summaryrefslogtreecommitdiff
path: root/10726.txt
diff options
context:
space:
mode:
Diffstat (limited to '10726.txt')
-rw-r--r--10726.txt3582
1 files changed, 3582 insertions, 0 deletions
diff --git a/10726.txt b/10726.txt
new file mode 100644
index 0000000..51415ac
--- /dev/null
+++ b/10726.txt
@@ -0,0 +1,3582 @@
+The Project Gutenberg eBook, Outlines of Lessons in Botany, Part I; From
+Seed to Leaf, by Jane H. Newell, Illustrated by H. P. Symmes
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+
+
+
+Title: Outlines of Lessons in Botany, Part I; From Seed to Leaf
+
+Author: Jane H. Newell
+
+Release Date: January 16, 2004 [eBook #10726]
+
+Language: English
+
+Character set encoding: US-ASCII
+
+
+***START OF THE PROJECT GUTENBERG EBOOK OUTLINES OF LESSONS IN BOTANY,
+PART I; FROM SEED TO LEAF***
+
+
+E-text prepared by Juliet Sutherland, Keren Vergon, Leonard D. Johnson,
+and Project Gutenberg Distributed Proofreaders
+
+
+
+OUTLINES OF LESSONS IN BOTANY.
+
+PART I.: FROM SEED TO LEAF
+
+FOR THE USE OF TEACHERS, OR MOTHERS STUDYING WITH THEIR CHILDREN.
+
+BY
+
+JANE H. NEWELL.
+
+ILLUSTRATED BY H.P. SYMMES
+
+1888.
+
+
+
+
+
+
+
+PART I
+
+TABLE OF CONTENTS
+
+
+I. PLANTS AND THEIR USES
+ 1. Food
+ 2. Clothing
+ 3. Purification of the Air
+ 4. Fuel
+
+II. SEEDLINGS
+ 1. Directions for raising in the Schoolroom
+ 2. Study of Morning-Glory, Sunflower, Bean, and Pea
+ 3. Comparison with other Dicotyledons
+ 4. Nature of the Caulicle
+ 5. Leaves of Seedlings
+ 6. Monocotyledons
+ 7. Food of Seedlings
+
+III. ROOTS
+ 1. Study of the Roots of Seedlings
+ 2. Fleshy Roots
+ 3. Differences between Stem and Root
+ 4. Root-hairs
+ 5. Comparison of a Carrot, an Onion, and a Potato
+
+IV BUDS AND BRANCHES
+ 1. Horsechestnut
+ Magnolia
+ Lilac
+ Beech
+ American Elm
+ Balm of Gilead
+ Tulip-tree
+ Cherry
+ Red Maple
+ Norway Spruce
+ 2. Vernation
+ 3. Phyllotaxy
+
+V STEMS
+ 1. Forms
+ 2. Movements
+ 3. Structure
+
+VI LEAVES
+ 1. Forms and Structure
+ 2. Descriptions
+ 3. Transpiration
+ 4. Assimilation
+ 5. Respiration
+
+
+
+
+PREFACE.
+
+
+In this study, as in all scientific teaching, the teacher's aim should
+be to foster in his pupils the power of careful observation and clear
+expression. The actual amount of knowledge gained at school must needs be
+small, and often quickly forgotten, but the habit of right study is an
+invaluable possession.
+
+The former method of teaching Botany was confined almost wholly to dry,
+technical classification. The pupil learned to find the name and order of
+a plant, but its structure, its habits, its life in short, were untouched
+by him. We know now that Nature is the best text-book. The pupil should
+first ask his questions of her and try to interpret her answers; then he
+may learn with profit what those who better understand her speech have to
+tell him.
+
+This method of teaching, however, requires much, very much, of the
+teacher. He must be himself intelligent, well trained, and able to give
+time to the preparation of his lessons. It seems to us, who are but
+amateurs, as if it were impossible to teach thus without a thorough
+comprehension of the whole field. Our own ignorance oppresses us so much
+that we feel tempted to say that we cannot attempt it. But if the work of
+leading children to observe the wonders about them is to be done at all,
+it must be done by us, who are not masters of our subject, and we must
+find out for ourselves how we can best accomplish this result, since we
+have so little to guide us.
+
+It is with the hope that the experience of one who has tried to do
+this with some fair amount of success may be of use to other puzzled
+experimenters, that I venture to write out some outlines of lessons in
+Botany for beginners.
+
+The method of beginning with the simpler forms of life is one that appeals
+to the scientific tendencies of the day. It seems logical to begin with
+lower forms and work up to the higher. But this method is only suitable
+for mature minds. We do not teach a child English by showing him the
+sources of the language; he learns it by daily use. So also the beginning
+of the study of any Natural Science by the young should be the observation
+of the most obvious things about them, the things which they can see, and
+handle, and experiment upon naturally, without artificial aids. Therefore
+this book concerns itself only with the Flowering Plants.
+
+The author believes that the simplest botanical study should afford the
+means of identifying plants, as a large part of the student's pleasure in
+the science will be the recognition of the things about him. The present
+volume affords the basis for future classification, which Part II, on
+flowers, will develop. It is, doubtless, as good a way, perhaps the best,
+to begin with a single plant, and study root, stem, leaves, and flowers
+as belonging to a whole, but the problem is complicated by practical
+difficulties. In our climate there are but two months of the school year
+when flowers are easily obtained. On the other hand, the material for
+these lessons can be got throughout the winter, and the class, well
+trained in methodical work, will begin the study of flowers at the season
+when every day brings some fresh wonder of beauty.
+
+The author will receive gladly any criticisms or suggestions.
+
+JANE H. NEWELL.
+
+175 Brattle St., Cambridge
+
+
+
+
+INTRODUCTION.
+
+
+The lessons here outlined are suitable for children of twelve years of
+age, and upwards. For younger pupils they would require much adaptation,
+and even then they would not be so good as some simpler method, such as
+following the growth of one plant, and comparing it with others at every
+step. The little ones profit most by describing the very simple things
+that they see, without much reference to theories.
+
+The outlines follow the plan of Dr. Gray's First Lessons and How Plants
+Grow, and are intended to be used in connection with either of those
+books. The necessary references will be found at the end of every section.
+The book contains also references to a course of interesting reading in
+connection with the subjects of the lessons.
+
+The lessons may begin, like the text-books, with the subject of
+Germination, if the seeds are planted before they are required for use,
+but it is generally preferable to use the first recitation with the class
+for planting the seeds, in order to have them under the direct care of the
+pupils. Some general talks about plants are therefore put at the beginning
+to occupy the time until the seedlings are ready for study.
+
+Some Nasturtiums (_Tropaeolum majus_) and Morning-Glories should be planted
+from the first in boxes of earth and allowed to grow over the window, as
+they are often used for illustrations.
+
+
+
+
+I.
+
+PLANTS AND THEIR USES.[1]
+
+
+[Footnote 1: This section may be omitted, and the lessons begun with
+Seedlings, if the teacher prefer.]
+
+What is Botany? The pupils are very apt to say at first that it is
+learning about _flowers_. The teacher can draw their attention to the fact
+that flowers are only a part of the plant, and that Botany is also the
+study of the leaves, the stem, and the root. Botany is the science of
+_plants_. Ask them what the Geranium is. Tell them to name some other
+plants. The teacher should keep a few growing plants in the schoolroom for
+purposes of illustration.
+
+Ask them what else there is in the world besides plants. By this question
+the three kingdoms, animal, vegetable, and mineral, are brought up. It
+will give occasion for a discussion of the earth and what it contains, the
+mountains, formed of rocks and soil, the plants growing on the earth,
+and the animals that inhabit it, including man. Let them name the three
+kingdoms with some example of each. Which of these kingdoms contain living
+things? The words _organic_ and _inorganic_ can be brought in here. An
+_organ_ ([Greek: Ergon], meaning work) is any part that does a special
+work, as the leaves, the stem of a plant, and the eye, the ear of animals.
+An _organism_ is a living being made up of such organs. The inorganic
+world contains the mineral kingdom; the organic world includes the
+vegetable and animal kingdoms.
+
+One's aim in these lessons should always be to tell the pupils as little
+as possible. Try to lead them to think out these things for themselves.
+
+Ask them how plants differ from animals. They will say that plants are
+fixed to one place, while animals can move about; that plants have no will
+or consciousness, and that animals have. These answers are true when we
+compare the higher animals with plants, but the differences become lost as
+we descend in the scale and approach the border land where botanist and
+zoologist meet on a common ground. Sea-anemones are fixed to the rock on
+which they grow, while some of the lower plants are able to move from
+place to place, and it is hardly safe to affirm that a jelly-fish is more
+conscious of its actions than is a Sensitive Plant, the leaves of which
+close when the stem is touched.
+
+There is no real division between animals and plants. We try to classify
+the objects about us into groups, according to the closeness of their
+relationships, but we must always remember that these hard lines are ours,
+not Nature's. We attempt, for purposes of our own convenience, to divide a
+whole, which is so bound together that it cannot be separated into parts
+that we can confidently place on different sides of a dividing line.
+
+
+1. _Plants as Food-Producers_.--The chief distinguishing characteristic of
+plants is one that the pupils may be led to think out for themselves by
+asking them what animals feed upon. To help them with this, ask them what
+they had for breakfast. Oatmeal is mentioned, perhaps. This is made from
+oats, which is a plant. Coffee and tea, bread made from wheat, potatoes,
+etc., all come from plants.[1] Beef, butter and milk come from the cow,
+but the cow lives upon grass. The plant, on the other hand, is nourished
+upon mineral or inorganic matter. It can make its own food from the soil
+and the air, while animals can only live upon that which is made for
+them by plants. These are thus the link between the mineral and animal
+kingdoms. Ask the scholars if they can think of anything to eat or drink
+that does not come from a plant. With a little help they will think of
+salt and water. These could not support life. So we see that animals
+receive all their food through the vegetable kingdom. One great use of
+plants is that they are _food-producers_.
+
+[Footnote 1: Reader in Botany, for use in Schools. Selected and adapted
+from well-known authors. Ginn & Co., Boston, New York and Chicago, 1889.
+I. Origin of Cultivated Plants.]
+
+This lesson may be followed by a talk on food and the various plants used
+for food.[2]
+
+[Footnote 2: The Flour Mills of Minneapolis: Century Magazine, May, 1886.
+Maize: Popular Science News, Nov. and Dec., 1888.]
+
+
+2. _Clothing_.--Plants are used for clothing. Of the four great clothing
+materials, cotton, linen, silk, and woollen, the first two are of
+vegetable, the last two of animal origin. Cotton is made from the hairs of
+the seed of the cotton plant.[1] Linen is made of the inner fibre of
+the bark of the flax plant. It has been cultivated from the earliest
+historical times.
+
+[Footnote 1: Reader in Botany. II. The Cotton Plant.]
+
+
+3. _Purification of the Air_.--The following questions and experiments are
+intended to show the pupils, first, that we live in an atmosphere, the
+presence of which is necessary to support life and combustion (1) and (2);
+secondly, that this atmosphere is deprived of its power to support life
+and combustion by the actions of combustion (2), and of respiration (3);
+thirdly, that this power is restored to the air by the action of plants
+(4).
+
+We have the air about us everywhere. A so-called empty vessel is one
+where the contents are invisible. The following experiment is a good
+illustration of this.
+
+(1) Wrap the throat of a glass funnel with moistened cloth or paper so
+that it will fit tightly into the neck of a bottle, and fill the funnel
+with water. If the space between the funnel and the bottle is air-tight,
+the water will not flow into the bottle.
+
+[Illustration: FIG. 1.]
+
+Do not explain this in advance to the pupils. Ask them what prevents
+the water from flowing into the bottle. If they are puzzled, loosen the
+funnel, and show them that the water will now flow in. In the first case,
+as the air could not escape, the water could not flow in; in the second,
+the air was displaced by the heavier water.
+
+Ask the pupils why the air in a crowded room becomes so difficult to
+breathe. Could a person live if he were shut up in an air-tight room for a
+long time? Fresh air is necessary to life. The teacher may explain that it
+is the oxygen in the air that supports life. Air is composed one-fifth of
+this gas and four-fifths of nitrogen. The gases are mixed and the nitrogen
+simply dilutes the oxygen, as it were.
+
+Fresh air is necessary to support combustion as well as life. Ask them why
+we put out a fire by throwing a blanket or a rug over it. The following
+experiment illustrates this.
+
+(2) Take a small, wide-mouthed bottle, covered with a card or cork. To
+this cover fasten a piece of bent wire with a taper on the end. Light the
+taper and lower it into the jar. It will burn a few seconds and then go
+out. Raise and light it again, and it will be extinguished as soon as it
+is plunged into the bottle. This shows that the oxygen of the air is used
+up by burning substances, as it is by breathing animals.
+
+[Illustration: FIG. 2.]
+
+The following experiment shows that fire will not burn in an atmosphere of
+gas from our lungs.
+
+(3) Fill a bottle with gas by breathing into it through a bit of glass
+tubing, passed through a card or cork, and reaching to the bottom of the
+bottle. The bottle will be dimmed with moisture, showing the presence of
+aqueous vapor. A lighted match plunged into the bottle will be immediately
+extinguished. A better way, which, however, takes some skill in
+manipulation, is to fill the bottle with water, cover it with a flat piece
+of glass, and invert the bottle in a dish of water, taking care that no
+air bubbles enter. Then, through a bit of glass tubing, blow into the
+bottle till the water is expelled. Cover the mouth with the glass under
+water, and holding it tightly down, invert the bottle quickly. Set it
+down, light a match, take away the glass, and at the same instant plunge
+in the match. If no air has been allowed to enter, the match will go out
+at once. No animal could live in an atmosphere which could not support
+combustion.
+
+From these experiments the pupils have seen that the life-sustaining
+quality of the air is used up by combustion and respiration. To bring in
+the subject of purification by plants, ask them why all the oxygen in
+the world is not exhausted by the people and the fires in it. After the
+subject has been explained, the following experiment can be prepared and
+put aside till the next lesson.
+
+(4) Fill two bottles with air from the lungs, as in (3) having previously
+introduced a cutting from a plant into one of the bottles. Allow them to
+stand in the sun for a day or two. Then test both bottles with a burning
+match. If properly done, the result will be very striking. The end of
+the cutting should be in the water of the dish. This experiment will not
+succeed excepting with bottles such as are used for chemicals, which have
+their mouths carefully ground. Common bottles allow the air to enter
+between the bottle and the glass.[1]
+
+[Footnote 1: See note on page 13.]
+
+[Illustration: FIG. 3.]
+
+
+4. _Fuel_.--Light a match and allow it to burn until half charred. Blow it
+out gently, so as to leave a glowing spark. When this spark goes out it
+will leave behind a light, gray ash. We have to consider the flame, the
+charred substance, and the ash.
+
+Flame is burning gas. In all ordinary fuels, carbon and hydrogen, in
+various combinations and free, make the principal part. The first effect
+of the heat is to set free the volatile compounds of carbon and hydrogen.
+The hydrogen then begins to unite with the oxygen of the air, forming
+water, setting free the carbon, which also unites with oxygen, forming
+carbonic acid gas. The burning gases cause the flame. The following
+experiment will illustrate this.
+
+[Illustration: Fig. 4.]
+
+(5) Fit a test-tube with a tight cork, through which a bit of glass
+tubing, drawn out into a jet, is passed, the tubing within being even with
+the cork. Place some bits of shaving in the tube, cork it, and make the
+cork perfectly air-tight by coating it with bees wax or paraffine. Heat
+the test-tube gently over an alcohol lamp. The wood turns black, and vapor
+issues from the jet, which may be lighted (Fig. 4). Care should be taken
+to expel all the air before lighting.
+
+(6) That the burning hydrogen forms water by uniting with the oxygen of
+the air, may be shown by holding a cold glass tumbler over the jet, or
+over any flame. The glass will be dimmed by drops of moisture.
+
+The charred part of the wood is charcoal, which is one form of carbon.
+Our ordinary charcoal is made by driving off all the gases from wood, by
+burning it under cover where only a little air can reach it. The volatile
+gases burn more readily than the carbon, and are the first substances to
+be driven off, so that the carbon is left behind nearly pure. In the same
+way we have driven off all the gases from the half-burned match and left
+the carbon. The teacher should have a piece of charcoal to show the
+pupils. It still retains all the markings of the wood.
+
+If the combustion is continued, the carbon also unites with the oxygen of
+the air, till it is all converted into carbonic acid gas. This was the
+case with the match where we left the glowing spark. The gray ash that was
+left behind is the mineral matter contained in the wood.
+
+(7) We can show that this gas is formed by pouring lime water into a
+bottle in which a candle has been burned as in (2). The water becomes
+milky from a fine white powder formed by the union of the carbonic acid
+gas with the lime, forming carbonate of lime. This is a chemical test.
+
+The wood of the match is plainly of vegetable origin; so also is the
+charcoal, which is nearly pure carbon. Coal is also carbon, the remains of
+ancient forests, from which the gases have been slowly driven off by heat
+and pressure. All the common fuels are composed principally of carbon and
+hydrogen. When these elements unite with oxygen, carbonic acid gas and
+water are formed.[1]
+
+[Footnote 1: [Transcriber's Note: This note is missing from original
+text.]]
+
+(8) The same products are formed by respiration. We breathe out carbonic
+acid gas and water from our lungs. Breathe on a cold glass. It is bedewed
+exactly as it is by the candle flame. Breathe through a bit of glass
+tubing into a bottle of lime water. It becomes milky, showing the presence
+of carbonic acid gas. Why is this?
+
+Every act or thought is accompanied by a consumption of material in the
+body, which thus becomes unfit for further use. These waste substances,
+composed chiefly of carbon and hydrogen, unite with oxygen breathed in
+from the air, forming carbonic acid gas and water, which are breathed
+out of the system. The action is a process of slow combustion, and it is
+principally by the heat thus evolved that the body is kept warm. As we are
+thus constantly taking oxygen from the air, a close room becomes unfit to
+live in and a supply of fresh air is indispensable. The cycle of changes
+is completed by the action of plants, which take in carbonic acid gas, use
+the carbon, and return most of the oxygen to the atmosphere.
