summaryrefslogtreecommitdiff
path: root/10793-h
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 04:35:12 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 04:35:12 -0700
commit72e50ef1ad0b03ccc02e8409d7f1b301ff0792fa (patch)
tree9f51dfc04251d7e0a582101e8df557645085fc24 /10793-h
initial commit of ebook 10793HEADmain
Diffstat (limited to '10793-h')
-rw-r--r--10793-h/10793-h.htm8449
-rw-r--r--10793-h/images/001.jpgbin0 -> 90601 bytes
-rw-r--r--10793-h/images/002.jpgbin0 -> 88973 bytes
-rw-r--r--10793-h/images/003.jpgbin0 -> 71671 bytes
-rw-r--r--10793-h/images/004.jpgbin0 -> 74230 bytes
-rw-r--r--10793-h/images/005.jpgbin0 -> 68099 bytes
-rw-r--r--10793-h/images/006.jpgbin0 -> 96063 bytes
-rw-r--r--10793-h/images/007.jpgbin0 -> 105742 bytes
-rw-r--r--10793-h/images/008.jpgbin0 -> 111364 bytes
-rw-r--r--10793-h/images/009.jpgbin0 -> 56741 bytes
-rw-r--r--10793-h/images/010.jpgbin0 -> 97154 bytes
-rw-r--r--10793-h/images/011.jpgbin0 -> 82482 bytes
-rw-r--r--10793-h/images/012.jpgbin0 -> 66688 bytes
-rw-r--r--10793-h/images/013.jpgbin0 -> 55175 bytes
-rw-r--r--10793-h/images/014.jpgbin0 -> 75027 bytes
-rw-r--r--10793-h/images/015.jpgbin0 -> 77895 bytes
-rw-r--r--10793-h/images/016.jpgbin0 -> 70077 bytes
-rw-r--r--10793-h/images/017.jpgbin0 -> 81910 bytes
-rw-r--r--10793-h/images/018.jpgbin0 -> 65967 bytes
-rw-r--r--10793-h/images/019.jpgbin0 -> 85010 bytes
-rw-r--r--10793-h/images/020.jpgbin0 -> 82649 bytes
-rw-r--r--10793-h/images/021.jpgbin0 -> 81231 bytes
-rw-r--r--10793-h/images/022.jpgbin0 -> 67184 bytes
-rw-r--r--10793-h/images/023.jpgbin0 -> 83248 bytes
-rw-r--r--10793-h/images/024.jpgbin0 -> 86754 bytes
-rw-r--r--10793-h/images/025.jpgbin0 -> 62068 bytes
-rw-r--r--10793-h/images/026.jpgbin0 -> 87879 bytes
-rw-r--r--10793-h/images/027.jpgbin0 -> 70735 bytes
-rw-r--r--10793-h/images/028.jpgbin0 -> 79556 bytes
-rw-r--r--10793-h/images/029.jpgbin0 -> 111529 bytes
-rw-r--r--10793-h/images/030.jpgbin0 -> 142836 bytes
-rw-r--r--10793-h/images/031.jpgbin0 -> 63206 bytes
-rw-r--r--10793-h/images/032.jpgbin0 -> 74389 bytes
-rw-r--r--10793-h/images/033.jpgbin0 -> 88286 bytes
-rw-r--r--10793-h/images/034.jpgbin0 -> 78956 bytes
-rw-r--r--10793-h/images/035.jpgbin0 -> 51813 bytes
-rw-r--r--10793-h/images/036.jpgbin0 -> 94147 bytes
-rw-r--r--10793-h/images/037.jpgbin0 -> 90410 bytes
-rw-r--r--10793-h/images/038.jpgbin0 -> 80624 bytes
-rw-r--r--10793-h/images/039.jpgbin0 -> 65616 bytes
-rw-r--r--10793-h/images/040.jpgbin0 -> 82897 bytes
-rw-r--r--10793-h/images/041.jpgbin0 -> 100603 bytes
-rw-r--r--10793-h/images/042.jpgbin0 -> 95513 bytes
-rw-r--r--10793-h/images/043.jpgbin0 -> 63247 bytes
-rw-r--r--10793-h/images/044.jpgbin0 -> 74859 bytes
-rw-r--r--10793-h/images/045.jpgbin0 -> 91292 bytes
-rw-r--r--10793-h/images/046.jpgbin0 -> 53946 bytes
-rw-r--r--10793-h/images/047.jpgbin0 -> 51067 bytes
-rw-r--r--10793-h/images/048.jpgbin0 -> 56802 bytes
-rw-r--r--10793-h/images/049.jpgbin0 -> 55689 bytes
-rw-r--r--10793-h/images/050.jpgbin0 -> 66243 bytes
-rw-r--r--10793-h/images/051.jpgbin0 -> 54839 bytes
-rw-r--r--10793-h/images/title.jpgbin0 -> 51333 bytes
53 files changed, 8449 insertions, 0 deletions
diff --git a/10793-h/10793-h.htm b/10793-h/10793-h.htm
new file mode 100644
index 0000000..666c007
--- /dev/null
+++ b/10793-h/10793-h.htm
@@ -0,0 +1,8449 @@
+<?xml version="1.0" encoding="UTF-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <meta content="pg2html (binary version 0.12a)" name="linkgenerator" />
+ <title>
+ The Project Gutenberg eBook of Sailors' Knots, by W.w. Jacobs.
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; text-align:justify}
+ P { text-indent: 2em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 20%; margin-right: 20%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ pre { font-family: Times; font-style: italic; font-size: 90%; margin-left: 10%;}
+ //
+</style>
+ </head>
+ <body>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 10793 ***</div>
+ <h1>
+ SAILORS' KNOTS
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ By W.W. Jacobs
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h3>
+ 1909
+ </h3>
+ <p>
+ <br /><br />
+ </p>
+ <div class="fig" style="width:80%;">
+ <img alt="title (50K)" src="images/title.jpg" width="100%" /><br />
+ </div>
+ <p>
+ <br /><br /> <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p class="toc">
+ <big><b>CONTENTS</b></big>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_1"> DESERTED </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_2"> HOMEWARD BOUND </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_3"> SELF-HELP </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_4"> SENTENCE DEFERRED </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_5"> &ldquo;MATRIMONIAL OPENINGS&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_6"> ODD MAN OUT </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_7"> &ldquo;THE TOLL-HOUSE&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_8"> PETER'S PENCE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_9"> THE HEAD OF THE FAMILY </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_10"> PRIZE MONEY </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_11"> DOUBLE DEALING </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_12"> KEEPING UP APPEARANCES </a>
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p class="toc">
+ <big><b>ILLUSTRATIONS</b></big>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#linkimage-1"> He Seemed to Take a Fancy To Rupert from the Fust.
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-2"> An Elderly Old Party Wot Would Keep Jabbing 'im in
+ The Ribs With Her Umbrella. </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-3"> &ldquo;Back!&rdquo; Ses Rupert in a Whisper, Pointing. </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-4"> She Stood Blocking up the Doorway With Her 'ands
+ on Her 'ips. </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-5"> Taking One of the Vases from The Mantelpiece, he
+ Dashed It To Pieces on the Fender. </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-6"> &ldquo;I Called About the Bill in The Window.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-7"> &ldquo;'I&mdash;i Thought I Smelled Something Cooking,'
+ he Said.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-8"> &ldquo;'K-k-k-kch! K-kch!' he Said, Explosively.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-9"> &ldquo;''E Comes Along and Hits You over Your Tenderest
+ Corn With a Oar.'&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-10"> &ldquo;Mr. Cubbins Winked at 'im and Tapped 'is Nose.&rdquo;
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-11"> &ldquo;Let Drive With All his Might in 'is Face. &ldquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-12"> &ldquo;'Wot on Earth's the Matter, Ginger?'&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-13"> &ldquo;An Elderly Man With a Wooden Leg, Who Joined The
+ Indignant Officer in the Pursuit.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-14"> &ldquo;He Was Administering First Aid to a Right Leg.&rdquo;
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-15"> &ldquo;She Took up a Handful of Coal-dust And, Ordering
+ Him To Stoop, Shampooed Him With Hearty Good-will.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-16"> &ldquo;Give This to the Skipper, Will You, My Lad?&rdquo;
+ Said The Sergeant. </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-17"> &ldquo;Miss Dowson, Subsiding in Her Chair, Went on
+ With Her Book.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-18"> &ldquo;I Just Came in to Tell You a Joke.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-19"> &ldquo;He Edged his Chair a Little Nearer to Flora.&rdquo;
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-20"> &ldquo;Mr. Foss Bade Them Good-night Suddenly.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-21"> &ldquo;She Muttered Some Strange Words and Bent Her
+ Head Lower Over the Girl's Hand.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-22"> &ldquo;Friendship, he Said, Decidedly, is a Deloosion
+ and A Snare.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-23"> &ldquo;When They Turned up They Found Emma and 'er
+ Friend Waiting for Them.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-24"> &ldquo;He Put his Arm Round Mrs. Jennings's Waist and
+ Made 'er Dance to a Piano-organ.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-25"> &ldquo;He Was Running Down the Road Without 'is Hat As
+ Hard As He Could Run.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-26"> &ldquo;I'm a Poor Man, But I Wouldn't Spend the Night
+ in That House for a Hundred Pounds.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-27"> &ldquo;They Saw the Gates of The House Before Them.&rdquo;
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-28"> &ldquo;Barnes, Stood Peering at the Sleepers in Silence
+ And Dropping Tallow over the Floor.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-29"> &ldquo;Into a Vast Bare Kitchen With Damp Walls and A
+ Broken Floor.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-30"> &ldquo;All Three Stood Gazing at the Dead Man Below.&rdquo;
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-31"> &ldquo;Put a Bishop in My Clothes, and You'd Ask 'im to
+ 'ave A 'arf-pint As Soon As You Would Me.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-32"> &ldquo;Mr. Goodman Came in a Four-wheel Cab With A Big
+ Bag and A Fat Umbrella.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-33"> &ldquo;'It Aint So 'orrid As I 'ad Fancied.' Ses Sam.&rdquo;
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-34"> &ldquo;He Reached Acrost the Table and Shook 'ands With
+ Peter.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-35"> &ldquo;After Some Years Spent in Long Voyages&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-36"> &ldquo;Then and There Mr. Letts's Mind Was Made Up.
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-37"> &ldquo;A Disagreeable-looking Man Was Eying Them in
+ Some Astonishment from the Doorway.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-38"> &ldquo;What's Mine is Mother's.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-39"> &ldquo;The Sign of the Cauliflower Was Stiff With
+ Snow.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-40"> &ldquo;He's Won It!&rdquo; he Ses, in a Choky Voice. &ldquo;it's
+ Number 1.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-41"> &ldquo;The Door Opened and Henery Walker Came
+ Staggering In.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-42"> &ldquo;'Where's Henery Walker?' he Ses, in a Loud
+ Voice.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-43"> &ldquo;Stood on the Spacious Common, Inhaling The Salt
+ Smell Of The Sea Below.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-44"> &ldquo;An Elderly Boatman, Who, After Looking at Him
+ Hard, Took His Pipe from his Mouth and Bade Him 'good-evening.'&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-45"> &ldquo;She Piled Mr. Carter's Plate up So Generously
+ That Her Father and Brother Had Ample Time at Their Disposal to Watch Him
+ Eat.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-46"> &ldquo;A Gentleman of Middle Age Was Peeping Round the
+ Door.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-47"> &ldquo;Superstitiousness is Right and Proper, to a
+ Certain Extent.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-48"> &ldquo;Silas Was Very Perlite at Fust.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-49"> &ldquo;She Saw Silas Winch Standing at the Foot of The
+ Bed.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-50"> &ldquo;With Tears in his Eyes 'e Emptied a Little
+ Barrel O' Beer Down the Sink.&rdquo; </a>
+ </p>
+ <p class="toc">
+ <a href="#linkimage-51"> &ldquo;Other wimmen 'as to be satisfied looking at new
+ 'ats.&rdquo; </a>
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_1" id="link2H_4_1">
+ <!-- H2 anchor --> </a>
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <h2>
+ DESERTED
+ </h2>
+ <p>
+ &ldquo;Sailormen ain't wot you might call dandyfied as a rule,&rdquo; said the
+ night-watchman, who had just had a passage of arms with a lighterman and
+ been advised to let somebody else wash him and make a good job of it;
+ &ldquo;they've got too much sense. They leave dressing up and making eyesores of
+ theirselves to men wot 'ave never smelt salt water; men wot drift up and
+ down the river in lighters and get in everybody's way.&rdquo;
+ </p>
+ <p>
+ He glanced fiercely at the retreating figure of the lighterman, and,
+ turning a deaf ear to a request for a lock of his hair to patch a favorite
+ doormat with, resumed with much vigor his task of sweeping up the litter.
+ </p>
+ <p>
+ The most dressy sailorman I ever knew, he continued, as he stood the broom
+ up in a corner and seated himself on a keg, was a young feller named
+ Rupert Brown. His mother gave 'im the name of Rupert while his father was
+ away at sea, and when he came 'ome it was too late to alter it. All that a
+ man could do he did do, and Mrs. Brown 'ad a black eye till 'e went to sea
+ agin. She was a very obstinate woman, though&mdash;like most of 'em&mdash;and
+ a little over a year arterwards got pore old Brown three months' hard by
+ naming 'er next boy Roderick Alfonso.
+ </p>
+ <p>
+ Young Rupert was on a barge when I knew 'im fust, but he got tired of
+ always 'aving dirty hands arter a time, and went and enlisted as a
+ soldier. I lost sight of 'im for a while, and then one evening he turned
+ up on furlough and come to see me.
+ </p>
+ <p>
+ O' course, by this time 'e was tired of soldiering, but wot upset 'im more
+ than anything was always 'aving to be dressed the same and not being able
+ to wear a collar and neck-tie. He said that if it wasn't for the sake of
+ good old England, and the chance o' getting six months, he'd desert. I
+ tried to give 'im good advice, and, if I'd only known 'ow I was to be
+ dragged into it, I'd ha' given 'im a lot more.
+ </p>
+ <p>
+ As it 'appened he deserted the very next arternoon. He was in the Three
+ Widders at Aldgate, in the saloon bar&mdash;which is a place where you get
+ a penn'orth of ale in a glass and pay twopence for it&mdash;and, arter
+ being told by the barmaid that she had got one monkey at 'ome, he got into
+ conversation with another man wot was in there.
+ </p>
+ <p>
+ He was a big man with a black moustache and a red face, and 'is fingers
+ all smothered in di'mond rings. He 'ad got on a gold watch-chain as thick
+ as a rope, and a scarf-pin the size of a large walnut, and he had 'ad a
+ few words with the barmaid on 'is own account. He seemed to take a fancy
+ to Rupert from the fust, and in a few minutes he 'ad given 'im a big cigar
+ out of a sealskin case and ordered 'im a glass of sherry wine.
+ </p>
+ <p>
+ <a name="linkimage-1" id="linkimage-1">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/001.jpg" width="100%"
+ alt="He Seemed to Take a Fancy To Rupert from the Fust. " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;Have you ever thought o' going on the stage?&rdquo; he ses, arter Rupert 'ad
+ told 'im of his dislike for the Army.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; ses Rupert, staring.
+ </p>
+ <p>
+ &ldquo;You s'prise me,&rdquo; ses the big man; &ldquo;you're wasting of your life by not
+ doing so.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I can't act,&rdquo; ses Rupert.
+ </p>
+ <p>
+ &ldquo;Stuff and nonsense!&rdquo; ses the big man. &ldquo;Don't tell me. You've got an
+ actor's face. I'm a manager myself, and I know. I don't mind telling you
+ that I refused twenty-three men and forty-eight ladies only yesterday.&rdquo;
+ </p>
+ <p>
+ &ldquo;I wonder you don't drop down dead,&rdquo; ses the barmaid, lifting up 'is glass
+ to wipe down the counter.
+ </p>
+ <p>
+ The manager looked at her, and, arter she 'ad gone to talk to a gentleman
+ in the next bar wot was knocking double knocks on the counter with a pint
+ pot, he whispered to Rupert that she 'ad been one of them.
+ </p>
+ <p>
+ &ldquo;She can't act a bit,&rdquo; he ses. &ldquo;Now, look 'ere; I'm a business man and my
+ time is valuable. I don't know nothing, and I don't want to know nothing;
+ but, if a nice young feller, like yourself, for example, was tired of the
+ Army and wanted to escape, I've got one part left in my company that 'ud
+ suit 'im down to the ground.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wot about being reckernized?&rdquo; ses Rupert.
+ </p>
+ <p>
+ The manager winked at 'im. &ldquo;It's the part of a Zulu chief,&rdquo; he ses, in a
+ whisper.
+ </p>
+ <p>
+ Rupert started. &ldquo;But I should 'ave to black my face,&rdquo; he ses.
+ </p>
+ <p>
+ &ldquo;A little,&rdquo; ses the manager; &ldquo;but you'd soon get on to better parts&mdash;and
+ see wot a fine disguise it is.&rdquo;
+ </p>
+ <p>
+ He stood 'im two more glasses o' sherry wine, and, arter he' ad drunk 'em,
+ Rupert gave way. The manager patted 'im on the back, and said that if he
+ wasn't earning fifty pounds a week in a year's time he'd eat his 'ead; and
+ the barmaid, wot 'ad come back agin, said it was the best thing he could
+ do with it, and she wondered he 'adn't thought of it afore.
+ </p>
+ <p>
+ They went out separate, as the manager said it would be better for them
+ not to be seen together, and Rupert, keeping about a dozen yards behind,
+ follered 'im down the Mile End Road. By and by the manager stopped outside
+ a shop-window wot 'ad been boarded up and stuck all over with savages
+ dancing and killing white people and hunting elephants, and, arter turning
+ round and giving Rupert a nod, opened the door with a key and went inside.
+ </p>
+ <p>
+ &ldquo;That's all right,&rdquo; he ses, as Rupert follered 'im in. &ldquo;This is my wife,
+ Mrs. Alfredi,&rdquo; he ses, introducing 'im to a fat, red-'aired lady wot was
+ sitting inside sewing. &ldquo;She has performed before all the crowned 'eads of
+ Europe. That di'mond brooch she's wearing was a present from the Emperor
+ of Germany, but, being a married man, he asked 'er to keep it quiet.&rdquo;
+ </p>
+ <p>
+ Rupert shook 'ands with Mrs. Alfredi, and then her 'usband led 'im to a
+ room at the back, where a little lame man was cleaning up things, and told
+ 'im to take his clothes off.
+ </p>
+ <p>
+ &ldquo;If they was mine,&rdquo; he ses, squinting at the fire-place, &ldquo;I should know
+ wot to do with 'em.&rdquo;
+ </p>
+ <p>
+ Rupert laughed and slapped 'im on the back, and, arter cutting his uniform
+ into pieces, stuffed it into the fireplace and pulled the dampers out. He
+ burnt up 'is boots and socks and everything else, and they all three
+ laughed as though it was the best joke in the world. Then Mr. Alfredi took
+ his coat off and, dipping a piece of rag into a basin of stuff wot George
+ 'ad fetched, did Rupert a lovely brown all over.
+ </p>
+ <p>
+ &ldquo;That's the fust coat,&rdquo; he ses. &ldquo;Now take a stool in front of the fire and
+ let it soak in.&rdquo;
+ </p>
+ <p>
+ He gave 'im another coat arf an hour arterwards, while George curled his
+ 'air, and when 'e was dressed in bracelets round 'is ankles and wrists,
+ and a leopard-skin over his shoulder, he was as fine a Zulu as you could
+ wish for to see. His lips was naturally thick and his nose flat, and even
+ his eyes 'appened to be about the right color.
+ </p>
+ <p>
+ &ldquo;He's a fair perfect treat,&rdquo; ses Mr. Alfredi. &ldquo;Fetch Kumbo in, George.&rdquo;
+ </p>
+ <p>
+ The little man went out, and came back agin shoving in a fat, stumpy Zulu
+ woman wot began to grin and chatter like a poll-parrot the moment she saw
+ Rupert.
+ </p>
+ <p>
+ &ldquo;It's all right,&rdquo; ses Mr. Alfredi; &ldquo;she's took a fancy to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is&mdash;is she an actress?&rdquo; ses Rupert.
+ </p>
+ <p>
+ &ldquo;One o' the best,&rdquo; ses the manager. &ldquo;She'll teach you to dance and shy
+ assegais. Pore thing! she buried her 'usband the day afore we come here,
+ but you'll be surprised to see 'ow skittish she can be when she has got
+ over it a bit.&rdquo;
+ </p>
+ <p>
+ They sat there while Rupert practised&mdash;till he started shying the
+ assegais, that is&mdash;and then they went out and left 'im with Kumbo.
+ Considering that she 'ad only just buried her 'usband, Rupert found her
+ quite skittish enough, and he couldn't 'elp wondering wot she'd be like
+ when she'd got over her grief a bit more.
+ </p>
+ <p>
+ The manager and George said he 'ad got on wonderfully, and arter talking
+ it over with Mrs. Alfredi they decided to open that evening, and pore
+ Rupert found out that the shop was the theatre, and all the acting he'd
+ got to do was to dance war-dances and sing in Zulu to people wot had paid
+ a penny a 'ead. He was a bit nervous at fust, for fear anybody should find
+ out that 'e wasn't a real Zulu, because the manager said they'd tear 'im
+ to pieces if they did, and eat 'im arterwards, but arter a time 'is
+ nervousness wore off and he jumped about like a monkey.
+ </p>
+ <p>
+ They gave performances every arf hour from ha'-past six to ten, and Rupert
+ felt ready to drop. His feet was sore with dancing and his throat ached
+ with singing Zulu, but wot upset 'im more than anything was an elderly old
+ party wot would keep jabbing 'im in the ribs with her umbrella to see
+ whether he could laugh.
+ </p>
+ <p>
+ <a name="linkimage-2" id="linkimage-2">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/002.jpg" width="100%"
+ alt="An Elderly Old Party Wot Would Keep Jabbing 'im in The Ribs With Her Umbrella. " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ They 'ad supper arter they 'ad closed, and then Mr. Alfredi and 'is wife
+ went off, and Rupert and George made up beds for themselves in the shop,
+ while Kumbo 'ad a little place to herself at the back.
+ </p>
+ <p>
+ He did better than ever next night, and they all said he was improving
+ fast; and Mr. Alfredi told 'im in a whisper that he thought he was better
+ at it than Kumbo. &ldquo;Not that I should mind 'er knowing much,&rdquo; he ses,
+ &ldquo;seeing that she's took such a fancy to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, I was going to speak to you about that,&rdquo; ses Rupert. &ldquo;Forwardness is
+ no name for it; if she don't keep 'erself to 'erself, I shall chuck the
+ whole thing up.&rdquo;
+ </p>
+ <p>
+ The manager coughed behind his 'and. &ldquo;And go back to the Army?&rdquo; he ses.
+ &ldquo;Well, I should be sorry to lose you, but I won't stand in your way.&rdquo;
+ </p>
+ <p>
+ Mrs. Alfredi, wot was standing by, stuffed her pocket-'ankercher in 'er
+ mouth, and Rupert began to feel a bit uneasy in his mind.
+ </p>
+ <p>
+ &ldquo;If I did,&rdquo; he ses, &ldquo;you'd get into trouble for 'elping me to desert.&rdquo;
+ </p>
+ <p>
+ &ldquo;Desert!&rdquo; ses Mr. Alfredi. &ldquo;I don't know anything about your deserting.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ho!&rdquo; ses Rupert. &ldquo;And wot about my uniform?&rdquo;
+ </p>
+ <p>
+ &ldquo;Uniform?&rdquo; ses Mr. Alfredi. &ldquo;Wot uniform? I ain't seen no uniform. Where
+ is it?&rdquo;
+ </p>
+ <p>
+ Rupert didn't answer 'im, but arter they 'ad gone 'ome he told George that
+ he 'ad 'ad enough of acting and he should go.
+ </p>
+ <p>
+ &ldquo;Where to?&rdquo; ses George.
+ </p>
+ <p>
+ &ldquo;I'll find somewhere,&rdquo; ses Rupert. &ldquo;I sha'n't starve.&rdquo;
+ </p>
+ <p>
+ &ldquo;You might ketch your death o' cold, though,&rdquo; ses George.
+ </p>
+ <p>
+ Rupert said he didn't mind, and then he shut 'is eyes and pretended to be
+ asleep. His idea was to wait till George was asleep and then pinch 'is
+ clothes; consequently 'is feelings when 'e opened one eye and saw George
+ getting into bed with 'is clothes on won't bear thinking about. He laid
+ awake for hours, and three times that night George, who was a very heavy
+ sleeper, woke up and found Rupert busy tucking him in.
+ </p>
+ <p>
+ By the end of the week Rupert was getting desperate. He hated being black
+ for one thing, and the more he washed the better color he looked. He
+ didn't mind the black for out o' doors, in case the Army was looking for
+ 'im, but 'aving no clothes he couldn't get out o' doors; and when he said
+ he wouldn't perform unless he got some, Mr. Alfredi dropped 'ints about
+ having 'im took up for a deserter.
+ </p>
+ <p>
+ &ldquo;I've 'ad my suspicions of it for some days,&rdquo; he ses, with a wink, &ldquo;though
+ you did come to me in a nice serge suit and tell me you was an actor. Now,
+ you be a good boy for another week and I'll advance you a couple o' pounds
+ to get some clothes with.&rdquo;
+ </p>
+ <p>
+ Rupert asked him to let 'im have it then, but 'e wouldn't, and for another
+ week he 'ad to pretend 'e was a Zulu of an evening, and try and persuade
+ Kumbo that he was an English gentleman of a daytime.
+ </p>
+ <p>
+ He got the money at the end of the week and 'ad to sign a paper to give a
+ month's notice any time he wanted to leave, but he didn't mind that at
+ all, being determined the fust time he got outside the place to run away
+ and ship as a nigger cook if 'e couldn't get the black off.
+ </p>
+ <p>
+ He made a list o' things out for George to get for 'im, but there seemed
+ to be such a lot for two pounds that Mr. Alfredi shook his 'ead over it;
+ and arter calling 'imself a soft-'arted fool, and saying he'd finish up in
+ the workhouse, he made it three pounds and told George to look sharp.
+ </p>
+ <p>
+ &ldquo;He's a very good marketer,&rdquo; he ses, arter George 'ad gone; &ldquo;he don't mind
+ wot trouble he takes. He'll very likely haggle for hours to get sixpence
+ knocked off the trousers or twopence off the shirt.&rdquo;
+ </p>
+ <p>
+ It was twelve o'clock in the morning when George went, and at ha'-past
+ four Rupert turned nasty, and said 'e was afraid he was trying to get them
+ for nothing. At five o'clock he said George was a fool, and at ha'-past he
+ said 'e was something I won't repeat.
+ </p>
+ <p>
+ It was just eleven o'clock, and they 'ad shut up for the night, when the
+ front door opened, and George stood there smiling at 'em and shaking his
+ 'ead.
+ </p>
+ <p>
+ &ldquo;Sush a lark,&rdquo; he ses, catching 'old of Mr. Alfredi's arm to steady
+ 'imself. &ldquo;I gave 'im shlip.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wot d'ye mean?&rdquo; ses the manager, shaking him off. &ldquo;Gave who the slip?
+ Where's them clothes?&rdquo;
+ </p>
+ <p>
+ &ldquo;Boy's got 'em,&rdquo; ses George, smiling agin and catching hold of Kumbo's
+ arm. &ldquo;Sush a lark; he's been car-carrying 'em all day&mdash;all day. Now
+ I've given 'im the&mdash;the shlip, 'stead o'&mdash;'stead o' giving 'im
+ fourpence. Take care o' the pensh, an' pouns&mdash;&rdquo;
+ </p>
+ <p>
+ He let go o' Kumbo's arm, turned round twice, and then sat down 'eavy and
+ fell fast asleep. The manager rushed to the door and looked out, but there
+ was no signs of the boy, and he came back shaking his 'ead, and said that
+ George 'ad been drinking agin.
+ </p>
+ <p>
+ &ldquo;Well, wot about my clothes?&rdquo; ses Rupert, hardly able to speak.
+ </p>
+ <p>
+ &ldquo;P'r'aps he didn't buy 'em arter all,&rdquo; ses the manager. &ldquo;Let's try 'is
+ pockets.&rdquo;
+ </p>
+ <p>
+ He tried fust, and found some strawberries that George 'ad spoilt by
+ sitting on. Then he told Rupert to have a try, and Rupert found some bits
+ of string, a few buttons, two penny stamps, and twopence ha'penny in
+ coppers.
+ </p>
+ <p>
+ &ldquo;Never mind,&rdquo; ses Mr. Alfredi; &ldquo;I'll go round to the police-station in the
+ morning; p'r'aps the boy 'as taken them there. I'm disapp'inted in George.
+ I shall tell 'im so, too.&rdquo;
+ </p>
+ <p>
+ He bid Rupert good-night and went off with Mrs. Alfredi; and Rupert,
+ wishful to make the best o' things, decided that he would undress George
+ and go off in 'is clothes. He waited till Kumbo 'ad gone off to bed, and
+ then he started to take George's coat off. He got the two top buttons
+ undone all right, and then George turned over in 'is sleep. It surprised
+ Rupert, but wot surprised 'im more when he rolled George over was to find
+ them two buttons done up agin. Arter it had 'appened three times he see
+ 'ow it was, and he come to the belief that George was no more drunk than
+ wot he was, and that it was all a put-up thing between 'im and Mr.
+ Alfredi.
+ </p>
+ <p>
+ He went to bed then to think it over, and by the morning he 'ad made up
+ his mind to keep quiet and bide his time, as the saying is. He spoke quite
+ cheerful to Mr. Alfredi, and pretended to believe 'im when he said that he
+ 'ad been to the police-station about the clothes.
+ </p>
+ <p>
+ Two days arterwards he thought of something; he remembered me. He 'ad
+ found a dirty old envelope on the floor, and with a bit o' lead pencil he
+ wrote me a letter on the back of one o' the bills, telling me all his
+ troubles, and asking me to bring some clothes and rescue 'im. He stuck on
+ one of the stamps he 'ad found in George's pocket, and opening the door
+ just afore going to bed threw it out on the pavement.
+ </p>
+ <p>
+ The world is full of officious, interfering busy-bodies. I should no more
+ think of posting a letter that didn't belong to me, with an unused stamp
+ on it, than I should think o' flying; but some meddle-some son of a
+ &mdash;&mdash;a gun posted that letter and I got it.
+ </p>
+ <p>
+ I was never more surprised in my life. He asked me to be outside the shop
+ next night at ha'-past eleven with any old clothes I could pick up. If I
+ didn't, he said he should 'ang 'imself as the clock struck twelve, and
+ that his ghost would sit on the wharf and keep watch with me every night
+ for the rest o' my life. He said he expected it 'ud have a black face,
+ same as in life.
+ </p>
+ <p>
+ A wharf is a lonely place of a night; especially our wharf, which is full
+ of dark corners, and, being a silly, good-natured fool, I went. I got a
+ pal off of one of the boats to keep watch for me, and, arter getting some
+ old rags off of another sailorman as owed me arf a dollar, I 'ad a drink
+ and started off for the Mile End Road.
+ </p>
+ <p>
+ I found the place easy enough. The door was just on the jar, and as I
+ tapped on it with my finger-nails a wild-looking black man, arf naked,
+ opened it and said &ldquo;H'sh!&rdquo; and pulled me inside. There was a bit o' candle
+ on the floor, shaded by a box, and a man fast asleep and snoring up in one
+ corner. Rupert dressed like lightning, and he 'ad just put on 'is cap when
+ the door at the back opened and a 'orrid fat black woman came out and
+ began to chatter.
+ </p>
+ <p>
+ Rupert told her to hush, and she 'ushed, and then he waved 'is hand to 'er
+ to say &ldquo;good-bye,&rdquo; and afore you could say Jack Robinson she 'ad grabbed
+ up a bit o' dirty blanket, a bundle of assegais, and a spear, and come out
+ arter us.
+ </p>
+ <p>
+ &ldquo;Back!&rdquo; ses Rupert in a whisper, pointing.
+ </p>
+ <p>
+ <a name="linkimage-3" id="linkimage-3">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/003.jpg" width="100%"
+ alt="'Back!' Ses Rupert in a Whisper, Pointing. " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ Kumbo shook her 'ead, and then he took hold of 'er and tried to shove 'er
+ back, but she wouldn't go. I lent him a 'and, but all wimmen are the same,
+ black or white, and afore I knew where I was she 'ad clawed my cap off and
+ scratched me all down one side of the face.
+ </p>
+ <p>
+ &ldquo;Walk fast,&rdquo; ses Rupert.
+ </p>
+ <p>
+ I started to run, but it was all no good; Kumbo kept up with us easy, and
+ she was so pleased at being out in the open air that she began to dance
+ and play about like a kitten. Instead o' minding their own business people
+ turned and follered us, and quite a crowd collected.
+ </p>
+ <p>
+ &ldquo;We shall 'ave the police in a minute,&rdquo; ses Rupert. &ldquo;Come in 'ere&mdash;
+ quick.&rdquo;
+ </p>
+ <p>
+ He pointed to a pub up a side street, and went in with Kumbo holding on to
+ his arm. The barman was for sending us out at fust, but such a crowd
+ follered us in that he altered 'is mind. I ordered three pints, and, while
+ I was 'anding Rupert his, Kumbo finished 'ers and began on mine. I tried
+ to explain, but she held on to it like grim death, and in the confusion
+ Rupert slipped out.
+ </p>
+ <p>
+ He 'adn't been gone five seconds afore she missed 'im, and I never see
+ anybody so upset in all my life. She spilt the beer all down the place
+ where 'er bodice ought to ha' been, and then she dropped the pot and went
+ arter 'im like a hare. I follered in a different way, and when I got round
+ the corner I found she 'ad caught 'im and was holding 'im by the arm.
+ </p>
+ <p>
+ O' course, the crowd was round us agin, and to get rid of 'em I did a
+ thing I'd seldom done afore&mdash;I called a cab, and we all bundled in
+ and drove off to the wharf, with the spear sticking out o' the window, and
+ most of the assegais sticking into me.
+ </p>
+ <p>
+ &ldquo;This is getting serious,&rdquo; ses Rupert.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; I ses; &ldquo;and wot 'ave I done to be dragged into it? You must ha'
+ been paying 'er some attention to make 'er carry on like this.&rdquo;
+ </p>
+ <p>
+ I thought Rupert would ha' bust, and the things he said to the man wot was
+ spending money like water to rescue 'im was disgraceful.
+ </p>
+ <p>
+ We got to the wharf at last, and I was glad to see that my pal 'ad got
+ tired of night-watching and 'ad gone off, leaving the gate open. Kumbo
+ went in 'anging on to Rupert's arm, and I follered with the spear, which I
+ 'ad held in my 'and while I paid the cabman.
+ </p>
+ <p>
+ They went into the office, and Rupert and me talked it over while Kumbo
+ kept patting 'is cheek. He was afraid that the manager would track 'im to
+ the wharf, and I was afraid that the guv'nor would find out that I 'ad
+ been neglecting my dooty, for the fust time in my life.
+ </p>
+ <p>
+ We talked all night pretty near, and then, at ha'-past five, arf an hour
+ afore the 'ands came on, I made up my mind to fetch a cab and drive 'em to
+ my 'ouse. I wanted Rupert to go somewhere else, but 'e said he 'ad got
+ nowhere else to go, and it was the only thing to get 'em off the wharf. I
+ opened the gates at ten minutes to six, and just as the fust man come on
+ and walked down the wharf we slipped in and drove away.
+ </p>
+ <p>
+ We was all tired and yawning. There's something about the motion of a cab
+ or an omnibus that always makes me feel sleepy, and arter a time I closed
+ my eyes and went off sound. I remember I was dreaming that I 'ad found a
+ bag o' money, when the cab pulled up with a jerk in front of my 'ouse and
+ woke me up. Opposite me sat Kumbo fast asleep, and Rupert 'ad disappeared!
+ </p>
+ <p>
+ I was dazed for a moment, and afore I could do anything Kumbo woke up and
+ missed Rupert. Wot made matters worse than anything was that my missis was
+ kneeling down in the passage doing 'er door-step, and 'er face, as I got
+ down out o' that cab with Kumbo 'anging on to my arm was something too
+ awful for words. It seemed to rise up slow-like from near the door-step,
+ and to go on rising till I thought it 'ud never stop. And every inch it
+ rose it got worse and worse to look at.
+ </p>
+ <p>
+ <a name="linkimage-4" id="linkimage-4">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/004.jpg" width="100%"
+ alt="She Stood Blocking up the Doorway With Her 'ands on Her 'ips. " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ She stood blocking up the doorway with her 'ands on her 'ips, while I
+ explained, with Kumbo still 'anging on my arm and a crowd collecting
+ behind, and the more I explained, the more I could see she didn't believe
+ a word of it.
+ </p>
+ <p>
+ She never 'as believed it. I sent for Mr. Alfredi to come and take Kumbo
+ away, and when I spoke to 'im about Rupert he said I was dreaming, and
+ asked me whether I wasn't ashamed o' myself for carrying off a pore black
+ gal wot 'ad got no father or mother to look arter her. He said that afore
+ my missis, and my character 'as been under a cloud ever since, waiting for
+ Rupert to turn up and clear it away.
+ </p>
+ <p>
+ <a name="link2H_4_2" id="link2H_4_2">
+ <!-- H2 anchor --> </a>
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <h2>
+ HOMEWARD BOUND
+ </h2>
+ <p>
+ Mr. Hatchard's conversation for nearly a week had been confined to
+ fault-finding and grunts, a system of treatment designed to wean Mrs.
+ Hatchard from her besetting sin of extravagance. On other occasions the
+ treatment had, for short periods, proved successful, but it was quite
+ evident that his wife's constitution was becoming inured to this physic
+ and required a change of treatment. The evidence stared at him from the
+ mantelpiece in the shape of a pair of huge pink vases, which had certainly
+ not been there when he left in the morning. He looked at them and breathed
+ heavily.
+ </p>
+ <p>
+ &ldquo;Pretty, ain't they?&rdquo; said his wife, nodding at them.
+ </p>
+ <p>
+ &ldquo;Who gave 'em to you?&rdquo; inquired Mr. Hatchard, sternly.
+ </p>
+ <p>
+ His wife shook her head. &ldquo;You don't get vases like that given to you,&rdquo; she
+ said, slowly. &ldquo;Leastways, I don't.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you mean to say you bought 'em?&rdquo; demanded her husband.
+ </p>
+ <p>
+ Mrs. Hatchard nodded.
+ </p>
+ <p>
+ &ldquo;After all I said to you about wasting my money?&rdquo; persisted Mr. Hatchard,
+ in amazed accents.
+ </p>
+ <p>
+ Mrs. Hatchard nodded, more brightly than before.
+ </p>
+ <p>
+ &ldquo;There has got to be an end to this!&rdquo; said her husband, desperately. &ldquo;I
+ won't have it! D'ye hear? I won't&mdash;have&mdash;it!&rdquo;
+ </p>
+ <p>
+ &ldquo;I bought 'em with my own money,&rdquo; said his wife, tossing her head.
+ </p>
+ <p>
+ &ldquo;Your money?&rdquo; said Mr. Hatchard. &ldquo;To hear you talk anybody 'ud think you'd
+ got three hundred a year, instead o' thirty. Your money ought to be spent
+ in useful things, same as what mine is. Why should I spend my money
+ keeping you, while you waste yours on pink vases and having friends in to
+ tea?&rdquo;
+ </p>
+ <p>
+ Mrs. Hatchard's still comely face took on a deeper tinge.
+ </p>
+ <p>
+ &ldquo;Keeping me?&rdquo; she said, sharply. &ldquo;You'd better stop before you say
+ anything you might be sorry for, Alfred.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should have to talk a long time before I said that,&rdquo; retorted the
+ other.
+ </p>
+ <p>
+ &ldquo;I'm not so sure,&rdquo; said his wife. &ldquo;I'm beginning to be tired of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I've reasoned with you,&rdquo; continued Mr. Hatchard, &ldquo;I've argued with you,
+ and I've pointed out the error of your ways to you, and it's all no good.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, be quiet, and don't talk nonsense,&rdquo; said his wife.
+ </p>
+ <p>
+ &ldquo;Talking,&rdquo; continued Mr. Hatchard, &ldquo;as I said before, is no good. Deeds,
+ not words, is what is wanted.&rdquo;
+ </p>
+ <p>
+ He rose suddenly from his chair and, taking one of the vases from the
+ mantelpiece, dashed it to pieces on the fender. Example is contagious, and
+ two seconds later he was in his chair again, softly feeling a rapidly
+ growing bump on his head, and gazing goggle-eyed at his wife.
+ </p>
+ <p>
+ <a name="linkimage-5" id="linkimage-5">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/005.jpg" width="100%"
+ alt="Taking One of the Vases from The Mantelpiece, he Dashed It To Pieces on the Fender. " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;And I'd do it again,&rdquo; said that lady, breathlessly, &ldquo;if there was another
+ vase.&rdquo;
+ </p>
+ <p>
+ Mr. Hatchard opened his mouth, but speech failed him. He got up and left
+ the room without a word, and, making his way to the scullery, turned on
+ the tap and held his head beneath it. A sharp intake of the breath
+ announced that a tributary stream was looking for the bump down the neck
+ of his shirt.
+ </p>
+ <p>
+ He was away a long time&mdash;so long that the half-penitent Mrs. Hatchard
+ was beginning to think of giving first aid to the wounded. Then she heard
+ him coming slowly back along the passage. He entered the room, drying his
+ wet hair on a hand-kerchief.
+ </p>
+ <p>
+ &ldquo;I&mdash;I hope I didn't hurt you&mdash;much?&rdquo; said his wife.
+ </p>
+ <p>
+ Mr. Hatchard drew himself up and regarded her with lofty indignation.
+ </p>
+ <p>
+ &ldquo;You might have killed me,&rdquo; he said at last, in thrilling tones. &ldquo;Then
+ what would you have done?&rdquo;
+ </p>
+ <p>
+ &ldquo;Swept up the pieces, and said you came home injured and died in my arms,&rdquo;
+ said Mrs. Hatchard, glibly. &ldquo;I don't want to be unfeeling, but you'd try
+ the temper of a saint. I'm sure I wonder I haven't done it before. Why I
+ married a stingy man I don't know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why I married at all I don't know,&rdquo; said her husband, in a deep voice.
+ </p>
+ <p>
+ &ldquo;We were both fools,&rdquo; said Mrs. Hatchard, in a resigned voice; &ldquo;that's
+ what it was. However, it can't be helped now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Some men would go and leave you,&rdquo; said Mr. Hatchard.
+ </p>
+ <p>
+ &ldquo;Well, go,&rdquo; said his wife, bridling. &ldquo;I don't want you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't talk nonsense,&rdquo; said the other.
+ </p>
+ <p>
+ &ldquo;It ain't nonsense,&rdquo; said Mrs. Hatchard. &ldquo;If you want to go, go. I don't
+ want to keep you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I only wish I could,&rdquo; said her husband, wistfully.
+ </p>
+ <p>
+ &ldquo;There's the door,&rdquo; said Mrs. Hatchard, pointing. &ldquo;What's to prevent you?&rdquo;
+ </p>
+ <p>
+ &ldquo;And have you going to the magistrate?&rdquo; observed Mr. Hatchard.
+ </p>
+ <p>
+ &ldquo;Not me,&rdquo; was the reply.
+ </p>
+ <p>
+ &ldquo;Or coming up, full of complaints, to the ware-house?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not me,&rdquo; said his wife again.
+ </p>
+ <p>
+ &ldquo;It makes my mouth water to think of it,&rdquo; said Mr. Hatchard. &ldquo;Four years
+ ago I hadn't a care in the world.&rdquo;
+ </p>
+ <p>
+ &ldquo;Me neither,&rdquo; said Mrs. Hatchard; &ldquo;but then I never thought I should marry
+ you. I remember the first time I saw you I had to stuff my handkerchief in
+ my mouth.&rdquo;
+ </p>
+ <p>
+ &ldquo;What for?&rdquo; inquired Mr. Hatchard.
+ </p>
+ <p>
+ &ldquo;Keep from laughing,&rdquo; was the reply.
+ </p>
+ <p>
+ &ldquo;You took care not to let me see you laugh,&rdquo; said Mr. Hatchard, grimly.
+ &ldquo;You were polite enough in them days. I only wish I could have my time
+ over again; that's all.&rdquo;
+ </p>
+ <p>
+ &ldquo;You can go, as I said before,&rdquo; said his wife.
+ </p>
+ <p>
+ &ldquo;I'd go this minute,&rdquo; said Mr. Hatchard, &ldquo;but I know what it 'ud be: in
+ three or four days you'd be coming and begging me to take you back again.&rdquo;
+ </p>
+ <p>
+ &ldquo;You try me,&rdquo; said Mrs. Hatchard, with a hard laugh. &ldquo;I can keep myself.
+ You leave me the furniture&mdash;most of it is mine&mdash;and I sha'n't
+ worry you again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mind!&rdquo; said Mr. Hatchard, raising his hand with great solemnity. &ldquo;If I
+ go, I never come back again.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'll take care of that,&rdquo; said his wife, equably. &ldquo;You are far more likely
+ to ask to come back than I am.&rdquo;
+ </p>
+ <p>
+ Mr. Hatchard stood for some time in deep thought, and then, spurred on by
+ a short, contemptuous laugh from his wife, went to the small passage and,
+ putting on his overcoat and hat, stood in the parlor doorway regarding
+ her.
+ </p>
+ <p>
+ &ldquo;I've a good mind to take you at your word,&rdquo; he said, at last.
+ </p>
+ <p>
+ &ldquo;Good-night,&rdquo; said his wife, briskly. &ldquo;If you send me your address, I'll
+ send your things on to you. There's no need for you to call about them.&rdquo;
+ </p>
+ <p>
+ Hardly realizing the seriousness of the step, Mr. Hatchard closed the
+ front door behind him with a bang, and then discovered that it was
+ raining. Too proud to return for his umbrella, he turned up his
+ coat-collar and, thrusting his hands in his pockets, walked slowly down
+ the desolate little street. By the time he had walked a dozen yards he
+ began to think that he might as well have waited until the morning; before
+ he had walked fifty he was certain of it.
