summaryrefslogtreecommitdiff
path: root/old
diff options
context:
space:
mode:
Diffstat (limited to 'old')
-rw-r--r--old/10626-8.txt9306
-rw-r--r--old/10626-8.zipbin0 -> 201029 bytes
-rw-r--r--old/10626-h.zipbin0 -> 205096 bytes
-rw-r--r--old/10626-h/10626-h.htm9519
-rw-r--r--old/10626.txt9306
-rw-r--r--old/10626.zipbin0 -> 200880 bytes
6 files changed, 28131 insertions, 0 deletions
diff --git a/old/10626-8.txt b/old/10626-8.txt
new file mode 100644
index 0000000..48a8d8d
--- /dev/null
+++ b/old/10626-8.txt
@@ -0,0 +1,9306 @@
+The Project Gutenberg eBook, Atlantic Monthly, Volume 2, Issue 10, August,
+1858, by Various
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+
+
+
+Title: Atlantic Monthly, Volume 2, Issue 10, August, 1858
+
+Author: Various
+
+Release Date: January 7, 2004 [eBook #10626]
+[Date last updated: June 12, 2005]
+
+Language: English
+
+Character set encoding: iso-8859-1
+
+
+***START OF THE PROJECT GUTENBERG EBOOK ATLANTIC MONTHLY, VOLUME 2, ISSUE
+10, AUGUST, 1858***
+
+
+E-text prepared by Joshua Hutchinson, Bob Blair, and Project Gutenberg
+Distributed Proofreaders
+
+
+
+THE ATLANTIC MONTHLY.
+
+A MAGAZINE OF LITERATURE, ART, AND POLITICS.
+
+VOL. II.--AUGUST, 1858.--NO. X.
+
+
+
+
+
+
+
+DAPHNAIDES:
+
+OR THE ENGLISH LAUREL, FROM CHAUCER TO TENNYSON.
+
+
+ They in thir time did many a noble dede,
+ And for their worthines full oft have bore
+ The crown of laurer leavés on the hede,
+ As ye may in your oldé bookés rede:
+ And how that he that was a conquerour
+ Had by laurer alway his most honour.
+ DAN CHAUCER: _The Flowre and the Leaf_.
+
+
+It is to be lamented that antiquarian zeal is so often diverted from
+subjects of real to those of merely fanciful interest. The mercurial
+young gentlemen who addict themselves to that exciting department of
+letters are open to censure as being too fitful, too prone to flit,
+bee-like, from flower to flower, now lighting momentarily upon an
+indecipherable tombstone, now perching upon a rusty morion, here
+dipping into crumbling palimpsests, there turning up a tattered
+reputation from heaps of musty biography, or discovering that the
+brightest names have had sad blots and blemishes scoured off by the
+attrition of Time's ceaseless current. We can expect little from
+investigators so volatile and capricious; else should we expect the
+topic we approach in this paper to have been long ago flooded with
+light as of Maedler's sun, its dust dissipated, and sundry curves and
+angles which still baffle scrutiny and provoke curiosity exposed even
+to Gallio-llke wayfarers. It is, in fact, a neglected topic. Its
+derivatives are obscure, its facts doubtful. Questions spring from
+it, sucker-like, numberless, which none may answer. Why, for
+instance, in apportioning his gifts among his posterity, did Phoebus
+assign the laurel to his step-progeny, the sons of song, and pour the
+rest of the vegetable world into the pharmacopoeia of the favored
+Æsculapius? Why was even this wretched legacy divided in aftertimes
+with the children of Mars? Was its efficacy as a non-conductor of
+lightning as reliable as was held by Tiberius, of guileless memory,
+Emperor of Rome? Were its leaves really found green as ever in the
+tomb of St. Humbert, a century and a half after the interment of that
+holy confessor? In what reign was the first bay-leaf, rewarding the
+first poet of English song, authoritatively conferred? These and other
+like questions are of so material concern to the matter we have in
+hand, that we may fairly stand amazed that they have thus far escaped
+the exploration of archaeologists. It is not for us to busy ourselves
+with other men's affairs. Time and patience shall develope profounder
+mysteries than these. Let us only succeed in delineating in brief
+monograph the outlines of a natural history of the British
+Laurel,--_Laurea nobilis, sempervirens, florida_,--and in posting
+here and there, as we go, a few landmarks that shall facilitate the
+surveys of investigators yet unborn, and this our modest enterprise
+shall be happily fulfilled.
+
+One portion of it presents no serious difficulty. There is an
+uninterrupted canon of the Laureates running as far back as the reign
+of James I. Anterior, however, to that epoch, the catalogue fades away
+in undistinguishable darkness. Names are there of undoubted splendor,
+a splendor, indeed, far more glowing than that of any subsequent
+monarch of the bays; but the legal title to the garland falls so far
+short of satisfactory demonstration, as to oblige us to dismiss the
+first seven Laureates with a dash of that ruthless criticism with
+which Niebuhr, the regicide, dispatched the seven kings of Rome. To
+mark clearly the bounds between the mythical and the indubitable, a
+glance at the following brief of the Laureate _fasti_ will
+greatly assist us, speeding us forward at once to the substance of our
+story.
+
+
+I. The MYTHICAL PERIOD, extending from the supposititious coronation
+of Laureate CHAUCER, _in temp. Edv. III., 1367_, to that of
+Laureate JONSON, _in temp. Caroli I._ To this period belong,
+
+
+ GEOFFREY CHAUCER, 1367-1400
+ JOHN SCOGAN, 1400-1413
+ JOHN KAY, 1465-
+ ANDREW BERNARD, 1486-
+ JOHN SKELTON, 1509-1529
+ EDMUND SPENSER, 1590-1599
+ SAMUEL DANIEL, }
+ MICHAEL DRAYTON, } 1600-1630
+ BEN JONSON, }
+
+
+
+II. The DRAMATIC, extending from the latter event to the demise of
+Laureate SHADWELL, _in temp. Gulielmi III., 1692._ Here we have
+
+
+ BEN JONSON, 1630-1637
+ WILL DAVENANT, 1637-1668
+ JOHN DRYDEN, 1670-1689
+ THOMAS SHADWELL, 1689-1692
+
+
+
+III. The LYRIC, from the reign of Laureate TATE, 1693, to the demise
+of Laureate PYE, 1813:--
+
+
+ NAHUM TATE, 1693-1714
+ NICHOLAS ROWE, 1714-1718
+ LAURENCE EUSDEN, 1719-1730
+ COLLEY CIBBER, 1730-1757
+ WILLIAM WHITEHEAD, 1758-1785
+ THOMAS WARTON, 1785-1790
+ HENRY JAMES PYE, 1790-1813
+
+
+
+IV. The VOLUNTARY, from the accession of Laureate SOUTHEY, 1813, to
+the present day:--
+
+
+ ROBERT SOUTHEY, 1813-1843
+ WILLIAM WORDSWORTH, 1843-1850
+ ALFRED TENNYSON, 1850-
+
+
+Have no faith in those followers of vain traditions who assert the
+existence of the Laureate office as early as the thirteenth century,
+attached to the court of Henry III. Poets there were before
+Chaucer,--_vixere fortes ante Agamemnona_,--but search Rymer from
+cord to clasp and you shall find no documentary evidence of any one of
+them wearing the leaf or receiving the stipend distinctive of the
+place. Morbid credulity can go no farther back than to the "Father of
+English Poetry":--
+
+
+ "That renounced Poet,
+ Dan Chaucer, well of English undefyled,
+ On Fame's eternall beadroll worthie to be fyled":[1]
+
+
+ "Him that left half-told
+ The story of Cambuscan bold;
+ Of Camball, and of Algarsife,
+ And who had Canace to wife":[2]
+
+
+ "That noble Chaucer, in those former times,
+ Who first enriched our English with his rhymes,
+ And was the first of ours that ever broke
+ Into the Muse's treasures, and first spoke
+ In mighty numbers."[3]
+
+
+Tradition here first assumes that semblance of probability which
+rendered it current for three centuries. Edward the Third--resplendent
+name in the constitutional history of England--is supposed to have
+been so deeply impressed with Chaucer's poetical merits, as to have
+sought occasion for appropriate recognition. Opportunely came that
+high festival at the capital of the world, whereat
+
+
+ "Franccis Petrark, the laureat poete,
+ ... whos rethorike swete
+ Enlumined all Itaille of poetrie,"[4]
+
+
+received the laurel crown at the hands of the Senate of Rome, with a
+magnificence of ceremonial surpassed only by the triumphs of imperial
+victors a thousand years before. Emulous of the gorgeous example, the
+English monarch forthwith showered corresponding honors upon Dan
+Chaucer, adding the substantial perquisites of a hundred marks and a
+tierce of Malvoisie, a year. To this agreeable story, Laureate Warton,
+than whom no man was more intimately conversant with the truth there
+is in literary history, appears in one of his official odes to yield
+assent:--
+
+
+ "Victorious Edward gave the vernal bough
+ Of Britain's bay to bloom on Chaucer's brow:
+ Fired with the gift, he changed to sounds sublime
+ His Norman minstrelsy's discordant chime."[5]
+
+
+The legend, however, does not bear inquiry. King Edward, in 1367,
+certainly granted an annuity of twenty marks to "his varlet, Geoffrey
+Chaucer." Seven years later there was a further grant of a pitcher of
+wine daily, together with the controllership of the wool and petty
+wine revenues for the port of London. The latter appointment, to which
+the pitcher of wine was doubtless incident, was attended with a
+requirement that the new functionary should execute all the duties of
+his post in person,--a requirement involving as constant and laborious
+occupation as that of Charles Lamb, chained to his perch in the India
+House. These concessions, varied slightly by subsequent patents from
+Richard II. and Henry IV., form the entire foundation to the tale of
+Chaucer's Laureateship.[6] There is no reference in grant or patent to
+his poetical excellence or fame, no mention whatever of the laurel, no
+verse among the countless lines of his poetry indicating the reception
+of that crowning glory, no evidence that the third Edward was one whit
+more sensitive to the charms of the Muses than the third William,
+three hundred years after. Indeed, the condition with which the
+appointment of this illustrious custom-house officer was hedged
+evinced, if anything, a desire to discourage a profitless wooing of
+the Nine, by so confining his mind to the incessant routine of an
+uncongenial duty as to leave no hours of poetic idleness. Whatever
+laurels Fame may justly garland the temples of Dan Chaucer withal, she
+never, we are obliged to believe, employed royal instrument at the
+coronation.
+
+John Scogan, often confounded with an anterior Henry, has been named
+as the Laureate of Henry IV., and immediate successor of
+Chaucer. Laureate Jonson seems to encourage the notion:--
+
+
+ "_Mere Fool._ Skogan? What was he?
+
+ "_Jophiel._ Oh, a fine gentleman, and master of arts
+ Of Henry the Fourth's time, that made disguises
+ For the King's sons, and writ in ballad-royal
+ Daintily well.
+
+ "_Mere Fool_. But he wrote like a gentleman?
+
+ "_Jophiel_. In rhyme, fine, tinkling rhyme, and flowand verse,
+ With now and then some sense; and he was paid for't,
+ Regarded and rewarded; which few poets
+ Are nowadays."[7]
+
+
+But Warton places Scogan in the reign of Edward IV., and reduces him
+to the level of Court Jester, his authority being Dr. Andrew Borde,
+who, early in the sixteenth century, published a volume of his
+platitudes.[8] There is nothing to prove that he was either poet or
+Laureate; while, on the other hand, it must be owned, one person might
+at the same time fill the offices of Court Poet and Court Fool. It is
+but fair to say that Tyrwhitt, who had all the learning and more than
+the accuracy of Warton, inclines to Jonson's estimate of Scogan's
+character and employment.
+
+One John Kay, of whom we are singularly deficient in information, held
+the post of Court Poet under the amorous Edward IV. What were his
+functions and appointments we cannot discover.
+
+Andrew Bernard held the office under Henry VII. and Henry VIII. He was
+a churchman, royal historiographer, and tutor to Prince Arthur. His
+official poems were in Latin. He was living as late as 1522.
+
+John Skelton obtained the distinction of Poet-Laureate at Oxford, a
+title afterward confirmed to him by the University of Cambridge: mere
+university degrees, however, without royal indorsement. Henry
+VIII. made him his "Royal Orator," whatever that may have been, and
+otherwise treated him with favor; but we hear nothing of sack or
+salary, find nothing among his poems to intimate that his performances
+as Orator ever ran into verse, or that his "laurer" was of the regal
+sort.
+
+A long stride carries us to the latter years of Queen Elizabeth,
+where, and in the ensuing reign of James, we find the names of Edmund
+Spenser, Samuel Daniel, and Michael Drayton interwoven with the
+bays. Spenser's possession of the laurel rests upon no better evidence
+than that, when he presented the earlier books of the "Faery Queen" to
+Elizabeth, a pension of fifty pounds a year was conferred upon him,
+and that the praises of _Gloriana_ ring through his realm of
+Faëry in unceasing panegyric. But guineas are not laurels, though for
+sundry practical uses they are, perhaps, vastly better; nor are the
+really earnest and ardent eulogia of the bard of Mulla the same in
+kind with the harmonious twaddle of Tate, or the classical quiddities
+of Pye. He was of another sphere, the highest heaven of song, who
+
+
+ "Waked his lofty lay
+ To grace Eliza's golden sway;
+ And called to life old Uther's elfin-tale,
+ And roved through many a necromantic vale,
+ Portraying chiefs who knew to tame
+ The goblin's ire, the dragon's flame,
+ To pierce the dark, enchanted hall
+ Where Virtue sat in lonely thrall.
+ From fabling Fancy's inmost store
+ A rich, romantic robe he bore,
+ A veil with visionary trappings hung,
+ And o'er his Virgin Queen the fairy-texture flung."[9]
+
+
+Samuel Daniel was not only a favorite of Queen Elizabeth, but more
+decidedly so of her successor in the queendom, Anne of Denmark. In the
+household of the latter he held the position of Groom of the Chamber,
+a sinecure of handsome endowment, so handsome, indeed, as to warrant
+an occasional draft upon his talents for the entertainment of her
+Majesty's immediate circle, which held itself as far as possible aloof
+from the court, and was disposed to be self-reliant for its
+amusements. Daniel had entered upon the vocation of courtier with
+flattering auspices. His precocity while at Oxford has found him a
+place in the "Bibliotheca Eruditorum Præcocium." Anthony Wood bears
+witness to his thorough accomplishments in all kinds, especially in
+history and poetry, specimens of which, the antiquary tells us, were
+still, in his time, treasured among the archives of Magdalen. He
+deported himself so amiably in society, and so inoffensively among his
+fellow-bards, and versified his way so tranquilly into the good graces
+of his royal mistresses, distending the thread, and diluting the
+sense, and sparing the ornaments, of his passionless poetry,--if
+poetry, which, by the definition of its highest authority, is "simple,
+sensuous, passionate," can ever be unimpassioned,--that he was the
+oracle of feminine taste while he lived, and at his death bequeathed a
+fame yet dear to the school of Southey and Wordsworth. Daniel was no
+otherwise Laureate than his position in the queen's household may
+authorize that title. If ever so entitled by contemporaries, it was
+quite in a Pickwickian and complimentary sense. His retreat from the
+busy vanity of court life, an event which happened several years
+before his decease in 1619, was hastened by the consciousness of a
+waning reputation, and of the propriety of seeking better shelter than
+that of his laurels. His eloquent "Defense of Rhyme" still asserts for
+him a place in the hearts of all lovers of stately English prose.
+
+Old Michael Drayton, whose portrait has descended to us, surmounted
+with an exuberant twig of bays, is vulgarly classed with the
+legitimate Laureates. Southey, pardonably anxious to magnify an office
+belittled by some of its occupants, does not scruple to rank Spenser,
+Daniel, and Drayton among the Laurelled:--
+
+
+ "That wreath, which, in Eliza's golden days,
+ My master dear, divinest Spenser, wore,
+ That which rewarded Drayton's learned lays,
+ Which thoughtful Ben and gentle Daniel bore," etc.
+
+
+But in sober prose Southey knew, and later in life taught, that not
+one of the three named ever wore the authentic laurel.[10] That Drayton
+deserved it, even as a successor of the divinest Spenser, who shall
+deny? With enough of patience and pedantry to prompt the composition
+of that most laborious, and, upon the whole, most humdrum and
+wearisome poem of modern times, the "Polyolbion," he nevertheless
+possessed an abounding exuberance of delicate fancy and sound poetical
+judgment, traces of which flash not unfrequently even athwart the
+dulness of his _magnum opus_, and through the mock-heroism of
+"England's Heroical Epistles," while they have full play in his "Court
+of Faëry." Drayton's great defect was the entire absence of that
+dramatic talent so marvellously developed among his contemporaries,--a
+defect, as we shall presently see, sufficient of itself to disqualify
+him for the duties of Court Poet. But, what was still worse, his mind
+was not gifted with facility and versatility of invention, two equally
+essential requisites; and to install him in a position where such
+faculties were hourly called into play would have been to put the
+wrong man in the worst possible place. Drayton was accordingly a
+court-pensioner, but not a court-poet. His laurel was the honorary
+tribute of admiring friends, in an age when royal pedantry rendered
+learning fashionable and a topic of exaggerated regard. Southey's
+admission is to this purpose. "He was," he says, "one of the poets to
+whom the title of Laureate was given in that age,--not as holding the
+office, but as a mark of honor, to which they were entitled." And with
+the poetical topographer such honors abounded. Not only was he
+gratified with the zealous labors of Selden in illustration of the
+"Polyolbion," but his death was lamented in verse of Jonson, upon
+marble supplied by the Countess of Dorset:--
+
+
+ "Do, pious marble, let thy readers know
+ What they and what their children owe
+ To Drayton's name, whose sacred dust
+ We recommend unto thy trust.
+ Protect his memory, and preserve his story;
+ Remain a lasting monument of his glory:
+ And when thy ruins shall disclaim
+ To be the treasurer of his name,
+ His name, that cannot fade, shall be
+ An everlasting monument to thee."
+
+
+The Laureateship, we thus discover, had not, down to the days of
+James, become an institution. Our mythical series shrink from close
+scrutiny. But in the gayeties of the court of the Stuarts arose
+occasion for the continuous and profitable employment of a court-poet,
+and there was enough thrift in the king to see the advantage of
+securing the service for a certain small annuity, rather than by the
+payment of large sums as presents for occasional labors. The masque, a
+form of dramatic representation, borrowed from the Italian, had been
+introduced into England during the reign of Elizabeth. The interest
+depended upon the development of an allegorical subject apposite to
+the event which the performance proposed to celebrate, such as a royal
+marriage, or birthday, or visit, or progress, or a marriage or other
+notable event among the nobility and gentry attached to the court, or
+an entertainment in honor of some distinguished personage. To produce
+startling and telling stage effects, machinery of the most ingenious
+contrivance was devised; scenery, as yet unknown in ordinary
+exhibitions of the stage, was painted with elaborate finish; goddesses
+in the most attenuated Cyprus lawn, bespangled with jewels, had to
+slide down upon invisible wires from a visible Olympus; Tritons had to
+rise from the halls of Neptune through waters whose undulations the
+nicer resources of recent art could not render more genuinely marine;
+fountains disclosed the most bewitching of Naiads; and Druidical oaks,
+expanding, surrendered the imprisoned Hamadryad to the air of
+heaven. Fairies and Elves, Satyrs and Forsters, Centaurs and Lapithae,
+played their parts in these gaudy spectacles with every conventional
+requirement of shape, costume, and behavior _point-de-vice_, and were
+supplied by the poet, to whom the letter-press of the show had been
+confided, with language and a plot, both pregnant with more than
+Platonic morality. Some idea of the magnificence of these displays,
+which beggared the royal privy-purse, drove household-treasurers mad,
+and often left poet and machinist whistling for pay, may be gathered
+from the fact that a masque sometimes cost as much as two thousand
+pounds in the mechanical getting-up, a sum far more formidable in the
+days of exclusively hard money than in these of paper currency. Scott
+has described, for the benefit of the general reader, one such pageant
+among the "princely pleasures of Kenilworth"; while Milton, in his
+"Masque performed at Ludlow Castle," presents the libretto of another,
+of the simpler and less expensive sort. During the reign of James, the
+passion for masques kindled into a mania. The days and nights of
+Inigo Jones were spent in inventing machinery and contriving
+stage-effects. Daniel, Middleton, Fletcher, and Jonson were busied
+with the composition of the text; and the court ladies and cavaliers
+were all from morning till night in the hands of their dancing and
+music masters, or at private study, or at rehearsal, preparing for the
+pageant, the representation of which fell to their share and won them
+enviable applause. Of course the burden of original invention fell
+upon the poets; and of the poets, Daniel and Jonson were the most
+heavily taxed. In 1616, James I., by patent, granted to Jonson an
+annuity for life of one hundred marks, to him in hand not often well
+and truly paid. He was not distinctly named as Laureate, but seems to
+have been considered such; for Daniel, on his appointment, "withdrew
+himself," according to Gifford, "entirely from court." The
+strong-boxes of James and Charles seldom overflowed. Sir Robert Pye,
+an ancestor of that Laureate Pye whom we shall discuss by-and-by, was
+the paymaster, and often and again was the overwrought poet obliged to
+raise
+
+
+ "A woful cry
+ To Sir Robert Pye,"
+
+
+before some small instalment of long arrearages could be procured. And
+when, rarely, very rarely, his Majesty condescended to remember the
+necessities of "his and the Muses' servant," and send a present to the
+Laureate's lodgings, its proportions were always so small as to excite
+the ire of the insulted Ben, who would growl forth to the messenger,
+"He would not have sent me this, (_scil._ wretched pittance,) did
+I not live in an alley."
+
+We now arrive at the true era of the Laureateship. Charles, in 1630,
+became ambitious to signalize his reign by some fitting tribute to
+literature. A petition from Ben Jonson pointed out the way. The
+Laureate office was made a patentable one, in the gift of the Lord
+Chamberlain, as purveyor of the royal amusements. Ben was confirmed
+in the office. The salary was raised from one hundred marks to one
+hundred pounds, an advance of fifty per cent, to which was added
+yearly a tierce of Canary wine,--an appendage appropriate to the
+poet's convivial habits, and doubtless suggested by the mistaken
+precedent of Chaucer's daily flagon of wine. Ben Jonson was certainly,
+of all men living in 1630, the right person to receive this honor,
+which then implied, what it afterward ceased to do, the primacy of the
+diocese of letters. His learning supplied ballast enough to keep the
+lighter bulk of the poet in good trim, while it won that measure of
+respect which mere poetical gifts and graces would not have
+secured. He was the dean of that group of "poets, poetaccios,
+poetasters, and poetillos," [11] who beset the court. If a display of
+erudition were demanded, Ben was ready with the heavy artillery of the
+unities, and all the laws of Aristotle and Horace, Quintilian and
+Priscian, exemplified in tragedies of canonical structure, and
+comedies whose prim regularity could not extinguish the most
+delightful and original humor--Robert Burton's excepted--that
+illustrated that brilliant period. But if the graceful lyric or
+glittering masque were called for, the boundless wealth of Ben's
+genius was most strikingly displayed. It has been the fashion, set by
+such presumptuous blunderers as Warburton and such formal prigs as
+Gifford, to deny our Laureate the possession of those ethereal
+attributes of invention and fancy which play about the creations of
+Shakspeare, and constitute their exquisite charm. This arbitrary
+comparison of Jonson and Shakspeare has, in fact, been the bane of the
+former's reputation. Those who have never read the masques argue,
+that, as "very little Latin and less Greek," in truth no learning of
+any traceable description, went to the creation of _Ariel_ and
+_Caliban_, _Oberon_ and _Puck_, the possession of Latin, Greek, and
+learning generally, incapacitates the proprietor for the same happy
+exercise of the finer and more gracious faculties of wit and fancy.
+Of this nonsense Jonson's masques are the best refutation. Marvels of
+ingenuity in plot and construction, they abound in "dainty invention,"
+animated dialogue, and some of the finest lyric passages to be found
+in dramatic literature. They are the Laureate's true laurels. Had he
+left nothing else, the "rare arch-poet" would have held, by virtue of
+these alone, the elevated rank which his contemporaries, and our own,
+freely assign him. Lamb, whose appreciation of the old dramatists was
+extremely acute, remarks,--"A thousand beautiful passages from his
+'New Inn,' and from those numerous court masques and entertainments
+which he was in the daily habit of furnishing, might be adduced to
+show the poetical fancy and elegance of mind of the supposed rugged
+old bard." [12] And in excess of admiration at one of the Laureate's
+most successful pageants, Herrick breaks forth,--
+
+
+ "Thou hadst the wreath before, now take the tree,
+ That henceforth none be laurel-crowned but thee." [13]
+
+
+An aspiration fortunately unrealized.
+
+It was not long before the death of Ben, that John Suckling, one of
+his boon companions
+
+
+ "At those lyric feasts,
+ Made at 'The Sun,'
+ 'The Dog,' 'The Triple Tun,'
+ Where they such clusters had
+ As made them nobly wild, not mad," [14]
+
+
+handed about among the courtiers his "Session of the Poets," where an
+imaginary contest for the laurel presented an opportunity for
+characterizing the wits of the day in a series of capital strokes, as
+remarkable for justice as shrewd wit. Jonson is thus introduced:--
+
+
+ "The first that broke silence was good old Ben,
+ Prepared with Canary wine,
+ And he told them plainly he deserved the bays,
+ For his were called works, while others' were but plays;
+
+ "And bid them remember how he had purged the stage
+ Of errors that had lasted many an age;
+ And he hoped they did not think 'The Silent Woman,'
+ 'The Fox,' and 'The Alchymist' outdone by no man.
+
+ "Apollo stopt him there, and bid him not go on;
+ 'Twas merit, he said, and not presumption,
+ Must carry it; at which Ben turned about,
+ And in great choler offered to go out;
+
+ "But those who were there thought it not fit
+ To discontent so ancient a wit,
+ And therefore Apollo called him back again,
+ And made him mine host of his own 'New Inn.'"
+
+
+This _jeu d'esprit_ of Suckling, if of no value otherwise, would
+be respectable as an original which the Duke of Buckinghamshire,[15]
+Leigh Hunt,[16] and our own Lowell[17] have successfully and happily
+imitated.
+
+In due course, Laureate Jonson shared the fate of all potentates, and
+was gathered to the laurelled of Elysium. The fatality occurred in
+1637. When his remains were deposited in the Poet's Corner, with the
+eloquent laconism above them, "O Rare Ben Jonson!" all the wits of the
+day stood by the graveside, and cast in their tribute of bays. The
+rite over, all the wits of the day hurried from the aisles of
+Westminster to the galleries of Whitehall to urge their several claims
+to the successorship. There were, of the elder time, Massinger,
+drawing to the close of a successful career,--Ford, with his growing
+fame,--Marmion, Heywood, Carlell, Wither. There was Sandys, especially
+endeared to the king by his orthodox piety, so becoming the son of an
+archbishop, and by his versions of the "Divine Poems," which were next
+year given to the press, and which found a place among the half-dozen
+volumes which a decade later solaced the last hours of his royal
+master. There were the names, in the junior class, of Tom Carew, noted
+for his amatory songs and his one brilliant masque,--Tom Killigrew, of
+pleasant humor, and no mean writer of tragedy,--Suckling, the wittiest
+of courtiers, and the most courtly of wits,--Cartwright, Crashaw,
+Davenant, and May. But of all these, the contest soon narrowed down to
+the two latter. William Davenant was in all likelihood the son of an
+innkeeper at Oxford; he was certainly the son of the innkeeper's
+wife. A rumor, which Davenant always countenanced, alleged that
+William Shakspeare, a poet of some considerable repute in those times,
+being in the habit of passing between Stratford-on-the-Avon and
+London, was wont to bait and often lodge at this Oxford hostelry. At
+one of these calls the landlady had proved more than ordinarily frail
+or the poet more than ordinarily seductive,--who can wonder at even
+virtue stooping to folly when the wooer was the Swan of Avon, beside
+whom the bird that captivated Leda was as a featherless gosling?--and
+the consequence had been Will Davenant, born in the year of our Lord
+1605, Shakspeare standing as godfather at the baptism. A boy of lively
+parts was Will, and good-fortune brought those parts to the notice of
+the grave and philosophic Greville, Lord Brooke, whose dearest boast
+was the friendship in early life of Sir Philip Sidney. The result of
+this notice was a highly creditable education at school and
+university, and an ultimate introduction into the foremost society of
+the capital. Davenant, finding the drama supreme in fashionable
+regard, devoted himself to the drama. He also devoted himself to the
+cultivation of Ben Jonson, then at the summit of renown, assisting in
+an amateur way in the preparation of the court pageants, and otherwise
+mitigating the Laureate's labors. From 1632 to 1637, these aids were
+frequent, and established a very plausible claim to the
+succession. Thomas May, who shortly became his sole competitor, was a
+man of elevated pretensions. As a writer of English historical poems
+and as a translator of Lucan he had earned a prominent position in
+British literature; as a continuator of the "Pharsalia" in Latin verse
+of exemplary elegance, written in the happiest imitation of the
+martyred Stoic's unimpassioned mannerism, he secured for British
+scholarship that higher respect among Continental scholars which
+Milton's Latin poems and "Defensio pro Populo Anglicano" presently
+after confirmed. Of the several English writers of Latin verse, May
+stands unquestionably in the front rank, alongside of Milton and
+Bourne,--taking precedence easily of Owen, Cowley, and Gray. His
+dramatic productions were of a higher order than Davenant's. They have
+found a place in Dodsley's and the several subsequent collections of
+early dramas, not conceded to the plays of the latter. Masque-making,
+however, was not in his line. His invention was not sufficiently
+alert, his dialogue not sufficiently lively, for a species of poetry
+which it was the principal duty of the Laureate to furnish. Besides,
+it is highly probable, his sympathies with rebellious Puritanism were
+already so far developed as to make him an object of aversion to the
+king. Davenant triumphed. The defeated candidate lived to see the
+court dispersed, king and Laureate alike fugitive, and to receive from
+the Long Parliament the place of Historiographer, as a compensation
+for the lost bays. When, in 1650, he died, Cromwell and his
+newly-inaugurated court did honor to his obsequies. The body was
+deposited in Westminster Abbey; but the posthumous honor was in
+reserve for it, of being torn from the grave after the Restoration,
+and flung into a ditch along with the remains of three or four other
+republican leaders.
+
+Davenant's career in office was unfortunate. There is reason to doubt
+whether, even before the rebellion broke out, his salary was regularly
+paid him. During the Civil War he exchanged the laurel for a casque,
+winning knighthood by his gallant carriage at the siege of Gloucester.
+Afterward, he was so far in the confidence of Queen Henrietta Maria,
+as to be sent as her envoy to the captive king, beseeching him to save
+his head by conceding the demands of Parliament. When, the errand
+proving abortive, the royal head was lost, Davenant returned to Paris,
+consoled himself by finishing the first two books of his "Gondibert,"
+and then, despairing of a restoration, embarked (in 1650) from France
+for Virginia, where monarchy and the rights of Charles II were
+unimpaired. Fate, however, had not destined him for a colonist and
+backwoodsman. His ship, tempest-tossed, was driven into an English
+port, and the poet was seized and carried close prisoner to
+London. There the intervention of Milton, the Latin Secretary of the
+Council, is said to have saved his life. He was kept in the Tower for
+at least two years longer, however. The date of his release is
+uncertain, but, once at liberty, Davenant returned ardently to his
+former pursuits. A license was procured for musical exhibitions, and
+the phrase "musical exhibitions" was interpreted, with official
+connivance, as including all manner of dramatic performances. To the
+Laureate and to this period belongs the credit of introducing scenery,
+hitherto restricted to court masques, into the machinery of the
+ordinary drama. The substitution of female for male actors, in
+feminine characters, was also an innovation of this period. And as an
+incident of the Laureateship there is still another novelty to be
+noted. There is no crown without its thorns. The laurel renders the
+pillow of the wearer as knotty, uneasy, and comfortless as does a
+coronal of gold and jewels. Among the receipts of the office have been
+the jokes, good and bad, the sneers, the satire of contemporary
+wits,--such being the paper currency in which the turbulent subjects
+of the laurel crown think proper to pay homage to their
+sovereign. From the days of Will Davenant to these of ours, the custom
+has been faithfully observed. Davenant's earliest assailants were of
+his own political party, followers of the exiled Charles, the men whom
+Milton describes as "perditissimus ille peregrinantium aulieorum
+grex." These--among them a son of the memorable Donne, Sir John
+Denham, and Alan Broderick--united in a volume of mean motive and
+insignificant merit, entitled, "Verses written by Several of the
+Author's Friends, to be reprinted with the Second Edition of
+Gondibert." This was published in 1653. The effect of the onslaught
+has not been recorded. We know only that Davenant, surviving it,
+continued to prosper in his theatrical business, writing most of the
+pieces produced on his stage until the Restoration, when he drew forth
+from its hiding-place his wreath of laurel-evergreen, and resumed it
+with honor.
+
+A fair retrospect of Davenant's career enables us to select without
+difficulty that one of his labors which is most deserving of
+applause. Not his "Gondibert," notwithstanding it abounds in fine
+passages,--notwithstanding Gay thought it worth continuation and
+completion, and added several cantos,--notwithstanding Lamb eulogized
+it with enthusiasm, Southey warmly praised, and Campbell and Hazlitt
+coolly commended it. Nor his comedies, which are deservedly forgotten;
+nor his improvements in the production of plays, serviceable as they
+were to the acting drama. But to his exertions Milton owed impunity
+from the vengeance otherwise destined for the apologist of regicide,
+and so owed the life and leisure requisite to the composition of
+"Paradise Lost." Davenant, grateful for the old kindness of the
+ex-secretary, used his influence successfully with Charles to let the
+offender escape.[18] This is certainly the greenest of Davenant's
+laurels. Without it, the world might not have heard one of the
+sublimest expressions of human genius.
+
+Davenant died in 1668. The laurel was hung up unclaimed until 1670,
+when John Dryden received it, with patent dated back to the summer
+succeeding Davenant's death. Dryden assures us that it was Sir Thomas
+Clifford, whose name a year later lent the initial letter to the
+"Cabal," who presented him to the king, and procured his
+appointment.[19] Masques had now ceased to be the mode. What the
+dramatist could do to amuse the _blasé_ court of Charles II. he
+was obliged to do within the limits of legitimate dramatic
+representation, due care being taken to follow French models, and
+substitute the idiom of Corneille and Molière for that of
+Shakspeare. Dryden, whose plays are now read only by the curious, was,
+in 1670, the greatest of living dramatists. He had expiated his
+Cromwellian backslidings by the "Astraea Redux," and the "Annus
+Mirabilis." He had risen to high favor with the king. His tragedies
+in rhyming couplets were all the vogue. Already his fellow-playwrights
+deemed their success as fearfully uncertain, unless they had secured,
+price three guineas, a prologue or epilogue from the Laureate. So
+fertile was his own invention, that he stood ready to furnish by
+contract five plays a year,--a challenge fortunately declined by the
+managers of the day. Thus, if the Laureate stipend were not punctually
+paid, as was often the case, seeing the necessitous state of the royal
+finances and the bevy of fair ladies, whose demands, extravagant as
+they were, took precedence of all others, his revenues were adequate
+to the maintenance of a family, the matron of which was a Howard,
+educated, as a daughter of nobility, to the enjoyment of every
+indulgence. These were the Laureate's brightest days. His popularity
+was at its height, a fact evinced by the powerful coalitions deemed
+necessary to diminish it. Indeed, the laurel had hardly rested upon
+Dryden's temples before he experienced the assaults of an organized
+literary opposition. The Duke of Buckingham, then the admitted leader
+of fashionable prodigacy, borrowed the aid of Samuel Butler, at whose
+"Hudibras" the world was still laughing,--of Thomas Sprat, then on the
+high-road to those preferments which have given him an important place
+in history,--of Martin Clifford, a familiar of the green-room and
+coffee-house,--and concocted a farce ridiculing the person and office
+of the Laureate. "The Rehearsal" was acted in 1671. The hero,
+_Mr. Bayes_, imitated all the personal peculiarities of Dryden,
+used his cant phrases, burlesqued his style, and exposed, while
+pretending to defend, his ridiculous points, until the laugh of the
+town was fairly turned upon the "premier-poet of the realm." The wit
+was undoubtedly of the broadest, and the humor at the coffee-room
+level; but it was so much the more effective. Dryden affected to be
+indifferent to the satire. He jested at the time taken[20] and the
+number of hands employed upon the composition. Twenty years later he
+was at pains to declare his perfect freedom from rancor in consequence
+of the attack.
+
+There, is much reason to suspect, however, that "The Rehearsal" was
+not forgotten, when the "Absalom and Achitophel" was written, and that
+the character of _Zimri_ gathered much of its intense vigor and depth
+of shadow from recollections of the ludicrous _Mr. Bayes_. The
+portrait has the look of being designed as a quittance in full of old
+scores. "The Rehearsal," though now and then recast and reënacted to
+suit other times, is now no otherwise remembered than as the suggester
+of Sheridan's "Critic."
+
+Upon the heels of this onslaught others followed rapidly. Rochester,
+disposed to singularity of opinion, set up Elkanah Settle, a young
+author of some talent, as a rival to the Laureate. Anonymous bardings
+lampooned him. _Mr. Bayes_ was a broad target for every shaft, so
+that the complaint so feelingly uttered in his latter days, that "no
+man living had ever been so severely libelled" as he, had a wide
+foundation of fact. Sometimes, it must be owned, the thrusts were the
+natural result of controversies into which the Laureate indiscreetly
+precipitated himself; sometimes they came of generous partisanship in
+behalf of friends, such friends, for example, as Sir Robert Howard,
+his brother-in-law, an interminable spinner of intolerable verse, who
+afflicted the world in his day with plays worse than plagues, and
+poems as worthless as his plays. It was to a quarrel for and a quarrel
+against this gentleman that we are indebted for the most trenchant
+satire in the language. Sir Robert had fallen out with Dryden about
+rhyming tragedies, of which he disapproved; and while it lasted, the
+contest was waged with prodigious acrimony. Among the partisans of the
+former was Richard Flecknoe, a Triton among the smaller scribbling
+fry. Flecknoe--blunderingly classed among the Laureates by the
+compiler of "Cibber's Lives of the Poets"--was an Irish priest, who
+had cast his cassock, or, as he euphuistically expressed it, "laid
+aside the mechanic part of priesthood," in order to fulfil the loftier
+mission of literary garreteer in London. He had written poems and
+plays without number; of the latter, but one, entitled "Love's
+Dominion," had been brought upon the stage, and was summarily hissed
+off. Jealousy of Dryden's splendid success brought him to the side of
+Dryden's opponent, and a pamphlet, printed in 1668, attacked the
+future Laureate so bitterly, and at points so susceptible, as to make
+a more than ordinary draft upon the poet's patience, and to leave
+venom that rankled fourteen years without finding vent.[21] About the
+same time, Thomas Shadwell, who is represented in the satire as
+likewise an Irishman, brought Sir Robert on the stage in his "Sullen
+Lovers," in the character of _Sir Positive At-all_, a caricature
+replete with absurd self-conceit and impudent dogmatism. Shadwell was
+of "Norfolcian" family, well-born, well-educated, and fitted for the
+bar, but drawn away from serious pursuits by the prevalent rage for
+the drama. The offence of laughing at the poet's brother-in-law
+Shadwell had aggravated by accepting the capricious patronage of Lord
+Rochester, by subsequently siding with the Whigs, and by aiding the
+ambitious designs of Shaftesbury in play and pamphlet,--labors the
+value of which is not to be measured by the contemptuous estimate of
+the satirist. The first outburst of the retributive storm fell upon
+the head of Shadwell. The second part of "Absalom and Achitophel,"
+which appeared in the autumn of 1682, contains the portrait of
+_Og_, cut in outlines so sharp as to remind us of an unrounded
+alto-rilievo:--
+
+
+ Now stop your noses, readers, all and some,
+ For here's a tun of midnight work to come,
+ Og, from a treason-tavern rolling home;
+ Round as a globe, and liquored every chink,
+ Goodly and great he sails behind his link.
+ With all his bulk, there's nothing lost in Og,
+ For every inch that is not fool is rogue ....
+
+ The midwife laid her hand on his thick skull
+ With this prophetic blessing, Be thou dull!
+ Drink, swear, and roar, forbear no lewd delight
+ Fit for thy bulk; do anything but write.
+ Eat opium, mingle arsenic in thy drink,
+ Still thou mayst live, avoiding pen and ink.
+ I see, I see, 'tis counsel given in vain;
+ For treason botched in rhyme will be thy bane ....
+
+ A double noose thou on thy neck dost pull,
+ For writing treason, and for writing dull...
+
+ I will not rake the dunghill of thy crimes,
+ For who would read thy life who reads thy rhymes?
+ But of King David's foes be this the doom,
+ May all be like the young man Absalom!
+ And for my foes, may this their blessing be,
+ To talk like Doeg, and to write like thee!
+
+
+Of the multitudinous rejoinders and counterblasts provoked by this
+thunder, Dryden, it is supposed, ascribed the authorship of one of the
+keenest to Shadwell. We are to conceive some new and immediate
+provocation as added to the old grudge, to call for a second attack so
+soon; for it was only a month later that the "MacFlecknoe" appeared;
+not in 1689, as Dr. Johnson states, who, mistaking the date, also errs
+in assuming the cause of Dryden's wrath to have been the transfer of
+the laurel from his own to the brows of Shadwell. "MacFlecknoe" is by
+common consent the most perfect and perfectly acrid satire in English
+literature. The topics selected, the foibles attacked, the ingenious
+and remorseless ridicule with which they are overwhelmed, the
+comprehensive vindictiveness which converted every personal
+characteristic into an instrument for the more refined torment of the
+unhappy victim, conjoin to constitute a masterpiece of this lower form
+of poetical composition;--poetry it is not. While Flecknoe's
+pretensions as a dramatist were fairly a subject of derision, Shadwell
+was eminently popular. He was a pretender to learning, and,
+entertaining with Dryden strong convictions of the reality of a
+literary metempsychosis, believed himself the heir of Jonson's genius
+and erudition. The title of the satire was, therefore, of itself a
+biting sarcasm. His claims to sonship were transferred from Jonson,
+then held the first of dramatic writers, to Flecknoe, the last and
+meanest; and to aggravate the insult, the "Mac" was inserted as an
+irritating allusion to the alleged Irish origin of both,--an allusion,
+however harmless and senseless now, vastly significant at that era of
+Irish degradation. Of the immediate effect of this scarification upon
+Shadwell we have no information; how it ultimately affected his
+fortunes we shall see presently.
+
+During the closing years of Charles, and through the reign of James,
+Dryden added to the duties of Court Poet those of political
+pamphleteer and theological controversialist. The strength of his
+attachment to the office, his sense of the honor it conferred, and his
+appreciation of the salary we may infer from the potent influence such
+considerations exercised upon his conversion to Romanism. In the
+admirable portrait, too, by Lely, he chose to be represented with the
+laurel in his hand. After his dethronement, he sought every occasion
+to deplore the loss of the bays, and of the stipend, which in the
+increasing infirmity and poverty of his latter days had become
+important. The fall of James necessarily involved the fall of his
+Laureate and Historiographer. Lord Dorset, the generous but sadly
+undiscriminating patron of letters, having become Lord Chamberlain, it
+was his duty to remove the reluctant Dryden from the two places,--a
+duty not to be postponed, and scarcely to be mitigated, so violent was
+the public outcry against the renegade bard. The entire Protestant
+feeling of the nation, then at white heat, was especially ardent
+against the author of the "Hind and Panther," who, it was said, had
+treated the Church of England as the persecutors had treated the
+primitive martyr, dressed her in the skin of a wild beast, and exposed
+her to the torments of her adversaries. It was not enough to eject him
+from office,--his inability to subscribe the test oaths would have
+done so much,--but he was to be replaced by that one of his political
+and literary antagonists whom he most sincerely disliked, and who
+still writhed under his lash. Dorset appears to have executed the
+disagreeable task with real kindness. He is said to have settled upon
+the poet, out of his own fortune, an annuity equal to the lost
+pension,--a statement which Dr. Johnson and Macaulay have repeated
+upon the authority of Prior. What Prior said on the subject may be
+found in the Dedication of Tonson's noble edition of his works to the
+second Earl of Dorset:--"When, as Lord Chamberlain, he was obliged to
+take the king's pension from Mr. Dryden, (who had long before put
+himself out of a possibility of receiving any favor from the court,)
+my Lord allowed him an equivalent out of his own estate. However
+displeased with the conduct of his old acquaintance, he relieved his
+necessities; and while he gave him his assistance in private, in
+public he extenuated and pitied his error." But there is some reason
+for thinking this equivalent was only the equivalent of one year's
+salary, and this assistance casual, not stated; else we are at a loss
+to understand the continual complaints of utter penury which the poet
+uttered ever after. Some of these complaints were addressed to his
+benefactor himself, as in the Dedication to Juvenal and Persius,
+1692:--"Age has overtaken me, and _want_, a more insufferable
+evil, through the change of the times, _has wholly disenabled
+me_. Though I must ever acknowledge, to the honor of your Lordship,
+and the eternal memory of your charity, that, since this revolution,
+wherein I have patiently suffered the ruin of my small fortune, and
+the loss of that poor subsistence I had from two kings, whom I served
+more faithfully than profitably to myself,--then your Lordship was
+pleased, out of no other motive than your own nobleness, without any
+desert of mine, or the least solicitation from me, to make me a most
+bountiful _present_, which, in that time when I was most in want
+of it, came most seasonably and unexpectedly to my relief." This
+passage was the sole authority, we suspect, Prior had for a story
+which was nevertheless sufficiently true to figure in an adulatory
+dedication; and, indeed, Prior may have used the word "equivalent"
+loosely, and had Dorset's gift been more than a year's income, Dryden
+would hardly have called it a "present,"--a phrase scarcely applicable
+to the grant of a pension.[22]
+
+Dismissed from office and restored to labors more congenial than the
+dull polemics which had recently engaged his mind, Dryden found
+himself obliged to work vigorously or starve. He fell into the hands
+of the booksellers. The poems, it deserves remark, upon which his fame
+with posterity must finally rest, were all produced within the period
+bounded by his deposition and his death. The translations from
+Juvenal, the versions of Persius and of Virgil, the Fables, and the
+"Ode upon St. Cecilia's Day," were the works of this period. He lived
+to see his office filled successively by a rival he despised and a
+friend who had deserted him, and in its apparently hopeless
+degradation perhaps found consolation for its loss.
+
+Thomas Shadwell was the Poet-Laureate after Dryden, assuming the
+wreath in 1689. We have referred to his origin; Langbaine gives 1642
+as the date of his birth; so that he must have set up as author early
+in life, and departed from life shortly past middle-age. Derrick
+assures us that he was lusty, ungainly, and coarse in person,--a
+description answering to the full-length of _Og_. The commentators
+upon "MacFlecknoe" have not made due use of one of Shadwell's habits,
+in illustration of the reason why a wreath of poppies was selected for
+the crown of its hero. The dramatist, Warburton informs us, was
+addicted to the use of opium, and, in fact, died of an overdose of
+that drug. Hence
+
+
+ "His temples, last, with poppies were o'er-spread,
+ That nodding seemed to consecrate his head."
+
+
+A couplet which Pope echoes in the "Dunciad":--
+
+
+ "Shadwell nods, the poppy on his brows."
+
+
+A similar allusion may be found in the character of _Og_:--
+
+
+ "Eat opium, mingle arsenic in thy drink," etc.
+
+
+That the Laureate was heavy-gaited in composition, taking five years
+to finish one comedy,--that he was, on the other hand, too swift,
+trusting Nature rather than elaborate Art,--that he was dull and
+unimaginative,--that he was keen and remarkably sharp-witted,--that he
+affected a profundity of learning of which he gave no evidences,--that
+his plays were only less numerous than Dryden's, are other particulars
+we gather from conflicting witnesses of the period. Certainly, no one
+of the Laureates, Cibber excepted, was so mercilessly lampooned. What
+Cibber suffered from the "Dunciad" Shadwell suffered from
+"MacFlecknoe." Incited by Dryden's example, the poets showered their
+missiles at him, and so perseveringly as to render him a traditional
+butt of satire for two or three generations. Thus Prior:--
+
+
+ "Thus, without much delight or grief,
+ I fool away an idle life,
+ Till Shadwell from the town retires,
+ Choked up with fame and sea-coal fires,
+ To bless the wood with peaceful lyric:
+ Then hey for praise and panegyric;
+ Justice restored, and nations freed,
+ And wreaths round William's glorious head."
+
+
+And Parnell:--
+
+
+ "But hold! before I close the scene,
+ The sacred altar should be clean.
+ Oh, had I Shadwell's second bays,
+ Or, Tate! thy pert and humble lays,--
+ Ye pair, forgive me, when I vow
+ I never missed your works till now,--
+ I'd tear the leaves to wipe the shrine,
+ That only way you please the Nine;
+ But since I chance to want these two,
+ I'll make the songs of Durfey do."
+
+
+And in a far more venomous and violent style, the noteless mob of
+contemporary writers.
+
+Shadwell, after all, was very far from being the blockhead these
+references imply. His "Third Nights" were probably far more
+profitable than Dryden's.[23] By his friends he was classed with the
+liveliest wits of a brilliant court. Rochester so classed him:--
+
+
+ "I loathe the rabble: 'tis enough for me,
+ If Sedley, Shadwell, Shephard, Wycherley,
+ Godolphin, Butler, Buckhurst, Buckingham,
+ And some few more, whom I omit to name,
+ Approve my sense: I count their censure fame."[24]
+
+
+And compares him elsewhere with Wycherley:--
+
+
+ "Of all our modern wits, none seem to me
+ Once to have touched upon true comedy,
+ But hasty Shadwell and slow Wycherley.
+ Shadwell's unfinished works do yet impart
+ Great proofs of force of nature, none of art;
+ With just, bold strokes, he dashes here and there,
+ Showing great mastery with little care,
+ Scorning to varnish his good touches o'er
+ To make the fools and women praise them more.
+ But Wycherley earns hard whate'er he gains;
+ He wants no judgment, and he spares no pains," etc.
+
+
+And, not disrespectfully, Pope:--
+
+
+ "In all debates where critics bear a part,
+ Not one but nods, and talks of Jonson's art,
+ Of Shakspeare's nature, and of Cowley's wit;
+ How Beaumont's judgment checked what Fletcher writ;
+ How Shadwell hasty, Wycherley was slow;
+ But for the passions, Southerne, sure, and Rowe!
+ These, only these, support the crowded stage,
+ From eldest Heywood down to Cibber's age."[25]
+
+
+Sedley joined him in the composition of more than one comedy.
+Macaulay, in seeking illustrations of the times and occurrences of
+which he writes, cites Shadwell five times, where he mentions
+Etherege, Wycherley, and Congreve once.[26] From his last play, "The
+Stockjobbers," performed in November, 1692, while its author was on
+his death-bed, the historian introduces an entire scene into his
+text.[27] Any one, indeed, who can clear his mind from the unjust
+prejudice produced by Dryden's satire, and read the comedies of
+Shadwell with due consideration for the extemporaneous haste of their
+composition, as satires upon passing facts and follies, will find,
+that, so far from never deviating into sense, sound common-sense and
+fluent wit were the Laureate's staple qualities. If his comedies have
+not, like those of his contemporaries just named, enjoyed the
+good-fortune to be collected and preserved among the dramatic
+classics, the fact is primarily owing to the ephemeral interest of the
+hits and allusions, and secondarily to "MacFlecknoe."
+
+[To be continued.]
+
+
+Footnote 1: SPENSER: _Faery Queen_. See also the _Two Cantos
+of Mutability,_ Cant. VII.:--
+
+ "That old Dan Geffrey, in whose gentle spright
+ The pure well-head of poesie did dwell."
+
+Footnote 2: MILTON: _Il Penseroso._
+
+Footnote 3: WORDSWORTH: _Poems of Later Years_.
+
+Footnote 4: CHAUCER: _Clerke's Tale_, Prologue.
+
+Footnote 5: WARTON: _Ode on his Majesty's Birthday, 1787_.
+
+Footnote 6: Tyrwhitt's Chaucer: _Historical Notes on his Life._
+
+Footnote 7: _Masque of the Fortunate Islands_.
+
+Footnote 8: _History of English Poetry_, Vol. II. pp. 335-336,
+ed. 1840.
+
+Footnote 9: WARTON: _Birthday Ode_, 1787.
+
+Footnote 10: See his _British Poets, from Chaucer to Jonson_,
+Art. _Daniel_. Southey contemplated a continuation of Warton's
+_History_, and, in preparing for that labor, learned many things
+he had never known of the earlier writers.
+
+Footnote 11: Jonson's classification. See his _Poetaster_.
+
+Footnote 12: _Lamb's Works, and Life_, by Talfourd, Vol. IV. p. 89.
+
+Footnote 13: Hesperides, _Encomiastic Verses_.
+
+Footnote 14: Herrick, _ubi supra._--To the haunts here named
+must be added the celebrated _Mermaid_, of which Shakspeare was
+the _Magnus Apollo_, and _The Devil_, where Pope imagines
+Ben to have gathered peculiar inspiration:--
+
+ "And each true Briton is to Ben so civil,
+ He swears the Muses met him at _The Devil_."
+ _Imitation of Horace_, Bk. ii. Epist. i.
+
+Footnote 15: _Election of a Poet-Laureate_, 1719, Works, Vol. II.
+
+Footnote 16: _Feast of the Poets_, 1814.
+
+Footnote 17: _Fable for Critics_, 1850.
+
+Footnote 18: This story rests on the authority of Thomas Betterton,
+the actor, who received it from Davenant.
+
+Footnote 19: Dedication of the _Pastorals_ of Virgil, to Hugh,
+Lord Clifford, the son of Sir Thomas.
+
+Footnote 20: There were some indications that portions of the farce
+had been written while Davenant was living and had been intended for
+him. _Mr. Bayes_ appears in one place with a plaster on his nose,
+an evident allusion to Davenant's loss of that feature. In a lively
+satire of the time, by Richard Duke, it is asserted that Villiers was
+occupied with the composition of _The Rehearsal_ from the
+Restoration down to the day of its production on the stage:--
+
+ "But with playhouses, wars, immortal wars,
+ He waged, and ten years' rage produced a farce.
+ As many rolling years he did employ,
+ And hands almost as many, to destroy
+ Heroic rhyme, as Greece to ruin Troy.
+ Once more, says Fame, for battle he prepares,
+ And threatens rhymers with a second farce:
+ But, if as long for this as that we stay,
+ He'll finish Clevedon sooner than his play."
+ _The Review_
+
+Footnote 21: It is little to the credit of Dryden, that, having saved
+up his wrath against Flecknoe so long, he had not reserved it
+altogether. Flecknoe had been dead at least four years when the
+satire appeared.
+
+Footnote 22: Macaulay quotes Blackmore's _Prince Arthur_, to
+illustrate Dryden's dependence upon Dorset:--
+
+ "The poets' nation did obsequious wait
+ For the kind dole divided at his gate.
+ Laurus among the meagre crowd appeared,
+ An old, revolted, unbelieving bard,
+ Who thronged, and shoved, and pressed, and would be heard.
+
+ "Sakil's high roof, the Muse's palace, rung
+ With endless cries, and endless songs he sung.
+ To bless good Sakil Laurus would be first;
+ But Sakil's prince and Sakil's God he curst.
+ Sakil without distinction threw his bread,
+ Despised the flatterer, but the poet fed."
+
+_Laurus_, of course, stands for Dryden, and _Sakil_ for
+Dorset.
+
+Footnote 23: _The Squire of Alsatia_ is said to have realized him
+£130.
+
+Footnote 24: _An Allusion to the Tenth Satire of the First Book of
+Horace_.--The word "censure" will, of course, be understood to mean
+_judgment_, not _condemnation_.
+
+Footnote 25: _Imitation of Horace_, Bk. ii. Epist. i.
+
+Footnote 26: See the _History of England_, Vol. IV., Chapter 17,
+for reference to Shadwell's _Volunteers_.
+
+Footnote 27: _History of England_, Chapter 19.
+
+
+
+
+THE ROMANCE OF A GLOVE.
+
+
+"Halt!" cried my travelling companion. "Property overboard!"
+
+The driver pulled up his horses; and, before I could prevent him,
+Westwood leaped down from the vehicle, and ran back for the article
+that had been dropped.
+
+It was a glove,--my glove, which I had inadvertently thrown out, in
+taking my handkerchief from my pocket.
+
+"Go on, driver!" and he tossed it into my hand as he resumed his seat
+in the open stage.
+
+"Take your reward," I said, offering him a cigar; "but beware of
+rendering me another such service!"
+
+"If it had been your hat or your handkerchief, be sure I should have
+let it lie where it fell. But a glove,--that is different. I once
+found a romance in a glove. Since then, gloves are sacred." And
+Westwood gravely bit off the end of his cigar.
+
+"A romance? Tell me about that. I am tired of this endless stretch of
+sea-like country, these regular ground-swells; and it's a good
+two-hours' ride yet to yonder headland, which juts out into the
+prairie, between us and the setting sun. Meanwhile, your romance."
+
+"Did I say romance? I fear you would hardly think it worthy of the
+name," said my companion. "Every life has its romantic episodes, or,
+at least, incidents which appear such to him who experiences them. But
+these tender little histories are usually insipid enough when told. I
+have a maiden aunt, who once came so near having an offer from a pale
+stripling, with dark hair, seven years her junior, that to this day
+she often alludes to the circumstance, with the remark, that she
+wishes she knew some competent novel-writer in whom she could confide,
+feeling sure that the story of that period of her life would make the
+groundwork of a magnificent work of fiction. Possibly I inherit my
+aunt's tendency to magnify into extraordinary proportions trifles
+which I look at through the double convex lens of a personal
+interest. So don't expect too much of my romance, and you shall hear
+it.
+
+"I said I found it in a glove. It was by no means a remarkable
+glove,--middle-sized, straw-colored, and a neat fit for this hand, in
+which I now hold your very excellent cigar. Of course, there was a
+young lady in the case;--let me see,--I don't believe I can tell you
+the story," said Westwood, "after all!"
+
+I gently urged him to proceed.
+
+"Pshaw!" said he, after kindling his cigar with a few vigorous whiffs,
+"what's the use of being foolish? My aunt was never diffident about
+telling her story, and why should I hesitate to tell mine? The young
+lady's name,--we'll call her simply Margaret. She was a blonde, with
+hazel eyes and dark hair. Perhaps you never heard of a blonde with
+hazel eyes and dark hair? She was the only one I ever saw; and there
+was the finest contrast imaginable between her fair, fresh complexion,
+and her superb tresses and delicately-traced eyebrows. She was
+certainly lovely, if not handsome; and--such eyes! It was an event in
+one's life, Sir, just to look through those luminous windows into her
+soul. That could not happen every day, be sure! Sometimes for weeks
+she kept them turned from me, the ivory shutters half-closed, or the
+mystic curtains of reserve drawn within; then, again, when I was
+tortured with unsatisfied yearnings, and almost ready to despair, she
+would suddenly turn them upon me, the shutters thrown wide, the
+curtains away, and a flood of radiance streaming forth, that filled me
+so full of light and gladness, that I had no shadowy nook left in me
+for a doubt to hide in. She must have been conscious of this power of
+expression. She used it so sparingly, and, it seemed to me, artfully!
+But I always forgave her when she did use it, and cherished resentment
+only when she did not.
+
+"Margaret was shy and proud; I could never completely win her
+confidence; but I knew, I knew well at last, that her heart was
+mine. And a deep, tender, woman's heart it was, too, despite her
+reserve. Without many words, we understood each other, and
+so----Pshaw!" said Westwood, "my cigar is out!"
+
+"On with the story!"
+
+"Well, we had our lovers' quarrels, of course. Singular, what foolish
+children love makes of us!--rendering us sensitive, jealous, exacting,
+in the superlative degree. I am sure, we were both amiable and
+forbearing towards all the world besides; but, for the powerful reason
+that we loved, we were bound to misinterpret words, looks, and
+actions, and wound each other on every convenient occasion. I was
+pained by her attentions to others, or perhaps by an apparent
+preference of a book or a bouquet to me. Retaliation on my part and
+quiet persistence on hers continued to estrange us, until I generally
+ended by conceding everything, and pleading for one word of kindness,
+to end my misery.
+
+"I was wrong,--too quick to resent, too ready to concede. No doubt, it
+was to her a secret gratification to exercise her power over me; and
+at last I was convinced that she wounded me purposely, in order to
+provoke a temporary estrangement, and enjoy a repetition of her
+triumph.
+
+"It was at a party; the thing she did was to waltz with a man whom she
+knew I detested, whom _I_ knew _she_ could not respect, and
+whose half-embrace, as he whirled her in the dance, almost put murder
+into my thoughts.
+
+"'Margaret,' I said, 'one last word! If you care for me, beware!'
+
+"That was a foolish speech, perhaps. It was certainly
+ineffectual. She persisted, looking so calm and composed, that a great
+weight fell upon my heart. I walked away; I wandered about the
+saloons; I tried to gossip and be gay; but the wound was too deep.
+
+"I accompanied her home, late in the evening. We scarcely spoke by the
+way. At the door, she looked me sadly in the face,--she gave me her
+hand; I thought it trembled.
+
+"'Good-night!' she said, in a low voice.
+
+"'Good-bye!' I answered, coldly, and hurried from the house.
+
+"It was some consolation to hear her close the door after I had
+reached the corner of the street, and to know that she had been
+listening to my footsteps. But I was very angry. I made stern
+resolutions; I vowed to myself, that I would wring her heart, and
+never swerve from my purpose until I had wrung out of it abundant
+drops of sorrow and contrition. How I succeeded you shall hear.
+
+"I had previously engaged her to attend a series of concerts with me;
+an arrangement which I did not now regret, and for good reasons. Once
+a week, with famous punctuality, I called for her, escorted her to the
+concert-room, and carefully reconducted her home,--letting no
+opportunity pass to show her a true gentleman's deference and
+respect,--conversing with her freely about music, books, anything, in
+short, except what we both knew to be deepest in each other's
+thoughts. Upon other occasions, I avoided her, and even refrained from
+going to places where she was expected,--especially where she knew
+that I knew she was expected.
+
+"Well," continued Westwood, "my designs upon her heart, which I was
+going to wring so unmercifully, did not meet with very brilliant
+success. To confess the humiliating truth, I soon found that I was
+torturing myself a good deal more than I was torturing her. As a last
+and desperate resort, what do you think I did?"
+
+"You probably asked her to ask your forgiveness."
+
+"Not I! I have a will of adamant, as people find, who tear away the
+amiable flowers and light soil that cover it; and she had reached the
+impenetrable, firm rock. I neither made any advances towards a
+reconciliation nor invited any. But I'll tell you what I did do, as a
+final trial of her heart. I had, for some time, been meditating a
+European tour, and my interest in her had alone kept me at home. Some
+friends of mine were to sail early in the spring, and I now resolved
+to accompany them. I don't know how much pride and spite there was in
+the resolution,--probably a good deal. I confess I wished to make her
+suffer,--to show her that she had calculated too much upon my
+weakness,--that I could be strong and happy without her. Yet, with all
+this bitter and vindictive feeling, I listened to a very sweet and
+tender whisper in my heart, which said, 'Now, if her love speaks
+out,--now, if she says to me one true, kind, womanly word,--she shall
+go with me, and nothing shall ever take her from me again!' The
+thought of what _might_ be, if she would but say that word, and
+of what _must_ be, irrevocably, if her pride held out, shook me
+mightily. But my resolution was taken: I would trust the rest to fate.
+
+"On the day of the last concert, I imparted the secret of my intended
+journey to a person who, I felt tolerably sure, would rush at once to
+Margaret with the news. Then, in the evening, I went for her; I was
+conscious that my manner towards her was a little more tender, or
+rather, a little less coldly courteous, that night, than it had
+usually been of late; for my feelings were softened, and I had never
+seen her so lovely. I had never before known what a treasure I was
+about to lose. The subject of my voyage was not mentioned, and if she
+had heard of it, she accepted the fact without the least
+visible concern. Her quietness under the circumstances chilled
+me,--disheartened me quite. I am not one of those who can give much
+superfluous love, or cling with unreasonable, blind passion to an
+object that yields no affection in return. A quick and effectual
+method of curing a fancy in persons of my temperament is to teach them
+that it is not reciprocated. Then it expires like a flame cut off from
+the air, or a plant removed from the soil. The death-struggle, the
+uprooting, is the painful thing; but when the heart is thoroughly
+convinced that its love is misplaced, it gives up, with one last sigh
+as big as fate, sheds a few tears, says a prayer or two, thanks God
+for the experience, and becomes a wiser, calmer,--yes, and a happier
+heart than before."
+
+"True," I said; "but our hearts are not thus easily convinced."
+
+"Ay, there's the rub. It is for want of a true perception. There
+cannot be a true love without a true perception. Love is for the soul
+to know, from its own intuition,--not for the understanding to
+believe, from the testimony of those very unreliable witnesses, called
+eyes and ears. This seems to have been my case,--my soul was aware of
+_her_ love, and all the evidence of my external senses could not
+altogether destroy that interior faith. But that evening I said,--'I
+believe you now, my senses! I doubt you now, my soul!--she never loved
+me!' So I was really very cold towards her--for about twenty minutes.
+
+"I walked home with her;--we were both silent; but at the door she
+asked me to go in. Here my calmness deserted me, and I could hardly
+hold my heart, while I replied,--
+
+"'If you particularly wish it.'
+
+"'If I did not, I should not ask you,' she said; and I went in.
+
+"I was ashamed and vexed at myself for trembling so,--for I was in a
+tremor from head to foot. There was company in the parlors,--some of
+Margaret's friends. I took my seat upon a sofa, and soon she came and
+sat by my side.
+
+"'I suppose,' said one, 'Mr. Westwood has been telling Margaret all
+about it.'
+
+"'About what?' Margaret inquired,--and here the truth flashed upon
+me,--the news of my proposed voyage had not yet reached her! She
+looked at me with a troubled, questioning expression, and said,--
+
+"'I felt that something was going to happen. Tell me what it is.'
+
+"I answered,--'Your friend can best explain what she means.'
+
+"Then out came the secret. A shock of surprise sent the color from
+Margaret's face; and raising her eyes, she asked, quite calmly, but in
+a low and unnatural tone,--
+
+"'Is this so?'
+
+"I said, 'I suppose I cannot deny it.'
+
+"'You are really going?'
+
+"'I am really going.'
+
+"She could not hide her agitation. Her white face betrayed her. Then
+I was glad, wickedly glad, in my heart,--and vain enough to be
+gratified that others should behold and know I held a power over
+her. Well,--but I suffered for that folly.
+
+"'I feel hurt,' she said, after a little while, 'because you have not
+told me this. You have no sister,' (this was spoken very quietly,)
+'and it would have been a privilege for me to take a sister's place,
+and do for you those little things which sisters do for brothers who
+are going on long journeys.'
+
+"I was choked;--it was a minute before I could speak. Then I said that
+I saw no reason why she should tax her time or thoughts to do anything
+for me.
+
+"'Oh, you know,' she said, 'you have been kind to me,--so much kinder
+than I have deserved!'
+
+"It was unendurable,--the pathos of the words! I was blinded,
+stifled,--I almost groaned aloud. If we had been alone, there our
+trial would have ended. I should have snatched her to my soul. But
+the eyes of others were upon us, and I steeled myself.
+
+"'Besides,' I said, 'I know of nothing that you can do for me.'
+
+"'There must be many little things;--to begin with, there is your
+glove, which you are tearing to pieces.'
+
+"True, I was tearing my glove,--she was calm enough to observe it!
+That made me angry.
+
+"'Give it to me; I will mend it for you. Haven't you other gloves that
+need mending?'
+
+"I, who had triumphed, was humbled.
+
+"My heart was breaking,--and she talked of mending gloves! I did not
+omit to thank her. I coldly arose to go.
+
+"Well, I felt now that it was all over. The next day I secured my
+passage in the steamer in which my friends were to sail. I took pains
+that Margaret should hear of that, too. Then came the preparations for
+travel,--arranging affairs, writing letters, providing myself with a
+compact and comfortable outfit. Europe was in prospect,--Paris,
+Switzerland, Italy, lands to which my dreams had long since gone
+before me, and to which I now turned my eyes with reawakening
+aspirations. A new glory arose upon my life, in the light of which
+Margaret became a fading star. It was so much easier than I had
+thought, to give her up, to part from her! I found that I could forget
+her, in the excitement of a fresh and novel experience; while
+she--could she forget me? When lovers part, happy is he who goes! alas
+for the one that is left behind!
+
+"One day, when I was busy with the books which I was to take with me,
+a small package was handed in. I need not tell you that I experienced
+a thrill, when I saw Margaret's handwriting upon the wrapper. I tore
+it open,--and what think you I found? My glove! Nothing else. I
+smiled bitterly, to see how neatly she had mended it; then I sighed;
+then I said, 'It is finished!' and tossed the glove disdainfully into
+my trunk.
+
+"On the day before that fixed for the sailing of the steamer, I made
+farewell calls upon many of my friends,--among others, upon
+Margaret. But, through the perversity of pride and will, I did not go
+alone,--I took with me Joseph, a mutual acquaintance, who was to be my
+_compagnon de voyage_. I felt some misgivings, to see how
+Margaret had changed; she was so softened, and so pale!
+
+"The interview was a painful one, and I cut it short. As we were going
+out, she gently detained me, and said,--
+
+"'Did you receive--your glove?'
+
+"'Oh, yes,' I said, and thanked her for mending it.
+
+"'And is this all--all you have to say?' she asked.
+
+"'I have nothing more to say--except good-bye.'
+
+"She held my hand. 'Nothing else?'
+
+"'No,--it is useless to talk of the past, Margaret; and the
+future--may you be happy!--Good-bye!'
+
+"I thought she would speak; I could not believe she would let me go;
+but she did! I bore up well, until night. Then came a revulsion. I
+walked three times past the house, wofully tempted, my love and my
+will at cruel warfare; but I did not go in. At midnight I saw the
+light in her room extinguished; I knew she had retired, but whether to
+sleep, or weep, or pray--how could I tell? I went home. I did not
+close my eyes that night. I was glad to see the morning come, after
+_such_ a night!
+
+"The steamer was to sail at ten. The bustle of embarkation; strange
+scenes and strange faces; parting from friends; the ringing of the
+bell; last adieus,--some, who were to go with us, hurrying aboard,
+others, who were to stay behind, as hastily going ashore; the
+withdrawal of the plank,--sad sight to many eyes! casting off the
+lines, the steamer swinging heavily around, the rushing, irregular
+motion of the great, slow paddles; the waving of handkerchiefs from
+the decks, and the responsive signals from the crowd lining the wharf;
+off at last,--the faces of friends, the crowd, the piers, and, lastly,
+the city itself, fading from sight; the dash of spray, the freshening
+breeze, the novel sight of our little world detaching itself and
+floating away; the feeling that America was past, and Europe was
+next;--all this filled my mind with animation and excitement, which
+shut out thoughts of Margaret. Could I have looked with clairvoyant
+vision, and beheld her then, locked in her chamber, should I have been
+so happy? Oh, what fools vanity and pride make of us! Even then, with
+my heart high-strung with hope and courage, had I known the truth, I
+should have abandoned my friends, the voyage, and Europe, and returned
+in the pilot's boat, to find something more precious than all the
+continents and countries of the globe, in the love of that heart which
+I was carelessly flinging away."
+
+Here Westwood took breath. The sun was now almost set. The prairie was
+still and cool; the heavy dews were beginning to fall; the shadows of
+the green and flowered undulations filled the hollows, like a rising
+tide; the headland, seen at first so far and small, was growing
+gradually large and near; and the horses moved at a quicker
+pace. Westwood lighted his cigar, drew a few whiffs, and proceeded.
+
+"We had a voyage of eleven days. But to me an immense amount of
+experience was crowded into that brief period. The fine exhilaration
+of the start,--the breeze gradually increasing to a gale; then
+horrible sea-sickness, home-sickness, love-sickness; after which, the
+weather which sailors love, games, gayety, and flirtation. There is no
+such social freedom to be enjoyed anywhere as on board an ocean
+steamer. The breaking-up of old associations, the opening of a fresh
+existence, the necessity of new relationships,--this fuses the crust
+of conventionality, quickens the springs of life, and renders
+character sympathetic and fluent. The past is easily put away; we
+become plastic to new influences; we are delighted at the discovery of
+unexpected affinities, and astonished to find in ourselves so much
+wit, eloquence, and fine susceptibility, which we did not before dream
+we possessed.
+
+"This freedom is especially provocative of flirtation. We see each
+fair brow touched with a halo whose colors are the reflection of our
+own beautiful dreams. Loveliness is ten-fold more lovely, bathed in
+this atmosphere of romance; and manhood is invested with ideal
+graces. The love within us rushes, with swift, sweet heart-beats, to
+meet the love responsive in some other. Don't think I am now artfully
+preparing your mind to excuse what I am about to confess. Take these
+things into consideration, if you will; then think as you please of
+the weakness and wild impulse with which I fell in love with----
+
+"We will call her Flora. The most superb, captivating creature that
+ever ensnared the hearts of the sons of Adam. A fine olive
+complexion; magnificent dark auburn hair; eyes full of fire and
+softness; lips that could pout or smile with incomparable fascination;
+a figure of surprising symmetry, just voluptuous enough. But, after
+all, her great power lay in her freedom from all affectation and
+conventionality,--in her spontaneity, her free, sparkling, and
+vivacious manners. She was the most daring and dazzling of women,
+without ever appearing immodest or repulsive. She walked with such
+proud, secure steps over the commonly accepted barriers of social
+intercourse, that even those who blamed her and pretended to be
+shocked were compelled to admire. She was the belle, the Juno, of the
+saloon, the supreme ornament of the upper deck. Just twenty,--not
+without wit and culture,--full of poetry and enthusiasm. Do you blame
+me?"
+
+"Not a whit," I said; "but for Margaret"----
+
+"Ah, Margaret!" said Westwood, with a sigh. "But, you see, I had given
+her up. And when one love is lost, there sink such awful chasms into
+the soul, that, though they cannot be filled, we must at least bridge
+them over with a new affection. The number of marriages built in this
+way, upon false foundations of hollowness and despair, is
+incomputable. We talk of jilted lovers and disappointed girls
+marrying 'out of spite.' No doubt, such petty feeling hurries forward
+many premature matches. But it is the heart, left shaken, unsupported,
+wretchedly sinking, which reaches out its feelers for sympathy,
+catches at the first penetrable point, and clings like a helpless vine
+to the sunny-sided wall of the nearest consolation. If you wish to
+marry a girl and can't, and are weak enough to desire her still, this
+is what you should do: get some capable man to jilt her. Then seize
+your chance. All the affections which have gone out to him, unmet,
+ready to droop, quivering with the painful, hungry instinct to grasp
+some object, may possibly lay hold of you. Let the world sneer; but
+God pity such natures, which lack the faith and fortitude to live and
+die true to their best love!
+
+"Out of my own mouth do I condemn myself? Very well, I condemn myself;
+_peccavi_! I If I had ever loved Margaret, then I did not love
+Flora. The same heart cannot find its counterpart indifferently in two
+such opposites. What charmed me in one was her purity, softness, and
+depth of soul. What fascinated me in the other was her bloom, beauty,
+and passion. Which was the true sympathy?
+
+"I did not stop to ask that question when it was most important that
+it should be seriously considered. I rushed into the crowd of
+competitors for Flora's smiles, and distanced them all. I was pleased
+and proud that she took no pains to conceal her preference for me. We
+played chess; we read poetry out of the same book; we ate at the same
+table; we sat and watched the sea together, for hours, in those clear,
+bright days; we promenaded the deck at sunset, her hand upon my arm,
+her lips forever turning up tenderly towards me, her eyes pouring
+their passion into me. Then those glorious nights, when the ocean was
+a vast, wild, fluctuating stream, flashing and sparkling about the
+ship, spanned with a quivering bridge of splendor on one side, and
+rolling off into awful darkness and mystery, on the other; when the
+moon seemed swinging among the shrouds like a ball of white fire; when
+the few ships went by like silent ghosts; and Flora and I, in a long
+trance of happiness, kept the deck, heedless of the throng of
+promenaders, forgetful of the past, reckless of the future, aware only
+of our own romance, and the richness of the present hour.
+
+"Joseph, my travelling-companion, looked on, and wrote letters. He
+showed me one of these, addressed to a friend of Margaret's. In it he
+extolled Flora's beauty, piquancy, and supremacy; related how she made
+all the women jealous and all the men mad; and hinted at my triumph. I
+knew that that letter would meet Margaret's eyes, and was vain enough
+to be pleased.
+
+"At last, one morning, at daybreak, I went on deck, and saw the shores
+of England. Only a few days before, we had left America behind us,
+brown and leafless, just emerging from the long gloom of winter; and
+now the slopes of another world arose green and inviting in the flush
+of spring. There was a bracing breeze; the dingy waters of the Mersey
+rolled up in wreaths of beauty; the fleets of ships, steamers, sloops,
+lighters, pilot-boats, bounding over the waves, meeting, tacking,
+plunging, swaying gracefully under the full-swelling canvas, presented
+a picture of wonderful animation; and the mingling hues of sunshine
+and mist hung over all. I paced the deck, solemnly joyful, swift
+thoughts pulsing through me of a dim far-off Margaret, of a near
+radiant Flora, of hope and happiness superior to fate. It was one of
+those times when the excited soul transfigures the world, and we
+marvel how we could ever succumb to a transient sorrow while the whole
+universe blooms, and an infinite future waits to open for us its doors
+of wonder and joy.
+
+"In this state of mind I was joined by Flora. She laid her hand on my
+arm, and we walked up and down together. She was serious, almost sad,
+and she viewed the English hills with a pensiveness which became her
+better than mirth.
+
+"'So,' she sighed, 'all our little romances come to an end!'
+
+"'Not so,' I said; 'or if one romance ends, it is to give place to
+another, still truer and sweeter. Our lives may be all a succession of
+romances, if we will make them so. I think now I will never doubt the
+future; for I find, that, when I have given up my dearest hopes, my
+best-beloved friends, and accepted the gloomy belief that all life
+besides is barren,--then comes some new experience, filling my empty
+cup with a still more delicious wine.'
+
+"'Don't vex me with your philosophy!' said Flora. 'I don't know
+anything about it. All I know is this present,--this sky, this earth,
+this sea, and the joy between, which I can't give up quite so easily
+as you can, with your beautiful theory, that something better awaits
+you.'
+
+"'I have told you,' I replied,--for I had been quite frank with
+her,--'how I left America,--what a blank life was to me then; and did
+I not turn my back upon all that to meet face to face the greatest
+happiness which I have ever yet known? Ought not this to give me faith
+in the divinity that shapes our ends?'
+
+"'And so,' she answered, 'when I have lost you, I shall have the
+satisfaction of thinking that you are enjoying some still more
+exquisite consolation for the slight pangs you may have felt at
+parting from me! Your philosophy will make it easy for you to say,
+"Good-bye! it was a pretty romance; I go to find prettier ones
+still"; and then forget me altogether!'
+
+"'And you,' I said, 'will that be easy for you?'
+
+"'Yes,' she cried, with spirit,--'anything is easy to a proud,
+impetuous woman, who finds that the brief romance of a ten-days'
+acquaintance has already become tiresome to the second party. I am
+glad I have enjoyed what I have; that is so much gain, of which you
+cannot rob me; and now I can say good-bye as coolly as you, or I can
+die of shame, or I can at once walk over this single rail into the
+water, and quench this little candle, and so an end!'
+
+"She sprang upon a bench, and, I swear to you, I thought she was going
+down! I was so exalted by this passionate demonstration, that I should
+certainly have gone over with her, and felt perfectly content to die
+in her arms,--at least, until I began to realize what a very
+disagreeable bath we had chosen to drown in.
+
+"I drew her away; I walked up and down with that superb creature
+panting and palpitating almost upon my heart; I poured into her ear I
+know not what extravagant vows; and before the slow-handed sailors had
+fastened their cable to the buoy in the channel, we had knotted a more
+subtile and difficult noose, not to be so easily undone!
+
+"Now see what strange, variable fools we are! Months of tender
+intercourse had failed to bring about anything like a positive
+engagement between Margaret and myself; and here behold me irrevocably
+pledged to Flora, after a brief ten-days' acquaintance!
+
+"Six mortal hours were exhausted in making the steamer fast,--in
+sending off her Majesty's mails, of which the cockney speaks with a
+tone of reverence altogether disgusting to us free-minded
+Yankees,--and in entertaining the custom-house inspectors, who paid a
+long and tedious visit to the saloon and our luggage. Then we were
+suffered to land, and enter the noisy, solid streets of Liverpool,
+amid the donkeys and beggars and quaint scenes which strike the
+American so oddly upon a first visit. All this delay, the weariness
+and impatience, the contrast between the morning and the hard, grim
+reality of mid-day, brought me down from my elevation. I felt alarmed
+to think of what had passed. I seemed to have been doing some wild,
+unadvised act in a fit of intoxication. Margaret came up before me,
+sad, silent, reproachful; and as I gazed upon Flora's bedimmed face, I
+wondered how I had been so charmed.
+
+"We took the first train for London, where we arrived at midnight. Two
+weeks in that vast Babel,--then, ho! for Paris! Twelve hours by rail
+and steamer carried us out of John Bull's dominions into the brilliant
+metropolis of his French neighbor. Joseph accompanied us, and wrote
+letters home, filled with gossip which I knew, or hoped, would make
+Margaret writhe. I had not found it so easy to forget her as I had
+supposed it would be. Flora's power over me was sovereign; but when I
+was weary of the dazzle and whirl of the life she led me,--when I
+looked into the depths of my heart, and saw what the thin film of
+passion and pleasure concealed,--in those serious moments which
+would come, and my soul put stern questions to me,--then,
+Sir,--then--Margaret had her revenge.
+
+"A month, crowded and glittering with novelty and incident, preceded
+our departure for Switzerland. I accompanied Flora's party; Joseph
+remained behind. We left Paris about the middle of June, and returned
+in September. I have no words to speak of that era in my life. I saw,
+enjoyed, suffered, learned so much! Flora was always glad,
+magnificent, irresistible. But, as I knew her longer, my moments of
+misgiving became more frequent and profound. If I had aspired to
+nothing higher than a life of sensuous delights, she would have been
+all I could wish. But----
+
+"We were to spend the winter in Italy. Meanwhile, we had another month
+in Paris. Here I had found Joseph again, who troubled me a good deal
+with certain rumors he had received concerning Margaret. According to
+these, she had been in feeble health ever since we left, and her
+increasing delicacy was beginning to alarm her friends. 'But,' added
+another of Joseph's correspondents, 'don't let Westwood flatter
+himself that he is the cause, for she is cured of him; and there is
+talk of an engagement between her and a handsome young clergyman, who
+is both eloquent and fascinating.'
+
+"This bit of gossip made me very bitter and angry. 'Forget me so
+soon?' I said; 'and receive the attentions of another man?' You see
+how consistent I was, to condemn her for the very fault I had myself
+been so eager to commit!
+
+"Well, the round of rides, excursions, soirées, visits to the operas
+and theatres, walks on the Boulevards, and in the galleries of the
+Louvre, ended at last. The evening before we were to set out for the
+South of France, I was at my lodgings, unpacking and repacking the
+luggage which I had left in Joseph's care during my absence among the
+Alps; I was melancholy, dissatisfied with the dissipations which had
+exhausted my time and energies, and thinking of Margaret. I had not
+preserved a single memento of her; and now I wished I had one,--if
+only a withered leaf, or a line of her writing. In this mood, I
+chanced to cast my eye upon a stray glove, in the bottom of my
+trunk. I snatched at it eagerly, and, in the impulse of the
+moment,--before I reflected that I was wronging Flora,--pressed it to
+my lips. Yes, I found the place where it had been mended, the spot
+Margaret's fingers had touched, and gave it a kiss for every
+stitch. Then, incensed at myself, I flung it from me, and hurried from
+the room. I walked towards the Place de la Concorde, where the
+brilliant lamps burned like a constellation. I strolled through the
+Elysian Fields, and watched the lights of the carriages swarming like
+fire-flies up the long avenue; stopped by the concert gardens, and
+listened to the glorified girls singing under rosy and golden
+pavilions the last songs of the season; wandered about the
+fountains,--by the gardens of the Tuileries, where the trees stood so
+shadowy and still, and the statues gleamed so pale,--along the quays
+of the Seine, where the waves rolled so dark below,--trying to settle
+my thoughts, to master myself, to put Margaret from me.
+
+"Weary at length, I returned to my chamber, seated myself composedly,
+and looked down at the glove which lay where I had thrown it, upon the
+polished floor. Mechanically I stooped and took up a bit of folded
+paper. It was written upon,--I unrolled it, and read. It was as if I
+had opened the record of doom! Had the apparition of Margaret herself
+risen suddenly before me, I could not have been more astounded. It was
+a note from her,--and such a note!--full of love, suffering, and
+humility,--poured out of a heart so deep and tender and true, that the
+shallowness of my own seemed utterly contemptible, in comparison with
+it. I cannot tell you what was written, but it was more than even my
+most cruel and exacting pride could have asked. It was what would once
+have made me wild with joy,--now it almost maddened me with
+despair. I, who had often talked fine philosophy to others, had not a
+grain of that article left to physic my own malady. But one course
+seemed plain before me, and that was, to go quietly and drown myself
+in the Seine, which I had seen flowing so swift and dark under the
+bridges, an hour ago, when I stood and mused upon the tragical corpses
+its solemn flood had swallowed.
+
+"I am a little given to superstition, and the mystery of the note
+excited me. I have no doubt but there was some subtile connection
+between it and the near presence of Margaret's spirit, of which I had
+that night been conscious. But the note had reached me by no
+supernatural method, as I was at first half inclined to believe. It
+was, probably, the touch, the atmosphere, the ineffably fine influence
+which surrounded it, which had penetrated my unconscious perceptions,
+and brought her near. The paper, the glove, were full of
+Margaret,--full of something besides what we vaguely call mental
+associations,--full of emanations of the very love and suffering which
+she had breathed into the writing.
+
+"How the note came there upon the floor was a riddle which I was too
+much bewildered to explain by any natural means. Joseph, who burst in
+upon me, in my extremity of pain and difficulty, solved it at once. It
+had fallen out of the glove, where it had lain folded, silent,
+unnoticed, during all this intervening period of folly and vexation of
+soul. Margaret had done her duty, in time; I had only myself to blame
+for the tangle in which I now found myself. I was thinking of Flora,
+upon the deck of the steamship, when, in a moment of chagrin, she had
+been so near throwing herself over; wondering to what fate her passion
+and impetuosity would hurry her now, if she knew; cursing myself for
+my weakness and perfidy; while Joseph kept asking me what I intended
+to do.
+
+"'Do? do?' I said, furiously,--'I shall kill you, that is what I shall
+do, if you drive me mad with questions which neither angels nor fiends
+can answer!'
+
+"'I know what you will do,' said Joseph; 'you will go home and marry
+Margaret.'
+
+"You can have no conception of the effect of these words,--_Go home
+and marry Margaret_. I shook as I have seen men shake with the
+ague. All that might have been,--what might be still,--the happiness
+cast away, and perhaps yet within my reach,--the temptation of the
+Devil, who appealed to my cowardice, to fly from Flora, break my vows,
+risk my honor and her life, for Margaret,--all this rushed through me
+tumultuously. At length I said,--
+
+"'No, Joseph; I shall do no such thing. I can never be worthy of
+Margaret; it will be only by fasting and prayer that I can make myself
+worthy of Flora.'
+
+"'Will you start for Italy in the morning?' he asked, pitilessly.
+
+"'For Italy in the morning?' I groaned. Meet Flora, travel with her,
+play the hypocrite, with smiles on my lips and hell in my heart,--or
+thunderstrike her at once with the truth;--what was I to do? To some
+men the question would, perhaps, have presented few difficulties. But
+for me, Sir, who am not quite devoid of conscience, whatever you may
+think,--let me tell you, I'd rather hang by sharp hooks over a
+roasting fire than be again suspended as I was betwixt two such
+alternatives, and feel the torture of both!
+
+"Having driven Joseph away, I locked myself into my room, and suffered
+the torments of the damned in as quiet a manner as possible, until
+morning. Then Joseph returned, and looked at me with dismay.
+
+"'For Heaven's sake!' he said, 'you ought not to let this thing kill
+you,--and it will, if you keep on.'
+
+"'So much the better,' I said, 'if it kills nobody but me. But don't
+be alarmed. Keep perfectly cool, and attend to the commission I am
+going to trust to you. I can't see Flora this morning; I must gain a
+little time. Go to the station of the Lyons railway, where I have
+engaged to meet her party; say to her that I am detained, but that I
+will join her on the journey. Give her no time to question you, and be
+sure that she does not stay behind.'
+
+"'I'll manage it,--trust me!' said Joseph. And off he started. At the
+end of two hours, which seemed twenty, he burst into my room,
+crying,--
+
+"'Good news! she is gone! I told her you had lost your passport, and
+would have to get another from our minister.'
+
+"'What!' I exclaimed, 'you lied to her?'
+
+"'Oh! there was no other way!' said Joseph, ingenuously,--'she is so
+sharp! They're to wait for you at Marseilles. But I'll manage that,
+too. On their arrival at the Hotel d'Orient, they'll find a
+telegraphic dispatch from me. I wager a hat, they'll leave in the
+first steamer for Naples. Then you can follow at your leisure.'
+
+"'Thank you, Joseph.'
+
+"I felt relieved. Then came a reaction. The next day I was attacked
+by fever. I know not how long I struggled against it, but it mastered
+me. The last things I remember were the visits of friends, the strange
+talk of a French physician, whispers and consultations, which I knew
+were about me, yet took no interest in,--and at length Joseph rushing
+to my bedside, in a flutter of agitation, and gasping,--
+
+"'Flora!'
+
+"'What of Flora?' I demanded.
+
+"'I telegraphed, but she wouldn't go; she has come back; she is here!'
+
+"I was sinking back into the stupor from which I had been roused, when
+I heard a rustling which seemed afar off, yet was in my chamber; then
+a vision appeared to my sickened sight,--a face which I dimly thought
+I had seen before,--a flood of curls and a rain of kisses showering
+upon me,--sobs and devouring caresses,--Flora's voice calling me
+passionate names; and I lying so passive, faintly struggling to
+remember, until my soul sank whirling in darkness, and I knew no more.
+
+"One morning, I cannot tell you how long after, I awoke and found
+myself in a strange-looking room, filled with strange objects, not the
+least strange of which was the thing that seemed myself. At first I
+looked with vague and motionless curiosity out of the Lethe from which
+my mind slowly emerged; painless, and at peace; listlessly questioning
+whether I was alive or dead,--whether the limp weight lying in bed
+there was my body,--the meaning of the silence and the closed
+curtains. Then, with a succession of painful flashes, as if the pole
+of an electrical battery had been applied to my brain, memory
+returned,--Margaret, Flora, Paris, delirium. I next remember hearing
+myself groan aloud,--then seeing Joseph at my side. I tried to speak,
+but could not. Upon my pillow was a glove, and he placed it against my
+cheek. An indescribable, excruciating thrill shot through me; still I
+could not speak. After that, came a relapse. Like Mrs. Browning's
+poet, I lay
+
+
+ ''Twixt gloom and gleam,
+ With Death and Life at each extreme.'
+
+
+"But one morning I was better. I could talk. Joseph bent over me,
+weeping for joy.
+
+"'The danger is past!' he said. 'The doctors say you will get well!'
+
+"'Have I been so ill, then?'
+
+"'Ill?' echoed Joseph. 'Nobody thought you could live. We all gave you
+up, except her;--and she'----
+
+"'She!' I said,--'is she here?'
+
+"'From the moment of her arrival,' replied Joseph, 'she has never left
+you. Oh, if you don't thank God for her,'--he lowered his
+voice,--'and live all the rest of your life just to reward her, you
+are the most ungrateful wretch! You would certainly have died but for
+her. She has scarcely slept, till this morning, when they said you
+would recover.'
+
+"Joseph paused. Every word he spoke went down like a weight of lead
+into my soul. I had, indeed, been conscious of a tender hand soothing
+my pillow, of a lovely form flitting through my dreams, of a breath
+and magnetic touch of love infusing warm, sweet life into me,--but it
+had always seemed Margaret, never Flora.
+
+"'The glove?' I asked.
+
+"'Here it is,' said Joseph. 'In your delirium you demanded it; you
+would not be without it; you caressed it, and addressed to it the
+tenderest apostrophes.'
+
+"'And Flora,--she heard?'
+
+"'Flora?' repeated Joseph. 'Don't you know--haven't you any idea--what
+has happened? It has been terrible!'
+
+"'Tell me at once!' I said. 'Keep nothing back!'
+
+"'Immediately on her return from Marseilles,--you remember that?'
+
+"'Yes, yes! go on!'
+
+"'She established herself here. Nobody could come between her and you;
+and a brave, true girl she proved herself. Oh, but she was wild about
+you! She offered the doctors extravagant sums--she would have bribed
+Heaven itself, if she could--not to let you die. But there came a
+time,--one night, when you were raving about Margaret,--I tell
+you, it was terrible! She would have the truth, and so I told
+her,--everything, from the beginning. It makes me shudder now to think
+of it,--it struck her so like death!'
+
+"'What did she say?--what did she do?'
+
+"'She didn't say much,--"Oh, my God! my God!"--something like that.
+The next morning she showed me a letter which she had written to
+Margaret.'
+
+"'To Margaret?' I started up, but fell back again, helpless, with a
+groan.
+
+"'Yes,' said Joseph,--'and it was a letter worthy of the noblest
+woman. I wrote another, for I thought Margaret ought to know
+everything. It might save her life, and yours, too. In the mean time,
+I had got worse news from her still,--that her health continued to
+decline, and that her physician saw no hope for her except in a voyage
+to Italy. But that she resolutely refused to undertake, until she got
+those letters. You know the rest.'
+
+"'The rest?' I said, as a horrible suspicion flashed upon me. 'You
+told me something terrible had happened.'
+
+"'Yes,--to Flora. But you have heard the worst. She is gone; she is by
+this time in Rome.'
+
+"'Flora gone? But you said she was here.'
+
+"'_She?_ So _she_ is! But did you think I meant Flora? I
+supposed you knew. Not Flora,--but Margaret! Margaret!'
+
+"I shrieked out, 'Margaret?' That's the last I remember,--at least,
+the last I can tell. She was there,--I was in her arms;--she had
+crossed the sea, not to save her own life, but mine. And Flora had
+gone, and my dreams were true; and the breath and magnetic touch of
+love, which infused warm, sweet life into me, and seemed not Flora's,
+but Margaret's, were no illusion, and----what more can I tell?
+
+"From the moment of receiving those letters, Margaret's energies were
+roused, and she had begun to regain her health. There is no such
+potent medicine as hope and love. It had saved her, and it saved
+me. My recovery was sure and speedy. The happiness which had seemed
+too great, too dear to be ever possible, was now mine. She was with me
+again, all my own! Only the convalescent, who feels the glow of love
+quicken the pure pulses of returning health, knows what perfect bliss
+is.
+
+"As soon as I was strong enough to travel, we set out for Italy, the
+faithful Joseph accompanying us. We enjoyed Florence, its palaces and
+galleries of art, the quaint old churches, about which the religious
+sentiment of ages seems to hang like an atmosphere, the morning and
+evening clamor of musical bells, the Arno, and the olive-crowned
+Tuscan hills,--all so delightful to the senses and the soul. After
+Florence, Naples, with its beautiful, dangerous, volcanic environs,
+where the ancients aptly located their heaven and hell, and where a
+luxurious, passionate people absorbs into its blood the spirit of the
+soil, and the fire and languor of the clime. From Naples to Rome,
+where we saw St Peter's, that bubble on the surface of the globe,
+which the next earthquake may burst, the Vatican, with its marvels of
+statuary, the ruined temples of the old gods and heroes, the Campagna,
+the Pope, and--Flora. We had but a glimpse of her. It was one night,
+at the Colosseum. We had been musing about that vast and solemn pile
+by the moonlight, which silvered it over with indescribable beauty,
+and at last, accompanied by our guides, bearing torches, we ascended
+through dark and broken passages to the upper benches of the
+amphitheatre. As we were passing along one side, we saw picturesquely
+moving through the shadows of the opposite walls, with the immense
+arena between, the red-flaring torches and half-illuminated figures of
+another party of visitors. I don't know whether it was instinct, or
+acuteness of vision, that suggested Flora; but, with a sudden leap of
+the heart, I felt that she was there. We descended, and passed out
+under the dark arches of the stupendous ruin. The other visitors
+walked a little in advance of us,--two of the number lingering behind
+their companions; and certain words of tenderness and passion we
+heard, which strangely brought to my mind those nights on the
+ocean-steamer.
+
+"'What is the matter with you?' said Margaret, looking in my face.
+
+"'Hush!' I whispered,--'there--that woman--is Flora!'
+
+"She clung to me,--I drew her closer, as we paused; and the happy
+couple went on, over the ancient Forum, by the silent columns of the
+ruined temples, and disappeared from sight upon the summit of the
+Capitoline Hill.
+
+"A few months later, we heard of the marriage of Flora to an English
+baronet; she is now _my Lady_, and I must do her the justice to
+say that I never knew a woman better fitted to bear that title. As
+for Margaret,--if you will return with me to my home on the Hudson,
+after we have finished our hunt after those Western lands, you shall
+see her, together with the loveliest pair of children that ever made
+two proud parents happy.
+
+"And here," added Westwood, "we have arrived at the end of our day's
+journey; we have had the Romance of the Glove, and now--let's have
+some supper."
+
+
+
+
+TO ----.
+
+
+ON RECEIVING HIS "FEW VERSES FOR A FEW FRIENDS."
+
+
+"(PRINTED, NOT PUBLISHED.)"
+
+
+ Well thought! Who would not rather hear
+ The songs to Love and Friendship sung,
+ Than those which move the stranger's tongue
+ And feed his unselected ear?
+
+ Our social joys are more than fame;
+ Life withers in the public look:
+ Why mount the pillory of a book,
+ Or barter comfort for a name?
+
+ Who in a house of glass would dwell,
+ With curious eyes at every pane?
+ To ring him in and out again
+ Who wants the public crier's bell?
+
+ To see the angel in one's way,
+ Who wants to play the ass's part,
+ Bear on his back the wizard Art,
+ And in his service speak or bray?
+
+ And who his manly locks would shave
+ And quench the eyes of common sense,
+ To share the noisy recompense
+ That mocked the shorn and blinded slave?
+
+ The heart has needs beyond the head,
+ And, starving in the plenitude
+ Of strange gifts, craves its common food,
+ Our human nature's daily bread.
+
+ We are but men: no gods are we
+ To sit in mid-heaven, cold and bleak,
+ Each separate, on his painful peak,
+ Thin-cloaked in self-complacency!
+
+ Better his lot whose axe is swung
+ In Wartburg woods, or that poor girl's
+ Who by the Ilm her spindle whirls
+ And sings the songs that Luther sung,
+
+ Than his, who, old and cold and vain,
+ At Weimar sat, a demigod,
+ And bowed with Jove's imperial nod
+ His votaries in and out again!
+
+ Ply, Vanity, thy wingèd feet!
+ Ambition, hew thy rocky stair!
+ Who envies him who feeds on air
+ The icy splendors of his seat?
+
+ I see your Alps above me cut
+ The dark, cold sky,--and dim and lone
+ I see ye sitting, stone on stone,
+ With human senses dulled and shut.
+
+ I could not reach you, if I would,
+ Nor sit among your cloudy shapes;
+ And (spare the fable of the Grapes
+ And Fox) I would not, if I could.
+
+ Keep to your lofty pedestals!
+ The safer plain below I choose:
+ Who never wins can rarely lose,
+ Who never climbs as rarely falls.
+
+ Let such as love the eagle's scream
+ Divide with him his home of ice:
+ For me shall gentler notes suffice,--
+ The valley-song of bird and stream,
+
+ The pastoral bleat, the drone of bees,
+ The flail-beat chiming far away,
+ The cattle-low at shut of day,
+ The voice of God in leaf and breeze!
+
+ Then lend thy hand, my wiser friend,
+ And help me to the vales below,
+ (In truth, I have not far to go,)
+ Where sweet with flowers the fields extend.
+
+
+
+
+THE SINGING-BIRDS AND THEIR SONGS.
+
+
+Those persons enjoy the most happiness, if possessed of a benevolent
+heart and favored by ordinary circumstances of fortune, who have
+acquired by habit and education the power of deriving pleasure from
+objects that lie immediately around them. But these common sources of
+happiness are opened to those only who are endowed with genius, or who
+have received a certain kind of intellectual training. The more
+ordinary the mental and moral organization and culture of the
+individual, the more far-fetched and dear-bought must be his
+enjoyments. Nature has given us in full development only those
+appetites which are necessary to our physical well-being. She has
+left our moral appetites and capacities in the germ, to be developed
+by education and circumstances. Hence those agreeable sensations that
+come chiefly from the exercise of the imagination, which may be called
+the pleasures of sentiment, are available only to persons of a
+peculiar refinement of mind. The ignorant and rude may be dazzled and
+delighted by physical beauty, and charmed by loud and stirring sounds;
+but those more simple melodies and less attractive colors and forms
+that appeal to the mind for their principal effect act more powerfully
+upon individuals of superior culture.
+
+In proportion as we have been trained to be agreeably affected by the
+outward forms of Nature, and the sounds that proceed from the animate
+and inanimate world, are we capable of being made happy without
+resorting to expensive and vulgar recreations. It ought, therefore, to
+be one of the chief points in the education of youth, while teaching
+them the still more important offices of humanity, to cultivate and
+enliven their susceptibility to the charms of natural objects. Then
+would the aspects of Nature, continually changing with the progress of
+the seasons and the sounds that enliven their march, satisfy, in a
+great measure, that craving for agreeable sensations which leads
+mankind away from humble and healthful pursuits to those of a more
+artificial and exciting life. The value of such pleasures consists not
+so much in their cheapness as in their favorable moral influences,
+which improve the heart, while they lead the mind to observations that
+pleasantly exercise and develope, without tasking its powers. The
+quiet emotions, half musical and half poetical, which are awakened by
+listening to the songs of birds, belong to this class of refined
+enjoyments.
+
+But the music of birds, though agreeable to all, conveys positive and
+durable pleasure only to those who have learned to associate with
+their notes, in connection with the scenes of Nature, a thousand
+interesting and romantic images. To many persons of this character it
+affords more delight than the most brilliant music of the opera or the
+concert. In vain, therefore, will it be said, as an objection, that
+the notes of birds have no charm, save that which is derived from
+association, and that, considered as music, they do not equal that of
+the most simple reed or flageolet. It is sufficient to remark, that
+the most delightful influences of Nature proceed from those sights and
+sounds that appeal to the imagination and affections through the
+medium of slight and almost insensible impressions made upon the eye
+and the ear. At the moment when these physical impressions exceed a
+certain mean, the spell is broken, and the enjoyment becomes sensual,
+not intellectual. How soon, indeed, would the songs of birds lose
+their effect, if they were loud and brilliant, like a band of
+instruments! It is their simplicity that gives them their charm.
+
+As a further illustration of this point, it may be remarked that
+simple melodies have among all people exercised a greater power over
+the imagination than louder and more complicated music. Nature employs
+a very small amount of physical sensation to create an intellectual
+passion, and when an excess is used a diminished effect is produced. I
+am persuaded that the effect of a great part of our sacred music is
+lost by an excess of harmony and a too great volume of sound. On the
+same principle, a loud crash of thunder deafens and terrifies; but its
+low and distant rumbling produces an agreeable emotion of sublimity.
+
+The songs of birds are as intimately allied with poetry as with
+music. The lark has been aptly denominated a "feathered lyric" by one
+of the English poets; and the analogy becomes apparent when we
+consider how much the song of a bird resembles a lyrical ballad in its
+influence on the mind. Though it utters no words, how plainly it
+suggests a long train of agreeable images of love, beauty, friendship,
+and home! When a young person has suffered any severe wound of the
+affections, he seldom fails, if endowed with a sensitive mind, to
+listen to the birds as sharers in his affliction. Through them the
+deities of the groves seem to offer him their consolation. By
+indulging this habit of making companionship with the objects of
+Nature, all pleasing sights and sounds gradually become certain
+anodynes for his sorrow; and those who have this mental alembic for
+turning grief into a poetic melancholy can seldom be reduced to a
+state of absolute despondency. Poetry, or rather the poetic sentiment,
+exalts all our pleasures and soothes all our afflictions by some
+illusive charm, whether it be turned into the channel of religion or
+romance. Without this reflection of light from the imagination, what
+is the passion of love? and what is our love of beauty and of sweet
+sounds, but a mere gravitation?
+
+The voice of every singing-bird has its associations in the minds of
+all susceptible persons who were born and nurtured within the
+precincts of its untutored minstrelsy. The music of birds is
+modulated in pleasant unison with all the chords of affection and
+imagination, filling the soul with a lively consciousness of happiness
+and beauty, and soothing it with romantic visions of memory,--of love,
+when it was an ethereal sentiment of adoration and not a passion, and
+of friendship, when it was a passion and not an expedience,--of dear
+and simple adventures, and of comrades who had part in them,--of
+dappled mornings, and serene and glowing sunsets,--of sequestered
+nooks and mossy seats in the old wood,--of paths by the riverside, and
+flowers that smiled a bright welcome to our rambling,--of lingering
+departures from home, and of old by-ways, overshadowed by trees and
+hedged with roses and viburnums, that spread their shade and their
+perfume around our path to gladden our return. By this pleasant
+instrumentality has Nature provided for the happiness of those who
+have learned to be delighted with the survey of her works, and with
+the sound of those voices which she has appointed to communicate to
+the human soul the joys of her inferior creation.
+
+The singing-birds, with reference to their songs, may be divided into
+four classes. First, the Rapid Singers, whose song is uninterrupted,
+of considerable length, and uttered with fervor, and in apparent
+ecstasy. Second, the Moderate Singers, whose notes are slowly
+modulated, but without pauses or rests between their different
+strains. Third, the Interrupted Singers, who seldom modulate their
+notes with rapidity, and make decided pauses between their several
+strains, of which there are in general from five to eight or
+nine. Fourth, the Warblers, whose notes consist of only one or two
+strains, not combined into a song.
+
+The canary, among foreign birds, and the linnet and bobolink, among
+American birds, are familiar examples of the first class; the common
+robin and the veery of the second; the wood-thrush, the cat-bird, and
+the mocking-bird, of the third; and the blue-bird, the pewee, and the
+purple martin, of the fourth class. It may be added, that some birds
+are nearly periodical in their habits of singing, preferring the
+morning and evening, and occasional periods in other parts of the day,
+while others sing almost indifferently at all hours. The greater
+number of species, however, are more tuneful in the early morning than
+at any other hour.
+
+June, in this part of the world, is the most vocal month of the
+year. Many of our principal songsters do not arrive until near the
+middle of May; and all, whether they come early or late, continue in
+song throughout the month of June. The bobolink, which is one of the
+first to become silent, continues vocal until the second week in
+July. So nearly simultaneous is the discontinuance of the songs of
+this species, that it might seem as if their silence were
+preconcerted, and that by a vote they had, on a certain day, adjourned
+over to another year. If an unusually genial day occurs about the
+seventh of July, we may hear multitudes of them singing merrily on
+that occasion. Should this time be followed by two or three
+successive days of chilly and rainy weather, their tunefulness is so
+generally brought to a close during this period, that we may not hear
+another musical note from a single individual after the seventh. The
+songs of birds are discontinued as soon as their amorous dalliances
+and the care of their offspring have ceased. Hence those birds that
+raise but one brood of young during the season, like the bobolink, are
+the first to become silent.
+
+No one of the New England birds is an autumnal warbler; though the
+song-sparrow often greets the fine mornings in October with his lays,
+and the shore-lark, after spending the summer in Labrador and about
+the shores of Hudson's Bay, is sometimes heard in autumn, soaring and
+singing at the dawn of day, while on his passage to the South. The
+bobolink, the veery, or Wilson's thrush, the red thrush, and the
+golden robin, are silent after the middle of July; the wood-thrush,
+the cat-bird, and the common robin, not until a month later; but the
+song-sparrow alone continues to sing throughout the summer. The
+tuneful season of the year, in New England, embraces a period of about
+four months, from the middle of April to the middle of August.
+
+There are certain times of the day, as well as certain seasons of the
+year, when the birds are most musical. The grand concert of the
+feathered tribe takes place during the hour between dawn and sunrise.
+During the remainder of the day they sing less in concert, though many
+species are very musical at noonday, and seem, like the nocturnal
+birds, to prefer the hour when others are silent. At sunset there is an
+apparent attempt to unite once more in chorus, but this is far from
+being so loud or so general as in the morning. The little birds which
+I have classed in the fourth division are a very important
+accompaniment to the anthem of dawn, their notes, though short,
+serving agreeably to fill up the pauses made by the other
+musicians. Thus, the hair-bird (_Fringilla Socialis_) has a sharp
+and trilling note, without any modulation, and not at all melodious,
+when heard alone; but in the morning it is the chief harmonizer of the
+whole chorus, and serves, more than any other voice, to give unity and
+symphony to the multitude of miscellaneous parts.
+
+There are not many birds whose notes could be accurately described
+upon the gamut. The nearest approach we can make to accuracy is to
+give some general idea of their time and modulation. Their musical
+intervals can be distinguished but with difficulty, on account of the
+rapidity of their utterance. I have often attempted to transcribe some
+of their notes upon the musical scale, but I am persuaded that such
+sketches can be only approximations to literal correctness. As
+different individuals of the same species sing very differently, the
+notes, as transcribed from the song of one individual, will never
+exactly represent the song of another. If we listen attentively,
+however, to a number of songs, we shall detect in all of them a
+_theme_, as it is termed by musicians, of which the different
+individuals of the species warble their respective variations. Every
+song is, technically speaking, a _fantasia_ constructed upon this
+theme, from which none of the species ever departs.
+
+It is very generally believed that the singing-birds are confined to
+temperate latitudes, and that the tropical birds have not the gift of
+song. That this is an error is apparent from the testimony of
+travellers, who speak of the birds in the Sandwich Islands and New
+Zealand as singing delightfully, and some fine songsters are
+occasionally imported in cages from tropical climates. The origin of
+this notion may be explained in several ways. It is worthy of notice
+that within the tropics the singing season of different species of
+birds does not occur at the same time. One species may be musical in
+the spring, another in summer, and others in autumn and winter. When
+one species, therefore, has begun to sing, another has ceased, so
+that, at whatever time of the year the traveller stops, he hears but
+few birds engaged in song.
+
+In the temperate latitudes, on the contrary, as soon as the birds
+arrive, they commence building their nests, and become musical at the
+same time. If a stranger from a tropical climate should arrive in this
+country in the spring, and remain here during the months of May and
+June, he would hear more birds singing together than he ever heard at
+once in his own clime; but were he to arrive about the middle of July,
+when the greater number of our birds have discontinued their songs, he
+would probably, if he knew the reputation of the Northern birds,
+marvel a little at their silence. If there are as many birds singing
+at one time during the whole year, in the hot climates, as we hear in
+this country in the latter half of summer, the greater average would
+appear to be on the side of the former.
+
+It may also be remarked, that the singing-birds of the tropics are not
+so well known as those of temperate latitudes which are inhabited by
+civilized men. The savages and barbarians, who are the principal
+inhabitants of hot countries, are seldom observant of the habits or
+the voices of the singing-birds. A musician of the feathered race, as
+well as a harpist or violinist, must have an appreciating audience, or
+his powers can never be made known to the world. But even with the
+same audience, the tropical singing-birds would probably be less
+esteemed than songsters of equal merit in the temperate latitudes;
+for, amid the stridulous and deafening sounds made by the insects in
+warm climates, the notes of birds would be scarcely audible.
+
+We are still inclined to believe, however, that there is a larger
+proportion of musical birds in the temperate than in the torrid zone,
+because in the former region there are more of those species that
+build low and live among the grass and shrubbery, and it is well known
+that the singing-birds are mostly of the latter description. In warm
+climates the vegetation consists chiefly of trees and tall vines,
+forming together an umbrageous canopy overhead, with but a scanty
+undergrowth. In temperate latitudes the shrubbery predominates,
+especially in the most northerly parts. Moreover, the grasses that
+furnish by their seeds a great proportion of the food of the smaller
+birds are almost entirely wanting in the torrid zone.
+
+The birds that live in trees are remarkable for their brilliant
+plumage; those that live upon the ground and in the shrubbery are
+plainly dressed. This is a provision of Nature for their protection,
+as the ground-birds must have a predominance of tints that resemble
+the general hues of the surface of the earth. I do not know a single
+brightly-plumed bird that nestles upon the ground, unless the bobolink
+may be considered an exception. They are almost invariably colored
+like sparrows. The birds that inhabit the trees, on the other hand,
+need less of this protection, though the females are commonly of an
+olive or greenish yellow, which harmonizes with the general hue of the
+foliage, and screens them from observation, while sitting upon the
+nest. The male, on the contrary, who seldom sits upon the nest,
+requires a plumage that will render him conspicuous to the female and
+to the young, after they have left their nest. It is remarkable, that
+Nature, in all cases in which she has created a difference in the
+plumage of the male and female, has used the hues of their plumage
+only for the protection of the mother and the young, for whose
+advantage she has dressed the male parent in colors that must somewhat
+endanger his own safety.
+
+The color of the plumage of birds seems to bear less relation to their
+powers of song than to their habitats; and as the birds that live in
+trees are commonly less tuneful, they are more brilliantly arrayed.
+The bird employs his song in wooing his mate, as well as in
+entertaining her after she is wedded; and it is not unlikely that
+Nature may have compensated those which are deficient in song by
+giving them a superior beauty of plumage. As the offices of courtship
+devolve entirely upon the males, it is the more necessary that they
+should be possessed of conspicuous attractions; but as the task of
+sitting upon the nest devolves upon the female, she requires more of
+that protection which arises from the conformity of her plumage with
+the general hue of the objects that surround her nest. While she is
+sitting, the plain hues of her dress protect her from observation; but
+when she leaves her nest to seek her companion, she is enabled by his
+brilliant colors the more easily to discover him. The male is diligent
+in providing for the wants of the offspring, and hence it is important
+that his dress should render him conspicuous. When the young birds
+have left the nest, upon seeing the flash of his plumage, they
+immediately utter their call, and by this note, which might not
+otherwise be sounded at the right moment, he detects them and supplies
+them with food. Should a bird of prey suddenly come into their
+neighborhood, he overlooks the plainly-dressed mother and off-spring,
+and gives chase to the male parent, who not only escapes, but at the
+same time diverts the attention of the foe from his defenceless
+progeny.
+
+But the birds that build low, either upon the ground or among the
+shrubbery, are exposed to a greater number and variety of
+enemies. Hence it becomes necessary that the males as well as the
+females should have that protection which is afforded by sobriety of
+color. Not being made conspicuous by their plumage, they are endowed
+with the gift of song, that they may make known their presence to
+their mate and their young by their voice. I have often thought that
+the song of the bird was designed by Nature for the benefit of the
+young, no less than for the entertainment of his mate. The sounds
+uttered by birds on account of their young always precede the period
+of incubation. The common hen begins to cluck several days before she
+begins to sit upon her eggs. In like manner the male singing-bird
+commences his song when the pair are making ready to build their
+nest. While his mate is sitting, his song reminds her of his presence,
+and inspires her with a feeling of security and content, during the
+period of her confinement. As soon as the young are hatched, they
+begin to learn his voice and grow accustomed to it, and when they fly
+from the nest they are prevented by the sound of it from wandering and
+getting bewildered. If they happen to fly beyond certain bounds, the
+song of the male parent warns them of their distance, and causes them
+to turn and draw near the place from which it seems to issue. Thus the
+song of the male bird, always uttered within a certain circumference,
+of which the nest is the centre, becomes a kind of sentinel voice, to
+keep the young birds within prudent limits.
+
+It is not easy to explain why a larger proportion of the birds that
+occupy trees should be destitute of song, except on the supposition
+that in such elevated situations the young are more easily guided by
+sight than by hearing. Still there are many songsters which are
+dressed in brilliant plumage, and of these we have some examples among
+our native birds. These, however, are evident exceptions to the
+general fact, and we may trace a plain analogy in this respect between
+birds and insects. The musical insects are, we believe, invariably
+destitute of brilliant plumage. Butterflies and moths do not sing; the
+music of insects comes chiefly from the plainly-dressed locust and
+grasshopper tribes.
+
+
+
+
+OUR TALKS WITH UNCLE JOHN.
+
+
+TALK NUMBER ONE.
+
+We were happy children, Alice and I, when, on Alice's sixteenth
+birthday, we persuaded our father, the most indulgent parent in
+Cincinnati, that there was no need of our going to school any longer;
+not that our education was finished,--we did not even put up such a
+preposterous plea as that,--but because Mrs. C. did not intend to send
+Laura, and we did not believe any of our set of girls would go back
+after the holidays.
+
+There is no being so facile as an American father, especially where
+his daughters are concerned; and our dear father was no exception to
+the general rule. So our school education was finished. For the
+rest, for the real education of our minds and hearts, we took care of
+ourselves.
+
+How could it be otherwise? Our father, a leading merchant in
+Cincinnati, spent his days in his counting-room, and his evenings
+buried in his newspapers or in his business calculations, on the
+absorbing nature of which we had learned to build with such certainty,
+that, when his consent was necessary to some scheme of pleasure, we
+preferred our requests with such a nice adjustment of time, that the
+answer generally was, "January 3d,--two thousand bales,--yes, my
+dear,--and twelve are sixteen,--yes, Alice, don't bother me, child!"
+and, armed with that unconscious assent, we sought our mother.
+
+"Papa says that we may go. Do you think, mamma, that Miss D. can have
+our dresses in time?"
+
+Our dear mother, most faithful and indefatigable in her care for our
+bodily wants, what time had she for aught else? With feeble health,
+with poor servants, with a large house crowded with fine furniture,
+and with the claims of a numerous calling and party-giving
+acquaintance,--claims which both my father and herself imagined his
+business and her social position made imperative,--what could she do
+more than to see that our innumerable white skirts were properly
+tucked, embroidered, washed, and starched, that our party dresses were
+equal to those which Mrs. C. and Mrs. D. provided for their girls, and
+that our bonnets were fashionable enough for Fourth Street? Could she
+find time for anything more? Yes,--on our bodily ailments she always
+found time to bestow motherly care, watchfulness, and sympathy; of our
+mental ills she knew nothing.
+
+So we cared for ourselves, Alice and I, through those merry,
+thoughtless two years that followed,--merry (not happy) in our
+Fourth-Street promenades, our Saturday-afternoon assignations at the
+dancing-school rooms, our parties and picnics; and merry still, but
+thoughtless always, in our eager search for excitement in the novels,
+whose perusal was our only literary enjoyment.
+
+Somehow we woke up,--somehow we groped our way out of our
+frivolity. First came weariness, then impatience, and last a
+passing-away of all things old and a putting-on of things new.
+
+I remember well the day when Alice first spoke out her unrest. My
+pretty Alice! I see her now, as she flung herself across the foot of
+the bed, and, her chin on her hand, watched me combing and parting my
+hair. I see again those soft, dark brown eyes, so deep in their liquid
+beauty that you lost yourself gazing down into them; again I see
+falling around her that wealth of auburn hair of the true Titian
+color, the smooth, low forehead, and the ripe, red lips, whose
+mobility lent such varying expression to her face.
+
+At that moment the eyes drooped and the lips trembled with weariness.
+
+"Must we go to that tiresome party, Kate? We have been to three this
+week; they are all alike."
+
+I looked at her. "Are you in earnest? will you stay at home? I know I
+shall be tired to death; but what will Laura C. say? what will all
+the girls think?"
+
+Alice raised herself on her elbow. "Kate, I don't believe it is any
+matter what they think. Do we really care for any of them, except to
+wish them well? and we can wish them well without being with them all
+the time. Do you know, Kate, I have been tired to death of all this
+for these three months? It was very well at first, when we first left
+school; parties were pleasant enough then, but now"--and Alice sprang
+from the bed and seated herself in a low chair at my feet, as, glowing
+and eager, she went on, her face lighting with her rapid
+speech,--"Kate, I have thought it over and over again, this tiresome,
+useless life; it wears me out, and I mean to change it. You know we
+may do just as we please; neither papa nor mamma will care. I shall stay
+at home."
+
+"But what will people say?" I put in, feebly.
+
+Alice's eyes flashed. "You know, Kate, I don't care for 'people,' as
+you call them. I only know that I am utterly weary of this petty
+visiting and gossiping, this round of parties, concerts, and lectures,
+where we meet the same faces. There is no harm in it that I know of,
+but it is simply so stupid. If we met new people, it would be
+something; but the same girls, the same beaux."
+
+"And George W. and Henry B., what will they do for partners to-night?
+what will become of them?"
+
+Alice put up her lip. "They will console themselves with Laura C. and
+those Kentucky girls from Louisville. For my part, I shall put on my
+walking-dress, and go over the river to spend the evening with Uncle
+John, and, what is more, I shall ask mamma to let me stay two or three
+days." And, suiting the action to the word, she began to dress
+hurriedly.
+
+"You will surely never go without me, Alice?"
+
+"You will never stay behind, if I do go, Kate," said she, looking back
+at me laughingly. "But make haste, I shall gain mamma over in five
+minutes; and we must be quick, if we are to reach Uncle John's before
+tea-time."
+
+Uncle John,--even now that long years have passed, so long that it
+seems to me as if I had gone into another state of existence, as if I
+were not the same person as in those times,--even now the thought of
+him makes my heart beat quick and the blood thrill more rapidly
+through my veins. He was the delight of my childhood; far better, he
+was the comfort and support of my after years. Even as a child, I
+knew, knew by some intuitive perception, that Uncle John was not
+happy. How soon I learned that he was a disappointed man I cannot
+tell; but long before I grew up into womanhood I was conscious that he
+had made some mistake in life, that some cloud hung over him. I never
+asked, I never talked on the subject, even to Alice; there was always
+an understanding between us that we should be silent about that which
+each of us felt with all the certainty of knowledge.
+
+But if Uncle John was unhappy himself, who was there that he did not
+make happy? No one who came near him,--from his nieces whom he petted
+and spoiled, down to the little negroes who rolled, unrebuked, over
+the grass before his window in summer, or woke him on a Christmas
+morning with their shrill "Christmas gift, Massa John!" Not that Uncle
+John was a busybody, troubling himself about many things, and seeking
+out occasions for obtruding his kindnesses. He lived so secluded a
+life in the old family-house on the outskirts of Newport, (we were a
+Kentucky family,) as to raise the gossiping curiosity of all new
+residents, and to call forth the explanatory remark from the old
+settlers, that the Delanos were all queer people, but John Delano was
+the queerest of them all.
+
+So Uncle John spent his time between his library and his garden, while
+Old Aunt Molly took upon herself the cares of the household, and kept
+the pantry always in a condition to welcome the guests, to whom, with
+Kentucky hospitality, Uncle John's house was always open. Courteous he
+was as the finest gentleman of olden times, and sincerely glad to see
+his friends, but I have thought sometimes that he was equally glad to
+have them go away. While they were with him he gave them the truest
+welcome, leaving garden and books to devote himself to their
+entertainment; but I have detected a look of relief on his face as he
+shut the gate upon them and sought the shelter of his own little
+study, that sanctum which even we children were not allowed to enter
+except on special occasions, on a quiet winter evening, or, perhaps,
+on as quiet a summer morning.
+
+Uncle John had not always lived in the old house. We knew, that, after
+Grandpapa's death, it had been shut up,--for my father's business
+engagements would not allow my mother to reside in it, and Uncle John
+had been for years among the Indians in the far Northwest. We had
+heard of him sometimes, but we had never seen him, we hardly realized
+that he was a living person, till one day he suddenly appeared among
+us, rough-looking and uncouth in his hunter's dress, with his heavy
+beard and his long hair, bringing with him his multifarious
+assortment, so charming to our eyes, of buffalo-robes and elk-horns,
+wolf-skins and Indian moccasins.
+
+He staid with us that winter, and very merry and happy he seemed to us
+at first;--looking back upon it now, I should call it, not happiness,
+but excitement;--but as the winter passed on, even we children saw
+that all was not right with him. He gradually withdrew himself from
+the constant whirl of society in our house, and, by the spring, had
+settled himself in the old home at Newport, adding to his old
+furniture only his books, which he had been all winter collecting, and
+the primitive _in_conveniences of his own room, which his rough
+Western life had rendered indispensable to him. His study presented a
+singular mixture of civilization and barbarism, and its very
+peculiarities made it a delight to Alice and me. There were a few rare
+engravings on the walls, hung between enormous antlers which supported
+rough-looking rifles and uncouth hunting-shirts,--cases of elegantly
+bound and valuable books, half hidden by heavy buffalo-robes marked
+all over with strange-looking hieroglyphics which told the Indian
+_coups_,--study-chairs of the most elaborate manufacture, with
+levers and screws to incline them to any, the idlest, inclination,
+over the backs of which hung white wolf-skins, mounted, claws and all,
+with brilliant red cloth,--and in the corner, on the pretty Brussels
+carpet, the prettiest that mamma could find at Shellito's, lay the bag
+of Indian weed (Uncle John scorned tobacco) with which he filled his
+pipe every evening, and the moccasins which he always wore when at
+home.
+
+In vain did Alice and I spend our eyesight in embroidering slippers
+for him; our Christmas gifts were received with a kiss or a stroke of
+the head, and then put into Aunt Molly's hands to be taken care of,
+while he still wore the rough moccasins, made far up among the
+Blackfoot Indians, which he laughingly declared were warmer, cooler,
+softer, and stronger than any slippers or boots that civilized
+shoemaker ever turned off his last.
+
+Quiet as it was at the old house, it had always been a source of
+happiness to us to be allowed to make a visit to Uncle John. There,
+if that were possible, we did more as we pleased than even at home;
+there were not even the conventionalities of society to restrain us;
+we were in the country, comparatively. And who like Uncle John knew
+what real country pleasures were? who like him could provide for every
+contingency? who was so full of expedients in those happy gypsying
+expeditions which we would entice him into, and which sometimes lasted
+for days, nay, weeks? He would mount Alice and myself on two of his
+sure-footed little Indian ponies, with which his trader friends always
+kept him supplied; and throwing a pair of saddle-bags, filled with
+what he called our woman's traps, over his own, he would start with us
+for a trip across the country for miles, stopping at the farm-houses
+at night, laughing us out of our conventional notions about the
+conveniences of lodging, and so forth,--and camping out during the
+day, making what we called a continuous picnic. And then the stories
+he would tell us of his adventures among the Blackfeet,--of his
+trading expeditions,--his being taken prisoner by the Sioux,--his life
+in the forts,--till Alice would creep nearer to him in her nervous
+excitement, as if to be sure that he was really with her, and then beg
+him to go on and tell us something more. Once I asked him how he
+happened to go out among the Indians. His face darkened,--"My little
+Kate, you must not ask questions,"--and as I turned to Alice, her eyes
+were full of tears. She had been looking at him while I spoke, and she
+told me afterwards that something about Uncle John's lips made her
+cry, they quivered so, and were set afterwards so tight. We never
+asked him that question again.
+
+But the ferry-boat, "The Belle of Newport," has neared the landing
+while I have been introducing Uncle John, and the soft summer twilight
+saw us wending our way through the town towards the Kentucky hills,
+whose rounded outlines were still bright with the evening red. Just
+on the rise of the nearest was the Old House,--for it went with us by
+no other name,--and at the garden-gate stood Uncle John, his face
+brightening as he saw us, while behind him a row of eager faces showed
+their wide-stretched mouths and white teeth.
+
+"Come to spend two or three days, Alice?" said Uncle John, that
+evening, as we sat with shaded lamp in the study, his moccasined feet
+resting on the window-seat, while he sank into the depths of his
+leather-covered Spanish chair. "Why, what has become of the parties
+that Aunt Molly heard about in your kitchen on her way to market
+yesterday? Where are all our handsome young students that were coming
+home for the holidays? Remember, I'll have none of them following you
+over here, and disarranging my books by way of showing off their
+knowledge."
+
+Alice laughed. "Not a soul knows where we are, Uncle John, except
+mamma, and she promised not to tell. Laura C. has a party to-night,
+and she will be provoked enough at our running away; but the truth
+is,----well, Uncle John, I am tired of parties; indeed, I am tired of
+our way of living, and--and Kate and I thought we would come and ask
+you what we ought to do about it."
+
+Uncle John puckered up his face with a comical expression, and then,
+looking out of the window, whistled the Indian buffalo-call.
+
+Alice sprung up. "Don't whistle that provoking thing, Uncle John!
+Indeed, I am thoroughly in earnest,--parties are so tiresome,--all
+exactly alike; we always see the same people, or the same sort of
+people. There is nothing about them worth having, except the dancing;
+and even that is not as good as a scamper over the hills with you and
+the ponies. You know we have been going to parties for these two
+years; we have seen so much of society, no wonder we are tired of it."
+
+"Sit down, Alice," said Uncle John; "you do look really in earnest, so
+I suppose you must not be whistled at. And you have come all the way
+over here this evening to get me to solve Life's problem for you? My
+dear, I cannot work it out for myself. You are 'tired of society'?
+Why, little one, you have not seen society yet. Suppose I could put
+you down to-night in the midst of some European court,--could show you
+men whose courage, wit, or learning had made them world-famous,--women
+whose beauty, grace, and cultivation brought those world-famous men to
+their side, and who held them there by the fascination that
+high-breeding knows how to use. Should you talk of sameness then?"
+
+Alice's eyes sparkled for a moment, then she said,--
+
+"Yes, I should tire even of that, after a while, glorious as it would
+be at first."
+
+"Have you reached such sublime heights of philosophy already? Then,
+perhaps, I shall not seem to be talking nonsense, when I tell you that
+there is nothing in the world of which you would not tire after the
+first joy of possession was over, no position which would not seem
+monotonous. You do not believe me? Of course not. We all buy our own
+experience in life; on one of two rocks we split: either we do not
+want a thing after we have got it, or we do not get it till we no
+longer want it. Some of us suffer shipwreck both ways. But, Alice, you
+must find that out for yourself."
+
+"Can we not profit by each other's mistakes, Uncle?"
+
+"No, child. To what purpose should I show you the breakers where my
+vessel struck? Do you suppose you will steer exactly in my path? But
+what soberness is this? you are not among breakers yet; you are simply
+'tired of living';" and Uncle John's smile was too genial to be called
+satirical.
+
+"Tired of not living, I think," replied Alice,--"tired of doing
+nothing, of having nothing to do. The girls, Laura and the rest of
+them, find so much excitement in what seems to me so stupid!"
+
+"You are not exactly like 'Laura and the rest of them,' I fancy, my
+dear, and what suits them is rather too tame for you. But what do you
+propose to do with yourself now that you are beginning to live?"
+
+"Now you are laughing at me, Uncle, and you will laugh more when I
+tell you that I mean to study and to make Kate study with me."
+
+"Poor Kate!--if you should fancy swimming, shooting, or any other
+unheard-of pursuit, Kate would be obliged to swim and shoot with
+you. But I will not laugh any more. Study, if you will, Alice; you
+will learn fast enough, and, in this age of fast-advancing
+civilization, when the chances of eligible matrimony for young ladies
+in your station are yearly becoming less and less,--oh, you need not
+put up your lip and peep into my bachelor's shaving-glass!--let me
+tell you that a literary taste is a recourse not to be despised. Of
+course you will study now to astonish me, or to surprise your young
+friends, or for some other equally wise reason; but the time may come
+when literature will be its own exceeding great reward."
+
+"Uncle, answer me one thing,--are you as happy here in your quiet
+study as you were in your exciting life among the Indians? Do you not
+tire of this everyday sameness?"
+
+"Close questioning, Alice, but I will answer you truly. Other things
+being equal, I confess to you that the Indian life was the more
+monotonous of the two. I look back now on my twenty years of savage
+life and see nothing to vary its dreary sameness; the dangers were
+always alike, the excitements always the same, and the rest was a dead
+blank. The whole twenty years might be comprised in four words,--we
+fought, we hunted, we eat, we slept. No, there is no monotony like
+that,--no life so stupid as that of the savage, with his low wants and
+his narrow hopes and fears. My life here among my books, which seems
+to you so tame, is excitement itself compared with that. Your
+stupidest party is full of life, intelligence, wit, when put beside an
+Indian powwow. There is but one charm in that wandering life,
+Alice,--the free intercourse with Nature; _that_ never tires; but
+then you must remember that to enjoy it you must be cultivated up to
+it. There needs all the teaching of civilization, nay, the education
+of life, to enjoy Nature truly. These quiet hills, these beech
+forests, are more to me now than Niagara was at eighteen; and Niagara
+itself, which raises the poet above the earth, falls tame on the mind
+of the savage. Believe one who knows,--the man of civilization who
+goes back to the savage state throws away his life; his very mind
+becomes, like the dyer's hand, 'subdued to what it works in.'
+
+"But I am going out of your depth again, girls," continued he, looking
+at our wondering, half-puzzled faces. "Let it go, Alice; Life is a
+problem too hard for you to solve as yet; perhaps it will solve
+itself. Meantime, we will brighten ourselves up to-morrow by a good
+scamper over the hills, and, the next day, if your fancy for study
+still holds, we will plan out some hard work, and I will show you what
+real study is. Now go to bed; but see first that Aunt Molly has her
+sandwiches and gingerbread ready for the morning."
+
+
+TALK NUMBER TWO.
+
+Uncle John was well qualified to show us what real study was, for in
+his early youth he had read hard and long to fit himself for a
+literary life. What had changed his course and driven him to the far
+West we did not know, but since his return he had brought the
+perseverance and judgment of middle life to the studies of his youth,
+and in his last ten years of leisure had made himself that rarest of
+things among Americans, a scholar, one worthy of the name.
+
+Under his guidance our studies took life, and Alice threw herself into
+them with all the energy of her nature. In vain papa pished and
+pshawed, and mamma grieved, and begged John not to spoil the girls by
+making bookworms of them; in vain "Laura C. and the rest of them"
+entreated us to join this picnic or show ourselves at that party; in
+vain the young men professed themselves afraid of us, and the girls
+tossed their heads and called us blue-stockings. Alice's answer to all
+was, "I like studying; it is a great deal more entertaining than going
+to parties; Uncle John's study is pleasanter than Mrs. C.'s parlor,
+and a ride on his little Winnebago better fun than dancing." And so
+the years went on. We were not out of society,--that could not be in
+our house,--but our associates changed; young men of a higher standing
+frequented the house; we knew intimately the cultivated women, to
+whom, before, we had simply bowed at parties; and mamma and papa grew
+quite satisfied.
+
+Not so Alice; the spirit of unrest was on her again, but this time it
+was not because of the weariness of life, but that she was oppressed
+by the fulness of her own happiness. She had waked up to life in
+waking up to love, and had poured out on Herbert B. the whole wealth
+of her heart. There was everything in her engagement to satisfy her
+friends, everything to gratify papa and mamma; and if I sometimes
+thought Herbert's too feeble a nature to guide hers, or if Uncle John
+sometimes talked with or listened to him as if he were measuring his
+depth and then went away with an anxious expression of face, who shall
+say how much of selfishness influenced us both? for was he not to take
+from us the pet and pride of our lives?
+
+They were to be married in a few weeks, on Alice's twentieth birthday,
+and then leave for New York, where Herbert was connected in business
+with his father.
+
+It was on a gloomy December afternoon that Alice came running up to
+our room, where I was reading my Italian lesson, and exclaimed,--
+
+"Quick, Kate! put away those stupid books, and let us go over to Uncle
+John's for the night."
+
+"Where is Herbert?"
+
+"Herbert? Nonsense! I have sent him off with orders not to look for me
+again till to-morrow, and to-night I mean to pretend that there is no
+Herbert in the world. Perhaps this will be my last talk with Uncle
+John."
+
+We walked quickly through the streets, shrouded in the dark
+winter-afternoon atmosphere heavy with coal-smoke, the houses on each
+side dripping with the fog-drops and looking dirty and cheerless with
+the black streaks running from the corners of each window, like tears
+down the face of some chimney-sweep or coal-boy, till, reaching the
+foot of Ludlow Street, we stood ankle-deep in mud, waiting for the
+little steamer, which still ploughed its way through the dark,
+sullen-looking water thick with the red mud which the late rise had
+brought down, and with here and there heavy pieces of ice floating by.
+
+"Uncle John will never expect us to-night, Alice."
+
+"I cannot help it,--I must go; for I shall never be satisfied without
+one good talk with him before I leave, and Herbert will never spare me
+another evening. Besides, Uncle John will be only too glad to see us
+in this suicidal weather, as he will call it." And she sprang upon the
+boat, laughing at my woebegone face.
+
+"You are glad to see us here, Uncle John,--glad we came in spite of
+the fog, and sleet, and ice, and Kate's long face. How anybody can
+have a long face because of the weather, I cannot understand,--or,
+indeed, why there should be long faces at all in the world, when
+everything is so gloriously full of life."
+
+"How many years is it, Alice,--three, I think,--since you were tired
+of living, found life so wearisome?"
+
+"Yes, just about three years since Kate and I ran away from Laura C.'s
+party and came over here to ask you to help us out of our stupidity. I
+remember it all,--how you puzzled me by telling me that every position
+in life had its sameness. Ah, Uncle John, you forgot one thing when
+you told me that nothing satisfied us in this world." And Alice looked
+up from her little stool, where she sat before the fire at Uncle
+John's feet, with the flush of deep feeling coloring her cheeks and
+the dewy light of happiness in her eyes.
+
+"And that one thing, Alice?"
+
+"You are lying in wait for my answer, to give it that smile that I
+hate,--it is so unbelieving and so sad; I will not have you wear it on
+your face to-night, Uncle John. You cannot, if I speak my whole heart
+out. And why should I not, before you and Kate,--Kate, who is like my
+other self, and you, dear Uncle John, who, ever since the time we were
+talking about, have been so much to me? Do you know, I never told
+anybody before? but all you said that night never left me. I thought
+of it so much! Was it true that life was so dissatisfying? You who had
+tried so thoroughly, who had gone through such a life of adventure,
+had seemed to me really to live, was all as flat and unprofitable to
+you as one of our tiresome parties or morning calls? And something in
+my own heart told me it was true, something that haunted me all
+through my greatest enjoyments, through my studies that I took up
+then, and which have been to me, oh, Uncle John, so much more than
+ever I expected they would be! Yes, through all that I believed you,
+believed you till now, believed you till I knew Herbert."
+
+"And has Herbert told you better?"
+
+"Uncle John, you do not know how the whole of life is glorified for
+me,--glorified by his love. I do not deserve it; all I can do is to
+return it ten-fold; but this I know, that, while I keep it, there can
+be nothing tame or dull,--life, everything, is gilded by my own
+happiness."
+
+"And if you lose it?"
+
+The flush on her face fell. "I should be miserable!--I should not--no,
+I could not live any longer!"
+
+"Alice," said Uncle John, his face losing its half-mocking smile with
+which he had been watching her eager countenance, "Alice, did you know
+that I had been married?"
+
+We started. "Married? No. How was it, and when?"
+
+"It is no matter now, my girls. Some time I may tell you about it. I
+should not have spoken of it now, but that I know my little Alice
+would not believe a word I am going to tell her, if she thought she
+was listening to an old bachelor's croakings. Now I can speak with
+authority. You think you could not live without Herbert's love? My
+dear, we can live without a great many things that we fancy
+indispensable. Nor is it so very easy to die. There comes many a time
+in life when it would seem quite according to the fitness of things,
+just the proper ending to the romance, to lie down and die; but,
+unfortunately, or rather fortunately, dying is a thing that we cannot
+do so just in the nick of time; and indeed"--and Uncle John's face
+assumed its strange smile, which seemed to take you, as it were,
+suddenly behind the scenes, to show you the wrong side of the
+tapestry,--"and indeed," he continued, "when I look back on the times
+in my life that I should have died, when it was fitting and proper to
+die, when I felt that dying would be such a trump card to play, if
+only I could manage it, I must say that I am glad now that it was
+beyond my power to arrange things according to the melodramatic
+rules. As it is, I am alive now. I shake my fist at all the ghosts of
+my departed tragedies and say, 'I am worth two of you. I am alive. I
+have all the chances of the future in my favor.'"
+
+Here he caught sight of Alice's wide-opened eyes, and his smile
+changed into his own genial laugh, as he kissed her forehead and went
+on.
+
+"That was a little aside, Alice, made to my other self, my
+metaphysical man,--not meant at all for my audience. I was meditating
+a lecture on the causes of conjugal happiness, but I seem to have
+stumbled upon a knot in the very first unwinding of the thread of my
+discourse."
+
+"I'll listen to the lecture, Uncle, though I see but one simple and
+all-sufficient cause for my happiness."
+
+"That Herbert loves you, ha? Know, my pretty neophyte, that happiness,
+married happiness especially, does not come from being loved, but from
+loving. What says our Coleridge?
+
+
+ "'For still the source, not fountain, gives
+ The daily food on which Love lives.'
+
+
+"And he is right, although you shake your curls. In most marriages, in
+all that are not matters of convenience, one party has a stronger
+heart, will, character, than the other. And that one loves the most
+from the very necessity of his nature, and, loving most, is the
+happier. The other falls, after a while, into a passive state, becomes
+the mere recipient of love, and finds his or her happiness in
+something else, or perhaps does not find it at all."
+
+"Neither side would satisfy me, Uncle John; I hardly know which fate
+would be the more terrible. Do you think I would accept such a
+compromise in exchange for all I am living and feeling now? I would
+rather be miserable at once than so half-happy."
+
+"But, my darling, Colin and Chloe cannot spend their whole lives
+singing madrigals and stringing daisies. It is not in human nature to
+support, for any length of time, such superhuman bliss. The time will
+come when Colin will find no more rhymes to 'dove,' and when Chloe
+will tire of hearing the same one. It is possible that Herbert will
+some time tire of reading Shelley to you,--nay, it is even possible
+that the time may come when you will tire of hearing him; it is of
+that time I would talk. The present is as perfectly satisfactory to me
+as to you and Herbert, though not exactly in the same degree."
+
+"Well, Uncle, what is your advice to Chloe disillusioned,--if you
+insist that such a thing must be?"
+
+"Simply this, my own dear little child," answered Uncle John, and his
+voice took almost a solemn tone in its deep tenderness,--"when that
+time comes, as come it must, do not worry your husband with idle
+regrets for the past; remember that the husband is not the lover;
+remember that your sex love through your imagination, and look always
+for that clothing and refining of passion with sentiment, which, with
+us, belong only to the poetry and chivalry of youthful ardor. We may
+love you as well afterward,--nay, we may love you a great deal
+better,--but we cannot take the trouble of telling you so every day;
+we expect you to believe it once for all; and you,--you like to hear
+it over and over again, and, not hearing it, you begin to fancy it no
+longer true, and fall to trying experiments on your happiness. A fatal
+error this, Alice. There is nothing that men so often enjoy as the
+simply being let alone; but not one woman in a hundred can be made to
+believe in such a strange enjoyment. Then the wife becomes
+_exigeante_ and impatient, and the husband, after fruitless
+attempts to find out what he has done, never suspecting that the real
+trouble is what he has left undone, finds her unreasonable, and begins
+to harden himself to griefs which he classes, like Miss Edgeworth,
+under the head of 'Sorrows of my Lord Plumcake.'"
+
+"Miserable fate of the nobler sex, Uncle,--disturbed, even in the
+sublime heights of philosophical self-possession, by the follies and
+unreasonablenesses of the weaker vessel! I suppose you allow men to
+live out their natures unrebuked, while women must live down theirs?"
+
+"Not I, Alice,--but I am by nature a special pleader, and, just now, I
+am engaged on Herbert's side of the case. Fee me well, my darling, by
+a kiss or a merry look, and bring Herbert up to judgment, and I will
+tell him home truths too."
+
+"Let me hear your argument for the other side, most subtile of
+reasoners, and I may, perhaps, be able to repeat them at second-hand,
+when occasion calls for them."
+
+"Don't think of it, my dear! Second-hand arguments are like
+second-hand coffee,--the aroma and the strength have disappeared,
+never to be brought back again. But if the husband were really here,
+and the wife had paid well for properly-administered advice, I should
+say to him, 'Do not fancy that you have done everything for your wife
+when you have given her house, servants, and clothes; she really wants
+a little attention now and then. Try to turn your thoughts away from
+your more important affairs long enough to notice the pretty
+morning-wrapper or the well-fitting evening-dress which has cost her
+some thought for your sake; do not let a change in the furniture or a
+new ornament in the parlor go unnoticed till the bill comes in. And
+while, of course, you claim from her the most ready sympathy in all
+your interests and enthusiasms, give her, once in a great while, say
+every year or so, a little genuine interest in the housekeeping trials
+or dressmaker grievances that meet her at every turn.
+
+"Moreover, I would recommend to you, should your wife happen to have
+some literary or artistic tastes, not to ignore them entirely because
+they do not pay so well as your counting-room accounts do, and are not
+so entertaining to you as billiards. I would even indulge her by
+sacrificing a whole evening to her, once in a while, even to the
+detriment of your own business or pleasure. Depend upon it, it will
+pay in the end."
+
+"Now, Uncle, like Rosalind, you have simply misused your whole sex in
+your special pleadings, both for and against. If Herbert were here, I
+would appeal to him to know if the time can ever come when what I do
+can be uninteresting to him. But I know, for myself, that such a thing
+cannot be. You are not talking from your own experience, Uncle?"
+added she, suddenly looking up in his face.
+
+"My dear Alice, were it possible, should it ever seem likely, that my
+experience might benefit you, how readily I would lay it open before
+you! But those who have lived their lives are like the prophets of
+old,--their words are believed only when they are fulfilled. The
+meaning of life is never understood till it is past. Like Moses on the
+rock, our faces are covered when the Lord passes by, and we see only
+his back. But look behind you, my darling!"
+
+Alice turned suddenly and her face lighted up into the full beauty of
+happiness as she saw Herbert standing in the doorway.
+
+"I hope you have room for me, Mr. Delano," said he, advancing, "for
+here I am, weather-bound, as well as Miss Alice and Kate. There is a
+drizzling rain falling out-of-doors, and your Kentucky roads are fast
+growing impassable for walkers."
+
+Uncle John put into words the question that Alice's eyes had been
+asking so eagerly.
+
+"Where did you stumble from, my dear fellow,--and at this time of
+night, too?"
+
+"Why, I could not find any one at home on Fourth Street, so I took the
+last ferry-boat and came over, on a venture, to try the Kentucky
+hospitality, of which we New-Yorkers hear so much; and my stumbling
+walk through the mud made me so unpresentable, that I found the way
+round the house to Aunt Molly's premises, and left the tracks of my
+muddy boots all over her white kitchen, till she, in despair, provided
+me with a pair of your moccasins, and, shod in these shoes of silence,
+I came quietly in upon you. I do hope you are all glad to see me," he
+added, sitting down on the low seat that Alice had left, and looking
+up in her face as she stood by her uncle.
+
+Alice shook her head with a pretty assumption of displeasure, as she
+said, "I told you I did not want to see you till to-morrow." But
+hardly half an hour had elapsed before she and Herbert had wandered
+off into the parlor, and Uncle John and I were left to watch them
+through the open door.
+
+"If he were not so impulsive," said Uncle John, abruptly,--"if he were
+not so full of fancies! Kate, you are a wise and discreet little lady,
+and we understand each other. Did I say too much?"
+
+Just then Alice looked back.
+
+"Chloe is the one who sings madrigals to-night, Uncle; she is going to
+read Colin a lesson"; and, sitting down at the piano, she let her
+hands run over the keys and burst out joyously into that variation of
+Raleigh's pretty pastoral song,--
+
+
+ "Shepherd, what's Love? I prithee tell."
+ "It is a fountain and a well,
+ Where pleasure and repentance dwell;
+ And this is Love, as I've heard tell:
+ Repentance, repentance, repentance!"
+
+
+
+TALK NUMBER THREE.
+
+
+Five years have passed since Alice sat at Uncle John's feet and
+listened to his words that gave lessons of wisdom while they seemed
+only to amuse; and now she sits again on the low stool, looking up in
+his face, while I stand behind him and look down on her, marking the
+changes that those years have wrought. She has come back to us, our
+own Alice still,--but how different from the impetuous, impulsive girl
+who left us five years ago! Her face has lost its early freshness,
+though it seems to me lovelier than before, in its matured, womanly
+expression; but her eyes, which used to be lifted so eagerly, to
+glance so rapidly in their varying expression, are now hidden by their
+lashes even when she is talking earnestly; her lips have lost their
+mobility, and have even something stern in their fixedness; whilst her
+hair, brought down smoothly over her forehead and twisted firmly in
+the low knot behind, and her close-fitting widow's dress add to the
+sobriety and almost matronliness of her appearance.
+
+For Alice is a widow now, and has come back to us in her bereavement.
+We have known but little of her real self for some years, so guarded
+have been her letters; and not until the whole terrible truth burst
+upon us, did we do more than suspect that her married life had not
+brought the happiness she anticipated. She is talking freely now she
+is at home again among her own people.
+
+"I have sometimes thought, Uncle John, that all you said to me, the
+last night I spent here, had some meaning deeper than met the ear. Had
+you second sight? Did you foresee the future? Or was there that in
+the present which foreshadowed it to you?"
+
+"I am no prophet, Alice. I spoke only from what I knew of life, and
+from my knowledge of your character and Herbert's. But I am yet to
+know how my words have been fulfilled."
+
+"It makes no difference now," said she, slowly, and with a touching
+weariness. "And yet," she added, rousing herself, "it would make all
+the difference in the world to me, if I could see clearly where it was
+that I was to blame. Certainly I must have done wrong; such
+wretchedness could not have come otherwise."
+
+Uncle John drew her hand within his, while he answered calmly,--"It is
+very probable you have done wrong, my darling; who of us are wise and
+prudent, loving and forbearing, as we should be?"
+
+"You think so? How glad I am to hear you say so! Yes, I can see it
+now; I can see how I did that very thing against which you warned
+me. First came the time when Herbert forgot to admire everything which
+I did and said, and I--I tried little pouting ways, that I did not
+feel. Then they were so successful, that I carried them too far, and
+Herbert did not pet me out of them. Then I grew anxious and began to
+guess at that truth which was only too clear to me at last, that he
+did not love me as I loved him. Next,--oh, Uncle John, how much I was
+to blame!--I watched every word and look, gave meanings to things that
+had none, asked explanations where Herbert had none to give, and
+fairly put him under such restraint that he could neither look nor act
+himself. He fretted under it,--who would not?--and then began the
+thousand excuses for being away from home, business engagements,
+club-meetings, some country-customers of the firm, who must be taken
+to the theatre, and, at last, no excuse at all but want of time. I
+knew then that his love for me had never been more than a passing
+fancy, and, woman-like, I grew proud, shut my heart up from him,
+buried myself in my books. I never studied before as I did then, Uncle
+John, for I studied to get away from myself, and, looking back, I
+wonder even now at what I accomplished. Yes, you were right, books are
+fast friends,--and mine would have brought me their own exceeding
+great reward, had not my spirit been so bitter.
+
+"It was then that mamma was so sick and I came home. Did you think me
+wonderfully calm, Kate? I think somebody said I showed astonishing
+self-control; but, in truth, I was frightened at myself,--I had no
+feeling about anything, Mamma's sickness seemed something entirely
+removed from me, something which concerned me not in the least. I was
+calm because I felt nothing. I wondered then and wonder now that you
+did not find me out, for I knew how unlike I was to my former
+self. Then mamma got well, and I was not glad; I went back to New
+York, and felt no sorrow at parting with you all.
+
+"But when I got back, oh, Uncle John, I was too late!--too late to do
+right, even had I wished it! I don't know,--I made good resolutions on
+my way back: Heaven knows if I should have had strength to put them in
+practice. But it was all over; not only had I lost Herbert, but he had
+lost himself. The first time I saw him he was not himself,--I might as
+well say it,--he was drunk.
+
+"There is no need of going through the rest, Uncle,--you will not ask
+it. I think I did everything I could;--I threw away my books; I
+devoted myself to making his home pleasant to him; never, no, never,
+in my girlish days, did I take half the pains to please him that I did
+now to win him from himself. I read to him, I sang to him, I filled
+the house with people that I knew were to his taste, I dressed for
+him, I let myself be admired by others that he might feel proud of me,
+might think me more worthy of admiration,--but all to no
+purpose. Sometimes I hoped, but more often I despaired; his fall
+seemed to me fearfully rapid, though now the three years seem to have
+been interminable. At last I had no hope but that of concealing the
+truth from you all. You thought me churlish, Kate, in my answer to
+your proposal to spend last winter with me? My darling, I dared not
+have you in my house. But it is over now. I knew how that last
+horrible attack would end when I sent for papa. He had gone through
+two before that, and the doctor told me the third would be fatal. Poor
+Herbert!--Uncle John, can I ever forgive myself?"
+
+Alice looked up with dry and burning eyes into Uncle John's face, over
+which the tears were streaming.
+
+"My child, it is right that you should blame yourself. What sorrow do
+we meet in life that we do not in part bring upon ourselves? Who is
+there of us who is not wise after time? which of us has not made some
+fatal mistake?"
+
+I felt half indignant that Uncle John did not tell her how much more
+to blame, how weak, how reckless Herbert had been; but the calmer
+expression which came over Alice's countenance showed me that he was
+right, that he best knew her heart. She could not now be just to
+herself; she was happier in being unjust.
+
+We were still and silent for a long time. The light wood-fire on the
+hearth crackled and burned to ashes, but it had done its office in
+tempering the chill of the autumn evening, and through the half-open
+door stole the 'sweet decaying smell' of the fallen leaves, while the
+hush of an Indian-summer night seemed to calm our very hearts with its
+stillness.
+
+Uncle John spoke at last. His voice was very gentle and subdued as he
+said:
+
+"I told you once, Alice, that my life should be opened to you, if ever
+its errors could be either warning or consolation to you. But who am
+I, to judge what beacon-lights we may hold out to each other? There is
+as much egotism, sometimes, in silence as in the free speech which
+asks for sympathy. Perhaps I have been too proud to lay open my
+follies before you and my little Kate."
+
+Alice looked up, with a touch of her old eagerness, as Uncle John went
+on.
+
+"It was long before you were born, my dear, that, for some college
+peccadilloes,--it is so long ago that I have almost forgotten now what
+they were,--I was suspended (rusticated we called it) for a term, and
+advised by the grave and dignified president to spend my time in
+repenting and in keeping up with my class. I had no mind to come
+home; I had no wish, by my presence, to keep the memory of my
+misdemeanors before my father's mind for six months; so I asked and
+gained leave to spend the summer in a little town in Western
+Massachusetts, where, as I said, I should have nothing to tempt me
+from my studies. I had heard from a classmate what famous shooting and
+fishing were to be found there, and I knew something of the beauty of
+Berkshire scenery; but I honorably intended to study well and
+faithfully, taking only the moderate amount of recreation necessary
+for my health.
+
+"I went, and soon established myself in a quiet farm-house with my
+books, gun, and fishing-rod, and had passed there a whole month with
+an approving conscience and tolerable success both in studies and
+sport, when the farmer announced one morning, that, as he had one
+boarder, he might as well take another, and that a New York lady had
+been inquiring of his neighbor Johnson, when he was in the city last
+week, for some farm-house where they would be willing to take her
+cheap for the summer. She could have the best room, and he didn't
+suppose she'd be in anybody's way, so he had told Johnson that she
+might come, if she would put up with their country fare.
+
+"She came the next week. She was a widow, some thirty years old, ten
+years older than I was. I did not think her pretty,--perhaps
+_piquante_, but that was all. In my first fastidiousness, I
+thought her hardly lady-like, and laughed at her evident attempts to
+attract my notice,--at her little vanities and affectations. But I do
+not know; we were always together; I saw no other woman but the
+farmer's wife. There were the mountain walks, the trees, the flowers,
+the moonlight; she talked so well upon them all! In short, you do not
+know, no young girl can know, the influence which a woman in middle
+life, if she has anything in her, has over a young man; and she,--she
+had shrewdness and a certain talent, and, I think now, knew what she
+was doing,--at any rate, I fell madly in love. I knew my father would
+never consent to my marrying then; I knew I was ruining my prospects
+by doing so; but that very knowledge only made me more eager to secure
+her.
+
+"She was entirely independent of control, being left a widow with some
+little property, and threw no obstacles in my way. We were married
+there, in that little village, and for a few weeks I lived in a fool's
+paradise.
+
+"I could not tell you--indeed, I would not tell you, if I could--how
+by degrees I found out what I had done,--that I had flung away my
+heart on a woman who married me simply to secure herself the position
+in society which her own imprudence had lost; how, when she found I
+had nothing to offer her but a home in my father's house, entirely
+dependent upon him, she accused me of having deceived her for the sake
+of her own miserable pittance; how she made herself the common talk of
+Newport by her dissipation, her extravagance, her affectations; how
+her love of excitement led her into such undisguised flirtations,
+under the name of friendships, with almost every man she met, that her
+imprudences, to call them by no harsher name, made my father insist,
+that, for my mother's sake, I should seek another home.
+
+"I did so, but it was only to go through a repetition of similar
+scenes, of daring follies on her part, and reproaches on mine. At
+last, desperate, I induced my father to settle on her what would have
+been my share of his property on condition that she should return to
+New York,--while I, crushed down, mortified, and ashamed to look my
+friends in the face, and sick of the wrongs and follies of civilized
+life, grasped eagerly at an opportunity to join a fur-trading party,
+and buried myself alive in the wilds of the Northwest.
+
+"I had no object in going there but to escape from my wife and from
+myself; but, once there, the charm of that free life took possession
+of me; adventure followed adventure; opportunities opened to me, and I
+grew to be an influential person, and made myself a home among the
+Indians. It is a wild life that the Indian traders live up in that
+far-away country, and many a reckless deed is done there which public
+opinion would frown upon here. I am afraid I was no better than my
+companions; I lived my life and drew from it whatever enjoyment it
+would bring; but, at least, I did not brutalize myself as some of them
+did; for that I may thank the refining influence of my early
+education. Meantime, I was almost lost to my family and, indeed, I
+hardly regretted it, for nothing would have brought me back while my
+wife lived, and, if I were not to be with my friends, why eat my heart
+out with longings for them? So, for nearly twenty years, I lived the
+life of adventure, danger, and privation, that draws its only charm
+from its independence.
+
+"At last came a letter from your mother. It found its way to me from
+fort to fort, brought up part of the way with the letters to the
+troops stationed at our upper forts, then carried by the Indian
+runners to the trading-posts of the fur-companies till it reached me
+in the depths of the Rocky Mountains. My wife was dead,--she had died
+suddenly; my property, all that she had not squandered, (and it was so
+tied up by my father's forethought that she could only throw away a
+part of it,) was my own again; my sister longed to see me, and
+promised me a welcome to her house and heart. I grew restless from
+that moment, and, converting into money the not inconsiderable wealth
+with which I had surrounded myself in the shape of furs, horses,
+buffalo-robes, and so forth, I came down to the States again to begin
+life anew, a man of forty-five, my head whitened, and my features
+marked before their time from the life of exposure which I had
+led. Alice, I, too, was too late. I had dropped out of the tide of
+life and progress in my twenty years' seclusion, and, struggle as I
+might, I could not retrieve the time lost. The present age knew not of
+me,--I had lost my place in it; the thoughts, feelings, habits, of all
+around were strange to me; I had been pushed out of the line of march,
+and never could I fall into step again. In society, in business, in
+domestic life, it was all the same. Trial after trial taught me, at
+last, the truth; and when I had learned not only to believe it, but to
+accept it, I came home to my father's house, now mine, and made myself
+friends of my books,--those faithful ones who were as true to me as if
+I had never deserted them. They have brought me content, if not
+happiness; and you, Alice, you and Kate, you have filled fully an old
+man's heart."
+
+Alice's tears were dropping fast on Uncle John's hand as she said,--
+
+"I will be more to you henceforward than ever before. I have nothing
+else to live for now. Kate is the home child; but I--I will stay with
+you, and you shall teach me, too, to be contented,--to find my
+happiness, as you do, in making the happiness of all around."
