovered shoulders impatiently.&nbsp; Her
+forehead was against the very blackness of the panes; pulled
+upward from the beautiful, strong nape of her neck, the twisted
+mass of her tawny hair was held high upon her head by the arrow
+of gold.</p>
+<p>&ldquo;You set up for being unforgiving,&rdquo; she said
+without anger.</p>
+<p>I sprang to my feet while she turned about and came towards me
+bravely, with a wistful smile on her bold, adolescent face.</p>
+<p>&ldquo;It seems to me,&rdquo; she went on in a voice like a
+wave of love itself, &ldquo;that one should try to understand
+before one sets up for being unforgiving.&nbsp; Forgiveness is a
+very fine word.&nbsp; It is a fine invocation.&rdquo;</p>
+<p>&ldquo;There are other fine words in the language such as
+fascination, fidelity, also frivolity; and as for invocations
+there are plenty of them, too; for instance: alas, heaven help
+me.&rdquo;</p>
+<p>We stood very close together, her narrow eyes were as
+enigmatic as ever, but that face, which, like some ideal
+conception of art, was incapable of anything like untruth and
+grimace, expressed by some mysterious means such a depth of
+infinite patience that I felt profoundly ashamed of myself.</p>
+<p>&ldquo;This thing is beyond words altogether,&rdquo; I
+said.&nbsp; &ldquo;Beyond forgiveness, beyond forgetting, beyond
+anger or jealousy. . . . There is nothing between us two that
+could make us act together.&rdquo;</p>
+<p>&ldquo;Then we must fall back perhaps on something within us,
+that&mdash;you admit it?&mdash;we have in common.&rdquo;</p>
+<p>&ldquo;Don&rsquo;t be childish,&rdquo; I said.&nbsp;
+&ldquo;You give one with a perpetual and intense freshness
+feelings and sensations that are as old as the world itself, and
+you imagine that your enchantment can be broken off anywhere, at
+any time!&nbsp; But it can&rsquo;t be broken.&nbsp; And
+forgetfulness, like everything else, can only come from
+you.&nbsp; It&rsquo;s an impossible situation to stand up
+against.&rdquo;</p>
+<p>She listened with slightly parted lips as if to catch some
+further resonances.</p>
+<p>&ldquo;There is a sort of generous ardour about you,&rdquo;
+she said, &ldquo;which I don&rsquo;t really understand.&nbsp; No,
+I don&rsquo;t know it.&nbsp; Believe me, it is not of myself I am
+thinking.&nbsp; And you&mdash;you are going out to-night to make
+another landing.&rdquo;</p>
+<p>&ldquo;Yes, it is a fact that before many hours I will be
+sailing away from you to try my luck once more.&rdquo;</p>
+<p>&ldquo;Your wonderful luck,&rdquo; she breathed out.</p>
+<p>&ldquo;Oh, yes, I am wonderfully lucky.&nbsp; Unless the luck
+really is yours&mdash;in having found somebody like me, who cares
+at the same time so much and so little for what you have at
+heart.&rdquo;</p>
+<p>&ldquo;What time will you be leaving the harbour?&rdquo; she
+asked.</p>
+<p>&ldquo;Some time between midnight and daybreak.&nbsp; Our men
+may be a little late in joining, but certainly we will be gone
+before the first streak of light.&rdquo;</p>
+<p>&ldquo;What freedom!&rdquo; she murmured enviously.&nbsp;
+&ldquo;It&rsquo;s something I shall never know. . . .&rdquo;</p>
+<p>&ldquo;Freedom!&rdquo; I protested.&nbsp; &ldquo;I am a slave
+to my word.&nbsp; There will be a siring of carts and mules on a
+certain part of the coast, and a most ruffianly lot of men, men
+you understand, men with wives and children and sweethearts, who
+from the very moment they start on a trip risk a bullet in the
+head at any moment, but who have a perfect conviction that I will
+never fail them.&nbsp; That&rsquo;s my freedom.&nbsp; I wonder
+what they would think if they knew of your existence.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t exist,&rdquo; she said.</p>
+<p>&ldquo;That&rsquo;s easy to say.&nbsp; But I will go as if you
+didn&rsquo;t exist&mdash;yet only because you do exist.&nbsp; You
+exist in me.&nbsp; I don&rsquo;t know where I end and you
+begin.&nbsp; You have got into my heart and into my veins and
+into my brain.&rdquo;</p>
+<p>&ldquo;Take this fancy out and trample it down in the
+dust,&rdquo; she said in a tone of timid entreaty.</p>
+<p>&ldquo;Heroically,&rdquo; I suggested with the sarcasm of
+despair.</p>
+<p>&ldquo;Well, yes, heroically,&rdquo; she said; and there
+passed between us dim smiles, I have no doubt of the most
+touching imbecility on earth.&nbsp; We were standing by then in
+the middle of the room with its vivid colours on a black
+background, with its multitude of winged figures with pale limbs,
+with hair like halos or flames, all strangely tense in their
+strained, decorative attitudes.&nbsp; Do&ntilde;a Rita made a
+step towards me, and as I attempted to seize her hand she flung
+her arms round my neck.&nbsp; I felt their strength drawing me
+towards her and by a sort of blind and desperate effort I
+resisted.&nbsp; And all the time she was repeating with nervous
+insistence:</p>
+<p>&ldquo;But it is true that you will go.&nbsp; You will
+surely.&nbsp; Not because of those people but because of
+me.&nbsp; You will go away because you feel you must.&rdquo;</p>
+<p>With every word urging me to get away, her clasp tightened,
+she hugged my head closer to her breast.&nbsp; I submitted,
+knowing well that I could free myself by one more effort which it
+was in my power to make.&nbsp; But before I made it, in a sort of
+desperation, I pressed a long kiss into the hollow of her
+throat.&nbsp; And lo&mdash;there was no need for any
+effort.&nbsp; With a stifled cry of surprise her arms fell off me
+as if she had been shot.&nbsp; I must have been giddy, and
+perhaps we both were giddy, but the next thing I knew there was a
+good foot of space between us in the peaceful glow of the
+ground-glass globes, in the everlasting stillness of the winged
+figures.&nbsp; Something in the quality of her exclamation,
+something utterly unexpected, something I had never heard before,
+and also the way she was looking at me with a sort of
+incredulous, concentrated attention, disconcerted me
+exceedingly.&nbsp; I knew perfectly well what I had done and yet
+I felt that I didn&rsquo;t understand what had happened.&nbsp; I
+became suddenly abashed and I muttered that I had better go and
+dismiss that poor Dominic.&nbsp; She made no answer, gave no
+sign.&nbsp; She stood there lost in a vision&mdash;or was it a
+sensation?&mdash;of the most absorbing kind.&nbsp; I hurried out
+into the hall, shamefaced, as if I were making my escape while
+she wasn&rsquo;t looking.&nbsp; And yet I felt her looking
+fixedly at me, with a sort of stupefaction on her
+features&mdash;in her whole attitude&mdash;as though she had
+never even heard of such a thing as a kiss in her life.</p>
+<p>A dim lamp (of Pompeiian form) hanging on a long chain left
+the hall practically dark.&nbsp; Dominic, advancing towards me
+from a distant corner, was but a little more opaque shadow than
+the others.&nbsp; He had expected me on board every moment till
+about three o&rsquo;clock, but as I didn&rsquo;t turn up and gave
+no sign of life in any other way he started on his hunt.&nbsp; He
+sought news of me from the <i>gar&ccedil;ons</i> at the various
+caf&eacute;s, from the <i>cochers de fiacre</i> in front of the
+Exchange, from the tobacconist lady at the counter of the
+fashionable <i>D&eacute;bit de Tabac</i>, from the old man who
+sold papers outside the <i>cercle</i>, and from the flower-girl
+at the door of the fashionable restaurant where I had my
+table.&nbsp; That young woman, whose business name was Irma, had
+come on duty about mid-day.&nbsp; She said to Dominic: &ldquo;I
+think I&rsquo;ve seen all his friends this morning but I
+haven&rsquo;t seen him for a week.&nbsp; What has become of
+him?&rdquo;</p>
+<p>&ldquo;That&rsquo;s exactly what I want to know,&rdquo;
+Dominic replied in a fury and then went back to the harbour on
+the chance that I might have called either on board or at Madame
+L&eacute;onore&rsquo;s caf&eacute;.</p>
+<p>I expressed to him my surprise that he should fuss about me
+like an old hen over a chick.&nbsp; It wasn&rsquo;t like him at
+all.&nbsp; And he said that &ldquo;<i>en effet</i>&rdquo; it was
+Madame L&eacute;onore who wouldn&rsquo;t give him any
+peace.&nbsp; He hoped I wouldn&rsquo;t mind, it was best to
+humour women in little things; and so he started off again, made
+straight for the street of the Consuls, was told there that I
+wasn&rsquo;t at home but the woman of the house looked so funny
+that he didn&rsquo;t know what to make of it.&nbsp; Therefore,
+after some hesitation, he took the liberty to inquire at this
+house, too, and being told that I couldn&rsquo;t be disturbed,
+had made up his mind not to go on board without actually setting
+his eyes on me and hearing from my own lips that nothing was
+changed as to sailing orders.</p>
+<p>&ldquo;There is nothing changed, Dominic,&rdquo; I said.</p>
+<p>&ldquo;No change of any sort?&rdquo; he insisted, looking very
+sombre and speaking gloomily from under his black moustaches in
+the dim glow of the alabaster lamp hanging above his head.&nbsp;
+He peered at me in an extraordinary manner as if he wanted to
+make sure that I had all my limbs about me.&nbsp; I asked him to
+call for my bag at the other house, on his way to the harbour,
+and he departed reassured, not, however, without remarking
+ironically that ever since she saw that American cavalier Madame
+L&eacute;onore was not easy in her mind about me.</p>
+<p>As I stood alone in the hall, without a sound of any sort,
+Rose appeared before me.</p>
+<p>&ldquo;Monsieur will dine after all,&rdquo; she whispered
+calmly.</p>
+<p>&ldquo;My good girl, I am going to sea to-night.&rdquo;</p>
+<p>&ldquo;What am I going to do with Madame?&rdquo; she murmured
+to herself.&nbsp; &ldquo;She will insist on returning to
+Paris.&rdquo;</p>
+<p>&ldquo;Oh, have you heard of it?&rdquo;</p>
+<p>&ldquo;I never get more than two hours&rsquo; notice,&rdquo;
+she said.&nbsp; &ldquo;But I know how it will be,&rdquo; her
+voice lost its calmness.&nbsp; &ldquo;I can look after Madame up
+to a certain point but I cannot be altogether responsible.&nbsp;
+There is a dangerous person who is everlastingly trying to see
+Madame alone.&nbsp; I have managed to keep him off several times
+but there is a beastly old journalist who is encouraging him in
+his attempts, and I daren&rsquo;t even speak to Madame about
+it.&rdquo;</p>
+<p>&ldquo;What sort of person do you mean?&rdquo;</p>
+<p>&ldquo;Why, a man,&rdquo; she said scornfully.</p>
+<p>I snatched up my coat and hat.</p>
+<p>&ldquo;Aren&rsquo;t there dozens of them?&rdquo;</p>
+<p>&ldquo;Oh!&nbsp; But this one is dangerous.&nbsp; Madame must
+have given him a hold on her in some way.&nbsp; I ought not to
+talk like this about Madame and I wouldn&rsquo;t to anybody but
+Monsieur.&nbsp; I am always on the watch, but what is a poor girl
+to do? . . . Isn&rsquo;t Monsieur going back to
+Madame?&rdquo;</p>
+<p>&ldquo;No, I am not going back.&nbsp; Not this
+time.&rdquo;&nbsp; A mist seemed to fall before my eyes.&nbsp; I
+could hardly see the girl standing by the closed door of the
+Pempeiian room with extended hand, as if turned to stone.&nbsp;
+But my voice was firm enough.&nbsp; &ldquo;Not this time,&rdquo;
+I repeated, and became aware of the great noise of the wind
+amongst the trees, with the lashing of a rain squall against the
+door.</p>
+<p>&ldquo;Perhaps some other time,&rdquo; I added.</p>
+<p>I heard her say twice to herself: &ldquo;<i>Mon
+Dieu</i>!&nbsp; <i>Mon</i>, <i>Dieu</i>!&rdquo; and then a
+dismayed: &ldquo;What can Monsieur expect me to do?&rdquo;&nbsp;
+But I had to appear insensible to her distress and that not
+altogether because, in fact, I had no option but to go
+away.&nbsp; I remember also a distinct wilfulness in my attitude
+and something half-contemptuous in my words as I laid my hand on
+the knob of the front door.</p>
+<p>&ldquo;You will tell Madame that I am gone.&nbsp; It will
+please her.&nbsp; Tell her that I am
+gone&mdash;heroically.&rdquo;</p>
+<p>Rose had come up close to me.&nbsp; She met my words by a
+despairing outward movement of her hands as though she were
+giving everything up.</p>
+<p>&ldquo;I see it clearly now that Madame has no friends,&rdquo;
+she declared with such a force of restrained bitterness that it
+nearly made me pause.&nbsp; But the very obscurity of actuating
+motives drove me on and I stepped out through the doorway
+muttering: &ldquo;Everything is as Madame wishes it.&rdquo;</p>
+<p>She shot at me a swift: &ldquo;You should resist,&rdquo; of an
+extraordinary intensity, but I strode on down the path.&nbsp;
+Then Rose&rsquo;s schooled temper gave way at last and I heard
+her angry voice screaming after me furiously through the wind and
+rain: &ldquo;No!&nbsp; Madame has no friends.&nbsp; Not
+one!&rdquo;</p>
+<h2>PART FIVE</h2>
+<h3>CHAPTER I</h3>
+<p>That night I didn&rsquo;t get on board till just before
+midnight and Dominic could not conceal his relief at having me
+safely there.&nbsp; Why he should have been so uneasy it was
+impossible to say but at the time I had a sort of impression that
+my inner destruction (it was nothing less) had affected my
+appearance, that my doom was as it were written on my face.&nbsp;
+I was a mere receptacle for dust and ashes, a living testimony to
+the vanity of all things.&nbsp; My very thoughts were like a
+ghostly rustle of dead leaves.&nbsp; But we had an extremely
+successful trip, and for most of the time Dominic displayed an
+unwonted jocularity of a dry and biting kind with which, he
+maintained, he had been infected by no other person than
+myself.&nbsp; As, with all his force of character, he was very
+responsive to the moods of those he liked I have no doubt he
+spoke the truth.&nbsp; But I know nothing about it.&nbsp; The
+observer, more or less alert, whom each of us carries in his own
+consciousness, failed me altogether, had turned away his face in
+sheer horror, or else had fainted from the strain.&nbsp; And thus
+I had to live alone, unobserved even by myself.</p>
+<p>But the trip had been successful.&nbsp; We re-entered the
+harbour very quietly as usual and when our craft had been moored
+unostentatiously amongst the plebeian stone-carriers, Dominic,
+whose grim joviality had subsided in the last twenty-four hours
+of our homeward run, abandoned me to myself as though indeed I
+had been a doomed man.&nbsp; He only stuck his head for a moment
+into our little cuddy where I was changing my clothes and being
+told in answer to his question that I had no special orders to
+give went ashore without waiting for me.</p>
+<p>Generally we used to step on the quay together and I never
+failed to enter for a moment Madame L&eacute;onore&rsquo;s
+caf&eacute;.&nbsp; But this time when I got on the quay Dominic
+was nowhere to be seen.&nbsp; What was it?&nbsp;
+Abandonment&mdash;discretion&mdash;or had he quarrelled with his
+L&eacute;onore before leaving on the trip?</p>
+<p>My way led me past the caf&eacute; and through the glass panes
+I saw that he was already there.&nbsp; On the other side of the
+little marble table Madame L&eacute;onore, leaning with mature
+grace on her elbow, was listening to him absorbed.&nbsp; Then I
+passed on and&mdash;what would you have!&mdash;I ended by making
+my way into the street of the Consuls.&nbsp; I had nowhere else
+to go.&nbsp; There were my things in the apartment on the first
+floor.&nbsp; I couldn&rsquo;t bear the thought of meeting anybody
+I knew.</p>
+<p>The feeble gas flame in the hall was still there, on duty, as
+though it had never been turned off since I last crossed the hall
+at half-past eleven in the evening to go to the harbour.&nbsp;
+The small flame had watched me letting myself out; and now,
+exactly of the same size, the poor little tongue of light (there
+was something wrong with that burner) watched me letting myself
+in, as indeed it had done many times before.&nbsp; Generally the
+impression was that of entering an untenanted house, but this
+time before I could reach the foot of the stairs Therese glided
+out of the passage leading into the studio.&nbsp; After the usual
+exclamations she assured me that everything was ready for me
+upstairs, had been for days, and offered to get me something to
+eat at once.&nbsp; I accepted and said I would be down in the
+studio in half an hour.&nbsp; I found her there by the side of
+the laid table ready for conversation.&nbsp; She began by telling
+me&mdash;the dear, poor young Monsieur&mdash;in a sort of
+plaintive chant, that there were no letters for me, no letters of
+any kind, no letters from anybody.&nbsp; Glances of absolutely
+terrifying tenderness mingled with flashes of cunning swept over
+me from head to foot while I tried to eat.</p>
+<p>&ldquo;Are you giving me Captain Blunt&rsquo;s wine to
+drink?&rdquo; I asked, noting the straw-coloured liquid in my
+glass.</p>
+<p>She screwed up her mouth as if she had a twinge of toothache
+and assured me that the wine belonged to the house.&nbsp; I would
+have to pay her for it.&nbsp; As far as personal feelings go,
+Blunt, who addressed her always with polite seriousness, was not
+a favourite with her.&nbsp; The &ldquo;charming, brave
+Monsieur&rdquo; was now fighting for the King and religion
+against the impious Liberals.&nbsp; He went away the very morning
+after I had left and, oh! she remembered, he had asked her before
+going away whether I was still in the house.&nbsp; Wanted
+probably to say good-bye to me, shake my hand, the dear, polite
+Monsieur.</p>
+<p>I let her run on in dread expectation of what she would say
+next but she stuck to the subject of Blunt for some time
+longer.&nbsp; He had written to her once about some of his things
+which he wanted her to send to Paris to his mother&rsquo;s
+address; but she was going to do nothing of the kind.&nbsp; She
+announced this with a pious smile; and in answer to my questions
+I discovered that it was a stratagem to make Captain Blunt return
+to the house.</p>
+<p>&ldquo;You will get yourself into trouble with the police,
+Mademoiselle Therese, if you go on like that,&rdquo; I
+said.&nbsp; But she was as obstinate as a mule and assured me
+with the utmost confidence that many people would be ready to
+defend a poor honest girl.&nbsp; There was something behind this
+attitude which I could not fathom.&nbsp; Suddenly she fetched a
+deep sigh.</p>
+<p>&ldquo;Our Rita, too, will end by coming to her
+sister.&rdquo;</p>
+<p>The name for which I had been waiting deprived me of speech
+for the moment.&nbsp; The poor mad sinner had rushed off to some
+of her wickednesses in Paris.&nbsp; Did I know?&nbsp; No?&nbsp;
+How could she tell whether I did know or not?&nbsp; Well!&nbsp; I
+had hardly left the house, so to speak, when Rita was down with
+her maid behaving as if the house did really still belong to her.
+. .</p>
+<p>&ldquo;What time was it?&rdquo; I managed to ask.&nbsp; And
+with the words my life itself was being forced out through my
+lips.&nbsp; But Therese, not noticing anything strange about me,
+said it was something like half-past seven in the morning.&nbsp;
+The &ldquo;poor sinner&rdquo; was all in black as if she were
+going to church (except for her expression, which was enough to
+shock any honest person), and after ordering her with frightful
+menaces not to let anybody know she was in the house she rushed
+upstairs and locked herself up in my bedroom, while &ldquo;that
+French creature&rdquo; (whom she seemed to love more than her own
+sister) went into my salon and hid herself behind the window
+curtain.</p>
+<p>I had recovered sufficiently to ask in a quiet natural voice
+whether Do&ntilde;a Rita and Captain Blunt had seen each
+other.&nbsp; Apparently they had not seen each other.&nbsp; The
+polite captain had looked so stern while packing up his kit that
+Therese dared not speak to him at all.&nbsp; And he was in a
+hurry, too.&nbsp; He had to see his dear mother off to Paris
+before his own departure.&nbsp; Very stern.&nbsp; But he shook
+her hand with a very nice bow.</p>
+<p>Therese elevated her right hand for me to see.&nbsp; It was
+broad and short with blunt fingers, as usual.&nbsp; The pressure
+of Captain Blunt&rsquo;s handshake had not altered its unlovely
+shape.</p>
+<p>&ldquo;What was the good of telling him that our Rita was
+here?&rdquo; went on Therese.&nbsp; &ldquo;I would have been
+ashamed of her coming here and behaving as if the house belonged
+to her!&nbsp; I had already said some prayers at his intention at
+the half-past six mass, the brave gentleman.&nbsp; That maid of
+my sister Rita was upstairs watching him drive away with her evil
+eyes, but I made a sign of the cross after the fiacre, and then I
+went upstairs and banged at your door, my dear kind young
+Monsieur, and shouted to Rita that she had no right to lock
+herself in any of my <i>locataires</i>&rsquo; rooms.&nbsp; At
+last she opened it&mdash;and what do you think?&nbsp; All her
+hair was loose over her shoulders.&nbsp; I suppose it all came
+down when she flung her hat on your bed.&nbsp; I noticed when she
+arrived that her hair wasn&rsquo;t done properly.&nbsp; She used
+your brushes to do it up again in front of your glass.&rdquo;</p>
+<p>&ldquo;Wait a moment,&rdquo; I said, and jumped up, upsetting
+my wine to run upstairs as fast as I could.&nbsp; I lighted the
+gas, all the three jets in the middle of the room, the jet by the
+bedside and two others flanking the dressing-table.&nbsp; I had
+been struck by the wild hope of finding a trace of Rita&rsquo;s
+passage, a sign or something.&nbsp; I pulled out all the drawers
+violently, thinking that perhaps she had hidden there a scrap of
+paper, a note.&nbsp; It was perfectly mad.&nbsp; Of course there
+was no chance of that.&nbsp; Therese would have seen to it.&nbsp;
+I picked up one after another all the various objects on the
+dressing-table.&nbsp; On laying my hands on the brushes I had a
+profound emotion, and with misty eyes I examined them
+meticulously with the new hope of finding one of Rita&rsquo;s
+tawny hairs entangled amongst the bristles by a miraculous
+chance.&nbsp; But Therese would have done away with that chance,
+too.&nbsp; There was nothing to be seen, though I held them up to
+the light with a beating heart.&nbsp; It was written that not
+even that trace of her passage on the earth should remain with
+me; not to help but, as it were, to soothe the memory.&nbsp; Then
+I lighted a cigarette and came downstairs slowly.&nbsp; My
+unhappiness became dulled, as the grief of those who mourn for
+the dead gets dulled in the overwhelming sensation that
+everything is over, that a part of themselves is lost beyond
+recall taking with it all the savour of life.</p>
+<p>I discovered Therese still on the very same spot of the floor,
+her hands folded over each other and facing my empty chair before
+which the spilled wine had soaked a large portion of the
+table-cloth.&nbsp; She hadn&rsquo;t moved at all.&nbsp; She
+hadn&rsquo;t even picked up the overturned glass.&nbsp; But
+directly I appeared she began to speak in an ingratiating
+voice.</p>
+<p>&ldquo;If you have missed anything of yours upstairs, my dear
+young Monsieur, you mustn&rsquo;t say it&rsquo;s me.&nbsp; You
+don&rsquo;t know what our Rita is.&rdquo;</p>
+<p>&ldquo;I wish to goodness,&rdquo; I said, &ldquo;that she had
+taken something.&rdquo;</p>
+<p>And again I became inordinately agitated as though it were my
+absolute fate to be everlastingly dying and reviving to the
+tormenting fact of her existence.&nbsp; Perhaps she had taken
+something?&nbsp; Anything.&nbsp; Some small object.&nbsp; I
+thought suddenly of a Rhenish-stone match-box.&nbsp; Perhaps it
+was that.&nbsp; I didn&rsquo;t remember having seen it when
+upstairs.&nbsp; I wanted to make sure at once.&nbsp; At
+once.&nbsp; But I commanded myself to sit still.</p>
+<p>&ldquo;And she so wealthy,&rdquo; Therese went on.&nbsp;
+&ldquo;Even you with your dear generous little heart can do
+nothing for our Rita.&nbsp; No man can do anything for
+her&mdash;except perhaps one, but she is so evilly disposed
+towards him that she wouldn&rsquo;t even see him, if in the
+goodness of his forgiving heart he were to offer his hand to
+her.&nbsp; It&rsquo;s her bad conscience that frightens
+her.&nbsp; He loves her more than his life, the dear, charitable
+man.&rdquo;</p>
+<p>&ldquo;You mean some rascal in Paris that I believe persecutes
+Do&ntilde;a Rita.&nbsp; Listen, Mademoiselle Therese, if you know
+where he hangs out you had better let him have word to be
+careful.&nbsp; I believe he, too, is mixed up in the Carlist
+intrigue.&nbsp; Don&rsquo;t you know that your sister can get him
+shut up any day or get him expelled by the police?&rdquo;</p>
+<p>Therese sighed deeply and put on a look of pained virtue.</p>
+<p>&ldquo;Oh, the hardness of her heart.&nbsp; She tried to be
+tender with me.&nbsp; She is awful.&nbsp; I said to her,
+&lsquo;Rita, have you sold your soul to the Devil?&rsquo; and she
+shouted like a fiend: &lsquo;For happiness!&nbsp; Ha, ha,
+ha!&rsquo;&nbsp; She threw herself backwards on that couch in
+your room and laughed and laughed and laughed as if I had been
+tickling her, and she drummed on the floor with the heels of her
+shoes.&nbsp; She is possessed.&nbsp; Oh, my dear innocent young
+Monsieur, you have never seen anything like that.&nbsp; That
+wicked girl who serves her rushed in with a tiny glass bottle and
+put it to her nose; but I had a mind to run out and fetch the
+priest from the church where I go to early mass.&nbsp; Such a
+nice, stout, severe man.&nbsp; But that false, cheating creature
+(I am sure she is robbing our Rita from morning to night), she
+talked to our Rita very low and quieted her down.&nbsp; I am sure
+I don&rsquo;t know what she said.&nbsp; She must be leagued with
+the devil.&nbsp; And then she asked me if I would go down and
+make a cup of chocolate for her Madame.&nbsp;
+Madame&mdash;that&rsquo;s our Rita.&nbsp; Madame!&nbsp; It seems
+they were going off directly to Paris and her Madame had had
+nothing to eat since the morning of the day before.&nbsp; Fancy
+me being ordered to make chocolate for our Rita!&nbsp; However,
+the poor thing looked so exhausted and white-faced that I
+went.&nbsp; Ah! the devil can give you an awful shake up if he
+likes.&rdquo;</p>
+<p>Therese fetched another deep sigh and raising her eyes looked
+at me with great attention.&nbsp; I preserved an inscrutable
+expression, for I wanted to hear all she had to tell me of
+Rita.&nbsp; I watched her with the greatest anxiety composing her
+face into a cheerful expression.</p>
+<p>&ldquo;So Do&ntilde;a Rita is gone to Paris?&rdquo; I asked
+negligently.</p>
+<p>&ldquo;Yes, my dear Monsieur.&nbsp; I believe she went
+straight to the railway station from here.&nbsp; When she first
+got up from the couch she could hardly stand.&nbsp; But before,
+while she was drinking the chocolate which I made for her, I
+tried to get her to sign a paper giving over the house to me, but
+she only closed her eyes and begged me to try and be a good
+sister and leave her alone for half an hour.&nbsp; And she lying
+there looking as if she wouldn&rsquo;t live a day.&nbsp; But she
+always hated me.&rdquo;</p>
+<p>I said bitterly, &ldquo;You needn&rsquo;t have worried her
+like this.&nbsp; If she had not lived for another day you would
+have had this house and everything else besides; a bigger bit
+than even your wolfish throat can swallow, Mademoiselle
+Therese.&rdquo;</p>
+<p>I then said a few more things indicative of my disgust with
+her rapacity, but they were quite inadequate, as I wasn&rsquo;t
+able to find words strong enough to express my real mind.&nbsp;
+But it didn&rsquo;t matter really because I don&rsquo;t think
+Therese heard me at all.&nbsp; She seemed lost in rapt
+amazement.</p>
+<p>&ldquo;What do you say, my dear Monsieur?&nbsp; What!&nbsp;
+All for me without any sort of paper?&rdquo;</p>
+<p>She appeared distracted by my curt: &ldquo;Yes.&rdquo;&nbsp;
+Therese believed in my truthfulness.&nbsp; She believed me
+implicitly, except when I was telling her the truth about
+herself, mincing no words, when she used to stand smilingly
+bashful as if I were overwhelming her with compliments.&nbsp; I
+expected her to continue the horrible tale but apparently she had
+found something to think about which checked the flow.&nbsp; She
+fetched another sigh and muttered:</p>
+<p>&ldquo;Then the law can be just, if it does not require any
+paper.&nbsp; After all, I am her sister.&rdquo;</p>
+<p>&ldquo;It&rsquo;s very difficult to believe that&mdash;at
+sight,&rdquo; I said roughly.</p>
+<p>&ldquo;Ah, but that I could prove.&nbsp; There are papers for
+that.&rdquo;</p>
+<p>After this declaration she began to clear the table,
+preserving a thoughtful silence.</p>
+<p>I was not very surprised at the news of Do&ntilde;a
+Rita&rsquo;s departure for Paris.&nbsp; It was not necessary to
+ask myself why she had gone.&nbsp; I didn&rsquo;t even ask myself
+whether she had left the leased Villa on the Prado for
+ever.&nbsp; Later talking again with Therese, I learned that her
+sister had given it up for the use of the Carlist cause and that
+some sort of unofficial Consul, a Carlist agent of some sort,
+either was going to live there or had already taken
+possession.&nbsp; This, Rita herself had told her before her
+departure on that agitated morning spent in the house&mdash;in my
+rooms.&nbsp; A close investigation demonstrated to me that there
+was nothing missing from them.&nbsp; Even the wretched match-box
+which I really hoped was gone turned up in a drawer after I had,
+delightedly, given it up.&nbsp; It was a great blow.&nbsp; She
+might have taken that at least!&nbsp; She knew I used to carry it
+about with me constantly while ashore.&nbsp; She might have taken
+it!&nbsp; Apparently she meant that there should be no bond left
+even of that kind; and yet it was a long time before I gave up
+visiting and revisiting all the corners of all possible
+receptacles for something that she might have left behind on
+purpose.&nbsp; It was like the mania of those disordered minds
+who spend their days hunting for a treasure.&nbsp; I hoped for a
+forgotten hairpin, for some tiny piece of ribbon.&nbsp; Sometimes
+at night I reflected that such hopes were altogether insensate;
+but I remember once getting up at two in the morning to search
+for a little cardboard box in the bathroom, into which, I
+remembered, I had not looked before.&nbsp; Of course it was
+empty; and, anyway, Rita could not possibly have known of its
+existence.&nbsp; I got back to bed shivering violently, though
+the night was warm, and with a distinct impression that this
+thing would end by making me mad.&nbsp; It was no longer a
+question of &ldquo;this sort of thing&rdquo; killing me.&nbsp;
+The moral atmosphere of this torture was different.&nbsp; It
+would make me mad.&nbsp; And at that thought great shudders ran
+down my prone body, because, once, I had visited a famous lunatic
+asylum where they had shown me a poor wretch who was mad,
+apparently, because he thought he had been abominably fooled by a
+woman.&nbsp; They told me that his grievance was quite
+imaginary.&nbsp; He was a young man with a thin fair beard,
+huddled up on the edge of his bed, hugging himself forlornly; and
+his incessant and lamentable wailing filled the long bare
+corridor, striking a chill into one&rsquo;s heart long before one
+came to the door of his cell.</p>
+<p>And there was no one from whom I could hear, to whom I could
+speak, with whom I could evoke the image of Rita.&nbsp; Of course
+I could utter that word of four letters to Therese; but Therese
+for some reason took it into her head to avoid all topics
+connected with her sister.&nbsp; I felt as if I could pull out
+great handfuls of her hair hidden modestly under the black
+handkerchief of which the ends were sometimes tied under her
+chin.&nbsp; But, really, I could not have given her any
+intelligible excuse for that outrage.&nbsp; Moreover, she was
+very busy from the very top to the very bottom of the house,
+which she persisted in running alone because she couldn&rsquo;t
+make up her mind to part with a few francs every month to a
+servant.&nbsp; It seemed to me that I was no longer such a
+favourite with her as I used to be.&nbsp; That, strange to say,
+was exasperating, too.&nbsp; It was as if some idea, some
+fruitful notion had killed in her all the softer and more humane
+emotions.&nbsp; She went about with brooms and dusters wearing an
+air of sanctimonious thoughtfulness.</p>
+<p>The man who to a certain extent took my place in
+Therese&rsquo;s favour was the old father of the dancing girls
+inhabiting the ground floor.&nbsp; In a tall hat and a well-to-do
+dark blue overcoat he allowed himself to be button-holed in the
+hall by Therese who would talk to him interminably with downcast
+eyes.&nbsp; He smiled gravely down at her, and meanwhile tried to
+edge towards the front door.&nbsp; I imagine he didn&rsquo;t put
+a great value on Therese&rsquo;s favour.&nbsp; Our stay in
+harbour was prolonged this time and I kept indoors like an
+invalid.&nbsp; One evening I asked that old man to come in and
+drink and smoke with me in the studio.&nbsp; He made no
+difficulties to accept, brought his wooden pipe with him, and was
+very entertaining in a pleasant voice.&nbsp; One couldn&rsquo;t
+tell whether he was an uncommon person or simply a ruffian, but