+ </p>
+ <p>
+ He passed the night at a coffee-house, and rose so early in the morning
+ that the proprietor took it as a personal affront, and advised him to get
+ his breakfast elsewhere. It was the longest day in Mr. Hatchard's
+ experience, and, securing modest lodgings that evening, he overslept
+ himself and was late at the warehouse next morning for the first time in
+ ten years.
+ </p>
+ <p>
+ His personal effects arrived next day, but no letter came from his wife,
+ and one which he wrote concerning a pair of missing garments received no
+ reply. He wrote again, referring to them in laudatory terms, and got a
+ brief reply to the effect that they had been exchanged in part payment on
+ a pair of valuable pink vases, the pieces of which he could have by paying
+ the carriage.
+ </p>
+ <p>
+ In six weeks Mr. Hatchard changed his lodgings twice. A lack of those home
+ comforts which he had taken as a matter of course during his married life
+ was a source of much tribulation, and it was clear that his weekly bills
+ were compiled by a clever writer of fiction. It was his first experience
+ of lodgings, and the difficulty of saying unpleasant things to a woman
+ other than his wife was not the least of his troubles. He changed his
+ lodgings for a third time, and, much surprised at his wife's continued
+ silence, sought out a cousin of hers named Joe Pett, and poured his
+ troubles into that gentleman's reluctant ear.
+ </p>
+ <p>
+ &ldquo;If she was to ask me to take her back,&rdquo; he concluded, &ldquo;I'm not sure, mind
+ you, that I wouldn't do so.&rdquo;
+ </p>
+ <p>
+ &ldquo;It does you credit,&rdquo; said Mr. Pett. &ldquo;Well, ta-ta; I must be off.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I expect she'd be very much obliged to anybody that told her so,&rdquo;
+ said Mr. Hatchard, clutching at the other's sleeve.
+ </p>
+ <p>
+ Mr. Pett, gazing into space, said that he thought it highly probable.
+ </p>
+ <p>
+ &ldquo;It wants to be done cleverly, though,&rdquo; said Mr. Hatchard, &ldquo;else she might
+ get the idea that I wanted to go back.&rdquo;
+ </p>
+ <p>
+ &ldquo;I s'pose you know she's moved?&rdquo; said Mr. Pett, with the air of a man
+ anxious to change the conversation.
+ </p>
+ <p>
+ &ldquo;Eh?&rdquo; said the other.
+ </p>
+ <p>
+ &ldquo;Number thirty-seven, John Street,&rdquo; said Mr. Pett. &ldquo;Told my wife she's
+ going to take in lodgers. Calling herself Mrs. Harris, after her maiden
+ name.&rdquo;
+ </p>
+ <p>
+ He went off before Mr. Hatchard could recover, and the latter at once
+ verified the information in part by walking round to his old house. Bits
+ of straw and paper littered the front garden, the blinds were down, and a
+ bill was pasted on the front parlor window. Aghast at such determination,
+ he walked back to his lodgings in gloomy thought.
+ </p>
+ <p>
+ On Saturday afternoon he walked round to John Street, and from the corner
+ of his eye, as he passed, stole a glance at No. 37. He recognized the
+ curtains at once, and, seeing that there was nobody in the room, leaned
+ over the palings and peered at a card that stood on the window-sash:
+ </p>
+ <table summary="">
+ <tr>
+ <td>
+ <blockquote>
+ <p>
+ FURNISHED APARTMENTS FOR SINGLE YOUNG MAN BOARD IF DESIRED.
+ </p>
+ </blockquote>
+ </td>
+ </tr>
+ </table>
+ <p>
+ He walked away whistling, and after going a little way turned and passed
+ it again. He passed in all four times, and then, with an odd grin lurking
+ at the corners of his mouth, strode up to the front door and knocked
+ loudly. He heard somebody moving about inside, and, more with the idea of
+ keeping his courage up than anything else, gave another heavy knock at the
+ door. It was thrown open hastily, and the astonished face of his wife
+ appeared before him.
+ </p>
+ <p>
+ &ldquo;What do you want?&rdquo; she inquired, sharply.
+ </p>
+ <p>
+ Mr. Hatchard raised his hat. &ldquo;Good-afternoon, ma'am,&rdquo; he said, politely.
+ </p>
+ <p>
+ &ldquo;What do you want?&rdquo; repeated his wife.
+ </p>
+ <p>
+ &ldquo;I called,&rdquo; said Mr. Hatchard, clearing his throat&mdash;&ldquo;I called about
+ the bill in the window.&rdquo;
+ </p>
+ <p>
+ <a name="linkimage-6" id="linkimage-6">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/006.jpg" width="100%"
+ alt="'i Called About the Bill in The Window.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ Mrs. Hatchard clutched at the door-post.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; she gasped.
+ </p>
+ <p>
+ &ldquo;I'd like to see the rooms,&rdquo; said the other.
+ </p>
+ <p>
+ &ldquo;But you ain't a single young man,&rdquo; said his wife, recovering.
+ </p>
+ <p>
+ &ldquo;I'm as good as single,&rdquo; said Mr. Hatchard. &ldquo;I should say, better.&rdquo;
+ </p>
+ <p>
+ &ldquo;You ain't young,&rdquo; objected Mrs. Hatchard. &ldquo;I'm three years younger than
+ what you are,&rdquo; said Mr. Hatchard, dispassionately.
+ </p>
+ <p>
+ His wife's lips tightened and her hand closed on the door; Mr. Hatchard
+ put his foot in.
+ </p>
+ <p>
+ &ldquo;If you don't want lodgers, why do you put a bill up?&rdquo; he inquired.
+ </p>
+ <p>
+ &ldquo;I don't take the first that comes,&rdquo; said his wife.
+ </p>
+ <p>
+ &ldquo;I'll pay a week in advance,&rdquo; said Mr. Hatchard, putting his hand in his
+ pocket. &ldquo;Of course, if you're afraid of having me here&mdash;afraid o'
+ giving way to tenderness, I mean&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Afraid?&rdquo; choked Mrs. Hatchard. &ldquo;Tenderness! I&mdash;I&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Just a matter o' business,&rdquo; continued her husband; &ldquo;that's my way of
+ looking at it&mdash;that's a man's way. I s'pose women are different. They
+ can't&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Come in,&rdquo; said Mrs. Hatchard, breathing hard. Mr. Hatchard obeyed, and
+ clapping a hand over his mouth ascended the stairs behind her. At the top
+ she threw open the door of a tiny bedroom, and stood aside for him to
+ enter. Mr. Hatchard sniffed critically.
+ </p>
+ <p>
+ &ldquo;Smells rather stuffy,&rdquo; he said, at last.
+ </p>
+ <p>
+ &ldquo;You needn't have it,&rdquo; said his wife, abruptly. &ldquo;There's plenty of other
+ fish in the sea.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; and I expect they'd stay there if they saw this room,&rdquo; said the
+ other.
+ </p>
+ <p>
+ &ldquo;Don't think I want you to have it; because I don't,&rdquo; said Mrs. Hatchard,
+ making a preliminary movement to showing him downstairs.
+ </p>
+ <p>
+ &ldquo;They might suit me,&rdquo; said Mr. Hatchard, musingly, as he peeped in at the
+ sitting-room door. &ldquo;I shouldn't be at home much. I'm a man that's fond of
+ spending his evenings out.&rdquo;
+ </p>
+ <p>
+ Mrs. Hatchard, checking a retort, eyed him grimly.
+ </p>
+ <p>
+ &ldquo;I've seen worse,&rdquo; he said, slowly; &ldquo;but then I've seen a good many. How
+ much are you asking?&rdquo;
+ </p>
+ <p>
+ &ldquo;Seven shillings a week,&rdquo; replied his wife. &ldquo;With breakfast, tea, and
+ supper, a pound a week.&rdquo;
+ </p>
+ <p>
+ Mr. Hatchard nearly whistled, but checked himself just in time.
+ </p>
+ <p>
+ &ldquo;I'll give it a trial,&rdquo; he said, with an air of unbearable patronage.
+ </p>
+ <p>
+ Mrs. Hatchard hesitated.
+ </p>
+ <p>
+ &ldquo;If you come here, you quite understand it's on a business footing,&rdquo; she
+ said.
+ </p>
+ <p>
+ &ldquo;O' course,&rdquo; said the other, with affected surprise. &ldquo;What do you think I
+ want it on?&rdquo;
+ </p>
+ <p>
+ &ldquo;You come here as a stranger, and I look after you as a stranger,&rdquo;
+ continued his wife.
+ </p>
+ <p>
+ &ldquo;Certainly,&rdquo; said the other. &ldquo;I shall be made more comfortable that way,
+ I'm sure. But, of course, if you're afraid, as I said before, of giving
+ way to tender&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Tender fiddlesticks!&rdquo; interrupted his wife, flushing and eying him
+ angrily.
+ </p>
+ <p>
+ &ldquo;I'll come in and bring my things at nine o'clock to-night,&rdquo; said Mr.
+ Hatchard. &ldquo;I'd like the windows open and the rooms aired a bit. And what
+ about the sheets?&rdquo;
+ </p>
+ <p>
+ &ldquo;What about them?&rdquo; inquired his wife.
+ </p>
+ <p>
+ &ldquo;Don't put me in damp sheets, that's all,&rdquo; said Mr. Hatchard. &ldquo;One place I
+ was at&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ He broke off suddenly.
+ </p>
+ <p>
+ &ldquo;Well!&rdquo; said his wife, quickly.
+ </p>
+ <p>
+ &ldquo;Was very particular about them,&rdquo; said Mr. Hatchard, recovering. &ldquo;Well,
+ good-afternoon to you, ma'am.&rdquo;
+ </p>
+ <p>
+ &ldquo;I want three weeks in advance,&rdquo; said his wife.
+</p>
+ <p>
+&ldquo;Three&mdash;&rdquo; exclaimed
+ the other. &ldquo;Three weeks in advance? Why&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Those are my terms,&rdquo; said Mrs. Hatchard. &ldquo;Take 'em or leave 'em. P'r'aps
+ it would be better if you left 'em.&rdquo;
+ </p>
+ <p>
+ Mr. Hatchard looked thoughtful, and then with obvious reluctance took his
+ purse from one pocket and some silver from another, and made up the
+ required sum.
+ </p>
+ <p>
+ &ldquo;And what if I'm not comfortable here?&rdquo; he inquired, as his wife hastily
+ pocketed the money. &ldquo;It'll be your own fault,&rdquo; was the reply.
+ </p>
+ <p>
+ Mr. Hatchard looked dubious, and, in a thoughtful fashion, walked
+ downstairs and let himself out. He began to think that the joke was of a
+ more complicated nature than he had expected, and it was not without
+ forebodings that he came back at nine o'clock that night accompanied by a
+ boy with his baggage.
+ </p>
+ <p>
+ His gloom disappeared the moment the door opened. The air inside was warm
+ and comfortable, and pervaded by an appetizing smell of cooked meats.
+ Upstairs a small bright fire and a neatly laid supper-table awaited his
+ arrival.
+ </p>
+ <p>
+ He sank into an easy-chair and rubbed his hands. Then his gaze fell on a
+ small bell on the table, and opening the door he rang for supper.
+ </p>
+ <p>
+ &ldquo;Yes, sir,&rdquo; said Mrs. Hatchard, entering the room. &ldquo;Supper, please,&rdquo; said
+ the new lodger, with dignity.
+ </p>
+ <p>
+ Mrs. Hatchard looked bewildered. &ldquo;Well, there it is,&rdquo; she said, indicating
+ the table. &ldquo;You don't want me to feed you, do you?&rdquo;
+ </p>
+ <p>
+ The lodger eyed the small, dry piece of cheese, the bread and butter, and
+ his face fell. &ldquo;I&mdash;I thought I smelled something cooking,&rdquo; he said at
+ last.
+ </p>
+ <p>
+ <a name="linkimage-7" id="linkimage-7">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/007.jpg" width="100%"
+ alt="'i&mdash;i Thought I Smelled Something Cooking,' he Said.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;Oh, that was my supper,&rdquo; said Mrs. Hatchard, with a smile.
+ </p>
+ <p>
+ &ldquo;I&mdash;I'm very hungry,&rdquo; said Mr. Hatchard, trying to keep his temper.
+ </p>
+ <p>
+ &ldquo;It's the cold weather, I expect,&rdquo; said Mrs. Hatchard, thoughtfully; &ldquo;it
+ does affect some people that way, I know. Please ring if you want
+ anything.&rdquo;
+ </p>
+ <p>
+ She left the room, humming blithely, and Mr. Hatchard, after sitting for
+ some time in silent consternation, got up and ate his frugal meal. The
+ fact that the water-jug held three pints and was filled to the brim gave
+ him no satisfaction.
+ </p>
+ <p>
+ He was still hungry when he arose next morning, and, with curiosity
+ tempered by uneasiness, waited for his breakfast. Mrs. Hatchard came in at
+ last, and after polite inquiries as to how he had slept proceeded to lay
+ breakfast. A fresh loaf and a large teapot appeared, and the smell of
+ frizzling bacon ascended from below. Then Mrs. Hatchard came in again,
+ and, smiling benevolently, placed an egg before him and withdrew. Two
+ minutes later he rang the bell.
+ </p>
+ <p>
+ &ldquo;You can clear away,&rdquo; he said, as Mrs. Hatchard entered the room.
+ </p>
+ <p>
+ &ldquo;What, no breakfast?&rdquo; she said, holding up her hands. &ldquo;Well, I've heard of
+ you single young men, but I never thought&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;The tea's cold and as black as ink,&rdquo; growled the indignant lodger, &ldquo;and
+ the egg isn't eatable.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm afraid you're a bit of a fault-finder,&rdquo; said Mrs. Hatchard, shaking
+ her head at him. &ldquo;I'm sure I try my best to please. I don't mind what I
+ do, but if you're not satisfied you'd better go.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here, Emily&mdash;&rdquo; began her husband.
+ </p>
+ <p>
+ &ldquo;Don't you 'Emily' me!&rdquo; said Mrs. Hatchard, quickly. &ldquo;The idea! A lodger,
+ too! You know the arrangement. You'd better go, I think, if you can't
+ behave yourself.&rdquo;
+ </p>
+ <p>
+ &ldquo;I won't go till my three weeks are up,&rdquo; said Mr. Hatchard, doggedly, &ldquo;so
+ you may as well behave yourself.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can't pamper you for a pound a week,&rdquo; said Mrs. Hatchard, walking to
+ the door. &ldquo;If you want pampering, you had better go.&rdquo;
+ </p>
+ <p>
+ A week passed, and the additional expense caused by getting most of his
+ meals out began to affect Mr. Hatchard's health. His wife, on the
+ contrary, was in excellent spirits, and, coming in one day, explained the
+ absence of the easy-chair by stating that it was wanted for a new lodger.
+ </p>
+ <p>
+ &ldquo;He's taken my other two rooms,&rdquo; she said, smiling&mdash;&ldquo;the little back
+ parlor and the front bedroom&mdash;I'm full up now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wouldn't he like my table, too?&rdquo; inquired Mr. Hatchard, with bitter
+ sarcasm.
+ </p>
+ <p>
+ His wife said that she would inquire, and brought back word next day that
+ Mr. Sadler, the new lodger, would like it. It disappeared during Mr.
+ Hatchard's enforced absence at business, and a small bamboo table, weak in
+ the joints, did duty in its stead.
+ </p>
+ <p>
+ The new lodger, a man of middle age with a ready tongue, was a success
+ from the first, and it was only too evident that Mrs. Hatchard was trying
+ her best to please him. Mr. Hatchard, supping on bread and cheese, more
+ than once left that wholesome meal to lean over the balusters and smell
+ the hot meats going into Mr. Sadler.
+ </p>
+ <p>
+ &ldquo;You're spoiling him,&rdquo; he said to Mrs. Hatchard, after the new lodger had
+ been there a week. &ldquo;Mark my words&mdash;he'll get above himself.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's my look-out,&rdquo; said his wife briefly.
+ </p>
+ <p>
+&ldquo;Don't come to me if you get
+ into trouble, that's all,&rdquo; said the other.
+ </p>
+ <p>
+ Mrs. Hatchard laughed derisively. &ldquo;You don't like him, that's what it is,&rdquo;
+ she remarked. &ldquo;He asked me yesterday whether he had offended you in any
+ way.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! He did, did he?&rdquo; snarled Mr. Hatchard. &ldquo;Let him keep himself to
+ himself, and mind his own business.&rdquo;
+ </p>
+ <p>
+ &ldquo;He said he thinks you have got a bad temper,&rdquo; continued his wife. &ldquo;He
+ thinks, perhaps, it's indigestion, caused by eating cheese for supper
+ always.&rdquo;
+ </p>
+ <p>
+ Mr. Hatchard affected not to hear, and, lighting his pipe, listened fer
+ some time to the hum of conversation between his wife and Mr. Sadler
+ below. With an expression of resignation on his face that was almost
+ saintly he knocked out his pipe at last and went to bed.
+ </p>
+ <p>
+ Half an hour passed, and he was still awake. His wife's voice had ceased,
+ but the gruff tones of Mr. Sadler were still audible. Then he sat up in
+ bed and listened, as a faint cry of alarm and the sound of somebody
+ rushing upstairs fell on his ears. The next moment the door of his room
+ burst open, and a wild figure, stumbling in the darkness, rushed over to
+ the bed and clasped him in its arms.
+ </p>
+ <p>
+ &ldquo;Help!&rdquo; gasped his wife's voice. &ldquo;Oh, Alfred! Alfred!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ma'am!&rdquo; said Mr. Hatchard in a prim voice, as he struggled in vain to
+ free himself.
+ </p>
+ <p>
+ &ldquo;I'm so&mdash;so&mdash;fr-frightened!&rdquo; sobbed Mrs. Hatchard.
+ </p>
+ <p>
+ &ldquo;That's no reason for coming into a lodger's room and throwing your arms
+ round his neck,&rdquo; said her husband, severely.
+ </p>
+ <p>
+ &ldquo;Don't be stu-stu-stupid,&rdquo; gasped Mrs. Hatchard. &ldquo;He&mdash;he's sitting
+ downstairs in my room with a paper cap on his head and a fire-shovel in
+ his hand, and he&mdash;he says he's the&mdash;the Emperor of China.&rdquo;
+ </p>
+ <p>
+ &ldquo;He? Who?&rdquo; inquired her husband.
+ </p>
+ <p>
+ &ldquo;Mr. Sad-Sadler,&rdquo; replied Mrs. Hatchard, almost strangling him. &ldquo;He made
+ me kneel in front o' him and keep touching the floor with my head.&rdquo;
+ </p>
+ <p>
+ The chair-bedstead shook in sympathy with Mr. Hatchard's husbandly
+ emotion.
+ </p>
+ <p>
+ &ldquo;Well, it's nothing to do with me,&rdquo; he said at last.
+ </p>
+ <p>
+ &ldquo;He's mad,&rdquo; said his wife, in a tense whisper; &ldquo;stark staring mad. He says
+ I'm his favorite wife, and he made me stroke his forehead.&rdquo;
+ </p>
+ <p>
+ The bed shook again.
+ </p>
+ <p>
+ &ldquo;I don't see that I have any right to interfere,&rdquo; said Mr. Hatchard, after
+ he had quieted the bedstead. &ldquo;He's your lodger.&rdquo;
+ </p>
+ <p>
+ &ldquo;You're my husband,&rdquo; said Mrs. Hatchard. &ldquo;Ho!&rdquo; said Mr. Hatchard. &ldquo;You've
+ remembered that, have you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Alfred,&rdquo; said his wife.
+ </p>
+ <p>
+ &ldquo;And are you sorry for all your bad behavior?&rdquo; demanded Mr. Hatchard.
+ </p>
+ <p>
+ Mrs. Hatchard hesitated. Then a clatter of fire-irons downstairs moved her
+ to speech.
+ </p>
+ <p>
+ &ldquo;Ye-yes,&rdquo; she sobbed.
+ </p>
+ <p>
+ &ldquo;And you want me to take you back?&rdquo; queried the generous Mr. Hatchard.
+ </p>
+ <p>
+ &ldquo;Ye-ye-yes,&rdquo; said his wife.
+ </p>
+ <p>
+ Mr. Hatchard got out of bed and striking a match lit the candle, and,
+ taking his overcoat from a peg behind the door, put it on and marched
+ downstairs. Mrs. Hatchard, still trembling, followed behind.
+ </p>
+ <p>
+ &ldquo;What's all this?&rdquo; he demanded, throwing the door open with a flourish.
+ </p>
+ <p>
+ Mr. Sadler, still holding the fire-shovel sceptre-fashion and still with
+ the paper cap on his head, opened his mouth to reply. Then, as he saw the
+ unkempt figure of Mr. Hatchard with the scared face of Mrs. Hatchard
+ peeping over his shoulder, his face grew red, his eyes watered, and his
+ cheeks swelled.
+ </p>
+ <p>
+ &ldquo;K-K-K-Kch! K-Kch!&rdquo; he said, explosively. &ldquo;Talk English, not Chinese,&rdquo;
+ said Mr. Hatchard, sternly.
+ </p>
+ <p>
+ <a name="linkimage-8" id="linkimage-8">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/008.jpg" width="100%"
+ alt="'K-k-k-kch! K-kch!' he Said, Explosively.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ Mr. Sadler threw down the fire-shovel, and to Mr. Hatchard's great
+ annoyance, clapped his open hand over his mouth and rocked with merriment.
+ </p>
+ <p>
+ &ldquo;Sh&mdash;sh&mdash;she&mdash;she&mdash;&rdquo; he spluttered.
+ </p>
+ <p>
+ &ldquo;That'll do,&rdquo; said Mr. Hatchard, hastily, with a warning frown.
+ </p>
+ <p>
+ &ldquo;Kow-towed to me,&rdquo; gurgled Mr. Sadler. &ldquo;You ought to have seen it, Alf. I
+ shall never get over it&mdash;never. It's&mdash;no&mdash;no good
+ win-winking at me; I can't help myself.&rdquo;
+ </p>
+ <p>
+ He put his handkerchief to his eyes and leaned back exhausted. When he
+ removed it, he found himself alone and everything still but for a murmur
+ of voices overhead. Anon steps sounded on the stairs, and Mr. Hatchard,
+ grave of face, entered the room.
+ </p>
+ <p>
+ &ldquo;Outside!&rdquo; he said, briefly.
+ </p>
+ <p>
+ &ldquo;What!&rdquo; said the astounded Mr. Sadler. &ldquo;Why, it's eleven o'clock.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can't help it if it's twelve o'clock,&rdquo; was the reply. &ldquo;You shouldn't
+ play the fool and spoil things by laughing. Now, are you going, or have I
+ got to put you out?&rdquo;
+ </p>
+ <p>
+ He crossed the room and, putting his hand on the shoulder of the
+ protesting Mr. Sadler, pushed him into the passage, and taking his coat
+ from the peg held it up for him. Mr. Sadler, abandoning himself to his
+ fate, got into it slowly and indulged in a few remarks on the subject of
+ ingratitude.
+ </p>
+ <p>
+ &ldquo;I can't help it,&rdquo; said his friend, in a low voice. &ldquo;I've had to swear
+ I've never seen you before.&rdquo;
+ </p>
+ <p>
+ &ldquo;Does she believe you?&rdquo; said the staring Mr. Sadler, shivering at the open
+ door.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Mr. Hatchard, slowly, &ldquo;but she pretends to.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_3" id="link2H_4_3">
+ <!-- H2 anchor --> </a>
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <h2>
+ SELF-HELP
+ </h2>
+ <p>
+ The night-watchman sat brooding darkly over life and its troubles. A
+ shooting corn on the little toe of his left foot, and a touch of liver,
+ due, he was convinced, to the unlawful cellar work of the landlord of the
+ Queen's Head, had induced in him a vein of profound depression. A
+ discarded boot stood by his side, and his gray-stockinged foot protruded
+ over the edge of the jetty until a passing waterman gave it a playful rap
+ with his oar. A subsequent inquiry as to the price of pigs' trotters fell
+ on ears rendered deaf by suffering.
+ </p>
+ <p>
+ &ldquo;I might 'ave expected it,&rdquo; said the watchman, at last. &ldquo;I done that man&mdash;if
+ you can call him a man&mdash;a kindness once, and this is my reward for
+ it. Do a man a kindness, and years arterwards 'e comes along and hits you
+ over your tenderest corn with a oar.&rdquo;
+ </p>
+ <p>
+ <a name="linkimage-9" id="linkimage-9">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/009.jpg" width="100%"
+ alt="'E Comes Along and Hits You over Your Tenderest Corn With a Oar.'' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ He took up his boot, and, inserting his foot with loving care, stooped
+ down and fastened the laces.
+ </p>
+ <p>
+ Do a man a kindness, he continued, assuming a safer posture, and 'e tries
+ to borrow money off of you; do a woman a kindness and she thinks you want
+ to marry 'er; do an animal a kindness and it tries to bite you&mdash;same
+ as a horse bit a sailorman I knew once, when 'e sat on its head to 'elp it
+ get up. He sat too far for'ard, pore chap.
+ </p>
+ <p>
+ Kindness never gets any thanks. I remember a man whose pal broke 'is leg
+ while they was working together unloading a barge; and he went off to
+ break the news to 'is pal's wife. A kind-'earted man 'e was as ever you
+ see, and, knowing 'ow she would take on when she 'eard the news, he told
+ her fust of all that 'er husband was killed. She took on like a mad thing,
+ and at last, when she couldn't do anything more and 'ad quieted down a
+ bit, he told 'er that it was on'y a case of a broken leg, thinking that
+ 'er joy would be so great that she wouldn't think anything of that. He 'ad
+ to tell her three times afore she understood 'im, and then, instead of
+ being thankful to 'im for 'is thoughtfulness, she chased him 'arf over
+ Wapping with a chopper, screaming with temper.
+ </p>
+ <p>
+ I remember Ginger Dick and Peter Russet trying to do old Sam Small a
+ kindness one time when they was 'aving a rest ashore arter a v'y'ge. They
+ 'ad took a room together as usual, and for the fust two or three days they
+ was like brothers. That couldn't last, o' course, and Sam was so annoyed
+ one evening at Ginger's suspiciousness by biting a 'arf-dollar Sam owed
+ 'im and finding it was a bad 'un, that 'e went off to spend the evening
+ all alone by himself.
+ </p>
+ <p>
+ He felt a bit dull at fust, but arter he had 'ad two or three 'arf-pints
+ 'e began to take a brighter view of things. He found a very nice, cosey
+ little public-'ouse he hadn't been in before, and, arter getting two and
+ threepence and a pint for the 'arf-dollar with Ginger's tooth-marks on, he
+ began to think that the world wasn't 'arf as bad a place as people tried
+ to make out.
+ </p>
+ <p>
+ There was on'y one other man in the little bar Sam was in&mdash;a tall,
+ dark chap, with black side-whiskers and spectacles, wot kept peeping round
+ the partition and looking very 'ard at everybody that came in.
+ </p>
+ <p>
+ &ldquo;I'm just keeping my eye on 'em, cap'n,&rdquo; he ses to Sam, in a low voice.
+ </p>
+ <p>
+ &ldquo;Ho!&rdquo; ses Sam.
+ </p>
+ <p>
+ &ldquo;They don't know me in this disguise,&rdquo; ses the dark man, &ldquo;but I see as 'ow
+ you spotted me at once. Anybody 'ud have a 'ard time of it to deceive you;
+ and then they wouldn't gain nothing by it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nobody ever 'as yet,&rdquo; ses Sam, smiling at 'im.
+ </p>
+ <p>
+ &ldquo;And nobody ever will,&rdquo; ses the dark man, shaking his 'ead; &ldquo;if they was
+ all as fly as you, I might as well put the shutters up. How did you twig I
+ was a detective officer, cap'n?&rdquo;
+ </p>
+ <p>
+ Sam, wot was taking a drink, got some beer up 'is nose with surprise.
+ </p>
+ <p>
+ &ldquo;That's my secret,&rdquo; he ses, arter the tec 'ad patted 'im on the back and
+ brought 'im round.
+ </p>
+ <p>
+ &ldquo;You're a marvel, that's wot you are,&rdquo; ses the tec, shaking his 'ead.
+ &ldquo;Have one with me.&rdquo;
+ </p>
+ <p>
+ Sam said he didn't mind if 'e did, and arter drinking each other's healths
+ very perlite 'e ordered a couple o' twopenny smokes, and by way of showing
+ off paid for 'em with 'arf a quid.
+ </p>
+ <p>
+ &ldquo;That's right, ain't it?&rdquo; ses the barmaid, as he stood staring very 'ard
+ at the change. &ldquo;I ain't sure about that 'arf-crown, now I come to look at
+ it; but it's the one you gave me.&rdquo;
+ </p>
+ <p>
+ Pore Sam, with a tec standing alongside of 'im, said it was quite right,
+ and put it into 'is pocket in a hurry and began to talk to the tec as fast
+ as he could about a murder he 'ad been reading about in the paper that
+ morning. They went and sat down by a comfortable little fire that was
+ burning in the bar, and the tec told 'im about a lot o' murder cases he
+ 'ad been on himself.
+ </p>
+ <p>
+ &ldquo;I'm down 'ere now on special work,&rdquo; he ses, &ldquo;looking arter sailormen.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wot ha' they been doing?&rdquo; ses Sam.
+ </p>
+ <p>
+ &ldquo;When I say looking arter, I mean protecting 'em,&rdquo; ses the tec. &ldquo;Over and
+ over agin some pore feller, arter working 'ard for months at sea, comes
+ 'ome with a few pounds in 'is pocket and gets robbed of the lot. There's a
+ couple o' chaps down 'ere I'm told off to look arter special, but it's no
+ good unless I can catch 'em red-'anded.&rdquo;
+ </p>
+ <p>
+ &ldquo;Red-'anded?&rdquo; ses Sam.
+ </p>
+ <p>
+ &ldquo;With their hands in the chap's pockets, I mean,&rdquo; ses the tec.
+ </p>
+ <p>
+ Sam gave a shiver. &ldquo;Somebody had their 'ands in my pockets once,&rdquo; he ses.
+ &ldquo;Four pun ten and some coppers they got.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wot was they like?&rdquo; ses the tee, starting.
+ </p>
+ <p>
+ Sam shook his 'ead. &ldquo;They seemed to me to be all hands, that's all I know
+ about 'em,&rdquo; he ses. &ldquo;Arter they 'ad finished they leaned me up agin the
+ dock wall an' went off.&rdquo;
+ </p>
+ <p>
+ &ldquo;It sounds like 'em,&rdquo; ses the tec, thoughtfully. &ldquo;It was Long Pete and
+ Fair Alf, for a quid; that's the two I'm arter.&rdquo;
+ </p>
+ <p>
+ He put his finger in 'is weskit-pocket. &ldquo;That's who I am,&rdquo; he ses, 'anding
+ Sam a card; &ldquo;Detective-Sergeant Cubbins. If you ever get into any trouble
+ at any time, you come to me.&rdquo;
+ </p>
+ <p>
+ Sam said 'e would, and arter they had 'ad another drink together the tec
+ shifted 'is seat alongside of 'im and talked in his ear.
+ </p>
+ <p>
+ &ldquo;If I can nab them two chaps I shall get promotion,&rdquo; he ses; &ldquo;and it's a
+ fi'-pun note to anybody that helps me. I wish I could persuade you to.&rdquo;
+ </p>
+ <p>
+ &ldquo;'Ow's it to be done?&rdquo; ses Sam, looking at 'im.
+ </p>
+ <p>
+ &ldquo;I want a respectable-looking seafaring man,&rdquo; ses the tec, speaking very
+ slow; &ldquo;that's you. He goes up Tower Hill to-morrow night at nine o'clock,
+ walking very slow and very unsteady on 'is pins, and giving my two
+ beauties the idea that 'e is three sheets in the wind. They come up and
+ rob 'im, and I catch them red-'anded. I get promotion, and you get a
+ fiver.&rdquo;
+ </p>
+ <p>
+ &ldquo;But 'ow do you know they'll be there?&rdquo; ses Sam, staring at 'im.
+ </p>
+ <p>
+ Mr. Cubbins winked at 'im and tapped 'is nose.
+ </p>
+ <p>
+ <a name="linkimage-10" id="linkimage-10">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/010.jpg" width="100%"
+ alt="'Mr. Cubbins Winked at 'im and Tapped 'is Nose.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;We 'ave to know a good deal in our line o' business,&rdquo; he ses.
+ </p>
+ <p>
+ &ldquo;Still,&rdquo; ses Sam, &ldquo;I don't see&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Narks,&rdquo; says the tec; &ldquo;coppers' narks. You've 'eard of them, cap'n? Now,
+ look 'ere. Have you got any money?&rdquo;
+ </p>
+ <p>
+ &ldquo;I got a matter o' twelve quid or so,&rdquo; ses Sam, in a off-hand way.
+ </p>
+ <p>
+ &ldquo;The very thing,&rdquo; says the tec. &ldquo;Well, to-morrow night you put that in
+ your pocket, and be walking up Tower Hill just as the clock strikes nine.
+ I promise you you'll be robbed afore two minutes past, and by two and a
+ 'arf past I shall 'ave my hands on both of 'em. Have all the money in one
+ pocket, so as they can get it neat and quick, in case they get
+ interrupted. Better still, 'ave it in a purse; that makes it easier to
+ bring it 'ome to 'em.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wouldn't it be enough if they stole the purse?&rdquo; ses Sam. &ldquo;I should feel
+ safer that way, too.&rdquo;
+ </p>
+ <p>
+ Mr. Cubbins shook his 'ead, very slow and solemn. &ldquo;That wouldn't do at
+ all,&rdquo; he ses. &ldquo;The more money they steal, the longer they'll get; you know
+ that, cap'n, without me telling you. If you could put fifty quid in it
+ would be so much the better. And, what-ever you do, don't make a noise. I
+ don't want a lot o' clumsy policemen interfering in my business.&rdquo;
+ </p>
+ <p>
+ &ldquo;Still, s'pose you didn't catch 'em,&rdquo; ses Sam, &ldquo;where should I be?&rdquo;
+ </p>
+ <p>
+ &ldquo;You needn't be afraid o' that,&rdquo; ses the tec, with a laugh. &ldquo;Here, I'll
+ tell you wot I'll do, and that'll show you the trust I put in you.&rdquo;
+ </p>
+ <p>
+ He drew a big di'mond ring off of 'is finger and handed it to Sam.
+ </p>
+ <p>
+ &ldquo;Put that on your finger,&rdquo; he ses, &ldquo;and keep it there till I give you your
+ money back and the fi'-pun note reward. It's worth seventy quid if it's
+ worth a farthing, and was given to me by a lady of title for getting back
+ 'er jewellery for 'er. Put it on, and wotever you do, don't lose it!&rdquo;
+ </p>
+ <p>
+ He sat and watched while Sam forced it on 'is finger.
+ </p>
+ <p>
+ &ldquo;You don't need to flash it about too much,&rdquo; he ses, looking at 'im rather
+ anxious. &ldquo;There's men I know as 'ud cut your finger off to get that.&rdquo;
+ </p>
+ <p>
+ Sam shoved his 'and in his pocket, but he kept taking it out every now and
+ then and 'olding his finger up to the light to look at the di'mond. Mr.
+ Cubbins got up to go at last, saying that he 'ad got a call to make at the
+ police-station, and they went out together.
+ </p>
+ <p>
+ &ldquo;Nine o'clock sharp,&rdquo; he ses, as they shook hands, &ldquo;on Tower Hill.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'll be there,&rdquo; ses Sam.
+ </p>
+ <p>
+ &ldquo;And, wotever you do, no noise, no calling out,&rdquo; ses the tec, &ldquo;and don't
+ mention a word of this to a living soul.&rdquo;
+ </p>
+ <p>
+ Sam shook 'ands with 'im agin, and then, hiding his 'and in his pocket,
+ went off 'ome, and, finding Ginger and Peter Russet wasn't back, went off
+ to bed.
+ </p>
+ <p>
+ He 'eard 'em coming upstairs in the dark in about an hour's time, and,
+ putting the 'and with the ring on it on the counterpane, shut 'is eyes and
+ pretended to be fast asleep. Ginger lit the candle, and they was both
+ beginning to undress when Peter made a noise and pointed to Sam's 'and.
+ </p>
+ <p>
+ &ldquo;Wot's up?&rdquo; ses Ginger, taking the candle and going over to Sam's bed.
+ &ldquo;Who've you been robbing, you fat pirate?&rdquo;
+ </p>
+ <p>
+ Sam kept 'is eyes shut and 'eard 'em whispering; then he felt 'em take 'is
+ hand up and look at it. &ldquo;Where did you get it, Sam?&rdquo; ses Peter.
+ </p>
+ <p>
+ &ldquo;He's asleep,&rdquo; ses Ginger, &ldquo;sound asleep. I b'lieve if I was to put 'is
+ finger in the candle he wouldn't wake up.&rdquo;
+ </p>
+ <p>
+ &ldquo;You try it,&rdquo; ses Sam, sitting up in bed very sharp and snatching his 'and
+ away. &ldquo;Wot d'ye mean coming 'ome at all hours and waking me up?&rdquo; &ldquo;Where
+ did you get that ring?&rdquo; ses Ginger. &ldquo;Friend o' mine,&rdquo; ses Sam, very short.
+ </p>
+ <p>
+ &ldquo;Who was it?&rdquo; ses Peter.
+ </p>
+ <p>
+ &ldquo;It's a secret,&rdquo; ses Sam.
+ </p>
+ <p>
+ &ldquo;You wouldn't 'ave a secret from your old pal Ginger, Sam, would you?&rdquo; ses
+ Ginger.
+ </p>
+ <p>
+ &ldquo;Old wot?&rdquo; ses Sam. &ldquo;Wot did you call me this arternoon?&rdquo;
+ </p>
+ <p>
+ &ldquo;I called you a lot o' things I'm sorry for,&rdquo; ses Ginger, who was bursting
+ with curiosity, &ldquo;and I beg your pardin, Sam.&rdquo;
+ </p>
+ <p>
+ &ldquo;Shake 'ands on it,&rdquo; ses Peter, who was nearly as curious as Ginger.
+ </p>
+ <p>
+ They shook hands, but Sam said he couldn't tell 'em about the ring; and
+ several times Ginger was on the point of calling 'im the names he 'ad
+ called 'im in the arternoon, on'y Peter trod on 'is foot and stopped him.
+ They wouldn't let 'im go to sleep for talking, and at last, when 'e was
+ pretty near tired out, he told 'em all about it.
+ </p>
+ <p>
+ &ldquo;Going&mdash;to 'ave your&mdash;pocket picked?&rdquo; ses Ginger, staring at
+ 'im, when 'e had finished.
+ </p>
+ <p>
+ &ldquo;I shall be watched over,&rdquo; ses Sam.
+ </p>
+ <p>
+ &ldquo;He's gorn stark, staring mad,&rdquo; ses Ginger. &ldquo;Wot a good job it is he's got
+ me and you to look arter 'im, Peter.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wot d'ye mean?&rdquo; ses Sam.
+ </p>
+ <p>
+ &ldquo;<i>Mean?</i>&rdquo; ses Ginger. &ldquo;Why, it's a put-up job to rob you, o' course.
+ I should ha' thought even your fat 'ead could ha' seen that':&rdquo;
+ </p>
+ <p>
+ &ldquo;When I want your advice I'll ask you for it,&rdquo; ses Sam, losing 'is temper.
+ &ldquo;Wot about the di'mond ring&mdash;eh?&rdquo;
+ </p>
+ <p>
+ &ldquo;You stick to it,&rdquo; ses Ginger, &ldquo;and keep out o' Mr. Cubbins's way. That's
+ my advice to you. 'Sides, p'r'aps it ain't a real one.&rdquo;
+ </p>
+ <p>
+ Sam told 'im agin he didn't want none of 'is advice, and, as Ginger
+ wouldn't leave off talking, he pretended to go to sleep. Ginger woke 'im
+ up three times to tell 'im wot a fool 'e was, but 'e got so fierce that he
+ gave it up at last and told 'im to go 'is own way.
+ </p>
+ <p>
+ Sam wouldn't speak to either of 'em next morning, and arter breakfast he
+ went off on 'is own. He came back while Peter and Ginger was out, and they
+ wasted best part o' the day trying to find 'im.
+ </p>
+ <p>
+ &ldquo;We'll be on Tower Hill just afore nine and keep 'im out o' mischief, any
+ way,&rdquo; ses Peter.
+ </p>
+ <p>
+ Ginger nodded. &ldquo;And be called names for our pains,&rdquo; he ses. &ldquo;I've a good
+ mind to let 'im be robbed.&rdquo;
+ </p>
+ <p>
+ &ldquo;It 'ud serve 'im right,&rdquo; ses Peter, &ldquo;on'y then he'd want to borrer off of
+ us. Look here! Why not&mdash;why not rob 'im ourselves?&rdquo;
+ </p>
+ <p>
+ &ldquo;Wot?&rdquo; ses Ginger, starting.
+ </p>
+ <p>
+ &ldquo;Walk up behind 'im and rob 'im,&rdquo; ses Peter. &ldquo;He'll think it's them two
+ chaps he spoke about, and when 'e comes 'ome complaining to us we'll tell
+ 'im it serves 'im right. Arter we've 'ad a game with 'im for a day or two
+ we'll give 'im 'is money back.&rdquo;
+ </p>
+ <p>
+ &ldquo;But he'd reckernize us,&rdquo; ses Ginger.
+ </p>
+ <p>
+ &ldquo;We must disguise ourselves,&rdquo; ses Peter, in a whisper. &ldquo;There's a barber's
+ shop in Cable Street, where I've seen beards in the winder. You hook 'em
+ on over your ears. Get one o' them each, pull our caps over our eyes and
+ turn our collars up, and there you are.&rdquo;
+ </p>
+ <p>
+ Ginger made a lot of objections, not because he didn't think it was a good
+ idea, but because he didn't like Peter thinking of it instead of 'im; but
+ he gave way at last, and, arter he 'ad got the beard, he stood for a long
+ time in front o' the glass thinking wot a difference it would ha' made to
+ his looks if he had 'ad black 'air instead o' red.
+ </p>
+ <p>
+ Waiting for the evening made the day seem very long to 'em; but it came at
+ last, and, with the beards in their pockets, they slipped out and went for
+ a walk round. They 'ad 'arf a pint each at a public-'ouse at the top of
+ the Minories, just to steady themselves, and then they came out and hooked
+ on their beards; and wot with them, and pulling their caps down and
+ turning their coat-collars up, there wasn't much of their faces to be seen
+ by anybody.
+ </p>
+ <p>
+ It was just five minutes to nine when they got to Tower Hill, and they
+ walked down the middle of the road, keeping a bright lookout for old Sam.
+ A little way down they saw a couple o' chaps leaning up agin a closed gate
+ in the dock wall lighting their pipes, and Peter and Ginger both nudged
+ each other with their elbows at the same time. They 'ad just got to the
+ bottom of the Hill when Sam turned the corner.
+ </p>
+ <p>
+ Peter wouldn't believe at fust that the old man wasn't really the worse
+ for liquor, 'e was so lifelike. Many a drunken man would ha' been proud to
+ ha' done it 'arf so well, and it made 'im pleased to think that Sam was a
+ pal of 'is. Him and Ginger turned and crept up behind the old man on
+ tiptoe, and then all of a sudden he tilted Sam's cap over 'is eyes and
+ flung his arms round 'im, while Ginger felt in 'is coat-pockets and took
+ out a leather purse chock full o' money.
+ </p>
+ <p>
+ It was all done and over in a moment, and then, to Ginger's great
+ surprise, Sam suddenly lifted 'is foot and gave 'im a fearful kick on the
+ shin of 'is leg, and at the same time let drive with all his might in 'is
+ face. Ginger went down as if he 'ad been shot, and as Peter went to 'elp
+ him up he got a bang over the 'ead that put 'im alongside o' Ginger, arter
+ which Sam turned and trotted off down the Hill like a dancing-bear.
+ </p>
+ <p>
+ <a name="linkimage-11" id="linkimage-11">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/011.jpg" width="100%"
+ alt="'Let Drive With All his Might in 'is Face. ' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ For 'arf a minute Ginger didn't know where 'e was, and afore he found out
+ the two men they'd seen in the gateway came up, and one of 'em put his
+ knee in Ginger's back and 'eld him, while the other caught hold of his
+ 'and and dragged the purse out of it. Arter which they both made off up
+ the Hill as 'ard as they could go, while Peter Russet in a faint voice
+ called &ldquo;Police!&rdquo; arter them.
+ </p>
+ <p>
+ He got up presently and helped Ginger up, and they both stood there
+ pitying themselves, and 'elping each other to think of names to call Sam.
+ </p>
+ <p>
+ &ldquo;Well, the money's gorn, and it's 'is own silly fault,&rdquo; ses Ginger. &ldquo;But
+ wotever 'appens, he mustn't know that we had a 'and in it, mind that.&rdquo;
+ </p>
+ <p>
+ &ldquo;He can starve for all I care,&rdquo; ses Peter, feeling his 'ead. &ldquo;I won't lend
+ 'im a ha'penny&mdash;not a single, blessed ha'penny.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who'd ha' thought 'e could ha' hit like that?&rdquo; says Ginger. &ldquo;That's wot
+ gets over me. I never 'ad such a bang in my life&mdash;never. I'm going to
+ 'ave a little drop o' brandy&mdash;my 'ead is fair swimming.&rdquo;
+ </p>
+ <p>
+ Peter 'ad one, too; but though they went into the private bar, it wasn't
+ private enough for them; and when the landlady asked Ginger who'd been
+ kissing 'im, he put 'is glass down with a bang and walked straight off
+ 'ome.