+
+Uncle John passed his other hand over her hair,--
+
+"You shall stay with me for the present, my darling,--perhaps as long
+as I live. But life is not over for you, Alice. You have youth,--you
+have years in store. For you it is not _too late_."
+
+
+
+
+AN EVENING MELODY.
+
+
+ Oh that yon pines which crown the steep
+ Their fires might ne'er surrender!
+ Oh that yon fervid knoll might keep,
+ While lasts the world, its splendor!
+
+ Pale poplars on the wind that lean,
+ And in the sunset shiver,
+ Oh that your golden stems might screen
+ For aye yon glassy river!
+
+ That yon white bird on homeward wing
+ Soft-sliding without motion,
+ And now in blue air vanishing
+ Like snow-flake lost in ocean,
+
+ Beyond our sight might never flee,
+ Yet onward still be flying;
+ And all the dying day might be
+ Immortal in its dying!
+
+ Pellucid thus in golden trance,
+ Thus mute in expectation,
+ What waits the Earth? Deliverance?
+ Ah, no! Transfiguration!
+
+ She dreams of that New Earth divine,
+ Conceived of seed immortal:
+ She sings, "Not mine the holier shrine,
+ But mine the cloudy portal!"
+
+
+
+
+CHESUNCOOK
+
+
+[Concluded.]
+
+Early the next morning we started on our return up the Penobscot, my
+companion wishing to go about twenty-five miles above the Moosehead
+carry to a camp near the junction of the two forks, and look for moose
+there. Our host allowed us something for the quarter of the moose
+which we had brought, and which he was glad to get. Two explorers from
+Chamberlain Lake started at the same time that we did. Red flannel
+shirts should be worn in the woods, if only for the fine contrast
+which this color makes with the evergreens and the water. Thus I
+thought when I saw the forms of the explorers in their birch, poling
+up the rapids before us, far off against the forest. It is the
+surveyor's color also, most distinctly seen under all circumstances.
+We stopped to dine at Ragmuff, as before. My companion it was who
+wandered up the stream to look for moose this time, while Joe went to
+sleep on the bank, so that we felt sure of him; and I improved the
+opportunity to botanize and bathe. Soon after starting again, while
+Joe was gone back in the canoe for the frying-pan, which had been
+left, we picked a couple of quarts of tree-cranberries for a sauce.
+
+I was surprised by Joe's asking me how far it was to the Moosehorn. He
+was pretty well acquainted with this stream, but he had noticed that I
+was curious about distances, and had several maps. He, and Indians
+generally, with whom I have talked, are not able to describe
+dimensions or distances in our measures with any accuracy. He could
+tell, perhaps, at what time we should arrive, but not how far it
+was. We saw a few wood-ducks, sheldrakes, and black ducks, but they
+were not so numerous there at that season as on our river at home. We
+scared the same family of wood-ducks before us, going and returning.
+We also heard the note of one fish-hawk, somewhat like that of a
+pigeon-woodpecker, and soon after saw him perched near the top of a
+dead white-pine against the island where we had first camped, while a
+company of peetweets were twittering and teetering about over the
+carcass of a moose on a low sandy spit just beneath. We drove the
+fish-hawk from perch to perch, each time eliciting a scream or
+whistle, for many miles before us. Our course being up-stream, we were
+obliged to work much harder than before, and had frequent use for a
+pole. Sometimes all three of us paddled together, standing up, small
+and heavily laden as the canoe was. About six miles from Moosehead, we
+began to see the mountains east of the north end of the lake, and at
+four o'clock we reached the carry.
+
+The Indians were still encamped here. There were three, including the
+St. Francis Indian who had come in the steamer with us. One of the
+others was called Sabattis. Joe and the St. Francis Indian were
+plainly clear Indian, the other two apparently mixed Indian and white;
+but the difference was confined to their features and complexions, for
+all that I could see. We here cooked the tongue of the moose for
+supper,--having left the nose, which is esteemed the choicest part, at
+Chesuncook, boiling, it being a good deal of trouble to prepare it. We
+also stewed our tree-cranberries, (_Viburnum opulus_,) sweetening
+them with sugar. The lumberers sometimes cook them with
+molasses. They were used in Arnold's expedition. This sauce was very
+grateful to us who had been confined to hard bread, pork, and
+moose-meat, and, notwithstanding their seeds, we all three pronounced
+them equal to the common cranberry; but perhaps some allowance is to
+be made for our forest appetites. It would be worth the while to
+cultivate them, both for beauty and for food. I afterward saw them in
+a garden in Bangor. Joe said that they were called _ebeemenar_.
+
+While we were getting supper, Joe commenced curing the moose-hide, on
+which I had sat a good part of the voyage, he having already cut most
+of the hair off with his knife at the Caucomgomoc. He set up two
+stout forked poles on the bank, seven or eight feet high, and as much
+asunder east and west, and having cut slits eight or ten inches long,
+and the same distance apart, close to the edge, on the sides of the
+hide, he threaded poles through them, and then, placing one of the
+poles on the forked stakes, tied the other down tightly at the
+bottom. The two ends also were tied with cedar bark, their usual
+string, to the upright poles, through small holes at short intervals.
+The hide, thus stretched, and slanted a little to the north, to expose
+its flesh side to the sun, measured, in the extreme, eight feet long
+by six high. Where any flesh still adhered, Joe boldly scored it with
+his knife to lay it open to the sun. It now appeared somewhat spotted
+and injured by the duck shot. You may see the old frames on which
+hides have been stretched at many camping-places in these woods.
+
+For some reason or other, the going to the forks of the Penobscot was
+given up, and we decided to stop here, my companion intending to hunt
+down the stream at night. The Indians invited us to lodge with them,
+but my companion inclined to go to the log-camp on the carry. This
+camp was close and dirty, and had an ill smell, and I preferred to
+accept the Indians' offer, if we did not make a camp for ourselves;
+for, though they were dirty, too, they were more in the open air, and
+were much more agreeable, and even refined company, than the
+lumberers. The most interesting question entertained at the
+lumberers' camp was, which man could "handle" any other on the carry;
+and, for the most part, they possessed no qualities which you could
+not lay hands on. So we went to the Indians' camp or wigwam.
+
+It was rather windy, and therefore Joe concluded to hunt after
+midnight, if the wind went down, which the other Indians thought it
+would not do, because it was from the south. The two mixed bloods,
+however, went off up the river for moose at dark, before we arrived at
+their camp. This Indian camp was a slight, patched-up affair, which
+had stood there several weeks, built shed-fashion, open to the fire on
+the west. If the wind changed, they could turn it round. It was
+formed by two forked stakes and a cross-bar, with rafters slanted from
+this to the ground. The covering was partly an old sail, partly
+birch-bark, quite imperfect, but securely tied on, and coming down to
+the ground on the sides. A large log was rolled up at the back side
+for a headboard, and two or three moose-hides were spread on the
+ground with the hair up. Various articles of their wardrobe were
+tucked around the sides and corners, or under the roof. They were
+smoking moose-meat on just such a crate as is represented by With in
+De Bry's "Collectio Peregrinationum," published in 1588, and which the
+natives of Brazil called _boucan_, (whence buccaneer,) on which
+were frequently shown pieces of human flesh drying along with the
+rest. It was erected in front of the camp over the usual large fire,
+in the form of an oblong square. Two stout forked stakes, four or five
+feet apart and five feet high, were driven into the ground at each
+end, and then two poles ten feet long were stretched across over the
+fire, and smaller ones laid transversely on these a foot apart. On the
+last hung large, thin slices of moose-meat smoking and drying, a space
+being left open over the centre of the fire. There was the whole
+heart, black as a thirty-two pound ball, hanging at one corner. They
+said, that it took three or four days to cure this meat, and it would
+keep a year or more. Refuse pieces lay about on the ground in
+different stages of decay, and some pieces also in the fire, half
+buried and sizzling in the ashes, as black and dirty as an old
+shoe. These last I at first thought were thrown away, but afterwards
+found that they were being cooked. Also a tremendous rib-piece was
+roasting before the fire, being impaled on an upright stake forced in
+and out between the ribs. There was a moose-hide stretched and curing
+on poles like ours, and quite a pile of cured skins close by. They had
+killed twenty-two moose within two months, but, as they could use but
+very little of the meat, they left the carcasses on the
+ground. Altogether it was about as savage a sight as was ever
+witnessed, and I was carried back at once three hundred years. There
+were many torches of birch-bark, shaped like straight tin horns, lying
+ready for use on a stump outside.
+
+For fear of dirt, we spread our blankets over their hides, so as not
+to touch them anywhere. The St. Francis Indian and Joe alone were
+there at first, and we lay on our backs talking with them till
+midnight. They were very sociable, and, when they did not talk with
+us, kept up a steady chatting in their own language. We heard a small
+bird just after dark, which, Joe said, sang at a certain hour in the
+night,--at ten o'clock, he believed. We also heard the hylodes and
+tree-toads, and the lumberers singing in their camp a quarter of a
+mile off. I told them that I had seen pictured in old books pieces of
+human flesh drying on these crates; whereupon they repeated some
+tradition about the Mohawks eating human flesh, what parts they
+preferred, etc., and also of a battle with the Mohawks near Moosehead,
+in which many of the latter were killed; but I found that they knew
+but little of the history of their race, and could be entertained by
+stories about their ancestors as readily as any way. At first I was
+nearly roasted out, for I lay against one side of the camp, and felt
+the heat reflected not only from the birch-bark above, but from the
+side; and again I remembered the sufferings of the Jesuit
+missionaries, and what extremes of heat and cold the Indians were said
+to endure. I struggled long between my desire to remain and talk with
+them, and my impulse to rush out and stretch myself on the cool grass;
+and when I was about to take the last step, Joe, hearing my murmurs,
+or else being uncomfortable himself, got up and partially dispersed
+the fire. I suppose that that is Indian manners,--to defend yourself.
+
+While lying there listening to the Indians, I amused myself with
+trying to guess at their subject by their gestures, or some proper
+name introduced. There can be no more startling evidence of their
+being a distinct and comparatively aboriginal race, than to hear this
+unaltered Indian language, which the white man cannot speak nor
+understand. We may suspect change and deterioration in almost every
+other particular, but the language which is so wholly unintelligible
+to us. It took me by surprise, though I had found so many arrow-heads,
+and convinced me that the Indian was not the invention of historians
+and poets. It was a purely wild and primitive American sound, as much
+as the barking of a _chickaree_, and I could not understand a
+syllable of it; but Paugus, had he been there, would have understood
+it. These Abenakis gossiped, laughed, and jested, in the language in
+which Eliot's Indian Bible is written, the language which has been
+spoken in New England who shall say how long? These were the sounds
+that issued from the wigwams of this country before Columbus was born;
+they have not yet died away; and, with remarkably few exceptions, the
+language of their forefathers is still copious enough for them. I felt
+that I stood, or rather lay, as near to the primitive man of America,
+that night, as any of its discoverers ever did.
+
+In the midst of their conversation, Joe suddenly appealed to me to
+know how long Moosehead Lake was.
+
+Meanwhile, as we lay there, Joe was making and trying his horn, to be
+ready for hunting after midnight. The St. Francis Indian also amused
+himself with sounding it, or rather calling through it; for the sound
+is made with the voice, and not by blowing through the horn. The
+latter appeared to be a speculator in moose-hides. He bought my
+companion's for two dollars and a quarter, green. Joe said that it
+was worth two and a half at Oldtown. Its chief use is for moccasins.
+One or two of these Indians wore them. I was told, that, by a recent
+law of Maine, foreigners are not allowed to kill moose there at any
+season; white Americans can kill them only at a particular season, but
+the Indians of Maine at all seasons. The St. Francis Indian
+accordingly asked my companion for a _wighiggin_, or bill, to
+show, since he was a foreigner. He lived near Sorel. I found that he
+could write his name very well, _Tahmunt Swasen_. One Ellis, an
+old white man of Guilford, a town through which we passed, not far
+from the south end of Moosehead, was the most celebrated moose-hunter
+of those parts. Indians and whites spoke with equal respect of
+him. Tahmunt said, that there were more moose here than in the
+Adirondack country in New York, where he had hunted; that three years
+before there were a great many about, and there were a great many now
+in the woods, but they did not come out to the water. It was of no use
+to hunt them at midnight,--they would not come out then. I asked
+Sabattis, after he came home, if the moose never attacked him. He
+answered, that you must not fire many times so as to mad him. "I fire
+once and hit him in the right place, and in the morning I find him. He
+won't go far. But if you keep firing, you mad him. I fired once five
+bullets, every one through the heart, and he did not mind 'em at all;
+it only made him more mad." I asked him if they did not hunt them with
+dogs. He said, that they did so in winter, but never in the summer,
+for then it was of no use; they would run right off straight and
+swiftly a hundred miles.
+
+Another Indian said, that the moose, once scared, would run all day. A
+dog will hang to their lips, and be carried along till he is swung
+against a tree and drops off. They cannot run on a "glaze," though
+they can run in snow four feet deep; but the caribou can run on
+ice. They commonly find two or three moose together. They cover
+themselves with water, all but their noses, to escape flies. He had
+the horns of what he called "the black moose that goes in low lands."
+These spread three or four feet. The "red moose" was another kind,
+"running on mountains," and had horns which spread six feet. Such were
+his distinctions. Both can move their horns. The broad flat blades are
+covered with hair, and are so soft, when the animal is alive, that you
+can run a knife through them. They regard it as a good or bad sign, if
+the horns turn this way or that. His caribou horns had been gnawed by
+mice in his wigwam, but he thought that the horns neither of the moose
+nor of the caribou were ever gnawed while the creature was alive, as
+some have asserted. An Indian, whom I met after this at Oldtown, who
+had carried about a bear and other animals of Maine to exhibit, told
+me that thirty years ago there were not so many moose in Maine as now;
+also, that the moose were very easily tamed, and would come back when
+once fed, and so would deer, but not caribou. The Indians of this
+neighborhood are about as familiar with the moose as we are with the
+ox, having associated with them for so many generations. Father
+Rasles, in his Dictionary of the Abenaki Language, gives not only a
+word for the male moose, (_aianbé_) and another for the female,
+(_hèrar_,) but for the bone which is in the middle of the heart
+of the moose (!), and for his left hind-leg.
+
+There were none of the small deer up there; they are more common about
+the settlements. One ran into the city of Bangor two years before, and
+jumped through a window of costly plate glass, and then into a mirror,
+where it thought it recognized one of its kind, and out again, and so
+on, leaping over the heads of the crowd, until it was captured. This
+the inhabitants speak of as the deer that went a-shopping. The
+last-mentioned Indian spoke of the _lunxus_ or Indian devil,
+(which I take to be the cougar, and not the _Gulo luscus_,) as
+the only animal in Maine which man need fear; it would follow a man,
+and did not mind a fire. He also said, that beavers were getting to be
+pretty numerous again, where we went, but their skins brought so
+little now that it was not profitable to hunt them.
+
+I had put the ears of our moose, which were ten inches long, to dry
+along with the moose-meat over the fire, wishing to preserve them; but
+Sabattis told me that I must skin and cure them, else the hair would
+all come off. He observed, that they made tobacco-pouches of the skins
+of their ears, putting the two together inside to inside. I asked him
+how he got fire; and he produced a little cylindrical box of
+friction-matches. He also had flints and steel, and some punk, which
+was not dry; I think it was from the yellow birch. "But suppose you
+upset, and all these and your powder get wet." "Then," said he, "we
+wait till we get to where there is some fire." I produced from my
+pocket a little vial, containing matches, stoppled water-tight, and
+told him, that, though we were upset, we should still have some dry
+matches; at which he stared without saying a word.
+
+We lay awake thus a long while talking, and they gave us the meaning
+of many Indian names of lakes and streams in the vicinity,--especially
+Tahmunt. I asked the Indian name of Moosehead Lake. Joe answered,
+_Sebamook_; Tahmunt pronounced it _Sebemook_. When I asked
+what it meant, they answered, Moosehead Lake. At length, getting my
+meaning, they alternately repeated the word over to themselves, as a
+philologist might,--_Sebamook_,--_Sebamook_,--now and then
+comparing notes in Indian; for there was a slight difference in their
+dialects; and finally Tahmunt said, "Ugh! I know,"--and he rose up
+partly on the moose-hide,--"like as here is a place, and there is a
+place," pointing to different parts of the hide, "and you take water
+from there and fill this, and it stays here; that is _Sebamook_."
+I understood him to mean that it was a reservoir of water which did
+not run away, the river coming in on one side and passing out again
+near the same place, leaving a permanent bay. Another Indian said,
+that it meant Large-Bay Lake, and that _Sebago_ and _Sebec_,
+the names of other lakes, were kindred words, meaning large open
+water. Joe said that _Seboois_ meant Little River. I observed
+their inability, often described, to convey an abstract idea. Having
+got the idea, though indistinctly, they groped about in vain for words
+with which to express it. Tahmunt thought that the whites called it
+Moosehead Lake, because Mount Kineo, which commands it, is shaped like
+a moose's head, and that Moose River was so called "because the
+mountain points right across the lake to its mouth." John Josselyn,
+writing about 1673, says, "Twelve miles from Casco Bay, and passable
+for men and horses, is a lake, called by the Indians Sebug. On the
+brink thereof, at one end, is the famous rock, shaped like a moose
+deer or helk, diaphanous, and called the Moose Rock." He appears to
+have confounded Sebamook with Sebago, which is nearer, but has no
+"diaphanous" rock on its shore.
+
+I give more of their definitions, for what they are worth,--partly
+_because_ they differ sometimes from the commonly received ones. They
+never analyzed these words before. After long deliberation and
+repeating of the word, for it gave much trouble, Tahmunt said that
+_Chesuncook_ meant a place where many streams emptied in (?), and he
+enumerated them,--Penobscot, Umbazookskus, Cusabesex, Red Brook,
+etc.--"_Caucomgomoc_,--what does that mean?" "What are those
+large white birds?" he asked. "Gulls," said I. "Ugh! Gull
+Lake."--_Pammadumcook_, Joe thought, meant the Lake with Gravelly
+Bottom or Bed.--_Kenduskeag_, Tahmunt concluded at last, after asking
+if birches went up it, for he said that he was not much acquainted
+with it, meant something like this: "You go up Penobscot till you come
+to _Kenduskeag_, and you go by, you don't turn up there. That is
+_Kenduskeag_." (?) Another Indian, however, who knew the river better,
+told us afterward that it meant Little Eel River.--_Mattawamkeag_ was
+a place where two rivers meet. (?)--_Penobscot_ was Rocky River. One
+writer says, that this was "originally the name of only a section of
+the main channel, from the head of the tide-water to a short distance
+above Oldtown."
+
+A very intelligent Indian, whom we afterward met, son-in-law of
+Neptune, gave us also these other definitions:--_Umbazookskus_, Meadow
+Stream; _Millinoket_, Place of Islands; _Aboljacarmegus_, Smooth-Ledge
+Falls (and Dead-Water); _Aboljacarmeguscook_, the stream emptying in;
+(the last was the word he gave when I asked about _Aboljacknagesic_,
+which he did not recognize;) _Mattahumkeag_, Sand-Creek Pond;
+_Piscataquis_, Branch of a River.
+
+I asked our hosts what _Musketaquid_, the Indian name of Concord,
+Mass., meant; but they changed it to _Musketicook_, and repeated
+that, and Tahmunt said that it meant Dead Stream, which is probably
+true. _Cook_ appears to mean stream, and perhaps _quid_
+signifies the place or ground. When I asked the meaning of the names
+of two of our hills, they answered that they were another language. As
+Tahmunt said that he traded at Quebec, my companion inquired the
+meaning of the word _Quebec_, about which there has been so much
+question. He did not know, but began to conjecture. He asked what
+those great ships were called that carried soldiers. "Men-of-war," we
+answered. "Well," he said, "when the English ships came up the river,
+they could not go any further, it was so narrow there; they must go
+back,--go-back,--that's Que-bec." I mention this to show the value of
+his authority in the other cases.
+
+Late at night the other two Indians came home from moose-hunting, not
+having been successful, aroused the fire again, lighted their pipes,
+smoked awhile, took something strong to drink, and ate some
+moose-meat, and, finding what room they could, lay down on the
+moose-hides; and thus we passed the night, two white men and four
+Indians, side by side.
+
+When I awoke in the morning the weather was drizzling. One of the
+Indians was lying outside, rolled in his blanket, on the opposite side
+of the fire, for want of room. Joe had neglected to awake my
+companion, and he had done no hunting that night. Tahmunt was making a
+cross-bar for his canoe with a singularly shaped knife, such as I have
+since seen other Indians using. The blade was thin, about three
+quarters of an inch wide, and eight or nine inches long, but curved
+out of its plane into a hook, which he said made it more convenient to
+shave with. As the Indians very far north and northwest use the same
+kind of knife, I suspect that it was made according to an aboriginal
+pattern, though some white artisans may use a similar one. The Indians
+baked a loaf of flour bread in a spider on its edge before the fire
+for their breakfast; and while my companion was making tea, I caught a
+dozen sizable fishes in the Penobscot, two kinds of sucker and one
+trout. After we had breakfasted by ourselves, one of our bedfellows,
+who had also breakfasted, came along, and, being invited, took a cup
+of tea, and finally, taking up the common platter, licked it
+clean. But he was nothing to a white fellow, a lumberer, who was
+continually stuffing himself with the Indians' moose-meat, and was the
+butt of his companions accordingly. He seems to have thought that it
+was a feast "to eat all." It is commonly said that the white man
+finally surpasses the Indian on his own ground, and it was proved true
+in this case. I cannot swear to his employment during the hours of
+darkness, but I saw him at it again as soon as it was light, though he
+came a quarter of a mile to his work.
+
+The rain prevented our continuing any longer in the woods; so giving
+some of our provisions and utensils to the Indians, we took leave of
+them. This being the steamer's day, I set out for the lake at once. At
+the carry-man's camp I saw many little birds, brownish and yellowish,
+with some white tail-feathers, hopping on the wood-pile, in company
+with the slate-colored snow-bird, (_Fringilla hiemalis_,) but
+more familiar than they. The lumberers said that they came round their
+camps, and they gave them a vulgar name. Their simple and lively note,
+which was heard in all the woods, was very familiar to me, though I
+had never before chanced to see the bird while uttering it, and it
+interested me not a little, because I had had many a vain chase in a
+spring-morning in the direction of that sound, in order to identify
+the bird. On the 28th of the next month, (October,) I saw in my yard,
+in a drizzling day, many of the same kind of birds flitting about amid
+the weeds, and uttering a faint _chip_ merely. There was one
+full-plumaged Yellow-crowned Warbler (_Sylvia coronata_) among
+them, and I saw that the others were the young birds of that
+season. They had followed me from Moosehead and the North. I have
+since frequently seen the full-plumaged ones while uttering that note
+in the spring.
+
+I walked over the carry alone and waited at the head of the lake. An
+eagle, or some other large bird, flew screaming away from its perch by
+the shore at my approach. For an hour after I reached the shore there
+was not a human being to be seen, and I had all that wide prospect to
+myself. I thought that I heard the sound of the steamer before she
+came in sight on the open lake. I noticed at the landing, when the
+steamer came in, one of our bedfellows, who had been a-moose-hunting
+the night before, now very sprucely dressed in a clean white shirt and
+fine black pants, a true Indian dandy, who had evidently come over the
+carry to show himself to any arrivers on the north shore of Moosehead
+Lake, just as New York dandies take a turn up Broadway and stand on
+the steps of a hotel.
+
+Midway the lake we took on board two manly-looking middle-aged men,
+with their _bateau_, who had been exploring for six weeks as far
+as the Canada line, and had let their beards grow. They had the skin
+of a beaver, which they had recently caught, stretched on an oval
+hoop, though the fur was not good at that season. I talked with one of
+them, telling him that I had come all this distance partly to see
+where the white-pine, the Eastern stuff of which our houses are built,
+grew, but that on this and a previous excursion into another part of
+Maine I had found it a scarce tree; and I asked him where I must look
+for it. With a smile, he answered, that he could hardly tell
+me. However, he said that he had found enough to employ two teams the
+next winter in a place where there was thought to be none left. What
+was considered a "tip-top" tree now was not looked at twenty years
+ago, when he first went into the business; but they succeeded very
+well now with what was considered quite inferior timber then. The
+explorer used to cut into a tree higher and higher up, to see if it
+was false-hearted, and if there was a rotten heart as big as his arm,
+he let it alone; but now they cut such a tree, and sawed it all around
+the rot, and it made the very best of boards, for in such a case they
+were never shaky.
+
+One connected with lumbering operations at Bangor told me that the
+largest pine belonging to his firm, cut the previous winter, "scaled"
+in the woods four thousand five hundred feet, and was worth ninety
+dollars in the log at the Bangor boom in Oldtown. They cut a road
+three and a half miles long for this tree alone. He thought that the
+principal locality for the white-pine that came down the Penobscot now
+was at the head of the East Branch and the Allegash, about Webster
+Stream and Eagle and Chamberlain Lakes. Much timber has been stolen
+from the public lands. (Pray, what kind of forest-warden is the Public
+itself?) I heard of one man who, having discovered some particularly
+fine trees just within the boundaries of the public lands, and not
+daring to employ an accomplice, cut them down, and by means of block
+and tackle, without cattle, tumbled them into a stream, and so
+succeeded in getting off with them without the least assistance.
+Surely, stealing pine-trees in this way is not so mean as robbing
+hen-roosts.
+
+We reached Monson that night, and the next day rode to Bangor, all the
+way in the rain again, varying our route a little. Some of the taverns
+on this road, which were particularly dirty, were plainly in a
+transition state from the camp to the house.
+
+ * * * * *
+
+The next forenoon we went to Oldtown. One slender old Indian on the
+Oldtown shore, who recognized my companion, was full of mirth and
+gestures, like a Frenchman. A Catholic priest crossed to the island in
+the same _bateau_ with us. The Indian houses are framed, mostly of one
+story, and in rows one behind another, at the south end of the island,
+with a few scattered ones. I counted about forty, not including the
+church and what my companion called the council-house. The last, which
+I suppose is their town-house, was regularly framed and shingled like
+the rest. There were several of two stories, quite neat, with
+front-yards inclosed, and one at least had green blinds. Here and
+there were moose-hides stretched and drying about them. There were no
+cart-paths, nor tracks of horses, but foot-paths; very little land
+cultivated, but an abundance of weeds, indigenous and naturalized;
+more introduced weeds than useful vegetables, as the Indian is said to
+cultivate the vices rather than the virtues of the white man. Yet
+this village was cleaner than I expected, far cleaner than such Irish
+villages as I have seen. The children were not particularly ragged nor
+dirty. The little boys met us with bow in hand and arrow on string,
+and cried, "Put up a cent." Verily, the Indian has but a feeble hold
+on his bow now; but the curiosity of the white man is insatiable, and
+from the first he has been eager to witness this forest
+accomplishment. That elastic piece of wood with its feathered dart, so
+sure to be unstrung by contact with civilization, will serve for the
+type, the coat-of-arms of the savage. Alas for the Hunter Race! the
+white man has driven off their game, and substituted a cent in its
+place. I saw an Indian woman washing at the water's edge. She stood on
+a rock, and, after dipping the clothes in the stream, laid them on the
+rock, and beat them with a short club. In the grave-yard, which was
+crowded with graves, and overrun with weeds, I noticed an inscription
+in Indian, painted on a wooden grave-board. There was a large wooden
+cross on the island.
+
+Since my companion knew him, we called on Governor Neptune, who
+lived in a little "ten-footer," one of the humblest of them
+all. Personalities are allowable in speaking of public men, therefore
+I will give the particulars of our visit. He was a-bed. When we
+entered the room, which was one half of the house, he was sitting on
+the side of the bed. There was a clock hanging in one corner. He had
+on a black frock-coat, and black pants, much worn, white cotton shirt,
+socks, a red silk handkerchief about his neck, and a straw hat. His
+black hair was only slightly grayed. He had very broad cheeks, and his
+features were decidedly and refreshingly different from those of any
+of the upstart Native American party whom I have seen. He was no
+darker than many old white men. He told me that he was eighty-nine;
+but he was going a-moose-hunting that fall, as he had been the
+previous one. Probably his companions did the hunting. We saw various
+squaws dodging about. One sat on the bed by his side and helped him
+out with his stories. They were remarkably corpulent, with smooth,
+round faces, apparently full of good-humor. Certainly our much-abused
+climate had not dried up their adipose substance. While we were
+there,--for we stayed a good while,--one went over to Oldtown,
+returned and cut out a dress, which she had bought, on another bed in
+the room. The Governor said, that "he could remember when the moose
+were much larger; that they did not use to be in the woods, but came
+out of the water, as all deer did. Moose was whale once. Away down
+Merrimack way, a whale came ashore in a shallow bay. Sea went out and
+left him, and he came up on land a moose. What made them know he was a
+whale was, that at first, before he began to run in bushes, he had no
+bowels inside, but"----and then the squaw who sat on the bed by his
+side, as the Governor's aid, and had been putting in a word now and
+then and confirming the story, asked me what we called that soft thing
+we find along the sea-shore. "Jelly-fish," I suggested. "Yes," said
+he, "no bowels, but jelly-fish."
+
+There may be some truth in what he said about the moose growing larger
+formerly; for the quaint John Josselyn, a physician who spent many
+years in this very district of Maine in the seventeenth century, says,
+that the tips of their horns "are sometimes found to be two fathoms
+asunder,"--and he is particular to tell us that a fathom is six
+feet,--"and [they are] in height, from the toe of the forefoot to the
+pitch of the shoulder, twelve foot, both which hath been taken by some
+of my sceptique readers to be monstrous lies"; and he adds,--"There
+are certain transcendentia in every creature, which are the indelible
+character of God, and which discover God." This is a greater dilemma
+to be caught in than is presented by the cranium of the young Bechuana
+ox, apparently another of the _transcendentia_, in the collection
+of Thomas Steel, Upper Brook Street, London, whose "entire length of
+horn, from tip to tip, along the curve, is 13 ft. 5 in.; distance
+(straight) between the tips of the horns, 8 ft. 8-1/2 in." However, the
+size both of the moose and the cougar, as I have found, is generally
+rather underrated than overrated, and I should be inclined to add to
+the popular estimate a part of what I subtracted from Josselyn's.
+
+But we talked mostly with the Governor's son-in-law, a very sensible
+Indian; and the Governor, being so old and deaf, permitted himself to
+be ignored, while we asked questions about him. The former said, that
+there were two political parties among them,--one in favor of schools,
+and the other opposed to them, or rather they did not wish to resist
+the priest, who was opposed to them. The first had just prevailed at
+the election and sent their man to the legislature. Neptune and
+Aitteon and he himself were in favor of schools. He said, "If Indians
+got learning, they would keep their money." When we asked where Joe's
+father, Aitteon, was, he knew that he must be at Lincoln, though he
+was about going a-moose-hunting, for a messenger had just gone to him
+there to get his signature to some papers. I asked Neptune if they had
+any of the old breed of dogs yet. He answered, "Yes." "But that," said
+I, pointing to one that had just come in, "is a Yankee dog." He
+assented. I said that he did not look like a good one. "Oh, yes!" he
+said, and he told, with much gusto, how, the year before, he had
+caught and held by the throat a wolf. A very small black puppy rushed
+into the room and made at the Governor's feet, as he sat in his
+stockings with his legs dangling from the bedside. The Governor rubbed
+his hands and dared him to come on, entering into the sport with
+spirit. Nothing more that was significant transpired, to my knowledge,
+during this interview. This was the first time that I ever called on a
+governor, but, as I did not ask for an office, I can speak of it with
+the more freedom.
+
+An Indian who was making canoes behind a house, looking up pleasantly
+from his work,--for he knew my companion,--said that his name was Old
+John Pennyweight. I had heard of him long before, and I inquired after
+one of his contemporaries, Joe Four-pence-ha'penny; but, alas! he no
+longer circulates. I made a faithful study of canoe-building, and I
+thought that I should like to serve an apprenticeship at that trade
+for one season, going into the woods for bark with my "boss," making
+the canoe there, and returning in it at last.
+
+While the _bateau_ was coming over to take us off, I picked up
+some fragments of arrow-heads on the shore, and one broken stone
+chisel, which were greater novelties to the Indians than to me. After
+this, on Old Fort Hill, at, the bend of the Penobscot, three miles
+above Bangor, looking for the site of an Indian town which some think
+stood thereabouts, I found more arrow-heads, and two little dark and
+crumbling fragments of Indian earthenware, in the ashes of their
+fires. The Indians on the Island appeared to live quite happily and
+to be well treated by the inhabitants of Oldtown.
+
+We visited Veazie's mills, just below the Island, where were sixteen
+sets of saws,--some gang saws, sixteen in a gang, not to mention
+circular saws. On one side, they were hauling the logs up an
+inclined plane by water-power; on the other, passing out the boards,
+planks, and sawed timber, and forming them into rafts. The trees were
+literally drawn and quartered there. In forming the rafts, they use
+the lower three feet of hard-wood saplings, which have a crooked and
+knobbed butt-end, for bolts, passing them up through holes bored in
+the corners and sides of the rafts, and keying them. In another
+apartment they were making fence-slats, such as stand all over New
+England, out of odds and ends,--and it may be that I saw where the
+picket-fence behind which I dwell at home came from. I was surprised
+to find a boy collecting the long edgings of boards as fast as cut
+off, and thrusting them down a hopper, where they were _ground
+up_ beneath the mill, that they might be out of the way; otherwise
+they accumulate in vast piles by the side of the building, increasing
+the danger from fire, or, floating off, they obstruct the river. This
+was not only a saw-mill, but a grist-mill, then. The inhabitants of
+Oldtown, Stillwater, and Bangor cannot suffer for want of
+kindling-stuff, surely. Some get their living exclusively by picking
+up the drift-wood and selling it by the cord in the winter. In one
+place I saw where an Irishman, who keeps a team and a man for the
+purpose, had covered the shore for a long distance with regular piles,
+and I was told that he had sold twelve hundred dollars' worth in a
+year. Another, who lived by the shore, told me that he got all the
+material of his out-buildings and fences from the river; and in that
+neighborhood I perceived that this refuse wood was frequently used
+instead of sand to fill hollows with, being apparently cheaper than
+dirt.
+
+I got my first clear view of Katadn, on this excursion, from a hill
+about two miles northwest of Bangor, whither I went for this
+purpose. After this I was ready to return to Massachusetts.
+
+ * * * * *
+
+Humboldt has written an interesting chapter on the primitive forest,
+but no one has yet described for me the difference between that wild
+forest which once occupied our oldest townships, and the tame one
+which I find there to-day. It is a difference which would be worth
+attending to. The civilized man not only clears the land permanently
+to a great extent, and cultivates open fields, but he tames and
+cultivates to a certain extent the forest itself. By his mere
+presence, almost, he changes the nature of the trees as no other
+creature does. The sun and air, and perhaps fire, have been
+introduced, and grain raised where it stands. It has lost its wild,
+damp, and shaggy look, the countless fallen and decaying trees are
+gone, and consequently that thick coat of moss which lived on them is
+gone too. The earth is comparatively bare and smooth and dry. The
+most primitive places left with us are the swamps, where the spruce
+still grows shaggy with usnea. The surface of the ground in the Maine
+woods is everywhere spongy and saturated with moisture. I noticed that
+the plants which cover the forest floor there are such as are commonly
+confined to swamps with us,--the _Clintonia borealis_, orchises,
+creeping snowberry, and others; and the prevailing aster there is the
+_Aster acuminatus_, which with us grows in damp and shady
+woods. The asters _cordifolias_ and _macrophyllus_ also are
+common, asters of little or no color, and sometimes without petals. I
+saw no soft, spreading, second-growth white-pines, with smooth bark,
+acknowledging the presence of the wood-chopper, but even the young
+white-pines were all tall and slender rough-barked trees.
+
+Those Maine woods differ essentially from ours. There you are never
+reminded that the wilderness which you are threading is, after all,
+some villager's familiar wood-lot, some widow's thirds, from which her
+ancestors have sledded fuel for generations, minutely described in
+some old deed which is recorded, of which the owner has got a plan
+too, and old bound-marks may be found every forty rods, if you will
+search. 'Tis true, the map may inform you that you stand on land
+granted by the State to some academy, or on Bingham's purchase; but
+these names do not impose on you, for you see nothing to remind you of
+the academy or of Bingham. What were the "forests" of England to
+these? One writer relates of the Isle of Wight, that in Charles the
+Second's time "there were woods in the island so complete and
+extensive, that it is said a squirrel might have travelled in several
+parts many leagues together on the top of the trees." If it were not
+for the rivers, (and he might go round their heads,) a squirrel could
+here travel thus the whole breadth of the country.
+
+We have as yet had no adequate account of a primitive pine-forest. I
+have noticed that in a physical atlas lately published in
+Massachusetts, and used in our schools, the "wood land" of North
+America is limited almost solely to the valleys of the Ohio and some
+of the Great Lakes, and the great pine-forests of the globe are not
+represented. In our vicinity, for instance, New Brunswick and Maine
+are exhibited as bare as Greenland. It may be that the children of
+Greenville, at the foot of Moosehead Lake, who surely are not likely
+to be scared by an owl, are referred to the valley of the Ohio to get
+an idea of a forest; but they would not know what to do with their
+moose, bear, caribou, beaver, etc., there. Shall we leave it to an
+Englishman to inform us, that "in North America, both in the United
+States and Canada, are the most extensive pine-forests in the world"?
+The greater part of New Brunswick, the northern half of Maine, and
+adjacent parts of Canada, not to mention the northeastern part of New
+York and other tracts further off, are still covered with an almost
+unbroken pine-forest.
+
+But Maine, perhaps, will soon be where Massachusetts is. A good part
+of her territory is already as bare and common-place as much of our
+neighborhood, and her villages generally are not so well shaded as
+ours. We seem to think that the earth must go through the ordeal of
+sheep-pasturage before it is habitable by man. Consider Nahant, the
+resort of all the fashion of Boston,--which peninsula I saw but
+indistinctly in the twilight, when I steamed by it, and thought that
+it was unchanged since the discovery. John Smith described it in 1614
+as "the Mattahunts, two pleasant isles of groves, gardens, and
+cornfields"; and others tell us that it was once well wooded, and even
+furnished timber to build the wharves of Boston. Now it is difficult
+to make a tree grow there, and the visitor comes away with a vision of
+Mr. Tudor's ugly fences a rod high, designed to protect a few
+pear-shrubs. And what are we coming to in our Middlesex towns?--a
+bald, staring town-house, or meeting-house, and a bare liberty-pole,
+as leafless as it is fruitless, for all I can see. We shall be obliged
+to import the timber for the last, hereafter, or splice such sticks as
+we have;--and our ideas of liberty are equally mean with these. The
+very willow-rows lopped every three years for fuel or powder,--and
+every sizable pine and oak, or other forest tree, cut down within the
+memory of man! As if individual speculators were to be allowed to
+export the clouds out of the sky, or the stars out of the firmament,
+one by one. We shall be reduced to gnaw the very crust of the earth
+for nutriment.
+
+They have even descended to smaller game. They have lately, as I hear,
+invented a machine for chopping up huckleberry-bushes fine, and so
+converting them into fuel!--bushes which, for fruit alone, are worth
+all the pear-trees in the country many times over. (I can give you a
+list of the three best kinds, if you want it.) At this rate, we shall
+all be obliged to let our beards grow at least, if only to hide the
+nakedness of the land and make a sylvan appearance. The farmer
+sometimes talks of "brushing up," simply as if bare ground looked
+better than clothed ground, than that which wears its natural
+vesture,--as if the wild hedges, which, perhaps, are more to his
+children than his whole farm beside, were _dirt_. I know of one
+who deserves to be called the Tree-hater, and, perhaps, to leave this
+for a new patronymic to his children. You would think that he had
+been warned by an oracle that he would be killed by the fall of a
+tree, and so was resolved to anticipate them. The journalists think
+that they cannot say too much in favor of such "improvements" in
+husbandry; it is a safe theme, like piety; but as for the beauty of
+one of these "model farms," I would as lief see a patent churn and a
+man turning it. They are, commonly, places merely where somebody is
+making money, it may be counterfeiting. The virtue of making two
+blades of grass grow where only one grew before does not begin to be
+superhuman.
+
+Nevertheless, it was a relief to get back to our smooth, but still
+varied landscape. For a permanent residence, it seemed to me that
+there could be no comparison between this and the wilderness,
+necessary as the latter is for a resource and a background, the raw
+material of all our civilization. The wilderness is simple, almost to
+barrenness. The partially cultivated country it is which chiefly has
+inspired, and will continue to inspire, the strains of poets, such as
+compose the mass of any literature. Our woods are sylvan, and their
+inhabitants woodmen and rustics,--that is, _selvaggia_, and the
+inhabitants are _salvages_. A civilized man, using the word in
+the ordinary sense, with his ideas and associations, must at length
+pine there, like a cultivated plant, which clasps its fibres about a
+crude and undissolved mass of peat. At the extreme North, the voyagers
+are obliged to dance and act plays for employment. Perhaps our own
+woods and fields,--in the best wooded towns, where we need not quarrel
+about the huckleberries,--with the primitive swamps scattered here and
+there in their midst, but not prevailing over them, are the perfection
+of parks and groves, gardens, arbors, paths, vistas, and landscapes.
+They are the natural consequence of what art and refinement we as a
+people have,--the common which each village possesses, its true
+paradise, in comparison with which all elaborately and wilfully
+wealth-constructed parks and gardens are paltry imitations. Or, I
+would rather say, such _were_ our groves twenty years ago. The
+poet's, commonly, is not a logger's path, but a woodman's. The logger
+and pioneer have preceded him, like John the Baptist; eaten the wild
+honey, it may be, but the locusts also; banished decaying wood and the
+spongy mosses which feed on it, and built hearths and humanized Nature
+for him.
+
+But there are spirits of a yet more liberal culture, to whom no
+simplicity is barren. There are not only stately pines, but fragile
+flowers, like the orchises, commonly described as too delicate for
+cultivation, which derive their nutriment from the crudest mass of
+peat. These remind us, that, not only for strength, but for beauty,
+the poet must, from time to time, travel the logger's path and the
+Indian's trail, to drink at some new and more bracing fountain of the
+Muses, far in the recesses of the wilderness.
+
+The kings of England formerly had their forests "to hold the king's
+game," for sport or food, sometimes destroying villages to create or
+extend them; and I think that they were impelled by a true
+instinct. Why should not we, who have renounced the king's authority,
+have our national preserves, where no villages need be destroyed, in
+which the bear and panther, and some even of the hunter race, may
+still exist, and not be "civilized off the face of the earth,"--our
+forests, not to hold the king's game merely, but to hold and preserve
+the king himself also, the lord of creation,--not for idle sport or
+food, but for inspiration and our own true re-creation? or shall we,
+like villains, grub them all up, poaching on our own national domains?
+
+
+
+
+MY CHILDREN.
+
+
+ Have you seen Annie and Kitty,
+ Two merry children of mine?
+ All that is winning and pretty
+ Their little persons combine.
+
+ Annie is kissing and clinging
+ Dozens of times in a day,--
+ Chattering, laughing, and singing,
+ Romping, and running away.
+
+ Annie knows all of her neighbors.
+ Dainty and dirty alike,--
+ Learns all their talk, and, "be jabers,"
+ Says she "adores little Mike!"
+
+ Annie goes mad for a flower,
+ Eager to pluck and destroy,--
+ Cuts paper dolls by the hour,
+ Always her model--a boy!
+
+ Annie is full of her fancies,
+ Tells most remarkable lies,
+ (Innocent little romances,)
+ Startling in one of her size.
+
+ Three little prayers we have taught her,
+ Graded from winter to spring;
+ Oh, you should listen my daughter
+ Saying them all in a string!
+
+ Kitty--ah, how my heart blesses
+ Kitty, my lily, my rose!
+ Wary of all my caresses,
+ Chary of all she bestows.
+
+ Kitty loves quietest places,
+ Whispers sweet sermons to chairs,
+ And, with the gravest of faces,
+ Teaches old Carlo his prayers.
+
+ Matronly, motherly creature!
+ Oh, what a doll she has built--
+ Guiltless of figure or feature--
+ Out of her own little quilt!
+
+ Nought must come near it to wake it;
+ Noise must not give it alarm;
+ And when she sleeps, she must take it
+ Into her bed, on her arm.
+
+ Kitty is shy of a caller,
+ Uttering never a word;
+ But when alone in the parlor,
+ Talks to herself like a bird.
+
+ Kitty is contrary, rather,
+ And, with a comical smile,
+ Mutters, "I won't," to her father,--
+ Eyeing him slyly the while.
+
+ Loving one more than the other
+ Isn't the thing, I confess;
+ And I observe that their mother
+ Makes no distinction in dress.
+
+ Preference must be improper
+ In a relation like this;
+ I wouldn't toss up a copper--
+ (Kitty, come, give me a kiss!)
+
+
+
+
+THE KINLOCH ESTATE, AND HOW IT WAS SETTLED.
+
+[Continued.]
+
+
+CHAPTER VII.
+
+
+Early Monday morning, Mr. Hardwick walked across the green to call
+upon Mrs. Kinloch. Lucy Ransom, the house-maid, washing in the
+back-yard, saw him coming, and told her mistress;--before he rang,
+Mrs. Kinloch had time to tie on her lace cap, smooth her hair, and
+meet him in the hall.
+
+"Good mum-morning, Mrs. Kinloch!"
+
+"Walk in, Mr. Hardwick,--this way, into the sitting-room."
+
+He took a seat quietly by the maple-shaded window. Mrs. Kinloch was
+silent and composed. Her coolness nerved instead of depressing him,
+and he began at once.
+
+"I've ker-come to see you about the debt which my nun-nephew, Mark,
+owes the estate."
+
+"I don't know what _I_ can do about it," she replied, in a placid
+tone.
+
+"We've ben nun-neighbors, now, these f-fifteen years, Mrs. Kinloch,
+and never h-had any difficulty th-that I know on. An' as the ler-law
+had been used per-pretty ha'sh toward Mark, I th-thought I'd see ef
+'twa'n't per-possible't some mistake had ben made."
+
+"I don't know what mistake there has been. Squire Clamp must collect
+whatever is due. It isn't harsh to do that, is it?"
+
+"Not ha'sh to a-ask for it, but not jest the ker-kind thing to bring
+ser-suit before askin'. Mark got a word and a ber-blow, but the blow
+came f-first. We didn't treat yer-you so when you was a widder."
+
+"So you go back to old times, and bring up my poverty and your
+charity, do you?" said the widow, bitterly.
+
+"By nun-no means," replied the blacksmith. "I don't w-wish to open
+'counts th-that've ben settled so long; an' more, I don't intend to
+ber-ber-beg from you, nor a-anybody else. We pay our debts, an' don't
+'xpect nor don't wer-want to do any different."
+
+"Then I don't see what you are so flurried about."
+
+"Ef so be Squire Ker-Kinloch was alive, I could tell you ber-better;
+or rather, I shouldn't have to go to yer-you about it. He allers give
+Mark to underst-hand that he shouldn't be hard upon him,--th-that he
+could pay along as he ger-got able."
+
+"Why should he favor him more than others? I am sure not many men
+would have lent the money in the first place, and I don't think it
+looks well to be hanging back now."
+
+"As to why yer-your husband was disposed to favor Mark, I have
+_my_ opinion. But the der-dead shall rest; I sh-sha'n't call up
+their pale faces." He drew his breath hard, and his eyes looked full
+of tender memories.
+
+After a moment he went on. "I don't w-wish to waste words; I
+mum-merely come to say that Mark has five hunderd dollars, and that I
+can scrape up a couple o' hunderd more, and will give my note w-with
+him for the balance. Th-that's all we can handily do; an' ef that'll
+arnswer, we should ler-like to have you give word to stop the suit."
+
+"You will have to go to Squire Clamp," was the reply. "I don't presume
+to dictate to my lawyer, but shall let him do what he thinks best. You
+haven't been to him, I conclude? I don't think he will be
+unreasonable."
+
+Mr. Hardwick looked steadily at her.
+
+"Wer-well, Mrs. Kinloch," said he, slowly, "I th-think I
+understand. Ef I don't, it isn't because you don't mum-make the matter
+plain. I sha'n't go to Squire Clamp till I have the mum-money, all of
+it. I hope no a-a-enemy of yourn will be so hard to y-you as my
+friends are to me."
+
+With singular command over her tongue and temper, Mrs. Kinloch
+contented herself with hoping that he would find no difficulty in
+arranging matters with the lawyer, bade him good-morning, civilly, and
+shut the door behind him. But when he was gone, her anger, kept so
+well under control before, burst forth.
+
+"Stuttering old fool!" she exclaimed, "to come here to badger me!--to
+throw up to me the wood he cut, or the apples he brought me!--as
+though Mr. Kinloch hadn't paid that ten times over! He'll find how it
+is before long."
+
+"What's the matter?" asked Mildred, meeting her step-mother in the
+hall, and noticing her flushed cheek, her swelling veins, and
+contorted brows.
+
+"Why, nothing, but a talk with Uncle Ralph, who has been rather
+saucy."
+
+"Saucy? Uncle Ralph saucy? Why, he is the most kindly man in the
+world,--sometimes hasty, but always well-mannered. I don't see how he
+could be saucy."
+
+"I advise you not to stand up for him against your mother."
+
+"I shouldn't defend him in anything wrong; but I think there must be
+some misunderstanding."
+
+"He is like Mark, I suppose, always perfect in your eyes."
+
+This was the first time since Mr. Kinloch's death that the step-mother
+had ever alluded to the fondness which had existed between Mark and
+Mildred as school-children, and her eyes were bent upon the girl
+eagerly. It was as though she had knocked at the door of her heart,
+and waited for its opening to look into the secret recesses. A quick
+flush suffused Mildred's face and neck.
+
+"You are unkind, mother," she said; for the glance was sharper than
+the words; and then, bursting into tears, she went to her room.
+
+"So it has come to this!" said Mrs. Kinloch to herself. "Well, I did
+not begin at all too soon."
+
+She walked through the hall to the back piazza. She heard voices from
+beyond the shrubbery that bordered the grass-plot where the clothes
+were hung on lines to dry. Lucy, the maid, evidently was there, for
+one; indeed, by shifting her position so as to look through an opening
+in the bushes, Mrs. Kinloch could see the girl; but she was not busy
+with her clothes-basket. An arm was bent around her plump and graceful
+figure. The next instant, as Mrs. Kinloch saw by standing on tiptoe,
+two forms swayed toward each other, and Lucy, no way reluctantly,
+received a kiss from--Hugh Branning!
+
+Very naughty, certainly,--but it is incumbent on me to tell the truth,
+and accordingly I have put it down.
+
+Now my readers are doubtless prepared for a catastrophe. They will
+expect to hear Mrs. Kinloch cry, "Lucy Ransom, you jade, what are you
+doing? Take your clothes and trumpery and leave this house!" You will
+suppose that her son Hugh will be shut up in the cellar on bread and
+water, or sent off to sea in disgrace. That is the traditional way
+with angry mistresses, I know; but Mrs. Kinloch was not one of the
+common sort. She did not know Talleyrand's maxim,--"Never act from
+first impulses, for they are always--_right_!" Indeed, I doubt if
+she had ever heard of that slippery Frenchman; but observation and
+experience had led her to adopt a similar line of policy.
+
+Therefore she did not scold or send away Lucy; she could not well do
+without her; and besides, there were reasons which made it desirable
+that the girl should remain friendly. She did not call out to her
+hopeful son, either,--although her fingers _did_ itch to tweak
+his profligate ears. She knew that a dispute with him would only end
+in his going off in a huff, and she thought she could employ him
+better. So she coughed first and then stepped out into the yard. Hugh
+presently came sauntering down the walk, and Lucy sang among the
+clothes-lines as blithely and unconcerned as though her lips had never
+tasted any flavor more piquant than bread and butter.
+
+It was rather an equivocal look which the mistress cast over her
+shoulder at the girl. It might have said,--"Poor fool! singe your
+wings in the candle, if you will." It might have been only the scorn
+of outraged virtue.
+
+"Hugh," said Mrs. Kinloch, "come into the house a moment. I want to
+speak with you."
+
+The young man looked up rather astonished, but he could not read his
+mother's placid face. Her hair lay smooth on her temples, under her
+neat cap; her face was almost waxy pale, her lips gently pressed
+together; and if her clear, gray eyes had beamed with a warm or more
+humid light, she might have served a painter as a model for a
+
+
+ "steadfast nun, devout and pure."
+
+
+When they reached the sitting-room, Mrs. Kinloch began.
+
+"Hugh, do you think of going to sea again? Now that I am alone in the
+world, don't you think you can make up your mind to stay at home?"
+
+"I haven't thought much about it, mother. I suppose I should go when
+ordered, as a matter of course; I have nothing else to do."
+
+"That need not be a reason. There is plenty to do without waiting for
+promotion in the navy till you are gray."
+
+"Why, mother, you know I have no profession, and, I suppose I may say,
+no money. At least, the Squire made no provision for me that I know
+of, and I'm sure you cannot wish me to live on your 'thirds.'"
+
+"My son, you should have some confidence in my advice, by this
+time. It doesn't require a great fortune to live comfortably here."
+
+"Yes, but it is deused dull in this old town. No theatre,--no
+concert,--no music at all, but from organ-grinders,--no
+parties,--nothing, in fact, but prayer-meetings from one week's end to
+another. I should die of the blues here."
+
+"Only find something to do, settle yourself into a pleasant home, and
+you'll forget your uneasiness."
+
+"That's very well to say"----
+
+"And very easy to do. But it isn't the way to begin by flirting with
+every pretty, foolish girl you see. Oh, Hugh! you are all I have now
+to love. I shall grow old soon, and I want to lean upon you. Give up
+the navy; be advised by me."
+
+Hugh whistled softly. He did not suppose that his mother knew of his
+gallantry. He was amused at her sharp observation.
+
+"So you think I'm a flirt, mother?" said he. "You are out,
+entirely. I'm a pattern of propriety at home!"
+
+"You need not tell me, Hugh! I know more than you think. But I didn't
+know that a son of mine could be so simple as I find you are."
+
+"She's after me," thought Hugh. "She saw me, surely."
+
+His mother went on.
+
+"With such an opportunity as you have to get yourself a wife----Don't
+laugh! I want to see you married, for you will never sow your wild
+oats until you are. With such a chance as you have"----
+
+"Why, mother," broke in Hugh, "it isn't so bad as that."
+
+"Isn't so bad? What do you mean?"
+
+"Why, _you_ know what you're driving at, and so do I. Lucy is a
+good girl enough, but I never meant anything serious. There's no need
+of my marrying her."
+
+"What _are_ you talking about?"
+
+"Now, mother, what's the use? You are only trying to read me a moral
+lecture, because I gave Lucy a harmless smack."
+
+"Lucy Ransom!" repeated Mrs. Kinloch, with ineffable scorn. "Lucy
+Ransom! I hope my son isn't low enough to dally with a housemaid, a
+scullion! If I _had_ seen such a spectacle, I should have kept my
+mouth shut for shame. 'A guilty conscience needs no accuser'; but I am
+sorry you had not pride enough to keep your disgusting fooleries to
+yourself."
+
+"Regularly sold!" muttered Hugh, as he beat a rat-tattoo on the
+window-pane.
+
+"I gave you credit for more penetration, Hugh. Now, just look a
+minute. What would you think of the shrewdness of a young man, who
+had no special turn for business, but a great fondness for taking his
+ease,--with no money nor prospect of any,--and who, when he had the
+opportunity to step at once into fortune and position, made no
+movement to secure it?"
+
+"Well, the application?"
+
+"The fortune may be yours, if you will."
+
+"Don't tell me riddles. Show me the prize, and I'm after it."
+
+"But it has an incumbrance."
+
+"Well?"
+
+"A pretty, artless, affectionate little woman, who will make you the
+best wife in the world."
+
+"Splendid, by Jove! Who is she?"
+
+"You needn't look far. We generally miss seeing the thing that is
+under our nose."
+
+"Why, mother, there isn't an heiress in Innisfield except my sister
+Mildred."
+
+"Mildred is not your sister. You are no more to each other than the
+two farthest persons on earth."
+
+"True enough! Well, mother, you _are_ an old 'un!"
+
+"Don't!"--with a look of disgust,--"don't use your sailor slang here!
+To see that doesn't require any particular shrewdness."
+
+"But Mildred never liked me much. She always ran from me, like the
+kitten from old Bose. She has always looked as though she thought I
+would bite, and that it was best she should keep out of reach under a
+chair."
+
+"Any young man of good address and fair intelligence can make an
+impression on a girl of eighteen, if he has the will, the time, and
+the opportunity. You have everything in your favor, and if you don't
+take the fortune that lies right in your path, you deserve to go to
+the poor-house."
+
+Hugh meditated.
+
+"Good-morning," said Mrs. Kinloch. "You know the horse and carriage,
+or the saddle-ponies, are always yours when you want to use them."
+
+Great discoveries seem always so simple, that we wonder they were not
+made from the first. The highest truths are linked with the commonest
+objects and events of daily life.
+
+Hugh looked about him as much astonished as though he had been shown a
+gold mine in old Quobbin, where he could dig for the asking. What
+determination he made, the course of our story will show.
+
+
+
+
+CHAPTER VIII.
+
+
+Hugh had ordered George, the Asiatic, to saddle the ponies after
+dinner, intending to ask Mildred to take a ride northward, through the
+pine woods; but on making inquiries, he found that she had walked out,
+leaving word that she should be absent all day.
+
+"Confound it!" thought he,--"a mishap at the start! I'm afraid the
+omen isn't a good one. However, I must kill time some way. I can't lay
+up here, like a ship in ordinary; better be shaken by storms or
+covered with barnacles at sea than be housed up, worm-eaten or
+crumbled into powder by dry-rot on shore."
+
+He went to ride alone, but did not go in the direction of the pine
+woods.
+
+Mildred could not get over the unpleasant impressions of the morning,
+so, rather than remain in her room this fine day, she had walked
+across the meadow, east of the mill-pond, to a farm-house, where she
+was a frequent and welcome visitor. On her way, she called for Lizzy
+Hardwick, the blacksmith's daughter, who accompanied her. Mr. Alford,
+the farmer, was a blunt, good-humored, and rather eccentric man,
+shrewd and well to do, but kindly and charitable. He had no children,
+and he enjoyed the occasional visits of his favorites heartily; so did
+his wife, Aunt Mercy. Her broad face brightened as she saw the girls
+coming, and her plump hands were both extended to greet them. They
+went to the dairy to see the creaking cheese-presses, ate of the fresh
+curd, saw the golden stores of butter;--thence to the barn, where they
+clambered upon the hay-mow, found the nest of a bantam, took some of
+the little eggs in their pockets;--then coming into the yard, they
+patted the calves' heads, scattered oats for the doves, that, with
+pink feet and pearly blue necks, crowded around them to be fed, and
+next began to chase a fine old gander down to the brook, when
+Mr. Alford, getting over the fence, called out, "Hold on, girls! don't
+bother Uncle Ralph!--don't!"
+
+"Where is Uncle Ralph?" asked Mildred.
+
+"Why, that gander you've been chasin'; and he's about the harn'somest
+bird I know on, too. Talk about swans! there never was a finer neck,
+nor a prettier coat of feathers on anything that ever swum. His wings
+are powerful; only let him spread 'em, and up he goes; but as for his
+feet, he limps just a little, as you see. No offence, Lizzy. I love
+your father as well as you do; but when I hear him, with his idees so
+grand,--the minister don't begin with him,--and yet to be bothered, as
+he is sometimes, to get a word out, I think of my good old fellow
+here, whose wings are so much better'n his legs. Come here, Ralph! You
+see he knows his name. There!"--patting his head,--"that's a good
+fellow! Now go and help marm attend to your goslins."
+
+The kindly tone and the caress took away from the comparison any idea
+of disrespect, and the girls laughed at the odd conceit,--Lizzy, at
+least, not a little proud of the implied compliment. Mr. Alford left
+them, to attend to his affairs, and they went on with their
+romp,--running on the top of the smooth wall beside the meadow,
+gathering clusters of lilac blossoms from the fatherly great posy that
+grew on the sunny side of the house, and admiring the solitary state
+of the peacock, as, with dainty step, he trailed his royal robe over
+the sward. Soon they heard voices at the house, and, going round the
+corner of the shed, saw Uncle Ralph and Mark Davenport talking with
+Mr. Alford at the door.
+
+Not to make a mystery of a simple matter, the blacksmith had come to
+borrow of Mr. Alford the money necessary to make up the amount owing
+by Mark to the Kinloch estate.
+
+The young man had shown great readiness to accompany his uncle;
+praiseworthy, certainly; but I am inclined to think he had somehow got
+an intimation that the girls had preceded him.
+
+Fortunately, the farmer was able to lend the sum wanted, and, as he
+had an errand in town, he took Mr. Hardwick with him in his wagon.
+
+Mark was left, nothing loath, to walk home with the girls. Do not
+think he was wanting in affection for his cousin Lizzy, if he wished
+that she were, just for one hour, a hundred miles away. They took a
+path that led over the plain to the river, intending to cross upon a
+foot-bridge, a short distance above the village. But though Mark was
+obliged to be silent on the matter he had most at heart, Mildred was
+not unaware of his feelings. A tone, a look, a grasp of the hand
+serves for an index, quite as well as the most fervent speech. The
+river makes a beautiful bend near the foot-bridge, and its bank is
+covered with a young growth of white pines. They sat down on a
+hillock, under the trees, whose spicy perfume filled the air, and
+looked down the stream towards the village. How fair it lay in the
+soft air of that June day! The water was deep and blue, with a
+reflected heaven. The mills that cluster about the dam, a mile below,
+were partially concealed by young elms, silver-poplars, and
+water-maples. Gardens sloped on either bank to the water's edge. Neat,
+white houses gleamed through the trees and shrubbery around the bases
+of the hills that hem in the valley; and the tall, slender spire of
+the meeting-house shewed fairly against its densely-wooded
+background. Verily, if I were a painter, I should desire no lovelier
+scene for my canvas than that on which Mark and Mildred looked. Lizzy
+walked away, and began hunting checkerberries with an unusual
+ardor. She _did_ understand; she would not be Mademoiselle de
+Trop any longer. Kind soul! so unlike young women in general, who
+won't step aside gracefully, when they should! Further I can vouch,
+that she neither hemmed, nor made eyes, nor yet repeated the well-worn
+proverb, "Two's company, but three's none." No, she gathered berries
+and sang snatches of songs as though she were quite alone.
+
+Now those of my readers who have the good-fortune still to linger in
+teens are expecting that I shall treat them to a report of this
+delightful _tête-à-tête_. But it must not be told. The older
+people would skip it, or say, "Pshaw!" And besides, if it were set
+down faithfully, you would be sadly disappointed; the cleverest men,
+even, are quite sure to appear silly (to other people) when in
+love. The speeches of the Romeos and Claude Melnottes, with which you
+have been so enchanted, would be common-place enough, if translated
+into the actual prose in which they were delivered. When Shakspeare
+wooed Anne Hathaway, it might have been different; but consider, you
+will wait some time before you find a lover like him. No, when your
+time comes, it will be soon enough. You will see your hero in his
+velvet cloak and plumed hat, with the splendor of scenery and the
+intoxication of the music. I don't choose to show him to you in
+morning dress at rehearsal, under daubed canvas and dangling
+machinery.
+
+However full of poetry and passion Mark's declaration was for Mildred,
+to him it was tame and hesitating enough. It seemed to him that he
+could not force into the cold formula of words the emotion that
+agitated him. But with quickening breath he poured out his love, his
+hopes, and his fears,--the old burden! She trembled, her eyelids
+fell; but at length, roused by his pleading tones, she looked
+up. Their eyes met; one look was enough; it was a reciprocal electric
+flash. With a sudden energy he clasped her in his arms; and it was a
+very pretty tableau they made! But in the quick movement his heedless
+foot chanced to touch a stone, which rolled down the bank and fell
+into the stream with a splash. The charm was broken.
+
+"What's that?" cried Lizzy from a distance, forgetting her
+discretion. "Did a pickerel jump?"
+
+"No," replied Mark, "the pickerel know me of old, and don't come about
+for fear that I have a hook and line in my pocket. It was only a stone
+rolling into the river."
+
+"You come here a moment," continued the unthoughtful Lizzy; "here's a
+beautiful sassafras sapling, and I can't pull it up by the roots
+alone."
+
+"Send for the dentist, then."
+
+"Go and help her," said Mildred, softly.
+
+"Well," said Mark, with a look of enforced resignation,--"if I must."
+
+The sapling grew on the steep bank, perhaps fifty yards from where he
+had been sitting. He did not use sufficient care to brace himself, as
+he pulled with all his might, and in a moment, he knew not how, he
+rolled down into the river. The girls first screamed, and then, as he
+came out of the water, shaking himself like a Newfoundland dog, they
+laughed immoderately. The affair did not seem very funny to Mark, and
+he joined in the laugh with no great heartiness. The shock had
+effectually dispelled all the romance of the hour.
+
+"I'm so sorry!" said Lizzy, still laughing at his grotesque and
+dripping figure.
+
+"You must hurry and get dry clothes on, Mark," said Mildred. "Squire
+Clamp's is the nearest house across the bridge."
+
+"Hang Squire Clamp! his clothes would poison me. I'd as lief go to a
+quarantine hospital to be dressed."
+
+"Don't!" said Lizzy.
+
+But he kept on in the same mercurial strain.--"Clamp lives on poison,
+like Rappaccini's daughter, in Hawthorne's story; only it makes him
+ugly instead of fair, as that pretty witch was. His wife never had any
+trouble with spiders as long as she lived; he had only to blow into a
+nest, and the creatures would tumble out, and give up their venomous
+ghosts. No vermin but himself are to be seen in his neighborhood; the
+rats even found they couldn't stand it, and had to emigrate."
+
+"The breath that killed spiders must have been a little too powerful,
+at times, for Mrs. Clamp, one would think," said Mildred.
+
+"It was," said Mark. "She died one day, after Clamp had cheated a
+widow out of her dower."
+
+"Don't stop longer for your fun," said Mildred, "you'll surely take
+cold. Besides, I can't have you making any disparaging remarks upon my
+guardian."
+
+"Bless my soul! your guardian! how imprudent, to be sure!"--with a
+significant twinkle. "Well, I'm going. Banfield's is the nearest
+house; so we'll part here."
+
+The girls went towards the village; and Mark, making vigorous strides
+across the meadow, took a straight line for Banfield's. Near the
+house is a piece of woods,--one corner of the leafy mantle that covers
+the hill slipped down its side and trailing upon the borders of the
+fertile field below. Just as he passed the woods he saw Hugh Branning
+letting down the bars and leading his pony out into the road. The only
+bridle-path through the woods led over the hill to the little house on
+the westerly slope, where lived Dame Ransom, Lucy's bowed and wrinkled
+grandmother. Mark wondered not a little where the midshipman had been;
+but as he still retained the memory of the old quarrel, he did not
+accost him, and presently thought no more of it. Reaching the house,
+he got some dry clothes and then went home with bounding steps. The
+earth was never so beautiful nor the sky so benign. The cloud of
+doubt had furled off and left his heaven blue. He had spoken and found
+that the dream of his boyhood and the hope of his youth had become the
+proud triumph of his manhood. Mildred Kinloch loved him! loved him as
+sincerely as when they were both children! What higher felicity was
+to be thought of? And what a motive for exertion had he now! He would
+be worthy of her, and the world should acknowledge that the heiress
+had not stooped when she mated with him.
+
+
+
+CHAPTER IX.
+
+
+Mrs. Kinloch was surprised at finding that neither Hugh nor Mildred,
+nor yet Lucy Ransom, was in the house.
+
+Mildred came home first and was not accompanied by Hugh, as
+Mrs. Kinloch had hoped. He had not found her, then,--perhaps he had
+not sought for her. Next Lucy returned, coming through the garden
+which stretched up the hill. Being questioned, she answered that she
+had been to her grandmother's, and had come back the nearest way over
+the hill, through the woods.
+
+"What had she gone for after the fatigue of washing-day?"
+
+"Because Squire Clamp, who owned the house her grandmother lived in,
+wanted her to take a message."
+
+Mrs. Kinloch began to become interested. "Squire Clamp!" she
+exclaimed,--"when did you see him?"
+
+"He called here yesterday evening,--on his way to Mr. Hardwick's, I
+guess."
+
+"Why didn't he ask _me_ if you could go? I think he's pretty free
+to send my girls about the town on his errands."
+
+"You were out, Ma'am,--in the next house; and after he'd gone I forgot
+it."
+
+"You remembered it to-day, it seems."
+
+"Yes'm; after dinner I thought of it and hurried right off; but granny
+was sick and foolish, and didn't want to let me come away, so I
+couldn't get back as quick as I meant to."
+
+"Well, you can go to the kitchen."
+
+"Yes'm."
+
+"I must keep an eye on that girl," thought Mrs. Kinloch. "She is
+easily persuaded, fickle, without strong sense, and with only a very
+shallow kind of cunning. She might do mischief. What can Squire Clamp
+want? The old hovel her grandmother lives in isn't worth fifty
+dollars. Whatever has been going on, I'm glad Hugh is not mixed up in
+it."
+
+Just then Hugh rode up, and, tying his horse, came in. He seemed to
+have lost something of the gayety of the morning. "I am tired," he
+said. "I had to get off and lead the pony down the hill, and it's
+steep and stony enough."
+
+"There are pleasant roads enough in the neighborhood," said his
+mother, "without your being obliged to take to the woods and clamber
+over the mountains."
+
+"I know it," he replied; "but I had been up towards the Allen place,
+and I took a notion to come back over the hill."
+
+"Then you passed Lucy's house?"
+
+"Yes. The bridle-path leads down the hill about a mile above this; but
+on foot one may keep along the ridge and come down into the valley
+through our garden."
+
+"So I suppose; in fact, I believe Lucy has just returned that way."
+
+"Indeed! it's strange I didn't see her."
+
+"It is strange."
+
+Hugh bore the quiet scrutiny well, and his mother came to the
+conclusion that the girl had told the truth about her going for the
+lawyer.
+
+Presently Mildred came down from her room, and after a few minutes
+Mrs. Kinloch went out, casting a fixed and meaning look at her
+son. She seemed as impatient for the issue of her scheme, as the child
+who, after planting a seed, waits for the green shoot, and twice a day
+digs down to see if it has not sprouted.
+
+Mildred, as the reader may suppose, was not likely to be very
+agreeable to her companion; the recollections of the day were too
+vivid, too delicious.
+
+She could not part with them, but constantly repeated to herself the
+words of love, of hope, and enthusiasm, which she had heard. So she
+moved or talked as in a dream, mechanically, while her soul still
+floated away on the summer-sea of reverie.
+
+Hugh looked at her with real admiration; and, in truth, she deserved
+it. A fairer face you would not see in a day's journey; her smooth
+skin, not too white, but of a rich creamy tint,--eyes brown and
+inclined to be dreamy,--her hair chestnut and wavy,--a figure rather
+below the medium size, but with full, graceful lines,--these, joined
+with a gentle nature and a certain tremulous sensibility, constituted
+a divinity that it was surely no sin to worship. If sin it were, all
+the young men in Innisfield had need of immediate forgiveness.
+
+Hugh had some qualms about approaching the goddess. He was sensible of
+a wide gulf between himself and her, and he could not but think that
+she was aware of it too.
+
+"You have been to Mr. Alford's?"
+
+A momentary pause.
+
+"Did you speak, Hugh?"
+
+He repeated the question. Her eyes brightened a moment as she nodded
+in the affirmative; then they grew dim again, like windows seen from
+without when the light is withdrawn to an inner room. She seemed as
+unconscious as a pictured Madonna.
+
+"A beautiful day for your walk," he ventured again. The same pause,
+the same momentary interest as she answered, followed by the same
+abstraction.
+
+"I suppose," said he, at length, "that I am having the last of my idle
+days here; I expect to be ordered to sea shortly."
+
+"Indeed!" Mildred looked up.
+
+"I shall be very sorry to leave here," he continued.
+
+"Yes, Innisfield _is_ quite pretty this summer. But I supposed
+that the pleasures of the seaport and of adventure abroad were more
+attractive to you than this monotonous life."
+
+"'Tis rather slow here, but--I--I meant to say that I shall be sorry
+to leave you."
+
+"Me? Why, mother can take care of me."
+
+"Certainly she will, but I shall miss you."
+
+"No doubt you'll think of us, when you are away; I'm sure we shall
+remember you. We shall never sit down to the table without thinking of
+your vacant chair."
+
+It was impossible to misinterpret her kind, simple, sisterly
+tones. And Hugh could but feel that they indicated no particle of
+tenderness for him. The task of winning her was yet wholly to be done,
+and there was no prospect that she would give him the least
+encouragement in advance, if she did not utterly refuse him at the
+end. He saw that he must not count on an easy victory, but prepare for
+it by a slow and gradual approach.
+
+Mildred sat some time leaning out of the window, then opening her
+piano, for the first time since her father's death, she sat down and
+played a nocturne by Mendelssohn. The music seemed a natural
+expression of her feelings,--suited to the heart "steeped in golden
+languors," in the "tranced summer calm." The tones rang through the
+silent rooms, pervading all the charmed air, so that the ear tingled
+in listening,--as the lips find a sharpness with the luscious flavor
+of the pine-apple. The sound reached to the kitchen, and brought a
+brief pleasure, but a bitterer pang of envy, to Lucy's swelling bosom.
+It calmed for a moment the evil spirit in Hugh's troubled heart. And
+Mrs. Kinloch in her solitary chamber, though she had always detested
+the piano, thought she had never heard such music before. She had
+found a new sense, that thrilled her with an exquisite delight. It was
+a good omen, she was sure, that Mildred should now, after so long a
+time, feel inclined to play. Only a light heart, and one supremely
+careless or supremely happy, could touch the keys like that. "Hugh
+must be a fortunate boy," she thought; and she could have hugged him
+for joy. What thought Hugh, as she rose from her seat at the
+instrument like one in a trance and walked towards the hall?
+Conflicting emotions struggled for mastery; but, hardly knowing what
+he did, he started up and offered her a caress. It was not unusual,
+but her nerves had acquired an unwonted sensitiveness; she shuddered,
+and rushed from him up the stairs. He could have torn his hair with
+rage.
+
+"Am I, then, such a bear," he asked himself, "that she is afraid of
+me?"
+
+A light at the end of the hall caught his eye. It was Lucy with
+tear-stained cheeks going to bed,--unconscious that the flaring candle
+she carried was dripping upon her dress,--unconscious that the one she
+both loved and feared was looking at her as she slowly went up the
+back-stairs. Truly, how little the inmates of that house knew of the
+secrets of each other's hearts! It was strange,--was it not?--that,
+after so long intimacy, they could not understand each other better!
+How many hearts do _you_ really know?
+
+
+
+CHAPTER X.
+
+
+"Verily, a good day's work," thought Squire Clamp, as he stretched his
+legs in his office that Monday evening. "Mrs. Kinloch is a very shrewd
+woman, an extraordinarily capable woman. What a wife for a lawyer
+she'd make!--so long as she plotted for, and not against him. But
+Theophilus Clamp was not born to be overreached by one of the weaker
+sex. I was sure my late lamented friend could not have left his
+affairs in such utter disorder,--no schedule of property,--no
+statement of debts; too good a business man for that was Walter
+Kinloch. I shall now be able to know from these documents what my
+late client was really worth, and how large a dower the disconsolate
+widow has reserved for herself. Doubtless she has put by enough to
+suffice for her old age,--and mine, too, I am inclined to think; for I
+don't believe I can do better than marry her when the mourning is
+ended. My late spouse, to be sure, would make a quiet man rather
+apprehensive about a second venture; but if Mrs. Kinloch _is_ a
+Tartar, she is not a vulgar shrew, but will be lady-like, even if she
+is bitter. I think I shall take her. Of course she'll consent. I
+should like to see the unmarried woman in Innisfield that would dare
+refuse Theophilus Clamp. When she knows--that I know--what she knows,
+she'll do pretty much what I tell her. I wonder if she hasn't set on
+foot a marriage between her scapegrace son and Mildred? That would be
+a mishap, truly! But, as guardian, I can stave that off until the
+estate is settled, my wedding over, and myself comfortably in
+possession. Then, perhaps, we'll let the young folks marry,--at least
+we'll think of it. If my son George, now, had not that unlucky
+hare-lip, who knows? H'm, well, to business again. Let's see. It's
+just as that remarkably keen woman suspected. Hardwick's shop does
+stand partly on the land of the estate that joins it; the line will
+run right through his forge, and leave the trip-hammer and water-wheel
+in our possession; for I paced the distance this morning. Tomorrow
+Gunter will make sure of it by a survey; though I think we'd better do
+it while the old man is gone to dinner. He's sometimes apt to use
+emphatic language. Perhaps now his mangy cur Caesar will seize me by
+the coat again! Perhaps Mark will insult me, and the old man laugh at
+it in his sleeve! I shouldn't wonder if they managed to pay the notes,
+but on the title to the shop we have them fast."
+
+The lawyer looked at his watch. "Dear me! it's tea-time. I must go,
+for the church-committee meet this evening. I think, however, I won't
+complain of Hardwick to the deacons this time; for he'll be sure to
+get into a passion when we commence our suit for ejectment, and I
+shall then have a better case against him. A more disagreeable
+Christian to fellowship with I don't know anywhere.
+
+"I _should_ like to know," he continued, as he locked the
+office-door, "if that Lucy told me true,--if those were all the
+papers. No will, no memorandum for one! Well, perhaps Mrs. Kinloch was
+careful enough to give that secret to the keeping of the flames,
+instead of her bureau. I will make close copies of what I have got for
+Lucy to put back, and keep the originals myself. They'll be safest
+with me. There's no telling what may happen to papers in a house where
+there is a prying servant-girl."
+
+Whether the insects were poisoned by the air of the room, as Mark
+Davenport suggested, I cannot say. But when Squire Clamp left the
+office, it was as still as a tomb. No cricket chirped under the
+hearth, no fly buzzed on the window-pane, no spiders came forth from
+the dilapidated, dangling webs. Silence and dust had absolute
+dominion.
+
+The next day Mark returned to New York. He had no opportunity of
+bidding Mildred farewell, but he comforted himself by thinking he had
+provided the means of safely communicating with her by letter. And as
+the stage passed by the house, he caught a glimpse, first of her
+fluttering handkerchief, and then of her graceful fingers wafting to
+him a kiss. It was enough; it furnished him with food for a delightful
+reverie as he went on his way. We shall leave him in his former
+situation, from which, as a starting-point, he determines to win
+fortune or fame, or both. He has your best wishes, no doubt, though
+perhaps you think he will not force his way into the close ranks of
+the great procession of life so soon as he expects.
+
+That day, while Mr. Hardwick was taking his dinner, his second son,
+Milton, who had been fishing at the dam, came running into the house
+quite out of breath.
+
+"F-father!" he stammered out.
+
+"Nun-now st-hop," said the black-smith. "W-what are you st-stuttering
+for? Wah-wait till you can talk."
+
+"Why, father, yer-_you_ stutter."
+
+"Wer-well, yer-_you_ shan't."
+
+The look that came with this seemed to end the matter. A moment's rest
+quieted the nerves of the boy, and he went on to say, that Squire
+Clamp, and a man with a brass machine on his shoulder, and a chain,
+ever so long, were walking about the shop on the bank of the
+river. Lizzy at once looked out of the window and saw the man peering
+into the shop-door, as if exploring the premises.
+
+Impelled by some presentiment of evil, Mr. Hardwick got up from the
+table, and sternly motioning the boys back, went down to the shop. As
+he came near the door, he saw the surveyor holding one end of the
+chain and taking sight upon a staff which the lawyer within was
+adjusting to its place by his direction.
+
+"Just as I expected," said Squire Clamp, in a satisfied tone.
+
+"An' jest as I expected," broke in Mr. Hardwick upon the astonished
+pair. "I knew th-that ef Squire Clamp hed anythin' to do against me,
+he wer-would sneak into the shop sus-some time when I'd ger-gone to
+dinner."
+
+"We thought it would be most convenient, so as not to interrupt you
+about your work."
+
+"Very ker-kind indeed! As ef you wa'n't tryin' to turn me out of
+wer-work altogether! But 'tisn't any yer-use, Squire; this is a case
+you can't be ber-both sides on."
+
+The lawyer turned, with a placid smile, to his companion. "Mr. Gunter,
+I believe we have finished our measurements?"
+
+The man of chain and compass nodded. Nothing abashed by the lawyer's
+cool manner, Mr. Hardwick turned to the surveyor, and asked if he
+undertook to say that Walter Kinloch's deed called for land that was
+covered by the shop?
+
+"I suppose so," was the answer.
+
+"An' now, Sus-squire Clamp," said Mr. Hardwick, "you know that it's
+sus-seventeen or eighteen year sence I per-pulled down the old shop
+and bought this land."
+
+"Yes, but, unfortunately, it takes twenty years to give you title,"
+put in the Squire.
+
+"Nun-never mind that now. Squire Kinloch knew this,--at least, that
+there was room for der-difficulty; for we'd talked it over sus-several
+times afore he died. An' he allers said th-that he'd hev new deeds
+made out, so's to per-per-prevent just such a wrong as this. He didn't
+'xpect to go so sus-sudden."
+
+"I'm sorry, Brother Hardwick, to see you bringing up your talk with
+the lamented deceased, whom you represent as being willing to part
+with his legal rights without a consideration. Even if you had
+evidence of it, such an agreement would be a mere _nudum pactum_,
+binding neither upon himself nor his heirs."
+
+"Squire Clamp! ger-get out of my shop! Fust to call me _Brother_,
+next to doubt my word, an' last to sus-say that a man's free an'
+der-deliberet promise--now he's where he can't sh-shame you into
+honesty--sha'n't be kept!"
+
+The Squire smiled feebly. "You don't intend, Mister Hardwick, assault
+and battery, do you?"
+
+"Yer-yes, ef you don't leave in q-q-q-quick time." And he strode up to
+the astonished attorney, his blue eyes flashing, his curly gray hair
+flying back from his forehead, like a lion's.
+
+Squire Clamp retreated to the street, took sight each way to be sure
+he was off his antagonist's territory, and then vented his cautious
+resentment in such well-considered phrases as a long course of
+experience had taught him were not actionable at law, nor ground for
+discipline in church.
+
+Prudence came to Uncle Ralph's aid, and he did not make further reply,
+but locked the shop-door and returned to the house to finish his
+dinner. The suit was commenced a few days afterwards. Mr. Hardwick
+went to the county seat, some dozen miles distant, and secured the aid
+of an able lawyer, who gave him hope of prevailing and keeping his
+shop.
+
+The affair necessarily created a great stir in the busy little
+town. As the cheerful clatter of the trip-hammer echoed along the
+stream on still evenings, and the fiery plume waved over the chimney,
+neighbors looked out from their windows, and wondered if the good
+blacksmith would, after so many years of honest toil, be stripped of
+his property and be reduced to dependence in his old age. The sympathy
+of the villagers was wholly with him; but the lawyer held so many
+threads of interest in his hands, that few dared to give an opinion
+with much emphasis.
+
+Probably the person most grieved and indignant was the one who, next
+after the blacksmith, was most interested in the event of the
+suit,--namely, Mildred Kinloch. Though no mention was made of the
+matter, at home, in her hearing, she could not fail to know what was
+going on; but she had now sufficient knowledge of her step-mother and
+her guardian to be aware that her influence would not be of the least
+avail in changing their purpose.
+
+Mrs. Kinloch did not repeat the experiment she once made on Mildred's
+sensibilities by referring to her partiality for Mark Davenport and
+his relatives; but, on the contrary, was most gentle in her treatment
+and most assiduous in her endeavors to provide amusement, so far as
+the resources of the town allowed. In company with Hugh, Mildred
+explored all the pleasant roads in the vicinity, all the picturesque
+hills and brooks, caught trout, and snared gamebirds, (the last much
+against her will,)--and by these means her time was fully
+occupied. Hugh seemed to have totally changed; he no longer absented
+himself from the family on mysterious errands; he went to church
+regularly, and appeared to take pleasure in the frequent calls of
+Mr. Rook, the minister. The neighbors began to say that there never
+was a more dutiful son or a more attentive and affectionate brother.
+Some half suspected the reason of the reformation,--no one so quick as
+Squire Clamp, who had reasons of his own, as the reader knows, for
+wishing delay. After a few months had passed, he thought it would be
+dangerous to let the schemes of the widow go on longer without
+interruption, and accordingly prepared to make a step towards his own
+long-cherished purpose.
+
+
+
+CHAPTER XI.
+
+
+One afternoon, about six months after the opening of our story,
+Mrs. Kinloch and her son were talking together concerning the progress
+of his suit. He complained that he was no nearer the point than on the
+first day he and Mildred rode out together. "It was like rounding Cape
+Horn," he said, "where a ship might lie twenty days and drift back as
+fast as she got ahead by tacking." In spite of all his attention and
+kindness, Mildred was merely courteous in return;--he could not get
+near her. If she smiled, it seemed as though it was from behind a
+grating, as in a nunnery. Her pulse was always firm; and if her eye
+was soft, it was steady as the full moon. He didn't believe she had
+any blood in her. If she was in love with that fellow, she kept it
+pretty closely covered up.
+
+Mrs. Kinloch encouraged her son to persevere; she was sure he had not
+been skilful. "Mildred," she said, "was not to be won with as little
+trouble as a silly, low-bred girl, like--like Lucy, for instance."
+
+"What the deuse are you always bringing up Lucy to me for?" said the
+dutiful son.
+
+"Don't speak so!"
+
+"Confound it! I must. You keep a fellow shut up here for six months,
+going to meeting five times a week; you give him no chance to work off
+his natural spirits, and the devil in him will break out
+somewhere. It's putting a stopper in a volcano; if you don't allow a
+little fire and smoke, you're bound to have an earthquake."
+
+After this philosophical digression, the first topic was resumed, and
+Mrs. Kinloch gave the young man some counsel, drawn from her own
+experience or observation, touching the proper mode of awakening and
+cultivating the tender passion. It is not every mother that does so
+much for her son, but then few mothers have so urgent a motive.
+
+"_What_ was it that she advised him to do," did you ask? Really,
+I've quite forgotten; and I am sure Mrs. Kinloch forgot also, at least
+for that day, because something occurred which turned her thoughts for
+the time in quite a different direction.
+
+The ponies were brought out for Hugh and Mildred to take their
+customary canter. The young heiress, for whom so much time and pains
+were spent, looked ill; the delicate flush had vanished from her
+cheek; she seemed languid, and cheerful only by effort. A moment after
+they had gone, as Mrs. Kinloch closed the door, for it was a raw
+November day, she saw and picked up a rudely-folded letter in the
+hall. "Good-bye, Lucy Ransom," were the words she read. They were
+enough. Mrs. Kinloch felt that her heart was struck by a bolt of
+ice. "Poor, misguided, miserable girl!" she said. "Why did I not see
+that something was wrong? I felt it, I knew it,--but only as one knows
+of evil in a dream. Who can calculate the mischief that will come of
+this? O God! to have my hopes of so many years ruined, destroyed, by a
+wretch whose power and existence even I had not once thought of! Has
+she drowned herself, or fled to the city to hide her disgrace? But if
+this should be imagination merely! She may have run away with some
+lubberly fellow from the factory, whom she was ashamed to marry at
+home. But no! she was too sad last evening when she asked to go to her
+grandmother's for a day. What if"--The thought coursed round her brain
+like fire on a train of gunpowder,--flew quicker than words could
+utter it; and the woman bounded to her bureau, as though with muscles
+of steel. She clutched at the papers and bank-notes in her private
+drawer, and looked and counted them over a dozen times before she
+could satisfy herself. Her thin fingers nervously opened the packages
+and folds,--the papers crackling as her eye glanced over them. They
+were there; but not _all_. She pored over the mystery,--her
+thoughts running away upon every side-avenue of conjecture, and as
+often returning to the frightful, remediless fact before her. She was
+faint with sudden terror. By degrees she calmed herself, wiped the
+cold sweat from her forehead, smiled at her fright, and sat down
+again, with an attempt at self-control, to look through the drawers
+thoroughly. As she went on, the tremor returned, and before she had
+finished the fruitless search her heart beat so as to stop her breath;
+she gasped in an agony that the soul rarely feels more than once in
+this life. She shut up the drawers, walked up and down the room,
+noticed with a shudder her own changed expression as she passed before
+the mirror, and strove in vain to give some order to her confused and
+tumultuous thoughts. At length she sat down exhausted. She was
+startled by a knock. Opening the door, there in a newly-furbished
+suit, with clean linen, and a brown wig worn for the first time on his
+hitherto shining head, stood Theophilus Clamp. He had even picked a
+blossom from the geranium in the hall and was toying with it like a
+bashful boy.
+
+"A fine day, Ma'am!" said he, as he took a seat.
+
+"Yes, very," she answered, mechanically, scarcely looking up.
+
+"The young folks have gone out to ride, I suppose."
+
+"Yes, Sir."--A pause, in which Mrs. Kinloch covered her face with her
+handkerchief.
+
+"You don't seem well, Ma'am. Shall I call Lucy?"
+
+"Lucy is gone," she answered,--quickly adding, "gone to her
+grandmother's."
+
+"Well, that is singular. I've been today to look at my land above the
+old lady's house, and she asked me to send word to Lucy to come up and
+see her."
+
+"To-day?"
+
+"Yes, Ma'am; not two hours ago."
+
+Mrs. Kinloch was rapidly revolving probabilities. What interest had
+Lucy to interfere with her affairs? As for Mildred, she was not to be
+thought of as prying into secrets; she was too innocent. Hugh was too
+careless. Who more than this man Clamp was likely to have done or
+procured the mischief? "Have you given her the message?"
+
+"Of course not, Ma'am,--how could I?"
+
+"Then you haven't sent Lucy away on any errand?"
+
+"Certainly not, Madam," said the lawyer, beginning to wince under the
+cross-examination. "Lucy's gone, you say; didn't she leave things all
+right,--your papers, and--and so forth?"
+
+"Papers? Lucy is not presumed to know that I _have_ any papers;
+if any are missing, I'll warrant they are in the hands of some one who
+knows at least enough to read them."
+
+"She suspects me," thought the lawyer, "but can't have discovered that
+hers are only copies; they're too well done." He then added aloud,
+"Perhaps, Mrs. Kinloch, if you had honored me, your associate in the
+administration of the estate, with your confidence touching the
+private papers you speak of, I might have saved you some trouble in
+keeping them."
+
+"Very likely; but no one spoke of papers beside yourself," she
+replied, with a trace of sarcasm in the tone which ill suited the
+expression of her pallid face and drooping head.
+
+"I'm sorry to see you looking so careworn, Mrs. Kinloch," said he,
+with his blandest air. "I intended to bring up a topic more agreeable,
+it is to be hoped, than runaway house-maids or old documents." He
+rubbed his hands softly and turned his eyes with a glance meant to be
+tender towards the place where her chair stood; if he had been a cat,
+he would have purred the while.
+
+Mrs. Kinloch now, for the first time, observed the wig, the unusual
+look of tidiness, and, above all, the flower in his hand; she also saw
+the crucified smile that followed his last remark. "The ridiculous old
+fool!" thought she,--"what can he mean?" But to him she translated
+it,--
+
+"What is the more agreeable topic?"
+
+"Really, you attack me like a lawyer. Don't you know, my dear Madam,
+how it confuses one to be sharply interrogated?"
+
+"It would be something novel to see you confused, Squire Clamp."
+
+"Pray, don't banter, Mrs. Kinloch. I hoped to find you in a more
+complaisant humor. There are topics which cannot be discussed with the
+square precision of legal rules,--thoughts that require sympathy
+before they can be expressed." And he dropped his eyes with a
+ludicrous sigh.
+
+"Oh, I appreciate your tender susceptibilities. Please consider me as
+asking the question again in the most engaging manner."
+
+His new wig was becoming uncomfortable, and he fidgeted in his chair,
+twirling the luckless blossom.
+
+"Why, Mrs. Kinloch, the long regard I entertained for your late
+lamented husband,--ah, I mean my regard for you,--ah, my lonely
+domicil,--ah, since the decease of my--my sainted wife,--ah, and since
+the Scripture says it is not good for man to live alone,--ah, your
+charming qualities and many virtues,--not that your fortune,--ah,--I
+mean to say, that, though not rich, I am not grasping,--and the
+cottage where you lived would be a palace,--ah, for me, if not
+unworthy,--ah, no desire to unduly shorten the period of
+mourning,--ah, but life is short and uncertain"----
+
+There was a dead silence. His mouth was vainly working, and his
+expression confused and despairing. The flower had wilted in his moist
+hand. Little streams of perspiration trickled down his face, to be
+mopped up by his bandanna. Such was the ordeal of talking hollow
+sentiment to a cool and self-possessed woman. She enjoyed the
+exhibition for a time,--as what woman would not? But the waves of her
+trouble rushed back upon her, and the spirit of mischief and coquetry
+was overwhelmed. So she answered,--
+
+"You are pleased to be polite,--perhaps gallant. You must excuse me
+from taking part in such conversation to-day, however little is meant
+by it,--and the less meant the better,--I am not well."
+
+She rose feebly, and walked towards the door with as much dignity as
+her trembling frame could assume. He was abashed; his fine speeches
+jumbled in meaningless fragments, his airy castle ready to topple on
+his unlucky head. He would have been glad to rebuke her fickle humor,
+as he thought it; but he knew he had made a fool of himself, so he
+merely said,--
+
+"No offence, I hope, Ma'am; none meant, certainly. Wish you
+good-afternoon, Ma'am. Call and see you again some day, and hope to
+find you better."
+
+_Would_ he find her better? While the mystery remained, while the
+ruin of her hopes impended, what could restore to her the
+cheerfulness, the courage, the self-command she had lost?
+
+[To be continued.]
+
+
+
+
+"BRINGING OUR SHEAVES WITH US."
+
+
+ The time for toil is past, and night has come,--
+ The last and saddest of the harvest-eves;
+ Worn out with labor long and wearisome,
+ Drooping and faint, the reapers hasten home,
+ Each laden with his sheaves.
+
+ Last of the laborers thy feet I gain,
+ Lord of the harvest! and my spirit grieves
+ That I am burdened not so much with grain
+ As with a heaviness of heart and brain;--
+ Master, behold my sheaves!
+
+ Few, light, and worthless,--yet their trifling weight
+ Through all my frame a weary aching leaves;
+ For long I struggled with my hapless fate,
+ And staid and toiled till it was dark and late,--
+ Yet these are all my sheaves.
+
+ Full well I know I have more tares than wheat,--
+ Brambles and flowers, dry stalks, and withered leaves
+ Wherefore I blush and weep, as at thy feet
+ I kneel down reverently, and repeat,
+ "Master, behold my sheaves!"
+
+ I know these blossoms, clustering heavily
+ With evening dew upon their folded leaves,
+ Can claim no value nor utility,--
+ Therefore shall fragrancy and beauty be
+ The glory of my sheaves.
+
+ So do I gather strength and hope anew;
+ For well I know thy patient love perceives
+ Not what I did, but what I strove to do,--
+ And though the full, ripe ears be sadly few,
+ Thou wilt accept my sheaves.
+
+
+
+
+FARMING LIFE IN NEW ENGLAND.
+
+
+New England does not produce the bread she eats, nor the raw materials
+of the fabrics she wears. A multitude of her purely agricultural towns
+are undergoing, more or less rapidly, a process of depopulation. Yet
+these facts exist by the side of positive advances in agricultural
+science and decided improvements in the means and modes of farming.
+The plough is perfected, and the theory of ploughing is
+understood. The advantages of thorough draining are universally
+recognized, and tiles are for sale everywhere. Mowing and reaping
+machines have ceased to be a novelty upon our plains and meadows. The
+natural fertilizers have been analyzed, and artificial nutrients of
+the soil have been contrived. The pick and pride of foreign herds
+have regenerated our neat stock, and the Morgan and the Black-Hawk eat
+their oats in our stalls. The sheepfold and the sty abound with choice
+blood. Sterling agricultural journals are on every farmer's table, and
+Saxton's hand-books upon agricultural specialties are scattered
+everywhere. Public shows and fairs bring on an annual exacerbation of
+the agricultural fever, which is constantly breaking out in new
+places, beyond the power of the daily press to chronicle. Yet it is
+too evident that the results are not at all commensurate with the
+means under tribute and at command. What is the reason?
+
+In looking at the life of the New England farmer, the first fact that
+strikes us is, that it is actually a very different thing from what it
+might be and ought to be. There dwells in every mind, through all
+callings and all professions, the idea that the farmer's life is, or
+may be, is, or should be, the truest and sweetest life that man can
+live. The merchant may win all the prizes of trade, the professional
+man may achieve triumphs beyond his hopes, the author may find his
+name upon every lip, and his works accounted among the nation's
+treasures, and all may move amid the whirl and din of the most
+inspiring life, yet there will come to every one, in quiet
+evening-hours, the vision of the old homestead, long since forsaken;
+or the imagination will weave a picture of its own,--a picture of
+rural life, so homely, yet so beautiful, that the heart will breathe a
+sigh upon it, the eye will drop a tear upon it, and the voice will
+say, "It were better so!"
+
+In a city like Boston there are farms enough imagined every year to
+make another New England. Could the fairest fancies of that congeries
+of minds be embodied and exhibited, we should see green meadows
+sparkling with morning dew,--silver-slippered rivulets skipping into
+musical abysses,--quiet pasture-lands shimmering so sleepily in the
+sun that the lazy flocks and herds forget to graze, and lie winking
+and ruminating under the trees,--and yellow fields of grain, along the
+hill-sides, billowy in the breeze, and bending before the shadows of
+the clouds that sail above them. And mingling and harmonizing with
+these visions, we should hear the lowing of kine, and the tinkle of
+the bell that leads the flock, and the shout of the boy behind the
+creeping plough, and the echoes of the axe, and the fall of the tree
+in the distant forest, and the rhythmical clangor, softened into a
+metallic whisper by the distance, of the mowers whetting their
+scythes. With these visions and these sounds there would come to the
+minds which give them birth convictions that rural life is the best
+life, and resolutions that, by-and-by, in some golden hour, when the
+sun of life begins to lengthen the eastward shadows, that life shall
+be enjoyed, and that the soul shall pass at last from the quiet scenes
+of Nature into those higher scenes which they symbolize. There is a
+thought in all this that the farm is nearer heaven than the street,--a
+reminiscence of the first estate, when man was lord of Eden; and this
+thought, old as art and artificial life, cannot be rooted out of the
+mind. It has a life of its own, independent of reason, above instinct,
+among the quickest intuitions of the soul.
+
+Now this idea, so universal, so identical in millions of minds,
+springing with such spontaneity in the midst of infinitely varied
+circumstances, abiding with such tenacity in every soul, can have its
+basis nowhere save in a Divine intention and a human possibility. The
+cultivation of the farm is the natural employment of man. It is upon
+the farm that virtue should thrive the best, that the body and the
+mind should be developed the most healthfully, that temptations should
+be the weakest, that social intercourse should be the simplest and
+sweetest, that beauty should thrill the soul with the finest raptures,
+and that life should be tranquillest in its flow, longest in its
+period, and happiest in its passage and its issues. This is the
+general and the first ideal of the farmer's life, based upon the
+nature of the farmer's calling and a universally recognized human
+want. Why does the actual differ so widely from the ideal? It is not
+because the farmer's labor is hard and constant, alone. There is no
+fact better established than that it is through the habitual use both
+of the physical and mental powers that the soul achieves, or receives,
+its most healthful enjoyment, and acquires that tone which responds
+most musically to the touch of the opportunities of leisure. Why,
+then, we repeat, does the actual differ so widely from the ideal?
+
+A general answer to this question is, that that is made an end of life
+which should be but an incident or a means. Life is confounded with
+labor, and thrift with progress; and material success is the aim to
+which all other aims are made subordinate. There is no fact in
+physiology better established than that hard labor, followed from day
+to day and year to year, absorbing every thought and every physical
+energy, has the direct tendency to depress the intellect, blunt the
+sensibilities, and animalize the man. In such a life, all the
+energies of the brain and nervous system are directed to the support
+of nutrition and the stimulation of the muscular system. Man thus
+becomes a beast of burden,--the creature of his calling; and though he
+may add barn to barn and acre to acre, he does not lead a life which
+rises in dignity above that of the beasts which drag his plough. He
+eats, he works, he sleeps. Surely, there is no dignity in a life like
+this; there is nothing attractive and beautiful and good in it. It is
+a mean and contemptible life; and all its maxims, economies,
+associations, and objects are repulsive to a mind which apprehends
+life's true enjoyments and ends. We say that it is a pestilent
+perversion. We say that it is the sale of the soul to the body; it is
+turning the back upon life, upon growth, upon God, and descending into
+animalism.
+
+The true ideal of the farmer's life--of any life--contemplates
+something outside of, and above, the calling which is its instrument.
+The farmer's life is no better than the life of a street-sweeper, if
+it rise no higher than the farmer's work. If the farmer, standing
+under the broad sky, breathing the pure air, listening to the song of
+birds, watching the progress of
+
+
+ "The great miracle that still goes on,"
+
+
+to work the transformation of the brown seeds which he drops into the
+soil into fields of green and gold, and gazing upon landscapes
+shifting with the seasons and flushed with new tints through every
+sunlit and moonlit hour, does not apprehend that his farm has higher
+uses for him than those of feeding his person and his purse, he might
+as well dwell in a coal-mine.
+
+Our soil is sterile, our modes of farming have been rude until within
+a few years; and under the circumstances,--with the Yankee notion that
+the getting of money is the chief end of man,--exclusive devotion to
+labor has been deemed indispensable to success. The maxims of Franklin
+have been literally received and adopted as divine truth. We have
+believed that to labor is to be thrifty, that to be thrifty is to be
+respectable, that to be respectable is to afford facilities for being
+still more thrifty; and our experience is, that with increased thrift
+comes increased labor. This is the circle of our ambitions and
+rewards. All begins and ends in labor. The natural and inevitable
+result of this is both physical and mental deterioration.
+
+It is doubtful whether the world furnishes a finer type of man,
+physically and intellectually, than the Irish gentleman. He is
+handsome, large, courageous,--a man of fine instincts, brilliant
+imagination, courtly manners, and full, vital force. By the side of
+the Irish gentleman, there has grown for centuries the Irish
+peasant. He is ugly, of stunted stature, and pugnacious; and he
+produces children like himself. The two classes started from a common
+blood; they now present the broadest contrast. We do not say that
+freedom from severe labor on one side, and confinement to it on the
+other, are entirely responsible for this contrast; difference of food
+and other obvious causes have had something to do with it; but we say
+that hard labor has, directly and indirectly, degraded from a true
+style of manhood the great mass of the Irish peasantry. They are a
+marked class, and carry in their forms and faces the infallible
+insignia of mental and physical degeneration.
+
+We would by no means compare New England farmers with the Irish
+peasantry. We only present the contrast between these two classes of
+the Irish population as the result of unremitting toil on one side,
+and a more rational kind of life on the other. If we enter a New
+England church, containing a strictly rural assembly, and then visit
+another containing a class whose labor is lighter, and whose style of
+life is based upon different ideas, we shall see a contrast less
+marked, perhaps, but presenting similar features. The farming
+population of New England is not a handsome population, generally.
+The forms of both men and women are angular; their features are not
+particularly intellectual; their movements are not graceful; and their
+calling is evident by indubitable signs. The fact that the city
+assemblage is composed of a finer and higher grade of men, women, and
+children is of particular moment to our argument, because it is
+composed of people who are only one, two, or three removes from a
+rural origin. The city comes from the country; the street is
+replenished by the farm; but the city children, going back to the
+farm, show that a new element has been introduced into their
+blood. The angles are rounded; the face is brighter; the movements are
+more graceful; there is in every way a finer development.
+
+There is probably no better exponent of the farmer's life than the
+farmer's home. We propose to present the portrait of such a home, and,
+while we offer it as a just outline of the farmer's home generally, in
+districts removed from large social centres, we gladly acknowledge the
+existence of a great multitude of happy exceptions. But the sketch:--A
+square, brown house; a chimney coming out of the middle of a roof; not
+a tree nearer than the orchard, and not a flower at the door. At one
+end projects a kitchen; from the kitchen projects a wood-shed and
+wagon-cover, occupied at night by hens; beyond the wood-shed, a
+hog-pen, fragrant and musical. Proceeding no farther in this
+direction, we look directly across the road, to where the barn stands,
+like the hull of a great black ship-of-the-line, with its port-holes
+opened threateningly upon the fort opposite, out of one of which a
+horse has thrust his head for the possible purpose of examining the
+strength of the works. An old ox-sled is turned up against the wall
+close by, where it will have the privilege of rotting. This whole
+establishment was contrived with a single eye to utility. The barn
+was built in such a manner that its deposits might be convenient to
+the road which divides the farm, while the sty was made an attachment
+of the house for convenience in feeding its occupants.
+
+We enter the house at the back door, and find the family at dinner in
+the kitchen. A kettle of soap-grease is stewing upon the stove, and
+the fumes of this, mingled with those that were generated by boiling
+the cabbage which we see upon the table, and by perspiring men in
+shirt-sleeves, and by boots that have forgotten or do not care where
+they have been, make the air anything but agreeable to those who are
+not accustomed to it. This is the place where the family live. They
+cook everything here for themselves and their hogs. They eat every
+meal here. They sit here every evening, and here they receive their
+friends. The women in this kitchen toil incessantly, from the time
+they rise in the morning until they go to bed at night. Here man and
+woman, sons and daughters, live, in the belief that work is the great
+thing, that efficiency in work is the crowning excellence of manhood
+and womanhood, and willingly go so far into essential self-debasement,
+sometimes, as to contemn beauty and those who love it, and to glory
+above all things in brute strength and brute endurance.
+
+Here we are ready to state the point and the lesson of our
+discussion:--The real reason for the deterioration of agriculture in
+New England is to be found in the fact, that the farmer's life and the
+farmer's home, generally, are unloved and unlovable things, and in the
+multitude of causes which have tended to make them so. Let the son of
+such a home as we have pictured get a taste of a better life than
+this, or, through sensibilities which he did not inherit, apprehend a
+worthier style of existence, and what inducements, save those which
+necessity imposes, can retain him there? He hates the farm, and will
+flee from it at the first opportunity. If the New England farmer's
+life were a loved and lovable thing, the New England boys could hardly
+be driven from the New England hills. They would not only find a way
+to live here, but they would make farming profitable. They would honor
+the employment to which they are bred, and would leave it, save in
+exceptional instances, for no other. It is not strange that the
+country grows thin and the city plethoric. It is not strange that
+mercantile and mechanical employments are thronged by young men,
+running all risks for success, when the alternative is a life in which
+they find no meaning, and no inspiring and ennobling influence.
+
+The popular ideal of the farmer's life and home, to which we have
+alluded, we believe to be what God intended. That life contemplates
+the institution and maintenance of personal and social habits, and the
+cultivation of tastes and faculties, separate from, and above, labor.
+Every farm-house should be a residence of men and women, boys and
+girls, who, appreciating something of the meaning and end of life,
+rise from every period of labor into an atmosphere of intellectual and
+social activity, or into some form of refined family enjoyment. It is
+impossible to do this while surrounded with all the associations of
+labor. If there is a room in every farmer's house where the work of
+the family is done, there should be a room in every farmer's house
+where the family should live,--where beauty should appeal to the eye,
+where genuine comfort of appointments should invite to repose, where
+books should be gathered, where neatness and propriety of dress should
+be observed, and where labor may be forgotten. The life led here
+should be labor's exceeding great reward. A family living like
+this--and there are families that live thus--will ennoble and beautify
+all their surroundings. There will be trees at their door, and
+flowers in their garden, and pleasant and graceful architectural ideas
+in their dwelling. Human life will stand in the foreground of such a
+home,--human life, crowned with its dignities and graces,--while
+animal life will be removed among the shadows, and the gross material
+utilities, tastefully disguised, will be made to retire into an
+unoffending and harmonious perspective.
+
+But we have alluded to other causes than labor as in some measure
+responsible for the unattractiveness of the farmer's life, and
+affecting adversely the farming interest. These touch the matter at
+various points, and are charged with greater or less importance. We
+know of no one cause more responsible for whatever there may be of
+physical degeneracy among the farming population than the treatment of
+its child-bearing women; and this, after all, is but a result of
+entire devotion to the tyrannical idea of labor. If there be one
+office or character higher than all others, it is the office or
+character of mother. Surely, the bringing into existence of so
+marvellous a thing as a human being, and the training of that being
+until it assumes a recognized relation to God and human society, is a
+sacred office, and one which does not yield in dignity and importance
+to any other under heaven. For a woman who faithfully fulfils this
+office, who submits without murmuring to all its pains, who patiently
+performs its duties, and who exhausts her life in a ceaseless overflow
+of love upon those whom God has given her, no words can express a true
+man's veneration. She claims the homage of our hearts, the service of
+our hands, the devotion of our lives.
+
+Yet what is the position of the mother in the New England farmer's
+home? The farmer is careful of every animal he possesses. The
+farm-yard and the stall are replenished with young, by creatures for
+months dismissed from labor, or handled with intelligent care while
+carrying their burden; because the farmer knows that only in this way
+can he secure improvement, and sound, symmetrical development, to the
+stock of his farm. In this he is a true, practical philosopher. But
+what is his treatment of her who bears his children? The same
+physiological laws apply to her that apply to the brute. Their strict
+observance is greatly more imperative, because of her finer
+organization; yet they are not thought of; and if the farm-yard fail
+to shame the nursery, if the mother bear beautiful and well-organized
+children, Heaven be thanked for a merciful interference with the
+operation of its own laws! Is the mother in a farm-house ever regarded
+as a sacred being? Look at her hands! Look at her face! Look at her
+bent and clumsy form! Is it more important to raise fine colts than
+fine men and women? Is human life to be made secondary and subordinate
+to animal life? Is not she who should receive the tenderest and most
+considerate ministries of the farmer's home, in all its appointments
+and in all its service, made the ceaseless minister and servant of the
+home and all within it, with utter disregard of her office? To expect
+a population to improve greatly under this method is simply to expect
+miracles; and to expect a farmer's life and a farmer's home to be
+attractive, where the mother is a drudge, and secures less
+consideration than the pets of the stall, is to expect impossibilities.
+
+Another cause which has tended to the deterioration of the farmer's
+life is its solitariness. The towns in New England which were settled
+when the Indians were in possession of the country, and which, for
+purposes of defence, were settled in villages, have enjoyed great
+blessings; but a large portion of agricultural New England was
+differently settled. It is difficult to determine why isolation
+should produce the effect it does upon the family development. The
+Western pioneer, who, leaving a New England community, plants himself
+and his young wife in the forest, will generally become a coarse man,
+and will be the father of coarse children. The lack of the social
+element in the farmer's life is doubtless a cause of some of its most
+repulsive characteristics. Men are constituted in such a manner, that
+constant social contact is necessary to the healthfulness of their
+sympathies, the quickness of their intellects, and the symmetrical
+development of their powers. It matters little whether a family be
+placed in the depths of a Western forest, or upon the top of a New
+England hill; the result of solitude will be the same in kind, if not
+in degree.
+
+Now the farmer, partly from isolation and partly from absorption in
+labor, is the most unsocial man in New England. The farmers are
+comparatively few who go into society at all, who ever dine with their
+neighbors, or who take any genuine satisfaction in the company of the
+women whom their wives invite to tea. They may possibly be
+farmers among farmers, but they are not men among men and
+women. Intellectually, they are very apt to leave life where they
+begin it. Socially, they become dead for years before they die. The
+inhabitants of a city can have but a poor apprehension of the amount
+of enjoyment and development that comes to them through social
+stimulus. Like gold, humanity becomes bright by friction, and grows
+dim for lack of it. So, we say, the farmer's life and home can never
+be what they should be,--can never be attractive by the side of other
+life containing a true social element,--until they have become more
+social. The individual life must not only occupy a place above that of
+a beast of burden, but that life must be associated with all congenial
+life within its reach. The tree that springs in the open field, though
+it be fed by the juices of a rood, through absorbents that penetrate
+where they will, will present a hard and stunted growth; while the
+little sapling of the forest, seeking for life among a million roots,
+or growing in the crevice of a rock, will lift to the light its cap of
+leaves upon a graceful stem, and whisper, even-headed, with the
+stateliest of its neighbors. Men, like trees, were made to grow
+together, and both history and philosophy declare that this Divine
+intention cannot be ignored or frustrated with impunity.
+
+Traditional routine has also operated powerfully to diminish the
+attractiveness of agricultural employments. This cause, very happily,
+grows less powerful from year to year. The purse is seen to have an
+intimate sympathy with intelligent farming. Were we to say that God
+had so constituted the human mind that routine will tire and disgust
+it, we should say in effect that he never intended the farmer's life
+to be one of routine. Nature has done all she can to break up routine.
+While the earth swings round its orbit once a year, and turns on its
+axis once in twenty-four hours,--while the tide ebbs and flows twice
+daily, and the seasons come and go in rotation, every atom changes its
+relations to every other atom every moment. Influences are tossed into
+these skeleton cycles of motion and event which start a myriad of
+diverse currents, and break up the whole surface of life and being
+into a healthful confusion. There are never two days alike. The
+motherly sky never gives birth to twin clouds. The weather shakes its
+bundle of mysteries in our faces, and banters us with, "Don't you wish
+you knew?" We prophesy rain upon the morrow, and wake with a bar of
+golden sunlight on the coverlet. We foretell a hard winter, and,
+before it is half gone, become nervous lest we should miss our supply
+of ice. The fly, the murrain, the potato-rot, and the grasshoppers,
+all have a divine office in tipping over our calculations. The
+phantom host of the great North come out for parade without
+announcement, and shoot their arrows toward the zenith, and flout the
+stars with their rosy flags, and retire, leaving us looking into
+heaven and wondering. Long weeks of drought parch the earth, and then
+comes the sweet rain, and sets the flowers and the foliage
+dancing. All the seasons are either very late or very early, or, for
+some reason, "the most remarkable within the memory of man."
+
+This is God's management for destroying routine within the law of
+stated revolution, and for bringing the mind constantly into contact
+with fresh influences. The soul, encased by a wall of adamantine
+circumstances, and driven around a track of unvarying duties,
+shrivels, or gets diseased. But these circumstances need not imprison
+the farmer, nor these duties become the polished pavement of his
+cell. He has his life among the most beautiful scenes of Nature and
+the most interesting facts of Science. Chemistry, geology, botany,
+meteorology, entomology, and a dozen other related or constituent
+sciences,--what is intelligent farming but a series of experiments,
+involving, first and last, all of these? What is a farm but a
+laboratory where the most important and interesting scientific
+problems are solved? The moment that any field of labor becomes
+intelligently experimental, that moment routine ceases, and that field
+becomes attractive. The most repulsive things under heaven become
+attractive, on being invested with a scientific interest. All,
+therefore, that a farmer has to do, to break up the traditional
+routine of his method and his labor, is to become a scientific
+farmer. He will then have an interest in his labor and its results
+above their bare utilities. Labor that does not engage the mind has no
+dignity; else the ox and the ass are kings in the world, and we are
+but younger brothers in the royal family. So we say to every
+farmer,--If you would make your calling attractive to yourself and
+your boys, seek that knowledge which will break up routine, and make
+your calling, to yourself and to them, an intelligent pursuit.
+
+A recent traveller in England speaks enthusiastically of a visit which
+he paid to an old farm-house in that country, and of the garden-farm
+upon which it stood, which had descended from father to son through a
+period of five hundred years. He found a family of charming
+intelligence and the politest culture. That hallowed soil was a
+beautiful body, of which the family interests and associations were
+the soul. To be dissociated from that soil forever would be
+regarded by its proprietors as almost equivalent to family
+annihilation. Proprietorship in English soil is one of the prime
+ambitions of the true Englishman; but we do not find in New England
+any kindred sentiments of pride in landed property and family
+affection for the paternal acres. The nomadic tribes of Asia would
+seem to have quite as strong local attachments as Yankee landholders,
+most of whom will sell their homesteads as readily as they will their
+horses. This fact we cannot but regard as one among the many causes
+which have conspired to despoil the farmer's calling of some of its
+legitimate attractions. The son slips away from the old homestead as
+easily as he does from the door of a hotel. Very likely his father has
+rooted up all home attachments by talking of removing Westward ever
+since the boy saw the light. This lack of affection for the family
+acres is doubtless owing somewhat to the fact that in this country
+landed property is not associated with political privilege, as it has
+been in England; but this cannot be the sole reason; for the sentiment
+has a genuine basis in nature, and, in not a few instances, an actual
+existence amongst us.
+
+Resulting from the operation of all the causes which we have briefly
+noticed, there is another cause of the deterioration of farming life
+in New England, which cannot be recovered from in many years. Actual
+farming life has been brought into such harsh contrast with other
+life, that its best materials have been sifted out of it, have slid
+away from it. An inquiry at the doors of the great majority of farmers
+would exhibit the general fact, that the brightest boys have gone to
+college, or have become mechanics, or are teaching school, or are in
+trade, or have emigrated to the West. There have been taken directly
+out from the New England farming population its best elements,--its
+quickest intelligence, its most stirring enterprise, its noblest and
+most ambitious natures,--precisely those elements which were necessary
+to elevate the standard of the farmer's calling and make it what it
+should be. It is very easy to see why these men have not been retained
+in the past; it is safe to predict that they will not be retained in
+the future, unless a thorough reform be instituted. These men cannot
+be kept on a routine farm, or tied to a home which has no higher life
+than that of a workshop or a boarding-house. It is not because the
+work of the farm is hard that men shun it. They will work harder and
+longer in other callings for the sake of a better style of individual
+and social life. They will go to the city, and cling to it while half
+starving, rather than engage in the dry details and the hard and
+homely associations of the life which they forsook.
+
+The boys are not the only members of the farmer's family that flee
+from the farmer's life. The most intelligent and most enterprising of
+the farmer's daughters become school-teachers, or tenders of shops, or
+factory-girls. They contemn the calling of their father, and will,
+nine times in ten, marry a mechanic in preference to a farmer. They
+know that marrying a farmer is a very serious business. They remember
+their worn-out mothers. They thoroughly understand that the vow that
+binds them in marriage to a farmer seals them to a severe and homely
+service that will end only in death.
+
+As a consequence of this sifting process, to which we have given but a
+glance, a very decidedly depressing element is now being rapidly
+introduced into New England farming life. The Irish girls have found
+their way into the farmer's kitchen, and the Irish laborer has become
+the annual "hired man." At present, there are no means of measuring
+the effect of this new element; but it cannot fail to depress the tone
+of farming society, and surround it with a new swarm of menial
+associations.
+
+In our judgment, there is but little in the improved modes of farming,
+in scientific discoveries, and new mechanical appliances, to be relied
+upon for the elevation of New England agriculture and the emancipation
+of New England farming life. The farmer needs new ideas more than he
+needs new implements. The process of regeneration must begin in the
+mind, and not in the soil. The proprietor of that soil should be the
+true New England gentleman. His house should be the home of
+hospitality, the embodiment of solid comfort and liberal taste, the
+theatre of an exalted family-life which shall be the master and not
+the servant of labor, and the central sun of a bright and happy social
+atmosphere. When this standard shall be reached, there will be no
+fear for New England agriculture. The noblest race of men and women
+the sun ever shone upon will cultivate these valleys and build their
+dwellings upon these hills; and they will cling to a life which
+blesses them with health, plenty, individual development, and social
+progress and happiness. This is what the farmer's life may be and
+should be; and if it ever rise to this in New England, neither prairie
+nor savanna can entice her children away; and waste land will become
+as scarce, at last, as vacant lots in Paradise.
+
+
+
+
+LES SALONS DE PARIS.[1]
+
+
+The title is an ambitious one, for the _salons_ of Paris are
+Paris itself; and, from the days of the Fronde and of the Hôtel
+Rambouillet down to our own, you may judge pretty accurately of what
+is going on upon the great political stage of France by what is
+observable in those green-rooms and _coulisses_ called the
+Parisian drawing-rooms, and where, more or less, the actors of all
+parties may be seen, either rehearsing their parts before the
+performance, or seeking, after the performance is over, the several
+private echoes of the general public sentiment that has burst forth
+before the light of the foot-lamps. Shakspeare's declaration, that
+"all the world's a stage," is nowhere so true as in the capital of
+Gaul. There, most truly may it be said, are
+
+
+ ----"All the men and women merely players;
+ They have their exits and their entrances,
+ And one man in his time plays many parts."
+
+
+Therefore might a profound and comprehensive study of the
+drawing-rooms of Paris be in a manner a history of France in our own
+times.
+
+Madame Ancelot's little volume does not aim so high; nor, had it done
+so, would its author have possessed the talent requisite for carrying
+out such a design. Madame Ancelot is a writer of essentially
+second-rate and subordinate capacity, and consequently her account of
+those _salons de Paris_ that she has seen (and she by no means
+saw them all) derives no charm from the point of view she takes. To
+say the truth, she has no "point of view" of her own; she tells what
+she saw, and (thus far we must praise her) she tells it very
+conscientiously. Having waited in every instance till the people she
+has to speak of were dead, Mme. Ancelot has a pretty fair field before
+her for the display of her sincerity, and we, the public, who are
+neither kith nor kin of the deceased, are the gainers thereby.
+
+So interesting and so amusing is the subject Madame Ancelot has
+chosen, that, in spite of her decided want of originality or even
+talent in treating it, her book is both an amusing and an interesting
+one. It is even more than that; for those who wish to have a correct
+notion of certain epochs of the social civilization of modern France,
+and of certain predominant types in French society during the
+last forty years, Madame Ancelot's little volume is full of
+instruction. Perhaps in no society, so much as in that of France, have
+the political convulsions of the state reacted so forcibly upon the
+relations of man to man, revolutionizing the homes of private persons,
+even as the government and the monarchy were revolutionized. In
+England, nothing of this kind is to be observed; and if you study
+English society ten years, or twenty years, or fifty years after the
+fall of Charles I., after the establishment of the Commonwealth, or
+after the restoration of Charles II., the definitive exile of the
+Stuarts, and the advent of a foreign dynasty to the throne, you find
+everywhere its constitutive elements the same,--modified only by such
+changes of time, circumstance, and fashion, as naturally, in every
+country, modify the superficial aspect of all society. But in France,
+it is the very _substratum_ of the social soil that is overturned, it
+is the constitutive elements of society that are displaced; and the
+consequence is a general derangement of all relative positions.
+
+In what is still termed _la vieille société Française_, little or
+nothing was left to chance, and one of its great characteristics was
+order and the perfectly regular play of its machinery. Everything was
+set down, _noted_, as it were, beforehand,--as strictly so as the
+ceremonies of a grand diplomatic ceremony, after some treaty, or
+marriage, or other occasion of solemn conference. Under this
+_régime_, which endured till the Revolution of '93, (and even,
+strangely enough, _beyond_ that period,) politeness was, of
+course, the one chief quality of whosoever was well brought
+up,--urbanity was the first sign of good company,--and for the simple
+reason, that no one sought to infringe. There was no cause for
+insolence, or for what in England is called "exclusiveness," because
+there was no necessity to repel any disposition to encroach. No one
+dreamed of the possibility of encroaching upon his neighbor's grounds,
+or of taking, in the slightest degree, his neighbor's place.
+
+The first French Revolution caused no such sudden and total disruption
+of the old social traditions as has been generally supposed; and as
+far as mere social intercourse and social conventionalities were
+concerned, there was, even amongst the terrible popular dictators of
+1793, more of the _tone_ of the _ci-devant_ good company
+than could possibly be imagined. In later times, every one who knew
+Fouché remembers that he was constantly in the habit of expressing his
+indignation at the want of good-breeding of the young exquisites of
+the Empire, and used perpetually to exclaim, "In _my time_" this
+or that "would not have been allowed," or, "In _my_ time we were
+accustomed to do" so and so. Now Fouché's "time" was that which is
+regarded as the period of universal beheading and levelling.
+
+It is certain, that, under the _régime_ of the Revolution itself,
+bitter class-hatreds did not at first show themselves in the peaceful
+atmosphere of society,--and that for more than one reason. First of
+all, in a certain sense, "society," it may be said, was
+_not_. Next, what subsisted of society was fragmentary, and was
+formed by small isolated groups or coteries, pretty homogeneously
+composed, or, when not so as to rank and station, rendered homogeneous
+by community of suffering. It must not be imagined that only the
+highest class in France paid for its opinions or its vanities with
+loss of life and fortune. The victims were everywhere; for the changes
+in the governing forces were so perpetual, that, more or less, every
+particular form of envy and hatred had its day of power, and levelled
+its blows at the objects of its special antipathy. In this way, the
+aristocracy and the _bourgeoisie_ were often brought into
+contact; marriages even were contracted, whether during imprisonment
+or under the pressure of poverty, that never would have been dreamt of
+in a normal state of things; and whilst parents of opposite conditions
+shook hands in the scaffold-surveying _charrettes_, the children
+either drew near to each other, in a mutual helpfulness, the principle
+whereof was Christian charity, or met together to partake of
+amusements, the aim whereof was oblivion. For several years, the turn
+of every individual for execution might come, and therefore it was
+difficult, on the other hand, to see who might also _not_ be a
+friend.
+
+This began to be modified under the Empire, but in a shape not
+hitherto foreseen. Military glory began to long for what the genuine
+Revolutionists termed "feudal distinctions." Napoleon was desirous of
+a court and of an aristocracy; he set to work to create a
+_noblesse_, and dukes and counts were fabricated by the
+dozen. Very soon the strong love of depreciation, that is inherent in
+every Frenchman, seized upon even the higher plebeian classes, and,
+discontented as they were at seeing the liberties of the movement of
+'89 utterly confiscated by a military chief, and antipathetic as they
+have been, time out of mind, to what are called _les traineurs de
+sabre_, the civilians of France, her _bourgeois_, who were to
+have their day,--but with very different feelings in 1830,--joined
+with the genuine Pre-Revolutionary aristocrats, and the _noblesse de
+l'Empire_ was laughed at and taken _en grippe_. Here was, in
+reality, the first wide breach made in France in the edifice of
+good-breeding and good-manners; and those who have been eye-witnesses
+to the metamorphosis will admit that the guillotine of Danton and
+Robespierre did even less to destroy _le bon ton_ of the
+_ancien régime_ than was achieved by the guard-room habits and
+morals of Bonaparte's glorious troopers, rushing, as they did, booted
+and spurred, into the emblazoned sanctuary of heraldic distinctions,
+and taking, as it were, _la société_ by storm.
+
+But soon another alliance and other enmities were to be formed. The
+Empire fell; the Bourbons returned to France; Louis XVIII. recognized
+the _noblesse_ of the Imperial government, and the constitution of
+society as it had been battled for by the Revolution. At the same time
+his court was filled with all the great historic names of the country,
+who returned, no longer avowedly the first in authority, and therefore
+prompt to condescend, but the first in presumption, and therefore
+prompt to take offence. The new alliance that was formed was that of
+the plebeian caste with the _noblesse de l'Empire_, against which it
+had been previously so incensed. Notwithstanding all the efforts
+sincerely made by Louis XVIII. to establish a constitutional
+government and to promote a genuine constitutional feeling throughout
+France, class-hatreds rose gradually to so violent a height that the
+king's only occupation soon grew to be the balancing of expediencies.
+He was forever obliged to reflect upon the choices he could make
+around him, since each choice made from one party insured him a
+hundred enemies in the party opposed. This, which was the political
+part of the drama,--that which regarded the scenes played upon the
+public stage,--had its instantaneous reflex, as we have already said
+in the commencement of these pages, in the _salons_, which were the
+green-rooms and _coulisses_. Urbanity, amenity of language, the bland
+demeanor hitherto characterized as _la grâce Française_, all these
+were at an end. Society in France, such as it had been once, the
+far-famed model for all Europe, had ceased to exist. The ambition
+which had once been identified with the cares of office or the dangers
+of war now found sufficient food in the bickerings of party-spirit,
+and revenged itself by _salon_ jokes and _salon_ impertinence for the
+loss of a lead it either could not or would not take in
+Parliament. The descendants of those very fathers and mothers who had,
+in many cases, suffered incarceration, and death even, together, set
+to hating each other cordially, because these would not abdicate what
+those would not condescend to compete for. The _noblesse_ cried out,
+that the _bourgeoisie_ was usurping all its privileges; and the
+_bourgeoisie_ retorted, that the time for privilege was past. The two
+classes could no longer meet together in the world, but formed utterly
+different sets and _cliques_; and it must be avowed that neither of
+the two gained in good-manners, or what may be called drawing-room
+distinction.
+
+From 1815 to 1830, the _noblesse_ had officially the
+advantage. From 1830 to 1848, the _bourgeoisie_ ruled over the
+land. But now was to be remarked another social phenomenon, that
+complicated _salon_ life more than ever. The middle classes, we
+say, were in power; they were in all the centres of political
+life,--in the Chambers, in the ministries, in the king's councils, in
+diplomacy; and with them had risen to importance the Imperial
+aristocracy, whose representatives were to be found in every
+department of the public service. All this while, the old families of
+the _ancien régime_ shut themselves up among themselves entirely,
+constituted what is now termed the _Faubourg St. Germain_, which
+never was so exclusive or so powerful (socially speaking) as under
+Louis Philippe, and a tacit combat between envy and disdain was
+carried on, such as perhaps no modern civilization ever witnessed. The
+Faubourg St. Germain arrogated to itself the privilege of exclusively
+representing _la société Française_, and it must be confessed
+that the behavior of its adversaries went far to substantiate its
+claims.
+
+Our purpose in these pages is not to touch upon anything connected
+with politics, or we could show, that, whilst apparently severed from
+all activity upon the more conspicuous field of the capital, the
+ancient French families were employed in reëstablishing their
+influence in the rural provincial centres; the result of which was the
+extraordinary influx of Legitimist members into the Chamber formed by
+the first Republican elections in 1848. But this is foreign to our
+present aim. As to what regards French _society_, properly so
+called, it was, from 1804, after the proclamation of the Empire, till
+1848, after the fall of Louis Philippe, in gradual but incessant
+course of sub-division into separate cliques, each more or less
+bitterly disposed towards the others. From the moment when this began
+to be the case, the edifice of French society could no longer be
+studied as a whole, and it only remained to examine its component
+parts as evidences of the tendencies of various classes in the nation.
+In this assuredly not uninteresting study, Mme. Ancelot's book is of
+much service; for a certain number of the different _salons_ she
+names are, as it were, types of the different stages civilization has
+attained to in the city which chooses to style itself "the brain of
+Europe."
+
+The description, given in the little book before us, of what in Paris
+constitutes a genuine _salon_, is a tolerably correct one. "A
+_salon_," says Mme. Ancelot, "is not in the least like one of
+those places in a populous town, where people gather together a crowd
+of individuals unknown to each other, who never enter into
+communication, and who are where they are, momentarily, either because
+they expect to dance, or to hear music, or to show off the
+magnificence of their dress. This is not what can ever be called a
+_salon_. A _salon_ is an intimate and periodical meeting of
+persons who for several years have been in the habit of frequenting
+the same house, who enjoy each other's society, and who have some
+reason, as they imagine, to be happy when they are brought in
+contact. The persons who receive, form a link between the various
+persons they invite, and this link binds the _habitués_ more
+closely to one another, if, as is commonly the case, it is a woman of
+superior mind who forms the point of union. A _salon_, to be
+homogeneous, and to endure, requires that its _habitués_ should
+have similar opinions and tastes, and, above all, enough of the
+urbanity of bygone days to enable its frequenters to feel _at
+home_ with every one in it, without the necessity of a formal
+introduction. Formerly, this practice of speaking to persons you had
+not been presented to was a proof of good-breeding; for it was well
+known that in no house of any distinction would there be found a guest
+who was not worthy to be the associate of whoever was noblest and
+best. These habits of social intercourse gave a value to the
+intellectual and moral qualities of the individual, quite independent
+of his fortune or his rank; and in these little republics the real
+sovereign was _merit_."
+
+Madame Ancelot is right here, and there were in Paris several of these
+_salons_, which served as the models for those of all the rest of
+Europe. Under the Restoration, two illustrious ladies tried to recall
+to the generation that had sprung from the Empire or from emigration
+what the famous _salons_ of old had once been, and the Duchesse
+de Duras and the Marquise de Montcalm (sister to the then minister,
+the Duc de Richelieu) drew around them all that was in any way
+distinguished in France. But the many causes we have noted above made
+the enterprise a difficult one, and the various divergences of
+society, politically speaking, rendered the task of the mistress of a
+house one of surpassing arduousness. Mme. de Staël, who, by her very
+superiority perhaps,--certainly by her vehemence,--was prevented from
+ever being a perfect example of what was necessary in this respect,
+acquired the nickname of _Présidente de Salons_; and it would
+appear, that, with her resolute air, her loud voice, and her violent
+opinions, she really did seem like a kind of speaker of some House of
+Commons disguised as a woman. That the management of a _salon_
+was no easy affair the following anecdote will prove. The Duchesse de
+Duras one day asked M. de Talleyrand what he thought of the evening
+_réunions_ at her house, and after a few words of praise, he
+added: "But you are too vivacious as yet, too young. Ten years hence
+you will know better how to manage it all." Mme. de Duras was then
+somewhere about fifty-four or five! We perceive, therefore, that,
+according to M. de Talleyrand, the proper manner of receiving a
+certain circle of _habitués_ was likely to be the study of a
+whole life.
+
+We select from Mme. Ancelot's book sketches of the following
+_maitresses de maison_, because they seem to us the types of the
+periods of transformation to which they correspond in the order of
+date:--Mme. Lebrun, Mme. Gérard, Mme. d'Abrantès, Mme. Récamier, Mme.
+Nodier. Mme. Lebrun corresponds to the period when Pre-Revolutionary
+traditions were still in force, and when the remembrance yet
+subsisted of a society that had been a real and not a fictive
+unity. Mme. Gérard--or we should rather say her husband, for she
+occupied herself little with her guests, whom the illustrious painter
+entertained--represents the period of the Empire, prolonging itself
+into the Restoration, and seeking by the immunities of talent and
+intelligence to bring the two _régimes_ to meet upon what might be
+termed neutral ground. Mme. d'Abrantès is the type of that last
+remnant of the half-heroic, half-sentimental epoch which tried to
+endure even after the first days of 1830, and of which certain verses
+of Delphine Gay, certain impossible portraits of invincible colonels,
+certain parts played by the celebrated Elleviou, and the
+Troubadourish "_Partant pour la Syrie_" of Queen Hortense, are
+emblematical. Mme. Récamier, although in date all but the contemporary
+of Mme. Lebrun, is, in her position of mistress of a _salon_,
+essentially the impersonation of a foible peculiar to the present day;
+she typifies the class of women who, in Paris, are absolutely absorbed
+by the thought of their _salons_, for whom to receive is to live, and
+who are ready to expire at the notion of any celebrity not being a
+frequenter of their tea-table. Mme. Nodier's--and here, as with Mme.
+Gérard, we must substitute the husband for the wife, and say Charles
+Nodier's--_salon_ was the menagerie whither thronged all the strange
+beings who, after the Revolution of July, fancied they had some
+special and extraordinary "call" in the world of Art. Nodier's
+receptions at the Arsenal represent the literary and artistic movement
+of 1830.
+
+To begin, then, with Mme. Lebrun. This lady was precisely one of
+those individualities who, since the days of Louis XIV., had found it
+easy to take their place in French society, who, under the ancien
+_régime_, were the equals of the whole world, and who, since
+"Equality" has been so formally decreed by the laws of the land, would
+have found it impossible, under the Citizen King, Louis Philippe, or
+under the so-called "Democratic Empire" of Louis Napoleon, to surround
+themselves with any society save that of a perfectly inferior
+description.
+
+Mme. Lebrun was the daughter of a very second-rate painter of the name
+of Vigée, the sister of a poet of some talent of the same name, and
+was married young to a picture-dealer of large fortune and most
+expensive and dissipated, not to say dissolute habits, M. Lebrun. She
+was young,--and, like Mme. Récamier and a few others, remained
+youthful to a very late term of her existence,--remarkably beautiful,
+full of talent, grace, and _esprit_, and possessed of the magnificent
+acquirements as a portrait-painter that have made her productions to
+this day valuable throughout the galleries of Europe. She was very
+soon so brilliantly in fashion, that there was not a _grand seigneur_
+of the court, a _grande dame_ of the queen's intimacy, a rich
+_fermier-général_, or a famous writer, artist, or _savant_, who did
+not petition to be admitted to her soirées; and in her small
+apartment, in the Rue de Cléry, were held probably the last of those
+intimate and charmingly unceremonious réunions which so especially
+characterized the manners of the high society of France when all
+question of etiquette was set aside. The witty Prince de Ligne, the
+handsome Comte de Vaudreuil, the clever M. de Boufflers, and his
+step-son, M. de Sabran, with such men as Diderot, d'Alembert,
+Marmontel, and Laharpe, were the original _habitués_ of Mme. Lebrun's
+drawing-room. At the same time used to visit her the bitter, bilious,
+discontented David, the painter, who, though very young, was annoyed
+at a woman having such incontestable proficiency in his own art, and
+whose democratic ideas were hurt at her receiving such a number of
+what he styled "great people." Madame Lebrun, one day,--little
+dreaming that she was addressing a future _coupe-tête_ of the most
+violent species, (perhaps the only genuine admirer of Marat,)--said,
+smilingly, to the future painter of _Les Sabines_, "David, you are
+wretched because you are neither Duke nor Marquis. I, to whom all such
+titles are absolutely indifferent, I receive with sincere pleasure all
+who make themselves agreeable." The apostrophe apparently hit home,
+for David never returned to Mme. Lebrun's house, and was no
+well-wisher of hers in later times. But on this occasion she had not
+only told the truth to an individual, she had touched upon the secret
+sore of the nation and the time; and vast classes were already
+brooding in silence over the absurd, vain, and empty regret at being
+"neither Duke nor Marquis." The Revolution was at hand, and the days
+rapidly approaching when all such pleasant assemblies as those held by
+Mme. Lebrun would become forever impossible. At some of these, the
+crowd of intimates, and of persons all acquainted with each other, was
+so great, that the highest dignitaries of the realm had to content
+themselves with sitting down upon the floor; and on one occasion, the
+Maréchal de Noailles, who was of exceedingly large build, had to
+request the assistance of several of his neighbors before he could be
+brought from his squatting attitude to his feet again.
+
+Mme. Lebrun emigrated, like the majority of her associates,--going to
+Russia, to Italy, to Germany, to England, and everywhere increasing
+the number of her friends, besides preserving all those of former
+times, whom she sedulously sought out in their voluntary exile, and to
+whom, in many cases, she even proved an invaluable friend. In the
+commencement of the Restoration, Mme. Lebrun returned to France, and
+established herself definitively at Paris, and at Louveciennes near
+Marly, where she had a delightful summer residence. Here, as in her
+salons in the metropolis, she tried to bring back the tone of French
+society to what it had been before the Revolution, and to show the
+younger generations what had been the gayety, the grace, the
+affability, the exquisite good-breeding of those who had preceded
+them. The men and women of her own standing seconded her, but the
+younger ones were not to be drawn into high-heartedness; and an
+observer might have had before him the somewhat strange spectacle of
+old age gay, gentle, unobservant of any stiff formality, and of youth
+preoccupied and grave, and, instead of being refined in manners,
+pedantic. "The younger frequenters of Mme. Lebrun's salon," says
+Mme. Ancelot, "were strangers to the world into which they found
+themselves raised; those who surrounded them were of an anterior
+civilization; they could not grow to be identified with a past which
+was unknown to them, or known only through recitals that disfigured
+it.... Amidst the remnants of a society that had been historical,
+there was, as it were, the breath of a spirit born of our days; new
+ideas, new opinions, new hopes, nay, even new recollections, were
+evident all around, and served to render social unity impossible; but,
+above all, what failed in this one particular centre was youth,--there
+were few or no young people." This was perfectly true; and
+Mme. Lebrun's _salon_ is interesting only from the fact of its
+being the last, perhaps, in which French people of our day can have
+acquired a complete notion of what the Pre-Revolutionary _salons_
+of France were.
+
+The evening _réunions_ at the house of Gérard, the celebrated
+painter, were among the most famous features of the society of the
+Restoration. The gatherings at Mmes. de Duras's and de Montcalm's
+splendid hotels were all but exclusively political and diplomatic;
+whereas at Gérard's there was a mixture of these with the purely
+mundane and artistic elements, and, above all, there was a portion of
+Imperialist fame blended with all the rest, that was hard to be found
+anywhere else. Gérard, too, had painted the portraits of so many
+crowned heads, and been so much admitted into the intimacy of his
+royal models, that, whenever a foreigner of any note visited Paris, he
+almost immediately asked to be put in a way to be invited to the
+celebrated artist's Wednesday receptions. This was, to a certain
+degree, an innovation in regular French society; the French being most
+truly, as has been said, the "Chinese of Europe," and liking nothing
+less than the intermixture with themselves of anything foreign. But
+Gérard was one of those essentially superior men who are able to
+influence those around them, and bring them to much whereto no one
+else could have persuaded them. Gérard, like many celebrated persons,
+was infinitely superior to what he _did_. As far as what he
+_did_ was concerned, Gérard, though a painter of great merit, was
+far inferior to two or three of whom France has since been justly
+proud; but in regard to what he _was_, Gérard was a man of
+genius, who had in many ways few superiors. Few men, even in France,
+have so highly deserved the reputation of _un homme d'esprit_. He
+was as _spirituel_ as Talleyrand himself, and almost as
+clear-sighted and profound. Add to this that nothing could surpass the
+impression made by Gérard at first sight. He was strikingly like the
+first Napoleon, but handsomer; with the same purity of outline, the
+same dazzlingly lustrous eyes, full of penetration and thought, but
+with a certain _sympathetic_ charm about his whole person that
+the glorious conqueror of Marengo and Dictator of Gaul never
+possessed.
+
+Gérard was not entirely French; born in Rome in 1770, his father only
+was a native of France, his mother was an Italian; and from her he
+inherited a certain combination of qualities and peculiarities that at
+once distinguished him from the majority of his countrymen. Full of
+poetic fire and inspiration, there was in Gérard at the same time a
+strong critical propensity, that showed itself in his caustic wit and,
+sometimes, not unmalicious remarks. There was also a perpetual
+struggle in his character between reflection and the first impulse,
+and sometimes the _étourderie_ of the French nature was suddenly
+checked by the caution of the Italian; but, take him as he was, he was
+a man in a thousand, and those who were in the habit of constantly
+frequenting his house affirm loudly and with the deepest regret, that
+they shall never "look upon his like again."
+
+Gérard had built for himself a house in the Rue des Augustins, near
+the ancient church of St. Germain des Près; and there, every Wednesday
+evening, summer and winter, he received whatever was in any way
+illustrious in France, or whatever the other capitals of Europe sent
+to Paris, _en passant_. "Four small rooms," says Mme. Ancelot,
+"and a very small antechamber, composed the whole apartment. At twelve
+o'clock tea was served, with eternally the same cakes, over which a
+pupil of Gérard's, Mlle. Godefroy, presided. Gérard himself talked;
+his wife remained nailed to a whist-table, attending to nothing and to
+nobody. Evening once closed in, cards were the only occupation of
+Mme. Gérard."
+
+From Mme. de Staël down to Mlle. Mars, from Talleyrand and Pozzo di
+Borgo down to M. Thiers, there were no celebrities, male or female,
+that, during thirty years, (from 1805 to 1835,) did not flock to
+Gérard's house, and all, how different soever might be their character
+or position, agreed in the same opinion of their host; and those who
+survive say of him to this day,--"Nothing in his _salons_
+announced that you were received by a great _Artist_, but before
+half an hour had elapsed you felt you were the guest of a
+distinguished Man; you had seen by a glance at Gérard's whole person
+and air that he was something apart from others,--that the sacred fire
+burned there!"
+
+The regret felt for Gérard's loss by all who ever knew him is not to
+be told, and speaks as highly for those who cherished as for him who
+inspired it. His, again, was one of the _salons_ (impossible now
+in France) where genius and social superiority, whether of birth or
+position, met together on equal terms. Without having, perhaps, as
+large a proportion of the old _noblesse de cour_ at his house as
+had Mme. Lebrun, Gérard received full as many of those eminent
+personages whose political occupations would have seemed to estrange
+them from the world of mixed society and the Arts. This is a
+_nuance_ to be observed. Under the Empire, hard and despotic as
+was the rule of Bonaparte, and anxious even as he was to draw round
+him all the aristocratic names that would consent to serve his
+government, there was--owing to the mere force of events and the
+elective origin of the throne--a strong and necessary democratic
+feeling, that assigned importance to each man according to his
+works. Besides this, let it be well observed, the first Empire had a
+strong tendency to protect and exalt the Arts, from its own very
+ardent desire to be made glorious in the eyes of posterity. Napoleon
+I. was, in his way, a consummate artist, a prodigiously intelligent
+_metteur en scène_ of his own exploits, and he valued full as
+much the man who delineated or sang his deeds, as the minister who
+helped him to legislate, or the diplomatist who drew up protocols and
+treaties. The Emperor was a lover of noise and show, and his time was
+a showy and a noisy one. Bonaparte had, in this respect, little enough
+of the genuine Tyrant nature. Unlike his nephew, he loved neither
+silence nor darkness; he loved the reflection of his form in the broad
+noon of publicity, and the echo of his tread upon the sounding soil of
+popular renown. Could he have been sure that all free men would have
+united their voices in chanting his exploits, he would have made the
+citizens of France the freest in the whole world. Compression with him
+was either a mere preventive against or vengeance for detraction.
+
+Now this publicity-loving nature was, we repeat, as much served by Art
+and artists as by politicians; nay, perhaps more; and for this reason
+artists stood high during the period of the Empire. Talma held a
+social rank that under no other circumstances could have been his, and
+a painter like Gérard could welcome to his house statesmen such as
+Talleyrand or Daru, or marshals of France, and princes even. We shall
+show, by-and-by, how this grew to be impossible later. At present we
+will recur to Mme. Ancelot for a really very true description of two
+persons who were among the _habitués_ of the closing years of
+Gérard's weekly receptions, and one of whom was destined to universal
+celebrity: we allude to Mme. Gay, and her daughter, Delphine,--later,
+Mme. Girardin. Of these two, the mother, famous as Sophie Gay, was as
+thorough a remnant of the exaggerations and bad taste of the Empire as
+were the straight, stiff, mock-classical articles of furniture of the
+Imperialist hotels, or the _or-moulu_ clocks so ridiculed by
+Balzac, on which turbaned Mamelukes mourned their expiring steeds. All
+the false-heroics of the literature of the Empire found their
+representative (their last one, perhaps) in Mme. Sophie Gay, and it
+has not been sufficiently remarked that she even transmitted a shade
+of all this to her daughter, in other respects one of the most
+sagacious spirits and one of the most essentially unconventional of
+our own day. A certain something that was not in harmony with the tone
+of contemporary writers here and there surprised you in Delphine de
+Girardin's productions, and, as Jules Janin once said, "One would
+think the variegated plumes of Murat's fantastic hat[2] were sweeping
+through her brains!" This was her mother's doing. Delphine, who had
+never lived during one hour of the glory of the Empire, had, through
+the medium of her mother, acquired a slight tinge of its
+_boursouflure_; and had it not been for her own personal good
+taste, she would have been misled precisely by her strong lyrical
+aptitudes. Madame Gay found in Gérard's _salon_ all the people
+she had best known in her youth, and she was delighted to have her
+early years recalled to her. Mme. Ancelot, who, like many of her
+country women, felt a marked antipathy for Madame Gay, has given a
+very true portrait of both mother and daughter.
+
+"Many years after," she writes, "when these ladies were (through M. de
+Girardin) at the head of one of the chief organs of the Paris press,
+they were much flattered and courted; at the period I speak of" (about
+1817-1825) "their position was far from brilliant, and Mme. Gay was
+far from popular. Every word that fell from her mouth, uttered in a
+sharp tone, and full of bitterness and envy, went to speak ill of
+others and prodigiously well of herself. She had a mania for titles
+and tuft-hunting, and could speak of no one under a marquis, a count,
+or a baron. Her daughter's beauty and talents caused her afterwards to
+be more generally admitted into society; but at this period she was
+avoided by most people."
+
+Her daughter's beauty was certainly marvellous, and when, under the
+reign of Louis Philippe, American society had in Paris more than one
+brilliant representative and more than one splendid centre of
+hospitality, where all that was illustrious in the society of France
+perpetually flocked, we make no doubt many of our countrymen noticed,
+whether at theatre or concert or ball, the really queenlike air of
+Mme. de Girardin, and the exquisitely classic profile, which,
+enframed, as it were, by the capricious spirals of the lightest,
+fairest flaxen hair, resembled the outline of some antique statue of a
+Muse.
+
+Delphine Gay and her mother were more the ornaments of the
+_salon_ of the Duchesse d'Abrantès, perhaps, than of that of
+Gérard; and as the former continued open long after the latter was
+closed by death, not only the young girl, whose verses were so
+immensely in fashion during the Restoration, was one of the constant
+guests of Junot's widow, but she continued to be so as the wife of
+Émile de Girardin, the intelligent and enterprising founder of the
+newspaper "La Presse."
+
+The _salon_ of the Duchesse d'Abrantès was one of the first of a
+species which has since then found imitators by scores and hundreds
+throughout France. It was the _salon_ of a person not in herself
+sufficiently superior or even celebrated to attract the genuine
+superiorities of the country without the accessory attractions of
+luxury, and not sufficiently wealthy to draw around her by her
+splendid style of receiving, and to disdain the bait held out to those
+she invited by the presence of great "lions." Gérard gave to his
+guests, at twelve o'clock at night, a cup of tea and "eternally the
+same cakes" all the year round; but Gérard was the type of the great
+honors rendered, as we have observed, to Art under the Empire, and to
+his house men went as equals, whose daily occupations made them the
+associates of kings. This was not the case with the Duchesse
+d'Abrantès. She had notoriety, not fame. Her "Mémoires" had been read
+all through Europe, but it is to be questioned whether anything beyond
+curiosity was satisfied by the book, and it certainly brought to its
+author little or none of that which in France stands in lieu even of
+fortune, but which is not easy to obtain, namely,--_consideration_.
+
+The Duchesse d'Abrantès was rather popular than otherwise; she was
+even beloved by a certain number of persons; but she never was what is
+termed _considérée_,--and this gave to her _salon_ a different aspect
+from that of the others we have spoken of. A dozen names could be
+mentioned, whose wearers, without any means of "entertaining" their
+friends, or giving them more than a glass of _eau sucrée_, were yet
+surrounded by everything highest and best in the land, simply because
+they were _gens considérables_, as the phrase went; but
+Mme. d'Abrantès, who more or less received all that mixed population
+known by the name of _tout Paris_, never was, we repeat, _considérée_.
+
+The way in which Mme. Ancelot introduces her "friend," the poor
+Duchesse d'Abrantès, on the scene, is exceedingly amusing and natural;
+and we have here at once the opportunity of applying the remark we
+made in commencing these pages, upon Mme. Ancelot's truthfulness. She
+is the _habituée_ of the house of Mme. d'Abrantès; she professes
+herself attached to the Duchess; yet she does not scruple to tell
+everything as it really is, nor, out of any of the usual little
+weaknesses of friendship, does she omit any one single detail that
+proves the strange and indeed somewhat "Bohemian" manner of life of
+her patroness. We, the readers of her book, are obviously obliged to
+her for her indiscretions; with those who object to them from other
+motives we have nothing to do.
+
+Here, then, is the fashion in which we are introduced to Mme. la
+Duchesse d'Abrantès, widow of Marshal Junot, and a born descendant of
+the Comneni, Emperors of Byzantium.
+
+Mme. Ancelot is sitting quietly by her fireside, one evening in
+October, (some short time after the establishment of the monarchy of
+July,) waiting to hear the result of a representation at the Théâtre
+Français, where a piece of her own is for the first time being
+performed. All at once, she hears several carriages stop at her door,
+a number of persons rush up the stairs, and she finds herself in the
+arms of the Duchesse d'Abrantès, who was resolved, as she says, to be
+the first to congratulate her on her success. The hour is a late one;
+supper is served, and conversation is prolonged into the "small
+hours." All at once Mme. d'Abrantès exclaims, with an explosion of
+delight,--"Ah! what a charming time is the night! one is so
+deliciously off for talking! so safe! so secure! safe from bores and
+from duns!" (_on ne craint ni les ennuyeux ni les créanciers_.')
+
+Madame Ancelot affirms that this speech made a tremendous effect, and
+that her guests looked at each other in astonishment. If this really
+was the case, we can only observe that it speaks well for the
+Parisians of the epoch at which it occurred; for, assuredly, at the
+present day, no announcement of the kind would astonish or scandalize
+any one. People in "good society," nowadays, in France, have got into
+a habit of living from hand to mouth, and of living by expedients,
+simply because they have not the strength of mind to live _out_
+of society, and because the life of "the world" forces them to
+expenses utterly beyond what they have any means of providing
+for. However, we are inclined to believe that some five-and-twenty
+years ago this was in no degree a general case, and that Mme.
+d'Abrantès might perfectly well have been the first _maitresse de
+maison_ to whom it happened.
+
+"Alas!" sighs Mme. Ancelot, commenting upon her excellent friend's
+strange confidence,--"it was the secret of her whole life that she
+thus revealed to us in a moment of _abandon_,--the secret of an
+existence that tried still to reflect the splendors of the Imperial
+epoch, and that was at the same time perplexed and tormented by all
+the thousand small miseries of pecuniary embarrassment. There were the
+two extremes of a life that to the end excited my surprise. Grandeur!
+want!--between those two opposites oscillated every day of the last
+years of the Duchesse d'Abrantès; the exterior and visible portion of
+that life arranged itself well or ill, as it best could, in the
+middle,--now apparently colored by splendor, and now degraded by
+distress; but at bottom the existence was unvaryingly what I state."
+
+Madame d'Abrantès, at the period of her greatest notoriety, occupied
+the ground-floor of a hotel in the Rue Rochechouart, with a garden,
+where dancing was often introduced upon the lawn. Some remnants of
+the glories of Imperialism were collected there, but the principal
+_habitués_ were men of letters, artists, and young men who danced
+well! (_les jeunes beaux qui dansaient bien!_) That one phrase
+characterizes at once the ex-_belle_ of the Empire, the
+contemporary of the sentimental Hortense de Beauharnais, and of the
+more than _légère_ Pauline Borghése.
+
+To the "new society of July" Mme. d'Abrantès was an object of great
+curiosity. "I dote on seeing that woman!" said Balzac, one evening,
+to Mme. Ancelot. "Only fancy! she saw Napoleon Bonaparte as a mere
+boy,--knew him well,--knew him as a young man, unknown,--saw him
+occupied, like anybody else, with the ordinary occurrences of
+every-day life; then she saw him grow, and grow, and rise, and throw
+the shadow of his name over the world. She seems to me somewhat like a
+canonized creature who should all at once come and recount to me the
+glories of paradise."
+
+Balzac, it must be premised, was bitten just at this period by the
+Napoleon mania, and this transformed his inquisitive attachment for
+Mme. d'Abrantès into a kind of passion. It was at this period that he
+chose to set up in his habitation in the Rue Cassini a sort of altar,
+on which he placed a small statue of the Emperor, with these words
+engraved upon the pedestal:--
+
+
+ "Ce qu'il avait commencé par l'épée,
+ Je l'achèverai par la plume!"
+
+
+What particular part of the Imperial work this was that Balzac was to
+"complete by the pen" was never rightly discovered,--but for a time he
+had a sun-stroke for Napoleon, and his attachment for Mme. d'Abrantès
+partook of this influence.
+
+One anecdote told by Mme. Ancelot proves to what a degree the union of
+"grandeur" and "want" she has alluded to went. "Mme. d'Abrantès," says
+her biographer of the moment, "was always absorbed by the present
+impression, whatever that might happen to be; she passed from joy to
+despair like a child, and I never knew any house that was either so
+melancholy or so gay." One evening, however, it would seem that the
+Hôtel d'Abrantès was gayer than usual. Laughter rang loud through the
+rooms, the company was numerous, and the mistress of the house in
+unparalleled high spirits. If the tide of conversation seemed to
+slacken, quickly Madame la Duchesse had some inimitable story of the
+_ridicules_ of the ladies of the Imperial court, and the whole
+circle was soon convulsed at her stories, and at her way of telling
+them. The tea-table was forgotten. Generally, tea at her house was
+taken at eleven o'clock; but on this occasion, midnight was long past
+before it was announced, and before her guests assembled round the
+table. If our readers are curious to know why, here was the reason:
+All that remained of the plate had that very morning been put in pawn,
+and when tea should have been served it was found that tea-spoons were
+wanting! Whilst these were being sent for to the house of a friend
+who lent them, Madame la Duchesse took charge of her guests, and
+drowned their impatience in their hilarity.
+
+It must be allowed that this lady was worthy to be the mother of the
+young man who, one day, pointing to a sheet of stamped paper, on which
+a bill of exchange might be drawn, said: "You see that; it is worth
+five sous now; but if I sign my name to it, it will be worth nothing!"
+This was a speech made by Junot's eldest son, known in Paris as the
+Duc d'Abrantès, and as the intimate friend of Victor Hugo, from whom
+at one time he was almost inseparable.
+
+The eccentric personage we have just spoken of--the Duchesse
+d'Abrantès--died in the year 1838, in a garret, upon a truckle-bed,
+provided for her by the charity of a friend. The royal family paid the
+expenses of her funeral, and Chateaubriand, accompanied by nearly
+every celebrity of the literary world, followed on foot behind her
+coffin, from the church to the burying-ground.
+
+Madame d'Abrantès may be considered as the inventor, in France, of
+what has since become so widely spread under the name of _les salons
+picaresques_, and of what, at the present day, is famous under the
+appellation of the _demi-monde_. Her example has been followed
+by numberless imitators, and now, instead of presuming (as was the
+habit formerly) that those only receive who are rich enough to do so,
+it is constantly inquired, when any one in Paris opens his or her
+house, whether he or she is ruined, and whether the _soirées_
+given are meant merely to throw dust into people's eyes. The history
+of the tea-spoons--so singular at the moment of its occurrence--has
+since been parodied a hundred times over, and sometimes by mistresses
+of houses whose fortune was supposed to put them far above all such
+expedients. Madame d'Abrantès, we again say, was the founder of a
+_genre_ in Paris society, and as such is well worth studying. The
+_genre_ is by no means the most honorable, but it is one too
+frequently found now in the social centres of the French capital for
+the essayist on Paris _salons_ to pass it over unnoticed.
+
+The _salon_ of Mme. Récamier is one of a totally different order,
+and the world-wide renown of which may make it interesting to the
+reader of whatever country. As far as age was concerned, Mme.
+Récamier was the contemporary of Mme. d'Abrantès, of Gérard, nay,
+almost of Mme. Lebrun; for the renown of her beauty dates from the
+time of the French Revolution, and her early friendships associate her
+with persons who even had time to die out under the first Empire; but
+the _salon_ of Madame Récamier was among the exclusively modern
+ones, and enjoyed all its lustre and its influence only after
+1830. The cause of this is obvious: the circumstance that attracted
+society to Mme. Récamier's house was no other than the certainty of
+finding there M. de Chateaubriand. He was the divinity of the temple,
+and the votaries flocked around his shrine. Before 1830 the temple had
+been elsewhere, and, until her death, Mme. la Duchesse de Duras was
+the high-priestess of the sanctuary, where a few privileged mortals
+only were admitted to bow down before the idol. It is inconceivable
+how easy a certain degree of renown finds it in Paris to establish one
+of these undisputed sovereignties, before which the most important,
+highest, most considerable individualities abdicate their own merit,
+and prostrate themselves in the dust. M. de Chateaubriand in no way
+justified the kind of worship that was paid him, nor did he even
+obtain it so long as he was in a way actively to justify it. It was
+when he grew old and produced nothing, and was hourly more and more
+rusted over by selfishness, churlishness, and an exorbitant adoration
+of his own genius, that the society of his country fell down upon its
+knees before him, and was ready to make any sacrifice to insure to
+itself the honor of one of his smiles or one of his looks. In this
+disposition, Madame Récamier speedily obtained a leading influence
+over Paris society, and when it was notorious that from four to six
+every day the "Divinity" would be visible in her _salons_, her
+_salons_ became the place of pilgrimage for all Paris. As with
+those of Mme. d'Abrantès, there was a certain mixture amongst the
+guests, because, without that, the _notoriety_, which neither
+Chateaubriand nor Mme. Récamier disliked, would have been less easily
+secured; but the tone of the _réunions_ was vastly different, and
+at the celebrated receptions of the Abbaye aux Bois (where
+Mme. Récamier spent her last quarter of a century) the somewhat
+austere deportment of the _siècle de Louis XIV._ was in
+vogue. All the amusements were in their nature grave. Mlle. Rachel
+recited a scene from "Polyeucte" for the author of "Les Martyrs," and
+for archbishops and cardinals; the Duc de Noailles read a chapter from
+his history of Mme. de Maintenon; some performance of strictly
+classical music was to be heard; or, upon state occasions,
+Chateaubriand himself vouchsafed to impart to a chosen few a few pages
+of the "Mémoires d'Outre-Tombe."
