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+<TITLE>
+The Project Gutenberg E-text of The Cask of Amontillado, by Edgar Allan Poe
+</TITLE>
+
+<STYLE TYPE="text/css">
+BODY { color: Black;
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+ font-family: "Times New Roman", serif;
+ text-align: justify }
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+</HEAD>
+
+<BODY>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 1063 ***</div>
+
+<BR><BR>
+
+<H1 ALIGN="center">
+The Cask of Amontillado
+</H1>
+
+<BR>
+
+<H4 ALIGN="center">
+by
+</H4>
+
+<H3 ALIGN="center">
+Edgar Allan Poe
+</H3>
+
+<BR><BR>
+
+<P>
+The thousand injuries of Fortunato I had borne as I best could, but
+when he ventured upon insult, I vowed revenge. You, who so well know
+the nature of my soul, will not suppose, however, that I gave utterance
+to a threat. <I>At length</I> I would be avenged; this was a point definitely
+settled&mdash;but the very definitiveness with which it was resolved,
+precluded the idea of risk. I must not only punish, but punish with
+impunity. A wrong is unredressed when retribution overtakes its
+redresser. It is equally unredressed when the avenger fails to make
+himself felt as such to him who has done the wrong.
+</P>
+
+<P>
+It must be understood that neither by word nor deed had I given
+Fortunato cause to doubt my good will. I continued, as was my wont, to
+smile in his face, and he did not perceive that my smile <I>now</I> was at
+the thought of his immolation.
+</P>
+
+<P>
+He had a weak point&mdash;this Fortunato&mdash;although in other regards he was a
+man to be respected and even feared. He prided himself on his
+connoisseurship in wine. Few Italians have the true virtuoso spirit.
+For the most part their enthusiasm is adopted to suit the time and
+opportunity&mdash;to practise imposture upon the British and Austrian
+<I>millionaires</I>. In painting and gemmary, Fortunato, like his countrymen,
+was a quack&mdash;but in the matter of old wines he was sincere. In this
+respect I did not differ from him materially: I was skillful in the
+Italian vintages myself, and bought largely whenever I could.
+</P>
+
+<P>
+It was about dusk, one evening during the supreme madness of the
+carnival season, that I encountered my friend. He accosted me with
+excessive warmth, for he had been drinking much. The man wore motley.
+He had on a tight-fitting parti-striped dress, and his head was
+surmounted by the conical cap and bells. I was so pleased to see him,
+that I thought I should never have done wringing his hand.
+</P>
+
+<P>
+I said to him&mdash;"My dear Fortunato, you are luckily met. How remarkably
+well you are looking to-day! But I have received a pipe of what passes
+for Amontillado, and I have my doubts."
+</P>
+
+<P>
+"How?" said he. "Amontillado? A pipe? Impossible! And in the middle
+of the carnival!"
+</P>
+
+<P>
+"I have my doubts," I replied; "and I was silly enough to pay the full
+Amontillado price without consulting you in the matter. You were not to
+be found, and I was fearful of losing a bargain."
+</P>
+
+<P>
+"Amontillado!"
+</P>
+
+<P>
+"I have my doubts."
+</P>
+
+<P>
+"Amontillado!"
+</P>
+
+<P>
+"And I must satisfy them."
+</P>
+
+<P>
+"Amontillado!"
+</P>
+
+<P>
+"As you are engaged, I am on my way to Luchesi. If any one has a
+critical turn, it is he. He will tell me&mdash;"
+</P>
+
+<P>
+"Luchesi cannot tell Amontillado from Sherry."
+</P>
+
+<P>
+"And yet some fools will have it that his taste is a match for your
+own."
+</P>
+
+<P>
+"Come, let us go."
+</P>
+
+<P>
+"Whither?"
+</P>
+
+<P>
+"To your vaults."
+</P>
+
+<P>
+"My friend, no; I will not impose upon your good nature. I perceive
+you have an engagement. Luchesi&mdash;"
+</P>
+
+<P>
+"I have no engagement;&mdash;come."