+ </p>
+ <p>
+ Sam 'adn't turned up by the time they got there, and pore Ginger took
+ advantage of it to put a little warm candle-grease on 'is bad leg. Then he
+ bathed 'is face very careful and 'elped Peter bathe his 'ead. They 'ad
+ just finished when they heard Sam coming upstairs, and Ginger sat down on
+ 'is bed and began to whistle, while Peter took up a bit o' newspaper and
+ stood by the candle reading it.
+ </p>
+ <p>
+ &ldquo;Lor' lumme, Ginger!&rdquo; ses Sam, staring at 'im. &ldquo;What ha' you been a-doing
+ to your face?&rdquo;
+ </p>
+ <p>
+ &ldquo;Me?&rdquo; ses Ginger, careless-like. &ldquo;Oh, we 'ad a bit of a scrap down
+ Limehouse way with some Scotchies. Peter got a crack over the 'ead at the
+ same time.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, I've 'ad a bit of a scrap, too,&rdquo; ses Sam, smiling all over, &ldquo;but I
+ didn't get marked.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; ses Peter, without looking up from 'is paper. &ldquo;Was it a little boy,
+ then?&rdquo; ses Ginger.
+ </p>
+ <p>
+ &ldquo;No, it wasn't a little boy neither, Ginger,&rdquo; ses Sam; &ldquo;it was a couple o'
+ men twice the size of you and Peter here, and I licked 'em both. It was
+ the two men I spoke to you about last night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; ses Peter agin, yawning.
+ </p>
+ <p>
+ &ldquo;I did a bit o' thinking this morning,&rdquo; ses Sam, nodding at 'em, &ldquo;and I
+ don't mind owning up that it was owing to wot you said. You was right,
+ Ginger, arter all.&rdquo;
+ </p>
+ <p>
+ &ldquo;Fust thing I did arter breakfast,&rdquo; ses Sam, &ldquo;I took that di'mond ring to
+ a pawnshop and found out it wasn't a di'mond ring. Then I did a bit more
+ thinking, and I went round to a shop I know and bought a couple o'
+ knuckle-dusters.&rdquo;
+ </p>
+ <p>
+ &ldquo;Couple o' wot?&rdquo; ses Ginger, in a choking voice.
+ </p>
+ <p>
+ &ldquo;Knuckle-dusters,&rdquo; ses Sam, &ldquo;and I turned up to-night at Tower Hill with
+ one on each 'and just as the clock was striking nine. I see 'em the moment
+ I turned the corner&mdash;two enormous big chaps, a yard acrost the
+ shoulders, coming down the middle of the road&mdash;You've got a cold,
+ Ginger!&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I ain't,&rdquo; ses Ginger.
+ </p>
+ <p>
+ &ldquo;I pretended to be drunk, same as the tec told me,&rdquo; ses Sam, &ldquo;and then I
+ felt 'em turn round and creep up behind me. One of 'em come up behind and
+ put 'is knee in my back and caught me by the throat, and the other gave me
+ a punch in the chest, and while I was gasping for breath took my purse
+ away. Then I started on 'em.&rdquo;
+ </p>
+ <p>
+ &ldquo;Lor'!&rdquo; ses Ginger, very nasty.
+ </p>
+ <p>
+ &ldquo;I fought like a lion,&rdquo; ses Sam. &ldquo;Twice they 'ad me down, and twice I got
+ up agin and hammered 'em. They both of 'em 'ad knives, but my blood was
+ up, and I didn't take no more notice of 'em than if they was made of
+ paper. I knocked 'em both out o' their hands, and if I hit 'em in the face
+ once I did a dozen times. I surprised myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;You surprise me,&rdquo; ses Ginger.
+ </p>
+ <p>
+ &ldquo;All of a sudden,&rdquo; ses Sam, &ldquo;they see they 'ad got to do with a man wot
+ didn't know wot fear was, and they turned round and ran off as hard as
+ they could run. You ought to ha' been there, Ginger. You'd 'ave enjoyed
+ it.&rdquo;
+ </p>
+ <p>
+ Ginger Dick didn't answer 'im. Having to sit still and listen to all them
+ lies without being able to say anything nearly choked 'im. He sat there
+ gasping for breath.
+ </p>
+ <p>
+ &ldquo;O' course, you got your purse back in the fight, Sam?&rdquo; ses Peter.
+ </p>
+ <p>
+ &ldquo;No, mate,&rdquo; ses Sam. &ldquo;I ain't going to tell you no lies&mdash;I did not.&rdquo;
+ </p>
+ <p>
+ &ldquo;And 'ow are you going to live, then, till you get a ship, Sam?&rdquo; ses
+ Ginger, in a nasty voice. &ldquo;You won't get nothing out o' me, so you needn't
+ think it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wot on earth's the matter, Ginger?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nor me,&rdquo; ses Peter. &ldquo;Not a brass farthing.&rdquo;
+ </p>
+ <p>
+ &ldquo;There's no call to be nasty about it, mates,&rdquo; ses Sam. &ldquo;I 'ad the best
+ fight I ever 'ad in my life, and I must put up with the loss. A man can't
+ 'ave it all his own way.&rdquo;
+ </p>
+ <p>
+ &ldquo;'Ow much was it?&rdquo; ses Peter.
+ </p>
+ <p>
+ &ldquo;Ten brace-buttons, three French ha'pennies, and a bit o' tin,&rdquo; ses Sam.
+ &ldquo;Wot on earth's the matter, Ginger?&rdquo;
+ </p>
+ <p>
+ <a name="linkimage-12" id="linkimage-12">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/012.jpg" width="100%"
+ alt="'Wot on Earth's the Matter, Ginger?'' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ Ginger didn't answer him.
+ </p>
+ <p>
+ <a name="link2H_4_4" id="link2H_4_4">
+ <!-- H2 anchor --> </a>
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <h2>
+ SENTENCE DEFERRED
+ </h2>
+ <p>
+ <a name="linkimage-13" id="linkimage-13">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/013.jpg" width="100%"
+ alt="'An Elderly Man With a Wooden Leg, Who Joined The Indignant Officer in the Pursuit.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ Fortunately for Captain Bligh, there were but few people about, and the
+ only person who saw him trip Police-Sergeant Pilbeam was an elderly man
+ with a wooden leg, who joined the indignant officer in the pursuit. The
+ captain had youth on his side, and, diving into the narrow alley-ways that
+ constitute the older portion of Woodhatch, he moderated his pace and
+ listened acutely. The sounds of pursuit died away in the distance, and he
+ had already dropped into a walk when the hurried tap of the wooden leg
+ sounded from one corner and a chorus of hurried voices from the other. It
+ was clear that the number of hunters had increased.
+ </p>
+ <p>
+ He paused a second, irresolute. The next, he pushed open a door that stood
+ ajar in an old flint wall and peeped in. He saw a small, brick-paved yard,
+ in which trim myrtles and flowering plants stood about in freshly ochred
+ pots, and, opening the door a little wider, he slipped in and closed it
+ behind him.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; said a voice, sharply. &ldquo;What do you want?&rdquo;
+ </p>
+ <p>
+ Captain Bligh turned, and saw a girl standing in a hostile attitude in the
+ doorway of the house. &ldquo;H'sh!&rdquo; he said, holding up his finger.
+ </p>
+ <p>
+ The girl's cheeks flushed and her eyes sparkled.
+ </p>
+ <p>
+ &ldquo;What are you doing in our yard?&rdquo; she demanded.
+ </p>
+ <p>
+ The captain's face relaxed as the sound of voices died away. He gave his
+ moustache a twist, and eyed her with frank admiration.
+ </p>
+ <p>
+ &ldquo;Escaping,&rdquo; he said, briefly. &ldquo;They nearly had me, though.&rdquo;
+ </p>
+ <p>
+ &ldquo;You had no business to escape into our yard,&rdquo; said the girl. &ldquo;What have
+ you been escaping from?&rdquo;
+ </p>
+ <p>
+ &ldquo;Fat policeman,&rdquo; said the skipper, jauntily, twisting his moustache.
+ </p>
+ <p>
+ Miss Pilbeam, only daughter of Sergeant Pilbeam, caught her breath
+ sharply.
+ </p>
+ <p>
+ &ldquo;What have you been doing?&rdquo; she inquired, as soon as she could control her
+ voice.
+ </p>
+ <p>
+ &ldquo;Nothing,&rdquo; said the skipper, airily, &ldquo;nothing. I was kicking a stone along
+ the path and he told me to stop it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; said Miss Pilbeam, impatiently.
+ </p>
+ <p>
+ &ldquo;We had words,&rdquo; said the skipper. &ldquo;I don't like policemen&mdash;fat
+ policemen&mdash;and while we were talking he happened to lose his balance
+ and go over into some mud that was swept up at the side of the road.&rdquo;
+ </p>
+ <p>
+ &ldquo;Lost his balance?&rdquo; gasped the horrified Miss Pilbeam.
+ </p>
+ <p>
+ The skipper was flattered at her concern. &ldquo;You would have laughed if you
+ had seen him,&rdquo; he said, smiling. &ldquo;Don't look so frightened; he hasn't got
+ me yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said the girl, slowly. &ldquo;Not yet.&rdquo;
+ </p>
+ <p>
+ She gazed at him with such a world of longing in her eyes that the
+ skipper, despite a somewhat large share of self-esteem, was almost
+ startled.
+ </p>
+ <p>
+ &ldquo;And he shan't have me,&rdquo; he said, returning her gaze with interest.
+ </p>
+ <p>
+ Miss Pilbeam stood in silent thought. She was a strong, well-grown girl,
+ but she realized fully that she was no match for the villain who stood
+ before her, twisting his moustache and adjusting his neck-tie. And her
+ father would not be off duty until nine.
+ </p>
+ <p>
+ &ldquo;I suppose you would like to wait here until it is dark?&rdquo; she said at
+ last.
+ </p>
+ <p>
+ &ldquo;I would sooner wait here than anywhere,&rdquo; said the skipper, with
+ respectful ardor.
+ </p>
+ <p>
+ &ldquo;Perhaps you would like to come in and sit down?&rdquo; said the girl.
+ </p>
+ <p>
+ Captain Bligh thanked her, and removing his cap followed her into a small
+ parlor in the front of the house.
+ </p>
+ <p>
+ &ldquo;Father is out,&rdquo; she said, as she motioned him to an easy-chair, &ldquo;but I'm
+ sure he'll be pleased to see you when he comes in.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I shall be pleased to see him,&rdquo; said the innocent skipper.
+ </p>
+ <p>
+ Miss Pilbeam kept her doubts to herself and sat in a brown study,
+ wondering how the capture was to be effected. She had a strong
+ presentiment that the appearance of her father at the front door would be
+ the signal for her visitor's departure at the back. For a time there was
+ an awkward silence.
+ </p>
+ <p>
+ &ldquo;Lucky thing for me I upset that policeman,&rdquo; said the skipper, at last.
+ </p>
+ <p>
+ &ldquo;Why?&rdquo; inquired the girl.
+ </p>
+ <p>
+ &ldquo;Else I shouldn't have come into your yard,&rdquo; was the reply. &ldquo;It's the
+ first time we have ever put into Woodhatch, and I might have sailed away
+ and never seen you. Where should we have been but for that fat policeman?&rdquo;
+ </p>
+ <p>
+ Miss Pilbeam&mdash;as soon as she could get her breath&mdash;said, &ldquo;Ah,
+ where indeed!&rdquo; and for the first time in her life began to feel the need
+ of a chaperon.
+ </p>
+ <p>
+ &ldquo;Funny to think of him hunting for me high and low while I am sitting
+ here,&rdquo; said the skipper.
+ </p>
+ <p>
+ Miss Pilbeam agreed with him, and began to laugh&mdash;to laugh so
+ heartily that he was fain at last to draw his chair close to hers and pat
+ her somewhat anxiously on the back. The treatment sobered her at once, and
+ she drew apart and eyed him coldly.
+ </p>
+ <p>
+ &ldquo;I was afraid you would lose your breath,&rdquo; explained the skipper,
+ awkwardly. &ldquo;You are not angry, are you?&rdquo;
+ </p>
+ <p>
+ He was so genuinely relieved when she said, &ldquo;No,&rdquo; that Miss Pilbeam,
+ despite her father's wrongs, began to soften a little. The upsetter of
+ policemen was certainly good-looking; and his manner towards her so nicely
+ balanced between boldness and timidity that a slight feeling of sadness at
+ his lack of moral character began to assail her.
+ </p>
+ <p>
+ &ldquo;Suppose you are caught after all?&rdquo; she said, presently. &ldquo;You will go to
+ prison.&rdquo;
+ </p>
+ <p>
+ The skipper shrugged his shoulders. &ldquo;I don't suppose I shall be,&rdquo; he
+ replied.
+ </p>
+ <p>
+ &ldquo;Aren't you sorry?&rdquo; persisted Miss Pilbeam, in a vibrant voice.
+ </p>
+ <p>
+ &ldquo;Certainly not,&rdquo; said the skipper. &ldquo;Why, I shouldn't have seen you if I
+ hadn't done it.&rdquo;
+ </p>
+ <p>
+ Miss Pilbeam looked at the clock and pondered. It wanted but five minutes
+ to nine. Five minutes in which to make up a mind that was in a state of
+ strong unrest.
+ </p>
+ <p>
+ &ldquo;I suppose it is time for me to go,&rdquo; said the skipper, watching her. Miss
+ Pilbeam rose. &ldquo;No, don't go,&rdquo; she said, hastily. &ldquo;Do be quiet. I want to
+ think.&rdquo;
+ </p>
+ <p>
+ Captain Bligh waited in respectful silence, heedless of the fateful
+ seconds ticking from the mantelpiece. At the sound of a slow, measured
+ footfall on the cobblestone path outside Miss Pilbeam caught his arm and
+ drew him towards the door.
+ </p>
+ <p>
+ &ldquo;Go!&rdquo; she breathed. &ldquo;No, stop!&rdquo;
+ </p>
+ <p>
+ She stood trying in vain to make up her mind. &ldquo;Upstairs,&rdquo; she said.
+ &ldquo;Quick!&rdquo; and, leading the way, entered her father's bedroom, and, after a
+ moment's thought, opened the door of a cupboard in the corner.
+ </p>
+ <p>
+ &ldquo;Get in there,&rdquo; she whispered.
+ </p>
+ <p>
+ &ldquo;But&mdash;&rdquo; objected the astonished Bligh.
+ </p>
+ <p>
+ The front door was heard to open.
+ </p>
+ <p>
+ &ldquo;Police!&rdquo; said Miss Pilbeam, in a thrilling whisper. The skipper stepped
+ into the cupboard without further parley, and the girl, turning the key,
+ slipped it into her pocket and sped downstairs.
+ </p>
+ <p>
+ Sergeant Pilbeam was in the easy-chair, with his belt unfastened, when she
+ entered the parlor, and, with a hungry reference to supper, sat watching
+ her as she lit the lamp and drew down the blind. With a lifelong knowledge
+ of the requirements of the Force, she drew a jug of beer and placed it by
+ his side while she set the table.
+ </p>
+ <p>
+ &ldquo;Ah! I wanted that,&rdquo; said the sergeant. &ldquo;I've been running.&rdquo;
+ </p>
+ <p>
+ Miss Pilbeam raised her eyebrows.
+ </p>
+ <p>
+ &ldquo;After some sailor-looking chap that capsized me when I wasn't prepared
+ for it,&rdquo; said her father, putting down his glass. &ldquo;It was a neat bit o'
+ work, and I shall tell him so when I catch him. Look here!&rdquo;
+ </p>
+ <p>
+ He stood up and exhibited the damage.
+ </p>
+ <p>
+ &ldquo;I've rubbed off what I could,&rdquo; he said, resuming his seat, &ldquo;and I s'pose
+ the rest'll brush off when it's dry. To-morrow morning I shall go down to
+ the harbor and try and spot my lord.&rdquo;
+ </p>
+ <p>
+ He drew his chair to the table and helped himself, and, filling his mouth
+ with cold meat and pickles, enlarged on his plans for the capture of his
+ assailant; plans to which the undecided Miss Pilbeam turned a somewhat
+ abstracted ear.
+ </p>
+ <p>
+ By the time her father had finished his supper she was trying, but in
+ vain, to devise means for the prisoner's escape. The sergeant had opened
+ the door of the room for the sake of fresh air, and it was impossible for
+ anybody to come downstairs without being seen. The story of a sickly
+ geranium in the back-yard left him unmoved.
+ </p>
+ <p>
+ &ldquo;I wouldn't get up for all the geraniums in the world,&rdquo; he declared. &ldquo;I'm
+ just going to have one more pipe and then I'm off to bed. Running don't
+ agree with me.&rdquo;
+ </p>
+ <p>
+ He went, despite his daughter's utmost efforts to prevent him, and she sat
+ in silent consternation, listening to his heavy tread overhead. She heard
+ the bed creak in noisy protest as he climbed in, and ten minutes later the
+ lusty snoring of a healthy man of full habit resounded through the house.
+ </p>
+ <p>
+ She went to bed herself at last, and, after lying awake for nearly a
+ couple of hours, closed her eyes in order to think better. She awoke with
+ the sun pouring in at the window and the sounds of vigorous brushing in
+ the yard beneath.
+ </p>
+ <p>
+ &ldquo;I've nearly got it off,&rdquo; said the sergeant, looking up. &ldquo;It's destroying
+ evidence in a sense, I suppose; but I can't go about with my uniform
+ plastered with mud. I've had enough chaff about it as it is.&rdquo;
+ </p>
+ <p>
+ Miss Pilbeam stole to the door of the next room and peeped stealthily in.
+ Not a sound came from the cupboard, and a horrible idea that the prisoner
+ might have been suffocated set her trembling with apprehension.
+ </p>
+ <p>
+ &ldquo;H'sh!&rdquo; she whispered.
+ </p>
+ <p>
+ An eager but stifled &ldquo;H'st!&rdquo; came from the cup-board, and Miss Pilbeam,
+ her fears allayed, stepped softly into the room.
+ </p>
+ <p>
+ &ldquo;He's downstairs brushing the mud off,&rdquo; she said, in a low voice.
+ </p>
+ <p>
+ &ldquo;Who is?&rdquo; said the skipper.
+ </p>
+ <p>
+ &ldquo;The fat policeman,&rdquo; said the girl, in a hard voice, as she remembered her
+ father's wrongs.
+ </p>
+ <p>
+ &ldquo;What's he doing it here for?&rdquo; demanded the astonished skipper.
+ </p>
+ <p>
+ &ldquo;Because he lives here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Lodger?&rdquo; queried the skipper, more astonished than before.
+ </p>
+ <p>
+ &ldquo;Father,&rdquo; said Miss Pilbeam.
+ </p>
+ <p>
+ A horrified groan from the cupboard fell like music on her ears. Then the
+ smile forsook her lips, and she stood quivering with indignation as the
+ groan gave way to suppressed but unmistakable laughter.
+ </p>
+ <p>
+ &ldquo;H'sh!&rdquo; she said sharply, and with head erect sailed out of the room and
+ went downstairs to give Mr. Pilbeam his breakfast.
+ </p>
+ <p>
+ To the skipper in the confined space and darkness of the cupboard the
+ breakfast seemed unending. The sergeant evidently believed in sitting over
+ his meals, and his deep, rumbling voice, punctuated by good-natured
+ laughter, was plainly audible. To pass the time the skipper fell to
+ counting, and, tired of that, recited some verses that he had acquired at
+ school. After that, and with far more heartiness, he declaimed a few
+ things that he had learned since; and still the clatter and rumble sounded
+ from below.
+ </p>
+ <p>
+ It was a relief to him when he heard the sergeant push his chair back and
+ move heavily about the room. A minute later he heard him ascending the
+ stairs, and then he held his breath with horror as the foot-steps entered
+ the room and a heavy hand was laid on the cupboard door.
+ </p>
+ <p>
+ &ldquo;Elsie!&rdquo; bawled the sergeant. &ldquo;Where's the key of my cupboard? I want my
+ other boots.&rdquo;
+ </p>
+ <p>
+ &ldquo;They're down here,&rdquo; cried the voice of Miss Pilbeam, and the skipper,
+ hardly able to believe in his good fortune, heard the sergeant go
+ downstairs again.
+ </p>
+ <p>
+ At the expiration of another week&mdash;by his own reckoning&mdash;he
+ heard the light, hurried footsteps of Miss Pilbeam come up the stairs and
+ pause at the door.
+ </p>
+ <p>
+ &ldquo;H'st!&rdquo; he said, recklessly.
+ </p>
+ <p>
+ &ldquo;I'm coming,&rdquo; said the girl. &ldquo;Don't be impatient.&rdquo;
+ </p>
+ <p>
+ A key turned in the lock, the door was flung open, and the skipper, dazed
+ and blinking with the sudden light, stumbled into the room.
+ </p>
+ <p>
+ &ldquo;Father's gone,&rdquo; said Miss Pilbeam.
+ </p>
+ <p>
+ The skipper made no answer. He was administering first aid to a right leg
+ which had temporarily forgotten how to perform its duties, varied with
+ slaps and pinches at a left which had gone to sleep. At intervals he
+ turned a red-rimmed and reproachful eye on Miss Pilbeam.
+ </p>
+ <p>
+ <a name="linkimage-14" id="linkimage-14">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/014.jpg" width="100%"
+ alt="'He Was Administering First Aid to a Right Leg.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;You want a wash and some breakfast,&rdquo; she said, softly, &ldquo;especially a
+ wash. There's water and a towel, and while you're making yourself tidy
+ I'll be getting breakfast.&rdquo;
+ </p>
+ <p>
+ The skipper hobbled to the wash-stand, and, dipping his head in a basin of
+ cool water, began to feel himself again. By the time he had done his hair
+ in the sergeant's glass and twisted his moustache into shape he felt
+ better still, and he went downstairs almost blithely.
+ </p>
+ <p>
+ &ldquo;I'm very sorry it was your father,&rdquo; he said, as he took a seat at the
+ table. &ldquo;Very.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's why you laughed, I suppose?&rdquo; said the girl, tossing her head.
+ </p>
+ <p>
+ &ldquo;Well, I've had the worst of it,&rdquo; said the other. &ldquo;I'd sooner be upset a
+ hundred times than spend a night in that cupboard. However, all's well
+ that ends well.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; said Miss Pilbeam, dolefully, &ldquo;but is it the end?&rdquo;
+ </p>
+ <p>
+ Captain Bligh put down his knife and fork and eyed her uneasily.
+ </p>
+ <p>
+ &ldquo;What do you mean?&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Never mind; don't spoil your breakfast,&rdquo; said the girl. &ldquo;I'll tell you
+ afterwards. It's horrid to think, after all my trouble, of your doing two
+ months as well as a night in the cupboard.&rdquo;
+ </p>
+ <p>
+ &ldquo;Beastly,&rdquo; said the unfortunate, eying her in great concern. &ldquo;But what's
+ the matter?&rdquo;
+ </p>
+ <p>
+ &ldquo;One can't think of everything,&rdquo; said Miss Pilbeam, &ldquo;but, of course, we
+ ought to have thought of the mate getting uneasy when you didn't turn up
+ last night, and going to the police-station with a description of you.&rdquo;
+ </p>
+ <p>
+ The skipper started and smote the table with his fist.
+ </p>
+ <p>
+ &ldquo;Father's gone down to watch the ship now,&rdquo; said Miss Pilbeam. &ldquo;Of course,
+ it's the exact description of the man that assaulted him. Providential he
+ called it.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's the worst of having a fool for a mate,&rdquo; said the skipper,
+ bitterly. &ldquo;What business was it of his, I should like to know? What's it
+ got to do with him whether I turn up or not? What does he want to
+ interfere for?&rdquo;
+ </p>
+ <p>
+ &ldquo;It's no good blaming him,&rdquo; said Miss Pilbeam, thinking deeply, with her
+ chin on her finger. &ldquo;The thing is, what is to be done? Once father gets
+ his hand on you&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ She shuddered; so did the skipper.
+ </p>
+ <p>
+ &ldquo;I might get off with a fine; I didn't hurt him,&rdquo; he remarked.
+ </p>
+ <p>
+ Miss Pilbeam shook her head. &ldquo;They're very strict in Woodhatch,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;I was a fool to touch him at all,&rdquo; said the repentant skipper. &ldquo;High
+ spirits, that's what it was. High spirits, and being spoken to as if I was
+ a child.&rdquo;
+ </p>
+ <p>
+ &ldquo;The thing is, how are you to escape?&rdquo; said the girl. &ldquo;It's no good going
+ out of doors with the police and half the people in Woodhatch all on the
+ look-out for you.&rdquo;
+ </p>
+ <p>
+ &ldquo;If I could only get aboard I should be all right,&rdquo; muttered the skipper.
+ &ldquo;I could keep down the fo'-c's'le while the mate took the ship out.&rdquo;
+ </p>
+ <p>
+ Miss Pilbeam sat in deep thought. &ldquo;It's the getting aboard that's the
+ trouble,&rdquo; she said, slowly. &ldquo;You'd have to disguise yourself. It would
+ have to be a good disguise, too, to pass my father, I can tell you.&rdquo;
+ </p>
+ <p>
+ Captain Bligh gave a gloomy assent.
+ </p>
+ <p>
+ &ldquo;The only thing for you to do, so far as I can see,&rdquo; said the girl,
+ slowly, &ldquo;is to make yourself up like a coalie. There are one or two
+ colliers in the harbor, and if you took off your coat&mdash;I could send
+ it on afterwards&mdash;rubbed yourself all over with coal-dust, and shaved
+ off your moustache, I believe you would escape.&rdquo;
+ </p>
+ <p>
+ &ldquo;Shave!&rdquo; ejaculated the skipper, in choking accents. &ldquo;Rub&mdash;!
+ Coal-dust!&rdquo;
+ </p>
+ <p>
+ &ldquo;It's your only chance,&rdquo; said Miss Pilbeam.
+ </p>
+ <p>
+ Captain Bligh leaned back frowning, and from sheer force of habit passed
+ the ends of his moustache slowly through his fingers. &ldquo;I think the
+ coal-dust would be enough,&rdquo; he said at last.
+ </p>
+ <p>
+ The girl shook her head. &ldquo;Father particularly noticed your moustache,&rdquo; she
+ said.
+ </p>
+ <p>
+ &ldquo;Everybody does,&rdquo; said the skipper, with mournful pride. &ldquo;I won't part
+ with it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not for my sake?&rdquo; inquired Miss Pilbeam, eying him mournfully. &ldquo;Not after
+ all I've done for you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said the other, stoutly.
+ </p>
+ <p>
+ Miss Pilbeam put her handkerchief to her eyes and, with a suspicious
+ little sniff, hurried from the room. Captain Bligh, much affected, waited
+ for a few seconds and then went in pursuit of her. Fifteen minutes later,
+ shorn of his moustache, he stood in the coal-hole, sulkily smearing
+ himself with coal.
+ </p>
+ <p>
+ &ldquo;That's better,&rdquo; said the girl; &ldquo;you look horrible.&rdquo;
+ </p>
+ <p>
+ She took up a handful of coal-dust and, ordering him to stoop, shampooed
+ him with hearty good-will.
+ </p>
+ <p>
+ <a name="linkimage-15" id="linkimage-15">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/015.jpg" width="100%"
+ alt="'She Took up a Handful of Coal-dust And, Ordering Him To Stoop, Shampooed Him With Hearty Good-will.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;No good half doing it,&rdquo; she declared. &ldquo;Now go and look at yourself in the
+ glass in the kitchen.&rdquo;
+ </p>
+ <p>
+ The skipper went, and came back in a state of wild-eyed misery. Even Miss
+ Pilbeam's statement that his own mother would not know him failed to lift
+ the cloud from his brow. He stood disconsolate as the girl opened the
+ front door.
+ </p>
+ <p>
+ &ldquo;Good-by,&rdquo; she said, gently. &ldquo;Write and tell me when you are safe.&rdquo;
+ </p>
+ <p>
+ Captain Bligh promised, and walked slowly up the road. So far from people
+ attempting to arrest him, they vied with each other in giving him
+ elbow-room. He reached the harbor unmolested, and, lurking at a convenient
+ corner, made a careful survey. A couple of craft were working out their
+ coal, a small steamer was just casting loose, and a fishing-boat gliding
+ slowly over the still water to its berth. His own schooner, which lay near
+ the colliers, had apparently knocked off work pending his arrival. For
+ Sergeant Pilbeam he looked in vain.
+ </p>
+ <p>
+ He waited a minute or two, and then, with a furtive glance right and left,
+ strolled in a careless fashion until he was abreast of one of the
+ colliers. Nobody took any notice of him, and, with his hands in his
+ pockets, he gazed meditatively into the water and edged along towards his
+ own craft. His foot trembled as he placed it on the plank that formed the
+ gangway, but, resisting the temptation to look behind, he gained the deck
+ and walked forward.
+ </p>
+ <p>
+ &ldquo;Halloa! What do you want?&rdquo; inquired a sea-man, coming out of the galley.
+ </p>
+ <p>
+ &ldquo;All right, Bill,&rdquo; said the skipper, in a low voice. &ldquo;Don't take any
+ notice of me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Eh?&rdquo; said the seaman, starting. &ldquo;Good lor'! What ha' you&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Shut up!&rdquo; said the skipper, fiercely; and, walking to the forecastle,
+ placed his hand on the scuttle and descended with studied slowness. As he
+ reached the floor the perturbed face of Bill blocked the opening.
+ </p>
+ <p>
+ &ldquo;Had an accident, cap'n?&rdquo; he inquired, respectfully.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; snapped the skipper. &ldquo;Come down here&mdash;quick! Don't stand up
+ there attracting attention. Do you want the whole town round you? Come
+ down!&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm all right where I am,&rdquo; said Bill, backing hastily as the skipper,
+ putting a foot on the ladder, thrust a black and furious face close to
+ his.
+ </p>
+ <p>
+ &ldquo;Clear out, then,&rdquo; hissed the skipper. &ldquo;Go and send the mate to me. Don't
+ hurry. And if anybody noticed me come aboard and should ask you who I am,
+ say I'm a pal of yours.&rdquo;
+ </p>
+ <p>
+ The seaman, marvelling greatly, withdrew, and the skipper, throwing
+ himself on a locker, wiped a bit of grit out of his eye and sat down to
+ wait for the mate. He was so long in coming that he waxed impatient, and
+ ascending a step of the ladder again peeped on to the deck. The first
+ object that met his gaze was the figure of the mate leaning against the
+ side of the ship with a wary eye on the scuttle.
+ </p>
+ <p>
+ &ldquo;Come here,&rdquo; said the skipper.
+ </p>
+ <p>
+ &ldquo;Anything wrong?&rdquo; inquired the mate, retreating a couple of paces in
+ disorder.
+ </p>
+ <p>
+ &ldquo;Come&mdash;here!&rdquo; repeated the skipper.
+ </p>
+ <p>
+ The mate advanced slowly, and in response to an imperative command from
+ the skipper slowly descended and stood regarding him nervously.
+ </p>
+ <p>
+ &ldquo;Yes; you may look,&rdquo; said the skipper, with sudden ferocity. &ldquo;This is all
+ your doing. Where are you going?&rdquo;
+ </p>
+ <p>
+ He caught the mate by the coat as he was making for the ladder, and hauled
+ him back again.
+ </p>
+ <p>
+ &ldquo;You'll go when I've finished with you,&rdquo; he said, grimly. &ldquo;Now, what do
+ you mean by it? Eh? What do you mean by it?&rdquo;
+ </p>
+ <p>
+ &ldquo;That's all right,&rdquo; said the mate, in a soothing voice. &ldquo;Don't get
+ excited.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look at me!&rdquo; said the skipper. &ldquo;All through your interfering. How dare
+ you go making inquiries about me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Me?&rdquo; said the mate, backing as far as possible. &ldquo;Inquiries?&rdquo;
+ </p>
+ <p>
+ &ldquo;What's it got to do with you if I stay out all night?&rdquo; pursued the
+ skipper.
+ </p>
+ <p>
+ &ldquo;Nothing,&rdquo; said the other, feebly.
+ </p>
+ <p>
+ &ldquo;What did you go to the police about me for, then?&rdquo; demanded the skipper.
+ </p>
+ <p>
+ &ldquo;Me?&rdquo; said the mate, in the shrill accents of astonishment. &ldquo;Me? I didn't
+ go to no police about you. Why should I?&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you mean to say you didn't report my absence last night to the
+ police?&rdquo; said the skipper, sternly.
+ </p>
+ <p>
+ &ldquo;Cert'nly not,&rdquo; said the mate, plucking up courage. &ldquo;Why should I? If you
+ like to take a night off it's nothing to do with me. I 'ope I know my duty
+ better. I don't know what you're talking about.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the police haven't been watching the ship and inquiring for me?&rdquo;
+ asked the skipper.
+ </p>
+ <p>
+ The mate shook his bewildered head. &ldquo;Why should they?&rdquo; he inquired.
+ </p>
+ <p>
+ The skipper made no reply. He sat goggle-eyed, staring straight before
+ him, trying in vain to realize the hardness of the heart that had been
+ responsible for such a scurvy trick.
+ </p>
+ <p>
+ &ldquo;Besides, it ain't the fust time you've been out all night,&rdquo; remarked the
+ mate, aggressively.
+ </p>
+ <p>
+ The skipper favored him with a glance the dignity of which was somewhat
+ impaired by his complexion, and in a slow and stately fashion ascended to
+ the deck. Then he caught his breath sharply and paled beneath the coaldust
+ as he saw Sergeant Pilbeam standing on the quay, opposite the ship. By his
+ side stood Miss Pilbeam, and both, with a far-away look in their eyes,
+ were smiling vaguely but contentedly at the horizon. The sergeant appeared
+ to be the first to see the skipper.
+ </p>
+ <p>
+ &ldquo;Ahoy, Darkie!&rdquo; he cried.
+ </p>
+ <p>
+ Captain Bligh, who was creeping slowly aft, halted, and, clenching his
+ fists, regarded him ferociously.
+ </p>
+ <p>
+ &ldquo;Give this to the skipper, will you, my lad?&rdquo; said the sergeant, holding
+ up the jacket Bligh had left behind. &ldquo;Good-looking young man with a very
+ fine moustache he is.&rdquo;
+ </p>
+ <p>
+ <a name="linkimage-16" id="linkimage-16">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/016.jpg" width="100%"
+ alt="'Give This to the Skipper, Will You, My Lad?' Said The Sergeant. " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;Was,&rdquo; said his daughter, in a mournful voice.
+ </p>
+ <p>
+ &ldquo;And a rather dark complexion,&rdquo; continued the sergeant, grinning madly. &ldquo;I
+ was going to take him&mdash;for stealing my coal&mdash;but I thought
+ better of it. Thought of a better way. At least, my daughter did. So long,
+ Darkie.&rdquo;
+ </p>
+ <p>
+ He kissed the top of a fat middle finger, and, turning away, walked off
+ with Miss Pilbeam. The skipper stood watching them with his head swimming
+ until, arrived at the corner, they stopped and the sergeant came slowly
+ back.
+ </p>
+ <p>
+ &ldquo;I was nearly forgetting,&rdquo; he said, slowly. &ldquo;Tell your skipper that if so
+ be as he wants to apologize&mdash;for stealing my coal&mdash;I shall be at
+ home at tea at five o'clock.&rdquo;
+ </p>
+ <p>
+ He jerked his thumb in the direction of Miss Pilbeam and winked with slow
+ deliberation. &ldquo;She'll be there, too,&rdquo; he added. &ldquo;Savvy?&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_5" id="link2H_4_5">
+ <!-- H2 anchor --> </a>
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <h2>
+ &ldquo;MATRIMONIAL OPENINGS&rdquo;
+ </h2>
+ <p>
+ Mr. Dowson sat by the kitchen fire smoking and turning a docile and
+ well-trained ear to the heated words which fell from his wife's lips.
+ </p>
+ <p>
+ &ldquo;She'll go and do the same as her sister Jenny done,&rdquo; said Mrs. Dowson,
+ with a side glance at her daughter Flora; &ldquo;marry a man and then 'ave to
+ work and slave herself to skin and bone to keep him.&rdquo;
+ </p>
+ <p>
+ &ldquo;I see Jenny yesterday,&rdquo; said her husband, nodding. &ldquo;Getting quite fat,
+ she is.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's right,&rdquo; said Mrs. Dowson, violently, &ldquo;that's right! The moment I
+ say something you go and try and upset it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Un'ealthy fat, p'r'aps,&rdquo; said Mr. Dowson, hurriedly; &ldquo;don't get enough
+ exercise, I s'pose.&rdquo;
+ </p>
+ <p>
+ &ldquo;Anybody who didn't know you, Joe Dowson,&rdquo; said his wife, fiercely, &ldquo;would
+ think you was doing it a purpose.&rdquo;
+ </p>
+ <p>
+ &ldquo;Doing wot?&rdquo; inquired Mr. Dowson, removing his pipe and regarding her
+ open-mouthed. &ldquo;I only said&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I know what you said,&rdquo; retorted his wife. &ldquo;Here I do my best from morning
+ to night to make everybody 'appy and comfortable; and what happens?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing,&rdquo; said the sympathetic Mr. Dowson, shaking his head. &ldquo;Nothing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Anyway, Jenny ain't married a fool,&rdquo; said Mrs. Dowson, hotly; &ldquo;she's got
+ that consolation.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's right, mother,&rdquo; said the innocent Mr. Dowson, &ldquo;look on the bright
+ side o' things a bit. If Jenny 'ad married a better chap I don't suppose
+ we should see half as much of her as wot we do.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm talking of Flora,&rdquo; said his wife, restraining herself by an effort.
+ &ldquo;One unfortunate marriage in the family is enough; and here, instead o'
+ walking out with young Ben Lippet, who'll be 'is own master when his
+ father dies, she's gadding about with that good-for-nothing Charlie Foss.&rdquo;
+ </p>
+ <p>
+ Mr. Dowson shook his head. &ldquo;He's so good-looking, is Charlie,&rdquo; he said,
+ slowly; &ldquo;that's the worst of it. Wot with 'is dark eyes and his curly 'air&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Go on!&rdquo; said his wife, passionately, &ldquo;go on!&rdquo;
+ </p>
+ <p>
+ Mr. Dowson, dimly conscious that something was wrong, stopped and puffed
+ hard at his pipe. Through the cover of the smoke he bestowed a sympathetic
+ wink upon his daughter.
+ </p>
+ <p>
+ &ldquo;You needn't go on too fast,&rdquo; said the latter, turning to her mother. &ldquo;I
+ haven't made up my mind yet. Charlie's looks are all right, but he ain't
+ over and above steady, and Ben is steady, but he ain't much to look at.&rdquo;
+ </p>
+ <p>
+ &ldquo;What does your 'art say?&rdquo; inquired the sentimental Mr. Dowson.
+ </p>
+ <p>
+ Neither lady took the slightest notice.
+ </p>
+ <p>
+ &ldquo;Charlie Foss is too larky,&rdquo; said Mrs. Dowson, solemnly; &ldquo;it's easy come
+ and easy go with 'im. He's just such another as your father's cousin Bill&mdash;and
+ look what 'appened to him!&rdquo;
+ </p>
+ <p>
+ Miss Dowson shrugged her shoulders and subsiding in her chair, went on
+ with her book, until a loud knock at the door and a cheerful, but
+ peculiarly shrill, whistle sounded outside.
+ </p>
+ <p>
+ <a name="linkimage-17" id="linkimage-17">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/017.jpg" width="100%"
+ alt="'Miss Dowson, Subsiding in Her Chair, Went on With Her Book.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;There is my lord,&rdquo; exclaimed Mrs. Dowson, waspishly; &ldquo;anybody might think
+ the 'ouse belonged to him. And now he's dancing on my clean doorstep.&rdquo;
+ </p>
+ <p>
+ &ldquo;Might be only knocking the mud off afore coming in,&rdquo; said Mr. Dowson, as
+ he rose to open the door. &ldquo;I've noticed he's very careful.&rdquo;
+ </p>
+ <p>
+ &ldquo;I just came in to tell you a joke,&rdquo; said Mr. Foss, as he followed his
+ host into the kitchen and gazed tenderly at Miss Dowson&mdash;&ldquo;best joke I
+ ever had in my life; I've 'ad my fortune told&mdash;guess what it was!
+ I've been laughing to myself ever since.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who told it?&rdquo; inquired Mrs. Dowson, after a somewhat awkward silence.
+ </p>
+ <p>
+ &ldquo;Old gypsy woman in Peter Street,&rdquo; replied Mr. Foss. &ldquo;I gave 'er a wrong
+ name and address, just in case she might ha' heard about me, and she did
+ make a mess of it; upon my word she did.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wot did she say?&rdquo; inquired Mr. Dowson.
+ </p>
+ <p>
+ Mr. Foss laughed. &ldquo;Said I was a wrong 'un,&rdquo; he said, cheerfully, &ldquo;and
+ would bring my mother's gray hairs to the grave with sorrow. I'm to 'ave
+ bad companions and take to drink; I'm to steal money to gamble with, and
+ after all that I'm to 'ave five years for bigamy. I told her I was
+ disappointed I wasn't to be hung, and she said it would be a
+ disappointment to a lot of other people too. Laugh! I thought I should
+ 'ave killed myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't see nothing to laugh at,&rdquo; said Mrs. Dowson, coldly.
+ </p>
+ <p>
+ &ldquo;I shouldn't tell anybody else, Charlie,&rdquo; said her husband. &ldquo;Keep it a
+ secret, my boy.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you&mdash;you don't believe it?&rdquo; stammered the crestfallen Mr. Foss.
+ </p>
+ <p>
+ Mrs. Dowson cast a stealthy glance at her daughter. &ldquo;Its wonderful 'ow
+ some o' those fortune-tellers can see into the future,&rdquo; she said, shaking
+ her head.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; said her husband, with a confirmatory nod. &ldquo;Wonderful is no name for
+ it. I 'ad my fortune told once when I was a boy, and she told me I should
+ marry the prettiest, and the nicest, and the sweetest-tempered gal in
+ Poplar.&rdquo;
+ </p>
+ <p>
+ Mr. Foss, with a triumphant smile, barely waited for him to finish. &ldquo;There
+ you&mdash;&rdquo; he began, and stopped suddenly.
+ </p>
+ <p>
+ <a name="linkimage-18" id="linkimage-18">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/018.jpg" width="100%"
+ alt="'I Just Came in to Tell You a Joke.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;What was you about to remark?&rdquo; inquired Mrs. Dowson, icily.
+ </p>
+ <p>
+ &ldquo;I was going to say,&rdquo; replied Mr. Foss&mdash;&ldquo;I was going to say&mdash;I
+ 'ad just got it on the tip o' my tongue to say, 'There you&mdash;you&mdash;you
+ 'ad all the luck, Mr. Dowson.'&rdquo;
+ </p>
+ <p>
+ He edged his chair a little nearer to Flora; but there was a chilliness in
+ the atmosphere against which his high spirits strove in vain. Mr. Dowson
+ remembered other predictions which had come true, notably the case of one
+ man who, learning that he was to come in for a legacy, gave up a
+ two-pound-a-week job, and did actually come in for twenty pounds and a
+ bird-cage seven years afterwards.
+ </p>
+ <p>
+ <a name="linkimage-19" id="linkimage-19">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/019.jpg" width="100%"
+ alt="'He Edged his Chair a Little Nearer to Flora.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;It's all nonsense,&rdquo; protested Mr. Foss; &ldquo;she only said all that because I
+ made fun of her. You don't believe it, do you, Flora?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't see anything to laugh at,&rdquo; returned Miss Dowson. &ldquo;Fancy five
+ years for bigamy! Fancy the disgrace of it!&rdquo;
+ </p>
+ <p>
+ &ldquo;But you're talking as if I was going to do it,&rdquo; objected Mr. Foss. &ldquo;I
+ wish you'd go and 'ave your fortune told. Go and see what she says about
+ you. P'r'aps you won't believe so much in fortune-telling afterwards.&rdquo;
+ </p>
+ <p>
+ Mrs. Dowson looked up quickly, and then, lowering her eyes, took her hand
+ out of the stocking she had been darning and, placing it beside its
+ companion, rolled the pair into a ball.
+ </p>
+ <p>
+ &ldquo;You go round to-morrow night, Flora,&rdquo; she said, deliberately. &ldquo;It sha'n't
+ be said a daughter of mine was afraid to hear the truth about herself;
+ father'll find the money.&rdquo;
+ </p>
+ <p>
+ &ldquo;And she can say what she likes about you, but I sha'n't believe it,&rdquo; said
+ Mr. Foss, reproachfully.
+ </p>
+ <p>
+ &ldquo;I don't suppose it'll be anything to be ashamed of,&rdquo; said Miss Dowson,
+ sharply.
+ </p>
+ <p>
+ Mr. Foss bade them good-night suddenly, and, finding himself accompanied
+ to the door by Mr. Dowson, gave way to gloom. He stood for so long with
+ one foot on the step and the other on the mat that Mr. Dowson, who
+ disliked draughts, got impatient.
+ </p>
+ <p>
+ <a name="linkimage-20" id="linkimage-20">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/020.jpg" width="100%"
+ alt="'Mr. Foss Bade Them Good-night Suddenly.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;You'll catch cold, Charlie,&rdquo; he said at last.
+ </p>
+ <p>
+ &ldquo;That's what I'm trying to do,&rdquo; said Mr. Foss; &ldquo;my death o' cold. Then I
+ sha'n't get five years for bigamy,&rdquo; he added bitterly.
+ </p>
+ <p>
+ &ldquo;Cheer up,&rdquo; said Mr. Dowson; &ldquo;five years ain't much out of a lifetime; and
+ you can't expect to 'ave your fun without&mdash;&rdquo;
+ </p>
+ <p>
+ He watched the retreating figure of Mr. Foss as it stamped its way down
+ the street, and closing the door returned to the kitchen to discuss
+ palmistry and other sciences until bedtime.