+
+In her youth Mme. Récamier had been reputed beautiful, and her sole
+occupation then was to do the honors of her beauty. She did not dream
+of ever being anything else; and as she remained young marvellously
+long,--as her beauty, or the charm, whatever it was, that
+distinguished her, endured until a very late epoch of her life,--she
+was far advanced in years before the idea of becoming famous through
+any other medium save that of her exterior advantages ever struck
+her. Madame Récamier had no intellectual superiority, but,
+paraphrasing in action Molière's witty sentence, that "silence, well
+employed, may go far to establish a man's capacity," she resolved to
+employ well the talent she possessed of making other people believe
+themselves clever. Mme. Ancelot, whose "good friend" she is supposed
+to have been, and who treats her with the same sincerity she applies
+to Mme. d'Abrantès, has a very ingenious and, we have reason to fancy,
+a very true parallel, for Mme. Récamier. She compares her to the
+mendicant described by Sterne, (or Swift,) who always obtained alms
+even from those who never gave to any other, and whose secret lay in
+the adroit flatteries with which he seasoned all his beggings. The
+best passages in Mme. Ancelot's whole Volume are those where she
+paints Mme. Récamier, and we will therefore quote them.
+
+"The Recluse of the Abbaye aux Bois," she says, "had either read the
+story of the beggar, or her instinct had persuaded her that vanity and
+pride are the surest vulnerable points by which to attack and subject
+the human heart. From the first to the last of all the orators,
+writers, artists, or celebrities of no matter what species, that were
+invited to Mme. Récamier's house, _all_ heard from her lips the
+same admiring phrases, the first time they were presented to her. With
+a trembling voice she used to say: 'The emotion I feel in the presence
+of a superior being does not permit me to express, as I should wish to
+do, all my admiration, all my sympathy;--but you can divine,--you can
+understand;--my emotion tells the rest!' This eulogistic sentence, a
+well-studied hesitation, words interrupted, and looks of the most
+perfect enthusiasm, produced in the person thus received a far more
+genuine emotion than that with which he was met. It was no other than
+the artifice of wholesale, universal flattery,--always and invariably
+the same,--with which Mme. Récamier achieved her greatest conquests,
+and continued to draw around her almost all the eminent men of our
+epoch. All this was murmured in soft, low tones, so that he only to
+whom she spoke tasted the honey poured into his ear. Her grace of
+manner all the while was infinite; for though she had no talent for
+conversation, she had, in the highest degree, the ability which
+enables one to succeed in certain little combinations, and when she
+had determined that such or such a great man should become her
+_habitué_, the web she spun round him on all sides was composed
+of threads so imperceptibly fine and so innumerable, that those who
+escaped were few, and gifted with marvellous address."
+
+Mme. Ancelot confesses to having "studied narrowly" all
+Mme. Récamier's manoeuvres, and to having watched all the thousand
+little traps she laid for social "lions"; but we are rather astonished
+herein at Mme. Ancelot's astonishment, for, with more or less talent
+and grace, these are the devices resorted to in Paris by a whole class
+of _maitresses de maison_, of whom Mme. Récamier is simply the
+most perfect type.
+
+But the most amusing part of all, and one that will be above all
+highly relished by any one who has ever seen the same game carried on,
+is the account of Mme. Récamier's campaign against M. Guizot, which
+signally failed, all her small webs having been coldly brushed away by
+the intensely vainglorious individual who knew he should not be placed
+above Chateaubriand, and who would for no consideration under heaven
+have been placed beneath him. The spectacle of this small and delicate
+vanity doing battle against this vanity so infinitely hard and robust
+is exquisitely diverting. Mme. Récamier put herself so prodigiously
+out of her way; she who was indolent became active; she who was
+utterly insensible to children became maternal; she who was of
+delicate health underwent what only a vigorous constitution would
+undertake. But all in vain; she either did not or would not see that
+M. Guizot would not be _second_ where M. de Chateaubriand was
+_first_. Besides, she split against another rock, that she had
+either chosen to overlook, or the importance of which she had
+undervalued. If Mme. Récamier had for the idol of her shrine at the
+Abbaye aux Bois M. de Chateaubriand, M. Guizot had also _his_
+Madame Récamier, the "Egeria" of the Hôtel Talleyrand,--the Princess
+Lieven. The latter would have resisted to the death any attempt to
+carry off "her Minister" from the _salons_ where his presence was
+the "attraction" reckoned upon daily, nay, almost hourly; and against
+such a rival as the venerable Princess Lieven, Mme. Récamier, spite of
+all her arts and wiles, had no possible chance. However, she left
+nothing untried, and when M. Guizot took a villa at Auteuil, whither
+to repair of an evening and breathe the freshness of the half-country
+air after the stormy debates of the Chambers, she also established
+herself close by, and opened her attack on the enemy's outposts by a
+request to be allowed to walk in the Minister's grounds, her own
+garden being ridiculously small! This was followed by no end of
+attentions directed towards Mme. de Meulan, M. Guizot's sister-in-law,
+who saw through the whole, and laughed over it with her friends; no
+end of little dancing _matinées_ were got up for the Minister's
+young daughters, and no end even of sweet biscuits were perpetually
+provided for a certain lapdog belonging to the family! All in vain!
+We may judge, too, what transports of enthusiasm were enacted when the
+Minister himself was _by chance (!)_ encountered in the alleys of
+the park, and with what outpourings of admiration he was greeted, by
+the very person who, of all others, was so anxious to become one of
+his votaries. But, as we again repeat, it was of no use. M. Guizot
+never consented to be one of the _habitués_ of the _salon_
+of the Abbaye aux Bois. It should be remarked, also, that M. Guizot
+cared little for anything out of the immediate sphere of politics, and
+of the politics of the moment; he took small interest in what went on
+in Art, and none whatever in what went on in the so-called "world"; so
+that where a _salon_ was not predominantly political, there was
+small chance of presenting Louis Philippe's Prime-Minister with any
+real attraction. For this reason he was now and then to be met at the
+house of Mme. de Châtenay, often at that of Mme. de Boigne, but
+_never_ in any of the receptions of the ordinary run of men and
+women of the world. _His own salon_, we again say,--the
+_salon_ where he was what Chateaubriand was at the Abbaye aux
+Bois,--was the _salon_ of the Princess Lieven; and to have ever
+thought she could induce M. Guizot to be in the slightest degree
+faithless to this _habit_ argues, on the part of Mme. Récamier,
+either a vanity more egregious than we had even supposed, or an
+ignorance of what she had to combat that seems impossible. To have
+imagined for a moment that she could induce M. Guizot to frequent her
+_réunions_ shows that she appreciated neither Mme. de Lieven, nor
+M. Guizot, nor, we may say, herself, in the light of the
+high-priestess of Chateaubriand's temple.
+
+However, what Mme. Récamier went through with regard to the arrogant
+Président du Conseil of the Orléans dynasty, more than one of her
+imitators are at this hour enduring for some "lion" infinitely
+illustrious. This kind of hunt after celebrated persons is a feature
+of French civilization, and a feature peculiarly characteristic of the
+French women who take a pride in their receptions. A genuine
+_maitresse de maison_ in Paris has no affections, no ties, save
+those of her _salon_. She is wholly absorbed in thinking how she
+shall render this more attractive than the _salon_ of some other
+lady, who is her intimate friend, but whose sudden disappearance from
+the social scene, by any catastrophe, death even, would not leave her
+inconsolable. She has neither husband, children, relatives, nor
+friends (in the genuine acceptation of the word);--she has, above all,
+before all, always and invariably, her _salon_. This race of
+women, who date undoubtedly from the famous Marquise de Rambouillet in
+the time of the Fronde, are now dying out, and are infinitely less
+numerous than they were even twenty years ago in Paris; but a few of
+them still exist, and in these few the ardor we allude to, and which
+would lead them, following in Mme. Récamier's track, to embark for the
+North Cape in search of some great celebrity, is in no degree
+abated. Madame Récamier is curious as the arch-type of this race, so
+purely, thoroughly, exclusively Parisian.
+
+Perhaps to a foreigner, however, no _salon_ was more amusing than
+that of Charles Nodier; but this was of an utterly different
+description, and all but strictly confined to the world of Literature
+and Art. Nodier himself occupied a prominent place in the literature
+that was so much talked of during the last years of the Restoration
+and the first years of the Monarchy of July, and his house was the
+rendezvous for all the combatants of both sides, who at that period
+were engaged in the famous Classico-Romantic struggle. Nodier was the
+Head Librarian of the Arsenal, and it was in the _salons_ of this
+historic palace that he held his weekly gatherings. He himself was
+scarcely to be reputed exclusively of either party; he enjoyed the
+favors of the Monarchy, and the sympathies of the Opposition; the
+"Classics" elected him a member of the Académie Française, and the
+"Romantics" were perpetually in his intimacy. The fact was, that
+Nodier at heart believed in neither Classics nor Romantics, laughed at
+both in his sleeve, and only cared to procure to himself the most
+agreeable house, the greatest number of comforts, and the largest sums
+of money possible.
+
+"By degrees," says Mme. Ancelot, "as Nodier cared less for other
+people, he praised them more, probably in order to compensate them in
+words for the less he gave them in affection. Besides this, he was
+resolved not to be disturbed in his own vanities, and for this he knew
+there was one only way, which was to foster the vanities of everybody
+else. Never did eulogium take such varied forms to laud and exalt the
+most mediocre things. Nowhere were so many geniuses whom the public
+never guessed at raised to the rank of _divinities_ as in the
+_salons_ of Charles Nodier."
+
+The description contained in the little volume before us, the manner
+in which every petty scribbler of fiftieth-rate talent was transformed
+into a giant in the society of Nodier, is extremely curious and
+amusing, and the more so that it is strictly true, and tallies
+perfectly with the recollections of the individuals who, at the period
+mentioned, were admitted to the _réunions_ of the Arsenal.
+
+Every form of praise having been expended upon persons of infinitely
+small merit, what was to be done when those of real superiority
+entered upon the scene? It was impossible to apply to them the forms
+of laudation adapted to their inferiors. Well, then, a species of
+slang was invented, by which it was thought practicable to make the
+genuine great men conceive they had passed into the condition of
+demigods. A language was devised that was to express the fervor of the
+adorers who were suddenly allowed to penetrate into Olympus, and the
+strange, misapplied terms whereof seemed to the uninitiated the
+language of insanity. For instance, if, after a dozen little unshaved,
+unkempt poetasters had been called "sublime," Victor Hugo vouchsafed
+to recite one of his really best Odes, what was the eulogistic form to
+be adopted? Mme. Ancelot will tell us.
+
+"A pause would ensue, and at the end of a silence of some minutes,
+when the echo of Hugo's sonorous voice had subsided, one after another
+of the _elect_ would rise, go up to the poet, take his hand with
+solemn emotion, and raise to the ceiling eyes full of mute enthusiasm.
+The crowd of bystanders would listen all agape. Then, to the surprise,
+almost to the consternation, of the uninitiated, one word only would
+be spoken,--loudly, distinctly, and with strong, deep emphasis spoken;
+that word would be:
+
+ "_Cathedral!!!_
+
+"The first orator, after this effort, would return to the place whence
+he had come, and another, succeeding to him, after repeating the same
+pantomime as the former, would exclaim:
+
+ "_Ogive!!!_
+
+"Then a third would come forward, and, after looking all around, would
+risk the word:
+
+ "_Pyramid-of-Egypt!!!_
+
+"And thereat the whole assembly would start off into frenzies of
+applause, and fifty or sixty voices would repeat in chorus the
+sacramental words that had just been pronounced separately."
+
+The degree of absurdity to which a portion of society must have
+attained before such scenes as the above could become possible may
+serve as a commentary and an explanation to half the literature which
+flooded the stage and the press in France for the first six or eight
+years after the Revolution of 1830. However, to be just, we must, in
+extenuation of all these absurdities, cite one passage more from
+Mme. Ancelot's book, in which, in one respect, at all events, the
+youth of twenty years ago in Paris are shown to have been superior to
+the youth of the present day.
+
+"Nodier's parties were extremely amusing," says our authoress; "his
+charming daughter was the life of the whole; she drew around her young
+girls of her own age; poets, musicians, painters, young and joyous as
+these, were their partners in the dance, and every one was
+full of hope and dreaming of glory. But what brought all the
+light-heartedness, all the enthusiasm, all the exultation to its
+utmost height was, that, in all that youth, so trusting and so
+hopeful, _no one gave a single thought to money!_"
+
+Assuredly, it would be impossible to say as much nowadays.
+
+Taken as a whole, Mme. Ancelot's little volume is, as we said, an
+amusing and an instructive one. It is not so from any portion of her
+own individuality she has infused into it, but, on the contrary, from
+the entire sincerity with which it mirrors other people. We recommend
+it to our readers, for it is a record of Paris society in its
+successive transformations from 1789 to 1848, and paints a class of
+people and a situation of things, equally true types whereof may
+possibly not be observable in future times.
+
+
+Footnote 1: _Les Salons de Paris.--Foyers Eteints_. Par
+Mme. Ancelot. 12mo. Paris.
+
+Footnote 2: It will be remembered that on field-days Murat had
+adopted a hat and feathers of a most ridiculous kind, and that have
+become proverbial.
+
+
+
+
+THE DISCOVERER OF THE NORTH CAPE.
+
+
+A LEAF FROM KING ALFRED'S "OROSIUS."
+
+
+ Othere, the old sea-captain,
+ Who dwelt in Helgoland,
+ To Alfred, the Lover of Truth,
+ Brought a snow-white walrus-tooth,
+ Which he held in his brown right-hand.
+
+ His figure was tall and stately;
+ Like a boy's his eye appeared;
+ His hair was yellow as hay,
+ But threads of a silvery gray
+ Gleamed in his tawny beard.
+
+ Hearty and hale was Othere,
+ His cheek had the color of oak;
+ With a kind of laugh in his speech,
+ Like the sea-tide on a beach,
+ As unto the King he spoke.
+
+ And Alfred, King of the Saxons,
+ Had a book upon his knees,
+ And wrote down the wondrous tale
+ Of him who was first to sail
+ Into the Arctic seas.
+
+ "So far I live to the northward,
+ No man lives north of me;
+ To the east are wild mountain-chains,
+ And beyond them meres and plains;
+ To the westward all is sea.
+
+ "So far I live to the northward,
+ From the harbor of Skeringes-hale,
+ If you only sailed by day,
+ With a fair wind all the way,
+ More than a month would you sail.
+
+ "I own six hundred reindeer,
+ With sheep and swine beside;
+ I have tribute from the Fins,--
+ Whalebone, and reindeer-skins,
+ And ropes of walrus-hide.
+
+ "I ploughed the land with horses,
+ But my heart was ill at ease,
+ For the old seafaring men
+ Came to me now and then
+ With their sagas of the seas,--
+
+ "Of Iceland, and of Greenland,
+ And the stormy Hebrides,
+ And the undiscovered deep;--
+ I could not eat nor sleep
+ For thinking of those seas.
+
+ "To the northward stretched the desert,--
+ How far I fain would know;
+ So at last I sallied forth,
+ And three days sailed due north,
+ As far as the whale-ships go.
+
+ "To the west of me was the ocean,--
+ To the right the desolate shore;
+ But I did not slacken sail
+ For the walrus or the whale,
+ Till after three days more.
+
+ "The days grew longer and longer,
+ Till they became as one;
+ And southward through the haze
+ I saw the sullen blaze
+ Of the red midnight sun.
+
+ "And then uprose before me,
+ Upon the water's edge,
+ The huge and haggard shape
+ Of that unknown North Cape,
+ Whose form is like a wedge.
+
+ "The sea was rough and stormy,
+ The tempest howled and wailed,
+ And the sea-fog, like a ghost,
+ Haunted that dreary coast,--
+ But onward still I sailed.
+
+ "Four days I steered to eastward,
+ Four days without a night:
+ Bound in a fiery ring
+ Went the great sun, O King,
+ With red and lurid light."
+
+ Here Alfred, King of the Saxons,
+ Ceased writing for a while;
+ And raised his eyes from his book,
+ With a strange and puzzled look,
+ And an incredulous smile.
+
+ But Othere, the old sea-captain,
+ He neither paused nor stirred;
+ And the King listened, and then
+ Once more took up his pen,
+ And wrote down every word.
+
+ "And now the land," said Othere,
+ "Bent southward suddenly,
+ And I followed the curving shore
+ And ever southward bore
+ Into a nameless sea.
+
+ "And there we hunted the walrus,
+ The narwhale, and the seal:
+ Ha! 'twas a noble game,
+ And like the lightning's flame
+ Flew our harpoons of steel!
+
+ "There were six of us altogether,
+ Norsemen of Helgoland;
+ In two days and no more
+ We killed of them threescore,
+ And dragged them to the strand!"
+
+ Here Alfred the Truth-Teller
+ Suddenly closed his book,
+ And lifted his blue eyes
+ With doubt and strange surmise
+ Depicted in their look.
+
+ And Othere, the old sea-captain,
+ Stared at him wild and weird,
+ Then smiled, till his shining teeth
+ Gleamed white from underneath
+ His tawny, quivering beard.
+
+ And to the King of the Saxons,
+ In witness of the truth,
+ Raising his noble head,
+ He stretched his brown hand, and said.
+ "Behold this walrus-tooth!"
+
+
+
+
+THE AUTOCRAT OF THE BREAKFAST-TABLE.
+
+
+EVERY MAN HIS OWN BOSWELL.
+
+[The schoolmistress came down with a rose in her hair,--a fresh June
+rose. She has been walking early; she has brought back two
+others,--one on each cheek.
+
+I told her so, in some such pretty phrase as I could muster for the
+occasion. Those two blush-roses I just spoke of turned into a couple
+of damasks. I suppose all this went through my mind, for this was what
+I went on to say:--]
+
+I love the damask rose best of all. The flowers our mothers and
+sisters used to love and cherish, those which grow beneath our eaves
+and by our doorstep, are the ones we always love best. If the
+Houyhnhnms should ever catch me, and, finding me particularly vicious
+and unmanageable, send a man-tamer to Rareyfy me, I'll tell you what
+drugs he would have to take and how he would have to use them. Imagine
+yourself reading a number of the Houyhnhnms Gazette, giving an account
+of such an experiment.
+
+"MAN-TAMING EXTRAORDINARY.
+
+"The soft-hoofed semi-quadruped recently captured was subjected to the
+art of our distinguished man-tamer in presence of a numerous
+assembly. The animal was led in by two stout ponies, closely confined
+by straps to prevent his sudden and dangerous tricks of
+shoulder-hitting and foot-striking. His countenance expressed the
+utmost degree of ferocity and cunning.
+
+"The operator took a handful of _budding lilac-leaves_, and
+crushing them slightly between his hoofs, so as to bring out their
+peculiar fragrance, fastened them to the end of a long pole and held
+them towards the creature. Its expression changed in an instant,--it
+drew in their fragrance eagerly, and attempted to seize them with its
+soft split hoofs. Having thus quieted his suspicious subject, the
+operator proceeded to tie a _blue hyacinth_ to the end of the
+pole and held it out towards the wild animal. The effect was
+magical. Its eyes filled as if with raindrops, and its lips trembled
+as it pressed them to the flower. After this it was perfectly quiet,
+and brought a measure of corn to the man-tamer, without showing the
+least disposition to strike with the feet or hit from the shoulder."
+
+That will do for the Houyhnhnms Gazette.--Do you ever wonder why poets
+talk so much about flowers? Did you ever hear of a poet who did not
+talk about them? Don't you think a poem, which, for the sake of being
+original, should leave them out, would be like those verses where the
+letter _a_ or _e_ or some other is omitted? No,--they will
+bloom over and over again in poems as in the summer fields, to the end
+of time, always old and always new. Why should we be more shy of
+repeating ourselves than the spring be tired of blossoms or the night
+of stars? Look at Nature. She never wearies of saying over her floral
+pater-noster. In the crevices of Cyclopean walls,--in the dust where
+men lie, dust also,--on the mounds that bury huge cities, the Birs
+Nemroud and the Babel-heap,--still that same sweet prayer and
+benediction. The Amen! of Nature is always a flower.
+
+Are you tired of my trivial personalities,--those splashes and streaks
+of sentiment, sometimes perhaps of sentimentality, which you may see
+when I show you my heart's corolla as if it were a tulip? Pray, do
+not give yourself the trouble to fancy me an idiot whose conceit it is
+to treat himself as an exceptional being. It is because you are just
+like me that I talk and know that you will listen. We are all
+splashed and streaked with sentiments,--not with precisely the same
+tints, or in exactly the same patterns, but by the same hand and from
+the same palette.
+
+I don't believe any of you happen to have just the same passion for
+the blue hyacinth which I have,--very certainly not for the crushed
+lilac-leaf-buds; many of you do not know how sweet they are. You love
+the smell of the sweet-fern and the bayberry-leaves, I don't doubt;
+but I hardly think that the last bewitches you with young memories as
+it does me. For the same reason I come back to damask roses, after
+having raised a good many of the rarer varieties. I like to go to
+operas and concerts, but there are queer little old homely sounds that
+are better than music to me. However, I suppose it's foolish to tell
+such things.
+
+----It is pleasant to be foolish at the right time,--said the
+divinity-student;--saying it, however, in one of the dead languages,
+which I think are unpopular for summer-reading, and therefore do not
+bear quotation as such.
+
+Well, now,--said I,--suppose a good, clean, wholesome-looking
+countryman's cart stops opposite my door.--Do I want any
+huckleberries?--If I do not, there are those that do. Thereupon my
+soft-voiced handmaid bears out a large tin pan, and then the wholesome
+countryman, heaping the peck-measure, spreads his broad hands around
+its lower arc to confine the wild and frisky berries, and so they run
+nimbly along the narrowing channel until they tumble rustling down in
+a black cascade and tinkle on the resounding metal beneath.--I won't
+say that this rushing huckleberry hail-storm has not more music for me
+than the "Anvil Chorus."
+
+----I wonder how my great trees are coming on this summer.
+
+----Where are your great trees, Sir? said the divinity-student.
+
+Oh, all round about New England. I call all trees mine that I have put
+my wedding-ring on, and I have as many tree-wives as Brigham Young has
+human ones.
+
+----One set's as green as the other,--exclaimed a boarder, who has
+never been identified.
+
+They're all Bloomers,--said the young fellow called John.
+
+[I should have rebuked this trifling with language, if our landlady's
+daughter had not asked me just then what I meant by putting my
+wedding-ring on a tree.]
+
+Why, measuring it with my thirty-foot tape, my dear,--said I.--I have
+worn a tape almost out on the rough barks of our old New England elms
+and other big trees.--Don't you want to hear me talk trees a little
+now? That is one of my specialties.
+
+[So they all agreed that they should like to hear me talk about
+trees.]
+
+I want you to understand, in the first place, that I have a most
+intense, passionate fondness for trees in general, and have had
+several romantic attachments to certain trees in particular. Now, if
+you expect me to hold forth in a "scientific" way about my
+tree-loves,--to talk, for instance, of the Ulmus Americana, and
+describe the ciliated edges of its samara, and all that,--you are an
+anserine individual, and I must refer you to a dull friend who will
+discourse to you of such matters. What should you think of a lover who
+should describe the idol of his heart in the language of science,
+thus: Class, Mammalia; Order, Primates; Genus, Homo; Species,
+Europeus; Variety, Brown; Individual, Ann Eliza; Dental Formula
+
+
+ 2-2 1-1 2-2 3-3
+ i--- c--- p--- m----,
+ 2-2 1-1 2-2 3-3
+
+
+and so on?
+
+No, my friends, I shall speak of trees as we see them, love them,
+adore them in the fields, where they are alive, holding their green
+sun-shades over our heads, talking to us with their hundred thousand
+whispering tongues, looking down on us with that sweet meekness which
+belongs to huge, but limited organisms,--which one sees in the brown
+eyes of oxen, but most in the patient posture, the outstretched arms,
+and the heavy-drooping robes of these vast beings endowed with life,
+but not with soul,--which outgrow us and outlive us, but stand
+helpless,--poor things!--while Nature dresses and undresses them, like
+so many full-sized, but underwitted children.
+
+Did you ever read old Daddy Gilpin? Slowest of men, even of English
+men; yet delicious in his slowness, as is the light of a sleepy eye in
+woman. I always supposed "Dr. Syntax" was written to make fun of
+him. I have a whole set of his works, and am very proud of it, with
+its gray paper, and open type, and long ff, and orange-juice
+landscapes. The _Père_ Gilpin had the kind of science I like in
+the study of Nature,--a little less observation than White of
+Selborne, but a little more poetry.--Just think of applying the
+Linnæan system to an elm! Who cares how many stamens or pistils that
+little brown flower, which comes out before the leaf, may have to
+classify it by? What we want is the meaning, the character, the
+expression of a tree, as a kind and as an individual.
+
+There is a mother-idea in each particular kind of tree, which, if well
+marked, is probably embodied in the poetry of every language. Take the
+oak, for instance, and we find it always standing as a type of
+strength and endurance. I wonder if you ever thought of the single
+mark of supremacy which distinguishes this tree from all our other
+forest-trees? All the rest of them shirk the work of resisting
+gravity; the oak alone defies it. It chooses the horizontal direction
+for its limbs, so that their whole weight may tell,--and then
+stretches them out fifty or sixty feet, so that the strain may be
+mighty enough to be worth resisting. You will find, that, in passing
+from the extreme downward droop of the branches of the weeping-willow
+to the extreme upward inclination of those of the poplar, they sweep
+nearly half a circle. At 90° the oak stops short; to slant upward
+another degree would mark infirmity of purpose; to bend downwards,
+weakness of organization. The American elm betrays something of both;
+yet sometimes, as we shall see, puts on a certain resemblance to its
+sturdier neighbor.
+
+It won't do to be exclusive in our taste about trees. There is hardly
+one of them which has not peculiar beauties in some fitting place for
+it. I remember a tall poplar of monumental proportions and aspect, a
+vast pillar of glossy green, placed on the summit of a lofty hill, and
+a beacon to all the country round. A native of that region saw fit to
+build his house very near it, and, having a fancy that it might blow
+down some time or other, and exterminate himself and any incidental
+relatives who might be "stopping" or "tarrying" with him,--also
+laboring under the delusion that human life is under all circumstances
+to be preferred to vegetable existence,--had the great poplar cut
+down. It is so easy to say, "It is only a poplar!" and so much harder
+to replace its living cone than to build a granite obelisk!
+
+I must tell you about some of my tree-wives. I was at one period of my
+life much devoted to the young lady-population of Rhode Island, a
+small, but delightful State in the neighborhood of Pawtucket. The
+number of inhabitants being not very large, I had leisure, during my
+visits to the Providence Plantations, to inspect the face of the
+country in the intervals of more fascinating studies of physiognomy. I
+heard some talk of a great elm a short distance from the locality just
+mentioned. "Let us see the great elm,"--I said, and proceeded to find
+it,--knowing that it was on a certain farm in a place called Johnston,
+if I remember rightly. I shall never forget my ride and my
+introduction to the great Johnston elm.
+
+I always tremble for a celebrated tree when I approach it for the
+first time. Provincialism has no _scale_ of excellence in man or
+vegetable; it never knows a first-rate article of either kind when it
+has it, and is constantly taking second and third rate ones for
+Nature's best. I have often fancied the tree was afraid of me, and
+that a sort of shiver came over it as over a betrothed maiden when she
+first stands before the unknown to whom she has been plighted. Before
+the measuring-tape the proudest tree of them all quails and shrinks
+into itself. All those stories of four or five men stretching their
+arms around it and not touching each other's fingers, of one's pacing
+the shadow at noon and making it so many hundred feet, die upon its
+leafy lips in the presence of the awful ribbon which has strangled so
+many false pretensions.
+
+As I rode along the pleasant way, watching eagerly for the object of
+my journey, the rounded tops of the elms rose from time to time at the
+road-side. Wherever one looked taller and fuller than the rest, I
+asked myself,--"Is this it?" But as I drew nearer, they grew
+smaller,--or it proved, perhaps, that two standing in a line had
+looked like one, and so deceived me. At last, all at once, when I was
+not thinking of it,--I declare to you it makes my flesh creep when I
+think of it now,--all at once I saw a great, green cloud swelling in
+the horizon, so vast, so symmetrical, of such Olympian majesty and
+imperial supremacy among the lesser forest-growths, that my heart
+stopped short, then jumped at my ribs as a hunter springs at a
+five-barred gate, and I felt all through me, without need of uttering
+the words,--"This is it!"
+
+You will find this tree described, with many others, in the excellent
+Report upon the Trees and Shrubs of Massachusetts. The author has
+given my friend the Professor credit for some of his measurements, but
+measured this tree himself, carefully. It is a grand elm for size of
+trunk, spread of limbs, and muscular development,--one of the first,
+perhaps the first, of the first class of New England elms.
+
+The largest actual girth I have ever found at five feet from the
+ground is in the great elm lying a stone's throw or two north of the
+main road (if my points of compass are right) in Springfield. But
+this has much the appearance of having been formed by the union of two
+trunks growing side by side.
+
+The West-Springfield elm and one upon Northampton meadows belong also
+to the first class of trees.
+
+There is a noble old wreck of an elm at Hatfield, which used to spread
+its claws out over a circumference of thirty-five feet or more before
+they covered the foot of its bole up with earth. This is the American
+elm most like an oak of any I have ever seen.
+
+The Sheffield elm is equally remarkable for size and perfection of
+form. I have seen nothing that comes near it in Berkshire County, and
+few to compare with it anywhere. I am not sure that I remember any
+other first-class elms in New England, but there may be many.
+
+----What makes a first-class elm?--Why, size, in the first place, and
+chiefly. Anything over twenty feet of clear girth, five feet above
+the ground; and with a spread of branches a hundred feet across, may
+claim that title, according to my scale. All of them, with the
+questionable exception of the Springfield tree above referred to,
+stop, so far as my experience goes, at about twenty-two or
+twenty-three feet of girth and a hundred and twenty of spread.
+
+Elms of the second class, generally ranging from fourteen to eighteen
+feet, are comparatively common. The queen of them all is that glorious
+tree near one of the churches in Springfield. Beautiful and stately
+she is beyond all praise. The "great tree" on Boston Common comes in
+the second rank, as does the one at Cohasset, which used to have, and
+probably has still, a head as round as an apple-tree, and that at
+Newburyport, with scores of others which might be mentioned. These
+last two have perhaps been over-celebrated. Both, however, are
+pleasing vegetables. The poor old Pittsfield elm lives on its past
+reputation. A wig of false leaves is indispensable to make it
+presentable.
+
+[I don't doubt there may be some monster-elm or other, vegetating
+green, but inglorious, in some remote New England village, which only
+wants a sacred singer to make it celebrated. Send us your
+measurements,--(certified by the postmaster, to avoid possible
+imposition,)--circumference five feet from soil, length of line from
+bough-end to bough-end, and we will see what can be done for you.]
+
+--I wish somebody would get us up the following work:--
+
+
+SYLVA NOVANGLICA.
+
+Photographs of New England Elms and other Trees, taken upon the Same
+Scale of Magnitude. With Letter-Press Descriptions, by a Distinguished
+Literary Gentleman. Boston: ---- ---- & Co. 185..
+
+The same camera should be used,--so far as possible,--at a fixed
+distance. Our friend, who is giving us so many interesting figures in
+his "Trees of America," must not think this Prospectus invades his
+province; a dozen portraits, with lively descriptions, would be a
+pretty complement to his larger work, which, so far as published, I
+find excellent. If my plan were carried out, and another series of a
+dozen English trees photographed on the same scale, the comparison
+would be charming.
+
+It has always been a favorite idea of mine to bring the life of the
+Old and the New World face to face, by an accurate comparison of their
+various types of organization. We should begin with man, of course;
+institute a large and exact comparison between the development of
+_la pianta umana_, as Alfieri called it, in different sections of
+each country, in the different callings, at different ages, estimating
+height, weight, force by the dynamometer and the spirometer, and
+finishing off with a series of typical photographs, giving the
+principal national physiognomies. Mr. Hutchinson has given us some
+excellent English data to begin with.
+
+Then I would follow this up by contrasting the various parallel forms
+of life in the two continents. Our naturalists have often referred to
+this incidentally or expressly; but the _animus_ of Nature in the
+two half-globes of the planet is so momentous a point of interest to
+our race, that it should be made a subject of express and elaborate
+study. Go out with me into that walk which we call _the Mall_,
+and look at the English and American elms. The American elm is tall,
+graceful, slender-sprayed, and drooping as if from languor. The
+English elm is compact, robust, holds its branches up, and carries its
+leaves for weeks longer than our own native tree.
+
+Is this typical of the creative force on the two sides of the ocean,
+or not? Nothing but a careful comparison through the whole realm of
+life can answer this question.
+
+There is a parallelism without identity in the animal and vegetable
+life of the two continents, which favors the task of comparison in an
+extraordinary manner. Just as we have two trees alike in many ways,
+yet not the same, both elms, yet easily distinguishable, just so we
+have a complete flora and a fauna, which, parting from the same ideal,
+embody it with various modifications. Inventive power is the only
+quality of which the Creative Intelligence seems to be economical;
+just as with our largest human minds, that is the divinest of
+faculties, and the one that most exhausts the mind which exercises it.
+As the same patterns have very commonly been followed, we can see
+which is worked out in the largest spirit, and determine the exact
+limitations under which the Creator places the movement of life in all
+its manifestations in either locality. We should find ourselves in a
+very false position, if it should prove that Anglo-Saxons can't live
+here, but die out, if not kept up by fresh supplies, as Dr. Knox and
+other more or less wise persons have maintained. It may turn out the
+other way, as I have heard one of our literary celebrities argue,--and
+though I took the other side, I liked his best,--that the American is
+the Englishman reinforced.
+
+--Will you walk out and look at those elms with me after breakfast?--I
+said to the schoolmistress.
+
+[I am not going to tell lies about it, and say that she blushed,--as I
+suppose she ought to have done, at such a tremendous piece of
+gallantry as that was for our boarding-house. On the contrary, she
+turned a little pale,--but smiled brightly and said,--Yes, with
+pleasure, but she must walk towards her school.--She went for her
+bonnet.--The old gentleman opposite followed her with his eyes, and
+said he wished he was a young fellow. Presently she came down,
+looking very pretty in her half-mourning bonnet, and carrying a
+school-book in her hand.]
+
+
+MY FIRST WALK WITH THE SCHOOLMISTRESS.
+
+This is the shortest way,--she said, as we came to a corner.--Then we
+won't take it,--said I.--The schoolmistress laughed a little, and said
+she was ten minutes early, so she could go round.
+
+We walked under Mr. Paddock's row of English elms. The gray squirrels
+were out looking for their breakfasts, and one of them came toward us
+in light, soft, intermittent leaps, until he was close to the rail of
+the burial-ground. He was on a grave with a broad blue-slate-stone at
+its head, and a shrub growing on it. The stone said this was the
+grave of a young man who was the son of an Honorable gentleman, and
+who died a hundred years ago and more.--Oh, yes, _died_,--with a
+small triangular mark in one breast, and another smaller opposite, in
+his back, where another young man's rapier had slid through his body;
+and so he lay down out there on the Common, and was found cold the
+next morning, with the night-dews and the death-dews mingled on his
+forehead.
+
+Let us have one look at poor Benjamin's grave,--said I.--His bones lie
+where his body was laid so long ago, and where the stone says they
+lie,--which is more than can be said of most of the tenants of this
+and several other burial-grounds.
+
+[The most accursed act of Vandalism ever committed within my knowledge
+was the uprooting of the ancient gravestones in three at least of our
+city burial-grounds, and one at least just outside the city, and
+planting them in rows to suit the taste for symmetry of the
+perpetrators. Many years ago, when this disgraceful process was going
+on under my eyes, I addressed an indignant remonstrance to a leading
+journal. I suppose it was deficient in literary elegance, or too warm
+in its language; for no notice was taken of it, and the hyena-horror
+was allowed to complete itself in the face of daylight. I have never
+got over it. The bones of my own ancestors, being entombed, lie
+beneath their own tablet; but the upright stones have been shuffled
+about like chessmen, and nothing short of the Day of Judgment will
+tell whose dust lies beneath any of those records, meant by affection
+to mark one small spot as sacred to some cherished memory. Shame!
+shame! shame!--that is all I can say. It was on public thoroughfares,
+under the eye of authority, that this infamy was enacted. The red
+Indians would have known better; the selectmen of an African
+kraal-village would have had more respect for their ancestors. I
+should like to see the gravestones which have been disturbed all
+removed, and the ground levelled, leaving the flat tombstones;
+epitaphs were never famous for truth, but the old reproach of "Here
+lies" never had such a wholesale illustration as in these outraged
+burial-places, where the stone does lie above, and the bones do not
+lie beneath.]
+
+Stop before we turn away, and breathe a woman's sigh over poor
+Benjamin's dust. Love killed him, I think. Twenty years old, and out
+there fighting another young fellow on the Common, in the cool of that
+old July evening;--yes, there must have been love at the bottom of it.
+
+The schoolmistress dropped a rosebud she had in her hand, through the
+rails, upon the grave of Benjamin Woodbridge. That was all her
+comment upon what I told her.--How women love Love! said I;--but she
+did not speak.
+
+We came opposite the head of a place or court running eastward from
+the main street.--Look down there,--I said.--My friend the Professor
+lived in that house at the left hand, next the further corner, for
+years and years. He died out of it, the other day.--Died?--said the
+schoolmistress.--Certainly,--said I.--We die out of houses, just as we
+die out of our bodies. A commercial smash kills a hundred men's
+houses for them, as a railroad crash kills their mortal frames and
+drives out the immortal tenants. Men sicken of houses until at last
+they quit them, as the soul leaves its body when it is tired of its
+infirmities. The body has been called "the house we live in"; the
+house is quite as much the body we live in. Shall I tell you some
+things the Professor said the other day?--Do!--said the
+schoolmistress.
+
+A man's body,--said the Professor,--is whatever is occupied by his
+will and his sensibility. The small room down there, where I wrote
+those papers you remember reading, was much more a portion of my body
+than a paralytic's senseless and motionless arm or leg is of his.
+
+The soul of a man has a series of concentric envelopes round it, like
+the core of an onion, or the innermost of a nest of boxes. First he
+has his natural garment of flesh and blood. Then, his artificial
+integuments, with their true skin of solid stuffs, their cuticle of
+lighter tissues, and their variously-tinted pigments. Thirdly, his
+domicile, be it a single chamber or a stately mansion. And then, the
+whole visible world, in which Time buttons him up as in a loose
+outside wrapper.
+
+You shall observe,--the Professor said,--for, like Mr. John Hunter and
+other great men, he brings in that _shall_ with great effect
+sometimes,--you shall observe that a man's clothing or series of
+envelopes do after a certain time mould themselves upon his individual
+nature. We know this of our hats, and are always reminded of it when
+we happen to put them on wrong side foremost. We soon find that the
+beaver is a hollow cast of the skull, with all its irregular bumps and
+depressions. Just so all that clothes a man, even to the blue sky
+which caps his head,--a little loosely,--shapes itself to fit each
+particular being beneath it. Farmers, sailors, astronomers, poets,
+lovers, condemned criminals, all find it different, according to the
+eyes with which they severally look.
+
+But our houses shape themselves palpably on our inner and outer
+natures. See a householder breaking up and you will be sure of
+it. There is a shell-fish which builds all manner of smaller shells
+into the walls of its own. A house is never a home until we have
+crusted it with the spoils of a hundred lives besides those of our own
+past. See what these are, and you can tell what the occupant is.
+
+I had no idea,--said the Professor,--until I pulled up my domestic
+establishment the other day, what an enormous quantity of roots I had
+been making during the years I was planted there. Why, there wasn't a
+nook or a corner that some fibre had not worked its way into; and when
+I gave the last wrench, each of them seemed to shriek like a mandrake,
+as it broke its hold and came away.
+
+There is nothing that happens, you know, which must not inevitably,
+and which does not actually, photograph itself in every conceivable
+aspect and in all dimensions. The infinite galleries of the Past await
+but one brief process and all their pictures will be called out and
+fixed forever. We had a curious illustration of the great fact on a
+very humble scale. When a certain bookcase, long standing in one
+place, for which it was built, was removed, there was the exact image
+on the wall of the whole, and of many of its portions. But in the
+midst of this picture was another,--the precise outline of a map
+which had hung on the wall before the bookcase was built. We had all
+forgotten everything about the map until we saw its photograph on the
+wall. Then we remembered it, as some day or other we may remember a
+sin which has been built over and covered up, when this lower universe
+is pulled away from before the wall of Infinity, where the wrongdoing
+stands self-recorded.
+
+The Professor lived in that house a long time,--not twenty years, but
+pretty near it. When he entered that door, two shadows glided over the
+threshold; five lingered in the doorway when he passed through it for
+the last time,--and one of the shadows was claimed by its owner to be
+longer than his own. What changes he saw in that quiet place! Death
+rained through every roof but his; children came into life, grew to
+maturity, wedded, faded away, threw themselves away; the whole drama
+of life was played in that stock-company's theatre of a dozen houses,
+one of which was his, and no deep sorrow or severe calamity ever
+entered his dwelling. Peace be to those walls, forever,--the Professor
+said,--for the many pleasant years he has passed within them!
+
+The Professor has a friend, now living at a distance, who has been
+with him in many of his changes of place, and who follows him in
+imagination with tender interest wherever he goes.--In that little
+court, where he lived in gay loneliness so long,--
+
+--in his autumnal sojourn by the Connecticut, where it comes loitering
+down from its mountain fastnesses like a great lord, swallowing up the
+small proprietary rivulets very quietly as it goes, until it gets
+proud and swollen and wantons in huge luxurious oxbows about the fair
+Northampton meadows, and at last overflows the oldest inhabitant's
+memory in profligate freshets at Hartford and all along its lower
+shores,--up in that caravansary on the banks of the stream where
+Ledyard launched his log canoe, and the jovial old Colonel used to
+lead the Commencement processions,--where blue Ascutney looked down
+from the far distance, and the hills of Beulah, as the Professor
+always called them, rolled up the opposite horizon in soft climbing
+masses, so suggestive of the Pilgrim's Heavenward Path that he used to
+look through his old "Dollond" to see if the Shining Ones were not
+within range of sight,--sweet visions, sweetest in those Sunday walks
+that carried them by the peaceful common, through the solemn village
+lying in cataleptic stillness under the shadow of the rod of Moses, to
+the terminus of their harmless stroll,--the patulous fage, in the
+Professor's classic dialect,--the spreading beech, in more familiar
+phrase,--[stop and breathe here a moment, for the sentence is not done
+yet, and we have another long journey before us,]--
+
+--and again once more up among those other hills that shut in the
+amber-flowing Housatonic,--dark stream, but clear, like the lucid orbs
+that shine beneath the lids of auburn-haired, sherry-wine-eyed
+demi-blondes,--in the home overlooking the winding stream and the
+smooth, flat meadow; looked down upon by wild hills, where the tracks
+of bears and catamounts may yet sometimes be seen upon the winter
+snow; facing the twin summits which rise in the far North, the highest
+waves of the great land-storm in all this billowy region,--suggestive
+to mad fancies of the breasts of a half-buried Titaness, stretched out
+by a stray thunderbolt, and hastily hidden away beneath the leaves of
+the forest,--in that home where seven blessed summers were passed,
+which stand in memory like the seven golden candlesticks in the
+beatific vision of the holy dreamer,--
+
+--in that modest dwelling we were just looking at, not glorious, yet
+not unlovely in the youth of its drab and mahogany,--full of great and
+little boys' playthings from top to bottom,--in all these summer or
+winter nests he was always at home and always welcome.
+
+This long articulated sigh of reminiscences,--this calenture which
+shows me the maple-shadowed plains of Berkshire and the
+mountain-circled green of Grafton beneath the salt waves that come
+feeling their way along the wall at my feet, restless and
+soft-touching as blind men's busy fingers,--is for that friend of mine
+who looks into the waters of the Patapsco and sees beneath them the
+same visions that paint themselves for me in the green depths of the
+Charles.
+
+----Did I talk all this off to the schoolmistress?--Why, no,--of course
+not. I have been talking with you, the reader, for the last ten
+minutes. You don't think I should expect any woman to listen to such a
+sentence as that long one, without giving her a chance to put in a
+word?
+
+----What did I say to the schoolmistress?--Permit me one moment. I don't
+doubt your delicacy and good-breeding; but in this particular case, as
+I was allowed the privilege of walking alone with a very interesting
+young woman, you must allow me to remark, in the classic version of a
+familiar phrase, used by our Master Benjamin Franklin, it is _nullum
+tui negotii_.
+
+When the schoolmistress and I reached the school-room door, the damask
+roses I spoke of were so much heightened in color by exercise that I
+felt sure it would be useful to her to take a stroll like this every
+morning, and made up my mind I would ask her to let me join her again.
+
+
+EXTRACT FROM MY PRIVATE JOURNAL.
+
+(_To be burned unread._)
+
+I am afraid I have been a fool; for I have told as much of myself to
+this young person as if she were of that ripe and discreet age which
+invites confidence and expansive utterance. I have been low-spirited
+and listless, lately,--it is coffee, I think,--(I observe that which
+is bought _ready-ground_ never affects the head,)--and I notice
+that I tell my secrets too easily when I am downhearted.
+
+There are inscriptions on our hearts, which, like that on Dighton
+Rock, are never to be seen except at dead-low tide.
+
+There is a woman's footstep on the sand at the side of my deepest
+ocean-buried inscription!
+
+----Oh, no, no, no! a thousand times, no!--Yet what is this which has
+been shaping itself in my soul?--Is it a thought?--is it a dream?--is
+it a _passion_?--Then I know what comes next.
+
+----The Asylum stands on a bright and breezy hill; those glazed
+corridors are pleasant to walk in, in bad weather. But there are iron
+bars to all the windows. When it is fair, some of us can stroll
+outside that very high fence. But I never see much life in those
+groups I sometimes meet;--and then the careful man watches them so
+closely! How I remember that sad company I used to pass on fine
+mornings, when I was a schoolboy!--B., with his arms full of yellow
+weeds,--ore from the gold mines which he discovered long before we
+heard of California,--Y., born to millions, crazed by too much
+plum-cake, (the boys said,) dogged, explosive,--made a Polyphemus of
+my weak-eyed schoolmaster, by a vicious flirt with a stick,--(the
+multi-millionnaires sent him a trifle, it was said, to buy another eye
+with; but boys are jealous of rich folks,--and I don't doubt the good
+people made him easy for life,)--how I remember them all!
+
+I recollect, as all do, the story of the Hall of Eblis, in "Vathek,"
+and how each shape, as it lifted its hand from its breast, showed its
+heart,--a burning coal. The real Hall of Eblis stands on yonder
+summit. Go there on the next visiting-day, and ask that figure
+crouched in the corner, huddled up like those Indian mummies and
+skeletons found buried in the sitting posture, to lift its hand,--look
+upon its heart, and behold, not fire, but ashes.--No, I must not think
+of such an ending! Dying would be a much more gentlemanly way of
+meeting the difficulty. Make a will and leave her a house or two and
+some stocks, and other little financial conveniences, to take away her
+necessity for keeping school.--I wonder what nice young man's feet
+would be in my French slippers before six months were over! Well,
+what then? If a man really loves a woman, of course he wouldn't marry
+her for the world, if he were not quite sure that he was the best
+person she could by any possibility marry.
+
+----It is odd enough to read over what I have just been writing.--It
+is the merest fancy that ever was in the world. I shall never be
+married. She will; and if she is as pleasant as she has been so far, I
+will give her a silver tea-set, and go and take tea with her and her
+husband, sometimes. No coffee, I hope, though,--it depresses me
+sadly. I feel very miserably;--they must have been grinding it at
+home.--Another morning walk will be good for me, and I don't doubt the
+schoolmistress will be glad of a little fresh air before school.
+
+ * * * * *
+
+----The throbbing flushes of the poetical intermittent have been
+coming over me from time to time of late. Did you ever see that
+electrical experiment which consists in passing a flash through
+letters of gold-leaf in a darkened room, whereupon some name or legend
+springs out of the darkness in characters of fire?
+
+There are songs all written out in my soul, which I could read, if the
+flash might but pass through them,--but the fire must come down from
+heaven. Ah! but what if the stormy _nimbus_ of youthful passion
+has blown by, and one asks for lightning from the ragged _cirrus_
+of dissolving aspirations, or the silvered _cumulus_ of sluggish
+satiety? I will call on her whom the dead poets believed in, whom
+living ones no longer worship,--the immortal maid, who, name her what
+you will,--Goddess, Muse, Spirit of Beauty,--sits by the pillow of
+every youthful poet, and bends over his pale forehead until her
+tresses lie upon his cheek and rain their gold into his dreams.
+
+
+MUSA.
+
+ O my lost Beauty!--hast thou folded quite
+ Thy wings of morning light
+ Beyond those iron gates
+ Where Life crowds hurrying to the haggard Fates,
+ And Age upon his mound of ashes waits
+ To chill our fiery dreams,
+ Hot from the heart of youth plunged in his icy streams?
+
+ Leave me not fading in these weeds of care,
+ Whose flowers are silvered hair!--
+ Have I not loved thee long,
+ Though my young lips have often done thee wrong
+ And vexed thy heaven-tuned ear with careless song?
+ Ah, wilt thou yet return,
+ Bearing thy rose-hued torch, and bid thine altar burn?
+
+ Come to me!--I will flood thy silent shrine
+ With my soul's sacred wine,
+ And heap thy marble floors
+ As the wild spice-trees waste their fragrant stores
+ In leafy islands walled with madrepores
+ And lapped in Orient seas,
+ When all their feathery palms toss, plume-like, in the breeze.
+
+ Come to me!--thou shalt feed on honeyed words,
+ Sweeter than song of birds;--
+ No wailing bulbul's throat,
+ No melting dulcimer's melodious note,
+ When o'er the midnight wave its murmurs float,
+ Thy ravished sense might soothe
+ With flow so liquid-soft, with strain so velvet-smooth.
+
+ Thou shalt be decked with jewels, like a queen,
+ Sought in those bowers of green
+ Where loop the clustered vines
+ And the close-clinging dulcamara twines,--
+ Pure pearls of Maydew where the moonlight shines,
+ And Summer's fruited gems,
+ And coral pendants shorn from Autumn's berried stems.
+
+ Sit by me drifting on the sleepy waves,--
+ Or stretched by grass-grown graves,
+ Whose gray, high-shouldered stones,
+ Carved with old names Life's time-worn roll disowns,
+ Lean, lichen-spotted, o'er the crumbled bones
+ Still slumbering where they lay
+ While the sad Pilgrim watched to scare the wolf away!
+
+ Spread o'er my couch thy visionary wing!
+ Still let me dream and sing,--
+ Dream of that winding shore
+ Where scarlet cardinals bloom,--for me no more,--
+ The stream with heaven beneath its liquid floor,
+ And clustering nenuphars
+ Sprinkling its mirrored blue like golden-chaliced stars!
+
+ Come while their balms the linden-blossoms shed!--
+ Come while the rose is red,--
+ While blue-eyed Summer smiles
+ O'er the green ripples round yon sunken piles
+ Washed by the moon-wave warm from Indian isles,
+ And on the sultry air
+ The chestnuts spread their palms like holy men in prayer!
+
+ Oh, for thy burning lips to fire my brain
+ With thrills of wild sweet pain!--
+ On life's autumnal blast,
+ Like shrivelled leaves, youth's passion-flowers are cast,--
+ Once loving thee, we love thee to the last!--
+ Behold thy new-decked shrine,
+ And hear once more the voice that breathed "Forever thine!"
+
+
+THE TRUSTEE'S LAMENT.
+
+_Per aspera ad astra._
+
+(SCENE.--Outside the gate of the Astronomical Observatory at Albany.)
+
+
+ There was a time when I was blest;
+ The stars might rise in East or West
+ With all their sines and wonders;
+ I cared for neither great nor small,
+ As pointedly unmoved by all
+ As, on the top of steeple tall,
+ A lightning-rod at thunders.
+
+ What did I care for Science then?
+ I was a man with fellow-men,
+ And called the Bear the Dipper;
+ Segment meant piece of pie,--no more;
+ Cosine, the parallelogram that bore
+ JOHN SMITH & CO. above a door;
+ Arc, what called Noah skipper.
+
+ No axes weighed upon my mind,
+ (Unless I had a few to grind.)
+ And as for my astronomy,
+ Had Hedgecock's quadrant then been known,
+ I might a lamp-post's height have shown
+ By gas-tronomic skill,--if none
+ Find fault with the metonymy.
+
+ O hours of innocence! O ways
+ How far from these unhappy days
+ When all is vicy-versy!
+ No flower more peaceful took its due
+ Than I, who then no difference knew
+ 'Twixt Ursy Major and my true
+ Old crony, Major Hersey.
+
+ Now in long broils and feuds we roast,
+ Like Strasburg geese that living toast
+ To make a liver-_paté_,--
+ And all because we fondly strove
+ To set the city of our love
+ In scientific fame above
+ Her sister Cincinnati!
+
+ We built our tower and furnished it
+ With everything folks said was fit,
+ From coping-stone to grounsel;
+ And then, to give a knowing air,
+ Just nominally assigned its care
+ To that unmanageable affair,
+ A Scientific Council.
+
+ We built it, not that one or two
+ Astronomers the stars might view
+ And count the comets' hair-roots,
+ But that it might by all be said
+ How very freely we had bled,--
+ We were not laying out a bed
+ To force their early square-roots.
+
+ The observations _we_ wished made
+ Were on the spirit we'd displayed,
+ Worthy of Athens' high days;
+ But _they_'ve put in a man who thinks
+ Only of planets' nodes and winks,
+ So full of astronomic kinks
+ He eats star-fish on Fridays.
+
+ The instruments we did not mean
+ For seeing through, but to be seen
+ At tap of Trustee's knuckle;
+ But the Director locks the gate,
+ And makes ourselves and strangers wait
+ While he is ciphering on a slate
+ The rust of Saturn's buckle.
+
+ So on the wall's outside we stand,
+ Admire the keyhole's contour grand
+ And gateposts' sturdy granite;--
+ But, ah, is Science safe, we say,
+ With one who treats Trustees this way?
+ Who knows but he may snub, some day,
+ A well-conducted planet?
+
+ Who knows what mischief he may brew
+ With such a telescope brand-new
+ At the four-hundredth power?
+ He may bring some new comet down
+ So near that it'll singe the town
+ And do the Burgess-Corps crisp-brown
+ Ere they can storm his tower.
+
+ We wanted (having got our show)
+ Some man, that had a name or so,
+ To be our public showman;
+ But this one shuts and locks the gate:
+ Who'll answer but he'll peculate,
+ (And, faith, some stars are missed of late,)
+ Now that he's watched by no man?
+
+ Our own discoveries he may steal,
+ Or put night's candles out, to deal
+ At junkshops with the sockets:
+ _Savants_, in other lands or this,
+ If any theory you miss
+ Whereon your cipher graven is,
+ Don't fail to search his pockets!
+
+ Lock up your comets: if that fails,
+ Then notch their ears and clip their tails,
+ That you at need may swear to 'em;
+ And watch your nebulous flocks at night,
+ For, if your palings are not tight,
+ He may, to gratify his spite,
+ Let in the Little Bear to 'em.
+
+ Then he's so quarrelsome, we've fears
+ He'll set the very Twins by the ears,--
+ So mad, if you resist him,
+ He'd get Aquarius to play
+ A milkman's trick, some cloudy day,
+ And water all the Milky Way
+ To starve some sucking system.
+
+ But plaints are vain! through wrath or pride,
+ The Council all espouse his side
+ And will our missives con no more;
+ And who that knows what _savants_ are,
+ Each snappish as a Leyden jar,
+ Will hope to soothe the wordy war
+ 'Twixt Ologist and Onomer?
+
+ Search a Reform Convention, where
+ He- and she-resiarehs prepare
+ To get the world in _their_ power,
+ You will not, when 'tis loudest, find
+ Such gifts to hug and snarl combined
+ As drive each astronomic mind
+ With fifty-score Great-Bear-power!
+
+ No! put the Bootees on your foot,
+ Elope with Virgo, strive to shoot
+ That arrow of O'Ryan's,
+ Drain Georgian Ciders to the lees,
+ Attempt what crackbrained thing you please,
+ But dream not you can e'er appease
+ An angry man of science!
+
+ Ah, would I were, as I was once,
+ To fair Astronomy a dunce,
+ Or launching _jeux d'esprit_ at her,
+ Of light zodiacal making light,
+ Deaf to all tales of comets bright,
+ And knowing but such stars as might
+ Roll r-rs at our theatre!
+
+ Then calm I drew my night-cap on,
+ Nor bondsman was for what went on
+ Ere morning in the heavens;
+ Twas no concern of mine to fix
+ The Pleiades at seven or six,--
+ But now the _omnium genitrix_
+ Seems all at sixes and sevens.
+
+ Alas, 'twas in an evil hour
+ We signed the paper for the tower,
+ With Mrs. D. to head it!
+ For, if the Council have their way,
+ We've merely had, as Frenchmen say,
+ The painful _maladie du_ pay,
+ While they get all the credit!
+
+ Boys, henceforth doomed to spell Trustees,
+ Think not it ends in double ease
+ To those who hold the office;
+ Shun Science as you would Despair,
+ Sit not in Cassiopeia's chair,
+ Nor hope from Berenice's hair
+ To bring away your trophies!
+
+
+
+
+THE POCKET-CELEBRATION OF THE FOURTH.
+
+
+Well, it has happened, and we have survived it pretty well. The
+Democratic Almanacs predicted a torrent, a whirlwind, and we know not
+what meteoric phenomena,--but the next day Nature gave no sign, the
+dome of the State-House was in its place, the Monument was as plumb as
+ever, no chimney mourned a ravished brick, and the Republican Party
+took its morning tea and toast in peace and safety. On the whole, it
+must be considered a wonderful escape. Since Partridge's time there
+had been no such prophecies,--since Miller's, no such perverse
+disobligingness in the event.
+
+But what had happened? Why, the Democratic Young Men's Celebration, to
+be sure, and Mr. Choate's Oration.
+
+The good city of Boston in New England, for we know not how many
+years, had been in the habit of celebrating the National Birthday,
+first, with an oration, as became the Athens of America, and second,
+with a dinner, as was meet in the descendants of Teutonic forefathers.
+The forenoon's oration glorified us in the lump as a people, and every
+man could reckon and appropriate his own share of credit by the simple
+arithmetical process of dividing the last census by the value he set
+upon himself, a divisor easily obtained by subtracting from the total
+of inhabitants in his village the number of neighbors whom he
+considered ciphers. At the afternoon's dinner, the pudding of praise
+was served out in slices to favored individuals; dry toasts were drunk
+by drier dignitaries; the Governor was compared to Solon; the Chief
+Justice to Brutus; the Orator of the Day to Demosthenes; the Colonel
+of the Boston Regiment to Julius Cæsar; and everybody went home happy
+from a feast where the historic parallels were sure to hold out to the
+last Z in Lemprière.
+
+Gradually matters took a new course; the Union was suddenly supposed
+to lie at the point of dissolution, and what we may call the
+Doctor-Brandreth style of oratory began. Every orator mounted the
+rostrum, like a mountebank at a fair, to proclaim the virtues of his
+private panacea for the morbid Commonwealth, and, as was natural in
+young students of political therapeutics, fancied that he saw symptoms
+of the dread malady of Disunion in a simple eruption of Jethro Furber
+at a convention of the Catawampusville Come-outers, or of Pyrophagus
+Quattlebum at a training of the Palmetto Plug-Uglies,--neither of
+which was skin-deep. The dinners became equally dreary. Did the eye of
+a speaker light on the national dish of beans, he was reminded of the
+languid pulse of the sentiment of union; did he see a broiled chicken,
+it called up to his mind's eye the bird of our _un_common
+country, with the gridiron on his breast, liable to be reduced at any
+moment to the heraldic duality of his Austrian congener by the strife
+of contending sections pulling in opposite directions; an innocent
+pippin was enough to suggest the apple of discord; and with the
+removal of the cloth came a dessert of diagnoses on the cancer that
+was supposed to be preying on the national vitals. The only variety
+was a cringing compliment, in which Bunker Hill curtsied to King's
+Mountain, to any Southern brother who chanced to be present, and who
+replied patronizingly,--while his compatriots at the warmer end of the
+Union were probably, with amiable sincerity, applying to the Yankees
+that epithet whose expression in type differs but little from that of
+a doctorate in divinity, but which precedes the name it qualifies, as
+that follows it, and was never, except by Beaumarchais and Fielding,
+reckoned among titles of honor or courtesy.
+
+A delusion seemed to have taken possession of our public men, that the
+people wanted doctors of the body-politic to rule over them, and, if
+those were not to be had, would put up with the next best
+thing,--quacks. Every one who was willing to be an Eminent Statesman
+issued his circulars, like the Retired Physician, on all public
+occasions, offering to send his recipe in return for a vote. The
+cabalistic formula always turned out to be this:--"Take your humble
+servant for four years at the White House; if no cure is effected,
+repeat the dose."
+
+Meanwhile were there any symptoms of disease in the Constitution? Not
+the least. The whole affair was like one of those alarms in a
+country-town which begin with the rumor of ten cases of confluent
+small-pox and end with the discovery that the doctor has been called
+to a case of nettle-rash at Deacon Scudder's. But sober men, who
+loved the Union in a quiet way, without advertising it in the
+newspapers, and who were willing to sacrifice everything to the
+Constitution but the rights it was intended to protect, began to fear
+that the alarmists might create the disease which they kept up so much
+excitement about.
+
+This being the posture of affairs, the city of Boston, a twelvemonth
+since, chose for their annual orator a clergyman distinguished for
+eloquence, and for that important part of patriotism, at least, which
+consists in purity of life. This gentleman, being neither a candidate
+for office nor the canvasser of a candidate, ventured upon a new kind
+of address. He took for his theme the duties consequent upon the
+privileges of Freedom, ventured to mention self-respect as one of
+them, and commented upon the invitation of a Virginia Senator, the
+author of the Fugitive Slave Bill, to a Seventeenth-of-June
+Celebration, while the Senators of Massachusetts were neglected. In
+speaking of this, he used, we believe, the word "flunkeyism." It is
+not an elegant word; it is not even an English one;--but had the
+speaker sought for a Saxon correlative, he could hardly have found one
+that would have seemed more satisfactory, especially to those who
+deserved it; for Saxon is straightforward, and a reluctance to be
+classified (fatal to science) is characteristic of the human animal.
+
+An orator who suggests a new view of any topic is a disturber of the
+digestive organs,--this was very properly a matter of offence to the
+Aldermen who were to dine after the oration,--but an orator who
+tampers with the language we have inherited from Shakspeare and
+Milton, and which we share with Tupper, was an object for deeper
+reprobation. The Young Men's Democratic Association of Boston are
+purists; they are jealous for their mother-tongue,--and it is the more
+disinterested in them as a large proportion of them are Irishmen; they
+are exclusive,--a generous confusion of ideas as to the meaning of
+democracy, even more characteristically Hibernian; they are
+sentimental, too,--melancholy as gibcats,--and feared (from last
+year's example) that the city might not furnish them with a
+sufficiently lachrymose Antony to hold up before them the bloody
+garment of America, and show what rents the envious Blairs and Wilsons
+and Douglasses had made in it. Accordingly they resolved to have a
+public celebration all to themselves,--a pocket-edition of the
+cumbrous civic work,--and as the city provided fireworks in the
+evening, in order to be beforehand with it in their pyrotechnics, they
+gave Mr. Choate in the forenoon.
+
+We did not hear Mr. Choate's oration; we only read it in the
+newspapers. Cold fireworks, the morning after, are not enlivening.
+You have the form without the fire, and the stick without the soar.
+But we soon found that we were to expect no such disappointment from
+Mr. Choate. He seems to announce at the outset that he has closed his
+laboratory. The Prospero of periods had broken his wand and sunk his
+book deeper than ever office-hunter sounded. The boys in the street
+might wander fancy-free, and fire their Chinese crackers as they
+listed; but for him this was a solemn occasion, and he invited his
+hearers to a Stoic feast of Medford crackers and water, to a
+philosophic banquet of metaphors and metaphysics.
+
+We confess that we expected a great deal. Better a crust with Plato
+than nightingales' tongues with Apicius; and if Mr. Choate promised
+only the crust, we were sure of one melodious tongue, at least, before
+the meal was over. He is a man of whom any community might be
+proud. Were society an organized thing here, as in Europe, no dinner
+and no drawing-room would be perfect without his talk. He would have
+been heard gladly at Johnson's club. The Hortensins of our courts,
+with a cloud of clients, he yet finds time to be a scholar and a
+critic, and to read Plato and Homer as they were read by Plato's and
+Homer's countrymen. Unsurpassed in that eloquence which, if it does
+not convince, intoxicates a jury, he was counted, so long as Webster
+lived, the second advocate of our bar.
+
+All this we concede to Mr. Choate with unreserved admiration; but
+when, leaving the field where he had won his spurs as the successful
+defender of men criminally accused, he undertakes to demonstrate the
+sources whence national life is drawn, and the causes which lead to
+its decay,--to expound authoritatively the theory of political ethics
+and the principles of sagacious statesmanship, wary in its steps, and
+therefore durable in its results,--it becomes natural and fair to ask,
+What has been the special training that has fitted him for the task?
+More than this: when he comes forward as the public prosecutor of the
+Republican Party, it becomes our duty to examine the force of his
+arguments and the soundness of his logic. Has his own experience given
+him any right to talk superciliously to a great party overwhelmingly
+triumphant in the Free States? And does his oration show him to
+possess such qualities of mind, such grasp of reason, such continuity
+of induction, as to entitle him to underrate the intelligence of so
+large a number of his fellow-citizens by accusing them of being
+incapable of a generalization and incompetent to apprehend a
+principle?
+
+The Bar has given few historically-great statesmen to the
+world,--fewer than the Church, which Mr. Choate undervalues in a
+sentence which, we cannot help thinking, is below the dignity of the
+occasion, and jarringly discordant with the generally elevated tone of
+his address. Burke, an authority whom Mr. Choate will not call in
+question, has said that the training of the bar tends to make the
+faculties acute, but at the same time narrow. The study of
+jurisprudence may, no doubt, enlarge the intellect; but the habit of
+mind induced by an indiscriminate advocacy--which may be summoned to
+the defence of a Sidney to-day and of a spoon-thief to-morrow--is
+rather that of the sophist than of the philosophic reasoner. Not
+truth, but the questionable victory of the moment, becomes naturally
+and inevitably the aim and end of all the pleader's faculties. For
+him the question is not what principle, but what interest of John Doe,
+may be at stake. Such has been Mr. Choate's school as a reasoner. As
+a politician, his experience has been limited. The member of a party
+which rarely succeeded in winning, and never in long retaining, the
+suffrages of the country, he for a time occupied a seat in the Senate,
+but without justifying the expectations of his friends. So far, his
+history shows nothing that can give him the right to assume so high
+and mighty a tone in speaking of his political opponents.
+
+But in his scholarship he has a claim to be heard, and to be heard
+respectfully. Here lies his real strength, and hence is derived the
+inspiration of his better eloquence. The scholar enjoys more than the
+privilege, without the curse, of the Wandering Jew. He can tread the
+windy plain of Troy, he can listen to Demosthenes, can follow Dante
+through Paradise, can await the rising of the curtain for the first
+acting of Hamlet. Mr. Choate's oration shows that he has drawn that
+full breath which is, perhaps, possible only under a Grecian sky, and
+it is, in its better parts, scholarly in the best sense of the
+word.[1] It shows that he has read out-of-the-way books, like Bodinus
+"De Republicâ," and fresh ones, like Gladstone's Homer,--that he can
+do justice, with Spinoza, to Machiavelli,--and that in letters, at
+least, he has no narrow prejudices. Its sentences are full of
+scholarly allusion, and its language glitters continually with pattins
+of bright gold from Shakspeare. We abhor that profane vulgarity of our
+politics which denies to an antagonist the merits which are justly
+his, because he may have been blinded to the truth of our principles
+by the demerits which are justly ours,--which hates the man because it
+hates his creed, and, instead of grappling with his argument, seeks in
+the kitchen-drains of scandal for the material to bespatter his
+reputation. Let us say, then, honestly, what we honestly think,--the
+feeling, the mastery and choice of language, the intellectual
+comprehensiveness of glance, which can so order the many-columned
+aisle of a period, that the eye, losing none of the crowded
+particulars, yet sees through all, at the vista's end, the gleaming
+figure of thought to enshrine which the costly fabric was reared,--all
+these qualities of the orator demand and receive our sincere
+applause. In an age when indolence or the study of French models has
+reduced our sentences to the economic curtness of telegraphic
+despatches, to the dimension of the epigram without its point,
+Mr. Choate is one of the few whose paragraphs echo with the
+long-resounding pace of Dryden's coursers, and who can drive a
+predicate and six without danger of an overset.
+
+Mr. Choate begins by congratulating his hearers that there comes one
+day in our year when "faults may be forgotten,-- ... when the
+arrogance of reform, the excesses of reform, the strife of parties,
+the rivalries of regions, shall give place to a wider, warmer, juster
+sentiment,--when, turning from the corners and dark places of
+offensiveness, ... we may go up together to the serene and secret
+mountain-top," etc. Had he kept to the path which he thus marked out
+for himself, we should have had nothing to say. But he goes out of
+his way to indulge a spleen unworthy of himself and the occasion, and
+brings against political opponents, sometimes directly, sometimes by
+innuendo, charges which, as displaying personal irritation, are
+impolitic and in bad taste. One fruit of scholarship, and its fairest,
+he does not seem to have plucked,--one proof of contented conviction
+in the truth of his opinions he does not give,--that indifference to
+contemporary clamor and hostile criticism, that magnanimous
+self-trust, which, assured of its own loyalty to present duty, can
+wait patiently for future justice.
+
+His exordium over, Mr. Choate proceeds to define and to discuss
+Nationality. We heartily agree with him in all he says in its praise,
+and draw attention, in passing, to a charming idyllic passage in which
+he speaks of the early influences which first develope in us its
+germinal principle. But when he says, that the sentiment of a national
+life, once existing, must still be kept alive by an exercise of the
+reason and the will, we dissent. It must be a matter of instinct, or
+it is nothing. The examples of nationality which he cites are those of
+ancient Greece and modern Germany. Now we affirm, that, with
+accidental exceptions, nationality has always been a matter of race,
+and was eminently so in the instances he quotes. If we read rightly,
+the nationality which glows in the "Iliad," and which it was, perhaps,
+one object of the poem to rouse or to make coherent, is one of blood,
+not territory. The same is true of Germany, of Russia, (adding the
+element of a common religious creed,) and of France, where the Celtic
+sentiment becomes day by day more predominant. The exceptions are
+England and Switzerland, whose intense nationality is due to
+insulation, and Holland, which was morally an island, cut off as it
+was from France by difference of language and antipathy of race, and
+from kindred Germany by the antagonism of institutions. A patriotism
+by the chart is a monster that the world ne'er saw. Men may fall in
+love with a lady's picture, but not with the map of their country.
+Few persons have the poetic imagination of Mr. Choate, that can vivify
+the dead lines and combine the complex features. It seems to us that
+our own problem of creating a national sentiment out of such diverse
+materials of race, such sometimes discordant or even hostile
+traditions, and then of giving it an intenseness of vitality that can
+overcome our vast spaces and our differences of climate and interest,
+is a new problem, not easily to be worked out by the old
+methods. Mr. Choate's plan seems to consist in the old formula of the
+Fathers. He would have us think of their sacrifices and their
+heroisms, their common danger and their common deliverance.
+Excellent, as far as it goes; but what are we to do with the large
+foreign fraction of our population imported within the last forty
+years, a great proportion of whom never so much as heard even of the
+war of 1812? Shall we talk of Bennington and Yorktown to the Germans,
+whose grandfathers, if they were concerned at all in those memorable
+transactions, were concerned on the wrong side? Shall we talk of the
+constancy of Puritan Pilgrims to the Romanist Irishman, who knows more
+of Brian Boroo than of the Mayflower?
+
+It will be many generations before we become so fused as to have a
+common past, and the conciliation and forbearance which Mr. Choate
+recommends to related sections of country will be more than equally
+necessary to unrelated races. But while we are waiting for a past in
+which we can all agree, Mr. Choate sees danger in the disrespect which
+he accuses certain _anonymi_ of entertaining for the past in
+general. But for what past? Does Mr. Choate mean our own American
+past? Does he refer us to that for lessons of forbearance, submission,
+and waiting for God's good time? Is the contemplation of their own
+history and respect for their own traditions the lenitive he
+prescribes for a people whose only history is a revolution, whose only
+tradition is rebellion? To what past and to what tradition did the
+Pilgrim Fathers appeal, except to that past, older than all history,
+that tradition, sacred from all decay, which, derived from an
+antiquity behind and beyond all the hoary generations, points the
+human soul to the God from whom it derived life, and with it the
+privilege of freedom and the duty of obedience? To what historical
+past did Jefferson go for the preamble of the Declaration, unless to
+the reveries of a half-dozen innovating enthusiasts, men of the
+closet,--of that class which Mr. Choate disparages by implication,
+though it has done more to shape the course of the world than any
+number of statesmen, whose highest office is, commonly, to deal
+prudently with the circumstances of the moment?
+
+Mr. Choate does a great injustice to the Republican Party when he lays
+this irreverence for the past to their charge. As he seems to think
+that he alone has read books and studied the lessons of antiquity, he
+will be pleased to learn that there are persons also in that party who
+have not neglected all their opportunities in that kind. The object of
+the Republicans is to bring back the policy and practice of the
+Republic to some nearer agreement with the traditions of the
+fathers. They also have a National Idea,--for some of them are capable
+of distinguishing "a phrase from an idea," or Mr. Choate would find it
+easier to convert them. They propose to create a National Sentiment,
+in the only way that is possible under conditions like ours, by
+clearing the way for the development of a nation which shall be, not
+only in Fourth-of-July orations, but on every day in the year, and in
+the mouths of all peoples, great and wise, just and brave, and whose
+idea, always august and venerable, by turns lovely and terrible, shall
+bind us all in a common nationality by our loyalty to what is true,
+our reverence for what is good, our love for what is beautiful, and
+our sense of security in what is mighty. That is the America which the
+Fathers conceived, and it is that to which the children look
+forward,--an America which shall displace Ireland and Germany,
+Massachusetts and Carolina, in the hearts of those who call them
+mother, with an image of maternity at once more tender and more
+majestic.
+
+There is a past for which Republicans have indeed no respect,--but it
+is one of recent date; there is a history from which they refuse to
+take lessons except for warning and not example,--but it is a history
+which is not yet written. When the future historian shall study that
+past and gather materials for writing that history, he will find cause
+for wonder at the strength of that national vitality which could
+withstand and survive, not the efforts of Mr. Choate's dreadful
+reformers, but of an administration calling itself Democratic, which,
+with the creed of the Ostend Manifesto for its foreign, and the
+practice of Kansas for its domestic policy, could yet find a scholar
+and a gentleman like Mr. Choate to defend it.
+
+Mr. Choate charges the Republicans with being incapable of a
+generalization. They can, at least, generalize so far as this, that,
+when they find a number of sophistries in an argument, they conclude
+that the cause which requires their support must be a weak one. One of
+the most amusing of these in the oration before us is where (using the
+very same arguments that were urged in favor of that coalition in
+Massachusetts against the morality of which the then party of Mr.
+Choate exclaimed so loudly) he extols the merits of Compromise in
+statesmanship. In support of what he says on this subject, he quotes
+from a speech of Archbishop Whately a passage in favor of
+Expediency. It is really too bad, that the Primate of Ireland, of all
+men living, should be made the abetter in two fallacies. In the first
+place, Mr. Choate assumes that there are certain deluded persons who
+affirm that all compromises in politics are wrong. Having stuffed out
+his man of straw, he proceeds gravely to argue with him, as if he were
+as cunning of fence as Duns Scotus. One would think, from some of the
+notions he deems it necessary to combat, that we were living in the
+time of the Fifth-Monarchy men, and that Captain Venner with his troop
+was ready to issue from the garrets of Batterymarch Street, to find
+Armageddon in Dock Square, and the Beast of the Revelation in the
+Chief of Police. There is no man who believes that the ship of State,
+any more than an ordinary vessel, can be navigated by the New
+Testament alone; but neither will be the worse for having it
+aboard. The Puritans sailed theirs by Deuteronomy, but it was a
+Deuteronomy qualified by an eye to the main chance. Mr. Choate's
+syllogism may be stated thus: Some compromises are necessary in order
+to carry on a free government; but this is a compromise; therefore it
+is necessary. Here is the first fallacy. The other syllogism runs
+thus: Expediency is essential in politics; so also is compromise;
+therefore some particular compromise is expedient. Fallacy number
+two. The latent application in this part of Mr. Choate's oration is,
+of course, to Compromises on the Slavery question. We agree with him,
+that no man of sense will deny that compromise is essential in
+politics, and especially in our politics. With a single exception, all
+that he says on this topic is expressed with masterly force and
+completeness. But when we come to the application of it, the matter
+assumes another face. Men of sense may, and do, differ as to what _is_
+a compromise, or, agreeing in that, they may differ again as to
+whether it be expedient. For example, if a man, having taken another's
+cloak, insist on taking his coat also, the denudee, though he might
+congratulate himself on having been set forward so far on his way
+toward the natural man of Rousseau, would hardly call the affair a
+compromise on the part of the denuder. Or again, if his brother with
+principles should offer to compromise about the coat by taking only
+half of it, he would be in considerable doubt whether the arrangement
+were expedient. Now there are many honest people, not as eloquent as
+Mr. Choate, not as scholarly, and perhaps not more illogical, who
+firmly believe that our compromises on the question of Slavery have
+afforded examples of both the species above described. It is not
+unnatural, therefore, that, while they assent to his general
+theory, they should protest against his mode of applying it to
+particulars. They may be incapable of a generalization, (they
+certainly are, if this be Mr. Choate's notion of one,) but they are
+incapable also of a deliberate fallacy. We think we find here one of
+the cases in which his training as an advocate has been of evil effect
+on his fairness of mind. No more potent lie can be made than of the
+ashes of truth. A fallacy is dangerous because of the half-truth in
+it. Swallow a strong dose of pure poison, and the stomach may reject
+it; but take half as much, mixed with innocent water, and it will do
+you a mischief. But Mr. Choate is nothing, if not illogical:
+recognizing the manifest hand of God in the affairs of the world, he
+would leave the question of Slavery with Him. Now we offer Mr. Choate
+a _dilemma_: either God _always_ interferes, or _sometimes_: if
+always, why need Mr. Choate meddle? why not leave it to Him to avert
+the dangers of Anti-slavery, as well as to remedy the evils of
+Slavery?--if only sometimes, (_nec deus intersit nisi dignus vindice
+nodus,_) who is to decide when the time for human effort has come?
+Each man for himself, or Mr. Choate for all?
+
+Let us try Mr. Choate's style of reasoning against himself. He says,
+"One may know Aristophanes and Geography and the Cosmical Unity and
+Telluric Influences," (why _didn't_ he add, "Neptune, Plutarch,
+and Nicodemus"!) "and the smaller morals of life, and the sounding
+pretensions of philanthropy," (this last, at any rate, is useful
+knowledge,) "and yet not know America." We must confess, that we do
+not see why on earth he should. In fact, by the time he had got to
+the "Telluric Influences," (whatever they are,) we should think he
+might consider his education completed, and his head would even then
+be as great a wonder as that of the schoolmaster in the "Deserted
+Village." In the same way, a man might have seen a horse, (if only a
+clothes-horse,) a dog, a cat, and a tadpole, and yet never have seen
+the elephant,--a most blame-worthy neglect of opportunities. But let
+us apply Mr. Choate's syllogistic process to the list of this
+extraordinary nameless person's acquirements. The Republican Party do
+_not_ know any of these amazing things; _ergo_, they must
+know America; and the corollary (judging from Mr. Choate's own
+practice, as displayed in the parts of his oration which we are sure
+he will one day wish to blot) would seem to be, that, having the honor
+of her acquaintance, they may apply very contemptuous epithets to
+everybody that disagrees with them. The only weak point in our case
+is, that Mr. Choate himself seems to allow them the one merit of
+knowing something of Geography,--for he says they wished to elect a
+"geographical President,"--but, perhaps, as they did not succeed in
+doing so, he will forgive them the possession of that accomplishment,
+so hostile to a knowledge of America.
+
+We confess that we were surprised to find Mr. Choate reviving, on "the
+serene and secret mountain-top,"--which, being interpreted, means the
+rather prosaic Tremont Temple,--the forgotten slang of a bygone
+political contest, as in the instance we have just quoted of the
+"geographical President." We think that Colonel Fremont might be
+allowed to rest in peace, now that a California court has
+decided--with a logic worthy of Mr. Choate himself--that he has no
+manner of right to the gold in his Mariposa mines, _because_ he
+owns them. But we should like to have Mr. Choate define, when he has
+leisure, where an unfortunate candidate can take up his abode, in
+order to escape the imputation of being "geographical." It is a grave
+charge to be brought against any man, as we see by its being coupled
+with those dreadful Telluric Influences and Cosmical (ought we not to
+_dele_ the _s?_) Unities; and since the most harmless man in
+the world may become a candidate before he expects it, it would be
+charitable to warn him beforehand what is an allowable _habitat_
+in such a contingency.
+
+We said we were surprised at seeing our old friend, the "geographical
+President," again; but we soon found that he reappeared only as the
+file-leader of a ragged regiment of kindred scarecrows,--nay, with
+others so battered and bedraggled, that they were scarce fit to be the
+camp-followers of the soldiery with whom Falstaff refused to march
+through Coventry. The sarcasms which Mr. Choate vents against the
+Anti-slavery sentiment of the country are so old as to be positively
+respectable,--we wish we could say that their vivacity increased with
+their years,--and as for his graver indictments, there never was
+anything so ancient, unless it be an American lad of eighteen. There
+are not a great many of either, but they are made to recur often
+enough to produce the impression of numbers. They remind us of the
+theatric army, composed always of the same old guard of
+supernumeraries and candle-snuffers, and which, by marching round and
+round the paper forest in the background, would make six men pass
+muster very well for sixty, did not the fatally regular recurrence of
+the hero whose cotton armor bunches at the knees, and the other whose
+legs insist on the un-Grecian eccentricity of being straight in
+profile and crooked in a front view, bring us back to calmer
+estimates.
+
+We used the word _indictments_ with design, both as appropriate
+to Mr. Choate's profession and exactly descriptive of the thing
+itself. For, as in an indictment for murder, in order to close every
+loophole of evasion, the prudent attorney affirms that the accused did
+the deed with an awfully destructive _to-wit_,--with a knife,
+axe, bludgeon, pistol, bootjack, six-pounder, and what not, which were
+then and there in the Briarean hands of him the said What's-his-name,
+so Mr. Choate represents the Republican Party to have attempted the
+assassination of the Constitution with a most remarkable medley of
+instruments. He does not, indeed, use the words "Republican Party,"
+but it is perfectly clear from the context, as in the case of the
+"geographical President," for whom the charges are intended. Out of
+tenderness for the artist, let him for whom the garment is intended
+put it on, though it may not fit him,--and for our own parts, as
+humble members of the Anti-slave-trade, Anti-filibuster, and
+Anti-disreputable-things-generally Party, we don our Joseph's coat
+(for Mr. Choate could not make one that was not of many colors) with
+good-humored serenity.
+
+Of course, Sectionalism is not forgotten. The pumpkin-lantern, that
+had performed so many offices of alarm, though a little wrinkled now,
+was too valuable a stage-property to be neglected. In the hands of so
+skilful an operator, its slender body flutters voluminous with new
+folds of inexpensive cotton, and its eyes glare with the baleful
+terrors of unlimited tallow. Mr. Choate honestly confesses that
+sectional jealousies are coeval with the country itself, but it is
+only as fomented by Anti-slavery-extension that he finds them
+dreadful. When South Carolina threatened disunion unless the Tariff of
+the party to which Mr. Choate then belonged were modified, did he
+think it necessary for the Protectionists to surrender their policy?
+There is not, and there never was, any party numerically considerable
+at the North, in favor of disunion. Were homilies on fraternal
+concessions the things to heal this breach, the South is the fitting
+place for their delivery; but mouth-glue, however useful to stick
+slight matters together, is not the cement with which confederacies
+are bound to a common centre. There must be the gravitation of
+interest as well as of honor and duty. We wonder that the parallel
+case of Scotland and England did not occur to Mr. Choate, in speaking
+upon this point. Scotland was clamorous and England jealously
+contemptuous, for nearly a century. Twice since the union, the land
+of cakes has been in rebellion; but as long as a pound Scots was only
+a twentieth part of a pound English,--as long as the treasury was
+filled chiefly from south the Tweed, and the sons of poor and proud
+Scottish lairds could make glittering abstractions from it,--as long
+as place was to be won or hoped for,--there was no danger. So with
+us,--though Jacob and Esau quarrelled already in the womb, yet, so
+long as the weaker and more politic brother can get the elder
+brother's portion, and simple Esau hunts his whales and pierces his
+untrodden forests, content with his mess of pottage,--honestly abiding
+by his bargain, though a little puzzled at its terms,--we think that
+fratricide, or the sincere thought of it, is very far off.
+
+ * * * * *
+
+We should be glad to extract some passages of peculiar force and
+beauty,--such as that where Mr. Choate rebukes the undue haste of
+reformers, and calls to mind the slow development and longevity of
+states and ideas. But our duty is the less pleasing one of pointing to
+some of the sophistries of the argument and some of the ill-advised
+ebullitions of the orator. We leave his exegesis of "Render unto
+Cæsar" to answer itself; but what can be worse than this,--worse in
+taste, in temper, in reason?
+
+
+ "There is a cant of shallowness and fanaticism which misunderstands
+ and denies this. There is a distempered and ambitious morality which
+ says civil prudence is no virtue. There is a philanthropy,--so it
+ calls itself,--pedantry, arrogance, folly, cruelty, impiousness, I
+ call it, fit enough for a pulpit, totally unfit for a people,--fit
+ enough for a preacher, totally unfit for a statesman."
+
+
+Think of it!--fit enough for St. Augustine and St. Francis, (to
+mention no greater names,) fit enough for Taylor and Barrow, for
+Bossuet and Fénelon, but not for Mr. Buchanan or Mr. Cushing!
+
+In another place Mr. Choate says, "that even the laughter of fools,
+and children, and madmen, little ministers, little editors, and little
+politicians, can inflict the mosquito-bite, not deep, but stinging."
+As this is one of the best of his sarcasms, we give it the advantage
+of the circulation of the "Atlantic,"--generous and tidal circulation,
+as he himself might call it. We do not think the mosquito image
+new,--if we remember, the editor of the Bungtown Copperhead uses it
+weekly against "our pitiful contemporary,"--though the notion of a
+mosquito-bite inflicted by a laugh is original with Mr. Choate, unless
+Lord Castlereagh may have used it before. But we would seriously ask
+Mr. Choate who the big ministers of the country are, if the Beechers,
+if Wayland, Park, Bushnell, Cheever, Furness, Parker, Hedge, Bellows,
+and Huntington are the little ones?
+
+There is an amusing passage in which Mr. Choate would seem to assume
+to himself and those who agree with him the honors of martyrdom. This
+shows a wonderful change in public opinion; though the martyrs in the
+"Legenda Aurea" and Fox seem to have had a harder time of it than we
+supposed to be the case with Mr. Choate.
+
+We have not space to follow him farther, and only the reputation of
+the man, and the singularity of the occasion, which gave a kind of
+national significance to the affair, would have tempted us to intrude
+upon the select privacy of the Young Men's Democratic Association.
+
+Finally, as Mr. Choate appears to have a very mean opinion of the
+understandings and the culture of those opposed to him in politics, we
+beg to remind him, since he has been led out, like Balaam, to prophesy
+against the tents and armies of the Republican Israel, and has ended
+by proving their invincibility, that it was an animal in all respects
+inferior to a prophet, and in some to a politician, who was first
+aware of the presence of the heavenly messenger; and it may be that
+persons incapable of a generalization--as that patient creature
+undoubtedly was--may see as far into the future as the greatest
+philosopher who turns his eyes always to the past.
+
+
+Footnote 1: We may be allowed to wonder, however, at his speaking of
+"memories that burn and revel in the pages of Herodotus,"--a phrase
+which does injustice to the simple and quiet style of the delightful
+Pepys of Antiquity.
+
+
+
+
+LITERARY NOTICES.
+
+DR. ASA GRAY'S _Botanical Series_, New York, Ivison & Phinney,
+consisting of--
+
+I. _How Plants Grow_, etc., _with a Popular Flora,_
+etc. 16mo. pp. 233.
+
+II. _First Lessons in Botany and Vegetable Physiology._
+8vo. pp. 236.
+
+III. _Introduction to Structural and Systematic Botany and Vegetable
+Physiology._ 8vo. pp. 555.
+
+IV. _Manual of the Botany of the Northern United States, including
+Virginia, Kentucky,_ etc. 8vo. pp. 636.
+
+V. Same as IV., with the _Mosses and Liverworts_ added,
+illustrated by Engravings, pp. 739.
+
+VI. Same as IV., with II. bound up with it. pp. 872.
+
+The first-named of these books is a new candidate for public favor;
+the others are revised and improved editions of books which have
+already been favorably received. We have sometimes thought that the
+popularity of a school-book is in inverse proportion to its merits,
+and are glad to learn that five editions of Dr. Gray's "Structural and
+Systematic Botany" are witnesses against the truth of this assumption.
+No man can deny that Dr. Gray's books are all of the highest order of
+merit. The accuracy and extent of his scholarship are manifest on
+every page,--a scholarship consisting not merely in an extensive
+acquaintance with the works of other botanists, but in a careful
+confirmation of their results, and in additions to their knowledge, by
+an observation of Nature for himself. His clearness of style is an
+equally valuable characteristic, making the reader sure that he
+understands Dr. Gray, and that Dr. Gray understands the subject. In
+the "Manual" this clearness of style extends to the judicious
+selection of distinctive marks, whereby allied species may be
+distinguished from each other. Even the most difficult genera of
+golden-rods, asters, and grasses become intelligible in this manual;
+and many a less difficult genus which puzzled our boyhood, with
+Beck's, Eaton's, and Pursh's manuals, became so plain in Gray, that we
+cannot now imagine where was the difficulty. The extent of the field
+which Gray's Manual covers prevents him, of course, from giving
+such lifelike descriptions of plants as may be found in Dr.
+Bigelow's "Plants of Boston and its Vicinity," or such minute
+word-daguerreotypes as those in Mr. Emerson's "Trees of
+Massachusetts,"--books which no New England student of botany can
+afford to be without; but, on the other hand, the description of each
+species, aided by typographical devices of Italics, etc., is
+sufficient for any intelligent observer to identify a specimen. The
+exquisite engravings, illustrating the genera of Ferns, Hepaticæ, and
+Mosses, are also a great assistance.
+
+The volume which we have marked III. is the fifth revised edition of
+the "Botanical Text-Book." It contains a complete, although concise,
+sketch of Structural Botany and Vegetable Physiology, and a birds'-eye
+view of the whole vegetable kingdom in its subdivision into families,
+illustrated by over thirteen hundred engravings on wood. It has become
+a standard of botany, wherever our language is read.
+
+For those who do not wish to pursue the study so far, the "First
+Lessons" is one of the most happily arranged and happily written
+scientific text-books ever published, and is illustrated by three
+hundred and sixty well-executed wood-cuts. This takes scholars of
+thirteen or fourteen years of age far enough into the recesses of the
+science for them to see its beauties, and to learn the passwords which
+shall admit them to all its hidden and inexhaustible treasures. It
+goes over substantially the same ground that is covered by the volume
+we have marked III., but in simpler language and with much less
+detail; and closes with clear practical directions how to collect
+specimens and make an herbarium.
+
+The first book is intended for children of ten or twelve years old, at
+home or in school. We hail it as a remarkably successful effort of a
+truly learned man to write a book actually adapted to young children.
+While all teachers, and writers upon education, insist on the
+importance of having a child's first impressions such as shall not
+need to be afterwards corrected, and such as shall attract the child
+towards the study to which it is introduced, our elementary books have
+usually sinned in one or both these points. They are either dry and
+repulsive, or else vague and incorrect;--frequently have both
+faults. But the child is here told "how plants grow" in a very
+pleasant manner, with neat and pretty pictures to illustrate the
+words, by one whose thorough knowledge and perspicuity of style
+prevent him from ever giving a wrong impression. The "Popular Flora"
+which is appended, contains a description of about one hundred
+families of the most common cultivated and wild plants, and of the
+most familiar genera and species in each family. The English names are
+in all cases put in the foreground in bold type,--while the Latin
+names stand modestly back, half hidden in parentheses and Italics; and
+these English names are in general very well selected,--although we
+think that when two or three English names are given to one plant, or
+one name to several plants, Dr. Gray ought to indicate which name he
+prefers. He allows "Dogwood" to stand without rebuke for the poison
+sumac, as well as for the flowering cornel; and gives "Winterberry"
+and "Black Alder" without comment to _Prinos verticellata_. A
+word of preference on his part might do something towards reforming
+and simplifying the popular nomenclature, and this child's manual is
+the place to utter that word. We think also that in a second edition
+of this Popular Flora it would be well to give a _popular_
+description of a few of the most beautiful flowers belonging to those
+families which are too difficult for the child properly to
+analyze. Thus, Arethusa, Cypripedium, Pogonia, Calopogon, Spiranthes,
+Festuca, Osmunda, Onoclea, Lycopodium, Polytrichum, Bryum, Marchantia,
+Usnea, Parmelia, Cladonia, Agaricus, Chondrus, and perhaps a few other
+genera, furnish plants so familiar and so striking that a child will
+be sure to inquire concerning them, and a general description could
+easily be framed in a few words which could not mislead him concerning
+them.
+
+In writing for children, Dr. Gray seems to have put on a new nature,
+in which we have a much fuller sympathy with him than we have ever had
+in reading his larger books. We do not like that cold English common
+sense which seems reluctant to admit any truth in the higher regions
+of thought; and we confess, that, until we had read this little
+child's book, "How Plants Grow," we had always suspected Dr. Gray of
+leaning towards that old error, so finely exposed by Agassiz in
+zoölogy, of considering genera, families, etc., as divisions made by
+human skill, for human convenience,--instead of as divisions belonging
+to the Creator's plan, as yet but partially understood by human
+students.
+
+We hope that the appearance of this masterly little book, so finely
+adapted to the child's understanding, may have the effect of
+introducing botany into the common schools. The natural taste of
+children for flowers indicates clearly the propriety and utility of
+giving them lessons upon botany in their earliest years. Go into any
+of our New England country-schools at this season of the year, and you
+will find a bouquet of wild flowers on the teacher's desk. Take it up
+and separate it,--show each flower to the school, tell its name, and
+its relationship to other and more familiar cultivated flowers, the
+characteristic sensible properties of its family, etc.,--and you will
+find the younger scholars your most attentive listeners. And if any
+practical man ask, What is the use of the younger scholars learning
+anything about wild flowers, which the cultivation of the country may
+soon render extinct, and which are but weeds at best?--there are two
+sufficient answers ready: first, that all truth is divine, and that
+the workmanship of infinite skill is beautiful and worthy of the eyes
+which may behold it; secondly, that no mental discipline is better
+adapted for the young mind than this learning how to distinguish
+plants. No more striking deficiency is observable, in most men, than
+the lack of a power to observe closely and with accuracy. The general
+inaccuracy of testimony, usually ascribed to inaccuracy of memory, is
+in fact to be attributed to inaccuracy of observation. In like
+manner, a large proportion of popular errors of judgment spring from
+an imperfect perception of the data on which the true conclusions
+should be founded. The best remedy for this lack of clear perceptions
+would evidently be the cultivation of those habits of close
+observation and nice discrimination necessary in a successful
+naturalist.
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK ATLANTIC MONTHLY, VOLUME 2, ISSUE
+10, AUGUST, 1858***
+
+
+******* This file should be named 10626-8.txt or 10626-8.zip *******
+
+
+This and all associated files of various formats will be found in:
+https://www.gutenberg.org/1/0/6/2/10626
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+http://www.ibiblio.org/gutenberg/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+https://www.gutenberg.org/GUTINDEX.ALL
+
+*** END: FULL LICENSE ***
diff --git a/old/10626-8.zip b/old/10626-8.zip
new file mode 100644
index 0000000..4ae24f7
--- /dev/null
+++ b/old/10626-8.zip
Binary files differ
diff --git a/old/10626-h.zip b/old/10626-h.zip
new file mode 100644
index 0000000..24b81b3
--- /dev/null
+++ b/old/10626-h.zip
Binary files differ
diff --git a/old/10626-h/10626-h.htm b/old/10626-h/10626-h.htm
new file mode 100644
index 0000000..1e31367
--- /dev/null
+++ b/old/10626-h/10626-h.htm
@@ -0,0 +1,9519 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN" "http://www.w3.org/TR/html4/loose.dtd">
+<html>
+<head>
+<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
+<title>The Project Gutenberg eBook of Atlantic Monthly, Volume 2, Issue 10, August, 1858, by Various</title>
+<style type="text/css">
+ a:link {color:blue;
+ text-decoration:none}
+ link {color:blue;
+ text-decoration:none}
+ a:visited {color:blue;
+ text-decoration:none}
+ a:hover {color:red}
+</style>
+</head>
+<body>
+<h1>The Project Gutenberg eBook, Atlantic Monthly, Volume 2, Issue 10, August,
+1858, by Various</h1>
+<pre>
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at <a href = "https://www.gutenberg.org">www.gutenberg.org</a></pre>
+<p>Title: Atlantic Monthly, Volume 2, Issue 10, August, 1858</p>
+<p>Author: Various</p>
+<p>Release Date: January 7, 2004 [eBook #10626]</p>
+<p>[Date last updated: June 12, 2005]</p>
+<p>Language: English</p>
+<p>Character set encoding: iso-8859-1</p>
+<p>***START OF THE PROJECT GUTENBERG EBOOK ATLANTIC MONTHLY, VOLUME 2, ISSUE 10, AUGUST, 1858***</p>
+<br>
+<center><h3>E-text prepared by Joshua Hutchinson, Bob Blair,<br>
+ and Project Gutenberg Distributed Proofreaders</h3></center>
+<br>
+<hr>
+<center>
+<h1>
+THE<br>
+ATLANTIC MONTHLY.
+</h1>
+<h2>
+A MAGAZINE OF LITERATURE, ART, AND POLITICS.
+</h2>
+<h3>
+VOL. II.--AUGUST, 1858.--NO. X.
+</h3>
+</center>
+
+<br><br><br><br><br>
+
+<center>
+<h2>
+<a name="1">DAPHNAIDES:</a>
+<br>
+OR THE ENGLISH LAUREL, FROM CHAUCER TO TENNYSON.
+</h2>
+</center>
+<br>
+<br>
+<blockquote>
+ They in thir time did many a noble dede,<br>
+ And for their worthines full oft have bore<br>
+ The crown of laurer leavés on the hede,<br>
+ As ye may in your oldé bookés rede:<br>
+ And how that he that was a conquerour<br>
+ Had by laurer alway his most honour.<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;DAN CHAUCER: <i>The Flowre and the Leaf</i>.
+</blockquote>
+<p>
+It is to be lamented that antiquarian zeal is so often diverted from
+subjects of real to those of merely fanciful interest. The mercurial
+young gentlemen who addict themselves to that exciting department of
+letters are open to censure as being too fitful, too prone to flit,
+bee-like, from flower to flower, now lighting momentarily upon an
+indecipherable tombstone, now perching upon a rusty morion, here
+dipping into crumbling palimpsests, there turning up a tattered
+reputation from heaps of musty biography, or discovering that the
+brightest names have had sad blots and blemishes scoured off by the
+attrition of Time's ceaseless current. We can expect little from
+investigators so volatile and capricious; else should we expect the
+topic we approach in this paper to have been long ago flooded with
+light as of Maedler's sun, its dust dissipated, and sundry curves and
+angles which still baffle scrutiny and provoke curiosity exposed even
+to Gallio-llke wayfarers. It is, in fact, a neglected topic. Its
+derivatives are obscure, its facts doubtful. Questions spring from
+it, sucker-like, numberless, which none may answer. Why, for
+instance, in apportioning his gifts among his posterity, did Phoebus
+assign the laurel to his step-progeny, the sons of song, and pour the
+rest of the vegetable world into the pharmacopoeia of the favored
+Æsculapius? Why was even this wretched legacy divided in aftertimes
+with the children of Mars? Was its efficacy as a non-conductor of
+lightning as reliable as was held by Tiberius, of guileless memory,
+Emperor of Rome? Were its leaves really found green as ever in the
+tomb of St. Humbert, a century and a half after the interment of that
+holy confessor? In what reign was the first bay-leaf, rewarding the
+first poet of English song, authoritatively conferred? These and other
+like questions are of so material concern to the matter we have in
+hand, that we may fairly stand amazed that they have thus far escaped
+the exploration of archaeologists. It is not for us to busy ourselves
+with other men's affairs. Time and patience shall develope profounder
+mysteries than these. Let us only succeed in delineating in brief
+monograph the outlines of a natural history of the British
+Laurel,--<i>Laurea nobilis, sempervirens, florida</i>,--and in posting
+here and there, as we go, a few landmarks that shall facilitate the
+surveys of investigators yet unborn, and this our modest enterprise
+shall be happily fulfilled.
+<p>
+One portion of it presents no serious difficulty. There is an
+uninterrupted canon of the Laureates running as far back as the reign
+of James I. Anterior, however, to that epoch, the catalogue fades away
+in undistinguishable darkness. Names are there of undoubted splendor,
+a splendor, indeed, far more glowing than that of any subsequent
+monarch of the bays; but the legal title to the garland falls so far
+short of satisfactory demonstration, as to oblige us to dismiss the
+first seven Laureates with a dash of that ruthless criticism with
+which Niebuhr, the regicide, dispatched the seven kings of Rome. To
+mark clearly the bounds between the mythical and the indubitable, a
+glance at the following brief of the Laureate <i>fasti</i> will
+greatly assist us, speeding us forward at once to the substance of our
+story.
+<p>
+
+I. The MYTHICAL PERIOD, extending from the supposititious coronation
+of Laureate CHAUCER, <i>in temp. Edv. III., 1367</i>, to that of
+Laureate JONSON, <i>in temp. Caroli I.</i> To this period belong,
+
+<blockquote>
+<table border="0" width="50%" align="center">
+<tr>
+<td>GEOFFREY CHAUCER,</td>
+<td>1367-1400</td>
+</tr>
+<tr>
+<td>JOHN SCOGAN,</td>
+<td>1400-1413</td>
+</tr>
+<tr>
+<td>JOHN KAY,</td>
+<td>1465-</td>
+</tr>
+<tr>
+<td>ANDREW BERNARD,</td>
+<td>1486-</td>
+</tr>
+<tr>
+<td>JOHN SKELTON,</td>
+<td>1509-1529</td>
+</tr>
+<tr>
+<td>EDMUND SPENSER,</td>
+<td>1590-1599</td>
+</tr>
+<tr>
+<td>SAMUEL DANIEL,
+<br>MICHAEL DRAYTON,
+<br>BEN JONSON,
+</td>
+<td valign="middle">1600-1630</td>
+</tr>
+</table>
+</blockquote>
+<p>
+II. The DRAMATIC, extending from the latter event to the demise of
+Laureate SHADWELL, <i>in temp. Gulielmi III., 1692.</i> Here we have
+<p>
+<blockquote>
+<table border = "0" width="50%" align="center">
+<tr>
+<td>BEN JONSON,</td>
+<td>1630-1637</td>
+</tr>
+<tr>
+<td>WILL DAVENANT,</td>
+<td>1637-1668</td>
+</tr>
+<tr>
+<td>JOHN DRYDEN,</td>
+<td>1670-1689</td>
+</tr>
+<tr>
+<td>THOMAS SHADWELL,</td>
+<td>1689-1692</td>
+</tr>
+</table>
+</blockquote>
+<p>
+III. The LYRIC, from the reign of Laureate TATE, 1693, to the demise
+of Laureate PYE, 1813:--
+<blockquote>
+<table border="0" width="50%" align="center">
+<tr>
+<td>NAHUM TATE,</td>
+<td>1693-1714</td>
+</tr>
+<tr>
+<td>NICHOLAS ROWE,</td>
+<td>1714-1718</td>
+<tr>
+<td>LAURENCE EUSDEN,</td>
+<td>1719-1730</td>
+</tr>
+<tr>
+<td>COLLEY CIBBER,</td>
+<td>1730-1757</td>
+</tr>
+<tr>
+<td>WILLIAM WHITEHEAD,</td>
+<td>1758-1785</td>
+</tr>
+<tr>
+<td>THOMAS WARTON,</td>
+<td>1785-1790</td>
+</tr>
+<tr>
+<td>HENRY JAMES PYE,</td>
+<td>1790-1813</td>
+</tr>
+</table>
+</blockquote>
+
+<p>
+IV. The VOLUNTARY, from the accession of Laureate SOUTHEY, 1813, to
+the present day:--
+<blockquote>
+<table border="0" width="50%" align="center">
+<tr>
+<td>ROBERT SOUTHEY,</td>
+<td>1813-1843</td>
+</tr>
+<tr>
+<td>WILLIAM WORDSWORTH,</td>
+<td>1843-1850</td>
+</tr>
+<tr>
+<td>ALFRED TENNYSON,</td>
+<td>1850-</td>
+</tr>
+</table>
+</blockquote>
+<p>
+Have no faith in those followers of vain traditions who assert the
+existence of the Laureate office as early as the thirteenth century,
+attached to the court of Henry III. Poets there were before
+Chaucer,--<i>vixere fortes ante Agamemnona</i>,--but search Rymer from
+cord to clasp and you shall find no documentary evidence of any one of
+them wearing the leaf or receiving the stipend distinctive of the
+place. Morbid credulity can go no farther back than to the "Father of
+English Poetry":--
+<blockquote>
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;"That renounced Poet,<br>
+ Dan Chaucer, well of English undefyled,<br>
+ On Fame's eternall beadroll worthie to be fyled":<a href="#1.1">[1]</a>
+</blockquote>
+<p>
+<blockquote>
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;"Him that left half-told<br>
+ The story of Cambuscan bold;<br>
+ Of Camball, and of Algarsife,<br>
+ And who had Canace to wife":<a href="#1.2">[2]</a>
+</blockquote>
+<p>
+<blockquote>
+ "That noble Chaucer, in those former times,<br>
+ Who first enriched our English with his rhymes,<br>
+ And was the first of ours that ever broke<br>
+ Into the Muse's treasures, and first spoke<br>
+ In mighty numbers."<a href="#1.3">[3]</a>
+</blockquote>
+<p>
+Tradition here first assumes that semblance of probability which
+rendered it current for three centuries. Edward the Third--resplendent
+name in the constitutional history of England--is supposed to have
+been so deeply impressed with Chaucer's poetical merits, as to have
+sought occasion for appropriate recognition. Opportunely came that
+high festival at the capital of the world, whereat
+<blockquote>
+ "Franccis Petrark, the laureat poete,<br>
+ ... whos rethorike swete<br>
+ Enlumined all Itaille of poetrie,"<a href="#1.4">[4]</a>
+</blockquote>
+<p>
+received the laurel crown at the hands of the Senate of Rome, with a
+magnificence of ceremonial surpassed only by the triumphs of imperial
+victors a thousand years before. Emulous of the gorgeous example, the
+English monarch forthwith showered corresponding honors upon Dan
+Chaucer, adding the substantial perquisites of a hundred marks and a
+tierce of Malvoisie, a year. To this agreeable story, Laureate Warton,
+than whom no man was more intimately conversant with the truth there
+is in literary history, appears in one of his official odes to yield
+assent:--
+<blockquote>
+ "Victorious Edward gave the vernal bough<br>
+ Of Britain's bay to bloom on Chaucer's brow:<br>
+ Fired with the gift, he changed to sounds sublime<br>
+ His Norman minstrelsy's discordant chime."<a href="#1.5">[5]</a>
+</blockquote>
+<p>
+The legend, however, does not bear inquiry. King Edward, in 1367,
+certainly granted an annuity of twenty marks to "his varlet, Geoffrey
+Chaucer." Seven years later there was a further grant of a pitcher of
+wine daily, together with the controllership of the wool and petty
+wine revenues for the port of London. The latter appointment, to which
+the pitcher of wine was doubtless incident, was attended with a
+requirement that the new functionary should execute all the duties of
+his post in person,--a requirement involving as constant and laborious
+occupation as that of Charles Lamb, chained to his perch in the India
+House. These concessions, varied slightly by subsequent patents from
+Richard II. and Henry IV., form the entire foundation to the tale of
+Chaucer's Laureateship.<a href="#1.6">[6]</a> There is no reference in grant or patent to
+his poetical excellence or fame, no mention whatever of the laurel, no
+verse among the countless lines of his poetry indicating the reception
+of that crowning glory, no evidence that the third Edward was one whit
+more sensitive to the charms of the Muses than the third William,
+three hundred years after. Indeed, the condition with which the
+appointment of this illustrious custom-house officer was hedged
+evinced, if anything, a desire to discourage a profitless wooing of
+the Nine, by so confining his mind to the incessant routine of an
+uncongenial duty as to leave no hours of poetic idleness. Whatever
+laurels Fame may justly garland the temples of Dan Chaucer withal, she
+never, we are obliged to believe, employed royal instrument at the
+coronation.
+<p>
+John Scogan, often confounded with an anterior Henry, has been named
+as the Laureate of Henry IV., and immediate successor of
+Chaucer. Laureate Jonson seems to encourage the notion:--
+<blockquote>
+ "<i>Mere Fool.</i> Skogan? What was he?
+<p>
+ "<i>Jophiel.</i> Oh, a fine gentleman, and master of arts<br /> Of Henry
+ the Fourth's time, that made disguises <br />For the King's sons, and writ
+ in ballad-royal<br /> Daintily well.
+<p>
+ "<i>Mere Fool</i>. But he wrote like a gentleman?
+<p>
+ "<i>Jophiel</i>. In rhyme, fine, tinkling rhyme, and flowand verse,
+ <br />With now and then some sense; and he was paid for't,<br /> Regarded and
+ rewarded; which few poets<br />Are nowadays."<a href="#1.7">[7]</a>
+</blockquote>
+<p>
+But Warton places Scogan in the reign of Edward IV., and reduces him
+to the level of Court Jester, his authority being Dr. Andrew Borde,
+who, early in the sixteenth century, published a volume of his
+platitudes.<a href="#1.8">[8]</a> There is nothing to prove that he was either poet or
+Laureate; while, on the other hand, it must be owned, one person might
+at the same time fill the offices of Court Poet and Court Fool. It is
+but fair to say that Tyrwhitt, who had all the learning and more than
+the accuracy of Warton, inclines to Jonson's estimate of Scogan's
+character and employment.
+<p>
+One John Kay, of whom we are singularly deficient in information, held
+the post of Court Poet under the amorous Edward IV. What were his
+functions and appointments we cannot discover.
+<p>
+Andrew Bernard held the office under Henry VII. and Henry VIII. He was
+a churchman, royal historiographer, and tutor to Prince Arthur. His
+official poems were in Latin. He was living as late as 1522.
+<p>
+John Skelton obtained the distinction of Poet-Laureate at Oxford, a
+title afterward confirmed to him by the University of Cambridge: mere
+university degrees, however, without royal indorsement. Henry
+VIII. made him his "Royal Orator," whatever that may have been, and
+otherwise treated him with favor; but we hear nothing of sack or
+salary, find nothing among his poems to intimate that his performances
+as Orator ever ran into verse, or that his "laurer" was of the regal
+sort.
+<p>
+A long stride carries us to the latter years of Queen Elizabeth,
+where, and in the ensuing reign of James, we find the names of Edmund
+Spenser, Samuel Daniel, and Michael Drayton interwoven with the
+bays. Spenser's possession of the laurel rests upon no better evidence
+than that, when he presented the earlier books of the "Faery Queen" to
+Elizabeth, a pension of fifty pounds a year was conferred upon him,
+and that the praises of <i>Gloriana</i> ring through his realm of
+Faëry in unceasing panegyric. But guineas are not laurels, though for
+sundry practical uses they are, perhaps, vastly better; nor are the
+really earnest and ardent eulogia of the bard of Mulla the same in
+kind with the harmonious twaddle of Tate, or the classical quiddities
+of Pye. He was of another sphere, the highest heaven of song, who
+<blockquote>
+&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;"Waked his lofty lay<br>
+&nbsp;&nbsp;&nbsp;&nbsp; To grace Eliza's golden sway;<br>
+ And called to life old Uther's elfin-tale,<br>
+ And roved through many a necromantic vale,<br>
+&nbsp;&nbsp;&nbsp;&nbsp; Portraying chiefs who knew to tame<br>
+&nbsp;&nbsp;&nbsp;&nbsp; The goblin's ire, the dragon's flame,<br>
+&nbsp;&nbsp;&nbsp;&nbsp; To pierce the dark, enchanted hall<br>
+&nbsp;&nbsp;&nbsp;&nbsp; Where Virtue sat in lonely thrall.<br>
+&nbsp;&nbsp;&nbsp;&nbsp; From fabling Fancy's inmost store<br>
+&nbsp;&nbsp;&nbsp;&nbsp; A rich, romantic robe he bore,<br>
+ A veil with visionary trappings hung,<br>
+ And o'er his Virgin Queen the fairy-texture flung."<a href="#1.9">[9]</a>
+</blockquote>
+<p>
+Samuel Daniel was not only a favorite of Queen Elizabeth, but more
+decidedly so of her successor in the queendom, Anne of Denmark. In the
+household of the latter he held the position of Groom of the Chamber,
+a sinecure of handsome endowment, so handsome, indeed, as to warrant
+an occasional draft upon his talents for the entertainment of her
+Majesty's immediate circle, which held itself as far as possible aloof
+from the court, and was disposed to be self-reliant for its
+amusements. Daniel had entered upon the vocation of courtier with
+flattering auspices. His precocity while at Oxford has found him a
+place in the "Bibliotheca Eruditorum Præcocium." Anthony Wood bears
+witness to his thorough accomplishments in all kinds, especially in
+history and poetry, specimens of which, the antiquary tells us, were
+still, in his time, treasured among the archives of Magdalen. He
+deported himself so amiably in society, and so inoffensively among his
+fellow-bards, and versified his way so tranquilly into the good graces
+of his royal mistresses, distending the thread, and diluting the
+sense, and sparing the ornaments, of his passionless poetry,--if
+poetry, which, by the definition of its highest authority, is "simple,
+sensuous, passionate," can ever be unimpassioned,--that he was the
+oracle of feminine taste while he lived, and at his death bequeathed a
+fame yet dear to the school of Southey and Wordsworth. Daniel was no
+otherwise Laureate than his position in the queen's household may
+authorize that title. If ever so entitled by contemporaries, it was
+quite in a Pickwickian and complimentary sense. His retreat from the
+busy vanity of court life, an event which happened several years
+before his decease in 1619, was hastened by the consciousness of a
+waning reputation, and of the propriety of seeking better shelter than
+that of his laurels. His eloquent "Defense of Rhyme" still asserts for
+him a place in the hearts of all lovers of stately English prose.
+<p>
+Old Michael Drayton, whose portrait has descended to us, surmounted
+with an exuberant twig of bays, is vulgarly classed with the
+legitimate Laureates. Southey, pardonably anxious to magnify an office
+belittled by some of its occupants, does not scruple to rank Spenser,
+Daniel, and Drayton among the Laurelled:--
+<blockquote>
+ "That wreath, which, in Eliza's golden days,<br>
+ &nbsp;&nbsp;&nbsp; My master dear, divinest Spenser, wore,<br>
+ That which rewarded Drayton's learned lays,<br>
+ &nbsp;&nbsp;&nbsp; Which thoughtful Ben and gentle Daniel bore," etc.
+</blockquote>
+<p>
+But in sober prose Southey knew, and later in life taught, that not
+one of the three named ever wore the authentic laurel.<a href="#1.10">[10]</a> That Drayton
+deserved it, even as a successor of the divinest Spenser, who shall
+deny? With enough of patience and pedantry to prompt the composition
+of that most laborious, and, upon the whole, most humdrum and
+wearisome poem of modern times, the "Polyolbion," he nevertheless
+possessed an abounding exuberance of delicate fancy and sound poetical
+judgment, traces of which flash not unfrequently even athwart the
+dulness of his <i>magnum opus</i>, and through the mock-heroism of
+"England's Heroical Epistles," while they have full play in his "Court
+of Faëry." Drayton's great defect was the entire absence of that
+dramatic talent so marvellously developed among his contemporaries,--a
+defect, as we shall presently see, sufficient of itself to disqualify
+him for the duties of Court Poet. But, what was still worse, his mind
+was not gifted with facility and versatility of invention, two equally
+essential requisites; and to install him in a position where such
+faculties were hourly called into play would have been to put the
+wrong man in the worst possible place. Drayton was accordingly a
+court-pensioner, but not a court-poet. His laurel was the honorary
+tribute of admiring friends, in an age when royal pedantry rendered
+learning fashionable and a topic of exaggerated regard. Southey's
+admission is to this purpose. "He was," he says, "one of the poets to
+whom the title of Laureate was given in that age,--not as holding the
+office, but as a mark of honor, to which they were entitled." And with
+the poetical topographer such honors abounded. Not only was he
+gratified with the zealous labors of Selden in illustration of the
+"Polyolbion," but his death was lamented in verse of Jonson, upon
+marble supplied by the Countess of Dorset:--
+<blockquote>
+ "Do, pious marble, let thy readers know<br>
+ What they and what their children owe<br>
+ To Drayton's name, whose sacred dust<br>
+ We recommend unto thy trust.<br>
+ Protect his memory, and preserve his story;<br>
+ Remain a lasting monument of his glory:<br>
+ And when thy ruins shall disclaim<br>
+ To be the treasurer of his name,<br>
+ His name, that cannot fade, shall be<br>
+ An everlasting monument to thee."
+</blockquote>
+<p>
+The Laureateship, we thus discover, had not, down to the days of
+James, become an institution. Our mythical series shrink from close
+scrutiny. But in the gayeties of the court of the Stuarts arose
+occasion for the continuous and profitable employment of a court-poet,
+and there was enough thrift in the king to see the advantage of
+securing the service for a certain small annuity, rather than by the
+payment of large sums as presents for occasional labors. The masque, a
+form of dramatic representation, borrowed from the Italian, had been
+introduced into England during the reign of Elizabeth. The interest
+depended upon the development of an allegorical subject apposite to
+the event which the performance proposed to celebrate, such as a royal
+marriage, or birthday, or visit, or progress, or a marriage or other
+notable event among the nobility and gentry attached to the court, or
+an entertainment in honor of some distinguished personage. To produce
+startling and telling stage effects, machinery of the most ingenious
+contrivance was devised; scenery, as yet unknown in ordinary
+exhibitions of the stage, was painted with elaborate finish; goddesses
+in the most attenuated Cyprus lawn, bespangled with jewels, had to
+slide down upon invisible wires from a visible Olympus; Tritons had to
+rise from the halls of Neptune through waters whose undulations the
+nicer resources of recent art could not render more genuinely marine;
+fountains disclosed the most bewitching of Naiads; and Druidical oaks,
+expanding, surrendered the imprisoned Hamadryad to the air of
+heaven. Fairies and Elves, Satyrs and Forsters, Centaurs and Lapithae,
+played their parts in these gaudy spectacles with every conventional
+requirement of shape, costume, and behavior <i>point-de-vice</i>, and
+were supplied by the poet, to whom the letter-press of the show had
+been confided, with language and a plot, both pregnant with more than
+Platonic morality. Some idea of the magnificence of these displays,
+which beggared the royal privy-purse, drove household-treasurers mad,
+and often left poet and machinist whistling for pay, may be gathered
+from the fact that a masque sometimes cost as much as two thousand
+pounds in the mechanical getting-up, a sum far more formidable in the
+days of exclusively hard money than in these of paper currency. Scott
+has described, for the benefit of the general reader, one such pageant
+among the "princely pleasures of Kenilworth"; while Milton, in his
+"Masque performed at Ludlow Castle," presents the libretto of another,
+of the simpler and less expensive sort. During the reign of James, the
+passion for masques kindled into a mania. The days and nights of Inigo
+Jones were spent in inventing machinery and contriving
+stage-effects. Daniel, Middleton, Fletcher, and Jonson were busied
+with the composition of the text; and the court ladies and cavaliers
+were all from morning till night in the hands of their dancing and
+music masters, or at private study, or at rehearsal, preparing for the
+pageant, the representation of which fell to their share and won them
+enviable applause. Of course the burden of original invention fell
+upon the poets; and of the poets, Daniel and Jonson were the most
+heavily taxed. In 1616, James I., by patent, granted to Jonson an
+annuity for life of one hundred marks, to him in hand not often well
+and truly paid. He was not distinctly named as Laureate, but seems to
+have been considered such; for Daniel, on his appointment, "withdrew
+himself," according to Gifford, "entirely from court." The
+strong-boxes of James and Charles seldom overflowed. Sir Robert Pye,
+an ancestor of that Laureate Pye whom we shall discuss by-and-by, was
+the paymaster, and often and again was the overwrought poet obliged to
+raise
+<blockquote>
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "A woful cry<br>
+ To Sir Robert Pye,"
+</blockquote>
+<p>
+before some small instalment of long arrearages could be procured. And
+when, rarely, very rarely, his Majesty condescended to remember the
+necessities of "his and the Muses' servant," and send a present to the
+Laureate's lodgings, its proportions were always so small as to excite
+the ire of the insulted Ben, who would growl forth to the messenger,
+"He would not have sent me this, (<i>scil.</i> wretched pittance,) did
+I not live in an alley."
+<p>
+We now arrive at the true era of the Laureateship. Charles, in 1630,
+became ambitious to signalize his reign by some fitting tribute to
+literature. A petition from Ben Jonson pointed out the way. The
+Laureate office was made a patentable one, in the gift of the Lord
+Chamberlain, as purveyor of the royal amusements. Ben was confirmed
+in the office. The salary was raised from one hundred marks to one
+hundred pounds, an advance of fifty per cent, to which was added
+yearly a tierce of Canary wine,--an appendage appropriate to the
+poet's convivial habits, and doubtless suggested by the mistaken
+precedent of Chaucer's daily flagon of wine. Ben Jonson was certainly,
+of all men living in 1630, the right person to receive this honor,
+which then implied, what it afterward ceased to do, the primacy of the
+diocese of letters. His learning supplied ballast enough to keep the
+lighter bulk of the poet in good trim, while it won that measure of
+respect which mere poetical gifts and graces would not have
+secured. He was the dean of that group of "poets, poetaccios,
+poetasters, and poetillos,"<a href="#1.11">[11]</a> who beset the court. If a display of
+erudition were demanded, Ben was ready with the heavy artillery of the
+unities, and all the laws of Aristotle and Horace, Quintilian and
+Priscian, exemplified in tragedies of canonical structure, and
+comedies whose prim regularity could not extinguish the most
+delightful and original humor--Robert Burton's excepted--that
+illustrated that brilliant period. But if the graceful lyric or
+glittering masque were called for, the boundless wealth of Ben's
+genius was most strikingly displayed. It has been the fashion, set by
+such presumptuous blunderers as Warburton and such formal prigs as
+Gifford, to deny our Laureate the possession of those ethereal
+attributes of invention and fancy which play about the creations of
+Shakspeare, and constitute their exquisite charm. This arbitrary
+comparison of Jonson and Shakspeare has, in fact, been the bane of the
+former's reputation. Those who have never read the masques argue,
+that, as "very little Latin and less Greek," in truth no learning of
+any traceable description, went to the creation of <i>Ariel</i> and
+<i>Caliban</i>, <i>Oberon</i> and <i>Puck</i>, the possession of
+Latin, Greek, and learning generally, incapacitates the proprietor for
+the same happy exercise of the finer and more gracious faculties of
+wit and fancy. Of this nonsense Jonson's masques are the best
+refutation. Marvels of ingenuity in plot and construction, they abound
+in "dainty invention," animated dialogue, and some of the finest lyric
+passages to be found in dramatic literature. They are the Laureate's
+true laurels. Had he left nothing else, the "rare arch-poet" would
+have held, by virtue of these alone, the elevated rank which his
+contemporaries, and our own, freely assign him. Lamb, whose
+appreciation of the old dramatists was extremely acute, remarks,--"A
+thousand beautiful passages from his 'New Inn,' and from those
+numerous court masques and entertainments which he was in the daily
+habit of furnishing, might be adduced to show the poetical fancy and
+elegance of mind of the supposed rugged old bard."<a href="#1.12">[12]</a> And in excess
+of admiration at one of the Laureate's most successful pageants,
+Herrick breaks forth,--
+<blockquote>
+ "Thou hadst the wreath before, now take the tree,<br>
+ That henceforth none be laurel-crowned but thee."<a href="#1.13">[13]</a>
+</blockquote>
+<p>
+
+An aspiration fortunately unrealized.
+<p>
+It was not long before the death of Ben, that John Suckling, one of
+his boon companions
+<blockquote>
+ &nbsp;&nbsp;&nbsp; "At those lyric feasts,<br>
+ Made at 'The Sun,'<br>
+ 'The Dog,' 'The Triple Tun,'<br>
+ Where they such clusters had<br>
+ As made them nobly wild, not mad,"<a href="#1.14">[14]</a>
+</blockquote>
+<p>
+
+handed about among the courtiers his "Session of the Poets," where an
+imaginary contest for the laurel presented an opportunity for
+characterizing the wits of the day in a series of capital strokes, as
+remarkable for justice as shrewd wit. Jonson is thus introduced:--
+<blockquote>
+ "The first that broke silence was good old Ben,<br>
+ Prepared with Canary wine,<br>
+ And he told them plainly he deserved the bays,<br>
+ For his were called works, while others' were but plays;
+<p>
+ "And bid them remember how he had purged the stage<br>
+ Of errors that had lasted many an age;<br>
+ And he hoped they did not think 'The Silent Woman,'<br>
+ 'The Fox,' and 'The Alchymist' outdone by no man.
+<p>
+ "Apollo stopt him there, and bid him not go on;<br>
+ 'Twas merit, he said, and not presumption,<br>
+ Must carry it; at which Ben turned about,<br>
+ And in great choler offered to go out;
+<p>
+ "But those who were there thought it not fit<br>
+ To discontent so ancient a wit,<br>
+ And therefore Apollo called him back again,<br>
+ And made him mine host of his own 'New Inn.'"
+</blockquote>
+<p>
+This <i>jeu d'esprit</i> of Suckling, if of no value otherwise, would
+be respectable as an original which the Duke of Buckinghamshire,<a href="#1.15">[15]</a>
+Leigh Hunt,<a href="#1.16">[16]</a> and our own Lowell<a href="#1.17">[17]</a> have successfully and happily
+imitated.
+<p>
+In due course, Laureate Jonson shared the fate of all potentates, and
+was gathered to the laurelled of Elysium. The fatality occurred in
+1637. When his remains were deposited in the Poet's Corner, with the
+eloquent laconism above them, "O Rare Ben Jonson!" all the wits of the
+day stood by the graveside, and cast in their tribute of bays. The
+rite over, all the wits of the day hurried from the aisles of
+Westminster to the galleries of Whitehall to urge their several claims
+to the successorship. There were, of the elder time, Massinger,
+drawing to the close of a successful career,--Ford, with his growing
+fame,--Marmion, Heywood, Carlell, Wither. There was Sandys, especially
+endeared to the king by his orthodox piety, so becoming the son of an
+archbishop, and by his versions of the "Divine Poems," which were next
+year given to the press, and which found a place among the half-dozen
+volumes which a decade later solaced the last hours of his royal
+master. There were the names, in the junior class, of Tom Carew, noted
+for his amatory songs and his one brilliant masque,--Tom Killigrew, of
+pleasant humor, and no mean writer of tragedy,--Suckling, the wittiest
+of courtiers, and the most courtly of wits,--Cartwright, Crashaw,
+Davenant, and May. But of all these, the contest soon narrowed down to
+the two latter. William Davenant was in all likelihood the son of an
+innkeeper at Oxford; he was certainly the son of the innkeeper's
+wife. A rumor, which Davenant always countenanced, alleged that
+William Shakspeare, a poet of some considerable repute in those times,
+being in the habit of passing between Stratford-on-the-Avon and
+London, was wont to bait and often lodge at this Oxford hostelry. At
+one of these calls the landlady had proved more than ordinarily frail
+or the poet more than ordinarily seductive,--who can wonder at even
+virtue stooping to folly when the wooer was the Swan of Avon, beside
+whom the bird that captivated Leda was as a featherless gosling?--and
+the consequence had been Will Davenant, born in the year of our Lord
+1605, Shakspeare standing as godfather at the baptism. A boy of lively
+parts was Will, and good-fortune brought those parts to the notice of
+the grave and philosophic Greville, Lord Brooke, whose dearest boast
+was the friendship in early life of Sir Philip Sidney. The result of
+this notice was a highly creditable education at school and
+university, and an ultimate introduction into the foremost society of
+the capital. Davenant, finding the drama supreme in fashionable
+regard, devoted himself to the drama. He also devoted himself to the
+cultivation of Ben Jonson, then at the summit of renown, assisting in
+an amateur way in the preparation of the court pageants, and otherwise
+mitigating the Laureate's labors. From 1632 to 1637, these aids were
+frequent, and established a very plausible claim to the
+succession. Thomas May, who shortly became his sole competitor, was a
+man of elevated pretensions. As a writer of English historical poems
+and as a translator of Lucan he had earned a prominent position in
+British literature; as a continuator of the "Pharsalia" in Latin verse
+of exemplary elegance, written in the happiest imitation of the
+martyred Stoic's unimpassioned mannerism, he secured for British
+scholarship that higher respect among Continental scholars which
+Milton's Latin poems and "Defensio pro Populo Anglicano" presently
+after confirmed. Of the several English writers of Latin verse, May
+stands unquestionably in the front rank, alongside of Milton and
+Bourne,--taking precedence easily of Owen, Cowley, and Gray. His
+dramatic productions were of a higher order than Davenant's. They have
+found a place in Dodsley's and the several subsequent collections of
+early dramas, not conceded to the plays of the latter. Masque-making,
+however, was not in his line. His invention was not sufficiently
+alert, his dialogue not sufficiently lively, for a species of poetry
+which it was the principal duty of the Laureate to furnish. Besides,
+it is highly probable, his sympathies with rebellious Puritanism were
+already so far developed as to make him an object of aversion to the
+king. Davenant triumphed. The defeated candidate lived to see the
+court dispersed, king and Laureate alike fugitive, and to receive from
+the Long Parliament the place of Historiographer, as a compensation
+for the lost bays. When, in 1650, he died, Cromwell and his
+newly-inaugurated court did honor to his obsequies. The body was
+deposited in Westminster Abbey; but the posthumous honor was in
+reserve for it, of being torn from the grave after the Restoration,
+and flung into a ditch along with the remains of three or four other
+republican leaders.
+<p>
+Davenant's career in office was unfortunate. There is reason to doubt
+whether, even before the rebellion broke out, his salary was regularly
+paid him. During the Civil War he exchanged the laurel for a casque,
+winning knighthood by his gallant carriage at the siege of Gloucester.
+Afterward, he was so far in the confidence of Queen Henrietta Maria,
+as to be sent as her envoy to the captive king, beseeching him to save
+his head by conceding the demands of Parliament. When, the errand
+proving abortive, the royal head was lost, Davenant returned to Paris,
+consoled himself by finishing the first two books of his "Gondibert,"
+and then, despairing of a restoration, embarked (in 1650) from France
+for Virginia, where monarchy and the rights of Charles II were
+unimpaired. Fate, however, had not destined him for a colonist and
+backwoodsman. His ship, tempest-tossed, was driven into an English
+port, and the poet was seized and carried close prisoner to
+London. There the intervention of Milton, the Latin Secretary of the
+Council, is said to have saved his life. He was kept in the Tower for
+at least two years longer, however. The date of his release is
+uncertain, but, once at liberty, Davenant returned ardently to his
+former pursuits. A license was procured for musical exhibitions, and
+the phrase "musical exhibitions" was interpreted, with official
+connivance, as including all manner of dramatic performances. To the
+Laureate and to this period belongs the credit of introducing scenery,
+hitherto restricted to court masques, into the machinery of the
+ordinary drama. The substitution of female for male actors, in
+feminine characters, was also an innovation of this period. And as an
+incident of the Laureateship there is still another novelty to be
+noted. There is no crown without its thorns. The laurel renders the
+pillow of the wearer as knotty, uneasy, and comfortless as does a
+coronal of gold and jewels. Among the receipts of the office have been
+the jokes, good and bad, the sneers, the satire of contemporary
+wits,--such being the paper currency in which the turbulent subjects
+of the laurel crown think proper to pay homage to their
+sovereign. From the days of Will Davenant to these of ours, the custom
+has been faithfully observed. Davenant's earliest assailants were of
+his own political party, followers of the exiled Charles, the men whom
+Milton describes as "perditissimus ille peregrinantium aulieorum
+grex." These--among them a son of the memorable Donne, Sir John
+Denham, and Alan Broderick--united in a volume of mean motive and
+insignificant merit, entitled, "Verses written by Several of the
+Author's Friends, to be reprinted with the Second Edition of
+Gondibert." This was published in 1653. The effect of the onslaught
+has not been recorded. We know only that Davenant, surviving it,
+continued to prosper in his theatrical business, writing most of the
+pieces produced on his stage until the Restoration, when he drew forth
+from its hiding-place his wreath of laurel-evergreen, and resumed it
+with honor.
+<p>
+A fair retrospect of Davenant's career enables us to select without
+difficulty that one of his labors which is most deserving of
+applause. Not his "Gondibert," notwithstanding it abounds in fine
+passages,--notwithstanding Gay thought it worth continuation and
+completion, and added several cantos,--notwithstanding Lamb eulogized
+it with enthusiasm, Southey warmly praised, and Campbell and Hazlitt
+coolly commended it. Nor his comedies, which are deservedly forgotten;
+nor his improvements in the production of plays, serviceable as they
+were to the acting drama. But to his exertions Milton owed impunity
+from the vengeance otherwise destined for the apologist of regicide,
+and so owed the life and leisure requisite to the composition of
+"Paradise Lost." Davenant, grateful for the old kindness of the
+ex-secretary, used his influence successfully with Charles to let the
+offender escape.<a href="#1.18">[18]</a> This is certainly the greenest of Davenant's
+laurels. Without it, the world might not have heard one of the
+sublimest expressions of human genius.
+<p>
+Davenant died in 1668. The laurel was hung up unclaimed until 1670,
+when John Dryden received it, with patent dated back to the summer
+succeeding Davenant's death. Dryden assures us that it was Sir Thomas
+Clifford, whose name a year later lent the initial letter to the
+"Cabal," who presented him to the king, and procured his
+appointment.<a href="#1.19">[19]</a> Masques had now ceased to be the mode. What the
+dramatist could do to amuse the <i>blasé</i> court of Charles II. he
+was obliged to do within the limits of legitimate dramatic
+representation, due care being taken to follow French models, and
+substitute the idiom of Corneille and Molière for that of
+Shakspeare. Dryden, whose plays are now read only by the curious, was,
+in 1670, the greatest of living dramatists. He had expiated his
+Cromwellian backslidings by the "Astraea Redux," and the "Annus
+Mirabilis." He had risen to high favor with the king. His tragedies
+in rhyming couplets were all the vogue. Already his fellow-playwrights
+deemed their success as fearfully uncertain, unless they had secured,
+price three guineas, a prologue or epilogue from the Laureate. So
+fertile was his own invention, that he stood ready to furnish by
+contract five plays a year,--a challenge fortunately declined by the
+managers of the day. Thus, if the Laureate stipend were not punctually
+paid, as was often the case, seeing the necessitous state of the royal
+finances and the bevy of fair ladies, whose demands, extravagant as
+they were, took precedence of all others, his revenues were adequate
+to the maintenance of a family, the matron of which was a Howard,
+educated, as a daughter of nobility, to the enjoyment of every
+indulgence. These were the Laureate's brightest days. His popularity
+was at its height, a fact evinced by the powerful coalitions deemed
+necessary to diminish it. Indeed, the laurel had hardly rested upon
+Dryden's temples before he experienced the assaults of an organized
+literary opposition. The Duke of Buckingham, then the admitted leader
+of fashionable prodigacy, borrowed the aid of Samuel Butler, at whose
+"Hudibras" the world was still laughing,--of Thomas Sprat, then on the
+high-road to those preferments which have given him an important place
+in history,--of Martin Clifford, a familiar of the green-room and
+coffee-house,--and concocted a farce ridiculing the person and office
+of the Laureate. "The Rehearsal" was acted in 1671. The hero,
+<i>Mr. Bayes</i>, imitated all the personal peculiarities of Dryden,
+used his cant phrases, burlesqued his style, and exposed, while
+pretending to defend, his ridiculous points, until the laugh of the
+town was fairly turned upon the "premier-poet of the realm." The wit
+was undoubtedly of the broadest, and the humor at the coffee-room
+level; but it was so much the more effective. Dryden affected to be
+indifferent to the satire. He jested at the time taken<a href="#1.20">[20]</a> and the
+number of hands employed upon the composition. Twenty years later he
+was at pains to declare his perfect freedom from rancor in consequence
+of the attack.
+<p>
+There, is much reason to suspect, however, that "The Rehearsal" was
+not forgotten, when the "Absalom and Achitophel" was written, and that
+the character of <i>Zimri</i> gathered much of its intense vigor and
+depth of shadow from recollections of the ludicrous
+<i>Mr. Bayes</i>. The portrait has the look of being designed as a
+quittance in full of old scores. "The Rehearsal," though now and then
+recast and reënacted to suit other times, is now no otherwise
+remembered than as the suggester of Sheridan's "Critic."
+<p>
+Upon the heels of this onslaught others followed rapidly. Rochester,
+disposed to singularity of opinion, set up Elkanah Settle, a young
+author of some talent, as a rival to the Laureate. Anonymous bardings
+lampooned him. <i>Mr. Bayes</i> was a broad target for every shaft, so
+that the complaint so feelingly uttered in his latter days, that "no
+man living had ever been so severely libelled" as he, had a wide
+foundation of fact. Sometimes, it must be owned, the thrusts were the
+natural result of controversies into which the Laureate indiscreetly
+precipitated himself; sometimes they came of generous partisanship in
+behalf of friends, such friends, for example, as Sir Robert Howard,
+his brother-in-law, an interminable spinner of intolerable verse, who
+afflicted the world in his day with plays worse than plagues, and
+poems as worthless as his plays. It was to a quarrel for and a quarrel
+against this gentleman that we are indebted for the most trenchant
+satire in the language. Sir Robert had fallen out with Dryden about
+rhyming tragedies, of which he disapproved; and while it lasted, the
+contest was waged with prodigious acrimony. Among the partisans of the
+former was Richard Flecknoe, a Triton among the smaller scribbling
+fry. Flecknoe--blunderingly classed among the Laureates by the
+compiler of "Cibber's Lives of the Poets"--was an Irish priest, who
+had cast his cassock, or, as he euphuistically expressed it, "laid
+aside the mechanic part of priesthood," in order to fulfil the loftier
+mission of literary garreteer in London. He had written poems and
+plays without number; of the latter, but one, entitled "Love's
+Dominion," had been brought upon the stage, and was summarily hissed
+off. Jealousy of Dryden's splendid success brought him to the side of
+Dryden's opponent, and a pamphlet, printed in 1668, attacked the
+future Laureate so bitterly, and at points so susceptible, as to make
+a more than ordinary draft upon the poet's patience, and to leave
+venom that rankled fourteen years without finding vent.<a href="#1.21">[21]</a> About the
+same time, Thomas Shadwell, who is represented in the satire as
+likewise an Irishman, brought Sir Robert on the stage in his "Sullen
+Lovers," in the character of <i>Sir Positive At-all</i>, a caricature
+replete with absurd self-conceit and impudent dogmatism. Shadwell was
+of "Norfolcian" family, well-born, well-educated, and fitted for the
+bar, but drawn away from serious pursuits by the prevalent rage for
+the drama. The offence of laughing at the poet's brother-in-law
+Shadwell had aggravated by accepting the capricious patronage of Lord
+Rochester, by subsequently siding with the Whigs, and by aiding the
+ambitious designs of Shaftesbury in play and pamphlet,--labors the
+value of which is not to be measured by the contemptuous estimate of
+the satirist. The first outburst of the retributive storm fell upon
+the head of Shadwell. The second part of "Absalom and Achitophel,"
+which appeared in the autumn of 1682, contains the portrait of
+<i>Og</i>, cut in outlines so sharp as to remind us of an unrounded
+alto-rilievo:--
+<blockquote>
+<i>
+ Now stop your noses, readers, all and some,<br>
+ For here's a tun of midnight work to come,<br>
+ Og, from a treason-tavern rolling home;<br>
+ Round as a globe, and liquored every chink,<br>
+ Goodly and great he sails behind his link.<br>
+ With all his bulk, there's nothing lost in Og,<br>
+ For every inch that is not fool is rogue ....<br>
+<br>
+ The midwife laid her hand on his thick skull<br>
+ With this prophetic blessing, Be thou dull!<br>
+ Drink, swear, and roar, forbear no lewd delight<br>
+ Fit for thy bulk; do anything but write.<br>
+ Eat opium, mingle arsenic in thy drink,<br>
+ Still thou mayst live, avoiding pen and ink.<br>
+ I see, I see, 'tis counsel given in vain;<br>
+ For treason botched in rhyme will be thy bane ....<br>
+<br>
+ A double noose thou on thy neck dost pull,<br>
+ For writing treason, and for writing dull...<br>
+<br>
+ I will not rake the dunghill of thy crimes,<br>
+ For who would read thy life who reads thy rhymes?<br>
+ But of King David's foes be this the doom,<br>
+ May all be like the young man Absalom!<br>
+ And for my foes, may this their blessing be,<br>
+ To talk like Doeg, and to write like thee!<br>
+</i>
+</blockquote>
+<p>
+Of the multitudinous rejoinders and counterblasts provoked by this
+thunder, Dryden, it is supposed, ascribed the authorship of one of the
+keenest to Shadwell. We are to conceive some new and immediate
+provocation as added to the old grudge, to call for a second attack so
+soon; for it was only a month later that the "MacFlecknoe" appeared;
+not in 1689, as Dr. Johnson states, who, mistaking the date, also errs
+in assuming the cause of Dryden's wrath to have been the transfer of
+the laurel from his own to the brows of Shadwell. "MacFlecknoe" is by
+common consent the most perfect and perfectly acrid satire in English
+literature. The topics selected, the foibles attacked, the ingenious
+and remorseless ridicule with which they are overwhelmed, the
+comprehensive vindictiveness which converted every personal
+characteristic into an instrument for the more refined torment of the
+unhappy victim, conjoin to constitute a masterpiece of this lower form
+of poetical composition;--poetry it is not. While Flecknoe's
+pretensions as a dramatist were fairly a subject of derision, Shadwell
+was eminently popular. He was a pretender to learning, and,
+entertaining with Dryden strong convictions of the reality of a
+literary metempsychosis, believed himself the heir of Jonson's genius
+and erudition. The title of the satire was, therefore, of itself a
+biting sarcasm. His claims to sonship were transferred from Jonson,
+then held the first of dramatic writers, to Flecknoe, the last and
+meanest; and to aggravate the insult, the "Mac" was inserted as an
+irritating allusion to the alleged Irish origin of both,--an allusion,
+however harmless and senseless now, vastly significant at that era of
+Irish degradation. Of the immediate effect of this scarification upon
+Shadwell we have no information; how it ultimately affected his
+fortunes we shall see presently.
+<p>
+During the closing years of Charles, and through the reign of James,
+Dryden added to the duties of Court Poet those of political
+pamphleteer and theological controversialist. The strength of his
+attachment to the office, his sense of the honor it conferred, and his
+appreciation of the salary we may infer from the potent influence such
+considerations exercised upon his conversion to Romanism. In the
+admirable portrait, too, by Lely, he chose to be represented with the
+laurel in his hand. After his dethronement, he sought every occasion
+to deplore the loss of the bays, and of the stipend, which in the
+increasing infirmity and poverty of his latter days had become
+important. The fall of James necessarily involved the fall of his
+Laureate and Historiographer. Lord Dorset, the generous but sadly
+undiscriminating patron of letters, having become Lord Chamberlain, it
+was his duty to remove the reluctant Dryden from the two places,--a
+duty not to be postponed, and scarcely to be mitigated, so violent was
+the public outcry against the renegade bard. The entire Protestant
+feeling of the nation, then at white heat, was especially ardent
+against the author of the "Hind and Panther," who, it was said, had
+treated the Church of England as the persecutors had treated the
+primitive martyr, dressed her in the skin of a wild beast, and exposed
+her to the torments of her adversaries. It was not enough to eject him
+from office,--his inability to subscribe the test oaths would have
+done so much,--but he was to be replaced by that one of his political
+and literary antagonists whom he most sincerely disliked, and who
+still writhed under his lash. Dorset appears to have executed the
+disagreeable task with real kindness. He is said to have settled upon
+the poet, out of his own fortune, an annuity equal to the lost
+pension,--a statement which Dr. Johnson and Macaulay have repeated
+upon the authority of Prior. What Prior said on the subject may be
+found in the Dedication of Tonson's noble edition of his works to the
+second Earl of Dorset:--"When, as Lord Chamberlain, he was obliged to
+take the king's pension from Mr. Dryden, (who had long before put
+himself out of a possibility of receiving any favor from the court,)
+my Lord allowed him an equivalent out of his own estate. However
+displeased with the conduct of his old acquaintance, he relieved his
+necessities; and while he gave him his assistance in private, in
+public he extenuated and pitied his error." But there is some reason
+for thinking this equivalent was only the equivalent of one year's
+salary, and this assistance casual, not stated; else we are at a loss
+to understand the continual complaints of utter penury which the poet
+uttered ever after. Some of these complaints were addressed to his
+benefactor himself, as in the Dedication to Juvenal and Persius,
+1692:--"Age has overtaken me, and <i>want</i>, a more insufferable
+evil, through the change of the times, <i>has wholly disenabled
+me</i>. Though I must ever acknowledge, to the honor of your Lordship,
+and the eternal memory of your charity, that, since this revolution,
+wherein I have patiently suffered the ruin of my small fortune, and
+the loss of that poor subsistence I had from two kings, whom I served
+more faithfully than profitably to myself,--then your Lordship was
+pleased, out of no other motive than your own nobleness, without any
+desert of mine, or the least solicitation from me, to make me a most
+bountiful <i>present</i>, which, in that time when I was most in want
+of it, came most seasonably and unexpectedly to my relief." This
+passage was the sole authority, we suspect, Prior had for a story
+which was nevertheless sufficiently true to figure in an adulatory
+dedication; and, indeed, Prior may have used the word "equivalent"
+loosely, and had Dorset's gift been more than a year's income, Dryden
+would hardly have called it a "present,"--a phrase scarcely applicable
+to the grant of a pension.<a href="#1.22">[22]</a>
+<p>
+Dismissed from office and restored to labors more congenial than the
+dull polemics which had recently engaged his mind, Dryden found
+himself obliged to work vigorously or starve. He fell into the hands
+of the booksellers. The poems, it deserves remark, upon which his fame
+with posterity must finally rest, were all produced within the period
+bounded by his deposition and his death. The translations from
+Juvenal, the versions of Persius and of Virgil, the Fables, and the
+"Ode upon St. Cecilia's Day," were the works of this period. He lived
+to see his office filled successively by a rival he despised and a
+friend who had deserted him, and in its apparently hopeless
+degradation perhaps found consolation for its loss.
+<p>
+Thomas Shadwell was the Poet-Laureate after Dryden, assuming the
+wreath in 1689. We have referred to his origin; Langbaine gives 1642
+as the date of his birth; so that he must have set up as author early
+in life, and departed from life shortly past middle-age. Derrick
+assures us that he was lusty, ungainly, and coarse in person,--a
+description answering to the full-length of <i>Og</i>. The
+commentators upon "MacFlecknoe" have not made due use of one of
+Shadwell's habits, in illustration of the reason why a wreath of
+poppies was selected for the crown of its hero. The dramatist,
+Warburton informs us, was addicted to the use of opium, and, in fact,
+died of an overdose of that drug. Hence
+<blockquote>
+ "His temples, last, with poppies were o'er-spread,<br>
+ That nodding seemed to consecrate his head."
+</blockquote>
+<p>
+A couplet which Pope echoes in the "Dunciad":--
+<blockquote>
+ "Shadwell nods, the poppy on his brows."
+</blockquote>
+<p>
+A similar allusion may be found in the character of <i>Og</i>:--
+<p>
+<blockquote>
+ "Eat opium, mingle arsenic in thy drink," etc.
+</blockquote>
+<p>
+That the Laureate was heavy-gaited in composition, taking five years
+to finish one comedy,--that he was, on the other hand, too swift,
+trusting Nature rather than elaborate Art,--that he was dull and
+unimaginative,--that he was keen and remarkably sharp-witted,--that he
+affected a profundity of learning of which he gave no evidences,--that
+his plays were only less numerous than Dryden's, are other particulars
+we gather from conflicting witnesses of the period. Certainly, no one
+of the Laureates, Cibber excepted, was so mercilessly lampooned. What
+Cibber suffered from the "Dunciad" Shadwell suffered from
+"MacFlecknoe." Incited by Dryden's example, the poets showered their
+missiles at him, and so perseveringly as to render him a traditional
+butt of satire for two or three generations. Thus Prior:--
+<blockquote>
+ "Thus, without much delight or grief,<br>
+ I fool away an idle life,<br>
+ Till Shadwell from the town retires,<br>
+ Choked up with fame and sea-coal fires,<br>
+ To bless the wood with peaceful lyric:<br>
+ Then hey for praise and panegyric;<br>
+ Justice restored, and nations freed,<br>
+ And wreaths round William's glorious head."
+</blockquote>
+<p>
+And Parnell:--
+<blockquote>
+ "But hold! before I close the scene,<br>
+ The sacred altar should be clean.<br>
+ Oh, had I Shadwell's second bays,<br>
+ Or, Tate! thy pert and humble lays,--<br>
+ Ye pair, forgive me, when I vow<br>
+ I never missed your works till now,--<br>
+ I'd tear the leaves to wipe the shrine,<br>
+ That only way you please the Nine;<br>
+ But since I chance to want these two,<br>
+ I'll make the songs of Durfey do."
+</blockquote>
+<p>
+And in a far more venomous and violent style, the noteless mob of
+contemporary writers.
+<p>
+Shadwell, after all, was very far from being the blockhead these
+references imply. His "Third Nights" were probably far more
+profitable than Dryden's.<a href="#1.23">[23]</a> By his friends he was classed with the
+liveliest wits of a brilliant court. Rochester so classed him:--
+<blockquote>
+ "I loathe the rabble: 'tis enough for me,<br>
+ If Sedley, Shadwell, Shephard, Wycherley,<br>
+ Godolphin, Butler, Buckhurst, Buckingham,<br>
+ And some few more, whom I omit to name,<br>
+ Approve my sense: I count their censure fame."<a href="#1.24">[24]</a>
+</blockquote>
+<p>
+And compares him elsewhere with Wycherley:--
+<blockquote>
+ "Of all our modern wits, none seem to me<br>
+ Once to have touched upon true comedy,<br>
+ But hasty Shadwell and slow Wycherley.<br>
+ Shadwell's unfinished works do yet impart<br>
+ Great proofs of force of nature, none of art;<br>
+ With just, bold strokes, he dashes here and there,<br>
+ Showing great mastery with little care,<br>
+ Scorning to varnish his good touches o'er<br>
+ To make the fools and women praise them more.<br>
+ But Wycherley earns hard whate'er he gains;<br>
+ He wants no judgment, and he spares no pains," etc.
+</blockquote>
+<p>
+And, not disrespectfully, Pope:--
+<blockquote>
+ "In all debates where critics bear a part,<br>
+ Not one but nods, and talks of Jonson's art,<br>
+ Of Shakspeare's nature, and of Cowley's wit;<br>
+ How Beaumont's judgment checked what Fletcher writ;<br>
+ How Shadwell hasty, Wycherley was slow;<br>
+ But for the passions, Southerne, sure, and Rowe!<br>
+ These, only these, support the crowded stage,<br>
+ From eldest Heywood down to Cibber's age."<a href="#1.25">[25]</a>
+</blockquote>
+<p>
+Sedley joined him in the composition of more than one comedy.
+Macaulay, in seeking illustrations of the times and occurrences of
+which he writes, cites Shadwell five times, where he mentions
+Etherege, Wycherley, and Congreve once.<a href="#1.26">[26]</a> From his last play, "The
+Stockjobbers," performed in November, 1692, while its author was on
+his death-bed, the historian introduces an entire scene into his
+text.<a href="#1.27">[27]</a> Any one, indeed, who can clear his mind from the unjust
+prejudice produced by Dryden's satire, and read the comedies of
+Shadwell with due consideration for the extemporaneous haste of their
+composition, as satires upon passing facts and follies, will find,
+that, so far from never deviating into sense, sound common-sense and
+fluent wit were the Laureate's staple qualities. If his comedies have
+not, like those of his contemporaries just named, enjoyed the
+good-fortune to be collected and preserved among the dramatic
+classics, the fact is primarily owing to the ephemeral interest of the
+hits and allusions, and secondarily to "MacFlecknoe."
+<p>
+[To be continued.]
+<br>
+<br>
+<br>
+<p>
+<a name="1.1">[Footnote 1:</a> SPENSER: <i>Faery Queen</i>. See also the <i>Two Cantos
+of Mutability,</i> Cant. VII.:--
+<blockquote>
+ "That old Dan Geffrey, in whose gentle spright<br>
+ The pure well-head of poesie did dwell."]
+</blockquote>
+<p>
+<a name="1.2">[Footnote 2:</a> MILTON: <i>Il Penseroso.</i>]
+<p>
+<a name="1.3">[Footnote 3:</a> WORDSWORTH: <i>Poems of Later Years</i>.]
+<p>
+<a name="1.4">[Footnote 4:</a> CHAUCER: <i>Clerke's Tale</i>, Prologue.]
+<p>
+<a name="1.5">[Footnote 5:</a> WARTON: <i>Ode on his Majesty's Birthday, 1787</i>]
+<p>
+<a name="1.6">[Footnote 6:</a> Tyrwhitt's Chaucer: <i>Historical Notes on his Life.</i>]
+<p>
+<a name="1.7">[Footnote 7:</a> <i>Masque of the Fortunate Islands</i>]
+<p>
+<a name="1.8">[Footnote 8:</a> <i>History of English Poetry</i>, Vol. II. pp. 335-336,
+ed. 1840.]
+<p>
+<a name="1.9">[Footnote 9:</a> WARTON: <i>Birthday Ode</i>, 1787.]
+<p>
+<a name="1.10">[Footnote 10:</a> See his <i>British Poets, from Chaucer to Jonson</i>,
+Art. <i>Daniel</i>. Southey contemplated a continuation of Warton's
+<i>History</i>, and, in preparing for that labor, learned many things
+he had never known of the earlier writers.]
+<p>
+<a name="1.11">[Footnote 11:</a> Jonson's classification. See his <i>Poetaster</i>.]
+<p>
+<a name="1.12">[Footnote 12:</a> <i>Lamb's Works, and Life</i>, by Talfourd, Vol. IV. p. 89.]
+<p>
+<a name="1.13">[Footnote 13:</a> Hesperides, <i>Encomiastic Verses</i>.]
+<p>
+<a name="1.14">[Footnote 14:</a> Herrick, <i>ubi supra.</i>--To the haunts here named
+must be added the celebrated <i>Mermaid</i>, of which Shakspeare was
+the <i>Magnus Apollo</i>, and <i>The Devil</i>, where Pope imagines
+Ben to have gathered peculiar inspiration:--
+
+
+ "And each true Briton is to Ben so civil,
+ He swears the Muses met him at <i>The Devil</i>."
+ <i>Imitation of Horace</i>, Bk. ii. Epist. i.]
+<p>
+<a name="1.15">[Footnote 15:</a> <i>Election of a Poet-Laureate</i>, 1719, Works, Vol. II.]
+<p>
+<a name="1.16">[Footnote 16:</a> <i>Feast of the Poets</i>, 1814.]
+<p>
+<a name="1.17">[Footnote 17:</a> <i>Fable for Critics</i>, 1850.]
+<p>
+<a name="1.18">[Footnote 18:</a> This story rests on the authority of Thomas Betterton,
+the actor, who received it from Davenant.]
+<p>
+<a name="1.19">[Footnote 19:</a> Dedication of the <i>Pastorals</i> of Virgil, to Hugh,
+Lord Clifford, the son of Sir Thomas.]
+<p>
+<a name="1.20">[Footnote 20:</a> There were some indications that portions of the farce
+had been written while Davenant was living and had been intended for
+him. <i>Mr. Bayes</i> appears in one place with a plaster on his nose,
+an evident allusion to Davenant's loss of that feature. In a lively
+satire of the time, by Richard Duke, it is asserted that Villiers was
+occupied with the composition of <i>The Rehearsal</i> from the
+Restoration down to the day of its production on the stage:--
+
+<blockquote>
+ "But with playhouses, wars, immortal wars,<br>
+ He waged, and ten years' rage produced a farce.<br>
+ As many rolling years he did employ,<br>
+ And hands almost as many, to destroy<br>
+ Heroic rhyme, as Greece to ruin Troy.<br>
+ Once more, says Fame, for battle he prepares,<br>
+ And threatens rhymers with a second farce:<br>
+ But, if as long for this as that we stay,<br>
+ He'll finish Clevedon sooner than his play."<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp&nbsp;&nbsp;&nbsp&nbsp;&nbsp;&nbsp&nbsp;&nbsp;&nbsp<i>The Review</i>]
+</blockquote>
+<p>
+<a name="1.21">[Footnote 21:</a> It is little to the credit of Dryden, that, having saved
+up his wrath against Flecknoe so long, he had not reserved it
+altogether. Flecknoe had been dead at least four years when the
+satire appeared.]
+<p>
+<a name="1.22">[Footnote 22:</a> Macaulay quotes Blackmore's <i>Prince Arthur</i>, to
+illustrate Dryden's dependence upon Dorset:--
+<blockquote>
+
+ "The poets' nation did obsequious wait<br>
+ For the kind dole divided at his gate.<br>
+ Laurus among the meagre crowd appeared,<br>
+ An old, revolted, unbelieving bard,<br>
+ Who thronged, and shoved, and pressed, and would be heard.
+<p>
+ "Sakil's high roof, the Muse's palace, rung<br>
+ With endless cries, and endless songs he sung.<br>
+ To bless good Sakil Laurus would be first;<br>
+ But Sakil's prince and Sakil's God he curst.<br>
+ Sakil without distinction threw his bread,<br>
+ Despised the flatterer, but the poet fed."<br>
+</blockquote>
+<p>
+<i>Laurus</i>, of course, stands for Dryden, and <i>Sakil</i> for
+Dorset.]
+<p>
+<a name="1.23">[Footnote 23:</a> <i>The Squire of Alsatia</i> is said to have realized him
+£130.]
+<p>
+<a name="1.24">[Footnote 24:</a> <i>An Allusion to the Tenth Satire of the First Book of
+Horace</i>.--The word "censure" will, of course, be understood to mean
+<i>judgment</i>, not <i>condemnation</i>.]