+in any case with his white beard he looked quite venerable.&nbsp;
+Naturally he couldn&rsquo;t give me much of his company as he had
+to look closely after his girls and their admirers; not that the
+girls were unduly frivolous, but of course being very young they
+had no experience.&nbsp; They were friendly creatures with
+pleasant, merry voices and he was very much devoted to
+them.&nbsp; He was a muscular man with a high colour and silvery
+locks curling round his bald pate and over his ears, like a
+<i>barocco</i> apostle.&nbsp; I had an idea that he had had a
+lurid past and had seen some fighting in his youth.&nbsp; The
+admirers of the two girls stood in great awe of him, from
+instinct no doubt, because his behaviour to them was friendly and
+even somewhat obsequious, yet always with a certain truculent
+glint in his eye that made them pause in everything but their
+generosity&mdash;which was encouraged.&nbsp; I sometimes wondered
+whether those two careless, merry hard-working creatures
+understood the secret moral beauty of the situation.</p>
+<p>My real company was the dummy in the studio and I can&rsquo;t
+say it was exactly satisfying.&nbsp; After taking possession of
+the studio I had raised it tenderly, dusted its mangled limbs and
+insensible, hard-wood bosom, and then had propped it up in a
+corner where it seemed to take on, of itself, a shy
+attitude.&nbsp; I knew its history.&nbsp; It was not an ordinary
+dummy.&nbsp; One day, talking with Do&ntilde;a Rita about her
+sister, I had told her that I thought Therese used to knock it
+down on purpose with a broom, and Do&ntilde;a Rita had laughed
+very much.&nbsp; This, she had said, was an instance of dislike
+from mere instinct.&nbsp; That dummy had been made to measure
+years before.&nbsp; It had to wear for days and days the Imperial
+Byzantine robes in which Do&ntilde;a Rita sat only once or twice
+herself; but of course the folds and bends of the stuff had to be
+preserved as in the first sketch.&nbsp; Do&ntilde;a Rita
+described amusingly how she had to stand in the middle of her
+room while Rose walked around her with a tape measure noting the
+figures down on a small piece of paper which was then sent to the
+maker, who presently returned it with an angry letter stating
+that those proportions were altogether impossible in any
+woman.&nbsp; Apparently Rose had muddled them all up; and it was
+a long time before the figure was finished and sent to the
+Pavilion in a long basket to take on itself the robes and the
+hieratic pose of the Empress.&nbsp; Later, it wore with the same
+patience the marvellous hat of the &ldquo;Girl in the
+Hat.&rdquo;&nbsp; But Do&ntilde;a Rita couldn&rsquo;t understand
+how the poor thing ever found its way to Marseilles minus its
+turnip head.&nbsp; Probably it came down with the robes and a
+quantity of precious brocades which she herself had sent down
+from Paris.&nbsp; The knowledge of its origin, the contempt of
+Captain Blunt&rsquo;s references to it, with Therese&rsquo;s
+shocked dislike of the dummy, invested that summary reproduction
+with a sort of charm, gave me a faint and miserable illusion of
+the original, less artificial than a photograph, less precise,
+too. . . . But it can&rsquo;t be explained.&nbsp; I felt
+positively friendly to it as if it had been Rita&rsquo;s trusted
+personal attendant.&nbsp; I even went so far as to discover that
+it had a sort of grace of its own.&nbsp; But I never went so far
+as to address set speeches to it where it lurked shyly in its
+corner, or drag it out from there for contemplation.&nbsp; I left
+it in peace.&nbsp; I wasn&rsquo;t mad.&nbsp; I was only convinced
+that I soon would be.</p>
+<h3>CHAPTER II</h3>
+<p>Notwithstanding my misanthropy I had to see a few people on
+account of all these Royalist affairs which I couldn&rsquo;t very
+well drop, and in truth did not wish to drop.&nbsp; They were my
+excuse for remaining in Europe, which somehow I had not the
+strength of mind to leave for the West Indies, or
+elsewhere.&nbsp; On the other hand, my adventurous pursuit kept
+me in contact with the sea where I found occupation, protection,
+consolation, the mental relief of grappling with concrete
+problems, the sanity one acquires from close contact with simple
+mankind, a little self-confidence born from the dealings with the
+elemental powers of nature.&nbsp; I couldn&rsquo;t give all that
+up.&nbsp; And besides all this was related to Do&ntilde;a
+Rita.&nbsp; I had, as it were, received it all from her own hand,
+from that hand the clasp of which was as frank as a man&rsquo;s
+and yet conveyed a unique sensation.&nbsp; The very memory of it
+would go through me like a wave of heat.&nbsp; It was over that
+hand that we first got into the habit of quarrelling, with the
+irritability of sufferers from some obscure pain and yet half
+unconscious of their disease.&nbsp; Rita&rsquo;s own spirit
+hovered over the troubled waters of Legitimity.&nbsp; But as to
+the sound of the four magic letters of her name I was not very
+likely to hear it fall sweetly on my ear.&nbsp; For instance, the
+distinguished personality in the world of finance with whom I had
+to confer several times, alluded to the irresistible seduction of
+the power which reigned over my heart and my mind; which had a
+mysterious and unforgettable face, the brilliance of sunshine
+together with the unfathomable splendour of the night
+as&mdash;Madame de Lastaola.&nbsp; That&rsquo;s how that
+steel-grey man called the greatest mystery of the universe.&nbsp;
+When uttering that assumed name he would make for himself a
+guardedly solemn and reserved face as though he were afraid lest
+I should presume to smile, lest he himself should venture to
+smile, and the sacred formality of our relations should be
+outraged beyond mending.</p>
+<p>He would refer in a studiously grave tone to Madame de
+Lastaola&rsquo;s wishes, plans, activities, instructions,
+movements; or picking up a letter from the usual litter of paper
+found on such men&rsquo;s desks, glance at it to refresh his
+memory; and, while the very sight of the handwriting would make
+my lips go dry, would ask me in a bloodless voice whether
+perchance I had &ldquo;a direct communication
+from&mdash;er&mdash;Paris lately.&rdquo;&nbsp; And there would be
+other maddening circumstances connected with those visits.&nbsp;
+He would treat me as a serious person having a clear view of
+certain eventualities, while at the very moment my vision could
+see nothing but streaming across the wall at his back, abundant
+and misty, unearthly and adorable, a mass of tawny hair that
+seemed to have hot sparks tangled in it.&nbsp; Another nuisance
+was the atmosphere of Royalism, of Legitimacy, that pervaded the
+room, thin as air, intangible, as though no Legitimist of flesh
+and blood had ever existed to the man&rsquo;s mind except perhaps
+myself.&nbsp; He, of course, was just simply a banker, a very
+distinguished, a very influential, and a very impeccable
+banker.&nbsp; He persisted also in deferring to my judgment and
+sense with an over-emphasis called out by his perpetual surprise
+at my youth.&nbsp; Though he had seen me many times (I even knew
+his wife) he could never get over my immature age.&nbsp; He
+himself was born about fifty years old, all complete, with his
+iron-grey whiskers and his bilious eyes, which he had the habit
+of frequently closing during a conversation.&nbsp; On one
+occasion he said to me.&nbsp; &ldquo;By the by, the Marquis of
+Villarel is here for a time.&nbsp; He inquired after you the last
+time he called on me.&nbsp; May I let him know that you are in
+town?&rdquo;</p>
+<p>I didn&rsquo;t say anything to that.&nbsp; The Marquis of
+Villarel was the Don Rafael of Rita&rsquo;s own story.&nbsp; What
+had I to do with Spanish grandees?&nbsp; And for that matter what
+had she, the woman of all time, to do with all the villainous or
+splendid disguises human dust takes upon itself?&nbsp; All this
+was in the past, and I was acutely aware that for me there was no
+present, no future, nothing but a hollow pain, a vain passion of
+such magnitude that being locked up within my breast it gave me
+an illusion of lonely greatness with my miserable head uplifted
+amongst the stars.&nbsp; But when I made up my mind (which I did
+quickly, to be done with it) to call on the banker&rsquo;s wife,
+almost the first thing she said to me was that the Marquis de
+Villarel was &ldquo;amongst us.&rdquo;&nbsp; She said it
+joyously.&nbsp; If in her husband&rsquo;s room at the bank
+legitimism was a mere unpopulated principle, in her salon
+Legitimacy was nothing but persons.&nbsp; &ldquo;<i>Il m&rsquo;a
+caus&eacute; beaucoup de vous</i>,&rdquo; she said as if there
+had been a joke in it of which I ought to be proud.&nbsp; I slunk
+away from her.&nbsp; I couldn&rsquo;t believe that the grandee
+had talked to her about me.&nbsp; I had never felt myself part of
+the great Royalist enterprise.&nbsp; I confess that I was so
+indifferent to everything, so profoundly demoralized, that having
+once got into that drawing-room I hadn&rsquo;t the strength to
+get away; though I could see perfectly well my volatile hostess
+going from one to another of her acquaintances in order to tell
+them with a little gesture, &ldquo;Look!&nbsp; Over
+there&mdash;in that corner.&nbsp; That&rsquo;s the notorious
+Monsieur George.&rdquo;&nbsp; At last she herself drove me out by
+coming to sit by me vivaciously and going into ecstasies over
+&ldquo;<i>ce cher</i> Monsieur Mills&rdquo; and that magnificent
+Lord X; and ultimately, with a perfectly odious snap in the eyes
+and drop in the voice, dragging in the name of Madame de Lastaola
+and asking me whether I was really so much in the confidence of
+that astonishing person.&nbsp; &ldquo;<i>Vous devez bien
+regretter son d&eacute;part pour Paris</i>,&rdquo; she cooed,
+looking with affected bashfulness at her fan. . . . How I got out
+of the room I really don&rsquo;t know.&nbsp; There was also a
+staircase.&nbsp; I did not fall down it head first&mdash;that
+much I am certain of; and I also remember that I wandered for a
+long time about the seashore and went home very late, by the way
+of the Prado, giving in passing a fearful glance at the
+Villa.&nbsp; It showed not a gleam of light through the thin
+foliage of its trees.</p>
+<p>I spent the next day with Dominic on board the little craft
+watching the shipwrights at work on her deck.&nbsp; From the way
+they went about their business those men must have been perfectly
+sane; and I felt greatly refreshed by my company during the
+day.&nbsp; Dominic, too, devoted himself to his business, but his
+taciturnity was sardonic.&nbsp; Then I dropped in at the
+caf&eacute; and Madame L&eacute;onore&rsquo;s loud &ldquo;Eh,
+Signorino, here you are at last!&rdquo; pleased me by its
+resonant friendliness.&nbsp; But I found the sparkle of her black
+eyes as she sat down for a moment opposite me while I was having
+my drink rather difficult to bear.&nbsp; That man and that woman
+seemed to know something.&nbsp; What did they know?&nbsp; At
+parting she pressed my hand significantly.&nbsp; What did she
+mean?&nbsp; But I didn&rsquo;t feel offended by these
+manifestations.&nbsp; The souls within these people&rsquo;s
+breasts were not volatile in the manner of slightly scented and
+inflated bladders.&nbsp; Neither had they the impervious skins
+which seem the rule in the fine world that wants only to get
+on.&nbsp; Somehow they had sensed that there was something wrong;
+and whatever impression they might have formed for themselves I
+had the certitude that it would not be for them a matter of grins
+at my expense.</p>
+<p>That day on returning home I found Therese looking out for me,
+a very unusual occurrence of late.&nbsp; She handed me a card
+bearing the name of the Marquis de Villarel.</p>
+<p>&ldquo;How did you come by this?&rdquo; I asked.&nbsp; She
+turned on at once the tap of her volubility and I was not
+surprised to learn that the grandee had not done such an
+extraordinary thing as to call upon me in person.&nbsp; A young
+gentleman had brought it.&nbsp; Such a nice young gentleman, she
+interjected with her piously ghoulish expression.&nbsp; He was
+not very tall.&nbsp; He had a very smooth complexion (that woman
+was incorrigible) and a nice, tiny black moustache.&nbsp; Therese
+was sure that he must have been an officer <i>en las filas
+legitimas</i>.&nbsp; With that notion in her head she had asked
+him about the welfare of that other model of charm and elegance,
+Captain Blunt.&nbsp; To her extreme surprise the charming young
+gentleman with beautiful eyes had apparently never heard of
+Blunt.&nbsp; But he seemed very much interested in his
+surroundings, looked all round the hall, noted the costly wood of
+the door panels, paid some attention to the silver statuette
+holding up the defective gas burner at the foot of the stairs,
+and, finally, asked whether this was in very truth the house of
+the most excellent Se&ntilde;ora Do&ntilde;a Rita de
+Lastaola.&nbsp; The question staggered Therese, but with great
+presence of mind she answered the young gentleman that she
+didn&rsquo;t know what excellence there was about it, but that
+the house was her property, having been given to her by her own
+sister.&nbsp; At this the young gentleman looked both puzzled and
+angry, turned on his heel, and got back into his fiacre.&nbsp;
+Why should people be angry with a poor girl who had never done a
+single reprehensible thing in her whole life?</p>
+<p>&ldquo;I suppose our Rita does tell people awful lies about
+her poor sister.&rdquo;&nbsp; She sighed deeply (she had several
+kinds of sighs and this was the hopeless kind) and added
+reflectively, &ldquo;Sin on sin, wickedness on wickedness!&nbsp;
+And the longer she lives the worse it will be.&nbsp; It would be
+better for our Rita to be dead.&rdquo;</p>
+<p>I told &ldquo;Mademoiselle Therese&rdquo; that it was really
+impossible to tell whether she was more stupid or atrocious; but
+I wasn&rsquo;t really very much shocked.&nbsp; These outbursts
+did not signify anything in Therese.&nbsp; One got used to
+them.&nbsp; They were merely the expression of her rapacity and
+her righteousness; so that our conversation ended by my asking
+her whether she had any dinner ready for me that evening.</p>
+<p>&ldquo;What&rsquo;s the good of getting you anything to eat,
+my dear young Monsieur,&rdquo; she quizzed me tenderly.&nbsp;
+&ldquo;You just only peck like a little bird.&nbsp; Much better
+let me save the money for you.&rdquo;&nbsp; It will show the
+super-terrestrial nature of my misery when I say that I was quite
+surprised at Therese&rsquo;s view of my appetite.&nbsp; Perhaps
+she was right.&nbsp; I certainly did not know.&nbsp; I stared
+hard at her and in the end she admitted that the dinner was in
+fact ready that very moment.</p>
+<p>The new young gentleman within Therese&rsquo;s horizon
+didn&rsquo;t surprise me very much.&nbsp; Villarel would travel
+with some sort of suite, a couple of secretaries at least.&nbsp;
+I had heard enough of Carlist headquarters to know that the man
+had been (very likely was still) Captain General of the Royal
+Bodyguard and was a person of great political (and domestic)
+influence at Court.&nbsp; The card was, under its social form, a
+mere command to present myself before the grandee.&nbsp; No
+Royalist devoted by conviction, as I must have appeared to him,
+could have mistaken the meaning.&nbsp; I put the card in my
+pocket and after dining or not dining&mdash;I really don&rsquo;t
+remember&mdash;spent the evening smoking in the studio, pursuing
+thoughts of tenderness and grief, visions exalting and
+cruel.&nbsp; From time to time I looked at the dummy.&nbsp; I
+even got up once from the couch on which I had been writhing like
+a worm and walked towards it as if to touch it, but refrained,
+not from sudden shame but from sheer despair.&nbsp; By and by
+Therese drifted in.&nbsp; It was then late and, I imagine, she
+was on her way to bed.&nbsp; She looked the picture of cheerful,
+rustic innocence and started propounding to me a conundrum which
+began with the words:</p>
+<p>&ldquo;If our Rita were to die before long . . .&rdquo;</p>
+<p>She didn&rsquo;t get any further because I had jumped up and
+frightened her by shouting: &ldquo;Is she ill?&nbsp; What has
+happened?&nbsp; Have you had a letter?&rdquo;</p>
+<p>She had had a letter.&nbsp; I didn&rsquo;t ask her to show it
+to me, though I daresay she would have done so.&nbsp; I had an
+idea that there was no meaning in anything, at least no meaning
+that mattered.&nbsp; But the interruption had made Therese
+apparently forget her sinister conundrum.&nbsp; She observed me
+with her shrewd, unintelligent eyes for a bit, and then with the
+fatuous remark about the Law being just she left me to the
+horrors of the studio.&nbsp; I believe I went to sleep there from
+sheer exhaustion.&nbsp; Some time during the night I woke up
+chilled to the bone and in the dark.&nbsp; These were horrors and
+no mistake.&nbsp; I dragged myself upstairs to bed past the
+indefatigable statuette holding up the ever-miserable
+light.&nbsp; The black-and-white hall was like an ice-house.</p>
+<p>The main consideration which induced me to call on the Marquis
+of Villarel was the fact that after all I was a discovery of
+Do&ntilde;a Rita&rsquo;s, her own recruit.&nbsp; My fidelity and
+steadfastness had been guaranteed by her and no one else.&nbsp; I
+couldn&rsquo;t bear the idea of her being criticized by every
+empty-headed chatterer belonging to the Cause.&nbsp; And as,
+apart from that, nothing mattered much, why, then&mdash;I would
+get this over.</p>
+<p>But it appeared that I had not reflected sufficiently on all
+the consequences of that step.&nbsp; First of all the sight of
+the Villa looking shabbily cheerful in the sunshine (but not
+containing her any longer) was so perturbing that I very nearly
+went away from the gate.&nbsp; Then when I got in after much
+hesitation&mdash;being admitted by the man in the green baize
+apron who recognized me&mdash;the thought of entering that room,
+out of which she was gone as completely as if she had been dead,
+gave me such an emotion that I had to steady myself against the
+table till the faintness was past.&nbsp; Yet I was irritated as
+at a treason when the man in the baize apron instead of letting
+me into the Pompeiian dining-room crossed the hall to another
+door not at all in the Pompeiian style (more Louis XV
+rather&mdash;that Villa was like a <i>Salade Russe</i> of styles)
+and introduced me into a big, light room full of very modern
+furniture.&nbsp; The portrait <i>en pied</i> of an officer in a
+sky-blue uniform hung on the end wall.&nbsp; The officer had a
+small head, a black beard cut square, a robust body, and leaned
+with gauntleted hands on the simple hilt of a straight
+sword.&nbsp; That striking picture dominated a massive mahogany
+desk, and, in front of this desk, a very roomy, tall-backed
+armchair of dark green velvet.&nbsp; I thought I had been
+announced into an empty room till glancing along the extremely
+loud carpet I detected a pair of feet under the armchair.</p>
+<p>I advanced towards it and discovered a little man, who had
+made no sound or movement till I came into his view, sunk deep in
+the green velvet.&nbsp; He altered his position slowly and rested
+his hollow, black, quietly burning eyes on my face in prolonged
+scrutiny.&nbsp; I detected something comminatory in his yellow,
+emaciated countenance, but I believe now he was simply startled
+by my youth.&nbsp; I bowed profoundly.&nbsp; He extended a meagre
+little hand.</p>
+<p>&ldquo;Take a chair, Don Jorge.&rdquo;</p>
+<p>He was very small, frail, and thin, but his voice was not
+languid, though he spoke hardly above his breath.&nbsp; Such was
+the envelope and the voice of the fanatical soul belonging to the
+Grand-master of Ceremonies and Captain General of the Bodyguard
+at the Headquarters of the Legitimist Court, now detached on a
+special mission.&nbsp; He was all fidelity, inflexibility, and
+sombre conviction, but like some great saints he had very little
+body to keep all these merits in.</p>
+<p>&ldquo;You are very young,&rdquo; he remarked, to begin
+with.&nbsp; &ldquo;The matters on which I desired to converse
+with you are very grave.&rdquo;</p>
+<p>&ldquo;I was under the impression that your Excellency wished
+to see me at once.&nbsp; But if your Excellency prefers it I will
+return in, say, seven years&rsquo; time when I may perhaps be old
+enough to talk about grave matters.&rdquo;</p>
+<p>He didn&rsquo;t stir hand or foot and not even the quiver of
+an eyelid proved that he had heard my shockingly unbecoming
+retort.</p>
+<p>&ldquo;You have been recommended to us by a noble and loyal
+lady, in whom His Majesty&mdash;whom God preserve&mdash;reposes
+an entire confidence.&nbsp; God will reward her as she deserves
+and you, too, Se&ntilde;or, according to the disposition you
+bring to this great work which has the blessing (here he crossed
+himself) of our Holy Mother the Church.&rdquo;</p>
+<p>&ldquo;I suppose your Excellency understands that in all this
+I am not looking for reward of any kind.&rdquo;</p>
+<p>At this he made a faint, almost ethereal grimace.</p>
+<p>&ldquo;I was speaking of the spiritual blessing which rewards
+the service of religion and will be of benefit to your
+soul,&rdquo; he explained with a slight touch of acidity.&nbsp;
+&ldquo;The other is perfectly understood and your fidelity is
+taken for granted.&nbsp; His Majesty&mdash;whom God
+preserve&mdash;has been already pleased to signify his
+satisfaction with your services to the most noble and loyal
+Do&ntilde;a Rita by a letter in his own hand.&rdquo;</p>
+<p>Perhaps he expected me to acknowledge this announcement in
+some way, speech, or bow, or something, because before my
+immobility he made a slight movement in his chair which smacked
+of impatience.&nbsp; &ldquo;I am afraid, Se&ntilde;or, that you
+are affected by the spirit of scoffing and irreverence which
+pervades this unhappy country of France in which both you and I
+are strangers, I believe.&nbsp; Are you a young man of that
+sort?&rdquo;</p>
+<p>&ldquo;I am a very good gun-runner, your Excellency,&rdquo; I
+answered quietly.</p>
+<p>He bowed his head gravely.&nbsp; &ldquo;We are aware.&nbsp;
+But I was looking for the motives which ought to have their pure
+source in religion.&rdquo;</p>
+<p>&ldquo;I must confess frankly that I have not reflected on my
+motives,&rdquo; I said.&nbsp; &ldquo;It is enough for me to know
+that they are not dishonourable and that anybody can see they are
+not the motives of an adventurer seeking some sordid
+advantage.&rdquo;</p>
+<p>He had listened patiently and when he saw that there was
+nothing more to come he ended the discussion.</p>
+<p>&ldquo;Se&ntilde;or, we should reflect upon our motives.&nbsp;
+It is salutary for our conscience and is recommended (he crossed
+himself) by our Holy Mother the Church.&nbsp; I have here certain
+letters from Paris on which I would consult your young sagacity
+which is accredited to us by the most loyal Do&ntilde;a
+Rita.&rdquo;</p>
+<p>The sound of that name on his lips was simply odious.&nbsp; I
+was convinced that this man of forms and ceremonies and fanatical
+royalism was perfectly heartless.&nbsp; Perhaps he reflected on
+his motives; but it seemed to me that his conscience could be
+nothing else but a monstrous thing which very few actions could
+disturb appreciably.&nbsp; Yet for the credit of Do&ntilde;a Rita
+I did not withhold from him my young sagacity.&nbsp; What he
+thought of it I don&rsquo;t know. The matters we discussed were
+not of course of high policy, though from the point of view of
+the war in the south they were important enough.&nbsp; We agreed
+on certain things to be done, and finally, always out of regard
+for Do&ntilde;a Rita&rsquo;s credit, I put myself generally at
+his disposition or of any Carlist agent he would appoint in his
+place; for I did not suppose that he would remain very long in
+Marseilles.&nbsp; He got out of the chair laboriously, like a
+sick child might have done.&nbsp; The audience was over but he
+noticed my eyes wandering to the portrait and he said in his
+measured, breathed-out tones:</p>
+<p>&ldquo;I owe the pleasure of having this admirable work here
+to the gracious attention of Madame de Lastaola, who, knowing my
+attachment to the royal person of my Master, has sent it down
+from Paris to greet me in this house which has been given up for
+my occupation also through her generosity to the Royal
+Cause.&nbsp; Unfortunately she, too, is touched by the infection
+of this irreverent and unfaithful age.&nbsp; But she is young
+yet.&nbsp; She is young.&rdquo;</p>
+<p>These last words were pronounced in a strange tone of menace
+as though he were supernaturally aware of some suspended
+disasters.&nbsp; With his burning eyes he was the image of an
+Inquisitor with an unconquerable soul in that frail body.&nbsp;
+But suddenly he dropped his eyelids and the conversation finished
+as characteristically as it had begun: with a slow, dismissing
+inclination of the head and an &ldquo;Adios,
+Se&ntilde;or&mdash;may God guard you from sin.&rdquo;</p>
+<h3>CHAPTER III</h3>
+<p>I must say that for the next three months I threw myself into
+my unlawful trade with a sort of desperation, dogged and
+hopeless, like a fairly decent fellow who takes deliberately to
+drink.&nbsp; The business was getting dangerous.&nbsp; The bands
+in the South were not very well organized, worked with no very
+definite plan, and now were beginning to be pretty closely
+hunted.&nbsp; The arrangements for the transport of supplies were
+going to pieces; our friends ashore were getting scared; and it
+was no joke to find after a day of skilful dodging that there was
+no one at the landing place and have to go out again with our
+compromising cargo, to slink and lurk about the coast for another
+week or so, unable to trust anybody and looking at every vessel
+we met with suspicion.&nbsp; Once we were ambushed by a lot of
+&ldquo;rascally Carabineers,&rdquo; as Dominic called them, who
+hid themselves among the rocks after disposing a train of mules
+well in view on the seashore.&nbsp; Luckily, on evidence which I
+could never understand, Dominic detected something
+suspicious.&nbsp; Perhaps it was by virtue of some sixth sense
+that men born for unlawful occupations may be gifted with.&nbsp;
+&ldquo;There is a smell of treachery about this,&rdquo; he
+remarked suddenly, turning at his oar.&nbsp; (He and I were
+pulling alone in a little boat to reconnoitre.)&nbsp; I
+couldn&rsquo;t detect any smell and I regard to this day our
+escape on that occasion as, properly speaking, miraculous.&nbsp;
+Surely some supernatural power must have struck upwards the
+barrels of the Carabineers&rsquo; rifles, for they missed us by
+yards.&nbsp; And as the Carabineers have the reputation of
+shooting straight, Dominic, after swearing most horribly,
+ascribed our escape to the particular guardian angel that looks
+after crazy young gentlemen.&nbsp; Dominic believed in angels in
+a conventional way, but laid no claim to having one of his
+own.&nbsp; Soon afterwards, while sailing quietly at night, we
+found ourselves suddenly near a small coasting vessel, also
+without lights, which all at once treated us to a volley of rifle
+fire.&nbsp; Dominic&rsquo;s mighty and inspired yell: &ldquo;<i>A
+plat ventre</i>!&rdquo; and also an unexpected roll to windward
+saved all our lives.&nbsp; Nobody got a scratch.&nbsp; We were
+past in a moment and in a breeze then blowing we had the heels of
+anything likely to give us chase.&nbsp; But an hour afterwards,
+as we stood side by side peering into the darkness, Dominic was
+heard to mutter through his teeth: &ldquo;<i>Le m&eacute;tier se
+g&acirc;te</i>.&rdquo;&nbsp; I, too, had the feeling that the
+trade, if not altogether spoiled, had seen its best days.&nbsp;
+But I did not care.&nbsp; In fact, for my purpose it was rather
+better, a more potent influence; like the stronger intoxication
+of raw spirit.&nbsp; A volley in the dark after all was not such
+a bad thing.&nbsp; Only a moment before we had received it,
+there, in that calm night of the sea full of freshness and soft
+whispers, I had been looking at an enchanting turn of a head in a
+faint light of its own, the tawny hair with snared red sparks
+brushed up from the nape of a white neck and held up on high by
+an arrow of gold feathered with brilliants and with ruby gleams
+all along its shaft.&nbsp; That jewelled ornament, which I
+remember often telling Rita was of a very Philistinish conception
+(it was in some way connected with a tortoiseshell comb) occupied
+an undue place in my memory, tried to come into some sort of
+significance even in my sleep.&nbsp; Often I dreamed of her with
+white limbs shimmering in the gloom like a nymph haunting a riot
+of foliage, and raising a perfect round arm to take an arrow of
+gold out of her hair to throw it at me by hand, like a
+dart.&nbsp; It came on, a whizzing trail of light, but I always
+woke up before it struck.&nbsp; Always.&nbsp; Invariably.&nbsp;
+It never had a chance.&nbsp; A volley of small arms was much more
+likely to do the business some day&mdash;or night.</p>
+<div class="gapspace">&nbsp;</div>
+<p>At last came the day when everything slipped out of my
+grasp.&nbsp; The little vessel, broken and gone like the only toy
+of a lonely child, the sea itself, which had swallowed it,
+throwing me on shore after a shipwreck that instead of a fair
+fight left in me the memory of a suicide.&nbsp; It took away all
+that there was in me of independent life, but just failed to take
+me out of the world, which looked then indeed like Another World
+fit for no one else but unrepentant sinners.&nbsp; Even Dominic
+failed me, his moral entity destroyed by what to him was a most
+tragic ending of our common enterprise.&nbsp; The lurid swiftness
+of it all was like a stunning thunder-clap&mdash;and, one
+evening, I found myself weary, heartsore, my brain still dazed
+and with awe in my heart entering Marseilles by way of the
+railway station, after many adventures, one more disagreeable
+than another, involving privations, great exertions, a lot of
+difficulties with all sorts of people who looked upon me
+evidently more as a discreditable vagabond deserving the
+attentions of gendarmes than a respectable (if crazy) young
+gentleman attended by a guardian angel of his own.&nbsp; I must
+confess that I slunk out of the railway station shunning its many
+lights as if, invariably, failure made an outcast of a man.&nbsp;
+I hadn&rsquo;t any money in my pocket.&nbsp; I hadn&rsquo;t even
+the bundle and the stick of a destitute wayfarer.&nbsp; I was
+unshaven and unwashed, and my heart was faint within me.&nbsp; My
+attire was such that I daren&rsquo;t approach the rank of
+fiacres, where indeed I could perceive only two pairs of lamps,
+of which one suddenly drove away while I looked.&nbsp; The other
+I gave up to the fortunate of this earth.&nbsp; I didn&rsquo;t
+believe in my power of persuasion.&nbsp; I had no powers.&nbsp; I
+slunk on and on, shivering with cold, through the uproarious
+streets.&nbsp; Bedlam was loose in them.&nbsp; It was the time of
+Carnival.</p>
+<p>Small objects of no value have the secret of sticking to a man
+in an astonishing way.&nbsp; I had nearly lost my liberty and
+even my life, I had lost my ship, a money-belt full of gold, I
+had lost my companions, had parted from my friend; my occupation,
+my only link with life, my touch with the sea, my cap and jacket
+were gone&mdash;but a small penknife and a latchkey had never
+parted company with me.&nbsp; With the latchkey I opened the door
+of refuge.&nbsp; The hall wore its deaf-and-dumb air, its
+black-and-white stillness.</p>
+<p>The sickly gas-jet still struggled bravely with adversity at
+the end of the raised silver arm of the statuette which had kept
+to a hair&rsquo;s breadth its graceful pose on the toes of its
+left foot; and the staircase lost itself in the shadows
+above.&nbsp; Therese was parsimonious with the lights.&nbsp; To
+see all this was surprising.&nbsp; It seemed to me that all the
+things I had known ought to have come down with a crash at the
+moment of the final catastrophe on the Spanish coast.&nbsp; And
+there was Therese herself descending the stairs, frightened but
+plucky.&nbsp; Perhaps she thought that she would be murdered this
+time for certain.&nbsp; She had a strange, unemotional conviction
+that the house was particularly convenient for a crime.&nbsp; One
+could never get to the bottom of her wild notions which she held
+with the stolidity of a peasant allied to the outward serenity of
+a nun.&nbsp; She quaked all over as she came down to her doom,
+but when she recognized me she got such a shock that she sat down
+suddenly on the lowest step.&nbsp; She did not expect me for
+another week at least, and, besides, she explained, the state I
+was in made her blood take &ldquo;one turn.&rdquo;</p>
+<p>Indeed my plight seemed either to have called out or else
+repressed her true nature.&nbsp; But who had ever fathomed her
+nature!&nbsp; There was none of her treacly volubility.&nbsp;
+There were none of her &ldquo;dear young gentlemans&rdquo; and
+&ldquo;poor little hearts&rdquo; and references to sin.&nbsp; In