+</P>
+
+<P>
+"My friend, no. It is not the engagement, but the severe cold with
+which I perceive you are afflicted. The vaults are insufferably damp.
+They are encrusted with nitre."
+</P>
+
+<P>
+"Let us go, nevertheless. The cold is merely nothing. Amontillado!
+You have been imposed upon. And as for Luchesi, he cannot distinguish
+Sherry from Amontillado."
+</P>
+
+<P>
+Thus speaking, Fortunato possessed himself of my arm. Putting on a mask
+of black silk, and drawing a <I>roquelaire</I> closely about my person, I
+suffered him to hurry me to my palazzo.
+</P>
+
+<P>
+There were no attendants at home; they had absconded to make merry in
+honour of the time. I had told them that I should not return until the
+morning, and had given them explicit orders not to stir from the house.
+These orders were sufficient, I well knew, to insure their immediate
+disappearance, one and all, as soon as my back was turned.
+</P>
+
+<P>
+I took from their sconces two flambeaux, and giving one to Fortunato,
+bowed him through several suites of rooms to the archway that led into
+the vaults. I passed down a long and winding staircase, requesting him
+to be cautious as he followed. We came at length to the foot of the
+descent, and stood together on the damp ground of the catacombs of the
+Montresors.
+</P>
+
+<P>
+The gait of my friend was unsteady, and the bells upon his cap jingled
+as he strode.
+</P>
+
+<P>
+"The pipe," said he.
+</P>
+
+<P>
+"It is farther on," said I; "but observe the white web-work which
+gleams from these cavern walls."
+</P>
+
+<P>
+He turned towards me, and looked into my eyes with two filmy orbs that
+distilled the rheum of intoxication.
+</P>
+
+<P>
+"Nitre?" he asked, at length.
+</P>
+
+<P>
+"Nitre," I replied. "How long have you had that cough?"
+</P>
+
+<P>
+"Ugh! ugh! ugh!&mdash;ugh! ugh! ugh!&mdash;ugh! ugh! ugh!&mdash;ugh! ugh! ugh!&mdash;ugh!
+ugh! ugh!"
+</P>
+
+<P>
+My poor friend found it impossible to reply for many minutes.
+</P>
+
+<P>
+"It is nothing," he said, at last.
+</P>
+
+<P>
+"Come," I said, with decision, "we will go back; your health is
+precious. You are rich, respected, admired, beloved; you are happy, as
+once I was. You are a man to be missed. For me it is no matter. We
+will go back; you will be ill, and I cannot be responsible. Besides,
+there is Luchesi&mdash;"
+</P>
+
+<P>
+"Enough," he said; "the cough is a mere nothing; it will not kill me.
+I shall not die of a cough."
+</P>
+
+<P>
+"True&mdash;true," I replied; "and, indeed, I had no intention of alarming
+you unnecessarily&mdash;but you should use all proper caution. A draught of
+this Medoc will defend us from the damps."
+</P>
+
+<P>
+Here I knocked off the neck of a bottle which I drew from a long row of
+its fellows that lay upon the mould.
+</P>
+
+<P>
+"Drink," I said, presenting him the wine.
+</P>
+
+<P>
+He raised it to his lips with a leer. He paused and nodded to me
+familiarly, while his bells jingled.
+</P>
+
+<P>
+"I drink," he said, "to the buried that repose around us."
+</P>
+
+<P>
+"And I to your long life."
+</P>
+
+<P>
+He again took my arm, and we proceeded.
+</P>
+
+<P>
+"These vaults," he said, "are extensive."
+</P>
+
+<P>
+"The Montresors," I replied, "were a great and numerous family."
+</P>
+
+<P>
+"I forget your arms."
+</P>
+
+<P>
+"A huge human foot d'or, in a field azure; the foot crushes a serpent
+rampant whose fangs are imbedded in the heel."
+</P>
+
+<P>
+"And the motto?"
+</P>
+
+<P>
+"<I>Nemo me impune lacessit</I>."
+</P>
+
+<P>
+"Good!" he said.