+<p>
+<a name="1.25">[Footnote 25:</a> <i>Imitation of Horace</i>, Bk. ii. Epist. i.]
+<p>
+<a name="1.26">[Footnote 26:</a> See the <i>History of England</i>, Vol. IV., Chapter 17,
+for reference to Shadwell's <i>Volunteers</i>.]
+<p>
+<a name="1.27">[Footnote 27:</a> <i>History of England</i>, Chapter 19.]
+
+<br><br><br>
+
+<br><br><br>
+
+<center>
+<h2>
+<a name="2">THE ROMANCE OF A GLOVE.</a>
+</h2>
+</center>
+<br>
+<p>
+"Halt!" cried my travelling companion. "Property overboard!"
+<p>
+The driver pulled up his horses; and, before I could prevent him,
+Westwood leaped down from the vehicle, and ran back for the article
+that had been dropped.
+<p>
+It was a glove,--my glove, which I had inadvertently thrown out, in
+taking my handkerchief from my pocket.
+<p>
+"Go on, driver!" and he tossed it into my hand as he resumed his seat
+in the open stage.
+<p>
+"Take your reward," I said, offering him a cigar; "but beware of
+rendering me another such service!"
+<p>
+"If it had been your hat or your handkerchief, be sure I should have
+let it lie where it fell. But a glove,--that is different. I once
+found a romance in a glove. Since then, gloves are sacred." And
+Westwood gravely bit off the end of his cigar.
+<p>
+"A romance? Tell me about that. I am tired of this endless stretch of
+sea-like country, these regular ground-swells; and it's a good
+two-hours' ride yet to yonder headland, which juts out into the
+prairie, between us and the setting sun. Meanwhile, your romance."
+<p>
+"Did I say romance? I fear you would hardly think it worthy of the
+name," said my companion. "Every life has its romantic episodes, or,
+at least, incidents which appear such to him who experiences them. But
+these tender little histories are usually insipid enough when told. I
+have a maiden aunt, who once came so near having an offer from a pale
+stripling, with dark hair, seven years her junior, that to this day
+she often alludes to the circumstance, with the remark, that she
+wishes she knew some competent novel-writer in whom she could confide,
+feeling sure that the story of that period of her life would make the
+groundwork of a magnificent work of fiction. Possibly I inherit my
+aunt's tendency to magnify into extraordinary proportions trifles
+which I look at through the double convex lens of a personal
+interest. So don't expect too much of my romance, and you shall hear
+it.
+<p>
+"I said I found it in a glove. It was by no means a remarkable
+glove,--middle-sized, straw-colored, and a neat fit for this hand, in
+which I now hold your very excellent cigar. Of course, there was a
+young lady in the case;--let me see,--I don't believe I can tell you
+the story," said Westwood, "after all!"
+<p>
+I gently urged him to proceed.
+<p>
+"Pshaw!" said he, after kindling his cigar with a few vigorous whiffs,
+"what's the use of being foolish? My aunt was never diffident about
+telling her story, and why should I hesitate to tell mine? The young
+lady's name,--we'll call her simply Margaret. She was a blonde, with
+hazel eyes and dark hair. Perhaps you never heard of a blonde with
+hazel eyes and dark hair? She was the only one I ever saw; and there
+was the finest contrast imaginable between her fair, fresh complexion,
+and her superb tresses and delicately-traced eyebrows. She was
+certainly lovely, if not handsome; and--such eyes! It was an event in
+one's life, Sir, just to look through those luminous windows into her
+soul. That could not happen every day, be sure! Sometimes for weeks
+she kept them turned from me, the ivory shutters half-closed, or the
+mystic curtains of reserve drawn within; then, again, when I was
+tortured with unsatisfied yearnings, and almost ready to despair, she
+would suddenly turn them upon me, the shutters thrown wide, the
+curtains away, and a flood of radiance streaming forth, that filled me
+so full of light and gladness, that I had no shadowy nook left in me
+for a doubt to hide in. She must have been conscious of this power of
+expression. She used it so sparingly, and, it seemed to me, artfully!
+But I always forgave her when she did use it, and cherished resentment
+only when she did not.
+<p>
+"Margaret was shy and proud; I could never completely win her
+confidence; but I knew, I knew well at last, that her heart was
+mine. And a deep, tender, woman's heart it was, too, despite her
+reserve. Without many words, we understood each other, and
+so----Pshaw!" said Westwood, "my cigar is out!"
+<p>
+"On with the story!"
+<p>
+"Well, we had our lovers' quarrels, of course. Singular, what foolish
+children love makes of us!--rendering us sensitive, jealous, exacting,
+in the superlative degree. I am sure, we were both amiable and
+forbearing towards all the world besides; but, for the powerful reason
+that we loved, we were bound to misinterpret words, looks, and
+actions, and wound each other on every convenient occasion. I was
+pained by her attentions to others, or perhaps by an apparent
+preference of a book or a bouquet to me. Retaliation on my part and
+quiet persistence on hers continued to estrange us, until I generally
+ended by conceding everything, and pleading for one word of kindness,
+to end my misery.
+<p>
+"I was wrong,--too quick to resent, too ready to concede. No doubt, it
+was to her a secret gratification to exercise her power over me; and
+at last I was convinced that she wounded me purposely, in order to
+provoke a temporary estrangement, and enjoy a repetition of her
+triumph.
+<p>
+"It was at a party; the thing she did was to waltz with a man whom she
+knew I detested, whom <i>I</i> knew <i>she</i> could not respect, and
+whose half-embrace, as he whirled her in the dance, almost put murder
+into my thoughts.
+<p>
+"'Margaret,' I said, 'one last word! If you care for me, beware!'
+<p>
+"That was a foolish speech, perhaps. It was certainly
+ineffectual. She persisted, looking so calm and composed, that a great
+weight fell upon my heart. I walked away; I wandered about the
+saloons; I tried to gossip and be gay; but the wound was too deep.
+<p>
+"I accompanied her home, late in the evening. We scarcely spoke by the
+way. At the door, she looked me sadly in the face,--she gave me her
+hand; I thought it trembled.
+<p>
+"'Good-night!' she said, in a low voice.
+<p>
+"'Good-bye!' I answered, coldly, and hurried from the house.
+<p>
+"It was some consolation to hear her close the door after I had
+reached the corner of the street, and to know that she had been
+listening to my footsteps. But I was very angry. I made stern
+resolutions; I vowed to myself, that I would wring her heart, and
+never swerve from my purpose until I had wrung out of it abundant
+drops of sorrow and contrition. How I succeeded you shall hear.
+<p>
+"I had previously engaged her to attend a series of concerts with me;
+an arrangement which I did not now regret, and for good reasons. Once
+a week, with famous punctuality, I called for her, escorted her to the
+concert-room, and carefully reconducted her home,--letting no
+opportunity pass to show her a true gentleman's deference and
+respect,--conversing with her freely about music, books, anything, in
+short, except what we both knew to be deepest in each other's
+thoughts. Upon other occasions, I avoided her, and even refrained from
+going to places where she was expected,--especially where she knew
+that I knew she was expected.
+<p>
+"Well," continued Westwood, "my designs upon her heart, which I was
+going to wring so unmercifully, did not meet with very brilliant
+success. To confess the humiliating truth, I soon found that I was
+torturing myself a good deal more than I was torturing her. As a last
+and desperate resort, what do you think I did?"
+<p>
+"You probably asked her to ask your forgiveness."
+<p>
+"Not I! I have a will of adamant, as people find, who tear away the
+amiable flowers and light soil that cover it; and she had reached the
+impenetrable, firm rock. I neither made any advances towards a
+reconciliation nor invited any. But I'll tell you what I did do, as a
+final trial of her heart. I had, for some time, been meditating a
+European tour, and my interest in her had alone kept me at home. Some
+friends of mine were to sail early in the spring, and I now resolved
+to accompany them. I don't know how much pride and spite there was in
+the resolution,--probably a good deal. I confess I wished to make her
+suffer,--to show her that she had calculated too much upon my
+weakness,--that I could be strong and happy without her. Yet, with all
+this bitter and vindictive feeling, I listened to a very sweet and
+tender whisper in my heart, which said, 'Now, if her love speaks
+out,--now, if she says to me one true, kind, womanly word,--she shall
+go with me, and nothing shall ever take her from me again!' The
+thought of what <i>might</i> be, if she would but say that word, and
+of what <i>must</i> be, irrevocably, if her pride held out, shook me
+mightily. But my resolution was taken: I would trust the rest to fate.
+<p>
+"On the day of the last concert, I imparted the secret of my intended
+journey to a person who, I felt tolerably sure, would rush at once to
+Margaret with the news. Then, in the evening, I went for her; I was
+conscious that my manner towards her was a little more tender, or
+rather, a little less coldly courteous, that night, than it had
+usually been of late; for my feelings were softened, and I had never
+seen her so lovely. I had never before known what a treasure I was
+about to lose. The subject of my voyage was not mentioned, and if she
+had heard of it, she accepted the fact without the least visible
+concern. Her quietness under the circumstances chilled
+me,--disheartened me quite. I am not one of those who can give much
+superfluous love, or cling with unreasonable, blind passion to an
+object that yields no affection in return. A quick and effectual
+method of curing a fancy in persons of my temperament is to teach them
+that it is not reciprocated. Then it expires like a flame cut off from
+the air, or a plant removed from the soil. The death-struggle, the
+uprooting, is the painful thing; but when the heart is thoroughly
+convinced that its love is misplaced, it gives up, with one last sigh
+as big as fate, sheds a few tears, says a prayer or two, thanks God
+for the experience, and becomes a wiser, calmer,--yes, and a happier
+heart than before."
+<p>
+"True," I said; "but our hearts are not thus easily convinced."
+<p>
+"Ay, there's the rub. It is for want of a true perception. There
+cannot be a true love without a true perception. Love is for the soul
+to know, from its own intuition,--not for the understanding to
+believe, from the testimony of those very unreliable witnesses, called
+eyes and ears. This seems to have been my case,--my soul was aware of
+<i>her</i> love, and all the evidence of my external senses could not
+altogether destroy that interior faith. But that evening I said,--'I
+believe you now, my senses! I doubt you now, my soul!--she never loved
+me!' So I was really very cold towards her--for about twenty minutes.
+<p>
+"I walked home with her;--we were both silent; but at the door she
+asked me to go in. Here my calmness deserted me, and I could hardly
+hold my heart, while I replied,--
+<p>
+"'If you particularly wish it.'
+<p>
+"'If I did not, I should not ask you,' she said; and I went in.
+<p>
+"I was ashamed and vexed at myself for trembling so,--for I was in a
+tremor from head to foot. There was company in the parlors,--some of
+Margaret's friends. I took my seat upon a sofa, and soon she came and
+sat by my side.
+<p>
+"'I suppose,' said one, 'Mr. Westwood has been telling Margaret all
+about it.'
+<p>
+"'About what?' Margaret inquired,--and here the truth flashed upon
+me,--the news of my proposed voyage had not yet reached her! She
+looked at me with a troubled, questioning expression, and said,--
+<p>
+"'I felt that something was going to happen. Tell me what it is.'
+<p>
+"I answered,--'Your friend can best explain what she means.'
+<p>
+"Then out came the secret. A shock of surprise sent the color from
+Margaret's face; and raising her eyes, she asked, quite calmly, but in
+a low and unnatural tone,--
+<p>
+"'Is this so?'
+<p>
+"I said, 'I suppose I cannot deny it.'
+<p>
+"'You are really going?'
+<p>
+"'I am really going.'
+<p>
+"She could not hide her agitation. Her white face betrayed her. Then
+I was glad, wickedly glad, in my heart,--and vain enough to be
+gratified that others should behold and know I held a power over
+her. Well,--but I suffered for that folly.
+<p>
+"'I feel hurt,' she said, after a little while, 'because you have not
+told me this. You have no sister,' (this was spoken very quietly,)
+'and it would have been a privilege for me to take a sister's place,
+and do for you those little things which sisters do for brothers who
+are going on long journeys.'
+<p>
+"I was choked;--it was a minute before I could speak. Then I said that
+I saw no reason why she should tax her time or thoughts to do anything
+for me.
+<p>
+"'Oh, you know,' she said, 'you have been kind to me,--so much kinder
+than I have deserved!'
+<p>
+"It was unendurable,--the pathos of the words! I was blinded,
+stifled,--I almost groaned aloud. If we had been alone, there our
+trial would have ended. I should have snatched her to my soul. But
+the eyes of others were upon us, and I steeled myself.
+<p>
+"'Besides,' I said, 'I know of nothing that you can do for me.'
+<p>
+"'There must be many little things;--to begin with, there is your
+glove, which you are tearing to pieces.'
+<p>
+"True, I was tearing my glove,--she was calm enough to observe it!
+That made me angry.
+<p>
+"'Give it to me; I will mend it for you. Haven't you other gloves that
+need mending?'
+<p>
+"I, who had triumphed, was humbled.
+<p>
+"My heart was breaking,--and she talked of mending gloves! I did not
+omit to thank her. I coldly arose to go.
+<p>
+"Well, I felt now that it was all over. The next day I secured my
+passage in the steamer in which my friends were to sail. I took pains
+that Margaret should hear of that, too. Then came the preparations for
+travel,--arranging affairs, writing letters, providing myself with a
+compact and comfortable outfit. Europe was in prospect,--Paris,
+Switzerland, Italy, lands to which my dreams had long since gone
+before me, and to which I now turned my eyes with reawakening
+aspirations. A new glory arose upon my life, in the light of which
+Margaret became a fading star. It was so much easier than I had
+thought, to give her up, to part from her! I found that I could forget
+her, in the excitement of a fresh and novel experience; while
+she--could she forget me? When lovers part, happy is he who goes! alas
+for the one that is left behind!
+<p>
+"One day, when I was busy with the books which I was to take with me,
+a small package was handed in. I need not tell you that I experienced
+a thrill, when I saw Margaret's handwriting upon the wrapper. I tore
+it open,--and what think you I found? My glove! Nothing else. I
+smiled bitterly, to see how neatly she had mended it; then I sighed;
+then I said, 'It is finished!' and tossed the glove disdainfully into
+my trunk.
+<p>
+"On the day before that fixed for the sailing of the steamer, I made
+farewell calls upon many of my friends,--among others, upon
+Margaret. But, through the perversity of pride and will, I did not go
+alone,--I took with me Joseph, a mutual acquaintance, who was to be my
+<i>compagnon de voyage</i>. I felt some misgivings, to see how
+Margaret had changed; she was so softened, and so pale!
+<p>
+"The interview was a painful one, and I cut it short. As we were going
+out, she gently detained me, and said,--
+<p>
+"'Did you receive--your glove?'
+<p>
+"'Oh, yes,' I said, and thanked her for mending it.
+<p>
+"'And is this all--all you have to say?' she asked.
+<p>
+"'I have nothing more to say--except good-bye.'
+<p>
+"She held my hand. 'Nothing else?'
+<p>
+"'No,--it is useless to talk of the past, Margaret; and the
+future--may you be happy!--Good-bye!'
+<p>
+"I thought she would speak; I could not believe she would let me go;
+but she did! I bore up well, until night. Then came a revulsion. I
+walked three times past the house, wofully tempted, my love and my
+will at cruel warfare; but I did not go in. At midnight I saw the
+light in her room extinguished; I knew she had retired, but whether to
+sleep, or weep, or pray--how could I tell? I went home. I did not
+close my eyes that night. I was glad to see the morning come, after
+<i>such</i> a night!
+<p>
+"The steamer was to sail at ten. The bustle of embarkation; strange
+scenes and strange faces; parting from friends; the ringing of the
+bell; last adieus,--some, who were to go with us, hurrying aboard,
+others, who were to stay behind, as hastily going ashore; the
+withdrawal of the plank,--sad sight to many eyes! casting off the
+lines, the steamer swinging heavily around, the rushing, irregular
+motion of the great, slow paddles; the waving of handkerchiefs from
+the decks, and the responsive signals from the crowd lining the wharf;
+off at last,--the faces of friends, the crowd, the piers, and, lastly,
+the city itself, fading from sight; the dash of spray, the freshening
+breeze, the novel sight of our little world detaching itself and
+floating away; the feeling that America was past, and Europe was
+next;--all this filled my mind with animation and excitement, which
+shut out thoughts of Margaret. Could I have looked with clairvoyant
+vision, and beheld her then, locked in her chamber, should I have been
+so happy? Oh, what fools vanity and pride make of us! Even then, with
+my heart high-strung with hope and courage, had I known the truth, I
+should have abandoned my friends, the voyage, and Europe, and returned
+in the pilot's boat, to find something more precious than all the
+continents and countries of the globe, in the love of that heart which
+I was carelessly flinging away."
+<p>
+Here Westwood took breath. The sun was now almost set. The prairie was
+still and cool; the heavy dews were beginning to fall; the shadows of
+the green and flowered undulations filled the hollows, like a rising
+tide; the headland, seen at first so far and small, was growing
+gradually large and near; and the horses moved at a quicker
+pace. Westwood lighted his cigar, drew a few whiffs, and proceeded.
+<p>
+"We had a voyage of eleven days. But to me an immense amount of
+experience was crowded into that brief period. The fine exhilaration
+of the start,--the breeze gradually increasing to a gale; then
+horrible sea-sickness, home-sickness, love-sickness; after which, the
+weather which sailors love, games, gayety, and flirtation. There is no
+such social freedom to be enjoyed anywhere as on board an ocean
+steamer. The breaking-up of old associations, the opening of a fresh
+existence, the necessity of new relationships,--this fuses the crust
+of conventionality, quickens the springs of life, and renders
+character sympathetic and fluent. The past is easily put away; we
+become plastic to new influences; we are delighted at the discovery of
+unexpected affinities, and astonished to find in ourselves so much
+wit, eloquence, and fine susceptibility, which we did not before dream
+we possessed.
+<p>
+"This freedom is especially provocative of flirtation. We see each
+fair brow touched with a halo whose colors are the reflection of our
+own beautiful dreams. Loveliness is ten-fold more lovely, bathed in
+this atmosphere of romance; and manhood is invested with ideal
+graces. The love within us rushes, with swift, sweet heart-beats, to
+meet the love responsive in some other. Don't think I am now artfully
+preparing your mind to excuse what I am about to confess. Take these
+things into consideration, if you will; then think as you please of
+the weakness and wild impulse with which I fell in love with----
+<p>
+"We will call her Flora. The most superb, captivating creature that
+ever ensnared the hearts of the sons of Adam. A fine olive
+complexion; magnificent dark auburn hair; eyes full of fire and
+softness; lips that could pout or smile with incomparable fascination;
+a figure of surprising symmetry, just voluptuous enough. But, after
+all, her great power lay in her freedom from all affectation and
+conventionality,--in her spontaneity, her free, sparkling, and
+vivacious manners. She was the most daring and dazzling of women,
+without ever appearing immodest or repulsive. She walked with such
+proud, secure steps over the commonly accepted barriers of social
+intercourse, that even those who blamed her and pretended to be
+shocked were compelled to admire. She was the belle, the Juno, of the
+saloon, the supreme ornament of the upper deck. Just twenty,--not
+without wit and culture,--full of poetry and enthusiasm. Do you blame
+me?"
+<p>
+"Not a whit," I said; "but for Margaret"----
+<p>
+"Ah, Margaret!" said Westwood, with a sigh. "But, you see, I had given
+her up. And when one love is lost, there sink such awful chasms into
+the soul, that, though they cannot be filled, we must at least bridge
+them over with a new affection. The number of marriages built in this
+way, upon false foundations of hollowness and despair, is
+incomputable. We talk of jilted lovers and disappointed girls
+marrying 'out of spite.' No doubt, such petty feeling hurries forward
+many premature matches. But it is the heart, left shaken, unsupported,
+wretchedly sinking, which reaches out its feelers for sympathy,
+catches at the first penetrable point, and clings like a helpless vine
+to the sunny-sided wall of the nearest consolation. If you wish to
+marry a girl and can't, and are weak enough to desire her still, this
+is what you should do: get some capable man to jilt her. Then seize
+your chance. All the affections which have gone out to him, unmet,
+ready to droop, quivering with the painful, hungry instinct to grasp
+some object, may possibly lay hold of you. Let the world sneer; but
+God pity such natures, which lack the faith and fortitude to live and
+die true to their best love!
+<p>
+"Out of my own mouth do I condemn myself? Very well, I condemn myself;
+<i>peccavi</i>! I If I had ever loved Margaret, then I did not love
+Flora. The same heart cannot find its counterpart indifferently in two
+such opposites. What charmed me in one was her purity, softness, and
+depth of soul. What fascinated me in the other was her bloom, beauty,
+and passion. Which was the true sympathy?
+<p>
+"I did not stop to ask that question when it was most important that
+it should be seriously considered. I rushed into the crowd of
+competitors for Flora's smiles, and distanced them all. I was pleased
+and proud that she took no pains to conceal her preference for me. We
+played chess; we read poetry out of the same book; we ate at the same
+table; we sat and watched the sea together, for hours, in those clear,
+bright days; we promenaded the deck at sunset, her hand upon my arm,
+her lips forever turning up tenderly towards me, her eyes pouring
+their passion into me. Then those glorious nights, when the ocean was
+a vast, wild, fluctuating stream, flashing and sparkling about the
+ship, spanned with a quivering bridge of splendor on one side, and
+rolling off into awful darkness and mystery, on the other; when the
+moon seemed swinging among the shrouds like a ball of white fire; when
+the few ships went by like silent ghosts; and Flora and I, in a long
+trance of happiness, kept the deck, heedless of the throng of
+promenaders, forgetful of the past, reckless of the future, aware only
+of our own romance, and the richness of the present hour.
+<p>
+"Joseph, my travelling-companion, looked on, and wrote letters. He
+showed me one of these, addressed to a friend of Margaret's. In it he
+extolled Flora's beauty, piquancy, and supremacy; related how she made
+all the women jealous and all the men mad; and hinted at my triumph. I
+knew that that letter would meet Margaret's eyes, and was vain enough
+to be pleased.
+<p>
+"At last, one morning, at daybreak, I went on deck, and saw the shores
+of England. Only a few days before, we had left America behind us,
+brown and leafless, just emerging from the long gloom of winter; and
+now the slopes of another world arose green and inviting in the flush
+of spring. There was a bracing breeze; the dingy waters of the Mersey
+rolled up in wreaths of beauty; the fleets of ships, steamers, sloops,
+lighters, pilot-boats, bounding over the waves, meeting, tacking,
+plunging, swaying gracefully under the full-swelling canvas, presented
+a picture of wonderful animation; and the mingling hues of sunshine
+and mist hung over all. I paced the deck, solemnly joyful, swift
+thoughts pulsing through me of a dim far-off Margaret, of a near
+radiant Flora, of hope and happiness superior to fate. It was one of
+those times when the excited soul transfigures the world, and we
+marvel how we could ever succumb to a transient sorrow while the whole
+universe blooms, and an infinite future waits to open for us its doors
+of wonder and joy.
+<p>
+"In this state of mind I was joined by Flora. She laid her hand on my
+arm, and we walked up and down together. She was serious, almost sad,
+and she viewed the English hills with a pensiveness which became her
+better than mirth.
+<p>
+"'So,' she sighed, 'all our little romances come to an end!'
+<p>
+"'Not so,' I said; 'or if one romance ends, it is to give place to
+another, still truer and sweeter. Our lives may be all a succession of
+romances, if we will make them so. I think now I will never doubt the
+future; for I find, that, when I have given up my dearest hopes, my
+best-beloved friends, and accepted the gloomy belief that all life
+besides is barren,--then comes some new experience, filling my empty
+cup with a still more delicious wine.'
+<p>
+"'Don't vex me with your philosophy!' said Flora. 'I don't know
+anything about it. All I know is this present,--this sky, this earth,
+this sea, and the joy between, which I can't give up quite so easily
+as you can, with your beautiful theory, that something better awaits
+you.'
+<p>
+"'I have told you,' I replied,--for I had been quite frank with
+her,--'how I left America,--what a blank life was to me then; and did
+I not turn my back upon all that to meet face to face the greatest
+happiness which I have ever yet known? Ought not this to give me faith
+in the divinity that shapes our ends?'
+<p>
+"'And so,' she answered, 'when I have lost you, I shall have the
+satisfaction of thinking that you are enjoying some still more
+exquisite consolation for the slight pangs you may have felt at
+parting from me! Your philosophy will make it easy for you to say,
+"Good-bye! it was a pretty romance; I go to find prettier ones
+still"; and then forget me altogether!'
+<p>
+"'And you,' I said, 'will that be easy for you?'
+<p>
+"'Yes,' she cried, with spirit,--'anything is easy to a proud,
+impetuous woman, who finds that the brief romance of a ten-days'
+acquaintance has already become tiresome to the second party. I am
+glad I have enjoyed what I have; that is so much gain, of which you
+cannot rob me; and now I can say good-bye as coolly as you, or I can
+die of shame, or I can at once walk over this single rail into the
+water, and quench this little candle, and so an end!'
+<p>
+"She sprang upon a bench, and, I swear to you, I thought she was going
+down! I was so exalted by this passionate demonstration, that I should
+certainly have gone over with her, and felt perfectly content to die
+in her arms,--at least, until I began to realize what a very
+disagreeable bath we had chosen to drown in.
+<p>
+"I drew her away; I walked up and down with that superb creature
+panting and palpitating almost upon my heart; I poured into her ear I
+know not what extravagant vows; and before the slow-handed sailors had
+fastened their cable to the buoy in the channel, we had knotted a more
+subtile and difficult noose, not to be so easily undone!
+<p>
+"Now see what strange, variable fools we are! Months of tender
+intercourse had failed to bring about anything like a positive
+engagement between Margaret and myself; and here behold me irrevocably
+pledged to Flora, after a brief ten-days' acquaintance!
+<p>
+"Six mortal hours were exhausted in making the steamer fast,--in
+sending off her Majesty's mails, of which the cockney speaks with a
+tone of reverence altogether disgusting to us free-minded
+Yankees,--and in entertaining the custom-house inspectors, who paid a
+long and tedious visit to the saloon and our luggage. Then we were
+suffered to land, and enter the noisy, solid streets of Liverpool,
+amid the donkeys and beggars and quaint scenes which strike the
+American so oddly upon a first visit. All this delay, the weariness
+and impatience, the contrast between the morning and the hard, grim
+reality of mid-day, brought me down from my elevation. I felt alarmed
+to think of what had passed. I seemed to have been doing some wild,
+unadvised act in a fit of intoxication. Margaret came up before me,
+sad, silent, reproachful; and as I gazed upon Flora's bedimmed face, I
+wondered how I had been so charmed.
+<p>
+"We took the first train for London, where we arrived at midnight. Two
+weeks in that vast Babel,--then, ho! for Paris! Twelve hours by rail
+and steamer carried us out of John Bull's dominions into the brilliant
+metropolis of his French neighbor. Joseph accompanied us, and wrote
+letters home, filled with gossip which I knew, or hoped, would make
+Margaret writhe. I had not found it so easy to forget her as I had
+supposed it would be. Flora's power over me was sovereign; but when I
+was weary of the dazzle and whirl of the life she led me,--when I
+looked into the depths of my heart, and saw what the thin film of
+passion and pleasure concealed,--in those serious moments which would
+come, and my soul put stern questions to me,--then,
+Sir,--then--Margaret had her revenge.
+<p>
+"A month, crowded and glittering with novelty and incident, preceded
+our departure for Switzerland. I accompanied Flora's party; Joseph
+remained behind. We left Paris about the middle of June, and returned
+in September. I have no words to speak of that era in my life. I saw,
+enjoyed, suffered, learned so much! Flora was always glad,
+magnificent, irresistible. But, as I knew her longer, my moments of
+misgiving became more frequent and profound. If I had aspired to
+nothing higher than a life of sensuous delights, she would have been
+all I could wish. But----
+<p>
+"We were to spend the winter in Italy. Meanwhile, we had another month
+in Paris. Here I had found Joseph again, who troubled me a good deal
+with certain rumors he had received concerning Margaret. According to
+these, she had been in feeble health ever since we left, and her
+increasing delicacy was beginning to alarm her friends. 'But,' added
+another of Joseph's correspondents, 'don't let Westwood flatter
+himself that he is the cause, for she is cured of him; and there is
+talk of an engagement between her and a handsome young clergyman, who
+is both eloquent and fascinating.'
+<p>
+"This bit of gossip made me very bitter and angry. 'Forget me so
+soon?' I said; 'and receive the attentions of another man?' You see
+how consistent I was, to condemn her for the very fault I had myself
+been so eager to commit!
+<p>
+"Well, the round of rides, excursions, soirées, visits to the operas
+and theatres, walks on the Boulevards, and in the galleries of the
+Louvre, ended at last. The evening before we were to set out for the
+South of France, I was at my lodgings, unpacking and repacking the
+luggage which I had left in Joseph's care during my absence among the
+Alps; I was melancholy, dissatisfied with the dissipations which had
+exhausted my time and energies, and thinking of Margaret. I had not
+preserved a single memento of her; and now I wished I had one,--if
+only a withered leaf, or a line of her writing. In this mood, I
+chanced to cast my eye upon a stray glove, in the bottom of my
+trunk. I snatched at it eagerly, and, in the impulse of the
+moment,--before I reflected that I was wronging Flora,--pressed it to
+my lips. Yes, I found the place where it had been mended, the spot
+Margaret's fingers had touched, and gave it a kiss for every
+stitch. Then, incensed at myself, I flung it from me, and hurried from
+the room. I walked towards the Place de la Concorde, where the
+brilliant lamps burned like a constellation. I strolled through the
+Elysian Fields, and watched the lights of the carriages swarming like
+fire-flies up the long avenue; stopped by the concert gardens, and
+listened to the glorified girls singing under rosy and golden
+pavilions the last songs of the season; wandered about the
+fountains,--by the gardens of the Tuileries, where the trees stood so
+shadowy and still, and the statues gleamed so pale,--along the quays
+of the Seine, where the waves rolled so dark below,--trying to settle
+my thoughts, to master myself, to put Margaret from me.
+<p>
+"Weary at length, I returned to my chamber, seated myself composedly,
+and looked down at the glove which lay where I had thrown it, upon the
+polished floor. Mechanically I stooped and took up a bit of folded
+paper. It was written upon,--I unrolled it, and read. It was as if I
+had opened the record of doom! Had the apparition of Margaret herself
+risen suddenly before me, I could not have been more astounded. It was
+a note from her,--and such a note!--full of love, suffering, and
+humility,--poured out of a heart so deep and tender and true, that the
+shallowness of my own seemed utterly contemptible, in comparison with
+it. I cannot tell you what was written, but it was more than even my
+most cruel and exacting pride could have asked. It was what would once
+have made me wild with joy,--now it almost maddened me with
+despair. I, who had often talked fine philosophy to others, had not a
+grain of that article left to physic my own malady. But one course
+seemed plain before me, and that was, to go quietly and drown myself
+in the Seine, which I had seen flowing so swift and dark under the
+bridges, an hour ago, when I stood and mused upon the tragical corpses
+its solemn flood had swallowed.
+<p>
+"I am a little given to superstition, and the mystery of the note
+excited me. I have no doubt but there was some subtile connection
+between it and the near presence of Margaret's spirit, of which I had
+that night been conscious. But the note had reached me by no
+supernatural method, as I was at first half inclined to believe. It
+was, probably, the touch, the atmosphere, the ineffably fine influence
+which surrounded it, which had penetrated my unconscious perceptions,
+and brought her near. The paper, the glove, were full of
+Margaret,--full of something besides what we vaguely call mental
+associations,--full of emanations of the very love and suffering which
+she had breathed into the writing.
+<p>
+"How the note came there upon the floor was a riddle which I was too
+much bewildered to explain by any natural means. Joseph, who burst in
+upon me, in my extremity of pain and difficulty, solved it at once. It
+had fallen out of the glove, where it had lain folded, silent,
+unnoticed, during all this intervening period of folly and vexation of
+soul. Margaret had done her duty, in time; I had only myself to blame
+for the tangle in which I now found myself. I was thinking of Flora,
+upon the deck of the steamship, when, in a moment of chagrin, she had
+been so near throwing herself over; wondering to what fate her passion
+and impetuosity would hurry her now, if she knew; cursing myself for
+my weakness and perfidy; while Joseph kept asking me what I intended
+to do.
+<p>
+"'Do? do?' I said, furiously,--'I shall kill you, that is what I shall
+do, if you drive me mad with questions which neither angels nor fiends
+can answer!'
+<p>
+"'I know what you will do,' said Joseph; 'you will go home and marry
+Margaret.'
+<p>
+"You can have no conception of the effect of these words,--<i>Go home
+and marry Margaret</i>. I shook as I have seen men shake with the
+ague. All that might have been,--what might be still,--the happiness
+cast away, and perhaps yet within my reach,--the temptation of the
+Devil, who appealed to my cowardice, to fly from Flora, break my vows,
+risk my honor and her life, for Margaret,--all this rushed through me
+tumultuously. At length I said,--
+<p>
+"'No, Joseph; I shall do no such thing. I can never be worthy of
+Margaret; it will be only by fasting and prayer that I can make myself
+worthy of Flora.'
+<p>
+"'Will you start for Italy in the morning?' he asked, pitilessly.
+<p>
+"'For Italy in the morning?' I groaned. Meet Flora, travel with her,
+play the hypocrite, with smiles on my lips and hell in my heart,--or
+thunderstrike her at once with the truth;--what was I to do? To some
+men the question would, perhaps, have presented few difficulties. But
+for me, Sir, who am not quite devoid of conscience, whatever you may
+think,--let me tell you, I'd rather hang by sharp hooks over a
+roasting fire than be again suspended as I was betwixt two such
+alternatives, and feel the torture of both!
+<p>
+"Having driven Joseph away, I locked myself into my room, and suffered
+the torments of the damned in as quiet a manner as possible, until
+morning. Then Joseph returned, and looked at me with dismay.
+<p>
+"'For Heaven's sake!' he said, 'you ought not to let this thing kill
+you,--and it will, if you keep on.'
+<p>
+"'So much the better,' I said, 'if it kills nobody but me. But don't
+be alarmed. Keep perfectly cool, and attend to the commission I am
+going to trust to you. I can't see Flora this morning; I must gain a
+little time. Go to the station of the Lyons railway, where I have
+engaged to meet her party; say to her that I am detained, but that I
+will join her on the journey. Give her no time to question you, and be
+sure that she does not stay behind.'
+<p>
+"'I'll manage it,--trust me!' said Joseph. And off he started. At the
+end of two hours, which seemed twenty, he burst into my room,
+crying,--
+<p>
+"'Good news! she is gone! I told her you had lost your passport, and
+would have to get another from our minister.'
+<p>
+"'What!' I exclaimed, 'you lied to her?'
+<p>
+"'Oh! there was no other way!' said Joseph, ingenuously,--'she is so
+sharp! They're to wait for you at Marseilles. But I'll manage that,
+too. On their arrival at the Hotel d'Orient, they'll find a
+telegraphic dispatch from me. I wager a hat, they'll leave in the
+first steamer for Naples. Then you can follow at your leisure.'
+<p>
+"'Thank you, Joseph.'
+<p>
+"I felt relieved. Then came a reaction. The next day I was attacked
+by fever. I know not how long I struggled against it, but it mastered
+me. The last things I remember were the visits of friends, the strange
+talk of a French physician, whispers and consultations, which I knew
+were about me, yet took no interest in,--and at length Joseph rushing
+to my bedside, in a flutter of agitation, and gasping,--
+<p>
+"'Flora!'
+<p>
+"'What of Flora?' I demanded.
+<p>
+"'I telegraphed, but she wouldn't go; she has come back; she is here!'
+<p>
+"I was sinking back into the stupor from which I had been roused, when
+I heard a rustling which seemed afar off, yet was in my chamber; then
+a vision appeared to my sickened sight,--a face which I dimly thought
+I had seen before,--a flood of curls and a rain of kisses showering
+upon me,--sobs and devouring caresses,--Flora's voice calling me
+passionate names; and I lying so passive, faintly struggling to
+remember, until my soul sank whirling in darkness, and I knew no more.
+<p>
+"One morning, I cannot tell you how long after, I awoke and found
+myself in a strange-looking room, filled with strange objects, not the
+least strange of which was the thing that seemed myself. At first I
+looked with vague and motionless curiosity out of the Lethe from which
+my mind slowly emerged; painless, and at peace; listlessly questioning
+whether I was alive or dead,--whether the limp weight lying in bed
+there was my body,--the meaning of the silence and the closed
+curtains. Then, with a succession of painful flashes, as if the pole
+of an electrical battery had been applied to my brain, memory
+returned,--Margaret, Flora, Paris, delirium. I next remember hearing
+myself groan aloud,--then seeing Joseph at my side. I tried to speak,
+but could not. Upon my pillow was a glove, and he placed it against my
+cheek. An indescribable, excruciating thrill shot through me; still I
+could not speak. After that, came a relapse. Like Mrs. Browning's
+poet, I lay
+<blockquote>
+
+ ''Twixt gloom and gleam,<br>
+ With Death and Life at each extreme.'
+</blockquote>
+<p>
+"But one morning I was better. I could talk. Joseph bent over me,
+weeping for joy.
+<p>
+"'The danger is past!' he said. 'The doctors say you will get well!'
+<p>
+"'Have I been so ill, then?'
+<p>
+"'Ill?' echoed Joseph. 'Nobody thought you could live. We all gave you
+up, except her;--and she'----
+<p>
+"'She!' I said,--'is she here?'
+<p>
+"'From the moment of her arrival,' replied Joseph, 'she has never left
+you. Oh, if you don't thank God for her,'--he lowered his
+voice,--'and live all the rest of your life just to reward her, you
+are the most ungrateful wretch! You would certainly have died but for
+her. She has scarcely slept, till this morning, when they said you
+would recover.'
+<p>
+"Joseph paused. Every word he spoke went down like a weight of lead
+into my soul. I had, indeed, been conscious of a tender hand soothing
+my pillow, of a lovely form flitting through my dreams, of a breath
+and magnetic touch of love infusing warm, sweet life into me,--but it
+had always seemed Margaret, never Flora.
+<p>
+"'The glove?' I asked.
+<p>
+"'Here it is,' said Joseph. 'In your delirium you demanded it; you
+would not be without it; you caressed it, and addressed to it the
+tenderest apostrophes.'
+<p>
+"'And Flora,--she heard?'
+<p>
+"'Flora?' repeated Joseph. 'Don't you know--haven't you any idea--what
+has happened? It has been terrible!'
+<p>
+"'Tell me at once!' I said. 'Keep nothing back!'
+<p>
+"'Immediately on her return from Marseilles,--you remember that?'
+<p>
+"'Yes, yes! go on!'
+<p>
+"'She established herself here. Nobody could come between her and you;
+and a brave, true girl she proved herself. Oh, but she was wild about
+you! She offered the doctors extravagant sums--she would have bribed
+Heaven itself, if she could--not to let you die. But there came a
+time,--one night, when you were raving about Margaret,--I tell you, it
+was terrible! She would have the truth, and so I told
+her,--everything, from the beginning. It makes me shudder now to think
+of it,--it struck her so like death!'
+<p>
+"'What did she say?--what did she do?'
+<p>
+"'She didn't say much,--"Oh, my God! my God!"--something like that.
+The next morning she showed me a letter which she had written to
+Margaret.'
+<p>
+"'To Margaret?' I started up, but fell back again, helpless, with a
+groan.
+<p>
+"'Yes,' said Joseph,--'and it was a letter worthy of the noblest
+woman. I wrote another, for I thought Margaret ought to know
+everything. It might save her life, and yours, too. In the mean time,
+I had got worse news from her still,--that her health continued to
+decline, and that her physician saw no hope for her except in a voyage
+to Italy. But that she resolutely refused to undertake, until she got
+those letters. You know the rest.'
+<p>
+"'The rest?' I said, as a horrible suspicion flashed upon me. 'You
+told me something terrible had happened.'
+<p>
+"'Yes,--to Flora. But you have heard the worst. She is gone; she is by
+this time in Rome.'
+<p>
+"'Flora gone? But you said she was here.'
+<p>
+"'<i>She?</i> So <i>she</i> is! But did you think I meant Flora? I
+supposed you knew. Not Flora,--but Margaret! Margaret!'
+<p>
+"I shrieked out, 'Margaret?' That's the last I remember,--at least,
+the last I can tell. She was there,--I was in her arms;--she had
+crossed the sea, not to save her own life, but mine. And Flora had
+gone, and my dreams were true; and the breath and magnetic touch of
+love, which infused warm, sweet life into me, and seemed not Flora's,
+but Margaret's, were no illusion, and----what more can I tell?
+<p>
+"From the moment of receiving those letters, Margaret's energies were
+roused, and she had begun to regain her health. There is no such
+potent medicine as hope and love. It had saved her, and it saved
+me. My recovery was sure and speedy. The happiness which had seemed
+too great, too dear to be ever possible, was now mine. She was with me
+again, all my own! Only the convalescent, who feels the glow of love
+quicken the pure pulses of returning health, knows what perfect bliss
+is.
+<p>
+"As soon as I was strong enough to travel, we set out for Italy, the
+faithful Joseph accompanying us. We enjoyed Florence, its palaces and
+galleries of art, the quaint old churches, about which the religious
+sentiment of ages seems to hang like an atmosphere, the morning and
+evening clamor of musical bells, the Arno, and the olive-crowned
+Tuscan hills,--all so delightful to the senses and the soul. After
+Florence, Naples, with its beautiful, dangerous, volcanic environs,
+where the ancients aptly located their heaven and hell, and where a
+luxurious, passionate people absorbs into its blood the spirit of the
+soil, and the fire and languor of the clime. From Naples to Rome,
+where we saw St Peter's, that bubble on the surface of the globe,
+which the next earthquake may burst, the Vatican, with its marvels of
+statuary, the ruined temples of the old gods and heroes, the Campagna,
+the Pope, and--Flora. We had but a glimpse of her. It was one night,
+at the Colosseum. We had been musing about that vast and solemn pile
+by the moonlight, which silvered it over with indescribable beauty,
+and at last, accompanied by our guides, bearing torches, we ascended
+through dark and broken passages to the upper benches of the
+amphitheatre. As we were passing along one side, we saw picturesquely
+moving through the shadows of the opposite walls, with the immense
+arena between, the red-flaring torches and half-illuminated figures of
+another party of visitors. I don't know whether it was instinct, or
+acuteness of vision, that suggested Flora; but, with a sudden leap of
+the heart, I felt that she was there. We descended, and passed out
+under the dark arches of the stupendous ruin. The other visitors
+walked a little in advance of us,--two of the number lingering behind
+their companions; and certain words of tenderness and passion we
+heard, which strangely brought to my mind those nights on the
+ocean-steamer.
+<p>
+"'What is the matter with you?' said Margaret, looking in my face.
+<p>
+"'Hush!' I whispered,--'there--that woman--is Flora!'
+<p>
+"She clung to me,--I drew her closer, as we paused; and the happy
+couple went on, over the ancient Forum, by the silent columns of the
+ruined temples, and disappeared from sight upon the summit of the
+Capitoline Hill.
+<p>
+"A few months later, we heard of the marriage of Flora to an English
+baronet; she is now <i>my Lady</i>, and I must do her the justice to
+say that I never knew a woman better fitted to bear that title. As
+for Margaret,--if you will return with me to my home on the Hudson,
+after we have finished our hunt after those Western lands, you shall
+see her, together with the loveliest pair of children that ever made
+two proud parents happy.
+<p>
+"And here," added Westwood, "we have arrived at the end of our day's
+journey; we have had the Romance of the Glove, and now--let's have
+some supper."
+
+<br><br><br>
+
+<br><br><br>
+
+<table border="0">
+<tr>
+<td width="33%">&nbsp;</td>
+<td width="67%">
+<center>
+<h2>
+<a name="3">TO ----.</a>
+</h2>
+<h3>
+ON RECEIVING HIS<br>
+"FEW VERSES FOR A FEW FRIENDS."
+</h3>
+<h4>
+"(PRINTED, NOT PUBLISHED.)"
+</h4>
+</center>
+<br><br>
+<p>
+ Well thought! Who would not rather hear<br>
+ &nbsp;&nbsp;&nbsp;The songs to Love and Friendship sung,<br>
+ &nbsp;&nbsp;&nbsp;Than those which move the stranger's tongue<br>
+ And feed his unselected ear?
+<p>
+ Our social joys are more than fame;<br>
+ &nbsp;&nbsp;&nbsp;Life withers in the public look:<br>
+ &nbsp;&nbsp;&nbsp;Why mount the pillory of a book,<br>
+ Or barter comfort for a name?
+<p>
+ Who in a house of glass would dwell,<br>
+ &nbsp;&nbsp;&nbsp;With curious eyes at every pane?<br>
+ &nbsp;&nbsp;&nbsp;To ring him in and out again<br>
+ Who wants the public crier's bell?
+<p>
+ To see the angel in one's way,<br>
+ &nbsp;&nbsp;&nbsp;Who wants to play the ass's part,<br>
+ &nbsp;&nbsp;&nbsp;Bear on his back the wizard Art,<br>
+ And in his service speak or bray?
+<p>
+ And who his manly locks would shave<br>
+ &nbsp;&nbsp;&nbsp;And quench the eyes of common sense,<br>
+ &nbsp;&nbsp;&nbsp;To share the noisy recompense<br>
+ That mocked the shorn and blinded slave?
+<p>
+ The heart has needs beyond the head,<br>
+ &nbsp;&nbsp;&nbsp;And, starving in the plenitude<br>
+ &nbsp;&nbsp;&nbsp;Of strange gifts, craves its common food,<br>
+ Our human nature's daily bread.
+<p>
+ We are but men: no gods are we<br>
+ &nbsp;&nbsp;&nbsp;To sit in mid-heaven, cold and bleak,<br>
+ &nbsp;&nbsp;&nbsp;Each separate, on his painful peak,<br>
+ Thin-cloaked in self-complacency!
+<p>
+ Better his lot whose axe is swung<br>
+ &nbsp;&nbsp;&nbsp;In Wartburg woods, or that poor girl's<br>
+ &nbsp;&nbsp;&nbsp;Who by the Ilm her spindle whirls<br>
+ And sings the songs that Luther sung,
+<p>
+ Than his, who, old and cold and vain,<br>
+ &nbsp;&nbsp;&nbsp;At Weimar sat, a demigod,<br>
+ &nbsp;&nbsp;&nbsp;And bowed with Jove's imperial nod<br>
+ His votaries in and out again!
+<p>
+ Ply, Vanity, thy wingèd feet!<br>
+ &nbsp;&nbsp;&nbsp;Ambition, hew thy rocky stair!<br>
+ &nbsp;&nbsp;&nbsp;Who envies him who feeds on air<br>
+ The icy splendors of his seat?
+<p>
+ I see your Alps above me cut<br>
+ &nbsp;&nbsp;&nbsp;The dark, cold sky,--and dim and lone<br>
+ &nbsp;&nbsp;&nbsp;I see ye sitting, stone on stone,<br>
+ With human senses dulled and shut.
+<p>
+ I could not reach you, if I would,<br>
+ &nbsp;&nbsp;&nbsp;Nor sit among your cloudy shapes;<br>
+ &nbsp;&nbsp;&nbsp;And (spare the fable of the Grapes<br>
+ And Fox) I would not, if I could.
+<p>
+ Keep to your lofty pedestals!<br>
+ &nbsp;&nbsp;&nbsp;The safer plain below I choose:<br>
+ &nbsp;&nbsp;&nbsp;Who never wins can rarely lose,<br>
+ Who never climbs as rarely falls.
+<p>
+ Let such as love the eagle's scream<br>
+ &nbsp;&nbsp;&nbsp;Divide with him his home of ice:<br>
+ &nbsp;&nbsp;&nbsp;For me shall gentler notes suffice,--<br>
+ The valley-song of bird and stream,
+<p>
+ The pastoral bleat, the drone of bees,<br>
+ &nbsp;&nbsp;&nbsp;The flail-beat chiming far away,<br>
+ &nbsp;&nbsp;&nbsp;The cattle-low at shut of day,<br>
+ The voice of God in leaf and breeze!
+<p>
+ Then lend thy hand, my wiser friend,<br>
+ &nbsp;&nbsp;&nbsp;And help me to the vales below,<br>
+ &nbsp;&nbsp;&nbsp;(In truth, I have not far to go,)<br>
+ Where sweet with flowers the fields extend.
+</td>
+</tr>
+</table>
+
+<br><br><br>
+
+<br><br><br>
+<center>
+<h2>
+<a name="4">THE SINGING-BIRDS AND THEIR SONGS.</a>
+</h2>
+</center>
+<br>
+<p>
+Those persons enjoy the most happiness, if possessed of a benevolent
+heart and favored by ordinary circumstances of fortune, who have
+acquired by habit and education the power of deriving pleasure from
+objects that lie immediately around them. But these common sources of
+happiness are opened to those only who are endowed with genius, or who
+have received a certain kind of intellectual training. The more
+ordinary the mental and moral organization and culture of the
+individual, the more far-fetched and dear-bought must be his
+enjoyments. Nature has given us in full development only those
+appetites which are necessary to our physical well-being. She has
+left our moral appetites and capacities in the germ, to be developed
+by education and circumstances. Hence those agreeable sensations that
+come chiefly from the exercise of the imagination, which may be called
+the pleasures of sentiment, are available only to persons of a
+peculiar refinement of mind. The ignorant and rude may be dazzled and
+delighted by physical beauty, and charmed by loud and stirring sounds;
+but those more simple melodies and less attractive colors and forms
+that appeal to the mind for their principal effect act more powerfully
+upon individuals of superior culture.
+<p>
+In proportion as we have been trained to be agreeably affected by the
+outward forms of Nature, and the sounds that proceed from the animate
+and inanimate world, are we capable of being made happy without
+resorting to expensive and vulgar recreations. It ought, therefore, to
+be one of the chief points in the education of youth, while teaching
+them the still more important offices of humanity, to cultivate and
+enliven their susceptibility to the charms of natural objects. Then
+would the aspects of Nature, continually changing with the progress of
+the seasons and the sounds that enliven their march, satisfy, in a
+great measure, that craving for agreeable sensations which leads
+mankind away from humble and healthful pursuits to those of a more
+artificial and exciting life. The value of such pleasures consists not
+so much in their cheapness as in their favorable moral influences,
+which improve the heart, while they lead the mind to observations that
+pleasantly exercise and develope, without tasking its powers. The
+quiet emotions, half musical and half poetical, which are awakened by
+listening to the songs of birds, belong to this class of refined
+enjoyments.
+<p>
+But the music of birds, though agreeable to all, conveys positive and
+durable pleasure only to those who have learned to associate with
+their notes, in connection with the scenes of Nature, a thousand
+interesting and romantic images. To many persons of this character it
+affords more delight than the most brilliant music of the opera or the
+concert. In vain, therefore, will it be said, as an objection, that
+the notes of birds have no charm, save that which is derived from
+association, and that, considered as music, they do not equal that of
+the most simple reed or flageolet. It is sufficient to remark, that
+the most delightful influences of Nature proceed from those sights and
+sounds that appeal to the imagination and affections through the
+medium of slight and almost insensible impressions made upon the eye
+and the ear. At the moment when these physical impressions exceed a
+certain mean, the spell is broken, and the enjoyment becomes sensual,
+not intellectual. How soon, indeed, would the songs of birds lose
+their effect, if they were loud and brilliant, like a band of
+instruments! It is their simplicity that gives them their charm.
+<p>
+As a further illustration of this point, it may be remarked that
+simple melodies have among all people exercised a greater power over
+the imagination than louder and more complicated music. Nature employs
+a very small amount of physical sensation to create an intellectual
+passion, and when an excess is used a diminished effect is produced. I
+am persuaded that the effect of a great part of our sacred music is
+lost by an excess of harmony and a too great volume of sound. On the
+same principle, a loud crash of thunder deafens and terrifies; but its
+low and distant rumbling produces an agreeable emotion of sublimity.
+<p>
+The songs of birds are as intimately allied with poetry as with
+music. The lark has been aptly denominated a "feathered lyric" by one
+of the English poets; and the analogy becomes apparent when we
+consider how much the song of a bird resembles a lyrical ballad in its
+influence on the mind. Though it utters no words, how plainly it
+suggests a long train of agreeable images of love, beauty, friendship,
+and home! When a young person has suffered any severe wound of the
+affections, he seldom fails, if endowed with a sensitive mind, to
+listen to the birds as sharers in his affliction. Through them the
+deities of the groves seem to offer him their consolation. By
+indulging this habit of making companionship with the objects of
+Nature, all pleasing sights and sounds gradually become certain
+anodynes for his sorrow; and those who have this mental alembic for
+turning grief into a poetic melancholy can seldom be reduced to a
+state of absolute despondency. Poetry, or rather the poetic sentiment,
+exalts all our pleasures and soothes all our afflictions by some
+illusive charm, whether it be turned into the channel of religion or
+romance. Without this reflection of light from the imagination, what
+is the passion of love? and what is our love of beauty and of sweet
+sounds, but a mere gravitation?
+<p>
+The voice of every singing-bird has its associations in the minds of
+all susceptible persons who were born and nurtured within the
+precincts of its untutored minstrelsy. The music of birds is
+modulated in pleasant unison with all the chords of affection and
+imagination, filling the soul with a lively consciousness of happiness
+and beauty, and soothing it with romantic visions of memory,--of love,
+when it was an ethereal sentiment of adoration and not a passion, and
+of friendship, when it was a passion and not an expedience,--of dear
+and simple adventures, and of comrades who had part in them,--of
+dappled mornings, and serene and glowing sunsets,--of sequestered
+nooks and mossy seats in the old wood,--of paths by the riverside, and
+flowers that smiled a bright welcome to our rambling,--of lingering
+departures from home, and of old by-ways, overshadowed by trees and
+hedged with roses and viburnums, that spread their shade and their
+perfume around our path to gladden our return. By this pleasant
+instrumentality has Nature provided for the happiness of those who
+have learned to be delighted with the survey of her works, and with
+the sound of those voices which she has appointed to communicate to
+the human soul the joys of her inferior creation.
+<p>
+The singing-birds, with reference to their songs, may be divided into
+four classes. First, the Rapid Singers, whose song is uninterrupted,
+of considerable length, and uttered with fervor, and in apparent
+ecstasy. Second, the Moderate Singers, whose notes are slowly
+modulated, but without pauses or rests between their different
+strains. Third, the Interrupted Singers, who seldom modulate their
+notes with rapidity, and make decided pauses between their several
+strains, of which there are in general from five to eight or
+nine. Fourth, the Warblers, whose notes consist of only one or two
+strains, not combined into a song.
+<p>
+The canary, among foreign birds, and the linnet and bobolink, among
+American birds, are familiar examples of the first class; the common
+robin and the veery of the second; the wood-thrush, the cat-bird, and
+the mocking-bird, of the third; and the blue-bird, the pewee, and the
+purple martin, of the fourth class. It may be added, that some birds
+are nearly periodical in their habits of singing, preferring the
+morning and evening, and occasional periods in other parts of the day,
+while others sing almost indifferently at all hours. The greater
+number of species, however, are more tuneful in the early morning than
+at any other hour.
+<p>
+June, in this part of the world, is the most vocal month of the
+year. Many of our principal songsters do not arrive until near the
+middle of May; and all, whether they come early or late, continue in
+song throughout the month of June. The bobolink, which is one of the
+first to become silent, continues vocal until the second week in
+July. So nearly simultaneous is the discontinuance of the songs of
+this species, that it might seem as if their silence were
+preconcerted, and that by a vote they had, on a certain day, adjourned
+over to another year. If an unusually genial day occurs about the
+seventh of July, we may hear multitudes of them singing merrily on
+that occasion. Should this time be followed by two or three
+successive days of chilly and rainy weather, their tunefulness is so
+generally brought to a close during this period, that we may not hear
+another musical note from a single individual after the seventh. The
+songs of birds are discontinued as soon as their amorous dalliances
+and the care of their offspring have ceased. Hence those birds that
+raise but one brood of young during the season, like the bobolink, are
+the first to become silent.
+<p>
+No one of the New England birds is an autumnal warbler; though the
+song-sparrow often greets the fine mornings in October with his lays,
+and the shore-lark, after spending the summer in Labrador and about
+the shores of Hudson's Bay, is sometimes heard in autumn, soaring and
+singing at the dawn of day, while on his passage to the South. The
+bobolink, the veery, or Wilson's thrush, the red thrush, and the
+golden robin, are silent after the middle of July; the wood-thrush,
+the cat-bird, and the common robin, not until a month later; but the
+song-sparrow alone continues to sing throughout the summer. The
+tuneful season of the year, in New England, embraces a period of about
+four months, from the middle of April to the middle of August.
+<p>
+There are certain times of the day, as well as certain seasons of the
+year, when the birds are most musical. The grand concert of the
+feathered tribe takes place during the hour between dawn and sunrise.
+During the remainder of the day they sing less in concert, though many
+species are very musical at noonday, and seem, like the nocturnal
+birds, to prefer the hour when others are silent. At sunset there is an
+apparent attempt to unite once more in chorus, but this is far from
+being so loud or so general as in the morning. The little birds which
+I have classed in the fourth division are a very important
+accompaniment to the anthem of dawn, their notes, though short,
+serving agreeably to fill up the pauses made by the other
+musicians. Thus, the hair-bird (<i>Fringilla Socialis</i>) has a sharp
+and trilling note, without any modulation, and not at all melodious,
+when heard alone; but in the morning it is the chief harmonizer of the
+whole chorus, and serves, more than any other voice, to give unity and
+symphony to the multitude of miscellaneous parts.
+<p>
+There are not many birds whose notes could be accurately described
+upon the gamut. The nearest approach we can make to accuracy is to
+give some general idea of their time and modulation. Their musical
+intervals can be distinguished but with difficulty, on account of the
+rapidity of their utterance. I have often attempted to transcribe some
+of their notes upon the musical scale, but I am persuaded that such
+sketches can be only approximations to literal correctness. As
+different individuals of the same species sing very differently, the
+notes, as transcribed from the song of one individual, will never
+exactly represent the song of another. If we listen attentively,
+however, to a number of songs, we shall detect in all of them a
+<i>theme</i>, as it is termed by musicians, of which the different
+individuals of the species warble their respective variations. Every
+song is, technically speaking, a <i>fantasia</i> constructed upon this
+theme, from which none of the species ever departs.
+<p>
+It is very generally believed that the singing-birds are confined to
+temperate latitudes, and that the tropical birds have not the gift of
+song. That this is an error is apparent from the testimony of
+travellers, who speak of the birds in the Sandwich Islands and New
+Zealand as singing delightfully, and some fine songsters are
+occasionally imported in cages from tropical climates. The origin of
+this notion may be explained in several ways. It is worthy of notice
+that within the tropics the singing season of different species of
+birds does not occur at the same time. One species may be musical in
+the spring, another in summer, and others in autumn and winter. When
+one species, therefore, has begun to sing, another has ceased, so
+that, at whatever time of the year the traveller stops, he hears but
+few birds engaged in song.
+<p>
+In the temperate latitudes, on the contrary, as soon as the birds
+arrive, they commence building their nests, and become musical at the
+same time. If a stranger from a tropical climate should arrive in this
+country in the spring, and remain here during the months of May and
+June, he would hear more birds singing together than he ever heard at
+once in his own clime; but were he to arrive about the middle of July,
+when the greater number of our birds have discontinued their songs, he
+would probably, if he knew the reputation of the Northern birds,
+marvel a little at their silence. If there are as many birds singing
+at one time during the whole year, in the hot climates, as we hear in
+this country in the latter half of summer, the greater average would
+appear to be on the side of the former.
+<p>
+It may also be remarked, that the singing-birds of the tropics are not
+so well known as those of temperate latitudes which are inhabited by
+civilized men. The savages and barbarians, who are the principal
+inhabitants of hot countries, are seldom observant of the habits or
+the voices of the singing-birds. A musician of the feathered race, as
+well as a harpist or violinist, must have an appreciating audience, or
+his powers can never be made known to the world. But even with the
+same audience, the tropical singing-birds would probably be less
+esteemed than songsters of equal merit in the temperate latitudes;
+for, amid the stridulous and deafening sounds made by the insects in
+warm climates, the notes of birds would be scarcely audible.
+<p>
+We are still inclined to believe, however, that there is a larger
+proportion of musical birds in the temperate than in the torrid zone,
+because in the former region there are more of those species that
+build low and live among the grass and shrubbery, and it is well known
+that the singing-birds are mostly of the latter description. In warm
+climates the vegetation consists chiefly of trees and tall vines,
+forming together an umbrageous canopy overhead, with but a scanty
+undergrowth. In temperate latitudes the shrubbery predominates,
+especially in the most northerly parts. Moreover, the grasses that
+furnish by their seeds a great proportion of the food of the smaller
+birds are almost entirely wanting in the torrid zone.
+<p>
+The birds that live in trees are remarkable for their brilliant
+plumage; those that live upon the ground and in the shrubbery are
+plainly dressed. This is a provision of Nature for their protection,
+as the ground-birds must have a predominance of tints that resemble
+the general hues of the surface of the earth. I do not know a single
+brightly-plumed bird that nestles upon the ground, unless the bobolink
+may be considered an exception. They are almost invariably colored
+like sparrows. The birds that inhabit the trees, on the other hand,
+need less of this protection, though the females are commonly of an
+olive or greenish yellow, which harmonizes with the general hue of the
+foliage, and screens them from observation, while sitting upon the
+nest. The male, on the contrary, who seldom sits upon the nest,
+requires a plumage that will render him conspicuous to the female and
+to the young, after they have left their nest. It is remarkable, that
+Nature, in all cases in which she has created a difference in the
+plumage of the male and female, has used the hues of their plumage
+only for the protection of the mother and the young, for whose
+advantage she has dressed the male parent in colors that must somewhat
+endanger his own safety.
+<p>
+The color of the plumage of birds seems to bear less relation to their
+powers of song than to their habitats; and as the birds that live in
+trees are commonly less tuneful, they are more brilliantly arrayed.
+The bird employs his song in wooing his mate, as well as in
+entertaining her after she is wedded; and it is not unlikely that
+Nature may have compensated those which are deficient in song by
+giving them a superior beauty of plumage. As the offices of courtship
+devolve entirely upon the males, it is the more necessary that they
+should be possessed of conspicuous attractions; but as the task of
+sitting upon the nest devolves upon the female, she requires more of
+that protection which arises from the conformity of her plumage with
+the general hue of the objects that surround her nest. While she is
+sitting, the plain hues of her dress protect her from observation; but
+when she leaves her nest to seek her companion, she is enabled by his
+brilliant colors the more easily to discover him. The male is diligent
+in providing for the wants of the offspring, and hence it is important
+that his dress should render him conspicuous. When the young birds
+have left the nest, upon seeing the flash of his plumage, they
+immediately utter their call, and by this note, which might not
+otherwise be sounded at the right moment, he detects them and supplies
+them with food. Should a bird of prey suddenly come into their
+neighborhood, he overlooks the plainly-dressed mother and off-spring,
+and gives chase to the male parent, who not only escapes, but at the
+same time diverts the attention of the foe from his defenceless
+progeny.
+<p>
+But the birds that build low, either upon the ground or among the
+shrubbery, are exposed to a greater number and variety of
+enemies. Hence it becomes necessary that the males as well as the
+females should have that protection which is afforded by sobriety of
+color. Not being made conspicuous by their plumage, they are endowed
+with the gift of song, that they may make known their presence to
+their mate and their young by their voice. I have often thought that
+the song of the bird was designed by Nature for the benefit of the
+young, no less than for the entertainment of his mate. The sounds
+uttered by birds on account of their young always precede the period
+of incubation. The common hen begins to cluck several days before she
+begins to sit upon her eggs. In like manner the male singing-bird
+commences his song when the pair are making ready to build their
+nest. While his mate is sitting, his song reminds her of his presence,
+and inspires her with a feeling of security and content, during the
+period of her confinement. As soon as the young are hatched, they
+begin to learn his voice and grow accustomed to it, and when they fly
+from the nest they are prevented by the sound of it from wandering and
+getting bewildered. If they happen to fly beyond certain bounds, the
+song of the male parent warns them of their distance, and causes them
+to turn and draw near the place from which it seems to issue. Thus the
+song of the male bird, always uttered within a certain circumference,
+of which the nest is the centre, becomes a kind of sentinel voice, to
+keep the young birds within prudent limits.
+<p>
+It is not easy to explain why a larger proportion of the birds that
+occupy trees should be destitute of song, except on the supposition
+that in such elevated situations the young are more easily guided by
+sight than by hearing. Still there are many songsters which are
+dressed in brilliant plumage, and of these we have some examples among
+our native birds. These, however, are evident exceptions to the
+general fact, and we may trace a plain analogy in this respect between
+birds and insects. The musical insects are, we believe, invariably
+destitute of brilliant plumage. Butterflies and moths do not sing; the
+music of insects comes chiefly from the plainly-dressed locust and
+grasshopper tribes.
+
+<br><br><br>
+
+<br><br><br>
+
+<center>
+<h2>
+<a name="5">OUR TALKS WITH UNCLE JOHN</a>.
+</h2>
+<h3>
+TALK NUMBER ONE.
+</h3>
+</center>
+<br>
+<p>
+We were happy children, Alice and I, when, on Alice's sixteenth
+birthday, we persuaded our father, the most indulgent parent in
+Cincinnati, that there was no need of our going to school any longer;
+not that our education was finished,--we did not even put up such a
+preposterous plea as that,--but because Mrs. C. did not intend to send
+Laura, and we did not believe any of our set of girls would go back
+after the holidays.
+<p>
+There is no being so facile as an American father, especially where
+his daughters are concerned; and our dear father was no exception to
+the general rule. So our school education was finished. For the
+rest, for the real education of our minds and hearts, we took care of
+ourselves.
+<p>
+How could it be otherwise? Our father, a leading merchant in
+Cincinnati, spent his days in his counting-room, and his evenings
+buried in his newspapers or in his business calculations, on the
+absorbing nature of which we had learned to build with such certainty,
+that, when his consent was necessary to some scheme of pleasure, we
+preferred our requests with such a nice adjustment of time, that the
+answer generally was, "January 3d,--two thousand bales,--yes, my
+dear,--and twelve are sixteen,--yes, Alice, don't bother me, child!"
+and, armed with that unconscious assent, we sought our mother.
+<p>
+"Papa says that we may go. Do you think, mamma, that Miss D. can have
+our dresses in time?"
+<p>
+Our dear mother, most faithful and indefatigable in her care for our
+bodily wants, what time had she for aught else? With feeble health,
+with poor servants, with a large house crowded with fine furniture,
+and with the claims of a numerous calling and party-giving
+acquaintance,--claims which both my father and herself imagined his
+business and her social position made imperative,--what could she do
+more than to see that our innumerable white skirts were properly
+tucked, embroidered, washed, and starched, that our party dresses were
+equal to those which Mrs. C. and Mrs. D. provided for their girls, and
+that our bonnets were fashionable enough for Fourth Street? Could she
+find time for anything more? Yes,--on our bodily ailments she always
+found time to bestow motherly care, watchfulness, and sympathy; of our
+mental ills she knew nothing.
+<p>
+So we cared for ourselves, Alice and I, through those merry,
+thoughtless two years that followed,--merry (not happy) in our
+Fourth-Street promenades, our Saturday-afternoon assignations at the
+dancing-school rooms, our parties and picnics; and merry still, but
+thoughtless always, in our eager search for excitement in the novels,
+whose perusal was our only literary enjoyment.
+<p>
+Somehow we woke up,--somehow we groped our way out of our
+frivolity. First came weariness, then impatience, and last a
+passing-away of all things old and a putting-on of things new.
+<p>
+I remember well the day when Alice first spoke out her unrest. My
+pretty Alice! I see her now, as she flung herself across the foot of
+the bed, and, her chin on her hand, watched me combing and parting my
+hair. I see again those soft, dark brown eyes, so deep in their liquid
+beauty that you lost yourself gazing down into them; again I see
+falling around her that wealth of auburn hair of the true Titian
+color, the smooth, low forehead, and the ripe, red lips, whose
+mobility lent such varying expression to her face.
+<p>
+At that moment the eyes drooped and the lips trembled with weariness.
+<p>
+"Must we go to that tiresome party, Kate? We have been to three this
+week; they are all alike."
+<p>
+I looked at her. "Are you in earnest? will you stay at home? I know I
+shall be tired to death; but what will Laura C. say? what will all
+the girls think?"
+<p>
+Alice raised herself on her elbow. "Kate, I don't believe it is any
+matter what they think. Do we really care for any of them, except to
+wish them well? and we can wish them well without being with them all
+the time. Do you know, Kate, I have been tired to death of all this
+for these three months? It was very well at first, when we first left
+school; parties were pleasant enough then, but now"--and Alice sprang
+from the bed and seated herself in a low chair at my feet, as, glowing
+and eager, she went on, her face lighting with her rapid
+speech,--"Kate, I have thought it over and over again, this tiresome,
+useless life; it wears me out, and I mean to change it. You know we
+may do just as we please; neither papa nor mamma will care. I shall stay
+at home."
+<p>
+"But what will people say?" I put in, feebly.
+<p>
+Alice's eyes flashed. "You know, Kate, I don't care for 'people,' as
+you call them. I only know that I am utterly weary of this petty
+visiting and gossiping, this round of parties, concerts, and lectures,
+where we meet the same faces. There is no harm in it that I know of,
+but it is simply so stupid. If we met new people, it would be
+something; but the same girls, the same beaux."
+<p>
+"And George W. and Henry B., what will they do for partners to-night?
+what will become of them?"
+<p>
+Alice put up her lip. "They will console themselves with Laura C. and
+those Kentucky girls from Louisville. For my part, I shall put on my
+walking-dress, and go over the river to spend the evening with Uncle
+John, and, what is more, I shall ask mamma to let me stay two or three
+days." And, suiting the action to the word, she began to dress
+hurriedly.
+<p>
+"You will surely never go without me, Alice?"
+<p>
+"You will never stay behind, if I do go, Kate," said she, looking back
+at me laughingly. "But make haste, I shall gain mamma over in five
+minutes; and we must be quick, if we are to reach Uncle John's before
+tea-time."
+<p>
+Uncle John,--even now that long years have passed, so long that it
+seems to me as if I had gone into another state of existence, as if I
+were not the same person as in those times,--even now the thought of
+him makes my heart beat quick and the blood thrill more rapidly
+through my veins. He was the delight of my childhood; far better, he
+was the comfort and support of my after years. Even as a child, I
+knew, knew by some intuitive perception, that Uncle John was not
+happy. How soon I learned that he was a disappointed man I cannot
+tell; but long before I grew up into womanhood I was conscious that he
+had made some mistake in life, that some cloud hung over him. I never
+asked, I never talked on the subject, even to Alice; there was always
+an understanding between us that we should be silent about that which
+each of us felt with all the certainty of knowledge.
+<p>
+But if Uncle John was unhappy himself, who was there that he did not
+make happy? No one who came near him,--from his nieces whom he petted
+and spoiled, down to the little negroes who rolled, unrebuked, over
+the grass before his window in summer, or woke him on a Christmas
+morning with their shrill "Christmas gift, Massa John!" Not that Uncle
+John was a busybody, troubling himself about many things, and seeking
+out occasions for obtruding his kindnesses. He lived so secluded a
+life in the old family-house on the outskirts of Newport, (we were a
+Kentucky family,) as to raise the gossiping curiosity of all new
+residents, and to call forth the explanatory remark from the old
+settlers, that the Delanos were all queer people, but John Delano was
+the queerest of them all.
+<p>
+So Uncle John spent his time between his library and his garden, while
+Old Aunt Molly took upon herself the cares of the household, and kept
+the pantry always in a condition to welcome the guests, to whom, with
+Kentucky hospitality, Uncle John's house was always open. Courteous he
+was as the finest gentleman of olden times, and sincerely glad to see
+his friends, but I have thought sometimes that he was equally glad to
+have them go away. While they were with him he gave them the truest
+welcome, leaving garden and books to devote himself to their
+entertainment; but I have detected a look of relief on his face as he
+shut the gate upon them and sought the shelter of his own little
+study, that sanctum which even we children were not allowed to enter
+except on special occasions, on a quiet winter evening, or, perhaps,
+on as quiet a summer morning.
+<p>
+Uncle John had not always lived in the old house. We knew, that, after
+Grandpapa's death, it had been shut up,--for my father's business
+engagements would not allow my mother to reside in it, and Uncle John
+had been for years among the Indians in the far Northwest. We had
+heard of him sometimes, but we had never seen him, we hardly realized
+that he was a living person, till one day he suddenly appeared among
+us, rough-looking and uncouth in his hunter's dress, with his heavy
+beard and his long hair, bringing with him his multifarious
+assortment, so charming to our eyes, of buffalo-robes and elk-horns,
+wolf-skins and Indian moccasins.
+<p>
+He staid with us that winter, and very merry and happy he seemed to us
+at first;--looking back upon it now, I should call it, not happiness,
+but excitement;--but as the winter passed on, even we children saw
+that all was not right with him. He gradually withdrew himself from
+the constant whirl of society in our house, and, by the spring, had
+settled himself in the old home at Newport, adding to his old
+furniture only his books, which he had been all winter collecting, and
+the primitive <i>in</i>conveniences of his own room, which his rough
+Western life had rendered indispensable to him. His study presented a
+singular mixture of civilization and barbarism, and its very
+peculiarities made it a delight to Alice and me. There were a few rare
+engravings on the walls, hung between enormous antlers which supported
+rough-looking rifles and uncouth hunting-shirts,--cases of elegantly
+bound and valuable books, half hidden by heavy buffalo-robes marked
+all over with strange-looking hieroglyphics which told the Indian
+<i>coups</i>,--study-chairs of the most elaborate manufacture, with
+levers and screws to incline them to any, the idlest, inclination,
+over the backs of which hung white wolf-skins, mounted, claws and all,
+with brilliant red cloth,--and in the corner, on the pretty Brussels
+carpet, the prettiest that mamma could find at Shellito's, lay the bag
+of Indian weed (Uncle John scorned tobacco) with which he filled his
+pipe every evening, and the moccasins which he always wore when at
+home.
+<p>
+In vain did Alice and I spend our eyesight in embroidering slippers
+for him; our Christmas gifts were received with a kiss or a stroke of
+the head, and then put into Aunt Molly's hands to be taken care of,
+while he still wore the rough moccasins, made far up among the
+Blackfoot Indians, which he laughingly declared were warmer, cooler,
+softer, and stronger than any slippers or boots that civilized
+shoemaker ever turned off his last.
+<p>
+Quiet as it was at the old house, it had always been a source of
+happiness to us to be allowed to make a visit to Uncle John. There,
+if that were possible, we did more as we pleased than even at home;
+there were not even the conventionalities of society to restrain us;
+we were in the country, comparatively. And who like Uncle John knew
+what real country pleasures were? who like him could provide for every
+contingency? who was so full of expedients in those happy gypsying
+expeditions which we would entice him into, and which sometimes lasted
+for days, nay, weeks? He would mount Alice and myself on two of his
+sure-footed little Indian ponies, with which his trader friends always
+kept him supplied; and throwing a pair of saddle-bags, filled with
+what he called our woman's traps, over his own, he would start with us
+for a trip across the country for miles, stopping at the farm-houses
+at night, laughing us out of our conventional notions about the
+conveniences of lodging, and so forth,--and camping out during the
+day, making what we called a continuous picnic. And then the stories
+he would tell us of his adventures among the Blackfeet,--of his
+trading expeditions,--his being taken prisoner by the Sioux,--his life
+in the forts,--till Alice would creep nearer to him in her nervous
+excitement, as if to be sure that he was really with her, and then beg
+him to go on and tell us something more. Once I asked him how he
+happened to go out among the Indians. His face darkened,--"My little
+Kate, you must not ask questions,"--and as I turned to Alice, her eyes
+were full of tears. She had been looking at him while I spoke, and she
+told me afterwards that something about Uncle John's lips made her
+cry, they quivered so, and were set afterwards so tight. We never
+asked him that question again.
+<p>
+But the ferry-boat, "The Belle of Newport," has neared the landing
+while I have been introducing Uncle John, and the soft summer twilight
+saw us wending our way through the town towards the Kentucky hills,
+whose rounded outlines were still bright with the evening red. Just
+on the rise of the nearest was the Old House,--for it went with us by
+no other name,--and at the garden-gate stood Uncle John, his face
+brightening as he saw us, while behind him a row of eager faces showed
+their wide-stretched mouths and white teeth.
+<p>
+"Come to spend two or three days, Alice?" said Uncle John, that
+evening, as we sat with shaded lamp in the study, his moccasined feet
+resting on the window-seat, while he sank into the depths of his
+leather-covered Spanish chair. "Why, what has become of the parties
+that Aunt Molly heard about in your kitchen on her way to market
+yesterday? Where are all our handsome young students that were coming
+home for the holidays? Remember, I'll have none of them following you
+over here, and disarranging my books by way of showing off their
+knowledge."
+<p>
+Alice laughed. "Not a soul knows where we are, Uncle John, except
+mamma, and she promised not to tell. Laura C. has a party to-night,
+and she will be provoked enough at our running away; but the truth
+is,----well, Uncle John, I am tired of parties; indeed, I am tired of
+our way of living, and--and Kate and I thought we would come and ask
+you what we ought to do about it."
+<p>
+Uncle John puckered up his face with a comical expression, and then,
+looking out of the window, whistled the Indian buffalo-call.
+<p>
+Alice sprung up. "Don't whistle that provoking thing, Uncle John!
+Indeed, I am thoroughly in earnest,--parties are so tiresome,--all
+exactly alike; we always see the same people, or the same sort of
+people. There is nothing about them worth having, except the dancing;
+and even that is not as good as a scamper over the hills with you and
+the ponies. You know we have been going to parties for these two
+years; we have seen so much of society, no wonder we are tired of it."
+<p>
+"Sit down, Alice," said Uncle John; "you do look really in earnest, so
+I suppose you must not be whistled at. And you have come all the way
+over here this evening to get me to solve Life's problem for you? My
+dear, I cannot work it out for myself. You are 'tired of society'?
+Why, little one, you have not seen society yet. Suppose I could put
+you down to-night in the midst of some European court,--could show you
+men whose courage, wit, or learning had made them world-famous,--women
+whose beauty, grace, and cultivation brought those world-famous men to
+their side, and who held them there by the fascination that
+high-breeding knows how to use. Should you talk of sameness then?"
+<p>
+Alice's eyes sparkled for a moment, then she said,--
+<p>
+"Yes, I should tire even of that, after a while, glorious as it would
+be at first."
+<p>
+"Have you reached such sublime heights of philosophy already? Then,
+perhaps, I shall not seem to be talking nonsense, when I tell you that
+there is nothing in the world of which you would not tire after the
+first joy of possession was over, no position which would not seem
+monotonous. You do not believe me? Of course not. We all buy our own
+experience in life; on one of two rocks we split: either we do not
+want a thing after we have got it, or we do not get it till we no
+longer want it. Some of us suffer shipwreck both ways. But, Alice, you
+must find that out for yourself."
+<p>
+"Can we not profit by each other's mistakes, Uncle?"
+<p>
+"No, child. To what purpose should I show you the breakers where my
+vessel struck? Do you suppose you will steer exactly in my path? But
+what soberness is this? you are not among breakers yet; you are simply
+'tired of living';" and Uncle John's smile was too genial to be called
+satirical.
+<p>
+"Tired of not living, I think," replied Alice,--"tired of doing
+nothing, of having nothing to do. The girls, Laura and the rest of
+them, find so much excitement in what seems to me so stupid!"
+<p>
+"You are not exactly like 'Laura and the rest of them,' I fancy, my
+dear, and what suits them is rather too tame for you. But what do you
+propose to do with yourself now that you are beginning to live?"
+<p>
+"Now you are laughing at me, Uncle, and you will laugh more when I
+tell you that I mean to study and to make Kate study with me."
+<p>
+"Poor Kate!--if you should fancy swimming, shooting, or any other
+unheard-of pursuit, Kate would be obliged to swim and shoot with
+you. But I will not laugh any more. Study, if you will, Alice; you
+will learn fast enough, and, in this age of fast-advancing
+civilization, when the chances of eligible matrimony for young ladies
+in your station are yearly becoming less and less,--oh, you need not
+put up your lip and peep into my bachelor's shaving-glass!--let me
+tell you that a literary taste is a recourse not to be despised. Of
+course you will study now to astonish me, or to surprise your young
+friends, or for some other equally wise reason; but the time may come
+when literature will be its own exceeding great reward."
+<p>
+"Uncle, answer me one thing,--are you as happy here in your quiet
+study as you were in your exciting life among the Indians? Do you not
+tire of this everyday sameness?"
+<p>
+"Close questioning, Alice, but I will answer you truly. Other things
+being equal, I confess to you that the Indian life was the more
+monotonous of the two. I look back now on my twenty years of savage
+life and see nothing to vary its dreary sameness; the dangers were
+always alike, the excitements always the same, and the rest was a dead
+blank. The whole twenty years might be comprised in four words,--we
+fought, we hunted, we eat, we slept. No, there is no monotony like
+that,--no life so stupid as that of the savage, with his low wants and
+his narrow hopes and fears. My life here among my books, which seems
+to you so tame, is excitement itself compared with that. Your
+stupidest party is full of life, intelligence, wit, when put beside an
+Indian powwow. There is but one charm in that wandering life,
+Alice,--the free intercourse with Nature; <i>that</i> never tires; but
+then you must remember that to enjoy it you must be cultivated up to
+it. There needs all the teaching of civilization, nay, the education
+of life, to enjoy Nature truly. These quiet hills, these beech
+forests, are more to me now than Niagara was at eighteen; and Niagara
+itself, which raises the poet above the earth, falls tame on the mind
+of the savage. Believe one who knows,--the man of civilization who
+goes back to the savage state throws away his life; his very mind
+becomes, like the dyer's hand, 'subdued to what it works in.'
+<p>
+"But I am going out of your depth again, girls," continued he, looking
+at our wondering, half-puzzled faces. "Let it go, Alice; Life is a
+problem too hard for you to solve as yet; perhaps it will solve
+itself. Meantime, we will brighten ourselves up to-morrow by a good
+scamper over the hills, and, the next day, if your fancy for study
+still holds, we will plan out some hard work, and I will show you what
+real study is. Now go to bed; but see first that Aunt Molly has her
+sandwiches and gingerbread ready for the morning."
+<p>
+<h3>
+TALK NUMBER TWO.
+</h3>
+<p>
+Uncle John was well qualified to show us what real study was, for in
+his early youth he had read hard and long to fit himself for a
+literary life. What had changed his course and driven him to the far
+West we did not know, but since his return he had brought the
+perseverance and judgment of middle life to the studies of his youth,
+and in his last ten years of leisure had made himself that rarest of
+things among Americans, a scholar, one worthy of the name.
+<p>
+Under his guidance our studies took life, and Alice threw herself into
+them with all the energy of her nature. In vain papa pished and
+pshawed, and mamma grieved, and begged John not to spoil the girls by
+making bookworms of them; in vain "Laura C. and the rest of them"
+entreated us to join this picnic or show ourselves at that party; in
+vain the young men professed themselves afraid of us, and the girls
+tossed their heads and called us blue-stockings. Alice's answer to all
+was, "I like studying; it is a great deal more entertaining than going
+to parties; Uncle John's study is pleasanter than Mrs. C.'s parlor,
+and a ride on his little Winnebago better fun than dancing." And so
+the years went on. We were not out of society,--that could not be in
+our house,--but our associates changed; young men of a higher standing
+frequented the house; we knew intimately the cultivated women, to
+whom, before, we had simply bowed at parties; and mamma and papa grew
+quite satisfied.
+<p>
+Not so Alice; the spirit of unrest was on her again, but this time it
+was not because of the weariness of life, but that she was oppressed
+by the fulness of her own happiness. She had waked up to life in
+waking up to love, and had poured out on Herbert B. the whole wealth
+of her heart. There was everything in her engagement to satisfy her
+friends, everything to gratify papa and mamma; and if I sometimes
+thought Herbert's too feeble a nature to guide hers, or if Uncle John
+sometimes talked with or listened to him as if he were measuring his
+depth and then went away with an anxious expression of face, who shall
+say how much of selfishness influenced us both? for was he not to take
+from us the pet and pride of our lives?
+<p>
+They were to be married in a few weeks, on Alice's twentieth birthday,
+and then leave for New York, where Herbert was connected in business
+with his father.
+<p>
+It was on a gloomy December afternoon that Alice came running up to
+our room, where I was reading my Italian lesson, and exclaimed,--
+<p>
+"Quick, Kate! put away those stupid books, and let us go over to Uncle
+John's for the night."
+<p>
+"Where is Herbert?"
+<p>
+"Herbert? Nonsense! I have sent him off with orders not to look for me
+again till to-morrow, and to-night I mean to pretend that there is no
+Herbert in the world. Perhaps this will be my last talk with Uncle
+John."
+<p>
+We walked quickly through the streets, shrouded in the dark
+winter-afternoon atmosphere heavy with coal-smoke, the houses on each
+side dripping with the fog-drops and looking dirty and cheerless with
+the black streaks running from the corners of each window, like tears
+down the face of some chimney-sweep or coal-boy, till, reaching the
+foot of Ludlow Street, we stood ankle-deep in mud, waiting for the
+little steamer, which still ploughed its way through the dark,
+sullen-looking water thick with the red mud which the late rise had
+brought down, and with here and there heavy pieces of ice floating by.
+<p>
+"Uncle John will never expect us to-night, Alice."
+<p>
+"I cannot help it,--I must go; for I shall never be satisfied without
+one good talk with him before I leave, and Herbert will never spare me
+another evening. Besides, Uncle John will be only too glad to see us
+in this suicidal weather, as he will call it." And she sprang upon the
+boat, laughing at my woebegone face.
+<p>
+"You are glad to see us here, Uncle John,--glad we came in spite of
+the fog, and sleet, and ice, and Kate's long face. How anybody can
+have a long face because of the weather, I cannot understand,--or,
+indeed, why there should be long faces at all in the world, when
+everything is so gloriously full of life."
+<p>
+"How many years is it, Alice,--three, I think,--since you were tired
+of living, found life so wearisome?"
+<p>
+"Yes, just about three years since Kate and I ran away from Laura C.'s
+party and came over here to ask you to help us out of our stupidity. I
+remember it all,--how you puzzled me by telling me that every position
+in life had its sameness. Ah, Uncle John, you forgot one thing when
+you told me that nothing satisfied us in this world." And Alice looked
+up from her little stool, where she sat before the fire at Uncle
+John's feet, with the flush of deep feeling coloring her cheeks and
+the dewy light of happiness in her eyes.
+<p>
+"And that one thing, Alice?"
+<p>
+"You are lying in wait for my answer, to give it that smile that I
+hate,--it is so unbelieving and so sad; I will not have you wear it on
+your face to-night, Uncle John. You cannot, if I speak my whole heart
+out. And why should I not, before you and Kate,--Kate, who is like my
+other self, and you, dear Uncle John, who, ever since the time we were
+talking about, have been so much to me? Do you know, I never told
+anybody before? but all you said that night never left me. I thought
+of it so much! Was it true that life was so dissatisfying? You who had
+tried so thoroughly, who had gone through such a life of adventure,
+had seemed to me really to live, was all as flat and unprofitable to
+you as one of our tiresome parties or morning calls? And something in
+my own heart told me it was true, something that haunted me all
+through my greatest enjoyments, through my studies that I took up
+then, and which have been to me, oh, Uncle John, so much more than
+ever I expected they would be! Yes, through all that I believed you,
+believed you till now, believed you till I knew Herbert."
+<p>
+"And has Herbert told you better?"
+<p>
+"Uncle John, you do not know how the whole of life is glorified for
+me,--glorified by his love. I do not deserve it; all I can do is to
+return it ten-fold; but this I know, that, while I keep it, there can
+be nothing tame or dull,--life, everything, is gilded by my own
+happiness."
+<p>
+"And if you lose it?"
+<p>
+The flush on her face fell. "I should be miserable!--I should not--no,
+I could not live any longer!"
+<p>
+"Alice," said Uncle John, his face losing its half-mocking smile with
+which he had been watching her eager countenance, "Alice, did you know
+that I had been married?"
+<p>
+We started. "Married? No. How was it, and when?"
+<p>
+"It is no matter now, my girls. Some time I may tell you about it. I
+should not have spoken of it now, but that I know my little Alice
+would not believe a word I am going to tell her, if she thought she
+was listening to an old bachelor's croakings. Now I can speak with
+authority. You think you could not live without Herbert's love? My
+dear, we can live without a great many things that we fancy
+indispensable. Nor is it so very easy to die. There comes many a time
+in life when it would seem quite according to the fitness of things,
+just the proper ending to the romance, to lie down and die; but,
+unfortunately, or rather fortunately, dying is a thing that we cannot
+do so just in the nick of time; and indeed"--and Uncle John's face
+assumed its strange smile, which seemed to take you, as it were,
+suddenly behind the scenes, to show you the wrong side of the
+tapestry,--"and indeed," he continued, "when I look back on the times
+in my life that I should have died, when it was fitting and proper to
+die, when I felt that dying would be such a trump card to play, if
+only I could manage it, I must say that I am glad now that it was
+beyond my power to arrange things according to the melodramatic
+rules. As it is, I am alive now. I shake my fist at all the ghosts of
+my departed tragedies and say, 'I am worth two of you. I am alive. I
+have all the chances of the future in my favor.'"
+<p>
+Here he caught sight of Alice's wide-opened eyes, and his smile
+changed into his own genial laugh, as he kissed her forehead and went
+on.
+<p>
+"That was a little aside, Alice, made to my other self, my
+metaphysical man,--not meant at all for my audience. I was meditating
+a lecture on the causes of conjugal happiness, but I seem to have
+stumbled upon a knot in the very first unwinding of the thread of my
+discourse."
+<p>
+"I'll listen to the lecture, Uncle, though I see but one simple and
+all-sufficient cause for my happiness."
+<p>
+"That Herbert loves you, ha? Know, my pretty neophyte, that happiness,
+married happiness especially, does not come from being loved, but from
+loving. What says our Coleridge?
+<blockquote>
+
+ "'For still the source, not fountain, gives<br>
+ The daily food on which Love lives.'
+</blockquote>
+<p>
+"And he is right, although you shake your curls. In most marriages, in
+all that are not matters of convenience, one party has a stronger
+heart, will, character, than the other. And that one loves the most
+from the very necessity of his nature, and, loving most, is the
+happier. The other falls, after a while, into a passive state, becomes
+the mere recipient of love, and finds his or her happiness in
+something else, or perhaps does not find it at all."
+<p>
+"Neither side would satisfy me, Uncle John; I hardly know which fate
+would be the more terrible. Do you think I would accept such a
+compromise in exchange for all I am living and feeling now? I would
+rather be miserable at once than so half-happy."
+<p>
+"But, my darling, Colin and Chloe cannot spend their whole lives
+singing madrigals and stringing daisies. It is not in human nature to
+support, for any length of time, such superhuman bliss. The time will
+come when Colin will find no more rhymes to 'dove,' and when Chloe
+will tire of hearing the same one. It is possible that Herbert will
+some time tire of reading Shelley to you,--nay, it is even possible
+that the time may come when you will tire of hearing him; it is of
+that time I would talk. The present is as perfectly satisfactory to me
+as to you and Herbert, though not exactly in the same degree."
+<p>
+"Well, Uncle, what is your advice to Chloe disillusioned,--if you
+insist that such a thing must be?"
+<p>
+"Simply this, my own dear little child," answered Uncle John, and his
+voice took almost a solemn tone in its deep tenderness,--"when that
+time comes, as come it must, do not worry your husband with idle
+regrets for the past; remember that the husband is not the lover;
+remember that your sex love through your imagination, and look always
+for that clothing and refining of passion with sentiment, which, with
+us, belong only to the poetry and chivalry of youthful ardor. We may
+love you as well afterward,--nay, we may love you a great deal
+better,--but we cannot take the trouble of telling you so every day;
+we expect you to believe it once for all; and you,--you like to hear
+it over and over again, and, not hearing it, you begin to fancy it no
+longer true, and fall to trying experiments on your happiness. A fatal
+error this, Alice. There is nothing that men so often enjoy as the
+simply being let alone; but not one woman in a hundred can be made to
+believe in such a strange enjoyment. Then the wife becomes
+<i>exigeante</i> and impatient, and the husband, after fruitless
+attempts to find out what he has done, never suspecting that the real
+trouble is what he has left undone, finds her unreasonable, and begins
+to harden himself to griefs which he classes, like Miss Edgeworth,
+under the head of 'Sorrows of my Lord Plumcake.'"
+<p>
+"Miserable fate of the nobler sex, Uncle,--disturbed, even in the
+sublime heights of philosophical self-possession, by the follies and
+unreasonablenesses of the weaker vessel! I suppose you allow men to
+live out their natures unrebuked, while women must live down theirs?"
+<p>
+"Not I, Alice,--but I am by nature a special pleader, and, just now, I
+am engaged on Herbert's side of the case. Fee me well, my darling, by
+a kiss or a merry look, and bring Herbert up to judgment, and I will
+tell him home truths too."
+<p>
+"Let me hear your argument for the other side, most subtile of
+reasoners, and I may, perhaps, be able to repeat them at second-hand,
+when occasion calls for them."
+<p>
+"Don't think of it, my dear! Second-hand arguments are like
+second-hand coffee,--the aroma and the strength have disappeared,
+never to be brought back again. But if the husband were really here,
+and the wife had paid well for properly-administered advice, I should
+say to him, 'Do not fancy that you have done everything for your wife
+when you have given her house, servants, and clothes; she really wants
+a little attention now and then. Try to turn your thoughts away from
+your more important affairs long enough to notice the pretty
+morning-wrapper or the well-fitting evening-dress which has cost her
+some thought for your sake; do not let a change in the furniture or a
+new ornament in the parlor go unnoticed till the bill comes in. And
+while, of course, you claim from her the most ready sympathy in all
+your interests and enthusiasms, give her, once in a great while, say
+every year or so, a little genuine interest in the housekeeping trials
+or dressmaker grievances that meet her at every turn.
+<p>
+"Moreover, I would recommend to you, should your wife happen to have
+some literary or artistic tastes, not to ignore them entirely because
+they do not pay so well as your counting-room accounts do, and are not
+so entertaining to you as billiards. I would even indulge her by
+sacrificing a whole evening to her, once in a while, even to the
+detriment of your own business or pleasure. Depend upon it, it will
+pay in the end."
+<p>
+"Now, Uncle, like Rosalind, you have simply misused your whole sex in
+your special pleadings, both for and against. If Herbert were here, I
+would appeal to him to know if the time can ever come when what I do
+can be uninteresting to him. But I know, for myself, that such a thing
+cannot be. You are not talking from your own experience, Uncle?"
+added she, suddenly looking up in his face.
+<p>
+"My dear Alice, were it possible, should it ever seem likely, that my
+experience might benefit you, how readily I would lay it open before
+you! But those who have lived their lives are like the prophets of
+old,--their words are believed only when they are fulfilled. The
+meaning of life is never understood till it is past. Like Moses on the
+rock, our faces are covered when the Lord passes by, and we see only
+his back. But look behind you, my darling!"
+<p>
+Alice turned suddenly and her face lighted up into the full beauty of
+happiness as she saw Herbert standing in the doorway.
+<p>
+"I hope you have room for me, Mr. Delano," said he, advancing, "for
+here I am, weather-bound, as well as Miss Alice and Kate. There is a
+drizzling rain falling out-of-doors, and your Kentucky roads are fast
+growing impassable for walkers."
+<p>
+Uncle John put into words the question that Alice's eyes had been
+asking so eagerly.
+<p>
+"Where did you stumble from, my dear fellow,--and at this time of
+night, too?"
+<p>
+"Why, I could not find any one at home on Fourth Street, so I took the
+last ferry-boat and came over, on a venture, to try the Kentucky
+hospitality, of which we New-Yorkers hear so much; and my stumbling
+walk through the mud made me so unpresentable, that I found the way
+round the house to Aunt Molly's premises, and left the tracks of my
+muddy boots all over her white kitchen, till she, in despair, provided
+me with a pair of your moccasins, and, shod in these shoes of silence,
+I came quietly in upon you. I do hope you are all glad to see me," he
+added, sitting down on the low seat that Alice had left, and looking
+up in her face as she stood by her uncle.
+<p>
+Alice shook her head with a pretty assumption of displeasure, as she
+said, "I told you I did not want to see you till to-morrow." But
+hardly half an hour had elapsed before she and Herbert had wandered
+off into the parlor, and Uncle John and I were left to watch them
+through the open door.
+<p>
+"If he were not so impulsive," said Uncle John, abruptly,--"if he were
+not so full of fancies! Kate, you are a wise and discreet little lady,
+and we understand each other. Did I say too much?"
+<p>
+Just then Alice looked back.
+<p>
+"Chloe is the one who sings madrigals to-night, Uncle; she is going to
+read Colin a lesson"; and, sitting down at the piano, she let her
+hands run over the keys and burst out joyously into that variation of
+Raleigh's pretty pastoral song,--
+<blockquote>
+
+ "Shepherd, what's Love? I prithee tell."<br>
+ "It is a fountain and a well,<br>
+ &nbsp;&nbsp;&nbsp;Where pleasure and repentance dwell;<br>
+ &nbsp;&nbsp;&nbsp;And this is Love, as I've heard tell:<br>
+ Repentance, repentance, repentance!"
+</blockquote>
+
+<h3>
+TALK NUMBER THREE.
+</h3>
+<p>
+Five years have passed since Alice sat at Uncle John's feet and
+listened to his words that gave lessons of wisdom while they seemed
+only to amuse; and now she sits again on the low stool, looking up in
+his face, while I stand behind him and look down on her, marking the
+changes that those years have wrought. She has come back to us, our
+own Alice still,--but how different from the impetuous, impulsive girl
+who left us five years ago! Her face has lost its early freshness,
+though it seems to me lovelier than before, in its matured, womanly
+expression; but her eyes, which used to be lifted so eagerly, to
+glance so rapidly in their varying expression, are now hidden by their
+lashes even when she is talking earnestly; her lips have lost their
+mobility, and have even something stern in their fixedness; whilst her
+hair, brought down smoothly over her forehead and twisted firmly in
+the low knot behind, and her close-fitting widow's dress add to the
+sobriety and almost matronliness of her appearance.
+<p>
+For Alice is a widow now, and has come back to us in her bereavement.
+We have known but little of her real self for some years, so guarded
+have been her letters; and not until the whole terrible truth burst
+upon us, did we do more than suspect that her married life had not
+brought the happiness she anticipated. She is talking freely now she
+is at home again among her own people.
+<p>
+"I have sometimes thought, Uncle John, that all you said to me, the
+last night I spent here, had some meaning deeper than met the ear. Had
+you second sight? Did you foresee the future? Or was there that in
+the present which foreshadowed it to you?"
+<p>
+"I am no prophet, Alice. I spoke only from what I knew of life, and
+from my knowledge of your character and Herbert's. But I am yet to
+know how my words have been fulfilled."
+<p>
+"It makes no difference now," said she, slowly, and with a touching
+weariness. "And yet," she added, rousing herself, "it would make all
+the difference in the world to me, if I could see clearly where it was
+that I was to blame. Certainly I must have done wrong; such
+wretchedness could not have come otherwise."
+<p>
+Uncle John drew her hand within his, while he answered calmly,--"It is
+very probable you have done wrong, my darling; who of us are wise and
+prudent, loving and forbearing, as we should be?"
+<p>
+"You think so? How glad I am to hear you say so! Yes, I can see it
+now; I can see how I did that very thing against which you warned
+me. First came the time when Herbert forgot to admire everything which
+I did and said, and I--I tried little pouting ways, that I did not
+feel. Then they were so successful, that I carried them too far, and
+Herbert did not pet me out of them. Then I grew anxious and began to
+guess at that truth which was only too clear to me at last, that he
+did not love me as I loved him. Next,--oh, Uncle John, how much I was
+to blame!--I watched every word and look, gave meanings to things that
+had none, asked explanations where Herbert had none to give, and
+fairly put him under such restraint that he could neither look nor act
+himself. He fretted under it,--who would not?--and then began the
+thousand excuses for being away from home, business engagements,
+club-meetings, some country-customers of the firm, who must be taken
+to the theatre, and, at last, no excuse at all but want of time. I
+knew then that his love for me had never been more than a passing
+fancy, and, woman-like, I grew proud, shut my heart up from him,
+buried myself in my books. I never studied before as I did then, Uncle
+John, for I studied to get away from myself, and, looking back, I
+wonder even now at what I accomplished. Yes, you were right, books are
+fast friends,--and mine would have brought me their own exceeding
+great reward, had not my spirit been so bitter.
+<p>
+"It was then that mamma was so sick and I came home. Did you think me
+wonderfully calm, Kate? I think somebody said I showed astonishing
+self-control; but, in truth, I was frightened at myself,--I had no
+feeling about anything, Mamma's sickness seemed something entirely
+removed from me, something which concerned me not in the least. I was
+calm because I felt nothing. I wondered then and wonder now that you
+did not find me out, for I knew how unlike I was to my former
+self. Then mamma got well, and I was not glad; I went back to New
+York, and felt no sorrow at parting with you all.
+<p>
+"But when I got back, oh, Uncle John, I was too late!--too late to do
+right, even had I wished it! I don't know,--I made good resolutions on
+my way back: Heaven knows if I should have had strength to put them in
+practice. But it was all over; not only had I lost Herbert, but he had
+lost himself. The first time I saw him he was not himself,--I might as
+well say it,--he was drunk.
+<p>
+"There is no need of going through the rest, Uncle,--you will not ask
+it. I think I did everything I could;--I threw away my books; I
+devoted myself to making his home pleasant to him; never, no, never,
+in my girlish days, did I take half the pains to please him that I did
+now to win him from himself. I read to him, I sang to him, I filled
+the house with people that I knew were to his taste, I dressed for
+him, I let myself be admired by others that he might feel proud of me,
+might think me more worthy of admiration,--but all to no
+purpose. Sometimes I hoped, but more often I despaired; his fall
+seemed to me fearfully rapid, though now the three years seem to have
+been interminable. At last I had no hope but that of concealing the
+truth from you all. You thought me churlish, Kate, in my answer to
+your proposal to spend last winter with me? My darling, I dared not
+have you in my house. But it is over now. I knew how that last
+horrible attack would end when I sent for papa. He had gone through
+two before that, and the doctor told me the third would be fatal. Poor
+Herbert!--Uncle John, can I ever forgive myself?"
+<p>
+Alice looked up with dry and burning eyes into Uncle John's face, over
+which the tears were streaming.
+<p>
+"My child, it is right that you should blame yourself. What sorrow do
+we meet in life that we do not in part bring upon ourselves? Who is
+there of us who is not wise after time? which of us has not made some
+fatal mistake?"
+<p>
+I felt half indignant that Uncle John did not tell her how much more
+to blame, how weak, how reckless Herbert had been; but the calmer
+expression which came over Alice's countenance showed me that he was
+right, that he best knew her heart. She could not now be just to
+herself; she was happier in being unjust.
+<p>
+We were still and silent for a long time. The light wood-fire on the
+hearth crackled and burned to ashes, but it had done its office in
+tempering the chill of the autumn evening, and through the half-open
+door stole the 'sweet decaying smell' of the fallen leaves, while the
+hush of an Indian-summer night seemed to calm our very hearts with its
+stillness.
+<p>
+Uncle John spoke at last. His voice was very gentle and subdued as he
+said:
+<p>
+"I told you once, Alice, that my life should be opened to you, if ever
+its errors could be either warning or consolation to you. But who am
+I, to judge what beacon-lights we may hold out to each other? There is
+as much egotism, sometimes, in silence as in the free speech which
+asks for sympathy. Perhaps I have been too proud to lay open my
+follies before you and my little Kate."
+<p>
+Alice looked up, with a touch of her old eagerness, as Uncle John went
+on.
+<p>
+"It was long before you were born, my dear, that, for some college
+peccadilloes,--it is so long ago that I have almost forgotten now what
+they were,--I was suspended (rusticated we called it) for a term, and
+advised by the grave and dignified president to spend my time in
+repenting and in keeping up with my class. I had no mind to come
+home; I had no wish, by my presence, to keep the memory of my
+misdemeanors before my father's mind for six months; so I asked and
+gained leave to spend the summer in a little town in Western
+Massachusetts, where, as I said, I should have nothing to tempt me
+from my studies. I had heard from a classmate what famous shooting and
+fishing were to be found there, and I knew something of the beauty of
+Berkshire scenery; but I honorably intended to study well and
+faithfully, taking only the moderate amount of recreation necessary
+for my health.
+<p>
+"I went, and soon established myself in a quiet farm-house with my
+books, gun, and fishing-rod, and had passed there a whole month with
+an approving conscience and tolerable success both in studies and
+sport, when the farmer announced one morning, that, as he had one
+boarder, he might as well take another, and that a New York lady had
+been inquiring of his neighbor Johnson, when he was in the city last
+week, for some farm-house where they would be willing to take her
+cheap for the summer. She could have the best room, and he didn't
+suppose she'd be in anybody's way, so he had told Johnson that she
+might come, if she would put up with their country fare.
+<p>
+"She came the next week. She was a widow, some thirty years old, ten
+years older than I was. I did not think her pretty,--perhaps
+<i>piquante</i>, but that was all. In my first fastidiousness, I
+thought her hardly lady-like, and laughed at her evident attempts to
+attract my notice,--at her little vanities and affectations. But I do
+not know; we were always together; I saw no other woman but the
+farmer's wife. There were the mountain walks, the trees, the flowers,
+the moonlight; she talked so well upon them all! In short, you do not
+know, no young girl can know, the influence which a woman in middle
+life, if she has anything in her, has over a young man; and she,--she
+had shrewdness and a certain talent, and, I think now, knew what she
+was doing,--at any rate, I fell madly in love. I knew my father would
+never consent to my marrying then; I knew I was ruining my prospects
+by doing so; but that very knowledge only made me more eager to secure
+her.
+<p>
+"She was entirely independent of control, being left a widow with some
+little property, and threw no obstacles in my way. We were married
+there, in that little village, and for a few weeks I lived in a fool's
+paradise.
+<p>
+"I could not tell you--indeed, I would not tell you, if I could--how
+by degrees I found out what I had done,--that I had flung away my
+heart on a woman who married me simply to secure herself the position
+in society which her own imprudence had lost; how, when she found I
+had nothing to offer her but a home in my father's house, entirely
+dependent upon him, she accused me of having deceived her for the sake
+of her own miserable pittance; how she made herself the common talk of
+Newport by her dissipation, her extravagance, her affectations; how
+her love of excitement led her into such undisguised flirtations,
+under the name of friendships, with almost every man she met, that her
+imprudences, to call them by no harsher name, made my father insist,
+that, for my mother's sake, I should seek another home.
+<p>
+"I did so, but it was only to go through a repetition of similar
+scenes, of daring follies on her part, and reproaches on mine. At
+last, desperate, I induced my father to settle on her what would have
+been my share of his property on condition that she should return to
+New York,--while I, crushed down, mortified, and ashamed to look my
+friends in the face, and sick of the wrongs and follies of civilized
+life, grasped eagerly at an opportunity to join a fur-trading party,
+and buried myself alive in the wilds of the Northwest.
+<p>
+"I had no object in going there but to escape from my wife and from
+myself; but, once there, the charm of that free life took possession
+of me; adventure followed adventure; opportunities opened to me, and I
+grew to be an influential person, and made myself a home among the
+Indians. It is a wild life that the Indian traders live up in that
+far-away country, and many a reckless deed is done there which public
+opinion would frown upon here. I am afraid I was no better than my
+companions; I lived my life and drew from it whatever enjoyment it
+would bring; but, at least, I did not brutalize myself as some of them
+did; for that I may thank the refining influence of my early
+education. Meantime, I was almost lost to my family and, indeed, I
+hardly regretted it, for nothing would have brought me back while my
+wife lived, and, if I were not to be with my friends, why eat my heart
+out with longings for them? So, for nearly twenty years, I lived the
+life of adventure, danger, and privation, that draws its only charm
+from its independence.
+<p>
+"At last came a letter from your mother. It found its way to me from
+fort to fort, brought up part of the way with the letters to the
+troops stationed at our upper forts, then carried by the Indian
+runners to the trading-posts of the fur-companies till it reached me
+in the depths of the Rocky Mountains. My wife was dead,--she had died
+suddenly; my property, all that she had not squandered, (and it was so
+tied up by my father's forethought that she could only throw away a
+part of it,) was my own again; my sister longed to see me, and
+promised me a welcome to her house and heart. I grew restless from
+that moment, and, converting into money the not inconsiderable wealth
+with which I had surrounded myself in the shape of furs, horses,
+buffalo-robes, and so forth, I came down to the States again to begin
+life anew, a man of forty-five, my head whitened, and my features
+marked before their time from the life of exposure which I had
+led. Alice, I, too, was too late. I had dropped out of the tide of
+life and progress in my twenty years' seclusion, and, struggle as I
+might, I could not retrieve the time lost. The present age knew not of
+me,--I had lost my place in it; the thoughts, feelings, habits, of all
+around were strange to me; I had been pushed out of the line of march,
+and never could I fall into step again. In society, in business, in
+domestic life, it was all the same. Trial after trial taught me, at
+last, the truth; and when I had learned not only to believe it, but to
+accept it, I came home to my father's house, now mine, and made myself
+friends of my books,--those faithful ones who were as true to me as if
+I had never deserted them. They have brought me content, if not
+happiness; and you, Alice, you and Kate, you have filled fully an old
+man's heart."
+<p>
+Alice's tears were dropping fast on Uncle John's hand as she said,--
+<p>
+"I will be more to you henceforward than ever before. I have nothing
+else to live for now. Kate is the home child; but I--I will stay with
+you, and you shall teach me, too, to be contented,--to find my
+happiness, as you do, in making the happiness of all around."
+<p>
+Uncle John passed his other hand over her hair,--
+<p>
+"You shall stay with me for the present, my darling,--perhaps as long
+as I live. But life is not over for you, Alice. You have youth,--you
+have years in store. For you it is not <i>too late</i>."
+
+<br><br><br>
+
+<br><br><br>
+
+<table border="0">
+<tr>
+<td width="33%">&nbsp;</td>
+<td width="67%">
+<center>
+<h2>
+<a name="6">AN EVENING MELODY.</a>
+</h2>
+</center>
+
+<p>
+ Oh that yon pines which crown the steep<br>
+ &nbsp;&nbsp;&nbsp;Their fires might ne'er surrender!<br>
+ Oh that yon fervid knoll might keep,<br>
+ &nbsp;&nbsp;&nbsp;While lasts the world, its splendor!
+<p>
+ Pale poplars on the wind that lean,<br>
+ &nbsp;&nbsp;&nbsp;And in the sunset shiver,<br>
+ Oh that your golden stems might screen<br>
+ &nbsp;&nbsp;&nbsp;For aye yon glassy river!
+<p>
+ That yon white bird on homeward wing<br>
+ &nbsp;&nbsp;&nbsp;Soft-sliding without motion,<br>
+ And now in blue air vanishing<br>
+ &nbsp;&nbsp;&nbsp;Like snow-flake lost in ocean,
+<p>
+ Beyond our sight might never flee,<br>
+ &nbsp;&nbsp;&nbsp;Yet onward still be flying;<br>
+ And all the dying day might be<br>
+ &nbsp;&nbsp;&nbsp;Immortal in its dying!
+<p>
+ Pellucid thus in golden trance,<br>
+ &nbsp;&nbsp;&nbsp;Thus mute in expectation,<br>
+ What waits the Earth? Deliverance?<br>
+ &nbsp;&nbsp;&nbsp;Ah, no! Transfiguration!
+<p>
+ She dreams of that New Earth divine,<br>
+ &nbsp;&nbsp;&nbsp;Conceived of seed immortal:<br>
+ She sings, "Not mine the holier shrine,<br>
+ &nbsp;&nbsp;&nbsp;But mine the cloudy portal!"
+</td>
+</tr>
+</table>
+
+<br><br><br>
+
+<br><br><br>
+
+<center>
+<h2>
+<a name="7">CHESUNCOOK</a>
+</h2>
+</center>
+<p>
+[Concluded.]
+<p>
+Early the next morning we started on our return up the Penobscot, my
+companion wishing to go about twenty-five miles above the Moosehead
+carry to a camp near the junction of the two forks, and look for moose
+there. Our host allowed us something for the quarter of the moose
+which we had brought, and which he was glad to get. Two explorers from
+Chamberlain Lake started at the same time that we did. Red flannel
+shirts should be worn in the woods, if only for the fine contrast
+which this color makes with the evergreens and the water. Thus I
+thought when I saw the forms of the explorers in their birch, poling
+up the rapids before us, far off against the forest. It is the
+surveyor's color also, most distinctly seen under all circumstances.
+We stopped to dine at Ragmuff, as before. My companion it was who
+wandered up the stream to look for moose this time, while Joe went to
+sleep on the bank, so that we felt sure of him; and I improved the
+opportunity to botanize and bathe. Soon after starting again, while
+Joe was gone back in the canoe for the frying-pan, which had been
+left, we picked a couple of quarts of tree-cranberries for a sauce.
+<p>
+I was surprised by Joe's asking me how far it was to the Moosehorn. He
+was pretty well acquainted with this stream, but he had noticed that I
+was curious about distances, and had several maps. He, and Indians
+generally, with whom I have talked, are not able to describe
+dimensions or distances in our measures with any accuracy. He could
+tell, perhaps, at what time we should arrive, but not how far it
+was. We saw a few wood-ducks, sheldrakes, and black ducks, but they
+were not so numerous there at that season as on our river at home. We
+scared the same family of wood-ducks before us, going and returning.
+We also heard the note of one fish-hawk, somewhat like that of a
+pigeon-woodpecker, and soon after saw him perched near the top of a
+dead white-pine against the island where we had first camped, while a
+company of peetweets were twittering and teetering about over the
+carcass of a moose on a low sandy spit just beneath. We drove the
+fish-hawk from perch to perch, each time eliciting a scream or
+whistle, for many miles before us. Our course being up-stream, we were
+obliged to work much harder than before, and had frequent use for a
+pole. Sometimes all three of us paddled together, standing up, small
+and heavily laden as the canoe was. About six miles from Moosehead, we
+began to see the mountains east of the north end of the lake, and at
+four o'clock we reached the carry.
+<p>
+The Indians were still encamped here. There were three, including the
+St. Francis Indian who had come in the steamer with us. One of the
+others was called Sabattis. Joe and the St. Francis Indian were
+plainly clear Indian, the other two apparently mixed Indian and white;
+but the difference was confined to their features and complexions, for
+all that I could see. We here cooked the tongue of the moose for
+supper,--having left the nose, which is esteemed the choicest part, at
+Chesuncook, boiling, it being a good deal of trouble to prepare it. We
+also stewed our tree-cranberries, (<i>Viburnum opulus</i>,) sweetening
+them with sugar. The lumberers sometimes cook them with
+molasses. They were used in Arnold's expedition. This sauce was very
+grateful to us who had been confined to hard bread, pork, and
+moose-meat, and, notwithstanding their seeds, we all three pronounced
+them equal to the common cranberry; but perhaps some allowance is to
+be made for our forest appetites. It would be worth the while to
+cultivate them, both for beauty and for food. I afterward saw them in
+a garden in Bangor. Joe said that they were called <i>ebeemenar</i>.
+<p>
+While we were getting supper, Joe commenced curing the moose-hide, on
+which I had sat a good part of the voyage, he having already cut most
+of the hair off with his knife at the Caucomgomoc. He set up two
+stout forked poles on the bank, seven or eight feet high, and as much
+asunder east and west, and having cut slits eight or ten inches long,
+and the same distance apart, close to the edge, on the sides of the
+hide, he threaded poles through them, and then, placing one of the
+poles on the forked stakes, tied the other down tightly at the
+bottom. The two ends also were tied with cedar bark, their usual
+string, to the upright poles, through small holes at short intervals.
+The hide, thus stretched, and slanted a little to the north, to expose
+its flesh side to the sun, measured, in the extreme, eight feet long
+by six high. Where any flesh still adhered, Joe boldly scored it with
+his knife to lay it open to the sun. It now appeared somewhat spotted
+and injured by the duck shot. You may see the old frames on which
+hides have been stretched at many camping-places in these woods.
+<p>
+For some reason or other, the going to the forks of the Penobscot was
+given up, and we decided to stop here, my companion intending to hunt
+down the stream at night. The Indians invited us to lodge with them,
+but my companion inclined to go to the log-camp on the carry. This
+camp was close and dirty, and had an ill smell, and I preferred to
+accept the Indians' offer, if we did not make a camp for ourselves;
+for, though they were dirty, too, they were more in the open air, and
+were much more agreeable, and even refined company, than the
+lumberers. The most interesting question entertained at the
+lumberers' camp was, which man could "handle" any other on the carry;
+and, for the most part, they possessed no qualities which you could
+not lay hands on. So we went to the Indians' camp or wigwam.
+<p>
+It was rather windy, and therefore Joe concluded to hunt after
+midnight, if the wind went down, which the other Indians thought it
+would not do, because it was from the south. The two mixed bloods,
+however, went off up the river for moose at dark, before we arrived at
+their camp. This Indian camp was a slight, patched-up affair, which
+had stood there several weeks, built shed-fashion, open to the fire on
+the west. If the wind changed, they could turn it round. It was
+formed by two forked stakes and a cross-bar, with rafters slanted from
+this to the ground. The covering was partly an old sail, partly
+birch-bark, quite imperfect, but securely tied on, and coming down to
+the ground on the sides. A large log was rolled up at the back side
+for a headboard, and two or three moose-hides were spread on the
+ground with the hair up. Various articles of their wardrobe were
+tucked around the sides and corners, or under the roof. They were
+smoking moose-meat on just such a crate as is represented by With in
+De Bry's "Collectio Peregrinationum," published in 1588, and which the
+natives of Brazil called <i>boucan</i>, (whence buccaneer,) on which
+were frequently shown pieces of human flesh drying along with the
+rest. It was erected in front of the camp over the usual large fire,
+in the form of an oblong square. Two stout forked stakes, four or five
+feet apart and five feet high, were driven into the ground at each
+end, and then two poles ten feet long were stretched across over the
+fire, and smaller ones laid transversely on these a foot apart. On the
+last hung large, thin slices of moose-meat smoking and drying, a space
+being left open over the centre of the fire. There was the whole
+heart, black as a thirty-two pound ball, hanging at one corner. They
+said, that it took three or four days to cure this meat, and it would
+keep a year or more. Refuse pieces lay about on the ground in
+different stages of decay, and some pieces also in the fire, half
+buried and sizzling in the ashes, as black and dirty as an old
+shoe. These last I at first thought were thrown away, but afterwards
+found that they were being cooked. Also a tremendous rib-piece was
+roasting before the fire, being impaled on an upright stake forced in
+and out between the ribs. There was a moose-hide stretched and curing
+on poles like ours, and quite a pile of cured skins close by. They had
+killed twenty-two moose within two months, but, as they could use but
+very little of the meat, they left the carcasses on the
+ground. Altogether it was about as savage a sight as was ever
+witnessed, and I was carried back at once three hundred years. There
+were many torches of birch-bark, shaped like straight tin horns, lying
+ready for use on a stump outside.
+<p>
+For fear of dirt, we spread our blankets over their hides, so as not
+to touch them anywhere. The St. Francis Indian and Joe alone were
+there at first, and we lay on our backs talking with them till
+midnight. They were very sociable, and, when they did not talk with
+us, kept up a steady chatting in their own language. We heard a small
+bird just after dark, which, Joe said, sang at a certain hour in the
+night,--at ten o'clock, he believed. We also heard the hylodes and
+tree-toads, and the lumberers singing in their camp a quarter of a
+mile off. I told them that I had seen pictured in old books pieces of
+human flesh drying on these crates; whereupon they repeated some
+tradition about the Mohawks eating human flesh, what parts they
+preferred, etc., and also of a battle with the Mohawks near Moosehead,
+in which many of the latter were killed; but I found that they knew
+but little of the history of their race, and could be entertained by
+stories about their ancestors as readily as any way. At first I was
+nearly roasted out, for I lay against one side of the camp, and felt
+the heat reflected not only from the birch-bark above, but from the
+side; and again I remembered the sufferings of the Jesuit
+missionaries, and what extremes of heat and cold the Indians were said
+to endure. I struggled long between my desire to remain and talk with
+them, and my impulse to rush out and stretch myself on the cool grass;
+and when I was about to take the last step, Joe, hearing my murmurs,
+or else being uncomfortable himself, got up and partially dispersed
+the fire. I suppose that that is Indian manners,--to defend yourself.
+<p>
+While lying there listening to the Indians, I amused myself with
+trying to guess at their subject by their gestures, or some proper
+name introduced. There can be no more startling evidence of their
+being a distinct and comparatively aboriginal race, than to hear this
+unaltered Indian language, which the white man cannot speak nor
+understand. We may suspect change and deterioration in almost every
+other particular, but the language which is so wholly unintelligible
+to us. It took me by surprise, though I had found so many arrow-heads,
+and convinced me that the Indian was not the invention of historians
+and poets. It was a purely wild and primitive American sound, as much
+as the barking of a <i>chickaree</i>, and I could not understand a
+syllable of it; but Paugus, had he been there, would have understood
+it. These Abenakis gossiped, laughed, and jested, in the language in
+which Eliot's Indian Bible is written, the language which has been
+spoken in New England who shall say how long? These were the sounds
+that issued from the wigwams of this country before Columbus was born;
+they have not yet died away; and, with remarkably few exceptions, the
+language of their forefathers is still copious enough for them. I felt
+that I stood, or rather lay, as near to the primitive man of America,
+that night, as any of its discoverers ever did.
+<p>
+In the midst of their conversation, Joe suddenly appealed to me to
+know how long Moosehead Lake was.
+<p>
+Meanwhile, as we lay there, Joe was making and trying his horn, to be
+ready for hunting after midnight. The St. Francis Indian also amused
+himself with sounding it, or rather calling through it; for the sound
+is made with the voice, and not by blowing through the horn. The
+latter appeared to be a speculator in moose-hides. He bought my
+companion's for two dollars and a quarter, green. Joe said that it
+was worth two and a half at Oldtown. Its chief use is for moccasins.
+One or two of these Indians wore them. I was told, that, by a recent
+law of Maine, foreigners are not allowed to kill moose there at any
+season; white Americans can kill them only at a particular season, but
+the Indians of Maine at all seasons. The St. Francis Indian
+accordingly asked my companion for a <i>wighiggin</i>, or bill, to
+show, since he was a foreigner. He lived near Sorel. I found that he
+could write his name very well, <i>Tahmunt Swasen</i>. One Ellis, an
+old white man of Guilford, a town through which we passed, not far
+from the south end of Moosehead, was the most celebrated moose-hunter
+of those parts. Indians and whites spoke with equal respect of
+him. Tahmunt said, that there were more moose here than in the
+Adirondack country in New York, where he had hunted; that three years
+before there were a great many about, and there were a great many now
+in the woods, but they did not come out to the water. It was of no use
+to hunt them at midnight,--they would not come out then. I asked
+Sabattis, after he came home, if the moose never attacked him. He
+answered, that you must not fire many times so as to mad him. "I fire
+once and hit him in the right place, and in the morning I find him. He
+won't go far. But if you keep firing, you mad him. I fired once five
+bullets, every one through the heart, and he did not mind 'em at all;
+it only made him more mad." I asked him if they did not hunt them with
+dogs. He said, that they did so in winter, but never in the summer,
+for then it was of no use; they would run right off straight and
+swiftly a hundred miles.
+<p>
+Another Indian said, that the moose, once scared, would run all day. A
+dog will hang to their lips, and be carried along till he is swung
+against a tree and drops off. They cannot run on a "glaze," though
+they can run in snow four feet deep; but the caribou can run on
+ice. They commonly find two or three moose together. They cover
+themselves with water, all but their noses, to escape flies. He had
+the horns of what he called "the black moose that goes in low lands."
+These spread three or four feet. The "red moose" was another kind,
+"running on mountains," and had horns which spread six feet. Such were
+his distinctions. Both can move their horns. The broad flat blades are
+covered with hair, and are so soft, when the animal is alive, that you
+can run a knife through them. They regard it as a good or bad sign, if
+the horns turn this way or that. His caribou horns had been gnawed by
+mice in his wigwam, but he thought that the horns neither of the moose
+nor of the caribou were ever gnawed while the creature was alive, as
+some have asserted. An Indian, whom I met after this at Oldtown, who
+had carried about a bear and other animals of Maine to exhibit, told
+me that thirty years ago there were not so many moose in Maine as now;
+also, that the moose were very easily tamed, and would come back when
+once fed, and so would deer, but not caribou. The Indians of this
+neighborhood are about as familiar with the moose as we are with the
+ox, having associated with them for so many generations. Father
+Rasles, in his Dictionary of the Abenaki Language, gives not only a
+word for the male moose, (<i>aianbé</i>) and another for the female,
+(<i>hèrar</i>,) but for the bone which is in the middle of the heart
+of the moose (!), and for his left hind-leg.
+<p>
+There were none of the small deer up there; they are more common about
+the settlements. One ran into the city of Bangor two years before, and
+jumped through a window of costly plate glass, and then into a mirror,
+where it thought it recognized one of its kind, and out again, and so
+on, leaping over the heads of the crowd, until it was captured. This
+the inhabitants speak of as the deer that went a-shopping. The
+last-mentioned Indian spoke of the <i>lunxus</i> or Indian devil,
+(which I take to be the cougar, and not the <i>Gulo luscus</i>,) as
+the only animal in Maine which man need fear; it would follow a man,
+and did not mind a fire. He also said, that beavers were getting to be
+pretty numerous again, where we went, but their skins brought so
+little now that it was not profitable to hunt them.
+<p>
+I had put the ears of our moose, which were ten inches long, to dry
+along with the moose-meat over the fire, wishing to preserve them; but
+Sabattis told me that I must skin and cure them, else the hair would
+all come off. He observed, that they made tobacco-pouches of the skins
+of their ears, putting the two together inside to inside. I asked him
+how he got fire; and he produced a little cylindrical box of
+friction-matches. He also had flints and steel, and some punk, which
+was not dry; I think it was from the yellow birch. "But suppose you
+upset, and all these and your powder get wet." "Then," said he, "we
+wait till we get to where there is some fire." I produced from my
+pocket a little vial, containing matches, stoppled water-tight, and
+told him, that, though we were upset, we should still have some dry
+matches; at which he stared without saying a word.
+<p>
+We lay awake thus a long while talking, and they gave us the meaning
+of many Indian names of lakes and streams in the vicinity,--especially
+Tahmunt. I asked the Indian name of Moosehead Lake. Joe answered,
+<i>Sebamook</i>; Tahmunt pronounced it <i>Sebemook</i>. When I asked
+what it meant, they answered, Moosehead Lake. At length, getting my
+meaning, they alternately repeated the word over to themselves, as a
+philologist might,--<i>Sebamook</i>,--<i>Sebamook</i>,--now and then
+comparing notes in Indian; for there was a slight difference in their
+dialects; and finally Tahmunt said, "Ugh! I know,"--and he rose up
+partly on the moose-hide,--"like as here is a place, and there is a
+place," pointing to different parts of the hide, "and you take water
+from there and fill this, and it stays here; that is <i>Sebamook</i>."
+I understood him to mean that it was a reservoir of water which did
+not run away, the river coming in on one side and passing out again
+near the same place, leaving a permanent bay. Another Indian said,
+that it meant Large-Bay Lake, and that <i>Sebago</i> and <i>Sebec</i>,
+the names of other lakes, were kindred words, meaning large open
+water. Joe said that <i>Seboois</i> meant Little River. I observed
+their inability, often described, to convey an abstract idea. Having
+got the idea, though indistinctly, they groped about in vain for words
+with which to express it. Tahmunt thought that the whites called it
+Moosehead Lake, because Mount Kineo, which commands it, is shaped like
+a moose's head, and that Moose River was so called "because the
+mountain points right across the lake to its mouth." John Josselyn,
+writing about 1673, says, "Twelve miles from Casco Bay, and passable
+for men and horses, is a lake, called by the Indians Sebug. On the
+brink thereof, at one end, is the famous rock, shaped like a moose
+deer or helk, diaphanous, and called the Moose Rock." He appears to
+have confounded Sebamook with Sebago, which is nearer, but has no
+"diaphanous" rock on its shore.
+<p>
+I give more of their definitions, for what they are worth,--partly
+<i>because</i> they differ sometimes from the commonly received
+ones. They never analyzed these words before. After long deliberation
+and repeating of the word, for it gave much trouble, Tahmunt said that
+<i>Chesuncook</i> meant a place where many streams emptied in (?), and
+he enumerated them,--Penobscot, Umbazookskus, Cusabesex, Red Brook,
+etc.--"<i>Caucomgomoc</i>,--what does that mean?" "What are those
+large white birds?" he asked. "Gulls," said I. "Ugh! Gull
+Lake."--<i>Pammadumcook</i>, Joe thought, meant the Lake with Gravelly
+Bottom or Bed.--<i>Kenduskeag</i>, Tahmunt concluded at last, after
+asking if birches went up it, for he said that he was not much
+acquainted with it, meant something like this: "You go up Penobscot
+till you come to <i>Kenduskeag</i>, and you go by, you don't turn up
+there. That is <i>Kenduskeag</i>." (?) Another Indian, however, who
+knew the river better, told us afterward that it meant Little Eel
+River.--<i>Mattawamkeag</i> was a place where two rivers
+meet. (?)--<i>Penobscot</i> was Rocky River. One writer says, that
+this was "originally the name of only a section of the main channel,
+from the head of the tide-water to a short distance above Oldtown."
+<p>
+A very intelligent Indian, whom we afterward met, son-in-law of
+Neptune, gave us also these other definitions:--<i>Umbazookskus</i>,
+Meadow Stream; <i>Millinoket</i>, Place of Islands;
+<i>Aboljacarmegus</i>, Smooth-Ledge Falls (and Dead-Water);
+<i>Aboljacarmeguscook</i>, the stream emptying in; (the last was the
+word he gave when I asked about <i>Aboljacknagesic</i>, which he did
+not recognize;) <i>Mattahumkeag</i>, Sand-Creek Pond;
+<i>Piscataquis</i>, Branch of a River.
+<p>
+I asked our hosts what <i>Musketaquid</i>, the Indian name of Concord,
+Mass., meant; but they changed it to <i>Musketicook</i>, and repeated
+that, and Tahmunt said that it meant Dead Stream, which is probably
+true. <i>Cook</i> appears to mean stream, and perhaps <i>quid</i>
+signifies the place or ground. When I asked the meaning of the names
+of two of our hills, they answered that they were another language. As
+Tahmunt said that he traded at Quebec, my companion inquired the
+meaning of the word <i>Quebec</i>, about which there has been so much
+question. He did not know, but began to conjecture. He asked what
+those great ships were called that carried soldiers. "Men-of-war," we
+answered. "Well," he said, "when the English ships came up the river,
+they could not go any further, it was so narrow there; they must go
+back,--go-back,--that's Que-bec." I mention this to show the value of
+his authority in the other cases.
+<p>
+Late at night the other two Indians came home from moose-hunting, not
+having been successful, aroused the fire again, lighted their pipes,
+smoked awhile, took something strong to drink, and ate some
+moose-meat, and, finding what room they could, lay down on the
+moose-hides; and thus we passed the night, two white men and four
+Indians, side by side.
+<p>
+When I awoke in the morning the weather was drizzling. One of the
+Indians was lying outside, rolled in his blanket, on the opposite side
+of the fire, for want of room. Joe had neglected to awake my
+companion, and he had done no hunting that night. Tahmunt was making a
+cross-bar for his canoe with a singularly shaped knife, such as I have
+since seen other Indians using. The blade was thin, about three
+quarters of an inch wide, and eight or nine inches long, but curved
+out of its plane into a hook, which he said made it more convenient to
+shave with. As the Indians very far north and northwest use the same
+kind of knife, I suspect that it was made according to an aboriginal
+pattern, though some white artisans may use a similar one. The Indians
+baked a loaf of flour bread in a spider on its edge before the fire
+for their breakfast; and while my companion was making tea, I caught a
+dozen sizable fishes in the Penobscot, two kinds of sucker and one
+trout. After we had breakfasted by ourselves, one of our bedfellows,
+who had also breakfasted, came along, and, being invited, took a cup
+of tea, and finally, taking up the common platter, licked it
+clean. But he was nothing to a white fellow, a lumberer, who was
+continually stuffing himself with the Indians' moose-meat, and was the
+butt of his companions accordingly. He seems to have thought that it
+was a feast "to eat all." It is commonly said that the white man
+finally surpasses the Indian on his own ground, and it was proved true
+in this case. I cannot swear to his employment during the hours of
+darkness, but I saw him at it again as soon as it was light, though he
+came a quarter of a mile to his work.
+<p>
+The rain prevented our continuing any longer in the woods; so giving
+some of our provisions and utensils to the Indians, we took leave of
+them. This being the steamer's day, I set out for the lake at once. At
+the carry-man's camp I saw many little birds, brownish and yellowish,
+with some white tail-feathers, hopping on the wood-pile, in company
+with the slate-colored snow-bird, (<i>Fringilla hiemalis</i>,) but
+more familiar than they. The lumberers said that they came round their
+camps, and they gave them a vulgar name. Their simple and lively note,
+which was heard in all the woods, was very familiar to me, though I
+had never before chanced to see the bird while uttering it, and it
+interested me not a little, because I had had many a vain chase in a
+spring-morning in the direction of that sound, in order to identify
+the bird. On the 28th of the next month, (October,) I saw in my yard,
+in a drizzling day, many of the same kind of birds flitting about amid
+the weeds, and uttering a faint <i>chip</i> merely. There was one
+full-plumaged Yellow-crowned Warbler (<i>Sylvia coronata</i>) among
+them, and I saw that the others were the young birds of that
+season. They had followed me from Moosehead and the North. I have
+since frequently seen the full-plumaged ones while uttering that note
+in the spring.
+<p>
+I walked over the carry alone and waited at the head of the lake. An
+eagle, or some other large bird, flew screaming away from its perch by
+the shore at my approach. For an hour after I reached the shore there
+was not a human being to be seen, and I had all that wide prospect to
+myself. I thought that I heard the sound of the steamer before she
+came in sight on the open lake. I noticed at the landing, when the
+steamer came in, one of our bedfellows, who had been a-moose-hunting
+the night before, now very sprucely dressed in a clean white shirt and
+fine black pants, a true Indian dandy, who had evidently come over the
+carry to show himself to any arrivers on the north shore of Moosehead
+Lake, just as New York dandies take a turn up Broadway and stand on
+the steps of a hotel.
+<p>
+Midway the lake we took on board two manly-looking middle-aged men,
+with their <i>bateau</i>, who had been exploring for six weeks as far
+as the Canada line, and had let their beards grow. They had the skin
+of a beaver, which they had recently caught, stretched on an oval
+hoop, though the fur was not good at that season. I talked with one of
+them, telling him that I had come all this distance partly to see
+where the white-pine, the Eastern stuff of which our houses are built,
+grew, but that on this and a previous excursion into another part of
+Maine I had found it a scarce tree; and I asked him where I must look
+for it. With a smile, he answered, that he could hardly tell
+me. However, he said that he had found enough to employ two teams the
+next winter in a place where there was thought to be none left. What
+was considered a "tip-top" tree now was not looked at twenty years
+ago, when he first went into the business; but they succeeded very
+well now with what was considered quite inferior timber then. The
+explorer used to cut into a tree higher and higher up, to see if it
+was false-hearted, and if there was a rotten heart as big as his arm,
+he let it alone; but now they cut such a tree, and sawed it all around
+the rot, and it made the very best of boards, for in such a case they
+were never shaky.
+<p>
+One connected with lumbering operations at Bangor told me that the
+largest pine belonging to his firm, cut the previous winter, "scaled"
+in the woods four thousand five hundred feet, and was worth ninety
+dollars in the log at the Bangor boom in Oldtown. They cut a road
+three and a half miles long for this tree alone. He thought that the
+principal locality for the white-pine that came down the Penobscot now
+was at the head of the East Branch and the Allegash, about Webster
+Stream and Eagle and Chamberlain Lakes. Much timber has been stolen
+from the public lands. (Pray, what kind of forest-warden is the Public
+itself?) I heard of one man who, having discovered some particularly
+fine trees just within the boundaries of the public lands, and not
+daring to employ an accomplice, cut them down, and by means of block
+and tackle, without cattle, tumbled them into a stream, and so
+succeeded in getting off with them without the least assistance.
+Surely, stealing pine-trees in this way is not so mean as robbing
+hen-roosts.
+<p>
+We reached Monson that night, and the next day rode to Bangor, all the
+way in the rain again, varying our route a little. Some of the taverns
+on this road, which were particularly dirty, were plainly in a
+transition state from the camp to the house.
+<p>
+<hr width="40%" align="center">
+<p>
+The next forenoon we went to Oldtown. One slender old Indian on the
+Oldtown shore, who recognized my companion, was full of mirth and
+gestures, like a Frenchman. A Catholic priest crossed to the island in
+the same <i>bateau</i> with us. The Indian houses are framed, mostly
+of one story, and in rows one behind another, at the south end of the
+island, with a few scattered ones. I counted about forty, not
+including the church and what my companion called the
+council-house. The last, which I suppose is their town-house, was
+regularly framed and shingled like the rest. There were several of two
+stories, quite neat, with front-yards inclosed, and one at least had
+green blinds. Here and there were moose-hides stretched and drying
+about them. There were no cart-paths, nor tracks of horses, but
+foot-paths; very little land cultivated, but an abundance of weeds,
+indigenous and naturalized; more introduced weeds than useful
+vegetables, as the Indian is said to cultivate the vices rather than
+the virtues of the white man. Yet this village was cleaner than I
+expected, far cleaner than such Irish villages as I have seen. The
+children were not particularly ragged nor dirty. The little boys met
+us with bow in hand and arrow on string, and cried, "Put up a cent."
+Verily, the Indian has but a feeble hold on his bow now; but the
+curiosity of the white man is insatiable, and from the first he has
+been eager to witness this forest accomplishment. That elastic piece
+of wood with its feathered dart, so sure to be unstrung by contact
+with civilization, will serve for the type, the coat-of-arms of the
+savage. Alas for the Hunter Race! the white man has driven off their
+game, and substituted a cent in its place. I saw an Indian woman
+washing at the water's edge. She stood on a rock, and, after dipping
+the clothes in the stream, laid them on the rock, and beat them with a
+short club. In the grave-yard, which was crowded with graves, and
+overrun with weeds, I noticed an inscription in Indian, painted on a
+wooden grave-board. There was a large wooden cross on the island.
+<p>
+Since my companion knew him, we called on Governor Neptune, who lived
+in a little "ten-footer," one of the humblest of them
+all. Personalities are allowable in speaking of public men, therefore
+I will give the particulars of our visit. He was a-bed. When we
+entered the room, which was one half of the house, he was sitting on
+the side of the bed. There was a clock hanging in one corner. He had
+on a black frock-coat, and black pants, much worn, white cotton shirt,
+socks, a red silk handkerchief about his neck, and a straw hat. His
+black hair was only slightly grayed. He had very broad cheeks, and his
+features were decidedly and refreshingly different from those of any
+of the upstart Native American party whom I have seen. He was no
+darker than many old white men. He told me that he was eighty-nine;
+but he was going a-moose-hunting that fall, as he had been the
+previous one. Probably his companions did the hunting. We saw various
+squaws dodging about. One sat on the bed by his side and helped him
+out with his stories. They were remarkably corpulent, with smooth,
+round faces, apparently full of good-humor. Certainly our much-abused
+climate had not dried up their adipose substance. While we were
+there,--for we stayed a good while,--one went over to Oldtown,
+returned and cut out a dress, which she had bought, on another bed in
+the room. The Governor said, that "he could remember when the moose
+were much larger; that they did not use to be in the woods, but came
+out of the water, as all deer did. Moose was whale once. Away down
+Merrimack way, a whale came ashore in a shallow bay. Sea went out and
+left him, and he came up on land a moose. What made them know he was a
+whale was, that at first, before he began to run in bushes, he had no
+bowels inside, but"----and then the squaw who sat on the bed by his
+side, as the Governor's aid, and had been putting in a word now and
+then and confirming the story, asked me what we called that soft thing
+we find along the sea-shore. "Jelly-fish," I suggested. "Yes," said
+he, "no bowels, but jelly-fish."
+<p>
+There may be some truth in what he said about the moose growing larger
+formerly; for the quaint John Josselyn, a physician who spent many
+years in this very district of Maine in the seventeenth century, says,
+that the tips of their horns "are sometimes found to be two fathoms
+asunder,"--and he is particular to tell us that a fathom is six
+feet,--"and [they are] in height, from the toe of the forefoot to the
+pitch of the shoulder, twelve foot, both which hath been taken by some
+of my sceptique readers to be monstrous lies"; and he adds,--"There
+are certain transcendentia in every creature, which are the indelible
+character of God, and which discover God." This is a greater dilemma
+to be caught in than is presented by the cranium of the young Bechuana
+ox, apparently another of the <i>transcendentia</i>, in the collection
+of Thomas Steel, Upper Brook Street, London, whose "entire length of
+horn, from tip to tip, along the curve, is 13 ft. 5 in.; distance
+(straight) between the tips of the horns, 8 ft. 8-1/2 in." However, the
+size both of the moose and the cougar, as I have found, is generally
+rather underrated than overrated, and I should be inclined to add to
+the popular estimate a part of what I subtracted from Josselyn's.
+<p>
+But we talked mostly with the Governor's son-in-law, a very sensible
+Indian; and the Governor, being so old and deaf, permitted himself to
+be ignored, while we asked questions about him. The former said, that
+there were two political parties among them,--one in favor of schools,
+and the other opposed to them, or rather they did not wish to resist
+the priest, who was opposed to them. The first had just prevailed at
+the election and sent their man to the legislature. Neptune and
+Aitteon and he himself were in favor of schools. He said, "If Indians
+got learning, they would keep their money." When we asked where Joe's
+father, Aitteon, was, he knew that he must be at Lincoln, though he
+was about going a-moose-hunting, for a messenger had just gone to him
+there to get his signature to some papers. I asked Neptune if they had
+any of the old breed of dogs yet. He answered, "Yes." "But that," said
+I, pointing to one that had just come in, "is a Yankee dog." He
+assented. I said that he did not look like a good one. "Oh, yes!" he
+said, and he told, with much gusto, how, the year before, he had
+caught and held by the throat a wolf. A very small black puppy rushed
+into the room and made at the Governor's feet, as he sat in his
+stockings with his legs dangling from the bedside. The Governor rubbed
+his hands and dared him to come on, entering into the sport with
+spirit. Nothing more that was significant transpired, to my knowledge,
+during this interview. This was the first time that I ever called on a
+governor, but, as I did not ask for an office, I can speak of it with
+the more freedom.
+<p>
+An Indian who was making canoes behind a house, looking up pleasantly
+from his work,--for he knew my companion,--said that his name was Old
+John Pennyweight. I had heard of him long before, and I inquired after
+one of his contemporaries, Joe Four-pence-ha'penny; but, alas! he no
+longer circulates. I made a faithful study of canoe-building, and I
+thought that I should like to serve an apprenticeship at that trade
+for one season, going into the woods for bark with my "boss," making
+the canoe there, and returning in it at last.
+<p>
+While the <i>bateau</i> was coming over to take us off, I picked up
+some fragments of arrow-heads on the shore, and one broken stone
+chisel, which were greater novelties to the Indians than to me. After
+this, on Old Fort Hill, at, the bend of the Penobscot, three miles
+above Bangor, looking for the site of an Indian town which some think
+stood thereabouts, I found more arrow-heads, and two little dark and
+crumbling fragments of Indian earthenware, in the ashes of their
+fires. The Indians on the Island appeared to live quite happily and
+to be well treated by the inhabitants of Oldtown.
+<p>
+We visited Veazie's mills, just below the Island, where were sixteen
+sets of saws,--some gang saws, sixteen in a gang, not to mention
+circular saws. On one side, they were hauling the logs up an
+inclined plane by water-power; on the other, passing out the boards,
+planks, and sawed timber, and forming them into rafts. The trees were
+literally drawn and quartered there. In forming the rafts, they use
+the lower three feet of hard-wood saplings, which have a crooked and
+knobbed butt-end, for bolts, passing them up through holes bored in
+the corners and sides of the rafts, and keying them. In another
+apartment they were making fence-slats, such as stand all over New
+England, out of odds and ends,--and it may be that I saw where the
+picket-fence behind which I dwell at home came from. I was surprised
+to find a boy collecting the long edgings of boards as fast as cut
+off, and thrusting them down a hopper, where they were <i>ground
+up</i> beneath the mill, that they might be out of the way; otherwise
+they accumulate in vast piles by the side of the building, increasing
+the danger from fire, or, floating off, they obstruct the river. This
+was not only a saw-mill, but a grist-mill, then. The inhabitants of
+Oldtown, Stillwater, and Bangor cannot suffer for want of
+kindling-stuff, surely. Some get their living exclusively by picking
+up the drift-wood and selling it by the cord in the winter. In one
+place I saw where an Irishman, who keeps a team and a man for the
+purpose, had covered the shore for a long distance with regular piles,
+and I was told that he had sold twelve hundred dollars' worth in a
+year. Another, who lived by the shore, told me that he got all the
+material of his out-buildings and fences from the river; and in that
+neighborhood I perceived that this refuse wood was frequently used
+instead of sand to fill hollows with, being apparently cheaper than
+dirt.
+<p>
+I got my first clear view of Katadn, on this excursion, from a hill
+about two miles northwest of Bangor, whither I went for this
+purpose. After this I was ready to return to Massachusetts.
+<p>
+<hr width="40%" align="center">
+<p>
+Humboldt has written an interesting chapter on the primitive forest,
+but no one has yet described for me the difference between that wild
+forest which once occupied our oldest townships, and the tame one
+which I find there to-day. It is a difference which would be worth
+attending to. The civilized man not only clears the land permanently
+to a great extent, and cultivates open fields, but he tames and
+cultivates to a certain extent the forest itself. By his mere
+presence, almost, he changes the nature of the trees as no other
+creature does. The sun and air, and perhaps fire, have been
+introduced, and grain raised where it stands. It has lost its wild,
+damp, and shaggy look, the countless fallen and decaying trees are
+gone, and consequently that thick coat of moss which lived on them is
+gone too. The earth is comparatively bare and smooth and dry. The
+most primitive places left with us are the swamps, where the spruce
+still grows shaggy with usnea. The surface of the ground in the Maine
+woods is everywhere spongy and saturated with moisture. I noticed that
+the plants which cover the forest floor there are such as are commonly
+confined to swamps with us,--the <i>Clintonia borealis</i>, orchises,
+creeping snowberry, and others; and the prevailing aster there is the
+<i>Aster acuminatus</i>, which with us grows in damp and shady
+woods. The asters <i>cordifolias</i> and <i>macrophyllus</i> also are
+common, asters of little or no color, and sometimes without petals. I
+saw no soft, spreading, second-growth white-pines, with smooth bark,
+acknowledging the presence of the wood-chopper, but even the young
+white-pines were all tall and slender rough-barked trees.
+<p>
+Those Maine woods differ essentially from ours. There you are never
+reminded that the wilderness which you are threading is, after all,
+some villager's familiar wood-lot, some widow's thirds, from which her
+ancestors have sledded fuel for generations, minutely described in
+some old deed which is recorded, of which the owner has got a plan
+too, and old bound-marks may be found every forty rods, if you will
+search. 'Tis true, the map may inform you that you stand on land
+granted by the State to some academy, or on Bingham's purchase; but
+these names do not impose on you, for you see nothing to remind you of
+the academy or of Bingham. What were the "forests" of England to
+these? One writer relates of the Isle of Wight, that in Charles the
+Second's time "there were woods in the island so complete and
+extensive, that it is said a squirrel might have travelled in several
+parts many leagues together on the top of the trees." If it were not
+for the rivers, (and he might go round their heads,) a squirrel could
+here travel thus the whole breadth of the country.
+<p>
+We have as yet had no adequate account of a primitive pine-forest. I
+have noticed that in a physical atlas lately published in
+Massachusetts, and used in our schools, the "wood land" of North
+America is limited almost solely to the valleys of the Ohio and some
+of the Great Lakes, and the great pine-forests of the globe are not
+represented. In our vicinity, for instance, New Brunswick and Maine
+are exhibited as bare as Greenland. It may be that the children of
+Greenville, at the foot of Moosehead Lake, who surely are not likely
+to be scared by an owl, are referred to the valley of the Ohio to get
+an idea of a forest; but they would not know what to do with their
+moose, bear, caribou, beaver, etc., there. Shall we leave it to an
+Englishman to inform us, that "in North America, both in the United
+States and Canada, are the most extensive pine-forests in the world"?
+The greater part of New Brunswick, the northern half of Maine, and
+adjacent parts of Canada, not to mention the northeastern part of New
+York and other tracts further off, are still covered with an almost
+unbroken pine-forest.
+<p>
+But Maine, perhaps, will soon be where Massachusetts is. A good part
+of her territory is already as bare and common-place as much of our
+neighborhood, and her villages generally are not so well shaded as
+ours. We seem to think that the earth must go through the ordeal of
+sheep-pasturage before it is habitable by man. Consider Nahant, the
+resort of all the fashion of Boston,--which peninsula I saw but
+indistinctly in the twilight, when I steamed by it, and thought that
+it was unchanged since the discovery. John Smith described it in 1614
+as "the Mattahunts, two pleasant isles of groves, gardens, and
+cornfields"; and others tell us that it was once well wooded, and even
+furnished timber to build the wharves of Boston. Now it is difficult
+to make a tree grow there, and the visitor comes away with a vision of
+Mr. Tudor's ugly fences a rod high, designed to protect a few
+pear-shrubs. And what are we coming to in our Middlesex towns?--a
+bald, staring town-house, or meeting-house, and a bare liberty-pole,
+as leafless as it is fruitless, for all I can see. We shall be obliged
+to import the timber for the last, hereafter, or splice such sticks as
+we have;--and our ideas of liberty are equally mean with these. The
+very willow-rows lopped every three years for fuel or powder,--and
+every sizable pine and oak, or other forest tree, cut down within the
+memory of man! As if individual speculators were to be allowed to
+export the clouds out of the sky, or the stars out of the firmament,
+one by one. We shall be reduced to gnaw the very crust of the earth
+for nutriment.
+<p>
+They have even descended to smaller game. They have lately, as I hear,
+invented a machine for chopping up huckleberry-bushes fine, and so
+converting them into fuel!--bushes which, for fruit alone, are worth
+all the pear-trees in the country many times over. (I can give you a
+list of the three best kinds, if you want it.) At this rate, we shall
+all be obliged to let our beards grow at least, if only to hide the
+nakedness of the land and make a sylvan appearance. The farmer
+sometimes talks of "brushing up," simply as if bare ground looked
+better than clothed ground, than that which wears its natural
+vesture,--as if the wild hedges, which, perhaps, are more to his
+children than his whole farm beside, were <i>dirt</i>. I know of one
+who deserves to be called the Tree-hater, and, perhaps, to leave this
+for a new patronymic to his children. You would think that he had
+been warned by an oracle that he would be killed by the fall of a
+tree, and so was resolved to anticipate them. The journalists think
+that they cannot say too much in favor of such "improvements" in
+husbandry; it is a safe theme, like piety; but as for the beauty of
+one of these "model farms," I would as lief see a patent churn and a
+man turning it. They are, commonly, places merely where somebody is
+making money, it may be counterfeiting. The virtue of making two
+blades of grass grow where only one grew before does not begin to be
+superhuman.
+<p>
+Nevertheless, it was a relief to get back to our smooth, but still
+varied landscape. For a permanent residence, it seemed to me that
+there could be no comparison between this and the wilderness,
+necessary as the latter is for a resource and a background, the raw
+material of all our civilization. The wilderness is simple, almost to
+barrenness. The partially cultivated country it is which chiefly has
+inspired, and will continue to inspire, the strains of poets, such as
+compose the mass of any literature. Our woods are sylvan, and their
+inhabitants woodmen and rustics,--that is, <i>selvaggia</i>, and the
+inhabitants are <i>salvages</i>. A civilized man, using the word in
+the ordinary sense, with his ideas and associations, must at length
+pine there, like a cultivated plant, which clasps its fibres about a
+crude and undissolved mass of peat. At the extreme North, the voyagers
+are obliged to dance and act plays for employment. Perhaps our own
+woods and fields,--in the best wooded towns, where we need not quarrel
+about the huckleberries,--with the primitive swamps scattered here and
+there in their midst, but not prevailing over them, are the perfection
+of parks and groves, gardens, arbors, paths, vistas, and landscapes.
+They are the natural consequence of what art and refinement we as a
+people have,--the common which each village possesses, its true
+paradise, in comparison with which all elaborately and wilfully
+wealth-constructed parks and gardens are paltry imitations. Or, I
+would rather say, such <i>were</i> our groves twenty years ago. The
+poet's, commonly, is not a logger's path, but a woodman's. The logger
+and pioneer have preceded him, like John the Baptist; eaten the wild
+honey, it may be, but the locusts also; banished decaying wood and the
+spongy mosses which feed on it, and built hearths and humanized Nature
+for him.
+<p>
+But there are spirits of a yet more liberal culture, to whom no
+simplicity is barren. There are not only stately pines, but fragile
+flowers, like the orchises, commonly described as too delicate for
+cultivation, which derive their nutriment from the crudest mass of
+peat. These remind us, that, not only for strength, but for beauty,
+the poet must, from time to time, travel the logger's path and the
+Indian's trail, to drink at some new and more bracing fountain of the
+Muses, far in the recesses of the wilderness.
+<p>
+The kings of England formerly had their forests "to hold the king's
+game," for sport or food, sometimes destroying villages to create or
+extend them; and I think that they were impelled by a true
+instinct. Why should not we, who have renounced the king's authority,
+have our national preserves, where no villages need be destroyed, in
+which the bear and panther, and some even of the hunter race, may
+still exist, and not be "civilized off the face of the earth,"--our
+forests, not to hold the king's game merely, but to hold and preserve
+the king himself also, the lord of creation,--not for idle sport or
+food, but for inspiration and our own true re-creation? or shall we,
+like villains, grub them all up, poaching on our own national domains?
+
+<br><br><br>
+
+<br><br><br>
+
+<table border="0">
+<tr>
+<td width="33%">&nbsp;</td>
+<td width="67%">
+<center>
+<h2>
+<a name="8">MY CHILDREN</a>
+</h2>
+</center>
+<p>
+ Have you seen Annie and Kitty,<br>
+ &nbsp;Two merry children of mine?<br>
+ All that is winning and pretty<br>
+ &nbsp;Their little persons combine.
+<p>
+ Annie is kissing and clinging<br>
+ &nbsp;Dozens of times in a day,--<br>
+ Chattering, laughing, and singing,<br>
+ &nbsp;Romping, and running away.
+<p>
+ Annie knows all of her neighbors.<br>
+ &nbsp;Dainty and dirty alike,--<br>
+ Learns all their talk, and, "be jabers,"<br>
+ &nbsp;Says she "adores little Mike!"
+<p>
+ Annie goes mad for a flower,<br>
+ &nbsp;Eager to pluck and destroy,--<br>
+ Cuts paper dolls by the hour,<br>
+ &nbsp;Always her model--a boy!
+<p>
+ Annie is full of her fancies,<br>
+ &nbsp;Tells most remarkable lies,<br>
+ (Innocent little romances,)<br>
+ &nbsp;Startling in one of her size.
+<p>
+ Three little prayers we have taught her,<br>
+ &nbsp;Graded from winter to spring;<br>
+ Oh, you should listen my daughter<br>
+ &nbsp;Saying them all in a string!
+<p>
+ Kitty--ah, how my heart blesses<br>
+ &nbsp;Kitty, my lily, my rose!<br>
+ Wary of all my caresses,<br>
+ &nbsp;Chary of all she bestows.
+<p>
+ Kitty loves quietest places,<br>
+ &nbsp;Whispers sweet sermons to chairs,<br>
+ And, with the gravest of faces,<br>
+ &nbsp;Teaches old Carlo his prayers.
+<p>
+ Matronly, motherly creature!<br>
+ &nbsp;Oh, what a doll she has built--<br>
+ Guiltless of figure or feature--<br>
+ &nbsp;Out of her own little quilt!
+<p>
+ Nought must come near it to wake it;<br>
+ &nbsp;Noise must not give it alarm;<br>
+ And when she sleeps, she must take it<br>
+ &nbsp;Into her bed, on her arm.
+<p>
+ Kitty is shy of a caller,<br>
+ &nbsp;Uttering never a word;<br>
+ But when alone in the parlor,<br>
+ &nbsp;Talks to herself like a bird.
+<p>
+ Kitty is contrary, rather,<br>
+ &nbsp;And, with a comical smile,<br>
+ Mutters, "I won't," to her father,--<br>
+ &nbsp;Eyeing him slyly the while.
+<p>
+ Loving one more than the other<br>
+ &nbsp;Isn't the thing, I confess;<br>
+ And I observe that their mother<br>
+ &nbsp;Makes no distinction in dress.
+<p>
+ Preference must be improper<br>
+ &nbsp;In a relation like this;<br>
+ I wouldn't toss up a copper--<br>
+ &nbsp;(Kitty, come, give me a kiss!)
+</td>
+</tr>
+</table>
+
+
+<br><br><br>
+
+<br><br><br>
+
+<center>
+<h2>
+<a name="9">THE KINLOCH ESTATE, AND HOW IT WAS SETTLED.</a>
+</h2>
+</center>
+<p>
+[Continued.]
+<br>
+<br>
+<h3>CHAPTER VII.</h3>
+<p>
+Early Monday morning, Mr. Hardwick walked across the green to call
+upon Mrs. Kinloch. Lucy Ransom, the house-maid, washing in the
+back-yard, saw him coming, and told her mistress;--before he rang,
+Mrs. Kinloch had time to tie on her lace cap, smooth her hair, and
+meet him in the hall.
+<p>
+"Good mum-morning, Mrs. Kinloch!"
+<p>
+"Walk in, Mr. Hardwick,--this way, into the sitting-room."
+<p>
+He took a seat quietly by the maple-shaded window. Mrs. Kinloch was
+silent and composed. Her coolness nerved instead of depressing him,
+and he began at once.
+<p>
+"I've ker-come to see you about the debt which my nun-nephew, Mark,
+owes the estate."
+<p>
+"I don't know what <i>I</i> can do about it," she replied, in a placid
+tone.
+<p>
+"We've ben nun-neighbors, now, these f-fifteen years, Mrs. Kinloch,
+and never h-had any difficulty th-that I know on. An' as the ler-law
+had been used per-pretty ha'sh toward Mark, I th-thought I'd see ef
+'twa'n't per-possible't some mistake had ben made."
+<p>
+"I don't know what mistake there has been. Squire Clamp must collect
+whatever is due. It isn't harsh to do that, is it?"
+<p>
+"Not ha'sh to a-ask for it, but not jest the ker-kind thing to bring
+ser-suit before askin'. Mark got a word and a ber-blow, but the blow
+came f-first. We didn't treat yer-you so when you was a widder."
+<p>
+"So you go back to old times, and bring up my poverty and your
+charity, do you?" said the widow, bitterly.
+<p>
+"By nun-no means," replied the blacksmith. "I don't w-wish to open
+'counts th-that've ben settled so long; an' more, I don't intend to
+ber-ber-beg from you, nor a-anybody else. We pay our debts, an' don't
+'xpect nor don't wer-want to do any different."
+<p>
+"Then I don't see what you are so flurried about."
+<p>
+"Ef so be Squire Ker-Kinloch was alive, I could tell you ber-better;
+or rather, I shouldn't have to go to yer-you about it. He allers give
+Mark to underst-hand that he shouldn't be hard upon him,--th-that he
+could pay along as he ger-got able."
+<p>
+"Why should he favor him more than others? I am sure not many men
+would have lent the money in the first place, and I don't think it
+looks well to be hanging back now."
+<p>
+"As to why yer-your husband was disposed to favor Mark, I have
+<i>my</i> opinion. But the der-dead shall rest; I sh-sha'n't call up
+their pale faces." He drew his breath hard, and his eyes looked full
+of tender memories.