+breathless silence she ran about the house getting my room ready,
+lighting fires and gas-jets and even hauling at me to help me up
+the stairs.&nbsp; Yes, she did lay hands on me for that
+charitable purpose.&nbsp; They trembled.&nbsp; Her pale eyes
+hardly left my face.&nbsp; &ldquo;What brought you here like
+this?&rdquo; she whispered once.</p>
+<p>&ldquo;If I were to tell you, Mademoiselle Therese, you would
+see there the hand of God.&rdquo;</p>
+<p>She dropped the extra pillow she was carrying and then nearly
+fell over it.&nbsp; &ldquo;Oh, dear heart,&rdquo; she murmured,
+and ran off to the kitchen.</p>
+<p>I sank into bed as into a cloud and Therese reappeared very
+misty and offering me something in a cup.&nbsp; I believe it was
+hot milk, and after I drank it she took the cup and stood looking
+at me fixedly.&nbsp; I managed to say with difficulty: &ldquo;Go
+away,&rdquo; whereupon she vanished as if by magic before the
+words were fairly out of my mouth.&nbsp; Immediately afterwards
+the sunlight forced through the slats of the jalousies its
+diffused glow, and Therese was there again as if by magic, saying
+in a distant voice: &ldquo;It&rsquo;s midday&rdquo;. . . Youth
+will have its rights.&nbsp; I had slept like a stone for
+seventeen hours.</p>
+<p>I suppose an honourable bankrupt would know such an awakening:
+the sense of catastrophe, the shrinking from the necessity of
+beginning life again, the faint feeling that there are
+misfortunes which must be paid for by a hanging.&nbsp; In the
+course of the morning Therese informed me that the apartment
+usually occupied by Mr. Blunt was vacant and added mysteriously
+that she intended to keep it vacant for a time, because she had
+been instructed to do so.&nbsp; I couldn&rsquo;t imagine why
+Blunt should wish to return to Marseilles.&nbsp; She told me also
+that the house was empty except for myself and the two dancing
+girls with their father.&nbsp; Those people had been away for
+some time as the girls had engagements in some Italian summer
+theatres, but apparently they had secured a re-engagement for the
+winter and were now back.&nbsp; I let Therese talk because it
+kept my imagination from going to work on subjects which, I had
+made up my mind, were no concern of mine.&nbsp; But I went out
+early to perform an unpleasant task.&nbsp; It was only proper
+that I should let the Carlist agent ensconced in the Prado Villa
+know of the sudden ending of my activities.&nbsp; It would be
+grave enough news for him, and I did not like to be its bearer
+for reasons which were mainly personal.&nbsp; I resembled Dominic
+in so far that I, too, disliked failure.</p>
+<p>The Marquis of Villarel had of course gone long before.&nbsp;
+The man who was there was another type of Carlist altogether, and
+his temperament was that of a trader.&nbsp; He was the chief
+purveyor of the Legitimist armies, an honest broker of stores,
+and enjoyed a great reputation for cleverness.&nbsp; His
+important task kept him, of course, in France, but his young
+wife, whose beauty and devotion to her King were well known,
+represented him worthily at Headquarters, where his own
+appearances were extremely rare.&nbsp; The dissimilar but united
+loyalties of those two people had been rewarded by the title of
+baron and the ribbon of some order or other.&nbsp; The gossip of
+the Legitimist circles appreciated those favours with smiling
+indulgence.&nbsp; He was the man who had been so distressed and
+frightened by Do&ntilde;a Rita&rsquo;s first visit to
+Tolosa.&nbsp; He had an extreme regard for his wife.&nbsp; And in
+that sphere of clashing arms and unceasing intrigue nobody would
+have smiled then at his agitation if the man himself hadn&rsquo;t
+been somewhat grotesque.</p>
+<p>He must have been startled when I sent in my name, for he
+didn&rsquo;t of course expect to see me yet&mdash;nobody expected
+me.&nbsp; He advanced soft-footed down the room.&nbsp; With his
+jutting nose, flat-topped skull and sable garments he recalled an
+obese raven, and when he heard of the disaster he manifested his
+astonishment and concern in a most plebeian manner by a low and
+expressive whistle.&nbsp; I, of course, could not share his
+consternation.&nbsp; My feelings in that connection were of a
+different order; but I was annoyed at his unintelligent
+stare.</p>
+<p>&ldquo;I suppose,&rdquo; I said, &ldquo;you will take it on
+yourself to advise Do&ntilde;a Rita, who is greatly interested in
+this affair.&rdquo;</p>
+<p>&ldquo;Yes, but I was given to understand that Madame de
+Lastaola was to leave Paris either yesterday or this
+morning.&rdquo;</p>
+<p>It was my turn to stare dumbly before I could manage to ask:
+&ldquo;For Tolosa?&rdquo; in a very knowing tone.</p>
+<p>Whether it was the droop of his head, play of light, or some
+other subtle cause, his nose seemed to have grown perceptibly
+longer.</p>
+<p>&ldquo;That, Se&ntilde;or, is the place where the news has got
+to be conveyed without undue delay,&rdquo; he said in an agitated
+wheeze.&nbsp; &ldquo;I could, of course, telegraph to our agent
+in Bayonne who would find a messenger.&nbsp; But I don&rsquo;t
+like, I don&rsquo;t like!&nbsp; The Alphonsists have agents, too,
+who hang about the telegraph offices.&nbsp; It&rsquo;s no use
+letting the enemy get that news.&rdquo;</p>
+<p>He was obviously very confused, unhappy, and trying to think
+of two different things at once.</p>
+<p>&ldquo;Sit down, Don George, sit down.&rdquo;&nbsp; He
+absolutely forced a cigar on me.&nbsp; &ldquo;I am extremely
+distressed.&nbsp; That&mdash;I mean Do&ntilde;a Rita is
+undoubtedly on her way to Tolosa.&nbsp; This is very
+frightful.&rdquo;</p>
+<p>I must say, however, that there was in the man some sense of
+duty.&nbsp; He mastered his private fears.&nbsp; After some
+cogitation he murmured: &ldquo;There is another way of getting
+the news to Headquarters.&nbsp; Suppose you write me a formal
+letter just stating the facts, the unfortunate facts, which I
+will be able to forward.&nbsp; There is an agent of ours, a
+fellow I have been employing for purchasing supplies, a perfectly
+honest man.&nbsp; He is coming here from the north by the ten
+o&rsquo;clock train with some papers for me of a confidential
+nature.&nbsp; I was rather embarrassed about it.&nbsp; It
+wouldn&rsquo;t do for him to get into any sort of trouble.&nbsp;
+He is not very intelligent.&nbsp; I wonder, Don George, whether
+you would consent to meet him at the station and take care of him
+generally till to-morrow.&nbsp; I don&rsquo;t like the idea of
+him going about alone.&nbsp; Then, to-morrow night, we would send
+him on to Tolosa by the west coast route, with the news; and then
+he can also call on Do&ntilde;a Rita who will no doubt be already
+there. . . .&rdquo;&nbsp; He became again distracted all in a
+moment and actually went so far as to wring his fat hands.&nbsp;
+&ldquo;Oh, yes, she will be there!&rdquo; he exclaimed in most
+pathetic accents.</p>
+<p>I was not in the humour to smile at anything, and he must have
+been satisfied with the gravity with which I beheld his
+extraordinary antics.&nbsp; My mind was very far away.&nbsp; I
+thought: Why not?&nbsp; Why shouldn&rsquo;t I also write a letter
+to Do&ntilde;a Rita, telling her that now nothing stood in the
+way of my leaving Europe, because, really, the enterprise
+couldn&rsquo;t be begun again; that things that come to an end
+can never be begun again.&nbsp; The idea&mdash;never
+again&mdash;had complete possession of my mind.&nbsp; I could
+think of nothing else.&nbsp; Yes, I would write.&nbsp; The worthy
+Commissary General of the Carlist forces was under the impression
+that I was looking at him; but what I had in my eye was a jumble
+of butterfly women and winged youths and the soft sheen of Argand
+lamps gleaming on an arrow of gold in the hair of a head that
+seemed to evade my outstretched hand.</p>
+<p>&ldquo;Oh, yes,&rdquo; I said, &ldquo;I have nothing to do and
+even nothing to think of just now, I will meet your man as he
+gets off the train at ten o&rsquo;clock to-night.&nbsp;
+What&rsquo;s he like?&rdquo;</p>
+<p>&ldquo;Oh, he has a black moustache and whiskers, and his chin
+is shaved,&rdquo; said the newly-fledged baron cordially.&nbsp;
+&ldquo;A very honest fellow.&nbsp; I always found him very
+useful.&nbsp; His name is Jos&eacute; Ortega.&rdquo;</p>
+<p>He was perfectly self-possessed now, and walking soft-footed
+accompanied me to the door of the room.&nbsp; He shook hands with
+a melancholy smile.&nbsp; &ldquo;This is a very frightful
+situation.&nbsp; My poor wife will be quite distracted.&nbsp; She
+is such a patriot.&nbsp; Many thanks, Don George.&nbsp; You
+relieve me greatly.&nbsp; The fellow is rather stupid and rather
+bad-tempered.&nbsp; Queer creature, but very honest!&nbsp; Oh,
+very honest!&rdquo;</p>
+<h3>CHAPTER IV</h3>
+<p>It was the last evening of Carnival.&nbsp; The same masks, the
+same yells, the same mad rushes, the same bedlam of disguised
+humanity blowing about the streets in the great gusts of mistral
+that seemed to make them dance like dead leaves on an earth where
+all joy is watched by death.</p>
+<p>It was exactly twelve months since that other carnival evening
+when I had felt a little weary and a little lonely but at peace
+with all mankind.&nbsp; It must have been&mdash;to a day or
+two.&nbsp; But on this evening it wasn&rsquo;t merely loneliness
+that I felt.&nbsp; I felt bereaved with a sense of a complete and
+universal loss in which there was perhaps more resentment than
+mourning; as if the world had not been taken away from me by an
+august decree but filched from my innocence by an underhand fate
+at the very moment when it had disclosed to my passion its warm
+and generous beauty.&nbsp; This consciousness of universal loss
+had this advantage that it induced something resembling a state
+of philosophic indifference.&nbsp; I walked up to the railway
+station caring as little for the cold blasts of wind as though I
+had been going to the scaffold.&nbsp; The delay of the train did
+not irritate me in the least.&nbsp; I had finally made up my mind
+to write a letter to Do&ntilde;a Rita; and this &ldquo;honest
+fellow&rdquo; for whom I was waiting would take it to her.&nbsp;
+He would have no difficulty in Tolosa in finding Madame de
+Lastaola.&nbsp; The General Headquarters, which was also a Court,
+would be buzzing with comments on her presence.&nbsp; Most likely
+that &ldquo;honest fellow&rdquo; was already known to Do&ntilde;a
+Rita.&nbsp; For all I knew he might have been her discovery just
+as I was.&nbsp; Probably I, too, was regarded as an &ldquo;honest
+fellow&rdquo; enough; but stupid&mdash;since it was clear that my
+luck was not inexhaustible.&nbsp; I hoped that while carrying my
+letter the man would not let himself be caught by some Alphonsist
+guerilla who would, of course, shoot him.&nbsp; But why should
+he?&nbsp; I, for instance, had escaped with my life from a much
+more dangerous enterprise than merely passing through the
+frontier line in charge of some trustworthy guide.&nbsp; I
+pictured the fellow to myself trudging over the stony slopes and
+scrambling down wild ravines with my letter to Do&ntilde;a Rita
+in his pocket.&nbsp; It would be such a letter of farewell as no
+lover had ever written, no woman in the world had ever read,
+since the beginning of love on earth.&nbsp; It would be worthy of
+the woman.&nbsp; No experience, no memories, no dead traditions
+of passion or language would inspire it.&nbsp; She herself would
+be its sole inspiration.&nbsp; She would see her own image in it
+as in a mirror; and perhaps then she would understand what it was
+I was saying farewell to on the very threshold of my life.&nbsp;
+A breath of vanity passed through my brain.&nbsp; A letter as
+moving as her mere existence was moving would be something
+unique.&nbsp; I regretted I was not a poet.</p>
+<p>I woke up to a great noise of feet, a sudden influx of people
+through the doors of the platform.&nbsp; I made out my
+man&rsquo;s whiskers at once&mdash;not that they were enormous,
+but because I had been warned beforehand of their existence by
+the excellent Commissary General.&nbsp; At first I saw nothing of
+him but his whiskers: they were black and cut somewhat in the
+shape of a shark&rsquo;s fin and so very fine that the least
+breath of air animated them into a sort of playful
+restlessness.&nbsp; The man&rsquo;s shoulders were hunched up and
+when he had made his way clear of the throng of passengers I
+perceived him as an unhappy and shivery being.&nbsp; Obviously he
+didn&rsquo;t expect to be met, because when I murmured an
+enquiring, &ldquo;Se&ntilde;or Ortega?&rdquo; into his ear he
+swerved away from me and nearly dropped a little handbag he was
+carrying.&nbsp; His complexion was uniformly pale, his mouth was
+red, but not engaging.&nbsp; His social status was not very
+definite.&nbsp; He was wearing a dark blue overcoat of no
+particular cut, his aspect had no relief; yet those restless
+side-whiskers flanking his red mouth and the suspicious
+expression of his black eyes made him noticeable.&nbsp; This I
+regretted the more because I caught sight of two skulking
+fellows, looking very much like policemen in plain clothes,
+watching us from a corner of the great hall.&nbsp; I hurried my
+man into a fiacre.&nbsp; He had been travelling from early
+morning on cross-country lines and after we got on terms a little
+confessed to being very hungry and cold.&nbsp; His red lips
+trembled and I noted an underhand, cynical curiosity when he had
+occasion to raise his eyes to my face.&nbsp; I was in some doubt
+how to dispose of him but as we rolled on at a jog trot I came to
+the conclusion that the best thing to do would be to organize for
+him a shake-down in the studio.&nbsp; Obscure lodging houses are
+precisely the places most looked after by the police, and even
+the best hotels are bound to keep a register of arrivals.&nbsp; I
+was very anxious that nothing should stop his projected mission
+of courier to headquarters.&nbsp; As we passed various street
+corners where the mistral blast struck at us fiercely I could
+feel him shivering by my side.&nbsp; However, Therese would have
+lighted the iron stove in the studio before retiring for the
+night, and, anyway, I would have to turn her out to make up a bed
+on the couch.&nbsp; Service of the King!&nbsp; I must say that
+she was amiable and didn&rsquo;t seem to mind anything one asked
+her to do.&nbsp; Thus while the fellow slumbered on the divan I
+would sit upstairs in my room setting down on paper those great
+words of passion and sorrow that seethed in my brain and even
+must have forced themselves in murmurs on to my lips, because the
+man by my side suddenly asked me: &ldquo;What did you
+say?&rdquo;&mdash;&ldquo;Nothing,&rdquo; I answered, very much
+surprised.&nbsp; In the shifting light of the street lamps he
+looked the picture of bodily misery with his chattering teeth and
+his whiskers blown back flat over his ears.&nbsp; But somehow he
+didn&rsquo;t arouse my compassion.&nbsp; He was swearing to
+himself, in French and Spanish, and I tried to soothe him by the
+assurance that we had not much farther to go.&nbsp; &ldquo;I am
+starving,&rdquo; he remarked acidly, and I felt a little
+compunction.&nbsp; Clearly, the first thing to do was to feed
+him.&nbsp; We were then entering the Cannebi&egrave;re and as I
+didn&rsquo;t care to show myself with him in the fashionable
+restaurant where a new face (and such a face, too) would be
+remarked, I pulled up the fiacre at the door of the Maison
+Dor&eacute;e.&nbsp; That was more of a place of general resort
+where, in the multitude of casual patrons, he would pass
+unnoticed.</p>
+<p>For this last night of carnival the big house had decorated
+all its balconies with rows of coloured paper lanterns right up
+to the roof.&nbsp; I led the way to the grand salon, for as to
+private rooms they had been all retained days before.&nbsp; There
+was a great crowd of people in costume, but by a piece of good
+luck we managed to secure a little table in a corner.&nbsp; The
+revellers, intent on their pleasure, paid no attention to
+us.&nbsp; Se&ntilde;or Ortega trod on my heels and after sitting
+down opposite me threw an ill-natured glance at the festive
+scene.&nbsp; It might have been about half-past ten, then.</p>
+<p>Two glasses of wine he drank one after another did not improve
+his temper.&nbsp; He only ceased to shiver.&nbsp; After he had
+eaten something it must have occurred to him that he had no
+reason to bear me a grudge and he tried to assume a civil and
+even friendly manner.&nbsp; His mouth, however, betrayed an
+abiding bitterness.&nbsp; I mean when he smiled.&nbsp; In repose
+it was a very expressionless mouth, only it was too red to be
+altogether ordinary.&nbsp; The whole of him was like that: the
+whiskers too black, the hair too shiny, the forehead too white,
+the eyes too mobile; and he lent you his attention with an air of
+eagerness which made you uncomfortable.&nbsp; He seemed to expect
+you to give yourself away by some unconsidered word that he would
+snap up with delight.&nbsp; It was that peculiarity that somehow
+put me on my guard.&nbsp; I had no idea who I was facing across
+the table and as a matter of fact I did not care.&nbsp; All my
+impressions were blurred; and even the promptings of my instinct
+were the haziest thing imaginable.&nbsp; Now and then I had acute
+hallucinations of a woman with an arrow of gold in her
+hair.&nbsp; This caused alternate moments of exaltation and
+depression from which I tried to take refuge in conversation; but
+Se&ntilde;or Ortega was not stimulating.&nbsp; He was preoccupied
+with personal matters.&nbsp; When suddenly he asked me whether I
+knew why he had been called away from his work (he had been
+buying supplies from peasants somewhere in Central France), I
+answered that I didn&rsquo;t know what the reason was originally,
+but I had an idea that the present intention was to make of him a
+courier, bearing certain messages from Baron H. to the Quartel
+Real in Tolosa.</p>
+<p>He glared at me like a basilisk.&nbsp; &ldquo;And why have I
+been met like this?&rdquo; he enquired with an air of being
+prepared to hear a lie.</p>
+<p>I explained that it was the Baron&rsquo;s wish, as a matter of
+prudence and to avoid any possible trouble which might arise from
+enquiries by the police.</p>
+<p>He took it badly.&nbsp; &ldquo;What nonsense.&rdquo;&nbsp; He
+was&mdash;he said&mdash;an employ&eacute; (for several years) of
+Hernandez Brothers in Paris, an importing firm, and he was
+travelling on their business&mdash;as he could prove.&nbsp; He
+dived into his side pocket and produced a handful of folded
+papers of all sorts which he plunged back again instantly.</p>
+<p>And even then I didn&rsquo;t know whom I had there, opposite
+me, busy now devouring a slice of p&acirc;t&eacute; de foie
+gras.&nbsp; Not in the least.&nbsp; It never entered my
+head.&nbsp; How could it?&nbsp; The Rita that haunted me had no
+history; she was but the principle of life charged with
+fatality.&nbsp; Her form was only a mirage of desire decoying one
+step by step into despair.</p>
+<p>Se&ntilde;or Ortega gulped down some more wine and suggested I
+should tell him who I was.&nbsp; &ldquo;It&rsquo;s only right I
+should know,&rdquo; he added.</p>
+<p>This could not be gainsaid; and to a man connected with the
+Carlist organization the shortest way was to introduce myself as
+that &ldquo;Monsieur George&rdquo; of whom he had probably
+heard.</p>
+<p>He leaned far over the table, till his very breast-bone was
+over the edge, as though his eyes had been stilettos and he
+wanted to drive them home into my brain.&nbsp; It was only much
+later that I understood how near death I had been at that
+moment.&nbsp; But the knives on the tablecloth were the usual
+restaurant knives with rounded ends and about as deadly as pieces
+of hoop-iron.&nbsp; Perhaps in the very gust of his fury he
+remembered what a French restaurant knife is like and something
+sane within him made him give up the sudden project of cutting my
+heart out where I sat.&nbsp; For it could have been nothing but a
+sudden impulse.&nbsp; His settled purpose was quite other.&nbsp;
+It was not my heart that he was after.&nbsp; His fingers indeed
+were groping amongst the knife handles by the side of his plate
+but what captivated my attention for a moment were his red lips
+which were formed into an odd, sly, insinuating smile.&nbsp;
+Heard!&nbsp; To be sure he had heard!&nbsp; The chief of the
+great arms smuggling organization!</p>
+<p>&ldquo;Oh!&rdquo; I said, &ldquo;that&rsquo;s giving me too
+much importance.&rdquo;&nbsp; The person responsible and whom I
+looked upon as chief of all the business was, as he might have
+heard, too, a certain noble and loyal lady.</p>
+<p>&ldquo;I am as noble as she is,&rdquo; he snapped peevishly,
+and I put him down at once as a very offensive beast.&nbsp;
+&ldquo;And as to being loyal, what is that?&nbsp; It is being
+truthful!&nbsp; It is being faithful!&nbsp; I know all about
+her.&rdquo;</p>
+<p>I managed to preserve an air of perfect unconcern.&nbsp; He
+wasn&rsquo;t a fellow to whom one could talk of Do&ntilde;a
+Rita.</p>
+<p>&ldquo;You are a Basque,&rdquo; I said.</p>
+<p>He admitted rather contemptuously that he was a Basque and
+even then the truth did not dawn upon me.&nbsp; I suppose that
+with the hidden egoism of a lover I was thinking of myself, of
+myself alone in relation to Do&ntilde;a Rita, not of Do&ntilde;a
+Rita herself.&nbsp; He, too, obviously.&nbsp; He said: &ldquo;I
+am an educated man, but I know her people, all peasants.&nbsp;
+There is a sister, an uncle, a priest, a peasant, too, and
+perfectly unenlightened.&nbsp; One can&rsquo;t expect much from a
+priest (I am a free-thinker of course), but he is really too bad,
+more like a brute beast.&nbsp; As to all her people, mostly dead
+now, they never were of any account.&nbsp; There was a little
+land, but they were always working on other people&rsquo;s farms,
+a barefooted gang, a starved lot.&nbsp; I ought to know because
+we are distant relations.&nbsp; Twentieth cousins or something of
+the sort.&nbsp; Yes, I am related to that most loyal lady.&nbsp;
+And what is she, after all, but a Parisian woman with innumerable
+lovers, as I have been told.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t think your information is very
+correct,&rdquo; I said, affecting to yawn slightly.&nbsp;
+&ldquo;This is mere gossip of the gutter and I am surprised at
+you, who really know nothing about it&mdash;&rdquo;</p>
+<p>But the disgusting animal had fallen into a brown study.&nbsp;
+The hair of his very whiskers was perfectly still.&nbsp; I had
+now given up all idea of the letter to Rita.&nbsp; Suddenly he
+spoke again:</p>
+<p>&ldquo;Women are the origin of all evil.&nbsp; One should
+never trust them.&nbsp; They have no honour.&nbsp; No
+honour!&rdquo; he repeated, striking his breast with his closed
+fist on which the knuckles stood out very white.&nbsp; &ldquo;I
+left my village many years ago and of course I am perfectly
+satisfied with my position and I don&rsquo;t know why I should
+trouble my head about this loyal lady.&nbsp; I suppose
+that&rsquo;s the way women get on in the world.&rdquo;</p>
+<p>I felt convinced that he was no proper person to be a
+messenger to headquarters.&nbsp; He struck me as altogether
+untrustworthy and perhaps not quite sane.&nbsp; This was
+confirmed by him saying suddenly with no visible connection and
+as if it had been forced from him by some agonizing process:
+&ldquo;I was a boy once,&rdquo; and then stopping dead short with
+a smile.&nbsp; He had a smile that frightened one by its
+association of malice and anguish.</p>
+<p>&ldquo;Will you have anything more to eat?&rdquo; I asked.</p>
+<p>He declined dully.&nbsp; He had had enough.&nbsp; But he
+drained the last of a bottle into his glass and accepted a cigar
+which I offered him.&nbsp; While he was lighting it I had a sort
+of confused impression that he wasn&rsquo;t such a stranger to me
+as I had assumed he was; and yet, on the other hand, I was
+perfectly certain I had never seen him before.&nbsp; Next moment
+I felt that I could have knocked him down if he hadn&rsquo;t
+looked so amazingly unhappy, while he came out with the
+astounding question: &ldquo;Se&ntilde;or, have you ever been a
+lover in your young days?&rdquo;</p>
+<p>&ldquo;What do you mean?&rdquo; I asked.&nbsp; &ldquo;How old
+do you think I am?&rdquo;</p>
+<p>&ldquo;That&rsquo;s true,&rdquo; he said, gazing at me in a
+way in which the damned gaze out of their cauldrons of boiling
+pitch at some soul walking scot free in the place of
+torment.&nbsp; &ldquo;It&rsquo;s true, you don&rsquo;t seem to
+have anything on your mind.&rdquo;&nbsp; He assumed an air of
+ease, throwing an arm over the back of his chair and blowing the
+smoke through the gash of his twisted red mouth.&nbsp;
+&ldquo;Tell me,&rdquo; he said, &ldquo;between men, you know, has
+this&mdash;wonderful celebrity&mdash;what does she call
+herself?&nbsp; How long has she been your mistress?&rdquo;</p>
+<p>I reflected rapidly that if I knocked him over, chair and all,
+by a sudden blow from the shoulder it would bring about infinite
+complications beginning with a visit to the Commissaire de Police
+on night-duty, and ending in God knows what scandal and
+disclosures of political kind; because there was no telling what,
+or how much, this outrageous brute might choose to say and how
+many people he might not involve in a most undesirable
+publicity.&nbsp; He was smoking his cigar with a poignantly
+mocking air and not even looking at me.&nbsp; One can&rsquo;t hit
+like that a man who isn&rsquo;t even looking at one; and then,
+just as I was looking at him swinging his leg with a caustic
+smile and stony eyes, I felt sorry for the creature.&nbsp; It was
+only his body that was there in that chair.&nbsp; It was manifest
+to me that his soul was absent in some hell of its own.&nbsp; At
+that moment I attained the knowledge of who it was I had before
+me.&nbsp; This was the man of whom both Do&ntilde;a Rita and Rose
+were so much afraid.&nbsp; It remained then for me to look after
+him for the night and then arrange with Baron H. that he should
+be sent away the very next day&mdash;and anywhere but to
+Tolosa.&nbsp; Yes, evidently, I mustn&rsquo;t lose sight of
+him.&nbsp; I proposed in the calmest tone that we should go on
+where he could get his much-needed rest.&nbsp; He rose with
+alacrity, picked up his little hand-bag, and, walking out before
+me, no doubt looked a very ordinary person to all eyes but
+mine.&nbsp; It was then past eleven, not much, because we had not
+been in that restaurant quite an hour, but the routine of the
+town&rsquo;s night-life being upset during the Carnival the usual
+row of fiacres outside the Maison Dor&eacute;e was not there; in
+fact, there were very few carriages about.&nbsp; Perhaps the
+coachmen had assumed Pierrot costumes and were rushing about the
+streets on foot yelling with the rest of the population.&nbsp;
+&ldquo;We will have to walk,&rdquo; I said after a
+while.&mdash;&ldquo;Oh, yes, let us walk,&rdquo; assented
+Se&ntilde;or Ortega, &ldquo;or I will be frozen
+here.&rdquo;&nbsp; It was like a plaint of unutterable
+wretchedness.&nbsp; I had a fancy that all his natural heat had
+abandoned his limbs and gone to his brain.&nbsp; It was otherwise
+with me; my head was cool but I didn&rsquo;t find the night
+really so very cold.&nbsp; We stepped out briskly side by
+side.&nbsp; My lucid thinking was, as it were, enveloped by the
+wide shouting of the consecrated Carnival gaiety.&nbsp; I have
+heard many noises since, but nothing that gave me such an
+intimate impression of the savage instincts hidden in the breast
+of mankind; these yells of festivity suggested agonizing fear,
+rage of murder, ferocity of lust, and the irremediable
+joylessness of human condition: yet they were emitted by people
+who were convinced that they were amusing themselves supremely,
+traditionally, with the sanction of ages, with the approval of
+their conscience&mdash;and no mistake about it whatever!&nbsp;
+Our appearance, the soberness of our gait made us
+conspicuous.&nbsp; Once or twice, by common inspiration, masks
+rushed forward and forming a circle danced round us uttering
+discordant shouts of derision; for we were an outrage to the
+peculiar proprieties of the hour, and besides we were obviously
+lonely and defenceless.&nbsp; On those occasions there was
+nothing for it but to stand still till the flurry was over.&nbsp;
+My companion, however, would stamp his feet with rage, and I must
+admit that I myself regretted not having provided for our wearing
+a couple of false noses, which would have been enough to placate
+the just resentment of those people.&nbsp; We might have also
+joined in the dance, but for some reason or other it didn&rsquo;t
+occur to us; and I heard once a high, clear woman&rsquo;s voice
+stigmatizing us for a &ldquo;species of swelled heads&rdquo;
+(<i>esp&egrave;ce d&rsquo;enfl&eacute;s</i>).&nbsp; We proceeded
+sedately, my companion muttered with rage, and I was able to
+resume my thinking.&nbsp; It was based on the deep persuasion
+that the man at my side was insane with quite another than
+Carnivalesque lunacy which comes on at one stated time of the
+year.&nbsp; He was fundamentally mad, though not perhaps
+completely; which of course made him all the greater, I
+won&rsquo;t say danger but, nuisance.</p>
+<p>I remember once a young doctor expounding the theory that most
+catastrophes in family circles, surprising episodes in public
+affairs and disasters in private life, had their origin in the
+fact that the world was full of half-mad people.&nbsp; He
+asserted that they were the real majority.&nbsp; When asked
+whether he considered himself as belonging to the majority, he
+said frankly that he didn&rsquo;t think so; unless the folly of
+voicing this view in a company, so utterly unable to appreciate
+all its horror, could be regarded as the first symptom of his own
+fate.&nbsp; We shouted down him and his theory, but there is no
+doubt that it had thrown a chill on the gaiety of our
+gathering.</p>
+<p>We had now entered a quieter quarter of the town and
+Se&ntilde;or Ortega had ceased his muttering.&nbsp; For myself I
+had not the slightest doubt of my own sanity.&nbsp; It was proved
+to me by the way I could apply my intelligence to the problem of
+what was to be done with Se&ntilde;or Ortega.&nbsp; Generally, he
+was unfit to be trusted with any mission whatever.&nbsp; The
+unstability of his temper was sure to get him into a
+scrape.&nbsp; Of course carrying a letter to Headquarters was not
+a very complicated matter; and as to that I would have trusted
+willingly a properly trained dog.&nbsp; My private letter to
+Do&ntilde;a Rita, the wonderful, the unique letter of farewell, I
+had given up for the present.&nbsp; Naturally I thought of the
+Ortega problem mainly in the terms of Do&ntilde;a Rita&rsquo;s
+safety.&nbsp; Her image presided at every council, at every
+conflict of my mind, and dominated every faculty of my
+senses.&nbsp; It floated before my eyes, it touched my elbow, it
+guarded my right side and my left side; my ears seemed to catch
+the sound of her footsteps behind me, she enveloped me with
+passing whiffs of warmth and perfume, with filmy touches of the
+hair on my face.&nbsp; She penetrated me, my head was full of her
+. . . And his head, too, I thought suddenly with a side glance at
+my companion.&nbsp; He walked quietly with hunched-up shoulders
+carrying his little hand-bag and he looked the most commonplace
+figure imaginable.</p>
+<p>Yes.&nbsp; There was between us a most horrible fellowship;
+the association of his crazy torture with the sublime suffering
+of my passion.&nbsp; We hadn&rsquo;t been a quarter of an hour
+together when that woman had surged up fatally between us;
+between this miserable wretch and myself.&nbsp; We were haunted
+by the same image.&nbsp; But I was sane!&nbsp; I was sane!&nbsp;
+Not because I was certain that the fellow must not be allowed to
+go to Tolosa, but because I was perfectly alive to the difficulty
+of stopping him from going there, since the decision was
+absolutely in the hands of Baron H.</p>
+<p>If I were to go early in the morning and tell that fat,
+bilious man: &ldquo;Look here, your Ortega&rsquo;s mad,&rdquo; he
+would certainly think at once that I was, get very frightened,
+and . . . one couldn&rsquo;t tell what course he would
+take.&nbsp; He would eliminate me somehow out of the
+affair.&nbsp; And yet I could not let the fellow proceed to where
+Do&ntilde;a Rita was, because, obviously, he had been molesting
+her, had filled her with uneasiness and even alarm, was an
+unhappy element and a disturbing influence in her
+life&mdash;incredible as the thing appeared!&nbsp; I
+couldn&rsquo;t let him go on to make himself a worry and a
+nuisance, drive her out from a town in which she wished to be
+(for whatever reason) and perhaps start some explosive
+scandal.&nbsp; And that girl Rose seemed to fear something graver
+even than a scandal.&nbsp; But if I were to explain the matter
+fully to H. he would simply rejoice in his heart.&nbsp; Nothing
+would please him more than to have Do&ntilde;a Rita driven out of