+</P>
+
+<P>
+The wine sparkled in his eyes and the bells jingled. My own fancy grew
+warm with the Medoc. We had passed through walls of piled bones, with
+casks and puncheons intermingling, into the inmost recesses of
+catacombs. I paused again, and this time I made bold to seize
+Fortunato by an arm above the elbow.
+</P>
+
+<P>
+"The nitre!" I said; "see, it increases. It hangs like moss upon the
+vaults. We are below the river's bed. The drops of moisture trickle
+among the bones. Come, we will go back ere it is too late. Your
+cough&mdash;"
+</P>
+
+<P>
+"It is nothing," he said; "let us go on. But first, another draught of
+the Medoc."
+</P>
+
+<P>
+I broke and reached him a flagon of De Grave. He emptied it at a
+breath. His eyes flashed with a fierce light. He laughed and threw
+the bottle upwards with a gesticulation I did not understand.
+</P>
+
+<P>
+I looked at him in surprise. He repeated the movement&mdash;a grotesque one.
+</P>
+
+<P>
+"You do not comprehend?" he said.
+</P>
+
+<P>
+"Not I," I replied.
+</P>
+
+<P>
+"Then you are not of the brotherhood."
+</P>
+
+<P>
+"How?"
+</P>
+
+<P>
+"You are not of the masons."
+</P>
+
+<P>
+"Yes, yes," I said; "yes, yes."
+</P>
+
+<P>
+"You? Impossible! A mason?"
+</P>
+
+<P>
+"A mason," I replied.
+</P>
+
+<P>
+"A sign," he said, "a sign."
+</P>
+
+<P>
+"It is this," I answered, producing a trowel from beneath the folds of
+my <I>roquelaire</I>.
+</P>
+
+<P>
+"You jest," he exclaimed, recoiling a few paces. "But let us proceed
+to the Amontillado."
+</P>
+
+<P>
+"Be it so," I said, replacing the tool beneath the cloak and again
+offering him my arm. He leaned upon it heavily. We continued our
+route in search of the Amontillado. We passed through a range of low
+arches, descended, passed on, and descending again, arrived at a deep
+crypt, in which the foulness of the air caused our flambeaux rather to
+glow than flame.
+</P>
+
+<P>
+At the most remote end of the crypt there appeared another less
+spacious. Its walls had been lined with human remains, piled to the
+vault overhead, in the fashion of the great catacombs of Paris. Three
+sides of this interior crypt were still ornamented in this manner.
+From the fourth side the bones had been thrown down, and lay
+promiscuously upon the earth, forming at one point a mound of some
+size. Within the wall thus exposed by the displacing of the bones, we
+perceived a still interior recess, in depth about four feet in width
+three, in height six or seven. It seemed to have been constructed for
+no especial use within itself, but formed merely the interval between
+two of the colossal supports of the roof of the catacombs, and was
+backed by one of their circumscribing walls of solid granite.
+</P>
+
+<P>
+It was in vain that Fortunato, uplifting his dull torch, endeavoured to
+pry into the depth of the recess. Its termination the feeble light did
+not enable us to see.
+</P>
+
+<P>
+"Proceed," I said; "herein is the Amontillado. As for Luchesi&mdash;"
+</P>
+
+<P>
+"He is an ignoramus," interrupted my friend, as he stepped unsteadily
+forward, while I followed immediately at his heels. In an instant he
+had reached the extremity of the niche, and finding his progress
+arrested by the rock, stood stupidly bewildered. A moment more and I
+had fettered him to the granite. In its surface were two iron staples,
+distant from each other about two feet, horizontally. From one of
+these depended a short chain, from the other a padlock. Throwing the
+links about his waist, it was but the work of a few seconds to secure
+it. He was too much astounded to resist. Withdrawing the key I
+stepped back from the recess.
+</P>
+
+<P>
+"Pass your hand," I said, "over the wall; you cannot help feeling the
+nitre. Indeed, it is <I>very</I> damp. Once more let me <I>implore</I> you to
+return. No? Then I must positively leave you. But I must first
+render you all the little attentions in my power."