+<p>
+After a moment he went on. "I don't w-wish to waste words; I
+mum-merely come to say that Mark has five hunderd dollars, and that I
+can scrape up a couple o' hunderd more, and will give my note w-with
+him for the balance. Th-that's all we can handily do; an' ef that'll
+arnswer, we should ler-like to have you give word to stop the suit."
+<p>
+"You will have to go to Squire Clamp," was the reply. "I don't presume
+to dictate to my lawyer, but shall let him do what he thinks best. You
+haven't been to him, I conclude? I don't think he will be
+unreasonable."
+<p>
+Mr. Hardwick looked steadily at her.
+<p>
+"Wer-well, Mrs. Kinloch," said he, slowly, "I th-think I
+understand. Ef I don't, it isn't because you don't mum-make the matter
+plain. I sha'n't go to Squire Clamp till I have the mum-money, all of
+it. I hope no a-a-enemy of yourn will be so hard to y-you as my
+friends are to me."
+<p>
+With singular command over her tongue and temper, Mrs. Kinloch
+contented herself with hoping that he would find no difficulty in
+arranging matters with the lawyer, bade him good-morning, civilly, and
+shut the door behind him. But when he was gone, her anger, kept so
+well under control before, burst forth.
+<p>
+"Stuttering old fool!" she exclaimed, "to come here to badger me!--to
+throw up to me the wood he cut, or the apples he brought me!--as
+though Mr. Kinloch hadn't paid that ten times over! He'll find how it
+is before long."
+<p>
+"What's the matter?" asked Mildred, meeting her step-mother in the
+hall, and noticing her flushed cheek, her swelling veins, and
+contorted brows.
+<p>
+"Why, nothing, but a talk with Uncle Ralph, who has been rather
+saucy."
+<p>
+"Saucy? Uncle Ralph saucy? Why, he is the most kindly man in the
+world,--sometimes hasty, but always well-mannered. I don't see how he
+could be saucy."
+<p>
+"I advise you not to stand up for him against your mother."
+<p>
+"I shouldn't defend him in anything wrong; but I think there must be
+some misunderstanding."
+<p>
+"He is like Mark, I suppose, always perfect in your eyes."
+<p>
+This was the first time since Mr. Kinloch's death that the step-mother
+had ever alluded to the fondness which had existed between Mark and
+Mildred as school-children, and her eyes were bent upon the girl
+eagerly. It was as though she had knocked at the door of her heart,
+and waited for its opening to look into the secret recesses. A quick
+flush suffused Mildred's face and neck.
+<p>
+"You are unkind, mother," she said; for the glance was sharper than
+the words; and then, bursting into tears, she went to her room.
+<p>
+"So it has come to this!" said Mrs. Kinloch to herself. "Well, I did
+not begin at all too soon."
+<p>
+She walked through the hall to the back piazza. She heard voices from
+beyond the shrubbery that bordered the grass-plot where the clothes
+were hung on lines to dry. Lucy, the maid, evidently was there, for
+one; indeed, by shifting her position so as to look through an opening
+in the bushes, Mrs. Kinloch could see the girl; but she was not busy
+with her clothes-basket. An arm was bent around her plump and graceful
+figure. The next instant, as Mrs. Kinloch saw by standing on tiptoe,
+two forms swayed toward each other, and Lucy, no way reluctantly,
+received a kiss from--Hugh Branning!
+<p>
+Very naughty, certainly,--but it is incumbent on me to tell the truth,
+and accordingly I have put it down.
+<p>
+Now my readers are doubtless prepared for a catastrophe. They will
+expect to hear Mrs. Kinloch cry, "Lucy Ransom, you jade, what are you
+doing? Take your clothes and trumpery and leave this house!" You will
+suppose that her son Hugh will be shut up in the cellar on bread and
+water, or sent off to sea in disgrace. That is the traditional way
+with angry mistresses, I know; but Mrs. Kinloch was not one of the
+common sort. She did not know Talleyrand's maxim,--"Never act from
+first impulses, for they are always--<i>right</i>!" Indeed, I doubt if
+she had ever heard of that slippery Frenchman; but observation and
+experience had led her to adopt a similar line of policy.
+<p>
+Therefore she did not scold or send away Lucy; she could not well do
+without her; and besides, there were reasons which made it desirable
+that the girl should remain friendly. She did not call out to her
+hopeful son, either,--although her fingers <i>did</i> itch to tweak
+his profligate ears. She knew that a dispute with him would only end
+in his going off in a huff, and she thought she could employ him
+better. So she coughed first and then stepped out into the yard. Hugh
+presently came sauntering down the walk, and Lucy sang among the
+clothes-lines as blithely and unconcerned as though her lips had never
+tasted any flavor more piquant than bread and butter.
+<p>
+It was rather an equivocal look which the mistress cast over her
+shoulder at the girl. It might have said,--"Poor fool! singe your
+wings in the candle, if you will." It might have been only the scorn
+of outraged virtue.
+<p>
+"Hugh," said Mrs. Kinloch, "come into the house a moment. I want to
+speak with you."
+<p>
+The young man looked up rather astonished, but he could not read his
+mother's placid face. Her hair lay smooth on her temples, under her
+neat cap; her face was almost waxy pale, her lips gently pressed
+together; and if her clear, gray eyes had beamed with a warm or more
+humid light, she might have served a painter as a model for a
+
+
+ "steadfast nun, devout and pure."
+
+<p>
+When they reached the sitting-room, Mrs. Kinloch began.
+<p>
+"Hugh, do you think of going to sea again? Now that I am alone in the
+world, don't you think you can make up your mind to stay at home?"
+<p>
+"I haven't thought much about it, mother. I suppose I should go when
+ordered, as a matter of course; I have nothing else to do."
+<p>
+"That need not be a reason. There is plenty to do without waiting for
+promotion in the navy till you are gray."
+<p>
+"Why, mother, you know I have no profession, and, I suppose I may say,
+no money. At least, the Squire made no provision for me that I know
+of, and I'm sure you cannot wish me to live on your 'thirds.'"
+<p>
+"My son, you should have some confidence in my advice, by this
+time. It doesn't require a great fortune to live comfortably here."
+<p>
+"Yes, but it is deused dull in this old town. No theatre,--no
+concert,--no music at all, but from organ-grinders,--no
+parties,--nothing, in fact, but prayer-meetings from one week's end to
+another. I should die of the blues here."
+<p>
+"Only find something to do, settle yourself into a pleasant home, and
+you'll forget your uneasiness."
+<p>
+"That's very well to say"----
+<p>
+"And very easy to do. But it isn't the way to begin by flirting with
+every pretty, foolish girl you see. Oh, Hugh! you are all I have now
+to love. I shall grow old soon, and I want to lean upon you. Give up
+the navy; be advised by me."
+<p>
+Hugh whistled softly. He did not suppose that his mother knew of his
+gallantry. He was amused at her sharp observation.
+<p>
+"So you think I'm a flirt, mother?" said he. "You are out,
+entirely. I'm a pattern of propriety at home!"
+<p>
+"You need not tell me, Hugh! I know more than you think. But I didn't
+know that a son of mine could be so simple as I find you are."
+<p>
+"She's after me," thought Hugh. "She saw me, surely."
+<p>
+His mother went on.
+<p>
+"With such an opportunity as you have to get yourself a wife----Don't
+laugh! I want to see you married, for you will never sow your wild
+oats until you are. With such a chance as you have"----
+<p>
+"Why, mother," broke in Hugh, "it isn't so bad as that."
+<p>
+"Isn't so bad? What do you mean?"
+<p>
+"Why, <i>you</i> know what you're driving at, and so do I. Lucy is a
+good girl enough, but I never meant anything serious. There's no need
+of my marrying her."
+<p>
+"What <i>are</i> you talking about?"
+<p>
+"Now, mother, what's the use? You are only trying to read me a moral
+lecture, because I gave Lucy a harmless smack."
+<p>
+"Lucy Ransom!" repeated Mrs. Kinloch, with ineffable scorn. "Lucy
+Ransom! I hope my son isn't low enough to dally with a housemaid, a
+scullion! If I <i>had</i> seen such a spectacle, I should have kept my
+mouth shut for shame. 'A guilty conscience needs no accuser'; but I am
+sorry you had not pride enough to keep your disgusting fooleries to
+yourself."
+<p>
+"Regularly sold!" muttered Hugh, as he beat a rat-tattoo on the
+window-pane.
+<p>
+"I gave you credit for more penetration, Hugh. Now, just look a
+minute. What would you think of the shrewdness of a young man, who
+had no special turn for business, but a great fondness for taking his
+ease,--with no money nor prospect of any,--and who, when he had the
+opportunity to step at once into fortune and position, made no
+movement to secure it?"
+<p>
+"Well, the application?"
+<p>
+"The fortune may be yours, if you will."
+<p>
+"Don't tell me riddles. Show me the prize, and I'm after it."
+<p>
+"But it has an incumbrance."
+<p>
+"Well?"
+<p>
+"A pretty, artless, affectionate little woman, who will make you the
+best wife in the world."
+<p>
+"Splendid, by Jove! Who is she?"
+<p>
+"You needn't look far. We generally miss seeing the thing that is
+under our nose."
+<p>
+"Why, mother, there isn't an heiress in Innisfield except my sister
+Mildred."
+<p>
+"Mildred is not your sister. You are no more to each other than the
+two farthest persons on earth."
+<p>
+"True enough! Well, mother, you <i>are</i> an old 'un!"
+<p>
+"Don't!"--with a look of disgust,--"don't use your sailor slang here!
+To see that doesn't require any particular shrewdness."
+<p>
+"But Mildred never liked me much. She always ran from me, like the
+kitten from old Bose. She has always looked as though she thought I
+would bite, and that it was best she should keep out of reach under a
+chair."
+<p>
+"Any young man of good address and fair intelligence can make an
+impression on a girl of eighteen, if he has the will, the time, and
+the opportunity. You have everything in your favor, and if you don't
+take the fortune that lies right in your path, you deserve to go to
+the poor-house."
+<p>
+Hugh meditated.
+<p>
+"Good-morning," said Mrs. Kinloch. "You know the horse and carriage,
+or the saddle-ponies, are always yours when you want to use them."
+<p>
+Great discoveries seem always so simple, that we wonder they were not
+made from the first. The highest truths are linked with the commonest
+objects and events of daily life.
+<p>
+Hugh looked about him as much astonished as though he had been shown a
+gold mine in old Quobbin, where he could dig for the asking. What
+determination he made, the course of our story will show.
+<br>
+<br>
+
+
+<h3>CHAPTER VIII.</h3>
+
+<p>
+Hugh had ordered George, the Asiatic, to saddle the ponies after
+dinner, intending to ask Mildred to take a ride northward, through the
+pine woods; but on making inquiries, he found that she had walked out,
+leaving word that she should be absent all day.
+<p>
+"Confound it!" thought he,--"a mishap at the start! I'm afraid the
+omen isn't a good one. However, I must kill time some way. I can't lay
+up here, like a ship in ordinary; better be shaken by storms or
+covered with barnacles at sea than be housed up, worm-eaten or
+crumbled into powder by dry-rot on shore."
+<p>
+He went to ride alone, but did not go in the direction of the pine
+woods.
+<p>
+Mildred could not get over the unpleasant impressions of the morning,
+so, rather than remain in her room this fine day, she had walked
+across the meadow, east of the mill-pond, to a farm-house, where she
+was a frequent and welcome visitor. On her way, she called for Lizzy
+Hardwick, the blacksmith's daughter, who accompanied her. Mr. Alford,
+the farmer, was a blunt, good-humored, and rather eccentric man,
+shrewd and well to do, but kindly and charitable. He had no children,
+and he enjoyed the occasional visits of his favorites heartily; so did
+his wife, Aunt Mercy. Her broad face brightened as she saw the girls
+coming, and her plump hands were both extended to greet them. They
+went to the dairy to see the creaking cheese-presses, ate of the fresh
+curd, saw the golden stores of butter;--thence to the barn, where they
+clambered upon the hay-mow, found the nest of a bantam, took some of
+the little eggs in their pockets;--then coming into the yard, they
+patted the calves' heads, scattered oats for the doves, that, with
+pink feet and pearly blue necks, crowded around them to be fed, and
+next began to chase a fine old gander down to the brook, when
+Mr. Alford, getting over the fence, called out, "Hold on, girls! don't
+bother Uncle Ralph!--don't!"
+<p>
+"Where is Uncle Ralph?" asked Mildred.
+<p>
+"Why, that gander you've been chasin'; and he's about the harn'somest
+bird I know on, too. Talk about swans! there never was a finer neck,
+nor a prettier coat of feathers on anything that ever swum. His wings
+are powerful; only let him spread 'em, and up he goes; but as for his
+feet, he limps just a little, as you see. No offence, Lizzy. I love
+your father as well as you do; but when I hear him, with his idees so
+grand,--the minister don't begin with him,--and yet to be bothered, as
+he is sometimes, to get a word out, I think of my good old fellow
+here, whose wings are so much better'n his legs. Come here, Ralph! You
+see he knows his name. There!"--patting his head,--"that's a good
+fellow! Now go and help marm attend to your goslins."
+<p>
+The kindly tone and the caress took away from the comparison any idea
+of disrespect, and the girls laughed at the odd conceit,--Lizzy, at
+least, not a little proud of the implied compliment. Mr. Alford left
+them, to attend to his affairs, and they went on with their
+romp,--running on the top of the smooth wall beside the meadow,
+gathering clusters of lilac blossoms from the fatherly great posy that
+grew on the sunny side of the house, and admiring the solitary state
+of the peacock, as, with dainty step, he trailed his royal robe over
+the sward. Soon they heard voices at the house, and, going round the
+corner of the shed, saw Uncle Ralph and Mark Davenport talking with
+Mr. Alford at the door.
+<p>
+Not to make a mystery of a simple matter, the blacksmith had come to
+borrow of Mr. Alford the money necessary to make up the amount owing
+by Mark to the Kinloch estate.
+<p>
+The young man had shown great readiness to accompany his uncle;
+praiseworthy, certainly; but I am inclined to think he had somehow got
+an intimation that the girls had preceded him.
+<p>
+Fortunately, the farmer was able to lend the sum wanted, and, as he
+had an errand in town, he took Mr. Hardwick with him in his wagon.
+<p>
+Mark was left, nothing loath, to walk home with the girls. Do not
+think he was wanting in affection for his cousin Lizzy, if he wished
+that she were, just for one hour, a hundred miles away. They took a
+path that led over the plain to the river, intending to cross upon a
+foot-bridge, a short distance above the village. But though Mark was
+obliged to be silent on the matter he had most at heart, Mildred was
+not unaware of his feelings. A tone, a look, a grasp of the hand
+serves for an index, quite as well as the most fervent speech. The
+river makes a beautiful bend near the foot-bridge, and its bank is
+covered with a young growth of white pines. They sat down on a
+hillock, under the trees, whose spicy perfume filled the air, and
+looked down the stream towards the village. How fair it lay in the
+soft air of that June day! The water was deep and blue, with a
+reflected heaven. The mills that cluster about the dam, a mile below,
+were partially concealed by young elms, silver-poplars, and
+water-maples. Gardens sloped on either bank to the water's edge. Neat,
+white houses gleamed through the trees and shrubbery around the bases
+of the hills that hem in the valley; and the tall, slender spire of
+the meeting-house shewed fairly against its densely-wooded
+background. Verily, if I were a painter, I should desire no lovelier
+scene for my canvas than that on which Mark and Mildred looked. Lizzy
+walked away, and began hunting checkerberries with an unusual
+ardor. She <i>did</i> understand; she would not be Mademoiselle de
+Trop any longer. Kind soul! so unlike young women in general, who
+won't step aside gracefully, when they should! Further I can vouch,
+that she neither hemmed, nor made eyes, nor yet repeated the well-worn
+proverb, "Two's company, but three's none." No, she gathered berries
+and sang snatches of songs as though she were quite alone.
+<p>
+Now those of my readers who have the good-fortune still to linger in
+teens are expecting that I shall treat them to a report of this
+delightful <i>tête-à-tête</i>. But it must not be told. The older
+people would skip it, or say, "Pshaw!" And besides, if it were set
+down faithfully, you would be sadly disappointed; the cleverest men,
+even, are quite sure to appear silly (to other people) when in
+love. The speeches of the Romeos and Claude Melnottes, with which you
+have been so enchanted, would be common-place enough, if translated
+into the actual prose in which they were delivered. When Shakspeare
+wooed Anne Hathaway, it might have been different; but consider, you
+will wait some time before you find a lover like him. No, when your
+time comes, it will be soon enough. You will see your hero in his
+velvet cloak and plumed hat, with the splendor of scenery and the
+intoxication of the music. I don't choose to show him to you in
+morning dress at rehearsal, under daubed canvas and dangling
+machinery.
+<p>
+However full of poetry and passion Mark's declaration was for Mildred,
+to him it was tame and hesitating enough. It seemed to him that he
+could not force into the cold formula of words the emotion that
+agitated him. But with quickening breath he poured out his love, his
+hopes, and his fears,--the old burden! She trembled, her eyelids
+fell; but at length, roused by his pleading tones, she looked
+up. Their eyes met; one look was enough; it was a reciprocal electric
+flash. With a sudden energy he clasped her in his arms; and it was a
+very pretty tableau they made! But in the quick movement his heedless
+foot chanced to touch a stone, which rolled down the bank and fell
+into the stream with a splash. The charm was broken.
+<p>
+"What's that?" cried Lizzy from a distance, forgetting her
+discretion. "Did a pickerel jump?"
+<p>
+"No," replied Mark, "the pickerel know me of old, and don't come about
+for fear that I have a hook and line in my pocket. It was only a stone
+rolling into the river."
+<p>
+"You come here a moment," continued the unthoughtful Lizzy; "here's a
+beautiful sassafras sapling, and I can't pull it up by the roots
+alone."
+<p>
+"Send for the dentist, then."
+<p>
+"Go and help her," said Mildred, softly.
+<p>
+"Well," said Mark, with a look of enforced resignation,--"if I must."
+<p>
+The sapling grew on the steep bank, perhaps fifty yards from where he
+had been sitting. He did not use sufficient care to brace himself, as
+he pulled with all his might, and in a moment, he knew not how, he
+rolled down into the river. The girls first screamed, and then, as he
+came out of the water, shaking himself like a Newfoundland dog, they
+laughed immoderately. The affair did not seem very funny to Mark, and
+he joined in the laugh with no great heartiness. The shock had
+effectually dispelled all the romance of the hour.
+<p>
+"I'm so sorry!" said Lizzy, still laughing at his grotesque and
+dripping figure.
+<p>
+"You must hurry and get dry clothes on, Mark," said Mildred. "Squire
+Clamp's is the nearest house across the bridge."
+<p>
+"Hang Squire Clamp! his clothes would poison me. I'd as lief go to a
+quarantine hospital to be dressed."
+<p>
+"Don't!" said Lizzy.
+<p>
+But he kept on in the same mercurial strain.--"Clamp lives on poison,
+like Rappaccini's daughter, in Hawthorne's story; only it makes him
+ugly instead of fair, as that pretty witch was. His wife never had any
+trouble with spiders as long as she lived; he had only to blow into a
+nest, and the creatures would tumble out, and give up their venomous
+ghosts. No vermin but himself are to be seen in his neighborhood; the
+rats even found they couldn't stand it, and had to emigrate."
+<p>
+"The breath that killed spiders must have been a little too powerful,
+at times, for Mrs. Clamp, one would think," said Mildred.
+<p>
+"It was," said Mark. "She died one day, after Clamp had cheated a
+widow out of her dower."
+<p>
+"Don't stop longer for your fun," said Mildred, "you'll surely take
+cold. Besides, I can't have you making any disparaging remarks upon my
+guardian."
+<p>
+"Bless my soul! your guardian! how imprudent, to be sure!"--with a
+significant twinkle. "Well, I'm going. Banfield's is the nearest
+house; so we'll part here."
+<p>
+The girls went towards the village; and Mark, making vigorous strides
+across the meadow, took a straight line for Banfield's. Near the
+house is a piece of woods,--one corner of the leafy mantle that covers
+the hill slipped down its side and trailing upon the borders of the
+fertile field below. Just as he passed the woods he saw Hugh Branning
+letting down the bars and leading his pony out into the road. The only
+bridle-path through the woods led over the hill to the little house on
+the westerly slope, where lived Dame Ransom, Lucy's bowed and wrinkled
+grandmother. Mark wondered not a little where the midshipman had been;
+but as he still retained the memory of the old quarrel, he did not
+accost him, and presently thought no more of it. Reaching the house,
+he got some dry clothes and then went home with bounding steps. The
+earth was never so beautiful nor the sky so benign. The cloud of
+doubt had furled off and left his heaven blue. He had spoken and found
+that the dream of his boyhood and the hope of his youth had become the
+proud triumph of his manhood. Mildred Kinloch loved him! loved him as
+sincerely as when they were both children! What higher felicity was
+to be thought of? And what a motive for exertion had he now! He would
+be worthy of her, and the world should acknowledge that the heiress
+had not stooped when she mated with him.
+<br>
+<br>
+
+<h3>CHAPTER IX.</h3>
+
+<p>
+Mrs. Kinloch was surprised at finding that neither Hugh nor Mildred,
+nor yet Lucy Ransom, was in the house.
+<p>
+Mildred came home first and was not accompanied by Hugh, as
+Mrs. Kinloch had hoped. He had not found her, then,--perhaps he had
+not sought for her. Next Lucy returned, coming through the garden
+which stretched up the hill. Being questioned, she answered that she
+had been to her grandmother's, and had come back the nearest way over
+the hill, through the woods.
+<p>
+"What had she gone for after the fatigue of washing-day?"
+<p>
+"Because Squire Clamp, who owned the house her grandmother lived in,
+wanted her to take a message."
+<p>
+Mrs. Kinloch began to become interested. "Squire Clamp!" she
+exclaimed,--"when did you see him?"
+<p>
+"He called here yesterday evening,--on his way to Mr. Hardwick's, I
+guess."
+<p>
+"Why didn't he ask <i>me</i> if you could go? I think he's pretty free
+to send my girls about the town on his errands."
+<p>
+"You were out, Ma'am,--in the next house; and after he'd gone I forgot
+it."
+<p>
+"You remembered it to-day, it seems."
+<p>
+"Yes'm; after dinner I thought of it and hurried right off; but granny
+was sick and foolish, and didn't want to let me come away, so I
+couldn't get back as quick as I meant to."
+<p>
+"Well, you can go to the kitchen."
+<p>
+"Yes'm."
+<p>
+"I must keep an eye on that girl," thought Mrs. Kinloch. "She is
+easily persuaded, fickle, without strong sense, and with only a very
+shallow kind of cunning. She might do mischief. What can Squire Clamp
+want? The old hovel her grandmother lives in isn't worth fifty
+dollars. Whatever has been going on, I'm glad Hugh is not mixed up in
+it."
+<p>
+Just then Hugh rode up, and, tying his horse, came in. He seemed to
+have lost something of the gayety of the morning. "I am tired," he
+said. "I had to get off and lead the pony down the hill, and it's
+steep and stony enough."
+<p>
+"There are pleasant roads enough in the neighborhood," said his
+mother, "without your being obliged to take to the woods and clamber
+over the mountains."
+<p>
+"I know it," he replied; "but I had been up towards the Allen place,
+and I took a notion to come back over the hill."
+<p>
+"Then you passed Lucy's house?"
+<p>
+"Yes. The bridle-path leads down the hill about a mile above this; but
+on foot one may keep along the ridge and come down into the valley
+through our garden."
+<p>
+"So I suppose; in fact, I believe Lucy has just returned that way."
+<p>
+"Indeed! it's strange I didn't see her."
+<p>
+"It is strange."
+<p>
+Hugh bore the quiet scrutiny well, and his mother came to the
+conclusion that the girl had told the truth about her going for the
+lawyer.
+<p>
+Presently Mildred came down from her room, and after a few minutes
+Mrs. Kinloch went out, casting a fixed and meaning look at her
+son. She seemed as impatient for the issue of her scheme, as the child
+who, after planting a seed, waits for the green shoot, and twice a day
+digs down to see if it has not sprouted.
+<p>
+Mildred, as the reader may suppose, was not likely to be very
+agreeable to her companion; the recollections of the day were too
+vivid, too delicious.
+<p>
+She could not part with them, but constantly repeated to herself the
+words of love, of hope, and enthusiasm, which she had heard. So she
+moved or talked as in a dream, mechanically, while her soul still
+floated away on the summer-sea of reverie.
+<p>
+Hugh looked at her with real admiration; and, in truth, she deserved
+it. A fairer face you would not see in a day's journey; her smooth
+skin, not too white, but of a rich creamy tint,--eyes brown and
+inclined to be dreamy,--her hair chestnut and wavy,--a figure rather
+below the medium size, but with full, graceful lines,--these, joined
+with a gentle nature and a certain tremulous sensibility, constituted
+a divinity that it was surely no sin to worship. If sin it were, all
+the young men in Innisfield had need of immediate forgiveness.
+<p>
+Hugh had some qualms about approaching the goddess. He was sensible of
+a wide gulf between himself and her, and he could not but think that
+she was aware of it too.
+<p>
+"You have been to Mr. Alford's?"
+<p>
+A momentary pause.
+<p>
+"Did you speak, Hugh?"
+<p>
+He repeated the question. Her eyes brightened a moment as she nodded
+in the affirmative; then they grew dim again, like windows seen from
+without when the light is withdrawn to an inner room. She seemed as
+unconscious as a pictured Madonna.
+<p>
+"A beautiful day for your walk," he ventured again. The same pause,
+the same momentary interest as she answered, followed by the same
+abstraction.
+<p>
+"I suppose," said he, at length, "that I am having the last of my idle
+days here; I expect to be ordered to sea shortly."
+<p>
+"Indeed!" Mildred looked up.
+<p>
+"I shall be very sorry to leave here," he continued.
+<p>
+"Yes, Innisfield <i>is</i> quite pretty this summer. But I supposed
+that the pleasures of the seaport and of adventure abroad were more
+attractive to you than this monotonous life."
+<p>
+"'Tis rather slow here, but--I--I meant to say that I shall be sorry
+to leave you."
+<p>
+"Me? Why, mother can take care of me."
+<p>
+"Certainly she will, but I shall miss you."
+<p>
+"No doubt you'll think of us, when you are away; I'm sure we shall
+remember you. We shall never sit down to the table without thinking of
+your vacant chair."
+<p>
+It was impossible to misinterpret her kind, simple, sisterly
+tones. And Hugh could but feel that they indicated no particle of
+tenderness for him. The task of winning her was yet wholly to be done,
+and there was no prospect that she would give him the least
+encouragement in advance, if she did not utterly refuse him at the
+end. He saw that he must not count on an easy victory, but prepare for
+it by a slow and gradual approach.
+<p>
+Mildred sat some time leaning out of the window, then opening her
+piano, for the first time since her father's death, she sat down and
+played a nocturne by Mendelssohn. The music seemed a natural
+expression of her feelings,--suited to the heart "steeped in golden
+languors," in the "tranced summer calm." The tones rang through the
+silent rooms, pervading all the charmed air, so that the ear tingled
+in listening,--as the lips find a sharpness with the luscious flavor
+of the pine-apple. The sound reached to the kitchen, and brought a
+brief pleasure, but a bitterer pang of envy, to Lucy's swelling bosom.
+It calmed for a moment the evil spirit in Hugh's troubled heart. And
+Mrs. Kinloch in her solitary chamber, though she had always detested
+the piano, thought she had never heard such music before. She had
+found a new sense, that thrilled her with an exquisite delight. It was
+a good omen, she was sure, that Mildred should now, after so long a
+time, feel inclined to play. Only a light heart, and one supremely
+careless or supremely happy, could touch the keys like that. "Hugh
+must be a fortunate boy," she thought; and she could have hugged him
+for joy. What thought Hugh, as she rose from her seat at the
+instrument like one in a trance and walked towards the hall?
+Conflicting emotions struggled for mastery; but, hardly knowing what
+he did, he started up and offered her a caress. It was not unusual,
+but her nerves had acquired an unwonted sensitiveness; she shuddered,
+and rushed from him up the stairs. He could have torn his hair with
+rage.
+<p>
+"Am I, then, such a bear," he asked himself, "that she is afraid of
+me?"
+<p>
+A light at the end of the hall caught his eye. It was Lucy with
+tear-stained cheeks going to bed,--unconscious that the flaring candle
+she carried was dripping upon her dress,--unconscious that the one she
+both loved and feared was looking at her as she slowly went up the
+back-stairs. Truly, how little the inmates of that house knew of the
+secrets of each other's hearts! It was strange,--was it not?--that,
+after so long intimacy, they could not understand each other better!
+How many hearts do <i>you</i> really know?
+<br>
+<br>
+
+<h3>CHAPTER X.</h3>
+
+<p>
+"Verily, a good day's work," thought Squire Clamp, as he stretched his
+legs in his office that Monday evening. "Mrs. Kinloch is a very shrewd
+woman, an extraordinarily capable woman. What a wife for a lawyer
+she'd make!--so long as she plotted for, and not against him. But
+Theophilus Clamp was not born to be overreached by one of the weaker
+sex. I was sure my late lamented friend could not have left his
+affairs in such utter disorder,--no schedule of property,--no
+statement of debts; too good a business man for that was Walter
+Kinloch. I shall now be able to know from these documents what my
+late client was really worth, and how large a dower the disconsolate
+widow has reserved for herself. Doubtless she has put by enough to
+suffice for her old age,--and mine, too, I am inclined to think; for I
+don't believe I can do better than marry her when the mourning is
+ended. My late spouse, to be sure, would make a quiet man rather
+apprehensive about a second venture; but if Mrs. Kinloch <i>is</i> a
+Tartar, she is not a vulgar shrew, but will be lady-like, even if she
+is bitter. I think I shall take her. Of course she'll consent. I
+should like to see the unmarried woman in Innisfield that would dare
+refuse Theophilus Clamp. When she knows--that I know--what she knows,
+she'll do pretty much what I tell her. I wonder if she hasn't set on
+foot a marriage between her scapegrace son and Mildred? That would be
+a mishap, truly! But, as guardian, I can stave that off until the
+estate is settled, my wedding over, and myself comfortably in
+possession. Then, perhaps, we'll let the young folks marry,--at least
+we'll think of it. If my son George, now, had not that unlucky
+hare-lip, who knows? H'm, well, to business again. Let's see. It's
+just as that remarkably keen woman suspected. Hardwick's shop does
+stand partly on the land of the estate that joins it; the line will
+run right through his forge, and leave the trip-hammer and water-wheel
+in our possession; for I paced the distance this morning. Tomorrow
+Gunter will make sure of it by a survey; though I think we'd better do
+it while the old man is gone to dinner. He's sometimes apt to use
+emphatic language. Perhaps now his mangy cur Caesar will seize me by
+the coat again! Perhaps Mark will insult me, and the old man laugh at
+it in his sleeve! I shouldn't wonder if they managed to pay the notes,
+but on the title to the shop we have them fast."
+<p>
+The lawyer looked at his watch. "Dear me! it's tea-time. I must go,
+for the church-committee meet this evening. I think, however, I won't
+complain of Hardwick to the deacons this time; for he'll be sure to
+get into a passion when we commence our suit for ejectment, and I
+shall then have a better case against him. A more disagreeable
+Christian to fellowship with I don't know anywhere.
+<p>
+"I <i>should</i> like to know," he continued, as he locked the
+office-door, "if that Lucy told me true,--if those were all the
+papers. No will, no memorandum for one! Well, perhaps Mrs. Kinloch was
+careful enough to give that secret to the keeping of the flames,
+instead of her bureau. I will make close copies of what I have got for
+Lucy to put back, and keep the originals myself. They'll be safest
+with me. There's no telling what may happen to papers in a house where
+there is a prying servant-girl."
+<p>
+Whether the insects were poisoned by the air of the room, as Mark
+Davenport suggested, I cannot say. But when Squire Clamp left the
+office, it was as still as a tomb. No cricket chirped under the
+hearth, no fly buzzed on the window-pane, no spiders came forth from
+the dilapidated, dangling webs. Silence and dust had absolute
+dominion.
+<p>
+The next day Mark returned to New York. He had no opportunity of
+bidding Mildred farewell, but he comforted himself by thinking he had
+provided the means of safely communicating with her by letter. And as
+the stage passed by the house, he caught a glimpse, first of her
+fluttering handkerchief, and then of her graceful fingers wafting to
+him a kiss. It was enough; it furnished him with food for a delightful
+reverie as he went on his way. We shall leave him in his former
+situation, from which, as a starting-point, he determines to win
+fortune or fame, or both. He has your best wishes, no doubt, though
+perhaps you think he will not force his way into the close ranks of
+the great procession of life so soon as he expects.
+<p>
+That day, while Mr. Hardwick was taking his dinner, his second son,
+Milton, who had been fishing at the dam, came running into the house
+quite out of breath.
+<p>
+"F-father!" he stammered out.
+<p>
+"Nun-now st-hop," said the black-smith. "W-what are you st-stuttering
+for? Wah-wait till you can talk."
+<p>
+"Why, father, yer-<i>you</i> stutter."
+<p>
+"Wer-well, yer-<i>you</i> shan't."
+<p>
+The look that came with this seemed to end the matter. A moment's rest
+quieted the nerves of the boy, and he went on to say, that Squire
+Clamp, and a man with a brass machine on his shoulder, and a chain,
+ever so long, were walking about the shop on the bank of the
+river. Lizzy at once looked out of the window and saw the man peering
+into the shop-door, as if exploring the premises.
+<p>
+Impelled by some presentiment of evil, Mr. Hardwick got up from the
+table, and sternly motioning the boys back, went down to the shop. As
+he came near the door, he saw the surveyor holding one end of the
+chain and taking sight upon a staff which the lawyer within was
+adjusting to its place by his direction.
+<p>
+"Just as I expected," said Squire Clamp, in a satisfied tone.
+<p>
+"An' jest as I expected," broke in Mr. Hardwick upon the astonished
+pair. "I knew th-that ef Squire Clamp hed anythin' to do against me,
+he wer-would sneak into the shop sus-some time when I'd ger-gone to
+dinner."
+<p>
+"We thought it would be most convenient, so as not to interrupt you
+about your work."
+<p>
+"Very ker-kind indeed! As ef you wa'n't tryin' to turn me out of
+wer-work altogether! But 'tisn't any yer-use, Squire; this is a case
+you can't be ber-both sides on."
+<p>
+The lawyer turned, with a placid smile, to his companion. "Mr. Gunter,
+I believe we have finished our measurements?"
+<p>
+The man of chain and compass nodded. Nothing abashed by the lawyer's
+cool manner, Mr. Hardwick turned to the surveyor, and asked if he
+undertook to say that Walter Kinloch's deed called for land that was
+covered by the shop?
+<p>
+"I suppose so," was the answer.
+<p>
+"An' now, Sus-squire Clamp," said Mr. Hardwick, "you know that it's
+sus-seventeen or eighteen year sence I per-pulled down the old shop
+and bought this land."
+<p>
+"Yes, but, unfortunately, it takes twenty years to give you title,"
+put in the Squire.
+<p>
+"Nun-never mind that now. Squire Kinloch knew this,--at least, that
+there was room for der-difficulty; for we'd talked it over sus-several
+times afore he died. An' he allers said th-that he'd hev new deeds
+made out, so's to per-per-prevent just such a wrong as this. He didn't
+'xpect to go so sus-sudden."
+<p>
+"I'm sorry, Brother Hardwick, to see you bringing up your talk with
+the lamented deceased, whom you represent as being willing to part
+with his legal rights without a consideration. Even if you had
+evidence of it, such an agreement would be a mere <i>nudum pactum</i>,
+binding neither upon himself nor his heirs."
+<p>
+"Squire Clamp! ger-get out of my shop! Fust to call me <i>Brother</i>,
+next to doubt my word, an' last to sus-say that a man's free an'
+der-deliberet promise--now he's where he can't sh-shame you into
+honesty--sha'n't be kept!"
+<p>
+The Squire smiled feebly. "You don't intend, Mister Hardwick, assault
+and battery, do you?"
+<p>
+"Yer-yes, ef you don't leave in q-q-q-quick time." And he strode up to
+the astonished attorney, his blue eyes flashing, his curly gray hair
+flying back from his forehead, like a lion's.
+<p>
+Squire Clamp retreated to the street, took sight each way to be sure
+he was off his antagonist's territory, and then vented his cautious
+resentment in such well-considered phrases as a long course of
+experience had taught him were not actionable at law, nor ground for
+discipline in church.
+<p>
+Prudence came to Uncle Ralph's aid, and he did not make further reply,
+but locked the shop-door and returned to the house to finish his
+dinner. The suit was commenced a few days afterwards. Mr. Hardwick
+went to the county seat, some dozen miles distant, and secured the aid
+of an able lawyer, who gave him hope of prevailing and keeping his
+shop.
+<p>
+The affair necessarily created a great stir in the busy little
+town. As the cheerful clatter of the trip-hammer echoed along the
+stream on still evenings, and the fiery plume waved over the chimney,
+neighbors looked out from their windows, and wondered if the good
+blacksmith would, after so many years of honest toil, be stripped of
+his property and be reduced to dependence in his old age. The sympathy
+of the villagers was wholly with him; but the lawyer held so many
+threads of interest in his hands, that few dared to give an opinion
+with much emphasis.
+<p>
+Probably the person most grieved and indignant was the one who, next
+after the blacksmith, was most interested in the event of the
+suit,--namely, Mildred Kinloch. Though no mention was made of the
+matter, at home, in her hearing, she could not fail to know what was
+going on; but she had now sufficient knowledge of her step-mother and
+her guardian to be aware that her influence would not be of the least
+avail in changing their purpose.
+<p>
+Mrs. Kinloch did not repeat the experiment she once made on Mildred's
+sensibilities by referring to her partiality for Mark Davenport and
+his relatives; but, on the contrary, was most gentle in her treatment
+and most assiduous in her endeavors to provide amusement, so far as
+the resources of the town allowed. In company with Hugh, Mildred
+explored all the pleasant roads in the vicinity, all the picturesque
+hills and brooks, caught trout, and snared gamebirds, (the last much
+against her will,)--and by these means her time was fully
+occupied. Hugh seemed to have totally changed; he no longer absented
+himself from the family on mysterious errands; he went to church
+regularly, and appeared to take pleasure in the frequent calls of
+Mr. Rook, the minister. The neighbors began to say that there never
+was a more dutiful son or a more attentive and affectionate brother.
+Some half suspected the reason of the reformation,--no one so quick as
+Squire Clamp, who had reasons of his own, as the reader knows, for
+wishing delay. After a few months had passed, he thought it would be
+dangerous to let the schemes of the widow go on longer without
+interruption, and accordingly prepared to make a step towards his own
+long-cherished purpose.
+<br>
+<br>
+
+<h3>CHAPTER XI.</h3>
+
+<p>
+One afternoon, about six months after the opening of our story,
+Mrs. Kinloch and her son were talking together concerning the progress
+of his suit. He complained that he was no nearer the point than on the
+first day he and Mildred rode out together. "It was like rounding Cape
+Horn," he said, "where a ship might lie twenty days and drift back as
+fast as she got ahead by tacking." In spite of all his attention and
+kindness, Mildred was merely courteous in return;--he could not get
+near her. If she smiled, it seemed as though it was from behind a
+grating, as in a nunnery. Her pulse was always firm; and if her eye
+was soft, it was steady as the full moon. He didn't believe she had
+any blood in her. If she was in love with that fellow, she kept it
+pretty closely covered up.
+<p>
+Mrs. Kinloch encouraged her son to persevere; she was sure he had not
+been skilful. "Mildred," she said, "was not to be won with as little
+trouble as a silly, low-bred girl, like--like Lucy, for instance."
+<p>
+"What the deuse are you always bringing up Lucy to me for?" said the
+dutiful son.
+<p>
+"Don't speak so!"
+<p>
+"Confound it! I must. You keep a fellow shut up here for six months,
+going to meeting five times a week; you give him no chance to work off
+his natural spirits, and the devil in him will break out
+somewhere. It's putting a stopper in a volcano; if you don't allow a
+little fire and smoke, you're bound to have an earthquake."
+<p>
+After this philosophical digression, the first topic was resumed, and
+Mrs. Kinloch gave the young man some counsel, drawn from her own
+experience or observation, touching the proper mode of awakening and
+cultivating the tender passion. It is not every mother that does so
+much for her son, but then few mothers have so urgent a motive.
+<p>
+"<i>What</i> was it that she advised him to do," did you ask? Really,
+I've quite forgotten; and I am sure Mrs. Kinloch forgot also, at least
+for that day, because something occurred which turned her thoughts for
+the time in quite a different direction.
+<p>
+The ponies were brought out for Hugh and Mildred to take their
+customary canter. The young heiress, for whom so much time and pains
+were spent, looked ill; the delicate flush had vanished from her
+cheek; she seemed languid, and cheerful only by effort. A moment after
+they had gone, as Mrs. Kinloch closed the door, for it was a raw
+November day, she saw and picked up a rudely-folded letter in the
+hall. "Good-bye, Lucy Ransom," were the words she read. They were
+enough. Mrs. Kinloch felt that her heart was struck by a bolt of
+ice. "Poor, misguided, miserable girl!" she said. "Why did I not see
+that something was wrong? I felt it, I knew it,--but only as one knows
+of evil in a dream. Who can calculate the mischief that will come of
+this? O God! to have my hopes of so many years ruined, destroyed, by a
+wretch whose power and existence even I had not once thought of! Has
+she drowned herself, or fled to the city to hide her disgrace? But if
+this should be imagination merely! She may have run away with some
+lubberly fellow from the factory, whom she was ashamed to marry at
+home. But no! she was too sad last evening when she asked to go to her
+grandmother's for a day. What if"--The thought coursed round her brain
+like fire on a train of gunpowder,--flew quicker than words could
+utter it; and the woman bounded to her bureau, as though with muscles
+of steel. She clutched at the papers and bank-notes in her private
+drawer, and looked and counted them over a dozen times before she
+could satisfy herself. Her thin fingers nervously opened the packages
+and folds,--the papers crackling as her eye glanced over them. They
+were there; but not <i>all</i>. She pored over the mystery,--her
+thoughts running away upon every side-avenue of conjecture, and as
+often returning to the frightful, remediless fact before her. She was
+faint with sudden terror. By degrees she calmed herself, wiped the
+cold sweat from her forehead, smiled at her fright, and sat down
+again, with an attempt at self-control, to look through the drawers
+thoroughly. As she went on, the tremor returned, and before she had
+finished the fruitless search her heart beat so as to stop her breath;
+she gasped in an agony that the soul rarely feels more than once in
+this life. She shut up the drawers, walked up and down the room,
+noticed with a shudder her own changed expression as she passed before
+the mirror, and strove in vain to give some order to her confused and
+tumultuous thoughts. At length she sat down exhausted. She was
+startled by a knock. Opening the door, there in a newly-furbished
+suit, with clean linen, and a brown wig worn for the first time on his
+hitherto shining head, stood Theophilus Clamp. He had even picked a
+blossom from the geranium in the hall and was toying with it like a
+bashful boy.
+<p>
+"A fine day, Ma'am!" said he, as he took a seat.
+<p>
+"Yes, very," she answered, mechanically, scarcely looking up.
+<p>
+"The young folks have gone out to ride, I suppose."
+<p>
+"Yes, Sir."--A pause, in which Mrs. Kinloch covered her face with her
+handkerchief.
+<p>
+"You don't seem well, Ma'am. Shall I call Lucy?"
+<p>
+"Lucy is gone," she answered,--quickly adding, "gone to her
+grandmother's."
+<p>
+"Well, that is singular. I've been today to look at my land above the
+old lady's house, and she asked me to send word to Lucy to come up and
+see her."
+<p>
+"To-day?"
+<p>
+"Yes, Ma'am; not two hours ago."
+<p>
+Mrs. Kinloch was rapidly revolving probabilities. What interest had
+Lucy to interfere with her affairs? As for Mildred, she was not to be
+thought of as prying into secrets; she was too innocent. Hugh was too
+careless. Who more than this man Clamp was likely to have done or
+procured the mischief? "Have you given her the message?"
+<p>
+"Of course not, Ma'am,--how could I?"
+<p>
+"Then you haven't sent Lucy away on any errand?"
+<p>
+"Certainly not, Madam," said the lawyer, beginning to wince under the
+cross-examination. "Lucy's gone, you say; didn't she leave things all
+right,--your papers, and--and so forth?"
+<p>
+"Papers? Lucy is not presumed to know that I <i>have</i> any papers;
+if any are missing, I'll warrant they are in the hands of some one who
+knows at least enough to read them."
+<p>
+"She suspects me," thought the lawyer, "but can't have discovered that
+hers are only copies; they're too well done." He then added aloud,
+"Perhaps, Mrs. Kinloch, if you had honored me, your associate in the
+administration of the estate, with your confidence touching the
+private papers you speak of, I might have saved you some trouble in
+keeping them."
+<p>
+"Very likely; but no one spoke of papers beside yourself," she
+replied, with a trace of sarcasm in the tone which ill suited the
+expression of her pallid face and drooping head.
+<p>
+"I'm sorry to see you looking so careworn, Mrs. Kinloch," said he,
+with his blandest air. "I intended to bring up a topic more agreeable,
+it is to be hoped, than runaway house-maids or old documents." He
+rubbed his hands softly and turned his eyes with a glance meant to be
+tender towards the place where her chair stood; if he had been a cat,
+he would have purred the while.
+<p>
+Mrs. Kinloch now, for the first time, observed the wig, the unusual
+look of tidiness, and, above all, the flower in his hand; she also saw
+the crucified smile that followed his last remark. "The ridiculous old
+fool!" thought she,--"what can he mean?" But to him she translated
+it,--
+<p>
+"What is the more agreeable topic?"
+<p>
+"Really, you attack me like a lawyer. Don't you know, my dear Madam,
+how it confuses one to be sharply interrogated?"
+<p>
+"It would be something novel to see you confused, Squire Clamp."
+<p>
+"Pray, don't banter, Mrs. Kinloch. I hoped to find you in a more
+complaisant humor. There are topics which cannot be discussed with the
+square precision of legal rules,--thoughts that require sympathy
+before they can be expressed." And he dropped his eyes with a
+ludicrous sigh.
+<p>
+"Oh, I appreciate your tender susceptibilities. Please consider me as
+asking the question again in the most engaging manner."
+<p>
+His new wig was becoming uncomfortable, and he fidgeted in his chair,
+twirling the luckless blossom.
+<p>
+"Why, Mrs. Kinloch, the long regard I entertained for your late
+lamented husband,--ah, I mean my regard for you,--ah, my lonely
+domicil,--ah, since the decease of my--my sainted wife,--ah, and since
+the Scripture says it is not good for man to live alone,--ah, your
+charming qualities and many virtues,--not that your fortune,--ah,--I
+mean to say, that, though not rich, I am not grasping,--and the
+cottage where you lived would be a palace,--ah, for me, if not
+unworthy,--ah, no desire to unduly shorten the period of
+mourning,--ah, but life is short and uncertain"----
+<p>
+There was a dead silence. His mouth was vainly working, and his
+expression confused and despairing. The flower had wilted in his moist
+hand. Little streams of perspiration trickled down his face, to be
+mopped up by his bandanna. Such was the ordeal of talking hollow
+sentiment to a cool and self-possessed woman. She enjoyed the
+exhibition for a time,--as what woman would not? But the waves of her
+trouble rushed back upon her, and the spirit of mischief and coquetry
+was overwhelmed. So she answered,--
+<p>
+"You are pleased to be polite,--perhaps gallant. You must excuse me
+from taking part in such conversation to-day, however little is meant
+by it,--and the less meant the better,--I am not well."
+<p>
+She rose feebly, and walked towards the door with as much dignity as
+her trembling frame could assume. He was abashed; his fine speeches
+jumbled in meaningless fragments, his airy castle ready to topple on
+his unlucky head. He would have been glad to rebuke her fickle humor,
+as he thought it; but he knew he had made a fool of himself, so he
+merely said,--
+<p>
+"No offence, I hope, Ma'am; none meant, certainly. Wish you
+good-afternoon, Ma'am. Call and see you again some day, and hope to
+find you better."
+<p>
+<i>Would</i> he find her better? While the mystery remained, while the
+ruin of her hopes impended, what could restore to her the
+cheerfulness, the courage, the self-command she had lost?
+<p>
+[To be continued.]
+
+<br><br><br>
+
+<br><br><br>
+
+<table border="0">
+<tr>
+<td width="33%">&nbsp;</td>
+<td width="67%">
+<center>
+<h2>
+<a name="6">BRINGING OUR SHEAVES WITH US.</a>
+</h2>
+</center>
+<br>
+<br>
+<p>
+ The time for toil is past, and night has come,--<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;The last and saddest of the harvest-eves;<br>
+ Worn out with labor long and wearisome,<br>
+ Drooping and faint, the reapers hasten home,<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Each laden with his sheaves.
+<p>
+ Last of the laborers thy feet I gain,<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;Lord of the harvest! and my spirit grieves<br>
+ That I am burdened not so much with grain<br>
+ As with a heaviness of heart and brain;--<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Master, behold my sheaves!
+<p>
+ Few, light, and worthless,--yet their trifling weight<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;Through all my frame a weary aching leaves;<br>
+ For long I struggled with my hapless fate,<br>
+ And staid and toiled till it was dark and late,--<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Yet these are all my sheaves.
+<p>
+ Full well I know I have more tares than wheat,--<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;Brambles and flowers, dry stalks, and withered leaves<br>
+ Wherefore I blush and weep, as at thy feet<br>
+ I kneel down reverently, and repeat,<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;"Master, behold my sheaves!"
+<p>
+ I know these blossoms, clustering heavily<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;With evening dew upon their folded leaves,<br>
+ Can claim no value nor utility,--<br>
+ Therefore shall fragrancy and beauty be<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The glory of my sheaves.
+<p>
+ So do I gather strength and hope anew;<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;For well I know thy patient love perceives<br>
+ Not what I did, but what I strove to do,--<br>
+ And though the full, ripe ears be sadly few,<br>
+ &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Thou wilt accept my sheaves.
+</td>
+</tr>
+</table>
+
+<br><br><br>
+
+<br><br><br>
+
+<center>
+<h2>
+<a name="11">FARMING LIFE IN NEW ENGLAND.</a>
+</h2>
+</center>
+<p>
+New England does not produce the bread she eats, nor the raw materials
+of the fabrics she wears. A multitude of her purely agricultural towns
+are undergoing, more or less rapidly, a process of depopulation. Yet
+these facts exist by the side of positive advances in agricultural
+science and decided improvements in the means and modes of farming.
+The plough is perfected, and the theory of ploughing is
+understood. The advantages of thorough draining are universally
+recognized, and tiles are for sale everywhere. Mowing and reaping
+machines have ceased to be a novelty upon our plains and meadows. The
+natural fertilizers have been analyzed, and artificial nutrients of
+the soil have been contrived. The pick and pride of foreign herds
+have regenerated our neat stock, and the Morgan and the Black-Hawk eat
+their oats in our stalls. The sheepfold and the sty abound with choice
+blood. Sterling agricultural journals are on every farmer's table, and
+Saxton's hand-books upon agricultural specialties are scattered
+everywhere. Public shows and fairs bring on an annual exacerbation of
+the agricultural fever, which is constantly breaking out in new
+places, beyond the power of the daily press to chronicle. Yet it is
+too evident that the results are not at all commensurate with the
+means under tribute and at command. What is the reason?
+<p>
+In looking at the life of the New England farmer, the first fact that
+strikes us is, that it is actually a very different thing from what it
+might be and ought to be. There dwells in every mind, through all
+callings and all professions, the idea that the farmer's life is, or
+may be, is, or should be, the truest and sweetest life that man can
+live. The merchant may win all the prizes of trade, the professional
+man may achieve triumphs beyond his hopes, the author may find his
+name upon every lip, and his works accounted among the nation's
+treasures, and all may move amid the whirl and din of the most
+inspiring life, yet there will come to every one, in quiet
+evening-hours, the vision of the old homestead, long since forsaken;
+or the imagination will weave a picture of its own,--a picture of
+rural life, so homely, yet so beautiful, that the heart will breathe a
+sigh upon it, the eye will drop a tear upon it, and the voice will
+say, "It were better so!"
+<p>
+In a city like Boston there are farms enough imagined every year to
+make another New England. Could the fairest fancies of that congeries
+of minds be embodied and exhibited, we should see green meadows
+sparkling with morning dew,--silver-slippered rivulets skipping into
+musical abysses,--quiet pasture-lands shimmering so sleepily in the
+sun that the lazy flocks and herds forget to graze, and lie winking
+and ruminating under the trees,--and yellow fields of grain, along the
+hill-sides, billowy in the breeze, and bending before the shadows of
+the clouds that sail above them. And mingling and harmonizing with
+these visions, we should hear the lowing of kine, and the tinkle of
+the bell that leads the flock, and the shout of the boy behind the
+creeping plough, and the echoes of the axe, and the fall of the tree
+in the distant forest, and the rhythmical clangor, softened into a
+metallic whisper by the distance, of the mowers whetting their
+scythes. With these visions and these sounds there would come to the
+minds which give them birth convictions that rural life is the best
+life, and resolutions that, by-and-by, in some golden hour, when the
+sun of life begins to lengthen the eastward shadows, that life shall
+be enjoyed, and that the soul shall pass at last from the quiet scenes
+of Nature into those higher scenes which they symbolize. There is a
+thought in all this that the farm is nearer heaven than the street,--a
+reminiscence of the first estate, when man was lord of Eden; and this
+thought, old as art and artificial life, cannot be rooted out of the
+mind. It has a life of its own, independent of reason, above instinct,
+among the quickest intuitions of the soul.
+<p>
+Now this idea, so universal, so identical in millions of minds,
+springing with such spontaneity in the midst of infinitely varied
+circumstances, abiding with such tenacity in every soul, can have its
+basis nowhere save in a Divine intention and a human possibility. The
+cultivation of the farm is the natural employment of man. It is upon
+the farm that virtue should thrive the best, that the body and the
+mind should be developed the most healthfully, that temptations should
+be the weakest, that social intercourse should be the simplest and
+sweetest, that beauty should thrill the soul with the finest raptures,
+and that life should be tranquillest in its flow, longest in its
+period, and happiest in its passage and its issues. This is the
+general and the first ideal of the farmer's life, based upon the
+nature of the farmer's calling and a universally recognized human
+want. Why does the actual differ so widely from the ideal? It is not
+because the farmer's labor is hard and constant, alone. There is no
+fact better established than that it is through the habitual use both
+of the physical and mental powers that the soul achieves, or receives,
+its most healthful enjoyment, and acquires that tone which responds
+most musically to the touch of the opportunities of leisure. Why,
+then, we repeat, does the actual differ so widely from the ideal?
+<p>
+A general answer to this question is, that that is made an end of life
+which should be but an incident or a means. Life is confounded with
+labor, and thrift with progress; and material success is the aim to
+which all other aims are made subordinate. There is no fact in
+physiology better established than that hard labor, followed from day
+to day and year to year, absorbing every thought and every physical
+energy, has the direct tendency to depress the intellect, blunt the
+sensibilities, and animalize the man. In such a life, all the
+energies of the brain and nervous system are directed to the support
+of nutrition and the stimulation of the muscular system. Man thus
+becomes a beast of burden,--the creature of his calling; and though he
+may add barn to barn and acre to acre, he does not lead a life which
+rises in dignity above that of the beasts which drag his plough. He
+eats, he works, he sleeps. Surely, there is no dignity in a life like
+this; there is nothing attractive and beautiful and good in it. It is
+a mean and contemptible life; and all its maxims, economies,
+associations, and objects are repulsive to a mind which apprehends
+life's true enjoyments and ends. We say that it is a pestilent
+perversion. We say that it is the sale of the soul to the body; it is
+turning the back upon life, upon growth, upon God, and descending into
+animalism.
+<p>
+The true ideal of the farmer's life--of any life--contemplates
+something outside of, and above, the calling which is its instrument.
+The farmer's life is no better than the life of a street-sweeper, if
+it rise no higher than the farmer's work. If the farmer, standing
+under the broad sky, breathing the pure air, listening to the song of
+birds, watching the progress of
+
+<blockquote>
+ "The great miracle that still goes on,"
+</blockquote>
+<p>
+to work the transformation of the brown seeds which he drops into the
+soil into fields of green and gold, and gazing upon landscapes
+shifting with the seasons and flushed with new tints through every
+sunlit and moonlit hour, does not apprehend that his farm has higher
+uses for him than those of feeding his person and his purse, he might
+as well dwell in a coal-mine.
+<p>
+Our soil is sterile, our modes of farming have been rude until within
+a few years; and under the circumstances,--with the Yankee notion that
+the getting of money is the chief end of man,--exclusive devotion to
+labor has been deemed indispensable to success. The maxims of Franklin
+have been literally received and adopted as divine truth. We have
+believed that to labor is to be thrifty, that to be thrifty is to be
+respectable, that to be respectable is to afford facilities for being
+still more thrifty; and our experience is, that with increased thrift
+comes increased labor. This is the circle of our ambitions and
+rewards. All begins and ends in labor. The natural and inevitable
+result of this is both physical and mental deterioration.
+<p>
+It is doubtful whether the world furnishes a finer type of man,
+physically and intellectually, than the Irish gentleman. He is
+handsome, large, courageous,--a man of fine instincts, brilliant
+imagination, courtly manners, and full, vital force. By the side of
+the Irish gentleman, there has grown for centuries the Irish
+peasant. He is ugly, of stunted stature, and pugnacious; and he
+produces children like himself. The two classes started from a common
+blood; they now present the broadest contrast. We do not say that
+freedom from severe labor on one side, and confinement to it on the
+other, are entirely responsible for this contrast; difference of food
+and other obvious causes have had something to do with it; but we say
+that hard labor has, directly and indirectly, degraded from a true
+style of manhood the great mass of the Irish peasantry. They are a
+marked class, and carry in their forms and faces the infallible
+insignia of mental and physical degeneration.
+<p>
+We would by no means compare New England farmers with the Irish
+peasantry. We only present the contrast between these two classes of
+the Irish population as the result of unremitting toil on one side,
+and a more rational kind of life on the other. If we enter a New
+England church, containing a strictly rural assembly, and then visit
+another containing a class whose labor is lighter, and whose style of
+life is based upon different ideas, we shall see a contrast less
+marked, perhaps, but presenting similar features. The farming
+population of New England is not a handsome population, generally.
+The forms of both men and women are angular; their features are not
+particularly intellectual; their movements are not graceful; and their
+calling is evident by indubitable signs. The fact that the city
+assemblage is composed of a finer and higher grade of men, women, and
+children is of particular moment to our argument, because it is
+composed of people who are only one, two, or three removes from a
+rural origin. The city comes from the country; the street is
+replenished by the farm; but the city children, going back to the
+farm, show that a new element has been introduced into their
+blood. The angles are rounded; the face is brighter; the movements are
+more graceful; there is in every way a finer development.
+<p>
+There is probably no better exponent of the farmer's life than the
+farmer's home. We propose to present the portrait of such a home, and,
+while we offer it as a just outline of the farmer's home generally, in
+districts removed from large social centres, we gladly acknowledge the
+existence of a great multitude of happy exceptions. But the sketch:--A
+square, brown house; a chimney coming out of the middle of a roof; not
+a tree nearer than the orchard, and not a flower at the door. At one
+end projects a kitchen; from the kitchen projects a wood-shed and
+wagon-cover, occupied at night by hens; beyond the wood-shed, a
+hog-pen, fragrant and musical. Proceeding no farther in this
+direction, we look directly across the road, to where the barn stands,
+like the hull of a great black ship-of-the-line, with its port-holes
+opened threateningly upon the fort opposite, out of one of which a
+horse has thrust his head for the possible purpose of examining the
+strength of the works. An old ox-sled is turned up against the wall
+close by, where it will have the privilege of rotting. This whole
+establishment was contrived with a single eye to utility. The barn
+was built in such a manner that its deposits might be convenient to
+the road which divides the farm, while the sty was made an attachment
+of the house for convenience in feeding its occupants.
+<p>
+We enter the house at the back door, and find the family at dinner in
+the kitchen. A kettle of soap-grease is stewing upon the stove, and
+the fumes of this, mingled with those that were generated by boiling
+the cabbage which we see upon the table, and by perspiring men in
+shirt-sleeves, and by boots that have forgotten or do not care where
+they have been, make the air anything but agreeable to those who are
+not accustomed to it. This is the place where the family live. They
+cook everything here for themselves and their hogs. They eat every
+meal here. They sit here every evening, and here they receive their
+friends. The women in this kitchen toil incessantly, from the time
+they rise in the morning until they go to bed at night. Here man and
+woman, sons and daughters, live, in the belief that work is the great
+thing, that efficiency in work is the crowning excellence of manhood
+and womanhood, and willingly go so far into essential self-debasement,
+sometimes, as to contemn beauty and those who love it, and to glory
+above all things in brute strength and brute endurance.
+<p>
+Here we are ready to state the point and the lesson of our
+discussion:--The real reason for the deterioration of agriculture in
+New England is to be found in the fact, that the farmer's life and the
+farmer's home, generally, are unloved and unlovable things, and in the
+multitude of causes which have tended to make them so. Let the son of
+such a home as we have pictured get a taste of a better life than
+this, or, through sensibilities which he did not inherit, apprehend a
+worthier style of existence, and what inducements, save those which
+necessity imposes, can retain him there? He hates the farm, and will
+flee from it at the first opportunity. If the New England farmer's
+life were a loved and lovable thing, the New England boys could hardly
+be driven from the New England hills. They would not only find a way
+to live here, but they would make farming profitable. They would honor
+the employment to which they are bred, and would leave it, save in
+exceptional instances, for no other. It is not strange that the
+country grows thin and the city plethoric. It is not strange that
+mercantile and mechanical employments are thronged by young men,
+running all risks for success, when the alternative is a life in which
+they find no meaning, and no inspiring and ennobling influence.
+<p>
+The popular ideal of the farmer's life and home, to which we have
+alluded, we believe to be what God intended. That life contemplates
+the institution and maintenance of personal and social habits, and the
+cultivation of tastes and faculties, separate from, and above, labor.
+Every farm-house should be a residence of men and women, boys and
+girls, who, appreciating something of the meaning and end of life,
+rise from every period of labor into an atmosphere of intellectual and
+social activity, or into some form of refined family enjoyment. It is
+impossible to do this while surrounded with all the associations of
+labor. If there is a room in every farmer's house where the work of
+the family is done, there should be a room in every farmer's house
+where the family should live,--where beauty should appeal to the eye,
+where genuine comfort of appointments should invite to repose, where
+books should be gathered, where neatness and propriety of dress should
+be observed, and where labor may be forgotten. The life led here
+should be labor's exceeding great reward. A family living like
+this--and there are families that live thus--will ennoble and beautify
+all their surroundings. There will be trees at their door, and
+flowers in their garden, and pleasant and graceful architectural ideas
+in their dwelling. Human life will stand in the foreground of such a
+home,--human life, crowned with its dignities and graces,--while
+animal life will be removed among the shadows, and the gross material
+utilities, tastefully disguised, will be made to retire into an
+unoffending and harmonious perspective.
+<p>
+But we have alluded to other causes than labor as in some measure
+responsible for the unattractiveness of the farmer's life, and
+affecting adversely the farming interest. These touch the matter at
+various points, and are charged with greater or less importance. We
+know of no one cause more responsible for whatever there may be of
+physical degeneracy among the farming population than the treatment of
+its child-bearing women; and this, after all, is but a result of
+entire devotion to the tyrannical idea of labor. If there be one
+office or character higher than all others, it is the office or
+character of mother. Surely, the bringing into existence of so
+marvellous a thing as a human being, and the training of that being
+until it assumes a recognized relation to God and human society, is a
+sacred office, and one which does not yield in dignity and importance
+to any other under heaven. For a woman who faithfully fulfils this
+office, who submits without murmuring to all its pains, who patiently
+performs its duties, and who exhausts her life in a ceaseless overflow
+of love upon those whom God has given her, no words can express a true
+man's veneration. She claims the homage of our hearts, the service of
+our hands, the devotion of our lives.
+<p>
+Yet what is the position of the mother in the New England farmer's
+home? The farmer is careful of every animal he possesses. The
+farm-yard and the stall are replenished with young, by creatures for
+months dismissed from labor, or handled with intelligent care while
+carrying their burden; because the farmer knows that only in this way
+can he secure improvement, and sound, symmetrical development, to the
+stock of his farm. In this he is a true, practical philosopher. But
+what is his treatment of her who bears his children? The same
+physiological laws apply to her that apply to the brute. Their strict
+observance is greatly more imperative, because of her finer
+organization; yet they are not thought of; and if the farm-yard fail
+to shame the nursery, if the mother bear beautiful and well-organized
+children, Heaven be thanked for a merciful interference with the
+operation of its own laws! Is the mother in a farm-house ever regarded
+as a sacred being? Look at her hands! Look at her face! Look at her
+bent and clumsy form! Is it more important to raise fine colts than
+fine men and women? Is human life to be made secondary and subordinate
+to animal life? Is not she who should receive the tenderest and most
+considerate ministries of the farmer's home, in all its appointments
+and in all its service, made the ceaseless minister and servant of the
+home and all within it, with utter disregard of her office? To expect
+a population to improve greatly under this method is simply to expect
+miracles; and to expect a farmer's life and a farmer's home to be
+attractive, where the mother is a drudge, and secures less
+consideration than the pets of the stall, is to expect
+impossibilities.
+<p>
+Another cause which has tended to the deterioration of the farmer's
+life is its solitariness. The towns in New England which were settled
+when the Indians were in possession of the country, and which, for
+purposes of defence, were settled in villages, have enjoyed great
+blessings; but a large portion of agricultural New England was
+differently settled. It is difficult to determine why isolation
+should produce the effect it does upon the family development. The
+Western pioneer, who, leaving a New England community, plants himself
+and his young wife in the forest, will generally become a coarse man,
+and will be the father of coarse children. The lack of the social
+element in the farmer's life is doubtless a cause of some of its most
+repulsive characteristics. Men are constituted in such a manner, that
+constant social contact is necessary to the healthfulness of their
+sympathies, the quickness of their intellects, and the symmetrical
+development of their powers. It matters little whether a family be
+placed in the depths of a Western forest, or upon the top of a New
+England hill; the result of solitude will be the same in kind, if not
+in degree.
+<p>
+Now the farmer, partly from isolation and partly from absorption in
+labor, is the most unsocial man in New England. The farmers are
+comparatively few who go into society at all, who ever dine with their
+neighbors, or who take any genuine satisfaction in the company of the
+women whom their wives invite to tea. They may possibly be farmers
+among farmers, but they are not men among men and
+women. Intellectually, they are very apt to leave life where they
+begin it. Socially, they become dead for years before they die. The
+inhabitants of a city can have but a poor apprehension of the amount
+of enjoyment and development that comes to them through social
+stimulus. Like gold, humanity becomes bright by friction, and grows
+dim for lack of it. So, we say, the farmer's life and home can never
+be what they should be,--can never be attractive by the side of other
+life containing a true social element,--until they have become more
+social. The individual life must not only occupy a place above that of
+a beast of burden, but that life must be associated with all congenial
+life within its reach. The tree that springs in the open field, though
+it be fed by the juices of a rood, through absorbents that penetrate
+where they will, will present a hard and stunted growth; while the
+little sapling of the forest, seeking for life among a million roots,
+or growing in the crevice of a rock, will lift to the light its cap of
+leaves upon a graceful stem, and whisper, even-headed, with the
+stateliest of its neighbors. Men, like trees, were made to grow
+together, and both history and philosophy declare that this Divine
+intention cannot be ignored or frustrated with impunity.
+<p>
+Traditional routine has also operated powerfully to diminish the
+attractiveness of agricultural employments. This cause, very happily,
+grows less powerful from year to year. The purse is seen to have an
+intimate sympathy with intelligent farming. Were we to say that God
+had so constituted the human mind that routine will tire and disgust
+it, we should say in effect that he never intended the farmer's life
+to be one of routine. Nature has done all she can to break up routine.
+While the earth swings round its orbit once a year, and turns on its
+axis once in twenty-four hours,--while the tide ebbs and flows twice
+daily, and the seasons come and go in rotation, every atom changes its
+relations to every other atom every moment. Influences are tossed into
+these skeleton cycles of motion and event which start a myriad of
+diverse currents, and break up the whole surface of life and being
+into a healthful confusion. There are never two days alike. The
+motherly sky never gives birth to twin clouds. The weather shakes its
+bundle of mysteries in our faces, and banters us with, "Don't you wish
+you knew?" We prophesy rain upon the morrow, and wake with a bar of
+golden sunlight on the coverlet. We foretell a hard winter, and,
+before it is half gone, become nervous lest we should miss our supply
+of ice. The fly, the murrain, the potato-rot, and the grasshoppers,
+all have a divine office in tipping over our calculations. The
+phantom host of the great North come out for parade without
+announcement, and shoot their arrows toward the zenith, and flout the
+stars with their rosy flags, and retire, leaving us looking into
+heaven and wondering. Long weeks of drought parch the earth, and then
+comes the sweet rain, and sets the flowers and the foliage
+dancing. All the seasons are either very late or very early, or, for
+some reason, "the most remarkable within the memory of man."
+<p>
+This is God's management for destroying routine within the law of
+stated revolution, and for bringing the mind constantly into contact
+with fresh influences. The soul, encased by a wall of adamantine
+circumstances, and driven around a track of unvarying duties,
+shrivels, or gets diseased. But these circumstances need not imprison
+the farmer, nor these duties become the polished pavement of his
+cell. He has his life among the most beautiful scenes of Nature and
+the most interesting facts of Science. Chemistry, geology, botany,
+meteorology, entomology, and a dozen other related or constituent
+sciences,--what is intelligent farming but a series of experiments,
+involving, first and last, all of these? What is a farm but a
+laboratory where the most important and interesting scientific
+problems are solved? The moment that any field of labor becomes
+intelligently experimental, that moment routine ceases, and that field
+becomes attractive. The most repulsive things under heaven become
+attractive, on being invested with a scientific interest. All,
+therefore, that a farmer has to do, to break up the traditional
+routine of his method and his labor, is to become a scientific
+farmer. He will then have an interest in his labor and its results
+above their bare utilities. Labor that does not engage the mind has no
+dignity; else the ox and the ass are kings in the world, and we are
+but younger brothers in the royal family. So we say to every
+farmer,--If you would make your calling attractive to yourself and
+your boys, seek that knowledge which will break up routine, and make
+your calling, to yourself and to them, an intelligent pursuit.
+<p>
+A recent traveller in England speaks enthusiastically of a visit which
+he paid to an old farm-house in that country, and of the garden-farm
+upon which it stood, which had descended from father to son through a
+period of five hundred years. He found a family of charming
+intelligence and the politest culture. That hallowed soil was a
+beautiful body, of which the family interests and associations were
+the soul. To be dissociated from that soil forever would be regarded
+by its proprietors as almost equivalent to family
+annihilation. Proprietorship in English soil is one of the prime
+ambitions of the true Englishman; but we do not find in New England
+any kindred sentiments of pride in landed property and family
+affection for the paternal acres. The nomadic tribes of Asia would
+seem to have quite as strong local attachments as Yankee landholders,
+most of whom will sell their homesteads as readily as they will their
+horses. This fact we cannot but regard as one among the many causes
+which have conspired to despoil the farmer's calling of some of its
+legitimate attractions. The son slips away from the old homestead as
+easily as he does from the door of a hotel. Very likely his father has
+rooted up all home attachments by talking of removing Westward ever
+since the boy saw the light. This lack of affection for the family
+acres is doubtless owing somewhat to the fact that in this country
+landed property is not associated with political privilege, as it has
+been in England; but this cannot be the sole reason; for the sentiment
+has a genuine basis in nature, and, in not a few instances, an actual
+existence amongst us.
+<p>
+Resulting from the operation of all the causes which we have briefly
+noticed, there is another cause of the deterioration of farming life
+in New England, which cannot be recovered from in many years. Actual
+farming life has been brought into such harsh contrast with other
+life, that its best materials have been sifted out of it, have slid
+away from it. An inquiry at the doors of the great majority of farmers
+would exhibit the general fact, that the brightest boys have gone to
+college, or have become mechanics, or are teaching school, or are in
+trade, or have emigrated to the West. There have been taken directly
+out from the New England farming population its best elements,--its
+quickest intelligence, its most stirring enterprise, its noblest and
+most ambitious natures,--precisely those elements which were necessary
+to elevate the standard of the farmer's calling and make it what it
+should be. It is very easy to see why these men have not been retained
+in the past; it is safe to predict that they will not be retained in
+the future, unless a thorough reform be instituted. These men cannot
+be kept on a routine farm, or tied to a home which has no higher life
+than that of a workshop or a boarding-house. It is not because the
+work of the farm is hard that men shun it. They will work harder and
+longer in other callings for the sake of a better style of individual
+and social life. They will go to the city, and cling to it while half
+starving, rather than engage in the dry details and the hard and
+homely associations of the life which they forsook.
+<p>
+The boys are not the only members of the farmer's family that flee
+from the farmer's life. The most intelligent and most enterprising of
+the farmer's daughters become school-teachers, or tenders of shops, or
+factory-girls. They contemn the calling of their father, and will,
+nine times in ten, marry a mechanic in preference to a farmer. They
+know that marrying a farmer is a very serious business. They remember
+their worn-out mothers. They thoroughly understand that the vow that
+binds them in marriage to a farmer seals them to a severe and homely
+service that will end only in death.
+<p>
+As a consequence of this sifting process, to which we have given but a
+glance, a very decidedly depressing element is now being rapidly
+introduced into New England farming life. The Irish girls have found
+their way into the farmer's kitchen, and the Irish laborer has become
+the annual "hired man." At present, there are no means of measuring
+the effect of this new element; but it cannot fail to depress the tone
+of farming society, and surround it with a new swarm of menial
+associations.
+<p>
+In our judgment, there is but little in the improved modes of farming,
+in scientific discoveries, and new mechanical appliances, to be relied
+upon for the elevation of New England agriculture and the emancipation
+of New England farming life. The farmer needs new ideas more than he
+needs new implements. The process of regeneration must begin in the
+mind, and not in the soil. The proprietor of that soil should be the
+true New England gentleman. His house should be the home of
+hospitality, the embodiment of solid comfort and liberal taste, the
+theatre of an exalted family-life which shall be the master and not
+the servant of labor, and the central sun of a bright and happy social
+atmosphere. When this standard shall be reached, there will be no
+fear for New England agriculture. The noblest race of men and women
+the sun ever shone upon will cultivate these valleys and build their
+dwellings upon these hills; and they will cling to a life which
+blesses them with health, plenty, individual development, and social
+progress and happiness. This is what the farmer's life may be and
+should be; and if it ever rise to this in New England, neither prairie
+nor savanna can entice her children away; and waste land will become
+as scarce, at last, as vacant lots in Paradise.
+
+<br><br><br>
+
+<br><br><br>
+
+<center>
+<h2>
+<a name="12">LES SALONS DE PARIS.</a><a href="#12.1">[1]</a>
+</h2>
+</center>
+<p>
+The title is an ambitious one, for the <i>salons</i> of Paris are
+Paris itself; and, from the days of the Fronde and of the Hôtel
+Rambouillet down to our own, you may judge pretty accurately of what
+is going on upon the great political stage of France by what is
+observable in those green-rooms and <i>coulisses</i> called the
+Parisian drawing-rooms, and where, more or less, the actors of all
+parties may be seen, either rehearsing their parts before the
+performance, or seeking, after the performance is over, the several
+private echoes of the general public sentiment that has burst forth
+before the light of the foot-lamps. Shakspeare's declaration, that
+"all the world's a stage," is nowhere so true as in the capital of
+Gaul. There, most truly may it be said, are
+
+<blockquote>
+ ----"All the men and women merely players;<br>
+ They have their exits and their entrances,<br>
+ And one man in his time plays many parts."
+</blockquote>
+<p>
+Therefore might a profound and comprehensive study of the
+drawing-rooms of Paris be in a manner a history of France in our own
+times.
+<p>
+Madame Ancelot's little volume does not aim so high; nor, had it done
+so, would its author have possessed the talent requisite for carrying
+out such a design. Madame Ancelot is a writer of essentially
+second-rate and subordinate capacity, and consequently her account of
+those <i>salons de Paris</i> that she has seen (and she by no means
+saw them all) derives no charm from the point of view she takes. To
+say the truth, she has no "point of view" of her own; she tells what
+she saw, and (thus far we must praise her) she tells it very
+conscientiously. Having waited in every instance till the people she
+has to speak of were dead, Mme. Ancelot has a pretty fair field before
+her for the display of her sincerity, and we, the public, who are
+neither kith nor kin of the deceased, are the gainers thereby.
+<p>
+So interesting and so amusing is the subject Madame Ancelot has
+chosen, that, in spite of her decided want of originality or even
+talent in treating it, her book is both an amusing and an interesting
+one. It is even more than that; for those who wish to have a correct
+notion of certain epochs of the social civilization of modern France,
+and of certain predominant types in French society during the last
+forty years, Madame Ancelot's little volume is full of
+instruction. Perhaps in no society, so much as in that of France, have
+the political convulsions of the state reacted so forcibly upon the
+relations of man to man, revolutionizing the homes of private persons,
+even as the government and the monarchy were revolutionized. In
+England, nothing of this kind is to be observed; and if you study
+English society ten years, or twenty years, or fifty years after the
+fall of Charles I., after the establishment of the Commonwealth, or
+after the restoration of Charles II., the definitive exile of the
+Stuarts, and the advent of a foreign dynasty to the throne, you find
+everywhere its constitutive elements the same,--modified only by such
+changes of time, circumstance, and fashion, as naturally, in every
+country, modify the superficial aspect of all society. But in France,
+it is the very <i>substratum</i> of the social soil that is
+overturned, it is the constitutive elements of society that are
+displaced; and the consequence is a general derangement of all
+relative positions.
+<p>
+In what is still termed <i>la vieille société Française</i>, little or
+nothing was left to chance, and one of its great characteristics was
+order and the perfectly regular play of its machinery. Everything was
+set down, <i>noted</i>, as it were, beforehand,--as strictly so as the
+ceremonies of a grand diplomatic ceremony, after some treaty, or
+marriage, or other occasion of solemn conference. Under this
+<i>régime</i>, which endured till the Revolution of '93, (and even,
+strangely enough, <i>beyond</i> that period,) politeness was, of
+course, the one chief quality of whosoever was well brought
+up,--urbanity was the first sign of good company,--and for the simple
+reason, that no one sought to infringe. There was no cause for
+insolence, or for what in England is called "exclusiveness," because
+there was no necessity to repel any disposition to encroach. No one
+dreamed of the possibility of encroaching upon his neighbor's grounds,
+or of taking, in the slightest degree, his neighbor's place.
+<p>
+The first French Revolution caused no such sudden and total disruption
+of the old social traditions as has been generally supposed; and as
+far as mere social intercourse and social conventionalities were
+concerned, there was, even amongst the terrible popular dictators of
+1793, more of the <i>tone</i> of the <i>ci-devant</i> good company
+than could possibly be imagined. In later times, every one who knew
+Fouché remembers that he was constantly in the habit of expressing his
+indignation at the want of good-breeding of the young exquisites of
+the Empire, and used perpetually to exclaim, "In <i>my time</i>" this
+or that "would not have been allowed," or, "In <i>my</i> time we were
+accustomed to do" so and so. Now Fouché's "time" was that which is
+regarded as the period of universal beheading and levelling.
+<p>
+It is certain, that, under the <i>régime</i> of the Revolution itself,
+bitter class-hatreds did not at first show themselves in the peaceful
+atmosphere of society,--and that for more than one reason. First of
+all, in a certain sense, "society," it may be said, was
+<i>not</i>. Next, what subsisted of society was fragmentary, and was
+formed by small isolated groups or coteries, pretty homogeneously
+composed, or, when not so as to rank and station, rendered homogeneous
+by community of suffering. It must not be imagined that only the
+highest class in France paid for its opinions or its vanities with
+loss of life and fortune. The victims were everywhere; for the changes
+in the governing forces were so perpetual, that, more or less, every
+particular form of envy and hatred had its day of power, and levelled
+its blows at the objects of its special antipathy. In this way, the
+aristocracy and the <i>bourgeoisie</i> were often brought into
+contact; marriages even were contracted, whether during imprisonment
+or under the pressure of poverty, that never would have been dreamt of
+in a normal state of things; and whilst parents of opposite conditions
+shook hands in the scaffold-surveying <i>charrettes</i>, the children
+either drew near to each other, in a mutual helpfulness, the principle
+whereof was Christian charity, or met together to partake of
+amusements, the aim whereof was oblivion. For several years, the turn
+of every individual for execution might come, and therefore it was
+difficult, on the other hand, to see who might also <i>not</i> be a
+friend.
+<p>
+This began to be modified under the Empire, but in a shape not
+hitherto foreseen. Military glory began to long for what the genuine
+Revolutionists termed "feudal distinctions." Napoleon was desirous of
+a court and of an aristocracy; he set to work to create a
+<i>noblesse</i>, and dukes and counts were fabricated by the
+dozen. Very soon the strong love of depreciation, that is inherent in
+every Frenchman, seized upon even the higher plebeian classes, and,
+discontented as they were at seeing the liberties of the movement of
+'89 utterly confiscated by a military chief, and antipathetic as they
+have been, time out of mind, to what are called <i>les traineurs de
+sabre</i>, the civilians of France, her <i>bourgeois</i>, who were to
+have their day,--but with very different feelings in 1830,--joined
+with the genuine Pre-Revolutionary aristocrats, and the <i>noblesse de
+l'Empire</i> was laughed at and taken <i>en grippe</i>. Here was, in
+reality, the first wide breach made in France in the edifice of
+good-breeding and good-manners; and those who have been eye-witnesses
+to the metamorphosis will admit that the guillotine of Danton and
+Robespierre did even less to destroy <i>le bon ton</i> of the
+<i>ancien régime</i> than was achieved by the guard-room habits and
+morals of Bonaparte's glorious troopers, rushing, as they did, booted
+and spurred, into the emblazoned sanctuary of heraldic distinctions,
+and taking, as it were, <i>la société</i> by storm.
+<p>
+But soon another alliance and other enmities were to be formed. The
+Empire fell; the Bourbons returned to France; Louis XVIII. recognized
+the <i>noblesse</i> of the Imperial government, and the constitution
+of society as it had been battled for by the Revolution. At the same
+time his court was filled with all the great historic names of the
+country, who returned, no longer avowedly the first in authority, and
+therefore prompt to condescend, but the first in presumption, and
+therefore prompt to take offence. The new alliance that was formed was
+that of the plebeian caste with the <i>noblesse de l'Empire</i>,
+against which it had been previously so incensed. Notwithstanding all
+the efforts sincerely made by Louis XVIII. to establish a
+constitutional government and to promote a genuine constitutional
+feeling throughout France, class-hatreds rose gradually to so violent
+a height that the king's only occupation soon grew to be the balancing
+of expediencies. He was forever obliged to reflect upon the choices
+he could make around him, since each choice made from one party
+insured him a hundred enemies in the party opposed. This, which was
+the political part of the drama,--that which regarded the scenes
+played upon the public stage,--had its instantaneous reflex, as we
+have already said in the commencement of these pages, in the
+<i>salons</i>, which were the green-rooms and
+<i>coulisses</i>. Urbanity, amenity of language, the bland demeanor
+hitherto characterized as <i>la grâce Française</i>, all these were at
+an end. Society in France, such as it had been once, the far-famed
+model for all Europe, had ceased to exist. The ambition which had once
+been identified with the cares of office or the dangers of war now
+found sufficient food in the bickerings of party-spirit, and revenged
+itself by <i>salon</i> jokes and <i>salon</i> impertinence for the
+loss of a lead it either could not or would not take in
+Parliament. The descendants of those very fathers and mothers who had,
+in many cases, suffered incarceration, and death even, together, set
+to hating each other cordially, because these would not abdicate what
+those would not condescend to compete for. The <i>noblesse</i> cried
+out, that the <i>bourgeoisie</i> was usurping all its privileges; and
+the <i>bourgeoisie</i> retorted, that the time for privilege was
+past. The two classes could no longer meet together in the world, but
+formed utterly different sets and <i>cliques</i>; and it must be
+avowed that neither of the two gained in good-manners, or what may be
+called drawing-room distinction.
+<p>
+From 1815 to 1830, the <i>noblesse</i> had officially the
+advantage. From 1830 to 1848, the <i>bourgeoisie</i> ruled over the
+land. But now was to be remarked another social phenomenon, that
+complicated <i>salon</i> life more than ever. The middle classes, we
+say, were in power; they were in all the centres of political
+life,--in the Chambers, in the ministries, in the king's councils, in
+diplomacy; and with them had risen to importance the Imperial
+aristocracy, whose representatives were to be found in every
+department of the public service. All this while, the old families of
+the <i>ancien régime</i> shut themselves up among themselves entirely,
+constituted what is now termed the <i>Faubourg St. Germain</i>, which
+never was so exclusive or so powerful (socially speaking) as under
+Louis Philippe, and a tacit combat between envy and disdain was
+carried on, such as perhaps no modern civilization ever witnessed. The
+Faubourg St. Germain arrogated to itself the privilege of exclusively
+representing <i>la société Française</i>, and it must be confessed
+that the behavior of its adversaries went far to substantiate its
+claims.
+<p>
+Our purpose in these pages is not to touch upon anything connected
+with politics, or we could show, that, whilst apparently severed from
+all activity upon the more conspicuous field of the capital, the
+ancient French families were employed in reëstablishing their
+influence in the rural provincial centres; the result of which was the
+extraordinary influx of Legitimist members into the Chamber formed by
+the first Republican elections in 1848. But this is foreign to our
+present aim. As to what regards French <i>society</i>, properly so
+called, it was, from 1804, after the proclamation of the Empire, till
+1848, after the fall of Louis Philippe, in gradual but incessant
+course of sub-division into separate cliques, each more or less
+bitterly disposed towards the others. From the moment when this began
+to be the case, the edifice of French society could no longer be
+studied as a whole, and it only remained to examine its component
+parts as evidences of the tendencies of various classes in the nation.
+In this assuredly not uninteresting study, Mme. Ancelot's book is of
+much service; for a certain number of the different <i>salons</i> she
+names are, as it were, types of the different stages civilization has
+attained to in the city which chooses to style itself "the brain of
+Europe."
+<p>
+The description, given in the little book before us, of what in Paris
+constitutes a genuine <i>salon</i>, is a tolerably correct one. "A
+<i>salon</i>," says Mme. Ancelot, "is not in the least like one of
+those places in a populous town, where people gather together a crowd
+of individuals unknown to each other, who never enter into
+communication, and who are where they are, momentarily, either because
+they expect to dance, or to hear music, or to show off the
+magnificence of their dress. This is not what can ever be called a
+<i>salon</i>. A <i>salon</i> is an intimate and periodical meeting of
+persons who for several years have been in the habit of frequenting
+the same house, who enjoy each other's society, and who have some
+reason, as they imagine, to be happy when they are brought in
+contact. The persons who receive, form a link between the various
+persons they invite, and this link binds the <i>habitués</i> more
+closely to one another, if, as is commonly the case, it is a woman of
+superior mind who forms the point of union. A <i>salon</i>, to be
+homogeneous, and to endure, requires that its <i>habitués</i> should
+have similar opinions and tastes, and, above all, enough of the
+urbanity of bygone days to enable its frequenters to feel <i>at
+home</i> with every one in it, without the necessity of a formal
+introduction. Formerly, this practice of speaking to persons you had
+not been presented to was a proof of good-breeding; for it was well
+known that in no house of any distinction would there be found a guest
+who was not worthy to be the associate of whoever was noblest and
+best. These habits of social intercourse gave a value to the
+intellectual and moral qualities of the individual, quite independent
+of his fortune or his rank; and in these little republics the real
+sovereign was <i>merit</i>."
+<p>
+Madame Ancelot is right here, and there were in Paris several of these
+<i>salons</i>, which served as the models for those of all the rest of
+Europe. Under the Restoration, two illustrious ladies tried to recall
+to the generation that had sprung from the Empire or from emigration
+what the famous <i>salons</i> of old had once been, and the Duchesse
+de Duras and the Marquise de Montcalm (sister to the then minister,
+the Duc de Richelieu) drew around them all that was in any way
+distinguished in France. But the many causes we have noted above made
+the enterprise a difficult one, and the various divergences of
+society, politically speaking, rendered the task of the mistress of a
+house one of surpassing arduousness. Mme. de Staël, who, by her very
+superiority perhaps,--certainly by her vehemence,--was prevented from
+ever being a perfect example of what was necessary in this respect,
+acquired the nickname of <i>Présidente de Salons</i>; and it would
+appear, that, with her resolute air, her loud voice, and her violent
+opinions, she really did seem like a kind of speaker of some House of
+Commons disguised as a woman. That the management of a <i>salon</i>
+was no easy affair the following anecdote will prove. The Duchesse de
+Duras one day asked M. de Talleyrand what he thought of the evening
+<i>réunions</i> at her house, and after a few words of praise, he
+added: "But you are too vivacious as yet, too young. Ten years hence
+you will know better how to manage it all." Mme. de Duras was then
+somewhere about fifty-four or five! We perceive, therefore, that,
+according to M. de Talleyrand, the proper manner of receiving a
+certain circle of <i>habitués</i> was likely to be the study of a
+whole life.
+<p>
+We select from Mme. Ancelot's book sketches of the following
+<i>maitresses de maison</i>, because they seem to us the types of the
+periods of transformation to which they correspond in the order of
+date:--Mme. Lebrun, Mme. Gérard, Mme. d'Abrantès, Mme. Récamier, Mme.
+Nodier. Mme. Lebrun corresponds to the period when Pre-Revolutionary
+traditions were still in force, and when the remembrance yet subsisted
+of a society that had been a real and not a fictive
+unity. Mme. Gérard--or we should rather say her husband, for she
+occupied herself little with her guests, whom the illustrious painter
+entertained--represents the period of the Empire, prolonging itself
+into the Restoration, and seeking by the immunities of talent and
+intelligence to bring the two <i>régimes</i> to meet upon what might
+be termed neutral ground. Mme. d'Abrantès is the type of that last
+remnant of the half-heroic, half-sentimental epoch which tried to
+endure even after the first days of 1830, and of which certain verses
+of Delphine Gay, certain impossible portraits of invincible colonels,
+certain parts played by the celebrated Elleviou, and the Troubadourish
+"<i>Partant pour la Syrie</i>" of Queen Hortense, are
+emblematical. Mme. Récamier, although in date all but the contemporary
+of Mme. Lebrun, is, in her position of mistress of a <i>salon</i>,
+essentially the impersonation of a foible peculiar to the present day;
+she typifies the class of women who, in Paris, are absolutely absorbed
+by the thought of their <i>salons</i>, for whom to receive is to live,
+and who are ready to expire at the notion of any celebrity not being a
+frequenter of their tea-table. Mme. Nodier's--and here, as with Mme.
+Gérard, we must substitute the husband for the wife, and say Charles
+Nodier's--<i>salon</i> was the menagerie whither thronged all the
+strange beings who, after the Revolution of July, fancied they had
+some special and extraordinary "call" in the world of Art. Nodier's
+receptions at the Arsenal represent the literary and artistic movement
+of 1830.
+<p>
+To begin, then, with Mme. Lebrun. This lady was precisely one of
+those individualities who, since the days of Louis XIV., had found it
+easy to take their place in French society, who, under the ancien
+<i>régime</i>, were the equals of the whole world, and who, since
+"Equality" has been so formally decreed by the laws of the land, would
+have found it impossible, under the Citizen King, Louis Philippe, or
+under the so-called "Democratic Empire" of Louis Napoleon, to surround
+themselves with any society save that of a perfectly inferior
+description.
+<p>
+Mme. Lebrun was the daughter of a very second-rate painter of the name
+of Vigée, the sister of a poet of some talent of the same name, and
+was married young to a picture-dealer of large fortune and most
+expensive and dissipated, not to say dissolute habits, M. Lebrun. She
+was young,--and, like Mme. Récamier and a few others, remained
+youthful to a very late term of her existence,--remarkably beautiful,
+full of talent, grace, and <i>esprit</i>, and possessed of the
+magnificent acquirements as a portrait-painter that have made her
+productions to this day valuable throughout the galleries of Europe.
+She was very soon so brilliantly in fashion, that there was not a
+<i>grand seigneur</i> of the court, a <i>grande dame</i> of the
+queen's intimacy, a rich <i>fermier-général</i>, or a famous writer,
+artist, or <i>savant</i>, who did not petition to be admitted to her
+soirées; and in her small apartment, in the Rue de Cléry, were held
+probably the last of those intimate and charmingly unceremonious
+réunions which so especially characterized the manners of the high
+society of France when all question of etiquette was set aside. The
+witty Prince de Ligne, the handsome Comte de Vaudreuil, the clever
+M. de Boufflers, and his step-son, M. de Sabran, with such men as
+Diderot, d'Alembert, Marmontel, and Laharpe, were the original
+<i>habitués</i> of Mme. Lebrun's drawing-room. At the same time used
+to visit her the bitter, bilious, discontented David, the painter,
+who, though very young, was annoyed at a woman having such
+incontestable proficiency in his own art, and whose democratic ideas
+were hurt at her receiving such a number of what he styled "great
+people." Madame Lebrun, one day,--little dreaming that she was
+addressing a future <i>coupe-tête</i> of the most violent species,
+(perhaps the only genuine admirer of Marat,)--said, smilingly, to the
+future painter of <i>Les Sabines</i>, "David, you are wretched because
+you are neither Duke nor Marquis. I, to whom all such titles are
+absolutely indifferent, I receive with sincere pleasure all who make
+themselves agreeable." The apostrophe apparently hit home, for David
+never returned to Mme. Lebrun's house, and was no well-wisher of hers
+in later times. But on this occasion she had not only told the truth
+to an individual, she had touched upon the secret sore of the nation
+and the time; and vast classes were already brooding in silence over
+the absurd, vain, and empty regret at being "neither Duke nor
+Marquis." The Revolution was at hand, and the days rapidly approaching
+when all such pleasant assemblies as those held by Mme. Lebrun would
+become forever impossible. At some of these, the crowd of intimates,
+and of persons all acquainted with each other, was so great, that the
+highest dignitaries of the realm had to content themselves with
+sitting down upon the floor; and on one occasion, the Maréchal de
+Noailles, who was of exceedingly large build, had to request the
+assistance of several of his neighbors before he could be brought from
+his squatting attitude to his feet again.
+<p>
+Mme. Lebrun emigrated, like the majority of her associates,--going to
+Russia, to Italy, to Germany, to England, and everywhere increasing
+the number of her friends, besides preserving all those of former
+times, whom she sedulously sought out in their voluntary exile, and to
+whom, in many cases, she even proved an invaluable friend. In the
+commencement of the Restoration, Mme. Lebrun returned to France, and
+established herself definitively at Paris, and at Louveciennes near
+Marly, where she had a delightful summer residence. Here, as in her
+salons in the metropolis, she tried to bring back the tone of French
+society to what it had been before the Revolution, and to show the
+younger generations what had been the gayety, the grace, the
+affability, the exquisite good-breeding of those who had preceded
+them. The men and women of her own standing seconded her, but the
+younger ones were not to be drawn into high-heartedness; and an
+observer might have had before him the somewhat strange spectacle of
+old age gay, gentle, unobservant of any stiff formality, and of youth
+preoccupied and grave, and, instead of being refined in manners,
+pedantic. "The younger frequenters of Mme. Lebrun's salon," says
+Mme. Ancelot, "were strangers to the world into which they found
+themselves raised; those who surrounded them were of an anterior
+civilization; they could not grow to be identified with a past which
+was unknown to them, or known only through recitals that disfigured
+it.... Amidst the remnants of a society that had been historical,
+there was, as it were, the breath of a spirit born of our days; new
+ideas, new opinions, new hopes, nay, even new recollections, were
+evident all around, and served to render social unity impossible; but,
+above all, what failed in this one particular centre was youth,--there
+were few or no young people." This was perfectly true; and
+Mme. Lebrun's <i>salon</i> is interesting only from the fact of its
+being the last, perhaps, in which French people of our day can have
+acquired a complete notion of what the Pre-Revolutionary <i>salons</i>
+of France were.
+<p>
+The evening <i>réunions</i> at the house of Gérard, the celebrated
+painter, were among the most famous features of the society of the
+Restoration. The gatherings at Mmes. de Duras's and de Montcalm's
+splendid hotels were all but exclusively political and diplomatic;
+whereas at Gérard's there was a mixture of these with the purely
+mundane and artistic elements, and, above all, there was a portion of
+Imperialist fame blended with all the rest, that was hard to be found
+anywhere else. Gérard, too, had painted the portraits of so many
+crowned heads, and been so much admitted into the intimacy of his
+royal models, that, whenever a foreigner of any note visited Paris, he
+almost immediately asked to be put in a way to be invited to the
+celebrated artist's Wednesday receptions. This was, to a certain
+degree, an innovation in regular French society; the French being most
+truly, as has been said, the "Chinese of Europe," and liking nothing
+less than the intermixture with themselves of anything foreign. But
+Gérard was one of those essentially superior men who are able to
+influence those around them, and bring them to much whereto no one
+else could have persuaded them. Gérard, like many celebrated persons,
+was infinitely superior to what he <i>did</i>. As far as what he
+<i>did</i> was concerned, Gérard, though a painter of great merit, was
+far inferior to two or three of whom France has since been justly
+proud; but in regard to what he <i>was</i>, Gérard was a man of
+genius, who had in many ways few superiors. Few men, even in France,
+have so highly deserved the reputation of <i>un homme d'esprit</i>. He
+was as <i>spirituel</i> as Talleyrand himself, and almost as
+clear-sighted and profound. Add to this that nothing could surpass the
+impression made by Gérard at first sight. He was strikingly like the
+first Napoleon, but handsomer; with the same purity of outline, the
+same dazzlingly lustrous eyes, full of penetration and thought, but
+with a certain <i>sympathetic</i> charm about his whole person that
+the glorious conqueror of Marengo and Dictator of Gaul never
+possessed.
+<p>
+Gérard was not entirely French; born in Rome in 1770, his father only
+was a native of France, his mother was an Italian; and from her he
+inherited a certain combination of qualities and peculiarities that at
+once distinguished him from the majority of his countrymen. Full of
+poetic fire and inspiration, there was in Gérard at the same time a
+strong critical propensity, that showed itself in his caustic wit and,
+sometimes, not unmalicious remarks. There was also a perpetual
+struggle in his character between reflection and the first impulse,
+and sometimes the <i>étourderie</i> of the French nature was suddenly
+checked by the caution of the Italian; but, take him as he was, he was
+a man in a thousand, and those who were in the habit of constantly
+frequenting his house affirm loudly and with the deepest regret, that
+they shall never "look upon his like again."
+<p>
+Gérard had built for himself a house in the Rue des Augustins, near
+the ancient church of St. Germain des Près; and there, every Wednesday
+evening, summer and winter, he received whatever was in any way
+illustrious in France, or whatever the other capitals of Europe sent
+to Paris, <i>en passant</i>. "Four small rooms," says Mme. Ancelot,
+"and a very small antechamber, composed the whole apartment. At twelve
+o'clock tea was served, with eternally the same cakes, over which a
+pupil of Gérard's, Mlle. Godefroy, presided. Gérard himself talked;
+his wife remained nailed to a whist-table, attending to nothing and to
+nobody. Evening once closed in, cards were the only occupation of
+Mme. Gérard."
+<p>
+From Mme. de Staël down to Mlle. Mars, from Talleyrand and Pozzo di
+Borgo down to M. Thiers, there were no celebrities, male or female,
+that, during thirty years, (from 1805 to 1835,) did not flock to
+Gérard's house, and all, how different soever might be their character
+or position, agreed in the same opinion of their host; and those who
+survive say of him to this day,--"Nothing in his <i>salons</i>
+announced that you were received by a great <i>Artist</i>, but before
+half an hour had elapsed you felt you were the guest of a
+distinguished Man; you had seen by a glance at Gérard's whole person
+and air that he was something apart from others,--that the sacred fire
+burned there!"
+<p>
+The regret felt for Gérard's loss by all who ever knew him is not to
+be told, and speaks as highly for those who cherished as for him who
+inspired it. His, again, was one of the <i>salons</i> (impossible now
+in France) where genius and social superiority, whether of birth or
+position, met together on equal terms. Without having, perhaps, as
+large a proportion of the old <i>noblesse de cour</i> at his house as
+had Mme. Lebrun, Gérard received full as many of those eminent
+personages whose political occupations would have seemed to estrange
+them from the world of mixed society and the Arts. This is a
+<i>nuance</i> to be observed. Under the Empire, hard and despotic as
+was the rule of Bonaparte, and anxious even as he was to draw round
+him all the aristocratic names that would consent to serve his
+government, there was--owing to the mere force of events and the
+elective origin of the throne--a strong and necessary democratic
+feeling, that assigned importance to each man according to his
+works. Besides this, let it be well observed, the first Empire had a
+strong tendency to protect and exalt the Arts, from its own very
+ardent desire to be made glorious in the eyes of posterity. Napoleon
+I. was, in his way, a consummate artist, a prodigiously intelligent
+<i>metteur en scène</i> of his own exploits, and he valued full as
+much the man who delineated or sang his deeds, as the minister who
+helped him to legislate, or the diplomatist who drew up protocols and
+treaties. The Emperor was a lover of noise and show, and his time was
+a showy and a noisy one. Bonaparte had, in this respect, little enough
+of the genuine Tyrant nature. Unlike his nephew, he loved neither
+silence nor darkness; he loved the reflection of his form in the broad
+noon of publicity, and the echo of his tread upon the sounding soil of
+popular renown. Could he have been sure that all free men would have
+united their voices in chanting his exploits, he would have made the
+citizens of France the freest in the whole world. Compression with him
+was either a mere preventive against or vengeance for detraction.
+<p>
+Now this publicity-loving nature was, we repeat, as much served by Art
+and artists as by politicians; nay, perhaps more; and for this reason
+artists stood high during the period of the Empire. Talma held a
+social rank that under no other circumstances could have been his, and
+a painter like Gérard could welcome to his house statesmen such as
+Talleyrand or Daru, or marshals of France, and princes even. We shall
+show, by-and-by, how this grew to be impossible later. At present we
+will recur to Mme. Ancelot for a really very true description of two
+persons who were among the <i>habitués</i> of the closing years of
+Gérard's weekly receptions, and one of whom was destined to universal
+celebrity: we allude to Mme. Gay, and her daughter, Delphine,--later,
+Mme. Girardin. Of these two, the mother, famous as Sophie Gay, was as
+thorough a remnant of the exaggerations and bad taste of the Empire as
+were the straight, stiff, mock-classical articles of furniture of the
+Imperialist hotels, or the <i>or-moulu</i> clocks so ridiculed by
+Balzac, on which turbaned Mamelukes mourned their expiring steeds. All
+the false-heroics of the literature of the Empire found their
+representative (their last one, perhaps) in Mme. Sophie Gay, and it
+has not been sufficiently remarked that she even transmitted a shade
+of all this to her daughter, in other respects one of the most
+sagacious spirits and one of the most essentially unconventional of
+our own day. A certain something that was not in harmony with the tone
+of contemporary writers here and there surprised you in Delphine de
+Girardin's productions, and, as Jules Janin once said, "One would
+think the variegated plumes of Murat's fantastic hat<a href="#12.2">[2]</a> were sweeping
+through her brains!" This was her mother's doing. Delphine, who had
+never lived during one hour of the glory of the Empire, had, through
+the medium of her mother, acquired a slight tinge of its
+<i>boursouflure</i>; and had it not been for her own personal good
+taste, she would have been misled precisely by her strong lyrical
+aptitudes. Madame Gay found in Gérard's <i>salon</i> all the people
+she had best known in her youth, and she was delighted to have her
+early years recalled to her. Mme. Ancelot, who, like many of her
+country women, felt a marked antipathy for Madame Gay, has given a
+very true portrait of both mother and daughter.
+<p>
+"Many years after," she writes, "when these ladies were (through M. de
+Girardin) at the head of one of the chief organs of the Paris press,
+they were much flattered and courted; at the period I speak of" (about
+1817-1825) "their position was far from brilliant, and Mme. Gay was
+far from popular. Every word that fell from her mouth, uttered in a
+sharp tone, and full of bitterness and envy, went to speak ill of
+others and prodigiously well of herself. She had a mania for titles
+and tuft-hunting, and could speak of no one under a marquis, a count,
+or a baron. Her daughter's beauty and talents caused her afterwards to
+be more generally admitted into society; but at this period she was
+avoided by most people."
+<p>
+Her daughter's beauty was certainly marvellous, and when, under the
+reign of Louis Philippe, American society had in Paris more than one
+brilliant representative and more than one splendid centre of
+hospitality, where all that was illustrious in the society of France
+perpetually flocked, we make no doubt many of our countrymen noticed,
+whether at theatre or concert or ball, the really queenlike air of
+Mme. de Girardin, and the exquisitely classic profile, which,
+enframed, as it were, by the capricious spirals of the lightest,
+fairest flaxen hair, resembled the outline of some antique statue of a
+Muse.
+<p>
+Delphine Gay and her mother were more the ornaments of the
+<i>salon</i> of the Duchesse d'Abrantès, perhaps, than of that of
+Gérard; and as the former continued open long after the latter was
+closed by death, not only the young girl, whose verses were so
+immensely in fashion during the Restoration, was one of the constant
+guests of Junot's widow, but she continued to be so as the wife of
+Émile de Girardin, the intelligent and enterprising founder of the
+newspaper "La Presse."
+<p>
+The <i>salon</i> of the Duchesse d'Abrantès was one of the first of a
+species which has since then found imitators by scores and hundreds
+throughout France. It was the <i>salon</i> of a person not in herself
+sufficiently superior or even celebrated to attract the genuine
+superiorities of the country without the accessory attractions of
+luxury, and not sufficiently wealthy to draw around her by her
+splendid style of receiving, and to disdain the bait held out to those
+she invited by the presence of great "lions." Gérard gave to his
+guests, at twelve o'clock at night, a cup of tea and "eternally the
+same cakes" all the year round; but Gérard was the type of the great
+honors rendered, as we have observed, to Art under the Empire, and to
+his house men went as equals, whose daily occupations made them the
+associates of kings. This was not the case with the Duchesse
+d'Abrantès. She had notoriety, not fame. Her "Mémoires" had been read
+all through Europe, but it is to be questioned whether anything beyond
+curiosity was satisfied by the book, and it certainly brought to its
+author little or none of that which in France stands in lieu even of
+fortune, but which is not easy to obtain,
+namely,--<i>consideration</i>.
+<p>
+The Duchesse d'Abrantès was rather popular than otherwise; she was
+even beloved by a certain number of persons; but she never was what is
+termed <i>considérée</i>,--and this gave to her <i>salon</i> a
+different aspect from that of the others we have spoken of. A dozen
+names could be mentioned, whose wearers, without any means of
+"entertaining" their friends, or giving them more than a glass of
+<i>eau sucrée</i>, were yet surrounded by everything highest and best
+in the land, simply because they were <i>gens considérables</i>, as
+the phrase went; but Mme. d'Abrantès, who more or less received all
+that mixed population known by the name of <i>tout Paris</i>, never
+was, we repeat, <i>considérée</i>.
+<p>
+The way in which Mme. Ancelot introduces her "friend," the poor
+Duchesse d'Abrantès, on the scene, is exceedingly amusing and natural;
+and we have here at once the opportunity of applying the remark we
+made in commencing these pages, upon Mme. Ancelot's truthfulness. She
+is the <i>habituée</i> of the house of Mme. d'Abrantès; she professes
+herself attached to the Duchess; yet she does not scruple to tell
+everything as it really is, nor, out of any of the usual little
+weaknesses of friendship, does she omit any one single detail that
+proves the strange and indeed somewhat "Bohemian" manner of life of
+her patroness. We, the readers of her book, are obviously obliged to
+her for her indiscretions; with those who object to them from other
+motives we have nothing to do.
+<p>
+Here, then, is the fashion in which we are introduced to Mme. la
+Duchesse d'Abrantès, widow of Marshal Junot, and a born descendant of
+the Comneni, Emperors of Byzantium.
+<p>
+Mme. Ancelot is sitting quietly by her fireside, one evening in
+October, (some short time after the establishment of the monarchy of
+July,) waiting to hear the result of a representation at the Théâtre
+Français, where a piece of her own is for the first time being
+performed. All at once, she hears several carriages stop at her door,
+a number of persons rush up the stairs, and she finds herself in the
+arms of the Duchesse d'Abrantès, who was resolved, as she says, to be
+the first to congratulate her on her success. The hour is a late one;
+supper is served, and conversation is prolonged into the "small
+hours." All at once Mme. d'Abrantès exclaims, with an explosion of
+delight,--"Ah! what a charming time is the night! one is so
+deliciously off for talking! so safe! so secure! safe from bores and
+from duns!" (<i>on ne craint ni les ennuyeux ni les créanciers</i>.')
+<p>
+Madame Ancelot affirms that this speech made a tremendous effect, and
+that her guests looked at each other in astonishment. If this really
+was the case, we can only observe that it speaks well for the
+Parisians of the epoch at which it occurred; for, assuredly, at the
+present day, no announcement of the kind would astonish or scandalize
+any one. People in "good society," nowadays, in France, have got into
+a habit of living from hand to mouth, and of living by expedients,
+simply because they have not the strength of mind to live <i>out</i>
+of society, and because the life of "the world" forces them to
+expenses utterly beyond what they have any means of providing
+for. However, we are inclined to believe that some five-and-twenty
+years ago this was in no degree a general case, and that Mme.
+d'Abrantès might perfectly well have been the first <i>maitresse de
+maison</i> to whom it happened.
+<p>
+"Alas!" sighs Mme. Ancelot, commenting upon her excellent friend's
+strange confidence,--"it was the secret of her whole life that she
+thus revealed to us in a moment of <i>abandon</i>,--the secret of an
+existence that tried still to reflect the splendors of the Imperial
+epoch, and that was at the same time perplexed and tormented by all
+the thousand small miseries of pecuniary embarrassment. There were the
+two extremes of a life that to the end excited my surprise. Grandeur!
+want!--between those two opposites oscillated every day of the last
+years of the Duchesse d'Abrantès; the exterior and visible portion of
+that life arranged itself well or ill, as it best could, in the
+middle,--now apparently colored by splendor, and now degraded by
+distress; but at bottom the existence was unvaryingly what I state."
+<p>
+Madame d'Abrantès, at the period of her greatest notoriety, occupied
+the ground-floor of a hotel in the Rue Rochechouart, with a garden,
+where dancing was often introduced upon the lawn. Some remnants of
+the glories of Imperialism were collected there, but the principal
+<i>habitués</i> were men of letters, artists, and young men who danced
+well! (<i>les jeunes beaux qui dansaient bien!</i>) That one phrase
+characterizes at once the ex-<i>belle</i> of the Empire, the
+contemporary of the sentimental Hortense de Beauharnais, and of the
+more than <i>légère</i> Pauline Borghése.
+<p>
+To the "new society of July" Mme. d'Abrantès was an object of great
+curiosity. "I dote on seeing that woman!" said Balzac, one evening,
+to Mme. Ancelot. "Only fancy! she saw Napoleon Bonaparte as a mere
+boy,--knew him well,--knew him as a young man, unknown,--saw him
+occupied, like anybody else, with the ordinary occurrences of
+every-day life; then she saw him grow, and grow, and rise, and throw
+the shadow of his name over the world. She seems to me somewhat like a
+canonized creature who should all at once come and recount to me the
+glories of paradise."
+<p>
+Balzac, it must be premised, was bitten just at this period by the
+Napoleon mania, and this transformed his inquisitive attachment for
+Mme. d'Abrantès into a kind of passion. It was at this period that he
+chose to set up in his habitation in the Rue Cassini a sort of altar,
+on which he placed a small statue of the Emperor, with these words
+engraved upon the pedestal:--
+
+<blockquote>
+ "Ce qu'il avait commencé par l'épée,<br>
+ Je l'achèverai par la plume!"
+</blockquote>
+<p>
+What particular part of the Imperial work this was that Balzac was to
+"complete by the pen" was never rightly discovered,--but for a time he
+had a sun-stroke for Napoleon, and his attachment for Mme. d'Abrantès
+partook of this influence.
+<p>
+One anecdote told by Mme. Ancelot proves to what a degree the union of
+"grandeur" and "want" she has alluded to went. "Mme. d'Abrantès," says
+her biographer of the moment, "was always absorbed by the present
+impression, whatever that might happen to be; she passed from joy to
+despair like a child, and I never knew any house that was either so
+melancholy or so gay." One evening, however, it would seem that the
+Hôtel d'Abrantès was gayer than usual. Laughter rang loud through the
+rooms, the company was numerous, and the mistress of the house in
+unparalleled high spirits. If the tide of conversation seemed to
+slacken, quickly Madame la Duchesse had some inimitable story of the
+<i>ridicules</i> of the ladies of the Imperial court, and the whole
+circle was soon convulsed at her stories, and at her way of telling
+them. The tea-table was forgotten. Generally, tea at her house was
+taken at eleven o'clock; but on this occasion, midnight was long past
+before it was announced, and before her guests assembled round the
+table. If our readers are curious to know why, here was the reason:
+All that remained of the plate had that very morning been put in pawn,
+and when tea should have been served it was found that tea-spoons were
+wanting! Whilst these were being sent for to the house of a friend
+who lent them, Madame la Duchesse took charge of her guests, and
+drowned their impatience in their hilarity.
+<p>
+It must be allowed that this lady was worthy to be the mother of the
+young man who, one day, pointing to a sheet of stamped paper, on which
+a bill of exchange might be drawn, said: "You see that; it is worth
+five sous now; but if I sign my name to it, it will be worth nothing!"
+This was a speech made by Junot's eldest son, known in Paris as the
+Duc d'Abrantès, and as the intimate friend of Victor Hugo, from whom
+at one time he was almost inseparable.
+<p>
+The eccentric personage we have just spoken of--the Duchesse
+d'Abrantès--died in the year 1838, in a garret, upon a truckle-bed,
+provided for her by the charity of a friend. The royal family paid the
+expenses of her funeral, and Chateaubriand, accompanied by nearly
+every celebrity of the literary world, followed on foot behind her
+coffin, from the church to the burying-ground.
+<p>
+Madame d'Abrantès may be considered as the inventor, in France, of
+what has since become so widely spread under the name of <i>les salons
+picaresques</i>, and of what, at the present day, is famous under the
+appellation of the <i>demi-monde</i>. Her example has been followed
+by numberless imitators, and now, instead of presuming (as was the
+habit formerly) that those only receive who are rich enough to do so,
+it is constantly inquired, when any one in Paris opens his or her
+house, whether he or she is ruined, and whether the <i>soirées</i>
+given are meant merely to throw dust into people's eyes. The history
+of the tea-spoons--so singular at the moment of its occurrence--has
+since been parodied a hundred times over, and sometimes by mistresses
+of houses whose fortune was supposed to put them far above all such
+expedients. Madame d'Abrantès, we again say, was the founder of a
+<i>genre</i> in Paris society, and as such is well worth studying. The
+<i>genre</i> is by no means the most honorable, but it is one too
+frequently found now in the social centres of the French capital for
+the essayist on Paris <i>salons</i> to pass it over unnoticed.
+<p>
+The <i>salon</i> of Mme. Récamier is one of a totally different order,
+and the world-wide renown of which may make it interesting to the
+reader of whatever country. As far as age was concerned, Mme.
+Récamier was the contemporary of Mme. d'Abrantès, of Gérard, nay,
+almost of Mme. Lebrun; for the renown of her beauty dates from the
+time of the French Revolution, and her early friendships associate her
+with persons who even had time to die out under the first Empire; but
+the <i>salon</i> of Madame Récamier was among the exclusively modern
+ones, and enjoyed all its lustre and its influence only after
+1830. The cause of this is obvious: the circumstance that attracted
+society to Mme. Récamier's house was no other than the certainty of
+finding there M. de Chateaubriand. He was the divinity of the temple,
+and the votaries flocked around his shrine. Before 1830 the temple had
+been elsewhere, and, until her death, Mme. la Duchesse de Duras was
+the high-priestess of the sanctuary, where a few privileged mortals
+only were admitted to bow down before the idol. It is inconceivable
+how easy a certain degree of renown finds it in Paris to establish one
+of these undisputed sovereignties, before which the most important,
+highest, most considerable individualities abdicate their own merit,
+and prostrate themselves in the dust. M. de Chateaubriand in no way
+justified the kind of worship that was paid him, nor did he even
+obtain it so long as he was in a way actively to justify it. It was
+when he grew old and produced nothing, and was hourly more and more
+rusted over by selfishness, churlishness, and an exorbitant adoration
+of his own genius, that the society of his country fell down upon its
+knees before him, and was ready to make any sacrifice to insure to
+itself the honor of one of his smiles or one of his looks. In this
+disposition, Madame Récamier speedily obtained a leading influence
+over Paris society, and when it was notorious that from four to six
+every day the "Divinity" would be visible in her <i>salons</i>, her
+<i>salons</i> became the place of pilgrimage for all Paris. As with
+those of Mme. d'Abrantès, there was a certain mixture amongst the
+guests, because, without that, the <i>notoriety</i>, which neither
+Chateaubriand nor Mme. Récamier disliked, would have been less easily
+secured; but the tone of the <i>réunions</i> was vastly different, and
+at the celebrated receptions of the Abbaye aux Bois (where
+Mme. Récamier spent her last quarter of a century) the somewhat
+austere deportment of the <i>siècle de Louis XIV.</i> was in
+vogue. All the amusements were in their nature grave. Mlle. Rachel
+recited a scene from "Polyeucte" for the author of "Les Martyrs," and
+for archbishops and cardinals; the Duc de Noailles read a chapter from
+his history of Mme. de Maintenon; some performance of strictly
+classical music was to be heard; or, upon state occasions,
+Chateaubriand himself vouchsafed to impart to a chosen few a few pages
+of the "Mémoires d'Outre-Tombe."
+<p>
+In her youth Mme. Récamier had been reputed beautiful, and her sole
+occupation then was to do the honors of her beauty. She did not dream
+of ever being anything else; and as she remained young marvellously
+long,--as her beauty, or the charm, whatever it was, that
+distinguished her, endured until a very late epoch of her life,--she
+was far advanced in years before the idea of becoming famous through
+any other medium save that of her exterior advantages ever struck
+her. Madame Récamier had no intellectual superiority, but,
+paraphrasing in action Molière's witty sentence, that "silence, well
+employed, may go far to establish a man's capacity," she resolved to
+employ well the talent she possessed of making other people believe
+themselves clever. Mme. Ancelot, whose "good friend" she is supposed
+to have been, and who treats her with the same sincerity she applies
+to Mme. d'Abrantès, has a very ingenious and, we have reason to fancy,
+a very true parallel, for Mme. Récamier. She compares her to the
+mendicant described by Sterne, (or Swift,) who always obtained alms
+even from those who never gave to any other, and whose secret lay in
+the adroit flatteries with which he seasoned all his beggings. The
+best passages in Mme. Ancelot's whole Volume are those where she
+paints Mme. Récamier, and we will therefore quote them.
+<p>
+"The Recluse of the Abbaye aux Bois," she says, "had either read the
+story of the beggar, or her instinct had persuaded her that vanity and
+pride are the surest vulnerable points by which to attack and subject
+the human heart. From the first to the last of all the orators,
+writers, artists, or celebrities of no matter what species, that were
+invited to Mme. Récamier's house, <i>all</i> heard from her lips the
+same admiring phrases, the first time they were presented to her. With
+a trembling voice she used to say: 'The emotion I feel in the presence
+of a superior being does not permit me to express, as I should wish to
+do, all my admiration, all my sympathy;--but you can divine,--you can
+understand;--my emotion tells the rest!' This eulogistic sentence, a
+well-studied hesitation, words interrupted, and looks of the most
+perfect enthusiasm, produced in the person thus received a far more
+genuine emotion than that with which he was met. It was no other than
+the artifice of wholesale, universal flattery,--always and invariably
+the same,--with which Mme. Récamier achieved her greatest conquests,
+and continued to draw around her almost all the eminent men of our
+epoch. All this was murmured in soft, low tones, so that he only to
+whom she spoke tasted the honey poured into his ear. Her grace of
+manner all the while was infinite; for though she had no talent for
+conversation, she had, in the highest degree, the ability which
+enables one to succeed in certain little combinations, and when she
+had determined that such or such a great man should become her
+<i>habitué</i>, the web she spun round him on all sides was composed
+of threads so imperceptibly fine and so innumerable, that those who
+escaped were few, and gifted with marvellous address."
+<p>
+Mme. Ancelot confesses to having "studied narrowly" all
+Mme. Récamier's manoeuvres, and to having watched all the thousand
+little traps she laid for social "lions"; but we are rather astonished
+herein at Mme. Ancelot's astonishment, for, with more or less talent
+and grace, these are the devices resorted to in Paris by a whole class
+of <i>maitresses de maison</i>, of whom Mme. Récamier is simply the
+most perfect type.
+<p>
+But the most amusing part of all, and one that will be above all
+highly relished by any one who has ever seen the same game carried on,
+is the account of Mme. Récamier's campaign against M. Guizot, which
+signally failed, all her small webs having been coldly brushed away by
+the intensely vainglorious individual who knew he should not be placed
+above Chateaubriand, and who would for no consideration under heaven
+have been placed beneath him. The spectacle of this small and delicate
+vanity doing battle against this vanity so infinitely hard and robust
+is exquisitely diverting. Mme. Récamier put herself so prodigiously
+out of her way; she who was indolent became active; she who was
+utterly insensible to children became maternal; she who was of
+delicate health underwent what only a vigorous constitution would
+undertake. But all in vain; she either did not or would not see that
+M. Guizot would not be <i>second</i> where M. de Chateaubriand was
+<i>first</i>. Besides, she split against another rock, that she had
+either chosen to overlook, or the importance of which she had
+undervalued. If Mme. Récamier had for the idol of her shrine at the
+Abbaye aux Bois M. de Chateaubriand, M. Guizot had also <i>his</i>
+Madame Récamier, the "Egeria" of the Hôtel Talleyrand,--the Princess
+Lieven. The latter would have resisted to the death any attempt to
+carry off "her Minister" from the <i>salons</i> where his presence was
+the "attraction" reckoned upon daily, nay, almost hourly; and against
+such a rival as the venerable Princess Lieven, Mme. Récamier, spite of
+all her arts and wiles, had no possible chance. However, she left
+nothing untried, and when M. Guizot took a villa at Auteuil, whither
+to repair of an evening and breathe the freshness of the half-country
+air after the stormy debates of the Chambers, she also established
+herself close by, and opened her attack on the enemy's outposts by a
+request to be allowed to walk in the Minister's grounds, her own
+garden being ridiculously small! This was followed by no end of
+attentions directed towards Mme. de Meulan, M. Guizot's sister-in-law,
+who saw through the whole, and laughed over it with her friends; no
+end of little dancing <i>matinées</i> were got up for the Minister's
+young daughters, and no end even of sweet biscuits were perpetually
+provided for a certain lapdog belonging to the family! All in vain!
+We may judge, too, what transports of enthusiasm were enacted when the
+Minister himself was <i>by chance (!)</i> encountered in the alleys of
+the park, and with what outpourings of admiration he was greeted, by
+the very person who, of all others, was so anxious to become one of
+his votaries. But, as we again repeat, it was of no use. M. Guizot
+never consented to be one of the <i>habitués</i> of the <i>salon</i>
+of the Abbaye aux Bois. It should be remarked, also, that M. Guizot
+cared little for anything out of the immediate sphere of politics, and
+of the politics of the moment; he took small interest in what went on
+in Art, and none whatever in what went on in the so-called "world"; so
+that where a <i>salon</i> was not predominantly political, there was
+small chance of presenting Louis Philippe's Prime-Minister with any
+real attraction. For this reason he was now and then to be met at the
+house of Mme. de Châtenay, often at that of Mme. de Boigne, but
+<i>never</i> in any of the receptions of the ordinary run of men and
+women of the world. <i>His own salon</i>, we again say,--the
+<i>salon</i> where he was what Chateaubriand was at the Abbaye aux
+Bois,--was the <i>salon</i> of the Princess Lieven; and to have ever
+thought she could induce M. Guizot to be in the slightest degree
+faithless to this <i>habit</i> argues, on the part of Mme. Récamier,
+either a vanity more egregious than we had even supposed, or an
+ignorance of what she had to combat that seems impossible. To have
+imagined for a moment that she could induce M. Guizot to frequent her
+<i>réunions</i> shows that she appreciated neither Mme. de Lieven, nor
+M. Guizot, nor, we may say, herself, in the light of the
+high-priestess of Chateaubriand's temple.
+<p>
+However, what Mme. Récamier went through with regard to the arrogant
+Président du Conseil of the Orléans dynasty, more than one of her
+imitators are at this hour enduring for some "lion" infinitely
+illustrious. This kind of hunt after celebrated persons is a feature
+of French civilization, and a feature peculiarly characteristic of the
+French women who take a pride in their receptions. A genuine
+<i>maitresse de maison</i> in Paris has no affections, no ties, save
+those of her <i>salon</i>. She is wholly absorbed in thinking how she
+shall render this more attractive than the <i>salon</i> of some other
+lady, who is her intimate friend, but whose sudden disappearance from
+the social scene, by any catastrophe, death even, would not leave her
+inconsolable. She has neither husband, children, relatives, nor
+friends (in the genuine acceptation of the word);--she has, above all,
+before all, always and invariably, her <i>salon</i>. This race of
+women, who date undoubtedly from the famous Marquise de Rambouillet in
+the time of the Fronde, are now dying out, and are infinitely less
+numerous than they were even twenty years ago in Paris; but a few of
+them still exist, and in these few the ardor we allude to, and which
+would lead them, following in Mme. Récamier's track, to embark for the
+North Cape in search of some great celebrity, is in no degree
+abated. Madame Récamier is curious as the arch-type of this race, so
+purely, thoroughly, exclusively Parisian.
+<p>
+Perhaps to a foreigner, however, no <i>salon</i> was more amusing than
+that of Charles Nodier; but this was of an utterly different
+description, and all but strictly confined to the world of Literature
+and Art. Nodier himself occupied a prominent place in the literature
+that was so much talked of during the last years of the Restoration
+and the first years of the Monarchy of July, and his house was the
+rendezvous for all the combatants of both sides, who at that period
+were engaged in the famous Classico-Romantic struggle. Nodier was the
+Head Librarian of the Arsenal, and it was in the <i>salons</i> of this
+historic palace that he held his weekly gatherings. He himself was
+scarcely to be reputed exclusively of either party; he enjoyed the
+favors of the Monarchy, and the sympathies of the Opposition; the
+"Classics" elected him a member of the Académie Française, and the
+"Romantics" were perpetually in his intimacy. The fact was, that
+Nodier at heart believed in neither Classics nor Romantics, laughed at
+both in his sleeve, and only cared to procure to himself the most
+agreeable house, the greatest number of comforts, and the largest sums
+of money possible.
+<p>
+"By degrees," says Mme. Ancelot, "as Nodier cared less for other
+people, he praised them more, probably in order to compensate them in
+words for the less he gave them in affection. Besides this, he was
+resolved not to be disturbed in his own vanities, and for this he knew
+there was one only way, which was to foster the vanities of everybody
+else. Never did eulogium take such varied forms to laud and exalt the
+most mediocre things. Nowhere were so many geniuses whom the public
+never guessed at raised to the rank of <i>divinities</i> as in the
+<i>salons</i> of Charles Nodier."
+<p>
+The description contained in the little volume before us, the manner
+in which every petty scribbler of fiftieth-rate talent was transformed
+into a giant in the society of Nodier, is extremely curious and
+amusing, and the more so that it is strictly true, and tallies
+perfectly with the recollections of the individuals who, at the period
+mentioned, were admitted to the <i>réunions</i> of the Arsenal.
+<p>
+Every form of praise having been expended upon persons of infinitely
+small merit, what was to be done when those of real superiority
+entered upon the scene? It was impossible to apply to them the forms
+of laudation adapted to their inferiors. Well, then, a species of
+slang was invented, by which it was thought practicable to make the
+genuine great men conceive they had passed into the condition of
+demigods. A language was devised that was to express the fervor of the
+adorers who were suddenly allowed to penetrate into Olympus, and the
+strange, misapplied terms whereof seemed to the uninitiated the
+language of insanity. For instance, if, after a dozen little unshaved,
+unkempt poetasters had been called "sublime," Victor Hugo vouchsafed
+to recite one of his really best Odes, what was the eulogistic form to
+be adopted? Mme. Ancelot will tell us.
+<p>
+"A pause would ensue, and at the end of a silence of some minutes,
+when the echo of Hugo's sonorous voice had subsided, one after another
+of the <i>elect</i> would rise, go up to the poet, take his hand with
+solemn emotion, and raise to the ceiling eyes full of mute enthusiasm.
+The crowd of bystanders would listen all agape. Then, to the surprise,
+almost to the consternation, of the uninitiated, one word only would
+be spoken,--loudly, distinctly, and with strong, deep emphasis spoken;
+that word would be:
+<blockquote>
+ "<i>Cathedral!!!</i>
+</blockquote>
+"The first orator, after this effort, would
+return to the place whence he had come,
+and another, succeeding to him, after
+repeating the same pantomime as the
+former, would exclaim:
+<blockquote>
+ "<i>Ogive!!!</i>
+</blockquote>
+"Then a third would come forward, and, after looking all around, would
+risk the word:
+<blockquote>
+ "<i>Pyramid-of-Egypt!!!</i>
+</blockquote>
+"And thereat the whole assembly would start off into frenzies of
+applause, and fifty or sixty voices would repeat in chorus the
+sacramental words that had just been pronounced separately."
+<p>
+The degree of absurdity to which a portion of society must have
+attained before such scenes as the above could become possible may
+serve as a commentary and an explanation to half the literature which
+flooded the stage and the press in France for the first six or eight
+years after the Revolution of 1830. However, to be just, we must, in
+extenuation of all these absurdities, cite one passage more from
+Mme. Ancelot's book, in which, in one respect, at all events, the
+youth of twenty years ago in Paris are shown to have been superior to
+the youth of the present day.
+<p>
+"Nodier's parties were extremely amusing," says our authoress; "his
+charming daughter was the life of the whole; she drew around her young
+girls of her own age; poets, musicians, painters, young and joyous as
+these, were their partners in the dance, and every one was full of
+hope and dreaming of glory. But what brought all the
+light-heartedness, all the enthusiasm, all the exultation to its
+utmost height was, that, in all that youth, so trusting and so
+hopeful, <i>no one gave a single thought to money!</i>"
+<p>
+Assuredly, it would be impossible to say as much nowadays.
+<p>
+Taken as a whole, Mme. Ancelot's little volume is, as we said, an
+amusing and an instructive one. It is not so from any portion of her
+own individuality she has infused into it, but, on the contrary, from
+the entire sincerity with which it mirrors other people. We recommend
+it to our readers, for it is a record of Paris society in its
+successive transformations from 1789 to 1848, and paints a class of
+people and a situation of things, equally true types whereof may
+possibly not be observable in future times.
+<p>
+<br><br>
+
+<a name="12.1">[Footnote 1: <i>Les Salons de Paris.--Foyers Eteints</i>. Par
+Mme. Ancelot. 12mo. Paris.]</a>
+<p>
+<a name="12.2">[Footnote 2: It will be remembered that on field-days Murat had
+adopted a hat and feathers of a most ridiculous kind, and that have
+become proverbial.]</a>
+
+<br><br><br>
+
+<br><br><br>
+
+<table border="0">
+<tr>
+<td width="20%">&nbsp;</td>
+<td width="80%">
+<center>
+<h2>
+<a name="13">THE DISCOVERER OF THE NORTH CAPE</a>
+</h2>
+<h3>
+A LEAF FROM KING ALFRED'S "OROSIUS."
+</h3>
+</center>
+<br>
+<br>
+<p>
+ Othere, the old sea-captain,<br>
+ &nbsp;&nbsp;&nbsp;Who dwelt in Helgoland,<br>
+ To Alfred, the Lover of Truth,<br>
+ Brought a snow-white walrus-tooth,<br>
+ &nbsp;&nbsp;&nbsp;Which he held in his brown right-hand.
+<p>
+ His figure was tall and stately;<br>
+ &nbsp;&nbsp;&nbsp;Like a boy's his eye appeared;<br>
+ His hair was yellow as hay,<br>
+ But threads of a silvery gray<br>
+ &nbsp;&nbsp;&nbsp;Gleamed in his tawny beard.
+<p>
+ Hearty and hale was Othere,<br>
+ &nbsp;&nbsp;&nbsp;His cheek had the color of oak;<br>
+ With a kind of laugh in his speech,<br>
+ Like the sea-tide on a beach,<br>
+ &nbsp;&nbsp;&nbsp;As unto the King he spoke.
+<p>
+ And Alfred, King of the Saxons,<br>
+ &nbsp;&nbsp;&nbsp;Had a book upon his knees,<br>
+ And wrote down the wondrous tale<br>
+ Of him who was first to sail<br>
+ &nbsp;&nbsp;&nbsp;Into the Arctic seas.
+<p>
+ "So far I live to the northward,<br>
+ &nbsp;&nbsp;&nbsp;No man lives north of me;<br>
+ To the east are wild mountain-chains,<br>
+ And beyond them meres and plains;<br>
+ &nbsp;&nbsp;&nbsp;To the westward all is sea.
+<p>
+ "So far I live to the northward,<br>
+ &nbsp;&nbsp;&nbsp;From the harbor of Skeringes-hale,<br>
+ If you only sailed by day,<br>
+ With a fair wind all the way,<br>
+ &nbsp;&nbsp;&nbsp;More than a month would you sail.
+<p>
+ "I own six hundred reindeer,<br>
+ &nbsp;&nbsp;&nbsp;With sheep and swine beside;<br>
+ I have tribute from the Fins,--<br>
+ Whalebone, and reindeer-skins,<br>
+ &nbsp;&nbsp;&nbsp;And ropes of walrus-hide.
+<p>
+ "I ploughed the land with horses,<br>
+ &nbsp;&nbsp;&nbsp;But my heart was ill at ease,<br>
+ For the old seafaring men<br>
+ Came to me now and then<br>
+ &nbsp;&nbsp;&nbsp;With their sagas of the seas,--
+<p>
+ "Of Iceland, and of Greenland,<br>
+ &nbsp;&nbsp;&nbsp;And the stormy Hebrides,<br>
+ And the undiscovered deep;--<br>
+ I could not eat nor sleep<br>
+ &nbsp;&nbsp;&nbsp;For thinking of those seas.
+<p>
+ "To the northward stretched the desert,--<br>
+ &nbsp;&nbsp;&nbsp;How far I fain would know;<br>
+ So at last I sallied forth,<br>
+ And three days sailed due north,<br>
+ &nbsp;&nbsp;&nbsp;As far as the whale-ships go.
+<p>
+ "To the west of me was the ocean,--<br>
+ &nbsp;&nbsp;&nbsp;To the right the desolate shore;<br>
+ But I did not slacken sail<br>
+ For the walrus or the whale,<br>
+ &nbsp;&nbsp;&nbsp;Till after three days more.
+<p>
+ "The days grew longer and longer,<br>
+ &nbsp;&nbsp;&nbsp;Till they became as one;<br>
+ And southward through the haze<br>
+ I saw the sullen blaze<br>
+ &nbsp;&nbsp;&nbsp;Of the red midnight sun.
+<p>
+ "And then uprose before me,<br>
+ &nbsp;&nbsp;&nbsp;Upon the water's edge,<br>
+ The huge and haggard shape<br>
+ Of that unknown North Cape,<br>
+ &nbsp;&nbsp;&nbsp;Whose form is like a wedge.
+<p>
+ "The sea was rough and stormy,<br>
+ &nbsp;&nbsp;&nbsp;The tempest howled and wailed,<br>
+ And the sea-fog, like a ghost,<br>
+ Haunted that dreary coast,--<br>
+ &nbsp;&nbsp;&nbsp;But onward still I sailed.
+<p>
+ "Four days I steered to eastward,<br>
+ &nbsp;&nbsp;&nbsp;Four days without a night:<br>
+ Bound in a fiery ring<br>
+ Went the great sun, O King,<br>
+ &nbsp;&nbsp;&nbsp;With red and lurid light."
+<p>
+ Here Alfred, King of the Saxons,<br>
+ &nbsp;&nbsp;&nbsp;Ceased writing for a while;<br>
+ And raised his eyes from his book,<br>
+ With a strange and puzzled look,<br>
+ &nbsp;&nbsp;&nbsp;And an incredulous smile.
+<p>
+ But Othere, the old sea-captain,<br>
+ &nbsp;&nbsp;&nbsp;He neither paused nor stirred;<br>
+ And the King listened, and then<br>
+ Once more took up his pen,<br>
+ &nbsp;&nbsp;&nbsp;And wrote down every word.
+<p>
+ "And now the land," said Othere,<br>
+ &nbsp;&nbsp;&nbsp;"Bent southward suddenly,<br>
+ And I followed the curving shore<br>
+ And ever southward bore<br>
+ &nbsp;&nbsp;&nbsp;Into a nameless sea.
+<p>
+ "And there we hunted the walrus,<br>
+ &nbsp;&nbsp;&nbsp;The narwhale, and the seal:<br>
+ Ha! 'twas a noble game,<br>
+ And like the lightning's flame<br>
+ &nbsp;&nbsp;&nbsp;Flew our harpoons of steel!
+<p>
+ "There were six of us altogether,<br>
+ &nbsp;&nbsp;&nbsp;Norsemen of Helgoland;<br>
+ In two days and no more<br>
+ We killed of them threescore,<br>
+ &nbsp;&nbsp;&nbsp;And dragged them to the strand!"
+<p>
+ Here Alfred the Truth-Teller<br>
+ &nbsp;&nbsp;&nbsp;Suddenly closed his book,<br>
+ And lifted his blue eyes<br>
+ With doubt and strange surmise<br>
+ &nbsp;&nbsp;&nbsp;Depicted in their look.
+<p>
+ And Othere, the old sea-captain,<br>
+ &nbsp;&nbsp;&nbsp;Stared at him wild and weird,<br>
+ Then smiled, till his shining teeth<br>
+ Gleamed white from underneath<br>
+ &nbsp;&nbsp;&nbsp;His tawny, quivering beard.
+<p>
+ And to the King of the Saxons,<br>
+ &nbsp;&nbsp;&nbsp;In witness of the truth,<br>
+ Raising his noble head,<br>
+ He stretched his brown hand, and said.<br>
+ &nbsp;&nbsp;&nbsp;"Behold this walrus-tooth!"
+</td>
+</tr>
+</table>
+
+<br><br><br>
+
+<br><br><br>
+
+<center>
+<h2>
+<a name="14">THE AUTOCRAT OF THE BREAKFAST-TABLE.</a>
+</h2>
+<h3>
+EVERY MAN HIS OWN BOSWELL.
+</h3>
+</center>
+<p>
+[The schoolmistress came down with a rose in her hair,--a fresh June
+rose. She has been walking early; she has brought back two
+others,--one on each cheek.
+<p>
+I told her so, in some such pretty phrase as I could muster for the
+occasion. Those two blush-roses I just spoke of turned into a couple
+of damasks. I suppose all this went through my mind, for this was what
+I went on to say:--]
+<p>
+I love the damask rose best of all. The flowers our mothers and
+sisters used to love and cherish, those which grow beneath our eaves
+and by our doorstep, are the ones we always love best. If the
+Houyhnhnms should ever catch me, and, finding me particularly vicious
+and unmanageable, send a man-tamer to Rareyfy me, I'll tell you what
+drugs he would have to take and how he would have to use them. Imagine
+yourself reading a number of the Houyhnhnms Gazette, giving an account
+of such an experiment.
+<br>
+<p>
+"MAN-TAMING EXTRAORDINARY.
+<p>
+"The soft-hoofed semi-quadruped recently captured was subjected to the
+art of our distinguished man-tamer in presence of a numerous
+assembly. The animal was led in by two stout ponies, closely confined
+by straps to prevent his sudden and dangerous tricks of
+shoulder-hitting and foot-striking. His countenance expressed the
+utmost degree of ferocity and cunning.
+<p>
+"The operator took a handful of <i>budding lilac-leaves</i>, and
+crushing them slightly between his hoofs, so as to bring out their
+peculiar fragrance, fastened them to the end of a long pole and held
+them towards the creature. Its expression changed in an instant,--it
+drew in their fragrance eagerly, and attempted to seize them with its
+soft split hoofs. Having thus quieted his suspicious subject, the
+operator proceeded to tie a <i>blue hyacinth</i> to the end of the
+pole and held it out towards the wild animal. The effect was
+magical. Its eyes filled as if with raindrops, and its lips trembled
+as it pressed them to the flower. After this it was perfectly quiet,
+and brought a measure of corn to the man-tamer, without showing the
+least disposition to strike with the feet or hit from the shoulder."
+<br>
+<p>
+That will do for the Houyhnhnms Gazette.--Do you ever wonder why poets
+talk so much about flowers? Did you ever hear of a poet who did not
+talk about them? Don't you think a poem, which, for the sake of being
+original, should leave them out, would be like those verses where the
+letter <i>a</i> or <i>e</i> or some other is omitted? No,--they will
+bloom over and over again in poems as in the summer fields, to the end
+of time, always old and always new. Why should we be more shy of
+repeating ourselves than the spring be tired of blossoms or the night
+of stars? Look at Nature. She never wearies of saying over her floral
+pater-noster. In the crevices of Cyclopean walls,--in the dust where
+men lie, dust also,--on the mounds that bury huge cities, the Birs
+Nemroud and the Babel-heap,--still that same sweet prayer and
+benediction. The Amen! of Nature is always a flower.
+<p>
+Are you tired of my trivial personalities,--those splashes and streaks
+of sentiment, sometimes perhaps of sentimentality, which you may see
+when I show you my heart's corolla as if it were a tulip? Pray, do
+not give yourself the trouble to fancy me an idiot whose conceit it is
+to treat himself as an exceptional being. It is because you are just
+like me that I talk and know that you will listen. We are all
+splashed and streaked with sentiments,--not with precisely the same
+tints, or in exactly the same patterns, but by the same hand and from
+the same palette.
+<p>
+I don't believe any of you happen to have just the same passion for
+the blue hyacinth which I have,--very certainly not for the crushed
+lilac-leaf-buds; many of you do not know how sweet they are. You love
+the smell of the sweet-fern and the bayberry-leaves, I don't doubt;
+but I hardly think that the last bewitches you with young memories as
+it does me. For the same reason I come back to damask roses, after
+having raised a good many of the rarer varieties. I like to go to
+operas and concerts, but there are queer little old homely sounds that
+are better than music to me. However, I suppose it's foolish to tell
+such things.
+<p>
+----It is pleasant to be foolish at the right time,--said the
+divinity-student;--saying it, however, in one of the dead languages,
+which I think are unpopular for summer-reading, and therefore do not
+bear quotation as such.
+<p>
+Well, now,--said I,--suppose a good, clean, wholesome-looking
+countryman's cart stops opposite my door.--Do I want any
+huckleberries?--If I do not, there are those that do. Thereupon my
+soft-voiced handmaid bears out a large tin pan, and then the wholesome
+countryman, heaping the peck-measure, spreads his broad hands around
+its lower arc to confine the wild and frisky berries, and so they run
+nimbly along the narrowing channel until they tumble rustling down in
+a black cascade and tinkle on the resounding metal beneath.--I won't
+say that this rushing huckleberry hail-storm has not more music for me
+than the "Anvil Chorus."
+<p>
+----I wonder how my great trees are coming on this summer.
+<p>
+----Where are your great trees, Sir? said the divinity-student.
+<p>
+Oh, all round about New England. I call all trees mine that I have put
+my wedding-ring on, and I have as many tree-wives as Brigham Young has
+human ones.
+<p>
+----One set's as green as the other,--exclaimed a boarder, who has
+never been identified.
+<p>
+They're all Bloomers,--said the young fellow called John.
+<p>
+[I should have rebuked this trifling with language, if our landlady's
+daughter had not asked me just then what I meant by putting my
+wedding-ring on a tree.]
+<p>
+Why, measuring it with my thirty-foot tape, my dear,--said I.--I have
+worn a tape almost out on the rough barks of our old New England elms
+and other big trees.--Don't you want to hear me talk trees a little
+now? That is one of my specialties.
+<p>
+[So they all agreed that they should like to hear me talk about
+trees.]
+<p>
+I want you to understand, in the first place, that I have a most
+intense, passionate fondness for trees in general, and have had
+several romantic attachments to certain trees in particular. Now, if
+you expect me to hold forth in a "scientific" way about my
+tree-loves,--to talk, for instance, of the Ulmus Americana, and
+describe the ciliated edges of its samara, and all that,--you are an
+anserine individual, and I must refer you to a dull friend who will
+discourse to you of such matters. What should you think of a lover who
+should describe the idol of his heart in the language of science,
+thus: Class, Mammalia; Order, Primates; Genus, Homo; Species,
+Europeus; Variety, Brown; Individual, Ann Eliza; Dental Formula
+<p>
+<pre>
+ 2-2 1-1 2-2 3-3
+ i--- c--- p--- m----,
+ 2-2 1-1 2-2 3-3
+</pre>
+<p>
+and so on?
+<p>
+No, my friends, I shall speak of trees as we see them, love them,
+adore them in the fields, where they are alive, holding their green
+sun-shades over our heads, talking to us with their hundred thousand
+whispering tongues, looking down on us with that sweet meekness which
+belongs to huge, but limited organisms,--which one sees in the brown
+eyes of oxen, but most in the patient posture, the outstretched arms,
+and the heavy-drooping robes of these vast beings endowed with life,
+but not with soul,--which outgrow us and outlive us, but stand
+helpless,--poor things!--while Nature dresses and undresses them, like
+so many full-sized, but underwitted children.
+<p>
+Did you ever read old Daddy Gilpin? Slowest of men, even of English
+men; yet delicious in his slowness, as is the light of a sleepy eye in
+woman. I always supposed "Dr. Syntax" was written to make fun of
+him. I have a whole set of his works, and am very proud of it, with
+its gray paper, and open type, and long ff, and orange-juice
+landscapes. The <i>Père</i> Gilpin had the kind of science I like in
+the study of Nature,--a little less observation than White of
+Selborne, but a little more poetry.--Just think of applying the
+Linnæan system to an elm! Who cares how many stamens or pistils that
+little brown flower, which comes out before the leaf, may have to
+classify it by? What we want is the meaning, the character, the
+expression of a tree, as a kind and as an individual.
+<p>
+There is a mother-idea in each particular kind of tree, which, if well
+marked, is probably embodied in the poetry of every language. Take the
+oak, for instance, and we find it always standing as a type of
+strength and endurance. I wonder if you ever thought of the single
+mark of supremacy which distinguishes this tree from all our other
+forest-trees? All the rest of them shirk the work of resisting
+gravity; the oak alone defies it. It chooses the horizontal direction
+for its limbs, so that their whole weight may tell,--and then
+stretches them out fifty or sixty feet, so that the strain may be
+mighty enough to be worth resisting. You will find, that, in passing
+from the extreme downward droop of the branches of the weeping-willow
+to the extreme upward inclination of those of the poplar, they sweep
+nearly half a circle. At 90° the oak stops short; to slant upward
+another degree would mark infirmity of purpose; to bend downwards,
+weakness of organization. The American elm betrays something of both;
+yet sometimes, as we shall see, puts on a certain resemblance to its
+sturdier neighbor.
+<p>
+It won't do to be exclusive in our taste about trees. There is hardly
+one of them which has not peculiar beauties in some fitting place for
+it. I remember a tall poplar of monumental proportions and aspect, a
+vast pillar of glossy green, placed on the summit of a lofty hill, and
+a beacon to all the country round. A native of that region saw fit to
+build his house very near it, and, having a fancy that it might blow
+down some time or other, and exterminate himself and any incidental
+relatives who might be "stopping" or "tarrying" with him,--also
+laboring under the delusion that human life is under all circumstances
+to be preferred to vegetable existence,--had the great poplar cut
+down. It is so easy to say, "It is only a poplar!" and so much harder
+to replace its living cone than to build a granite obelisk!
+<p>
+I must tell you about some of my tree-wives. I was at one period of my
+life much devoted to the young lady-population of Rhode Island, a
+small, but delightful State in the neighborhood of Pawtucket. The
+number of inhabitants being not very large, I had leisure, during my
+visits to the Providence Plantations, to inspect the face of the
+country in the intervals of more fascinating studies of physiognomy. I
+heard some talk of a great elm a short distance from the locality just
+mentioned. "Let us see the great elm,"--I said, and proceeded to find
+it,--knowing that it was on a certain farm in a place called Johnston,
+if I remember rightly. I shall never forget my ride and my
+introduction to the great Johnston elm.
+<p>
+I always tremble for a celebrated tree when I approach it for the
+first time. Provincialism has no <i>scale</i> of excellence in man or
+vegetable; it never knows a first-rate article of either kind when it
+has it, and is constantly taking second and third rate ones for
+Nature's best. I have often fancied the tree was afraid of me, and
+that a sort of shiver came over it as over a betrothed maiden when she
+first stands before the unknown to whom she has been plighted. Before
+the measuring-tape the proudest tree of them all quails and shrinks
+into itself. All those stories of four or five men stretching their
+arms around it and not touching each other's fingers, of one's pacing
+the shadow at noon and making it so many hundred feet, die upon its
+leafy lips in the presence of the awful ribbon which has strangled so
+many false pretensions.
+<p>
+As I rode along the pleasant way, watching eagerly for the object of
+my journey, the rounded tops of the elms rose from time to time at the
+road-side. Wherever one looked taller and fuller than the rest, I
+asked myself,--"Is this it?" But as I drew nearer, they grew
+smaller,--or it proved, perhaps, that two standing in a line had
+looked like one, and so deceived me. At last, all at once, when I was
+not thinking of it,--I declare to you it makes my flesh creep when I
+think of it now,--all at once I saw a great, green cloud swelling in
+the horizon, so vast, so symmetrical, of such Olympian majesty and
+imperial supremacy among the lesser forest-growths, that my heart
+stopped short, then jumped at my ribs as a hunter springs at a
+five-barred gate, and I felt all through me, without need of uttering
+the words,--"This is it!"
+<p>
+You will find this tree described, with many others, in the excellent
+Report upon the Trees and Shrubs of Massachusetts. The author has
+given my friend the Professor credit for some of his measurements, but
+measured this tree himself, carefully. It is a grand elm for size of
+trunk, spread of limbs, and muscular development,--one of the first,
+perhaps the first, of the first class of New England elms.
+<p>
+The largest actual girth I have ever found at five feet from the
+ground is in the great elm lying a stone's throw or two north of the
+main road (if my points of compass are right) in Springfield. But
+this has much the appearance of having been formed by the union of two
+trunks growing side by side.
+<p>
+The West-Springfield elm and one upon Northampton meadows belong also
+to the first class of trees.
+<p>
+There is a noble old wreck of an elm at Hatfield, which used to spread
+its claws out over a circumference of thirty-five feet or more before
+they covered the foot of its bole up with earth. This is the American
+elm most like an oak of any I have ever seen.
+<p>
+The Sheffield elm is equally remarkable for size and perfection of
+form. I have seen nothing that comes near it in Berkshire County, and
+few to compare with it anywhere. I am not sure that I remember any
+other first-class elms in New England, but there may be many.
+<p>
+----What makes a first-class elm?--Why, size, in the first place, and
+chiefly. Anything over twenty feet of clear girth, five feet above
+the ground; and with a spread of branches a hundred feet across, may
+claim that title, according to my scale. All of them, with the
+questionable exception of the Springfield tree above referred to,
+stop, so far as my experience goes, at about twenty-two or
+twenty-three feet of girth and a hundred and twenty of spread.
+<p>
+Elms of the second class, generally ranging from fourteen to eighteen
+feet, are comparatively common. The queen of them all is that glorious
+tree near one of the churches in Springfield. Beautiful and stately
+she is beyond all praise. The "great tree" on Boston Common comes in
+the second rank, as does the one at Cohasset, which used to have, and
+probably has still, a head as round as an apple-tree, and that at
+Newburyport, with scores of others which might be mentioned. These
+last two have perhaps been over-celebrated. Both, however, are
+pleasing vegetables. The poor old Pittsfield elm lives on its past
+reputation. A wig of false leaves is indispensable to make it
+presentable.
+<p>
+[I don't doubt there may be some monster-elm or other, vegetating
+green, but inglorious, in some remote New England village, which only
+wants a sacred singer to make it celebrated. Send us your
+measurements,--(certified by the postmaster, to avoid possible
+imposition,)--circumference five feet from soil, length of line from
+bough-end to bough-end, and we will see what can be done for you.]
+<p>
+--I wish somebody would get us up the following work:--
+
+<p>
+<center>
+SYLVA NOVANGLICA.
+</center>
+<p>
+Photographs of New England Elms and other Trees, taken upon the Same
+Scale of Magnitude. With Letter-Press Descriptions, by a Distinguished
+Literary Gentleman. Boston: ---- ----& Co. 185..
+<p>
+The same camera should be used,--so far as possible,--at a fixed
+distance. Our friend, who is giving us so many interesting figures in
+his "Trees of America," must not think this Prospectus invades his
+province; a dozen portraits, with lively descriptions, would be a
+pretty complement to his larger work, which, so far as published, I
+find excellent. If my plan were carried out, and another series of a
+dozen English trees photographed on the same scale, the comparison
+would be charming.
+<p>
+It has always been a favorite idea of mine to bring the life of the
+Old and the New World face to face, by an accurate comparison of their
+various types of organization. We should begin with man, of course;
+institute a large and exact comparison between the development of
+<i>la pianta umana</i>, as Alfieri called it, in different sections of
+each country, in the different callings, at different ages, estimating
+height, weight, force by the dynamometer and the spirometer, and
+finishing off with a series of typical photographs, giving the
+principal national physiognomies. Mr. Hutchinson has given us some
+excellent English data to begin with.
+<p>
+Then I would follow this up by contrasting the various parallel forms
+of life in the two continents. Our naturalists have often referred to
+this incidentally or expressly; but the <i>animus</i> of Nature in the
+two half-globes of the planet is so momentous a point of interest to
+our race, that it should be made a subject of express and elaborate
+study. Go out with me into that walk which we call <i>the Mall</i>,
+and look at the English and American elms. The American elm is tall,
+graceful, slender-sprayed, and drooping as if from languor. The
+English elm is compact, robust, holds its branches up, and carries its
+leaves for weeks longer than our own native tree.
+<p>
+Is this typical of the creative force on the two sides of the ocean,
+or not? Nothing but a careful comparison through the whole realm of
+life can answer this question.
+<p>
+There is a parallelism without identity in the animal and vegetable
+life of the two continents, which favors the task of comparison in an
+extraordinary manner. Just as we have two trees alike in many ways,
+yet not the same, both elms, yet easily distinguishable, just so we
+have a complete flora and a fauna, which, parting from the same ideal,
+embody it with various modifications. Inventive power is the only
+quality of which the Creative Intelligence seems to be economical;
+just as with our largest human minds, that is the divinest of
+faculties, and the one that most exhausts the mind which exercises it.
+As the same patterns have very commonly been followed, we can see
+which is worked out in the largest spirit, and determine the exact
+limitations under which the Creator places the movement of life in all
+its manifestations in either locality. We should find ourselves in a
+very false position, if it should prove that Anglo-Saxons can't live
+here, but die out, if not kept up by fresh supplies, as Dr. Knox and
+other more or less wise persons have maintained. It may turn out the
+other way, as I have heard one of our literary celebrities argue,--and
+though I took the other side, I liked his best,--that the American is
+the Englishman reinforced.
+<p>
+--Will you walk out and look at those elms with me after breakfast?--I
+said to the schoolmistress.
+<p>
+[I am not going to tell lies about it, and say that she blushed,--as I
+suppose she ought to have done, at such a tremendous piece of
+gallantry as that was for our boarding-house. On the contrary, she
+turned a little pale,--but smiled brightly and said,--Yes, with
+pleasure, but she must walk towards her school.--She went for her
+bonnet.--The old gentleman opposite followed her with his eyes, and
+said he wished he was a young fellow. Presently she came down,
+looking very pretty in her half-mourning bonnet, and carrying a
+school-book in her hand.]
+<p>
+<center>
+MY FIRST WALK WITH THE SCHOOLMISTRESS.
+</center>
+<p>
+This is the shortest way,--she said, as we came to a corner.--Then we
+won't take it,--said I.--The schoolmistress laughed a little, and said
+she was ten minutes early, so she could go round.
+<p>
+We walked under Mr. Paddock's row of English elms. The gray squirrels
+were out looking for their breakfasts, and one of them came toward us
+in light, soft, intermittent leaps, until he was close to the rail of
+the burial-ground. He was on a grave with a broad blue-slate-stone at
+its head, and a shrub growing on it. The stone said this was the
+grave of a young man who was the son of an Honorable gentleman, and
+who died a hundred years ago and more.--Oh, yes, <i>died</i>,--with a
+small triangular mark in one breast, and another smaller opposite, in
+his back, where another young man's rapier had slid through his body;
+and so he lay down out there on the Common, and was found cold the
+next morning, with the night-dews and the death-dews mingled on his
+forehead.
+<p>
+Let us have one look at poor Benjamin's grave,--said I.--His bones lie
+where his body was laid so long ago, and where the stone says they
+lie,--which is more than can be said of most of the tenants of this
+and several other burial-grounds.
+<p>
+[The most accursed act of Vandalism ever committed within my knowledge
+was the uprooting of the ancient gravestones in three at least of our
+city burial-grounds, and one at least just outside the city, and
+planting them in rows to suit the taste for symmetry of the
+perpetrators. Many years ago, when this disgraceful process was going
+on under my eyes, I addressed an indignant remonstrance to a leading
+journal. I suppose it was deficient in literary elegance, or too warm
+in its language; for no notice was taken of it, and the hyena-horror
+was allowed to complete itself in the face of daylight. I have never
+got over it. The bones of my own ancestors, being entombed, lie
+beneath their own tablet; but the upright stones have been shuffled
+about like chessmen, and nothing short of the Day of Judgment will
+tell whose dust lies beneath any of those records, meant by affection
+to mark one small spot as sacred to some cherished memory. Shame!
+shame! shame!--that is all I can say. It was on public thoroughfares,
+under the eye of authority, that this infamy was enacted. The red
+Indians would have known better; the selectmen of an African
+kraal-village would have had more respect for their ancestors. I
+should like to see the gravestones which have been disturbed all
+removed, and the ground levelled, leaving the flat tombstones;
+epitaphs were never famous for truth, but the old reproach of "Here
+lies" never had such a wholesale illustration as in these outraged
+burial-places, where the stone does lie above, and the bones do not
+lie beneath.]
+<p>
+Stop before we turn away, and breathe a woman's sigh over poor
+Benjamin's dust. Love killed him, I think. Twenty years old, and out
+there fighting another young fellow on the Common, in the cool of that
+old July evening;--yes, there must have been love at the bottom of it.
+<p>
+The schoolmistress dropped a rosebud she had in her hand, through the
+rails, upon the grave of Benjamin Woodbridge. That was all her
+comment upon what I told her.--How women love Love! said I;--but she
+did not speak.
+<p>
+We came opposite the head of a place or court running eastward from
+the main street.--Look down there,--I said.--My friend the Professor
+lived in that house at the left hand, next the further corner, for
+years and years. He died out of it, the other day.--Died?--said the
+schoolmistress.--Certainly,--said I.--We die out of houses, just as we
+die out of our bodies. A commercial smash kills a hundred men's
+houses for them, as a railroad crash kills their mortal frames and
+drives out the immortal tenants. Men sicken of houses until at last
+they quit them, as the soul leaves its body when it is tired of its
+infirmities. The body has been called "the house we live in"; the
+house is quite as much the body we live in. Shall I tell you some
+things the Professor said the other day?--Do!--said the
+schoolmistress.
+<p>
+A man's body,--said the Professor,--is whatever is occupied by his
+will and his sensibility. The small room down there, where I wrote
+those papers you remember reading, was much more a portion of my body
+than a paralytic's senseless and motionless arm or leg is of his.