+Tolosa.&nbsp; What a relief from his anxieties (and his
+wife&rsquo;s, too); and if I were to go further, if I even went
+so far as to hint at the fears which Rose had not been able to
+conceal from me, why then&mdash;I went on thinking coldly with a
+stoical rejection of the most elementary faith in mankind&rsquo;s
+rectitude&mdash;why then, that accommodating husband would simply
+let the ominous messenger have his chance.&nbsp; He would see
+there only his natural anxieties being laid to rest for
+ever.&nbsp; Horrible?&nbsp; Yes.&nbsp; But I could not take the
+risk.&nbsp; In a twelvemonth I had travelled a long way in my
+mistrust of mankind.</p>
+<p>We paced on steadily.&nbsp; I thought: &ldquo;How on earth am
+I going to stop you?&rdquo;&nbsp; Had this arisen only a month
+before, when I had the means at hand and Dominic to confide in, I
+would have simply kidnapped the fellow.&nbsp; A little trip to
+sea would not have done Se&ntilde;or Ortega any harm; though no
+doubt it would have been abhorrent to his feelings.&nbsp; But now
+I had not the means.&nbsp; I couldn&rsquo;t even tell where my
+poor Dominic was hiding his diminished head.</p>
+<p>Again I glanced at him sideways.&nbsp; I was the taller of the
+two and as it happened I met in the light of the street lamp his
+own stealthy glance directed up at me with an agonized
+expression, an expression that made me fancy I could see the
+man&rsquo;s very soul writhing in his body like an impaled
+worm.&nbsp; In spite of my utter inexperience I had some notion
+of the images that rushed into his mind at the sight of any man
+who had approached Do&ntilde;a Rita.&nbsp; It was enough to
+awaken in any human being a movement of horrified compassion; but
+my pity went out not to him but to Do&ntilde;a Rita.&nbsp; It was
+for her that I felt sorry; I pitied her for having that damned
+soul on her track.&nbsp; I pitied her with tenderness and
+indignation, as if this had been both a danger and a
+dishonour.</p>
+<p>I don&rsquo;t mean to say that those thoughts passed through
+my head consciously.&nbsp; I had only the resultant, settled
+feeling.&nbsp; I had, however, a thought, too.&nbsp; It came on
+me suddenly, and I asked myself with rage and astonishment:
+&ldquo;Must I then kill that brute?&rdquo;&nbsp; There
+didn&rsquo;t seem to be any alternative.&nbsp; Between him and
+Do&ntilde;a Rita I couldn&rsquo;t hesitate.&nbsp; I believe I
+gave a slight laugh of desperation.&nbsp; The suddenness of this
+sinister conclusion had in it something comic and
+unbelievable.&nbsp; It loosened my grip on my mental
+processes.&nbsp; A Latin tag came into my head about the facile
+descent into the abyss.&nbsp; I marvelled at its aptness, and
+also that it should have come to me so pat.&nbsp; But I believe
+now that it was suggested simply by the actual declivity of the
+street of the Consuls which lies on a gentle slope.&nbsp; We had
+just turned the corner.&nbsp; All the houses were dark and in a
+perspective of complete solitude our two shadows dodged and
+wheeled about our feet.</p>
+<p>&ldquo;Here we are,&rdquo; I said.</p>
+<p>He was an extraordinarily chilly devil.&nbsp; When we stopped
+I could hear his teeth chattering again.&nbsp; I don&rsquo;t know
+what came over me, I had a sort of nervous fit, was incapable of
+finding my pockets, let alone the latchkey.&nbsp; I had the
+illusion of a narrow streak of light on the wall of the house as
+if it had been cracked.&nbsp; &ldquo;I hope we will be able to
+get in,&rdquo; I murmured.</p>
+<p>Se&ntilde;or Ortega stood waiting patiently with his handbag,
+like a rescued wayfarer.&nbsp; &ldquo;But you live in this house,
+don&rsquo;t you?&rdquo; he observed.</p>
+<p>&ldquo;No,&rdquo; I said, without hesitation.&nbsp; I
+didn&rsquo;t know how that man would behave if he were aware that
+I was staying under the same roof.&nbsp; He was half mad.&nbsp;
+He might want to talk all night, try crazily to invade my
+privacy.&nbsp; How could I tell?&nbsp; Moreover, I wasn&rsquo;t
+so sure that I would remain in the house.&nbsp; I had some notion
+of going out again and walking up and down the street of the
+Consuls till daylight.&nbsp; &ldquo;No, an absent friend lets me
+use . . . I had that latchkey this morning . . . Ah! here it
+is.&rdquo;</p>
+<p>I let him go in first.&nbsp; The sickly gas flame was there on
+duty, undaunted, waiting for the end of the world to come and put
+it out.&nbsp; I think that the black-and-white hall surprised
+Ortega.&nbsp; I had closed the front door without noise and stood
+for a moment listening, while he glanced about furtively.&nbsp;
+There were only two other doors in the hall, right and
+left.&nbsp; Their panels of ebony were decorated with bronze
+applications in the centre.&nbsp; The one on the left was of
+course Blunt&rsquo;s door.&nbsp; As the passage leading beyond it
+was dark at the further end I took Se&ntilde;or Ortega by the
+hand and led him along, unresisting, like a child.&nbsp; For some
+reason or other I moved on tip-toe and he followed my
+example.&nbsp; The light and the warmth of the studio impressed
+him favourably; he laid down his little bag, rubbed his hands
+together, and produced a smile of satisfaction; but it was such a
+smile as a totally ruined man would perhaps force on his lips, or
+a man condemned to a short shrift by his doctor.&nbsp; I begged
+him to make himself at home and said that I would go at once and
+hunt up the woman of the house who would make him up a bed on the
+big couch there.&nbsp; He hardly listened to what I said.&nbsp;
+What were all those things to him!&nbsp; He knew that his destiny
+was to sleep on a bed of thorns, to feed on adders.&nbsp; But he
+tried to show a sort of polite interest.&nbsp; He asked:
+&ldquo;What is this place?&rdquo;</p>
+<p>&ldquo;It used to belong to a painter,&rdquo;&nbsp; I
+mumbled.</p>
+<p>&ldquo;Ah, your absent friend,&rdquo; he said, making a wry
+mouth.&nbsp; &ldquo;I detest all those artists, and all those
+writers, and all politicos who are thieves; and I would go even
+farther and higher, laying a curse on all idle lovers of
+women.&nbsp; You think perhaps I am a Royalist?&nbsp; No.&nbsp;
+If there was anybody in heaven or hell to pray to I would pray
+for a revolution&mdash;a red revolution everywhere.&rdquo;</p>
+<p>&ldquo;You astonish me,&rdquo; I said, just to say
+something.</p>
+<p>&ldquo;No!&nbsp; But there are half a dozen people in the
+world with whom I would like to settle accounts.&nbsp; One could
+shoot them like partridges and no questions asked.&nbsp;
+That&rsquo;s what revolution would mean to me.&rdquo;</p>
+<p>&ldquo;It&rsquo;s a beautifully simple view,&rdquo; I
+said.&nbsp; &ldquo;I imagine you are not the only one who holds
+it; but I really must look after your comforts.&nbsp; You
+mustn&rsquo;t forget that we have to see Baron H. early to-morrow
+morning.&rdquo;&nbsp; And I went out quietly into the passage
+wondering in what part of the house Therese had elected to sleep
+that night.&nbsp; But, lo and behold, when I got to the foot of
+the stairs there was Therese coming down from the upper regions
+in her nightgown, like a sleep-walker.&nbsp; However, it
+wasn&rsquo;t that, because, before I could exclaim, she vanished
+off the first floor landing like a streak of white mist and
+without the slightest sound.&nbsp; Her attire made it perfectly
+clear that she could not have heard us coming in.&nbsp; In fact,
+she must have been certain that the house was empty, because she
+was as well aware as myself that the Italian girls after their
+work at the opera were going to a masked ball to dance for their
+own amusement, attended of course by their conscientious
+father.&nbsp; But what thought, need, or sudden impulse had
+driven Therese out of bed like this was something I
+couldn&rsquo;t conceive.</p>
+<p>I didn&rsquo;t call out after her.&nbsp; I felt sure that she
+would return.&nbsp; I went up slowly to the first floor and met
+her coming down again, this time carrying a lighted candle.&nbsp;
+She had managed to make herself presentable in an extraordinarily
+short time.</p>
+<p>&ldquo;Oh, my dear young Monsieur, you have given me a
+fright.&rdquo;</p>
+<p>&ldquo;Yes.&nbsp; And I nearly fainted, too,&rdquo; I
+said.&nbsp; &ldquo;You looked perfectly awful.&nbsp; What&rsquo;s
+the matter with you?&nbsp; Are you ill?&rdquo;</p>
+<p>She had lighted by then the gas on the landing and I must say
+that I had never seen exactly that manner of face on her
+before.&nbsp; She wriggled, confused and shifty-eyed, before me;
+but I ascribed this behaviour to her shocked modesty and without
+troubling myself any more about her feelings I informed her that
+there was a Carlist downstairs who must be put up for the
+night.&nbsp; Most unexpectedly she betrayed a ridiculous
+consternation, but only for a moment.&nbsp; Then she assumed at
+once that I would give him hospitality upstairs where there was a
+camp-bedstead in my dressing-room.&nbsp; I said:</p>
+<p>&ldquo;No.&nbsp; Give him a shake-down in the studio, where he
+is now.&nbsp; It&rsquo;s warm in there.&nbsp; And remember! I
+charge you strictly not to let him know that I sleep in this
+house.&nbsp; In fact, I don&rsquo;t know myself that I will; I
+have certain matters to attend to this very night.&nbsp; You will
+also have to serve him his coffee in the morning.&nbsp; I will
+take him away before ten o&rsquo;clock.&rdquo;</p>
+<p>All this seemed to impress her more than I had expected.&nbsp;
+As usual when she felt curious, or in some other way excited, she
+assumed a saintly, detached expression, and asked:</p>
+<p>&ldquo;The dear gentleman is your friend, I
+suppose?&rdquo;</p>
+<p>&ldquo;I only know he is a Spaniard and a Carlist,&rdquo; I
+said: &ldquo;and that ought to be enough for you.&rdquo;</p>
+<p>Instead of the usual effusive exclamations she murmured:
+&ldquo;Dear me, dear me,&rdquo; and departed upstairs with the
+candle to get together a few blankets and pillows, I
+suppose.&nbsp; As for me I walked quietly downstairs on my way to
+the studio.&nbsp; I had a curious sensation that I was acting in
+a preordained manner, that life was not at all what I had thought
+it to be, or else that I had been altogether changed sometime
+during the day, and that I was a different person from the man
+whom I remembered getting out of my bed in the morning.</p>
+<p>Also feelings had altered all their values.&nbsp; The words,
+too, had become strange.&nbsp; It was only the inanimate
+surroundings that remained what they had always been.&nbsp; For
+instance the studio. . . .</p>
+<p>During my absence Se&ntilde;or Ortega had taken off his coat
+and I found him as it were in the air, sitting in his shirt
+sleeves on a chair which he had taken pains to place in the very
+middle of the floor.&nbsp; I repressed an absurd impulse to walk
+round him as though he had been some sort of exhibit.&nbsp; His
+hands were spread over his knees and he looked perfectly
+insensible.&nbsp; I don&rsquo;t mean strange, or ghastly, or
+wooden, but just insensible&mdash;like an exhibit.&nbsp; And that
+effect persisted even after he raised his black suspicious eyes
+to my face.&nbsp; He lowered them almost at once.&nbsp; It was
+very mechanical.&nbsp; I gave him up and became rather concerned
+about myself.&nbsp; My thought was that I had better get out of
+that before any more queer notions came into my head.&nbsp; So I
+only remained long enough to tell him that the woman of the house
+was bringing down some bedding and that I hoped that he would
+have a good night&rsquo;s rest.&nbsp; And directly I spoke it
+struck me that this was the most extraordinary speech that ever
+was addressed to a figure of that sort.&nbsp; He, however, did
+not seem startled by it or moved in any way.&nbsp; He simply
+said:</p>
+<p>&ldquo;Thank you.&rdquo;</p>
+<p>In the darkest part of the long passage outside I met Therese
+with her arms full of pillows and blankets.</p>
+<h3>CHAPTER V</h3>
+<p>Coming out of the bright light of the studio I didn&rsquo;t
+make out Therese very distinctly.&nbsp; She, however, having
+groped in dark cupboards, must have had her pupils sufficiently
+dilated to have seen that I had my hat on my head.&nbsp; This has
+its importance because after what I had said to her upstairs it
+must have convinced her that I was going out on some midnight
+business.&nbsp; I passed her without a word and heard behind me
+the door of the studio close with an unexpected crash.&nbsp; It
+strikes me now that under the circumstances I might have without
+shame gone back to listen at the keyhole.&nbsp; But truth to say
+the association of events was not so clear in my mind as it may
+be to the reader of this story.&nbsp; Neither were the exact
+connections of persons present to my mind.&nbsp; And, besides,
+one doesn&rsquo;t listen at a keyhole but in pursuance of some
+plan; unless one is afflicted by a vulgar and fatuous
+curiosity.&nbsp; But that vice is not in my character.&nbsp; As
+to plan, I had none.&nbsp; I moved along the passage between the
+dead wall and the black-and-white marble elevation of the
+staircase with hushed footsteps, as though there had been a
+mortally sick person somewhere in the house.&nbsp; And the only
+person that could have answered to that description was
+Se&ntilde;or Ortega.&nbsp; I moved on, stealthy, absorbed,
+undecided; asking myself earnestly: &ldquo;What on earth am I
+going to do with him?&rdquo;&nbsp; That exclusive preoccupation
+of my mind was as dangerous to Se&ntilde;or Ortega as typhoid
+fever would have been.&nbsp; It strikes me that this comparison
+is very exact.&nbsp; People recover from typhoid fever, but
+generally the chance is considered poor.&nbsp; This was precisely
+his case.&nbsp; His chance was poor; though I had no more
+animosity towards him than a virulent disease has against the
+victim it lays low.&nbsp; He really would have nothing to
+reproach me with; he had run up against me, unwittingly, as a man
+enters an infected place, and now he was very ill, very ill
+indeed.&nbsp; No, I had no plans against him.&nbsp; I had only
+the feeling that he was in mortal danger.</p>
+<p>I believe that men of the most daring character (and I make no
+claim to it) often do shrink from the logical processes of
+thought.&nbsp; It is only the devil, they say, that loves
+logic.&nbsp; But I was not a devil.&nbsp; I was not even a victim
+of the devil.&nbsp; It was only that I had given up the direction
+of my intelligence before the problem; or rather that the problem
+had dispossessed my intelligence and reigned in its stead side by
+side with a superstitious awe.&nbsp; A dreadful order seemed to
+lurk in the darkest shadows of life.&nbsp; The madness of that
+Carlist with the soul of a Jacobin, the vile fears of Baron H.,
+that excellent organizer of supplies, the contact of their two
+ferocious stupidities, and last, by a remote disaster at sea, my
+love brought into direct contact with the situation: all that was
+enough to make one shudder&mdash;not at the chance, but at the
+design.</p>
+<p>For it was my love that was called upon to act here, and
+nothing else.&nbsp; And love which elevates us above all
+safeguards, above restraining principles, above all littlenesses
+of self-possession, yet keeps its feet always firmly on earth,
+remains marvellously practical in its suggestions.</p>
+<p>I discovered that however much I had imagined I had given up
+Rita, that whatever agonies I had gone through, my hope of her
+had never been lost.&nbsp; Plucked out, stamped down, torn to
+shreds, it had remained with me secret, intact, invincible.&nbsp;
+Before the danger of the situation it sprang, full of life, up in
+arms&mdash;the undying child of immortal love.&nbsp; What incited
+me was independent of honour and compassion; it was the prompting
+of a love supreme, practical, remorseless in its aim; it was the
+practical thought that no woman need be counted as lost for ever,
+unless she be dead!</p>
+<p>This excluded for the moment all considerations of ways and
+means and risks and difficulties.&nbsp; Its tremendous intensity
+robbed it of all direction and left me adrift in the big
+black-and-white hall as on a silent sea.&nbsp; It was not,
+properly speaking, irresolution.&nbsp; It was merely hesitation
+as to the next immediate step, and that step even of no great
+importance: hesitation merely as to the best way I could spend
+the rest of the night.&nbsp; I didn&rsquo;t think further forward
+for many reasons, more or less optimistic, but mainly because I
+have no homicidal vein in my composition.&nbsp; The disposition
+to gloat over homicide was in that miserable creature in the
+studio, the potential Jacobin; in that confounded buyer of
+agricultural produce, the punctual employ&eacute; of Hernandez
+Brothers, the jealous wretch with an obscene tongue and an
+imagination of the same kind to drive him mad.&nbsp; I thought of
+him without pity but also without contempt.&nbsp; I reflected
+that there were no means of sending a warning to Do&ntilde;a Rita
+in Tolosa; for of course no postal communication existed with the
+Headquarters.&nbsp; And moreover what would a warning be worth in
+this particular case, supposing it would reach her, that she
+would believe it, and that she would know what to do?&nbsp; How
+could I communicate to another that certitude which was in my
+mind, the more absolute because without proofs that one could
+produce?</p>
+<p>The last expression of Rose&rsquo;s distress rang again in my
+ears: &ldquo;Madame has no friends.&nbsp; Not one!&rdquo; and I
+saw Do&ntilde;a Rita&rsquo;s complete loneliness beset by all
+sorts of insincerities, surrounded by pitfalls; her greatest
+dangers within herself, in her generosity, in her fears, in her
+courage, too.&nbsp; What I had to do first of all was to stop
+that wretch at all costs.&nbsp; I became aware of a great
+mistrust of Therese.&nbsp; I didn&rsquo;t want her to find me in
+the hall, but I was reluctant to go upstairs to my rooms from an
+unreasonable feeling that there I would be too much out of the
+way; not sufficiently on the spot.&nbsp; There was the
+alternative of a live-long night of watching outside, before the
+dark front of the house.&nbsp; It was a most distasteful
+prospect.&nbsp; And then it occurred to me that Blunt&rsquo;s
+former room would be an extremely good place to keep a watch
+from.&nbsp; I knew that room.&nbsp; When Henry All&egrave;gre
+gave the house to Rita in the early days (long before he made his
+will) he had planned a complete renovation and this room had been
+meant for the drawing-room.&nbsp; Furniture had been made for it
+specially, upholstered in beautiful ribbed stuff, made to order,
+of dull gold colour with a pale blue tracery of arabesques and
+oval medallions enclosing Rita&rsquo;s monogram, repeated on the
+backs of chairs and sofas, and on the heavy curtains reaching
+from ceiling to floor.&nbsp; To the same time belonged the ebony
+and bronze doors, the silver statuette at the foot of the stairs,
+the forged iron balustrade reproducing right up the marble
+staircase Rita&rsquo;s decorative monogram in its complicated
+design.&nbsp; Afterwards the work was stopped and the house had
+fallen into disrepair.&nbsp; When Rita devoted it to the Carlist
+cause a bed was put into that drawing-room, just simply the
+bed.&nbsp; The room next to that yellow salon had been in
+All&egrave;gre&rsquo;s young days fitted as a fencing-room
+containing also a bath, and a complicated system of all sorts of
+shower and jet arrangements, then quite up to date.&nbsp; That
+room was very large, lighted from the top, and one wall of it was
+covered by trophies of arms of all sorts, a choice collection of
+cold steel disposed on a background of Indian mats and rugs:
+Blunt used it as a dressing-room.&nbsp; It communicated by a
+small door with the studio.</p>
+<p>I had only to extend my hand and make one step to reach the
+magnificent bronze handle of the ebony door, and if I
+didn&rsquo;t want to be caught by Therese there was no time to
+lose.&nbsp; I made the step and extended the hand, thinking that
+it would be just like my luck to find the door locked.&nbsp; But
+the door came open to my push.&nbsp; In contrast to the dark hall
+the room was most unexpectedly dazzling to my eyes, as if
+illuminated <i>a giorno</i> for a reception.&nbsp; No voice came
+from it, but nothing could have stopped me now.&nbsp; As I turned
+round to shut the door behind me noiselessly I caught sight of a
+woman&rsquo;s dress on a chair, of other articles of apparel
+scattered about.&nbsp; The mahogany bed with a piece of light
+silk which Therese found somewhere and used for a counterpane was
+a magnificent combination of white and crimson between the
+gleaming surfaces of dark wood; and the whole room had an air of
+splendour with marble consoles, gilt carvings, long mirrors and a
+sumptuous Venetian lustre depending from the ceiling: a darkling
+mass of icy pendants catching a spark here and there from the
+candles of an eight-branched candelabra standing on a little
+table near the head of a sofa which had been dragged round to
+face the fireplace.&nbsp; The faintest possible whiff of a
+familiar perfume made my head swim with its suggestion.</p>
+<p>I grabbed the back of the nearest piece of furniture and the
+splendour of marbles and mirrors, of cut crystals and carvings,
+swung before my eyes in the golden mist of walls and draperies
+round an extremely conspicuous pair of black stockings thrown
+over a music stool which remained motionless.&nbsp; The silence
+was profound.&nbsp; It was like being in an enchanted
+place.&nbsp; Suddenly a voice began to speak, clear, detached,
+infinitely touching in its calm weariness.</p>
+<p>&ldquo;Haven&rsquo;t you tormented me enough to-day?&rdquo; it
+said. . . . My head was steady now but my heart began to beat
+violently.&nbsp; I listened to the end without moving,
+&ldquo;Can&rsquo;t you make up your mind to leave me alone for
+to-night?&rdquo;&nbsp; It pleaded with an accent of charitable
+scorn.</p>
+<p>The penetrating quality of these tones which I had not heard
+for so many, many days made my eyes run full of tears.&nbsp; I
+guessed easily that the appeal was addressed to the atrocious
+Therese.&nbsp; The speaker was concealed from me by the high back
+of the sofa, but her apprehension was perfectly justified.&nbsp;
+For was it not I who had turned back Therese the pious, the
+insatiable, coming downstairs in her nightgown to torment her
+sister some more?&nbsp; Mere surprise at Do&ntilde;a Rita&rsquo;s
+presence in the house was enough to paralyze me; but I was also
+overcome by an enormous sense of relief, by the assurance of
+security for her and for myself.&nbsp; I didn&rsquo;t even ask
+myself how she came there.&nbsp; It was enough for me that she
+was not in Tolosa.&nbsp; I could have smiled at the thought that
+all I had to do now was to hasten the departure of that
+abominable lunatic&mdash;for Tolosa: an easy task, almost no task
+at all.&nbsp; Yes, I would have smiled, had not I felt outraged
+by the presence of Se&ntilde;or Ortega under the same roof with
+Do&ntilde;a Rita.&nbsp; The mere fact was repugnant to me,
+morally revolting; so that I should have liked to rush at him and
+throw him out into the street.&nbsp; But that was not to be done
+for various reasons.&nbsp; One of them was pity.&nbsp; I was
+suddenly at peace with all mankind, with all nature.&nbsp; I felt
+as if I couldn&rsquo;t hurt a fly.&nbsp; The intensity of my
+emotion sealed my lips.&nbsp; With a fearful joy tugging at my
+heart I moved round the head of the couch without a word.</p>
+<p>In the wide fireplace on a pile of white ashes the logs had a
+deep crimson glow; and turned towards them Do&ntilde;a Rita
+reclined on her side enveloped in the skins of wild beasts like a
+charming and savage young chieftain before a camp fire.&nbsp; She
+never even raised her eyes, giving me the opportunity to
+contemplate mutely that adolescent, delicately masculine head, so
+mysteriously feminine in the power of instant seduction, so
+infinitely suave in its firm design, almost childlike in the
+freshness of detail: altogether ravishing in the inspired
+strength of the modelling.&nbsp; That precious head reposed in
+the palm of her hand; the face was slightly flushed (with anger
+perhaps).&nbsp; She kept her eyes obstinately fixed on the pages
+of a book which she was holding with her other hand.&nbsp; I had
+the time to lay my infinite adoration at her feet whose white
+insteps gleamed below the dark edge of the fur out of quilted
+blue silk bedroom slippers, embroidered with small pearls.&nbsp;
+I had never seen them before; I mean the slippers.&nbsp; The
+gleam of the insteps, too, for that matter.&nbsp; I lost myself
+in a feeling of deep content, something like a foretaste of a
+time of felicity which must be quiet or it couldn&rsquo;t be
+eternal.&nbsp; I had never tasted such perfect quietness
+before.&nbsp; It was not of this earth.&nbsp; I had gone far
+beyond.&nbsp; It was as if I had reached the ultimate wisdom
+beyond all dreams and all passions.&nbsp; She was That which is
+to be contemplated to all Infinity.</p>
+<p>The perfect stillness and silence made her raise her eyes at
+last, reluctantly, with a hard, defensive expression which I had
+never seen in them before.&nbsp; And no wonder!&nbsp; The glance
+was meant for Therese and assumed in self-defence.&nbsp; For some
+time its character did not change and when it did it turned into
+a perfectly stony stare of a kind which I also had never seen
+before.&nbsp; She had never wished so much to be left in
+peace.&nbsp; She had never been so astonished in her life.&nbsp;
+She had arrived by the evening express only two hours before
+Se&ntilde;or Ortega, had driven to the house, and after having
+something to eat had become for the rest of the evening the
+helpless prey of her sister who had fawned and scolded and
+wheedled and threatened in a way that outraged all Rita&rsquo;s
+feelings.&nbsp; Seizing this unexpected occasion Therese had
+displayed a distracting versatility of sentiment: rapacity,
+virtue, piety, spite, and false tenderness&mdash;while,
+characteristically enough, she unpacked the dressing-bag, helped
+the sinner to get ready for bed, brushed her hair, and finally,
+as a climax, kissed her hands, partly by surprise and partly by
+violence.&nbsp; After that she had retired from the field of
+battle slowly, undefeated, still defiant, firing as a last shot
+the impudent question: &ldquo;Tell me only, have you made your
+will, Rita?&rdquo;&nbsp; To this poor Do&ntilde;a Rita with the
+spirit of opposition strung to the highest pitch answered:
+&ldquo;No, and I don&rsquo;t mean to&rdquo;&mdash;being under the
+impression that this was what her sister wanted her to do.&nbsp;
+There can be no doubt, however, that all Therese wanted was the
+information.</p>
+<p>Rita, much too agitated to expect anything but a sleepless
+night, had not the courage to get into bed.&nbsp; She thought she
+would remain on the sofa before the fire and try to compose
+herself with a book.&nbsp; As she had no dressing-gown with her
+she put on her long fur coat over her night-gown, threw some logs
+on the fire, and lay down.&nbsp; She didn&rsquo;t hear the
+slightest noise of any sort till she heard me shut the door
+gently.&nbsp; Quietness of movement was one of Therese&rsquo;s
+accomplishments, and the harassed heiress of the All&egrave;gre
+millions naturally thought it was her sister coming again to
+renew the scene.&nbsp; Her heart sank within her.&nbsp; In the
+end she became a little frightened at the long silence, and
+raised her eyes.&nbsp; She didn&rsquo;t believe them for a long
+time.&nbsp; She concluded that I was a vision.&nbsp; In fact, the
+first word which I heard her utter was a low, awed
+&ldquo;No,&rdquo; which, though I understood its meaning, chilled
+my blood like an evil omen.</p>
+<p>It was then that I spoke.&nbsp; &ldquo;Yes,&rdquo; I said,
+&ldquo;it&rsquo;s me that you see,&rdquo; and made a step
+forward.&nbsp; She didn&rsquo;t start; only her other hand flew
+to the edges of the fur coat, gripping them together over her
+breast.&nbsp; Observing this gesture I sat down in the nearest
+chair.&nbsp; The book she had been reading slipped with a thump
+on the floor.</p>
+<p>&ldquo;How is it possible that you should be here?&rdquo; she
+said, still in a doubting voice.</p>
+<p>&ldquo;I am really here,&rdquo; I said.&nbsp; &ldquo;Would you
+like to touch my hand?&rdquo;</p>
+<p>She didn&rsquo;t move at all; her fingers still clutched the
+fur coat.</p>
+<p>&ldquo;What has happened?&rdquo;</p>
+<p>&ldquo;It&rsquo;s a long story, but you may take it from me
+that all is over.&nbsp; The tie between us is broken.&nbsp; I
+don&rsquo;t know that it was ever very close.&nbsp; It was an
+external thing.&nbsp; The true misfortune is that I have ever
+seen you.&rdquo;</p>
+<p>This last phrase was provoked by an exclamation of sympathy on
+her part.&nbsp; She raised herself on her elbow and looked at me
+intently.&nbsp; &ldquo;All over,&rdquo; she murmured.</p>
+<p>&ldquo;Yes, we had to wreck the little vessel.&nbsp; It was
+awful.&nbsp; I feel like a murderer.&nbsp; But she had to be
+killed.&rdquo;</p>
+<p>&ldquo;Why?&rdquo;</p>
+<p>&ldquo;Because I loved her too much.&nbsp; Don&rsquo;t you
+know that love and death go very close together?&rdquo;</p>
+<p>&ldquo;I could feel almost happy that it is all over, if you
+hadn&rsquo;t had to lose your love.&nbsp; Oh, <i>amigo</i>
+George, it was a safe love for you.&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; I said.&nbsp; &ldquo;It was a faithful
+little vessel.&nbsp; She would have saved us all from any plain
+danger.&nbsp; But this was a betrayal.&nbsp; It was&mdash;never
+mind.&nbsp; All that&rsquo;s past.&nbsp; The question is what
+will the next one be.&rdquo;</p>
+<p>&ldquo;Why should it be that?&rdquo;</p>
+<p>&ldquo;I don&rsquo;t know.&nbsp; Life seems but a series of
+betrayals.&nbsp; There are so many kinds of them.&nbsp; This was
+a betrayed plan, but one can betray confidence, and hope
+and&mdash;desire, and the most sacred . . .&rdquo;</p>
+<p>&ldquo;But what are you doing here?&rdquo; she
+interrupted.</p>
+<p>&ldquo;Oh, yes!&nbsp; The eternal why.&nbsp; Till a few hours
+ago I didn&rsquo;t know what I was here for.&nbsp; And what are
+you here for?&rdquo; I asked point blank and with a bitterness
+she disregarded.&nbsp; She even answered my question quite
+readily with many words out of which I could make very
+little.&nbsp; I only learned that for at least five mixed
+reasons, none of which impressed me profoundly, Do&ntilde;a Rita
+had started at a moment&rsquo;s notice from Paris with nothing
+but a dressing-bag, and permitting Rose to go and visit her aged
+parents for two days, and then follow her mistress.&nbsp; That
+girl of late had looked so perturbed and worried that the
+sensitive Rita, fearing that she was tired of her place, proposed
+to settle a sum of money on her which would have enabled her to
+devote herself entirely to her aged parents.&nbsp; And did I know
+what that extraordinary girl said?&nbsp; She had said:
+&ldquo;Don&rsquo;t let Madame think that I would be too proud to
+accept anything whatever from her; but I can&rsquo;t even dream
+of leaving Madame.&nbsp; I believe Madame has no friends.&nbsp;
+Not one.&rdquo;&nbsp; So instead of a large sum of money
+Do&ntilde;a Rita gave the girl a kiss and as she had been worried
+by several people who wanted her to go to Tolosa she bolted down
+this way just to get clear of all those busybodies.&nbsp;
+&ldquo;Hide from them,&rdquo; she went on with ardour.&nbsp;
+&ldquo;Yes, I came here to hide,&rdquo; she repeated twice as if
+delighted at last to have hit on that reason among so many
+others.&nbsp; &ldquo;How could I tell that you would be
+here?&rdquo;&nbsp; Then with sudden fire which only added to the
+delight with which I had been watching the play of her
+physiognomy she added: &ldquo;Why did you come into this
+room?&rdquo;</p>
+<p>She enchanted me.&nbsp; The ardent modulations of the sound,
+the slight play of the beautiful lips, the still, deep sapphire
+gleam in those long eyes inherited from the dawn of ages and that
+seemed always to watch unimaginable things, that underlying faint
+ripple of gaiety that played under all her moods as though it had
+been a gift from the high gods moved to pity for this lonely
+mortal, all this within the four walls and displayed for me alone
+gave me the sense of almost intolerable joy.&nbsp; The words
+didn&rsquo;t matter.&nbsp; They had to be answered, of
+course.</p>
+<p>&ldquo;I came in for several reasons.&nbsp; One of them is
+that I didn&rsquo;t know you were here.&rdquo;</p>
+<p>&ldquo;Therese didn&rsquo;t tell you?&rdquo;</p>
+<p>&ldquo;No.&rdquo;</p>
+<p>&ldquo;Never talked to you about me?&rdquo;</p>
+<p>I hesitated only for a moment.&nbsp; &ldquo;Never,&rdquo; I
+said.&nbsp; Then I asked in my turn, &ldquo;Did she tell you I
+was here?&rdquo;</p>
+<p>&ldquo;No,&rdquo; she said.</p>
+<p>&ldquo;It&rsquo;s very clear she did not mean us to come
+together again.&rdquo;</p>
+<p>&ldquo;Neither did I, my dear.&rdquo;</p>
+<p>&ldquo;What do you mean by speaking like this, in this tone,
+in these words?&nbsp; You seem to use them as if they were a sort
+of formula.&nbsp; Am I a dear to you?&nbsp; Or is anybody? . . .