+ </p>
+ <p>
+ Mrs. Dowson saw husband and daughter off to work in the morning, and after
+ washing up the breakfast things drew her chair up to the kitchen fire and
+ became absorbed in memories of the past. All the leading incidents in
+ Flora's career passed in review before her. Measles, whooping-cough,
+ school-prizes, and other things peculiar to the age of innocence were all
+ there. In her enthusiasm she nearly gave her a sprained ankle which had
+ belonged to her sister. Still shaking her head over her mistake, she drew
+ Flora's latest portrait carefully from its place in the album, and putting
+ on her hat and jacket went round to make a call in Peter Street.
+ </p>
+ <p>
+ By the time Flora returned home Mrs. Dowson appeared to have forgotten the
+ arrangement made the night before, and, being reminded by her daughter,
+ questioned whether any good could come of attempts to peer into the
+ future. Mr. Dowson was still more emphatic, but his objections, being
+ recognized by both ladies as trouser-pocket ones, carried no weight. It
+ ended in Flora going off with half a crown in her glove and an urgent
+ request from her father to make it as difficult as possible for the sibyl
+ by giving a false name and address.
+ </p>
+ <p>
+ No name was asked for, however, as Miss Dowson was shown into the untidy
+ little back room on the first floor, in which the sorceress ate, slept,
+ and received visitors. She rose from an old rocking-chair as the visitor
+ entered, and, regarding her with a pair of beady black eyes, bade her sit
+ down.
+ </p>
+ <p>
+ &ldquo;Are you the fortune-teller?&rdquo; inquired the girl.
+ </p>
+ <p>
+ &ldquo;Men call me so,&rdquo; was the reply.
+ </p>
+ <p>
+ &ldquo;Yes, but are you?&rdquo; persisted Miss Dowson, who inherited her father's
+ fondness for half crowns.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said the other, in a more natural voice.
+ </p>
+ <p>
+ She took the girl's left hand, and pouring a little dark liquid into the
+ palm gazed at it intently. &ldquo;Left for the past; right for the future,&rdquo; she
+ said, in a deep voice.
+ </p>
+ <p>
+ She muttered some strange words and bent her head lower over the girl's
+ hand.
+ </p>
+ <p>
+ <a name="linkimage-21" id="linkimage-21">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/021.jpg" width="100%"
+ alt="'She Muttered Some Strange Words and Bent Her Head Lower Over the Girl's Hand.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;I see a fair-haired infant,&rdquo; she said, slowly; &ldquo;I see a little girl of
+ four racked with the whooping-cough; I see her later, eight she appears to
+ be. She is in bed with measles.&rdquo;
+ </p>
+ <p>
+ Miss Dowson stared at her open-mouthed.
+ </p>
+ <p>
+ &ldquo;She goes away to the seaside to get strong,&rdquo; continued the sorceress;
+ &ldquo;she is paddling; she falls into the water and spoils her frock; her
+ mother&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Never mind about that,&rdquo; interrupted the staring Miss Dowson, hastily. &ldquo;I
+ was only eight at the time and mother always was ready with her hands.&rdquo;
+ </p>
+ <p>
+ &ldquo;People on the beach smile,&rdquo; resumed the other. &ldquo;They&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;It don't take much to make some people laugh,&rdquo; said Miss Dowson, with
+ bitterness.
+ </p>
+ <p>
+ &ldquo;At fourteen she and a boy next door but seven both have the mumps.&rdquo;
+ </p>
+ <p>
+ &ldquo;And why not?&rdquo; demanded Miss Dowson with great warmth. &ldquo;Why not?&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm only reading what I see in your hand,&rdquo; said the other. &ldquo;At fifteen I
+ see her knocked down by a boat-swing; a boy from opposite brings her
+ home.&rdquo;
+ </p>
+ <p>
+ &ldquo;Passing at the time,&rdquo; murmured Miss Dowson.
+ </p>
+ <p>
+ &ldquo;His head is done up with sticking-plaster. I see her apprenticed to a
+ dressmaker. I see her&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ The voice went on monotonously, and Flora, gasping with astonishment,
+ listened to a long recital of the remaining interesting points in her
+ career.
+ </p>
+ <p>
+ &ldquo;That brings us to the present,&rdquo; said the soothsayer, dropping her hand.
+ &ldquo;Now for the future.&rdquo;
+ </p>
+ <p>
+ She took the girl's other hand and poured some of the liquid into it. Miss
+ Dowson shrank back.
+ </p>
+ <p>
+ &ldquo;If it's anything dreadful,&rdquo; she said, quickly, &ldquo;I don't want to hear it.
+ It&mdash;it ain't natural.&rdquo;
+ </p>
+ <p>
+ &ldquo;I can warn you of dangers to keep clear of,&rdquo; said the other, detaining
+ her hand. &ldquo;I can let you peep into the future and see what to do and what
+ to avoid. Ah!&rdquo;
+ </p>
+ <p>
+ She bent over the girl's hand again and uttered little ejaculations of
+ surprise and perplexity.
+ </p>
+ <p>
+ &ldquo;I see you moving in gay scenes surrounded by happy faces,&rdquo; she said,
+ slowly. &ldquo;You are much sought after. Handsome presents and fine clothes are
+ showered upon you. You will cross the sea. I see a dark young man and a
+ fair young man. They will both influence your life. The fair young man
+ works in his father's shop. He will have great riches.&rdquo;
+ </p>
+ <p>
+ &ldquo;What about the other?&rdquo; inquired Miss Dowson, after a somewhat lengthy
+ pause.
+ </p>
+ <p>
+ The fortune-teller shook her head. &ldquo;He is his own worst enemy,&rdquo; she said,
+ &ldquo;and he will drag down those he loves with him. You are going to marry one
+ of them, but I can't see clear&mdash;I can't see which.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look again,&rdquo; said the trembling Flora.
+ </p>
+ <p>
+ &ldquo;I can't see,&rdquo; was the reply, &ldquo;therefore it isn't meant for me to see.
+ It's for you to choose. I can see them now as plain as I can see you. You
+ are all three standing where two roads meet. The fair young man is
+ beckoning to you and pointing to a big house and a motor-car and a yacht.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the other?&rdquo; said the surprised Miss Dowson.
+ </p>
+ <p>
+ &ldquo;He's in knickerbockers,&rdquo; said the other, doubtfully. &ldquo;What does that
+ mean? Ah, I see! They've got the broad arrow on them, and he is pointing
+ to a jail. It's all gone&mdash;I can see no more.&rdquo;
+ </p>
+ <p>
+ She dropped the girl's hand and, drawing her hand across her eyes, sank
+ back into her chair. Miss Dowson, with trembling fingers, dropped the half
+ crown into her lap, and, with her head in a whirl, made her way
+ downstairs.
+ </p>
+ <p>
+ After such marvels the streets seemed oddly commonplace as she walked
+ swiftly home. She decided as she went to keep her knowledge to herself,
+ but inclination on the one hand and Mrs. Dowson on the other got the
+ better of her resolution. With the exception of a few things in her past,
+ already known and therefore not worth dwelling upon, the whole of the
+ interview was disclosed.
+ </p>
+ <p>
+ &ldquo;It fair takes your breath away,&rdquo; declared the astounded Mr. Dowson.
+ </p>
+ <p>
+ &ldquo;The fair young man is meant for Ben Lippet,&rdquo; said his wife, &ldquo;and the dark
+ one is Charlie Foss. It must be. It's no use shutting your eyes to
+ things.&rdquo;
+ </p>
+ <p>
+ &ldquo;It's as plain as a pikestaff,&rdquo; agreed her husband. &ldquo;And she told Charlie
+ five years for bigamy, and when she's telling Flora's Fortune she sees 'im
+ in convict's clothes. How she does it I can't think.&rdquo;
+ </p>
+ <p>
+ &ldquo;It's a gift,&rdquo; said Mrs. Dowson, briefly, &ldquo;and I do hope that Flora is
+ going to act sensible. Anyhow, she can let Ben Lippet come and see her,
+ without going upstairs with the tooth-ache.&rdquo;
+ </p>
+ <p>
+ &ldquo;He can come if he likes,&rdquo; said Flora; &ldquo;though why Charlie couldn't have
+ 'ad the motor-car and 'im the five years, I don't know.&rdquo;
+ </p>
+ <p>
+ Mr. Lippet came in the next evening, and the evening after. In fact, so
+ easy is it to fall into habits of an agreeable nature that nearly every
+ evening saw him the happy guest of Mr. Dowson. A spirit of resignation,
+ fostered by a present or two and a visit to the theatre, descended upon
+ Miss Dowson. Fate and her mother combined were in a fair way to overcome
+ her inclinations, when Mr. Foss, who had been out of town on a job, came
+ in to hear the result of her visit to the fortune-teller, and found Mr.
+ Lippet installed in the seat that used to be his.
+ </p>
+ <p>
+ At first Mrs. Dowson turned a deaf ear to his request for information, and
+ it was only when his jocularity on the subject passed the bounds of
+ endurance that she consented to gratify his curiosity.
+ </p>
+ <p>
+ &ldquo;I didn't want to tell you,&rdquo; she said, when she had finished, &ldquo;but you
+ asked for it, and now you've got it.&rdquo;
+ </p>
+ <p>
+ &ldquo;It's very amusing,&rdquo; said Mr. Foss. &ldquo;I wonder who the dark young man in
+ the fancy knickers is?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, I daresay you'll know some day,&rdquo; said Mrs. Dowson.
+ </p>
+ <p>
+ &ldquo;Was the fair young man a good-looking chap?&rdquo; inquired the inquisitive Mr.
+ Foss.
+ </p>
+ <p>
+ Mrs. Dowson hesitated. &ldquo;Yes,&rdquo; she said, defiantly.
+ </p>
+ <p>
+ &ldquo;Wonder who it can be?&rdquo; muttered Mr. Foss, in perplexity.
+ </p>
+ <p>
+ &ldquo;You'll know that too some day, no doubt,&rdquo; was the reply.
+ </p>
+ <p>
+ &ldquo;I'm glad it's to be a good-looking chap,&rdquo; he said; &ldquo;not that I think
+ Flora believes in such rubbish as fortune-telling. She's too sensible.&rdquo;
+ </p>
+ <p>
+ &ldquo;I do,&rdquo; said Flora. &ldquo;How should she know all the things I did when I was a
+ little girl? Tell me that.&rdquo;
+ </p>
+ <p>
+ &ldquo;I believe in it, too,&rdquo; said Mrs. Dowson. &ldquo;P'r'aps you'll tell me I'm not
+ sensible!&rdquo;
+ </p>
+ <p>
+ Mr. Foss quailed at the challenge and relapsed into moody silence. The
+ talk turned on an aunt of Mr. Lippet's, rumored to possess money, and an
+ uncle who was &ldquo;rolling&rdquo; in it. He began to feel in the way, and only his
+ native obstinacy prevented him from going.
+ </p>
+ <p>
+ It was a relief to him when the front door opened and the heavy step of
+ Mr. Dowson was heard in the tiny passage. If anything it seemed heavier
+ than usual, and Mr. Dowson's manner when he entered the room and greeted
+ his guests was singularly lacking in its usual cheerfulness. He drew a
+ chair to the fire, and putting his feet on the fender gazed moodily
+ between the bars.
+ </p>
+ <p>
+ &ldquo;I've been wondering as I came along,&rdquo; he said at last, with an obvious
+ attempt to speak carelessly, &ldquo;whether this 'ere fortune-telling as we've
+ been hearing so much about lately always comes out true.&rdquo;
+ </p>
+ <p>
+ &ldquo;It depends on the fortune-teller,&rdquo; said his wife.
+ </p>
+ <p>
+ &ldquo;I mean,&rdquo; said Mr. Dowson, slowly, &ldquo;I mean that gypsy woman that Charlie
+ and Flora went to.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of course it does,&rdquo; snapped his wife. &ldquo;I'd trust what she says afore
+ anything.&rdquo;
+ </p>
+ <p>
+ &ldquo;I know five or six that she has told,&rdquo; said Mr. Lippet, plucking up
+ courage; &ldquo;and they all believe 'er. They couldn't help themselves; they
+ said so.&rdquo;
+ </p>
+ <p>
+ &ldquo;Still, she might make a mistake sometimes,&rdquo; said Mr. Dowson, faintly.
+ &ldquo;Might get mixed up, so to speak.&rdquo;
+ </p>
+ <p>
+ &ldquo;Never!&rdquo; said Mrs. Dowson, firmly.
+ </p>
+ <p>
+ &ldquo;Never!&rdquo; echoed Flora and Mr. Lippet.
+ </p>
+ <p>
+ Mr. Dowson heaved a big sigh, and his eye wandered round the room. It
+ lighted on Mr. Foss.
+ </p>
+ <p>
+ &ldquo;She's an old humbug,&rdquo; said that gentleman. &ldquo;I've a good mind to put the
+ police on to her.&rdquo;
+ </p>
+ <p>
+ Mr. Dowson reached over and gripped his hand. Then he sighed again.
+ </p>
+ <p>
+ &ldquo;Of course, it suits Charlie Foss to say so,&rdquo; said Mrs. Dowson; &ldquo;naturally
+ he'd say so; he's got reasons. I believe every word she says. If she told
+ me I was coming in for a fortune I should believe her; and if she told me
+ I was going to have misfortunes I should believe her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't say that,&rdquo; shouted Mr. Dowson, with startling energy. &ldquo;Don't say
+ that. That's what she did say!&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo; cried his wife, sharply. &ldquo;What are you talking about?&rdquo;
+ </p>
+ <p>
+ &ldquo;I won eighteenpence off of Bob Stevens,&rdquo; said her husband, staring at the
+ table. &ldquo;Eighteenpence is 'er price for telling the future only, and, being
+ curious and feeling I'd like to know what's going to 'appen to me, I went
+ in and had eighteenpennorth.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, you're upset,&rdquo; said Mrs. Dowson, with a quick glance at him. &ldquo;You
+ get upstairs to bed.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'd sooner stay 'ere,&rdquo; said her husband, resuming his seat; &ldquo;it seems
+ more cheerful and lifelike. I wish I 'adn't gorn, that's what I wish.&rdquo;
+ </p>
+ <p>
+ &ldquo;What did she tell you?&rdquo; inquired Mr. Foss.
+ </p>
+ <p>
+ Mr. Dowson thrust his hands into his trouser pockets and spoke
+ desperately. &ldquo;She says I'm to live to ninety, and I'm to travel to foreign
+ parts&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;You get to bed,&rdquo; said his wife. &ldquo;Come along.&rdquo;
+ </p>
+ <p>
+ Mr. Dowson shook his head doggedly. &ldquo;I'm to be rich,&rdquo; he continued, slowly&mdash;&ldquo;rich
+ and loved. After my pore dear wife's death I'm to marry again; a young
+ woman with money and stormy brown eyes.&rdquo;
+ </p>
+ <p>
+ Mrs. Dowson sprang from her chair and stood over him quivering with
+ passion. &ldquo;How dare you?&rdquo; she gasped. &ldquo;You&mdash;you've been drinking.&rdquo;
+ </p>
+ <p>
+ &ldquo;I've 'ad two arf-pints,&rdquo; said her husband, solemnly. &ldquo;I shouldn't 'ave
+ 'ad the second only I felt so miserable. I know I sha'n't be 'appy with a
+ young woman.&rdquo;
+ </p>
+ <p>
+ Mrs. Dowson, past speech, sank back in her chair and stared at him.
+ </p>
+ <p>
+ &ldquo;I shouldn't worry about it if I was you, Mrs. Dowson,&rdquo; said Mr. Foss,
+ kindly. &ldquo;Look what she said about me. That ought to show you she ain't to
+ be relied on.&rdquo;
+ </p>
+ <p>
+ &ldquo;Eyes like lamps,&rdquo; said Mr. Dowson, musingly, &ldquo;and I'm forty-nine next
+ month. Well, they do say every eye 'as its own idea of beauty.&rdquo;
+ </p>
+ <p>
+ A strange sound, half laugh and half cry, broke from the lips of the
+ over-wrought Mrs. Dowson. She controlled herself by an effort.
+ </p>
+ <p>
+ &ldquo;If she said it,&rdquo; she said, doggedly, with a fierce glance at Mr. Foss,
+ &ldquo;it'll come true. If, after my death, my 'usband is going to marry a young
+ woman with&mdash;with&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Stormy brown eyes,&rdquo; interjected Mr. Foss, softly.
+ </p>
+ <p>
+ &ldquo;It's his fate and it can't be avoided,&rdquo; concluded Mrs. Dowson.
+ </p>
+ <p>
+ &ldquo;But it's so soon,&rdquo; said the unfortunate husband. &ldquo;You're to die in three
+ weeks and I'm to be married three months after.&rdquo;
+ </p>
+ <p>
+ Mrs. Dowson moistened her lips and tried, but in vain, to avoid the
+ glittering eye of Mr. Foss. &ldquo;Three!&rdquo; she said, mechanically, &ldquo;three! three
+ weeks!&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't be frightened,&rdquo; said Mr. Foss, in a winning voice. &ldquo;I don't believe
+ it; and, besides, we shall soon see! And if you don't die in three weeks,
+ perhaps I sha'n't get five years for bigamy, and perhaps Flora won't marry
+ a fair man with millions of money and motor-cars.&rdquo;
+ </p>
+ <p>
+ &ldquo;No; perhaps she is wrong after all, mother,&rdquo; said Mr. Dowson, hopefully.
+ </p>
+ <p>
+ Mrs. Dowson gave him a singularly unkind look for one about to leave him
+ so soon, and, afraid to trust herself to speech, left the room and went
+ up-stairs. As the door closed behind her, Mr. Foss took the chair which
+ Mr. Lippet had thoughtlessly vacated, and offered such consolations to
+ Flora as he considered suitable to the occasion.
+ </p>
+ <p>
+ <a name="link2H_4_6" id="link2H_4_6">
+ <!-- H2 anchor --> </a>
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <h2>
+ ODD MAN OUT
+ </h2>
+ <p>
+ The night watchman pursed up his lips and shook his head. Friendship, he
+ said, decidedly, is a deloosion and a snare. I've 'ad more friendships in
+ my life than most people&mdash;owing to being took a fancy to for some
+ reason or other&mdash;and they nearly all came to a sudden ending.
+ </p>
+ <p>
+ <a name="linkimage-22" id="linkimage-22">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/022.jpg" width="100%"
+ alt="'Friendship, he Said, Decidedly, is a Deloosion and A Snare.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ I remember one man who used to think I couldn't do wrong; everything I did
+ was right to 'im; and now if I pass 'im in the street he makes a face as
+ if he'd got a hair in 'is mouth. All because I told 'im the truth one day
+ when he was thinking of getting married. Being a bit uneasy-like in his
+ mind, he asked me 'ow, supposing I was a gal, his looks would strike me.
+ </p>
+ <p>
+ It was an orkard question, and I told him that he 'ad got a good 'art and
+ that no man could 'ave a better pal. I said he 'ad got a good temper and
+ was free with 'is money. O' course, that didn't satisfy 'im, and at last
+ he told me to take a good look at 'im and tell him wot I thought of 'is
+ looks. There was no getting out of it, and at last I 'ad to tell him plain
+ that everybody 'ad diff'rent ideas about looks; that looks wasn't
+ everything; and that 'andsome is as 'andsome does. Even then 'e wasn't
+ satisfied, and at last I told 'im, speaking as a pal to a pal, that if I
+ was a gal and he came along trying to court me, I should go to the police
+ about it.
+ </p>
+ <p>
+ I remember two young fellers that was shipmates with me some years ago,
+ and they was such out-and-out pals that everybody called 'em the Siamese
+ twins. They always shipped together and shared lodgings together when they
+ was ashore, and Ted Denver would no more 'ave thought of going out without
+ Charlie Brice than Charlie Brice would 'ave thought of going out without
+ 'im. They shared their baccy and their money and everything else, and it's
+ my opinion that if they 'ad only 'ad one pair o' boots between 'em they'd
+ 'ave hopped along in one each.
+ </p>
+ <p>
+ They 'ad been like it for years, and they kept it up when they left the
+ sea and got berths ashore. Anybody knowing them would ha' thought that
+ nothing but death could part 'em; but it happened otherwise.
+ </p>
+ <p>
+ There was a gal in it, of course. A gal that Ted Denver got into
+ conversation with on top of a bus, owing to her steadying 'erself by
+ putting her hand on 'is shoulder as she passed 'im. Bright, lively sort o'
+ gal she seemed, and, afore Ted knew where he was, they was talking away as
+ though they 'ad known each other for years.
+ </p>
+ <p>
+ Charlie didn't seem to care much for it at fust, but he didn't raise no
+ objection; and when the gal got up to go he stopped the bus for 'er by
+ poking the driver in the back, and they all got off together. Ted went
+ fust to break her fall, in case the bus started off too sudden, and
+ Charlie 'elped her down behind by catching hold of a lace collar she was
+ wearing. When she turned to speak to 'im about it, she knocked the
+ conductor's hat off with 'er umbrella, and there was so much
+ unpleasantness that by the time they 'ad got to the pavement she told
+ Charlie that she never wanted to see his silly fat face agin.
+ </p>
+ <p>
+ &ldquo;It ain't fat,&rdquo; ses Ted, speaking up for 'im; &ldquo;it's the shape of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;And it ain't silly,&rdquo; ses Charlie, speaking very quick; &ldquo;mind that!&rdquo;
+ </p>
+ <p>
+ &ldquo;It's a bit o' real lace,&rdquo; ses the gal, twisting her 'ead round to look at
+ the collar; &ldquo;it cost me one and two-three only last night.&rdquo;
+ </p>
+ <p>
+ &ldquo;One an' <i>wot?</i>&rdquo; ses Charlie, who, not being a married man, didn't
+ understand 'er.
+ </p>
+ <p>
+ &ldquo;One shilling,&rdquo; ses the gal, &ldquo;two pennies, and three farthings. D'ye
+ understand that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; ses Charlie.
+ </p>
+ <p>
+ &ldquo;He's cleverer than he looks,&rdquo; ses the gal, turning to Ted. &ldquo;I s'pose
+ you're right, and it is the shape after all.&rdquo;
+ </p>
+ <p>
+ Ted walked along one side of 'er and Charlie the other, till they came to
+ the corner of the road where she lived, and then Ted and 'er stood there
+ talking till Charlie got sick and tired of it, and kept tugging at Ted's
+ coat for 'im to come away.
+ </p>
+ <p>
+ &ldquo;I'm coming,&rdquo; ses Ted, at last. &ldquo;I s'pose you won't be this way to-morrow
+ night?&rdquo; he ses, turning to the gal.
+ </p>
+ <p>
+ &ldquo;I might if I thought there was no chance of seeing you,&rdquo; she ses, tossing
+ her 'ead.
+ </p>
+ <p>
+ &ldquo;You needn't be alarmed,&rdquo; ses Charlie, shoving in his oar; &ldquo;we're going to
+ a music-'all to-morrow night.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, go to your blessed music-'all,&rdquo; ses the gal to Ted; &ldquo;I don't want
+ you.&rdquo;
+ </p>
+ <p>
+ She turned round and a'most ran up the road, with Ted follering 'er and
+ begging of 'er not to be so hasty, and afore they parted she told 'im that
+ 'er name was Emma White, and promised to meet 'im there the next night at
+ seven.
+ </p>
+ <p>
+ O' course Mr. Charlie Brice turned up alongside o' Ted the next night, and
+ at fust Emma said she was going straight off 'ome agin. She did go part o'
+ the way, and then, when she found that Ted wouldn't send his mate off, she
+ came back and, woman-like, said as 'ow she wasn't going to go 'ome just to
+ please Charlie Brice. She wouldn't speak a word to 'im, and when they all
+ went to the music-'all together she sat with her face turned away from 'im
+ and her elbow sticking in 'is chest. Doing that and watching the
+ performance at the same time gave 'er a stiff neck, and she got in such a
+ temper over it she wouldn't hardly speak to Ted, and when Charlie&mdash;meaning
+ well&mdash;told 'er to rub it with a bit o' mutton-fat she nearly went off
+ her 'ead.
+ </p>
+ <p>
+ &ldquo;Who asked you to come with us?&rdquo; she ses, as soon as she could speak. &ldquo;'Ow
+ dare you force yourself where you ain't wanted?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ted wants me,&rdquo; ses Charlie.
+ </p>
+ <p>
+ &ldquo;We've been together for years,&rdquo; ses Ted. &ldquo;You'll like Charlie when you
+ get used to 'im&mdash;everybody does.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not me!&rdquo; ses Emma, with a shiver. &ldquo;It gives me the fair creeps to look at
+ him. You'll 'ave to choose between us. If he comes, I sha'n't. Which is it
+ to be?&rdquo;
+ </p>
+ <p>
+ Neither of 'em answered 'er, but the next night they both turned up as
+ usual, and Emma White stood there looking at 'em and nearly crying with
+ temper.
+ </p>
+ <p>
+ &ldquo;'Ow would you like it if I brought another young lady with me?&rdquo; she ses
+ to Ted.
+ </p>
+ <p>
+ &ldquo;It wouldn't make no difference to me,&rdquo; ses Ted. &ldquo;Any friend o' yours is
+ welcome.&rdquo;
+ </p>
+ <p>
+ Emma stood looking at 'em, and then she patted 'er eyes with a
+ pocket-'ankercher and began to look more cheerful.
+ </p>
+ <p>
+ &ldquo;You ain't the only one that has got a dear friend,&rdquo; she says, looking at
+ 'im and wiping 'er lips with the 'ankercher. &ldquo;I've got one, and if Charlie
+ Brice don't promise to stay at 'ome to-morrow night I'll bring her with
+ me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Bring 'er, and welcome,&rdquo; ses Ted.
+ </p>
+ <p>
+ &ldquo;I sha'n't stay at 'ome for fifty dear friends,&rdquo; ses Charlie.
+ </p>
+ <p>
+ &ldquo;Have it your own way,&rdquo; ses Emma. &ldquo;If you come, Sophy Jennings comes,
+ that's all.&rdquo;
+ </p>
+ <p>
+ She was as good as 'er word, too, and next night when they turned up they
+ found Emma and 'er friend waiting for them. Charlie thought it was the
+ friend's mother at fust, but he found out arterwards that she was a
+ widder-woman. She had 'ad two husbands, and both of 'em 'ad passed away
+ with a smile on their face. She seemed to take a fancy to Charlie the
+ moment she set eyes on 'im, and two or three times, they'd 'ave lost Ted
+ and Emma if it hadn't been for 'im.
+ </p>
+ <p>
+ <a name="linkimage-23" id="linkimage-23">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/023.jpg" width="100%"
+ alt="'When They Turned up They Found Emma and 'er Friend Waiting for Them.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ They did lose 'em the next night, and Charlie Brice 'ad Mrs. Jennings all
+ alone to himself for over a couple of hours walking up and down the
+ Commercial Road talking about the weather; Charles saying 'ow wet and cold
+ it was, and thinking p'r'aps they 'ad better go off 'ome afore she got a
+ chill.
+ </p>
+ <p>
+ He complained to Ted about it when 'e got 'ome, and Ted promised as it
+ shouldn't 'appen agin. He said that 'im and Emma 'ad been so busy talking
+ about getting married that he 'ad forgotten to keep an eye on him.
+ </p>
+ <p>
+ &ldquo;Married!&rdquo; ses Charlie, very upset. &ldquo;Married! And wot's to become o' me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Come and lodge with us,&rdquo; ses Ted.
+ </p>
+ <p>
+ They shook hands on it, but Ted said they 'ad both better keep it to
+ themselves a bit and wait until Emma 'ad got more used to Charlie afore
+ they told her. Ted let 'er get used to 'im for three days more afore he
+ broke the news to 'er, and the way she went on was alarming. She went on
+ for over ten minutes without taking breath, and she was just going to
+ start again when Mrs. Jennings stopped her.
+ </p>
+ <p>
+ &ldquo;He's all right,&rdquo; she ses. &ldquo;You leave 'im alone.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm not touching 'im,&rdquo; ses Emma, very scornful.
+ </p>
+ <p>
+ &ldquo;You leave 'im alone,&rdquo; ses Mrs. Jennings, taking hold of Charlie's arm. &ldquo;I
+ don't say things about your young man.&rdquo;
+ </p>
+ <p>
+ Charlie Brice started as if he 'ad been shot, and twice he opened 'is
+ mouth to speak and show Mrs. Jennings 'er mistake; but, wot with trying to
+ find 'is voice in the fust place, and then finding words to use it with in
+ the second, he didn't say anything. He just walked along gasping, with 'is
+ mouth open like a fish.
+ </p>
+ <p>
+ &ldquo;Don't take no notice of 'er, Charlie,&rdquo; ses Mrs. Jennings.
+ </p>
+ <p>
+ &ldquo;I&mdash;I don't mind wot she ses,&rdquo; ses pore Charlie; &ldquo;but you're making a
+ great&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;She's quick-tempered, is Emma,&rdquo; ses Mrs. Jennings. &ldquo;But, there, so am I.
+ Wot you might call a generous temper, but quick.&rdquo;
+ </p>
+ <p>
+ Charlie went cold all over.
+ </p>
+ <p>
+ &ldquo;Treat me well and I treat other people well,&rdquo; ses Mrs. Jennings. &ldquo;I can't
+ say fairer than that, can I?&rdquo;
+ </p>
+ <p>
+ Charlie said &ldquo;Nobody could,&rdquo; and then 'e walked along with her hanging on
+ to 'is arm, arf wondering whether it would be wrong to shove 'er under a
+ bus that was passing, and arf wondering whether 'e could do it if it
+ wasn't.
+ </p>
+ <p>
+ &ldquo;As for Emma saying she won't 'ave you for a lodger,&rdquo; ses Mrs. Jennings,
+ &ldquo;let 'er wait till she's asked. She'll wait a long time if I 'ave my say.&rdquo;
+ </p>
+ <p>
+ Charlie didn't answer her. He walked along with 'is mouth shut, his idea
+ being that the least said the soonest mended. Even Emma asked 'im at last
+ whether he 'ad lost 'is tongue, and said it was curious 'ow different love
+ took different people.
+ </p>
+ <p>
+ He talked fast enough going 'ome with Ted though, and pretty near lost 'is
+ temper with 'im when Ted asked 'im why he didn't tell Mrs. Jennings
+ straight that she 'ad made a mistake.
+ </p>
+ <p>
+ &ldquo;She knows well enough,&rdquo; he says, grinding 'is teeth; &ldquo;she was just trying
+ it on. That's 'ow it is widders get married agin. You'll 'ave to choose
+ between going out with me or Emma, Ted. I can't face Mrs. Jennings again.
+ I didn't think anybody could 'ave parted us like that.&rdquo;
+ </p>
+ <p>
+ Ted said it was all nonsense, but it was no good, and the next night he
+ went off alone and came back very cross, saying that Mrs. Jennings 'ad
+ been with 'em all the time, and when 'e spoke to Emma about it she said it
+ was just tit for tat, and reminded 'im 'ow she had 'ad to put up with
+ Charlie. For four nights running 'e went out for walks, with Emma holding
+ one of 'is arms and Mrs. Jennings the other.
+ </p>
+ <p>
+ &ldquo;It's miserable for you all alone 'ere by yourself; Charlie,&rdquo; he ses. &ldquo;Why
+ not come? She can't marry you against your will. Besides, I miss you.&rdquo;
+ </p>
+ <p>
+ Charlie shook 'ands with 'im, but 'e said 'e wouldn't walk out with Mrs.
+ Jennings for a fortune. And all that Ted could say made no difference. He
+ stayed indoors of an evening reading the paper, or going for little walks
+ by 'imself, until at last Ted came 'ome one evening, smiling all over his
+ face, and told 'im they had both been making fools of themselves for
+ nothing.
+ </p>
+ <p>
+ &ldquo;Mrs. Jennings is going to be married,&rdquo; he ses, clapping Charlie on the
+ back.
+ </p>
+ <p>
+ &ldquo;<i>Wot?</i>&rdquo; ses Charlie.
+ </p>
+ <p>
+ Ted nodded. &ldquo;Her and Emma 'ad words to-night,&rdquo; he ses, laughing, &ldquo;and it
+ all come out. She's been keeping company for some time. He's away at
+ present, and they're going to be married as soon as 'e comes back.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; ses Charlie, &ldquo;why did she&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;To oblige Emma,&rdquo; ses Ted, &ldquo;to frighten you into staying at 'ome. I'd 'ad
+ my suspicions for some time, from one or two things I picked up.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ho!&rdquo; ses Charlie. &ldquo;Well, it'll be my turn to laugh to-morrow night. We'll
+ see whether she can shake me off agin.&rdquo;
+ </p>
+ <p>
+ Ted looked at 'im a bit worried. &ldquo;It's a bit orkard,&rdquo; he ses, speaking
+ very slow. &ldquo;You see, they made it up arterwards, and then they both made
+ me promise not to tell you, and if you come, they'll know I 'ave.&rdquo;
+ </p>
+ <p>
+ Charlie did a bit o' thinking. &ldquo;Not if I pretend to make love to Mrs.
+ Jennings?&rdquo; he ses, at last, winking at 'im. &ldquo;And it'll serve her right for
+ being deceitful. We'll see 'ow she likes it. Wot sort o' chap is the young
+ man&mdash;big?&rdquo;
+ </p>
+ <p>
+ &ldquo;Can't be,&rdquo; ses Ted; &ldquo;cos Emma called 'im a little shrimp.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'll come,&rdquo; ses Charlie; &ldquo;and it'll be your own fault if they find out
+ you told me about it.&rdquo;
+ </p>
+ <p>
+ They fell asleep talking of it, and the next evening Charlie put on a new
+ neck-tie he 'ad bought, and arter letting Ted have arf an hour's start
+ went out and met 'em accidental. The fust Mrs. Jennings knew of 'is being
+ there was by finding an arm put round 'er waist.
+ </p>
+ <p>
+ &ldquo;Good-evening, Sophy,&rdquo; he ses.
+ </p>
+ <p>
+ &ldquo;'Ow&mdash;'ow dare you?&rdquo; ses Mrs. Jennings, giving a scream and pushing
+ him away.
+ </p>
+ <p>
+ Charlie looked surprised.
+ </p>
+ <p>
+ &ldquo;Why, ain't you pleased to see me?&rdquo; he ses. &ldquo;I've 'ad the raging toothache
+ for over a week; I've got it now a bit, but I couldn't stay away from you
+ any longer.&rdquo;
+ </p>
+ <p>
+ &ldquo;You behave yourself,&rdquo; ses Mrs. Jennings.
+ </p>
+ <p>
+ &ldquo;Ted didn't say anything about your toothache,&rdquo; ses Emma.
+ </p>
+ <p>
+ &ldquo;I wouldn't let 'im, for fear of alarming Sophy,&rdquo; ses Charlie.
+ </p>
+ <p>
+ Mrs. Jennings gave a sort of laugh and a sniff mixed.
+ </p>
+ <p>
+ &ldquo;Ain't you pleased to see me agin?&rdquo; ses Charlie.
+ </p>
+ <p>
+ &ldquo;I don't want to see you,&rdquo; ses Mrs. Jennings. &ldquo;Wot d'ye think I want to
+ see you for?&rdquo;
+ </p>
+ <p>
+ &ldquo;Change your mind pretty quick, don't you?&rdquo; ses Charlie. &ldquo;It's blow 'ot
+ and blow cold with you seemingly. Why, I've been counting the minutes till
+ I should see you agin.&rdquo;
+ </p>
+ <p>
+ Mrs. Jennings told 'im not to make a fool of 'imself, and Charlie saw 'er
+ look at Emma in a puzzled sort of way, as if she didn't know wot to make
+ of it. She kept drawing away from 'im and he kept drawing close to 'er;
+ other people on the pavement dodging and trying to get out of their way,
+ and asking them which side they was going and to stick to it.
+ </p>
+ <p>
+ &ldquo;Why don't you behave yourself?&rdquo; ses Emma, at last.
+ </p>
+ <p>
+ &ldquo;We're all right,&rdquo; ses Charlie; &ldquo;you look arter your own young man. We can
+ look arter ourselves.&rdquo;
+ </p>
+ <p>
+ &ldquo;Speak for yourself,&rdquo; ses Mrs. Jennings, very sharp.
+ </p>
+ <p>
+ Charlie laughed, and the more Mrs. Jennings showed 'er dislike for 'is
+ nonsense the more he gave way to it. Even Ted thought it was going too
+ far, and tried to interfere when he put his arm round Mrs. Jennings's
+ waist and made 'er dance to a piano-organ; but there was no stopping 'im,
+ and at last Mrs. Jennings said she had 'ad enough of it, and told Emma she
+ was going off 'ome.
+ </p>
+ <p>
+ <a name="linkimage-24" id="linkimage-24">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/024.jpg" width="100%"
+ alt="'He Put his Arm Round Mrs. Jennings's Waist and Made 'er Dance to a Piano-organ.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;Don't take no notice of 'im,&rdquo; ses Emma.
+ </p>
+ <p>
+ &ldquo;I must,&rdquo; ses Mrs. Jennings, who was arf crying with rage.
+ </p>
+ <p>
+ &ldquo;Well, if you go 'ome, I shall go,&rdquo; ses Emma. &ldquo;I don't want 'is company. I
+ believe he's doing it on purpose.
+ </p>
+ <p>
+ &ldquo;Behave yourself, Charlie,&rdquo; ses Ted.
+ </p>
+ <p>
+ &ldquo;All right, old man,&rdquo; ses Charlie. &ldquo;You look arter your young woman and
+ I'll look arter mine.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your wot?&rdquo; ses Mrs. Jennings, very loud.
+ </p>
+ <p>
+ &ldquo;My young woman,&rdquo; ses Charlie.
+ </p>
+ <p>
+ &ldquo;Look 'ere,&rdquo; ses Emma. &ldquo;You may as well know first as last&mdash;Sophy 'as
+ got a young man.&rdquo;
+ </p>
+ <p>
+ &ldquo;O' course she 'as,&rdquo; ses Charlie. &ldquo;Twenty-seven on the second of next
+ January, he is; same as me.&rdquo;
+ </p>
+ <p>
+ &ldquo;She's going to be married,&rdquo; ses Emma, very solemn.
+ </p>
+ <p>
+ &ldquo;Yes, to me,&rdquo; ses Charlie, pretending to be surprised. &ldquo;Didn't you know
+ that?&rdquo;
+ </p>
+ <p>
+ He looked so pleased with 'imself at his cleverness that Emma arf put up
+ her 'and, and then she thought better of it and turned away.
+ </p>
+ <p>
+ &ldquo;He's just doing it to get rid of you,&rdquo; she ses to Mrs. Jennings, &ldquo;and if
+ you give way you're a bigger silly than I took you for. Let 'im go on and
+ 'ave his own way, and tell your intended about 'im when you see 'im. Arter
+ all, you started it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I was only 'aving a bit o' fun,&rdquo; ses Mrs. Jennings.
+ </p>
+ <p>
+ &ldquo;Well, so is he,&rdquo; ses Emma.
+ </p>
+ <p>
+ &ldquo;Not me!&rdquo; ses Charlie, turning his eyes up. &ldquo;I'm in dead earnest; and so
+ is she. It's only shyness on 'er part; it'll soon wear off.&rdquo;
+ </p>
+ <p>
+ He took 'old of Mrs. Jennings's arm agin and began to tell 'er 'ow lonely
+ 'is life was afore she came acrost his path like an angel that had lost
+ its way. And he went on like that till she told Emma that she'd either
+ 'ave to go off 'ome or scream. Ted interfered agin then, and, arter
+ listening to wot he 'ad got to say, Charlie said as 'ow he'd try and keep
+ his love under control a bit more.
+ </p>
+ <p>
+ &ldquo;She won't stand much more of it,&rdquo; he ses to Ted, arter they 'ad got 'ome
+ that night. &ldquo;I shouldn't be surprised if she don't turn up to-morrow.&rdquo;
+ </p>
+ <p>
+ Ted shook his 'ead. &ldquo;She'll turn up to oblige Emma,&rdquo; he ses; &ldquo;but there's
+ no need for you to overdo it, Charlie. If her young man 'appened to get to
+ 'ear of it it might cause trouble.&rdquo;
+ </p>
+ <p>
+ &ldquo;I ain't afraid of 'im,&rdquo; ses Charlie, &ldquo;not if your description of 'im is
+ right.&rdquo;
+ </p>
+ <p>
+ &ldquo;Emma knows 'im,&rdquo; ses Ted, &ldquo;and I know she don't think much of 'im. She
+ says he ain't as big as I am.&rdquo;
+ </p>
+ <p>
+ Charlie smiled to himself and laid awake for a little while thinking of
+ pet names to surprise Mrs. Jennings with. He called 'er a fresh one every
+ night for a week, and every night he took 'er a little bunch o' flowers
+ with 'is love. When she flung 'em on the pavement he pretended to think
+ she 'ad dropped 'em; but, do wot he would, 'e couldn't frighten 'er into
+ staying away, and 'is share of music-'alls and bus rides and things like
+ that was more than 'e cared to think of. All the time Ted was as happy as
+ a sand-boy, and one evening when Emma asked 'im to go 'ome to supper 'e
+ was so pleased 'e could 'ardly speak.
+ </p>
+ <p>
+ &ldquo;Father thought he'd like to see you,&rdquo; ses Emma. &ldquo;I shall be proud to
+ shake 'im by the 'and,&rdquo; ses Ted, going red with joy.
+ </p>
+ <p>
+ &ldquo;And you're to come, too, Sophy,&rdquo; ses Emma, turning to Mrs. Jennings.
+ </p>
+ <p>
+ Charlie coughed, feeling a bit orkard-like, and Emma stood there as if
+ waiting for 'im to go.
+ </p>
+ <p>
+ &ldquo;Well, so long,&rdquo; ses Charlie at last. &ldquo;Take care o' my little prize
+ packet.&rdquo;
+ </p>
+ <p>
+ &ldquo;You can come, too, if you like,&rdquo; ses Emma. &ldquo;Father said I was to bring
+ you. Don't 'ave none of your nonsense there, that's all.&rdquo;
+ </p>
+ <p>
+ Charlie thanked 'er, and they was all walking along, him and Mrs. Jennings
+ behind, when Emma looked over 'er shoulder.
+ </p>
+ <p>
+ &ldquo;Sophy's young man is coming,&rdquo; she ses.
+ </p>
+ <p>
+ &ldquo;Ho!&rdquo; ses Charlie. He walked along doing a bit o' thinking, and by and by
+ 'e gives a little laugh, and he ses, &ldquo;I&mdash;I don't think p'r'aps I'll
+ come arter all.&rdquo;
+ </p>
+ <p>
+ &ldquo;Afraid?&rdquo; ses Emma, with a nasty laugh.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; ses Charlie.
+ </p>
+ <p>
+ &ldquo;Well, it looks like it,&rdquo; ses Emma.
+ </p>
+ <p>
+ &ldquo;He's brave enough where wimmen are concerned,&rdquo; ses Mrs. Jennings.
+ </p>
+ <p>
+ &ldquo;I was thinking of you,&rdquo; ses Charlie.
+ </p>
+ <p>
+ &ldquo;You needn't trouble about me,&rdquo; ses Mrs. Jennings. &ldquo;I can look after
+ myself, thank you.&rdquo;
+ </p>
+ <p>
+ Charlie looked round, but there was no help for it. He got as far away
+ from Mrs. Jennings as possible, and when they got to Emma's house he went
+ in last.
+ </p>
+ <p>
+ Emma's father and mother was there and two or three of 'er brothers and
+ sisters, but the fust thing that Charlie noticed was a great lump of a man
+ standing by the mantelpiece staring at 'im.
+ </p>
+ <p>
+ &ldquo;Come in, and make yourselves at 'ome,&rdquo; ses Mr. White. &ldquo;I'm glad to see
+ you both. Emma 'as told me all about you.&rdquo;
+ </p>
+ <p>
+ Charlie's 'art went down into 'is boots, but every-body was so busy
+ drawing their chairs up to the table that they didn't notice 'ow pale he
+ 'ad gone. He sat between Mr. White and Mrs. Jennings, and by and by, when
+ everybody was talking, he turned to 'im in a whisper, and asked 'im who
+ the big chap was.
+ </p>
+ <p>
+ &ldquo;Mrs. Jennings's brother,&rdquo; ses Mr. White; &ldquo;brewer's drayman he is.&rdquo;
+ </p>
+ <p>
+ Charlie said, &ldquo;Oh!&rdquo; and went on eating, a bit relieved in 'is mind.
+ </p>
+ <p>
+ &ldquo;Your friend and my gal 'll make a nice couple,&rdquo; ses Mr. White, looking at
+ Ted and Emma, sitting 'and in 'and.
+ </p>
+ <p>
+ &ldquo;She couldn't 'ave a better husband,&rdquo; ses Charlie, whispering again; &ldquo;but
+ where is Mrs. Jennings's young man? I 'eard he was to be here.&rdquo;
+ </p>
+ <p>
+ Mr. White put down 'is knife and fork. &ldquo;Eh?&rdquo; he ses, staring at 'im.
+ </p>
+ <p>
+ &ldquo;Mrs. Jennings's intended?&rdquo; ses Charlie.
+ </p>
+ <p>
+ &ldquo;Who are you getting at?&rdquo; ses Mr. White, winking at 'im.
+ </p>
+ <p>
+ &ldquo;But she 'as got one, ain't she?&rdquo; ses Charlie. &ldquo;That'll do,&rdquo; ses Mr.
+ White, with another wink. &ldquo;Try it on somebody else.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wot are you two talking about?&rdquo; ses Emma, who 'ad been watching 'em.
+ </p>
+ <p>
+ &ldquo;He's trying to pull my leg,&rdquo; ses 'er father, smiling all over his face.
+ &ldquo;Been asking me where Mrs. Jennings's young man is. P'r'aps you oughtn't
+ to 'ave told us yet, Emma.&rdquo;
+ </p>
+ <p>
+ &ldquo;It's all right,&rdquo; ses Emma. &ldquo;He's got a very jealous disposition, poor
+ fellow; and me and Sophy have been telling 'im about a young man just to
+ tease 'im. We've been describing him to 'imself all along, and he thought
+ it was somebody else.&rdquo;
+ </p>
+ <p>
+ She caught Charlie's eye, and all in a flash he saw 'ow he 'ad been done.