+<p>
+The soul of a man has a series of concentric envelopes round it, like
+the core of an onion, or the innermost of a nest of boxes. First he
+has his natural garment of flesh and blood. Then, his artificial
+integuments, with their true skin of solid stuffs, their cuticle of
+lighter tissues, and their variously-tinted pigments. Thirdly, his
+domicile, be it a single chamber or a stately mansion. And then, the
+whole visible world, in which Time buttons him up as in a loose
+outside wrapper.
+<p>
+You shall observe,--the Professor said,--for, like Mr. John Hunter and
+other great men, he brings in that <i>shall</i> with great effect
+sometimes,--you shall observe that a man's clothing or series of
+envelopes do after a certain time mould themselves upon his individual
+nature. We know this of our hats, and are always reminded of it when
+we happen to put them on wrong side foremost. We soon find that the
+beaver is a hollow cast of the skull, with all its irregular bumps and
+depressions. Just so all that clothes a man, even to the blue sky
+which caps his head,--a little loosely,--shapes itself to fit each
+particular being beneath it. Farmers, sailors, astronomers, poets,
+lovers, condemned criminals, all find it different, according to the
+eyes with which they severally look.
+<p>
+But our houses shape themselves palpably on our inner and outer
+natures. See a householder breaking up and you will be sure of
+it. There is a shell-fish which builds all manner of smaller shells
+into the walls of its own. A house is never a home until we have
+crusted it with the spoils of a hundred lives besides those of our own
+past. See what these are, and you can tell what the occupant is.
+<p>
+I had no idea,--said the Professor,--until I pulled up my domestic
+establishment the other day, what an enormous quantity of roots I had
+been making during the years I was planted there. Why, there wasn't a
+nook or a corner that some fibre had not worked its way into; and when
+I gave the last wrench, each of them seemed to shriek like a mandrake,
+as it broke its hold and came away.
+<p>
+There is nothing that happens, you know, which must not inevitably,
+and which does not actually, photograph itself in every conceivable
+aspect and in all dimensions. The infinite galleries of the Past await
+but one brief process and all their pictures will be called out and
+fixed forever. We had a curious illustration of the great fact on a
+very humble scale. When a certain bookcase, long standing in one
+place, for which it was built, was removed, there was the exact image
+on the wall of the whole, and of many of its portions. But in the
+midst of this picture was another,--the precise outline of a map
+which had hung on the wall before the bookcase was built. We had all
+forgotten everything about the map until we saw its photograph on the
+wall. Then we remembered it, as some day or other we may remember a
+sin which has been built over and covered up, when this lower universe
+is pulled away from before the wall of Infinity, where the wrongdoing
+stands self-recorded.
+<p>
+The Professor lived in that house a long time,--not twenty years, but
+pretty near it. When he entered that door, two shadows glided over the
+threshold; five lingered in the doorway when he passed through it for
+the last time,--and one of the shadows was claimed by its owner to be
+longer than his own. What changes he saw in that quiet place! Death
+rained through every roof but his; children came into life, grew to
+maturity, wedded, faded away, threw themselves away; the whole drama
+of life was played in that stock-company's theatre of a dozen houses,
+one of which was his, and no deep sorrow or severe calamity ever
+entered his dwelling. Peace be to those walls, forever,--the Professor
+said,--for the many pleasant years he has passed within them!
+<p>
+The Professor has a friend, now living at a distance, who has been
+with him in many of his changes of place, and who follows him in
+imagination with tender interest wherever he goes.--In that little
+court, where he lived in gay loneliness so long,--
+<p>
+--in his autumnal sojourn by the Connecticut, where it comes loitering
+down from its mountain fastnesses like a great lord, swallowing up the
+small proprietary rivulets very quietly as it goes, until it gets
+proud and swollen and wantons in huge luxurious oxbows about the fair
+Northampton meadows, and at last overflows the oldest inhabitant's
+memory in profligate freshets at Hartford and all along its lower
+shores,--up in that caravansary on the banks of the stream where
+Ledyard launched his log canoe, and the jovial old Colonel used to
+lead the Commencement processions,--where blue Ascutney looked down
+from the far distance, and the hills of Beulah, as the Professor
+always called them, rolled up the opposite horizon in soft climbing
+masses, so suggestive of the Pilgrim's Heavenward Path that he used to
+look through his old "Dollond" to see if the Shining Ones were not
+within range of sight,--sweet visions, sweetest in those Sunday walks
+that carried them by the peaceful common, through the solemn village
+lying in cataleptic stillness under the shadow of the rod of Moses, to
+the terminus of their harmless stroll,--the patulous fage, in the
+Professor's classic dialect,--the spreading beech, in more familiar
+phrase,--[stop and breathe here a moment, for the sentence is not done
+yet, and we have another long journey before us,]--
+<p>
+--and again once more up among those other hills that shut in the
+amber-flowing Housatonic,--dark stream, but clear, like the lucid orbs
+that shine beneath the lids of auburn-haired, sherry-wine-eyed
+demi-blondes,--in the home overlooking the winding stream and the
+smooth, flat meadow; looked down upon by wild hills, where the tracks
+of bears and catamounts may yet sometimes be seen upon the winter
+snow; facing the twin summits which rise in the far North, the highest
+waves of the great land-storm in all this billowy region,--suggestive
+to mad fancies of the breasts of a half-buried Titaness, stretched out
+by a stray thunderbolt, and hastily hidden away beneath the leaves of
+the forest,--in that home where seven blessed summers were passed,
+which stand in memory like the seven golden candlesticks in the
+beatific vision of the holy dreamer,--
+<p>
+--in that modest dwelling we were just looking at, not glorious, yet
+not unlovely in the youth of its drab and mahogany,--full of great and
+little boys' playthings from top to bottom,--in all these summer or
+winter nests he was always at home and always welcome.
+<p>
+This long articulated sigh of reminiscences,--this calenture which
+shows me the maple-shadowed plains of Berkshire and the
+mountain-circled green of Grafton beneath the salt waves that come
+feeling their way along the wall at my feet, restless and
+soft-touching as blind men's busy fingers,--is for that friend of mine
+who looks into the waters of the Patapsco and sees beneath them the
+same visions that paint themselves for me in the green depths of the
+Charles.
+<p>
+----Did I talk all this off to the schoolmistress?--Why, no,--of course
+not. I have been talking with you, the reader, for the last ten
+minutes. You don't think I should expect any woman to listen to such a
+sentence as that long one, without giving her a chance to put in a
+word?
+<p>
+----What did I say to the schoolmistress?--Permit me one moment. I don't
+doubt your delicacy and good-breeding; but in this particular case, as
+I was allowed the privilege of walking alone with a very interesting
+young woman, you must allow me to remark, in the classic version of a
+familiar phrase, used by our Master Benjamin Franklin, it is <i>nullum
+tui negotii</i>.
+<p>
+When the schoolmistress and I reached the school-room door, the damask
+roses I spoke of were so much heightened in color by exercise that I
+felt sure it would be useful to her to take a stroll like this every
+morning, and made up my mind I would ask her to let me join her again.
+
+<p>
+<center>
+EXTRACT FROM MY PRIVATE JOURNAL.
+<br>
+(<i>To be burned unread.</i>)
+</center>
+<p>
+I am afraid I have been a fool; for I have told as much of myself to
+this young person as if she were of that ripe and discreet age which
+invites confidence and expansive utterance. I have been low-spirited
+and listless, lately,--it is coffee, I think,--(I observe that which
+is bought <i>ready-ground</i> never affects the head,)--and I notice
+that I tell my secrets too easily when I am downhearted.
+<p>
+There are inscriptions on our hearts, which, like that on Dighton
+Rock, are never to be seen except at dead-low tide.
+<p>
+There is a woman's footstep on the sand at the side of my deepest
+ocean-buried inscription!
+<p>
+----Oh, no, no, no! a thousand times, no!--Yet what is this which has
+been shaping itself in my soul?--Is it a thought?--is it a dream?--is
+it a <i>passion</i>?--Then I know what comes next.
+<p>
+----The Asylum stands on a bright and breezy hill; those glazed
+corridors are pleasant to walk in, in bad weather. But there are iron
+bars to all the windows. When it is fair, some of us can stroll
+outside that very high fence. But I never see much life in those
+groups I sometimes meet;--and then the careful man watches them so
+closely! How I remember that sad company I used to pass on fine
+mornings, when I was a schoolboy!--B., with his arms full of yellow
+weeds,--ore from the gold mines which he discovered long before we
+heard of California,--Y., born to millions, crazed by too much
+plum-cake, (the boys said,) dogged, explosive,--made a Polyphemus of
+my weak-eyed schoolmaster, by a vicious flirt with a stick,--(the
+multi-millionnaires sent him a trifle, it was said, to buy another eye
+with; but boys are jealous of rich folks,--and I don't doubt the good
+people made him easy for life,)--how I remember them all!
+<p>
+I recollect, as all do, the story of the Hall of Eblis, in "Vathek,"
+and how each shape, as it lifted its hand from its breast, showed its
+heart,--a burning coal. The real Hall of Eblis stands on yonder
+summit. Go there on the next visiting-day, and ask that figure
+crouched in the corner, huddled up like those Indian mummies and
+skeletons found buried in the sitting posture, to lift its hand,--look
+upon its heart, and behold, not fire, but ashes.--No, I must not think
+of such an ending! Dying would be a much more gentlemanly way of
+meeting the difficulty. Make a will and leave her a house or two and
+some stocks, and other little financial conveniences, to take away her
+necessity for keeping school.--I wonder what nice young man's feet
+would be in my French slippers before six months were over! Well,
+what then? If a man really loves a woman, of course he wouldn't marry
+her for the world, if he were not quite sure that he was the best
+person she could by any possibility marry.
+<p>
+----It is odd enough to read over what I have just been writing.--It
+is the merest fancy that ever was in the world. I shall never be
+married. She will; and if she is as pleasant as she has been so far, I
+will give her a silver tea-set, and go and take tea with her and her
+husband, sometimes. No coffee, I hope, though,--it depresses me
+sadly. I feel very miserably;--they must have been grinding it at
+home.--Another morning walk will be good for me, and I don't doubt the
+schoolmistress will be glad of a little fresh air before school.
+<p>
+<hr align="center" width="40%">
+<p>
+----The throbbing flushes of the poetical intermittent have been
+coming over me from time to time of late. Did you ever see that
+electrical experiment which consists in passing a flash through
+letters of gold-leaf in a darkened room, whereupon some name or legend
+springs out of the darkness in characters of fire?
+<p>
+There are songs all written out in my soul, which I could read, if the
+flash might but pass through them,--but the fire must come down from
+heaven. Ah! but what if the stormy <i>nimbus</i> of youthful passion
+has blown by, and one asks for lightning from the ragged <i>cirrus</i>
+of dissolving aspirations, or the silvered <i>cumulus</i> of sluggish
+satiety? I will call on her whom the dead poets believed in, whom
+living ones no longer worship,--the immortal maid, who, name her what
+you will,--Goddess, Muse, Spirit of Beauty,--sits by the pillow of
+every youthful poet, and bends over his pale forehead until her
+tresses lie upon his cheek and rain their gold into his dreams.
+<p>
+<table border="0">
+<tr>
+<td width="33%">&nbsp;</td>
+<td>
+ <center>
+ MUSA.
+ </center>
+ <br><br>
+ O my lost Beauty!--hast thou folded quite<br>
+&nbsp;&nbsp;&nbsp; Thy wings of morning light<br>
+&nbsp;&nbsp;&nbsp; Beyond those iron gates<br>
+ Where Life crowds hurrying to the haggard Fates,<br>
+ And Age upon his mound of ashes waits<br>
+&nbsp;&nbsp;&nbsp; To chill our fiery dreams,<br>
+ Hot from the heart of youth plunged in his icy streams?<br>
+<br>
+ Leave me not fading in these weeds of care,<br>
+&nbsp;&nbsp;&nbsp; Whose flowers are silvered hair!--<br>
+&nbsp;&nbsp;&nbsp; Have I not loved thee long,<br>
+ Though my young lips have often done thee wrong<br>
+ And vexed thy heaven-tuned ear with careless song?<br>
+&nbsp;&nbsp;&nbsp; Ah, wilt thou yet return,<br>
+ Bearing thy rose-hued torch, and bid thine altar burn?<br>
+<br>
+ Come to me!--I will flood thy silent shrine<br>
+&nbsp;&nbsp;&nbsp; With my soul's sacred wine,<br>
+&nbsp;&nbsp;&nbsp; And heap thy marble floors<br>
+ As the wild spice-trees waste their fragrant stores<br>
+ In leafy islands walled with madrepores<br>
+&nbsp;&nbsp;&nbsp; And lapped in Orient seas,<br>
+ When all their feathery palms toss, plume-like, in the breeze.<br>
+<br>
+ Come to me!--thou shalt feed on honeyed words,<br>
+&nbsp;&nbsp;&nbsp; Sweeter than song of birds;--<br>
+&nbsp;&nbsp;&nbsp; No wailing bulbul's throat,<br>
+ No melting dulcimer's melodious note,<br>
+ When o'er the midnight wave its murmurs float,<br>
+&nbsp;&nbsp;&nbsp; Thy ravished sense might soothe<br>
+ With flow so liquid-soft, with strain so velvet-smooth.<br>
+<br>
+ Thou shalt be decked with jewels, like a queen,<br>
+&nbsp;&nbsp;&nbsp; Sought in those bowers of green<br>
+&nbsp;&nbsp;&nbsp; Where loop the clustered vines<br>
+ And the close-clinging dulcamara twines,--<br>
+ Pure pearls of Maydew where the moonlight shines,<br>
+&nbsp;&nbsp;&nbsp; And Summer's fruited gems,<br>
+ And coral pendants shorn from Autumn's berried stems.<br>
+<br>
+ Sit by me drifting on the sleepy waves,--<br>
+&nbsp;&nbsp;&nbsp; Or stretched by grass-grown graves,<br>
+&nbsp;&nbsp;&nbsp; Whose gray, high-shouldered stones,<br>
+ Carved with old names Life's time-worn roll disowns,<br>
+ Lean, lichen-spotted, o'er the crumbled bones<br>
+&nbsp;&nbsp;&nbsp; Still slumbering where they lay<br>
+ While the sad Pilgrim watched to scare the wolf away!<br>
+<br>
+ Spread o'er my couch thy visionary wing!<br>
+&nbsp;&nbsp;&nbsp; Still let me dream and sing,--<br>
+&nbsp;&nbsp;&nbsp; Dream of that winding shore<br>
+ Where scarlet cardinals bloom,--for me no more,--<br>
+ The stream with heaven beneath its liquid floor,<br>
+&nbsp;&nbsp;&nbsp; And clustering nenuphars<br>
+ Sprinkling its mirrored blue like golden-chaliced stars!<br>
+<br>
+ Come while their balms the linden-blossoms shed!--<br>
+&nbsp;&nbsp;&nbsp; Come while the rose is red,--<br>
+&nbsp;&nbsp;&nbsp; While blue-eyed Summer smiles<br>
+ O'er the green ripples round yon sunken piles<br>
+ Washed by the moon-wave warm from Indian isles,<br>
+&nbsp;&nbsp;&nbsp; And on the sultry air<br>
+ The chestnuts spread their palms like holy men in prayer!<br>
+<br>
+ Oh, for thy burning lips to fire my brain<br>
+&nbsp;&nbsp;&nbsp; With thrills of wild sweet pain!--<br>
+&nbsp;&nbsp;&nbsp; On life's autumnal blast,<br>
+ Like shrivelled leaves, youth's passion-flowers are cast,--<br>
+ Once loving thee, we love thee to the last!--<br>
+&nbsp;&nbsp;&nbsp; Behold thy new-decked shrine,<br>
+ And hear once more the voice that breathed "Forever thine!"<br>
+</td>
+</tr>
+</table>
+
+<br><br><br>
+
+<br><br><br>
+
+<table border="0">
+<tr>
+<td width="33%">&nbsp;</td>
+<td width="67%">
+<center>
+<h2>
+<a name="15">THE TRUSTEE'S LAMENT.</a>
+</h2>
+<p>
+<i>Per aspera ad astra.</i>
+<p>
+(SCENE.--Outside the gate of the Astronomical<br>
+Observatory at Albany.)
+</center>
+<br>
+<br><br>
+ There was a time when I was blest;<br>
+ The stars might rise in East or West<br>
+ With all their sines and wonders;<br>
+ I cared for neither great nor small,<br>
+ As pointedly unmoved by all<br>
+ As, on the top of steeple tall,<br>
+ A lightning-rod at thunders.<br>
+<br>
+ What did I care for Science then?<br>
+ I was a man with fellow-men,<br>
+ And called the Bear the Dipper;<br>
+ Segment meant piece of pie,--no more;<br>
+ Cosine, the parallelogram that bore<br>
+ JOHN SMITH & CO. above a door;<br>
+ Arc, what called Noah skipper.<br>
+<br>
+ No axes weighed upon my mind,<br>
+ (Unless I had a few to grind.)<br>
+ And as for my astronomy,<br>
+ Had Hedgecock's quadrant then been known,<br>
+ I might a lamp-post's height have shown<br>
+ By gas-tronomic skill,--if none<br>
+ Find fault with the metonymy.<br>
+<br>
+ O hours of innocence! O ways<br>
+ How far from these unhappy days<br>
+ When all is vicy-versy!<br>
+ No flower more peaceful took its due<br>
+ Than I, who then no difference knew<br>
+ 'Twixt Ursy Major and my true<br>
+ Old crony, Major Hersey.<br>
+<br>
+ Now in long broils and feuds we roast,<br>
+ Like Strasburg geese that living toast<br>
+ To make a liver-<i>paté</i>,--<br>
+ And all because we fondly strove<br>
+ To set the city of our love<br>
+ In scientific fame above<br>
+ Her sister Cincinnati!<br>
+<br>
+ We built our tower and furnished it<br>
+ With everything folks said was fit,<br>
+ From coping-stone to grounsel;<br>
+ And then, to give a knowing air,<br>
+ Just nominally assigned its care<br>
+ To that unmanageable affair,<br>
+ A Scientific Council.<br>
+<br>
+ We built it, not that one or two<br>
+ Astronomers the stars might view<br>
+ And count the comets' hair-roots,<br>
+ But that it might by all be said<br>
+ How very freely we had bled,--<br>
+ We were not laying out a bed<br>
+ To force their early square-roots.<br>
+<br>
+ The observations <i>we</i> wished made<br>
+ Were on the spirit we'd displayed,<br>
+ Worthy of Athens' high days;<br>
+ But <i>they</i>'ve put in a man who thinks<br>
+ Only of planets' nodes and winks,<br>
+ So full of astronomic kinks<br>
+ He eats star-fish on Fridays.<br>
+<br>
+ The instruments we did not mean<br>
+ For seeing through, but to be seen<br>
+ At tap of Trustee's knuckle;<br>
+ But the Director locks the gate,<br>
+ And makes ourselves and strangers wait<br>
+ While he is ciphering on a slate<br>
+ The rust of Saturn's buckle.<br>
+<br>
+ So on the wall's outside we stand,<br>
+ Admire the keyhole's contour grand<br>
+ And gateposts' sturdy granite;--<br>
+ But, ah, is Science safe, we say,<br>
+ With one who treats Trustees this way?<br>
+ Who knows but he may snub, some day,<br>
+ A well-conducted planet?<br>
+<br>
+ Who knows what mischief he may brew<br>
+ With such a telescope brand-new<br>
+ At the four-hundredth power?<br>
+ He may bring some new comet down<br>
+ So near that it'll singe the town<br>
+ And do the Burgess-Corps crisp-brown<br>
+ Ere they can storm his tower.<br>
+<br>
+ We wanted (having got our show)<br>
+ Some man, that had a name or so,<br>
+ To be our public showman;<br>
+ But this one shuts and locks the gate:<br>
+ Who'll answer but he'll peculate,<br>
+ (And, faith, some stars are missed of late,)<br>
+ Now that he's watched by no man?<br>
+<br>
+ Our own discoveries he may steal,<br>
+ Or put night's candles out, to deal<br>
+ At junkshops with the sockets:<br>
+ <i>Savants</i>, in other lands or this,<br>
+ If any theory you miss<br>
+ Whereon your cipher graven is,<br>
+ Don't fail to search his pockets!<br>
+<br>
+ Lock up your comets: if that fails,<br>
+ Then notch their ears and clip their tails,<br>
+ That you at need may swear to 'em;<br>
+ And watch your nebulous flocks at night,<br>
+ For, if your palings are not tight,<br>
+ He may, to gratify his spite,<br>
+ Let in the Little Bear to 'em.<br>
+<br>
+ Then he's so quarrelsome, we've fears<br>
+ He'll set the very Twins by the ears,--<br>
+ So mad, if you resist him,<br>
+ He'd get Aquarius to play<br>
+ A milkman's trick, some cloudy day,<br>
+ And water all the Milky Way<br>
+ To starve some sucking system.<br>
+<br>
+ But plaints are vain! through wrath or pride,<br>
+ The Council all espouse his side<br>
+ And will our missives con no more;<br>
+ And who that knows what <i>savants</i> are,<br>
+ Each snappish as a Leyden jar,<br>
+ Will hope to soothe the wordy war<br>
+ 'Twixt Ologist and Onomer?<br>
+<br>
+ Search a Reform Convention, where<br>
+ He- and she-resiarehs prepare<br>
+ To get the world in <i>their</i> power,<br>
+ You will not, when 'tis loudest, find<br>
+ Such gifts to hug and snarl combined<br>
+ As drive each astronomic mind<br>
+ With fifty-score Great-Bear-power!<br>
+<br>
+ No! put the Bootees on your foot,<br>
+ Elope with Virgo, strive to shoot<br>
+ That arrow of O'Ryan's,<br>
+ Drain Georgian Ciders to the lees,<br>
+ Attempt what crackbrained thing you please,<br>
+ But dream not you can e'er appease<br>
+ An angry man of science!<br>
+<br>
+ Ah, would I were, as I was once,<br>
+ To fair Astronomy a dunce,<br>
+ Or launching <i>jeux d'esprit</i> at her,<br>
+ Of light zodiacal making light,<br>
+ Deaf to all tales of comets bright,<br>
+ And knowing but such stars as might<br>
+ Roll r-rs at our theatre!<br>
+<br>
+ Then calm I drew my night-cap on,<br>
+ Nor bondsman was for what went on<br>
+ Ere morning in the heavens;<br>
+ Twas no concern of mine to fix<br>
+ The Pleiades at seven or six,--<br>
+ But now the <i>omnium genitrix</i><br>
+ Seems all at sixes and sevens.<br>
+<br>
+ Alas, 'twas in an evil hour<br>
+ We signed the paper for the tower,<br>
+ With Mrs. D. to head it!<br>
+ For, if the Council have their way,<br>
+ We've merely had, as Frenchmen say,<br>
+ The painful <i>maladie du</i> pay,<br>
+ While they get all the credit!<br>
+<br>
+ Boys, henceforth doomed to spell Trustees,<br>
+ Think not it ends in double ease<br>
+ To those who hold the office;<br>
+ Shun Science as you would Despair,<br>
+ Sit not in Cassiopeia's chair,<br>
+ Nor hope from Berenice's hair<br>
+ To bring away your trophies!<br>
+</td>
+</tr>
+</table>
+
+<br><br><br>
+
+<br><br><br>
+
+<center>
+<h2>
+<a name="16">THE POCKET-CELEBRATION OF THE FOURTH.</a>
+</h2>
+</center>
+<p>
+Well, it has happened, and we have survived it pretty well. The
+Democratic Almanacs predicted a torrent, a whirlwind, and we know not
+what meteoric phenomena,--but the next day Nature gave no sign, the
+dome of the State-House was in its place, the Monument was as plumb as
+ever, no chimney mourned a ravished brick, and the Republican Party
+took its morning tea and toast in peace and safety. On the whole, it
+must be considered a wonderful escape. Since Partridge's time there
+had been no such prophecies,--since Miller's, no such perverse
+disobligingness in the event.
+<p>
+But what had happened? Why, the Democratic Young Men's Celebration, to
+be sure, and Mr. Choate's Oration.
+<p>
+The good city of Boston in New England, for we know not how many
+years, had been in the habit of celebrating the National Birthday,
+first, with an oration, as became the Athens of America, and second,
+with a dinner, as was meet in the descendants of Teutonic forefathers.
+The forenoon's oration glorified us in the lump as a people, and every
+man could reckon and appropriate his own share of credit by the simple
+arithmetical process of dividing the last census by the value he set
+upon himself, a divisor easily obtained by subtracting from the total
+of inhabitants in his village the number of neighbors whom he
+considered ciphers. At the afternoon's dinner, the pudding of praise
+was served out in slices to favored individuals; dry toasts were drunk
+by drier dignitaries; the Governor was compared to Solon; the Chief
+Justice to Brutus; the Orator of the Day to Demosthenes; the Colonel
+of the Boston Regiment to Julius Cæsar; and everybody went home happy
+from a feast where the historic parallels were sure to hold out to the
+last Z in Lemprière.
+<p>
+Gradually matters took a new course; the Union was suddenly supposed
+to lie at the point of dissolution, and what we may call the
+Doctor-Brandreth style of oratory began. Every orator mounted the
+rostrum, like a mountebank at a fair, to proclaim the virtues of his
+private panacea for the morbid Commonwealth, and, as was natural in
+young students of political therapeutics, fancied that he saw symptoms
+of the dread malady of Disunion in a simple eruption of Jethro Furber
+at a convention of the Catawampusville Come-outers, or of Pyrophagus
+Quattlebum at a training of the Palmetto Plug-Uglies,--neither of
+which was skin-deep. The dinners became equally dreary. Did the eye of
+a speaker light on the national dish of beans, he was reminded of the
+languid pulse of the sentiment of union; did he see a broiled chicken,
+it called up to his mind's eye the bird of our <i>un</i>common
+country, with the gridiron on his breast, liable to be reduced at any
+moment to the heraldic duality of his Austrian congener by the strife
+of contending sections pulling in opposite directions; an innocent
+pippin was enough to suggest the apple of discord; and with the
+removal of the cloth came a dessert of diagnoses on the cancer that
+was supposed to be preying on the national vitals. The only variety
+was a cringing compliment, in which Bunker Hill curtsied to King's
+Mountain, to any Southern brother who chanced to be present, and who
+replied patronizingly,--while his compatriots at the warmer end of the
+Union were probably, with amiable sincerity, applying to the Yankees
+that epithet whose expression in type differs but little from that of
+a doctorate in divinity, but which precedes the name it qualifies, as
+that follows it, and was never, except by Beaumarchais and Fielding,
+reckoned among titles of honor or courtesy.
+<p>
+A delusion seemed to have taken possession of our public men, that the
+people wanted doctors of the body-politic to rule over them, and, if
+those were not to be had, would put up with the next best
+thing,--quacks. Every one who was willing to be an Eminent Statesman
+issued his circulars, like the Retired Physician, on all public
+occasions, offering to send his recipe in return for a vote. The
+cabalistic formula always turned out to be this:--"Take your humble
+servant for four years at the White House; if no cure is effected,
+repeat the dose."
+<p>
+Meanwhile were there any symptoms of disease in the Constitution? Not
+the least. The whole affair was like one of those alarms in a
+country-town which begin with the rumor of ten cases of confluent
+small-pox and end with the discovery that the doctor has been called
+to a case of nettle-rash at Deacon Scudder's. But sober men, who
+loved the Union in a quiet way, without advertising it in the
+newspapers, and who were willing to sacrifice everything to the
+Constitution but the rights it was intended to protect, began to fear
+that the alarmists might create the disease which they kept up so much
+excitement about.
+<p>
+This being the posture of affairs, the city of Boston, a twelvemonth
+since, chose for their annual orator a clergyman distinguished for
+eloquence, and for that important part of patriotism, at least, which
+consists in purity of life. This gentleman, being neither a candidate
+for office nor the canvasser of a candidate, ventured upon a new kind
+of address. He took for his theme the duties consequent upon the
+privileges of Freedom, ventured to mention self-respect as one of
+them, and commented upon the invitation of a Virginia Senator, the
+author of the Fugitive Slave Bill, to a Seventeenth-of-June
+Celebration, while the Senators of Massachusetts were neglected. In
+speaking of this, he used, we believe, the word "flunkeyism." It is
+not an elegant word; it is not even an English one;--but had the
+speaker sought for a Saxon correlative, he could hardly have found one
+that would have seemed more satisfactory, especially to those who
+deserved it; for Saxon is straightforward, and a reluctance to be
+classified (fatal to science) is characteristic of the human animal.
+<p>
+An orator who suggests a new view of any topic is a disturber of the
+digestive organs,--this was very properly a matter of offence to the
+Aldermen who were to dine after the oration,--but an orator who
+tampers with the language we have inherited from Shakspeare and
+Milton, and which we share with Tupper, was an object for deeper
+reprobation. The Young Men's Democratic Association of Boston are
+purists; they are jealous for their mother-tongue,--and it is the more
+disinterested in them as a large proportion of them are Irishmen; they
+are exclusive,--a generous confusion of ideas as to the meaning of
+democracy, even more characteristically Hibernian; they are
+sentimental, too,--melancholy as gibcats,--and feared (from last
+year's example) that the city might not furnish them with a
+sufficiently lachrymose Antony to hold up before them the bloody
+garment of America, and show what rents the envious Blairs and Wilsons
+and Douglasses had made in it. Accordingly they resolved to have a
+public celebration all to themselves,--a pocket-edition of the
+cumbrous civic work,--and as the city provided fireworks in the
+evening, in order to be beforehand with it in their pyrotechnics, they
+gave Mr. Choate in the forenoon.
+<p>
+We did not hear Mr. Choate's oration; we only read it in the
+newspapers. Cold fireworks, the morning after, are not enlivening.
+You have the form without the fire, and the stick without the soar.
+But we soon found that we were to expect no such disappointment from
+Mr. Choate. He seems to announce at the outset that he has closed his
+laboratory. The Prospero of periods had broken his wand and sunk his
+book deeper than ever office-hunter sounded. The boys in the street
+might wander fancy-free, and fire their Chinese crackers as they
+listed; but for him this was a solemn occasion, and he invited his
+hearers to a Stoic feast of Medford crackers and water, to a
+philosophic banquet of metaphors and metaphysics.
+<p>
+We confess that we expected a great deal. Better a crust with Plato
+than nightingales' tongues with Apicius; and if Mr. Choate promised
+only the crust, we were sure of one melodious tongue, at least, before
+the meal was over. He is a man of whom any community might be
+proud. Were society an organized thing here, as in Europe, no dinner
+and no drawing-room would be perfect without his talk. He would have
+been heard gladly at Johnson's club. The Hortensins of our courts,
+with a cloud of clients, he yet finds time to be a scholar and a
+critic, and to read Plato and Homer as they were read by Plato's and
+Homer's countrymen. Unsurpassed in that eloquence which, if it does
+not convince, intoxicates a jury, he was counted, so long as Webster
+lived, the second advocate of our bar.
+<p>
+All this we concede to Mr. Choate with unreserved admiration; but
+when, leaving the field where he had won his spurs as the successful
+defender of men criminally accused, he undertakes to demonstrate the
+sources whence national life is drawn, and the causes which lead to
+its decay,--to expound authoritatively the theory of political ethics
+and the principles of sagacious statesmanship, wary in its steps, and
+therefore durable in its results,--it becomes natural and fair to ask,
+What has been the special training that has fitted him for the task?
+More than this: when he comes forward as the public prosecutor of the
+Republican Party, it becomes our duty to examine the force of his
+arguments and the soundness of his logic. Has his own experience given
+him any right to talk superciliously to a great party overwhelmingly
+triumphant in the Free States? And does his oration show him to
+possess such qualities of mind, such grasp of reason, such continuity
+of induction, as to entitle him to underrate the intelligence of so
+large a number of his fellow-citizens by accusing them of being
+incapable of a generalization and incompetent to apprehend a
+principle?
+<p>
+The Bar has given few historically-great statesmen to the
+world,--fewer than the Church, which Mr. Choate undervalues in a
+sentence which, we cannot help thinking, is below the dignity of the
+occasion, and jarringly discordant with the generally elevated tone of
+his address. Burke, an authority whom Mr. Choate will not call in
+question, has said that the training of the bar tends to make the
+faculties acute, but at the same time narrow. The study of
+jurisprudence may, no doubt, enlarge the intellect; but the habit of
+mind induced by an indiscriminate advocacy--which may be summoned to
+the defence of a Sidney to-day and of a spoon-thief to-morrow--is
+rather that of the sophist than of the philosophic reasoner. Not
+truth, but the questionable victory of the moment, becomes naturally
+and inevitably the aim and end of all the pleader's faculties. For
+him the question is not what principle, but what interest of John Doe,
+may be at stake. Such has been Mr. Choate's school as a reasoner. As
+a politician, his experience has been limited. The member of a party
+which rarely succeeded in winning, and never in long retaining, the
+suffrages of the country, he for a time occupied a seat in the Senate,
+but without justifying the expectations of his friends. So far, his
+history shows nothing that can give him the right to assume so high
+and mighty a tone in speaking of his political opponents.
+<p>
+But in his scholarship he has a claim to be heard, and to be heard
+respectfully. Here lies his real strength, and hence is derived the
+inspiration of his better eloquence. The scholar enjoys more than the
+privilege, without the curse, of the Wandering Jew. He can tread the
+windy plain of Troy, he can listen to Demosthenes, can follow Dante
+through Paradise, can await the rising of the curtain for the first
+acting of Hamlet. Mr. Choate's oration shows that he has drawn that
+full breath which is, perhaps, possible only under a Grecian sky, and
+it is, in its better parts, scholarly in the best sense of the
+word.<a href="#16.1">[1]</a> It shows that he has read out-of-the-way books, like Bodinus
+"De Republicâ," and fresh ones, like Gladstone's Homer,--that he can
+do justice, with Spinoza, to Machiavelli,--and that in letters, at
+least, he has no narrow prejudices. Its sentences are full of
+scholarly allusion, and its language glitters continually with pattins
+of bright gold from Shakspeare. We abhor that profane vulgarity of our
+politics which denies to an antagonist the merits which are justly
+his, because he may have been blinded to the truth of our principles
+by the demerits which are justly ours,--which hates the man because it
+hates his creed, and, instead of grappling with his argument, seeks in
+the kitchen-drains of scandal for the material to bespatter his
+reputation. Let us say, then, honestly, what we honestly think,--the
+feeling, the mastery and choice of language, the intellectual
+comprehensiveness of glance, which can so order the many-columned
+aisle of a period, that the eye, losing none of the crowded
+particulars, yet sees through all, at the vista's end, the gleaming
+figure of thought to enshrine which the costly fabric was reared,--all
+these qualities of the orator demand and receive our sincere
+applause. In an age when indolence or the study of French models has
+reduced our sentences to the economic curtness of telegraphic
+despatches, to the dimension of the epigram without its point,
+Mr. Choate is one of the few whose paragraphs echo with the
+long-resounding pace of Dryden's coursers, and who can drive a
+predicate and six without danger of an overset.
+<p>
+Mr. Choate begins by congratulating his hearers that there comes one
+day in our year when "faults may be forgotten,-- ... when the
+arrogance of reform, the excesses of reform, the strife of parties,
+the rivalries of regions, shall give place to a wider, warmer, juster
+sentiment,--when, turning from the corners and dark places of
+offensiveness, ... we may go up together to the serene and secret
+mountain-top," etc. Had he kept to the path which he thus marked out
+for himself, we should have had nothing to say. But he goes out of
+his way to indulge a spleen unworthy of himself and the occasion, and
+brings against political opponents, sometimes directly, sometimes by
+innuendo, charges which, as displaying personal irritation, are
+impolitic and in bad taste. One fruit of scholarship, and its fairest,
+he does not seem to have plucked,--one proof of contented conviction
+in the truth of his opinions he does not give,--that indifference to
+contemporary clamor and hostile criticism, that magnanimous
+self-trust, which, assured of its own loyalty to present duty, can
+wait patiently for future justice.
+<p>
+His exordium over, Mr. Choate proceeds to define and to discuss
+Nationality. We heartily agree with him in all he says in its praise,
+and draw attention, in passing, to a charming idyllic passage in which
+he speaks of the early influences which first develope in us its
+germinal principle. But when he says, that the sentiment of a national
+life, once existing, must still be kept alive by an exercise of the
+reason and the will, we dissent. It must be a matter of instinct, or
+it is nothing. The examples of nationality which he cites are those of
+ancient Greece and modern Germany. Now we affirm, that, with
+accidental exceptions, nationality has always been a matter of race,
+and was eminently so in the instances he quotes. If we read rightly,
+the nationality which glows in the "Iliad," and which it was, perhaps,
+one object of the poem to rouse or to make coherent, is one of blood,
+not territory. The same is true of Germany, of Russia, (adding the
+element of a common religious creed,) and of France, where the Celtic
+sentiment becomes day by day more predominant. The exceptions are
+England and Switzerland, whose intense nationality is due to
+insulation, and Holland, which was morally an island, cut off as it
+was from France by difference of language and antipathy of race, and
+from kindred Germany by the antagonism of institutions. A patriotism
+by the chart is a monster that the world ne'er saw. Men may fall in
+love with a lady's picture, but not with the map of their country.
+Few persons have the poetic imagination of Mr. Choate, that can vivify
+the dead lines and combine the complex features. It seems to us that
+our own problem of creating a national sentiment out of such diverse
+materials of race, such sometimes discordant or even hostile
+traditions, and then of giving it an intenseness of vitality that can
+overcome our vast spaces and our differences of climate and interest,
+is a new problem, not easily to be worked out by the old
+methods. Mr. Choate's plan seems to consist in the old formula of the
+Fathers. He would have us think of their sacrifices and their
+heroisms, their common danger and their common deliverance.
+Excellent, as far as it goes; but what are we to do with the large
+foreign fraction of our population imported within the last forty
+years, a great proportion of whom never so much as heard even of the
+war of 1812? Shall we talk of Bennington and Yorktown to the Germans,
+whose grandfathers, if they were concerned at all in those memorable
+transactions, were concerned on the wrong side? Shall we talk of the
+constancy of Puritan Pilgrims to the Romanist Irishman, who knows more
+of Brian Boroo than of the Mayflower?
+<p>
+It will be many generations before we become so fused as to have a
+common past, and the conciliation and forbearance which Mr. Choate
+recommends to related sections of country will be more than equally
+necessary to unrelated races. But while we are waiting for a past in
+which we can all agree, Mr. Choate sees danger in the disrespect which
+he accuses certain <i>anonymi</i> of entertaining for the past in
+general. But for what past? Does Mr. Choate mean our own American
+past? Does he refer us to that for lessons of forbearance, submission,
+and waiting for God's good time? Is the contemplation of their own
+history and respect for their own traditions the lenitive he
+prescribes for a people whose only history is a revolution, whose only
+tradition is rebellion? To what past and to what tradition did the
+Pilgrim Fathers appeal, except to that past, older than all history,
+that tradition, sacred from all decay, which, derived from an
+antiquity behind and beyond all the hoary generations, points the
+human soul to the God from whom it derived life, and with it the
+privilege of freedom and the duty of obedience? To what historical
+past did Jefferson go for the preamble of the Declaration, unless to
+the reveries of a half-dozen innovating enthusiasts, men of the
+closet,--of that class which Mr. Choate disparages by implication,
+though it has done more to shape the course of the world than any
+number of statesmen, whose highest office is, commonly, to deal
+prudently with the circumstances of the moment?
+<p>
+Mr. Choate does a great injustice to the Republican Party when he lays
+this irreverence for the past to their charge. As he seems to think
+that he alone has read books and studied the lessons of antiquity, he
+will be pleased to learn that there are persons also in that party who
+have not neglected all their opportunities in that kind. The object of
+the Republicans is to bring back the policy and practice of the
+Republic to some nearer agreement with the traditions of the
+fathers. They also have a National Idea,--for some of them are capable
+of distinguishing "a phrase from an idea," or Mr. Choate would find it
+easier to convert them. They propose to create a National Sentiment,
+in the only way that is possible under conditions like ours, by
+clearing the way for the development of a nation which shall be, not
+only in Fourth-of-July orations, but on every day in the year, and in
+the mouths of all peoples, great and wise, just and brave, and whose
+idea, always august and venerable, by turns lovely and terrible, shall
+bind us all in a common nationality by our loyalty to what is true,
+our reverence for what is good, our love for what is beautiful, and
+our sense of security in what is mighty. That is the America which the
+Fathers conceived, and it is that to which the children look
+forward,--an America which shall displace Ireland and Germany,
+Massachusetts and Carolina, in the hearts of those who call them
+mother, with an image of maternity at once more tender and more
+majestic.
+<p>
+There is a past for which Republicans have indeed no respect,--but it
+is one of recent date; there is a history from which they refuse to
+take lessons except for warning and not example,--but it is a history
+which is not yet written. When the future historian shall study that
+past and gather materials for writing that history, he will find cause
+for wonder at the strength of that national vitality which could
+withstand and survive, not the efforts of Mr. Choate's dreadful
+reformers, but of an administration calling itself Democratic, which,
+with the creed of the Ostend Manifesto for its foreign, and the
+practice of Kansas for its domestic policy, could yet find a scholar
+and a gentleman like Mr. Choate to defend it.
+<p>
+Mr. Choate charges the Republicans with being incapable of a
+generalization. They can, at least, generalize so far as this, that,
+when they find a number of sophistries in an argument, they conclude
+that the cause which requires their support must be a weak one. One of
+the most amusing of these in the oration before us is where (using the
+very same arguments that were urged in favor of that coalition in
+Massachusetts against the morality of which the then party of Mr.
+Choate exclaimed so loudly) he extols the merits of Compromise in
+statesmanship. In support of what he says on this subject, he quotes
+from a speech of Archbishop Whately a passage in favor of
+Expediency. It is really too bad, that the Primate of Ireland, of all
+men living, should be made the abetter in two fallacies. In the first
+place, Mr. Choate assumes that there are certain deluded persons who
+affirm that all compromises in politics are wrong. Having stuffed out
+his man of straw, he proceeds gravely to argue with him, as if he were
+as cunning of fence as Duns Scotus. One would think, from some of the
+notions he deems it necessary to combat, that we were living in the
+time of the Fifth-Monarchy men, and that Captain Venner with his troop
+was ready to issue from the garrets of Batterymarch Street, to find
+Armageddon in Dock Square, and the Beast of the Revelation in the
+Chief of Police. There is no man who believes that the ship of State,
+any more than an ordinary vessel, can be navigated by the New
+Testament alone; but neither will be the worse for having it
+aboard. The Puritans sailed theirs by Deuteronomy, but it was a
+Deuteronomy qualified by an eye to the main chance. Mr. Choate's
+syllogism may be stated thus: Some compromises are necessary in order
+to carry on a free government; but this is a compromise; therefore it
+is necessary. Here is the first fallacy. The other syllogism runs
+thus: Expediency is essential in politics; so also is compromise;
+therefore some particular compromise is expedient. Fallacy number
+two. The latent application in this part of Mr. Choate's oration is,
+of course, to Compromises on the Slavery question. We agree with him,
+that no man of sense will deny that compromise is essential in
+politics, and especially in our politics. With a single exception, all
+that he says on this topic is expressed with masterly force and
+completeness. But when we come to the application of it, the matter
+assumes another face. Men of sense may, and do, differ as to what
+<i>is</i> a compromise, or, agreeing in that, they may differ again as
+to whether it be expedient. For example, if a man, having taken
+another's cloak, insist on taking his coat also, the denudee, though
+he might congratulate himself on having been set forward so far on his
+way toward the natural man of Rousseau, would hardly call the affair a
+compromise on the part of the denuder. Or again, if his brother with
+principles should offer to compromise about the coat by taking only
+half of it, he would be in considerable doubt whether the arrangement
+were expedient. Now there are many honest people, not as eloquent as
+Mr. Choate, not as scholarly, and perhaps not more illogical, who
+firmly believe that our compromises on the question of Slavery have
+afforded examples of both the species above described. It is not
+unnatural, therefore, that, while they assent to his general theory,
+they should protest against his mode of applying it to
+particulars. They may be incapable of a generalization, (they
+certainly are, if this be Mr. Choate's notion of one,) but they are
+incapable also of a deliberate fallacy. We think we find here one of
+the cases in which his training as an advocate has been of evil effect
+on his fairness of mind. No more potent lie can be made than of the
+ashes of truth. A fallacy is dangerous because of the half-truth in
+it. Swallow a strong dose of pure poison, and the stomach may reject
+it; but take half as much, mixed with innocent water, and it will do
+you a mischief. But Mr. Choate is nothing, if not illogical:
+recognizing the manifest hand of God in the affairs of the world, he
+would leave the question of Slavery with Him. Now we offer Mr. Choate
+a <i>dilemma</i>: either God <i>always</i> interferes, or
+<i>sometimes</i>: if always, why need Mr. Choate meddle? why not leave
+it to Him to avert the dangers of Anti-slavery, as well as to remedy
+the evils of Slavery?--if only sometimes, (<i>nec deus intersit nisi
+dignus vindice nodus,</i>) who is to decide when the time for human
+effort has come? Each man for himself, or Mr. Choate for all?
+<p>
+Let us try Mr. Choate's style of reasoning against himself. He says,
+"One may know Aristophanes and Geography and the Cosmical Unity and
+Telluric Influences," (why <i>didn't</i> he add, "Neptune, Plutarch,
+and Nicodemus"!) "and the smaller morals of life, and the sounding
+pretensions of philanthropy," (this last, at any rate, is useful
+knowledge,) "and yet not know America." We must confess, that we do
+not see why on earth he should. In fact, by the time he had got to
+the "Telluric Influences," (whatever they are,) we should think he
+might consider his education completed, and his head would even then
+be as great a wonder as that of the schoolmaster in the "Deserted
+Village." In the same way, a man might have seen a horse, (if only a
+clothes-horse,) a dog, a cat, and a tadpole, and yet never have seen
+the elephant,--a most blame-worthy neglect of opportunities. But let
+us apply Mr. Choate's syllogistic process to the list of this
+extraordinary nameless person's acquirements. The Republican Party do
+<i>not</i> know any of these amazing things; <i>ergo</i>, they must
+know America; and the corollary (judging from Mr. Choate's own
+practice, as displayed in the parts of his oration which we are sure
+he will one day wish to blot) would seem to be, that, having the honor
+of her acquaintance, they may apply very contemptuous epithets to
+everybody that disagrees with them. The only weak point in our case
+is, that Mr. Choate himself seems to allow them the one merit of
+knowing something of Geography,--for he says they wished to elect a
+"geographical President,"--but, perhaps, as they did not succeed in
+doing so, he will forgive them the possession of that accomplishment,
+so hostile to a knowledge of America.
+<p>
+We confess that we were surprised to find Mr. Choate reviving, on "the
+serene and secret mountain-top,"--which, being interpreted, means the
+rather prosaic Tremont Temple,--the forgotten slang of a bygone
+political contest, as in the instance we have just quoted of the
+"geographical President." We think that Colonel Fremont might be
+allowed to rest in peace, now that a California court has
+decided--with a logic worthy of Mr. Choate himself--that he has no
+manner of right to the gold in his Mariposa mines, <i>because</i> he
+owns them. But we should like to have Mr. Choate define, when he has
+leisure, where an unfortunate candidate can take up his abode, in
+order to escape the imputation of being "geographical." It is a grave
+charge to be brought against any man, as we see by its being coupled
+with those dreadful Telluric Influences and Cosmical (ought we not to
+<i>dele</i> the <i>s?</i>) Unities; and since the most harmless man in
+the world may become a candidate before he expects it, it would be
+charitable to warn him beforehand what is an allowable <i>habitat</i>
+in such a contingency.
+<p>
+We said we were surprised at seeing our old friend, the "geographical
+President," again; but we soon found that he reappeared only as the
+file-leader of a ragged regiment of kindred scarecrows,--nay, with
+others so battered and bedraggled, that they were scarce fit to be the
+camp-followers of the soldiery with whom Falstaff refused to march
+through Coventry. The sarcasms which Mr. Choate vents against the
+Anti-slavery sentiment of the country are so old as to be positively
+respectable,--we wish we could say that their vivacity increased with
+their years,--and as for his graver indictments, there never was
+anything so ancient, unless it be an American lad of eighteen. There
+are not a great many of either, but they are made to recur often
+enough to produce the impression of numbers. They remind us of the
+theatric army, composed always of the same old guard of
+supernumeraries and candle-snuffers, and which, by marching round and
+round the paper forest in the background, would make six men pass
+muster very well for sixty, did not the fatally regular recurrence of
+the hero whose cotton armor bunches at the knees, and the other whose
+legs insist on the un-Grecian eccentricity of being straight in
+profile and crooked in a front view, bring us back to calmer
+estimates.
+<p>
+We used the word <i>indictments</i> with design, both as appropriate
+to Mr. Choate's profession and exactly descriptive of the thing
+itself. For, as in an indictment for murder, in order to close every
+loophole of evasion, the prudent attorney affirms that the accused did
+the deed with an awfully destructive <i>to-wit</i>,--with a knife,
+axe, bludgeon, pistol, bootjack, six-pounder, and what not, which were
+then and there in the Briarean hands of him the said What's-his-name,
+so Mr. Choate represents the Republican Party to have attempted the
+assassination of the Constitution with a most remarkable medley of
+instruments. He does not, indeed, use the words "Republican Party,"
+but it is perfectly clear from the context, as in the case of the
+"geographical President," for whom the charges are intended. Out of
+tenderness for the artist, let him for whom the garment is intended
+put it on, though it may not fit him,--and for our own parts, as
+humble members of the Anti-slave-trade, Anti-filibuster, and
+Anti-disreputable-things-generally Party, we don our Joseph's coat
+(for Mr. Choate could not make one that was not of many colors) with
+good-humored serenity.
+<p>
+Of course, Sectionalism is not forgotten. The pumpkin-lantern, that
+had performed so many offices of alarm, though a little wrinkled now,
+was too valuable a stage-property to be neglected. In the hands of so
+skilful an operator, its slender body flutters voluminous with new
+folds of inexpensive cotton, and its eyes glare with the baleful
+terrors of unlimited tallow. Mr. Choate honestly confesses that
+sectional jealousies are coeval with the country itself, but it is
+only as fomented by Anti-slavery-extension that he finds them
+dreadful. When South Carolina threatened disunion unless the Tariff of
+the party to which Mr. Choate then belonged were modified, did he
+think it necessary for the Protectionists to surrender their policy?
+There is not, and there never was, any party numerically considerable
+at the North, in favor of disunion. Were homilies on fraternal
+concessions the things to heal this breach, the South is the fitting
+place for their delivery; but mouth-glue, however useful to stick
+slight matters together, is not the cement with which confederacies
+are bound to a common centre. There must be the gravitation of
+interest as well as of honor and duty. We wonder that the parallel
+case of Scotland and England did not occur to Mr. Choate, in speaking
+upon this point. Scotland was clamorous and England jealously
+contemptuous, for nearly a century. Twice since the union, the land
+of cakes has been in rebellion; but as long as a pound Scots was only
+a twentieth part of a pound English,--as long as the treasury was
+filled chiefly from south the Tweed, and the sons of poor and proud
+Scottish lairds could make glittering abstractions from it,--as long
+as place was to be won or hoped for,--there was no danger. So with
+us,--though Jacob and Esau quarrelled already in the womb, yet, so
+long as the weaker and more politic brother can get the elder
+brother's portion, and simple Esau hunts his whales and pierces his
+untrodden forests, content with his mess of pottage,--honestly abiding
+by his bargain, though a little puzzled at its terms,--we think that
+fratricide, or the sincere thought of it, is very far off.
+<p>
+<hr width="40%" align="center">
+<p>
+We should be glad to extract some passages of peculiar force and
+beauty,--such as that where Mr. Choate rebukes the undue haste of
+reformers, and calls to mind the slow development and longevity of
+states and ideas. But our duty is the less pleasing one of pointing to
+some of the sophistries of the argument and some of the ill-advised
+ebullitions of the orator. We leave his exegesis of "Render unto
+Cæsar" to answer itself; but what can be worse than this,--worse in
+taste, in temper, in reason?
+<blockquote>
+ "There is a cant of shallowness and fanaticism which misunderstands
+ and denies this. There is a distempered and ambitious morality which
+ says civil prudence is no virtue. There is a philanthropy,--so it
+ calls itself,--pedantry, arrogance, folly, cruelty, impiousness, I
+ call it, fit enough for a pulpit, totally unfit for a people,--fit
+ enough for a preacher, totally unfit for a statesman."
+</blockquote>
+<p>
+Think of it!--fit enough for St. Augustine and St. Francis, (to
+mention no greater names,) fit enough for Taylor and Barrow, for
+Bossuet and Fénelon, but not for Mr. Buchanan or Mr. Cushing!
+<p>
+In another place Mr. Choate says, "that even the laughter of fools,
+and children, and madmen, little ministers, little editors, and little
+politicians, can inflict the mosquito-bite, not deep, but stinging."
+As this is one of the best of his sarcasms, we give it the advantage
+of the circulation of the "Atlantic,"--generous and tidal circulation,
+as he himself might call it. We do not think the mosquito image
+new,--if we remember, the editor of the Bungtown Copperhead uses it
+weekly against "our pitiful contemporary,"--though the notion of a
+mosquito-bite inflicted by a laugh is original with Mr. Choate, unless
+Lord Castlereagh may have used it before. But we would seriously ask
+Mr. Choate who the big ministers of the country are, if the Beechers,
+if Wayland, Park, Bushnell, Cheever, Furness, Parker, Hedge, Bellows,
+and Huntington are the little ones?
+<p>
+There is an amusing passage in which Mr. Choate would seem to assume
+to himself and those who agree with him the honors of martyrdom. This
+shows a wonderful change in public opinion; though the martyrs in the
+"Legenda Aurea" and Fox seem to have had a harder time of it than we
+supposed to be the case with Mr. Choate.
+<p>
+We have not space to follow him farther, and only the reputation of
+the man, and the singularity of the occasion, which gave a kind of
+national significance to the affair, would have tempted us to intrude
+upon the select privacy of the Young Men's Democratic Association.
+<p>
+Finally, as Mr. Choate appears to have a very mean opinion of the
+understandings and the culture of those opposed to him in politics, we
+beg to remind him, since he has been led out, like Balaam, to prophesy
+against the tents and armies of the Republican Israel, and has ended
+by proving their invincibility, that it was an animal in all respects
+inferior to a prophet, and in some to a politician, who was first
+aware of the presence of the heavenly messenger; and it may be that
+persons incapable of a generalization--as that patient creature
+undoubtedly was--may see as far into the future as the greatest
+philosopher who turns his eyes always to the past.
+<br>
+<br>
+<a name="16.1">[Footnote 1: We may be allowed to wonder, however, at his speaking of
+"memories that burn and revel in the pages of Herodotus,"--a phrase
+which does injustice to the simple and quiet style of the delightful
+Pepys of Antiquity.]</a>
+
+<br><br><br>
+
+<br><br><br>
+<center>
+<h2>
+<a name="17">LITERARY NOTICES.</a>
+</h2>
+</center>
+
+<p>
+DR. ASA GRAY'S <i>Botanical Series</i>, New York, Ivison & Phinney,
+consisting of--
+<blockquote>
+I. <i>How Plants Grow</i>, etc., <i>with a Popular Flora,</i>
+etc. 16mo. pp. 233.
+<p>
+II. <i>First Lessons in Botany and Vegetable Physiology.</i>
+8vo. pp. 236.
+<p>
+III. <i>Introduction to Structural and Systematic Botany and Vegetable
+Physiology.</i> 8vo. pp. 555.
+<p>
+IV. <i>Manual of the Botany of the Northern United States, including
+Virginia, Kentucky,</i> etc. 8vo. pp. 636.
+<p>
+V. Same as IV., with the <i>Mosses and Liverworts</i> added,
+illustrated by Engravings, pp. 739.
+<p>
+VI. Same as IV., with II. bound up with it. pp. 872.
+</blockquote>
+<p>
+The first-named of these books is a new candidate for public favor;
+the others are revised and improved editions of books which have
+already been favorably received. We have sometimes thought that the
+popularity of a school-book is in inverse proportion to its merits,
+and are glad to learn that five editions of Dr. Gray's "Structural and
+Systematic Botany" are witnesses against the truth of this assumption.
+No man can deny that Dr. Gray's books are all of the highest order of
+merit. The accuracy and extent of his scholarship are manifest on
+every page,--a scholarship consisting not merely in an extensive
+acquaintance with the works of other botanists, but in a careful
+confirmation of their results, and in additions to their knowledge, by
+an observation of Nature for himself. His clearness of style is an
+equally valuable characteristic, making the reader sure that he
+understands Dr. Gray, and that Dr. Gray understands the subject. In
+the "Manual" this clearness of style extends to the judicious
+selection of distinctive marks, whereby allied species may be
+distinguished from each other. Even the most difficult genera of
+golden-rods, asters, and grasses become intelligible in this manual;
+and many a less difficult genus which puzzled our boyhood, with
+Beck's, Eaton's, and Pursh's manuals, became so plain in Gray, that we
+cannot now imagine where was the difficulty. The extent of the field
+which Gray's Manual covers prevents him, of course, from giving such
+lifelike descriptions of plants as may be found in Dr. Bigelow's
+"Plants of Boston and its Vicinity," or such minute
+word-daguerreotypes as those in Mr. Emerson's "Trees of
+Massachusetts,"--books which no New England student of botany can
+afford to be without; but, on the other hand, the description of each
+species, aided by typographical devices of Italics, etc., is
+sufficient for any intelligent observer to identify a specimen. The
+exquisite engravings, illustrating the genera of Ferns, Hepaticæ, and
+Mosses, are also a great assistance.
+<p>
+The volume which we have marked III. is the fifth revised edition of
+the "Botanical Text-Book." It contains a complete, although concise,
+sketch of Structural Botany and Vegetable Physiology, and a birds'-eye
+view of the whole vegetable kingdom in its subdivision into families,
+illustrated by over thirteen hundred engravings on wood. It has become
+a standard of botany, wherever our language is read.
+<p>
+For those who do not wish to pursue the study so far, the "First
+Lessons" is one of the most happily arranged and happily written
+scientific text-books ever published, and is illustrated by three
+hundred and sixty well-executed wood-cuts. This takes scholars of
+thirteen or fourteen years of age far enough into the recesses of the
+science for them to see its beauties, and to learn the passwords which
+shall admit them to all its hidden and inexhaustible treasures. It
+goes over substantially the same ground that is covered by the volume
+we have marked III., but in simpler language and with much less
+detail; and closes with clear practical directions how to collect
+specimens and make an herbarium.
+<p>
+The first book is intended for children of ten or twelve years old, at
+home or in school. We hail it as a remarkably successful effort of a
+truly learned man to write a book actually adapted to young children.
+While all teachers, and writers upon education, insist on the
+importance of having a child's first impressions such as shall not
+need to be afterwards corrected, and such as shall attract the child
+towards the study to which it is introduced, our elementary books have
+usually sinned in one or both these points. They are either dry and
+repulsive, or else vague and incorrect;--frequently have both
+faults. But the child is here told "how plants grow" in a very
+pleasant manner, with neat and pretty pictures to illustrate the
+words, by one whose thorough knowledge and perspicuity of style
+prevent him from ever giving a wrong impression. The "Popular Flora"
+which is appended, contains a description of about one hundred
+families of the most common cultivated and wild plants, and of the
+most familiar genera and species in each family. The English names are
+in all cases put in the foreground in bold type,--while the Latin
+names stand modestly back, half hidden in parentheses and Italics; and
+these English names are in general very well selected,--although we
+think that when two or three English names are given to one plant, or
+one name to several plants, Dr. Gray ought to indicate which name he
+prefers. He allows "Dogwood" to stand without rebuke for the poison
+sumac, as well as for the flowering cornel; and gives "Winterberry"
+and "Black Alder" without comment to <i>Prinos verticellata</i>. A
+word of preference on his part might do something towards reforming
+and simplifying the popular nomenclature, and this child's manual is
+the place to utter that word. We think also that in a second edition
+of this Popular Flora it would be well to give a <i>popular</i>
+description of a few of the most beautiful flowers belonging to those
+families which are too difficult for the child properly to
+analyze. Thus, Arethusa, Cypripedium, Pogonia, Calopogon, Spiranthes,
+Festuca, Osmunda, Onoclea, Lycopodium, Polytrichum, Bryum, Marchantia,
+Usnea, Parmelia, Cladonia, Agaricus, Chondrus, and perhaps a few other
+genera, furnish plants so familiar and so striking that a child will
+be sure to inquire concerning them, and a general description could
+easily be framed in a few words which could not mislead him concerning
+them.
+<p>
+In writing for children, Dr. Gray seems to have put on a new nature,
+in which we have a much fuller sympathy with him than we have ever had
+in reading his larger books. We do not like that cold English common
+sense which seems reluctant to admit any truth in the higher regions
+of thought; and we confess, that, until we had read this little
+child's book, "How Plants Grow," we had always suspected Dr. Gray of
+leaning towards that old error, so finely exposed by Agassiz in
+zoölogy, of considering genera, families, etc., as divisions made by
+human skill, for human convenience,--instead of as divisions belonging
+to the Creator's plan, as yet but partially understood by human
+students.
+<p>
+We hope that the appearance of this masterly little book, so finely
+adapted to the child's understanding, may have the effect of
+introducing botany into the common schools. The natural taste of
+children for flowers indicates clearly the propriety and utility of
+giving them lessons upon botany in their earliest years. Go into any
+of our New England country-schools at this season of the year, and you
+will find a bouquet of wild flowers on the teacher's desk. Take it up
+and separate it,--show each flower to the school, tell its name, and
+its relationship to other and more familiar cultivated flowers, the
+characteristic sensible properties of its family, etc.,--and you will
+find the younger scholars your most attentive listeners. And if any
+practical man ask, What is the use of the younger scholars learning
+anything about wild flowers, which the cultivation of the country may
+soon render extinct, and which are but weeds at best?--there are two
+sufficient answers ready: first, that all truth is divine, and that
+the workmanship of infinite skill is beautiful and worthy of the eyes
+which may behold it; secondly, that no mental discipline is better
+adapted for the young mind than this learning how to distinguish
+plants. No more striking deficiency is observable, in most men, than
+the lack of a power to observe closely and with accuracy. The general
+inaccuracy of testimony, usually ascribed to inaccuracy of memory, is
+in fact to be attributed to inaccuracy of observation. In like
+manner, a large proportion of popular errors of judgment spring from
+an imperfect perception of the data on which the true conclusions
+should be founded. The best remedy for this lack of clear perceptions
+would evidently be the cultivation of those habits of close
+observation and nice discrimination necessary in a successful
+naturalist.
+<br>
+<br>
+<hr>
+<p>***END OF THE PROJECT GUTENBERG EBOOK ATLANTIC MONTHLY, VOLUME 2, ISSUE 10, AUGUST, 1858***</p>
+<p>******* This file should be named 10626-h.txt or 10626-h.zip *******</p>
+<p>This and all associated files of various formats will be found in:<br />
+<a href="https://www.gutenberg.org/1/0/6/2/10626">https://www.gutenberg.org/1/0/6/2/10626</a></p>
+<p>Updated editions will replace the previous one--the old editions
+will be renamed.</p>
+
+<p>Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.</p>
+
+
+
+<pre>
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+<a href="https://gutenberg.org/license">https://gutenberg.org/license)</a>.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+<a href="https://www.gutenberg.org">https://www.gutenberg.org</a>
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+<a href="http://www.ibiblio.org/gutenberg/etext06">http://www.ibiblio.org/gutenberg/etext06</a>
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+<a href="https://www.gutenberg.org/GUTINDEX.ALL">https://www.gutenberg.org/GUTINDEX.ALL</a>
+
+*** END: FULL LICENSE ***
+</pre>
+</body>
+</html>
diff --git a/old/10626.txt b/old/10626.txt
new file mode 100644
index 0000000..d4d0cf4
--- /dev/null
+++ b/old/10626.txt
@@ -0,0 +1,9306 @@
+The Project Gutenberg eBook, Atlantic Monthly, Volume 2, Issue 10, August,
+1858, by Various
+
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+
+
+
+
+
+
+Title: Atlantic Monthly, Volume 2, Issue 10, August, 1858
+
+Author: Various
+
+Release Date: January 7, 2004 [eBook #10626]
+[Date last updated: June 12, 2005]
+
+Language: English
+
+Character set encoding: US-ASCII
+
+
+***START OF THE PROJECT GUTENBERG EBOOK ATLANTIC MONTHLY, VOLUME 2, ISSUE
+10, AUGUST, 1858***
+
+
+E-text prepared by Joshua Hutchinson, Bob Blair, and Project Gutenberg
+Distributed Proofreaders
+
+
+
+THE ATLANTIC MONTHLY.
+
+A MAGAZINE OF LITERATURE, ART, AND POLITICS.
+
+VOL. II.--AUGUST, 1858.--NO. X.
+
+
+
+
+
+
+
+DAPHNAIDES:
+
+OR THE ENGLISH LAUREL, FROM CHAUCER TO TENNYSON.
+
+
+ They in thir time did many a noble dede,
+ And for their worthines full oft have bore
+ The crown of laurer leaves on the hede,
+ As ye may in your olde bookes rede:
+ And how that he that was a conquerour
+ Had by laurer alway his most honour.
+ DAN CHAUCER: _The Flowre and the Leaf_.
+
+
+It is to be lamented that antiquarian zeal is so often diverted from
+subjects of real to those of merely fanciful interest. The mercurial
+young gentlemen who addict themselves to that exciting department of
+letters are open to censure as being too fitful, too prone to flit,
+bee-like, from flower to flower, now lighting momentarily upon an
+indecipherable tombstone, now perching upon a rusty morion, here
+dipping into crumbling palimpsests, there turning up a tattered
+reputation from heaps of musty biography, or discovering that the
+brightest names have had sad blots and blemishes scoured off by the
+attrition of Time's ceaseless current. We can expect little from
+investigators so volatile and capricious; else should we expect the
+topic we approach in this paper to have been long ago flooded with
+light as of Maedler's sun, its dust dissipated, and sundry curves and
+angles which still baffle scrutiny and provoke curiosity exposed even
+to Gallio-llke wayfarers. It is, in fact, a neglected topic. Its
+derivatives are obscure, its facts doubtful. Questions spring from
+it, sucker-like, numberless, which none may answer. Why, for
+instance, in apportioning his gifts among his posterity, did Phoebus
+assign the laurel to his step-progeny, the sons of song, and pour the
+rest of the vegetable world into the pharmacopoeia of the favored
+AEsculapius? Why was even this wretched legacy divided in aftertimes
+with the children of Mars? Was its efficacy as a non-conductor of
+lightning as reliable as was held by Tiberius, of guileless memory,
+Emperor of Rome? Were its leaves really found green as ever in the
+tomb of St. Humbert, a century and a half after the interment of that
+holy confessor? In what reign was the first bay-leaf, rewarding the
+first poet of English song, authoritatively conferred? These and other
+like questions are of so material concern to the matter we have in
+hand, that we may fairly stand amazed that they have thus far escaped
+the exploration of archaeologists. It is not for us to busy ourselves
+with other men's affairs. Time and patience shall develope profounder
+mysteries than these. Let us only succeed in delineating in brief
+monograph the outlines of a natural history of the British
+Laurel,--_Laurea nobilis, sempervirens, florida_,--and in posting
+here and there, as we go, a few landmarks that shall facilitate the
+surveys of investigators yet unborn, and this our modest enterprise
+shall be happily fulfilled.
+
+One portion of it presents no serious difficulty. There is an
+uninterrupted canon of the Laureates running as far back as the reign
+of James I. Anterior, however, to that epoch, the catalogue fades away
+in undistinguishable darkness. Names are there of undoubted splendor,
+a splendor, indeed, far more glowing than that of any subsequent
+monarch of the bays; but the legal title to the garland falls so far
+short of satisfactory demonstration, as to oblige us to dismiss the
+first seven Laureates with a dash of that ruthless criticism with
+which Niebuhr, the regicide, dispatched the seven kings of Rome. To
+mark clearly the bounds between the mythical and the indubitable, a
+glance at the following brief of the Laureate _fasti_ will
+greatly assist us, speeding us forward at once to the substance of our
+story.
+
+
+I. The MYTHICAL PERIOD, extending from the supposititious coronation
+of Laureate CHAUCER, _in temp. Edv. III., 1367_, to that of
+Laureate JONSON, _in temp. Caroli I._ To this period belong,
+
+
+ GEOFFREY CHAUCER, 1367-1400
+ JOHN SCOGAN, 1400-1413
+ JOHN KAY, 1465-
+ ANDREW BERNARD, 1486-
+ JOHN SKELTON, 1509-1529
+ EDMUND SPENSER, 1590-1599
+ SAMUEL DANIEL, }
+ MICHAEL DRAYTON, } 1600-1630
+ BEN JONSON, }
+
+
+
+II. The DRAMATIC, extending from the latter event to the demise of
+Laureate SHADWELL, _in temp. Gulielmi III., 1692._ Here we have
+
+
+ BEN JONSON, 1630-1637
+ WILL DAVENANT, 1637-1668
+ JOHN DRYDEN, 1670-1689
+ THOMAS SHADWELL, 1689-1692
+
+
+
+III. The LYRIC, from the reign of Laureate TATE, 1693, to the demise
+of Laureate PYE, 1813:--
+
+
+ NAHUM TATE, 1693-1714
+ NICHOLAS ROWE, 1714-1718
+ LAURENCE EUSDEN, 1719-1730
+ COLLEY CIBBER, 1730-1757
+ WILLIAM WHITEHEAD, 1758-1785
+ THOMAS WARTON, 1785-1790
+ HENRY JAMES PYE, 1790-1813
+
+
+
+IV. The VOLUNTARY, from the accession of Laureate SOUTHEY, 1813, to
+the present day:--
+
+
+ ROBERT SOUTHEY, 1813-1843
+ WILLIAM WORDSWORTH, 1843-1850
+ ALFRED TENNYSON, 1850-
+
+
+Have no faith in those followers of vain traditions who assert the
+existence of the Laureate office as early as the thirteenth century,
+attached to the court of Henry III. Poets there were before
+Chaucer,--_vixere fortes ante Agamemnona_,--but search Rymer from
+cord to clasp and you shall find no documentary evidence of any one of
+them wearing the leaf or receiving the stipend distinctive of the
+place. Morbid credulity can go no farther back than to the "Father of
+English Poetry":--
+
+
+ "That renounced Poet,
+ Dan Chaucer, well of English undefyled,
+ On Fame's eternall beadroll worthie to be fyled":[1]
+
+
+ "Him that left half-told
+ The story of Cambuscan bold;
+ Of Camball, and of Algarsife,
+ And who had Canace to wife":[2]
+
+
+ "That noble Chaucer, in those former times,
+ Who first enriched our English with his rhymes,
+ And was the first of ours that ever broke
+ Into the Muse's treasures, and first spoke
+ In mighty numbers."[3]
+
+
+Tradition here first assumes that semblance of probability which
+rendered it current for three centuries. Edward the Third--resplendent
+name in the constitutional history of England--is supposed to have
+been so deeply impressed with Chaucer's poetical merits, as to have
+sought occasion for appropriate recognition. Opportunely came that
+high festival at the capital of the world, whereat
+
+
+ "Franccis Petrark, the laureat poete,
+ ... whos rethorike swete
+ Enlumined all Itaille of poetrie,"[4]
+
+
+received the laurel crown at the hands of the Senate of Rome, with a
+magnificence of ceremonial surpassed only by the triumphs of imperial
+victors a thousand years before. Emulous of the gorgeous example, the
+English monarch forthwith showered corresponding honors upon Dan
+Chaucer, adding the substantial perquisites of a hundred marks and a
+tierce of Malvoisie, a year. To this agreeable story, Laureate Warton,
+than whom no man was more intimately conversant with the truth there
+is in literary history, appears in one of his official odes to yield
+assent:--
+
+
+ "Victorious Edward gave the vernal bough
+ Of Britain's bay to bloom on Chaucer's brow:
+ Fired with the gift, he changed to sounds sublime
+ His Norman minstrelsy's discordant chime."[5]
+
+
+The legend, however, does not bear inquiry. King Edward, in 1367,
+certainly granted an annuity of twenty marks to "his varlet, Geoffrey
+Chaucer." Seven years later there was a further grant of a pitcher of
+wine daily, together with the controllership of the wool and petty
+wine revenues for the port of London. The latter appointment, to which
+the pitcher of wine was doubtless incident, was attended with a
+requirement that the new functionary should execute all the duties of
+his post in person,--a requirement involving as constant and laborious
+occupation as that of Charles Lamb, chained to his perch in the India
+House. These concessions, varied slightly by subsequent patents from
+Richard II. and Henry IV., form the entire foundation to the tale of
+Chaucer's Laureateship.[6] There is no reference in grant or patent to
+his poetical excellence or fame, no mention whatever of the laurel, no
+verse among the countless lines of his poetry indicating the reception
+of that crowning glory, no evidence that the third Edward was one whit
+more sensitive to the charms of the Muses than the third William,
+three hundred years after. Indeed, the condition with which the
+appointment of this illustrious custom-house officer was hedged
+evinced, if anything, a desire to discourage a profitless wooing of
+the Nine, by so confining his mind to the incessant routine of an
+uncongenial duty as to leave no hours of poetic idleness. Whatever
+laurels Fame may justly garland the temples of Dan Chaucer withal, she
+never, we are obliged to believe, employed royal instrument at the
+coronation.
+
+John Scogan, often confounded with an anterior Henry, has been named
+as the Laureate of Henry IV., and immediate successor of
+Chaucer. Laureate Jonson seems to encourage the notion:--
+
+
+ "_Mere Fool._ Skogan? What was he?
+
+ "_Jophiel._ Oh, a fine gentleman, and master of arts
+ Of Henry the Fourth's time, that made disguises
+ For the King's sons, and writ in ballad-royal
+ Daintily well.
+
+ "_Mere Fool_. But he wrote like a gentleman?
+
+ "_Jophiel_. In rhyme, fine, tinkling rhyme, and flowand verse,
+ With now and then some sense; and he was paid for't,
+ Regarded and rewarded; which few poets
+ Are nowadays."[7]
+
+
+But Warton places Scogan in the reign of Edward IV., and reduces him
+to the level of Court Jester, his authority being Dr. Andrew Borde,
+who, early in the sixteenth century, published a volume of his
+platitudes.[8] There is nothing to prove that he was either poet or
+Laureate; while, on the other hand, it must be owned, one person might
+at the same time fill the offices of Court Poet and Court Fool. It is
+but fair to say that Tyrwhitt, who had all the learning and more than
+the accuracy of Warton, inclines to Jonson's estimate of Scogan's
+character and employment.
+
+One John Kay, of whom we are singularly deficient in information, held
+the post of Court Poet under the amorous Edward IV. What were his
+functions and appointments we cannot discover.
+
+Andrew Bernard held the office under Henry VII. and Henry VIII. He was
+a churchman, royal historiographer, and tutor to Prince Arthur. His
+official poems were in Latin. He was living as late as 1522.
+
+John Skelton obtained the distinction of Poet-Laureate at Oxford, a
+title afterward confirmed to him by the University of Cambridge: mere
+university degrees, however, without royal indorsement. Henry
+VIII. made him his "Royal Orator," whatever that may have been, and
+otherwise treated him with favor; but we hear nothing of sack or
+salary, find nothing among his poems to intimate that his performances
+as Orator ever ran into verse, or that his "laurer" was of the regal
+sort.
+
+A long stride carries us to the latter years of Queen Elizabeth,
+where, and in the ensuing reign of James, we find the names of Edmund
+Spenser, Samuel Daniel, and Michael Drayton interwoven with the
+bays. Spenser's possession of the laurel rests upon no better evidence
+than that, when he presented the earlier books of the "Faery Queen" to
+Elizabeth, a pension of fifty pounds a year was conferred upon him,
+and that the praises of _Gloriana_ ring through his realm of
+Faery in unceasing panegyric. But guineas are not laurels, though for
+sundry practical uses they are, perhaps, vastly better; nor are the
+really earnest and ardent eulogia of the bard of Mulla the same in
+kind with the harmonious twaddle of Tate, or the classical quiddities
+of Pye. He was of another sphere, the highest heaven of song, who
+
+
+ "Waked his lofty lay
+ To grace Eliza's golden sway;
+ And called to life old Uther's elfin-tale,
+ And roved through many a necromantic vale,
+ Portraying chiefs who knew to tame
+ The goblin's ire, the dragon's flame,
+ To pierce the dark, enchanted hall
+ Where Virtue sat in lonely thrall.
+ From fabling Fancy's inmost store
+ A rich, romantic robe he bore,
+ A veil with visionary trappings hung,
+ And o'er his Virgin Queen the fairy-texture flung."[9]
+
+
+Samuel Daniel was not only a favorite of Queen Elizabeth, but more
+decidedly so of her successor in the queendom, Anne of Denmark. In the
+household of the latter he held the position of Groom of the Chamber,
+a sinecure of handsome endowment, so handsome, indeed, as to warrant
+an occasional draft upon his talents for the entertainment of her
+Majesty's immediate circle, which held itself as far as possible aloof
+from the court, and was disposed to be self-reliant for its
+amusements. Daniel had entered upon the vocation of courtier with
+flattering auspices. His precocity while at Oxford has found him a
+place in the "Bibliotheca Eruditorum Praecocium." Anthony Wood bears
+witness to his thorough accomplishments in all kinds, especially in
+history and poetry, specimens of which, the antiquary tells us, were
+still, in his time, treasured among the archives of Magdalen. He
+deported himself so amiably in society, and so inoffensively among his
+fellow-bards, and versified his way so tranquilly into the good graces
+of his royal mistresses, distending the thread, and diluting the
+sense, and sparing the ornaments, of his passionless poetry,--if
+poetry, which, by the definition of its highest authority, is "simple,
+sensuous, passionate," can ever be unimpassioned,--that he was the
+oracle of feminine taste while he lived, and at his death bequeathed a
+fame yet dear to the school of Southey and Wordsworth. Daniel was no
+otherwise Laureate than his position in the queen's household may
+authorize that title. If ever so entitled by contemporaries, it was
+quite in a Pickwickian and complimentary sense. His retreat from the
+busy vanity of court life, an event which happened several years
+before his decease in 1619, was hastened by the consciousness of a
+waning reputation, and of the propriety of seeking better shelter than
+that of his laurels. His eloquent "Defense of Rhyme" still asserts for
+him a place in the hearts of all lovers of stately English prose.
+
+Old Michael Drayton, whose portrait has descended to us, surmounted
+with an exuberant twig of bays, is vulgarly classed with the
+legitimate Laureates. Southey, pardonably anxious to magnify an office
+belittled by some of its occupants, does not scruple to rank Spenser,
+Daniel, and Drayton among the Laurelled:--
+
+
+ "That wreath, which, in Eliza's golden days,
+ My master dear, divinest Spenser, wore,
+ That which rewarded Drayton's learned lays,
+ Which thoughtful Ben and gentle Daniel bore," etc.
+
+
+But in sober prose Southey knew, and later in life taught, that not
+one of the three named ever wore the authentic laurel.[10] That Drayton
+deserved it, even as a successor of the divinest Spenser, who shall
+deny? With enough of patience and pedantry to prompt the composition
+of that most laborious, and, upon the whole, most humdrum and
+wearisome poem of modern times, the "Polyolbion," he nevertheless
+possessed an abounding exuberance of delicate fancy and sound poetical
+judgment, traces of which flash not unfrequently even athwart the
+dulness of his _magnum opus_, and through the mock-heroism of
+"England's Heroical Epistles," while they have full play in his "Court
+of Faery." Drayton's great defect was the entire absence of that
+dramatic talent so marvellously developed among his contemporaries,--a
+defect, as we shall presently see, sufficient of itself to disqualify
+him for the duties of Court Poet. But, what was still worse, his mind
+was not gifted with facility and versatility of invention, two equally
+essential requisites; and to install him in a position where such
+faculties were hourly called into play would have been to put the
+wrong man in the worst possible place. Drayton was accordingly a
+court-pensioner, but not a court-poet. His laurel was the honorary
+tribute of admiring friends, in an age when royal pedantry rendered
+learning fashionable and a topic of exaggerated regard. Southey's
+admission is to this purpose. "He was," he says, "one of the poets to
+whom the title of Laureate was given in that age,--not as holding the
+office, but as a mark of honor, to which they were entitled." And with
+the poetical topographer such honors abounded. Not only was he
+gratified with the zealous labors of Selden in illustration of the
+"Polyolbion," but his death was lamented in verse of Jonson, upon
+marble supplied by the Countess of Dorset:--
+
+
+ "Do, pious marble, let thy readers know
+ What they and what their children owe
+ To Drayton's name, whose sacred dust
+ We recommend unto thy trust.
+ Protect his memory, and preserve his story;
+ Remain a lasting monument of his glory:
+ And when thy ruins shall disclaim
+ To be the treasurer of his name,
+ His name, that cannot fade, shall be
+ An everlasting monument to thee."
+
+
+The Laureateship, we thus discover, had not, down to the days of
+James, become an institution. Our mythical series shrink from close
+scrutiny. But in the gayeties of the court of the Stuarts arose
+occasion for the continuous and profitable employment of a court-poet,
+and there was enough thrift in the king to see the advantage of
+securing the service for a certain small annuity, rather than by the
+payment of large sums as presents for occasional labors. The masque, a
+form of dramatic representation, borrowed from the Italian, had been
+introduced into England during the reign of Elizabeth. The interest
+depended upon the development of an allegorical subject apposite to
+the event which the performance proposed to celebrate, such as a royal
+marriage, or birthday, or visit, or progress, or a marriage or other
+notable event among the nobility and gentry attached to the court, or
+an entertainment in honor of some distinguished personage. To produce
+startling and telling stage effects, machinery of the most ingenious
+contrivance was devised; scenery, as yet unknown in ordinary
+exhibitions of the stage, was painted with elaborate finish; goddesses
+in the most attenuated Cyprus lawn, bespangled with jewels, had to
+slide down upon invisible wires from a visible Olympus; Tritons had to
+rise from the halls of Neptune through waters whose undulations the
+nicer resources of recent art could not render more genuinely marine;
+fountains disclosed the most bewitching of Naiads; and Druidical oaks,
+expanding, surrendered the imprisoned Hamadryad to the air of
+heaven. Fairies and Elves, Satyrs and Forsters, Centaurs and Lapithae,
+played their parts in these gaudy spectacles with every conventional
+requirement of shape, costume, and behavior _point-de-vice_, and were
+supplied by the poet, to whom the letter-press of the show had been
+confided, with language and a plot, both pregnant with more than
+Platonic morality. Some idea of the magnificence of these displays,
+which beggared the royal privy-purse, drove household-treasurers mad,
+and often left poet and machinist whistling for pay, may be gathered
+from the fact that a masque sometimes cost as much as two thousand
+pounds in the mechanical getting-up, a sum far more formidable in the
+days of exclusively hard money than in these of paper currency. Scott
+has described, for the benefit of the general reader, one such pageant
+among the "princely pleasures of Kenilworth"; while Milton, in his
+"Masque performed at Ludlow Castle," presents the libretto of another,
+of the simpler and less expensive sort. During the reign of James, the
+passion for masques kindled into a mania. The days and nights of
+Inigo Jones were spent in inventing machinery and contriving
+stage-effects. Daniel, Middleton, Fletcher, and Jonson were busied
+with the composition of the text; and the court ladies and cavaliers
+were all from morning till night in the hands of their dancing and
+music masters, or at private study, or at rehearsal, preparing for the
+pageant, the representation of which fell to their share and won them
+enviable applause. Of course the burden of original invention fell
+upon the poets; and of the poets, Daniel and Jonson were the most
+heavily taxed. In 1616, James I., by patent, granted to Jonson an
+annuity for life of one hundred marks, to him in hand not often well
+and truly paid. He was not distinctly named as Laureate, but seems to
+have been considered such; for Daniel, on his appointment, "withdrew
+himself," according to Gifford, "entirely from court." The
+strong-boxes of James and Charles seldom overflowed. Sir Robert Pye,
+an ancestor of that Laureate Pye whom we shall discuss by-and-by, was
+the paymaster, and often and again was the overwrought poet obliged to
+raise
+
+
+ "A woful cry
+ To Sir Robert Pye,"
+
+
+before some small instalment of long arrearages could be procured. And
+when, rarely, very rarely, his Majesty condescended to remember the
+necessities of "his and the Muses' servant," and send a present to the
+Laureate's lodgings, its proportions were always so small as to excite
+the ire of the insulted Ben, who would growl forth to the messenger,
+"He would not have sent me this, (_scil._ wretched pittance,) did
+I not live in an alley."
+
+We now arrive at the true era of the Laureateship. Charles, in 1630,
+became ambitious to signalize his reign by some fitting tribute to
+literature. A petition from Ben Jonson pointed out the way. The
+Laureate office was made a patentable one, in the gift of the Lord
+Chamberlain, as purveyor of the royal amusements. Ben was confirmed
+in the office. The salary was raised from one hundred marks to one
+hundred pounds, an advance of fifty per cent, to which was added
+yearly a tierce of Canary wine,--an appendage appropriate to the
+poet's convivial habits, and doubtless suggested by the mistaken
+precedent of Chaucer's daily flagon of wine. Ben Jonson was certainly,
+of all men living in 1630, the right person to receive this honor,
+which then implied, what it afterward ceased to do, the primacy of the
+diocese of letters. His learning supplied ballast enough to keep the
+lighter bulk of the poet in good trim, while it won that measure of
+respect which mere poetical gifts and graces would not have
+secured. He was the dean of that group of "poets, poetaccios,
+poetasters, and poetillos," [11] who beset the court. If a display of
+erudition were demanded, Ben was ready with the heavy artillery of the
+unities, and all the laws of Aristotle and Horace, Quintilian and
+Priscian, exemplified in tragedies of canonical structure, and
+comedies whose prim regularity could not extinguish the most
+delightful and original humor--Robert Burton's excepted--that
+illustrated that brilliant period. But if the graceful lyric or
+glittering masque were called for, the boundless wealth of Ben's
+genius was most strikingly displayed. It has been the fashion, set by
+such presumptuous blunderers as Warburton and such formal prigs as
+Gifford, to deny our Laureate the possession of those ethereal
+attributes of invention and fancy which play about the creations of
+Shakspeare, and constitute their exquisite charm. This arbitrary
+comparison of Jonson and Shakspeare has, in fact, been the bane of the
+former's reputation. Those who have never read the masques argue,
+that, as "very little Latin and less Greek," in truth no learning of
+any traceable description, went to the creation of _Ariel_ and
+_Caliban_, _Oberon_ and _Puck_, the possession of Latin, Greek, and
+learning generally, incapacitates the proprietor for the same happy
+exercise of the finer and more gracious faculties of wit and fancy.
+Of this nonsense Jonson's masques are the best refutation. Marvels of
+ingenuity in plot and construction, they abound in "dainty invention,"
+animated dialogue, and some of the finest lyric passages to be found
+in dramatic literature. They are the Laureate's true laurels. Had he
+left nothing else, the "rare arch-poet" would have held, by virtue of
+these alone, the elevated rank which his contemporaries, and our own,
+freely assign him. Lamb, whose appreciation of the old dramatists was
+extremely acute, remarks,--"A thousand beautiful passages from his
+'New Inn,' and from those numerous court masques and entertainments
+which he was in the daily habit of furnishing, might be adduced to
+show the poetical fancy and elegance of mind of the supposed rugged
+old bard." [12] And in excess of admiration at one of the Laureate's
+most successful pageants, Herrick breaks forth,--
+
+
+ "Thou hadst the wreath before, now take the tree,
+ That henceforth none be laurel-crowned but thee." [13]
+
+
+An aspiration fortunately unrealized.
+
+It was not long before the death of Ben, that John Suckling, one of
+his boon companions
+
+
+ "At those lyric feasts,
+ Made at 'The Sun,'
+ 'The Dog,' 'The Triple Tun,'
+ Where they such clusters had
+ As made them nobly wild, not mad," [14]
+
+
+handed about among the courtiers his "Session of the Poets," where an
+imaginary contest for the laurel presented an opportunity for
+characterizing the wits of the day in a series of capital strokes, as
+remarkable for justice as shrewd wit. Jonson is thus introduced:--
+
+
+ "The first that broke silence was good old Ben,
+ Prepared with Canary wine,
+ And he told them plainly he deserved the bays,
+ For his were called works, while others' were but plays;
+
+ "And bid them remember how he had purged the stage
+ Of errors that had lasted many an age;
+ And he hoped they did not think 'The Silent Woman,'
+ 'The Fox,' and 'The Alchymist' outdone by no man.
+
+ "Apollo stopt him there, and bid him not go on;
+ 'Twas merit, he said, and not presumption,
+ Must carry it; at which Ben turned about,
+ And in great choler offered to go out;
+
+ "But those who were there thought it not fit
+ To discontent so ancient a wit,
+ And therefore Apollo called him back again,
+ And made him mine host of his own 'New Inn.'"
+
+
+This _jeu d'esprit_ of Suckling, if of no value otherwise, would
+be respectable as an original which the Duke of Buckinghamshire,[15]
+Leigh Hunt,[16] and our own Lowell[17] have successfully and happily
+imitated.
+
+In due course, Laureate Jonson shared the fate of all potentates, and
+was gathered to the laurelled of Elysium. The fatality occurred in
+1637. When his remains were deposited in the Poet's Corner, with the
+eloquent laconism above them, "O Rare Ben Jonson!" all the wits of the
+day stood by the graveside, and cast in their tribute of bays. The
+rite over, all the wits of the day hurried from the aisles of
+Westminster to the galleries of Whitehall to urge their several claims
+to the successorship. There were, of the elder time, Massinger,
+drawing to the close of a successful career,--Ford, with his growing
+fame,--Marmion, Heywood, Carlell, Wither. There was Sandys, especially
+endeared to the king by his orthodox piety, so becoming the son of an
+archbishop, and by his versions of the "Divine Poems," which were next
+year given to the press, and which found a place among the half-dozen
+volumes which a decade later solaced the last hours of his royal
+master. There were the names, in the junior class, of Tom Carew, noted
+for his amatory songs and his one brilliant masque,--Tom Killigrew, of
+pleasant humor, and no mean writer of tragedy,--Suckling, the wittiest
+of courtiers, and the most courtly of wits,--Cartwright, Crashaw,
+Davenant, and May. But of all these, the contest soon narrowed down to
+the two latter. William Davenant was in all likelihood the son of an
+innkeeper at Oxford; he was certainly the son of the innkeeper's
+wife. A rumor, which Davenant always countenanced, alleged that
+William Shakspeare, a poet of some considerable repute in those times,
+being in the habit of passing between Stratford-on-the-Avon and
+London, was wont to bait and often lodge at this Oxford hostelry. At
+one of these calls the landlady had proved more than ordinarily frail
+or the poet more than ordinarily seductive,--who can wonder at even
+virtue stooping to folly when the wooer was the Swan of Avon, beside
+whom the bird that captivated Leda was as a featherless gosling?--and
+the consequence had been Will Davenant, born in the year of our Lord
+1605, Shakspeare standing as godfather at the baptism. A boy of lively
+parts was Will, and good-fortune brought those parts to the notice of
+the grave and philosophic Greville, Lord Brooke, whose dearest boast
+was the friendship in early life of Sir Philip Sidney. The result of
+this notice was a highly creditable education at school and
+university, and an ultimate introduction into the foremost society of
+the capital. Davenant, finding the drama supreme in fashionable
+regard, devoted himself to the drama. He also devoted himself to the
+cultivation of Ben Jonson, then at the summit of renown, assisting in
+an amateur way in the preparation of the court pageants, and otherwise
+mitigating the Laureate's labors. From 1632 to 1637, these aids were
+frequent, and established a very plausible claim to the
+succession. Thomas May, who shortly became his sole competitor, was a
+man of elevated pretensions. As a writer of English historical poems
+and as a translator of Lucan he had earned a prominent position in
+British literature; as a continuator of the "Pharsalia" in Latin verse
+of exemplary elegance, written in the happiest imitation of the
+martyred Stoic's unimpassioned mannerism, he secured for British
+scholarship that higher respect among Continental scholars which
+Milton's Latin poems and "Defensio pro Populo Anglicano" presently
+after confirmed. Of the several English writers of Latin verse, May
+stands unquestionably in the front rank, alongside of Milton and
+Bourne,--taking precedence easily of Owen, Cowley, and Gray. His
+dramatic productions were of a higher order than Davenant's. They have
+found a place in Dodsley's and the several subsequent collections of
+early dramas, not conceded to the plays of the latter. Masque-making,
+however, was not in his line. His invention was not sufficiently
+alert, his dialogue not sufficiently lively, for a species of poetry
+which it was the principal duty of the Laureate to furnish. Besides,
+it is highly probable, his sympathies with rebellious Puritanism were
+already so far developed as to make him an object of aversion to the
+king. Davenant triumphed. The defeated candidate lived to see the
+court dispersed, king and Laureate alike fugitive, and to receive from
+the Long Parliament the place of Historiographer, as a compensation
+for the lost bays. When, in 1650, he died, Cromwell and his
+newly-inaugurated court did honor to his obsequies. The body was
+deposited in Westminster Abbey; but the posthumous honor was in
+reserve for it, of being torn from the grave after the Restoration,
+and flung into a ditch along with the remains of three or four other
+republican leaders.
+
+Davenant's career in office was unfortunate. There is reason to doubt
+whether, even before the rebellion broke out, his salary was regularly
+paid him. During the Civil War he exchanged the laurel for a casque,
+winning knighthood by his gallant carriage at the siege of Gloucester.
+Afterward, he was so far in the confidence of Queen Henrietta Maria,
+as to be sent as her envoy to the captive king, beseeching him to save
+his head by conceding the demands of Parliament. When, the errand
+proving abortive, the royal head was lost, Davenant returned to Paris,
+consoled himself by finishing the first two books of his "Gondibert,"
+and then, despairing of a restoration, embarked (in 1650) from France
+for Virginia, where monarchy and the rights of Charles II were
+unimpaired. Fate, however, had not destined him for a colonist and
+backwoodsman. His ship, tempest-tossed, was driven into an English
+port, and the poet was seized and carried close prisoner to
+London. There the intervention of Milton, the Latin Secretary of the
+Council, is said to have saved his life. He was kept in the Tower for
+at least two years longer, however. The date of his release is
+uncertain, but, once at liberty, Davenant returned ardently to his
+former pursuits. A license was procured for musical exhibitions, and
+the phrase "musical exhibitions" was interpreted, with official
+connivance, as including all manner of dramatic performances. To the
+Laureate and to this period belongs the credit of introducing scenery,
+hitherto restricted to court masques, into the machinery of the
+ordinary drama. The substitution of female for male actors, in
+feminine characters, was also an innovation of this period. And as an
+incident of the Laureateship there is still another novelty to be
+noted. There is no crown without its thorns. The laurel renders the
+pillow of the wearer as knotty, uneasy, and comfortless as does a
+coronal of gold and jewels. Among the receipts of the office have been
+the jokes, good and bad, the sneers, the satire of contemporary
+wits,--such being the paper currency in which the turbulent subjects
+of the laurel crown think proper to pay homage to their
+sovereign. From the days of Will Davenant to these of ours, the custom
+has been faithfully observed. Davenant's earliest assailants were of
+his own political party, followers of the exiled Charles, the men whom
+Milton describes as "perditissimus ille peregrinantium aulieorum
+grex." These--among them a son of the memorable Donne, Sir John
+Denham, and Alan Broderick--united in a volume of mean motive and
+insignificant merit, entitled, "Verses written by Several of the
+Author's Friends, to be reprinted with the Second Edition of
+Gondibert." This was published in 1653. The effect of the onslaught
+has not been recorded. We know only that Davenant, surviving it,
+continued to prosper in his theatrical business, writing most of the
+pieces produced on his stage until the Restoration, when he drew forth
+from its hiding-place his wreath of laurel-evergreen, and resumed it
+with honor.
+
+A fair retrospect of Davenant's career enables us to select without
+difficulty that one of his labors which is most deserving of
+applause. Not his "Gondibert," notwithstanding it abounds in fine
+passages,--notwithstanding Gay thought it worth continuation and
+completion, and added several cantos,--notwithstanding Lamb eulogized
+it with enthusiasm, Southey warmly praised, and Campbell and Hazlitt
+coolly commended it. Nor his comedies, which are deservedly forgotten;
+nor his improvements in the production of plays, serviceable as they
+were to the acting drama. But to his exertions Milton owed impunity
+from the vengeance otherwise destined for the apologist of regicide,
+and so owed the life and leisure requisite to the composition of
+"Paradise Lost." Davenant, grateful for the old kindness of the
+ex-secretary, used his influence successfully with Charles to let the
+offender escape.[18] This is certainly the greenest of Davenant's
+laurels. Without it, the world might not have heard one of the
+sublimest expressions of human genius.
+
+Davenant died in 1668. The laurel was hung up unclaimed until 1670,
+when John Dryden received it, with patent dated back to the summer
+succeeding Davenant's death. Dryden assures us that it was Sir Thomas
+Clifford, whose name a year later lent the initial letter to the
+"Cabal," who presented him to the king, and procured his
+appointment.[19] Masques had now ceased to be the mode. What the
+dramatist could do to amuse the _blase_ court of Charles II. he
+was obliged to do within the limits of legitimate dramatic
+representation, due care being taken to follow French models, and
+substitute the idiom of Corneille and Moliere for that of
+Shakspeare. Dryden, whose plays are now read only by the curious, was,
+in 1670, the greatest of living dramatists. He had expiated his
+Cromwellian backslidings by the "Astraea Redux," and the "Annus
+Mirabilis." He had risen to high favor with the king. His tragedies
+in rhyming couplets were all the vogue. Already his fellow-playwrights
+deemed their success as fearfully uncertain, unless they had secured,
+price three guineas, a prologue or epilogue from the Laureate. So
+fertile was his own invention, that he stood ready to furnish by
+contract five plays a year,--a challenge fortunately declined by the
+managers of the day. Thus, if the Laureate stipend were not punctually
+paid, as was often the case, seeing the necessitous state of the royal
+finances and the bevy of fair ladies, whose demands, extravagant as
+they were, took precedence of all others, his revenues were adequate
+to the maintenance of a family, the matron of which was a Howard,
+educated, as a daughter of nobility, to the enjoyment of every
+indulgence. These were the Laureate's brightest days. His popularity
+was at its height, a fact evinced by the powerful coalitions deemed
+necessary to diminish it. Indeed, the laurel had hardly rested upon
+Dryden's temples before he experienced the assaults of an organized
+literary opposition. The Duke of Buckingham, then the admitted leader
+of fashionable prodigacy, borrowed the aid of Samuel Butler, at whose
+"Hudibras" the world was still laughing,--of Thomas Sprat, then on the
+high-road to those preferments which have given him an important place
+in history,--of Martin Clifford, a familiar of the green-room and
+coffee-house,--and concocted a farce ridiculing the person and office
+of the Laureate. "The Rehearsal" was acted in 1671. The hero,
+_Mr. Bayes_, imitated all the personal peculiarities of Dryden,
+used his cant phrases, burlesqued his style, and exposed, while
+pretending to defend, his ridiculous points, until the laugh of the
+town was fairly turned upon the "premier-poet of the realm." The wit
+was undoubtedly of the broadest, and the humor at the coffee-room
+level; but it was so much the more effective. Dryden affected to be
+indifferent to the satire. He jested at the time taken[20] and the
+number of hands employed upon the composition. Twenty years later he
+was at pains to declare his perfect freedom from rancor in consequence
+of the attack.
+
+There, is much reason to suspect, however, that "The Rehearsal" was
+not forgotten, when the "Absalom and Achitophel" was written, and that
+the character of _Zimri_ gathered much of its intense vigor and depth
+of shadow from recollections of the ludicrous _Mr. Bayes_. The
+portrait has the look of being designed as a quittance in full of old
+scores. "The Rehearsal," though now and then recast and reenacted to
+suit other times, is now no otherwise remembered than as the suggester
+of Sheridan's "Critic."
+
+Upon the heels of this onslaught others followed rapidly. Rochester,
+disposed to singularity of opinion, set up Elkanah Settle, a young
+author of some talent, as a rival to the Laureate. Anonymous bardings
+lampooned him. _Mr. Bayes_ was a broad target for every shaft, so
+that the complaint so feelingly uttered in his latter days, that "no
+man living had ever been so severely libelled" as he, had a wide
+foundation of fact. Sometimes, it must be owned, the thrusts were the
+natural result of controversies into which the Laureate indiscreetly
+precipitated himself; sometimes they came of generous partisanship in
+behalf of friends, such friends, for example, as Sir Robert Howard,
+his brother-in-law, an interminable spinner of intolerable verse, who
+afflicted the world in his day with plays worse than plagues, and
+poems as worthless as his plays. It was to a quarrel for and a quarrel
+against this gentleman that we are indebted for the most trenchant
+satire in the language. Sir Robert had fallen out with Dryden about
+rhyming tragedies, of which he disapproved; and while it lasted, the
+contest was waged with prodigious acrimony. Among the partisans of the
+former was Richard Flecknoe, a Triton among the smaller scribbling
+fry. Flecknoe--blunderingly classed among the Laureates by the
+compiler of "Cibber's Lives of the Poets"--was an Irish priest, who
+had cast his cassock, or, as he euphuistically expressed it, "laid
+aside the mechanic part of priesthood," in order to fulfil the loftier
+mission of literary garreteer in London. He had written poems and
+plays without number; of the latter, but one, entitled "Love's
+Dominion," had been brought upon the stage, and was summarily hissed
+off. Jealousy of Dryden's splendid success brought him to the side of
+Dryden's opponent, and a pamphlet, printed in 1668, attacked the
+future Laureate so bitterly, and at points so susceptible, as to make
+a more than ordinary draft upon the poet's patience, and to leave
+venom that rankled fourteen years without finding vent.[21] About the
+same time, Thomas Shadwell, who is represented in the satire as
+likewise an Irishman, brought Sir Robert on the stage in his "Sullen
+Lovers," in the character of _Sir Positive At-all_, a caricature
+replete with absurd self-conceit and impudent dogmatism. Shadwell was
+of "Norfolcian" family, well-born, well-educated, and fitted for the
+bar, but drawn away from serious pursuits by the prevalent rage for
+the drama. The offence of laughing at the poet's brother-in-law
+Shadwell had aggravated by accepting the capricious patronage of Lord
+Rochester, by subsequently siding with the Whigs, and by aiding the
+ambitious designs of Shaftesbury in play and pamphlet,--labors the
+value of which is not to be measured by the contemptuous estimate of
+the satirist. The first outburst of the retributive storm fell upon
+the head of Shadwell. The second part of "Absalom and Achitophel,"
+which appeared in the autumn of 1682, contains the portrait of
+_Og_, cut in outlines so sharp as to remind us of an unrounded
+alto-rilievo:--
+
+
+ Now stop your noses, readers, all and some,
+ For here's a tun of midnight work to come,
+ Og, from a treason-tavern rolling home;
+ Round as a globe, and liquored every chink,
+ Goodly and great he sails behind his link.
+ With all his bulk, there's nothing lost in Og,
+ For every inch that is not fool is rogue ....
+
+ The midwife laid her hand on his thick skull
+ With this prophetic blessing, Be thou dull!
+ Drink, swear, and roar, forbear no lewd delight
+ Fit for thy bulk; do anything but write.
+ Eat opium, mingle arsenic in thy drink,
+ Still thou mayst live, avoiding pen and ink.
+ I see, I see, 'tis counsel given in vain;
+ For treason botched in rhyme will be thy bane ....
+
+ A double noose thou on thy neck dost pull,
+ For writing treason, and for writing dull...
+
+ I will not rake the dunghill of thy crimes,
+ For who would read thy life who reads thy rhymes?
+ But of King David's foes be this the doom,
+ May all be like the young man Absalom!
+ And for my foes, may this their blessing be,
+ To talk like Doeg, and to write like thee!
+
+
+Of the multitudinous rejoinders and counterblasts provoked by this
+thunder, Dryden, it is supposed, ascribed the authorship of one of the
+keenest to Shadwell. We are to conceive some new and immediate
+provocation as added to the old grudge, to call for a second attack so
+soon; for it was only a month later that the "MacFlecknoe" appeared;
+not in 1689, as Dr. Johnson states, who, mistaking the date, also errs
+in assuming the cause of Dryden's wrath to have been the transfer of
+the laurel from his own to the brows of Shadwell. "MacFlecknoe" is by
+common consent the most perfect and perfectly acrid satire in English
+literature. The topics selected, the foibles attacked, the ingenious
+and remorseless ridicule with which they are overwhelmed, the
+comprehensive vindictiveness which converted every personal
+characteristic into an instrument for the more refined torment of the
+unhappy victim, conjoin to constitute a masterpiece of this lower form
+of poetical composition;--poetry it is not. While Flecknoe's
+pretensions as a dramatist were fairly a subject of derision, Shadwell
+was eminently popular. He was a pretender to learning, and,
+entertaining with Dryden strong convictions of the reality of a
+literary metempsychosis, believed himself the heir of Jonson's genius
+and erudition. The title of the satire was, therefore, of itself a
+biting sarcasm. His claims to sonship were transferred from Jonson,
+then held the first of dramatic writers, to Flecknoe, the last and
+meanest; and to aggravate the insult, the "Mac" was inserted as an
+irritating allusion to the alleged Irish origin of both,--an allusion,
+however harmless and senseless now, vastly significant at that era of
+Irish degradation. Of the immediate effect of this scarification upon
+Shadwell we have no information; how it ultimately affected his
+fortunes we shall see presently.
+
+During the closing years of Charles, and through the reign of James,
+Dryden added to the duties of Court Poet those of political
+pamphleteer and theological controversialist. The strength of his
+attachment to the office, his sense of the honor it conferred, and his
+appreciation of the salary we may infer from the potent influence such
+considerations exercised upon his conversion to Romanism. In the
+admirable portrait, too, by Lely, he chose to be represented with the
+laurel in his hand. After his dethronement, he sought every occasion
+to deplore the loss of the bays, and of the stipend, which in the
+increasing infirmity and poverty of his latter days had become
+important. The fall of James necessarily involved the fall of his
+Laureate and Historiographer. Lord Dorset, the generous but sadly
+undiscriminating patron of letters, having become Lord Chamberlain, it
+was his duty to remove the reluctant Dryden from the two places,--a
+duty not to be postponed, and scarcely to be mitigated, so violent was
+the public outcry against the renegade bard. The entire Protestant
+feeling of the nation, then at white heat, was especially ardent
+against the author of the "Hind and Panther," who, it was said, had
+treated the Church of England as the persecutors had treated the
+primitive martyr, dressed her in the skin of a wild beast, and exposed
+her to the torments of her adversaries. It was not enough to eject him
+from office,--his inability to subscribe the test oaths would have
+done so much,--but he was to be replaced by that one of his political
+and literary antagonists whom he most sincerely disliked, and who
+still writhed under his lash. Dorset appears to have executed the
+disagreeable task with real kindness. He is said to have settled upon
+the poet, out of his own fortune, an annuity equal to the lost
+pension,--a statement which Dr. Johnson and Macaulay have repeated
+upon the authority of Prior. What Prior said on the subject may be
+found in the Dedication of Tonson's noble edition of his works to the
+second Earl of Dorset:--"When, as Lord Chamberlain, he was obliged to
+take the king's pension from Mr. Dryden, (who had long before put
+himself out of a possibility of receiving any favor from the court,)
+my Lord allowed him an equivalent out of his own estate. However
+displeased with the conduct of his old acquaintance, he relieved his
+necessities; and while he gave him his assistance in private, in
+public he extenuated and pitied his error." But there is some reason
+for thinking this equivalent was only the equivalent of one year's
+salary, and this assistance casual, not stated; else we are at a loss
+to understand the continual complaints of utter penury which the poet
+uttered ever after. Some of these complaints were addressed to his
+benefactor himself, as in the Dedication to Juvenal and Persius,
+1692:--"Age has overtaken me, and _want_, a more insufferable
+evil, through the change of the times, _has wholly disenabled
+me_. Though I must ever acknowledge, to the honor of your Lordship,
+and the eternal memory of your charity, that, since this revolution,
+wherein I have patiently suffered the ruin of my small fortune, and
+the loss of that poor subsistence I had from two kings, whom I served
+more faithfully than profitably to myself,--then your Lordship was
+pleased, out of no other motive than your own nobleness, without any
+desert of mine, or the least solicitation from me, to make me a most
+bountiful _present_, which, in that time when I was most in want
+of it, came most seasonably and unexpectedly to my relief." This
+passage was the sole authority, we suspect, Prior had for a story
+which was nevertheless sufficiently true to figure in an adulatory
+dedication; and, indeed, Prior may have used the word "equivalent"
+loosely, and had Dorset's gift been more than a year's income, Dryden
+would hardly have called it a "present,"--a phrase scarcely applicable
+to the grant of a pension.[22]
+
+Dismissed from office and restored to labors more congenial than the
+dull polemics which had recently engaged his mind, Dryden found
+himself obliged to work vigorously or starve. He fell into the hands
+of the booksellers. The poems, it deserves remark, upon which his fame
+with posterity must finally rest, were all produced within the period
+bounded by his deposition and his death. The translations from
+Juvenal, the versions of Persius and of Virgil, the Fables, and the
+"Ode upon St. Cecilia's Day," were the works of this period. He lived
+to see his office filled successively by a rival he despised and a
+friend who had deserted him, and in its apparently hopeless
+degradation perhaps found consolation for its loss.
+
+Thomas Shadwell was the Poet-Laureate after Dryden, assuming the
+wreath in 1689. We have referred to his origin; Langbaine gives 1642
+as the date of his birth; so that he must have set up as author early
+in life, and departed from life shortly past middle-age. Derrick
+assures us that he was lusty, ungainly, and coarse in person,--a
+description answering to the full-length of _Og_. The commentators
+upon "MacFlecknoe" have not made due use of one of Shadwell's habits,
+in illustration of the reason why a wreath of poppies was selected for
+the crown of its hero. The dramatist, Warburton informs us, was
+addicted to the use of opium, and, in fact, died of an overdose of
+that drug. Hence
+
+
+ "His temples, last, with poppies were o'er-spread,
+ That nodding seemed to consecrate his head."
+
+
+A couplet which Pope echoes in the "Dunciad":--
+
+
+ "Shadwell nods, the poppy on his brows."
+
+
+A similar allusion may be found in the character of _Og_:--
+
+
+ "Eat opium, mingle arsenic in thy drink," etc.
+
+
+That the Laureate was heavy-gaited in composition, taking five years
+to finish one comedy,--that he was, on the other hand, too swift,
+trusting Nature rather than elaborate Art,--that he was dull and
+unimaginative,--that he was keen and remarkably sharp-witted,--that he
+affected a profundity of learning of which he gave no evidences,--that
+his plays were only less numerous than Dryden's, are other particulars
+we gather from conflicting witnesses of the period. Certainly, no one
+of the Laureates, Cibber excepted, was so mercilessly lampooned. What
+Cibber suffered from the "Dunciad" Shadwell suffered from
+"MacFlecknoe." Incited by Dryden's example, the poets showered their
+missiles at him, and so perseveringly as to render him a traditional
+butt of satire for two or three generations. Thus Prior:--
+
+
+ "Thus, without much delight or grief,
+ I fool away an idle life,
+ Till Shadwell from the town retires,
+ Choked up with fame and sea-coal fires,
+ To bless the wood with peaceful lyric:
+ Then hey for praise and panegyric;
+ Justice restored, and nations freed,
+ And wreaths round William's glorious head."
+
+
+And Parnell:--
+
+
+ "But hold! before I close the scene,
+ The sacred altar should be clean.
+ Oh, had I Shadwell's second bays,
+ Or, Tate! thy pert and humble lays,--
+ Ye pair, forgive me, when I vow
+ I never missed your works till now,--
+ I'd tear the leaves to wipe the shrine,
+ That only way you please the Nine;
+ But since I chance to want these two,
+ I'll make the songs of Durfey do."
+
+
+And in a far more venomous and violent style, the noteless mob of
+contemporary writers.
+
+Shadwell, after all, was very far from being the blockhead these
+references imply. His "Third Nights" were probably far more
+profitable than Dryden's.[23] By his friends he was classed with the
+liveliest wits of a brilliant court. Rochester so classed him:--
+
+
+ "I loathe the rabble: 'tis enough for me,
+ If Sedley, Shadwell, Shephard, Wycherley,
+ Godolphin, Butler, Buckhurst, Buckingham,
+ And some few more, whom I omit to name,
+ Approve my sense: I count their censure fame."[24]
+
+
+And compares him elsewhere with Wycherley:--
+
+
+ "Of all our modern wits, none seem to me
+ Once to have touched upon true comedy,
+ But hasty Shadwell and slow Wycherley.
+ Shadwell's unfinished works do yet impart
+ Great proofs of force of nature, none of art;
+ With just, bold strokes, he dashes here and there,
+ Showing great mastery with little care,
+ Scorning to varnish his good touches o'er
+ To make the fools and women praise them more.
+ But Wycherley earns hard whate'er he gains;
+ He wants no judgment, and he spares no pains," etc.
+
+
+And, not disrespectfully, Pope:--
+
+
+ "In all debates where critics bear a part,
+ Not one but nods, and talks of Jonson's art,
+ Of Shakspeare's nature, and of Cowley's wit;
+ How Beaumont's judgment checked what Fletcher writ;
+ How Shadwell hasty, Wycherley was slow;
+ But for the passions, Southerne, sure, and Rowe!
+ These, only these, support the crowded stage,
+ From eldest Heywood down to Cibber's age."[25]
+
+
+Sedley joined him in the composition of more than one comedy.
+Macaulay, in seeking illustrations of the times and occurrences of
+which he writes, cites Shadwell five times, where he mentions
+Etherege, Wycherley, and Congreve once.[26] From his last play, "The
+Stockjobbers," performed in November, 1692, while its author was on
+his death-bed, the historian introduces an entire scene into his
+text.[27] Any one, indeed, who can clear his mind from the unjust
+prejudice produced by Dryden's satire, and read the comedies of
+Shadwell with due consideration for the extemporaneous haste of their
+composition, as satires upon passing facts and follies, will find,
+that, so far from never deviating into sense, sound common-sense and
+fluent wit were the Laureate's staple qualities. If his comedies have
+not, like those of his contemporaries just named, enjoyed the
+good-fortune to be collected and preserved among the dramatic
+classics, the fact is primarily owing to the ephemeral interest of the
+hits and allusions, and secondarily to "MacFlecknoe."
+
+[To be continued.]
+
+
+Footnote 1: SPENSER: _Faery Queen_. See also the _Two Cantos
+of Mutability,_ Cant. VII.:--
+
+ "That old Dan Geffrey, in whose gentle spright
+ The pure well-head of poesie did dwell."
+
+Footnote 2: MILTON: _Il Penseroso._
+
+Footnote 3: WORDSWORTH: _Poems of Later Years_.
+
+Footnote 4: CHAUCER: _Clerke's Tale_, Prologue.
+
+Footnote 5: WARTON: _Ode on his Majesty's Birthday, 1787_.
+
+Footnote 6: Tyrwhitt's Chaucer: _Historical Notes on his Life._
+
+Footnote 7: _Masque of the Fortunate Islands_.
+
+Footnote 8: _History of English Poetry_, Vol. II. pp. 335-336,
+ed. 1840.
+
+Footnote 9: WARTON: _Birthday Ode_, 1787.
+
+Footnote 10: See his _British Poets, from Chaucer to Jonson_,
+Art. _Daniel_. Southey contemplated a continuation of Warton's
+_History_, and, in preparing for that labor, learned many things
+he had never known of the earlier writers.
+
+Footnote 11: Jonson's classification. See his _Poetaster_.
+
+Footnote 12: _Lamb's Works, and Life_, by Talfourd, Vol. IV. p. 89.
+
+Footnote 13: Hesperides, _Encomiastic Verses_.
+
+Footnote 14: Herrick, _ubi supra._--To the haunts here named
+must be added the celebrated _Mermaid_, of which Shakspeare was
+the _Magnus Apollo_, and _The Devil_, where Pope imagines
+Ben to have gathered peculiar inspiration:--
+
+ "And each true Briton is to Ben so civil,
+ He swears the Muses met him at _The Devil_."
+ _Imitation of Horace_, Bk. ii. Epist. i.
+
+Footnote 15: _Election of a Poet-Laureate_, 1719, Works, Vol. II.
+
+Footnote 16: _Feast of the Poets_, 1814.
+
+Footnote 17: _Fable for Critics_, 1850.
+
+Footnote 18: This story rests on the authority of Thomas Betterton,
+the actor, who received it from Davenant.
+
+Footnote 19: Dedication of the _Pastorals_ of Virgil, to Hugh,
+Lord Clifford, the son of Sir Thomas.
+
+Footnote 20: There were some indications that portions of the farce
+had been written while Davenant was living and had been intended for
+him. _Mr. Bayes_ appears in one place with a plaster on his nose,
+an evident allusion to Davenant's loss of that feature. In a lively
+satire of the time, by Richard Duke, it is asserted that Villiers was
+occupied with the composition of _The Rehearsal_ from the
+Restoration down to the day of its production on the stage:--
+
+ "But with playhouses, wars, immortal wars,
+ He waged, and ten years' rage produced a farce.
+ As many rolling years he did employ,
+ And hands almost as many, to destroy
+ Heroic rhyme, as Greece to ruin Troy.
+ Once more, says Fame, for battle he prepares,
+ And threatens rhymers with a second farce:
+ But, if as long for this as that we stay,
+ He'll finish Clevedon sooner than his play."
+ _The Review_
+
+Footnote 21: It is little to the credit of Dryden, that, having saved
+up his wrath against Flecknoe so long, he had not reserved it
+altogether. Flecknoe had been dead at least four years when the
+satire appeared.
+
+Footnote 22: Macaulay quotes Blackmore's _Prince Arthur_, to
+illustrate Dryden's dependence upon Dorset:--
+
+ "The poets' nation did obsequious wait
+ For the kind dole divided at his gate.
+ Laurus among the meagre crowd appeared,
+ An old, revolted, unbelieving bard,
+ Who thronged, and shoved, and pressed, and would be heard.
+
+ "Sakil's high roof, the Muse's palace, rung
+ With endless cries, and endless songs he sung.
+ To bless good Sakil Laurus would be first;
+ But Sakil's prince and Sakil's God he curst.
+ Sakil without distinction threw his bread,
+ Despised the flatterer, but the poet fed."
+
+_Laurus_, of course, stands for Dryden, and _Sakil_ for
+Dorset.
+
+Footnote 23: _The Squire of Alsatia_ is said to have realized him
+L130.
+
+Footnote 24: _An Allusion to the Tenth Satire of the First Book of
+Horace_.--The word "censure" will, of course, be understood to mean
+_judgment_, not _condemnation_.
+
+Footnote 25: _Imitation of Horace_, Bk. ii. Epist. i.
+
+Footnote 26: See the _History of England_, Vol. IV., Chapter 17,
+for reference to Shadwell's _Volunteers_.
+
+Footnote 27: _History of England_, Chapter 19.
+
+
+
+
+THE ROMANCE OF A GLOVE.
+
+
+"Halt!" cried my travelling companion. "Property overboard!"
+
+The driver pulled up his horses; and, before I could prevent him,
+Westwood leaped down from the vehicle, and ran back for the article
+that had been dropped.
+
+It was a glove,--my glove, which I had inadvertently thrown out, in
+taking my handkerchief from my pocket.
+
+"Go on, driver!" and he tossed it into my hand as he resumed his seat
+in the open stage.
+
+"Take your reward," I said, offering him a cigar; "but beware of
+rendering me another such service!"
+
+"If it had been your hat or your handkerchief, be sure I should have
+let it lie where it fell. But a glove,--that is different. I once
+found a romance in a glove. Since then, gloves are sacred." And
+Westwood gravely bit off the end of his cigar.
+
+"A romance? Tell me about that. I am tired of this endless stretch of
+sea-like country, these regular ground-swells; and it's a good
+two-hours' ride yet to yonder headland, which juts out into the
+prairie, between us and the setting sun. Meanwhile, your romance."
+
+"Did I say romance? I fear you would hardly think it worthy of the
+name," said my companion. "Every life has its romantic episodes, or,
+at least, incidents which appear such to him who experiences them. But
+these tender little histories are usually insipid enough when told. I
+have a maiden aunt, who once came so near having an offer from a pale
+stripling, with dark hair, seven years her junior, that to this day
+she often alludes to the circumstance, with the remark, that she
+wishes she knew some competent novel-writer in whom she could confide,
+feeling sure that the story of that period of her life would make the
+groundwork of a magnificent work of fiction. Possibly I inherit my
+aunt's tendency to magnify into extraordinary proportions trifles
+which I look at through the double convex lens of a personal
+interest. So don't expect too much of my romance, and you shall hear
+it.
+
+"I said I found it in a glove. It was by no means a remarkable
+glove,--middle-sized, straw-colored, and a neat fit for this hand, in
+which I now hold your very excellent cigar. Of course, there was a
+young lady in the case;--let me see,--I don't believe I can tell you
+the story," said Westwood, "after all!"
+
+I gently urged him to proceed.
+
+"Pshaw!" said he, after kindling his cigar with a few vigorous whiffs,
+"what's the use of being foolish? My aunt was never diffident about
+telling her story, and why should I hesitate to tell mine? The young
+lady's name,--we'll call her simply Margaret. She was a blonde, with
+hazel eyes and dark hair. Perhaps you never heard of a blonde with
+hazel eyes and dark hair? She was the only one I ever saw; and there
+was the finest contrast imaginable between her fair, fresh complexion,
+and her superb tresses and delicately-traced eyebrows. She was
+certainly lovely, if not handsome; and--such eyes! It was an event in
+one's life, Sir, just to look through those luminous windows into her
+soul. That could not happen every day, be sure! Sometimes for weeks
+she kept them turned from me, the ivory shutters half-closed, or the
+mystic curtains of reserve drawn within; then, again, when I was
+tortured with unsatisfied yearnings, and almost ready to despair, she
+would suddenly turn them upon me, the shutters thrown wide, the
+curtains away, and a flood of radiance streaming forth, that filled me
+so full of light and gladness, that I had no shadowy nook left in me
+for a doubt to hide in. She must have been conscious of this power of
+expression. She used it so sparingly, and, it seemed to me, artfully!
+But I always forgave her when she did use it, and cherished resentment
+only when she did not.
+
+"Margaret was shy and proud; I could never completely win her
+confidence; but I knew, I knew well at last, that her heart was
+mine. And a deep, tender, woman's heart it was, too, despite her
+reserve. Without many words, we understood each other, and
+so----Pshaw!" said Westwood, "my cigar is out!"
+
+"On with the story!"
+
+"Well, we had our lovers' quarrels, of course. Singular, what foolish
+children love makes of us!--rendering us sensitive, jealous, exacting,
+in the superlative degree. I am sure, we were both amiable and
+forbearing towards all the world besides; but, for the powerful reason
+that we loved, we were bound to misinterpret words, looks, and
+actions, and wound each other on every convenient occasion. I was
+pained by her attentions to others, or perhaps by an apparent
+preference of a book or a bouquet to me. Retaliation on my part and
+quiet persistence on hers continued to estrange us, until I generally
+ended by conceding everything, and pleading for one word of kindness,
+to end my misery.
+
+"I was wrong,--too quick to resent, too ready to concede. No doubt, it
+was to her a secret gratification to exercise her power over me; and
+at last I was convinced that she wounded me purposely, in order to
+provoke a temporary estrangement, and enjoy a repetition of her
+triumph.
+
+"It was at a party; the thing she did was to waltz with a man whom she
+knew I detested, whom _I_ knew _she_ could not respect, and
+whose half-embrace, as he whirled her in the dance, almost put murder
+into my thoughts.
+
+"'Margaret,' I said, 'one last word! If you care for me, beware!'
+
+"That was a foolish speech, perhaps. It was certainly
+ineffectual. She persisted, looking so calm and composed, that a great
+weight fell upon my heart. I walked away; I wandered about the
+saloons; I tried to gossip and be gay; but the wound was too deep.
+
+"I accompanied her home, late in the evening. We scarcely spoke by the
+way. At the door, she looked me sadly in the face,--she gave me her
+hand; I thought it trembled.
+
+"'Good-night!' she said, in a low voice.
+
+"'Good-bye!' I answered, coldly, and hurried from the house.
+
+"It was some consolation to hear her close the door after I had
+reached the corner of the street, and to know that she had been
+listening to my footsteps. But I was very angry. I made stern
+resolutions; I vowed to myself, that I would wring her heart, and
+never swerve from my purpose until I had wrung out of it abundant
+drops of sorrow and contrition. How I succeeded you shall hear.
+
+"I had previously engaged her to attend a series of concerts with me;
+an arrangement which I did not now regret, and for good reasons. Once
+a week, with famous punctuality, I called for her, escorted her to the
+concert-room, and carefully reconducted her home,--letting no
+opportunity pass to show her a true gentleman's deference and
+respect,--conversing with her freely about music, books, anything, in
+short, except what we both knew to be deepest in each other's
+thoughts. Upon other occasions, I avoided her, and even refrained from
+going to places where she was expected,--especially where she knew
+that I knew she was expected.
+
+"Well," continued Westwood, "my designs upon her heart, which I was
+going to wring so unmercifully, did not meet with very brilliant
+success. To confess the humiliating truth, I soon found that I was
+torturing myself a good deal more than I was torturing her. As a last
+and desperate resort, what do you think I did?"
+
+"You probably asked her to ask your forgiveness."
+
+"Not I! I have a will of adamant, as people find, who tear away the
+amiable flowers and light soil that cover it; and she had reached the
+impenetrable, firm rock. I neither made any advances towards a
+reconciliation nor invited any. But I'll tell you what I did do, as a
+final trial of her heart. I had, for some time, been meditating a
+European tour, and my interest in her had alone kept me at home. Some
+friends of mine were to sail early in the spring, and I now resolved
+to accompany them. I don't know how much pride and spite there was in
+the resolution,--probably a good deal. I confess I wished to make her
+suffer,--to show her that she had calculated too much upon my
+weakness,--that I could be strong and happy without her. Yet, with all
+this bitter and vindictive feeling, I listened to a very sweet and
+tender whisper in my heart, which said, 'Now, if her love speaks
+out,--now, if she says to me one true, kind, womanly word,--she shall
+go with me, and nothing shall ever take her from me again!' The
+thought of what _might_ be, if she would but say that word, and
+of what _must_ be, irrevocably, if her pride held out, shook me
+mightily. But my resolution was taken: I would trust the rest to fate.
+
+"On the day of the last concert, I imparted the secret of my intended
+journey to a person who, I felt tolerably sure, would rush at once to
+Margaret with the news. Then, in the evening, I went for her; I was
+conscious that my manner towards her was a little more tender, or
+rather, a little less coldly courteous, that night, than it had
+usually been of late; for my feelings were softened, and I had never
+seen her so lovely. I had never before known what a treasure I was
+about to lose. The subject of my voyage was not mentioned, and if she
+had heard of it, she accepted the fact without the least
+visible concern. Her quietness under the circumstances chilled
+me,--disheartened me quite. I am not one of those who can give much
+superfluous love, or cling with unreasonable, blind passion to an
+object that yields no affection in return. A quick and effectual
+method of curing a fancy in persons of my temperament is to teach them
+that it is not reciprocated. Then it expires like a flame cut off from
+the air, or a plant removed from the soil. The death-struggle, the
+uprooting, is the painful thing; but when the heart is thoroughly
+convinced that its love is misplaced, it gives up, with one last sigh
+as big as fate, sheds a few tears, says a prayer or two, thanks God
+for the experience, and becomes a wiser, calmer,--yes, and a happier
+heart than before."
+
+"True," I said; "but our hearts are not thus easily convinced."
+
+"Ay, there's the rub. It is for want of a true perception. There
+cannot be a true love without a true perception. Love is for the soul
+to know, from its own intuition,--not for the understanding to
+believe, from the testimony of those very unreliable witnesses, called
+eyes and ears. This seems to have been my case,--my soul was aware of
+_her_ love, and all the evidence of my external senses could not
+altogether destroy that interior faith. But that evening I said,--'I
+believe you now, my senses! I doubt you now, my soul!--she never loved
+me!' So I was really very cold towards her--for about twenty minutes.
+
+"I walked home with her;--we were both silent; but at the door she
+asked me to go in. Here my calmness deserted me, and I could hardly
+hold my heart, while I replied,--
+
+"'If you particularly wish it.'
+
+"'If I did not, I should not ask you,' she said; and I went in.
+
+"I was ashamed and vexed at myself for trembling so,--for I was in a
+tremor from head to foot. There was company in the parlors,--some of
+Margaret's friends. I took my seat upon a sofa, and soon she came and
+sat by my side.
+
+"'I suppose,' said one, 'Mr. Westwood has been telling Margaret all
+about it.'
+
+"'About what?' Margaret inquired,--and here the truth flashed upon
+me,--the news of my proposed voyage had not yet reached her! She
+looked at me with a troubled, questioning expression, and said,--
+
+"'I felt that something was going to happen. Tell me what it is.'
+
+"I answered,--'Your friend can best explain what she means.'
+
+"Then out came the secret. A shock of surprise sent the color from
+Margaret's face; and raising her eyes, she asked, quite calmly, but in
+a low and unnatural tone,--
+
+"'Is this so?'
+
+"I said, 'I suppose I cannot deny it.'
+
+"'You are really going?'
+
+"'I am really going.'
+
+"She could not hide her agitation. Her white face betrayed her. Then
+I was glad, wickedly glad, in my heart,--and vain enough to be
+gratified that others should behold and know I held a power over
+her. Well,--but I suffered for that folly.
+
+"'I feel hurt,' she said, after a little while, 'because you have not
+told me this. You have no sister,' (this was spoken very quietly,)
+'and it would have been a privilege for me to take a sister's place,
+and do for you those little things which sisters do for brothers who
+are going on long journeys.'
+
+"I was choked;--it was a minute before I could speak. Then I said that
+I saw no reason why she should tax her time or thoughts to do anything
+for me.
+
+"'Oh, you know,' she said, 'you have been kind to me,--so much kinder
+than I have deserved!'
+
+"It was unendurable,--the pathos of the words! I was blinded,
+stifled,--I almost groaned aloud. If we had been alone, there our
+trial would have ended. I should have snatched her to my soul. But
+the eyes of others were upon us, and I steeled myself.
+
+"'Besides,' I said, 'I know of nothing that you can do for me.'
+
+"'There must be many little things;--to begin with, there is your
+glove, which you are tearing to pieces.'
+
+"True, I was tearing my glove,--she was calm enough to observe it!
+That made me angry.
+
+"'Give it to me; I will mend it for you. Haven't you other gloves that
+need mending?'
+
+"I, who had triumphed, was humbled.
+
+"My heart was breaking,--and she talked of mending gloves! I did not
+omit to thank her. I coldly arose to go.
+
+"Well, I felt now that it was all over. The next day I secured my
+passage in the steamer in which my friends were to sail. I took pains
+that Margaret should hear of that, too. Then came the preparations for
+travel,--arranging affairs, writing letters, providing myself with a
+compact and comfortable outfit. Europe was in prospect,--Paris,
+Switzerland, Italy, lands to which my dreams had long since gone
+before me, and to which I now turned my eyes with reawakening
+aspirations. A new glory arose upon my life, in the light of which
+Margaret became a fading star. It was so much easier than I had
+thought, to give her up, to part from her! I found that I could forget
+her, in the excitement of a fresh and novel experience; while
+she--could she forget me? When lovers part, happy is he who goes! alas
+for the one that is left behind!
+
+"One day, when I was busy with the books which I was to take with me,
+a small package was handed in. I need not tell you that I experienced
+a thrill, when I saw Margaret's handwriting upon the wrapper. I tore
+it open,--and what think you I found? My glove! Nothing else. I
+smiled bitterly, to see how neatly she had mended it; then I sighed;
+then I said, 'It is finished!' and tossed the glove disdainfully into
+my trunk.
+
+"On the day before that fixed for the sailing of the steamer, I made
+farewell calls upon many of my friends,--among others, upon
+Margaret. But, through the perversity of pride and will, I did not go
+alone,--I took with me Joseph, a mutual acquaintance, who was to be my
+_compagnon de voyage_. I felt some misgivings, to see how
+Margaret had changed; she was so softened, and so pale!
+
+"The interview was a painful one, and I cut it short. As we were going
+out, she gently detained me, and said,--
+
+"'Did you receive--your glove?'
+
+"'Oh, yes,' I said, and thanked her for mending it.
+
+"'And is this all--all you have to say?' she asked.
+
+"'I have nothing more to say--except good-bye.'
+
+"She held my hand. 'Nothing else?'
+
+"'No,--it is useless to talk of the past, Margaret; and the
+future--may you be happy!--Good-bye!'
+
+"I thought she would speak; I could not believe she would let me go;
+but she did! I bore up well, until night. Then came a revulsion. I
+walked three times past the house, wofully tempted, my love and my
+will at cruel warfare; but I did not go in. At midnight I saw the
+light in her room extinguished; I knew she had retired, but whether to
+sleep, or weep, or pray--how could I tell? I went home. I did not
+close my eyes that night. I was glad to see the morning come, after
+_such_ a night!
+
+"The steamer was to sail at ten. The bustle of embarkation; strange
+scenes and strange faces; parting from friends; the ringing of the
+bell; last adieus,--some, who were to go with us, hurrying aboard,
+others, who were to stay behind, as hastily going ashore; the
+withdrawal of the plank,--sad sight to many eyes! casting off the
+lines, the steamer swinging heavily around, the rushing, irregular
+motion of the great, slow paddles; the waving of handkerchiefs from
+the decks, and the responsive signals from the crowd lining the wharf;
+off at last,--the faces of friends, the crowd, the piers, and, lastly,
+the city itself, fading from sight; the dash of spray, the freshening
+breeze, the novel sight of our little world detaching itself and
+floating away; the feeling that America was past, and Europe was
+next;--all this filled my mind with animation and excitement, which
+shut out thoughts of Margaret. Could I have looked with clairvoyant
+vision, and beheld her then, locked in her chamber, should I have been
+so happy? Oh, what fools vanity and pride make of us! Even then, with
+my heart high-strung with hope and courage, had I known the truth, I
+should have abandoned my friends, the voyage, and Europe, and returned
+in the pilot's boat, to find something more precious than all the
+continents and countries of the globe, in the love of that heart which
+I was carelessly flinging away."
+
+Here Westwood took breath. The sun was now almost set. The prairie was
+still and cool; the heavy dews were beginning to fall; the shadows of
+the green and flowered undulations filled the hollows, like a rising
+tide; the headland, seen at first so far and small, was growing
+gradually large and near; and the horses moved at a quicker
+pace. Westwood lighted his cigar, drew a few whiffs, and proceeded.
+
+"We had a voyage of eleven days. But to me an immense amount of
+experience was crowded into that brief period. The fine exhilaration
+of the start,--the breeze gradually increasing to a gale; then
+horrible sea-sickness, home-sickness, love-sickness; after which, the
+weather which sailors love, games, gayety, and flirtation. There is no
+such social freedom to be enjoyed anywhere as on board an ocean
+steamer. The breaking-up of old associations, the opening of a fresh
+existence, the necessity of new relationships,--this fuses the crust
+of conventionality, quickens the springs of life, and renders
+character sympathetic and fluent. The past is easily put away; we
+become plastic to new influences; we are delighted at the discovery of
+unexpected affinities, and astonished to find in ourselves so much
+wit, eloquence, and fine susceptibility, which we did not before dream
+we possessed.
+
+"This freedom is especially provocative of flirtation. We see each
+fair brow touched with a halo whose colors are the reflection of our
+own beautiful dreams. Loveliness is ten-fold more lovely, bathed in
+this atmosphere of romance; and manhood is invested with ideal
+graces. The love within us rushes, with swift, sweet heart-beats, to
+meet the love responsive in some other. Don't think I am now artfully
+preparing your mind to excuse what I am about to confess. Take these
+things into consideration, if you will; then think as you please of
+the weakness and wild impulse with which I fell in love with----
+
+"We will call her Flora. The most superb, captivating creature that
+ever ensnared the hearts of the sons of Adam. A fine olive
+complexion; magnificent dark auburn hair; eyes full of fire and
+softness; lips that could pout or smile with incomparable fascination;
+a figure of surprising symmetry, just voluptuous enough. But, after
+all, her great power lay in her freedom from all affectation and
+conventionality,--in her spontaneity, her free, sparkling, and
+vivacious manners. She was the most daring and dazzling of women,
+without ever appearing immodest or repulsive. She walked with such
+proud, secure steps over the commonly accepted barriers of social
+intercourse, that even those who blamed her and pretended to be
+shocked were compelled to admire. She was the belle, the Juno, of the
+saloon, the supreme ornament of the upper deck. Just twenty,--not
+without wit and culture,--full of poetry and enthusiasm. Do you blame
+me?"
+
+"Not a whit," I said; "but for Margaret"----
+
+"Ah, Margaret!" said Westwood, with a sigh. "But, you see, I had given
+her up. And when one love is lost, there sink such awful chasms into
+the soul, that, though they cannot be filled, we must at least bridge
+them over with a new affection. The number of marriages built in this
+way, upon false foundations of hollowness and despair, is
+incomputable. We talk of jilted lovers and disappointed girls
+marrying 'out of spite.' No doubt, such petty feeling hurries forward
+many premature matches. But it is the heart, left shaken, unsupported,
+wretchedly sinking, which reaches out its feelers for sympathy,
+catches at the first penetrable point, and clings like a helpless vine
+to the sunny-sided wall of the nearest consolation. If you wish to
+marry a girl and can't, and are weak enough to desire her still, this
+is what you should do: get some capable man to jilt her. Then seize
+your chance. All the affections which have gone out to him, unmet,
+ready to droop, quivering with the painful, hungry instinct to grasp
+some object, may possibly lay hold of you. Let the world sneer; but
+God pity such natures, which lack the faith and fortitude to live and
+die true to their best love!
+
+"Out of my own mouth do I condemn myself? Very well, I condemn myself;
+_peccavi_! I If I had ever loved Margaret, then I did not love
+Flora. The same heart cannot find its counterpart indifferently in two
+such opposites. What charmed me in one was her purity, softness, and
+depth of soul. What fascinated me in the other was her bloom, beauty,
+and passion. Which was the true sympathy?
+
+"I did not stop to ask that question when it was most important that
+it should be seriously considered. I rushed into the crowd of
+competitors for Flora's smiles, and distanced them all. I was pleased
+and proud that she took no pains to conceal her preference for me. We
+played chess; we read poetry out of the same book; we ate at the same
+table; we sat and watched the sea together, for hours, in those clear,
+bright days; we promenaded the deck at sunset, her hand upon my arm,
+her lips forever turning up tenderly towards me, her eyes pouring
+their passion into me. Then those glorious nights, when the ocean was
+a vast, wild, fluctuating stream, flashing and sparkling about the
+ship, spanned with a quivering bridge of splendor on one side, and
+rolling off into awful darkness and mystery, on the other; when the
+moon seemed swinging among the shrouds like a ball of white fire; when
+the few ships went by like silent ghosts; and Flora and I, in a long
+trance of happiness, kept the deck, heedless of the throng of
+promenaders, forgetful of the past, reckless of the future, aware only
+of our own romance, and the richness of the present hour.
+
+"Joseph, my travelling-companion, looked on, and wrote letters. He
+showed me one of these, addressed to a friend of Margaret's. In it he
+extolled Flora's beauty, piquancy, and supremacy; related how she made
+all the women jealous and all the men mad; and hinted at my triumph. I
+knew that that letter would meet Margaret's eyes, and was vain enough
+to be pleased.
+
+"At last, one morning, at daybreak, I went on deck, and saw the shores
+of England. Only a few days before, we had left America behind us,
+brown and leafless, just emerging from the long gloom of winter; and
+now the slopes of another world arose green and inviting in the flush
+of spring. There was a bracing breeze; the dingy waters of the Mersey
+rolled up in wreaths of beauty; the fleets of ships, steamers, sloops,
+lighters, pilot-boats, bounding over the waves, meeting, tacking,
+plunging, swaying gracefully under the full-swelling canvas, presented
+a picture of wonderful animation; and the mingling hues of sunshine
+and mist hung over all. I paced the deck, solemnly joyful, swift
+thoughts pulsing through me of a dim far-off Margaret, of a near
+radiant Flora, of hope and happiness superior to fate. It was one of
+those times when the excited soul transfigures the world, and we
+marvel how we could ever succumb to a transient sorrow while the whole
+universe blooms, and an infinite future waits to open for us its doors
+of wonder and joy.
+
+"In this state of mind I was joined by Flora. She laid her hand on my
+arm, and we walked up and down together. She was serious, almost sad,
+and she viewed the English hills with a pensiveness which became her
+better than mirth.
+
+"'So,' she sighed, 'all our little romances come to an end!'
+
+"'Not so,' I said; 'or if one romance ends, it is to give place to
+another, still truer and sweeter. Our lives may be all a succession of
+romances, if we will make them so. I think now I will never doubt the
+future; for I find, that, when I have given up my dearest hopes, my
+best-beloved friends, and accepted the gloomy belief that all life
+besides is barren,--then comes some new experience, filling my empty
+cup with a still more delicious wine.'
+
+"'Don't vex me with your philosophy!' said Flora. 'I don't know
+anything about it. All I know is this present,--this sky, this earth,
+this sea, and the joy between, which I can't give up quite so easily
+as you can, with your beautiful theory, that something better awaits
+you.'
+
+"'I have told you,' I replied,--for I had been quite frank with
+her,--'how I left America,--what a blank life was to me then; and did
+I not turn my back upon all that to meet face to face the greatest
+happiness which I have ever yet known? Ought not this to give me faith
+in the divinity that shapes our ends?'
+
+"'And so,' she answered, 'when I have lost you, I shall have the
+satisfaction of thinking that you are enjoying some still more
+exquisite consolation for the slight pangs you may have felt at
+parting from me! Your philosophy will make it easy for you to say,
+"Good-bye! it was a pretty romance; I go to find prettier ones
+still"; and then forget me altogether!'
+
+"'And you,' I said, 'will that be easy for you?'
+
+"'Yes,' she cried, with spirit,--'anything is easy to a proud,
+impetuous woman, who finds that the brief romance of a ten-days'
+acquaintance has already become tiresome to the second party. I am
+glad I have enjoyed what I have; that is so much gain, of which you
+cannot rob me; and now I can say good-bye as coolly as you, or I can
+die of shame, or I can at once walk over this single rail into the
+water, and quench this little candle, and so an end!'
+
+"She sprang upon a bench, and, I swear to you, I thought she was going
+down! I was so exalted by this passionate demonstration, that I should
+certainly have gone over with her, and felt perfectly content to die
+in her arms,--at least, until I began to realize what a very
+disagreeable bath we had chosen to drown in.
+
+"I drew her away; I walked up and down with that superb creature
+panting and palpitating almost upon my heart; I poured into her ear I
+know not what extravagant vows; and before the slow-handed sailors had
+fastened their cable to the buoy in the channel, we had knotted a more
+subtile and difficult noose, not to be so easily undone!
+
+"Now see what strange, variable fools we are! Months of tender
+intercourse had failed to bring about anything like a positive
+engagement between Margaret and myself; and here behold me irrevocably
+pledged to Flora, after a brief ten-days' acquaintance!
+
+"Six mortal hours were exhausted in making the steamer fast,--in
+sending off her Majesty's mails, of which the cockney speaks with a
+tone of reverence altogether disgusting to us free-minded
+Yankees,--and in entertaining the custom-house inspectors, who paid a
+long and tedious visit to the saloon and our luggage. Then we were
+suffered to land, and enter the noisy, solid streets of Liverpool,
+amid the donkeys and beggars and quaint scenes which strike the
+American so oddly upon a first visit. All this delay, the weariness
+and impatience, the contrast between the morning and the hard, grim
+reality of mid-day, brought me down from my elevation. I felt alarmed
+to think of what had passed. I seemed to have been doing some wild,
+unadvised act in a fit of intoxication. Margaret came up before me,
+sad, silent, reproachful; and as I gazed upon Flora's bedimmed face, I
+wondered how I had been so charmed.
+
+"We took the first train for London, where we arrived at midnight. Two
+weeks in that vast Babel,--then, ho! for Paris! Twelve hours by rail
+and steamer carried us out of John Bull's dominions into the brilliant
+metropolis of his French neighbor. Joseph accompanied us, and wrote
+letters home, filled with gossip which I knew, or hoped, would make
+Margaret writhe. I had not found it so easy to forget her as I had
+supposed it would be. Flora's power over me was sovereign; but when I
+was weary of the dazzle and whirl of the life she led me,--when I
+looked into the depths of my heart, and saw what the thin film of
+passion and pleasure concealed,--in those serious moments which
+would come, and my soul put stern questions to me,--then,
+Sir,--then--Margaret had her revenge.
+
+"A month, crowded and glittering with novelty and incident, preceded
+our departure for Switzerland. I accompanied Flora's party; Joseph
+remained behind. We left Paris about the middle of June, and returned
+in September. I have no words to speak of that era in my life. I saw,
+enjoyed, suffered, learned so much! Flora was always glad,
+magnificent, irresistible. But, as I knew her longer, my moments of
+misgiving became more frequent and profound. If I had aspired to
+nothing higher than a life of sensuous delights, she would have been
+all I could wish. But----
+
+"We were to spend the winter in Italy. Meanwhile, we had another month
+in Paris. Here I had found Joseph again, who troubled me a good deal
+with certain rumors he had received concerning Margaret. According to
+these, she had been in feeble health ever since we left, and her
+increasing delicacy was beginning to alarm her friends. 'But,' added
+another of Joseph's correspondents, 'don't let Westwood flatter
+himself that he is the cause, for she is cured of him; and there is
+talk of an engagement between her and a handsome young clergyman, who
+is both eloquent and fascinating.'
+
+"This bit of gossip made me very bitter and angry. 'Forget me so
+soon?' I said; 'and receive the attentions of another man?' You see
+how consistent I was, to condemn her for the very fault I had myself
+been so eager to commit!
+
+"Well, the round of rides, excursions, soirees, visits to the operas
+and theatres, walks on the Boulevards, and in the galleries of the
+Louvre, ended at last. The evening before we were to set out for the
+South of France, I was at my lodgings, unpacking and repacking the
+luggage which I had left in Joseph's care during my absence among the
+Alps; I was melancholy, dissatisfied with the dissipations which had
+exhausted my time and energies, and thinking of Margaret. I had not
+preserved a single memento of her; and now I wished I had one,--if
+only a withered leaf, or a line of her writing. In this mood, I
+chanced to cast my eye upon a stray glove, in the bottom of my
+trunk. I snatched at it eagerly, and, in the impulse of the
+moment,--before I reflected that I was wronging Flora,--pressed it to
+my lips. Yes, I found the place where it had been mended, the spot
+Margaret's fingers had touched, and gave it a kiss for every
+stitch. Then, incensed at myself, I flung it from me, and hurried from
+the room. I walked towards the Place de la Concorde, where the
+brilliant lamps burned like a constellation. I strolled through the
+Elysian Fields, and watched the lights of the carriages swarming like
+fire-flies up the long avenue; stopped by the concert gardens, and
+listened to the glorified girls singing under rosy and golden
+pavilions the last songs of the season; wandered about the
+fountains,--by the gardens of the Tuileries, where the trees stood so
+shadowy and still, and the statues gleamed so pale,--along the quays
+of the Seine, where the waves rolled so dark below,--trying to settle
+my thoughts, to master myself, to put Margaret from me.
+
+"Weary at length, I returned to my chamber, seated myself composedly,
+and looked down at the glove which lay where I had thrown it, upon the
+polished floor. Mechanically I stooped and took up a bit of folded
+paper. It was written upon,--I unrolled it, and read. It was as if I
+had opened the record of doom! Had the apparition of Margaret herself
+risen suddenly before me, I could not have been more astounded. It was
+a note from her,--and such a note!--full of love, suffering, and
+humility,--poured out of a heart so deep and tender and true, that the
+shallowness of my own seemed utterly contemptible, in comparison with
+it. I cannot tell you what was written, but it was more than even my
+most cruel and exacting pride could have asked. It was what would once
+have made me wild with joy,--now it almost maddened me with
+despair. I, who had often talked fine philosophy to others, had not a
+grain of that article left to physic my own malady. But one course
+seemed plain before me, and that was, to go quietly and drown myself
+in the Seine, which I had seen flowing so swift and dark under the
+bridges, an hour ago, when I stood and mused upon the tragical corpses
+its solemn flood had swallowed.
+
+"I am a little given to superstition, and the mystery of the note
+excited me. I have no doubt but there was some subtile connection
+between it and the near presence of Margaret's spirit, of which I had
+that night been conscious. But the note had reached me by no
+supernatural method, as I was at first half inclined to believe. It
+was, probably, the touch, the atmosphere, the ineffably fine influence
+which surrounded it, which had penetrated my unconscious perceptions,
+and brought her near. The paper, the glove, were full of
+Margaret,--full of something besides what we vaguely call mental
+associations,--full of emanations of the very love and suffering which
+she had breathed into the writing.
+
+"How the note came there upon the floor was a riddle which I was too
+much bewildered to explain by any natural means. Joseph, who burst in
+upon me, in my extremity of pain and difficulty, solved it at once. It
+had fallen out of the glove, where it had lain folded, silent,
+unnoticed, during all this intervening period of folly and vexation of
+soul. Margaret had done her duty, in time; I had only myself to blame
+for the tangle in which I now found myself. I was thinking of Flora,
+upon the deck of the steamship, when, in a moment of chagrin, she had
+been so near throwing herself over; wondering to what fate her passion
+and impetuosity would hurry her now, if she knew; cursing myself for
+my weakness and perfidy; while Joseph kept asking me what I intended
+to do.
+
+"'Do? do?' I said, furiously,--'I shall kill you, that is what I shall
+do, if you drive me mad with questions which neither angels nor fiends
+can answer!'
+
+"'I know what you will do,' said Joseph; 'you will go home and marry
+Margaret.'
+
+"You can have no conception of the effect of these words,--_Go home
+and marry Margaret_. I shook as I have seen men shake with the
+ague. All that might have been,--what might be still,--the happiness
+cast away, and perhaps yet within my reach,--the temptation of the
+Devil, who appealed to my cowardice, to fly from Flora, break my vows,
+risk my honor and her life, for Margaret,--all this rushed through me
+tumultuously. At length I said,--
+
+"'No, Joseph; I shall do no such thing. I can never be worthy of
+Margaret; it will be only by fasting and prayer that I can make myself
+worthy of Flora.'
+
+"'Will you start for Italy in the morning?' he asked, pitilessly.
+
+"'For Italy in the morning?' I groaned. Meet Flora, travel with her,
+play the hypocrite, with smiles on my lips and hell in my heart,--or
+thunderstrike her at once with the truth;--what was I to do? To some
+men the question would, perhaps, have presented few difficulties. But
+for me, Sir, who am not quite devoid of conscience, whatever you may
+think,--let me tell you, I'd rather hang by sharp hooks over a
+roasting fire than be again suspended as I was betwixt two such
+alternatives, and feel the torture of both!
+
+"Having driven Joseph away, I locked myself into my room, and suffered
+the torments of the damned in as quiet a manner as possible, until
+morning. Then Joseph returned, and looked at me with dismay.
+
+"'For Heaven's sake!' he said, 'you ought not to let this thing kill
+you,--and it will, if you keep on.'
+
+"'So much the better,' I said, 'if it kills nobody but me. But don't
+be alarmed. Keep perfectly cool, and attend to the commission I am
+going to trust to you. I can't see Flora this morning; I must gain a
+little time. Go to the station of the Lyons railway, where I have
+engaged to meet her party; say to her that I am detained, but that I
+will join her on the journey. Give her no time to question you, and be
+sure that she does not stay behind.'
+
+"'I'll manage it,--trust me!' said Joseph. And off he started. At the
+end of two hours, which seemed twenty, he burst into my room,
+crying,--
+
+"'Good news! she is gone! I told her you had lost your passport, and
+would have to get another from our minister.'
+
+"'What!' I exclaimed, 'you lied to her?'
+
+"'Oh! there was no other way!' said Joseph, ingenuously,--'she is so
+sharp! They're to wait for you at Marseilles. But I'll manage that,
+too. On their arrival at the Hotel d'Orient, they'll find a
+telegraphic dispatch from me. I wager a hat, they'll leave in the
+first steamer for Naples. Then you can follow at your leisure.'
+
+"'Thank you, Joseph.'
+
+"I felt relieved. Then came a reaction. The next day I was attacked
+by fever. I know not how long I struggled against it, but it mastered
+me. The last things I remember were the visits of friends, the strange
+talk of a French physician, whispers and consultations, which I knew
+were about me, yet took no interest in,--and at length Joseph rushing
+to my bedside, in a flutter of agitation, and gasping,--
+
+"'Flora!'
+
+"'What of Flora?' I demanded.
+
+"'I telegraphed, but she wouldn't go; she has come back; she is here!'
+
+"I was sinking back into the stupor from which I had been roused, when
+I heard a rustling which seemed afar off, yet was in my chamber; then
+a vision appeared to my sickened sight,--a face which I dimly thought
+I had seen before,--a flood of curls and a rain of kisses showering
+upon me,--sobs and devouring caresses,--Flora's voice calling me
+passionate names; and I lying so passive, faintly struggling to
+remember, until my soul sank whirling in darkness, and I knew no more.
+
+"One morning, I cannot tell you how long after, I awoke and found
+myself in a strange-looking room, filled with strange objects, not the
+least strange of which was the thing that seemed myself. At first I
+looked with vague and motionless curiosity out of the Lethe from which
+my mind slowly emerged; painless, and at peace; listlessly questioning
+whether I was alive or dead,--whether the limp weight lying in bed
+there was my body,--the meaning of the silence and the closed
+curtains. Then, with a succession of painful flashes, as if the pole
+of an electrical battery had been applied to my brain, memory
+returned,--Margaret, Flora, Paris, delirium. I next remember hearing
+myself groan aloud,--then seeing Joseph at my side. I tried to speak,
+but could not. Upon my pillow was a glove, and he placed it against my
+cheek. An indescribable, excruciating thrill shot through me; still I
+could not speak. After that, came a relapse. Like Mrs. Browning's
+poet, I lay
+
+
+ ''Twixt gloom and gleam,
+ With Death and Life at each extreme.'
+
+
+"But one morning I was better. I could talk. Joseph bent over me,
+weeping for joy.
+
+"'The danger is past!' he said. 'The doctors say you will get well!'
+
+"'Have I been so ill, then?'
+
+"'Ill?' echoed Joseph. 'Nobody thought you could live. We all gave you
+up, except her;--and she'----
+
+"'She!' I said,--'is she here?'
+
+"'From the moment of her arrival,' replied Joseph, 'she has never left
+you. Oh, if you don't thank God for her,'--he lowered his
+voice,--'and live all the rest of your life just to reward her, you
+are the most ungrateful wretch! You would certainly have died but for
+her. She has scarcely slept, till this morning, when they said you
+would recover.'
+
+"Joseph paused. Every word he spoke went down like a weight of lead
+into my soul. I had, indeed, been conscious of a tender hand soothing
+my pillow, of a lovely form flitting through my dreams, of a breath
+and magnetic touch of love infusing warm, sweet life into me,--but it
+had always seemed Margaret, never Flora.
+
+"'The glove?' I asked.
+
+"'Here it is,' said Joseph. 'In your delirium you demanded it; you
+would not be without it; you caressed it, and addressed to it the
+tenderest apostrophes.'
+
+"'And Flora,--she heard?'
+
+"'Flora?' repeated Joseph. 'Don't you know--haven't you any idea--what
+has happened? It has been terrible!'
+
+"'Tell me at once!' I said. 'Keep nothing back!'
+
+"'Immediately on her return from Marseilles,--you remember that?'
+
+"'Yes, yes! go on!'
+
+"'She established herself here. Nobody could come between her and you;
+and a brave, true girl she proved herself. Oh, but she was wild about
+you! She offered the doctors extravagant sums--she would have bribed
+Heaven itself, if she could--not to let you die. But there came a
+time,--one night, when you were raving about Margaret,--I tell
+you, it was terrible! She would have the truth, and so I told
+her,--everything, from the beginning. It makes me shudder now to think
+of it,--it struck her so like death!'
+
+"'What did she say?--what did she do?'
+
+"'She didn't say much,--"Oh, my God! my God!"--something like that.
+The next morning she showed me a letter which she had written to
+Margaret.'
+
+"'To Margaret?' I started up, but fell back again, helpless, with a
+groan.
+
+"'Yes,' said Joseph,--'and it was a letter worthy of the noblest
+woman. I wrote another, for I thought Margaret ought to know
+everything. It might save her life, and yours, too. In the mean time,
+I had got worse news from her still,--that her health continued to
+decline, and that her physician saw no hope for her except in a voyage
+to Italy. But that she resolutely refused to undertake, until she got
+those letters. You know the rest.'
+
+"'The rest?' I said, as a horrible suspicion flashed upon me. 'You
+told me something terrible had happened.'
+
+"'Yes,--to Flora. But you have heard the worst. She is gone; she is by
+this time in Rome.'
+
+"'Flora gone? But you said she was here.'
+
+"'_She?_ So _she_ is! But did you think I meant Flora? I
+supposed you knew. Not Flora,--but Margaret! Margaret!'
+
+"I shrieked out, 'Margaret?' That's the last I remember,--at least,
+the last I can tell. She was there,--I was in her arms;--she had
+crossed the sea, not to save her own life, but mine. And Flora had
+gone, and my dreams were true; and the breath and magnetic touch of
+love, which infused warm, sweet life into me, and seemed not Flora's,
+but Margaret's, were no illusion, and----what more can I tell?
+
+"From the moment of receiving those letters, Margaret's energies were
+roused, and she had begun to regain her health. There is no such
+potent medicine as hope and love. It had saved her, and it saved
+me. My recovery was sure and speedy. The happiness which had seemed
+too great, too dear to be ever possible, was now mine. She was with me
+again, all my own! Only the convalescent, who feels the glow of love
+quicken the pure pulses of returning health, knows what perfect bliss
+is.
+
+"As soon as I was strong enough to travel, we set out for Italy, the
+faithful Joseph accompanying us. We enjoyed Florence, its palaces and
+galleries of art, the quaint old churches, about which the religious
+sentiment of ages seems to hang like an atmosphere, the morning and
+evening clamor of musical bells, the Arno, and the olive-crowned
+Tuscan hills,--all so delightful to the senses and the soul. After
+Florence, Naples, with its beautiful, dangerous, volcanic environs,
+where the ancients aptly located their heaven and hell, and where a
+luxurious, passionate people absorbs into its blood the spirit of the
+soil, and the fire and languor of the clime. From Naples to Rome,
+where we saw St Peter's, that bubble on the surface of the globe,
+which the next earthquake may burst, the Vatican, with its marvels of
+statuary, the ruined temples of the old gods and heroes, the Campagna,
+the Pope, and--Flora. We had but a glimpse of her. It was one night,
+at the Colosseum. We had been musing about that vast and solemn pile
+by the moonlight, which silvered it over with indescribable beauty,
+and at last, accompanied by our guides, bearing torches, we ascended
+through dark and broken passages to the upper benches of the
+amphitheatre. As we were passing along one side, we saw picturesquely
+moving through the shadows of the opposite walls, with the immense
+arena between, the red-flaring torches and half-illuminated figures of
+another party of visitors. I don't know whether it was instinct, or
+acuteness of vision, that suggested Flora; but, with a sudden leap of
+the heart, I felt that she was there. We descended, and passed out
+under the dark arches of the stupendous ruin. The other visitors
+walked a little in advance of us,--two of the number lingering behind
+their companions; and certain words of tenderness and passion we
+heard, which strangely brought to my mind those nights on the
+ocean-steamer.
+
+"'What is the matter with you?' said Margaret, looking in my face.
+
+"'Hush!' I whispered,--'there--that woman--is Flora!'
+
+"She clung to me,--I drew her closer, as we paused; and the happy
+couple went on, over the ancient Forum, by the silent columns of the
+ruined temples, and disappeared from sight upon the summit of the
+Capitoline Hill.