+or everybody? . . .&rdquo;</p>
+<p>She had been for some time raised on her elbow, but then as if
+something had happened to her vitality she sank down till her
+head rested again on the sofa cushion.</p>
+<p>&ldquo;Why do you try to hurt my feelings?&rdquo; she
+asked.</p>
+<p>&ldquo;For the same reason for which you call me dear at the
+end of a sentence like that: for want of something more amusing
+to do.&nbsp; You don&rsquo;t pretend to make me believe that you
+do it for any sort of reason that a decent person would confess
+to.&rdquo;</p>
+<p>The colour had gone from her face; but a fit of wickedness was
+on me and I pursued, &ldquo;What are the motives of your
+speeches?&nbsp; What prompts your actions?&nbsp; On your own
+showing your life seems to be a continuous running away.&nbsp;
+You have just run away from Paris.&nbsp; Where will you run
+to-morrow?&nbsp; What are you everlastingly running from&mdash;or
+is it that you are running after something?&nbsp; What is
+it?&nbsp; A man, a phantom&mdash;or some sensation that you
+don&rsquo;t like to own to?&rdquo;</p>
+<p>Truth to say, I was abashed by the silence which was her only
+answer to this sally.&nbsp; I said to myself that I would not let
+my natural anger, my just fury be disarmed by any assumption of
+pathos or dignity.&nbsp; I suppose I was really out of my mind
+and what in the middle ages would have been called
+&ldquo;possessed&rdquo; by an evil spirit.&nbsp; I went on
+enjoying my own villainy.</p>
+<p>&ldquo;Why aren&rsquo;t you in Tolosa?&nbsp; You ought to be
+in Tolosa.&nbsp; Isn&rsquo;t Tolosa the proper field for your
+abilities, for your sympathies, for your profusions, for your
+generosities&mdash;the king without a crown, the man without a
+fortune!&nbsp; But here there is nothing worthy of your
+talents.&nbsp; No, there is no longer anything worth any sort of
+trouble here.&nbsp; There isn&rsquo;t even that ridiculous
+Monsieur George.&nbsp; I understand that the talk of the coast
+from here to Cette is that Monsieur George is drowned.&nbsp; Upon
+my word I believe he is.&nbsp; And serve him right, too.&nbsp;
+There&rsquo;s Therese, but I don&rsquo;t suppose that your love
+for your sister . . .&rdquo;</p>
+<p>&ldquo;For goodness&rsquo; sake don&rsquo;t let her come in
+and find you here.&rdquo;</p>
+<p>Those words recalled me to myself, exorcised the evil spirit
+by the mere enchanting power of the voice.&nbsp; They were also
+impressive by their suggestion of something practical,
+utilitarian, and remote from sentiment.&nbsp; The evil spirit
+left me and I remained taken aback slightly.</p>
+<p>&ldquo;Well,&rdquo; I said, &ldquo;if you mean that you want
+me to leave the room I will confess to you that I can&rsquo;t
+very well do it yet.&nbsp; But I could lock both doors if you
+don&rsquo;t mind that.&rdquo;</p>
+<p>&ldquo;Do what you like as long as you keep her out.&nbsp; You
+two together would be too much for me to-night.&nbsp; Why
+don&rsquo;t you go and lock those doors?&nbsp; I have a feeling
+she is on the prowl.&rdquo;</p>
+<p>I got up at once saying, &ldquo;I imagine she has gone to bed
+by this time.&rdquo;&nbsp; I felt absolutely calm and
+responsible.&nbsp; I turned the keys one after another so gently
+that I couldn&rsquo;t hear the click of the locks myself.&nbsp;
+This done I recrossed the room with measured steps, with downcast
+eyes, and approaching the couch without raising them from the
+carpet I sank down on my knees and leaned my forehead on its
+edge.&nbsp; That penitential attitude had but little remorse in
+it.&nbsp; I detected no movement and heard no sound from
+her.&nbsp; In one place a bit of the fur coat touched my cheek
+softly, but no forgiving hand came to rest on my bowed
+head.&nbsp; I only breathed deeply the faint scent of violets,
+her own particular fragrance enveloping my body, penetrating my
+very heart with an inconceivable intimacy, bringing me closer to
+her than the closest embrace, and yet so subtle that I sensed her
+existence in me only as a great, glowing, indeterminate
+tenderness, something like the evening light disclosing after the
+white passion of the day infinite depths in the colours of the
+sky and an unsuspected soul of peace in the protean forms of
+life.&nbsp; I had not known such quietness for months; and I
+detected in myself an immense fatigue, a longing to remain where
+I was without changing my position to the end of time.&nbsp;
+Indeed to remain seemed to me a complete solution for all the
+problems that life presents&mdash;even as to the very death
+itself.</p>
+<p>Only the unwelcome reflection that this was impossible made me
+get up at last with a sigh of deep grief at the end of the
+dream.&nbsp; But I got up without despair.&nbsp; She didn&rsquo;t
+murmur, she didn&rsquo;t stir.&nbsp; There was something august
+in the stillness of the room.&nbsp; It was a strange peace which
+she shared with me in this unexpected shelter full of disorder in
+its neglected splendour.&nbsp; What troubled me was the sudden,
+as it were material, consciousness of time passing as water
+flows.&nbsp; It seemed to me that it was only the tenacity of my
+sentiment that held that woman&rsquo;s body, extended and
+tranquil above the flood.&nbsp; But when I ventured at last to
+look at her face I saw her flushed, her teeth clenched&mdash;it
+was visible&mdash;her nostrils dilated, and in her narrow,
+level-glancing eyes a look of inward and frightened
+ecstasy.&nbsp; The edges of the fur coat had fallen open and I
+was moved to turn away.&nbsp; I had the same impression as on the
+evening we parted that something had happened which I did not
+understand; only this time I had not touched her at all.&nbsp; I
+really didn&rsquo;t understand.&nbsp; At the slightest whisper I
+would now have gone out without a murmur, as though that emotion
+had given her the right to be obeyed.&nbsp; But there was no
+whisper; and for a long time I stood leaning on my arm, looking
+into the fire and feeling distinctly between the four walls of
+that locked room the unchecked time flow past our two stranded
+personalities.</p>
+<p>And suddenly she spoke.&nbsp; She spoke in that voice that was
+so profoundly moving without ever being sad, a little wistful
+perhaps and always the supreme expression of her grace.&nbsp; She
+asked as if nothing had happened:</p>
+<p>&ldquo;What are you thinking of, <i>amigo</i>?&rdquo;</p>
+<p>I turned about.&nbsp; She was lying on her side, tranquil
+above the smooth flow of time, again closely wrapped up in her
+fur, her head resting on the old-gold sofa cushion bearing like
+everything else in that room the decoratively enlaced letters of
+her monogram; her face a little pale now, with the crimson lobe
+of her ear under the tawny mist of her loose hair, the lips a
+little parted, and her glance of melted sapphire level and
+motionless, darkened by fatigue.</p>
+<p>&ldquo;Can I think of anything but you?&rdquo; I murmured,
+taking a seat near the foot of the couch.&nbsp; &ldquo;Or rather
+it isn&rsquo;t thinking, it is more like the consciousness of you
+always being present in me, complete to the last hair, to the
+faintest shade of expression, and that not only when we are apart
+but when we are together, alone, as close as this.&nbsp; I see
+you now lying on this couch but that is only the insensible
+phantom of the real you that is in me.&nbsp; And it is the easier
+for me to feel this because that image which others see and call
+by your name&mdash;how am I to know that it is anything else but
+an enchanting mist?&nbsp; You have always eluded me except in one
+or two moments which seem still more dream-like than the
+rest.&nbsp; Since I came into this room you have done nothing to
+destroy my conviction of your unreality apart from myself.&nbsp;
+You haven&rsquo;t offered me your hand to touch.&nbsp; Is it
+because you suspect that apart from me you are but a mere
+phantom, and that you fear to put it to the test?&rdquo;</p>
+<p>One of her hands was under the fur and the other under her
+cheek.&nbsp; She made no sound.&nbsp; She didn&rsquo;t offer to
+stir.&nbsp; She didn&rsquo;t move her eyes, not even after I had
+added after waiting for a while,</p>
+<p>&ldquo;Just what I expected.&nbsp; You are a cold
+illusion.&rdquo;</p>
+<p>She smiled mysteriously, right away from me, straight at the
+fire, and that was all.</p>
+<h3>CHAPTER VI</h3>
+<p>I had a momentary suspicion that I had said something
+stupid.&nbsp; Her smile amongst many other things seemed to have
+meant that, too.&nbsp; And I answered it with a certain
+resignation:</p>
+<p>&ldquo;Well, I don&rsquo;t know that you are so much
+mist.&nbsp; I remember once hanging on to you like a drowning man
+. . . But perhaps I had better not speak of this.&nbsp; It
+wasn&rsquo;t so very long ago, and you may . . . &rdquo;</p>
+<p>&ldquo;I don&rsquo;t mind.&nbsp; Well . . .&rdquo;</p>
+<p>&ldquo;Well, I have kept an impression of great
+solidity.&nbsp; I&rsquo;ll admit that.&nbsp; A woman of
+granite.&rdquo;</p>
+<p>&ldquo;A doctor once told me that I was made to last for
+ever,&rdquo; she said.</p>
+<p>&ldquo;But essentially it&rsquo;s the same thing,&rdquo; I
+went on.&nbsp; &ldquo;Granite, too, is insensible.&rdquo;</p>
+<p>I watched her profile against the pillow and there came on her
+face an expression I knew well when with an indignation full of
+suppressed laughter she used to throw at me the word
+&ldquo;Imbecile.&rdquo;&nbsp; I expected it to come, but it
+didn&rsquo;t come.&nbsp; I must say, though, that I was swimmy in
+my head and now and then had a noise as of the sea in my ears, so
+I might not have heard it.&nbsp; The woman of granite, built to
+last for ever, continued to look at the glowing logs which made a
+sort of fiery ruin on the white pile of ashes.&nbsp; &ldquo;I
+will tell you how it is,&rdquo; I said.&nbsp; &ldquo;When I have
+you before my eyes there is such a projection of my whole being
+towards you that I fail to see you distinctly.&nbsp; It was like
+that from the beginning.&nbsp; I may say that I never saw you
+distinctly till after we had parted and I thought you had gone
+from my sight for ever.&nbsp; It was then that you took body in
+my imagination and that my mind seized on a definite form of you
+for all its adorations&mdash;for its profanations, too.&nbsp;
+Don&rsquo;t imagine me grovelling in spiritual abasement before a
+mere image.&nbsp; I got a grip on you that nothing can shake
+now.&rdquo;</p>
+<p>&ldquo;Don&rsquo;t speak like this,&rdquo; she said.&nbsp;
+&ldquo;It&rsquo;s too much for me.&nbsp; And there is a whole
+long night before us.&rdquo;</p>
+<p>&ldquo;You don&rsquo;t think that I dealt with you
+sentimentally enough perhaps?&nbsp; But the sentiment was there;
+as clear a flame as ever burned on earth from the most remote
+ages before that eternal thing which is in you, which is your
+heirloom.&nbsp; And is it my fault that what I had to give was
+real flame, and not a mystic&rsquo;s incense?&nbsp; It is neither
+your fault nor mine.&nbsp; And now whatever we say to each other
+at night or in daylight, that sentiment must be taken for
+granted.&nbsp; It will be there on the day I die&mdash;when you
+won&rsquo;t be there.&rdquo;</p>
+<p>She continued to look fixedly at the red embers; and from her
+lips that hardly moved came the quietest possible whisper:
+&ldquo;Nothing would be easier than to die for you.&rdquo;</p>
+<p>&ldquo;Really,&rdquo; I cried.&nbsp; &ldquo;And you expect me
+perhaps after this to kiss your feet in a transport of gratitude
+while I hug the pride of your words to my breast.&nbsp; But as it
+happens there is nothing in me but contempt for this sublime
+declaration.&nbsp; How dare you offer me this charlatanism of
+passion?&nbsp; What has it got to do between you and me who are
+the only two beings in the world that may safely say that we have
+no need of shams between ourselves?&nbsp; Is it possible that you
+are a charlatan at heart?&nbsp; Not from egoism, I admit, but
+from some sort of fear.&nbsp; Yet, should you be sincere,
+then&mdash;listen well to me&mdash;I would never forgive
+you.&nbsp; I would visit your grave every day to curse you for an
+evil thing.&rdquo;</p>
+<p>&ldquo;Evil thing,&rdquo; she echoed softly.</p>
+<p>&ldquo;Would you prefer to be a sham&mdash;that one could
+forget?&rdquo;</p>
+<p>&ldquo;You will never forget me,&rdquo; she said in the same
+tone at the glowing embers.&nbsp; &ldquo;Evil or good.&nbsp; But,
+my dear, I feel neither an evil nor a sham.&nbsp; I have got to
+be what I am, and that, <i>amigo</i>, is not so easy; because I
+may be simple, but like all those on whom there is no peace I am
+not One.&nbsp; No, I am not One!&rdquo;</p>
+<p>&ldquo;You are all the women in the world,&rdquo; I whispered
+bending over her.&nbsp; She didn&rsquo;t seem to be aware of
+anything and only spoke&mdash;always to the glow.</p>
+<p>&ldquo;If I were that I would say: God help them then.&nbsp;
+But that would be more appropriate for Therese.&nbsp; For me, I
+can only give them my infinite compassion.&nbsp; I have too much
+reverence in me to invoke the name of a God of whom clever men
+have robbed me a long time ago.&nbsp; How could I help it?&nbsp;
+For the talk was clever and&mdash;and I had a mind.&nbsp; And I
+am also, as Therese says, naturally sinful.&nbsp; Yes, my dear, I
+may be naturally wicked but I am not evil and I could die for
+you.&rdquo;</p>
+<p>&ldquo;You!&rdquo; I said.&nbsp; &ldquo;You are afraid to
+die.&rdquo;</p>
+<p>&ldquo;Yes.&nbsp; But not for you.&rdquo;</p>
+<p>The whole structure of glowing logs fell down, raising a small
+turmoil of white ashes and sparks.&nbsp; The tiny crash seemed to
+wake her up thoroughly.&nbsp; She turned her head upon the
+cushion to look at me.</p>
+<p>&ldquo;It&rsquo;s a very extraordinary thing, we two coming
+together like this,&rdquo; she said with conviction.&nbsp;
+&ldquo;You coming in without knowing I was here and then telling
+me that you can&rsquo;t very well go out of the room.&nbsp; That
+sounds funny.&nbsp; I wouldn&rsquo;t have been angry if you had
+said that you wouldn&rsquo;t.&nbsp; It would have hurt me.&nbsp;
+But nobody ever paid much attention to my feelings.&nbsp; Why do
+you smile like this?&rdquo;</p>
+<p>&ldquo;At a thought.&nbsp; Without any charlatanism of passion
+I am able to tell you of something to match your devotion.&nbsp;
+I was not afraid for your sake to come within a hair&rsquo;s
+breadth of what to all the world would have been a squalid
+crime.&nbsp; Note that you and I are persons of honour.&nbsp; And
+there might have been a criminal trial at the end of it for
+me.&nbsp; Perhaps the scaffold.&rdquo;</p>
+<p>&ldquo;Do you say these horrors to make me tremble?&rdquo;</p>
+<p>&ldquo;Oh, you needn&rsquo;t tremble.&nbsp; There shall be no
+crime.&nbsp; I need not risk the scaffold, since now you are
+safe.&nbsp; But I entered this room meditating resolutely on the
+ways of murder, calculating possibilities and chances without the
+slightest compunction.&nbsp; It&rsquo;s all over now.&nbsp; It
+was all over directly I saw you here, but it had been so near
+that I shudder yet.&rdquo;</p>
+<p>She must have been very startled because for a time she
+couldn&rsquo;t speak.&nbsp; Then in a faint voice:</p>
+<p>&ldquo;For me!&nbsp; For me!&rdquo; she faltered out
+twice.</p>
+<p>&ldquo;For you&mdash;or for myself?&nbsp; Yet it
+couldn&rsquo;t have been selfish.&nbsp; What would it have been
+to me that you remained in the world?&nbsp; I never expected to
+see you again.&nbsp; I even composed a most beautiful letter of
+farewell.&nbsp; Such a letter as no woman had ever
+received.&rdquo;</p>
+<p>Instantly she shot out a hand towards me.&nbsp; The edges of
+the fur cloak fell apart.&nbsp; A wave of the faintest possible
+scent floated into my nostrils.</p>
+<p>&ldquo;Let me have it,&rdquo; she said imperiously.</p>
+<p>&ldquo;You can&rsquo;t have it.&nbsp; It&rsquo;s all in my
+head.&nbsp; No woman will read it.&nbsp; I suspect it was
+something that could never have been written.&nbsp; But what a
+farewell!&nbsp; And now I suppose we shall say good-bye without
+even a handshake.&nbsp; But you are safe!&nbsp; Only I must ask
+you not to come out of this room till I tell you you
+may.&rdquo;</p>
+<p>I was extremely anxious that Se&ntilde;or Ortega should never
+even catch a glimpse of Do&ntilde;a Rita, never guess how near he
+had been to her.&nbsp; I was extremely anxious the fellow should
+depart for Tolosa and get shot in a ravine; or go to the Devil in
+his own way, as long as he lost the track of Do&ntilde;a Rita
+completely.&nbsp; He then, probably, would get mad and get shut
+up, or else get cured, forget all about it, and devote himself to
+his vocation, whatever it was&mdash;keep a shop and grow
+fat.&nbsp; All this flashed through my mind in an instant and
+while I was still dazzled by those comforting images, the voice
+of Do&ntilde;a Rita pulled me up with a jerk.</p>
+<p>&ldquo;You mean not out of the house?&rdquo;</p>
+<p>&ldquo;No, I mean not out of this room,&rdquo; I said with
+some embarrassment.</p>
+<p>&ldquo;What do you mean?&nbsp; Is there something in the house
+then?&nbsp; This is most extraordinary!&nbsp; Stay in this
+room?&nbsp; And you, too, it seems?&nbsp; Are you also afraid for
+yourself?&rdquo;</p>
+<p>&ldquo;I can&rsquo;t even give you an idea how afraid I
+was.&nbsp; I am not so much now.&nbsp; But you know very well,
+Do&ntilde;a Rita, that I never carry any sort of weapon in my
+pocket.&rdquo;</p>
+<p>&ldquo;Why don&rsquo;t you, then?&rdquo; she asked in a flash
+of scorn which bewitched me so completely for an instant that I
+couldn&rsquo;t even smile at it.</p>
+<p>&ldquo;Because if I am unconventionalized I am an old
+European,&rdquo; I murmured gently.&nbsp; &ldquo;No,
+<i>Excellentissima</i>, I shall go through life without as much
+as a switch in my hand.&nbsp; It&rsquo;s no use you being
+angry.&nbsp; Adapting to this great moment some words
+you&rsquo;ve heard before: I am like that.&nbsp; Such is my
+character!&rdquo;</p>
+<p>Do&ntilde;a Rita frankly stared at me&mdash;a most unusual
+expression for her to have.&nbsp; Suddenly she sat up.</p>
+<p>&ldquo;Don George,&rdquo; she said with lovely animation,
+&ldquo;I insist upon knowing who is in my house.&rdquo;</p>
+<p>&ldquo;You insist! . . . But Therese says it is <i>her</i>
+house.&rdquo;</p>
+<p>Had there been anything handy, such as a cigarette box, for
+instance, it would have gone sailing through the air spouting
+cigarettes as it went.&nbsp; Rosy all over, cheeks, neck,
+shoulders, she seemed lighted up softly from inside like a
+beautiful transparency.&nbsp; But she didn&rsquo;t raise her
+voice.</p>
+<p>&ldquo;You and Therese have sworn my ruin.&nbsp; If you
+don&rsquo;t tell me what you mean I will go outside and shout up
+the stairs to make her come down.&nbsp; I know there is no one
+but the three of us in the house.&rdquo;</p>
+<p>&ldquo;Yes, three; but not counting my Jacobin.&nbsp; There is
+a Jacobin in the house.&rdquo;</p>
+<p>&ldquo;A Jac . . .!&nbsp; Oh, George, is this the time to
+jest?&rdquo; she began in persuasive tones when a faint but
+peculiar noise stilled her lips as though they had been suddenly
+frozen.&nbsp; She became quiet all over instantly.&nbsp; I, on
+the contrary, made an involuntary movement before I, too, became
+as still as death.&nbsp; We strained our ears; but that peculiar
+metallic rattle had been so slight and the silence now was so
+perfect that it was very difficult to believe one&rsquo;s
+senses.&nbsp; Do&ntilde;a Rita looked inquisitively at me.&nbsp;
+I gave her a slight nod.&nbsp; We remained looking into each
+other&rsquo;s eyes while we listened and listened till the
+silence became unbearable.&nbsp; Do&ntilde;a Rita whispered
+composedly: &ldquo;Did you hear?&rdquo;</p>
+<p>&ldquo;I am asking myself . . . I almost think I
+didn&rsquo;t.&rdquo;</p>
+<p>&ldquo;Don&rsquo;t shuffle with me.&nbsp; It was a scraping
+noise.&rdquo;</p>
+<p>&ldquo;Something fell.&rdquo;</p>
+<p>&ldquo;Something!&nbsp; What thing?&nbsp; What are the things
+that fall by themselves?&nbsp; Who is that man of whom you
+spoke?&nbsp; Is there a man?&rdquo;</p>
+<p>&ldquo;No doubt about it whatever.&nbsp; I brought him here
+myself.&rdquo;</p>
+<p>&ldquo;What for?&rdquo;</p>
+<p>&ldquo;Why shouldn&rsquo;t I have a Jacobin of my own?&nbsp;
+Haven&rsquo;t you one, too?&nbsp; But mine is a different problem
+from that white-haired humbug of yours.&nbsp; He is a genuine
+article.&nbsp; There must be plenty like him about.&nbsp; He has
+scores to settle with half a dozen people, he says, and he
+clamours for revolutions to give him a chance.&rdquo;</p>
+<p>&ldquo;But why did you bring him here?&rdquo;</p>
+<p>&ldquo;I don&rsquo;t know&mdash;from sudden affection . . .