+ Some of 'em began to laugh, and Mrs. Jennings put her 'and on his and gave
+ it a squeeze. He sat there struck all of a heap, wondering wot he was
+ going to do, and just at that moment there was a knock at the street door.
+ </p>
+ <p>
+ &ldquo;I'll open it,&rdquo; he ses.
+ </p>
+ <p>
+ He jumped up before anybody could stop 'im and went to the door. Two
+ seconds arter Ted Denver followed 'im, and that is last he ever saw of
+ Charlie Brice, he was running down the road without 'is hat as hard as he
+ could run.
+ </p>
+ <p>
+ <a name="linkimage-25" id="linkimage-25">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/025.jpg" width="100%"
+ alt="'He Was Running Down the Road Without 'is Hat As Hard As He Could Run.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ <a name="link2H_4_7" id="link2H_4_7">
+ <!-- H2 anchor --> </a>
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <h2>
+ &ldquo;THE TOLL-HOUSE&rdquo;
+ </h2>
+ <p>
+ &ldquo;It's all nonsense,&rdquo; said Jack Barnes. &ldquo;Of course people have died in the
+ house; people die in every house. As for the noises&mdash;wind in the
+ chimney and rats in the wainscot are very convincing to a nervous man.
+ Give me another cup of tea, Meagle.&rdquo;
+ </p>
+ <p>
+ &ldquo;Lester and White are first,&rdquo; said Meagle, who was presiding at the
+ tea-table of the Three Feathers Inn. &ldquo;You've had two.&rdquo;
+ </p>
+ <p>
+ Lester and White finished their cups with irritating slowness, pausing
+ between sips to sniff the aroma, and to discover the sex and dates of
+ arrival of the &ldquo;strangers&rdquo; which floated in some numbers in the beverage.
+ Mr. Meagle served them to the brim, and then, turning to the grimly
+ expectant Mr. Barnes, blandly requested him to ring for hot water.
+ </p>
+ <p>
+ &ldquo;We'll try and keep your nerves in their present healthy condition,&rdquo; he
+ remarked. &ldquo;For my part I have a sort of half-and-half belief in the
+ super-natural.&rdquo;
+ </p>
+ <p>
+ &ldquo;All sensible people have,&rdquo; said Lester. &ldquo;An aunt of mine saw a ghost
+ once.&rdquo;
+ </p>
+ <p>
+ White nodded.
+ </p>
+ <p>
+ &ldquo;I had an uncle that saw one,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;It always is somebody else that sees them,&rdquo; said Barnes.
+ </p>
+ <p>
+ &ldquo;Well, there is a house,&rdquo; said Meagle, &ldquo;a large house at an absurdly low
+ rent, and nobody will take it. It has taken toll of at least one life of
+ every family that has lived there&mdash;however short the time&mdash;and
+ since it has stood empty caretaker after caretaker has died there. The
+ last caretaker died fifteen years ago.&rdquo;
+ </p>
+ <p>
+ &ldquo;Exactly,&rdquo; said Barnes. &ldquo;Long enough ago for legends to accumulate.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'll bet you a sovereign you won't spend the night there alone, for all
+ your talk,&rdquo; said White, suddenly.
+ </p>
+ <p>
+ &ldquo;And I,&rdquo; said Lester.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Barnes slowly. &ldquo;I don't believe in ghosts nor in any
+ supernatural things whatever; all the same I admit that I should not care
+ to pass a night there alone.&rdquo;
+ </p>
+ <p>
+ &ldquo;But why not?&rdquo; inquired White.
+ </p>
+ <p>
+ &ldquo;Wind in the chimney,&rdquo; said Meagle with a grin.
+ </p>
+ <p>
+ &ldquo;Rats in the wainscot,&rdquo; chimed in Lester.
+</p>
+ <p>
+&ldquo;As you like,&rdquo; said Barnes
+ coloring.
+ </p>
+ <p>
+ &ldquo;Suppose we all go,&rdquo; said Meagle. &ldquo;Start after supper, and get there about
+ eleven. We have been walking for ten days now without an adventure&mdash;except
+ Barnes's discovery that ditchwater smells longest. It will be a novelty,
+ at any rate, and, if we break the spell by all surviving, the grateful
+ owner ought to come down handsome.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let's see what the landlord has to say about it first,&rdquo; said Lester.
+ &ldquo;There is no fun in passing a night in an ordinary empty house. Let us
+ make sure that it is haunted.&rdquo;
+ </p>
+ <p>
+ He rang the bell, and, sending for the landlord, appealed to him in the
+ name of our common humanity not to let them waste a night watching in a
+ house in which spectres and hobgoblins had no part. The reply was more
+ than reassuring, and the landlord, after describing with considerable art
+ the exact appearance of a head which had been seen hanging out of a window
+ in the moonlight, wound up with a polite but urgent request that they
+ would settle his bill before they went.
+ </p>
+ <p>
+ &ldquo;It's all very well for you young gentlemen to have your fun,&rdquo; he said
+ indulgently; &ldquo;but supposing as how you are all found dead in the morning,
+ what about me? It ain't called the Toll-House for nothing, you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who died there last?&rdquo; inquired Barnes, with an air of polite derision.
+ </p>
+ <p>
+ &ldquo;A tramp,&rdquo; was the reply. &ldquo;He went there for the sake of half a crown, and
+ they found him next morning hanging from the balusters, dead.&rdquo;
+ </p>
+ <p>
+ &ldquo;Suicide,&rdquo; said Barnes. &ldquo;Unsound mind.&rdquo;
+ </p>
+ <p>
+ The landlord nodded. &ldquo;That's what the jury brought it in,&rdquo; he said slowly;
+ &ldquo;but his mind was sound enough when he went in there. I'd known him, off
+ and on, for years. I'm a poor man, but I wouldn't spend the night in that
+ house for a hundred pounds.&rdquo;
+ </p>
+ <p>
+ <a name="linkimage-26" id="linkimage-26">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/026.jpg" width="100%"
+ alt="'I'm a Poor Man, But I Wouldn't Spend the Night in That House for a Hundred Pounds.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ He repeated this remark as they started on their expedition a few hours
+ later. They left as the inn was closing for the night; bolts shot noisily
+ behind them, and, as the regular customers trudged slowly homewards, they
+ set off at a brisk pace in the direction of the house. Most of the
+ cottages were already in darkness, and lights in others went out as they
+ passed.
+ </p>
+ <p>
+ &ldquo;It seems rather hard that we have got to lose a night's rest in order to
+ convince Barnes of the existence of ghosts,&rdquo; said White.
+ </p>
+ <p>
+ &ldquo;It's in a good cause,&rdquo; said Meagle. &ldquo;A most worthy object; and something
+ seems to tell me that we shall succeed. You didn't forget the candles,
+ Lester?&rdquo;
+ </p>
+ <p>
+ &ldquo;I have brought two,&rdquo; was the reply; &ldquo;all the old man could spare.&rdquo;
+ </p>
+ <p>
+ There was but little moon, and the night was cloudy. The road between high
+ hedges was dark, and in one place, where it ran through a wood, so black
+ that they twice stumbled in the uneven ground at the side of it.
+ </p>
+ <p>
+ &ldquo;Fancy leaving our comfortable beds for this!&rdquo; said White again. &ldquo;Let me
+ see; this desirable residential sepulchre lies to the right, doesn't it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Farther on,&rdquo; said Meagle.
+ </p>
+ <p>
+ They walked on for some time in silence, broken only by White's tribute to
+ the softness, the cleanliness, and the comfort of the bed which was
+ receding farther and farther into the distance. Under Meagle's guidance
+ they turned off at last to the right, and, after a walk of a quarter of a
+ mile, saw the gates of the house before them.
+ </p>
+ <p>
+ <a name="linkimage-27" id="linkimage-27">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/027.jpg" width="100%"
+ alt="'They Saw the Gates of The House Before Them.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ The lodge was almost hidden by overgrown shrubs and the drive was choked
+ with rank growths. Meagle leading, they pushed through it until the dark
+ pile of the house loomed above them.
+ </p>
+ <p>
+ &ldquo;There is a window at the back where we can get in, so the landlord says,&rdquo;
+ said Lester, as they stood before the hall door.
+ </p>
+ <p>
+ &ldquo;Window?&rdquo; said Meagle. &ldquo;Nonsense. Let's do the thing properly. Where's the
+ knocker?&rdquo;
+ </p>
+ <p>
+ He felt for it in the darkness and gave a thundering rat-tat-tat at the
+ door.
+ </p>
+ <p>
+ &ldquo;Don't play the fool,&rdquo; said Barnes crossly.
+ </p>
+ <p>
+ &ldquo;Ghostly servants are all asleep,&rdquo; said Meagle gravely, &ldquo;but I'll wake
+ them up before I've done with them. It's scandalous keeping us out here in
+ the dark.&rdquo;
+ </p>
+ <p>
+ He plied the knocker again, and the noise volleyed in the emptiness
+ beyond. Then with a sudden exclamation he put out his hands and stumbled
+ forward.
+ </p>
+ <p>
+ &ldquo;Why, it was open all the time,&rdquo; he said, with an odd catch in his voice.
+ &ldquo;Come on.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't believe it was open,&rdquo; said Lester, hanging back. &ldquo;Somebody is
+ playing us a trick.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nonsense,&rdquo; said Meagle sharply. &ldquo;Give me a candle. Thanks. Who's got a
+ match?&rdquo;
+ </p>
+ <p>
+ Barnes produced a box and struck one, and Meagle, shielding the candle
+ with his hand, led the way forward to the foot of the stairs. &ldquo;Shut the
+ door, somebody,&rdquo; he said, &ldquo;there's too much draught.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is shut,&rdquo; said White, glancing behind him.
+ </p>
+ <p>
+ Meagle fingered his chin. &ldquo;Who shut it?&rdquo; he inquired, looking from one to
+ the other. &ldquo;Who came in last?&rdquo;
+ </p>
+ <p>
+ &ldquo;I did,&rdquo; said Lester, &ldquo;but I don't remember shutting it&mdash;perhaps I
+ did, though.&rdquo;
+ </p>
+ <p>
+ Meagle, about to speak, thought better of it, and, still carefully
+ guarding the flame, began to explore the house, with the others close
+ behind. Shadows danced on the walls and lurked in the corners as they
+ proceeded. At the end of the passage they found a second staircase, and
+ ascending it slowly gained the first floor.
+ </p>
+ <p>
+ &ldquo;Careful!&rdquo; said Meagle, as they gained the landing.
+ </p>
+ <p>
+ He held the candle forward and showed where the balusters had broken away.
+ Then he peered curiously into the void beneath.
+ </p>
+ <p>
+ &ldquo;This is where the tramp hanged himself, I suppose,&rdquo; he said thoughtfully.
+ </p>
+ <p>
+ &ldquo;You've got an unwholesome mind,&rdquo; said White, as they walked on. &ldquo;This
+ place is quite creepy enough without your remembering that. Now let's find
+ a comfortable room and have a little nip of whiskey apiece and a pipe. How
+ will this do?&rdquo;
+ </p>
+ <p>
+ He opened a door at the end of the passage and revealed a small square
+ room. Meagle led the way with the candle, and, first melting a drop or two
+ of tallow, stuck it on the mantelpiece. The others seated themselves on
+ the floor and watched pleasantly as White drew from his pocket a small
+ bottle of whiskey and a tin cup.
+ </p>
+ <p>
+ &ldquo;H'm! I've forgotten the water,&rdquo; he exclaimed.
+ </p>
+ <p>
+&ldquo;I'll soon get some,&rdquo; said Meagle.
+ </p>
+ <p>
+ He tugged violently at the bell-handle, and the rusty jangling of a bell
+ sounded from a distant kitchen. He rang again.
+ </p>
+ <p>
+ &ldquo;Don't play the fool,&rdquo; said Barnes roughly.
+ </p>
+ <p>
+ Meagle laughed. &ldquo;I only wanted to convince you,&rdquo; he said kindly. &ldquo;There
+ ought to be, at any rate, one ghost in the servants' hall.&rdquo;
+ </p>
+ <p>
+ Barnes held up his hand for silence.
+ </p>
+ <p>
+ &ldquo;Yes?&rdquo; said Meagle with a grin at the other two. &ldquo;Is anybody coming?&rdquo;
+ </p>
+ <p>
+ &ldquo;Suppose we drop this game and go back,&rdquo; said Barnes suddenly. &ldquo;I don't
+ believe in spirits, but nerves are outside anybody's command. You may
+ laugh as you like, but it really seemed to me that I heard a door open
+ below and steps on the stairs.&rdquo;
+ </p>
+ <p>
+ His voice was drowned in a roar of laughter.
+ </p>
+ <p>
+ &ldquo;He is coming round,&rdquo; said Meagle with a smirk. &ldquo;By the time I have done
+ with him he will be a confirmed believer. Well, who will go and get some
+ water? Will you, Barnes?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; was the reply.
+ </p>
+ <p>
+ &ldquo;If there is any it might not be safe to drink after all these years,&rdquo;
+ said Lester. &ldquo;We must do without it.&rdquo;
+ </p>
+ <p>
+ Meagle nodded, and taking a seat on the floor held out his hand for the
+ cup. Pipes were lit and the clean, wholesome smell of tobacco filled the
+ room. White produced a pack of cards; talk and laughter rang through the
+ room and died away reluctantly in distant corridors.
+ </p>
+ <p>
+ &ldquo;Empty rooms always delude me into the belief that I possess a deep
+ voice,&rdquo; said Meagle. &ldquo;To-morrow&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ He started up with a smothered exclamation as the light went out suddenly
+ and something struck him on the head. The others sprang to their feet.
+ Then Meagle laughed.
+ </p>
+ <p>
+ &ldquo;It's the candle,&rdquo; he exclaimed. &ldquo;I didn't stick it enough.&rdquo;
+ </p>
+ <p>
+ Barnes struck a match and relighting the candle stuck it on the
+ mantelpiece, and sitting down took up his cards again.
+ </p>
+ <p>
+ &ldquo;What was I going to say?&rdquo; said Meagle. &ldquo;Oh, I know; to-morrow I&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Listen!&rdquo; said White, laying his hand on the other's sleeve. &ldquo;Upon my word
+ I really thought I heard a laugh.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here!&rdquo; said Barnes. &ldquo;What do you say to going back? I've had enough
+ of this. I keep fancying that I hear things too; sounds of something
+ moving about in the passage outside. I know it's only fancy, but it's
+ uncomfortable.&rdquo;
+ </p>
+ <p>
+ &ldquo;You go if you want to,&rdquo; said Meagle, &ldquo;and we will play dummy. Or you
+ might ask the tramp to take your hand for you, as you go downstairs.&rdquo;
+ </p>
+ <p>
+ Barnes shivered and exclaimed angrily. He got up and, walking to the
+ half-closed door, listened.
+ </p>
+ <p>
+ &ldquo;Go outside,&rdquo; said Meagle, winking at the other two. &ldquo;I'll dare you to go
+ down to the hall door and back by yourself.&rdquo;
+ </p>
+ <p>
+ Barnes came back and, bending forward, lit his pipe at the candle.
+ </p>
+ <p>
+ &ldquo;I am nervous but rational,&rdquo; he said, blowing out a thin cloud of smoke.
+ &ldquo;My nerves tell me that there is something prowling up and down the long
+ passage outside; my reason tells me that it is all nonsense. Where are my
+ cards?&rdquo;
+ </p>
+ <p>
+ He sat down again, and taking up his hand, looked through it carefully and
+ led.
+ </p>
+ <p>
+ &ldquo;Your play, White,&rdquo; he said after a pause. White made no sign.
+ </p>
+ <p>
+ &ldquo;Why, he is asleep,&rdquo; said Meagle. &ldquo;Wake up, old man. Wake up and play.&rdquo;
+ </p>
+ <p>
+ Lester, who was sitting next to him, took the sleeping man by the arm and
+ shook him, gently at first and then with some roughness; but White, with
+ his back against the wall and his head bowed, made no sign. Meagle bawled
+ in his ear and then turned a puzzled face to the others.
+ </p>
+ <p>
+ &ldquo;He sleeps like the dead,&rdquo; he said, grimacing. &ldquo;Well, there are still
+ three of us to keep each other company.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Lester, nodding. &ldquo;Unless&mdash;Good Lord! suppose&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ He broke off and eyed them trembling.
+ </p>
+ <p>
+ &ldquo;Suppose what?&rdquo; inquired Meagle.
+ </p>
+ <p>
+ &ldquo;Nothing,&rdquo; stammered Lester. &ldquo;Let's wake him. Try him again. <i>White!
+ White!</i>&rdquo;
+ </p>
+ <p>
+ &ldquo;It's no good,&rdquo; said Meagle seriously; &ldquo;there's something wrong about that
+ sleep.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's what I meant,&rdquo; said Lester; &ldquo;and if he goes to sleep like that,
+ why shouldn't&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Meagle sprang to his feet. &ldquo;Nonsense,&rdquo; he said roughly. &ldquo;He's tired out;
+ that's all. Still, let's take him up and clear out. You take his legs and
+ Barnes will lead the way with the candle. Yes? Who's that?&rdquo;
+ </p>
+ <p>
+ He looked up quickly towards the door. &ldquo;Thought I heard somebody tap,&rdquo; he
+ said with a shamefaced laugh. &ldquo;Now, Lester, up with him. One, two&mdash;
+ Lester! Lester!&rdquo;
+ </p>
+ <p>
+ He sprang forward too late; Lester, with his face buried in his arms, had
+ rolled over on the floor fast asleep, and his utmost efforts failed to
+ awaken him.
+ </p>
+ <p>
+ &ldquo;He&mdash;is&mdash;asleep,&rdquo; he stammered. &ldquo;Asleep!&rdquo;
+ </p>
+ <p>
+ Barnes, who had taken the candle from the mantel-piece, stood peering at
+ the sleepers in silence and dropping tallow over the floor.
+ </p>
+ <p>
+ <a name="linkimage-28" id="linkimage-28">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/028.jpg" width="100%"
+ alt="'Barnes, Stood Peering at the Sleepers in Silence And Dropping Tallow over the Floor.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;We must get out of this,&rdquo; said Meagle. &ldquo;Quick!&rdquo; Barnes hesitated. &ldquo;We
+ can't leave them here&mdash;&rdquo; he began.
+ </p>
+ <p>
+ &ldquo;We must,&rdquo; said Meagle in strident tones. &ldquo;If you go to sleep I shall go&mdash;Quick!
+ Come.&rdquo;
+ </p>
+ <p>
+ He seized the other by the arm and strove to drag him to the door. Barnes
+ shook him off, and putting the candle back on the mantelpiece, tried again
+ to arouse the sleepers.
+ </p>
+ <p>
+ &ldquo;It's no good,&rdquo; he said at last, and, turning from them, watched Meagle.
+ &ldquo;Don't you go to sleep,&rdquo; he said anxiously.
+ </p>
+ <p>
+ Meagle shook his head, and they stood for some time in uneasy silence.
+ &ldquo;May as well shut the door,&rdquo; said Barnes at last.
+ </p>
+ <p>
+ He crossed over and closed it gently. Then at a scuffling noise behind him
+ he turned and saw Meagle in a heap on the hearthstone.
+ </p>
+ <p>
+ With a sharp catch in his breath he stood motionless. Inside the room the
+ candle, fluttering in the draught, showed dimly the grotesque attitudes of
+ the sleepers. Beyond the door there seemed to his over-wrought imagination
+ a strange and stealthy unrest. He tried to whistle, but his lips were
+ parched, and in a mechanical fashion he stooped, and began to pick up the
+ cards which littered the floor.
+ </p>
+ <p>
+ He stopped once or twice and stood with bent head listening. The unrest
+ outside seemed to increase; a loud creaking sounded from the stairs.
+ </p>
+ <p>
+ &ldquo;Who is there?&rdquo; he cried loudly.
+ </p>
+ <p>
+ The creaking ceased. He crossed to the door and flinging it open, strode
+ out into the corridor. As he walked his fears left him suddenly.
+ </p>
+ <p>
+ &ldquo;Come on!&rdquo; he cried with a low laugh. &ldquo;All of you! All of you! Show your
+ faces&mdash;your infernal ugly faces! Don't skulk!&rdquo;
+ </p>
+ <p>
+ He laughed again and walked on; and the heap in the fireplace put out his
+ head tortoise fashion and listened in horror to the retreating footsteps.
+ Not until they had become inaudible in the distance did the listeners'
+ features relax.
+ </p>
+ <p>
+ &ldquo;Good Lord, Lester, we've driven him mad,&rdquo; he said in a frightened
+ whisper. &ldquo;We must go after him.&rdquo;
+ </p>
+ <p>
+ There was no reply. Meagle sprung to his feet. &ldquo;Do you hear?&rdquo; he cried.
+ &ldquo;Stop your fooling now; this is serious. White! Lester! Do you hear?&rdquo;
+ </p>
+ <p>
+ He bent and surveyed them in angry bewilderment. &ldquo;All right,&rdquo; he said in a
+ trembling voice. &ldquo;You won't frighten me, you know.&rdquo;
+ </p>
+ <p>
+ He turned away and walked with exaggerated carelessness in the direction
+ of the door. He even went outside and peeped through the crack, but the
+ sleepers did not stir. He glanced into the blackness behind, and then came
+ hastily into the room again.
+ </p>
+ <p>
+ He stood for a few seconds regarding them. The stillness in the house was
+ horrible; he could not even hear them breathe. With a sudden resolution he
+ snatched the candle from the mantelpiece and held the flame to White's
+ finger. Then as he reeled back stupefied the footsteps again became
+ audible.
+ </p>
+ <p>
+ He stood with the candle in his shaking hand listening. He heard them
+ ascending the farther staircase, but they stopped suddenly as he went to
+ the door. He walked a little way along the passage, and they went
+ scurrying down the stairs and then at a jog-trot along the corridor below.
+ He went back to the main staircase, and they ceased again.
+ </p>
+ <p>
+ For a time he hung over the balusters, listening and trying to pierce the
+ blackness below; then slowly, step by step, he made his way downstairs,
+ and, holding the candle above his head, peered about him.
+ </p>
+ <p>
+ &ldquo;Barnes!&rdquo; he called. &ldquo;Where are you?&rdquo; Shaking with fright, he made his way
+ along the passage, and summoning up all his courage pushed open doors and
+ gazed fearfully into empty rooms. Then, quite suddenly, he heard the
+ footsteps in front of him.
+ </p>
+ <p>
+ He followed slowly for fear of extinguishing the candle, until they led
+ him at last into a vast bare kitchen with damp walls and a broken floor.
+ In front of him a door leading into an inside room had just closed. He ran
+ towards it and flung it open, and a cold air blew out the candle. He stood
+ aghast.
+ </p>
+ <p>
+ <a name="linkimage-29" id="linkimage-29">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/029.jpg" width="100%"
+ alt="'Into a Vast Bare Kitchen With Damp Walls and A Broken Floor.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;Barnes!&rdquo; he cried again. &ldquo;Don't be afraid! It is I&mdash;Meagle!&rdquo;
+ </p>
+ <p>
+ There was no answer. He stood gazing into the darkness, and all the time
+ the idea of something close at hand watching was upon him. Then suddenly
+ the steps broke out overhead again.
+ </p>
+ <p>
+ He drew back hastily, and passing through the kitchen groped his way along
+ the narrow passages. He could now see better in the darkness, and finding
+ himself at last at the foot of the staircase began to ascend it
+ noiselessly. He reached the landing just in time to see a figure disappear
+ round the angle of a wall. Still careful to make no noise, he followed the
+ sound of the steps until they led him to the top floor, and he cornered
+ the chase at the end of a short passage.
+ </p>
+ <p>
+ &ldquo;Barnes!&rdquo; he whispered. &ldquo;Barnes!&rdquo;
+ </p>
+ <p>
+ Something stirred in the darkness. A small circular window at the end of
+ the passage just softened the blackness and revealed the dim outlines of a
+ motionless figure. Meagle, in place of advancing, stood almost as still as
+ a sudden horrible doubt took possession of him. With his eyes fixed on the
+ shape in front he fell back slowly and, as it advanced upon him, burst
+ into a terrible cry.
+ </p>
+ <p>
+ &ldquo;Barnes! For God's sake! Is it you?&rdquo;
+ </p>
+ <p>
+ The echoes of his voice left the air quivering, but the figure before him
+ paid no heed. For a moment he tried to brace his courage up to endure its
+ approach, then with a smothered cry he turned and fled.
+ </p>
+ <p>
+ The passages wound like a maze, and he threaded them blindly in a vain
+ search for the stairs. If he could get down and open the hall door&mdash;&mdash;
+ </p>
+ <p>
+ He caught his breath in a sob; the steps had begun again. At a lumbering
+ trot they clattered up and down the bare passages, in and out, up and
+ down, as though in search of him. He stood appalled, and then as they drew
+ near entered a small room and stood behind the door as they rushed by. He
+ came out and ran swiftly and noiselessly in the other direction, and in a
+ moment the steps were after him. He found the long corridor and raced
+ along it at top speed. The stairs he knew were at the end, and with the
+ steps close behind he descended them in blind haste. The steps gained on
+ him, and he shrank to the side to let them pass, still continuing his
+ headlong flight. Then suddenly he seemed to slip off the earth into space.
+ </p>
+ <p>
+ Lester awoke in the morning to find the sunshine streaming into the room,
+ and White sitting up and regarding with some perplexity a badly blistered
+ finger.
+ </p>
+ <p>
+ &ldquo;Where are the others?&rdquo; inquired Lester. &ldquo;Gone, I suppose,&rdquo; said White.
+ &ldquo;We must have been asleep.&rdquo;
+ </p>
+ <p>
+ Lester arose, and stretching his stiffened limbs, dusted his clothes with
+ his hands, and went out into the corridor. White followed. At the noise of
+ their approach a figure which had been lying asleep at the other end sat
+ up and revealed the face of Barnes. &ldquo;Why, I've been asleep,&rdquo; he said in
+ surprise. &ldquo;I don't remember coming here. How did I get here?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nice place to come for a nap,&rdquo; said Lester, severely, as he pointed to
+ the gap in the balusters. &ldquo;Look there! Another yard and where would you
+ have been?&rdquo;
+ </p>
+ <p>
+ He walked carelessly to the edge and looked over. In response to his
+ startled cry the others drew near, and all three stood gazing at the dead
+ man below.
+ </p>
+ <p>
+ <a name="linkimage-30" id="linkimage-30">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/030.jpg" width="100%"
+ alt="'All Three Stood Gazing at the Dead Man Below.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ <a name="link2H_4_8" id="link2H_4_8">
+ <!-- H2 anchor --> </a>
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <h2>
+ PETER'S PENCE
+ </h2>
+ <p>
+ Sailormen don't bother much about their relations, as a rule, said the
+ night-watchman; sometimes because a railway-ticket costs as much as a
+ barrel o' beer, and they ain't got the money for both, and sometimes
+ because most relations run away with the idea that a sailorman has been
+ knocking about 'arf over the world just to bring them 'ome presents.
+ </p>
+ <p>
+ Then, agin, some relations are partikler about appearances, and they don't
+ like it if a chap don't wear a collar and tidy 'imself up. Dress is
+ everything nowadays; put me in a top 'at and a tail-coat, with a twopenny
+ smoke stuck in my mouth, and who would know the difference between me and
+ a lord? Put a bishop in my clothes, and you'd ask 'im to 'ave a 'arf-pint
+ as soon as you would me&mdash;sooner, p'r'aps.
+ </p>
+ <p>
+ <a name="linkimage-31" id="linkimage-31">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/031.jpg" width="100%"
+ alt="'Put a Bishop in My Clothes, and You'd Ask 'im to 'ave A 'arf-pint As Soon As You Would Me.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ Talking of relations reminds me of Peter Russet's uncle. It's some years
+ ago now, and Peter and old Sam Small and Ginger Dick 'ad just come back
+ arter being away for nearly ten months. They 'ad all got money in their
+ pockets, and they was just talking about the spree they was going to have,
+ when a letter was brought to Peter, wot had been waiting for 'im at the
+ office.
+ </p>
+ <p>
+ He didn't like opening it at fust. The last letter he had 'ad kept 'im
+ hiding indoors for a week, and then made him ship a fortnight afore 'e had
+ meant to. He stood turning it over and over, and at last, arter Sam, wot
+ was always a curious man, 'ad told 'im that if he didn't open it he'd do
+ it for 'im, he tore it open and read it.
+ </p>
+ <p>
+ &ldquo;It's from my old uncle, George Goodman,&rdquo; he ses, staring. &ldquo;Why, I ain't
+ seen 'im for over twenty years.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you owe 'im any money?&rdquo; ses Sam.
+ </p>
+ <p>
+ Peter shook his 'ead. &ldquo;He's up in London,&rdquo; he ses, looking at the letter
+ agin, &ldquo;up in London for the fust time in thirty-three years, and he wants
+ to come and stay with me so that I can show 'im about.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wot is he?&rdquo; ses Sam.
+ </p>
+ <p>
+ &ldquo;He's retired,&rdquo; ses Peter, trying not to speak proud.
+ </p>
+ <p>
+ &ldquo;Got money?&rdquo; ses Sam, with a start.
+ </p>
+ <p>
+ &ldquo;I b'leeve so,&rdquo; ses Peter, in a off-hand way. &ldquo;I don't s'pose 'e lives on
+ air.&rdquo;
+ </p>
+ <p>
+ &ldquo;Any wives or children?&rdquo; ses Sam.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; ses Peter. &ldquo;He 'ad a wife, but she died.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you have 'im, Peter,&rdquo; ses Sam, wot was always looking out for money.
+ &ldquo;Don't throw away a oppertunity like that. Why, if you treat 'im well he
+ might leave it all to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;No such luck,&rdquo; ses Peter.
+ </p>
+ <p>
+ &ldquo;You do as Sam ses,&rdquo; ses Ginger. &ldquo;I wish I'd got an uncle.&rdquo;
+ </p>
+ <p>
+ &ldquo;We'll try and give 'im a good time,&rdquo; ses Sam, &ldquo;and if he's anything like
+ Peter we shall enjoy ourselves.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; but he ain't,&rdquo; ses Peter. &ldquo;He's a very solemn, serious-minded man,
+ and a strong teetotaller. Wot you'd call a glass o' beer he'd call pison.
+ That's 'ow he got on. He's thought a great deal of in 'is place, I can
+ tell you, but he ain't my sort.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's a bit orkard,&rdquo; ses Sam, scratching his 'ead. &ldquo;Same time, it don't
+ do to throw away a chance. If 'e was my uncle I should pretend to be a
+ teetotaller while 'e was here, just to please 'im.&rdquo;
+ </p>
+ <p>
+ &ldquo;And when you felt like a drink, Peter,&rdquo; ses Ginger, &ldquo;me and Sam would
+ look arter 'im while you slipped off to get it.&rdquo;
+ </p>
+ <p>
+ &ldquo;He could 'ave the room below us,&rdquo; ses Sam. &ldquo;It is empty.&rdquo;
+ </p>
+ <p>
+ Peter gave a sniff. &ldquo;Wot about you and Ginger?&rdquo; he ses.
+ </p>
+ <p>
+ &ldquo;Wot about us?&rdquo; ses Sam and Ginger, both together.
+ </p>
+ <p>
+ &ldquo;Why, you'd 'ave to be teetotallers, too,&rdquo; ses Peter. &ldquo;Wot's the good o' me
+ pretending to be steady if 'e sees I've got pals like you?&rdquo;
+ </p>
+ <p>
+ Sam scratched his 'ead agin, ever so long, and at last he ses, &ldquo;Well,
+ mate,&rdquo; he ses, &ldquo;drink don't trouble me nor Ginger. We can do without it,
+ as far as that goes; and we must all take it in turns to keep the old
+ gentleman busy while the others go and get wot they want. You'd better go
+ and take the room downstairs for 'im, afore it goes.&rdquo;
+ </p>
+ <p>
+ Peter looked at 'im in surprise, but that was Sam all over. The idea o'
+ knowing a man with money was too much for 'im, and he sat there giving
+ good advice to Peter about 'is behavior until Peter didn't know whether it
+ was 'is uncle or Sam's. 'Owever, he took the room and wrote the letter,
+ and next arternoon at three o'clock Mr. Goodman came in a four-wheel cab
+ with a big bag and a fat umbrella. A short, stiffish-built man of about
+ sixty he was, with 'is top lip shaved and a bit o' short gray beard. He
+ 'ad on a top 'at and a tail-coat, black kid gloves and a little black bow,
+ and he didn't answer the cabman back a single word.
+ </p>
+ <p>
+ <a name="linkimage-32" id="linkimage-32">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/032.jpg" width="100%"
+ alt="'Mr. Goodman Came in a Four-wheel Cab With A Big Bag and A Fat Umbrella.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ He seemed quite pleased to see Peter, and by and by Sam, who was bursting
+ with curiosity, came down-stairs to ask Peter to lend 'im a boot-lace, and
+ was interduced. Then Ginger came down to look for Sam, and in a few
+ minutes they was all talking as comfortable as possible.
+ </p>
+ <p>
+ &ldquo;I ain't seen Peter for twenty years,&rdquo; ses Mr. Goodman&mdash;&ldquo;twenty long
+ years!&rdquo;
+ </p>
+ <p>
+ Sam shook his 'ead and looked at the floor.
+ </p>
+ <p>
+ &ldquo;I happened to go and see Peter's sister&mdash;my niece Polly,&rdquo; ses Mr.
+ Goodman, &ldquo;and she told me the name of 'is ship. It was quite by chance,
+ because she told me it was the fust letter she had 'ad from him in seven
+ years.&rdquo;
+ </p>
+ <p>
+ &ldquo;I didn't think it was so long as that,&rdquo; ses Peter. &ldquo;Time passes so
+ quick.&rdquo;
+ </p>
+ <p>
+ His uncle nodded. &ldquo;Ah, so it does,&rdquo; 'e ses. &ldquo;It's all the same whether we
+ spend it on the foaming ocean or pass our little lives ashore. Afore we
+ can turn round, in a manner o' speaking, it 'as gorn.&rdquo;
+ </p>
+ <p>
+ &ldquo;The main thing,&rdquo; ses Peter, in a good voice, &ldquo;is to pass it properly.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then it don't matter,&rdquo; ses Ginger.
+ </p>
+ <p>
+ &ldquo;So it don't,&rdquo; ses Sam, very serious.
+ </p>
+ <p>
+ &ldquo;I held 'im in my arms when 'e was a baby,&rdquo; ses Mr. Goodman, looking at
+ Peter.
+ </p>
+ <p>
+ &ldquo;Fond o' children?&rdquo; ses Sam.
+ </p>
+ <p>
+ Mr. Goodman nodded. &ldquo;Fond of everybody,&rdquo; he ses.
+ </p>
+ <p>
+ &ldquo;That's 'ow Peter is,&rdquo; ses Ginger; &ldquo;specially young&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Peter Russet and Sam both turned and looked at 'im very sharp.
+ </p>
+ <p>
+ &ldquo;Children,&rdquo; ses Ginger, remembering 'imself, &ldquo;<i>and</i> teetotallers. I
+ s'pose it is being a teetotaller 'imself.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is Peter a teetotaller?&rdquo; ses Mr. Goodman. &ldquo;I'd no idea of it. Wot a
+ joyful thing!&rdquo;
+ </p>
+ <p>
+ &ldquo;It was your example wot put it into his 'ead fust, I b'leeve,&rdquo; ses Sam,
+ looking at Peter for 'im to notice 'ow clever he was.
+ </p>
+ <p>
+ &ldquo;And then, Sam and Ginger Dick being teetotallers too,&rdquo; ses Peter, &ldquo;we
+ all, natural-like, keep together.&rdquo;
+ </p>
+ <p>
+ Mr. Goodman said they was wise men, and, arter a little more talk, he said
+ 'ow would it be if they went out and saw a little bit of the great wicked
+ city? They all said they would, and Ginger got quite excited about it
+ until he found that it meant London.
+ </p>
+ <p>
+ They got on a bus at Aldgate, and fust of all they went to the British
+ Museum, and when Mr. Goodman was tired o' that&mdash;and long arter the
+ others was&mdash;they went into a place and 'ad a nice strong cup of tea
+ and a piece o' cake each. When they come out o' there they all walked
+ about looking at the shops until they was tired out, and arter wot Mr.
+ Goodman said was a very improving evening they all went 'ome.
+ </p>
+ <p>
+ Sam and Ginger went 'ome just for the look 'o the thing, and arter waiting
+ a few minutes in their room they crept downstairs agin to spend wot was
+ left of the evening. They went down as quiet as mice, but, for all that,
+ just as they was passing Mr. Goodman's room the door opened, and Peter, in
+ a polite voice, asked 'em to step inside.
+ </p>
+ <p>
+ &ldquo;We was just thinking you'd be dull up there all alone,&rdquo; he ses.
+ </p>
+ <p>
+ Sam lost 'is presence o' mind, and afore he knew wot 'e was doing 'im and
+ Ginger 'ad walked in and sat down. They sat there for over an hour and a
+ 'arf talking, and then Sam, with a look at Ginger, said they must be
+ going, because he 'ad got to call for a pair o' boots he 'ad left to be
+ mended.
+ </p>
+ <p>
+ &ldquo;Why, Sam, wot are you thinking of?&rdquo; ses Peter, who didn't want anybody to
+ 'ave wot he couldn't. &ldquo;Why, the shop's shut.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't think so,&rdquo; ses Sam, glaring at 'im. &ldquo;Anyway, we can go and see.&rdquo;
+ </p>
+ <p>
+ Peter said he'd go with 'im, and just as they got to the door Mr. Goodman
+ said he'd go too. O' course, the shops was shut, and arter Mr. Goodman 'ad
+ stood on Tower Hill admiring the Tower by moonlight till Sam felt ready to
+ drop, they all walked back. Three times Sam's boot-lace come undone, but
+ as the ethers all stopped too to see 'im do it up it didn't do 'im much
+ good. Wot with temper and dryness 'e could 'ardly bid Peter &ldquo;Good-night.&rdquo;
+ </p>
+ <p>
+ Sam and Ginger 'ad something the next morning, but morning ain't the time
+ for it; and arter they had 'ad dinner Mr. Goodman asked 'em to go to the
+ Zoological Gardens with 'im. He paid for them all, and he 'ad a lot to say
+ about kindness to animals and 'ow you could do anything with 'em a'most by
+ kindness. He walked about the place talking like a book, and when a fat
+ monkey, wot was pretending to be asleep, got a bit o' Sam's whisker, he
+ said it was on'y instink, and the animal had no wish to do 'im 'arm.
+ </p>
+ <p>
+ &ldquo;Very likely thought it was doing you a kindness, Sam,&rdquo; ses Ginger.
+ </p>
+ <p>
+ Mr. Goodman said it was very likely, afore Sam could speak, and arter
+ walking about and looking at the other things they come out and 'ad a
+ nice, strong, 'ot cup o' tea, same as they 'ad the day before, and then
+ walked about, not knowing what to do with themselves.
+ </p>
+ <p>
+ Sam got tired of it fust, and catching Ginger's eye said he thought it was
+ time to get 'ome in case too much enjoyment wasn't good for 'em. His idea
+ was to get off with Ginger and make a night of it, and when 'e found Peter
+ and his uncle was coming too, he began to think that things was looking
+ serious.
+ </p>
+ <p>
+ &ldquo;I don't want to spile your evening,&rdquo; he says, very perlite. &ldquo;I must get
+ 'ome to mend a pair o' trowsis o' mine, but there's no need for you to
+ come.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'll come and watch you,&rdquo; ses Peter's uncle.
+ </p>
+ <p>
+ &ldquo;And then I'm going off to bed early,&rdquo; ses Sam. &ldquo;Me, too,&rdquo; ses Ginger, and
+ Peter said he could hardly keep 'is eyes open.
+ </p>
+ <p>
+ They got on a bus, and as Sam was about to foller Ginger and Peter on top,
+ Mr. Goodman took hold of 'im by the arm and said they'd go inside. He paid
+ two penny fares, and while Sam was wondering 'ow to tell 'im that it would
+ be threepence each, the bus stopped to take up a passenger and he got up
+ and moved to the door.
+ </p>
+ <p>
+ &ldquo;They've gone up there,&rdquo; he ses, pointing.
+ </p>
+ <p>
+ Afore Sam could stop 'im he got off, and Sam, full o' surprise, got off
+ too, and follered 'im' on to the pavement.
+ </p>
+ <p>
+ &ldquo;Who's gone up there?&rdquo; he ses, as the bus went on agin.
+ </p>
+ <p>
+ &ldquo;Peter and Mr. Ginger Dick,&rdquo; ses Mr. Goodman. &ldquo;But don't you trouble. You
+ go 'ome and mend your trowsis.&rdquo;
+ </p>
+ <p>
+ &ldquo;But they're on the bus,&rdquo; ses Sam, staring. &ldquo;Dick and Peter, I mean.&rdquo;
+ </p>
+ <p>
+ Mr. Goodman shook his 'ead.
+ </p>
+ <p>
+ &ldquo;They got off. Didn't you see 'em?&rdquo; he ses.
+</p>
+ <p>
+&ldquo;No,&rdquo; ses Sam, &ldquo;I'll swear they didn't.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, it's my mistake, I s'pose,&rdquo; ses Peter's uncle. &ldquo;But you get off
+ home; I'm not tired yet, and I'll walk.&rdquo;
+ </p>
+ <p>
+ Sam said 'e wasn't very tired, and he walked along wondering whether Mr.
+ Goodman was quite right in his 'ead. For one thing, 'e seemed upset about
+ something or other, and kept taking little peeps at 'im in a way he
+ couldn't understand at all.
+ </p>
+ <p>
+ &ldquo;It was nice tea we 'ad this arternoon,&rdquo; ses Mr. Goodman at last.
+ </p>
+ <p>
+ &ldquo;De-licious,&rdquo; ses Sam.
+ </p>
+ <p>
+ &ldquo;Trust a teetotaller for knowing good tea,&rdquo; ses Mr. Goodman. &ldquo;I expect
+ Peter enjoyed it. I s'pose 'e is a very strict teetotaller?&rdquo;
+ </p>
+ <p>
+ &ldquo;Strict ain't the word for it,&rdquo; ses Sam, trying to do 'is duty by Peter.
+ &ldquo;We all are.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's right,&rdquo; ses Mr. Goodman, and he pushed his 'at back and looked at
+ Sam very serious. They walked on a bit further, and then Peter's uncle
+ stopped sudden just as they was passing a large public-'ouse and looked at
+ Sam.
+ </p>
+ <p>
+ &ldquo;I don't want Peter to know, 'cos it might alarm 'im,&rdquo; he ses, &ldquo;but I've
+ come over a bit faint. I'll go in 'ere for 'arf a minnit and sit down.
+ You'd better wait outside.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'll come in with you, in case you want help,&rdquo; ses Sam. &ldquo;I don't mind wot
+ people think.&rdquo;
+ </p>
+ <p>
+ Mr. Goodman tried to persuade 'im not to, but it was all no good, and at
+ last 'e walked in and sat down on a tall stool that stood agin the bar,
+ and put his hand to his 'ead.
+ </p>
+ <p>
+ &ldquo;I s'pose we shall 'ave to 'ave something,&rdquo; he ses in a whisper to Sam;
+ &ldquo;we can't expect to come in and sit down for nothing. What'll you take?&rdquo;
+ </p>
+ <p>
+ Sam looked at 'im, but he might just as well ha' looked at a brass
+ door-knob.
+ </p>
+ <p>
+ &ldquo;I&mdash;I&mdash;I'll 'ave a small ginger-beer,&rdquo; he ses at last, &ldquo;a very
+ small one.&rdquo;
+ </p>
+ <p>
+ &ldquo;One small ginger,&rdquo; ses Mr. Goodman to the bar-maid, &ldquo;and one special
+ Scotch.&rdquo;
+ </p>
+ <p>
+ Sam could 'ardly believe his ears, and he stood there 'oldin' his glass o'
+ ginger-beer and watching Peter's teetotal uncle drink whiskey, and thought
+ 'e must be dreaming.
+ </p>
+ <p>
+ &ldquo;I dessay it seems very shocking to you,&rdquo; ses Mr. Goodman, putting down
+ 'is glass and dryin' 'is lips on each other, &ldquo;but I find it useful for
+ these attacks.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I s'pose the flavor's very nasty?&rdquo; ses Sam, taking a sip at 'is
+ ginger-beer.
+ </p>
+ <p>
+ &ldquo;Not exactly wot you could call nasty,&rdquo; ses Mr. Goodman, &ldquo;though I dessay
+ it would seem so to you. I don't suppose you could swallow it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't s'pose I could,&rdquo; ses Sam, &ldquo;but I've a good mind to 'ave a try. If
+ it's good for one teetotaller I don't see why it should hurt another.&rdquo;
+ </p>
+ <p>
+ Mr. Goodman looked at 'im very hard, and then he ordered a whiskey and
+ stood watching while Sam, arter pretending for a minnit to look at it as
+ though 'e didn't know wot to do with it, took a sip and let it roll round
+ 'is mouth.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; ses Mr. Goodman, looking at 'im anxious-like.
+ </p>
+ <p>
+ &ldquo;It ain't so 'orrid as I 'ad fancied,&rdquo; ses Sam, lapping up the rest very
+ gentle.
+ </p>
+ <p>
+ <a name="linkimage-33" id="linkimage-33">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/033.jpg" width="100%"
+ alt="'It Aint So 'orrid As I 'ad Fancied.' Ses Sam.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;'Ave you 'ad enough to do you all the good it ought to?&rdquo;
+ </p>
+ <p>
+ Mr. Goodman said that it was no good 'arf doing a thing, and p'r'aps he
+ 'ad better 'ave one more; and arter Sam 'ad paid for the next two they
+ went out arm-in-arm.
+ </p>
+ <p>
+ &ldquo;'Ow cheerful everybody looks!&rdquo; ses Mr. Goodman, smiling.
+ </p>
+ <p>
+ &ldquo;They're going to amuse theirselves, I expect,&rdquo; ses Sam&mdash;&ldquo;music-'alls
+ and such-like.&rdquo;
+ </p>
+ <p>
+ Mr. Goodman shook his 'ead at 'em.