+
+APPARATUS FOR EXPERIMENTS.[1]
+
+[Footnote 1: The glass apparatus required, including an alcohol lamp, may
+be obtained for one dollar by sending to the Educational Supply Co., No. 6
+Hamilton Place, Boston.]
+
+Two small wide-mouthed bottles. A narrow-necked bottle. A glass funnel. A
+bit of bent glass-tubing. A bit of straight glass-tubing. A flat piece of
+glass. A test-tube, with jet. An alcohol lamp. A bent wire with taper.
+A card. A slip of a plant. A dish and pitcher of water. Beeswax or
+paraffine. Shavings. Lime water. Matches.
+
+_Gray's First Lessons. Revised edition_. Sect. XVI, 445-7, 437.
+
+_How Plants Grow_. Chap. III, 279-288.
+
+
+
+
+II.
+
+SEEDLINGS.
+
+
+1. _Directions for raising in the Schoolroom_.--The seeds should be
+planted in boxes tilled with clean sand. Plates or shallow crockery pans
+are also used, but the sand is apt to become caked, and the pupils are
+likely to keep the seeds too wet if they are planted in vessels that
+will not drain. The boxes should be covered with panes of glass till the
+seedlings are well started, and should be kept at a temperature of from
+65 deg. to 70 deg. Fahr. It is very important to keep them covered while
+the seeds are germinating, otherwise the sand will be certain to become
+too dry if kept in a sufficiently warm place. Light is not necessary, and
+in winter time the neighborhood of the furnace is often a very convenient
+place to keep them safe from frost. They should not be in the sun while
+germinating. When the first sprouts appear above the ground let another
+set be planted, and so on, till a series is obtained ranging from plants
+several inches high to those just starting from the seed. The seeds
+themselves should be soaked for a day and the series is then ready
+for study. The time required for their growth varies according to the
+temperature, moisture, etc. Dr. Goodale says they should be ready in ten
+days.[1]
+
+[Footnote 1: Concerning a few Common Plants, by G.L. Goodale, Boston, D.C.
+Heath & Co. This little book, which is published, in pamphlet form, for
+fifteen cents, will be found exceedingly useful.]
+
+I have never been able to raise them so quickly in the schoolroom, nor
+have the pupils to whom I have given them to plant done so at home.
+Generally, it is three weeks, at least, before the first specimens are as
+large as is desirable.
+
+Germinating seeds need warmth, moisture and air. The necessary conditions
+are supplied in the very best way by growing them on sponge, but it would
+be difficult to raise enough for a large class in this manner. Place a
+piece of moist sponge in a jelly-glass, or any glass that is larger at the
+top, so that the sponge may not sink to the bottom, and pour some water
+into the glass, but not so much as to touch the sponge. The whole should
+be covered with a larger inverted glass, which must not be so close as
+to prevent a circulation of air. The plants can thus be watched at every
+stage and some should always be grown in this way. The water in the
+tumbler will keep the sponge damp, and the roots, after emerging from
+the sponge, will grow well in the moist air. Seeds can also be grown on
+blotting paper. Put the seeds on several thicknesses of moist blotting
+paper on a plate, cover them with more moist paper, and invert another
+plate over them, taking care to allow the free entrance of air.
+
+If possible, it is by far the best way to have the seeds growing in the
+schoolroom, and make it a regular custom for the pupils to observe them
+every morning and take notes of their growth.
+
+These lessons on seeds are suitable for pupils of every age, from adults
+to the youngest children who go to school. The difference should be only
+in the mode of treatment; but the same principles should be brought out,
+whatever the age and power of comprehension of the pupil.
+
+For these lessons the following seeds should be planted, according to the
+above directions:
+
+Morning-Glory, Sunflower or Squash, Bean, Pea, Red Clover, Flax, Corn,
+Wheat, and Oats.[1] If they can be procured plant also acorns, Pine-seeds,
+Maple-seeds, and horsechestnuts.
+
+[Footnote 1: A package of these seeds may be obtained for fifty cents,
+from Joseph Breck & Son, Boston, Mass. They will be sent by mail, postage
+paid.]
+
+
+2. _Study of Morning-Glory, Sunflower, Bean, and Pea_.--For reasons
+hereafter given, I consider the Morning-Glory the best seedling to begin
+upon. Having a series, as above described, before them, the pupils should
+draw the seedlings. When the drawings are made, let them letter alike the
+corresponding parts, beginning with the plantlet in the seed, and using
+new letters when a new part is developed. The seed coats need not be
+lettered, as they do not belong to the plantlet.
+
+[Illustration: FIG. 5.--Germination of Morning Glory, _a_, caulicle; _b_,
+cotyledons; _c_, plumule; _d_, roots.]
+
+[Illustration: FIG. 6.--Germination of Sunflower.]
+
+After drawing the Morning-Glory series, let them draw the Sunflower or
+Squash in the same way, then the Bean, and finally the Pea. Let them write
+answers to the following questions:
+
+MORNING-GLORY.[1]
+
+[Footnote 1: It has been objected that the Morning-Glory seed is too small
+to begin upon. If the teacher prefer, he may begin with the Squash, Bean,
+and Pea. The questions will require but little alteration, and he can take
+up the Morning-Glory later.]
+
+Tell the parts of the Morning-Glory seed.
+
+What part grows first?
+
+What becomes of the seed-covering?
+
+What appears between the first pair of leaves?
+
+Was this to be seen in the seed?
+
+How many leaves are there at each joint of stem after the first pair?
+
+How do they differ from the first pair?
+
+SUNFLOWER OR SQUASH.
+
+What are the parts of the seed?
+
+What is there in the Morning-Glory seed that this has not?
+
+How do the first leaves change as the seedling grows?
+
+
+BEAN.
+
+What are the parts of the seed?
+
+How does this differ from the Morning-Glory seed?
+
+How from the Sunflower seed?
+
+How do the first pair of leaves of the Bean change as they grow?
+
+How many leaves are there at each joint of stem?[1]
+
+[Footnote 1: There are two simple leaves at the next node to the
+cotyledons; after these there is one compound leaf at each node.]
+
+How do they differ from the first pair?
+
+
+PEA.
+
+What are the parts of the seed? Compare it with the Morning-Glory,
+Sunflower, and Bean.
+
+How does it differ in its growth from the Bean?
+
+What have all these four seeds in common?
+
+[Illustration: FIG. 7.--Germination of Pea. _a_, caulicle; _b_,
+cotyledons; _c_, plumule; _d_, roots.]
+
+[Illustration: FIG. 8.--Germination of Bean.]
+
+What has the Morning-Glory seed that the others have not?
+
+What have the Bean and Pea that the Morning-Glory has not?
+
+How does the Pea differ from all the others in its growth?
+
+What part grows first in all these seeds?
+
+From which part do the roots grow?
+
+What peculiarity do you notice in the way they come up out of the
+ground?[1]
+
+[Footnote 1: This question refers to the arched form in which they come
+up. In this way the tender, growing apex is not rubbed.]
+
+The teacher must remember that, unless the pupils have had some previous
+training, they will first have to learn to use their eyes, and for this
+they will need much judicious help. They should be assisted to see what is
+before them, not told what is there. It is absolutely necessary that these
+questions should be thoroughly understood and correctly answered before
+any conclusions are drawn from them. For this purpose abundant material is
+indispensable. It is better not to attempt these lessons on seeds at
+all, unless there is material enough for personal observation by all the
+pupils.
+
+After this preliminary work has been done, the names of the parts can
+be given to the pupils. They may be written under each drawing
+thus,--A=Caulicle;[1] B=Cotyledons; C=Roots; D=Plumule. The whole plantlet
+in the seed is the _embryo_ or _germ_, whence the sprouting of seeds is
+called _germination_.
+
+[Footnote 1: The term radicle is still in general use. The derivation
+(little root) makes it undesirable. Dr. Gray has adopted caulicle (little
+stem) in the latest edition of his text-book, which I have followed. Other
+writers use the term hypocotyl, meaning under the cotyledons.]
+
+I consider this the best order to study the seeds because in the
+Morning-Glory the cotyledons are plainly leaves in the seed; and in the
+Squash or Sunflower[2] the whole process is plainly to be seen whereby
+a thick body, most unlike a leaf, becomes an ordinary green leaf with
+veins.[3] In the Sunflower the true leaves are nearly the same shape as
+the cotyledons, so that this is an especially good illustration for the
+purpose. Thus, without any hint from me, my pupils often write of the
+Bean, "it has two thick leaves and two thin leaves." In this way the Bean
+and Pea present no difficulty. The cotyledons in the first make apparently
+an unsuccessful effort to become leaves, which the second give up
+altogether.
+
+[Footnote 2: The large Russian Sunflower is the best for the purpose.]
+
+[Footnote 3: These lessons are intended, as has been said, for children
+over twelve years of age. If they are adapted for younger ones, it is
+especially important to begin with a seed where the leaf-like character
+of the cotyledons is evident, or becomes so. Maple is excellent for the
+purpose. Morning-Glory is too small. Squash will answer very well. I think
+it characteristic of the minds of little children to associate a term with
+the first specimen to which it is applied. If the term cotyledon be given
+them first for those of the Bean and Pea they will say when they come to
+the Morning-Glory, "but those are _leaves_, not cotyledons. Cotyledons are
+large and round." It will be very difficult to make them understand that
+cotyledons are the first seed-leaves, and they will feel as if it were a
+forced connection, and one that they cannot see for themselves.]
+
+The teacher's object now is to make the pupils understand the meaning of
+the answers they have given to these questions. In the first place, they
+should go over their answers and substitute the botanical terms they have
+just learned for the ones they have used.
+
+
+COMPARISON OF THE PARTS OF THE SOAKED SEEDS.
+
+_Morning-Glory_. A seed covering. Some albumen. Two cotyledons. A
+caulicle.
+
+_Sunflower_. An outer covering.[1] An inner covering. Two cotyledons. A
+caulicle.[2]
+
+[Footnote 1: The so-called seed of Sunflower is really a fruit. The outer
+covering is the wall of the ovary, the inner the seed-coat. Such closed,
+one-seeded fruits are called akenes.]
+
+[Footnote 2: The plumule is sometimes visible in the embryo of the
+Sunflower.]
+
+_Bean_. A seed covering. Two cotyledons. A caulicle. A plumule.
+
+_Pea_. The same as the Bean.
+
+They have also learned how the first leaves in the last three differ from
+those of the Morning-Glory, being considerably thicker in the Sunflower,
+and very much thicker in the Bean and Pea. Why should the Morning-Glory
+have this jelly that the others have not? Why do the first leaves of the
+Sunflower change so much as the seedling grows? What becomes of their
+substance? Why do those of the Bean shrivel and finally drop off? By this
+time some bright pupil will have discovered that the baby-plant needs food
+and that this is stored around it in the Morning-Glory, and in the leaves
+themselves in the others. It is nourished upon this prepared food, until
+it has roots and leaves and can make its own living. The food of the
+Morning-Glory is called _albumen_; it does not differ from the others in
+kind, but only in its manner of storage.[1]
+
+[Footnote 1: Reader in Botany. III. Seed-Food.]
+
+Also the questions have brought out the fact that the Bean and Pea
+have the plumule ready formed in the seed, while the Morning-Glory and
+Sunflower have not. Why should this be? It is because there is so much
+food stored in the first two that the plumule can develop before a root is
+formed, while in the others there is only nourishment sufficient to enable
+the plantlet to form its roots. These must make the second leaves by their
+own labor.
+
+
+3. _Comparison with other Dicotyledons_.--The pupils should now have other
+seeds to compare with these four. Let them arrange Flax, Four o-clock,
+Horsechestnut, Almond, Nasturtium, Maple-seeds, etc., under two heads.
+
+_Seeds with the Food stored _Seeds with the Food stored
+outside the plantlet in the embryo itself
+(Albuminous)_. (Exalbuminous)_.
+
+Flax. Four-o'clock. Acorn. Horsechestnut. Almond.
+Morning-Glory. Maple. Sunflower. Squash.
+ Bean. Pea. Nasturtium.
+
+They may also be divided into those with and without the plumule.
+
+_Without Plumule_. _With Plumule_.
+
+Flax. Maple. Sunflower. Acorn. Horsechestnut.
+Four-o'clock. Almond. Bean. Pea.
+Morning-Glory. Squash. Nasturtium.
+
+Those with plumules will be seen to have the most abundant nourishment. In
+many cases this is made use of by man.
+
+These last can be again divided into those in which the cotyledons come up
+into the air and those where they remain in the ground.
+
+_In the Air_. _In the Ground_.
+
+Bean. Almond. Squash. Acorn. Horsechestnut.
+ Pea. Nasturtium.
+
+In the latter the cotyledons are so heavily gorged with nourishment that
+they never become of any use as leaves. As Darwin points out, they have
+a better chance of escaping destruction by animals by remaining in the
+ground.
+
+The cotyledons are very good illustrations of the different uses to which
+a single organ may be put, and the thorough understanding of it will
+prepare the pupils' minds for other metamorphoses, and for the theory that
+all the various parts of a plant are modified forms of a very few members.
+
+
+4. _Nature of the Caulicle_.--Probably some of the pupils will have called
+the caulicle the root. It is, however, of the nature of stem. The root
+grows only at the end, from a point just behind the tip; the stem
+elongates throughout its whole length. This can be shown by marking the
+stem and roots of a young seedling with ink. India ink must be used, as
+common ink injures the plants. Dip a needle in the ink and prick a row
+of spots at equal distances on a young root. Corn is very good for this
+purpose, but Morning-Glory or Bean is better for experiments on the
+stem. The plants should then be carefully watched and the changes in
+the relative distance of the spots noted. The experiment is very easily
+conducted with the seedlings growing on sponge, with their roots in the
+moist air of the tumbler, as before described.
+
+Dr. Goodale says of this experiment,--"Let a young seedling of corn be
+grown on damp paper in the manner described in No. 1,[1] and when the
+longest root is a few centimetres long let it be marked very carefully by
+means of India ink, or purple ink, put on with a delicate camel's-hair
+pencil just one centimetre apart. Plants thus marked are to be kept under
+favorable conditions with respect to moisture and warmth, so that growth
+will be as rapid as possible. The marks on the older part of the root
+will not change their relative distance, but the mark at the tip will be
+carried away from the one next it, showing that the growth has taken place
+only at this point. Such experiments as the one described are perfectly
+practicable for all classes of pupils except the very youngest. How far
+the details of these experiments should be suggested to the pupils, or
+rather how far they should be left to work out the problem for themselves,
+is a question to be settled by the teacher in each case. The better plan
+generally is to bring the problem in a very clear form before the whole
+class, or before the whole school, and ask whether anybody can think of a
+way in which it can be solved; for instance, in this case how can it be
+found out whether roots grow only at their tip or throughout their whole
+length. If the way is thought out by even a single pupil the rest will be
+interested in seeing whether the plan will work successfully."
+
+[Footnote 1: Concerning a Few Common Plants, page 25.]
+
+I have been more successful in pricking the roots than in marking them
+with a brush.
+
+The caulicle can be proved by the manner of its growth to be of the nature
+of stem, not root. The main root grows from its naked end. Roots can also
+grow from the sides of the caulicle, as in Indian Corn. In this, it acts
+precisely as does the stem of a cutting. It can be prettily shown with the
+seedlings by breaking off a bean at the ground and putting the slip in
+water. It will throw out roots and the pupil will readily understand that
+the caulicle does the same thing.
+
+Darwin has made very interesting experiments on the movements of
+seedlings. If the teacher wishes to repeat some of the experiments he will
+find the details very fully given in "The Power of Movement of Plants."[1]
+The pupils can observe in their growing seedlings some of the points
+mentioned and have already noticed a few in their answers. They have said
+that the caulicle was the part to grow first, and have spoken of the
+arched form of the young stem. Their attention should also be drawn to the
+root-hairs, which are well seen in Corn, Wheat, and Oats. They absorb the
+liquid food of the plants. A secondary office is to hold the seed firmly,
+so that the caulicle can enter the ground. This is shown in Red Clover,
+which may be sown on the surface of the ground. It puts out root-hairs,
+which attach themselves to the particles of sand and hold the seed. These
+hairs are treated more fully in the lessons on roots.
+
+[Footnote 1: The Power of Movement in Plants. By Charles Darwin. London.
+John Murray, 1880.]
+
+[Footnote 1: Reader in Botany. IV. Movements of Seedlings.]
+
+
+5. _Leaves of Seedlings_.--Coming now to the question as to the number of
+leaves at each joint of the stem, the Morning-Glory, Sunflower, and Bean
+will present no difficulty, but probably all the pupils will be puzzled by
+the Pea. The stipules, so large and leaf-like, look like two leaves,
+with a stem between, bearing other opposite leaves, and terminating in a
+tendril, while in the upper part it could not be told by a beginner which
+was the continuation of the main stem. For these reasons I left this out
+in the questions on the Pea, but it should be taken up in the class. How
+are we to tell what constitutes a single leaf? The answer to this question
+is that buds come in the _axils_ of single leaves; that is, in the inner
+angle which the leaf makes with the stem. If no bud can be seen in the
+Pea, the experiment may be tried of cutting off the top of the seedling
+plant. Buds will be developed in the axils of the nearest leaves, and it
+will be shown that each is a compound leaf with two appendages at its
+base, called stipules, and with a tendril at its apex. Buds can be forced
+in the same way to grow from the axils of the lower scales, and even from
+those of the cotyledons, and the lesson may be again impressed that organs
+are capable of undergoing great modifications. The teacher may use his own
+judgment as to whether he will tell them that the tendril is a modified
+leaflet.
+
+[Illustration: FIG. 9. 1. Grain of Indian Corn. 2. Vertical section,
+dividing the embryo, _a_, caulicle: _b_, cotyledon; _c_, plumule. 3.
+Vertical section, at right angles to the last.]