+&rdquo;</p>
+<p>All this passed in such low tones that we seemed to make out
+the words more by watching each other&rsquo;s lips than through
+our sense of hearing.&nbsp; Man is a strange animal.&nbsp; I
+didn&rsquo;t care what I said.&nbsp; All I wanted was to keep her
+in her pose, excited and still, sitting up with her hair loose,
+softly glowing, the dark brown fur making a wonderful contrast
+with the white lace on her breast.&nbsp; All I was thinking of
+was that she was adorable and too lovely for words!&nbsp; I cared
+for nothing but that sublimely aesthetic impression.&nbsp; It
+summed up all life, all joy, all poetry!&nbsp; It had a divine
+strain.&nbsp; I am certain that I was not in my right mind.&nbsp;
+I suppose I was not quite sane.&nbsp; I am convinced that at that
+moment of the four people in the house it was Do&ntilde;a Rita
+who upon the whole was the most sane.&nbsp; She observed my face
+and I am sure she read there something of my inward
+exaltation.&nbsp; She knew what to do.&nbsp; In the softest
+possible tone and hardly above her breath she commanded:
+&ldquo;George, come to yourself.&rdquo;</p>
+<p>Her gentleness had the effect of evening light.&nbsp; I was
+soothed.&nbsp; Her confidence in her own power touched me
+profoundly.&nbsp; I suppose my love was too great for madness to
+get hold of me.&nbsp; I can&rsquo;t say that I passed to a
+complete calm, but I became slightly ashamed of myself.&nbsp; I
+whispered:</p>
+<p>&ldquo;No, it was not from affection, it was for the love of
+you that I brought him here.&nbsp; That imbecile H. was going to
+send him to Tolosa.&rdquo;</p>
+<p>&ldquo;That Jacobin!&rdquo; Do&ntilde;a Rita was immensely
+surprised, as she might well have been.&nbsp; Then resigned to
+the incomprehensible: &ldquo;Yes,&rdquo; she breathed out,
+&ldquo;what did you do with him?&rdquo;</p>
+<p>&ldquo;I put him to bed in the studio.&rdquo;</p>
+<p>How lovely she was with the effort of close attention depicted
+in the turn of her head and in her whole face honestly trying to
+approve.&nbsp; &ldquo;And then?&rdquo; she inquired.</p>
+<p>&ldquo;Then I came in here to face calmly the necessity of
+doing away with a human life.&nbsp; I didn&rsquo;t shirk it for a
+moment.&nbsp; That&rsquo;s what a short twelvemonth has brought
+me to.&nbsp; Don&rsquo;t think I am reproaching you, O blind
+force!&nbsp; You are justified because you <i>are</i>.&nbsp;
+Whatever had to happen you would not even have heard of
+it.&rdquo;</p>
+<p>Horror darkened her marvellous radiance.&nbsp; Then her face
+became utterly blank with the tremendous effort to
+understand.&nbsp; Absolute silence reigned in the house.&nbsp; It
+seemed to me that everything had been said now that mattered in
+the world; and that the world itself had reached its ultimate
+stage, had reached its appointed end of an eternal, phantom-like
+silence.&nbsp; Suddenly Do&ntilde;a Rita raised a warning
+finger.&nbsp; I had heard nothing and shook my head; but she
+nodded hers and murmured excitedly,</p>
+<p>&ldquo;Yes, yes, in the fencing-room, as before.&rdquo;</p>
+<p>In the same way I answered her: &ldquo;Impossible!&nbsp; The
+door is locked and Therese has the key.&rdquo;&nbsp; She asked
+then in the most cautious manner,</p>
+<p>&ldquo;Have you seen Therese to-night?&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; I confessed without misgiving.&nbsp;
+&ldquo;I left her making up the fellow&rsquo;s bed when I came in
+here.&rdquo;</p>
+<p>&ldquo;The bed of the Jacobin?&rdquo; she said in a peculiar
+tone as if she were humouring a lunatic.</p>
+<p>&ldquo;I think I had better tell you he is a
+Spaniard&mdash;that he seems to know you from early days. . .
+.&rdquo;&nbsp; I glanced at her face, it was extremely tense,
+apprehensive.&nbsp; For myself I had no longer any doubt as to
+the man and I hoped she would reach the correct conclusion
+herself.&nbsp; But I believe she was too distracted and worried
+to think consecutively.&nbsp; She only seemed to feel some terror
+in the air.&nbsp; In very pity I bent down and whispered
+carefully near her ear, &ldquo;His name is Ortega.&rdquo;</p>
+<p>I expected some effect from that name but I never expected
+what happened.&nbsp; With the sudden, free, spontaneous agility
+of a young animal she leaped off the sofa, leaving her slippers
+behind, and in one bound reached almost the middle of the
+room.&nbsp; The vigour, the instinctive precision of that spring,
+were something amazing.&nbsp; I just escaped being knocked
+over.&nbsp; She landed lightly on her bare feet with a perfect
+balance, without the slightest suspicion of swaying in her
+instant immobility.&nbsp; It lasted less than a second, then she
+spun round distractedly and darted at the first door she could
+see.&nbsp; My own agility was just enough to enable me to grip
+the back of the fur coat and then catch her round the body before
+she could wriggle herself out of the sleeves.&nbsp; She was
+muttering all the time, &ldquo;No, no, no.&rdquo;&nbsp; She
+abandoned herself to me just for an instant during which I got
+her back to the middle of the room.&nbsp; There she attempted to
+free herself and I let her go at once.&nbsp; With her face very
+close to mine, but apparently not knowing what she was looking at
+she repeated again twice, &ldquo;No&mdash;No,&rdquo; with an
+intonation which might well have brought dampness to my eyes but
+which only made me regret that I didn&rsquo;t kill the honest
+Ortega at sight.&nbsp; Suddenly Do&ntilde;a Rita swung round and
+seizing her loose hair with both hands started twisting it up
+before one of the sumptuous mirrors.&nbsp; The wide fur sleeves
+slipped down her white arms.&nbsp; In a brusque movement like a
+downward stab she transfixed the whole mass of tawny glints and
+sparks with the arrow of gold which she perceived lying there,
+before her, on the marble console.&nbsp; Then she sprang away
+from the glass muttering feverishly,
+&ldquo;Out&mdash;out&mdash;out of this house,&rdquo; and trying
+with an awful, senseless stare to dodge past me who had put
+myself in her way with open arms.&nbsp; At last I managed to
+seize her by the shoulders and in the extremity of my distress I
+shook her roughly.&nbsp; If she hadn&rsquo;t quieted down then I
+believe my heart would have broken.&nbsp; I spluttered right into
+her face: &ldquo;I won&rsquo;t let you.&nbsp; Here you
+stay.&rdquo;&nbsp; She seemed to recognize me at last, and
+suddenly still, perfectly firm on her white feet, she let her
+arms fall and, from an abyss of desolation, whispered, &ldquo;O!
+George!&nbsp; No!&nbsp; No!&nbsp; Not Ortega.&rdquo;</p>
+<p>There was a passion of mature grief in this tone of
+appeal.&nbsp; And yet she remained as touching and helpless as a
+distressed child.&nbsp; It had all the simplicity and depth of a
+child&rsquo;s emotion.&nbsp; It tugged at one&rsquo;s
+heart-strings in the same direct way.&nbsp; But what could one
+do?&nbsp; How could one soothe her?&nbsp; It was impossible to
+pat her on the head, take her on the knee, give her a chocolate
+or show her a picture-book.&nbsp; I found myself absolutely
+without resource.&nbsp; Completely at a loss.</p>
+<p>&ldquo;Yes, Ortega.&nbsp; Well, what of it?&rdquo; I whispered
+with immense assurance.</p>
+<h3>CHAPTER VII</h3>
+<p>My brain was in a whirl.&nbsp; I am safe to say that at this
+precise moment there was nobody completely sane in the
+house.&nbsp; Setting apart Therese and Ortega, both in the grip
+of unspeakable passions, all the moral economy of Do&ntilde;a
+Rita had gone to pieces.&nbsp; Everything was gone except her
+strong sense of life with all its implied menaces.&nbsp; The
+woman was a mere chaos of sensations and vitality.&nbsp; I, too,
+suffered most from inability to get hold of some fundamental
+thought.&nbsp; The one on which I could best build some hopes was
+the thought that, of course, Ortega did not know anything.&nbsp;
+I whispered this into the ear of Do&ntilde;a Rita, into her
+precious, her beautifully shaped ear.</p>
+<p>But she shook her head, very much like an inconsolable child
+and very much with a child&rsquo;s complete pessimism she
+murmured, &ldquo;Therese has told him.&rdquo;</p>
+<p>The words, &ldquo;Oh, nonsense,&rdquo; never passed my lips,
+because I could not cheat myself into denying that there had been
+a noise; and that the noise was in the fencing-room.&nbsp; I knew
+that room.&nbsp; There was nothing there that by the wildest
+stretch of imagination could be conceived as falling with that
+particular sound.&nbsp; There was a table with a tall strip of
+looking-glass above it at one end; but since Blunt took away his
+campaigning kit there was no small object of any sort on the
+console or anywhere else that could have been jarred off in some
+mysterious manner.&nbsp; Along one of the walls there was the
+whole complicated apparatus of solid brass pipes, and quite close
+to it an enormous bath sunk into the floor.&nbsp; The greatest
+part of the room along its whole length was covered with matting
+and had nothing else but a long, narrow leather-upholstered bench
+fixed to the wall.&nbsp; And that was all.&nbsp; And the door
+leading to the studio was locked.&nbsp; And Therese had the
+key.&nbsp; And it flashed on my mind, independently of
+Do&ntilde;a Rita&rsquo;s pessimism, by the force of personal
+conviction, that, of course, Therese would tell him.&nbsp; I
+beheld the whole succession of events perfectly connected and
+tending to that particular conclusion.&nbsp; Therese would tell
+him!&nbsp; I could see the contrasted heads of those two
+formidable lunatics close together in a dark mist of whispers
+compounded of greed, piety, and jealousy, plotting in a sense of
+perfect security as if under the very wing of Providence.&nbsp;
+So at least Therese would think.&nbsp; She could not be but under
+the impression that (providentially) I had been called out for
+the rest of the night.</p>
+<p>And now there was one sane person in the house, for I had
+regained complete command of my thoughts.&nbsp; Working in a
+logical succession of images they showed me at last as clearly as
+a picture on a wall, Therese pressing with fervour the key into
+the fevered palm of the rich, prestigious, virtuous cousin, so
+that he should go and urge his self-sacrificing offer to Rita,
+and gain merit before Him whose Eye sees all the actions of
+men.&nbsp; And this image of those two with the key in the studio
+seemed to me a most monstrous conception of fanaticism, of a
+perfectly horrible aberration.&nbsp; For who could mistake the
+state that made Jos&eacute; Ortega the figure he was, inspiring
+both pity and fear?&nbsp; I could not deny that I understood, not
+the full extent but the exact nature of his suffering.&nbsp;
+Young as I was I had solved for myself that grotesque and sombre
+personality.&nbsp; His contact with me, the personal contact with
+(as he thought) one of the actual lovers of that woman who
+brought to him as a boy the curse of the gods, had tipped over
+the trembling scales.&nbsp; No doubt I was very near death in the
+&ldquo;grand salon&rdquo; of the Maison Dor&eacute;e, only that
+his torture had gone too far.&nbsp; It seemed to me that I ought
+to have heard his very soul scream while we were seated at
+supper.&nbsp; But in a moment he had ceased to care for me.&nbsp;
+I was nothing.&nbsp; To the crazy exaggeration of his jealousy I
+was but one amongst a hundred thousand.&nbsp; What was my
+death?&nbsp; Nothing.&nbsp; All mankind had possessed that
+woman.&nbsp; I knew what his wooing of her would be:
+Mine&mdash;or Dead.</p>
+<p>All this ought to have had the clearness of noon-day, even to
+the veriest idiot that ever lived; and Therese was, properly
+speaking, exactly that.&nbsp; An idiot.&nbsp; A one-ideaed
+creature.&nbsp; Only the idea was complex; therefore it was
+impossible really to say what she wasn&rsquo;t capable of.&nbsp;
+This was what made her obscure processes so awful.&nbsp; She had
+at times the most amazing perceptions.&nbsp; Who could tell where
+her simplicity ended and her cunning began?&nbsp; She had also
+the faculty of never forgetting any fact bearing upon her one
+idea; and I remembered now that the conversation with me about
+the will had produced on her an indelible impression of the
+Law&rsquo;s surprising justice.&nbsp; Recalling her na&iuml;ve
+admiration of the &ldquo;just&rdquo; law that required no
+&ldquo;paper&rdquo; from a sister, I saw her casting loose the
+raging fate with a sanctimonious air.&nbsp; And Therese would
+naturally give the key of the fencing-room to her dear, virtuous,
+grateful, disinterested cousin, to that damned soul with delicate
+whiskers, because she would think it just possible that Rita
+might have locked the door leading front her room into the hall;
+whereas there was no earthly reason, not the slightest
+likelihood, that she would bother about the other.&nbsp;
+Righteousness demanded that the erring sister should be taken
+unawares.</p>
+<p>All the above is the analysis of one short moment.&nbsp;
+Images are to words like light to sound&mdash;incomparably
+swifter.&nbsp; And all this was really one flash of light through
+my mind.&nbsp; A comforting thought succeeded it: that both doors
+were locked and that really there was no danger.</p>
+<p>However, there had been that noise&mdash;the why and the how
+of it?&nbsp; Of course in the dark he might have fallen into the
+bath, but that wouldn&rsquo;t have been a faint noise.&nbsp; It
+wouldn&rsquo;t have been a rattle.&nbsp; There was absolutely
+nothing he could knock over.&nbsp; He might have dropped a
+candle-stick if Therese had left him her own.&nbsp; That was
+possible, but then those thick mats&mdash;and then, anyway, why
+should he drop it? and, hang it all, why shouldn&rsquo;t he have
+gone straight on and tried the door?&nbsp; I had suddenly a
+sickening vision of the fellow crouching at the key-hole,
+listening, listening, listening, for some movement or sigh of the
+sleeper he was ready to tear away from the world, alive or
+dead.&nbsp; I had a conviction that he was still listening.&nbsp;
+Why?&nbsp; Goodness knows!&nbsp; He may have been only gloating
+over the assurance that the night was long and that he had all
+these hours to himself.</p>
+<p>I was pretty certain that he could have heard nothing of our
+whispers, the room was too big for that and the door too
+solid.&nbsp; I hadn&rsquo;t the same confidence in the efficiency
+of the lock.&nbsp; Still I . . . Guarding my lips with my hand I
+urged Do&ntilde;a Rita to go back to the sofa.&nbsp; She
+wouldn&rsquo;t answer me and when I got hold of her arm I
+discovered that she wouldn&rsquo;t move.&nbsp; She had taken root
+in that thick-pile Aubusson carpet; and she was so rigidly still
+all over that the brilliant stones in the shaft of the arrow of
+gold, with the six candles at the head of the sofa blazing full
+on them, emitted no sparkle.</p>
+<p>I was extremely anxious that she shouldn&rsquo;t betray
+herself.&nbsp; I reasoned, save the mark, as a
+psychologist.&nbsp; I had no doubt that the man knew of her being
+there; but he only knew it by hearsay.&nbsp; And that was bad
+enough.&nbsp; I could not help feeling that if he obtained some
+evidence for his senses by any sort of noise, voice, or movement,
+his madness would gain strength enough to burst the lock.&nbsp; I
+was rather ridiculously worried about the locks.&nbsp; A horrid
+mistrust of the whole house possessed me.&nbsp; I saw it in the
+light of a deadly trap.&nbsp; I had no weapon, I couldn&rsquo;t
+say whether he had one or not.&nbsp; I wasn&rsquo;t afraid of a
+struggle as far as I, myself, was concerned, but I was afraid of
+it for Do&ntilde;a Rita.&nbsp; To be rolling at her feet, locked
+in a literally tooth-and-nail struggle with Ortega would have
+been odious.&nbsp; I wanted to spare her feelings, just as I
+would have been anxious to save from any contact with mud the
+feet of that goatherd of the mountains with a symbolic
+face.&nbsp; I looked at her face.&nbsp; For immobility it might
+have been a carving.&nbsp; I wished I knew how to deal with that
+embodied mystery, to influence it, to manage it.&nbsp; Oh, how I
+longed for the gift of authority!&nbsp; In addition, since I had
+become completely sane, all my scruples against laying hold of
+her had returned.&nbsp; I felt shy and embarrassed.&nbsp; My eyes
+were fixed on the bronze handle of the fencing-room door as if it
+were something alive.&nbsp; I braced myself up against the moment
+when it would move.&nbsp; This was what was going to happen
+next.&nbsp; It would move very gently.&nbsp; My heart began to
+thump.&nbsp; But I was prepared to keep myself as still as death
+and I hoped Do&ntilde;a Rita would have sense enough to do the
+same.&nbsp; I stole another glance at her face and at that moment
+I heard the word: &ldquo;Beloved!&rdquo; form itself in the still
+air of the room, weak, distinct, piteous, like the last request
+of the dying.</p>
+<p>With great presence of mind I whispered into Do&ntilde;a
+Rita&rsquo;s ear: &ldquo;Perfect silence!&rdquo; and was
+overjoyed to discover that she had heard me, understood me; that
+she even had command over her rigid lips.&nbsp; She answered me
+in a breath (our cheeks were nearly touching): &ldquo;Take me out
+of this house.&rdquo;</p>
+<p>I glanced at all her clothing scattered about the room and
+hissed forcibly the warning &ldquo;Perfect immobility&rdquo;;
+noticing with relief that she didn&rsquo;t offer to move, though
+animation was returning to her and her lips had remained parted
+in an awful, unintended effect of a smile.&nbsp; And I
+don&rsquo;t know whether I was pleased when she, who was not to
+be touched, gripped my wrist suddenly.&nbsp; It had the air of
+being done on purpose because almost instantly another:
+&ldquo;Beloved!&rdquo; louder, more agonized if possible, got
+into the room and, yes, went home to my heart.&nbsp; It was
+followed without any transition, preparation, or warning, by a
+positively bellowed: &ldquo;Speak, perjured beast!&rdquo; which I
+felt pass in a thrill right through Do&ntilde;a Rita like an
+electric shock, leaving her as motionless as before.</p>
+<p>Till he shook the door handle, which he did immediately
+afterwards, I wasn&rsquo;t certain through which door he had
+spoken.&nbsp; The two doors (in different walls) were rather near
+each other.&nbsp; It was as I expected.&nbsp; He was in the
+fencing-room, thoroughly aroused, his senses on the alert to
+catch the slightest sound.&nbsp; A situation not to be trifled
+with.&nbsp; Leaving the room was for us out of the
+question.&nbsp; It was quite possible for him to dash round into
+the hall before we could get clear of the front door.&nbsp; As to
+making a bolt of it upstairs there was the same objection; and to
+allow ourselves to be chased all over the empty house by this
+maniac would have been mere folly.&nbsp; There was no advantage
+in locking ourselves up anywhere upstairs where the original
+doors and locks were much lighter.&nbsp; No, true safety was in
+absolute stillness and silence, so that even his rage should be
+brought to doubt at last and die expended, or choke him before it
+died; I didn&rsquo;t care which.</p>
+<p>For me to go out and meet him would have been stupid.&nbsp;
+Now I was certain that he was armed.&nbsp; I had remembered the
+wall in the fencing-room decorated with trophies of cold steel in
+all the civilized and savage forms; sheaves of assegais, in the
+guise of columns and grouped between them stars and suns of
+choppers, swords, knives; from Italy, from Damascus, from
+Abyssinia, from the ends of the world.&nbsp; Ortega had only to
+make his barbarous choice.&nbsp; I suppose he had got up on the
+bench, and fumbling about amongst them must have brought one
+down, which, falling, had produced that rattling noise.&nbsp; But
+in any case to go to meet him would have been folly, because,
+after all, I might have been overpowered (even with bare hands)
+and then Do&ntilde;a Rita would have been left utterly
+defenceless.</p>
+<p>&ldquo;He will speak,&rdquo; came to me the ghostly, terrified
+murmur of her voice.&nbsp; &ldquo;Take me out of the house before
+he begins to speak.&rdquo;</p>
+<p>&ldquo;Keep still,&rdquo; I whispered.&nbsp; &ldquo;He will
+soon get tired of this.&rdquo;</p>
+<p>&ldquo;You don&rsquo;t know him.&rdquo;</p>
+<p>&ldquo;Oh, yes, I do.&nbsp; Been with him two
+hours.&rdquo;</p>
+<p>At this she let go my wrist and covered her face with her
+hands passionately.&nbsp; When she dropped them she had the look
+of one morally crushed.</p>
+<p>&ldquo;What did he say to you?&rdquo;</p>
+<p>&ldquo;He raved.&rdquo;</p>
+<p>&ldquo;Listen to me.&nbsp; It was all true!&rdquo;</p>
+<p>&ldquo;I daresay, but what of that?&rdquo;</p>
+<p>These ghostly words passed between us hardly louder than
+thoughts; but after my last answer she ceased and gave me a
+searching stare, then drew in a long breath.&nbsp; The voice on
+the other side of the door burst out with an impassioned request
+for a little pity, just a little, and went on begging for a few
+words, for two words, for one word&mdash;one poor little
+word.&nbsp; Then it gave up, then repeated once more, &ldquo;Say
+you are there, Rita, Say one word, just one word.&nbsp; Say
+&lsquo;yes.&rsquo;&nbsp; Come!&nbsp; Just one little
+yes.&rdquo;</p>
+<p>&ldquo;You see,&rdquo; I said.&nbsp; She only lowered her
+eyelids over the anxious glance she had turned on me.</p>
+<p>For a minute we could have had the illusion that he had stolen
+away, unheard, on the thick mats.&nbsp; But I don&rsquo;t think
+that either of us was deceived.&nbsp; The voice returned,
+stammering words without connection, pausing and faltering, till
+suddenly steadied it soared into impassioned entreaty, sank to
+low, harsh tones, voluble, lofty sometimes and sometimes
+abject.&nbsp; When it paused it left us looking profoundly at
+each other.</p>
+<p>&ldquo;It&rsquo;s almost comic,&rdquo; I whispered.</p>
+<p>&ldquo;Yes.&nbsp; One could laugh,&rdquo; she assented, with a
+sort of sinister conviction.&nbsp; Never had I seen her look
+exactly like that, for an instant another, an incredible
+Rita!&nbsp; &ldquo;Haven&rsquo;t I laughed at him innumerable
+times?&rdquo; she added in a sombre whisper.</p>
+<p>He was muttering to himself out there, and unexpectedly
+shouted: &ldquo;What?&rdquo; as though he had fancied he had
+heard something.&nbsp; He waited a while before he started up
+again with a loud: &ldquo;Speak up, Queen of the goats, with your
+goat tricks. . .&rdquo;&nbsp; All was still for a time, then came
+a most awful bang on the door.&nbsp; He must have stepped back a
+pace to hurl himself bodily against the panels.&nbsp; The whole
+house seemed to shake.&nbsp; He repeated that performance once
+more, and then varied it by a prolonged drumming with his
+fists.&nbsp; It <i>was</i> comic.&nbsp; But I felt myself
+struggling mentally with an invading gloom as though I were no
+longer sure of myself.</p>
+<p>&ldquo;Take me out,&rdquo; whispered Do&ntilde;a Rita
+feverishly, &ldquo;take me out of this house before it is too
+late.&rdquo;</p>
+<p>&ldquo;You will have to stand it,&rdquo; I answered.</p>
+<p>&ldquo;So be it; but then you must go away yourself.&nbsp; Go
+now, before it is too late.&rdquo;</p>
+<p>I didn&rsquo;t condescend to answer this.&nbsp; The drumming
+on the panels stopped and the absurd thunder of it died out in
+the house.&nbsp; I don&rsquo;t know why precisely then I had the
+acute vision of the red mouth of Jos&eacute; Ortega wriggling
+with rage between his funny whiskers.&nbsp; He began afresh but
+in a tired tone:</p>
+<p>&ldquo;Do you expect a fellow to forget your tricks, you
+wicked little devil?&nbsp; Haven&rsquo;t you ever seen me dodging
+about to get a sight of you amongst those pretty gentlemen, on
+horseback, like a princess, with pure cheeks like a carved
+saint?&nbsp; I wonder I didn&rsquo;t throw stones at you, I
+wonder I didn&rsquo;t run after you shouting the tale&mdash;curse
+my timidity!&nbsp; But I daresay they knew as much as I
+did.&nbsp; More.&nbsp; All the new tricks&mdash;if that were
+possible.&rdquo;</p>
+<p>While he was making this uproar, Do&ntilde;a Rita put her
+fingers in her ears and then suddenly changed her mind and
+clapped her hands over my ears.&nbsp; Instinctively I disengaged
+my head but she persisted.&nbsp; We had a short tussle without
+moving from the spot, and suddenly I had my head free, and there
+was complete silence.&nbsp; He had screamed himself out of
+breath, but Do&ntilde;a Rita muttering: &ldquo;Too late, too
+late,&rdquo; got her hands away from my grip and slipping
+altogether out of her fur coat seized some garment lying on a
+chair near by (I think it was her skirt), with the intention of
+dressing herself, I imagine, and rushing out of the house.&nbsp;
+Determined to prevent this, but indeed without thinking very much
+what I was doing, I got hold of her arm.&nbsp; That struggle was
+silent, too; but I used the least force possible and she managed
+to give me an unexpected push.&nbsp; Stepping back to save myself
+from falling I overturned the little table, bearing the
+six-branched candlestick.&nbsp; It hit the floor, rebounded with
+a dull ring on the carpet, and by the time it came to a rest
+every single candle was out.&nbsp; He on the other side of the
+door naturally heard the noise and greeted it with a triumphant
+screech: &ldquo;Aha!&nbsp; I&rsquo;ve managed to wake you
+up,&rdquo; the very savagery of which had a laughable
+effect.&nbsp; I felt the weight of Do&ntilde;a Rita grow on my
+arm and thought it best to let her sink on the floor, wishing to
+be free in my movements and really afraid that now he had
+actually heard a noise he would infallibly burst the door.&nbsp;
+But he didn&rsquo;t even thump it.&nbsp; He seemed to have
+exhausted himself in that scream.&nbsp; There was no other light
+in the room but the darkened glow of the embers and I could
+hardly make out amongst the shadows of furniture Do&ntilde;a Rita
+sunk on her knees in a penitential and despairing attitude.&nbsp;
+Before this collapse I, who had been wrestling desperately with
+her a moment before, felt that I dare not touch her.&nbsp; This
+emotion, too, I could not understand; this abandonment of
+herself, this conscience-stricken humility.&nbsp; A humbly
+imploring request to open the door came from the other
+side.&nbsp; Ortega kept on repeating: &ldquo;Open the door, open
+the door,&rdquo; in such an amazing variety of intonations,
+imperative, whining, persuasive, insinuating, and even
+unexpectedly jocose, that I really stood there smiling to myself,
+yet with a gloomy and uneasy heart.&nbsp; Then he remarked,
+parenthetically as it were, &ldquo;Oh, you know how to torment a
+man, you brown-skinned, lean, grinning, dishevelled imp,
+you.&nbsp; And mark,&rdquo; he expounded further, in a curiously
+doctoral tone&mdash;&ldquo;you are in all your limbs hateful:
+your eyes are hateful and your mouth is hateful, and your hair is
+hateful, and your body is cold and vicious like a snake&mdash;and
+altogether you are perdition.&rdquo;</p>
+<p>This statement was astonishingly deliberate.&nbsp; He drew a
+moaning breath after it and uttered in a heart-rending tone,
+&ldquo;You know, Rita, that I cannot live without you.&nbsp; I
+haven&rsquo;t lived.&nbsp; I am not living now.&nbsp; This
+isn&rsquo;t life.&nbsp; Come, Rita, you can&rsquo;t take a
+boy&rsquo;s soul away and then let him grow up and go about the
+world, poor devil, while you go amongst the rich from one pair of
+arms to another, showing all your best tricks.&nbsp; But I will
+forgive you if you only open the door,&rdquo; he ended in an
+inflated tone: &ldquo;You remember how you swore time after time
+to be my wife.&nbsp; You are more fit to be Satan&rsquo;s wife
+but I don&rsquo;t mind.&nbsp; You shall be my wife!&rdquo;</p>
+<p>A sound near the floor made me bend down hastily with a stern:
+&ldquo;Don&rsquo;t laugh,&rdquo; for in his grotesque, almost
+burlesque discourses there seemed to me to be truth, passion, and
+horror enough to move a mountain.</p>
+<p>Suddenly suspicion seized him out there.&nbsp; With perfectly
+farcical unexpectedness he yelled shrilly: &ldquo;Oh, you
+deceitful wretch!&nbsp; You won&rsquo;t escape me!&nbsp; I will
+have you. . . .&rdquo;</p>
+<p>And in a manner of speaking he vanished.&nbsp; Of course I
+couldn&rsquo;t see him but somehow that was the impression.&nbsp;
+I had hardly time to receive it when crash! . . . he was already
+at the other door.&nbsp; I suppose he thought that his prey was
+escaping him.&nbsp; His swiftness was amazing, almost
+inconceivable, more like the effect of a trick or of a
+mechanism.&nbsp; The thump on the door was awful as if he had not
+been able to stop himself in time.&nbsp; The shock seemed enough
+to stun an elephant.&nbsp; It was really funny.&nbsp; And after
+the crash there was a moment of silence as if he were recovering
+himself.&nbsp; The next thing was a low grunt, and at once he
+picked up the thread of his fixed idea.</p>
+<p>&ldquo;You will have to be my wife.&nbsp; I have no
+shame.&nbsp; You swore you would be and so you will have to
+be.&rdquo;&nbsp; Stifled low sounds made me bend down again to
+the kneeling form, white in the flush of the dark red glow.&nbsp;
+&ldquo;For goodness&rsquo; sake don&rsquo;t,&rdquo; I whispered
+down.&nbsp; She was struggling with an appalling fit of
+merriment, repeating to herself, &ldquo;Yes, every day, for two
+months.&nbsp; Sixty times at least, sixty times at
+least.&rdquo;&nbsp; Her voice was rising high.&nbsp; She was
+struggling against laughter, but when I tried to put my hand over
+her lips I felt her face wet with tears.&nbsp; She turned it this
+way and that, eluding my hand with repressed low, little
+moans.&nbsp; I lost my caution and said, &ldquo;Be quiet,&rdquo;
+so sharply as to startle myself (and her, too) into expectant
+stillness.</p>
+<p>Ortega&rsquo;s voice in the hall asked distinctly:
+&ldquo;Eh?&nbsp; What&rsquo;s this?&rdquo; and then he kept still
+on his side listening, but he must have thought that his ears had
+deceived him.&nbsp; He was getting tired, too.&nbsp; He was
+keeping quiet out there&mdash;resting.&nbsp; Presently he sighed
+deeply; then in a harsh melancholy tone he started again.</p>
+<p>&ldquo;My love, my soul, my life, do speak to me.&nbsp; What
+am I that you should take so much trouble to pretend that you
+aren&rsquo;t there?&nbsp; Do speak to me,&rdquo; he repeated
+tremulously, following this mechanical appeal with a string of
+extravagantly endearing names, some of them quite childish, which
+all of a sudden stopped dead; and then after a pause there came a
+distinct, unutterably weary: &ldquo;What shall I do now?&rdquo;
+as though he were speaking to himself.</p>
+<p>I shuddered to hear rising from the floor, by my side, a
+vibrating, scornful: &ldquo;Do!&nbsp; Why, slink off home looking
+over your shoulder as you used to years ago when I had done with
+you&mdash;all but the laughter.&rdquo;</p>
+<p>&ldquo;Rita,&rdquo; I murmured, appalled.&nbsp; He must have
+been struck dumb for a moment.&nbsp; Then, goodness only knows
+why, in his dismay or rage he was moved to speak in French with a
+most ridiculous accent.</p>
+<p>&ldquo;So you have found your tongue at
+last&mdash;<i>Catin</i>!&nbsp; You were that from the
+cradle.&nbsp; Don&rsquo;t you remember how . . .&rdquo;</p>
+<p>Do&ntilde;a Rita sprang to her feet at my side with a loud
+cry, &ldquo;No, George, no,&rdquo; which bewildered me
+completely.&nbsp; The suddenness, the loudness of it made the
+ensuing silence on both sides of the door perfectly awful.&nbsp;
+It seemed to me that if I didn&rsquo;t resist with all my might
+something in me would die on the instant.&nbsp; In the straight,
+falling folds of the night-dress she looked cold like a block of
+marble; while I, too, was turned into stone by the terrific
+clamour in the hall.</p>
+<p>&ldquo;Therese, Therese,&rdquo; yelled Ortega.&nbsp;
+&ldquo;She has got a man in there.&rdquo;&nbsp; He ran to the
+foot of the stairs and screamed again, &ldquo;Therese,
+Therese!&nbsp; There is a man with her.&nbsp; A man!&nbsp; Come
+down, you miserable, starved peasant, come down and
+see.&rdquo;</p>
+<p>I don&rsquo;t know where Therese was but I am sure that this
+voice reached her, terrible, as if clamouring to heaven, and with
+a shrill over-note which made me certain that if she was in bed
+the only thing she would think of doing would be to put her head
+under the bed-clothes.&nbsp; With a final yell: &ldquo;Come down
+and see,&rdquo; he flew back at the door of the room and started
+shaking it violently.</p>
+<p>It was a double door, very tall, and there must have been a
+lot of things loose about its fittings, bolts, latches, and all
+those brass applications with broken screws, because it rattled,
+it clattered, it jingled; and produced also the sound as of
+thunder rolling in the big, empty hall.&nbsp; It was deafening,
+distressing, and vaguely alarming as if it could bring the house
+down.&nbsp; At the same time the futility of it had, it cannot be
+denied, a comic effect.&nbsp; The very magnitude of the racket he
+raised was funny.&nbsp; But he couldn&rsquo;t keep up that
+violent exertion continuously, and when he stopped to rest we
+could hear him shouting to himself in vengeful tones.&nbsp; He
+saw it all!&nbsp; He had been decoyed there!&nbsp; (Rattle,
+rattle, rattle.)&nbsp; He had been decoyed into that town, he
+screamed, getting more and more excited by the noise he made
+himself, in order to be exposed to this!&nbsp; (Rattle,
+rattle.)&nbsp; By this shameless &ldquo;<i>Catin</i>!