+ </p>
+ <p>
+ &ldquo;Music-'alls ain't so bad as some people try to make out,&rdquo; ses Sam.
+ </p>
+ <p>
+ &ldquo;Look 'ere; I took some drink to see what the flavor was like; suppose you
+ go to a music-'all to see wot that's like?&rdquo;
+ </p>
+ <p>
+ &ldquo;It seems on'y fair,&rdquo; ses Peter's uncle, considering.
+ </p>
+ <p>
+ &ldquo;It is fair,&rdquo; ses Sam, and twenty minutes arterwards they was sitting in a
+ music-'all drinking each other's 'ealths and listening to the songs&mdash;
+ Mr. Goodman with a big cigar in 'is mouth and his 'at cocked over one eye,
+ and Sam beating time to the music with 'is pipe.
+ </p>
+ <p>
+ &ldquo;'Ow do you like it?&rdquo; he ses.
+ </p>
+ <p>
+ Mr. Goodman didn't answer 'im because 'e was joining in the chorus with
+ one side of 'is mouth and keeping 'is cigar alight with the other. He just
+ nodded at 'im; but 'e looked so 'appy that Sam felt it was a pleasure to
+ sit there and look at 'im.
+ </p>
+ <p>
+ &ldquo;I wonder wot Peter and Ginger is doin'?&rdquo; he ses, when the song was
+ finished.
+ </p>
+ <p>
+ &ldquo;I don't know,&rdquo; ses Mr. Goodman, &ldquo;and, wot's more, I don't care. If I'd
+ 'ad any idea that Peter was like wot he is I should never 'ave wrote to
+ 'im. I can't think 'ow you can stand 'im.&rdquo;
+ </p>
+ <p>
+ &ldquo;He ain't so bad,&rdquo; ses Sam, wondering whether he ought to tell 'im 'arf of
+ wot Peter really was like.
+ </p>
+ <p>
+ &ldquo;Bad!&rdquo; ses Mr. Goodman. &ldquo;I come up to London for a 'oliday&mdash;a change,
+ mind you&mdash;and I thought Peter and me was going to 'ave a good time.
+ Instead o' that, he goes about with a face as long as a fiddle. He don't
+ drink, 'e don't go to places of amusement&mdash;innercent places of
+ amusement &mdash;and 'is idea of enjoying life is to go walking about the
+ streets and drinking cups o' tea.&rdquo;
+ </p>
+ <p>
+ &ldquo;We must try and alter 'im,&rdquo; ses Sam, arter doing a bit o' thinking.
+ </p>
+ <p>
+ &ldquo;Certainly not,&rdquo; ses Mr. Goodman, laying his 'and on Sam's knee. &ldquo;Far be
+ it from me to interfere with a feller-creature's ideas o' wot's right.
+ Besides, he might get writing to 'is sister agin, and she might tell my
+ wife.&rdquo;
+ </p>
+ <p>
+ &ldquo;But Peter said she was dead,&rdquo; ses Sam, very puzzled.
+ </p>
+ <p>
+ &ldquo;I married agin,&rdquo; ses Peter's uncle, in a whisper, 'cos people was telling
+ 'im to keep quiet, &ldquo;a tartar&mdash;a perfect tartar. She's in a
+ 'orsepittle at present, else I shouldn't be 'ere. And I shouldn't ha' been
+ able to come if I 'adn't found five pounds wot she'd hid in a match-box up
+ the chimbley.&rdquo;
+ </p>
+ <p>
+ &ldquo;But wot'll you do when she finds it out?&rdquo; ses Sam, opening 'is eyes.
+ </p>
+ <p>
+ &ldquo;I'm going to 'ave the house cleaned and the chimbleys swept to welcome
+ her 'ome,&rdquo; ses Mr. Goodman, taking a sip o' whiskey. &ldquo;It'll be a little
+ surprise for her.&rdquo;
+ </p>
+ <p>
+ They stayed till it was over, and on the bus he gave Sam some strong
+ peppermint lozenges wot 'e always carried about with 'im, and took some
+ 'imself. He said 'e found 'em helpful.
+ </p>
+ <p>
+ &ldquo;What are we going to tell Peter and Ginger?&rdquo; ses Sam, as they got near
+ the 'ouse.
+ </p>
+ <p>
+ &ldquo;Tell 'em?&rdquo; ses Mr. Goodman. &ldquo;Tell 'em the truth. How we follered 'em when
+ they got off the bus, and 'ave been looking for 'em ever since. I'm not
+ going to 'ave my 'oliday spoilt by a teetotal nevvy, I can tell you.&rdquo;
+ </p>
+ <p>
+ He started on Peter, wot was sitting on his bed with Ginger waiting for
+ them, the moment he got inside, and all Ginger and Peter could say didn't
+ make any difference.
+ </p>
+ <p>
+ &ldquo;Mr. Small see you as plain as what I did,&rdquo; he ses.
+ </p>
+ <p>
+ &ldquo;Plainer,&rdquo; ses Sam.
+ </p>
+ <p>
+ &ldquo;But I tell you we come straight 'ome,&rdquo; ses Ginger, &ldquo;and we've been
+ waiting for you 'ere ever since.&rdquo;
+ </p>
+ <p>
+ Mr. Goodman shook his 'ead at 'im. &ldquo;Say no more about it,&rdquo; he ses, in a
+ kind voice. &ldquo;I dessay it's rather tiresome for young men to go about with
+ two old ones, and in future, if you and Peter keep together, me and my
+ friend Mr. Small will do the same.&rdquo;
+ </p>
+ <p>
+ Sam shook 'ands with 'im, and though Peter tried his 'ardest to make 'im
+ alter his mind it was no good. His uncle patted 'im on the shoulder, and
+ said they'd try it for a few days, at any rate, and Ginger, wot thought it
+ was a very good idea, backed 'im up. Everybody seemed pleased with the
+ idea except Peter Russet, but arter Sam 'ad told 'im in private wot a high
+ opinion 'is uncle 'ad got of 'im, and 'ow well off he was, 'e gave way.
+ </p>
+ <p>
+ They all enjoyed the next evening, and Sam and Mr. Goodman got on together
+ like twin brothers. They went to a place of amusement every night, and the
+ on'y unpleasantness that happened was when Peter's uncle knocked a
+ chemist's shop up at a quarter-past twelve one night to buy a penn'orth o'
+ peppermint lozenges.
+ </p>
+ <p>
+ They 'ad four of the 'appiest evenings together that Sam 'ad ever known;
+ and Mr. Goodman would 'ave been just as 'appy too if it hadn't ha' been
+ for the thoughts o' that five pounds. The more 'e thought of it the more
+ unlikely it seemed that 'is wife would blame it on to the sweep, and one
+ night he took the match-box out of 'is pocket and shook his 'ead over it
+ till Sam felt quite sorry for 'im.
+ </p>
+ <p>
+ &ldquo;Don't take up your troubles afore they come,&rdquo; he ses. &ldquo;Orsepittles are
+ dangerous places.&rdquo;
+ </p>
+ <p>
+ Mr. Goodman cheered up a bit at that, but he got miserable agin the next
+ night because 'is money was getting low and he wanted another week in
+ London.
+ </p>
+ <p>
+ &ldquo;I've got seven shillings and fourpence and two stamps left,&rdquo; he ses.
+ &ldquo;Where it's all gone to I can't think.&rdquo;
+ </p>
+ <p>
+ &ldquo;Don't you worry about that,&rdquo; ses Sam. &ldquo;I've got a pound or two left yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I ain't going to be a burden on you,&rdquo; ses Mr. Goodman, &ldquo;but another
+ week I must 'ave, so I must get the money somehow. Peter can't spend much,
+ the way he goes on.&rdquo;
+ </p>
+ <p>
+ Sam gave a little cough.
+ </p>
+ <p>
+ &ldquo;I'll get a pound or two out of 'im,&rdquo; ses Mr. Goodman.
+ </p>
+ <p>
+ Sam coughed agin. &ldquo;Won't he think it rather funny?&rdquo; he ses, arter a bit.
+ </p>
+ <p>
+ &ldquo;Not if it's managed properly,&rdquo; ses Mr. Goodman, thinking 'ard. &ldquo;I'll
+ tell you 'ow we'll do it. To-morrow morning, while we are eating of our
+ breakfast, you ask me to lend you a pound or two.&rdquo;
+ </p>
+ <p>
+ Sam, what 'ad just taken up 'is glass for a drink, put it down agin and
+ stared at 'im.
+ </p>
+ <p>
+ &ldquo;But I don't want no money,&rdquo; he ses; &ldquo;and, besides, you 'aven't got any.&rdquo;
+ </p>
+ <p>
+ &ldquo;You do as I tell you,&rdquo; ses Mr. Goodman, &ldquo;and when you've got it, you hand
+ it over to me, see? Ask me to lend you five pounds.&rdquo;
+ </p>
+ <p>
+ Sam thought as 'ow the whiskey 'ad got to Mr. Goodman's 'ead at last.
+ 'Owever, to pacify 'im he promised to do wot 'e was told, and next
+ morning, when they was all at breakfast, he looks over and catches Mr.
+ Goodman's eye.
+ </p>
+ <p>
+ &ldquo;I wonder if I might be so bold as to ask a favor of you?&rdquo; he ses.
+ </p>
+ <p>
+ &ldquo;Certainly,&rdquo; ses Peter's uncle, &ldquo;and glad I shall be to oblige you. There
+ is no man I've got a greater respect for.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thankee,&rdquo; ses Sam. &ldquo;The fact is, I've run a bit short owing to paying a
+ man some money I owed 'im. If you could lend me five pounds, I couldn't
+ thank you enough.&rdquo;
+ </p>
+ <p>
+ Mr. Goodman put down 'is knife and fork and wrinkled up 'is forehead.
+ </p>
+ <p>
+ &ldquo;I'm very sorry,&rdquo; he ses, feeling in 'is pockets; &ldquo;do you want it to-day?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes; I should like it,&rdquo; ses Sam.
+ </p>
+ <p>
+ &ldquo;It's most annoying,&rdquo; ses Mr. Goodman, &ldquo;but I was so afraid o' pickpockets
+ that I didn't bring much away with me. If you could wait till the day
+ arter to-morrow, when my money is sent to me, you can 'ave ten if you
+ like.&rdquo;
+ </p>
+ <p>
+ &ldquo;You're very kind,&rdquo; ses Sam, &ldquo;but that 'ud be too late for me. I must try
+ and get it somewhere else.&rdquo; Peter and Ginger went on eating their
+ breakfast, but every time Peter looked up he caught 'is uncle looking at
+ 'im in such a surprised and disappointed sort o' way that 'e didn't like
+ the look of it at all.
+ </p>
+ <p>
+ &ldquo;I could just do it for a couple o' days, Sam,&rdquo; he ses at last, &ldquo;but it'll
+ leave me very short.&rdquo;
+ </p>
+ <p>
+ &ldquo;That's right,&rdquo; ses his uncle, smiling. &ldquo;My nevvy, Peter Russet, will lend
+ it to you, Mr. Small, of 'is own free will. He 'as offered afore he was
+ asked, and that's the proper way to do it, in my opinion.&rdquo;
+ </p>
+ <p>
+ He reached acrost the table and shook 'ands with Peter, and said that
+ generosity ran in their family, and something seemed to tell 'im as Peter
+ wouldn't lose by it. Everybody seemed pleased with each other, and arter
+ Ginger Dick and Peter 'ad gone out Mr. Goodman took the five pounds off of
+ old Sam and stowed 'em away very careful in the match-box.
+ </p>
+ <p>
+ <a name="linkimage-34" id="linkimage-34">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/034.jpg" width="100%"
+ alt="'He Reached Acrost the Table and Shook 'ands With Peter.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;It's nice to 'ave money agin,&rdquo; he ses. &ldquo;There's enough for a week's
+ enjoyment here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; ses Sam, slow-like; &ldquo;but wot I want to know is, wot about the day
+ arter to-morrow, when Peter expects 'is money?&rdquo;
+ </p>
+ <p>
+ Mr. Goodman patted 'im on the shoulder. &ldquo;Don't you worry about Peter's
+ troubles,&rdquo; he ses. &ldquo;I know exactly wot to do; it's all planned out. Now
+ I'm going to 'ave a lay down for an hour&mdash;I didn't get much sleep
+ last night&mdash;and if you'll call me at twelve o'clock we'll go
+ somewhere. Knock loud.&rdquo;
+ </p>
+ <p>
+ He patted 'im on the shoulder agin, and Sam, arter fidgeting about a bit,
+ went out. The last time he ever see Peter's uncle he was laying on the bed
+ with 'is eyes shut, smiling in his sleep. And Peter Russet didn't see Sam
+ for eighteen months.
+ </p>
+ <p>
+ <a name="link2H_4_9" id="link2H_4_9">
+ <!-- H2 anchor --> </a>
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <h2>
+ THE HEAD OF THE FAMILY
+ </h2>
+ <p>
+ Mr. Letts had left his ship by mutual arrangement, and the whole of the
+ crew had mustered to see him off and to express their sense of relief at
+ his departure. After some years spent in long voyages, he had fancied a
+ trip on a coaster as a change, and, the schooner Curlew having no use for
+ a ship's carpenter, had shipped as cook. He had done his best, and the
+ unpleasant epithets that followed him along the quay at Dunchurch as he
+ followed in the wake of his sea-chest were the result. Master and mate
+ nodded in grim appreciation of the crew's efforts.
+ </p>
+ <p>
+ <a name="linkimage-35" id="linkimage-35">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/035.jpg" width="100%"
+ alt="'After Some Years Spent in Long Voyages' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ He put his chest up at a seamen's lodging-house, and, by no means
+ perturbed at this sudden change in his fortunes, sat on a seat overlooking
+ the sea, with a cigarette between his lips, forming plans for his future.
+ His eyes closed, and he opened them with a start to find that a
+ middle-aged woman of pleasant but careworn appearance had taken the other
+ end of the bench.
+ </p>
+ <p>
+ &ldquo;Fine day,&rdquo; said Mr. Letts, lighting another cigarette.
+ </p>
+ <p>
+ The woman assented and sat looking over the sea.
+ </p>
+ <p>
+ &ldquo;Ever done any cooking?&rdquo; asked Mr. Letts, presently.
+ </p>
+ <p>
+ &ldquo;Plenty,&rdquo; was the surprised reply. &ldquo;Why?&rdquo;
+ </p>
+ <p>
+ &ldquo;I just wanted to ask you how long you would boil a bit o' beef,&rdquo; said Mr.
+ Letts. &ldquo;Only from curiosity; I should never ship as cook again.&rdquo;
+ </p>
+ <p>
+ He narrated his experience of the last few days, and, finding the listener
+ sympathetic, talked at some length about himself and his voyages; also of
+ his plans for the future.
+ </p>
+ <p>
+ &ldquo;I lost my son at sea,&rdquo; said the woman, with a sigh. &ldquo;You favor him
+ rather.&rdquo;
+ </p>
+ <p>
+ Mr. Letts's face softened. &ldquo;Sorry,&rdquo; he said. &ldquo;Sorry you lost him, I mean.&rdquo;
+ </p>
+ <p>
+ &ldquo;At least, I suppose he would have been like you,&rdquo; said the other; &ldquo;but
+ it's nine years ago now. He was just sixteen.&rdquo;
+ </p>
+ <p>
+ Mr. Letts&mdash;after a calculation&mdash;nodded. &ldquo;Just my age,&rdquo; he said.
+ &ldquo;I was twenty-five last March.&rdquo;
+ </p>
+ <p>
+ &ldquo;Sailed for Melbourne,&rdquo; said the woman. &ldquo;My only boy.&rdquo;
+ </p>
+ <p>
+ Mr. Letts cleared his throat, sympathetically.
+ </p>
+ <p>
+ &ldquo;His father died a week after he sailed,&rdquo; continued the other, &ldquo;and three
+ months afterwards my boy's ship went down. Two years ago, like a fool, I
+ married again. I don't know why I'm talking to you like this. I suppose it
+ is because you remind me of him.&rdquo;
+ </p>
+ <p>
+ &ldquo;You talk away as much as you like,&rdquo; said Mr. Letts, kindly. &ldquo;I've got
+ nothing to do.&rdquo;
+ </p>
+ <p>
+ He lit another cigarette, and, sitting in an attitude of attention,
+ listened to a recital of domestic trouble that made him congratulate
+ himself upon remaining single.
+ </p>
+ <p>
+ &ldquo;Since I married Mr. Green I can't call my soul my own,&rdquo; said the victim
+ of matrimony as she rose to depart. &ldquo;If my poor boy had lived things would
+ have been different. His father left the house and furniture to him, and
+ that's all my second married me for, I'm sure. That and the bit o' money
+ that was left to me. He's selling some of my boy's furniture at this very
+ moment. That's why I came out; I couldn't bear it.&rdquo;
+ </p>
+ <p>
+ &ldquo;P'r'aps he'll turn up after all,&rdquo; said Mr. Letts. &ldquo;Never say die.&rdquo;
+ </p>
+ <p>
+ Mrs. Green shook her head.
+ </p>
+ <p>
+ &ldquo;I s'pose,&rdquo; said Mr. Letts, regarding her&mdash;&ldquo;I s'pose you don't let
+ lodgings for a night or two?&rdquo; Mrs. Green shook her head again.
+ </p>
+ <p>
+ &ldquo;It don't matter,&rdquo; said the young man. &ldquo;Only I would sooner stay with you
+ than at a lodging-house. I've taken a fancy to you. I say, it would be a
+ lark if you did, and I went there and your husband thought I was your son,
+ wouldn't it?&rdquo;
+ </p>
+ <p>
+ Mrs. Green caught her breath, and sitting down again took his arm in her
+ trembling fingers.
+ </p>
+ <p>
+ &ldquo;Suppose,&rdquo; she said, unsteadily&mdash;&ldquo;suppose you came round and
+ pretended to be my son&mdash;pretended to be my son, and stood up for me?&rdquo;
+ </p>
+ <p>
+ Mr. Letts stared at her in amazement, and then began to laugh.
+ </p>
+ <p>
+ &ldquo;Nobody would know,&rdquo; continued the other, quickly. &ldquo;We only came to this
+ place just before he sailed, and his sister was only ten at the time. She
+ wouldn't remember.&rdquo;
+ </p>
+ <p>
+ Mr. Letts said he couldn't think of it, and sat staring, with an air of
+ great determination, at the sea. Arguments and entreaties left him
+ unmoved, and he was just about to express his sorrow for her troubles and
+ leave, when she gave a sudden start and put her arm through his.
+ </p>
+ <p>
+ &ldquo;Here comes your sister!&rdquo; she exclaimed.
+ </p>
+ <p>
+ Mr. Letts started in his turn.
+ </p>
+ <p>
+ &ldquo;She has seen me holding your arm,&rdquo; continued Mrs. Green, in a tense
+ whisper. &ldquo;It's the only way I can explain it. Mind, your name is Jack
+ Foster and hers is Betty.&rdquo;
+ </p>
+ <p>
+ Mr. Letts gazed at her in consternation, and then, raising his eyes,
+ regarded with much approval the girl who was approaching. It seemed
+ impossible that she could be Mrs. Green's daughter, and in the excitement
+ of the moment he nearly said so.
+ </p>
+ <p>
+ &ldquo;Betty,&rdquo; said Mrs. Green, in a voice to which nervousness had imparted
+ almost the correct note&mdash;&ldquo;Betty, this is your brother Jack!&rdquo;
+ </p>
+ <p>
+ Mr. Letts rose sheepishly, and then to his great amazement a pair of
+ strong young arms were flung round his neck, and a pair of warm lips&mdash;
+ after but slight trouble&mdash;found his. Then and there Mr. Letts's mind
+ was made up.
+ </p>
+ <p>
+ <a name="linkimage-36" id="linkimage-36">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/036.jpg" width="100%"
+ alt="'Then and There Mr. Letts's Mind Was Made Up. " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;Oh, Jack!&rdquo; said Miss Foster, and began to cry softly.
+ </p>
+ <p>
+ &ldquo;Oh, Jack!&rdquo; said Mrs. Green, and, moved by thoughts, perhaps, of what
+ might have been, began to cry too.
+ </p>
+ <p>
+ &ldquo;There, there!&rdquo; said Mr. Letts.
+ </p>
+ <p>
+ He drew Miss Foster to the seat, and, sitting between them, sat with an
+ arm round each. There was nothing in sight but a sail or two in the far
+ distance, and he allowed Miss Foster's head to lie upon his shoulder
+ undisturbed. An only child, and an orphan, he felt for the first time the
+ blessing of a sister's love.
+ </p>
+ <p>
+ &ldquo;Why didn't you come home before?&rdquo; murmured the girl.
+ </p>
+ <p>
+ Mr. Letts started and squinted reproachfully at the top of her hat. Then
+ he turned and looked at Mrs. Green in search of the required information.
+ &ldquo;He was shipwrecked,&rdquo; said Mrs. Green.
+ </p>
+ <p>
+ &ldquo;I was shipwrecked,&rdquo; repeated Mr. Letts, nodding.
+ </p>
+ <p>
+ &ldquo;And had brain-fever after it through being in the water so long, and lost
+ his memory,&rdquo; continued Mrs. Green.
+ </p>
+ <p>
+ &ldquo;It's wonderful what water will do&mdash;salt water,&rdquo; said Mr. Letts, in
+ confirmation.
+ </p>
+ <p>
+ Miss Foster sighed, and, raising the hand which was round her waist, bent
+ her head and kissed it. Mr. Letts colored, and squeezed her convulsively.
+ </p>
+ <p>
+ Assisted by Mrs. Green he became reminiscent, and, in a low voice,
+ narrated such incidents of his career as had escaped the assaults of the
+ brain-fever. That his head was not permanently injured was proved by the
+ perfect manner in which he remembered incidents of his childhood narrated
+ by his newly found mother and sister. He even volunteered one or two
+ himself which had happened when the latter was a year or two old.
+ </p>
+ <p>
+ &ldquo;And now,&rdquo; said Mrs. Green, in a somewhat trembling voice, &ldquo;we must go and
+ tell your step-father.&rdquo;
+ </p>
+ <p>
+ Mr. Letts responded, but without briskness, and, with such moral support
+ as an arm of each could afford, walked slowly back. Arrived at a road of
+ substantial cottages at the back of the town, Mrs. Green gasped, and,
+ coming to a standstill, nodded at a van that stood half-way up the road.
+ </p>
+ <p>
+ &ldquo;There it is,&rdquo; she exclaimed.
+ </p>
+ <p>
+ &ldquo;What?&rdquo; demanded Mr. Letts.
+ </p>
+ <p>
+ &ldquo;The furniture I told you about,&rdquo; said Mrs. Green. &ldquo;The furniture that
+ your poor father thought such a lot of, because it used to belong to his
+ grandfather. He's selling it to Simpson, though I begged and prayed him
+ not to.&rdquo;
+ </p>
+ <p>
+ Mr. Letts encouraged himself with a deep cough. &ldquo;My furniture?&rdquo; he
+ demanded.
+ </p>
+ <p>
+ Mrs. Green took courage. &ldquo;Yes,&rdquo; she said, hopefully; &ldquo;your father left it
+ to you.&rdquo;
+ </p>
+ <p>
+ Mr. Letts, carrying his head very erect, took a firmer grip of their arms
+ and gazed steadily at a disagreeable-looking man who was eying them in
+ some astonishment from the doorway. With arms still linked they found the
+ narrow gateway somewhat difficult, but they negotiated it by a turning
+ movement, and, standing in the front garden, waited while Mrs. Green tried
+ to find her voice.
+ </p>
+ <p>
+ <a name="linkimage-37" id="linkimage-37">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/037.jpg" width="100%"
+ alt="'A Disagreeable-looking Man Was Eying Them in Some Astonishment from the Doorway.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;Jack,&rdquo; she said at last, &ldquo;this is your stepfather.&rdquo;
+ </p>
+ <p>
+ Mr. Letts, in some difficulty as to the etiquette on such occasions,
+ released his right arm and extended his hand.
+ </p>
+ <p>
+ &ldquo;Good-evening, stepfather,&rdquo; he said, cheerfully.
+ </p>
+ <p>
+ Mr. Green drew back a little and regarded him unfavorably.
+ </p>
+ <p>
+ &ldquo;We&mdash;we thought you was drowned,&rdquo; he said at last.
+ </p>
+ <p>
+ &ldquo;I was nearly,&rdquo; said Mr. Letts.
+ </p>
+ <p>
+ &ldquo;We all thought so,&rdquo; pursued Mr. Green, grudgingly. &ldquo;Everybody thought
+ so.&rdquo;
+ </p>
+ <p>
+ He stood aside, as a short, hot-faced man, with a small bureau clasped in
+ his arms and supported on his knees, emerged from the house and staggered
+ towards the gate. Mr. Letts reflected.
+ </p>
+ <p>
+ &ldquo;Halloa!&rdquo; he said, suddenly. &ldquo;Why, are you moving, mother?&rdquo;
+ </p>
+ <p>
+ Mrs. Green sniffed sadly and shook her head. &ldquo;Well,&rdquo; said Mr. Letts, with
+ an admirable stare, &ldquo;what's that chap doing with my furniture?&rdquo;
+ </p>
+ <p>
+ &ldquo;Eh?&rdquo; spluttered Mr. Green. &ldquo;What?&rdquo;
+ </p>
+ <p>
+ &ldquo;I say, what's he doing with my furniture?&rdquo; repeated Mr. Letts, sternly.
+ </p>
+ <p>
+ Mr. Green waved his arm. &ldquo;That's all right,&rdquo; he said, conclusively; &ldquo;he's
+ bought it. Your mother knows.&rdquo;
+ </p>
+ <p>
+ &ldquo;But it ain't all right,&rdquo; said Mr. Letts. &ldquo;Here! bring that back, and
+ those chairs too.&rdquo;
+ </p>
+ <p>
+ The dealer, who had just placed the bureau on the tail-board of the van,
+ came back wiping his brow with his sleeve.
+ </p>
+ <p>
+ &ldquo;Wots the little game?&rdquo; he demanded.
+ </p>
+ <p>
+ Mr. Letts left the answer to Mr. Green, and going to the van took up the
+ bureau and walked back to the house with it. Mr. Green and the dealer
+ parted a little at his approach, and after widening the parting with the
+ bureau he placed it in the front room while he went back for the chairs.
+ He came back with three of them, and was, not without reason, called a
+ porcupine by the indignant dealer.
+ </p>
+ <p>
+ He was relieved to find, after Mr. Simpson had taken his departure, that
+ Mr. Green was in no mood for catechising him, and had evidently accepted
+ the story of his escape and return as a particularly disagreeable fact. So
+ disagreeable that the less he heard of it the better.
+ </p>
+ <p>
+ &ldquo;I hope you've not come home after all these years to make things
+ unpleasant?&rdquo; he remarked presently, as they sat at tea.
+ </p>
+ <p>
+ &ldquo;I couldn't be unpleasant if I tried,&rdquo; said Mr. Letts.
+ </p>
+ <p>
+ &ldquo;We've been very happy and comfortable here&mdash;me and your mother and
+ sister,&rdquo; continued Mr. Green. &ldquo;Haven't we, Emily?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said his wife, with nervous quickness.
+ </p>
+ <p>
+ &ldquo;And I hope you'll be the same,&rdquo; said Mr. Green. &ldquo;It's my wish that you
+ should make yourself quite comfortable here&mdash;till you go to sea
+ again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thankee,&rdquo; said Mr. Letts; &ldquo;but I don't think I shall go to sea any more.
+ Ship's carpenter is my trade, and I've been told more than once that I
+ should do better ashore. Besides, I don't want to lose mother and Betty
+ again.&rdquo;
+ </p>
+ <p>
+ He placed his arm round the girl's waist, and, drawing her head on to his
+ shoulder, met with a blank stare the troubled gaze of Mrs. Green.
+ </p>
+ <p>
+ &ldquo;I'm told there's wonderful openings for carpenters in Australia,&rdquo; said
+ Mr. Green, trying to speak in level tones. &ldquo;Wonderful! A good carpenter
+ can make a fortune there in ten years, so I'm told.&rdquo;
+ </p>
+ <p>
+ Mr. Letts, with a slight wink at Mrs. Green and a reassuring squeeze with
+ his left arm, turned an attentive ear.
+ </p>
+ <p>
+ &ldquo;O' course, there's a difficulty,&rdquo; he said, slowly, as Mr. Green finished
+ a vivid picture of the joys of carpentering in Australia.
+ </p>
+ <p>
+ &ldquo;Difficulty?&rdquo; said the other.
+ </p>
+ <p>
+ &ldquo;Money to start with,&rdquo; explained Mr. Letts. &ldquo;It's no good starting without
+ money. I wonder how much this house and furniture would fetch? Is it all
+ mine, mother?&rdquo;
+ </p>
+ <p>
+ &ldquo;M-m-most of it,&rdquo; stammered Mrs. Green, gazing in a fascinated fashion at
+ the contorted visage of her husband.
+ </p>
+ <p>
+ &ldquo;All except a chair in the kitchen and three stair-rods,&rdquo; said Betty.
+ </p>
+ <p>
+ &ldquo;Speak when you're spoke to, miss!&rdquo; snarled her stepfather. &ldquo;When we
+ married we mixed our furniture up together&mdash;mixed it up so that it
+ would be impossible to tell which is which. Nobody could.&rdquo;
+ </p>
+ <p>
+ &ldquo;For the matter o' that, you could have all the kitchen chairs and all the
+ stair-rods,&rdquo; said Mr. Letts, generously. &ldquo;However, I don't want to do
+ anything in a hurry, and I shouldn't dream of going to Australia without
+ Betty. It rests with her.&rdquo;
+ </p>
+ <p>
+ &ldquo;She's going to be married,&rdquo; said Mr. Green, hastily; &ldquo;and if she wasn't
+ she wouldn't turn her poor, ailing mother out of house and home, that I'm
+ certain of. She's not that sort. We've had a word or two at times&mdash;me
+ and her&mdash;but I know a good daughter when I see one.&rdquo;
+ </p>
+ <p>
+ &ldquo;Married?&rdquo; echoed Mr. Letts, as his left arm relaxed its pressure. &ldquo;Who
+ to?&rdquo;
+ </p>
+ <p>
+ &ldquo;Young fellow o' the name of Henry Widden,&rdquo; replied Mr. Green, &ldquo;a very
+ steady young fellow; a great friend of mine.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; said Mr. Letts, blankly.
+ </p>
+ <p>
+ &ldquo;I'd got an idea, which I've been keeping as a little surprise,&rdquo; continued
+ Mr. Green, speaking very rapidly, &ldquo;of them living here with us, and saving
+ house-rent and furniture.&rdquo;
+ </p>
+ <p>
+ Mr. Letts surveyed him with a dejected eye.
+ </p>
+ <p>
+ &ldquo;It would be a fine start for them,&rdquo; continued the benevolent Mr. Green.
+ </p>
+ <p>
+ Mr. Letts, by a strong effort, regained his composure.
+ </p>
+ <p>
+ &ldquo;I must have a look at him first,&rdquo; he said, briskly. &ldquo;He mightn't meet
+ with my approval.&rdquo;
+ </p>
+ <p>
+ &ldquo;Eh?&rdquo; said Mr. Green, starting. &ldquo;Why, if Betty&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I must think it over,&rdquo; interrupted Mr. Letts, with a wave of his hand.
+ &ldquo;Betty is only nineteen, and, as head of the family, I don't think she can
+ marry without my consent. I'm not sure, but I don't think so. Anyway, if
+ she does, I won't have her husband here sitting in my chairs, eating off
+ my tables, sleeping in my beds, wearing out my stair-rods, helping himself&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Stow it,&rdquo; said Miss Foster, calmly.
+ </p>
+ <p>
+ Mr. Letts started, and lost the thread of his discourse. &ldquo;I must have a
+ look at him,&rdquo; he concluded, lamely; &ldquo;he may be all right, but then, again,
+ he mightn't.&rdquo;
+ </p>
+ <p>
+ He finished his tea almost in silence, and, the meal over, emphasized his
+ position as head of the family by taking the easy-chair, a piece of
+ furniture sacred to Mr. Green, and subjecting that injured man to a
+ catechism which strained his powers of endurance almost to breaking-point.
+ </p>
+ <p>
+ &ldquo;Well, I sha'n't make any change at present,&rdquo; said Mr. Letts, when the
+ task was finished. &ldquo;There's plenty of room here for us all, and, so long
+ as you and me agree, things can go on as they are. To-morrow morning I
+ shall go out and look for a job.&rdquo;
+ </p>
+ <p>
+ He found a temporary one almost at once, and, determined to make a
+ favorable impression, worked hard all day. He came home tired and dirty,
+ and was about to go straight to the wash-house to make his toilet when Mr.
+ Green called him in.
+ </p>
+ <p>
+ &ldquo;My friend, Mr. Widden,&rdquo; he said, with a satisfied air, as he pointed to a
+ slight, fair young man with a well-trimmed moustache.
+ </p>
+ <p>
+ Mr. Letts shook hands.
+ </p>
+ <p>
+ &ldquo;Fine day,&rdquo; said Mr. Widden.
+ </p>
+ <p>
+ &ldquo;Beautiful,&rdquo; said the other. &ldquo;I'll come in and have a talk about it when
+ I've had a wash.&rdquo;
+ </p>
+ <p>
+ &ldquo;Me and Miss Foster are going out for a bit of a stroll,&rdquo; said Mr. Widden.
+ </p>
+ <p>
+ &ldquo;Quite right,&rdquo; agreed Mr. Letts. &ldquo;Much more healthy than staying indoors
+ all the evening. If you just wait while I have a wash and a bit o'
+ something to eat I'll come with you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Co-come with us!&rdquo; said Mr. Widden, after an astonished pause.
+ </p>
+ <p>
+ Mr. Letts nodded. &ldquo;You see, I don't know you yet,&rdquo; he explained, &ldquo;and as
+ head of the family I want to see how you behave yourself. Properly
+ speaking, my consent ought to have been asked before you walked out with
+ her; still, as everybody thought I was drowned, I'll say no more about
+ it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mr. Green knows all about me,&rdquo; said Mr. Widden, rebelliously.
+ </p>
+ <p>
+ &ldquo;It's nothing to do with him,&rdquo; declared Mr. Letts. &ldquo;And, besides, he's not
+ what I should call a judge of character. I dare say you are all right, but
+ I'm going to see for myself. You go on in the ordinary way with your
+ love-making, without taking any notice of me. Try and forget I'm watching
+ you. Be as natural as you can be, and if you do anything I don't like I'll
+ soon tell you of it.&rdquo;
+ </p>
+ <p>
+ The bewildered Mr. Widden turned, but, reading no hope of assistance in
+ the infuriated eyes of Mr. Green, appealed in despair to Betty.
+ </p>
+ <p>
+ &ldquo;I don't mind,&rdquo; she said. &ldquo;Why should I?&rdquo;
+ </p>
+ <p>
+ Mr. Widden could have supplied her with many reasons, but he refrained,
+ and sat in sulky silence while Mr. Letts got ready. From his point of view
+ the experiment was by no means a success, his efforts to be natural being
+ met with amazed glances from Mr. Letts and disdainful requests from Miss
+ Foster to go home if he couldn't behave himself. When he relapsed into
+ moody silence Mr. Letts cleared his throat and spoke.
+ </p>
+ <p>
+ &ldquo;There's no need to be like a monkey-on-a-stick, and at the same time
+ there's no need to be sulky,&rdquo; he pointed out; &ldquo;there's a happy medium.&rdquo;
+ </p>
+ <p>
+ &ldquo;Like you, I s'pose?&rdquo; said the frantic suitor. &ldquo;Like me,&rdquo; said the other,
+ gravely. &ldquo;Now, you watch; fall in behind and watch.&rdquo;
+ </p>
+ <p>
+ He drew Miss Foster's arm through his and, leaning towards her with tender
+ deference, began a long conversation. At the end of ten minutes Mr. Widden
+ intimated that he thought he had learned enough to go on with.
+ </p>
+ <p>
+ &ldquo;Ah! that's only your conceit,&rdquo; said Mr. Letts over his shoulder. &ldquo;I was
+ afraid you was conceited.&rdquo;
+ </p>
+ <p>
+ He turned to Miss Foster again, and Mr. Widden, with a despairing gesture,
+ abandoned himself to gloom. He made no further interruptions, but at the
+ conclusion of the walk hesitated so long on the door-step that Mr. Letts
+ had to take the initiative.
+ </p>
+ <p>
+ &ldquo;Good-night,&rdquo; he said, shaking hands. &ldquo;Come round to-morrow night and I'll
+ give you another lesson. You're a slow learner, that's what you are; a
+ slow learner.&rdquo;
+ </p>
+ <p>
+ He gave Mr. Widden a lesson on the following evening, but cautioned him
+ sternly against imitating the display of brotherly fondness of which, in a
+ secluded lane, he had been a wide-eyed observer.
+ </p>
+ <p>
+ &ldquo;When you've known her as long as I have&mdash;nineteen years,&rdquo; said Mr.
+ Letts, as the other protested, &ldquo;things'll be a bit different. I might not
+ be here, for one thing.&rdquo;
+ </p>
+ <p>
+ By exercise of great self-control Mr. Widden checked the obvious retort
+ and walked doggedly in the rear of Miss Foster. Then, hardly able to
+ believe his ears, he heard her say something to Mr. Letts.
+ </p>
+ <p>
+ &ldquo;Eh?&rdquo; said that gentleman, in amazed accents.
+ </p>
+ <p>
+ &ldquo;You fall behind,&rdquo; said Miss Foster.
+ </p>
+ <p>
+ &ldquo;That&mdash;that's not the way to talk to the head of the family,&rdquo; said
+ Mr. Letts, feebly.
+ </p>
+ <p>
+ &ldquo;It's the way I talk to him,&rdquo; rejoined the girl.
+ </p>
+ <p>
+ It was a position for which Mr. Letts was totally unprepared, and the
+ satisfied smile of Mr. Widden as he took the vacant place by no means
+ improved matters. In a state of considerable dismay Mr. Letts dropped
+ farther and farther behind until, looking up, he saw Miss Foster, attended
+ by her restive escort, quietly waiting for him. An odd look in her eyes as
+ they met his gave him food for thought for the rest of the evening.
+ </p>
+ <p>
+ At the end of what Mr. Letts was pleased to term a month's trial, Mr.
+ Widden was still unable to satisfy him as to his fitness for the position
+ of brother-in-law. In a spirit of gloom he made suggestions of a mutinous
+ nature to Mr. Green, but that gentleman, who had returned one day pale and
+ furious, but tamed, from an interview that related to his treatment of his
+ wife, held out no hopes of assistance.
+ </p>
+ <p>
+ &ldquo;I wash my hands of him,&rdquo; he said bitterly. &ldquo;You stick to it; that's all
+ you can do.&rdquo;
+ </p>
+ <p>
+ &ldquo;They lost me last night,&rdquo; said the unfortunate. &ldquo;I stayed behind just to
+ take a stone out of my shoe, and the earth seemed to swallow them up. He's
+ so strong. That's the worst of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Strong?&rdquo; said Mr. Green.
+ </p>
+ <p>
+ Mr. Widden nodded. &ldquo;Tuesday evening he showed her how he upset a man once
+ and stood him on his head,&rdquo; he said, irritably. &ldquo;I was what he showed her
+ with.&rdquo;
+ </p>
+ <p>
+ &ldquo;Stick to it!&rdquo; counselled Mr. Green again. &ldquo;A brother and sister are bound
+ to get tired of each other before long; it's nature.&rdquo;
+ </p>
+ <p>
+ Mr. Widden sighed and obeyed. But brother and sister showed no signs of
+ tiring of each other's company, while they displayed unmistakable signs of
+ weariness with his. And three weeks later Mr. Letts, in a few well-chosen
+ words, kindly but firmly dismissed him.
+ </p>
+ <p>
+ &ldquo;I should never give my consent,&rdquo; he said, gravely, &ldquo;so it's only wasting
+ your time. You run off and play.&rdquo;
+ </p>
+ <p>
+ Mr. Widden ran off to Mr. Green, but before he could get a word out
+ discovered that something unusual had happened. Mrs. Green, a picture of
+ distress, sat at one end of the room with a handkerchief to her eyes; Mr.
+ Green, in a condition compounded of joy and rage, was striding violently
+ up and down the room.
+ </p>
+ <p>
+ &ldquo;He's a fraud!&rdquo; he shouted. &ldquo;A fraud! I've had my suspicions for some
+ time, and this evening I got it out of her.&rdquo;
+ </p>
+ <p>
+ Mr. Widden stared in amazement.
+ </p>
+ <p>
+ &ldquo;I got it out of her,&rdquo; repeated Mr. Green, pointing at the trembling
+ woman. &ldquo;He's no more her son than what you are.&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo; said the amazed listener.
+ </p>
+ <p>
+ &ldquo;She's been deceiving me,&rdquo; said Mr. Green, with a scowl, &ldquo;but I don't
+ think she'll do it again in a hurry. You stay here,&rdquo; he shouted, as his
+ wife rose to leave the room. &ldquo;I want you to be here when he comes in.&rdquo;
+ </p>
+ <p>
+ Mrs. Green stayed, and the other two, heedless of her presence, discussed
+ the situation until the front door was heard to open, and Mr. Letts and
+ Betty came into the room. With a little cry the girl ran to her mother.
+ </p>
+ <p>
+ &ldquo;What's the matter?&rdquo; she cried.
+ </p>
+ <p>
+ &ldquo;She's lost another son,&rdquo; said Mr. Green, with a ferocious sneer&mdash;&ldquo;a
+ flash, bullying, ugly chap of the name o' Letts.&rdquo;
+ </p>
+ <p>
+ &ldquo;Halloa!&rdquo; said Mr. Letts, starting.
+ </p>
+ <p>
+ &ldquo;A chap she picked up out of the street, and tried to pass off on me as
+ her son,&rdquo; continued Mr. Green, raising his voice. &ldquo;She ain't heard the end
+ of it yet, I can tell you.&rdquo;
+ </p>
+ <p>
+ Mr. Letts fidgeted. &ldquo;You leave her alone,&rdquo; he said, mildly. &ldquo;It's true I'm
+ not her son, but it don't matter, because I've been to see a lawyer about
+ her, and he told me that this house and half the furniture belongs by law
+ to Betty. It's got nothing to do with you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Indeed!&rdquo; said Mr. Green. &ldquo;Now you take yourself off before I put the
+ police on to you. Take your face off these premises.&rdquo;
+ </p>
+ <p>
+ Mr. Letts, scratching his head, looked vaguely round the room.
+ </p>
+ <p>
+ &ldquo;Go on!&rdquo; vociferated Mr. Green. &ldquo;Or will you have the police to put you
+ out?&rdquo;
+ </p>
+ <p>
+ Mr. Letts cleared his throat and moved towards the door. &ldquo;You stick up for
+ your rights, my girl,&rdquo; he said, turning to Betty. &ldquo;If he don't treat your
+ mother well, give him back his kitchen chair and his three stair-rods and
+ pack him off.&rdquo;
+ </p>
+ <p>
+ &ldquo;Henry,&rdquo; said Mr. Green, with dangerous calm, &ldquo;go and fetch a policeman.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'm going,&rdquo; said Mr. Letts, hastily. &ldquo;Good-by, Betty; good-by, mother. I
+ sha'n't be long. I'm only going as far as the post-office. And that
+ reminds me. I've been talking so much that I quite forget to tell you that
+ Betty and me were married yesterday morning.&rdquo;
+ </p>
+ <p>
+ He nodded pleasantly at the stupefied Mr. Green, and, turning to Mr.
+ Widden, gave him a friendly dig in the ribs with his finger.
+ </p>
+ <p>
+ &ldquo;What's mine is Betty's,&rdquo; he said, in a clear voice, &ldquo;and what's Betty's
+ is MINE! D'ye understand, step-father?&rdquo;
+ </p>
+ <p>
+ He stepped over to Mrs. Green, and putting a strong arm around her raised
+ her to her feet. &ldquo;And what's mine is mother's,&rdquo; he concluded, and, helping
+ her across the room, placed her in the best arm-chair.
+ </p>
+ <p>
+ <a name="linkimage-38" id="linkimage-38">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/038.jpg" width="100%" alt="'What's Mine is Mother's.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ <a name="link2H_4_10" id="link2H_4_10">
+ <!-- H2 anchor --> </a>
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <h2>
+ PRIZE MONEY
+ </h2>
+ <p>
+ The old man stood by the window, gazing at the frozen fields beyond. The
+ sign of the Cauliflower was stiff with snow, and the breath of a pair of
+ waiting horses in a wagon beneath ascended in clouds of steam.
+ </p>
+ <p>
+ <a name="linkimage-39" id="linkimage-39">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/039.jpg" width="100%"
+ alt="'The Sign of the Cauliflower Was Stiff With Snow.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;Amusements&rdquo; he said slowly, as he came back with a shiver and, resuming
+ his seat by the tap-room fire, looked at the wayfarer who had been idly
+ questioning him. &ldquo;Claybury men don't have much time for amusements. The
+ last one I can call to mind was Bill Chambers being nailed up in a pig-sty
+ he was cleaning out, but there was such a fuss made over that &mdash;by
+ Bill&mdash;that it sort o' disheartened people.&rdquo;
+ </p>
+ <p>
+ He got up again restlessly, and, walking round the table, gazed long and
+ hard into three or four mugs.
+ </p>
+ <p>
+ &ldquo;Sometimes a little gets left in them,&rdquo; he explained, meeting the
+ stranger's inquiring glance. The latter started, and, knocking on the
+ table with the handle of his knife, explained that he had been informed by
+ a man outside that his companion was the bitterest teetotaller in
+ Claybury.
+ </p>
+ <p>
+ &ldquo;That's one o' Bob Pretty's larks,&rdquo; said the old man, flushing. &ldquo;I see you
+ talking to 'im, and I thought as 'ow he warn't up to no good. Biggest
+ rascal in Claybury, he is. I've said so afore, and I'll say so agin.&rdquo;
+ </p>
+ <p>
+ He bowed to the donor and buried his old face in the mug.