+</P>
+
+<P>
+"The Amontillado!" ejaculated my friend, not yet recovered from his
+astonishment.
+</P>
+
+<P>
+"True," I replied; "the Amontillado."
+</P>
+
+<P>
+As I said these words I busied myself among the pile of bones of which
+I have before spoken. Throwing them aside, I soon uncovered a quantity
+of building stone and mortar. With these materials and with the aid of
+my trowel, I began vigorously to wall up the entrance of the niche.
+</P>
+
+<P>
+I had scarcely laid the first tier of the masonry when I discovered
+that the intoxication of Fortunato had in a great measure worn off. The
+earliest indication I had of this was a low moaning cry from the depth
+of the recess. It was <I>not</I> the cry of a drunken man. There was then a
+long and obstinate silence. I laid the second tier, and the third, and
+the fourth; and then I heard the furious vibrations of the chain. The
+noise lasted for several minutes, during which, that I might hearken to
+it with the more satisfaction, I ceased my labours and sat down upon
+the bones. When at last the clanking subsided, I resumed the trowel,
+and finished without interruption the fifth, the sixth, and the seventh
+tier. The wall was now nearly upon a level with my breast. I again
+paused, and holding the flambeaux over the mason-work, threw a few
+feeble rays upon the figure within.
+</P>
+
+<P>
+A succession of loud and shrill screams, bursting suddenly from the
+throat of the chained form, seemed to thrust me violently back. For a
+brief moment I hesitated&mdash;I trembled. Unsheathing my rapier, I began
+to grope with it about the recess; but the thought of an instant
+reassured me. I placed my hand upon the solid fabric of the catacombs,
+and felt satisfied. I reapproached the wall; I replied to the yells of
+him who clamoured. I re-echoed&mdash;I aided&mdash;I surpassed them in volume
+and in strength. I did this, and the clamourer grew still.
+</P>
+
+<P>
+It was now midnight, and my task was drawing to a close. I had
+completed the eighth, the ninth, and the tenth tier. I had finished a
+portion of the last and the eleventh; there remained but a single stone
+to be fitted and plastered in. I struggled with its weight; I placed
+it partially in its destined position. But now there came from out the
+niche a low laugh that erected the hairs upon my head. It was
+succeeded by a sad voice, which I had difficulty in recognizing as that
+of the noble Fortunato. The voice said&mdash;
+</P>
+
+<P>
+"Ha! ha! ha!&mdash;he! he! he!&mdash;a very good joke indeed&mdash;an excellent jest.
+We shall have many a rich laugh about it at the palazzo&mdash;he! he!
+he!&mdash;over our wine&mdash;he! he! he!"
+</P>
+
+<P>
+"The Amontillado!" I said.
+</P>
+
+<P>
+"He! he! he!&mdash;he! he! he!&mdash;yes, the Amontillado. But is it not getting
+late? Will not they be awaiting us at the palazzo, the Lady Fortunato
+and the rest? Let us be gone."
+</P>
+
+<P>
+"Yes," I said, "let us be gone."
+</P>
+
+<P>
+"<I>For the love of God, Montresor!</I>"
+</P>
+
+<P>
+"Yes," I said, "for the love of God!"
+</P>
+
+<P>
+But to these words I hearkened in vain for a reply. I grew impatient.
+I called aloud&mdash;
+</P>
+
+<P>
+"Fortunato!"
+</P>
+
+<P>
+No answer. I called again&mdash;
+</P>
+
+<P>
+"Fortunato&mdash;"
+</P>
+
+<P>
+No answer still. I thrust a torch through the remaining aperture and
+let it fall within. There came forth in reply only a jingling of the
+bells. My heart grew sick on account of the dampness of the catacombs.
+I hastened to make an end of my labour. I forced the last stone into
+its position; I plastered it up. Against the new masonry I re-erected
+the old rampart of bones. For the half of a century no mortal has
+disturbed them. <I>In pace requiescat!</I>
+</P>
+
+<BR><BR><BR><BR>
+
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 1063 ***</div>
+</BODY>
+
+</HTML>
+
+