+<i>Catin</i>! <i>Catin</i>!&rdquo;</p>
+<p>He started at the door again with superhuman vigour.&nbsp;
+Behind me I heard Do&ntilde;a Rita laughing softly, statuesque,
+turned all dark in the fading glow.&nbsp; I called out to her
+quite openly, &ldquo;Do keep your self-control.&rdquo;&nbsp; And
+she called back to me in a clear voice: &ldquo;Oh, my dear, will
+you ever consent to speak to me after all this?&nbsp; But
+don&rsquo;t ask for the impossible.&nbsp; He was born to be
+laughed at.&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; I cried.&nbsp; &ldquo;But don&rsquo;t let
+yourself go.&rdquo;</p>
+<p>I don&rsquo;t know whether Ortega heard us.&nbsp; He was
+exerting then his utmost strength of lung against the infamous
+plot to expose him to the derision of the fiendish associates of
+that obscene woman! . . . Then he began another interlude upon
+the door, so sustained and strong that I had the thought that
+this was growing absurdly impossible, that either the plaster
+would begin to fall off the ceiling or he would drop dead next
+moment, out there.</p>
+<p>He stopped, uttered a few curses at the door, and seemed
+calmer from sheer exhaustion.</p>
+<p>&ldquo;This story will be all over the world,&rdquo; we heard
+him begin.&nbsp; &ldquo;Deceived, decoyed, inveighed, in order to
+be made a laughing-stock before the most debased of all mankind,
+that woman and her associates.&rdquo;&nbsp; This was really a
+meditation.&nbsp; And then he screamed: &ldquo;I will kill you
+all.&rdquo;&nbsp; Once more he started worrying the door but it
+was a startlingly feeble effort which he abandoned almost at
+once.&nbsp; He must have been at the end of his strength.&nbsp;
+Do&ntilde;a Rita from the middle of the room asked me recklessly
+loud: &ldquo;Tell me!&nbsp; Wasn&rsquo;t he born to be laughed
+at?&rdquo;&nbsp; I didn&rsquo;t answer her.&nbsp; I was so near
+the door that I thought I ought to hear him panting there.&nbsp;
+He was terrifying, but he was not serious.&nbsp; He was at the
+end of his strength, of his breath, of every kind of endurance,
+but I did not know it.&nbsp; He was done up, finished; but
+perhaps he did not know it himself.&nbsp; How still he was!&nbsp;
+Just as I began to wonder at it, I heard him distinctly give a
+slap to his forehead.&nbsp; &ldquo;I see it all!&rdquo; he
+cried.&nbsp; &ldquo;That miserable, canting peasant-woman
+upstairs has arranged it all.&nbsp; No doubt she consulted her
+priests.&nbsp; I must regain my self-respect.&nbsp; Let her die
+first.&rdquo;&nbsp; I heard him make a dash for the foot of the
+stairs.&nbsp; I was appalled; yet to think of Therese being
+hoisted with her own petard was like a turn of affairs in a
+farce.&nbsp; A very ferocious farce.&nbsp; Instinctively I
+unlocked the door.&nbsp; Do&ntilde;a Rita&rsquo;s contralto laugh
+rang out loud, bitter, and contemptuous; and I heard
+Ortega&rsquo;s distracted screaming as if under torture.&nbsp;
+&ldquo;It hurts!&nbsp; It hurts!&nbsp; It hurts!&rdquo;&nbsp; I
+hesitated just an instant, half a second, no more, but before I
+could open the door wide there was in the hall a short groan and
+the sound of a heavy fall.</p>
+<p>The sight of Ortega lying on his back at the foot of the
+stairs arrested me in the doorway.&nbsp; One of his legs was
+drawn up, the other extended fully, his foot very near the
+pedestal of the silver statuette holding the feeble and tenacious
+gleam which made the shadows so heavy in that hall.&nbsp; One of
+his arms lay across his breast.&nbsp; The other arm was extended
+full length on the white-and-black pavement with the hand palm
+upwards and the fingers rigidly spread out.&nbsp; The shadow of
+the lowest step slanted across his face but one whisker and part
+of his chin could be made out.&nbsp; He appeared strangely
+flattened.&nbsp; He didn&rsquo;t move at all.&nbsp; He was in his
+shirt-sleeves.&nbsp; I felt an extreme distaste for that
+sight.&nbsp; The characteristic sound of a key worrying in the
+lock stole into my ears.&nbsp; I couldn&rsquo;t locate it but I
+didn&rsquo;t attend much to that at first.&nbsp; I was engaged in
+watching Se&ntilde;or Ortega.&nbsp; But for his raised leg he
+clung so flat to the floor and had taken on himself such a
+distorted shape that he might have been the mere shadow of
+Se&ntilde;or Ortega.&nbsp; It was rather fascinating to see him
+so quiet at the end of all that fury, clamour, passion, and
+uproar.&nbsp; Surely there was never anything so still in the
+world as this Ortega.&nbsp; I had a bizarre notion that he was
+not to be disturbed.</p>
+<p>A noise like the rattling of chain links, a small grind and
+click exploded in the stillness of the hall and a voice began to
+swear in Italian.&nbsp; These surprising sounds were quite
+welcome, they recalled me to myself, and I perceived they came
+from the front door which seemed pushed a little ajar.&nbsp; Was
+somebody trying to get in?&nbsp; I had no objection, I went to
+the door and said: &ldquo;Wait a moment, it&rsquo;s on the
+chain.&rdquo;&nbsp; The deep voice on the other side said:
+&ldquo;What an extraordinary thing,&rdquo; and I assented
+mentally.&nbsp; It was extraordinary.&nbsp; The chain was never
+put up, but Therese was a thorough sort of person, and on this
+night she had put it up to keep no one out except myself.&nbsp;
+It was the old Italian and his daughters returning from the ball
+who were trying to get in.</p>
+<p>Suddenly I became intensely alive to the whole
+situation.&nbsp; I bounded back, closed the door of Blunt&rsquo;s
+room, and the next moment was speaking to the Italian.&nbsp;
+&ldquo;A little patience.&rdquo;&nbsp; My hands trembled but I
+managed to take down the chain and as I allowed the door to swing
+open a little more I put myself in his way.&nbsp; He was burly,
+venerable, a little indignant, and full of thanks.&nbsp; Behind
+him his two girls, in short-skirted costumes, white stockings,
+and low shoes, their heads powdered and earrings sparkling in
+their ears, huddled together behind their father, wrapped up in
+their light mantles.&nbsp; One had kept her little black mask on
+her face, the other held hers in her hand.</p>
+<p>The Italian was surprised at my blocking the way and remarked
+pleasantly, &ldquo;It&rsquo;s cold outside, Signor.&rdquo;&nbsp;
+I said, &ldquo;Yes,&rdquo; and added in a hurried whisper:
+&ldquo;There is a dead man in the hall.&rdquo;&nbsp; He
+didn&rsquo;t say a single word but put me aside a little,
+projected his body in for one searching glance.&nbsp; &ldquo;Your
+daughters,&rdquo; I murmured.&nbsp; He said kindly, &ldquo;<i>Va
+bene</i>, <i>va bene</i>.&rdquo;&nbsp; And then to them,
+&ldquo;Come in, girls.&rdquo;</p>
+<p>There is nothing like dealing with a man who has had a long
+past of out-of-the-way experiences.&nbsp; The skill with which he
+rounded up and drove the girls across the hall, paternal and
+irresistible, venerable and reassuring, was a sight to see.&nbsp;
+They had no time for more than one scared look over the
+shoulder.&nbsp; He hustled them in and locked them up safely in
+their part of the house, then crossed the hall with a quick,
+practical stride.&nbsp; When near Se&ntilde;or Ortega he trod
+short just in time and said: &ldquo;In truth, blood&rdquo;; then
+selecting the place, knelt down by the body in his tall hat and
+respectable overcoat, his white beard giving him immense
+authority somehow.&nbsp; &ldquo;But&mdash;this man is not
+dead,&rdquo; he exclaimed, looking up at me.&nbsp; With profound
+sagacity, inherent as it were in his great beard, he never took
+the trouble to put any questions to me and seemed certain that I
+had nothing to do with the ghastly sight.&nbsp; &ldquo;He managed
+to give himself an enormous gash in his side,&rdquo; was his calm
+remark.&nbsp; &ldquo;And what a weapon!&rdquo; he exclaimed,
+getting it out from under the body.&nbsp; It was an Abyssinian or
+Nubian production of a bizarre shape; the clumsiest thing
+imaginable, partaking of a sickle and a chopper with a sharp edge
+and a pointed end.&nbsp; A mere cruel-looking curio of
+inconceivable clumsiness to European eyes.</p>
+<p>The old man let it drop with amused disdain.&nbsp; &ldquo;You
+had better take hold of his legs,&rdquo; he decided without
+appeal.&nbsp; I certainly had no inclination to argue.&nbsp; When
+we lifted him up the head of Se&ntilde;or Ortega fell back
+desolately, making an awful, defenceless display of his large,
+white throat.</p>
+<p>We found the lamp burning in the studio and the bed made up on
+the couch on which we deposited our burden.&nbsp; My venerable
+friend jerked the upper sheet away at once and started tearing it
+into strips.</p>
+<p>&ldquo;You may leave him to me,&rdquo; said that efficient
+sage, &ldquo;but the doctor is your affair.&nbsp; If you
+don&rsquo;t want this business to make a noise you will have to
+find a discreet man.&rdquo;</p>
+<p>He was most benevolently interested in all the
+proceedings.&nbsp; He remarked with a patriarchal smile as he
+tore the sheet noisily: &ldquo;You had better not lose any
+time.&rdquo;&nbsp; I didn&rsquo;t lose any time.&nbsp; I crammed
+into the next hour an astonishing amount of bodily
+activity.&nbsp; Without more words I flew out bare-headed into
+the last night of Carnival.&nbsp; Luckily I was certain of the
+right sort of doctor.&nbsp; He was an iron-grey man of forty and
+of a stout habit of body but who was able to put on a
+spurt.&nbsp; In the cold, dark, and deserted by-streets, he ran
+with earnest, and ponderous footsteps, which echoed loudly in the
+cold night air, while I skimmed along the ground a pace or two in
+front of him.&nbsp; It was only on arriving at the house that I
+perceived that I had left the front door wide open.&nbsp; All the
+town, every evil in the world could have entered the
+black-and-white hall.&nbsp; But I had no time to meditate upon my
+imprudence.&nbsp; The doctor and I worked in silence for nearly
+an hour and it was only then while he was washing his hands in
+the fencing-room that he asked:</p>
+<p>&ldquo;What was he up to, that imbecile?&rdquo;</p>
+<p>&ldquo;Oh, he was examining this curiosity,&rdquo; I said.</p>
+<p>&ldquo;Oh, yes, and it accidentally went off,&rdquo; said the
+doctor, looking contemptuously at the Nubian knife I had thrown
+on the table.&nbsp; Then while wiping his hands: &ldquo;I would
+bet there is a woman somewhere under this; but that of course
+does not affect the nature of the wound.&nbsp; I hope this
+blood-letting will do him good.&rdquo;</p>
+<p>&ldquo;Nothing will do him any good,&rdquo; I said.</p>
+<p>&ldquo;Curious house this,&rdquo; went on the doctor,
+&ldquo;It belongs to a curious sort of woman, too.&nbsp; I
+happened to see her once or twice.&nbsp; I shouldn&rsquo;t wonder
+if she were to raise considerable trouble in the track of her
+pretty feet as she goes along.&nbsp; I believe you know her
+well.&rdquo;</p>
+<p>&ldquo;Yes.&rdquo;</p>
+<p>&ldquo;Curious people in the house, too.&nbsp; There was a
+Carlist officer here, a lean, tall, dark man, who couldn&rsquo;t
+sleep.&nbsp; He consulted me once.&nbsp; Do you know what became
+of him?&rdquo;</p>
+<p>&ldquo;No.&rdquo;</p>
+<p>The doctor had finished wiping his hands and flung the towel
+far away.</p>
+<p>&ldquo;Considerable nervous over-strain.&nbsp; Seemed to have
+a restless brain.&nbsp; Not a good thing, that.&nbsp; For the
+rest a perfect gentleman.&nbsp; And this Spaniard here, do you
+know him?&rdquo;</p>
+<p>&ldquo;Enough not to care what happens to him,&rdquo; I said,
+&ldquo;except for the trouble he might cause to the Carlist
+sympathizers here, should the police get hold of this
+affair.&rdquo;</p>
+<p>&ldquo;Well, then, he must take his chance in the seclusion of
+that conservatory sort of place where you have put him.&nbsp;
+I&rsquo;ll try to find somebody we can trust to look after
+him.&nbsp; Meantime, I will leave the case to you.&rdquo;</p>
+<h3>CHAPTER VIII</h3>
+<p>Directly I had shut the door after the doctor I started
+shouting for Therese.&nbsp; &ldquo;Come down at once, you
+wretched hypocrite,&rdquo; I yelled at the foot of the stairs in
+a sort of frenzy as though I had been a second Ortega.&nbsp; Not
+even an echo answered me; but all of a sudden a small flame
+flickered descending from the upper darkness and Therese appeared
+on the first floor landing carrying a lighted candle in front of
+a livid, hard face, closed against remorse, compassion, or mercy
+by the meanness of her righteousness and of her rapacious
+instincts.&nbsp; She was fully dressed in that abominable brown
+stuff with motionless folds, and as I watched her coming down
+step by step she might have been made of wood.&nbsp; I stepped
+back and pointed my finger at the darkness of the passage leading
+to the studio.&nbsp; She passed within a foot of me, her pale
+eyes staring straight ahead, her face still with disappointment
+and fury.&nbsp; Yet it is only my surmise.&nbsp; She might have
+been made thus inhuman by the force of an invisible
+purpose.&nbsp; I waited a moment, then, stealthily, with extreme
+caution, I opened the door of the so-called Captain Blunt&rsquo;s
+room.</p>
+<p>The glow of embers was all but out.&nbsp; It was cold and dark
+in there; but before I closed the door behind me the dim light
+from the hall showed me Do&ntilde;a Rita standing on the very
+same spot where I had left her, statuesque in her
+night-dress.&nbsp; Even after I shut the door she loomed up
+enormous, indistinctly rigid and inanimate.&nbsp; I picked up the
+candelabra, groped for a candle all over the carpet, found one,
+and lighted it.&nbsp; All that time Do&ntilde;a Rita didn&rsquo;t
+stir.&nbsp; When I turned towards her she seemed to be slowly
+awakening from a trance.&nbsp; She was deathly pale and by
+contrast the melted, sapphire-blue of her eyes looked black as
+coal.&nbsp; They moved a little in my direction, incurious,
+recognizing me slowly.&nbsp; But when they had recognized me
+completely she raised her hands and hid her face in them.&nbsp; A
+whole minute or more passed.&nbsp; Then I said in a low tone:
+&ldquo;Look at me,&rdquo; and she let them fall slowly as if
+accepting the inevitable.</p>
+<p>&ldquo;Shall I make up the fire?&rdquo; . . . I waited.&nbsp;
+&ldquo;Do you hear me?&rdquo;&nbsp; She made no sound and with
+the tip of my finger I touched her bare shoulder.&nbsp; But for
+its elasticity it might have been frozen.&nbsp; At once I looked
+round for the fur coat; it seemed to me that there was not a
+moment to lose if she was to be saved, as though we had been lost
+on an Arctic plain.&nbsp; I had to put her arms into the sleeves,
+myself, one after another.&nbsp; They were cold, lifeless, but
+flexible.&nbsp; Then I moved in front of her and buttoned the
+thing close round her throat.&nbsp; To do that I had actually to
+raise her chin with my finger, and it sank slowly down
+again.&nbsp; I buttoned all the other buttons right down to the
+ground.&nbsp; It was a very long and splendid fur.&nbsp; Before
+rising from my kneeling position I felt her feet.&nbsp; Mere
+ice.&nbsp; The intimacy of this sort of attendance helped the
+growth of my authority.&nbsp; &ldquo;Lie down,&rdquo; I murmured,
+&ldquo;I shall pile on you every blanket I can find here,&rdquo;
+but she only shook her head.</p>
+<p>Not even in the days when she ran &ldquo;shrill as a cicada
+and thin as a match&rdquo; through the chill mists of her native
+mountains could she ever have felt so cold, so wretched, and so
+desolate.&nbsp; Her very soul, her grave, indignant, and
+fantastic soul, seemed to drowse like an exhausted traveller
+surrendering himself to the sleep of death.&nbsp; But when I
+asked her again to lie down she managed to answer me, &ldquo;Not
+in this room.&rdquo;&nbsp; The dumb spell was broken.&nbsp; She
+turned her head from side to side, but oh! how cold she
+was!&nbsp; It seemed to come out of her, numbing me, too; and the
+very diamonds on the arrow of gold sparkled like hoar frost in
+the light of the one candle.</p>
+<p>&ldquo;Not in this room; not here,&rdquo; she protested, with
+that peculiar suavity of tone which made her voice unforgettable,
+irresistible, no matter what she said.&nbsp; &ldquo;Not after all
+this!&nbsp; I couldn&rsquo;t close my eyes in this place.&nbsp;
+It&rsquo;s full of corruption and ugliness all round, in me, too,
+everywhere except in your heart, which has nothing to do where I
+breathe.&nbsp; And here you may leave me.&nbsp; But wherever you
+go remember that I am not evil, I am not evil.&rdquo;</p>
+<p>I said: &ldquo;I don&rsquo;t intend to leave you here.&nbsp;
+There is my room upstairs.&nbsp; You have been in it
+before.&rdquo;</p>
+<p>&ldquo;Oh, you have heard of that,&rdquo; she whispered.&nbsp;
+The beginning of a wan smile vanished from her lips.</p>
+<p>&ldquo;I also think you can&rsquo;t stay in this room; and,
+surely, you needn&rsquo;t hesitate . . .&rdquo;</p>
+<p>&ldquo;No.&nbsp; It doesn&rsquo;t matter now.&nbsp; He has
+killed me.&nbsp; Rita is dead.&rdquo;</p>
+<p>While we exchanged these words I had retrieved the quilted,
+blue slippers and had put them on her feet.&nbsp; She was very
+tractable.&nbsp; Then taking her by the arm I led her towards the
+door.</p>
+<p>&ldquo;He has killed me,&rdquo; she repeated in a sigh.&nbsp;
+&ldquo;The little joy that was in me.&rdquo;</p>
+<p>&ldquo;He has tried to kill himself out there in the
+hall,&rdquo; I said.&nbsp; She put back like a frightened child
+but she couldn&rsquo;t be dragged on as a child can be.</p>
+<p>I assured her that the man was no longer there but she only
+repeated, &ldquo;I can&rsquo;t get through the hall.&nbsp; I
+can&rsquo;t walk.&nbsp; I can&rsquo;t . . .&rdquo;</p>
+<p>&ldquo;Well,&rdquo; I said, flinging the door open and seizing
+her suddenly in my arms, &ldquo;if you can&rsquo;t walk then you
+shall be carried,&rdquo; and I lifted her from the ground so
+abruptly that she could not help catching me round the neck as
+any child almost will do instinctively when you pick it up.</p>
+<p>I ought really to have put those blue slippers in my
+pocket.&nbsp; One dropped off at the bottom of the stairs as I
+was stepping over an unpleasant-looking mess on the marble
+pavement, and the other was lost a little way up the flight when,
+for some reason (perhaps from a sense of insecurity), she began
+to struggle.&nbsp; Though I had an odd sense of being engaged in
+a sort of nursery adventure she was no child to carry.&nbsp; I
+could just do it.&nbsp; But not if she chose to struggle.&nbsp; I
+set her down hastily and only supported her round the waist for
+the rest of the way.&nbsp; My room, of course, was perfectly dark
+but I led her straight to the sofa at once and let her fall on
+it.&nbsp; Then as if I had in sober truth rescued her from an
+Alpine height or an Arctic floe, I busied myself with nothing but
+lighting the gas and starting the fire.&nbsp; I didn&rsquo;t even
+pause to lock my door.&nbsp; All the time I was aware of her
+presence behind me, nay, of something deeper and more my
+own&mdash;of her existence itself&mdash;of a small blue flame,
+blue like her eyes, flickering and clear within her frozen
+body.&nbsp; When I turned to her she was sitting very stiff and
+upright, with her feet posed hieratically on the carpet and her
+head emerging out of the ample fur collar, such as a gem-like
+flower above the rim of a dark vase.&nbsp; I tore the blankets
+and the pillows off my bed and piled them up in readiness in a
+great heap on the floor near the couch.&nbsp; My reason for this
+was that the room was large, too large for the fireplace, and the
+couch was nearest to the fire.&nbsp; She gave no sign but one of
+her wistful attempts at a smile.&nbsp; In a most business-like
+way I took the arrow out of her hair and laid it on the centre
+table.&nbsp; The tawny mass fell loose at once about her
+shoulders and made her look even more desolate than before.&nbsp;
+But there was an invincible need of gaiety in her heart.&nbsp;
+She said funnily, looking at the arrow sparkling in the gas
+light:</p>
+<p>&ldquo;Ah!&nbsp; That poor philistinish ornament!&rdquo;</p>
+<p>An echo of our early days, not more innocent but so much more
+youthful, was in her tone; and we both, as if touched with
+poignant regret, looked at each other with enlightened eyes.</p>
+<p>&ldquo;Yes,&rdquo; I said, &ldquo;how far away all this
+is.&nbsp; And you wouldn&rsquo;t leave even that object behind
+when you came last in here.&nbsp; Perhaps it is for that reason
+it haunted me&mdash;mostly at night.&nbsp; I dreamed of you
+sometimes as a huntress nymph gleaming white through the foliage
+and throwing this arrow like a dart straight at my heart.&nbsp;
+But it never reached it.&nbsp; It always fell at my feet as I
+woke up.&nbsp; The huntress never meant to strike down that
+particular quarry.&rdquo;</p>
+<p>&ldquo;The huntress was wild but she was not evil.&nbsp; And
+she was no nymph, but only a goatherd girl.&nbsp; Dream of her no
+more, my dear.&rdquo;</p>
+<p>I had the strength of mind to make a sign of assent and busied
+myself arranging a couple of pillows at one end of the
+sofa.&nbsp; &ldquo;Upon my soul, goatherd, you are not
+responsible,&rdquo; I said.&nbsp; &ldquo;You are not!&nbsp; Lay
+down that uneasy head,&rdquo; I continued, forcing a half-playful
+note into my immense sadness, &ldquo;that has even dreamed of a
+crown&mdash;but not for itself.&rdquo;</p>
+<p>She lay down quietly.&nbsp; I covered her up, looked once into
+her eyes and felt the restlessness of fatigue over-power me so
+that I wanted to stagger out, walk straight before me, stagger on
+and on till I dropped.&nbsp; In the end I lost myself in
+thought.&nbsp; I woke with a start to her voice saying
+positively:</p>
+<p>&ldquo;No.&nbsp; Not even in this room.&nbsp; I can&rsquo;t
+close my eyes.&nbsp; Impossible.&nbsp; I have a horror of
+myself.&nbsp; That voice in my ears.&nbsp; All true.&nbsp; All
+true.&rdquo;</p>
+<p>She was sitting up, two masses of tawny hair fell on each side
+of her tense face.&nbsp; I threw away the pillows from which she
+had risen and sat down behind her on the couch.&nbsp;
+&ldquo;Perhaps like this,&rdquo; I suggested, drawing her head
+gently on my breast.&nbsp; She didn&rsquo;t resist, she
+didn&rsquo;t even sigh, she didn&rsquo;t look at me or attempt to
+settle herself in any way.&nbsp; It was I who settled her after
+taking up a position which I thought I should be able to keep for
+hours&mdash;for ages.&nbsp; After a time I grew composed enough
+to become aware of the ticking of the clock, even to take
+pleasure in it.&nbsp; The beat recorded the moments of her rest,
+while I sat, keeping as still as if my life depended upon it with
+my eyes fixed idly on the arrow of gold gleaming and glittering
+dimly on the table under the lowered gas-jet.&nbsp; And presently
+my breathing fell into the quiet rhythm of the sleep which
+descended on her at last.&nbsp; My thought was that now nothing
+mattered in the world because I had the world safe resting in my
+arms&mdash;or was it in my heart?</p>
+<p>Suddenly my heart seemed torn in two within my breast and half
+of my breath knocked out of me.&nbsp; It was a tumultuous
+awakening.&nbsp; The day had come.&nbsp; Do&ntilde;a Rita had
+opened her eyes, found herself in my arms, and instantly had
+flung herself out of them with one sudden effort.&nbsp; I saw her
+already standing in the filtered sunshine of the closed shutters,
+with all the childlike horror and shame of that night vibrating
+afresh in the awakened body of the woman.</p>
+<p>&ldquo;Daylight,&rdquo; she whispered in an appalled
+voice.&nbsp; &ldquo;Don&rsquo;t look at me, George.&nbsp; I
+can&rsquo;t face daylight.&nbsp; No&mdash;not with you.&nbsp;
+Before we set eyes on each other all that past was like
+nothing.&nbsp; I had crushed it all in my new pride.&nbsp;
+Nothing could touch the Rita whose hand was kissed by you.&nbsp;
+But now!&nbsp; Never in daylight.&rdquo;</p>
+<p>I sat there stupid with surprise and grief.&nbsp; This was no
+longer the adventure of venturesome children in a
+nursery-book.&nbsp; A grown man&rsquo;s bitterness, informed,
+suspicious, resembling hatred, welled out of my heart.</p>
+<p>&ldquo;All this means that you are going to desert me
+again?&rdquo; I said with contempt.&nbsp; &ldquo;All right.&nbsp;
+I won&rsquo;t throw stones after you . . . Are you going,
+then?&rdquo;</p>
+<p>She lowered her head slowly with a backward gesture of her arm
+as if to keep me off, for I had sprung to my feet all at once as
+if mad.</p>
+<p>&ldquo;Then go quickly,&rdquo; I said.&nbsp; &ldquo;You are
+afraid of living flesh and blood.&nbsp; What are you running
+after?&nbsp; Honesty, as you say, or some distinguished carcass
+to feed your vanity on?&nbsp; I know how cold you can
+be&mdash;and yet live.&nbsp; What have I done to you?&nbsp; You
+go to sleep in my arms, wake up and go away.&nbsp; Is it to
+impress me?&nbsp; Charlatanism of character, my dear.&rdquo;</p>
+<p>She stepped forward on her bare feet as firm on that floor
+which seemed to heave up and down before my eyes as she had ever
+been&mdash;goatherd child leaping on the rocks of her native
+hills which she was never to see again.&nbsp; I snatched the
+arrow of gold from the table and threw it after her.</p>
+<p>&ldquo;Don&rsquo;t forget this thing,&rdquo; I cried,
+&ldquo;you would never forgive yourself for leaving it
+behind.&rdquo;</p>
+<p>It struck the back of the fur coat and fell on the floor
+behind her.&nbsp; She never looked round.&nbsp; She walked to the
+door, opened it without haste, and on the landing in the diffused
+light from the ground-glass skylight there appeared, rigid, like
+an implacable and obscure fate, the awful Therese&mdash;waiting
+for her sister.&nbsp; The heavy ends of a big black shawl thrown
+over her head hung massively in biblical folds.&nbsp; With a
+faint cry of dismay Do&ntilde;a Rita stopped just within my
+room.</p>
+<p>The two women faced each other for a few moments
+silently.&nbsp; Therese spoke first.&nbsp; There was no austerity
+in her tone.&nbsp; Her voice was as usual, pertinacious,
+unfeeling, with a slight plaint in it; terrible in its unchanged
+purpose.</p>
+<p>&ldquo;I have been standing here before this door all
+night,&rdquo; she said.&nbsp; &ldquo;I don&rsquo;t know how I
+lived through it.&nbsp; I thought I would die a hundred times for
+shame.&nbsp; So that&rsquo;s how you are spending your
+time?&nbsp; You are worse than shameless.&nbsp; But God may still
+forgive you.&nbsp; You have a soul.&nbsp; You are my
+sister.&nbsp; I will never abandon you&mdash;till you
+die.&rdquo;</p>
+<p>&ldquo;What is it?&rdquo; Do&ntilde;a Rita was heard
+wistfully, &ldquo;my soul or this house that you won&rsquo;t
+abandon.&rdquo;</p>
+<p>&ldquo;Come out and bow your head in humiliation.&nbsp; I am
+your sister and I shall help you to pray to God and all the
+Saints.&nbsp; Come away from that poor young gentleman who like
+all the others can have nothing but contempt and disgust for you
+in his heart.&nbsp; Come and hide your head where no one will
+reproach you&mdash;but I, your sister.&nbsp; Come out and beat
+your breast: come, poor Sinner, and let me kiss you, for you are
+my sister!&rdquo;</p>
+<p>While Therese was speaking Do&ntilde;a Rita stepped back a
+pace and as the other moved forward still extending the hand of
+sisterly love, she slammed the door in Therese&rsquo;s
+face.&nbsp; &ldquo;You abominable girl!&rdquo; she cried
+fiercely.&nbsp; Then she turned about and walked towards me who
+had not moved.&nbsp; I felt hardly alive but for the cruel pain
+that possessed my whole being.&nbsp; On the way she stooped to
+pick up the arrow of gold and then moved on quicker, holding it
+out to me in her open palm.</p>
+<p>&ldquo;You thought I wouldn&rsquo;t give it to you.&nbsp;
+<i>Amigo</i>, I wanted nothing so much as to give it to
+you.&nbsp; And now, perhaps&mdash;you will take it.&rdquo;</p>
+<p>&ldquo;Not without the woman,&rdquo; I said sombrely.</p>
+<p>&ldquo;Take it,&rdquo; she said.&nbsp; &ldquo;I haven&rsquo;t
+the courage to deliver myself up to Therese.&nbsp; No.&nbsp; Not
+even for your sake.&nbsp; Don&rsquo;t you think I have been
+miserable enough yet?&rdquo;</p>
+<p>I snatched the arrow out of her hand then and ridiculously
+pressed it to my breast; but as I opened my lips she who knew
+what was struggling for utterance in my heart cried in a ringing
+tone:</p>
+<p>&ldquo;Speak no words of love, George!&nbsp; Not yet.&nbsp;
+Not in this house of ill-luck and falsehood.&nbsp; Not within a
+hundred miles of this house, where they came clinging to me all
+profaned from the mouth of that man.&nbsp; Haven&rsquo;t you
+heard them&mdash;the horrible things?&nbsp; And what can words
+have to do between you and me?&rdquo;</p>
+<p>Her hands were stretched out imploringly, I said, childishly
+disconcerted:</p>
+<p>&ldquo;But, Rita, how can I help using words of love to
+you?&nbsp; They come of themselves on my lips!&rdquo;</p>
+<p>&ldquo;They come!&nbsp; Ah!&nbsp; But I shall seal your lips
+with the thing itself,&rdquo; she said.&nbsp; &ldquo;Like this. .