+ </p>
+ <p>
+ &ldquo;A poacher!&rdquo; he said, taking breath. &ldquo;A thief!&rdquo; he continued, after
+ another draught. &ldquo;I wonder whether Smith spilt any of this a-carrying of
+ it in?&rdquo;
+ </p>
+ <p>
+ He put down the empty mug and made a careful examination of the floor,
+ until a musical rapping on the table brought the landlord into the room
+ again.
+ </p>
+ <p>
+ &ldquo;My best respects,&rdquo; he said, gratefully, as he placed the mug on the
+ settle by his side and slowly filled a long clay pipe. Next time you see
+ Bob Pretty ask 'im wot happened to the prize hamper. He's done a good many
+ things has Bob, but it'll be a long time afore Claybury men'll look over
+ that.
+ </p>
+ <p>
+ It was Henery Walker's idea. Henery 'ad been away to see an uncle of 'is
+ wife's wot had money and nobody to leave it to&mdash;leastways, so Henery
+ thought when he wasted his money going over to see 'im&mdash;and he came
+ back full of the idea, which he 'ad picked up from the old man.
+ </p>
+ <p>
+ &ldquo;We each pay twopence a week till Christmas,&rdquo; he ses, &ldquo;and we buy a hamper
+ with a goose or a turkey in it, and bottles o' rum and whiskey and gin, as
+ far as the money'll go, and then we all draw lots for it, and the one that
+ wins has it.&rdquo;
+ </p>
+ <p>
+ It took a lot of explaining to some of 'em, but Smith, the landlord,
+ helped Henery, and in less than four days twenty-three men had paid their
+ tuppences to Henery, who 'ad been made the seckitary, and told him to hand
+ them over to Smith in case he lost his memory.
+ </p>
+ <p>
+ Bob Pretty joined one arternoon on the quiet, and more than one of 'em
+ talked of 'aving their money back, but, arter Smith 'ad explained as 'ow
+ he would see fair play, they thought better of it.
+ </p>
+ <p>
+ &ldquo;He'll 'ave the same chance as all of you,&rdquo; he ses. &ldquo;No more and no less.&rdquo;
+ </p>
+ <p>
+ &ldquo;I'd feel more easy in my mind, though, if 'e wasn't in it,&rdquo; ses Bill
+ Chambers, staring at Bob. &ldquo;I never knew 'im to lose anything yet.&rdquo;
+ </p>
+ <p>
+ &ldquo;You don't know everything, Bill,&rdquo; ses Bob, shaking his 'ead. &ldquo;You don't
+ know me; else you wouldn't talk like that. I've never been caught doing
+ wrong yet, and I 'ope I never shall.&rdquo;
+ </p>
+ <p>
+ &ldquo;It's all right, Bill,&rdquo; ses George Kettle. &ldquo;Mr. Smith'll see fair, and I'd
+ sooner win Bob Pretty's money than anybody's.&rdquo;
+ </p>
+ <p>
+ &ldquo;I 'ope you will, mate,&rdquo; ses Bob; &ldquo;that's what I joined for.&rdquo;
+ </p>
+ <p>
+ &ldquo;Bob's money is as good as anybody else's,&rdquo; ses George Kettle, looking
+ round at the others. &ldquo;It don't signify to me where he got it from.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, I don't like to hear you talk like that George,&rdquo; ses Bob Pretty.
+ &ldquo;I've thought more than once that you 'ad them ideas.&rdquo;
+ </p>
+ <p>
+ He drank up his beer and went off 'ome, shaking his 'ead, and, arter three
+ or four of 'em 'ad explained to George Kettle wot he meant, George went off
+ 'ome, too.
+ </p>
+ <p>
+ The week afore Christmas, Smith, the landlord, said as 'ow he 'ad got
+ enough money, and three days arter we all came up 'ere to see the prize
+ drawn. It was one o' the biggest hampers Smith could get; and there was a
+ fine, large turkey in it, a large goose, three pounds o' pork sausages, a
+ bottle o' whiskey, a bottle o' rum, a bottle o' brandy, a bottle o' gin,
+ and two bottles o' wine. The hamper was all decorated with holly, and a
+ little flag was stuck in the top.
+ </p>
+ <p>
+ On'y men as belonged was allowed to feel the turkey and the goose, and
+ arter a time Smith said as 'ow p'r'aps they'd better leave off, and 'e put
+ all the things back in the hamper and fastened up the lid.
+ </p>
+ <p>
+ &ldquo;How are we going to draw the lottery?&rdquo; ses John Biggs, the blacksmith.
+ </p>
+ <p>
+ &ldquo;There'll be twenty-three bits o' paper,&rdquo; ses Smith, &ldquo;and they'll be
+ numbered from one to twenty-three. Then they'll be twisted up all the same
+ shape and put in this 'ere paper bag, which I shall 'old as each man
+ draws. The chap that draws the paper with the figger '1' on it wins.&rdquo;
+ </p>
+ <p>
+ He tore up twenty-three bits o' paper all about the same size, and then
+ with a black-lead pencil 'e put the numbers on, while everybody leaned
+ over 'im to see fair play. Then he twisted every bit o' paper up and held
+ them in his 'and.
+ </p>
+ <p>
+ &ldquo;Is that satisfactory?&rdquo; he ses.
+ </p>
+ <p>
+ &ldquo;Couldn't be fairer,&rdquo; ses Bill Chambers.
+ </p>
+ <p>
+ &ldquo;Mind,&rdquo; ses Smith, putting them into a tall paper bag that had 'ad sugar
+ in it and shaking them up, &ldquo;Number 1 wins the prize. Who's going to draw
+ fust?&rdquo;
+ </p>
+ <p>
+ All of 'em hung back and looked at each other; they all seemed to think
+ they'd 'ave a better chance when there wasn't so many numbers left in the
+ bag.
+ </p>
+ <p>
+ &ldquo;Come on,&rdquo; ses Smith, the landlord. &ldquo;Somebody must be fust.&rdquo;
+ </p>
+ <p>
+ &ldquo;Go on, George Kettle,&rdquo; ses Bob Pretty. &ldquo;You're sure to win. I 'ad a dream
+ you did.&rdquo;
+ </p>
+ <p>
+ &ldquo;Go on yourself,&rdquo; ses George.
+ </p>
+ <p>
+ &ldquo;I never 'ave no luck,&rdquo; ses Bob; &ldquo;but if Henery Walker will draw fust,
+ I'll draw second. Somebody must begin.&rdquo;
+ </p>
+ <p>
+ &ldquo;O' course they must,&rdquo; ses Henery, &ldquo;and if you're so anxious why don't you
+ 'ave fust try?&rdquo;
+ </p>
+ <p>
+ Bob Pretty tried to laugh it off, but they wouldn't 'ave it, and at last
+ he takes out a pocket-'andkerchief and offers it to Smith, the landlord.
+ </p>
+ <p>
+ &ldquo;All right, I'll go fust if you'll blindfold me,&rdquo; he ses.
+ </p>
+ <p>
+ &ldquo;There ain't no need for that, Bob,&rdquo; ses Mr. Smith. &ldquo;You can't see in the
+ bag, and even if you could it wouldn't help you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Never mind; you blindfold me,&rdquo; ses Bob; &ldquo;it'll set a good example to the
+ others.&rdquo;
+ </p>
+ <p>
+ Smith did it at last, and when Bob Pretty put his 'and in the bag and
+ pulled out a paper you might ha' heard a pin drop.
+ </p>
+ <p>
+ &ldquo;Open it and see what number it is, Mr. Smith,&rdquo; ses Bob Pretty.
+ &ldquo;Twenty-three, I expect; I never 'ave no luck.&rdquo;
+ </p>
+ <p>
+ Smith rolled out the paper, and then 'e turned pale and 'is eyes seemed to
+ stick right out of his 'ead.
+ </p>
+ <p>
+ &ldquo;He's won it!&rdquo; he ses, in a choky voice. &ldquo;It's Number 1. Bob Pretty 'as
+ won the prize.&rdquo;
+ </p>
+ <p>
+ <a name="linkimage-40" id="linkimage-40">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/040.jpg" width="100%"
+ alt="'He's Won It!' he Ses, in a Choky Voice. 'it's Number 1.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ You never 'eard such a noise in this 'ere public-'ouse afore or since;
+ everybody shouting their 'ardest, and Bill Chambers stamping up and down
+ the room as if he'd gone right out of his mind.
+ </p>
+ <p>
+ &ldquo;Silence!&rdquo; ses Mr. Smith, at last. &ldquo;Silence! How dare you make that noise
+ in my 'ouse, giving it a bad name? Bob Pretty 'as won it fair and square.
+ Nothing could ha' been fairer. You ought to be ashamed o' yourselves.&rdquo;
+ </p>
+ <p>
+ Bob Pretty wouldn't believe it at fust. He said that Smith was making game
+ of 'im, and, when Smith held the paper under 'is nose, he kept the
+ handkerchief on his eyes and wouldn't look at it.
+ </p>
+ <p>
+ &ldquo;I've seen you afore to-day,&rdquo; he says, nodding his 'ead. &ldquo;I like a joke as
+ well as anybody, but it ain't fair to try and make fun of a pore,
+ 'ard-working man like that.&rdquo;
+ </p>
+ <p>
+ I never see a man so astonished in my life as Bob Pretty was, when 'e
+ found out it was really true. He seemed fair 'mazed-like, and stood there
+ scratching his 'ead, as if he didn't know where 'e was. He come round at
+ last, arter a pint o' beer that Smith 'ad stood 'im, and then he made a
+ little speech, thanking Smith for the fair way he 'ad acted, and took up
+ the hamper.
+ </p>
+ <p>
+ &ldquo;'Strewth, it is heavy,&rdquo; he ses, getting it up on his back. &ldquo;Well, so
+ long, mates.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ain't you&mdash;ain't you going to stand us a drink out o' one o' them
+ bottles?&rdquo; ses Peter Gubbins, as Bob got to the door.
+ </p>
+ <p>
+ Bob Pretty went out as if he didn't 'ear; then he stopped, sudden-like,
+ and turned round and put his 'ead in at the door agin, and stood looking
+ at 'em.
+ </p>
+ <p>
+ &ldquo;No, mates,&rdquo; he ses, at last, &ldquo;and I wonder at you for asking, arter what
+ you've all said about me. I'm a pore man, but I've got my feelings. I
+ drawed fust becos nobody else would, and all the thanks I get for it is to
+ be called a thief.&rdquo;
+ </p>
+ <p>
+ He went off down the road, and by and by Bill Chambers, wot 'ad been
+ sitting staring straight in front of 'im, got up and went to the door, and
+ stood looking arter 'im like a man in a dream. None of 'em seemed to be
+ able to believe that the lottery could be all over so soon, and Bob Pretty
+ going off with it, and when they did make up their minds to it, it was one
+ o' the most miserable sights you ever see. The idea that they 'ad been
+ paying a pint a week for Bob Pretty for months nearly sent some of 'em out
+ of their minds.
+ </p>
+ <p>
+ &ldquo;It can't be 'elped,&rdquo; ses Mr. Smith. &ldquo;He 'ad the pluck to draw fust, and
+ he won; anybody else might ha' done it. He gave you the offer, George
+ Kettle, and you, too, Henery Walker.&rdquo;
+ </p>
+ <p>
+ Henery Walker was too low-spirited to answer 'im; and arter Smith 'ad said
+ &ldquo;Hush!&rdquo; to George Kettle three times, he up and put 'im outside for the
+ sake of the 'ouse.
+ </p>
+ <p>
+ When 'e came back it was all quiet and everybody was staring their 'ardest
+ at little Dicky Weed, the tailor, who was sitting with his head in his
+ 'ands, thinking, and every now and then taking them away and looking up at
+ the ceiling, or else leaning forward with a start and looking as if 'e saw
+ something crawling on the wall.
+ </p>
+ <p>
+ &ldquo;Wot's the matter with you?&rdquo; ses Mr. Smith.
+ </p>
+ <p>
+ Dicky Weed didn't answer 'im. He shut his eyes tight and then 'e jumps up
+ all of a sudden. &ldquo;I've got it!&rdquo; he says. &ldquo;Where's that bag?&rdquo;
+ </p>
+ <p>
+ &ldquo;Wot bag?&rdquo; ses Mr. Smith, staring at 'im. &ldquo;The bag with the papers in,&rdquo;
+ ses Dicky.
+ </p>
+ <p>
+ &ldquo;Where Bob Pretty ought to be,&rdquo; ses Bill Chambers. &ldquo;On the fire.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wot?&rdquo; screams Dicky Weed. &ldquo;Now you've been and spoilt everything!&rdquo;
+ </p>
+ <p>
+ &ldquo;Speak English,&rdquo; ses Bill.
+ </p>
+ <p>
+ &ldquo;I will!&rdquo; ses Dicky, trembling all over with temper. &ldquo;Who asked you to put
+ it on the fire? Who asked you to put yourself forward? I see it all now,
+ and it's too late.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wot's too late?&rdquo; ses Sam Tones.
+ </p>
+ <p>
+ &ldquo;When Bob Pretty put his 'and in that bag,&rdquo; ses Dicky Weed, holding up 'is
+ finger and looking at them, &ldquo;he'd got a bit o' paper already in it&mdash;a
+ bit o' paper with the figger 1 on it. That's 'ow he done it. While we was
+ all watching Mr. Smith, he was getting 'is own bit o' paper ready.&rdquo;
+ </p>
+ <p>
+ He 'ad to say it three times afore they understood 'im, and then they went
+ down on their knees and burnt their fingers picking up bits o' paper that
+ 'ad fallen in the fireplace. They found six pieces in all, but not one
+ with the number they was looking for on it, and then they all got up and
+ said wot ought to be done to Bob Pretty.
+ </p>
+ <p>
+ &ldquo;You can't do anything,&rdquo; ses Smith, the landlord. &ldquo;You can't prove it.
+ After all, it's only Dicky's idea.&rdquo;
+ </p>
+ <p>
+ Arf-a-dozen of 'em all began speaking at once, but Bill Chambers gave 'em
+ the wink, and pretended to agree with 'im.
+ </p>
+ <p>
+ &ldquo;We're going to have that hamper back,&rdquo; he ses, as soon as Mr. Smith 'ad
+ gone back to the bar, &ldquo;but it won't do to let 'im know. He don't like to
+ think that Bob Pretty was one too many for 'im.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let's all go to Bob Pretty's and take it,&rdquo; ses Peter Gubbins, wot 'ad
+ been in the Militia.
+ </p>
+ <p>
+ Dicky Weed shook his 'ead. &ldquo;He'd 'ave the lor on us for robbery,&rdquo; he ses;
+ &ldquo;there's nothing he'd like better.&rdquo;
+ </p>
+ <p>
+ They talked it over till closing-time, but nobody seemed to know wot to
+ do, and they stood outside in the bitter cold for over arf an hour still
+ trying to make up their minds 'ow to get that hamper back. Fust one went
+ off 'ome and then another, and at last, when there was on'y three or four
+ of 'em left, Henery Walker, wot prided himself on 'is artfulness, 'ad an
+ idea.
+ </p>
+ <p>
+ &ldquo;One of us must get Bob Pretty up 'ere to-morrow night and stand 'im a
+ pint, or p'r'aps two pints,&rdquo; he ses. &ldquo;While he's here two other chaps must
+ 'ave a row close by his 'ouse and pretend to fight. Mrs. Pretty and the
+ young 'uns are sure to run out to look at it, and while they are out
+ another chap can go in quiet-like and get the hamper.&rdquo;
+ </p>
+ <p>
+ It seemed a wunnerful good idea, and Bill Chambers said so; and 'e
+ flattered Henery Walker up until Henery didn't know where to look, as the
+ saying is.
+ </p>
+ <p>
+ &ldquo;And wot's to be done with the hamper when we've got it?&rdquo; ses Sam Jones.
+ </p>
+ <p>
+ &ldquo;Have it drawed for agin,&rdquo; ses Henery. &ldquo;It'll 'ave to be done on the
+ quiet, o' course.&rdquo;
+ </p>
+ <p>
+ Sam Jones stood thinking for a bit. &ldquo;Burn the hamper and draw lots for
+ everything separate,&rdquo; 'e ses, very slow. &ldquo;If Bob Pretty ses it's 'is
+ turkey and goose and spirits, tell 'im to prove it. We sha'n't know
+ nothing about it.&rdquo;
+ </p>
+ <p>
+ Henery Walker said it was a good plan; and arter talking it over they
+ walked 'ome all very pleased with theirselves. They talked it over next
+ day with the other chaps; and Henery Walker said arterwards that p'r'aps
+ it was talked over a bit too much.
+ </p>
+ <p>
+ It took 'em some time to make up their minds about it, but at last it was
+ settled that Peter Gubbins was to stand Bob Pretty the beer; Ted Brown,
+ who was well known for his 'ot temper, and Joe Smith was to 'ave the
+ quarrel; and Henery Walker was to slip in and steal the hamper, and 'ide
+ the things up at his place.
+ </p>
+ <p>
+ Bob Pretty fell into the trap at once. He was standing at 'is gate in the
+ dark, next day, smoking a pipe, when Peter Gubbins passed, and Peter,
+ arter stopping and asking 'im for a light, spoke about 'is luck in getting
+ the hamper, and told 'im he didn't bear no malice for it.
+ </p>
+ <p>
+ &ldquo;You 'ad the pluck to draw fust,&rdquo; he ses, &ldquo;and you won.&rdquo;
+ </p>
+ <p>
+ Bob Pretty said he was a Briton, and arter a little more talk Peter asked
+ 'im to go and 'ave a pint with 'im to show that there was no ill-feeling.
+ They came into this 'ere Cauliflower public-'ouse like brothers, and in
+ less than ten minutes everybody was making as much fuss o' Bob Pretty as
+ if 'e'd been the best man in Claybury.
+ </p>
+ <p>
+ &ldquo;Arter all, a man can't 'elp winning a prize,&rdquo; ses Bill Chambers, looking
+ round.
+ </p>
+ <p>
+ &ldquo;I couldn't,&rdquo; ses Bob.
+ </p>
+ <p>
+ He sat down and 'elped hisself out o' Sam Jones's baccy-box; and one or
+ two got up on the quiet and went outside to listen to wot was going on
+ down the road. Everybody was wondering wot was happening, and when Bob
+ Pretty got up and said 'e must be going, Bill Chambers caught 'old of him
+ by the coat and asked 'im to have arf a pint with 'im.
+ </p>
+ <p>
+ Bob had the arf-pint, and arter that another one with Sam Jones, and then
+ 'e said 'e really must be going, as his wife was expecting 'im. He pushed
+ Bill Chambers's 'at over his eyes&mdash;a thing Bill can't abear&mdash;and
+ arter filling 'is pipe agin from Sam Jones's box he got up and went.
+ </p>
+ <p>
+ &ldquo;Mind you,&rdquo; ses Bill Chambers, looking round, &ldquo;if 'e comes back and ses
+ somebody 'as taken his hamper, nobody knows nothing about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I 'ope Henery Walker 'as got it all right,&rdquo; ses Dicky Weed. &ldquo;When shall
+ we know?&rdquo;
+ </p>
+ <p>
+ &ldquo;He'll come up 'ere and tell us,&rdquo; ses Bill Chambers. &ldquo;It's time 'e was
+ here, a'most.&rdquo;
+ </p>
+ <p>
+ Five minutes arterwards the door opened and Henery Walker came staggering
+ in. He was as white as a sheet, his 'at was knocked on one side of his
+ 'ead, and there was two or three nasty-looking scratches on 'is cheek. He
+ came straight to Bill Chambers's mug&mdash;wot 'ad just been filled&mdash;and
+ emptied it, and then 'e sat down on a seat gasping for breath.
+ </p>
+ <p>
+ <a name="linkimage-41" id="linkimage-41">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/041.jpg" width="100%"
+ alt="'The Door Opened and Henery Walker Came Staggering In.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;Wots the matter, Henery?&rdquo; ses Bill, staring at 'im with 'is mouth open.
+ </p>
+ <p>
+ Henery Walker groaned and shook his 'ead. &ldquo;Didn't you get the hamper?&rdquo; ses
+ Bill, turning pale. Henery Walker shook his 'ead agin.
+ </p>
+ <p>
+ &ldquo;Shut up!&rdquo; he ses, as Bill Chambers started finding fault. &ldquo;I done the
+ best I could. Nothing could ha' 'appened better&mdash;to start with.
+ Directly Ted Brown and Joe Smith started, Mrs. Pretty and her sister, and
+ all the kids excepting the baby, run out, and they'd 'ardly gone afore I
+ was inside the back door and looking for that hamper, and I'd hardly
+ started afore I heard them coming back agin. I was at the foot o' the
+ stairs at the time, and, not knowing wot to do, I went up 'em into Bob's
+ bedroom.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; ses Bill Chambers, as Henery Walker stopped and looked round.
+ </p>
+ <p>
+ &ldquo;A'most direckly arterwards I 'eard Mrs. Pretty and her sister coming
+ upstairs,&rdquo; ses Henery Walker, with a shudder. &ldquo;I was under the bed at the
+ time, and afore I could say a word Mrs. Pretty gave a loud screech and
+ scratched my face something cruel. I thought she'd gone mad.&rdquo;
+ </p>
+ <p>
+ &ldquo;You've made a nice mess of it!&rdquo; ses Bill Chambers.
+ </p>
+ <p>
+ &ldquo;Mess!&rdquo; ses Henery, firing up. &ldquo;Wot would you ha' done?&rdquo;
+ </p>
+ <p>
+ &ldquo;I should ha' managed diff'rent,&rdquo; ses Bill Chambers. &ldquo;Did she know who you
+ was?&rdquo;
+ </p>
+ <p>
+ &ldquo;Know who I was?&rdquo; ses Henery. &ldquo;O' course she did. It's my belief that Bob
+ knew all about it and told 'er wot to do.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, you've done it now, Henery,&rdquo; ses Bill Chambers. &ldquo;Still, that's your
+ affair.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ho, is it?&rdquo; ses Henery Walker. &ldquo;You 'ad as much to do with it as I 'ad,
+ excepting that you was sitting up 'ere in comfort while I was doing all
+ the work. It's a wonder to me I got off as well as I did.&rdquo;
+ </p>
+ <p>
+ Bill Chambers sat staring at 'im and scratching his 'ead, and just then
+ they all 'eard the voice of Bob Pretty, very distinct, outside, asking for
+ Henery Walker. Then the door opened, and Bob Pretty, carrying his 'ead
+ very 'igh, walked into the room.
+ </p>
+ <p>
+ &ldquo;Where's Henery Walker?&rdquo; he ses, in a loud voice.
+ </p>
+ <p>
+ <a name="linkimage-42" id="linkimage-42">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/042.jpg" width="100%"
+ alt="'Where's Henery Walker?' he Ses, in a Loud Voice.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ Henery Walker put down the empty mug wot he'd been pretending to drink out
+ of and tried to smile at 'im.
+ </p>
+ <p>
+ &ldquo;Halloa, Bob!&rdquo; he ses.
+ </p>
+ <p>
+ &ldquo;What was you doing in my 'ouse?&rdquo; ses Bob Pretty, very severe.
+ </p>
+ <p>
+ &ldquo;I&mdash;I just looked in to see whether you was in, Bob,&rdquo; ses Henery.
+ </p>
+ <p>
+ &ldquo;That's why you was found under my bed, I s'pose?&rdquo; ses Bob Pretty. &ldquo;I want
+ a straight answer, Henery Walker, and I mean to 'ave it, else I'm going
+ off to Cudford for Policeman White.&rdquo;
+ </p>
+ <p>
+ &ldquo;I went there to get that hamper,&rdquo; ses Henery Walker, plucking up spirit.
+ &ldquo;You won it unfair last night, and we determined for to get it back. So
+ now you know.&rdquo;
+ </p>
+ <p>
+ &ldquo;I call on all of you to witness that,&rdquo; ses Bob, looking round. &ldquo;Henery
+ Walker went into my 'ouse to steal my hamper. He ses so, and it wasn't 'is
+ fault he couldn't find it. I'm a pore man and I can't afford such things;
+ I sold it this morning, a bargain, for thirty bob.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then there's no call to make a fuss over it, Bob,&rdquo; ses Bill
+ Chambers.
+ </p>
+ <p>
+ &ldquo;I sold it for thirty bob,&rdquo; ses Bob Pretty, &ldquo;and when I went out this
+ evening I left the money on my bedroom mantelpiece&mdash;one pound, two
+ arf-crowns, two two-shilling pieces, and two sixpences. My wife and her
+ sister both saw it there. That they'll swear to.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, wot about it?&rdquo; ses Sam Jones, staring at 'im.
+ </p>
+ <p>
+ &ldquo;Arter my pore wife 'ad begged and prayed Henery Walker on 'er bended
+ knees to spare 'er life and go,&rdquo; ses Bob Pretty, &ldquo;she looked at the
+ mantel-piece and found the money 'ad disappeared.&rdquo;
+ </p>
+ <p>
+ Henery Walker got up all white and shaking and flung 'is arms about,
+ trying to get 'is breath.
+ </p>
+ <p>
+ &ldquo;Do you mean to say I stole it?&rdquo; he ses, at last.
+ </p>
+ <p>
+ &ldquo;O' course I do,&rdquo; ses Bob Pretty. &ldquo;Why, you said yourself afore these
+ witnesses and Mr. Smith that you came to steal the hamper. Wot's the
+ difference between stealing the hamper and the money I sold it for?&rdquo;
+ </p>
+ <p>
+ Henery Walker tried for to answer 'im, but he couldn't speak a word.
+ </p>
+ <p>
+ &ldquo;I left my pore wife with 'er apron over her 'ead sobbing as if her 'art
+ would break,&rdquo; ses Bob Pretty; &ldquo;not because o' the loss of the money so
+ much, but to think of Henery Walker doing such a thing&mdash;and 'aving to
+ go to jail for it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I never touched your money, and you know it,&rdquo; ses Henery Walker, finding
+ his breath at last. &ldquo;I don't believe it was there. You and your wife 'ud
+ swear anything.&rdquo;
+ </p>
+ <p>
+ &ldquo;As you please, Henery,&rdquo; ses Bob Pretty. &ldquo;Only I'm going straight off to
+ Cudford to see Policeman White; he'll be glad of a job, I know. There's
+ three of us to swear to it, and you was found under my bed.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let bygones be bygones, Bob,&rdquo; ses Bill Chambers, trying to smile at 'im.
+ </p>
+ <p>
+ &ldquo;No, mate,&rdquo; ses Bob Pretty. &ldquo;I'm going to 'ave my rights, but I don't want
+ to be 'ard on a man I've known all my life; and if, afore I go to my bed
+ to-night, the thirty shillings is brought to me, I won't say as I won't
+ look over it.&rdquo;
+ </p>
+ <p>
+ He stood for a moment shaking his 'ead at them, and then, still holding it
+ very 'igh, he turned round and walked out.
+ </p>
+ <p>
+ &ldquo;He never left no money on the mantelpiece,&rdquo; ses Sam Jones, at last.
+ </p>
+ <p>
+ &ldquo;Don't you believe it. You go to jail, Henery.&rdquo;
+ </p>
+ <p>
+ &ldquo;Anything sooner than be done by Bob Pretty,&rdquo; ses George Kettle.
+ </p>
+ <p>
+ &ldquo;There's not much doing now, Henery,&rdquo; ses Bill Chambers, in a soft voice.
+ </p>
+ <p>
+ Henery Walker wouldn't listen to 'em, and he jumped up and carried on like
+ a madman. His idea was for 'em all to club together to pay the money, and
+ to borrow it from Smith, the landlord, to go on with. They wouldn't 'ear
+ of it at fust, but arter Smith 'ad pointed out that they might 'ave to go
+ to jail with Henery, and said things about 'is license, they gave way. Bob
+ Pretty was just starting off to see Policeman White when they took the
+ money, and instead o' telling 'im wot they thought of 'im, as they 'ad
+ intended, Henery Walker 'ad to walk alongside of 'im and beg and pray of
+ 'im to take the money. He took it at last as a favor to Henery, and bought
+ the hamper back with it next morning&mdash;cheap. Leastways, he said so.
+ </p>
+ <p>
+ <a name="link2H_4_11" id="link2H_4_11">
+ <!-- H2 anchor --> </a>
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <h2>
+ DOUBLE DEALING
+ </h2>
+ <p>
+ Mr. Fred Carter stood on the spacious common, inhaling with all the joy of
+ the holiday-making Londoner the salt smell of the sea below, and regarding
+ with some interest the movements of a couple of men who had come to a stop
+ a short distance away. As he looked they came on again, eying him closely
+ as they approached&mdash;a strongly built, shambling man of fifty, and a
+ younger man, evidently his son.
+ </p>
+ <p>
+ <a name="linkimage-43" id="linkimage-43">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/043.jpg" width="100%"
+ alt="'Stood on the Spacious Common, Inhaling The Salt Smell Of The Sea Below.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;Good-evening,&rdquo; said the former, as they came abreast of Mr. Carter.
+ </p>
+ <p>
+ &ldquo;Good-evening,&rdquo; he replied.
+ </p>
+ <p>
+ &ldquo;That's him,&rdquo; said both together.
+ </p>
+ <p>
+ They stood regarding him in a fashion unmistakably hostile. Mr. Carter,
+ with an uneasy smile, awaited developments.
+ </p>
+ <p>
+ &ldquo;What have you got to say for yourself?&rdquo; demanded the elder man, at last.
+ &ldquo;Do you call yourself a man?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't call myself anything,&rdquo; said the puzzled Mr. Carter. &ldquo;Perhaps
+ you're mistaking me for somebody else.&rdquo;
+ </p>
+ <p>
+ &ldquo;Didn't I tell you,&rdquo; said the younger man, turning to the other&mdash;&ldquo;didn't
+ I tell you he'd say that?&rdquo;
+ </p>
+ <p>
+ &ldquo;He can say what he likes,&rdquo; said the other, &ldquo;but we've got him now. If he
+ gets away from me he'll be cleverer than what he thinks he is.&rdquo;
+ </p>
+ <p>
+ &ldquo;What are we to do with him now we've got him?&rdquo; inquired his son.
+ </p>
+ <p>
+ The elder man clenched a huge fist and eyed Mr. Carter savagely. &ldquo;If I was
+ just considering myself,&rdquo; he said, &ldquo;I should hammer him till I was tired
+ and then chuck him into the sea.&rdquo;
+ </p>
+ <p>
+ His son nodded. &ldquo;That wouldn't do Nancy much good, though,&rdquo; he remarked.
+ </p>
+ <p>
+ &ldquo;I want to do everything for the best,&rdquo; said the other, &ldquo;and I s'pose the
+ right and proper thing to do is to take him by the scruff of his neck and
+ run him along to Nancy.&rdquo;
+ </p>
+ <p>
+ &ldquo;You try it,&rdquo; said Mr. Carter, hotly. &ldquo;Who is Nancy?&rdquo;
+ </p>
+ <p>
+ The other growled, and was about to aim a blow at him when his son threw
+ himself upon him and besought him to be calm.
+ </p>
+ <p>
+ &ldquo;Just one,&rdquo; said his father, struggling, &ldquo;only one. It would do me good;
+ and perhaps he'd come along the quieter for it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look here!&rdquo; said Mr. Carter. &ldquo;You're mistaking me for somebody else,
+ that's what you are doing. What am I supposed to have done?&rdquo;
+ </p>
+ <p>
+ &ldquo;You're supposed to have come courting my daughter, Mr. Somebody Else,&rdquo;
+ said the other, releasing himself and thrusting his face into Mr.
+ Carter's, &ldquo;and, after getting her promise to marry you, nipping off to
+ London to arrange for the wedding. She's been mourning over you for four
+ years now, having an idea that you had been made away with.&rdquo;
+ </p>
+ <p>
+ &ldquo;Being true to your memory, you skunk,&rdquo; said the son.
+ </p>
+ <p>
+ &ldquo;And won't look at decent chaps that want to marry her,&rdquo; added the other.
+ </p>
+ <p>
+ &ldquo;It's all a mistake,&rdquo; said Mr. Carter. &ldquo;I came down here this morning for
+ the first time in my life.&rdquo;
+ </p>
+ <p>
+ &ldquo;Bring him along,&rdquo; said the son, impatiently. &ldquo;It's a waste of time
+ talking to him.&rdquo;
+ </p>
+ <p>
+ Mr. Carter took a step back and parleyed. &ldquo;I'll come along with you of my
+ own free will,&rdquo; he said, hastily, &ldquo;just to show you that you are wrong;
+ but I won't be forced.&rdquo;
+ </p>
+ <p>
+ He turned and walked back with them towards the town, pausing occasionally
+ to admire the view. Once he paused so long that an ominous growl arose
+ from the elder of his captors.
+ </p>
+ <p>
+ &ldquo;I was just thinking,&rdquo; said Mr. Carter, eying him in consternation;
+ &ldquo;suppose that she makes the same mistake that you have made? Oh, Lord!&rdquo;
+ </p>
+ <p>
+ &ldquo;Keeps it up pretty well, don't he, Jim?&rdquo; said the father.
+ </p>
+ <p>
+ The other grunted and, drawing nearer to Mr. Carter as they entered the
+ town, stepped along in silence. Questions which Mr. Carter asked with the
+ laudable desire of showing his ignorance concerning the neighborhood
+ elicited no reply. His discomfiture was increased by the behavior of an
+ elderly boatman, who, after looking at him hard, took his pipe from his
+ mouth and bade him &ldquo;Good-evening.&rdquo; Father and son exchanged significant
+ glances.
+ </p>
+ <p>
+ <a name="linkimage-44" id="linkimage-44">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/044.jpg" width="100%"
+ alt="'An Elderly Boatman, Who, After Looking at Him Hard, Took His Pipe from his Mouth and Bade Him 'good-evening.'' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ They turned at last into a small street, and the elder man, opening the
+ door of a neat cottage, laid his hand on the prisoner's shoulder and
+ motioned him in. Mr. Carter obeyed, and, entering a spotless living-room,
+ removed his hat and with affected composure seated himself in an
+ easy-chair.
+ </p>
+ <p>
+ &ldquo;I'll go up and tell Nan,&rdquo; said Jim. &ldquo;Don't let him run away.&rdquo;
+ </p>
+ <p>
+ He sprang up the stairs, which led from a corner of the room, and the next
+ moment the voice of a young lady, laboring under intense excitement, fell
+ on the ears of Mr. Carter. With a fine attempt at unconcern he rose and
+ inspected an aged engraving of &ldquo;The Sailor's Return.&rdquo;
+ </p>
+ <p>
+ &ldquo;She'll be down in a minute,&rdquo; said Jim, returning.
+ </p>
+ <p>
+ &ldquo;P'r'aps it's as well that I didn't set about him, after all,&rdquo; said his
+ father. &ldquo;If I had done what I should like to do, his own mother wouldn't
+ have known him.&rdquo;
+ </p>
+ <p>
+ Mr. Carter sniffed defiantly and, with a bored air, resumed his seat. Ten
+ minutes passed&mdash;fifteen; at the end of half an hour the elder man's
+ impatience found vent in a tirade against the entire sex.
+ </p>
+ <p>
+ &ldquo;She's dressing up; that's what it is,&rdquo; explained Jim. &ldquo;For him!&rdquo;
+ </p>
+ <p>
+ A door opened above and a step sounded on the stairs. Mr. Carter looked up
+ uneasily, and, after the first sensation of astonishment had passed,
+ wondered vaguely what his double had run away for. The girl, her lips
+ parted and her eyes bright, came swiftly down into the room.
+ </p>
+ <p>
+ &ldquo;Where is he?&rdquo; she said, quickly.
+ </p>
+ <p>
+ &ldquo;Eh?&rdquo; said her father, in surprise. &ldquo;Why, there! Can't you see?&rdquo;
+ </p>
+ <p>
+ The light died out of the girl's face and she looked round in dismay. The
+ watchful Mr. Carter thought that he also detected in her glance a spice of
+ that temper which had made her relatives so objectionable.
+ </p>
+ <p>
+ &ldquo;That!&rdquo; she said, loudly. &ldquo;That! That's not my Bert!&rdquo;
+ </p>
+ <p>
+ &ldquo;That's what I told 'em,&rdquo; said Mr. Carter, deferentially, &ldquo;over and over
+ again.&rdquo;
+ </p>
+ <p>
+ &ldquo;What!&rdquo; said her father, loudly. &ldquo;Look again.&rdquo;
+ </p>
+ <p>
+ &ldquo;If I looked all night it wouldn't make any difference,&rdquo; said the
+ disappointed Miss Evans. &ldquo;The idea of making such a mistake!&rdquo;
+ </p>
+ <p>
+ &ldquo;We're all liable to mistakes,&rdquo; said Mr. Carter, magnanimously, &ldquo;even the
+ best of us.&rdquo;
+ </p>
+ <p>
+ &ldquo;You take a good look at him,&rdquo; urged her brother, &ldquo;and don't forget that
+ it's four years since you saw him. Isn't that Bert's nose?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said the girl, glancing at the feature in question, &ldquo;not a bit like
+ it. Bert had a beautiful nose.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look at his eyes,&rdquo; said Jim.
+ </p>
+ <p>
+ Miss Evans looked, and meeting Mr. Carter's steady gaze tossed her head
+ scornfully and endeavored to stare him down. Realizing too late the
+ magnitude of the task, but unwilling to accept defeat, she stood
+ confronting him with indignant eyes.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; said Mr. Evans, misunderstanding.
+ </p>
+ <p>
+ &ldquo;Not a bit like,&rdquo; said his daughter, turning thankfully. &ldquo;And if you
+ don't like Bert, you needn't insult him.&rdquo;
+ </p>
+ <p>
+ She sat down with her back towards Mr. Carter and looked out at the
+ window.
+ </p>
+ <p>
+ &ldquo;Well, I could ha' sworn it was Bert Simmons,&rdquo; said the discomfited Mr.
+ Evans.
+ </p>
+ <p>
+ &ldquo;Me, too,&rdquo; said his son. &ldquo;I'd ha' sworn to him anywhere. It's the most
+ extraordinary likeness I've ever seen.&rdquo;
+ </p>
+ <p>
+ He caught his father's eye, and with a jerk of his thumb telegraphed for
+ instructions as to the disposal of Mr. Carter.
+ </p>
+ <p>
+ &ldquo;He can go,&rdquo; said Mr. Evans, with an attempt at dignity; &ldquo;he can go this
+ time, and I hope that this'll be a lesson to him not to go about looking
+ like other people. If he does, next time, p'r'aps, he won't escape so
+ easy.&rdquo;
+ </p>
+ <p>
+ &ldquo;You're quite right,&rdquo; said Mr. Carter, blandly. &ldquo;I'll get a new face first
+ thing to-morrow morning. I ought to have done it before.&rdquo;
+ </p>
+ <p>
+ He crossed to the door and, nodding to the fermenting Mr. Evans, bowed to
+ the profile of Miss Evans and walked slowly out. Envy of Mr. Simmons was
+ mingled with amazement at his deplorable lack of taste and common sense.
+ He would willingly have changed places with him. There was evidently a
+ strong likeness, and&mdash;&mdash;
+ </p>
+ <p>
+ Busy with his thoughts he came to a standstill in the centre of the
+ footpath, and then, with a sudden air of determination, walked slowly back
+ to the house.
+ </p>
+ <p>
+ &ldquo;Yes?&rdquo; said Mr. Evans, as the door opened and the face of Mr. Carter was
+ thrust in. &ldquo;What have you come back for?&rdquo;
+ </p>
+ <p>
+ The other stepped into the room and closed the door softly behind him. &ldquo;I
+ have come back,&rdquo; he said, slowly&mdash;&ldquo;I have come back because I feel
+ ashamed of myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ashamed of yourself?&rdquo; repeated Mr. Evans, rising and confronting him.
+ </p>
+ <p>
+ Mr. Carter hung his head and gazed nervously in the direction of the girl.
+ &ldquo;I can't keep up this deception,&rdquo; he said, in a low but distinct voice. &ldquo;I
+ am Bert Simmons. At least, that is the name I told you four years ago.&rdquo;
+ </p>
+ <p>
+ &ldquo;I knew I hadn't made a mistake,&rdquo; roared Mr. Evans to his son. &ldquo;I knew him
+ well enough. Shut the door, Jim. Don't let him go.&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't want to go,&rdquo; said Mr. Carter, with a glance in the direction of
+ Nancy. &ldquo;I have come back to make amends.&rdquo;
+ </p>
+ <p>
+ &ldquo;Fancy Nancy not knowing him!&rdquo; said Jim, gazing at the astonished Miss
+ Evans.
+ </p>
+ <p>
+ &ldquo;She was afraid of getting me into trouble,&rdquo; said Mr. Carter, &ldquo;and I just
+ gave her a wink not to recognize me; but she knew me well enough, bless
+ her.&rdquo;
+ </p>
+ <p>
+ &ldquo;How dare you!&rdquo; said the girl, starting up. &ldquo;Why, I've never seen you
+ before in my life.&rdquo;
+ </p>
+ <p>
+ &ldquo;All right, Nan,&rdquo; said the brazen Mr. Carter; &ldquo;but it's no good keeping it
+ up now. I've come back to act fair and square.&rdquo;
+ </p>
+ <p>
+ Miss Evans struggled for breath.
+ </p>
+ <p>
+ &ldquo;There he is, my girl,&rdquo; said her father, patting her on the back. &ldquo;He's
+ not much to look at, and he treated you very shabby, but if you want him I
+ suppose you must have him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Want him?&rdquo; repeated the incensed Miss Evans. &ldquo;Want him? I tell you it's
+ not Bert. How dare he come here and call me Nan?&rdquo;
+ </p>
+ <p>
+ &ldquo;You used not to mind it,&rdquo; said Mr. Carter, plaintively.
+ </p>
+ <p>
+ &ldquo;I tell you,&rdquo; said Miss Evans, turning to her father and brother, &ldquo;it's
+ not Bert. Do you think I don't know?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, he ought to know who he is,&rdquo; said her father, reasonably.
+ </p>
+ <p>
+ &ldquo;Of course I ought,&rdquo; said Mr. Carter, smiling at her. &ldquo;Besides, what
+ reason should I have for saying I am Bert if I am not?&rdquo;
+ </p>
+ <p>
+ &ldquo;That's a fair question,&rdquo; said Jim, as the girl bit her lip. &ldquo;Why should
+ he?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ask him,&rdquo; said the girl, tartly.
+ </p>
+ <p>
+ &ldquo;Look here, my girl,&rdquo; said Mr. Evans, in ominous accents. &ldquo;For four years
+ you've been grieving over Bert, and me and Jim have been hunting high and
+ low for him. We've got him at last, and now you've got to have him.&rdquo;
+ </p>
+ <p>
+ &ldquo;If he don't run away again,&rdquo; said Jim. &ldquo;I wouldn't trust him farther than
+ I could see him.&rdquo;
+ </p>
+ <p>
+ Mr. Evans sat and glowered at his prospective son-in-law as the
+ difficulties of the situation developed themselves. Even Mr. Carter's
+ reminders that he had come back and surrendered of his own free will
+ failed to move him, and he was hesitating between tying him up and locking
+ him in the attic and hiring a man to watch him, when Mr. Carter himself
+ suggested a way out of the difficulty.
+ </p>
+ <p>
+ &ldquo;I'll lodge with you,&rdquo; he said, &ldquo;and I'll give you all my money and things
+ to take care of. I can't run away without money.&rdquo;
+ </p>
+ <p>
+ He turned out his pockets on the table. Seven pounds eighteen shillings
+ and fourpence with his return ticket made one heap; his watch and chain,
+ penknife, and a few other accessories another. A suggestion of Jim's that
+ he should add his boots was vetoed by the elder man as unnecessary.
+ </p>
+ <p>
+ &ldquo;There you are,&rdquo; said Mr. Evans, sweeping the things into his own pockets;
+ &ldquo;and the day you are married I hand them back to you.&rdquo;
+ </p>
+ <p>
+ His temper improved as the evening wore on. By the time supper was
+ finished and his pipe alight he became almost jocular, and the coldness of
+ Miss Evans was the only drawback to an otherwise enjoyable evening.
+ </p>
+ <p>
+ &ldquo;Just showing off a little temper,&rdquo; said her father, after she had
+ withdrawn; &ldquo;and wants to show she ain't going to forgive you too easy. Not
+ but what you behaved badly; however, let bygones be bygones, that's my
+ idea.&rdquo;
+ </p>
+ <p>
+ The behavior of Miss Evans was so much better next day that it really
+ seemed as though her father's diagnosis was correct. At dinner, when the
+ men came home from work, she piled Mr. Carter's plate up so generously
+ that her father and brother had ample time at their disposal to watch him
+ eat. And when he put his hand over his glass she poured half a pint of
+ good beer, that other men would have been thankful for, up his sleeve.
+ </p>
+ <p>
+ <a name="linkimage-45" id="linkimage-45">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/045.jpg" width="100%"
+ alt="'She Piled Mr. Carter's Plate up So Generously That Her Father and Brother Had Ample Time at Their Disposal to Watch Him Eat.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ She was out all the afternoon, but at tea time she sat next to Mr. Carter,
+ and joined brightly in the conversation concerning her marriage. She
+ addressed him as Bert, and when he furtively pressed her hand beneath the
+ table-cloth she made no attempt to withdraw it.
+ </p>
+ <p>
+ &ldquo;I can't think how it was you didn't know him at first,&rdquo; said her father.
+ &ldquo;You're usually wide-awake enough.&rdquo;
+ </p>
+ <p>
+ &ldquo;Silly of me,&rdquo; said Nancy; &ldquo;but I am silly sometimes.&rdquo;
+ </p>
+ <p>
+ Mr. Carter pressed her hand again, and gazing tenderly into her eyes
+ received a glance in return which set him thinking. It was too cold and
+ calculating for real affection; in fact, after another glance, he began to
+ doubt if it indicated affection at all.