+
+
+6. _Monocotyledons_.--These are more difficult. Perhaps it is not worth
+while to attempt to make the pupils see the embryo in Wheat and Oats. But
+the embryo of Indian Corn is larger and can be easily examined after long
+soaking. Removing the seed-covering, we find the greater part of the seed
+to be albumen. Closely applied to one side of this, so closely that it
+is difficult to separate it perfectly, is the single cotyledon. This
+completely surrounds the plumule and furnishes it with food from the
+albumen. There is a line down the middle, and, if we carefully bend back
+the edges of the cotyledon, it splits along this line, showing the
+plumule and caulicle within. The plumule consists of successive layers of
+rudimentary leaves, the outer enclosing the rest (Fig. 10, 1, _c_). The
+latter is the first leaf and remains undeveloped as a scaly sheath (Fig.
+10, 2, _c_). In Wheat and Oats the cotyledon can be easily seen in the
+largest seedlings by pulling off the dry husk of the grain. The food will
+he seen to have been used up.
+
+[Illustration: FIG. 10. 1. Germination of Indian corn. 2. Same more
+advanced. _a_, caulicle; _c_1, first leaf of the plumule, sheathing the
+rest; _c_2, second leaf; _c_3, third leaf of the plumule; _d_, roots.]
+
+The series of Corn seedlings, at least, should be drawn as before and
+the parts marked, this time with their technical terms. The following
+questions should then be prepared.
+
+CORN.
+
+What are the parts of the seed?
+
+Compare these parts with the Morning-Glory, Sunflower, Bean, and Pea.
+
+Where is the food stored?
+
+How many cotyledons have Corn, Wheat, and Oats?
+
+How many have Bean, Pea, Morning-Glory, and Sunflower?
+
+Compare the veins of the leaves of each class and see what difference you
+can find.
+
+This will bring up the terms dicotyledon and monocotyledon. _Di_ means
+two, _mono_ means one. This difference in the veins, netted in the first
+class, parallel in the second, is characteristic of the classes. Pupils
+should have specimens of leaves to classify under these two heads.
+Flowering plants are divided first into these two classes, the
+Dicotyledons and the Monocotyledons.
+
+If Pine-seeds can be planted, the polycotyledonous embryo can also be
+studied.
+
+
+7. _Food of seedlings_.--The food of the Wheat seedling may be shown in
+fine flour. [1]"The flour is to be moistened in the hand and kneaded until
+it becomes a homogeneous mass. Upon this mass pour some pure water and
+wash out all the white powder until nothing is left except a viscid lump
+of gluten. This is the part of the crushed wheat-grains which very closely
+resembles in its composition the flesh of animals. The white powder washed
+away is nearly pure wheat-starch. Of course the other ingredients, such as
+the mineral matter and the like, might be referred to, but the starch at
+least should be shown. When the seed is placed in proper soil, or upon a
+support where it can receive moisture, and can get at the air and still be
+warm enough, a part of the starch changes into a sort of gum, like that on
+postage stamps, and finally becomes a kind of sugar. Upon this sirup the
+young seedling feeds until it has some good green leaves for work, and as
+we have seen in the case of some plants it has these very early."
+
+[Footnote 1: Concerning a Few Common Plants, page 18.]
+
+The presence of starch can be shown by testing with a solution of iodine.
+Starch is turned blue by iodine and may thus be detected in flour, in
+seeds, in potatoes, etc.
+
+After all this careful experimental work the subject may be studied in the
+text-book and recited, the recitation constituting a thorough review of
+the whole.
+
+A charming description of the germination of a seed will be found in the
+Reader. V. The Birth of Picciola.
+
+_Gray's Lessons_. Sect. II, 8-14. III. _How Plants Grow_. Sect. I, 22, 23.
+II.
+
+
+
+
+III
+
+ROOTS.
+
+
+This subject can be treated more conveniently while the young seedlings
+are still growing, because their roots are very suitable for study. It
+seems best, therefore, to take it up before examining the buds.
+
+
+1. _Study of the Roots of Seedlings_.--One or two of the seedlings should
+be broken off and the slips put into a glass of water. They will be
+studied later. Bean and Sunflower are the best for the purpose.
+
+Begin by telling the pupils to prepare for their first lesson a
+description of the roots of their seedlings. Those grown on sponge or
+paper will show the development of the root-hairs, while those grown on
+sand are better for studying the form of the root. Give them also some
+fleshy root to describe, as a carrot, or a radish; and a spray of English
+Ivy, as an example of aerial roots.
+
+Throughout these lessons, the method is pursued of giving pupils specimens
+to observe and describe before teaching them botanical terms. It is better
+for them to name the things they see than to find examples for terms
+already learned. In the first case, they feel the difficulty of expressing
+themselves and are glad to have the want of exact terms supplied. This
+method is discouraging at first, especially to the younger ones; but,
+with time and patience, they will gradually become accustomed to describe
+whatever they can see. They have, at any rate, used their eyes; and,
+though they may not understand the real meaning of anything they have
+seen, they are prepared to discuss the subject intelligently when they
+come together in the class. If they will first write out their unassisted
+impressions and, subsequently, an account of the same thing after they
+have had a recitation upon it, they will be sure to gain something in the
+power of observation and clear expression. It cannot be too strongly
+urged that the number of facts that the children may learn is not of the
+slightest consequence, but that the teacher should aim to cultivate the
+quick eye, the ready hand, and the clear reason.
+
+The root of the Morning-Glory is _primary_; it is a direct downward growth
+from the tip of the caulicle. It is about as thick as the stem, tapers
+towards the end, and has short and fibrous branches. In some plants the
+root keeps on growing and makes a _tap-root_; in the Bean, it soon becomes
+lost in the branches. These are all simple, that is, there is but one
+primary root. Sometimes there are several or many, and the root is then
+said to be _multiple_. The Pumpkin is an example of this. The root of
+the Pea is described in the older editions of Gray's Lessons as being
+multiple, but it is generally simple. Indian Corn, also, usually starts
+with a single root, but this does not make a tap-root, and is soon
+followed by many others from any part of the caulicle, or even from the
+stem above, giving it the appearance of having a multiple root.
+
+The root of the Radish is different from any of these; it is _fleshy_.
+Often, it tapers suddenly at the bottom into a root like that of
+the Morning-Glory with some fibres upon it. It is, in fact, as the
+Morning-Glory would be if the main root were to be thickened up by
+food being stored in it. It is a primary tap-root. The radish is
+_spindle-shaped_, tapering at top and bottom, the carrot is _conical_, the
+turnip is called _napiform_; some radishes are shaped like the turnip.
+
+The aerial roots of the English Ivy answer another purpose than that of
+giving nourishment to the plant. They are used to support it in climbing.
+These are an example of _secondary_ roots, which are roots springing
+laterally from any part of the stem. The Sweet Potato has both fleshy and
+fibrous roots and forms secondary roots of both kinds every year.[1] Some
+of the seedlings will probably show the root-hairs to the naked eye. These
+will be noticed hereafter.
+
+[Footnote 1: Gray's Lessons, p. 35, Fig. 86.]
+
+[Illustration: FIG. 11.--1. Tap-root. 2. Multiple root of Pumpkin. 3.
+Napiform root of Turnip. 4. Spindle-shaped root of Radish. 5. Conical root
+of Carrot. 6. Aerial roots of Ivy.]
+
+It is my experience that pupils always like classifying things under
+different heads, and it is a good exercise. The following table may be
+made of the roots they have studied, adding other examples. Dr. Gray says
+that ordinary roots may be roughly classed into fibrous and fleshy.[1]
+Thome classes them as woody and fleshy.[2]
+
+[Footnote 1: Gray's Lessons, p. 34.]
+
+[Footnote 2: Text-book of Structural and Physiological Botany. Otto Thome.
+Translated and edited by Alfred W. Bennett, New York. John Wiley and Sons.
+1877. Page 75.]
+
+ ROOTS.
+ |
+ ------------------------------------------
+ | |
+ _Primary_. _Secondary_.
+ | |
+ -------------------------------- |
+ | | |
+ _Fibrous_. _Fleshy_. Roots of cuttings
+ | Aerial roots.
+ ------------------- Sweet potatoes.[3]
+ | |
+ _Simple_. _Multiple_. _Simple_.
+
+ Morning Glory. Pumpkin Carrot.
+ Sunflower. Radish.
+ Pea. Turnip.
+ Bean. Beet.
+ Corn. Corn.
+
+[Footnote 3: The Irish potato will very likely be mentioned as an example
+of a fleshy root. The teacher can say that this will be explained later.]
+
+
+2. _Fleshy Roots_.--The scholars are already familiar with the storing
+of food for the seedling in or around the cotyledons, and will readily
+understand that these roots are storehouses of food for the plant. The
+Turnip, Carrot, and Beet are _biennials_; that is, their growth is
+continued through two seasons. In the first year, they make a vigorous
+growth of leaves alone, and the surplus food is carried to the root in the
+form of a syrup, and there stored, having been changed into starch, or
+something very similar. At the end of the first season, the root is filled
+with food, prepared for the next year, so that the plant can live on its
+reserve fund and devote its whole attention to flowering. These roots
+are often good food for animals. There are some plants that store their
+surplus food in their roots year after year, using up in each season the
+store of the former one, and forming new roots continually. The Sweet
+Potato is an example of this class. These are _perennials_. The food in
+perennials, however, is usually stored in stems, rather than in roots, as
+in trees. _Annuals_ are generally fibrous-rooted, and the plant dies after
+its first year. The following experiment will serve as an illustration of
+the way in which the food stored in fleshy roots is utilized for growth.
+
+Cut off the tapering end of a carrot and scoop out the inside of the
+larger half in the form of a vase, leaving about half of the flesh behind.
+Put strings through the upper rim, fill the carrot cup with water, and
+hang it up in a sunny window. Keep it constantly full of water. The
+leaf-buds below will put forth, and grow into leafy shoots, which, turning
+upwards, soon hide the vase in a green circle. This is because the dry,
+starchy food stored in the carrot becomes soft and soluble, and the supply
+of proper food and the warmth of the room make the leaf-buds able to grow.
+It is also a pretty illustration of the way in which stems always grow
+upward, even though there is enough light and air for them to grow
+straight downwards. Why this is so, we do not know.
+
+
+3. _Differences between the Stem and the Root.--_Ask the pupils to tell
+what differences they have found.
+
+_Stems_. _Roots_.
+
+Ascend into the air. Descend into the ground.
+Grow by a succession of similar Grow only from a point
+ parts, each part when young just behind the tip.
+ elongating throughout.
+Bear organs. Bear no organs.
+
+There are certain exceptions to the statement that roots descend into the
+ground; such as aerial roots and parasitic roots. The aerial roots of the
+Ivy have been mentioned. Other examples of roots used for climbing are
+the Trumpet Creeper _(Tecoma radicans)_, and the Poison Ivy _(Rhus
+Toxicodendron)_. Parasitic roots take their food ready-made from the
+plants into which they strike. The roots of air-plants, such as certain
+orchids, draw their nourishment from the air.
+
+The experiment of marking roots and stem has been already tried, but it
+should be repeated. Repetition of experiments is always desirable, as it
+fixes his conclusions in the pupil's mind. The stem grows by a succession
+of similar parts, _phytomera_, each part, or _phyton_, consisting of node,
+internode, and leaf. Thus it follows that stems must bear leaves. The
+marked stems of seedlings show greater growth towards the top of the
+growing phyton. It is only young stems that elongate throughout. The older
+parts of a phyton grow little, and when the internode has attained a
+certain length, variable for different stems and different conditions, it
+does not elongate at all.
+
+The root, on the contrary, grows only from a point just behind the tip.
+The extreme tip consists of a sort of cap of hard tissue, called the
+root-cap. Through a simple lens, or sometimes with the naked eye, it can
+be distinguished in most of the roots of the seedlings, looking like a
+transparent tip. "The root, whatever its origin in any case may be, grows
+in length only in one way; namely, at a point just behind its very
+tip. This growing point is usually protected by a peculiar cap, which
+insinuates its way through the crevices of the soil. If roots should grow
+as stems escaping from the bud-state do,--that is, throughout their whole
+length--they would speedily become distorted. But, since they grow at the
+protected tips, they can make their way through the interstices of soil,
+which from its compactness would otherwise forbid their progress."[1]
+
+[Footnote 1: Concerning a few Common Plants, p. 25.]
+
+The third difference is that, while the stem bears leaves, and has buds
+normally developed in their axils, roots bear no organs. The stem,
+however, especially when wounded, may produce buds anywhere from the
+surface of the bark, and these buds are called _adventitious_ buds. In the
+same manner, roots occasionally produce buds, which grow up into leafy
+shoots, as in the Apple and Poplar.[1]
+
+[Footnote 1: See Gray's Structural Botany, p. 29.]
+
+It should be made perfectly clear that the stem is the axis of the plant,
+that is, it bears all the other organs. Roots grow from stems, not steins
+from roots, except in certain cases, like that of the Poplar mentioned
+above. This was seen in the study of the seedling. The embryo consisted of
+stem and leaves, and the roots were produced from the stem as the seedling
+grew.
+
+For illustration of this point, the careful watching of the cuttings
+placed in water will be very instructive. After a few days, small, hard
+lumps begin to appear under the skin of the stem of the broken seedling
+Bean. These gradually increase in size until, finally, they rupture the
+skin and appear as rootlets. Roots are always thus formed under the outer
+tissues of the stem from which they spring, or the root from which they
+branch. In the Bean, the roots are in four long rows, quartering the stem.
+This is because they are formed in front of the woody bundles of the stem,
+which in the seedling Bean are four. In the Sunflower the roots divide the
+circumference into six parts. In some of my cuttings of Beans, the stem
+cracked in four long lines before the roots had really formed, showing the
+parenchyma in small hillocks, so to speak. In these the gradual formation
+of the root-cap could be watched throughout, with merely a small lens. I
+do not know a better way to impress the nature of the root on the pupil's
+mind. These forming roots might also be marked very early, and so be shown
+to carry onward their root-cap on the growing-point.
+
+
+4. _Root-hairs_. These are outgrowths of the epidermis, or skin of the
+root, and increase its absorbing power. In most plants they cannot be seen
+without the aid of a microscope. Indian Corn and Oats, however, show them
+very beautifully, and the scholars have already noticed them in their
+seedlings. They are best seen in the seedlings grown on damp sponge. In
+those grown in sand, they become so firmly united to the particles of
+soil, that they cannot be separated, without tearing the hairs away from
+the plant. This will suggest the reason why plants suffer so much from
+careless transplanting.
+
+The root-hairs have the power of dissolving mineral matters in the soil
+by the action of an acid which they give out. They then absorb these
+solutions for the nourishment of the plant. The acid given out was first
+thought to be carbonic acid, but now it is supposed by some experimenters
+to be acetic acid, by others to vary according to the plant and the time.
+The action can be shown by the following experiment, suggested by Sachs.
+
+[Illustration: Fig. 12. I. Seedling of _Sinapis alba_ showing root-hairs.
+II. Same, showing how fine particles of sand cling to the root-hairs.
+(Sachs.)]
+
+Cover a piece of polished marble with moist sawdust, and plant some seeds
+upon it. When the seedlings are somewhat grown, remove the sawdust, and
+the rootlets will be found to have left their autographs behind. Wherever
+the roots, with their root-hairs have crept, they have eaten into the
+marble and left it corroded. The marks will become more distinct if the
+marble is rubbed with a little vermilion.
+
+In order that the processes of solution and absorption may take place, it
+is necessary that free oxygen should be present. All living things must
+have oxygen to breathe, and this gas is as needful for the germination of
+seeds, and the action of roots and leaves, as it is for our maintenance of
+life. It is hurtful for plants to be kept with too much water about their
+roots, because this keeps out the air. This is the reason why house-plants
+are injured if they are kept too wet.
+
+A secondary office of root-hairs is to aid the roots of seedlings to enter
+the ground, as we have before noticed.
+
+The root-hairs are found only on the young parts of roots. As a root grows
+older the root-hairs die, and it becomes of no further use for absorption.
+But it is needed now for another purpose, as the support of the growing
+plant. In trees, the old roots grow from year to year like stems, and
+become large and strong. The extent of the roots corresponds in a general
+way to that of the branches, and, as the absorbing parts are the young
+rootlets, the rain that drops from the leafy roof falls just where it is
+needed by the delicate fibrils in the earth below.[1]
+
+[Footnote 1: Reader in Botany. VI. The Relative Positions of Leaves and
+Rootlets.]
+
+
+5. _Comparison of a Carrot, an Onion, and a Potato_.--It is a good
+exercise for a class to take a potato, an onion, and a carrot or radish to
+compare, writing out the result of their observations.
+
+The carrot is a fleshy root, as we have already seen. The onion consists
+of the fleshy bases of last year's leaves, sheathed by the dried remains
+of the leaves of former years, from which all nourishment has been drawn.
+The parallel veining of the leaves is distinctly marked. The stem is a
+plate at the base, to which these fleshy scales are attached. In the
+centre, or in the axils of the scales, the newly-forming bulbs can be
+seen, in onions that are sprouting. If possible, compare other bulbs, as
+those of Tulip, Hyacinth, or Snowdrop, and the bulb of a Crocus, in which
+the fleshy part consists of the thickened base of the stem, and the leaves
+are merely dry scales. This is called a _corm_.
+
+The potato is a thickened stem. It shows itself to be a stem, because it
+bears organs. The leaves are reduced to little scales (eyelids), in the
+axils of which come the buds (eyes). The following delightful experiment
+has been recommended to me.
+
+In a growing potato plant, direct upwards one of the low shoots and
+surround it with a little cylinder of stiff carpet paper, stuffed with
+sphagnum and loam. Cut away the other tuber-disposed shoots as they
+appear. The enclosed shoot develops into a tuber which stands more or less
+vertical, and the scales become pretty little leaves. Removing the paper,
+the tuber and leaves become green, and the latter enlarge a little. A
+better illustration of the way in which organs adapt themselves to their
+conditions, and of the meaning of morphology, could hardly be found.
+
+_Gray's First Lessons_. Sect. v, 65-88. _How Plants Grow_. Chap. I, 83-90.
+
+
+
+
+IV.
+
+BUDS AND BRANCHES.