+. &rdquo;</p>
+<h2>SECOND NOTE</h2>
+<p>The narrative of our man goes on for some six months more,
+from this, the last night of the Carnival season up to and beyond
+the season of roses.&nbsp; The tone of it is much less of
+exultation than might have been expected.&nbsp; Love as is well
+known having nothing to do with reason, being insensible to
+forebodings and even blind to evidence, the surrender of those
+two beings to a precarious bliss has nothing very astonishing in
+itself; and its portrayal, as he attempts it, lacks dramatic
+interest.&nbsp; The sentimental interest could only have a
+fascination for readers themselves actually in love.&nbsp; The
+response of a reader depends on the mood of the moment, so much
+so that a book may seem extremely interesting when read late at
+night, but might appear merely a lot of vapid verbiage in the
+morning.&nbsp; My conviction is that the mood in which the
+continuation of his story would appear sympathetic is very
+rare.&nbsp; This consideration has induced me to suppress
+it&mdash;all but the actual facts which round up the previous
+events and satisfy such curiosity as might have been aroused by
+the foregoing narrative.</p>
+<p>It is to be remarked that this period is characterized more by
+a deep and joyous tenderness than by sheer passion.&nbsp; All
+fierceness of spirit seems to have burnt itself out in their
+preliminary hesitations and struggles against each other and
+themselves.&nbsp; Whether love in its entirety has, speaking
+generally, the same elementary meaning for women as for men, is
+very doubtful.&nbsp; Civilization has been at work there.&nbsp;
+But the fact is that those two display, in every phase of
+discovery and response, an exact accord.&nbsp; Both show
+themselves amazingly ingenuous in the practice of
+sentiment.&nbsp; I believe that those who know women won&rsquo;t
+be surprised to hear me say that she was as new to love as he
+was.&nbsp; During their retreat in the region of the Maritime
+Alps, in a small house built of dry stones and embowered with
+roses, they appear all through to be less like released lovers
+than as companions who had found out each other&rsquo;s fitness
+in a specially intense way.&nbsp; Upon the whole, I think that
+there must be some truth in his insistence of there having always
+been something childlike in their relation.&nbsp; In the
+unreserved and instant sharing of all thoughts, all impressions,
+all sensations, we see the na&iuml;veness of a children&rsquo;s
+foolhardy adventure.&nbsp; This unreserved expressed for him the
+whole truth of the situation.&nbsp; With her it may have been
+different.&nbsp; It might have been assumed; yet nobody is
+altogether a comedian; and even comedians themselves have got to
+believe in the part they play.&nbsp; Of the two she appears much
+the more assured and confident.&nbsp; But if in this she was a
+comedienne then it was but a great achievement of her
+ineradicable honesty.&nbsp; Having once renounced her honourable
+scruples she took good care that he should taste no flavour of
+misgivings in the cup.&nbsp; Being older it was she who imparted
+its character to the situation.&nbsp; As to the man if he had any
+superiority of his own it was simply the superiority of him who
+loves with the greater self-surrender.</p>
+<p>This is what appears from the pages I have discreetly
+suppressed&mdash;partly out of regard for the pages
+themselves.&nbsp; In every, even terrestrial, mystery there is as
+it were a sacred core.&nbsp; A sustained commentary on love is
+not fit for every eye.&nbsp; A universal experience is exactly
+the sort of thing which is most difficult to appraise justly in a
+particular instance.</p>
+<p>How this particular instance affected Rose, who was the only
+companion of the two hermits in their rose-embowered hut of
+stones, I regret not to be able to report; but I will venture to
+say that for reasons on which I need not enlarge, the girl could
+not have been very reassured by what she saw.&nbsp; It seems to
+me that her devotion could never be appeased; for the conviction
+must have been growing on her that, no matter what happened,
+Madame could never have any friends.&nbsp; It may be that
+Do&ntilde;a Rita had given her a glimpse of the unavoidable end,
+and that the girl&rsquo;s tarnished eyes masked a certain amount
+of apprehensive, helpless desolation.</p>
+<p>What meantime was becoming of the fortune of Henry
+All&egrave;gre is another curious question.&nbsp; We have been
+told that it was too big to be tied up in a sack and thrown into
+the sea.&nbsp; That part of it represented by the fabulous
+collections was still being protected by the police.&nbsp; But
+for the rest, it may be assumed that its power and significance
+were lost to an interested world for something like six
+months.&nbsp; What is certain is that the late Henry
+All&egrave;gre&rsquo;s man of affairs found himself comparatively
+idle.&nbsp; The holiday must have done much good to his harassed
+brain.&nbsp; He had received a note from Do&ntilde;a Rita saying
+that she had gone into retreat and that she did not mean to send
+him her address, not being in the humour to be worried with
+letters on any subject whatever.&nbsp; &ldquo;It&rsquo;s enough
+for you&rdquo;&mdash;she wrote&mdash;&ldquo;to know that I am
+alive.&rdquo;&nbsp; Later, at irregular intervals, he received
+scraps of paper bearing the stamps of various post offices and
+containing the simple statement: &ldquo;I am still alive,&rdquo;
+signed with an enormous, flourished exuberant R.&nbsp; I imagine
+Rose had to travel some distances by rail to post those
+messages.&nbsp; A thick veil of secrecy had been lowered between
+the world and the lovers; yet even this veil turned out not
+altogether impenetrable.</p>
+<p>He&mdash;it would be convenient to call him Monsieur George to
+the end&mdash;shared with Do&ntilde;a Rita her perfect detachment
+from all mundane affairs; but he had to make two short visits to
+Marseilles.&nbsp; The first was prompted by his loyal affection
+for Dominic.&nbsp; He wanted to discover what had happened or was
+happening to Dominic and to find out whether he could do
+something for that man.&nbsp; But Dominic was not the sort of
+person for whom one can do much.&nbsp; Monsieur George did not
+even see him.&nbsp; It looked uncommonly as if Dominic&rsquo;s
+heart were broken.&nbsp; Monsieur George remained concealed for
+twenty-four hours in the very house in which Madame
+L&eacute;onore had her caf&eacute;.&nbsp; He spent most of that
+time in conversing with Madame L&eacute;onore about
+Dominic.&nbsp; She was distressed, but her mind was made
+up.&nbsp; That bright-eyed, nonchalant, and passionate woman was
+making arrangements to dispose of her caf&eacute; before
+departing to join Dominic.&nbsp; She would not say where.&nbsp;
+Having ascertained that his assistance was not required Monsieur
+George, in his own words, &ldquo;managed to sneak out of the town
+without being seen by a single soul that mattered.&rdquo;</p>
+<p>The second occasion was very prosaic and shockingly
+incongruous with the super-mundane colouring of these days.&nbsp;
+He had neither the fortune of Henry All&egrave;gre nor a man of
+affairs of his own.&nbsp; But some rent had to be paid to
+somebody for the stone hut and Rose could not go marketing in the
+tiny hamlet at the foot of the hill without a little money.&nbsp;
+There came a time when Monsieur George had to descend from the
+heights of his love in order, in his own words, &ldquo;to get a
+supply of cash.&rdquo;&nbsp; As he had disappeared very suddenly
+and completely for a time from the eyes of mankind it was
+necessary that he should show himself and sign some papers.&nbsp;
+That business was transacted in the office of the banker
+mentioned in the story.&nbsp; Monsieur George wished to avoid
+seeing the man himself but in this he did not succeed.&nbsp; The
+interview was short.&nbsp; The banker naturally asked no
+questions, made no allusions to persons and events, and
+didn&rsquo;t even mention the great Legitimist Principle which
+presented to him now no interest whatever.&nbsp; But for the
+moment all the world was talking of the Carlist enterprise.&nbsp;
+It had collapsed utterly, leaving behind, as usual, a large crop
+of recriminations, charges of incompetency and treachery, and a
+certain amount of scandalous gossip.&nbsp; The banker (his
+wife&rsquo;s salon had been very Carlist indeed) declared that he
+had never believed in the success of the cause.&nbsp; &ldquo;You
+are well out of it,&rdquo; he remarked with a chilly smile to
+Monsieur George.&nbsp; The latter merely observed that he had
+been very little &ldquo;in it&rdquo; as a matter of fact, and
+that he was quite indifferent to the whole affair.</p>
+<p>&ldquo;You left a few of your feathers in it,
+nevertheless,&rdquo; the banker concluded with a wooden face and
+with the curtness of a man who knows.</p>
+<p>Monsieur George ought to have taken the very next train out of
+the town but he yielded to the temptation to discover what had
+happened to the house in the street of the Consuls after he and
+Do&ntilde;a Rita had stolen out of it like two scared yet
+jubilant children.&nbsp; All he discovered was a strange, fat
+woman, a sort of virago, who had, apparently, been put in as a
+caretaker by the man of affairs.&nbsp; She made some difficulties
+to admit that she had been in charge for the last four months;
+ever since the person who was there before had eloped with some
+Spaniard who had been lying in the house ill with fever for more
+than six weeks.&nbsp; No, she never saw the person.&nbsp; Neither
+had she seen the Spaniard.&nbsp; She had only heard the talk of
+the street.&nbsp; Of course she didn&rsquo;t know where these
+people had gone.&nbsp; She manifested some impatience to get rid
+of Monsieur George and even attempted to push him towards the
+door.&nbsp; It was, he says, a very funny experience.&nbsp; He
+noticed the feeble flame of the gas-jet in the hall still waiting
+for extinction in the general collapse of the world.</p>
+<p>Then he decided to have a bit of dinner at the Restaurant de
+la Gare where he felt pretty certain he would not meet any of his
+friends.&nbsp; He could not have asked Madame L&eacute;onore for
+hospitality because Madame L&eacute;onore had gone away
+already.&nbsp; His acquaintances were not the sort of people
+likely to happen casually into a restaurant of that kind and
+moreover he took the precaution to seat himself at a small table
+so as to face the wall.&nbsp; Yet before long he felt a hand laid
+gently on his shoulder, and, looking up, saw one of his
+acquaintances, a member of the Royalist club, a young man of a
+very cheerful disposition but whose face looked down at him with
+a grave and anxious expression.</p>
+<p>Monsieur George was far from delighted.&nbsp; His surprise was
+extreme when in the course of the first phrases exchanged with
+him he learned that this acquaintance had come to the station
+with the hope of finding him there.</p>
+<p>&ldquo;You haven&rsquo;t been seen for some time,&rdquo; he
+said.&nbsp; &ldquo;You were perhaps somewhere where the news from
+the world couldn&rsquo;t reach you?&nbsp; There have been many
+changes amongst our friends and amongst people one used to hear
+of so much.&nbsp; There is Madame de Lastaola for instance, who
+seems to have vanished from the world which was so much
+interested in her.&nbsp; You have no idea where she may be
+now?&rdquo;</p>
+<p>Monsieur George remarked grumpily that he couldn&rsquo;t
+say.</p>
+<p>The other tried to appear at ease.&nbsp; Tongues were wagging
+about it in Paris.&nbsp; There was a sort of international
+financier, a fellow with an Italian name, a shady personality,
+who had been looking for her all over Europe and talked in
+clubs&mdash;astonishing how such fellows get into the best
+clubs&mdash;oh! Azzolati was his name.&nbsp; But perhaps what a
+fellow like that said did not matter.&nbsp; The funniest thing
+was that there was no man of any position in the world who had
+disappeared at the same time.&nbsp; A friend in Paris wrote to
+him that a certain well-known journalist had rushed South to
+investigate the mystery but had returned no wiser than he
+went.</p>
+<p>Monsieur George remarked more unamiably than before that he
+really could not help all that.</p>
+<p>&ldquo;No,&rdquo; said the other with extreme gentleness,
+&ldquo;only of all the people more or less connected with the
+Carlist affair you are the only one that had also disappeared
+before the final collapse.&rdquo;</p>
+<p>&ldquo;What!&rdquo; cried Monsieur George.</p>
+<p>&ldquo;Just so,&rdquo; said the other meaningly.&nbsp;
+&ldquo;You know that all my people like you very much, though
+they hold various opinions as to your discretion.&nbsp; Only the
+other day Jane, you know my married sister, and I were talking
+about you.&nbsp; She was extremely distressed.&nbsp; I assured
+her that you must be very far away or very deeply buried
+somewhere not to have given a sign of life under this
+provocation.&rdquo;</p>
+<p>Naturally Monsieur George wanted to know what it was all
+about; and the other appeared greatly relieved.</p>
+<p>&ldquo;I was sure you couldn&rsquo;t have heard.&nbsp; I
+don&rsquo;t want to be indiscreet, I don&rsquo;t want to ask you
+where you were.&nbsp; It came to my ears that you had been seen
+at the bank to-day and I made a special effort to lay hold of you
+before you vanished again; for, after all, we have been always
+good friends and all our lot here liked you very much.&nbsp;
+Listen.&nbsp; You know a certain Captain Blunt, don&rsquo;t
+you?&rdquo;</p>
+<p>Monsieur George owned to knowing Captain Blunt but only very
+slightly.&nbsp; His friend then informed him that this Captain
+Blunt was apparently well acquainted with Madame de Lastaola, or,
+at any rate, pretended to be.&nbsp; He was an honourable man, a
+member of a good club, he was very Parisian in a way, and all
+this, he continued, made all the worse that of which he was under
+the painful necessity of warning Monsieur George.&nbsp; This
+Blunt on three distinct occasions when the name of Madame de
+Lastaola came up in conversation in a mixed company of men had
+expressed his regret that she should have become the prey of a
+young adventurer who was exploiting her shamelessly.&nbsp; He
+talked like a man certain of his facts and as he mentioned names
+. . .</p>
+<p>&ldquo;In fact,&rdquo; the young man burst out excitedly,
+&ldquo;it is your name that he mentions.&nbsp; And in order to
+fix the exact personality he always takes care to add that you
+are that young fellow who was known as Monsieur George all over
+the South amongst the initiated Carlists.&rdquo;</p>
+<p>How Blunt had got enough information to base that atrocious
+calumny upon, Monsieur George couldn&rsquo;t imagine.&nbsp; But
+there it was.&nbsp; He kept silent in his indignation till his
+friend murmured, &ldquo;I expect you will want him to know that
+you are here.&rdquo;</p>
+<p>&ldquo;Yes,&rdquo; said Monsieur George, &ldquo;and I hope you
+will consent to act for me altogether.&nbsp; First of all, pray,
+let him know by wire that I am waiting for him.&nbsp; This will
+be enough to fetch him down here, I can assure you.&nbsp; You may
+ask him also to bring two friends with him.&nbsp; I don&rsquo;t
+intend this to be an affair for Parisian journalists to write
+paragraphs about.&rdquo;</p>
+<p>&ldquo;Yes.&nbsp; That sort of thing must be stopped at
+once,&rdquo; the other admitted.&nbsp; He assented to Monsieur
+George&rsquo;s request that the meeting should be arranged for at
+his elder brother&rsquo;s country place where the family stayed
+very seldom.&nbsp; There was a most convenient walled garden
+there.&nbsp; And then Monsieur George caught his train promising
+to be back on the fourth day and leaving all further arrangements
+to his friend.&nbsp; He prided himself on his impenetrability
+before Do&ntilde;a Rita; on the happiness without a shadow of
+those four days.&nbsp; However, Do&ntilde;a Rita must have had
+the intuition of there being something in the wind, because on
+the evening of the very same day on which he left her again on
+some pretence or other, she was already ensconced in the house in
+the street of the Consuls, with the trustworthy Rose scouting all
+over the town to gain information.</p>
+<p>Of the proceedings in the walled garden there is no need to
+speak in detail.&nbsp; They were conventionally correct, but an
+earnestness of purpose which could be felt in the very air lifted
+the business above the common run of affairs of honour.&nbsp; One
+bit of byplay unnoticed by the seconds, very busy for the moment
+with their arrangements, must be mentioned.&nbsp; Disregarding
+the severe rules of conduct in such cases Monsieur George
+approached his adversary and addressed him directly.</p>
+<p>&ldquo;Captain Blunt,&rdquo; he said, &ldquo;the result of
+this meeting may go against me.&nbsp; In that case you will
+recognize publicly that you were wrong.&nbsp; For you are wrong
+and you know it.&nbsp; May I trust your honour?&rdquo;</p>
+<p>In answer to that appeal Captain Blunt, always correct,
+didn&rsquo;t open his lips but only made a little bow.&nbsp; For
+the rest he was perfectly ruthless.&nbsp; If he was utterly
+incapable of being carried away by love there was nothing
+equivocal about his jealousy.&nbsp; Such psychology is not very
+rare and really from the point of view of the combat itself one
+cannot very well blame him.&nbsp; What happened was this.&nbsp;
+Monsieur George fired on the word and, whether luck or skill,
+managed to hit Captain Blunt in the upper part of the arm which
+was holding the pistol.&nbsp; That gentleman&rsquo;s arm dropped
+powerless by his side.&nbsp; But he did not drop his
+weapon.&nbsp; There was nothing equivocal about his
+determination.&nbsp; With the greatest deliberation he reached
+with his left hand for his pistol and taking careful aim shot
+Monsieur George through the left side of his breast.&nbsp; One
+may imagine the consternation of the four seconds and the
+activity of the two surgeons in the confined, drowsy heat of that
+walled garden.&nbsp; It was within an easy drive of the town and
+as Monsieur George was being conveyed there at a walking pace a
+little brougham coming from the opposite direction pulled up at
+the side of the road.&nbsp; A thickly veiled woman&rsquo;s head
+looked out of the window, took in the state of affairs at a
+glance, and called out in a firm voice: &ldquo;Follow my
+carriage.&rdquo;&nbsp; The brougham turning round took the
+lead.&nbsp; Long before this convoy reached the town another
+carriage containing four gentlemen (of whom one was leaning back
+languidly with his arm in a sling) whisked past and vanished
+ahead in a cloud of white, Proven&ccedil;al dust.&nbsp; And this
+is the last appearance of Captain Blunt in Monsieur
+George&rsquo;s narrative.&nbsp; Of course he was only told of it
+later.&nbsp; At the time he was not in a condition to notice
+things.&nbsp; Its interest in his surroundings remained of a hazy
+and nightmarish kind for many days together.&nbsp; From time to
+time he had the impression that he was in a room strangely
+familiar to him, that he had unsatisfactory visions of
+Do&ntilde;a Rita, to whom he tried to speak as if nothing had
+happened, but that she always put her hand on his mouth to
+prevent him and then spoke to him herself in a very strange voice
+which sometimes resembled the voice of Rose.&nbsp; The face, too,
+sometimes resembled the face of Rose.&nbsp; There were also one
+or two men&rsquo;s faces which he seemed to know well enough
+though he didn&rsquo;t recall their names.&nbsp; He could have
+done so with a slight effort, but it would have been too much
+trouble.&nbsp; Then came a time when the hallucinations of
+Do&ntilde;a Rita and the faithful Rose left him altogether.&nbsp;
+Next came a period, perhaps a year, or perhaps an hour, during
+which he seemed to dream all through his past life.&nbsp; He felt
+no apprehension, he didn&rsquo;t try to speculate as to the
+future.&nbsp; He felt that all possible conclusions were out of
+his power, and therefore he was indifferent to everything.&nbsp;
+He was like that dream&rsquo;s disinterested spectator who
+doesn&rsquo;t know what is going to happen next.&nbsp; Suddenly
+for the first time in his life he had the soul-satisfying
+consciousness of floating off into deep slumber.</p>
+<p>When he woke up after an hour, or a day, or a month, there was
+dusk in the room; but he recognized it perfectly.&nbsp; It was
+his apartment in Do&ntilde;a Rita&rsquo;s house; those were the
+familiar surroundings in which he had so often told himself that
+he must either die or go mad.&nbsp; But now he felt perfectly
+clear-headed and the full sensation of being alive came all over
+him, languidly delicious.&nbsp; The greatest beauty of it was
+that there was no need to move.&nbsp; This gave him a sort of
+moral satisfaction.&nbsp; Then the first thought independent of
+personal sensations came into his head.&nbsp; He wondered when
+Therese would come in and begin talking.&nbsp; He saw vaguely a
+human figure in the room but that was a man.&nbsp; He was
+speaking in a deadened voice which had yet a preternatural
+distinctness.</p>
+<p>&ldquo;This is the second case I have had in this house, and I
+am sure that directly or indirectly it was connected with that
+woman.&nbsp; She will go on like this leaving a track behind her
+and then some day there will be really a corpse.&nbsp; This young
+fellow might have been it.&rdquo;</p>
+<p>&ldquo;In this case, Doctor,&rdquo; said another voice,
+&ldquo;one can&rsquo;t blame the woman very much.&nbsp; I assure
+you she made a very determined fight.&rdquo;</p>
+<p>&ldquo;What do you mean?&nbsp; That she didn&rsquo;t want to.
+. . &rdquo;</p>
+<p>&ldquo;Yes.&nbsp; A very good fight.&nbsp; I heard all about
+it.&nbsp; It is easy to blame her, but, as she asked me
+despairingly, could she go through life veiled from head to foot
+or go out of it altogether into a convent?&nbsp; No, she
+isn&rsquo;t guilty.&nbsp; She is simply&mdash;what she
+is.&rdquo;</p>
+<p>&ldquo;And what&rsquo;s that?&rdquo;</p>
+<p>&ldquo;Very much of a woman.&nbsp; Perhaps a little more at
+the mercy of contradictory impulses than other women.&nbsp; But
+that&rsquo;s not her fault.&nbsp; I really think she has been
+very honest.&rdquo;</p>
+<p>The voices sank suddenly to a still lower murmur and presently
+the shape of the man went out of the room.&nbsp; Monsieur George
+heard distinctly the door open and shut.&nbsp; Then he spoke for
+the first time, discovering, with a particular pleasure, that it
+was quite easy to speak.&nbsp; He was even under the impression
+that he had shouted:</p>
+<p>&ldquo;Who is here?&rdquo;</p>
+<p>From the shadow of the room (he recognized at once the
+characteristic outlines of the bulky shape) Mills advanced to the
+side of the bed.&nbsp; Do&ntilde;a Rita had telegraphed to him on
+the day of the duel and the man of books, leaving his retreat,
+had come as fast as boats and trains could carry him South.&nbsp;
+For, as he said later to Monsieur George, he had become fully
+awake to his part of responsibility.&nbsp; And he added:
+&ldquo;It was not of you alone that I was thinking.&rdquo;&nbsp;
+But the very first question that Monsieur George put to him
+was:</p>
+<p>&ldquo;How long is it since I saw you last?&rdquo;</p>
+<p>&ldquo;Something like ten months,&rdquo; answered Mills&rsquo;
+kindly voice.</p>
+<p>&ldquo;Ah!&nbsp; Is Therese outside the door?&nbsp; She stood
+there all night, you know.&rdquo;</p>
+<p>&ldquo;Yes, I heard of it.&nbsp; She is hundreds of miles away
+now.&rdquo;</p>
+<p>&ldquo;Well, then, ask Rita to come in.&rdquo;</p>
+<p>&ldquo;I can&rsquo;t do that, my dear boy,&rdquo; said Mills
+with affectionate gentleness.&nbsp; He hesitated a moment.&nbsp;
+&ldquo;Do&ntilde;a Rita went away yesterday,&rdquo; he said
+softly.</p>
+<p>&ldquo;Went away?&nbsp; Why?&rdquo; asked Monsieur George.</p>
+<p>&ldquo;Because, I am thankful to say, your life is no longer
+in danger.&nbsp; And I have told you that she is gone because,
+strange as it may seem, I believe you can stand this news better
+now than later when you get stronger.&rdquo;</p>
+<p>It must be believed that Mills was right.&nbsp; Monsieur
+George fell asleep before he could feel any pang at that
+intelligence.&nbsp; A sort of confused surprise was in his mind
+but nothing else, and then his eyes closed.&nbsp; The awakening
+was another matter.&nbsp; But that, too, Mills had
+foreseen.&nbsp; For days he attended the bedside patiently
+letting the man in the bed talk to him of Do&ntilde;a Rita but
+saying little himself; till one day he was asked pointedly
+whether she had ever talked to him openly.&nbsp; And then he said
+that she had, on more than one occasion.&nbsp; &ldquo;She told me
+amongst other things,&rdquo; Mills said, &ldquo;if this is any
+satisfaction to you to know, that till she met you she knew
+nothing of love.&nbsp; That you were to her in more senses than
+one a complete revelation.&rdquo;</p>
+<p>&ldquo;And then she went away.&nbsp; Ran away from the
+revelation,&rdquo; said the man in the bed bitterly.</p>
+<p>&ldquo;What&rsquo;s the good of being angry?&rdquo;
+remonstrated Mills, gently.&nbsp; &ldquo;You know that this world
+is not a world for lovers, not even for such lovers as you two
+who have nothing to do with the world as it is.&nbsp; No, a world
+of lovers would be impossible.&nbsp; It would be a mere ruin of
+lives which seem to be meant for something else.&nbsp; What this
+something is, I don&rsquo;t know; and I am certain,&rdquo; he
+said with playful compassion, &ldquo;that she and you will never
+find out.&rdquo;</p>
+<p>A few days later they were again talking of Do&ntilde;a Rita
+Mills said:</p>
+<p>&ldquo;Before she left the house she gave me that arrow she
+used to wear in her hair to hand over to you as a keepsake and
+also to prevent you, she said, from dreaming of her.&nbsp; This
+message sounds rather cryptic.&rdquo;</p>
+<p>&ldquo;Oh, I understand perfectly,&rdquo; said Monsieur
+George.&nbsp; &ldquo;Don&rsquo;t give me the thing now.&nbsp;
+Leave it somewhere where I can find it some day when I am
+alone.&nbsp; But when you write to her you may tell her that now
+at last&mdash;surer than Mr. Blunt&rsquo;s bullet&mdash;the arrow
+has found its mark.&nbsp; There will be no more dreaming.&nbsp;
+Tell her.&nbsp; She will understand.&rdquo;</p>
+<p>&ldquo;I don&rsquo;t even know where she is,&rdquo; murmured
+Mills.</p>
+<p>&ldquo;No, but her man of affairs knows. . . . Tell me, Mills,
+what will become of her?&rdquo;</p>
+<p>&ldquo;She will be wasted,&rdquo; said Mills sadly.&nbsp;
+&ldquo;She is a most unfortunate creature.&nbsp; Not even poverty
+could save her now.&nbsp; She cannot go back to her goats.&nbsp;
+Yet who can tell?&nbsp; She may find something in life.&nbsp; She
+may!&nbsp; It won&rsquo;t be love.&nbsp; She has sacrificed that
+chance to the integrity of your life&mdash;heroically.&nbsp; Do
+you remember telling her once that you meant to live your life
+integrally&mdash;oh, you lawless young pedant!&nbsp; Well, she is
+gone; but you may be sure that whatever she finds now in life it
+will not be peace.&nbsp; You understand me?&nbsp; Not even in a
+convent.&rdquo;</p>
+<p>&ldquo;She was supremely lovable,&rdquo; said the wounded man,
+speaking of her as if she were lying dead already on his
+oppressed heart.</p>
+<p>&ldquo;And elusive,&rdquo; struck in Mills in a low
+voice.&nbsp; &ldquo;Some of them are like that.&nbsp; She will
+never change.&nbsp; Amid all the shames and shadows of that life
+there will always lie the ray of her perfect honesty.&nbsp; I
+don&rsquo;t know about your honesty, but yours will be the easier
+lot.&nbsp; You will always have your . . . other love&mdash;you
+pig-headed enthusiast of the sea.&rdquo;</p>
+<p>&ldquo;Then let me go to it,&rdquo; cried the
+enthusiast.&nbsp; &ldquo;Let me go to it.&rdquo;</p>
+<p>He went to it as soon as he had strength enough to feel the
+crushing weight of his loss (or his gain) fully, and discovered
+that he could bear it without flinching.&nbsp; After this
+discovery he was fit to face anything.&nbsp; He tells his
+correspondent that if he had been more romantic he would never
+have looked at any other woman.&nbsp; But on the contrary.&nbsp;
+No face worthy of attention escaped him.&nbsp; He looked at them
+all; and each reminded him of Do&ntilde;a Rita, either by some
+profound resemblance or by the startling force of contrast.</p>
+<p>The faithful austerity of the sea protected him from the
+rumours that fly on the tongues of men.&nbsp; He never heard of
+her.&nbsp; Even the echoes of the sale of the great
+All&egrave;gre collection failed to reach him.&nbsp; And that
+event must have made noise enough in the world.&nbsp; But he
+never heard.&nbsp; He does not know.&nbsp; Then, years later, he
+was deprived even of the arrow.&nbsp; It was lost to him in a
+stormy catastrophe; and he confesses that next day he stood on a
+rocky, wind-assaulted shore, looking at the seas raging over the
+very spot of his loss and thought that it was well.&nbsp; It was
+not a thing that one could leave behind one for strange
+hands&mdash;for the cold eyes of ignorance.&nbsp; Like the old
+King of Thule with the gold goblet of his mistress he would have
+had to cast it into the sea, before he died.&nbsp; He says he
+smiled at the romantic notion.&nbsp; But what else could he have
+done with it?</p>
+<p>***END OF THE PROJECT GUTENBERG EBOOK THE ARROW OF GOLD***</p>
+<pre>
+
+
+***** This file should be named 1083-h.htm or 1083-h.zip******
+
+
+This and all associated files of various formats will be found in:
+http://www.gutenberg.org/dirs/1/0/8/1083
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://www.gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://www.gutenberg.org/about/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://www.gutenberg.org/fundraising/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit:
+http://www.gutenberg.org/fundraising/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+</pre></body>
+</html>