+
+"A few months later, we heard of the marriage of Flora to an English
+baronet; she is now _my Lady_, and I must do her the justice to
+say that I never knew a woman better fitted to bear that title. As
+for Margaret,--if you will return with me to my home on the Hudson,
+after we have finished our hunt after those Western lands, you shall
+see her, together with the loveliest pair of children that ever made
+two proud parents happy.
+
+"And here," added Westwood, "we have arrived at the end of our day's
+journey; we have had the Romance of the Glove, and now--let's have
+some supper."
+
+
+
+
+TO ----.
+
+
+ON RECEIVING HIS "FEW VERSES FOR A FEW FRIENDS."
+
+
+"(PRINTED, NOT PUBLISHED.)"
+
+
+ Well thought! Who would not rather hear
+ The songs to Love and Friendship sung,
+ Than those which move the stranger's tongue
+ And feed his unselected ear?
+
+ Our social joys are more than fame;
+ Life withers in the public look:
+ Why mount the pillory of a book,
+ Or barter comfort for a name?
+
+ Who in a house of glass would dwell,
+ With curious eyes at every pane?
+ To ring him in and out again
+ Who wants the public crier's bell?
+
+ To see the angel in one's way,
+ Who wants to play the ass's part,
+ Bear on his back the wizard Art,
+ And in his service speak or bray?
+
+ And who his manly locks would shave
+ And quench the eyes of common sense,
+ To share the noisy recompense
+ That mocked the shorn and blinded slave?
+
+ The heart has needs beyond the head,
+ And, starving in the plenitude
+ Of strange gifts, craves its common food,
+ Our human nature's daily bread.
+
+ We are but men: no gods are we
+ To sit in mid-heaven, cold and bleak,
+ Each separate, on his painful peak,
+ Thin-cloaked in self-complacency!
+
+ Better his lot whose axe is swung
+ In Wartburg woods, or that poor girl's
+ Who by the Ilm her spindle whirls
+ And sings the songs that Luther sung,
+
+ Than his, who, old and cold and vain,
+ At Weimar sat, a demigod,
+ And bowed with Jove's imperial nod
+ His votaries in and out again!
+
+ Ply, Vanity, thy winged feet!
+ Ambition, hew thy rocky stair!
+ Who envies him who feeds on air
+ The icy splendors of his seat?
+
+ I see your Alps above me cut
+ The dark, cold sky,--and dim and lone
+ I see ye sitting, stone on stone,
+ With human senses dulled and shut.
+
+ I could not reach you, if I would,
+ Nor sit among your cloudy shapes;
+ And (spare the fable of the Grapes
+ And Fox) I would not, if I could.
+
+ Keep to your lofty pedestals!
+ The safer plain below I choose:
+ Who never wins can rarely lose,
+ Who never climbs as rarely falls.
+
+ Let such as love the eagle's scream
+ Divide with him his home of ice:
+ For me shall gentler notes suffice,--
+ The valley-song of bird and stream,
+
+ The pastoral bleat, the drone of bees,
+ The flail-beat chiming far away,
+ The cattle-low at shut of day,
+ The voice of God in leaf and breeze!
+
+ Then lend thy hand, my wiser friend,
+ And help me to the vales below,
+ (In truth, I have not far to go,)
+ Where sweet with flowers the fields extend.
+
+
+
+
+THE SINGING-BIRDS AND THEIR SONGS.
+
+
+Those persons enjoy the most happiness, if possessed of a benevolent
+heart and favored by ordinary circumstances of fortune, who have
+acquired by habit and education the power of deriving pleasure from
+objects that lie immediately around them. But these common sources of
+happiness are opened to those only who are endowed with genius, or who
+have received a certain kind of intellectual training. The more
+ordinary the mental and moral organization and culture of the
+individual, the more far-fetched and dear-bought must be his
+enjoyments. Nature has given us in full development only those
+appetites which are necessary to our physical well-being. She has
+left our moral appetites and capacities in the germ, to be developed
+by education and circumstances. Hence those agreeable sensations that
+come chiefly from the exercise of the imagination, which may be called
+the pleasures of sentiment, are available only to persons of a
+peculiar refinement of mind. The ignorant and rude may be dazzled and
+delighted by physical beauty, and charmed by loud and stirring sounds;
+but those more simple melodies and less attractive colors and forms
+that appeal to the mind for their principal effect act more powerfully
+upon individuals of superior culture.
+
+In proportion as we have been trained to be agreeably affected by the
+outward forms of Nature, and the sounds that proceed from the animate
+and inanimate world, are we capable of being made happy without
+resorting to expensive and vulgar recreations. It ought, therefore, to
+be one of the chief points in the education of youth, while teaching
+them the still more important offices of humanity, to cultivate and
+enliven their susceptibility to the charms of natural objects. Then
+would the aspects of Nature, continually changing with the progress of
+the seasons and the sounds that enliven their march, satisfy, in a
+great measure, that craving for agreeable sensations which leads
+mankind away from humble and healthful pursuits to those of a more
+artificial and exciting life. The value of such pleasures consists not
+so much in their cheapness as in their favorable moral influences,
+which improve the heart, while they lead the mind to observations that
+pleasantly exercise and develope, without tasking its powers. The
+quiet emotions, half musical and half poetical, which are awakened by
+listening to the songs of birds, belong to this class of refined
+enjoyments.
+
+But the music of birds, though agreeable to all, conveys positive and
+durable pleasure only to those who have learned to associate with
+their notes, in connection with the scenes of Nature, a thousand
+interesting and romantic images. To many persons of this character it
+affords more delight than the most brilliant music of the opera or the
+concert. In vain, therefore, will it be said, as an objection, that
+the notes of birds have no charm, save that which is derived from
+association, and that, considered as music, they do not equal that of
+the most simple reed or flageolet. It is sufficient to remark, that
+the most delightful influences of Nature proceed from those sights and
+sounds that appeal to the imagination and affections through the
+medium of slight and almost insensible impressions made upon the eye
+and the ear. At the moment when these physical impressions exceed a
+certain mean, the spell is broken, and the enjoyment becomes sensual,
+not intellectual. How soon, indeed, would the songs of birds lose
+their effect, if they were loud and brilliant, like a band of
+instruments! It is their simplicity that gives them their charm.
+
+As a further illustration of this point, it may be remarked that
+simple melodies have among all people exercised a greater power over
+the imagination than louder and more complicated music. Nature employs
+a very small amount of physical sensation to create an intellectual
+passion, and when an excess is used a diminished effect is produced. I
+am persuaded that the effect of a great part of our sacred music is
+lost by an excess of harmony and a too great volume of sound. On the
+same principle, a loud crash of thunder deafens and terrifies; but its
+low and distant rumbling produces an agreeable emotion of sublimity.
+
+The songs of birds are as intimately allied with poetry as with
+music. The lark has been aptly denominated a "feathered lyric" by one
+of the English poets; and the analogy becomes apparent when we
+consider how much the song of a bird resembles a lyrical ballad in its
+influence on the mind. Though it utters no words, how plainly it
+suggests a long train of agreeable images of love, beauty, friendship,
+and home! When a young person has suffered any severe wound of the
+affections, he seldom fails, if endowed with a sensitive mind, to
+listen to the birds as sharers in his affliction. Through them the
+deities of the groves seem to offer him their consolation. By
+indulging this habit of making companionship with the objects of
+Nature, all pleasing sights and sounds gradually become certain
+anodynes for his sorrow; and those who have this mental alembic for
+turning grief into a poetic melancholy can seldom be reduced to a
+state of absolute despondency. Poetry, or rather the poetic sentiment,
+exalts all our pleasures and soothes all our afflictions by some
+illusive charm, whether it be turned into the channel of religion or
+romance. Without this reflection of light from the imagination, what
+is the passion of love? and what is our love of beauty and of sweet
+sounds, but a mere gravitation?
+
+The voice of every singing-bird has its associations in the minds of
+all susceptible persons who were born and nurtured within the
+precincts of its untutored minstrelsy. The music of birds is
+modulated in pleasant unison with all the chords of affection and
+imagination, filling the soul with a lively consciousness of happiness
+and beauty, and soothing it with romantic visions of memory,--of love,
+when it was an ethereal sentiment of adoration and not a passion, and
+of friendship, when it was a passion and not an expedience,--of dear
+and simple adventures, and of comrades who had part in them,--of
+dappled mornings, and serene and glowing sunsets,--of sequestered
+nooks and mossy seats in the old wood,--of paths by the riverside, and
+flowers that smiled a bright welcome to our rambling,--of lingering
+departures from home, and of old by-ways, overshadowed by trees and
+hedged with roses and viburnums, that spread their shade and their
+perfume around our path to gladden our return. By this pleasant
+instrumentality has Nature provided for the happiness of those who
+have learned to be delighted with the survey of her works, and with
+the sound of those voices which she has appointed to communicate to
+the human soul the joys of her inferior creation.
+
+The singing-birds, with reference to their songs, may be divided into
+four classes. First, the Rapid Singers, whose song is uninterrupted,
+of considerable length, and uttered with fervor, and in apparent
+ecstasy. Second, the Moderate Singers, whose notes are slowly
+modulated, but without pauses or rests between their different
+strains. Third, the Interrupted Singers, who seldom modulate their
+notes with rapidity, and make decided pauses between their several
+strains, of which there are in general from five to eight or
+nine. Fourth, the Warblers, whose notes consist of only one or two
+strains, not combined into a song.
+
+The canary, among foreign birds, and the linnet and bobolink, among
+American birds, are familiar examples of the first class; the common
+robin and the veery of the second; the wood-thrush, the cat-bird, and
+the mocking-bird, of the third; and the blue-bird, the pewee, and the
+purple martin, of the fourth class. It may be added, that some birds
+are nearly periodical in their habits of singing, preferring the
+morning and evening, and occasional periods in other parts of the day,
+while others sing almost indifferently at all hours. The greater
+number of species, however, are more tuneful in the early morning than
+at any other hour.
+
+June, in this part of the world, is the most vocal month of the
+year. Many of our principal songsters do not arrive until near the
+middle of May; and all, whether they come early or late, continue in
+song throughout the month of June. The bobolink, which is one of the
+first to become silent, continues vocal until the second week in
+July. So nearly simultaneous is the discontinuance of the songs of
+this species, that it might seem as if their silence were
+preconcerted, and that by a vote they had, on a certain day, adjourned
+over to another year. If an unusually genial day occurs about the
+seventh of July, we may hear multitudes of them singing merrily on
+that occasion. Should this time be followed by two or three
+successive days of chilly and rainy weather, their tunefulness is so
+generally brought to a close during this period, that we may not hear
+another musical note from a single individual after the seventh. The
+songs of birds are discontinued as soon as their amorous dalliances
+and the care of their offspring have ceased. Hence those birds that
+raise but one brood of young during the season, like the bobolink, are
+the first to become silent.
+
+No one of the New England birds is an autumnal warbler; though the
+song-sparrow often greets the fine mornings in October with his lays,
+and the shore-lark, after spending the summer in Labrador and about
+the shores of Hudson's Bay, is sometimes heard in autumn, soaring and
+singing at the dawn of day, while on his passage to the South. The
+bobolink, the veery, or Wilson's thrush, the red thrush, and the
+golden robin, are silent after the middle of July; the wood-thrush,
+the cat-bird, and the common robin, not until a month later; but the
+song-sparrow alone continues to sing throughout the summer. The
+tuneful season of the year, in New England, embraces a period of about
+four months, from the middle of April to the middle of August.
+
+There are certain times of the day, as well as certain seasons of the
+year, when the birds are most musical. The grand concert of the
+feathered tribe takes place during the hour between dawn and sunrise.
+During the remainder of the day they sing less in concert, though many
+species are very musical at noonday, and seem, like the nocturnal
+birds, to prefer the hour when others are silent. At sunset there is an
+apparent attempt to unite once more in chorus, but this is far from
+being so loud or so general as in the morning. The little birds which
+I have classed in the fourth division are a very important
+accompaniment to the anthem of dawn, their notes, though short,
+serving agreeably to fill up the pauses made by the other
+musicians. Thus, the hair-bird (_Fringilla Socialis_) has a sharp
+and trilling note, without any modulation, and not at all melodious,
+when heard alone; but in the morning it is the chief harmonizer of the
+whole chorus, and serves, more than any other voice, to give unity and
+symphony to the multitude of miscellaneous parts.
+
+There are not many birds whose notes could be accurately described
+upon the gamut. The nearest approach we can make to accuracy is to
+give some general idea of their time and modulation. Their musical
+intervals can be distinguished but with difficulty, on account of the
+rapidity of their utterance. I have often attempted to transcribe some
+of their notes upon the musical scale, but I am persuaded that such
+sketches can be only approximations to literal correctness. As
+different individuals of the same species sing very differently, the
+notes, as transcribed from the song of one individual, will never
+exactly represent the song of another. If we listen attentively,
+however, to a number of songs, we shall detect in all of them a
+_theme_, as it is termed by musicians, of which the different
+individuals of the species warble their respective variations. Every
+song is, technically speaking, a _fantasia_ constructed upon this
+theme, from which none of the species ever departs.
+
+It is very generally believed that the singing-birds are confined to
+temperate latitudes, and that the tropical birds have not the gift of
+song. That this is an error is apparent from the testimony of
+travellers, who speak of the birds in the Sandwich Islands and New
+Zealand as singing delightfully, and some fine songsters are
+occasionally imported in cages from tropical climates. The origin of
+this notion may be explained in several ways. It is worthy of notice
+that within the tropics the singing season of different species of
+birds does not occur at the same time. One species may be musical in
+the spring, another in summer, and others in autumn and winter. When
+one species, therefore, has begun to sing, another has ceased, so
+that, at whatever time of the year the traveller stops, he hears but
+few birds engaged in song.
+
+In the temperate latitudes, on the contrary, as soon as the birds
+arrive, they commence building their nests, and become musical at the
+same time. If a stranger from a tropical climate should arrive in this
+country in the spring, and remain here during the months of May and
+June, he would hear more birds singing together than he ever heard at
+once in his own clime; but were he to arrive about the middle of July,
+when the greater number of our birds have discontinued their songs, he
+would probably, if he knew the reputation of the Northern birds,
+marvel a little at their silence. If there are as many birds singing
+at one time during the whole year, in the hot climates, as we hear in
+this country in the latter half of summer, the greater average would
+appear to be on the side of the former.
+
+It may also be remarked, that the singing-birds of the tropics are not
+so well known as those of temperate latitudes which are inhabited by
+civilized men. The savages and barbarians, who are the principal
+inhabitants of hot countries, are seldom observant of the habits or
+the voices of the singing-birds. A musician of the feathered race, as
+well as a harpist or violinist, must have an appreciating audience, or
+his powers can never be made known to the world. But even with the
+same audience, the tropical singing-birds would probably be less
+esteemed than songsters of equal merit in the temperate latitudes;
+for, amid the stridulous and deafening sounds made by the insects in
+warm climates, the notes of birds would be scarcely audible.
+
+We are still inclined to believe, however, that there is a larger
+proportion of musical birds in the temperate than in the torrid zone,
+because in the former region there are more of those species that
+build low and live among the grass and shrubbery, and it is well known
+that the singing-birds are mostly of the latter description. In warm
+climates the vegetation consists chiefly of trees and tall vines,
+forming together an umbrageous canopy overhead, with but a scanty
+undergrowth. In temperate latitudes the shrubbery predominates,
+especially in the most northerly parts. Moreover, the grasses that
+furnish by their seeds a great proportion of the food of the smaller
+birds are almost entirely wanting in the torrid zone.
+
+The birds that live in trees are remarkable for their brilliant
+plumage; those that live upon the ground and in the shrubbery are
+plainly dressed. This is a provision of Nature for their protection,
+as the ground-birds must have a predominance of tints that resemble
+the general hues of the surface of the earth. I do not know a single
+brightly-plumed bird that nestles upon the ground, unless the bobolink
+may be considered an exception. They are almost invariably colored
+like sparrows. The birds that inhabit the trees, on the other hand,
+need less of this protection, though the females are commonly of an
+olive or greenish yellow, which harmonizes with the general hue of the
+foliage, and screens them from observation, while sitting upon the
+nest. The male, on the contrary, who seldom sits upon the nest,
+requires a plumage that will render him conspicuous to the female and
+to the young, after they have left their nest. It is remarkable, that
+Nature, in all cases in which she has created a difference in the
+plumage of the male and female, has used the hues of their plumage
+only for the protection of the mother and the young, for whose
+advantage she has dressed the male parent in colors that must somewhat
+endanger his own safety.
+
+The color of the plumage of birds seems to bear less relation to their
+powers of song than to their habitats; and as the birds that live in
+trees are commonly less tuneful, they are more brilliantly arrayed.
+The bird employs his song in wooing his mate, as well as in
+entertaining her after she is wedded; and it is not unlikely that
+Nature may have compensated those which are deficient in song by
+giving them a superior beauty of plumage. As the offices of courtship
+devolve entirely upon the males, it is the more necessary that they
+should be possessed of conspicuous attractions; but as the task of
+sitting upon the nest devolves upon the female, she requires more of
+that protection which arises from the conformity of her plumage with
+the general hue of the objects that surround her nest. While she is
+sitting, the plain hues of her dress protect her from observation; but
+when she leaves her nest to seek her companion, she is enabled by his
+brilliant colors the more easily to discover him. The male is diligent
+in providing for the wants of the offspring, and hence it is important
+that his dress should render him conspicuous. When the young birds
+have left the nest, upon seeing the flash of his plumage, they
+immediately utter their call, and by this note, which might not
+otherwise be sounded at the right moment, he detects them and supplies
+them with food. Should a bird of prey suddenly come into their
+neighborhood, he overlooks the plainly-dressed mother and off-spring,
+and gives chase to the male parent, who not only escapes, but at the
+same time diverts the attention of the foe from his defenceless
+progeny.
+
+But the birds that build low, either upon the ground or among the
+shrubbery, are exposed to a greater number and variety of
+enemies. Hence it becomes necessary that the males as well as the
+females should have that protection which is afforded by sobriety of
+color. Not being made conspicuous by their plumage, they are endowed
+with the gift of song, that they may make known their presence to
+their mate and their young by their voice. I have often thought that
+the song of the bird was designed by Nature for the benefit of the
+young, no less than for the entertainment of his mate. The sounds
+uttered by birds on account of their young always precede the period
+of incubation. The common hen begins to cluck several days before she
+begins to sit upon her eggs. In like manner the male singing-bird
+commences his song when the pair are making ready to build their
+nest. While his mate is sitting, his song reminds her of his presence,
+and inspires her with a feeling of security and content, during the
+period of her confinement. As soon as the young are hatched, they
+begin to learn his voice and grow accustomed to it, and when they fly
+from the nest they are prevented by the sound of it from wandering and
+getting bewildered. If they happen to fly beyond certain bounds, the
+song of the male parent warns them of their distance, and causes them
+to turn and draw near the place from which it seems to issue. Thus the
+song of the male bird, always uttered within a certain circumference,
+of which the nest is the centre, becomes a kind of sentinel voice, to
+keep the young birds within prudent limits.
+
+It is not easy to explain why a larger proportion of the birds that
+occupy trees should be destitute of song, except on the supposition
+that in such elevated situations the young are more easily guided by
+sight than by hearing. Still there are many songsters which are
+dressed in brilliant plumage, and of these we have some examples among
+our native birds. These, however, are evident exceptions to the
+general fact, and we may trace a plain analogy in this respect between
+birds and insects. The musical insects are, we believe, invariably
+destitute of brilliant plumage. Butterflies and moths do not sing; the
+music of insects comes chiefly from the plainly-dressed locust and
+grasshopper tribes.
+
+
+
+
+OUR TALKS WITH UNCLE JOHN.
+
+
+TALK NUMBER ONE.
+
+We were happy children, Alice and I, when, on Alice's sixteenth
+birthday, we persuaded our father, the most indulgent parent in
+Cincinnati, that there was no need of our going to school any longer;
+not that our education was finished,--we did not even put up such a
+preposterous plea as that,--but because Mrs. C. did not intend to send
+Laura, and we did not believe any of our set of girls would go back
+after the holidays.
+
+There is no being so facile as an American father, especially where
+his daughters are concerned; and our dear father was no exception to
+the general rule. So our school education was finished. For the
+rest, for the real education of our minds and hearts, we took care of
+ourselves.
+
+How could it be otherwise? Our father, a leading merchant in
+Cincinnati, spent his days in his counting-room, and his evenings
+buried in his newspapers or in his business calculations, on the
+absorbing nature of which we had learned to build with such certainty,
+that, when his consent was necessary to some scheme of pleasure, we
+preferred our requests with such a nice adjustment of time, that the
+answer generally was, "January 3d,--two thousand bales,--yes, my
+dear,--and twelve are sixteen,--yes, Alice, don't bother me, child!"
+and, armed with that unconscious assent, we sought our mother.
+
+"Papa says that we may go. Do you think, mamma, that Miss D. can have
+our dresses in time?"
+
+Our dear mother, most faithful and indefatigable in her care for our
+bodily wants, what time had she for aught else? With feeble health,
+with poor servants, with a large house crowded with fine furniture,
+and with the claims of a numerous calling and party-giving
+acquaintance,--claims which both my father and herself imagined his
+business and her social position made imperative,--what could she do
+more than to see that our innumerable white skirts were properly
+tucked, embroidered, washed, and starched, that our party dresses were
+equal to those which Mrs. C. and Mrs. D. provided for their girls, and
+that our bonnets were fashionable enough for Fourth Street? Could she
+find time for anything more? Yes,--on our bodily ailments she always
+found time to bestow motherly care, watchfulness, and sympathy; of our
+mental ills she knew nothing.
+
+So we cared for ourselves, Alice and I, through those merry,
+thoughtless two years that followed,--merry (not happy) in our
+Fourth-Street promenades, our Saturday-afternoon assignations at the
+dancing-school rooms, our parties and picnics; and merry still, but
+thoughtless always, in our eager search for excitement in the novels,
+whose perusal was our only literary enjoyment.
+
+Somehow we woke up,--somehow we groped our way out of our
+frivolity. First came weariness, then impatience, and last a
+passing-away of all things old and a putting-on of things new.
+
+I remember well the day when Alice first spoke out her unrest. My
+pretty Alice! I see her now, as she flung herself across the foot of
+the bed, and, her chin on her hand, watched me combing and parting my
+hair. I see again those soft, dark brown eyes, so deep in their liquid
+beauty that you lost yourself gazing down into them; again I see
+falling around her that wealth of auburn hair of the true Titian
+color, the smooth, low forehead, and the ripe, red lips, whose
+mobility lent such varying expression to her face.
+
+At that moment the eyes drooped and the lips trembled with weariness.
+
+"Must we go to that tiresome party, Kate? We have been to three this
+week; they are all alike."
+
+I looked at her. "Are you in earnest? will you stay at home? I know I
+shall be tired to death; but what will Laura C. say? what will all
+the girls think?"
+
+Alice raised herself on her elbow. "Kate, I don't believe it is any
+matter what they think. Do we really care for any of them, except to
+wish them well? and we can wish them well without being with them all
+the time. Do you know, Kate, I have been tired to death of all this
+for these three months? It was very well at first, when we first left
+school; parties were pleasant enough then, but now"--and Alice sprang
+from the bed and seated herself in a low chair at my feet, as, glowing
+and eager, she went on, her face lighting with her rapid
+speech,--"Kate, I have thought it over and over again, this tiresome,
+useless life; it wears me out, and I mean to change it. You know we
+may do just as we please; neither papa nor mamma will care. I shall stay
+at home."
+
+"But what will people say?" I put in, feebly.
+
+Alice's eyes flashed. "You know, Kate, I don't care for 'people,' as
+you call them. I only know that I am utterly weary of this petty
+visiting and gossiping, this round of parties, concerts, and lectures,
+where we meet the same faces. There is no harm in it that I know of,
+but it is simply so stupid. If we met new people, it would be
+something; but the same girls, the same beaux."
+
+"And George W. and Henry B., what will they do for partners to-night?
+what will become of them?"
+
+Alice put up her lip. "They will console themselves with Laura C. and
+those Kentucky girls from Louisville. For my part, I shall put on my
+walking-dress, and go over the river to spend the evening with Uncle
+John, and, what is more, I shall ask mamma to let me stay two or three
+days." And, suiting the action to the word, she began to dress
+hurriedly.
+
+"You will surely never go without me, Alice?"
+
+"You will never stay behind, if I do go, Kate," said she, looking back
+at me laughingly. "But make haste, I shall gain mamma over in five
+minutes; and we must be quick, if we are to reach Uncle John's before
+tea-time."
+
+Uncle John,--even now that long years have passed, so long that it
+seems to me as if I had gone into another state of existence, as if I
+were not the same person as in those times,--even now the thought of
+him makes my heart beat quick and the blood thrill more rapidly
+through my veins. He was the delight of my childhood; far better, he
+was the comfort and support of my after years. Even as a child, I
+knew, knew by some intuitive perception, that Uncle John was not
+happy. How soon I learned that he was a disappointed man I cannot
+tell; but long before I grew up into womanhood I was conscious that he
+had made some mistake in life, that some cloud hung over him. I never
+asked, I never talked on the subject, even to Alice; there was always
+an understanding between us that we should be silent about that which
+each of us felt with all the certainty of knowledge.
+
+But if Uncle John was unhappy himself, who was there that he did not
+make happy? No one who came near him,--from his nieces whom he petted
+and spoiled, down to the little negroes who rolled, unrebuked, over
+the grass before his window in summer, or woke him on a Christmas
+morning with their shrill "Christmas gift, Massa John!" Not that Uncle
+John was a busybody, troubling himself about many things, and seeking
+out occasions for obtruding his kindnesses. He lived so secluded a
+life in the old family-house on the outskirts of Newport, (we were a
+Kentucky family,) as to raise the gossiping curiosity of all new
+residents, and to call forth the explanatory remark from the old
+settlers, that the Delanos were all queer people, but John Delano was
+the queerest of them all.
+
+So Uncle John spent his time between his library and his garden, while
+Old Aunt Molly took upon herself the cares of the household, and kept
+the pantry always in a condition to welcome the guests, to whom, with
+Kentucky hospitality, Uncle John's house was always open. Courteous he
+was as the finest gentleman of olden times, and sincerely glad to see
+his friends, but I have thought sometimes that he was equally glad to
+have them go away. While they were with him he gave them the truest
+welcome, leaving garden and books to devote himself to their
+entertainment; but I have detected a look of relief on his face as he
+shut the gate upon them and sought the shelter of his own little
+study, that sanctum which even we children were not allowed to enter
+except on special occasions, on a quiet winter evening, or, perhaps,
+on as quiet a summer morning.
+
+Uncle John had not always lived in the old house. We knew, that, after
+Grandpapa's death, it had been shut up,--for my father's business
+engagements would not allow my mother to reside in it, and Uncle John
+had been for years among the Indians in the far Northwest. We had
+heard of him sometimes, but we had never seen him, we hardly realized
+that he was a living person, till one day he suddenly appeared among
+us, rough-looking and uncouth in his hunter's dress, with his heavy
+beard and his long hair, bringing with him his multifarious
+assortment, so charming to our eyes, of buffalo-robes and elk-horns,
+wolf-skins and Indian moccasins.
+
+He staid with us that winter, and very merry and happy he seemed to us
+at first;--looking back upon it now, I should call it, not happiness,
+but excitement;--but as the winter passed on, even we children saw
+that all was not right with him. He gradually withdrew himself from
+the constant whirl of society in our house, and, by the spring, had
+settled himself in the old home at Newport, adding to his old
+furniture only his books, which he had been all winter collecting, and
+the primitive _in_conveniences of his own room, which his rough
+Western life had rendered indispensable to him. His study presented a
+singular mixture of civilization and barbarism, and its very
+peculiarities made it a delight to Alice and me. There were a few rare
+engravings on the walls, hung between enormous antlers which supported
+rough-looking rifles and uncouth hunting-shirts,--cases of elegantly
+bound and valuable books, half hidden by heavy buffalo-robes marked
+all over with strange-looking hieroglyphics which told the Indian
+_coups_,--study-chairs of the most elaborate manufacture, with
+levers and screws to incline them to any, the idlest, inclination,
+over the backs of which hung white wolf-skins, mounted, claws and all,
+with brilliant red cloth,--and in the corner, on the pretty Brussels
+carpet, the prettiest that mamma could find at Shellito's, lay the bag
+of Indian weed (Uncle John scorned tobacco) with which he filled his
+pipe every evening, and the moccasins which he always wore when at
+home.
+
+In vain did Alice and I spend our eyesight in embroidering slippers
+for him; our Christmas gifts were received with a kiss or a stroke of
+the head, and then put into Aunt Molly's hands to be taken care of,
+while he still wore the rough moccasins, made far up among the
+Blackfoot Indians, which he laughingly declared were warmer, cooler,
+softer, and stronger than any slippers or boots that civilized
+shoemaker ever turned off his last.
+
+Quiet as it was at the old house, it had always been a source of
+happiness to us to be allowed to make a visit to Uncle John. There,
+if that were possible, we did more as we pleased than even at home;
+there were not even the conventionalities of society to restrain us;
+we were in the country, comparatively. And who like Uncle John knew
+what real country pleasures were? who like him could provide for every
+contingency? who was so full of expedients in those happy gypsying
+expeditions which we would entice him into, and which sometimes lasted
+for days, nay, weeks? He would mount Alice and myself on two of his
+sure-footed little Indian ponies, with which his trader friends always
+kept him supplied; and throwing a pair of saddle-bags, filled with
+what he called our woman's traps, over his own, he would start with us
+for a trip across the country for miles, stopping at the farm-houses
+at night, laughing us out of our conventional notions about the
+conveniences of lodging, and so forth,--and camping out during the
+day, making what we called a continuous picnic. And then the stories
+he would tell us of his adventures among the Blackfeet,--of his
+trading expeditions,--his being taken prisoner by the Sioux,--his life
+in the forts,--till Alice would creep nearer to him in her nervous
+excitement, as if to be sure that he was really with her, and then beg
+him to go on and tell us something more. Once I asked him how he
+happened to go out among the Indians. His face darkened,--"My little
+Kate, you must not ask questions,"--and as I turned to Alice, her eyes
+were full of tears. She had been looking at him while I spoke, and she
+told me afterwards that something about Uncle John's lips made her
+cry, they quivered so, and were set afterwards so tight. We never
+asked him that question again.
+
+But the ferry-boat, "The Belle of Newport," has neared the landing
+while I have been introducing Uncle John, and the soft summer twilight
+saw us wending our way through the town towards the Kentucky hills,
+whose rounded outlines were still bright with the evening red. Just
+on the rise of the nearest was the Old House,--for it went with us by
+no other name,--and at the garden-gate stood Uncle John, his face
+brightening as he saw us, while behind him a row of eager faces showed
+their wide-stretched mouths and white teeth.
+
+"Come to spend two or three days, Alice?" said Uncle John, that
+evening, as we sat with shaded lamp in the study, his moccasined feet
+resting on the window-seat, while he sank into the depths of his
+leather-covered Spanish chair. "Why, what has become of the parties
+that Aunt Molly heard about in your kitchen on her way to market
+yesterday? Where are all our handsome young students that were coming
+home for the holidays? Remember, I'll have none of them following you
+over here, and disarranging my books by way of showing off their
+knowledge."
+
+Alice laughed. "Not a soul knows where we are, Uncle John, except
+mamma, and she promised not to tell. Laura C. has a party to-night,
+and she will be provoked enough at our running away; but the truth
+is,----well, Uncle John, I am tired of parties; indeed, I am tired of
+our way of living, and--and Kate and I thought we would come and ask
+you what we ought to do about it."
+
+Uncle John puckered up his face with a comical expression, and then,
+looking out of the window, whistled the Indian buffalo-call.
+
+Alice sprung up. "Don't whistle that provoking thing, Uncle John!
+Indeed, I am thoroughly in earnest,--parties are so tiresome,--all
+exactly alike; we always see the same people, or the same sort of
+people. There is nothing about them worth having, except the dancing;
+and even that is not as good as a scamper over the hills with you and
+the ponies. You know we have been going to parties for these two
+years; we have seen so much of society, no wonder we are tired of it."
+
+"Sit down, Alice," said Uncle John; "you do look really in earnest, so
+I suppose you must not be whistled at. And you have come all the way
+over here this evening to get me to solve Life's problem for you? My
+dear, I cannot work it out for myself. You are 'tired of society'?
+Why, little one, you have not seen society yet. Suppose I could put
+you down to-night in the midst of some European court,--could show you
+men whose courage, wit, or learning had made them world-famous,--women
+whose beauty, grace, and cultivation brought those world-famous men to
+their side, and who held them there by the fascination that
+high-breeding knows how to use. Should you talk of sameness then?"
+
+Alice's eyes sparkled for a moment, then she said,--
+
+"Yes, I should tire even of that, after a while, glorious as it would
+be at first."
+
+"Have you reached such sublime heights of philosophy already? Then,
+perhaps, I shall not seem to be talking nonsense, when I tell you that
+there is nothing in the world of which you would not tire after the
+first joy of possession was over, no position which would not seem
+monotonous. You do not believe me? Of course not. We all buy our own
+experience in life; on one of two rocks we split: either we do not
+want a thing after we have got it, or we do not get it till we no
+longer want it. Some of us suffer shipwreck both ways. But, Alice, you
+must find that out for yourself."
+
+"Can we not profit by each other's mistakes, Uncle?"
+
+"No, child. To what purpose should I show you the breakers where my
+vessel struck? Do you suppose you will steer exactly in my path? But
+what soberness is this? you are not among breakers yet; you are simply
+'tired of living';" and Uncle John's smile was too genial to be called
+satirical.
+
+"Tired of not living, I think," replied Alice,--"tired of doing
+nothing, of having nothing to do. The girls, Laura and the rest of
+them, find so much excitement in what seems to me so stupid!"
+
+"You are not exactly like 'Laura and the rest of them,' I fancy, my
+dear, and what suits them is rather too tame for you. But what do you
+propose to do with yourself now that you are beginning to live?"
+
+"Now you are laughing at me, Uncle, and you will laugh more when I
+tell you that I mean to study and to make Kate study with me."
+
+"Poor Kate!--if you should fancy swimming, shooting, or any other
+unheard-of pursuit, Kate would be obliged to swim and shoot with
+you. But I will not laugh any more. Study, if you will, Alice; you
+will learn fast enough, and, in this age of fast-advancing
+civilization, when the chances of eligible matrimony for young ladies
+in your station are yearly becoming less and less,--oh, you need not
+put up your lip and peep into my bachelor's shaving-glass!--let me
+tell you that a literary taste is a recourse not to be despised. Of
+course you will study now to astonish me, or to surprise your young
+friends, or for some other equally wise reason; but the time may come
+when literature will be its own exceeding great reward."
+
+"Uncle, answer me one thing,--are you as happy here in your quiet
+study as you were in your exciting life among the Indians? Do you not
+tire of this everyday sameness?"
+
+"Close questioning, Alice, but I will answer you truly. Other things
+being equal, I confess to you that the Indian life was the more
+monotonous of the two. I look back now on my twenty years of savage
+life and see nothing to vary its dreary sameness; the dangers were
+always alike, the excitements always the same, and the rest was a dead
+blank. The whole twenty years might be comprised in four words,--we
+fought, we hunted, we eat, we slept. No, there is no monotony like
+that,--no life so stupid as that of the savage, with his low wants and
+his narrow hopes and fears. My life here among my books, which seems
+to you so tame, is excitement itself compared with that. Your
+stupidest party is full of life, intelligence, wit, when put beside an
+Indian powwow. There is but one charm in that wandering life,
+Alice,--the free intercourse with Nature; _that_ never tires; but
+then you must remember that to enjoy it you must be cultivated up to
+it. There needs all the teaching of civilization, nay, the education
+of life, to enjoy Nature truly. These quiet hills, these beech
+forests, are more to me now than Niagara was at eighteen; and Niagara
+itself, which raises the poet above the earth, falls tame on the mind
+of the savage. Believe one who knows,--the man of civilization who
+goes back to the savage state throws away his life; his very mind
+becomes, like the dyer's hand, 'subdued to what it works in.'
+
+"But I am going out of your depth again, girls," continued he, looking
+at our wondering, half-puzzled faces. "Let it go, Alice; Life is a
+problem too hard for you to solve as yet; perhaps it will solve
+itself. Meantime, we will brighten ourselves up to-morrow by a good
+scamper over the hills, and, the next day, if your fancy for study
+still holds, we will plan out some hard work, and I will show you what
+real study is. Now go to bed; but see first that Aunt Molly has her
+sandwiches and gingerbread ready for the morning."
+
+
+TALK NUMBER TWO.
+
+Uncle John was well qualified to show us what real study was, for in
+his early youth he had read hard and long to fit himself for a
+literary life. What had changed his course and driven him to the far
+West we did not know, but since his return he had brought the
+perseverance and judgment of middle life to the studies of his youth,
+and in his last ten years of leisure had made himself that rarest of
+things among Americans, a scholar, one worthy of the name.
+
+Under his guidance our studies took life, and Alice threw herself into
+them with all the energy of her nature. In vain papa pished and
+pshawed, and mamma grieved, and begged John not to spoil the girls by
+making bookworms of them; in vain "Laura C. and the rest of them"
+entreated us to join this picnic or show ourselves at that party; in
+vain the young men professed themselves afraid of us, and the girls
+tossed their heads and called us blue-stockings. Alice's answer to all
+was, "I like studying; it is a great deal more entertaining than going
+to parties; Uncle John's study is pleasanter than Mrs. C.'s parlor,
+and a ride on his little Winnebago better fun than dancing." And so
+the years went on. We were not out of society,--that could not be in
+our house,--but our associates changed; young men of a higher standing
+frequented the house; we knew intimately the cultivated women, to
+whom, before, we had simply bowed at parties; and mamma and papa grew
+quite satisfied.
+
+Not so Alice; the spirit of unrest was on her again, but this time it
+was not because of the weariness of life, but that she was oppressed
+by the fulness of her own happiness. She had waked up to life in
+waking up to love, and had poured out on Herbert B. the whole wealth
+of her heart. There was everything in her engagement to satisfy her
+friends, everything to gratify papa and mamma; and if I sometimes
+thought Herbert's too feeble a nature to guide hers, or if Uncle John
+sometimes talked with or listened to him as if he were measuring his
+depth and then went away with an anxious expression of face, who shall
+say how much of selfishness influenced us both? for was he not to take
+from us the pet and pride of our lives?
+
+They were to be married in a few weeks, on Alice's twentieth birthday,
+and then leave for New York, where Herbert was connected in business
+with his father.
+
+It was on a gloomy December afternoon that Alice came running up to
+our room, where I was reading my Italian lesson, and exclaimed,--
+
+"Quick, Kate! put away those stupid books, and let us go over to Uncle
+John's for the night."
+
+"Where is Herbert?"
+
+"Herbert? Nonsense! I have sent him off with orders not to look for me
+again till to-morrow, and to-night I mean to pretend that there is no
+Herbert in the world. Perhaps this will be my last talk with Uncle
+John."
+
+We walked quickly through the streets, shrouded in the dark
+winter-afternoon atmosphere heavy with coal-smoke, the houses on each
+side dripping with the fog-drops and looking dirty and cheerless with
+the black streaks running from the corners of each window, like tears
+down the face of some chimney-sweep or coal-boy, till, reaching the
+foot of Ludlow Street, we stood ankle-deep in mud, waiting for the
+little steamer, which still ploughed its way through the dark,
+sullen-looking water thick with the red mud which the late rise had
+brought down, and with here and there heavy pieces of ice floating by.
+
+"Uncle John will never expect us to-night, Alice."
+
+"I cannot help it,--I must go; for I shall never be satisfied without
+one good talk with him before I leave, and Herbert will never spare me
+another evening. Besides, Uncle John will be only too glad to see us
+in this suicidal weather, as he will call it." And she sprang upon the
+boat, laughing at my woebegone face.
+
+"You are glad to see us here, Uncle John,--glad we came in spite of
+the fog, and sleet, and ice, and Kate's long face. How anybody can
+have a long face because of the weather, I cannot understand,--or,
+indeed, why there should be long faces at all in the world, when
+everything is so gloriously full of life."
+
+"How many years is it, Alice,--three, I think,--since you were tired
+of living, found life so wearisome?"
+
+"Yes, just about three years since Kate and I ran away from Laura C.'s
+party and came over here to ask you to help us out of our stupidity. I
+remember it all,--how you puzzled me by telling me that every position
+in life had its sameness. Ah, Uncle John, you forgot one thing when
+you told me that nothing satisfied us in this world." And Alice looked
+up from her little stool, where she sat before the fire at Uncle
+John's feet, with the flush of deep feeling coloring her cheeks and
+the dewy light of happiness in her eyes.
+
+"And that one thing, Alice?"
+
+"You are lying in wait for my answer, to give it that smile that I
+hate,--it is so unbelieving and so sad; I will not have you wear it on
+your face to-night, Uncle John. You cannot, if I speak my whole heart
+out. And why should I not, before you and Kate,--Kate, who is like my
+other self, and you, dear Uncle John, who, ever since the time we were
+talking about, have been so much to me? Do you know, I never told
+anybody before? but all you said that night never left me. I thought
+of it so much! Was it true that life was so dissatisfying? You who had
+tried so thoroughly, who had gone through such a life of adventure,
+had seemed to me really to live, was all as flat and unprofitable to
+you as one of our tiresome parties or morning calls? And something in
+my own heart told me it was true, something that haunted me all
+through my greatest enjoyments, through my studies that I took up
+then, and which have been to me, oh, Uncle John, so much more than
+ever I expected they would be! Yes, through all that I believed you,
+believed you till now, believed you till I knew Herbert."
+
+"And has Herbert told you better?"
+
+"Uncle John, you do not know how the whole of life is glorified for
+me,--glorified by his love. I do not deserve it; all I can do is to
+return it ten-fold; but this I know, that, while I keep it, there can
+be nothing tame or dull,--life, everything, is gilded by my own
+happiness."
+
+"And if you lose it?"
+
+The flush on her face fell. "I should be miserable!--I should not--no,
+I could not live any longer!"
+
+"Alice," said Uncle John, his face losing its half-mocking smile with
+which he had been watching her eager countenance, "Alice, did you know
+that I had been married?"
+
+We started. "Married? No. How was it, and when?"
+
+"It is no matter now, my girls. Some time I may tell you about it. I
+should not have spoken of it now, but that I know my little Alice
+would not believe a word I am going to tell her, if she thought she
+was listening to an old bachelor's croakings. Now I can speak with
+authority. You think you could not live without Herbert's love? My
+dear, we can live without a great many things that we fancy
+indispensable. Nor is it so very easy to die. There comes many a time
+in life when it would seem quite according to the fitness of things,
+just the proper ending to the romance, to lie down and die; but,
+unfortunately, or rather fortunately, dying is a thing that we cannot
+do so just in the nick of time; and indeed"--and Uncle John's face
+assumed its strange smile, which seemed to take you, as it were,
+suddenly behind the scenes, to show you the wrong side of the
+tapestry,--"and indeed," he continued, "when I look back on the times
+in my life that I should have died, when it was fitting and proper to
+die, when I felt that dying would be such a trump card to play, if
+only I could manage it, I must say that I am glad now that it was
+beyond my power to arrange things according to the melodramatic
+rules. As it is, I am alive now. I shake my fist at all the ghosts of
+my departed tragedies and say, 'I am worth two of you. I am alive. I
+have all the chances of the future in my favor.'"
+
+Here he caught sight of Alice's wide-opened eyes, and his smile
+changed into his own genial laugh, as he kissed her forehead and went
+on.
+
+"That was a little aside, Alice, made to my other self, my
+metaphysical man,--not meant at all for my audience. I was meditating
+a lecture on the causes of conjugal happiness, but I seem to have
+stumbled upon a knot in the very first unwinding of the thread of my
+discourse."
+
+"I'll listen to the lecture, Uncle, though I see but one simple and
+all-sufficient cause for my happiness."
+
+"That Herbert loves you, ha? Know, my pretty neophyte, that happiness,
+married happiness especially, does not come from being loved, but from
+loving. What says our Coleridge?
+
+
+ "'For still the source, not fountain, gives
+ The daily food on which Love lives.'
+
+
+"And he is right, although you shake your curls. In most marriages, in
+all that are not matters of convenience, one party has a stronger
+heart, will, character, than the other. And that one loves the most
+from the very necessity of his nature, and, loving most, is the
+happier. The other falls, after a while, into a passive state, becomes
+the mere recipient of love, and finds his or her happiness in
+something else, or perhaps does not find it at all."
+
+"Neither side would satisfy me, Uncle John; I hardly know which fate
+would be the more terrible. Do you think I would accept such a
+compromise in exchange for all I am living and feeling now? I would
+rather be miserable at once than so half-happy."
+
+"But, my darling, Colin and Chloe cannot spend their whole lives
+singing madrigals and stringing daisies. It is not in human nature to
+support, for any length of time, such superhuman bliss. The time will
+come when Colin will find no more rhymes to 'dove,' and when Chloe
+will tire of hearing the same one. It is possible that Herbert will
+some time tire of reading Shelley to you,--nay, it is even possible
+that the time may come when you will tire of hearing him; it is of
+that time I would talk. The present is as perfectly satisfactory to me
+as to you and Herbert, though not exactly in the same degree."
+
+"Well, Uncle, what is your advice to Chloe disillusioned,--if you
+insist that such a thing must be?"
+
+"Simply this, my own dear little child," answered Uncle John, and his
+voice took almost a solemn tone in its deep tenderness,--"when that
+time comes, as come it must, do not worry your husband with idle
+regrets for the past; remember that the husband is not the lover;
+remember that your sex love through your imagination, and look always
+for that clothing and refining of passion with sentiment, which, with
+us, belong only to the poetry and chivalry of youthful ardor. We may
+love you as well afterward,--nay, we may love you a great deal
+better,--but we cannot take the trouble of telling you so every day;
+we expect you to believe it once for all; and you,--you like to hear
+it over and over again, and, not hearing it, you begin to fancy it no
+longer true, and fall to trying experiments on your happiness. A fatal
+error this, Alice. There is nothing that men so often enjoy as the
+simply being let alone; but not one woman in a hundred can be made to
+believe in such a strange enjoyment. Then the wife becomes
+_exigeante_ and impatient, and the husband, after fruitless
+attempts to find out what he has done, never suspecting that the real
+trouble is what he has left undone, finds her unreasonable, and begins
+to harden himself to griefs which he classes, like Miss Edgeworth,
+under the head of 'Sorrows of my Lord Plumcake.'"
+
+"Miserable fate of the nobler sex, Uncle,--disturbed, even in the
+sublime heights of philosophical self-possession, by the follies and
+unreasonablenesses of the weaker vessel! I suppose you allow men to
+live out their natures unrebuked, while women must live down theirs?"
+
+"Not I, Alice,--but I am by nature a special pleader, and, just now, I
+am engaged on Herbert's side of the case. Fee me well, my darling, by
+a kiss or a merry look, and bring Herbert up to judgment, and I will
+tell him home truths too."
+
+"Let me hear your argument for the other side, most subtile of
+reasoners, and I may, perhaps, be able to repeat them at second-hand,
+when occasion calls for them."
+
+"Don't think of it, my dear! Second-hand arguments are like
+second-hand coffee,--the aroma and the strength have disappeared,
+never to be brought back again. But if the husband were really here,
+and the wife had paid well for properly-administered advice, I should
+say to him, 'Do not fancy that you have done everything for your wife
+when you have given her house, servants, and clothes; she really wants
+a little attention now and then. Try to turn your thoughts away from
+your more important affairs long enough to notice the pretty
+morning-wrapper or the well-fitting evening-dress which has cost her
+some thought for your sake; do not let a change in the furniture or a
+new ornament in the parlor go unnoticed till the bill comes in. And
+while, of course, you claim from her the most ready sympathy in all
+your interests and enthusiasms, give her, once in a great while, say
+every year or so, a little genuine interest in the housekeeping trials
+or dressmaker grievances that meet her at every turn.
+
+"Moreover, I would recommend to you, should your wife happen to have
+some literary or artistic tastes, not to ignore them entirely because
+they do not pay so well as your counting-room accounts do, and are not
+so entertaining to you as billiards. I would even indulge her by
+sacrificing a whole evening to her, once in a while, even to the
+detriment of your own business or pleasure. Depend upon it, it will
+pay in the end."
+
+"Now, Uncle, like Rosalind, you have simply misused your whole sex in
+your special pleadings, both for and against. If Herbert were here, I
+would appeal to him to know if the time can ever come when what I do
+can be uninteresting to him. But I know, for myself, that such a thing
+cannot be. You are not talking from your own experience, Uncle?"
+added she, suddenly looking up in his face.
+
+"My dear Alice, were it possible, should it ever seem likely, that my
+experience might benefit you, how readily I would lay it open before
+you! But those who have lived their lives are like the prophets of
+old,--their words are believed only when they are fulfilled. The
+meaning of life is never understood till it is past. Like Moses on the
+rock, our faces are covered when the Lord passes by, and we see only
+his back. But look behind you, my darling!"
+
+Alice turned suddenly and her face lighted up into the full beauty of
+happiness as she saw Herbert standing in the doorway.
+
+"I hope you have room for me, Mr. Delano," said he, advancing, "for
+here I am, weather-bound, as well as Miss Alice and Kate. There is a
+drizzling rain falling out-of-doors, and your Kentucky roads are fast
+growing impassable for walkers."
+
+Uncle John put into words the question that Alice's eyes had been
+asking so eagerly.
+
+"Where did you stumble from, my dear fellow,--and at this time of
+night, too?"
+
+"Why, I could not find any one at home on Fourth Street, so I took the
+last ferry-boat and came over, on a venture, to try the Kentucky
+hospitality, of which we New-Yorkers hear so much; and my stumbling
+walk through the mud made me so unpresentable, that I found the way
+round the house to Aunt Molly's premises, and left the tracks of my
+muddy boots all over her white kitchen, till she, in despair, provided
+me with a pair of your moccasins, and, shod in these shoes of silence,
+I came quietly in upon you. I do hope you are all glad to see me," he
+added, sitting down on the low seat that Alice had left, and looking
+up in her face as she stood by her uncle.
+
+Alice shook her head with a pretty assumption of displeasure, as she
+said, "I told you I did not want to see you till to-morrow." But
+hardly half an hour had elapsed before she and Herbert had wandered
+off into the parlor, and Uncle John and I were left to watch them
+through the open door.
+
+"If he were not so impulsive," said Uncle John, abruptly,--"if he were
+not so full of fancies! Kate, you are a wise and discreet little lady,
+and we understand each other. Did I say too much?"
+
+Just then Alice looked back.
+
+"Chloe is the one who sings madrigals to-night, Uncle; she is going to
+read Colin a lesson"; and, sitting down at the piano, she let her
+hands run over the keys and burst out joyously into that variation of
+Raleigh's pretty pastoral song,--
+
+
+ "Shepherd, what's Love? I prithee tell."
+ "It is a fountain and a well,
+ Where pleasure and repentance dwell;
+ And this is Love, as I've heard tell:
+ Repentance, repentance, repentance!"
+
+
+
+TALK NUMBER THREE.
+
+
+Five years have passed since Alice sat at Uncle John's feet and
+listened to his words that gave lessons of wisdom while they seemed
+only to amuse; and now she sits again on the low stool, looking up in
+his face, while I stand behind him and look down on her, marking the
+changes that those years have wrought. She has come back to us, our
+own Alice still,--but how different from the impetuous, impulsive girl
+who left us five years ago! Her face has lost its early freshness,
+though it seems to me lovelier than before, in its matured, womanly
+expression; but her eyes, which used to be lifted so eagerly, to
+glance so rapidly in their varying expression, are now hidden by their
+lashes even when she is talking earnestly; her lips have lost their
+mobility, and have even something stern in their fixedness; whilst her
+hair, brought down smoothly over her forehead and twisted firmly in
+the low knot behind, and her close-fitting widow's dress add to the
+sobriety and almost matronliness of her appearance.
+
+For Alice is a widow now, and has come back to us in her bereavement.
+We have known but little of her real self for some years, so guarded
+have been her letters; and not until the whole terrible truth burst
+upon us, did we do more than suspect that her married life had not
+brought the happiness she anticipated. She is talking freely now she
+is at home again among her own people.
+
+"I have sometimes thought, Uncle John, that all you said to me, the
+last night I spent here, had some meaning deeper than met the ear. Had
+you second sight? Did you foresee the future? Or was there that in
+the present which foreshadowed it to you?"
+
+"I am no prophet, Alice. I spoke only from what I knew of life, and
+from my knowledge of your character and Herbert's. But I am yet to
+know how my words have been fulfilled."
+
+"It makes no difference now," said she, slowly, and with a touching
+weariness. "And yet," she added, rousing herself, "it would make all
+the difference in the world to me, if I could see clearly where it was
+that I was to blame. Certainly I must have done wrong; such
+wretchedness could not have come otherwise."
+
+Uncle John drew her hand within his, while he answered calmly,--"It is
+very probable you have done wrong, my darling; who of us are wise and
+prudent, loving and forbearing, as we should be?"
+
+"You think so? How glad I am to hear you say so! Yes, I can see it
+now; I can see how I did that very thing against which you warned
+me. First came the time when Herbert forgot to admire everything which
+I did and said, and I--I tried little pouting ways, that I did not
+feel. Then they were so successful, that I carried them too far, and
+Herbert did not pet me out of them. Then I grew anxious and began to
+guess at that truth which was only too clear to me at last, that he
+did not love me as I loved him. Next,--oh, Uncle John, how much I was
+to blame!--I watched every word and look, gave meanings to things that
+had none, asked explanations where Herbert had none to give, and
+fairly put him under such restraint that he could neither look nor act
+himself. He fretted under it,--who would not?--and then began the
+thousand excuses for being away from home, business engagements,
+club-meetings, some country-customers of the firm, who must be taken
+to the theatre, and, at last, no excuse at all but want of time. I
+knew then that his love for me had never been more than a passing
+fancy, and, woman-like, I grew proud, shut my heart up from him,
+buried myself in my books. I never studied before as I did then, Uncle
+John, for I studied to get away from myself, and, looking back, I
+wonder even now at what I accomplished. Yes, you were right, books are
+fast friends,--and mine would have brought me their own exceeding
+great reward, had not my spirit been so bitter.
+
+"It was then that mamma was so sick and I came home. Did you think me
+wonderfully calm, Kate? I think somebody said I showed astonishing
+self-control; but, in truth, I was frightened at myself,--I had no
+feeling about anything, Mamma's sickness seemed something entirely
+removed from me, something which concerned me not in the least. I was
+calm because I felt nothing. I wondered then and wonder now that you
+did not find me out, for I knew how unlike I was to my former
+self. Then mamma got well, and I was not glad; I went back to New
+York, and felt no sorrow at parting with you all.
+
+"But when I got back, oh, Uncle John, I was too late!--too late to do
+right, even had I wished it! I don't know,--I made good resolutions on
+my way back: Heaven knows if I should have had strength to put them in
+practice. But it was all over; not only had I lost Herbert, but he had
+lost himself. The first time I saw him he was not himself,--I might as
+well say it,--he was drunk.
+
+"There is no need of going through the rest, Uncle,--you will not ask
+it. I think I did everything I could;--I threw away my books; I
+devoted myself to making his home pleasant to him; never, no, never,
+in my girlish days, did I take half the pains to please him that I did
+now to win him from himself. I read to him, I sang to him, I filled
+the house with people that I knew were to his taste, I dressed for
+him, I let myself be admired by others that he might feel proud of me,
+might think me more worthy of admiration,--but all to no
+purpose. Sometimes I hoped, but more often I despaired; his fall
+seemed to me fearfully rapid, though now the three years seem to have
+been interminable. At last I had no hope but that of concealing the
+truth from you all. You thought me churlish, Kate, in my answer to
+your proposal to spend last winter with me? My darling, I dared not
+have you in my house. But it is over now. I knew how that last
+horrible attack would end when I sent for papa. He had gone through
+two before that, and the doctor told me the third would be fatal. Poor
+Herbert!--Uncle John, can I ever forgive myself?"
+
+Alice looked up with dry and burning eyes into Uncle John's face, over
+which the tears were streaming.
+
+"My child, it is right that you should blame yourself. What sorrow do
+we meet in life that we do not in part bring upon ourselves? Who is
+there of us who is not wise after time? which of us has not made some
+fatal mistake?"
+
+I felt half indignant that Uncle John did not tell her how much more
+to blame, how weak, how reckless Herbert had been; but the calmer
+expression which came over Alice's countenance showed me that he was
+right, that he best knew her heart. She could not now be just to
+herself; she was happier in being unjust.
+
+We were still and silent for a long time. The light wood-fire on the
+hearth crackled and burned to ashes, but it had done its office in
+tempering the chill of the autumn evening, and through the half-open
+door stole the 'sweet decaying smell' of the fallen leaves, while the
+hush of an Indian-summer night seemed to calm our very hearts with its
+stillness.
+
+Uncle John spoke at last. His voice was very gentle and subdued as he
+said:
+
+"I told you once, Alice, that my life should be opened to you, if ever
+its errors could be either warning or consolation to you. But who am
+I, to judge what beacon-lights we may hold out to each other? There is
+as much egotism, sometimes, in silence as in the free speech which
+asks for sympathy. Perhaps I have been too proud to lay open my
+follies before you and my little Kate."
+
+Alice looked up, with a touch of her old eagerness, as Uncle John went
+on.
+
+"It was long before you were born, my dear, that, for some college
+peccadilloes,--it is so long ago that I have almost forgotten now what
+they were,--I was suspended (rusticated we called it) for a term, and
+advised by the grave and dignified president to spend my time in
+repenting and in keeping up with my class. I had no mind to come
+home; I had no wish, by my presence, to keep the memory of my
+misdemeanors before my father's mind for six months; so I asked and
+gained leave to spend the summer in a little town in Western
+Massachusetts, where, as I said, I should have nothing to tempt me
+from my studies. I had heard from a classmate what famous shooting and
+fishing were to be found there, and I knew something of the beauty of
+Berkshire scenery; but I honorably intended to study well and
+faithfully, taking only the moderate amount of recreation necessary
+for my health.
+
+"I went, and soon established myself in a quiet farm-house with my
+books, gun, and fishing-rod, and had passed there a whole month with
+an approving conscience and tolerable success both in studies and
+sport, when the farmer announced one morning, that, as he had one
+boarder, he might as well take another, and that a New York lady had
+been inquiring of his neighbor Johnson, when he was in the city last
+week, for some farm-house where they would be willing to take her
+cheap for the summer. She could have the best room, and he didn't
+suppose she'd be in anybody's way, so he had told Johnson that she
+might come, if she would put up with their country fare.
+
+"She came the next week. She was a widow, some thirty years old, ten
+years older than I was. I did not think her pretty,--perhaps
+_piquante_, but that was all. In my first fastidiousness, I
+thought her hardly lady-like, and laughed at her evident attempts to
+attract my notice,--at her little vanities and affectations. But I do
+not know; we were always together; I saw no other woman but the
+farmer's wife. There were the mountain walks, the trees, the flowers,
+the moonlight; she talked so well upon them all! In short, you do not
+know, no young girl can know, the influence which a woman in middle
+life, if she has anything in her, has over a young man; and she,--she
+had shrewdness and a certain talent, and, I think now, knew what she
+was doing,--at any rate, I fell madly in love. I knew my father would
+never consent to my marrying then; I knew I was ruining my prospects
+by doing so; but that very knowledge only made me more eager to secure
+her.
+
+"She was entirely independent of control, being left a widow with some
+little property, and threw no obstacles in my way. We were married
+there, in that little village, and for a few weeks I lived in a fool's
+paradise.
+
+"I could not tell you--indeed, I would not tell you, if I could--how
+by degrees I found out what I had done,--that I had flung away my
+heart on a woman who married me simply to secure herself the position
+in society which her own imprudence had lost; how, when she found I
+had nothing to offer her but a home in my father's house, entirely
+dependent upon him, she accused me of having deceived her for the sake
+of her own miserable pittance; how she made herself the common talk of
+Newport by her dissipation, her extravagance, her affectations; how
+her love of excitement led her into such undisguised flirtations,
+under the name of friendships, with almost every man she met, that her
+imprudences, to call them by no harsher name, made my father insist,
+that, for my mother's sake, I should seek another home.
+
+"I did so, but it was only to go through a repetition of similar
+scenes, of daring follies on her part, and reproaches on mine. At
+last, desperate, I induced my father to settle on her what would have
+been my share of his property on condition that she should return to
+New York,--while I, crushed down, mortified, and ashamed to look my
+friends in the face, and sick of the wrongs and follies of civilized
+life, grasped eagerly at an opportunity to join a fur-trading party,
+and buried myself alive in the wilds of the Northwest.
+
+"I had no object in going there but to escape from my wife and from
+myself; but, once there, the charm of that free life took possession
+of me; adventure followed adventure; opportunities opened to me, and I
+grew to be an influential person, and made myself a home among the
+Indians. It is a wild life that the Indian traders live up in that
+far-away country, and many a reckless deed is done there which public
+opinion would frown upon here. I am afraid I was no better than my
+companions; I lived my life and drew from it whatever enjoyment it
+would bring; but, at least, I did not brutalize myself as some of them
+did; for that I may thank the refining influence of my early
+education. Meantime, I was almost lost to my family and, indeed, I
+hardly regretted it, for nothing would have brought me back while my
+wife lived, and, if I were not to be with my friends, why eat my heart
+out with longings for them? So, for nearly twenty years, I lived the
+life of adventure, danger, and privation, that draws its only charm
+from its independence.
+
+"At last came a letter from your mother. It found its way to me from
+fort to fort, brought up part of the way with the letters to the
+troops stationed at our upper forts, then carried by the Indian
+runners to the trading-posts of the fur-companies till it reached me
+in the depths of the Rocky Mountains. My wife was dead,--she had died
+suddenly; my property, all that she had not squandered, (and it was so
+tied up by my father's forethought that she could only throw away a
+part of it,) was my own again; my sister longed to see me, and
+promised me a welcome to her house and heart. I grew restless from
+that moment, and, converting into money the not inconsiderable wealth
+with which I had surrounded myself in the shape of furs, horses,
+buffalo-robes, and so forth, I came down to the States again to begin
+life anew, a man of forty-five, my head whitened, and my features
+marked before their time from the life of exposure which I had
+led. Alice, I, too, was too late. I had dropped out of the tide of
+life and progress in my twenty years' seclusion, and, struggle as I
+might, I could not retrieve the time lost. The present age knew not of
+me,--I had lost my place in it; the thoughts, feelings, habits, of all
+around were strange to me; I had been pushed out of the line of march,
+and never could I fall into step again. In society, in business, in
+domestic life, it was all the same. Trial after trial taught me, at
+last, the truth; and when I had learned not only to believe it, but to
+accept it, I came home to my father's house, now mine, and made myself
+friends of my books,--those faithful ones who were as true to me as if
+I had never deserted them. They have brought me content, if not
+happiness; and you, Alice, you and Kate, you have filled fully an old
+man's heart."
+
+Alice's tears were dropping fast on Uncle John's hand as she said,--
+
+"I will be more to you henceforward than ever before. I have nothing
+else to live for now. Kate is the home child; but I--I will stay with
+you, and you shall teach me, too, to be contented,--to find my
+happiness, as you do, in making the happiness of all around."
+
+Uncle John passed his other hand over her hair,--
+
+"You shall stay with me for the present, my darling,--perhaps as long
+as I live. But life is not over for you, Alice. You have youth,--you
+have years in store. For you it is not _too late_."
+
+
+
+
+AN EVENING MELODY.
+
+
+ Oh that yon pines which crown the steep
+ Their fires might ne'er surrender!
+ Oh that yon fervid knoll might keep,
+ While lasts the world, its splendor!
+
+ Pale poplars on the wind that lean,
+ And in the sunset shiver,
+ Oh that your golden stems might screen
+ For aye yon glassy river!
+
+ That yon white bird on homeward wing
+ Soft-sliding without motion,
+ And now in blue air vanishing
+ Like snow-flake lost in ocean,
+
+ Beyond our sight might never flee,
+ Yet onward still be flying;
+ And all the dying day might be
+ Immortal in its dying!
+
+ Pellucid thus in golden trance,
+ Thus mute in expectation,
+ What waits the Earth? Deliverance?
+ Ah, no! Transfiguration!
+
+ She dreams of that New Earth divine,
+ Conceived of seed immortal:
+ She sings, "Not mine the holier shrine,
+ But mine the cloudy portal!"
+
+
+
+
+CHESUNCOOK
+
+
+[Concluded.]
+
+Early the next morning we started on our return up the Penobscot, my
+companion wishing to go about twenty-five miles above the Moosehead
+carry to a camp near the junction of the two forks, and look for moose
+there. Our host allowed us something for the quarter of the moose
+which we had brought, and which he was glad to get. Two explorers from
+Chamberlain Lake started at the same time that we did. Red flannel
+shirts should be worn in the woods, if only for the fine contrast
+which this color makes with the evergreens and the water. Thus I
+thought when I saw the forms of the explorers in their birch, poling
+up the rapids before us, far off against the forest. It is the
+surveyor's color also, most distinctly seen under all circumstances.
+We stopped to dine at Ragmuff, as before. My companion it was who
+wandered up the stream to look for moose this time, while Joe went to
+sleep on the bank, so that we felt sure of him; and I improved the
+opportunity to botanize and bathe. Soon after starting again, while
+Joe was gone back in the canoe for the frying-pan, which had been
+left, we picked a couple of quarts of tree-cranberries for a sauce.
+
+I was surprised by Joe's asking me how far it was to the Moosehorn. He
+was pretty well acquainted with this stream, but he had noticed that I
+was curious about distances, and had several maps. He, and Indians
+generally, with whom I have talked, are not able to describe
+dimensions or distances in our measures with any accuracy. He could
+tell, perhaps, at what time we should arrive, but not how far it
+was. We saw a few wood-ducks, sheldrakes, and black ducks, but they
+were not so numerous there at that season as on our river at home. We
+scared the same family of wood-ducks before us, going and returning.
+We also heard the note of one fish-hawk, somewhat like that of a
+pigeon-woodpecker, and soon after saw him perched near the top of a
+dead white-pine against the island where we had first camped, while a
+company of peetweets were twittering and teetering about over the
+carcass of a moose on a low sandy spit just beneath. We drove the
+fish-hawk from perch to perch, each time eliciting a scream or
+whistle, for many miles before us. Our course being up-stream, we were
+obliged to work much harder than before, and had frequent use for a
+pole. Sometimes all three of us paddled together, standing up, small
+and heavily laden as the canoe was. About six miles from Moosehead, we
+began to see the mountains east of the north end of the lake, and at
+four o'clock we reached the carry.
+
+The Indians were still encamped here. There were three, including the
+St. Francis Indian who had come in the steamer with us. One of the
+others was called Sabattis. Joe and the St. Francis Indian were
+plainly clear Indian, the other two apparently mixed Indian and white;
+but the difference was confined to their features and complexions, for
+all that I could see. We here cooked the tongue of the moose for
+supper,--having left the nose, which is esteemed the choicest part, at
+Chesuncook, boiling, it being a good deal of trouble to prepare it. We
+also stewed our tree-cranberries, (_Viburnum opulus_,) sweetening
+them with sugar. The lumberers sometimes cook them with
+molasses. They were used in Arnold's expedition. This sauce was very
+grateful to us who had been confined to hard bread, pork, and
+moose-meat, and, notwithstanding their seeds, we all three pronounced
+them equal to the common cranberry; but perhaps some allowance is to
+be made for our forest appetites. It would be worth the while to
+cultivate them, both for beauty and for food. I afterward saw them in
+a garden in Bangor. Joe said that they were called _ebeemenar_.
+
+While we were getting supper, Joe commenced curing the moose-hide, on
+which I had sat a good part of the voyage, he having already cut most
+of the hair off with his knife at the Caucomgomoc. He set up two
+stout forked poles on the bank, seven or eight feet high, and as much
+asunder east and west, and having cut slits eight or ten inches long,
+and the same distance apart, close to the edge, on the sides of the
+hide, he threaded poles through them, and then, placing one of the
+poles on the forked stakes, tied the other down tightly at the
+bottom. The two ends also were tied with cedar bark, their usual
+string, to the upright poles, through small holes at short intervals.
+The hide, thus stretched, and slanted a little to the north, to expose
+its flesh side to the sun, measured, in the extreme, eight feet long
+by six high. Where any flesh still adhered, Joe boldly scored it with
+his knife to lay it open to the sun. It now appeared somewhat spotted
+and injured by the duck shot. You may see the old frames on which
+hides have been stretched at many camping-places in these woods.
+
+For some reason or other, the going to the forks of the Penobscot was
+given up, and we decided to stop here, my companion intending to hunt
+down the stream at night. The Indians invited us to lodge with them,
+but my companion inclined to go to the log-camp on the carry. This
+camp was close and dirty, and had an ill smell, and I preferred to
+accept the Indians' offer, if we did not make a camp for ourselves;
+for, though they were dirty, too, they were more in the open air, and
+were much more agreeable, and even refined company, than the
+lumberers. The most interesting question entertained at the
+lumberers' camp was, which man could "handle" any other on the carry;
+and, for the most part, they possessed no qualities which you could
+not lay hands on. So we went to the Indians' camp or wigwam.
+
+It was rather windy, and therefore Joe concluded to hunt after
+midnight, if the wind went down, which the other Indians thought it
+would not do, because it was from the south. The two mixed bloods,
+however, went off up the river for moose at dark, before we arrived at
+their camp. This Indian camp was a slight, patched-up affair, which
+had stood there several weeks, built shed-fashion, open to the fire on
+the west. If the wind changed, they could turn it round. It was
+formed by two forked stakes and a cross-bar, with rafters slanted from
+this to the ground. The covering was partly an old sail, partly
+birch-bark, quite imperfect, but securely tied on, and coming down to
+the ground on the sides. A large log was rolled up at the back side
+for a headboard, and two or three moose-hides were spread on the
+ground with the hair up. Various articles of their wardrobe were
+tucked around the sides and corners, or under the roof. They were
+smoking moose-meat on just such a crate as is represented by With in
+De Bry's "Collectio Peregrinationum," published in 1588, and which the
+natives of Brazil called _boucan_, (whence buccaneer,) on which
+were frequently shown pieces of human flesh drying along with the
+rest. It was erected in front of the camp over the usual large fire,
+in the form of an oblong square. Two stout forked stakes, four or five
+feet apart and five feet high, were driven into the ground at each
+end, and then two poles ten feet long were stretched across over the
+fire, and smaller ones laid transversely on these a foot apart. On the
+last hung large, thin slices of moose-meat smoking and drying, a space
+being left open over the centre of the fire. There was the whole
+heart, black as a thirty-two pound ball, hanging at one corner. They
+said, that it took three or four days to cure this meat, and it would
+keep a year or more. Refuse pieces lay about on the ground in
+different stages of decay, and some pieces also in the fire, half
+buried and sizzling in the ashes, as black and dirty as an old
+shoe. These last I at first thought were thrown away, but afterwards
+found that they were being cooked. Also a tremendous rib-piece was
+roasting before the fire, being impaled on an upright stake forced in
+and out between the ribs. There was a moose-hide stretched and curing
+on poles like ours, and quite a pile of cured skins close by. They had
+killed twenty-two moose within two months, but, as they could use but
+very little of the meat, they left the carcasses on the
+ground. Altogether it was about as savage a sight as was ever
+witnessed, and I was carried back at once three hundred years. There
+were many torches of birch-bark, shaped like straight tin horns, lying
+ready for use on a stump outside.
+
+For fear of dirt, we spread our blankets over their hides, so as not
+to touch them anywhere. The St. Francis Indian and Joe alone were
+there at first, and we lay on our backs talking with them till
+midnight. They were very sociable, and, when they did not talk with
+us, kept up a steady chatting in their own language. We heard a small
+bird just after dark, which, Joe said, sang at a certain hour in the
+night,--at ten o'clock, he believed. We also heard the hylodes and
+tree-toads, and the lumberers singing in their camp a quarter of a
+mile off. I told them that I had seen pictured in old books pieces of
+human flesh drying on these crates; whereupon they repeated some
+tradition about the Mohawks eating human flesh, what parts they
+preferred, etc., and also of a battle with the Mohawks near Moosehead,
+in which many of the latter were killed; but I found that they knew
+but little of the history of their race, and could be entertained by
+stories about their ancestors as readily as any way. At first I was
+nearly roasted out, for I lay against one side of the camp, and felt
+the heat reflected not only from the birch-bark above, but from the
+side; and again I remembered the sufferings of the Jesuit
+missionaries, and what extremes of heat and cold the Indians were said
+to endure. I struggled long between my desire to remain and talk with
+them, and my impulse to rush out and stretch myself on the cool grass;
+and when I was about to take the last step, Joe, hearing my murmurs,
+or else being uncomfortable himself, got up and partially dispersed
+the fire. I suppose that that is Indian manners,--to defend yourself.
+
+While lying there listening to the Indians, I amused myself with
+trying to guess at their subject by their gestures, or some proper
+name introduced. There can be no more startling evidence of their
+being a distinct and comparatively aboriginal race, than to hear this
+unaltered Indian language, which the white man cannot speak nor
+understand. We may suspect change and deterioration in almost every
+other particular, but the language which is so wholly unintelligible
+to us. It took me by surprise, though I had found so many arrow-heads,
+and convinced me that the Indian was not the invention of historians
+and poets. It was a purely wild and primitive American sound, as much
+as the barking of a _chickaree_, and I could not understand a
+syllable of it; but Paugus, had he been there, would have understood
+it. These Abenakis gossiped, laughed, and jested, in the language in
+which Eliot's Indian Bible is written, the language which has been
+spoken in New England who shall say how long? These were the sounds
+that issued from the wigwams of this country before Columbus was born;
+they have not yet died away; and, with remarkably few exceptions, the
+language of their forefathers is still copious enough for them. I felt
+that I stood, or rather lay, as near to the primitive man of America,
+that night, as any of its discoverers ever did.
+
+In the midst of their conversation, Joe suddenly appealed to me to
+know how long Moosehead Lake was.
+
+Meanwhile, as we lay there, Joe was making and trying his horn, to be
+ready for hunting after midnight. The St. Francis Indian also amused
+himself with sounding it, or rather calling through it; for the sound
+is made with the voice, and not by blowing through the horn. The
+latter appeared to be a speculator in moose-hides. He bought my
+companion's for two dollars and a quarter, green. Joe said that it
+was worth two and a half at Oldtown. Its chief use is for moccasins.
+One or two of these Indians wore them. I was told, that, by a recent
+law of Maine, foreigners are not allowed to kill moose there at any
+season; white Americans can kill them only at a particular season, but
+the Indians of Maine at all seasons. The St. Francis Indian
+accordingly asked my companion for a _wighiggin_, or bill, to
+show, since he was a foreigner. He lived near Sorel. I found that he
+could write his name very well, _Tahmunt Swasen_. One Ellis, an
+old white man of Guilford, a town through which we passed, not far
+from the south end of Moosehead, was the most celebrated moose-hunter
+of those parts. Indians and whites spoke with equal respect of
+him. Tahmunt said, that there were more moose here than in the
+Adirondack country in New York, where he had hunted; that three years
+before there were a great many about, and there were a great many now
+in the woods, but they did not come out to the water. It was of no use
+to hunt them at midnight,--they would not come out then. I asked
+Sabattis, after he came home, if the moose never attacked him. He
+answered, that you must not fire many times so as to mad him. "I fire
+once and hit him in the right place, and in the morning I find him. He
+won't go far. But if you keep firing, you mad him. I fired once five
+bullets, every one through the heart, and he did not mind 'em at all;
+it only made him more mad." I asked him if they did not hunt them with
+dogs. He said, that they did so in winter, but never in the summer,
+for then it was of no use; they would run right off straight and
+swiftly a hundred miles.
+
+Another Indian said, that the moose, once scared, would run all day. A
+dog will hang to their lips, and be carried along till he is swung
+against a tree and drops off. They cannot run on a "glaze," though
+they can run in snow four feet deep; but the caribou can run on
+ice. They commonly find two or three moose together. They cover
+themselves with water, all but their noses, to escape flies. He had
+the horns of what he called "the black moose that goes in low lands."
+These spread three or four feet. The "red moose" was another kind,
+"running on mountains," and had horns which spread six feet. Such were
+his distinctions. Both can move their horns. The broad flat blades are
+covered with hair, and are so soft, when the animal is alive, that you
+can run a knife through them. They regard it as a good or bad sign, if
+the horns turn this way or that. His caribou horns had been gnawed by
+mice in his wigwam, but he thought that the horns neither of the moose
+nor of the caribou were ever gnawed while the creature was alive, as
+some have asserted. An Indian, whom I met after this at Oldtown, who
+had carried about a bear and other animals of Maine to exhibit, told
+me that thirty years ago there were not so many moose in Maine as now;
+also, that the moose were very easily tamed, and would come back when
+once fed, and so would deer, but not caribou. The Indians of this
+neighborhood are about as familiar with the moose as we are with the
+ox, having associated with them for so many generations. Father
+Rasles, in his Dictionary of the Abenaki Language, gives not only a
+word for the male moose, (_aianbe_) and another for the female,
+(_herar_,) but for the bone which is in the middle of the heart
+of the moose (!), and for his left hind-leg.
+
+There were none of the small deer up there; they are more common about
+the settlements. One ran into the city of Bangor two years before, and
+jumped through a window of costly plate glass, and then into a mirror,
+where it thought it recognized one of its kind, and out again, and so
+on, leaping over the heads of the crowd, until it was captured. This
+the inhabitants speak of as the deer that went a-shopping. The
+last-mentioned Indian spoke of the _lunxus_ or Indian devil,
+(which I take to be the cougar, and not the _Gulo luscus_,) as
+the only animal in Maine which man need fear; it would follow a man,
+and did not mind a fire. He also said, that beavers were getting to be
+pretty numerous again, where we went, but their skins brought so
+little now that it was not profitable to hunt them.
+
+I had put the ears of our moose, which were ten inches long, to dry
+along with the moose-meat over the fire, wishing to preserve them; but
+Sabattis told me that I must skin and cure them, else the hair would
+all come off. He observed, that they made tobacco-pouches of the skins
+of their ears, putting the two together inside to inside. I asked him
+how he got fire; and he produced a little cylindrical box of
+friction-matches. He also had flints and steel, and some punk, which
+was not dry; I think it was from the yellow birch. "But suppose you
+upset, and all these and your powder get wet." "Then," said he, "we
+wait till we get to where there is some fire." I produced from my
+pocket a little vial, containing matches, stoppled water-tight, and
+told him, that, though we were upset, we should still have some dry
+matches; at which he stared without saying a word.
+
+We lay awake thus a long while talking, and they gave us the meaning
+of many Indian names of lakes and streams in the vicinity,--especially
+Tahmunt. I asked the Indian name of Moosehead Lake. Joe answered,
+_Sebamook_; Tahmunt pronounced it _Sebemook_. When I asked
+what it meant, they answered, Moosehead Lake. At length, getting my
+meaning, they alternately repeated the word over to themselves, as a
+philologist might,--_Sebamook_,--_Sebamook_,--now and then
+comparing notes in Indian; for there was a slight difference in their
+dialects; and finally Tahmunt said, "Ugh! I know,"--and he rose up
+partly on the moose-hide,--"like as here is a place, and there is a
+place," pointing to different parts of the hide, "and you take water
+from there and fill this, and it stays here; that is _Sebamook_."
+I understood him to mean that it was a reservoir of water which did
+not run away, the river coming in on one side and passing out again
+near the same place, leaving a permanent bay. Another Indian said,
+that it meant Large-Bay Lake, and that _Sebago_ and _Sebec_,
+the names of other lakes, were kindred words, meaning large open
+water. Joe said that _Seboois_ meant Little River. I observed
+their inability, often described, to convey an abstract idea. Having
+got the idea, though indistinctly, they groped about in vain for words
+with which to express it. Tahmunt thought that the whites called it
+Moosehead Lake, because Mount Kineo, which commands it, is shaped like
+a moose's head, and that Moose River was so called "because the
+mountain points right across the lake to its mouth." John Josselyn,
+writing about 1673, says, "Twelve miles from Casco Bay, and passable
+for men and horses, is a lake, called by the Indians Sebug. On the
+brink thereof, at one end, is the famous rock, shaped like a moose
+deer or helk, diaphanous, and called the Moose Rock." He appears to
+have confounded Sebamook with Sebago, which is nearer, but has no
+"diaphanous" rock on its shore.
+
+I give more of their definitions, for what they are worth,--partly
+_because_ they differ sometimes from the commonly received ones. They
+never analyzed these words before. After long deliberation and
+repeating of the word, for it gave much trouble, Tahmunt said that
+_Chesuncook_ meant a place where many streams emptied in (?), and he
+enumerated them,--Penobscot, Umbazookskus, Cusabesex, Red Brook,
+etc.--"_Caucomgomoc_,--what does that mean?" "What are those
+large white birds?" he asked. "Gulls," said I. "Ugh! Gull
+Lake."--_Pammadumcook_, Joe thought, meant the Lake with Gravelly
+Bottom or Bed.--_Kenduskeag_, Tahmunt concluded at last, after asking
+if birches went up it, for he said that he was not much acquainted
+with it, meant something like this: "You go up Penobscot till you come
+to _Kenduskeag_, and you go by, you don't turn up there. That is
+_Kenduskeag_." (?) Another Indian, however, who knew the river better,
+told us afterward that it meant Little Eel River.--_Mattawamkeag_ was
+a place where two rivers meet. (?)--_Penobscot_ was Rocky River. One
+writer says, that this was "originally the name of only a section of
+the main channel, from the head of the tide-water to a short distance
+above Oldtown."
+
+A very intelligent Indian, whom we afterward met, son-in-law of
+Neptune, gave us also these other definitions:--_Umbazookskus_, Meadow
+Stream; _Millinoket_, Place of Islands; _Aboljacarmegus_, Smooth-Ledge
+Falls (and Dead-Water); _Aboljacarmeguscook_, the stream emptying in;
+(the last was the word he gave when I asked about _Aboljacknagesic_,
+which he did not recognize;) _Mattahumkeag_, Sand-Creek Pond;
+_Piscataquis_, Branch of a River.
+
+I asked our hosts what _Musketaquid_, the Indian name of Concord,
+Mass., meant; but they changed it to _Musketicook_, and repeated
+that, and Tahmunt said that it meant Dead Stream, which is probably
+true. _Cook_ appears to mean stream, and perhaps _quid_
+signifies the place or ground. When I asked the meaning of the names
+of two of our hills, they answered that they were another language. As
+Tahmunt said that he traded at Quebec, my companion inquired the
+meaning of the word _Quebec_, about which there has been so much
+question. He did not know, but began to conjecture. He asked what
+those great ships were called that carried soldiers. "Men-of-war," we
+answered. "Well," he said, "when the English ships came up the river,
+they could not go any further, it was so narrow there; they must go
+back,--go-back,--that's Que-bec." I mention this to show the value of
+his authority in the other cases.
+
+Late at night the other two Indians came home from moose-hunting, not
+having been successful, aroused the fire again, lighted their pipes,
+smoked awhile, took something strong to drink, and ate some
+moose-meat, and, finding what room they could, lay down on the
+moose-hides; and thus we passed the night, two white men and four
+Indians, side by side.
+
+When I awoke in the morning the weather was drizzling. One of the
+Indians was lying outside, rolled in his blanket, on the opposite side
+of the fire, for want of room. Joe had neglected to awake my
+companion, and he had done no hunting that night. Tahmunt was making a
+cross-bar for his canoe with a singularly shaped knife, such as I have
+since seen other Indians using. The blade was thin, about three
+quarters of an inch wide, and eight or nine inches long, but curved
+out of its plane into a hook, which he said made it more convenient to
+shave with. As the Indians very far north and northwest use the same
+kind of knife, I suspect that it was made according to an aboriginal
+pattern, though some white artisans may use a similar one. The Indians
+baked a loaf of flour bread in a spider on its edge before the fire
+for their breakfast; and while my companion was making tea, I caught a
+dozen sizable fishes in the Penobscot, two kinds of sucker and one
+trout. After we had breakfasted by ourselves, one of our bedfellows,
+who had also breakfasted, came along, and, being invited, took a cup
+of tea, and finally, taking up the common platter, licked it
+clean. But he was nothing to a white fellow, a lumberer, who was
+continually stuffing himself with the Indians' moose-meat, and was the
+butt of his companions accordingly. He seems to have thought that it
+was a feast "to eat all." It is commonly said that the white man
+finally surpasses the Indian on his own ground, and it was proved true
+in this case. I cannot swear to his employment during the hours of
+darkness, but I saw him at it again as soon as it was light, though he
+came a quarter of a mile to his work.
+
+The rain prevented our continuing any longer in the woods; so giving
+some of our provisions and utensils to the Indians, we took leave of
+them. This being the steamer's day, I set out for the lake at once. At
+the carry-man's camp I saw many little birds, brownish and yellowish,
+with some white tail-feathers, hopping on the wood-pile, in company
+with the slate-colored snow-bird, (_Fringilla hiemalis_,) but
+more familiar than they. The lumberers said that they came round their
+camps, and they gave them a vulgar name. Their simple and lively note,
+which was heard in all the woods, was very familiar to me, though I
+had never before chanced to see the bird while uttering it, and it
+interested me not a little, because I had had many a vain chase in a
+spring-morning in the direction of that sound, in order to identify
+the bird. On the 28th of the next month, (October,) I saw in my yard,
+in a drizzling day, many of the same kind of birds flitting about amid
+the weeds, and uttering a faint _chip_ merely. There was one
+full-plumaged Yellow-crowned Warbler (_Sylvia coronata_) among
+them, and I saw that the others were the young birds of that
+season. They had followed me from Moosehead and the North. I have
+since frequently seen the full-plumaged ones while uttering that note
+in the spring.
+
+I walked over the carry alone and waited at the head of the lake. An
+eagle, or some other large bird, flew screaming away from its perch by
+the shore at my approach. For an hour after I reached the shore there
+was not a human being to be seen, and I had all that wide prospect to
+myself. I thought that I heard the sound of the steamer before she
+came in sight on the open lake. I noticed at the landing, when the
+steamer came in, one of our bedfellows, who had been a-moose-hunting
+the night before, now very sprucely dressed in a clean white shirt and
+fine black pants, a true Indian dandy, who had evidently come over the
+carry to show himself to any arrivers on the north shore of Moosehead
+Lake, just as New York dandies take a turn up Broadway and stand on
+the steps of a hotel.
+
+Midway the lake we took on board two manly-looking middle-aged men,
+with their _bateau_, who had been exploring for six weeks as far
+as the Canada line, and had let their beards grow. They had the skin
+of a beaver, which they had recently caught, stretched on an oval
+hoop, though the fur was not good at that season. I talked with one of
+them, telling him that I had come all this distance partly to see
+where the white-pine, the Eastern stuff of which our houses are built,
+grew, but that on this and a previous excursion into another part of
+Maine I had found it a scarce tree; and I asked him where I must look
+for it. With a smile, he answered, that he could hardly tell
+me. However, he said that he had found enough to employ two teams the
+next winter in a place where there was thought to be none left. What
+was considered a "tip-top" tree now was not looked at twenty years
+ago, when he first went into the business; but they succeeded very
+well now with what was considered quite inferior timber then. The
+explorer used to cut into a tree higher and higher up, to see if it
+was false-hearted, and if there was a rotten heart as big as his arm,
+he let it alone; but now they cut such a tree, and sawed it all around
+the rot, and it made the very best of boards, for in such a case they
+were never shaky.
+
+One connected with lumbering operations at Bangor told me that the
+largest pine belonging to his firm, cut the previous winter, "scaled"
+in the woods four thousand five hundred feet, and was worth ninety
+dollars in the log at the Bangor boom in Oldtown. They cut a road
+three and a half miles long for this tree alone. He thought that the
+principal locality for the white-pine that came down the Penobscot now
+was at the head of the East Branch and the Allegash, about Webster
+Stream and Eagle and Chamberlain Lakes. Much timber has been stolen
+from the public lands. (Pray, what kind of forest-warden is the Public
+itself?) I heard of one man who, having discovered some particularly
+fine trees just within the boundaries of the public lands, and not
+daring to employ an accomplice, cut them down, and by means of block
+and tackle, without cattle, tumbled them into a stream, and so
+succeeded in getting off with them without the least assistance.
+Surely, stealing pine-trees in this way is not so mean as robbing
+hen-roosts.
+
+We reached Monson that night, and the next day rode to Bangor, all the
+way in the rain again, varying our route a little. Some of the taverns
+on this road, which were particularly dirty, were plainly in a
+transition state from the camp to the house.
+
+ * * * * *
+
+The next forenoon we went to Oldtown. One slender old Indian on the
+Oldtown shore, who recognized my companion, was full of mirth and
+gestures, like a Frenchman. A Catholic priest crossed to the island in
+the same _bateau_ with us. The Indian houses are framed, mostly of one
+story, and in rows one behind another, at the south end of the island,
+with a few scattered ones. I counted about forty, not including the
+church and what my companion called the council-house. The last, which
+I suppose is their town-house, was regularly framed and shingled like
+the rest. There were several of two stories, quite neat, with
+front-yards inclosed, and one at least had green blinds. Here and
+there were moose-hides stretched and drying about them. There were no
+cart-paths, nor tracks of horses, but foot-paths; very little land
+cultivated, but an abundance of weeds, indigenous and naturalized;
+more introduced weeds than useful vegetables, as the Indian is said to
+cultivate the vices rather than the virtues of the white man. Yet
+this village was cleaner than I expected, far cleaner than such Irish
+villages as I have seen. The children were not particularly ragged nor
+dirty. The little boys met us with bow in hand and arrow on string,
+and cried, "Put up a cent." Verily, the Indian has but a feeble hold
+on his bow now; but the curiosity of the white man is insatiable, and
+from the first he has been eager to witness this forest
+accomplishment. That elastic piece of wood with its feathered dart, so
+sure to be unstrung by contact with civilization, will serve for the
+type, the coat-of-arms of the savage. Alas for the Hunter Race! the
+white man has driven off their game, and substituted a cent in its
+place. I saw an Indian woman washing at the water's edge. She stood on
+a rock, and, after dipping the clothes in the stream, laid them on the
+rock, and beat them with a short club. In the grave-yard, which was
+crowded with graves, and overrun with weeds, I noticed an inscription
+in Indian, painted on a wooden grave-board. There was a large wooden
+cross on the island.
+
+Since my companion knew him, we called on Governor Neptune, who
+lived in a little "ten-footer," one of the humblest of them
+all. Personalities are allowable in speaking of public men, therefore
+I will give the particulars of our visit. He was a-bed. When we
+entered the room, which was one half of the house, he was sitting on
+the side of the bed. There was a clock hanging in one corner. He had
+on a black frock-coat, and black pants, much worn, white cotton shirt,
+socks, a red silk handkerchief about his neck, and a straw hat. His
+black hair was only slightly grayed. He had very broad cheeks, and his
+features were decidedly and refreshingly different from those of any
+of the upstart Native American party whom I have seen. He was no
+darker than many old white men. He told me that he was eighty-nine;
+but he was going a-moose-hunting that fall, as he had been the
+previous one. Probably his companions did the hunting. We saw various
+squaws dodging about. One sat on the bed by his side and helped him
+out with his stories. They were remarkably corpulent, with smooth,
+round faces, apparently full of good-humor. Certainly our much-abused
+climate had not dried up their adipose substance. While we were
+there,--for we stayed a good while,--one went over to Oldtown,
+returned and cut out a dress, which she had bought, on another bed in
+the room. The Governor said, that "he could remember when the moose
+were much larger; that they did not use to be in the woods, but came
+out of the water, as all deer did. Moose was whale once. Away down
+Merrimack way, a whale came ashore in a shallow bay. Sea went out and
+left him, and he came up on land a moose. What made them know he was a
+whale was, that at first, before he began to run in bushes, he had no
+bowels inside, but"----and then the squaw who sat on the bed by his
+side, as the Governor's aid, and had been putting in a word now and
+then and confirming the story, asked me what we called that soft thing
+we find along the sea-shore. "Jelly-fish," I suggested. "Yes," said
+he, "no bowels, but jelly-fish."
+
+There may be some truth in what he said about the moose growing larger
+formerly; for the quaint John Josselyn, a physician who spent many
+years in this very district of Maine in the seventeenth century, says,
+that the tips of their horns "are sometimes found to be two fathoms
+asunder,"--and he is particular to tell us that a fathom is six
+feet,--"and [they are] in height, from the toe of the forefoot to the
+pitch of the shoulder, twelve foot, both which hath been taken by some
+of my sceptique readers to be monstrous lies"; and he adds,--"There
+are certain transcendentia in every creature, which are the indelible
+character of God, and which discover God." This is a greater dilemma
+to be caught in than is presented by the cranium of the young Bechuana
+ox, apparently another of the _transcendentia_, in the collection
+of Thomas Steel, Upper Brook Street, London, whose "entire length of
+horn, from tip to tip, along the curve, is 13 ft. 5 in.; distance
+(straight) between the tips of the horns, 8 ft. 8-1/2 in." However, the
+size both of the moose and the cougar, as I have found, is generally
+rather underrated than overrated, and I should be inclined to add to
+the popular estimate a part of what I subtracted from Josselyn's.
+
+But we talked mostly with the Governor's son-in-law, a very sensible
+Indian; and the Governor, being so old and deaf, permitted himself to
+be ignored, while we asked questions about him. The former said, that
+there were two political parties among them,--one in favor of schools,
+and the other opposed to them, or rather they did not wish to resist
+the priest, who was opposed to them. The first had just prevailed at
+the election and sent their man to the legislature. Neptune and
+Aitteon and he himself were in favor of schools. He said, "If Indians
+got learning, they would keep their money." When we asked where Joe's
+father, Aitteon, was, he knew that he must be at Lincoln, though he
+was about going a-moose-hunting, for a messenger had just gone to him
+there to get his signature to some papers. I asked Neptune if they had
+any of the old breed of dogs yet. He answered, "Yes." "But that," said
+I, pointing to one that had just come in, "is a Yankee dog." He
+assented. I said that he did not look like a good one. "Oh, yes!" he
+said, and he told, with much gusto, how, the year before, he had
+caught and held by the throat a wolf. A very small black puppy rushed
+into the room and made at the Governor's feet, as he sat in his
+stockings with his legs dangling from the bedside. The Governor rubbed
+his hands and dared him to come on, entering into the sport with
+spirit. Nothing more that was significant transpired, to my knowledge,
+during this interview. This was the first time that I ever called on a
+governor, but, as I did not ask for an office, I can speak of it with
+the more freedom.
+
+An Indian who was making canoes behind a house, looking up pleasantly
+from his work,--for he knew my companion,--said that his name was Old
+John Pennyweight. I had heard of him long before, and I inquired after
+one of his contemporaries, Joe Four-pence-ha'penny; but, alas! he no
+longer circulates. I made a faithful study of canoe-building, and I
+thought that I should like to serve an apprenticeship at that trade
+for one season, going into the woods for bark with my "boss," making
+the canoe there, and returning in it at last.
+
+While the _bateau_ was coming over to take us off, I picked up
+some fragments of arrow-heads on the shore, and one broken stone
+chisel, which were greater novelties to the Indians than to me. After
+this, on Old Fort Hill, at, the bend of the Penobscot, three miles
+above Bangor, looking for the site of an Indian town which some think
+stood thereabouts, I found more arrow-heads, and two little dark and
+crumbling fragments of Indian earthenware, in the ashes of their
+fires. The Indians on the Island appeared to live quite happily and
+to be well treated by the inhabitants of Oldtown.
+
+We visited Veazie's mills, just below the Island, where were sixteen
+sets of saws,--some gang saws, sixteen in a gang, not to mention
+circular saws. On one side, they were hauling the logs up an
+inclined plane by water-power; on the other, passing out the boards,
+planks, and sawed timber, and forming them into rafts. The trees were
+literally drawn and quartered there. In forming the rafts, they use
+the lower three feet of hard-wood saplings, which have a crooked and
+knobbed butt-end, for bolts, passing them up through holes bored in
+the corners and sides of the rafts, and keying them. In another
+apartment they were making fence-slats, such as stand all over New
+England, out of odds and ends,--and it may be that I saw where the
+picket-fence behind which I dwell at home came from. I was surprised
+to find a boy collecting the long edgings of boards as fast as cut
+off, and thrusting them down a hopper, where they were _ground
+up_ beneath the mill, that they might be out of the way; otherwise
+they accumulate in vast piles by the side of the building, increasing
+the danger from fire, or, floating off, they obstruct the river. This
+was not only a saw-mill, but a grist-mill, then. The inhabitants of
+Oldtown, Stillwater, and Bangor cannot suffer for want of
+kindling-stuff, surely. Some get their living exclusively by picking
+up the drift-wood and selling it by the cord in the winter. In one
+place I saw where an Irishman, who keeps a team and a man for the
+purpose, had covered the shore for a long distance with regular piles,
+and I was told that he had sold twelve hundred dollars' worth in a
+year. Another, who lived by the shore, told me that he got all the
+material of his out-buildings and fences from the river; and in that
+neighborhood I perceived that this refuse wood was frequently used
+instead of sand to fill hollows with, being apparently cheaper than
+dirt.
+
+I got my first clear view of Katadn, on this excursion, from a hill
+about two miles northwest of Bangor, whither I went for this
+purpose. After this I was ready to return to Massachusetts.
+
+ * * * * *
+
+Humboldt has written an interesting chapter on the primitive forest,
+but no one has yet described for me the difference between that wild
+forest which once occupied our oldest townships, and the tame one
+which I find there to-day. It is a difference which would be worth
+attending to. The civilized man not only clears the land permanently
+to a great extent, and cultivates open fields, but he tames and
+cultivates to a certain extent the forest itself. By his mere
+presence, almost, he changes the nature of the trees as no other
+creature does. The sun and air, and perhaps fire, have been
+introduced, and grain raised where it stands. It has lost its wild,
+damp, and shaggy look, the countless fallen and decaying trees are
+gone, and consequently that thick coat of moss which lived on them is
+gone too. The earth is comparatively bare and smooth and dry. The
+most primitive places left with us are the swamps, where the spruce
+still grows shaggy with usnea. The surface of the ground in the Maine
+woods is everywhere spongy and saturated with moisture. I noticed that
+the plants which cover the forest floor there are such as are commonly
+confined to swamps with us,--the _Clintonia borealis_, orchises,
+creeping snowberry, and others; and the prevailing aster there is the
+_Aster acuminatus_, which with us grows in damp and shady
+woods. The asters _cordifolias_ and _macrophyllus_ also are
+common, asters of little or no color, and sometimes without petals. I
+saw no soft, spreading, second-growth white-pines, with smooth bark,
+acknowledging the presence of the wood-chopper, but even the young
+white-pines were all tall and slender rough-barked trees.
+
+Those Maine woods differ essentially from ours. There you are never
+reminded that the wilderness which you are threading is, after all,
+some villager's familiar wood-lot, some widow's thirds, from which her
+ancestors have sledded fuel for generations, minutely described in
+some old deed which is recorded, of which the owner has got a plan
+too, and old bound-marks may be found every forty rods, if you will
+search. 'Tis true, the map may inform you that you stand on land
+granted by the State to some academy, or on Bingham's purchase; but
+these names do not impose on you, for you see nothing to remind you of
+the academy or of Bingham. What were the "forests" of England to
+these? One writer relates of the Isle of Wight, that in Charles the
+Second's time "there were woods in the island so complete and
+extensive, that it is said a squirrel might have travelled in several
+parts many leagues together on the top of the trees." If it were not
+for the rivers, (and he might go round their heads,) a squirrel could
+here travel thus the whole breadth of the country.
+
+We have as yet had no adequate account of a primitive pine-forest. I
+have noticed that in a physical atlas lately published in
+Massachusetts, and used in our schools, the "wood land" of North
+America is limited almost solely to the valleys of the Ohio and some
+of the Great Lakes, and the great pine-forests of the globe are not
+represented. In our vicinity, for instance, New Brunswick and Maine
+are exhibited as bare as Greenland. It may be that the children of
+Greenville, at the foot of Moosehead Lake, who surely are not likely
+to be scared by an owl, are referred to the valley of the Ohio to get
+an idea of a forest; but they would not know what to do with their
+moose, bear, caribou, beaver, etc., there. Shall we leave it to an
+Englishman to inform us, that "in North America, both in the United
+States and Canada, are the most extensive pine-forests in the world"?
+The greater part of New Brunswick, the northern half of Maine, and
+adjacent parts of Canada, not to mention the northeastern part of New
+York and other tracts further off, are still covered with an almost
+unbroken pine-forest.
+
+But Maine, perhaps, will soon be where Massachusetts is. A good part
+of her territory is already as bare and common-place as much of our
+neighborhood, and her villages generally are not so well shaded as
+ours. We seem to think that the earth must go through the ordeal of
+sheep-pasturage before it is habitable by man. Consider Nahant, the
+resort of all the fashion of Boston,--which peninsula I saw but
+indistinctly in the twilight, when I steamed by it, and thought that
+it was unchanged since the discovery. John Smith described it in 1614
+as "the Mattahunts, two pleasant isles of groves, gardens, and
+cornfields"; and others tell us that it was once well wooded, and even
+furnished timber to build the wharves of Boston. Now it is difficult
+to make a tree grow there, and the visitor comes away with a vision of
+Mr. Tudor's ugly fences a rod high, designed to protect a few
+pear-shrubs. And what are we coming to in our Middlesex towns?--a
+bald, staring town-house, or meeting-house, and a bare liberty-pole,
+as leafless as it is fruitless, for all I can see. We shall be obliged
+to import the timber for the last, hereafter, or splice such sticks as
+we have;--and our ideas of liberty are equally mean with these. The
+very willow-rows lopped every three years for fuel or powder,--and
+every sizable pine and oak, or other forest tree, cut down within the
+memory of man! As if individual speculators were to be allowed to
+export the clouds out of the sky, or the stars out of the firmament,
+one by one. We shall be reduced to gnaw the very crust of the earth
+for nutriment.
+
+They have even descended to smaller game. They have lately, as I hear,
+invented a machine for chopping up huckleberry-bushes fine, and so
+converting them into fuel!--bushes which, for fruit alone, are worth
+all the pear-trees in the country many times over. (I can give you a
+list of the three best kinds, if you want it.) At this rate, we shall
+all be obliged to let our beards grow at least, if only to hide the
+nakedness of the land and make a sylvan appearance. The farmer
+sometimes talks of "brushing up," simply as if bare ground looked
+better than clothed ground, than that which wears its natural
+vesture,--as if the wild hedges, which, perhaps, are more to his
+children than his whole farm beside, were _dirt_. I know of one
+who deserves to be called the Tree-hater, and, perhaps, to leave this
+for a new patronymic to his children. You would think that he had
+been warned by an oracle that he would be killed by the fall of a
+tree, and so was resolved to anticipate them. The journalists think
+that they cannot say too much in favor of such "improvements" in
+husbandry; it is a safe theme, like piety; but as for the beauty of
+one of these "model farms," I would as lief see a patent churn and a
+man turning it. They are, commonly, places merely where somebody is
+making money, it may be counterfeiting. The virtue of making two
+blades of grass grow where only one grew before does not begin to be
+superhuman.
+
+Nevertheless, it was a relief to get back to our smooth, but still
+varied landscape. For a permanent residence, it seemed to me that
+there could be no comparison between this and the wilderness,
+necessary as the latter is for a resource and a background, the raw
+material of all our civilization. The wilderness is simple, almost to
+barrenness. The partially cultivated country it is which chiefly has
+inspired, and will continue to inspire, the strains of poets, such as
+compose the mass of any literature. Our woods are sylvan, and their
+inhabitants woodmen and rustics,--that is, _selvaggia_, and the
+inhabitants are _salvages_. A civilized man, using the word in
+the ordinary sense, with his ideas and associations, must at length
+pine there, like a cultivated plant, which clasps its fibres about a
+crude and undissolved mass of peat. At the extreme North, the voyagers
+are obliged to dance and act plays for employment. Perhaps our own
+woods and fields,--in the best wooded towns, where we need not quarrel
+about the huckleberries,--with the primitive swamps scattered here and
+there in their midst, but not prevailing over them, are the perfection
+of parks and groves, gardens, arbors, paths, vistas, and landscapes.
+They are the natural consequence of what art and refinement we as a
+people have,--the common which each village possesses, its true
+paradise, in comparison with which all elaborately and wilfully
+wealth-constructed parks and gardens are paltry imitations. Or, I
+would rather say, such _were_ our groves twenty years ago. The
+poet's, commonly, is not a logger's path, but a woodman's. The logger
+and pioneer have preceded him, like John the Baptist; eaten the wild
+honey, it may be, but the locusts also; banished decaying wood and the
+spongy mosses which feed on it, and built hearths and humanized Nature
+for him.
+
+But there are spirits of a yet more liberal culture, to whom no
+simplicity is barren. There are not only stately pines, but fragile
+flowers, like the orchises, commonly described as too delicate for
+cultivation, which derive their nutriment from the crudest mass of
+peat. These remind us, that, not only for strength, but for beauty,
+the poet must, from time to time, travel the logger's path and the
+Indian's trail, to drink at some new and more bracing fountain of the
+Muses, far in the recesses of the wilderness.
+
+The kings of England formerly had their forests "to hold the king's
+game," for sport or food, sometimes destroying villages to create or
+extend them; and I think that they were impelled by a true
+instinct. Why should not we, who have renounced the king's authority,
+have our national preserves, where no villages need be destroyed, in
+which the bear and panther, and some even of the hunter race, may
+still exist, and not be "civilized off the face of the earth,"--our
+forests, not to hold the king's game merely, but to hold and preserve
+the king himself also, the lord of creation,--not for idle sport or
+food, but for inspiration and our own true re-creation? or shall we,
+like villains, grub them all up, poaching on our own national domains?
+
+
+
+
+MY CHILDREN.
+
+
+ Have you seen Annie and Kitty,
+ Two merry children of mine?
+ All that is winning and pretty
+ Their little persons combine.
+
+ Annie is kissing and clinging
+ Dozens of times in a day,--
+ Chattering, laughing, and singing,
+ Romping, and running away.
+
+ Annie knows all of her neighbors.
+ Dainty and dirty alike,--
+ Learns all their talk, and, "be jabers,"
+ Says she "adores little Mike!"
+
+ Annie goes mad for a flower,
+ Eager to pluck and destroy,--
+ Cuts paper dolls by the hour,
+ Always her model--a boy!
+
+ Annie is full of her fancies,
+ Tells most remarkable lies,
+ (Innocent little romances,)
+ Startling in one of her size.
+
+ Three little prayers we have taught her,
+ Graded from winter to spring;
+ Oh, you should listen my daughter
+ Saying them all in a string!
+
+ Kitty--ah, how my heart blesses
+ Kitty, my lily, my rose!
+ Wary of all my caresses,
+ Chary of all she bestows.
+
+ Kitty loves quietest places,
+ Whispers sweet sermons to chairs,
+ And, with the gravest of faces,
+ Teaches old Carlo his prayers.
+
+ Matronly, motherly creature!
+ Oh, what a doll she has built--
+ Guiltless of figure or feature--
+ Out of her own little quilt!
+
+ Nought must come near it to wake it;
+ Noise must not give it alarm;
+ And when she sleeps, she must take it
+ Into her bed, on her arm.
+
+ Kitty is shy of a caller,
+ Uttering never a word;
+ But when alone in the parlor,
+ Talks to herself like a bird.
+
+ Kitty is contrary, rather,
+ And, with a comical smile,
+ Mutters, "I won't," to her father,--
+ Eyeing him slyly the while.
+
+ Loving one more than the other
+ Isn't the thing, I confess;
+ And I observe that their mother
+ Makes no distinction in dress.
+
+ Preference must be improper
+ In a relation like this;
+ I wouldn't toss up a copper--
+ (Kitty, come, give me a kiss!)
+
+
+
+
+THE KINLOCH ESTATE, AND HOW IT WAS SETTLED.
+
+[Continued.]
+
+
+CHAPTER VII.
+
+
+Early Monday morning, Mr. Hardwick walked across the green to call
+upon Mrs. Kinloch. Lucy Ransom, the house-maid, washing in the
+back-yard, saw him coming, and told her mistress;--before he rang,
+Mrs. Kinloch had time to tie on her lace cap, smooth her hair, and
+meet him in the hall.
+
+"Good mum-morning, Mrs. Kinloch!"
+
+"Walk in, Mr. Hardwick,--this way, into the sitting-room."
+
+He took a seat quietly by the maple-shaded window. Mrs. Kinloch was
+silent and composed. Her coolness nerved instead of depressing him,
+and he began at once.
+
+"I've ker-come to see you about the debt which my nun-nephew, Mark,
+owes the estate."
+
+"I don't know what _I_ can do about it," she replied, in a placid
+tone.
+
+"We've ben nun-neighbors, now, these f-fifteen years, Mrs. Kinloch,
+and never h-had any difficulty th-that I know on. An' as the ler-law
+had been used per-pretty ha'sh toward Mark, I th-thought I'd see ef
+'twa'n't per-possible't some mistake had ben made."
+
+"I don't know what mistake there has been. Squire Clamp must collect
+whatever is due. It isn't harsh to do that, is it?"
+
+"Not ha'sh to a-ask for it, but not jest the ker-kind thing to bring
+ser-suit before askin'. Mark got a word and a ber-blow, but the blow
+came f-first. We didn't treat yer-you so when you was a widder."
+
+"So you go back to old times, and bring up my poverty and your
+charity, do you?" said the widow, bitterly.
+
+"By nun-no means," replied the blacksmith. "I don't w-wish to open
+'counts th-that've ben settled so long; an' more, I don't intend to
+ber-ber-beg from you, nor a-anybody else. We pay our debts, an' don't
+'xpect nor don't wer-want to do any different."
+
+"Then I don't see what you are so flurried about."
+
+"Ef so be Squire Ker-Kinloch was alive, I could tell you ber-better;
+or rather, I shouldn't have to go to yer-you about it. He allers give
+Mark to underst-hand that he shouldn't be hard upon him,--th-that he
+could pay along as he ger-got able."
+
+"Why should he favor him more than others? I am sure not many men
+would have lent the money in the first place, and I don't think it
+looks well to be hanging back now."
+
+"As to why yer-your husband was disposed to favor Mark, I have
+_my_ opinion. But the der-dead shall rest; I sh-sha'n't call up
+their pale faces." He drew his breath hard, and his eyes looked full
+of tender memories.
+
+After a moment he went on. "I don't w-wish to waste words; I
+mum-merely come to say that Mark has five hunderd dollars, and that I
+can scrape up a couple o' hunderd more, and will give my note w-with
+him for the balance. Th-that's all we can handily do; an' ef that'll
+arnswer, we should ler-like to have you give word to stop the suit."
+
+"You will have to go to Squire Clamp," was the reply. "I don't presume
+to dictate to my lawyer, but shall let him do what he thinks best. You
+haven't been to him, I conclude? I don't think he will be
+unreasonable."
+
+Mr. Hardwick looked steadily at her.
+
+"Wer-well, Mrs. Kinloch," said he, slowly, "I th-think I
+understand. Ef I don't, it isn't because you don't mum-make the matter
+plain. I sha'n't go to Squire Clamp till I have the mum-money, all of
+it. I hope no a-a-enemy of yourn will be so hard to y-you as my
+friends are to me."
+
+With singular command over her tongue and temper, Mrs. Kinloch
+contented herself with hoping that he would find no difficulty in
+arranging matters with the lawyer, bade him good-morning, civilly, and
+shut the door behind him. But when he was gone, her anger, kept so
+well under control before, burst forth.
+
+"Stuttering old fool!" she exclaimed, "to come here to badger me!--to
+throw up to me the wood he cut, or the apples he brought me!--as
+though Mr. Kinloch hadn't paid that ten times over! He'll find how it
+is before long."
+
+"What's the matter?" asked Mildred, meeting her step-mother in the
+hall, and noticing her flushed cheek, her swelling veins, and
+contorted brows.
+
+"Why, nothing, but a talk with Uncle Ralph, who has been rather
+saucy."
+
+"Saucy? Uncle Ralph saucy? Why, he is the most kindly man in the
+world,--sometimes hasty, but always well-mannered. I don't see how he
+could be saucy."
+
+"I advise you not to stand up for him against your mother."
+
+"I shouldn't defend him in anything wrong; but I think there must be
+some misunderstanding."
+
+"He is like Mark, I suppose, always perfect in your eyes."
+
+This was the first time since Mr. Kinloch's death that the step-mother
+had ever alluded to the fondness which had existed between Mark and
+Mildred as school-children, and her eyes were bent upon the girl
+eagerly. It was as though she had knocked at the door of her heart,
+and waited for its opening to look into the secret recesses. A quick
+flush suffused Mildred's face and neck.
+
+"You are unkind, mother," she said; for the glance was sharper than
+the words; and then, bursting into tears, she went to her room.
+
+"So it has come to this!" said Mrs. Kinloch to herself. "Well, I did
+not begin at all too soon."
+
+She walked through the hall to the back piazza. She heard voices from
+beyond the shrubbery that bordered the grass-plot where the clothes
+were hung on lines to dry. Lucy, the maid, evidently was there, for
+one; indeed, by shifting her position so as to look through an opening
+in the bushes, Mrs. Kinloch could see the girl; but she was not busy
+with her clothes-basket. An arm was bent around her plump and graceful
+figure. The next instant, as Mrs. Kinloch saw by standing on tiptoe,
+two forms swayed toward each other, and Lucy, no way reluctantly,
+received a kiss from--Hugh Branning!
+
+Very naughty, certainly,--but it is incumbent on me to tell the truth,
+and accordingly I have put it down.
+
+Now my readers are doubtless prepared for a catastrophe. They will
+expect to hear Mrs. Kinloch cry, "Lucy Ransom, you jade, what are you
+doing? Take your clothes and trumpery and leave this house!" You will
+suppose that her son Hugh will be shut up in the cellar on bread and
+water, or sent off to sea in disgrace. That is the traditional way
+with angry mistresses, I know; but Mrs. Kinloch was not one of the
+common sort. She did not know Talleyrand's maxim,--"Never act from
+first impulses, for they are always--_right_!" Indeed, I doubt if
+she had ever heard of that slippery Frenchman; but observation and
+experience had led her to adopt a similar line of policy.
+
+Therefore she did not scold or send away Lucy; she could not well do
+without her; and besides, there were reasons which made it desirable
+that the girl should remain friendly. She did not call out to her
+hopeful son, either,--although her fingers _did_ itch to tweak
+his profligate ears. She knew that a dispute with him would only end
+in his going off in a huff, and she thought she could employ him
+better. So she coughed first and then stepped out into the yard. Hugh
+presently came sauntering down the walk, and Lucy sang among the
+clothes-lines as blithely and unconcerned as though her lips had never
+tasted any flavor more piquant than bread and butter.
+
+It was rather an equivocal look which the mistress cast over her
+shoulder at the girl. It might have said,--"Poor fool! singe your
+wings in the candle, if you will." It might have been only the scorn
+of outraged virtue.
+
+"Hugh," said Mrs. Kinloch, "come into the house a moment. I want to
+speak with you."
+
+The young man looked up rather astonished, but he could not read his
+mother's placid face. Her hair lay smooth on her temples, under her
+neat cap; her face was almost waxy pale, her lips gently pressed
+together; and if her clear, gray eyes had beamed with a warm or more
+humid light, she might have served a painter as a model for a
+
+
+ "steadfast nun, devout and pure."
+
+
+When they reached the sitting-room, Mrs. Kinloch began.
+
+"Hugh, do you think of going to sea again? Now that I am alone in the
+world, don't you think you can make up your mind to stay at home?"
+
+"I haven't thought much about it, mother. I suppose I should go when
+ordered, as a matter of course; I have nothing else to do."
+
+"That need not be a reason. There is plenty to do without waiting for
+promotion in the navy till you are gray."
+
+"Why, mother, you know I have no profession, and, I suppose I may say,
+no money. At least, the Squire made no provision for me that I know
+of, and I'm sure you cannot wish me to live on your 'thirds.'"
+
+"My son, you should have some confidence in my advice, by this
+time. It doesn't require a great fortune to live comfortably here."
+
+"Yes, but it is deused dull in this old town. No theatre,--no
+concert,--no music at all, but from organ-grinders,--no
+parties,--nothing, in fact, but prayer-meetings from one week's end to
+another. I should die of the blues here."
+
+"Only find something to do, settle yourself into a pleasant home, and
+you'll forget your uneasiness."
+
+"That's very well to say"----
+
+"And very easy to do. But it isn't the way to begin by flirting with
+every pretty, foolish girl you see. Oh, Hugh! you are all I have now
+to love. I shall grow old soon, and I want to lean upon you. Give up
+the navy; be advised by me."
+
+Hugh whistled softly. He did not suppose that his mother knew of his
+gallantry. He was amused at her sharp observation.
+
+"So you think I'm a flirt, mother?" said he. "You are out,
+entirely. I'm a pattern of propriety at home!"
+
+"You need not tell me, Hugh! I know more than you think. But I didn't
+know that a son of mine could be so simple as I find you are."
+
+"She's after me," thought Hugh. "She saw me, surely."
+
+His mother went on.
+
+"With such an opportunity as you have to get yourself a wife----Don't
+laugh! I want to see you married, for you will never sow your wild
+oats until you are. With such a chance as you have"----
+
+"Why, mother," broke in Hugh, "it isn't so bad as that."
+
+"Isn't so bad? What do you mean?"
+
+"Why, _you_ know what you're driving at, and so do I. Lucy is a
+good girl enough, but I never meant anything serious. There's no need
+of my marrying her."
+
+"What _are_ you talking about?"
+
+"Now, mother, what's the use? You are only trying to read me a moral
+lecture, because I gave Lucy a harmless smack."
+
+"Lucy Ransom!" repeated Mrs. Kinloch, with ineffable scorn. "Lucy
+Ransom! I hope my son isn't low enough to dally with a housemaid, a
+scullion! If I _had_ seen such a spectacle, I should have kept my
+mouth shut for shame. 'A guilty conscience needs no accuser'; but I am
+sorry you had not pride enough to keep your disgusting fooleries to
+yourself."
+
+"Regularly sold!" muttered Hugh, as he beat a rat-tattoo on the
+window-pane.
+
+"I gave you credit for more penetration, Hugh. Now, just look a
+minute. What would you think of the shrewdness of a young man, who
+had no special turn for business, but a great fondness for taking his
+ease,--with no money nor prospect of any,--and who, when he had the
+opportunity to step at once into fortune and position, made no
+movement to secure it?"
+
+"Well, the application?"
+
+"The fortune may be yours, if you will."
+
+"Don't tell me riddles. Show me the prize, and I'm after it."
+
+"But it has an incumbrance."
+
+"Well?"
+
+"A pretty, artless, affectionate little woman, who will make you the
+best wife in the world."
+
+"Splendid, by Jove! Who is she?"
+
+"You needn't look far. We generally miss seeing the thing that is
+under our nose."
+
+"Why, mother, there isn't an heiress in Innisfield except my sister
+Mildred."
+
+"Mildred is not your sister. You are no more to each other than the
+two farthest persons on earth."
+
+"True enough! Well, mother, you _are_ an old 'un!"
+
+"Don't!"--with a look of disgust,--"don't use your sailor slang here!
+To see that doesn't require any particular shrewdness."
+
+"But Mildred never liked me much. She always ran from me, like the
+kitten from old Bose. She has always looked as though she thought I
+would bite, and that it was best she should keep out of reach under a
+chair."
+
+"Any young man of good address and fair intelligence can make an
+impression on a girl of eighteen, if he has the will, the time, and
+the opportunity. You have everything in your favor, and if you don't
+take the fortune that lies right in your path, you deserve to go to
+the poor-house."
+
+Hugh meditated.
+
+"Good-morning," said Mrs. Kinloch. "You know the horse and carriage,
+or the saddle-ponies, are always yours when you want to use them."
+
+Great discoveries seem always so simple, that we wonder they were not
+made from the first. The highest truths are linked with the commonest
+objects and events of daily life.
+
+Hugh looked about him as much astonished as though he had been shown a
+gold mine in old Quobbin, where he could dig for the asking. What
+determination he made, the course of our story will show.
+
+
+
+
+CHAPTER VIII.
+
+
+Hugh had ordered George, the Asiatic, to saddle the ponies after
+dinner, intending to ask Mildred to take a ride northward, through the
+pine woods; but on making inquiries, he found that she had walked out,
+leaving word that she should be absent all day.
+
+"Confound it!" thought he,--"a mishap at the start! I'm afraid the
+omen isn't a good one. However, I must kill time some way. I can't lay
+up here, like a ship in ordinary; better be shaken by storms or
+covered with barnacles at sea than be housed up, worm-eaten or
+crumbled into powder by dry-rot on shore."
+
+He went to ride alone, but did not go in the direction of the pine
+woods.
+
+Mildred could not get over the unpleasant impressions of the morning,
+so, rather than remain in her room this fine day, she had walked
+across the meadow, east of the mill-pond, to a farm-house, where she
+was a frequent and welcome visitor. On her way, she called for Lizzy
+Hardwick, the blacksmith's daughter, who accompanied her. Mr. Alford,
+the farmer, was a blunt, good-humored, and rather eccentric man,
+shrewd and well to do, but kindly and charitable. He had no children,
+and he enjoyed the occasional visits of his favorites heartily; so did
+his wife, Aunt Mercy. Her broad face brightened as she saw the girls
+coming, and her plump hands were both extended to greet them. They
+went to the dairy to see the creaking cheese-presses, ate of the fresh
+curd, saw the golden stores of butter;--thence to the barn, where they
+clambered upon the hay-mow, found the nest of a bantam, took some of
+the little eggs in their pockets;--then coming into the yard, they
+patted the calves' heads, scattered oats for the doves, that, with
+pink feet and pearly blue necks, crowded around them to be fed, and
+next began to chase a fine old gander down to the brook, when
+Mr. Alford, getting over the fence, called out, "Hold on, girls! don't
+bother Uncle Ralph!--don't!"
+
+"Where is Uncle Ralph?" asked Mildred.
+
+"Why, that gander you've been chasin'; and he's about the harn'somest
+bird I know on, too. Talk about swans! there never was a finer neck,
+nor a prettier coat of feathers on anything that ever swum. His wings
+are powerful; only let him spread 'em, and up he goes; but as for his
+feet, he limps just a little, as you see. No offence, Lizzy. I love
+your father as well as you do; but when I hear him, with his idees so
+grand,--the minister don't begin with him,--and yet to be bothered, as
+he is sometimes, to get a word out, I think of my good old fellow
+here, whose wings are so much better'n his legs. Come here, Ralph! You
+see he knows his name. There!"--patting his head,--"that's a good
+fellow! Now go and help marm attend to your goslins."
+
+The kindly tone and the caress took away from the comparison any idea
+of disrespect, and the girls laughed at the odd conceit,--Lizzy, at
+least, not a little proud of the implied compliment. Mr. Alford left
+them, to attend to his affairs, and they went on with their
+romp,--running on the top of the smooth wall beside the meadow,
+gathering clusters of lilac blossoms from the fatherly great posy that
+grew on the sunny side of the house, and admiring the solitary state
+of the peacock, as, with dainty step, he trailed his royal robe over
+the sward. Soon they heard voices at the house, and, going round the
+corner of the shed, saw Uncle Ralph and Mark Davenport talking with
+Mr. Alford at the door.
+
+Not to make a mystery of a simple matter, the blacksmith had come to
+borrow of Mr. Alford the money necessary to make up the amount owing
+by Mark to the Kinloch estate.
+
+The young man had shown great readiness to accompany his uncle;
+praiseworthy, certainly; but I am inclined to think he had somehow got
+an intimation that the girls had preceded him.
+
+Fortunately, the farmer was able to lend the sum wanted, and, as he
+had an errand in town, he took Mr. Hardwick with him in his wagon.
+
+Mark was left, nothing loath, to walk home with the girls. Do not
+think he was wanting in affection for his cousin Lizzy, if he wished
+that she were, just for one hour, a hundred miles away. They took a
+path that led over the plain to the river, intending to cross upon a
+foot-bridge, a short distance above the village. But though Mark was
+obliged to be silent on the matter he had most at heart, Mildred was
+not unaware of his feelings. A tone, a look, a grasp of the hand
+serves for an index, quite as well as the most fervent speech. The
+river makes a beautiful bend near the foot-bridge, and its bank is
+covered with a young growth of white pines. They sat down on a
+hillock, under the trees, whose spicy perfume filled the air, and
+looked down the stream towards the village. How fair it lay in the
+soft air of that June day! The water was deep and blue, with a
+reflected heaven. The mills that cluster about the dam, a mile below,
+were partially concealed by young elms, silver-poplars, and
+water-maples. Gardens sloped on either bank to the water's edge. Neat,
+white houses gleamed through the trees and shrubbery around the bases
+of the hills that hem in the valley; and the tall, slender spire of
+the meeting-house shewed fairly against its densely-wooded
+background. Verily, if I were a painter, I should desire no lovelier
+scene for my canvas than that on which Mark and Mildred looked. Lizzy
+walked away, and began hunting checkerberries with an unusual
+ardor. She _did_ understand; she would not be Mademoiselle de
+Trop any longer. Kind soul! so unlike young women in general, who
+won't step aside gracefully, when they should! Further I can vouch,
+that she neither hemmed, nor made eyes, nor yet repeated the well-worn
+proverb, "Two's company, but three's none." No, she gathered berries
+and sang snatches of songs as though she were quite alone.
+
+Now those of my readers who have the good-fortune still to linger in
+teens are expecting that I shall treat them to a report of this
+delightful _tete-a-tete_. But it must not be told. The older
+people would skip it, or say, "Pshaw!" And besides, if it were set
+down faithfully, you would be sadly disappointed; the cleverest men,
+even, are quite sure to appear silly (to other people) when in
+love. The speeches of the Romeos and Claude Melnottes, with which you
+have been so enchanted, would be common-place enough, if translated
+into the actual prose in which they were delivered. When Shakspeare
+wooed Anne Hathaway, it might have been different; but consider, you
+will wait some time before you find a lover like him. No, when your
+time comes, it will be soon enough. You will see your hero in his
+velvet cloak and plumed hat, with the splendor of scenery and the
+intoxication of the music. I don't choose to show him to you in
+morning dress at rehearsal, under daubed canvas and dangling
+machinery.
+
+However full of poetry and passion Mark's declaration was for Mildred,
+to him it was tame and hesitating enough. It seemed to him that he
+could not force into the cold formula of words the emotion that
+agitated him. But with quickening breath he poured out his love, his
+hopes, and his fears,--the old burden! She trembled, her eyelids
+fell; but at length, roused by his pleading tones, she looked
+up. Their eyes met; one look was enough; it was a reciprocal electric
+flash. With a sudden energy he clasped her in his arms; and it was a
+very pretty tableau they made! But in the quick movement his heedless
+foot chanced to touch a stone, which rolled down the bank and fell
+into the stream with a splash. The charm was broken.
+
+"What's that?" cried Lizzy from a distance, forgetting her
+discretion. "Did a pickerel jump?"
+
+"No," replied Mark, "the pickerel know me of old, and don't come about
+for fear that I have a hook and line in my pocket. It was only a stone
+rolling into the river."
+
+"You come here a moment," continued the unthoughtful Lizzy; "here's a
+beautiful sassafras sapling, and I can't pull it up by the roots
+alone."
+
+"Send for the dentist, then."
+
+"Go and help her," said Mildred, softly.
+
+"Well," said Mark, with a look of enforced resignation,--"if I must."
+
+The sapling grew on the steep bank, perhaps fifty yards from where he
+had been sitting. He did not use sufficient care to brace himself, as
+he pulled with all his might, and in a moment, he knew not how, he
+rolled down into the river. The girls first screamed, and then, as he
+came out of the water, shaking himself like a Newfoundland dog, they
+laughed immoderately. The affair did not seem very funny to Mark, and
+he joined in the laugh with no great heartiness. The shock had
+effectually dispelled all the romance of the hour.
+
+"I'm so sorry!" said Lizzy, still laughing at his grotesque and
+dripping figure.
+
+"You must hurry and get dry clothes on, Mark," said Mildred. "Squire
+Clamp's is the nearest house across the bridge."
+
+"Hang Squire Clamp! his clothes would poison me. I'd as lief go to a
+quarantine hospital to be dressed."
+
+"Don't!" said Lizzy.
+
+But he kept on in the same mercurial strain.--"Clamp lives on poison,
+like Rappaccini's daughter, in Hawthorne's story; only it makes him
+ugly instead of fair, as that pretty witch was. His wife never had any
+trouble with spiders as long as she lived; he had only to blow into a
+nest, and the creatures would tumble out, and give up their venomous
+ghosts. No vermin but himself are to be seen in his neighborhood; the
+rats even found they couldn't stand it, and had to emigrate."
+
+"The breath that killed spiders must have been a little too powerful,
+at times, for Mrs. Clamp, one would think," said Mildred.
+
+"It was," said Mark. "She died one day, after Clamp had cheated a
+widow out of her dower."
+
+"Don't stop longer for your fun," said Mildred, "you'll surely take
+cold. Besides, I can't have you making any disparaging remarks upon my
+guardian."
+
+"Bless my soul! your guardian! how imprudent, to be sure!"--with a
+significant twinkle. "Well, I'm going. Banfield's is the nearest
+house; so we'll part here."
+
+The girls went towards the village; and Mark, making vigorous strides
+across the meadow, took a straight line for Banfield's. Near the
+house is a piece of woods,--one corner of the leafy mantle that covers
+the hill slipped down its side and trailing upon the borders of the
+fertile field below. Just as he passed the woods he saw Hugh Branning
+letting down the bars and leading his pony out into the road. The only
+bridle-path through the woods led over the hill to the little house on
+the westerly slope, where lived Dame Ransom, Lucy's bowed and wrinkled
+grandmother. Mark wondered not a little where the midshipman had been;
+but as he still retained the memory of the old quarrel, he did not
+accost him, and presently thought no more of it. Reaching the house,
+he got some dry clothes and then went home with bounding steps. The
+earth was never so beautiful nor the sky so benign. The cloud of
+doubt had furled off and left his heaven blue. He had spoken and found
+that the dream of his boyhood and the hope of his youth had become the
+proud triumph of his manhood. Mildred Kinloch loved him! loved him as
+sincerely as when they were both children! What higher felicity was
+to be thought of? And what a motive for exertion had he now! He would
+be worthy of her, and the world should acknowledge that the heiress
+had not stooped when she mated with him.
+
+
+
+CHAPTER IX.
+
+
+Mrs. Kinloch was surprised at finding that neither Hugh nor Mildred,
+nor yet Lucy Ransom, was in the house.
+
+Mildred came home first and was not accompanied by Hugh, as
+Mrs. Kinloch had hoped. He had not found her, then,--perhaps he had
+not sought for her. Next Lucy returned, coming through the garden
+which stretched up the hill. Being questioned, she answered that she
+had been to her grandmother's, and had come back the nearest way over
+the hill, through the woods.
+
+"What had she gone for after the fatigue of washing-day?"
+
+"Because Squire Clamp, who owned the house her grandmother lived in,
+wanted her to take a message."
+
+Mrs. Kinloch began to become interested. "Squire Clamp!" she
+exclaimed,--"when did you see him?"
+
+"He called here yesterday evening,--on his way to Mr. Hardwick's, I
+guess."
+
+"Why didn't he ask _me_ if you could go? I think he's pretty free
+to send my girls about the town on his errands."
+
+"You were out, Ma'am,--in the next house; and after he'd gone I forgot
+it."
+
+"You remembered it to-day, it seems."
+
+"Yes'm; after dinner I thought of it and hurried right off; but granny
+was sick and foolish, and didn't want to let me come away, so I
+couldn't get back as quick as I meant to."
+
+"Well, you can go to the kitchen."
+
+"Yes'm."
+
+"I must keep an eye on that girl," thought Mrs. Kinloch. "She is
+easily persuaded, fickle, without strong sense, and with only a very
+shallow kind of cunning. She might do mischief. What can Squire Clamp
+want? The old hovel her grandmother lives in isn't worth fifty
+dollars. Whatever has been going on, I'm glad Hugh is not mixed up in
+it."
+
+Just then Hugh rode up, and, tying his horse, came in. He seemed to
+have lost something of the gayety of the morning. "I am tired," he
+said. "I had to get off and lead the pony down the hill, and it's
+steep and stony enough."
+
+"There are pleasant roads enough in the neighborhood," said his
+mother, "without your being obliged to take to the woods and clamber
+over the mountains."
+
+"I know it," he replied; "but I had been up towards the Allen place,
+and I took a notion to come back over the hill."
+
+"Then you passed Lucy's house?"
+
+"Yes. The bridle-path leads down the hill about a mile above this; but
+on foot one may keep along the ridge and come down into the valley
+through our garden."
+
+"So I suppose; in fact, I believe Lucy has just returned that way."
+
+"Indeed! it's strange I didn't see her."
+
+"It is strange."
+
+Hugh bore the quiet scrutiny well, and his mother came to the
+conclusion that the girl had told the truth about her going for the
+lawyer.
+
+Presently Mildred came down from her room, and after a few minutes
+Mrs. Kinloch went out, casting a fixed and meaning look at her
+son. She seemed as impatient for the issue of her scheme, as the child
+who, after planting a seed, waits for the green shoot, and twice a day
+digs down to see if it has not sprouted.
+
+Mildred, as the reader may suppose, was not likely to be very
+agreeable to her companion; the recollections of the day were too
+vivid, too delicious.
+
+She could not part with them, but constantly repeated to herself the
+words of love, of hope, and enthusiasm, which she had heard. So she
+moved or talked as in a dream, mechanically, while her soul still
+floated away on the summer-sea of reverie.
+
+Hugh looked at her with real admiration; and, in truth, she deserved
+it. A fairer face you would not see in a day's journey; her smooth
+skin, not too white, but of a rich creamy tint,--eyes brown and
+inclined to be dreamy,--her hair chestnut and wavy,--a figure rather
+below the medium size, but with full, graceful lines,--these, joined
+with a gentle nature and a certain tremulous sensibility, constituted
+a divinity that it was surely no sin to worship. If sin it were, all
+the young men in Innisfield had need of immediate forgiveness.
+
+Hugh had some qualms about approaching the goddess. He was sensible of
+a wide gulf between himself and her, and he could not but think that
+she was aware of it too.
+
+"You have been to Mr. Alford's?"
+
+A momentary pause.
+
+"Did you speak, Hugh?"
+
+He repeated the question. Her eyes brightened a moment as she nodded
+in the affirmative; then they grew dim again, like windows seen from
+without when the light is withdrawn to an inner room. She seemed as
+unconscious as a pictured Madonna.
+
+"A beautiful day for your walk," he ventured again. The same pause,
+the same momentary interest as she answered, followed by the same
+abstraction.
+
+"I suppose," said he, at length, "that I am having the last of my idle
+days here; I expect to be ordered to sea shortly."
+
+"Indeed!" Mildred looked up.
+
+"I shall be very sorry to leave here," he continued.
+
+"Yes, Innisfield _is_ quite pretty this summer. But I supposed
+that the pleasures of the seaport and of adventure abroad were more
+attractive to you than this monotonous life."
+
+"'Tis rather slow here, but--I--I meant to say that I shall be sorry
+to leave you."
+
+"Me? Why, mother can take care of me."
+
+"Certainly she will, but I shall miss you."
+
+"No doubt you'll think of us, when you are away; I'm sure we shall
+remember you. We shall never sit down to the table without thinking of
+your vacant chair."
+
+It was impossible to misinterpret her kind, simple, sisterly
+tones. And Hugh could but feel that they indicated no particle of
+tenderness for him. The task of winning her was yet wholly to be done,
+and there was no prospect that she would give him the least
+encouragement in advance, if she did not utterly refuse him at the
+end. He saw that he must not count on an easy victory, but prepare for
+it by a slow and gradual approach.
+
+Mildred sat some time leaning out of the window, then opening her
+piano, for the first time since her father's death, she sat down and
+played a nocturne by Mendelssohn. The music seemed a natural
+expression of her feelings,--suited to the heart "steeped in golden
+languors," in the "tranced summer calm." The tones rang through the
+silent rooms, pervading all the charmed air, so that the ear tingled
+in listening,--as the lips find a sharpness with the luscious flavor
+of the pine-apple. The sound reached to the kitchen, and brought a
+brief pleasure, but a bitterer pang of envy, to Lucy's swelling bosom.
+It calmed for a moment the evil spirit in Hugh's troubled heart. And
+Mrs. Kinloch in her solitary chamber, though she had always detested
+the piano, thought she had never heard such music before. She had
+found a new sense, that thrilled her with an exquisite delight. It was
+a good omen, she was sure, that Mildred should now, after so long a
+time, feel inclined to play. Only a light heart, and one supremely
+careless or supremely happy, could touch the keys like that. "Hugh
+must be a fortunate boy," she thought; and she could have hugged him
+for joy. What thought Hugh, as she rose from her seat at the
+instrument like one in a trance and walked towards the hall?
+Conflicting emotions struggled for mastery; but, hardly knowing what
+he did, he started up and offered her a caress. It was not unusual,
+but her nerves had acquired an unwonted sensitiveness; she shuddered,
+and rushed from him up the stairs. He could have torn his hair with
+rage.
+
+"Am I, then, such a bear," he asked himself, "that she is afraid of
+me?"
+
+A light at the end of the hall caught his eye. It was Lucy with
+tear-stained cheeks going to bed,--unconscious that the flaring candle
+she carried was dripping upon her dress,--unconscious that the one she
+both loved and feared was looking at her as she slowly went up the
+back-stairs. Truly, how little the inmates of that house knew of the
+secrets of each other's hearts! It was strange,--was it not?--that,
+after so long intimacy, they could not understand each other better!
+How many hearts do _you_ really know?
+
+
+
+CHAPTER X.
+
+
+"Verily, a good day's work," thought Squire Clamp, as he stretched his
+legs in his office that Monday evening. "Mrs. Kinloch is a very shrewd
+woman, an extraordinarily capable woman. What a wife for a lawyer
+she'd make!--so long as she plotted for, and not against him. But
+Theophilus Clamp was not born to be overreached by one of the weaker
+sex. I was sure my late lamented friend could not have left his
+affairs in such utter disorder,--no schedule of property,--no
+statement of debts; too good a business man for that was Walter
+Kinloch. I shall now be able to know from these documents what my
+late client was really worth, and how large a dower the disconsolate
+widow has reserved for herself. Doubtless she has put by enough to
+suffice for her old age,--and mine, too, I am inclined to think; for I
+don't believe I can do better than marry her when the mourning is
+ended. My late spouse, to be sure, would make a quiet man rather
+apprehensive about a second venture; but if Mrs. Kinloch _is_ a
+Tartar, she is not a vulgar shrew, but will be lady-like, even if she
+is bitter. I think I shall take her. Of course she'll consent. I
+should like to see the unmarried woman in Innisfield that would dare
+refuse Theophilus Clamp. When she knows--that I know--what she knows,
+she'll do pretty much what I tell her. I wonder if she hasn't set on
+foot a marriage between her scapegrace son and Mildred? That would be
+a mishap, truly! But, as guardian, I can stave that off until the
+estate is settled, my wedding over, and myself comfortably in
+possession. Then, perhaps, we'll let the young folks marry,--at least
+we'll think of it. If my son George, now, had not that unlucky
+hare-lip, who knows? H'm, well, to business again. Let's see. It's
+just as that remarkably keen woman suspected. Hardwick's shop does
+stand partly on the land of the estate that joins it; the line will
+run right through his forge, and leave the trip-hammer and water-wheel
+in our possession; for I paced the distance this morning. Tomorrow
+Gunter will make sure of it by a survey; though I think we'd better do
+it while the old man is gone to dinner. He's sometimes apt to use
+emphatic language. Perhaps now his mangy cur Caesar will seize me by
+the coat again! Perhaps Mark will insult me, and the old man laugh at
+it in his sleeve! I shouldn't wonder if they managed to pay the notes,
+but on the title to the shop we have them fast."
+
+The lawyer looked at his watch. "Dear me! it's tea-time. I must go,
+for the church-committee meet this evening. I think, however, I won't
+complain of Hardwick to the deacons this time; for he'll be sure to
+get into a passion when we commence our suit for ejectment, and I
+shall then have a better case against him. A more disagreeable
+Christian to fellowship with I don't know anywhere.
+
+"I _should_ like to know," he continued, as he locked the
+office-door, "if that Lucy told me true,--if those were all the
+papers. No will, no memorandum for one! Well, perhaps Mrs. Kinloch was
+careful enough to give that secret to the keeping of the flames,
+instead of her bureau. I will make close copies of what I have got for
+Lucy to put back, and keep the originals myself. They'll be safest
+with me. There's no telling what may happen to papers in a house where
+there is a prying servant-girl."
+
+Whether the insects were poisoned by the air of the room, as Mark
+Davenport suggested, I cannot say. But when Squire Clamp left the
+office, it was as still as a tomb. No cricket chirped under the
+hearth, no fly buzzed on the window-pane, no spiders came forth from
+the dilapidated, dangling webs. Silence and dust had absolute
+dominion.
+
+The next day Mark returned to New York. He had no opportunity of
+bidding Mildred farewell, but he comforted himself by thinking he had
+provided the means of safely communicating with her by letter. And as
+the stage passed by the house, he caught a glimpse, first of her
+fluttering handkerchief, and then of her graceful fingers wafting to
+him a kiss. It was enough; it furnished him with food for a delightful
+reverie as he went on his way. We shall leave him in his former
+situation, from which, as a starting-point, he determines to win
+fortune or fame, or both. He has your best wishes, no doubt, though
+perhaps you think he will not force his way into the close ranks of
+the great procession of life so soon as he expects.
+
+That day, while Mr. Hardwick was taking his dinner, his second son,
+Milton, who had been fishing at the dam, came running into the house
+quite out of breath.
+
+"F-father!" he stammered out.
+
+"Nun-now st-hop," said the black-smith. "W-what are you st-stuttering
+for? Wah-wait till you can talk."
+
+"Why, father, yer-_you_ stutter."
+
+"Wer-well, yer-_you_ shan't."
+
+The look that came with this seemed to end the matter. A moment's rest
+quieted the nerves of the boy, and he went on to say, that Squire
+Clamp, and a man with a brass machine on his shoulder, and a chain,
+ever so long, were walking about the shop on the bank of the
+river. Lizzy at once looked out of the window and saw the man peering
+into the shop-door, as if exploring the premises.
+
+Impelled by some presentiment of evil, Mr. Hardwick got up from the
+table, and sternly motioning the boys back, went down to the shop. As
+he came near the door, he saw the surveyor holding one end of the
+chain and taking sight upon a staff which the lawyer within was
+adjusting to its place by his direction.
+
+"Just as I expected," said Squire Clamp, in a satisfied tone.
+
+"An' jest as I expected," broke in Mr. Hardwick upon the astonished
+pair. "I knew th-that ef Squire Clamp hed anythin' to do against me,
+he wer-would sneak into the shop sus-some time when I'd ger-gone to
+dinner."
+
+"We thought it would be most convenient, so as not to interrupt you
+about your work."
+
+"Very ker-kind indeed! As ef you wa'n't tryin' to turn me out of
+wer-work altogether! But 'tisn't any yer-use, Squire; this is a case
+you can't be ber-both sides on."
+
+The lawyer turned, with a placid smile, to his companion. "Mr. Gunter,
+I believe we have finished our measurements?"
+
+The man of chain and compass nodded. Nothing abashed by the lawyer's
+cool manner, Mr. Hardwick turned to the surveyor, and asked if he
+undertook to say that Walter Kinloch's deed called for land that was
+covered by the shop?
+
+"I suppose so," was the answer.
+
+"An' now, Sus-squire Clamp," said Mr. Hardwick, "you know that it's
+sus-seventeen or eighteen year sence I per-pulled down the old shop
+and bought this land."
+
+"Yes, but, unfortunately, it takes twenty years to give you title,"
+put in the Squire.
+
+"Nun-never mind that now. Squire Kinloch knew this,--at least, that
+there was room for der-difficulty; for we'd talked it over sus-several
+times afore he died. An' he allers said th-that he'd hev new deeds
+made out, so's to per-per-prevent just such a wrong as this. He didn't
+'xpect to go so sus-sudden."
+
+"I'm sorry, Brother Hardwick, to see you bringing up your talk with
+the lamented deceased, whom you represent as being willing to part
+with his legal rights without a consideration. Even if you had
+evidence of it, such an agreement would be a mere _nudum pactum_,
+binding neither upon himself nor his heirs."
+
+"Squire Clamp! ger-get out of my shop! Fust to call me _Brother_,
+next to doubt my word, an' last to sus-say that a man's free an'
+der-deliberet promise--now he's where he can't sh-shame you into
+honesty--sha'n't be kept!"
+
+The Squire smiled feebly. "You don't intend, Mister Hardwick, assault
+and battery, do you?"
+
+"Yer-yes, ef you don't leave in q-q-q-quick time." And he strode up to
+the astonished attorney, his blue eyes flashing, his curly gray hair
+flying back from his forehead, like a lion's.
+
+Squire Clamp retreated to the street, took sight each way to be sure
+he was off his antagonist's territory, and then vented his cautious
+resentment in such well-considered phrases as a long course of
+experience had taught him were not actionable at law, nor ground for
+discipline in church.
+
+Prudence came to Uncle Ralph's aid, and he did not make further reply,
+but locked the shop-door and returned to the house to finish his
+dinner. The suit was commenced a few days afterwards. Mr. Hardwick
+went to the county seat, some dozen miles distant, and secured the aid
+of an able lawyer, who gave him hope of prevailing and keeping his
+shop.
+
+The affair necessarily created a great stir in the busy little
+town. As the cheerful clatter of the trip-hammer echoed along the
+stream on still evenings, and the fiery plume waved over the chimney,
+neighbors looked out from their windows, and wondered if the good
+blacksmith would, after so many years of honest toil, be stripped of
+his property and be reduced to dependence in his old age. The sympathy
+of the villagers was wholly with him; but the lawyer held so many
+threads of interest in his hands, that few dared to give an opinion
+with much emphasis.
+
+Probably the person most grieved and indignant was the one who, next
+after the blacksmith, was most interested in the event of the
+suit,--namely, Mildred Kinloch. Though no mention was made of the
+matter, at home, in her hearing, she could not fail to know what was
+going on; but she had now sufficient knowledge of her step-mother and
+her guardian to be aware that her influence would not be of the least
+avail in changing their purpose.
+
+Mrs. Kinloch did not repeat the experiment she once made on Mildred's
+sensibilities by referring to her partiality for Mark Davenport and
+his relatives; but, on the contrary, was most gentle in her treatment
+and most assiduous in her endeavors to provide amusement, so far as
+the resources of the town allowed. In company with Hugh, Mildred
+explored all the pleasant roads in the vicinity, all the picturesque
+hills and brooks, caught trout, and snared gamebirds, (the last much
+against her will,)--and by these means her time was fully
+occupied. Hugh seemed to have totally changed; he no longer absented
+himself from the family on mysterious errands; he went to church
+regularly, and appeared to take pleasure in the frequent calls of
+Mr. Rook, the minister. The neighbors began to say that there never
+was a more dutiful son or a more attentive and affectionate brother.
+Some half suspected the reason of the reformation,--no one so quick as
+Squire Clamp, who had reasons of his own, as the reader knows, for
+wishing delay. After a few months had passed, he thought it would be
+dangerous to let the schemes of the widow go on longer without
+interruption, and accordingly prepared to make a step towards his own
+long-cherished purpose.
+
+
+
+CHAPTER XI.
+
+
+One afternoon, about six months after the opening of our story,
+Mrs. Kinloch and her son were talking together concerning the progress
+of his suit. He complained that he was no nearer the point than on the
+first day he and Mildred rode out together. "It was like rounding Cape
+Horn," he said, "where a ship might lie twenty days and drift back as
+fast as she got ahead by tacking." In spite of all his attention and
+kindness, Mildred was merely courteous in return;--he could not get
+near her. If she smiled, it seemed as though it was from behind a
+grating, as in a nunnery. Her pulse was always firm; and if her eye
+was soft, it was steady as the full moon. He didn't believe she had
+any blood in her. If she was in love with that fellow, she kept it
+pretty closely covered up.
+
+Mrs. Kinloch encouraged her son to persevere; she was sure he had not
+been skilful. "Mildred," she said, "was not to be won with as little
+trouble as a silly, low-bred girl, like--like Lucy, for instance."
+
+"What the deuse are you always bringing up Lucy to me for?" said the
+dutiful son.
+
+"Don't speak so!"
+
+"Confound it! I must. You keep a fellow shut up here for six months,
+going to meeting five times a week; you give him no chance to work off
+his natural spirits, and the devil in him will break out
+somewhere. It's putting a stopper in a volcano; if you don't allow a
+little fire and smoke, you're bound to have an earthquake."
+
+After this philosophical digression, the first topic was resumed, and
+Mrs. Kinloch gave the young man some counsel, drawn from her own
+experience or observation, touching the proper mode of awakening and
+cultivating the tender passion. It is not every mother that does so
+much for her son, but then few mothers have so urgent a motive.
+
+"_What_ was it that she advised him to do," did you ask? Really,
+I've quite forgotten; and I am sure Mrs. Kinloch forgot also, at least
+for that day, because something occurred which turned her thoughts for
+the time in quite a different direction.
+
+The ponies were brought out for Hugh and Mildred to take their
+customary canter. The young heiress, for whom so much time and pains
+were spent, looked ill; the delicate flush had vanished from her
+cheek; she seemed languid, and cheerful only by effort. A moment after
+they had gone, as Mrs. Kinloch closed the door, for it was a raw
+November day, she saw and picked up a rudely-folded letter in the
+hall. "Good-bye, Lucy Ransom," were the words she read. They were
+enough. Mrs. Kinloch felt that her heart was struck by a bolt of
+ice. "Poor, misguided, miserable girl!" she said. "Why did I not see
+that something was wrong? I felt it, I knew it,--but only as one knows
+of evil in a dream. Who can calculate the mischief that will come of
+this? O God! to have my hopes of so many years ruined, destroyed, by a
+wretch whose power and existence even I had not once thought of! Has
+she drowned herself, or fled to the city to hide her disgrace? But if
+this should be imagination merely! She may have run away with some
+lubberly fellow from the factory, whom she was ashamed to marry at
+home. But no! she was too sad last evening when she asked to go to her
+grandmother's for a day. What if"--The thought coursed round her brain
+like fire on a train of gunpowder,--flew quicker than words could
+utter it; and the woman bounded to her bureau, as though with muscles
+of steel. She clutched at the papers and bank-notes in her private
+drawer, and looked and counted them over a dozen times before she
+could satisfy herself. Her thin fingers nervously opened the packages
+and folds,--the papers crackling as her eye glanced over them. They
+were there; but not _all_. She pored over the mystery,--her
+thoughts running away upon every side-avenue of conjecture, and as
+often returning to the frightful, remediless fact before her. She was
+faint with sudden terror. By degrees she calmed herself, wiped the
+cold sweat from her forehead, smiled at her fright, and sat down
+again, with an attempt at self-control, to look through the drawers
+thoroughly. As she went on, the tremor returned, and before she had
+finished the fruitless search her heart beat so as to stop her breath;
+she gasped in an agony that the soul rarely feels more than once in
+this life. She shut up the drawers, walked up and down the room,
+noticed with a shudder her own changed expression as she passed before
+the mirror, and strove in vain to give some order to her confused and
+tumultuous thoughts. At length she sat down exhausted. She was
+startled by a knock. Opening the door, there in a newly-furbished
+suit, with clean linen, and a brown wig worn for the first time on his
+hitherto shining head, stood Theophilus Clamp. He had even picked a
+blossom from the geranium in the hall and was toying with it like a
+bashful boy.
+
+"A fine day, Ma'am!" said he, as he took a seat.
+
+"Yes, very," she answered, mechanically, scarcely looking up.
+
+"The young folks have gone out to ride, I suppose."
+
+"Yes, Sir."--A pause, in which Mrs. Kinloch covered her face with her
+handkerchief.
+
+"You don't seem well, Ma'am. Shall I call Lucy?"
+
+"Lucy is gone," she answered,--quickly adding, "gone to her
+grandmother's."
+
+"Well, that is singular. I've been today to look at my land above the
+old lady's house, and she asked me to send word to Lucy to come up and
+see her."
+
+"To-day?"
+
+"Yes, Ma'am; not two hours ago."
+
+Mrs. Kinloch was rapidly revolving probabilities. What interest had
+Lucy to interfere with her affairs? As for Mildred, she was not to be
+thought of as prying into secrets; she was too innocent. Hugh was too
+careless. Who more than this man Clamp was likely to have done or
+procured the mischief? "Have you given her the message?"
+
+"Of course not, Ma'am,--how could I?"
+
+"Then you haven't sent Lucy away on any errand?"
+
+"Certainly not, Madam," said the lawyer, beginning to wince under the
+cross-examination. "Lucy's gone, you say; didn't she leave things all
+right,--your papers, and--and so forth?"
+
+"Papers? Lucy is not presumed to know that I _have_ any papers;
+if any are missing, I'll warrant they are in the hands of some one who
+knows at least enough to read them."
+
+"She suspects me," thought the lawyer, "but can't have discovered that
+hers are only copies; they're too well done." He then added aloud,
+"Perhaps, Mrs. Kinloch, if you had honored me, your associate in the
+administration of the estate, with your confidence touching the
+private papers you speak of, I might have saved you some trouble in
+keeping them."
+
+"Very likely; but no one spoke of papers beside yourself," she
+replied, with a trace of sarcasm in the tone which ill suited the
+expression of her pallid face and drooping head.
+
+"I'm sorry to see you looking so careworn, Mrs. Kinloch," said he,
+with his blandest air. "I intended to bring up a topic more agreeable,
+it is to be hoped, than runaway house-maids or old documents." He
+rubbed his hands softly and turned his eyes with a glance meant to be
+tender towards the place where her chair stood; if he had been a cat,
+he would have purred the while.
+
+Mrs. Kinloch now, for the first time, observed the wig, the unusual
+look of tidiness, and, above all, the flower in his hand; she also saw
+the crucified smile that followed his last remark. "The ridiculous old
+fool!" thought she,--"what can he mean?" But to him she translated
+it,--
+
+"What is the more agreeable topic?"
+
+"Really, you attack me like a lawyer. Don't you know, my dear Madam,
+how it confuses one to be sharply interrogated?"
+
+"It would be something novel to see you confused, Squire Clamp."
+
+"Pray, don't banter, Mrs. Kinloch. I hoped to find you in a more
+complaisant humor. There are topics which cannot be discussed with the
+square precision of legal rules,--thoughts that require sympathy
+before they can be expressed." And he dropped his eyes with a
+ludicrous sigh.
+
+"Oh, I appreciate your tender susceptibilities. Please consider me as
+asking the question again in the most engaging manner."
+
+His new wig was becoming uncomfortable, and he fidgeted in his chair,
+twirling the luckless blossom.
+
+"Why, Mrs. Kinloch, the long regard I entertained for your late
+lamented husband,--ah, I mean my regard for you,--ah, my lonely
+domicil,--ah, since the decease of my--my sainted wife,--ah, and since
+the Scripture says it is not good for man to live alone,--ah, your
+charming qualities and many virtues,--not that your fortune,--ah,--I
+mean to say, that, though not rich, I am not grasping,--and the
+cottage where you lived would be a palace,--ah, for me, if not
+unworthy,--ah, no desire to unduly shorten the period of
+mourning,--ah, but life is short and uncertain"----
+
+There was a dead silence. His mouth was vainly working, and his
+expression confused and despairing. The flower had wilted in his moist
+hand. Little streams of perspiration trickled down his face, to be
+mopped up by his bandanna. Such was the ordeal of talking hollow
+sentiment to a cool and self-possessed woman. She enjoyed the
+exhibition for a time,--as what woman would not? But the waves of her
+trouble rushed back upon her, and the spirit of mischief and coquetry
+was overwhelmed. So she answered,--
+
+"You are pleased to be polite,--perhaps gallant. You must excuse me
+from taking part in such conversation to-day, however little is meant
+by it,--and the less meant the better,--I am not well."
+
+She rose feebly, and walked towards the door with as much dignity as
+her trembling frame could assume. He was abashed; his fine speeches
+jumbled in meaningless fragments, his airy castle ready to topple on
+his unlucky head. He would have been glad to rebuke her fickle humor,
+as he thought it; but he knew he had made a fool of himself, so he
+merely said,--
+
+"No offence, I hope, Ma'am; none meant, certainly. Wish you
+good-afternoon, Ma'am. Call and see you again some day, and hope to
+find you better."
+
+_Would_ he find her better? While the mystery remained, while the
+ruin of her hopes impended, what could restore to her the
+cheerfulness, the courage, the self-command she had lost?
+
+[To be continued.]
+
+
+
+
+"BRINGING OUR SHEAVES WITH US."
+
+
+ The time for toil is past, and night has come,--
+ The last and saddest of the harvest-eves;
+ Worn out with labor long and wearisome,
+ Drooping and faint, the reapers hasten home,
+ Each laden with his sheaves.
+
+ Last of the laborers thy feet I gain,
+ Lord of the harvest! and my spirit grieves
+ That I am burdened not so much with grain
+ As with a heaviness of heart and brain;--
+ Master, behold my sheaves!
+
+ Few, light, and worthless,--yet their trifling weight
+ Through all my frame a weary aching leaves;
+ For long I struggled with my hapless fate,
+ And staid and toiled till it was dark and late,--
+ Yet these are all my sheaves.
+
+ Full well I know I have more tares than wheat,--
+ Brambles and flowers, dry stalks, and withered leaves
+ Wherefore I blush and weep, as at thy feet
+ I kneel down reverently, and repeat,
+ "Master, behold my sheaves!"
+
+ I know these blossoms, clustering heavily
+ With evening dew upon their folded leaves,
+ Can claim no value nor utility,--
+ Therefore shall fragrancy and beauty be
+ The glory of my sheaves.
+
+ So do I gather strength and hope anew;
+ For well I know thy patient love perceives
+ Not what I did, but what I strove to do,--
+ And though the full, ripe ears be sadly few,
+ Thou wilt accept my sheaves.
+
+
+
+
+FARMING LIFE IN NEW ENGLAND.
+
+
+New England does not produce the bread she eats, nor the raw materials
+of the fabrics she wears. A multitude of her purely agricultural towns
+are undergoing, more or less rapidly, a process of depopulation. Yet
+these facts exist by the side of positive advances in agricultural
+science and decided improvements in the means and modes of farming.
+The plough is perfected, and the theory of ploughing is
+understood. The advantages of thorough draining are universally
+recognized, and tiles are for sale everywhere. Mowing and reaping
+machines have ceased to be a novelty upon our plains and meadows. The
+natural fertilizers have been analyzed, and artificial nutrients of
+the soil have been contrived. The pick and pride of foreign herds
+have regenerated our neat stock, and the Morgan and the Black-Hawk eat
+their oats in our stalls. The sheepfold and the sty abound with choice
+blood. Sterling agricultural journals are on every farmer's table, and
+Saxton's hand-books upon agricultural specialties are scattered
+everywhere. Public shows and fairs bring on an annual exacerbation of
+the agricultural fever, which is constantly breaking out in new
+places, beyond the power of the daily press to chronicle. Yet it is
+too evident that the results are not at all commensurate with the
+means under tribute and at command. What is the reason?
+
+In looking at the life of the New England farmer, the first fact that
+strikes us is, that it is actually a very different thing from what it
+might be and ought to be. There dwells in every mind, through all
+callings and all professions, the idea that the farmer's life is, or
+may be, is, or should be, the truest and sweetest life that man can
+live. The merchant may win all the prizes of trade, the professional
+man may achieve triumphs beyond his hopes, the author may find his
+name upon every lip, and his works accounted among the nation's
+treasures, and all may move amid the whirl and din of the most
+inspiring life, yet there will come to every one, in quiet
+evening-hours, the vision of the old homestead, long since forsaken;
+or the imagination will weave a picture of its own,--a picture of
+rural life, so homely, yet so beautiful, that the heart will breathe a
+sigh upon it, the eye will drop a tear upon it, and the voice will
+say, "It were better so!"