+
+
+1. There is an astonishing amount to be learned from naked branches,
+and, if pursued in the right way, the study will be found exceedingly
+interesting. Professor Beal, in his pamphlet on the New Botany,[1] says:--
+
+"Before the first lesson, each pupil is furnished or told where to procure
+some specimen for study. If it is winter, and flowers or growing plants
+cannot be had, give each a branch of a tree or shrub; this branch may be
+two feet long. The examination of these is made during the usual time for
+preparing lessons, and not while the class is before the teacher. For the
+first recitation each is to tell what he has discovered. The specimens are
+not in sight during the recitation. In learning the lesson, books are not
+used; for, if they are used, no books will contain a quarter of what the
+pupil may see for himself. If there is time, each member of the class is
+allowed a chance to mention anything not named by any of the rest. The
+teacher may suggest a few other points for study. The pupils are not told
+what they can see for themselves. An effort is made to keep them working
+after something which they have not yet discovered. If two members
+disagree on any point, on the next day, after further study, they are
+requested to bring in all the proofs they can to sustain their different
+conclusions. For a second lesson, the students review the first lesson,
+and report on a branch of a tree of another species which they have
+studied as before. Now they notice any point of difference or of
+similarity. In like manner new branches are studied and new comparisons
+made. For this purpose, naked branches of our species of elms, maples,
+ashes, oaks, basswood, beech, poplars, willows, walnut, butternut,
+hawthorns, cherries, and in fact any of our native or exotic trees or
+shrubs are suitable. A comparison of the branches of any of the evergreens
+is interesting and profitable. Discoveries, very unexpected, are almost
+sure to reward a patient study of these objects. The teacher must not
+think time is wasted. No real progress can be made, till the pupils begin
+to learn to see; and to learn to see they must keep trying to form the
+habit from the very first; and to form the habit they should make the
+study of specimens the main feature in the course of training."
+
+[Footnote 1: The New Botany. By W.J. Beal. Philadelphia, C.H. Marot, 814
+Chestnut St., 1882. Page 5.]
+
+HORSECHESTNUT (_AEsculus Hippocastanum_).
+
+We will begin with the study of a branch of Horsechestnut.[1] The pupils
+should examine and describe their specimens before discussing them in the
+class-room. They will need some directions and hints, however, to enable
+them to work to any advantage. Tell them to open both large and small
+buds. It is not advisable to study the Horsechestnut bud by cutting
+sections, as the wool is so dense that the arrangement cannot be seen in
+this way. The scales should be removed with a knife, one by one, and the
+number, texture, etc., noted. The leaves and flower-cluster will remain
+uncovered and will be easy to examine. The gum may be first removed by
+pressing the bud in a bit of paper. The scholars should study carefully
+the markings on the stem, in order to explain, if possible, what has
+caused them. The best way to make clear the meaning of the scars is to
+show them the relation of the bud to the branch. They must define a bud.
+Ask them what the bud would have become the next season, if it had been
+allowed to develop. It would have been a branch, or a part of one. A bud,
+then, is an undeveloped branch. They can always work out this definition
+for themselves. Conversely, a branch is a developed bud, or series of
+buds, and every mark on the branch must correspond to something in the
+bud. Let them examine the specimens with this idea clearly before their
+minds. The lesson to prepare should be to write out all they can observe
+and to make careful drawings of their specimens. Ask them to find a way,
+if possible, to tell the age of the branch.
+
+[Footnote 1: The pupils should cut their names on their branches and keep
+them. They will need them constantly for comparison and reference.]
+
+At the recitation, the papers can be read and the points mentioned
+thoroughly discussed. This will take two lesson-hours, probably, and the
+drawing may be left, if desired, as the exercise to prepare for the second
+recitation.
+
+[1]The buds of Horsechestnut contain the plan of the whole growth of the
+next season. They are scaly and covered, especially towards the apex, with
+a sticky varnish. The scales are opposite, like the leaves. The outer
+pairs are wholly brown and leathery, the succeeding ones tipped with
+brown, wherever exposed, so that the whole bud is covered with a thick
+coat. The inner scales are green and delicate, and somewhat woolly,
+especially along the lapping edges. There are about seven pairs of
+scales. The larger terminal buds have a flower-cluster in the centre, and
+generally two pairs of leaves; the small buds contain leaves alone, two or
+three pairs of them. The leaves are densely covered with white wool, to
+protect them from the sudden changes of winter. The use of the gum is to
+ward off moisture. The flower-cluster is woolly also.
+
+[Footnote 1: All descriptions are made from specimens examined by me.
+Other specimens may differ in some points. Plants vary in different
+situations and localities.]
+
+The scars on the stem are of three kinds, leaf, bud-scale, and
+flower-cluster scars. The pupils should notice that the buds are always
+just above the large triangular scars. If they are still in doubt as to
+the cause of these marks, show them some house-plant with well-developed
+buds in the axils of the leaves, and ask them to compare the position of
+these buds with their branches. The buds that spring from the inner angle
+of the leaf with the stem are _axillary_ buds; those that crown the stems
+are _terminal_. Since a bud is an undeveloped branch, terminal buds carry,
+on the axis which they crown, axillary buds give rise to side-shoots. The
+leaf-scars show the leaf-arrangement and the number of leaves each year.
+The leaves are opposite and each pair stands over the intervals of the
+pair below. The same is observed to be true of the scales and leaves
+of the bud.[1] All these points should be brought out by the actual
+observation of the specimens by the pupils, with only such hints from the
+teacher as may be needed to direct their attention aright. The dots on the
+leaf-scar are the ends of woody bundles (fibro-vascular bundles) which, in
+autumn, separated from the leaf. By counting these we can tell how many
+leaflets there were in the leaf, three, five, seven, nine, or occasionally
+six or eight.
+
+[Footnote 1: Bud-scales are modified leaves and their arrangement is
+therefore the same as the leaves. This is not mentioned in the study of
+the Horsechestnut bud, because it cannot be proved to the pupils, but the
+transition is explained in connection with Lilac, where it may be clearly
+seen. The scales of the bud of Horsechestnut are considered to be
+homologous with petioles, by analogy with other members of the same
+family. In the Sweet Buckeye a series can be made, exhibiting the gradual
+change from a scale to a compound leaf. See the Botanical Text-Book, Part
+I, Structural Botany. By Asa Gray. Ivison, Blakeman, Taylor and Co., New
+York, 1879. Plate 233, p. 116.]
+
+[Illustration: FIG. 13.--Horsechestnut. I. Branch in winter state: _a_,
+leaf-scars; _b_, bud-scars; _c_, flower-scars. 2. An expanding leaf-bud.
+3. Same, more advanced.]
+
+_The Bud Scale-Scars_. These are rings left by the scales of the bud and
+may be seen in many branches. They are well seen in Horsechestnut. If the
+pupils have failed to observe that these rings show the position of former
+buds and mark the growth of successive years, this point must be brought
+out by skilful questioning. There is a difference in the color of the more
+recent shoots, and a pupil, when asked how much of his branch grew the
+preceding season, will be able to answer by observing the change in color.
+Make him see that this change corresponds with the rings, and he will
+understand how to tell every year's growth. Then ask what would make the
+rings in a branch produced from one of his buds, and he can hardly fail to
+see that the scales would make them. When the scholars understand that the
+rings mark the year's growth, they can count them and ascertain the age
+of each branch. The same should be done with each side-shoot. Usually the
+numbers will be found to agree; that is, all the buds will have the
+same number of rings between them and the cut end of the branch, but
+occasionally a bud will remain latent for one or several seasons and then
+begin its growth, in which case the numbers will not agree; the difference
+will be the number of years it remained latent. There are always many buds
+that are not developed. "The undeveloped buds do not necessarily perish,
+but are ready to be called into action in case the others are checked.
+When the stronger buds are destroyed, some that would else remain dormant
+develop in their stead, incited by the abundance of nourishment which the
+former would have monopolized. In this manner our trees are soon reclothed
+with verdure, after their tender foliage and branches have been killed by
+a late vernal frost, or consumed by insects. And buds which have remained
+latent for several years occasionally shoot forth into branches from the
+sides of old stems, especially in certain trees."[1]
+
+[Footnote 1: Structural Botany, p. 48.]
+
+The pupils can measure the distance between each set of rings on the main
+stem, to see on what years it grew best.
+
+_The Flower-Cluster Scars_. These are the round, somewhat concave, scars,
+found terminating the stem where forking occurs, or seemingly in the
+axils of branches, on account of one of the forking branches growing more
+rapidly and stoutly than the other and thus taking the place of the main
+stem, so that this is apparently continued without interruption. If the
+pupils have not understood the cause of the flower-cluster scars, show
+them their position in shoots where they are plainly on the summit of the
+stem, and tell them to compare this with the arrangement of a large
+bud. The flower-cluster terminates the axis in the bud, and this scar
+terminates a branch. When the terminal bud is thus prevented from
+continuing its growth, the nearest axillary buds are developed.[1] One
+shoot usually gets the start, and becomes so much stronger that it throws
+the other to one side. The tendency of the Horsechestnut to have its
+growth carried on by the terminal buds is so strong that I almost feel
+inclined to say that vigorous branches are never formed from axillary
+buds, in old trees, except where the terminal bud has been prevented from
+continuing the branch. This tendency gives to the tree its characteristic
+size of trunk and branches, and lack of delicate spray. On looking closely
+at the branches also, they will be seen to be quite irregular, wherever
+there has been a flower-cluster swerving to one side or the other.
+
+[Footnote 1: The first winter that I examined Horsechestnut buds I found,
+in many cases, that the axillary shoots had from a quarter of an inch to
+an inch of wood before the first set of rings. I could not imagine what
+had formed this wood, and it remained a complete puzzle to me until the
+following spring, when I found in the expanding shoots, that, wherever
+a flower-cluster was present, there were one or two pairs of leaflets
+already well developed in the axils, and that the next season's buds were
+forming between them, while the internodes of these leaflets were making
+quite a rapid growth. Subsequently, I found the leaflets also in the buds
+themselves. I found these leaflets developed on the tree only in the
+shoots containing flower-clusters, where they would be needed for the
+future growth of the branches. I suppose the reason must be that the
+flower-cluster does not use all the nourishment provided and that
+therefore the axillary buds are able to develop. It would be interesting
+to know what determines the stronger growth of the one which eventually
+becomes the leader.]
+
+There is one thing more the pupils may have noticed. The small round dots
+all over the young stem, which become long rifts in the older parts, are
+breaks in the epidermis, or skin of the stem, through which the inner
+layers of bark protrude. They are called lenticels. They provide a passage
+for gases in and out of the stem. In some trees, as the Birch, they are
+very noticeable.
+
+After discussing the subject thoroughly in the class-room, the pupils
+should rewrite their papers, and finally answer the following questions,
+as a species of review. I have thus spent three recitations on the
+Horsechestnut. The work is all so new, and, if properly presented,
+so interesting, that a good deal of time is required to exhaust its
+possibilities of instruction. If the teacher finds his scholars wearying,
+however, he can leave as many of the details as he pleases to be treated
+in connection with other branches.
+
+
+QUESTIONS ON THE HORSECHESTNUT.
+
+How many scales are there in the buds you have examined?
+
+How are they arranged?
+
+How many leaves are there in the buds?
+
+How are they arranged?
+
+Where does the flower-cluster come in the bud?
+
+Do all the buds contain flower-clusters?
+
+What is the use of the wool and the gum?
+
+Where do the buds come on the stem?
+
+Which are the strongest?
+
+How are the leaves arranged on the stem?
+
+Do the pairs stand directly over each other?
+
+What are the dots on the leaf-scars?
+
+How old is your branch?
+
+How old is each twig?
+
+Which years were the best for growth?
+
+Where were the former flower-clusters?
+
+What happens when a branch is stopped in its growth by flowering?
+
+What effect does this have on the appearance of the tree?
+
+In some parts of the country the Horsechestnut is not so commonly planted
+as in New England. In the southern states the Magnolia may be used in its
+stead, but it is not nearly so simple an example of the main points to be
+observed.[1]
+
+[Footnote 1: Reader in Botany. VII. Trees in Winter.]
+
+
+MAGNOLIA UMBRELLA.
+
+The bud may be examined by removing the scales with a knife, as in
+Horsechestnut, and also by cutting sections. The outer scales enfold the
+whole bud, and each succeeding pair cover all within. They are joined,
+and it is frequently difficult to tell where the suture is, though it can
+generally be traced at the apex of the bud. On the back is a thick
+stalk, which is the base of the leaf-stalk. Remove the scales by cutting
+carefully through a single pair, opposite the leaf-stalk, and peeling
+them off. The scales are modified stipules, instead of leaf-stalks, as in
+Horsechestnut. The outer pair are brown and thick, the inner green, and
+becoming more delicate and crumpled as we proceed toward the centre of the
+bud. The leaves begin with the second or third pair of scales. The first
+one or two are imperfect, being small, brown, and dry. The leaves grow
+larger towards the centre of the bud. They are covered with short,
+silky hairs, and are folded lengthwise, with the inner surface within
+(_conduplicate_). In the specimens I have examined I do not see much
+difference in size between the buds with flowers and those without. In
+every bud examined which contained a flower, there was an axillary bud in
+the axil of the last, or next to the last, leaf. This bud is to continue
+the interrupted branch in the same way as in Horsechestnut.
+
+There are from six to ten good leaves, in the buds that I have seen. Those
+without flowers contain more leaves, as in Horsechestnut. In the centre of
+these buds the leaves are small and undeveloped. The flower is very easy
+to examine, the floral envelopes, stamens and pistils, being plainly
+discernible. The bud may also be studied in cross-section. This shows the
+whole arrangement. The plan is not so simple as in Horsechestnut, where
+the leaves are opposite. The subject of leaf-arrangement should be passed
+over until phyllotaxy is taken up.
+
+The scars on the stem differ from Horsechestnut in having no distinct
+bands of rings. The scales, being stipules, leave a line on each side of
+the leaf-scar, and these are separated by the growth of the internodes.
+In the Beech, the scales are also stipules; but, whereas in the Magnolia
+there are only one or two abortive leaves, in the Beech there are eight or
+nine pairs of stipules without any leaves at all. The rings thus become
+separated in Magnolia, while in the Beech the first internodes are not
+developed, leaving a distinct band of rings, to mark the season's growth.
+The Magnolia is therefore less desirable to begin upon. The branches are
+swollen at the beginning of a new growth, and have a number of leaf-scars
+crowded closely together. The leaf-scars are roundish, the lower line more
+curved. They have many dots on them. From each leaf-scar runs an irregular
+line around the stem. This has been left by the stipules.
+
+The flower-scar is on the summit of the axis, and often apparently in the
+axil of a branch, as in Horsechestnut. Sometimes the nearest axillary bud
+is developed; sometimes there are two, when the branch forks. The axillary
+buds seldom grow unless the terminal bud is interrupted. The tree
+therefore has no fine spray.
+
+
+LILAC _(Syringa vulgaris_).
+
+Ask the scholars to write a description of their branches and to compare
+them with Horsechestnut. These papers should be prepared before coming
+into the class, as before.
+
+The buds are four-sided. The scales and leaves are opposite, as in
+Horsechestnut. The outer pair sometimes have buds in their axils. Remove
+the scales one by one with a knife, or better, with a stout needle. The
+scales gradually become thinner as we proceed, and pass into leaves, so
+that we cannot tell where the scales end and leaves begin. After about six
+pairs are removed, we come, in the larger buds, to leaves with axillary
+flower-clusters. The leaves grow smaller and the flower-clusters
+larger till we come to the centre, where the axis is terminated by a
+flower-cluster. There is a great difference in the buds on different
+bushes and on shoots of the same bush, some being large, green, and easy
+to examine, others small, hard, and dark-colored. It is better, of course,
+to select as soft and large buds as possible for examination.
+
+[Illustration: FIG. 14.--Lilac. I. Branch in winter state: _a_, leaf-scar;
+_b_, bud-scar (reduced). 2. Same, less reduced. 3. Branch, with leaf-buds
+expanded. 4. Series in a single bud, showing the gradual transition from
+scales to leaves.]
+
+That the scales are modified leaves is plainly shown by the gradual
+transition they undergo, and also by the fact that buds are developed in
+their axils. If any of these can be shown to the pupils, remind them of
+the experiment where the top of a seedling Pea was cut off and buds forced
+to develop in the axils of the lower scales.[1] The transition from scales
+to leaves can be well studied by bringing branches into the house, where
+they will develop in water, and towards spring may even be made to
+blossom. Cherry, Apple, Forsythia, and other blossoming trees and shrubs
+can be thus forced to bloom. Place the branches in hot water, and cut off
+a little of their ends under water. If the water is changed every day,
+and the glass kept near the register or stove, they will blossom out very
+quickly. These expanded shoots may be compared with the buds. The number
+of leaves in the bud varies.
+
+[Footnote 1: See p. 31.]
+
+The leaf-scars of Lilac are horseshoe-shaped and somewhat swollen. It can
+often be plainly seen that the outer tissue of the stem runs up into the
+scar. It looks as if there were a layer of bark, ending with the scar,
+fastened over each side of the stem. These apparent layers alternate as
+well as the scars. The epidermis, or skin of the leaves, is in fact always
+continuous with that of the stem. There are no dots on the leaf-scars.
+
+The rings are not nearly so noticeable as in Horsechestnut, but they can
+be counted for some years back.
+
+The flower-cluster can often be traced by a dried bit of stem remaining on
+the branch.
+
+The terminal bud in the Lilac does not usually develop, and the two
+uppermost axillary buds take its place, giving to the shrub the forked
+character of its branching. In all these bud studies, the pupil should
+finish by showing how the arrangement of the buds determines the growth of
+the branches.
+
+
+QUESTIONS ON THE LILAC.
+
+How do the scales differ from those of Horsechestnut?
+
+How many scales and leaves are there?
+
+How are they arranged?
+
+Where does the flower-cluster come in the bud?
+
+Do all the buds contain flower-clusters?
+
+How does the arrangement of leaves and flower-clusters differ from that of
+Horsechestnut?
+
+How old is your branch?
+
+Which buds develop most frequently?
+
+How does this affect the appearance of the shrub?