+ </p>
+ <p>
+ &ldquo;It's like old times, Bert,&rdquo; said Miss Evans, with an odd smile. &ldquo;Do you
+ remember what you said that afternoon when I put the hot spoon on your
+ neck?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; was the reply.
+ </p>
+ <p>
+ &ldquo;What was it?&rdquo; inquired the girl.
+ </p>
+ <p>
+ &ldquo;I won't repeat it,&rdquo; said Mr. Carter, firmly.
+ </p>
+ <p>
+ He was reminded of other episodes during the meal, but, by the exercise of
+ tact and the plea of a bad memory, did fairly well. He felt that he had
+ done very well indeed when, having cleared the tea-things away, Nancy came
+ and sat beside him with her hand in his. Her brother grunted, but Mr.
+ Evans, in whom a vein of sentiment still lingered, watched them with much
+ satisfaction.
+ </p>
+ <p>
+ Mr. Carter had got possession of both hands and was murmuring fulsome
+ flatteries when the sound of somebody pausing at the open door caused them
+ to be hastily withdrawn.
+ </p>
+ <p>
+ &ldquo;Evening, Mr. Evans,&rdquo; said a young man, putting his head in. &ldquo;Why, halloa!
+ Bert! Well, of all the&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Halloa!&rdquo; said Mr. Carter, with attempted enthusiasm, as he rose from his
+ chair.
+ </p>
+ <p>
+ &ldquo;I thought you was lost,&rdquo; said the other, stepping in and gripping his
+ hand. &ldquo;I never thought I was going to set eyes on you again. Well, this is
+ a surprise. You ain't forgot Joe Wilson, have you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Course I haven't, Joe,&rdquo; said Mr. Carter. &ldquo;I'd have known you anywhere.&rdquo;
+ </p>
+ <p>
+ He shook hands effusively, and Mr. Wilson, after a little pretended
+ hesitation, accepted a chair and began to talk about old times.
+ </p>
+ <p>
+ &ldquo;I lay you ain't forgot one thing, Bert,&rdquo; he said at last.
+ </p>
+ <p>
+ &ldquo;What's that?&rdquo; inquired the other.
+ </p>
+ <p>
+ &ldquo;That arf-quid I lent you,&rdquo; said Mr. Wilson.
+ </p>
+ <p>
+ Mr. Carter, after the first shock of surprise, pretended to think, Mr.
+ Wilson supplying him with details as to time and place, which he was in no
+ position to dispute. He turned to Mr. Evans, who was still acting as his
+ banker, and, after a little hesitation, requested him to pay the money.
+ Conversation seemed to fail somewhat after that, and Mr. Wilson, during an
+ awkward pause, went off whistling.
+ </p>
+ <p>
+ &ldquo;Same old Joe,&rdquo; said Mr. Carter, lightly, after he had gone. &ldquo;He hasn't
+ altered a bit.&rdquo;
+ </p>
+ <p>
+ Miss Evans glanced at him, but said nothing. She was looking instead
+ towards a gentleman of middle age who was peeping round the door indulging
+ in a waggish game of peep-bo with the unconscious Mr. Carter. Finding that
+ he had at last attracted his attention, the gentleman came inside and,
+ breathing somewhat heavily after his exertions, stood before him with
+ outstretched hand.
+ </p>
+ <p>
+ <a name="linkimage-46" id="linkimage-46">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/046.jpg" width="100%"
+ alt="'A Gentleman of Middle Age Was Peeping Round the Door.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;How goes it?&rdquo; said Mr. Carter, forcing a smile and shaking hands.
+ </p>
+ <p>
+ &ldquo;He's grown better-looking than ever,&rdquo; said the gentleman, subsiding into
+ a chair.
+ </p>
+ <p>
+ &ldquo;So have you,&rdquo; said Mr. Carter. &ldquo;I should hardly have known you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I' m glad to see you again,&rdquo; said the other in a more subdued
+ fashion. &ldquo;We're all glad to see you back, and I 'ope that when the wedding
+ cake is sent out there'll be a bit for old Ben Prout.&rdquo;
+ </p>
+ <p>
+ &ldquo;You'll be the first, Ben,&rdquo; said Mr. Carter, quickly.
+ </p>
+ <p>
+ Mr. Prout got up and shook hands with him again. &ldquo;It only shows what
+ mistakes a man can make,&rdquo; he said, resuming his seat. &ldquo;It only shows how
+ easy it is to misjudge one's fellow-creeturs. When you went away sudden
+ four years ago, I says to myself, 'Ben Prout,' I says, 'make up your mind
+ to it, that two quid has gorn.'&rdquo;
+ </p>
+ <p>
+ The smile vanished from Mr. Carter's face, and a sudden chill descended
+ upon the company.
+ </p>
+ <p>
+ &ldquo;Two quid?&rdquo; he said, stiffly. &ldquo;What two quid?&rdquo;
+ </p>
+ <p>
+ &ldquo;The two quid I lent you,&rdquo; said Mr. Prout, in a pained voice.
+ </p>
+ <p>
+ &ldquo;When?&rdquo; said Mr. Carter, struggling.
+ </p>
+ <p>
+ &ldquo;When you and I met him that evening on the pier,&rdquo; said Miss Evans, in a
+ matter-of-fact voice.
+ </p>
+ <p>
+ Mr. Carter started, and gazed at her uneasily. The smile on her lip and
+ the triumphant gleam in her eye were a revelation to him. He turned to Mr.
+ Evans and in as calm a voice as he could assume, requested him to
+ discharge the debt. Mr. Prout, his fingers twitching, stood waiting &ldquo;Well,
+ it's your money,&rdquo; said Mr. Evans, grudgingly extracting a purse from his
+ trouser-pocket; &ldquo;and I suppose you ought to pay your debts; still&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ He put down two pounds on the table and broke off in sudden amazement as
+ Mr. Prout, snatching up the money, bolted headlong from the room. His
+ surprise was shared by his son, but the other two made no sign. Mr. Carter
+ was now prepared for the worst, and his voice was quite calm as he gave
+ instructions for the payment of the other three gentlemen who presented
+ claims during the evening endorsed by Miss Evans. As the last departed Mr.
+ Evans, whose temper had been gradually getting beyond his control, crossed
+ over and handed him his watch and chain, a few coppers, and the return
+ half of his railway ticket.
+ </p>
+ <p>
+ &ldquo;I think we can do without you, after all,&rdquo; he said, breathing thickly.
+ &ldquo;I've no doubt you owe money all over England. You're a cadger, that's
+ what you are.&rdquo;
+ </p>
+ <p>
+ He pointed to the door, and Mr. Carter, after twice opening his lips to
+ speak and failing, blundered towards it. Miss Evans watched him curiously.
+ </p>
+ <p>
+ &ldquo;Cheats never prosper,&rdquo; she said, with gentle severity.
+ </p>
+ <p>
+ &ldquo;Good-by,&rdquo; said Mr. Carter, pausing at the door.
+ </p>
+ <p>
+ &ldquo;It's your own fault,&rdquo; continued Miss Evans, who was suffering from a
+ slight touch of conscience. &ldquo;If you hadn't come here pretending to be Bert
+ Simmons and calling me 'Nan' as if you had known me all my life, I
+ wouldn't have done it.&rdquo;
+ </p>
+ <p>
+ &ldquo;It doesn't matter,&rdquo; said Mr. Carter. &ldquo;I wish I was Bert Simmons, that's
+ all. Good-by.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wish you was!&rdquo; said Mr. Evans, who had been listening in open-mouthed
+ astonishment. &ldquo;Look here! Man to man&mdash;are you Bert Simmons or are you
+ not?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Mr. Carter.
+ </p>
+ <p>
+ &ldquo;Of course not,&rdquo; said Nancy.
+ </p>
+ <p>
+ &ldquo;And you didn't owe that money?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nobody owed it,&rdquo; said Nancy. &ldquo;It was done just to punish him.&rdquo;
+ </p>
+ <p>
+ Mr. Evans, with a strange cry, blundered towards the door. &ldquo;I'll have that
+ money out of 'em,&rdquo; he roared, &ldquo;if I have to hold 'em up and shake it out
+ of their trouser-pockets. You stay here.&rdquo;
+ </p>
+ <p>
+ He hurried up the road, and Jim, with the set face of a man going into
+ action against heavy odds, followed him.
+ </p>
+ <p>
+ &ldquo;Your father told me to stay,&rdquo; said Mr. Carter, coming farther into the
+ room.
+ </p>
+ <p>
+ Nancy looked up at him through her eyelashes. &ldquo;You need not unless you
+ want to,&rdquo; she said, very softly.
+ </p>
+ <p>
+ <a name="link2H_4_12" id="link2H_4_12">
+ <!-- H2 anchor --> </a>
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <h2>
+ KEEPING UP APPEARANCES
+ </h2>
+ <p>
+ &ldquo;Everybody is superstitious,&rdquo; said the night-watchman, as he gave
+ utterance to a series of chirruping endearments to a black cat with one
+ eye that had just been using a leg of his trousers as a serviette; &ldquo;if
+ that cat 'ad stole some men's suppers they'd have acted foolish, and
+ suffered for it all the rest of their lives.&rdquo;
+ </p>
+ <p>
+ He scratched the cat behind the ear, and despite himself his face
+ darkened. &ldquo;Slung it over the side, they would,&rdquo; he said, longingly, &ldquo;and
+ chucked bits o' coke at it till it sank. As I said afore, everybody is
+ superstitious, and those that ain't ought to be night-watchmen for a time&mdash;that
+ 'ud cure 'em. I knew one man that killed a black cat, and arter that for
+ the rest of his life he could never get three sheets in the wind without
+ seeing its ghost. Spoilt his life for 'im, it did.&rdquo;
+ </p>
+ <p>
+ He scratched the cat's other ear. &ldquo;I only left it a moment, while I went
+ round to the Bull's Head,&rdquo; he said, slowly filling his pipe, &ldquo;and I
+ thought I'd put it out o' reach. Some men&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ His fingers twined round the animal's neck; then, with a sigh, he rose and
+ took a turn or two on the jetty.
+ </p>
+ <p>
+ Superstitiousness is right and proper, to a certain extent, he said,
+ resuming his seat; but, o' course, like everything else, some people carry
+ it too far&mdash;they'd believe anything. Weak-minded they are, and if
+ you're in no hurry I can tell you a tale of a pal o' mine, Bill Burtenshaw
+ by name, that'll prove my words.
+ </p>
+ <p>
+ <a name="linkimage-47" id="linkimage-47">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/047.jpg" width="100%"
+ alt="'Superstitiousness is Right and Proper, to a Certain Extent.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ His mother was superstitious afore 'im, and always knew when 'er friends
+ died by hearing three loud taps on the wall. The on'y mistake she ever
+ made was one night when, arter losing no less than seven friends, she
+ found out it was the man next door hanging pictures at three o'clock in
+ the morning. She found it out by 'im hitting 'is thumb-nail.
+ </p>
+ <p>
+ For the first few years arter he grew up Bill went to sea, and that on'y
+ made 'im more superstitious than ever. Him and a pal named Silas Winch
+ went several v'y'ges together, and their talk used to be that creepy that
+ some o' the chaps was a'most afraid to be left on deck alone of a night.
+ Silas was a long-faced, miserable sort o' chap, always looking on the
+ black side o' things, and shaking his 'ead over it. He thought nothing o'
+ seeing ghosts, and pore old Ben Huggins slept on the floor for a week by
+ reason of a ghost with its throat cut that Silas saw in his bunk. He gave
+ Silas arf a dollar and a neck-tie to change bunks with 'im.
+ </p>
+ <p>
+ When Bill Burtenshaw left the sea and got married he lost sight of Silas
+ altogether, and the on'y thing he 'ad to remind him of 'im was a piece o'
+ paper which they 'ad both signed with their blood, promising that the fust
+ one that died would appear to the other. Bill agreed to it one evenin'
+ when he didn't know wot he was doing, and for years arterwards 'e used to
+ get the cold creeps down 'is back when he thought of Silas dying fust. And
+ the idea of dying fust 'imself gave 'im cold creeps all over.
+ </p>
+ <p>
+ Bill was a very good husband when he was sober, but 'is money was two
+ pounds a week, and when a man has all that and on'y a wife to keep out of
+ it, it's natural for 'im to drink. Mrs. Burtenshaw tried all sorts o' ways
+ and means of curing 'im, but it was no use. Bill used to think o' ways,
+ too, knowing the 'arm the drink was doing 'im, and his fav'rite plan was
+ for 'is missis to empty a bucket o' cold water over 'im every time he came
+ 'ome the worse for licker. She did it once, but as she 'ad to spend the
+ rest o' the night in the back yard it wasn't tried again.
+ </p>
+ <p>
+ Bill got worse as he got older, and even made away with the furniture to
+ get drink with. And then he used to tell 'is missis that he was drove to
+ the pub because his 'ome was so uncomfortable.
+ </p>
+ <p>
+ Just at that time things was at their worst Silas Winch, who 'appened to
+ be ashore and 'ad got Bill's address from a pal, called to see 'im. It was
+ a Saturday arternoon when he called, and, o' course, Bill was out, but 'is
+ missis showed him in, and, arter fetching another chair from the kitchen,
+ asked 'im to sit down.
+ </p>
+ <p>
+ Silas was very perlite at fust, but arter looking round the room and
+ seeing 'ow bare it was, he gave a little cough, and he ses, &ldquo;I thought
+ Bill was doing well?&rdquo; he ses.
+ </p>
+ <p>
+ <a name="linkimage-48" id="linkimage-48">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/048.jpg" width="100%"
+ alt="'Silas Was Very Perlite at Fust.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;So he is,&rdquo; ses Mrs. Burtenshaw.
+ </p>
+ <p>
+ Silas Winch coughed again.
+ </p>
+ <p>
+ &ldquo;I suppose he likes room to stretch 'imself about in?&rdquo; he ses, looking
+ round.
+ </p>
+ <p>
+ Mrs. Burtenshaw wiped 'er eyes and then, knowing 'ow Silas had been an old
+ friend o' Bill's, she drew 'er chair a bit closer and told him 'ow it was.
+ &ldquo;A better 'usband, when he's sober, you couldn't wish to see,&rdquo; she ses,
+ wiping her eyes agin. &ldquo;He'd give me anything&mdash;if he 'ad it.&rdquo;
+ </p>
+ <p>
+ Silas's face got longer than ever. &ldquo;As a matter o' fact,&rdquo; he ses, &ldquo;I'm a
+ bit down on my luck, and I called round with the 'ope that Bill could lend
+ me a bit, just till I can pull round.&rdquo;
+ </p>
+ <p>
+ Mrs. Burtenshaw shook her 'ead.
+ </p>
+ <p>
+ &ldquo;Well, I s'pose I can stay and see 'im?&rdquo; ses Silas. &ldquo;Me and 'im used to be
+ great pals at one time, and many's the good turn I've done him. Wot
+ time'll he be 'ome?&rdquo;
+ </p>
+ <p>
+ &ldquo;Any time after twelve,&rdquo; ses Mrs. Burtenshaw; &ldquo;but you'd better not be
+ here then. You see, 'im being in that condition, he might think you was
+ your own ghost come according to promise and be frightened out of 'is
+ life. He's often talked about it.&rdquo;
+ </p>
+ <p>
+ Silas Winch scratched his head and looked at 'er thoughtful-like.
+ </p>
+ <p>
+ &ldquo;Why shouldn't he mistake me for a ghost?&rdquo; he ses at last; &ldquo;the shock
+ might do 'im good. And, if you come to that, why shouldn't I pretend to be
+ my own ghost and warn 'im off the drink?&rdquo;
+ </p>
+ <p>
+ Mrs. Burtenshaw got so excited at the idea she couldn't 'ardly speak, but
+ at last, arter saying over and over agin she wouldn't do such a thing for
+ worlds, she and Silas arranged that he should come in at about three
+ o'clock in the morning and give Bill a solemn warning. She gave 'im her
+ key, and Silas said he'd come in with his 'air and cap all wet and pretend
+ he'd been drowned.
+ </p>
+ <p>
+ &ldquo;It's very kind of you to take all this trouble for nothing,&rdquo; ses Mrs.
+ Burtenshaw as Silas got up to go.
+ </p>
+ <p>
+ &ldquo;Don't mention it,&rdquo; ses Silas. &ldquo;It ain't the fust time, and I don't
+ suppose it'll be the last, that I've put myself out to help my
+ feller-creeturs. We all ought to do wot we can for each other.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mind, if he finds it out,&rdquo; ses Mrs. Burtenshaw, all of a tremble, &ldquo;I
+ don't know nothing about it. P'r'aps to make it more life-like I'd better
+ pretend not to see you.&rdquo;
+ </p>
+ <p>
+ &ldquo;P'r'aps it would be better,&rdquo; ses Silas, stopping at the street door. &ldquo;All
+ I ask is that you'll 'ide the poker and anything else that might be laying
+ about handy. And you 'ad better oil the lock so as the key won't make a
+ noise.&rdquo;
+ </p>
+ <p>
+ Mrs. Burtenshaw shut the door arter 'im, and then she went in and 'ad a
+ quiet sit-down all by 'erself to think it over. The only thing that
+ comforted 'er was that Bill would be in licker, and also that 'e would
+ believe anything in the ghost line.
+ </p>
+ <p>
+ It was past twelve when a couple o' pals brought him 'ome, and, arter
+ offering to fight all six of 'em, one after the other, Bill hit the wall
+ for getting in 'is way, and tumbled upstairs to bed. In less than ten
+ minutes 'e was fast asleep, and pore Mrs. Burtenshaw, arter trying her
+ best to keep awake, fell asleep too.
+ </p>
+ <p>
+ She was woke up suddenly by a noise that froze the marrer in 'er bones&mdash;
+ the most 'art-rending groan she 'ad ever heard in 'er life; and, raising
+ her 'ead, she saw Silas Winch standing at the foot of the bed. He 'ad done
+ his face and hands over with wot is called loominous paint, his cap was
+ pushed at the back of his 'ead, and wet wisps of 'air was hanging over his
+ eyes. For a moment Mrs. Burtenshaw's 'art stood still and then Silas let
+ off another groan that put her on edge all over. It was a groan that
+ seemed to come from nothing a'most until it spread into a roar that made
+ the room tremble and rattled the jug in the wash-stand basin. It shook
+ everything in the room but Bill, and he went on sleeping like an infant.
+ Silas did two more groans, and then 'e leaned over the foot o' the bed,
+ and stared at Bill, as though 'e couldn't believe his eyesight.
+ </p>
+ <p>
+ <a name="linkimage-49" id="linkimage-49">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/049.jpg" width="100%"
+ alt="'She Saw Silas Winch Standing at the Foot of The Bed.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ &ldquo;Try a squeaky one,&rdquo; ses Mrs. Burtenshaw.
+ </p>
+ <p>
+ Silas tried five squeaky ones, and then he 'ad a fit o' coughing that
+ would ha' woke the dead, as they say, but it didn't wake Bill.
+ </p>
+ <p>
+ &ldquo;Now some more deep ones,&rdquo; ses Mrs. Burtenshaw, in a w'isper.
+ </p>
+ <p>
+ Silas licked his lips&mdash;forgetting the paint&mdash;and tried the deep
+ ones agin.
+ </p>
+ <p>
+ &ldquo;Now mix 'em a bit,&rdquo; ses Mrs. Burtenshaw.
+ </p>
+ <p>
+ Silas stared at her. &ldquo;Look 'ere,&rdquo; he ses, very short, &ldquo;do you think I'm a
+ fog-horn, or wot?&rdquo;
+ </p>
+ <p>
+ He stood there sulky for a moment, and then 'e invented a noise that
+ nothing living could miss hearing; even Bill couldn't. He moved in 'is
+ sleep, and arter Silas 'ad done it twice more he turned and spoke to 'is
+ missis about it. &ldquo;D'ye hear?&rdquo; he ses; &ldquo;stop it. Stop it at once.&rdquo;
+ </p>
+ <p>
+ Mrs. Burtenshaw pretended to be asleep, and Bill was just going to turn
+ over agin when Silas let off another groan. It was on'y a little one this
+ time, but Bill sat up as though he 'ad been shot, and he no sooner caught
+ sight of Silas standing there than 'e gave a dreadful 'owl and, rolling
+ over, wropped 'imself up in all the bed-clothes 'e could lay his 'ands on.
+ Then Mrs. Burtenshaw gave a 'owl and tried to get some of 'em back; but
+ Bill, thinking it was the ghost, only held on tighter than ever.
+ </p>
+ <p>
+ &ldquo;Bill!&rdquo; ses Silas Winch, in an awful voice.
+ </p>
+ <p>
+ Bill gave a kick, and tried to bore a hole through the bed.
+ </p>
+ <p>
+ &ldquo;Bill,&rdquo; ses Silas agin, &ldquo;why don't you answer me? I've come all the way
+ from the bottom of the Pacific Ocean to see you, and this is all I get for
+ it. Haven't you got anything to say to me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Good-by,&rdquo; ses Bill, in a voice all smothered with the bed-clothes.
+ </p>
+ <p>
+ Silas Winch groaned agin, and Bill, as the shock 'ad made a'most sober,
+ trembled all over.
+ </p>
+ <p>
+ &ldquo;The moment I died,&rdquo; ses Silas, &ldquo;I thought of my promise towards you.
+ 'Bill's expecting me,' I ses, and, instead of staying in comfort at the
+ bottom of the sea, I kicked off the body of the cabin-boy wot was clinging
+ round my leg, and 'ere I am.&rdquo;
+ </p>
+ <p>
+ &ldquo;It was very&mdash;t-t-thoughtful&mdash;of you&mdash;Silas,&rdquo; ses Bill;
+ &ldquo;but you always&mdash; w-w-was&mdash;thoughtful. Good-by.&rdquo;
+ </p>
+ <p>
+ Afore Silas could answer, Mrs. Burtenshaw, who felt more comfortable,
+ 'aving got a bit o' the clothes back, thought it was time to put 'er spoke
+ in.
+ </p>
+ <p>
+ &ldquo;Lor' bless me, Bill,&rdquo; she ses. &ldquo;Wotever are you a-talking to yourself
+ like this for? 'Ave you been dreaming?&rdquo;
+ </p>
+ <p>
+ &ldquo;Dreaming!&rdquo; ses pore Bill, catching hold of her 'and and gripping it till
+ she nearly screamed. &ldquo;I wish I was. Can't you see it?&rdquo;
+ </p>
+ <p>
+ &ldquo;See it?&rdquo; ses his wife. &ldquo;See wot?&rdquo;
+ </p>
+ <p>
+ &ldquo;The ghost,&rdquo; ses Bill, in a 'orrible whisper; &ldquo;the ghost of my dear, kind
+ old pal, Silas Winch. The best and noblest pal a man ever 'ad. The
+ kindest-'arted&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Rubbish,&rdquo; ses Mrs. Burtenshaw. &ldquo;You've been dreaming. And as for the
+ kindest-'arted pal, why I've often heard you say&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;H'sh!&rdquo; ses Bill. &ldquo;I didn't. I'll swear I didn't. I never thought of such
+ a thing.&rdquo;
+ </p>
+ <p>
+ &ldquo;You turn over and go to sleep,&rdquo; ses his wife, &ldquo;hiding your 'ead under the
+ clothes like a child that's afraid o' the dark! There's nothing there, I
+ tell you. Wot next will you see, I wonder? Last time it was a pink rat.&rdquo;
+ </p>
+ <p>
+ &ldquo;This is fifty million times worse than pink rats,&rdquo; ses Bill. &ldquo;I on'y wish
+ it was a pink rat.&rdquo;
+ </p>
+ <p>
+ &ldquo;I tell you there is nothing there,&rdquo; ses his wife. &ldquo;Look!&rdquo;
+ </p>
+ <p>
+ Bill put his 'ead up and looked, and then 'e gave a dreadful scream and
+ dived under the bed-clothes agin.
+ </p>
+ <p>
+ &ldquo;Oh, well, 'ave it your own way, then,&rdquo; ses his wife. &ldquo;If it pleases you
+ to think there is a ghost there, and to go on talking to it, do so, and
+ welcome.&rdquo;
+ </p>
+ <p>
+ She turned over and pretended to go to sleep agin, and arter a minute or
+ two Silas spoke agin in the same hollow voice.
+ </p>
+ <p>
+ &ldquo;Bill!&rdquo; he ses.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; ses Bill, with a groan of his own.
+ </p>
+ <p>
+ &ldquo;She can't see me,&rdquo; ses Silas, &ldquo;and she can't 'ear me; but I'm 'ere all
+ right. Look!&rdquo;
+ </p>
+ <p>
+ &ldquo;I 'ave looked,&rdquo; ses Bill, with his 'ead still under the clothes.
+ </p>
+ <p>
+ &ldquo;We was always pals, Bill, you and me,&rdquo; ses Silas; &ldquo;many a v'y'ge 'ave we
+ had together, mate, and now I'm a-laying at the bottom of the Pacific
+ Ocean, and you are snug and 'appy in your own warm bed. I 'ad to come to
+ see you, according to promise, and over and above that, since I was
+ drowned my eyes 'ave been opened. Bill, you're drinking yourself to
+ death!&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I&mdash;didn't know it,&rdquo; ses Bill, shaking all over. &ldquo;I'll knock
+ it&mdash;off a bit, and&mdash;thank you&mdash;for&mdash;w-w-warning me.
+ G-G-Good-by.&rdquo;
+ </p>
+ <p>
+ &ldquo;You'll knock it off altogether,&rdquo; ses Silas Winch, in a awful voice.
+ &ldquo;You're not to touch another drop of beer, wine, or spirits as long as you
+ live. D'ye hear me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not&mdash;not as medicine?&rdquo; ses Bill, holding the clothes up a bit so as
+ to be more distinct.
+ </p>
+ <p>
+ &ldquo;Not as anything,&rdquo; ses Silas; &ldquo;not even over Christmas pudding. Raise your
+ right arm above your 'ead and swear by the ghost of pore Silas Winch, as
+ is laying at the bottom of the Pacific Ocean, that you won't touch another
+ drop.&rdquo;
+ </p>
+ <p>
+ Bill Burtenshaw put 'is arm up and swore it.
+ </p>
+ <p>
+ Then 'e took 'is arm in agin and lay there wondering wot was going to
+ 'appen next.
+ </p>
+ <p>
+ &ldquo;If you ever break your oath by on'y so much as a teaspoonful,&rdquo; ses Silas,
+ &ldquo;you'll see me agin, and the second time you see me you'll die as if
+ struck by lightning. No man can see me twice and live.&rdquo;
+ </p>
+ <p>
+ Bill broke out in a cold perspiration all over. &ldquo;You'll be careful, won't
+ you, Silas?&rdquo; he ses. &ldquo;You'll remember you 'ave seen me once, I mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;And there's another thing afore I go,&rdquo; ses Silas. &ldquo;I've left a widder,
+ and if she don't get 'elp from some one she'll starve.&rdquo;
+ </p>
+ <p>
+ &ldquo;Pore thing,&rdquo; ses Bill. &ldquo;Pore thing.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you 'ad died afore me,&rdquo; ses Silas, &ldquo;I should 'ave looked arter your
+ good wife&mdash;wot I've now put in a sound sleep&mdash;as long as I
+ lived.&rdquo;
+ </p>
+ <p>
+ Bill didn't say anything.
+ </p>
+ <p>
+ &ldquo;I should 'ave given 'er fifteen shillings a week,&rdquo; ses Silas.
+ </p>
+ <p>
+ &ldquo;'Ow much?&rdquo; ses Bill, nearly putting his 'ead up over the clothes, while
+ 'is wife almost woke up with surprise and anger.
+ </p>
+ <p>
+ &ldquo;Fifteen shillings,&rdquo; ses Silas, in 'is most awful voice. &ldquo;You'll save that
+ over the drink.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I'll go round and see her,&rdquo; ses Bill. &ldquo;She might be one o' these
+ 'ere independent&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I forbid you to go near the place,&rdquo; ses Silas. &ldquo;Send it by post every
+ week; 15 Shap Street will find her. Put your arm up and swear it; same as
+ you did afore.&rdquo;
+ </p>
+ <p>
+ Bill did as 'e was told, and then 'e lay and trembled, as Silas gave three
+ more awful groans.
+ </p>
+ <p>
+ &ldquo;Farewell, Bill,&rdquo; he ses. &ldquo;Farewell. I am going back to my bed at the
+ bottom o' the sea. So long as you keep both your oaths I shall stay there.
+ If you break one of 'em or go to see my pore wife I shall appear agin.
+ Farewell! Farewell! Farewell!&rdquo;
+ </p>
+ <p>
+ Bill said &ldquo;Good-by,&rdquo; and arter a long silence he ventured to put an eye
+ over the edge of the clothes and discovered that the ghost 'ad gone. He
+ lay awake for a couple o' hours, wondering and saying over the address to
+ himself so that he shouldn't forget it, and just afore it was time to get
+ up he fell into a peaceful slumber. His wife didn't get a wink, and she
+ lay there trembling with passion to think 'ow she'd been done, and
+ wondering 'ow she was to alter it.
+ </p>
+ <p>
+ Bill told 'er all about it in the morning; and then with tears in his eyes
+ 'e went downstairs and emptied a little barrel o' beer down the sink. For
+ the fust two or three days 'e went about with a thirst that he'd ha' given
+ pounds for if 'e'd been allowed to satisfy it, but arter a time it went
+ off, and then, like all teetotallers, 'e began to run down drink and call
+ it pison.
+ </p>
+ <p>
+ <a name="linkimage-50" id="linkimage-50">
+ <!-- IMG --></a>
+ </p>
+ <div class="fig" style="width:80%;">
+ <img src="images/050.jpg" width="100%"
+ alt="'With Tears in his Eyes 'e Emptied a Little Barrel O' Beer Down the Sink.' " />
+ </div>
+ <!-- IMAGE END -->
+ <p>
+ The fust thing 'e did when 'e got his money on Friday was to send off a
+ post-office order to Shap Street, and Mrs. Burtenshaw cried with rage and
+ 'ad to put it down to the headache. She 'ad the headache every Friday for
+ a month, and Bill, wot was feeling stronger and better than he 'ad done
+ for years, felt quite sorry for her.
+ </p>
+ <p>
+ By the time Bill 'ad sent off six orders she was worn to skin and bone
+ a'most a-worrying over the way Silas Winch was spending her money. She
+ dursn't undeceive Bill for two reasons: fust of all, because she didn't
+ want 'im to take to drink agin; and secondly, for fear of wot he might do
+ to 'er if 'e found out 'ow she'd been deceiving 'im.
+ </p>
+ <p>
+ She was laying awake thinking it over one night while Bill was sleeping
+ peaceful by her side, when all of a sudden she 'ad an idea. The more she
+ thought of it the better it seemed; but she laid awake for ever so long
+ afore she dared to do more than think. Three or four times she turned and
+ looked at Bill and listened to 'im breathing, and then, trembling all over
+ with fear and excitement, she began 'er little game.
+ </p>
+ <p>
+ &ldquo;He did send it,&rdquo; she ses, with a piercing scream. &ldquo;He did send it.&rdquo;
+ </p>
+ <p>
+ &ldquo;W-w-wot's the matter?&rdquo; ses Bill, beginning to wake up.
+ </p>
+ <p>
+ Mrs. Burtenshaw didn't take any notice of 'im.
+ </p>
+ <p>
+ &ldquo;He did send it,&rdquo; she ses, screaming agin. &ldquo;Every Friday night reg'lar.
+ Oh, don't let 'im see you agin.&rdquo;
+ </p>
+ <p>
+ Bill, wot was just going to ask 'er whether she 'ad gone mad, gave a awful
+ 'owl and disappeared right down in the middle o' the bed.
+ </p>
+ <p>
+ &ldquo;There's some mistake,&rdquo; ses Mrs. Burtenshaw, in a voice that could ha'
+ been 'eard through arf-a-dozen beds easy. &ldquo;It must ha' been lost in the
+ post. It must ha' been.&rdquo;
+ </p>
+ <p>
+ She was silent for a few seconds, then she ses, &ldquo;All right,&rdquo; she ses,
+ &ldquo;I'll bring it myself, then, by hand every week. No, Bill sha'n't come;
+ I'll promise that for 'im. Do go away; he might put his 'ead up at any
+ moment.&rdquo;
+ </p>
+ <p>
+ She began to gasp and sob, and Bill began to think wot a good wife he 'ad
+ got, when he felt 'er put a couple of pillers over where she judged his
+ 'ead to be, and hold 'em down with her arm.
+ </p>
+ <p>
+ &ldquo;Thank you, Mr. Winch,&rdquo; she ses, very loud. &ldquo;Thank you. Good-by, Good-by.&rdquo;
+ </p>
+ <p>
+ She began to quieten down a bit, although little sobs, like wimmen use
+ when they pretend that they want to leave off crying but can't, kept
+ breaking out of 'er. Then, by and by, she quieted down altogether and a
+ husky voice from near the foot of the bed ses: &ldquo;Has it gorn?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Bill,&rdquo; she ses, with another sob, &ldquo;I've seen the ghost!&rdquo;
+ </p>
+ <p>
+ &ldquo;Has it gorn?&rdquo; ses Bill, agin.
+ </p>
+ <p>
+ &ldquo;Yes, it's gorn,&rdquo; ses his wife, shivering. &ldquo;Oh, Bill, it stood at the foot
+ of the bed looking at me, with its face and 'ands all shiny white, and
+ damp curls on its forehead. Oh!&rdquo;
+ </p>
+ <p>
+ Bill came up very slow and careful, but with 'is eyes still shut.
+ </p>
+ <p>
+ &ldquo;His wife didn't get the money this week,&rdquo; ses Mrs. Burtenshaw; &ldquo;but as he
+ thought there might be a mistake somewhere he appeared to me instead of to
+ you. I've got to take the money by hand.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I heard,&rdquo; ses Bill; &ldquo;and mind, if you should lose it or be robbed of
+ it, let me know at once. D'ye hear? At once!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, Bill,&rdquo; ses 'is wife.
+ </p>
+ <p>
+ They lay quiet for some time, although Mrs. Burtenshaw still kept
+ trembling and shaking; and then Bill ses. &ldquo;Next time a man tells you he
+ 'as seen a ghost, p'r'aps you'll believe in 'im.&rdquo;
+ </p>
+ <p>
+ Mrs. Burtenshaw took out the end of the sheet wot she 'ad stuffed in 'er
+ mouth when 'e began to speak.
+ </p>
+ <p>
+ &ldquo;Yes, Bill,&rdquo; she ses.
+ </p>
+ <p>
+ Bill Burtenshaw gave 'er the fifteen shillings next morning and every
+ Friday night arterwards; and that's 'ow it is that, while other wimmen 'as
+ to be satisfied looking at new hats and clothes in the shop-winders, Mrs.
+ Burtenshaw is able to wear 'em.
+ </p>
+ <p>
+ <a name="linkimage-51" id="linkimage-51">
+ <!-- IMG --></a> <br /><br />
+ </p>
+ <div class="fig" style="width:80%;">
+ <img alt="051 (53K)" src="images/051.jpg" width="100%" /><br />
+ </div>
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <p>
+ &nbsp;
+ </p>
+ <div>*** END OF THE PROJECT GUTENBERG EBOOK 10793 ***</div>
+</body>
+</html>
diff --git a/10793-h/images/001.jpg b/10793-h/images/001.jpg
new file mode 100644
index 0000000..18a9ef9
--- /dev/null
+++ b/10793-h/images/001.jpg
Binary files differ
diff --git a/10793-h/images/002.jpg b/10793-h/images/002.jpg
new file mode 100644
index 0000000..c6abd3d
--- /dev/null
+++ b/10793-h/images/002.jpg
Binary files differ
diff --git a/10793-h/images/003.jpg b/10793-h/images/003.jpg
new file mode 100644
index 0000000..c3b627a
--- /dev/null
+++ b/10793-h/images/003.jpg
Binary files differ
diff --git a/10793-h/images/004.jpg b/10793-h/images/004.jpg
new file mode 100644
index 0000000..82a2cfa
--- /dev/null
+++ b/10793-h/images/004.jpg
Binary files differ
diff --git a/10793-h/images/005.jpg b/10793-h/images/005.jpg
new file mode 100644
index 0000000..507973f
--- /dev/null
+++ b/10793-h/images/005.jpg
Binary files differ
diff --git a/10793-h/images/006.jpg b/10793-h/images/006.jpg
new file mode 100644
index 0000000..7adf536
--- /dev/null
+++ b/10793-h/images/006.jpg
Binary files differ
diff --git a/10793-h/images/007.jpg b/10793-h/images/007.jpg
new file mode 100644
index 0000000..6a69411
--- /dev/null
+++ b/10793-h/images/007.jpg
Binary files differ
diff --git a/10793-h/images/008.jpg b/10793-h/images/008.jpg
new file mode 100644
index 0000000..f1d2217
--- /dev/null
+++ b/10793-h/images/008.jpg
Binary files differ
diff --git a/10793-h/images/009.jpg b/10793-h/images/009.jpg
new file mode 100644
index 0000000..cb8b837
--- /dev/null
+++ b/10793-h/images/009.jpg
Binary files differ
diff --git a/10793-h/images/010.jpg b/10793-h/images/010.jpg
new file mode 100644
index 0000000..1c982a6
--- /dev/null
+++ b/10793-h/images/010.jpg
Binary files differ
diff --git a/10793-h/images/011.jpg b/10793-h/images/011.jpg
new file mode 100644
index 0000000..6e12b9a
--- /dev/null
+++ b/10793-h/images/011.jpg
Binary files differ
diff --git a/10793-h/images/012.jpg b/10793-h/images/012.jpg
new file mode 100644
index 0000000..4b98fce
--- /dev/null
+++ b/10793-h/images/012.jpg
Binary files differ
diff --git a/10793-h/images/013.jpg b/10793-h/images/013.jpg
new file mode 100644
index 0000000..4578bda
--- /dev/null
+++ b/10793-h/images/013.jpg
Binary files differ
diff --git a/10793-h/images/014.jpg b/10793-h/images/014.jpg
new file mode 100644
index 0000000..8eeaa72
--- /dev/null
+++ b/10793-h/images/014.jpg
Binary files differ
diff --git a/10793-h/images/015.jpg b/10793-h/images/015.jpg
new file mode 100644
index 0000000..30a670f
--- /dev/null
+++ b/10793-h/images/015.jpg
Binary files differ
diff --git a/10793-h/images/016.jpg b/10793-h/images/016.jpg
new file mode 100644
index 0000000..c456dc8
--- /dev/null
+++ b/10793-h/images/016.jpg
Binary files differ
diff --git a/10793-h/images/017.jpg b/10793-h/images/017.jpg
new file mode 100644
index 0000000..01231e9
--- /dev/null
+++ b/10793-h/images/017.jpg
Binary files differ
diff --git a/10793-h/images/018.jpg b/10793-h/images/018.jpg
new file mode 100644
index 0000000..37cd6df
--- /dev/null
+++ b/10793-h/images/018.jpg
Binary files differ
diff --git a/10793-h/images/019.jpg b/10793-h/images/019.jpg
new file mode 100644
index 0000000..0ad6aa7
--- /dev/null
+++ b/10793-h/images/019.jpg
Binary files differ
diff --git a/10793-h/images/020.jpg b/10793-h/images/020.jpg
new file mode 100644
index 0000000..2f70b3b
--- /dev/null
+++ b/10793-h/images/020.jpg
Binary files differ
diff --git a/10793-h/images/021.jpg b/10793-h/images/021.jpg
new file mode 100644
index 0000000..a31e951
--- /dev/null
+++ b/10793-h/images/021.jpg
Binary files differ
diff --git a/10793-h/images/022.jpg b/10793-h/images/022.jpg
new file mode 100644
index 0000000..70c8cf3
--- /dev/null
+++ b/10793-h/images/022.jpg
Binary files differ
diff --git a/10793-h/images/023.jpg b/10793-h/images/023.jpg
new file mode 100644
index 0000000..7ebee05
--- /dev/null
+++ b/10793-h/images/023.jpg
Binary files differ
diff --git a/10793-h/images/024.jpg b/10793-h/images/024.jpg
new file mode 100644
index 0000000..7f9e4eb
--- /dev/null
+++ b/10793-h/images/024.jpg
Binary files differ
diff --git a/10793-h/images/025.jpg b/10793-h/images/025.jpg
new file mode 100644
index 0000000..f7d2e28
--- /dev/null
+++ b/10793-h/images/025.jpg
Binary files differ
diff --git a/10793-h/images/026.jpg b/10793-h/images/026.jpg
new file mode 100644
index 0000000..2ef2b1f
--- /dev/null
+++ b/10793-h/images/026.jpg
Binary files differ
diff --git a/10793-h/images/027.jpg b/10793-h/images/027.jpg
new file mode 100644
index 0000000..63d3045
--- /dev/null
+++ b/10793-h/images/027.jpg
Binary files differ
diff --git a/10793-h/images/028.jpg b/10793-h/images/028.jpg
new file mode 100644
index 0000000..9eb4da2
--- /dev/null
+++ b/10793-h/images/028.jpg
Binary files differ
diff --git a/10793-h/images/029.jpg b/10793-h/images/029.jpg
new file mode 100644
index 0000000..267fc63
--- /dev/null
+++ b/10793-h/images/029.jpg
Binary files differ
diff --git a/10793-h/images/030.jpg b/10793-h/images/030.jpg
new file mode 100644
index 0000000..176cfd8
--- /dev/null
+++ b/10793-h/images/030.jpg
Binary files differ
diff --git a/10793-h/images/031.jpg b/10793-h/images/031.jpg
new file mode 100644
index 0000000..b85d625
--- /dev/null
+++ b/10793-h/images/031.jpg
Binary files differ
diff --git a/10793-h/images/032.jpg b/10793-h/images/032.jpg
new file mode 100644
index 0000000..6c50dc7
--- /dev/null
+++ b/10793-h/images/032.jpg
Binary files differ
diff --git a/10793-h/images/033.jpg b/10793-h/images/033.jpg
new file mode 100644
index 0000000..a170343
--- /dev/null
+++ b/10793-h/images/033.jpg
Binary files differ
diff --git a/10793-h/images/034.jpg b/10793-h/images/034.jpg
new file mode 100644
index 0000000..32bd2e0
--- /dev/null
+++ b/10793-h/images/034.jpg
Binary files differ
diff --git a/10793-h/images/035.jpg b/10793-h/images/035.jpg
new file mode 100644
index 0000000..76e154b
--- /dev/null
+++ b/10793-h/images/035.jpg
Binary files differ
diff --git a/10793-h/images/036.jpg b/10793-h/images/036.jpg
new file mode 100644
index 0000000..0db6e1a
--- /dev/null
+++ b/10793-h/images/036.jpg
Binary files differ
diff --git a/10793-h/images/037.jpg b/10793-h/images/037.jpg
new file mode 100644
index 0000000..c6d7b3b
--- /dev/null
+++ b/10793-h/images/037.jpg
Binary files differ
diff --git a/10793-h/images/038.jpg b/10793-h/images/038.jpg
new file mode 100644
index 0000000..bd956aa
--- /dev/null
+++ b/10793-h/images/038.jpg
Binary files differ
diff --git a/10793-h/images/039.jpg b/10793-h/images/039.jpg
new file mode 100644
index 0000000..dcb7d73
--- /dev/null
+++ b/10793-h/images/039.jpg
Binary files differ
diff --git a/10793-h/images/040.jpg b/10793-h/images/040.jpg
new file mode 100644
index 0000000..08e3c9e
--- /dev/null
+++ b/10793-h/images/040.jpg
Binary files differ
diff --git a/10793-h/images/041.jpg b/10793-h/images/041.jpg
new file mode 100644
index 0000000..bd83de8
--- /dev/null
+++ b/10793-h/images/041.jpg
Binary files differ
diff --git a/10793-h/images/042.jpg b/10793-h/images/042.jpg
new file mode 100644
index 0000000..d32aa2f
--- /dev/null
+++ b/10793-h/images/042.jpg
Binary files differ
diff --git a/10793-h/images/043.jpg b/10793-h/images/043.jpg
new file mode 100644
index 0000000..4749272
--- /dev/null
+++ b/10793-h/images/043.jpg
Binary files differ
diff --git a/10793-h/images/044.jpg b/10793-h/images/044.jpg
new file mode 100644
index 0000000..3cc55ad
--- /dev/null
+++ b/10793-h/images/044.jpg
Binary files differ
diff --git a/10793-h/images/045.jpg b/10793-h/images/045.jpg
new file mode 100644
index 0000000..f03ab3e
--- /dev/null
+++ b/10793-h/images/045.jpg
Binary files differ
diff --git a/10793-h/images/046.jpg b/10793-h/images/046.jpg
new file mode 100644
index 0000000..f4cd66e
--- /dev/null
+++ b/10793-h/images/046.jpg
Binary files differ
diff --git a/10793-h/images/047.jpg b/10793-h/images/047.jpg
new file mode 100644
index 0000000..a036a0b
--- /dev/null
+++ b/10793-h/images/047.jpg
Binary files differ
diff --git a/10793-h/images/048.jpg b/10793-h/images/048.jpg
new file mode 100644
index 0000000..a951467
--- /dev/null
+++ b/10793-h/images/048.jpg
Binary files differ
diff --git a/10793-h/images/049.jpg b/10793-h/images/049.jpg
new file mode 100644
index 0000000..452f7f3
--- /dev/null
+++ b/10793-h/images/049.jpg
Binary files differ
diff --git a/10793-h/images/050.jpg b/10793-h/images/050.jpg
new file mode 100644
index 0000000..eaf5347
--- /dev/null
+++ b/10793-h/images/050.jpg
Binary files differ
diff --git a/10793-h/images/051.jpg b/10793-h/images/051.jpg
new file mode 100644
index 0000000..547f156
--- /dev/null
+++ b/10793-h/images/051.jpg
Binary files differ
diff --git a/10793-h/images/title.jpg b/10793-h/images/title.jpg
new file mode 100644
index 0000000..84180c6
--- /dev/null
+++ b/10793-h/images/title.jpg
Binary files differ