+
+In a city like Boston there are farms enough imagined every year to
+make another New England. Could the fairest fancies of that congeries
+of minds be embodied and exhibited, we should see green meadows
+sparkling with morning dew,--silver-slippered rivulets skipping into
+musical abysses,--quiet pasture-lands shimmering so sleepily in the
+sun that the lazy flocks and herds forget to graze, and lie winking
+and ruminating under the trees,--and yellow fields of grain, along the
+hill-sides, billowy in the breeze, and bending before the shadows of
+the clouds that sail above them. And mingling and harmonizing with
+these visions, we should hear the lowing of kine, and the tinkle of
+the bell that leads the flock, and the shout of the boy behind the
+creeping plough, and the echoes of the axe, and the fall of the tree
+in the distant forest, and the rhythmical clangor, softened into a
+metallic whisper by the distance, of the mowers whetting their
+scythes. With these visions and these sounds there would come to the
+minds which give them birth convictions that rural life is the best
+life, and resolutions that, by-and-by, in some golden hour, when the
+sun of life begins to lengthen the eastward shadows, that life shall
+be enjoyed, and that the soul shall pass at last from the quiet scenes
+of Nature into those higher scenes which they symbolize. There is a
+thought in all this that the farm is nearer heaven than the street,--a
+reminiscence of the first estate, when man was lord of Eden; and this
+thought, old as art and artificial life, cannot be rooted out of the
+mind. It has a life of its own, independent of reason, above instinct,
+among the quickest intuitions of the soul.
+
+Now this idea, so universal, so identical in millions of minds,
+springing with such spontaneity in the midst of infinitely varied
+circumstances, abiding with such tenacity in every soul, can have its
+basis nowhere save in a Divine intention and a human possibility. The
+cultivation of the farm is the natural employment of man. It is upon
+the farm that virtue should thrive the best, that the body and the
+mind should be developed the most healthfully, that temptations should
+be the weakest, that social intercourse should be the simplest and
+sweetest, that beauty should thrill the soul with the finest raptures,
+and that life should be tranquillest in its flow, longest in its
+period, and happiest in its passage and its issues. This is the
+general and the first ideal of the farmer's life, based upon the
+nature of the farmer's calling and a universally recognized human
+want. Why does the actual differ so widely from the ideal? It is not
+because the farmer's labor is hard and constant, alone. There is no
+fact better established than that it is through the habitual use both
+of the physical and mental powers that the soul achieves, or receives,
+its most healthful enjoyment, and acquires that tone which responds
+most musically to the touch of the opportunities of leisure. Why,
+then, we repeat, does the actual differ so widely from the ideal?
+
+A general answer to this question is, that that is made an end of life
+which should be but an incident or a means. Life is confounded with
+labor, and thrift with progress; and material success is the aim to
+which all other aims are made subordinate. There is no fact in
+physiology better established than that hard labor, followed from day
+to day and year to year, absorbing every thought and every physical
+energy, has the direct tendency to depress the intellect, blunt the
+sensibilities, and animalize the man. In such a life, all the
+energies of the brain and nervous system are directed to the support
+of nutrition and the stimulation of the muscular system. Man thus
+becomes a beast of burden,--the creature of his calling; and though he
+may add barn to barn and acre to acre, he does not lead a life which
+rises in dignity above that of the beasts which drag his plough. He
+eats, he works, he sleeps. Surely, there is no dignity in a life like
+this; there is nothing attractive and beautiful and good in it. It is
+a mean and contemptible life; and all its maxims, economies,
+associations, and objects are repulsive to a mind which apprehends
+life's true enjoyments and ends. We say that it is a pestilent
+perversion. We say that it is the sale of the soul to the body; it is
+turning the back upon life, upon growth, upon God, and descending into
+animalism.
+
+The true ideal of the farmer's life--of any life--contemplates
+something outside of, and above, the calling which is its instrument.
+The farmer's life is no better than the life of a street-sweeper, if
+it rise no higher than the farmer's work. If the farmer, standing
+under the broad sky, breathing the pure air, listening to the song of
+birds, watching the progress of
+
+
+ "The great miracle that still goes on,"
+
+
+to work the transformation of the brown seeds which he drops into the
+soil into fields of green and gold, and gazing upon landscapes
+shifting with the seasons and flushed with new tints through every
+sunlit and moonlit hour, does not apprehend that his farm has higher
+uses for him than those of feeding his person and his purse, he might
+as well dwell in a coal-mine.
+
+Our soil is sterile, our modes of farming have been rude until within
+a few years; and under the circumstances,--with the Yankee notion that
+the getting of money is the chief end of man,--exclusive devotion to
+labor has been deemed indispensable to success. The maxims of Franklin
+have been literally received and adopted as divine truth. We have
+believed that to labor is to be thrifty, that to be thrifty is to be
+respectable, that to be respectable is to afford facilities for being
+still more thrifty; and our experience is, that with increased thrift
+comes increased labor. This is the circle of our ambitions and
+rewards. All begins and ends in labor. The natural and inevitable
+result of this is both physical and mental deterioration.
+
+It is doubtful whether the world furnishes a finer type of man,
+physically and intellectually, than the Irish gentleman. He is
+handsome, large, courageous,--a man of fine instincts, brilliant
+imagination, courtly manners, and full, vital force. By the side of
+the Irish gentleman, there has grown for centuries the Irish
+peasant. He is ugly, of stunted stature, and pugnacious; and he
+produces children like himself. The two classes started from a common
+blood; they now present the broadest contrast. We do not say that
+freedom from severe labor on one side, and confinement to it on the
+other, are entirely responsible for this contrast; difference of food
+and other obvious causes have had something to do with it; but we say
+that hard labor has, directly and indirectly, degraded from a true
+style of manhood the great mass of the Irish peasantry. They are a
+marked class, and carry in their forms and faces the infallible
+insignia of mental and physical degeneration.
+
+We would by no means compare New England farmers with the Irish
+peasantry. We only present the contrast between these two classes of
+the Irish population as the result of unremitting toil on one side,
+and a more rational kind of life on the other. If we enter a New
+England church, containing a strictly rural assembly, and then visit
+another containing a class whose labor is lighter, and whose style of
+life is based upon different ideas, we shall see a contrast less
+marked, perhaps, but presenting similar features. The farming
+population of New England is not a handsome population, generally.
+The forms of both men and women are angular; their features are not
+particularly intellectual; their movements are not graceful; and their
+calling is evident by indubitable signs. The fact that the city
+assemblage is composed of a finer and higher grade of men, women, and
+children is of particular moment to our argument, because it is
+composed of people who are only one, two, or three removes from a
+rural origin. The city comes from the country; the street is
+replenished by the farm; but the city children, going back to the
+farm, show that a new element has been introduced into their
+blood. The angles are rounded; the face is brighter; the movements are
+more graceful; there is in every way a finer development.
+
+There is probably no better exponent of the farmer's life than the
+farmer's home. We propose to present the portrait of such a home, and,
+while we offer it as a just outline of the farmer's home generally, in
+districts removed from large social centres, we gladly acknowledge the
+existence of a great multitude of happy exceptions. But the sketch:--A
+square, brown house; a chimney coming out of the middle of a roof; not
+a tree nearer than the orchard, and not a flower at the door. At one
+end projects a kitchen; from the kitchen projects a wood-shed and
+wagon-cover, occupied at night by hens; beyond the wood-shed, a
+hog-pen, fragrant and musical. Proceeding no farther in this
+direction, we look directly across the road, to where the barn stands,
+like the hull of a great black ship-of-the-line, with its port-holes
+opened threateningly upon the fort opposite, out of one of which a
+horse has thrust his head for the possible purpose of examining the
+strength of the works. An old ox-sled is turned up against the wall
+close by, where it will have the privilege of rotting. This whole
+establishment was contrived with a single eye to utility. The barn
+was built in such a manner that its deposits might be convenient to
+the road which divides the farm, while the sty was made an attachment
+of the house for convenience in feeding its occupants.
+
+We enter the house at the back door, and find the family at dinner in
+the kitchen. A kettle of soap-grease is stewing upon the stove, and
+the fumes of this, mingled with those that were generated by boiling
+the cabbage which we see upon the table, and by perspiring men in
+shirt-sleeves, and by boots that have forgotten or do not care where
+they have been, make the air anything but agreeable to those who are
+not accustomed to it. This is the place where the family live. They
+cook everything here for themselves and their hogs. They eat every
+meal here. They sit here every evening, and here they receive their
+friends. The women in this kitchen toil incessantly, from the time
+they rise in the morning until they go to bed at night. Here man and
+woman, sons and daughters, live, in the belief that work is the great
+thing, that efficiency in work is the crowning excellence of manhood
+and womanhood, and willingly go so far into essential self-debasement,
+sometimes, as to contemn beauty and those who love it, and to glory
+above all things in brute strength and brute endurance.
+
+Here we are ready to state the point and the lesson of our
+discussion:--The real reason for the deterioration of agriculture in
+New England is to be found in the fact, that the farmer's life and the
+farmer's home, generally, are unloved and unlovable things, and in the
+multitude of causes which have tended to make them so. Let the son of
+such a home as we have pictured get a taste of a better life than
+this, or, through sensibilities which he did not inherit, apprehend a
+worthier style of existence, and what inducements, save those which
+necessity imposes, can retain him there? He hates the farm, and will
+flee from it at the first opportunity. If the New England farmer's
+life were a loved and lovable thing, the New England boys could hardly
+be driven from the New England hills. They would not only find a way
+to live here, but they would make farming profitable. They would honor
+the employment to which they are bred, and would leave it, save in
+exceptional instances, for no other. It is not strange that the
+country grows thin and the city plethoric. It is not strange that
+mercantile and mechanical employments are thronged by young men,
+running all risks for success, when the alternative is a life in which
+they find no meaning, and no inspiring and ennobling influence.
+
+The popular ideal of the farmer's life and home, to which we have
+alluded, we believe to be what God intended. That life contemplates
+the institution and maintenance of personal and social habits, and the
+cultivation of tastes and faculties, separate from, and above, labor.
+Every farm-house should be a residence of men and women, boys and
+girls, who, appreciating something of the meaning and end of life,
+rise from every period of labor into an atmosphere of intellectual and
+social activity, or into some form of refined family enjoyment. It is
+impossible to do this while surrounded with all the associations of
+labor. If there is a room in every farmer's house where the work of
+the family is done, there should be a room in every farmer's house
+where the family should live,--where beauty should appeal to the eye,
+where genuine comfort of appointments should invite to repose, where
+books should be gathered, where neatness and propriety of dress should
+be observed, and where labor may be forgotten. The life led here
+should be labor's exceeding great reward. A family living like
+this--and there are families that live thus--will ennoble and beautify
+all their surroundings. There will be trees at their door, and
+flowers in their garden, and pleasant and graceful architectural ideas
+in their dwelling. Human life will stand in the foreground of such a
+home,--human life, crowned with its dignities and graces,--while
+animal life will be removed among the shadows, and the gross material
+utilities, tastefully disguised, will be made to retire into an
+unoffending and harmonious perspective.
+
+But we have alluded to other causes than labor as in some measure
+responsible for the unattractiveness of the farmer's life, and
+affecting adversely the farming interest. These touch the matter at
+various points, and are charged with greater or less importance. We
+know of no one cause more responsible for whatever there may be of
+physical degeneracy among the farming population than the treatment of
+its child-bearing women; and this, after all, is but a result of
+entire devotion to the tyrannical idea of labor. If there be one
+office or character higher than all others, it is the office or
+character of mother. Surely, the bringing into existence of so
+marvellous a thing as a human being, and the training of that being
+until it assumes a recognized relation to God and human society, is a
+sacred office, and one which does not yield in dignity and importance
+to any other under heaven. For a woman who faithfully fulfils this
+office, who submits without murmuring to all its pains, who patiently
+performs its duties, and who exhausts her life in a ceaseless overflow
+of love upon those whom God has given her, no words can express a true
+man's veneration. She claims the homage of our hearts, the service of
+our hands, the devotion of our lives.
+
+Yet what is the position of the mother in the New England farmer's
+home? The farmer is careful of every animal he possesses. The
+farm-yard and the stall are replenished with young, by creatures for
+months dismissed from labor, or handled with intelligent care while
+carrying their burden; because the farmer knows that only in this way
+can he secure improvement, and sound, symmetrical development, to the
+stock of his farm. In this he is a true, practical philosopher. But
+what is his treatment of her who bears his children? The same
+physiological laws apply to her that apply to the brute. Their strict
+observance is greatly more imperative, because of her finer
+organization; yet they are not thought of; and if the farm-yard fail
+to shame the nursery, if the mother bear beautiful and well-organized
+children, Heaven be thanked for a merciful interference with the
+operation of its own laws! Is the mother in a farm-house ever regarded
+as a sacred being? Look at her hands! Look at her face! Look at her
+bent and clumsy form! Is it more important to raise fine colts than
+fine men and women? Is human life to be made secondary and subordinate
+to animal life? Is not she who should receive the tenderest and most
+considerate ministries of the farmer's home, in all its appointments
+and in all its service, made the ceaseless minister and servant of the
+home and all within it, with utter disregard of her office? To expect
+a population to improve greatly under this method is simply to expect
+miracles; and to expect a farmer's life and a farmer's home to be
+attractive, where the mother is a drudge, and secures less
+consideration than the pets of the stall, is to expect impossibilities.
+
+Another cause which has tended to the deterioration of the farmer's
+life is its solitariness. The towns in New England which were settled
+when the Indians were in possession of the country, and which, for
+purposes of defence, were settled in villages, have enjoyed great
+blessings; but a large portion of agricultural New England was
+differently settled. It is difficult to determine why isolation
+should produce the effect it does upon the family development. The
+Western pioneer, who, leaving a New England community, plants himself
+and his young wife in the forest, will generally become a coarse man,
+and will be the father of coarse children. The lack of the social
+element in the farmer's life is doubtless a cause of some of its most
+repulsive characteristics. Men are constituted in such a manner, that
+constant social contact is necessary to the healthfulness of their
+sympathies, the quickness of their intellects, and the symmetrical
+development of their powers. It matters little whether a family be
+placed in the depths of a Western forest, or upon the top of a New
+England hill; the result of solitude will be the same in kind, if not
+in degree.
+
+Now the farmer, partly from isolation and partly from absorption in
+labor, is the most unsocial man in New England. The farmers are
+comparatively few who go into society at all, who ever dine with their
+neighbors, or who take any genuine satisfaction in the company of the
+women whom their wives invite to tea. They may possibly be
+farmers among farmers, but they are not men among men and
+women. Intellectually, they are very apt to leave life where they
+begin it. Socially, they become dead for years before they die. The
+inhabitants of a city can have but a poor apprehension of the amount
+of enjoyment and development that comes to them through social
+stimulus. Like gold, humanity becomes bright by friction, and grows
+dim for lack of it. So, we say, the farmer's life and home can never
+be what they should be,--can never be attractive by the side of other
+life containing a true social element,--until they have become more
+social. The individual life must not only occupy a place above that of
+a beast of burden, but that life must be associated with all congenial
+life within its reach. The tree that springs in the open field, though
+it be fed by the juices of a rood, through absorbents that penetrate
+where they will, will present a hard and stunted growth; while the
+little sapling of the forest, seeking for life among a million roots,
+or growing in the crevice of a rock, will lift to the light its cap of
+leaves upon a graceful stem, and whisper, even-headed, with the
+stateliest of its neighbors. Men, like trees, were made to grow
+together, and both history and philosophy declare that this Divine
+intention cannot be ignored or frustrated with impunity.
+
+Traditional routine has also operated powerfully to diminish the
+attractiveness of agricultural employments. This cause, very happily,
+grows less powerful from year to year. The purse is seen to have an
+intimate sympathy with intelligent farming. Were we to say that God
+had so constituted the human mind that routine will tire and disgust
+it, we should say in effect that he never intended the farmer's life
+to be one of routine. Nature has done all she can to break up routine.
+While the earth swings round its orbit once a year, and turns on its
+axis once in twenty-four hours,--while the tide ebbs and flows twice
+daily, and the seasons come and go in rotation, every atom changes its
+relations to every other atom every moment. Influences are tossed into
+these skeleton cycles of motion and event which start a myriad of
+diverse currents, and break up the whole surface of life and being
+into a healthful confusion. There are never two days alike. The
+motherly sky never gives birth to twin clouds. The weather shakes its
+bundle of mysteries in our faces, and banters us with, "Don't you wish
+you knew?" We prophesy rain upon the morrow, and wake with a bar of
+golden sunlight on the coverlet. We foretell a hard winter, and,
+before it is half gone, become nervous lest we should miss our supply
+of ice. The fly, the murrain, the potato-rot, and the grasshoppers,
+all have a divine office in tipping over our calculations. The
+phantom host of the great North come out for parade without
+announcement, and shoot their arrows toward the zenith, and flout the
+stars with their rosy flags, and retire, leaving us looking into
+heaven and wondering. Long weeks of drought parch the earth, and then
+comes the sweet rain, and sets the flowers and the foliage
+dancing. All the seasons are either very late or very early, or, for
+some reason, "the most remarkable within the memory of man."
+
+This is God's management for destroying routine within the law of
+stated revolution, and for bringing the mind constantly into contact
+with fresh influences. The soul, encased by a wall of adamantine
+circumstances, and driven around a track of unvarying duties,
+shrivels, or gets diseased. But these circumstances need not imprison
+the farmer, nor these duties become the polished pavement of his
+cell. He has his life among the most beautiful scenes of Nature and
+the most interesting facts of Science. Chemistry, geology, botany,
+meteorology, entomology, and a dozen other related or constituent
+sciences,--what is intelligent farming but a series of experiments,
+involving, first and last, all of these? What is a farm but a
+laboratory where the most important and interesting scientific
+problems are solved? The moment that any field of labor becomes
+intelligently experimental, that moment routine ceases, and that field
+becomes attractive. The most repulsive things under heaven become
+attractive, on being invested with a scientific interest. All,
+therefore, that a farmer has to do, to break up the traditional
+routine of his method and his labor, is to become a scientific
+farmer. He will then have an interest in his labor and its results
+above their bare utilities. Labor that does not engage the mind has no
+dignity; else the ox and the ass are kings in the world, and we are
+but younger brothers in the royal family. So we say to every
+farmer,--If you would make your calling attractive to yourself and
+your boys, seek that knowledge which will break up routine, and make
+your calling, to yourself and to them, an intelligent pursuit.
+
+A recent traveller in England speaks enthusiastically of a visit which
+he paid to an old farm-house in that country, and of the garden-farm
+upon which it stood, which had descended from father to son through a
+period of five hundred years. He found a family of charming
+intelligence and the politest culture. That hallowed soil was a
+beautiful body, of which the family interests and associations were
+the soul. To be dissociated from that soil forever would be
+regarded by its proprietors as almost equivalent to family
+annihilation. Proprietorship in English soil is one of the prime
+ambitions of the true Englishman; but we do not find in New England
+any kindred sentiments of pride in landed property and family
+affection for the paternal acres. The nomadic tribes of Asia would
+seem to have quite as strong local attachments as Yankee landholders,
+most of whom will sell their homesteads as readily as they will their
+horses. This fact we cannot but regard as one among the many causes
+which have conspired to despoil the farmer's calling of some of its
+legitimate attractions. The son slips away from the old homestead as
+easily as he does from the door of a hotel. Very likely his father has
+rooted up all home attachments by talking of removing Westward ever
+since the boy saw the light. This lack of affection for the family
+acres is doubtless owing somewhat to the fact that in this country
+landed property is not associated with political privilege, as it has
+been in England; but this cannot be the sole reason; for the sentiment
+has a genuine basis in nature, and, in not a few instances, an actual
+existence amongst us.
+
+Resulting from the operation of all the causes which we have briefly
+noticed, there is another cause of the deterioration of farming life
+in New England, which cannot be recovered from in many years. Actual
+farming life has been brought into such harsh contrast with other
+life, that its best materials have been sifted out of it, have slid
+away from it. An inquiry at the doors of the great majority of farmers
+would exhibit the general fact, that the brightest boys have gone to
+college, or have become mechanics, or are teaching school, or are in
+trade, or have emigrated to the West. There have been taken directly
+out from the New England farming population its best elements,--its
+quickest intelligence, its most stirring enterprise, its noblest and
+most ambitious natures,--precisely those elements which were necessary
+to elevate the standard of the farmer's calling and make it what it
+should be. It is very easy to see why these men have not been retained
+in the past; it is safe to predict that they will not be retained in
+the future, unless a thorough reform be instituted. These men cannot
+be kept on a routine farm, or tied to a home which has no higher life
+than that of a workshop or a boarding-house. It is not because the
+work of the farm is hard that men shun it. They will work harder and
+longer in other callings for the sake of a better style of individual
+and social life. They will go to the city, and cling to it while half
+starving, rather than engage in the dry details and the hard and
+homely associations of the life which they forsook.
+
+The boys are not the only members of the farmer's family that flee
+from the farmer's life. The most intelligent and most enterprising of
+the farmer's daughters become school-teachers, or tenders of shops, or
+factory-girls. They contemn the calling of their father, and will,
+nine times in ten, marry a mechanic in preference to a farmer. They
+know that marrying a farmer is a very serious business. They remember
+their worn-out mothers. They thoroughly understand that the vow that
+binds them in marriage to a farmer seals them to a severe and homely
+service that will end only in death.
+
+As a consequence of this sifting process, to which we have given but a
+glance, a very decidedly depressing element is now being rapidly
+introduced into New England farming life. The Irish girls have found
+their way into the farmer's kitchen, and the Irish laborer has become
+the annual "hired man." At present, there are no means of measuring
+the effect of this new element; but it cannot fail to depress the tone
+of farming society, and surround it with a new swarm of menial
+associations.
+
+In our judgment, there is but little in the improved modes of farming,
+in scientific discoveries, and new mechanical appliances, to be relied
+upon for the elevation of New England agriculture and the emancipation
+of New England farming life. The farmer needs new ideas more than he
+needs new implements. The process of regeneration must begin in the
+mind, and not in the soil. The proprietor of that soil should be the
+true New England gentleman. His house should be the home of
+hospitality, the embodiment of solid comfort and liberal taste, the
+theatre of an exalted family-life which shall be the master and not
+the servant of labor, and the central sun of a bright and happy social
+atmosphere. When this standard shall be reached, there will be no
+fear for New England agriculture. The noblest race of men and women
+the sun ever shone upon will cultivate these valleys and build their
+dwellings upon these hills; and they will cling to a life which
+blesses them with health, plenty, individual development, and social
+progress and happiness. This is what the farmer's life may be and
+should be; and if it ever rise to this in New England, neither prairie
+nor savanna can entice her children away; and waste land will become
+as scarce, at last, as vacant lots in Paradise.
+
+
+
+
+LES SALONS DE PARIS.[1]
+
+
+The title is an ambitious one, for the _salons_ of Paris are
+Paris itself; and, from the days of the Fronde and of the Hotel
+Rambouillet down to our own, you may judge pretty accurately of what
+is going on upon the great political stage of France by what is
+observable in those green-rooms and _coulisses_ called the
+Parisian drawing-rooms, and where, more or less, the actors of all
+parties may be seen, either rehearsing their parts before the
+performance, or seeking, after the performance is over, the several
+private echoes of the general public sentiment that has burst forth
+before the light of the foot-lamps. Shakspeare's declaration, that
+"all the world's a stage," is nowhere so true as in the capital of
+Gaul. There, most truly may it be said, are
+
+
+ ----"All the men and women merely players;
+ They have their exits and their entrances,
+ And one man in his time plays many parts."
+
+
+Therefore might a profound and comprehensive study of the
+drawing-rooms of Paris be in a manner a history of France in our own
+times.
+
+Madame Ancelot's little volume does not aim so high; nor, had it done
+so, would its author have possessed the talent requisite for carrying
+out such a design. Madame Ancelot is a writer of essentially
+second-rate and subordinate capacity, and consequently her account of
+those _salons de Paris_ that she has seen (and she by no means
+saw them all) derives no charm from the point of view she takes. To
+say the truth, she has no "point of view" of her own; she tells what
+she saw, and (thus far we must praise her) she tells it very
+conscientiously. Having waited in every instance till the people she
+has to speak of were dead, Mme. Ancelot has a pretty fair field before
+her for the display of her sincerity, and we, the public, who are
+neither kith nor kin of the deceased, are the gainers thereby.
+
+So interesting and so amusing is the subject Madame Ancelot has
+chosen, that, in spite of her decided want of originality or even
+talent in treating it, her book is both an amusing and an interesting
+one. It is even more than that; for those who wish to have a correct
+notion of certain epochs of the social civilization of modern France,
+and of certain predominant types in French society during the
+last forty years, Madame Ancelot's little volume is full of
+instruction. Perhaps in no society, so much as in that of France, have
+the political convulsions of the state reacted so forcibly upon the
+relations of man to man, revolutionizing the homes of private persons,
+even as the government and the monarchy were revolutionized. In
+England, nothing of this kind is to be observed; and if you study
+English society ten years, or twenty years, or fifty years after the
+fall of Charles I., after the establishment of the Commonwealth, or
+after the restoration of Charles II., the definitive exile of the
+Stuarts, and the advent of a foreign dynasty to the throne, you find
+everywhere its constitutive elements the same,--modified only by such
+changes of time, circumstance, and fashion, as naturally, in every
+country, modify the superficial aspect of all society. But in France,
+it is the very _substratum_ of the social soil that is overturned, it
+is the constitutive elements of society that are displaced; and the
+consequence is a general derangement of all relative positions.
+
+In what is still termed _la vieille societe Francaise_, little or
+nothing was left to chance, and one of its great characteristics was
+order and the perfectly regular play of its machinery. Everything was
+set down, _noted_, as it were, beforehand,--as strictly so as the
+ceremonies of a grand diplomatic ceremony, after some treaty, or
+marriage, or other occasion of solemn conference. Under this
+_regime_, which endured till the Revolution of '93, (and even,
+strangely enough, _beyond_ that period,) politeness was, of
+course, the one chief quality of whosoever was well brought
+up,--urbanity was the first sign of good company,--and for the simple
+reason, that no one sought to infringe. There was no cause for
+insolence, or for what in England is called "exclusiveness," because
+there was no necessity to repel any disposition to encroach. No one
+dreamed of the possibility of encroaching upon his neighbor's grounds,
+or of taking, in the slightest degree, his neighbor's place.
+
+The first French Revolution caused no such sudden and total disruption
+of the old social traditions as has been generally supposed; and as
+far as mere social intercourse and social conventionalities were
+concerned, there was, even amongst the terrible popular dictators of
+1793, more of the _tone_ of the _ci-devant_ good company
+than could possibly be imagined. In later times, every one who knew
+Fouche remembers that he was constantly in the habit of expressing his
+indignation at the want of good-breeding of the young exquisites of
+the Empire, and used perpetually to exclaim, "In _my time_" this
+or that "would not have been allowed," or, "In _my_ time we were
+accustomed to do" so and so. Now Fouche's "time" was that which is
+regarded as the period of universal beheading and levelling.
+
+It is certain, that, under the _regime_ of the Revolution itself,
+bitter class-hatreds did not at first show themselves in the peaceful
+atmosphere of society,--and that for more than one reason. First of
+all, in a certain sense, "society," it may be said, was
+_not_. Next, what subsisted of society was fragmentary, and was
+formed by small isolated groups or coteries, pretty homogeneously
+composed, or, when not so as to rank and station, rendered homogeneous
+by community of suffering. It must not be imagined that only the
+highest class in France paid for its opinions or its vanities with
+loss of life and fortune. The victims were everywhere; for the changes
+in the governing forces were so perpetual, that, more or less, every
+particular form of envy and hatred had its day of power, and levelled
+its blows at the objects of its special antipathy. In this way, the
+aristocracy and the _bourgeoisie_ were often brought into
+contact; marriages even were contracted, whether during imprisonment
+or under the pressure of poverty, that never would have been dreamt of
+in a normal state of things; and whilst parents of opposite conditions
+shook hands in the scaffold-surveying _charrettes_, the children
+either drew near to each other, in a mutual helpfulness, the principle
+whereof was Christian charity, or met together to partake of
+amusements, the aim whereof was oblivion. For several years, the turn
+of every individual for execution might come, and therefore it was
+difficult, on the other hand, to see who might also _not_ be a
+friend.
+
+This began to be modified under the Empire, but in a shape not
+hitherto foreseen. Military glory began to long for what the genuine
+Revolutionists termed "feudal distinctions." Napoleon was desirous of
+a court and of an aristocracy; he set to work to create a
+_noblesse_, and dukes and counts were fabricated by the
+dozen. Very soon the strong love of depreciation, that is inherent in
+every Frenchman, seized upon even the higher plebeian classes, and,
+discontented as they were at seeing the liberties of the movement of
+'89 utterly confiscated by a military chief, and antipathetic as they
+have been, time out of mind, to what are called _les traineurs de
+sabre_, the civilians of France, her _bourgeois_, who were to
+have their day,--but with very different feelings in 1830,--joined
+with the genuine Pre-Revolutionary aristocrats, and the _noblesse de
+l'Empire_ was laughed at and taken _en grippe_. Here was, in
+reality, the first wide breach made in France in the edifice of
+good-breeding and good-manners; and those who have been eye-witnesses
+to the metamorphosis will admit that the guillotine of Danton and
+Robespierre did even less to destroy _le bon ton_ of the
+_ancien regime_ than was achieved by the guard-room habits and
+morals of Bonaparte's glorious troopers, rushing, as they did, booted
+and spurred, into the emblazoned sanctuary of heraldic distinctions,
+and taking, as it were, _la societe_ by storm.
+
+But soon another alliance and other enmities were to be formed. The
+Empire fell; the Bourbons returned to France; Louis XVIII. recognized
+the _noblesse_ of the Imperial government, and the constitution of
+society as it had been battled for by the Revolution. At the same time
+his court was filled with all the great historic names of the country,
+who returned, no longer avowedly the first in authority, and therefore
+prompt to condescend, but the first in presumption, and therefore
+prompt to take offence. The new alliance that was formed was that of
+the plebeian caste with the _noblesse de l'Empire_, against which it
+had been previously so incensed. Notwithstanding all the efforts
+sincerely made by Louis XVIII. to establish a constitutional
+government and to promote a genuine constitutional feeling throughout
+France, class-hatreds rose gradually to so violent a height that the
+king's only occupation soon grew to be the balancing of expediencies.
+He was forever obliged to reflect upon the choices he could make
+around him, since each choice made from one party insured him a
+hundred enemies in the party opposed. This, which was the political
+part of the drama,--that which regarded the scenes played upon the
+public stage,--had its instantaneous reflex, as we have already said
+in the commencement of these pages, in the _salons_, which were the
+green-rooms and _coulisses_. Urbanity, amenity of language, the bland
+demeanor hitherto characterized as _la grace Francaise_, all these
+were at an end. Society in France, such as it had been once, the
+far-famed model for all Europe, had ceased to exist. The ambition
+which had once been identified with the cares of office or the dangers
+of war now found sufficient food in the bickerings of party-spirit,
+and revenged itself by _salon_ jokes and _salon_ impertinence for the
+loss of a lead it either could not or would not take in
+Parliament. The descendants of those very fathers and mothers who had,
+in many cases, suffered incarceration, and death even, together, set
+to hating each other cordially, because these would not abdicate what
+those would not condescend to compete for. The _noblesse_ cried out,
+that the _bourgeoisie_ was usurping all its privileges; and the
+_bourgeoisie_ retorted, that the time for privilege was past. The two
+classes could no longer meet together in the world, but formed utterly
+different sets and _cliques_; and it must be avowed that neither of
+the two gained in good-manners, or what may be called drawing-room
+distinction.
+
+From 1815 to 1830, the _noblesse_ had officially the
+advantage. From 1830 to 1848, the _bourgeoisie_ ruled over the
+land. But now was to be remarked another social phenomenon, that
+complicated _salon_ life more than ever. The middle classes, we
+say, were in power; they were in all the centres of political
+life,--in the Chambers, in the ministries, in the king's councils, in
+diplomacy; and with them had risen to importance the Imperial
+aristocracy, whose representatives were to be found in every
+department of the public service. All this while, the old families of
+the _ancien regime_ shut themselves up among themselves entirely,
+constituted what is now termed the _Faubourg St. Germain_, which
+never was so exclusive or so powerful (socially speaking) as under
+Louis Philippe, and a tacit combat between envy and disdain was
+carried on, such as perhaps no modern civilization ever witnessed. The
+Faubourg St. Germain arrogated to itself the privilege of exclusively
+representing _la societe Francaise_, and it must be confessed
+that the behavior of its adversaries went far to substantiate its
+claims.
+
+Our purpose in these pages is not to touch upon anything connected
+with politics, or we could show, that, whilst apparently severed from
+all activity upon the more conspicuous field of the capital, the
+ancient French families were employed in reestablishing their
+influence in the rural provincial centres; the result of which was the
+extraordinary influx of Legitimist members into the Chamber formed by
+the first Republican elections in 1848. But this is foreign to our
+present aim. As to what regards French _society_, properly so
+called, it was, from 1804, after the proclamation of the Empire, till
+1848, after the fall of Louis Philippe, in gradual but incessant
+course of sub-division into separate cliques, each more or less
+bitterly disposed towards the others. From the moment when this began
+to be the case, the edifice of French society could no longer be
+studied as a whole, and it only remained to examine its component
+parts as evidences of the tendencies of various classes in the nation.
+In this assuredly not uninteresting study, Mme. Ancelot's book is of
+much service; for a certain number of the different _salons_ she
+names are, as it were, types of the different stages civilization has
+attained to in the city which chooses to style itself "the brain of
+Europe."
+
+The description, given in the little book before us, of what in Paris
+constitutes a genuine _salon_, is a tolerably correct one. "A
+_salon_," says Mme. Ancelot, "is not in the least like one of
+those places in a populous town, where people gather together a crowd
+of individuals unknown to each other, who never enter into
+communication, and who are where they are, momentarily, either because
+they expect to dance, or to hear music, or to show off the
+magnificence of their dress. This is not what can ever be called a
+_salon_. A _salon_ is an intimate and periodical meeting of
+persons who for several years have been in the habit of frequenting
+the same house, who enjoy each other's society, and who have some
+reason, as they imagine, to be happy when they are brought in
+contact. The persons who receive, form a link between the various
+persons they invite, and this link binds the _habitues_ more
+closely to one another, if, as is commonly the case, it is a woman of
+superior mind who forms the point of union. A _salon_, to be
+homogeneous, and to endure, requires that its _habitues_ should
+have similar opinions and tastes, and, above all, enough of the
+urbanity of bygone days to enable its frequenters to feel _at
+home_ with every one in it, without the necessity of a formal
+introduction. Formerly, this practice of speaking to persons you had
+not been presented to was a proof of good-breeding; for it was well
+known that in no house of any distinction would there be found a guest
+who was not worthy to be the associate of whoever was noblest and
+best. These habits of social intercourse gave a value to the
+intellectual and moral qualities of the individual, quite independent
+of his fortune or his rank; and in these little republics the real
+sovereign was _merit_."
+
+Madame Ancelot is right here, and there were in Paris several of these
+_salons_, which served as the models for those of all the rest of
+Europe. Under the Restoration, two illustrious ladies tried to recall
+to the generation that had sprung from the Empire or from emigration
+what the famous _salons_ of old had once been, and the Duchesse
+de Duras and the Marquise de Montcalm (sister to the then minister,
+the Duc de Richelieu) drew around them all that was in any way
+distinguished in France. But the many causes we have noted above made
+the enterprise a difficult one, and the various divergences of
+society, politically speaking, rendered the task of the mistress of a
+house one of surpassing arduousness. Mme. de Stael, who, by her very
+superiority perhaps,--certainly by her vehemence,--was prevented from
+ever being a perfect example of what was necessary in this respect,
+acquired the nickname of _Presidente de Salons_; and it would
+appear, that, with her resolute air, her loud voice, and her violent
+opinions, she really did seem like a kind of speaker of some House of
+Commons disguised as a woman. That the management of a _salon_
+was no easy affair the following anecdote will prove. The Duchesse de
+Duras one day asked M. de Talleyrand what he thought of the evening
+_reunions_ at her house, and after a few words of praise, he
+added: "But you are too vivacious as yet, too young. Ten years hence
+you will know better how to manage it all." Mme. de Duras was then
+somewhere about fifty-four or five! We perceive, therefore, that,
+according to M. de Talleyrand, the proper manner of receiving a
+certain circle of _habitues_ was likely to be the study of a
+whole life.
+
+We select from Mme. Ancelot's book sketches of the following
+_maitresses de maison_, because they seem to us the types of the
+periods of transformation to which they correspond in the order of
+date:--Mme. Lebrun, Mme. Gerard, Mme. d'Abrantes, Mme. Recamier, Mme.
+Nodier. Mme. Lebrun corresponds to the period when Pre-Revolutionary
+traditions were still in force, and when the remembrance yet
+subsisted of a society that had been a real and not a fictive
+unity. Mme. Gerard--or we should rather say her husband, for she
+occupied herself little with her guests, whom the illustrious painter
+entertained--represents the period of the Empire, prolonging itself
+into the Restoration, and seeking by the immunities of talent and
+intelligence to bring the two _regimes_ to meet upon what might be
+termed neutral ground. Mme. d'Abrantes is the type of that last
+remnant of the half-heroic, half-sentimental epoch which tried to
+endure even after the first days of 1830, and of which certain verses
+of Delphine Gay, certain impossible portraits of invincible colonels,
+certain parts played by the celebrated Elleviou, and the
+Troubadourish "_Partant pour la Syrie_" of Queen Hortense, are
+emblematical. Mme. Recamier, although in date all but the contemporary
+of Mme. Lebrun, is, in her position of mistress of a _salon_,
+essentially the impersonation of a foible peculiar to the present day;
+she typifies the class of women who, in Paris, are absolutely absorbed
+by the thought of their _salons_, for whom to receive is to live, and
+who are ready to expire at the notion of any celebrity not being a
+frequenter of their tea-table. Mme. Nodier's--and here, as with Mme.
+Gerard, we must substitute the husband for the wife, and say Charles
+Nodier's--_salon_ was the menagerie whither thronged all the strange
+beings who, after the Revolution of July, fancied they had some
+special and extraordinary "call" in the world of Art. Nodier's
+receptions at the Arsenal represent the literary and artistic movement
+of 1830.
+
+To begin, then, with Mme. Lebrun. This lady was precisely one of
+those individualities who, since the days of Louis XIV., had found it
+easy to take their place in French society, who, under the ancien
+_regime_, were the equals of the whole world, and who, since
+"Equality" has been so formally decreed by the laws of the land, would
+have found it impossible, under the Citizen King, Louis Philippe, or
+under the so-called "Democratic Empire" of Louis Napoleon, to surround
+themselves with any society save that of a perfectly inferior
+description.
+
+Mme. Lebrun was the daughter of a very second-rate painter of the name
+of Vigee, the sister of a poet of some talent of the same name, and
+was married young to a picture-dealer of large fortune and most
+expensive and dissipated, not to say dissolute habits, M. Lebrun. She
+was young,--and, like Mme. Recamier and a few others, remained
+youthful to a very late term of her existence,--remarkably beautiful,
+full of talent, grace, and _esprit_, and possessed of the magnificent
+acquirements as a portrait-painter that have made her productions to
+this day valuable throughout the galleries of Europe. She was very
+soon so brilliantly in fashion, that there was not a _grand seigneur_
+of the court, a _grande dame_ of the queen's intimacy, a rich
+_fermier-general_, or a famous writer, artist, or _savant_, who did
+not petition to be admitted to her soirees; and in her small
+apartment, in the Rue de Clery, were held probably the last of those
+intimate and charmingly unceremonious reunions which so especially
+characterized the manners of the high society of France when all
+question of etiquette was set aside. The witty Prince de Ligne, the
+handsome Comte de Vaudreuil, the clever M. de Boufflers, and his
+step-son, M. de Sabran, with such men as Diderot, d'Alembert,
+Marmontel, and Laharpe, were the original _habitues_ of Mme. Lebrun's
+drawing-room. At the same time used to visit her the bitter, bilious,
+discontented David, the painter, who, though very young, was annoyed
+at a woman having such incontestable proficiency in his own art, and
+whose democratic ideas were hurt at her receiving such a number of
+what he styled "great people." Madame Lebrun, one day,--little
+dreaming that she was addressing a future _coupe-tete_ of the most
+violent species, (perhaps the only genuine admirer of Marat,)--said,
+smilingly, to the future painter of _Les Sabines_, "David, you are
+wretched because you are neither Duke nor Marquis. I, to whom all such
+titles are absolutely indifferent, I receive with sincere pleasure all
+who make themselves agreeable." The apostrophe apparently hit home,
+for David never returned to Mme. Lebrun's house, and was no
+well-wisher of hers in later times. But on this occasion she had not
+only told the truth to an individual, she had touched upon the secret
+sore of the nation and the time; and vast classes were already
+brooding in silence over the absurd, vain, and empty regret at being
+"neither Duke nor Marquis." The Revolution was at hand, and the days
+rapidly approaching when all such pleasant assemblies as those held by
+Mme. Lebrun would become forever impossible. At some of these, the
+crowd of intimates, and of persons all acquainted with each other, was
+so great, that the highest dignitaries of the realm had to content
+themselves with sitting down upon the floor; and on one occasion, the
+Marechal de Noailles, who was of exceedingly large build, had to
+request the assistance of several of his neighbors before he could be
+brought from his squatting attitude to his feet again.
+
+Mme. Lebrun emigrated, like the majority of her associates,--going to
+Russia, to Italy, to Germany, to England, and everywhere increasing
+the number of her friends, besides preserving all those of former
+times, whom she sedulously sought out in their voluntary exile, and to
+whom, in many cases, she even proved an invaluable friend. In the
+commencement of the Restoration, Mme. Lebrun returned to France, and
+established herself definitively at Paris, and at Louveciennes near
+Marly, where she had a delightful summer residence. Here, as in her
+salons in the metropolis, she tried to bring back the tone of French
+society to what it had been before the Revolution, and to show the
+younger generations what had been the gayety, the grace, the
+affability, the exquisite good-breeding of those who had preceded
+them. The men and women of her own standing seconded her, but the
+younger ones were not to be drawn into high-heartedness; and an
+observer might have had before him the somewhat strange spectacle of
+old age gay, gentle, unobservant of any stiff formality, and of youth
+preoccupied and grave, and, instead of being refined in manners,
+pedantic. "The younger frequenters of Mme. Lebrun's salon," says
+Mme. Ancelot, "were strangers to the world into which they found
+themselves raised; those who surrounded them were of an anterior
+civilization; they could not grow to be identified with a past which
+was unknown to them, or known only through recitals that disfigured
+it.... Amidst the remnants of a society that had been historical,
+there was, as it were, the breath of a spirit born of our days; new
+ideas, new opinions, new hopes, nay, even new recollections, were
+evident all around, and served to render social unity impossible; but,
+above all, what failed in this one particular centre was youth,--there
+were few or no young people." This was perfectly true; and
+Mme. Lebrun's _salon_ is interesting only from the fact of its
+being the last, perhaps, in which French people of our day can have
+acquired a complete notion of what the Pre-Revolutionary _salons_
+of France were.
+
+The evening _reunions_ at the house of Gerard, the celebrated
+painter, were among the most famous features of the society of the
+Restoration. The gatherings at Mmes. de Duras's and de Montcalm's
+splendid hotels were all but exclusively political and diplomatic;
+whereas at Gerard's there was a mixture of these with the purely
+mundane and artistic elements, and, above all, there was a portion of
+Imperialist fame blended with all the rest, that was hard to be found
+anywhere else. Gerard, too, had painted the portraits of so many
+crowned heads, and been so much admitted into the intimacy of his
+royal models, that, whenever a foreigner of any note visited Paris, he
+almost immediately asked to be put in a way to be invited to the
+celebrated artist's Wednesday receptions. This was, to a certain
+degree, an innovation in regular French society; the French being most
+truly, as has been said, the "Chinese of Europe," and liking nothing
+less than the intermixture with themselves of anything foreign. But
+Gerard was one of those essentially superior men who are able to
+influence those around them, and bring them to much whereto no one
+else could have persuaded them. Gerard, like many celebrated persons,
+was infinitely superior to what he _did_. As far as what he
+_did_ was concerned, Gerard, though a painter of great merit, was
+far inferior to two or three of whom France has since been justly
+proud; but in regard to what he _was_, Gerard was a man of
+genius, who had in many ways few superiors. Few men, even in France,
+have so highly deserved the reputation of _un homme d'esprit_. He
+was as _spirituel_ as Talleyrand himself, and almost as
+clear-sighted and profound. Add to this that nothing could surpass the
+impression made by Gerard at first sight. He was strikingly like the
+first Napoleon, but handsomer; with the same purity of outline, the
+same dazzlingly lustrous eyes, full of penetration and thought, but
+with a certain _sympathetic_ charm about his whole person that
+the glorious conqueror of Marengo and Dictator of Gaul never
+possessed.
+
+Gerard was not entirely French; born in Rome in 1770, his father only
+was a native of France, his mother was an Italian; and from her he
+inherited a certain combination of qualities and peculiarities that at
+once distinguished him from the majority of his countrymen. Full of
+poetic fire and inspiration, there was in Gerard at the same time a
+strong critical propensity, that showed itself in his caustic wit and,
+sometimes, not unmalicious remarks. There was also a perpetual
+struggle in his character between reflection and the first impulse,
+and sometimes the _etourderie_ of the French nature was suddenly
+checked by the caution of the Italian; but, take him as he was, he was
+a man in a thousand, and those who were in the habit of constantly
+frequenting his house affirm loudly and with the deepest regret, that
+they shall never "look upon his like again."
+
+Gerard had built for himself a house in the Rue des Augustins, near
+the ancient church of St. Germain des Pres; and there, every Wednesday
+evening, summer and winter, he received whatever was in any way
+illustrious in France, or whatever the other capitals of Europe sent
+to Paris, _en passant_. "Four small rooms," says Mme. Ancelot,
+"and a very small antechamber, composed the whole apartment. At twelve
+o'clock tea was served, with eternally the same cakes, over which a
+pupil of Gerard's, Mlle. Godefroy, presided. Gerard himself talked;
+his wife remained nailed to a whist-table, attending to nothing and to
+nobody. Evening once closed in, cards were the only occupation of
+Mme. Gerard."
+
+From Mme. de Stael down to Mlle. Mars, from Talleyrand and Pozzo di
+Borgo down to M. Thiers, there were no celebrities, male or female,
+that, during thirty years, (from 1805 to 1835,) did not flock to
+Gerard's house, and all, how different soever might be their character
+or position, agreed in the same opinion of their host; and those who
+survive say of him to this day,--"Nothing in his _salons_
+announced that you were received by a great _Artist_, but before
+half an hour had elapsed you felt you were the guest of a
+distinguished Man; you had seen by a glance at Gerard's whole person
+and air that he was something apart from others,--that the sacred fire
+burned there!"
+
+The regret felt for Gerard's loss by all who ever knew him is not to
+be told, and speaks as highly for those who cherished as for him who
+inspired it. His, again, was one of the _salons_ (impossible now
+in France) where genius and social superiority, whether of birth or
+position, met together on equal terms. Without having, perhaps, as
+large a proportion of the old _noblesse de cour_ at his house as
+had Mme. Lebrun, Gerard received full as many of those eminent
+personages whose political occupations would have seemed to estrange
+them from the world of mixed society and the Arts. This is a
+_nuance_ to be observed. Under the Empire, hard and despotic as
+was the rule of Bonaparte, and anxious even as he was to draw round
+him all the aristocratic names that would consent to serve his
+government, there was--owing to the mere force of events and the
+elective origin of the throne--a strong and necessary democratic
+feeling, that assigned importance to each man according to his
+works. Besides this, let it be well observed, the first Empire had a
+strong tendency to protect and exalt the Arts, from its own very
+ardent desire to be made glorious in the eyes of posterity. Napoleon
+I. was, in his way, a consummate artist, a prodigiously intelligent
+_metteur en scene_ of his own exploits, and he valued full as
+much the man who delineated or sang his deeds, as the minister who
+helped him to legislate, or the diplomatist who drew up protocols and
+treaties. The Emperor was a lover of noise and show, and his time was
+a showy and a noisy one. Bonaparte had, in this respect, little enough
+of the genuine Tyrant nature. Unlike his nephew, he loved neither
+silence nor darkness; he loved the reflection of his form in the broad
+noon of publicity, and the echo of his tread upon the sounding soil of
+popular renown. Could he have been sure that all free men would have
+united their voices in chanting his exploits, he would have made the
+citizens of France the freest in the whole world. Compression with him
+was either a mere preventive against or vengeance for detraction.
+
+Now this publicity-loving nature was, we repeat, as much served by Art
+and artists as by politicians; nay, perhaps more; and for this reason
+artists stood high during the period of the Empire. Talma held a
+social rank that under no other circumstances could have been his, and
+a painter like Gerard could welcome to his house statesmen such as
+Talleyrand or Daru, or marshals of France, and princes even. We shall
+show, by-and-by, how this grew to be impossible later. At present we
+will recur to Mme. Ancelot for a really very true description of two
+persons who were among the _habitues_ of the closing years of
+Gerard's weekly receptions, and one of whom was destined to universal
+celebrity: we allude to Mme. Gay, and her daughter, Delphine,--later,
+Mme. Girardin. Of these two, the mother, famous as Sophie Gay, was as
+thorough a remnant of the exaggerations and bad taste of the Empire as
+were the straight, stiff, mock-classical articles of furniture of the
+Imperialist hotels, or the _or-moulu_ clocks so ridiculed by
+Balzac, on which turbaned Mamelukes mourned their expiring steeds. All
+the false-heroics of the literature of the Empire found their
+representative (their last one, perhaps) in Mme. Sophie Gay, and it
+has not been sufficiently remarked that she even transmitted a shade
+of all this to her daughter, in other respects one of the most
+sagacious spirits and one of the most essentially unconventional of
+our own day. A certain something that was not in harmony with the tone
+of contemporary writers here and there surprised you in Delphine de
+Girardin's productions, and, as Jules Janin once said, "One would
+think the variegated plumes of Murat's fantastic hat[2] were sweeping
+through her brains!" This was her mother's doing. Delphine, who had
+never lived during one hour of the glory of the Empire, had, through
+the medium of her mother, acquired a slight tinge of its
+_boursouflure_; and had it not been for her own personal good
+taste, she would have been misled precisely by her strong lyrical
+aptitudes. Madame Gay found in Gerard's _salon_ all the people
+she had best known in her youth, and she was delighted to have her
+early years recalled to her. Mme. Ancelot, who, like many of her
+country women, felt a marked antipathy for Madame Gay, has given a
+very true portrait of both mother and daughter.
+
+"Many years after," she writes, "when these ladies were (through M. de
+Girardin) at the head of one of the chief organs of the Paris press,
+they were much flattered and courted; at the period I speak of" (about
+1817-1825) "their position was far from brilliant, and Mme. Gay was
+far from popular. Every word that fell from her mouth, uttered in a
+sharp tone, and full of bitterness and envy, went to speak ill of
+others and prodigiously well of herself. She had a mania for titles
+and tuft-hunting, and could speak of no one under a marquis, a count,
+or a baron. Her daughter's beauty and talents caused her afterwards to
+be more generally admitted into society; but at this period she was
+avoided by most people."
+
+Her daughter's beauty was certainly marvellous, and when, under the
+reign of Louis Philippe, American society had in Paris more than one
+brilliant representative and more than one splendid centre of
+hospitality, where all that was illustrious in the society of France
+perpetually flocked, we make no doubt many of our countrymen noticed,
+whether at theatre or concert or ball, the really queenlike air of
+Mme. de Girardin, and the exquisitely classic profile, which,
+enframed, as it were, by the capricious spirals of the lightest,
+fairest flaxen hair, resembled the outline of some antique statue of a
+Muse.
+
+Delphine Gay and her mother were more the ornaments of the
+_salon_ of the Duchesse d'Abrantes, perhaps, than of that of
+Gerard; and as the former continued open long after the latter was
+closed by death, not only the young girl, whose verses were so
+immensely in fashion during the Restoration, was one of the constant
+guests of Junot's widow, but she continued to be so as the wife of
+Emile de Girardin, the intelligent and enterprising founder of the
+newspaper "La Presse."
+
+The _salon_ of the Duchesse d'Abrantes was one of the first of a
+species which has since then found imitators by scores and hundreds
+throughout France. It was the _salon_ of a person not in herself
+sufficiently superior or even celebrated to attract the genuine
+superiorities of the country without the accessory attractions of
+luxury, and not sufficiently wealthy to draw around her by her
+splendid style of receiving, and to disdain the bait held out to those
+she invited by the presence of great "lions." Gerard gave to his
+guests, at twelve o'clock at night, a cup of tea and "eternally the
+same cakes" all the year round; but Gerard was the type of the great
+honors rendered, as we have observed, to Art under the Empire, and to
+his house men went as equals, whose daily occupations made them the
+associates of kings. This was not the case with the Duchesse
+d'Abrantes. She had notoriety, not fame. Her "Memoires" had been read
+all through Europe, but it is to be questioned whether anything beyond
+curiosity was satisfied by the book, and it certainly brought to its
+author little or none of that which in France stands in lieu even of
+fortune, but which is not easy to obtain, namely,--_consideration_.
+
+The Duchesse d'Abrantes was rather popular than otherwise; she was
+even beloved by a certain number of persons; but she never was what is
+termed _consideree_,--and this gave to her _salon_ a different aspect
+from that of the others we have spoken of. A dozen names could be
+mentioned, whose wearers, without any means of "entertaining" their
+friends, or giving them more than a glass of _eau sucree_, were yet
+surrounded by everything highest and best in the land, simply because
+they were _gens considerables_, as the phrase went; but
+Mme. d'Abrantes, who more or less received all that mixed population
+known by the name of _tout Paris_, never was, we repeat, _consideree_.
+
+The way in which Mme. Ancelot introduces her "friend," the poor
+Duchesse d'Abrantes, on the scene, is exceedingly amusing and natural;
+and we have here at once the opportunity of applying the remark we
+made in commencing these pages, upon Mme. Ancelot's truthfulness. She
+is the _habituee_ of the house of Mme. d'Abrantes; she professes
+herself attached to the Duchess; yet she does not scruple to tell
+everything as it really is, nor, out of any of the usual little
+weaknesses of friendship, does she omit any one single detail that
+proves the strange and indeed somewhat "Bohemian" manner of life of
+her patroness. We, the readers of her book, are obviously obliged to
+her for her indiscretions; with those who object to them from other
+motives we have nothing to do.
+
+Here, then, is the fashion in which we are introduced to Mme. la
+Duchesse d'Abrantes, widow of Marshal Junot, and a born descendant of
+the Comneni, Emperors of Byzantium.
+
+Mme. Ancelot is sitting quietly by her fireside, one evening in
+October, (some short time after the establishment of the monarchy of
+July,) waiting to hear the result of a representation at the Theatre
+Francais, where a piece of her own is for the first time being
+performed. All at once, she hears several carriages stop at her door,
+a number of persons rush up the stairs, and she finds herself in the
+arms of the Duchesse d'Abrantes, who was resolved, as she says, to be
+the first to congratulate her on her success. The hour is a late one;
+supper is served, and conversation is prolonged into the "small
+hours." All at once Mme. d'Abrantes exclaims, with an explosion of
+delight,--"Ah! what a charming time is the night! one is so
+deliciously off for talking! so safe! so secure! safe from bores and
+from duns!" (_on ne craint ni les ennuyeux ni les creanciers_.')
+
+Madame Ancelot affirms that this speech made a tremendous effect, and
+that her guests looked at each other in astonishment. If this really
+was the case, we can only observe that it speaks well for the
+Parisians of the epoch at which it occurred; for, assuredly, at the
+present day, no announcement of the kind would astonish or scandalize
+any one. People in "good society," nowadays, in France, have got into
+a habit of living from hand to mouth, and of living by expedients,
+simply because they have not the strength of mind to live _out_
+of society, and because the life of "the world" forces them to
+expenses utterly beyond what they have any means of providing
+for. However, we are inclined to believe that some five-and-twenty
+years ago this was in no degree a general case, and that Mme.
+d'Abrantes might perfectly well have been the first _maitresse de
+maison_ to whom it happened.
+
+"Alas!" sighs Mme. Ancelot, commenting upon her excellent friend's
+strange confidence,--"it was the secret of her whole life that she
+thus revealed to us in a moment of _abandon_,--the secret of an
+existence that tried still to reflect the splendors of the Imperial
+epoch, and that was at the same time perplexed and tormented by all
+the thousand small miseries of pecuniary embarrassment. There were the
+two extremes of a life that to the end excited my surprise. Grandeur!
+want!--between those two opposites oscillated every day of the last
+years of the Duchesse d'Abrantes; the exterior and visible portion of
+that life arranged itself well or ill, as it best could, in the
+middle,--now apparently colored by splendor, and now degraded by
+distress; but at bottom the existence was unvaryingly what I state."
+
+Madame d'Abrantes, at the period of her greatest notoriety, occupied
+the ground-floor of a hotel in the Rue Rochechouart, with a garden,
+where dancing was often introduced upon the lawn. Some remnants of
+the glories of Imperialism were collected there, but the principal
+_habitues_ were men of letters, artists, and young men who danced
+well! (_les jeunes beaux qui dansaient bien!_) That one phrase
+characterizes at once the ex-_belle_ of the Empire, the
+contemporary of the sentimental Hortense de Beauharnais, and of the
+more than _legere_ Pauline Borghese.
+
+To the "new society of July" Mme. d'Abrantes was an object of great
+curiosity. "I dote on seeing that woman!" said Balzac, one evening,
+to Mme. Ancelot. "Only fancy! she saw Napoleon Bonaparte as a mere
+boy,--knew him well,--knew him as a young man, unknown,--saw him
+occupied, like anybody else, with the ordinary occurrences of
+every-day life; then she saw him grow, and grow, and rise, and throw
+the shadow of his name over the world. She seems to me somewhat like a
+canonized creature who should all at once come and recount to me the
+glories of paradise."
+
+Balzac, it must be premised, was bitten just at this period by the
+Napoleon mania, and this transformed his inquisitive attachment for
+Mme. d'Abrantes into a kind of passion. It was at this period that he
+chose to set up in his habitation in the Rue Cassini a sort of altar,
+on which he placed a small statue of the Emperor, with these words
+engraved upon the pedestal:--
+
+
+ "Ce qu'il avait commence par l'epee,
+ Je l'acheverai par la plume!"
+
+
+What particular part of the Imperial work this was that Balzac was to
+"complete by the pen" was never rightly discovered,--but for a time he
+had a sun-stroke for Napoleon, and his attachment for Mme. d'Abrantes
+partook of this influence.
+
+One anecdote told by Mme. Ancelot proves to what a degree the union of
+"grandeur" and "want" she has alluded to went. "Mme. d'Abrantes," says
+her biographer of the moment, "was always absorbed by the present
+impression, whatever that might happen to be; she passed from joy to
+despair like a child, and I never knew any house that was either so
+melancholy or so gay." One evening, however, it would seem that the
+Hotel d'Abrantes was gayer than usual. Laughter rang loud through the
+rooms, the company was numerous, and the mistress of the house in
+unparalleled high spirits. If the tide of conversation seemed to
+slacken, quickly Madame la Duchesse had some inimitable story of the
+_ridicules_ of the ladies of the Imperial court, and the whole
+circle was soon convulsed at her stories, and at her way of telling
+them. The tea-table was forgotten. Generally, tea at her house was
+taken at eleven o'clock; but on this occasion, midnight was long past
+before it was announced, and before her guests assembled round the
+table. If our readers are curious to know why, here was the reason:
+All that remained of the plate had that very morning been put in pawn,
+and when tea should have been served it was found that tea-spoons were
+wanting! Whilst these were being sent for to the house of a friend
+who lent them, Madame la Duchesse took charge of her guests, and
+drowned their impatience in their hilarity.
+
+It must be allowed that this lady was worthy to be the mother of the
+young man who, one day, pointing to a sheet of stamped paper, on which
+a bill of exchange might be drawn, said: "You see that; it is worth
+five sous now; but if I sign my name to it, it will be worth nothing!"
+This was a speech made by Junot's eldest son, known in Paris as the
+Duc d'Abrantes, and as the intimate friend of Victor Hugo, from whom
+at one time he was almost inseparable.
+
+The eccentric personage we have just spoken of--the Duchesse
+d'Abrantes--died in the year 1838, in a garret, upon a truckle-bed,
+provided for her by the charity of a friend. The royal family paid the
+expenses of her funeral, and Chateaubriand, accompanied by nearly
+every celebrity of the literary world, followed on foot behind her
+coffin, from the church to the burying-ground.
+
+Madame d'Abrantes may be considered as the inventor, in France, of
+what has since become so widely spread under the name of _les salons
+picaresques_, and of what, at the present day, is famous under the
+appellation of the _demi-monde_. Her example has been followed
+by numberless imitators, and now, instead of presuming (as was the
+habit formerly) that those only receive who are rich enough to do so,
+it is constantly inquired, when any one in Paris opens his or her
+house, whether he or she is ruined, and whether the _soirees_
+given are meant merely to throw dust into people's eyes. The history
+of the tea-spoons--so singular at the moment of its occurrence--has
+since been parodied a hundred times over, and sometimes by mistresses
+of houses whose fortune was supposed to put them far above all such
+expedients. Madame d'Abrantes, we again say, was the founder of a
+_genre_ in Paris society, and as such is well worth studying. The
+_genre_ is by no means the most honorable, but it is one too
+frequently found now in the social centres of the French capital for
+the essayist on Paris _salons_ to pass it over unnoticed.
+
+The _salon_ of Mme. Recamier is one of a totally different order,
+and the world-wide renown of which may make it interesting to the
+reader of whatever country. As far as age was concerned, Mme.
+Recamier was the contemporary of Mme. d'Abrantes, of Gerard, nay,
+almost of Mme. Lebrun; for the renown of her beauty dates from the
+time of the French Revolution, and her early friendships associate her
+with persons who even had time to die out under the first Empire; but
+the _salon_ of Madame Recamier was among the exclusively modern
+ones, and enjoyed all its lustre and its influence only after
+1830. The cause of this is obvious: the circumstance that attracted
+society to Mme. Recamier's house was no other than the certainty of
+finding there M. de Chateaubriand. He was the divinity of the temple,
+and the votaries flocked around his shrine. Before 1830 the temple had
+been elsewhere, and, until her death, Mme. la Duchesse de Duras was
+the high-priestess of the sanctuary, where a few privileged mortals
+only were admitted to bow down before the idol. It is inconceivable
+how easy a certain degree of renown finds it in Paris to establish one
+of these undisputed sovereignties, before which the most important,
+highest, most considerable individualities abdicate their own merit,
+and prostrate themselves in the dust. M. de Chateaubriand in no way
+justified the kind of worship that was paid him, nor did he even
+obtain it so long as he was in a way actively to justify it. It was
+when he grew old and produced nothing, and was hourly more and more
+rusted over by selfishness, churlishness, and an exorbitant adoration
+of his own genius, that the society of his country fell down upon its
+knees before him, and was ready to make any sacrifice to insure to
+itself the honor of one of his smiles or one of his looks. In this
+disposition, Madame Recamier speedily obtained a leading influence
+over Paris society, and when it was notorious that from four to six
+every day the "Divinity" would be visible in her _salons_, her
+_salons_ became the place of pilgrimage for all Paris. As with
+those of Mme. d'Abrantes, there was a certain mixture amongst the
+guests, because, without that, the _notoriety_, which neither
+Chateaubriand nor Mme. Recamier disliked, would have been less easily
+secured; but the tone of the _reunions_ was vastly different, and
+at the celebrated receptions of the Abbaye aux Bois (where
+Mme. Recamier spent her last quarter of a century) the somewhat
+austere deportment of the _siecle de Louis XIV._ was in
+vogue. All the amusements were in their nature grave. Mlle. Rachel
+recited a scene from "Polyeucte" for the author of "Les Martyrs," and
+for archbishops and cardinals; the Duc de Noailles read a chapter from
+his history of Mme. de Maintenon; some performance of strictly
+classical music was to be heard; or, upon state occasions,
+Chateaubriand himself vouchsafed to impart to a chosen few a few pages
+of the "Memoires d'Outre-Tombe."
+
+In her youth Mme. Recamier had been reputed beautiful, and her sole
+occupation then was to do the honors of her beauty. She did not dream
+of ever being anything else; and as she remained young marvellously
+long,--as her beauty, or the charm, whatever it was, that
+distinguished her, endured until a very late epoch of her life,--she
+was far advanced in years before the idea of becoming famous through
+any other medium save that of her exterior advantages ever struck
+her. Madame Recamier had no intellectual superiority, but,
+paraphrasing in action Moliere's witty sentence, that "silence, well
+employed, may go far to establish a man's capacity," she resolved to
+employ well the talent she possessed of making other people believe
+themselves clever. Mme. Ancelot, whose "good friend" she is supposed
+to have been, and who treats her with the same sincerity she applies
+to Mme. d'Abrantes, has a very ingenious and, we have reason to fancy,
+a very true parallel, for Mme. Recamier. She compares her to the
+mendicant described by Sterne, (or Swift,) who always obtained alms
+even from those who never gave to any other, and whose secret lay in
+the adroit flatteries with which he seasoned all his beggings. The
+best passages in Mme. Ancelot's whole Volume are those where she
+paints Mme. Recamier, and we will therefore quote them.
+
+"The Recluse of the Abbaye aux Bois," she says, "had either read the
+story of the beggar, or her instinct had persuaded her that vanity and
+pride are the surest vulnerable points by which to attack and subject
+the human heart. From the first to the last of all the orators,
+writers, artists, or celebrities of no matter what species, that were
+invited to Mme. Recamier's house, _all_ heard from her lips the
+same admiring phrases, the first time they were presented to her. With
+a trembling voice she used to say: 'The emotion I feel in the presence
+of a superior being does not permit me to express, as I should wish to
+do, all my admiration, all my sympathy;--but you can divine,--you can
+understand;--my emotion tells the rest!' This eulogistic sentence, a
+well-studied hesitation, words interrupted, and looks of the most
+perfect enthusiasm, produced in the person thus received a far more
+genuine emotion than that with which he was met. It was no other than
+the artifice of wholesale, universal flattery,--always and invariably
+the same,--with which Mme. Recamier achieved her greatest conquests,
+and continued to draw around her almost all the eminent men of our
+epoch. All this was murmured in soft, low tones, so that he only to
+whom she spoke tasted the honey poured into his ear. Her grace of
+manner all the while was infinite; for though she had no talent for
+conversation, she had, in the highest degree, the ability which
+enables one to succeed in certain little combinations, and when she
+had determined that such or such a great man should become her
+_habitue_, the web she spun round him on all sides was composed
+of threads so imperceptibly fine and so innumerable, that those who
+escaped were few, and gifted with marvellous address."
+
+Mme. Ancelot confesses to having "studied narrowly" all
+Mme. Recamier's manoeuvres, and to having watched all the thousand
+little traps she laid for social "lions"; but we are rather astonished
+herein at Mme. Ancelot's astonishment, for, with more or less talent
+and grace, these are the devices resorted to in Paris by a whole class
+of _maitresses de maison_, of whom Mme. Recamier is simply the
+most perfect type.
+
+But the most amusing part of all, and one that will be above all
+highly relished by any one who has ever seen the same game carried on,
+is the account of Mme. Recamier's campaign against M. Guizot, which
+signally failed, all her small webs having been coldly brushed away by
+the intensely vainglorious individual who knew he should not be placed
+above Chateaubriand, and who would for no consideration under heaven
+have been placed beneath him. The spectacle of this small and delicate
+vanity doing battle against this vanity so infinitely hard and robust
+is exquisitely diverting. Mme. Recamier put herself so prodigiously
+out of her way; she who was indolent became active; she who was
+utterly insensible to children became maternal; she who was of
+delicate health underwent what only a vigorous constitution would
+undertake. But all in vain; she either did not or would not see that
+M. Guizot would not be _second_ where M. de Chateaubriand was
+_first_. Besides, she split against another rock, that she had
+either chosen to overlook, or the importance of which she had
+undervalued. If Mme. Recamier had for the idol of her shrine at the
+Abbaye aux Bois M. de Chateaubriand, M. Guizot had also _his_
+Madame Recamier, the "Egeria" of the Hotel Talleyrand,--the Princess
+Lieven. The latter would have resisted to the death any attempt to
+carry off "her Minister" from the _salons_ where his presence was
+the "attraction" reckoned upon daily, nay, almost hourly; and against
+such a rival as the venerable Princess Lieven, Mme. Recamier, spite of
+all her arts and wiles, had no possible chance. However, she left
+nothing untried, and when M. Guizot took a villa at Auteuil, whither
+to repair of an evening and breathe the freshness of the half-country
+air after the stormy debates of the Chambers, she also established
+herself close by, and opened her attack on the enemy's outposts by a
+request to be allowed to walk in the Minister's grounds, her own
+garden being ridiculously small! This was followed by no end of
+attentions directed towards Mme. de Meulan, M. Guizot's sister-in-law,
+who saw through the whole, and laughed over it with her friends; no
+end of little dancing _matinees_ were got up for the Minister's
+young daughters, and no end even of sweet biscuits were perpetually
+provided for a certain lapdog belonging to the family! All in vain!
+We may judge, too, what transports of enthusiasm were enacted when the
+Minister himself was _by chance (!)_ encountered in the alleys of
+the park, and with what outpourings of admiration he was greeted, by
+the very person who, of all others, was so anxious to become one of
+his votaries. But, as we again repeat, it was of no use. M. Guizot
+never consented to be one of the _habitues_ of the _salon_
+of the Abbaye aux Bois. It should be remarked, also, that M. Guizot
+cared little for anything out of the immediate sphere of politics, and
+of the politics of the moment; he took small interest in what went on
+in Art, and none whatever in what went on in the so-called "world"; so
+that where a _salon_ was not predominantly political, there was
+small chance of presenting Louis Philippe's Prime-Minister with any
+real attraction. For this reason he was now and then to be met at the
+house of Mme. de Chatenay, often at that of Mme. de Boigne, but
+_never_ in any of the receptions of the ordinary run of men and
+women of the world. _His own salon_, we again say,--the
+_salon_ where he was what Chateaubriand was at the Abbaye aux
+Bois,--was the _salon_ of the Princess Lieven; and to have ever
+thought she could induce M. Guizot to be in the slightest degree
+faithless to this _habit_ argues, on the part of Mme. Recamier,
+either a vanity more egregious than we had even supposed, or an
+ignorance of what she had to combat that seems impossible. To have
+imagined for a moment that she could induce M. Guizot to frequent her
+_reunions_ shows that she appreciated neither Mme. de Lieven, nor
+M. Guizot, nor, we may say, herself, in the light of the
+high-priestess of Chateaubriand's temple.
+
+However, what Mme. Recamier went through with regard to the arrogant
+President du Conseil of the Orleans dynasty, more than one of her
+imitators are at this hour enduring for some "lion" infinitely
+illustrious. This kind of hunt after celebrated persons is a feature
+of French civilization, and a feature peculiarly characteristic of the
+French women who take a pride in their receptions. A genuine
+_maitresse de maison_ in Paris has no affections, no ties, save
+those of her _salon_. She is wholly absorbed in thinking how she
+shall render this more attractive than the _salon_ of some other
+lady, who is her intimate friend, but whose sudden disappearance from
+the social scene, by any catastrophe, death even, would not leave her
+inconsolable. She has neither husband, children, relatives, nor
+friends (in the genuine acceptation of the word);--she has, above all,
+before all, always and invariably, her _salon_. This race of
+women, who date undoubtedly from the famous Marquise de Rambouillet in
+the time of the Fronde, are now dying out, and are infinitely less
+numerous than they were even twenty years ago in Paris; but a few of
+them still exist, and in these few the ardor we allude to, and which
+would lead them, following in Mme. Recamier's track, to embark for the
+North Cape in search of some great celebrity, is in no degree
+abated. Madame Recamier is curious as the arch-type of this race, so
+purely, thoroughly, exclusively Parisian.
+
+Perhaps to a foreigner, however, no _salon_ was more amusing than
+that of Charles Nodier; but this was of an utterly different
+description, and all but strictly confined to the world of Literature
+and Art. Nodier himself occupied a prominent place in the literature
+that was so much talked of during the last years of the Restoration
+and the first years of the Monarchy of July, and his house was the
+rendezvous for all the combatants of both sides, who at that period
+were engaged in the famous Classico-Romantic struggle. Nodier was the
+Head Librarian of the Arsenal, and it was in the _salons_ of this
+historic palace that he held his weekly gatherings. He himself was
+scarcely to be reputed exclusively of either party; he enjoyed the
+favors of the Monarchy, and the sympathies of the Opposition; the
+"Classics" elected him a member of the Academie Francaise, and the
+"Romantics" were perpetually in his intimacy. The fact was, that
+Nodier at heart believed in neither Classics nor Romantics, laughed at
+both in his sleeve, and only cared to procure to himself the most
+agreeable house, the greatest number of comforts, and the largest sums
+of money possible.
+
+"By degrees," says Mme. Ancelot, "as Nodier cared less for other
+people, he praised them more, probably in order to compensate them in
+words for the less he gave them in affection. Besides this, he was
+resolved not to be disturbed in his own vanities, and for this he knew
+there was one only way, which was to foster the vanities of everybody
+else. Never did eulogium take such varied forms to laud and exalt the
+most mediocre things. Nowhere were so many geniuses whom the public
+never guessed at raised to the rank of _divinities_ as in the
+_salons_ of Charles Nodier."
+
+The description contained in the little volume before us, the manner
+in which every petty scribbler of fiftieth-rate talent was transformed
+into a giant in the society of Nodier, is extremely curious and
+amusing, and the more so that it is strictly true, and tallies
+perfectly with the recollections of the individuals who, at the period
+mentioned, were admitted to the _reunions_ of the Arsenal.
+
+Every form of praise having been expended upon persons of infinitely
+small merit, what was to be done when those of real superiority
+entered upon the scene? It was impossible to apply to them the forms
+of laudation adapted to their inferiors. Well, then, a species of
+slang was invented, by which it was thought practicable to make the
+genuine great men conceive they had passed into the condition of
+demigods. A language was devised that was to express the fervor of the
+adorers who were suddenly allowed to penetrate into Olympus, and the
+strange, misapplied terms whereof seemed to the uninitiated the
+language of insanity. For instance, if, after a dozen little unshaved,
+unkempt poetasters had been called "sublime," Victor Hugo vouchsafed
+to recite one of his really best Odes, what was the eulogistic form to
+be adopted? Mme. Ancelot will tell us.
+
+"A pause would ensue, and at the end of a silence of some minutes,
+when the echo of Hugo's sonorous voice had subsided, one after another
+of the _elect_ would rise, go up to the poet, take his hand with
+solemn emotion, and raise to the ceiling eyes full of mute enthusiasm.
+The crowd of bystanders would listen all agape. Then, to the surprise,
+almost to the consternation, of the uninitiated, one word only would
+be spoken,--loudly, distinctly, and with strong, deep emphasis spoken;
+that word would be:
+
+ "_Cathedral!!!_
+
+"The first orator, after this effort, would return to the place whence
+he had come, and another, succeeding to him, after repeating the same
+pantomime as the former, would exclaim:
+
+ "_Ogive!!!_
+
+"Then a third would come forward, and, after looking all around, would
+risk the word:
+
+ "_Pyramid-of-Egypt!!!_
+
+"And thereat the whole assembly would start off into frenzies of
+applause, and fifty or sixty voices would repeat in chorus the
+sacramental words that had just been pronounced separately."
+
+The degree of absurdity to which a portion of society must have
+attained before such scenes as the above could become possible may
+serve as a commentary and an explanation to half the literature which
+flooded the stage and the press in France for the first six or eight
+years after the Revolution of 1830. However, to be just, we must, in
+extenuation of all these absurdities, cite one passage more from
+Mme. Ancelot's book, in which, in one respect, at all events, the
+youth of twenty years ago in Paris are shown to have been superior to
+the youth of the present day.
+
+"Nodier's parties were extremely amusing," says our authoress; "his
+charming daughter was the life of the whole; she drew around her young
+girls of her own age; poets, musicians, painters, young and joyous as
+these, were their partners in the dance, and every one was
+full of hope and dreaming of glory. But what brought all the
+light-heartedness, all the enthusiasm, all the exultation to its
+utmost height was, that, in all that youth, so trusting and so
+hopeful, _no one gave a single thought to money!_"
+
+Assuredly, it would be impossible to say as much nowadays.
+
+Taken as a whole, Mme. Ancelot's little volume is, as we said, an
+amusing and an instructive one. It is not so from any portion of her
+own individuality she has infused into it, but, on the contrary, from
+the entire sincerity with which it mirrors other people. We recommend
+it to our readers, for it is a record of Paris society in its
+successive transformations from 1789 to 1848, and paints a class of
+people and a situation of things, equally true types whereof may
+possibly not be observable in future times.
+
+
+Footnote 1: _Les Salons de Paris.--Foyers Eteints_. Par
+Mme. Ancelot. 12mo. Paris.
+
+Footnote 2: It will be remembered that on field-days Murat had
+adopted a hat and feathers of a most ridiculous kind, and that have
+become proverbial.
+
+
+
+
+THE DISCOVERER OF THE NORTH CAPE.
+
+
+A LEAF FROM KING ALFRED'S "OROSIUS."
+
+
+ Othere, the old sea-captain,
+ Who dwelt in Helgoland,
+ To Alfred, the Lover of Truth,
+ Brought a snow-white walrus-tooth,
+ Which he held in his brown right-hand.
+
+ His figure was tall and stately;
+ Like a boy's his eye appeared;
+ His hair was yellow as hay,
+ But threads of a silvery gray
+ Gleamed in his tawny beard.
+
+ Hearty and hale was Othere,
+ His cheek had the color of oak;
+ With a kind of laugh in his speech,
+ Like the sea-tide on a beach,
+ As unto the King he spoke.
+
+ And Alfred, King of the Saxons,
+ Had a book upon his knees,
+ And wrote down the wondrous tale
+ Of him who was first to sail
+ Into the Arctic seas.
+
+ "So far I live to the northward,
+ No man lives north of me;
+ To the east are wild mountain-chains,
+ And beyond them meres and plains;
+ To the westward all is sea.
+
+ "So far I live to the northward,
+ From the harbor of Skeringes-hale,
+ If you only sailed by day,
+ With a fair wind all the way,
+ More than a month would you sail.
+
+ "I own six hundred reindeer,
+ With sheep and swine beside;
+ I have tribute from the Fins,--
+ Whalebone, and reindeer-skins,
+ And ropes of walrus-hide.
+
+ "I ploughed the land with horses,
+ But my heart was ill at ease,
+ For the old seafaring men
+ Came to me now and then
+ With their sagas of the seas,--
+
+ "Of Iceland, and of Greenland,
+ And the stormy Hebrides,
+ And the undiscovered deep;--
+ I could not eat nor sleep
+ For thinking of those seas.
+
+ "To the northward stretched the desert,--
+ How far I fain would know;
+ So at last I sallied forth,
+ And three days sailed due north,
+ As far as the whale-ships go.
+
+ "To the west of me was the ocean,--
+ To the right the desolate shore;
+ But I did not slacken sail
+ For the walrus or the whale,
+ Till after three days more.
+
+ "The days grew longer and longer,
+ Till they became as one;
+ And southward through the haze
+ I saw the sullen blaze
+ Of the red midnight sun.
+
+ "And then uprose before me,
+ Upon the water's edge,
+ The huge and haggard shape
+ Of that unknown North Cape,
+ Whose form is like a wedge.
+
+ "The sea was rough and stormy,
+ The tempest howled and wailed,
+ And the sea-fog, like a ghost,
+ Haunted that dreary coast,--
+ But onward still I sailed.
+
+ "Four days I steered to eastward,
+ Four days without a night:
+ Bound in a fiery ring
+ Went the great sun, O King,
+ With red and lurid light."
+
+ Here Alfred, King of the Saxons,
+ Ceased writing for a while;
+ And raised his eyes from his book,
+ With a strange and puzzled look,
+ And an incredulous smile.
+
+ But Othere, the old sea-captain,
+ He neither paused nor stirred;
+ And the King listened, and then
+ Once more took up his pen,
+ And wrote down every word.
+
+ "And now the land," said Othere,
+ "Bent southward suddenly,
+ And I followed the curving shore
+ And ever southward bore
+ Into a nameless sea.
+
+ "And there we hunted the walrus,
+ The narwhale, and the seal:
+ Ha! 'twas a noble game,
+ And like the lightning's flame
+ Flew our harpoons of steel!
+
+ "There were six of us altogether,
+ Norsemen of Helgoland;
+ In two days and no more
+ We killed of them threescore,
+ And dragged them to the strand!"
+
+ Here Alfred the Truth-Teller
+ Suddenly closed his book,
+ And lifted his blue eyes
+ With doubt and strange surmise
+ Depicted in their look.
+
+ And Othere, the old sea-captain,
+ Stared at him wild and weird,
+ Then smiled, till his shining teeth
+ Gleamed white from underneath
+ His tawny, quivering beard.
+
+ And to the King of the Saxons,
+ In witness of the truth,
+ Raising his noble head,
+ He stretched his brown hand, and said.
+ "Behold this walrus-tooth!"
+
+
+
+
+THE AUTOCRAT OF THE BREAKFAST-TABLE.
+
+
+EVERY MAN HIS OWN BOSWELL.
+
+[The schoolmistress came down with a rose in her hair,--a fresh June
+rose. She has been walking early; she has brought back two
+others,--one on each cheek.
+
+I told her so, in some such pretty phrase as I could muster for the
+occasion. Those two blush-roses I just spoke of turned into a couple
+of damasks. I suppose all this went through my mind, for this was what
+I went on to say:--]
+
+I love the damask rose best of all. The flowers our mothers and
+sisters used to love and cherish, those which grow beneath our eaves
+and by our doorstep, are the ones we always love best. If the
+Houyhnhnms should ever catch me, and, finding me particularly vicious
+and unmanageable, send a man-tamer to Rareyfy me, I'll tell you what
+drugs he would have to take and how he would have to use them. Imagine
+yourself reading a number of the Houyhnhnms Gazette, giving an account
+of such an experiment.
+
+"MAN-TAMING EXTRAORDINARY.
+
+"The soft-hoofed semi-quadruped recently captured was subjected to the
+art of our distinguished man-tamer in presence of a numerous
+assembly. The animal was led in by two stout ponies, closely confined
+by straps to prevent his sudden and dangerous tricks of
+shoulder-hitting and foot-striking. His countenance expressed the
+utmost degree of ferocity and cunning.
+
+"The operator took a handful of _budding lilac-leaves_, and
+crushing them slightly between his hoofs, so as to bring out their
+peculiar fragrance, fastened them to the end of a long pole and held
+them towards the creature. Its expression changed in an instant,--it
+drew in their fragrance eagerly, and attempted to seize them with its
+soft split hoofs. Having thus quieted his suspicious subject, the
+operator proceeded to tie a _blue hyacinth_ to the end of the
+pole and held it out towards the wild animal. The effect was
+magical. Its eyes filled as if with raindrops, and its lips trembled
+as it pressed them to the flower. After this it was perfectly quiet,
+and brought a measure of corn to the man-tamer, without showing the
+least disposition to strike with the feet or hit from the shoulder."
+
+That will do for the Houyhnhnms Gazette.--Do you ever wonder why poets
+talk so much about flowers? Did you ever hear of a poet who did not
+talk about them? Don't you think a poem, which, for the sake of being
+original, should leave them out, would be like those verses where the
+letter _a_ or _e_ or some other is omitted? No,--they will
+bloom over and over again in poems as in the summer fields, to the end
+of time, always old and always new. Why should we be more shy of
+repeating ourselves than the spring be tired of blossoms or the night
+of stars? Look at Nature. She never wearies of saying over her floral
+pater-noster. In the crevices of Cyclopean walls,--in the dust where
+men lie, dust also,--on the mounds that bury huge cities, the Birs
+Nemroud and the Babel-heap,--still that same sweet prayer and
+benediction. The Amen! of Nature is always a flower.
+
+Are you tired of my trivial personalities,--those splashes and streaks
+of sentiment, sometimes perhaps of sentimentality, which you may see
+when I show you my heart's corolla as if it were a tulip? Pray, do
+not give yourself the trouble to fancy me an idiot whose conceit it is
+to treat himself as an exceptional being. It is because you are just
+like me that I talk and know that you will listen. We are all
+splashed and streaked with sentiments,--not with precisely the same
+tints, or in exactly the same patterns, but by the same hand and from
+the same palette.
+
+I don't believe any of you happen to have just the same passion for
+the blue hyacinth which I have,--very certainly not for the crushed
+lilac-leaf-buds; many of you do not know how sweet they are. You love
+the smell of the sweet-fern and the bayberry-leaves, I don't doubt;
+but I hardly think that the last bewitches you with young memories as
+it does me. For the same reason I come back to damask roses, after
+having raised a good many of the rarer varieties. I like to go to
+operas and concerts, but there are queer little old homely sounds that
+are better than music to me. However, I suppose it's foolish to tell
+such things.
+
+----It is pleasant to be foolish at the right time,--said the
+divinity-student;--saying it, however, in one of the dead languages,
+which I think are unpopular for summer-reading, and therefore do not
+bear quotation as such.
+
+Well, now,--said I,--suppose a good, clean, wholesome-looking
+countryman's cart stops opposite my door.--Do I want any
+huckleberries?--If I do not, there are those that do. Thereupon my
+soft-voiced handmaid bears out a large tin pan, and then the wholesome
+countryman, heaping the peck-measure, spreads his broad hands around
+its lower arc to confine the wild and frisky berries, and so they run
+nimbly along the narrowing channel until they tumble rustling down in
+a black cascade and tinkle on the resounding metal beneath.--I won't
+say that this rushing huckleberry hail-storm has not more music for me
+than the "Anvil Chorus."
+
+----I wonder how my great trees are coming on this summer.
+
+----Where are your great trees, Sir? said the divinity-student.
+
+Oh, all round about New England. I call all trees mine that I have put
+my wedding-ring on, and I have as many tree-wives as Brigham Young has
+human ones.
+
+----One set's as green as the other,--exclaimed a boarder, who has
+never been identified.
+
+They're all Bloomers,--said the young fellow called John.
+
+[I should have rebuked this trifling with language, if our landlady's
+daughter had not asked me just then what I meant by putting my
+wedding-ring on a tree.]
+
+Why, measuring it with my thirty-foot tape, my dear,--said I.--I have
+worn a tape almost out on the rough barks of our old New England elms
+and other big trees.--Don't you want to hear me talk trees a little
+now? That is one of my specialties.
+
+[So they all agreed that they should like to hear me talk about
+trees.]
+
+I want you to understand, in the first place, that I have a most
+intense, passionate fondness for trees in general, and have had
+several romantic attachments to certain trees in particular. Now, if
+you expect me to hold forth in a "scientific" way about my
+tree-loves,--to talk, for instance, of the Ulmus Americana, and
+describe the ciliated edges of its samara, and all that,--you are an
+anserine individual, and I must refer you to a dull friend who will
+discourse to you of such matters. What should you think of a lover who
+should describe the idol of his heart in the language of science,
+thus: Class, Mammalia; Order, Primates; Genus, Homo; Species,
+Europeus; Variety, Brown; Individual, Ann Eliza; Dental Formula
+
+
+ 2-2 1-1 2-2 3-3
+ i--- c--- p--- m----,
+ 2-2 1-1 2-2 3-3
+
+
+and so on?
+
+No, my friends, I shall speak of trees as we see them, love them,
+adore them in the fields, where they are alive, holding their green
+sun-shades over our heads, talking to us with their hundred thousand
+whispering tongues, looking down on us with that sweet meekness which
+belongs to huge, but limited organisms,--which one sees in the brown
+eyes of oxen, but most in the patient posture, the outstretched arms,
+and the heavy-drooping robes of these vast beings endowed with life,
+but not with soul,--which outgrow us and outlive us, but stand
+helpless,--poor things!--while Nature dresses and undresses them, like
+so many full-sized, but underwitted children.
+
+Did you ever read old Daddy Gilpin? Slowest of men, even of English
+men; yet delicious in his slowness, as is the light of a sleepy eye in
+woman. I always supposed "Dr. Syntax" was written to make fun of
+him. I have a whole set of his works, and am very proud of it, with
+its gray paper, and open type, and long ff, and orange-juice
+landscapes. The _Pere_ Gilpin had the kind of science I like in
+the study of Nature,--a little less observation than White of
+Selborne, but a little more poetry.--Just think of applying the
+Linnaean system to an elm! Who cares how many stamens or pistils that
+little brown flower, which comes out before the leaf, may have to
+classify it by? What we want is the meaning, the character, the
+expression of a tree, as a kind and as an individual.
+
+There is a mother-idea in each particular kind of tree, which, if well
+marked, is probably embodied in the poetry of every language. Take the
+oak, for instance, and we find it always standing as a type of
+strength and endurance. I wonder if you ever thought of the single
+mark of supremacy which distinguishes this tree from all our other
+forest-trees? All the rest of them shirk the work of resisting
+gravity; the oak alone defies it. It chooses the horizontal direction
+for its limbs, so that their whole weight may tell,--and then
+stretches them out fifty or sixty feet, so that the strain may be
+mighty enough to be worth resisting. You will find, that, in passing
+from the extreme downward droop of the branches of the weeping-willow
+to the extreme upward inclination of those of the poplar, they sweep
+nearly half a circle. At 90 deg. the oak stops short; to slant upward
+another degree would mark infirmity of purpose; to bend downwards,
+weakness of organization. The American elm betrays something of both;
+yet sometimes, as we shall see, puts on a certain resemblance to its
+sturdier neighbor.
+
+It won't do to be exclusive in our taste about trees. There is hardly
+one of them which has not peculiar beauties in some fitting place for
+it. I remember a tall poplar of monumental proportions and aspect, a
+vast pillar of glossy green, placed on the summit of a lofty hill, and
+a beacon to all the country round. A native of that region saw fit to
+build his house very near it, and, having a fancy that it might blow
+down some time or other, and exterminate himself and any incidental
+relatives who might be "stopping" or "tarrying" with him,--also
+laboring under the delusion that human life is under all circumstances
+to be preferred to vegetable existence,--had the great poplar cut
+down. It is so easy to say, "It is only a poplar!" and so much harder
+to replace its living cone than to build a granite obelisk!
+
+I must tell you about some of my tree-wives. I was at one period of my
+life much devoted to the young lady-population of Rhode Island, a
+small, but delightful State in the neighborhood of Pawtucket. The
+number of inhabitants being not very large, I had leisure, during my
+visits to the Providence Plantations, to inspect the face of the
+country in the intervals of more fascinating studies of physiognomy. I
+heard some talk of a great elm a short distance from the locality just
+mentioned. "Let us see the great elm,"--I said, and proceeded to find
+it,--knowing that it was on a certain farm in a place called Johnston,
+if I remember rightly. I shall never forget my ride and my
+introduction to the great Johnston elm.
+
+I always tremble for a celebrated tree when I approach it for the
+first time. Provincialism has no _scale_ of excellence in man or
+vegetable; it never knows a first-rate article of either kind when it
+has it, and is constantly taking second and third rate ones for
+Nature's best. I have often fancied the tree was afraid of me, and
+that a sort of shiver came over it as over a betrothed maiden when she
+first stands before the unknown to whom she has been plighted. Before
+the measuring-tape the proudest tree of them all quails and shrinks
+into itself. All those stories of four or five men stretching their
+arms around it and not touching each other's fingers, of one's pacing
+the shadow at noon and making it so many hundred feet, die upon its
+leafy lips in the presence of the awful ribbon which has strangled so
+many false pretensions.
+
+As I rode along the pleasant way, watching eagerly for the object of
+my journey, the rounded tops of the elms rose from time to time at the
+road-side. Wherever one looked taller and fuller than the rest, I
+asked myself,--"Is this it?" But as I drew nearer, they grew
+smaller,--or it proved, perhaps, that two standing in a line had
+looked like one, and so deceived me. At last, all at once, when I was
+not thinking of it,--I declare to you it makes my flesh creep when I
+think of it now,--all at once I saw a great, green cloud swelling in
+the horizon, so vast, so symmetrical, of such Olympian majesty and
+imperial supremacy among the lesser forest-growths, that my heart
+stopped short, then jumped at my ribs as a hunter springs at a
+five-barred gate, and I felt all through me, without need of uttering
+the words,--"This is it!"
+
+You will find this tree described, with many others, in the excellent
+Report upon the Trees and Shrubs of Massachusetts. The author has
+given my friend the Professor credit for some of his measurements, but
+measured this tree himself, carefully. It is a grand elm for size of
+trunk, spread of limbs, and muscular development,--one of the first,
+perhaps the first, of the first class of New England elms.
+
+The largest actual girth I have ever found at five feet from the
+ground is in the great elm lying a stone's throw or two north of the
+main road (if my points of compass are right) in Springfield. But
+this has much the appearance of having been formed by the union of two
+trunks growing side by side.
+
+The West-Springfield elm and one upon Northampton meadows belong also
+to the first class of trees.
+
+There is a noble old wreck of an elm at Hatfield, which used to spread
+its claws out over a circumference of thirty-five feet or more before
+they covered the foot of its bole up with earth. This is the American
+elm most like an oak of any I have ever seen.
+
+The Sheffield elm is equally remarkable for size and perfection of
+form. I have seen nothing that comes near it in Berkshire County, and
+few to compare with it anywhere. I am not sure that I remember any
+other first-class elms in New England, but there may be many.
+
+----What makes a first-class elm?--Why, size, in the first place, and
+chiefly. Anything over twenty feet of clear girth, five feet above
+the ground; and with a spread of branches a hundred feet across, may
+claim that title, according to my scale. All of them, with the
+questionable exception of the Springfield tree above referred to,
+stop, so far as my experience goes, at about twenty-two or
+twenty-three feet of girth and a hundred and twenty of spread.
+
+Elms of the second class, generally ranging from fourteen to eighteen
+feet, are comparatively common. The queen of them all is that glorious
+tree near one of the churches in Springfield. Beautiful and stately
+she is beyond all praise. The "great tree" on Boston Common comes in
+the second rank, as does the one at Cohasset, which used to have, and
+probably has still, a head as round as an apple-tree, and that at
+Newburyport, with scores of others which might be mentioned. These
+last two have perhaps been over-celebrated. Both, however, are
+pleasing vegetables. The poor old Pittsfield elm lives on its past
+reputation. A wig of false leaves is indispensable to make it
+presentable.
+
+[I don't doubt there may be some monster-elm or other, vegetating
+green, but inglorious, in some remote New England village, which only
+wants a sacred singer to make it celebrated. Send us your
+measurements,--(certified by the postmaster, to avoid possible
+imposition,)--circumference five feet from soil, length of line from
+bough-end to bough-end, and we will see what can be done for you.]
+
+--I wish somebody would get us up the following work:--
+
+
+SYLVA NOVANGLICA.
+
+Photographs of New England Elms and other Trees, taken upon the Same
+Scale of Magnitude. With Letter-Press Descriptions, by a Distinguished
+Literary Gentleman. Boston: ---- ---- & Co. 185..
+
+The same camera should be used,--so far as possible,--at a fixed
+distance. Our friend, who is giving us so many interesting figures in
+his "Trees of America," must not think this Prospectus invades his
+province; a dozen portraits, with lively descriptions, would be a
+pretty complement to his larger work, which, so far as published, I
+find excellent. If my plan were carried out, and another series of a
+dozen English trees photographed on the same scale, the comparison
+would be charming.
+
+It has always been a favorite idea of mine to bring the life of the
+Old and the New World face to face, by an accurate comparison of their
+various types of organization. We should begin with man, of course;
+institute a large and exact comparison between the development of
+_la pianta umana_, as Alfieri called it, in different sections of
+each country, in the different callings, at different ages, estimating
+height, weight, force by the dynamometer and the spirometer, and
+finishing off with a series of typical photographs, giving the
+principal national physiognomies. Mr. Hutchinson has given us some
+excellent English data to begin with.
+
+Then I would follow this up by contrasting the various parallel forms
+of life in the two continents. Our naturalists have often referred to
+this incidentally or expressly; but the _animus_ of Nature in the
+two half-globes of the planet is so momentous a point of interest to
+our race, that it should be made a subject of express and elaborate
+study. Go out with me into that walk which we call _the Mall_,
+and look at the English and American elms. The American elm is tall,
+graceful, slender-sprayed, and drooping as if from languor. The
+English elm is compact, robust, holds its branches up, and carries its
+leaves for weeks longer than our own native tree.
+
+Is this typical of the creative force on the two sides of the ocean,
+or not? Nothing but a careful comparison through the whole realm of
+life can answer this question.
+
+There is a parallelism without identity in the animal and vegetable
+life of the two continents, which favors the task of comparison in an
+extraordinary manner. Just as we have two trees alike in many ways,
+yet not the same, both elms, yet easily distinguishable, just so we
+have a complete flora and a fauna, which, parting from the same ideal,
+embody it with various modifications. Inventive power is the only
+quality of which the Creative Intelligence seems to be economical;
+just as with our largest human minds, that is the divinest of
+faculties, and the one that most exhausts the mind which exercises it.
+As the same patterns have very commonly been followed, we can see
+which is worked out in the largest spirit, and determine the exact
+limitations under which the Creator places the movement of life in all
+its manifestations in either locality. We should find ourselves in a
+very false position, if it should prove that Anglo-Saxons can't live
+here, but die out, if not kept up by fresh supplies, as Dr. Knox and
+other more or less wise persons have maintained. It may turn out the
+other way, as I have heard one of our literary celebrities argue,--and
+though I took the other side, I liked his best,--that the American is
+the Englishman reinforced.
+
+--Will you walk out and look at those elms with me after breakfast?--I
+said to the schoolmistress.
+
+[I am not going to tell lies about it, and say that she blushed,--as I
+suppose she ought to have done, at such a tremendous piece of
+gallantry as that was for our boarding-house. On the contrary, she
+turned a little pale,--but smiled brightly and said,--Yes, with
+pleasure, but she must walk towards her school.--She went for her
+bonnet.--The old gentleman opposite followed her with his eyes, and
+said he wished he was a young fellow. Presently she came down,
+looking very pretty in her half-mourning bonnet, and carrying a
+school-book in her hand.]
+
+
+MY FIRST WALK WITH THE SCHOOLMISTRESS.
+
+This is the shortest way,--she said, as we came to a corner.--Then we
+won't take it,--said I.--The schoolmistress laughed a little, and said
+she was ten minutes early, so she could go round.
+
+We walked under Mr. Paddock's row of English elms. The gray squirrels
+were out looking for their breakfasts, and one of them came toward us
+in light, soft, intermittent leaps, until he was close to the rail of
+the burial-ground. He was on a grave with a broad blue-slate-stone at
+its head, and a shrub growing on it. The stone said this was the
+grave of a young man who was the son of an Honorable gentleman, and
+who died a hundred years ago and more.--Oh, yes, _died_,--with a
+small triangular mark in one breast, and another smaller opposite, in
+his back, where another young man's rapier had slid through his body;
+and so he lay down out there on the Common, and was found cold the
+next morning, with the night-dews and the death-dews mingled on his
+forehead.
+
+Let us have one look at poor Benjamin's grave,--said I.--His bones lie
+where his body was laid so long ago, and where the stone says they
+lie,--which is more than can be said of most of the tenants of this
+and several other burial-grounds.
+
+[The most accursed act of Vandalism ever committed within my knowledge
+was the uprooting of the ancient gravestones in three at least of our
+city burial-grounds, and one at least just outside the city, and
+planting them in rows to suit the taste for symmetry of the
+perpetrators. Many years ago, when this disgraceful process was going
+on under my eyes, I addressed an indignant remonstrance to a leading
+journal. I suppose it was deficient in literary elegance, or too warm
+in its language; for no notice was taken of it, and the hyena-horror
+was allowed to complete itself in the face of daylight. I have never
+got over it. The bones of my own ancestors, being entombed, lie
+beneath their own tablet; but the upright stones have been shuffled
+about like chessmen, and nothing short of the Day of Judgment will
+tell whose dust lies beneath any of those records, meant by affection
+to mark one small spot as sacred to some cherished memory. Shame!
+shame! shame!--that is all I can say. It was on public thoroughfares,
+under the eye of authority, that this infamy was enacted. The red
+Indians would have known better; the selectmen of an African
+kraal-village would have had more respect for their ancestors. I
+should like to see the gravestones which have been disturbed all
+removed, and the ground levelled, leaving the flat tombstones;
+epitaphs were never famous for truth, but the old reproach of "Here
+lies" never had such a wholesale illustration as in these outraged
+burial-places, where the stone does lie above, and the bones do not
+lie beneath.]
+
+Stop before we turn away, and breathe a woman's sigh over poor
+Benjamin's dust. Love killed him, I think. Twenty years old, and out
+there fighting another young fellow on the Common, in the cool of that
+old July evening;--yes, there must have been love at the bottom of it.
+
+The schoolmistress dropped a rosebud she had in her hand, through the
+rails, upon the grave of Benjamin Woodbridge. That was all her
+comment upon what I told her.--How women love Love! said I;--but she
+did not speak.
+
+We came opposite the head of a place or court running eastward from
+the main street.--Look down there,--I said.--My friend the Professor
+lived in that house at the left hand, next the further corner, for
+years and years. He died out of it, the other day.--Died?--said the
+schoolmistress.--Certainly,--said I.--We die out of houses, just as we
+die out of our bodies. A commercial smash kills a hundred men's
+houses for them, as a railroad crash kills their mortal frames and
+drives out the immortal tenants. Men sicken of houses until at last
+they quit them, as the soul leaves its body when it is tired of its
+infirmities. The body has been called "the house we live in"; the
+house is quite as much the body we live in. Shall I tell you some
+things the Professor said the other day?--Do!--said the
+schoolmistress.
+
+A man's body,--said the Professor,--is whatever is occupied by his
+will and his sensibility. The small room down there, where I wrote
+those papers you remember reading, was much more a portion of my body
+than a paralytic's senseless and motionless arm or leg is of his.
+
+The soul of a man has a series of concentric envelopes round it, like
+the core of an onion, or the innermost of a nest of boxes. First he
+has his natural garment of flesh and blood. Then, his artificial
+integuments, with their true skin of solid stuffs, their cuticle of
+lighter tissues, and their variously-tinted pigments. Thirdly, his
+domicile, be it a single chamber or a stately mansion. And then, the
+whole visible world, in which Time buttons him up as in a loose
+outside wrapper.
+
+You shall observe,--the Professor said,--for, like Mr. John Hunter and
+other great men, he brings in that _shall_ with great effect
+sometimes,--you shall observe that a man's clothing or series of
+envelopes do after a certain time mould themselves upon his individual
+nature. We know this of our hats, and are always reminded of it when
+we happen to put them on wrong side foremost. We soon find that the
+beaver is a hollow cast of the skull, with all its irregular bumps and
+depressions. Just so all that clothes a man, even to the blue sky
+which caps his head,--a little loosely,--shapes itself to fit each
+particular being beneath it. Farmers, sailors, astronomers, poets,
+lovers, condemned criminals, all find it different, according to the
+eyes with which they severally look.
+
+But our houses shape themselves palpably on our inner and outer
+natures. See a householder breaking up and you will be sure of
+it. There is a shell-fish which builds all manner of smaller shells
+into the walls of its own. A house is never a home until we have
+crusted it with the spoils of a hundred lives besides those of our own
+past. See what these are, and you can tell what the occupant is.
+
+I had no idea,--said the Professor,--until I pulled up my domestic
+establishment the other day, what an enormous quantity of roots I had
+been making during the years I was planted there. Why, there wasn't a
+nook or a corner that some fibre had not worked its way into; and when
+I gave the last wrench, each of them seemed to shriek like a mandrake,
+as it broke its hold and came away.
+
+There is nothing that happens, you know, which must not inevitably,
+and which does not actually, photograph itself in every conceivable
+aspect and in all dimensions. The infinite galleries of the Past await
+but one brief process and all their pictures will be called out and
+fixed forever. We had a curious illustration of the great fact on a
+very humble scale. When a certain bookcase, long standing in one
+place, for which it was built, was removed, there was the exact image
+on the wall of the whole, and of many of its portions. But in the
+midst of this picture was another,--the precise outline of a map
+which had hung on the wall before the bookcase was built. We had all
+forgotten everything about the map until we saw its photograph on the
+wall. Then we remembered it, as some day or other we may remember a
+sin which has been built over and covered up, when this lower universe
+is pulled away from before the wall of Infinity, where the wrongdoing
+stands self-recorded.
+
+The Professor lived in that house a long time,--not twenty years, but
+pretty near it. When he entered that door, two shadows glided over the
+threshold; five lingered in the doorway when he passed through it for
+the last time,--and one of the shadows was claimed by its owner to be
+longer than his own. What changes he saw in that quiet place! Death
+rained through every roof but his; children came into life, grew to
+maturity, wedded, faded away, threw themselves away; the whole drama
+of life was played in that stock-company's theatre of a dozen houses,
+one of which was his, and no deep sorrow or severe calamity ever
+entered his dwelling. Peace be to those walls, forever,--the Professor
+said,--for the many pleasant years he has passed within them!
+
+The Professor has a friend, now living at a distance, who has been
+with him in many of his changes of place, and who follows him in
+imagination with tender interest wherever he goes.--In that little
+court, where he lived in gay loneliness so long,--
+
+--in his autumnal sojourn by the Connecticut, where it comes loitering
+down from its mountain fastnesses like a great lord, swallowing up the
+small proprietary rivulets very quietly as it goes, until it gets
+proud and swollen and wantons in huge luxurious oxbows about the fair
+Northampton meadows, and at last overflows the oldest inhabitant's
+memory in profligate freshets at Hartford and all along its lower
+shores,--up in that caravansary on the banks of the stream where
+Ledyard launched his log canoe, and the jovial old Colonel used to
+lead the Commencement processions,--where blue Ascutney looked down
+from the far distance, and the hills of Beulah, as the Professor
+always called them, rolled up the opposite horizon in soft climbing
+masses, so suggestive of the Pilgrim's Heavenward Path that he used to
+look through his old "Dollond" to see if the Shining Ones were not
+within range of sight,--sweet visions, sweetest in those Sunday walks
+that carried them by the peaceful common, through the solemn village
+lying in cataleptic stillness under the shadow of the rod of Moses, to
+the terminus of their harmless stroll,--the patulous fage, in the
+Professor's classic dialect,--the spreading beech, in more familiar
+phrase,--[stop and breathe here a moment, for the sentence is not done
+yet, and we have another long journey before us,]--
+
+--and again once more up among those other hills that shut in the
+amber-flowing Housatonic,--dark stream, but clear, like the lucid orbs
+that shine beneath the lids of auburn-haired, sherry-wine-eyed
+demi-blondes,--in the home overlooking the winding stream and the
+smooth, flat meadow; looked down upon by wild hills, where the tracks
+of bears and catamounts may yet sometimes be seen upon the winter
+snow; facing the twin summits which rise in the far North, the highest
+waves of the great land-storm in all this billowy region,--suggestive
+to mad fancies of the breasts of a half-buried Titaness, stretched out
+by a stray thunderbolt, and hastily hidden away beneath the leaves of
+the forest,--in that home where seven blessed summers were passed,
+which stand in memory like the seven golden candlesticks in the
+beatific vision of the holy dreamer,--
+
+--in that modest dwelling we were just looking at, not glorious, yet
+not unlovely in the youth of its drab and mahogany,--full of great and
+little boys' playthings from top to bottom,--in all these summer or
+winter nests he was always at home and always welcome.
+
+This long articulated sigh of reminiscences,--this calenture which
+shows me the maple-shadowed plains of Berkshire and the
+mountain-circled green of Grafton beneath the salt waves that come
+feeling their way along the wall at my feet, restless and
+soft-touching as blind men's busy fingers,--is for that friend of mine
+who looks into the waters of the Patapsco and sees beneath them the
+same visions that paint themselves for me in the green depths of the
+Charles.
+
+----Did I talk all this off to the schoolmistress?--Why, no,--of course
+not. I have been talking with you, the reader, for the last ten
+minutes. You don't think I should expect any woman to listen to such a
+sentence as that long one, without giving her a chance to put in a
+word?
+
+----What did I say to the schoolmistress?--Permit me one moment. I don't
+doubt your delicacy and good-breeding; but in this particular case, as
+I was allowed the privilege of walking alone with a very interesting
+young woman, you must allow me to remark, in the classic version of a
+familiar phrase, used by our Master Benjamin Franklin, it is _nullum
+tui negotii_.
+
+When the schoolmistress and I reached the school-room door, the damask
+roses I spoke of were so much heightened in color by exercise that I
+felt sure it would be useful to her to take a stroll like this every
+morning, and made up my mind I would ask her to let me join her again.
+
+
+EXTRACT FROM MY PRIVATE JOURNAL.
+
+(_To be burned unread._)
+
+I am afraid I have been a fool; for I have told as much of myself to
+this young person as if she were of that ripe and discreet age which
+invites confidence and expansive utterance. I have been low-spirited
+and listless, lately,--it is coffee, I think,--(I observe that which
+is bought _ready-ground_ never affects the head,)--and I notice
+that I tell my secrets too easily when I am downhearted.
+
+There are inscriptions on our hearts, which, like that on Dighton
+Rock, are never to be seen except at dead-low tide.
+
+There is a woman's footstep on the sand at the side of my deepest
+ocean-buried inscription!
+
+----Oh, no, no, no! a thousand times, no!--Yet what is this which has
+been shaping itself in my soul?--Is it a thought?--is it a dream?--is
+it a _passion_?--Then I know what comes next.
+
+----The Asylum stands on a bright and breezy hill; those glazed
+corridors are pleasant to walk in, in bad weather. But there are iron
+bars to all the windows. When it is fair, some of us can stroll
+outside that very high fence. But I never see much life in those
+groups I sometimes meet;--and then the careful man watches them so
+closely! How I remember that sad company I used to pass on fine
+mornings, when I was a schoolboy!--B., with his arms full of yellow
+weeds,--ore from the gold mines which he discovered long before we
+heard of California,--Y., born to millions, crazed by too much
+plum-cake, (the boys said,) dogged, explosive,--made a Polyphemus of
+my weak-eyed schoolmaster, by a vicious flirt with a stick,--(the
+multi-millionnaires sent him a trifle, it was said, to buy another eye
+with; but boys are jealous of rich folks,--and I don't doubt the good
+people made him easy for life,)--how I remember them all!
+
+I recollect, as all do, the story of the Hall of Eblis, in "Vathek,"
+and how each shape, as it lifted its hand from its breast, showed its
+heart,--a burning coal. The real Hall of Eblis stands on yonder
+summit. Go there on the next visiting-day, and ask that figure
+crouched in the corner, huddled up like those Indian mummies and
+skeletons found buried in the sitting posture, to lift its hand,--look
+upon its heart, and behold, not fire, but ashes.--No, I must not think
+of such an ending! Dying would be a much more gentlemanly way of
+meeting the difficulty. Make a will and leave her a house or two and
+some stocks, and other little financial conveniences, to take away her
+necessity for keeping school.--I wonder what nice young man's feet
+would be in my French slippers before six months were over! Well,
+what then? If a man really loves a woman, of course he wouldn't marry
+her for the world, if he were not quite sure that he was the best
+person she could by any possibility marry.
+
+----It is odd enough to read over what I have just been writing.--It
+is the merest fancy that ever was in the world. I shall never be
+married. She will; and if she is as pleasant as she has been so far, I
+will give her a silver tea-set, and go and take tea with her and her
+husband, sometimes. No coffee, I hope, though,--it depresses me
+sadly. I feel very miserably;--they must have been grinding it at
+home.--Another morning walk will be good for me, and I don't doubt the
+schoolmistress will be glad of a little fresh air before school.
+
+ * * * * *
+
+----The throbbing flushes of the poetical intermittent have been
+coming over me from time to time of late. Did you ever see that
+electrical experiment which consists in passing a flash through
+letters of gold-leaf in a darkened room, whereupon some name or legend
+springs out of the darkness in characters of fire?
+
+There are songs all written out in my soul, which I could read, if the
+flash might but pass through them,--but the fire must come down from
+heaven. Ah! but what if the stormy _nimbus_ of youthful passion
+has blown by, and one asks for lightning from the ragged _cirrus_
+of dissolving aspirations, or the silvered _cumulus_ of sluggish
+satiety? I will call on her whom the dead poets believed in, whom
+living ones no longer worship,--the immortal maid, who, name her what
+you will,--Goddess, Muse, Spirit of Beauty,--sits by the pillow of
+every youthful poet, and bends over his pale forehead until her
+tresses lie upon his cheek and rain their gold into his dreams.
+
+
+MUSA.
+
+ O my lost Beauty!--hast thou folded quite
+ Thy wings of morning light
+ Beyond those iron gates
+ Where Life crowds hurrying to the haggard Fates,
+ And Age upon his mound of ashes waits
+ To chill our fiery dreams,
+ Hot from the heart of youth plunged in his icy streams?
+
+ Leave me not fading in these weeds of care,
+ Whose flowers are silvered hair!--
+ Have I not loved thee long,
+ Though my young lips have often done thee wrong
+ And vexed thy heaven-tuned ear with careless song?
+ Ah, wilt thou yet return,
+ Bearing thy rose-hued torch, and bid thine altar burn?
+
+ Come to me!--I will flood thy silent shrine
+ With my soul's sacred wine,
+ And heap thy marble floors
+ As the wild spice-trees waste their fragrant stores
+ In leafy islands walled with madrepores
+ And lapped in Orient seas,
+ When all their feathery palms toss, plume-like, in the breeze.
+
+ Come to me!--thou shalt feed on honeyed words,
+ Sweeter than song of birds;--
+ No wailing bulbul's throat,
+ No melting dulcimer's melodious note,
+ When o'er the midnight wave its murmurs float,
+ Thy ravished sense might soothe
+ With flow so liquid-soft, with strain so velvet-smooth.
+
+ Thou shalt be decked with jewels, like a queen,
+ Sought in those bowers of green
+ Where loop the clustered vines
+ And the close-clinging dulcamara twines,--
+ Pure pearls of Maydew where the moonlight shines,
+ And Summer's fruited gems,
+ And coral pendants shorn from Autumn's berried stems.
+
+ Sit by me drifting on the sleepy waves,--
+ Or stretched by grass-grown graves,
+ Whose gray, high-shouldered stones,
+ Carved with old names Life's time-worn roll disowns,
+ Lean, lichen-spotted, o'er the crumbled bones
+ Still slumbering where they lay
+ While the sad Pilgrim watched to scare the wolf away!
+
+ Spread o'er my couch thy visionary wing!
+ Still let me dream and sing,--
+ Dream of that winding shore
+ Where scarlet cardinals bloom,--for me no more,--
+ The stream with heaven beneath its liquid floor,
+ And clustering nenuphars
+ Sprinkling its mirrored blue like golden-chaliced stars!
+
+ Come while their balms the linden-blossoms shed!--
+ Come while the rose is red,--
+ While blue-eyed Summer smiles
+ O'er the green ripples round yon sunken piles
+ Washed by the moon-wave warm from Indian isles,
+ And on the sultry air
+ The chestnuts spread their palms like holy men in prayer!
+
+ Oh, for thy burning lips to fire my brain
+ With thrills of wild sweet pain!--
+ On life's autumnal blast,
+ Like shrivelled leaves, youth's passion-flowers are cast,--
+ Once loving thee, we love thee to the last!--
+ Behold thy new-decked shrine,
+ And hear once more the voice that breathed "Forever thine!"
+
+
+THE TRUSTEE'S LAMENT.
+
+_Per aspera ad astra._
+
+(SCENE.--Outside the gate of the Astronomical Observatory at Albany.)
+
+
+ There was a time when I was blest;
+ The stars might rise in East or West
+ With all their sines and wonders;
+ I cared for neither great nor small,
+ As pointedly unmoved by all
+ As, on the top of steeple tall,
+ A lightning-rod at thunders.
+
+ What did I care for Science then?
+ I was a man with fellow-men,
+ And called the Bear the Dipper;
+ Segment meant piece of pie,--no more;
+ Cosine, the parallelogram that bore
+ JOHN SMITH & CO. above a door;
+ Arc, what called Noah skipper.
+
+ No axes weighed upon my mind,
+ (Unless I had a few to grind.)
+ And as for my astronomy,
+ Had Hedgecock's quadrant then been known,
+ I might a lamp-post's height have shown
+ By gas-tronomic skill,--if none
+ Find fault with the metonymy.
+
+ O hours of innocence! O ways
+ How far from these unhappy days
+ When all is vicy-versy!
+ No flower more peaceful took its due
+ Than I, who then no difference knew
+ 'Twixt Ursy Major and my true
+ Old crony, Major Hersey.
+
+ Now in long broils and feuds we roast,
+ Like Strasburg geese that living toast
+ To make a liver-_pate_,--
+ And all because we fondly strove
+ To set the city of our love
+ In scientific fame above
+ Her sister Cincinnati!
+
+ We built our tower and furnished it
+ With everything folks said was fit,
+ From coping-stone to grounsel;
+ And then, to give a knowing air,
+ Just nominally assigned its care
+ To that unmanageable affair,
+ A Scientific Council.
+
+ We built it, not that one or two
+ Astronomers the stars might view
+ And count the comets' hair-roots,
+ But that it might by all be said
+ How very freely we had bled,--
+ We were not laying out a bed
+ To force their early square-roots.
+
+ The observations _we_ wished made
+ Were on the spirit we'd displayed,
+ Worthy of Athens' high days;
+ But _they_'ve put in a man who thinks
+ Only of planets' nodes and winks,
+ So full of astronomic kinks
+ He eats star-fish on Fridays.
+
+ The instruments we did not mean
+ For seeing through, but to be seen
+ At tap of Trustee's knuckle;
+ But the Director locks the gate,
+ And makes ourselves and strangers wait
+ While he is ciphering on a slate
+ The rust of Saturn's buckle.
+
+ So on the wall's outside we stand,
+ Admire the keyhole's contour grand
+ And gateposts' sturdy granite;--
+ But, ah, is Science safe, we say,
+ With one who treats Trustees this way?
+ Who knows but he may snub, some day,
+ A well-conducted planet?
+
+ Who knows what mischief he may brew
+ With such a telescope brand-new
+ At the four-hundredth power?
+ He may bring some new comet down
+ So near that it'll singe the town
+ And do the Burgess-Corps crisp-brown
+ Ere they can storm his tower.
+
+ We wanted (having got our show)
+ Some man, that had a name or so,
+ To be our public showman;
+ But this one shuts and locks the gate:
+ Who'll answer but he'll peculate,
+ (And, faith, some stars are missed of late,)
+ Now that he's watched by no man?
+
+ Our own discoveries he may steal,
+ Or put night's candles out, to deal
+ At junkshops with the sockets:
+ _Savants_, in other lands or this,
+ If any theory you miss
+ Whereon your cipher graven is,
+ Don't fail to search his pockets!
+
+ Lock up your comets: if that fails,
+ Then notch their ears and clip their tails,
+ That you at need may swear to 'em;
+ And watch your nebulous flocks at night,
+ For, if your palings are not tight,
+ He may, to gratify his spite,
+ Let in the Little Bear to 'em.
+
+ Then he's so quarrelsome, we've fears
+ He'll set the very Twins by the ears,--
+ So mad, if you resist him,
+ He'd get Aquarius to play
+ A milkman's trick, some cloudy day,
+ And water all the Milky Way
+ To starve some sucking system.
+
+ But plaints are vain! through wrath or pride,
+ The Council all espouse his side
+ And will our missives con no more;
+ And who that knows what _savants_ are,
+ Each snappish as a Leyden jar,
+ Will hope to soothe the wordy war
+ 'Twixt Ologist and Onomer?
+
+ Search a Reform Convention, where
+ He- and she-resiarehs prepare
+ To get the world in _their_ power,
+ You will not, when 'tis loudest, find
+ Such gifts to hug and snarl combined
+ As drive each astronomic mind
+ With fifty-score Great-Bear-power!
+
+ No! put the Bootees on your foot,
+ Elope with Virgo, strive to shoot
+ That arrow of O'Ryan's,
+ Drain Georgian Ciders to the lees,
+ Attempt what crackbrained thing you please,
+ But dream not you can e'er appease
+ An angry man of science!
+
+ Ah, would I were, as I was once,
+ To fair Astronomy a dunce,
+ Or launching _jeux d'esprit_ at her,
+ Of light zodiacal making light,
+ Deaf to all tales of comets bright,
+ And knowing but such stars as might
+ Roll r-rs at our theatre!
+
+ Then calm I drew my night-cap on,
+ Nor bondsman was for what went on
+ Ere morning in the heavens;
+ Twas no concern of mine to fix
+ The Pleiades at seven or six,--
+ But now the _omnium genitrix_
+ Seems all at sixes and sevens.
+
+ Alas, 'twas in an evil hour
+ We signed the paper for the tower,
+ With Mrs. D. to head it!
+ For, if the Council have their way,
+ We've merely had, as Frenchmen say,
+ The painful _maladie du_ pay,
+ While they get all the credit!
+
+ Boys, henceforth doomed to spell Trustees,
+ Think not it ends in double ease
+ To those who hold the office;
+ Shun Science as you would Despair,
+ Sit not in Cassiopeia's chair,
+ Nor hope from Berenice's hair
+ To bring away your trophies!
+
+
+
+
+THE POCKET-CELEBRATION OF THE FOURTH.
+
+
+Well, it has happened, and we have survived it pretty well. The
+Democratic Almanacs predicted a torrent, a whirlwind, and we know not
+what meteoric phenomena,--but the next day Nature gave no sign, the
+dome of the State-House was in its place, the Monument was as plumb as
+ever, no chimney mourned a ravished brick, and the Republican Party
+took its morning tea and toast in peace and safety. On the whole, it
+must be considered a wonderful escape. Since Partridge's time there
+had been no such prophecies,--since Miller's, no such perverse
+disobligingness in the event.
+
+But what had happened? Why, the Democratic Young Men's Celebration, to
+be sure, and Mr. Choate's Oration.
+
+The good city of Boston in New England, for we know not how many
+years, had been in the habit of celebrating the National Birthday,
+first, with an oration, as became the Athens of America, and second,
+with a dinner, as was meet in the descendants of Teutonic forefathers.
+The forenoon's oration glorified us in the lump as a people, and every
+man could reckon and appropriate his own share of credit by the simple
+arithmetical process of dividing the last census by the value he set
+upon himself, a divisor easily obtained by subtracting from the total
+of inhabitants in his village the number of neighbors whom he
+considered ciphers. At the afternoon's dinner, the pudding of praise
+was served out in slices to favored individuals; dry toasts were drunk
+by drier dignitaries; the Governor was compared to Solon; the Chief
+Justice to Brutus; the Orator of the Day to Demosthenes; the Colonel
+of the Boston Regiment to Julius Caesar; and everybody went home happy
+from a feast where the historic parallels were sure to hold out to the
+last Z in Lempriere.
+
+Gradually matters took a new course; the Union was suddenly supposed
+to lie at the point of dissolution, and what we may call the
+Doctor-Brandreth style of oratory began. Every orator mounted the
+rostrum, like a mountebank at a fair, to proclaim the virtues of his
+private panacea for the morbid Commonwealth, and, as was natural in
+young students of political therapeutics, fancied that he saw symptoms
+of the dread malady of Disunion in a simple eruption of Jethro Furber
+at a convention of the Catawampusville Come-outers, or of Pyrophagus
+Quattlebum at a training of the Palmetto Plug-Uglies,--neither of
+which was skin-deep. The dinners became equally dreary. Did the eye of
+a speaker light on the national dish of beans, he was reminded of the
+languid pulse of the sentiment of union; did he see a broiled chicken,
+it called up to his mind's eye the bird of our _un_common
+country, with the gridiron on his breast, liable to be reduced at any
+moment to the heraldic duality of his Austrian congener by the strife
+of contending sections pulling in opposite directions; an innocent
+pippin was enough to suggest the apple of discord; and with the
+removal of the cloth came a dessert of diagnoses on the cancer that
+was supposed to be preying on the national vitals. The only variety
+was a cringing compliment, in which Bunker Hill curtsied to King's
+Mountain, to any Southern brother who chanced to be present, and who
+replied patronizingly,--while his compatriots at the warmer end of the
+Union were probably, with amiable sincerity, applying to the Yankees
+that epithet whose expression in type differs but little from that of
+a doctorate in divinity, but which precedes the name it qualifies, as
+that follows it, and was never, except by Beaumarchais and Fielding,
+reckoned among titles of honor or courtesy.
+
+A delusion seemed to have taken possession of our public men, that the
+people wanted doctors of the body-politic to rule over them, and, if
+those were not to be had, would put up with the next best
+thing,--quacks. Every one who was willing to be an Eminent Statesman
+issued his circulars, like the Retired Physician, on all public
+occasions, offering to send his recipe in return for a vote. The
+cabalistic formula always turned out to be this:--"Take your humble
+servant for four years at the White House; if no cure is effected,
+repeat the dose."
+
+Meanwhile were there any symptoms of disease in the Constitution? Not
+the least. The whole affair was like one of those alarms in a
+country-town which begin with the rumor of ten cases of confluent
+small-pox and end with the discovery that the doctor has been called
+to a case of nettle-rash at Deacon Scudder's. But sober men, who
+loved the Union in a quiet way, without advertising it in the
+newspapers, and who were willing to sacrifice everything to the
+Constitution but the rights it was intended to protect, began to fear
+that the alarmists might create the disease which they kept up so much
+excitement about.
+
+This being the posture of affairs, the city of Boston, a twelvemonth
+since, chose for their annual orator a clergyman distinguished for
+eloquence, and for that important part of patriotism, at least, which
+consists in purity of life. This gentleman, being neither a candidate
+for office nor the canvasser of a candidate, ventured upon a new kind
+of address. He took for his theme the duties consequent upon the
+privileges of Freedom, ventured to mention self-respect as one of
+them, and commented upon the invitation of a Virginia Senator, the
+author of the Fugitive Slave Bill, to a Seventeenth-of-June
+Celebration, while the Senators of Massachusetts were neglected. In
+speaking of this, he used, we believe, the word "flunkeyism." It is
+not an elegant word; it is not even an English one;--but had the
+speaker sought for a Saxon correlative, he could hardly have found one
+that would have seemed more satisfactory, especially to those who
+deserved it; for Saxon is straightforward, and a reluctance to be
+classified (fatal to science) is characteristic of the human animal.
+
+An orator who suggests a new view of any topic is a disturber of the
+digestive organs,--this was very properly a matter of offence to the
+Aldermen who were to dine after the oration,--but an orator who
+tampers with the language we have inherited from Shakspeare and
+Milton, and which we share with Tupper, was an object for deeper
+reprobation. The Young Men's Democratic Association of Boston are
+purists; they are jealous for their mother-tongue,--and it is the more
+disinterested in them as a large proportion of them are Irishmen; they
+are exclusive,--a generous confusion of ideas as to the meaning of
+democracy, even more characteristically Hibernian; they are
+sentimental, too,--melancholy as gibcats,--and feared (from last
+year's example) that the city might not furnish them with a
+sufficiently lachrymose Antony to hold up before them the bloody
+garment of America, and show what rents the envious Blairs and Wilsons
+and Douglasses had made in it. Accordingly they resolved to have a
+public celebration all to themselves,--a pocket-edition of the
+cumbrous civic work,--and as the city provided fireworks in the
+evening, in order to be beforehand with it in their pyrotechnics, they
+gave Mr. Choate in the forenoon.
+
+We did not hear Mr. Choate's oration; we only read it in the
+newspapers. Cold fireworks, the morning after, are not enlivening.
+You have the form without the fire, and the stick without the soar.
+But we soon found that we were to expect no such disappointment from
+Mr. Choate. He seems to announce at the outset that he has closed his
+laboratory. The Prospero of periods had broken his wand and sunk his
+book deeper than ever office-hunter sounded. The boys in the street
+might wander fancy-free, and fire their Chinese crackers as they
+listed; but for him this was a solemn occasion, and he invited his
+hearers to a Stoic feast of Medford crackers and water, to a
+philosophic banquet of metaphors and metaphysics.
+
+We confess that we expected a great deal. Better a crust with Plato
+than nightingales' tongues with Apicius; and if Mr. Choate promised
+only the crust, we were sure of one melodious tongue, at least, before
+the meal was over. He is a man of whom any community might be
+proud. Were society an organized thing here, as in Europe, no dinner
+and no drawing-room would be perfect without his talk. He would have
+been heard gladly at Johnson's club. The Hortensins of our courts,
+with a cloud of clients, he yet finds time to be a scholar and a
+critic, and to read Plato and Homer as they were read by Plato's and
+Homer's countrymen. Unsurpassed in that eloquence which, if it does
+not convince, intoxicates a jury, he was counted, so long as Webster
+lived, the second advocate of our bar.
+
+All this we concede to Mr. Choate with unreserved admiration; but
+when, leaving the field where he had won his spurs as the successful
+defender of men criminally accused, he undertakes to demonstrate the
+sources whence national life is drawn, and the causes which lead to
+its decay,--to expound authoritatively the theory of political ethics
+and the principles of sagacious statesmanship, wary in its steps, and
+therefore durable in its results,--it becomes natural and fair to ask,
+What has been the special training that has fitted him for the task?
+More than this: when he comes forward as the public prosecutor of the
+Republican Party, it becomes our duty to examine the force of his
+arguments and the soundness of his logic. Has his own experience given
+him any right to talk superciliously to a great party overwhelmingly
+triumphant in the Free States? And does his oration show him to
+possess such qualities of mind, such grasp of reason, such continuity
+of induction, as to entitle him to underrate the intelligence of so
+large a number of his fellow-citizens by accusing them of being
+incapable of a generalization and incompetent to apprehend a
+principle?
+
+The Bar has given few historically-great statesmen to the
+world,--fewer than the Church, which Mr. Choate undervalues in a
+sentence which, we cannot help thinking, is below the dignity of the
+occasion, and jarringly discordant with the generally elevated tone of
+his address. Burke, an authority whom Mr. Choate will not call in
+question, has said that the training of the bar tends to make the
+faculties acute, but at the same time narrow. The study of
+jurisprudence may, no doubt, enlarge the intellect; but the habit of
+mind induced by an indiscriminate advocacy--which may be summoned to
+the defence of a Sidney to-day and of a spoon-thief to-morrow--is
+rather that of the sophist than of the philosophic reasoner. Not
+truth, but the questionable victory of the moment, becomes naturally
+and inevitably the aim and end of all the pleader's faculties. For
+him the question is not what principle, but what interest of John Doe,
+may be at stake. Such has been Mr. Choate's school as a reasoner. As
+a politician, his experience has been limited. The member of a party
+which rarely succeeded in winning, and never in long retaining, the
+suffrages of the country, he for a time occupied a seat in the Senate,
+but without justifying the expectations of his friends. So far, his
+history shows nothing that can give him the right to assume so high
+and mighty a tone in speaking of his political opponents.
+
+But in his scholarship he has a claim to be heard, and to be heard
+respectfully. Here lies his real strength, and hence is derived the
+inspiration of his better eloquence. The scholar enjoys more than the
+privilege, without the curse, of the Wandering Jew. He can tread the
+windy plain of Troy, he can listen to Demosthenes, can follow Dante
+through Paradise, can await the rising of the curtain for the first
+acting of Hamlet. Mr. Choate's oration shows that he has drawn that
+full breath which is, perhaps, possible only under a Grecian sky, and
+it is, in its better parts, scholarly in the best sense of the
+word.[1] It shows that he has read out-of-the-way books, like Bodinus
+"De Republica," and fresh ones, like Gladstone's Homer,--that he can
+do justice, with Spinoza, to Machiavelli,--and that in letters, at
+least, he has no narrow prejudices. Its sentences are full of
+scholarly allusion, and its language glitters continually with pattins
+of bright gold from Shakspeare. We abhor that profane vulgarity of our
+politics which denies to an antagonist the merits which are justly
+his, because he may have been blinded to the truth of our principles
+by the demerits which are justly ours,--which hates the man because it
+hates his creed, and, instead of grappling with his argument, seeks in
+the kitchen-drains of scandal for the material to bespatter his
+reputation. Let us say, then, honestly, what we honestly think,--the
+feeling, the mastery and choice of language, the intellectual
+comprehensiveness of glance, which can so order the many-columned
+aisle of a period, that the eye, losing none of the crowded
+particulars, yet sees through all, at the vista's end, the gleaming
+figure of thought to enshrine which the costly fabric was reared,--all
+these qualities of the orator demand and receive our sincere
+applause. In an age when indolence or the study of French models has
+reduced our sentences to the economic curtness of telegraphic
+despatches, to the dimension of the epigram without its point,
+Mr. Choate is one of the few whose paragraphs echo with the
+long-resounding pace of Dryden's coursers, and who can drive a
+predicate and six without danger of an overset.
+
+Mr. Choate begins by congratulating his hearers that there comes one
+day in our year when "faults may be forgotten,-- ... when the
+arrogance of reform, the excesses of reform, the strife of parties,
+the rivalries of regions, shall give place to a wider, warmer, juster
+sentiment,--when, turning from the corners and dark places of
+offensiveness, ... we may go up together to the serene and secret
+mountain-top," etc. Had he kept to the path which he thus marked out
+for himself, we should have had nothing to say. But he goes out of
+his way to indulge a spleen unworthy of himself and the occasion, and
+brings against political opponents, sometimes directly, sometimes by
+innuendo, charges which, as displaying personal irritation, are
+impolitic and in bad taste. One fruit of scholarship, and its fairest,
+he does not seem to have plucked,--one proof of contented conviction
+in the truth of his opinions he does not give,--that indifference to
+contemporary clamor and hostile criticism, that magnanimous
+self-trust, which, assured of its own loyalty to present duty, can
+wait patiently for future justice.
+
+His exordium over, Mr. Choate proceeds to define and to discuss
+Nationality. We heartily agree with him in all he says in its praise,
+and draw attention, in passing, to a charming idyllic passage in which
+he speaks of the early influences which first develope in us its
+germinal principle. But when he says, that the sentiment of a national
+life, once existing, must still be kept alive by an exercise of the
+reason and the will, we dissent. It must be a matter of instinct, or
+it is nothing. The examples of nationality which he cites are those of
+ancient Greece and modern Germany. Now we affirm, that, with
+accidental exceptions, nationality has always been a matter of race,
+and was eminently so in the instances he quotes. If we read rightly,
+the nationality which glows in the "Iliad," and which it was, perhaps,
+one object of the poem to rouse or to make coherent, is one of blood,
+not territory. The same is true of Germany, of Russia, (adding the
+element of a common religious creed,) and of France, where the Celtic
+sentiment becomes day by day more predominant. The exceptions are
+England and Switzerland, whose intense nationality is due to
+insulation, and Holland, which was morally an island, cut off as it
+was from France by difference of language and antipathy of race, and
+from kindred Germany by the antagonism of institutions. A patriotism
+by the chart is a monster that the world ne'er saw. Men may fall in
+love with a lady's picture, but not with the map of their country.
+Few persons have the poetic imagination of Mr. Choate, that can vivify
+the dead lines and combine the complex features. It seems to us that
+our own problem of creating a national sentiment out of such diverse
+materials of race, such sometimes discordant or even hostile
+traditions, and then of giving it an intenseness of vitality that can
+overcome our vast spaces and our differences of climate and interest,
+is a new problem, not easily to be worked out by the old
+methods. Mr. Choate's plan seems to consist in the old formula of the
+Fathers. He would have us think of their sacrifices and their
+heroisms, their common danger and their common deliverance.
+Excellent, as far as it goes; but what are we to do with the large
+foreign fraction of our population imported within the last forty
+years, a great proportion of whom never so much as heard even of the
+war of 1812? Shall we talk of Bennington and Yorktown to the Germans,
+whose grandfathers, if they were concerned at all in those memorable
+transactions, were concerned on the wrong side? Shall we talk of the
+constancy of Puritan Pilgrims to the Romanist Irishman, who knows more
+of Brian Boroo than of the Mayflower?
+
+It will be many generations before we become so fused as to have a
+common past, and the conciliation and forbearance which Mr. Choate
+recommends to related sections of country will be more than equally
+necessary to unrelated races. But while we are waiting for a past in
+which we can all agree, Mr. Choate sees danger in the disrespect which
+he accuses certain _anonymi_ of entertaining for the past in
+general. But for what past? Does Mr. Choate mean our own American
+past? Does he refer us to that for lessons of forbearance, submission,
+and waiting for God's good time? Is the contemplation of their own
+history and respect for their own traditions the lenitive he
+prescribes for a people whose only history is a revolution, whose only
+tradition is rebellion? To what past and to what tradition did the
+Pilgrim Fathers appeal, except to that past, older than all history,
+that tradition, sacred from all decay, which, derived from an
+antiquity behind and beyond all the hoary generations, points the
+human soul to the God from whom it derived life, and with it the
+privilege of freedom and the duty of obedience? To what historical
+past did Jefferson go for the preamble of the Declaration, unless to
+the reveries of a half-dozen innovating enthusiasts, men of the
+closet,--of that class which Mr. Choate disparages by implication,
+though it has done more to shape the course of the world than any
+number of statesmen, whose highest office is, commonly, to deal
+prudently with the circumstances of the moment?
+
+Mr. Choate does a great injustice to the Republican Party when he lays
+this irreverence for the past to their charge. As he seems to think
+that he alone has read books and studied the lessons of antiquity, he
+will be pleased to learn that there are persons also in that party who
+have not neglected all their opportunities in that kind. The object of
+the Republicans is to bring back the policy and practice of the
+Republic to some nearer agreement with the traditions of the
+fathers. They also have a National Idea,--for some of them are capable
+of distinguishing "a phrase from an idea," or Mr. Choate would find it
+easier to convert them. They propose to create a National Sentiment,
+in the only way that is possible under conditions like ours, by
+clearing the way for the development of a nation which shall be, not
+only in Fourth-of-July orations, but on every day in the year, and in
+the mouths of all peoples, great and wise, just and brave, and whose
+idea, always august and venerable, by turns lovely and terrible, shall
+bind us all in a common nationality by our loyalty to what is true,
+our reverence for what is good, our love for what is beautiful, and
+our sense of security in what is mighty. That is the America which the
+Fathers conceived, and it is that to which the children look
+forward,--an America which shall displace Ireland and Germany,
+Massachusetts and Carolina, in the hearts of those who call them
+mother, with an image of maternity at once more tender and more
+majestic.
+
+There is a past for which Republicans have indeed no respect,--but it
+is one of recent date; there is a history from which they refuse to
+take lessons except for warning and not example,--but it is a history
+which is not yet written. When the future historian shall study that
+past and gather materials for writing that history, he will find cause
+for wonder at the strength of that national vitality which could
+withstand and survive, not the efforts of Mr. Choate's dreadful
+reformers, but of an administration calling itself Democratic, which,
+with the creed of the Ostend Manifesto for its foreign, and the
+practice of Kansas for its domestic policy, could yet find a scholar
+and a gentleman like Mr. Choate to defend it.
+
+Mr. Choate charges the Republicans with being incapable of a
+generalization. They can, at least, generalize so far as this, that,
+when they find a number of sophistries in an argument, they conclude
+that the cause which requires their support must be a weak one. One of
+the most amusing of these in the oration before us is where (using the
+very same arguments that were urged in favor of that coalition in
+Massachusetts against the morality of which the then party of Mr.
+Choate exclaimed so loudly) he extols the merits of Compromise in
+statesmanship. In support of what he says on this subject, he quotes
+from a speech of Archbishop Whately a passage in favor of
+Expediency. It is really too bad, that the Primate of Ireland, of all
+men living, should be made the abetter in two fallacies. In the first
+place, Mr. Choate assumes that there are certain deluded persons who
+affirm that all compromises in politics are wrong. Having stuffed out
+his man of straw, he proceeds gravely to argue with him, as if he were
+as cunning of fence as Duns Scotus. One would think, from some of the
+notions he deems it necessary to combat, that we were living in the
+time of the Fifth-Monarchy men, and that Captain Venner with his troop
+was ready to issue from the garrets of Batterymarch Street, to find
+Armageddon in Dock Square, and the Beast of the Revelation in the
+Chief of Police. There is no man who believes that the ship of State,
+any more than an ordinary vessel, can be navigated by the New
+Testament alone; but neither will be the worse for having it
+aboard. The Puritans sailed theirs by Deuteronomy, but it was a
+Deuteronomy qualified by an eye to the main chance. Mr. Choate's
+syllogism may be stated thus: Some compromises are necessary in order
+to carry on a free government; but this is a compromise; therefore it
+is necessary. Here is the first fallacy. The other syllogism runs
+thus: Expediency is essential in politics; so also is compromise;
+therefore some particular compromise is expedient. Fallacy number
+two. The latent application in this part of Mr. Choate's oration is,
+of course, to Compromises on the Slavery question. We agree with him,
+that no man of sense will deny that compromise is essential in
+politics, and especially in our politics. With a single exception, all
+that he says on this topic is expressed with masterly force and
+completeness. But when we come to the application of it, the matter
+assumes another face. Men of sense may, and do, differ as to what _is_
+a compromise, or, agreeing in that, they may differ again as to
+whether it be expedient. For example, if a man, having taken another's
+cloak, insist on taking his coat also, the denudee, though he might
+congratulate himself on having been set forward so far on his way
+toward the natural man of Rousseau, would hardly call the affair a
+compromise on the part of the denuder. Or again, if his brother with
+principles should offer to compromise about the coat by taking only
+half of it, he would be in considerable doubt whether the arrangement
+were expedient. Now there are many honest people, not as eloquent as
+Mr. Choate, not as scholarly, and perhaps not more illogical, who
+firmly believe that our compromises on the question of Slavery have
+afforded examples of both the species above described. It is not
+unnatural, therefore, that, while they assent to his general
+theory, they should protest against his mode of applying it to
+particulars. They may be incapable of a generalization, (they
+certainly are, if this be Mr. Choate's notion of one,) but they are
+incapable also of a deliberate fallacy. We think we find here one of
+the cases in which his training as an advocate has been of evil effect
+on his fairness of mind. No more potent lie can be made than of the
+ashes of truth. A fallacy is dangerous because of the half-truth in
+it. Swallow a strong dose of pure poison, and the stomach may reject
+it; but take half as much, mixed with innocent water, and it will do
+you a mischief. But Mr. Choate is nothing, if not illogical:
+recognizing the manifest hand of God in the affairs of the world, he
+would leave the question of Slavery with Him. Now we offer Mr. Choate
+a _dilemma_: either God _always_ interferes, or _sometimes_: if
+always, why need Mr. Choate meddle? why not leave it to Him to avert
+the dangers of Anti-slavery, as well as to remedy the evils of
+Slavery?--if only sometimes, (_nec deus intersit nisi dignus vindice
+nodus,_) who is to decide when the time for human effort has come?
+Each man for himself, or Mr. Choate for all?
+
+Let us try Mr. Choate's style of reasoning against himself. He says,
+"One may know Aristophanes and Geography and the Cosmical Unity and
+Telluric Influences," (why _didn't_ he add, "Neptune, Plutarch,
+and Nicodemus"!) "and the smaller morals of life, and the sounding
+pretensions of philanthropy," (this last, at any rate, is useful
+knowledge,) "and yet not know America." We must confess, that we do
+not see why on earth he should. In fact, by the time he had got to
+the "Telluric Influences," (whatever they are,) we should think he
+might consider his education completed, and his head would even then
+be as great a wonder as that of the schoolmaster in the "Deserted
+Village." In the same way, a man might have seen a horse, (if only a
+clothes-horse,) a dog, a cat, and a tadpole, and yet never have seen
+the elephant,--a most blame-worthy neglect of opportunities. But let
+us apply Mr. Choate's syllogistic process to the list of this
+extraordinary nameless person's acquirements. The Republican Party do
+_not_ know any of these amazing things; _ergo_, they must
+know America; and the corollary (judging from Mr. Choate's own
+practice, as displayed in the parts of his oration which we are sure
+he will one day wish to blot) would seem to be, that, having the honor
+of her acquaintance, they may apply very contemptuous epithets to
+everybody that disagrees with them. The only weak point in our case
+is, that Mr. Choate himself seems to allow them the one merit of
+knowing something of Geography,--for he says they wished to elect a
+"geographical President,"--but, perhaps, as they did not succeed in
+doing so, he will forgive them the possession of that accomplishment,
+so hostile to a knowledge of America.
+
+We confess that we were surprised to find Mr. Choate reviving, on "the
+serene and secret mountain-top,"--which, being interpreted, means the
+rather prosaic Tremont Temple,--the forgotten slang of a bygone
+political contest, as in the instance we have just quoted of the
+"geographical President." We think that Colonel Fremont might be
+allowed to rest in peace, now that a California court has
+decided--with a logic worthy of Mr. Choate himself--that he has no
+manner of right to the gold in his Mariposa mines, _because_ he
+owns them. But we should like to have Mr. Choate define, when he has
+leisure, where an unfortunate candidate can take up his abode, in
+order to escape the imputation of being "geographical." It is a grave
+charge to be brought against any man, as we see by its being coupled
+with those dreadful Telluric Influences and Cosmical (ought we not to
+_dele_ the _s?_) Unities; and since the most harmless man in
+the world may become a candidate before he expects it, it would be
+charitable to warn him beforehand what is an allowable _habitat_
+in such a contingency.
+
+We said we were surprised at seeing our old friend, the "geographical
+President," again; but we soon found that he reappeared only as the
+file-leader of a ragged regiment of kindred scarecrows,--nay, with
+others so battered and bedraggled, that they were scarce fit to be the
+camp-followers of the soldiery with whom Falstaff refused to march
+through Coventry. The sarcasms which Mr. Choate vents against the
+Anti-slavery sentiment of the country are so old as to be positively
+respectable,--we wish we could say that their vivacity increased with
+their years,--and as for his graver indictments, there never was
+anything so ancient, unless it be an American lad of eighteen. There
+are not a great many of either, but they are made to recur often
+enough to produce the impression of numbers. They remind us of the
+theatric army, composed always of the same old guard of
+supernumeraries and candle-snuffers, and which, by marching round and
+round the paper forest in the background, would make six men pass
+muster very well for sixty, did not the fatally regular recurrence of
+the hero whose cotton armor bunches at the knees, and the other whose
+legs insist on the un-Grecian eccentricity of being straight in
+profile and crooked in a front view, bring us back to calmer
+estimates.
+
+We used the word _indictments_ with design, both as appropriate
+to Mr. Choate's profession and exactly descriptive of the thing
+itself. For, as in an indictment for murder, in order to close every
+loophole of evasion, the prudent attorney affirms that the accused did
+the deed with an awfully destructive _to-wit_,--with a knife,
+axe, bludgeon, pistol, bootjack, six-pounder, and what not, which were
+then and there in the Briarean hands of him the said What's-his-name,
+so Mr. Choate represents the Republican Party to have attempted the
+assassination of the Constitution with a most remarkable medley of
+instruments. He does not, indeed, use the words "Republican Party,"
+but it is perfectly clear from the context, as in the case of the
+"geographical President," for whom the charges are intended. Out of
+tenderness for the artist, let him for whom the garment is intended
+put it on, though it may not fit him,--and for our own parts, as
+humble members of the Anti-slave-trade, Anti-filibuster, and
+Anti-disreputable-things-generally Party, we don our Joseph's coat
+(for Mr. Choate could not make one that was not of many colors) with
+good-humored serenity.
+
+Of course, Sectionalism is not forgotten. The pumpkin-lantern, that
+had performed so many offices of alarm, though a little wrinkled now,
+was too valuable a stage-property to be neglected. In the hands of so
+skilful an operator, its slender body flutters voluminous with new
+folds of inexpensive cotton, and its eyes glare with the baleful
+terrors of unlimited tallow. Mr. Choate honestly confesses that
+sectional jealousies are coeval with the country itself, but it is
+only as fomented by Anti-slavery-extension that he finds them
+dreadful. When South Carolina threatened disunion unless the Tariff of
+the party to which Mr. Choate then belonged were modified, did he
+think it necessary for the Protectionists to surrender their policy?
+There is not, and there never was, any party numerically considerable
+at the North, in favor of disunion. Were homilies on fraternal
+concessions the things to heal this breach, the South is the fitting
+place for their delivery; but mouth-glue, however useful to stick
+slight matters together, is not the cement with which confederacies
+are bound to a common centre. There must be the gravitation of
+interest as well as of honor and duty. We wonder that the parallel
+case of Scotland and England did not occur to Mr. Choate, in speaking
+upon this point. Scotland was clamorous and England jealously
+contemptuous, for nearly a century. Twice since the union, the land
+of cakes has been in rebellion; but as long as a pound Scots was only
+a twentieth part of a pound English,--as long as the treasury was
+filled chiefly from south the Tweed, and the sons of poor and proud
+Scottish lairds could make glittering abstractions from it,--as long
+as place was to be won or hoped for,--there was no danger. So with
+us,--though Jacob and Esau quarrelled already in the womb, yet, so
+long as the weaker and more politic brother can get the elder
+brother's portion, and simple Esau hunts his whales and pierces his
+untrodden forests, content with his mess of pottage,--honestly abiding
+by his bargain, though a little puzzled at its terms,--we think that
+fratricide, or the sincere thought of it, is very far off.
+
+ * * * * *
+
+We should be glad to extract some passages of peculiar force and
+beauty,--such as that where Mr. Choate rebukes the undue haste of
+reformers, and calls to mind the slow development and longevity of
+states and ideas. But our duty is the less pleasing one of pointing to
+some of the sophistries of the argument and some of the ill-advised
+ebullitions of the orator. We leave his exegesis of "Render unto
+Caesar" to answer itself; but what can be worse than this,--worse in
+taste, in temper, in reason?
+
+
+ "There is a cant of shallowness and fanaticism which misunderstands
+ and denies this. There is a distempered and ambitious morality which
+ says civil prudence is no virtue. There is a philanthropy,--so it
+ calls itself,--pedantry, arrogance, folly, cruelty, impiousness, I
+ call it, fit enough for a pulpit, totally unfit for a people,--fit
+ enough for a preacher, totally unfit for a statesman."
+
+
+Think of it!--fit enough for St. Augustine and St. Francis, (to
+mention no greater names,) fit enough for Taylor and Barrow, for
+Bossuet and Fenelon, but not for Mr. Buchanan or Mr. Cushing!
+
+In another place Mr. Choate says, "that even the laughter of fools,
+and children, and madmen, little ministers, little editors, and little
+politicians, can inflict the mosquito-bite, not deep, but stinging."
+As this is one of the best of his sarcasms, we give it the advantage
+of the circulation of the "Atlantic,"--generous and tidal circulation,
+as he himself might call it. We do not think the mosquito image
+new,--if we remember, the editor of the Bungtown Copperhead uses it
+weekly against "our pitiful contemporary,"--though the notion of a
+mosquito-bite inflicted by a laugh is original with Mr. Choate, unless
+Lord Castlereagh may have used it before. But we would seriously ask
+Mr. Choate who the big ministers of the country are, if the Beechers,
+if Wayland, Park, Bushnell, Cheever, Furness, Parker, Hedge, Bellows,
+and Huntington are the little ones?
+
+There is an amusing passage in which Mr. Choate would seem to assume
+to himself and those who agree with him the honors of martyrdom. This
+shows a wonderful change in public opinion; though the martyrs in the
+"Legenda Aurea" and Fox seem to have had a harder time of it than we
+supposed to be the case with Mr. Choate.
+
+We have not space to follow him farther, and only the reputation of
+the man, and the singularity of the occasion, which gave a kind of
+national significance to the affair, would have tempted us to intrude
+upon the select privacy of the Young Men's Democratic Association.
+
+Finally, as Mr. Choate appears to have a very mean opinion of the
+understandings and the culture of those opposed to him in politics, we
+beg to remind him, since he has been led out, like Balaam, to prophesy
+against the tents and armies of the Republican Israel, and has ended
+by proving their invincibility, that it was an animal in all respects
+inferior to a prophet, and in some to a politician, who was first
+aware of the presence of the heavenly messenger; and it may be that
+persons incapable of a generalization--as that patient creature
+undoubtedly was--may see as far into the future as the greatest
+philosopher who turns his eyes always to the past.
+
+
+Footnote 1: We may be allowed to wonder, however, at his speaking of
+"memories that burn and revel in the pages of Herodotus,"--a phrase
+which does injustice to the simple and quiet style of the delightful
+Pepys of Antiquity.
+
+
+
+
+LITERARY NOTICES.
+
+DR. ASA GRAY'S _Botanical Series_, New York, Ivison & Phinney,
+consisting of--
+
+I. _How Plants Grow_, etc., _with a Popular Flora,_
+etc. 16mo. pp. 233.
+
+II. _First Lessons in Botany and Vegetable Physiology._
+8vo. pp. 236.
+
+III. _Introduction to Structural and Systematic Botany and Vegetable
+Physiology._ 8vo. pp. 555.
+
+IV. _Manual of the Botany of the Northern United States, including
+Virginia, Kentucky,_ etc. 8vo. pp. 636.
+
+V. Same as IV., with the _Mosses and Liverworts_ added,
+illustrated by Engravings, pp. 739.
+
+VI. Same as IV., with II. bound up with it. pp. 872.
+
+The first-named of these books is a new candidate for public favor;
+the others are revised and improved editions of books which have
+already been favorably received. We have sometimes thought that the
+popularity of a school-book is in inverse proportion to its merits,
+and are glad to learn that five editions of Dr. Gray's "Structural and
+Systematic Botany" are witnesses against the truth of this assumption.
+No man can deny that Dr. Gray's books are all of the highest order of
+merit. The accuracy and extent of his scholarship are manifest on
+every page,--a scholarship consisting not merely in an extensive
+acquaintance with the works of other botanists, but in a careful
+confirmation of their results, and in additions to their knowledge, by
+an observation of Nature for himself. His clearness of style is an
+equally valuable characteristic, making the reader sure that he
+understands Dr. Gray, and that Dr. Gray understands the subject. In
+the "Manual" this clearness of style extends to the judicious
+selection of distinctive marks, whereby allied species may be
+distinguished from each other. Even the most difficult genera of
+golden-rods, asters, and grasses become intelligible in this manual;
+and many a less difficult genus which puzzled our boyhood, with
+Beck's, Eaton's, and Pursh's manuals, became so plain in Gray, that we
+cannot now imagine where was the difficulty. The extent of the field
+which Gray's Manual covers prevents him, of course, from giving
+such lifelike descriptions of plants as may be found in Dr.
+Bigelow's "Plants of Boston and its Vicinity," or such minute
+word-daguerreotypes as those in Mr. Emerson's "Trees of
+Massachusetts,"--books which no New England student of botany can
+afford to be without; but, on the other hand, the description of each
+species, aided by typographical devices of Italics, etc., is
+sufficient for any intelligent observer to identify a specimen. The
+exquisite engravings, illustrating the genera of Ferns, Hepaticae, and
+Mosses, are also a great assistance.
+
+The volume which we have marked III. is the fifth revised edition of
+the "Botanical Text-Book." It contains a complete, although concise,
+sketch of Structural Botany and Vegetable Physiology, and a birds'-eye
+view of the whole vegetable kingdom in its subdivision into families,
+illustrated by over thirteen hundred engravings on wood. It has become
+a standard of botany, wherever our language is read.
+
+For those who do not wish to pursue the study so far, the "First
+Lessons" is one of the most happily arranged and happily written
+scientific text-books ever published, and is illustrated by three
+hundred and sixty well-executed wood-cuts. This takes scholars of
+thirteen or fourteen years of age far enough into the recesses of the
+science for them to see its beauties, and to learn the passwords which
+shall admit them to all its hidden and inexhaustible treasures. It
+goes over substantially the same ground that is covered by the volume
+we have marked III., but in simpler language and with much less
+detail; and closes with clear practical directions how to collect
+specimens and make an herbarium.
+
+The first book is intended for children of ten or twelve years old, at
+home or in school. We hail it as a remarkably successful effort of a
+truly learned man to write a book actually adapted to young children.
+While all teachers, and writers upon education, insist on the
+importance of having a child's first impressions such as shall not
+need to be afterwards corrected, and such as shall attract the child
+towards the study to which it is introduced, our elementary books have
+usually sinned in one or both these points. They are either dry and
+repulsive, or else vague and incorrect;--frequently have both
+faults. But the child is here told "how plants grow" in a very
+pleasant manner, with neat and pretty pictures to illustrate the
+words, by one whose thorough knowledge and perspicuity of style
+prevent him from ever giving a wrong impression. The "Popular Flora"
+which is appended, contains a description of about one hundred
+families of the most common cultivated and wild plants, and of the
+most familiar genera and species in each family. The English names are
+in all cases put in the foreground in bold type,--while the Latin
+names stand modestly back, half hidden in parentheses and Italics; and
+these English names are in general very well selected,--although we
+think that when two or three English names are given to one plant, or
+one name to several plants, Dr. Gray ought to indicate which name he
+prefers. He allows "Dogwood" to stand without rebuke for the poison
+sumac, as well as for the flowering cornel; and gives "Winterberry"
+and "Black Alder" without comment to _Prinos verticellata_. A
+word of preference on his part might do something towards reforming
+and simplifying the popular nomenclature, and this child's manual is
+the place to utter that word. We think also that in a second edition
+of this Popular Flora it would be well to give a _popular_
+description of a few of the most beautiful flowers belonging to those
+families which are too difficult for the child properly to
+analyze. Thus, Arethusa, Cypripedium, Pogonia, Calopogon, Spiranthes,
+Festuca, Osmunda, Onoclea, Lycopodium, Polytrichum, Bryum, Marchantia,
+Usnea, Parmelia, Cladonia, Agaricus, Chondrus, and perhaps a few other
+genera, furnish plants so familiar and so striking that a child will
+be sure to inquire concerning them, and a general description could
+easily be framed in a few words which could not mislead him concerning
+them.
+
+In writing for children, Dr. Gray seems to have put on a new nature,
+in which we have a much fuller sympathy with him than we have ever had
+in reading his larger books. We do not like that cold English common
+sense which seems reluctant to admit any truth in the higher regions
+of thought; and we confess, that, until we had read this little
+child's book, "How Plants Grow," we had always suspected Dr. Gray of
+leaning towards that old error, so finely exposed by Agassiz in
+zooelogy, of considering genera, families, etc., as divisions made by
+human skill, for human convenience,--instead of as divisions belonging
+to the Creator's plan, as yet but partially understood by human
+students.
+
+We hope that the appearance of this masterly little book, so finely
+adapted to the child's understanding, may have the effect of
+introducing botany into the common schools. The natural taste of
+children for flowers indicates clearly the propriety and utility of
+giving them lessons upon botany in their earliest years. Go into any
+of our New England country-schools at this season of the year, and you
+will find a bouquet of wild flowers on the teacher's desk. Take it up
+and separate it,--show each flower to the school, tell its name, and
+its relationship to other and more familiar cultivated flowers, the
+characteristic sensible properties of its family, etc.,--and you will
+find the younger scholars your most attentive listeners. And if any
+practical man ask, What is the use of the younger scholars learning
+anything about wild flowers, which the cultivation of the country may
+soon render extinct, and which are but weeds at best?--there are two
+sufficient answers ready: first, that all truth is divine, and that
+the workmanship of infinite skill is beautiful and worthy of the eyes
+which may behold it; secondly, that no mental discipline is better
+adapted for the young mind than this learning how to distinguish
+plants. No more striking deficiency is observable, in most men, than
+the lack of a power to observe closely and with accuracy. The general
+inaccuracy of testimony, usually ascribed to inaccuracy of memory, is
+in fact to be attributed to inaccuracy of observation. In like
+manner, a large proportion of popular errors of judgment spring from
+an imperfect perception of the data on which the true conclusions
+should be founded. The best remedy for this lack of clear perceptions
+would evidently be the cultivation of those habits of close
+observation and nice discrimination necessary in a successful
+naturalist.
+
+
+
+***END OF THE PROJECT GUTENBERG EBOOK ATLANTIC MONTHLY, VOLUME 2, ISSUE
+10, AUGUST, 1858***
+
+
+******* This file should be named 10626.txt or 10626.zip *******
+
+
+This and all associated files of various formats will be found in:
+https://www.gutenberg.org/1/0/6/2/10626
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS," WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+http://www.ibiblio.org/gutenberg/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+https://www.gutenberg.org/GUTINDEX.ALL
+
+*** END: FULL LICENSE ***
diff --git a/old/10626.zip b/old/10626.zip
new file mode 100644
index 0000000..fe510ac
--- /dev/null
+++ b/old/10626.zip
Binary files differ