+
+
+COPPER BEECH (_Fagus sylvatica, var. purpurea_).
+
+The buds are long and tapering, the scales thin and scarious, the outer
+naked, the inner with long, silky hairs. Remove the scales one by one, as
+in Lilac. The outer four or six pairs are so minute that the arrangement
+is not very clear, but as we proceed we perceive that the scales are in
+alternate pairs, as in Horsechestnut; that is, that two scales are exactly
+on the same plane. But we have learned in the Lilac that the scales are
+modified leaves, and follow the leaf-arrangement of the species. The
+Beech is alternate-leaved, and we should therefore expect the scales to
+alternate. The explanation is found as we go on removing the scales. At
+the eighth or ninth pair we come upon a tiny, silky leaf, directly between
+the pair of scales, and, removing these, another larger leaf, opposite the
+first but higher up on the rudimentary stem, and so on, with the rest of
+the bud. There are five or more leaves, each placed between a pair of
+scales. Our knowledge of the parts of a leaf shows us at once that the
+scales must be modified stipules, and that therefore they must be in
+pairs.[1] Other examples of scales homologous with stipules are the
+American Elm, Tulip-tree, Poplar and Magnolia. The leaves are plaited
+on the veins and covered with long, silky hairs. The venation is very
+distinct. The outer leaves are smaller and, on examining the branch, it
+will be seen that their internodes do not make so large a growth as the
+leaves in the centre of the bud.
+
+[Footnote 1: See the stipules of the Pea, p. 31.]
+
+[Illustration: FIG. 15.--Copper Beech. 1. Branch in winter state: _a_,
+leaf-scar; _b_, bud-scar. 2. Branch, with leaf-buds expanding, showing the
+plicate folding of the leaves.]
+
+The leaf-scars are small, soon becoming merely ridges running half round
+the stem.
+
+The bud-rings are very plain and easily counted. For this reason, and
+because it branches freely, it is a good tree for measurements of growth,
+as is seen in the following tables. Nos. 1, 2, 3 and 4: were made by a
+class of girls, from fourteen to sixteen, from a tree on my lawn. No. 5
+was made by a pupil, whom I taught by correspondence, from a tree of the
+same species in another town. No. 6 was made by myself from my own tree.
+The measurements of the first four tables were somewhat revised by me, as
+they were not perfectly accurate. The pupils should always be cautioned
+to measure from the beginning of one set of rings to the beginning of the
+next.[1]
+
+[Footnote 1: Care must be taken to select branches well exposed to the
+light. Of course there are many circumstances that may aid or hinder the
+growth of any particular branch.]
+
+NO. 1.
+
+YEARS. GROWTH OF 1ST BRANCH. 2nd BRANCH. 3RD BRANCH 4TH BRANCH.
+ MAIN AXIS.
+----------------------------------------------------------------
+ in.
+'79 8-1/2 -- -- -- --
+'80 4-1/2 2 1-7/8 -- --
+'81 3-1/2 1-1/8 2-5/8 -- --
+'82 6 5/8 4-1/4 5-7/8 --
+'83 7-3/8 3-3/8 5-1/4 4 5-3/4
+'84 2 1/2 3/4 3/8 5-3/8
+'85 5/8 1/4 3/8 1/2 1
+'86 5-5/8 7/8 4-3/8 3-1/8 5
+
+
+NO. 2.
+
+YEARS. GROWTH of 1ST 2nd 3RD 4TH 5TH
+ MAIN AXIS. BRANCH BRANCH BRANCH BRANCH BRANCH
+----------------------------------------------------------------
+ in.
+'79 8 -- -- -- -- -- --
+'80 3-1/2 5-1/4 5-1/2 5-5/8 -- -- --
+'81 4-3/4 3/4 1/2 2-1/2 2 -- --
+'82 5-3/4 7/8 2 3/4 3/8 1/2 --
+'83 5-1/4 4-3/4 5-1/2 4 3-1/4 2-3/8 1-3/4 --
+'84 1/2 1 3/4 3/8 1 3/4 1 3/8
+'85 2-3/4 1-3/4 4-3/8 3/4 3/4 2-1/8 3-1/4 1-1/4
+'86 7-1/2 5-1/2 6-3/4 3 3 4-1/2 3-1/8 5
+
+
+NO. 3.
+
+YEARS. GROWTH of 1ST 2nd 3RD 4TH 5TH
+ MAIN AXIS. BRANCH BRANCH BRANCH BRANCH BRANCH
+-----------------------------------------------------
+ in.
+'80 8-1/4 -- -- -- -- --
+'81 4-1/2 3-1/2 3-3/4 -- -- --
+'82 5-1/2 3/4 1-1/2 1 -- --
+'83 3-1/4 3-3/4 4-1/2 3/4 2 1-1/4
+'84 5-1/2 1/2 3/4 1 1/2 3
+'85 1/2 1-3/4 1/2 3/8 1 1/2
+'86 4-1/4 3-3/8 2-3/8 1-1/4 2-1/4 1-1/2
+
+
+NO. 4.
+
+YEARS GROWTH 1ST 2nd 3RD 4TH
+ of MAIN BRANCH BRANCH BRANCH BRANCH
+ AXIS
+-----------------------------------------
+ in.
+'81 7-3/4 -- -- -- --
+'82 8-3/4 6 6 -- --
+'83 6-3/4 5-1/4 4 4-3/4 5-1/2
+'84 4-1/2 5/8 1-5/8 2-1/4 3-1/4
+'85 2 5/8 3/16 2 3/4
+'86 10-3/4 1-3/4 1/4 7-1/4 3-1/2
+
+
+NO. 4. (cont.)
+
+YEARS 5TH 6TH 7TH 8TH 9TH
+ BRANCH BRANCH BRANCH BRANCH BRANCH
+ -----------------------------------
+ in.
+'81 -- -- -- -- --
+'82 -- -- -- -- --
+'83 -- -- -- -- --
+'84 3/4 2-1/2 -- -- --
+'85 7/8 5/8 1/4 3/4 --
+'86 4-3/4 6-3/8 1 2-1/4 6-1/2
+
+
+NO. 5.
+
+YEARS GROWTH 1ST 2nd 3RD 4TH 5TH 6TH
+ of MAIN BRANCH BRANCH BRANCH BRANCH BRANCH BRANCH
+ AXIS
+-----------------------------------------------------
+ in.
+'82 6-7/8 --- --- --- --- --- ---
+'83 6-1/2 4-3/4 4-1/4 --- --- --- ---
+'84 4-3/4 1/4 1-3/4 3-1/2 --- --- ---
+'85 4-1/2 3/4 1 2-3/4 2-3/4 --- ---
+'86 6-1/4 2-1/4 4-3/4 6-3/4 2-3/4 5-3/4 ---
+'87 6-3/4 1-1/8 3-1/4 4 2-1/4 3 5-1/2
+
+
+NO. 6.
+
+YEARS MAIN 1ST 2ND 2ND 2ND 3RD 4TH
+ AXIS BRANCH BRANCH BRANCH BRANCH BRANCH BRANCH
+-----------------------------------------------------
+ in. 1st 2nd
+ side side
+'80 6-1/4 --- --- shoot. shoot. --- ---
+'81 8-3/4 6-3/4 --- --- --- --- ---
+'82 8-1/2 6-1/4 6-7/8 --- --- --- .
+'83 4-3/4 1-1/2 2-3/8 --- --- 4 .
+'84 3-1/2 3-1/8 5-1/8 --- --- 1-3/4 7/8
+'85 4-1/2 3/8 4-3/4 2-1/4 --- 6 1
+'86 6+ 6-3/4 12-1/8 5-1/2 10-1/2 8-7/8 5-1/8
+'87 bough 2-1/2 8-3/4 4-1/4 4-1/4 4-6/8 3-3/4
+ broken.
+
+One question brought up by these measurements is whether there is any
+correspondence in growth between the main axis and its branches. It
+appears in these tables that there is a general correspondence, in this
+tree at least. In the recitation of the class, whose tables are given
+above (Nos. 1, 2, 3 and 4), we took all the measurements of these four
+branches for the year 1885 and added them. We did the same for 1886, and
+compared the results. The total growth for 1885 was 31-15/16 inches; for
+1886, leaving out the measurement of the twig whose entire growth was in
+that year, 109-3/4 inches or nearly 3-1/2 times as much. The proportion
+held in a general way throughout, there being only a single case of a
+branch where the growth was greater in the first year.[1] But there is a
+point that must not be overlooked in this connection. The branches of the
+Beech seem to grow about equally well in the first, second, third, or any
+succeeding year. In some trees, as the Ash, the axillary buds make a large
+growth, and the succeeding terminal buds carry on the branch much more
+slowly; in other trees, as the Cherry, a branch grows very slowly in the
+first few years and then suddenly takes a start. These facts would appear
+in tables of growth, made from branches of these trees, but the addition
+of results for any particular year would have no significance.
+
+[Footnote 1: The spring of 1880 was a remarkably early one. Thus I find in
+my diary of that year the following entries:--
+
+April 17. The red maples are in full bloom, the elms almost over. The
+leaves of the Horsechestnut are quite large. The lilacs are nearly in
+leaf. April 24. We went up to Waverley and found bloodroot up, spice bush
+out, violets, dog-tooths and anemones, also caltha. April 28. All the
+cherries are in full bloom. April 29. Picked an apple blossom in bud,
+beautifully pink.
+
+The season was nearly three weeks earlier than usual. 1885 on the other
+hand was a late spring.]
+
+In table No. 5, the addition of the measurements for 1885 and 1886 shows
+the growth in the latter year to be about twice that of the former. This
+branch came from a tree in another town. We have tried also to discover
+whether the number of leaves each year has any relation to growth. I
+cannot see that it has, but it requires many experiments to determine
+these points. To study this, make tables of the number of leaves on the
+branch each year. I think teachers would find it interesting to keep all
+data of this kind of work done by their classes, with a view to tabulation
+and comparison. The scholars themselves are exceedingly interested in
+anything that partakes of the nature of an original investigation.[1]
+
+[Footnote 1: The class, previously mentioned, were much interested in the
+addition of their results. One of them asked me whether this subject of
+measurements had been treated in any book. I replied that I had never seen
+it mentioned. My attention was afterwards called to "What may be learned
+from a Tree," by Prof. Harlan Couitas. D. Appleton & Co., New York, 1863.
+I found, greatly to my surprise, that he had not only given diagrams of
+growth, but that he also had selected a Copper Beech as his example.]
+
+The leaf-arrangement of the Beech is alternate, on the one-half plan. The
+small twigs turn upwards, so that all the spray is on the upper side,
+giving a flat appearance to the branch.[1] This gives the leaves a better
+exposure to the light. Both the terminal and axillary buds grow freely,
+thus forming long, straight limbs, with many branches and much fine spray.
+
+[Footnote 1: Phyllotaxy is treated later, by a comparison and study of
+many branches, but the teacher can draw the pupils' attention to the fact
+that each Beech leaf and twig is on exactly the opposite side of the
+branch from the preceding one. This allows all the twigs to grow towards
+one side of the branch, whereas in trees on the two-fifths plan, as the
+Apple, Poplar, Oak, etc., no such regularity would be possible, on account
+of their many different angles with the stem.]
+
+The bark of the Beech is beautifully smooth. The extreme straightness of
+the trunk and limbs is very striking, and may be compared to the crooked
+limbs of the Horsechestnut, where the branch is continually interrupted by
+the flower-cluster. In the Beech the flowers are axillary.
+
+
+QUESTIONS ON THE BEECH.
+
+How are the scales of the Beech bud arranged?
+
+How many leaves are there in the bud?
+
+How does the arrangement of the scales and leaves in the bud differ from
+that of the Horsechestnut?
+
+How are the leaves folded in the bud?
+
+What is the arrangement of the leaves on the stem?
+
+How does this differ from Horsechestnut and Lilac?
+
+How old is your branch?
+
+How old is each twig?
+
+What years were the best for growth?
+
+How does the growth of the branches differ from that of Horsechestnut?
+From Lilac?
+
+Explain these differences with reference to the growth and arrangement of
+the buds?
+
+In what direction do the twigs grow?
+
+How does this affect the appearance of the tree?
+
+Compare the amount of spray of the Beech and Horsechestnut and explain the
+reason of the difference.
+
+These questions are only intended for review, they are never to be used
+for the first study of the specimen.
+
+
+AMERICAN ELM (_Ulmus Americana_).
+
+The buds are covered with brown scales, which are hairy on the edges. The
+flower-buds are larger than the leaf-buds and are in the axils of the
+lower leaves of the preceding year. Each leaf in the bud is enclosed by
+a pair of scales. They are so small that the pupils, unused to delicate
+work, will hardly discover them. Under a glass they can be seen to be
+ovate, folded on the midrib with the inner face within (_conduplicate_),
+and with an ovate scale joined to the base of the leaf on either side. The
+scales thus show themselves to be modified stipules. The venation of the
+leaves is very plain. The scales are much larger than the leaves. The
+flower-buds contain a cluster of flowers, on slender green pedicels. The
+calyx is bell-shaped, unequal, and lobed. The stamens and pistil can
+be seen. The flower-clusters do not seem to leave any mark which is
+distinguishable from the leaf-scar.
+
+[Illustration: FIG. 16.--American Elm. 1. Branch in winter state: _a_,
+leaf-scars; _b_, bud-scars; _d_, leaf-buds; _e_, flower-buds. 2. Branch,
+with staminate flower-buds expanding. 3. Same, more advanced. 4. Branch,
+with pistillate flowers, the leaf-bud also expanding.]
+
+The leaf-scars are small and extend about half around the stem. The
+arrangement is alternate on the one-half plan. There are three dots on the
+scar.
+
+The rings are quite plain. The tree can be used to make tables of growth,
+like those of the Beech.
+
+The buds will probably be too small for examination by the pupils, at
+present, but their position and development can be studied, and are very
+instructive. As the leaf-buds are all on the ends of the branchlets, the
+twigs and branches will be just below the bud-rings, and then there will
+be a space where no twigs nor branches will be found, till the next set
+of rings is reached. This gives the branches more room to develop
+symmetrically. The terminal buds do not develop in the Elm, in old trees,
+the bud axillary to the last leaf of the season taking its place, and most
+of the other axillary buds growing also. This makes the tree break out
+into very fine spray. A tree like the Elm, where the trunk becomes lost in
+the branches, is called _deliquescent_; when the trunk is continued to the
+top of the tree, as in the Spruce, it is _excurrent_.
+
+The small, feathery twigs and branches that are often seen on the trunks
+and great limbs of the elm grow from buds which are produced anywhere on
+the surface of the wood. Such buds are called _adventitious_ buds. They
+often spring from a tree when it is wounded.
+
+"The American elm is, in most parts of the state, the most magnificent
+tree to be seen. From a root, which, in old trees, spreads much above
+the surface of the ground, the trunk rises to a considerable height in a
+single stem. Here it usually divides into two or three principal branches,
+which go off by a gradual and easy curve. Theses stretch upwards and
+outwards with an airy sweep, become horizontal, the extreme half of the
+limb, pendent, forming a light and regular arch. This graceful curvature,
+and absence of all abruptness, in the primary limbs and forks, and all the
+subsequent divisions, are entirely characteristic of the tree, and enable
+an observer to distinguish it in the winter and even by night, when
+standing in relief against the sky, as far as it can be distinctly
+seen."[1]
+
+[Footnote 1: A Report on the Trees and Shrubs growing naturally in the
+Forests of Massachusetts. By Geo. B. Emerson, Boston, Little, Brown and
+Co., 1875.
+
+This book will be found very useful, containing careful descriptions of
+many trees and shrubs, and interesting facts about them.]
+
+
+QUESTIONS ON THE AMERICAN ELM.
+
+How do the flower-buds differ from the leaf-buds in position and
+appearance?
+
+What is the arrangement of the leaves?
+
+What other tree that you have studied has this arrangement?
+
+How old is your branch?
+
+Where would you look to see if the flower-cluster had left any mark?
+
+Why is it that several twigs grow near each other, and that then comes a
+space without any branches?
+
+What buds develop most frequently?
+
+How does this affect the appearance of the tree?
+
+What is a tree called when the trunk is lost in the branches?
+
+
+BALM OF GILEAD (_Populus balsamifera, var. candicans_).
+
+The buds are pointed: the terminal slightly angled, the axillary flattened
+against the stem.[1] Some of the axillary buds contain leaves and some
+flowers; the appearance of the leaf-buds and flower-buds being the same.
+The scales of the bud are modified stipules. The terminal buds have about
+three pairs of the outer scales brown and leathery. The inner scales, as
+well as the leaves, are coated with resinous matter, which has a strong
+odor and a nauseous taste. The smaller outer scales have no corresponding
+leaf, and apparently are modified stipules of the leaves of the preceding
+year, but the larger ones have a leaf to each pair of scales. The outer
+and inner leaves are small, the middle ones larger. Comparing the branch,
+it will be seen that these leaves make the largest growth of internode.
+The leaves are rolled towards the midrib on the upper face (_involute_).
+There are about ten which are easily seen and counted, the inner ones
+being very small, with minute scales. The axillary buds have a short
+thick scale on the outer part of the bud, then about three pairs of large
+scales, each succeeding one enwrapping those within, the outer one brown
+and leathery. The scales of the flower-buds are somewhat gummy, but not
+nearly so much so as those of the leaf-buds. Within is the catkin. Each
+pistil, or stamen (they are on separate trees, _dioecious_) is in a little
+cup and covered by a scale, which is cut and fringed.
+
+[Footnote 1: These buds cannot be satisfactorily examined in cross
+section, on account of the resin. The scales must be removed one by one,
+with a knife, with a complete disregard of the effect upon the hands.]
+
+The leaf-scars are somewhat three-lobed on the young parts, with three
+dots, indicating the fibro-vascular bundles, which ran up into the leaf.
+The scars are swollen, making the young branches exceedingly rough. In
+the older parts the scars become less noticeable. Strong young shoots,
+especially those which come up from the root, are strongly angled,
+with three ridges running up into each leaf-scar, making them almost
+club-shaped. There are often from twenty to thirty leaves in one year's
+growth, in such shoots, and all the leaves are not rudimentary in the bud.
+The growth in this case is said to be _indefinite_. Usually in trees with
+scaly buds the plan of the whole year's growth is laid down in the bud,
+and the term _definite_ is applied. Branches, like the Rose, that go on
+growing all summer grow indefinitely.
+
+The bud-scale scar is quite different from the other trees which we have
+examined. It is not composed of definite rings, but of leaf-scars with
+long ridges running from each side of them, showing the scales to be
+modified stipules. The leaf-scars have become somewhat separated by the
+growth of the internodes. In the Beech, there are eight, or more, pairs of
+scales with no leaves, so that the internodes do not develop, and a ring
+is left on the branch.
+
+The flower-cluster leaves a concave, semicircular scar, in the leaf-axil.
+
+[Illustration: FIG. 17.--Balm-of-Gilead. 1. Branch in winter state: _a_,
+leaf-scar; _b_, bud-scar. 2. Branch, with leaf-buds expanded. 3. Branch,
+with catkin appearing from the bud.]
+
+The terminal buds are the strongest and not very many axillary buds
+develop, so that the tree has not fine spray.
+
+The leaf-arrangement is alternate, on the 2/5 plan. Phyllotaxy is not yet
+to be taken up, but the pupils should be shown the different angles of the
+branching of the twigs, and told to compare them with Beech and Elm.
+
+QUESTIONS ON THE BALM OF GILEAD.
+
+In which buds are the flower-clusters?
+
+Are there flowers and leaves in the same buds?
+
+What are the scales of the bud?
+
+How are the leaves folded in the bud?
+
+How do the axillary and terminal buds differ?
+
+What are the dots on the leaf-scars?
+
+Why is there no distinct band of rings as in Beech?
+
+How old is your branch?
+
+Where do you look for flower-cluster scars?
+
+Which buds are the strongest?
+
+How does this affect the appearance of the tree?
+
+What makes the ends of the branches so rough?
+
+Compare the arrangement of the twigs and branches with Beech and Elm, with
+Horsechestnut and Lilac.
+
+
+TULIP-TREE (_Liriodendron Tulipifera_).
+
+The buds are small, flat, and rounded at the apex. They are sheathed by
+scales, each leaf being covered by a pair, whose edges cohere. The outer
+pair are brown and are the stipules of the last leaf of the preceding
+year. The leaves are conduplicate, as in Magnolia, and have the blade bent
+inwards on the petiole (_inflexed_). Their shape is very clearly to be
+seen, and no bud is more interesting in the closeness of its packing.
+Axillary buds are often found within. The flowers grow high upon the trees
+and towards the ends of the branches.
+
+The leaf-scars are round with many dots. The scar of the stipules is a
+continuous line around the stem, as in Magnolia.
+
+
+CHERRY _(Prunus Cerasus_).
+
+The leaf-buds are terminal, or in the axils of the upper leaves of the
+preceding year; the flower buds are axillary. There is but one bud in each
+axil, and usually two or three flowers in each bud, but the leaves on
+the twigs are crowded and the flowers therefore appear in clusters. The
+blossom-buds are larger and more rounded than the leaf-buds.
+
+The buds of the tree develop very easily in the house, and as they are
+so small they can be better studied in watching them come out, than by
+attempting to dissect them, unless the scholars are sufficiently advanced
+to use the microscope easily. It is always bad for a pupil to attempt to
+describe what he sees but imperfectly. He will be sure to jump at any
+conclusions which he thinks ought to be correct.
+
+The leaf-scars are semicircular, small and swollen.
+
+The bud-rings are plain. The twigs make a very small growth in a season,
+so that the leaf-scars and rings make them exceedingly rough.
+
+The flower-cluster scars are small circles, with a dot in the centre, in
+the leaf-axils. The flowers come before the leaves.
+
+The leaf-arrangement is alternate on the 2/5 plan. The pupils may compare
+the branching with that of their other specimens.
+
+
+RED MAPLE (_Acer rubrum_).
+
+This is a good specimen for the study of accessory buds. There is usually
+a bud in the axil of each lower scale of the axillary buds, making three
+side by side. We have already noticed this as occurring sometimes in
+Lilac. It is habitually the case with the Red Maple. The middle bud, which
+is smaller and develops later, is a leaf-bud. The others are flower-buds.
+
+The leaf-scars are small, with three dots on each scar. The rings are very
+plain. The flower-cluster leaves a round scar in the leaf-axil, as in
+Cherry.
+
+The leaves are opposite and the tree branches freely. The twigs seem to
+be found just below the bud-rings, as the upper leaf-buds usually develop
+best and the lower buds are single, containing flowers only.
+
+
+NORWAY SPRUCE (_Picea excelsa_).
+
+The buds are terminal, and axillary, from the axils of the leaves of the
+preceding year, usually from those at the ends of the branchlets. They
+are covered with brown scales and contain many leaves.
+
+[Illustration: FIG. 18.--Branch of Cherry in winter state: _a_, leaf-scar;
+_b_, bud-scar; _c_, flower-scar.]
+
+[Illustration: FIG. 19.--Branch of Red Maple in winter state (reduced). 2.
+Flower-buds]
+
+The leaves are needle-shaped and short.[1] They are arranged densely on
+the branches, alternately on the 8/21 plan (see section on phyllotaxy).
+When they drop off they leave a hard, blunt projection which makes the
+stem very rough. As the terminal bud always develops unless injured, the
+tree is excurrent, forming a straight trunk, throwing out branches on
+every side. The axillary buds develop near the ends of the branchlets,
+forming apparent whorls of branches around the trunk. In the smaller
+branches, as the tree grows older, the tendency is for only two buds to
+develop nearly opposite each other, forming a symmetrical branch.
+
+[Footnote 1: The pupils should observe how much more crowded the leaves
+are than in the other trees they have studied. The leaves being smaller,
+it is necessary to have more of them. Large-leaved trees have longer
+internodes than those with small leaves.]
+
+The bud-scales are persistent on the branches and the growth from year to
+year can be traced a long way back.
+
+The cones hang on the ends of the upper branches. They are much larger
+than in our native species of Black and White Spruce.
+
+The Evergreens are a very interesting study and an excellent exercise in
+morphology for the older scholars.
+
+
+2. _Vernation_. This term signifies the disposition of leaves in the bud,
+either in respect to the way in which each leaf is folded, or to the
+manner in which the leaves are arranged with reference to each other.
+The pupils have described the folding of the leaves in some of their
+specimens.
+
+In the Beech, the leaf is _plicate_, or plaited on the veins. In the Elm,
+Magnolia, and Tulip-tree, it is _conduplicate_, that is, folded on
+the midrib with the inner face within. In the Tulip-tree, it is also
+_inflexed_, the blade bent forwards on the petiole. In the Balm of Gilead,
+the leaf is _involute_, rolled towards the midrib on the upper face.
+
+Other kinds of vernation are _revolute_, the opposite of involute, where
+the leaf is rolled backwards towards the midrib; _circinate_, rolled from
+the apex downwards, as we see in ferns; and _corrugate_, when the leaf is
+crumpled in the bud.
+
+[Illustration: FIG. 20.--Branch of Norway Spruce.]
+
+In all the trees we have studied, the leaves simply succeed each other,
+each leaf, or pair of leaves, overlapping the next in order. The names of
+the overlapping of the leaves among themselves, _imbricated, convolute,
+etc_., will not be treated here, as they are not needed. They will come
+under _aestivation_, the term used to describe the overlapping of the
+modified leaves, which make up the flower.[1]
+
+[Footnote 1: Reader in Botany. VIII. Young and Old Leaves.]
+
+
+3. _Phyllotaxy_. The subject of leaf-arrangement is an extremely difficult
+one, and it is best, even with the older pupils, to touch it lightly. The
+point to be especially brought out is the disposition of the leaves so
+that each can get the benefit of the light. This can be seen in any plant
+and there are many ways in which the desired result is brought about. The
+chief way is the distribution of the leaves about the stem, and this is
+well studied from the leaf-scars.
+
+The scholars should keep the branches they have studied. It is well to
+have them marked with the respective names, that the teacher may examine
+and return them without fear of mistakes.
+
+In the various branches that the pupils have studied, they have seen that
+the arrangement of the leaves differs greatly. The arrangement of leaves
+is usually classed under three modes: the _alternate_, the _opposite_,
+and the _whorled_; but the opposite is the simplest form of the whorled
+arrangement, the leaves being in circles of two. In this arrangement, the
+leaves of each whorl stand over the spaces of the whorl just below. The
+pupils have observed and noted this in Horsechestnut and Lilac. In these
+there are four vertical rows or ranks of leaves. In whorls of three leaves
+there would be six ranks, in whorls of four, eight, and so on.
+
+When the leaves are alternate, or single at each node of the stem, they
+are arranged in many different ways. Ask the pupils to look at all the
+branches with alternate leaves that they have studied, and determine in
+each case what leaves stand directly over each other. That is, beginning
+with any leaf, count the number of leaves passed on the stem, till one is
+reached that stands directly over the first.[1] In the Beech and the Elm
+the leaves are on opposite sides of the stem, so that the third stands
+directly over the first. This makes two vertical ranks, or rows, of
+leaves, dividing the circle into halves. It is, therefore, called the
+1/2 arrangement. Another way of expressing it is to say that the angular
+divergence between the leaves is 180 deg., or one-half the circumference.
+
+[Footnote 1: The pupils must be careful not to pass the bud-rings when
+they are counting the leaves.]
+
+The 1/3 arrangement, with the leaves in three vertical ranks, is not very
+common. It may be seen in Sedges, in the Orange-tree, and in Black Alder
+_(Ilex verticillata)_. In this arrangement, there are three ranks of
+leaves, and each leaf diverges from the next at an angle of 120 deg., or
+one-third of the circumference.
+
+By far the commonest arrangement is with the leaves in five vertical
+ranks. The Cherry, the Poplar, the Larch, the Oak, and many other trees
+exhibit this. In this arrangement there are five leaves necessary to
+complete the circle. We might expect, then, that each leaf would occupy
+one-fifth of the circle. This would be the case were it not for the fact
+that we have to pass twice around the stem in counting them, so that each
+leaf has twice as much room, or two-fifths of the circle, to itself. This
+is, therefore, the 2/5 arrangement. This can be shown by winding a thread
+around the stem, passing it over each leaf-scar. In the Beech we make one
+turn of the stem before reaching the third leaf which stands over the
+first. In the Apple the thread will wind twice about the stem, before
+coming to the sixth leaf, which is over the first.
+
+Another arrangement, not very common, is found in the Magnolia, the Holly,
+and the radical leaves of the common Plantain and Tobacco. The thread
+makes three turns of the stem before reaching the eighth leaf which stands
+over the first. This is the 3/8 arrangement. It is well seen in the
+Marguerite, a greenhouse plant which is very easily grown in the house.
+
+Look now at these fractions, 1/2, 1/3, 2/5, and 3/8. The numerator of
+the third is the sum of the numerators of the first and second, its
+denominator, the sum of the two denominators. The same is true of the
+fourth fraction and the two immediately preceding it. Continuing the
+series, we get the fractions 5/13, 8/21, 13/34. These arrangements can
+be found in nature in cones, the scales of which are modified leaves and
+follow the laws of leaf-arrangement.[1]
+
+[Footnote 1: See the uses and origin of the arrangement of leaves in
+plants. By Chauncey Wright. Memoirs Amer. Acad., IX, p. 389. This essay
+is an abstruse mathematical treatise on the theory of phyllotaxy. The
+fractions are treated as successive approximations to a theoretical angle,
+which represents the best possible exposure to air and light.
+
+Modern authors, however, do not generally accept this mathematical view of
+leaf-arrangement.]
+
+[1]"It is to be noted that the distichous or 1/2 variety gives the maximum
+divergence, namely 180 deg., and that the tristichous, or 1/3, gives the
+least, or 120 deg.; that the pentastichous, or 2/5, is nearly the mean
+between the first two; that of the 3/8, nearly the mean between the two
+preceding, etc. The disadvantage of the two-ranked arrangement is that the
+leaves are soon superposed and so overshadow each other. This is commonly
+obviated by the length of the internodes, which is apt to be much greater
+in this than in the more complex arrangements, therefore placing them
+vertically further apart; or else, as in Elms, Beeches, and the like, the
+branchlets take a horizontal position and the petioles a quarter twist,
+which gives full exposure of the upper face of all the leaves to the
+light. The 1/3 and 2/5, with diminished divergence, increase the number of
+ranks; the 3/8 and all beyond, with mean divergence of successive leaves,
+effect a more thorough distribution, but with less and less angular
+distance between the vertical ranks."
+
+[Footnote 1: Gray's Structural Botany, Chap, iv, p. 126.]
+
+For directions for finding the arrangement of cones, see Gray's Structural
+Botany, Chap. IV, Sect. 1.
+
+The subject appears easy when stated in a text-book, but, practically, it
+is often exceedingly difficult to determine the arrangement. Stems often
+twist so as to alter entirely the apparent disposition of the leaves. The
+general principle, however, that the leaves are disposed so as to get the
+best exposure to air and light is clear. This cannot be shown by the study
+of the naked branches merely, because these do not show the beautiful
+result of the distribution.[1] Many house plants can be found, which will
+afford excellent illustrations (Fig. 21). The Marguerite and Tobacco, both
+easily grown in the house, are on the 3/8 plan. The latter shows the eight
+ranks most plainly in the rosette of its lower leaves. The distribution is
+often brought about by differences in the lengths of the petioles, as in
+a Horsechestnut branch (Fig. 22) where the lower, larger leaves stand
+out further from the branch than the upper ones; or by a twist in the
+petioles, so that the upper faces of the leaves are turned up to the
+light, as in Beech (Fig. 23). If it is springtime when the lessons are
+given, endless adaptations can be found.
+
+[Footnote 1: Reader in Botany. IX. Leaf-Arrangement.]
+
+[Illustration: FIG. 21. Branch of Geranium, viewed from above.]
+
+[Illustration: FIG. 22.]
+
+[Illustration: FIG. 23.]
+
+_Gray's First Lessons_. Sect. IV. VII, sec. 4. _How Plants Grow_. Chap. I,
+51-62; I, 153.
+
+
+
+
+V.
+
+STEMS.
+
+
+The stem, as the scholars have already learned, is the axis of the plant.
+The leaves are produced at certain definite points called nodes, and the
+portions of stem between these points are internodes. The internode,
+node, and leaf make a single plant-part, and the plant is made up of a
+succession of such parts.
+
+The stem, as well as the root and leaves, may bear plant-hairs. The
+accepted theory of plant structure assumes that these four parts, root,
+stem, leaves, and plant-hairs, are the only members of a flowering plant,
+and that all other forms, as flowers, tendrils, etc., are modified from
+these. While this idea is at the foundation of all our teaching, causing
+us to lead the pupil to recognize as modified leaves the cotyledons of a
+seedling and the scales of a bud, it is difficult to state it directly
+so as to be understood, except by mature minds. I have been frequently
+surprised at the failure of even bright and advanced pupils to grasp this
+idea, and believe it is better to let them first imbibe it unconsciously
+in their study. Whenever their minds are ready for it, it will be readily
+understood. The chief difficulty is that they imagine that there is a
+direct metamorphosis of a leaf to a petal or a stamen.
+
+Briefly, the theory is this: the beginnings of leaf, petal, tendril, etc.,
+are the same. At an early stage of their growth it is impossible to tell
+what they are to become. They develop into the organ needed for the
+particular work required of them to do. The organ, that under other
+circumstances might develop into a leaf, is capable of developing into a
+petal, a stamen, or a pistil, according to the requirements of the plant,
+but no actual metamorphosis takes place. Sometimes, instead of developing
+into the form we should normally find, the organ develops into another
+form, as when a petal stands in the place of a stamen, or the pistil
+reverts to a leafy branch. This will be more fully treated under flowers.
+The study of the different forms in which an organ may appear is the study
+of _morphology_.
+
+
+1. _Forms of Stems_.--Stems may grow in many ways. Let the pupils compare
+the habits of growth of the seedlings they have studied. The Sunflower and
+Corn are _erect_. This is the most usual habit, as with our common trees.
+The Morning Glory is _twining_, the stem itself twists about a support.
+The Bean, Pea and Nasturtium are _climbing_. The stems are weak, and
+are held up, in the first two by tendrils, in the last by the twining
+leaf-stalks. The English Ivy, as we have seen, is also climbing, by means
+of its aerial roots. The Red Clover is _ascending_, the branches rising
+obliquely from the base. Some kinds of Clover, as the White Clover, are
+_creeping_, that is, with prostrate branches rooting at the nodes and
+forming new plants. Such rooting branches are called _stolons_, or when
+the stem runs underground, _suckers_. The gardener imitates them in
+the process called layering, that is, bending down an erect branch and
+covering it with soil, causing it to strike root. When the connecting stem
+is cut, a new plant is formed. Long and leafless stolons, like those of
+the Strawberry are called _runners_. Stems creep below the ground as well
+as above. Probably the pupil will think of some examples. The pretty
+little Gold Thread is so named from the yellow running stems, which grow
+beneath the ground and send up shoots, or suckers, which make new plants.
+Many grasses propagate themselves in this way. Such stems are called
+_rootstocks_. "That these are really stems, and not roots, is evident
+from the way in which they grow; from their consisting of a succession of
+joints; and from the leaves which they bear on each node, in the form
+of small scales, just like the lowest ones on the upright stem next the
+ground. They also produce buds in the axils of these scales, showing the
+scales to be leaves; whereas real roots bear neither leaves nor axillary
+buds."[1] Rootstocks are often stored with nourishment. We have already
+taken up this subject in the potato, but it is well to repeat the
+distinction between stems and roots. A thick, short rootstock provided
+with buds, like the potato, is called a _tuber_. Compare again the corm of
+Crocus and the bulb of Onion to find the stem in each. In the former, it
+makes the bulk of the whole; in the latter, it is a mere plate holding the
+fleshy bases of the leaves.
+
+[Footnote 1: Gray's First Lessons, revised edition, 1887, page 42.]
+
+2. _Movements of Stems.--_Let a glass thread, no larger than a coarse
+hair, be affixed by means of some quickly drying varnish to the tip of the
+laterally inclined stem of one of the young Morning-Glory plants in the
+schoolroom. Stand a piece of cardboard beside the pot, at right angles to
+the stem, so that the end of the glass will be near the surface of the
+card. Make a dot upon the card opposite the tip of the filament, taking
+care not to disturb the position of either. In a few minutes observe that
+the filament is no longer opposite the dot. Mark its position anew, and
+continue thus until a circle is completed on the cardboard. This is a
+rough way of conducting the experiment. Darwin's method will be found in
+the footnote.[1]
+
+[Footnote 1: "Plants growing in pots were protected wholly from the light,
+or had light admitted from above or on one side as the case might require,
+and were covered above by a large horizontal sheet of glass, and with
+another vertical sheet on one side. A glass filament, not thicker than a
+horsehair, and from a quarter to three-quarters of an inch in length,
+was affixed to the part to be observed by means of shellac dissolved in
+alcohol. The solution was allowed to evaporate until it became so thick
+that it set hard in two or three seconds, and it never injured the
+tissues, even the tips of tender radicles, to which it was applied. To the
+end of the glass filament an excessively minute bead of black sealing-wax
+was cemented, below or behind which a bit of card with a black dot was
+fixed to a stick driven into the ground.... The bead and the dot on the
+card were viewed through the horizontal or vertical glass-plate (according
+to the position of the object) and when one exactly covered the other, a
+dot was made on the glass plate with a sharply pointed stick dipped in
+thick India ink. Other dots were made at short intervals of time and these
+were afterwards joined by straight lines. The figures thus traced were
+therefore angular, but if dots had been made every one or two minutes, the
+lines would have been more curvilinear."--The Power of Movement in Plants,
+p. 6.]
+
+The use of the glass filament is simply to increase the size of the circle
+described, and thus make visible the movements of the stem. All young
+parts of stems are continually moving in circles or ellipses. "To learn
+how the sweeps are made, one has only to mark a line of dots along the
+upper side of the outstretched revolving end of such a stem, and to note
+that when it has moved round a quarter of a circle, these dots will be on
+one side; when half round, the dots occupy the lower side; and when the
+revolution is completed, they are again on the upper side. That is, the
+stem revolves by bowing itself over to one side,--is either pulled over or
+pushed over, or both, by some internal force, which acts in turn all round
+the stem in the direction in which it sweeps; and so the stem makes its
+circuits without twisting."[1]
+
+[Footnote 1: How Plants Behave. By Asa Gray. Ivison, Blakeman, Taylor &
+Co., New York, 1872. Page 13.]
+
+The nature of the movement is thus a successive nodding to all the points
+of the compass, whence it is called by Darwin _circumnutation_. The
+movement belongs to all young growing parts of plants. The great sweeps of
+a twining stem, like that of the Morning-Glory, are only an increase in
+the size of the circle or ellipse described.[1]
+
+[Footnote 1: "In the course of the present volume it will be shown
+that apparently every growing part of every plant is continually
+circumnutating, though often on a small scale. Even the stems of seedlings
+before they have broken through the ground, as well as their buried
+radicles, circumnutate, as far as the pressure of the surrounding earth
+permits. In this universally present movement we have the basis or
+groundwork for the acquirement, according to the requirements of the
+plant, of the most diversified movements. Thus the great sweeps made by
+the stems of the twining plants, and by the tendrils of other climbers,
+result from a mere increase in the amplitude of the ordinary movement of
+circumnutation."--The Power of Movement in Plants, p. 3.]
+
+When a young stem of a Morning-Glory, thus revolving, comes in contact
+with a support, it will twist around it, unless the surface is too smooth
+to present any resistance to the movement of the plant. Try to make
+it twine up a glass rod. It will slip up the rod and fall off. The
+Morning-Glory and most twiners move around from left to right like the
+hands of a clock, but a few turn from right to left.
+
+While this subject is under consideration, the tendrils of the Pea and
+Bean and the twining petioles of the Nasturtium will be interesting for
+comparison. The movements can be made visible by the same method as was
+used for the stem of the Morning-Glory. Tendrils and leaf petioles are
+often sensitive to the touch. If a young leaf stalk of Clematis be rubbed
+for a few moments, especially on the under side, it will be found in a day
+or two to be turned inward, and the tendrils of the Cucumber vine will
+coil in a few minutes after being thus irritated.[1] The movements of
+tendrils are charmingly described in the chapter entitled "How Plants
+Climb," in the little treatise by Dr. Gray, already mentioned.
+
+[Footnote 1: Reader in Botany. X. Climbing Plants.]
+
+The so-called "sleep of plants" is another similar movement. The Oxalis is
+a good example. The leaves droop and close together at night, protecting
+them from being chilled by too great radiation.
+
+The cause of these movements is believed to lie in changes of tension
+preceding growth in the tissues of the stem.[1] Every stem is in a state
+of constant tension. Naudin has thus expressed it, "the interior of every
+stem is too large for its Jacket."[2] If a leaf-stalk of Nasturtium be
+slit vertically for an inch or two, the two halves will spring back
+abruptly. This is because the outer tissues of the stem are stretched,
+and spring back like india-rubber when released. If two stalks twining
+in opposite directions be slit as above described, the side of the stem
+towards which each stalk is bent will spring back more than the other,
+showing the tension to be greater on that side. A familiar illustration of
+this tension will be found in the Dandelion curls of our childhood.
+
+[Footnote 1: See Physiological Botany. By Geo. L. Goodale. Ivison & Co.,
+New York, 1885. Page 406.]
+
+[Footnote 2: The following experiment exhibits the phenomenon of tension
+very strikingly. "From a long and thrifty young internode of grapevine
+cut a piece that shall measure exactly one hundred units, for instance,
+millimeters. From this section, which measures exactly one hundred
+millimeters, carefully separate the epidermal structures in strips, and
+place the strips at once under an inverted glass to prevent drying;
+next, separate the pith in a single unbroken piece wholly freed from the
+ligneous tissue. Finally, remeasure the isolated portions, and compare
+with the original measure of the internode. There will be found an
+appreciable shortening of the epidermal tissues and a marked increase in
+length of the pith."--Physiological Botany, p. 391.]
+
+The movements of the Sensitive Plant are always very interesting to
+pupils, and it is said not to be difficult to raise the plants in the
+schoolroom. The whole subject, indeed, is one of the most fascinating
+that can be found, and its literature is available, both for students and
+teachers. Darwin's essay on "Climbing Plants," and his later work on the
+"Power of Movement in Plants," Dr. Gray's "How Plants Behave," and the
+chapter on "Movements" in the "Physiological Botany," will offer a wide
+field for study and experiment.
+
+3. _Structure of Stems_.--Let the pupils collect a series of branches of
+some common tree or shrub, from the youngest twig up to as large a branch
+as they can cut, and describe them. Poplar, Elm, Oak, Lilac, etc., will be
+found excellent for the purpose.
+
+While discussing these descriptions, a brief explanation of
+plant-structure may be given. In treating this subject, the teacher must
+govern himself by the needs of his class, and the means at his command.
+Explanations requiring the use of a compound microscope do not enter
+necessarily into these lessons. The object aimed at is to teach the pupils
+about the things which they can see and handle for themselves. Looking at
+sections that others have prepared is like looking at pictures; and, while
+useful in opening their eyes and minds to the wonders hidden from our
+unassisted sight, fails to give the real benefit of scientific training.
+Plants are built up of cells. The delicate-walled spherical, or polygonal,
+cells which make up the bulk of an herbaceous stem, constitute cellular
+tissue (_parenchyma_). This was well seen in the stem of the cutting of
+Bean in which the roots had begun to form.[1] The strengthening fabric
+in almost all flowering plants is made up of woody bundles, or woody
+tissue.[2] The wood-cells are cells which are elongated and with thickened
+walls. There are many kinds of them. Those where the walls are very thick
+and the cavity within extremely small are _fibres_. A kind of cell, not
+strictly woody, is where many cells form long vessels by the breaking away
+of the connecting walls. These are _ducts_. These two kinds of cells
+are generally associated together in woody bundles, called therefore
+fibro-vascular bundles. We have already spoken of them as making the dots
+on the leaf-scars, and forming the strengthening fabric of the leaves.[3]
+
+[Footnote 1: See page 46.]
+
+[Footnote 2: If elements of the same kind are untied, they constitute a
+tissue to which is given the name of those elements; thus parenchyma cells
+form parenchyma tissue or simply parenchyma; cork-cells form cork, etc. A
+tissue can therefore be defined as a fabric of united cells which have had
+a common origin and obeyed a common law of growth.--Physiological Botany.
+p. 102.]
+
+[Footnote 3: See page 58.]
+
+We will now examine our series of branches. The youngest twigs, in spring
+or early summer, are covered with a delicate, nearly colorless skin.
+Beneath this is a layer of bark, usually green, which gives the color to
+the stem, an inner layer of bark, the wood and the pith. The pith is soft,
+spongy and somewhat sappy. There is also sap between the bark and the
+wood. An older twig has changed its color. There is a layer of brown bark,
+which has replaced the colorless skin. In a twig a year old the wood is
+thicker and the pith is dryer. Comparing sections of older branches with
+these twigs, we find that the pith has shrunk and become quite dry, and
+that the wood is in rings. It is not practicable for the pupils to
+compare the number of these rings with the bud-rings, and so find out for
+themselves that the age of the branch can be determined from the wood, for
+in young stems the successive layers are not generally distinct. But, in
+all the specimens, the sap is found just between the wood and the bark,
+and here, where the supply of food is, is where the growth is taking
+place. Each year new wood and new bark are formed in this _cambium-layer_,
+as it is called, new wood on its inner, new bark on its outer face. Trees
+which thus form a new ring of wood every year are called _exogenous_, or
+outside-growing.
+
+Ask the pupils to separate the bark into its three layers and to try
+the strength of each. The two outer will easily break, but the inner is
+generally tough and flexible. It is this inner bark, which makes the
+Poplar and Willow branches so hard to break. These strong, woody fibres
+of the inner bark give us many of our textile fabrics. Flax and Hemp come
+from the inner bark of their respective plants (_Linum usitatissimum_ and
+_Cannabis sativa_), and Russia matting is made from the bark of the Linden
+(_Tilia Americana_).
+
+We have found, in comparing the bark of specimens of branches of various
+ages, that, in the youngest stems, the whole is covered with a skin, or
+_epidermis_, which is soon replaced by a brown outer layer of bark, called
+the _corky layer_; the latter gives the distinctive color to the tree.
+While this grows, it increases by a living layer of cork-cambium on its
+inner face, but it usually dies after a few years. In some trees it goes
+on growing for many years. It forms the layers of bark in the Paper Birch
+and the cork of commerce is taken from the Cork Oak of Spain. The green
+bark is of cellular tissue, with some green coloring matter like that of
+the leaves; it is at first the outer layer, but soon becomes covered with
+cork. It does not usually grow after the first year. Scraping the bark of
+an old tree, we find the bark homogeneous. The outer layers have perished
+and been cast off. As the tree grows from within, the bark is stretched
+and, if not replaced, cracks and falls away piecemeal. So, in most old
+trees, the bark consists of successive layers of the inner woody bark.
+
+Stems can be well studied from pieces of wood from the woodpile. The ends
+of the log will show the concentric rings. These can be traced as long,
+wavy lines in vertical sections of the log, especially if the surface is
+smooth. If the pupils can whittle off different planes for themselves,
+they will form a good idea of the formation of the wood. In many of
+the specimens there will be knots, and the nature of these will be an
+interesting subject for questions. If the knot is near the centre of the
+log, lead back their thoughts to the time when the tree was as small as
+the annular ring on which the centre of the knot lies. Draw a line on this
+ring to represent the tree at this period of its growth. What could the
+knot have been? It has concentric circles like the tree itself. It was a
+branch which decayed, or was cut off. Year after year, new rings of wood
+formed themselves round this broken branch, till it was covered from
+sight, and every year left it more deeply buried in the trunk.
+
+Extremely interesting material for the study of wood will be found in thin
+sections prepared for veneers. Packages of such sections will be of great
+use to the teacher.[1] They show well the reason of the formation of a
+dividing line between the wood of successive seasons. In a cross section
+of Oak or Chestnut the wood is first very open and porous and then close.
+This is owing to the presence of ducts in the wood formed in the spring.
+In other woods there are no ducts, or they are evenly distributed, but
+the transition from the close autumn wood, consisting of smaller and
+more closely packed cells, to the wood of looser texture, formed in the
+following spring, makes a line that marks the season's growth.
+
+[Footnote 1: Mr. Romeyn B. Hough, of Lowville, N.Y., will supply a package
+of such sections for one dollar. The package will consist of several
+different woods, in both cross and vertical section and will contain
+enough duplicates for an ordinary class.
+
+He also issues a series of books on woods illustrated by actual and neatly
+mounted specimens, showing in each case three distinct views of the grain.
+The work is issued in parts, each representing twenty-five species, and
+selling with text at $5, expressage prepaid; the mounted specimens alone
+at 25 cts. per species or twenty-five in neat box for $4. He has also
+a line of specimens prepared for the stereopticon and another for the
+microscope. They are very useful and sell at 50 cts. per species or
+twenty-five for $10.]
+
+Let each of the scholars take one of the sections of Oak and write a
+description of its markings. The age is easily determined; the pith rays,
+or _medullary rays_, are also plain. These form what is called the silver
+grain of the wood. The ducts, also, are clear in the Oak and Chestnut.
+There is a difference in color between the outer and inner wood, the older
+wood becomes darker and is called the _heart-wood_, the outer is the
+_sap-wood_. In Birds-eye Maple, and some other woods, the abortive buds
+are seen. They are buried in the wood, and make the disturbance which
+produces the ornamental grain. In sections of Pine or Spruce, no ducts
+can be found. The wood consists entirely of elongated, thickened cells or
+fibres. In some of the trees the pith rays cannot be seen with the naked
+eye.
+
+Let the pupils compare the branches which they have described, with a
+stalk of Asparagus, Rattan, or Lily. A cross section of one of these shows
+dots among the soft tissue. These are ends of the fibro-vascular bundles,
+which in these plants are scattered through the cellular tissue instead of
+being brought together in a cylinder outside of the pith. In a vertical
+section they appear as lines. There are no annular rings.
+
+If possible, let the pupils compare the leaves belonging to these
+different types of stems. The parallel-veined leaves of monocotyledons
+have stems without distinction of wood, bark and pith; the netted-veined
+leaves of dicotyledons have exogenous stems.
+
+Dicotyledons have bark, wood, and pith, and grow by producing a new ring
+of wood outside the old. They also increase by the growth of the woody
+bundles of the leaves, which mingle with those of the stem.[1] Twist off
+the leaf-stalk of any leaf, and trace the bundles into the stem.
+
+[Footnote 1: See note, p. 127, Physiological Botany.]
+
+Monocotyledons have no layer which has the power of producing new wood,
+and their growth takes place entirely from the intercalation of new
+bundles, which originate at the bases of the leaves. The lower part of a
+stem of a Palm, for instance, does not increase in size after it has lost
+its crown of leaves. This is carried up gradually. The upper part of the
+stem is a cone, having fronds, and below this cone the stem does not
+increase in diameter. The word _endogenous_, inside-growing, is not,
+therefore, a correct one to describe the growth of most monocotyledons,
+for the growth takes place where the leaves originate, near the exterior
+of the stem.
+
+_Gray's First Lessons_. Sect. VI. Sect, XVI, sec. 1, 401-13. sec. 3.
+sec. 6, 465-74.
+
+_How Plants Grow_. Chap. 1, 82, 90-118.
+
+
+
+
+VI.
+
+LEAVES.
+
+
+We have studied leaves as cotyledons, bud-scales, etc., but when we speak
+of _leaves_, we do not think of these adapted forms, but of the green
+foliage of the plant.
+
+1. _Forms and Structure_.--Provide the pupils with a number of green
+leaves, illustrating simple and compound, pinnate and palmate, sessile and
+petioled leaves. They must first decide the question, _What are the parts
+of a leaf_? All the specimens have a green _blade_ which, in ordinary
+speech, we call the leaf. Some have a stalk, or _petiole_, others are
+joined directly to the stem. In some of them, as a rose-leaf, for
+instance, there are two appendages at the base of the petiole, called
+_stipules_. These three parts are all that any leaf has, and a leaf that
+has them all is complete.
+
+Let us examine the blade. Those leaves which have the blade in one
+piece are called _simple_; those with the blade in separate pieces are
+_compound_. We have already answered the question, _What constitutes a
+single leaf_?[1] Let the pupils repeat the experiment of cutting off the
+top of a seedling Pea, if it is not already clear in their minds, and find
+buds in the leaf-axils of other plants.[2]
+
+[Footnote 1: See page 31.]
+
+[Footnote 2: With one class of children, I had much difficulty in making
+them understand the difference between simple and compound leaves. I did
+not tell them that the way to tell a single leaf was to look for buds in
+the axils, but incautiously drew their attention to the stipules at the
+base of a rose leaf as a means of knowing that the whole was one. Soon
+after, they had a locust leaf to describe; and, immediately, with the
+acuteness that children are apt to develop so inconveniently to their
+teacher, they triumphantly refuted my statement that it was one leaf, by
+pointing to the stiples. There was no getting over the difficulty; and
+although I afterwards explained to them about the position of the buds,
+and showed them examples, they clung with true childlike tenacity to their
+first impression and always insisted that they could not see why each
+leaflet was not a separate leaf.]
+
+An excellent way to show the nature of compound leaves is to mount a
+series showing every gradation of cutting, from a simple, serrate leaf to
+a compound one (Figs. 24 and 25). A teacher, who would prepare in summer
+such illustrations as these, would find them of great use in his winter
+lessons. The actual objects make an impression that the cuts in the book
+cannot give.
+
+[Illustration: FIG. 24.--Series of palmately-veined leaves.]
+
+[Illustration: FIG. 25.--Series of pinnately-veined leaves.]
+
+Let the pupils compare the distribution of the veins in their specimens.
+They have already distinguished parallel-veined from netted-veined leaves,
+and learned that this difference is a secondary distinction between
+monocotyledons and dicotyledons.[1] The veins in netted-veined leaves are
+arranged in two ways. The veins start from either side of a single midrib
+(_feather-veined_ or _pinnately-veined_), or they branch from a number of
+ribs which all start from the top of the petiole, like the fingers from
+the palm of the hand (_palmately-veined_). The compound leaves correspond
+to these modes of venation; they are either pinnately or palmately
+compound.
+
+[Footnote 1: See page 34.]
+
+These ribs and veins are the woody framework of the leaf, supporting the
+soft green pulp. The woody bundles are continuous with those of the stem,
+and carry the crude sap, brought from the roots, into the cells of every
+part of the leaf, where it is brought into contact with the external
+air, and the process of making food (_Assimilation_ 4) is carried on.
+"Physiologically, leaves are green expansions borne by the stern,
+outspread in the air and light, in which assimilation and the processes
+connected with it are carried on."[1]
+
+[Footnote 1: Gray's Structural Botany, p. 85.]
+
+The whole leaf is covered with a delicate skin, or epidermis, continuous
+with that of the stem.[1]
+
+[Footnote 1: Reader in Botany. XI. Protection of Leaves from the Attacks
+of Animals.]
+
+
+2. _Descriptions_.--As yet the pupils have had no practice in writing
+technical descriptions. This sort of work may be begun when they come to
+the study of leaves. In winter a collection of pressed specimens will be
+useful. Do not attach importance to the memorizing of terms. Let them be
+looked up as they are needed, and they will become fixed by practice. The
+pupils may fill out such schedules as the following with any leaves that
+are at hand.
+
+SCHEDULE FOR LEAVES.
+
+ Arrangement _Alternate_[1]
+
+ |Simple or compound. _Simple_
+ |(arr. and no. of leaflets)
+ |
+ |Venation _Netted and
+ | feather-veined_
+ |Shape _Oval_
+1. BLADE <
+ | Apex _Acute_
+ |
+ | Base _Oblique_
+ |
+ |Margin _Slightly wavy_
+ |
+ |Surface _Smooth_
+
+2. PETIOLE _Short; hairy_
+
+3. STIPULES _Deciduous_
+
+Remarks. Veins prominent and very straight.
+
+[Footnote 1: The specimen described is a leaf of Copper Beech.]
+
+In describing shapes, etc., the pupils can find the terms in the book as
+they need them. It is desirable at first to give leaves that are easily
+matched with the terms, keeping those which need compound words, such as
+lance-ovate, etc., to come later. The pupils are more interested if they
+are allowed to press and keep the specimens they have described. It is not
+well to put the pressed leaves in their note books, as it is difficult to
+write in the books without spoiling the specimens. It is better to mount
+the specimens on white paper, keeping these sheets in brown paper covers.
+The pupils can make illustrations for themselves by sorting leaves
+according to the shapes, outlines, etc., and mounting them.
+
+
+3. _Transpiration_.--This term is used to denote the evaporation of water
+from a plant. The evaporation takes place principally through breathing
+pores, which are scattered all over the surface of leaves and young stems.
+The _breathing pores_, or _stomata_, of the leaves, are small openings
+in the epidermis through which the air can pass into the interior of the
+plant. Each of these openings is called a _stoma_. "They are formed by a
+transformation of some of the cells of the epidermis; and consist usually
+of a pair of cells (called guardian cells), with an opening between
+them, which communicates with an air-chamber within, and thence with the
+irregular intercellular spaces which permeate the interior of the leaf.
+Through the stomata, when open, free interchange may take place between
+the external air and that within the leaf, and thus transpiration be
+much facilitated. When closed, this interchange will be interrupted or
+impeded."[1]
+
+[Footnote 1: Gray's Structural Botany, page 89. For a description of the
+mechanism of the stomata, see Physiological Botany, p. 269.]
+
+In these lessons, however, it is not desirable to enter upon subjects
+involving the use of the compound microscope. Dr. Goodale says: "Whether
+it is best to try to explain to the pupils the structure of these valves,
+or stomata, must be left to each teacher. It would seem advisable to
+pass by the subject untouched, unless the teacher has become reasonably
+familiar with it by practical microscopical study of leaves. For a teacher
+to endeavor to explain the complex structure of the leaf, without having
+seen it for himself, is open to the same objection which could be urged
+against the attempted explanation of complicated machinery by one who has
+never seen it, but has heard about it. What is here said with regard to
+stomata applies to all the more recondite matters connected with plant
+structure."[1]
+
+[Footnote 1: Concerning a few Common Plants, p. 29.]
+
+There are many simple experiments which can be used to illustrate the
+subject.
+
+(1) Pass the stem of a cutting through a cork, fitting tightly into the
+neck of a bottle of water. Make the cork perfectly air-tight by coating it
+with beeswax or paraffine. The level of the liquid in the bottle will be
+lowered by the escape of water through the stem and leaves of the cutting
+into the atmosphere.
+
+(2) Cut two shoots of any plant, leave one on the table and place the
+other in a glass of water.[1] The first will soon wilt, while the other
+will remain fresh. If the latter shoot be a cutting from some plant that
+will root in water, such as Ivy, it will not fade at all. Also, leave one
+of the plants in the schoolroom unwatered for a day or two, till it begins
+to wilt. If the plant be now thoroughly watered, it will recover and the
+leaves will resume their normal appearance.
+
+[Footnote 1: Lessons in Elementary Botany, by Daniel Oliver, London.
+Macmillan & Co., 1864, pp. 14-15.]
+
+Evaporation is thus constantly taking place from the leaves, and if there
+is no moisture to supply the place of what is lost, the cells collapse and
+the leaf, as we say, wilts. When water is again supplied the cells swell
+and the leaf becomes fresh.
+
+(3) Place two seedlings in water, one with its top, the other with its
+roots in the jar. The latter will remain fresh while the first wilts and
+dies.
+
+Absorption takes place through the roots. The water absorbed is drawn up
+through the woody tissues of the stem (4), and the veins of the leaves
+(5), whence it escapes into the air (6).
+
+(4) Plunge a cut branch immediately into a colored solution, such as
+aniline red, and after a time make sections in the stem above the liquid
+to see what tissues have been stained.[1]
+
+[Footnote 1: The Essentials of Botany, by Charles E. Bessey. New York,
+Henry Holt & Co., 1884. Page 74. See also Physiological Botany, pp.
+259-260.]
+
+(5) "That water finds its way by preference through the fibro-vascular
+bundles even in the more delicate parts, is shown by placing the cut
+peduncle of a white tulip, or other large white flower, in a harmless dye,
+and then again cutting off its end in order to bring a fresh surface in
+contact with the solution,[1] when after a short time the dye will mount
+through the flower-stalk and tinge the parts of the perianth according to
+the course of the bundles."[2]
+
+[Footnote 1: If the stems of flowers are cut under water they will last a
+wonderfully long time. "One of the most interesting characteristics of the
+woody tissues in relation to the transfer of water is the immediate change
+which the cut surface of a stem undergoes upon exposure to the air,
+unfitting it for its full conductive work. De Vries has shown that when a
+shoot of a vigorous plant, for instance a Helianthus, is bent down under
+water, care being taken not to break it even in the slightest degree,
+a clean, sharp cut will give a surface which will retain the power of
+absorbing water for a long time; while a similar shoot cut in the open
+air, even if the end is instantly plunged under water, will wither much
+sooner than the first."--Physiological Botany, p. 263.]
+
+[Footnote 2: Physiological Botany, p. 260.]
+
+(6) Let the leaves of a growing plant rest against the window-pane.
+Moisture will be condensed on the cold surface of the glass, wherever the
+leaf is in contact with it. This is especially well seen in Nasturtium
+(Tropaeolum) leaves, which grow directly against a window, and leave the
+marks even of their veining on the glass, because the moisture is only
+given out from the green tissue, and where the ribs are pressed against
+the glass it is left dry.
+
+Sometimes the water is drawn up into the cells of the leaves faster than
+it can escape into the atmosphere.[1] This is prettily shown if we place
+some of our Nasturtium seedlings under a ward-case. The air in the case is
+saturated with moisture, so that evaporation cannot take place, but the
+water is, nevertheless, drawn up from the roots and through the branches,
+and appears as little drops on the margins of the leaves. That this is
+owing to the absorbing power of the roots, may be shown by breaking off
+the seedling, and putting the slip in water. No drops now appear on the
+leaves, but as soon as the cutting has formed new roots, the drops again
+appear.
+
+[Footnote 1: See Lectures on the Physiology of Plants. By Sidney Howard
+Vines, Cambridge, England. University Press, 1886. Page 92.]
+
+This constant escape of water from the leaves causes a current to flow
+from the roots through the stem into the cells of the leaves. The dilute
+mineral solutions absorbed by the roots[1] are thus brought where they
+are in contact with the external air, concentrated by the evaporation of
+water, and converted in these cells into food materials, such as starch.
+The presence of certain mineral matters, as potassium, iron, etc., are
+necessary to this assimilating process, but the reason of their necessity
+is imperfectly understood, as they do not enter in the products formed.
+
+[Footnote 1: See page 48.]
+
+The amount of water exhaled is often very great. Certain plants are used
+for this reason for the drainage of wet and marshy places. The most
+important of these is the Eucalyptus tree.[1]
+
+[Footnote 1: Reader in Botany. XII. Transpiration.]
+
+"The amount of water taken from the soil by the trees of a forest and
+passed into the air by transpiration is not so large as that accumulated
+in the soil by the diminished evaporation under the branches. Hence, there
+is an accumulation of water in the shade of forests which is released
+slowly by drainage.[1] But if the trees are so scattered as not materially
+to reduce evaporation from the ground, the effect of transpiration in
+diminishing the moisture of the soil is readily shown. It is noted,
+especially in case of large plants having a great extent of exhaling
+surface, such, for instance, as the common sunflower. Among the plants
+which have been successfully employed in the drainage of marshy soil by
+transpiration probably the species of Eucalyptus (notably _E_. _globulus_)
+are most efficient."[2]
+
+[Footnote 1: Reader in Botany. XIII. Uses of the Forests.]
+
+[Footnote 2: Physiological Botany, page 283.]
+
+
+4. _Assimilation_.--It is not easy to find practical experiments on
+assimilation. Those which follow are taken from "Physiological Botany" (p.
+305).
+
+ Fill a five-inch test tube, provided with a foot, with fresh drinking
+ water. In this place a sprig of one of the following water
+ plants,--_Elodea Canadensis, Myriophyllum spicatum, M.
+ verticillatum_, or any leafy _Myriophyllum_ (in fact, any small-
+ leaved water plant with rather crowded foliage). This sprig should be
+ prepared as follows: Cut the stem squarely off, four inches or so
+ from the tip, dry the cut surface quickly with blotting paper, then
+ cover the end of the stein with a quickly drying varnish, for
+ instance, asphalt-varnish, and let it dry perfectly, keeping the rest
+ of the stem, if possible, moist by means of a wet cloth. When the
+ varnish is dry, puncture it with a needle, and immerse the stem in
+ the water in the test tube, keeping the varnished larger end
+ uppermost. If the submerged plant be now exposed to the strong rays
+ of the sun, bubbles of oxygen gas will begin to pass off at a rapid
+ and even rate, but not too fast to be easily counted. If the simple
+ apparatus has begun to give off a regular succession of small
+ bubbles, the following experiments can be at once conducted:
+
+ (1) Substitute for the fresh water some which has been boiled a few
+ minutes before, and then allowed to completely cool: by the boiling,
+ all the carbonic acid has been expelled. If the plant is immersed in
+ this water and exposed to the sun's rays, no bubbles will be evolved;
+ there is no carbonic acid within reach of the plant for the
+ assimilative process. But,
+
+ (2) If breath from the lungs be passed by means of a slender glass
+ tube through the water, a part of the carbonic acid exhaled from the
+ lungs will be dissolved in it, and with this supply of the gas the
+ plant begins the work of assimilation immediately.
+
+ (3) If the light be shut off, the evolution of bubbles will presently
+ cease, being resumed soon after light again has access to the plant.
+
+ (5) Place round the base of the test tube a few fragments of ice, in
+ order to appreciably lower the temperature of the water. At a certain
+ point it will be observed that no bubbles are given off, and their
+ evolution does not begin again until the water becomes warm.
+
+The evolution of bubbles shows that the process of making food is going
+on. The materials for this process are carbonic acid gas and water. The
+carbonic acid dissolved in the surrounding water is absorbed, the carbon
+unites with the elements of water in the cells of the leaves, forming
+starch, etc., and most of the oxygen is set free, making the stream of
+bubbles. When the water is boiled, the dissolved gas is driven off and
+assimilation cannot go on; but as soon as more carbonic acid gas is
+supplied, the process again begins. We have seen by these experiments
+that sunlight and sufficient heat are necessary to assimilation, and that
+carbonic acid gas and water must be present. The presence of the green
+coloring matter of the leaves (chlorophyll) is also essential, and some
+salts, such as potassium, iron, etc., are needful, though they may not
+enter into the compounds formed.
+
+The food products are stored in various parts of the plant for future use,
+or are expended immediately in the growth and movements of the plant. In
+order that they shall be used for growth, free oxygen is required, and
+this is supplied by the respiration of the plant.
+
+Some plants steal their food ready-made. Such a one is the Dodder, which
+sends its roots directly into the plant on which it feeds. This is a
+_parasite_.[1] It has no need of leaves to carry on the process of making
+food. Some parasites with green leaves, like the mistletoe, take the crude
+sap from the host-plant and assimilate it in their own green leaves.
+Plants that are nourished by decaying matter in the soil are called
+_saprophytes_. Indian Pipe and Beech-Drops are examples of this. They need
+no green leaves as do plants that are obliged to support themselves.
+
+[Footnote 1: Reader in Botany. XIV. Parasitic Plants.]
+
+Some plants are so made that they can use animal matter for food. This
+subject of insectivorous plants is always of great interest to pupils. If
+some Sundew (_Drosera_) can be obtained and kept in the schoolroom, it
+will supply material for many interesting experiments.[1] That plants
+should possess the power of catching insects by specialized movements and
+afterwards should digest them by means of a gastric juice like that of
+animals, is one of the most interesting of the discoveries that have been
+worked out during the last thirty years.[2]
+
+[Footnote 1: See Insectivorous Plants, by Charles Darwin. New York: D.
+Appleton and Co., 1875.
+
+How Plants Behave, Chap. III.
+
+A bibliography of the most important works on the subject will be found in
+Physiological Botany, page 351, note.]
+
+[Footnote 2: Reader in Botany. XV. Insectivorous Plants.]
+
+
+5. _Respiration_.--Try the following experiment in germination.
+
+Place some seeds on a sponge under an air-tight glass. Will they grow?
+What causes them to mould?
+
+
+Seeds will not germinate without free access of air. They must have free
+oxygen to breathe, as must every living thing. We know that an animal
+breathes in oxygen, that the oxygen unites with particles of carbon within
+the body and that the resulting carbonic acid gas is exhaled.[1] The same
+process goes on in plants, but it was until recently entirely unknown,
+because it was completely masked during the daytime by the process of
+assimilation, which causes carbonic acid to be inhaled and decomposed, and
+oxygen to be exhaled.[2] In the night time the plants are not assimilating
+and the process of breathing is not covered up. It has, therefore, long
+been known that carbonic acid gas is given off at night. The amount,
+however, is so small that it could not injure the air of the room, as
+is popularly supposed. Respiration takes place principally through the
+stomata of the leaves.[3] We often see plants killed by the wayside dust,
+and we all know that on this account it is very difficult to make a hedge
+grow well by a dusty road. The dust chokes up the breathing pores of the
+leaves, interfering with the action of the plant. It is suffocated.
+
+The oxygen absorbed decomposes starch, or some other food product of the
+plant, and carbonic acid gas and water are formed. It is a process of slow
+combustion.[4] The energy set free is expended in growth, that is, in the
+formation of new cells, and the increase in size of the old ones, and in
+the various movements of the plant.
+
+[Footnote 1: See page 13.]
+
+[Footnote 2: This table illustrates the differences between the processes.
+
+ASSIMILATION PROPER. RESPIRATION.
+
+Takes place only in cells Takes place in all active cells.
+containing chlorophyll.
+
+Requires light. Can proceed in darkness.
+
+Carbonic acid absorbed, Oxygen absorbed, carbonic
+oxygen set free. acid set free.
+
+Carbohydrates formed. Carbohydrates consumed.
+
+Energy of motion becomes Energy of position becomes
+energy of position. energy of motion.
+
+The plant gains in dry The plant loses dry weight.
+weight.
+
+Physiological Botany, page 356.]
+
+[Transcriber's Note: Two footnote marks [3] and [4] above in original
+text, but no footnote text was found in the book]
+
+This process of growth can take place only when living _protoplasm_ is
+present in the cells of the plant. The substance we call protoplasm is
+an albuminoid, like the white of an egg, and it forms the flesh of both
+plants and animals. A living plant can assimilate its own protoplasm, an
+animal must take it ready-made from plants. But a plant can assimilate its
+food and grow only under the mysterious influence we call life. Life
+alone brings forth life, and we are as far as ever from understanding
+its nature. Around our little island of knowledge, built up through the
+centuries by the labor of countless workers, stretches the infinite ocean
+of the unknown.
+
+_Gray's First Lessons_. Sect. VII, XVI, sec. 2, sec. 4, sec. 5, sec. 6,
+476-480.
+
+_How Plants Grow_. Chap. I, 119-153, Chap. III, 261-280.
+
+
+
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK OUTLINES OF LESSONS IN BOTANY, PART
+I; FROM SEED TO LEAF***
+
+
+******* This file should be named 10726.txt or 10726.zip *******
+
+
+This and all associated files of various formats will be found in:
+https://www.gutenberg.org/1/0/7/2/10726
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+http://www.ibiblio.org/gutenberg/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+https://www.gutenberg.org/GUTINDEX.ALL
+
+*** END: FULL LICENSE ***